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+The Project Gutenberg EBook of The Thirteen, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Thirteen
+
+Author: Honore de Balzac
+
+Translator: Katharine Prescott Wormeley and Ellen Marriage
+
+Release Date: Release Date: February, 2005 [EBook #7416]
+Posting Date: March 7, 2010
+Last Updated: November 23, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE THIRTEEN ***
+
+
+
+
+Produced by John Bickers, Bonnie Sala, and Dagny
+
+
+
+
+
+THE THIRTEEN
+
+
+By Honore De Balzac
+
+
+Translated by Katharine Prescott Wormeley and Ellen Marriage
+
+
+
+
+ DEDICATION
+
+ To Hector Berlioz.
+
+
+
+
+INTRODUCTION
+
+The _Histoire des Treize_ consists--or rather is built up--of three
+stories: _Ferragus_ or the _Rue Soly_, _La Duchesse de Langeais_ or _Ne
+touchez-paz a la hache_, and _La Fille aux Yeux d’Or_.
+
+
+To tell the truth, there is more power than taste throughout the
+_Histoire des Treize_, and perhaps not very much less unreality than
+power. Balzac is very much better than Eugene Sue, though Eugene Sue
+also is better than it is the fashion to think him just now. But he is
+here, to a certain extent competing with Sue on the latter’s own ground.
+The notion of the “Devorants”--of a secret society of men devoted to
+each other’s interests, entirely free from any moral or legal scruple,
+possessed of considerable means in wealth, ability, and position, all
+working together, by fair means or foul, for good ends or bad--is,
+no doubt, rather seducing to the imagination at all times; and it so
+happened that it was particularly seducing to the imagination of
+that time. And its example has been powerful since; it gave us Mr.
+Stevenson’s _New Arabian Nights_ only, as it were, the other day.
+
+But there is something a little schoolboyish in it; and I do not know
+that Balzac has succeeded entirely in eliminating this something. The
+pathos of the death, under persecution, of the innocent Clemence does
+not entirely make up for the unreasonableness of the whole situation.
+Nobody can say that the abominable misconduct of Maulincour--who is a
+hopeless “cad”--is too much punished, though an Englishman may think
+that Dr. Johnson’s receipt of three or four footmen with cudgels,
+applied repeatedly and unsparingly, would have been better than
+elaborately prepared accidents and duels, which were too honorable for a
+Peeping Tom of this kind; and poisonings, which reduced the avengers to
+the level of their victim. But the imbroglio is of itself stupid; these
+fathers who cannot be made known to husbands are mere stage properties,
+and should never be fetched out of the theatrical lumber-room by
+literature.
+
+_La Duchesse de Langeais_ is, I think, a better story, with more
+romantic attraction, free from the objections just made to _Ferragus_,
+and furnished with a powerful, if slightly theatrical catastrophe. It
+is as good as anything that its author has done of the kind, subject
+to those general considerations of probability and otherwise which
+have been already hinted at. For those who are not troubled by any such
+critical reflections, both, no doubt, will be highly satisfactory.
+
+The third of the series, _La Fille aux Yeux d’Or_, in some respects one
+of Balzac’s most brilliant effects, has been looked at askance by many
+of his English readers. At one time he had the audacity to think of
+calling it _La Femme aux Yeux Rouges_. To those who consider the story
+morbid or, one may say, _bizarre_, one word of justification, hardly of
+apology, may be offered. It was in the scheme of the _Comedie Humaine_
+to survey social life in its entirety by a minute analysis of its most
+diverse constituents. It included all the pursuits and passions, was
+large and patient, and unafraid. And the patience, the curiosity, of the
+artist which made Cesar Birotteau and his bankrupt ledgers matters of
+high import to us, which did not shrink from creating a Vautrin and a
+Lucien de Rubempre, would have been incomplete had it stopped short of a
+Marquise de San-Real, of a Paquita Valdes. And in the great mass of the
+_Comedie Humaine_, with its largeness and reality of life, as in life
+itself; the figure of Paquita justifies its presence.
+
+Considering the _Histoire des Treize_ as a whole, it is of engrossing
+interest. And I must confess I should not think much of any boy who,
+beginning Balzac with this series, failed to go rather mad over it. I
+know there was a time when I used to like it best of all, and thought
+not merely _Eugenie Grandet_, but _Le Pere Goriot_ (though not the _Peau
+de Chagrin_), dull in comparison. Some attention, however, must be paid
+to two remarkable characters, on whom it is quite clear that Balzac
+expended a great deal of pains, and one of whom he seems to have
+“caressed,” as the French say, with a curious admixture of dislike and
+admiration.
+
+The first, Bourignard or Ferragus, is, of course, another, though a
+somewhat minor example--Collin or Vautrin being the chief--of that
+strange tendency to take intense interest in criminals, which seems to
+be a pretty constant eccentricity of many human minds, and which laid an
+extraordinary grasp on the great French writers of Balzac’s time. I must
+confess, though it may sink me very low in some eyes, that I have never
+been able to fully appreciate the attractions of crime and criminals,
+fictitious or real. Certain pleasant and profitable things, no doubt,
+retain their pleasure and their profit, to some extent, when they are
+done in the manner which is technically called criminal; but they seem
+to me to acquire no additional interest by being so. As the criminal of
+fact is, in the vast majority of cases, an exceedingly commonplace and
+dull person, the criminal of fiction seems to me only, or usually, to
+escape these curses by being absolutely improbable and unreal. But I
+know this is a terrible heresy.
+
+Henri de Marsay is a much more ambitious and a much more interesting
+figure. In him are combined the attractions of criminality, beauty,
+brains, success, and, last of all, dandyism. It is a well-known and
+delightful fact that the most Anglophobe Frenchmen--and Balzac might
+fairly be classed among them--have always regarded the English dandy
+with half-jealous, half-awful admiration. Indeed, our novelist, it will
+be seen, found it necessary to give Marsay English blood. But there is
+a tradition that this young Don Juan--not such a good fellow as Byron’s,
+nor such a _grand seigneur_ as Moliere’s--was partly intended to
+represent Charles de Remusat, who is best known to this generation
+by very sober and serious philosophical works, and by his part in
+his mother’s correspondence. I do not know that there ever were any
+imputation on M. de Remusat’s morals; but in memoirs of the time, he
+is, I think, accused of a certain selfishness and _hauteur_, and he
+certainly made his way, partly by journalism, partly by society, to
+power very much as Marsay did. But Marsay would certainly not have
+written _Abelard_ and the rest, or have returned to Ministerial rank in
+our own time. Marsay, in fact, more fortunate than Rubempre, and of a
+higher stamp and flight than Rastignac, makes with them Balzac’s trinity
+of sketches of the kind of personage whose part, in his day and since,
+every young Frenchman has aspired to play, and some have played. It
+cannot be said that “a moral man is Marsay”; it cannot be said that he
+has the element of good-nature which redeems Rastignac. But he bears
+a blame and a burden for which we Britons are responsible in part--the
+Byronic ideal of the guilty hero coming to cross and blacken the old
+French model of unscrupulous good humor. It is not a very pretty mixture
+or a very worthy ideal; but I am not so sure that it is not still a
+pretty common one.
+
+The association of the three stories forming the _Histoire des Treize_
+is, in book form, original, inasmuch as they filled three out of the
+four volumes of _Etudes des Moeurs_ published in 1834-35, and themselves
+forming part of the first collection of _Scenes de la Vie Parisienne_.
+But _Ferragus_ had appeared in parts (with titles to each) in the
+_Revue de Paris_ for March and April 1833, and part of _La Duchesse de
+Langeais_ in the _Echo de la Jeune France_ almost contemporaneously.
+There are divisions in this also. _Ferragus_ and _La Duchesse_ also
+appeared without _La Fille aux Yeux d’Or_ in 1839, published in one
+volume by Charpentier, before their absorption at the usual time in the
+_Comedie_.
+
+George Saintsbury
+
+
+
+
+AUTHOR’S PREFACE
+
+In the Paris of the Empire there were found Thirteen men equally
+impressed with the same idea, equally endowed with energy enough to keep
+them true to it, while among themselves they were loyal enough to keep
+faith even when their interests seemed to clash. They were strong
+enough to set themselves above all laws; bold enough to shrink from no
+enterprise; and lucky enough to succeed in nearly everything that they
+undertook. So profoundly politic were they, that they could dissemble
+the tie which bound them together. They ran the greatest risks, and
+kept their failures to themselves. Fear never entered into their
+calculations; not one of them had trembled before princes, before the
+executioner’s axe, before innocence. They had taken each other as they
+were, regardless of social prejudices. Criminals they doubtless were,
+yet none the less were they all remarkable for some one of the virtues
+which go to the making of great men, and their numbers were filled up
+only from among picked recruits. Finally, that nothing should be lacking
+to complete the dark, mysterious romance of their history, nobody to
+this day knows who they were. The Thirteen once realized all the wildest
+ideas conjured up by tales of the occult powers of a Manfred, a
+Faust, or a Melmoth; and to-day the band is broken up or, at any rate,
+dispersed. Its members have quietly returned beneath the yoke of the
+Civil Code; much as Morgan, the Achilles of piracy, gave up buccaneering
+to be a peaceable planter; and, untroubled by qualms of conscience, sat
+himself down by the fireside to dispose of blood-stained booty acquired
+by the red light of blazing towns.
+
+After Napoleon’s death, the band was dissolved by a chance event which
+the author is bound for the present to pass over in silence, and its
+mysterious existence, as curious, it may be, as the darkest novel by
+Mrs. Radcliffe, came to an end.
+
+It was only lately that the present writer, detecting, as he fancied,
+a faint desire for celebrity in one of the anonymous heroes to whom
+the whole band once owed an occult allegiance, received the somewhat
+singular permission to make public certain of the adventures which
+befell that band, provided that, while telling the story in his own
+fashion, he observed certain limits.
+
+The aforesaid leader was still an apparently young man with fair hair
+and blue eyes, and a soft, thin voice which might seem to indicate a
+feminine temperament. His face was pale, his ways mysterious. He chatted
+pleasantly, and told me that he was only just turned of forty. He might
+have belonged to any one of the upper classes. The name which he gave
+was probably assumed, and no one answering to his description was known
+in society. Who is he, do you ask? No one knows.
+
+Perhaps when he made his extraordinary disclosures to the present
+writer, he wished to see them in some sort reproduced; to enjoy the
+effect of the sensation on the multitude; to feel as Macpherson might
+have felt when the name of Ossian, his creation, passed into all
+languages. And, in truth, that Scottish advocate knew one of the
+keenest, or, at any rate, one of the rarest sensations in human
+experience. What was this but the incognito of genius? To write an
+_Itineraire de Paris a Jerusalem_ is to take one’s share in the glory
+of a century, but to give a Homer to one’s country--this surely is a
+usurpation of the rights of God.
+
+The writer is too well acquainted with the laws of narration to be
+unaware of the nature of the pledge given by this brief preface; but,
+at the same time, he knows enough of the history of the Thirteen to feel
+confident that he shall not disappoint any expectations raised by the
+programme. Tragedies dripping with gore, comedies piled up with horrors,
+tales of heads taken off in secret have been confided to him. If any
+reader has not had enough of the ghastly tales served up to the public
+for some time past, he has only to express his wish; the author is in
+a position to reveal cold-blooded atrocities and family secrets of a
+gloomy and astonishing nature. But in preference he has chosen those
+pleasanter stories in which stormy passions are succeeded by purer
+scenes, where the beauty and goodness of woman shine out the brighter
+for the darkness. And, to the honor of the Thirteen, such episodes as
+these are not wanting. Some day perhaps it may be thought worth while
+to give their whole history to the world; in which case it might form a
+pendant to the history of the buccaneers--that race apart so curiously
+energetic, so attractive in spite of their crimes.
+
+When a writer has a true story to tell, he should scorn to turn it into
+a sort of puzzle toy, after the manner of those novelists who take
+their reader for a walk through one cavern after another to show him a
+dried-up corpse at the end of the fourth volume, and inform him, by way
+of conclusion, that he has been frightened all along by a door hidden
+somewhere or other behind some tapestry; or a dead body, left by
+inadvertence, under the floor. So the present chronicler, in spite of
+his objection to prefaces, felt bound to introduce his fragment by a few
+remarks.
+
+_Ferragus_, the first episode, is connected by invisible links with the
+history of the Thirteen, for the power which they acquired in a natural
+manner provides the apparently supernatural machinery.
+
+Again, although a certain literary coquetry may be permissible to
+retailers of the marvelous, the sober chronicler is bound to forego
+such advantage as he may reap from an odd-sounding name, on which many
+ephemeral successes are founded in these days. Wherefore the present
+writer gives the following succinct statement of the reasons which
+induced him to adopt the unlikely sounding title and sub-title.
+
+In accordance with old-established custom, _Ferragus_ is a name taken by
+the head of a guild of _Devorants_, _id est Devoirants_ or journeymen.
+Every chief on the day of his election chooses a pseudonym and continues
+a dynasty of _Devorants_ precisely as a pope changes his name on his
+accession to the triple tiara; and as the Church has its Clement XIV.,
+Gregory XII., Julius II., or Alexander VI., so the workmen have their
+Trempe-la-Soupe IX., Ferragus XXII., Tutanus XIII., or Masche-Fer IV.
+Who are the _Devorants_, do you ask?
+
+The _Devorants_ are one among many tribes of _compagnons_ whose origin
+can be traced to a great mystical association formed among the
+workmen of Christendom for the rebuilding of the Temple at Jerusalem.
+_Compagnonnage_ is still a popular institution in France. Its traditions
+still exert a power over little enlightened minds, over men so
+uneducated that they have not learned to break their oaths; and the
+various organizations might be turned to formidable account even yet
+if any rough-hewn man of genius arose to make use of them, for his
+instruments would be, for the most part, almost blind.
+
+Wherever journeymen travel, they find a hostel for _compagnons_ which
+has been in existence in the town from time immemorial. The _obade_,
+as they call it, is a kind of lodge with a “Mother” in charge, an old,
+half-gypsy wife who has nothing to lose. She hears all that goes on in
+the countryside; and, either from fear or from long habit, is devoted to
+the interests of the tribe boarded and lodged by her. And as a result,
+this shifting population, subject as it is to an unalterable law of
+custom, has eyes in every place, and will carry out an order anywhere
+without asking questions; for the oldest journeyman is still at an age
+when a man has some beliefs left. What is more, the whole fraternity
+professes doctrines which, if unfolded never so little, are both
+true enough and mysterious enough to electrify all the adepts with
+patriotism; and the _compagnons_ are so attached to their rules, that
+there have been bloody battles between different fraternities on a
+question of principle. Fortunately, however, for peace and public order;
+if a _Devorant_ is ambitious, he takes to building houses, makes a
+fortune, and leaves the guild.
+
+A great many curious things might be told of their rivals, the
+_Compagnons du Devior_, of all the different sects of workmen, their
+manners and customs and brotherhoods, and of the resemblances between
+them and the Freemasons; but there, these particulars would be out
+of place. The author will merely add, that before the Revolution a
+Trempe-la-Soupe had been known in the King’s service, which is to say,
+that he had the tenure of a place in His Majesty’s galleys for one
+hundred and one years; but even thence he ruled his guild, and was
+religiously consulted on all matters, and if he escaped from the hulks
+he met with help, succor, and respect wherever he went. To have a
+chief in the hulks is one of those misfortunes for which Providence is
+responsible; but a faithful lodge of _devorants_ is bound, as before, to
+obey a power created by and set above themselves. Their lawful sovereign
+is in exile for the time being, but none the less is he their king.
+And now any romantic mystery hanging about the words _Ferragus_ and the
+_devorants_ is completely dispelled.
+
+As for the Thirteen, the author feels that, on the strength of the
+details of this almost fantastic story, he can afford to give away yet
+another prerogative, though it is one of the greatest on record, and
+would possibly fetch a high price if brought into a literary auction
+mart; for the owner might inflict as many volumes on the public as La
+Contemporaine.[*]
+
+ [*] A long series of so-called Memoirs, which appeared about 1830.
+
+The Thirteen were all of them men tempered like Byron’s friend
+Trelawney, the original (so it is said) of _The Corsair_. All of them
+were fatalists, men of spirit and poetic temperament; all of them were
+tired of the commonplace life which they led; all felt attracted towards
+Asiatic pleasures by all the vehement strength of newly awakened
+and long dormant forces. One of these, chancing to take up _Venice
+Preserved_ for the second time, admired the sublime friendship between
+Pierre and Jaffir, and fell to musing on the virtues of outlaws, the
+loyalty of the hulks, the honor of thieves, and the immense power that
+a few men can wield if they bring their whole minds to bear upon the
+carrying out of a single will. It struck him that the individual man
+rose higher than men. Then he began to think that if a few picked men
+should band themselves together; and if, to natural wit, and education,
+and money, they could join a fanaticism hot enough to fuse, as it were,
+all those separate forces into a single one, then the whole world would
+be at their feet. From that time forth, with a tremendous power of
+concentration, they could wield an occult power against which the
+organization of society would be helpless; a power which would push
+obstacles aside and defeat the will of others; and the diabolical power
+of all would be at the service of each. A hostile world apart within the
+world, admitting none of the ideas, recognizing none of the laws of the
+world; submitting only to the sense of necessity, obedient only from
+devotion; acting all as one man in the interests of the comrade who
+should claim the aid of the rest; a band of buccaneers with carriages
+and yellow kid gloves; a close confederacy of men of extraordinary
+power, of amused and cool spectators of an artificial and petty world
+which they cursed with smiling lips; conscious as they were that they
+could make all things bend to their caprice, weave ingenious schemes of
+revenge, and live with the life in thirteen hearts, to say nothing
+of the unfailing pleasure of facing the world of men with a hidden
+misanthropy, a sense that they were armed against their kind, and could
+retire into themselves with one idea which the most remarkable men had
+not,--all this constituted a religion of pleasure and egoism which
+made fanatics of the Thirteen. The history of the Society of Jesus was
+repeated for the Devil’s benefit. It was hideous and sublime.
+
+The pact was made; and it lasted, precisely because it seemed
+impossible. And so it came to pass that in Paris there was a fraternity
+of thirteen men, each one bound, body and soul, to the rest, and all
+of them strangers to each other in the sight of the world. But evening
+found them gathered together like conspirators, and then they had no
+thoughts apart; riches, like the wealth of the Old Man of the Mountain,
+they possessed in common; they had their feet in every salon, their
+hands in every strong box, their elbows in the streets, their heads upon
+all pillows, they did not scruple to help themselves at their pleasure.
+No chief commanded them, nobody was strong enough. The liveliest
+passion, the most urgent need took precedence--that was all. They were
+thirteen unknown kings; unknown, but with all the power and more than
+the power of kings; for they were both judges and executioners, they had
+taken wings that they might traverse the heights and depths of society,
+scorning to take any place in it, since all was theirs. If the author
+learns the reason of their abdication, he will communicate it.
+
+And now the author is free to give those episodes in the History of the
+Thirteen which, by reason of the Parisian flavor of the details or the
+strangeness of the contrasts, possessed a peculiar attraction for him.
+
+Paris
+
+
+
+
+
+THE THIRTEEN
+
+
+
+
+I. FERRAGUS, CHIEF OF THE DEVORANTS
+
+
+
+CHAPTER I. MADAME JULES
+
+Certain streets in Paris are as degraded as a man covered with infamy;
+also, there are noble streets, streets simply respectable, young streets
+on the morality of which the public has not yet formed an opinion; also
+cut-throat streets, streets older than the age of the oldest dowagers,
+estimable streets, streets always clean, streets always dirty, working,
+laboring, and mercantile streets. In short, the streets of Paris
+have every human quality, and impress us, by what we must call their
+physiognomy, with certain ideas against which we are defenceless. There
+are, for instance, streets of a bad neighborhood in which you could not
+be induced to live, and streets where you would willingly take up your
+abode. Some streets, like the rue Montmartre, have a charming head,
+and end in a fish’s tail. The rue de la Paix is a wide street, a fine
+street, yet it wakens none of those gracefully noble thoughts which come
+to an impressible mind in the middle of the rue Royale, and it certainly
+lacks the majesty which reigns in the Place Vendome.
+
+If you walk the streets of the Ile Saint-Louis, do not seek the reason
+of the nervous sadness that lays hold upon you save in the solitude
+of the spot, the gloomy look of the houses, and the great deserted
+mansions. This island, the ghost of _fermiers-generaux_, is the Venice
+of Paris. The Place de la Bourse is voluble, busy, degraded; it is
+never fine except by moonlight at two in the morning. By day it is
+Paris epitomized; by night it is a dream of Greece. The rue
+Traversiere-Saint-Honore--is not that a villainous street? Look at the
+wretched little houses with two windows on a floor, where vice, crime,
+and misery abound. The narrow streets exposed to the north, where the
+sun never comes more than three or four times a year, are the cut-throat
+streets which murder with impunity; the authorities of the present
+day do not meddle with them; but in former times the Parliament might
+perhaps have summoned the lieutenant of police and reprimanded him for
+the state of things; and it would, at least, have issued some decree
+against such streets, as it once did against the wigs of the Chapter of
+Beauvais. And yet Monsieur Benoiston de Chateauneuf has proved that
+the mortality of these streets is double that of others! To sum up such
+theories by a single example: is not the rue Fromentin both murderous
+and profligate!
+
+These observations, incomprehensible out of Paris, will doubtless be
+understood by musing men of thought and poesy and pleasure, who
+know, while rambling about Paris, how to harvest the mass of floating
+interests which may be gathered at all hours within her walls; to them
+Paris is the most delightful and varied of monsters: here, a pretty
+woman; farther on, a haggard pauper; here, new as the coinage of a new
+reign; there, in this corner, elegant as a fashionable woman. A monster,
+moreover, complete! Its garrets, as it were, a head full of knowledge
+and genius; its first storeys stomachs repleted; its shops, actual feet,
+where the busy ambulating crowds are moving. Ah! what an ever-active
+life the monster leads! Hardly has the last vibration of the last
+carriage coming from a ball ceased at its heart before its arms are
+moving at the barriers and it shakes itself slowly into motion. Doors
+open; turning on their hinges like the membrane of some huge lobster,
+invisibly manipulated by thirty thousand men or women, of whom each
+individual occupies a space of six square feet, but has a kitchen, a
+workshop, a bed, children, a garden, little light to see by, but
+must see all. Imperceptibly, the articulations begin to crack; motion
+communicates itself; the street speaks. By mid-day, all is alive; the
+chimneys smoke, the monster eats; then he roars, and his thousand paws
+begin to ramp. Splendid spectacle! But, O Paris! he who has not admired
+your gloomy passages, your gleams and flashes of light, your deep and
+silent _cul-de-sacs_, who has not listened to your murmurings between
+midnight and two in the morning, knows nothing as yet of your true
+poesy, nor of your broad and fantastic contrasts.
+
+There are a few amateurs who never go their way heedlessly; who savor
+their Paris, so to speak; who know its physiognomy so well that they
+see every wart, and pimple, and redness. To others, Paris is always that
+monstrous marvel, that amazing assemblage of activities, of schemes,
+of thoughts; the city of a hundred thousand tales, the head of the
+universe. But to those few, Paris is sad or gay, ugly or beautiful,
+living or dead; to them Paris is a creature; every man, every fraction
+of a house is a lobe of the cellular tissue of that great courtesan
+whose head and heart and fantastic customs they know so well. These men
+are lovers of Paris; they lift their noses at such or such a corner of
+a street, certain that they can see the face of a clock; they tell a
+friend whose tobacco-pouch is empty, “Go down that passage and turn
+to the left; there’s a tobacconist next door to a confectioner, where
+there’s a pretty girl.” Rambling about Paris is, to these poets, a
+costly luxury. How can they help spending precious minutes before
+the dramas, disasters, faces, and picturesque events which meet us
+everywhere amid this heaving queen of cities, clothed in posters,--who
+has, nevertheless, not a single clean corner, so complying is she to the
+vices of the French nation! Who has not chanced to leave his home early
+in the morning, intending to go to some extremity of Paris, and found
+himself unable to get away from the centre of it by the dinner-hour?
+Such a man will know how to excuse this vagabondizing start upon our
+tale; which, however, we here sum up in an observation both useful and
+novel, as far as any observation can be novel in Paris, where there is
+nothing new,--not even the statue erected yesterday, on which some young
+gamin has already scribbled his name.
+
+Well, then! there are streets, or ends of streets, there are houses,
+unknown for the most part to persons of social distinction, to which a
+woman of that class cannot go without causing cruel and very wounding
+things to be thought of her. Whether the woman be rich and has a
+carriage, whether she is on foot, or is disguised, if she enters one
+of these Parisian defiles at any hour of the day, she compromises her
+reputation as a virtuous woman. If, by chance, she is there at nine in
+the evening the conjectures that an observer permits himself to make
+upon her may prove fearful in their consequences. But if the woman is
+young and pretty, if she enters a house in one of those streets, if the
+house has a long, dark, damp, and evil-smelling passage-way, at the end
+of which flickers the pallid gleam of an oil lamp, and if beneath that
+gleam appears the horrid face of a withered old woman with fleshless
+fingers, ah, then! and we say it in the interests of young and pretty
+women, that woman is lost. She is at the mercy of the first man of her
+acquaintance who sees her in that Parisian slough. There is more than
+one street in Paris where such a meeting may lead to a frightful drama,
+a bloody drama of death and love, a drama of the modern school.
+
+Unhappily, this scene, this modern drama itself, will be comprehended by
+only a small number of persons; and it is a pity to tell the tale to
+a public which cannot enter into its local merit. But who can flatter
+himself that he will ever be understood? We all die unknown--‘tis the
+saying of women and of authors.
+
+At half-past eight o’clock one evening, in the rue Pagevin, in the days
+when that street had no wall which did not echo some infamous word, and
+was, in the direction of the rue Soly, the narrowest and most impassable
+street in Paris (not excepting the least frequented corner of the most
+deserted street),--at the beginning of the month of February about
+thirteen years ago, a young man, by one of those chances which come but
+once in life, turned the corner of the rue Pagevin to enter the rue des
+Vieux-Augustins, close to the rue Soly. There, this young man, who lived
+himself in the rue de Bourbon, saw in a woman near whom he had been
+unconsciously walking, a vague resemblance to the prettiest woman in
+Paris; a chaste and delightful person, with whom he was secretly and
+passionately in love,--a love without hope; she was married. In a moment
+his heart leaped, an intolerable heat surged from his centre and flowed
+through all his veins; his back turned cold, the skin of his head crept.
+He loved, he was young, he knew Paris; and his knowledge did not permit
+him to be ignorant of all there was of possible infamy in an elegant,
+rich, young, and beautiful woman walking there, alone, with a furtively
+criminal step. _She_ in that mud! at that hour!
+
+The love that this young man felt for that woman may seem romantic, and
+all the more so because he was an officer in the Royal Guard. If he had
+been in the infantry, the affair might have seemed more likely; but, as
+an officer of rank in the cavalry, he belonged to that French arm which
+demands rapidity in its conquests and derives as much vanity from its
+amorous exploits as from its dashing uniform. But the passion of this
+officer was a true love, and many young hearts will think it noble.
+He loved this woman because she was virtuous; he loved her virtue, her
+modest grace, her imposing saintliness, as the dearest treasures of his
+hidden passion. This woman was indeed worthy to inspire one of those
+platonic loves which are found, like flowers amid bloody ruins, in the
+history of the middle-ages; worthy to be the hidden principle of all the
+actions of a young man’s life; a love as high, as pure as the skies when
+blue; a love without hope and to which men bind themselves because
+it can never deceive; a love that is prodigal of unchecked enjoyment,
+especially at an age when the heart is ardent, the imagination keen, and
+the eyes of a man see very clearly.
+
+Strange, weird, inconceivable effects may be met with at night in Paris.
+Only those who have amused themselves by watching those effects have
+any idea how fantastic a woman may appear there at dusk. At times the
+creature whom you are following, by accident or design, seems to you
+light and slender; the stockings, if they are white, make you fancy that
+the legs must be slim and elegant; the figure though wrapped in a shawl,
+or concealed by a pelisse, defines itself gracefully and seductively
+among the shadows; anon, the uncertain gleam thrown from a shop-window
+or a street lamp bestows a fleeting lustre, nearly always deceptive, on
+the unknown woman, and fires the imagination, carrying it far beyond
+the truth. The senses then bestir themselves; everything takes color and
+animation; the woman appears in an altogether novel aspect; her person
+becomes beautiful. Behold! she is not a woman, she is a demon, a siren,
+who is drawing you by magnetic attraction to some respectable house,
+where the worthy _bourgeoise_, frightened by your threatening step and
+the clack of your boots, shuts the door in your face without looking at
+you.
+
+A vacillating gleam, thrown from the shop-window of a shoemaker,
+suddenly illuminated from the waist down the figure of the woman who was
+before the young man. Ah! surely, _she_ alone had that swaying figure;
+she alone knew the secret of that chaste gait which innocently set into
+relief the many beauties of that attractive form. Yes, that was the
+shawl, and that the velvet bonnet which she wore in the mornings. On
+her gray silk stockings not a spot, on her shoes not a splash. The shawl
+held tightly round the bust disclosed, vaguely, its charming lines; and
+the young man, who had often seen those shoulders at a ball, knew well
+the treasures that the shawl concealed. By the way a Parisian woman
+wraps a shawl around her, and the way she lifts her feet in the street,
+a man of intelligence in such studies can divine the secret of her
+mysterious errand. There is something, I know not what, of quivering
+buoyancy in the person, in the gait; the woman seems to weigh less; she
+steps, or rather, she glides like a star, and floats onward led by a
+thought which exhales from the folds and motion of her dress. The young
+man hastened his step, passed the woman, and then turned back to look
+at her. Pst! she had disappeared into a passage-way, the grated door of
+which and its bell still rattled and sounded. The young man walked back
+to the alley and saw the woman reach the farther end, where she began
+to mount--not without receiving the obsequious bow of an old portress--a
+winding staircase, the lower steps of which were strongly lighted; she
+went up buoyantly, eagerly, as though impatient.
+
+“Impatient for what?” said the young man to himself, drawing back to
+lean against a wooden railing on the other side of the street. He
+gazed, unhappy man, at the different storeys of the house, with the keen
+attention of a detective searching for a conspirator.
+
+It was one of those houses of which there are thousands in Paris,
+ignoble, vulgar, narrow, yellowish in tone, with four storeys and three
+windows on each floor. The outer blinds of the first floor were closed.
+Where was she going? The young man fancied he heard the tinkle of a bell
+on the second floor. As if in answer to it, a light began to move in a
+room with two windows strongly illuminated, which presently lit up the
+third window, evidently that of a first room, either the salon or the
+dining-room of the apartment. Instantly the outline of a woman’s bonnet
+showed vaguely on the window, and a door between the two rooms must
+have closed, for the first was dark again, while the two other windows
+resumed their ruddy glow. At this moment a voice said, “Hi, there!” and
+the young man was conscious of a blow on his shoulder.
+
+“Why don’t you pay attention?” said the rough voice of a workman,
+carrying a plank on his shoulder. The man passed on. He was the voice of
+Providence saying to the watcher: “What are you meddling with? Think of
+your own duty; and leave these Parisians to their own affairs.”
+
+The young man crossed his arms; then, as no one beheld him, he suffered
+tears of rage to flow down his cheeks unchecked. At last the sight of
+the shadows moving behind the lighted windows gave him such pain that he
+looked elsewhere and noticed a hackney-coach, standing against a wall
+in the upper part of the rue des Vieux-Augustins, at a place where there
+was neither the door of a house, nor the light of a shop-window.
+
+Was it she? Was it not she? Life or death to a lover! This lover waited.
+He stood there during a century of twenty minutes. After that the woman
+came down, and he then recognized her as the one whom he secretly loved.
+Nevertheless, he wanted still to doubt. She went to the hackney-coach,
+and got into it.
+
+“The house will always be there and I can search it later,” thought the
+young man, following the carriage at a run, to solve his last doubts;
+and soon he did so.
+
+The carriage stopped in the rue de Richelieu before a shop for
+artificial flowers, close to the rue de Menars. The lady got out,
+entered the shop, sent out the money to pay the coachman, and presently
+left the shop herself, on foot, after buying a bunch of marabouts.
+Marabouts for her black hair! The officer beheld her, through the
+window-panes, placing the feathers to her head to see the effect, and
+he fancied he could hear the conversation between herself and the
+shop-woman.
+
+“Oh! madame, nothing is more suitable for brunettes: brunettes have
+something a little too strongly marked in their lines, and marabouts
+give them just that _flow_ which they lack. Madame la Duchesse de
+Langeais says they give a woman something vague, Ossianic, and very
+high-bred.”
+
+“Very good; send them to me at once.”
+
+Then the lady turned quickly toward the rue de Menars, and entered her
+own house. When the door closed on her, the young lover, having lost
+his hopes, and worse, far worse, his dearest beliefs, walked through the
+streets like a drunken man, and presently found himself in his own room
+without knowing how he came there. He flung himself into an arm-chair,
+put his head in his hands and his feet on the andirons, drying his boots
+until he burned them. It was an awful moment,--one of those moments in
+human life when the character is moulded, and the future conduct of the
+best of men depends on the good or evil fortune of his first action.
+Providence or fatality?--choose which you will.
+
+This young man belonged to a good family, whose nobility was not very
+ancient; but there are so few really old families in these days, that
+all men of rank are ancient without dispute. His grandfather had bought
+the office of counsellor to the Parliament of Paris, where he afterwards
+became president. His sons, each provided with a handsome fortune,
+entered the army, and through their marriages became attached to the
+court. The Revolution swept the family away; but one old dowager, too
+obstinate to emigrate, was left; she was put in prison, threatened with
+death, but was saved by the 9th Thermidor and recovered her property.
+When the proper time came, about the year 1804, she recalled her
+grandson to France. Auguste de Maulincour, the only scion of the
+Carbonnon de Maulincour, was brought up by the good dowager with the
+triple care of a mother, a woman of rank, and an obstinate dowager. When
+the Restoration came, the young man, then eighteen years of age, entered
+the Maison-Rouge, followed the princes to Ghent, was made an officer in
+the body-guard, left it to serve in the line, but was recalled later to
+the Royal Guard, where, at twenty-three years of age, he found
+himself major of a cavalry regiment,--a splendid position, due to his
+grandmother, who had played her cards well to obtain it, in spite of his
+youth. This double biography is a compendium of the general and special
+history, barring variations, of all the noble families who emigrated
+having debts and property, dowagers and tact.
+
+Madame la Baronne de Maulincour had a friend in the old Vidame de
+Pamiers, formerly a commander of the Knights of Malta. This was one of
+those undying friendships founded on sexagenary ties which nothing
+can weaken, because at the bottom of such intimacies there are certain
+secrets of the human heart, delightful to guess at when we have the
+time, insipid to explain in twenty words, and which might make the text
+of a work in four volumes as amusing as the Doyen de Killerine,--a work
+about which young men talk and judge without having read it.
+
+Auguste de Maulincour belonged therefore to the faubourg Saint-Germain
+through his grandmother and the vidame, and it sufficed him to date back
+two centuries to take the tone and opinions of those who assume to
+go back to Clovis. This young man, pale, slender, and delicate in
+appearance, a man of honor and true courage, who would fight a duel for
+a yes or a no, had never yet fought upon a battle-field, though he wore
+in his button-hole the cross of the Legion of honor. He was, as you
+perceive, one of the blunders of the Restoration, perhaps the most
+excusable of them. The youth of those days was the youth of no epoch.
+It came between the memories of the Empire and those of the Emigration,
+between the old traditions of the court and the conscientious education
+of the _bourgeoisie_; between religion and fancy-balls; between two
+political faiths, between Louis XVIII., who saw only the present, and
+Charles X., who looked too far into the future; it was moreover bound to
+accept the will of the king, though the king was deceiving and tricking
+it. This unfortunate youth, blind and yet clear-sighted, was counted
+as nothing by old men jealously keeping the reins of the State in
+their feeble hands, while the monarchy could have been saved by their
+retirement and the accession of this Young France, which the old
+doctrinaires, the _emigres_ of the Restoration, still speak of
+slightingly. Auguste de Maulincour was a victim to the ideas which
+weighed in those days upon French youth, and we must here explain why.
+
+The Vidame de Pamiers was still, at sixty-seven years of age, a very
+brilliant man, having seen much and lived much; a good talker, a man of
+honor and a gallant man, but who held as to women the most detestable
+opinions; he loved them, and he despised them. _Their_ honor! _their_
+feelings! Ta-ra-ra, rubbish and shams! When he was with them, he
+believed in them, the ci-devant “monstre”; he never contradicted them,
+and he made them shine. But among his male friends, when the topic of
+the sex came up, he laid down the principle that to deceive women, and
+to carry on several intrigues at once, should be the occupation of those
+young men who were so misguided as to wish to meddle in the affairs of
+the State. It is sad to have to sketch so hackneyed a portrait, for has
+it not figured everywhere and become, literally, as threadbare as
+that of a grenadier of the Empire? But the vidame had an influence
+on Monsieur de Maulincour’s destiny which obliges us to preserve his
+portrait; he lectured the young man after his fashion, and did his best
+to convert him to the doctrines of the great age of gallantry.
+
+The dowager, a tender-hearted, pious woman, sitting between God and her
+vidame, a model of grace and sweetness, but gifted with that well-bred
+persistency which triumphs in the long run, had longed to preserve for
+her grandson the beautiful illusions of life, and had therefore brought
+him up in the highest principles; she instilled into him her own
+delicacy of feeling and made him, to outward appearance, a timid man, if
+not a fool. The sensibilities of the young fellow, preserved pure, were
+not worn by contact without; he remained so chaste, so scrupulous, that
+he was keenly offended by actions and maxims to which the world attached
+no consequence. Ashamed of this susceptibility, he forced himself to
+conceal it under a false hardihood; but he suffered in secret, all the
+while scoffing with others at the things he reverenced.
+
+It came to pass that he was deceived; because, in accordance with a not
+uncommon whim of destiny, he, a man of gentle melancholy, and spiritual
+in love, encountered in the object of his first passion a woman who
+held in horror all German sentimentalism. The young man, in consequence,
+distrusted himself, became dreamy, absorbed in his griefs, complaining
+of not being understood. Then, as we desire all the more violently the
+things we find difficult to obtain, he continued to adore women with
+that ingenuous tenderness and feline delicacy the secret of which
+belongs to women themselves, who may, perhaps, prefer to keep the
+monopoly of it. In point of fact, though women of the world complain
+of the way men love them, they have little liking themselves for those
+whose soul is half feminine. Their own superiority consists in making
+men believe they are their inferiors in love; therefore they will
+readily leave a lover if he is inexperienced enough to rob them of those
+fears with which they seek to deck themselves, those delightful tortures
+of feigned jealousy, those troubles of hope betrayed, those futile
+expectations,--in short, the whole procession of their feminine
+miseries. They hold Sir Charles Grandison in horror. What can be more
+contrary to their nature than a tranquil, perfect love? They want
+emotions; happiness without storms is not happiness to them. Women with
+souls that are strong enough to bring infinitude into love are angelic
+exceptions; they are among women what noble geniuses are among men.
+Their great passions are rare as masterpieces. Below the level of
+such love come compromises, conventions, passing and contemptible
+irritations, as in all things petty and perishable.
+
+Amid the hidden disasters of his heart, and while he was still seeking
+the woman who could comprehend him (a search which, let us remark in
+passing, is one of the amorous follies of our epoch), Auguste met, in
+the rank of society that was farthest from his own, in the secondary
+sphere of money, where banking holds the first place, a perfect being,
+one of those women who have I know not what about them that is saintly
+and sacred,--women who inspire such reverence that love has need of the
+help of a long familiarity to declare itself.
+
+Auguste then gave himself up wholly to the delights of the deepest and
+most moving of passions, to a love that was purely adoring. Innumerable
+repressed desires there were, shadows of passion so vague yet so
+profound, so fugitive and yet so actual, that one scarcely knows to what
+we may compare them. They are like perfumes, or clouds, or rays of the
+sun, or shadows, or whatever there is in nature that shines for a moment
+and disappears, that springs to life and dies, leaving in the heart long
+echoes of emotion. When the soul is young enough to nurture melancholy
+and far-off hope, to find in woman more than a woman, is it not the
+greatest happiness that can befall a man when he loves enough to feel
+more joy in touching a gloved hand, or a lock of hair, in listening to
+a word, in casting a single look, than in all the ardor of possession
+given by happy love? Thus it is that rejected persons, those rebuffed by
+fate, the ugly and unfortunate, lovers unrevealed, women and timid men,
+alone know the treasures contained in the voice of the beloved. Taking
+their source and their element from the soul itself, the vibrations
+of the air, charged with passion, put our hearts so powerfully into
+communion, carrying thought between them so lucidly, and being, above
+all, so incapable of falsehood, that a single inflection of a voice is
+often a revelation. What enchantments the intonations of a tender
+voice can bestow upon the heart of a poet! What ideas they awaken! What
+freshness they shed there! Love is in the voice before the glance avows
+it. Auguste, poet after the manner of lovers (there are poets who feel,
+and poets who express; the first are the happiest), Auguste had tasted
+all these early joys, so vast, so fecund. SHE possessed the most winning
+organ that the most artful woman of the world could have desired in
+order to deceive at her ease; _she_ had that silvery voice which is soft
+to the ear, and ringing only for the heart which it stirs and troubles,
+caresses and subjugates.
+
+And this woman went by night to the rue Soly through the rue Pagevin!
+and her furtive apparition in an infamous house had just destroyed the
+grandest of passions! The vidame’s logic triumphed.
+
+“If she is betraying her husband we will avenge ourselves,” said
+Auguste.
+
+There was still faith in that “if”. The philosophic doubt of Descartes
+is a politeness with which we should always honor virtue. Ten o’clock
+sounded. The Baron de Maulincour remembered that this woman was going to
+a ball that evening at a house to which he had access. He dressed, went
+there, and searched for her through all the salons. The mistress of the
+house, Madame de Nucingen, seeing him thus occupied, said:--
+
+“You are looking for Madame Jules; but she has not yet come.”
+
+“Good evening, dear,” said a voice.
+
+Auguste and Madame de Nucingen turned round. Madame Jules had arrived,
+dressed in white, looking simple and noble, wearing in her hair the
+marabouts the young baron had seen her choose in the flower-shop. That
+voice of love now pierced his heart. Had he won the slightest right to
+be jealous of her he would have petrified her then and there by saying
+the words, “Rue Soly!” But if he, an alien to her life, had said those
+words in her ear a thousand times, Madame Jules would have asked him in
+astonishment what he meant. He looked at her stupidly.
+
+For those sarcastic persons who scoff at all things it may be a great
+amusement to detect the secret of a woman, to know that her chastity is
+a lie, that her calm face hides some anxious thought, that under that
+pure brow is a dreadful drama. But there are other souls to whom
+the sight is saddening; and many of those who laugh in public, when
+withdrawn into themselves and alone with their conscience, curse the
+world while they despise the woman. Such was the case with Auguste de
+Maulincour, as he stood there in presence of Madame Jules. Singular
+situation! There was no other relation between them than that which
+social life establishes between persons who exchange a few words seven
+or eight times in the course of a winter, and yet he was calling her
+to account on behalf of a happiness unknown to her; he was judging her,
+without letting her know of his accusation.
+
+Many young men find themselves thus in despair at having broken forever
+with a woman adored in secret, condemned and despised in secret. There
+are many hidden monologues told to the walls of some solitary lodging;
+storms roused and calmed without ever leaving the depths of hearts;
+amazing scenes of the moral world, for which a painter is wanted. Madame
+Jules sat down, leaving her husband to make a turn around the salon.
+After she was seated she seemed uneasy, and, while talking with her
+neighbor, she kept a furtive eye on Monsieur Jules Desmarets, her
+husband, a broker chiefly employed by the Baron de Nucingen. The
+following is the history of their home life.
+
+Monsieur Desmarets was, five years before his marriage, in a broker’s
+office, with no other means than the meagre salary of a clerk. But he
+was a man to whom misfortune had early taught the truths of life, and he
+followed the strait path with the tenacity of an insect making for its
+nest; he was one of those dogged young men who feign death before an
+obstacle and wear out everybody’s patience with their own beetle-like
+perseverance. Thus, young as he was, he had all the republican virtue of
+poor peoples; he was sober, saving of his time, an enemy to pleasure.
+He waited. Nature had given him the immense advantage of an agreeable
+exterior. His calm, pure brow, the shape of his placid, but expressive
+face, his simple manners,--all revealed in him a laborious and resigned
+existence, that lofty personal dignity which is imposing to others,
+and the secret nobility of heart which can meet all events. His modesty
+inspired a sort of respect in those who knew him. Solitary in the midst
+of Paris, he knew the social world only by glimpses during the brief
+moments which he spent in his patron’s salon on holidays.
+
+There were passions in this young man, as in most of the men who live
+in that way, of amazing profundity,--passions too vast to be drawn into
+petty incidents. His want of means compelled him to lead an ascetic
+life, and he conquered his fancies by hard work. After paling all day
+over figures, he found his recreation in striving obstinately to acquire
+that wide general knowledge so necessary in these days to every man who
+wants to make his mark, whether in society, or in commerce, at the bar,
+or in politics or literature. The only peril these fine souls have to
+fear comes from their own uprightness. They see some poor girl; they
+love her; they marry her, and wear out their lives in a struggle between
+poverty and love. The noblest ambition is quenched perforce by the
+household account-book. Jules Desmarets went headlong into this peril.
+
+He met one evening at his patron’s house a girl of the rarest beauty.
+Unfortunate men who are deprived of affection, and who consume the
+finest hours of youth in work and study, alone know the rapid ravages
+that passion makes in their lonely, misconceived hearts. They are so
+certain of loving truly, all their forces are concentrated so quickly on
+the object of their love, that they receive, while beside her, the most
+delightful sensations, when, as often happens, they inspire none at
+all. Nothing is more flattering to a woman’s egotism than to divine this
+passion, apparently immovable, and these emotions so deep that they have
+needed a great length of time to reach the human surface. These poor
+men, anchorites in the midst of Paris, have all the enjoyments of
+anchorites; and may sometimes succumb to temptations. But, more often
+deceived, betrayed, and misunderstood, they are rarely able to gather
+the sweet fruits of a love which, to them, is like a flower dropped from
+heaven.
+
+One smile from his wife, a single inflection of her voice sufficed to
+make Jules Desmarets conceive a passion which was boundless. Happily,
+the concentrated fire of that secret passion revealed itself artlessly
+to the woman who inspired it. These two beings then loved each other
+religiously. To express all in a word, they clasped hands without shame
+before the eyes of the world and went their way like two children,
+brother and sister, passing serenely through a crowd where all made way
+for them and admired them.
+
+The young girl was in one of those unfortunate positions which human
+selfishness entails upon children. She had no civil status; her name of
+“Clemence” and her age were recorded only by a notary public. As for
+her fortune, that was small indeed. Jules Desmarets was a happy man
+on hearing these particulars. If Clemence had belonged to an opulent
+family, he might have despaired of obtaining her; but she was only the
+poor child of love, the fruit of some terrible adulterous passion; and
+they were married. Then began for Jules Desmarets a series of fortunate
+events. Every one envied his happiness; and henceforth talked only of
+his luck, without recalling either his virtues or his courage.
+
+Some days after their marriage, the mother of Clemence, who passed in
+society for her godmother, told Jules Desmarets to buy the office and
+good-will of a broker, promising to provide him with the necessary
+capital. In those days, such offices could still be bought at a modest
+price. That evening, in the salon as it happened of his patron, a
+wealthy capitalist proposed, on the recommendation of the mother, a very
+advantageous transaction for Jules Desmarets, and the next day the happy
+clerk was able to buy out his patron. In four years Desmarets became one
+of the most prosperous men in his business; new clients increased the
+number his predecessor had left to him; he inspired confidence in all;
+and it was impossible for him not to feel, by the way business came
+to him, that some hidden influence, due to his mother-in-law, or to
+Providence, was secretly protecting him.
+
+At the end of the third year Clemence lost her godmother. By that time
+Monsieur Jules (so called to distinguish him from an elder brother, whom
+he had set up as a notary in Paris) possessed an income from invested
+property of two hundred thousand francs. There was not in all Paris
+another instance of the domestic happiness enjoyed by this couple.
+For five years their exceptional love had been troubled by only one
+event,--a calumny for which Monsieur Jules exacted vengeance. One of his
+former comrades attributed to Madame Jules the fortune of her husband,
+explaining that it came from a high protection dearly paid for. The man
+who uttered the calumny was killed in the duel that followed it.
+
+The profound passion of this couple, which survived marriage, obtained
+a great success in society, though some women were annoyed by it. The
+charming household was respected; everybody feted it. Monsieur and
+Madame Jules were sincerely liked, perhaps because there is nothing more
+delightful to see than happy people; but they never stayed long at any
+festivity. They slipped away early, as impatient to regain their nest
+as wandering pigeons. This nest was a large and beautiful mansion in the
+rue de Menars, where a true feeling for art tempered the luxury which
+the financial world continues, traditionally, to display. Here the happy
+pair received their society magnificently, although the obligations of
+social life suited them but little.
+
+Nevertheless, Jules submitted to the demands of the world, knowing
+that, sooner or later, a family has need of it; but he and his wife felt
+themselves, in its midst, like green-house plants in a tempest. With a
+delicacy that was very natural, Jules had concealed from his wife the
+calumny and the death of the calumniator. Madame Jules, herself, was
+inclined, through her sensitive and artistic nature, to desire luxury.
+In spite of the terrible lesson of the duel, some imprudent women
+whispered to each other that Madame Jules must sometimes be pressed for
+money. They often found her more elegantly dressed in her own home than
+when she went into society. She loved to adorn herself to please her
+husband, wishing to show him that to her he was more than any social
+life. A true love, a pure love, above all, a happy love! Jules, always a
+lover, and more in love as time went by, was happy in all things beside
+his wife, even in her caprices; in fact, he would have been uneasy if
+she had none, thinking it a symptom of some illness.
+
+Auguste de Maulincour had the personal misfortune of running against
+this passion, and falling in love with the wife beyond recovery.
+Nevertheless, though he carried in his heart so intense a love, he was
+not ridiculous; he complied with all the demands of society, and of
+military manners and customs. And yet his face wore constantly, even
+though he might be drinking a glass of champagne, that dreamy look, that
+air of silently despising life, that nebulous expression which belongs,
+though for other reasons, to _blases_ men,--men dissatisfied with hollow
+lives. To love without hope, to be disgusted with life, constitute, in
+these days, a social position. The enterprise of winning the heart of
+a sovereign might give, perhaps, more hope than a love rashly conceived
+for a happy woman. Therefore Maulincour had sufficient reason to be
+grave and gloomy. A queen has the vanity of her power; the height of her
+elevation protects her. But a pious _bourgeoise_ is like a hedgehog, or
+an oyster, in its rough wrappings.
+
+At this moment the young officer was beside his unconscious mistress,
+who certainly was unaware that she was doubly faithless. Madame
+Jules was seated, in a naive attitude, like the least artful woman in
+existence, soft and gentle, full of a majestic serenity. What an abyss
+is human nature! Before beginning a conversation, the baron looked
+alternately at the wife and at the husband. How many were the
+reflections he made! He recomposed the “Night Thoughts” of Young in a
+second. And yet the music was sounding through the salons, the light was
+pouring from a thousand candles. It was a banker’s ball,--one of those
+insolent festivals by means of which the world of solid gold endeavored
+to sneer at the gold-embossed salons where the faubourg Saint-Germain
+met and laughed, not foreseeing the day when the bank would invade the
+Luxembourg and take its seat upon the throne. The conspirators were now
+dancing, indifferent to coming bankruptcies, whether of Power or of
+the Bank. The gilded salons of the Baron de Nucingen were gay with that
+peculiar animation that the world of Paris, apparently joyous at any
+rate, gives to its fetes. There, men of talent communicate their wit to
+fools, and fools communicate that air of enjoyment that characterizes
+them. By means of this exchange all is liveliness. But a ball in Paris
+always resembles fireworks to a certain extent; wit, coquetry, and
+pleasure sparkle and go out like rockets. The next day all present have
+forgotten their wit, their coquetry, their pleasure.
+
+“Ah!” thought Auguste, by way of conclusion, “women are what the vidame
+says they are. Certainly all those dancing here are less irreproachable
+actually than Madame Jules appears to be, and yet Madame Jules went to
+the rue Soly!”
+
+The rue Soly was like an illness to him; the very word shrivelled his
+heart.
+
+“Madame, do you ever dance?” he said to her.
+
+“This is the third time you have asked me that question this winter,”
+ she answered, smiling.
+
+“But perhaps you have never answered it.”
+
+“That is true.”
+
+“I knew very well that you were false, like other women.”
+
+Madame Jules continued to smile.
+
+“Listen, monsieur,” she said; “if I told you the real reason, you would
+think it ridiculous. I do not think it false to abstain from telling
+things that the world would laugh at.”
+
+“All secrets demand, in order to be told, a friendship of which I am no
+doubt unworthy, madame. But you cannot have any but noble secrets; do
+you think me capable of jesting on noble things?”
+
+“Yes,” she said, “you, like all the rest, laugh at our purest
+sentiments; you calumniate them. Besides, I have no secrets. I have the
+right to love my husband in the face of all the world, and I say so,--I
+am proud of it; and if you laugh at me when I tell you that I dance only
+with him, I shall have a bad opinion of your heart.”
+
+“Have you never danced since your marriage with any one but your
+husband?”
+
+“Never. His arm is the only one on which I have leaned; I have never
+felt the touch of another man.”
+
+“Has your physician never felt your pulse?”
+
+“Now you are laughing at me.”
+
+“No, madame, I admire you, because I comprehend you. But you let a man
+hear your voice, you let yourself be seen, you--in short, you permit our
+eyes to admire you--”
+
+“Ah!” she said, interrupting him, “that is one of my griefs. Yes, I wish
+it were possible for a married woman to live secluded with her husband,
+as a mistress lives with her lover, for then--”
+
+“Then why were you, two hours ago, on foot, disguised, in the rue Soly?”
+
+“The rue Soly, where is that?”
+
+And her pure voice gave no sign of any emotion; no feature of her face
+quivered; she did not blush; she remained calm.
+
+“What! you did not go up to the second floor of a house in the rue
+des Vieux-Augustins at the corner of the rue Soly? You did not have
+a hackney-coach waiting near by? You did not return in it to the
+flower-shop in the rue Richelieu, where you bought the feathers that are
+now in your hair?”
+
+“I did not leave my house this evening.”
+
+As she uttered that lie she was smiling and imperturbable; she played
+with her fan; but if any one had passed a hand down her back they would,
+perhaps, have found it moist. At that instant Auguste remembered the
+instructions of the vidame.
+
+“Then it was some one who strangely resembled you,” he said, with a
+credulous air.
+
+“Monsieur,” she replied, “if you are capable of following a woman and
+detecting her secrets, you will allow me to say that it is a wrong, a
+very wrong thing, and I do you the honor to say that I disbelieve you.”
+
+The baron turned away, placed himself before the fireplace and seemed
+thoughtful. He bent his head; but his eyes were covertly fixed on Madame
+Jules, who, not remembering the reflections in the mirror, cast two or
+three glances at him that were full of terror. Presently she made a sign
+to her husband and rising took his arm to walk about the salon. As she
+passed before Monsieur de Maulincour, who at that moment was speaking
+to a friend, he said in a loud voice, as if in reply to a remark:
+“That woman will certainly not sleep quietly this night.” Madame
+Jules stopped, gave him an imposing look which expressed contempt,
+and continued her way, unaware that another look, if surprised by her
+husband, might endanger not only her happiness but the lives of two men.
+Auguste, frantic with anger, which he tried to smother in the depths of
+his soul, presently left the house, swearing to penetrate to the heart
+of the mystery. Before leaving, he sought Madame Jules, to look at her
+again; but she had disappeared.
+
+What a drama cast into that young head so eminently romantic, like all
+who have not known love in the wide extent which they give to it. He
+adored Madame Jules under a new aspect; he loved her now with the fury
+of jealousy and the frenzied anguish of hope. Unfaithful to her husband,
+the woman became common. Auguste could now give himself up to the
+joys of successful love, and his imagination opened to him a career
+of pleasures. Yes, he had lost the angel, but he had found the most
+delightful of demons. He went to bed, building castles in the air,
+excusing Madame Jules by some romantic fiction in which he did not
+believe. He resolved to devote himself wholly, from that day forth, to
+a search for the causes, motives, and keynote of this mystery. It was a
+tale to read, or better still, a drama to be played, in which he had a
+part.
+
+
+
+
+CHAPTER II. FERRAGUS
+
+A fine thing is the task of a spy, when performed for one’s own benefit
+and in the interests of a passion. Is it not giving ourselves the
+pleasure of a thief and a rascal while continuing honest men? But there
+is another side to it; we must resign ourselves to boil with anger, to
+roar with impatience, to freeze our feet in the mud, to be numbed, and
+roasted, and torn by false hopes. We must go, on the faith of a mere
+indication, to a vague object, miss our end, curse our luck, improvise
+to ourselves elegies, dithyrambics, exclaim idiotically before
+inoffensive pedestrians who observe us, knock over old apple-women and
+their baskets, run hither and thither, stand on guard beneath a window,
+make a thousand suppositions. But, after all, it is a chase, a hunt; a
+hunt in Paris, a hunt with all its chances, minus dogs and guns and
+the tally-ho! Nothing compares with it but the life of gamblers. But
+it needs a heart big with love and vengeance to ambush itself in Paris,
+like a tiger waiting to spring upon its prey, and to enjoy the chances
+and contingencies of Paris, by adding one special interest to the many
+that abound there. But for this we need a many-sided soul--for must we
+not live in a thousand passions, a thousand sentiments?
+
+Auguste de Maulincour flung himself into this ardent existence
+passionately, for he felt all its pleasures and all its misery. He went
+disguised about Paris, watching at the corners of the rue Pagevin and
+the rue des Vieux-Augustins. He hurried like a hunter from the rue de
+Menars to the rue Soly, and back from the rue Soly to the rue de Menars,
+without obtaining either the vengeance or the knowledge which would
+punish or reward such cares, such efforts, such wiles. But he had not
+yet reached that impatience which wrings our very entrails and makes us
+sweat; he roamed in hope, believing that Madame Jules would only refrain
+for a few days from revisiting the place where she knew she had been
+detected. He devoted the first days therefore, to a careful study of
+the secrets of the street. A novice at such work, he dared not question
+either the porter or the shoemaker of the house to which Madame Jules
+had gone; but he managed to obtain a post of observation in a house
+directly opposite to the mysterious apartment. He studied the ground,
+trying to reconcile the conflicting demands of prudence, impatience,
+love, and secrecy.
+
+Early in the month of March, while busy with plans by which he expected
+to strike a decisive blow, he left his post about four in the afternoon,
+after one of those patient watches from which he had learned nothing.
+He was on his way to his own house whither a matter relating to
+his military service called him, when he was overtaken in the rue
+Coquilliere by one of those heavy showers which instantly flood the
+gutters, while each drop of rain rings loudly in the puddles of the
+roadway. A pedestrian under these circumstances is forced to stop short
+and take refuge in a shop or cafe if he is rich enough to pay for
+the forced hospitality, or, if in poorer circumstances, under a
+_porte-cochere_, that haven of paupers or shabbily dressed persons. Why
+have none of our painters ever attempted to reproduce the physiognomies
+of a swarm of Parisians, grouped, under stress of weather, in the damp
+_porte-cochere_ of a building? First, there’s the musing philosophical
+pedestrian, who observes with interest all he sees,--whether it be the
+stripes made by the rain on the gray background of the atmosphere (a
+species of chasing not unlike the capricious threads of spun glass), or
+the whirl of white water which the wind is driving like a luminous
+dust along the roofs, or the fitful disgorgements of the gutter-pipes,
+sparkling and foaming; in short, the thousand nothings to be admired and
+studied with delight by loungers, in spite of the porter’s broom which
+pretends to be sweeping out the gateway. Then there’s the talkative
+refugee, who complains and converses with the porter while he rests on
+his broom like a grenadier on his musket; or the pauper wayfarer, curled
+against the wall indifferent to the condition of his rags, long used,
+alas, to contact with the streets; or the learned pedestrian who
+studies, spells, and reads the posters on the walls without finishing
+them; or the smiling pedestrian who makes fun of others to whom some
+street fatality has happened, who laughs at the muddy women, and makes
+grimaces at those of either sex who are looking from the windows; and
+the silent being who gazes from floor to floor; and the working-man,
+armed with a satchel or a paper bundle, who is estimating the rain as a
+profit or loss; and the good-natured fugitive, who arrives like a shot
+exclaiming, “Ah! what weather, messieurs, what weather!” and bows
+to every one; and, finally, the true _bourgeois_ of Paris, with his
+unfailing umbrella, an expert in showers, who foresaw this particular
+one, but would come out in spite of his wife; this one takes a seat in
+the porter’s chair. According to individual character, each member of
+this fortuitous society contemplates the skies, and departs, skipping
+to avoid the mud,--because he is in a hurry, or because he sees other
+citizens walking along in spite of wind and slush, or because, the
+archway being damp and mortally catarrhal, the bed’s edge, as the
+proverb says, is better than the sheets. Each one has his motive. No one
+is left but the prudent pedestrian, the man who, before he sets forth,
+makes sure of a scrap of blue sky through the rifting clouds.
+
+Monsieur de Maulincour took refuge, as we have said, with a whole family
+of fugitives, under the porch of an old house, the court-yard of
+which looked like the flue of a chimney. The sides of its plastered,
+nitrified, and mouldy walls were so covered with pipes and conduits from
+all the many floors of its four elevations, that it might have been
+said to resemble at that moment the _cascatelles_ of Saint-Cloud. Water
+flowed everywhere; it boiled, it leaped, it murmured; it was black,
+white, blue, and green; it shrieked, it bubbled under the broom of the
+portress, a toothless old woman used to storms, who seemed to bless them
+as she swept into the street a mass of scraps an intelligent inventory
+of which would have revealed the lives and habits of every dweller
+in the house,--bits of printed cottons, tea-leaves, artificial
+flower-petals faded and worthless, vegetable parings, papers, scraps of
+metal. At every sweep of her broom the old woman bared the soul of the
+gutter, that black fissure on which a porter’s mind is ever bent. The
+poor lover examined this scene, like a thousand others which our heaving
+Paris presents daily; but he examined it mechanically, as a man absorbed
+in thought, when, happening to look up, he found himself all but nose to
+nose with a man who had just entered the gateway.
+
+In appearance this man was a beggar, but not the Parisian beggar,--that
+creation without a name in human language; no, this man formed another
+type, while presenting on the outside all the ideas suggested by
+the word “beggar.” He was not marked by those original Parisian
+characteristics which strike us so forcibly in the paupers whom Charlet
+was fond of representing, with his rare luck in observation,--coarse
+faces reeking of mud, hoarse voices, reddened and bulbous noses, mouths
+devoid of teeth but menacing; humble yet terrible beings, in whom a
+profound intelligence shining in their eyes seems like a contradiction.
+Some of these bold vagabonds have blotched, cracked, veiny skins; their
+foreheads are covered with wrinkles, their hair scanty and dirty, like
+a wig thrown on a dust-heap. All are gay in their degradation, and
+degraded in their joys; all are marked with the stamp of debauchery,
+casting their silence as a reproach; their very attitude revealing
+fearful thoughts. Placed between crime and beggary they have no
+compunctions, and circle prudently around the scaffold without mounting
+it, innocent in the midst of crime, and vicious in their innocence. They
+often cause a laugh, but they always cause reflection. One represents
+to you civilization stunted, repressed; he comprehends everything, the
+honor of the galleys, patriotism, virtue, the malice of a vulgar crime,
+or the fine astuteness of elegant wickedness. Another is resigned, a
+perfect mimer, but stupid. All have slight yearnings after order and
+work, but they are pushed back into their mire by society, which makes
+no inquiry as to what there may be of great men, poets, intrepid souls,
+and splendid organizations among these vagrants, these gypsies of Paris;
+a people eminently good and eminently evil--like all the masses who
+suffer--accustomed to endure unspeakable woes, and whom a fatal power
+holds ever down to the level of the mire. They all have a dream, a hope,
+a happiness,--cards, lottery, or wine.
+
+There was nothing of all this in the personage who now leaned carelessly
+against the wall in front of Monsieur de Maulincour, like some fantastic
+idea drawn by an artist on the back of a canvas the front of which is
+turned to the wall. This tall, spare man, whose leaden visage expressed
+some deep but chilling thought, dried up all pity in the hearts of those
+who looked at him by the scowling look and the sarcastic attitude which
+announced an intention of treating every man as an equal. His face was
+of a dirty white, and his wrinkled skull, denuded of hair, bore a vague
+resemblance to a block of granite. A few gray locks on either side
+of his head fell straight to the collar of his greasy coat, which was
+buttoned to the chin. He resembled both Voltaire and Don Quixote;
+he was, apparently, scoffing but melancholy, full of disdain and
+philosophy, but half-crazy. He seemed to have no shirt. His beard was
+long. A rusty black cravat, much worn and ragged, exposed a protuberant
+neck deeply furrowed, with veins as thick as cords. A large brown circle
+like a bruise was strongly marked beneath his eyes, He seemed to be at
+least sixty years old. His hands were white and clean. His boots were
+trodden down at the heels, and full of holes. A pair of blue trousers,
+mended in various places, were covered with a species of fluff which
+made them offensive to the eye. Whether it was that his damp clothes
+exhaled a fetid odor, or that he had in his normal condition the “poor
+smell” which belongs to Parisian tenements, just as offices, sacristies,
+and hospitals have their own peculiar and rancid fetidness, of which
+no words can give the least idea, or whether some other reason affected
+them, those in the vicinity of this man immediately moved away and
+left him alone. He cast upon them and also upon the officer a calm,
+expressionless look, the celebrated look of Monsieur de Talleyrand,
+a dull, wan glance, without warmth, a species of impenetrable veil,
+beneath which a strong soul hides profound emotions and close estimation
+of men and things and events. Not a fold of his face quivered. His mouth
+and forehead were impassible; but his eyes moved and lowered themselves
+with a noble, almost tragic slowness. There was, in fact, a whole drama
+in the motion of those withered eyelids.
+
+The aspect of this stoical figure gave rise in Monsieur de Maulincour
+to one of those vagabond reveries which begin with a common question and
+end by comprising a world of thought. The storm was past. Monsieur de
+Maulincour presently saw no more of the man than the tail of his coat
+as it brushed the gate-post, but as he turned to leave his own place
+he noticed at his feet a letter which must have fallen from the unknown
+beggar when he took, as the baron had seen him take, a handkerchief from
+his pocket. The young man picked it up, and read, involuntarily, the
+address: “To Monsieur Ferragusse, Rue des Grands-Augustains, corner of
+rue Soly.”
+
+The letter bore no postmark, and the address prevented Monsieur de
+Maulincour from following the beggar and returning it; for there are few
+passions that will not fail in rectitude in the long run. The baron
+had a presentiment of the opportunity afforded by this windfall. He
+determined to keep the letter, which would give him the right to enter
+the mysterious house to return it to the strange man, not doubting that
+he lived there. Suspicions, vague as the first faint gleams of daylight,
+made him fancy relations between this man and Madame Jules. A jealous
+lover supposes everything; and it is by supposing everything and
+selecting the most probable of their conjectures that judges, spies,
+lovers, and observers get at the truth they are looking for.
+
+“Is the letter for him? Is it from Madame Jules?”
+
+His restless imagination tossed a thousand such questions to him;
+but when he read the first words of the letter he smiled. Here it
+is, textually, in all the simplicity of its artless phrases and its
+miserable orthography,--a letter to which it would be impossible to add
+anything, or to take anything away, unless it were the letter itself.
+But we have yielded to the necessity of punctuating it. In the original
+there were neither commas nor stops of any kind, not even notes of
+exclamation,--a fact which tends to undervalue the system of notes
+and dashes by which modern authors have endeavored to depict the great
+disasters of all the passions:--
+
+
+ Henry,--Among the manny sacrifisis I imposed upon myself for your
+ sake was that of not giving you anny news of me; but an
+ iresistible voise now compells me to let you know the wrong you
+ have done me. I know beforehand that your soul hardened in vise
+ will not pitty me. Your heart is deaf to feeling. Is it deaf to
+ the cries of nature? But what matter? I must tell you to what a
+ dredful point you are gilty, and the horror of the position to
+ which you have brought me. Henry, you knew what I sufered from my
+ first wrong-doing, and yet you plunged me into the same misery,
+ and then abbandoned me to my dispair and sufering. Yes, I will say
+ it, the belif I had that you loved me and esteemed me gave me
+ corage to bare my fate. But now, what have I left? Have you not
+ made me loose all that was dear to me, all that held me to life;
+ parents, frends, onor, reputation,--all, I have sacrifised all to
+ you, and nothing is left me but shame, oprobrum, and--I say this
+ without blushing--poverty. Nothing was wanting to my misfortunes
+ but the sertainty of your contempt and hatred; and now I have them
+ I find the corage that my project requires. My decision is made;
+ the onor of my famly commands it. I must put an end to my
+ suferins. Make no remarks upon my conduct, Henry; it is orful, I
+ know, but my condition obliges me. Without help, without suport,
+ without one frend to comfort me, can I live? No. Fate has desided
+ for me. So in two days, Henry, two days, Ida will have seased to
+ be worthy of your regard. Oh, Henry! oh, my frend! for I can never
+ change to you, promise me to forgive me for what I am going to do.
+ Do not forget that you have driven me to it; it is your work, and
+ you must judge it. May heven not punish you for all your crimes. I
+ ask your pardon on my knees, for I feel nothing is wanting to my
+ misery but the sorow of knowing you unhappy. In spite of the
+ poverty I am in I shall refuse all help from you. If you had loved
+ me I would have taken all from your friendship; but a benfit given
+ by pitty _my soul refussis_. I would be baser to take it than he
+ who offered it. I have one favor to ask of you. I don’t know how
+ long I must stay at Madame Meynardie’s; be genrous enough not to
+ come there. Your last two vissits did me a harm I cannot get ofer.
+ I cannot enter into particlers about that conduct of yours. You
+ hate me,--you said so; that word is writen on my heart, and
+ freeses it with fear. Alas! it is now, when I need all my corage,
+ all my strength, that my faculties abandon me. Henry, my frend,
+ before I put a barrier forever between us, give me a last pruf of
+ your esteem. Write me, answer me, say you respect me still, though
+ you have seased to love me. My eyes are worthy still to look into
+ yours, but I do not ask an interfew; I fear my weakness and my
+ love. But for pitty’s sake write me a line at once; it will give
+ me the corage I need to meet my trubbles. Farewell, orther of all
+ my woes, but the only frend my heart has chosen and will never
+ forget.
+
+Ida.
+
+
+This life of a young girl, with its love betrayed, its fatal joys, its
+pangs, its miseries, and its horrible resignation, summed up in a few
+words, this humble poem, essentially Parisian, written on dirty paper,
+influenced for a passing moment Monsieur de Maulincour. He asked himself
+whether this Ida might not be some poor relation of Madame Jules, and
+that strange rendezvous, which he had witnessed by chance, the mere
+necessity of a charitable effort. But could that old pauper have seduced
+this Ida? There was something impossible in the very idea. Wandering in
+this labyrinth of reflections, which crossed, recrossed, and obliterated
+one another, the baron reached the rue Pagevin, and saw a hackney-coach
+standing at the end of the rue des Vieux-Augustins where it enters the
+rue Montmartre. All waiting hackney-coaches now had an interest for him.
+
+“Can she be there?” he thought to himself, and his heart beat fast with
+a hot and feverish throbbing.
+
+He pushed the little door with the bell, but he lowered his head as he
+did so, obeying a sense of shame, for a voice said to him secretly:--
+
+“Why are you putting your foot into this mystery?”
+
+He went up a few steps, and found himself face to face with the old
+portress.
+
+“Monsieur Ferragus?” he said.
+
+“Don’t know him.”
+
+“Doesn’t Monsieur Ferragus live here?”
+
+“Haven’t such a name in the house.”
+
+“But, my good woman--”
+
+“I’m not your good woman, monsieur, I’m the portress.”
+
+“But, madame,” persisted the baron, “I have a letter for Monsieur
+Ferragus.”
+
+“Ah! if monsieur has a letter,” she said, changing her tone, “that’s
+another matter. Will you let me see it--that letter?”
+
+Auguste showed the folded letter. The old woman shook her head with a
+doubtful air, hesitated, seemed to wish to leave the lodge and inform
+the mysterious Ferragus of his unexpected visitor, but finally said:--
+
+“Very good; go up, monsieur. I suppose you know the way?”
+
+Without replying to this remark, which he thought might be a trap, the
+young officer ran lightly up the stairway, and rang loudly at the door
+of the second floor. His lover’s instinct told him, “She is there.”
+
+The beggar of the porch, Ferragus, the “orther” of Ida’s woes, opened
+the door himself. He appeared in a flowered dressing-gown, white flannel
+trousers, his feet in embroidered slippers, and his face washed clean of
+stains. Madame Jules, whose head projected beyond the casing of the door
+in the next room, turned pale and dropped into a chair.
+
+“What is the matter, madame?” cried the officer, springing toward her.
+
+But Ferragus stretched forth an arm and flung the intruder back with so
+sharp a thrust that Auguste fancied he had received a blow with an iron
+bar full on his chest.
+
+“Back! monsieur,” said the man. “What do you want there? For five or six
+days you have been roaming about the neighborhood. Are you a spy?”
+
+“Are you Monsieur Ferragus?” said the baron.
+
+“No, monsieur.”
+
+“Nevertheless,” continued Auguste, “it is to you that I must return this
+paper which you dropped in the gateway beneath which we both took refuge
+from the rain.”
+
+While speaking and offering the letter to the man, Auguste did not
+refrain from casting an eye around the room where Ferragus received him.
+It was very well arranged, though simply. A fire burned on the hearth;
+and near it was a table with food upon it, which was served more
+sumptuously than agreed with the apparent conditions of the man and the
+poorness of his lodging. On a sofa in the next room, which he could
+see through the doorway, lay a heap of gold, and he heard a sound which
+could be no other than that of a woman weeping.
+
+“The paper belongs to me; I am much obliged to you,” said the mysterious
+man, turning away as if to make the baron understand that he must go.
+
+Too curious himself to take much note of the deep examination of which
+he was himself the object, Auguste did not see the half-magnetic glance
+with which this strange being seemed to pierce him; had he encountered
+that basilisk eye he might have felt the danger that encompassed him.
+Too passionately excited to think of himself, Auguste bowed, went
+down the stairs, and returned home, striving to find a meaning in the
+connection of these three persons,--Ida, Ferragus, and Madame Jules;
+an occupation equivalent to that of trying to arrange the many-cornered
+bits of a Chinese puzzle without possessing the key to the game. But
+Madame Jules had seen him, Madame Jules went there, Madame Jules had
+lied to him. Maulincour determined to go and see her the next day. She
+could not refuse his visit, for he was now her accomplice; he was hands
+and feet in the mysterious affair, and she knew it. Already he
+felt himself a sultan, and thought of demanding from Madame Jules,
+imperiously, all her secrets.
+
+In those days Paris was seized with a building-fever. If Paris is
+a monster, it is certainly a most mania-ridden monster. It becomes
+enamored of a thousand fancies: sometimes it has a mania for building,
+like a great seigneur who loves a trowel; soon it abandons the trowel
+and becomes all military; it arrays itself from head to foot as a
+national guard, and drills and smokes; suddenly, it abandons military
+manoeuvres and flings away cigars; it is commercial, care-worn, falls
+into bankruptcy, sells its furniture on the place de Chatelet, files its
+schedule; but a few days later, lo! it has arranged its affairs and is
+giving fetes and dances. One day it eats barley-sugar by the mouthful,
+by the handful; yesterday it bought “papier Weymen”; to-day the
+monster’s teeth ache, and it applies to its walls an alexipharmatic
+to mitigate their dampness; to-morrow it will lay in a provision of
+pectoral paste. It has its manias for the month, for the season, for the
+year, like its manias of a day.
+
+So, at the moment of which we speak, all the world was building or
+pulling down something,--people hardly knew what as yet. There were very
+few streets in which high scaffoldings on long poles could not be seen,
+fastened from floor to floor with transverse blocks inserted into holes
+in the walls on which the planks were laid,--a frail construction,
+shaken by the brick-layers, but held together by ropes, white with
+plaster, and insecurely protected from the wheels of carriages by the
+breastwork of planks which the law requires round all such buildings.
+There is something maritime in these masts, and ladders, and cordage,
+even in the shouts of the masons. About a dozen yards from the hotel
+Maulincour, one of these ephemeral barriers was erected before a house
+which was then being built of blocks of free-stone. The day after the
+event we have just related, at the moment when the Baron de Maulincour
+was passing this scaffolding in his cabriolet on his way to see Madame
+Jules, a stone, two feet square, which was being raised to the upper
+storey of this building, got loose from the ropes and fell, crushing the
+baron’s servant who was behind the cabriolet. A cry of horror shook both
+the scaffold and the masons; one of them, apparently unable to keep his
+grasp on a pole, was in danger of death, and seemed to have been touched
+by the stone as it passed him.
+
+A crowd collected rapidly; the masons came down the ladders swearing
+and insisting that Monsieur de Maulincour’s cabriolet had been driven
+against the boarding and so had shaken their crane. Two inches more and
+the stone would have fallen on the baron’s head. The groom was dead,
+the carriage shattered. ‘Twas an event for the whole neighborhood, the
+newspapers told of it. Monsieur de Maulincour, certain that he had not
+touched the boarding, complained; the case went to court. Inquiry being
+made, it was shown that a small boy, armed with a lath, had mounted
+guard and called to all foot-passengers to keep away. The affair ended
+there. Monsieur de Maulincour obtained no redress. He had lost his
+servant, and was confined to his bed for some days, for the back of the
+carriage when shattered had bruised him severely, and the nervous shock
+of the sudden surprise gave him a fever. He did not, therefore, go to
+see Madame Jules.
+
+Ten days after this event, he left the house for the first time, in his
+repaired cabriolet, when, as he drove down the rue de Bourgogne and was
+close to the sewer opposite to the Chamber of Deputies, the axle-tree
+broke in two, and the baron was driving so rapidly that the breakage
+would have caused the two wheels to come together with force enough to
+break his head, had it not been for the resistance of the leather hood.
+Nevertheless, he was badly wounded in the side. For the second time in
+ten days he was carried home in a fainting condition to his terrified
+grandmother. This second accident gave him a feeling of distrust; he
+thought, though vaguely, of Ferragus and Madame Jules. To throw light on
+these suspicions he had the broken axle brought to his room and sent
+for his carriage-maker. The man examined the axle and the fracture,
+and proved two things: First, the axle was not made in his workshop; he
+furnished none that did not bear the initials of his name on the iron.
+But he could not explain by what means this axle had been substituted
+for the other. Secondly, the breakage of the suspicious axle was caused
+by a hollow space having been blown in it and a straw very cleverly
+inserted.
+
+“Eh! Monsieur le baron, whoever did that was malicious!” he said; “any
+one would swear, to look at it, that the axle was sound.”
+
+Monsieur de Maulincour begged the carriage-maker to say nothing of the
+affair; but he felt himself warned. These two attempts at murder were
+planned with an ability which denoted the enmity of intelligent minds.
+
+“It is war to the death,” he said to himself, as he tossed in his
+bed,--“a war of savages, skulking in ambush, of trickery and treachery,
+declared in the name of Madame Jules. What sort of man is this to whom
+she belongs? What species of power does this Ferragus wield?”
+
+Monsieur de Maulincour, though a soldier and brave man, could not
+repress a shudder. In the midst of many thoughts that now assailed him,
+there was one against which he felt he had neither defence nor courage:
+might not poison be employed ere long by his secret enemies? Under the
+influence of fears, which his momentary weakness and fever and low diet
+increased, he sent for an old woman long attached to the service of his
+grandmother, whose affection for himself was one of those semi-maternal
+sentiments which are the sublime of the commonplace. Without confiding
+in her wholly, he charged her to buy secretly and daily, in different
+localities, the food he needed; telling her to keep it under lock and
+key and bring it to him herself, not allowing any one, no matter who, to
+approach her while preparing it. He took the most minute precautions to
+protect himself against that form of death. He was ill in his bed
+and alone, and he had therefore the leisure to think of his own
+security,--the one necessity clear-sighted enough to enable human
+egotism to forget nothing!
+
+But the unfortunate man had poisoned his own life by this dread, and,
+in spite of himself, suspicion dyed all his hours with its gloomy tints.
+These two lessons of attempted assassination did teach him, however, the
+value of one of the virtues most necessary to a public man; he saw the
+wise dissimulation that must be practised in dealing with the great
+interests of life. To be silent about our own secret is nothing; but to
+be silent from the start, to forget a fact as Ali Pacha did for thirty
+years in order to be sure of a vengeance waited for for thirty years,
+is a fine study in a land where there are few men who can keep their
+own counsel for thirty days. Monsieur de Maulincour literally lived only
+through Madame Jules. He was perpetually absorbed in a sober examination
+into the means he ought to employ to triumph in this mysterious struggle
+with these mysterious persons. His secret passion for that woman grew
+by reason of all these obstacles. Madame Jules was ever there, erect, in
+the midst of his thoughts, in the centre of his heart, more seductive by
+her presumable vices than by the positive virtues for which he had made
+her his idol.
+
+At last, anxious to reconnoitre the position of the enemy, he thought
+he might without danger initiate the vidame into the secrets of his
+situation. The old commander loved Auguste as a father loves his wife’s
+children; he was shrewd, dexterous, and very diplomatic. He listened to
+the baron, shook his head, and they both held counsel. The worthy vidame
+did not share his young friend’s confidence when Auguste declared that
+in the time in which they now lived, the police and the government were
+able to lay bare all mysteries, and that if it were absolutely necessary
+to have recourse to those powers, he should find them most powerful
+auxiliaries.
+
+The old man replied, gravely: “The police, my dear boy, is the most
+incompetent thing on this earth, and government the feeblest in all
+matters concerning individuals. Neither the police nor the government
+can read hearts. What we might reasonably ask of them is to search
+for the causes of an act. But the police and the government are both
+eminently unfitted for that; they lack, essentially, the personal
+interest which reveals all to him who wants to know all. No human power
+can prevent an assassin or a poisoner from reaching the heart of a
+prince or the stomach of an honest man. Passions are the best police.”
+
+The vidame strongly advised the baron to go to Italy, and from Italy
+to Greece, from Greece to Syria, from Syria to Asia, and not to return
+until his secret enemies were convinced of his repentance, and would so
+make tacit peace with him. But if he did not take that course, then the
+vidame advised him to stay in the house, and even in his own room, where
+he would be safe from the attempts of this man Ferragus, and not to
+leave it until he could be certain of crushing him.
+
+“We should never touch an enemy until we can be sure of taking his head
+off,” he said, gravely.
+
+The old man, however, promised his favorite to employ all the astuteness
+with which Heaven had provided him (without compromising any one)
+in reconnoitring the enemy’s ground, and laying his plans for future
+victory. The Commander had in his service a retired Figaro, the wiliest
+monkey that ever walked in human form; in earlier days as clever as a
+devil, working his body like a galley-slave, alert as a thief, sly as a
+woman, but now fallen into the decadence of genius for want of practice
+since the new constitution of Parisian society, which has reformed even
+the valets of comedy. This Scapin emeritus was attached to his master
+as to a superior being; but the shrewd old vidame added a good round
+sum yearly to the wages of his former provost of gallantry,
+which strengthened the ties of natural affection by the bonds of
+self-interest, and obtained for the old gentleman as much care as the
+most loving mistress could bestow on a sick friend. It was this pearl
+of the old-fashioned comedy-valets, relic of the last century, auxiliary
+incorruptible from lack of passions to satisfy, on whom the old vidame
+and Monsieur de Maulincour now relied.
+
+“Monsieur le baron will spoil all,” said the great man in livery, when
+called into counsel. “Monsieur should eat, drink, and sleep in peace. I
+take the whole matter upon myself.”
+
+Accordingly, eight days after the conference, when Monsieur de
+Maulincour, perfectly restored to health, was breakfasting with his
+grandmother and the vidame, Justin entered to make his report. As soon
+as the dowager had returned to her own apartments he said, with that
+mock modesty which men of talent are so apt to affect:--
+
+“Ferragus is not the name of the enemy who is pursuing Monsieur le
+baron. This man--this devil, rather--is called Gratien, Henri, Victor,
+Jean-Joseph Bourignard. The Sieur Gratien Bourignard is a former
+ship-builder, once very rich, and, above all, one of the handsomest
+men of his day in Paris,--a Lovelace, capable of seducing Grandison.
+My information stops short there. He has been a simple workman; and the
+Companions of the Order of the Devorants did, at one time, elect him as
+their chief, under the title of Ferragus XXIII. The police ought to know
+that, if the police were instituted to know anything. The man has moved
+from the rue des Vieux-Augustins, and now roosts rue Joquelet, where
+Madame Jules Desmarets goes frequently to see him; sometimes her
+husband, on his way to the Bourse, drives her as far as the rue
+Vivienne, or she drives her husband to the Bourse. Monsieur le vidame
+knows about these things too well to want me to tell him if it is the
+husband who takes the wife, or the wife who takes the husband; but
+Madame Jules is so pretty, I’d bet on her. All that I have told you is
+positive. Bourignard often plays at number 129. Saving your presence,
+monsieur, he’s a rogue who loves women, and he has his little ways
+like a man of condition. As for the rest, he wins sometimes, disguises
+himself like an actor, paints his face to look like anything he chooses,
+and lives, I may say, the most original life in the world. I don’t doubt
+he has a good many lodgings, for most of the time he manages to evade
+what Monsieur le vidame calls ‘parliamentary investigations.’ If
+monsieur wishes, he could be disposed of honorably, seeing what his
+habits are. It is always easy to get rid of a man who loves women.
+However, this capitalist talks about moving again. Have Monsieur le
+vidame and Monsieur le baron any other commands to give me?”
+
+“Justin, I am satisfied with you; don’t go any farther in the matter
+without my orders, but keep a close watch here, so that Monsieur le
+baron may have nothing to fear.”
+
+“My dear boy,” continued the vidame, when they were alone, “go back to
+your old life, and forget Madame Jules.”
+
+“No, no,” said Auguste; “I will never yield to Gratien Bourignard. I
+will have him bound hand and foot, and Madame Jules also.”
+
+That evening the Baron Auguste de Maulincour, recently promoted to
+higher rank in the company of the Body-Guard of the king, went to a
+ball given by Madame la Duchesse de Berry at the Elysee-Bourbon. There,
+certainly, no danger could lurk for him; and yet, before he left the
+palace, he had an affair of honor on his hands,--an affair it was
+impossible to settle except by a duel.
+
+His adversary, the Marquis de Ronquerolles, considered that he had
+strong reasons to complain of Monsieur de Maulincour, who had given some
+ground for it during his former intimacy with Monsieur de Ronquerolles’
+sister, the Comtesse de Serizy. That lady, the one who detested German
+sentimentality, was all the more exacting in the matter of prudery. By
+one of those inexplicable fatalities, Auguste now uttered a harmless
+jest which Madame de Serizy took amiss, and her brother resented it. The
+discussion took place in the corner of a room, in a low voice. In good
+society, adversaries never raise their voices. The next day the faubourg
+Saint-Germain and the Chateau talked over the affair. Madame de Serizy
+was warmly defended, and all the blame was laid on Maulincour. August
+personages interfered. Seconds of the highest distinction were imposed
+on Messieurs de Maulincour and de Ronquerolles and every precaution was
+taken on the ground that no one should be killed.
+
+When Auguste found himself face to face with his antagonist, a man of
+pleasure, to whom no one could possibly deny sentiments of the highest
+honor, he felt it was impossible to believe him the instrument of
+Ferragus, chief of the Devorants; and yet he was compelled, as it were,
+by an inexplicable presentiment, to question the marquis.
+
+“Messieurs,” he said to the seconds, “I certainly do not refuse to
+meet the fire of Monsieur de Ronquerolles; but before doing so, I here
+declare that I was to blame, and I offer him whatever excuses he may
+desire, and publicly if he wishes it; because when the matter concerns a
+woman, nothing, I think, can degrade a man of honor. I therefore appeal
+to his generosity and good sense; is there not something rather silly in
+fighting without a cause?”
+
+Monsieur de Ronquerolles would not allow of this way of ending the
+affair, and then the baron, his suspicions revived, walked up to him.
+
+“Well, then! Monsieur le marquis,” he said, “pledge me, in presence of
+these gentlemen, your word as a gentleman that you have no other reason
+for vengeance than that you have chosen to put forward.”
+
+“Monsieur, that is a question you have no right to ask.”
+
+So saying, Monsieur de Ronquerolles took his place. It was agreed, in
+advance, that the adversaries were to be satisfied with one exchange
+of shots. Monsieur de Ronquerolles, in spite of the great distance
+determined by the seconds, which seemed to make the death of either
+party problematical, if not impossible, brought down the baron. The ball
+went through the latter’s body just below the heart, but fortunately
+without doing vital injury.
+
+“You aimed too well, monsieur,” said the baron, “to be avenging only a
+paltry quarrel.”
+
+And he fainted. Monsieur de Ronquerolles, who believed him to be a dead
+man, smiled sardonically as he heard those words.
+
+After a fortnight, during which time the dowager and the vidame gave
+him those cares of old age the secret of which is in the hands of long
+experience only, the baron began to return to life. But one morning his
+grandmother dealt him a crushing blow, by revealing anxieties to which,
+in her last days, she was now subjected. She showed him a letter signed
+F, in which the history of her grandson’s secret espionage was recounted
+step by step. The letter accused Monsieur de Maulincour of actions that
+were unworthy of a man of honor. He had, it said, placed an old woman
+at the stand of hackney-coaches in the rue de Menars; an old spy, who
+pretended to sell water from her cask to the coachmen, but who was
+really there to watch the actions of Madame Jules Desmarets. He had
+spied upon the daily life of a most inoffensive man, in order to detect
+his secrets,--secrets on which depended the lives of three persons. He
+had brought upon himself a relentless struggle, in which, although he
+had escaped with life three times, he must inevitably succumb, because
+his death had been sworn and would be compassed if all human means were
+employed upon it. Monsieur de Maulincour could no longer escape his fate
+by even promising to respect the mysterious life of these three persons,
+because it was impossible to believe the word of a gentleman who had
+fallen to the level of a police-spy; and for what reason? Merely to
+trouble the respectable life of an innocent woman and a harmless old
+man.
+
+The letter itself was nothing to Auguste in comparison to the tender
+reproaches of his grandmother. To lack respect to a woman! to spy upon
+her actions without a right to do so! Ought a man ever to spy upon
+a woman whom he loved?--in short, she poured out a torrent of those
+excellent reasons which prove nothing; and they put the young baron,
+for the first time in his life, into one of those great human furies in
+which are born, and from which issue the most vital actions of a man’s
+life.
+
+“Since it is war to the knife,” he said in conclusion, “I shall kill my
+enemy by any means that I can lay hold of.”
+
+The vidame went immediately, at Auguste’s request, to the chief of the
+private police of Paris, and without bringing Madame Jules’ name or
+person into the narrative, although they were really the gist of it, he
+made the official aware of the fears of the family of Maulincour about
+this mysterious person who was bold enough to swear the death of an
+officer of the Guards, in defiance of the law and the police. The chief
+pushed up his green spectacles in amazement, blew his nose several
+times, and offered snuff to the vidame, who, to save his dignity,
+pretended not to use tobacco, although his own nose was discolored with
+it. Then the chief took notes and promised, Vidocq and his spies aiding,
+to send in a report within a few days to the Maulincour family, assuring
+them meantime that there were no secrets for the police of Paris.
+
+A few days after this the police official called to see the vidame at
+the Hotel de Maulincour, where he found the young baron quite recovered
+from his last wound. He gave them in bureaucratic style his thanks for
+the indications they had afforded him, and told them that Bourignard was
+a convict, condemned to twenty years’ hard labor, who had miraculously
+escaped from a gang which was being transported from Bicetre to Toulon.
+For thirteen years the police had been endeavoring to recapture him,
+knowing that he had boldly returned to Paris; but so far this convict
+had escaped the most active search, although he was known to be mixed up
+in many nefarious deeds. However, the man, whose life was full of very
+curious incidents, would certainly be captured now in one or other of
+his several domiciles and delivered up to justice. The bureaucrat ended
+his report by saying to Monsieur de Maulincour that if he attached
+enough importance to the matter to wish to witness the capture of
+Bourignard, he might come the next day at eight in the morning to a
+house in the rue Sainte-Foi, of which he gave him the number. Monsieur
+de Maulincour excused himself from going personally in search of
+certainty,--trusting, with the sacred respect inspired by the police of
+Paris, in the capability of the authorities.
+
+Three days later, hearing nothing, and seeing nothing in the newspapers
+about the projected arrest, which was certainly of enough importance to
+have furnished an article, Monsieur de Maulincour was beginning to feel
+anxieties which were presently allayed by the following letter:--
+
+
+ Monsieur le Baron,--I have the honor to announce to you that you
+ need have no further uneasiness touching the affair in question.
+ The man named Gratien Bourignard, otherwise called Ferragus, died
+ yesterday, at his lodgings, rue Joquelet No. 7. The suspicions we
+ naturally conceived as to the identity of the dead body have been
+ completely set at rest by the facts. The physician of the
+ Prefecture of police was despatched by us to assist the physician
+ of the arrondissement, and the chief of the detective police made
+ all the necessary verifications to obtain absolute certainty.
+ Moreover, the character of the persons who signed the certificate
+ of death, and the affidavits of those who took care of the said
+ Bourignard in his last illness, among others that of the worthy
+ vicar of the church of the Bonne-Nouvelle (to whom he made his
+ last confession, for he died a Christian), do not permit us to
+ entertain any sort of doubt.
+
+ Accept, Monsieur le baron, etc., etc.
+
+
+Monsieur de Maulincour, the dowager, and the vidame breathed again with
+joy unspeakable. The good old woman kissed her grandson leaving a tear
+upon his cheek, and went away to thank God in prayer. The dear soul,
+who was making a novena for Auguste’s safety, believed her prayers were
+answered.
+
+“Well,” said the vidame, “now you had better show yourself at the ball
+you were speaking of. I oppose no further objections.”
+
+
+
+
+CHAPTER III. THE WIFE ACCUSED
+
+Monsieur de Maulincour was all the more anxious to go to this ball
+because he knew that Madame Jules would be present. The fete was given
+by the Prefect of the Seine, in whose salons the two social worlds of
+Paris met as on neutral ground. Auguste passed through the rooms without
+finding the woman who now exercised so mighty an influence on his fate.
+He entered an empty boudoir where card-tables were placed awaiting
+players; and sitting down on a divan he gave himself up to the most
+contradictory thoughts about her. A man presently took the young officer
+by the arm, and looking up the baron was stupefied to behold the pauper
+of the rue Coquilliere, the Ferragus of Ida, the lodger in the rue Soly,
+the Bourignard of Justin, the convict of the police, and the dead man of
+the day before.
+
+“Monsieur, not a sound, not a word,” said Bourignard, whose voice he
+recognized. The man was elegantly dressed; he wore the order of the
+Golden-Fleece, and a medal on his coat. “Monsieur,” he continued, and
+his voice was sibilant like that of a hyena, “you increase my efforts
+against you by having recourse to the police. You will perish, monsieur;
+it has now become necessary. Do you love Madame Jules? Are you beloved
+by her? By what right do you trouble her peaceful life, and blacken her
+virtue?”
+
+Some one entered the card-room. Ferragus rose to go.
+
+“Do you know this man?” asked Monsieur de Maulincour of the new-comer,
+seizing Ferragus by the collar. But Ferragus quickly disengaged himself,
+took Monsieur de Maulincour by the hair, and shook his head rapidly.
+
+“Must you have lead in it to make it steady?” he said.
+
+“I do not know him personally,” replied Henri de Marsay, the spectator
+of this scene, “but I know that he is Monsieur de Funcal, a rich
+Portuguese.”
+
+Monsieur de Funcal had disappeared. The baron followed but without
+being able to overtake him until he reached the peristyle, where he
+saw Ferragus, who looked at him with a jeering laugh from a brilliant
+equipage which was driven away at high speed.
+
+“Monsieur,” said Auguste, re-entering the salon and addressing de
+Marsay, whom he knew, “I entreat you to tell me where Monsieur de Funcal
+lives.”
+
+“I do not know; but some one here can no doubt tell you.”
+
+The baron, having questioned the prefect, ascertained that the Comte de
+Funcal lived at the Portuguese embassy. At this moment, while he still
+felt the icy fingers of that strange man in his hair, he saw Madame
+Jules in all her dazzling beauty, fresh, gracious, artless, resplendent
+with the sanctity of womanhood which had won his love. This creature,
+now infernal to him, excited no emotion in his soul but that of hatred;
+and this hatred shone in a savage, terrible look from his eyes. He
+watched for a moment when he could speak to her unheard, and then he
+said:--
+
+“Madame, your _bravi_ have missed me three times.”
+
+“What do you mean, monsieur?” she said, flushing. “I know that you
+have had several unfortunate accidents lately, which I have greatly
+regretted; but how could I have had anything to do with them?”
+
+“You knew that _bravi_ were employed against me by that man of the rue
+Soly?”
+
+“Monsieur!”
+
+“Madame, I now call you to account, not for my happiness only, but for
+my blood--”
+
+At this instant Jules Desmarets approached them.
+
+“What are you saying to my wife, monsieur?”
+
+“Make that inquiry at my own house, monsieur, if you are curious,” said
+Maulincour, moving away, and leaving Madame Jules in an almost fainting
+condition.
+
+There are few women who have not found themselves, once at least in
+their lives, _a propos_ of some undeniable fact, confronted with
+a direct, sharp, uncompromising question,--one of those questions
+pitilessly asked by husbands, the mere apprehension of which gives
+a chill, while the actual words enter the heart like the blade of a
+dagger. It is from such crises that the maxim has come, “All women
+lie.” Falsehood, kindly falsehood, venial falsehood, sublime falsehood,
+horrible falsehood,--but always the necessity to lie. This necessity
+admitted, ought they not to know how to lie well? French women do it
+admirably. Our manners and customs teach them deception! Besides,
+women are so naively saucy, so pretty, graceful, and withal so true
+in lying,--they recognize so fully the utility of doing so in order
+to avoid in social life the violent shocks which happiness might not
+resist,--that lying is seen to be as necessary to their lives as the
+cotton-wool in which they put away their jewels. Falsehood becomes to
+them the foundation of speech; truth is exceptional; they tell it, if
+they are virtuous, by caprice or by calculation. According to individual
+character, some women laugh when they lie; others weep; others are
+grave; some grow angry. After beginning life by feigning indifference
+to the homage that deeply flatters them, they often end by lying to
+themselves. Who has not admired their apparent superiority to everything
+at the very moment when they are trembling for the secret treasures of
+their love? Who has never studied their ease, their readiness, their
+freedom of mind in the greatest embarrassments of life? In them, nothing
+is put on. Deception comes as the snow from heaven. And then, with what
+art they discover the truth in others! With what shrewdness they employ
+a direct logic in answer to some passionate question which has revealed
+to them the secret of the heart of a man who was guileless enough to
+proceed by questioning! To question a woman! why, that is delivering
+one’s self up to her; does she not learn in that way all that we seek to
+hide from her? Does she not know also how to be dumb, through speaking?
+What men are daring enough to struggle with the Parisian woman?--a woman
+who knows how to hold herself above all dagger thrusts, saying: “You are
+very inquisitive; what is it to you? Why do you wish to know? Ah! you
+are jealous! And suppose I do not choose to answer you?”--in short, a
+woman who possesses the hundred and thirty-seven methods of saying _No_,
+and incommensurable variations of the word _Yes_. Is not a treatise on
+the words _yes_ and _no_, a fine diplomatic, philosophic, logographic,
+and moral work, still waiting to be written? But to accomplish this
+work, which we may also call diabolic, isn’t an androgynous genius
+necessary? For that reason, probably, it will never be attempted. And
+besides, of all unpublished works isn’t it the best known and the best
+practised among women? Have you studied the behavior, the pose, the
+_disinvoltura_ of a falsehood? Examine it.
+
+Madame Desmarets was seated in the right-hand corner of her carriage,
+her husband in the left. Having forced herself to recover from her
+emotion in the ballroom, she now affected a calm demeanor. Her husband
+had then said nothing to her, and he still said nothing. Jules looked
+out of the carriage window at the black walls of the silent houses
+before which they passed; but suddenly, as if driven by a determining
+thought, when turning the corner of a street he examined his wife, who
+appeared to be cold in spite of the fur-lined pelisse in which she was
+wrapped. He thought she seemed pensive, and perhaps she really was
+so. Of all communicable things, reflection and gravity are the most
+contagious.
+
+“What could Monsieur de Maulincour have said to affect you so keenly?”
+ said Jules; “and why does he wish me to go to his house and find out?”
+
+“He can tell you nothing in his house that I cannot tell you here,” she
+replied.
+
+Then, with that feminine craft which always slightly degrades virtue,
+Madame Jules waited for another question. Her husband turned his face
+back to the houses, and continued his study of their walls. Another
+question would imply suspicion, distrust. To suspect a woman is a crime
+in love. Jules had already killed a man for doubting his wife. Clemence
+did not know all there was of true passion, of loyal reflection, in her
+husband’s silence; just as Jules was ignorant of the generous drama that
+was wringing the heart of his Clemence.
+
+The carriage rolled on through a silent Paris, bearing the couple,--two
+lovers who adored each other, and who, gently leaning on the same
+silken cushion, were being parted by an abyss. In these elegant coupes
+returning from a ball between midnight and two in the morning, how
+many curious and singular scenes must pass,--meaning those coupes with
+lanterns, which light both the street and the carriage, those with their
+windows unshaded; in short, legitimate coupes, in which couples can
+quarrel without caring for the eyes of pedestrians, because the civil
+code gives a right to provoke, or beat, or kiss, a wife in a carriage
+or elsewhere, anywhere, everywhere! How many secrets must be revealed in
+this way to nocturnal pedestrians,--to those young fellows who have gone
+to a ball in a carriage, but are obliged, for whatever cause it may be,
+to return on foot. It was the first time that Jules and Clemence had
+been together thus,--each in a corner; usually the husband pressed close
+to his wife.
+
+“It is very cold,” remarked Madame Jules.
+
+But her husband did not hear her; he was studying the signs above the
+shop windows.
+
+“Clemence,” he said at last, “forgive me the question I am about to ask
+you.”
+
+He came closer, took her by the waist, and drew her to him.
+
+“My God, it is coming!” thought the poor woman. “Well,” she said aloud,
+anticipating the question, “you want to know what Monsieur de Maulincour
+said to me. I will tell you, Jules; but not without fear. Good God! how
+is it possible that you and I should have secrets from one another? For
+the last few moments I have seen you struggling between a conviction of
+our love and vague fears. But that conviction is clear within us, is
+it not? And these doubts and fears, do they not seem to you dark and
+unnatural? Why not stay in that clear light of love you cannot doubt?
+When I have told you all, you will still desire to know more; and yet I
+myself do not know what the extraordinary words of that man meant. What
+I fear is that this may lead to some fatal affair between you. I would
+rather that we both forget this unpleasant moment. But, in any case,
+swear to me that you will let this singular adventure explain itself
+naturally. Here are the facts. Monsieur de Maulincour declared to me
+that the three accidents you have heard mentioned--the falling of a
+stone on his servant, the breaking down of his cabriolet, and his duel
+about Madame de Serizy--were the result of some plot I had laid against
+him. He also threatened to reveal to you the cause of my desire to
+destroy him. Can you imagine what all this means? My emotion came from
+the sight of his face convulsed with madness, his haggard eyes, and also
+his words, broken by some violent inward emotion. I thought him mad.
+That is all that took place. Now, I should be less than a woman if I had
+not perceived that for over a year I have become, as they call it, the
+passion of Monsieur de Maulincour. He has never seen me except at a
+ball; and our intercourse has been most insignificant,--merely that
+which every one shares at a ball. Perhaps he wants to disunite us, so
+that he may find me at some future time alone and unprotected. There,
+see! already you are frowning! Oh, how cordially I hate society! We were
+so happy without him; why take any notice of him? Jules, I entreat you,
+forget all this! To-morrow we shall, no doubt, hear that Monsieur de
+Maulincour has gone mad.”
+
+“What a singular affair!” thought Jules, as the carriage stopped under
+the peristyle of their house. He gave his arm to his wife and together
+they went up to their apartments.
+
+To develop this history in all its truth of detail, and to follow its
+course through many windings, it is necessary here to divulge some of
+love’s secrets, to glide beneath the ceilings of a marriage chamber, not
+shamelessly, but like Trilby, frightening neither Dougal nor Jeannie,
+alarming no one,--being as chaste as our noble French language requires,
+and as bold as the pencil of Gerard in his picture of Daphnis and Chloe.
+
+The bedroom of Madame Jules was a sacred plot. Herself, her husband,
+and her maid alone entered it. Opulence has glorious privileges, and the
+most enviable are those which enable the development of sentiments to
+their fullest extent,--fertilizing them by the accomplishment of even
+their caprices, and surrounding them with a brilliancy that enlarges
+them, with refinements that purify them, with a thousand delicacies that
+make them still more alluring. If you hate dinners on the grass, and
+meals ill-served, if you feel a pleasure in seeing a damask cloth that
+is dazzlingly white, a silver-gilt dinner service, and porcelain of
+exquisite purity, lighted by transparent candles, where miracles of
+cookery are served under silver covers bearing coats of arms, you must,
+to be consistent, leave the garrets at the tops of the houses, and the
+grisettes in the streets, abandon garrets, grisettes, umbrellas, and
+overshoes to men who pay for their dinners with tickets; and you must
+also comprehend Love to be a principle which develops in all its grace
+only on Savonnerie carpets, beneath the opal gleams of an alabaster
+lamp, between guarded walls silk-hung, before gilded hearths in chambers
+deadened to all outward sounds by shutters and billowy curtains. Mirrors
+must be there to show the play of form and repeat the woman we would
+multiply as love itself multiplies and magnifies her; next low
+divans, and a bed which, like a secret, is divined, not shown. In this
+coquettish chamber are fur-lined slippers for pretty feet, wax-candles
+under glass with muslin draperies, by which to read at all hours of the
+night, and flowers, not those oppressive to the head, and linen, the
+fineness of which might have satisfied Anne of Austria.
+
+Madame Jules had realized this charming programme, but that was nothing.
+All women of taste can do as much, though there is always in the
+arrangement of these details a stamp of personality which gives to this
+decoration or that detail a character that cannot be imitated. To-day,
+more than ever, reigns the fanaticism of individuality. The more our
+laws tend to an impossible equality, the more we shall get away from it
+in our manners and customs. Thus, rich people are beginning, in France,
+to become more exclusive in their tastes and their belongings, than they
+have been for the last thirty years. Madame Jules knew very well how
+to carry out this programme; and everything about her was arranged in
+harmony with a luxury that suits so well with love. Love in a cottage,
+or “Fifteen hundred francs and my Sophy,” is the dream of starvelings to
+whom black bread suffices in their present state; but when love
+really comes, they grow fastidious and end by craving the luxuries of
+gastronomy. Love holds toil and poverty in horror. It would rather die
+than merely live on from hand to mouth.
+
+Many women, returning from a ball, impatient for their beds, throw off
+their gowns, their faded flowers, their bouquets, the fragrance of which
+has now departed. They leave their little shoes beneath a chair, the
+white strings trailing; they take out their combs and let their hair
+roll down as it will. Little they care if their husbands see the puffs,
+the hairpins, the artful props which supported the elegant edifices
+of the hair, and the garlands or the jewels that adorned it. No more
+mysteries! all is over for the husband; no more painting or decoration
+for him. The corset--half the time it is a corset of a reparative
+kind--lies where it is thrown, if the maid is too sleepy to take it away
+with her. The whalebone bustle, the oiled-silk protections round the
+sleeves, the pads, the hair bought from a coiffeur, all the false woman
+is there, scattered about in open sight. _Disjecta membra poetae_, the
+artificial poesy, so much admired by those for whom it is conceived and
+elaborated, the fragments of a pretty woman, litter every corner of the
+room. To the love of a yawning husband, the actual presents herself,
+also yawning, in a dishabille without elegance, and a tumbled night-cap,
+that of last night and that of to-morrow night also,--“For really,
+monsieur, if you want a pretty cap to rumple every night, increase my
+pin-money.”
+
+There’s life as it is! A woman makes herself old and unpleasing to her
+husband; but dainty and elegant and adorned for others, for the rival of
+all husbands,--for that world which calumniates and tears to shreds her
+sex.
+
+Inspired by true love, for Love has, like other creations, its instinct
+of preservation, Madame Jules did very differently; she found in the
+constant blessing of her love the necessary impulse to fulfil all those
+minute personal cares which ought never to be relaxed, because they
+perpetuate love. Besides, such personal cares and duties proceed from a
+personal dignity which becomes all women, and are among the sweetest of
+flatteries, for is it not respecting in themselves the man they love?
+
+So Madame Jules denied to her husband all access to her dressing-room,
+where she left the accessories of her toilet, and whence she issued
+mysteriously adorned for the mysterious fetes of her heart. Entering
+their chamber, which was always graceful and elegant, Jules found a
+woman coquettishly wrapped in a charming _peignoir_, her hair simply
+wound in heavy coils around her head; a woman always more simple, more
+beautiful there than she was before the world; a woman just refreshed in
+water, whose only artifice consisted in being whiter than her muslins,
+sweeter than all perfumes, more seductive than any siren, always loving
+and therefore always loved. This admirable understanding of a wife’s
+business was the secret of Josephine’s charm for Napoleon, as in former
+times it was that of Caesonia for Caius Caligula, of Diane de Poitiers
+for Henri II. If it was largely productive to women of seven or eight
+lustres what a weapon is it in the hands of young women! A husband
+gathers with delight the rewards of his fidelity.
+
+Returning home after the conversation which had chilled her with fear,
+and still gave her the keenest anxiety, Madame Jules took particular
+pains with her toilet for the night. She wanted to make herself, and she
+did make herself enchanting. She belted the cambric of her dressing-gown
+round her waist, defining the lines of her bust; she allowed her hair to
+fall upon her beautifully modelled shoulders. A perfumed bath had given
+her a delightful fragrance, and her little bare feet were in velvet
+slippers. Strong in a sense of her advantages she came in stepping
+softly, and put her hands over her husband’s eyes. She thought him
+pensive; he was standing in his dressing-gown before the fire, his elbow
+on the mantel and one foot on the fender. She said in his ear, warming
+it with her breath, and nibbling the tip of it with her teeth:--
+
+“What are you thinking about, monsieur?”
+
+Then she pressed him in her arms as if to tear him away from all evil
+thoughts. The woman who loves has a full knowledge of her power; the
+more virtuous she is, the more effectual her coquetry.
+
+“About you,” he answered.
+
+“Only about me?”
+
+“Yes.”
+
+“Ah! that’s a very doubtful ‘yes.’”
+
+They went to bed. As she fell asleep, Madame Jules said to herself:--
+
+“Monsieur de Maulincour will certainly cause some evil. Jules’ mind is
+preoccupied, disturbed; he is nursing thoughts he does not tell me.”
+
+It was three in the morning when Madame Jules was awakened by a
+presentiment which struck her heart as she slept. She had a sense both
+physical and moral of her husband’s absence. She did not feel the
+arm Jules passed beneath her head,--that arm in which she had slept,
+peacefully and happy, for five years; an arm she had never wearied. A
+voice said to her, “Jules suffers, Jules is weeping.” She raised her
+head, and then sat up; felt that her husband’s place was cold, and saw
+him sitting before the fire, his feet on the fender, his head resting
+against the back of an arm-chair. Tears were on his cheeks. The poor
+woman threw herself hastily from her bed and sprang at a bound to her
+husband’s knees.
+
+“Jules! what is it? Are you ill? Speak, tell me! Speak to me, if you
+love me!” and she poured out a hundred words expressing the deepest
+tenderness.
+
+Jules knelt at her feet, kissed her hands and knees, and answered with
+fresh tears:--
+
+“Dear Clemence, I am most unhappy! It is not loving to distrust the
+one we love. I adore you and suspect you. The words that man said to me
+to-night have struck to my heart; they stay there in spite of myself,
+and confound me. There is some mystery here. In short, and I blush to
+say it, your explanations do not satisfy me. My reason casts gleams
+into my soul which my love rejects. It is an awful combat. Could I
+stay there, holding your head, and suspecting thoughts within it to me
+unknown? Oh! I believe in you, I believe in you!” he cried, seeing her
+smile sadly and open her mouth as if to speak. “Say nothing; do not
+reproach me. Besides, could you say anything I have not said myself for
+the last three hours? Yes, for three hours, I have been here, watching
+you as you slept, so beautiful! admiring that pure, peaceful brow. Yes,
+yes! you have always told me your thoughts, have you not? I alone am in
+that soul. While I look at you, while my eyes can plunge into yours I
+see all plainly. Your life is as pure as your glance is clear. No, there
+is no secret behind those transparent eyes.” He rose and kissed their
+lids. “Let me avow to you, dearest soul,” he said, “that for the last
+five years each day has increased my happiness, through the knowledge
+that you are all mine, and that no natural affection even can take any
+of your love. Having no sister, no father, no mother, no companion, I
+am neither above nor below any living being in your heart; I am alone
+there. Clemence, repeat to me those sweet things of the spirit you have
+so often said to me; do not blame me; comfort me, I am so unhappy. I
+have an odious suspicion on my conscience, and you have nothing in your
+heart to sear it. My beloved, tell me, could I stay there beside you?
+Could two heads united as ours have been lie on the same pillow when
+one was suffering and the other tranquil? What are you thinking of?”
+ he cried abruptly, observing that Clemence was anxious, confused, and
+seemed unable to restrain her tears.
+
+“I am thinking of my mother,” she answered, in a grave voice. “You
+will never know, Jules, what I suffer in remembering my mother’s dying
+farewell, said in a voice sweeter than all music, and in feeling the
+solemn touch of her icy hand at a moment when you overwhelm me with
+those assurances of your precious love.”
+
+She raised her husband, strained him to her with a nervous force greater
+than that of men, and kissed his hair, covering it with tears.
+
+“Ah! I would be hacked in pieces for you! Tell me that I make you happy;
+that I am to you the most beautiful of women--a thousand women to you.
+Oh! you are loved as no other man ever was or will be. I don’t know the
+meaning of those words ‘duty,’ ‘virtue.’ Jules, I love you for yourself;
+I am happy in loving you; I shall love you more and more to my dying
+day. I have pride in my love; I feel it is my destiny to have one sole
+emotion in my life. What I shall tell you now is dreadful, I know--but
+I am glad to have no child; I do not wish for any. I feel I am more wife
+than mother. Well, then, can you fear? Listen to me, my own beloved,
+promise to forget, not this hour of mingled tenderness and doubt, but
+the words of that madman. Jules, you _must_. Promise me not to see him,
+not to go to him. I have a deep conviction that if you set one foot in
+that maze we shall both roll down a precipice where I shall perish--but
+with your name upon my lips, your heart in my heart. Why hold me so high
+in that heart and yet so low in reality? What! you who give credit to so
+many as to money, can you not give me the charity of faith? And on the
+first occasion in our lives when you might prove to me your boundless
+trust, do you cast me from my throne in your heart? Between a madman
+and me, it is the madman whom you choose to believe? oh, Jules!” She
+stopped, threw back the hair that fell about her brow and neck, and
+then, in a heart-rending tone, she added: “I have said too much; one
+word should suffice. If your soul and your forehead still keep this
+cloud, however light it be, I tell you now that I shall die of it.”
+
+She could not repress a shudder, and turned pale.
+
+“Oh! I will kill that man,” thought Jules, as he lifted his wife in his
+arms and carried her to her bed.
+
+“Let us sleep in peace, my angel,” he said. “I have forgotten all, I
+swear it!”
+
+Clemence fell asleep to the music of those sweet words, softly repeated.
+Jules, as he watched her sleeping, said in his heart:--
+
+“She is right; when love is so pure, suspicion blights it. To that young
+soul, that tender flower, a blight--yes, a blight means death.”
+
+When a cloud comes between two beings filled with affection for each
+other and whose lives are in absolute unison, that cloud, though it
+may disperse, leaves in those souls a trace of its passage. Either
+love gains a stronger life, as the earth after rain, or the shock still
+echoes like distant thunder through a cloudless sky. It is impossible
+to recover absolutely the former life; love will either increase or
+diminish.
+
+At breakfast, Monsieur and Madame Jules showed to each other those
+particular attentions in which there is always something of affectation.
+There were glances of forced gaiety, which seemed the efforts of persons
+endeavoring to deceive themselves. Jules had involuntary doubts, his
+wife had positive fears. Still, sure of each other, they had slept. Was
+this strained condition the effect of a want of faith, or was it only a
+memory of their nocturnal scene? They did not know themselves. But they
+loved each other so purely that the impression of that scene, both cruel
+and beneficent, could not fail to leave its traces in their souls; both
+were eager to make those traces disappear, each striving to be the first
+to return to the other, and thus they could not fail to think of the
+cause of their first variance. To loving souls, this is not grief; pain
+is still far-off; but it is a sort of mourning, which is difficult to
+depict. If there are, indeed, relations between colors and the emotions
+of the soul, if, as Locke’s blind man said, scarlet produces on the
+sight the effect produced upon the hearing by a blast of trumpets, it is
+permissible to compare this reaction of melancholy to mourning tones of
+gray.
+
+But even so, love saddened, love in which remains a true sentiment
+of its happiness, momentarily troubled though it be, gives enjoyments
+derived from pain and pleasure both, which are all novel. Jules studied
+his wife’s voice; he watched her glances with the freshness of feeling
+that inspired him in the earliest days of his passion for her. The
+memory of five absolutely happy years, her beauty, the candor of her
+love, quickly effaced in her husband’s mind the last vestiges of an
+intolerable pain.
+
+The day was Sunday,--a day on which there was no Bourse and no business
+to be done. The reunited pair passed the whole day together, getting
+farther into each other’s hearts than they ever yet had done, like two
+children who in a moment of fear, hold each other closely and cling
+together, united by an instinct. There are in this life of two-in-one
+completely happy days, the gift of chance, ephemeral flowers, born
+neither of yesterday nor belonging to the morrow. Jules and Clemence
+now enjoyed this day as though they forboded it to be the last of their
+loving life. What name shall we give to that mysterious power which
+hastens the steps of travellers before the storm is visible; which makes
+the life and beauty of the dying so resplendent, and fills the parting
+soul with joyous projects for days before death comes; which tells the
+midnight student to fill his lamp when it shines brightest; and makes
+the mother fear the thoughtful look cast upon her infant by an observing
+man? We all are affected by this influence in the great catastrophes of
+life; but it has never yet been named or studied; it is something more
+than presentiment, but not as yet clear vision.
+
+All went well till the following day. On Monday, Jules Desmarets,
+obliged to go to the Bourse on his usual business, asked his wife, as
+usual, if she would take advantage of his carriage and let him drive her
+anywhere.
+
+“No,” she said, “the day is too unpleasant to go out.”
+
+It was raining in torrents. At half-past two o’clock Monsieur Desmarets
+reached the Treasury. At four o’clock, as he left the Bourse, he came
+face to face with Monsieur de Maulincour, who was waiting for him with
+the nervous pertinacity of hatred and vengeance.
+
+“Monsieur,” he said, taking Monsieur Desmarets by the arm, “I have
+important information to give you. Listen to me. I am too loyal a man to
+have recourse to anonymous letters with which to trouble your peace of
+mind; I prefer to speak to you in person. Believe me, if my very life
+were not concerned, I should not meddle with the private affairs of any
+household, even if I thought I had the right to do so.”
+
+“If what you have to say to me concerns Madame Desmarets,” replied
+Jules, “I request you to be silent, monsieur.”
+
+“If I am silent, monsieur, you may before long see Madame Jules on the
+prisoner’s bench at the court of assizes beside a convict. Now, do you
+wish me to be silent?”
+
+Jules turned pale; but his noble face instantly resumed its calmness,
+though it was now a false calmness. Drawing the baron under one of the
+temporary sheds of the Bourse, near which they were standing, he said to
+him in a voice which concealed his intense inward emotion:--
+
+“Monsieur, I will listen to you; but there will be a duel to the death
+between us if--”
+
+“Oh, to that I consent!” cried Monsieur de Maulincour. “I have the
+greatest esteem for your character. You speak of death. You are unaware
+that your wife may have assisted in poisoning me last Saturday night.
+Yes, monsieur, since then some extraordinary evil has developed in me.
+My hair appears to distil an inward fever and a deadly languor through
+my skull; I know who clutched my hair at that ball.”
+
+Monsieur de Maulincour then related, without omitting a single fact, his
+platonic love for Madame Jules, and the details of the affair in the rue
+Soly which began this narrative. Any one would have listened to him with
+attention; but Madame Jules’ husband had good reason to be more amazed
+than any other human being. Here his character displayed itself; he
+was more amazed than overcome. Made a judge, and the judge of an
+adored woman, he found in his soul the equity of a judge as well as the
+inflexibility. A lover still, he thought less of his own shattered life
+than of his wife’s life; he listened, not to his own anguish, but to
+some far-off voice that cried to him, “Clemence cannot lie! Why should
+she betray you?”
+
+“Monsieur,” said the baron, as he ended, “being absolutely certain
+of having recognized in Monsieur de Funcal the same Ferragus whom the
+police declared dead, I have put upon his traces an intelligent man. As
+I returned that night I remembered, by a fortunate chance, the name of
+Madame Meynardie, mentioned in that letter of Ida, the presumed mistress
+of my persecutor. Supplied with this clue, my emissary will soon get to
+the bottom of this horrible affair; for he is far more able to discover
+the truth than the police themselves.”
+
+“Monsieur,” replied Desmarets, “I know not how to thank you for this
+confidence. You say that you can obtain proofs and witnesses; I shall
+await them. I shall seek the truth of this strange affair courageously;
+but you must permit me to doubt everything until the evidence of
+the facts you state is proved to me. In any case you shall have
+satisfaction, for, as you will certainly understand, we both require
+it.”
+
+Jules returned home.
+
+“What is the matter, Jules?” asked his wife, when she saw him. “You look
+so pale you frighten me!”
+
+“The day is cold,” he answered, walking with slow steps across the room
+where all things spoke to him of love and happiness,--that room so calm
+and peaceful where a deadly storm was gathering.
+
+“Did you go out to-day?” he asked, as though mechanically.
+
+He was impelled to ask the question by the last of a myriad of thoughts
+which had gathered themselves together into a lucid meditation, though
+jealousy was actively prompting them.
+
+“No,” she answered, in a tone that was falsely candid.
+
+At that instant Jules saw through the open door of the dressing-room the
+velvet bonnet which his wife wore in the mornings; on it were drops of
+rain. Jules was a passionate man, but he was also full of delicacy. It
+was repugnant to him to bring his wife face to face with a lie. When
+such a situation occurs, all has come to an end forever between certain
+beings. And yet those drops of rain were like a flash tearing through
+his brain.
+
+He left the room, went down to the porter’s lodge, and said to the
+porter, after making sure that they were alone:--
+
+“Fouguereau, a hundred crowns if you tell me the truth; dismissal if you
+deceive me; and nothing at all if you ever speak of my question and your
+answer.”
+
+He stopped to examine the man’s face, leading him under the window. Then
+he continued:--
+
+“Did madame go out this morning?”
+
+“Madame went out at a quarter to three, and I think I saw her come in
+about half an hour ago.”
+
+“That is true, upon your honor?”
+
+“Yes, monsieur.”
+
+“You will have the money; but if you speak of this, remember, you will
+lose all.”
+
+Jules returned to his wife.
+
+“Clemence,” he said, “I find I must put my accounts in order. Do not be
+offended at the inquiry I am going to make. Have I not given you forty
+thousand francs since the beginning of the year?”
+
+“More,” she said,--“forty-seven.”
+
+“Have you spent them?”
+
+“Nearly,” she replied. “In the first place, I had to pay several of our
+last year’s bills--”
+
+“I shall never find out anything in this way,” thought Jules. “I am not
+taking the best course.”
+
+At this moment Jules’ own valet entered the room with a letter for his
+master, who opened it indifferently, but as soon as his eyes had lighted
+on the signature he read it eagerly. The letter was as follows:--
+
+
+ Monsieur,--For the sake of your peace of mind as well as ours, I
+ take the course of writing you this letter without possessing the
+ advantage of being known to you; but my position, my age, and the
+ fear of some misfortune compel me to entreat you to show
+ indulgence in the trying circumstances under which our afflicted
+ family is placed. Monsieur Auguste de Maulincour has for the last
+ few days shown signs of mental derangement, and we fear that he
+ may trouble your happiness by fancies which he confided to
+ Monsieur le Vidame de Pamiers and myself during his first attack
+ of frenzy. We think it right, therefore, to warn you of his
+ malady, which is, we hope, curable; but it will have such serious
+ and important effects on the honor of our family and the career of
+ my grandson that we must rely, monsieur, on your entire
+ discretion.
+
+ If Monsieur le Vidame or I could have gone to see you we would not
+ have written. But I make no doubt that you will regard this prayer
+ of a mother, who begs you to destroy this letter.
+
+ Accept the assurance of my perfect consideration.
+
+Baronne de Maulincour, _nee_ de Rieux.
+
+
+“Oh! what torture!” cried Jules.
+
+“What is it? what is in your mind?” asked his wife, exhibiting the
+deepest anxiety.
+
+“I have come,” he answered, slowly, as he threw her the letter, “to
+ask myself whether it can be you who have sent me that to avert my
+suspicions. Judge, therefore, what I suffer.”
+
+“Unhappy man!” said Madame Jules, letting fall the paper. “I pity him;
+though he has done me great harm.”
+
+“Are you aware that he has spoken to me?”
+
+“Oh! have you been to see him, in spite of your promise?” she cried in
+terror.
+
+“Clemence, our love is in danger of perishing; we stand outside of the
+ordinary rules of life; let us lay aside all petty considerations
+in presence of this great peril. Explain to me why you went out this
+morning. Women think they have the right to tell us little falsehoods.
+Sometimes they like to hide a pleasure they are preparing for us. Just
+now you said a word to me, by mistake, no doubt, a no for a yes.”
+
+He went into the dressing-room and brought out the bonnet.
+
+“See,” he said, “your bonnet has betrayed you; these spots are
+raindrops. You must, therefore, have gone out in a street cab, and these
+drops fell upon it as you went to find one, or as you entered or left
+the house where you went. But a woman can leave her own home for many
+innocent purposes, even after she has told her husband that she did
+not mean to go out. There are so many reasons for changing our plans!
+Caprices, whims, are they not your right? Women are not required to be
+consistent with themselves. You had forgotten something,--a service
+to render, a visit, some kind action. But nothing hinders a woman from
+telling her husband what she does. Can we ever blush on the breast of a
+friend? It is not a jealous husband who speaks to you, my Clemence; it
+is your lover, your friend, your brother.” He flung himself passionately
+at her feet. “Speak, not to justify yourself, but to calm my horrible
+sufferings. I know that you went out. Well--what did you do? where did
+you go?”
+
+“Yes, I went out, Jules,” she answered in a strained voice, though her
+face was calm. “But ask me nothing more. Wait; have confidence; without
+which you will lay up for yourself terrible remorse. Jules, my Jules,
+trust is the virtue of love. I owe to you that I am at this moment too
+troubled to answer you: but I am not a false woman; I love you, and you
+know it.”
+
+“In the midst of all that can shake the faith of man and rouse his
+jealousy, for I see I am not first in your heart, I am no longer thine
+own self--well, Clemence, even so, I prefer to believe you, to believe
+that voice, to believe those eyes. If you deceive me, you deserve--”
+
+“Ten thousand deaths!” she cried, interrupting him.
+
+“I have never hidden a thought from you, but you--”
+
+“Hush!” she said, “our happiness depends upon our mutual silence.”
+
+“Ha! I _will_ know all!” he exclaimed, with sudden violence.
+
+At that moment the cries of a woman were heard,--the yelping of a shrill
+little voice came from the antechamber.
+
+“I tell you I will go in!” it cried. “Yes, I shall go in; I will see
+her! I shall see her!”
+
+Jules and Clemence both ran to the salon as the door from the
+antechamber was violently burst open. A young woman entered hastily,
+followed by two servants, who said to their master:--
+
+“Monsieur, this person would come in in spite of us. We told her that
+madame was not at home. She answered that she knew very well madame had
+been out, but she saw her come in. She threatened to stay at the door of
+the house till she could speak to madame.”
+
+“You can go,” said Monsieur Desmarets to the two men. “What do you want,
+mademoiselle?” he added, turning to the strange woman.
+
+This “demoiselle” was the type of a woman who is never to be met with
+except in Paris. She is made in Paris, like the mud, like the pavement,
+like the water of the Seine, such as it becomes in Paris before human
+industry filters it ten times ere it enters the cut-glass decanters and
+sparkles pure and bright from the filth it has been. She is therefore a
+being who is truly original. Depicted scores of times by the painter’s
+brush, the pencil of the caricaturist, the charcoal of the etcher, she
+still escapes analysis, because she cannot be caught and rendered in all
+her moods, like Nature, like this fantastic Paris itself. She holds to
+vice by one thread only, and she breaks away from it at a thousand other
+points of the social circumference. Besides, she lets only one trait
+of her character be known, and that the only one which renders her
+blamable; her noble virtues are hidden; she prefers to glory in her
+naive libertinism. Most incompletely rendered in dramas and tales where
+she is put upon the scene with all her poesy, she is nowhere really
+true but in her garret; elsewhere she is invariably calumniated or
+over-praised. Rich, she deteriorates; poor, she is misunderstood. She
+has too many vices, and too many good qualities; she is too near to
+pathetic asphyxiation or to a dissolute laugh; too beautiful and too
+hideous. She personifies Paris, to which, in the long run, she supplies
+the toothless portresses, washerwomen, street-sweepers, beggars,
+occasionally insolent countesses, admired actresses, applauded singers;
+she has even given, in the olden time, two quasi-queens to the monarchy.
+Who can grasp such a Proteus? She is all woman, less than woman, more
+than woman. From this vast portrait the painter of manners and morals
+can take but a feature here and there; the _ensemble_ is infinite.
+
+She was a grisette of Paris; a grisette in all her glory; a grisette
+in a hackney-coach,--happy, young, handsome, fresh, but a grisette; a
+grisette with claws, scissors, impudent as a Spanish woman, snarling as
+a prudish English woman proclaiming her conjugal rights, coquettish as
+a great lady, though more frank, and ready for everything; a perfect
+_lionne_ in her way; issuing from the little apartment of which she
+had dreamed so often, with its red-calico curtains, its Utrecht velvet
+furniture, its tea-table, the cabinet of china with painted designs, the
+sofa, the little moquette carpet, the alabaster clock and candlesticks
+(under glass cases), the yellow bedroom, the eider-down quilt,--in
+short, all the domestic joys of a grisette’s life; and in addition,
+the woman-of-all-work (a former grisette herself, now the owner of a
+moustache), theatre-parties, unlimited bonbons, silk dresses, bonnets to
+spoil,--in fact, all the felicities coveted by the grisette heart except
+a carriage, which only enters her imagination as a marshal’s baton into
+the dreams of a soldier. Yes, this grisette had all these things in
+return for a true affection, or in spite of a true affection, as some
+others obtain it for an hour a day,--a sort of tax carelessly paid under
+the claws of an old man.
+
+The young woman who now entered the presence of Monsieur and Madame
+Jules had a pair of feet so little covered by her shoes that only a slim
+black line was visible between the carpet and her white stockings. This
+peculiar foot-gear, which Parisian caricaturists have well-rendered,
+is a special attribute of the grisette of Paris; but she is even more
+distinctive to the eyes of an observer by the care with which her
+garments are made to adhere to her form, which they clearly define.
+On this occasion she was trigly dressed in a green gown, with a white
+chemisette, which allowed the beauty of her bust to be seen; her shawl,
+of Ternaux cashmere, had fallen from her shoulders, and was held by its
+two corners, which were twisted round her wrists. She had a delicate
+face, rosy cheeks, a white skin, sparkling gray eyes, a round, very
+promising forehead, hair carefully smoothed beneath her little bonnet,
+and heavy curls upon her neck.
+
+“My name is Ida,” she said, “and if that’s Madame Jules to whom I have
+the advantage of speaking, I’ve come to tell her all I have in my
+heart against her. It is very wrong, when a woman is set up and in her
+furniture, as you are here, to come and take from a poor girl a man
+with whom I’m as good as married, morally, and who did talk of making it
+right by marrying me before the municipality. There’s plenty of handsome
+young men in the world--ain’t there, monsieur?--to take your fancy,
+without going after a man of middle age, who makes my happiness. Yah! I
+haven’t got a fine hotel like this, but I’ve got my love, I have. I hate
+handsome men and money; I’m all heart, and--”
+
+Madame Jules turned to her husband.
+
+“You will allow me, monsieur, to hear no more of all this,” she said,
+retreating to her bedroom.
+
+“If the lady lives with you, I’ve made a mess of it; but I can’t help
+that,” resumed Ida. “Why does she come after Monsieur Ferragus every
+day?”
+
+“You are mistaken, mademoiselle,” said Jules, stupefied; “my wife is
+incapable--”
+
+“Ha! so you’re married, you two,” said the grisette showing some
+surprise. “Then it’s very wrong, monsieur,--isn’t it?--for a woman who
+has the happiness of being married in legal marriage to have relations
+with a man like Henri--”
+
+“Henri! who is Henri?” said Jules, taking Ida by the arm and pulling her
+into an adjoining room that his wife might hear no more.
+
+“Why, Monsieur Ferragus.”
+
+“But he is dead,” said Jules.
+
+“Nonsense; I went to Franconi’s with him last night, and he brought me
+home--as he ought. Besides, your wife can tell you about him; didn’t
+she go there this very afternoon at three o’clock? I know she did, for
+I waited in the street, and saw her,--all because that good-natured
+fellow, Monsieur Justin, whom you know perhaps,--a little old man with
+jewelry who wears corsets,--told me that Madame Jules was my rival. That
+name, monsieur, sounds mighty like a feigned one; but if it is yours,
+excuse me. But this I say, if Madame Jules was a court duchess, Henri is
+rich enough to satisfy all her fancies, and it is my business to protect
+my property; I’ve a right to, for I love him, that I do. He is my
+_first_ inclination; my happiness and all my future fate depends on
+it. I fear nothing, monsieur; I am honest; I never lied, or stole the
+property of any living soul, no matter who. If an empress was my rival,
+I’d go straight to her, empress as she was; because all pretty women are
+equals, monsieur--”
+
+“Enough! enough!” said Jules. “Where do you live?”
+
+“Rue de la Corderie-du-Temple, number 14, monsieur,--Ida Gruget,
+corset-maker, at your service,--for we make lots of corsets for men.”
+
+“Where does the man whom you call Ferragus live?”
+
+“Monsieur,” she said, pursing up her lips, “in the first place, he’s not
+a man; he is a rich monsieur, much richer, perhaps, than you are. But
+why do you ask me his address when your wife knows it? He told me not
+to give it. Am I obliged to answer you? I’m not, thank God, in a
+confessional or a police-court; I’m responsible only to myself.”
+
+“If I were to offer you ten thousand francs to tell me where Monsieur
+Ferragus lives, how then?”
+
+“Ha! n, o, _no_, my little friend, and that ends the matter,” she said,
+emphasizing this singular reply with a popular gesture. “There’s no
+sum in the world could make me tell you. I have the honor to bid you
+good-day. How do I get out of here?”
+
+Jules, horror-struck, allowed her to go without further notice. The
+whole world seemed to crumble beneath his feet, and above him the
+heavens were falling with a crash.
+
+“Monsieur is served,” said his valet.
+
+The valet and the footman waited in the dining-room a quarter of an hour
+without seeing master or mistress.
+
+“Madame will not dine to-day,” said the waiting-maid, coming in.
+
+“What’s the matter, Josephine?” asked the valet.
+
+“I don’t know,” she answered. “Madame is crying, and is going to bed.
+Monsieur has no doubt got some love-affair on hand, and it has been
+discovered at a very bad time. I wouldn’t answer for madame’s life. Men
+are so clumsy; they’ll make you scenes without any precaution.”
+
+“That’s not so,” said the valet, in a low voice. “On the contrary,
+madame is the one who--you understand? What times does monsieur have to
+go after pleasures, he, who hasn’t slept out of madame’s room for five
+years, who goes to his study at ten and never leaves it till breakfast,
+at twelve. His life is all known, it is regular; whereas madame goes out
+nearly every day at three o’clock, Heaven knows where.”
+
+“And monsieur too,” said the maid, taking her mistress’s part.
+
+“Yes, but he goes straight to the Bourse. I told him three times that
+dinner was ready,” continued the valet, after a pause. “You might as
+well talk to a post.”
+
+Monsieur Jules entered the dining-room.
+
+“Where is madame?” he said.
+
+“Madame is going to bed; her head aches,” replied the maid, assuming an
+air of importance.
+
+Monsieur Jules then said to the footmen composedly: “You can take away;
+I shall go and sit with madame.”
+
+He went to his wife’s room and found her weeping, but endeavoring to
+smother her sobs with her handkerchief.
+
+“Why do you weep?” said Jules; “you need expect no violence and no
+reproaches from me. Why should I avenge myself? If you have not been
+faithful to my love, it is that you were never worthy of it.”
+
+“Not worthy?” The words were repeated amid her sobs and the accent in
+which they were said would have moved any other man than Jules.
+
+“To kill you, I must love more than perhaps I do love you,” he
+continued. “But I should never have the courage; I would rather kill
+myself, leaving you to your--happiness, and with--whom!--”
+
+He did not end his sentence.
+
+“Kill yourself!” she cried, flinging herself at his feet and clasping
+them.
+
+But he, wishing to escape the embrace, tried to shake her off, dragging
+her in so doing toward the bed.
+
+“Let me alone,” he said.
+
+“No, no, Jules!” she cried. “If you love me no longer I shall die. Do
+you wish to know all?”
+
+“Yes.”
+
+He took her, grasped her violently, and sat down on the edge of the bed,
+holding her between his legs. Then, looking at that beautiful face now
+red as fire and furrowed with tears,--
+
+“Speak,” he said.
+
+Her sobs began again.
+
+“No; it is a secret of life and death. If I tell it, I--No, I cannot.
+Have mercy, Jules!”
+
+“You have betrayed me--”
+
+“Ah! Jules, you think so now, but soon you will know all.”
+
+“But this Ferragus, this convict whom you go to see, a man enriched by
+crime, if he does not belong to you, if you do not belong to him--”
+
+“Oh, Jules!”
+
+“Speak! Is he your mysterious benefactor?--the man to whom we owe our
+fortune, as persons have said already?”
+
+“Who said that?”
+
+“A man whom I killed in a duel.”
+
+“Oh, God! one death already!”
+
+“If he is not your protector, if he does not give you money, if it
+is you, on the contrary, who carry money to him, tell me, is he your
+brother?”
+
+“What if he were?” she said.
+
+Monsieur Desmarets crossed his arms.
+
+“Why should that have been concealed from me?” he said. “Then you and
+your mother have both deceived me? Besides, does a woman go to see her
+brother every day, or nearly every day?”
+
+His wife had fainted at his feet.
+
+“Dead,” he said. “And suppose I am mistaken?”
+
+He sprang to the bell-rope; called Josephine, and lifted Clemence to the
+bed.
+
+“I shall die of this,” said Madame Jules, recovering consciousness.
+
+“Josephine,” cried Monsieur Desmarets. “Send for Monsieur Desplein; send
+also to my brother and ask him to come here immediately.”
+
+“Why your brother?” asked Clemence.
+
+But Jules had already left the room.
+
+
+
+
+CHAPTER IV. WHERE GO TO DIE?
+
+For the first time in five years Madame Jules slept alone in her bed,
+and was compelled to admit a physician into that sacred chamber. These
+in themselves were two keen pangs. Desplein found Madame Jules very
+ill. Never was a violent emotion more untimely. He would say nothing
+definite, and postponed till the morrow giving any opinion, after
+leaving a few directions, which were not executed, the emotions of the
+heart causing all bodily cares to be forgotten.
+
+When morning dawned, Clemence had not yet slept. Her mind was absorbed
+in the low murmur of a conversation which lasted several hours between
+the brothers; but the thickness of the walls allowed no word which could
+betray the object of this long conference to reach her ears. Monsieur
+Desmarets, the notary, went away at last. The stillness of the night,
+and the singular activity of the senses given by powerful emotion,
+enabled Clemence to distinguish the scratching of a pen and the
+involuntary movements of a person engaged in writing. Those who are
+habitually up at night, and who observe the different acoustic effects
+produced in absolute silence, know that a slight echo can be readily
+perceived in the very places where louder but more equable and continued
+murmurs are not distinct. At four o’clock the sound ceased. Clemence
+rose, anxious and trembling. Then, with bare feet and without a wrapper,
+forgetting her illness and her moist condition, the poor woman opened
+the door softly without noise and looked into the next room. She saw her
+husband sitting, with a pen in his hand, asleep in his arm-chair. The
+candles had burned to the sockets. She slowly advanced and read on an
+envelope, already sealed, the words, “This is my will.”
+
+She knelt down as if before an open grave and kissed her husband’s hand.
+He woke instantly.
+
+“Jules, my friend, they grant some days to criminals condemned to
+death,” she said, looking at him with eyes that blazed with fever and
+with love. “Your innocent wife asks only two. Leave me free for two
+days, and--wait! After that, I shall die happy--at least, you will
+regret me.”
+
+“Clemence, I grant them.”
+
+Then, as she kissed her husband’s hands in the tender transport of her
+heart, Jules, under the spell of that cry of innocence, took her in his
+arms and kissed her forehead, though ashamed to feel himself still under
+subjection to the power of that noble beauty.
+
+On the morrow, after taking a few hours’ rest, Jules entered his wife’s
+room, obeying mechanically his invariable custom of not leaving the
+house without a word to her. Clemence was sleeping. A ray of light
+passing through a chink in the upper blind of a window fell across the
+face of the dejected woman. Already suffering had impaired her forehead
+and the freshness of her lips. A lover’s eye could not fail to notice
+the appearance of dark blotches, and a sickly pallor in place of
+the uniform tone of the cheeks and the pure ivory whiteness of the
+skin,--two points at which the sentiments of her noble soul were
+artlessly wont to show themselves.
+
+“She suffers,” thought Jules. “Poor Clemence! May God protect us!”
+
+He kissed her very softly on the forehead. She woke, saw her husband,
+and remembered all. Unable to speak, she took his hand, her eyes filling
+with tears.
+
+“I am innocent,” she said, ending her dream.
+
+“You will not go out to-day, will you?” asked Jules.
+
+“No, I feel too weak to leave my bed.”
+
+“If you should change your mind, wait till I return,” said Jules.
+
+Then he went down to the porter’s lodge.
+
+“Fouguereau, you will watch the door yourself to-day. I wish to know
+exactly who comes to the house, and who leaves it.”
+
+Then he threw himself into a hackney-coach, and was driven to the hotel
+de Maulincour, where he asked for the baron.
+
+“Monsieur is ill,” they told him.
+
+Jules insisted on entering, and gave his name. If he could not see the
+baron, he wished to see the vidame or the dowager. He waited some time
+in the salon, where Madame de Maulincour finally came to him and told
+him that her grandson was much too ill to receive him.
+
+“I know, madame, the nature of his illness from the letter you did me
+the honor to write, and I beg you to believe--”
+
+“A letter to you, monsieur, written by me!” cried the dowager,
+interrupting him. “I have written you no letter. What was I made to say
+in that letter, monsieur?”
+
+“Madame,” replied Jules, “intending to see Monsieur de Maulincour
+to-day, I thought it best to preserve the letter in spite of its
+injunction to destroy it. There it is.”
+
+Madame de Maulincour put on her spectacles, and the moment she cast her
+eyes on the paper she showed the utmost surprise.
+
+“Monsieur,” she said, “my writing is so perfectly imitated that, if the
+matter were not so recent, I might be deceived myself. My grandson is
+ill, it is true; but his reason has never for a moment been affected. We
+are the puppets of some evil-minded person or persons; and yet I cannot
+imagine the object of a trick like this. You shall see my grandson,
+monsieur, and you will at once perceive that he is perfectly sound in
+mind.”
+
+She rang the bell, and sent to ask if the baron felt able to receive
+Monsieur Desmarets. The servant returned with an affirmative answer.
+Jules went to the baron’s room, where he found him in an arm-chair near
+the fire. Too feeble to move, the unfortunate man merely bowed his head
+with a melancholy gesture. The Vidame de Pamiers was sitting with him.
+
+“Monsieur le baron,” said Jules, “I have something to say which makes it
+desirable that I should see you alone.”
+
+“Monsieur,” replied Auguste, “Monsieur le vidame knows about this
+affair; you can speak fearlessly before him.”
+
+“Monsieur le baron,” said Jules, in a grave voice, “you have troubled
+and well-nigh destroyed my happiness without having any right to do so.
+Until the moment when we can see clearly which of us should demand, or
+grant, reparation to the other, you are bound to help me in following
+the dark and mysterious path into which you have flung me. I have now
+come to ascertain from you the present residence of the extraordinary
+being who exercises such a baneful effect on your life and mine. On my
+return home yesterday, after listening to your avowals, I received that
+letter.”
+
+Jules gave him the forged letter.
+
+“This Ferragus, this Bourignard, or this Monsieur de Funcal, is a
+demon!” cried Maulincour, after having read it. “Oh, what a frightful
+maze I put my foot into when I meddled in this matter! Where am I going?
+I did wrong, monsieur,” he continued, looking at Jules; “but death is
+the greatest of all expiations, and my death is now approaching. You can
+ask me whatever you like; I am at your orders.”
+
+“Monsieur, you know, of course, where this man is living, and I must
+know it if it costs me all my fortune to penetrate this mystery. In
+presence of so cruel an enemy every moment is precious.”
+
+“Justin shall tell you all,” replied the baron.
+
+At these words the vidame fidgeted on his chair. Auguste rang the bell.
+
+“Justin is not in the house!” cried the vidame, in a hasty manner that
+told much.
+
+“Well, then,” said Auguste, excitedly, “the other servants must know
+where he is; send a man on horseback to fetch him. Your valet is in
+Paris, isn’t he? He can be found.”
+
+The vidame was visibly distressed.
+
+“Justin can’t come, my dear boy,” said the old man; “he is dead. I
+wanted to conceal the accident from you, but--”
+
+“Dead!” cried Monsieur de Maulincour,--“dead! When and how?”
+
+“Last night. He had been supping with some old friends, and, I dare say,
+was drunk; his friends--no doubt they were drunk, too--left him lying in
+the street, and a heavy vehicle ran over him.”
+
+“The convict did not miss _him_; at the first stroke he killed,” said
+Auguste. “He has had less luck with me; it has taken four blows to put
+me out of the way.”
+
+Jules was gloomy and thoughtful.
+
+“Am I to know nothing, then?” he cried, after a long pause. “Your valet
+seems to have been justly punished. Did he not exceed your orders in
+calumniating Madame Desmarets to a person named Ida, whose jealousy he
+roused in order to turn her vindictiveness upon us?”
+
+“Ah, monsieur! in my anger I informed him about Madame Jules,” said
+Auguste.
+
+“Monsieur!” cried the husband, keenly irritated.
+
+“Oh, monsieur!” replied the baron, claiming silence by a gesture, “I am
+prepared for all. You cannot tell me anything my own conscience has
+not already told me. I am now expecting the most celebrated of all
+professors of toxicology, in order to learn my fate. If I am destined
+to intolerable suffering, my resolution is taken. I shall blow my brains
+out.”
+
+“You talk like a child!” cried the vidame, horrified by the coolness
+with which the baron said these words. “Your grandmother would die of
+grief.”
+
+“Then, monsieur,” said Jules, “am I to understand that there exist
+no means of discovering in what part of Paris this extraordinary man
+resides?”
+
+“I think, monsieur,” said the old vidame, “from what I have heard poor
+Justin say, that Monsieur de Funcal lives at either the Portuguese or
+the Brazilian embassy. Monsieur de Funcal is a nobleman belonging to
+both those countries. As for the convict, he is dead and buried. Your
+persecutor, whoever he is, seems to me so powerful that it would be
+well to take no decisive measures until you are sure of some way of
+confounding and crushing him. Act prudently and with caution, my dear
+monsieur. Had Monsieur de Maulincour followed my advice, nothing of all
+this would have happened.”
+
+Jules coldly but politely withdrew. He was now at a total loss to know
+how to reach Ferragus. As he passed into his own house, the porter told
+him that Madame had just been out to throw a letter into the post box
+at the head of the rue de Menars. Jules felt humiliated by this proof of
+the insight with which the porter espoused his cause, and the cleverness
+by which he guessed the way to serve him. The eagerness of servants, and
+their shrewdness in compromising masters who compromised themselves,
+was known to him, and he fully appreciated the danger of having them as
+accomplices, no matter for what purpose. But he could not think of his
+personal dignity until the moment when he found himself thus suddenly
+degraded. What a triumph for the slave who could not raise himself to
+his master, to compel his master to come down to his level! Jules was
+harsh and hard to him. Another fault. But he suffered so deeply! His
+life till then so upright, so pure, was becoming crafty; he was to
+scheme and lie. Clemence was scheming and lying. This to him was a
+moment of horrible disgust. Lost in a flood of bitter feelings, Jules
+stood motionless at the door of his house. Yielding to despair, he
+thought of fleeing, of leaving France forever, carrying with him the
+illusions of uncertainty. Then, again, not doubting that the letter
+Clemence had just posted was addressed to Ferragus, his mind searched
+for a means of obtaining the answer that mysterious being was certain
+to send. Then his thoughts began to analyze the singular good fortune
+of his life since his marriage, and he asked himself whether the calumny
+for which he had taken such signal vengeance was not a truth. Finally,
+reverting to the coming answer, he said to himself:--
+
+“But this man, so profoundly capable, so logical in his every act, who
+sees and foresees, who calculates, and even divines, our very thoughts,
+is he likely to make an answer? Will he not employ some other means more
+in keeping with his power? He may send his answer by some beggar; or in
+a carton brought by an honest man, who does not suspect what he brings;
+or in some parcel of shoes, which a shop-girl may innocently deliver to
+my wife. If Clemence and he have agreed upon such means--”
+
+He distrusted all things; his mind ran over vast tracts and shoreless
+oceans of conjecture. Then, after floating for a time among a thousand
+contradictory ideas, he felt he was strongest in his own house, and he
+resolved to watch it as the ant-lion watches his sandy labyrinth.
+
+“Fouguereau,” he said to the porter, “I am not at home to any one who
+comes to see me. If any one calls to see madame, or brings her anything,
+ring twice. Bring all letters addressed here to me, no matter for whom
+they are intended.”
+
+“Thus,” thought he, as he entered his study, which was in the entresol,
+“I forestall the schemes of this Ferragus. If he sends some one to ask
+for me so as to find out if Clemence is alone, at least I shall not be
+tricked like a fool.”
+
+He stood by the window of his study, which looked upon the street,
+and then a final scheme, inspired by jealousy, came into his mind. He
+resolved to send his head-clerk in his own carriage to the Bourse with
+a letter to another broker, explaining his sales and purchases and
+requesting him to do his business for that day. He postponed his more
+delicate transactions till the morrow, indifferent to the fall or
+rise of stocks or the debts of all Europe. High privilege of love!--it
+crushes all things, all interests fall before it: altar, throne,
+consols!
+
+At half-past three, just the hour at which the Bourse is in full blast
+of reports, monthly settlements, premiums, etc., Fouguereau entered the
+study, quite radiant with his news.
+
+“Monsieur, an old woman has come, but very cautiously; I think she’s a
+sly one. She asked for monsieur, and seemed much annoyed when I told her
+he was out; then she gave me a letter for madame, and here it is.”
+
+Fevered with anxiety, Jules opened the letter; then he dropped into a
+chair, exhausted. The letter was mere nonsense throughout, and needed a
+key. It was virtually in cipher.
+
+“Go away, Fouguereau.” The porter left him. “It is a mystery deeper than
+the sea below the plummet line! Ah! it must be love; love only is so
+sagacious, so inventive as this. Ah! I shall kill her.”
+
+At this moment an idea flashed through his brain with such force that
+he felt almost physically illuminated by it. In the days of his toilsome
+poverty before his marriage, Jules had made for himself a true friend.
+The extreme delicacy with which he had managed the susceptibilities of a
+man both poor and modest; the respect with which he had surrounded him;
+the ingenious cleverness he had employed to nobly compel him to share
+his opulence without permitting it to make him blush, increased their
+friendship. Jacquet continued faithful to Desmarets in spite of his
+wealth.
+
+Jacquet, a nobly upright man, a toiler, austere in his morals, had
+slowly made his way in that particular ministry which develops both
+honesty and knavery at the same time. A clerk in the ministry of Foreign
+Affairs, he had charge of the most delicate division of its archives.
+Jacquet in that office was like a glow-worm, casting his light upon
+those secret correspondences, deciphering and classifying despatches.
+Ranking higher than a mere _bourgeois_, his position at the ministry was
+superior to that of the other subalterns. He lived obscurely, glad
+to feel that such obscurity sheltered him from reverses and
+disappointments, and was satisfied to humbly pay in the lowest coin
+his debt to the country. Thanks to Jules, his position had been much
+ameliorated by a worthy marriage. An unrecognized patriot, a minister in
+actual fact, he contented himself with groaning in his chimney-corner at
+the course of the government. In his own home, Jacquet was an easy-going
+king,--an umbrella-man, as they say, who hired a carriage for his
+wife which he never entered himself. In short, to end this sketch of a
+philosopher unknown to himself, he had never suspected and never in
+all his life would suspect the advantages he might have drawn from
+his position,--that of having for his intimate friend a broker, and of
+knowing every morning all the secrets of the State. This man, sublime
+after the manner of that nameless soldier who died in saving Napoleon by
+a “qui vive,” lived at the ministry.
+
+In ten minutes Jules was in his friend’s office. Jacquet gave him a
+chair, laid aside methodically his green silk eye-shade, rubbed his
+hands, picked up his snuff-box, rose, stretched himself till his
+shoulder-blades cracked, swelled out his chest, and said:--
+
+“What brings you here, Monsieur Desmarets? What do you want with me?”
+
+“Jacquet, I want you to decipher a secret,--a secret of life and death.”
+
+“It doesn’t concern politics?”
+
+“If it did, I shouldn’t come to you for information,” said Jules.
+“No, it is a family matter, about which I require you to be absolutely
+silent.”
+
+“Claude-Joseph Jacquet, dumb by profession. Don’t you know me by this
+time?” he said, laughing. “Discretion is my lot.”
+
+Jules showed him the letter.
+
+“You must read me this letter, addressed to my wife.”
+
+“The deuce! the deuce! a bad business!” said Jacquet, examining the
+letter as a usurer examines a note to be negotiated. “Ha! that’s a
+gridiron letter! Wait a minute.”
+
+He left Jules alone for a moment, but returned immediately.
+
+“Easy enough to read, my friend! It is written on the gridiron plan,
+used by the Portuguese minister under Monsieur de Choiseul, at the time
+of the dismissal of the Jesuits. Here, see!”
+
+Jacquet placed upon the writing a piece of paper cut out in regular
+squares, like the paper laces which confectioners wrap round their
+sugarplums; and Jules then read with perfect ease the words that were
+visible in the interstices. They were as follows:--
+
+ “Don’t be uneasy, my dear Clemence; our happiness cannot again be
+ troubled; and your husband will soon lay aside his suspicions.
+ However ill you may be, you must have the courage to come here
+ to-morrow; find strength in your love for me. Mine for you has
+ induced me to submit to a cruel operation, and I cannot leave my
+ bed. I have had the actual cautery applied to my back, and it was
+ necessary to burn it in a long time; you understand me? But I
+ thought of you, and I did not suffer.
+
+ “To baffle Maulincour (who will not persecute us much longer), I
+ have left the protecting roof of the embassy, and am now safe from
+ all inquiry in the rue des Enfants-Rouges, number 12, with an old
+ woman, Madame Etienne Gruget, mother of that Ida, who shall pay
+ dear for her folly. Come to-morrow, at nine in the morning. I am
+ in a room which is reached only by an interior staircase. Ask for
+ Monsieur Camuset. Adieu; I kiss your forehead, my darling.”
+
+Jacquet looked at Jules with a sort of honest terror, the sign of a
+true compassion, as he made his favorite exclamation in two separate and
+distinct tones,--
+
+“The deuce! the deuce!”
+
+“That seems clear to you, doesn’t it?” said Jules. “Well, in the depths
+of my heart there is a voice that pleads for my wife, and makes itself
+heard above the pangs of jealousy. I must endure the worst of all agony
+until to-morrow; but to-morrow, between nine and ten I shall know all; I
+shall be happy or wretched for all my life. Think of me then, Jacquet.”
+
+“I shall be at your house to-morrow at eight o’clock. We will go
+together; I’ll wait for you, if you like, in the street. You may run
+some danger, and you ought to have near you some devoted person who’ll
+understand a mere sign, and whom you can safely trust. Count on me.”
+
+“Even to help me in killing some one?”
+
+“The deuce! the deuce!” said Jacquet, repeating, as it were, the same
+musical note. “I have two children and a wife.”
+
+Jules pressed his friend’s hand and went away; but returned immediately.
+
+“I forgot the letter,” he said. “But that’s not all, I must reseal it.”
+
+“The deuce! the deuce! you opened it without saving the seal; however,
+it is still possible to restore it. Leave it with me and I’ll bring it
+to you _secundum scripturam_.”
+
+“At what time?”
+
+“Half-past five.”
+
+“If I am not yet in, give it to the porter and tell him to send it up to
+madame.”
+
+“Do you want me to-morrow?”
+
+“No. Adieu.”
+
+Jules drove at once to the place de la Rotonde du Temple, where he left
+his cabriolet and went on foot to the rue des Enfants-Rouges. He found
+the house of Madame Etienne Gruget and examined it. There, the mystery
+on which depended the fate of so many persons would be cleared up;
+there, at this moment, was Ferragus, and to Ferragus all the threads of
+this strange plot led. The Gordian knot of the drama, already so bloody,
+was surely in a meeting between Madame Jules, her husband, and that man;
+and a blade able to cut the closest of such knots would not be wanting.
+
+The house was one of those which belong to the class called
+_cabajoutis_. This significant name is given by the populace of Paris
+to houses which are built, as it were, piecemeal. They are nearly
+always composed of buildings originally separate but afterwards united
+according to the fancy of the various proprietors who successively
+enlarge them; or else they are houses begun, left unfinished, again
+built upon, and completed,--unfortunate structures which have passed,
+like certain peoples, under many dynasties of capricious masters.
+Neither the floors nor the windows have an _ensemble_,--to borrow one of
+the most picturesque terms of the art of painting; all is discord, even
+the external decoration. The _cabajoutis_ is to Parisian architecture
+what the _capharnaum_ is to the apartment,--a poke-hole, where the most
+heterogeneous articles are flung pell-mell.
+
+“Madame Etienne?” asked Jules of the portress.
+
+This portress had her lodge under the main entrance, in a sort of
+chicken coop, or wooden house on rollers, not unlike those sentry-boxes
+which the police have lately set up by the stands of hackney-coaches.
+
+“Hein?” said the portress, without laying down the stocking she was
+knitting.
+
+In Paris the various component parts which make up the physiognomy of
+any given portion of the monstrous city, are admirably in keeping with
+its general character. Thus porter, concierge, or Suisse, whatever name
+may be given to that essential muscle of the Parisian monster, is always
+in conformity with the neighborhood of which he is a part; in fact,
+he is often an epitome of it. The lazy porter of the faubourg
+Saint-Germain, with lace on every seam of his coat, dabbles in stocks;
+he of the Chaussee d’Antin takes his ease, reads the money-articles
+in the newspapers, and has a business of his own in the faubourg
+Montmartre. The portress in the quarter of prostitution was formerly a
+prostitute; in the Marais, she has morals, is cross-grained, and full of
+crotchets.
+
+On seeing Monsieur Jules this particular portress, holding her knitting
+in one hand, took a knife and stirred the half-extinguished peat in her
+foot-warmer; then she said:--
+
+“You want Madame Etienne; do you mean Madame Etienne Gruget?”
+
+“Yes,” said Jules, assuming a vexed air.
+
+“Who makes trimmings?”
+
+“Yes.”
+
+“Well, then, monsieur,” she said, issuing from her cage, and laying her
+hand on Jules’ arm and leading him to the end of a long passage-way,
+vaulted like a cellar, “go up the second staircase at the end of the
+court-yard--where you will see the windows with the pots of pinks;
+that’s where Madame Etienne lives.”
+
+“Thank you, madame. Do you think she is alone?”
+
+“Why shouldn’t she be alone? she’s a widow.”
+
+Jules hastened up a dark stairway, the steps of which were knobby with
+hardened mud left by the feet of those who came and went. On the second
+floor he saw three doors but no signs of pinks. Fortunately, on one of
+the doors, the oiliest and darkest of the three, he read these words,
+chalked on a panel: “Ida will come to-night at nine o’clock.”
+
+“This is the place,” thought Jules.
+
+He pulled an old bellrope, black with age, and heard the smothered sound
+of a cracked bell and the barking of an asthmatic little dog. By the
+way the sounds echoed from the interior he knew that the rooms were
+encumbered with articles which left no space for reverberation,--a
+characteristic feature of the homes of workmen and humble households,
+where space and air are always lacking.
+
+Jules looked out mechanically for the pinks, and found them on the
+outer sill of a sash window between two filthy drain-pipes. So here were
+flowers; here, a garden, two yards long and six inches wide; here,
+a wheat-ear; here, a whole life epitomized; but here, too, all the
+miseries of that life. A ray of light falling from heaven as if by
+special favor on those puny flowers and the vigorous wheat-ear brought
+out in full relief the dust, the grease, and that nameless color,
+peculiar to Parisian squalor, made of dirt, which crusted and spotted
+the damp walls, the worm-eaten balusters, the disjointed window-casings,
+and the door originally red. Presently the cough of an old woman, and a
+heavy female step, shuffling painfully in list slippers, announced the
+coming of the mother of Ida Gruget. The creature opened the door and
+came out upon the landing, looked up, and said:--
+
+“Ah! is this Monsieur Bocquillon? Why, no? But perhaps you’re his
+brother. What can I do for you? Come in, monsieur.”
+
+Jules followed her into the first room, where he saw, huddled together,
+cages, household utensils, ovens, furniture, little earthenware
+dishes full of food or water for the dog and the cats, a wooden clock,
+bed-quilts, engravings of Eisen, heaps of old iron, all these things
+mingled and massed together in a way that produced a most grotesque
+effect,--a true Parisian dusthole, in which were not lacking a few old
+numbers of the “Constitutionel.”
+
+Jules, impelled by a sense of prudence, paid no attention to the widow’s
+invitation when she said civilly, showing him an inner room:--
+
+“Come in here, monsieur, and warm yourself.”
+
+Fearing to be overheard by Ferragus, Jules asked himself whether it were
+not wisest to conclude the arrangement he had come to make with the old
+woman in the crowded antechamber. A hen, which descended cackling from
+a loft, roused him from this inward meditation. He came to a resolution,
+and followed Ida’s mother into the inner room, whither they were
+accompanied by the wheezy pug, a personage otherwise mute, who jumped
+upon a stool. Madame Gruget showed the assumption of semi-pauperism
+when she invited her visitor to warm himself. Her fire-pot contained, or
+rather concealed two bits of sticks, which lay apart: the grating was
+on the ground, its handle in the ashes. The mantel-shelf, adorned with
+a little wax Jesus under a shade of squares of glass held together with
+blue paper, was piled with wools, bobbins, and tools used in the making
+of gimps and trimmings. Jules examined everything in the room with a
+curiosity that was full of interest, and showed, in spite of himself, an
+inward satisfaction.
+
+“Well, monsieur, tell me, do you want to buy any of my things?” said the
+old woman, seating herself in a cane arm-chair, which appeared to be
+her headquarters. In it she kept her handkerchief, snuffbox, knitting,
+half-peeled vegetables, spectacles, calendar, a bit of livery gold lace
+just begun, a greasy pack of cards, and two volumes of novels, all stuck
+into the hollow of the back. This article of furniture, in which the
+old creature was floating down the river of life, was not unlike the
+encyclopedic bag which a woman carries with her when she travels; in
+which may be found a compendium of her household belongings, from the
+portrait of her husband to _eau de Melisse_ for faintness, sugarplums
+for the children, and English court-plaster in case of cuts.
+
+Jules studied all. He looked attentively at Madame Gruget’s yellow
+visage, at her gray eyes without either brows or lashes, her toothless
+mouth, her wrinkles marked in black, her rusty cap, her still more rusty
+ruffles, her cotton petticoat full of holes, her worn-out slippers, her
+disabled fire-pot, her table heaped with dishes and silks and work begun
+or finished, in wool or cotton, in the midst of which stood a bottle of
+wine. Then he said to himself: “This old woman has some passion, some
+strong liking or vice; I can make her do my will.”
+
+“Madame,” he said aloud, with a private sign of intelligence, “I have
+come to order some livery trimmings.” Then he lowered his voice. “I
+know,” he continued, “that you have a lodger who has taken the name of
+Camuset.” The old woman looked at him suddenly, but without any sign of
+astonishment. “Now, tell me, can we come to an understanding? This is a
+question which means fortune for you.”
+
+“Monsieur,” she replied, “speak out, and don’t be afraid. There’s no one
+here. But if I had any one above, it would be impossible for him to hear
+you.”
+
+“Ha! the sly old creature, she answers like a Norman,” thought Jules,
+“We shall agree. Do not give yourself the trouble to tell falsehoods,
+madame,” he resumed, “In the first place, let me tell you that I mean no
+harm either to you or to your lodger who is suffering from cautery, or
+to your daughter Ida, a stay-maker, the friend of Ferragus. You see, I
+know all your affairs. Do not be uneasy; I am not a detective policeman,
+nor do I desire anything that can hurt your conscience. A young lady
+will come here to-morrow-morning at half-past nine o’clock, to talk with
+this lover of your daughter. I want to be where I can see all and hear
+all, without being seen or heard by them. If you will furnish me with
+the means of doing so, I will reward that service with the gift of two
+thousand francs and a yearly stipend of six hundred. My notary shall
+prepare a deed before you this evening, and I will give him the money to
+hold; he will pay the two thousand to you to-morrow after the conference
+at which I desire to be present, as you will then have given proofs of
+your good faith.”
+
+“Will it injure my daughter, my good monsieur?” she asked, casting a
+cat-like glance of doubt and uneasiness upon him.
+
+“In no way, madame. But, in any case, it seems to me that your daughter
+does not treat you well. A girl who is loved by so rich a man as
+Ferragus ought to make you more comfortable than you seem to be.”
+
+“Ah, my dear monsieur, just think, not so much as one poor ticket to
+the Ambigu, or the Gaiete, where she can go as much as she likes. It’s
+shameful! A girl for whom I sold my silver forks and spoons! and now
+I eat, at my age, with German metal,--and all to pay for her
+apprenticeship, and give her a trade, where she could coin money if she
+chose. As for that, she’s like me, clever as a witch; I must do her that
+justice. But, I will say, she might give me her old silk gowns,--I,
+who am so fond of wearing silk. But no! Monsieur, she dines at the
+Cadran-Bleu at fifty francs a head, and rolls in her carriage as if she
+were a princess, and despises her mother for a Colin-Lampon. Heavens and
+earth! what heedless young ones we’ve brought into the world; we have
+nothing to boast of there. A mother, monsieur, can’t be anything else
+but a good mother; and I’ve concealed that girl’s ways, and kept her in
+my bosom, to take the bread out of my mouth and cram everything into her
+own. Well, well! and now she comes and fondles one a little, and says,
+‘How d’ye do, mother?’ And that’s all the duty she thinks of paying. But
+she’ll have children one of these days, and then she’ll find out what it
+is to have such baggage,--which one can’t help loving all the same.”
+
+“Do you mean that she does nothing for you?”
+
+“Ah, nothing? No, monsieur, I didn’t say that; if she did nothing, that
+would be a little too much. She gives me my rent and thirty-six francs a
+month. But, monsieur, at my age,--and I’m fifty-two years old, with
+eyes that feel the strain at night,--ought I to be working in this way?
+Besides, why won’t she have me to live with her? I should shame her,
+should I? Then let her say so. Faith, one ought to be buried out of the
+way of such dogs of children, who forget you before they’ve even shut
+the door.”
+
+She pulled her handkerchief from her pocket, and with it a lottery
+ticket that dropped on the floor; but she hastily picked it up, saying,
+“Hi! that’s the receipt for my taxes.”
+
+Jules at once perceived the reason of the sagacious parsimony of which
+the mother complained; and he was the more certain that the widow Gruget
+would agree to the proposed bargain.
+
+“Well, then, madame,” he said, “accept what I offer you.”
+
+“Did you say two thousand francs in ready money, and six hundred
+annuity, monsieur?”
+
+“Madame, I’ve changed my mind; I will promise you only three hundred
+annuity. This way seems more to my own interests. But I will give you
+five thousand francs in ready money. Wouldn’t you like that as well?”
+
+“Bless me, yes, monsieur!”
+
+“You’ll get more comfort out of it; and you can go to the Ambigu and
+Franconi’s at your ease in a coach.”
+
+“As for Franconi, I don’t like that, for they don’t talk there.
+Monsieur, if I accept, it is because it will be very advantageous for
+my child. I sha’n’t be a drag on her any longer. Poor little thing!
+I’m glad she has her pleasures, after all. Ah, monsieur, youth must be
+amused! And so, if you assure me that no harm will come to anybody--”
+
+“Not to anybody,” replied Jules. “But now, how will you manage it?”
+
+“Well, monsieur, if I give Monsieur Ferragus a little tea made of
+poppy-heads to-night, he’ll sleep sound, the dear man; and he needs it,
+too, because of his sufferings, for he does suffer, I can tell you, and
+more’s the pity. But I’d like to know what a healthy man like him wants
+to burn his back for, just to get rid of a tic douleureux which troubles
+him once in two years. However, to come back to our business. I have my
+neighbor’s key; her lodging is just above mine, and in it there’s a
+room adjoining the one where Monsieur Ferragus is, with only a
+partition between them. My neighbor is away in the country for ten days.
+Therefore, if I make a hole to-night while Monsieur Ferragus is sound
+asleep, you can see and hear them to-morrow at your ease. I’m on good
+terms with a locksmith,--a very friendly man, who talks like an angel,
+and he’ll do the work for me and say nothing about it.”
+
+“Then here’s a hundred francs for him. Come to-night to Monsieur
+Desmaret’s office; he’s a notary, and here’s his address. At nine
+o’clock the deed will be ready, but--silence!”
+
+“Enough, monsieur; as you say--silence! Au revoir, monsieur.”
+
+Jules went home, almost calmed by the certainty that he should know the
+truth on the morrow. As he entered the house, the porter gave him the
+letter properly resealed.
+
+“How do you feel now?” he said to his wife, in spite of the coldness
+that separated them.
+
+“Pretty well, Jules,” she answered in a coaxing voice, “do come and dine
+beside me.”
+
+“Very good,” he said, giving her the letter. “Here is something
+Fouguereau gave me for you.”
+
+Clemence, who was very pale, colored high when she saw the letter, and
+that sudden redness was a fresh blow to her husband.
+
+“Is that joy,” he said, laughing, “or the effect of expectation?”
+
+“Oh, of many things!” she said, examining the seal.
+
+“I leave you now for a few moments.”
+
+He went down to his study, and wrote to his brother, giving him
+directions about the payment to the widow Gruget. When he returned, he
+found his dinner served on a little table by his wife’s bedside, and
+Josephine ready to wait on him.
+
+“If I were up how I should like to serve you myself,” said Clemence,
+when Josephine had left them. “Oh, yes, on my knees!” she added, passing
+her white hands through her husband’s hair. “Dear, noble heart, you were
+very kind and gracious to me just now. You did me more good by showing
+me such confidence than all the doctors on earth could do me with their
+prescriptions. That feminine delicacy of yours--for you do know how
+to love like a woman--well, it has shed a balm into my heart which has
+almost cured me. There’s truce between us, Jules; lower your head, that
+I may kiss it.”
+
+Jules could not deny himself the pleasure of that embrace. But it was
+not without a feeling of remorse in his heart; he felt himself small
+before this woman whom he was still tempted to think innocent. A sort
+of melancholy joy possessed him. A tender hope shone on her features
+in spite of their grieved expression. They both were equally unhappy
+in deceiving each other; another caress, and, unable to resist their
+suffering, all would then have been avowed.
+
+“To-morrow evening, Clemence.”
+
+“No, no; to-morrow morning, by twelve o’clock, you will know all, and
+you’ll kneel down before your wife--Oh, no! you shall not be humiliated;
+you are all forgiven now; you have done no wrong. Listen, Jules;
+yesterday you did crush me--harshly; but perhaps my life would not have
+been complete without that agony; it may be a shadow that will make our
+coming days celestial.”
+
+“You lay a spell upon me,” cried Jules; “you fill me with remorse.”
+
+“Poor love! destiny is stronger than we, and I am not the accomplice of
+mine. I shall go out to-morrow.”
+
+“At what hour?” asked Jules.
+
+“At half-past nine.”
+
+“Clemence,” he said, “take every precaution; consult Doctor Desplein and
+old Haudry.”
+
+“I shall consult nothing but my heart and my courage.”
+
+“I shall leave you free; you will not see me till twelve o’clock.”
+
+“Won’t you keep me company this evening? I feel so much better.”
+
+After attending to some business, Jules returned to his wife,--recalled
+by her invincible attraction. His passion was stronger than his anguish.
+
+The next day, at nine o’clock Jules left home, hurried to the rue des
+Enfants-Rouges, went upstairs, and rang the bell of the widow Gruget’s
+lodgings.
+
+“Ah! you’ve kept your word, as true as the dawn. Come in, monsieur,”
+ said the old woman when she saw him. “I’ve made you a cup of coffee with
+cream,” she added, when the door was closed. “Oh! real cream; I saw it
+milked myself at the dairy we have in this very street.”
+
+“Thank you, no, madame, nothing. Take me at once--”
+
+“Very good, monsieur. Follow me, this way.”
+
+She led him up into the room above her own, where she showed him,
+triumphantly, an opening about the size of a two-franc piece, made
+during the night, in a place, which, in each room, was above a wardrobe.
+In order to look through it, Jules was forced to maintain himself in
+rather a fatiguing attitude, by standing on a step-ladder which the
+widow had been careful to place there.
+
+“There’s a gentleman with him,” she whispered, as she retired.
+
+Jules then beheld a man employed in dressing a number of wounds on the
+shoulders of Ferragus, whose head he recognized from the description
+given to him by Monsieur de Maulincour.
+
+“When do you think those wounds will heal?” asked Ferragus.
+
+“I don’t know,” said the other man. “The doctors say those wounds will
+require seven or eight more dressings.”
+
+“Well, then, good-bye until to-night,” said Ferragus, holding out his
+hand to the man, who had just replaced the bandage.
+
+“Yes, to-night,” said the other, pressing his hand cordially. “I wish I
+could see you past your sufferings.”
+
+“To-morrow Monsieur de Funcal’s papers will be delivered to us, and
+Henri Bourignard will be dead forever,” said Ferragus. “Those fatal
+marks which have cost us so dear no longer exist. I shall become once
+more a social being, a man among men, and more of a man than the sailor
+whom the fishes are eating. God knows it is not for my own sake I have
+made myself a Portuguese count!”
+
+“Poor Gratien!--you, the wisest of us all, our beloved brother, the
+Benjamin of the band; as you very well know.”
+
+“Adieu; keep an eye on Maulincour.”
+
+“You can rest easy on that score.”
+
+“Ho! stay, marquis,” cried the convict.
+
+“What is it?”
+
+“Ida is capable of everything after the scene of last night. If she
+should throw herself into the river, I would not fish her out. She knows
+the secret of my name, and she’ll keep it better there. But still, look
+after her; for she is, in her way, a good girl.”
+
+“Very well.”
+
+The stranger departed. Ten minutes later Jules heard, with a feverish
+shudder, the rustle of a silk gown, and almost recognized by their sound
+the steps of his wife.
+
+“Well, father,” said Clemence, “my poor father, are you better? What
+courage you have shown!”
+
+“Come here, my child,” replied Ferragus, holding out his hand to her.
+
+Clemence held her forehead to him and he kissed it.
+
+“Now tell me, what is the matter, my little girl? What are these new
+troubles?”
+
+“Troubles, father! it concerns the life or death of the daughter you
+have loved so much. Indeed you must, as I wrote you yesterday, you
+_must_ find a way to see my poor Jules to-day. If you knew how good he
+has been to me, in spite of all suspicions apparently so legitimate.
+Father, my love is my very life. Would you see me die? Ah! I have
+suffered so much that my life, I feel it! is in danger.”
+
+“And all because of the curiosity of that miserable Parisian?” cried
+Ferragus. “I’d burn Paris down if I lost you, my daughter. Ha! you may
+know what a lover is, but you don’t yet know what a father can do.”
+
+“Father, you frighten me when you look at me in that way. Don’t weigh
+such different feelings in the same scales. I had a husband before I
+knew that my father was living--”
+
+“If your husband was the first to lay kisses on your forehead, I was
+the first to drop tears upon it,” replied Ferragus. “But don’t feel
+frightened, Clemence, speak to me frankly. I love you enough to rejoice
+in the knowledge that you are happy, though I, your father, may have
+little place in your heart, while you fill the whole of mine.”
+
+“Ah! what good such words do me! You make me love you more and more,
+though I seem to rob something from my Jules. But, my kind father, think
+what his sufferings are. What may I tell him to-day?”
+
+“My child, do you think I waited for your letter to save you from this
+threatened danger? Do you know what will become of those who venture to
+touch your happiness, or come between us? Have you never been aware
+that a second providence was guarding your life? Twelve men of power and
+intellect form a phalanx round your love and your existence,--ready to
+do all things to protect you. Think of your father, who has risked death
+to meet you in the public promenades, or see you asleep in your little
+bed in your mother’s home, during the night-time. Could such a father,
+to whom your innocent caresses give strength to live when a man of honor
+ought to have died to escape his infamy, could _I_, in short, I who
+breathe through your lips, and see with your eyes, and feel with your
+heart, could I fail to defend with the claws of a lion and the soul of a
+father, my only blessing, my life, my daughter? Since the death of that
+angel, your mother, I have dreamed but of one thing,--the happiness of
+pressing you to my heart in the face of the whole earth, of burying
+the convict,--” He paused a moment, and then added: “--of giving you a
+father, a father who could press without shame your husband’s hand, who
+could live without fear in both your hearts, who could say to all the
+world, ‘This is my daughter,’--in short, to be a happy father.”
+
+“Oh, father! father!”
+
+“After infinite difficulty, after searching the whole globe,” continued
+Ferragus, “my friends have found me the skin of a dead man in which to
+take my place once more in social life. A few days hence, I shall be
+Monsieur de Funcal, a Portuguese count. Ah! my dear child, there are few
+men of my age who would have had the patience to learn Portuguese and
+English, which were spoken fluently by that devil of a sailor, who was
+drowned at sea.”
+
+“But, my dear father--”
+
+“All has been foreseen, and prepared. A few days hence, his Majesty John
+VI., King of Portugal will be my accomplice. My child, you must have a
+little patience where your father has had so much. But ah! what would
+I not do to reward your devotion for the last three years,--coming
+religiously to comfort your old father, at the risk of your own peace!”
+
+“Father!” cried Clemence, taking his hands and kissing them.
+
+“Come, my child, have courage still; keep my fatal secret a few days
+longer, till the end is reached. Jules is not an ordinary man, I know;
+but are we sure that his lofty character and his noble love may not
+impel him to dislike the daughter of a--”
+
+“Oh!” cried Clemence, “you have read my heart; I have no other fear than
+that. The very thought turns me to ice,” she added, in a heart-rending
+tone. “But, father, think that I have promised him the truth in two
+hours.”
+
+“If so, my daughter, tell him to go to the Portuguese embassy and see
+the Comte de Funcal, your father. I will be there.”
+
+“But Monsieur de Maulincour has told him of Ferragus. Oh, father, what
+torture, to deceive, deceive, deceive!”
+
+“Need you say that to me? But only a few days more, and no living man
+will be able to expose me. Besides, Monsieur de Maulincour is beyond
+the faculty of remembering. Come, dry your tears, my silly child, and
+think--”
+
+At this instant a terrible cry rang from the room in which Jules
+Desmarets was stationed.
+
+The clamor was heard by Madame Jules and Ferragus through the opening of
+the wall, and struck them with terror.
+
+“Go and see what it means, Clemence,” said her father.
+
+Clemence ran rapidly down the little staircase, found the door into
+Madame Gruget’s apartment wide open, heard the cries which echoed from
+the upper floor, went up the stairs, guided by the noise of sobs, and
+caught these words before she entered the fatal chamber:--
+
+“You, monsieur, you, with your horrid inventions,--you are the cause of
+her death!”
+
+“Hush, miserable woman!” replied Jules, putting his handkerchief on the
+mouth of the old woman, who began at once to cry out, “Murder! help!”
+
+At this instant Clemence entered, saw her husband, uttered a cry, and
+fled away.
+
+“Who will save my child?” cried the widow Gruget. “You have murdered
+her.”
+
+“How?” asked Jules, mechanically, for he was horror-struck at being seen
+by his wife.
+
+“Read that,” said the old woman, giving him a letter. “Can money or
+annuities console me for that?”
+
+
+ Farewell, mother! I bequeeth you what I have. I beg your pardon
+ for my forlts, and the last greef to which I put you by ending my
+ life in the river. Henry, who I love more than myself, says I have
+ made his misfortune, and as he has drifen me away, and I have lost
+ all my hops of merrying him, I am going to droun myself. I shall
+ go abov Neuilly, so that they can’t put me in the Morg. If Henry
+ does not hate me anny more after I am ded, ask him to berry a pore
+ girl whose hart beet for him only, and to forgif me, for I did
+ rong to meddle in what didn’t consern me. Tak care of his wounds.
+ How much he sufered, pore fellow! I shall have as much corage to
+ kill myself as he had to burn his bak. Carry home the corsets I
+ have finished. And pray God for your daughter.
+
+Ida.
+
+
+“Take this letter to Monsieur de Funcal, who is upstairs,” said Jules.
+“He alone can save your daughter, if there is still time.”
+
+So saying he disappeared, running like a man who has committed a crime.
+His legs trembled. The hot blood poured into his swelling heart in
+torrents greater than at any other moment of his life, and left it again
+with untold violence. Conflicting thoughts struggled in his mind, and
+yet one thought predominated,--he had not been loyal to the being he
+loved most. It was impossible for him to argue with his conscience,
+whose voice, rising high with conviction, came like an echo of those
+inward cries of his love during the cruel hours of doubt he had lately
+lived through.
+
+He spent the greater part of the day wandering about Paris, for he dared
+not go home. This man of integrity and honor feared to meet the spotless
+brow of the woman he had misjudged. We estimate wrongdoing in proportion
+to the purity of our conscience; the deed which is scarcely a fault
+in some hearts, takes the proportions of a crime in certain unsullied
+souls. The slightest stain on the white garment of a virgin makes it a
+thing ignoble as the rags of a mendicant. Between the two the difference
+lies in the misfortune of the one, the wrong-doing of the other. God
+never measures repentance; he never apportions it. As much is needed
+to efface a spot as to obliterate the crimes of a lifetime. These
+reflections fell with all their weight on Jules; passions, like human
+laws, will not pardon, and their reasoning is more just; for are they
+not based upon a conscience of their own as infallible as an instinct?
+
+Jules finally came home pale, despondent, crushed beneath a sense of his
+wrong-doing, and yet expressing in spite of himself the joy his wife’s
+innocence had given him. He entered her room all throbbing with emotion;
+she was in bed with a high fever. He took her hand, kissed it, and
+covered it with tears.
+
+“Dear angel,” he said, when they were alone, “it is repentance.”
+
+“And for what?” she answered.
+
+As she made that reply, she laid her head back upon the pillow, closed
+her eyes, and remained motionless, keeping the secret of her sufferings
+that she might not frighten her husband,--the tenderness of a mother,
+the delicacy of an angel! All the woman was in her answer.
+
+The silence lasted long. Jules, thinking her asleep, went to question
+Josephine as to her mistress’s condition.
+
+“Madame came home half-dead, monsieur. We sent at once for Monsieur
+Haudry.”
+
+“Did he come? What did he say?”
+
+“He said nothing, monsieur. He did not seem satisfied; gave orders that
+no one should go near madame except the nurse, and said he should come
+back this evening.”
+
+Jules returned softly to his wife’s room and sat down in a chair before
+the bed. There he remained, motionless, with his eyes fixed on those
+of Clemence. When she raised her eyelids she saw him, and through those
+lids passed a tender glance, full of passionate love, free from reproach
+and bitterness,--a look which fell like a flame of fire upon the heart
+of that husband, nobly absolved and forever loved by the being whom he
+had killed. The presentiment of death struck both their minds with equal
+force. Their looks were blended in one anguish, as their hearts had long
+been blended in one love, felt equally by both, and shared equally. No
+questions were uttered; a horrible certainty was there,--in the wife
+an absolute generosity; in the husband an awful remorse; then, in both
+souls the same vision of the end, the same conviction of fatality.
+
+There came a moment when, thinking his wife asleep, Jules kissed her
+softly on the forehead; then after long contemplation of that cherished
+face, he said:--
+
+“Oh God! leave me this angel still a little while that I may blot out my
+wrong by love and adoration. As a daughter, she is sublime; as a wife,
+what word can express her?”
+
+Clemence raised her eyes; they were full of tears.
+
+“You pain me,” she said, in a feeble voice.
+
+It was getting late; Doctor Haudry came, and requested the husband to
+withdraw during his visit. When the doctor left the sick-room Jules
+asked him no question; one gesture was enough.
+
+“Call in consultation any physician in whom you place confidence; I may
+be wrong.”
+
+“Doctor, tell me the truth. I am a man, and I can bear it. Besides,
+I have the deepest interest in knowing it; I have certain affairs to
+settle.”
+
+“Madame Jules is dying,” said the physician. “There is some moral malady
+which has made great progress, and it has complicated her physical
+condition, which was already dangerous, and made still more so by her
+great imprudence. To walk about barefooted at night! to go out when I
+forbade it! on foot yesterday in the rain, to-day in a carriage! She
+must have meant to kill herself. But still, my judgment is not final;
+she has youth, and a most amazing nervous strength. It may be best to
+risk all to win all by employing some violent reagent. But I will not
+take upon myself to order it; nor will I advise it; in consultation I
+shall oppose it.”
+
+Jules returned to his wife. For eleven days and eleven nights he
+remained beside her bed, taking no sleep during the day when he laid his
+head upon the foot of the bed. No man ever pushed the jealousy of care
+and the craving for devotion to such an extreme as he. He could not
+endure that the slightest service should be done by others for his wife.
+There were days of uncertainty, false hopes, now a little better, then
+a crisis,--in short, all the horrible mutations of death as it wavers,
+hesitates, and finally strikes. Madame Jules always found strength to
+smile at her husband. She pitied him, knowing that soon he would be
+alone. It was a double death,--that of life, that of love; but life grew
+feebler, and love grew mightier. One frightful night there was, when
+Clemence passed through that delirium which precedes the death of youth.
+She talked of her happy love, she talked of her father; she related her
+mother’s revelations on her death-bed, and the obligations that mother
+had laid upon her. She struggled, not for life, but for her love which
+she could not leave.
+
+“Grant, O God!” she said, “that he may not know I want him to die with
+me.”
+
+Jules, unable to bear the scene, was at that moment in the adjoining
+room, and did not hear the prayer, which he would doubtless have
+fulfilled.
+
+When this crisis was over, Madame Jules recovered some strength. The
+next day she was beautiful and tranquil; hope seemed to come to her; she
+adorned herself, as the dying often do. Then she asked to be alone all
+day, and sent away her husband with one of those entreaties made so
+earnestly that they are granted as we grant the prayer of a little
+child.
+
+Jules, indeed, had need of this day. He went to Monsieur de Maulincour
+to demand the satisfaction agreed upon between them. It was not without
+great difficulty that he succeeded in reaching the presence of the
+author of these misfortunes; but the vidame, when he learned that the
+visit related to an affair of honor, obeyed the precepts of his whole
+life, and himself took Jules into the baron’s chamber.
+
+Monsieur Desmarets looked about him in search of his antagonist.
+
+“Yes! that is really he,” said the vidame, motioning to a man who was
+sitting in an arm-chair beside the fire.
+
+“Who is it? Jules?” said the dying man in a broken voice.
+
+Auguste had lost the only faculty that makes us live--memory. Jules
+Desmarets recoiled with horror at this sight. He could not even
+recognize the elegant young man in that thing without--as Bossuet
+said--a name in any language. It was, in truth, a corpse with whitened
+hair, its bones scarce covered with a wrinkled, blighted, withered
+skin,--a corpse with white eyes motionless, mouth hideously gaping,
+like those of idiots or vicious men killed by excesses. No trace of
+intelligence remained upon that brow, nor in any feature; nor was
+there in that flabby flesh either color or the faintest appearance of
+circulating blood. Here was a shrunken, withered creature brought to
+the state of those monsters we see preserved in museums, floating in
+alchohol. Jules fancied that he saw above that face the terrible head
+of Ferragus, and his own anger was silenced by such a vengeance. The
+husband found pity in his heart for the vacant wreck of what was once a
+man.
+
+“The duel has taken place,” said the vidame.
+
+“But he has killed many,” answered Jules, sorrowfully.
+
+“And many dear ones,” added the old man. “His grandmother is dying; and
+I shall follow her soon into the grave.”
+
+On the morrow of this day, Madame Jules grew worse from hour to hour.
+She used a moment’s strength to take a letter from beneath her pillow,
+and gave it eagerly to her husband with a sign that was easy to
+understand,--she wished to give him, in a kiss, her last breath. He
+took it, and she died. Jules fell half-dead himself and was taken to his
+brother’s house. There, as he deplored in tears his absence of the day
+before, his brother told him that this separation was eagerly desired
+by Clemence, who wished to spare him the sight of the religious
+paraphernalia, so terrible to tender imaginations, which the Church
+displays when conferring the last sacraments upon the dying.
+
+“You could not have borne it,” said his brother. “I could hardly bear
+the sight myself, and all the servants wept. Clemence was like a saint.
+She gathered strength to bid us all good-bye, and that voice, heard for
+the last time, rent our hearts. When she asked pardon for the pain she
+might unwillingly have caused her servants, there were cries and sobs
+and--”
+
+“Enough! enough!” said Jules.
+
+He wanted to be alone, that he might read the last words of the woman
+whom all had loved, and who had passed away like a flower.
+
+
+ “My beloved, this is my last will. Why should we not make wills
+ for the treasures of our hearts, as for our worldly property? Was
+ not my love my property, my all? I mean here to dispose of my
+ love: it was the only fortune of your Clemence, and it is all that
+ she can leave you in dying. Jules, you love me still, and I die
+ happy. The doctors may explain my death as they think best; I
+ alone know the true cause. I shall tell it to you, whatever pain
+ it may cause you. I cannot carry with me, in a heart all yours, a
+ secret which you do not share, although I die the victim of an
+ enforced silence.
+
+ “Jules, I was nurtured and brought up in the deepest solitude, far
+ from the vices and the falsehoods of the world, by the loving
+ woman whom you knew. Society did justice to her conventional
+ charm, for that is what pleases society; but I knew secretly her
+ precious soul, I could cherish the mother who made my childhood a
+ joy without bitterness, and I knew why I cherished her. Was not
+ that to love doubly? Yes, I loved her, I feared her, I respected
+ her; yet nothing oppressed my heart, neither fear nor respect. I
+ was all in all to her; she was all in all to me. For nineteen
+ happy years, without a care, my soul, solitary amid the world
+ which muttered round me, reflected only her pure image; my heart
+ beat for her and through her. I was scrupulously pious; I found
+ pleasure in being innocent before God. My mother cultivated all
+ noble and self-respecting sentiments in me. Ah! it gives me
+ happiness to tell you, Jules, that I now know I was indeed a young
+ girl, and that I came to you virgin in heart.
+
+ “When I left that absolute solitude, when, for the first time, I
+ braided my hair and crowned it with almond blossoms, when I added,
+ with delight, a few satin knots to my white dress, thinking of the
+ world I was to see, and which I was curious to see--Jules, that
+ innocent and modest coquetry was done for you! Yes, as I entered
+ the world, I saw _you_ first of all. Your face, I remarked it; it
+ stood out from the rest; your person pleased me; your voice, your
+ manners all inspired me with pleasant presentiments. When you came
+ up, when you spoke to me, the color on your forehead, the tremble
+ in your voice,--that moment gave me memories with which I throb as
+ I now write to you, as I now, for the last time, think of them.
+ Our love was at first the keenest of sympathies, but it was soon
+ discovered by each of us and then, as speedily, shared; just as,
+ in after times, we have both equally felt and shared innumerable
+ happinesses. From that moment my mother was only second in my
+ heart. Next, I was yours, all yours. There is my life, and all my
+ life, dear husband.
+
+ “And here is what remains for me to tell you. One evening, a few
+ days before my mother’s death, she revealed to me the secret of
+ her life,--not without burning tears. I have loved you better
+ since the day I learned from the priest as he absolved my mother
+ that there are passions condemned by the world and by the Church.
+ But surely God will not be severe when they are the sins of souls
+ as tender as that of my mother; only, that dear woman could never
+ bring herself to repent. She loved much, Jules; she was all love.
+ So I have prayed daily for her, but never judged her.
+
+ “That night I learned the cause of her deep maternal tenderness;
+ then I also learned that there was in Paris a man whose life and
+ whose love centred on me; that your fortune was his doing, and
+ that he loved you. I learned also that he was exiled from society
+ and bore a tarnished name; but that he was more unhappy for me,
+ for us, than for himself. My mother was all his comfort; she was
+ dying, and I promised to take her place. With all the ardor of a
+ soul whose feelings had never been perverted, I saw only the
+ happiness of softening the bitterness of my mother’s last moments,
+ and I pledged myself to continue her work of secret charity,--the
+ charity of the heart. The first time that I saw my father was
+ beside the bed where my mother had just expired. When he raised
+ his tearful eyes, it was to see in me a revival of his dead hopes.
+ I had sworn, not to tell a lie, but to keep silence; and that
+ silence what woman could have broken it?
+
+ “There is my fault, Jules,--a fault which I expiate by death. I
+ doubted you. But fear is so natural to a woman; above all, a woman
+ who knows what it is that she may lose. I trembled for our love.
+ My father’s secret seemed to me the death of my happiness; and the
+ more I loved, the more I feared. I dared not avow this feeling to
+ my father; it would have wounded him, and in his situation a wound
+ was agony. But, without a word from me, he shared my fears. That
+ fatherly heart trembled for my happiness as much as I trembled for
+ myself; but it dared not speak, obeying the same delicacy that
+ kept me mute. Yes, Jules, I believed that you could not love the
+ daughter of Gratien Bourignard as you loved your Clemence. Without
+ that terror could I have kept back anything from you,--you who
+ live in every fold of my heart?
+
+ “The day when that odious, unfortunate young officer spoke to you,
+ I was forced to lie. That day, for the second time in my life, I
+ knew what pain was; that pain has steadily increased until this
+ moment, when I speak with you for the last time. What matters now
+ my father’s position? You know all. I could, by the help of my
+ love, have conquered my illness and borne its sufferings; but I
+ cannot stifle the voice of doubt. Is it not probable that my
+ origin would affect the purity of your love and weaken it,
+ diminish it? That fear nothing has been able to quench in me.
+ There, Jules, is the cause of my death. I cannot live fearing a
+ word, a look,--a word you may never say, a look you may never
+ give; but, I cannot help it, I fear them. I die beloved; there is
+ my consolation.
+
+ “I have known, for the last three years, that my father and his
+ friends have well-nigh moved the world to deceive the world. That
+ I might have a station in life, they have bought a dead man, a
+ reputation, a fortune, so that a living man might live again,
+ restored; and all this for you, for us. We were never to have
+ known of it. Well, my death will save my father from that
+ falsehood, for he will not survive me.
+
+ “Farewell, Jules, my heart is all here. To show you my love in its
+ agony of fear, is not that bequeathing my whole soul to you? I
+ could never have the strength to speak to you; I have only enough
+ to write. I have just confessed to God the sins of my life. I have
+ promised to fill my mind with the King of Heaven only; but I must
+ confess to him who is, for me, the whole of earth. Alas! shall I
+ not be pardoned for this last sigh between the life that was and
+ the life that shall be? Farewell, my Jules, my loved one! I go to
+ God, with whom is Love without a cloud, to whom you will follow
+ me. There, before his throne, united forever, we may love each
+ other throughout the ages. This hope alone can comfort me. If I am
+ worthy of being there at once, I will follow you through life. My
+ soul shall bear your company; it will wrap you about, for _you_
+ must stay here still,--ah! here below. Lead a holy life that you
+ may the more surely come to me. You can do such good upon this
+ earth! Is it not an angel’s mission for the suffering soul to shed
+ happiness about him,--to give to others that which he has not? I
+ bequeath you to the Unhappy. Their smiles, their tears, are the
+ only ones of which I cannot be jealous. We shall find a charm in
+ sweet beneficence. Can we not live together still if you would
+ join my name--your Clemence--in these good works?
+
+ “After loving as we have loved, there is naught but God, Jules.
+ God does not lie; God never betrays. Adore him only, I charge you!
+ Lead those who suffer up to him; comfort the sorrowing members of
+ his Church. Farewell, dear soul that I have filled! I know you;
+ you will never love again. I may die happy in the thought that
+ makes all women happy. Yes, my grave will be your heart. After
+ this childhood I have just related, has not my life flowed on
+ within that heart? Dead, you will never drive me forth. I am proud
+ of that rare life! You will know me only in the flower of my
+ youth; I leave you regrets without disillusions. Jules, it is a
+ happy death.
+
+ “You, who have so fully understood me, may I ask one thing more of
+ you,--superfluous request, perhaps, the fulfilment of a woman’s
+ fancy, the prayer of a jealousy we all must feel,--I pray you to
+ burn all that especially belonged to _us_, destroy our chamber,
+ annihilate all that is a memory of our happiness.
+
+ “Once more, farewell,--the last farewell! It is all love, and so
+ will be my parting thought, my parting breath.”
+
+
+When Jules had read that letter there came into his heart one of those
+wild frenzies of which it is impossible to describe the awful anguish.
+All sorrows are individual; their effects are not subjected to any fixed
+rule. Certain men will stop their ears to hear nothing; some women close
+their eyes hoping never to see again; great and splendid souls are met
+with who fling themselves into sorrow as into an abyss. In the matter of
+despair, all is true.
+
+
+
+
+CHAPTER V. CONCLUSION
+
+
+Jules escaped from his brother’s house and returned home, wishing
+to pass the night beside his wife, and see till the last moment that
+celestial creature. As he walked along with an indifference to life
+known only to those who have reached the last degree of wretchedness,
+he thought of how, in India, the law ordained that widows should die; he
+longed to die. He was not yet crushed; the fever of his grief was still
+upon him. He reached his home and went up into the sacred chamber; he
+saw his Clemence on the bed of death, beautiful, like a saint, her hair
+smoothly laid upon her forehead, her hands joined, her body wrapped
+already in its shroud. Tapers were lighted, a priest was praying,
+Josephine kneeling in a corner, wept, and, near the bed, were two men.
+One was Ferragus. He stood erect, motionless, gazing at his daughter
+with dry eyes; his head you might have taken for bronze: he did not see
+Jules.
+
+The other man was Jacquet,--Jacquet, to whom Madame Jules had been ever
+kind. Jacquet felt for her one of those respectful friendships which
+rejoice the untroubled heart; a gentle passion; love without its desires
+and its storms. He had come to pay his debt of tears, to bid a long
+adieu to the wife of his friend, to kiss, for the first time, the icy
+brow of the woman he had tacitly made his sister.
+
+All was silence. Here death was neither terrible as in the churches, nor
+pompous as it makes its way along the streets; no, it was death in the
+home, a tender death; here were pomps of the heart, tears drawn from the
+eyes of all. Jules sat down beside Jacquet and pressed his hand; then,
+without uttering a word, all these persons remained as they were till
+morning.
+
+When daylight paled the tapers, Jacquet, foreseeing the painful scenes
+which would then take place, drew Jules away into another room. At this
+moment the husband looked at the father, and Ferragus looked at
+Jules. The two sorrows arraigned each other, measured each other, and
+comprehended each other in that look. A flash of fury shone for an
+instant in the eyes of Ferragus.
+
+“You killed her,” thought he.
+
+“Why was I distrusted?” seemed the answer of the husband.
+
+The scene was one that might have passed between two tigers recognizing
+the futility of a struggle and, after a moment’s hesitation, turning
+away, without even a roar.
+
+“Jacquet,” said Jules, “have you attended to everything?”
+
+“Yes, to everything,” replied his friend, “but a man had forestalled me
+who had ordered and paid for all.”
+
+“He tears his daughter from me!” cried the husband, with the violence of
+despair.
+
+Jules rushed back to his wife’s room; but the father was there no
+longer. Clemence had now been placed in a leaden coffin, and workmen
+were employed in soldering the cover. Jules returned, horrified by the
+sight; the sound of the hammers the men were using made him mechanically
+burst into tears.
+
+“Jacquet,” he said, “out of this dreadful night one idea has come to
+me, only one, but one I must make a reality at any price. I cannot let
+Clemence stay in any cemetery in Paris. I wish to burn her,--to gather
+her ashes and keep her with me. Say nothing of this, but manage on my
+behalf to have it done. I am going to _her_ chamber, where I shall stay
+until the time has come to go. You alone may come in there to tell me
+what you have done. Go, and spare nothing.”
+
+During the morning, Madame Jules, after lying in a mortuary chapel at
+the door of her house, was taken to Saint-Roch. The church was hung with
+black throughout. The sort of luxury thus displayed had drawn a crowd;
+for in Paris all things are sights, even true grief. There are people
+who stand at their windows to see how a son deplores a mother as he
+follows her body; there are others who hire commodious seats to see how
+a head is made to fall. No people in the world have such insatiate eyes
+as the Parisians. On this occasion, inquisitive minds were particularly
+surprised to see the six lateral chapels at Saint-Roch also hung in
+black. Two men in mourning were listening to a mortuary mass said in
+each chapel. In the chancel no other persons but Monsieur Desmarets,
+the notary, and Jacquet were present; the servants of the household were
+outside the screen. To church loungers there was something inexplicable
+in so much pomp and so few mourners. But Jules had been determined that
+no indifferent persons should be present at the ceremony.
+
+High mass was celebrated with the sombre magnificence of funeral
+services. Beside the ministers in ordinary of Saint-Roch, thirteen
+priests from other parishes were present. Perhaps never did the _Dies
+irae_ produce upon Christians, assembled by chance, by curiosity, and
+thirsting for emotions, an effect so profound, so nervously glacial as
+that now caused by this hymn when the eight voices of the precentors,
+accompanied by the voices of the priests and the choir-boys, intoned it
+alternately. From the six lateral chapels twelve other childish voices
+rose shrilly in grief, mingling with the choir voices lamentably. From
+all parts of the church this mourning issued; cries of anguish responded
+to the cries of fear. That terrible music was the voice of sorrows
+hidden from the world, of secret friendships weeping for the dead.
+Never, in any human religion, have the terrors of the soul, violently
+torn from the body and stormily shaken in presence of the fulminating
+majesty of God, been rendered with such force. Before that clamor of
+clamors all artists and their most passionate compositions must bow
+humiliated. No, nothing can stand beside that hymn, which sums all human
+passions, gives them a galvanic life beyond the coffin, and leaves them,
+palpitating still, before the living and avenging God. These cries of
+childhood, mingling with the tones of older voices, including thus in
+the Song of Death all human life and its developments, recalling the
+sufferings of the cradle, swelling to the griefs of other ages in
+the stronger male voices and the quavering of the priests,--all this
+strident harmony, big with lightning and thunderbolts, does it not speak
+with equal force to the daring imagination, the coldest heart, nay, to
+philosophers themselves? As we hear it, we think God speaks; the vaulted
+arches of no church are mere material; they have a voice, they tremble,
+they scatter fear by the might of their echoes. We think we see
+unnumbered dead arising and holding out their hands. It is no more a
+father, a wife, a child,--humanity itself is rising from its dust.
+
+It is impossible to judge of the catholic, apostolic, and Roman faith,
+unless the soul has known that deepest grief of mourning for a loved one
+lying beneath the pall; unless it has felt the emotions that fill the
+heart, uttered by that Hymn of Despair, by those cries that crush the
+mind, by that sacred fear augmenting strophe by strophe, ascending
+heavenward, which terrifies, belittles, and elevates the soul, and
+leaves within our minds, as the last sound ceases, a consciousness
+of immortality. We have met and struggled with the vast idea of the
+Infinite. After that, all is silent in the church. No word is said;
+sceptics themselves _know not what they are feeling_. Spanish genius
+alone was able to bring this untold majesty to untold griefs.
+
+When the solemn ceremony was over, twelve men came from the six chapels
+and stood around the coffin to hear the song of hope which the Church
+intones for the Christian soul before the human form is buried. Then,
+each man entered alone a mourning-coach; Jacquet and Monsieur Desmarets
+took the thirteenth; the servants followed on foot. An hour later, they
+were at the summit of that cemetery popularly called Pere-Lachaise. The
+unknown twelve men stood in a circle round the grave, where the coffin
+had been laid in presence of a crowd of loiterers gathered from all
+parts of this public garden. After a few short prayers the priest threw
+a handful of earth on the remains of this woman, and the grave-diggers,
+having asked for their fee, made haste to fill the grave in order to dig
+another.
+
+Here this history seems to end; but perhaps it would be incomplete if,
+after giving a rapid sketch of Parisian life, and following certain of
+its capricious undulations, the effects of death were omitted. Death in
+Paris is unlike death in any other capital; few persons know the trials
+of true grief in its struggle with civilization, and the government of
+Paris. Perhaps, also, Monsieur Jules and Ferragus XXIII. may have proved
+sufficiently interesting to make a few words on their after life not
+entirely out of place. Besides, some persons like to be told all, and
+wish, as one of our cleverest critics has remarked, to know by what
+chemical process oil was made to burn in Aladdin’s lamp.
+
+Jacquet, being a government employee, naturally applied to the
+authorities for permission to exhume the body of Madame Jules and burn
+it. He went to see the prefect of police, under whose protection the
+dead sleep. That functionary demanded a petition. The blank was brought
+that gives to sorrow its proper administrative form; it was necessary to
+employ the bureaucratic jargon to express the wishes of a man so crushed
+that words, perhaps, were lacking to him, and it was also necessary to
+coldly and briefly repeat on the margin the nature of the request,
+which was done in these words: “The petitioner respectfully asks for the
+incineration of his wife.”
+
+When the official charged with making the report to the Councillor of
+State and prefect of police read that marginal note, explaining the
+object of the petition, and couched, as requested, in the plainest
+terms, he said:--
+
+“This is a serious matter! my report cannot be ready under eight days.”
+
+Jules, to whom Jacquet was obliged to speak of this delay, comprehended
+the words that Ferragus had said in his hearing, “I’ll burn Paris!”
+ Nothing seemed to him now more natural than to annihilate that
+receptacle of monstrous things.
+
+“But,” he said to Jacquet, “you must go to the minister of the Interior,
+and get your minister to speak to him.”
+
+Jacquet went to the minister of the Interior, and asked an audience; it
+was granted, but the time appointed was two weeks later. Jacquet was a
+persistent man. He travelled from bureau to bureau, and finally reached
+the private secretary of the minister of the Interior, to whom he had
+made the private secretary of his own minister say a word. These high
+protectors aiding, he obtained for the morrow a second interview, in
+which, being armed with a line from the autocrat of Foreign affairs to
+the pacha of the Interior, Jacquet hoped to carry the matter by assault.
+He was ready with reasons, and answers to peremptory questions,--in
+short, he was armed at all points; but he failed.
+
+“This matter does not concern me,” said the minister; “it belongs to the
+prefect of police. Besides, there is no law giving a husband any legal
+right to the body of his wife, nor to fathers those of their children.
+The matter is serious. There are questions of public utility involved
+which will have to be examined. The interests of the city of Paris might
+suffer. Therefore if the matter depended on me, which it does not, I
+could not decide _hic et nunc_; I should require a report.”
+
+A _report_ is to the present system of administration what limbo
+or hades is to Christianity. Jacquet knew very well the mania for
+“reports”; he had not waited until this occasion to groan at that
+bureaucratic absurdity. He knew that since the invasion into public
+business of the _Report_ (an administrative revolution consummated
+in 1804) there was never known a single minister who would take upon
+himself to have an opinion or to decide the slightest matter, unless
+that opinion or matter had been winnowed, sifted, and plucked to bits
+by the paper-spoilers, quill-drivers, and splendid intellects of his
+particular bureau. Jacquet--he was one of those who are worthy of
+Plutarch as biographer--saw that he had made a mistake in his management
+of the affair, and had, in fact, rendered it impossible by trying to
+proceed legally. The thing he should have done was to have taken Madame
+Jules to one of Desmaret’s estates in the country; and there, under
+the good-natured authority of some village mayor to have gratified the
+sorrowful longing of his friend. Law, constitutional and administrative,
+begets nothing; it is a barren monster for peoples, for kings, and for
+private interests. But the peoples decipher no principles but those that
+are writ in blood, and the evils of legality will always be pacific; it
+flattens a nation down, that is all. Jacquet, a man of modern liberty,
+returned home reflecting on the benefits of arbitrary power.
+
+When he went with his report to Jules, he found it necessary to deceive
+him, for the unhappy man was in a high fever, unable to leave his bed.
+The minister of the Interior mentioned, at a ministerial dinner that
+same evening, the singular fancy of a Parisian in wishing to burn his
+wife after the manner of the Romans. The clubs of Paris took up the
+subject, and talked for a while of the burials of antiquity. Ancient
+things were just then becoming a fashion, and some persons declared that
+it would be a fine thing to re-establish, for distinguished persons, the
+funeral pyre. This opinion had its defenders and its detractors. Some
+said that there were too many such personages, and the price of wood
+would be enormously increased by such a custom; moreover, it would
+be absurd to see our ancestors in their urns in the procession at
+Longchamps. And if the urns were valuable, they were likely some day
+to be sold at auction, full of respectable ashes, or seized by
+creditors,--a race of men who respected nothing. The other side made
+answer that our ancestors were much safer in urns than at Pere-Lachaise,
+for before very long the city of Paris would be compelled to order a
+Saint-Bartholomew against its dead, who were invading the neighboring
+country, and threatening to invade the territory of Brie. It was, in
+short, one of those futile but witty discussions which sometimes cause
+deep and painful wounds. Happily for Jules, he knew nothing of the
+conversations, the witty speeches, and arguments which his sorrow had
+furnished to the tongues of Paris.
+
+The prefect of police was indignant that Monsieur Jacquet had appealed
+to a minister to avoid the wise delays of the commissioners of the
+public highways; for the exhumation of Madame Jules was a question
+belonging to that department. The police bureau was doing its best to
+reply promptly to the petition; one appeal was quite sufficient to set
+the office in motion, and once in motion matters would go far. But as
+for the administration, that might take the case before the Council of
+state,--a machine very difficult indeed to move.
+
+After the second day Jacquet was obliged to tell his friend that he must
+renounce his desire, because, in a city where the number of tears shed
+on black draperies is tariffed, where the laws recognize seven classes
+of funerals, where the scrap of ground to hold the dead is sold at its
+weight in silver, where grief is worked for what it is worth, where the
+prayers of the Church are costly, and the vestry claim payment for extra
+voices in the _Dies irae_,--all attempt to get out of the rut prescribed
+by the authorities for sorrow is useless and impossible.
+
+“It would have been to me,” said Jules, “a comfort in my misery. I meant
+to have died away from here, and I hoped to hold her in my arms in a
+distant grave. I did not know that bureaucracy could send its claws into
+our very coffins.”
+
+He now wished to see if room had been left for him beside his wife. The
+two friends went to the cemetery. When they reached it they found (as
+at the doors of museums, galleries, and coach-offices) _ciceroni_, who
+proposed to guide them through the labyrinth of Pere-Lachaise. Neither
+Jules nor Jacquet could have found the spot where Clemence lay. Ah,
+frightful anguish! They went to the lodge to consult the porter of the
+cemetery. The dead have a porter, and there are hours when the dead are
+“not receiving.” It is necessary to upset all the rules and regulations
+of the upper and lower police to obtain permission to weep at night, in
+silence and solitude, over the grave where a loved one lies. There’s a
+rule for summer and a rule for winter about this.
+
+Certainly, of all the porters in Paris, the porter of Pere-Lachaise is
+the luckiest. In the first place, he has no gate-cord to pull; then,
+instead of a lodge, he has a house,--an establishment which is not
+quite ministerial, although a vast number of persons come under his
+administration, and a good many employees. And this governor of the
+dead has a salary, with emoluments, and acts under powers of which
+none complain; he plays despot at his ease. His lodge is not a place of
+business, though it has departments where the book-keeping of receipts,
+expenses, and profits, is carried on. The man is not a _suisse_, nor a
+concierge, nor actually a porter. The gate which admits the dead stands
+wide open; and though there are monuments and buildings to be cared
+for, he is not a care-taker. In short, he is an indefinable anomaly, an
+authority which participates in all, and yet is nothing,--an authority
+placed, like the dead on whom it is based, outside of all. Nevertheless,
+this exceptional man grows out of the city of Paris,--that chimerical
+creation like the ship which is its emblem, that creature of reason
+moving on a thousand paws which are seldom unanimous in motion.
+
+This guardian of the cemetery may be called a concierge who has reached
+the condition of a functionary, not soluble by dissolution! His place
+is far from being a sinecure. He does not allow any one to be buried
+without a permit; he must count his dead. He points out to you in this
+vast field the six feet square of earth where you will one day put all
+you love, or all you hate, a mistress, or a cousin. Yes, remember
+this: all the feelings and emotions of Paris come to end here, at
+this porter’s lodge, where they are administrationized. This man has
+registers in which his dead are booked; they are in their graves, and
+also on his records. He has under him keepers, gardeners, grave-diggers,
+and their assistants. He is a personage. Mourning hearts do not speak to
+him at first. He does not appear at all except in serious cases, such as
+one corpse mistaken for another, a murdered body, an exhumation, a
+dead man coming to life. The bust of the reigning king is in his hall;
+possibly he keeps the late royal, imperial, and quasi-royal busts
+in some cupboard,--a sort of little Pere-Lachaise all ready for
+revolutions. In short, he is a public man, an excellent man, good
+husband and good father,--epitaph apart. But so many diverse sentiments
+have passed before him on biers; he has seen so many tears, true and
+false; he has beheld sorrow under so many aspects and on so many faces;
+he has heard such endless thousands of eternal woes,--that to him sorrow
+has come to be nothing more than a stone an inch thick, four feet long,
+and twenty-four inches wide. As for regrets, they are the annoyances of
+his office; he neither breakfasts nor dines without first wiping off
+the rain of an inconsolable affliction. He is kind and tender to other
+feelings; he will weep over a stage-hero, over Monsieur Germeuil in the
+“Auberge des Adrets,” the man with the butter-colored breeches, murdered
+by Macaire; but his heart is ossified in the matter of real dead men.
+Dead men are ciphers, numbers, to him; it is his business to organize
+death. Yet he does meet, three times in a century, perhaps, with an
+occasion when his part becomes sublime, and then he _is_ sublime through
+every hour of his day,--in times of pestilence.
+
+When Jacquet approached him this absolute monarch was evidently out of
+temper.
+
+“I told you,” he was saying, “to water the flowers from the rue Massena
+to the place Regnault de Saint-Jean-d’Angely. You paid no attention
+to me! _Sac-a-papier_! suppose the relations should take it into their
+heads to come here to-day because the weather is fine, what would they
+say to me? They’d shriek as if they were burned; they’d say horrid
+things of us, and calumniate us--”
+
+“Monsieur,” said Jacquet, “we want to know where Madame Jules is
+buried.”
+
+“Madame Jules _who_?” he asked. “We’ve had three Madame Jules within the
+last week. Ah,” he said, interrupting himself, “here comes the funeral
+of Monsieur le Baron de Maulincour! A fine procession, that! He has soon
+followed his grandmother. Some families, when they begin to go, rattle
+down like a wager. Lots of bad blood in Parisians.”
+
+“Monsieur,” said Jacquet, touching him on the arm, “the person I spoke
+of is Madame Jules Desmarets, the wife of the broker of that name.”
+
+“Ah, I know!” he replied, looking at Jacquet. “Wasn’t it a funeral with
+thirteen mourning coaches, and only one mourner in the twelve first? It
+was so droll we all noticed it--”
+
+“Monsieur, take care, Monsieur Desmarets is with me; he might hear you,
+and what you say is not seemly.”
+
+“I beg pardon, monsieur! you are quite right. Excuse me, I took you for
+heirs. Monsieur,” he continued, after consulting a plan of the cemetery,
+“Madame Jules is in the rue Marechal Lefebre, alley No. 4, between
+Mademoiselle Raucourt, of the Comedie-Francaise, and Monsieur
+Moreau-Malvin, a butcher, for whom a handsome tomb in white marble has
+been ordered, which will be one of the finest in the cemetery--”
+
+“Monsieur,” said Jacquet, interrupting him, “that does not help us.”
+
+“True,” said the official, looking round him. “Jean,” he cried, to a man
+whom he saw at a little distance, “conduct these gentlemen to the
+grave of Madame Jules Desmarets, the broker’s wife. You know where it
+is,--near to Mademoiselle Raucourt, the tomb where there’s a bust.”
+
+The two friends followed the guide; but they did not reach the steep
+path which leads to the upper part of the cemetery without having
+to pass through a score of proposals and requests, made, with honied
+softness, by the touts of marble-workers, iron-founders, and monumental
+sculptors.
+
+“If monsieur would like to order _something_, we would do it on the most
+reasonable terms.”
+
+Jacquet was fortunate enough to be able to spare his friend the hearing
+of these proposals so agonizing to bleeding hearts; and presently they
+reached the resting-place. When Jules beheld the earth so recently dug,
+into which the masons had stuck stakes to mark the place for the stone
+posts required to support the iron railing, he turned, and leaned upon
+Jacquet’s shoulder, raising himself now and again to cast long glances
+at the clay mound where he was forced to leave the remains of the being
+in and by whom he still lived.
+
+“How miserably she lies there!” he said.
+
+“But she is not there,” said Jacquet, “she is in your memory. Come, let
+us go; let us leave this odious cemetery, where the dead are adorned
+like women for a ball.”
+
+“Suppose we take her away?”
+
+“Can it be done?”
+
+“All things can be done!” cried Jules. “So, I shall lie there,” he
+added, after a pause. “There is room enough.”
+
+Jacquet finally succeeded in getting him to leave the great enclosure,
+divided like a chessboard by iron railings and elegant compartments, in
+which were tombs decorated with palms, inscriptions, and tears as cold
+as the stones on which sorrowing hearts had caused to be carved their
+regrets and coats of arms. Many good words are there engraved in black
+letters, epigrams reproving the curious, _concetti_, wittily turned
+farewells, rendezvous given at which only one side appears, pretentious
+biographies, glitter, rubbish and tinsel. Here the floriated thyrsus,
+there a lance-head, farther on Egyptian urns, now and then a few
+cannon; on all sides the emblems of professions, and every style of
+art,--Moorish, Greek, Gothic,--friezes, ovules, paintings, vases,
+guardian-angels, temples, together with innumerable _immortelles_, and
+dead rose-bushes. It is a forlorn comedy! It is another Paris, with its
+streets, its signs, its industries, and its lodgings; but a Paris seen
+through the diminishing end of an opera-glass, a microscopic Paris
+reduced to the littleness of shadows, spectres, dead men, a human race
+which no longer has anything great about it, except its vanity. There
+Jules saw at his feet, in the long valley of the Seine, between the
+slopes of Vaugirard and Meudon and those of Belleville and Montmartre,
+the real Paris, wrapped in a misty blue veil produced by smoke, which
+the sunlight tendered at that moment diaphanous. He glanced with a
+constrained eye at those forty thousand houses, and said, pointing to
+the space comprised between the column of the Place Vendome and the
+gilded cupola of the Invalides:--
+
+“She was wrenched from me there by the fatal curiosity of that world
+which excites itself and meddles solely for excitement and occupation.”
+
+Twelve miles from where they were, on the banks of the Seine, in a
+modest village lying on the slope of a hill of that long hilly basin the
+middle of which great Paris stirs like a child in its cradle, a death
+scene was taking place, far indeed removed from Parisian pomps, with no
+accompaniment of torches or tapers or mourning-coaches, without prayers
+of the Church, in short, a death in all simplicity. Here are the facts:
+The body of a young girl was found early in the morning, stranded on the
+river-bank in the slime and reeds of the Seine. Men employed in dredging
+sand saw it as they were getting into their frail boat on their way to
+their work.
+
+“_Tiens_! fifty francs earned!” said one of them.
+
+“True,” said the other.
+
+They approached the body.
+
+“A handsome girl! We had better go and make our statement.”
+
+And the two dredgers, after covering the body with their jackets, went
+to the house of the village mayor, who was much embarrassed at having to
+make out the legal papers necessitated by this discovery.
+
+The news of this event spread with the telegraphic rapidity peculiar to
+regions where social communications have no distractions, where gossip,
+scandal, calumny, in short, the social tale which feasts the world
+has no break of continuity from one boundary to another. Before
+long, persons arriving at the mayor’s office released him from all
+embarrassment. They were able to convert the _proces-verbal_ into a mere
+certificate of death, by recognizing the body as that of the Demoiselle
+Ida Gruget, corset-maker, living rue de la Corderie-du-Temple, number
+14. The judiciary police of Paris arrived, and the mother, bearing her
+daughter’s last letter. Amid the mother’s moans, a doctor certified
+to death by asphyxia, through the injection of black blood into the
+pulmonary system,--which settled the matter. The inquest over, and the
+certificates signed, by six o’clock the same evening authority was given
+to bury the grisette. The rector of the parish, however, refused to
+receive her into the church or to pray for her. Ida Gruget was
+therefore wrapped in a shroud by an old peasant-woman, put into a common
+pine-coffin, and carried to the village cemetery by four men, followed
+by a few inquisitive peasant-women, who talked about the death with
+wonder mingled with some pity.
+
+The widow Gruget was charitably taken in by an old lady who prevented
+her from following the sad procession of her daughter’s funeral. A man
+of triple functions, the bell-ringer, beadle, and grave-digger of the
+parish, had dug a grave in the half-acre cemetery behind the church,--a
+church well known, a classic church, with a square tower and pointed
+roof covered with slate, supported on the outside by strong corner
+buttresses. Behind the apse of the chancel, lay the cemetery, enclosed
+with a dilapidated wall,--a little field full of hillocks; no marble
+monuments, no visitors, but surely in every furrow, tears and true
+regrets, which were lacking to Ida Gruget. She was cast into a corner
+full of tall grass and brambles. After the coffin had been laid in
+this field, so poetic in its simplicity, the grave-digger found himself
+alone, for night was coming on. While filling the grave, he stopped now
+and then to gaze over the wall along the road. He was standing thus,
+resting on his spade, and looking at the Seine, which had brought him
+the body.
+
+“Poor girl!” cried the voice of a man who suddenly appeared.
+
+“How you made me jump, monsieur,” said the grave-digger.
+
+“Was any service held over the body you are burying?”
+
+“No, monsieur. Monsieur le cure wasn’t willing. This is the first person
+buried here who didn’t belong to the parish. Everybody knows everybody
+else in this place. Does monsieur--Why, he’s gone!”
+
+Some days had elapsed when a man dressed in black called at the house
+of Monsieur Jules Desmarets, and without asking to see him carried up to
+the chamber of his wife a large porphyry vase, on which were inscribed
+the words:--
+
+
+ INVITA LEGE
+ CONJUGI MOERENTI
+ FILIOLAE CINERES
+ RESTITUIT
+ AMICIS XII. JUVANTIBUS
+ MORIBUNDUS PATER.
+
+
+“What a man!” cried Jules, bursting into tears.
+
+Eight days sufficed the husband to obey all the wishes of his wife, and
+to arrange his own affairs. He sold his practice to a brother of Martin
+Falleix, and left Paris while the authorities were still discussing
+whether it was lawful for a citizen to dispose of the body of his wife.
+
+ * * * * *
+
+Who has not encountered on the boulevards of Paris, at the turn of a
+street, or beneath the arcades of the Palais-Royal, or in any part of
+the world where chance may offer him the sight, a being, man or woman,
+at whose aspect a thousand confused thoughts spring into his mind?
+At that sight we are suddenly interested, either by features of some
+fantastic conformation which reveal an agitated life, or by a singular
+effect of the whole person, produced by gestures, air, gait, clothes; or
+by some deep, intense look; or by other inexpressible signs which seize
+our minds suddenly and forcibly without our being able to explain even
+to ourselves the cause of our emotion. The next day other thoughts and
+other images have carried out of sight that passing dream. But if we
+meet the same personage again, either passing at some fixed hour, like
+the clerk of a mayor’s office, or wandering about the public promenades,
+like those individuals who seem to be a sort of furniture of the streets
+of Paris, and who are always to be found in public places, at first
+representations or noted restaurants,--then this being fastens himself
+or herself on our memory, and remains there like the first volume of a
+novel the end of which is lost. We are tempted to question this unknown
+person, and say, “Who are you?” “Why are you lounging here?” “By what
+right do you wear that pleated ruffle, that faded waistcoat, and carry
+that cane with an ivory top; why those blue spectacles; for what reason
+do you cling to that cravat of a dead and gone fashion?” Among these
+wandering creations some belong to the species of the Greek Hermae;
+they say nothing to the soul; _they are there_, and that is all. Why? is
+known to none. Such figure are a type of those used by sculptors for
+the four Seasons, for Commerce, for Plenty, etc. Some others--former
+lawyers, old merchants, elderly generals--move and walk, and yet seem
+stationary. Like old trees that are half uprooted by the current of a
+river, they seem never to take part in the torrent of Paris, with its
+youthful, active crowd. It is impossible to know if their friends
+have forgotten to bury them, or whether they have escaped out of their
+coffins. At any rate, they have reached the condition of semi-fossils.
+
+One of these Parisian Melmoths had come within a few days into a
+neighborhood of sober, quiet people, who, when the weather is fine,
+are invariably to be found in the space which lies between the
+south entrance of the Luxembourg and the north entrance of the
+Observatoire,--a space without a name, the neutral space of Paris.
+There, Paris is no longer; and there, Paris still lingers. The spot is
+a mingling of street, square, boulevard, fortification, garden, avenue,
+high-road, province, and metropolis; certainly, all of that is to be
+found there, and yet the place is nothing of all that,--it is a desert.
+Around this spot without a name stand the Foundling hospital,
+the Bourbe, the Cochin hospital, the Capucines, the hospital
+La Rochefoucauld, the Deaf and Dumb Asylum, the hospital of the
+Val-de-Grace; in short, all the vices and all the misfortunes of
+Paris find their asylum there. And (that nothing may lack in this
+philanthropic centre) Science there studies the tides and longitudes,
+Monsieur de Chateaubriand has erected the Marie-Therese Infirmary, and
+the Carmelites have founded a convent. The great events of life are
+represented by bells which ring incessantly through this desert,--for
+the mother giving birth, for the babe that is born, for the vice that
+succumbs, for the toiler who dies, for the virgin who prays, for the old
+man shaking with cold, for genius self-deluded. And a few steps off
+is the cemetery of Mont-Parnasse, where, hour after hour, the sorry
+funerals of the faubourg Saint-Marceau wend their way. This esplanade,
+which commands a view of Paris, has been taken possession of by
+bowl-players; it is, in fact, a sort of bowling green frequented by old
+gray faces, belonging to kindly, worthy men, who seem to continue the
+race of our ancestors, whose countenances must only be compared with
+those of their surroundings.
+
+The man who had become, during the last few days, an inhabitant of this
+desert region, proved an assiduous attendant at these games of bowls;
+and must, undoubtedly, be considered the most striking creature of these
+various groups, who (if it is permissible to liken Parisians to
+the different orders of zoology) belonged to the genus mollusk. The
+new-comer kept sympathetic step with the _cochonnet_,--the little
+bowl which serves as a goal and on which the interest of the game must
+centre. He leaned against a tree when the _cochonnet_ stopped; then,
+with the same attention that a dog gives to his master’s gestures, he
+looked at the other bowls flying through the air, or rolling along the
+ground. You might have taken him for the weird and watchful genii of the
+_cochonnet_. He said nothing; and the bowl-players--the most fanatic
+men that can be encountered among the sectarians of any faith--had never
+asked the reason of his dogged silence; in fact, the most observing of
+them thought him deaf and dumb.
+
+When it happened that the distances between the bowls and the
+_cochonnet_ had to be measured, the cane of this silent being was used
+as a measure, the players coming up and taking it from the icy hands
+of the old man and returning it without a word or even a sign of
+friendliness. The loan of his cane seemed a servitude to which he
+had negatively consented. When a shower fell, he stayed near the
+_cochonnet_, the slave of the bowls, and the guardian of the unfinished
+game. Rain affected him no more than the fine weather did; he was, like
+the players themselves, an intermediary species between a Parisian
+who has the lowest intellect of his kind and an animal which has the
+highest.
+
+In other respects, pallid and shrunken, indifferent to his own person,
+vacant in mind, he often came bareheaded, showing his sparse white
+hair, and his square, yellow, bald skull, like the knee of a beggar seen
+through his tattered trousers. His mouth was half-open, no ideas were
+in his glance, no precise object appeared in his movements; he never
+smiled; he never raised his eyes to heaven, but kept them habitually on
+the ground, where he seemed to be looking for something. At four o’clock
+an old woman arrived, to take him Heaven knows where; which she did by
+towing him along by the arm, as a young girl drags a wilful goat which
+still wants to browse by the wayside. This old man was a horrible thing
+to see.
+
+In the afternoon of the day when Jules Desmarets left Paris, his
+travelling-carriage, in which he was alone, passed rapidly through the
+rue de l’Est, and came out upon the esplanade of the Observatoire at the
+moment when the old man, leaning against a tree, had allowed his cane
+to be taken from his hand amid the noisy vociferations of the players,
+pacifically irritated. Jules, thinking that he recognized that face,
+felt an impulse to stop, and at the same instant the carriage came to a
+standstill; for the postilion, hemmed in by some handcarts, had too much
+respect for the game to call upon the players to make way for him.
+
+“It is he!” said Jules, beholding in that human wreck, Ferragus XXIII.,
+chief of the Devorants. Then, after a pause, he added, “How he loved
+her!--Go on, postilion.”
+
+
+
+
+ADDENDUM
+
+ Note: Ferragus is the first part of a trilogy. Part two is
+ entitled The Duchesse de Langeais and part three is The Girl with
+ the Golden Eyes. In other addendum references all three stories
+ are usually combined under the title The Thirteen.
+
+The following personages appear in other stories of the Human Comedy.
+
+Bourignard, Gratien-Henri-Victor-Jean-Joseph The Girl with the Golden Eyes
+
+Desmartes, Jules Cesar Birotteau
+
+Desmartes, Madame Jules Cesar Birotteau
+
+Desplein The Atheist’s Mass
+ Cousin Pons
+ Lost Illusions
+ The Government Clerks
+ Pierrette
+ A Bachelor’s Establishment
+ The Seamy Side of History
+ Modeste Mignon
+ Scenes from a Courtesan’s Life
+ Honorine
+
+Gruget, Madame Etienne The Government Clerks
+ A Bachelor’s Establishment
+
+Haudry (doctor) Cesar Birotteau
+ A Bachelor’s Establishment
+ The Seamy Side of History
+ Cousin Pons
+
+Langeais, Duchesse Antoinette de Father Goriot
+ The Duchesse of Langeais
+
+Marsay, Henri de The Duchesse of Langeais
+ The Girl with the Golden Eyes
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+Maulincour, Baronne de A Marriage Settlement
+
+Meynardie, Madame Scenes from a Courtesan’s Life
+
+Nucingen, Baronne Delphine de Father Goriot
+ Eugenie Grandet
+ Cesar Birotteau
+ Melmoth Reconciled
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ The Commission in Lunacy
+ Scenes from a Courtesan’s Life
+ Modeste Mignon
+ The Firm of Nucingen
+ Another Study of Woman
+ A Daughter of Eve
+ The Member for Arcis
+
+Pamiers, Vidame de The Duchesse of Langeais
+ Jealousies of a Country Town
+
+Ronquerolles, Marquis de The Imaginary Mistress
+ The Duchess of Langeais
+ The Girl with the Golden Eyes
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ The Member for Arcis
+
+Serizy, Comtesse de A Start in Life
+ The Duchesse of Langeais
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan’s Life
+ Another Study of Woman
+ The Imaginary Mistress
+
+
+
+
+
+II. THE DUCHESSE OF LANGEAIS
+
+
+
+Translated by Ellen Marriage
+
+
+
+ To Franz Liszt
+
+
+
+In a Spanish city on an island in the Mediterranean, there stands a
+convent of the Order of Barefoot Carmelites, where the rule instituted
+by St. Theresa is still preserved with all the first rigor of the
+reformation brought about by that illustrious woman. Extraordinary as
+this may seem, it is none the less true. Almost every religious house
+in the Peninsula, or in Europe for that matter, was either destroyed or
+disorganized by the outbreak of the French Revolution and the Napoleonic
+wars; but as this island was protected through those times by the
+English fleet, its wealthy convent and peaceable inhabitants were secure
+from the general trouble and spoliation. The storms of many kinds which
+shook the first fifteen years of the nineteenth century spent their
+force before they reached those cliffs at so short a distance from the
+coast of Andalusia.
+
+If the rumour of the Emperor’s name so much as reached the shore of the
+island, it is doubtful whether the holy women kneeling in the cloisters
+grasped the reality of his dream-like progress of glory, or the majesty
+that blazed in flame across kingdom after kingdom during his meteor
+life.
+
+In the minds of the Roman Catholic world, the convent stood out
+pre-eminent for a stern discipline which nothing had changed; the purity
+of its rule had attracted unhappy women from the furthest parts of
+Europe, women deprived of all human ties, sighing after the long suicide
+accomplished in the breast of God. No convent, indeed, was so well
+fitted for that complete detachment of the soul from all earthly things,
+which is demanded by the religious life, albeit on the continent of
+Europe there are many convents magnificently adapted to the purpose
+of their existence. Buried away in the loneliest valleys, hanging
+in mid-air on the steepest mountainsides, set down on the brink
+of precipices, in every place man has sought for the poetry of the
+Infinite, the solemn awe of Silence; in every place man has striven to
+draw closer to God, seeking Him on mountain peaks, in the depths below
+the crags, at the cliff’s edge; and everywhere man has found God. But
+nowhere, save on this half-European, half-African ledge of rock could
+you find so many different harmonies, combining so to raise the soul,
+that the sharpest pain comes to be like other memories; the strongest
+impressions are dulled, till the sorrows of life are laid to rest in the
+depths.
+
+The convent stands on the highest point of the crags at the uttermost
+end of the island. On the side towards the sea the rock was once rent
+sheer away in some globe-cataclysm; it rises up a straight wall from
+the base where the waves gnaw at the stone below high-water mark. Any
+assault is made impossible by the dangerous reefs that stretch far out
+to sea, with the sparkling waves of the Mediterranean playing over them.
+So, only from the sea can you discern the square mass of the convent
+built conformably to the minute rules laid down as to the shape, height,
+doors, and windows of monastic buildings. From the side of the town, the
+church completely hides the solid structure of the cloisters and their
+roofs, covered with broad slabs of stone impervious to sun or storm or
+gales of wind.
+
+The church itself, built by the munificence of a Spanish family, is the
+crowning edifice of the town. Its fine, bold front gives an imposing
+and picturesque look to the little city in the sea. The sight of such
+a city, with its close-huddled roofs, arranged for the most part
+amphitheatre-wise above a picturesque harbour, and crowned by a glorious
+cathedral front with triple-arched Gothic doorways, belfry towers, and
+filigree spires, is a spectacle surely in every way the sublimest on
+earth. Religion towering above daily life, to put men continually
+in mind of the End and the way, is in truth a thoroughly Spanish
+conception. But now surround this picture by the Mediterranean, and a
+burning sky, imagine a few palms here and there, a few stunted evergreen
+trees mingling their waving leaves with the motionless flowers and
+foliage of carved stone; look out over the reef with its white fringes
+of foam in contrast to the sapphire sea; and then turn to the city, with
+its galleries and terraces whither the townsfolk come to take the air
+among their flowers of an evening, above the houses and the tops of the
+trees in their little gardens; add a few sails down in the harbour; and
+lastly, in the stillness of falling night, listen to the organ music,
+the chanting of the services, the wonderful sound of bells pealing out
+over the open sea. There is sound and silence everywhere; oftener still
+there is silence over all.
+
+The church is divided within into a sombre mysterious nave and narrow
+aisles. For some reason, probably because the winds are so high, the
+architect was unable to build the flying buttresses and intervening
+chapels which adorn almost all cathedrals, nor are there openings of any
+kind in the walls which support the weight of the roof. Outside there
+is simply the heavy wall structure, a solid mass of grey stone further
+strengthened by huge piers placed at intervals. Inside, the nave and its
+little side galleries are lighted entirely by the great stained-glass
+rose-window suspended by a miracle of art above the centre doorway; for
+upon that side the exposure permits of the display of lacework in stone
+and of other beauties peculiar to the style improperly called Gothic.
+
+The larger part of the nave and aisles was left for the townsfolk, who
+came and went and heard mass there. The choir was shut off from the
+rest of the church by a grating and thick folds of brown curtain, left
+slightly apart in the middle in such a way that nothing of the choir
+could be seen from the church except the high altar and the officiating
+priest. The grating itself was divided up by the pillars which supported
+the organ loft; and this part of the structure, with its carved wooden
+columns, completed the line of the arcading in the gallery carried by
+the shafts in the nave. If any inquisitive person, therefore, had been
+bold enough to climb upon the narrow balustrade in the gallery to look
+down into the choir, he could have seen nothing but the tall eight-sided
+windows of stained glass beyond the high altar.
+
+At the time of the French expedition into Spain to establish Ferdinand
+VII once more on the throne, a French general came to the island after
+the taking of Cadiz, ostensibly to require the recognition of the King’s
+Government, really to see the convent and to find some means of
+entering it. The undertaking was certainly a delicate one; but a man of
+passionate temper, whose life had been, as it were, but one series of
+poems in action, a man who all his life long had lived romances instead
+of writing them, a man pre-eminently a Doer, was sure to be tempted by a
+deed which seemed to be impossible.
+
+To open the doors of a convent of nuns by lawful means! The metropolitan
+or the Pope would scarcely have permitted it! And as for force or
+stratagem--might not any indiscretion cost him his position, his whole
+career as a soldier, and the end in view to boot? The Duc d’Angouleme
+was still in Spain; and of all the crimes which a man in favour with the
+Commander-in-Chief might commit, this one alone was certain to find him
+inexorable. The General had asked for the mission to gratify private
+motives of curiosity, though never was curiosity more hopeless. This
+final attempt was a matter of conscience. The Carmelite convent on the
+island was the only nunnery in Spain which had baffled his search.
+
+As he crossed from the mainland, scarcely an hour’s distance, he felt a
+presentiment that his hopes were to be fulfilled; and afterwards, when
+as yet he had seen nothing of the convent but its walls, and of the nuns
+not so much as their robes; while he had merely heard the chanting of
+the service, there were dim auguries under the walls and in the sound of
+the voices to justify his frail hope. And, indeed, however faint those
+so unaccountable presentiments might be, never was human passion more
+vehemently excited than the General’s curiosity at that moment. There
+are no small events for the heart; the heart exaggerates everything; the
+heart weighs the fall of a fourteen-year-old Empire and the dropping of
+a woman’s glove in the same scales, and the glove is nearly always
+the heavier of the two. So here are the facts in all their prosaic
+simplicity. The facts first, the emotions will follow.
+
+An hour after the General landed on the island, the royal authority was
+re-established there. Some few Constitutional Spaniards who had found
+their way thither after the fall of Cadiz were allowed to charter
+a vessel and sail for London. So there was neither resistance nor
+reaction. But the change of government could not be effected in the
+little town without a mass, at which the two divisions under the
+General’s command were obliged to be present. Now, it was upon this mass
+that the General had built his hopes of gaining some information as
+to the sisters in the convent; he was quite unaware how absolutely the
+Carmelites were cut off from the world; but he knew that there might be
+among them one whom he held dearer than life, dearer than honour.
+
+His hopes were cruelly dashed at once. Mass, it is true, was celebrated
+in state. In honour of such a solemnity, the curtains which always hid
+the choir were drawn back to display its riches, its valuable paintings
+and shrines so bright with gems that they eclipsed the glories of
+the ex-votos of gold and silver hung up by sailors of the port on
+the columns in the nave. But all the nuns had taken refuge in the
+organ-loft. And yet, in spite of this first check, during this very mass
+of thanksgiving, the most intimately thrilling drama that ever set a
+man’s heart beating opened out widely before him.
+
+The sister who played the organ aroused such intense enthusiasm, that
+not a single man regretted that he had come to the service. Even the men
+in the ranks were delighted, and the officers were in ecstasy. As for
+the General, he was seemingly calm and indifferent. The sensations
+stirred in him as the sister played one piece after another belong to
+the small number of things which it is not lawful to utter; words are
+powerless to express them; like death, God, eternity, they can only be
+realised through their one point of contact with humanity. Strangely
+enough, the organ music seemed to belong to the school of Rossini, the
+musician who brings most human passion into his art.
+
+Some day his works, by their number and extent, will receive the
+reverence due to the Homer of music. From among all the scores that we
+owe to his great genius, the nun seemed to have chosen _Moses in Egypt_
+for special study, doubtless because the spirit of sacred music finds
+therein its supreme expression. Perhaps the soul of the great musician,
+so gloriously known to Europe, and the soul of this unknown executant
+had met in the intuitive apprehension of the same poetry. So at least
+thought two dilettanti officers who must have missed the Theatre Favart
+in Spain.
+
+At last in the _Te Deum_ no one could fail to discern a French soul in
+the sudden change that came over the music. Joy for the victory of the
+Most Christian King evidently stirred this nun’s heart to the depths.
+She was a Frenchwoman beyond mistake. Soon the love of country shone
+out, breaking forth like shafts of light from the fugue, as the sister
+introduced variations with all a Parisienne’s fastidious taste, and
+blended vague suggestions of our grandest national airs with her music.
+A Spaniard’s fingers would not have brought this warmth into a
+graceful tribute paid to the victorious arms of France. The musician’s
+nationality was revealed.
+
+“We find France everywhere, it seems,” said one of the men.
+
+The General had left the church during the _Te Deum_; he could not
+listen any longer. The nun’s music had been a revelation of a woman
+loved to frenzy; a woman so carefully hidden from the world’s eyes,
+so deeply buried in the bosom of the Church, that hitherto the most
+ingenious and persistent efforts made by men who brought great influence
+and unusual powers to bear upon the search had failed to find her. The
+suspicion aroused in the General’s heart became all but a certainty with
+the vague reminiscence of a sad, delicious melody, the air of _Fleuve
+du Tage_. The woman he loved had played the prelude to the ballad in
+a boudoir in Paris, how often! and now this nun had chosen the song
+to express an exile’s longing, amid the joy of those that triumphed.
+Terrible sensation! To hope for the resurrection of a lost love, to find
+her only to know that she was lost, to catch a mysterious glimpse of her
+after five years--five years, in which the pent-up passion, chafing
+in an empty life, had grown the mightier for every fruitless effort to
+satisfy it!
+
+Who has not known, at least once in his life, what it is to lose some
+precious thing; and after hunting through his papers, ransacking his
+memory, and turning his house upside down; after one or two days spent
+in vain search, and hope, and despair; after a prodigious expenditure
+of the liveliest irritation of soul, who has not known the ineffable
+pleasure of finding that all-important nothing which had come to be a
+king of monomania? Very good. Now, spread that fury of search over five
+years; put a woman, put a heart, put love in the place of the trifle;
+transpose the monomania into the key of high passion; and, furthermore,
+let the seeker be a man of ardent temper, with a lion’s heart and a
+leonine head and mane, a man to inspire awe and fear in those who come
+in contact with him--realise this, and you may, perhaps, understand why
+the General walked abruptly out of the church when the first notes of
+a ballad, which he used to hear with a rapture of delight in a
+gilt-paneled boudoir, began to vibrate along the aisles of the church in
+the sea.
+
+The General walked away down the steep street which led to the port, and
+only stopped when he could not hear the deep notes of the organ. Unable
+to think of anything but the love which broke out in volcanic eruption,
+filling his heart with fire, he only knew that the _Te Deum_ was over
+when the Spanish congregation came pouring out of the church. Feeling
+that his behaviour and attitude might seem ridiculous, he went back to
+head the procession, telling the alcalde and the governor that, feeling
+suddenly faint, he had gone out into the air. Casting about for a plea
+for prolonging his stay, it at once occurred to him to make the most of
+this excuse, framed on the spur of the moment. He declined, on a plea of
+increasing indisposition, to preside at the banquet given by the town
+to the French officers, betook himself to his bed, and sent a message to
+the Major-General, to the effect that temporary illness obliged him
+to leave the Colonel in command of the troops for the time being.
+This commonplace but very plausible stratagem relieved him of all
+responsibility for the time necessary to carry out his plans. The
+General, nothing if not “catholic and monarchical,” took occasion to
+inform himself of the hours of the services, and manifested the greatest
+zeal for the performance of his religious duties, piety which caused no
+remark in Spain.
+
+The very next day, while the division was marching out of the town, the
+General went to the convent to be present at vespers. He found an empty
+church. The townsfolk, devout though they were, had all gone down to the
+quay to watch the embarkation of the troops. He felt glad to be the only
+man there. He tramped noisily up the nave, clanking his spurs till the
+vaulted roof rang with the sound; he coughed, he talked aloud to himself
+to let the nuns know, and more particularly to let the organist know
+that if the troops were gone, one Frenchman was left behind. Was this
+singular warning heard and understood? He thought so. It seemed to him
+that in the _Magnificat_ the organ made response which was borne to him
+on the vibrating air. The nun’s spirit found wings in music and fled
+towards him, throbbing with the rhythmical pulse of the sounds. Then, in
+all its might, the music burst forth and filled the church with warmth.
+The Song of Joy set apart in the sublime liturgy of Latin Christianity
+to express the exaltation of the soul in the presence of the glory of
+the ever-living God, became the utterance of a heart almost terrified by
+its gladness in the presence of the glory of a mortal love; a love that
+yet lived, a love that had risen to trouble her even beyond the grave in
+which the nun is laid, that she may rise again as the bride of Christ.
+
+The organ is in truth the grandest, the most daring, the most
+magnificent of all instruments invented by human genius. It is a whole
+orchestra in itself. It can express anything in response to a skilled
+touch. Surely it is in some sort a pedestal on which the soul poises for
+a flight forth into space, essaying on her course to draw picture after
+picture in an endless series, to paint human life, to cross the Infinite
+that separates heaven from earth? And the longer a dreamer listens to
+those giant harmonies, the better he realizes that nothing save this
+hundred-voiced choir on earth can fill all the space between kneeling
+men, and a God hidden by the blinding light of the Sanctuary. The music
+is the one interpreter strong enough to bear up the prayers of humanity
+to heaven, prayer in its omnipotent moods, prayer tinged by the
+melancholy of many different natures, coloured by meditative ecstasy,
+upspringing with the impulse of repentance--blended with the myriad
+fancies of every creed. Yes. In those long vaulted aisles the melodies
+inspired by the sense of things divine are blended with a grandeur
+unknown before, are decked with new glory and might. Out of the dim
+daylight, and the deep silence broken by the chanting of the choir in
+response to the thunder of the organ, a veil is woven for God, and the
+brightness of His attributes shines through it.
+
+And this wealth of holy things seemed to be flung down like a grain of
+incense upon the fragile altar raised to Love beneath the eternal throne
+of a jealous and avenging God. Indeed, in the joy of the nun there
+was little of that awe and gravity which should harmonize with the
+solemnities of the _Magnificat_. She had enriched the music with
+graceful variations, earthly gladness throbbing through the rhythm of
+each. In such brilliant quivering notes some great singer might strive
+to find a voice for her love, her melodies fluttered as a bird flutters
+about her mate. There were moments when she seemed to leap back into
+the past, to dally there now with laughter, now with tears. Her changing
+moods, as it were, ran riot. She was like a woman excited and happy over
+her lover’s return.
+
+But at length, after the swaying fugues of delirium, after the
+marvellous rendering of a vision of the past, a revulsion swept over the
+soul that thus found utterance for itself. With a swift transition from
+the major to the minor, the organist told her hearer of her present lot.
+She gave the story of long melancholy broodings, of the slow course
+of her moral malady. How day by day she deadened the senses, how every
+night cut off one more thought, how her heart was slowly reduced
+to ashes. The sadness deepened shade after shade through languid
+modulations, and in a little while the echoes were pouring out a torrent
+of grief. Then on a sudden, high notes rang out like the voices of
+angels singing together, as if to tell the lost but not forgotten lover
+that their spirits now could only meet in heaven. Pathetic hope! Then
+followed the _Amen_. No more joy, no more tears in the air, no sadness,
+no regrets. The _Amen_ was the return to God. The final chord was deep,
+solemn, even terrible; for the last rumblings of the bass sent a shiver
+through the audience that raised the hair on their heads; the nun shook
+out her veiling of crepe, and seemed to sink again into the grave from
+which she had risen for a moment. Slowly the reverberations died away;
+it seemed as if the church, but now so full of light, had returned to
+thick darkness.
+
+The General had been caught up and borne swiftly away by this
+strong-winged spirit; he had followed the course of its flight from
+beginning to end. He understood to the fullest extent the imagery of
+that burning symphony; for him the chords reached deep and far. For
+him, as for the sister, the poem meant future, present, and past. Is
+not music, and even opera music, a sort of text, which a susceptible
+or poetic temper, or a sore and stricken heart, may expand as memories
+shall determine? If a musician must needs have the heart of a poet, must
+not the listener too be in a manner a poet and a lover to hear all that
+lies in great music? Religion, love, and music--what are they but a
+threefold expression of the same fact, of that craving for expansion
+which stirs in every noble soul. And these three forms of poetry ascend
+to God, in whom all passion on earth finds its end. Wherefore the holy
+human trinity finds a place amid the infinite glories of God; of God,
+whom we always represent surrounded with the fires of love and seistrons
+of gold--music and light and harmony. Is not He the Cause and the End of
+all our strivings?
+
+The French General guessed rightly that here in the desert, on this bare
+rock in the sea, the nun had seized upon music as an outpouring of the
+passion that still consumed her. Was this her manner of offering up her
+love as a sacrifice to God? Or was it Love exultant in triumph over God?
+The questions were hard to answer. But one thing at least the General
+could not mistake--in this heart, dead to the world, the fire of passion
+burned as fiercely as in his own.
+
+Vespers over, he went back to the alcalde with whom he was staying.
+In the all-absorbing joy which comes in such full measure when a
+satisfaction sought long and painfully is attained at last, he could see
+nothing beyond this--he was still loved! In her heart love had grown
+in loneliness, even as his love had grown stronger as he surmounted one
+barrier after another which this woman had set between them! The glow of
+soul came to its natural end. There followed a longing to see her again,
+to contend with God for her, to snatch her away--a rash scheme, which
+appealed to a daring nature. He went to bed, when the meal was over, to
+avoid questions; to be alone and think at his ease; and he lay absorbed
+by deep thought till day broke.
+
+He rose only to go to mass. He went to the church and knelt close to
+the screen, with his forehead touching the curtain; he would have torn
+a hole in it if he had been alone, but his host had come with him out of
+politeness, and the least imprudence might compromise the whole future
+of his love, and ruin the new hopes.
+
+The organ sounded, but it was another player, and not the nun of the
+last two days whose hands touched the keys. It was all colorless and
+cold for the General. Was the woman he loved prostrated by emotion which
+well-nigh overcame a strong man’s heart? Had she so fully realised and
+shared an unchanged, longed-for love, that now she lay dying on her bed
+in her cell? While innumerable thoughts of this kind perplexed his mind,
+the voice of the woman he worshipped rang out close beside him; he knew
+its clear resonant soprano. It was her voice, with that faint tremor in
+it which gave it all the charm that shyness and diffidence gives to a
+young girl; her voice, distinct from the mass of singing as a _prima
+donna’s_ in the chorus of a finale. It was like a golden or silver
+thread in dark frieze.
+
+It was she! There could be no mistake. Parisienne now as ever, she had
+not laid coquetry aside when she threw off worldly adornments for the
+veil and the Carmelite’s coarse serge. She who had affirmed her love
+last evening in the praise sent up to God, seemed now to say to her
+lover, “Yes, it is I. I am here. My love is unchanged, but I am beyond
+the reach of love. You will hear my voice, my soul shall enfold you,
+and I shall abide here under the brown shroud in the choir from which no
+power on earth can tear me. You shall never see me more!”
+
+“It is she indeed!” the General said to himself, raising his head. He
+had leant his face on his hands, unable at first to bear the intolerable
+emotion that surged like a whirlpool in his heart, when that well-known
+voice vibrated under the arcading, with the sound of the sea for
+accompaniment.
+
+Storm was without, and calm within the sanctuary. Still that rich voice
+poured out all its caressing notes; it fell like balm on the lover’s
+burning heart; it blossomed upon the air--the air that a man would fain
+breathe more deeply to receive the effluence of a soul breathed forth
+with love in the words of the prayer. The alcalde coming to join
+his guest found him in tears during the elevation, while the nun was
+singing, and brought him back to his house. Surprised to find so much
+piety in a French military man, the worthy magistrate invited the
+confessor of the convent to meet his guest. Never had news given the
+General more pleasure; he paid the ecclesiastic a good deal of attention
+at supper, and confirmed his Spanish hosts in the high opinion they had
+formed of his piety by a not wholly disinterested respect.
+
+He inquired with gravity how many sisters there were in the convent, and
+asked for particulars of its endowment and revenues, as if from
+courtesy he wished to hear the good priest discourse on the subject most
+interesting to him. He informed himself as to the manner of life led by
+the holy women. Were they allowed to go out of the convent, or to see
+visitors?
+
+“Senor,” replied the venerable churchman, “the rule is strict. A woman
+cannot enter a monastery of the order of St. Bruno without a special
+permission from His Holiness, and the rule here is equally stringent.
+No man may enter a convent of Barefoot Carmelites unless he is a priest
+specially attached to the services of the house by the Archbishop. None
+of the nuns may leave the convent; though the great Saint, St. Theresa,
+often left her cell. The Visitor or the Mothers Superior can alone give
+permission, subject to an authorization from the Archbishop, for a nun
+to see a visitor, and then especially in a case of illness. Now we are
+one of the principal houses, and consequently we have a Mother Superior
+here. Among other foreign sisters there is one Frenchwoman, Sister
+Theresa; she it is who directs the music in the chapel.”
+
+“Oh!” said the General, with feigned surprise. “She must have rejoiced
+over the victory of the House of Bourbon.”
+
+“I told them the reason of the mass; they are always a little bit
+inquisitive.”
+
+“But Sister Theresa may have interests in France. Perhaps she would like
+to send some message or to hear news.”
+
+“I do not think so. She would have come to ask me.”
+
+“As a fellow-countryman, I should be quite curious to see her,” said the
+General. “If it is possible, if the Lady Superior consents, if----”
+
+“Even at the grating and in the Reverend Mother’s presence, an interview
+would be quite impossible for anybody whatsoever; but, strict as the
+Mother is, for a deliverer of our holy religion and the throne of his
+Catholic Majesty, the rule might be relaxed for a moment,” said the
+confessor, blinking. “I will speak about it.”
+
+“How old is Sister Theresa?” inquired the lover. He dared not ask any
+questions of the priest as to the nun’s beauty.
+
+“She does not reckon years now,” the good man answered, with a
+simplicity that made the General shudder.
+
+Next day before siesta, the confessor came to inform the French General
+that Sister Theresa and the Mother consented to receive him at the
+grating in the parlour before vespers. The General spent the siesta in
+pacing to and fro along the quay in the noonday heat. Thither the priest
+came to find him, and brought him to the convent by way of the gallery
+round the cemetery. Fountains, green trees, and rows of arcading
+maintained a cool freshness in keeping with the place.
+
+At the further end of the long gallery the priest led the way into a
+large room divided in two by a grating covered with a brown curtain. In
+the first, and in some sort of public half of the apartment, where the
+confessor left the newcomer, a wooden bench ran round the wall, and two
+or three chairs, also of wood, were placed near the grating. The ceiling
+consisted of bare unornamented joists and cross-beams of ilex wood. As
+the two windows were both on the inner side of the grating, and the dark
+surface of the wood was a bad reflector, the light in the place was so
+dim that you could scarcely see the great black crucifix, the portrait
+of Saint Theresa, and a picture of the Madonna which adorned the grey
+parlour walls. Tumultuous as the General’s feelings were, they took
+something of the melancholy of the place. He grew calm in that homely
+quiet. A sense of something vast as the tomb took possession of him
+beneath the chill unceiled roof. Here, as in the grave, was there not
+eternal silence, deep peace--the sense of the Infinite? And besides this
+there was the quiet and the fixed thought of the cloister--a thought
+which you felt like a subtle presence in the air, and in the dim dusk
+of the room; an all-pervasive thought nowhere definitely expressed, and
+looming the larger in the imagination; for in the cloister the great
+saying, “Peace in the Lord,” enters the least religious soul as a living
+force.
+
+The monk’s life is scarcely comprehensible. A man seems confessed a
+weakling in a monastery; he was born to act, to live out a life of work;
+he is evading a man’s destiny in his cell. But what man’s strength,
+blended with pathetic weakness, is implied by a woman’s choice of the
+convent life! A man may have any number of motives for burying himself
+in a monastery; for him it is the leap over the precipice. A woman
+has but one motive--she is a woman still; she betrothes herself to a
+Heavenly Bridegroom. Of the monk you may ask, “Why did you not fight
+your battle?” But if a woman immures herself in the cloister, is there
+not always a sublime battle fought first?
+
+At length it seemed to the General that that still room, and the lonely
+convent in the sea, were full of thoughts of him. Love seldom attains
+to solemnity; yet surely a love still faithful in the breast of God was
+something solemn, something more than a man had a right to look for
+as things are in this nineteenth century? The infinite grandeur of the
+situation might well produce an effect upon the General’s mind; he had
+precisely enough elevation of soul to forget politics, honours, Spain,
+and society in Paris, and to rise to the height of this lofty climax.
+And what in truth could be more tragic? How much must pass in the souls
+of these two lovers, brought together in a place of strangers, on
+a ledge of granite in the sea; yet held apart by an intangible,
+unsurmountable barrier! Try to imagine the man saying within himself,
+“Shall I triumph over God in her heart?” when a faint rustling sound
+made him quiver, and the curtain was drawn aside.
+
+Between him and the light stood a woman. Her face was hidden by the veil
+that drooped from the folds upon her head; she was dressed according
+to the rule of the order in a gown of the colour become proverbial. Her
+bare feet were hidden; if the General could have seen them, he would
+have known how appallingly thin she had grown; and yet in spite of the
+thick folds of her coarse gown, a mere covering and no ornament, he
+could guess how tears, and prayer, and passion, and loneliness had
+wasted the woman before him.
+
+An ice-cold hand, belonging, no doubt, to the Mother Superior, held back
+the curtain. The General gave the enforced witness of their interview a
+searching glance, and met the dark, inscrutable gaze of an aged recluse.
+The Mother might have been a century old, but the bright, youthful eyes
+belied the wrinkles that furrowed her pale face.
+
+“Mme la Duchesse,” he began, his voice shaken with emotion, “does your
+companion understand French?” The veiled figure bowed her head at the
+sound of his voice.
+
+“There is no duchess here,” she replied. “It is Sister Theresa whom you
+see before you. She whom you call my companion is my mother in God, my
+superior here on earth.”
+
+The words were so meekly spoken by the voice that sounded in other years
+amid harmonious surroundings of refined luxury, the voice of a queen of
+fashion in Paris. Such words from the lips that once spoke so lightly
+and flippantly struck the General dumb with amazement.
+
+“The Holy Mother only speaks Latin and Spanish,” she added.
+
+“I understand neither. Dear Antoinette, make my excuses to her.”
+
+The light fell full upon the nun’s figure; a thrill of deep emotion
+betrayed itself in a faint quiver of her veil as she heard her name
+softly spoken by the man who had been so hard in the past.
+
+“My brother,” she said, drawing her sleeve under her veil, perhaps to
+brush tears away, “I am Sister Theresa.”
+
+Then, turning to the Superior, she spoke in Spanish; the General knew
+enough of the language to understand what she said perfectly well;
+possibly he could have spoken it had he chosen to do so.
+
+“Dear Mother, the gentleman presents his respects to you, and begs you
+to pardon him if he cannot pay them himself, but he knows neither of the
+languages which you speak----”
+
+The aged nun bent her head slowly, with an expression of angelic
+sweetness, enhanced at the same time by the consciousness of her power
+and dignity.
+
+“Do you know this gentleman?” she asked, with a keen glance.
+
+“Yes, Mother.”
+
+“Go back to your cell, my daughter!” said the Mother imperiously.
+
+The General slipped aside behind the curtain lest the dreadful tumult
+within him should appear in his face; even in the shadow it seemed to
+him that he could still see the Superior’s piercing eyes. He was afraid
+of her; she held his little, frail, hardly-won happiness in her hands;
+and he, who had never quailed under a triple row of guns, now trembled
+before this nun. The Duchess went towards the door, but she turned back.
+
+“Mother,” she said, with dreadful calmness, “the Frenchman is one of my
+brothers.”
+
+“Then stay, my daughter,” said the Superior, after a pause.
+
+The piece of admirable Jesuitry told of such love and regret, that a man
+less strongly constituted might have broken down under the keen delight
+in the midst of a great and, for him, an entirely novel peril. Oh! how
+precious words, looks, and gestures became when love must baffle lynx
+eyes and tiger’s claws! Sister Theresa came back.
+
+“You see, my brother, what I have dared to do only to speak to you for
+a moment of your salvation and of the prayers that my soul puts up for
+your soul daily. I am committing mortal sin. I have told a lie. How many
+days of penance must expiate that lie! But I shall endure it for your
+sake. My brother, you do not know what happiness it is to love in
+heaven; to feel that you can confess love purified by religion, love
+transported into the highest heights of all, so that we are permitted
+to lose sight of all but the soul. If the doctrine and the spirit of
+the Saint to whom we owe this refuge had not raised me above earth’s
+anguish, and caught me up and set me, far indeed beneath the Sphere
+wherein she dwells, yet truly above this world, I should not have
+seen you again. But now I can see you, and hear your voice, and remain
+calm----”
+
+The General broke in, “But, Antoinette, let me see you, you whom I love
+passionately, desperately, as you could have wished me to love you.”
+
+“Do not call me Antoinette, I implore you. Memories of the past hurt me.
+You must see no one here but Sister Theresa, a creature who trusts in
+the Divine mercy.” She paused for a little, and then added, “You must
+control yourself, my brother. Our Mother would separate us without pity
+if there is any worldly passion in your face, or if you allow the tears
+to fall from your eyes.”
+
+The General bowed his head to regain self-control; when he looked up
+again he saw her face beyond the grating--the thin, white, but still
+impassioned face of the nun. All the magic charm of youth that once
+bloomed there, all the fair contrast of velvet whiteness and the colour
+of the Bengal rose, had given place to a burning glow, as of a porcelain
+jar with a faint light shining through it. The wonderful hair in which
+she took such pride had been shaven; there was a bandage round her
+forehead and about her face. An ascetic life had left dark traces about
+the eyes, which still sometimes shot out fevered glances; their ordinary
+calm expression was but a veil. In a few words, she was but the ghost of
+her former self.
+
+“Ah! you that have come to be my life, you must come out of this tomb!
+You were mine; you had no right to give yourself, even to God. Did you
+not promise me to give up all at the least command from me? You may
+perhaps think me worthy of that promise now when you hear what I have
+done for you. I have sought you all through the world. You have been in
+my thoughts at every moment for five years; my life has been given to
+you. My friends, very powerful friends, as you know, have helped with
+all their might to search every convent in France, Italy, Spain, Sicily,
+and America. Love burned more brightly for every vain search. Again and
+again I made long journeys with a false hope; I have wasted my life and
+the heaviest throbbings of my heart in vain under many a dark convent
+wall. I am not speaking of a faithfulness that knows no bounds, for what
+is it?--nothing compared with the infinite longings of my love. If your
+remorse long ago was sincere, you ought not to hesitate to follow me
+today.”
+
+“You forget that I am not free.”
+
+“The Duke is dead,” he answered quickly.
+
+Sister Theresa flushed red.
+
+“May heaven be open to him!” she cried with a quick rush of feeling. “He
+was generous to me.--But I did not mean such ties; it was one of my sins
+that I was ready to break them all without scruple--for you.”
+
+“Are you speaking of your vows?” the General asked, frowning. “I did not
+think that anything weighed heavier with your heart than love. But do
+not think twice of it, Antoinette; the Holy Father himself shall absolve
+you of your oath. I will surely go to Rome, I will entreat all the
+powers of earth; if God could come down from heaven, I would----”
+
+“Do not blaspheme.”
+
+“So do not fear the anger of God. Ah! I would far rather hear that
+you would leave your prison for me; that this very night you would let
+yourself down into a boat at the foot of the cliffs. And we would go
+away to be happy somewhere at the world’s end, I know not where. And
+with me at your side, you should come back to life and health under the
+wings of love.”
+
+“You must not talk like this,” said Sister Theresa; “you do not know
+what you are to me now. I love you far better than I ever loved you
+before. Every day I pray for you; I see you with other eyes. Armand, if
+you but knew the happiness of giving yourself up, without shame, to a
+pure friendship which God watches over! You do not know what joy it is
+to me to pray for heaven’s blessing on you. I never pray for myself: God
+will do with me according to His will; but, at the price of my soul, I
+wish I could be sure that you are happy here on earth, and that you
+will be happy hereafter throughout all ages. My eternal life is all that
+trouble has left me to offer up to you. I am old now with weeping; I am
+neither young nor fair; and in any case, you could not respect the
+nun who became a wife; no love, not even motherhood, could give me
+absolution.... What can you say to outweigh the uncounted thoughts that
+have gathered in my heart during the past five years, thoughts that have
+changed, and worn, and blighted it? I ought to have given a heart less
+sorrowful to God.”
+
+“What can I say? Dear Antoinette, I will say this, that I love you; that
+affection, love, a great love, the joy of living in another heart that
+is ours, utterly and wholly ours, is so rare a thing and so hard to
+find, that I doubted you, and put you to sharp proof; but now, today, I
+love you, Antoinette, with all my soul’s strength.... If you will follow
+me into solitude, I will hear no voice but yours, I will see no other
+face.”
+
+“Hush, Armand! You are shortening the little time that we may be
+together here on earth.”
+
+“Antoinette, will you come with me?”
+
+“I am never away from you. My life is in your heart, not through the
+selfish ties of earthly happiness, or vanity, or enjoyment; pale and
+withered as I am, I live here for you, in the breast of God. As God is
+just, you shall be happy----”
+
+“Words, words all of it! Pale and withered? How if I want you? How if I
+cannot be happy without you? Do you still think of nothing but duty with
+your lover before you? Is he never to come first and above all things
+else in your heart? In time past you put social success, yourself,
+heaven knows what, before him; now it is God, it is the welfare of my
+soul! In Sister Theresa I find the Duchess over again, ignorant of
+the happiness of love, insensible as ever, beneath the semblance of
+sensibility. You do not love me; you have never loved me----”
+
+“Oh, my brother----!”
+
+“You do not wish to leave this tomb. You love my soul, do you say?
+Very well, through you it will be lost forever. I shall make away with
+myself----”
+
+“Mother!” Sister Theresa called aloud in Spanish, “I have lied to you;
+this man is my lover!”
+
+The curtain fell at once. The General, in his stupor, scarcely heard the
+doors within as they clanged.
+
+“Ah! she loves me still!” he cried, understanding all the sublimity of
+that cry of hers. “She loves me still. She must be carried off....”
+
+
+
+The General left the island, returned to headquarters, pleaded
+ill-health, asked for leave of absence, and forthwith took his departure
+for France.
+
+And now for the incidents which brought the two personages in this Scene
+into their present relation to each other.
+
+
+
+The thing known in France as the Faubourg Saint-Germain is neither a
+Quarter, nor a sect, nor an institution, nor anything else that admits
+of a precise definition. There are great houses in the Place Royale, the
+Faubourg Saint-Honore, and the Chaussee d’Antin, in any one of which you
+may breathe the same atmosphere of Faubourg Saint-Germain. So, to begin
+with, the whole Faubourg is not within the Faubourg. There are men and
+women born far enough away from its influences who respond to them and
+take their place in the circle; and again there are others, born within
+its limits, who may yet be driven forth forever. For the last forty
+years the manners, and customs, and speech, in a word, the tradition of
+the Faubourg Saint-Germain, has been to Paris what the Court used to be
+in other times; it is what the Hotel Saint-Paul was to the fourteenth
+century; the Louvre to the fifteenth; the Palais, the Hotel Rambouillet,
+and the Place Royale to the sixteenth; and lastly, as Versailles was to
+the seventeenth and the eighteenth.
+
+Just as the ordinary workaday Paris will always centre about some point;
+so, through all periods of history, the Paris of the nobles and
+the upper classes converges towards some particular spot. It is a
+periodically recurrent phenomenon which presents ample matter for
+reflection to those who are fain to observe or describe the various
+social zones; and possibly an enquiry into the causes that bring about
+this centralization may do more than merely justify the probability of
+this episode; it may be of service to serious interests which some
+day will be more deeply rooted in the commonwealth, unless, indeed,
+experience is as meaningless for political parties as it is for youth.
+
+In every age the great nobles, and the rich who always ape the great
+nobles, build their houses as far as possible from crowded streets. When
+the Duc d’Uzes built his splendid hotel in the Rue Montmartre in
+the reign of Louis XIV, and set the fountain at his gates--for which
+beneficent action, to say nothing of his other virtues, he was held in
+such veneration that the whole quarter turned out in a body to follow
+his funeral--when the Duke, I say, chose this site for his house, he
+did so because that part of Paris was almost deserted in those days. But
+when the fortifications were pulled down, and the market gardens beyond
+the line of the boulevards began to fill with houses, then the d’Uzes
+family left their fine mansion, and in our time it was occupied by a
+banker. Later still, the noblesse began to find themselves out of their
+element among shopkeepers, left the Place Royale and the centre of
+Paris for good, and crossed the river to breathe freely in the Faubourg
+Saint-Germain, where palaces were reared already about the great
+hotel built by Louis XIV for the Duc de Maine--the Benjamin among his
+legitimated offspring. And indeed, for people accustomed to a stately
+life, can there be more unseemly surroundings than the bustle, the mud,
+the street cries, the bad smells, and narrow thoroughfares of a populous
+quarter? The very habits of life in a mercantile or manufacturing
+district are completely at variance with the lives of nobles. The
+shopkeeper and artisan are just going to bed when the great world is
+thinking of dinner; and the noisy stir of life begins among the former
+when the latter have gone to rest. Their day’s calculations never
+coincide; the one class represents the expenditure, the other the
+receipts. Consequently their manners and customs are diametrically
+opposed.
+
+Nothing contemptuous is intended by this statement. An aristocracy is in
+a manner the intellect of the social system, as the middle classes and
+the proletariat may be said to be its organizing and working power. It
+naturally follows that these forces are differently situated; and of
+their antagonism there is bred a seeming antipathy produced by the
+performance of different functions, all of them, however, existing for
+one common end.
+
+Such social dissonances are so inevitably the outcome of any charter
+of the constitution, that however much a Liberal may be disposed to
+complain of them, as of treason against those sublime ideas with which
+the ambitious plebeian is apt to cover his designs, he would none the
+less think it a preposterous notion that M. le Prince de Montmorency,
+for instance, should continue to live in the Rue Saint-Martin at the
+corner of the street which bears that nobleman’s name; or that M. le Duc
+de Fitz-James, descendant of the royal house of Scotland, should have
+his hotel at the angle of the Rue Marie Stuart and the Rue Montorgueil.
+_Sint ut sunt, aut non sint_, the grand words of the Jesuit, might be
+taken as a motto by the great in all countries. These social differences
+are patent in all ages; the fact is always accepted by the people; its
+“reasons of state” are self-evident; it is at once cause and effect, a
+principle and a law. The common sense of the masses never deserts them
+until demagogues stir them up to gain ends of their own; that common
+sense is based on the verities of social order; and the social order is
+the same everywhere, in Moscow as in London, in Geneva as in Calcutta.
+Given a certain number of families of unequal fortune in any given
+space, you will see an aristocracy forming under your eyes; there will
+be the patricians, the upper classes, and yet other ranks below them.
+Equality may be a _right_, but no power on earth can convert it into
+_fact_. It would be a good thing for France if this idea could be
+popularized. The benefits of political harmony are obvious to the least
+intelligent classes. Harmony is, as it were, the poetry of order, and
+order is a matter of vital importance to the working population. And
+what is order, reduced to its simplest expression, but the agreement
+of things among themselves--unity, in short? Architecture, music, and
+poetry, everything in France, and in France more than in any other
+country, is based upon this principle; it is written upon the very
+foundations of her clear accurate language, and a language must always
+be the most infallible index of national character. In the same way
+you may note that the French popular airs are those most calculated to
+strike the imagination, the best-modulated melodies are taken over by
+the people; clearness of thought, the intellectual simplicity of an idea
+attracts them; they like the incisive sayings that hold the greatest
+number of ideas. France is the one country in the world where a little
+phrase may bring about a great revolution. Whenever the masses have
+risen, it has been to bring men, affairs, and principles into agreement.
+No nation has a clearer conception of that idea of unity which should
+permeate the life of an aristocracy; possibly no other nation has so
+intelligent a comprehension of a political necessity; history will never
+find her behind the time. France has been led astray many a time, but
+she is deluded, woman-like, by generous ideas, by a glow of enthusiasm
+which at first outstrips sober reason.
+
+So, to begin with, the most striking characteristic of the Faubourg
+is the splendour of its great mansions, its great gardens, and a
+surrounding quiet in keeping with princely revenues drawn from great
+estates. And what is this distance set between a class and a whole
+metropolis but visible and outward expression of the widely different
+attitude of mind which must inevitably keep them apart? The position of
+the head is well defined in every organism. If by any chance a nation
+allows its head to fall at its feet, it is pretty sure sooner or later
+to discover that this is a suicidal measure; and since nations have no
+desire to perish, they set to work at once to grow a new head. If they
+lack the strength for this, they perish as Rome perished, and Venice,
+and so many other states.
+
+This distinction between the upper and lower spheres of social activity,
+emphasized by differences in their manner of living, necessarily
+implies that in the highest aristocracy there is real worth and some
+distinguishing merit. In any state, no matter what form of “government”
+ is affected, so soon as the patrician class fails to maintain that
+complete superiority which is the condition of its existence, it ceases
+to be a force, and is pulled down at once by the populace. The people
+always wish to see money, power, and initiative in their leaders, hands,
+hearts, and heads; they must be the spokesmen, they must represent the
+intelligence and the glory of the nation. Nations, like women, love
+strength in those who rule them; they cannot give love without respect;
+they refuse utterly to obey those of whom they do not stand in awe.
+An aristocracy fallen into contempt is a _roi faineant_, a husband in
+petticoats; first it ceases to be itself, and then it ceases to be.
+
+And in this way the isolation of the great, the sharply marked
+distinction in their manner of life, or in a word, the general custom
+of the patrician caste is at once the sign of a real power, and their
+destruction so soon as that power is lost. The Faubourg Saint-Germain
+failed to recognise the conditions of its being, while it would still
+have been easy to perpetuate its existence, and therefore was brought
+low for a time. The Faubourg should have looked the facts fairly in the
+face, as the English aristocracy did before them; they should have seen
+that every institution has its climacteric periods, when words lose
+their old meanings, and ideas reappear in a new guise, and the whole
+conditions of politics wear a changed aspect, while the underlying
+realities undergo no essential alteration.
+
+These ideas demand further development which form an essential part of
+this episode; they are given here both as a succinct statement of the
+causes, and an explanation of the things which happen in the course of
+the story.
+
+The stateliness of the castles and palaces where nobles dwell; the
+luxury of the details; the constantly maintained sumptuousness of the
+furniture; the “atmosphere” in which the fortunate owner of landed
+estates (a rich man before he was born) lives and moves easily and
+without friction; the habit of mind which never descends to calculate
+the petty workaday gains of existence; the leisure; the higher education
+attainable at a much earlier age; and lastly, the aristocratic tradition
+that makes of him a social force, for which his opponents, by dint
+of study and a strong will and tenacity of vocation, are scarcely a
+match-all these things should contribute to form a lofty spirit in a
+man, possessed of such privileges from his youth up; they should
+stamp his character with that high self-respect, of which the least
+consequence is a nobleness of heart in harmony with the noble name that
+he bears. And in some few families all this is realised. There are
+noble characters here and there in the Faubourg, but they are marked
+exceptions to a general rule of egoism which has been the ruin of this
+world within a world. The privileges above enumerated are the birthright
+of the French noblesse, as of every patrician efflorescence ever formed
+on the surface of a nation; and will continue to be theirs so long as
+their existence is based upon real estate, or money; _domaine-sol_ and
+_domaine-argent_ alike, the only solid bases of an organized society;
+but such privileges are held upon the understanding that the patricians
+must continue to justify their existence. There is a sort of moral
+_fief_ held on a tenure of service rendered to the sovereign, and here
+in France the people are undoubtedly the sovereigns nowadays. The times
+are changed, and so are the weapons. The knight-banneret of old wore
+a coat of chain armor and a hauberk; he could handle a lance well and
+display his pennon, and no more was required of him; today he is bound
+to give proof of his intelligence. A stout heart was enough in the days
+of old; in our days he is required to have a capacious brain-pan. Skill
+and knowledge and capital--these three points mark out a social triangle
+on which the scutcheon of power is blazoned; our modern aristocracy must
+take its stand on these.
+
+A fine theorem is as good as a great name. The Rothschilds, the Fuggers
+of the nineteenth century, are princes _de facto_. A great artist is in
+reality an oligarch; he represents a whole century, and almost always he
+is a law to others. And the art of words, the high pressure machinery
+of the writer, the poet’s genius, the merchant’s steady endurance,
+the strong will of the statesman who concentrates a thousand dazzling
+qualities in himself, the general’s sword--all these victories, in
+short, which a single individual will win, that he may tower above the
+rest of the world, the patrician class is now bound to win and keep
+exclusively. They must head the new forces as they once headed the
+material forces; how should they keep the position unless they are
+worthy of it? How, unless they are the soul and brain of a nation,
+shall they set its hands moving? How lead a people without the power of
+command? And what is the marshal’s baton without the innate power of
+the captain in the man who wields it? The Faubourg Saint-Germain took to
+playing with batons, and fancied that all the power was in its hands.
+It inverted the terms of the proposition which called it into existence.
+And instead of flinging away the insignia which offended the people,
+and quietly grasping the power, it allowed the bourgeoisie to seize the
+authority, clung with fatal obstinacy to its shadow, and over and over
+again forgot the laws which a minority must observe if it would live.
+When an aristocracy is scarce a thousandth part of the body social, it
+is bound today, as of old, to multiply its points of action, so as to
+counterbalance the weight of the masses in a great crisis. And in our
+days those means of action must be living forces, and not historical
+memories.
+
+In France, unluckily, the noblesse were still so puffed up with the
+notion of their vanished power, that it was difficult to contend against
+a kind of innate presumption in themselves. Perhaps this is a national
+defect. The Frenchman is less given than anyone else to undervalue
+himself; it comes natural to him to go from his degree to the one above
+it; and while it is a rare thing for him to pity the unfortunates
+over whose heads he rises, he always groans in spirit to see so many
+fortunate people above him. He is very far from heartless, but too
+often he prefers to listen to his intellect. The national instinct which
+brings the Frenchman to the front, the vanity that wastes his substance,
+is as much a dominant passion as thrift in the Dutch. For three
+centuries it swayed the noblesse, who, in this respect, were certainly
+pre-eminently French. The scion of the Faubourg Saint-Germain, beholding
+his material superiority, was fully persuaded of his intellectual
+superiority. And everything contributed to confirm him in his belief;
+for ever since the Faubourg Saint-Germain existed at all--which is
+to say, ever since Versailles ceased to be the royal residence--the
+Faubourg, with some few gaps in continuity, was always backed up by the
+central power, which in France seldom fails to support that side. Thence
+its downfall in 1830.
+
+At that time the party of the Faubourg Saint-Germain was rather like
+an army without a base of operation. It had utterly failed to take
+advantage of the peace to plant itself in the heart of the nation.
+It sinned for want of learning its lesson, and through an utter
+incapability of regarding its interests as a whole. A future certainty
+was sacrificed to a doubtful present gain. This blunder in policy may
+perhaps be attributed to the following cause.
+
+The class-isolation so strenuously kept up by the noblesse brought about
+fatal results during the last forty years; even caste-patriotism was
+extinguished by it, and rivalry fostered among themselves. When the
+French noblesse of other times were rich and powerful, the nobles
+(_gentilhommes_) could choose their chiefs and obey them in the hour
+of danger. As their power diminished, they grew less amenable to
+discipline; and as in the last days of the Byzantine Empire, everyone
+wished to be emperor. They mistook their uniform weakness for uniform
+strength.
+
+Each family ruined by the Revolution and the abolition of the law of
+primogeniture thought only of itself, and not at all of the great family
+of the noblesse. It seemed to them that as each individual grew rich,
+the party as a whole would gain in strength. And herein lay their
+mistake. Money, likewise, is only the outward and visible sign of
+power. All these families were made up of persons who preserved a high
+tradition of courtesy, of true graciousness of life, of refined speech,
+with a family pride, and a squeamish sense of _noblesse oblige_ which
+suited well with the kind of life they led; a life wholly filled with
+occupations which become contemptible so soon as they cease to be
+accessories and take the chief place in existence. There was a certain
+intrinsic merit in all these people, but the merit was on the surface,
+and none of them were worth their face-value.
+
+Not a single one among those families had courage to ask itself the
+question, “Are we strong enough for the responsibility of power?” They
+were cast on the top, like the lawyers of 1830; and instead of taking
+the patron’s place, like a great man, the Faubourg Saint-Germain showed
+itself greedy as an upstart. The most intelligent nation in the world
+perceived clearly that the restored nobles were organizing everything
+for their own particular benefit. From that day the noblesse was doomed.
+The Faubourg Saint-Germain tried to be an aristocracy when it could
+only be an oligarchy--two very different systems, as any man may see
+for himself if he gives an intelligent perusal to the list of the
+patronymics of the House of Peers.
+
+The King’s Government certainly meant well; but the maxim that the
+people must be made to _will_ everything, even their own welfare, was
+pretty constantly forgotten, nor did they bear in mind that La France is
+a woman and capricious, and must be happy or chastised at her own good
+pleasure. If there had been many dukes like the Duc de Laval, whose
+modesty made him worthy of the name he bore, the elder branch would have
+been as securely seated on the throne as the House of Hanover at this
+day.
+
+In 1814 the noblesse of France were called upon to assert their
+superiority over the most aristocratic bourgeoisie in the most feminine
+of all countries, to take the lead in the most highly educated epoch the
+world had yet seen. And this was even more notably the case in 1820. The
+Faubourg Saint-Germain might very easily have led and amused the middle
+classes in days when people’s heads were turned with distinctions, and
+art and science were all the rage. But the narrow-minded leaders of
+a time of great intellectual progress all of them detested art and
+science. They had not even the wit to present religion in attractive
+colours, though they needed its support. While Lamartine, Lamennais,
+Montalembert, and other writers were putting new life and elevation into
+men’s ideas of religion, and gilding it with poetry, these bunglers in
+the Government chose to make the harshness of their creed felt all over
+the country. Never was nation in a more tractable humour; La France,
+like a tired woman, was ready to agree to anything; never was
+mismanagement so clumsy; and La France, like a woman, would have
+forgiven wrongs more easily than bungling.
+
+If the noblesse meant to reinstate themselves, the better to found a
+strong oligarchy, they should have honestly and diligently searched
+their Houses for men of the stamp that Napoleon used; they should
+have turned themselves inside out to see if peradventure there was a
+Constitutionalist Richelieu lurking in the entrails of the Faubourg; and
+if that genius was not forthcoming from among them, they should have set
+out to find him, even in the fireless garret where he might happen to
+be perishing of cold; they should have assimilated him, as the English
+House of Lords continually assimilates aristocrats made by chance; and
+finally ordered him to be ruthless, to lop away the old wood, and cut
+the tree down to the living shoots. But, in the first place, the great
+system of English Toryism was far too large for narrow minds; the
+importation required time, and in France a tardy success is no better
+than a fiasco. So far, moreover, from adopting a policy of redemption,
+and looking for new forces where God puts them, these petty great folk
+took a dislike to any capacity that did not issue from their midst; and,
+lastly, instead of growing young again, the Faubourg Saint-Germain grew
+positively older.
+
+Etiquette, not an institution of primary necessity, might have been
+maintained if it had appeared only on state occasions, but as it was,
+there was a daily wrangle over precedence; it ceased to be a matter of
+art or court ceremonial, it became a question of power. And if from
+the outset the Crown lacked an adviser equal to so great a crisis, the
+aristocracy was still more lacking in a sense of its wider interests, an
+instinct which might have supplied the deficiency. They stood nice about
+M. de Talleyrand’s marriage, when M. de Talleyrand was the one man among
+them with the steel-encompassed brains that can forge a new political
+system and begin a new career of glory for a nation. The Faubourg
+scoffed at a minister if he was not gently born, and produced no one of
+gentle birth that was fit to be a minister. There were plenty of nobles
+fitted to serve their country by raising the dignity of justices of
+the peace, by improving the land, by opening out roads and canals, and
+taking an active and leading part as country gentlemen; but these had
+sold their estates to gamble on the Stock Exchange. Again the Faubourg
+might have absorbed the energetic men among the bourgeoisie, and opened
+their ranks to the ambition which was undermining authority; they
+preferred instead to fight, and to fight unarmed, for of all that
+they once possessed there was nothing left but tradition. For their
+misfortune there was just precisely enough of their former wealth left
+them as a class to keep up their bitter pride. They were content with
+their past. Not one of them seriously thought of bidding the son of the
+house take up arms from the pile of weapons which the nineteenth century
+flings down in the market-place. Young men, shut out from office, were
+dancing at Madame’s balls, while they should have been doing the
+work done under the Republic and the Empire by young, conscientious,
+harmlessly employed energies. It was their place to carry out at Paris
+the programme which their seniors should have been following in the
+country. The heads of houses might have won back recognition of their
+titles by unremitting attention to local interests, by falling in with
+the spirit of the age, by recasting their order to suit the taste of the
+times.
+
+But, pent up together in the Faubourg Saint-Germain, where the spirit of
+the ancient court and traditions of bygone feuds between the nobles and
+the Crown still lingered on, the aristocracy was not whole-hearted in
+its allegiance to the Tuileries, and so much the more easily defeated
+because it was concentrated in the Chamber of Peers, and badly organized
+even there. If the noblesse had woven themselves into a network over
+the country, they could have held their own; but cooped up in their
+Faubourg, with their backs against the Chateau, or spread at full length
+over the Budget, a single blow cut the thread of a fast-expiring life,
+and a petty, smug-faced lawyer came forward with the axe. In spite of M.
+Royer-Collard’s admirable discourse, the hereditary peerage and law of
+entail fell before the lampoons of a man who made it a boast that he had
+adroitly argued some few heads out of the executioner’s clutches, and
+now forsooth must clumsily proceed to the slaying of old institutions.
+
+There are examples and lessons for the future in all this. For if there
+were not still a future before the French aristocracy, there would be
+no need to do more than find a suitable sarcophagus; it were something
+pitilessly cruel to burn the dead body of it with fire of Tophet. But
+though the surgeon’s scalpel is ruthless, it sometimes gives back life
+to a dying man; and the Faubourg Saint-Germain may wax more powerful
+under persecution than in its day of triumph, if it but chooses to
+organize itself under a leader.
+
+And now it is easy to give a summary of this semi-political survey. The
+wish to re-establish a large fortune was uppermost in everyone’s mind;
+a lack of broad views, and a mass of small defects, a real need of
+religion as a political factor, combined with a thirst for pleasure
+which damaged the cause of religion and necessitated a good deal of
+hypocrisy; a certain attitude of protest on the part of loftier and
+clearer-sighted men who set their faces against Court jealousies; and
+the disaffection of the provincial families, who often came of
+purer descent than the nobles of the Court which alienated them from
+itself--all these things combined to bring about a most discordant state
+of things in the Faubourg Saint-Germain. It was neither compact in its
+organisation, nor consequent in its action; neither completely moral,
+nor frankly dissolute; it did not corrupt, nor was it corrupted; it
+would neither wholly abandon the disputed points which damaged its
+cause, nor yet adopt the policy that might have saved it. In short,
+however effete individuals might be, the party as a whole was none
+the less armed with all the great principles which lie at the roots of
+national existence. What was there in the Faubourg that it should perish
+in its strength?
+
+It was very hard to please in the choice of candidates; the Faubourg
+had good taste, it was scornfully fastidious, yet there was nothing very
+glorious nor chivalrous truly about its fall.
+
+In the Emigration of 1789 there were some traces of a loftier feeling;
+but in the Emigration of 1830 from Paris into the country there was
+nothing discernible but self-interest. A few famous men of letters, a
+few oratorical triumphs in the Chambers, M. de Talleyrand’s attitude
+in the Congress, the taking of Algiers, and not a few names that found
+their way from the battlefield into the pages of history--all these
+things were so many examples set before the French noblesse to show that
+it was still open to them to take their part in the national existence,
+and to win recognition of their claims, if, indeed, they could
+condescend thus far. In every living organism the work of bringing
+the whole into harmony within itself is always going on. If a man is
+indolent, the indolence shows itself in everything that he does; and,
+in the same manner, the general spirit of a class is pretty plainly
+manifested in the face it turns on the world, and the soul informs the
+body.
+
+The women of the Restoration displayed neither the proud disregard
+of public opinion shown by the court ladies of olden time in their
+wantonness, nor yet the simple grandeur of the tardy virtues by which
+they expiated their sins and shed so bright a glory about their names.
+There was nothing either very frivolous or very serious about the woman
+of the Restoration. She was hypocritical as a rule in her passion, and
+compounded, so to speak, with its pleasures. Some few families led
+the domestic life of the Duchesse d’Orleans, whose connubial couch was
+exhibited so absurdly to visitors at the Palais Royal. Two or three kept
+up the traditions of the Regency, filling cleverer women with something
+like disgust. The great lady of the new school exercised no influence at
+all over the manners of the time; and yet she might have done much.
+She might, at worst, have presented as dignified a spectacle as
+English-women of the same rank. But she hesitated feebly among old
+precedents, became a bigot by force of circumstances, and allowed
+nothing of herself to appear, not even her better qualities.
+
+Not one among the Frenchwomen of that day had the ability to create a
+salon whither leaders of fashion might come to take lessons in taste and
+elegance. Their voices, which once laid down the law to literature, that
+living expression of a time, now counted absolutely for nought. Now
+when a literature lacks a general system, it fails to shape a body for
+itself, and dies out with its period.
+
+When in a nation at any time there is a people apart thus constituted,
+the historian is pretty certain to find some representative figure,
+some central personage who embodies the qualities and the defects of the
+whole party to which he belongs; there is Coligny, for instance, among
+the Huguenots, the Coadjuteur in the time of the Fronde, the Marechal de
+Richelieu under Louis XV, Danton during the Terror. It is in the nature
+of things that the man should be identified with the company in which
+history finds him. How is it possible to lead a party without conforming
+to its ideas? or to shine in any epoch unless a man represents the ideas
+of his time? The wise and prudent head of a party is continually obliged
+to bow to the prejudices and follies of its rear; and this is the
+cause of actions for which he is afterwards criticised by this or that
+historian sitting at a safer distance from terrific popular explosions,
+coolly judging the passion and ferment without which the great struggles
+of the world could not be carried on at all. And if this is true of
+the Historical Comedy of the Centuries, it is equally true in a more
+restricted sphere in the detached scenes of the national drama known as
+the _Manners of the Age_.
+
+
+
+At the beginning of that ephemeral life led by the Faubourg
+Saint-Germain under the Restoration, to which, if there is any truth in
+the above reflections, they failed to give stability, the most perfect
+type of the aristocratic caste in its weakness and strength, its
+greatness and littleness, might have been found for a brief space in a
+young married woman who belonged to it. This was a woman artificially
+educated, but in reality ignorant; a woman whose instincts and feelings
+were lofty while the thought which should have controlled them was
+wanting. She squandered the wealth of her nature in obedience to social
+conventions; she was ready to brave society, yet she hesitated till her
+scruples degenerated into artifice. With more wilfulness than real force
+of character, impressionable rather than enthusiastic, gifted with more
+brain than heart; she was supremely a woman, supremely a coquette,
+and above all things a Parisienne, loving a brilliant life and gaiety,
+reflecting never, or too late; imprudent to the verge of poetry, and
+humble in the depths of her heart, in spite of her charming insolence.
+Like some straight-growing reed, she made a show of independence; yet,
+like the reed, she was ready to bend to a strong hand. She talked much
+of religion, and had it not at heart, though she was prepared to find in
+it a solution of her life. How explain a creature so complex? Capable
+of heroism, yet sinking unconsciously from heroic heights to utter a
+spiteful word; young and sweet-natured, not so much old at heart as
+aged by the maxims of those about her; versed in a selfish philosophy in
+which she was all unpractised, she had all the vices of a courtier, all
+the nobleness of developing womanhood. She trusted nothing and no one,
+yet there were times when she quitted her sceptical attitude for a
+submissive credulity.
+
+How should any portrait be anything but incomplete of her, in whom the
+play of swiftly-changing colour made discord only to produce a poetic
+confusion? For in her there shone a divine brightness, a radiance of
+youth that blended all her bewildering characteristics in a certain
+completeness and unity informed by her charm. Nothing was feigned. The
+passion or semi-passion, the ineffectual high aspirations, the actual
+pettiness, the coolness of sentiment and warmth of impulse, were all
+spontaneous and unaffected, and as much the outcome of her own position
+as of the position of the aristocracy to which she belonged. She was
+wholly self-contained; she put herself proudly above the world and
+beneath the shelter of her name. There was something of the egoism of
+Medea in her life, as in the life of the aristocracy that lay a-dying,
+and would not so much as raise itself or stretch out a hand to any
+political physician; so well aware of its feebleness, or so conscious
+that it was already dust, that it refused to touch or be touched.
+
+The Duchesse de Langeais (for that was her name) had been married for
+about four years when the Restoration was finally consummated, which is
+to say, in 1816. By that time the revolution of the Hundred Days had let
+in the light on the mind of Louis XVIII. In spite of his surroundings,
+he comprehended the situation and the age in which he was living; and it
+was only later, when this Louis XI, without the axe, lay stricken down
+by disease, that those about him got the upper hand. The Duchesse de
+Langeais, a Navarreins by birth, came of a ducal house which had made
+a point of never marrying below its rank since the reign of Louis XIV.
+Every daughter of the house must sooner or later take a _tabouret_ at
+Court. So, Antoinette de Navarreins, at the age of eighteen, came out of
+the profound solitude in which her girlhood had been spent to marry the
+Duc de Langeais’ eldest son. The two families at that time were living
+quite out of the world; but after the invasion of France, the return
+of the Bourbons seemed to every Royalist mind the only possible way of
+putting an end to the miseries of the war.
+
+The Ducs de Navarreins and de Langeais had been faithful throughout to
+the exiled Princes, nobly resisting all the temptations of glory under
+the Empire. Under the circumstances they naturally followed out the old
+family policy; and Mlle Antoinette, a beautiful and portionless girl,
+was married to M. le Marquis de Langeais only a few months before the
+death of the Duke his father.
+
+After the return of the Bourbons, the families resumed their rank,
+offices, and dignity at Court; once more they entered public life, from
+which hitherto they held aloof, and took their place high on the sunlit
+summits of the new political world. In that time of general baseness and
+sham political conversions, the public conscience was glad to recognise
+the unstained loyalty of the two houses, and a consistency in political
+and private life for which all parties involuntarily respected them.
+But, unfortunately, as so often happens in a time of transition, the
+most disinterested persons, the men whose loftiness of view and wise
+principles would have gained the confidence of the French nation and led
+them to believe in the generosity of a novel and spirited policy--these
+men, to repeat, were taken out of affairs, and public business was
+allowed to fall into the hands of others, who found it to their interest
+to push principles to their extreme consequences by way of proving their
+devotion.
+
+The families of Langeais and Navarreins remained about the Court,
+condemned to perform the duties required by Court ceremonial amid the
+reproaches and sneers of the Liberal party. They were accused of gorging
+themselves with riches and honours, and all the while their family
+estates were no larger than before, and liberal allowances from the
+civil list were wholly expended in keeping up the state necessary for
+any European government, even if it be a Republic.
+
+In 1818, M. le Duc de Langeais commanded a division of the army, and the
+Duchess held a post about one of the Princesses, in virtue of which she
+was free to live in Paris and apart from her husband without scandal.
+The Duke, moreover, besides his military duties, had a place at Court,
+to which he came during his term of waiting, leaving his major-general
+in command. The Duke and Duchess were leading lives entirely apart, the
+world none the wiser. Their marriage of convention shared the fate
+of nearly all family arrangements of the kind. Two more antipathetic
+dispositions could not well have been found; they were brought together;
+they jarred upon each other; there was soreness on either side; then
+they were divided once for all. Then they went their separate ways,
+with a due regard for appearances. The Duc de Langeais, by nature
+as methodical as the Chevalier de Folard himself, gave himself up
+methodically to his own tastes and amusements, and left his wife at
+liberty to do as she pleased so soon as he felt sure of her character.
+He recognised in her a spirit pre-eminently proud, a cold heart, a
+profound submissiveness to the usages of the world, and a youthful
+loyalty. Under the eyes of great relations, with the light of a prudish
+and bigoted Court turned full upon the Duchess, his honour was safe.
+
+So the Duke calmly did as the _grands seigneurs_ of the eighteenth
+century did before him, and left a young wife of two-and-twenty to her
+own devices. He had deeply offended that wife, and in her nature there
+was one appalling characteristic--she would never forgive an offence
+when woman’s vanity and self-love, with all that was best in her nature
+perhaps, had been slighted, wounded in secret. Insult and injury in the
+face of the world a woman loves to forget; there is a way open to her of
+showing herself great; she is a woman in her forgiveness; but a secret
+offence women never pardon; for secret baseness, as for hidden virtues
+and hidden love, they have no kindness.
+
+This was Mme la Duchesse de Langeais’ real position, unknown to the
+world. She herself did not reflect upon it. It was the time of the
+rejoicings over the Duc de Berri’s marriage. The Court and the Faubourg
+roused itself from its listlessness and reserve. This was the real
+beginning of that unheard-of splendour which the Government of the
+Restoration carried too far. At that time the Duchess, whether for
+reasons of her own, or from vanity, never appeared in public without a
+following of women equally distinguished by name and fortune. As queen
+of fashion she had her _dames d’atours_, her ladies, who modeled their
+manner and their wit on hers. They had been cleverly chosen. None of her
+satellites belonged to the inmost Court circle, nor to the highest
+level of the Faubourg Saint-Germain; but they had set their minds upon
+admission to those inner sanctuaries. Being as yet simple denominations,
+they wished to rise to the neighbourhood of the throne, and mingle with
+the seraphic powers in the high sphere known as _le petit chateau_. Thus
+surrounded, the Duchess’s position was stronger and more commanding and
+secure. Her “ladies” defended her character and helped her to play her
+detestable part of a woman of fashion. She could laugh at men at her
+ease, play with fire, receive the homage on which the feminine nature is
+nourished, and remain mistress of herself.
+
+At Paris, in the highest society of all, a woman is a woman still; she
+lives on incense, adulation, and honours. No beauty, however undoubted,
+no face, however fair, is anything without admiration. Flattery and
+a lover are proofs of power. And what is power without recognition?
+Nothing. If the prettiest of women were left alone in a corner of a
+drawing-room, she would droop. Put her in the very centre and summit of
+social grandeur, she will at once aspire to reign over all hearts--often
+because it is out of her power to be the happy queen of one. Dress and
+manner and coquetry are all meant to please one of the poorest creatures
+extant--the brainless coxcomb, whose handsome face is his sole merit;
+it was for such as these that women threw themselves away. The gilded
+wooden idols of the Restoration, for they were neither more nor less,
+had neither the antecedents of the _petits maitres_ of the time of the
+Fronde, nor the rough sterling worth of Napoleon’s heroes, not the wit
+and fine manners of their grandsires; but something of all three they
+meant to be without any trouble to themselves. Brave they were, like
+all young Frenchmen; ability they possessed, no doubt, if they had had
+a chance of proving it, but their places were filled up by the old
+worn-out men, who kept them in leading strings. It was a day of
+small things, a cold prosaic era. Perhaps it takes a long time for a
+Restoration to become a Monarchy.
+
+For the past eighteen months the Duchesse de Langeais had been leading
+this empty life, filled with balls and subsequent visits, objectless
+triumphs, and the transient loves that spring up and die in an evening’s
+space. All eyes were turned on her when she entered a room; she reaped
+her harvest of flatteries and some few words of warmer admiration, which
+she encouraged by a gesture or a glance, but never suffered to penetrate
+deeper than the skin. Her tone and bearing and everything else about her
+imposed her will upon others. Her life was a sort of fever of vanity
+and perpetual enjoyment, which turned her head. She was daring enough in
+conversation; she would listen to anything, corrupting the surface, as
+it were, of her heart. Yet when she returned home, she often blushed at
+the story that had made her laugh; at the scandalous tale that supplied
+the details, on the strength of which she analyzed the love that she had
+never known, and marked the subtle distinctions of modern passion, not
+with comment on the part of complacent hypocrites. For women know how
+to say everything among themselves, and more of them are ruined by each
+other than corrupted by men.
+
+There came a moment when she discerned that not until a woman is loved
+will the world fully recognise her beauty and her wit. What does a
+husband prove? Simply that a girl or woman was endowed with wealth, or
+well brought up; that her mother managed cleverly that in some way she
+satisfied a man’s ambitions. A lover constantly bears witness to her
+personal perfections. Then followed the discovery still in Mme de
+Langeais’ early womanhood, that it was possible to be loved without
+committing herself, without permission, without vouchsafing any
+satisfaction beyond the most meagre dues. There was more than one demure
+feminine hypocrite to instruct her in the art of playing such dangerous
+comedies.
+
+So the Duchess had her court, and the number of her adorers and
+courtiers guaranteed her virtue. She was amiable and fascinating; she
+flirted till the ball or the evening’s gaiety was at an end. Then the
+curtain dropped. She was cold, indifferent, self-contained again till
+the next day brought its renewed sensations, superficial as before. Two
+or three men were completely deceived, and fell in love in earnest.
+She laughed at them, she was utterly insensible. “I am loved!” she told
+herself. “He loves me!” The certainty sufficed her. It is enough for the
+miser to know that his every whim might be fulfilled if he chose; so it
+was with the Duchess, and perhaps she did not even go so far as to form
+a wish.
+
+One evening she chanced to be at the house of an intimate friend Mme la
+Vicomtesse de Fontaine, one of the humble rivals who cordially detested
+her, and went with her everywhere. In a “friendship” of this sort both
+sides are on their guard, and never lay their armor aside; confidences
+are ingeniously indiscreet, and not unfrequently treacherous. Mme de
+Langeais had distributed her little patronizing, friendly, or freezing
+bows, with the air natural to a woman who knows the worth of her smiles,
+when her eyes fell upon a total stranger. Something in the man’s large
+gravity of aspect startled her, and, with a feeling almost like dread,
+she turned to Mme de Maufrigneuse with, “Who is the newcomer, dear?”
+
+“Someone that you have heard of, no doubt. The Marquis de Montriveau.”
+
+“Oh! is it he?”
+
+She took up her eyeglass and submitted him to a very insolent scrutiny,
+as if he had been a picture meant to receive glances, not to return
+them.
+
+“Do introduce him; he ought to be interesting.”
+
+“Nobody more tiresome and dull, dear. But he is the fashion.”
+
+M. Armand de Montriveau, at that moment all unwittingly the object of
+general curiosity, better deserved attention than any of the idols that
+Paris needs must set up to worship for a brief space, for the city is
+vexed by periodical fits of craving, a passion for _engouement_ and sham
+enthusiasm, which must be satisfied. The Marquis was the only son of
+General de Montriveau, one of the _ci-devants_ who served the Republic
+nobly, and fell by Joubert’s side at Novi. Bonaparte had placed his son
+at the school at Chalons, with the orphans of other generals who fell
+on the battlefield, leaving their children under the protection of the
+Republic. Armand de Montriveau left school with his way to make, entered
+the artillery, and had only reached a major’s rank at the time of the
+Fontainebleau disaster. In his section of the service the chances of
+advancement were not many. There are fewer officers, in the first place,
+among the gunners than in any other corps; and in the second place, the
+feeling in the artillery was decidedly Liberal, not to say Republican;
+and the Emperor, feeling little confidence in a body of highly educated
+men who were apt to think for themselves, gave promotion grudgingly in
+the service. In the artillery, accordingly, the general rule of the
+army did not apply; the commanding officers were not invariably the most
+remarkable men in their department, because there was less to be feared
+from mediocrities. The artillery was a separate corps in those days, and
+only came under Napoleon in action.
+
+Besides these general causes, other reasons, inherent in Armand de
+Montriveau’s character, were sufficient in themselves to account for his
+tardy promotion. He was alone in the world. He had been thrown at
+the age of twenty into the whirlwind of men directed by Napoleon; his
+interests were bounded by himself, any day he might lose his life; it
+became a habit of mind with him to live by his own self-respect and
+the consciousness that he had done his duty. Like all shy men, he was
+habitually silent; but his shyness sprang by no means from timidity;
+it was a kind of modesty in him; he found any demonstration of vanity
+intolerable. There was no sort of swagger about his fearlessness in
+action; nothing escaped his eyes; he could give sensible advice to his
+chums with unshaken coolness; he could go under fire, and duck upon
+occasion to avoid bullets. He was kindly; but his expression was haughty
+and stern, and his face gained him this character. In everything he was
+rigorous as arithmetic; he never permitted the slightest deviation from
+duty on any plausible pretext, nor blinked the consequences of a fact.
+He would lend himself to nothing of which he was ashamed; he never asked
+anything for himself; in short, Armand de Montriveau was one of many
+great men unknown to fame, and philosophical enough to despise it;
+living without attaching themselves to life, because they have not found
+their opportunity of developing to the full their power to do and feel.
+
+People were afraid of Montriveau; they respected him, but he was not
+very popular. Men may indeed allow you to rise above them, but to
+decline to descend as low as they can do is the one unpardonable sin.
+In their feeling towards loftier natures, there is a trace of hate and
+fear. Too much honour with them implies censure of themselves, a thing
+forgiven neither to the living nor to the dead.
+
+After the Emperor’s farewells at Fontainebleau, Montriveau, noble though
+he was, was put on half-pay. Perhaps the heads of the War Office took
+fright at uncompromising uprightness worthy of antiquity, or perhaps it
+was known that he felt bound by his oath to the Imperial Eagle. During
+the Hundred Days he was made a Colonel of the Guard, and left on the
+field of Waterloo. His wounds kept him in Belgium he was not present
+at the disbanding of the Army of the Loire, but the King’s government
+declined to recognise promotion made during the Hundred Days, and Armand
+de Montriveau left France.
+
+An adventurous spirit, a loftiness of thought hitherto satisfied by
+the hazards of war, drove him on an exploring expedition through Upper
+Egypt; his sanity or impulse directed his enthusiasm to a project of
+great importance, he turned his attention to that unexplored Central
+Africa which occupies the learned of today. The scientific expedition
+was long and unfortunate. He had made a valuable collection of notes
+bearing on various geographical and commercial problems, of which
+solutions are still eagerly sought; and succeeded, after surmounting
+many obstacles, in reaching the heart of the continent, when he was
+betrayed into the hands of a hostile native tribe. Then, stripped of all
+that he had, for two years he led a wandering life in the desert,
+the slave of savages, threatened with death at every moment, and more
+cruelly treated than a dumb animal in the power of pitiless children.
+Physical strength, and a mind braced to endurance, enabled him to
+survive the horrors of that captivity; but his miraculous escape
+well-nigh exhausted his energies. When he reached the French colony at
+Senegal, a half-dead fugitive covered with rags, his memories of his
+former life were dim and shapeless. The great sacrifices made in his
+travels were all forgotten like his studies of African dialects, his
+discoveries, and observations. One story will give an idea of all that
+he passed through. Once for several days the children of the sheikh of
+the tribe amused themselves by putting him up for a mark and flinging
+horses’ knuckle-bones at his head.
+
+Montriveau came back to Paris in 1818 a ruined man. He had no interest,
+and wished for none. He would have died twenty times over sooner than
+ask a favour of anyone; he would not even press the recognition of his
+claims. Adversity and hardship had developed his energy even in trifles,
+while the habit of preserving his self-respect before that spiritual
+self which we call conscience led him to attach consequence to the most
+apparently trivial actions. His merits and adventures became known,
+however, through his acquaintances, among the principal men of science
+in Paris, and some few well-read military men. The incidents of his
+slavery and subsequent escape bore witness to a courage, intelligence,
+and coolness which won him celebrity without his knowledge, and that
+transient fame of which Paris salons are lavish, though the artist that
+fain would keep it must make untold efforts.
+
+Montriveau’s position suddenly changed towards the end of that year. He
+had been a poor man, he was now rich; or, externally at any rate, he had
+all the advantages of wealth. The King’s government, trying to attach
+capable men to itself and to strengthen the army, made concessions
+about that time to Napoleon’s old officers if their known loyalty and
+character offered guarantees of fidelity. M. de Montriveau’s name once
+more appeared in the army list with the rank of colonel; he received his
+arrears of pay and passed into the Guards. All these favours, one
+after another, came to seek the Marquis de Montriveau; he had asked
+for nothing however small. Friends had taken the steps for him which he
+would have refused to take for himself.
+
+After this, his habits were modified all at once; contrary to his
+custom, he went into society. He was well received, everywhere he met
+with great deference and respect. He seemed to have found some end
+in life; but everything passed within the man, there were no external
+signs; in society he was silent and cold, and wore a grave, reserved
+face. His social success was great, precisely because he stood out in
+such strong contrast to the conventional faces which line the walls
+of Paris salons. He was, indeed, something quite new there. Terse
+of speech, like a hermit or a savage, his shyness was thought to be
+haughtiness, and people were greatly taken with it. He was something
+strange and great. Women generally were so much the more smitten
+with this original person because he was not to be caught by their
+flatteries, however adroit, nor by the wiles with which they circumvent
+the strongest men and corrode the steel temper. Their Parisian’s
+grimaces were lost upon M. de Montriveau; his nature only responded to
+the sonorous vibration of lofty thought and feeling. And he would very
+promptly have been dropped but for the romance that hung about his
+adventures and his life; but for the men who cried him up behind his
+back; but for a woman who looked for a triumph for her vanity, the woman
+who was to fill his thoughts.
+
+For these reasons the Duchesse de Langeais’ curiosity was no less lively
+than natural. Chance had so ordered it that her interest in the man
+before her had been aroused only the day before, when she heard the
+story of one of M. de Montriveau’s adventures, a story calculated to
+make the strongest impression upon a woman’s ever-changing fancy.
+
+During M. de Montriveau’s voyage of discovery to the sources of the
+Nile, he had had an argument with one of his guides, surely the most
+extraordinary debate in the annals of travel. The district that he
+wished to explore could only be reached on foot across a tract of
+desert. Only one of his guides knew the way; no traveller had penetrated
+before into that part of the country, where the undaunted officer hoped
+to find a solution of several scientific problems. In spite of the
+representations made to him by the guide and the older men of the place,
+he started upon the formidable journey. Summoning up courage, already
+highly strung by the prospect of dreadful difficulties, he set out in
+the morning.
+
+The loose sand shifted under his feet at every step; and when, at the
+end of a long day’s march, he lay down to sleep on the ground, he had
+never been so tired in his life. He knew, however, that he must be up
+and on his way before dawn next day, and his guide assured him that they
+should reach the end of their journey towards noon. That promise kept
+up his courage and gave him new strength. In spite of his sufferings,
+he continued his march, with some blasphemings against science; he was
+ashamed to complain to his guide, and kept his pain to himself. After
+marching for a third of the day, he felt his strength failing, his feet
+were bleeding, he asked if they should reach the place soon. “In an
+hour’s time,” said the guide. Armand braced himself for another hour’s
+march, and they went on.
+
+The hour slipped by; he could not so much as see against the sky the
+palm-trees and crests of hill that should tell of the end of the journey
+near at hand; the horizon line of sand was vast as the circle of the
+open sea.
+
+He came to a stand, refused to go farther, and threatened the guide--he
+had deceived him, murdered him; tears of rage and weariness flowed over
+his fevered cheeks; he was bowed down with fatigue upon fatigue, his
+throat seemed to be glued by the desert thirst. The guide meanwhile
+stood motionless, listening to these complaints with an ironical
+expression, studying the while, with the apparent indifference of an
+Oriental, the scarcely perceptible indications in the lie of the sands,
+which looked almost black, like burnished gold.
+
+“I have made a mistake,” he remarked coolly. “I could not make out the
+track, it is so long since I came this way; we are surely on it now, but
+we must push on for two hours.”
+
+“The man is right,” thought M. de Montriveau.
+
+So he went on again, struggling to follow the pitiless native. It seemed
+as if he were bound to his guide by some thread like the invisible tie
+between the condemned man and the headsman. But the two hours went by,
+Montriveau had spent his last drops of energy, and the skyline was a
+blank, there were no palm-trees, no hills. He could neither cry out
+nor groan, he lay down on the sand to die, but his eyes would have
+frightened the boldest; something in his face seemed to say that he
+would not die alone. His guide, like a very fiend, gave him back a cool
+glance like a man that knows his power, left him to lie there, and kept
+at a safe distance out of reach of his desperate victim. At last M.
+Montriveau recovered strength enough for a last curse. The guide came
+nearer, silenced him with a steady look, and said, “Was it not your own
+will to go where I am taking you, in spite of us all? You say that I
+have lied to you. If I had not, you would not be even here. Do you want
+the truth? Here it is. _We have still another five hours’ march before
+us, and we cannot go back_. Sound yourself; if you have not courage
+enough, here is my dagger.”
+
+Startled by this dreadful knowledge of pain and human strength, M.
+de Montriveau would not be behind a savage; he drew a fresh stock of
+courage from his pride as a European, rose to his feet, and followed
+his guide. The five hours were at an end, and still M. de Montriveau
+saw nothing, he turned his failing eyes upon his guide; but the Nubian
+hoisted him on his shoulders, and showed him a wide pool of water with
+greenness all about it, and a noble forest lighted up by the sunset. It
+lay only a hundred paces away; a vast ledge of granite hid the glorious
+landscape. It seemed to Armand that he had taken a new lease of life.
+His guide, that giant in courage and intelligence, finished his work of
+devotion by carrying him across the hot, slippery, scarcely discernible
+track on the granite. Behind him lay the hell of burning sand, before
+him the earthly paradise of the most beautiful oasis in the desert.
+
+The Duchess, struck from the first by the appearance of this romantic
+figure, was even more impressed when she learned that this was that
+Marquis de Montriveau of whom she had dreamed during the night. She had
+been with him among the hot desert sands, he had been the companion of
+her nightmare wanderings; for such a woman was not this a delightful
+presage of a new interest in her life? And never was a man’s exterior
+a better exponent of his character; never were curious glances so well
+justified. The principal characteristic of his great, square-hewn head
+was the thick, luxuriant black hair which framed his face, and gave him
+a strikingly close resemblance to General Kleber; and the likeness still
+held good in the vigorous forehead, in the outlines of his face, the
+quiet fearlessness of his eyes, and a kind of fiery vehemence expressed
+by strongly marked features. He was short, deep-chested, and muscular
+as a lion. There was something of the despot about him, and an
+indescribable suggestion of the security of strength in his gait,
+bearing, and slightest movements. He seemed to know that his will was
+irresistible, perhaps because he wished for nothing unjust. And yet,
+like all really strong men, he was mild of speech, simple in his
+manners, and kindly natured; although it seemed as if, in the stress of
+a great crisis, all these finer qualities must disappear, and the man
+would show himself implacable, unshaken in his resolve, terrific in
+action. There was a certain drawing in of the inner line of the lips
+which, to a close observer, indicated an ironical bent.
+
+The Duchesse de Langeais, realising that a fleeting glory was to be
+won by such a conquest, made up her mind to gain a lover in Armand de
+Montriveau during the brief interval before the Duchesse de Maufrigneuse
+brought him to be introduced. She would prefer him above the others; she
+would attach him to herself, display all her powers of coquetry for him.
+It was a fancy, such a merest Duchess’s whim as furnished a Lope or a
+Calderon with the plot of the _Dog in the Manger_. She would not suffer
+another woman to engross him; but she had not the remotest intention of
+being his.
+
+Nature had given the Duchess every qualification for the part of
+coquette, and education had perfected her. Women envied her, and men
+fell in love with her, not without reason. Nothing that can inspire
+love, justify it, and give it lasting empire was wanting in her. Her
+style of beauty, her manner, her voice, her bearing, all combined to
+give her that instinctive coquetry which seems to be the consciousness
+of power. Her shape was graceful; perhaps there was a trace of
+self-consciousness in her changes of movement, the one affectation that
+could be laid to her charge; but everything about her was a part of her
+personality, from her least little gesture to the peculiar turn of her
+phrases, the demure glance of her eyes. Her great lady’s grace, her
+most striking characteristic, had not destroyed the very French quick
+mobility of her person. There was an extraordinary fascination in her
+swift, incessant changes of attitude. She seemed as if she surely would
+be a most delicious mistress when her corset and the encumbering costume
+of her part were laid aside. All the rapture of love surely was latent
+in the freedom of her expressive glances, in her caressing tones, in the
+charm of her words. She gave glimpses of the high-born courtesan within
+her, vainly protesting against the creeds of the duchess.
+
+You might sit near her through an evening, she would be gay and
+melancholy in turn, and her gaiety, like her sadness, seemed
+spontaneous. She could be gracious, disdainful, insolent, or confiding
+at will. Her apparent good nature was real; she had no temptation to
+descend to malignity. But at each moment her mood changed; she was full
+of confidence or craft; her moving tenderness would give place to a
+heart-breaking hardness and insensibility. Yet how paint her as she
+was, without bringing together all the extremes of feminine nature? In
+a word, the Duchess was anything that she wished to be or to seem.
+Her face was slightly too long. There was a grace in it, and a certain
+thinness and fineness that recalled the portraits of the Middle Ages.
+Her skin was white, with a faint rose tint. Everything about her erred,
+as it were, by an excess of delicacy.
+
+M. de Montriveau willingly consented to be introduced to the Duchesse
+de Langeais; and she, after the manner of persons whose sensitive taste
+leads them to avoid banalities, refrained from overwhelming him with
+questions and compliments. She received him with a gracious deference
+which could not fail to flatter a man of more than ordinary powers,
+for the fact that a man rises above the ordinary level implies that
+he possesses something of that tact which makes women quick to read
+feeling. If the Duchess showed any curiosity, it was by her glances;
+her compliments were conveyed in her manner; there was a winning grace
+displayed in her words, a subtle suggestion of a desire to please which
+she of all women knew the art of manifesting. Yet her whole conversation
+was but, in a manner, the body of the letter; the postscript with the
+principal thought in it was still to come. After half an hour spent in
+ordinary talk, in which the words gained all their value from her tone
+and smiles, M. de Montriveau was about to retire discreetly, when the
+Duchess stopped him with an expressive gesture.
+
+“I do not know, monsieur, whether these few minutes during which I have
+had the pleasure of talking to you proved so sufficiently attractive,
+that I may venture to ask you to call upon me; I am afraid that it may
+be very selfish of me to wish to have you all to myself. If I should
+be so fortunate as to find that my house is agreeable to you, you will
+always find me at home in the evening until ten o’clock.”
+
+The invitation was given with such irresistible grace, that M. de
+Montriveau could not refuse to accept it. When he fell back again among
+the groups of men gathered at a distance from the women, his
+friends congratulated him, half laughingly, half in earnest, on the
+extraordinary reception vouchsafed him by the Duchesse de Langeais. The
+difficult and brilliant conquest had been made beyond a doubt, and the
+glory of it was reserved for the Artillery of the Guard. It is easy to
+imagine the jests, good and bad, when this topic had once been started;
+the world of Paris salons is so eager for amusement, and a joke lasts
+for such a short time, that everyone is eager to make the most of it
+while it is fresh.
+
+All unconsciously, the General felt flattered by this nonsense. From his
+place where he had taken his stand, his eyes were drawn again and again
+to the Duchess by countless wavering reflections. He could not help
+admitting to himself that of all the women whose beauty had captivated
+his eyes, not one had seemed to be a more exquisite embodiment of faults
+and fair qualities blended in a completeness that might realise the
+dreams of earliest manhood. Is there a man in any rank of life that has
+not felt indefinable rapture in his secret soul over the woman singled
+out (if only in his dreams) to be his own; when she, in body, soul, and
+social aspects, satisfies his every requirement, a thrice perfect woman?
+And if this threefold perfection that flatters his pride is no argument
+for loving her, it is beyond cavil one of the great inducements to the
+sentiment. Love would soon be convalescent, as the eighteenth century
+moralist remarked, were it not for vanity. And it is certainly true
+that for everyone, man or woman, there is a wealth of pleasure in
+the superiority of the beloved. Is she set so high by birth that a
+contemptuous glance can never wound her? is she wealthy enough to
+surround herself with state which falls nothing short of royalty, of
+kings, of finance during their short reign of splendour? is she so
+ready-witted that a keen-edged jest never brings her into confusion?
+beautiful enough to rival any woman?--Is it such a small thing to know
+that your self-love will never suffer through her? A man makes these
+reflections in the twinkling of an eye. And how if, in the future opened
+out by early ripened passion, he catches glimpses of the changeful
+delight of her charm, the frank innocence of a maiden soul, the perils
+of love’s voyage, the thousand folds of the veil of coquetry? Is not
+this enough to move the coldest man’s heart?
+
+This, therefore, was M. de Montriveau’s position with regard to woman;
+his past life in some measure explaining the extraordinary fact. He
+had been thrown, when little more than a boy, into the hurricane of
+Napoleon’s wars; his life had been spent on fields of battle. Of women
+he knew just so much as a traveller knows of a country when he travels
+across it in haste from one inn to another. The verdict which Voltaire
+passed upon his eighty years of life might, perhaps, have been applied
+by Montriveau to his own thirty-seven years of existence; had he not
+thirty-seven follies with which to reproach himself? At his age he was
+as much a novice in love as the lad that has just been furtively reading
+_Faublas_. Of women he had nothing to learn; of love he knew nothing;
+and thus, desires, quite unknown before, sprang from this virginity of
+feeling.
+
+There are men here and there as much engrossed in the work demanded of
+them by poverty or ambition, art or science, as M. de Montriveau by war
+and a life of adventure--these know what it is to be in this unusual
+position if they very seldom confess to it. Every man in Paris is
+supposed to have been in love. No woman in Paris cares to take what
+other women have passed over. The dread of being taken for a fool is the
+source of the coxcomb’s bragging so common in France; for in France to
+have the reputation of a fool is to be a foreigner in one’s own country.
+Vehement desire seized on M. de Montriveau, desire that had gathered
+strength from the heat of the desert and the first stirrings of a heart
+unknown as yet in its suppressed turbulence.
+
+A strong man, and violent as he was strong, he could keep mastery over
+himself; but as he talked of indifferent things, he retired within
+himself, and swore to possess this woman, for through that thought lay
+the only way to love for him. Desire became a solemn compact made with
+himself, an oath after the manner of the Arabs among whom he had lived;
+for among them a vow is a kind of contract made with Destiny a man’s
+whole future is solemnly pledged to fulfil it, and everything even his
+own death, is regarded simply as a means to the one end.
+
+A younger man would have said to himself, “I should very much like to
+have the Duchess for my mistress!” or, “If the Duchesse de Langeais
+cared for a man, he would be a very lucky rascal!” But the General said,
+“I will have Mme de Langeais for my mistress.” And if a man takes such
+an idea into his head when his heart has never been touched before, and
+love begins to be a kind of religion with him, he little knows in what a
+hell he has set his foot.
+
+Armand de Montriveau suddenly took flight and went home in the first hot
+fever-fit of the first love that he had known. When a man has kept all
+his boyish beliefs, illusions, frankness, and impetuosity into middle
+age, his first impulse is, as it were, to stretch out a hand to take the
+thing that he desires; a little later he realizes that there is a gulf
+set between them, and that it is all but impossible to cross it. A sort
+of childish impatience seizes him, he wants the thing the more,
+and trembles or cries. Wherefore, the next day, after the stormiest
+reflections that had yet perturbed his mind, Armand de Montriveau
+discovered that he was under the yoke of the senses, and his bondage
+made the heavier by his love.
+
+The woman so cavalierly treated in his thoughts of yesterday had become
+a most sacred and dreadful power. She was to be his world, his life,
+from this time forth. The greatest joy, the keenest anguish, that he
+had yet known grew colorless before the bare recollection of the least
+sensation stirred in him by her. The swiftest revolutions in a man’s
+outward life only touch his interests, while passion brings a complete
+revulsion of feeling. And so in those who live by feeling, rather than
+by self-interest, the doers rather than the reasoners, the sanguine
+rather than the lymphatic temperaments, love works a complete
+revolution. In a flash, with one single reflection, Armand de Montriveau
+wiped out his whole past life.
+
+A score of times he asked himself, like a boy, “Shall I go, or shall I
+not?” and then at last he dressed, came to the Hotel de Langeais
+towards eight o’clock that evening, and was admitted. He was to see the
+woman--ah! not the woman--the idol that he had seen yesterday, among
+lights, a fresh innocent girl in gauze and silken lace and veiling.
+He burst in upon her to declare his love, as if it were a question of
+firing the first shot on a field of battle.
+
+Poor novice! He found his ethereal sylphide shrouded in a brown cashmere
+dressing-gown ingeniously befrilled, lying languidly stretched out upon
+a sofa in a dimly lighted boudoir. Mme de Langeais did not so much as
+rise, nothing was visible of her but her face, her hair was loose but
+confined by a scarf. A hand indicated a seat, a hand that seemed white
+as marble to Montriveau by the flickering light of a single candle at
+the further side of the room, and a voice as soft as the light said:
+
+“If it had been anyone else, M. le Marquis, a friend with whom I could
+dispense with ceremony, or a mere acquaintance in whom I felt but slight
+interest, I should have closed my door. I am exceedingly unwell.”
+
+“I will go,” Armand said to himself.
+
+“But I do not know how it is,” she continued (and the simple warrior
+attributed the shining of her eyes to fever), “perhaps it was a
+presentiment of your kind visit (and no one can be more sensible of the
+prompt attention than I), but the vapors have left my head.”
+
+“Then may I stay?”
+
+“Oh, I should be very sorry to allow you to go. I told myself this
+morning that it was impossible that I should have made the slightest
+impression on your mind, and that in all probability you took my request
+for one of the commonplaces of which Parisians are lavish on every
+occasion. And I forgave your ingratitude in advance. An explorer
+from the deserts is not supposed to know how exclusive we are in our
+friendships in the Faubourg.”
+
+The gracious, half-murmured words dropped one by one, as if they had
+been weighted with the gladness that apparently brought them to her
+lips. The Duchess meant to have the full benefit of her headache, and
+her speculation was fully successful. The General, poor man, was really
+distressed by the lady’s simulated distress. Like Crillon listening to
+the story of the Crucifixion, he was ready to draw his sword against the
+vapors. How could a man dare to speak just then to this suffering woman
+of the love that she inspired? Armand had already felt that it would be
+absurd to fire off a declaration of love point-blank at one so far above
+other women. With a single thought came understanding of the delicacies
+of feeling, of the soul’s requirements. To love: what was that but to
+know how to plead, to beg for alms, to wait? And as for the love that
+he felt, must he not prove it? His tongue was mute, it was frozen by the
+conventions of the noble Faubourg, the majesty of a sick headache, the
+bashfulness of love. But no power on earth could veil his glances; the
+heat and the Infinite of the desert blazed in eyes calm as a panther’s,
+beneath the lids that fell so seldom. The Duchess enjoyed the steady
+gaze that enveloped her in light and warmth.
+
+“Mme la Duchesse,” he answered, “I am afraid I express my gratitude for
+your goodness very badly. At this moment I have but one desire--I wish
+it were in my power to cure the pain.”
+
+“Permit me to throw this off, I feel too warm now,” she said, gracefully
+tossing aside a cushion that covered her feet.
+
+“Madame, in Asia your feet would be worth some ten thousand sequins.
+
+“A traveler’s compliment!” smiled she.
+
+It pleased the sprightly lady to involve a rough soldier in a labyrinth
+of nonsense, commonplaces, and meaningless talk, in which he manoeuvred,
+in military language, as Prince Charles might have done at close
+quarters with Napoleon. She took a mischievous amusement in
+reconnoitring the extent of his infatuation by the number of foolish
+speeches extracted from a novice whom she led step by step into a
+hopeless maze, meaning to leave him there in confusion. She began by
+laughing at him, but nevertheless it pleased her to make him forget how
+time went.
+
+The length of a first visit is frequently a compliment, but Armand was
+innocent of any such intent. The famous explorer spent an hour in chat
+on all sorts of subjects, said nothing that he meant to say, and was
+feeling that he was only an instrument on whom this woman played, when
+she rose, sat upright, drew the scarf from her hair, and wrapped it
+about her throat, leant her elbow on the cushions, did him the honour
+of a complete cure, and rang for lights. The most graceful movement
+succeeded to complete repose. She turned to M. de Montriveau, from whom
+she had just extracted a confidence which seemed to interest her deeply,
+and said:
+
+“You wish to make game of me by trying to make me believe that you
+have never loved. It is a man’s great pretension with us. And we always
+believe it! Out of pure politeness. Do we not know what to expect
+from it for ourselves? Where is the man that has found but a single
+opportunity of losing his heart? But you love to deceive us, and we
+submit to be deceived, poor foolish creatures that we are; for your
+hypocrisy is, after all, a homage paid to the superiority of our
+sentiments, which are all purity.”
+
+The last words were spoken with a disdainful pride that made the novice
+in love feel like a worthless bale flung into the deep, while the
+Duchess was an angel soaring back to her particular heaven.
+
+“Confound it!” thought Armand de Montriveau, “how am I to tell this wild
+thing that I love her?”
+
+He had told her already a score of times; or rather, the Duchess had
+a score of times read his secret in his eyes; and the passion in this
+unmistakably great man promised her amusement, and an interest in her
+empty life. So she prepared with no little dexterity to raise a certain
+number of redoubts for him to carry by storm before he should gain an
+entrance into her heart. Montriveau should overleap one difficulty after
+another; he should be a plaything for her caprice, just as an insect
+teased by children is made to jump from one finger to another, and in
+spite of all its pains is kept in the same place by its mischievous
+tormentor. And yet it gave the Duchess inexpressible happiness to see
+that this strong man had told her the truth. Armand had never loved, as
+he had said. He was about to go, in a bad humour with himself, and still
+more out of humour with her; but it delighted her to see a sullenness
+that she could conjure away with a word, a glance, or a gesture.
+
+“Will you come tomorrow evening?” she asked. “I am going to a ball, but
+I shall stay at home for you until ten o’clock.”
+
+Montriveau spent most of the next day in smoking an indeterminate
+quantity of cigars in his study window, and so got through the hours
+till he could dress and go to the Hotel de Langeais. To anyone who had
+known the magnificent worth of the man, it would have been grievous to
+see him grown so small, so distrustful of himself; the mind that might
+have shed light over undiscovered worlds shrunk to the proportions of
+a she-coxcomb’s boudoir. Even he himself felt that he had fallen so low
+already in his happiness that to save his life he could not have told
+his love to one of his closest friends. Is there not always a trace
+of shame in the lover’s bashfulness, and perhaps in woman a certain
+exultation over diminished masculine stature? Indeed, but for a host of
+motives of this kind, how explain why women are nearly always the first
+to betray the secret?--a secret of which, perhaps, they soon weary.
+
+“Mme la Duchesse cannot see visitors, monsieur,” said the man; “she is
+dressing, she begs you to wait for her here.”
+
+Armand walked up and down the drawing-room, studying her taste in the
+least details. He admired Mme de Langeais herself in the objects of her
+choosing; they revealed her life before he could grasp her personality
+and ideas. About an hour later the Duchess came noiselessly out of her
+chamber. Montriveau turned, saw her flit like a shadow across the room,
+and trembled. She came up to him, not with a bourgeoise’s enquiry, “How
+do I look?” She was sure of herself; her steady eyes said plainly, “I am
+adorned to please you.”
+
+No one surely, save the old fairy godmother of some princess in
+disguise, could have wound a cloud of gauze about the dainty throat, so
+that the dazzling satin skin beneath should gleam through the gleaming
+folds. The Duchess was dazzling. The pale blue colour of her gown,
+repeated in the flowers in her hair, appeared by the richness of its hue
+to lend substance to a fragile form grown too wholly ethereal; for as
+she glided towards Armand, the loose ends of her scarf floated about
+her, putting that valiant warrior in mind of the bright damosel flies
+that hover now over water, now over the flowers with which they seem to
+mingle and blend.
+
+“I have kept you waiting,” she said, with the tone that a woman can
+always bring into her voice for the man whom she wishes to please.
+
+“I would wait patiently through an eternity,” said he, “if I were sure
+of finding a divinity so fair; but it is no compliment to speak of your
+beauty to you; nothing save worship could touch you. Suffer me only to
+kiss your scarf.”
+
+“Oh, fie!” she said, with a commanding gesture, “I esteem you enough to
+give you my hand.”
+
+She held it out for his kiss. A woman’s hand, still moist from the
+scented bath, has a soft freshness, a velvet smoothness that sends a
+tingling thrill from the lips to the soul. And if a man is attracted to
+a woman, and his senses are as quick to feel pleasure as his heart is
+full of love, such a kiss, though chaste in appearance, may conjure up a
+terrific storm.
+
+“Will you always give it me like this?” the General asked humbly when he
+had pressed that dangerous hand respectfully to his lips.
+
+“Yes, but there we must stop,” she said, smiling. She sat down,
+and seemed very slow over putting on her gloves, trying to slip the
+unstretched kid over all her fingers at once, while she watched M.
+de Montriveau; and he was lost in admiration of the Duchess and those
+repeated graceful movements of hers.
+
+“Ah! you were punctual,” she said; “that is right. I like punctuality.
+It is the courtesy of kings, His Majesty says; but to my thinking, from
+you men it is the most respectful flattery of all. Now, is it not? Just
+tell me.”
+
+Again she gave him a side glance to express her insidious friendship,
+for he was dumb with happiness sheer happiness through such nothings
+as these! Oh, the Duchess understood _son metier de femme_--the art
+and mystery of being a woman--most marvelously well; she knew, to
+admiration, how to raise a man in his own esteem as he humbled himself
+to her; how to reward every step of the descent to sentimental folly
+with hollow flatteries.
+
+“You will never forget to come at nine o’clock.”
+
+“No; but are you going to a ball every night?”
+
+“Do I know?” she answered, with a little childlike shrug of the
+shoulders; the gesture was meant to say that she was nothing if not
+capricious, and that a lover must take her as she was.--“Besides,” she
+added, “what is that to you? You shall be my escort.”
+
+“That would be difficult tonight,” he objected; “I am not properly
+dressed.”
+
+“It seems to me,” she returned loftily, “that if anyone has a right
+to complain of your costume, it is I. Know, therefore, _monsieur le
+voyageur_, that if I accept a man’s arm, he is forthwith above the laws
+of fashion, nobody would venture to criticise him. You do not know the
+world, I see; I like you the better for it.”
+
+And even as she spoke she swept him into the pettiness of that world by
+the attempt to initiate him into the vanities of a woman of fashion.
+
+“If she chooses to do a foolish thing for me, I should be a simpleton to
+prevent her,” said Armand to himself. “She has a liking for me beyond a
+doubt; and as for the world, she cannot despise it more than I do. So,
+now for the ball if she likes.”
+
+The Duchess probably thought that if the General came with her and
+appeared in a ballroom in boots and a black tie, nobody would hesitate
+to believe that he was violently in love with her. And the General was
+well pleased that the queen of fashion should think of compromising
+herself for him; hope gave him wit. He had gained confidence, he brought
+out his thoughts and views; he felt nothing of the restraint that
+weighed on his spirits yesterday. His talk was interesting and animated,
+and full of those first confidences so sweet to make and to receive.
+
+Was Mme de Langeais really carried away by his talk, or had she
+devised this charming piece of coquetry? At any rate, she looked up
+mischievously as the clock struck twelve.
+
+“Ah! you have made me too late for the ball!” she exclaimed, surprised
+and vexed that she had forgotten how time was going.
+
+The next moment she approved the exchange of pleasures with a smile that
+made Armand’s heart give a sudden leap.
+
+“I certainly promised Mme de Beauseant,” she added. “They are all
+expecting me.”
+
+“Very well--go.”
+
+“No--go on. I will stay. Your Eastern adventures fascinate me. Tell
+me the whole story of your life. I love to share in a brave man’s
+hardships, and I feel them all, indeed I do!”
+
+She was playing with her scarf, twisting it and pulling it to
+pieces, with jerky, impatient movements that seemed to tell of inward
+dissatisfaction and deep reflection.
+
+“_We_ are fit for nothing,” she went on. “Ah! we are contemptible,
+selfish, frivolous creatures. We can bore ourselves with amusements,
+and that is all we can do. Not one of us that understands that she has
+a part to play in life. In old days in France, women were beneficent
+lights; they lived to comfort those that mourned, to encourage high
+virtues, to reward artists and stir new life with noble thoughts. If the
+world has grown so petty, ours is the fault. You make me loathe the ball
+and this world in which I live. No, I am not giving up much for you.”
+
+She had plucked her scarf to pieces, as a child plays with a flower,
+pulling away all the petals one by one; and now she crushed it into a
+ball, and flung it away. She could show her swan’s neck.
+
+She rang the bell. “I shall not go out tonight,” she told the footman.
+Her long, blue eyes turned timidly to Armand; and by the look of
+misgiving in them, he knew that he was meant to take the order for a
+confession, for a first and great favour. There was a pause, filled with
+many thoughts, before she spoke with that tenderness which is often in
+women’s voices, and not so often in their hearts. “You have had a hard
+life,” she said.
+
+“No,” returned Armand. “Until today I did not know what happiness was.”
+
+“Then you know it now?” she asked, looking at him with a demure, keen
+glance.
+
+“What is happiness for me henceforth but this--to see you, to hear
+you?... Until now I have only known privation; now I know that I can be
+unhappy----”
+
+“That will do, that will do,” she said. “You must go; it is past
+midnight. Let us regard appearances. People must not talk about us. I
+do not know quite what I shall say; but the headache is a good-natured
+friend, and tells no tales.”
+
+“Is there to be a ball tomorrow night?”
+
+“You would grow accustomed to the life, I think. Very well. Yes, we will
+go again tomorrow night.”
+
+There was not a happier man in the world than Armand when he went out
+from her. Every evening he came to Mme de Langeais’ at the hour kept for
+him by a tacit understanding.
+
+It would be tedious, and, for the many young men who carry a redundance
+of such sweet memories in their hearts, it were superfluous to follow
+the story step by step--the progress of a romance growing in those hours
+spent together, a romance controlled entirely by a woman’s will. If
+sentiment went too fast, she would raise a quarrel over a word, or when
+words flagged behind her thoughts, she appealed to the feelings. Perhaps
+the only way of following such Penelope’s progress is by marking its
+outward and visible signs.
+
+As, for instance, within a few days of their first meeting, the
+assiduous General had won and kept the right to kiss his lady’s
+insatiable hands. Wherever Mme de Langeais went, M. de Montriveau
+was certain to be seen, till people jokingly called him “Her Grace’s
+orderly.” And already he had made enemies; others were jealous, and
+envied him his position. Mme de Langeais had attained her end. The
+Marquis de Montriveau was among her numerous train of adorers, and a
+means of humiliating those who boasted of their progress in her good
+graces, for she publicly gave him preference over them all.
+
+“Decidedly, M. de Montriveau is the man for whom the Duchess shows a
+preference,” pronounced Mme de Serizy.
+
+And who in Paris does not know what it means when a woman “shows a
+preference?” All went on therefore according to prescribed rule. The
+anecdotes which people were pleased to circulate concerning the General
+put that warrior in so formidable a light, that the more adroit quietly
+dropped their pretensions to the Duchess, and remained in her train
+merely to turn the position to account, and to use her name and
+personality to make better terms for themselves with certain stars of
+the second magnitude. And those lesser powers were delighted to take a
+lover away from Mme de Langeais. The Duchess was keen-sighted enough to
+see these desertions and treaties with the enemy; and her pride would
+not suffer her to be the dupe of them. As M. de Talleyrand, one of her
+great admirers, said, she knew how to take a second edition of revenge,
+laying the two-edged blade of a sarcasm between the pairs in these
+“morganatic” unions. Her mocking disdain contributed not a little to
+increase her reputation as an extremely clever woman and a person to
+be feared. Her character for virtue was consolidated while she amused
+herself with other people’s secrets, and kept her own to herself. Yet,
+after two months of assiduities, she saw with a vague dread in the
+depths of her soul that M. de Montriveau understood nothing of the
+subtleties of flirtation after the manner of the Faubourg Saint-Germain;
+he was taking a Parisienne’s coquetry in earnest.
+
+“You will not tame _him_, dear Duchess,” the old Vidame de Pamiers had
+said. “‘Tis a first cousin to the eagle; he will carry you off to his
+eyrie if you do not take care.”
+
+Then Mme de Langeais felt afraid. The shrewd old noble’s words sounded
+like a prophecy. The next day she tried to turn love to hate. She was
+harsh, exacting, irritable, unbearable; Montriveau disarmed her with
+angelic sweetness. She so little knew the great generosity of a large
+nature, that the kindly jests with which her first complaints were met
+went to her heart. She sought a quarrel, and found proofs of affection.
+She persisted.
+
+“When a man idolizes you, how can he have vexed you?” asked Armand.
+
+“You do not vex me,” she answered, suddenly grown gentle and submissive.
+“But why do you wish to compromise me? For me you ought to be nothing
+but a _friend_. Do you not know it? I wish I could see that you had the
+instincts, the delicacy of real friendship, so that I might lose neither
+your respect nor the pleasure that your presence gives me.”
+
+“Nothing but your _friend_!” he cried out. The terrible word sent an
+electric shock through his brain. “On the faith of these happy hours
+that you grant me, I sleep and wake in your heart. And now today, for no
+reason, you are pleased to destroy all the secret hopes by which I live.
+You have required promises of such constancy in me, you have said so
+much of your horror of women made up of nothing but caprice; and now do
+you wish me to understand that, like other women here in Paris, you have
+passions, and know nothing of love? If so, why did you ask my life of
+me? why did you accept it?”
+
+“I was wrong, my friend. Oh, it is wrong of a woman to yield to such
+intoxication when she must not and cannot make any return.”
+
+“I understand. You have merely been coquetting with me, and----”
+
+“Coquetting?” she repeated. “I detest coquetry. A coquette Armand, makes
+promises to many, and gives herself to none; and a woman who keeps such
+promises is a libertine. This much I believed I had grasped of our code.
+But to be melancholy with humorists, gay with the frivolous, and politic
+with ambitious souls; to listen to a babbler with every appearance
+of admiration, to talk of war with a soldier, wax enthusiastic with
+philanthropists over the good of the nation, and to give to each one his
+little dole of flattery--it seems to me that this is as much a matter of
+necessity as dress, diamonds, and gloves, or flowers in one’s hair. Such
+talk is the moral counterpart of the toilette. You take it up and lay it
+aside with the plumed head-dress. Do you call this coquetry? Why, I have
+never treated you as I treat everyone else. With you, my friend, I am
+sincere. Have I not always shared your views, and when you convinced me
+after a discussion, was I not always perfectly glad? In short, I love
+you, but only as a devout and pure woman may love. I have thought it
+over. I am a married woman, Armand. My way of life with M. de Langeais
+gives me liberty to bestow my heart; but law and custom leave me no
+right to dispose of my person. If a woman loses her honour, she is
+an outcast in any rank of life; and I have yet to meet with a single
+example of a man that realizes all that our sacrifices demand of him in
+such a case. Quite otherwise. Anyone can foresee the rupture between Mme
+de Beauseant and M. d’Ajuda (for he is going to marry Mlle de Rochefide,
+it seems), that affair made it clear to my mind that these very
+sacrifices on the woman’s part are almost always the cause of the man’s
+desertion. If you had loved me sincerely, you would have kept away for a
+time.--Now, I will lay aside all vanity for you; is not that something?
+What will not people say of a woman to whom no man attaches himself?
+Oh, she is heartless, brainless, soulless; and what is more, devoid
+of charm! Coquettes will not spare me. They will rob me of the very
+qualities that mortify them. So long as my reputation is safe, what do I
+care if my rivals deny my merits? They certainly will not inherit them.
+Come, my friend; give up something for her who sacrifices so much for
+you. Do not come quite so often; I shall love you none the less.”
+
+“Ah!” said Armand, with the profound irony of a wounded heart in his
+words and tone. “Love, so the scribblers say, only feeds on illusions.
+Nothing could be truer, I see; I am expected to imagine that I am loved.
+But, there!--there are some thoughts like wounds, from which there is no
+recovery. My belief in you was one of the last left to me, and now I see
+that there is nothing left to believe in this earth.”
+
+She began to smile.
+
+“Yes,” Montriveau went on in an unsteady voice, “this Catholic faith to
+which you wish to convert me is a lie that men make for themselves; hope
+is a lie at the expense of the future; pride, a lie between us and our
+fellows; and pity, and prudence, and terror are cunning lies. And now
+my happiness is to be one more lying delusion; I am expected to delude
+myself, to be willing to give gold coin for silver to the end. If you
+can so easily dispense with my visits; if you can confess me neither
+as your friend nor your lover, you do not care for me! And I, poor fool
+that I am, tell myself this, and know it, and love you!”
+
+“But, dear me, poor Armand, you are flying into a passion!”
+
+“I flying into a passion?”
+
+“Yes. You think that the whole question is opened because I ask you to
+be careful.”
+
+In her heart of hearts she was delighted with the anger that leapt out
+in her lover’s eyes. Even as she tortured him, she was criticising
+him, watching every slightest change that passed over his face. If
+the General had been so unluckily inspired as to show himself generous
+without discussion (as happens occasionally with some artless souls),
+he would have been a banished man forever, accused and convicted of not
+knowing how to love. Most women are not displeased to have their code of
+right and wrong broken through. Do they not flatter themselves that they
+never yield except to force? But Armand was not learned enough in this
+kind of lore to see the snare ingeniously spread for him by the Duchess.
+So much of the child was there in the strong man in love.
+
+“If all you want is to preserve appearances,” he began in his
+simplicity, “I am willing to----”
+
+“Simply to preserve appearances!” the lady broke in; “why, what idea can
+you have of me? Have I given you the slightest reason to suppose that I
+can be yours?”
+
+“Why, what else are we talking about?” demanded Montriveau.
+
+“Monsieur, you frighten me!... No, pardon me. Thank you,” she added,
+coldly; “thank you, Armand. You have given me timely warning of
+imprudence; committed quite unconsciously, believe it, my friend. You
+know how to endure, you say. I also know how to endure. We will not
+see each other for a time; and then, when both of us have contrived to
+recover calmness to some extent, we will think about arrangements for
+a happiness sanctioned by the world. I am young, Armand; a man with no
+delicacy might tempt a woman of four-and-twenty to do many foolish, wild
+things for his sake. But _you_! You will be my friend, promise me that
+you will?”
+
+“The woman of four-and-twenty,” returned he, “knows what she is about.”
+
+He sat down on the sofa in the boudoir, and leant his head on his hands.
+
+“Do you love me, madame?” he asked at length, raising his head, and
+turning a face full of resolution upon her. “Say it straight out; Yes or
+No!”
+
+His direct question dismayed the Duchess more than a threat of suicide
+could have done; indeed, the woman of the nineteenth century is not to
+be frightened by that stale stratagem, the sword has ceased to be part
+of the masculine costume. But in the effect of eyelids and lashes, in
+the contraction of the gaze, in the twitching of the lips, is there not
+some influence that communicates the terror which they express with such
+vivid magnetic power?
+
+“Ah, if I were free, if----”
+
+“Oh! is it only your husband that stands in the way?” the General
+exclaimed joyfully, as he strode to and fro in the boudoir. “Dear
+Antoinette, I wield a more absolute power than the Autocrat of all the
+Russias. I have a compact with Fate; I can advance or retard destiny,
+so far as men are concerned, at my fancy, as you alter the hands of a
+watch. If you can direct the course of fate in our political machinery,
+it simply means (does it not?) that you understand the ins and outs of
+it. You shall be free before very long, and then you must remember your
+promise.”
+
+“Armand!” she cried. “What do you mean? Great heavens! Can you imagine
+that I am to be the prize of a crime? Do you want to kill me? Why! you
+cannot have any religion in you! For my own part, I fear God. M. de
+Langeais may have given me reason to hate him, but I wish him no manner
+of harm.”
+
+M. de Montriveau beat a tattoo on the marble chimney-piece, and only
+looked composedly at the lady.
+
+“Dear,” continued she, “respect him. He does not love me, he is not kind
+to me, but I have duties to fulfil with regard to him. What would I not
+do to avert the calamities with which you threaten him?--Listen,” she
+continued after a pause, “I will not say another word about separation;
+you shall come here as in the past, and I will still give you my
+forehead to kiss. If I refused once or twice, it was pure coquetry,
+indeed it was. But let us understand each other,” she added as he came
+closer. “You will permit me to add to the number of my satellites; to
+receive even more visitors in the morning than heretofore; I mean to be
+twice as frivolous; I mean to use you to all appearance very badly;
+to feign a rupture; you must come not quite so often, and then,
+afterwards----”
+
+While she spoke, she had allowed him to put an arm about her waist,
+Montriveau was holding her tightly to him, and she seemed to feel the
+exceeding pleasure that women usually feel in that close contact, an
+earnest of the bliss of a closer union. And then, doubtless she meant to
+elicit some confidence, for she raised herself on tiptoe, and laid her
+forehead against Armand’s burning lips.
+
+“And then,” Montriveau finished her sentence for her, “you shall not
+speak to me of your husband. You ought not to think of him again.”
+
+Mme de Langeais was silent awhile.
+
+“At least,” she said, after a significant pause, “at least you will do
+all that I wish without grumbling, you will not be naughty; tell me so,
+my friend? You wanted to frighten me, did you not? Come, now, confess
+it?... You are too good ever to think of crimes. But is it possible that
+you can have secrets that I do not know? How can you control Fate?”
+
+“Now, when you confirm the gift of the heart that you have already given
+me, I am far too happy to know exactly how to answer you. I can trust
+you, Antoinette; I shall have no suspicion, no unfounded jealousy of
+you. But if accident should set you free, we shall be one----”
+
+“Accident, Armand?” (With that little dainty turn of the head that seems
+to say so many things, a gesture that such women as the Duchess can use
+on light occasions, as a great singer can act with her voice.) “Pure
+accident,” she repeated. “Mind that. If anything should happen to M. de
+Langeais by your fault, I should never be yours.”
+
+And so they parted, mutually content. The Duchess had made a pact
+that left her free to prove to the world by words and deeds that M. de
+Montriveau was no lover of hers. And as for him, the wily Duchess
+vowed to tire him out. He should have nothing of her beyond the little
+concessions snatched in the course of contests that she could stop
+at her pleasure. She had so pretty an art of revoking the grant
+of yesterday, she was so much in earnest in her purpose to remain
+technically virtuous, that she felt that there was not the slightest
+danger for her in preliminaries fraught with peril for a woman less sure
+of her self-command. After all, the Duchess was practically separated
+from her husband; a marriage long since annulled was no great sacrifice
+to make to her love.
+
+Montriveau on his side was quite happy to win the vaguest promise, glad
+once for all to sweep aside, with all scruples of conjugal fidelity, her
+stock of excuses for refusing herself to his love. He had gained ground
+a little, and congratulated himself. And so for a time he took unfair
+advantage of the rights so hardly won. More a boy than he had ever been
+in his life, he gave himself up to all the childishness that makes first
+love the flower of life. He was a child again as he poured out all
+his soul, all the thwarted forces that passion had given him, upon her
+hands, upon the dazzling forehead that looked so pure to his eyes; upon
+her fair hair; on the tufted curls where his lips were pressed. And the
+Duchess, on whom his love was poured like a flood, was vanquished by
+the magnetic influence of her lover’s warmth; she hesitated to begin
+the quarrel that must part them forever. She was more a woman than she
+thought, this slight creature, in her effort to reconcile the demands
+of religion with the ever-new sensations of vanity, the semblance of
+pleasure which turns a Parisienne’s head. Every Sunday she went to Mass;
+she never missed a service; then, when evening came, she was steeped in
+the intoxicating bliss of repressed desire. Armand and Mme de Langeais,
+like Hindoo fakirs, found the reward of their continence in the
+temptations to which it gave rise. Possibly, the Duchess had ended by
+resolving love into fraternal caresses, harmless enough, as it might
+have seemed to the rest of the world, while they borrowed extremes
+of degradation from the license of her thoughts. How else explain the
+incomprehensible mystery of her continual fluctuations? Every morning
+she proposed to herself to shut her door on the Marquis de Montriveau;
+every evening, at the appointed hour, she fell under the charm of his
+presence. There was a languid defence; then she grew less unkind. Her
+words were sweet and soothing. They were lovers--lovers only could have
+been thus. For him the Duchess would display her most sparkling wit, her
+most captivating wiles; and when at last she had wrought upon his senses
+and his soul, she might submit herself passively to his fierce caresses,
+but she had her _nec plus ultra_ of passion; and when once it was
+reached, she grew angry if he lost the mastery of himself and made
+as though he would pass beyond. No woman on earth can brave the
+consequences of refusal without some motive; nothing is more natural
+than to yield to love; wherefore Mme de Langeais promptly raised a
+second line of fortification, a stronghold less easy to carry than
+the first. She evoked the terrors of religion. Never did Father of
+the Church, however eloquent, plead the cause of God better than the
+Duchess. Never was the wrath of the Most High better justified than
+by her voice. She used no preacher’s commonplaces, no rhetorical
+amplifications. No. She had a “pulpit-tremor” of her own. To Armand’s
+most passionate entreaty, she replied with a tearful gaze, and a gesture
+in which a terrible plenitude of emotion found expression. She stopped
+his mouth with an appeal for mercy. She would not hear another word; if
+she did, she must succumb; and better death than criminal happiness.
+
+“Is it nothing to disobey God?” she asked him, recovering a voice grown
+faint in the crises of inward struggles, through which the fair
+actress appeared to find it hard to preserve her self-control. “I would
+sacrifice society, I would give up the whole world for you, gladly; but
+it is very selfish of you to ask my whole after-life of me for a moment
+of pleasure. Come, now! are you not happy?” she added, holding out her
+hand; and certainly in her careless toilette the sight of her afforded
+consolations to her lover, who made the most of them.
+
+Sometimes from policy, to keep her hold on a man whose ardent passion
+gave her emotions unknown before, sometimes in weakness, she suffered
+him to snatch a swift kiss; and immediately, in feigned terror, she
+flushed red and exiled Armand from the sofa so soon as the sofa became
+dangerous ground.
+
+“Your joys are sins for me to expiate, Armand; they are paid for by
+penitence and remorse,” she cried.
+
+And Montriveau, now at two chairs’ distance from that aristocratic
+petticoat, betook himself to blasphemy and railed against Providence.
+The Duchess grew angry at such times.
+
+“My friend,” she said drily, “I do not understand why you decline to
+believe in God, for it is impossible to believe in man. Hush, do not
+talk like that. You have too great a nature to take up their Liberal
+nonsense with its pretension to abolish God.”
+
+Theological and political disputes acted like a cold douche on
+Montriveau; he calmed down; he could not return to love when the Duchess
+stirred up his wrath by suddenly setting him down a thousand miles away
+from the boudoir, discussing theories of absolute monarchy, which she
+defended to admiration. Few women venture to be democrats; the attitude
+of democratic champion is scarcely compatible with tyrannous feminine
+sway. But often, on the other hand, the General shook out his mane,
+dropped politics with a leonine growling and lashing of the flanks, and
+sprang upon his prey; he was no longer capable of carrying a heart and
+brain at such variance for very far; he came back, terrible with love,
+to his mistress. And she, if she felt the prick of fancy stimulated to
+a dangerous point, knew that it was time to leave her boudoir; she came
+out of the atmosphere surcharged with desires that she drew in with
+her breath, sat down to the piano, and sang the most exquisite songs
+of modern music, and so baffled the physical attraction which at times
+showed her no mercy, though she was strong enough to fight it down.
+
+At such times she was something sublime in Armand’s eyes; she was not
+acting, she was genuine; the unhappy lover was convinced that she loved
+him. Her egoistic resistance deluded him into a belief that she was a
+pure and sainted woman; he resigned himself; he talked of Platonic love,
+did this artillery officer!
+
+When Mme de Langeais had played with religion sufficiently to suit her
+own purposes, she played with it again for Armand’s benefit. She wanted
+to bring him back to a Christian frame of mind; she brought out her
+edition of _Le Genie du Christianisme_, adapted for the use of military
+men. Montriveau chafed; his yoke was heavy. Oh! at that, possessed by
+the spirit of contradiction, she dinned religion into his ears, to see
+whether God might not rid her of this suitor, for the man’s persistence
+was beginning to frighten her. And in any case she was glad to prolong
+any quarrel, if it bade fair to keep the dispute on moral grounds for
+an indefinite period; the material struggle which followed it was more
+dangerous.
+
+But if the time of her opposition on the ground of the marriage law
+might be said to be the _epoque civile_ of this sentimental warfare, the
+ensuing phase which might be taken to constitute the _epoque religieuse_
+had also its crisis and consequent decline of severity.
+
+Armand happening to come in very early one evening, found M. l’Abbe
+Gondrand, the Duchess’s spiritual director, established in an armchair
+by the fireside, looking as a spiritual director might be expected to
+look while digesting his dinner and the charming sins of his penitent.
+In the ecclesiastic’s bearing there was a stateliness befitting a
+dignitary of the Church; and the episcopal violet hue already appeared
+in his dress. At sight of his fresh, well-preserved complexion, smooth
+forehead, and ascetic’s mouth, Montriveau’s countenance grew uncommonly
+dark; he said not a word under the malicious scrutiny of the other’s
+gaze, and greeted neither the lady nor the priest. The lover apart,
+Montriveau was not wanting in tact; so a few glances exchanged with the
+bishop-designate told him that here was the real forger of the Duchess’s
+armory of scruples.
+
+That an ambitious abbe should control the happiness of a man of
+Montriveau’s temper, and by underhand ways! The thought burst in a
+furious tide over his face, clenched his fists, and set him chafing and
+pacing to and fro; but when he came back to his place intending to make
+a scene, a single look from the Duchess was enough. He was quiet.
+
+Any other woman would have been put out by her lover’s gloomy silence;
+it was quite otherwise with Mme de Langeais. She continued her
+conversation with M. de Gondrand on the necessity of re-establishing the
+Church in its ancient splendour. And she talked brilliantly.
+
+The Church, she maintained, ought to be a temporal as well as a
+spiritual power, stating her case better than the Abbe had done, and
+regretting that the Chamber of Peers, unlike the English House of Lords,
+had no bench of bishops. Nevertheless, the Abbe rose, yielded his place
+to the General, and took his leave, knowing that in Lent he could play a
+return game. As for the Duchess, Montriveau’s behaviour had excited
+her curiosity to such a pitch that she scarcely rose to return her
+director’s low bow.
+
+“What is the matter with you, my friend?”
+
+“Why, I cannot stomach that Abbe of yours.”
+
+“Why did you not take a book?” she asked, careless whether the Abbe,
+then closing the door, heard her or no.
+
+The General paused, for the gesture which accompanied the Duchess’s
+speech further increased the exceeding insolence of her words.
+
+“My dear Antoinette, thank you for giving love precedence of the Church;
+but, for pity’s sake, allow me to ask one question.”
+
+“Oh! you are questioning me! I am quite willing. You are my friend, are
+you not? I certainly can open the bottom of my heart to you; you will
+see only one image there.”
+
+“Do you talk about our love to that man?”
+
+“He is my confessor.”
+
+“Does he know that I love you?”
+
+“M. de Montriveau, you cannot claim, I think, to penetrate the secrets
+of the confessional?”
+
+“Does that man know all about our quarrels and my love for you?”
+
+“That man, monsieur; say God!”
+
+“God again! _I_ ought to be alone in your heart. But leave God alone
+where He is, for the love of God and me. Madame, you _shall not_ go to
+confession again, or----”
+
+“Or?” she repeated sweetly.
+
+“Or I will never come back here.”
+
+“Then go, Armand. Good-bye, good-bye forever.”
+
+She rose and went to her boudoir without so much as a glance at Armand,
+as he stood with his hand on the back of a chair. How long he stood
+there motionless he himself never knew. The soul within has the
+mysterious power of expanding as of contracting space.
+
+He opened the door of the boudoir. It was dark within. A faint voice was
+raised to say sharply:
+
+“I did not ring. What made you come in without orders? Go away,
+Suzette.”
+
+“Then you are ill,” exclaimed Montriveau.
+
+“Stand up, monsieur, and go out of the room for a minute at any rate,”
+ she said, ringing the bell.
+
+“Mme la Duchesse rang for lights?” said the footman, coming in with the
+candles. When the lovers were alone together, Mme de Langeais still lay
+on her couch; she was just as silent and motionless as if Montriveau had
+not been there.
+
+“Dear, I was wrong,” he began, a note of pain and a sublime kindness in
+his voice. “Indeed, I would not have you without religion----”
+
+“It is fortunate that you can recognise the necessity of a conscience,”
+ she said in a hard voice, without looking at him. “I thank you in God’s
+name.”
+
+The General was broken down by her harshness; this woman seemed as
+if she could be at will a sister or a stranger to him. He made one
+despairing stride towards the door. He would leave her forever without
+another word. He was wretched; and the Duchess was laughing within
+herself over mental anguish far more cruel than the old judicial
+torture. But as for going away, it was not in his power to do it. In any
+sort of crisis, a woman is, as it were, bursting with a certain quantity
+of things to say; so long as she has not delivered herself of them,
+she experiences the sensation which we are apt to feel at the sight of
+something incomplete. Mme de Langeais had not said all that was in her
+mind. She took up her parable and said:
+
+“We have not the same convictions, General, I am pained to think. It
+would be dreadful if a woman could not believe in a religion which
+permits us to love beyond the grave. I set Christian sentiments aside;
+you cannot understand them. Let me simply speak to you of expediency.
+Would you forbid a woman at court the table of the Lord when it is
+customary to take the sacrament at Easter? People must certainly do
+something for their party. The Liberals, whatever they may wish to do,
+will never destroy the religious instinct. Religion will always be
+a political necessity. Would you undertake to govern a nation of
+logic-choppers? Napoleon was afraid to try; he persecuted ideologists.
+If you want to keep people from reasoning, you must give them something
+to feel. So let us accept the Roman Catholic Church with all its
+consequences. And if we would have France go to mass, ought we not to
+begin by going ourselves? Religion, you see, Armand, is a bond uniting
+all the conservative principles which enable the rich to live in
+tranquillity. Religion and the rights of property are intimately
+connected. It is certainly a finer thing to lead a nation by ideas of
+morality than by fear of the scaffold, as in the time of the Terror--the
+one method by which your odious Revolution could enforce obedience.
+The priest and the king--that means you, and me, and the Princess
+my neighbour; and, in a word, the interests of all honest people
+personified. There, my friend, just be so good as to belong to your
+party, you that might be its Scylla if you had the slightest ambition
+that way. I know nothing about politics myself; I argue from my own
+feelings; but still I know enough to guess that society would
+be overturned if people were always calling its foundations in
+question----”
+
+“If that is how your Court and your Government think, I am sorry for
+you,” broke in Montriveau. “The Restoration, madam, ought to say, like
+Catherine de Medici, when she heard that the battle of Dreux was lost,
+‘Very well; now we will go to the meeting-house.’ Now 1815 was your
+battle of Dreux. Like the royal power of those days, you won in
+fact, while you lost in right. Political Protestantism has gained an
+ascendancy over people’s minds. If you have no mind to issue your Edict
+of Nantes; or if, when it is issued, you publish a Revocation; if you
+should one day be accused and convicted of repudiating the Charter,
+which is simply a pledge given to maintain the interests established
+under the Republic, then the Revolution will rise again, terrible in her
+strength, and strike but a single blow. It will not be the Revolution
+that will go into exile; she is the very soil of France. Men die, but
+people’s interests do not die. ... Eh, great Heavens! what are France
+and the crown and rightful sovereigns, and the whole world besides, to
+us? Idle words compared with my happiness. Let them reign or be hurled
+from the throne, little do I care. Where am I now?”
+
+“In the Duchesse de Langeais’ boudoir, my friend.”
+
+“No, no. No more of the Duchess, no more of Langeais; I am with my dear
+Antoinette.”
+
+“Will you do me the pleasure to stay where you are,” she said, laughing
+and pushing him back, gently however.
+
+“So you have never loved me,” he retorted, and anger flashed in
+lightning from his eyes.
+
+“No, dear”; but the “No” was equivalent to “Yes.”
+
+“I am a great ass,” he said, kissing her hands. The terrible queen was a
+woman once more.--“Antoinette,” he went on, laying his head on her feet,
+“you are too chastely tender to speak of our happiness to anyone in this
+world.”
+
+“Oh!” she cried, rising to her feet with a swift, graceful spring,
+“you are a great simpleton.” And without another word she fled into the
+drawing-room.
+
+“What is it now?” wondered the General, little knowing that the touch of
+his burning forehead had sent a swift electric thrill through her from
+foot to head.
+
+In hot wrath he followed her to the drawing-room, only to hear divinely
+sweet chords. The Duchess was at the piano. If the man of science or the
+poet can at once enjoy and comprehend, bringing his intelligence to bear
+upon his enjoyment without loss of delight, he is conscious that the
+alphabet and phraseology of music are but cunning instruments for
+the composer, like the wood and copper wire under the hands of the
+executant. For the poet and the man of science there is a music existing
+apart, underlying the double expression of this language of the spirit
+and senses. _Andiamo mio ben_ can draw tears of joy or pitying laughter
+at the will of the singer; and not unfrequently one here and there in
+the world, some girl unable to live and bear the heavy burden of an
+unguessed pain, some man whose soul vibrates with the throb of passion,
+may take up a musical theme, and lo! heaven is opened for them, or they
+find a language for themselves in some sublime melody, some song lost to
+the world.
+
+The General was listening now to such a song; a mysterious music unknown
+to all other ears, as the solitary plaint of some mateless bird dying
+alone in a virgin forest.
+
+“Great Heavens! what are you playing there?” he asked in an unsteady
+voice.
+
+“The prelude of a ballad, called, I believe, _Fleuve du Tage_.”
+
+“I did not know that there was such music in a piano,” he returned.
+
+“Ah!” she said, and for the first time she looked at him as a woman
+looks at the man she loves, “nor do you know, my friend, that I love
+you, and that you cause me horrible suffering; and that I feel that I
+must utter my cry of pain without putting it too plainly into words. If
+I did not, I should yield----But you see nothing.”
+
+“And you will not make me happy!”
+
+“Armand, I should die of sorrow the next day.”
+
+The General turned abruptly from her and went. But out in the street he
+brushed away the tears that he would not let fall.
+
+The religious phase lasted for three months. At the end of that time the
+Duchess grew weary of vain repetitions; the Deity, bound hand and foot,
+was delivered up to her lover. Possibly she may have feared that by
+sheer dint of talking of eternity she might perpetuate his love in this
+world and the next. For her own sake, it must be believed that no man
+had touched her heart, or her conduct would be inexcusable. She was
+young; the time when men and women feel that they cannot afford to lose
+time or to quibble over their joys was still far off. She, no doubt, was
+on the verge not of first love, but of her first experience of the bliss
+of love. And from inexperience, for want of the painful lessons which
+would have taught her to value the treasure poured out at her feet, she
+was playing with it. Knowing nothing of the glory and rapture of the
+light, she was fain to stay in the shadow.
+
+Armand was just beginning to understand this strange situation; he put
+his hope in the first word spoken by nature. Every evening, as he came
+away from Mme de Langeais’, he told himself that no woman would accept
+the tenderest, most delicate proofs of a man’s love during seven months,
+nor yield passively to the slighter demands of passion, only to cheat
+love at the last. He was waiting patiently for the sun to gain power,
+not doubting but that he should receive the earliest fruits. The married
+woman’s hesitations and the religious scruples he could quite well
+understand. He even rejoiced over those battles. He mistook the
+Duchess’s heartless coquetry for modesty; and he would not have had her
+otherwise. So he had loved to see her devising obstacles; was he not
+gradually triumphing over them? Did not every victory won swell the
+meagre sum of lovers’ intimacies long denied, and at last conceded with
+every sign of love? Still, he had had such leisure to taste the full
+sweetness of every small successive conquest on which a lover feeds
+his love, that these had come to be matters of use and wont. So far as
+obstacles went, there were none now save his own awe of her; nothing
+else left between him and his desire save the whims of her who allowed
+him to call her Antoinette. So he made up his mind to demand more, to
+demand all. Embarrassed like a young lover who cannot dare to believe
+that his idol can stoop so low, he hesitated for a long time. He passed
+through the experience of terrible reactions within himself. A set
+purpose was annihilated by a word, and definite resolves died within him
+on the threshold. He despised himself for his weakness, and still his
+desire remained unuttered. Nevertheless, one evening, after sitting
+in gloomy melancholy, he brought out a fierce demand for his illegally
+legitimate rights. The Duchess had not to wait for her bond-slave’s
+request to guess his desire. When was a man’s desire a secret? And have
+not women an intuitive knowledge of the meaning of certain changes of
+countenance?
+
+“What! you wish to be my friend no longer?” she broke in at the first
+words, and a divine red surging like new blood under the transparent
+skin, lent brightness to her eyes. “As a reward for my generosity, you
+would dishonor me? Just reflect a little. I myself have thought much
+over this; and I think always for us _both_. There is such a thing as
+a woman’s loyalty, and we can no more fail in it than you can fail in
+honour. _I_ cannot blind myself. If I am yours, how, in any sense, can
+I be M. de Langeais’ wife? Can you require the sacrifice of my position,
+my rank, my whole life in return for a doubtful love that could not wait
+patiently for seven months? What! already you would rob me of my right
+to dispose of myself? No, no; you must not talk like this again. No, not
+another word. I will not, I cannot listen to you.”
+
+Mme de Langeais raised both hands to her head to push back the tufted
+curls from her hot forehead; she seemed very much excited.
+
+“You come to a weak woman with your purpose definitely planned out. You
+say--‘For a certain length of time she will talk to me of her husband,
+then of God, and then of the inevitable consequences. But I will use
+and abuse the ascendancy I shall gain over her; I will make myself
+indispensable; all the bonds of habit, all the misconstructions of
+outsiders, will make for me; and at length, when our _liaison_ is taken
+for granted by all the world, I shall be this woman’s master.’--Now, be
+frank; these are your thoughts! Oh! you calculate, and you say that you
+love. Shame on you! You are enamoured? Ah! that I well believe! You
+wish to possess me, to have me for your mistress, that is all! Very well
+then, No! The _Duchesse de Langeais_ will not descend so far. Simple
+_bourgeoises_ may be the victims of your treachery--I, never! Nothing
+gives me assurance of your love. You speak of my beauty; I may lose
+every trace of it in six months, like the dear Princess, my neighbour.
+You are captivated by my wit, my grace. Great Heavens! you would soon
+grow used to them and to the pleasures of possession. Have not the
+little concessions that I was weak enough to make come to be a matter of
+course in the last few months? Some day, when ruin comes, you will give
+me no reason for the change in you beyond a curt, ‘I have ceased to
+care for you.’--Then, rank and fortune and honour and all that was the
+Duchesse de Langeais will be swallowed up in one disappointed hope.
+I shall have children to bear witness to my shame, and----” With an
+involuntary gesture she interrupted herself, and continued: “But I am
+too good-natured to explain all this to you when you know it better than
+I. Come! let us stay as we are. I am only too fortunate in that I can
+still break these bonds which you think so strong. Is there anything so
+very heroic in coming to the Hotel de Langeais to spend an evening
+with a woman whose prattle amuses you?--a woman whom you take for a
+plaything? Why, half a dozen young coxcombs come here just as regularly
+every afternoon between three and five. They, too, are very generous, I
+am to suppose? I make fun of them; they stand my petulance and insolence
+pretty quietly, and make me laugh; but as for you, I give all the
+treasures of my soul to you, and you wish to ruin me, you try my
+patience in endless ways. Hush, that will do, that will do,” she
+continued, seeing that he was about to speak, “you have no heart,
+no soul, no delicacy. I know what you want to tell me. Very well,
+then--yes. I would rather you should take me for a cold, insensible
+woman, with no devotion in her composition, no heart even, than be
+taken by everybody else for a vulgar person, and be condemned to your
+so-called pleasures, of which you would most certainly tire, and to
+everlasting punishment for it afterwards. Your selfish love is not worth
+so many sacrifices....”
+
+The words give but a very inadequate idea of the discourse which the
+Duchess trilled out with the quick volubility of a bird-organ. Nor,
+truly, was there anything to prevent her from talking on for some time
+to come, for poor Armand’s only reply to the torrent of flute notes was
+a silence filled with cruelly painful thoughts. He was just beginning to
+see that this woman was playing with him; he divined instinctively
+that a devoted love, a responsive love, does not reason and count
+the consequences in this way. Then, as he heard her reproach him with
+detestable motives, he felt something like shame as he remembered that
+unconsciously he had made those very calculations. With angelic honesty
+of purpose, he looked within, and self-examination found nothing but
+selfishness in all his thoughts and motives, in the answers which he
+framed and could not utter. He was self-convicted. In his despair
+he longed to fling himself from the window. The egoism of it was
+intolerable.
+
+What indeed can a man say when a woman will not believe in love?--Let me
+prove how much I love you.--The _I_ is always there.
+
+The heroes of the boudoir, in such circumstances, can follow the example
+of the primitive logician who preceded the Pyrrhonists and denied
+movement. Montriveau was not equal to this feat. With all his audacity,
+he lacked this precise kind which never deserts an adept in the formulas
+of feminine algebra. If so many women, and even the best of women, fall
+a prey to a kind of expert to whom the vulgar give a grosser name, it is
+perhaps because the said experts are great _provers_, and love, in spite
+of its delicious poetry of sentiment, requires a little more geometry
+than people are wont to think.
+
+Now the Duchess and Montriveau were alike in this--they were both
+equally unversed in love lore. The lady’s knowledge of theory was but
+scanty; in practice she knew nothing whatever; she felt nothing, and
+reflected over everything. Montriveau had had but little experience, was
+absolutely ignorant of theory, and felt too much to reflect at all. Both
+therefore were enduring the consequences of the singular situation.
+At that supreme moment the myriad thoughts in his mind might have
+been reduced to the formula--“Submit to be mine----” words which seem
+horribly selfish to a woman for whom they awaken no memories, recall no
+ideas. Something nevertheless he must say. And what was more, though her
+barbed shafts had set his blood tingling, though the short phrases that
+she discharged at him one by one were very keen and sharp and cold, he
+must control himself lest he should lose all by an outbreak of anger.
+
+“Mme la Duchesse, I am in despair that God should have invented no way
+for a woman to confirm the gift of her heart save by adding the gift of
+her person. The high value which you yourself put upon the gift teaches
+me that I cannot attach less importance to it. If you have given me
+your inmost self and your whole heart, as you tell me, what can the rest
+matter? And besides, if my happiness means so painful a sacrifice, let
+us say no more about it. But you must pardon a man of spirit if he feels
+humiliated at being taken for a spaniel.”
+
+The tone in which the last remark was uttered might perhaps have
+frightened another woman; but when the wearer of a petticoat has allowed
+herself to be addressed as a Divinity, and thereby set herself above all
+other mortals, no power on earth can be so haughty.
+
+“M. le Marquis, I am in despair that God should not have invented
+some nobler way for a man to confirm the gift of his heart than by the
+manifestation of prodigiously vulgar desires. We become bond-slaves
+when we give ourselves body and soul, but a man is bound to nothing by
+accepting the gift. Who will assure me that love will last? The very
+love that I might show for you at every moment, the better to keep your
+love, might serve you as a reason for deserting me. I have no wish to be
+a second edition of Mme de Beauseant. Who can ever know what it is that
+keeps you beside us? Our persistent coldness of heart is the cause of
+an unfailing passion in some of you; other men ask for an untiring
+devotion, to be idolized at every moment; some for gentleness, others
+for tyranny. No woman in this world as yet has really read the riddle of
+man’s heart.”
+
+There was a pause. When she spoke again it was in a different tone.
+
+“After all, my friend, you cannot prevent a woman from trembling at the
+question, ‘Will this love last always?’ Hard though my words may be,
+the dread of losing you puts them into my mouth. Oh, me! it is not I
+who speaks, dear, it is reason; and how should anyone so mad as I be
+reasonable? In truth, I am nothing of the sort.”
+
+The poignant irony of her answer had changed before the end into the
+most musical accents in which a woman could find utterance for ingenuous
+love. To listen to her words was to pass in a moment from martyrdom to
+heaven. Montriveau grew pale; and for the first time in his life, he
+fell on his knees before a woman. He kissed the Duchess’s skirt hem, her
+knees, her feet; but for the credit of the Faubourg Saint-Germain it is
+necessary to respect the mysteries of its boudoirs, where many are fain
+to take the utmost that Love can give without giving proof of love in
+return.
+
+The Duchess thought herself generous when she suffered herself to be
+adored. But Montriveau was in a wild frenzy of joy over her complete
+surrender of the position.
+
+“Dear Antoinette,” he cried. “Yes, you are right; I will not have you
+doubt any longer. I too am trembling at this moment--lest the angel of
+my life should leave me; I wish I could invent some tie that might bind
+us to each other irrevocably.”
+
+“Ah!” she said, under her breath, “so I was right, you see.”
+
+“Let me say all that I have to say; I will scatter all your fears with
+a word. Listen! if I deserted you, I should deserve to die a thousand
+deaths. Be wholly mine, and I will give you the right to kill me if I
+am false. I myself will write a letter explaining certain reasons for
+taking my own life; I will make my final arrangements, in short. You
+shall have the letter in your keeping; in the eye of the law it will be
+a sufficient explanation of my death. You can avenge yourself, and fear
+nothing from God or men.”
+
+“What good would the letter be to me? What would life be if I had lost
+your love? If I wished to kill you, should I not be ready to follow? No;
+thank you for the thought, but I do not want the letter. Should I not
+begin to dread that you were faithful to me through fear? And if a man
+knows that he must risk his life for a stolen pleasure, might it not
+seem more tempting? Armand, the thing I ask of you is the one hard thing
+to do.”
+
+“Then what is it that you wish?”
+
+“Your obedience and my liberty.”
+
+“Ah, God!” cried he, “I am a child.”
+
+“A wayward, much spoilt child,” she said, stroking the thick hair,
+for his head still lay on her knee. “Ah! and loved far more than he
+believes, and yet he is very disobedient. Why not stay as we are? Why
+not sacrifice to me the desires that hurt me? Why not take what I can
+give, when it is all that I can honestly grant? Are you not happy?”
+
+“Oh yes, I am happy when I have not a doubt left. Antoinette, doubt in
+love is a kind of death, is it not?”
+
+In a moment he showed himself as he was, as all men are under the
+influence of that hot fever; he grew eloquent, insinuating. And the
+Duchess tasted the pleasures which she reconciled with her conscience
+by some private, Jesuitical ukase of her own; Armand’s love gave her a
+thrill of cerebral excitement which custom made as necessary to her as
+society, or the Opera. To feel that she was adored by this man, who rose
+above other men, whose character frightened her; to treat him like a
+child; to play with him as Poppaea played with Nero--many women, like
+the wives of King Henry VIII, have paid for such a perilous delight with
+all the blood in their veins. Grim presentiment! Even as she surrendered
+the delicate, pale, gold curls to his touch, and felt the close pressure
+of his hand, the little hand of a man whose greatness she could not
+mistake; even as she herself played with his dark, thick locks, in that
+boudoir where she reigned a queen, the Duchess would say to herself:
+
+“This man is capable of killing me if he once finds out that I am
+playing with him.”
+
+Armand de Montriveau stayed with her till two o’clock in the morning.
+From that moment this woman, whom he loved, was neither a duchess nor a
+Navarreins; Antoinette, in her disguises, had gone so far as to appear
+to be a woman. On that most blissful evening, the sweetest prelude ever
+played by a Parisienne to what the world calls “a slip”; in spite of all
+her affectations of a coyness which she did not feel, the General saw
+all maidenly beauty in her. He had some excuse for believing that so
+many storms of caprice had been but clouds covering a heavenly soul;
+that these must be lifted one by one like the veils that hid her divine
+loveliness. The Duchess became, for him, the most simple and girlish
+mistress; she was the one woman in the world for him; and he went away
+quite happy in that at last he had brought her to give him such pledges
+of love, that it seemed to him impossible but that he should be but her
+husband henceforth in secret, her choice sanctioned by Heaven.
+
+Armand went slowly home, turning this thought in his mind with the
+impartiality of a man who is conscious of all the responsibilities that
+love lays on him while he tastes the sweetness of its joys. He went
+along the Quais to see the widest possible space of sky; his heart had
+grown in him; he would fain have had the bounds of the firmament and of
+earth enlarged. It seemed to him that his lungs drew an ampler breath.
+In the course of his self-examination, as he walked, he vowed to love
+this woman so devoutly, that every day of her life she should find
+absolution for her sins against society in unfailing happiness. Sweet
+stirrings of life when life is at the full! The man that is strong
+enough to steep his soul in the colour of one emotion, feels infinite
+joy as glimpses open out for him of an ardent lifetime that knows no
+diminution of passion to the end; even so it is permitted to certain
+mystics, in ecstasy, to behold the Light of God. Love would be naught
+without the belief that it would last forever; love grows great
+through constancy. It was thus that, wholly absorbed by his happiness,
+Montriveau understood passion.
+
+“We belong to each other forever!”
+
+The thought was like a talisman fulfilling the wishes of his life. He
+did not ask whether the Duchess might not change, whether her love might
+not last. No, for he had faith. Without that virtue there is no future
+for Christianity, and perhaps it is even more necessary to society.
+A conception of life as feeling occurred to him for the first time;
+hitherto he had lived by action, the most strenuous exertion of human
+energies, the physical devotion, as it may be called, of the soldier.
+
+Next day M. de Montriveau went early in the direction of the Faubourg
+Saint-Germain. He had made an appointment at a house not far from the
+Hotel de Langeais; and the business over, he went thither as if to his
+own home. The General’s companion chanced to be a man for whom he felt
+a kind of repulsion whenever he met him in other houses. This was the
+Marquis de Ronquerolles, whose reputation had grown so great in Paris
+boudoirs. He was witty, clever, and what was more--courageous; he set
+the fashion to all the young men in Paris. As a man of gallantry, his
+success and experience were equally matters of envy; and neither fortune
+nor birth was wanting in his case, qualifications which add such lustre
+in Paris to a reputation as a leader of fashion.
+
+“Where are you going?” asked M. de Ronquerolles.
+
+“To Mme de Langeais’.”
+
+“Ah, true. I forgot that you had allowed her to lime you. You are
+wasting your affections on her when they might be much better employed
+elsewhere. I could have told you of half a score of women in the
+financial world, any one of them a thousand times better worth your
+while than that titled courtesan, who does with her brains what less
+artificial women do with----”
+
+“What is this, my dear fellow?” Armand broke in. “The Duchess is an
+angel of innocence.”
+
+Ronquerolles began to laugh.
+
+“Things being thus, dear boy,” said he, “it is my duty to enlighten you.
+Just a word; there is no harm in it between ourselves. Has the Duchess
+surrendered? If so, I have nothing more to say. Come, give me your
+confidence. There is no occasion to waste your time in grafting
+your great nature on that unthankful stock, when all your hopes and
+cultivation will come to nothing.”
+
+Armand ingenuously made a kind of general report of his position,
+enumerating with much minuteness the slender rights so hardly won.
+Ronquerolles burst into a peal of laughter so heartless, that it would
+have cost any other man his life. But from their manner of speaking and
+looking at each other during that colloquy beneath the wall, in a corner
+almost as remote from intrusion as the desert itself, it was easy to
+imagine the friendship between the two men knew no bounds, and that no
+power on earth could estrange them.
+
+“My dear Armand, why did you not tell me that the Duchess was a puzzle
+to you? I would have given you a little advice which might have brought
+your flirtation properly through. You must know, to begin with, that the
+women of our Faubourg, like any other women, love to steep themselves in
+love; but they have a mind to possess and not to be possessed. They have
+made a sort of compromise with human nature. The code of their parish
+gives them a pretty wide latitude short of the last transgression. The
+sweets enjoyed by this fair Duchess of yours are so many venial sins
+to be washed away in the waters of penitence. But if you had the
+impertinence to ask in earnest for the moral sin to which naturally
+you are sure to attach the highest importance, you would see the deep
+disdain with which the door of the boudoir and the house would be
+incontinently shut upon you. The tender Antoinette would dismiss
+everything from her memory; you would be less than a cipher for her.
+She would wipe away your kisses, my dear friend, as indifferently as she
+would perform her ablutions. She would sponge love from her cheeks as
+she washes off rouge. We know women of that sort--the thorough-bred
+Parisienne. Have you ever noticed a grisette tripping along the street?
+Her face is as good as a picture. A pretty cap, fresh cheeks, trim hair,
+a guileful smile, and the rest of her almost neglected. Is not this true
+to the life? Well, that is the Parisienne. She knows that her face is
+all that will be seen, so she devotes all her care, finery, and vanity
+to her head. The Duchess is the same; the head is everything with her.
+She can only feel through her intellect, her heart lies in her brain,
+she is a sort of intellectual epicure, she has a head-voice. We call
+that kind of poor creature a Lais of the intellect. You have been taken
+in like a boy. If you doubt it, you can have proof of it tonight, this
+morning, this instant. Go up to her, try the demand as an experiment,
+insist peremptorily if it is refused. You might set about it like the
+late Marechal de Richelieu, and get nothing for your pains.”
+
+Armand was dumb with amazement.
+
+“Has your desire reached the point of infatuation?”
+
+“I want her at any cost!” Montriveau cried out despairingly.
+
+“Very well. Now, look here. Be as inexorable as she is herself. Try to
+humiliate her, to sting her vanity. Do _not_ try to move her heart,
+nor her soul, but the woman’s nerves and temperament, for she is both
+nervous and lymphatic. If you can once awaken desire in her, you are
+safe. But you must drop these romantic boyish notions of yours. If when
+once you have her in your eagle’s talons you yield a point or draw back,
+if you so much as stir an eyelid, if she thinks that she can regain her
+ascendancy over you, she will slip out of your clutches like a fish, and
+you will never catch her again. Be as inflexible as law. Show no more
+charity than the headsman. Hit hard, and then hit again. Strike and keep
+on striking as if you were giving her the knout. Duchesses are made of
+hard stuff, my dear Armand; there is a sort of feminine nature that is
+only softened by repeated blows; and as suffering develops a heart in
+women of that sort, so it is a work of charity not to spare the rod.
+Do you persevere. Ah! when pain has thoroughly relaxed those nerves and
+softened the fibres that you take to be so pliant and yielding; when
+a shriveled heart has learned to expand and contract and to beat under
+this discipline; when the brain has capitulated--then, perhaps, passion
+may enter among the steel springs of this machinery that turns out tears
+and affectations and languors and melting phrases; then you shall see a
+most magnificent conflagration (always supposing that the chimney takes
+fire). The steel feminine system will glow red-hot like iron in the
+forge; that kind of heat lasts longer than any other, and the glow of it
+may possibly turn to love.
+
+“Still,” he continued, “I have my doubts. And, after all, is it worth
+while to take so much trouble with the Duchess? Between ourselves a man
+of my stamp ought first to take her in hand and break her in; I would
+make a charming woman of her; she is a thoroughbred; whereas, you two
+left to yourselves will never get beyond the A B C. But you are in love
+with her, and just now you might not perhaps share my views on this
+subject----. A pleasant time to you, my children,” added Ronquerolles,
+after a pause. Then with a laugh: “I have decided myself for facile
+beauties; they are tender, at any rate, the natural woman appears in
+their love without any of your social seasonings. A woman that haggles
+over herself, my poor boy, and only means to inspire love! Well, have
+her like an extra horse--for show. The match between the sofa and
+confessional, black and white, queen and knight, conscientious scruples
+and pleasure, is an uncommonly amusing game of chess. And if a man knows
+the game, let him be never so little of a rake, he wins in three moves.
+Now, if I undertook a woman of that sort, I should start with the
+deliberate purpose of----” His voice sank to a whisper over the last
+words in Armand’s ear, and he went before there was time to reply.
+
+As for Montriveau, he sprang at a bound across the courtyard of the
+Hotel de Langeais, went unannounced up the stairs straight to the
+Duchess’s bedroom.
+
+“This is an unheard-of thing,” she said, hastily wrapping her
+dressing-gown about her. “Armand! this is abominable of you! Come, leave
+the room, I beg. Just go out of the room, and go at once. Wait for me in
+the drawing-room.--Come now!”
+
+“Dear angel, has a plighted lover no privilege whatsoever?”
+
+“But, monsieur, it is in the worst possible taste of a plighted lover or
+a wedded husband to break in like this upon his wife.”
+
+He came up to the Duchess, took her in his arms, and held her tightly to
+him.
+
+“Forgive, dear Antoinette; but a host of horrid doubts are fermenting in
+my heart.”
+
+“_Doubts_? Fie!--Oh, fie on you!”
+
+“Doubts all but justified. If you loved me, would you make this quarrel?
+Would you not be glad to see me? Would you not have felt a something
+stir in your heart? For I, that am not a woman, feel a thrill in my
+inmost self at the mere sound of your voice. Often in a ballroom a
+longing has come upon me to spring to your side and put my arms about
+your neck.”
+
+“Oh! if you have doubts of me so long as I am not ready to spring to
+your arms before all the world, I shall be doubted all my life long, I
+suppose. Why, Othello was a mere child compared with you!”
+
+“Ah!” he cried despairingly, “you have no love for me----”
+
+“Admit, at any rate, that at this moment you are not lovable.”
+
+“Then I have still to find favour in your sight?”
+
+“Oh, I should think so. Come,” added she, “with a little imperious air,
+go out of the room, leave me. I am not like you; I wish always to find
+favour in your eyes.”
+
+Never woman better understood the art of putting charm into insolence,
+and does not the charm double the effect? is it not enough to infuriate
+the coolest of men? There was a sort of untrammeled freedom about Mme
+de Langeais; a something in her eyes, her voice, her attitude, which is
+never seen in a woman who loves when she stands face to face with him at
+the mere sight of whom her heart must needs begin to beat. The Marquis
+de Ronquerolles’ counsels had cured Armand of sheepishness; and further,
+there came to his aid that rapid power of intuition which passion will
+develop at moments in the least wise among mortals, while a great man
+at such a time possesses it to the full. He guessed the terrible truth
+revealed by the Duchess’s nonchalance, and his heart swelled with the
+storm like a lake rising in flood.
+
+“If you told me the truth yesterday, be mine, dear Antoinette,” he
+cried; “you shall----”
+
+“In the first place,” said she composedly, thrusting him back as he
+came nearer--“in the first place, you are not to compromise me. My woman
+might overhear you. Respect me, I beg of you. Your familiarity is all
+very well in my boudoir in an evening; here it is quite different.
+Besides, what may your ‘you shall’ mean? ‘You shall.’ No one as yet
+has ever used that word to me. It is quite ridiculous, it seems to me,
+absolutely ridiculous.
+
+“Will you surrender nothing to me on this point?”
+
+“Oh! do you call a woman’s right to dispose of herself a ‘point?’ A
+capital point indeed; you will permit me to be entirely my own mistress
+on that ‘point.’”
+
+“And how if, believing in your promises to me, I should absolutely
+require it?”
+
+“Oh! then you would prove that I made the greatest possible mistake when
+I made you a promise of any kind; and I should beg you to leave me in
+peace.”
+
+The General’s face grew white; he was about to spring to her side, when
+Mme de Langeais rang the bell, the maid appeared, and, smiling with a
+mocking grace, the Duchess added, “Be so good as to return when I am
+visible.”
+
+Then Montriveau felt the hardness of a woman as cold and keen as a steel
+blade; she was crushing in her scorn. In one moment she had snapped
+the bonds which held firm only for her lover. She had read Armand’s
+intention in his face, and held that the moment had come for teaching
+the Imperial soldier his lesson. He was to be made to feel that though
+duchesses may lend themselves to love, they do not give themselves, and
+that the conquest of one of them would prove a harder matter than the
+conquest of Europe.
+
+“Madame,” returned Armand, “I have not time to wait. I am a spoilt
+child, as you told me yourself. When I seriously resolve to have that of
+which we have been speaking, I shall have it.”
+
+“You will have it?” queried she, and there was a trace of surprise in
+her loftiness.
+
+“I shall have it.”
+
+“Oh! you would do me a great pleasure by ‘resolving’ to have it. For
+curiosity’s sake, I should be delighted to know how you would set about
+it----”
+
+“I am delighted to put a new interest into your life,” interrupted
+Montriveau, breaking into a laugh which dismayed the Duchess. “Will you
+permit me to take you to the ball tonight?”
+
+“A thousand thanks. M. de Marsay has been beforehand with you. I gave
+him my promise.”
+
+Montriveau bowed gravely and went.
+
+“So Ronquerolles was right,” thought he, “and now for a game of chess.”
+
+Thenceforward he hid his agitation by complete composure. No man is
+strong enough to bear such sudden alternations from the height of
+happiness to the depths of wretchedness. So he had caught a glimpse of
+happy life the better to feel the emptiness of his previous existence?
+There was a terrible storm within him; but he had learned to endure,
+and bore the shock of tumultuous thoughts as a granite cliff stands out
+against the surge of an angry sea.
+
+“I could say nothing. When I am with her my wits desert me. She does not
+know how vile and contemptible she is. Nobody has ventured to bring her
+face to face with herself. She has played with many a man, no doubt; I
+will avenge them all.”
+
+For the first time, it may be, in a man’s heart, revenge and love were
+blended so equally that Montriveau himself could not know whether love
+or revenge would carry all before it. That very evening he went to the
+ball at which he was sure of seeing the Duchesse de Langeais, and almost
+despaired of reaching her heart. He inclined to think that there was
+something diabolical about this woman, who was gracious to him and
+radiant with charming smiles; probably because she had no wish to
+allow the world to think that she had compromised herself with M. de
+Montriveau. Coolness on both sides is a sign of love; but so long as
+the Duchess was the same as ever, while the Marquis looked sullen and
+morose, was it not plain that she had conceded nothing? Onlookers know
+the rejected lover by various signs and tokens; they never mistake the
+genuine symptoms for a coolness such as some women command their adorers
+to feign, in the hope of concealing their love. Everyone laughed at
+Montriveau; and he, having omitted to consult his cornac, was abstracted
+and ill at ease. M. de Ronquerolles would very likely have bidden him
+compromise the Duchess by responding to her show of friendliness by
+passionate demonstrations; but as it was, Armand de Montriveau came away
+from the ball, loathing human nature, and even then scarcely ready to
+believe in such complete depravity.
+
+“If there is no executioner for such crimes,” he said, as he looked up
+at the lighted windows of the ballroom where the most enchanting women
+in Paris were dancing, laughing, and chatting, “I will take you by the
+nape of the neck, Mme la Duchesse, and make you feel something that
+bites more deeply than the knife in the Place de la Greve. Steel against
+steel; we shall see which heart will leave the deeper mark.”
+
+For a week or so Mme de Langeais hoped to see the Marquis de Montriveau
+again; but he contented himself with sending his card every morning to
+the Hotel de Langeais. The Duchess could not help shuddering each time
+that the card was brought in, and a dim foreboding crossed her mind, but
+the thought was vague as a presentiment of disaster. When her eyes fell
+on the name, it seemed to her that she felt the touch of the implacable
+man’s strong hand in her hair; sometimes the words seemed like a
+prognostication of a vengeance which her lively intellect invented in
+the most shocking forms. She had studied him too well not to dread him.
+Would he murder her, she wondered? Would that bull-necked man dash out
+her vitals by flinging her over his head? Would he trample her body
+under his feet? When, where, and how would he get her into his power?
+Would he make her suffer very much, and what kind of pain would he
+inflict? She repented of her conduct. There were hours when, if he had
+come, she would have gone to his arms in complete self-surrender.
+
+Every night before she slept she saw Montriveau’s face; every night it
+wore a different aspect. Sometimes she saw his bitter smile, sometimes
+the Jovelike knitting of the brows; or his leonine look, or some
+disdainful movement of the shoulders made him terrible for her. Next day
+the card seemed stained with blood. The name of Montriveau stirred her
+now as the presence of the fiery, stubborn, exacting lover had never
+done. Her apprehensions gathered strength in the silence. She was
+forced, without aid from without, to face the thought of a hideous duel
+of which she could not speak. Her proud hard nature was more responsive
+to thrills of hate than it had ever been to the caresses of love. Ah! if
+the General could but have seen her, as she sat with her forehead
+drawn into folds between her brows; immersed in bitter thoughts in that
+boudoir where he had enjoyed such happy moments, he might perhaps
+have conceived high hopes. Of all human passions, is not pride alone
+incapable of engendering anything base? Mme de Langeais kept her
+thoughts to herself, but is it not permissible to suppose that M. de
+Montriveau was no longer indifferent to her? And has not a man gained
+ground immensely when a woman thinks about him? He is bound to make
+progress with her either one way or the other afterwards.
+
+Put any feminine creature under the feet of a furious horse or other
+fearsome beast; she will certainly drop on her knees and look for death;
+but if the brute shows a milder mood and does not utterly slay her,
+she will love the horse, lion, bull, or what not, and will speak of him
+quite at her ease. The Duchess felt that she was under the lion’s paws;
+she quaked, but she did not hate him.
+
+The man and woman thus singularly placed with regard to each other met
+three times in society during the course of that week. Each time,
+in reply to coquettish questioning glances, the Duchess received a
+respectful bow, and smiles tinged with such savage irony, that all her
+apprehensions over the card in the morning were revived at night.
+Our lives are simply such as our feelings shape them for us; and the
+feelings of these two had hollowed out a great gulf between them.
+
+The Comtesse de Serizy, the Marquis de Ronquerolles’ sister, gave a
+great ball at the beginning of the following week, and Mme de Langeais
+was sure to go to it. Armand was the first person whom the Duchess saw
+when she came into the room, and this time Armand was looking out for
+her, or so she thought at least. The two exchanged a look, and suddenly
+the woman felt a cold perspiration break from every pore. She had
+thought all along that Montriveau was capable of taking reprisals in
+some unheard-of way proportioned to their condition, and now the revenge
+had been discovered, it was ready, heated, and boiling. Lightnings
+flashed from the foiled lover’s eyes, his face was radiant with exultant
+vengeance. And the Duchess? Her eyes were haggard in spite of her
+resolution to be cool and insolent. She went to take her place beside
+the Comtesse de Serizy, who could not help exclaiming, “Dear Antoinette!
+what is the matter with you? You are enough to frighten one.”
+
+“I shall be all right after a quadrille,” she answered, giving a hand to
+a young man who came up at that moment.
+
+Mme de Langeais waltzed that evening with a sort of excitement and
+transport which redoubled Montriveau’s lowering looks. He stood in front
+of the line of spectators, who were amusing themselves by looking on.
+Every time that _she_ came past him, his eyes darted down upon her
+eddying face; he might have been a tiger with the prey in his grasp. The
+waltz came to an end, Mme de Langeais went back to her place beside the
+Countess, and Montriveau never took his eyes off her, talking all the
+while with a stranger.
+
+“One of the things that struck me most on the journey,” he was saying
+(and the Duchess listened with all her ears), “was the remark which the
+man makes at Westminster when you are shown the axe with which a man in
+a mask cut off Charles the First’s head, so they tell you. The King made
+it first of all to some inquisitive person, and they repeat it still in
+memory of him.”
+
+“What does the man say?” asked Mme de Serizy.
+
+“‘Do not touch the axe!’” replied Montriveau, and there was menace in
+the sound of his voice.
+
+“Really, my Lord Marquis,” said Mme de Langeais, “you tell this old
+story that everybody knows if they have been to London, and look at my
+neck in such a melodramatic way that you seem to me to have an axe in
+your hand.”
+
+The Duchess was in a cold sweat, but nevertheless she laughed as she
+spoke the last words.
+
+“But circumstances give the story a quite new application,” returned he.
+
+“How so; pray tell me, for pity’s sake?”
+
+“In this way, madame--you have touched the axe,” said Montriveau,
+lowering his voice.
+
+“What an enchanting prophecy!” returned she, smiling with assumed grace.
+“And when is my head to fall?”
+
+“I have no wish to see that pretty head of yours cut off. I only fear
+some great misfortune for you. If your head were clipped close, would
+you feel no regrets for the dainty golden hair that you turn to such
+good account?”
+
+“There are those for whom a woman would love to make such a sacrifice;
+even if, as often happens, it is for the sake of a man who cannot make
+allowances for an outbreak of temper.”
+
+“Quite so. Well, and if some wag were to spoil your beauty on a sudden
+by some chemical process, and you, who are but eighteen for us, were to
+be a hundred years old?”
+
+“Why, the smallpox is our Battle of Waterloo, monsieur,” she
+interrupted. “After it is over we find out those who love us sincerely.”
+
+“Would you not regret the lovely face that?”
+
+“Oh! indeed I should, but less for my own sake than for the sake of
+someone else whose delight it might have been. And, after all, if I were
+loved, always loved, and truly loved, what would my beauty matter to
+me?--What do you say, Clara?”
+
+“It is a dangerous speculation,” replied Mme de Serizy.
+
+“Is it permissible to ask His Majesty the King of Sorcerers when I made
+the mistake of touching the axe, since I have not been to London as
+yet?----”
+
+“_Not so_,” he answered in English, with a burst of ironical laughter.
+
+“And when will the punishment begin?”
+
+At this Montriveau coolly took out his watch, and ascertained the hour
+with a truly appalling air of conviction.
+
+“A dreadful misfortune will befall you before this day is out.”
+
+“I am not a child to be easily frightened, or rather, I am a child
+ignorant of danger,” said the Duchess. “I shall dance now without fear
+on the edge of the precipice.”
+
+“I am delighted to know that you have so much strength of character,” he
+answered, as he watched her go to take her place in a square dance.
+
+But the Duchess, in spite of her apparent contempt for Armand’s dark
+prophecies, was really frightened. Her late lover’s presence weighed
+upon her morally and physically with a sense of oppression that scarcely
+ceased when he left the ballroom. And yet when she had drawn freer
+breath, and enjoyed the relief for a moment, she found herself
+regretting the sensation of dread, so greedy of extreme sensations is
+the feminine nature. The regret was not love, but it was certainly akin
+to other feelings which prepare the way for love. And then--as if the
+impression which Montriveau had made upon her were suddenly revived--she
+recollected his air of conviction as he took out his watch, and in a
+sudden spasm of dread she went out.
+
+By this time it was about midnight. One of her servants, waiting with
+her pelisse, went down to order her carriage. On her way home she fell
+naturally enough to musing over M. de Montriveau’s prediction. Arrived
+in her own courtyard, as she supposed, she entered a vestibule almost
+like that of her own hotel, and suddenly saw that the staircase was
+different. She was in a strange house. Turning to call her servants, she
+was attacked by several men, who rapidly flung a handkerchief over her
+mouth, bound her hand and foot, and carried her off. She shrieked aloud.
+
+“Madame, our orders are to kill you if you scream,” a voice said in her
+ear.
+
+So great was the Duchess’s terror, that she could never recollect how
+nor by whom she was transported. When she came to herself, she was lying
+on a couch in a bachelor’s lodging, her hands and feet tied with silken
+cords. In spite of herself, she shrieked aloud as she looked round and
+met Armand de Montriveau’s eyes. He was sitting in his dressing-gown,
+quietly smoking a cigar in his armchair.
+
+“Do not cry out, Mme la Duchesse,” he said, coolly taking the cigar out
+of his mouth; “I have a headache. Besides, I will untie you. But listen
+attentively to what I have the honour to say to you.”
+
+Very carefully he untied the knots that bound her feet.
+
+“What would be the use of calling out? Nobody can hear your cries.
+You are too well bred to make any unnecessary fuss. If you do not stay
+quietly, if you insist upon a struggle with me, I shall tie your
+hands and feet again. All things considered, I think that you have
+self-respect enough to stay on this sofa as if you were lying on your
+own at home; cold as ever, if you will. You have made me shed many tears
+on this couch, tears that I hid from all other eyes.”
+
+While Montriveau was speaking, the Duchess glanced about her; it was
+a woman’s glance, a stolen look that saw all things and seemed to see
+nothing. She was much pleased with the room. It was rather like a
+monk’s cell. The man’s character and thoughts seemed to pervade it. No
+decoration of any kind broke the grey painted surface of the walls.
+A green carpet covered the floor. A black sofa, a table littered with
+papers, two big easy-chairs, a chest of drawers with an alarum clock by
+way of ornament, a very low bedstead with a coverlet flung over it--a
+red cloth with a black key border--all these things made part of a
+whole that told of a life reduced to its simplest terms. A triple
+candle-sconce of Egyptian design on the chimney-piece recalled the
+vast spaces of the desert and Montriveau’s long wanderings; a huge
+sphinx-claw stood out beneath the folds of stuff at the bed-foot;
+and just beyond, a green curtain with a black and scarlet border was
+suspended by large rings from a spear handle above a door near one
+corner of the room. The other door by which the band had entered was
+likewise curtained, but the drapery hung from an ordinary curtain-rod.
+As the Duchess finally noted that the pattern was the same on both, she
+saw that the door at the bed-foot stood open; gleams of ruddy light
+from the room beyond flickered below the fringed border. Naturally, the
+ominous light roused her curiosity; she fancied she could distinguish
+strange shapes in the shadows; but as it did not occur to her at the
+time that danger could come from that quarter, she tried to gratify a
+more ardent curiosity.
+
+“Monsieur, if it is not indiscreet, may I ask what you mean to do with
+me?” The insolence and irony of the tone stung through the words. The
+Duchess quite believed that she read extravagant love in Montriveau’s
+speech. He had carried her off; was not that in itself an acknowledgment
+of her power?
+
+“Nothing whatever, madame,” he returned, gracefully puffing the last
+whiff of cigar smoke. “You will remain here for a short time. First
+of all, I should like to explain to you what you are, and what I am. I
+cannot put my thoughts into words whilst you are twisting on the sofa
+in your boudoir; and besides, in your own house you take offence at the
+slightest hint, you ring the bell, make an outcry, and turn your lover
+out at the door as if he were the basest of wretches. Here my mind is
+unfettered. Here nobody can turn me out. Here you shall be my victim for
+a few seconds, and you are going to be so exceedingly kind as to listen
+to me. You need fear nothing. I did not carry you off to insult you, nor
+yet to take by force what you refused to grant of your own will to my
+unworthiness. I could not stoop so low. You possibly think of outrage;
+for myself, I have no such thoughts.”
+
+He flung his cigar coolly into the fire.
+
+“The smoke is unpleasant to you, no doubt, madame?” he said, and rising
+at once, he took a chafing-dish from the hearth, burnt perfumes, and
+purified the air. The Duchess’s astonishment was only equaled by her
+humiliation. She was in this man’s power; and he would not abuse his
+power. The eyes in which love had once blazed like flame were now quiet
+and steady as stars. She trembled. Her dread of Armand was increased by
+a nightmare sensation of restlessness and utter inability to move; she
+felt as if she were turned to stone. She lay passive in the grip of
+fear. She thought she saw the light behind the curtains grow to a blaze,
+as if blown up by a pair of bellows; in another moment the gleams of
+flame grew brighter, and she fancied that three masked figures suddenly
+flashed out; but the terrible vision disappeared so swiftly that she
+took it for an optical delusion.
+
+“Madame,” Armand continued with cold contempt, “one minute, just one
+minute is enough for me, and you shall feel it afterwards at every
+moment throughout your lifetime, the one eternity over which I have
+power. I am not God. Listen carefully to me,” he continued, pausing to
+add solemnity to his words. “Love will always come at your call. You
+have boundless power over men: but remember that once you called love,
+and love came to you; love as pure and true-hearted as may be on earth,
+and as reverent as it was passionate; fond as a devoted woman’s, as a
+mother’s love; a love so great indeed, that it was past the bounds of
+reason. You played with it, and you committed a crime. Every woman has a
+right to refuse herself to love which she feels she cannot share; and
+if a man loves and cannot win love in return, he is not to be pitied,
+he has no right to complain. But with a semblance of love to attract
+an unfortunate creature cut off from all affection; to teach him to
+understand happiness to the full, only to snatch it from him; to rob him
+of his future of felicity; to slay his happiness not merely today,
+but as long as his life lasts, by poisoning every hour of it and every
+thought--this I call a fearful crime!”
+
+“Monsieur----”
+
+“I cannot allow you to answer me yet. So listen to me still. In any case
+I have rights over you; but I only choose to exercise one--the right of
+the judge over the criminal, so that I may arouse your conscience. If
+you had no conscience left, I should not reproach you at all; but you
+are so young! You must feel some life still in your heart; or so I like
+to believe. While I think of you as depraved enough to do a wrong which
+the law does not punish, I do not think you so degraded that you cannot
+comprehend the full meaning of my words. I resume.”
+
+As he spoke the Duchess heard the smothered sound of a pair of bellows.
+Those mysterious figures which she had just seen were blowing up the
+fire, no doubt; the glow shone through the curtain. But Montriveau’s
+lurid face was turned upon her; she could not choose but wait with a
+fast-beating heart and eyes fixed in a stare. However curious she felt,
+the heat in Armand’s words interested her even more than the crackling
+of the mysterious flames.
+
+“Madame,” he went on after a pause, “if some poor wretch commits a
+murder in Paris, it is the executioner’s duty, you know, to lay hands on
+him and stretch him on the plank, where murderers pay for their crimes
+with their heads. Then the newspapers inform everyone, rich and poor, so
+that the former are assured that they may sleep in peace, and the latter
+are warned that they must be on the watch if they would live. Well, you
+that are religious, and even a little of a bigot, may have masses said
+for such a man’s soul. You both belong to the same family, but yours is
+the elder branch; and the elder branch may occupy high places in peace
+and live happily and without cares. Want or anger may drive your brother
+the convict to take a man’s life; you have taken more, you have taken
+the joy out of a man’s life, you have killed all that was best in his
+life--his dearest beliefs. The murderer simply lay in wait for his
+victim, and killed him reluctantly, and in fear of the scaffold; but
+_you_ ...! You heaped up every sin that weakness can commit against
+strength that suspected no evil; you tamed a passive victim, the better
+to gnaw his heart out; you lured him with caresses; you left nothing
+undone that could set him dreaming, imagining, longing for the bliss of
+love. You asked innumerable sacrifices of him, only to refuse to make
+any in return. He should see the light indeed before you put out his
+eyes! It is wonderful how you found the heart to do it! Such villainies
+demand a display of resource quite above the comprehension of those
+bourgeoises whom you laugh at and despise. They can give and forgive;
+they know how to love and suffer. The grandeur of their devotion dwarfs
+us. Rising higher in the social scale, one finds just as much mud as at
+the lower end; but with this difference, at the upper end it is hard and
+gilded over.
+
+“Yes, to find baseness in perfection, you must look for a noble bringing
+up, a great name, a fair woman, a duchess. You cannot fall lower than
+the lowest unless you are set high above the rest of the world.--I
+express my thoughts badly; the wounds you dealt me are too painful as
+yet, but do not think that I complain. My words are not the expression
+of any hope for myself; there is no trace of bitterness in them. Know
+this, madame, for a certainty--I forgive you. My forgiveness is so
+complete that you need not feel in the least sorry that you came hither
+to find it against your will.... But you might take advantage of other
+hearts as child-like as my own, and it is my duty to spare them anguish.
+So you have inspired the thought of justice. Expiate your sin here
+on earth; God may perhaps forgive you; I wish that He may, but He is
+inexorable, and will strike.”
+
+The broken-spirited, broken-hearted woman looked up, her eyes filled
+with tears.
+
+“Why do you cry? Be true to your nature. You could look on indifferently
+at the torture of a heart as you broke it. That will do, madame, do not
+cry. I cannot bear it any longer. Other men will tell you that you have
+given them life; as for myself, I tell you, with rapture, that you have
+given me blank extinction. Perhaps you guess that I am not my own, that
+I am bound to live for my friends, that from this time forth I must
+endure the cold chill of death, as well as the burden of life? Is it
+possible that there can be so much kindness in you? Are you like the
+desert tigress that licks the wounds she has inflicted?”
+
+The Duchess burst out sobbing.
+
+“Pray spare your tears, madame. If I believed in them at all, it would
+merely set me on my guard. Is this another of your artifices? or is it
+not? You have used so many with me; how can one think that there is any
+truth in you? Nothing that you do or say has any power now to move me.
+That is all I have to say.”
+
+Mme de Langeais rose to her feet, with a great dignity and humility in
+her bearing.
+
+“You are right to treat me very hardly,” she said, holding out a hand to
+the man who did not take it; “you have not spoken hardly enough; and I
+deserve this punishment.”
+
+“_I_ punish you, madame! A man must love still, to punish, must he not?
+From me you must expect no feeling, nothing resembling it. If I chose, I
+might be accuser and judge in my cause, and pronounce and carry out the
+sentence. But I am about to fulfil a duty, not a desire of vengeance of
+any kind. The cruelest revenge of all, I think, is scorn of revenge when
+it is in our power to take it. Perhaps I shall be the minister of your
+pleasures; who knows? Perhaps from this time forth, as you gracefully
+wear the tokens of disgrace by which society marks out the criminal, you
+may perforce learn something of the convict’s sense of honour. And then,
+you will love!”
+
+The Duchess sat listening; her meekness was unfeigned; it was no
+coquettish device. When she spoke at last, it was after a silence.
+
+“Armand,” she began, “it seems to me that when I resisted love, I was
+obeying all the instincts of woman’s modesty; I should not have looked
+for such reproaches from _you_. I was weak; you have turned all my
+weaknesses against me, and made so many crimes of them. How could you
+fail to understand that the curiosity of love might have carried me
+further than I ought to go; and that next morning I might be angry
+with myself, and wretched because I had gone too far? Alas! I sinned in
+ignorance. I was as sincere in my wrongdoing, I swear to you, as in
+my remorse. There was far more love for you in my severity than in my
+concessions. And besides, of what do you complain? I gave you my heart;
+that was not enough; you demanded, brutally, that I should give my
+person----”
+
+“Brutally?” repeated Montriveau. But to himself he said, “If I once
+allow her to dispute over words, I am lost.”
+
+“Yes. You came to me as if I were one of those women. You showed none
+of the respect, none of the attentions of love. Had I not reason to
+reflect? Very well, I reflected. The unseemliness of your conduct is not
+inexcusable; love lay at the source of it; let me think so, and
+justify you to myself.--Well, Armand, this evening, even while you were
+prophesying evil, I felt convinced that there was happiness in store for
+us both. Yes, I put my faith in the noble, proud nature so often tested
+and proved.” She bent lower. “And I was yours wholly,” she murmured in
+his ear. “I felt a longing that I cannot express to give happiness to a
+man so violently tried by adversity. If I must have a master, my master
+should be a great man. As I felt conscious of my height, the less I
+cared to descend. I felt I could trust you, I saw a whole lifetime of
+love, while you were pointing to death.... Strength and kindness always
+go together. My friend, you are so strong, you will not be unkind to
+a helpless woman who loves you. If I was wrong, is there no way of
+obtaining forgiveness? No way of making reparation? Repentance is the
+charm of love; I should like to be very charming for you. How could I,
+alone among women, fail to know a woman’s doubts and fears, the timidity
+that it is so natural to feel when you bind yourself for life, and
+know how easily a man snaps such ties? The bourgeoises, with whom you
+compared me just now, give themselves, but they struggle first. Very
+well--I struggled; but here I am!--Ah! God, he does not hear me!” she
+broke off, and wringing her hands, she cried out “But I love you! I am
+yours!” and fell at Armand’s feet.
+
+“Yours! yours! my one and only master!”
+
+Armand tried to raise her.
+
+“Madame, it is too late! Antoinette cannot save the Duchesse de
+Langeais. I cannot believe in either. Today you may give yourself;
+tomorrow, you may refuse. No power in earth or heaven can insure me the
+sweet constancy of love. All love’s pledges lay in the past; and now
+nothing of that past exists.”
+
+The light behind the curtain blazed up so brightly, that the Duchess
+could not help turning her head; this time she distinctly saw the three
+masked figures.
+
+“Armand,” she said, “I would not wish to think ill of you. Why are those
+men there? What are you going to do to me?”
+
+“Those men will be as silent as I myself with regard to the thing which
+is about to be done. Think of them simply as my hands and my heart. One
+of them is a surgeon----”
+
+“A surgeon! Armand, my friend, of all things, suspense is the hardest
+to bear. Just speak; tell me if you wish for my life; I will give it to
+you, you shall not take it----”
+
+“Then you did not understand me? Did I not speak just now of justice?
+To put an end to your misapprehensions,” continued he, taking up a small
+steel object from the table, “I will now explain what I have decided
+with regard to you.”
+
+He held out a Lorraine cross, fastened to the tip of a steel rod.
+
+“Two of my friends at this very moment are heating another cross, made
+on this pattern, red-hot. We are going to stamp it upon your forehead,
+here between the eyes, so that there will be no possibility of hiding
+the mark with diamonds, and so avoiding people’s questions. In short,
+you shall bear on your forehead the brand of infamy which your brothers
+the convicts wear on their shoulders. The pain is a mere trifle, but I
+feared a nervous crisis of some kind, of resistance----”
+
+“Resistance?” she cried, clapping her hands for joy. “Oh no, no! I would
+have the whole world here to see. Ah, my Armand, brand her quickly,
+this creature of yours; brand her with your mark as a poor little trifle
+belonging to you. You asked for pledges of my love; here they are all in
+one. Ah! for me there is nothing but mercy and forgiveness and eternal
+happiness in this revenge of yours. When you have marked this woman with
+your mark, when you set your crimson brand on her, your slave in soul,
+you can never afterwards abandon her, you will be mine for evermore?
+When you cut me off from my kind, you make yourself responsible for my
+happiness, or you prove yourself base; and I know that you are noble and
+great! Why, when a woman loves, the brand of love is burnt into her
+soul by her own will.--Come in, gentlemen! come in and brand her,
+this Duchesse de Langeais. She is M. de Montriveau’s forever! Ah! come
+quickly, all of you, my forehead burns hotter than your fire!”
+
+Armand turned his head sharply away lest he should see the Duchess
+kneeling, quivering with the throbbings of her heart. He said some word,
+and his three friends vanished.
+
+The women of Paris salons know how one mirror reflects another. The
+Duchess, with every motive for reading the depths of Armand’s heart, was
+all eyes; and Armand, all unsuspicious of the mirror, brushed away two
+tears as they fell. Her whole future lay in those two tears. When he
+turned round again to help her to rise, she was standing before him,
+sure of love. Her pulses must have throbbed fast when he spoke with the
+firmness she had known so well how to use of old while she played with
+him.
+
+“I spare you, madame. All that has taken place shall be as if it had
+never been, you may believe me. But now, let us bid each other goodbye.
+I like to think that you were sincere in your coquetries on your sofa,
+sincere again in this outpouring of your heart. Good-bye. I feel that
+there is no faith in you left in me. You would torment me again; you
+would always be the Duchess, and----But there, good-bye, we shall never
+understand each other.
+
+“Now, what do you wish?” he continued, taking the tone of a master of
+the ceremonies--“to return home, or to go back to Mme de Serizy’s
+ball? I have done all in my power to prevent any scandal. Neither your
+servants nor anyone else can possibly know what has passed between us
+in the last quarter of an hour. Your servants have no idea that you have
+left the ballroom; your carriage never left Mme de Serizy’s courtyard;
+your brougham may likewise be found in the court of your own hotel.
+Where do you wish to be?”
+
+“What do you counsel, Armand?”
+
+“There is no Armand now, Mme la Duchesse. We are strangers to each
+other.”
+
+“Then take me to the ball,” she said, still curious to put Armand’s
+power to the test. “Thrust a soul that suffered in the world, and must
+always suffer there, if there is no happiness for her now, down into
+hell again. And yet, oh my friend, I love you as your bourgeoises love;
+I love you so that I could come to you and fling my arms about your neck
+before all the world if you asked it off me. The hateful world has not
+corrupted me. I am young at least, and I have grown younger still. I am
+a child, yes, your child, your new creature. Ah! do not drive me forth
+out of my Eden!”
+
+Armand shook his head.
+
+“Ah! let me take something with me, if I go, some little thing to wear
+tonight on my heart,” she said, taking possession of Armand’s glove,
+which she twisted into her handkerchief.
+
+“No, I am _not_ like all those depraved women. You do not know the
+world, and so you cannot know my worth. You shall know it now! There are
+women who sell themselves for money; there are others to be gained by
+gifts, it is a vile world! Oh, I wish I were a simple bourgeoise, a
+working girl, if you would rather have a woman beneath you than a woman
+whose devotion is accompanied by high rank, as men count it. Oh, my
+Armand, there are noble, high, and chaste and pure natures among us;
+and then they are lovely indeed. I would have all nobleness that I might
+offer it all up to you. Misfortune willed that I should be a duchess;
+I would I were a royal princess, that my offering might be complete. I
+would be a grisette for you, and a queen for everyone besides.”
+
+He listened, damping his cigars with his lips.
+
+“You will let me know when you wish to go,” he said.
+
+“But I should like to stay----”
+
+“That is another matter!”
+
+“Stay, that was badly rolled,” she cried, seizing on a cigar and
+devouring all that Armand’s lips had touched.
+
+“Do you smoke?”
+
+“Oh, what would I not do to please you?”
+
+“Very well. Go, madame.”
+
+“I will obey you,” she answered, with tears in her eyes.
+
+“You must be blindfolded; you must not see a glimpse of the way.”
+
+“I am ready, Armand,” she said, bandaging her eyes.
+
+“Can you see?”
+
+“No.”
+
+Noiselessly he knelt before her.
+
+“Ah! I can hear you!” she cried, with a little fond gesture, thinking
+that the pretence of harshness was over.
+
+He made as if he would kiss her lips; she held up her face.
+
+“You can see, madame.”
+
+“I am just a little bit curious.”
+
+“So you always deceive me?”
+
+“Ah! take off this handkerchief, sir,” she cried out, with the passion
+of a great generosity repelled with scorn, “lead me; I will not open my
+eyes.”
+
+Armand felt sure of her after that cry. He led the way; the Duchess
+nobly true to her word, was blind. But while Montriveau held her hand
+as a father might, and led her up and down flights of stairs, he was
+studying the throbbing pulses of this woman’s heart so suddenly invaded
+by Love. Mme de Langeais, rejoicing in this power of speech, was glad to
+let him know all; but he was inflexible; his hand was passive in reply
+to the questionings of her hand.
+
+At length, after some journey made together, Armand bade her go forward;
+the opening was doubtless narrow, for as she went she felt that his hand
+protected her dress. His care touched her; it was a revelation surely
+that there was a little love still left; yet it was in some sort a
+farewell, for Montriveau left her without a word. The air was warm; the
+Duchess, feeling the heat, opened her eyes, and found herself standing
+by the fire in the Comtesse de Serizy’s boudoir.
+
+She was alone. Her first thought was for her disordered toilette; in a
+moment she had adjusted her dress and restored her picturesque coiffure.
+
+“Well, dear Antoinette, we have been looking for you everywhere.” It was
+the Comtesse de Serizy who spoke as she opened the door.
+
+“I came here to breathe,” said the Duchess; “it is unbearably hot in the
+rooms.”
+
+“People thought that you had gone; but my brother Ronquerolles told me
+that your servants were waiting for you.”
+
+“I am tired out, dear, let me stay and rest here for a minute,” and the
+Duchess sat down on the sofa.
+
+“Why, what is the matter with you? You are shaking from head to foot!”
+
+The Marquis de Ronquerolles came in.
+
+“Mme la Duchesse, I was afraid that something might have happened. I
+have just come across your coachman, the man is as tipsy as all the
+Swiss in Switzerland.”
+
+The Duchess made no answer; she was looking round the room, at the
+chimney-piece and the tall mirrors, seeking the trace of an opening.
+Then with an extraordinary sensation she recollected that she was again
+in the midst of the gaiety of the ballroom after that terrific scene
+which had changed the whole course of her life. She began to shiver
+violently.
+
+“M. de Montriveau’s prophecy has shaken my nerves,” she said. “It was
+a joke, but still I will see whether his axe from London will haunt me
+even in my sleep. So good-bye, dear.--Good-bye, M. le Marquis.”
+
+As she went through the rooms she was beset with inquiries and regrets.
+Her world seemed to have dwindled now that she, its queen, had fallen so
+low, was so diminished. And what, moreover, were these men compared with
+him whom she loved with all her heart; with the man grown great by all
+that she had lost in stature? The giant had regained the height that he
+had lost for a while, and she exaggerated it perhaps beyond measure. She
+looked, in spite of herself, at the servant who had attended her to the
+ball. He was fast asleep.
+
+“Have you been here all the time?” she asked.
+
+“Yes, madame.”
+
+As she took her seat in her carriage she saw, in fact, that her coachman
+was drunk--so drunk, that at any other time she would have been afraid;
+but after a great crisis in life, fear loses its appetite for common
+food. She reached home, at any rate, without accident; but even there
+she felt a change in herself, a new feeling that she could not shake
+off. For her, there was now but one man in the world; which is to say
+that henceforth she cared to shine for his sake alone.
+
+While the physiologist can define love promptly by following out natural
+laws, the moralist finds a far more perplexing problem before him if
+he attempts to consider love in all its developments due to social
+conditions. Still, in spite of the heresies of the endless sects that
+divide the church of Love, there is one broad and trenchant line of
+difference in doctrine, a line that all the discussion in the world can
+never deflect. A rigid application of this line explains the nature
+of the crisis through which the Duchess, like most women, was to pass.
+Passion she knew, but she did not love as yet.
+
+Love and passion are two different conditions which poets and men of the
+world, philosophers and fools, alike continually confound. Love implies
+a give and take, a certainty of bliss that nothing can change; it
+means so close a clinging of the heart, and an exchange of happiness so
+constant, that there is no room left for jealousy. Then possession is a
+means and not an end; unfaithfulness may give pain, but the bond is not
+less close; the soul is neither more nor less ardent or troubled, but
+happy at every moment; in short, the divine breath of desire spreading
+from end to end of the immensity of Time steeps it all for us in the
+selfsame hue; life takes the tint of the unclouded heaven. But Passion
+is the foreshadowing of Love, and of that Infinite to which all
+suffering souls aspire. Passion is a hope that may be cheated. Passion
+means both suffering and transition. Passion dies out when hope is
+dead. Men and women may pass through this experience many times without
+dishonor, for it is so natural to spring towards happiness; but there is
+only one love in a lifetime. All discussions of sentiment ever
+conducted on paper or by word of mouth may therefore be resumed by
+two questions--“Is it passion? Is it love?” So, since love comes into
+existence only through the intimate experience of the bliss which gives
+it lasting life, the Duchess was beneath the yoke of passion as yet; and
+as she knew the fierce tumult, the unconscious calculations, the fevered
+cravings, and all that is meant by that word _passion_--she suffered.
+Through all the trouble of her soul there rose eddying gusts of tempest,
+raised by vanity or self-love, or pride or a high spirit; for all these
+forms of egoism make common cause together.
+
+She had said to this man, “I love you; I am yours!” Was it possible that
+the Duchesse de Langeais should have uttered those words--in vain? She
+must either be loved now or play her part of queen no longer. And then
+she felt the loneliness of the luxurious couch where pleasure had never
+yet set his glowing feet; and over and over again, while she tossed and
+writhed there, she said, “I want to be loved.”
+
+But the belief that she still had in herself gave her hope of success.
+The Duchess might be piqued, the vain Parisienne might be humiliated;
+but the woman saw glimpses of wedded happiness, and imagination,
+avenging the time lost for nature, took a delight in kindling the
+inextinguishable fire in her veins. She all but attained to the
+sensations of love; for amid her poignant doubt whether she was loved in
+return, she felt glad at heart to say to herself, “I love him!” As for
+her scruples, religion, and the world she could trample them under foot!
+Montriveau was her religion now. She spent the next day in a state
+of moral torpor, troubled by a physical unrest, which no words could
+express. She wrote letters and tore them all up, and invented a thousand
+impossible fancies.
+
+When M. de Montriveau’s usual hour arrived, she tried to think that he
+would come, and enjoyed the feeling of expectation. Her whole life was
+concentrated in the single sense of hearing. Sometimes she shut her
+eyes, straining her ears to listen through space, wishing that she
+could annihilate everything that lay between her and her lover, and so
+establish that perfect silence which sounds may traverse from afar. In
+her tense self-concentration, the ticking of the clock grew hateful
+to her; she stopped its ill-omened garrulity. The twelve strokes of
+midnight sounded from the drawing-room.
+
+“Ah, God!” she cried, “to see him here would be happiness. And yet, it
+is not so very long since he came here, brought by desire, and the tones
+of his voice filled this boudoir. And now there is nothing.”
+
+She remembered the times that she had played the coquette with him, and
+how that her coquetry had cost her her lover, and the despairing tears
+flowed for long.
+
+Her woman came at length with, “Mme la Duchesse does not know, perhaps,
+that it is two o’clock in the morning; I thought that madame was not
+feeling well.”
+
+“Yes, I am going to bed,” said the Duchess, drying her eyes. “But
+remember, Suzanne, never to come in again without orders; I tell you
+this for the last time.”
+
+For a week, Mme de Langeais went to every house where there was a hope
+of meeting M. de Montriveau. Contrary to her usual habits, she came
+early and went late; gave up dancing, and went to the card-tables. Her
+experiments were fruitless. She did not succeed in getting a glimpse of
+Armand. She did not dare to utter his name now. One evening, however, in
+a fit of despair, she spoke to Mme de Serizy, and asked as carelessly as
+she could, “You must have quarreled with M. de Montriveau? He is not to
+be seen at your house now.”
+
+The Countess laughed. “So he does not come here either?” she returned.
+“He is not to be seen anywhere, for that matter. He is interested in
+some woman, no doubt.”
+
+“I used to think that the Marquis de Ronquerolles was one of his
+friends----” the Duchess began sweetly.
+
+“I have never heard my brother say that he was acquainted with him.”
+
+Mme de Langeais did not reply. Mme de Serizy concluded from the
+Duchess’s silence that she might apply the scourge with impunity to a
+discreet friendship which she had seen, with bitterness of soul, for a
+long time past.
+
+“So you miss that melancholy personage, do you? I have heard most
+extraordinary things of him. Wound his feelings, he never comes back,
+he forgives nothing; and, if you love him, he keeps you in chains. To
+everything that I said of him, one of those that praise him sky-high
+would always answer, ‘He knows how to love!’ People are always telling
+me that Montriveau would give up all for his friend; that his is a great
+nature. Pooh! society does not want such tremendous natures. Men of that
+stamp are all very well at home; let them stay there and leave us to our
+pleasant littlenesses. What do you say, Antoinette?”
+
+Woman of the world though she was, the Duchess seemed agitated, yet she
+replied in a natural voice that deceived her fair friend:
+
+“I am sorry to miss him. I took a great interest in him, and promised
+to myself to be his sincere friend. I like great natures, dear friend,
+ridiculous though you may think it. To give oneself to a fool is a clear
+confession, is it not, that one is governed wholly by one’s senses?”
+
+Mme de Serizy’s “preferences” had always been for commonplace men; her
+lover at the moment, the Marquis d’Aiglemont, was a fine, tall man.
+
+After this, the Countess soon took her departure, you may be sure Mme
+de Langeais saw hope in Armand’s withdrawal from the world; she wrote to
+him at once; it was a humble, gentle letter, surely it would bring him
+if he loved her still. She sent her footman with it next day. On the
+servant’s return, she asked whether he had given the letter to M. de
+Montriveau himself, and could not restrain the movement of joy at the
+affirmative answer. Armand was in Paris! He stayed alone in his house;
+he did not go out into society! So she was loved! All day long she
+waited for an answer that never came. Again and again, when impatience
+grew unbearable, Antoinette found reasons for his delay. Armand felt
+embarrassed; the reply would come by post; but night came, and she could
+not deceive herself any longer. It was a dreadful day, a day of pain
+grown sweet, of intolerable heart-throbs, a day when the heart squanders
+the very forces of life in riot.
+
+Next day she sent for an answer.
+
+“M. le Marquis sent word that he would call on Mme la Duchesse,”
+ reported Julien.
+
+She fled lest her happiness should be seen in her face, and flung
+herself on her couch to devour her first sensations.
+
+“He is coming!”
+
+The thought rent her soul. And, in truth, woe unto those for whom
+suspense is not the most horrible time of tempest, while it increases
+and multiplies the sweetest joys; for they have nothing in them of
+that flame which quickens the images of things, giving to them a second
+existence, so that we cling as closely to the pure essence as to its
+outward and visible manifestation. What is suspense in love but a
+constant drawing upon an unfailing hope?--a submission to the terrible
+scourging of passion, while passion is yet happy, and the disenchantment
+of reality has not set in. The constant putting forth of strength and
+longing, called suspense, is surely, to the human soul, as fragrance
+to the flower that breathes it forth. We soon leave the brilliant,
+unsatisfying colours of tulips and coreopsis, but we turn again and
+again to drink in the sweetness of orange-blossoms or volkameria-flowers
+compared separately, each in its own land, to a betrothed bride, full of
+love, made fair by the past and future.
+
+The Duchess learned the joys of this new life of hers through the
+rapture with which she received the scourgings of love. As this change
+wrought in her, she saw other destinies before her, and a better
+meaning in the things of life. As she hurried to her dressing-room, she
+understood what studied adornment and the most minute attention to
+her toilet mean when these are undertaken for love’s sake and not for
+vanity. Even now this making ready helped her to bear the long time of
+waiting. A relapse of intense agitation set in when she was dressed; she
+passed through nervous paroxysms brought on by the dreadful power which
+sets the whole mind in ferment. Perhaps that power is only a disease,
+though the pain of it is sweet. The Duchess was dressed and waiting
+at two o clock in the afternoon. At half-past eleven that night M.
+de Montriveau had not arrived. To try to give an idea of the anguish
+endured by a woman who might be said to be the spoilt child of
+civilization, would be to attempt to say how many imaginings the heart
+can condense into one thought. As well endeavour to measure the forces
+expended by the soul in a sigh whenever the bell rang; to estimate the
+drain of life when a carriage rolled past without stopping, and left her
+prostrate.
+
+“Can he be playing with me?” she said, as the clocks struck midnight.
+
+She grew white; her teeth chattered; she struck her hands together and
+leapt up and crossed the boudoir, recollecting as she did so how often
+he had come thither without a summons. But she resigned herself. Had she
+not seen him grow pale, and start up under the stinging barbs of irony?
+Then Mme de Langeais felt the horror of the woman’s appointed lot; a
+man’s is the active part, a woman must wait passively when she loves. If
+a woman goes beyond her beloved, she makes a mistake which few men can
+forgive; almost every man would feel that a woman lowers herself by this
+piece of angelic flattery. But Armand’s was a great nature; he surely
+must be one of the very few who can repay such exceeding love by love
+that lasts forever.
+
+“Well, I will make the advance,” she told herself, as she tossed on her
+bed and found no sleep there; “I will go to him. I will not weary myself
+with holding out a hand to him, but I will hold it out. A man of a
+thousand will see a promise of love and constancy in every step that a
+woman takes towards him. Yes, the angels must come down from heaven to
+reach men; and I wish to be an angel for him.”
+
+Next day she wrote. It was a billet of the kind in which the intellects
+of the ten thousand Sevignes that Paris now can number particularly
+excel. And yet only a Duchesse de Langeais, brought up by Mme la
+Princesse de Blamont-Chauvry, could have written that delicious note; no
+other woman could complain without lowering herself; could spread wings
+in such a flight without draggling her pinions in humiliation; rise
+gracefully in revolt; scold without giving offence; and pardon without
+compromising her personal dignity.
+
+Julien went with the note. Julien, like his kind, was the victim of
+love’s marches and countermarches.
+
+“What did M. de Montriveau reply?” she asked, as indifferently as she
+could, when the man came back to report himself.
+
+“M. le Marquis requested me to tell Mme la Duchesse that it was all
+right.”
+
+Oh the dreadful reaction of the soul upon herself! To have her heart
+stretched on the rack before curious witnesses; yet not to utter a
+sound, to be forced to keep silence! One of the countless miseries of
+the rich!
+
+More than three weeks went by. Mme de Langeais wrote again and again,
+and no answer came from Montriveau. At last she gave out that she was
+ill, to gain a dispensation from attendance on the Princess and from
+social duties. She was only at home to her father the Duc de Navarreins,
+her aunt the Princesse de Blamont-Chauvry, the old Vidame de Pamiers
+(her maternal great-uncle), and to her husband’s uncle, the Duc de
+Grandlieu. These persons found no difficulty in believing that the
+Duchess was ill, seeing that she grew thinner and paler and more
+dejected every day. The vague ardour of love, the smart of wounded
+pride, the continual prick of the only scorn that could touch her,
+the yearnings towards joys that she craved with a vain continual
+longing--all these things told upon her, mind and body; all the forces
+of her nature were stimulated to no purpose. She was paying the arrears
+of her life of make-believe.
+
+She went out at last to a review. M. de Montriveau was to be there. For
+the Duchess, on the balcony of the Tuileries with the Royal Family,
+it was one of those festival days that are long remembered. She looked
+supremely beautiful in her languor; she was greeted with admiration in
+all eyes. It was Montriveau’s presence that made her so fair.
+
+Once or twice they exchanged glances. The General came almost to her
+feet in all the glory of that soldier’s uniform, which produces an
+effect upon the feminine imagination to which the most prudish will
+confess. When a woman is very much in love, and has not seen her lover
+for two months, such a swift moment must be something like the phase of
+a dream when the eyes embrace a world that stretches away forever.
+Only women or young men can imagine the dull, frenzied hunger in the
+Duchess’s eyes. As for older men, if during the paroxysms of early
+passion in youth they had experience of such phenomena of nervous power;
+at a later day it is so completely forgotten that they deny the very
+existence of the luxuriant ecstasy--the only name that can be given to
+these wonderful intuitions. Religious ecstasy is the aberration of a
+soul that has shaken off its bonds of flesh; whereas in amorous ecstasy
+all the forces of soul and body are embraced and blended in one. If
+a woman falls a victim to the tyrannous frenzy before which Mme de
+Langeais was forced to bend, she will take one decisive resolution
+after another so swiftly that it is impossible to give account of them.
+Thought after thought rises and flits across her brain, as clouds are
+whirled by the wind across the grey veil of mist that shuts out the sun.
+Thenceforth the facts reveal all. And the facts are these.
+
+The day after the review, Mme de Langeais sent her carriage and liveried
+servants to wait at the Marquis de Montriveau’s door from eight o’clock
+in the morning till three in the afternoon. Armand lived in the Rue de
+Tournon, a few steps away from the Chamber of Peers, and that very
+day the House was sitting; but long before the peers returned to their
+palaces, several people had recognised the Duchess’s carriage and
+liveries. The first of these was the Baron de Maulincour. That young
+officer had met with disdain from Mme de Langeais and a better reception
+from Mme de Serizy; he betook himself at once therefore to his mistress,
+and under seal of secrecy told her of this strange freak.
+
+In a moment the news was spread with telegraphic speed through all the
+coteries in the Faubourg Saint-Germain; it reached the Tuileries and the
+Elysee-Bourbon; it was the sensation of the day, the matter of all the
+talk from noon till night. Almost everywhere the women denied the facts,
+but in such a manner that the report was confirmed; the men one and
+all believed it, and manifested a most indulgent interest in Mme de
+Langeais. Some among them threw the blame on Armand.
+
+“That savage of a Montriveau is a man of bronze,” said they; “he
+insisted on making this scandal, no doubt.”
+
+“Very well, then,” others replied, “Mme de Langeais has been guilty of
+a most generous piece of imprudence. To renounce the world and rank, and
+fortune, and consideration for her lover’s sake, and that in the face
+of all Paris, is as fine a _coup d’etat_ for a woman as that barber’s
+knife-thrust, which so affected Canning in a court of assize. Not one
+of the women who blame the Duchess would make a declaration worthy of
+ancient times. It is heroic of Mme de Langeais to proclaim herself so
+frankly. Now there is nothing left to her but to love Montriveau. There
+must be something great about a woman if she says, ‘I will have but one
+passion.’”
+
+“But what is to become of society, monsieur, if you honour vice in this
+way without respect for virtue?” asked the Comtesse de Granville, the
+attorney-general’s wife.
+
+While the Chateau, the Faubourg, and the Chaussee d’Antin were
+discussing the shipwreck of aristocratic virtue; while excited young men
+rushed about on horseback to make sure that the carriage was standing in
+the Rue de Tournon, and the Duchess in consequence was beyond a doubt in
+M. de Montriveau’s rooms, Mme de Langeais, with heavy throbbing pulses,
+was lying hidden away in her boudoir. And Armand?--he had been out all
+night, and at that moment was walking with M. de Marsay in the Gardens
+of the Tuileries. The elder members, of Mme de Langeais’ family were
+engaged in calling upon one another, arranging to read her a homily
+and to hold a consultation as to the best way of putting a stop to the
+scandal.
+
+At three o’clock, therefore, M. le Duc de Navarreins, the Vidame de
+Pamiers, the old Princesse de Blamont-Chauvry, and the Duc de Grandlieu
+were assembled in Mme la Duchesse de Langeais’ drawing-room. To them, as
+to all curious inquirers, the servants said that their mistress was not
+at home; the Duchess had made no exceptions to her orders. But these
+four personages shone conspicuous in that lofty sphere, of which the
+revolutions and hereditary pretensions are solemnly recorded year by
+year in the _Almanach de Gotha_, wherefore without some slight sketch of
+each of them this picture of society were incomplete.
+
+The Princesse de Blamont-Chauvry, in the feminine world, was a most
+poetic wreck of the reign of Louis Quinze. In her beautiful prime, so it
+was said, she had done her part to win for that monarch his appellation
+of _le Bien-aime_. Of her past charms of feature, little remained save
+a remarkably prominent slender nose, curved like a Turkish scimitar, now
+the principal ornament of a countenance that put you in mind of an old
+white glove. Add a few powdered curls, high-heeled pantoufles, a cap
+with upstanding loops of lace, black mittens, and a decided taste for
+_ombre_. But to do full justice to the lady, it must be said that she
+appeared in low-necked gowns of an evening (so high an opinion of her
+ruins had she), wore long gloves, and raddled her cheeks with Martin’s
+classic rouge. An appalling amiability in her wrinkles, a prodigious
+brightness in the old lady’s eyes, a profound dignity in her whole
+person, together with the triple barbed wit of her tongue, and an
+infallible memory in her head, made of her a real power in the land. The
+whole Cabinet des Chartes was entered in duplicate on the parchment
+of her brain. She knew all the genealogies of every noble house in
+Europe--princes, dukes, and counts--and could put her hand on the last
+descendants of Charlemagne in the direct line. No usurpation of title
+could escape the Princesse de Blamont-Chauvry.
+
+Young men who wished to stand well at Court, ambitious men, and young
+married women paid her assiduous homage. Her salon set the tone of the
+Faubourg Saint-Germain. The words of this Talleyrand in petticoats
+were taken as final decrees. People came to consult her on questions of
+etiquette or usages, or to take lessons in good taste. And, in truth,
+no other old woman could put back her snuff-box in her pocket as the
+Princess could; while there was a precision and a grace about the
+movements of her skirts, when she sat down or crossed her feet, which
+drove the finest ladies of the young generation to despair. Her voice
+had remained in her head during one-third of her lifetime; but she could
+not prevent a descent into the membranes of the nose, which lent to it a
+peculiar expressiveness. She still retained a hundred and fifty thousand
+livres of her great fortune, for Napoleon had generously returned her
+woods to her; so that personally and in the matter of possessions she
+was a woman of no little consequence.
+
+This curious antique, seated in a low chair by the fireside, was
+chatting with the Vidame de Pamiers, a contemporary ruin. The Vidame was
+a big, tall, and spare man, a seigneur of the old school, and had been
+a Commander of the Order of Malta. His neck had always been so tightly
+compressed by a strangulation stock, that his cheeks pouched over it a
+little, and he held his head high; to many people this would have given
+an air of self-sufficiency, but in the Vidame it was justified by a
+Voltairean wit. His wide prominent eyes seemed to see everything, and as
+a matter of fact there was not much that they had not seen. Altogether,
+his person was a perfect model of aristocratic outline, slim and
+slender, supple and agreeable. He seemed as if he could be pliant or
+rigid at will, and twist and bend, or rear his head like a snake.
+
+The Duc de Navarreins was pacing up and down the room with the Duc de
+Grandlieu. Both were men of fifty-six or thereabouts, and still hale;
+both were short, corpulent, flourishing, somewhat florid-complexioned
+men with jaded eyes, and lower lips that had begun to hang already. But
+for an exquisite refinement of accent, an urbane courtesy, and an ease
+of manner that could change in a moment to insolence, a superficial
+observer might have taken them for a couple of bankers. Any such mistake
+would have been impossible, however, if the listener could have heard
+them converse, and seen them on their guard with men whom they feared,
+vapid and commonplace with their equals, slippery with the inferiors
+whom courtiers and statesmen know how to tame by a tactful word, or to
+humiliate with an unexpected phrase.
+
+Such were the representatives of the great noblesse that determined to
+perish rather than submit to any change. It was a noblesse that deserved
+praise and blame in equal measure; a noblesse that will never be judged
+impartially until some poet shall arise to tell how joyfully the nobles
+obeyed the King though their heads fell under a Richelieu’s axe, and how
+deeply they scorned the guillotine of ‘89 as a foul revenge.
+
+Another noticeable trait in all the four was a thin voice that agreed
+peculiarly well with their ideas and bearing. Among themselves, at any
+rate, they were on terms of perfect equality. None of them betrayed
+any sign of annoyance over the Duchess’s escapade, but all of them had
+learned at Court to hide their feelings.
+
+And here, lest critics should condemn the puerility of the opening of
+the forthcoming scene, it is perhaps as well to remind the reader that
+Locke, once happening to be in the company of several great lords,
+renowned no less for their wit than for their breeding and political
+consistency, wickedly amused himself by taking down their conversation
+by some shorthand process of his own; and afterwards, when he read
+it over to them to see what they could make of it, they all burst out
+laughing. And, in truth, the tinsel jargon which circulates among the
+upper ranks in every country yields mighty little gold to the crucible
+when washed in the ashes of literature or philosophy. In every rank of
+society (some few Parisian salons excepted) the curious observer finds
+folly a constant quantity beneath a more or less transparent varnish.
+Conversation with any substance in it is a rare exception, and
+boeotianism is current coin in every zone. In the higher regions they
+must perforce talk more, but to make up for it they think the less.
+Thinking is a tiring exercise, and the rich like their lives to flow by
+easily and without effort. It is by comparing the fundamental matter of
+jests, as you rise in the social scale from the street-boy to the peer
+of France, that the observer arrives at a true comprehension of M. de
+Talleyrand’s maxim, “The manner is everything”; an elegant rendering of
+the legal axiom, “The form is of more consequence than the matter.” In
+the eyes of the poet the advantage rests with the lower classes, for
+they seldom fail to give a certain character of rude poetry to their
+thoughts. Perhaps also this same observation may explain the sterility
+of the salons, their emptiness, their shallowness, and the repugnance
+felt by men of ability for bartering their ideas for such pitiful small
+change.
+
+The Duke suddenly stopped as if some bright idea occurred to him, and
+remarked to his neighbour:
+
+“So you have sold Tornthon?”
+
+“No, he is ill. I am very much afraid I shall lose him, and I should be
+uncommonly sorry. He is a very good hunter. Do you know how the Duchesse
+de Marigny is?”
+
+“No. I did not go this morning. I was just going out to call when
+you came in to speak about Antoinette. But yesterday she was very ill
+indeed; they had given her up, she took the sacrament.”
+
+“Her death will make a change in your cousin’s position.”
+
+“Not at all. She gave away her property in her lifetime, only keeping
+an annuity. She made over the Guebriant estate to her niece, Mme de
+Soulanges, subject to a yearly charge.”
+
+“It will be a great loss for society. She was a kind woman. Her family
+will miss her; her experience and advice carried weight. Her son Marigny
+is an amiable man; he has a sharp wit, he can talk. He is pleasant, very
+pleasant. Pleasant? oh, that no one can deny, but--ill regulated to
+the last degree. Well, and yet it is an extraordinary thing, he is
+very acute. He was dining at the club the other day with that moneyed
+Chaussee-d’Antin set. Your uncle (he always goes there for his game
+of cards) found him there to his astonishment, and asked if he was a
+member. ‘Yes,’ said he, ‘I don’t go into society now; I am living among
+the bankers.’--You know why?” added the Marquis, with a meaning smile.
+
+“No,” said the Duke.
+
+“He is smitten with that little Mme Keller, Gondreville’s daughter; she
+is only lately married, and has a great vogue, they say, in that set.”
+
+“Well, Antoinette does not find time heavy on her hands, it seems,”
+ remarked the Vidame.
+
+“My affection for that little woman has driven me to find a singular
+pastime,” replied the Princess, as she returned her snuff-box to her
+pocket.
+
+“Dear aunt, I am extremely vexed,” said the Duke, stopping short in his
+walk. “Nobody but one of Bonaparte’s men could ask such an indecorous
+thing of a woman of fashion. Between ourselves, Antoinette might have
+made a better choice.”
+
+“The Montriveaus are a very old family and very well connected, my
+dear,” replied the Princess; “they are related to all the noblest houses
+of Burgundy. If the Dulmen branch of the Arschoot Rivaudoults should
+come to an end in Galicia, the Montriveaus would succeed to the Arschoot
+title and estates. They inherit through their great-grandfather.
+
+“Are you sure?”
+
+“I know it better than this Montriveau’s father did. I told him about
+it, I used to see a good deal of him; and, Chevalier of several orders
+though he was, he only laughed; he was an encyclopaedist. But his
+brother turned the relationship to good account during the emigration.
+I have heard it said that his northern kinsfolk were most kind in every
+way----”
+
+“Yes, to be sure. The Comte de Montriveau died at St. Petersburg,”
+ said the Vidame. “I met him there. He was a big man with an incredible
+passion for oysters.”
+
+“However many did he eat?” asked the Duc de Grandlieu.
+
+“Ten dozen every day.”
+
+“And did they not disagree with him?”
+
+“Not the least bit in the world.”
+
+“Why, that is extraordinary! Had he neither the stone nor gout, nor any
+other complaint, in consequence?”
+
+“No; his health was perfectly good, and he died through an accident.”
+
+“By accident! Nature prompted him to eat oysters, so probably he
+required them; for up to a certain point our predominant tastes are
+conditions of our existence.”
+
+“I am of your opinion,” said the Princess, with a smile.
+
+“Madame, you always put a malicious construction on things,” returned
+the Marquis.
+
+“I only want you to understand that these remarks might leave a wrong
+impression on a young woman’s mind,” said she, and interrupted herself
+to exclaim, “But this niece, this niece of mine!”
+
+“Dear aunt, I still refuse to believe that she can have gone to M. de
+Montriveau,” said the Duc de Navarreins.
+
+“Bah!” returned the Princess.
+
+“What do you think, Vidame?” asked the Marquis.
+
+“If the Duchess were an artless simpleton, I should think that----”
+
+“But when a woman is in love she becomes an artless simpleton,” retorted
+the Princess. “Really, my poor Vidame, you must be getting older.”
+
+“After all, what is to be done?” asked the Duke.
+
+“If my dear niece is wise,” said the Princess, “she will go to Court
+this evening--fortunately, today is Monday, and reception day--and you
+must see that we all rally round her and give the lie to this absurd
+rumour. There are hundreds of ways of explaining things; and if the
+Marquis de Montriveau is a gentleman, he will come to our assistance. We
+will bring these children to listen to reason----”
+
+“But, dear aunt, it is not easy to tell M. de Montriveau the truth to
+his face. He is one of Bonaparte’s pupils, and he has a position. Why,
+he is one of the great men of the day; he is high up in the Guards, and
+very useful there. He has not a spark of ambition. He is just the man to
+say, ‘Here is my commission, leave me in peace,’ if the King should say
+a word that he did not like.”
+
+“Then, pray, what are his opinions?”
+
+“Very unsound.”
+
+“Really,” sighed the Princess, “the King is, as he always has been, a
+Jacobin under the Lilies of France.”
+
+“Oh! not quite so bad,” said the Vidame.
+
+“Yes; I have known him for a long while. The man that pointed out the
+Court to his wife on the occasion of her first state dinner in public
+with, ‘These are our people,’ could only be a black-hearted scoundrel.
+I can see Monsieur exactly the same as ever in the King. The bad brother
+who voted so wrongly in his department of the Constituent Assembly was
+sure to compound with the Liberals and allow them to argue and talk.
+This philosophical cant will be just as dangerous now for the younger
+brother as it used to be for the elder; this fat man with the little
+mind is amusing himself by creating difficulties, and how his successor
+is to get out of them I do not know; he holds his younger brother in
+abhorrence; he would be glad to think as he lay dying, ‘He will not
+reign very long----’”
+
+“Aunt, he is the King, and I have the honour to be in his service----”
+
+“But does your post take away your right of free speech, my dear? You
+come of quite as good a house as the Bourbons. If the Guises had shown a
+little more resolution, His Majesty would be a nobody at this day. It is
+time I went out of this world, the noblesse is dead. Yes, it is all
+over with you, my children,” she continued, looking as she spoke at the
+Vidame. “What has my niece done that the whole town should be talking
+about her? She is in the wrong; I disapprove of her conduct, a useless
+scandal is a blunder; that is why I still have my doubts about this want
+of regard for appearances; I brought her up, and I know that----”
+
+Just at that moment the Duchess came out of her boudoir. She had
+recognised her aunt’s voice and heard the name of Montriveau. She
+was still in her loose morning-gown; and even as she came in, M.
+de Grandlieu, looking carelessly out of the window, saw his niece’s
+carriage driving back along the street. The Duke took his daughter’s
+face in both hands and kissed her on the forehead.
+
+“So, dear girl,” he said, “you do not know what is going on?”
+
+“Has anything extraordinary happened, father dear?”
+
+“Why, all Paris believes that you are with M. de Montriveau.”
+
+“My dear Antoinette, you were at home all the time, were you not?”
+ said the Princess, holding out a hand, which the Duchess kissed with
+affectionate respect.
+
+“Yes, dear mother; I was at home all the time. And,” she added, as she
+turned to greet the Vidame and the Marquis, “I wished that all Paris
+should think that I was with M. de Montriveau.”
+
+The Duke flung up his hands, struck them together in despair, and folded
+his arms.
+
+“Then, cannot you see what will come of this mad freak?” he asked at
+last.
+
+But the aged Princess had suddenly risen, and stood looking steadily
+at the Duchess, the younger woman flushed, and her eyes fell. Mme de
+Chauvry gently drew her closer, and said, “My little angel, let me kiss
+you!”
+
+She kissed her niece very affectionately on the forehead, and continued
+smiling, while she held her hand in a tight clasp.
+
+“We are not under the Valois now, dear child. You have compromised your
+husband and your position. Still, we will arrange to make everything
+right.”
+
+“But, dear aunt, I do not wish to make it right at all. It is my wish
+that all Paris should say that I was with M. de Montriveau this morning.
+If you destroy that belief, however ill grounded it may be, you will do
+me a singular disservice.”
+
+“Do you really wish to ruin yourself, child, and to grieve your family?”
+
+“My family, father, unintentionally condemned me to irreparable
+misfortune when they sacrificed me to family considerations. You may,
+perhaps, blame me for seeking alleviations, but you will certainly feel
+for me.”
+
+“After all the endless pains you take to settle your daughters
+suitably!” muttered M. de Navarreins, addressing the Vidame.
+
+The Princess shook a stray grain of snuff from her skirts. “My dear
+little girl,” she said, “be happy, if you can. We are not talking of
+troubling your felicity, but of reconciling it with social usages. We
+all of us here assembled know that marriage is a defective institution
+tempered by love. But when you take a lover, is there any need to make
+your bed in the Place du Carrousel? See now, just be a bit reasonable,
+and hear what we have to say.”
+
+“I am listening.”
+
+“Mme la Duchesse,” began the Duc de Grandlieu, “if it were any part of
+an uncle’s duty to look after his nieces, he ought to have a position;
+society would owe him honours and rewards and a salary, exactly as if
+he were in the King’s service. So I am not here to talk about my nephew,
+but of your own interests. Let us look ahead a little. If you persist in
+making a scandal--I have seen the animal before, and I own that I have
+no great liking for him--Langeais is stingy enough, and he does not care
+a rap for anyone but himself; he will have a separation; he will stick
+to your money, and leave you poor, and consequently you will be a
+nobody. The income of a hundred thousand livres that you have just
+inherited from your maternal great-aunt will go to pay for his
+mistresses’ amusements. You will be bound and gagged by the law;
+you will have to say _Amen_ to all these arrangements. Suppose M. de
+Montriveau leaves you----dear me! do not let us put ourselves in a
+passion, my dear niece; a man does not leave a woman while she is young
+and pretty; still, we have seen so many pretty women left disconsolate,
+even among princesses, that you will permit the supposition, an all but
+impossible supposition I quite wish to believe.----Well, suppose that
+he goes, what will become of you without a husband? Keep well with your
+husband as you take care of your beauty; for beauty, after all, is a
+woman’s parachute, and a husband also stands between you and worse. I
+am supposing that you are happy and loved to the end, and I am leaving
+unpleasant or unfortunate events altogether out of the reckoning. This
+being so, fortunately or unfortunately, you may have children. What are
+they to be? Montriveaus? Very well; they certainly will not succeed to
+their father’s whole fortune. You will want to give them all that you
+have; he will wish to do the same. Nothing more natural, dear me!
+And you will find the law against you. How many times have we
+seen heirs-at-law bringing a law-suit to recover the property from
+illegitimate children? Every court of law rings with such actions all
+over the world. You will create a _fidei commissum_ perhaps; and if the
+trustee betrays your confidence, your children have no remedy against
+him; and they are ruined. So choose carefully. You see the perplexities
+of the position. In every possible way your children will be sacrificed
+of necessity to the fancies of your heart; they will have no recognised
+status. While they are little they will be charming; but, Lord! some day
+they will reproach you for thinking of no one but your two selves. We
+old gentlemen know all about it. Little boys grow up into men, and men
+are ungrateful beings. When I was in Germany, did I not hear young de
+Horn say, after supper, ‘If my mother had been an honest woman, I should
+be prince-regnant!’ _If_?’ We have spent our lives in hearing plebeians
+say _if_. _If_ brought about the Revolution. When a man cannot lay the
+blame on his father or mother, he holds God responsible for his hard
+lot. In short, dear child, we are here to open your eyes. I will say all
+I have to say in a few words, on which you had better meditate: A woman
+ought never to put her husband in the right.”
+
+“Uncle, so long as I cared for nobody, I could calculate; I looked at
+interests then, as you do; now, I can only feel.”
+
+“But, my dear little girl,” remonstrated the Vidame, “life is simply a
+complication of interests and feelings; to be happy, more particularly
+in your position, one must try to reconcile one’s feelings with
+one’s interests. A grisette may love according to her fancy, that is
+intelligible enough, but you have a pretty fortune, a family, a name and
+a place at Court, and you ought not to fling them out of the window.
+And what have we been asking you to do to keep them all?--To manoeuvre
+carefully instead of falling foul of social conventions. Lord! I shall
+very soon be eighty years old, and I cannot recollect, under any regime,
+a love worth the price that you are willing to pay for the love of this
+lucky young man.”
+
+The Duchess silenced the Vidame with a look; if Montriveau could have
+seen that glance, he would have forgiven all.
+
+“It would be very effective on the stage,” remarked the Duc de
+Grandlieu, “but it all amounts to nothing when your jointure and
+position and independence is concerned. You are not grateful, my dear
+niece. You will not find many families where the relatives have courage
+enough to teach the wisdom gained by experience, and to make rash young
+heads listen to reason. Renounce your salvation in two minutes, if it
+pleases you to damn yourself; well and good; but reflect well beforehand
+when it comes to renouncing your income. I know of no confessor who
+remits the pains of poverty. I have a right, I think, to speak in this
+way to you; for if you are ruined, I am the one person who can offer you
+a refuge. I am almost an uncle to Langeais, and I alone have a right to
+put him in the wrong.”
+
+The Duc de Navarreins roused himself from painful reflections.
+
+“Since you speak of feeling, my child,” he said, “let me remind you that
+a woman who bears your name ought to be moved by sentiments which do
+not touch ordinary people. Can you wish to give an advantage to the
+Liberals, to those Jesuits of Robespierre’s that are doing all they
+can to vilify the noblesse? Some things a Navarreins cannot do
+without failing in duty to his house. You would not be alone in your
+dishonor----”
+
+“Come, come!” said the Princess. “Dishonor? Do not make such a fuss
+about the journey of an empty carriage, children, and leave me alone
+with Antoinette. All three of you come and dine with me. I will
+undertake to arrange matters suitably. You men understand nothing;
+you are beginning to talk sourly already, and I have no wish to see a
+quarrel between you and my dear child. Do me the pleasure to go.”
+
+The three gentlemen probably guessed the Princess’s intentions; they
+took their leave. M. de Navarreins kissed his daughter on the forehead
+with, “Come, be good, dear child. It is not too late yet if you choose.”
+
+“Couldn’t we find some good fellow in the family to pick a quarrel with
+this Montriveau?” said the Vidame, as they went downstairs.
+
+When the two women were alone, the Princess beckoned her niece to a
+little low chair by her side.
+
+“My pearl,” said she, “in this world below, I know nothing worse
+calumniated than God and the eighteenth century; for as I look back over
+my own young days, I do not recollect that a single duchess trampled the
+proprieties underfoot as you have just done. Novelists and scribblers
+brought the reign of Louis XV into disrepute. Do not believe them. The
+du Barry, my dear, was quite as good as the Widow Scarron, and the more
+agreeable woman of the two. In my time a woman could keep her dignity
+among her gallantries. Indiscretion was the ruin of us, and the
+beginning of all the mischief. The philosophists--the nobodies whom we
+admitted into our salons--had no more gratitude or sense of decency than
+to make an inventory of our hearts, to traduce us one and all, and to
+rail against the age by way of a return for our kindness. The people are
+not in a position to judge of anything whatsoever; they looked at the
+facts, not at the form. But the men and women of those times, my heart,
+were quite as remarkable as at any other period of the Monarchy. Not one
+of your Werthers, none of your notabilities, as they are called, never
+a one of your men in yellow kid gloves and trousers that disguise the
+poverty of their legs, would cross Europe in the dress of a travelling
+hawker to brave the daggers of a Duke of Modena, and to shut himself up
+in the dressing-room of the Regent’s daughter at the risk of his life.
+Not one of your little consumptive patients with their tortoiseshell
+eyeglasses would hide himself in a closet for six weeks, like Lauzun,
+to keep up his mistress’s courage while she was lying in of her child.
+There was more passion in M. de Jaucourt’s little finger than in
+your whole race of higglers that leave a woman to better themselves
+elsewhere! Just tell me where to find the page that would be cut in
+pieces and buried under the floorboards for one kiss on the Konigsmark’s
+gloved finger!
+
+“Really, it would seem today that the roles are exchanged, and women
+are expected to show their devotion for men. These modern gentlemen are
+worth less, and think more of themselves. Believe me, my dear, all these
+adventures that have been made public, and now are turned against our
+good Louis XV, were kept quite secret at first. If it had not been for
+a pack of poetasters, scribblers, and moralists, who hung about our
+waiting-women, and took down their slanders, our epoch would have
+appeared in literature as a well-conducted age. I am justifying the
+century and not its fringe. Perhaps a hundred women of quality were
+lost; but for every one, the rogues set down ten, like the gazettes
+after a battle when they count up the losses of the beaten side. And in
+any case I do not know that the Revolution and the Empire can reproach
+us; they were coarse, dull, licentious times. Faugh! it is revolting.
+Those are the brothels of French history.
+
+“This preamble, my dear child,” she continued after a pause, “brings
+me to the thing that I have to say. If you care for Montriveau, you are
+quite at liberty to love him at your ease, and as much as you can. I
+know by experience that, unless you are locked up (but locking people
+up is out of fashion now), you will do as you please; I should have done
+the same at your age. Only, sweetheart, I should not have given up my
+right to be the mother of future Ducs de Langeais. So mind appearances.
+The Vidame is right. No man is worth a single one of the sacrifices
+which we are foolish enough to make for their love. Put yourself in
+such a position that you may still be M. de Langeais’ wife, in case you
+should have the misfortune to repent. When you are an old woman, you
+will be very glad to hear mass said at Court, and not in some provincial
+convent. Therein lies the whole question. A single imprudence means an
+allowance and a wandering life; it means that you are at the mercy of
+your lover; it means that you must put up with insolence from women
+that are not so honest, precisely because they have been very vulgarly
+sharp-witted. It would be a hundred times better to go to Montriveau’s
+at night in a cab, and disguised, instead of sending your carriage in
+broad daylight. You are a little fool, my dear child! Your carriage
+flattered his vanity; your person would have ensnared his heart. All
+this that I have said is just and true; but, for my own part, I do not
+blame you. You are two centuries behind the times with your false ideas
+of greatness. There, leave us to arrange your affairs, and say that
+Montriveau made your servants drunk to gratify his vanity and to
+compromise you----”
+
+The Duchess rose to her feet with a spring. “In Heaven’s name, aunt, do
+not slander him!”
+
+The old Princess’s eyes flashed.
+
+“Dear child,” she said, “I should have liked to spare such of your
+illusions as were not fatal. But there must be an end of all illusions
+now. You would soften me if I were not so old. Come, now, do not vex
+him, or us, or anyone else. I will undertake to satisfy everybody; but
+promise me not to permit yourself a single step henceforth until you
+have consulted me. Tell me all, and perhaps I may bring it all right
+again.”
+
+“Aunt, I promise----”
+
+“To tell me everything?”
+
+“Yes, everything. Everything that can be told.”
+
+“But, my sweetheart, it is precisely what cannot be told that I want
+to know. Let us understand each other thoroughly. Come, let me put my
+withered old lips on your beautiful forehead. No; let me do as I wish. I
+forbid you to kiss my bones. Old people have a courtesy of their own....
+There, take me down to my carriage,” she added, when she had kissed her
+niece.
+
+“Then may I go to him in disguise, dear aunt?”
+
+“Why--yes. The story can always be denied,” said the old Princess.
+
+This was the one idea which the Duchess had clearly grasped in the
+sermon. When Mme de Chauvry was seated in the corner of her carriage,
+Mme de Langeais bade her a graceful adieu and went up to her room. She
+was quite happy again.
+
+“My person would have snared his heart; my aunt is right; a man cannot
+surely refuse a pretty woman when she understands how to offer herself.”
+
+That evening, at the Elysee-Bourbon, the Duc de Navarreins, M. de
+Pamiers, M. de Marsay, M. de Grandlieu, and the Duc de Maufrigneuse
+triumphantly refuted the scandals that were circulating with regard to
+the Duchesse de Langeais. So many officers and other persons had seen
+Montriveau walking in the Tuileries that morning, that the silly story
+was set down to chance, which takes all that is offered. And so,
+in spite of the fact that the Duchess’s carriage had waited before
+Montriveau’s door, her character became as clear and as spotless as
+Membrino’s sword after Sancho had polished it up.
+
+But, at two o’clock, M. de Ronquerolles passed Montriveau in a deserted
+alley, and said with a smile, “She is coming on, is your Duchess. Go on,
+keep it up!” he added, and gave a significant cut of the riding whip to
+his mare, who sped off like a bullet down the avenue.
+
+Two days after the fruitless scandal, Mme de Langeais wrote to M. de
+Montriveau. That letter, like the preceding ones, remained unanswered.
+This time she took her own measures, and bribed M. de Montriveau’s man,
+Auguste. And so at eight o’clock that evening she was introduced into
+Armand’s apartment. It was not the room in which that secret scene had
+passed; it was entirely different. The Duchess was told that the General
+would not be at home that night. Had he two houses? The man would give
+no answer. Mme de Langeais had bought the key of the room, but not the
+man’s whole loyalty.
+
+When she was left alone she saw her fourteen letters lying on an
+old-fashioned stand, all of them uncreased and unopened. He had not
+read them. She sank into an easy-chair, and for a while she lost
+consciousness. When she came to herself, Auguste was holding vinegar for
+her to inhale.
+
+“A carriage; quick!” she ordered.
+
+The carriage came. She hastened downstairs with convulsive speed, and
+left orders that no one was to be admitted. For twenty-four hours she
+lay in bed, and would have no one near her but her woman, who brought
+her a cup of orange-flower water from time to time. Suzette heard
+her mistress moan once or twice, and caught a glimpse of tears in the
+brilliant eyes, now circled with dark shadows.
+
+The next day, amid despairing tears, Mme de Langeais took her
+resolution. Her man of business came for an interview, and no doubt
+received instructions of some kind. Afterwards she sent for the
+Vidame de Pamiers; and while she waited, she wrote a letter to M.
+de Montriveau. The Vidame punctually came towards two o’clock that
+afternoon, to find his young cousin looking white and worn, but
+resigned; never had her divine loveliness been more poetic than now in
+the languor of her agony.
+
+“You owe this assignation to your eighty-four years, dear cousin,” she
+said. “Ah! do not smile, I beg of you, when an unhappy woman has reached
+the lowest depths of wretchedness. You are a gentleman, and after the
+adventures of your youth you must feel some indulgence for women.”
+
+“None whatever,” said he.
+
+“Indeed!”
+
+“Everything is in their favour.”
+
+“Ah! Well, you are one of the inner family circle; possibly you will be
+the last relative, the last friend whose hand I shall press, so I can
+ask your good offices. Will you, dear Vidame, do me a service which I
+could not ask of my own father, nor of my uncle Grandlieu, nor of any
+woman? You cannot fail to understand. I beg of you to do my bidding, and
+then to forget what you have done, whatever may come of it. It is this:
+Will you take this letter and go to M. de Montriveau? will you see him
+yourself, give it into his hands, and ask him, as you men can ask things
+between yourselves--for you have a code of honour between man and man
+which you do not use with us, and a different way of regarding things
+between yourselves--ask him if he will read this letter? Not in
+your presence. Certain feelings men hide from each other. I give you
+authority to say, if you think it necessary to bring him, that it is a
+question of life or death for me. If he deigns----”
+
+“_Deigns_!” repeated the Vidame.
+
+“If he deigns to read it,” the Duchess continued with dignity, “say one
+thing more. You will go to see him about five o’clock, for I know that
+he will dine at home today at that time. Very good. By way of answer he
+must come to see me. If, three hours afterwards, by eight o’clock, he
+does not leave his house, all will be over. The Duchesse de Langeais
+will have vanished from the world. I shall not be dead, dear friend, no,
+but no human power will ever find me again on this earth. Come and dine
+with me; I shall at least have one friend with me in the last agony.
+Yes, dear cousin, tonight will decide my fate; and whatever happens to
+me, I pass through an ordeal by fire. There! not a word. I will hear
+nothing of the nature of comment or advice----Let us chat and laugh
+together,” she added, holding out a hand, which he kissed. “We will be
+like two grey-headed philosophers who have learned how to enjoy life to
+the last moment. I will look my best; I will be very enchanting for
+you. You perhaps will be the last man to set eyes on the Duchesse de
+Langeais.”
+
+The Vicomte bowed, took the letter, and went without a word. At five
+o’clock he returned. His cousin had studied to please him, and she
+looked lovely indeed. The room was gay with flowers as if for a
+festivity; the dinner was exquisite. For the grey-headed Vidame the
+Duchess displayed all the brilliancy of her wit; she was more charming
+than she had ever been before. At first the Vidame tried to look on
+all these preparations as a young woman’s jest; but now and again the
+attempted illusion faded, the spell of his fair cousin’s charm was
+broken. He detected a shudder caused by some kind of sudden dread, and
+once she seemed to listen during a pause.
+
+“What is the matter?” he asked.
+
+“Hush!” she said.
+
+At seven o’clock the Duchess left him for a few minutes. When she came
+back again she was dressed as her maid might have dressed for a journey.
+She asked her guest to be her escort, took his arm, sprang into a
+hackney coach, and by a quarter to eight they stood outside M. de
+Montriveau’s door.
+
+Armand meantime had been reading the following letter:--
+
+
+“MY FRIEND,--I went to your rooms for a few minutes without your
+knowledge; I found my letters there, and took them away. This cannot
+be indifference, Armand, between us; and hatred would show itself quite
+differently. If you love me, make an end of this cruel play, or you will
+kill me, and afterwards, learning how much you were loved, you might be
+in despair. If I have not rightly understood you, if you have no feeling
+towards me but aversion, which implies both contempt and disgust, then
+I give up all hope. A man never recovers from those feelings. You will
+have no regrets. Dreadful though that thought may be, it will comfort me
+in my long sorrow. Regrets? Oh, my Armand, may I never know of them; if
+I thought that I had caused you a single regret----But, no, I will not
+tell you what desolation I should feel. I should be living still, and I
+could not be your wife; it would be too late!
+
+“Now that I have given myself wholly to you in thought, to whom else
+should I give myself?--to God. The eyes that you loved for a little
+while shall never look on another man’s face; and may the glory of God
+blind them to all besides. I shall never hear human voices more since I
+heard yours--so gentle at the first, so terrible yesterday; for it seems
+to me that I am still only on the morrow of your vengeance. And now
+may the will of God consume me. Between His wrath and yours, my friend,
+there will be nothing left for me but a little space for tears and
+prayers.
+
+“Perhaps you wonder why I write to you? Ah! do not think ill of me if I
+keep a gleam of hope, and give one last sigh to happy life before I take
+leave of it forever. I am in a hideous position. I feel all the inward
+serenity that comes when a great resolution has been taken, even while I
+hear the last growlings of the storm. When you went out on that terrible
+adventure which so drew me to you, Armand, you went from the desert to
+the oasis with a good guide to show you the way. Well, I am going out of
+the oasis into the desert, and you are a pitiless guide to me. And yet
+you only, my friend, can understand how melancholy it is to look back
+for the last time on happiness--to you, and you only, I can make moan
+without a blush. If you grant my entreaty, I shall be happy; if you are
+inexorable, I shall expiate the wrong that I have done. After all, it is
+natural, is it not, that a woman should wish to live, invested with all
+noble feelings, in her friend’s memory? Oh! my one and only love, let
+her to whom you gave life go down into the tomb in the belief that she
+is great in your eyes. Your harshness led me to reflect; and now that I
+love you so, it seems to me that I am less guilty than you think. Listen
+to my justification, I owe it to you; and you that are all the world to
+me, owe me at least a moment’s justice.
+
+“I have learned by my own anguish all that I made you suffer by my
+coquetry; but in those days I was utterly ignorant of love. _You_ know
+what the torture is, and you mete it out to me! During those first eight
+months that you gave me you never roused any feeling of love in me. Do
+you ask why this was so, my friend? I can no more explain it than I can
+tell you why I love you now. Oh! certainly it flattered my vanity that I
+should be the subject of your passionate talk, and receive those burning
+glances of yours; but you left me cold. No, I was not a woman; I had
+no conception of womanly devotion and happiness. Who was to blame? You
+would have despised me, would you not, if I had given myself without
+the impulse of passion? Perhaps it is the highest height to which we
+can rise--to give all and receive no joy; perhaps there is no merit in
+yielding oneself to bliss that is foreseen and ardently desired. Alas,
+my friend, I can say this now; these thoughts came to me when I played
+with you; and you seemed to me so great even then that I would not have
+you owe the gift to pity----What is this that I have written?
+
+“I have taken back all my letters; I am flinging them one by one on the
+fire; they are burning. You will never know what they confessed--all the
+love and the passion and the madness----
+
+“I will say no more, Armand; I will stop. I will not say another word of
+my feelings. If my prayers have not echoed from my soul through yours,
+I also, woman that I am, decline to owe your love to your pity. It is my
+wish to be loved, because you cannot choose but love me, or else to
+be left without mercy. If you refuse to read this letter, it shall be
+burnt. If, after you have read it, you do not come to me within three
+hours, to be henceforth forever my husband, the one man in the world for
+me; then I shall never blush to know that this letter is in your hands,
+the pride of my despair will protect my memory from all insult, and my
+end shall be worthy of my love. When you see me no more on earth, albeit
+I shall still be alive, you yourself will not think without a shudder
+of the woman who, in three hours’ time, will live only to overwhelm
+you with her tenderness; a woman consumed by a hopeless love, and
+faithful--not to memories of past joys--but to a love that was slighted.
+
+“The Duchesse de la Valliere wept for lost happiness and vanished power;
+but the Duchesse de Langeais will be happy that she may weep and be a
+power for you still. Yes, you will regret me. I see clearly that I was
+not of this world, and I thank you for making it clear to me.
+
+“Farewell; you will never touch _my_ axe. Yours was the executioner’s
+axe, mine is God’s; yours kills, mine saves. Your love was but mortal,
+it could not endure disdain or ridicule; mine can endure all things
+without growing weaker, it will last eternally. Ah! I feel a sombre joy
+in crushing you that believe yourself so great; in humbling you with the
+calm, indulgent smile of one of the least among the angels that lie at
+the feet of God, for to them is given the right and the power to protect
+and watch over men in His name. You have but felt fleeting desires,
+while the poor nun will shed the light of her ceaseless and ardent
+prayer about you, she will shelter you all your life long beneath the
+wings of a love that has nothing of earth in it.
+
+“I have a presentiment of your answer; our trysting place shall be--in
+heaven. Strength and weakness can both enter there, dear Armand; the
+strong and the weak are bound to suffer. This thought soothes the
+anguish of my final ordeal. So calm am I that I should fear that I had
+ceased to love you if I were not about to leave the world for your sake.
+
+ “ANTOINETTE.”
+
+
+“Dear Vidame,” said the Duchess as they reached Montriveau’s house, “do
+me the kindness to ask at the door whether he is at home.” The Vidame,
+obedient after the manner of the eighteenth century to a woman’s wish,
+got out, and came back to bring his cousin an affirmative answer that
+sent a shudder through her. She grasped his hand tightly in hers,
+suffered him to kiss her on either cheek, and begged him to go at once.
+He must not watch her movements nor try to protect her. “But the people
+passing in the street,” he objected.
+
+“No one can fail in respect to me,” she said. It was the last word
+spoken by the Duchess and the woman of fashion.
+
+The Vidame went. Mme de Langeais wrapped herself about in her cloak,
+and stood on the doorstep until the clocks struck eight. The last stroke
+died away. The unhappy woman waited ten, fifteen minutes; to the last
+she tried to see a fresh humiliation in the delay, then her faith ebbed.
+She turned to leave the fatal threshold.
+
+“Oh, God!” the cry broke from her in spite of herself; it was the first
+word spoken by the Carmelite.
+
+
+
+Montriveau and some of his friends were talking together. He tried to
+hasten them to a conclusion, but his clock was slow, and by the time he
+started out for the Hotel de Langeais the Duchess was hurrying on foot
+through the streets of Paris, goaded by the dull rage in her heart. She
+reached the Boulevard d’Enfer, and looked out for the last time through
+falling tears on the noisy, smoky city that lay below in a red mist,
+lighted up by its own lamps. Then she hailed a cab, and drove away,
+never to return. When the Marquis de Montriveau reached the Hotel de
+Langeais, and found no trace of his mistress, he thought that he had
+been duped. He hurried away at once to the Vidame, and found that worthy
+gentleman in the act of slipping on his flowered dressing-gown, thinking
+the while of his fair cousin’s happiness.
+
+Montriveau gave him one of the terrific glances that produced the effect
+of an electric shock on men and women alike.
+
+“Is it possible that you have lent yourself to some cruel hoax,
+monsieur?” Montriveau exclaimed. “I have just come from Mme de Langeais’
+house; the servants say that she is out.”
+
+“Then a great misfortune has happened, no doubt,” returned the Vidame,
+“and through your fault. I left the Duchess at your door----”
+
+“When?”
+
+“At a quarter to eight.”
+
+“Good evening,” returned Montriveau, and he hurried home to ask the
+porter whether he had seen a lady standing on the doorstep that evening.
+
+“Yes, my Lord Marquis, a handsome woman, who seemed very much put out.
+She was crying like a Magdalen, but she never made a sound, and stood
+as upright as a post. Then at last she went, and my wife and I that were
+watching her while she could not see us, heard her say, ‘Oh, God!’ so
+that it went to our hearts, asking your pardon, to hear her say it.”
+
+Montriveau, in spite of all his firmness, turned pale at those few
+words. He wrote a few lines to Ronquerolles, sent off the message at
+once, and went up to his rooms. Ronquerolles came just about midnight.
+
+Armand gave him the Duchess’s letter to read.
+
+“Well?” asked Ronquerolles.
+
+“She was here at my door at eight o’clock; at a quarter-past eight she
+had gone. I have lost her, and I love her. Oh! if my life were my own, I
+could blow my brains out.”
+
+“Pooh, pooh! Keep cool,” said Ronquerolles. “Duchesses do not fly off
+like wagtails. She cannot travel faster than three leagues an hour, and
+tomorrow we will ride six.--Confound it! Mme de Langeais is no ordinary
+woman,” he continued. “Tomorrow we will all of us mount and ride.
+The police will put us on her track during the day. She must have a
+carriage; angels of that sort have no wings. We shall find her whether
+she is on the road or hidden in Paris. There is the semaphore. We can
+stop her. You shall be happy. But, my dear fellow, you have made a
+blunder, of which men of your energy are very often guilty. They judge
+others by themselves, and do not know the point when human nature gives
+way if you strain the cords too tightly. Why did you not say a word
+to me sooner? I would have told you to be punctual. Good-bye till
+tomorrow,” he added, as Montriveau said nothing. “Sleep if you can,” he
+added, with a grasp of the hand.
+
+But the greatest resources which society has ever placed at the disposal
+of statesmen, kings, ministers, bankers, or any human power, in fact,
+were all exhausted in vain. Neither Montriveau nor his friends could
+find any trace of the Duchess. It was clear that she had entered a
+convent. Montriveau determined to search, or to institute a search, for
+her through every convent in the world. He must have her, even at the
+cost of all the lives in a town. And in justice to this extraordinary
+man, it must be said that his frenzied passion awoke to the same
+ardour daily and lasted through five years. Only in 1829 did the Duc de
+Navarreins hear by chance that his daughter had travelled to Spain as
+Lady Julia Hopwood’s maid, that she had left her service at Cadiz, and
+that Lady Julia never discovered that Mlle Caroline was the illustrious
+duchess whose sudden disappearance filled the minds of the highest
+society of Paris.
+
+
+
+The feelings of the two lovers when they met again on either side of the
+grating in the Carmelite convent should now be comprehended to the full,
+and the violence of the passion awakened in either soul will doubtless
+explain the catastrophe of the story.
+
+In 1823 the Duc de Langeais was dead, and his wife was free. Antoinette
+de Navarreins was living, consumed by love, on a ledge of rock in
+the Mediterranean; but it was in the Pope’s power to dissolve Sister
+Theresa’s vows. The happiness bought by so much love might yet bloom
+for the two lovers. These thoughts sent Montriveau flying from Cadiz to
+Marseilles, and from Marseilles to Paris.
+
+A few months after his return to France, a merchant brig, fitted out and
+munitioned for active service, set sail from the port of Marseilles for
+Spain. The vessel had been chartered by several distinguished men, most
+of them Frenchmen, who, smitten with a romantic passion for the East,
+wished to make a journey to those lands. Montriveau’s familiar knowledge
+of Eastern customs made him an invaluable travelling companion, and at
+the entreaty of the rest he had joined the expedition; the Minister
+of War appointed him lieutenant-general, and put him on the Artillery
+Commission to facilitate his departure.
+
+Twenty-fours hours later the brig lay to off the north-west shore of an
+island within sight of the Spanish coast. She had been specially chosen
+for her shallow keel and light mastage, so that she might lie at anchor
+in safety half a league away from the reefs that secure the island from
+approach in this direction. If fishing vessels or the people on the
+island caught sight of the brig, they were scarcely likely to feel
+suspicious of her at once; and besides, it was easy to give a reason for
+her presence without delay. Montriveau hoisted the flag of the United
+States before they came in sight of the island, and the crew of the
+vessel were all American sailors, who spoke nothing but English. One
+of M. de Montriveau’s companions took the men ashore in the ship’s
+longboat, and made them so drunk at an inn in the little town that
+they could not talk. Then he gave out that the brig was manned by
+treasure-seekers, a gang of men whose hobby was well known in the United
+States; indeed, some Spanish writer had written a history of them. The
+presence of the brig among the reefs was now sufficiently explained.
+The owners of the vessel, according to the self-styled boatswain’s mate,
+were looking for the wreck of a galleon which foundered thereabouts in
+1778 with a cargo of treasure from Mexico. The people at the inn and the
+authorities asked no more questions.
+
+Armand, and the devoted friends who were helping him in his difficult
+enterprise, were all from the first of the opinion that there was no
+hope of rescuing or carrying off Sister Theresa by force or stratagem
+from the side of the little town. Wherefore these bold spirits, with one
+accord, determined to take the bull by the horns. They would make a way
+to the convent at the most seemingly inaccessible point; like General
+Lamarque, at the storming of Capri, they would conquer Nature. The cliff
+at the end of the island, a sheer block of granite, afforded even less
+hold than the rock of Capri. So it seemed at least to Montriveau, who
+had taken part in that incredible exploit, while the nuns in his eyes
+were much more redoubtable than Sir Hudson Lowe. To raise a hubbub over
+carrying off the Duchess would cover them with confusion. They might as
+well set siege to the town and convent, like pirates, and leave not a
+single soul to tell of their victory. So for them their expedition wore
+but two aspects. There should be a conflagration and a feat of arms
+that should dismay all Europe, while the motives of the crime remained
+unknown; or, on the other hand, a mysterious, aerial descent which
+should persuade the nuns that the Devil himself had paid them a visit.
+They had decided upon the latter course in the secret council held
+before they left Paris, and subsequently everything had been done to
+insure the success of an expedition which promised some real excitement
+to jaded spirits weary of Paris and its pleasures.
+
+An extremely light pirogue, made at Marseilles on a Malayan model,
+enabled them to cross the reef, until the rocks rose from out of the
+water. Then two cables of iron wire were fastened several feet apart
+between one rock and another. These wire ropes slanted upwards and
+downwards in opposite directions, so that baskets of iron wire could
+travel to and fro along them; and in this manner the rocks were covered
+with a system of baskets and wire-cables, not unlike the filaments
+which a certain species of spider weaves about a tree. The Chinese, an
+essentially imitative people, were the first to take a lesson from the
+work of instinct. Fragile as these bridges were, they were always ready
+for use; high waves and the caprices of the sea could not throw them
+out of working order; the ropes hung just sufficiently slack, so as to
+present to the breakers that particular curve discovered by Cachin, the
+immortal creator of the harbour at Cherbourg. Against this cunningly
+devised line the angry surge is powerless; the law of that curve was
+a secret wrested from Nature by that faculty of observation in which
+nearly all human genius consists.
+
+M. de Montriveau’s companions were alone on board the vessel, and out of
+sight of every human eye. No one from the deck of a passing vessel could
+have discovered either the brig hidden among the reefs, or the men at
+work among the rocks; they lay below the ordinary range of the most
+powerful telescope. Eleven days were spent in preparation, before the
+Thirteen, with all their infernal power, could reach the foot of the
+cliffs. The body of the rock rose up straight from the sea to a height
+of thirty fathoms. Any attempt to climb the sheer wall of granite seemed
+impossible; a mouse might as well try to creep up the slippery sides of
+a plain china vase. Still there was a cleft, a straight line of fissure
+so fortunately placed that large blocks of wood could be wedged firmly
+into it at a distance of about a foot apart. Into these blocks the
+daring workers drove iron cramps, specially made for the purpose, with
+a broad iron bracket at the outer end, through which a hole had been
+drilled. Each bracket carried a light deal board which corresponded with
+a notch made in a pole that reached to the top of the cliffs, and was
+firmly planted in the beach at their feet. With ingenuity worthy of
+these men who found nothing impossible, one of their number, a skilled
+mathematician, had calculated the angle from which the steps must start;
+so that from the middle they rose gradually, like the sticks of a fan,
+to the top of the cliff, and descended in the same fashion to its
+base. That miraculously light, yet perfectly firm, staircase cost them
+twenty-two days of toil. A little tinder and the surf of the sea would
+destroy all trace of it forever in a single night. A betrayal of the
+secret was impossible; and all search for the violators of the convent
+was doomed to failure.
+
+At the top of the rock there was a platform with sheer precipice on all
+sides. The Thirteen, reconnoitring the ground with their glasses from
+the masthead, made certain that though the ascent was steep and rough,
+there would be no difficulty in gaining the convent garden, where the
+trees were thick enough for a hiding-place. After such great efforts
+they would not risk the success of their enterprise, and were compelled
+to wait till the moon passed out of her last quarter.
+
+For two nights Montriveau, wrapped in his cloak, lay out on the rock
+platform. The singing at vespers and matins filled him with unutterable
+joy. He stood under the wall to hear the music of the organ, listening
+intently for one voice among the rest. But in spite of the silence, the
+confused effect of music was all that reached his ears. In those sweet
+harmonies defects of execution are lost; the pure spirit of art comes
+into direct communication with the spirit of the hearer, making
+no demand on the attention, no strain on the power of listening.
+Intolerable memories awoke. All the love within him seemed to break into
+blossom again at the breath of that music; he tried to find auguries of
+happiness in the air. During the last night he sat with his eyes fixed
+upon an ungrated window, for bars were not needed on the side of the
+precipice. A light shone there all through the hours; and that instinct
+of the heart, which is sometimes true, and as often false, cried within
+him, “She is there!”
+
+“She is certainly there! Tomorrow she will be mine,” he said to himself,
+and joy blended with the slow tinkling of a bell that began to ring.
+
+Strange unaccountable workings of the heart! The nun, wasted by yearning
+love, worn out with tears and fasting, prayer and vigils; the woman of
+nine-and-twenty, who had passed through heavy trials, was loved more
+passionately than the lighthearted girl, the woman of four-and-twenty,
+the sylphide, had ever been. But is there not, for men of vigorous
+character, something attractive in the sublime expression engraven on
+women’s faces by the impetuous stirrings of thought and misfortunes of
+no ignoble kind? Is there not a beauty of suffering which is the most
+interesting of all beauty to those men who feel that within them there
+is an inexhaustible wealth of tenderness and consoling pity for a
+creature so gracious in weakness, so strong with love? It is the
+ordinary nature that is attracted by young, smooth, pink-and-white
+beauty, or, in one word, by prettiness. In some faces love awakens
+amid the wrinkles carved by sorrow and the ruin made by melancholy;
+Montriveau could not but feel drawn to these. For cannot a lover,
+with the voice of a great longing, call forth a wholly new creature? a
+creature athrob with the life but just begun breaks forth for him alone,
+from the outward form that is fair for him, and faded for all the world
+besides. Does he not love two women?--One of them, as others see her,
+is pale and wan and sad; but the other, the unseen love that his heart
+knows, is an angel who understands life through feeling, and is adorned
+in all her glory only for love’s high festivals.
+
+The General left his post before sunrise, but not before he had heard
+voices singing together, sweet voices full of tenderness sounding
+faintly from the cell. When he came down to the foot of the cliffs where
+his friends were waiting, he told them that never in his life had
+he felt such enthralling bliss, and in the few words there was that
+unmistakable thrill of repressed strong feeling, that magnificent
+utterance which all men respect.
+
+
+
+That night eleven of his devoted comrades made the ascent in the
+darkness. Each man carried a poniard, a provision of chocolate, and
+a set of house-breaking tools. They climbed the outer walls with
+scaling-ladders, and crossed the cemetery of the convent. Montriveau
+recognised the long, vaulted gallery through which he went to the
+parlour, and remembered the windows of the room. His plans were made and
+adopted in a moment. They would effect an entrance through one of the
+windows in the Carmelite’s half of the parlour, find their way along
+the corridors, ascertain whether the sister’s names were written on the
+doors, find Sister Theresa’s cell, surprise her as she slept, and carry
+her off, bound and gagged. The programme presented no difficulties to
+men who combined boldness and a convict’s dexterity with the knowledge
+peculiar to men of the world, especially as they would not scruple to
+give a stab to ensure silence.
+
+In two hours the bars were sawn through. Three men stood on guard
+outside, and two inside the parlour. The rest, barefooted, took up their
+posts along the corridor. Young Henri de Marsay, the most dexterous
+man among them, disguised by way of precaution in a Carmelite’s robe,
+exactly like the costume of the convent, led the way, and Montriveau
+came immediately behind him. The clock struck three just as the two men
+reached the dormitory cells. They soon saw the position. Everything was
+perfectly quiet. With the help of a dark lantern they read the names
+luckily written on every door, together with the picture of a saint or
+saints and the mystical words which every nun takes as a kind of
+motto for the beginning of her new life and the revelation of her
+last thought. Montriveau reached Sister Theresa’s door and read the
+inscription, _Sub invocatione sanctae matris Theresae_, and her motto,
+_Adoremus in aeternum_. Suddenly his companion laid a hand on his
+shoulder. A bright light was streaming through the chinks of the door.
+M. de Ronquerolles came up at that moment.
+
+“All the nuns are in the church,” he said; “they are beginning the
+Office for the Dead.”
+
+“I will stay here,” said Montriveau. “Go back into the parlour, and shut
+the door at the end of the passage.”
+
+He threw open the door and rushed in, preceded by his disguised
+companion, who let down the veil over his face.
+
+There before them lay the dead Duchess; her plank bed had been laid on
+the floor of the outer room of her cell, between two lighted candles.
+Neither Montriveau nor de Marsay spoke a word or uttered a cry; but they
+looked into each other’s faces. The General’s dumb gesture tried to say,
+“Let us carry her away!”
+
+“Quickly” shouted Ronquerolles, “the procession of nuns is leaving the
+church. You will be caught!”
+
+With magical swiftness of movement, prompted by an intense desire, the
+dead woman was carried into the convent parlour, passed through the
+window, and lowered from the walls before the Abbess, followed by the
+nuns, returned to take up Sister Theresa’s body. The sister left in
+charge had imprudently left her post; there were secrets that she longed
+to know; and so busy was she ransacking the inner room, that she heard
+nothing, and was horrified when she came back to find that the body was
+gone. Before the women, in their blank amazement, could think of making
+a search, the Duchess had been lowered by a cord to the foot of the
+crags, and Montriveau’s companions had destroyed all traces of their
+work. By nine o’clock that morning there was not a sign to show that
+either staircase or wire-cables had ever existed, and Sister Theresa’s
+body had been taken on board. The brig came into the port to ship her
+crew, and sailed that day.
+
+Montriveau, down in the cabin, was left alone with Antoinette
+de Navarreins. For some hours it seemed as if her dead face was
+transfigured for him by that unearthly beauty which the calm of death
+gives to the body before it perishes.
+
+“Look here,” said Ronquerolles when Montriveau reappeared on deck,
+“_that_ was a woman once, now it is nothing. Let us tie a cannon ball
+to both feet and throw the body overboard; and if ever you think of her
+again, think of her as of some book that you read as a boy.”
+
+“Yes,” assented Montriveau, “it is nothing now but a dream.”
+
+“That is sensible of you. Now, after this, have passions; but as for
+love, a man ought to know how to place it wisely; it is only a woman’s
+last love that can satisfy a man’s first love.”
+
+
+
+
+ADDENDUM
+
+ Note: The Duchesse de Langeais is the second part of a trilogy.
+ Part one is entitled Ferragus and part three is The Girl with
+ the Golden Eyes. In other addendum references all three stories
+ are usually combined under the title The Thirteen.
+
+The following personages appear in other stories of the Human Comedy.
+
+ Blamont-Chauvry, Princesse de
+ Madame Firmiani
+ The Lily of the Valley
+
+ Grandlieu, Duc Ferdinand de
+ The Gondreville Mystery
+ A Bachelor’s Establishment
+ Modeste Mignon
+ Scenes from a Courtesan’s Life
+
+ Granville, Comtesse Angelique de
+ A Second Home
+ A Daughter of Eve
+
+ Keller, Madame Francois
+ Domestic Peace
+ The Member for Arcis
+
+ Langeais, Duc de
+ An Episode under the Terror
+
+ Langeais, Duchesse Antoinette de
+ Father Goriot
+ Ferragus
+
+ Marsay, Henri de
+ Ferragus
+ The Girl with the Golden Eyes
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+ Montriveau, General Marquis Armand de
+ Father Goriot
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Another Study of Woman
+ Pierrette
+ The Member for Arcis
+
+ Navarreins, Duc de
+ A Bachelor’s Establishment
+ Colonel Chabert
+ The Muse of the Department
+ Jealousies of a Country Town
+ The Peasantry
+ Scenes from a Courtesan’s Life
+ The Country Parson
+ The Magic Skin
+ The Gondreville Mystery
+ The Secrets of a Princess
+ Cousin Betty
+
+ Pamiers, Vidame de
+ Ferragus
+ Jealousies of a Country Town
+
+ Ronquerolles, Marquis de
+ The Imaginary Mistress
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ Ferragus
+ The Girl with the Golden Eyes
+ The Member for Arcis
+
+ Serizy, Comtesse de
+ A Start in Life
+ Ferragus
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan’s Life
+ Another Study of Woman
+ The Imaginary Mistress
+
+ Soulanges, Comtesse Hortense de
+ Domestic Peace
+ The Peasantry
+
+ Talleyrand-Perigord, Charles-Maurice de
+ The Chouans
+ The Gondreville Mystery
+ Letters of Two Brides
+ Gaudissart II
+
+
+
+
+
+III. THE GIRL WITH THE GOLDEN EYES
+
+
+
+Translated by Ellen Marriage
+
+
+
+ DEDICATION
+
+ To Eugene Delacroix, Painter
+
+
+One of those sights in which most horror is to be encountered is,
+surely, the general aspect of the Parisian populace--a people fearful
+to behold, gaunt, yellow, tawny. Is not Paris a vast field in perpetual
+turmoil from a storm of interests beneath which are whirled along a crop
+of human beings, who are, more often than not, reaped by death, only to
+be born again as pinched as ever, men whose twisted and contorted faces
+give out at every pore the instinct, the desire, the poisons with
+which their brains are pregnant; not faces so much as masks; masks of
+weakness, masks of strength, masks of misery, masks of joy, masks of
+hypocrisy; all alike worn and stamped with the indelible signs of
+a panting cupidity? What is it they want? Gold or pleasure? A few
+observations upon the soul of Paris may explain the causes of its
+cadaverous physiognomy, which has but two ages--youth and decay: youth,
+wan and colorless; decay, painted to seem young. In looking at
+this excavated people, foreigners, who are not prone to reflection,
+experience at first a movement of disgust towards the capital, that
+vast workshop of delights, from which, in a short time, they cannot even
+extricate themselves, and where they stay willingly to be corrupted. A
+few words will suffice to justify physiologically the almost infernal
+hue of Parisian faces, for it is not in mere sport that Paris has been
+called a hell. Take the phrase for truth. There all is smoke and fire,
+everything gleams, crackles, flames, evaporates, dies out, then lights
+up again, with shooting sparks, and is consumed. In no other country has
+life ever been more ardent or acute. The social nature, even in fusion,
+seems to say after each completed work: “Pass on to another!” just as
+Nature says herself. Like Nature herself, this social nature is busied
+with insects and flowers of a day--ephemeral trifles; and so, too,
+it throws up fire and flame from its eternal crater. Perhaps, before
+analyzing the causes which lend a special physiognomy to each tribe of
+this intelligent and mobile nation, the general cause should be pointed
+out which bleaches and discolors, tints with blue or brown individuals
+in more or less degree.
+
+By dint of taking interest in everything, the Parisian ends by being
+interested in nothing. No emotion dominating his face, which friction
+has rubbed away, it turns gray like the faces of those houses upon which
+all kinds of dust and smoke have blown. In effect, the Parisian, with
+his indifference on the day for what the morrow will bring forth,
+lives like a child, whatever may be his age. He grumbles at everything,
+consoles himself for everything, jests at everything, forgets,
+desires, and tastes everything, seizes all with passion, quits all with
+indifference--his kings, his conquests, his glory, his idols of bronze
+or glass--as he throws away his stockings, his hats, and his fortune. In
+Paris no sentiment can withstand the drift of things, and their current
+compels a struggle in which the passions are relaxed: there love is
+a desire, and hatred a whim; there’s no true kinsman but the
+thousand-franc note, no better friend than the pawnbroker. This
+universal toleration bears its fruits, and in the salon, as in the
+street, there is no one _de trop_, there is no one absolutely useful,
+or absolutely harmful--knaves or fools, men of wit or integrity. There
+everything is tolerated: the government and the guillotine, religion and
+the cholera. You are always acceptable to this world, you will never
+be missed by it. What, then, is the dominating impulse in this country
+without morals, without faith, without any sentiment, wherein, however,
+every sentiment, belief, and moral has its origin and end? It is gold
+and pleasure. Take those two words for a lantern, and explore that great
+stucco cage, that hive with its black gutters, and follow the windings
+of that thought which agitates, sustains, and occupies it! Consider!
+And, in the first place, examine the world which possesses nothing.
+
+The artisan, the man of the proletariat, who uses his hands, his tongue,
+his back, his right arm, his five fingers, to live--well, this very man,
+who should be the first to economize his vital principle, outruns his
+strength, yokes his wife to some machine, wears out his child, and ties
+him to the wheel. The manufacturer--or I know not what secondary thread
+which sets in motion all these folk who with their foul hands mould
+and gild porcelain, sew coats and dresses, beat out iron, turn wood and
+steel, weave hemp, festoon crystal, imitate flowers, work woolen things,
+break in horses, dress harness, carve in copper, paint carriages, blow
+glass, corrode the diamond, polish metals, turn marble into leaves,
+labor on pebbles, deck out thought, tinge, bleach, or blacken
+everything--well, this middleman has come to that world of sweat and
+good-will, of study and patience, with promises of lavish wages, either
+in the name of the town’s caprices or with the voice of the monster
+dubbed speculation. Thus, these _quadrumanes_ set themselves to watch,
+work, and suffer, to fast, sweat, and bestir them. Then, careless of the
+future, greedy of pleasure, counting on their right arm as the painter
+on his palette, lords for one day, they throw their money on Mondays
+to the _cabarets_ which gird the town like a belt of mud, haunts of the
+most shameless of the daughters of Venus, in which the periodical money
+of this people, as ferocious in their pleasures as they are calm at
+work, is squandered as it had been at play. For five days, then, there
+is no repose for this laborious portion of Paris! It is given up to
+actions which make it warped and rough, lean and pale, gush forth with a
+thousand fits of creative energy. And then its pleasure, its repose,
+are an exhausting debauch, swarthy and black with blows, white with
+intoxication, or yellow with indigestion. It lasts but two days, but it
+steals to-morrow’s bread, the week’s soup, the wife’s dress, the child’s
+wretched rags. Men, born doubtless to be beautiful--for all creatures
+have a relative beauty--are enrolled from their childhood beneath the
+yoke of force, beneath the rule of the hammer, the chisel, the loom, and
+have been promptly vulcanized. Is not Vulcan, with his hideousness and
+his strength, the emblem of this strong and hideous nation--sublime
+in its mechanical intelligence, patient in its season, and once in a
+century terrible, inflammable as gunpowder, and ripe with brandy for
+the madness of revolution, with wits enough, in fine, to take fire at
+a captious word, which signifies to it always: Gold and Pleasure! If
+we comprise in it all those who hold out their hands for an alms, for
+lawful wages, or the five francs that are granted to every kind of
+Parisian prostitution, in short, for all the money well or ill earned,
+this people numbers three hundred thousand individuals. Were it not for
+the _cabarets_, would not the Government be overturned every Tuesday?
+Happily, by Tuesday, this people is glutted, sleeps off its pleasure, is
+penniless, and returns to its labor, to dry bread, stimulated by a need
+of material procreation, which has become a habit to it. None the
+less, this people has its phenomenal virtues, its complete men, unknown
+Napoleons, who are the type of its strength carried to its highest
+expression, and sum up its social capacity in an existence wherein
+thought and movement combine less to bring joy into it than to
+neutralize the action of sorrow.
+
+Chance has made an artisan economical, chance has favored him with
+forethought, he has been able to look forward, has met with a wife and
+found himself a father, and, after some years of hard privation, he
+embarks in some little draper’s business, hires a shop. If neither
+sickness nor vice blocks his way--if he has prospered--there is the
+sketch of this normal life.
+
+And, in the first place, hail to that king of Parisian activity, to whom
+time and space give way. Yes, hail to that being, composed of saltpetre
+and gas, who makes children for France during his laborious nights,
+and in the day multiplies his personality for the service, glory,
+and pleasure of his fellow-citizens. This man solves the problem
+of sufficing at once to his amiable wife, to his hearth, to the
+_Constitutionnel_, to his office, to the National Guard, to the opera,
+and to God; but, only in order that the _Constitutionnel_, his office,
+the National Guard, the opera, his wife, and God may be changed into
+coin. In fine, hail to an irreproachable pluralist. Up every day at five
+o’clock, he traverses like a bird the space which separates his dwelling
+from the Rue Montmartre. Let it blow or thunder, rain or snow, he is at
+the _Constitutionnel_, and waits there for the load of newspapers which
+he has undertaken to distribute. He receives this political bread with
+eagerness, takes it, bears it away. At nine o’clock he is in the bosom
+of his family, flings a jest to his wife, snatches a loud kiss from her,
+gulps down a cup of coffee, or scolds his children. At a quarter to ten
+he puts in an appearance at the _Mairie_. There, stuck upon a stool,
+like a parrot on its perch, warmed by Paris town, he registers until
+four o’clock, with never a tear or a smile, the deaths and births of an
+entire district. The sorrow, the happiness, of the parish flow beneath
+his pen--as the essence of the _Constitutionnel_ traveled before upon
+his shoulders. Nothing weighs upon him! He goes always straight before
+him, takes his patriotism ready made from the newspaper, contradicts no
+one, shouts or applauds with the world, and lives like a bird. Two yards
+from his parish, in the event of an important ceremony, he can yield
+his place to an assistant, and betake himself to chant a requiem from
+a stall in the church of which on Sundays he is the fairest ornament,
+where his is the most imposing voice, where he distorts his huge mouth
+with energy to thunder out a joyous _Amen_. So is he chorister. At four
+o’clock, freed from his official servitude, he reappears to shed joy and
+gaiety upon the most famous shop in the city. Happy is his wife, he has
+no time to be jealous: he is a man of action rather than of sentiment.
+His mere arrival spurs the young ladies at the counter; their bright
+eyes storm the customers; he expands in the midst of all the finery, the
+lace and muslin kerchiefs, that their cunning hands have wrought. Or,
+again, more often still, before his dinner he waits on a client, copies
+the page of a newspaper, or carries to the doorkeeper some goods that
+have been delayed. Every other day, at six, he is faithful to his
+post. A permanent bass for the chorus, he betakes himself to the opera,
+prepared to become a soldier or an arab, prisoner, savage, peasant,
+spirit, camel’s leg or lion, a devil or a genie, a slave or a
+eunuch, black or white; always ready to feign joy or sorrow, pity or
+astonishment, to utter cries that never vary, to hold his tongue, to
+hunt, or fight for Rome or Egypt, but always at heart--a huckster still.
+
+At midnight he returns--a man, the good husband, the tender father;
+he slips into the conjugal bed, his imagination still afire with the
+illusive forms of the operatic nymphs, and so turns to the profit
+of conjugal love the world’s depravities, the voluptuous curves of
+Taglioni’s leg. And finally, if he sleeps, he sleeps apace, and hurries
+through his slumber as he does his life.
+
+This man sums up all things--history, literature, politics, government,
+religion, military science. Is he not a living encyclopaedia, a
+grotesque Atlas; ceaselessly in motion, like Paris itself, and knowing
+not repose? He is all legs. No physiognomy could preserve its purity
+amid such toils. Perhaps the artisan who dies at thirty, an old man, his
+stomach tanned by repeated doses of brandy, will be held, according to
+certain leisured philosophers, to be happier than the huckster is.
+The one perishes in a breath, and the other by degrees. From his eight
+industries, from the labor of his shoulders, his throat, his hands,
+from his wife and his business, the one derives--as from so many
+farms--children, some thousands of francs, and the most laborious
+happiness that has ever diverted the heart of man. This fortune and
+these children, or the children who sum up everything for him, become
+the prey of the world above, to which he brings his ducats and his
+daughter or his son, reared at college, who, with more education than
+his father, raises higher his ambitious gaze. Often the son of a retail
+tradesman would fain be something in the State.
+
+Ambition of that sort carries on our thought to the second Parisian
+sphere. Go up one story, then, and descend to the _entresol_: or climb
+down from the attic and remain on the fourth floor; in fine, penetrate
+into the world which has possessions: the same result! Wholesale
+merchants, and their men--people with small banking accounts and much
+integrity--rogues and catspaws, clerks old and young, sheriffs’ clerks,
+barristers’ clerks, solicitors’ clerks; in fine, all the working,
+thinking, and speculating members of that lower middle class which
+honeycombs the interests of Paris and watches over its granary,
+accumulates the coin, stores the products that the proletariat have
+made, preserves the fruits of the South, the fishes, the wine from every
+sun-favored hill; which stretches its hands over the Orient, and takes
+from it the shawls that the Russ and the Turk despise; which harvests
+even from the Indies; crouches down in expectation of a sale, greedy
+of profit; which discounts bills, turns over and collects all kinds of
+securities, holds all Paris in its hand, watches over the fantasies
+of children, spies out the caprices and the vices of mature age,
+sucks money out of disease. Even so, if they drink no brandy, like the
+artisan, nor wallow in the mire of debauch, all equally abuse their
+strength, immeasurably strain their bodies and their minds alike, are
+burned away with desires, devastated with the swiftness of the pace. In
+their case the physical distortion is accomplished beneath the whip of
+interests, beneath the scourge of ambitions which torture the educated
+portion of this monstrous city, just as in the case of the proletariat
+it is brought about by the cruel see-saw of the material elaborations
+perpetually required from the despotism of the aristocratic “_I will_.”
+ Here, too, then, in order to obey that universal master, pleasure or
+gold, they must devour time, hasten time, find more than four-and-twenty
+hours in the day and night, waste themselves, slay themselves, and
+purchase two years of unhealthy repose with thirty years of old age.
+Only, the working-man dies in hospital when the last term of his stunted
+growth expires; whereas the man of the middle class is set upon living,
+and lives on, but in a state of idiocy. You will meet him, with his
+worn, flat old face, with no light in his eyes, with no strength in his
+limbs, dragging himself with a dazed air along the boulevard--the belt
+of his Venus, of his beloved city. What was his want? The sabre of the
+National Guard, a permanent stock-pot, a decent plot in Pere Lachaise,
+and, for his old age, a little gold honestly earned. _HIS_ Monday is on
+Sunday, his rest a drive in a hired carriage--a country excursion during
+which his wife and children glut themselves merrily with dust or bask
+in the sun; his dissipation is at the restaurateur’s, whose poisonous
+dinner has won renown, or at some family ball, where he suffocates till
+midnight. Some fools are surprised at the phantasmagoria of the monads
+which they see with the aid of the microscope in a drop of water;
+but what would Rabelais’ Gargantua,--that misunderstood figure of
+an audacity so sublime,--what would that giant say, fallen from the
+celestial spheres, if he amused himself by contemplating the motions of
+this secondary life of Paris, of which here is one of the formulae? Have
+you seen one of those little constructions--cold in summer, and with
+no other warmth than a small stove in winter--placed beneath the vast
+copper dome which crowns the Halle-auble? Madame is there by morning.
+She is engaged at the markets, and makes by this occupation twelve
+thousand francs a year, people say. Monsieur, when Madame is up, passes
+into a gloomy office, where he lends money till the week-end to the
+tradesmen of his district. By nine o’clock he is at the passport office,
+of which he is one of the minor officials. By evening he is at the
+box-office of the Theatre Italien, or of any other theatre you like. The
+children are put out to nurse, and only return to be sent to college or
+to boarding-school. Monsieur and Madame live on the third floor, have
+but one cook, give dances in a salon twelve foot by eight, lit by
+argand lamps; but they give a hundred and fifty thousand francs to their
+daughter, and retire at the age of fifty, an age when they begin to show
+themselves on the balcony of the opera, in a _fiacre_ at Longchamps; or,
+on sunny days, in faded clothes on the boulevards--the fruit of all this
+sowing. Respected by their neighbors, in good odor with the government,
+connected with the upper middle classes, Monsieur obtains at sixty-five
+the Cross of the Legion of Honor, and his daughter’s father-in-law, a
+parochial mayor, invites him to his evenings. These life-long labors,
+then, are for the good of the children, whom these lower middle classes
+are inevitably driven to exalt. Thus each sphere directs all its efforts
+towards the sphere above it. The son of the rich grocer becomes a
+notary, the son of the timber merchant becomes a magistrate. No link
+is wanting in the chain, and everything stimulates the upward march of
+money.
+
+Thus we are brought to the third circle of this hell, which, perhaps,
+will some day find its Dante. In this third social circle, a sort of
+Parisian belly, in which the interests of the town are digested, and
+where they are condensed into the form known as _business_, there moves
+and agitates, as by some acrid and bitter intestinal process, the crowd
+of lawyers, doctors, notaries, councillors, business men, bankers, big
+merchants, speculators, and magistrates. Here are to be found even
+more causes of moral and physical destruction than elsewhere. These
+people--almost all of them--live in unhealthy offices, in fetid
+ante-chambers, in little barred dens, and spend their days bowed down
+beneath the weight of affairs; they rise at dawn to be in time, not to
+be left behind, to gain all or not to lose, to overreach a man or his
+money, to open or wind up some business, to take advantage of some
+fleeting opportunity, to get a man hanged or set him free. They infect
+their horses, they overdrive and age and break them, like their own
+legs, before their time. Time is their tyrant: it fails them, it escapes
+them; they can neither expand it nor cut it short. What soul can remain
+great, pure, moral, and generous, and, consequently, what face retain
+its beauty in this depraving practice of a calling which compels one to
+bear the weight of the public sorrows, to analyze them, to weigh them,
+estimate them, and mark them out by rule? Where do these folk put aside
+their hearts?... I do not know; but they leave them somewhere or other,
+when they have any, before they descend each morning into the abyss of
+the misery which puts families on the rack. For them there is no such
+thing as mystery; they see the reverse side of society, whose confessors
+they are, and despise it. Then, whatever they do, owing to their contact
+with corruption, they either are horrified at it and grow gloomy, or
+else, out of lassitude, or some secret compromise, espouse it. In fine,
+they necessarily become callous to every sentiment, since man, his laws
+and his institutions, make them steal, like jackals, from corpses that
+are still warm. At all hours the financier is trampling on the living,
+the attorney on the dead, the pleader on the conscience. Forced to be
+speaking without a rest, they all substitute words for ideas, phrases
+for feelings, and their soul becomes a larynx. Neither the great
+merchant, nor the judge, nor the pleader preserves his sense of right;
+they feel no more, they apply set rules that leave cases out of count.
+Borne along by their headlong course, they are neither husbands nor
+fathers nor lovers; they glide on sledges over the facts of life, and
+live at all times at the high pressure conduced by business and the vast
+city. When they return to their homes they are required to go to a ball,
+to the opera, into society, where they can make clients, acquaintances,
+protectors. They all eat to excess, play and keep vigil, and their faces
+become bloated, flushed, and emaciated.
+
+To this terrific expenditure of intellectual strength, to such multifold
+moral contradictions, they oppose--not, indeed pleasure, it would be too
+pale a contrast--but debauchery, a debauchery both secret and alarming,
+for they have all means at their disposal, and fix the morality of
+society. Their genuine stupidity lies hid beneath their specialism. They
+know their business, but are ignorant of everything which is outside
+it. So that to preserve their self-conceit they question everything, are
+crudely and crookedly critical. They appear to be sceptics and are in
+reality simpletons; they swamp their wits in interminable arguments.
+Almost all conveniently adopt social, literary, or political prejudices,
+to do away with the need of having opinions, just as they adapt their
+conscience to the standard of the Code or the Tribunal of Commerce.
+Having started early to become men of note, they turn into mediocrities,
+and crawl over the high places of the world. So, too, their faces
+present the harsh pallor, the deceitful coloring, those dull, tarnished
+eyes, and garrulous, sensual mouths, in which the observer recognizes
+the symptoms of the degeneracy of the thought and its rotation in the
+circle of a special idea which destroys the creative faculties of the
+brain and the gift of seeing in large, of generalizing and deducing. No
+man who has allowed himself to be caught in the revolutions of the gear
+of these huge machines can ever become great. If he is a doctor, either
+he has practised little or he is an exception--a Bichat who dies young.
+If a great merchant, something remains--he is almost Jacques Coeur. Did
+Robespierre practise? Danton was an idler who waited. But who, moreover
+has ever felt envious of the figures of Danton and Robespierre, however
+lofty they were? These men of affairs, _par excellence_, attract money
+to them, and hoard it in order to ally themselves with aristocratic
+families. If the ambition of the working-man is that of the small
+tradesman, here, too, are the same passions. The type of this class
+might be either an ambitious bourgeois, who, after a life of privation
+and continual scheming, passes into the Council of State as an ant
+passes through a chink; or some newspaper editor, jaded with intrigue,
+whom the king makes a peer of France--perhaps to revenge himself on the
+nobility; or some notary become mayor of his parish: all people crushed
+with business, who, if they attain their end, are literally _killed_ in
+its attainment. In France the usage is to glorify wigs. Napoleon, Louis
+XVI., the great rulers, alone have always wished for young men to fulfil
+their projects.
+
+Above this sphere the artist world exists. But here, too, the faces
+stamped with the seal of originality are worn, nobly indeed, but worn,
+fatigued, nervous. Harassed by a need of production, outrun by their
+costly fantasies, worn out by devouring genius, hungry for pleasure, the
+artists of Paris would all regain by excessive labor what they have lost
+by idleness, and vainly seek to reconcile the world and glory, money
+and art. To begin with, the artist is ceaselessly panting under his
+creditors; his necessities beget his debts, and his debts require of
+him his nights. After his labor, his pleasure. The comedian plays till
+midnight, studies in the morning, rehearses at noon; the sculptor is
+bent before his statue; the journalist is a marching thought, like the
+soldier when at war; the painter who is the fashion is crushed with
+work, the painter with no occupation, if he feels himself to be a man of
+genius, gnaws his entrails. Competition, rivalry, calumny assail talent.
+Some, in desperation, plunge into the abyss of vice, others die young
+and unknown because they have discounted their future too soon. Few of
+these figures, originally sublime, remain beautiful. On the other hand,
+the flagrant beauty of their heads is not understood. An artist’s face
+is always exorbitant, it is always above or below the conventional lines
+of what fools call the _beau-ideal_. What power is it that destroys
+them? Passion. Every passion in Paris resolves into two terms: gold and
+pleasure. Now, do you not breathe again? Do you not feel air and space
+purified? Here is neither labor nor suffering. The soaring arch of
+gold has reached the summit. From the lowest gutters, where its
+stream commences, from the little shops where it is stopped by puny
+coffer-dams, from the heart of the counting-houses and great workshops,
+where its volume is that of ingots--gold, in the shape of dowries and
+inheritances, guided by the hands of young girls or the bony fingers of
+age, courses towards the aristocracy, where it will become a blazing,
+expansive stream. But, before leaving the four territories upon which
+the utmost wealth of Paris is based, it is fitting, having cited the
+moral causes, to deduce those which are physical, and to call attention
+to a pestilence, latent, as it were, which incessantly acts upon the
+faces of the porter, the artisan, the small shopkeeper; to point out
+a deleterious influence the corruption of which equals that of the
+Parisian administrators who allow it so complacently to exist!
+
+If the air of the houses in which the greater proportion of the middle
+classes live is noxious, if the atmosphere of the streets belches out
+cruel miasmas into stuffy back-kitchens where there is little air,
+realize that, apart from this pestilence, the forty thousand houses of
+this great city have their foundations in filth, which the powers that
+be have not yet seriously attempted to enclose with mortar walls solid
+enough to prevent even the most fetid mud from filtering through the
+soil, poisoning the wells, and maintaining subterraneously to Lutetia
+the tradition of her celebrated name. Half of Paris sleeps amidst the
+putrid exhalations of courts and streets and sewers. But let us turn
+to the vast saloons, gilded and airy; the hotels in their gardens,
+the rich, indolent, happy moneyed world. There the faces are lined and
+scarred with vanity. There nothing is real. To seek for pleasure is it
+not to find _ennui_? People in society have at an early age warped their
+nature. Having no occupation other than to wallow in pleasure, they
+have speedily misused their sense, as the artisan has misused brandy.
+Pleasure is of the nature of certain medical substances: in order to
+obtain constantly the same effects the doses must be doubled, and death
+or degradation is contained in the last. All the lower classes are on
+their knees before the wealthy, and watch their tastes in order to turn
+them into vices and exploit them. Thus you see in these folk at an early
+age tastes instead of passions, romantic fantasies and lukewarm loves.
+There impotence reigns; there ideas have ceased--they have evaporated
+together with energy amongst the affectations of the boudoir and the
+cajolements of women. There are fledglings of forty, old doctors
+of sixty years. The wealthy obtain in Paris ready-made wit and
+science--formulated opinions which save them the need of having wit,
+science, or opinion of their own. The irrationality of this world is
+equaled by its weakness and its licentiousness. It is greedy of time
+to the point of wasting it. Seek in it for affection as little as
+for ideas. Its kisses conceal a profound indifference, its urbanity
+a perpetual contempt. It has no other fashion of love. Flashes of wit
+without profundity, a wealth of indiscretion, scandal, and above all,
+commonplace. Such is the sum of its speech; but these happy fortunates
+pretend that they do not meet to make and repeat maxims in the manner of
+La Rochefoucauld as though there did not exist a mean, invented by the
+eighteenth century, between a superfluity and absolute blank. If a few
+men of character indulge in witticism, at once subtle and refined, they
+are misunderstood; soon, tired of giving without receiving, they remain
+at home, and leave fools to reign over their territory. This hollow
+life, this perpetual expectation of a pleasure which never comes, this
+permanent _ennui_ and emptiness of soul, heart, and mind, the lassitude
+of the upper Parisian world, is reproduced on its features, and stamps
+its parchment faces, its premature wrinkles, that physiognomy of the
+wealthy upon which impotence has set its grimace, in which gold is
+mirrored, and whence intelligence has fled.
+
+Such a view of moral Paris proves that physical Paris could not be other
+than it is. This coroneted town is like a queen, who, being always
+with child, has desires of irresistible fury. Paris is the crown of the
+world, a brain which perishes of genius and leads human civilization;
+it is a great man, a perpetually creative artist, a politician with
+second-sight who must of necessity have wrinkles on his forehead, the
+vices of a great man, the fantasies of the artist, and the politician’s
+disillusions. Its physiognomy suggests the evolution of good and evil,
+battle and victory; the moral combat of ‘89, the clarion calls of which
+still re-echo in every corner of the world; and also the downfall of
+1814. Thus this city can no more be moral, or cordial, or clean, than
+the engines which impel those proud leviathans which you admire
+when they cleave the waves! Is not Paris a sublime vessel laden with
+intelligence? Yes, her arms are one of those oracles which fatality
+sometimes allows. The _City of Paris_ has her great mast, all of bronze,
+carved with victories, and for watchman--Napoleon. The barque may roll
+and pitch, but she cleaves the world, illuminates it through the hundred
+mouths of her tribunes, ploughs the seas of science, rides with
+full sail, cries from the height of her tops, with the voice of her
+scientists and artists: “Onward, advance! Follow me!” She carries a
+huge crew, which delights in adorning her with fresh streamers. Boys
+and urchins laughing in the rigging; ballast of heavy _bourgeoisie_;
+working-men and sailor-men touched with tar; in her cabins the lucky
+passengers; elegant midshipmen smoke their cigars leaning over the
+bulwarks; then, on the deck, her soldiers, innovators or ambitious,
+would accost every fresh shore, and shooting out their bright lights
+upon it, ask for glory which is pleasure, or for love which needs gold.
+
+Thus the exorbitant movement of the proletariat, the corrupting
+influence of the interests which consume the two middle classes, the
+cruelties of the artist’s thought, and the excessive pleasure which is
+sought for incessantly by the great, explain the normal ugliness of
+the Parisian physiognomy. It is only in the Orient that the human race
+presents a magnificent figure, but that is an effect of the constant
+calm affected by those profound philosophers with their long pipes,
+their short legs, their square contour, who despise and hold activity
+in horror, whilst in Paris the little and the great and the mediocre run
+and leap and drive, whipped on by an inexorable goddess, Necessity--the
+necessity for money, glory, and amusement. Thus, any face which is fresh
+and graceful and reposeful, any really young face, is in Paris the most
+extraordinary of exceptions; it is met with rarely. Should you see one
+there, be sure it belongs either to a young and ardent ecclesiastic or
+to some good abbe of forty with three chins; to a young girl of pure
+life such as is brought up in certain middle-class families; to a mother
+of twenty, still full of illusions, as she suckles her first-born; to a
+young man newly embarked from the provinces, and intrusted to the care
+of some devout dowager who keeps him without a sou; or, perhaps, to some
+shop assistant who goes to bed at midnight wearied out with folding
+and unfolding calico, and rises at seven o’clock to arrange the window;
+often again to some man of science or poetry, who lives monastically in
+the embrace of a fine idea, who remains sober, patient, and chaste;
+else to some self-contented fool, feeding himself on folly, reeking of
+health, in a perpetual state of absorption with his own smile; or to the
+soft and happy race of loungers, the only folk really happy in Paris,
+which unfolds for them hour by hour its moving poetry.
+
+Nevertheless, there is in Paris a proportion of privileged beings to
+whom this excessive movement of industries, interests, affairs, arts,
+and gold is profitable. These beings are women. Although they also have
+a thousand secret causes which, here more than elsewhere, destroy their
+physiognomy, there are to be found in the feminine world little happy
+colonies, who live in Oriental fashion and can preserve their beauty;
+but these women rarely show themselves on foot in the streets, they lie
+hid like rare plants who only unfold their petals at certain hours, and
+constitute veritable exotic exceptions. However, Paris is essentially
+the country of contrasts. If true sentiments are rare there, there also
+are to be found, as elsewhere, noble friendships and unlimited devotion.
+On this battlefield of interests and passions, just as in the midst
+of those marching societies where egoism triumphs, where every one
+is obliged to defend himself, and which we call _armies_, it seems as
+though sentiments liked to be complete when they showed themselves,
+and are sublime by juxtaposition. So it is with faces. In Paris one
+sometimes sees in the aristocracy, set like stars, the ravishing faces
+of young people, the fruit of quite exceptional manners and education.
+To the youthful beauty of the English stock they unite the firmness
+of Southern traits. The fire of their eyes, a delicious bloom on their
+lips, the lustrous black of their soft locks, a white complexion, a
+distinguished caste of features, render them the flowers of the human
+race, magnificent to behold against the mass of other faces, worn, old,
+wrinkled, and grimacing. So women, too, admire such young people with
+that eager pleasure which men take in watching a pretty girl, elegant,
+gracious, and embellished with all the virginal charms with which our
+imagination pleases to adorn the perfect woman. If this hurried glance
+at the population of Paris has enabled us to conceive the rarity of a
+Raphaelesque face, and the passionate admiration which such an one must
+inspire at the first sight, the prime interest of our history will have
+been justified. _Quod erat demonstrandum_--if one may be permitted to
+apply scholastic formulae to the science of manners.
+
+Upon one of those fine spring mornings, when the leaves, although
+unfolded, are not yet green, when the sun begins to gild the roofs, and
+the sky is blue, when the population of Paris issues from its cells to
+swarm along the boulevards, glides like a serpent of a thousand coils
+through the Rue de la Paix towards the Tuileries, saluting the hymeneal
+magnificence which the country puts on; on one of these joyous days,
+then, a young man as beautiful as the day itself, dressed with taste,
+easy of manner--to let out the secret he was a love-child, the natural
+son of Lord Dudley and the famous Marquise de Vordac--was walking in the
+great avenue of the Tuileries. This Adonis, by name Henri de Marsay,
+was born in France, when Lord Dudley had just married the young lady,
+already Henri’s mother, to an old gentleman called M. de Marsay. This
+faded and almost extinguished butterfly recognized the child as his own
+in consideration of the life interest in a fund of a hundred thousand
+francs definitively assigned to his putative son; a generosity which
+did not cost Lord Dudley too dear. French funds were worth at that time
+seventeen francs, fifty centimes. The old gentleman died without having
+ever known his wife. Madame de Marsay subsequently married the Marquis
+de Vordac, but before becoming a marquise she showed very little anxiety
+as to her son and Lord Dudley. To begin with, the declaration of war
+between France and England had separated the two lovers, and fidelity
+at all costs was not, and never will be, the fashion of Paris. Then the
+successes of the woman, elegant, pretty, universally adored, crushed in
+the Parisienne the maternal sentiment. Lord Dudley was no more troubled
+about his offspring than was the mother,--the speedy infidelity of a
+young girl he had ardently loved gave him, perhaps, a sort of aversion
+for all that issued from her. Moreover, fathers can, perhaps, only love
+the children with whom they are fully acquainted, a social belief of the
+utmost importance for the peace of families, which should be held by all
+the celibate, proving as it does that paternity is a sentiment nourished
+artificially by woman, custom, and the law.
+
+Poor Henri de Marsay knew no other father than that one of the two who
+was not compelled to be one. The paternity of M. de Marsay was naturally
+most incomplete. In the natural order, it is but for a few fleeting
+instants that children have a father, and M. de Marsay imitated nature.
+The worthy man would not have sold his name had he been free from
+vices. Thus he squandered without remorse in gambling hells, and drank
+elsewhere, the few dividends which the National Treasury paid to
+its bondholders. Then he handed over the child to an aged sister, a
+Demoiselle de Marsay, who took much care of him, and provided him, out
+of the meagre sum allowed by her brother, with a tutor, an abbe without
+a farthing, who took the measure of the youth’s future, and determined
+to pay himself out of the hundred thousand livres for the care given to
+his pupil, for whom he conceived an affection. As chance had it, this
+tutor was a true priest, one of those ecclesiastics cut out to become
+cardinals in France, or Borgias beneath the tiara. He taught the child
+in three years what he might have learned at college in ten. Then the
+great man, by name the Abbe de Maronis, completed the education of
+his pupil by making him study civilization under all its aspects: he
+nourished him on his experience, led him little into churches, which
+at that time were closed; introduced him sometimes behind the scenes of
+theatres, more often into the houses of courtesans; he exhibited human
+emotions to him one by one; taught him politics in the drawing-rooms,
+where they simmered at the time, explained to him the machinery of
+government, and endeavored out of attraction towards a fine nature,
+deserted, yet rich in promise, virilely to replace a mother: is not the
+Church the mother of orphans? The pupil was responsive to so much care.
+The worthy priest died in 1812, a bishop, with the satisfaction of
+having left in this world a child whose heart and mind were so well
+moulded that he could outwit a man of forty. Who would have expected to
+have found a heart of bronze, a brain of steel, beneath external traits
+as seductive as ever the old painters, those naive artists, had given to
+the serpent in the terrestrial paradise? Nor was that all. In addition,
+the good-natured prelate had procured for the child of his choice
+certain acquaintances in the best Parisian society, which might equal
+in value, in the young man’s hand, another hundred thousand invested
+livres. In fine, this priest, vicious but politic, sceptical yet
+learned, treacherous yet amiable, weak in appearance yet as vigorous
+physically as intellectually, was so genuinely useful to his pupil, so
+complacent to his vices, so fine a calculator of all kinds of strength,
+so profound when it was needful to make some human reckoning, so
+youthful at table, at Frascati, at--I know not where, that the grateful
+Henri de Marsay was hardly moved at aught in 1814, except when he looked
+at the portrait of his beloved bishop, the only personal possession
+which the prelate had been able to bequeath him (admirable type of
+the men whose genius will preserve the Catholic, Apostolic, and Roman
+Church, compromised for the moment by the feebleness of its recruits and
+the decrepit age of its pontiffs; but if the church likes!).
+
+The continental war prevented young De Marsay from knowing his real
+father. It is doubtful whether he was aware of his name. A deserted
+child, he was equally ignorant of Madame de Marsay. Naturally, he had
+little regret for his putative father. As for Mademoiselle de Marsay,
+his only mother, he built for her a handsome little monument in Pere
+Lachaise when she died. Monseigneur de Maronis had guaranteed to this
+old lady one of the best places in the skies, so that when he saw her
+die happy, Henri gave her some egotistical tears; he began to weep on
+his own account. Observing this grief, the abbe dried his pupil’s tears,
+bidding him observe that the good woman took her snuff most offensively,
+and was becoming so ugly and deaf and tedious that he ought to return
+thanks for her death. The bishop had emancipated his pupil in 1811.
+Then, when the mother of M. de Marsay remarried, the priest chose, in a
+family council, one of those honest dullards, picked out by him through
+the windows of his confessional, and charged him with the administration
+of the fortune, the revenues of which he was willing to apply to the
+needs of the community, but of which he wished to preserve the capital.
+
+Towards the end of 1814, then, Henri de Marsay had no sentiment of
+obligation in the world, and was as free as an unmated bird. Although he
+had lived twenty-two years he appeared to be barely seventeen. As a rule
+the most fastidious of his rivals considered him to be the prettiest
+youth in Paris. From his father, Lord Dudley, he had derived a pair of
+the most amorously deceiving blue eyes; from his mother the bushiest of
+black hair, from both pure blood, the skin of a young girl, a gentle
+and modest expression, a refined and aristocratic figure, and beautiful
+hands. For a woman, to see him was to lose her head for him; do you
+understand? to conceive one of those desires which eat the heart, which
+are forgotten because of the impossibility of satisfying them, because
+women in Paris are commonly without tenacity. Few of them say to
+themselves, after the fashion of men, the “_Je Maintiendrai_,” of the
+House of Orange.
+
+Underneath this fresh young life, and in spite of the limpid springs in
+his eyes, Henri had a lion’s courage, a monkey’s agility. He could cut a
+ball in half at ten paces on the blade of a knife; he rode his horse
+in a way that made you realize the fable of the Centaur; drove a
+four-in-hand with grace; was as light as a cherub and quiet as a lamb,
+but knew how to beat a townsman at the terrible game of _savate_ or
+cudgels; moreover, he played the piano in a fashion which would have
+enabled him to become an artist should he fall on calamity, and owned
+a voice which would have been worth to Barbaja fifty thousand francs a
+season. Alas, that all these fine qualities, these pretty faults, were
+tarnished by one abominable vice: he believed neither in man nor woman,
+God nor Devil. Capricious nature had commenced by endowing him, a priest
+had completed the work.
+
+To render this adventure comprehensible, it is necessary to add here
+that Lord Dudley naturally found many women disposed to reproduce
+samples of such a delicious pattern. His second masterpiece of this
+kind was a young girl named Euphemie, born of a Spanish lady, reared in
+Havana, and brought to Madrid with a young Creole woman of the Antilles,
+and with all the ruinous tastes of the Colonies, but fortunately married
+to an old and extremely rich Spanish noble, Don Hijos, Marquis de
+San-Real, who, since the occupation of Spain by French troops, had taken
+up his abode in Paris, and lived in the Rue St. Lazare. As much from
+indifference as from any respect for the innocence of youth, Lord Dudley
+was not in the habit of keeping his children informed of the relations
+he created for them in all parts. That is a slightly inconvenient form
+of civilization; it has so many advantages that we must overlook its
+drawbacks in consideration of its benefits. Lord Dudley, to make no more
+words of it, came to Paris in 1816 to take refuge from the pursuit of
+English justice, which protects nothing Oriental except commerce. The
+exiled lord, when he saw Henri, asked who that handsome young man might
+be. Then, upon hearing the name, “Ah, it is my son.... What a pity!” he
+said.
+
+Such was the story of the young man who, about the middle of the month
+of April, 1815, was walking indolently up the broad avenue of the
+Tuileries, after the fashion of all those animals who, knowing their
+strength, pass along in majesty and peace. Middle-class matrons turned
+back naively to look at him again; other women, without turning round,
+waited for him to pass again, and engraved him in their minds that they
+might remember in due season that fragrant face, which would not have
+disadorned the body of the fairest among themselves.
+
+“What are you doing here on Sunday?” said the Marquis de Ronquerolles to
+Henri, as he passed.
+
+“There’s a fish in the net,” answered the young man.
+
+This exchange of thoughts was accomplished by means of two significant
+glances, without it appearing that either De Ronquerolles or De Marsay
+had any knowledge of the other. The young man was taking note of the
+passers-by with that promptitude of eye and ear which is peculiar to the
+Parisian who seems, at first, to see and hear nothing, but who sees and
+hears all.
+
+At that moment a young man came up to him and took him familiarly by the
+arm, saying to him: “How are you, my dear De Marsay?”
+
+“Extremely well,” De Marsay answered, with that air of apparent
+affection which amongst the young men of Paris proves nothing, either
+for the present or the future.
+
+In effect, the youth of Paris resemble the youth of no other town. They
+may be divided into two classes: the young man who has something, and
+the young man who has nothing; or the young man who thinks and he who
+spends. But, be it well understood this applies only to those natives of
+the soil who maintain in Paris the delicious course of the elegant life.
+There exist, as well, plenty of other young men, but they are children
+who are late in conceiving Parisian life, and who remain its dupes. They
+do not speculate, they study; they _fag_, as the others say. Finally
+there are to be found, besides, certain young people, rich or poor, who
+embrace careers and follow them with a single heart; they are somewhat
+like the Emile of Rousseau, of the flesh of citizens, and they never
+appear in society. The diplomatic impolitely dub them fools. Be they
+that or no, they augment the number of those mediocrities beneath the
+yoke of which France is bowed down. They are always there, always ready
+to bungle public or private concerns with the dull trowel of their
+mediocrity, bragging of their impotence, which they count for
+conduct and integrity. This sort of social _prizemen_ infests the
+administration, the army, the magistracy, the chambers, the courts. They
+diminish and level down the country and constitute, in some manner, in
+the body politic, a lymph which infects it and renders it flabby. These
+honest folk call men of talent immoral or rogues. If such rogues require
+to be paid for their services, at least their services are there;
+whereas the other sort do harm and are respected by the mob; but,
+happily for France, elegant youth stigmatizes them ceaselessly under the
+name of louts.
+
+At the first glance, then, it is natural to consider as very distinct
+the two sorts of young men who lead the life of elegance, the amiable
+corporation to which Henri de Marsay belonged. But the observer, who
+goes beyond the superficial aspect of things, is soon convinced that
+the difference is purely moral, and that nothing is so deceptive as this
+pretty outside. Nevertheless, all alike take precedence over everybody
+else; speak rightly or wrongly of things, of men, literature, and the
+fine arts; have ever in their mouth the Pitt and Coburg of each year;
+interrupt a conversation with a pun, turn into ridicule science and the
+_savant_; despise all things which they do not know or which they fear;
+set themselves above all by constituting themselves the supreme
+judges of all. They would all hoax their fathers, and be ready to shed
+crocodile tears upon their mothers’ breasts; but generally they believe
+in nothing, blaspheme women, or play at modesty, and in reality are led
+by some old woman or an evil courtesan. They are all equally eaten
+to the bone with calculation, with depravity, with a brutal lust to
+succeed, and if you plumbed for their hearts you would find in all a
+stone. In their normal state they have the prettiest exterior, stake
+their friendship at every turn, are captivating alike. The same badinage
+dominates their ever-changing jargon; they seek for oddity in their
+toilette, glory in repeating the stupidities of such and such actor who
+is in fashion, and commence operations, it matters not with whom, with
+contempt and impertinence, in order to have, as it were, the first move
+in the game; but, woe betide him who does not know how to take a blow
+on one cheek for the sake of rendering two. They resemble, in fine, that
+pretty white spray which crests the stormy waves. They dress and dance,
+dine and take their pleasure, on the day of Waterloo, in the time of
+cholera or revolution. Finally, their expenses are all the same, but
+here the contrast comes in. Of this fluctuating fortune, so agreeably
+flung away, some possess the capital for which the others wait; they
+have the same tailors, but the bills of the latter are still to pay.
+Next, if the first, like sieves, take in ideas of all kinds without
+retaining any, the latter compare them and assimilate all the good.
+If the first believe they know something, know nothing and understand
+everything, lend all to those who need nothing and offer nothing to
+those who are in need; the latter study secretly others’ thoughts and
+place out their money, like their follies, at big interest. The one
+class have no more faithful impressions, because their soul, like
+a mirror, worn from use, no longer reflects any image; the others
+economize their senses and life, even while they seem, like the first,
+to be flinging them away broadcast. The first, on the faith of a hope,
+devote themselves without conviction to a system which has wind and tide
+against it, but they leap upon another political craft when the first
+goes adrift; the second take the measure of the future, sound it, and
+see in political fidelity what the English see in commercial integrity,
+an element of success. Where the young man of possessions makes a pun or
+an epigram upon the restoration of the throne, he who has nothing makes
+a public calculation or a secret reservation, and obtains everything by
+giving a handshake to his friends. The one deny every faculty to others,
+look upon all their ideas as new, as though the world had been made
+yesterday, they have unlimited confidence in themselves, and no crueler
+enemy than those same selves. But the others are armed with an incessant
+distrust of men, whom they estimate at their value, and are sufficiently
+profound to have one thought beyond their friends, whom they exploit;
+then of evenings, when they lay their heads on their pillows, they weigh
+men as a miser weighs his gold pieces. The one are vexed at an aimless
+impertinence, and allow themselves to be ridiculed by the diplomatic,
+who make them dance for them by pulling what is the main string of these
+puppets--their vanity. Thus, a day comes when those who had nothing have
+something, and those who had something have nothing. The latter look
+at their comrades who have achieved positions as cunning fellows; their
+hearts may be bad, but their heads are strong. “He is very strong!” is
+the supreme praise accorded to those who have attained _quibuscumque
+viis_, political rank, a woman, or a fortune. Amongst them are to be
+found certain young men who play this _role_ by commencing with having
+debts. Naturally, these are more dangerous than those who play it
+without a farthing.
+
+The young man who called himself a friend of Henri de Marsay was a
+rattle-head who had come from the provinces, and whom the young men then
+in fashion were teaching the art of running through an inheritance;
+but he had one last leg to stand on in his province, in the shape of a
+secure establishment. He was simply an heir who had passed without any
+transition from his pittance of a hundred francs a month to the entire
+paternal fortune, and who, if he had not wit enough to perceive that he
+was laughed at, was sufficiently cautious to stop short at two-thirds
+of his capital. He had learned at Paris, for a consideration of some
+thousands of francs, the exact value of harness, the art of not being
+too respectful to his gloves, learned to make skilful meditations upon
+the right wages to give people, and to seek out what bargain was the
+best to close with them. He set store on his capacity to speak in good
+terms of his horses, of his Pyrenean hound; to tell by her dress, her
+walk, her shoes, to what class a woman belonged; to study _ecarte_,
+remember a few fashionable catchwords, and win by his sojourn in
+Parisian society the necessary authority to import later into his
+province a taste for tea and silver of an English fashion, and to obtain
+the right of despising everything around him for the rest of his days.
+
+De Marsay had admitted him to his society in order to make use of him in
+the world, just as a bold speculator employs a confidential clerk. The
+friendship, real or feigned, of De Marsay was a social position for Paul
+de Manerville, who, on his side, thought himself astute in exploiting,
+after his fashion, his intimate friend. He lived in the reflecting
+lustre of his friend, walked constantly under his umbrella, wore his
+boots, gilded himself with his rays. When he posed in Henri’s company or
+walked at his side, he had the air of saying: “Don’t insult us, we are
+real dogs.” He often permitted himself to remark fatuously: “If I were
+to ask Henri for such and such a thing, he is a good enough friend of
+mine to do it.” But he was careful never to ask anything of him. He
+feared him, and his fear, although imperceptible, reacted upon the
+others, and was of use to De Marsay.
+
+“De Marsay is a man of a thousand,” said Paul. “Ah, you will see, he
+will be what he likes. I should not be surprised to find him one of
+these days Minister of Foreign Affairs. Nothing can withstand him.”
+
+He made of De Marsay what Corporal Trim made of his cap, a perpetual
+instance.
+
+“Ask De Marsay and you will see!”
+
+Or again:
+
+“The other day we were hunting, De Marsay and I, He would not believe
+me, but I jumped a hedge without moving on my horse!”
+
+Or again:
+
+“We were with some women, De Marsay and I, and upon my word of honor, I
+was----” etc.
+
+Thus Paul de Manerville could not be classed amongst the great,
+illustrious, and powerful family of fools who succeed. He would one day
+be a deputy. For the time he was not even a young man. His friend, De
+Marsay, defined him thus: “You ask me what is Paul? Paul? Why, Paul de
+Manerville!”
+
+“I am surprised, my dear fellow,” he said to De Marsay, “to see you here
+on a Sunday.”
+
+“I was going to ask you the same question.”
+
+“Is it an intrigue?”
+
+“An intrigue.”
+
+“Bah!”
+
+“I can mention it to you without compromising my passion. Besides,
+a woman who comes to the Tuileries on Sundays is of no account,
+aristocratically speaking.”
+
+“Ah! ah!”
+
+“Hold your tongue then, or I shall tell you nothing. Your laugh is too
+loud, you will make people think that we have lunched too well. Last
+Thursday, here on the Terrasse des Feuillants, I was walking along,
+thinking of nothing at all, but when I got to the gate of the Rue de
+Castiglione, by which I intended to leave, I came face to face with a
+woman, or rather a young girl; who, if she did not throw herself at my
+head, stopped short, less I think, from human respect, than from one of
+those movements of profound surprise which affect the limbs, creep down
+the length of the spine, and cease only in the sole of the feet, to nail
+you to the ground. I have often produced effects of this nature, a sort
+of animal magnetism which becomes enormously powerful when the
+relations are reciprocally precise. But, my dear fellow, this was not
+stupefaction, nor was she a common girl. Morally speaking, her face
+seemed to say: ‘What, is it you, my ideal! The creation of my thoughts,
+of my morning and evening dreams! What, are you there? Why this morning?
+Why not yesterday? Take me, I am thine, _et cetera_!’ Good, I said to
+myself, another one! Then I scrutinize her. Ah, my dear fellow, speaking
+physically, my incognita is the most adorable feminine person whom I
+ever met. She belongs to that feminine variety which the Romans call
+_fulva, flava_--the woman of fire. And in chief, what struck me the
+most, what I am still taken with, are her two yellow eyes, like a
+tiger’s, a golden yellow that gleams, living gold, gold which thinks,
+gold which loves, and is determined to take refuge in your pocket.”
+
+“My dear fellow, we are full of her!” cried Paul. “She comes here
+sometimes--_the girl with the golden eyes_! That is the name we have
+given her. She is a young creature--not more than twenty-two, and I
+have seen her here in the time of the Bourbons, but with a woman who was
+worth a hundred thousand of her.”
+
+“Silence, Paul! It is impossible for any woman to surpass this girl; she
+is like the cat who rubs herself against your legs; a white girl with
+ash-colored hair, delicate in appearance, but who must have downy
+threads on the third phalanx of her fingers, and all along her cheeks
+a white down whose line, luminous on fine days, begins at her ears and
+loses itself on her neck.”
+
+“Ah, the other, my dear De Marsay! She has black eyes which have never
+wept, but which burn; black eyebrows which meet and give her an air of
+hardness contradicted by the compact curve of her lips, on which the
+kisses do not stay, lips burning and fresh; a Moorish color that warms a
+man like the sun. But--upon my word of honor, she is like you!”
+
+“You flatter her!”
+
+“A firm figure, the tapering figure of a corvette built for speed, which
+rushes down upon the merchant vessel with French impetuosity, which
+grapples with her and sinks her at the same time.”
+
+“After all, my dear fellow,” answered De Marsay, “what has that got
+to do with me, since I have never seen her? Ever since I have studied
+women, my incognita is the only one whose virginal bosom, whose
+ardent and voluptuous forms, have realized for me the only woman of
+my dreams--of my dreams! She is the original of that ravishing picture
+called _La Femme Caressant sa Chimere_, the warmest, the most infernal
+inspiration of the genius of antiquity; a holy poem prostituted by those
+who have copied it for frescoes and mosiacs; for a heap of bourgeois
+who see in this gem nothing more than a gew-gaw and hang it on their
+watch-chains--whereas, it is the whole woman, an abyss of pleasure into
+which one plunges and finds no end; whereas, it is the ideal woman, to
+be seen sometimes in reality in Spain or Italy, almost never in France.
+Well, I have again seen this girl of the gold eyes, this woman caressing
+her chimera. I saw her on Friday. I had a presentiment that on the
+following day she would be here at the same hour; I was not mistaken.
+I have taken a pleasure in following her without being observed, in
+studying her indolent walk, the walk of the woman without occupation,
+but in the movements of which one devines all the pleasure that lies
+asleep. Well, she turned back again, she saw me, once more she adored
+me, once more trembled, shivered. It was then I noticed the genuine
+Spanish duenna who looked after her, a hyena upon whom some jealous
+man has put a dress, a she-devil well paid, no doubt, to guard this
+delicious creature.... Ah, then the duenna made me deeper in love. I
+grew curious. On Saturday, nobody. And here I am to-day waiting for
+this girl whose chimera I am, asking nothing better than to pose as the
+monster in the fresco.”
+
+“There she is,” said Paul. “Every one is turning round to look at her.”
+
+The unknown blushed, her eyes shone; she saw Henri, she shut them and
+passed by.
+
+“You say that she notices you?” cried Paul, facetiously.
+
+The duenna looked fixedly and attentively at the two young men. When the
+unknown and Henri passed each other again, the young girl touched him,
+and with her hand pressed the hand of the young man. Then she turned her
+head and smiled with passion, but the duenna led her away very quickly
+to the gate of the Rue de Castiglione.
+
+The two friends followed the young girl, admiring the magnificent grace
+of the neck which met her head in a harmony of vigorous lines, and upon
+which a few coils of hair were tightly wound. The girl with the golden
+eyes had that well-knitted, arched, slender foot which presents so
+many attractions to the dainty imagination. Moreover, she was shod with
+elegance, and wore a short skirt. During her course she turned from
+time to time to look at Henri, and appeared to follow the old woman
+regretfully, seeming to be at once her mistress and her slave; she
+could break her with blows, but could not dismiss her. All that was
+perceptible. The two friends reached the gate. Two men in livery let
+down the step of a tasteful _coupe_ emblazoned with armorial bearings.
+The girl with the golden eyes was the first to enter it, took her seat
+at the side where she could be best seen when the carriage turned,
+put her hand on the door, and waved her handkerchief in the duennna’s
+despite. In contempt of what might be said by the curious, her
+handkerchief cried to Henri openly: “Follow me!”
+
+“Have you ever seen a handkerchief better thrown?” said Henri to Paul de
+Manerville.
+
+Then, observing a fiacre on the point of departure, having just set down
+a fare, he made a sign to the driver to wait.
+
+“Follow that carriage, notice the house and the street where it
+stops--you shall have ten francs.... Paul, adieu.”
+
+The cab followed the _coupe_. The _coupe_ stopped in the Rue Saint
+Lazare before one of the finest houses of the neighborhood.
+
+De Marsay was not impulsive. Any other young man would have obeyed his
+impulse to obtain at once some information about a girl who realized so
+fully the most luminous ideas ever expressed upon women in the poetry
+of the East; but, too experienced to compromise his good fortune, he had
+told his coachman to continue along the Rue Saint Lazare and carry him
+back to his house. The next day, his confidential valet, Laurent by
+name, as cunning a fellow as the Frontin of the old comedy, waited in
+the vicinity of the house inhabited by the unknown for the hour at which
+letters were distributed. In order to be able to spy at his ease and
+hang about the house, he had followed the example of those police
+officers who seek a good disguise, and bought up cast-off clothes of
+an Auvergnat, the appearance of whom he sought to imitate. When the
+postman, who went the round of the Rue Saint Lazare that morning, passed
+by, Laurent feigned to be a porter unable to remember the name of a
+person to whom he had to deliver a parcel, and consulted the postman.
+Deceived at first by appearances, this personage, so picturesque in the
+midst of Parisian civilization, informed him that the house in which
+the girl with the golden eyes dwelt belonged to Don Hijos, Marquis de
+San-Real, grandee of Spain. Naturally, it was not with the Marquis that
+the Auvergnat was concerned.
+
+“My parcel,” he said, “is for the marquise.”
+
+“She is away,” replied the postman. “Her letters are forwarded to
+London.”
+
+“Then the marquise is not a young girl who...?”
+
+“Ah!” said the postman, interrupting the _valet de chambre_ and
+observing him attentively, “you are as much a porter as I’m...”
+
+Laurent chinked some pieces of gold before the functionary, who began to
+smile.
+
+“Come, here’s the name of your quarry,” he said, taking from his leather
+wallet a letter bearing a London stamp, upon which the address, “To
+Mademoiselle Paquita Valdes, Rue Saint Lazare, Hotel San-Real, Paris,”
+ was written in long, fine characters, which spoke of a woman’s hand.
+
+“Could you tap a bottle of Chablis, with a few dozen oysters, and a
+_filet saute_ with mushrooms to follow it?” said Laurent, who wished to
+win the postman’s valuable friendship.
+
+“At half-past nine, when my round is finished---- Where?”
+
+“At the corner of the Rue de la Chaussee-d’Antin and the Rue
+Neuve-des-Mathurins, at the _Puits sans Vin_,” said Laurent.
+
+“Hark ye, my friend,” said the postman, when he rejoined the valet an
+hour after this encounter, “if your master is in love with the girl, he
+is in for a famous task. I doubt you’ll not succeed in seeing her. In
+the ten years that I’ve been postman in Paris, I have seen plenty of
+different kinds of doors! But I can tell you, and no fear of being
+called a liar by any of my comrades, there never was a door so
+mysterious as M. de San-Real’s. No one can get into the house without
+the Lord knows what counter-word; and, notice, it has been selected on
+purpose between a courtyard and a garden to avoid any communication with
+other houses. The porter is an old Spaniard, who never speaks a word
+of French, but peers at people as Vidocq might, to see if they are not
+thieves. If a lover, a thief, or you--I make no comparisons--could get
+the better of this first wicket, well, in the first hall, which is shut
+by a glazed door, you would run across a butler surrounded by lackeys,
+an old joker more savage and surly even than the porter. If any one
+gets past the porter’s lodge, my butler comes out, waits for you at the
+entrance, and puts you through a cross-examination like a criminal. That
+has happened to me, a mere postman. He took me for an eavesdropper in
+disguise, he said, laughing at his nonsense. As for the servants, don’t
+hope to get aught out of them; I think they are mutes, no one in the
+neighborhood knows the color of their speech; I don’t know what wages
+they can pay them to keep them from talk and drink; the fact is, they
+are not to be got at, whether because they are afraid of being shot, or
+that they have some enormous sum to lose in the case of an indiscretion.
+If your master is fond enough of Mademoiselle Paquita Valdes to surmount
+all these obstacles, he certainly won’t triumph over Dona Concha
+Marialva, the duenna who accompanies her and would put her under her
+petticoats sooner than leave her. The two women look as if they were
+sewn to one another.”
+
+“All that you say, worthy postman,” went on Laurent, after having drunk
+off his wine, “confirms me in what I have learned before. Upon my word,
+I thought they were making fun of me! The fruiterer opposite told me
+that of nights they let loose dogs whose food is hung up on stakes just
+out of their reach. These cursed animals think, therefore, that any one
+likely to come in has designs on their victuals, and would tear one to
+pieces. You will tell me one might throw them down pieces, but it seems
+they have been trained to touch nothing except from the hand of the
+porter.”
+
+“The porter of the Baron de Nucingen, whose garden joins at the top that
+of the Hotel San-Real, told me the same thing,” replied the postman.
+
+“Good! my master knows him,” said Laurent, to himself. “Do you know,”
+ he went on, leering at the postman, “I serve a master who is a rare
+man, and if he took it into his head to kiss the sole of the foot of an
+empress, she would have to give in to him. If he had need of you, which
+is what I wish for you, for he is generous, could one count on you?”
+
+“Lord, Monsieur Laurent, my name is Moinot. My name is written exactly
+like _Moineau_, magpie: M-o-i-n-o-t, Moinot.”
+
+“Exactly,” said Laurent.
+
+“I live at No. 11, Rue des Trois Freres, on the fifth floor,” went on
+Moinot; “I have a wife and four children. If what you want of me doesn’t
+transgress the limits of my conscience and my official duties, you
+understand! I am your man.”
+
+“You are an honest fellow,” said Laurent, shaking his hand....
+
+“Paquita Valdes is, no doubt, the mistress of the Marquis de San-Real,
+the friend of King Ferdinand. Only an old Spanish mummy of eighty years
+is capable of taking such precautions,” said Henri, when his _valet de
+chambre_ had related the result of his researches.
+
+“Monsieur,” said Laurent, “unless he takes a balloon no one can get into
+that hotel.”
+
+“You are a fool! Is it necessary to get into the hotel to have Paquita,
+when Paquita can get out of it?”
+
+“But, sir, the duenna?”
+
+“We will shut her up for a day or two, your duenna.”
+
+“So, we shall have Paquita!” said Laurent, rubbing his hands.
+
+“Rascal!” answered Henri, “I shall condemn you to the Concha, if you
+carry your impudence so far as to speak so of a woman before she has
+become mine.... Turn your thoughts to dressing me, I am going out.”
+
+Henri remained for a moment plunged in joyous reflections. Let us say it
+to the praise of women, he obtained all those whom he deigned to desire.
+And what could one think of a woman, having no lover, who should
+have known how to resist a young man armed with beauty which is the
+intelligence of the body, with intelligence which is a grace of the
+soul, armed with moral force and fortune, which are the only two real
+powers? Yet, in triumphing with such ease, De Marsay was bound to grow
+weary of his triumphs; thus, for about two years he had grown very weary
+indeed. And diving deep into the sea of pleasures he brought back more
+grit than pearls. Thus had he come, like potentates, to implore of
+Chance some obstacle to surmount, some enterprise which should ask the
+employment of his dormant moral and physical strength. Although Paquita
+Valdes presented him with a marvelous concentration of perfections which
+he had only yet enjoyed in detail, the attraction of passion was almost
+_nil_ with him. Constant satiety had weakened in his heart the sentiment
+of love. Like old men and people disillusioned, he had no longer
+anything but extravagant caprices, ruinous tastes, fantasies, which,
+once satisfied, left no pleasant memory in his heart. Amongst young
+people love is the finest of the emotions, it makes the life of the soul
+blossom, it nourishes by its solar power the finest inspirations and
+their great thoughts; the first fruits in all things have a delicious
+savor. Amongst men love becomes a passion; strength leads to abuse.
+Amongst old men it turns to vice; impotence tends to extremes. Henri was
+at once an old man, a man, and a youth. To afford him the feelings of
+a real love, he needed like Lovelace, a Clarissa Harlowe. Without
+the magic lustre of that unattainable pearl he could only have either
+passions rendered acute by some Parisian vanity, or set determinations
+with himself to bring such and such a woman to such and such a point of
+corruption, or else adventures which stimulated his curiosity.
+
+The report of Laurent, his _valet de chambre_ had just given an enormous
+value to the girl with the golden eyes. It was a question of doing
+battle with some secret enemy who seemed as dangerous as he was cunning;
+and to carry off the victory, all the forces which Henri could dispose
+of would be useful. He was about to play in that eternal old comedy
+which will be always fresh, and the characters in which are an old man,
+a young girl, and a lover: Don Hijos, Paquita, De Marsay. If Laurent was
+the equal of Figaro, the duenna seemed incorruptible. Thus, the living
+play was supplied by Chance with a stronger plot than it had ever been
+by dramatic author! But then is not Chance too, a man of genius?
+
+“It must be a cautious game,” said Henri, to himself.
+
+“Well,” said Paul de Manerville, as he entered the room. “How are we
+getting on? I have come to breakfast with you.”
+
+“So be it,” said Henri. “You won’t be shocked if I make my toilette
+before you?”
+
+“How absurd!”
+
+“We take so many things from the English just now that we might well
+become as great prudes and hypocrites as themselves,” said Henri.
+
+Laurent had set before his master such a quantity of utensils, so many
+different articles of such elegance, that Paul could not refrain from
+saying:
+
+“But you will take a couple of hours over that?”
+
+“No!” said Henri, “two hours and a half.”
+
+“Well, then, since we are by ourselves, and can say what we like,
+explain to me why a man as superior as yourself--for you are
+superior--should affect to exaggerate a foppery which cannot be
+natural. Why spend two hours and a half in adorning yourself, when it is
+sufficient to spend a quarter of an hour in your bath, to do your hair
+in two minutes, and to dress! There, tell me your system.”
+
+“I must be very fond of you, my good dunce, to confide such high
+thoughts to you,” said the young man, who was at that moment having his
+feet rubbed with a soft brush lathered with English soap.
+
+“Have I not the most devoted attachment to you,” replied Paul de
+Manerville, “and do I not like you because I know your superiority?...”
+
+“You must have noticed, if you are in the least capable of observing any
+moral fact, that women love fops,” went on De Marsay, without replying
+in any way to Paul’s declaration except by a look. “Do you know why
+women love fops? My friend, fops are the only men who take care of
+themselves. Now, to take excessive care of oneself, does it not imply
+that one takes care in oneself of what belongs to another? The man who
+does not belong to himself is precisely the man on whom women are keen.
+Love is essentially a thief. I say nothing about that excess of niceness
+to which they are so devoted. Do you know of any woman who has had a
+passion for a sloven, even if he were a remarkable man? If such a fact
+has occurred, we must put it to the account of those morbid affections
+of the breeding woman, mad fancies which float through the minds of
+everybody. On the other hand, I have seen most remarkable people left in
+the lurch because of their carelessness. A fop, who is concerned about
+his person, is concerned with folly, with petty things. And what is a
+woman? A petty thing, a bundle of follies. With two words said to the
+winds, can you not make her busy for four hours? She is sure that the
+fop will be occupied with her, seeing that he has no mind for great
+things. She will never be neglected for glory, ambition, politics,
+art--those prostitutes who for her are rivals. Then fops have the
+courage to cover themselves with ridicule in order to please a woman,
+and her heart is full of gratitude towards the man who is ridiculous for
+love. In fine, a fop can be no fop unless he is right in being one. It
+is women who bestow that rank. The fop is love’s colonel; he has his
+victories, his regiment of women at his command. My dear fellow, in
+Paris everything is known, and a man cannot be a fop there _gratis_.
+You, who have only one woman, and who, perhaps, are right to have but
+one, try to act the fop!... You will not even become ridiculous, you
+will be dead. You will become a foregone conclusion, one of those men
+condemned inevitably to do one and the same thing. You will come to
+signify _folly_ as inseparably as M. de La Fayette signifies _America_;
+M. de Talleyrand, _diplomacy_; Desaugiers, _song_; M. de Segur,
+_romance_. If they once forsake their own line people no longer attach
+any value to what they do. So, foppery, my friend Paul, is the sign of
+an incontestable power over the female folk. A man who is loved by many
+women passes for having superior qualities, and then, poor fellow, it
+is a question who shall have him! But do you think it is nothing to have
+the right of going into a drawing-room, of looking down at people from
+over your cravat, or through your eye-glass, and of despising the most
+superior of men should he wear an old-fashioned waistcoat?... Laurent,
+you are hurting me! After breakfast, Paul, we will go to the Tuileries
+and see the adorable girl with the golden eyes.”
+
+When, after making an excellent meal, the two young men had traversed
+the Terrasse de Feuillants and the broad walk of the Tuileries, they
+nowhere discovered the sublime Paquita Valdes, on whose account some
+fifty of the most elegant young men in Paris where to be seen, all
+scented, with their high scarfs, spurred and booted, riding, walking,
+talking, laughing, and damning themselves mightily.
+
+“It’s a white Mass,” said Henri; “but I have the most excellent idea in
+the world. This girl receives letters from London. The postman must be
+bought or made drunk, a letter opened, read of course, and a love-letter
+slipped in before it is sealed up again. The old tyrant, _crudel
+tirano_, is certain to know the person who writes the letters from
+London, and has ceased to be suspicious of them.”
+
+The day after, De Marsay came again to walk on the Terrasse des
+Feuillants, and saw Paquita Valdes; already passion had embellished her
+for him. Seriously, he was wild for those eyes, whose rays seemed akin
+to those which the sun emits, and whose ardor set the seal upon that
+of her perfect body, in which all was delight. De Marsay was on fire to
+brush the dress of this enchanting girl as they passed one another in
+their walk; but his attempts were always vain. But at one moment, when
+he had repassed Paquita and the duenna, in order to find himself on the
+same side as the girl of the golden eyes, when he returned, Paquita,
+no less impatient, came forward hurriedly, and De Marsay felt his
+hand pressed by her in a fashion at once so swift and so passionately
+significant that it was as though he had received the emotions surged up
+in his heart. When the two lovers glanced at one another, Paquita seemed
+ashamed, she dropped her eyes lest she should meet the eyes of Henri,
+but her gaze sank lower to fasten on the feet and form of him whom
+women, before the Revolution, called _their conqueror_.
+
+“I am determined to make this girl my mistress,” said Henri to himself.
+
+As he followed her along the terrace, in the direction of the Place
+Louis XV., he caught sight of the aged Marquis de San-Real, who was
+walking on the arm of his valet, stepping with all the precautions due
+to gout and decrepitude. Dona Concha, who distrusted Henri, made Paquita
+pass between herself and the old man.
+
+“Oh, for you,” said De Marsay to himself, casting a glance of disdain
+upon the duenna, “if one cannot make you capitulate, with a little opium
+one can make you sleep. We know mythology and the fable of Argus.”
+
+Before entering the carriage, the golden-eyed girl exchanged certain
+glances with her lover, of which the meaning was unmistakable and which
+enchanted Henri, but one of them was surprised by the duenna; she said
+a few rapid words to Paquita, who threw herself into the _coupe_ with
+an air of desperation. For some days Paquita did not appear in the
+Tuileries. Laurent, who by his master’s orders was on watch by the
+hotel, learned from the neighbors that neither the two women nor the
+aged marquis had been abroad since the day upon which the duenna had
+surprised a glance between the young girl in her charge and Henri. The
+bond, so flimsy withal, which united the two lovers was already severed.
+
+Some days later, none knew by what means, De Marsay had attained his
+end; he had a seal and wax, exactly resembling the seal and wax affixed
+to the letters sent to Mademoiselle Valdes from London; paper similar
+to that which her correspondent used; moreover, all the implements and
+stamps necessary to affix the French and English postmarks.
+
+He wrote the following letter, to which he gave all the appearances of a
+letter sent from London:--
+
+
+ “MY DEAR PAQUITA,--I shall not try to paint to you in words the
+ passion with which you have inspired me. If, to my happiness, you
+ reciprocate it, understand that I have found a means of
+ corresponding with you. My name is Adolphe de Gouges, and I live
+ at No. 54 Rue de l’Universite. If you are too closely watched to
+ be able to write to me, if you have neither pen nor paper, I shall
+ understand it by your silence. If then, to-morrow, you have not,
+ between eight o’clock in the morning and ten o’clock in the
+ evening, thrown a letter over the wall of your garden into that of
+ the Baron de Nucingen, where it will be waited for during the
+ whole of the day, a man, who is entirely devoted to me, will let
+ down two flasks by a string over your wall at ten o’clock the next
+ morning. Be walking there at that hour. One of the two flasks will
+ contain opium to send your Argus to sleep; it will be sufficient
+ to employ six drops; the other will contain ink. The flask of ink
+ is of cut glass; the other is plain. Both are of such a size as
+ can easily be concealed within your bosom. All that I have already
+ done, in order to be able to correspond with you, should tell you
+ how greatly I love you. Should you have any doubt of it, I will
+ confess to you, that to obtain an interview of one hour with you I
+ would give my life.”
+
+
+“At least they believe that, poor creatures!” said De Marsay; “but they
+are right. What should we think of a woman who refused to be beguiled by
+a love-letter accompanied by such convincing accessories?”
+
+This letter was delivered by Master Moinot, postman, on the following
+day, about eight o’clock in the morning, to the porter of the Hotel
+San-Real.
+
+In order to be nearer to the field of action, De Marsay went and
+breakfasted with Paul, who lived in the Rue de la Pepiniere. At
+two o’clock, just as the two friends were laughingly discussing the
+discomfiture of a young man who had attempted to lead the life of
+fashion without a settled income, and were devising an end for him,
+Henri’s coachman came to seek his master at Paul’s house, and presented
+to him a mysterious personage who insisted on speaking himself with his
+master.
+
+This individual was a mulatto, who would assuredly have given Talma a
+model for the part of Othello, if he had come across him. Never did any
+African face better express the grand vengefulness, the ready suspicion,
+the promptitude in the execution of a thought, the strength of the Moor,
+and his childish lack of reflection. His black eyes had the fixity of
+the eyes of a bird of prey, and they were framed, like a vulture’s, by
+a bluish membrane devoid of lashes. His forehead, low and narrow, had
+something menacing. Evidently, this man was under the yoke of some
+single and unique thought. His sinewy arm did not belong to him.
+
+He was followed by a man whom the imaginations of all folk, from those
+who shiver in Greenland to those who sweat in the tropics, would paint
+in the single phrase: _He was an unfortunate man_. From this phrase,
+everybody will conceive him according to the special ideas of each
+country. But who can best imagine his face--white and wrinkled, red at
+the extremities, and his long beard. Who will see his lean and yellow
+scarf, his greasy shirt-collar, his battered hat, his green frock coat,
+his deplorable trousers, his dilapidated waistcoat, his imitation gold
+pin, and battered shoes, the strings of which were plastered in mud? Who
+will see all that but the Parisian? The unfortunate man of Paris is the
+unfortunate man _in toto_, for he has still enough mirth to know the
+extent of his misfortune. The mulatto was like an executioner of Louis
+XI. leading a man to the gallows.
+
+“Who has hunted us out these two extraordinary creatures?” said Henri.
+
+“Faith! there is one of them who makes me shudder,” replied Paul.
+
+“Who are you--you fellow who look the most like a Christian of the two?”
+ said Henri, looking at the unfortunate man.
+
+The mulatto stood with his eyes fixed upon the two young men, like a man
+who understood nothing, and who sought no less to divine something from
+the gestures and movements of the lips.
+
+“I am a public scribe and interpreter; I live at the Palais de Justice,
+and am named Poincet.”
+
+“Good!... and this one?” said Henri to Poincet, looking towards the
+mulatto.
+
+“I do not know; he only speaks a sort of Spanish _patois_, and he has
+brought me here to make himself understood by you.”
+
+The mulatto drew from his pocket the letter which Henri had written to
+Paquita and handed it to him. Henri threw it in the fire.
+
+“Ah--so--the game is beginning,” said Henri to himself. “Paul, leave us
+alone for a moment.”
+
+“I translated this letter for him,” went on the interpreter, when they
+were alone. “When it was translated, he was in some place which I don’t
+remember. Then he came back to look for me, and promised me two _louis_
+to fetch him here.”
+
+“What have you to say to me, nigger?” asked Henri.
+
+“I did not translate _nigger_,” said the interpreter, waiting for the
+mulatto’s reply....
+
+“He said, sir,” went on the interpreter, after having listened to the
+unknown, “that you must be at half-past ten to-morrow night on the
+boulevard Montmartre, near the cafe. You will see a carriage there, in
+which you must take your place, saying to the man, who will wait to
+open the door for you, the word _cortejo_--a Spanish word, which means
+_lover_,” added Poincet, casting a glance of congratulation upon Henri.
+
+“Good.”
+
+The mulatto was about to bestow the two _louis_, but De Marsay would not
+permit it, and himself rewarded the interpreter. As he was paying him,
+the mulatto began to speak.
+
+“What is he saying?”
+
+“He is warning me,” replied the unfortunate, “that if I commit a single
+indiscretion he will strangle me. He speaks fair and he looks remarkably
+as if he were capable of carrying out his threat.”
+
+“I am sure of it,” answered Henri; “he would keep his word.”
+
+“He says, as well,” replied the interpreter, “that the person from whom
+he is sent implores you, for your sake and for hers, to act with the
+greatest prudence, because the daggers which are raised above your
+head would strike your heart before any human power could save you from
+them.”
+
+“He said that? So much the better, it will be more amusing. You can come
+in now, Paul,” he cried to his friend.
+
+The mulatto, who had not ceased to gaze at the lover of Paquita Valdes
+with magnetic attention, went away, followed by the interpreter.
+
+“Well, at last I have an adventure which is entirely romantic,” said
+Henri, when Paul returned. “After having shared in a certain number I
+have finished by finding in Paris an intrigue accompanied by serious
+accidents, by grave perils. The deuce! what courage danger gives a
+woman! To torment a woman, to try and contradict her--doesn’t it give
+her the right and the courage to scale in one moment obstacles which it
+would take her years to surmount of herself? Pretty creature, jump then!
+To die? Poor child! Daggers? Oh, imagination of women! They cannot help
+trying to find authority for their little jests. Besides, can one think
+of it, Paquita? Can one think of it, my child? The devil take me, now
+that I know this beautiful girl, this masterpiece of nature, is mine,
+the adventure has lost its charm.”
+
+For all his light words, the youth in Henri had reappeared. In order
+to live until the morrow without too much pain, he had recourse to
+exorbitant pleasure; he played, dined, supped with his friends; he drank
+like a fish, ate like a German, and won ten or twelve thousand francs.
+He left the Rocher de Cancale at two o’clock in the morning, slept like
+a child, awoke the next morning fresh and rosy, and dressed to go to
+the Tuileries, with the intention of taking a ride, after having seen
+Paquita, in order to get himself an appetite and dine the better, and so
+kill the time.
+
+At the hour mentioned Henri was on the boulevard, saw the carriage,
+and gave the counter-word to a man who looked to him like the mulatto.
+Hearing the word, the man opened the door and quickly let down the step.
+Henri was so rapidly carried through Paris, and his thoughts left him so
+little capacity to pay attention to the streets through which he passed,
+that he did not know where the carriage stopped. The mulatto let him
+into a house, the staircase of which was quite close to the entrance.
+This staircase was dark, as was also the landing upon which Henri
+was obliged to wait while the mulatto was opening the door of a damp
+apartment, fetid and unlit, the chambers of which, barely illuminated
+by the candle which his guide found in the ante-chamber, seemed to him
+empty and ill furnished, like those of a house the inhabitants of which
+are away. He recognized the sensation which he had experienced from the
+perusal of one of those romances of Anne Radcliffe, in which the hero
+traverses the cold, sombre, and uninhabited saloons of some sad and
+desert spot.
+
+At last the mulatto opened the door of a _salon_. The condition of
+the old furniture and the dilapidated curtains with which the room was
+adorned gave it the air of the reception-room of a house of ill fame.
+There was the same pretension to elegance, and the same collection of
+things in bad taste, of dust and dirt. Upon a sofa covered with red
+Utrecht velvet, by the side of a smoking hearth, the fire of which was
+buried in ashes, sat an old, poorly dressed woman, her head capped by
+one of those turbans which English women of a certain age have invented
+and which would have a mighty success in China, where the artist’s ideal
+is the monstrous.
+
+The room, the old woman, the cold hearth, all would have chilled love to
+death had not Paquita been there, upon an ottoman, in a loose voluptuous
+wrapper, free to scatter her gaze of gold and flame, free to show her
+arched foot, free of her luminous movements. This first interview
+was what every _rendezvous_ must be between persons of passionate
+disposition, who have stepped over a wide distance quickly, who desire
+each other ardently, and who, nevertheless, do not know each other. It
+is impossible that at first there should not occur certain discordant
+notes in the situation, which is embarrassing until the moment when two
+souls find themselves in unison.
+
+If desire gives a man boldness and disposes him to lay restraint aside,
+the mistress, under pain of ceasing to be woman, however great may be
+her love, is afraid of arriving at the end so promptly, and face to face
+with the necessity of giving herself, which to many women is equivalent
+to a fall into an abyss, at the bottom of which they know not what they
+shall find. The involuntary coldness of the woman contrasts with her
+confessed passion, and necessarily reacts upon the most passionate
+lover. Thus ideas, which often float around souls like vapors, determine
+in them a sort of temporary malady. In the sweet journey which two
+beings undertake through the fair domains of love, this moment is like
+a waste land to be traversed, a land without a tree, alternatively damp
+and warm, full of scorching sand, traversed by marshes, which leads to
+smiling groves clad with roses, where Love and his retinue of pleasures
+disport themselves on carpets of soft verdure. Often the witty man
+finds himself afflicted with a foolish laugh which is his only answer to
+everything; his wit is, as it were, suffocated beneath the icy pressure
+of his desires. It would not be impossible for two beings of equal
+beauty, intelligence, and passion to utter at first nothing but the
+most silly commonplaces, until chance, a word, the tremor of a certain
+glance, the communication of a spark, should have brought them to the
+happy transition which leads to that flowery way in which one does not
+walk, but where one sways and at the same time does not lapse.
+
+Such a state of mind is always in proportion with the violence of the
+feeling. Two creatures who love one another weakly feel nothing similar.
+The effect of this crisis can even be compared with that which is
+produced by the glow of a clear sky. Nature, at the first view, appears
+to be covered with a gauze veil, the azure of the firmament seems black,
+the intensity of light is like darkness. With Henri, as with the Spanish
+girl, there was an equal intensity of feeling; and that law of statics,
+in virtue of which two identical forces cancel each other, might have
+been true also in the moral order. And the embarrassment of the moment
+was singularly increased by the presence of the old hag. Love takes
+pleasure or fright at all, all has meaning for it, everything is an omen
+of happiness or sorrow for it.
+
+This decrepit woman was there like a suggestion of catastrophe, and
+represented the horrid fish’s tail with which the allegorical geniuses
+of Greece have terminated their chimeras and sirens, whose figures, like
+all passions, are so seductive, so deceptive.
+
+Although Henri was not a free-thinker--the phrase is always a
+mockery--but a man of extraordinary power, a man as great as a man can
+be without faith, the conjunction struck him. Moreover, the strongest
+men are naturally the most impressionable, and consequently the most
+superstitious, if, indeed, one may call superstition the prejudice of
+the first thoughts, which, without doubt, is the appreciation of the
+result in causes hidden to other eyes but perceptible to their own.
+
+The Spanish girl profited by this moment of stupefaction to let herself
+fall into the ecstasy of that infinite adoration which seizes the heart
+of a woman, when she truly loves and finds herself in the presence of
+an idol for whom she has vainly longed. Her eyes were all joy, all
+happiness, and sparks flew from them. She was under the charm, and
+fearlessly intoxicated herself with a felicity of which she had dreamed
+long. She seemed then so marvelously beautiful to Henri, that all this
+phantasmagoria of rags and old age, of worn red drapery and of the green
+mats in front of the armchairs, the ill-washed red tiles, all this sick
+and dilapidated luxury, disappeared.
+
+The room seemed lit up; and it was only through a cloud that one could
+see the fearful harpy fixed and dumb on her red sofa, her yellow eyes
+betraying the servile sentiments, inspired by misfortune, or caused by
+some vice beneath whose servitude one has fallen as beneath a tyrant who
+brutalizes one with the flagellations of his despotism. Her eyes had the
+cold glitter of a caged tiger, knowing his impotence and being compelled
+to swallow his rage of destruction.
+
+“Who is that woman?” said Henri to Paquita.
+
+But Paquita did not answer. She made a sign that she understood no
+French, and asked Henri if he spoke English.
+
+De Marsay repeated his question in English.
+
+“She is the only woman in whom I can confide, although she has sold me
+already,” said Paquita, tranquilly. “My dear Adolphe, she is my mother,
+a slave bought in Georgia for her rare beauty, little enough of which
+remains to-day. She only speaks her native tongue.”
+
+The attitude of this woman and her eagerness to guess from the gestures
+of her daughter and Henri what was passing between them, were suddenly
+explained to the young man; and this explanation put him at his ease.
+
+“Paquita,” he said, “are we never to be free then?”
+
+“Never,” she said, with an air of sadness. “Even now we have but a few
+days before us.”
+
+She lowered her eyes, looked at and counted with her right hand on the
+fingers of her left, revealing so the most beautiful hands which Henri
+had ever seen.
+
+“One, two, three----”
+
+She counted up to twelve.
+
+“Yes,” she said, “we have twelve days.”
+
+“And after?”
+
+“After,” she said, showing the absorption of a weak woman before the
+executioner’s axe, and slain in advance, as it were, by a fear which
+stripped her of that magnificent energy which Nature seemed to have
+bestowed upon her only to aggrandize pleasure and convert the most
+vulgar delights into endless poems. “After----” she repeated. Her eyes
+took a fixed stare; she seemed to contemplate a threatening object far
+away.
+
+“I do not know,” she said.
+
+“This girl is mad,” said Henri to himself, falling into strange
+reflections.
+
+Paquita appeared to him occupied by something which was not himself,
+like a woman constrained equally by remorse and passion. Perhaps she had
+in her heart another love which she alternately remembered and forgot.
+In a moment Henri was assailed by a thousand contradictory thoughts.
+This girl became a mystery for him; but as he contemplated her with the
+scientific attention of the _blase_ man, famished for new pleasures,
+like that Eastern king who asked that a pleasure should be created
+for him,--a horrible thirst with which great souls are seized,--Henri
+recognized in Paquita the richest organization that Nature had ever
+deigned to compose for love. The presumptive play of this machinery,
+setting aside the soul, would have frightened any other man than Henri;
+but he was fascinated by that rich harvest of promised pleasures, by
+that constant variety in happiness, the dream of every man, and the
+desire of every loving woman too. He was infuriated by the infinite
+rendered palpable, and transported into the most excessive raptures
+of which the creature is capable. All that he saw in this girl more
+distinctly than he had yet seen it, for she let herself be viewed
+complacently, happy to be admired. The admiration of De Marsay became
+a secret fury, and he unveiled her completely, throwing a glance at her
+which the Spaniard understood as though she had been used to receive
+such.
+
+“If you are not to be mine, mine only, I will kill you!” he cried.
+
+Hearing this speech, Paquita covered her face in her hands, and cried
+naively:
+
+“Holy Virgin! What have I brought upon myself?”
+
+She rose, flung herself down upon the red sofa, and buried her head in
+the rags which covered the bosom of her mother, and wept there. The
+old woman received her daughter without issuing from her state of
+immobility, or displaying any emotion. The mother possessed in the
+highest degree that gravity of savage races, the impassiveness of a
+statue upon which all remarks are lost. Did she or did she not love her
+daughter? Beneath that mask every human emotion might brood--good and
+evil; and from this creature all might be expected. Her gaze passed
+slowly from her daughter’s beautiful hair, which covered her like a
+mantle, to the face of Henri, which she considered with an indescribable
+curiosity.
+
+She seemed to ask by what fatality he was there, from what caprice
+Nature had made so seductive a man.
+
+“These women are making sport of me,” said Henri to himself.
+
+At that moment Paquita raised her head, cast at him one of those looks
+which reach the very soul and consume it. So beautiful seemed she that
+he swore he would possess such a treasure of beauty.
+
+“My Paquita! Be mine!”
+
+“Wouldst thou kill me?” she said fearfully, palpitating and anxious, but
+drawn towards him by an inexplicable force.
+
+“Kill thee--I!” he said, smiling.
+
+Paquita uttered a cry of alarm, said a word to the old woman, who
+authoritatively seized Henri’s hand and that of her daughter. She gazed
+at them for a long time, and then released them, wagging her head in a
+fashion horribly significant.
+
+“Be mine--this evening, this moment; follow me, do not leave me! It must
+be, Paquita! Dost thou love me? Come!”
+
+In a moment he had poured out a thousand foolish words to her, with the
+rapidity of a torrent coursing between the rocks, and repeating the same
+sound in a thousand different forms.
+
+“It is the same voice!” said Paquita, in a melancholy voice, which
+De Marsay could not overhear, “and the same ardor,” she added. “So be
+it--yes,” she said, with an abandonment of passion which no words can
+describe. “Yes; but not to-night. To-night Adolphe, I gave too little
+opium to La Concha. She might wake up, and I should be lost. At this
+moment the whole household believes me to be asleep in my room. In two
+days be at the same spot, say the same word to the same man. That man is
+my foster-father. Cristemio worships me, and would die in torments for
+me before they could extract one word against me from him. Farewell,”
+ she said seizing Henri by the waist and twining round him like a
+serpent.
+
+She pressed him on every side at once, lifted her head to his, and
+offered him her lips, then snatched a kiss which filled them both with
+such a dizziness that it seemed to Henri as though the earth opened; and
+Paquita cried: “Enough, depart!” in a voice which told how little
+she was mistress of herself. But she clung to him still, still crying
+“Depart!” and brought him slowly to the staircase. There the mulatto,
+whose white eyes lit up at the sight of Paquita, took the torch from the
+hands of his idol, and conducted Henri to the street. He left the light
+under the arch, opened the door, put Henri into the carriage, and set
+him down on the Boulevard des Italiens with marvelous rapidity. It was
+as though the horses had hell-fire in their veins.
+
+The scene was like a dream to De Marsay, but one of those dreams
+which, even when they fade away, leave a feeling of supernatural
+voluptuousness, which a man runs after for the remainder of his life.
+A single kiss had been enough. Never had _rendezvous_ been spent in a
+manner more decorous or chaste, or, perhaps, more coldly, in a spot of
+which the surroundings were more gruesome, in presence of a more hideous
+divinity; for the mother had remained in Henri’s imagination like some
+infernal, cowering thing, cadaverous, monstrous, savagely ferocious,
+which the imagination of poets and painters had not yet conceived. In
+effect, no _rendezvous_ had ever irritated his senses more, revealed
+more audacious pleasures, or better aroused love from its centre to
+shed itself round him like an atmosphere. There was something sombre,
+mysterious, sweet, tender, constrained, and expansive, an intermingling
+of the awful and the celestial, of paradise and hell, which made De
+Marsay like a drunken man.
+
+He was no longer himself, and he was, withal, great enough to be able to
+resist the intoxication of pleasure.
+
+In order to render his conduct intelligible in the catastrophe of this
+story, it is needful to explain how his soul had broadened at an age
+when young men generally belittle themselves in their relations with
+women, or in too much occupation with them. Its growth was due to a
+concurrence of secret circumstances, which invested him with a vast and
+unsuspected power.
+
+This young man held in his hand a sceptre more powerful than that of
+modern kings, almost all of whom are curbed in their least wishes by the
+laws. De Marsay exercised the autocratic power of an Oriental despot.
+But this power, so stupidly put into execution in Asia by brutish men,
+was increased tenfold by its conjunction with European intelligence,
+with French wit--the most subtle, the keenest of all intellectual
+instruments. Henri could do what he would in the interest of his
+pleasures and vanities. This invisible action upon the social world
+had invested him with a real, but secret, majesty, without emphasis and
+deriving from himself. He had not the opinion which Louis XIV. could
+have of himself, but that which the proudest of the Caliphs, the
+Pharoahs, the Xerxes, who held themselves to be of divine origin, had
+of themselves when they imitated God, and veiled themselves from their
+subjects under the pretext that their looks dealt forth death. Thus,
+without any remorse at being at once the judge and the accuser, De
+Marsay coldly condemned to death the man or the woman who had seriously
+offended him. Although often pronounced almost lightly, the verdict
+was irrevocable. An error was a misfortune similar to that which a
+thunderbolt causes when it falls upon a smiling Parisienne in some
+hackney coach, instead of crushing the old coachman who is driving
+her to a _rendezvous_. Thus the bitter and profound sarcasm which
+distinguished the young man’s conversation usually tended to frighten
+people; no one was anxious to put him out. Women are prodigiously fond
+of those persons who call themselves pashas, and who are, as it were
+accompanied by lions and executioners, and who walk in a panoply of
+terror. The result, in the case of such men, is a security of action,
+a certitude of power, a pride of gaze, a leonine consciousness, which
+makes women realize the type of strength of which they all dream. Such
+was De Marsay.
+
+Happy, for the moment, with his future, he grew young and pliable, and
+thought of nothing but love as he went to bed. He dreamed of the girl
+with the golden eyes, as the young and passionate can dream. His dreams
+were monstrous images, unattainable extravagances--full of light,
+revealing invisible worlds, yet in a manner always incomplete, for an
+intervening veil changes the conditions of vision.
+
+For the next and succeeding day Henri disappeared and no one knew
+what had become of him. His power only belonged to him under certain
+conditions, and, happily for him, during those two days he was a private
+soldier in the service of the demon to whom he owed his talismanic
+existence. But at the appointed time, in the evening, he was
+waiting--and he had not long to wait--for the carriage. The mulatto
+approached Henri, in order to repeat to him in French a phrase which he
+seemed to have learned by heart.
+
+“If you wish to come, she told me, you must consent to have your eyes
+bandaged.”
+
+And Cristemio produced a white silk handkerchief.
+
+“No!” said Henri, whose omnipotence revolted suddenly.
+
+He tried to leap in. The mulatto made a sign, and the carriage drove
+off.
+
+“Yes!” cried De Marsay, furious at the thought of losing a piece of good
+fortune which had been promised him.
+
+He saw, moreover, the impossibility of making terms with a slave
+whose obedience was as blind as the hangman’s. Nor was it this passive
+instrument upon whom his anger could fall.
+
+The mulatto whistled, the carriage returned. Henri got in hastily.
+Already a few curious onlookers had assembled like sheep on the
+boulevard. Henri was strong; he tried to play the mulatto. When the
+carriage started at a gallop he seized his hands, in order to master
+him, and retain, by subduing his attendant, the possession of his
+faculties, so that he might know whither he was going. It was a vain
+attempt. The eyes of the mulatto flashed from the darkness. The fellow
+uttered a cry which his fury stifled in his throat, released himself,
+threw back De Marsay with a hand like iron, and nailed him, so to
+speak, to the bottom of the carriage; then with his free hand, he drew
+a triangular dagger, and whistled. The coachman heard the whistle and
+stopped. Henri was unarmed, he was forced to yield. He moved his head
+towards the handkerchief. The gesture of submission calmed Cristemio,
+and he bound his eyes with a respect and care which manifested a sort
+of veneration for the person of the man whom his idol loved. But, before
+taking this course, he had placed his dagger distrustfully in his side
+pocket, and buttoned himself up to the chin.
+
+“That nigger would have killed me!” said De Marsay to himself.
+
+Once more the carriage moved on rapidly. There was one resource still
+open to a young man who knew Paris as well as Henri. To know whither
+he was going, he had but to collect himself and count, by the number of
+gutters crossed, the streets leading from the boulevards by which the
+carriage passed, so long as it continued straight along. He could thus
+discover into which lateral street it would turn, either towards the
+Seine or towards the heights of Montmartre, and guess the name or
+position of the street in which his guide should bring him to a halt.
+But the violent emotion which his struggle had caused him, the rage into
+which his compromised dignity had thrown him, the ideas of vengeance
+to which he abandoned himself, the suppositions suggested to him by the
+circumstantial care which this girl had taken in order to bring him
+to her, all hindered him from the attention, which the blind have,
+necessary for the concentration of his intelligence and the perfect
+lucidity of his recollection. The journey lasted half an hour. When the
+carriage stopped, it was no longer on the street. The mulatto and the
+coachman took Henri in their arms, lifted him out, and, putting him
+into a sort of litter, conveyed him across a garden. He could smell its
+flowers and the perfume peculiar to trees and grass.
+
+The silence which reigned there was so profound that he could
+distinguish the noise made by the drops of water falling from the moist
+leaves. The two men took him to a staircase, set him on his feet, led
+him by his hands through several apartments, and left him in a room
+whose atmosphere was perfumed, and the thick carpet of which he could
+feel beneath his feet.
+
+A woman’s hand pushed him on to a divan, and untied the handkerchief for
+him. Henri saw Paquita before him, but Paquita in all her womanly
+and voluptuous glory. The section of the boudoir in which Henri found
+himself described a circular line, softly gracious, which was faced
+opposite by the other perfectly square half, in the midst of which a
+chimney-piece shone of gold and white marble. He had entered by a door
+on one side, hidden by a rich tapestried screen, opposite which was a
+window. The semicircular portion was adorned with a real Turkish divan,
+that is to say, a mattress thrown on the ground, but a mattress as broad
+as a bed, a divan fifty feet in circumference, made of white cashmere,
+relieved by bows of black and scarlet silk, arranged in panels. The top
+of this huge bed was raised several inches by numerous cushions, which
+further enriched it by their tasteful comfort. The boudoir was lined
+with some red stuff, over which an Indian muslin was stretched, fluted
+after the fashion of Corinthian columns, in plaits going in and out, and
+bound at the top and bottom by bands of poppy-colored stuff, on which
+were designs in black arabesque.
+
+Below the muslin the poppy turned to rose, that amorous color, which
+was matched by window-curtains, which were of Indian muslin lined with
+rose-colored taffeta, and set off with a fringe of poppy-color and
+black. Six silver-gilt arms, each supporting two candles, were attached
+to the tapestry at an equal distance, to illuminate the divan. The
+ceiling, from the middle of which a lustre of unpolished silver hung,
+was of a brilliant whiteness, and the cornice was gilded. The carpet was
+like an Oriental shawl; it had the designs and recalled the poetry of
+Persia, where the hands of slaves had worked on it. The furniture
+was covered in white cashmere, relieved by black and poppy-colored
+ornaments. The clock, the candelabra, all were in white marble and gold.
+The only table there had a cloth of cashmere. Elegant flower-pots held
+roses of every kind, flowers white or red. In fine, the least detail
+seemed to have been the object of loving thought. Never had richness
+hidden itself more coquettishly to become elegance, to express grace,
+to inspire pleasure. Everything there would have warmed the coldest
+of beings. The caresses of the tapestry, of which the color changed
+according to the direction of one’s gaze, becoming either all white
+or all rose, harmonized with the effects of the light shed upon the
+diaphanous tissues of the muslin, which produced an appearance of
+mistiness. The soul has I know not what attraction towards white, love
+delights in red, and the passions are flattered by gold, which has the
+power of realizing their caprices. Thus all that man possesses within
+him of vague and mysterious, all his inexplicable affinities, were
+caressed in their involuntary sympathies. There was in this perfect
+harmony a concert of color to which the soul responded with vague and
+voluptuous and fluctuating ideas.
+
+It was out of a misty atmosphere, laden with exquisite perfumes, that
+Paquita, clad in a white wrapper, her feet bare, orange blossoms in her
+black hair, appeared to Henri, knelt before him, adoring him as the god
+of this temple, whither he had deigned to come. Although De Marsay
+was accustomed to seeing the utmost efforts of Parisian luxury, he was
+surprised at the aspect of this shell, like that from which Venus rose
+out of the sea. Whether from an effect of contrast between the darkness
+from which he issued and the light which bathed his soul, whether from
+a comparison which he swiftly made between this scene and that of their
+first interview, he experienced one of those delicate sensations which
+true poetry gives. Perceiving in the midst of this retreat, which
+had been opened to him as by a fairy’s magic wand, the masterpiece of
+creation, this girl, whose warmly colored tints, whose soft skin--soft,
+but slightly gilded by the shadows, by I know not what vaporous effusion
+of love--gleamed as though it reflected the rays of color and light, his
+anger, his desire for vengeance, his wounded vanity, all were lost.
+
+Like an eagle darting on his prey, he took her utterly to him, set her
+on his knees, and felt with an indescribable intoxication the voluptuous
+pressure of this girl, whose richly developed beauties softly enveloped
+him.
+
+“Come to me, Paquita!” he said, in a low voice.
+
+“Speak, speak without fear!” she said. “This retreat was built for
+love. No sound can escape from it, so greatly was it desired to guard
+avariciously the accents and music of the beloved voice. However loud
+should be the cries, they would not be heard without these walls. A
+person might be murdered, and his moans would be as vain as if he were
+in the midst of the great desert.”
+
+“Who has understood jealousy and its needs so well?”
+
+“Never question me as to that,” she answered, untying with a gesture of
+wonderful sweetness the young man’s scarf, doubtless in order the better
+to behold his neck.
+
+“Yes, there is the neck I love so well!” she said. “Wouldst thou please
+me?”
+
+This interrogation, rendered by the accent almost lascivious, drew
+De Marsay from the reverie in which he had been plunged by Paquita’s
+authoritative refusal to allow him any research as to the unknown being
+who hovered like a shadow about them.
+
+“And if I wished to know who reigns here?”
+
+Paquita looked at him trembling.
+
+“It is not I, then?” he said, rising and freeing himself from the girl,
+whose head fell backwards. “Where I am, I would be alone.”
+
+“Strike, strike!...” said the poor slave, a prey to terror.
+
+“For what do you take me, then?... Will you answer?”
+
+Paquita got up gently, her eyes full of tears, took a poniard from one
+of the two ebony pieces of furniture, and presented it to Henri with a
+gesture of submission which would have moved a tiger.
+
+“Give me a feast such as men give when they love,” she said, “and whilst
+I sleep, slay me, for I know not how to answer thee. Hearken! I am bound
+like some poor beast to a stake; I am amazed that I have been able to
+throw a bridge over the abyss which divides us. Intoxicate me, then kill
+me! Ah, no, no!” she cried, joining her hands, “do not kill me! I love
+life! Life is fair to me! If I am a slave, I am a queen too. I could
+beguile you with words, tell you that I love you alone, prove it to you,
+profit by my momentary empire to say to you: ‘Take me as one tastes the
+perfume of a flower when one passes it in a king’s garden.’ Then, after
+having used the cunning eloquence of woman and soared on the wings of
+pleasure, after having quenched my thirst, I could have you cast into a
+pit, where none could find you, which has been made to gratify vengeance
+without having to fear that of the law, a pit full of lime which would
+kindle and consume you, until no particle of you were left. You would
+stay in my heart, mine forever.”
+
+Henri looked at the girl without trembling, and this fearless gaze
+filled her with joy.
+
+“No, I shall not do it! You have fallen into no trap here, but upon the
+heart of a woman who adores you, and it is I who will be cast into the
+pit.”
+
+“All this appears to me prodigiously strange,” said De Marsay,
+considering her. “But you seem to me a good girl, a strange nature; you
+are, upon my word of honor, a living riddle, the answer to which is very
+difficult to find.”
+
+Paquita understood nothing of what the young man said; she looked at
+him gently, opening wide eyes which could never be stupid, so much was
+pleasure written in them.
+
+“Come, then, my love,” she said, returning to her first idea, “wouldst
+thou please me?”
+
+“I would do all that thou wouldst, and even that thou wouldst not,”
+ answered De Marsay, with a laugh. He had recovered his foppish ease, as
+he took the resolve to let himself go to the climax of his good fortune,
+looking neither before nor after. Perhaps he counted, moreover, on his
+power and his capacity of a man used to adventures, to dominate this
+girl a few hours later and learn all her secrets.
+
+“Well,” said she, “let me arrange you as I would like.”
+
+Paquita went joyously and took from one of the two chests a robe of red
+velvet, in which she dressed De Marsay, then adorned his head with a
+woman’s bonnet and wrapped a shawl round him. Abandoning herself to
+these follies with a child’s innocence, she laughed a convulsive laugh,
+and resembled some bird flapping its wings; but he saw nothing beyond.
+
+If it be impossible to paint the unheard-of delights which these two
+creatures--made by heaven in a joyous moment--found, it is perhaps
+necessary to translate metaphysically the extraordinary and almost
+fantastic impressions of the young man. That which persons in the social
+position of De Marsay, living as he lived, are best able to recognize is
+a girl’s innocence. But, strange phenomenon! The girl of the golden eyes
+might be virgin, but innocent she was certainly not. The fantastic
+union of the mysterious and the real, of darkness and light, horror and
+beauty, pleasure and danger, paradise and hell, which had already been
+met with in this adventure, was resumed in the capricious and sublime
+being with which De Marsay dallied. All the utmost science or the most
+refined pleasure, all that Henri could know of that poetry of the senses
+which is called love, was excelled by the treasures poured forth by this
+girl, whose radiant eyes gave the lie to none of the promises which they
+made.
+
+She was an Oriental poem, in which shone the sun that Saadi, that Hafiz,
+have set in their pulsing strophes. Only, neither the rhythm of Saadi,
+nor that of Pindar, could have expressed the ecstasy--full of confusion
+and stupefaction--which seized the delicious girl when the error in
+which an iron hand had caused her to live was at an end.
+
+“Dead!” she said, “I am dead, Adolphe! Take me away to the world’s
+end, to an island where no one knows us. Let there be no traces of our
+flight! We should be followed to the gates of hell. God! here is the
+day! Escape! Shall I ever see you again? Yes, to-morrow I will see
+you, if I have to deal death to all my warders to have that joy. Till
+to-morrow.”
+
+She pressed him in her arms with an embrace in which the terror of death
+mingled. Then she touched a spring, which must have been in connection
+with a bell, and implored De Marsay to permit his eyes to be bandaged.
+
+“And if I would not--and if I wished to stay here?”
+
+“You would be the death of me more speedily,” she said, “for now I know
+I am certain to die on your account.”
+
+Henri submitted. In the man who had just gorged himself with pleasure
+there occurs a propensity to forgetfulness, I know not what ingratitude,
+a desire for liberty, a whim to go elsewhere, a tinge of contempt and,
+perhaps, of disgust for his idol; in fine, indescribable sentiments
+which render him ignoble and ashamed. The certainty of this confused,
+but real, feeling in souls who are not illuminated by that celestial
+light, nor perfumed with that holy essence from which the performance
+of sentiment springs, doubtless suggested to Rousseau the adventures of
+Lord Edward, which conclude the letters of the _Nouvelle Heloise_. If
+Rousseau is obviously inspired by the work of Richardson, he departs
+from it in a thousand details, which leave his achievement magnificently
+original; he has recommended it to posterity by great ideas which it is
+difficult to liberate by analysis, when, in one’s youth, one reads this
+work with the object of finding in it the lurid representation of the
+most physical of our feelings, whereas serious and philosophical writers
+never employ its images except as the consequence or the corollary of
+a vast thought; and the adventures of Lord Edward are one of the most
+Europeanly delicate ideas of the whole work.
+
+Henri, therefore, found himself beneath the domination of that confused
+sentiment which is unknown to true love. There was needful, in
+some sort, the persuasive grip of comparisons, and the irresistible
+attraction of memories to lead him back to a woman. True love rules
+above all through recollection. A woman who is not engraven upon the
+soul by excess of pleasure or by strength of emotion, how can she ever
+be loved? In Henri’s case, Paquita had established herself by both of
+these reasons. But at this moment, seized as he was by the satiety of
+his happiness, that delicious melancholy of the body, he could hardly
+analyze his heart, even by recalling to his lips the taste of the
+liveliest gratifications that he had ever grasped.
+
+He found himself on the Boulevard Montmartre at the break of day,
+gazed stupidly at the retreating carriage, produced two cigars from his
+pocket, lit one from the lantern of a good woman who sold brandy and
+coffee to workmen and street arabs and chestnut venders--to all the
+Parisian populace which begins its work before daybreak; then he went
+off, smoking his cigar, and putting his hands in his trousers’ pockets
+with a devil-may-care air which did him small honor.
+
+“What a good thing a cigar is! That’s one thing a man will never tire
+of,” he said to himself.
+
+Of the girl with the golden eyes, over whom at that time all the elegant
+youth of Paris was mad, he hardly thought. The idea of death, expressed
+in the midst of their pleasure, and the fear of which had more than once
+darkened the brow of that beautiful creature, who held to the houris of
+Asia by her mother, to Europe by her education, to the tropics by her
+birth, seemed to him merely one of those deceptions by which women seek
+to make themselves interesting.
+
+“She is from Havana--the most Spanish region to be found in the New
+World. So she preferred to feign terror rather than cast in my teeth
+indisposition or difficulty, coquetry or duty, like a Parisian woman. By
+her golden eyes, how glad I shall be to sleep.”
+
+He saw a hackney coach standing at the corner of Frascati’s waiting for
+some gambler; he awoke the driver, was driven home, went to bed, and
+slept the sleep of the dissipated, which for some queer reason--of which
+no rhymer has yet taken advantage--is as profound as that of innocence.
+Perhaps it is an instance of the proverbial axiom, _extremes meet_.
+
+About noon De Marsay awoke and stretched himself; he felt the grip of
+that sort of voracious hunger which old soldiers can remember having
+experienced on the morrow of victory. He was delighted, therefore, to
+see Paul de Manerville standing in front of him, for at such a time
+nothing is more agreeable than to eat in company.
+
+“Well,” his friend remarked, “we all imagined that you had been shut up
+for the last ten days with the girl of the golden eyes.”
+
+“The girl of the golden eyes! I have forgotten her. Faith! I have other
+fish to fry!”
+
+“Ah! you are playing at discretion.”
+
+“Why not?” asked De Marsay, with a laugh. “My dear fellow, discretion
+is the best form of calculation. Listen--however, no! I will not say
+a word. You never teach me anything; I am not disposed to make you a
+gratuitous present of the treasures of my policy. Life is a river which
+is of use for the promotion of commerce. In the name of all that is most
+sacred in life--of cigars! I am no professor of social economy for the
+instruction of fools. Let us breakfast! It costs less to give you a
+tunny omelette than to lavish the resources of my brain on you.”
+
+“Do you bargain with your friends?”
+
+“My dear fellow,” said Henri, who rarely denied himself a sarcasm,
+“since all the same, you may some day need, like anybody else, to use
+discretion, and since I have much love for you--yes, I like you! Upon my
+word, if you only wanted a thousand-franc note to keep you from blowing
+your brains out, you would find it here, for we haven’t yet done any
+business of that sort, eh, Paul? If you had to fight to-morrow, I would
+measure the ground and load the pistols, so that you might be killed
+according to rule. In short, if anybody besides myself took it into his
+head to say ill of you in your absence, he would have to deal with the
+somewhat nasty gentleman who walks in my shoes--there’s what I call a
+friendship beyond question. Well, my good fellow, if you should
+ever have need of discretion, understand that there are two sorts of
+discretion--the active and the negative. Negative discretion is that
+of fools who make use of silence, negation, an air of refusal, the
+discretion of locked doors--mere impotence! Active discretion proceeds
+by affirmation. Suppose at the club this evening I were to say: ‘Upon my
+word of honor the golden-eyed was not worth all she cost me!’ Everybody
+would exclaim when I was gone: ‘Did you hear that fop De Marsay, who
+tried to make us believe that he has already had the girl of the golden
+eyes? It’s his way of trying to disembarrass himself of his rivals: he’s
+no simpleton.’ But such a ruse is vulgar and dangerous. However gross a
+folly one utters, there are always idiots to be found who will believe
+it. The best form of discretion is that of women when they want to take
+the change out of their husbands. It consists in compromising a woman
+with whom we are not concerned, or whom we do not love, in order to save
+the honor of the one whom we love well enough to respect. It is what is
+called the _woman-screen_.... Ah! here is Laurent. What have you got for
+us?”
+
+“Some Ostend oysters, Monsieur le Comte.”
+
+“You will know some day, Paul, how amusing it is to make a fool of the
+world by depriving it of the secret of one’s affections. I derive an
+immense pleasure in escaping from the stupid jurisdiction of the crowd,
+which knows neither what it wants, nor what one wants of it, which takes
+the means for the end, and by turns curses and adores, elevates and
+destroys! What a delight to impose emotions on it and receive none from
+it, to tame it, never to obey it. If one may ever be proud of anything,
+is it not a self-acquired power, of which one is at once the cause and
+effect, the principle and the result? Well, no man knows what I love,
+nor what I wish. Perhaps what I have loved, or what I may have wished
+will be known, as a drama which is accomplished is known; but to let
+my game be seen--weakness, mistake! I know nothing more despicable than
+strength outwitted by cunning. Can I initiate myself with a laugh into
+the ambassador’s part, if indeed diplomacy is as difficult as life? I
+doubt it. Have you any ambition? Would you like to become something?”
+
+“But, Henri, you are laughing at me--as though I were not sufficiently
+mediocre to arrive at anything.”
+
+“Good Paul! If you go on laughing at yourself, you will soon be able to
+laugh at everybody else.”
+
+At breakfast, by the time he had started his cigars, De Marsay began to
+see the events of the night in a singular light. Like many men of great
+intelligence, his perspicuity was not spontaneous, as it did not at once
+penetrate to the heart of things. As with all natures endowed with the
+faculty of living greatly in the present, of extracting, so to speak,
+the essence of it and assimilating it, his second-sight had need of a
+sort of slumber before it could identify itself with causes. Cardinal
+de Richelieu was so constituted, and it did not debar in him the gift of
+foresight necessary to the conception of great designs.
+
+De Marsay’s conditions were alike, but at first he only used his weapons
+for the benefit of his pleasures, and only became one of the most
+profound politicians of his day when he had saturated himself with
+those pleasures to which a young man’s thoughts--when he has money and
+power--are primarily directed. Man hardens himself thus: he uses woman
+in order that she may not make use of him.
+
+At this moment, then, De Marsay perceived that he had been fooled by
+the girl of the golden eyes, seeing, as he did, in perspective, all that
+night of which the delights had been poured upon him by degrees until
+they had ended by flooding him in torrents. He could read, at last,
+that page in effect so brilliant, divine its hidden meaning. The purely
+physical innocence of Paquita, the bewilderment of her joy, certain
+words, obscure at first, but now clear, which had escaped her in the
+midst of that joy, all proved to him that he had posed for another
+person. As no social corruption was unknown to him, as he professed a
+complete indifference towards all perversities, and believed them to be
+justified on the simple ground that they were capable of satisfaction,
+he was not startled at vice, he knew it as one knows a friend, but he
+was wounded at having served as sustenance for it. If his presumption
+was right, he had been outraged in the most sensitive part of him. The
+mere suspicion filled him with fury, he broke out with the roar of a
+tiger who has been the sport of a deer, the cry of a tiger which united
+a brute’s strength with the intelligence of the demon.
+
+“I say, what is the matter with you?” asked Paul.
+
+“Nothing!”
+
+“I should be sorry, if you were to be asked whether you had anything
+against me and were to reply with a _nothing_ like that! It would be a
+sure case of fighting the next day.”
+
+“I fight no more duels,” said De Marsay.
+
+“That seems to me even more tragical. Do you assassinate, then?”
+
+“You travesty words. I execute.”
+
+“My dear friend,” said Paul, “your jokes are of a very sombre color this
+morning.”
+
+“What would you have? Pleasure ends in cruelty. Why? I don’t know, and
+am not sufficiently curious to try and find out.... These cigars are
+excellent. Give your friend some tea. Do you know, Paul, I live a
+brute’s life? It should be time to choose oneself a destiny, to employ
+one’s powers on something which makes life worth living. Life is a
+singular comedy. I am frightened, I laugh at the inconsequence of our
+social order. The Government cuts off the heads of poor devils who
+may have killed a man and licenses creatures who despatch, medically
+speaking, a dozen young folks in a season. Morality is powerless
+against a dozen vices which destroy society and which nothing can
+punish.--Another cup!--Upon my word of honor! man is a jester dancing
+upon a precipice. They talk to us about the immorality of the _Liaisons
+Dangereuses_, and any other book you like with a vulgar reputation; but
+there exists a book, horrible, filthy, fearful, corrupting, which is
+always open and will never be shut, the great book of the world; not to
+mention another book, a thousand times more dangerous, which is composed
+of all that men whisper into each other’s ears, or women murmur behind
+their fans, of an evening in society.”
+
+“Henri, there is certainly something extraordinary the matter with you;
+that is obvious in spite of your active discretion.”
+
+“Yes!... Come, I must kill the time until this evening. Let’s to the
+tables.... Perhaps I shall have the good luck to lose.”
+
+De Marsay rose, took a handful of banknotes and folded them into his
+cigar-case, dressed himself, and took advantage of Paul’s carriage to
+repair to the Salon des Etrangers, where until dinner he consumed the
+time in those exciting alternations of loss and gain which are the last
+resource of powerful organizations when they are compelled to exercise
+themselves in the void. In the evening he repaired to the trysting-place
+and submitted complacently to having his eyes bandaged. Then, with
+that firm will which only really strong men have the faculty of
+concentrating, he devoted his attention and applied his intelligence to
+the task of divining through what streets the carriage passed. He had
+a sort of certitude of being taken to the Rue Saint-Lazare, and
+being brought to a halt at the little gate in the garden of the Hotel
+San-Real. When he passed, as on the first occasion, through this gate,
+and was put in a litter, carried, doubtless by the mulatto and the
+coachman, he understood, as he heard the gravel grate beneath their
+feet, why they took such minute precautions. He would have been able,
+had he been free, or if he had walked, to pluck a twig of laurel,
+to observe the nature of the soil which clung to his boots; whereas,
+transported, so to speak, ethereally into an inaccessible mansion, his
+good fortune must remain what it had been hitherto, a dream. But it is
+man’s despair that all his work, whether for good or evil, is imperfect.
+All his labors, physical or intellectual, are sealed with the mark
+of destruction. There had been a gentle rain, the earth was moist. At
+night-time certain vegetable perfumes are far stronger than during the
+day; Henri could smell, therefore, the scent of the mignonette which
+lined the avenue along which he was conveyed. This indication was enough
+to light him in the researches which he promised himself to make in
+order to recognize the hotel which contained Paquita’s boudoir. He
+studied in the same way the turnings which his bearers took within the
+house, and believed himself able to recall them.
+
+As on the previous night, he found himself on the ottoman before
+Paquita, who was undoing his bandage; but he saw her pale and altered.
+She had wept. On her knees like an angel in prayer, but like an angel
+profoundly sad and melancholy, the poor girl no longer resembled the
+curious, impatient, and impetuous creature who had carried De Marsay
+on her wings to transport him to the seventh heaven of love. There was
+something so true in this despair veiled by pleasure, that the terrible
+De Marsay felt within him an admiration for this new masterpiece
+of nature, and forgot, for the moment, the chief interest of his
+assignation.
+
+“What is the matter with thee, my Paquita?”
+
+“My friend,” she said, “carry me away this very night. Bear me to some
+place where no one can answer: ‘There is a girl with a golden gaze here,
+who has long hair.’ Yonder I will give thee as many pleasures as thou
+wouldst have of me. Then when you love me no longer, you shall leave me,
+I shall not complain, I shall say nothing; and your desertion need cause
+you no remorse, for one day passed with you, only one day, in which I
+have had you before my eyes, will be worth all my life to me. But if I
+stay here, I am lost.”
+
+“I cannot leave Paris, little one!” replied Henri. “I do not belong to
+myself, I am bound by a vow to the fortune of several persons who stand
+to me, as I do to them. But I can place you in a refuge in Paris, where
+no human power can reach you.”
+
+“No,” she said, “you forget the power of woman.”
+
+Never did phrase uttered by human voice express terror more absolutely.
+
+“What could reach you, then, if I put myself between you and the world?”
+
+“Poison!” she said. “Dona Concha suspects you already... and,” she
+resumed, letting the tears fall and glisten on her cheeks, “it is easy
+enough to see I am no longer the same. Well, if you abandon me to the
+fury of the monster who will destroy me, your holy will be done! But
+come, let there be all the pleasures of life in our love. Besides, I
+will implore, I will weep and cry out and defend myself; perhaps I shall
+be saved.”
+
+“Whom will your implore?” he asked.
+
+“Silence!” said Paquita. “If I obtain mercy it will perhaps be on
+account of my discretion.”
+
+“Give me my robe,” said Henri, insidiously.
+
+“No, no!” she answered quickly, “be what you are, one of those angels
+whom I have been taught to hate, and in whom I only saw ogres, whilst
+you are what is fairest under the skies,” she said, caressing Henri’s
+hair. “You do not know how silly I am. I have learned nothing. Since I
+was twelve years old I have been shut up without ever seeing any one. I
+can neither read nor write, I can only speak English and Spanish.”
+
+“How is it, then, that you receive letters from London?”
+
+“My letters?... See, here they are!” she said, proceeding to take some
+papers out of a tall Japanese vase.
+
+She offered De Marsay some letters, in which the young man saw, with
+surprise, strange figures, similar to those of a rebus, traced in blood,
+and illustrating phrases full of passion.
+
+“But,” he cried, marveling at these hieroglyphics created by the
+alertness of jealousy, “you are in the power of an infernal genius?”
+
+“Infernal,” she repeated.
+
+“But how, then, were you able to get out?”
+
+“Ah!” she said, “that was my ruin. I drove Dona Concha to choose between
+the fear of immediate death and anger to be. I had the curiosity of
+a demon, I wished to break the bronze circle which they had described
+between creation and me, I wished to see what young people were like,
+for I knew nothing of man except the Marquis and Cristemio. Our coachman
+and the lackey who accompanies us are old men....”
+
+“But you were not always thus shut up? Your health...?”
+
+“Ah,” she answered, “we used to walk, but it was at night and in the
+country, by the side of the Seine, away from people.”
+
+“Are you not proud of being loved like that?”
+
+“No,” she said, “no longer. However full it be, this hidden life is but
+darkness in comparison with the light.”
+
+“What do you call the light?”
+
+“Thee, my lovely Adolphe! Thee, for whom I would give my life. All the
+passionate things that have been told me, and that I have inspired, I
+feel for thee! For a certain time I understood nothing of existence, but
+now I know what love is, and hitherto I have been the loved one only;
+for myself, I did not love. I would give up everything for you, take me
+away. If you like, take me as a toy, but let me be near you until you
+break me.”
+
+“You will have no regrets?”
+
+“Not one”! she said, letting him read her eyes, whose golden tint was
+pure and clear.
+
+“Am I the favored one?” said Henri to himself. If he suspected the
+truth, he was ready at that time to pardon the offence in view of a love
+so single minded. “I shall soon see,” he thought.
+
+If Paquita owed him no account of the past, yet the least recollection
+of it became in his eyes a crime. He had therefore the sombre strength
+to withhold a portion of his thought, to study her, even while
+abandoning himself to the most enticing pleasures that ever peri
+descended from the skies had devised for her beloved.
+
+Paquita seemed to have been created for love by a particular effort of
+nature. In a night her feminine genius had made the most rapid progress.
+Whatever might be the power of this young man, and his indifference in
+the matter of pleasures, in spite of his satiety of the previous night,
+he found in the girl with the golden eyes that seraglio which a loving
+woman knows how to create and which a man never refuses. Paquita
+responded to that passion which is felt by all really great men for the
+infinite--that mysterious passion so dramatically expressed in Faust, so
+poetically translated in Manfred, and which urged Don Juan to search
+the heart of women, in his hope to find there that limitless thought in
+pursuit of which so many hunters after spectres have started, which wise
+men think to discover in science, and which mystics find in God alone.
+The hope of possessing at last the ideal being with whom the struggle
+could be constant and tireless ravished De Marsay, who, for the first
+time for long, opened his heart. His nerves expanded, his coldness was
+dissipated in the atmosphere of that ardent soul, his hard and fast
+theories melted away, and happiness colored his existence to the tint of
+the rose and white boudoir. Experiencing the sting of a higher pleasure,
+he was carried beyond the limits within which he had hitherto confined
+passion. He would not be surpassed by this girl, whom a somewhat
+artificial love had formed all ready for the needs of his soul, and then
+he found in that vanity which urges a man to be in all things a victor,
+strength enough to tame the girl; but, at the same time, urged beyond
+that line where the soul is mistress over herself, he lost himself
+in these delicious limboes, which the vulgar call so foolishly “the
+imaginary regions.” He was tender, kind, and confidential. He affected
+Paquita almost to madness.
+
+“Why should we not go to Sorrento, to Nice, to Chiavari, and pass all
+our life so? Will you?” he asked of Paquita, in a penetrating voice.
+
+“Was there need to say to me: ‘Will you’?” she cried. “Have I a will? I
+am nothing apart from you, except in so far as I am a pleasure for you.
+If you would choose a retreat worthy of us, Asia is the only country
+where love can unfold his wings....”
+
+“You are right,” answered Henri. “Let us go to the Indies, there where
+spring is eternal, where the earth grows only flowers, where man can
+display the magnificence of kings and none shall say him nay, as in the
+foolish lands where they would realize the dull chimera of equality. Let
+us go to the country where one lives in the midst of a nation of slaves,
+where the sun shines ever on a palace which is always white, where the
+air sheds perfumes, the birds sing of love and where, when one can love
+no more, one dies....”
+
+“And where one dies together!” said Paquita. “But do not let us start
+to-morrow, let us start this moment... take Cristemio.”
+
+“Faith! pleasure is the fairest climax of life. Let us go to Asia; but
+to start, my child, one needs much gold, and to have gold one must set
+one’s affairs in order.”
+
+She understood no part of these ideas.
+
+“Gold! There is a pile of it here--as high as that,” she said holding up
+her hand.
+
+“It is not mine.”
+
+“What does that matter?” she went on; “if we have need of it let us take
+it.”
+
+“It does not belong to you.”
+
+“Belong!” she repeated. “Have you not taken me? When we have taken it,
+it will belong to us.”
+
+He gave a laugh.
+
+“Poor innocent! You know nothing of the world.”
+
+“Nay, but this is what I know,” she cried, clasping Henri to her.
+
+At the very moment when De Marsay was forgetting all, and conceiving the
+desire to appropriate this creature forever, he received in the midst of
+his joy a dagger-thrust, which Paquita, who had lifted him vigorously in
+the air, as though to contemplate him, exclaimed: “Oh, Margarita!”
+
+“Margarita!” cried the young man, with a roar; “now I know all that I
+still tried to disbelieve.”
+
+He leaped upon the cabinet in which the long poniard was kept. Happily
+for Paquita and for himself, the cupboard was shut. His fury waxed at
+this impediment, but he recovered his tranquillity, went and found his
+cravat, and advanced towards her with an air of such ferocious meaning
+that, without knowing of what crime she had been guilty, Paquita
+understood, none the less, that her life was in question. With one bound
+she rushed to the other end of the room to escape the fatal knot which
+De Marsay tried to pass round her neck. There was a struggle. On either
+side there was an equality of strength, agility, and suppleness. To end
+the combat Paquita threw between the legs of her lover a cushion which
+made him fall, and profited by the respite which this advantage gave
+to her, to push the button of the spring which caused the bell to ring.
+Promptly the mulatto arrived. In a second Cristemio leaped on De Marsay
+and held him down with one foot on his chest, his heel turned towards
+the throat. De Marsay realized that, if he struggled, at a single sign
+from Paquita he would be instantly crushed.
+
+“Why did you want to kill me, my beloved?” she said. De Marsay made no
+reply.
+
+“In what have I angered you?” she asked. “Speak, let us understand each
+other.”
+
+Henri maintained the phlegmatic attitude of a strong man who feels
+himself vanquished; his countenance, cold, silent, entirely English,
+revealed the consciousness of his dignity in a momentary resignation.
+Moreover, he had already thought, in spite of the vehemence of his
+anger, that it was scarcely prudent to compromise himself with the law
+by killing this girl on the spur of the moment, before he had arranged
+the murder in such a manner as should insure his impunity.
+
+“My beloved,” went on Paquita, “speak to me; do not leave me without one
+loving farewell! I would not keep in my heart the terror which you have
+just inspired in it.... Will you speak?” she said, stamping her foot
+with anger.
+
+De Marsay, for all reply, gave her a glance, which signified so plainly,
+“_You must die!_” that Paquita threw herself upon him.
+
+“Ah, well, you want to kill me!... If my death can give you any
+pleasure--kill me!”
+
+She made a sign to Cristemio, who withdrew his foot from the body of the
+young man, and retired without letting his face show that he had formed
+any opinion, good or bad, with regard to Paquita.
+
+“That is a man,” said De Marsay, pointing to the mulatto, with a
+sombre gesture. “There is no devotion like the devotion which obeys in
+friendship, and does not stop to weigh motives. In that man you possess
+a true friend.”
+
+“I will give him you, if you like,” she answered; “he will serve you
+with the same devotion that he has for me, if I so instruct him.”
+
+She waited for a word of recognition, and went on with an accent replete
+with tenderness:
+
+“Adolphe, give me then one kind word!... It is nearly day.”
+
+Henri did not answer. The young man had one sorry quality, for one
+considers as something great everything which resembles strength, and
+often men invent extravagances. Henri knew not how to pardon. That
+_returning upon itself_ which is one of the soul’s graces, was a
+non-existent sense for him. The ferocity of the Northern man, with which
+the English blood is deeply tainted, had been transmitted to him by his
+father. He was inexorable both in his good and evil impulses. Paquita’s
+exclamation had been all the more horrible to him, in that it had
+dethroned him from the sweetest triumph which had ever flattered his
+man’s vanity. Hope, love, and every emotion had been exalted with him,
+all had lit up within his heart and his intelligence, then these torches
+illuminating his life had been extinguished by a cold wind. Paquita, in
+her stupefaction of grief, had only strength enough to give the signal
+for departure.
+
+“What is the use of that!” she said, throwing away the bandage. “If he
+does not love me, if he hates me, it is all over.”
+
+She waited for one look, did not obtain it, and fell, half dead. The
+mulatto cast a glance at Henri, so horribly significant, that, for the
+first time in his life, the young man, to whom no one denied the gift of
+rare courage, trembled. “_If you do not love her well, if you give her
+the least pain, I will kill you_.” such was the sense of that brief
+gaze. De Marsay was escorted, with a care almost obsequious, along the
+dimly lit corridor, at the end of which he issued by a secret door into
+the garden of the Hotel San-Real. The mulatto made him walk cautiously
+through an avenue of lime trees, which led to a little gate opening upon
+a street which was at that hour deserted. De Marsay took a keen notice
+of everything. The carriage awaited him. This time the mulatto did not
+accompany him, and at the moment when Henri put his head out of the
+window to look once more at the gardens of the hotel, he encountered the
+white eyes of Cristemio, with whom he exchanged a glance. On either side
+there was a provocation, a challenge, the declaration of a savage
+war, of a duel in which ordinary laws were invalid, where treason and
+treachery were admitted means. Cristemio knew that Henri had sworn
+Paquita’s death. Henri knew that Cristemio would like to kill him before
+he killed Paquita. Both understood each other to perfection.
+
+“The adventure is growing complicated in a most interesting way,” said
+Henri.
+
+“Where is the gentleman going to?” asked the coachman.
+
+De Marsay was driven to the house of Paul de Manerville. For more than a
+week Henri was away from home, and no one could discover either what he
+did during this period, nor where he stayed. This retreat saved him from
+the fury of the mulatto and caused the ruin of the charming creature who
+had placed all her hope in him whom she loved as never human heart had
+loved on this earth before. On the last day of the week, about eleven
+o’clock at night, Henri drove up in a carriage to the little gate in the
+garden of the Hotel San-Real. Four men accompanied him. The driver was
+evidently one of his friends, for he stood up on his box, like a man who
+was to listen, an attentive sentinel, for the least sound. One of the
+other three took his stand outside the gate in the street; the second
+waited in the garden, leaning against the wall; the last, who carried in
+his hand a bunch of keys, accompanied De Marsay.
+
+“Henri,” said his companion to him, “we are betrayed.”
+
+“By whom, my good Ferragus?”
+
+“They are not all asleep,” replied the chief of the Devourers; “it is
+absolutely certain that some one in the house has neither eaten nor
+drunk.... Look! see that light!”
+
+“We have a plan of the house; from where does it come?”
+
+“I need no plan to know,” replied Ferragus; “it comes from the room of
+the Marquise.”
+
+“Ah,” cried De Marsay, “no doubt she arrived from London to-day. The
+woman has robbed me even of my revenge! But if she has anticipated me,
+my good Gratien, we will give her up to the law.”
+
+“Listen, listen!... The thing is settled,” said Ferragus to Henri.
+
+The two friends listened intently, and heard some feeble cries which
+might have aroused pity in the breast of a tiger.
+
+“Your marquise did not think the sound would escape by the chimney,”
+ said the chief of the Devourers, with the laugh of a critic, enchanted
+to detect a fault in a work of merit.
+
+“We alone, we know how to provide for every contingency,” said Henri.
+“Wait for me. I want to see what is going on upstairs--I want to know
+how their domestic quarrels are managed. By God! I believe she is
+roasting her at a slow fire.”
+
+De Marsay lightly scaled the stairs, with which he was familiar, and
+recognized the passage leading to the boudoir. When he opened the door
+he experienced the involuntary shudder which the sight of bloodshed
+gives to the most determined of men. The spectacle which was offered to
+his view was, moreover, in more than one respect astonishing to him.
+The Marquise was a woman; she had calculated her vengeance with that
+perfection of perfidy which distinguishes the weaker animals. She had
+dissimulated her anger in order to assure herself of the crime before
+she punished it.
+
+“Too late, my beloved!” said Paquita, in her death agony, casting her
+pale eyes upon De Marsay.
+
+The girl of the golden eyes expired in a bath of blood. The great
+illumination of candles, a delicate perfume which was perceptible,
+a certain disorder, in which the eye of a man accustomed to amorous
+adventures could not but discern the madness which is common to all
+the passions, revealed how cunningly the Marquise had interrogated the
+guilty one. The white room, where the blood showed so well, betrayed a
+long struggle. The prints of Paquita’s hands were on the cushions. Here
+she had clung to her life, here she had defended herself, here she
+had been struck. Long strips of the tapestry had been torn down by her
+bleeding hands, which, without a doubt, had struggled long. Paquita must
+have tried to reach the window; her bare feet had left their imprints
+on the edge of the divan, along which she must have run. Her body,
+mutilated by the dagger-thrusts of her executioner, told of the fury
+with which she had disputed a life which Henri had made precious to her.
+She lay stretched on the floor, and in her death-throes had bitten the
+ankles of Madame de San-Real, who still held in her hand her dagger,
+dripping blood. The hair of the Marquise had been torn out, she was
+covered with bites, many of which were bleeding, and her torn dress
+revealed her in a state of semi-nudity, with the scratches on her
+breasts. She was sublime so. Her head, eager and maddened, exhaled the
+odor of blood. Her panting mouth was open, and her nostrils were not
+sufficient for her breath. There are certain animals who fall upon their
+enemy in their rage, do it to death, and seem in the tranquillity of
+victory to have forgotten it. There are others who prowl around their
+victim, who guard it in fear lest it should be taken away from them, and
+who, like the Achilles of Homer, drag their enemy by the feet nine times
+round the walls of Troy. The Marquise was like that. She did not see
+Henri. In the first place, she was too secure of her solitude to be
+afraid of witnesses; and, secondly, she was too intoxicated with warm
+blood, too excited with the fray, too exalted, to take notice of the
+whole of Paris, if Paris had formed a circle round her. A thunderbolt
+would not have disturbed her. She had not even heard Paquita’s last
+sigh, and believed that the dead girl could still hear her.
+
+“Die without confessing!” she said. “Go down to hell, monster of
+ingratitude; belong to no one but the fiend. For the blood you gave him
+you owe me all your own! Die, die, suffer a thousand deaths! I have
+been too kind--I was only a moment killing you. I should have made you
+experience all the tortures that you have bequeathed to me. I--I shall
+live! I shall live in misery. I have no one left to love but God!”
+
+She gazed at her.
+
+“She is dead!” she said to herself, after a pause, in a violent
+reaction. “Dead! Oh, I shall die of grief!”
+
+The Marquise was throwing herself upon the divan, stricken with a
+despair which deprived her of speech, when this movement brought her in
+view of Henri de Marsay.
+
+“Who are you?” she asked, rushing at him with her dagger raised.
+
+Henri caught her arm, and thus they could contemplate each other face
+to face. A horrible surprise froze the blood in their veins, and their
+limbs quivered like those of frightened horses. In effect, the two
+Menoechmi had not been more alike. With one accord they uttered the same
+phrase:
+
+“Lord Dudley must have been your father!”
+
+The head of each was drooped in affirmation.
+
+“She was true to the blood,” said Henri, pointing to Paquita.
+
+“She was as little guilty as it is possible to be,” replied Margarita
+Euphemia Porraberil, and she threw herself upon the body of Paquita,
+giving vent to a cry of despair. “Poor child! Oh, if I could bring thee
+to life again! I was wrong--forgive me, Paquita! Dead! and I live! I--I
+am the most unhappy.”
+
+At that moment the horrible face of the mother of Paquita appeared.
+
+“You are come to tell me that you never sold her to me to kill,” cried
+the Marquise. “I know why you have left your lair. I will pay you twice
+over. Hold your peace.”
+
+She took a bag of gold from the ebony cabinet, and threw it
+contemptuously at the old woman’s feet. The chink of the gold was potent
+enough to excite a smile on the Georgian’s impassive face.
+
+“I come at the right moment for you, my sister,” said Henri. “The law
+will ask of you----”
+
+“Nothing,” replied the Marquise. “One person alone might ask for a
+reckoning for the death of this girl. Cristemio is dead.”
+
+“And the mother,” said Henri, pointing to the old woman. “Will you not
+always be in her power?”
+
+“She comes from a country where women are not beings, but
+things--chattels, with which one does as one wills, which one buys,
+sells, and slays; in short, which one uses for one’s caprices as you,
+here, use a piece of furniture. Besides, she has one passion which
+dominates all the others, and which would have stifled her maternal
+love, even if she had loved her daughter, a passion----”
+
+“What?” Henri asked quickly, interrupting his sister.
+
+“Play! God keep you from it,” answered the Marquise.
+
+“But whom have you,” said Henri, looking at the girl of the golden eyes,
+“who will help you to remove the traces of this fantasy which the law
+would not overlook?”
+
+“I have her mother,” replied the Marquise, designating the Georgian, to
+whom she made a sign to remain.
+
+“We shall meet again,” said Henri, who was thinking anxiously of his
+friends and felt that it was time to leave.
+
+“No, brother,” she said, “we shall not meet again. I am going back to
+Spain to enter the Convent of _los Dolores_.”
+
+“You are too young yet, too lovely,” said Henri, taking her in his arms
+and giving her a kiss.
+
+“Good-bye,” she said; “there is no consolation when you have lost that
+which has seemed to you the infinite.”
+
+A week later Paul de Manerville met De Marsay in the Tuileries, on the
+Terrasse de Feuillants.
+
+“Well, what has become of our beautiful girl of the golden eyes, you
+rascal?”
+
+“She is dead.”
+
+“What of?”
+
+“Consumption.”
+
+
+PARIS, March 1834-April 1835.
+
+
+
+
+ADDENDUM
+
+ Note: The Girl with the Golden Eyes is the third part of a trilogy.
+ Part one is entitled Ferragus and part two is The Duchesse de
+ Langeais. In other addendum references all three stories are usually
+ combined under the title The Thirteen.
+
+The following personages appear in other stories of the Human Comedy.
+
+ Bourignard, Gratien-Henri-Victor-Jean-Joseph
+ Ferragus
+
+ Dudley, Lord
+ The Lily of the Valley
+ A Man of Business
+ Another Study of Woman
+ A Daughter of Eve
+
+ Manerville, Paul Francois-Joseph, Comte de
+ The Ball at Sceaux
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Marriage Settlement
+
+ Marsay, Henri de
+ Ferragus
+ The Duchesse of Langeais
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+ Ronquerolles, Marquis de
+ The Imaginary Mistress
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ Ferragus
+ The Duchesse of Langeais
+ The Member for Arcis
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Thirteen, by Honore de Balzac
+
+*** END OF THIS PROJECT GUTENBERG EBOOK THE THIRTEEN ***
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+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <title>
+ The Thirteen, by Honore de Balzac
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
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+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
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+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+
+The Project Gutenberg EBook of The Thirteen, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Thirteen
+
+Author: Honore de Balzac
+
+Translator: Katharine Prescott Wormeley and Ellen Marriage
+
+Release Date: March 7, 2010 [EBook #7416]
+Last Updated: November 23, 2016
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE THIRTEEN ***
+
+
+
+
+Produced by John Bickers, Bonnie Sala, and Dagny, and David Widger
+
+
+
+
+
+
+</pre>
+ <p>
+ <br /><br />
+ </p>
+ <h1>
+ THE THIRTEEN
+ </h1>
+ <p>
+ <br /><br />
+ </p>
+ <h2>
+ By Honore De Balzac
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <h3>
+ Translated by Katharine Prescott Wormeley and Ellen Marriage
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h3>
+ DEDICATION<br /><br /> To Hector Berlioz.<br />
+ </h3>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+ <h2>
+ Contents
+ </h2>
+ <h3>
+ </h3>
+ <table summary="" style="margin-right: auto; margin-left: auto">
+ <tr>
+ <td>
+ <p class="toc">
+ <a href="#link2H_INTR"> INTRODUCTION </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> AUTHOR&rsquo;S PREFACE </a>
+ </p>
+ <br />
+ <p class="toc">
+ <a href="#link2H_4_0003"> <b>THE THIRTEEN</b> </a>
+ </p>
+ <br />
+ <p class="toc">
+ <a href="#link2H_4_0004"> <b>I. FERRAGUS, CHIEF OF THE DEVORANTS</b>
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0001"> CHAPTER I. MADAME JULES </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0002"> CHAPTER II. FERRAGUS </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0003"> CHAPTER III. THE WIFE ACCUSED </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0004"> CHAPTER IV. WHERE GO TO DIE? </a>
+ </p>
+ <p class="toc">
+ <a href="#link2HCH0005"> CHAPTER V. CONCLUSION </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0010"> ADDENDUM </a>
+ </p>
+ <br />
+ <p class="toc">
+ <a href="#link2H_4_0011"> <b>II. THE DUCHESSE OF LANGEAIS</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0012"> ADDENDUM </a>
+ </p>
+ <br />
+ <p class="toc">
+ <a href="#link2H_4_0013"> <b>III. THE GIRL WITH THE GOLDEN EYES</b>
+ </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0014"> ADDENDUM </a>
+ </p>
+ </td>
+ </tr>
+ </table>
+ <p>
+ <br /> <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_INTR" id="link2H_INTR">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ INTRODUCTION
+ </h2>
+ <p>
+ The <i>Histoire des Treize</i> consists&mdash;or rather is built up&mdash;of
+ three stories: <i>Ferragus</i> or the <i>Rue Soly</i>, <i>La Duchesse de
+ Langeais</i> or <i>Ne touchez-paz a la hache</i>, and <i>La Fille aux Yeux
+ d&rsquo;Or</i>.
+ </p>
+ <p>
+ To tell the truth, there is more power than taste throughout the <i>Histoire
+ des Treize</i>, and perhaps not very much less unreality than power.
+ Balzac is very much better than Eugene Sue, though Eugene Sue also is
+ better than it is the fashion to think him just now. But he is here, to a
+ certain extent competing with Sue on the latter&rsquo;s own ground. The notion
+ of the &ldquo;Devorants&rdquo;&mdash;of a secret society of men devoted to each
+ other&rsquo;s interests, entirely free from any moral or legal scruple,
+ possessed of considerable means in wealth, ability, and position, all
+ working together, by fair means or foul, for good ends or bad&mdash;is, no
+ doubt, rather seducing to the imagination at all times; and it so happened
+ that it was particularly seducing to the imagination of that time. And its
+ example has been powerful since; it gave us Mr. Stevenson&rsquo;s <i>New Arabian
+ Nights</i> only, as it were, the other day.
+ </p>
+ <p>
+ But there is something a little schoolboyish in it; and I do not know that
+ Balzac has succeeded entirely in eliminating this something. The pathos of
+ the death, under persecution, of the innocent Clemence does not entirely
+ make up for the unreasonableness of the whole situation. Nobody can say
+ that the abominable misconduct of Maulincour&mdash;who is a hopeless &ldquo;cad&rdquo;&mdash;is
+ too much punished, though an Englishman may think that Dr. Johnson&rsquo;s
+ receipt of three or four footmen with cudgels, applied repeatedly and
+ unsparingly, would have been better than elaborately prepared accidents
+ and duels, which were too honorable for a Peeping Tom of this kind; and
+ poisonings, which reduced the avengers to the level of their victim. But
+ the imbroglio is of itself stupid; these fathers who cannot be made known
+ to husbands are mere stage properties, and should never be fetched out of
+ the theatrical lumber-room by literature.
+ </p>
+ <p>
+ <i>La Duchesse de Langeais</i> is, I think, a better story, with more
+ romantic attraction, free from the objections just made to <i>Ferragus</i>,
+ and furnished with a powerful, if slightly theatrical catastrophe. It is
+ as good as anything that its author has done of the kind, subject to those
+ general considerations of probability and otherwise which have been
+ already hinted at. For those who are not troubled by any such critical
+ reflections, both, no doubt, will be highly satisfactory.
+ </p>
+ <p>
+ The third of the series, <i>La Fille aux Yeux d&rsquo;Or</i>, in some respects
+ one of Balzac&rsquo;s most brilliant effects, has been looked at askance by many
+ of his English readers. At one time he had the audacity to think of
+ calling it <i>La Femme aux Yeux Rouges</i>. To those who consider the
+ story morbid or, one may say, <i>bizarre</i>, one word of justification,
+ hardly of apology, may be offered. It was in the scheme of the <i>Comedie
+ Humaine</i> to survey social life in its entirety by a minute analysis of
+ its most diverse constituents. It included all the pursuits and passions,
+ was large and patient, and unafraid. And the patience, the curiosity, of
+ the artist which made Cesar Birotteau and his bankrupt ledgers matters of
+ high import to us, which did not shrink from creating a Vautrin and a
+ Lucien de Rubempre, would have been incomplete had it stopped short of a
+ Marquise de San-Real, of a Paquita Valdes. And in the great mass of the <i>Comedie
+ Humaine</i>, with its largeness and reality of life, as in life itself;
+ the figure of Paquita justifies its presence.
+ </p>
+ <p>
+ Considering the <i>Histoire des Treize</i> as a whole, it is of engrossing
+ interest. And I must confess I should not think much of any boy who,
+ beginning Balzac with this series, failed to go rather mad over it. I know
+ there was a time when I used to like it best of all, and thought not
+ merely <i>Eugenie Grandet</i>, but <i>Le Pere Goriot</i> (though not the
+ <i>Peau de Chagrin</i>), dull in comparison. Some attention, however, must
+ be paid to two remarkable characters, on whom it is quite clear that
+ Balzac expended a great deal of pains, and one of whom he seems to have
+ &ldquo;caressed,&rdquo; as the French say, with a curious admixture of dislike and
+ admiration.
+ </p>
+ <p>
+ The first, Bourignard or Ferragus, is, of course, another, though a
+ somewhat minor example&mdash;Collin or Vautrin being the chief&mdash;of
+ that strange tendency to take intense interest in criminals, which seems
+ to be a pretty constant eccentricity of many human minds, and which laid
+ an extraordinary grasp on the great French writers of Balzac&rsquo;s time. I
+ must confess, though it may sink me very low in some eyes, that I have
+ never been able to fully appreciate the attractions of crime and
+ criminals, fictitious or real. Certain pleasant and profitable things, no
+ doubt, retain their pleasure and their profit, to some extent, when they
+ are done in the manner which is technically called criminal; but they seem
+ to me to acquire no additional interest by being so. As the criminal of
+ fact is, in the vast majority of cases, an exceedingly commonplace and
+ dull person, the criminal of fiction seems to me only, or usually, to
+ escape these curses by being absolutely improbable and unreal. But I know
+ this is a terrible heresy.
+ </p>
+ <p>
+ Henri de Marsay is a much more ambitious and a much more interesting
+ figure. In him are combined the attractions of criminality, beauty,
+ brains, success, and, last of all, dandyism. It is a well-known and
+ delightful fact that the most Anglophobe Frenchmen&mdash;and Balzac might
+ fairly be classed among them&mdash;have always regarded the English dandy
+ with half-jealous, half-awful admiration. Indeed, our novelist, it will be
+ seen, found it necessary to give Marsay English blood. But there is a
+ tradition that this young Don Juan&mdash;not such a good fellow as
+ Byron&rsquo;s, nor such a <i>grand seigneur</i> as Moliere&rsquo;s&mdash;was partly
+ intended to represent Charles de Remusat, who is best known to this
+ generation by very sober and serious philosophical works, and by his part
+ in his mother&rsquo;s correspondence. I do not know that there ever were any
+ imputation on M. de Remusat&rsquo;s morals; but in memoirs of the time, he is, I
+ think, accused of a certain selfishness and <i>hauteur</i>, and he
+ certainly made his way, partly by journalism, partly by society, to power
+ very much as Marsay did. But Marsay would certainly not have written <i>Abelard</i>
+ and the rest, or have returned to Ministerial rank in our own time.
+ Marsay, in fact, more fortunate than Rubempre, and of a higher stamp and
+ flight than Rastignac, makes with them Balzac&rsquo;s trinity of sketches of the
+ kind of personage whose part, in his day and since, every young Frenchman
+ has aspired to play, and some have played. It cannot be said that &ldquo;a moral
+ man is Marsay&rdquo;; it cannot be said that he has the element of good-nature
+ which redeems Rastignac. But he bears a blame and a burden for which we
+ Britons are responsible in part&mdash;the Byronic ideal of the guilty hero
+ coming to cross and blacken the old French model of unscrupulous good
+ humor. It is not a very pretty mixture or a very worthy ideal; but I am
+ not so sure that it is not still a pretty common one.
+ </p>
+ <p>
+ The association of the three stories forming the <i>Histoire des Treize</i>
+ is, in book form, original, inasmuch as they filled three out of the four
+ volumes of <i>Etudes des Moeurs</i> published in 1834-35, and themselves
+ forming part of the first collection of <i>Scenes de la Vie Parisienne</i>.
+ But <i>Ferragus</i> had appeared in parts (with titles to each) in the <i>Revue
+ de Paris</i> for March and April 1833, and part of <i>La Duchesse de
+ Langeais</i> in the <i>Echo de la Jeune France</i> almost
+ contemporaneously. There are divisions in this also. <i>Ferragus</i> and
+ <i>La Duchesse</i> also appeared without <i>La Fille aux Yeux d&rsquo;Or</i> in
+ 1839, published in one volume by Charpentier, before their absorption at
+ the usual time in the <i>Comedie</i>.
+ </p>
+ <p>
+ George Saintsbury
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0002" id="link2H_4_0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ AUTHOR&rsquo;S PREFACE
+ </h2>
+ <p>
+ In the Paris of the Empire there were found Thirteen men equally impressed
+ with the same idea, equally endowed with energy enough to keep them true
+ to it, while among themselves they were loyal enough to keep faith even
+ when their interests seemed to clash. They were strong enough to set
+ themselves above all laws; bold enough to shrink from no enterprise; and
+ lucky enough to succeed in nearly everything that they undertook. So
+ profoundly politic were they, that they could dissemble the tie which
+ bound them together. They ran the greatest risks, and kept their failures
+ to themselves. Fear never entered into their calculations; not one of them
+ had trembled before princes, before the executioner&rsquo;s axe, before
+ innocence. They had taken each other as they were, regardless of social
+ prejudices. Criminals they doubtless were, yet none the less were they all
+ remarkable for some one of the virtues which go to the making of great
+ men, and their numbers were filled up only from among picked recruits.
+ Finally, that nothing should be lacking to complete the dark, mysterious
+ romance of their history, nobody to this day knows who they were. The
+ Thirteen once realized all the wildest ideas conjured up by tales of the
+ occult powers of a Manfred, a Faust, or a Melmoth; and to-day the band is
+ broken up or, at any rate, dispersed. Its members have quietly returned
+ beneath the yoke of the Civil Code; much as Morgan, the Achilles of
+ piracy, gave up buccaneering to be a peaceable planter; and, untroubled by
+ qualms of conscience, sat himself down by the fireside to dispose of
+ blood-stained booty acquired by the red light of blazing towns.
+ </p>
+ <p>
+ After Napoleon&rsquo;s death, the band was dissolved by a chance event which the
+ author is bound for the present to pass over in silence, and its
+ mysterious existence, as curious, it may be, as the darkest novel by Mrs.
+ Radcliffe, came to an end.
+ </p>
+ <p>
+ It was only lately that the present writer, detecting, as he fancied, a
+ faint desire for celebrity in one of the anonymous heroes to whom the
+ whole band once owed an occult allegiance, received the somewhat singular
+ permission to make public certain of the adventures which befell that
+ band, provided that, while telling the story in his own fashion, he
+ observed certain limits.
+ </p>
+ <p>
+ The aforesaid leader was still an apparently young man with fair hair and
+ blue eyes, and a soft, thin voice which might seem to indicate a feminine
+ temperament. His face was pale, his ways mysterious. He chatted
+ pleasantly, and told me that he was only just turned of forty. He might
+ have belonged to any one of the upper classes. The name which he gave was
+ probably assumed, and no one answering to his description was known in
+ society. Who is he, do you ask? No one knows.
+ </p>
+ <p>
+ Perhaps when he made his extraordinary disclosures to the present writer,
+ he wished to see them in some sort reproduced; to enjoy the effect of the
+ sensation on the multitude; to feel as Macpherson might have felt when the
+ name of Ossian, his creation, passed into all languages. And, in truth,
+ that Scottish advocate knew one of the keenest, or, at any rate, one of
+ the rarest sensations in human experience. What was this but the incognito
+ of genius? To write an <i>Itineraire de Paris a Jerusalem</i> is to take
+ one&rsquo;s share in the glory of a century, but to give a Homer to one&rsquo;s
+ country&mdash;this surely is a usurpation of the rights of God.
+ </p>
+ <p>
+ The writer is too well acquainted with the laws of narration to be unaware
+ of the nature of the pledge given by this brief preface; but, at the same
+ time, he knows enough of the history of the Thirteen to feel confident
+ that he shall not disappoint any expectations raised by the programme.
+ Tragedies dripping with gore, comedies piled up with horrors, tales of
+ heads taken off in secret have been confided to him. If any reader has not
+ had enough of the ghastly tales served up to the public for some time
+ past, he has only to express his wish; the author is in a position to
+ reveal cold-blooded atrocities and family secrets of a gloomy and
+ astonishing nature. But in preference he has chosen those pleasanter
+ stories in which stormy passions are succeeded by purer scenes, where the
+ beauty and goodness of woman shine out the brighter for the darkness. And,
+ to the honor of the Thirteen, such episodes as these are not wanting. Some
+ day perhaps it may be thought worth while to give their whole history to
+ the world; in which case it might form a pendant to the history of the
+ buccaneers&mdash;that race apart so curiously energetic, so attractive in
+ spite of their crimes.
+ </p>
+ <p>
+ When a writer has a true story to tell, he should scorn to turn it into a
+ sort of puzzle toy, after the manner of those novelists who take their
+ reader for a walk through one cavern after another to show him a dried-up
+ corpse at the end of the fourth volume, and inform him, by way of
+ conclusion, that he has been frightened all along by a door hidden
+ somewhere or other behind some tapestry; or a dead body, left by
+ inadvertence, under the floor. So the present chronicler, in spite of his
+ objection to prefaces, felt bound to introduce his fragment by a few
+ remarks.
+ </p>
+ <p>
+ <i>Ferragus</i>, the first episode, is connected by invisible links with
+ the history of the Thirteen, for the power which they acquired in a
+ natural manner provides the apparently supernatural machinery.
+ </p>
+ <p>
+ Again, although a certain literary coquetry may be permissible to
+ retailers of the marvelous, the sober chronicler is bound to forego such
+ advantage as he may reap from an odd-sounding name, on which many
+ ephemeral successes are founded in these days. Wherefore the present
+ writer gives the following succinct statement of the reasons which induced
+ him to adopt the unlikely sounding title and sub-title.
+ </p>
+ <p>
+ In accordance with old-established custom, <i>Ferragus</i> is a name taken
+ by the head of a guild of <i>Devorants</i>, <i>id est Devoirants</i> or
+ journeymen. Every chief on the day of his election chooses a pseudonym and
+ continues a dynasty of <i>Devorants</i> precisely as a pope changes his
+ name on his accession to the triple tiara; and as the Church has its
+ Clement XIV., Gregory XII., Julius II., or Alexander VI., so the workmen
+ have their Trempe-la-Soupe IX., Ferragus XXII., Tutanus XIII., or
+ Masche-Fer IV. Who are the <i>Devorants</i>, do you ask?
+ </p>
+ <p>
+ The <i>Devorants</i> are one among many tribes of <i>compagnons</i> whose
+ origin can be traced to a great mystical association formed among the
+ workmen of Christendom for the rebuilding of the Temple at Jerusalem. <i>Compagnonnage</i>
+ is still a popular institution in France. Its traditions still exert a
+ power over little enlightened minds, over men so uneducated that they have
+ not learned to break their oaths; and the various organizations might be
+ turned to formidable account even yet if any rough-hewn man of genius
+ arose to make use of them, for his instruments would be, for the most
+ part, almost blind.
+ </p>
+ <p>
+ Wherever journeymen travel, they find a hostel for <i>compagnons</i> which
+ has been in existence in the town from time immemorial. The <i>obade</i>,
+ as they call it, is a kind of lodge with a &ldquo;Mother&rdquo; in charge, an old,
+ half-gypsy wife who has nothing to lose. She hears all that goes on in the
+ countryside; and, either from fear or from long habit, is devoted to the
+ interests of the tribe boarded and lodged by her. And as a result, this
+ shifting population, subject as it is to an unalterable law of custom, has
+ eyes in every place, and will carry out an order anywhere without asking
+ questions; for the oldest journeyman is still at an age when a man has
+ some beliefs left. What is more, the whole fraternity professes doctrines
+ which, if unfolded never so little, are both true enough and mysterious
+ enough to electrify all the adepts with patriotism; and the <i>compagnons</i>
+ are so attached to their rules, that there have been bloody battles
+ between different fraternities on a question of principle. Fortunately,
+ however, for peace and public order; if a <i>Devorant</i> is ambitious, he
+ takes to building houses, makes a fortune, and leaves the guild.
+ </p>
+ <p>
+ A great many curious things might be told of their rivals, the <i>Compagnons
+ du Devior</i>, of all the different sects of workmen, their manners and
+ customs and brotherhoods, and of the resemblances between them and the
+ Freemasons; but there, these particulars would be out of place. The author
+ will merely add, that before the Revolution a Trempe-la-Soupe had been
+ known in the King&rsquo;s service, which is to say, that he had the tenure of a
+ place in His Majesty&rsquo;s galleys for one hundred and one years; but even
+ thence he ruled his guild, and was religiously consulted on all matters,
+ and if he escaped from the hulks he met with help, succor, and respect
+ wherever he went. To have a chief in the hulks is one of those misfortunes
+ for which Providence is responsible; but a faithful lodge of <i>devorants</i>
+ is bound, as before, to obey a power created by and set above themselves.
+ Their lawful sovereign is in exile for the time being, but none the less
+ is he their king. And now any romantic mystery hanging about the words <i>Ferragus</i>
+ and the <i>devorants</i> is completely dispelled.
+ </p>
+ <p>
+ As for the Thirteen, the author feels that, on the strength of the details
+ of this almost fantastic story, he can afford to give away yet another
+ prerogative, though it is one of the greatest on record, and would
+ possibly fetch a high price if brought into a literary auction mart; for
+ the owner might inflict as many volumes on the public as La
+ Contemporaine.[*]
+ </p>
+<pre xml:space="preserve">
+ [*] A long series of so-called Memoirs, which appeared about 1830.
+</pre>
+ <p>
+ The Thirteen were all of them men tempered like Byron&rsquo;s friend Trelawney,
+ the original (so it is said) of <i>The Corsair</i>. All of them were
+ fatalists, men of spirit and poetic temperament; all of them were tired of
+ the commonplace life which they led; all felt attracted towards Asiatic
+ pleasures by all the vehement strength of newly awakened and long dormant
+ forces. One of these, chancing to take up <i>Venice Preserved</i> for the
+ second time, admired the sublime friendship between Pierre and Jaffir, and
+ fell to musing on the virtues of outlaws, the loyalty of the hulks, the
+ honor of thieves, and the immense power that a few men can wield if they
+ bring their whole minds to bear upon the carrying out of a single will. It
+ struck him that the individual man rose higher than men. Then he began to
+ think that if a few picked men should band themselves together; and if, to
+ natural wit, and education, and money, they could join a fanaticism hot
+ enough to fuse, as it were, all those separate forces into a single one,
+ then the whole world would be at their feet. From that time forth, with a
+ tremendous power of concentration, they could wield an occult power
+ against which the organization of society would be helpless; a power which
+ would push obstacles aside and defeat the will of others; and the
+ diabolical power of all would be at the service of each. A hostile world
+ apart within the world, admitting none of the ideas, recognizing none of
+ the laws of the world; submitting only to the sense of necessity, obedient
+ only from devotion; acting all as one man in the interests of the comrade
+ who should claim the aid of the rest; a band of buccaneers with carriages
+ and yellow kid gloves; a close confederacy of men of extraordinary power,
+ of amused and cool spectators of an artificial and petty world which they
+ cursed with smiling lips; conscious as they were that they could make all
+ things bend to their caprice, weave ingenious schemes of revenge, and live
+ with the life in thirteen hearts, to say nothing of the unfailing pleasure
+ of facing the world of men with a hidden misanthropy, a sense that they
+ were armed against their kind, and could retire into themselves with one
+ idea which the most remarkable men had not,&mdash;all this constituted a
+ religion of pleasure and egoism which made fanatics of the Thirteen. The
+ history of the Society of Jesus was repeated for the Devil&rsquo;s benefit. It
+ was hideous and sublime.
+ </p>
+ <p>
+ The pact was made; and it lasted, precisely because it seemed impossible.
+ And so it came to pass that in Paris there was a fraternity of thirteen
+ men, each one bound, body and soul, to the rest, and all of them strangers
+ to each other in the sight of the world. But evening found them gathered
+ together like conspirators, and then they had no thoughts apart; riches,
+ like the wealth of the Old Man of the Mountain, they possessed in common;
+ they had their feet in every salon, their hands in every strong box, their
+ elbows in the streets, their heads upon all pillows, they did not scruple
+ to help themselves at their pleasure. No chief commanded them, nobody was
+ strong enough. The liveliest passion, the most urgent need took precedence&mdash;that
+ was all. They were thirteen unknown kings; unknown, but with all the power
+ and more than the power of kings; for they were both judges and
+ executioners, they had taken wings that they might traverse the heights
+ and depths of society, scorning to take any place in it, since all was
+ theirs. If the author learns the reason of their abdication, he will
+ communicate it.
+ </p>
+ <p>
+ And now the author is free to give those episodes in the History of the
+ Thirteen which, by reason of the Parisian flavor of the details or the
+ strangeness of the contrasts, possessed a peculiar attraction for him.
+ </p>
+ <p>
+ Paris
+ </p>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br /> <a name="link2H_4_0003" id="link2H_4_0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <h1>
+ THE THIRTEEN
+ </h1>
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I. FERRAGUS, CHIEF OF THE DEVORANTS
+ </h2>
+ <p>
+ <a name="link2HCH0001" id="link2HCH0001">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER I. MADAME JULES
+ </h2>
+ <p>
+ Certain streets in Paris are as degraded as a man covered with infamy;
+ also, there are noble streets, streets simply respectable, young streets
+ on the morality of which the public has not yet formed an opinion; also
+ cut-throat streets, streets older than the age of the oldest dowagers,
+ estimable streets, streets always clean, streets always dirty, working,
+ laboring, and mercantile streets. In short, the streets of Paris have
+ every human quality, and impress us, by what we must call their
+ physiognomy, with certain ideas against which we are defenceless. There
+ are, for instance, streets of a bad neighborhood in which you could not be
+ induced to live, and streets where you would willingly take up your abode.
+ Some streets, like the rue Montmartre, have a charming head, and end in a
+ fish&rsquo;s tail. The rue de la Paix is a wide street, a fine street, yet it
+ wakens none of those gracefully noble thoughts which come to an
+ impressible mind in the middle of the rue Royale, and it certainly lacks
+ the majesty which reigns in the Place Vendome.
+ </p>
+ <p>
+ If you walk the streets of the Ile Saint-Louis, do not seek the reason of
+ the nervous sadness that lays hold upon you save in the solitude of the
+ spot, the gloomy look of the houses, and the great deserted mansions. This
+ island, the ghost of <i>fermiers-generaux</i>, is the Venice of Paris. The
+ Place de la Bourse is voluble, busy, degraded; it is never fine except by
+ moonlight at two in the morning. By day it is Paris epitomized; by night
+ it is a dream of Greece. The rue Traversiere-Saint-Honore&mdash;is not
+ that a villainous street? Look at the wretched little houses with two
+ windows on a floor, where vice, crime, and misery abound. The narrow
+ streets exposed to the north, where the sun never comes more than three or
+ four times a year, are the cut-throat streets which murder with impunity;
+ the authorities of the present day do not meddle with them; but in former
+ times the Parliament might perhaps have summoned the lieutenant of police
+ and reprimanded him for the state of things; and it would, at least, have
+ issued some decree against such streets, as it once did against the wigs
+ of the Chapter of Beauvais. And yet Monsieur Benoiston de Chateauneuf has
+ proved that the mortality of these streets is double that of others! To
+ sum up such theories by a single example: is not the rue Fromentin both
+ murderous and profligate!
+ </p>
+ <p>
+ These observations, incomprehensible out of Paris, will doubtless be
+ understood by musing men of thought and poesy and pleasure, who know,
+ while rambling about Paris, how to harvest the mass of floating interests
+ which may be gathered at all hours within her walls; to them Paris is the
+ most delightful and varied of monsters: here, a pretty woman; farther on,
+ a haggard pauper; here, new as the coinage of a new reign; there, in this
+ corner, elegant as a fashionable woman. A monster, moreover, complete! Its
+ garrets, as it were, a head full of knowledge and genius; its first
+ storeys stomachs repleted; its shops, actual feet, where the busy
+ ambulating crowds are moving. Ah! what an ever-active life the monster
+ leads! Hardly has the last vibration of the last carriage coming from a
+ ball ceased at its heart before its arms are moving at the barriers and it
+ shakes itself slowly into motion. Doors open; turning on their hinges like
+ the membrane of some huge lobster, invisibly manipulated by thirty
+ thousand men or women, of whom each individual occupies a space of six
+ square feet, but has a kitchen, a workshop, a bed, children, a garden,
+ little light to see by, but must see all. Imperceptibly, the articulations
+ begin to crack; motion communicates itself; the street speaks. By mid-day,
+ all is alive; the chimneys smoke, the monster eats; then he roars, and his
+ thousand paws begin to ramp. Splendid spectacle! But, O Paris! he who has
+ not admired your gloomy passages, your gleams and flashes of light, your
+ deep and silent <i>cul-de-sacs</i>, who has not listened to your
+ murmurings between midnight and two in the morning, knows nothing as yet
+ of your true poesy, nor of your broad and fantastic contrasts.
+ </p>
+ <p>
+ There are a few amateurs who never go their way heedlessly; who savor
+ their Paris, so to speak; who know its physiognomy so well that they see
+ every wart, and pimple, and redness. To others, Paris is always that
+ monstrous marvel, that amazing assemblage of activities, of schemes, of
+ thoughts; the city of a hundred thousand tales, the head of the universe.
+ But to those few, Paris is sad or gay, ugly or beautiful, living or dead;
+ to them Paris is a creature; every man, every fraction of a house is a
+ lobe of the cellular tissue of that great courtesan whose head and heart
+ and fantastic customs they know so well. These men are lovers of Paris;
+ they lift their noses at such or such a corner of a street, certain that
+ they can see the face of a clock; they tell a friend whose tobacco-pouch
+ is empty, &ldquo;Go down that passage and turn to the left; there&rsquo;s a
+ tobacconist next door to a confectioner, where there&rsquo;s a pretty girl.&rdquo;
+ Rambling about Paris is, to these poets, a costly luxury. How can they
+ help spending precious minutes before the dramas, disasters, faces, and
+ picturesque events which meet us everywhere amid this heaving queen of
+ cities, clothed in posters,&mdash;who has, nevertheless, not a single
+ clean corner, so complying is she to the vices of the French nation! Who
+ has not chanced to leave his home early in the morning, intending to go to
+ some extremity of Paris, and found himself unable to get away from the
+ centre of it by the dinner-hour? Such a man will know how to excuse this
+ vagabondizing start upon our tale; which, however, we here sum up in an
+ observation both useful and novel, as far as any observation can be novel
+ in Paris, where there is nothing new,&mdash;not even the statue erected
+ yesterday, on which some young gamin has already scribbled his name.
+ </p>
+ <p>
+ Well, then! there are streets, or ends of streets, there are houses,
+ unknown for the most part to persons of social distinction, to which a
+ woman of that class cannot go without causing cruel and very wounding
+ things to be thought of her. Whether the woman be rich and has a carriage,
+ whether she is on foot, or is disguised, if she enters one of these
+ Parisian defiles at any hour of the day, she compromises her reputation as
+ a virtuous woman. If, by chance, she is there at nine in the evening the
+ conjectures that an observer permits himself to make upon her may prove
+ fearful in their consequences. But if the woman is young and pretty, if
+ she enters a house in one of those streets, if the house has a long, dark,
+ damp, and evil-smelling passage-way, at the end of which flickers the
+ pallid gleam of an oil lamp, and if beneath that gleam appears the horrid
+ face of a withered old woman with fleshless fingers, ah, then! and we say
+ it in the interests of young and pretty women, that woman is lost. She is
+ at the mercy of the first man of her acquaintance who sees her in that
+ Parisian slough. There is more than one street in Paris where such a
+ meeting may lead to a frightful drama, a bloody drama of death and love, a
+ drama of the modern school.
+ </p>
+ <p>
+ Unhappily, this scene, this modern drama itself, will be comprehended by
+ only a small number of persons; and it is a pity to tell the tale to a
+ public which cannot enter into its local merit. But who can flatter
+ himself that he will ever be understood? We all die unknown&mdash;&lsquo;tis the
+ saying of women and of authors.
+ </p>
+ <p>
+ At half-past eight o&rsquo;clock one evening, in the rue Pagevin, in the days
+ when that street had no wall which did not echo some infamous word, and
+ was, in the direction of the rue Soly, the narrowest and most impassable
+ street in Paris (not excepting the least frequented corner of the most
+ deserted street),&mdash;at the beginning of the month of February about
+ thirteen years ago, a young man, by one of those chances which come but
+ once in life, turned the corner of the rue Pagevin to enter the rue des
+ Vieux-Augustins, close to the rue Soly. There, this young man, who lived
+ himself in the rue de Bourbon, saw in a woman near whom he had been
+ unconsciously walking, a vague resemblance to the prettiest woman in
+ Paris; a chaste and delightful person, with whom he was secretly and
+ passionately in love,&mdash;a love without hope; she was married. In a
+ moment his heart leaped, an intolerable heat surged from his centre and
+ flowed through all his veins; his back turned cold, the skin of his head
+ crept. He loved, he was young, he knew Paris; and his knowledge did not
+ permit him to be ignorant of all there was of possible infamy in an
+ elegant, rich, young, and beautiful woman walking there, alone, with a
+ furtively criminal step. <i>She</i> in that mud! at that hour!
+ </p>
+ <p>
+ The love that this young man felt for that woman may seem romantic, and
+ all the more so because he was an officer in the Royal Guard. If he had
+ been in the infantry, the affair might have seemed more likely; but, as an
+ officer of rank in the cavalry, he belonged to that French arm which
+ demands rapidity in its conquests and derives as much vanity from its
+ amorous exploits as from its dashing uniform. But the passion of this
+ officer was a true love, and many young hearts will think it noble. He
+ loved this woman because she was virtuous; he loved her virtue, her modest
+ grace, her imposing saintliness, as the dearest treasures of his hidden
+ passion. This woman was indeed worthy to inspire one of those platonic
+ loves which are found, like flowers amid bloody ruins, in the history of
+ the middle-ages; worthy to be the hidden principle of all the actions of a
+ young man&rsquo;s life; a love as high, as pure as the skies when blue; a love
+ without hope and to which men bind themselves because it can never
+ deceive; a love that is prodigal of unchecked enjoyment, especially at an
+ age when the heart is ardent, the imagination keen, and the eyes of a man
+ see very clearly.
+ </p>
+ <p>
+ Strange, weird, inconceivable effects may be met with at night in Paris.
+ Only those who have amused themselves by watching those effects have any
+ idea how fantastic a woman may appear there at dusk. At times the creature
+ whom you are following, by accident or design, seems to you light and
+ slender; the stockings, if they are white, make you fancy that the legs
+ must be slim and elegant; the figure though wrapped in a shawl, or
+ concealed by a pelisse, defines itself gracefully and seductively among
+ the shadows; anon, the uncertain gleam thrown from a shop-window or a
+ street lamp bestows a fleeting lustre, nearly always deceptive, on the
+ unknown woman, and fires the imagination, carrying it far beyond the
+ truth. The senses then bestir themselves; everything takes color and
+ animation; the woman appears in an altogether novel aspect; her person
+ becomes beautiful. Behold! she is not a woman, she is a demon, a siren,
+ who is drawing you by magnetic attraction to some respectable house, where
+ the worthy <i>bourgeoise</i>, frightened by your threatening step and the
+ clack of your boots, shuts the door in your face without looking at you.
+ </p>
+ <p>
+ A vacillating gleam, thrown from the shop-window of a shoemaker, suddenly
+ illuminated from the waist down the figure of the woman who was before the
+ young man. Ah! surely, <i>she</i> alone had that swaying figure; she alone
+ knew the secret of that chaste gait which innocently set into relief the
+ many beauties of that attractive form. Yes, that was the shawl, and that
+ the velvet bonnet which she wore in the mornings. On her gray silk
+ stockings not a spot, on her shoes not a splash. The shawl held tightly
+ round the bust disclosed, vaguely, its charming lines; and the young man,
+ who had often seen those shoulders at a ball, knew well the treasures that
+ the shawl concealed. By the way a Parisian woman wraps a shawl around her,
+ and the way she lifts her feet in the street, a man of intelligence in
+ such studies can divine the secret of her mysterious errand. There is
+ something, I know not what, of quivering buoyancy in the person, in the
+ gait; the woman seems to weigh less; she steps, or rather, she glides like
+ a star, and floats onward led by a thought which exhales from the folds
+ and motion of her dress. The young man hastened his step, passed the
+ woman, and then turned back to look at her. Pst! she had disappeared into
+ a passage-way, the grated door of which and its bell still rattled and
+ sounded. The young man walked back to the alley and saw the woman reach
+ the farther end, where she began to mount&mdash;not without receiving the
+ obsequious bow of an old portress&mdash;a winding staircase, the lower
+ steps of which were strongly lighted; she went up buoyantly, eagerly, as
+ though impatient.
+ </p>
+ <p>
+ &ldquo;Impatient for what?&rdquo; said the young man to himself, drawing back to lean
+ against a wooden railing on the other side of the street. He gazed,
+ unhappy man, at the different storeys of the house, with the keen
+ attention of a detective searching for a conspirator.
+ </p>
+ <p>
+ It was one of those houses of which there are thousands in Paris, ignoble,
+ vulgar, narrow, yellowish in tone, with four storeys and three windows on
+ each floor. The outer blinds of the first floor were closed. Where was she
+ going? The young man fancied he heard the tinkle of a bell on the second
+ floor. As if in answer to it, a light began to move in a room with two
+ windows strongly illuminated, which presently lit up the third window,
+ evidently that of a first room, either the salon or the dining-room of the
+ apartment. Instantly the outline of a woman&rsquo;s bonnet showed vaguely on the
+ window, and a door between the two rooms must have closed, for the first
+ was dark again, while the two other windows resumed their ruddy glow. At
+ this moment a voice said, &ldquo;Hi, there!&rdquo; and the young man was conscious of
+ a blow on his shoulder.
+ </p>
+ <p>
+ &ldquo;Why don&rsquo;t you pay attention?&rdquo; said the rough voice of a workman, carrying
+ a plank on his shoulder. The man passed on. He was the voice of Providence
+ saying to the watcher: &ldquo;What are you meddling with? Think of your own
+ duty; and leave these Parisians to their own affairs.&rdquo;
+ </p>
+ <p>
+ The young man crossed his arms; then, as no one beheld him, he suffered
+ tears of rage to flow down his cheeks unchecked. At last the sight of the
+ shadows moving behind the lighted windows gave him such pain that he
+ looked elsewhere and noticed a hackney-coach, standing against a wall in
+ the upper part of the rue des Vieux-Augustins, at a place where there was
+ neither the door of a house, nor the light of a shop-window.
+ </p>
+ <p>
+ Was it she? Was it not she? Life or death to a lover! This lover waited.
+ He stood there during a century of twenty minutes. After that the woman
+ came down, and he then recognized her as the one whom he secretly loved.
+ Nevertheless, he wanted still to doubt. She went to the hackney-coach, and
+ got into it.
+ </p>
+ <p>
+ &ldquo;The house will always be there and I can search it later,&rdquo; thought the
+ young man, following the carriage at a run, to solve his last doubts; and
+ soon he did so.
+ </p>
+ <p>
+ The carriage stopped in the rue de Richelieu before a shop for artificial
+ flowers, close to the rue de Menars. The lady got out, entered the shop,
+ sent out the money to pay the coachman, and presently left the shop
+ herself, on foot, after buying a bunch of marabouts. Marabouts for her
+ black hair! The officer beheld her, through the window-panes, placing the
+ feathers to her head to see the effect, and he fancied he could hear the
+ conversation between herself and the shop-woman.
+ </p>
+ <p>
+ &ldquo;Oh! madame, nothing is more suitable for brunettes: brunettes have
+ something a little too strongly marked in their lines, and marabouts give
+ them just that <i>flow</i> which they lack. Madame la Duchesse de Langeais
+ says they give a woman something vague, Ossianic, and very high-bred.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very good; send them to me at once.&rdquo;
+ </p>
+ <p>
+ Then the lady turned quickly toward the rue de Menars, and entered her own
+ house. When the door closed on her, the young lover, having lost his
+ hopes, and worse, far worse, his dearest beliefs, walked through the
+ streets like a drunken man, and presently found himself in his own room
+ without knowing how he came there. He flung himself into an arm-chair, put
+ his head in his hands and his feet on the andirons, drying his boots until
+ he burned them. It was an awful moment,&mdash;one of those moments in
+ human life when the character is moulded, and the future conduct of the
+ best of men depends on the good or evil fortune of his first action.
+ Providence or fatality?&mdash;choose which you will.
+ </p>
+ <p>
+ This young man belonged to a good family, whose nobility was not very
+ ancient; but there are so few really old families in these days, that all
+ men of rank are ancient without dispute. His grandfather had bought the
+ office of counsellor to the Parliament of Paris, where he afterwards
+ became president. His sons, each provided with a handsome fortune, entered
+ the army, and through their marriages became attached to the court. The
+ Revolution swept the family away; but one old dowager, too obstinate to
+ emigrate, was left; she was put in prison, threatened with death, but was
+ saved by the 9th Thermidor and recovered her property. When the proper
+ time came, about the year 1804, she recalled her grandson to France.
+ Auguste de Maulincour, the only scion of the Carbonnon de Maulincour, was
+ brought up by the good dowager with the triple care of a mother, a woman
+ of rank, and an obstinate dowager. When the Restoration came, the young
+ man, then eighteen years of age, entered the Maison-Rouge, followed the
+ princes to Ghent, was made an officer in the body-guard, left it to serve
+ in the line, but was recalled later to the Royal Guard, where, at
+ twenty-three years of age, he found himself major of a cavalry regiment,&mdash;a
+ splendid position, due to his grandmother, who had played her cards well
+ to obtain it, in spite of his youth. This double biography is a compendium
+ of the general and special history, barring variations, of all the noble
+ families who emigrated having debts and property, dowagers and tact.
+ </p>
+ <p>
+ Madame la Baronne de Maulincour had a friend in the old Vidame de Pamiers,
+ formerly a commander of the Knights of Malta. This was one of those
+ undying friendships founded on sexagenary ties which nothing can weaken,
+ because at the bottom of such intimacies there are certain secrets of the
+ human heart, delightful to guess at when we have the time, insipid to
+ explain in twenty words, and which might make the text of a work in four
+ volumes as amusing as the Doyen de Killerine,&mdash;a work about which
+ young men talk and judge without having read it.
+ </p>
+ <p>
+ Auguste de Maulincour belonged therefore to the faubourg Saint-Germain
+ through his grandmother and the vidame, and it sufficed him to date back
+ two centuries to take the tone and opinions of those who assume to go back
+ to Clovis. This young man, pale, slender, and delicate in appearance, a
+ man of honor and true courage, who would fight a duel for a yes or a no,
+ had never yet fought upon a battle-field, though he wore in his
+ button-hole the cross of the Legion of honor. He was, as you perceive, one
+ of the blunders of the Restoration, perhaps the most excusable of them.
+ The youth of those days was the youth of no epoch. It came between the
+ memories of the Empire and those of the Emigration, between the old
+ traditions of the court and the conscientious education of the <i>bourgeoisie</i>;
+ between religion and fancy-balls; between two political faiths, between
+ Louis XVIII., who saw only the present, and Charles X., who looked too far
+ into the future; it was moreover bound to accept the will of the king,
+ though the king was deceiving and tricking it. This unfortunate youth,
+ blind and yet clear-sighted, was counted as nothing by old men jealously
+ keeping the reins of the State in their feeble hands, while the monarchy
+ could have been saved by their retirement and the accession of this Young
+ France, which the old doctrinaires, the <i>emigres</i> of the Restoration,
+ still speak of slightingly. Auguste de Maulincour was a victim to the
+ ideas which weighed in those days upon French youth, and we must here
+ explain why.
+ </p>
+ <p>
+ The Vidame de Pamiers was still, at sixty-seven years of age, a very
+ brilliant man, having seen much and lived much; a good talker, a man of
+ honor and a gallant man, but who held as to women the most detestable
+ opinions; he loved them, and he despised them. <i>Their</i> honor! <i>their</i>
+ feelings! Ta-ra-ra, rubbish and shams! When he was with them, he believed
+ in them, the ci-devant &ldquo;monstre&rdquo;; he never contradicted them, and he made
+ them shine. But among his male friends, when the topic of the sex came up,
+ he laid down the principle that to deceive women, and to carry on several
+ intrigues at once, should be the occupation of those young men who were so
+ misguided as to wish to meddle in the affairs of the State. It is sad to
+ have to sketch so hackneyed a portrait, for has it not figured everywhere
+ and become, literally, as threadbare as that of a grenadier of the Empire?
+ But the vidame had an influence on Monsieur de Maulincour&rsquo;s destiny which
+ obliges us to preserve his portrait; he lectured the young man after his
+ fashion, and did his best to convert him to the doctrines of the great age
+ of gallantry.
+ </p>
+ <p>
+ The dowager, a tender-hearted, pious woman, sitting between God and her
+ vidame, a model of grace and sweetness, but gifted with that well-bred
+ persistency which triumphs in the long run, had longed to preserve for her
+ grandson the beautiful illusions of life, and had therefore brought him up
+ in the highest principles; she instilled into him her own delicacy of
+ feeling and made him, to outward appearance, a timid man, if not a fool.
+ The sensibilities of the young fellow, preserved pure, were not worn by
+ contact without; he remained so chaste, so scrupulous, that he was keenly
+ offended by actions and maxims to which the world attached no consequence.
+ Ashamed of this susceptibility, he forced himself to conceal it under a
+ false hardihood; but he suffered in secret, all the while scoffing with
+ others at the things he reverenced.
+ </p>
+ <p>
+ It came to pass that he was deceived; because, in accordance with a not
+ uncommon whim of destiny, he, a man of gentle melancholy, and spiritual in
+ love, encountered in the object of his first passion a woman who held in
+ horror all German sentimentalism. The young man, in consequence,
+ distrusted himself, became dreamy, absorbed in his griefs, complaining of
+ not being understood. Then, as we desire all the more violently the things
+ we find difficult to obtain, he continued to adore women with that
+ ingenuous tenderness and feline delicacy the secret of which belongs to
+ women themselves, who may, perhaps, prefer to keep the monopoly of it. In
+ point of fact, though women of the world complain of the way men love
+ them, they have little liking themselves for those whose soul is half
+ feminine. Their own superiority consists in making men believe they are
+ their inferiors in love; therefore they will readily leave a lover if he
+ is inexperienced enough to rob them of those fears with which they seek to
+ deck themselves, those delightful tortures of feigned jealousy, those
+ troubles of hope betrayed, those futile expectations,&mdash;in short, the
+ whole procession of their feminine miseries. They hold Sir Charles
+ Grandison in horror. What can be more contrary to their nature than a
+ tranquil, perfect love? They want emotions; happiness without storms is
+ not happiness to them. Women with souls that are strong enough to bring
+ infinitude into love are angelic exceptions; they are among women what
+ noble geniuses are among men. Their great passions are rare as
+ masterpieces. Below the level of such love come compromises, conventions,
+ passing and contemptible irritations, as in all things petty and
+ perishable.
+ </p>
+ <p>
+ Amid the hidden disasters of his heart, and while he was still seeking the
+ woman who could comprehend him (a search which, let us remark in passing,
+ is one of the amorous follies of our epoch), Auguste met, in the rank of
+ society that was farthest from his own, in the secondary sphere of money,
+ where banking holds the first place, a perfect being, one of those women
+ who have I know not what about them that is saintly and sacred,&mdash;women
+ who inspire such reverence that love has need of the help of a long
+ familiarity to declare itself.
+ </p>
+ <p>
+ Auguste then gave himself up wholly to the delights of the deepest and
+ most moving of passions, to a love that was purely adoring. Innumerable
+ repressed desires there were, shadows of passion so vague yet so profound,
+ so fugitive and yet so actual, that one scarcely knows to what we may
+ compare them. They are like perfumes, or clouds, or rays of the sun, or
+ shadows, or whatever there is in nature that shines for a moment and
+ disappears, that springs to life and dies, leaving in the heart long
+ echoes of emotion. When the soul is young enough to nurture melancholy and
+ far-off hope, to find in woman more than a woman, is it not the greatest
+ happiness that can befall a man when he loves enough to feel more joy in
+ touching a gloved hand, or a lock of hair, in listening to a word, in
+ casting a single look, than in all the ardor of possession given by happy
+ love? Thus it is that rejected persons, those rebuffed by fate, the ugly
+ and unfortunate, lovers unrevealed, women and timid men, alone know the
+ treasures contained in the voice of the beloved. Taking their source and
+ their element from the soul itself, the vibrations of the air, charged
+ with passion, put our hearts so powerfully into communion, carrying
+ thought between them so lucidly, and being, above all, so incapable of
+ falsehood, that a single inflection of a voice is often a revelation. What
+ enchantments the intonations of a tender voice can bestow upon the heart
+ of a poet! What ideas they awaken! What freshness they shed there! Love is
+ in the voice before the glance avows it. Auguste, poet after the manner of
+ lovers (there are poets who feel, and poets who express; the first are the
+ happiest), Auguste had tasted all these early joys, so vast, so fecund.
+ SHE possessed the most winning organ that the most artful woman of the
+ world could have desired in order to deceive at her ease; <i>she</i> had
+ that silvery voice which is soft to the ear, and ringing only for the
+ heart which it stirs and troubles, caresses and subjugates.
+ </p>
+ <p>
+ And this woman went by night to the rue Soly through the rue Pagevin! and
+ her furtive apparition in an infamous house had just destroyed the
+ grandest of passions! The vidame&rsquo;s logic triumphed.
+ </p>
+ <p>
+ &ldquo;If she is betraying her husband we will avenge ourselves,&rdquo; said Auguste.
+ </p>
+ <p>
+ There was still faith in that &ldquo;if&rdquo;. The philosophic doubt of Descartes is
+ a politeness with which we should always honor virtue. Ten o&rsquo;clock
+ sounded. The Baron de Maulincour remembered that this woman was going to a
+ ball that evening at a house to which he had access. He dressed, went
+ there, and searched for her through all the salons. The mistress of the
+ house, Madame de Nucingen, seeing him thus occupied, said:&mdash;
+ </p>
+ <p>
+ &ldquo;You are looking for Madame Jules; but she has not yet come.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good evening, dear,&rdquo; said a voice.
+ </p>
+ <p>
+ Auguste and Madame de Nucingen turned round. Madame Jules had arrived,
+ dressed in white, looking simple and noble, wearing in her hair the
+ marabouts the young baron had seen her choose in the flower-shop. That
+ voice of love now pierced his heart. Had he won the slightest right to be
+ jealous of her he would have petrified her then and there by saying the
+ words, &ldquo;Rue Soly!&rdquo; But if he, an alien to her life, had said those words
+ in her ear a thousand times, Madame Jules would have asked him in
+ astonishment what he meant. He looked at her stupidly.
+ </p>
+ <p>
+ For those sarcastic persons who scoff at all things it may be a great
+ amusement to detect the secret of a woman, to know that her chastity is a
+ lie, that her calm face hides some anxious thought, that under that pure
+ brow is a dreadful drama. But there are other souls to whom the sight is
+ saddening; and many of those who laugh in public, when withdrawn into
+ themselves and alone with their conscience, curse the world while they
+ despise the woman. Such was the case with Auguste de Maulincour, as he
+ stood there in presence of Madame Jules. Singular situation! There was no
+ other relation between them than that which social life establishes
+ between persons who exchange a few words seven or eight times in the
+ course of a winter, and yet he was calling her to account on behalf of a
+ happiness unknown to her; he was judging her, without letting her know of
+ his accusation.
+ </p>
+ <p>
+ Many young men find themselves thus in despair at having broken forever
+ with a woman adored in secret, condemned and despised in secret. There are
+ many hidden monologues told to the walls of some solitary lodging; storms
+ roused and calmed without ever leaving the depths of hearts; amazing
+ scenes of the moral world, for which a painter is wanted. Madame Jules sat
+ down, leaving her husband to make a turn around the salon. After she was
+ seated she seemed uneasy, and, while talking with her neighbor, she kept a
+ furtive eye on Monsieur Jules Desmarets, her husband, a broker chiefly
+ employed by the Baron de Nucingen. The following is the history of their
+ home life.
+ </p>
+ <p>
+ Monsieur Desmarets was, five years before his marriage, in a broker&rsquo;s
+ office, with no other means than the meagre salary of a clerk. But he was
+ a man to whom misfortune had early taught the truths of life, and he
+ followed the strait path with the tenacity of an insect making for its
+ nest; he was one of those dogged young men who feign death before an
+ obstacle and wear out everybody&rsquo;s patience with their own beetle-like
+ perseverance. Thus, young as he was, he had all the republican virtue of
+ poor peoples; he was sober, saving of his time, an enemy to pleasure. He
+ waited. Nature had given him the immense advantage of an agreeable
+ exterior. His calm, pure brow, the shape of his placid, but expressive
+ face, his simple manners,&mdash;all revealed in him a laborious and
+ resigned existence, that lofty personal dignity which is imposing to
+ others, and the secret nobility of heart which can meet all events. His
+ modesty inspired a sort of respect in those who knew him. Solitary in the
+ midst of Paris, he knew the social world only by glimpses during the brief
+ moments which he spent in his patron&rsquo;s salon on holidays.
+ </p>
+ <p>
+ There were passions in this young man, as in most of the men who live in
+ that way, of amazing profundity,&mdash;passions too vast to be drawn into
+ petty incidents. His want of means compelled him to lead an ascetic life,
+ and he conquered his fancies by hard work. After paling all day over
+ figures, he found his recreation in striving obstinately to acquire that
+ wide general knowledge so necessary in these days to every man who wants
+ to make his mark, whether in society, or in commerce, at the bar, or in
+ politics or literature. The only peril these fine souls have to fear comes
+ from their own uprightness. They see some poor girl; they love her; they
+ marry her, and wear out their lives in a struggle between poverty and
+ love. The noblest ambition is quenched perforce by the household
+ account-book. Jules Desmarets went headlong into this peril.
+ </p>
+ <p>
+ He met one evening at his patron&rsquo;s house a girl of the rarest beauty.
+ Unfortunate men who are deprived of affection, and who consume the finest
+ hours of youth in work and study, alone know the rapid ravages that
+ passion makes in their lonely, misconceived hearts. They are so certain of
+ loving truly, all their forces are concentrated so quickly on the object
+ of their love, that they receive, while beside her, the most delightful
+ sensations, when, as often happens, they inspire none at all. Nothing is
+ more flattering to a woman&rsquo;s egotism than to divine this passion,
+ apparently immovable, and these emotions so deep that they have needed a
+ great length of time to reach the human surface. These poor men,
+ anchorites in the midst of Paris, have all the enjoyments of anchorites;
+ and may sometimes succumb to temptations. But, more often deceived,
+ betrayed, and misunderstood, they are rarely able to gather the sweet
+ fruits of a love which, to them, is like a flower dropped from heaven.
+ </p>
+ <p>
+ One smile from his wife, a single inflection of her voice sufficed to make
+ Jules Desmarets conceive a passion which was boundless. Happily, the
+ concentrated fire of that secret passion revealed itself artlessly to the
+ woman who inspired it. These two beings then loved each other religiously.
+ To express all in a word, they clasped hands without shame before the eyes
+ of the world and went their way like two children, brother and sister,
+ passing serenely through a crowd where all made way for them and admired
+ them.
+ </p>
+ <p>
+ The young girl was in one of those unfortunate positions which human
+ selfishness entails upon children. She had no civil status; her name of
+ &ldquo;Clemence&rdquo; and her age were recorded only by a notary public. As for her
+ fortune, that was small indeed. Jules Desmarets was a happy man on hearing
+ these particulars. If Clemence had belonged to an opulent family, he might
+ have despaired of obtaining her; but she was only the poor child of love,
+ the fruit of some terrible adulterous passion; and they were married. Then
+ began for Jules Desmarets a series of fortunate events. Every one envied
+ his happiness; and henceforth talked only of his luck, without recalling
+ either his virtues or his courage.
+ </p>
+ <p>
+ Some days after their marriage, the mother of Clemence, who passed in
+ society for her godmother, told Jules Desmarets to buy the office and
+ good-will of a broker, promising to provide him with the necessary
+ capital. In those days, such offices could still be bought at a modest
+ price. That evening, in the salon as it happened of his patron, a wealthy
+ capitalist proposed, on the recommendation of the mother, a very
+ advantageous transaction for Jules Desmarets, and the next day the happy
+ clerk was able to buy out his patron. In four years Desmarets became one
+ of the most prosperous men in his business; new clients increased the
+ number his predecessor had left to him; he inspired confidence in all; and
+ it was impossible for him not to feel, by the way business came to him,
+ that some hidden influence, due to his mother-in-law, or to Providence,
+ was secretly protecting him.
+ </p>
+ <p>
+ At the end of the third year Clemence lost her godmother. By that time
+ Monsieur Jules (so called to distinguish him from an elder brother, whom
+ he had set up as a notary in Paris) possessed an income from invested
+ property of two hundred thousand francs. There was not in all Paris
+ another instance of the domestic happiness enjoyed by this couple. For
+ five years their exceptional love had been troubled by only one event,&mdash;a
+ calumny for which Monsieur Jules exacted vengeance. One of his former
+ comrades attributed to Madame Jules the fortune of her husband, explaining
+ that it came from a high protection dearly paid for. The man who uttered
+ the calumny was killed in the duel that followed it.
+ </p>
+ <p>
+ The profound passion of this couple, which survived marriage, obtained a
+ great success in society, though some women were annoyed by it. The
+ charming household was respected; everybody feted it. Monsieur and Madame
+ Jules were sincerely liked, perhaps because there is nothing more
+ delightful to see than happy people; but they never stayed long at any
+ festivity. They slipped away early, as impatient to regain their nest as
+ wandering pigeons. This nest was a large and beautiful mansion in the rue
+ de Menars, where a true feeling for art tempered the luxury which the
+ financial world continues, traditionally, to display. Here the happy pair
+ received their society magnificently, although the obligations of social
+ life suited them but little.
+ </p>
+ <p>
+ Nevertheless, Jules submitted to the demands of the world, knowing that,
+ sooner or later, a family has need of it; but he and his wife felt
+ themselves, in its midst, like green-house plants in a tempest. With a
+ delicacy that was very natural, Jules had concealed from his wife the
+ calumny and the death of the calumniator. Madame Jules, herself, was
+ inclined, through her sensitive and artistic nature, to desire luxury. In
+ spite of the terrible lesson of the duel, some imprudent women whispered
+ to each other that Madame Jules must sometimes be pressed for money. They
+ often found her more elegantly dressed in her own home than when she went
+ into society. She loved to adorn herself to please her husband, wishing to
+ show him that to her he was more than any social life. A true love, a pure
+ love, above all, a happy love! Jules, always a lover, and more in love as
+ time went by, was happy in all things beside his wife, even in her
+ caprices; in fact, he would have been uneasy if she had none, thinking it
+ a symptom of some illness.
+ </p>
+ <p>
+ Auguste de Maulincour had the personal misfortune of running against this
+ passion, and falling in love with the wife beyond recovery. Nevertheless,
+ though he carried in his heart so intense a love, he was not ridiculous;
+ he complied with all the demands of society, and of military manners and
+ customs. And yet his face wore constantly, even though he might be
+ drinking a glass of champagne, that dreamy look, that air of silently
+ despising life, that nebulous expression which belongs, though for other
+ reasons, to <i>blases</i> men,&mdash;men dissatisfied with hollow lives.
+ To love without hope, to be disgusted with life, constitute, in these
+ days, a social position. The enterprise of winning the heart of a
+ sovereign might give, perhaps, more hope than a love rashly conceived for
+ a happy woman. Therefore Maulincour had sufficient reason to be grave and
+ gloomy. A queen has the vanity of her power; the height of her elevation
+ protects her. But a pious <i>bourgeoise</i> is like a hedgehog, or an
+ oyster, in its rough wrappings.
+ </p>
+ <p>
+ At this moment the young officer was beside his unconscious mistress, who
+ certainly was unaware that she was doubly faithless. Madame Jules was
+ seated, in a naive attitude, like the least artful woman in existence,
+ soft and gentle, full of a majestic serenity. What an abyss is human
+ nature! Before beginning a conversation, the baron looked alternately at
+ the wife and at the husband. How many were the reflections he made! He
+ recomposed the &ldquo;Night Thoughts&rdquo; of Young in a second. And yet the music
+ was sounding through the salons, the light was pouring from a thousand
+ candles. It was a banker&rsquo;s ball,&mdash;one of those insolent festivals by
+ means of which the world of solid gold endeavored to sneer at the
+ gold-embossed salons where the faubourg Saint-Germain met and laughed, not
+ foreseeing the day when the bank would invade the Luxembourg and take its
+ seat upon the throne. The conspirators were now dancing, indifferent to
+ coming bankruptcies, whether of Power or of the Bank. The gilded salons of
+ the Baron de Nucingen were gay with that peculiar animation that the world
+ of Paris, apparently joyous at any rate, gives to its fetes. There, men of
+ talent communicate their wit to fools, and fools communicate that air of
+ enjoyment that characterizes them. By means of this exchange all is
+ liveliness. But a ball in Paris always resembles fireworks to a certain
+ extent; wit, coquetry, and pleasure sparkle and go out like rockets. The
+ next day all present have forgotten their wit, their coquetry, their
+ pleasure.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; thought Auguste, by way of conclusion, &ldquo;women are what the vidame
+ says they are. Certainly all those dancing here are less irreproachable
+ actually than Madame Jules appears to be, and yet Madame Jules went to the
+ rue Soly!&rdquo;
+ </p>
+ <p>
+ The rue Soly was like an illness to him; the very word shrivelled his
+ heart.
+ </p>
+ <p>
+ &ldquo;Madame, do you ever dance?&rdquo; he said to her.
+ </p>
+ <p>
+ &ldquo;This is the third time you have asked me that question this winter,&rdquo; she
+ answered, smiling.
+ </p>
+ <p>
+ &ldquo;But perhaps you have never answered it.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is true.&rdquo;
+ </p>
+ <p>
+ &ldquo;I knew very well that you were false, like other women.&rdquo;
+ </p>
+ <p>
+ Madame Jules continued to smile.
+ </p>
+ <p>
+ &ldquo;Listen, monsieur,&rdquo; she said; &ldquo;if I told you the real reason, you would
+ think it ridiculous. I do not think it false to abstain from telling
+ things that the world would laugh at.&rdquo;
+ </p>
+ <p>
+ &ldquo;All secrets demand, in order to be told, a friendship of which I am no
+ doubt unworthy, madame. But you cannot have any but noble secrets; do you
+ think me capable of jesting on noble things?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she said, &ldquo;you, like all the rest, laugh at our purest sentiments;
+ you calumniate them. Besides, I have no secrets. I have the right to love
+ my husband in the face of all the world, and I say so,&mdash;I am proud of
+ it; and if you laugh at me when I tell you that I dance only with him, I
+ shall have a bad opinion of your heart.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you never danced since your marriage with any one but your husband?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never. His arm is the only one on which I have leaned; I have never felt
+ the touch of another man.&rdquo;
+ </p>
+ <p>
+ &ldquo;Has your physician never felt your pulse?&rdquo;
+ </p>
+ <p>
+ &ldquo;Now you are laughing at me.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, madame, I admire you, because I comprehend you. But you let a man
+ hear your voice, you let yourself be seen, you&mdash;in short, you permit
+ our eyes to admire you&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; she said, interrupting him, &ldquo;that is one of my griefs. Yes, I wish
+ it were possible for a married woman to live secluded with her husband, as
+ a mistress lives with her lover, for then&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Then why were you, two hours ago, on foot, disguised, in the rue Soly?&rdquo;
+ </p>
+ <p>
+ &ldquo;The rue Soly, where is that?&rdquo;
+ </p>
+ <p>
+ And her pure voice gave no sign of any emotion; no feature of her face
+ quivered; she did not blush; she remained calm.
+ </p>
+ <p>
+ &ldquo;What! you did not go up to the second floor of a house in the rue des
+ Vieux-Augustins at the corner of the rue Soly? You did not have a
+ hackney-coach waiting near by? You did not return in it to the flower-shop
+ in the rue Richelieu, where you bought the feathers that are now in your
+ hair?&rdquo;
+ </p>
+ <p>
+ &ldquo;I did not leave my house this evening.&rdquo;
+ </p>
+ <p>
+ As she uttered that lie she was smiling and imperturbable; she played with
+ her fan; but if any one had passed a hand down her back they would,
+ perhaps, have found it moist. At that instant Auguste remembered the
+ instructions of the vidame.
+ </p>
+ <p>
+ &ldquo;Then it was some one who strangely resembled you,&rdquo; he said, with a
+ credulous air.
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; she replied, &ldquo;if you are capable of following a woman and
+ detecting her secrets, you will allow me to say that it is a wrong, a very
+ wrong thing, and I do you the honor to say that I disbelieve you.&rdquo;
+ </p>
+ <p>
+ The baron turned away, placed himself before the fireplace and seemed
+ thoughtful. He bent his head; but his eyes were covertly fixed on Madame
+ Jules, who, not remembering the reflections in the mirror, cast two or
+ three glances at him that were full of terror. Presently she made a sign
+ to her husband and rising took his arm to walk about the salon. As she
+ passed before Monsieur de Maulincour, who at that moment was speaking to a
+ friend, he said in a loud voice, as if in reply to a remark: &ldquo;That woman
+ will certainly not sleep quietly this night.&rdquo; Madame Jules stopped, gave
+ him an imposing look which expressed contempt, and continued her way,
+ unaware that another look, if surprised by her husband, might endanger not
+ only her happiness but the lives of two men. Auguste, frantic with anger,
+ which he tried to smother in the depths of his soul, presently left the
+ house, swearing to penetrate to the heart of the mystery. Before leaving,
+ he sought Madame Jules, to look at her again; but she had disappeared.
+ </p>
+ <p>
+ What a drama cast into that young head so eminently romantic, like all who
+ have not known love in the wide extent which they give to it. He adored
+ Madame Jules under a new aspect; he loved her now with the fury of
+ jealousy and the frenzied anguish of hope. Unfaithful to her husband, the
+ woman became common. Auguste could now give himself up to the joys of
+ successful love, and his imagination opened to him a career of pleasures.
+ Yes, he had lost the angel, but he had found the most delightful of
+ demons. He went to bed, building castles in the air, excusing Madame Jules
+ by some romantic fiction in which he did not believe. He resolved to
+ devote himself wholly, from that day forth, to a search for the causes,
+ motives, and keynote of this mystery. It was a tale to read, or better
+ still, a drama to be played, in which he had a part.
+ </p>
+ <p>
+ <a name="link2HCH0002" id="link2HCH0002">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER II. FERRAGUS
+ </h2>
+ <p>
+ A fine thing is the task of a spy, when performed for one&rsquo;s own benefit
+ and in the interests of a passion. Is it not giving ourselves the pleasure
+ of a thief and a rascal while continuing honest men? But there is another
+ side to it; we must resign ourselves to boil with anger, to roar with
+ impatience, to freeze our feet in the mud, to be numbed, and roasted, and
+ torn by false hopes. We must go, on the faith of a mere indication, to a
+ vague object, miss our end, curse our luck, improvise to ourselves
+ elegies, dithyrambics, exclaim idiotically before inoffensive pedestrians
+ who observe us, knock over old apple-women and their baskets, run hither
+ and thither, stand on guard beneath a window, make a thousand
+ suppositions. But, after all, it is a chase, a hunt; a hunt in Paris, a
+ hunt with all its chances, minus dogs and guns and the tally-ho! Nothing
+ compares with it but the life of gamblers. But it needs a heart big with
+ love and vengeance to ambush itself in Paris, like a tiger waiting to
+ spring upon its prey, and to enjoy the chances and contingencies of Paris,
+ by adding one special interest to the many that abound there. But for this
+ we need a many-sided soul&mdash;for must we not live in a thousand
+ passions, a thousand sentiments?
+ </p>
+ <p>
+ Auguste de Maulincour flung himself into this ardent existence
+ passionately, for he felt all its pleasures and all its misery. He went
+ disguised about Paris, watching at the corners of the rue Pagevin and the
+ rue des Vieux-Augustins. He hurried like a hunter from the rue de Menars
+ to the rue Soly, and back from the rue Soly to the rue de Menars, without
+ obtaining either the vengeance or the knowledge which would punish or
+ reward such cares, such efforts, such wiles. But he had not yet reached
+ that impatience which wrings our very entrails and makes us sweat; he
+ roamed in hope, believing that Madame Jules would only refrain for a few
+ days from revisiting the place where she knew she had been detected. He
+ devoted the first days therefore, to a careful study of the secrets of the
+ street. A novice at such work, he dared not question either the porter or
+ the shoemaker of the house to which Madame Jules had gone; but he managed
+ to obtain a post of observation in a house directly opposite to the
+ mysterious apartment. He studied the ground, trying to reconcile the
+ conflicting demands of prudence, impatience, love, and secrecy.
+ </p>
+ <p>
+ Early in the month of March, while busy with plans by which he expected to
+ strike a decisive blow, he left his post about four in the afternoon,
+ after one of those patient watches from which he had learned nothing. He
+ was on his way to his own house whither a matter relating to his military
+ service called him, when he was overtaken in the rue Coquilliere by one of
+ those heavy showers which instantly flood the gutters, while each drop of
+ rain rings loudly in the puddles of the roadway. A pedestrian under these
+ circumstances is forced to stop short and take refuge in a shop or cafe if
+ he is rich enough to pay for the forced hospitality, or, if in poorer
+ circumstances, under a <i>porte-cochere</i>, that haven of paupers or
+ shabbily dressed persons. Why have none of our painters ever attempted to
+ reproduce the physiognomies of a swarm of Parisians, grouped, under stress
+ of weather, in the damp <i>porte-cochere</i> of a building? First, there&rsquo;s
+ the musing philosophical pedestrian, who observes with interest all he
+ sees,&mdash;whether it be the stripes made by the rain on the gray
+ background of the atmosphere (a species of chasing not unlike the
+ capricious threads of spun glass), or the whirl of white water which the
+ wind is driving like a luminous dust along the roofs, or the fitful
+ disgorgements of the gutter-pipes, sparkling and foaming; in short, the
+ thousand nothings to be admired and studied with delight by loungers, in
+ spite of the porter&rsquo;s broom which pretends to be sweeping out the gateway.
+ Then there&rsquo;s the talkative refugee, who complains and converses with the
+ porter while he rests on his broom like a grenadier on his musket; or the
+ pauper wayfarer, curled against the wall indifferent to the condition of
+ his rags, long used, alas, to contact with the streets; or the learned
+ pedestrian who studies, spells, and reads the posters on the walls without
+ finishing them; or the smiling pedestrian who makes fun of others to whom
+ some street fatality has happened, who laughs at the muddy women, and
+ makes grimaces at those of either sex who are looking from the windows;
+ and the silent being who gazes from floor to floor; and the working-man,
+ armed with a satchel or a paper bundle, who is estimating the rain as a
+ profit or loss; and the good-natured fugitive, who arrives like a shot
+ exclaiming, &ldquo;Ah! what weather, messieurs, what weather!&rdquo; and bows to every
+ one; and, finally, the true <i>bourgeois</i> of Paris, with his unfailing
+ umbrella, an expert in showers, who foresaw this particular one, but would
+ come out in spite of his wife; this one takes a seat in the porter&rsquo;s
+ chair. According to individual character, each member of this fortuitous
+ society contemplates the skies, and departs, skipping to avoid the mud,&mdash;because
+ he is in a hurry, or because he sees other citizens walking along in spite
+ of wind and slush, or because, the archway being damp and mortally
+ catarrhal, the bed&rsquo;s edge, as the proverb says, is better than the sheets.
+ Each one has his motive. No one is left but the prudent pedestrian, the
+ man who, before he sets forth, makes sure of a scrap of blue sky through
+ the rifting clouds.
+ </p>
+ <p>
+ Monsieur de Maulincour took refuge, as we have said, with a whole family
+ of fugitives, under the porch of an old house, the court-yard of which
+ looked like the flue of a chimney. The sides of its plastered, nitrified,
+ and mouldy walls were so covered with pipes and conduits from all the many
+ floors of its four elevations, that it might have been said to resemble at
+ that moment the <i>cascatelles</i> of Saint-Cloud. Water flowed
+ everywhere; it boiled, it leaped, it murmured; it was black, white, blue,
+ and green; it shrieked, it bubbled under the broom of the portress, a
+ toothless old woman used to storms, who seemed to bless them as she swept
+ into the street a mass of scraps an intelligent inventory of which would
+ have revealed the lives and habits of every dweller in the house,&mdash;bits
+ of printed cottons, tea-leaves, artificial flower-petals faded and
+ worthless, vegetable parings, papers, scraps of metal. At every sweep of
+ her broom the old woman bared the soul of the gutter, that black fissure
+ on which a porter&rsquo;s mind is ever bent. The poor lover examined this scene,
+ like a thousand others which our heaving Paris presents daily; but he
+ examined it mechanically, as a man absorbed in thought, when, happening to
+ look up, he found himself all but nose to nose with a man who had just
+ entered the gateway.
+ </p>
+ <p>
+ In appearance this man was a beggar, but not the Parisian beggar,&mdash;that
+ creation without a name in human language; no, this man formed another
+ type, while presenting on the outside all the ideas suggested by the word
+ &ldquo;beggar.&rdquo; He was not marked by those original Parisian characteristics
+ which strike us so forcibly in the paupers whom Charlet was fond of
+ representing, with his rare luck in observation,&mdash;coarse faces
+ reeking of mud, hoarse voices, reddened and bulbous noses, mouths devoid
+ of teeth but menacing; humble yet terrible beings, in whom a profound
+ intelligence shining in their eyes seems like a contradiction. Some of
+ these bold vagabonds have blotched, cracked, veiny skins; their foreheads
+ are covered with wrinkles, their hair scanty and dirty, like a wig thrown
+ on a dust-heap. All are gay in their degradation, and degraded in their
+ joys; all are marked with the stamp of debauchery, casting their silence
+ as a reproach; their very attitude revealing fearful thoughts. Placed
+ between crime and beggary they have no compunctions, and circle prudently
+ around the scaffold without mounting it, innocent in the midst of crime,
+ and vicious in their innocence. They often cause a laugh, but they always
+ cause reflection. One represents to you civilization stunted, repressed;
+ he comprehends everything, the honor of the galleys, patriotism, virtue,
+ the malice of a vulgar crime, or the fine astuteness of elegant
+ wickedness. Another is resigned, a perfect mimer, but stupid. All have
+ slight yearnings after order and work, but they are pushed back into their
+ mire by society, which makes no inquiry as to what there may be of great
+ men, poets, intrepid souls, and splendid organizations among these
+ vagrants, these gypsies of Paris; a people eminently good and eminently
+ evil&mdash;like all the masses who suffer&mdash;accustomed to endure
+ unspeakable woes, and whom a fatal power holds ever down to the level of
+ the mire. They all have a dream, a hope, a happiness,&mdash;cards,
+ lottery, or wine.
+ </p>
+ <p>
+ There was nothing of all this in the personage who now leaned carelessly
+ against the wall in front of Monsieur de Maulincour, like some fantastic
+ idea drawn by an artist on the back of a canvas the front of which is
+ turned to the wall. This tall, spare man, whose leaden visage expressed
+ some deep but chilling thought, dried up all pity in the hearts of those
+ who looked at him by the scowling look and the sarcastic attitude which
+ announced an intention of treating every man as an equal. His face was of
+ a dirty white, and his wrinkled skull, denuded of hair, bore a vague
+ resemblance to a block of granite. A few gray locks on either side of his
+ head fell straight to the collar of his greasy coat, which was buttoned to
+ the chin. He resembled both Voltaire and Don Quixote; he was, apparently,
+ scoffing but melancholy, full of disdain and philosophy, but half-crazy.
+ He seemed to have no shirt. His beard was long. A rusty black cravat, much
+ worn and ragged, exposed a protuberant neck deeply furrowed, with veins as
+ thick as cords. A large brown circle like a bruise was strongly marked
+ beneath his eyes, He seemed to be at least sixty years old. His hands were
+ white and clean. His boots were trodden down at the heels, and full of
+ holes. A pair of blue trousers, mended in various places, were covered
+ with a species of fluff which made them offensive to the eye. Whether it
+ was that his damp clothes exhaled a fetid odor, or that he had in his
+ normal condition the &ldquo;poor smell&rdquo; which belongs to Parisian tenements,
+ just as offices, sacristies, and hospitals have their own peculiar and
+ rancid fetidness, of which no words can give the least idea, or whether
+ some other reason affected them, those in the vicinity of this man
+ immediately moved away and left him alone. He cast upon them and also upon
+ the officer a calm, expressionless look, the celebrated look of Monsieur
+ de Talleyrand, a dull, wan glance, without warmth, a species of
+ impenetrable veil, beneath which a strong soul hides profound emotions and
+ close estimation of men and things and events. Not a fold of his face
+ quivered. His mouth and forehead were impassible; but his eyes moved and
+ lowered themselves with a noble, almost tragic slowness. There was, in
+ fact, a whole drama in the motion of those withered eyelids.
+ </p>
+ <p>
+ The aspect of this stoical figure gave rise in Monsieur de Maulincour to
+ one of those vagabond reveries which begin with a common question and end
+ by comprising a world of thought. The storm was past. Monsieur de
+ Maulincour presently saw no more of the man than the tail of his coat as
+ it brushed the gate-post, but as he turned to leave his own place he
+ noticed at his feet a letter which must have fallen from the unknown
+ beggar when he took, as the baron had seen him take, a handkerchief from
+ his pocket. The young man picked it up, and read, involuntarily, the
+ address: &ldquo;To Monsieur Ferragusse, Rue des Grands-Augustains, corner of rue
+ Soly.&rdquo;
+ </p>
+ <p>
+ The letter bore no postmark, and the address prevented Monsieur de
+ Maulincour from following the beggar and returning it; for there are few
+ passions that will not fail in rectitude in the long run. The baron had a
+ presentiment of the opportunity afforded by this windfall. He determined
+ to keep the letter, which would give him the right to enter the mysterious
+ house to return it to the strange man, not doubting that he lived there.
+ Suspicions, vague as the first faint gleams of daylight, made him fancy
+ relations between this man and Madame Jules. A jealous lover supposes
+ everything; and it is by supposing everything and selecting the most
+ probable of their conjectures that judges, spies, lovers, and observers
+ get at the truth they are looking for.
+ </p>
+ <p>
+ &ldquo;Is the letter for him? Is it from Madame Jules?&rdquo;
+ </p>
+ <p>
+ His restless imagination tossed a thousand such questions to him; but when
+ he read the first words of the letter he smiled. Here it is, textually, in
+ all the simplicity of its artless phrases and its miserable orthography,&mdash;a
+ letter to which it would be impossible to add anything, or to take
+ anything away, unless it were the letter itself. But we have yielded to
+ the necessity of punctuating it. In the original there were neither commas
+ nor stops of any kind, not even notes of exclamation,&mdash;a fact which
+ tends to undervalue the system of notes and dashes by which modern authors
+ have endeavored to depict the great disasters of all the passions:&mdash;
+ </p>
+<pre xml:space="preserve">
+ Henry,&mdash;Among the manny sacrifisis I imposed upon myself for your
+ sake was that of not giving you anny news of me; but an
+ iresistible voise now compells me to let you know the wrong you
+ have done me. I know beforehand that your soul hardened in vise
+ will not pitty me. Your heart is deaf to feeling. Is it deaf to
+ the cries of nature? But what matter? I must tell you to what a
+ dredful point you are gilty, and the horror of the position to
+ which you have brought me. Henry, you knew what I sufered from my
+ first wrong-doing, and yet you plunged me into the same misery,
+ and then abbandoned me to my dispair and sufering. Yes, I will say
+ it, the belif I had that you loved me and esteemed me gave me
+ corage to bare my fate. But now, what have I left? Have you not
+ made me loose all that was dear to me, all that held me to life;
+ parents, frends, onor, reputation,&mdash;all, I have sacrifised all to
+ you, and nothing is left me but shame, oprobrum, and&mdash;I say this
+ without blushing&mdash;poverty. Nothing was wanting to my misfortunes
+ but the sertainty of your contempt and hatred; and now I have them
+ I find the corage that my project requires. My decision is made;
+ the onor of my famly commands it. I must put an end to my
+ suferins. Make no remarks upon my conduct, Henry; it is orful, I
+ know, but my condition obliges me. Without help, without suport,
+ without one frend to comfort me, can I live? No. Fate has desided
+ for me. So in two days, Henry, two days, Ida will have seased to
+ be worthy of your regard. Oh, Henry! oh, my frend! for I can never
+ change to you, promise me to forgive me for what I am going to do.
+ Do not forget that you have driven me to it; it is your work, and
+ you must judge it. May heven not punish you for all your crimes. I
+ ask your pardon on my knees, for I feel nothing is wanting to my
+ misery but the sorow of knowing you unhappy. In spite of the
+ poverty I am in I shall refuse all help from you. If you had loved
+ me I would have taken all from your friendship; but a benfit given
+ by pitty <i>my soul refussis</i>. I would be baser to take it than he
+ who offered it. I have one favor to ask of you. I don&rsquo;t know how
+ long I must stay at Madame Meynardie&rsquo;s; be genrous enough not to
+ come there. Your last two vissits did me a harm I cannot get ofer.
+ I cannot enter into particlers about that conduct of yours. You
+ hate me,&mdash;you said so; that word is writen on my heart, and
+ freeses it with fear. Alas! it is now, when I need all my corage,
+ all my strength, that my faculties abandon me. Henry, my frend,
+ before I put a barrier forever between us, give me a last pruf of
+ your esteem. Write me, answer me, say you respect me still, though
+ you have seased to love me. My eyes are worthy still to look into
+ yours, but I do not ask an interfew; I fear my weakness and my
+ love. But for pitty&rsquo;s sake write me a line at once; it will give
+ me the corage I need to meet my trubbles. Farewell, orther of all
+ my woes, but the only frend my heart has chosen and will never
+ forget.
+</pre>
+ <p>
+ Ida.
+ </p>
+ <p>
+ This life of a young girl, with its love betrayed, its fatal joys, its
+ pangs, its miseries, and its horrible resignation, summed up in a few
+ words, this humble poem, essentially Parisian, written on dirty paper,
+ influenced for a passing moment Monsieur de Maulincour. He asked himself
+ whether this Ida might not be some poor relation of Madame Jules, and that
+ strange rendezvous, which he had witnessed by chance, the mere necessity
+ of a charitable effort. But could that old pauper have seduced this Ida?
+ There was something impossible in the very idea. Wandering in this
+ labyrinth of reflections, which crossed, recrossed, and obliterated one
+ another, the baron reached the rue Pagevin, and saw a hackney-coach
+ standing at the end of the rue des Vieux-Augustins where it enters the rue
+ Montmartre. All waiting hackney-coaches now had an interest for him.
+ </p>
+ <p>
+ &ldquo;Can she be there?&rdquo; he thought to himself, and his heart beat fast with a
+ hot and feverish throbbing.
+ </p>
+ <p>
+ He pushed the little door with the bell, but he lowered his head as he did
+ so, obeying a sense of shame, for a voice said to him secretly:&mdash;
+ </p>
+ <p>
+ &ldquo;Why are you putting your foot into this mystery?&rdquo;
+ </p>
+ <p>
+ He went up a few steps, and found himself face to face with the old
+ portress.
+ </p>
+ <p>
+ &ldquo;Monsieur Ferragus?&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Don&rsquo;t know him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Doesn&rsquo;t Monsieur Ferragus live here?&rdquo;
+ </p>
+ <p>
+ &ldquo;Haven&rsquo;t such a name in the house.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, my good woman&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I&rsquo;m not your good woman, monsieur, I&rsquo;m the portress.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, madame,&rdquo; persisted the baron, &ldquo;I have a letter for Monsieur
+ Ferragus.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! if monsieur has a letter,&rdquo; she said, changing her tone, &ldquo;that&rsquo;s
+ another matter. Will you let me see it&mdash;that letter?&rdquo;
+ </p>
+ <p>
+ Auguste showed the folded letter. The old woman shook her head with a
+ doubtful air, hesitated, seemed to wish to leave the lodge and inform the
+ mysterious Ferragus of his unexpected visitor, but finally said:&mdash;
+ </p>
+ <p>
+ &ldquo;Very good; go up, monsieur. I suppose you know the way?&rdquo;
+ </p>
+ <p>
+ Without replying to this remark, which he thought might be a trap, the
+ young officer ran lightly up the stairway, and rang loudly at the door of
+ the second floor. His lover&rsquo;s instinct told him, &ldquo;She is there.&rdquo;
+ </p>
+ <p>
+ The beggar of the porch, Ferragus, the &ldquo;orther&rdquo; of Ida&rsquo;s woes, opened the
+ door himself. He appeared in a flowered dressing-gown, white flannel
+ trousers, his feet in embroidered slippers, and his face washed clean of
+ stains. Madame Jules, whose head projected beyond the casing of the door
+ in the next room, turned pale and dropped into a chair.
+ </p>
+ <p>
+ &ldquo;What is the matter, madame?&rdquo; cried the officer, springing toward her.
+ </p>
+ <p>
+ But Ferragus stretched forth an arm and flung the intruder back with so
+ sharp a thrust that Auguste fancied he had received a blow with an iron
+ bar full on his chest.
+ </p>
+ <p>
+ &ldquo;Back! monsieur,&rdquo; said the man. &ldquo;What do you want there? For five or six
+ days you have been roaming about the neighborhood. Are you a spy?&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you Monsieur Ferragus?&rdquo; said the baron.
+ </p>
+ <p>
+ &ldquo;No, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nevertheless,&rdquo; continued Auguste, &ldquo;it is to you that I must return this
+ paper which you dropped in the gateway beneath which we both took refuge
+ from the rain.&rdquo;
+ </p>
+ <p>
+ While speaking and offering the letter to the man, Auguste did not refrain
+ from casting an eye around the room where Ferragus received him. It was
+ very well arranged, though simply. A fire burned on the hearth; and near
+ it was a table with food upon it, which was served more sumptuously than
+ agreed with the apparent conditions of the man and the poorness of his
+ lodging. On a sofa in the next room, which he could see through the
+ doorway, lay a heap of gold, and he heard a sound which could be no other
+ than that of a woman weeping.
+ </p>
+ <p>
+ &ldquo;The paper belongs to me; I am much obliged to you,&rdquo; said the mysterious
+ man, turning away as if to make the baron understand that he must go.
+ </p>
+ <p>
+ Too curious himself to take much note of the deep examination of which he
+ was himself the object, Auguste did not see the half-magnetic glance with
+ which this strange being seemed to pierce him; had he encountered that
+ basilisk eye he might have felt the danger that encompassed him. Too
+ passionately excited to think of himself, Auguste bowed, went down the
+ stairs, and returned home, striving to find a meaning in the connection of
+ these three persons,&mdash;Ida, Ferragus, and Madame Jules; an occupation
+ equivalent to that of trying to arrange the many-cornered bits of a
+ Chinese puzzle without possessing the key to the game. But Madame Jules
+ had seen him, Madame Jules went there, Madame Jules had lied to him.
+ Maulincour determined to go and see her the next day. She could not refuse
+ his visit, for he was now her accomplice; he was hands and feet in the
+ mysterious affair, and she knew it. Already he felt himself a sultan, and
+ thought of demanding from Madame Jules, imperiously, all her secrets.
+ </p>
+ <p>
+ In those days Paris was seized with a building-fever. If Paris is a
+ monster, it is certainly a most mania-ridden monster. It becomes enamored
+ of a thousand fancies: sometimes it has a mania for building, like a great
+ seigneur who loves a trowel; soon it abandons the trowel and becomes all
+ military; it arrays itself from head to foot as a national guard, and
+ drills and smokes; suddenly, it abandons military manoeuvres and flings
+ away cigars; it is commercial, care-worn, falls into bankruptcy, sells its
+ furniture on the place de Chatelet, files its schedule; but a few days
+ later, lo! it has arranged its affairs and is giving fetes and dances. One
+ day it eats barley-sugar by the mouthful, by the handful; yesterday it
+ bought &ldquo;papier Weymen&rdquo;; to-day the monster&rsquo;s teeth ache, and it applies to
+ its walls an alexipharmatic to mitigate their dampness; to-morrow it will
+ lay in a provision of pectoral paste. It has its manias for the month, for
+ the season, for the year, like its manias of a day.
+ </p>
+ <p>
+ So, at the moment of which we speak, all the world was building or pulling
+ down something,&mdash;people hardly knew what as yet. There were very few
+ streets in which high scaffoldings on long poles could not be seen,
+ fastened from floor to floor with transverse blocks inserted into holes in
+ the walls on which the planks were laid,&mdash;a frail construction,
+ shaken by the brick-layers, but held together by ropes, white with
+ plaster, and insecurely protected from the wheels of carriages by the
+ breastwork of planks which the law requires round all such buildings.
+ There is something maritime in these masts, and ladders, and cordage, even
+ in the shouts of the masons. About a dozen yards from the hotel
+ Maulincour, one of these ephemeral barriers was erected before a house
+ which was then being built of blocks of free-stone. The day after the
+ event we have just related, at the moment when the Baron de Maulincour was
+ passing this scaffolding in his cabriolet on his way to see Madame Jules,
+ a stone, two feet square, which was being raised to the upper storey of
+ this building, got loose from the ropes and fell, crushing the baron&rsquo;s
+ servant who was behind the cabriolet. A cry of horror shook both the
+ scaffold and the masons; one of them, apparently unable to keep his grasp
+ on a pole, was in danger of death, and seemed to have been touched by the
+ stone as it passed him.
+ </p>
+ <p>
+ A crowd collected rapidly; the masons came down the ladders swearing and
+ insisting that Monsieur de Maulincour&rsquo;s cabriolet had been driven against
+ the boarding and so had shaken their crane. Two inches more and the stone
+ would have fallen on the baron&rsquo;s head. The groom was dead, the carriage
+ shattered. &lsquo;Twas an event for the whole neighborhood, the newspapers told
+ of it. Monsieur de Maulincour, certain that he had not touched the
+ boarding, complained; the case went to court. Inquiry being made, it was
+ shown that a small boy, armed with a lath, had mounted guard and called to
+ all foot-passengers to keep away. The affair ended there. Monsieur de
+ Maulincour obtained no redress. He had lost his servant, and was confined
+ to his bed for some days, for the back of the carriage when shattered had
+ bruised him severely, and the nervous shock of the sudden surprise gave
+ him a fever. He did not, therefore, go to see Madame Jules.
+ </p>
+ <p>
+ Ten days after this event, he left the house for the first time, in his
+ repaired cabriolet, when, as he drove down the rue de Bourgogne and was
+ close to the sewer opposite to the Chamber of Deputies, the axle-tree
+ broke in two, and the baron was driving so rapidly that the breakage would
+ have caused the two wheels to come together with force enough to break his
+ head, had it not been for the resistance of the leather hood.
+ Nevertheless, he was badly wounded in the side. For the second time in ten
+ days he was carried home in a fainting condition to his terrified
+ grandmother. This second accident gave him a feeling of distrust; he
+ thought, though vaguely, of Ferragus and Madame Jules. To throw light on
+ these suspicions he had the broken axle brought to his room and sent for
+ his carriage-maker. The man examined the axle and the fracture, and proved
+ two things: First, the axle was not made in his workshop; he furnished
+ none that did not bear the initials of his name on the iron. But he could
+ not explain by what means this axle had been substituted for the other.
+ Secondly, the breakage of the suspicious axle was caused by a hollow space
+ having been blown in it and a straw very cleverly inserted.
+ </p>
+ <p>
+ &ldquo;Eh! Monsieur le baron, whoever did that was malicious!&rdquo; he said; &ldquo;any one
+ would swear, to look at it, that the axle was sound.&rdquo;
+ </p>
+ <p>
+ Monsieur de Maulincour begged the carriage-maker to say nothing of the
+ affair; but he felt himself warned. These two attempts at murder were
+ planned with an ability which denoted the enmity of intelligent minds.
+ </p>
+ <p>
+ &ldquo;It is war to the death,&rdquo; he said to himself, as he tossed in his bed,&mdash;&ldquo;a
+ war of savages, skulking in ambush, of trickery and treachery, declared in
+ the name of Madame Jules. What sort of man is this to whom she belongs?
+ What species of power does this Ferragus wield?&rdquo;
+ </p>
+ <p>
+ Monsieur de Maulincour, though a soldier and brave man, could not repress
+ a shudder. In the midst of many thoughts that now assailed him, there was
+ one against which he felt he had neither defence nor courage: might not
+ poison be employed ere long by his secret enemies? Under the influence of
+ fears, which his momentary weakness and fever and low diet increased, he
+ sent for an old woman long attached to the service of his grandmother,
+ whose affection for himself was one of those semi-maternal sentiments
+ which are the sublime of the commonplace. Without confiding in her wholly,
+ he charged her to buy secretly and daily, in different localities, the
+ food he needed; telling her to keep it under lock and key and bring it to
+ him herself, not allowing any one, no matter who, to approach her while
+ preparing it. He took the most minute precautions to protect himself
+ against that form of death. He was ill in his bed and alone, and he had
+ therefore the leisure to think of his own security,&mdash;the one
+ necessity clear-sighted enough to enable human egotism to forget nothing!
+ </p>
+ <p>
+ But the unfortunate man had poisoned his own life by this dread, and, in
+ spite of himself, suspicion dyed all his hours with its gloomy tints.
+ These two lessons of attempted assassination did teach him, however, the
+ value of one of the virtues most necessary to a public man; he saw the
+ wise dissimulation that must be practised in dealing with the great
+ interests of life. To be silent about our own secret is nothing; but to be
+ silent from the start, to forget a fact as Ali Pacha did for thirty years
+ in order to be sure of a vengeance waited for for thirty years, is a fine
+ study in a land where there are few men who can keep their own counsel for
+ thirty days. Monsieur de Maulincour literally lived only through Madame
+ Jules. He was perpetually absorbed in a sober examination into the means
+ he ought to employ to triumph in this mysterious struggle with these
+ mysterious persons. His secret passion for that woman grew by reason of
+ all these obstacles. Madame Jules was ever there, erect, in the midst of
+ his thoughts, in the centre of his heart, more seductive by her presumable
+ vices than by the positive virtues for which he had made her his idol.
+ </p>
+ <p>
+ At last, anxious to reconnoitre the position of the enemy, he thought he
+ might without danger initiate the vidame into the secrets of his
+ situation. The old commander loved Auguste as a father loves his wife&rsquo;s
+ children; he was shrewd, dexterous, and very diplomatic. He listened to
+ the baron, shook his head, and they both held counsel. The worthy vidame
+ did not share his young friend&rsquo;s confidence when Auguste declared that in
+ the time in which they now lived, the police and the government were able
+ to lay bare all mysteries, and that if it were absolutely necessary to
+ have recourse to those powers, he should find them most powerful
+ auxiliaries.
+ </p>
+ <p>
+ The old man replied, gravely: &ldquo;The police, my dear boy, is the most
+ incompetent thing on this earth, and government the feeblest in all
+ matters concerning individuals. Neither the police nor the government can
+ read hearts. What we might reasonably ask of them is to search for the
+ causes of an act. But the police and the government are both eminently
+ unfitted for that; they lack, essentially, the personal interest which
+ reveals all to him who wants to know all. No human power can prevent an
+ assassin or a poisoner from reaching the heart of a prince or the stomach
+ of an honest man. Passions are the best police.&rdquo;
+ </p>
+ <p>
+ The vidame strongly advised the baron to go to Italy, and from Italy to
+ Greece, from Greece to Syria, from Syria to Asia, and not to return until
+ his secret enemies were convinced of his repentance, and would so make
+ tacit peace with him. But if he did not take that course, then the vidame
+ advised him to stay in the house, and even in his own room, where he would
+ be safe from the attempts of this man Ferragus, and not to leave it until
+ he could be certain of crushing him.
+ </p>
+ <p>
+ &ldquo;We should never touch an enemy until we can be sure of taking his head
+ off,&rdquo; he said, gravely.
+ </p>
+ <p>
+ The old man, however, promised his favorite to employ all the astuteness
+ with which Heaven had provided him (without compromising any one) in
+ reconnoitring the enemy&rsquo;s ground, and laying his plans for future victory.
+ The Commander had in his service a retired Figaro, the wiliest monkey that
+ ever walked in human form; in earlier days as clever as a devil, working
+ his body like a galley-slave, alert as a thief, sly as a woman, but now
+ fallen into the decadence of genius for want of practice since the new
+ constitution of Parisian society, which has reformed even the valets of
+ comedy. This Scapin emeritus was attached to his master as to a superior
+ being; but the shrewd old vidame added a good round sum yearly to the
+ wages of his former provost of gallantry, which strengthened the ties of
+ natural affection by the bonds of self-interest, and obtained for the old
+ gentleman as much care as the most loving mistress could bestow on a sick
+ friend. It was this pearl of the old-fashioned comedy-valets, relic of the
+ last century, auxiliary incorruptible from lack of passions to satisfy, on
+ whom the old vidame and Monsieur de Maulincour now relied.
+ </p>
+ <p>
+ &ldquo;Monsieur le baron will spoil all,&rdquo; said the great man in livery, when
+ called into counsel. &ldquo;Monsieur should eat, drink, and sleep in peace. I
+ take the whole matter upon myself.&rdquo;
+ </p>
+ <p>
+ Accordingly, eight days after the conference, when Monsieur de Maulincour,
+ perfectly restored to health, was breakfasting with his grandmother and
+ the vidame, Justin entered to make his report. As soon as the dowager had
+ returned to her own apartments he said, with that mock modesty which men
+ of talent are so apt to affect:&mdash;
+ </p>
+ <p>
+ &ldquo;Ferragus is not the name of the enemy who is pursuing Monsieur le baron.
+ This man&mdash;this devil, rather&mdash;is called Gratien, Henri, Victor,
+ Jean-Joseph Bourignard. The Sieur Gratien Bourignard is a former
+ ship-builder, once very rich, and, above all, one of the handsomest men of
+ his day in Paris,&mdash;a Lovelace, capable of seducing Grandison. My
+ information stops short there. He has been a simple workman; and the
+ Companions of the Order of the Devorants did, at one time, elect him as
+ their chief, under the title of Ferragus XXIII. The police ought to know
+ that, if the police were instituted to know anything. The man has moved
+ from the rue des Vieux-Augustins, and now roosts rue Joquelet, where
+ Madame Jules Desmarets goes frequently to see him; sometimes her husband,
+ on his way to the Bourse, drives her as far as the rue Vivienne, or she
+ drives her husband to the Bourse. Monsieur le vidame knows about these
+ things too well to want me to tell him if it is the husband who takes the
+ wife, or the wife who takes the husband; but Madame Jules is so pretty,
+ I&rsquo;d bet on her. All that I have told you is positive. Bourignard often
+ plays at number 129. Saving your presence, monsieur, he&rsquo;s a rogue who
+ loves women, and he has his little ways like a man of condition. As for
+ the rest, he wins sometimes, disguises himself like an actor, paints his
+ face to look like anything he chooses, and lives, I may say, the most
+ original life in the world. I don&rsquo;t doubt he has a good many lodgings, for
+ most of the time he manages to evade what Monsieur le vidame calls
+ &lsquo;parliamentary investigations.&rsquo; If monsieur wishes, he could be disposed
+ of honorably, seeing what his habits are. It is always easy to get rid of
+ a man who loves women. However, this capitalist talks about moving again.
+ Have Monsieur le vidame and Monsieur le baron any other commands to give
+ me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Justin, I am satisfied with you; don&rsquo;t go any farther in the matter
+ without my orders, but keep a close watch here, so that Monsieur le baron
+ may have nothing to fear.&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear boy,&rdquo; continued the vidame, when they were alone, &ldquo;go back to
+ your old life, and forget Madame Jules.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no,&rdquo; said Auguste; &ldquo;I will never yield to Gratien Bourignard. I will
+ have him bound hand and foot, and Madame Jules also.&rdquo;
+ </p>
+ <p>
+ That evening the Baron Auguste de Maulincour, recently promoted to higher
+ rank in the company of the Body-Guard of the king, went to a ball given by
+ Madame la Duchesse de Berry at the Elysee-Bourbon. There, certainly, no
+ danger could lurk for him; and yet, before he left the palace, he had an
+ affair of honor on his hands,&mdash;an affair it was impossible to settle
+ except by a duel.
+ </p>
+ <p>
+ His adversary, the Marquis de Ronquerolles, considered that he had strong
+ reasons to complain of Monsieur de Maulincour, who had given some ground
+ for it during his former intimacy with Monsieur de Ronquerolles&rsquo; sister,
+ the Comtesse de Serizy. That lady, the one who detested German
+ sentimentality, was all the more exacting in the matter of prudery. By one
+ of those inexplicable fatalities, Auguste now uttered a harmless jest
+ which Madame de Serizy took amiss, and her brother resented it. The
+ discussion took place in the corner of a room, in a low voice. In good
+ society, adversaries never raise their voices. The next day the faubourg
+ Saint-Germain and the Chateau talked over the affair. Madame de Serizy was
+ warmly defended, and all the blame was laid on Maulincour. August
+ personages interfered. Seconds of the highest distinction were imposed on
+ Messieurs de Maulincour and de Ronquerolles and every precaution was taken
+ on the ground that no one should be killed.
+ </p>
+ <p>
+ When Auguste found himself face to face with his antagonist, a man of
+ pleasure, to whom no one could possibly deny sentiments of the highest
+ honor, he felt it was impossible to believe him the instrument of
+ Ferragus, chief of the Devorants; and yet he was compelled, as it were, by
+ an inexplicable presentiment, to question the marquis.
+ </p>
+ <p>
+ &ldquo;Messieurs,&rdquo; he said to the seconds, &ldquo;I certainly do not refuse to meet
+ the fire of Monsieur de Ronquerolles; but before doing so, I here declare
+ that I was to blame, and I offer him whatever excuses he may desire, and
+ publicly if he wishes it; because when the matter concerns a woman,
+ nothing, I think, can degrade a man of honor. I therefore appeal to his
+ generosity and good sense; is there not something rather silly in fighting
+ without a cause?&rdquo;
+ </p>
+ <p>
+ Monsieur de Ronquerolles would not allow of this way of ending the affair,
+ and then the baron, his suspicions revived, walked up to him.
+ </p>
+ <p>
+ &ldquo;Well, then! Monsieur le marquis,&rdquo; he said, &ldquo;pledge me, in presence of
+ these gentlemen, your word as a gentleman that you have no other reason
+ for vengeance than that you have chosen to put forward.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur, that is a question you have no right to ask.&rdquo;
+ </p>
+ <p>
+ So saying, Monsieur de Ronquerolles took his place. It was agreed, in
+ advance, that the adversaries were to be satisfied with one exchange of
+ shots. Monsieur de Ronquerolles, in spite of the great distance determined
+ by the seconds, which seemed to make the death of either party
+ problematical, if not impossible, brought down the baron. The ball went
+ through the latter&rsquo;s body just below the heart, but fortunately without
+ doing vital injury.
+ </p>
+ <p>
+ &ldquo;You aimed too well, monsieur,&rdquo; said the baron, &ldquo;to be avenging only a
+ paltry quarrel.&rdquo;
+ </p>
+ <p>
+ And he fainted. Monsieur de Ronquerolles, who believed him to be a dead
+ man, smiled sardonically as he heard those words.
+ </p>
+ <p>
+ After a fortnight, during which time the dowager and the vidame gave him
+ those cares of old age the secret of which is in the hands of long
+ experience only, the baron began to return to life. But one morning his
+ grandmother dealt him a crushing blow, by revealing anxieties to which, in
+ her last days, she was now subjected. She showed him a letter signed F, in
+ which the history of her grandson&rsquo;s secret espionage was recounted step by
+ step. The letter accused Monsieur de Maulincour of actions that were
+ unworthy of a man of honor. He had, it said, placed an old woman at the
+ stand of hackney-coaches in the rue de Menars; an old spy, who pretended
+ to sell water from her cask to the coachmen, but who was really there to
+ watch the actions of Madame Jules Desmarets. He had spied upon the daily
+ life of a most inoffensive man, in order to detect his secrets,&mdash;secrets
+ on which depended the lives of three persons. He had brought upon himself
+ a relentless struggle, in which, although he had escaped with life three
+ times, he must inevitably succumb, because his death had been sworn and
+ would be compassed if all human means were employed upon it. Monsieur de
+ Maulincour could no longer escape his fate by even promising to respect
+ the mysterious life of these three persons, because it was impossible to
+ believe the word of a gentleman who had fallen to the level of a
+ police-spy; and for what reason? Merely to trouble the respectable life of
+ an innocent woman and a harmless old man.
+ </p>
+ <p>
+ The letter itself was nothing to Auguste in comparison to the tender
+ reproaches of his grandmother. To lack respect to a woman! to spy upon her
+ actions without a right to do so! Ought a man ever to spy upon a woman
+ whom he loved?&mdash;in short, she poured out a torrent of those excellent
+ reasons which prove nothing; and they put the young baron, for the first
+ time in his life, into one of those great human furies in which are born,
+ and from which issue the most vital actions of a man&rsquo;s life.
+ </p>
+ <p>
+ &ldquo;Since it is war to the knife,&rdquo; he said in conclusion, &ldquo;I shall kill my
+ enemy by any means that I can lay hold of.&rdquo;
+ </p>
+ <p>
+ The vidame went immediately, at Auguste&rsquo;s request, to the chief of the
+ private police of Paris, and without bringing Madame Jules&rsquo; name or person
+ into the narrative, although they were really the gist of it, he made the
+ official aware of the fears of the family of Maulincour about this
+ mysterious person who was bold enough to swear the death of an officer of
+ the Guards, in defiance of the law and the police. The chief pushed up his
+ green spectacles in amazement, blew his nose several times, and offered
+ snuff to the vidame, who, to save his dignity, pretended not to use
+ tobacco, although his own nose was discolored with it. Then the chief took
+ notes and promised, Vidocq and his spies aiding, to send in a report
+ within a few days to the Maulincour family, assuring them meantime that
+ there were no secrets for the police of Paris.
+ </p>
+ <p>
+ A few days after this the police official called to see the vidame at the
+ Hotel de Maulincour, where he found the young baron quite recovered from
+ his last wound. He gave them in bureaucratic style his thanks for the
+ indications they had afforded him, and told them that Bourignard was a
+ convict, condemned to twenty years&rsquo; hard labor, who had miraculously
+ escaped from a gang which was being transported from Bicetre to Toulon.
+ For thirteen years the police had been endeavoring to recapture him,
+ knowing that he had boldly returned to Paris; but so far this convict had
+ escaped the most active search, although he was known to be mixed up in
+ many nefarious deeds. However, the man, whose life was full of very
+ curious incidents, would certainly be captured now in one or other of his
+ several domiciles and delivered up to justice. The bureaucrat ended his
+ report by saying to Monsieur de Maulincour that if he attached enough
+ importance to the matter to wish to witness the capture of Bourignard, he
+ might come the next day at eight in the morning to a house in the rue
+ Sainte-Foi, of which he gave him the number. Monsieur de Maulincour
+ excused himself from going personally in search of certainty,&mdash;trusting,
+ with the sacred respect inspired by the police of Paris, in the capability
+ of the authorities.
+ </p>
+ <p>
+ Three days later, hearing nothing, and seeing nothing in the newspapers
+ about the projected arrest, which was certainly of enough importance to
+ have furnished an article, Monsieur de Maulincour was beginning to feel
+ anxieties which were presently allayed by the following letter:&mdash;
+ </p>
+<pre xml:space="preserve">
+ Monsieur le Baron,&mdash;I have the honor to announce to you that you
+ need have no further uneasiness touching the affair in question.
+ The man named Gratien Bourignard, otherwise called Ferragus, died
+ yesterday, at his lodgings, rue Joquelet No. 7. The suspicions we
+ naturally conceived as to the identity of the dead body have been
+ completely set at rest by the facts. The physician of the
+ Prefecture of police was despatched by us to assist the physician
+ of the arrondissement, and the chief of the detective police made
+ all the necessary verifications to obtain absolute certainty.
+ Moreover, the character of the persons who signed the certificate
+ of death, and the affidavits of those who took care of the said
+ Bourignard in his last illness, among others that of the worthy
+ vicar of the church of the Bonne-Nouvelle (to whom he made his
+ last confession, for he died a Christian), do not permit us to
+ entertain any sort of doubt.
+
+ Accept, Monsieur le baron, etc., etc.
+</pre>
+ <p>
+ Monsieur de Maulincour, the dowager, and the vidame breathed again with
+ joy unspeakable. The good old woman kissed her grandson leaving a tear
+ upon his cheek, and went away to thank God in prayer. The dear soul, who
+ was making a novena for Auguste&rsquo;s safety, believed her prayers were
+ answered.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said the vidame, &ldquo;now you had better show yourself at the ball you
+ were speaking of. I oppose no further objections.&rdquo;
+ </p>
+ <p>
+ <a name="link2HCH0003" id="link2HCH0003">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER III. THE WIFE ACCUSED
+ </h2>
+ <p>
+ Monsieur de Maulincour was all the more anxious to go to this ball because
+ he knew that Madame Jules would be present. The fete was given by the
+ Prefect of the Seine, in whose salons the two social worlds of Paris met
+ as on neutral ground. Auguste passed through the rooms without finding the
+ woman who now exercised so mighty an influence on his fate. He entered an
+ empty boudoir where card-tables were placed awaiting players; and sitting
+ down on a divan he gave himself up to the most contradictory thoughts
+ about her. A man presently took the young officer by the arm, and looking
+ up the baron was stupefied to behold the pauper of the rue Coquilliere,
+ the Ferragus of Ida, the lodger in the rue Soly, the Bourignard of Justin,
+ the convict of the police, and the dead man of the day before.
+ </p>
+ <p>
+ &ldquo;Monsieur, not a sound, not a word,&rdquo; said Bourignard, whose voice he
+ recognized. The man was elegantly dressed; he wore the order of the
+ Golden-Fleece, and a medal on his coat. &ldquo;Monsieur,&rdquo; he continued, and his
+ voice was sibilant like that of a hyena, &ldquo;you increase my efforts against
+ you by having recourse to the police. You will perish, monsieur; it has
+ now become necessary. Do you love Madame Jules? Are you beloved by her? By
+ what right do you trouble her peaceful life, and blacken her virtue?&rdquo;
+ </p>
+ <p>
+ Some one entered the card-room. Ferragus rose to go.
+ </p>
+ <p>
+ &ldquo;Do you know this man?&rdquo; asked Monsieur de Maulincour of the new-comer,
+ seizing Ferragus by the collar. But Ferragus quickly disengaged himself,
+ took Monsieur de Maulincour by the hair, and shook his head rapidly.
+ </p>
+ <p>
+ &ldquo;Must you have lead in it to make it steady?&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;I do not know him personally,&rdquo; replied Henri de Marsay, the spectator of
+ this scene, &ldquo;but I know that he is Monsieur de Funcal, a rich Portuguese.&rdquo;
+ </p>
+ <p>
+ Monsieur de Funcal had disappeared. The baron followed but without being
+ able to overtake him until he reached the peristyle, where he saw
+ Ferragus, who looked at him with a jeering laugh from a brilliant equipage
+ which was driven away at high speed.
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; said Auguste, re-entering the salon and addressing de Marsay,
+ whom he knew, &ldquo;I entreat you to tell me where Monsieur de Funcal lives.&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not know; but some one here can no doubt tell you.&rdquo;
+ </p>
+ <p>
+ The baron, having questioned the prefect, ascertained that the Comte de
+ Funcal lived at the Portuguese embassy. At this moment, while he still
+ felt the icy fingers of that strange man in his hair, he saw Madame Jules
+ in all her dazzling beauty, fresh, gracious, artless, resplendent with the
+ sanctity of womanhood which had won his love. This creature, now infernal
+ to him, excited no emotion in his soul but that of hatred; and this hatred
+ shone in a savage, terrible look from his eyes. He watched for a moment
+ when he could speak to her unheard, and then he said:&mdash;
+ </p>
+ <p>
+ &ldquo;Madame, your <i>bravi</i> have missed me three times.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you mean, monsieur?&rdquo; she said, flushing. &ldquo;I know that you have
+ had several unfortunate accidents lately, which I have greatly regretted;
+ but how could I have had anything to do with them?&rdquo;
+ </p>
+ <p>
+ &ldquo;You knew that <i>bravi</i> were employed against me by that man of the
+ rue Soly?&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur!&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame, I now call you to account, not for my happiness only, but for my
+ blood&mdash;&rdquo;
+ </p>
+ <p>
+ At this instant Jules Desmarets approached them.
+ </p>
+ <p>
+ &ldquo;What are you saying to my wife, monsieur?&rdquo;
+ </p>
+ <p>
+ &ldquo;Make that inquiry at my own house, monsieur, if you are curious,&rdquo; said
+ Maulincour, moving away, and leaving Madame Jules in an almost fainting
+ condition.
+ </p>
+ <p>
+ There are few women who have not found themselves, once at least in their
+ lives, <i>a propos</i> of some undeniable fact, confronted with a direct,
+ sharp, uncompromising question,&mdash;one of those questions pitilessly
+ asked by husbands, the mere apprehension of which gives a chill, while the
+ actual words enter the heart like the blade of a dagger. It is from such
+ crises that the maxim has come, &ldquo;All women lie.&rdquo; Falsehood, kindly
+ falsehood, venial falsehood, sublime falsehood, horrible falsehood,&mdash;but
+ always the necessity to lie. This necessity admitted, ought they not to
+ know how to lie well? French women do it admirably. Our manners and
+ customs teach them deception! Besides, women are so naively saucy, so
+ pretty, graceful, and withal so true in lying,&mdash;they recognize so
+ fully the utility of doing so in order to avoid in social life the violent
+ shocks which happiness might not resist,&mdash;that lying is seen to be as
+ necessary to their lives as the cotton-wool in which they put away their
+ jewels. Falsehood becomes to them the foundation of speech; truth is
+ exceptional; they tell it, if they are virtuous, by caprice or by
+ calculation. According to individual character, some women laugh when they
+ lie; others weep; others are grave; some grow angry. After beginning life
+ by feigning indifference to the homage that deeply flatters them, they
+ often end by lying to themselves. Who has not admired their apparent
+ superiority to everything at the very moment when they are trembling for
+ the secret treasures of their love? Who has never studied their ease,
+ their readiness, their freedom of mind in the greatest embarrassments of
+ life? In them, nothing is put on. Deception comes as the snow from heaven.
+ And then, with what art they discover the truth in others! With what
+ shrewdness they employ a direct logic in answer to some passionate
+ question which has revealed to them the secret of the heart of a man who
+ was guileless enough to proceed by questioning! To question a woman! why,
+ that is delivering one&rsquo;s self up to her; does she not learn in that way
+ all that we seek to hide from her? Does she not know also how to be dumb,
+ through speaking? What men are daring enough to struggle with the Parisian
+ woman?&mdash;a woman who knows how to hold herself above all dagger
+ thrusts, saying: &ldquo;You are very inquisitive; what is it to you? Why do you
+ wish to know? Ah! you are jealous! And suppose I do not choose to answer
+ you?&rdquo;&mdash;in short, a woman who possesses the hundred and thirty-seven
+ methods of saying <i>No</i>, and incommensurable variations of the word <i>Yes</i>.
+ Is not a treatise on the words <i>yes</i> and <i>no</i>, a fine
+ diplomatic, philosophic, logographic, and moral work, still waiting to be
+ written? But to accomplish this work, which we may also call diabolic,
+ isn&rsquo;t an androgynous genius necessary? For that reason, probably, it will
+ never be attempted. And besides, of all unpublished works isn&rsquo;t it the
+ best known and the best practised among women? Have you studied the
+ behavior, the pose, the <i>disinvoltura</i> of a falsehood? Examine it.
+ </p>
+ <p>
+ Madame Desmarets was seated in the right-hand corner of her carriage, her
+ husband in the left. Having forced herself to recover from her emotion in
+ the ballroom, she now affected a calm demeanor. Her husband had then said
+ nothing to her, and he still said nothing. Jules looked out of the
+ carriage window at the black walls of the silent houses before which they
+ passed; but suddenly, as if driven by a determining thought, when turning
+ the corner of a street he examined his wife, who appeared to be cold in
+ spite of the fur-lined pelisse in which she was wrapped. He thought she
+ seemed pensive, and perhaps she really was so. Of all communicable things,
+ reflection and gravity are the most contagious.
+ </p>
+ <p>
+ &ldquo;What could Monsieur de Maulincour have said to affect you so keenly?&rdquo;
+ said Jules; &ldquo;and why does he wish me to go to his house and find out?&rdquo;
+ </p>
+ <p>
+ &ldquo;He can tell you nothing in his house that I cannot tell you here,&rdquo; she
+ replied.
+ </p>
+ <p>
+ Then, with that feminine craft which always slightly degrades virtue,
+ Madame Jules waited for another question. Her husband turned his face back
+ to the houses, and continued his study of their walls. Another question
+ would imply suspicion, distrust. To suspect a woman is a crime in love.
+ Jules had already killed a man for doubting his wife. Clemence did not
+ know all there was of true passion, of loyal reflection, in her husband&rsquo;s
+ silence; just as Jules was ignorant of the generous drama that was
+ wringing the heart of his Clemence.
+ </p>
+ <p>
+ The carriage rolled on through a silent Paris, bearing the couple,&mdash;two
+ lovers who adored each other, and who, gently leaning on the same silken
+ cushion, were being parted by an abyss. In these elegant coupes returning
+ from a ball between midnight and two in the morning, how many curious and
+ singular scenes must pass,&mdash;meaning those coupes with lanterns, which
+ light both the street and the carriage, those with their windows unshaded;
+ in short, legitimate coupes, in which couples can quarrel without caring
+ for the eyes of pedestrians, because the civil code gives a right to
+ provoke, or beat, or kiss, a wife in a carriage or elsewhere, anywhere,
+ everywhere! How many secrets must be revealed in this way to nocturnal
+ pedestrians,&mdash;to those young fellows who have gone to a ball in a
+ carriage, but are obliged, for whatever cause it may be, to return on
+ foot. It was the first time that Jules and Clemence had been together
+ thus,&mdash;each in a corner; usually the husband pressed close to his
+ wife.
+ </p>
+ <p>
+ &ldquo;It is very cold,&rdquo; remarked Madame Jules.
+ </p>
+ <p>
+ But her husband did not hear her; he was studying the signs above the shop
+ windows.
+ </p>
+ <p>
+ &ldquo;Clemence,&rdquo; he said at last, &ldquo;forgive me the question I am about to ask
+ you.&rdquo;
+ </p>
+ <p>
+ He came closer, took her by the waist, and drew her to him.
+ </p>
+ <p>
+ &ldquo;My God, it is coming!&rdquo; thought the poor woman. &ldquo;Well,&rdquo; she said aloud,
+ anticipating the question, &ldquo;you want to know what Monsieur de Maulincour
+ said to me. I will tell you, Jules; but not without fear. Good God! how is
+ it possible that you and I should have secrets from one another? For the
+ last few moments I have seen you struggling between a conviction of our
+ love and vague fears. But that conviction is clear within us, is it not?
+ And these doubts and fears, do they not seem to you dark and unnatural?
+ Why not stay in that clear light of love you cannot doubt? When I have
+ told you all, you will still desire to know more; and yet I myself do not
+ know what the extraordinary words of that man meant. What I fear is that
+ this may lead to some fatal affair between you. I would rather that we
+ both forget this unpleasant moment. But, in any case, swear to me that you
+ will let this singular adventure explain itself naturally. Here are the
+ facts. Monsieur de Maulincour declared to me that the three accidents you
+ have heard mentioned&mdash;the falling of a stone on his servant, the
+ breaking down of his cabriolet, and his duel about Madame de Serizy&mdash;were
+ the result of some plot I had laid against him. He also threatened to
+ reveal to you the cause of my desire to destroy him. Can you imagine what
+ all this means? My emotion came from the sight of his face convulsed with
+ madness, his haggard eyes, and also his words, broken by some violent
+ inward emotion. I thought him mad. That is all that took place. Now, I
+ should be less than a woman if I had not perceived that for over a year I
+ have become, as they call it, the passion of Monsieur de Maulincour. He
+ has never seen me except at a ball; and our intercourse has been most
+ insignificant,&mdash;merely that which every one shares at a ball. Perhaps
+ he wants to disunite us, so that he may find me at some future time alone
+ and unprotected. There, see! already you are frowning! Oh, how cordially I
+ hate society! We were so happy without him; why take any notice of him?
+ Jules, I entreat you, forget all this! To-morrow we shall, no doubt, hear
+ that Monsieur de Maulincour has gone mad.&rdquo;
+ </p>
+ <p>
+ &ldquo;What a singular affair!&rdquo; thought Jules, as the carriage stopped under the
+ peristyle of their house. He gave his arm to his wife and together they
+ went up to their apartments.
+ </p>
+ <p>
+ To develop this history in all its truth of detail, and to follow its
+ course through many windings, it is necessary here to divulge some of
+ love&rsquo;s secrets, to glide beneath the ceilings of a marriage chamber, not
+ shamelessly, but like Trilby, frightening neither Dougal nor Jeannie,
+ alarming no one,&mdash;being as chaste as our noble French language
+ requires, and as bold as the pencil of Gerard in his picture of Daphnis
+ and Chloe.
+ </p>
+ <p>
+ The bedroom of Madame Jules was a sacred plot. Herself, her husband, and
+ her maid alone entered it. Opulence has glorious privileges, and the most
+ enviable are those which enable the development of sentiments to their
+ fullest extent,&mdash;fertilizing them by the accomplishment of even their
+ caprices, and surrounding them with a brilliancy that enlarges them, with
+ refinements that purify them, with a thousand delicacies that make them
+ still more alluring. If you hate dinners on the grass, and meals
+ ill-served, if you feel a pleasure in seeing a damask cloth that is
+ dazzlingly white, a silver-gilt dinner service, and porcelain of exquisite
+ purity, lighted by transparent candles, where miracles of cookery are
+ served under silver covers bearing coats of arms, you must, to be
+ consistent, leave the garrets at the tops of the houses, and the grisettes
+ in the streets, abandon garrets, grisettes, umbrellas, and overshoes to
+ men who pay for their dinners with tickets; and you must also comprehend
+ Love to be a principle which develops in all its grace only on Savonnerie
+ carpets, beneath the opal gleams of an alabaster lamp, between guarded
+ walls silk-hung, before gilded hearths in chambers deadened to all outward
+ sounds by shutters and billowy curtains. Mirrors must be there to show the
+ play of form and repeat the woman we would multiply as love itself
+ multiplies and magnifies her; next low divans, and a bed which, like a
+ secret, is divined, not shown. In this coquettish chamber are fur-lined
+ slippers for pretty feet, wax-candles under glass with muslin draperies,
+ by which to read at all hours of the night, and flowers, not those
+ oppressive to the head, and linen, the fineness of which might have
+ satisfied Anne of Austria.
+ </p>
+ <p>
+ Madame Jules had realized this charming programme, but that was nothing.
+ All women of taste can do as much, though there is always in the
+ arrangement of these details a stamp of personality which gives to this
+ decoration or that detail a character that cannot be imitated. To-day,
+ more than ever, reigns the fanaticism of individuality. The more our laws
+ tend to an impossible equality, the more we shall get away from it in our
+ manners and customs. Thus, rich people are beginning, in France, to become
+ more exclusive in their tastes and their belongings, than they have been
+ for the last thirty years. Madame Jules knew very well how to carry out
+ this programme; and everything about her was arranged in harmony with a
+ luxury that suits so well with love. Love in a cottage, or &ldquo;Fifteen
+ hundred francs and my Sophy,&rdquo; is the dream of starvelings to whom black
+ bread suffices in their present state; but when love really comes, they
+ grow fastidious and end by craving the luxuries of gastronomy. Love holds
+ toil and poverty in horror. It would rather die than merely live on from
+ hand to mouth.
+ </p>
+ <p>
+ Many women, returning from a ball, impatient for their beds, throw off
+ their gowns, their faded flowers, their bouquets, the fragrance of which
+ has now departed. They leave their little shoes beneath a chair, the white
+ strings trailing; they take out their combs and let their hair roll down
+ as it will. Little they care if their husbands see the puffs, the
+ hairpins, the artful props which supported the elegant edifices of the
+ hair, and the garlands or the jewels that adorned it. No more mysteries!
+ all is over for the husband; no more painting or decoration for him. The
+ corset&mdash;half the time it is a corset of a reparative kind&mdash;lies
+ where it is thrown, if the maid is too sleepy to take it away with her.
+ The whalebone bustle, the oiled-silk protections round the sleeves, the
+ pads, the hair bought from a coiffeur, all the false woman is there,
+ scattered about in open sight. <i>Disjecta membra poetae</i>, the
+ artificial poesy, so much admired by those for whom it is conceived and
+ elaborated, the fragments of a pretty woman, litter every corner of the
+ room. To the love of a yawning husband, the actual presents herself, also
+ yawning, in a dishabille without elegance, and a tumbled night-cap, that
+ of last night and that of to-morrow night also,&mdash;&ldquo;For really,
+ monsieur, if you want a pretty cap to rumple every night, increase my
+ pin-money.&rdquo;
+ </p>
+ <p>
+ There&rsquo;s life as it is! A woman makes herself old and unpleasing to her
+ husband; but dainty and elegant and adorned for others, for the rival of
+ all husbands,&mdash;for that world which calumniates and tears to shreds
+ her sex.
+ </p>
+ <p>
+ Inspired by true love, for Love has, like other creations, its instinct of
+ preservation, Madame Jules did very differently; she found in the constant
+ blessing of her love the necessary impulse to fulfil all those minute
+ personal cares which ought never to be relaxed, because they perpetuate
+ love. Besides, such personal cares and duties proceed from a personal
+ dignity which becomes all women, and are among the sweetest of flatteries,
+ for is it not respecting in themselves the man they love?
+ </p>
+ <p>
+ So Madame Jules denied to her husband all access to her dressing-room,
+ where she left the accessories of her toilet, and whence she issued
+ mysteriously adorned for the mysterious fetes of her heart. Entering their
+ chamber, which was always graceful and elegant, Jules found a woman
+ coquettishly wrapped in a charming <i>peignoir</i>, her hair simply wound
+ in heavy coils around her head; a woman always more simple, more beautiful
+ there than she was before the world; a woman just refreshed in water,
+ whose only artifice consisted in being whiter than her muslins, sweeter
+ than all perfumes, more seductive than any siren, always loving and
+ therefore always loved. This admirable understanding of a wife&rsquo;s business
+ was the secret of Josephine&rsquo;s charm for Napoleon, as in former times it
+ was that of Caesonia for Caius Caligula, of Diane de Poitiers for Henri
+ II. If it was largely productive to women of seven or eight lustres what a
+ weapon is it in the hands of young women! A husband gathers with delight
+ the rewards of his fidelity.
+ </p>
+ <p>
+ Returning home after the conversation which had chilled her with fear, and
+ still gave her the keenest anxiety, Madame Jules took particular pains
+ with her toilet for the night. She wanted to make herself, and she did
+ make herself enchanting. She belted the cambric of her dressing-gown round
+ her waist, defining the lines of her bust; she allowed her hair to fall
+ upon her beautifully modelled shoulders. A perfumed bath had given her a
+ delightful fragrance, and her little bare feet were in velvet slippers.
+ Strong in a sense of her advantages she came in stepping softly, and put
+ her hands over her husband&rsquo;s eyes. She thought him pensive; he was
+ standing in his dressing-gown before the fire, his elbow on the mantel and
+ one foot on the fender. She said in his ear, warming it with her breath,
+ and nibbling the tip of it with her teeth:&mdash;
+ </p>
+ <p>
+ &ldquo;What are you thinking about, monsieur?&rdquo;
+ </p>
+ <p>
+ Then she pressed him in her arms as if to tear him away from all evil
+ thoughts. The woman who loves has a full knowledge of her power; the more
+ virtuous she is, the more effectual her coquetry.
+ </p>
+ <p>
+ &ldquo;About you,&rdquo; he answered.
+ </p>
+ <p>
+ &ldquo;Only about me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! that&rsquo;s a very doubtful &lsquo;yes.&rsquo;&rdquo;
+ </p>
+ <p>
+ They went to bed. As she fell asleep, Madame Jules said to herself:&mdash;
+ </p>
+ <p>
+ &ldquo;Monsieur de Maulincour will certainly cause some evil. Jules&rsquo; mind is
+ preoccupied, disturbed; he is nursing thoughts he does not tell me.&rdquo;
+ </p>
+ <p>
+ It was three in the morning when Madame Jules was awakened by a
+ presentiment which struck her heart as she slept. She had a sense both
+ physical and moral of her husband&rsquo;s absence. She did not feel the arm
+ Jules passed beneath her head,&mdash;that arm in which she had slept,
+ peacefully and happy, for five years; an arm she had never wearied. A
+ voice said to her, &ldquo;Jules suffers, Jules is weeping.&rdquo; She raised her head,
+ and then sat up; felt that her husband&rsquo;s place was cold, and saw him
+ sitting before the fire, his feet on the fender, his head resting against
+ the back of an arm-chair. Tears were on his cheeks. The poor woman threw
+ herself hastily from her bed and sprang at a bound to her husband&rsquo;s knees.
+ </p>
+ <p>
+ &ldquo;Jules! what is it? Are you ill? Speak, tell me! Speak to me, if you love
+ me!&rdquo; and she poured out a hundred words expressing the deepest tenderness.
+ </p>
+ <p>
+ Jules knelt at her feet, kissed her hands and knees, and answered with
+ fresh tears:&mdash;
+ </p>
+ <p>
+ &ldquo;Dear Clemence, I am most unhappy! It is not loving to distrust the one we
+ love. I adore you and suspect you. The words that man said to me to-night
+ have struck to my heart; they stay there in spite of myself, and confound
+ me. There is some mystery here. In short, and I blush to say it, your
+ explanations do not satisfy me. My reason casts gleams into my soul which
+ my love rejects. It is an awful combat. Could I stay there, holding your
+ head, and suspecting thoughts within it to me unknown? Oh! I believe in
+ you, I believe in you!&rdquo; he cried, seeing her smile sadly and open her
+ mouth as if to speak. &ldquo;Say nothing; do not reproach me. Besides, could you
+ say anything I have not said myself for the last three hours? Yes, for
+ three hours, I have been here, watching you as you slept, so beautiful!
+ admiring that pure, peaceful brow. Yes, yes! you have always told me your
+ thoughts, have you not? I alone am in that soul. While I look at you,
+ while my eyes can plunge into yours I see all plainly. Your life is as
+ pure as your glance is clear. No, there is no secret behind those
+ transparent eyes.&rdquo; He rose and kissed their lids. &ldquo;Let me avow to you,
+ dearest soul,&rdquo; he said, &ldquo;that for the last five years each day has
+ increased my happiness, through the knowledge that you are all mine, and
+ that no natural affection even can take any of your love. Having no
+ sister, no father, no mother, no companion, I am neither above nor below
+ any living being in your heart; I am alone there. Clemence, repeat to me
+ those sweet things of the spirit you have so often said to me; do not
+ blame me; comfort me, I am so unhappy. I have an odious suspicion on my
+ conscience, and you have nothing in your heart to sear it. My beloved,
+ tell me, could I stay there beside you? Could two heads united as ours
+ have been lie on the same pillow when one was suffering and the other
+ tranquil? What are you thinking of?&rdquo; he cried abruptly, observing that
+ Clemence was anxious, confused, and seemed unable to restrain her tears.
+ </p>
+ <p>
+ &ldquo;I am thinking of my mother,&rdquo; she answered, in a grave voice. &ldquo;You will
+ never know, Jules, what I suffer in remembering my mother&rsquo;s dying
+ farewell, said in a voice sweeter than all music, and in feeling the
+ solemn touch of her icy hand at a moment when you overwhelm me with those
+ assurances of your precious love.&rdquo;
+ </p>
+ <p>
+ She raised her husband, strained him to her with a nervous force greater
+ than that of men, and kissed his hair, covering it with tears.
+ </p>
+ <p>
+ &ldquo;Ah! I would be hacked in pieces for you! Tell me that I make you happy;
+ that I am to you the most beautiful of women&mdash;a thousand women to
+ you. Oh! you are loved as no other man ever was or will be. I don&rsquo;t know
+ the meaning of those words &lsquo;duty,&rsquo; &lsquo;virtue.&rsquo; Jules, I love you for
+ yourself; I am happy in loving you; I shall love you more and more to my
+ dying day. I have pride in my love; I feel it is my destiny to have one
+ sole emotion in my life. What I shall tell you now is dreadful, I know&mdash;but
+ I am glad to have no child; I do not wish for any. I feel I am more wife
+ than mother. Well, then, can you fear? Listen to me, my own beloved,
+ promise to forget, not this hour of mingled tenderness and doubt, but the
+ words of that madman. Jules, you <i>must</i>. Promise me not to see him,
+ not to go to him. I have a deep conviction that if you set one foot in
+ that maze we shall both roll down a precipice where I shall perish&mdash;but
+ with your name upon my lips, your heart in my heart. Why hold me so high
+ in that heart and yet so low in reality? What! you who give credit to so
+ many as to money, can you not give me the charity of faith? And on the
+ first occasion in our lives when you might prove to me your boundless
+ trust, do you cast me from my throne in your heart? Between a madman and
+ me, it is the madman whom you choose to believe? oh, Jules!&rdquo; She stopped,
+ threw back the hair that fell about her brow and neck, and then, in a
+ heart-rending tone, she added: &ldquo;I have said too much; one word should
+ suffice. If your soul and your forehead still keep this cloud, however
+ light it be, I tell you now that I shall die of it.&rdquo;
+ </p>
+ <p>
+ She could not repress a shudder, and turned pale.
+ </p>
+ <p>
+ &ldquo;Oh! I will kill that man,&rdquo; thought Jules, as he lifted his wife in his
+ arms and carried her to her bed.
+ </p>
+ <p>
+ &ldquo;Let us sleep in peace, my angel,&rdquo; he said. &ldquo;I have forgotten all, I swear
+ it!&rdquo;
+ </p>
+ <p>
+ Clemence fell asleep to the music of those sweet words, softly repeated.
+ Jules, as he watched her sleeping, said in his heart:&mdash;
+ </p>
+ <p>
+ &ldquo;She is right; when love is so pure, suspicion blights it. To that young
+ soul, that tender flower, a blight&mdash;yes, a blight means death.&rdquo;
+ </p>
+ <p>
+ When a cloud comes between two beings filled with affection for each other
+ and whose lives are in absolute unison, that cloud, though it may
+ disperse, leaves in those souls a trace of its passage. Either love gains
+ a stronger life, as the earth after rain, or the shock still echoes like
+ distant thunder through a cloudless sky. It is impossible to recover
+ absolutely the former life; love will either increase or diminish.
+ </p>
+ <p>
+ At breakfast, Monsieur and Madame Jules showed to each other those
+ particular attentions in which there is always something of affectation.
+ There were glances of forced gaiety, which seemed the efforts of persons
+ endeavoring to deceive themselves. Jules had involuntary doubts, his wife
+ had positive fears. Still, sure of each other, they had slept. Was this
+ strained condition the effect of a want of faith, or was it only a memory
+ of their nocturnal scene? They did not know themselves. But they loved
+ each other so purely that the impression of that scene, both cruel and
+ beneficent, could not fail to leave its traces in their souls; both were
+ eager to make those traces disappear, each striving to be the first to
+ return to the other, and thus they could not fail to think of the cause of
+ their first variance. To loving souls, this is not grief; pain is still
+ far-off; but it is a sort of mourning, which is difficult to depict. If
+ there are, indeed, relations between colors and the emotions of the soul,
+ if, as Locke&rsquo;s blind man said, scarlet produces on the sight the effect
+ produced upon the hearing by a blast of trumpets, it is permissible to
+ compare this reaction of melancholy to mourning tones of gray.
+ </p>
+ <p>
+ But even so, love saddened, love in which remains a true sentiment of its
+ happiness, momentarily troubled though it be, gives enjoyments derived
+ from pain and pleasure both, which are all novel. Jules studied his wife&rsquo;s
+ voice; he watched her glances with the freshness of feeling that inspired
+ him in the earliest days of his passion for her. The memory of five
+ absolutely happy years, her beauty, the candor of her love, quickly
+ effaced in her husband&rsquo;s mind the last vestiges of an intolerable pain.
+ </p>
+ <p>
+ The day was Sunday,&mdash;a day on which there was no Bourse and no
+ business to be done. The reunited pair passed the whole day together,
+ getting farther into each other&rsquo;s hearts than they ever yet had done, like
+ two children who in a moment of fear, hold each other closely and cling
+ together, united by an instinct. There are in this life of two-in-one
+ completely happy days, the gift of chance, ephemeral flowers, born neither
+ of yesterday nor belonging to the morrow. Jules and Clemence now enjoyed
+ this day as though they forboded it to be the last of their loving life.
+ What name shall we give to that mysterious power which hastens the steps
+ of travellers before the storm is visible; which makes the life and beauty
+ of the dying so resplendent, and fills the parting soul with joyous
+ projects for days before death comes; which tells the midnight student to
+ fill his lamp when it shines brightest; and makes the mother fear the
+ thoughtful look cast upon her infant by an observing man? We all are
+ affected by this influence in the great catastrophes of life; but it has
+ never yet been named or studied; it is something more than presentiment,
+ but not as yet clear vision.
+ </p>
+ <p>
+ All went well till the following day. On Monday, Jules Desmarets, obliged
+ to go to the Bourse on his usual business, asked his wife, as usual, if
+ she would take advantage of his carriage and let him drive her anywhere.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she said, &ldquo;the day is too unpleasant to go out.&rdquo;
+ </p>
+ <p>
+ It was raining in torrents. At half-past two o&rsquo;clock Monsieur Desmarets
+ reached the Treasury. At four o&rsquo;clock, as he left the Bourse, he came face
+ to face with Monsieur de Maulincour, who was waiting for him with the
+ nervous pertinacity of hatred and vengeance.
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; he said, taking Monsieur Desmarets by the arm, &ldquo;I have
+ important information to give you. Listen to me. I am too loyal a man to
+ have recourse to anonymous letters with which to trouble your peace of
+ mind; I prefer to speak to you in person. Believe me, if my very life were
+ not concerned, I should not meddle with the private affairs of any
+ household, even if I thought I had the right to do so.&rdquo;
+ </p>
+ <p>
+ &ldquo;If what you have to say to me concerns Madame Desmarets,&rdquo; replied Jules,
+ &ldquo;I request you to be silent, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;If I am silent, monsieur, you may before long see Madame Jules on the
+ prisoner&rsquo;s bench at the court of assizes beside a convict. Now, do you
+ wish me to be silent?&rdquo;
+ </p>
+ <p>
+ Jules turned pale; but his noble face instantly resumed its calmness,
+ though it was now a false calmness. Drawing the baron under one of the
+ temporary sheds of the Bourse, near which they were standing, he said to
+ him in a voice which concealed his intense inward emotion:&mdash;
+ </p>
+ <p>
+ &ldquo;Monsieur, I will listen to you; but there will be a duel to the death
+ between us if&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, to that I consent!&rdquo; cried Monsieur de Maulincour. &ldquo;I have the
+ greatest esteem for your character. You speak of death. You are unaware
+ that your wife may have assisted in poisoning me last Saturday night. Yes,
+ monsieur, since then some extraordinary evil has developed in me. My hair
+ appears to distil an inward fever and a deadly languor through my skull; I
+ know who clutched my hair at that ball.&rdquo;
+ </p>
+ <p>
+ Monsieur de Maulincour then related, without omitting a single fact, his
+ platonic love for Madame Jules, and the details of the affair in the rue
+ Soly which began this narrative. Any one would have listened to him with
+ attention; but Madame Jules&rsquo; husband had good reason to be more amazed
+ than any other human being. Here his character displayed itself; he was
+ more amazed than overcome. Made a judge, and the judge of an adored woman,
+ he found in his soul the equity of a judge as well as the inflexibility. A
+ lover still, he thought less of his own shattered life than of his wife&rsquo;s
+ life; he listened, not to his own anguish, but to some far-off voice that
+ cried to him, &ldquo;Clemence cannot lie! Why should she betray you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; said the baron, as he ended, &ldquo;being absolutely certain of
+ having recognized in Monsieur de Funcal the same Ferragus whom the police
+ declared dead, I have put upon his traces an intelligent man. As I
+ returned that night I remembered, by a fortunate chance, the name of
+ Madame Meynardie, mentioned in that letter of Ida, the presumed mistress
+ of my persecutor. Supplied with this clue, my emissary will soon get to
+ the bottom of this horrible affair; for he is far more able to discover
+ the truth than the police themselves.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; replied Desmarets, &ldquo;I know not how to thank you for this
+ confidence. You say that you can obtain proofs and witnesses; I shall
+ await them. I shall seek the truth of this strange affair courageously;
+ but you must permit me to doubt everything until the evidence of the facts
+ you state is proved to me. In any case you shall have satisfaction, for,
+ as you will certainly understand, we both require it.&rdquo;
+ </p>
+ <p>
+ Jules returned home.
+ </p>
+ <p>
+ &ldquo;What is the matter, Jules?&rdquo; asked his wife, when she saw him. &ldquo;You look
+ so pale you frighten me!&rdquo;
+ </p>
+ <p>
+ &ldquo;The day is cold,&rdquo; he answered, walking with slow steps across the room
+ where all things spoke to him of love and happiness,&mdash;that room so
+ calm and peaceful where a deadly storm was gathering.
+ </p>
+ <p>
+ &ldquo;Did you go out to-day?&rdquo; he asked, as though mechanically.
+ </p>
+ <p>
+ He was impelled to ask the question by the last of a myriad of thoughts
+ which had gathered themselves together into a lucid meditation, though
+ jealousy was actively prompting them.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she answered, in a tone that was falsely candid.
+ </p>
+ <p>
+ At that instant Jules saw through the open door of the dressing-room the
+ velvet bonnet which his wife wore in the mornings; on it were drops of
+ rain. Jules was a passionate man, but he was also full of delicacy. It was
+ repugnant to him to bring his wife face to face with a lie. When such a
+ situation occurs, all has come to an end forever between certain beings.
+ And yet those drops of rain were like a flash tearing through his brain.
+ </p>
+ <p>
+ He left the room, went down to the porter&rsquo;s lodge, and said to the porter,
+ after making sure that they were alone:&mdash;
+ </p>
+ <p>
+ &ldquo;Fouguereau, a hundred crowns if you tell me the truth; dismissal if you
+ deceive me; and nothing at all if you ever speak of my question and your
+ answer.&rdquo;
+ </p>
+ <p>
+ He stopped to examine the man&rsquo;s face, leading him under the window. Then
+ he continued:&mdash;
+ </p>
+ <p>
+ &ldquo;Did madame go out this morning?&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame went out at a quarter to three, and I think I saw her come in
+ about half an hour ago.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is true, upon your honor?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, monsieur.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will have the money; but if you speak of this, remember, you will
+ lose all.&rdquo;
+ </p>
+ <p>
+ Jules returned to his wife.
+ </p>
+ <p>
+ &ldquo;Clemence,&rdquo; he said, &ldquo;I find I must put my accounts in order. Do not be
+ offended at the inquiry I am going to make. Have I not given you forty
+ thousand francs since the beginning of the year?&rdquo;
+ </p>
+ <p>
+ &ldquo;More,&rdquo; she said,&mdash;&ldquo;forty-seven.&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you spent them?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nearly,&rdquo; she replied. &ldquo;In the first place, I had to pay several of our
+ last year&rsquo;s bills&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall never find out anything in this way,&rdquo; thought Jules. &ldquo;I am not
+ taking the best course.&rdquo;
+ </p>
+ <p>
+ At this moment Jules&rsquo; own valet entered the room with a letter for his
+ master, who opened it indifferently, but as soon as his eyes had lighted
+ on the signature he read it eagerly. The letter was as follows:&mdash;
+ </p>
+<pre xml:space="preserve">
+ Monsieur,&mdash;For the sake of your peace of mind as well as ours, I
+ take the course of writing you this letter without possessing the
+ advantage of being known to you; but my position, my age, and the
+ fear of some misfortune compel me to entreat you to show
+ indulgence in the trying circumstances under which our afflicted
+ family is placed. Monsieur Auguste de Maulincour has for the last
+ few days shown signs of mental derangement, and we fear that he
+ may trouble your happiness by fancies which he confided to
+ Monsieur le Vidame de Pamiers and myself during his first attack
+ of frenzy. We think it right, therefore, to warn you of his
+ malady, which is, we hope, curable; but it will have such serious
+ and important effects on the honor of our family and the career of
+ my grandson that we must rely, monsieur, on your entire
+ discretion.
+
+ If Monsieur le Vidame or I could have gone to see you we would not
+ have written. But I make no doubt that you will regard this prayer
+ of a mother, who begs you to destroy this letter.
+
+ Accept the assurance of my perfect consideration.
+</pre>
+ <p>
+ Baronne de Maulincour, <i>nee</i> de Rieux.
+ </p>
+ <p>
+ &ldquo;Oh! what torture!&rdquo; cried Jules.
+ </p>
+ <p>
+ &ldquo;What is it? what is in your mind?&rdquo; asked his wife, exhibiting the deepest
+ anxiety.
+ </p>
+ <p>
+ &ldquo;I have come,&rdquo; he answered, slowly, as he threw her the letter, &ldquo;to ask
+ myself whether it can be you who have sent me that to avert my suspicions.
+ Judge, therefore, what I suffer.&rdquo;
+ </p>
+ <p>
+ &ldquo;Unhappy man!&rdquo; said Madame Jules, letting fall the paper. &ldquo;I pity him;
+ though he has done me great harm.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you aware that he has spoken to me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! have you been to see him, in spite of your promise?&rdquo; she cried in
+ terror.
+ </p>
+ <p>
+ &ldquo;Clemence, our love is in danger of perishing; we stand outside of the
+ ordinary rules of life; let us lay aside all petty considerations in
+ presence of this great peril. Explain to me why you went out this morning.
+ Women think they have the right to tell us little falsehoods. Sometimes
+ they like to hide a pleasure they are preparing for us. Just now you said
+ a word to me, by mistake, no doubt, a no for a yes.&rdquo;
+ </p>
+ <p>
+ He went into the dressing-room and brought out the bonnet.
+ </p>
+ <p>
+ &ldquo;See,&rdquo; he said, &ldquo;your bonnet has betrayed you; these spots are raindrops.
+ You must, therefore, have gone out in a street cab, and these drops fell
+ upon it as you went to find one, or as you entered or left the house where
+ you went. But a woman can leave her own home for many innocent purposes,
+ even after she has told her husband that she did not mean to go out. There
+ are so many reasons for changing our plans! Caprices, whims, are they not
+ your right? Women are not required to be consistent with themselves. You
+ had forgotten something,&mdash;a service to render, a visit, some kind
+ action. But nothing hinders a woman from telling her husband what she
+ does. Can we ever blush on the breast of a friend? It is not a jealous
+ husband who speaks to you, my Clemence; it is your lover, your friend,
+ your brother.&rdquo; He flung himself passionately at her feet. &ldquo;Speak, not to
+ justify yourself, but to calm my horrible sufferings. I know that you went
+ out. Well&mdash;what did you do? where did you go?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I went out, Jules,&rdquo; she answered in a strained voice, though her
+ face was calm. &ldquo;But ask me nothing more. Wait; have confidence; without
+ which you will lay up for yourself terrible remorse. Jules, my Jules,
+ trust is the virtue of love. I owe to you that I am at this moment too
+ troubled to answer you: but I am not a false woman; I love you, and you
+ know it.&rdquo;
+ </p>
+ <p>
+ &ldquo;In the midst of all that can shake the faith of man and rouse his
+ jealousy, for I see I am not first in your heart, I am no longer thine own
+ self&mdash;well, Clemence, even so, I prefer to believe you, to believe
+ that voice, to believe those eyes. If you deceive me, you deserve&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ten thousand deaths!&rdquo; she cried, interrupting him.
+ </p>
+ <p>
+ &ldquo;I have never hidden a thought from you, but you&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Hush!&rdquo; she said, &ldquo;our happiness depends upon our mutual silence.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ha! I <i>will</i> know all!&rdquo; he exclaimed, with sudden violence.
+ </p>
+ <p>
+ At that moment the cries of a woman were heard,&mdash;the yelping of a
+ shrill little voice came from the antechamber.
+ </p>
+ <p>
+ &ldquo;I tell you I will go in!&rdquo; it cried. &ldquo;Yes, I shall go in; I will see her!
+ I shall see her!&rdquo;
+ </p>
+ <p>
+ Jules and Clemence both ran to the salon as the door from the antechamber
+ was violently burst open. A young woman entered hastily, followed by two
+ servants, who said to their master:&mdash;
+ </p>
+ <p>
+ &ldquo;Monsieur, this person would come in in spite of us. We told her that
+ madame was not at home. She answered that she knew very well madame had
+ been out, but she saw her come in. She threatened to stay at the door of
+ the house till she could speak to madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;You can go,&rdquo; said Monsieur Desmarets to the two men. &ldquo;What do you want,
+ mademoiselle?&rdquo; he added, turning to the strange woman.
+ </p>
+ <p>
+ This &ldquo;demoiselle&rdquo; was the type of a woman who is never to be met with
+ except in Paris. She is made in Paris, like the mud, like the pavement,
+ like the water of the Seine, such as it becomes in Paris before human
+ industry filters it ten times ere it enters the cut-glass decanters and
+ sparkles pure and bright from the filth it has been. She is therefore a
+ being who is truly original. Depicted scores of times by the painter&rsquo;s
+ brush, the pencil of the caricaturist, the charcoal of the etcher, she
+ still escapes analysis, because she cannot be caught and rendered in all
+ her moods, like Nature, like this fantastic Paris itself. She holds to
+ vice by one thread only, and she breaks away from it at a thousand other
+ points of the social circumference. Besides, she lets only one trait of
+ her character be known, and that the only one which renders her blamable;
+ her noble virtues are hidden; she prefers to glory in her naive
+ libertinism. Most incompletely rendered in dramas and tales where she is
+ put upon the scene with all her poesy, she is nowhere really true but in
+ her garret; elsewhere she is invariably calumniated or over-praised. Rich,
+ she deteriorates; poor, she is misunderstood. She has too many vices, and
+ too many good qualities; she is too near to pathetic asphyxiation or to a
+ dissolute laugh; too beautiful and too hideous. She personifies Paris, to
+ which, in the long run, she supplies the toothless portresses,
+ washerwomen, street-sweepers, beggars, occasionally insolent countesses,
+ admired actresses, applauded singers; she has even given, in the olden
+ time, two quasi-queens to the monarchy. Who can grasp such a Proteus? She
+ is all woman, less than woman, more than woman. From this vast portrait
+ the painter of manners and morals can take but a feature here and there;
+ the <i>ensemble</i> is infinite.
+ </p>
+ <p>
+ She was a grisette of Paris; a grisette in all her glory; a grisette in a
+ hackney-coach,&mdash;happy, young, handsome, fresh, but a grisette; a
+ grisette with claws, scissors, impudent as a Spanish woman, snarling as a
+ prudish English woman proclaiming her conjugal rights, coquettish as a
+ great lady, though more frank, and ready for everything; a perfect <i>lionne</i>
+ in her way; issuing from the little apartment of which she had dreamed so
+ often, with its red-calico curtains, its Utrecht velvet furniture, its
+ tea-table, the cabinet of china with painted designs, the sofa, the little
+ moquette carpet, the alabaster clock and candlesticks (under glass cases),
+ the yellow bedroom, the eider-down quilt,&mdash;in short, all the domestic
+ joys of a grisette&rsquo;s life; and in addition, the woman-of-all-work (a
+ former grisette herself, now the owner of a moustache), theatre-parties,
+ unlimited bonbons, silk dresses, bonnets to spoil,&mdash;in fact, all the
+ felicities coveted by the grisette heart except a carriage, which only
+ enters her imagination as a marshal&rsquo;s baton into the dreams of a soldier.
+ Yes, this grisette had all these things in return for a true affection, or
+ in spite of a true affection, as some others obtain it for an hour a day,&mdash;a
+ sort of tax carelessly paid under the claws of an old man.
+ </p>
+ <p>
+ The young woman who now entered the presence of Monsieur and Madame Jules
+ had a pair of feet so little covered by her shoes that only a slim black
+ line was visible between the carpet and her white stockings. This peculiar
+ foot-gear, which Parisian caricaturists have well-rendered, is a special
+ attribute of the grisette of Paris; but she is even more distinctive to
+ the eyes of an observer by the care with which her garments are made to
+ adhere to her form, which they clearly define. On this occasion she was
+ trigly dressed in a green gown, with a white chemisette, which allowed the
+ beauty of her bust to be seen; her shawl, of Ternaux cashmere, had fallen
+ from her shoulders, and was held by its two corners, which were twisted
+ round her wrists. She had a delicate face, rosy cheeks, a white skin,
+ sparkling gray eyes, a round, very promising forehead, hair carefully
+ smoothed beneath her little bonnet, and heavy curls upon her neck.
+ </p>
+ <p>
+ &ldquo;My name is Ida,&rdquo; she said, &ldquo;and if that&rsquo;s Madame Jules to whom I have the
+ advantage of speaking, I&rsquo;ve come to tell her all I have in my heart
+ against her. It is very wrong, when a woman is set up and in her
+ furniture, as you are here, to come and take from a poor girl a man with
+ whom I&rsquo;m as good as married, morally, and who did talk of making it right
+ by marrying me before the municipality. There&rsquo;s plenty of handsome young
+ men in the world&mdash;ain&rsquo;t there, monsieur?&mdash;to take your fancy,
+ without going after a man of middle age, who makes my happiness. Yah! I
+ haven&rsquo;t got a fine hotel like this, but I&rsquo;ve got my love, I have. I hate
+ handsome men and money; I&rsquo;m all heart, and&mdash;&rdquo;
+ </p>
+ <p>
+ Madame Jules turned to her husband.
+ </p>
+ <p>
+ &ldquo;You will allow me, monsieur, to hear no more of all this,&rdquo; she said,
+ retreating to her bedroom.
+ </p>
+ <p>
+ &ldquo;If the lady lives with you, I&rsquo;ve made a mess of it; but I can&rsquo;t help
+ that,&rdquo; resumed Ida. &ldquo;Why does she come after Monsieur Ferragus every day?&rdquo;
+ </p>
+ <p>
+ &ldquo;You are mistaken, mademoiselle,&rdquo; said Jules, stupefied; &ldquo;my wife is
+ incapable&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ha! so you&rsquo;re married, you two,&rdquo; said the grisette showing some surprise.
+ &ldquo;Then it&rsquo;s very wrong, monsieur,&mdash;isn&rsquo;t it?&mdash;for a woman who has
+ the happiness of being married in legal marriage to have relations with a
+ man like Henri&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Henri! who is Henri?&rdquo; said Jules, taking Ida by the arm and pulling her
+ into an adjoining room that his wife might hear no more.
+ </p>
+ <p>
+ &ldquo;Why, Monsieur Ferragus.&rdquo;
+ </p>
+ <p>
+ &ldquo;But he is dead,&rdquo; said Jules.
+ </p>
+ <p>
+ &ldquo;Nonsense; I went to Franconi&rsquo;s with him last night, and he brought me
+ home&mdash;as he ought. Besides, your wife can tell you about him; didn&rsquo;t
+ she go there this very afternoon at three o&rsquo;clock? I know she did, for I
+ waited in the street, and saw her,&mdash;all because that good-natured
+ fellow, Monsieur Justin, whom you know perhaps,&mdash;a little old man
+ with jewelry who wears corsets,&mdash;told me that Madame Jules was my
+ rival. That name, monsieur, sounds mighty like a feigned one; but if it is
+ yours, excuse me. But this I say, if Madame Jules was a court duchess,
+ Henri is rich enough to satisfy all her fancies, and it is my business to
+ protect my property; I&rsquo;ve a right to, for I love him, that I do. He is my
+ <i>first</i> inclination; my happiness and all my future fate depends on
+ it. I fear nothing, monsieur; I am honest; I never lied, or stole the
+ property of any living soul, no matter who. If an empress was my rival,
+ I&rsquo;d go straight to her, empress as she was; because all pretty women are
+ equals, monsieur&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Enough! enough!&rdquo; said Jules. &ldquo;Where do you live?&rdquo;
+ </p>
+ <p>
+ &ldquo;Rue de la Corderie-du-Temple, number 14, monsieur,&mdash;Ida Gruget,
+ corset-maker, at your service,&mdash;for we make lots of corsets for men.&rdquo;
+ </p>
+ <p>
+ &ldquo;Where does the man whom you call Ferragus live?&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; she said, pursing up her lips, &ldquo;in the first place, he&rsquo;s not a
+ man; he is a rich monsieur, much richer, perhaps, than you are. But why do
+ you ask me his address when your wife knows it? He told me not to give it.
+ Am I obliged to answer you? I&rsquo;m not, thank God, in a confessional or a
+ police-court; I&rsquo;m responsible only to myself.&rdquo;
+ </p>
+ <p>
+ &ldquo;If I were to offer you ten thousand francs to tell me where Monsieur
+ Ferragus lives, how then?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ha! n, o, <i>no</i>, my little friend, and that ends the matter,&rdquo; she
+ said, emphasizing this singular reply with a popular gesture. &ldquo;There&rsquo;s no
+ sum in the world could make me tell you. I have the honor to bid you
+ good-day. How do I get out of here?&rdquo;
+ </p>
+ <p>
+ Jules, horror-struck, allowed her to go without further notice. The whole
+ world seemed to crumble beneath his feet, and above him the heavens were
+ falling with a crash.
+ </p>
+ <p>
+ &ldquo;Monsieur is served,&rdquo; said his valet.
+ </p>
+ <p>
+ The valet and the footman waited in the dining-room a quarter of an hour
+ without seeing master or mistress.
+ </p>
+ <p>
+ &ldquo;Madame will not dine to-day,&rdquo; said the waiting-maid, coming in.
+ </p>
+ <p>
+ &ldquo;What&rsquo;s the matter, Josephine?&rdquo; asked the valet.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know,&rdquo; she answered. &ldquo;Madame is crying, and is going to bed.
+ Monsieur has no doubt got some love-affair on hand, and it has been
+ discovered at a very bad time. I wouldn&rsquo;t answer for madame&rsquo;s life. Men
+ are so clumsy; they&rsquo;ll make you scenes without any precaution.&rdquo;
+ </p>
+ <p>
+ &ldquo;That&rsquo;s not so,&rdquo; said the valet, in a low voice. &ldquo;On the contrary, madame
+ is the one who&mdash;you understand? What times does monsieur have to go
+ after pleasures, he, who hasn&rsquo;t slept out of madame&rsquo;s room for five years,
+ who goes to his study at ten and never leaves it till breakfast, at
+ twelve. His life is all known, it is regular; whereas madame goes out
+ nearly every day at three o&rsquo;clock, Heaven knows where.&rdquo;
+ </p>
+ <p>
+ &ldquo;And monsieur too,&rdquo; said the maid, taking her mistress&rsquo;s part.
+ </p>
+ <p>
+ &ldquo;Yes, but he goes straight to the Bourse. I told him three times that
+ dinner was ready,&rdquo; continued the valet, after a pause. &ldquo;You might as well
+ talk to a post.&rdquo;
+ </p>
+ <p>
+ Monsieur Jules entered the dining-room.
+ </p>
+ <p>
+ &ldquo;Where is madame?&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Madame is going to bed; her head aches,&rdquo; replied the maid, assuming an
+ air of importance.
+ </p>
+ <p>
+ Monsieur Jules then said to the footmen composedly: &ldquo;You can take away; I
+ shall go and sit with madame.&rdquo;
+ </p>
+ <p>
+ He went to his wife&rsquo;s room and found her weeping, but endeavoring to
+ smother her sobs with her handkerchief.
+ </p>
+ <p>
+ &ldquo;Why do you weep?&rdquo; said Jules; &ldquo;you need expect no violence and no
+ reproaches from me. Why should I avenge myself? If you have not been
+ faithful to my love, it is that you were never worthy of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not worthy?&rdquo; The words were repeated amid her sobs and the accent in
+ which they were said would have moved any other man than Jules.
+ </p>
+ <p>
+ &ldquo;To kill you, I must love more than perhaps I do love you,&rdquo; he continued.
+ &ldquo;But I should never have the courage; I would rather kill myself, leaving
+ you to your&mdash;happiness, and with&mdash;whom!&mdash;&rdquo;
+ </p>
+ <p>
+ He did not end his sentence.
+ </p>
+ <p>
+ &ldquo;Kill yourself!&rdquo; she cried, flinging herself at his feet and clasping
+ them.
+ </p>
+ <p>
+ But he, wishing to escape the embrace, tried to shake her off, dragging
+ her in so doing toward the bed.
+ </p>
+ <p>
+ &ldquo;Let me alone,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;No, no, Jules!&rdquo; she cried. &ldquo;If you love me no longer I shall die. Do you
+ wish to know all?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ He took her, grasped her violently, and sat down on the edge of the bed,
+ holding her between his legs. Then, looking at that beautiful face now red
+ as fire and furrowed with tears,&mdash;
+ </p>
+ <p>
+ &ldquo;Speak,&rdquo; he said.
+ </p>
+ <p>
+ Her sobs began again.
+ </p>
+ <p>
+ &ldquo;No; it is a secret of life and death. If I tell it, I&mdash;No, I cannot.
+ Have mercy, Jules!&rdquo;
+ </p>
+ <p>
+ &ldquo;You have betrayed me&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! Jules, you think so now, but soon you will know all.&rdquo;
+ </p>
+ <p>
+ &ldquo;But this Ferragus, this convict whom you go to see, a man enriched by
+ crime, if he does not belong to you, if you do not belong to him&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Jules!&rdquo;
+ </p>
+ <p>
+ &ldquo;Speak! Is he your mysterious benefactor?&mdash;the man to whom we owe our
+ fortune, as persons have said already?&rdquo;
+ </p>
+ <p>
+ &ldquo;Who said that?&rdquo;
+ </p>
+ <p>
+ &ldquo;A man whom I killed in a duel.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, God! one death already!&rdquo;
+ </p>
+ <p>
+ &ldquo;If he is not your protector, if he does not give you money, if it is you,
+ on the contrary, who carry money to him, tell me, is he your brother?&rdquo;
+ </p>
+ <p>
+ &ldquo;What if he were?&rdquo; she said.
+ </p>
+ <p>
+ Monsieur Desmarets crossed his arms.
+ </p>
+ <p>
+ &ldquo;Why should that have been concealed from me?&rdquo; he said. &ldquo;Then you and your
+ mother have both deceived me? Besides, does a woman go to see her brother
+ every day, or nearly every day?&rdquo;
+ </p>
+ <p>
+ His wife had fainted at his feet.
+ </p>
+ <p>
+ &ldquo;Dead,&rdquo; he said. &ldquo;And suppose I am mistaken?&rdquo;
+ </p>
+ <p>
+ He sprang to the bell-rope; called Josephine, and lifted Clemence to the
+ bed.
+ </p>
+ <p>
+ &ldquo;I shall die of this,&rdquo; said Madame Jules, recovering consciousness.
+ </p>
+ <p>
+ &ldquo;Josephine,&rdquo; cried Monsieur Desmarets. &ldquo;Send for Monsieur Desplein; send
+ also to my brother and ask him to come here immediately.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why your brother?&rdquo; asked Clemence.
+ </p>
+ <p>
+ But Jules had already left the room.
+ </p>
+ <p>
+ <a name="link2HCH0004" id="link2HCH0004">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER IV. WHERE GO TO DIE?
+ </h2>
+ <p>
+ For the first time in five years Madame Jules slept alone in her bed, and
+ was compelled to admit a physician into that sacred chamber. These in
+ themselves were two keen pangs. Desplein found Madame Jules very ill.
+ Never was a violent emotion more untimely. He would say nothing definite,
+ and postponed till the morrow giving any opinion, after leaving a few
+ directions, which were not executed, the emotions of the heart causing all
+ bodily cares to be forgotten.
+ </p>
+ <p>
+ When morning dawned, Clemence had not yet slept. Her mind was absorbed in
+ the low murmur of a conversation which lasted several hours between the
+ brothers; but the thickness of the walls allowed no word which could
+ betray the object of this long conference to reach her ears. Monsieur
+ Desmarets, the notary, went away at last. The stillness of the night, and
+ the singular activity of the senses given by powerful emotion, enabled
+ Clemence to distinguish the scratching of a pen and the involuntary
+ movements of a person engaged in writing. Those who are habitually up at
+ night, and who observe the different acoustic effects produced in absolute
+ silence, know that a slight echo can be readily perceived in the very
+ places where louder but more equable and continued murmurs are not
+ distinct. At four o&rsquo;clock the sound ceased. Clemence rose, anxious and
+ trembling. Then, with bare feet and without a wrapper, forgetting her
+ illness and her moist condition, the poor woman opened the door softly
+ without noise and looked into the next room. She saw her husband sitting,
+ with a pen in his hand, asleep in his arm-chair. The candles had burned to
+ the sockets. She slowly advanced and read on an envelope, already sealed,
+ the words, &ldquo;This is my will.&rdquo;
+ </p>
+ <p>
+ She knelt down as if before an open grave and kissed her husband&rsquo;s hand.
+ He woke instantly.
+ </p>
+ <p>
+ &ldquo;Jules, my friend, they grant some days to criminals condemned to death,&rdquo;
+ she said, looking at him with eyes that blazed with fever and with love.
+ &ldquo;Your innocent wife asks only two. Leave me free for two days, and&mdash;wait!
+ After that, I shall die happy&mdash;at least, you will regret me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Clemence, I grant them.&rdquo;
+ </p>
+ <p>
+ Then, as she kissed her husband&rsquo;s hands in the tender transport of her
+ heart, Jules, under the spell of that cry of innocence, took her in his
+ arms and kissed her forehead, though ashamed to feel himself still under
+ subjection to the power of that noble beauty.
+ </p>
+ <p>
+ On the morrow, after taking a few hours&rsquo; rest, Jules entered his wife&rsquo;s
+ room, obeying mechanically his invariable custom of not leaving the house
+ without a word to her. Clemence was sleeping. A ray of light passing
+ through a chink in the upper blind of a window fell across the face of the
+ dejected woman. Already suffering had impaired her forehead and the
+ freshness of her lips. A lover&rsquo;s eye could not fail to notice the
+ appearance of dark blotches, and a sickly pallor in place of the uniform
+ tone of the cheeks and the pure ivory whiteness of the skin,&mdash;two
+ points at which the sentiments of her noble soul were artlessly wont to
+ show themselves.
+ </p>
+ <p>
+ &ldquo;She suffers,&rdquo; thought Jules. &ldquo;Poor Clemence! May God protect us!&rdquo;
+ </p>
+ <p>
+ He kissed her very softly on the forehead. She woke, saw her husband, and
+ remembered all. Unable to speak, she took his hand, her eyes filling with
+ tears.
+ </p>
+ <p>
+ &ldquo;I am innocent,&rdquo; she said, ending her dream.
+ </p>
+ <p>
+ &ldquo;You will not go out to-day, will you?&rdquo; asked Jules.
+ </p>
+ <p>
+ &ldquo;No, I feel too weak to leave my bed.&rdquo;
+ </p>
+ <p>
+ &ldquo;If you should change your mind, wait till I return,&rdquo; said Jules.
+ </p>
+ <p>
+ Then he went down to the porter&rsquo;s lodge.
+ </p>
+ <p>
+ &ldquo;Fouguereau, you will watch the door yourself to-day. I wish to know
+ exactly who comes to the house, and who leaves it.&rdquo;
+ </p>
+ <p>
+ Then he threw himself into a hackney-coach, and was driven to the hotel de
+ Maulincour, where he asked for the baron.
+ </p>
+ <p>
+ &ldquo;Monsieur is ill,&rdquo; they told him.
+ </p>
+ <p>
+ Jules insisted on entering, and gave his name. If he could not see the
+ baron, he wished to see the vidame or the dowager. He waited some time in
+ the salon, where Madame de Maulincour finally came to him and told him
+ that her grandson was much too ill to receive him.
+ </p>
+ <p>
+ &ldquo;I know, madame, the nature of his illness from the letter you did me the
+ honor to write, and I beg you to believe&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;A letter to you, monsieur, written by me!&rdquo; cried the dowager,
+ interrupting him. &ldquo;I have written you no letter. What was I made to say in
+ that letter, monsieur?&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame,&rdquo; replied Jules, &ldquo;intending to see Monsieur de Maulincour to-day,
+ I thought it best to preserve the letter in spite of its injunction to
+ destroy it. There it is.&rdquo;
+ </p>
+ <p>
+ Madame de Maulincour put on her spectacles, and the moment she cast her
+ eyes on the paper she showed the utmost surprise.
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; she said, &ldquo;my writing is so perfectly imitated that, if the
+ matter were not so recent, I might be deceived myself. My grandson is ill,
+ it is true; but his reason has never for a moment been affected. We are
+ the puppets of some evil-minded person or persons; and yet I cannot
+ imagine the object of a trick like this. You shall see my grandson,
+ monsieur, and you will at once perceive that he is perfectly sound in
+ mind.&rdquo;
+ </p>
+ <p>
+ She rang the bell, and sent to ask if the baron felt able to receive
+ Monsieur Desmarets. The servant returned with an affirmative answer. Jules
+ went to the baron&rsquo;s room, where he found him in an arm-chair near the
+ fire. Too feeble to move, the unfortunate man merely bowed his head with a
+ melancholy gesture. The Vidame de Pamiers was sitting with him.
+ </p>
+ <p>
+ &ldquo;Monsieur le baron,&rdquo; said Jules, &ldquo;I have something to say which makes it
+ desirable that I should see you alone.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; replied Auguste, &ldquo;Monsieur le vidame knows about this affair;
+ you can speak fearlessly before him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur le baron,&rdquo; said Jules, in a grave voice, &ldquo;you have troubled and
+ well-nigh destroyed my happiness without having any right to do so. Until
+ the moment when we can see clearly which of us should demand, or grant,
+ reparation to the other, you are bound to help me in following the dark
+ and mysterious path into which you have flung me. I have now come to
+ ascertain from you the present residence of the extraordinary being who
+ exercises such a baneful effect on your life and mine. On my return home
+ yesterday, after listening to your avowals, I received that letter.&rdquo;
+ </p>
+ <p>
+ Jules gave him the forged letter.
+ </p>
+ <p>
+ &ldquo;This Ferragus, this Bourignard, or this Monsieur de Funcal, is a demon!&rdquo;
+ cried Maulincour, after having read it. &ldquo;Oh, what a frightful maze I put
+ my foot into when I meddled in this matter! Where am I going? I did wrong,
+ monsieur,&rdquo; he continued, looking at Jules; &ldquo;but death is the greatest of
+ all expiations, and my death is now approaching. You can ask me whatever
+ you like; I am at your orders.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur, you know, of course, where this man is living, and I must know
+ it if it costs me all my fortune to penetrate this mystery. In presence of
+ so cruel an enemy every moment is precious.&rdquo;
+ </p>
+ <p>
+ &ldquo;Justin shall tell you all,&rdquo; replied the baron.
+ </p>
+ <p>
+ At these words the vidame fidgeted on his chair. Auguste rang the bell.
+ </p>
+ <p>
+ &ldquo;Justin is not in the house!&rdquo; cried the vidame, in a hasty manner that
+ told much.
+ </p>
+ <p>
+ &ldquo;Well, then,&rdquo; said Auguste, excitedly, &ldquo;the other servants must know where
+ he is; send a man on horseback to fetch him. Your valet is in Paris, isn&rsquo;t
+ he? He can be found.&rdquo;
+ </p>
+ <p>
+ The vidame was visibly distressed.
+ </p>
+ <p>
+ &ldquo;Justin can&rsquo;t come, my dear boy,&rdquo; said the old man; &ldquo;he is dead. I wanted
+ to conceal the accident from you, but&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Dead!&rdquo; cried Monsieur de Maulincour,&mdash;&ldquo;dead! When and how?&rdquo;
+ </p>
+ <p>
+ &ldquo;Last night. He had been supping with some old friends, and, I dare say,
+ was drunk; his friends&mdash;no doubt they were drunk, too&mdash;left him
+ lying in the street, and a heavy vehicle ran over him.&rdquo;
+ </p>
+ <p>
+ &ldquo;The convict did not miss <i>him</i>; at the first stroke he killed,&rdquo; said
+ Auguste. &ldquo;He has had less luck with me; it has taken four blows to put me
+ out of the way.&rdquo;
+ </p>
+ <p>
+ Jules was gloomy and thoughtful.
+ </p>
+ <p>
+ &ldquo;Am I to know nothing, then?&rdquo; he cried, after a long pause. &ldquo;Your valet
+ seems to have been justly punished. Did he not exceed your orders in
+ calumniating Madame Desmarets to a person named Ida, whose jealousy he
+ roused in order to turn her vindictiveness upon us?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, monsieur! in my anger I informed him about Madame Jules,&rdquo; said
+ Auguste.
+ </p>
+ <p>
+ &ldquo;Monsieur!&rdquo; cried the husband, keenly irritated.
+ </p>
+ <p>
+ &ldquo;Oh, monsieur!&rdquo; replied the baron, claiming silence by a gesture, &ldquo;I am
+ prepared for all. You cannot tell me anything my own conscience has not
+ already told me. I am now expecting the most celebrated of all professors
+ of toxicology, in order to learn my fate. If I am destined to intolerable
+ suffering, my resolution is taken. I shall blow my brains out.&rdquo;
+ </p>
+ <p>
+ &ldquo;You talk like a child!&rdquo; cried the vidame, horrified by the coolness with
+ which the baron said these words. &ldquo;Your grandmother would die of grief.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then, monsieur,&rdquo; said Jules, &ldquo;am I to understand that there exist no
+ means of discovering in what part of Paris this extraordinary man
+ resides?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think, monsieur,&rdquo; said the old vidame, &ldquo;from what I have heard poor
+ Justin say, that Monsieur de Funcal lives at either the Portuguese or the
+ Brazilian embassy. Monsieur de Funcal is a nobleman belonging to both
+ those countries. As for the convict, he is dead and buried. Your
+ persecutor, whoever he is, seems to me so powerful that it would be well
+ to take no decisive measures until you are sure of some way of confounding
+ and crushing him. Act prudently and with caution, my dear monsieur. Had
+ Monsieur de Maulincour followed my advice, nothing of all this would have
+ happened.&rdquo;
+ </p>
+ <p>
+ Jules coldly but politely withdrew. He was now at a total loss to know how
+ to reach Ferragus. As he passed into his own house, the porter told him
+ that Madame had just been out to throw a letter into the post box at the
+ head of the rue de Menars. Jules felt humiliated by this proof of the
+ insight with which the porter espoused his cause, and the cleverness by
+ which he guessed the way to serve him. The eagerness of servants, and
+ their shrewdness in compromising masters who compromised themselves, was
+ known to him, and he fully appreciated the danger of having them as
+ accomplices, no matter for what purpose. But he could not think of his
+ personal dignity until the moment when he found himself thus suddenly
+ degraded. What a triumph for the slave who could not raise himself to his
+ master, to compel his master to come down to his level! Jules was harsh
+ and hard to him. Another fault. But he suffered so deeply! His life till
+ then so upright, so pure, was becoming crafty; he was to scheme and lie.
+ Clemence was scheming and lying. This to him was a moment of horrible
+ disgust. Lost in a flood of bitter feelings, Jules stood motionless at the
+ door of his house. Yielding to despair, he thought of fleeing, of leaving
+ France forever, carrying with him the illusions of uncertainty. Then,
+ again, not doubting that the letter Clemence had just posted was addressed
+ to Ferragus, his mind searched for a means of obtaining the answer that
+ mysterious being was certain to send. Then his thoughts began to analyze
+ the singular good fortune of his life since his marriage, and he asked
+ himself whether the calumny for which he had taken such signal vengeance
+ was not a truth. Finally, reverting to the coming answer, he said to
+ himself:&mdash;
+ </p>
+ <p>
+ &ldquo;But this man, so profoundly capable, so logical in his every act, who
+ sees and foresees, who calculates, and even divines, our very thoughts, is
+ he likely to make an answer? Will he not employ some other means more in
+ keeping with his power? He may send his answer by some beggar; or in a
+ carton brought by an honest man, who does not suspect what he brings; or
+ in some parcel of shoes, which a shop-girl may innocently deliver to my
+ wife. If Clemence and he have agreed upon such means&mdash;&rdquo;
+ </p>
+ <p>
+ He distrusted all things; his mind ran over vast tracts and shoreless
+ oceans of conjecture. Then, after floating for a time among a thousand
+ contradictory ideas, he felt he was strongest in his own house, and he
+ resolved to watch it as the ant-lion watches his sandy labyrinth.
+ </p>
+ <p>
+ &ldquo;Fouguereau,&rdquo; he said to the porter, &ldquo;I am not at home to any one who
+ comes to see me. If any one calls to see madame, or brings her anything,
+ ring twice. Bring all letters addressed here to me, no matter for whom
+ they are intended.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thus,&rdquo; thought he, as he entered his study, which was in the entresol, &ldquo;I
+ forestall the schemes of this Ferragus. If he sends some one to ask for me
+ so as to find out if Clemence is alone, at least I shall not be tricked
+ like a fool.&rdquo;
+ </p>
+ <p>
+ He stood by the window of his study, which looked upon the street, and
+ then a final scheme, inspired by jealousy, came into his mind. He resolved
+ to send his head-clerk in his own carriage to the Bourse with a letter to
+ another broker, explaining his sales and purchases and requesting him to
+ do his business for that day. He postponed his more delicate transactions
+ till the morrow, indifferent to the fall or rise of stocks or the debts of
+ all Europe. High privilege of love!&mdash;it crushes all things, all
+ interests fall before it: altar, throne, consols!
+ </p>
+ <p>
+ At half-past three, just the hour at which the Bourse is in full blast of
+ reports, monthly settlements, premiums, etc., Fouguereau entered the
+ study, quite radiant with his news.
+ </p>
+ <p>
+ &ldquo;Monsieur, an old woman has come, but very cautiously; I think she&rsquo;s a sly
+ one. She asked for monsieur, and seemed much annoyed when I told her he
+ was out; then she gave me a letter for madame, and here it is.&rdquo;
+ </p>
+ <p>
+ Fevered with anxiety, Jules opened the letter; then he dropped into a
+ chair, exhausted. The letter was mere nonsense throughout, and needed a
+ key. It was virtually in cipher.
+ </p>
+ <p>
+ &ldquo;Go away, Fouguereau.&rdquo; The porter left him. &ldquo;It is a mystery deeper than
+ the sea below the plummet line! Ah! it must be love; love only is so
+ sagacious, so inventive as this. Ah! I shall kill her.&rdquo;
+ </p>
+ <p>
+ At this moment an idea flashed through his brain with such force that he
+ felt almost physically illuminated by it. In the days of his toilsome
+ poverty before his marriage, Jules had made for himself a true friend. The
+ extreme delicacy with which he had managed the susceptibilities of a man
+ both poor and modest; the respect with which he had surrounded him; the
+ ingenious cleverness he had employed to nobly compel him to share his
+ opulence without permitting it to make him blush, increased their
+ friendship. Jacquet continued faithful to Desmarets in spite of his
+ wealth.
+ </p>
+ <p>
+ Jacquet, a nobly upright man, a toiler, austere in his morals, had slowly
+ made his way in that particular ministry which develops both honesty and
+ knavery at the same time. A clerk in the ministry of Foreign Affairs, he
+ had charge of the most delicate division of its archives. Jacquet in that
+ office was like a glow-worm, casting his light upon those secret
+ correspondences, deciphering and classifying despatches. Ranking higher
+ than a mere <i>bourgeois</i>, his position at the ministry was superior to
+ that of the other subalterns. He lived obscurely, glad to feel that such
+ obscurity sheltered him from reverses and disappointments, and was
+ satisfied to humbly pay in the lowest coin his debt to the country. Thanks
+ to Jules, his position had been much ameliorated by a worthy marriage. An
+ unrecognized patriot, a minister in actual fact, he contented himself with
+ groaning in his chimney-corner at the course of the government. In his own
+ home, Jacquet was an easy-going king,&mdash;an umbrella-man, as they say,
+ who hired a carriage for his wife which he never entered himself. In
+ short, to end this sketch of a philosopher unknown to himself, he had
+ never suspected and never in all his life would suspect the advantages he
+ might have drawn from his position,&mdash;that of having for his intimate
+ friend a broker, and of knowing every morning all the secrets of the
+ State. This man, sublime after the manner of that nameless soldier who
+ died in saving Napoleon by a &ldquo;qui vive,&rdquo; lived at the ministry.
+ </p>
+ <p>
+ In ten minutes Jules was in his friend&rsquo;s office. Jacquet gave him a chair,
+ laid aside methodically his green silk eye-shade, rubbed his hands, picked
+ up his snuff-box, rose, stretched himself till his shoulder-blades
+ cracked, swelled out his chest, and said:&mdash;
+ </p>
+ <p>
+ &ldquo;What brings you here, Monsieur Desmarets? What do you want with me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Jacquet, I want you to decipher a secret,&mdash;a secret of life and
+ death.&rdquo;
+ </p>
+ <p>
+ &ldquo;It doesn&rsquo;t concern politics?&rdquo;
+ </p>
+ <p>
+ &ldquo;If it did, I shouldn&rsquo;t come to you for information,&rdquo; said Jules. &ldquo;No, it
+ is a family matter, about which I require you to be absolutely silent.&rdquo;
+ </p>
+ <p>
+ &ldquo;Claude-Joseph Jacquet, dumb by profession. Don&rsquo;t you know me by this
+ time?&rdquo; he said, laughing. &ldquo;Discretion is my lot.&rdquo;
+ </p>
+ <p>
+ Jules showed him the letter.
+ </p>
+ <p>
+ &ldquo;You must read me this letter, addressed to my wife.&rdquo;
+ </p>
+ <p>
+ &ldquo;The deuce! the deuce! a bad business!&rdquo; said Jacquet, examining the letter
+ as a usurer examines a note to be negotiated. &ldquo;Ha! that&rsquo;s a gridiron
+ letter! Wait a minute.&rdquo;
+ </p>
+ <p>
+ He left Jules alone for a moment, but returned immediately.
+ </p>
+ <p>
+ &ldquo;Easy enough to read, my friend! It is written on the gridiron plan, used
+ by the Portuguese minister under Monsieur de Choiseul, at the time of the
+ dismissal of the Jesuits. Here, see!&rdquo;
+ </p>
+ <p>
+ Jacquet placed upon the writing a piece of paper cut out in regular
+ squares, like the paper laces which confectioners wrap round their
+ sugarplums; and Jules then read with perfect ease the words that were
+ visible in the interstices. They were as follows:&mdash;
+ </p>
+<pre xml:space="preserve">
+ &ldquo;Don&rsquo;t be uneasy, my dear Clemence; our happiness cannot again be
+ troubled; and your husband will soon lay aside his suspicions.
+ However ill you may be, you must have the courage to come here
+ to-morrow; find strength in your love for me. Mine for you has
+ induced me to submit to a cruel operation, and I cannot leave my
+ bed. I have had the actual cautery applied to my back, and it was
+ necessary to burn it in a long time; you understand me? But I
+ thought of you, and I did not suffer.
+
+ &ldquo;To baffle Maulincour (who will not persecute us much longer), I
+ have left the protecting roof of the embassy, and am now safe from
+ all inquiry in the rue des Enfants-Rouges, number 12, with an old
+ woman, Madame Etienne Gruget, mother of that Ida, who shall pay
+ dear for her folly. Come to-morrow, at nine in the morning. I am
+ in a room which is reached only by an interior staircase. Ask for
+ Monsieur Camuset. Adieu; I kiss your forehead, my darling.&rdquo;
+ </pre>
+ <p>
+ Jacquet looked at Jules with a sort of honest terror, the sign of a true
+ compassion, as he made his favorite exclamation in two separate and
+ distinct tones,&mdash;
+ </p>
+ <p>
+ &ldquo;The deuce! the deuce!&rdquo;
+ </p>
+ <p>
+ &ldquo;That seems clear to you, doesn&rsquo;t it?&rdquo; said Jules. &ldquo;Well, in the depths of
+ my heart there is a voice that pleads for my wife, and makes itself heard
+ above the pangs of jealousy. I must endure the worst of all agony until
+ to-morrow; but to-morrow, between nine and ten I shall know all; I shall
+ be happy or wretched for all my life. Think of me then, Jacquet.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall be at your house to-morrow at eight o&rsquo;clock. We will go together;
+ I&rsquo;ll wait for you, if you like, in the street. You may run some danger,
+ and you ought to have near you some devoted person who&rsquo;ll understand a
+ mere sign, and whom you can safely trust. Count on me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Even to help me in killing some one?&rdquo;
+ </p>
+ <p>
+ &ldquo;The deuce! the deuce!&rdquo; said Jacquet, repeating, as it were, the same
+ musical note. &ldquo;I have two children and a wife.&rdquo;
+ </p>
+ <p>
+ Jules pressed his friend&rsquo;s hand and went away; but returned immediately.
+ </p>
+ <p>
+ &ldquo;I forgot the letter,&rdquo; he said. &ldquo;But that&rsquo;s not all, I must reseal it.&rdquo;
+ </p>
+ <p>
+ &ldquo;The deuce! the deuce! you opened it without saving the seal; however, it
+ is still possible to restore it. Leave it with me and I&rsquo;ll bring it to you
+ <i>secundum scripturam</i>.&rdquo;
+ </p>
+ <p>
+ &ldquo;At what time?&rdquo;
+ </p>
+ <p>
+ &ldquo;Half-past five.&rdquo;
+ </p>
+ <p>
+ &ldquo;If I am not yet in, give it to the porter and tell him to send it up to
+ madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you want me to-morrow?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. Adieu.&rdquo;
+ </p>
+ <p>
+ Jules drove at once to the place de la Rotonde du Temple, where he left
+ his cabriolet and went on foot to the rue des Enfants-Rouges. He found the
+ house of Madame Etienne Gruget and examined it. There, the mystery on
+ which depended the fate of so many persons would be cleared up; there, at
+ this moment, was Ferragus, and to Ferragus all the threads of this strange
+ plot led. The Gordian knot of the drama, already so bloody, was surely in
+ a meeting between Madame Jules, her husband, and that man; and a blade
+ able to cut the closest of such knots would not be wanting.
+ </p>
+ <p>
+ The house was one of those which belong to the class called <i>cabajoutis</i>.
+ This significant name is given by the populace of Paris to houses which
+ are built, as it were, piecemeal. They are nearly always composed of
+ buildings originally separate but afterwards united according to the fancy
+ of the various proprietors who successively enlarge them; or else they are
+ houses begun, left unfinished, again built upon, and completed,&mdash;unfortunate
+ structures which have passed, like certain peoples, under many dynasties
+ of capricious masters. Neither the floors nor the windows have an <i>ensemble</i>,&mdash;to
+ borrow one of the most picturesque terms of the art of painting; all is
+ discord, even the external decoration. The <i>cabajoutis</i> is to
+ Parisian architecture what the <i>capharnaum</i> is to the apartment,&mdash;a
+ poke-hole, where the most heterogeneous articles are flung pell-mell.
+ </p>
+ <p>
+ &ldquo;Madame Etienne?&rdquo; asked Jules of the portress.
+ </p>
+ <p>
+ This portress had her lodge under the main entrance, in a sort of chicken
+ coop, or wooden house on rollers, not unlike those sentry-boxes which the
+ police have lately set up by the stands of hackney-coaches.
+ </p>
+ <p>
+ &ldquo;Hein?&rdquo; said the portress, without laying down the stocking she was
+ knitting.
+ </p>
+ <p>
+ In Paris the various component parts which make up the physiognomy of any
+ given portion of the monstrous city, are admirably in keeping with its
+ general character. Thus porter, concierge, or Suisse, whatever name may be
+ given to that essential muscle of the Parisian monster, is always in
+ conformity with the neighborhood of which he is a part; in fact, he is
+ often an epitome of it. The lazy porter of the faubourg Saint-Germain,
+ with lace on every seam of his coat, dabbles in stocks; he of the Chaussee
+ d&rsquo;Antin takes his ease, reads the money-articles in the newspapers, and
+ has a business of his own in the faubourg Montmartre. The portress in the
+ quarter of prostitution was formerly a prostitute; in the Marais, she has
+ morals, is cross-grained, and full of crotchets.
+ </p>
+ <p>
+ On seeing Monsieur Jules this particular portress, holding her knitting in
+ one hand, took a knife and stirred the half-extinguished peat in her
+ foot-warmer; then she said:&mdash;
+ </p>
+ <p>
+ &ldquo;You want Madame Etienne; do you mean Madame Etienne Gruget?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; said Jules, assuming a vexed air.
+ </p>
+ <p>
+ &ldquo;Who makes trimmings?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then, monsieur,&rdquo; she said, issuing from her cage, and laying her
+ hand on Jules&rsquo; arm and leading him to the end of a long passage-way,
+ vaulted like a cellar, &ldquo;go up the second staircase at the end of the
+ court-yard&mdash;where you will see the windows with the pots of pinks;
+ that&rsquo;s where Madame Etienne lives.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you, madame. Do you think she is alone?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why shouldn&rsquo;t she be alone? she&rsquo;s a widow.&rdquo;
+ </p>
+ <p>
+ Jules hastened up a dark stairway, the steps of which were knobby with
+ hardened mud left by the feet of those who came and went. On the second
+ floor he saw three doors but no signs of pinks. Fortunately, on one of the
+ doors, the oiliest and darkest of the three, he read these words, chalked
+ on a panel: &ldquo;Ida will come to-night at nine o&rsquo;clock.&rdquo;
+ </p>
+ <p>
+ &ldquo;This is the place,&rdquo; thought Jules.
+ </p>
+ <p>
+ He pulled an old bellrope, black with age, and heard the smothered sound
+ of a cracked bell and the barking of an asthmatic little dog. By the way
+ the sounds echoed from the interior he knew that the rooms were encumbered
+ with articles which left no space for reverberation,&mdash;a
+ characteristic feature of the homes of workmen and humble households,
+ where space and air are always lacking.
+ </p>
+ <p>
+ Jules looked out mechanically for the pinks, and found them on the outer
+ sill of a sash window between two filthy drain-pipes. So here were
+ flowers; here, a garden, two yards long and six inches wide; here, a
+ wheat-ear; here, a whole life epitomized; but here, too, all the miseries
+ of that life. A ray of light falling from heaven as if by special favor on
+ those puny flowers and the vigorous wheat-ear brought out in full relief
+ the dust, the grease, and that nameless color, peculiar to Parisian
+ squalor, made of dirt, which crusted and spotted the damp walls, the
+ worm-eaten balusters, the disjointed window-casings, and the door
+ originally red. Presently the cough of an old woman, and a heavy female
+ step, shuffling painfully in list slippers, announced the coming of the
+ mother of Ida Gruget. The creature opened the door and came out upon the
+ landing, looked up, and said:&mdash;
+ </p>
+ <p>
+ &ldquo;Ah! is this Monsieur Bocquillon? Why, no? But perhaps you&rsquo;re his brother.
+ What can I do for you? Come in, monsieur.&rdquo;
+ </p>
+ <p>
+ Jules followed her into the first room, where he saw, huddled together,
+ cages, household utensils, ovens, furniture, little earthenware dishes
+ full of food or water for the dog and the cats, a wooden clock,
+ bed-quilts, engravings of Eisen, heaps of old iron, all these things
+ mingled and massed together in a way that produced a most grotesque
+ effect,&mdash;a true Parisian dusthole, in which were not lacking a few
+ old numbers of the &ldquo;Constitutionel.&rdquo;
+ </p>
+ <p>
+ Jules, impelled by a sense of prudence, paid no attention to the widow&rsquo;s
+ invitation when she said civilly, showing him an inner room:&mdash;
+ </p>
+ <p>
+ &ldquo;Come in here, monsieur, and warm yourself.&rdquo;
+ </p>
+ <p>
+ Fearing to be overheard by Ferragus, Jules asked himself whether it were
+ not wisest to conclude the arrangement he had come to make with the old
+ woman in the crowded antechamber. A hen, which descended cackling from a
+ loft, roused him from this inward meditation. He came to a resolution, and
+ followed Ida&rsquo;s mother into the inner room, whither they were accompanied
+ by the wheezy pug, a personage otherwise mute, who jumped upon a stool.
+ Madame Gruget showed the assumption of semi-pauperism when she invited her
+ visitor to warm himself. Her fire-pot contained, or rather concealed two
+ bits of sticks, which lay apart: the grating was on the ground, its handle
+ in the ashes. The mantel-shelf, adorned with a little wax Jesus under a
+ shade of squares of glass held together with blue paper, was piled with
+ wools, bobbins, and tools used in the making of gimps and trimmings. Jules
+ examined everything in the room with a curiosity that was full of
+ interest, and showed, in spite of himself, an inward satisfaction.
+ </p>
+ <p>
+ &ldquo;Well, monsieur, tell me, do you want to buy any of my things?&rdquo; said the
+ old woman, seating herself in a cane arm-chair, which appeared to be her
+ headquarters. In it she kept her handkerchief, snuffbox, knitting,
+ half-peeled vegetables, spectacles, calendar, a bit of livery gold lace
+ just begun, a greasy pack of cards, and two volumes of novels, all stuck
+ into the hollow of the back. This article of furniture, in which the old
+ creature was floating down the river of life, was not unlike the
+ encyclopedic bag which a woman carries with her when she travels; in which
+ may be found a compendium of her household belongings, from the portrait
+ of her husband to <i>eau de Melisse</i> for faintness, sugarplums for the
+ children, and English court-plaster in case of cuts.
+ </p>
+ <p>
+ Jules studied all. He looked attentively at Madame Gruget&rsquo;s yellow visage,
+ at her gray eyes without either brows or lashes, her toothless mouth, her
+ wrinkles marked in black, her rusty cap, her still more rusty ruffles, her
+ cotton petticoat full of holes, her worn-out slippers, her disabled
+ fire-pot, her table heaped with dishes and silks and work begun or
+ finished, in wool or cotton, in the midst of which stood a bottle of wine.
+ Then he said to himself: &ldquo;This old woman has some passion, some strong
+ liking or vice; I can make her do my will.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame,&rdquo; he said aloud, with a private sign of intelligence, &ldquo;I have come
+ to order some livery trimmings.&rdquo; Then he lowered his voice. &ldquo;I know,&rdquo; he
+ continued, &ldquo;that you have a lodger who has taken the name of Camuset.&rdquo; The
+ old woman looked at him suddenly, but without any sign of astonishment.
+ &ldquo;Now, tell me, can we come to an understanding? This is a question which
+ means fortune for you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; she replied, &ldquo;speak out, and don&rsquo;t be afraid. There&rsquo;s no one
+ here. But if I had any one above, it would be impossible for him to hear
+ you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ha! the sly old creature, she answers like a Norman,&rdquo; thought Jules, &ldquo;We
+ shall agree. Do not give yourself the trouble to tell falsehoods, madame,&rdquo;
+ he resumed, &ldquo;In the first place, let me tell you that I mean no harm
+ either to you or to your lodger who is suffering from cautery, or to your
+ daughter Ida, a stay-maker, the friend of Ferragus. You see, I know all
+ your affairs. Do not be uneasy; I am not a detective policeman, nor do I
+ desire anything that can hurt your conscience. A young lady will come here
+ to-morrow-morning at half-past nine o&rsquo;clock, to talk with this lover of
+ your daughter. I want to be where I can see all and hear all, without
+ being seen or heard by them. If you will furnish me with the means of
+ doing so, I will reward that service with the gift of two thousand francs
+ and a yearly stipend of six hundred. My notary shall prepare a deed before
+ you this evening, and I will give him the money to hold; he will pay the
+ two thousand to you to-morrow after the conference at which I desire to be
+ present, as you will then have given proofs of your good faith.&rdquo;
+ </p>
+ <p>
+ &ldquo;Will it injure my daughter, my good monsieur?&rdquo; she asked, casting a
+ cat-like glance of doubt and uneasiness upon him.
+ </p>
+ <p>
+ &ldquo;In no way, madame. But, in any case, it seems to me that your daughter
+ does not treat you well. A girl who is loved by so rich a man as Ferragus
+ ought to make you more comfortable than you seem to be.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, my dear monsieur, just think, not so much as one poor ticket to the
+ Ambigu, or the Gaiete, where she can go as much as she likes. It&rsquo;s
+ shameful! A girl for whom I sold my silver forks and spoons! and now I
+ eat, at my age, with German metal,&mdash;and all to pay for her
+ apprenticeship, and give her a trade, where she could coin money if she
+ chose. As for that, she&rsquo;s like me, clever as a witch; I must do her that
+ justice. But, I will say, she might give me her old silk gowns,&mdash;I,
+ who am so fond of wearing silk. But no! Monsieur, she dines at the
+ Cadran-Bleu at fifty francs a head, and rolls in her carriage as if she
+ were a princess, and despises her mother for a Colin-Lampon. Heavens and
+ earth! what heedless young ones we&rsquo;ve brought into the world; we have
+ nothing to boast of there. A mother, monsieur, can&rsquo;t be anything else but
+ a good mother; and I&rsquo;ve concealed that girl&rsquo;s ways, and kept her in my
+ bosom, to take the bread out of my mouth and cram everything into her own.
+ Well, well! and now she comes and fondles one a little, and says, &lsquo;How
+ d&rsquo;ye do, mother?&rsquo; And that&rsquo;s all the duty she thinks of paying. But she&rsquo;ll
+ have children one of these days, and then she&rsquo;ll find out what it is to
+ have such baggage,&mdash;which one can&rsquo;t help loving all the same.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you mean that she does nothing for you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, nothing? No, monsieur, I didn&rsquo;t say that; if she did nothing, that
+ would be a little too much. She gives me my rent and thirty-six francs a
+ month. But, monsieur, at my age,&mdash;and I&rsquo;m fifty-two years old, with
+ eyes that feel the strain at night,&mdash;ought I to be working in this
+ way? Besides, why won&rsquo;t she have me to live with her? I should shame her,
+ should I? Then let her say so. Faith, one ought to be buried out of the
+ way of such dogs of children, who forget you before they&rsquo;ve even shut the
+ door.&rdquo;
+ </p>
+ <p>
+ She pulled her handkerchief from her pocket, and with it a lottery ticket
+ that dropped on the floor; but she hastily picked it up, saying, &ldquo;Hi!
+ that&rsquo;s the receipt for my taxes.&rdquo;
+ </p>
+ <p>
+ Jules at once perceived the reason of the sagacious parsimony of which the
+ mother complained; and he was the more certain that the widow Gruget would
+ agree to the proposed bargain.
+ </p>
+ <p>
+ &ldquo;Well, then, madame,&rdquo; he said, &ldquo;accept what I offer you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you say two thousand francs in ready money, and six hundred annuity,
+ monsieur?&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame, I&rsquo;ve changed my mind; I will promise you only three hundred
+ annuity. This way seems more to my own interests. But I will give you five
+ thousand francs in ready money. Wouldn&rsquo;t you like that as well?&rdquo;
+ </p>
+ <p>
+ &ldquo;Bless me, yes, monsieur!&rdquo;
+ </p>
+ <p>
+ &ldquo;You&rsquo;ll get more comfort out of it; and you can go to the Ambigu and
+ Franconi&rsquo;s at your ease in a coach.&rdquo;
+ </p>
+ <p>
+ &ldquo;As for Franconi, I don&rsquo;t like that, for they don&rsquo;t talk there. Monsieur,
+ if I accept, it is because it will be very advantageous for my child. I
+ sha&rsquo;n&rsquo;t be a drag on her any longer. Poor little thing! I&rsquo;m glad she has
+ her pleasures, after all. Ah, monsieur, youth must be amused! And so, if
+ you assure me that no harm will come to anybody&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Not to anybody,&rdquo; replied Jules. &ldquo;But now, how will you manage it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, monsieur, if I give Monsieur Ferragus a little tea made of
+ poppy-heads to-night, he&rsquo;ll sleep sound, the dear man; and he needs it,
+ too, because of his sufferings, for he does suffer, I can tell you, and
+ more&rsquo;s the pity. But I&rsquo;d like to know what a healthy man like him wants to
+ burn his back for, just to get rid of a tic douleureux which troubles him
+ once in two years. However, to come back to our business. I have my
+ neighbor&rsquo;s key; her lodging is just above mine, and in it there&rsquo;s a room
+ adjoining the one where Monsieur Ferragus is, with only a partition
+ between them. My neighbor is away in the country for ten days. Therefore,
+ if I make a hole to-night while Monsieur Ferragus is sound asleep, you can
+ see and hear them to-morrow at your ease. I&rsquo;m on good terms with a
+ locksmith,&mdash;a very friendly man, who talks like an angel, and he&rsquo;ll
+ do the work for me and say nothing about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then here&rsquo;s a hundred francs for him. Come to-night to Monsieur
+ Desmaret&rsquo;s office; he&rsquo;s a notary, and here&rsquo;s his address. At nine o&rsquo;clock
+ the deed will be ready, but&mdash;silence!&rdquo;
+ </p>
+ <p>
+ &ldquo;Enough, monsieur; as you say&mdash;silence! Au revoir, monsieur.&rdquo;
+ </p>
+ <p>
+ Jules went home, almost calmed by the certainty that he should know the
+ truth on the morrow. As he entered the house, the porter gave him the
+ letter properly resealed.
+ </p>
+ <p>
+ &ldquo;How do you feel now?&rdquo; he said to his wife, in spite of the coldness that
+ separated them.
+ </p>
+ <p>
+ &ldquo;Pretty well, Jules,&rdquo; she answered in a coaxing voice, &ldquo;do come and dine
+ beside me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very good,&rdquo; he said, giving her the letter. &ldquo;Here is something Fouguereau
+ gave me for you.&rdquo;
+ </p>
+ <p>
+ Clemence, who was very pale, colored high when she saw the letter, and
+ that sudden redness was a fresh blow to her husband.
+ </p>
+ <p>
+ &ldquo;Is that joy,&rdquo; he said, laughing, &ldquo;or the effect of expectation?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, of many things!&rdquo; she said, examining the seal.
+ </p>
+ <p>
+ &ldquo;I leave you now for a few moments.&rdquo;
+ </p>
+ <p>
+ He went down to his study, and wrote to his brother, giving him directions
+ about the payment to the widow Gruget. When he returned, he found his
+ dinner served on a little table by his wife&rsquo;s bedside, and Josephine ready
+ to wait on him.
+ </p>
+ <p>
+ &ldquo;If I were up how I should like to serve you myself,&rdquo; said Clemence, when
+ Josephine had left them. &ldquo;Oh, yes, on my knees!&rdquo; she added, passing her
+ white hands through her husband&rsquo;s hair. &ldquo;Dear, noble heart, you were very
+ kind and gracious to me just now. You did me more good by showing me such
+ confidence than all the doctors on earth could do me with their
+ prescriptions. That feminine delicacy of yours&mdash;for you do know how
+ to love like a woman&mdash;well, it has shed a balm into my heart which
+ has almost cured me. There&rsquo;s truce between us, Jules; lower your head,
+ that I may kiss it.&rdquo;
+ </p>
+ <p>
+ Jules could not deny himself the pleasure of that embrace. But it was not
+ without a feeling of remorse in his heart; he felt himself small before
+ this woman whom he was still tempted to think innocent. A sort of
+ melancholy joy possessed him. A tender hope shone on her features in spite
+ of their grieved expression. They both were equally unhappy in deceiving
+ each other; another caress, and, unable to resist their suffering, all
+ would then have been avowed.
+ </p>
+ <p>
+ &ldquo;To-morrow evening, Clemence.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no; to-morrow morning, by twelve o&rsquo;clock, you will know all, and
+ you&rsquo;ll kneel down before your wife&mdash;Oh, no! you shall not be
+ humiliated; you are all forgiven now; you have done no wrong. Listen,
+ Jules; yesterday you did crush me&mdash;harshly; but perhaps my life would
+ not have been complete without that agony; it may be a shadow that will
+ make our coming days celestial.&rdquo;
+ </p>
+ <p>
+ &ldquo;You lay a spell upon me,&rdquo; cried Jules; &ldquo;you fill me with remorse.&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor love! destiny is stronger than we, and I am not the accomplice of
+ mine. I shall go out to-morrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;At what hour?&rdquo; asked Jules.
+ </p>
+ <p>
+ &ldquo;At half-past nine.&rdquo;
+ </p>
+ <p>
+ &ldquo;Clemence,&rdquo; he said, &ldquo;take every precaution; consult Doctor Desplein and
+ old Haudry.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall consult nothing but my heart and my courage.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall leave you free; you will not see me till twelve o&rsquo;clock.&rdquo;
+ </p>
+ <p>
+ &ldquo;Won&rsquo;t you keep me company this evening? I feel so much better.&rdquo;
+ </p>
+ <p>
+ After attending to some business, Jules returned to his wife,&mdash;recalled
+ by her invincible attraction. His passion was stronger than his anguish.
+ </p>
+ <p>
+ The next day, at nine o&rsquo;clock Jules left home, hurried to the rue des
+ Enfants-Rouges, went upstairs, and rang the bell of the widow Gruget&rsquo;s
+ lodgings.
+ </p>
+ <p>
+ &ldquo;Ah! you&rsquo;ve kept your word, as true as the dawn. Come in, monsieur,&rdquo; said
+ the old woman when she saw him. &ldquo;I&rsquo;ve made you a cup of coffee with
+ cream,&rdquo; she added, when the door was closed. &ldquo;Oh! real cream; I saw it
+ milked myself at the dairy we have in this very street.&rdquo;
+ </p>
+ <p>
+ &ldquo;Thank you, no, madame, nothing. Take me at once&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Very good, monsieur. Follow me, this way.&rdquo;
+ </p>
+ <p>
+ She led him up into the room above her own, where she showed him,
+ triumphantly, an opening about the size of a two-franc piece, made during
+ the night, in a place, which, in each room, was above a wardrobe. In order
+ to look through it, Jules was forced to maintain himself in rather a
+ fatiguing attitude, by standing on a step-ladder which the widow had been
+ careful to place there.
+ </p>
+ <p>
+ &ldquo;There&rsquo;s a gentleman with him,&rdquo; she whispered, as she retired.
+ </p>
+ <p>
+ Jules then beheld a man employed in dressing a number of wounds on the
+ shoulders of Ferragus, whose head he recognized from the description given
+ to him by Monsieur de Maulincour.
+ </p>
+ <p>
+ &ldquo;When do you think those wounds will heal?&rdquo; asked Ferragus.
+ </p>
+ <p>
+ &ldquo;I don&rsquo;t know,&rdquo; said the other man. &ldquo;The doctors say those wounds will
+ require seven or eight more dressings.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then, good-bye until to-night,&rdquo; said Ferragus, holding out his hand
+ to the man, who had just replaced the bandage.
+ </p>
+ <p>
+ &ldquo;Yes, to-night,&rdquo; said the other, pressing his hand cordially. &ldquo;I wish I
+ could see you past your sufferings.&rdquo;
+ </p>
+ <p>
+ &ldquo;To-morrow Monsieur de Funcal&rsquo;s papers will be delivered to us, and Henri
+ Bourignard will be dead forever,&rdquo; said Ferragus. &ldquo;Those fatal marks which
+ have cost us so dear no longer exist. I shall become once more a social
+ being, a man among men, and more of a man than the sailor whom the fishes
+ are eating. God knows it is not for my own sake I have made myself a
+ Portuguese count!&rdquo;
+ </p>
+ <p>
+ &ldquo;Poor Gratien!&mdash;you, the wisest of us all, our beloved brother, the
+ Benjamin of the band; as you very well know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Adieu; keep an eye on Maulincour.&rdquo;
+ </p>
+ <p>
+ &ldquo;You can rest easy on that score.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ho! stay, marquis,&rdquo; cried the convict.
+ </p>
+ <p>
+ &ldquo;What is it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ida is capable of everything after the scene of last night. If she should
+ throw herself into the river, I would not fish her out. She knows the
+ secret of my name, and she&rsquo;ll keep it better there. But still, look after
+ her; for she is, in her way, a good girl.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well.&rdquo;
+ </p>
+ <p>
+ The stranger departed. Ten minutes later Jules heard, with a feverish
+ shudder, the rustle of a silk gown, and almost recognized by their sound
+ the steps of his wife.
+ </p>
+ <p>
+ &ldquo;Well, father,&rdquo; said Clemence, &ldquo;my poor father, are you better? What
+ courage you have shown!&rdquo;
+ </p>
+ <p>
+ &ldquo;Come here, my child,&rdquo; replied Ferragus, holding out his hand to her.
+ </p>
+ <p>
+ Clemence held her forehead to him and he kissed it.
+ </p>
+ <p>
+ &ldquo;Now tell me, what is the matter, my little girl? What are these new
+ troubles?&rdquo;
+ </p>
+ <p>
+ &ldquo;Troubles, father! it concerns the life or death of the daughter you have
+ loved so much. Indeed you must, as I wrote you yesterday, you <i>must</i>
+ find a way to see my poor Jules to-day. If you knew how good he has been
+ to me, in spite of all suspicions apparently so legitimate. Father, my
+ love is my very life. Would you see me die? Ah! I have suffered so much
+ that my life, I feel it! is in danger.&rdquo;
+ </p>
+ <p>
+ &ldquo;And all because of the curiosity of that miserable Parisian?&rdquo; cried
+ Ferragus. &ldquo;I&rsquo;d burn Paris down if I lost you, my daughter. Ha! you may
+ know what a lover is, but you don&rsquo;t yet know what a father can do.&rdquo;
+ </p>
+ <p>
+ &ldquo;Father, you frighten me when you look at me in that way. Don&rsquo;t weigh such
+ different feelings in the same scales. I had a husband before I knew that
+ my father was living&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;If your husband was the first to lay kisses on your forehead, I was the
+ first to drop tears upon it,&rdquo; replied Ferragus. &ldquo;But don&rsquo;t feel
+ frightened, Clemence, speak to me frankly. I love you enough to rejoice in
+ the knowledge that you are happy, though I, your father, may have little
+ place in your heart, while you fill the whole of mine.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! what good such words do me! You make me love you more and more,
+ though I seem to rob something from my Jules. But, my kind father, think
+ what his sufferings are. What may I tell him to-day?&rdquo;
+ </p>
+ <p>
+ &ldquo;My child, do you think I waited for your letter to save you from this
+ threatened danger? Do you know what will become of those who venture to
+ touch your happiness, or come between us? Have you never been aware that a
+ second providence was guarding your life? Twelve men of power and
+ intellect form a phalanx round your love and your existence,&mdash;ready
+ to do all things to protect you. Think of your father, who has risked
+ death to meet you in the public promenades, or see you asleep in your
+ little bed in your mother&rsquo;s home, during the night-time. Could such a
+ father, to whom your innocent caresses give strength to live when a man of
+ honor ought to have died to escape his infamy, could <i>I</i>, in short, I
+ who breathe through your lips, and see with your eyes, and feel with your
+ heart, could I fail to defend with the claws of a lion and the soul of a
+ father, my only blessing, my life, my daughter? Since the death of that
+ angel, your mother, I have dreamed but of one thing,&mdash;the happiness
+ of pressing you to my heart in the face of the whole earth, of burying the
+ convict,&mdash;&rdquo; He paused a moment, and then added: &ldquo;&mdash;of giving you
+ a father, a father who could press without shame your husband&rsquo;s hand, who
+ could live without fear in both your hearts, who could say to all the
+ world, &lsquo;This is my daughter,&rsquo;&mdash;in short, to be a happy father.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, father! father!&rdquo;
+ </p>
+ <p>
+ &ldquo;After infinite difficulty, after searching the whole globe,&rdquo; continued
+ Ferragus, &ldquo;my friends have found me the skin of a dead man in which to
+ take my place once more in social life. A few days hence, I shall be
+ Monsieur de Funcal, a Portuguese count. Ah! my dear child, there are few
+ men of my age who would have had the patience to learn Portuguese and
+ English, which were spoken fluently by that devil of a sailor, who was
+ drowned at sea.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, my dear father&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;All has been foreseen, and prepared. A few days hence, his Majesty John
+ VI., King of Portugal will be my accomplice. My child, you must have a
+ little patience where your father has had so much. But ah! what would I
+ not do to reward your devotion for the last three years,&mdash;coming
+ religiously to comfort your old father, at the risk of your own peace!&rdquo;
+ </p>
+ <p>
+ &ldquo;Father!&rdquo; cried Clemence, taking his hands and kissing them.
+ </p>
+ <p>
+ &ldquo;Come, my child, have courage still; keep my fatal secret a few days
+ longer, till the end is reached. Jules is not an ordinary man, I know; but
+ are we sure that his lofty character and his noble love may not impel him
+ to dislike the daughter of a&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; cried Clemence, &ldquo;you have read my heart; I have no other fear than
+ that. The very thought turns me to ice,&rdquo; she added, in a heart-rending
+ tone. &ldquo;But, father, think that I have promised him the truth in two
+ hours.&rdquo;
+ </p>
+ <p>
+ &ldquo;If so, my daughter, tell him to go to the Portuguese embassy and see the
+ Comte de Funcal, your father. I will be there.&rdquo;
+ </p>
+ <p>
+ &ldquo;But Monsieur de Maulincour has told him of Ferragus. Oh, father, what
+ torture, to deceive, deceive, deceive!&rdquo;
+ </p>
+ <p>
+ &ldquo;Need you say that to me? But only a few days more, and no living man will
+ be able to expose me. Besides, Monsieur de Maulincour is beyond the
+ faculty of remembering. Come, dry your tears, my silly child, and think&mdash;&rdquo;
+ </p>
+ <p>
+ At this instant a terrible cry rang from the room in which Jules Desmarets
+ was stationed.
+ </p>
+ <p>
+ The clamor was heard by Madame Jules and Ferragus through the opening of
+ the wall, and struck them with terror.
+ </p>
+ <p>
+ &ldquo;Go and see what it means, Clemence,&rdquo; said her father.
+ </p>
+ <p>
+ Clemence ran rapidly down the little staircase, found the door into Madame
+ Gruget&rsquo;s apartment wide open, heard the cries which echoed from the upper
+ floor, went up the stairs, guided by the noise of sobs, and caught these
+ words before she entered the fatal chamber:&mdash;
+ </p>
+ <p>
+ &ldquo;You, monsieur, you, with your horrid inventions,&mdash;you are the cause
+ of her death!&rdquo;
+ </p>
+ <p>
+ &ldquo;Hush, miserable woman!&rdquo; replied Jules, putting his handkerchief on the
+ mouth of the old woman, who began at once to cry out, &ldquo;Murder! help!&rdquo;
+ </p>
+ <p>
+ At this instant Clemence entered, saw her husband, uttered a cry, and fled
+ away.
+ </p>
+ <p>
+ &ldquo;Who will save my child?&rdquo; cried the widow Gruget. &ldquo;You have murdered her.&rdquo;
+ </p>
+ <p>
+ &ldquo;How?&rdquo; asked Jules, mechanically, for he was horror-struck at being seen
+ by his wife.
+ </p>
+ <p>
+ &ldquo;Read that,&rdquo; said the old woman, giving him a letter. &ldquo;Can money or
+ annuities console me for that?&rdquo;
+ </p>
+<pre xml:space="preserve">
+ Farewell, mother! I bequeeth you what I have. I beg your pardon
+ for my forlts, and the last greef to which I put you by ending my
+ life in the river. Henry, who I love more than myself, says I have
+ made his misfortune, and as he has drifen me away, and I have lost
+ all my hops of merrying him, I am going to droun myself. I shall
+ go abov Neuilly, so that they can&rsquo;t put me in the Morg. If Henry
+ does not hate me anny more after I am ded, ask him to berry a pore
+ girl whose hart beet for him only, and to forgif me, for I did
+ rong to meddle in what didn&rsquo;t consern me. Tak care of his wounds.
+ How much he sufered, pore fellow! I shall have as much corage to
+ kill myself as he had to burn his bak. Carry home the corsets I
+ have finished. And pray God for your daughter.
+</pre>
+ <p>
+ Ida.
+ </p>
+ <p>
+ &ldquo;Take this letter to Monsieur de Funcal, who is upstairs,&rdquo; said Jules. &ldquo;He
+ alone can save your daughter, if there is still time.&rdquo;
+ </p>
+ <p>
+ So saying he disappeared, running like a man who has committed a crime.
+ His legs trembled. The hot blood poured into his swelling heart in
+ torrents greater than at any other moment of his life, and left it again
+ with untold violence. Conflicting thoughts struggled in his mind, and yet
+ one thought predominated,&mdash;he had not been loyal to the being he
+ loved most. It was impossible for him to argue with his conscience, whose
+ voice, rising high with conviction, came like an echo of those inward
+ cries of his love during the cruel hours of doubt he had lately lived
+ through.
+ </p>
+ <p>
+ He spent the greater part of the day wandering about Paris, for he dared
+ not go home. This man of integrity and honor feared to meet the spotless
+ brow of the woman he had misjudged. We estimate wrongdoing in proportion
+ to the purity of our conscience; the deed which is scarcely a fault in
+ some hearts, takes the proportions of a crime in certain unsullied souls.
+ The slightest stain on the white garment of a virgin makes it a thing
+ ignoble as the rags of a mendicant. Between the two the difference lies in
+ the misfortune of the one, the wrong-doing of the other. God never
+ measures repentance; he never apportions it. As much is needed to efface a
+ spot as to obliterate the crimes of a lifetime. These reflections fell
+ with all their weight on Jules; passions, like human laws, will not
+ pardon, and their reasoning is more just; for are they not based upon a
+ conscience of their own as infallible as an instinct?
+ </p>
+ <p>
+ Jules finally came home pale, despondent, crushed beneath a sense of his
+ wrong-doing, and yet expressing in spite of himself the joy his wife&rsquo;s
+ innocence had given him. He entered her room all throbbing with emotion;
+ she was in bed with a high fever. He took her hand, kissed it, and covered
+ it with tears.
+ </p>
+ <p>
+ &ldquo;Dear angel,&rdquo; he said, when they were alone, &ldquo;it is repentance.&rdquo;
+ </p>
+ <p>
+ &ldquo;And for what?&rdquo; she answered.
+ </p>
+ <p>
+ As she made that reply, she laid her head back upon the pillow, closed her
+ eyes, and remained motionless, keeping the secret of her sufferings that
+ she might not frighten her husband,&mdash;the tenderness of a mother, the
+ delicacy of an angel! All the woman was in her answer.
+ </p>
+ <p>
+ The silence lasted long. Jules, thinking her asleep, went to question
+ Josephine as to her mistress&rsquo;s condition.
+ </p>
+ <p>
+ &ldquo;Madame came home half-dead, monsieur. We sent at once for Monsieur
+ Haudry.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did he come? What did he say?&rdquo;
+ </p>
+ <p>
+ &ldquo;He said nothing, monsieur. He did not seem satisfied; gave orders that no
+ one should go near madame except the nurse, and said he should come back
+ this evening.&rdquo;
+ </p>
+ <p>
+ Jules returned softly to his wife&rsquo;s room and sat down in a chair before
+ the bed. There he remained, motionless, with his eyes fixed on those of
+ Clemence. When she raised her eyelids she saw him, and through those lids
+ passed a tender glance, full of passionate love, free from reproach and
+ bitterness,&mdash;a look which fell like a flame of fire upon the heart of
+ that husband, nobly absolved and forever loved by the being whom he had
+ killed. The presentiment of death struck both their minds with equal
+ force. Their looks were blended in one anguish, as their hearts had long
+ been blended in one love, felt equally by both, and shared equally. No
+ questions were uttered; a horrible certainty was there,&mdash;in the wife
+ an absolute generosity; in the husband an awful remorse; then, in both
+ souls the same vision of the end, the same conviction of fatality.
+ </p>
+ <p>
+ There came a moment when, thinking his wife asleep, Jules kissed her
+ softly on the forehead; then after long contemplation of that cherished
+ face, he said:&mdash;
+ </p>
+ <p>
+ &ldquo;Oh God! leave me this angel still a little while that I may blot out my
+ wrong by love and adoration. As a daughter, she is sublime; as a wife,
+ what word can express her?&rdquo;
+ </p>
+ <p>
+ Clemence raised her eyes; they were full of tears.
+ </p>
+ <p>
+ &ldquo;You pain me,&rdquo; she said, in a feeble voice.
+ </p>
+ <p>
+ It was getting late; Doctor Haudry came, and requested the husband to
+ withdraw during his visit. When the doctor left the sick-room Jules asked
+ him no question; one gesture was enough.
+ </p>
+ <p>
+ &ldquo;Call in consultation any physician in whom you place confidence; I may be
+ wrong.&rdquo;
+ </p>
+ <p>
+ &ldquo;Doctor, tell me the truth. I am a man, and I can bear it. Besides, I have
+ the deepest interest in knowing it; I have certain affairs to settle.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame Jules is dying,&rdquo; said the physician. &ldquo;There is some moral malady
+ which has made great progress, and it has complicated her physical
+ condition, which was already dangerous, and made still more so by her
+ great imprudence. To walk about barefooted at night! to go out when I
+ forbade it! on foot yesterday in the rain, to-day in a carriage! She must
+ have meant to kill herself. But still, my judgment is not final; she has
+ youth, and a most amazing nervous strength. It may be best to risk all to
+ win all by employing some violent reagent. But I will not take upon myself
+ to order it; nor will I advise it; in consultation I shall oppose it.&rdquo;
+ </p>
+ <p>
+ Jules returned to his wife. For eleven days and eleven nights he remained
+ beside her bed, taking no sleep during the day when he laid his head upon
+ the foot of the bed. No man ever pushed the jealousy of care and the
+ craving for devotion to such an extreme as he. He could not endure that
+ the slightest service should be done by others for his wife. There were
+ days of uncertainty, false hopes, now a little better, then a crisis,&mdash;in
+ short, all the horrible mutations of death as it wavers, hesitates, and
+ finally strikes. Madame Jules always found strength to smile at her
+ husband. She pitied him, knowing that soon he would be alone. It was a
+ double death,&mdash;that of life, that of love; but life grew feebler, and
+ love grew mightier. One frightful night there was, when Clemence passed
+ through that delirium which precedes the death of youth. She talked of her
+ happy love, she talked of her father; she related her mother&rsquo;s revelations
+ on her death-bed, and the obligations that mother had laid upon her. She
+ struggled, not for life, but for her love which she could not leave.
+ </p>
+ <p>
+ &ldquo;Grant, O God!&rdquo; she said, &ldquo;that he may not know I want him to die with
+ me.&rdquo;
+ </p>
+ <p>
+ Jules, unable to bear the scene, was at that moment in the adjoining room,
+ and did not hear the prayer, which he would doubtless have fulfilled.
+ </p>
+ <p>
+ When this crisis was over, Madame Jules recovered some strength. The next
+ day she was beautiful and tranquil; hope seemed to come to her; she
+ adorned herself, as the dying often do. Then she asked to be alone all
+ day, and sent away her husband with one of those entreaties made so
+ earnestly that they are granted as we grant the prayer of a little child.
+ </p>
+ <p>
+ Jules, indeed, had need of this day. He went to Monsieur de Maulincour to
+ demand the satisfaction agreed upon between them. It was not without great
+ difficulty that he succeeded in reaching the presence of the author of
+ these misfortunes; but the vidame, when he learned that the visit related
+ to an affair of honor, obeyed the precepts of his whole life, and himself
+ took Jules into the baron&rsquo;s chamber.
+ </p>
+ <p>
+ Monsieur Desmarets looked about him in search of his antagonist.
+ </p>
+ <p>
+ &ldquo;Yes! that is really he,&rdquo; said the vidame, motioning to a man who was
+ sitting in an arm-chair beside the fire.
+ </p>
+ <p>
+ &ldquo;Who is it? Jules?&rdquo; said the dying man in a broken voice.
+ </p>
+ <p>
+ Auguste had lost the only faculty that makes us live&mdash;memory. Jules
+ Desmarets recoiled with horror at this sight. He could not even recognize
+ the elegant young man in that thing without&mdash;as Bossuet said&mdash;a
+ name in any language. It was, in truth, a corpse with whitened hair, its
+ bones scarce covered with a wrinkled, blighted, withered skin,&mdash;a
+ corpse with white eyes motionless, mouth hideously gaping, like those of
+ idiots or vicious men killed by excesses. No trace of intelligence
+ remained upon that brow, nor in any feature; nor was there in that flabby
+ flesh either color or the faintest appearance of circulating blood. Here
+ was a shrunken, withered creature brought to the state of those monsters
+ we see preserved in museums, floating in alchohol. Jules fancied that he
+ saw above that face the terrible head of Ferragus, and his own anger was
+ silenced by such a vengeance. The husband found pity in his heart for the
+ vacant wreck of what was once a man.
+ </p>
+ <p>
+ &ldquo;The duel has taken place,&rdquo; said the vidame.
+ </p>
+ <p>
+ &ldquo;But he has killed many,&rdquo; answered Jules, sorrowfully.
+ </p>
+ <p>
+ &ldquo;And many dear ones,&rdquo; added the old man. &ldquo;His grandmother is dying; and I
+ shall follow her soon into the grave.&rdquo;
+ </p>
+ <p>
+ On the morrow of this day, Madame Jules grew worse from hour to hour. She
+ used a moment&rsquo;s strength to take a letter from beneath her pillow, and
+ gave it eagerly to her husband with a sign that was easy to understand,&mdash;she
+ wished to give him, in a kiss, her last breath. He took it, and she died.
+ Jules fell half-dead himself and was taken to his brother&rsquo;s house. There,
+ as he deplored in tears his absence of the day before, his brother told
+ him that this separation was eagerly desired by Clemence, who wished to
+ spare him the sight of the religious paraphernalia, so terrible to tender
+ imaginations, which the Church displays when conferring the last
+ sacraments upon the dying.
+ </p>
+ <p>
+ &ldquo;You could not have borne it,&rdquo; said his brother. &ldquo;I could hardly bear the
+ sight myself, and all the servants wept. Clemence was like a saint. She
+ gathered strength to bid us all good-bye, and that voice, heard for the
+ last time, rent our hearts. When she asked pardon for the pain she might
+ unwillingly have caused her servants, there were cries and sobs and&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Enough! enough!&rdquo; said Jules.
+ </p>
+ <p>
+ He wanted to be alone, that he might read the last words of the woman whom
+ all had loved, and who had passed away like a flower.
+ </p>
+<pre xml:space="preserve">
+ &ldquo;My beloved, this is my last will. Why should we not make wills
+ for the treasures of our hearts, as for our worldly property? Was
+ not my love my property, my all? I mean here to dispose of my
+ love: it was the only fortune of your Clemence, and it is all that
+ she can leave you in dying. Jules, you love me still, and I die
+ happy. The doctors may explain my death as they think best; I
+ alone know the true cause. I shall tell it to you, whatever pain
+ it may cause you. I cannot carry with me, in a heart all yours, a
+ secret which you do not share, although I die the victim of an
+ enforced silence.
+
+ &ldquo;Jules, I was nurtured and brought up in the deepest solitude, far
+ from the vices and the falsehoods of the world, by the loving
+ woman whom you knew. Society did justice to her conventional
+ charm, for that is what pleases society; but I knew secretly her
+ precious soul, I could cherish the mother who made my childhood a
+ joy without bitterness, and I knew why I cherished her. Was not
+ that to love doubly? Yes, I loved her, I feared her, I respected
+ her; yet nothing oppressed my heart, neither fear nor respect. I
+ was all in all to her; she was all in all to me. For nineteen
+ happy years, without a care, my soul, solitary amid the world
+ which muttered round me, reflected only her pure image; my heart
+ beat for her and through her. I was scrupulously pious; I found
+ pleasure in being innocent before God. My mother cultivated all
+ noble and self-respecting sentiments in me. Ah! it gives me
+ happiness to tell you, Jules, that I now know I was indeed a young
+ girl, and that I came to you virgin in heart.
+
+ &ldquo;When I left that absolute solitude, when, for the first time, I
+ braided my hair and crowned it with almond blossoms, when I added,
+ with delight, a few satin knots to my white dress, thinking of the
+ world I was to see, and which I was curious to see&mdash;Jules, that
+ innocent and modest coquetry was done for you! Yes, as I entered
+ the world, I saw <i>you</i> first of all. Your face, I remarked it; it
+ stood out from the rest; your person pleased me; your voice, your
+ manners all inspired me with pleasant presentiments. When you came
+ up, when you spoke to me, the color on your forehead, the tremble
+ in your voice,&mdash;that moment gave me memories with which I throb as
+ I now write to you, as I now, for the last time, think of them.
+ Our love was at first the keenest of sympathies, but it was soon
+ discovered by each of us and then, as speedily, shared; just as,
+ in after times, we have both equally felt and shared innumerable
+ happinesses. From that moment my mother was only second in my
+ heart. Next, I was yours, all yours. There is my life, and all my
+ life, dear husband.
+
+ &ldquo;And here is what remains for me to tell you. One evening, a few
+ days before my mother&rsquo;s death, she revealed to me the secret of
+ her life,&mdash;not without burning tears. I have loved you better
+ since the day I learned from the priest as he absolved my mother
+ that there are passions condemned by the world and by the Church.
+ But surely God will not be severe when they are the sins of souls
+ as tender as that of my mother; only, that dear woman could never
+ bring herself to repent. She loved much, Jules; she was all love.
+ So I have prayed daily for her, but never judged her.
+
+ &ldquo;That night I learned the cause of her deep maternal tenderness;
+ then I also learned that there was in Paris a man whose life and
+ whose love centred on me; that your fortune was his doing, and
+ that he loved you. I learned also that he was exiled from society
+ and bore a tarnished name; but that he was more unhappy for me,
+ for us, than for himself. My mother was all his comfort; she was
+ dying, and I promised to take her place. With all the ardor of a
+ soul whose feelings had never been perverted, I saw only the
+ happiness of softening the bitterness of my mother&rsquo;s last moments,
+ and I pledged myself to continue her work of secret charity,&mdash;the
+ charity of the heart. The first time that I saw my father was
+ beside the bed where my mother had just expired. When he raised
+ his tearful eyes, it was to see in me a revival of his dead hopes.
+ I had sworn, not to tell a lie, but to keep silence; and that
+ silence what woman could have broken it?
+
+ &ldquo;There is my fault, Jules,&mdash;a fault which I expiate by death. I
+ doubted you. But fear is so natural to a woman; above all, a woman
+ who knows what it is that she may lose. I trembled for our love.
+ My father&rsquo;s secret seemed to me the death of my happiness; and the
+ more I loved, the more I feared. I dared not avow this feeling to
+ my father; it would have wounded him, and in his situation a wound
+ was agony. But, without a word from me, he shared my fears. That
+ fatherly heart trembled for my happiness as much as I trembled for
+ myself; but it dared not speak, obeying the same delicacy that
+ kept me mute. Yes, Jules, I believed that you could not love the
+ daughter of Gratien Bourignard as you loved your Clemence. Without
+ that terror could I have kept back anything from you,&mdash;you who
+ live in every fold of my heart?
+
+ &ldquo;The day when that odious, unfortunate young officer spoke to you,
+ I was forced to lie. That day, for the second time in my life, I
+ knew what pain was; that pain has steadily increased until this
+ moment, when I speak with you for the last time. What matters now
+ my father&rsquo;s position? You know all. I could, by the help of my
+ love, have conquered my illness and borne its sufferings; but I
+ cannot stifle the voice of doubt. Is it not probable that my
+ origin would affect the purity of your love and weaken it,
+ diminish it? That fear nothing has been able to quench in me.
+ There, Jules, is the cause of my death. I cannot live fearing a
+ word, a look,&mdash;a word you may never say, a look you may never
+ give; but, I cannot help it, I fear them. I die beloved; there is
+ my consolation.
+
+ &ldquo;I have known, for the last three years, that my father and his
+ friends have well-nigh moved the world to deceive the world. That
+ I might have a station in life, they have bought a dead man, a
+ reputation, a fortune, so that a living man might live again,
+ restored; and all this for you, for us. We were never to have
+ known of it. Well, my death will save my father from that
+ falsehood, for he will not survive me.
+
+ &ldquo;Farewell, Jules, my heart is all here. To show you my love in its
+ agony of fear, is not that bequeathing my whole soul to you? I
+ could never have the strength to speak to you; I have only enough
+ to write. I have just confessed to God the sins of my life. I have
+ promised to fill my mind with the King of Heaven only; but I must
+ confess to him who is, for me, the whole of earth. Alas! shall I
+ not be pardoned for this last sigh between the life that was and
+ the life that shall be? Farewell, my Jules, my loved one! I go to
+ God, with whom is Love without a cloud, to whom you will follow
+ me. There, before his throne, united forever, we may love each
+ other throughout the ages. This hope alone can comfort me. If I am
+ worthy of being there at once, I will follow you through life. My
+ soul shall bear your company; it will wrap you about, for <i>you</i>
+ must stay here still,&mdash;ah! here below. Lead a holy life that you
+ may the more surely come to me. You can do such good upon this
+ earth! Is it not an angel&rsquo;s mission for the suffering soul to shed
+ happiness about him,&mdash;to give to others that which he has not? I
+ bequeath you to the Unhappy. Their smiles, their tears, are the
+ only ones of which I cannot be jealous. We shall find a charm in
+ sweet beneficence. Can we not live together still if you would
+ join my name&mdash;your Clemence&mdash;in these good works?
+
+ &ldquo;After loving as we have loved, there is naught but God, Jules.
+ God does not lie; God never betrays. Adore him only, I charge you!
+ Lead those who suffer up to him; comfort the sorrowing members of
+ his Church. Farewell, dear soul that I have filled! I know you;
+ you will never love again. I may die happy in the thought that
+ makes all women happy. Yes, my grave will be your heart. After
+ this childhood I have just related, has not my life flowed on
+ within that heart? Dead, you will never drive me forth. I am proud
+ of that rare life! You will know me only in the flower of my
+ youth; I leave you regrets without disillusions. Jules, it is a
+ happy death.
+
+ &ldquo;You, who have so fully understood me, may I ask one thing more of
+ you,&mdash;superfluous request, perhaps, the fulfilment of a woman&rsquo;s
+ fancy, the prayer of a jealousy we all must feel,&mdash;I pray you to
+ burn all that especially belonged to <i>us</i>, destroy our chamber,
+ annihilate all that is a memory of our happiness.
+
+ &ldquo;Once more, farewell,&mdash;the last farewell! It is all love, and so
+ will be my parting thought, my parting breath.&rdquo;
+ </pre>
+ <p>
+ When Jules had read that letter there came into his heart one of those
+ wild frenzies of which it is impossible to describe the awful anguish. All
+ sorrows are individual; their effects are not subjected to any fixed rule.
+ Certain men will stop their ears to hear nothing; some women close their
+ eyes hoping never to see again; great and splendid souls are met with who
+ fling themselves into sorrow as into an abyss. In the matter of despair,
+ all is true.
+ </p>
+ <p>
+ <a name="link2HCH0005" id="link2HCH0005">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ CHAPTER V. CONCLUSION
+ </h2>
+ <p>
+ Jules escaped from his brother&rsquo;s house and returned home, wishing to pass
+ the night beside his wife, and see till the last moment that celestial
+ creature. As he walked along with an indifference to life known only to
+ those who have reached the last degree of wretchedness, he thought of how,
+ in India, the law ordained that widows should die; he longed to die. He
+ was not yet crushed; the fever of his grief was still upon him. He reached
+ his home and went up into the sacred chamber; he saw his Clemence on the
+ bed of death, beautiful, like a saint, her hair smoothly laid upon her
+ forehead, her hands joined, her body wrapped already in its shroud. Tapers
+ were lighted, a priest was praying, Josephine kneeling in a corner, wept,
+ and, near the bed, were two men. One was Ferragus. He stood erect,
+ motionless, gazing at his daughter with dry eyes; his head you might have
+ taken for bronze: he did not see Jules.
+ </p>
+ <p>
+ The other man was Jacquet,&mdash;Jacquet, to whom Madame Jules had been
+ ever kind. Jacquet felt for her one of those respectful friendships which
+ rejoice the untroubled heart; a gentle passion; love without its desires
+ and its storms. He had come to pay his debt of tears, to bid a long adieu
+ to the wife of his friend, to kiss, for the first time, the icy brow of
+ the woman he had tacitly made his sister.
+ </p>
+ <p>
+ All was silence. Here death was neither terrible as in the churches, nor
+ pompous as it makes its way along the streets; no, it was death in the
+ home, a tender death; here were pomps of the heart, tears drawn from the
+ eyes of all. Jules sat down beside Jacquet and pressed his hand; then,
+ without uttering a word, all these persons remained as they were till
+ morning.
+ </p>
+ <p>
+ When daylight paled the tapers, Jacquet, foreseeing the painful scenes
+ which would then take place, drew Jules away into another room. At this
+ moment the husband looked at the father, and Ferragus looked at Jules. The
+ two sorrows arraigned each other, measured each other, and comprehended
+ each other in that look. A flash of fury shone for an instant in the eyes
+ of Ferragus.
+ </p>
+ <p>
+ &ldquo;You killed her,&rdquo; thought he.
+ </p>
+ <p>
+ &ldquo;Why was I distrusted?&rdquo; seemed the answer of the husband.
+ </p>
+ <p>
+ The scene was one that might have passed between two tigers recognizing
+ the futility of a struggle and, after a moment&rsquo;s hesitation, turning away,
+ without even a roar.
+ </p>
+ <p>
+ &ldquo;Jacquet,&rdquo; said Jules, &ldquo;have you attended to everything?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, to everything,&rdquo; replied his friend, &ldquo;but a man had forestalled me
+ who had ordered and paid for all.&rdquo;
+ </p>
+ <p>
+ &ldquo;He tears his daughter from me!&rdquo; cried the husband, with the violence of
+ despair.
+ </p>
+ <p>
+ Jules rushed back to his wife&rsquo;s room; but the father was there no longer.
+ Clemence had now been placed in a leaden coffin, and workmen were employed
+ in soldering the cover. Jules returned, horrified by the sight; the sound
+ of the hammers the men were using made him mechanically burst into tears.
+ </p>
+ <p>
+ &ldquo;Jacquet,&rdquo; he said, &ldquo;out of this dreadful night one idea has come to me,
+ only one, but one I must make a reality at any price. I cannot let
+ Clemence stay in any cemetery in Paris. I wish to burn her,&mdash;to
+ gather her ashes and keep her with me. Say nothing of this, but manage on
+ my behalf to have it done. I am going to <i>her</i> chamber, where I shall
+ stay until the time has come to go. You alone may come in there to tell me
+ what you have done. Go, and spare nothing.&rdquo;
+ </p>
+ <p>
+ During the morning, Madame Jules, after lying in a mortuary chapel at the
+ door of her house, was taken to Saint-Roch. The church was hung with black
+ throughout. The sort of luxury thus displayed had drawn a crowd; for in
+ Paris all things are sights, even true grief. There are people who stand
+ at their windows to see how a son deplores a mother as he follows her
+ body; there are others who hire commodious seats to see how a head is made
+ to fall. No people in the world have such insatiate eyes as the Parisians.
+ On this occasion, inquisitive minds were particularly surprised to see the
+ six lateral chapels at Saint-Roch also hung in black. Two men in mourning
+ were listening to a mortuary mass said in each chapel. In the chancel no
+ other persons but Monsieur Desmarets, the notary, and Jacquet were
+ present; the servants of the household were outside the screen. To church
+ loungers there was something inexplicable in so much pomp and so few
+ mourners. But Jules had been determined that no indifferent persons should
+ be present at the ceremony.
+ </p>
+ <p>
+ High mass was celebrated with the sombre magnificence of funeral services.
+ Beside the ministers in ordinary of Saint-Roch, thirteen priests from
+ other parishes were present. Perhaps never did the <i>Dies irae</i>
+ produce upon Christians, assembled by chance, by curiosity, and thirsting
+ for emotions, an effect so profound, so nervously glacial as that now
+ caused by this hymn when the eight voices of the precentors, accompanied
+ by the voices of the priests and the choir-boys, intoned it alternately.
+ From the six lateral chapels twelve other childish voices rose shrilly in
+ grief, mingling with the choir voices lamentably. From all parts of the
+ church this mourning issued; cries of anguish responded to the cries of
+ fear. That terrible music was the voice of sorrows hidden from the world,
+ of secret friendships weeping for the dead. Never, in any human religion,
+ have the terrors of the soul, violently torn from the body and stormily
+ shaken in presence of the fulminating majesty of God, been rendered with
+ such force. Before that clamor of clamors all artists and their most
+ passionate compositions must bow humiliated. No, nothing can stand beside
+ that hymn, which sums all human passions, gives them a galvanic life
+ beyond the coffin, and leaves them, palpitating still, before the living
+ and avenging God. These cries of childhood, mingling with the tones of
+ older voices, including thus in the Song of Death all human life and its
+ developments, recalling the sufferings of the cradle, swelling to the
+ griefs of other ages in the stronger male voices and the quavering of the
+ priests,&mdash;all this strident harmony, big with lightning and
+ thunderbolts, does it not speak with equal force to the daring
+ imagination, the coldest heart, nay, to philosophers themselves? As we
+ hear it, we think God speaks; the vaulted arches of no church are mere
+ material; they have a voice, they tremble, they scatter fear by the might
+ of their echoes. We think we see unnumbered dead arising and holding out
+ their hands. It is no more a father, a wife, a child,&mdash;humanity
+ itself is rising from its dust.
+ </p>
+ <p>
+ It is impossible to judge of the catholic, apostolic, and Roman faith,
+ unless the soul has known that deepest grief of mourning for a loved one
+ lying beneath the pall; unless it has felt the emotions that fill the
+ heart, uttered by that Hymn of Despair, by those cries that crush the
+ mind, by that sacred fear augmenting strophe by strophe, ascending
+ heavenward, which terrifies, belittles, and elevates the soul, and leaves
+ within our minds, as the last sound ceases, a consciousness of
+ immortality. We have met and struggled with the vast idea of the Infinite.
+ After that, all is silent in the church. No word is said; sceptics
+ themselves <i>know not what they are feeling</i>. Spanish genius alone was
+ able to bring this untold majesty to untold griefs.
+ </p>
+ <p>
+ When the solemn ceremony was over, twelve men came from the six chapels
+ and stood around the coffin to hear the song of hope which the Church
+ intones for the Christian soul before the human form is buried. Then, each
+ man entered alone a mourning-coach; Jacquet and Monsieur Desmarets took
+ the thirteenth; the servants followed on foot. An hour later, they were at
+ the summit of that cemetery popularly called Pere-Lachaise. The unknown
+ twelve men stood in a circle round the grave, where the coffin had been
+ laid in presence of a crowd of loiterers gathered from all parts of this
+ public garden. After a few short prayers the priest threw a handful of
+ earth on the remains of this woman, and the grave-diggers, having asked
+ for their fee, made haste to fill the grave in order to dig another.
+ </p>
+ <p>
+ Here this history seems to end; but perhaps it would be incomplete if,
+ after giving a rapid sketch of Parisian life, and following certain of its
+ capricious undulations, the effects of death were omitted. Death in Paris
+ is unlike death in any other capital; few persons know the trials of true
+ grief in its struggle with civilization, and the government of Paris.
+ Perhaps, also, Monsieur Jules and Ferragus XXIII. may have proved
+ sufficiently interesting to make a few words on their after life not
+ entirely out of place. Besides, some persons like to be told all, and
+ wish, as one of our cleverest critics has remarked, to know by what
+ chemical process oil was made to burn in Aladdin&rsquo;s lamp.
+ </p>
+ <p>
+ Jacquet, being a government employee, naturally applied to the authorities
+ for permission to exhume the body of Madame Jules and burn it. He went to
+ see the prefect of police, under whose protection the dead sleep. That
+ functionary demanded a petition. The blank was brought that gives to
+ sorrow its proper administrative form; it was necessary to employ the
+ bureaucratic jargon to express the wishes of a man so crushed that words,
+ perhaps, were lacking to him, and it was also necessary to coldly and
+ briefly repeat on the margin the nature of the request, which was done in
+ these words: &ldquo;The petitioner respectfully asks for the incineration of his
+ wife.&rdquo;
+ </p>
+ <p>
+ When the official charged with making the report to the Councillor of
+ State and prefect of police read that marginal note, explaining the object
+ of the petition, and couched, as requested, in the plainest terms, he
+ said:&mdash;
+ </p>
+ <p>
+ &ldquo;This is a serious matter! my report cannot be ready under eight days.&rdquo;
+ </p>
+ <p>
+ Jules, to whom Jacquet was obliged to speak of this delay, comprehended
+ the words that Ferragus had said in his hearing, &ldquo;I&rsquo;ll burn Paris!&rdquo;
+ Nothing seemed to him now more natural than to annihilate that receptacle
+ of monstrous things.
+ </p>
+ <p>
+ &ldquo;But,&rdquo; he said to Jacquet, &ldquo;you must go to the minister of the Interior,
+ and get your minister to speak to him.&rdquo;
+ </p>
+ <p>
+ Jacquet went to the minister of the Interior, and asked an audience; it
+ was granted, but the time appointed was two weeks later. Jacquet was a
+ persistent man. He travelled from bureau to bureau, and finally reached
+ the private secretary of the minister of the Interior, to whom he had made
+ the private secretary of his own minister say a word. These high
+ protectors aiding, he obtained for the morrow a second interview, in
+ which, being armed with a line from the autocrat of Foreign affairs to the
+ pacha of the Interior, Jacquet hoped to carry the matter by assault. He
+ was ready with reasons, and answers to peremptory questions,&mdash;in
+ short, he was armed at all points; but he failed.
+ </p>
+ <p>
+ &ldquo;This matter does not concern me,&rdquo; said the minister; &ldquo;it belongs to the
+ prefect of police. Besides, there is no law giving a husband any legal
+ right to the body of his wife, nor to fathers those of their children. The
+ matter is serious. There are questions of public utility involved which
+ will have to be examined. The interests of the city of Paris might suffer.
+ Therefore if the matter depended on me, which it does not, I could not
+ decide <i>hic et nunc</i>; I should require a report.&rdquo;
+ </p>
+ <p>
+ A <i>report</i> is to the present system of administration what limbo or
+ hades is to Christianity. Jacquet knew very well the mania for &ldquo;reports&rdquo;;
+ he had not waited until this occasion to groan at that bureaucratic
+ absurdity. He knew that since the invasion into public business of the <i>Report</i>
+ (an administrative revolution consummated in 1804) there was never known a
+ single minister who would take upon himself to have an opinion or to
+ decide the slightest matter, unless that opinion or matter had been
+ winnowed, sifted, and plucked to bits by the paper-spoilers,
+ quill-drivers, and splendid intellects of his particular bureau. Jacquet&mdash;he
+ was one of those who are worthy of Plutarch as biographer&mdash;saw that
+ he had made a mistake in his management of the affair, and had, in fact,
+ rendered it impossible by trying to proceed legally. The thing he should
+ have done was to have taken Madame Jules to one of Desmaret&rsquo;s estates in
+ the country; and there, under the good-natured authority of some village
+ mayor to have gratified the sorrowful longing of his friend. Law,
+ constitutional and administrative, begets nothing; it is a barren monster
+ for peoples, for kings, and for private interests. But the peoples
+ decipher no principles but those that are writ in blood, and the evils of
+ legality will always be pacific; it flattens a nation down, that is all.
+ Jacquet, a man of modern liberty, returned home reflecting on the benefits
+ of arbitrary power.
+ </p>
+ <p>
+ When he went with his report to Jules, he found it necessary to deceive
+ him, for the unhappy man was in a high fever, unable to leave his bed. The
+ minister of the Interior mentioned, at a ministerial dinner that same
+ evening, the singular fancy of a Parisian in wishing to burn his wife
+ after the manner of the Romans. The clubs of Paris took up the subject,
+ and talked for a while of the burials of antiquity. Ancient things were
+ just then becoming a fashion, and some persons declared that it would be a
+ fine thing to re-establish, for distinguished persons, the funeral pyre.
+ This opinion had its defenders and its detractors. Some said that there
+ were too many such personages, and the price of wood would be enormously
+ increased by such a custom; moreover, it would be absurd to see our
+ ancestors in their urns in the procession at Longchamps. And if the urns
+ were valuable, they were likely some day to be sold at auction, full of
+ respectable ashes, or seized by creditors,&mdash;a race of men who
+ respected nothing. The other side made answer that our ancestors were much
+ safer in urns than at Pere-Lachaise, for before very long the city of
+ Paris would be compelled to order a Saint-Bartholomew against its dead,
+ who were invading the neighboring country, and threatening to invade the
+ territory of Brie. It was, in short, one of those futile but witty
+ discussions which sometimes cause deep and painful wounds. Happily for
+ Jules, he knew nothing of the conversations, the witty speeches, and
+ arguments which his sorrow had furnished to the tongues of Paris.
+ </p>
+ <p>
+ The prefect of police was indignant that Monsieur Jacquet had appealed to
+ a minister to avoid the wise delays of the commissioners of the public
+ highways; for the exhumation of Madame Jules was a question belonging to
+ that department. The police bureau was doing its best to reply promptly to
+ the petition; one appeal was quite sufficient to set the office in motion,
+ and once in motion matters would go far. But as for the administration,
+ that might take the case before the Council of state,&mdash;a machine very
+ difficult indeed to move.
+ </p>
+ <p>
+ After the second day Jacquet was obliged to tell his friend that he must
+ renounce his desire, because, in a city where the number of tears shed on
+ black draperies is tariffed, where the laws recognize seven classes of
+ funerals, where the scrap of ground to hold the dead is sold at its weight
+ in silver, where grief is worked for what it is worth, where the prayers
+ of the Church are costly, and the vestry claim payment for extra voices in
+ the <i>Dies irae</i>,&mdash;all attempt to get out of the rut prescribed
+ by the authorities for sorrow is useless and impossible.
+ </p>
+ <p>
+ &ldquo;It would have been to me,&rdquo; said Jules, &ldquo;a comfort in my misery. I meant
+ to have died away from here, and I hoped to hold her in my arms in a
+ distant grave. I did not know that bureaucracy could send its claws into
+ our very coffins.&rdquo;
+ </p>
+ <p>
+ He now wished to see if room had been left for him beside his wife. The
+ two friends went to the cemetery. When they reached it they found (as at
+ the doors of museums, galleries, and coach-offices) <i>ciceroni</i>, who
+ proposed to guide them through the labyrinth of Pere-Lachaise. Neither
+ Jules nor Jacquet could have found the spot where Clemence lay. Ah,
+ frightful anguish! They went to the lodge to consult the porter of the
+ cemetery. The dead have a porter, and there are hours when the dead are
+ &ldquo;not receiving.&rdquo; It is necessary to upset all the rules and regulations of
+ the upper and lower police to obtain permission to weep at night, in
+ silence and solitude, over the grave where a loved one lies. There&rsquo;s a
+ rule for summer and a rule for winter about this.
+ </p>
+ <p>
+ Certainly, of all the porters in Paris, the porter of Pere-Lachaise is the
+ luckiest. In the first place, he has no gate-cord to pull; then, instead
+ of a lodge, he has a house,&mdash;an establishment which is not quite
+ ministerial, although a vast number of persons come under his
+ administration, and a good many employees. And this governor of the dead
+ has a salary, with emoluments, and acts under powers of which none
+ complain; he plays despot at his ease. His lodge is not a place of
+ business, though it has departments where the book-keeping of receipts,
+ expenses, and profits, is carried on. The man is not a <i>suisse</i>, nor
+ a concierge, nor actually a porter. The gate which admits the dead stands
+ wide open; and though there are monuments and buildings to be cared for,
+ he is not a care-taker. In short, he is an indefinable anomaly, an
+ authority which participates in all, and yet is nothing,&mdash;an
+ authority placed, like the dead on whom it is based, outside of all.
+ Nevertheless, this exceptional man grows out of the city of Paris,&mdash;that
+ chimerical creation like the ship which is its emblem, that creature of
+ reason moving on a thousand paws which are seldom unanimous in motion.
+ </p>
+ <p>
+ This guardian of the cemetery may be called a concierge who has reached
+ the condition of a functionary, not soluble by dissolution! His place is
+ far from being a sinecure. He does not allow any one to be buried without
+ a permit; he must count his dead. He points out to you in this vast field
+ the six feet square of earth where you will one day put all you love, or
+ all you hate, a mistress, or a cousin. Yes, remember this: all the
+ feelings and emotions of Paris come to end here, at this porter&rsquo;s lodge,
+ where they are administrationized. This man has registers in which his
+ dead are booked; they are in their graves, and also on his records. He has
+ under him keepers, gardeners, grave-diggers, and their assistants. He is a
+ personage. Mourning hearts do not speak to him at first. He does not
+ appear at all except in serious cases, such as one corpse mistaken for
+ another, a murdered body, an exhumation, a dead man coming to life. The
+ bust of the reigning king is in his hall; possibly he keeps the late
+ royal, imperial, and quasi-royal busts in some cupboard,&mdash;a sort of
+ little Pere-Lachaise all ready for revolutions. In short, he is a public
+ man, an excellent man, good husband and good father,&mdash;epitaph apart.
+ But so many diverse sentiments have passed before him on biers; he has
+ seen so many tears, true and false; he has beheld sorrow under so many
+ aspects and on so many faces; he has heard such endless thousands of
+ eternal woes,&mdash;that to him sorrow has come to be nothing more than a
+ stone an inch thick, four feet long, and twenty-four inches wide. As for
+ regrets, they are the annoyances of his office; he neither breakfasts nor
+ dines without first wiping off the rain of an inconsolable affliction. He
+ is kind and tender to other feelings; he will weep over a stage-hero, over
+ Monsieur Germeuil in the &ldquo;Auberge des Adrets,&rdquo; the man with the
+ butter-colored breeches, murdered by Macaire; but his heart is ossified in
+ the matter of real dead men. Dead men are ciphers, numbers, to him; it is
+ his business to organize death. Yet he does meet, three times in a
+ century, perhaps, with an occasion when his part becomes sublime, and then
+ he <i>is</i> sublime through every hour of his day,&mdash;in times of
+ pestilence.
+ </p>
+ <p>
+ When Jacquet approached him this absolute monarch was evidently out of
+ temper.
+ </p>
+ <p>
+ &ldquo;I told you,&rdquo; he was saying, &ldquo;to water the flowers from the rue Massena to
+ the place Regnault de Saint-Jean-d&rsquo;Angely. You paid no attention to me! <i>Sac-a-papier</i>!
+ suppose the relations should take it into their heads to come here to-day
+ because the weather is fine, what would they say to me? They&rsquo;d shriek as
+ if they were burned; they&rsquo;d say horrid things of us, and calumniate us&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; said Jacquet, &ldquo;we want to know where Madame Jules is buried.&rdquo;
+ </p>
+ <p>
+ &ldquo;Madame Jules <i>who</i>?&rdquo; he asked. &ldquo;We&rsquo;ve had three Madame Jules within
+ the last week. Ah,&rdquo; he said, interrupting himself, &ldquo;here comes the funeral
+ of Monsieur le Baron de Maulincour! A fine procession, that! He has soon
+ followed his grandmother. Some families, when they begin to go, rattle
+ down like a wager. Lots of bad blood in Parisians.&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; said Jacquet, touching him on the arm, &ldquo;the person I spoke of
+ is Madame Jules Desmarets, the wife of the broker of that name.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, I know!&rdquo; he replied, looking at Jacquet. &ldquo;Wasn&rsquo;t it a funeral with
+ thirteen mourning coaches, and only one mourner in the twelve first? It
+ was so droll we all noticed it&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur, take care, Monsieur Desmarets is with me; he might hear you,
+ and what you say is not seemly.&rdquo;
+ </p>
+ <p>
+ &ldquo;I beg pardon, monsieur! you are quite right. Excuse me, I took you for
+ heirs. Monsieur,&rdquo; he continued, after consulting a plan of the cemetery,
+ &ldquo;Madame Jules is in the rue Marechal Lefebre, alley No. 4, between
+ Mademoiselle Raucourt, of the Comedie-Francaise, and Monsieur
+ Moreau-Malvin, a butcher, for whom a handsome tomb in white marble has
+ been ordered, which will be one of the finest in the cemetery&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; said Jacquet, interrupting him, &ldquo;that does not help us.&rdquo;
+ </p>
+ <p>
+ &ldquo;True,&rdquo; said the official, looking round him. &ldquo;Jean,&rdquo; he cried, to a man
+ whom he saw at a little distance, &ldquo;conduct these gentlemen to the grave of
+ Madame Jules Desmarets, the broker&rsquo;s wife. You know where it is,&mdash;near
+ to Mademoiselle Raucourt, the tomb where there&rsquo;s a bust.&rdquo;
+ </p>
+ <p>
+ The two friends followed the guide; but they did not reach the steep path
+ which leads to the upper part of the cemetery without having to pass
+ through a score of proposals and requests, made, with honied softness, by
+ the touts of marble-workers, iron-founders, and monumental sculptors.
+ </p>
+ <p>
+ &ldquo;If monsieur would like to order <i>something</i>, we would do it on the
+ most reasonable terms.&rdquo;
+ </p>
+ <p>
+ Jacquet was fortunate enough to be able to spare his friend the hearing of
+ these proposals so agonizing to bleeding hearts; and presently they
+ reached the resting-place. When Jules beheld the earth so recently dug,
+ into which the masons had stuck stakes to mark the place for the stone
+ posts required to support the iron railing, he turned, and leaned upon
+ Jacquet&rsquo;s shoulder, raising himself now and again to cast long glances at
+ the clay mound where he was forced to leave the remains of the being in
+ and by whom he still lived.
+ </p>
+ <p>
+ &ldquo;How miserably she lies there!&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;But she is not there,&rdquo; said Jacquet, &ldquo;she is in your memory. Come, let us
+ go; let us leave this odious cemetery, where the dead are adorned like
+ women for a ball.&rdquo;
+ </p>
+ <p>
+ &ldquo;Suppose we take her away?&rdquo;
+ </p>
+ <p>
+ &ldquo;Can it be done?&rdquo;
+ </p>
+ <p>
+ &ldquo;All things can be done!&rdquo; cried Jules. &ldquo;So, I shall lie there,&rdquo; he added,
+ after a pause. &ldquo;There is room enough.&rdquo;
+ </p>
+ <p>
+ Jacquet finally succeeded in getting him to leave the great enclosure,
+ divided like a chessboard by iron railings and elegant compartments, in
+ which were tombs decorated with palms, inscriptions, and tears as cold as
+ the stones on which sorrowing hearts had caused to be carved their regrets
+ and coats of arms. Many good words are there engraved in black letters,
+ epigrams reproving the curious, <i>concetti</i>, wittily turned farewells,
+ rendezvous given at which only one side appears, pretentious biographies,
+ glitter, rubbish and tinsel. Here the floriated thyrsus, there a
+ lance-head, farther on Egyptian urns, now and then a few cannon; on all
+ sides the emblems of professions, and every style of art,&mdash;Moorish,
+ Greek, Gothic,&mdash;friezes, ovules, paintings, vases, guardian-angels,
+ temples, together with innumerable <i>immortelles</i>, and dead
+ rose-bushes. It is a forlorn comedy! It is another Paris, with its
+ streets, its signs, its industries, and its lodgings; but a Paris seen
+ through the diminishing end of an opera-glass, a microscopic Paris reduced
+ to the littleness of shadows, spectres, dead men, a human race which no
+ longer has anything great about it, except its vanity. There Jules saw at
+ his feet, in the long valley of the Seine, between the slopes of Vaugirard
+ and Meudon and those of Belleville and Montmartre, the real Paris, wrapped
+ in a misty blue veil produced by smoke, which the sunlight tendered at
+ that moment diaphanous. He glanced with a constrained eye at those forty
+ thousand houses, and said, pointing to the space comprised between the
+ column of the Place Vendome and the gilded cupola of the Invalides:&mdash;
+ </p>
+ <p>
+ &ldquo;She was wrenched from me there by the fatal curiosity of that world which
+ excites itself and meddles solely for excitement and occupation.&rdquo;
+ </p>
+ <p>
+ Twelve miles from where they were, on the banks of the Seine, in a modest
+ village lying on the slope of a hill of that long hilly basin the middle
+ of which great Paris stirs like a child in its cradle, a death scene was
+ taking place, far indeed removed from Parisian pomps, with no
+ accompaniment of torches or tapers or mourning-coaches, without prayers of
+ the Church, in short, a death in all simplicity. Here are the facts: The
+ body of a young girl was found early in the morning, stranded on the
+ river-bank in the slime and reeds of the Seine. Men employed in dredging
+ sand saw it as they were getting into their frail boat on their way to
+ their work.
+ </p>
+ <p>
+ &ldquo;<i>Tiens</i>! fifty francs earned!&rdquo; said one of them.
+ </p>
+ <p>
+ &ldquo;True,&rdquo; said the other.
+ </p>
+ <p>
+ They approached the body.
+ </p>
+ <p>
+ &ldquo;A handsome girl! We had better go and make our statement.&rdquo;
+ </p>
+ <p>
+ And the two dredgers, after covering the body with their jackets, went to
+ the house of the village mayor, who was much embarrassed at having to make
+ out the legal papers necessitated by this discovery.
+ </p>
+ <p>
+ The news of this event spread with the telegraphic rapidity peculiar to
+ regions where social communications have no distractions, where gossip,
+ scandal, calumny, in short, the social tale which feasts the world has no
+ break of continuity from one boundary to another. Before long, persons
+ arriving at the mayor&rsquo;s office released him from all embarrassment. They
+ were able to convert the <i>proces-verbal</i> into a mere certificate of
+ death, by recognizing the body as that of the Demoiselle Ida Gruget,
+ corset-maker, living rue de la Corderie-du-Temple, number 14. The
+ judiciary police of Paris arrived, and the mother, bearing her daughter&rsquo;s
+ last letter. Amid the mother&rsquo;s moans, a doctor certified to death by
+ asphyxia, through the injection of black blood into the pulmonary system,&mdash;which
+ settled the matter. The inquest over, and the certificates signed, by six
+ o&rsquo;clock the same evening authority was given to bury the grisette. The
+ rector of the parish, however, refused to receive her into the church or
+ to pray for her. Ida Gruget was therefore wrapped in a shroud by an old
+ peasant-woman, put into a common pine-coffin, and carried to the village
+ cemetery by four men, followed by a few inquisitive peasant-women, who
+ talked about the death with wonder mingled with some pity.
+ </p>
+ <p>
+ The widow Gruget was charitably taken in by an old lady who prevented her
+ from following the sad procession of her daughter&rsquo;s funeral. A man of
+ triple functions, the bell-ringer, beadle, and grave-digger of the parish,
+ had dug a grave in the half-acre cemetery behind the church,&mdash;a
+ church well known, a classic church, with a square tower and pointed roof
+ covered with slate, supported on the outside by strong corner buttresses.
+ Behind the apse of the chancel, lay the cemetery, enclosed with a
+ dilapidated wall,&mdash;a little field full of hillocks; no marble
+ monuments, no visitors, but surely in every furrow, tears and true
+ regrets, which were lacking to Ida Gruget. She was cast into a corner full
+ of tall grass and brambles. After the coffin had been laid in this field,
+ so poetic in its simplicity, the grave-digger found himself alone, for
+ night was coming on. While filling the grave, he stopped now and then to
+ gaze over the wall along the road. He was standing thus, resting on his
+ spade, and looking at the Seine, which had brought him the body.
+ </p>
+ <p>
+ &ldquo;Poor girl!&rdquo; cried the voice of a man who suddenly appeared.
+ </p>
+ <p>
+ &ldquo;How you made me jump, monsieur,&rdquo; said the grave-digger.
+ </p>
+ <p>
+ &ldquo;Was any service held over the body you are burying?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, monsieur. Monsieur le cure wasn&rsquo;t willing. This is the first person
+ buried here who didn&rsquo;t belong to the parish. Everybody knows everybody
+ else in this place. Does monsieur&mdash;Why, he&rsquo;s gone!&rdquo;
+ </p>
+ <p>
+ Some days had elapsed when a man dressed in black called at the house of
+ Monsieur Jules Desmarets, and without asking to see him carried up to the
+ chamber of his wife a large porphyry vase, on which were inscribed the
+ words:&mdash;
+ </p>
+<pre xml:space="preserve">
+ INVITA LEGE
+ CONJUGI MOERENTI
+ FILIOLAE CINERES
+ RESTITUIT
+ AMICIS XII. JUVANTIBUS
+ MORIBUNDUS PATER.
+</pre>
+ <p>
+ &ldquo;What a man!&rdquo; cried Jules, bursting into tears.
+ </p>
+ <p>
+ Eight days sufficed the husband to obey all the wishes of his wife, and to
+ arrange his own affairs. He sold his practice to a brother of Martin
+ Falleix, and left Paris while the authorities were still discussing
+ whether it was lawful for a citizen to dispose of the body of his wife.
+ </p>
+ <hr />
+ <p>
+ Who has not encountered on the boulevards of Paris, at the turn of a
+ street, or beneath the arcades of the Palais-Royal, or in any part of the
+ world where chance may offer him the sight, a being, man or woman, at
+ whose aspect a thousand confused thoughts spring into his mind? At that
+ sight we are suddenly interested, either by features of some fantastic
+ conformation which reveal an agitated life, or by a singular effect of the
+ whole person, produced by gestures, air, gait, clothes; or by some deep,
+ intense look; or by other inexpressible signs which seize our minds
+ suddenly and forcibly without our being able to explain even to ourselves
+ the cause of our emotion. The next day other thoughts and other images
+ have carried out of sight that passing dream. But if we meet the same
+ personage again, either passing at some fixed hour, like the clerk of a
+ mayor&rsquo;s office, or wandering about the public promenades, like those
+ individuals who seem to be a sort of furniture of the streets of Paris,
+ and who are always to be found in public places, at first representations
+ or noted restaurants,&mdash;then this being fastens himself or herself on
+ our memory, and remains there like the first volume of a novel the end of
+ which is lost. We are tempted to question this unknown person, and say,
+ &ldquo;Who are you?&rdquo; &ldquo;Why are you lounging here?&rdquo; &ldquo;By what right do you wear
+ that pleated ruffle, that faded waistcoat, and carry that cane with an
+ ivory top; why those blue spectacles; for what reason do you cling to that
+ cravat of a dead and gone fashion?&rdquo; Among these wandering creations some
+ belong to the species of the Greek Hermae; they say nothing to the soul;
+ <i>they are there</i>, and that is all. Why? is known to none. Such figure
+ are a type of those used by sculptors for the four Seasons, for Commerce,
+ for Plenty, etc. Some others&mdash;former lawyers, old merchants, elderly
+ generals&mdash;move and walk, and yet seem stationary. Like old trees that
+ are half uprooted by the current of a river, they seem never to take part
+ in the torrent of Paris, with its youthful, active crowd. It is impossible
+ to know if their friends have forgotten to bury them, or whether they have
+ escaped out of their coffins. At any rate, they have reached the condition
+ of semi-fossils.
+ </p>
+ <p>
+ One of these Parisian Melmoths had come within a few days into a
+ neighborhood of sober, quiet people, who, when the weather is fine, are
+ invariably to be found in the space which lies between the south entrance
+ of the Luxembourg and the north entrance of the Observatoire,&mdash;a
+ space without a name, the neutral space of Paris. There, Paris is no
+ longer; and there, Paris still lingers. The spot is a mingling of street,
+ square, boulevard, fortification, garden, avenue, high-road, province, and
+ metropolis; certainly, all of that is to be found there, and yet the place
+ is nothing of all that,&mdash;it is a desert. Around this spot without a
+ name stand the Foundling hospital, the Bourbe, the Cochin hospital, the
+ Capucines, the hospital La Rochefoucauld, the Deaf and Dumb Asylum, the
+ hospital of the Val-de-Grace; in short, all the vices and all the
+ misfortunes of Paris find their asylum there. And (that nothing may lack
+ in this philanthropic centre) Science there studies the tides and
+ longitudes, Monsieur de Chateaubriand has erected the Marie-Therese
+ Infirmary, and the Carmelites have founded a convent. The great events of
+ life are represented by bells which ring incessantly through this desert,&mdash;for
+ the mother giving birth, for the babe that is born, for the vice that
+ succumbs, for the toiler who dies, for the virgin who prays, for the old
+ man shaking with cold, for genius self-deluded. And a few steps off is the
+ cemetery of Mont-Parnasse, where, hour after hour, the sorry funerals of
+ the faubourg Saint-Marceau wend their way. This esplanade, which commands
+ a view of Paris, has been taken possession of by bowl-players; it is, in
+ fact, a sort of bowling green frequented by old gray faces, belonging to
+ kindly, worthy men, who seem to continue the race of our ancestors, whose
+ countenances must only be compared with those of their surroundings.
+ </p>
+ <p>
+ The man who had become, during the last few days, an inhabitant of this
+ desert region, proved an assiduous attendant at these games of bowls; and
+ must, undoubtedly, be considered the most striking creature of these
+ various groups, who (if it is permissible to liken Parisians to the
+ different orders of zoology) belonged to the genus mollusk. The new-comer
+ kept sympathetic step with the <i>cochonnet</i>,&mdash;the little bowl
+ which serves as a goal and on which the interest of the game must centre.
+ He leaned against a tree when the <i>cochonnet</i> stopped; then, with the
+ same attention that a dog gives to his master&rsquo;s gestures, he looked at the
+ other bowls flying through the air, or rolling along the ground. You might
+ have taken him for the weird and watchful genii of the <i>cochonnet</i>.
+ He said nothing; and the bowl-players&mdash;the most fanatic men that can
+ be encountered among the sectarians of any faith&mdash;had never asked the
+ reason of his dogged silence; in fact, the most observing of them thought
+ him deaf and dumb.
+ </p>
+ <p>
+ When it happened that the distances between the bowls and the <i>cochonnet</i>
+ had to be measured, the cane of this silent being was used as a measure,
+ the players coming up and taking it from the icy hands of the old man and
+ returning it without a word or even a sign of friendliness. The loan of
+ his cane seemed a servitude to which he had negatively consented. When a
+ shower fell, he stayed near the <i>cochonnet</i>, the slave of the bowls,
+ and the guardian of the unfinished game. Rain affected him no more than
+ the fine weather did; he was, like the players themselves, an intermediary
+ species between a Parisian who has the lowest intellect of his kind and an
+ animal which has the highest.
+ </p>
+ <p>
+ In other respects, pallid and shrunken, indifferent to his own person,
+ vacant in mind, he often came bareheaded, showing his sparse white hair,
+ and his square, yellow, bald skull, like the knee of a beggar seen through
+ his tattered trousers. His mouth was half-open, no ideas were in his
+ glance, no precise object appeared in his movements; he never smiled; he
+ never raised his eyes to heaven, but kept them habitually on the ground,
+ where he seemed to be looking for something. At four o&rsquo;clock an old woman
+ arrived, to take him Heaven knows where; which she did by towing him along
+ by the arm, as a young girl drags a wilful goat which still wants to
+ browse by the wayside. This old man was a horrible thing to see.
+ </p>
+ <p>
+ In the afternoon of the day when Jules Desmarets left Paris, his
+ travelling-carriage, in which he was alone, passed rapidly through the rue
+ de l&rsquo;Est, and came out upon the esplanade of the Observatoire at the
+ moment when the old man, leaning against a tree, had allowed his cane to
+ be taken from his hand amid the noisy vociferations of the players,
+ pacifically irritated. Jules, thinking that he recognized that face, felt
+ an impulse to stop, and at the same instant the carriage came to a
+ standstill; for the postilion, hemmed in by some handcarts, had too much
+ respect for the game to call upon the players to make way for him.
+ </p>
+ <p>
+ &ldquo;It is he!&rdquo; said Jules, beholding in that human wreck, Ferragus XXIII.,
+ chief of the Devorants. Then, after a pause, he added, &ldquo;How he loved her!&mdash;Go
+ on, postilion.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ADDENDUM
+ </h2>
+<pre xml:space="preserve">
+ Note: Ferragus is the first part of a trilogy. Part two is
+ entitled The Duchesse de Langeais and part three is The Girl with
+ the Golden Eyes. In other addendum references all three stories
+ are usually combined under the title The Thirteen.
+</pre>
+ <p>
+ The following personages appear in other stories of the Human Comedy.
+ </p>
+ <p>
+ Bourignard, Gratien-Henri-Victor-Jean-Joseph The Girl with the Golden Eyes
+ </p>
+ <p>
+ Desmartes, Jules Cesar Birotteau
+ </p>
+ <p>
+ Desmartes, Madame Jules Cesar Birotteau
+ </p>
+<pre xml:space="preserve">
+Desplein The Atheist&rsquo;s Mass
+ Cousin Pons
+ Lost Illusions
+ The Government Clerks
+ Pierrette
+ A Bachelor&rsquo;s Establishment
+ The Seamy Side of History
+ Modeste Mignon
+ Scenes from a Courtesan&rsquo;s Life
+ Honorine
+</pre>
+<pre xml:space="preserve">
+Gruget, Madame Etienne The Government Clerks
+ A Bachelor&rsquo;s Establishment
+</pre>
+<pre xml:space="preserve">
+Haudry (doctor) Cesar Birotteau
+ A Bachelor&rsquo;s Establishment
+ The Seamy Side of History
+ Cousin Pons
+</pre>
+<pre xml:space="preserve">
+Langeais, Duchesse Antoinette de Father Goriot
+ The Duchesse of Langeais
+</pre>
+<pre xml:space="preserve">
+Marsay, Henri de The Duchesse of Langeais
+ The Girl with the Golden Eyes
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+</pre>
+ <p>
+ Maulincour, Baronne de A Marriage Settlement
+ </p>
+ <p>
+ Meynardie, Madame Scenes from a Courtesan&rsquo;s Life
+ </p>
+<pre xml:space="preserve">
+Nucingen, Baronne Delphine de Father Goriot
+ Eugenie Grandet
+ Cesar Birotteau
+ Melmoth Reconciled
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ The Commission in Lunacy
+ Scenes from a Courtesan&rsquo;s Life
+ Modeste Mignon
+ The Firm of Nucingen
+ Another Study of Woman
+ A Daughter of Eve
+ The Member for Arcis
+</pre>
+<pre xml:space="preserve">
+Pamiers, Vidame de The Duchesse of Langeais
+ Jealousies of a Country Town
+</pre>
+<pre xml:space="preserve">
+Ronquerolles, Marquis de The Imaginary Mistress
+ The Duchess of Langeais
+ The Girl with the Golden Eyes
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ The Member for Arcis
+</pre>
+<pre xml:space="preserve">
+Serizy, Comtesse de A Start in Life
+ The Duchesse of Langeais
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan&rsquo;s Life
+ Another Study of Woman
+ The Imaginary Mistress
+</pre>
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II. THE DUCHESSE OF LANGEAIS
+ </h2>
+ <p>
+ Translated by Ellen Marriage
+ </p>
+<pre xml:space="preserve">
+ To Franz Liszt
+</pre>
+ <p>
+ In a Spanish city on an island in the Mediterranean, there stands a
+ convent of the Order of Barefoot Carmelites, where the rule instituted by
+ St. Theresa is still preserved with all the first rigor of the reformation
+ brought about by that illustrious woman. Extraordinary as this may seem,
+ it is none the less true. Almost every religious house in the Peninsula,
+ or in Europe for that matter, was either destroyed or disorganized by the
+ outbreak of the French Revolution and the Napoleonic wars; but as this
+ island was protected through those times by the English fleet, its wealthy
+ convent and peaceable inhabitants were secure from the general trouble and
+ spoliation. The storms of many kinds which shook the first fifteen years
+ of the nineteenth century spent their force before they reached those
+ cliffs at so short a distance from the coast of Andalusia.
+ </p>
+ <p>
+ If the rumour of the Emperor&rsquo;s name so much as reached the shore of the
+ island, it is doubtful whether the holy women kneeling in the cloisters
+ grasped the reality of his dream-like progress of glory, or the majesty
+ that blazed in flame across kingdom after kingdom during his meteor life.
+ </p>
+ <p>
+ In the minds of the Roman Catholic world, the convent stood out
+ pre-eminent for a stern discipline which nothing had changed; the purity
+ of its rule had attracted unhappy women from the furthest parts of Europe,
+ women deprived of all human ties, sighing after the long suicide
+ accomplished in the breast of God. No convent, indeed, was so well fitted
+ for that complete detachment of the soul from all earthly things, which is
+ demanded by the religious life, albeit on the continent of Europe there
+ are many convents magnificently adapted to the purpose of their existence.
+ Buried away in the loneliest valleys, hanging in mid-air on the steepest
+ mountainsides, set down on the brink of precipices, in every place man has
+ sought for the poetry of the Infinite, the solemn awe of Silence; in every
+ place man has striven to draw closer to God, seeking Him on mountain
+ peaks, in the depths below the crags, at the cliff&rsquo;s edge; and everywhere
+ man has found God. But nowhere, save on this half-European, half-African
+ ledge of rock could you find so many different harmonies, combining so to
+ raise the soul, that the sharpest pain comes to be like other memories;
+ the strongest impressions are dulled, till the sorrows of life are laid to
+ rest in the depths.
+ </p>
+ <p>
+ The convent stands on the highest point of the crags at the uttermost end
+ of the island. On the side towards the sea the rock was once rent sheer
+ away in some globe-cataclysm; it rises up a straight wall from the base
+ where the waves gnaw at the stone below high-water mark. Any assault is
+ made impossible by the dangerous reefs that stretch far out to sea, with
+ the sparkling waves of the Mediterranean playing over them. So, only from
+ the sea can you discern the square mass of the convent built conformably
+ to the minute rules laid down as to the shape, height, doors, and windows
+ of monastic buildings. From the side of the town, the church completely
+ hides the solid structure of the cloisters and their roofs, covered with
+ broad slabs of stone impervious to sun or storm or gales of wind.
+ </p>
+ <p>
+ The church itself, built by the munificence of a Spanish family, is the
+ crowning edifice of the town. Its fine, bold front gives an imposing and
+ picturesque look to the little city in the sea. The sight of such a city,
+ with its close-huddled roofs, arranged for the most part amphitheatre-wise
+ above a picturesque harbour, and crowned by a glorious cathedral front
+ with triple-arched Gothic doorways, belfry towers, and filigree spires, is
+ a spectacle surely in every way the sublimest on earth. Religion towering
+ above daily life, to put men continually in mind of the End and the way,
+ is in truth a thoroughly Spanish conception. But now surround this picture
+ by the Mediterranean, and a burning sky, imagine a few palms here and
+ there, a few stunted evergreen trees mingling their waving leaves with the
+ motionless flowers and foliage of carved stone; look out over the reef
+ with its white fringes of foam in contrast to the sapphire sea; and then
+ turn to the city, with its galleries and terraces whither the townsfolk
+ come to take the air among their flowers of an evening, above the houses
+ and the tops of the trees in their little gardens; add a few sails down in
+ the harbour; and lastly, in the stillness of falling night, listen to the
+ organ music, the chanting of the services, the wonderful sound of bells
+ pealing out over the open sea. There is sound and silence everywhere;
+ oftener still there is silence over all.
+ </p>
+ <p>
+ The church is divided within into a sombre mysterious nave and narrow
+ aisles. For some reason, probably because the winds are so high, the
+ architect was unable to build the flying buttresses and intervening
+ chapels which adorn almost all cathedrals, nor are there openings of any
+ kind in the walls which support the weight of the roof. Outside there is
+ simply the heavy wall structure, a solid mass of grey stone further
+ strengthened by huge piers placed at intervals. Inside, the nave and its
+ little side galleries are lighted entirely by the great stained-glass
+ rose-window suspended by a miracle of art above the centre doorway; for
+ upon that side the exposure permits of the display of lacework in stone
+ and of other beauties peculiar to the style improperly called Gothic.
+ </p>
+ <p>
+ The larger part of the nave and aisles was left for the townsfolk, who
+ came and went and heard mass there. The choir was shut off from the rest
+ of the church by a grating and thick folds of brown curtain, left slightly
+ apart in the middle in such a way that nothing of the choir could be seen
+ from the church except the high altar and the officiating priest. The
+ grating itself was divided up by the pillars which supported the organ
+ loft; and this part of the structure, with its carved wooden columns,
+ completed the line of the arcading in the gallery carried by the shafts in
+ the nave. If any inquisitive person, therefore, had been bold enough to
+ climb upon the narrow balustrade in the gallery to look down into the
+ choir, he could have seen nothing but the tall eight-sided windows of
+ stained glass beyond the high altar.
+ </p>
+ <p>
+ At the time of the French expedition into Spain to establish Ferdinand VII
+ once more on the throne, a French general came to the island after the
+ taking of Cadiz, ostensibly to require the recognition of the King&rsquo;s
+ Government, really to see the convent and to find some means of entering
+ it. The undertaking was certainly a delicate one; but a man of passionate
+ temper, whose life had been, as it were, but one series of poems in
+ action, a man who all his life long had lived romances instead of writing
+ them, a man pre-eminently a Doer, was sure to be tempted by a deed which
+ seemed to be impossible.
+ </p>
+ <p>
+ To open the doors of a convent of nuns by lawful means! The metropolitan
+ or the Pope would scarcely have permitted it! And as for force or
+ stratagem&mdash;might not any indiscretion cost him his position, his
+ whole career as a soldier, and the end in view to boot? The Duc
+ d&rsquo;Angouleme was still in Spain; and of all the crimes which a man in
+ favour with the Commander-in-Chief might commit, this one alone was
+ certain to find him inexorable. The General had asked for the mission to
+ gratify private motives of curiosity, though never was curiosity more
+ hopeless. This final attempt was a matter of conscience. The Carmelite
+ convent on the island was the only nunnery in Spain which had baffled his
+ search.
+ </p>
+ <p>
+ As he crossed from the mainland, scarcely an hour&rsquo;s distance, he felt a
+ presentiment that his hopes were to be fulfilled; and afterwards, when as
+ yet he had seen nothing of the convent but its walls, and of the nuns not
+ so much as their robes; while he had merely heard the chanting of the
+ service, there were dim auguries under the walls and in the sound of the
+ voices to justify his frail hope. And, indeed, however faint those so
+ unaccountable presentiments might be, never was human passion more
+ vehemently excited than the General&rsquo;s curiosity at that moment. There are
+ no small events for the heart; the heart exaggerates everything; the heart
+ weighs the fall of a fourteen-year-old Empire and the dropping of a
+ woman&rsquo;s glove in the same scales, and the glove is nearly always the
+ heavier of the two. So here are the facts in all their prosaic simplicity.
+ The facts first, the emotions will follow.
+ </p>
+ <p>
+ An hour after the General landed on the island, the royal authority was
+ re-established there. Some few Constitutional Spaniards who had found
+ their way thither after the fall of Cadiz were allowed to charter a vessel
+ and sail for London. So there was neither resistance nor reaction. But the
+ change of government could not be effected in the little town without a
+ mass, at which the two divisions under the General&rsquo;s command were obliged
+ to be present. Now, it was upon this mass that the General had built his
+ hopes of gaining some information as to the sisters in the convent; he was
+ quite unaware how absolutely the Carmelites were cut off from the world;
+ but he knew that there might be among them one whom he held dearer than
+ life, dearer than honour.
+ </p>
+ <p>
+ His hopes were cruelly dashed at once. Mass, it is true, was celebrated in
+ state. In honour of such a solemnity, the curtains which always hid the
+ choir were drawn back to display its riches, its valuable paintings and
+ shrines so bright with gems that they eclipsed the glories of the ex-votos
+ of gold and silver hung up by sailors of the port on the columns in the
+ nave. But all the nuns had taken refuge in the organ-loft. And yet, in
+ spite of this first check, during this very mass of thanksgiving, the most
+ intimately thrilling drama that ever set a man&rsquo;s heart beating opened out
+ widely before him.
+ </p>
+ <p>
+ The sister who played the organ aroused such intense enthusiasm, that not
+ a single man regretted that he had come to the service. Even the men in
+ the ranks were delighted, and the officers were in ecstasy. As for the
+ General, he was seemingly calm and indifferent. The sensations stirred in
+ him as the sister played one piece after another belong to the small
+ number of things which it is not lawful to utter; words are powerless to
+ express them; like death, God, eternity, they can only be realised through
+ their one point of contact with humanity. Strangely enough, the organ
+ music seemed to belong to the school of Rossini, the musician who brings
+ most human passion into his art.
+ </p>
+ <p>
+ Some day his works, by their number and extent, will receive the reverence
+ due to the Homer of music. From among all the scores that we owe to his
+ great genius, the nun seemed to have chosen <i>Moses in Egypt</i> for
+ special study, doubtless because the spirit of sacred music finds therein
+ its supreme expression. Perhaps the soul of the great musician, so
+ gloriously known to Europe, and the soul of this unknown executant had met
+ in the intuitive apprehension of the same poetry. So at least thought two
+ dilettanti officers who must have missed the Theatre Favart in Spain.
+ </p>
+ <p>
+ At last in the <i>Te Deum</i> no one could fail to discern a French soul
+ in the sudden change that came over the music. Joy for the victory of the
+ Most Christian King evidently stirred this nun&rsquo;s heart to the depths. She
+ was a Frenchwoman beyond mistake. Soon the love of country shone out,
+ breaking forth like shafts of light from the fugue, as the sister
+ introduced variations with all a Parisienne&rsquo;s fastidious taste, and
+ blended vague suggestions of our grandest national airs with her music. A
+ Spaniard&rsquo;s fingers would not have brought this warmth into a graceful
+ tribute paid to the victorious arms of France. The musician&rsquo;s nationality
+ was revealed.
+ </p>
+ <p>
+ &ldquo;We find France everywhere, it seems,&rdquo; said one of the men.
+ </p>
+ <p>
+ The General had left the church during the <i>Te Deum</i>; he could not
+ listen any longer. The nun&rsquo;s music had been a revelation of a woman loved
+ to frenzy; a woman so carefully hidden from the world&rsquo;s eyes, so deeply
+ buried in the bosom of the Church, that hitherto the most ingenious and
+ persistent efforts made by men who brought great influence and unusual
+ powers to bear upon the search had failed to find her. The suspicion
+ aroused in the General&rsquo;s heart became all but a certainty with the vague
+ reminiscence of a sad, delicious melody, the air of <i>Fleuve du Tage</i>.
+ The woman he loved had played the prelude to the ballad in a boudoir in
+ Paris, how often! and now this nun had chosen the song to express an
+ exile&rsquo;s longing, amid the joy of those that triumphed. Terrible sensation!
+ To hope for the resurrection of a lost love, to find her only to know that
+ she was lost, to catch a mysterious glimpse of her after five years&mdash;five
+ years, in which the pent-up passion, chafing in an empty life, had grown
+ the mightier for every fruitless effort to satisfy it!
+ </p>
+ <p>
+ Who has not known, at least once in his life, what it is to lose some
+ precious thing; and after hunting through his papers, ransacking his
+ memory, and turning his house upside down; after one or two days spent in
+ vain search, and hope, and despair; after a prodigious expenditure of the
+ liveliest irritation of soul, who has not known the ineffable pleasure of
+ finding that all-important nothing which had come to be a king of
+ monomania? Very good. Now, spread that fury of search over five years; put
+ a woman, put a heart, put love in the place of the trifle; transpose the
+ monomania into the key of high passion; and, furthermore, let the seeker
+ be a man of ardent temper, with a lion&rsquo;s heart and a leonine head and
+ mane, a man to inspire awe and fear in those who come in contact with him&mdash;realise
+ this, and you may, perhaps, understand why the General walked abruptly out
+ of the church when the first notes of a ballad, which he used to hear with
+ a rapture of delight in a gilt-paneled boudoir, began to vibrate along the
+ aisles of the church in the sea.
+ </p>
+ <p>
+ The General walked away down the steep street which led to the port, and
+ only stopped when he could not hear the deep notes of the organ. Unable to
+ think of anything but the love which broke out in volcanic eruption,
+ filling his heart with fire, he only knew that the <i>Te Deum</i> was over
+ when the Spanish congregation came pouring out of the church. Feeling that
+ his behaviour and attitude might seem ridiculous, he went back to head the
+ procession, telling the alcalde and the governor that, feeling suddenly
+ faint, he had gone out into the air. Casting about for a plea for
+ prolonging his stay, it at once occurred to him to make the most of this
+ excuse, framed on the spur of the moment. He declined, on a plea of
+ increasing indisposition, to preside at the banquet given by the town to
+ the French officers, betook himself to his bed, and sent a message to the
+ Major-General, to the effect that temporary illness obliged him to leave
+ the Colonel in command of the troops for the time being. This commonplace
+ but very plausible stratagem relieved him of all responsibility for the
+ time necessary to carry out his plans. The General, nothing if not
+ &ldquo;catholic and monarchical,&rdquo; took occasion to inform himself of the hours
+ of the services, and manifested the greatest zeal for the performance of
+ his religious duties, piety which caused no remark in Spain.
+ </p>
+ <p>
+ The very next day, while the division was marching out of the town, the
+ General went to the convent to be present at vespers. He found an empty
+ church. The townsfolk, devout though they were, had all gone down to the
+ quay to watch the embarkation of the troops. He felt glad to be the only
+ man there. He tramped noisily up the nave, clanking his spurs till the
+ vaulted roof rang with the sound; he coughed, he talked aloud to himself
+ to let the nuns know, and more particularly to let the organist know that
+ if the troops were gone, one Frenchman was left behind. Was this singular
+ warning heard and understood? He thought so. It seemed to him that in the
+ <i>Magnificat</i> the organ made response which was borne to him on the
+ vibrating air. The nun&rsquo;s spirit found wings in music and fled towards him,
+ throbbing with the rhythmical pulse of the sounds. Then, in all its might,
+ the music burst forth and filled the church with warmth. The Song of Joy
+ set apart in the sublime liturgy of Latin Christianity to express the
+ exaltation of the soul in the presence of the glory of the ever-living
+ God, became the utterance of a heart almost terrified by its gladness in
+ the presence of the glory of a mortal love; a love that yet lived, a love
+ that had risen to trouble her even beyond the grave in which the nun is
+ laid, that she may rise again as the bride of Christ.
+ </p>
+ <p>
+ The organ is in truth the grandest, the most daring, the most magnificent
+ of all instruments invented by human genius. It is a whole orchestra in
+ itself. It can express anything in response to a skilled touch. Surely it
+ is in some sort a pedestal on which the soul poises for a flight forth
+ into space, essaying on her course to draw picture after picture in an
+ endless series, to paint human life, to cross the Infinite that separates
+ heaven from earth? And the longer a dreamer listens to those giant
+ harmonies, the better he realizes that nothing save this hundred-voiced
+ choir on earth can fill all the space between kneeling men, and a God
+ hidden by the blinding light of the Sanctuary. The music is the one
+ interpreter strong enough to bear up the prayers of humanity to heaven,
+ prayer in its omnipotent moods, prayer tinged by the melancholy of many
+ different natures, coloured by meditative ecstasy, upspringing with the
+ impulse of repentance&mdash;blended with the myriad fancies of every
+ creed. Yes. In those long vaulted aisles the melodies inspired by the
+ sense of things divine are blended with a grandeur unknown before, are
+ decked with new glory and might. Out of the dim daylight, and the deep
+ silence broken by the chanting of the choir in response to the thunder of
+ the organ, a veil is woven for God, and the brightness of His attributes
+ shines through it.
+ </p>
+ <p>
+ And this wealth of holy things seemed to be flung down like a grain of
+ incense upon the fragile altar raised to Love beneath the eternal throne
+ of a jealous and avenging God. Indeed, in the joy of the nun there was
+ little of that awe and gravity which should harmonize with the solemnities
+ of the <i>Magnificat</i>. She had enriched the music with graceful
+ variations, earthly gladness throbbing through the rhythm of each. In such
+ brilliant quivering notes some great singer might strive to find a voice
+ for her love, her melodies fluttered as a bird flutters about her mate.
+ There were moments when she seemed to leap back into the past, to dally
+ there now with laughter, now with tears. Her changing moods, as it were,
+ ran riot. She was like a woman excited and happy over her lover&rsquo;s return.
+ </p>
+ <p>
+ But at length, after the swaying fugues of delirium, after the marvellous
+ rendering of a vision of the past, a revulsion swept over the soul that
+ thus found utterance for itself. With a swift transition from the major to
+ the minor, the organist told her hearer of her present lot. She gave the
+ story of long melancholy broodings, of the slow course of her moral
+ malady. How day by day she deadened the senses, how every night cut off
+ one more thought, how her heart was slowly reduced to ashes. The sadness
+ deepened shade after shade through languid modulations, and in a little
+ while the echoes were pouring out a torrent of grief. Then on a sudden,
+ high notes rang out like the voices of angels singing together, as if to
+ tell the lost but not forgotten lover that their spirits now could only
+ meet in heaven. Pathetic hope! Then followed the <i>Amen</i>. No more joy,
+ no more tears in the air, no sadness, no regrets. The <i>Amen</i> was the
+ return to God. The final chord was deep, solemn, even terrible; for the
+ last rumblings of the bass sent a shiver through the audience that raised
+ the hair on their heads; the nun shook out her veiling of crepe, and
+ seemed to sink again into the grave from which she had risen for a moment.
+ Slowly the reverberations died away; it seemed as if the church, but now
+ so full of light, had returned to thick darkness.
+ </p>
+ <p>
+ The General had been caught up and borne swiftly away by this
+ strong-winged spirit; he had followed the course of its flight from
+ beginning to end. He understood to the fullest extent the imagery of that
+ burning symphony; for him the chords reached deep and far. For him, as for
+ the sister, the poem meant future, present, and past. Is not music, and
+ even opera music, a sort of text, which a susceptible or poetic temper, or
+ a sore and stricken heart, may expand as memories shall determine? If a
+ musician must needs have the heart of a poet, must not the listener too be
+ in a manner a poet and a lover to hear all that lies in great music?
+ Religion, love, and music&mdash;what are they but a threefold expression
+ of the same fact, of that craving for expansion which stirs in every noble
+ soul. And these three forms of poetry ascend to God, in whom all passion
+ on earth finds its end. Wherefore the holy human trinity finds a place
+ amid the infinite glories of God; of God, whom we always represent
+ surrounded with the fires of love and seistrons of gold&mdash;music and
+ light and harmony. Is not He the Cause and the End of all our strivings?
+ </p>
+ <p>
+ The French General guessed rightly that here in the desert, on this bare
+ rock in the sea, the nun had seized upon music as an outpouring of the
+ passion that still consumed her. Was this her manner of offering up her
+ love as a sacrifice to God? Or was it Love exultant in triumph over God?
+ The questions were hard to answer. But one thing at least the General
+ could not mistake&mdash;in this heart, dead to the world, the fire of
+ passion burned as fiercely as in his own.
+ </p>
+ <p>
+ Vespers over, he went back to the alcalde with whom he was staying. In the
+ all-absorbing joy which comes in such full measure when a satisfaction
+ sought long and painfully is attained at last, he could see nothing beyond
+ this&mdash;he was still loved! In her heart love had grown in loneliness,
+ even as his love had grown stronger as he surmounted one barrier after
+ another which this woman had set between them! The glow of soul came to
+ its natural end. There followed a longing to see her again, to contend
+ with God for her, to snatch her away&mdash;a rash scheme, which appealed
+ to a daring nature. He went to bed, when the meal was over, to avoid
+ questions; to be alone and think at his ease; and he lay absorbed by deep
+ thought till day broke.
+ </p>
+ <p>
+ He rose only to go to mass. He went to the church and knelt close to the
+ screen, with his forehead touching the curtain; he would have torn a hole
+ in it if he had been alone, but his host had come with him out of
+ politeness, and the least imprudence might compromise the whole future of
+ his love, and ruin the new hopes.
+ </p>
+ <p>
+ The organ sounded, but it was another player, and not the nun of the last
+ two days whose hands touched the keys. It was all colorless and cold for
+ the General. Was the woman he loved prostrated by emotion which well-nigh
+ overcame a strong man&rsquo;s heart? Had she so fully realised and shared an
+ unchanged, longed-for love, that now she lay dying on her bed in her cell?
+ While innumerable thoughts of this kind perplexed his mind, the voice of
+ the woman he worshipped rang out close beside him; he knew its clear
+ resonant soprano. It was her voice, with that faint tremor in it which
+ gave it all the charm that shyness and diffidence gives to a young girl;
+ her voice, distinct from the mass of singing as a <i>prima donna&rsquo;s</i> in
+ the chorus of a finale. It was like a golden or silver thread in dark
+ frieze.
+ </p>
+ <p>
+ It was she! There could be no mistake. Parisienne now as ever, she had not
+ laid coquetry aside when she threw off worldly adornments for the veil and
+ the Carmelite&rsquo;s coarse serge. She who had affirmed her love last evening
+ in the praise sent up to God, seemed now to say to her lover, &ldquo;Yes, it is
+ I. I am here. My love is unchanged, but I am beyond the reach of love. You
+ will hear my voice, my soul shall enfold you, and I shall abide here under
+ the brown shroud in the choir from which no power on earth can tear me.
+ You shall never see me more!&rdquo;
+ </p>
+ <p>
+ &ldquo;It is she indeed!&rdquo; the General said to himself, raising his head. He had
+ leant his face on his hands, unable at first to bear the intolerable
+ emotion that surged like a whirlpool in his heart, when that well-known
+ voice vibrated under the arcading, with the sound of the sea for
+ accompaniment.
+ </p>
+ <p>
+ Storm was without, and calm within the sanctuary. Still that rich voice
+ poured out all its caressing notes; it fell like balm on the lover&rsquo;s
+ burning heart; it blossomed upon the air&mdash;the air that a man would
+ fain breathe more deeply to receive the effluence of a soul breathed forth
+ with love in the words of the prayer. The alcalde coming to join his guest
+ found him in tears during the elevation, while the nun was singing, and
+ brought him back to his house. Surprised to find so much piety in a French
+ military man, the worthy magistrate invited the confessor of the convent
+ to meet his guest. Never had news given the General more pleasure; he paid
+ the ecclesiastic a good deal of attention at supper, and confirmed his
+ Spanish hosts in the high opinion they had formed of his piety by a not
+ wholly disinterested respect.
+ </p>
+ <p>
+ He inquired with gravity how many sisters there were in the convent, and
+ asked for particulars of its endowment and revenues, as if from courtesy
+ he wished to hear the good priest discourse on the subject most
+ interesting to him. He informed himself as to the manner of life led by
+ the holy women. Were they allowed to go out of the convent, or to see
+ visitors?
+ </p>
+ <p>
+ &ldquo;Senor,&rdquo; replied the venerable churchman, &ldquo;the rule is strict. A woman
+ cannot enter a monastery of the order of St. Bruno without a special
+ permission from His Holiness, and the rule here is equally stringent. No
+ man may enter a convent of Barefoot Carmelites unless he is a priest
+ specially attached to the services of the house by the Archbishop. None of
+ the nuns may leave the convent; though the great Saint, St. Theresa, often
+ left her cell. The Visitor or the Mothers Superior can alone give
+ permission, subject to an authorization from the Archbishop, for a nun to
+ see a visitor, and then especially in a case of illness. Now we are one of
+ the principal houses, and consequently we have a Mother Superior here.
+ Among other foreign sisters there is one Frenchwoman, Sister Theresa; she
+ it is who directs the music in the chapel.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; said the General, with feigned surprise. &ldquo;She must have rejoiced
+ over the victory of the House of Bourbon.&rdquo;
+ </p>
+ <p>
+ &ldquo;I told them the reason of the mass; they are always a little bit
+ inquisitive.&rdquo;
+ </p>
+ <p>
+ &ldquo;But Sister Theresa may have interests in France. Perhaps she would like
+ to send some message or to hear news.&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not think so. She would have come to ask me.&rdquo;
+ </p>
+ <p>
+ &ldquo;As a fellow-countryman, I should be quite curious to see her,&rdquo; said the
+ General. &ldquo;If it is possible, if the Lady Superior consents, if&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Even at the grating and in the Reverend Mother&rsquo;s presence, an interview
+ would be quite impossible for anybody whatsoever; but, strict as the
+ Mother is, for a deliverer of our holy religion and the throne of his
+ Catholic Majesty, the rule might be relaxed for a moment,&rdquo; said the
+ confessor, blinking. &ldquo;I will speak about it.&rdquo;
+ </p>
+ <p>
+ &ldquo;How old is Sister Theresa?&rdquo; inquired the lover. He dared not ask any
+ questions of the priest as to the nun&rsquo;s beauty.
+ </p>
+ <p>
+ &ldquo;She does not reckon years now,&rdquo; the good man answered, with a simplicity
+ that made the General shudder.
+ </p>
+ <p>
+ Next day before siesta, the confessor came to inform the French General
+ that Sister Theresa and the Mother consented to receive him at the grating
+ in the parlour before vespers. The General spent the siesta in pacing to
+ and fro along the quay in the noonday heat. Thither the priest came to
+ find him, and brought him to the convent by way of the gallery round the
+ cemetery. Fountains, green trees, and rows of arcading maintained a cool
+ freshness in keeping with the place.
+ </p>
+ <p>
+ At the further end of the long gallery the priest led the way into a large
+ room divided in two by a grating covered with a brown curtain. In the
+ first, and in some sort of public half of the apartment, where the
+ confessor left the newcomer, a wooden bench ran round the wall, and two or
+ three chairs, also of wood, were placed near the grating. The ceiling
+ consisted of bare unornamented joists and cross-beams of ilex wood. As the
+ two windows were both on the inner side of the grating, and the dark
+ surface of the wood was a bad reflector, the light in the place was so dim
+ that you could scarcely see the great black crucifix, the portrait of
+ Saint Theresa, and a picture of the Madonna which adorned the grey parlour
+ walls. Tumultuous as the General&rsquo;s feelings were, they took something of
+ the melancholy of the place. He grew calm in that homely quiet. A sense of
+ something vast as the tomb took possession of him beneath the chill
+ unceiled roof. Here, as in the grave, was there not eternal silence, deep
+ peace&mdash;the sense of the Infinite? And besides this there was the
+ quiet and the fixed thought of the cloister&mdash;a thought which you felt
+ like a subtle presence in the air, and in the dim dusk of the room; an
+ all-pervasive thought nowhere definitely expressed, and looming the larger
+ in the imagination; for in the cloister the great saying, &ldquo;Peace in the
+ Lord,&rdquo; enters the least religious soul as a living force.
+ </p>
+ <p>
+ The monk&rsquo;s life is scarcely comprehensible. A man seems confessed a
+ weakling in a monastery; he was born to act, to live out a life of work;
+ he is evading a man&rsquo;s destiny in his cell. But what man&rsquo;s strength,
+ blended with pathetic weakness, is implied by a woman&rsquo;s choice of the
+ convent life! A man may have any number of motives for burying himself in
+ a monastery; for him it is the leap over the precipice. A woman has but
+ one motive&mdash;she is a woman still; she betrothes herself to a Heavenly
+ Bridegroom. Of the monk you may ask, &ldquo;Why did you not fight your battle?&rdquo;
+ But if a woman immures herself in the cloister, is there not always a
+ sublime battle fought first?
+ </p>
+ <p>
+ At length it seemed to the General that that still room, and the lonely
+ convent in the sea, were full of thoughts of him. Love seldom attains to
+ solemnity; yet surely a love still faithful in the breast of God was
+ something solemn, something more than a man had a right to look for as
+ things are in this nineteenth century? The infinite grandeur of the
+ situation might well produce an effect upon the General&rsquo;s mind; he had
+ precisely enough elevation of soul to forget politics, honours, Spain, and
+ society in Paris, and to rise to the height of this lofty climax. And what
+ in truth could be more tragic? How much must pass in the souls of these
+ two lovers, brought together in a place of strangers, on a ledge of
+ granite in the sea; yet held apart by an intangible, unsurmountable
+ barrier! Try to imagine the man saying within himself, &ldquo;Shall I triumph
+ over God in her heart?&rdquo; when a faint rustling sound made him quiver, and
+ the curtain was drawn aside.
+ </p>
+ <p>
+ Between him and the light stood a woman. Her face was hidden by the veil
+ that drooped from the folds upon her head; she was dressed according to
+ the rule of the order in a gown of the colour become proverbial. Her bare
+ feet were hidden; if the General could have seen them, he would have known
+ how appallingly thin she had grown; and yet in spite of the thick folds of
+ her coarse gown, a mere covering and no ornament, he could guess how
+ tears, and prayer, and passion, and loneliness had wasted the woman before
+ him.
+ </p>
+ <p>
+ An ice-cold hand, belonging, no doubt, to the Mother Superior, held back
+ the curtain. The General gave the enforced witness of their interview a
+ searching glance, and met the dark, inscrutable gaze of an aged recluse.
+ The Mother might have been a century old, but the bright, youthful eyes
+ belied the wrinkles that furrowed her pale face.
+ </p>
+ <p>
+ &ldquo;Mme la Duchesse,&rdquo; he began, his voice shaken with emotion, &ldquo;does your
+ companion understand French?&rdquo; The veiled figure bowed her head at the
+ sound of his voice.
+ </p>
+ <p>
+ &ldquo;There is no duchess here,&rdquo; she replied. &ldquo;It is Sister Theresa whom you
+ see before you. She whom you call my companion is my mother in God, my
+ superior here on earth.&rdquo;
+ </p>
+ <p>
+ The words were so meekly spoken by the voice that sounded in other years
+ amid harmonious surroundings of refined luxury, the voice of a queen of
+ fashion in Paris. Such words from the lips that once spoke so lightly and
+ flippantly struck the General dumb with amazement.
+ </p>
+ <p>
+ &ldquo;The Holy Mother only speaks Latin and Spanish,&rdquo; she added.
+ </p>
+ <p>
+ &ldquo;I understand neither. Dear Antoinette, make my excuses to her.&rdquo;
+ </p>
+ <p>
+ The light fell full upon the nun&rsquo;s figure; a thrill of deep emotion
+ betrayed itself in a faint quiver of her veil as she heard her name softly
+ spoken by the man who had been so hard in the past.
+ </p>
+ <p>
+ &ldquo;My brother,&rdquo; she said, drawing her sleeve under her veil, perhaps to
+ brush tears away, &ldquo;I am Sister Theresa.&rdquo;
+ </p>
+ <p>
+ Then, turning to the Superior, she spoke in Spanish; the General knew
+ enough of the language to understand what she said perfectly well;
+ possibly he could have spoken it had he chosen to do so.
+ </p>
+ <p>
+ &ldquo;Dear Mother, the gentleman presents his respects to you, and begs you to
+ pardon him if he cannot pay them himself, but he knows neither of the
+ languages which you speak&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ The aged nun bent her head slowly, with an expression of angelic
+ sweetness, enhanced at the same time by the consciousness of her power and
+ dignity.
+ </p>
+ <p>
+ &ldquo;Do you know this gentleman?&rdquo; she asked, with a keen glance.
+ </p>
+ <p>
+ &ldquo;Yes, Mother.&rdquo;
+ </p>
+ <p>
+ &ldquo;Go back to your cell, my daughter!&rdquo; said the Mother imperiously.
+ </p>
+ <p>
+ The General slipped aside behind the curtain lest the dreadful tumult
+ within him should appear in his face; even in the shadow it seemed to him
+ that he could still see the Superior&rsquo;s piercing eyes. He was afraid of
+ her; she held his little, frail, hardly-won happiness in her hands; and
+ he, who had never quailed under a triple row of guns, now trembled before
+ this nun. The Duchess went towards the door, but she turned back.
+ </p>
+ <p>
+ &ldquo;Mother,&rdquo; she said, with dreadful calmness, &ldquo;the Frenchman is one of my
+ brothers.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then stay, my daughter,&rdquo; said the Superior, after a pause.
+ </p>
+ <p>
+ The piece of admirable Jesuitry told of such love and regret, that a man
+ less strongly constituted might have broken down under the keen delight in
+ the midst of a great and, for him, an entirely novel peril. Oh! how
+ precious words, looks, and gestures became when love must baffle lynx eyes
+ and tiger&rsquo;s claws! Sister Theresa came back.
+ </p>
+ <p>
+ &ldquo;You see, my brother, what I have dared to do only to speak to you for a
+ moment of your salvation and of the prayers that my soul puts up for your
+ soul daily. I am committing mortal sin. I have told a lie. How many days
+ of penance must expiate that lie! But I shall endure it for your sake. My
+ brother, you do not know what happiness it is to love in heaven; to feel
+ that you can confess love purified by religion, love transported into the
+ highest heights of all, so that we are permitted to lose sight of all but
+ the soul. If the doctrine and the spirit of the Saint to whom we owe this
+ refuge had not raised me above earth&rsquo;s anguish, and caught me up and set
+ me, far indeed beneath the Sphere wherein she dwells, yet truly above this
+ world, I should not have seen you again. But now I can see you, and hear
+ your voice, and remain calm&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ The General broke in, &ldquo;But, Antoinette, let me see you, you whom I love
+ passionately, desperately, as you could have wished me to love you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do not call me Antoinette, I implore you. Memories of the past hurt me.
+ You must see no one here but Sister Theresa, a creature who trusts in the
+ Divine mercy.&rdquo; She paused for a little, and then added, &ldquo;You must control
+ yourself, my brother. Our Mother would separate us without pity if there
+ is any worldly passion in your face, or if you allow the tears to fall
+ from your eyes.&rdquo;
+ </p>
+ <p>
+ The General bowed his head to regain self-control; when he looked up again
+ he saw her face beyond the grating&mdash;the thin, white, but still
+ impassioned face of the nun. All the magic charm of youth that once
+ bloomed there, all the fair contrast of velvet whiteness and the colour of
+ the Bengal rose, had given place to a burning glow, as of a porcelain jar
+ with a faint light shining through it. The wonderful hair in which she
+ took such pride had been shaven; there was a bandage round her forehead
+ and about her face. An ascetic life had left dark traces about the eyes,
+ which still sometimes shot out fevered glances; their ordinary calm
+ expression was but a veil. In a few words, she was but the ghost of her
+ former self.
+ </p>
+ <p>
+ &ldquo;Ah! you that have come to be my life, you must come out of this tomb! You
+ were mine; you had no right to give yourself, even to God. Did you not
+ promise me to give up all at the least command from me? You may perhaps
+ think me worthy of that promise now when you hear what I have done for
+ you. I have sought you all through the world. You have been in my thoughts
+ at every moment for five years; my life has been given to you. My friends,
+ very powerful friends, as you know, have helped with all their might to
+ search every convent in France, Italy, Spain, Sicily, and America. Love
+ burned more brightly for every vain search. Again and again I made long
+ journeys with a false hope; I have wasted my life and the heaviest
+ throbbings of my heart in vain under many a dark convent wall. I am not
+ speaking of a faithfulness that knows no bounds, for what is it?&mdash;nothing
+ compared with the infinite longings of my love. If your remorse long ago
+ was sincere, you ought not to hesitate to follow me today.&rdquo;
+ </p>
+ <p>
+ &ldquo;You forget that I am not free.&rdquo;
+ </p>
+ <p>
+ &ldquo;The Duke is dead,&rdquo; he answered quickly.
+ </p>
+ <p>
+ Sister Theresa flushed red.
+ </p>
+ <p>
+ &ldquo;May heaven be open to him!&rdquo; she cried with a quick rush of feeling. &ldquo;He
+ was generous to me.&mdash;But I did not mean such ties; it was one of my
+ sins that I was ready to break them all without scruple&mdash;for you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you speaking of your vows?&rdquo; the General asked, frowning. &ldquo;I did not
+ think that anything weighed heavier with your heart than love. But do not
+ think twice of it, Antoinette; the Holy Father himself shall absolve you
+ of your oath. I will surely go to Rome, I will entreat all the powers of
+ earth; if God could come down from heaven, I would&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Do not blaspheme.&rdquo;
+ </p>
+ <p>
+ &ldquo;So do not fear the anger of God. Ah! I would far rather hear that you
+ would leave your prison for me; that this very night you would let
+ yourself down into a boat at the foot of the cliffs. And we would go away
+ to be happy somewhere at the world&rsquo;s end, I know not where. And with me at
+ your side, you should come back to life and health under the wings of
+ love.&rdquo;
+ </p>
+ <p>
+ &ldquo;You must not talk like this,&rdquo; said Sister Theresa; &ldquo;you do not know what
+ you are to me now. I love you far better than I ever loved you before.
+ Every day I pray for you; I see you with other eyes. Armand, if you but
+ knew the happiness of giving yourself up, without shame, to a pure
+ friendship which God watches over! You do not know what joy it is to me to
+ pray for heaven&rsquo;s blessing on you. I never pray for myself: God will do
+ with me according to His will; but, at the price of my soul, I wish I
+ could be sure that you are happy here on earth, and that you will be happy
+ hereafter throughout all ages. My eternal life is all that trouble has
+ left me to offer up to you. I am old now with weeping; I am neither young
+ nor fair; and in any case, you could not respect the nun who became a
+ wife; no love, not even motherhood, could give me absolution.... What can
+ you say to outweigh the uncounted thoughts that have gathered in my heart
+ during the past five years, thoughts that have changed, and worn, and
+ blighted it? I ought to have given a heart less sorrowful to God.&rdquo;
+ </p>
+ <p>
+ &ldquo;What can I say? Dear Antoinette, I will say this, that I love you; that
+ affection, love, a great love, the joy of living in another heart that is
+ ours, utterly and wholly ours, is so rare a thing and so hard to find,
+ that I doubted you, and put you to sharp proof; but now, today, I love
+ you, Antoinette, with all my soul&rsquo;s strength.... If you will follow me
+ into solitude, I will hear no voice but yours, I will see no other face.&rdquo;
+ </p>
+ <p>
+ &ldquo;Hush, Armand! You are shortening the little time that we may be together
+ here on earth.&rdquo;
+ </p>
+ <p>
+ &ldquo;Antoinette, will you come with me?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am never away from you. My life is in your heart, not through the
+ selfish ties of earthly happiness, or vanity, or enjoyment; pale and
+ withered as I am, I live here for you, in the breast of God. As God is
+ just, you shall be happy&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Words, words all of it! Pale and withered? How if I want you? How if I
+ cannot be happy without you? Do you still think of nothing but duty with
+ your lover before you? Is he never to come first and above all things else
+ in your heart? In time past you put social success, yourself, heaven knows
+ what, before him; now it is God, it is the welfare of my soul! In Sister
+ Theresa I find the Duchess over again, ignorant of the happiness of love,
+ insensible as ever, beneath the semblance of sensibility. You do not love
+ me; you have never loved me&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, my brother&mdash;&mdash;!&rdquo;
+ </p>
+ <p>
+ &ldquo;You do not wish to leave this tomb. You love my soul, do you say? Very
+ well, through you it will be lost forever. I shall make away with myself&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Mother!&rdquo; Sister Theresa called aloud in Spanish, &ldquo;I have lied to you;
+ this man is my lover!&rdquo;
+ </p>
+ <p>
+ The curtain fell at once. The General, in his stupor, scarcely heard the
+ doors within as they clanged.
+ </p>
+ <p>
+ &ldquo;Ah! she loves me still!&rdquo; he cried, understanding all the sublimity of
+ that cry of hers. &ldquo;She loves me still. She must be carried off....&rdquo;
+ </p>
+ <p>
+ The General left the island, returned to headquarters, pleaded ill-health,
+ asked for leave of absence, and forthwith took his departure for France.
+ </p>
+ <p>
+ And now for the incidents which brought the two personages in this Scene
+ into their present relation to each other.
+ </p>
+ <p>
+ The thing known in France as the Faubourg Saint-Germain is neither a
+ Quarter, nor a sect, nor an institution, nor anything else that admits of
+ a precise definition. There are great houses in the Place Royale, the
+ Faubourg Saint-Honore, and the Chaussee d&rsquo;Antin, in any one of which you
+ may breathe the same atmosphere of Faubourg Saint-Germain. So, to begin
+ with, the whole Faubourg is not within the Faubourg. There are men and
+ women born far enough away from its influences who respond to them and
+ take their place in the circle; and again there are others, born within
+ its limits, who may yet be driven forth forever. For the last forty years
+ the manners, and customs, and speech, in a word, the tradition of the
+ Faubourg Saint-Germain, has been to Paris what the Court used to be in
+ other times; it is what the Hotel Saint-Paul was to the fourteenth
+ century; the Louvre to the fifteenth; the Palais, the Hotel Rambouillet,
+ and the Place Royale to the sixteenth; and lastly, as Versailles was to
+ the seventeenth and the eighteenth.
+ </p>
+ <p>
+ Just as the ordinary workaday Paris will always centre about some point;
+ so, through all periods of history, the Paris of the nobles and the upper
+ classes converges towards some particular spot. It is a periodically
+ recurrent phenomenon which presents ample matter for reflection to those
+ who are fain to observe or describe the various social zones; and possibly
+ an enquiry into the causes that bring about this centralization may do
+ more than merely justify the probability of this episode; it may be of
+ service to serious interests which some day will be more deeply rooted in
+ the commonwealth, unless, indeed, experience is as meaningless for
+ political parties as it is for youth.
+ </p>
+ <p>
+ In every age the great nobles, and the rich who always ape the great
+ nobles, build their houses as far as possible from crowded streets. When
+ the Duc d&rsquo;Uzes built his splendid hotel in the Rue Montmartre in the reign
+ of Louis XIV, and set the fountain at his gates&mdash;for which beneficent
+ action, to say nothing of his other virtues, he was held in such
+ veneration that the whole quarter turned out in a body to follow his
+ funeral&mdash;when the Duke, I say, chose this site for his house, he did
+ so because that part of Paris was almost deserted in those days. But when
+ the fortifications were pulled down, and the market gardens beyond the
+ line of the boulevards began to fill with houses, then the d&rsquo;Uzes family
+ left their fine mansion, and in our time it was occupied by a banker.
+ Later still, the noblesse began to find themselves out of their element
+ among shopkeepers, left the Place Royale and the centre of Paris for good,
+ and crossed the river to breathe freely in the Faubourg Saint-Germain,
+ where palaces were reared already about the great hotel built by Louis XIV
+ for the Duc de Maine&mdash;the Benjamin among his legitimated offspring.
+ And indeed, for people accustomed to a stately life, can there be more
+ unseemly surroundings than the bustle, the mud, the street cries, the bad
+ smells, and narrow thoroughfares of a populous quarter? The very habits of
+ life in a mercantile or manufacturing district are completely at variance
+ with the lives of nobles. The shopkeeper and artisan are just going to bed
+ when the great world is thinking of dinner; and the noisy stir of life
+ begins among the former when the latter have gone to rest. Their day&rsquo;s
+ calculations never coincide; the one class represents the expenditure, the
+ other the receipts. Consequently their manners and customs are
+ diametrically opposed.
+ </p>
+ <p>
+ Nothing contemptuous is intended by this statement. An aristocracy is in a
+ manner the intellect of the social system, as the middle classes and the
+ proletariat may be said to be its organizing and working power. It
+ naturally follows that these forces are differently situated; and of their
+ antagonism there is bred a seeming antipathy produced by the performance
+ of different functions, all of them, however, existing for one common end.
+ </p>
+ <p>
+ Such social dissonances are so inevitably the outcome of any charter of
+ the constitution, that however much a Liberal may be disposed to complain
+ of them, as of treason against those sublime ideas with which the
+ ambitious plebeian is apt to cover his designs, he would none the less
+ think it a preposterous notion that M. le Prince de Montmorency, for
+ instance, should continue to live in the Rue Saint-Martin at the corner of
+ the street which bears that nobleman&rsquo;s name; or that M. le Duc de
+ Fitz-James, descendant of the royal house of Scotland, should have his
+ hotel at the angle of the Rue Marie Stuart and the Rue Montorgueil. <i>Sint
+ ut sunt, aut non sint</i>, the grand words of the Jesuit, might be taken
+ as a motto by the great in all countries. These social differences are
+ patent in all ages; the fact is always accepted by the people; its
+ &ldquo;reasons of state&rdquo; are self-evident; it is at once cause and effect, a
+ principle and a law. The common sense of the masses never deserts them
+ until demagogues stir them up to gain ends of their own; that common sense
+ is based on the verities of social order; and the social order is the same
+ everywhere, in Moscow as in London, in Geneva as in Calcutta. Given a
+ certain number of families of unequal fortune in any given space, you will
+ see an aristocracy forming under your eyes; there will be the patricians,
+ the upper classes, and yet other ranks below them. Equality may be a <i>right</i>,
+ but no power on earth can convert it into <i>fact</i>. It would be a good
+ thing for France if this idea could be popularized. The benefits of
+ political harmony are obvious to the least intelligent classes. Harmony
+ is, as it were, the poetry of order, and order is a matter of vital
+ importance to the working population. And what is order, reduced to its
+ simplest expression, but the agreement of things among themselves&mdash;unity,
+ in short? Architecture, music, and poetry, everything in France, and in
+ France more than in any other country, is based upon this principle; it is
+ written upon the very foundations of her clear accurate language, and a
+ language must always be the most infallible index of national character.
+ In the same way you may note that the French popular airs are those most
+ calculated to strike the imagination, the best-modulated melodies are
+ taken over by the people; clearness of thought, the intellectual
+ simplicity of an idea attracts them; they like the incisive sayings that
+ hold the greatest number of ideas. France is the one country in the world
+ where a little phrase may bring about a great revolution. Whenever the
+ masses have risen, it has been to bring men, affairs, and principles into
+ agreement. No nation has a clearer conception of that idea of unity which
+ should permeate the life of an aristocracy; possibly no other nation has
+ so intelligent a comprehension of a political necessity; history will
+ never find her behind the time. France has been led astray many a time,
+ but she is deluded, woman-like, by generous ideas, by a glow of enthusiasm
+ which at first outstrips sober reason.
+ </p>
+ <p>
+ So, to begin with, the most striking characteristic of the Faubourg is the
+ splendour of its great mansions, its great gardens, and a surrounding
+ quiet in keeping with princely revenues drawn from great estates. And what
+ is this distance set between a class and a whole metropolis but visible
+ and outward expression of the widely different attitude of mind which must
+ inevitably keep them apart? The position of the head is well defined in
+ every organism. If by any chance a nation allows its head to fall at its
+ feet, it is pretty sure sooner or later to discover that this is a
+ suicidal measure; and since nations have no desire to perish, they set to
+ work at once to grow a new head. If they lack the strength for this, they
+ perish as Rome perished, and Venice, and so many other states.
+ </p>
+ <p>
+ This distinction between the upper and lower spheres of social activity,
+ emphasized by differences in their manner of living, necessarily implies
+ that in the highest aristocracy there is real worth and some
+ distinguishing merit. In any state, no matter what form of &ldquo;government&rdquo; is
+ affected, so soon as the patrician class fails to maintain that complete
+ superiority which is the condition of its existence, it ceases to be a
+ force, and is pulled down at once by the populace. The people always wish
+ to see money, power, and initiative in their leaders, hands, hearts, and
+ heads; they must be the spokesmen, they must represent the intelligence
+ and the glory of the nation. Nations, like women, love strength in those
+ who rule them; they cannot give love without respect; they refuse utterly
+ to obey those of whom they do not stand in awe. An aristocracy fallen into
+ contempt is a <i>roi faineant</i>, a husband in petticoats; first it
+ ceases to be itself, and then it ceases to be.
+ </p>
+ <p>
+ And in this way the isolation of the great, the sharply marked distinction
+ in their manner of life, or in a word, the general custom of the patrician
+ caste is at once the sign of a real power, and their destruction so soon
+ as that power is lost. The Faubourg Saint-Germain failed to recognise the
+ conditions of its being, while it would still have been easy to perpetuate
+ its existence, and therefore was brought low for a time. The Faubourg
+ should have looked the facts fairly in the face, as the English
+ aristocracy did before them; they should have seen that every institution
+ has its climacteric periods, when words lose their old meanings, and ideas
+ reappear in a new guise, and the whole conditions of politics wear a
+ changed aspect, while the underlying realities undergo no essential
+ alteration.
+ </p>
+ <p>
+ These ideas demand further development which form an essential part of
+ this episode; they are given here both as a succinct statement of the
+ causes, and an explanation of the things which happen in the course of the
+ story.
+ </p>
+ <p>
+ The stateliness of the castles and palaces where nobles dwell; the luxury
+ of the details; the constantly maintained sumptuousness of the furniture;
+ the &ldquo;atmosphere&rdquo; in which the fortunate owner of landed estates (a rich
+ man before he was born) lives and moves easily and without friction; the
+ habit of mind which never descends to calculate the petty workaday gains
+ of existence; the leisure; the higher education attainable at a much
+ earlier age; and lastly, the aristocratic tradition that makes of him a
+ social force, for which his opponents, by dint of study and a strong will
+ and tenacity of vocation, are scarcely a match-all these things should
+ contribute to form a lofty spirit in a man, possessed of such privileges
+ from his youth up; they should stamp his character with that high
+ self-respect, of which the least consequence is a nobleness of heart in
+ harmony with the noble name that he bears. And in some few families all
+ this is realised. There are noble characters here and there in the
+ Faubourg, but they are marked exceptions to a general rule of egoism which
+ has been the ruin of this world within a world. The privileges above
+ enumerated are the birthright of the French noblesse, as of every
+ patrician efflorescence ever formed on the surface of a nation; and will
+ continue to be theirs so long as their existence is based upon real
+ estate, or money; <i>domaine-sol</i> and <i>domaine-argent</i> alike, the
+ only solid bases of an organized society; but such privileges are held
+ upon the understanding that the patricians must continue to justify their
+ existence. There is a sort of moral <i>fief</i> held on a tenure of
+ service rendered to the sovereign, and here in France the people are
+ undoubtedly the sovereigns nowadays. The times are changed, and so are the
+ weapons. The knight-banneret of old wore a coat of chain armor and a
+ hauberk; he could handle a lance well and display his pennon, and no more
+ was required of him; today he is bound to give proof of his intelligence.
+ A stout heart was enough in the days of old; in our days he is required to
+ have a capacious brain-pan. Skill and knowledge and capital&mdash;these
+ three points mark out a social triangle on which the scutcheon of power is
+ blazoned; our modern aristocracy must take its stand on these.
+ </p>
+ <p>
+ A fine theorem is as good as a great name. The Rothschilds, the Fuggers of
+ the nineteenth century, are princes <i>de facto</i>. A great artist is in
+ reality an oligarch; he represents a whole century, and almost always he
+ is a law to others. And the art of words, the high pressure machinery of
+ the writer, the poet&rsquo;s genius, the merchant&rsquo;s steady endurance, the strong
+ will of the statesman who concentrates a thousand dazzling qualities in
+ himself, the general&rsquo;s sword&mdash;all these victories, in short, which a
+ single individual will win, that he may tower above the rest of the world,
+ the patrician class is now bound to win and keep exclusively. They must
+ head the new forces as they once headed the material forces; how should
+ they keep the position unless they are worthy of it? How, unless they are
+ the soul and brain of a nation, shall they set its hands moving? How lead
+ a people without the power of command? And what is the marshal&rsquo;s baton
+ without the innate power of the captain in the man who wields it? The
+ Faubourg Saint-Germain took to playing with batons, and fancied that all
+ the power was in its hands. It inverted the terms of the proposition which
+ called it into existence. And instead of flinging away the insignia which
+ offended the people, and quietly grasping the power, it allowed the
+ bourgeoisie to seize the authority, clung with fatal obstinacy to its
+ shadow, and over and over again forgot the laws which a minority must
+ observe if it would live. When an aristocracy is scarce a thousandth part
+ of the body social, it is bound today, as of old, to multiply its points
+ of action, so as to counterbalance the weight of the masses in a great
+ crisis. And in our days those means of action must be living forces, and
+ not historical memories.
+ </p>
+ <p>
+ In France, unluckily, the noblesse were still so puffed up with the notion
+ of their vanished power, that it was difficult to contend against a kind
+ of innate presumption in themselves. Perhaps this is a national defect.
+ The Frenchman is less given than anyone else to undervalue himself; it
+ comes natural to him to go from his degree to the one above it; and while
+ it is a rare thing for him to pity the unfortunates over whose heads he
+ rises, he always groans in spirit to see so many fortunate people above
+ him. He is very far from heartless, but too often he prefers to listen to
+ his intellect. The national instinct which brings the Frenchman to the
+ front, the vanity that wastes his substance, is as much a dominant passion
+ as thrift in the Dutch. For three centuries it swayed the noblesse, who,
+ in this respect, were certainly pre-eminently French. The scion of the
+ Faubourg Saint-Germain, beholding his material superiority, was fully
+ persuaded of his intellectual superiority. And everything contributed to
+ confirm him in his belief; for ever since the Faubourg Saint-Germain
+ existed at all&mdash;which is to say, ever since Versailles ceased to be
+ the royal residence&mdash;the Faubourg, with some few gaps in continuity,
+ was always backed up by the central power, which in France seldom fails to
+ support that side. Thence its downfall in 1830.
+ </p>
+ <p>
+ At that time the party of the Faubourg Saint-Germain was rather like an
+ army without a base of operation. It had utterly failed to take advantage
+ of the peace to plant itself in the heart of the nation. It sinned for
+ want of learning its lesson, and through an utter incapability of
+ regarding its interests as a whole. A future certainty was sacrificed to a
+ doubtful present gain. This blunder in policy may perhaps be attributed to
+ the following cause.
+ </p>
+ <p>
+ The class-isolation so strenuously kept up by the noblesse brought about
+ fatal results during the last forty years; even caste-patriotism was
+ extinguished by it, and rivalry fostered among themselves. When the French
+ noblesse of other times were rich and powerful, the nobles (<i>gentilhommes</i>)
+ could choose their chiefs and obey them in the hour of danger. As their
+ power diminished, they grew less amenable to discipline; and as in the
+ last days of the Byzantine Empire, everyone wished to be emperor. They
+ mistook their uniform weakness for uniform strength.
+ </p>
+ <p>
+ Each family ruined by the Revolution and the abolition of the law of
+ primogeniture thought only of itself, and not at all of the great family
+ of the noblesse. It seemed to them that as each individual grew rich, the
+ party as a whole would gain in strength. And herein lay their mistake.
+ Money, likewise, is only the outward and visible sign of power. All these
+ families were made up of persons who preserved a high tradition of
+ courtesy, of true graciousness of life, of refined speech, with a family
+ pride, and a squeamish sense of <i>noblesse oblige</i> which suited well
+ with the kind of life they led; a life wholly filled with occupations
+ which become contemptible so soon as they cease to be accessories and take
+ the chief place in existence. There was a certain intrinsic merit in all
+ these people, but the merit was on the surface, and none of them were
+ worth their face-value.
+ </p>
+ <p>
+ Not a single one among those families had courage to ask itself the
+ question, &ldquo;Are we strong enough for the responsibility of power?&rdquo; They
+ were cast on the top, like the lawyers of 1830; and instead of taking the
+ patron&rsquo;s place, like a great man, the Faubourg Saint-Germain showed itself
+ greedy as an upstart. The most intelligent nation in the world perceived
+ clearly that the restored nobles were organizing everything for their own
+ particular benefit. From that day the noblesse was doomed. The Faubourg
+ Saint-Germain tried to be an aristocracy when it could only be an
+ oligarchy&mdash;two very different systems, as any man may see for himself
+ if he gives an intelligent perusal to the list of the patronymics of the
+ House of Peers.
+ </p>
+ <p>
+ The King&rsquo;s Government certainly meant well; but the maxim that the people
+ must be made to <i>will</i> everything, even their own welfare, was pretty
+ constantly forgotten, nor did they bear in mind that La France is a woman
+ and capricious, and must be happy or chastised at her own good pleasure.
+ If there had been many dukes like the Duc de Laval, whose modesty made him
+ worthy of the name he bore, the elder branch would have been as securely
+ seated on the throne as the House of Hanover at this day.
+ </p>
+ <p>
+ In 1814 the noblesse of France were called upon to assert their
+ superiority over the most aristocratic bourgeoisie in the most feminine of
+ all countries, to take the lead in the most highly educated epoch the
+ world had yet seen. And this was even more notably the case in 1820. The
+ Faubourg Saint-Germain might very easily have led and amused the middle
+ classes in days when people&rsquo;s heads were turned with distinctions, and art
+ and science were all the rage. But the narrow-minded leaders of a time of
+ great intellectual progress all of them detested art and science. They had
+ not even the wit to present religion in attractive colours, though they
+ needed its support. While Lamartine, Lamennais, Montalembert, and other
+ writers were putting new life and elevation into men&rsquo;s ideas of religion,
+ and gilding it with poetry, these bunglers in the Government chose to make
+ the harshness of their creed felt all over the country. Never was nation
+ in a more tractable humour; La France, like a tired woman, was ready to
+ agree to anything; never was mismanagement so clumsy; and La France, like
+ a woman, would have forgiven wrongs more easily than bungling.
+ </p>
+ <p>
+ If the noblesse meant to reinstate themselves, the better to found a
+ strong oligarchy, they should have honestly and diligently searched their
+ Houses for men of the stamp that Napoleon used; they should have turned
+ themselves inside out to see if peradventure there was a Constitutionalist
+ Richelieu lurking in the entrails of the Faubourg; and if that genius was
+ not forthcoming from among them, they should have set out to find him,
+ even in the fireless garret where he might happen to be perishing of cold;
+ they should have assimilated him, as the English House of Lords
+ continually assimilates aristocrats made by chance; and finally ordered
+ him to be ruthless, to lop away the old wood, and cut the tree down to the
+ living shoots. But, in the first place, the great system of English
+ Toryism was far too large for narrow minds; the importation required time,
+ and in France a tardy success is no better than a fiasco. So far,
+ moreover, from adopting a policy of redemption, and looking for new forces
+ where God puts them, these petty great folk took a dislike to any capacity
+ that did not issue from their midst; and, lastly, instead of growing young
+ again, the Faubourg Saint-Germain grew positively older.
+ </p>
+ <p>
+ Etiquette, not an institution of primary necessity, might have been
+ maintained if it had appeared only on state occasions, but as it was,
+ there was a daily wrangle over precedence; it ceased to be a matter of art
+ or court ceremonial, it became a question of power. And if from the outset
+ the Crown lacked an adviser equal to so great a crisis, the aristocracy
+ was still more lacking in a sense of its wider interests, an instinct
+ which might have supplied the deficiency. They stood nice about M. de
+ Talleyrand&rsquo;s marriage, when M. de Talleyrand was the one man among them
+ with the steel-encompassed brains that can forge a new political system
+ and begin a new career of glory for a nation. The Faubourg scoffed at a
+ minister if he was not gently born, and produced no one of gentle birth
+ that was fit to be a minister. There were plenty of nobles fitted to serve
+ their country by raising the dignity of justices of the peace, by
+ improving the land, by opening out roads and canals, and taking an active
+ and leading part as country gentlemen; but these had sold their estates to
+ gamble on the Stock Exchange. Again the Faubourg might have absorbed the
+ energetic men among the bourgeoisie, and opened their ranks to the
+ ambition which was undermining authority; they preferred instead to fight,
+ and to fight unarmed, for of all that they once possessed there was
+ nothing left but tradition. For their misfortune there was just precisely
+ enough of their former wealth left them as a class to keep up their bitter
+ pride. They were content with their past. Not one of them seriously
+ thought of bidding the son of the house take up arms from the pile of
+ weapons which the nineteenth century flings down in the market-place.
+ Young men, shut out from office, were dancing at Madame&rsquo;s balls, while
+ they should have been doing the work done under the Republic and the
+ Empire by young, conscientious, harmlessly employed energies. It was their
+ place to carry out at Paris the programme which their seniors should have
+ been following in the country. The heads of houses might have won back
+ recognition of their titles by unremitting attention to local interests,
+ by falling in with the spirit of the age, by recasting their order to suit
+ the taste of the times.
+ </p>
+ <p>
+ But, pent up together in the Faubourg Saint-Germain, where the spirit of
+ the ancient court and traditions of bygone feuds between the nobles and
+ the Crown still lingered on, the aristocracy was not whole-hearted in its
+ allegiance to the Tuileries, and so much the more easily defeated because
+ it was concentrated in the Chamber of Peers, and badly organized even
+ there. If the noblesse had woven themselves into a network over the
+ country, they could have held their own; but cooped up in their Faubourg,
+ with their backs against the Chateau, or spread at full length over the
+ Budget, a single blow cut the thread of a fast-expiring life, and a petty,
+ smug-faced lawyer came forward with the axe. In spite of M.
+ Royer-Collard&rsquo;s admirable discourse, the hereditary peerage and law of
+ entail fell before the lampoons of a man who made it a boast that he had
+ adroitly argued some few heads out of the executioner&rsquo;s clutches, and now
+ forsooth must clumsily proceed to the slaying of old institutions.
+ </p>
+ <p>
+ There are examples and lessons for the future in all this. For if there
+ were not still a future before the French aristocracy, there would be no
+ need to do more than find a suitable sarcophagus; it were something
+ pitilessly cruel to burn the dead body of it with fire of Tophet. But
+ though the surgeon&rsquo;s scalpel is ruthless, it sometimes gives back life to
+ a dying man; and the Faubourg Saint-Germain may wax more powerful under
+ persecution than in its day of triumph, if it but chooses to organize
+ itself under a leader.
+ </p>
+ <p>
+ And now it is easy to give a summary of this semi-political survey. The
+ wish to re-establish a large fortune was uppermost in everyone&rsquo;s mind; a
+ lack of broad views, and a mass of small defects, a real need of religion
+ as a political factor, combined with a thirst for pleasure which damaged
+ the cause of religion and necessitated a good deal of hypocrisy; a certain
+ attitude of protest on the part of loftier and clearer-sighted men who set
+ their faces against Court jealousies; and the disaffection of the
+ provincial families, who often came of purer descent than the nobles of
+ the Court which alienated them from itself&mdash;all these things combined
+ to bring about a most discordant state of things in the Faubourg
+ Saint-Germain. It was neither compact in its organisation, nor consequent
+ in its action; neither completely moral, nor frankly dissolute; it did not
+ corrupt, nor was it corrupted; it would neither wholly abandon the
+ disputed points which damaged its cause, nor yet adopt the policy that
+ might have saved it. In short, however effete individuals might be, the
+ party as a whole was none the less armed with all the great principles
+ which lie at the roots of national existence. What was there in the
+ Faubourg that it should perish in its strength?
+ </p>
+ <p>
+ It was very hard to please in the choice of candidates; the Faubourg had
+ good taste, it was scornfully fastidious, yet there was nothing very
+ glorious nor chivalrous truly about its fall.
+ </p>
+ <p>
+ In the Emigration of 1789 there were some traces of a loftier feeling; but
+ in the Emigration of 1830 from Paris into the country there was nothing
+ discernible but self-interest. A few famous men of letters, a few
+ oratorical triumphs in the Chambers, M. de Talleyrand&rsquo;s attitude in the
+ Congress, the taking of Algiers, and not a few names that found their way
+ from the battlefield into the pages of history&mdash;all these things were
+ so many examples set before the French noblesse to show that it was still
+ open to them to take their part in the national existence, and to win
+ recognition of their claims, if, indeed, they could condescend thus far.
+ In every living organism the work of bringing the whole into harmony
+ within itself is always going on. If a man is indolent, the indolence
+ shows itself in everything that he does; and, in the same manner, the
+ general spirit of a class is pretty plainly manifested in the face it
+ turns on the world, and the soul informs the body.
+ </p>
+ <p>
+ The women of the Restoration displayed neither the proud disregard of
+ public opinion shown by the court ladies of olden time in their
+ wantonness, nor yet the simple grandeur of the tardy virtues by which they
+ expiated their sins and shed so bright a glory about their names. There
+ was nothing either very frivolous or very serious about the woman of the
+ Restoration. She was hypocritical as a rule in her passion, and
+ compounded, so to speak, with its pleasures. Some few families led the
+ domestic life of the Duchesse d&rsquo;Orleans, whose connubial couch was
+ exhibited so absurdly to visitors at the Palais Royal. Two or three kept
+ up the traditions of the Regency, filling cleverer women with something
+ like disgust. The great lady of the new school exercised no influence at
+ all over the manners of the time; and yet she might have done much. She
+ might, at worst, have presented as dignified a spectacle as English-women
+ of the same rank. But she hesitated feebly among old precedents, became a
+ bigot by force of circumstances, and allowed nothing of herself to appear,
+ not even her better qualities.
+ </p>
+ <p>
+ Not one among the Frenchwomen of that day had the ability to create a
+ salon whither leaders of fashion might come to take lessons in taste and
+ elegance. Their voices, which once laid down the law to literature, that
+ living expression of a time, now counted absolutely for nought. Now when a
+ literature lacks a general system, it fails to shape a body for itself,
+ and dies out with its period.
+ </p>
+ <p>
+ When in a nation at any time there is a people apart thus constituted, the
+ historian is pretty certain to find some representative figure, some
+ central personage who embodies the qualities and the defects of the whole
+ party to which he belongs; there is Coligny, for instance, among the
+ Huguenots, the Coadjuteur in the time of the Fronde, the Marechal de
+ Richelieu under Louis XV, Danton during the Terror. It is in the nature of
+ things that the man should be identified with the company in which history
+ finds him. How is it possible to lead a party without conforming to its
+ ideas? or to shine in any epoch unless a man represents the ideas of his
+ time? The wise and prudent head of a party is continually obliged to bow
+ to the prejudices and follies of its rear; and this is the cause of
+ actions for which he is afterwards criticised by this or that historian
+ sitting at a safer distance from terrific popular explosions, coolly
+ judging the passion and ferment without which the great struggles of the
+ world could not be carried on at all. And if this is true of the
+ Historical Comedy of the Centuries, it is equally true in a more
+ restricted sphere in the detached scenes of the national drama known as
+ the <i>Manners of the Age</i>.
+ </p>
+ <p>
+ At the beginning of that ephemeral life led by the Faubourg Saint-Germain
+ under the Restoration, to which, if there is any truth in the above
+ reflections, they failed to give stability, the most perfect type of the
+ aristocratic caste in its weakness and strength, its greatness and
+ littleness, might have been found for a brief space in a young married
+ woman who belonged to it. This was a woman artificially educated, but in
+ reality ignorant; a woman whose instincts and feelings were lofty while
+ the thought which should have controlled them was wanting. She squandered
+ the wealth of her nature in obedience to social conventions; she was ready
+ to brave society, yet she hesitated till her scruples degenerated into
+ artifice. With more wilfulness than real force of character,
+ impressionable rather than enthusiastic, gifted with more brain than
+ heart; she was supremely a woman, supremely a coquette, and above all
+ things a Parisienne, loving a brilliant life and gaiety, reflecting never,
+ or too late; imprudent to the verge of poetry, and humble in the depths of
+ her heart, in spite of her charming insolence. Like some straight-growing
+ reed, she made a show of independence; yet, like the reed, she was ready
+ to bend to a strong hand. She talked much of religion, and had it not at
+ heart, though she was prepared to find in it a solution of her life. How
+ explain a creature so complex? Capable of heroism, yet sinking
+ unconsciously from heroic heights to utter a spiteful word; young and
+ sweet-natured, not so much old at heart as aged by the maxims of those
+ about her; versed in a selfish philosophy in which she was all
+ unpractised, she had all the vices of a courtier, all the nobleness of
+ developing womanhood. She trusted nothing and no one, yet there were times
+ when she quitted her sceptical attitude for a submissive credulity.
+ </p>
+ <p>
+ How should any portrait be anything but incomplete of her, in whom the
+ play of swiftly-changing colour made discord only to produce a poetic
+ confusion? For in her there shone a divine brightness, a radiance of youth
+ that blended all her bewildering characteristics in a certain completeness
+ and unity informed by her charm. Nothing was feigned. The passion or
+ semi-passion, the ineffectual high aspirations, the actual pettiness, the
+ coolness of sentiment and warmth of impulse, were all spontaneous and
+ unaffected, and as much the outcome of her own position as of the position
+ of the aristocracy to which she belonged. She was wholly self-contained;
+ she put herself proudly above the world and beneath the shelter of her
+ name. There was something of the egoism of Medea in her life, as in the
+ life of the aristocracy that lay a-dying, and would not so much as raise
+ itself or stretch out a hand to any political physician; so well aware of
+ its feebleness, or so conscious that it was already dust, that it refused
+ to touch or be touched.
+ </p>
+ <p>
+ The Duchesse de Langeais (for that was her name) had been married for
+ about four years when the Restoration was finally consummated, which is to
+ say, in 1816. By that time the revolution of the Hundred Days had let in
+ the light on the mind of Louis XVIII. In spite of his surroundings, he
+ comprehended the situation and the age in which he was living; and it was
+ only later, when this Louis XI, without the axe, lay stricken down by
+ disease, that those about him got the upper hand. The Duchesse de
+ Langeais, a Navarreins by birth, came of a ducal house which had made a
+ point of never marrying below its rank since the reign of Louis XIV. Every
+ daughter of the house must sooner or later take a <i>tabouret</i> at
+ Court. So, Antoinette de Navarreins, at the age of eighteen, came out of
+ the profound solitude in which her girlhood had been spent to marry the
+ Duc de Langeais&rsquo; eldest son. The two families at that time were living
+ quite out of the world; but after the invasion of France, the return of
+ the Bourbons seemed to every Royalist mind the only possible way of
+ putting an end to the miseries of the war.
+ </p>
+ <p>
+ The Ducs de Navarreins and de Langeais had been faithful throughout to the
+ exiled Princes, nobly resisting all the temptations of glory under the
+ Empire. Under the circumstances they naturally followed out the old family
+ policy; and Mlle Antoinette, a beautiful and portionless girl, was married
+ to M. le Marquis de Langeais only a few months before the death of the
+ Duke his father.
+ </p>
+ <p>
+ After the return of the Bourbons, the families resumed their rank,
+ offices, and dignity at Court; once more they entered public life, from
+ which hitherto they held aloof, and took their place high on the sunlit
+ summits of the new political world. In that time of general baseness and
+ sham political conversions, the public conscience was glad to recognise
+ the unstained loyalty of the two houses, and a consistency in political
+ and private life for which all parties involuntarily respected them. But,
+ unfortunately, as so often happens in a time of transition, the most
+ disinterested persons, the men whose loftiness of view and wise principles
+ would have gained the confidence of the French nation and led them to
+ believe in the generosity of a novel and spirited policy&mdash;these men,
+ to repeat, were taken out of affairs, and public business was allowed to
+ fall into the hands of others, who found it to their interest to push
+ principles to their extreme consequences by way of proving their devotion.
+ </p>
+ <p>
+ The families of Langeais and Navarreins remained about the Court,
+ condemned to perform the duties required by Court ceremonial amid the
+ reproaches and sneers of the Liberal party. They were accused of gorging
+ themselves with riches and honours, and all the while their family estates
+ were no larger than before, and liberal allowances from the civil list
+ were wholly expended in keeping up the state necessary for any European
+ government, even if it be a Republic.
+ </p>
+ <p>
+ In 1818, M. le Duc de Langeais commanded a division of the army, and the
+ Duchess held a post about one of the Princesses, in virtue of which she
+ was free to live in Paris and apart from her husband without scandal. The
+ Duke, moreover, besides his military duties, had a place at Court, to
+ which he came during his term of waiting, leaving his major-general in
+ command. The Duke and Duchess were leading lives entirely apart, the world
+ none the wiser. Their marriage of convention shared the fate of nearly all
+ family arrangements of the kind. Two more antipathetic dispositions could
+ not well have been found; they were brought together; they jarred upon
+ each other; there was soreness on either side; then they were divided once
+ for all. Then they went their separate ways, with a due regard for
+ appearances. The Duc de Langeais, by nature as methodical as the Chevalier
+ de Folard himself, gave himself up methodically to his own tastes and
+ amusements, and left his wife at liberty to do as she pleased so soon as
+ he felt sure of her character. He recognised in her a spirit pre-eminently
+ proud, a cold heart, a profound submissiveness to the usages of the world,
+ and a youthful loyalty. Under the eyes of great relations, with the light
+ of a prudish and bigoted Court turned full upon the Duchess, his honour
+ was safe.
+ </p>
+ <p>
+ So the Duke calmly did as the <i>grands seigneurs</i> of the eighteenth
+ century did before him, and left a young wife of two-and-twenty to her own
+ devices. He had deeply offended that wife, and in her nature there was one
+ appalling characteristic&mdash;she would never forgive an offence when
+ woman&rsquo;s vanity and self-love, with all that was best in her nature
+ perhaps, had been slighted, wounded in secret. Insult and injury in the
+ face of the world a woman loves to forget; there is a way open to her of
+ showing herself great; she is a woman in her forgiveness; but a secret
+ offence women never pardon; for secret baseness, as for hidden virtues and
+ hidden love, they have no kindness.
+ </p>
+ <p>
+ This was Mme la Duchesse de Langeais&rsquo; real position, unknown to the world.
+ She herself did not reflect upon it. It was the time of the rejoicings
+ over the Duc de Berri&rsquo;s marriage. The Court and the Faubourg roused itself
+ from its listlessness and reserve. This was the real beginning of that
+ unheard-of splendour which the Government of the Restoration carried too
+ far. At that time the Duchess, whether for reasons of her own, or from
+ vanity, never appeared in public without a following of women equally
+ distinguished by name and fortune. As queen of fashion she had her <i>dames
+ d&rsquo;atours</i>, her ladies, who modeled their manner and their wit on hers.
+ They had been cleverly chosen. None of her satellites belonged to the
+ inmost Court circle, nor to the highest level of the Faubourg
+ Saint-Germain; but they had set their minds upon admission to those inner
+ sanctuaries. Being as yet simple denominations, they wished to rise to the
+ neighbourhood of the throne, and mingle with the seraphic powers in the
+ high sphere known as <i>le petit chateau</i>. Thus surrounded, the
+ Duchess&rsquo;s position was stronger and more commanding and secure. Her
+ &ldquo;ladies&rdquo; defended her character and helped her to play her detestable part
+ of a woman of fashion. She could laugh at men at her ease, play with fire,
+ receive the homage on which the feminine nature is nourished, and remain
+ mistress of herself.
+ </p>
+ <p>
+ At Paris, in the highest society of all, a woman is a woman still; she
+ lives on incense, adulation, and honours. No beauty, however undoubted, no
+ face, however fair, is anything without admiration. Flattery and a lover
+ are proofs of power. And what is power without recognition? Nothing. If
+ the prettiest of women were left alone in a corner of a drawing-room, she
+ would droop. Put her in the very centre and summit of social grandeur, she
+ will at once aspire to reign over all hearts&mdash;often because it is out
+ of her power to be the happy queen of one. Dress and manner and coquetry
+ are all meant to please one of the poorest creatures extant&mdash;the
+ brainless coxcomb, whose handsome face is his sole merit; it was for such
+ as these that women threw themselves away. The gilded wooden idols of the
+ Restoration, for they were neither more nor less, had neither the
+ antecedents of the <i>petits maitres</i> of the time of the Fronde, nor
+ the rough sterling worth of Napoleon&rsquo;s heroes, not the wit and fine
+ manners of their grandsires; but something of all three they meant to be
+ without any trouble to themselves. Brave they were, like all young
+ Frenchmen; ability they possessed, no doubt, if they had had a chance of
+ proving it, but their places were filled up by the old worn-out men, who
+ kept them in leading strings. It was a day of small things, a cold prosaic
+ era. Perhaps it takes a long time for a Restoration to become a Monarchy.
+ </p>
+ <p>
+ For the past eighteen months the Duchesse de Langeais had been leading
+ this empty life, filled with balls and subsequent visits, objectless
+ triumphs, and the transient loves that spring up and die in an evening&rsquo;s
+ space. All eyes were turned on her when she entered a room; she reaped her
+ harvest of flatteries and some few words of warmer admiration, which she
+ encouraged by a gesture or a glance, but never suffered to penetrate
+ deeper than the skin. Her tone and bearing and everything else about her
+ imposed her will upon others. Her life was a sort of fever of vanity and
+ perpetual enjoyment, which turned her head. She was daring enough in
+ conversation; she would listen to anything, corrupting the surface, as it
+ were, of her heart. Yet when she returned home, she often blushed at the
+ story that had made her laugh; at the scandalous tale that supplied the
+ details, on the strength of which she analyzed the love that she had never
+ known, and marked the subtle distinctions of modern passion, not with
+ comment on the part of complacent hypocrites. For women know how to say
+ everything among themselves, and more of them are ruined by each other
+ than corrupted by men.
+ </p>
+ <p>
+ There came a moment when she discerned that not until a woman is loved
+ will the world fully recognise her beauty and her wit. What does a husband
+ prove? Simply that a girl or woman was endowed with wealth, or well
+ brought up; that her mother managed cleverly that in some way she
+ satisfied a man&rsquo;s ambitions. A lover constantly bears witness to her
+ personal perfections. Then followed the discovery still in Mme de
+ Langeais&rsquo; early womanhood, that it was possible to be loved without
+ committing herself, without permission, without vouchsafing any
+ satisfaction beyond the most meagre dues. There was more than one demure
+ feminine hypocrite to instruct her in the art of playing such dangerous
+ comedies.
+ </p>
+ <p>
+ So the Duchess had her court, and the number of her adorers and courtiers
+ guaranteed her virtue. She was amiable and fascinating; she flirted till
+ the ball or the evening&rsquo;s gaiety was at an end. Then the curtain dropped.
+ She was cold, indifferent, self-contained again till the next day brought
+ its renewed sensations, superficial as before. Two or three men were
+ completely deceived, and fell in love in earnest. She laughed at them, she
+ was utterly insensible. &ldquo;I am loved!&rdquo; she told herself. &ldquo;He loves me!&rdquo; The
+ certainty sufficed her. It is enough for the miser to know that his every
+ whim might be fulfilled if he chose; so it was with the Duchess, and
+ perhaps she did not even go so far as to form a wish.
+ </p>
+ <p>
+ One evening she chanced to be at the house of an intimate friend Mme la
+ Vicomtesse de Fontaine, one of the humble rivals who cordially detested
+ her, and went with her everywhere. In a &ldquo;friendship&rdquo; of this sort both
+ sides are on their guard, and never lay their armor aside; confidences are
+ ingeniously indiscreet, and not unfrequently treacherous. Mme de Langeais
+ had distributed her little patronizing, friendly, or freezing bows, with
+ the air natural to a woman who knows the worth of her smiles, when her
+ eyes fell upon a total stranger. Something in the man&rsquo;s large gravity of
+ aspect startled her, and, with a feeling almost like dread, she turned to
+ Mme de Maufrigneuse with, &ldquo;Who is the newcomer, dear?&rdquo;
+ </p>
+ <p>
+ &ldquo;Someone that you have heard of, no doubt. The Marquis de Montriveau.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! is it he?&rdquo;
+ </p>
+ <p>
+ She took up her eyeglass and submitted him to a very insolent scrutiny, as
+ if he had been a picture meant to receive glances, not to return them.
+ </p>
+ <p>
+ &ldquo;Do introduce him; he ought to be interesting.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nobody more tiresome and dull, dear. But he is the fashion.&rdquo;
+ </p>
+ <p>
+ M. Armand de Montriveau, at that moment all unwittingly the object of
+ general curiosity, better deserved attention than any of the idols that
+ Paris needs must set up to worship for a brief space, for the city is
+ vexed by periodical fits of craving, a passion for <i>engouement</i> and
+ sham enthusiasm, which must be satisfied. The Marquis was the only son of
+ General de Montriveau, one of the <i>ci-devants</i> who served the
+ Republic nobly, and fell by Joubert&rsquo;s side at Novi. Bonaparte had placed
+ his son at the school at Chalons, with the orphans of other generals who
+ fell on the battlefield, leaving their children under the protection of
+ the Republic. Armand de Montriveau left school with his way to make,
+ entered the artillery, and had only reached a major&rsquo;s rank at the time of
+ the Fontainebleau disaster. In his section of the service the chances of
+ advancement were not many. There are fewer officers, in the first place,
+ among the gunners than in any other corps; and in the second place, the
+ feeling in the artillery was decidedly Liberal, not to say Republican; and
+ the Emperor, feeling little confidence in a body of highly educated men
+ who were apt to think for themselves, gave promotion grudgingly in the
+ service. In the artillery, accordingly, the general rule of the army did
+ not apply; the commanding officers were not invariably the most remarkable
+ men in their department, because there was less to be feared from
+ mediocrities. The artillery was a separate corps in those days, and only
+ came under Napoleon in action.
+ </p>
+ <p>
+ Besides these general causes, other reasons, inherent in Armand de
+ Montriveau&rsquo;s character, were sufficient in themselves to account for his
+ tardy promotion. He was alone in the world. He had been thrown at the age
+ of twenty into the whirlwind of men directed by Napoleon; his interests
+ were bounded by himself, any day he might lose his life; it became a habit
+ of mind with him to live by his own self-respect and the consciousness
+ that he had done his duty. Like all shy men, he was habitually silent; but
+ his shyness sprang by no means from timidity; it was a kind of modesty in
+ him; he found any demonstration of vanity intolerable. There was no sort
+ of swagger about his fearlessness in action; nothing escaped his eyes; he
+ could give sensible advice to his chums with unshaken coolness; he could
+ go under fire, and duck upon occasion to avoid bullets. He was kindly; but
+ his expression was haughty and stern, and his face gained him this
+ character. In everything he was rigorous as arithmetic; he never permitted
+ the slightest deviation from duty on any plausible pretext, nor blinked
+ the consequences of a fact. He would lend himself to nothing of which he
+ was ashamed; he never asked anything for himself; in short, Armand de
+ Montriveau was one of many great men unknown to fame, and philosophical
+ enough to despise it; living without attaching themselves to life, because
+ they have not found their opportunity of developing to the full their
+ power to do and feel.
+ </p>
+ <p>
+ People were afraid of Montriveau; they respected him, but he was not very
+ popular. Men may indeed allow you to rise above them, but to decline to
+ descend as low as they can do is the one unpardonable sin. In their
+ feeling towards loftier natures, there is a trace of hate and fear. Too
+ much honour with them implies censure of themselves, a thing forgiven
+ neither to the living nor to the dead.
+ </p>
+ <p>
+ After the Emperor&rsquo;s farewells at Fontainebleau, Montriveau, noble though
+ he was, was put on half-pay. Perhaps the heads of the War Office took
+ fright at uncompromising uprightness worthy of antiquity, or perhaps it
+ was known that he felt bound by his oath to the Imperial Eagle. During the
+ Hundred Days he was made a Colonel of the Guard, and left on the field of
+ Waterloo. His wounds kept him in Belgium he was not present at the
+ disbanding of the Army of the Loire, but the King&rsquo;s government declined to
+ recognise promotion made during the Hundred Days, and Armand de Montriveau
+ left France.
+ </p>
+ <p>
+ An adventurous spirit, a loftiness of thought hitherto satisfied by the
+ hazards of war, drove him on an exploring expedition through Upper Egypt;
+ his sanity or impulse directed his enthusiasm to a project of great
+ importance, he turned his attention to that unexplored Central Africa
+ which occupies the learned of today. The scientific expedition was long
+ and unfortunate. He had made a valuable collection of notes bearing on
+ various geographical and commercial problems, of which solutions are still
+ eagerly sought; and succeeded, after surmounting many obstacles, in
+ reaching the heart of the continent, when he was betrayed into the hands
+ of a hostile native tribe. Then, stripped of all that he had, for two
+ years he led a wandering life in the desert, the slave of savages,
+ threatened with death at every moment, and more cruelly treated than a
+ dumb animal in the power of pitiless children. Physical strength, and a
+ mind braced to endurance, enabled him to survive the horrors of that
+ captivity; but his miraculous escape well-nigh exhausted his energies.
+ When he reached the French colony at Senegal, a half-dead fugitive covered
+ with rags, his memories of his former life were dim and shapeless. The
+ great sacrifices made in his travels were all forgotten like his studies
+ of African dialects, his discoveries, and observations. One story will
+ give an idea of all that he passed through. Once for several days the
+ children of the sheikh of the tribe amused themselves by putting him up
+ for a mark and flinging horses&rsquo; knuckle-bones at his head.
+ </p>
+ <p>
+ Montriveau came back to Paris in 1818 a ruined man. He had no interest,
+ and wished for none. He would have died twenty times over sooner than ask
+ a favour of anyone; he would not even press the recognition of his claims.
+ Adversity and hardship had developed his energy even in trifles, while the
+ habit of preserving his self-respect before that spiritual self which we
+ call conscience led him to attach consequence to the most apparently
+ trivial actions. His merits and adventures became known, however, through
+ his acquaintances, among the principal men of science in Paris, and some
+ few well-read military men. The incidents of his slavery and subsequent
+ escape bore witness to a courage, intelligence, and coolness which won him
+ celebrity without his knowledge, and that transient fame of which Paris
+ salons are lavish, though the artist that fain would keep it must make
+ untold efforts.
+ </p>
+ <p>
+ Montriveau&rsquo;s position suddenly changed towards the end of that year. He
+ had been a poor man, he was now rich; or, externally at any rate, he had
+ all the advantages of wealth. The King&rsquo;s government, trying to attach
+ capable men to itself and to strengthen the army, made concessions about
+ that time to Napoleon&rsquo;s old officers if their known loyalty and character
+ offered guarantees of fidelity. M. de Montriveau&rsquo;s name once more appeared
+ in the army list with the rank of colonel; he received his arrears of pay
+ and passed into the Guards. All these favours, one after another, came to
+ seek the Marquis de Montriveau; he had asked for nothing however small.
+ Friends had taken the steps for him which he would have refused to take
+ for himself.
+ </p>
+ <p>
+ After this, his habits were modified all at once; contrary to his custom,
+ he went into society. He was well received, everywhere he met with great
+ deference and respect. He seemed to have found some end in life; but
+ everything passed within the man, there were no external signs; in society
+ he was silent and cold, and wore a grave, reserved face. His social
+ success was great, precisely because he stood out in such strong contrast
+ to the conventional faces which line the walls of Paris salons. He was,
+ indeed, something quite new there. Terse of speech, like a hermit or a
+ savage, his shyness was thought to be haughtiness, and people were greatly
+ taken with it. He was something strange and great. Women generally were so
+ much the more smitten with this original person because he was not to be
+ caught by their flatteries, however adroit, nor by the wiles with which
+ they circumvent the strongest men and corrode the steel temper. Their
+ Parisian&rsquo;s grimaces were lost upon M. de Montriveau; his nature only
+ responded to the sonorous vibration of lofty thought and feeling. And he
+ would very promptly have been dropped but for the romance that hung about
+ his adventures and his life; but for the men who cried him up behind his
+ back; but for a woman who looked for a triumph for her vanity, the woman
+ who was to fill his thoughts.
+ </p>
+ <p>
+ For these reasons the Duchesse de Langeais&rsquo; curiosity was no less lively
+ than natural. Chance had so ordered it that her interest in the man before
+ her had been aroused only the day before, when she heard the story of one
+ of M. de Montriveau&rsquo;s adventures, a story calculated to make the strongest
+ impression upon a woman&rsquo;s ever-changing fancy.
+ </p>
+ <p>
+ During M. de Montriveau&rsquo;s voyage of discovery to the sources of the Nile,
+ he had had an argument with one of his guides, surely the most
+ extraordinary debate in the annals of travel. The district that he wished
+ to explore could only be reached on foot across a tract of desert. Only
+ one of his guides knew the way; no traveller had penetrated before into
+ that part of the country, where the undaunted officer hoped to find a
+ solution of several scientific problems. In spite of the representations
+ made to him by the guide and the older men of the place, he started upon
+ the formidable journey. Summoning up courage, already highly strung by the
+ prospect of dreadful difficulties, he set out in the morning.
+ </p>
+ <p>
+ The loose sand shifted under his feet at every step; and when, at the end
+ of a long day&rsquo;s march, he lay down to sleep on the ground, he had never
+ been so tired in his life. He knew, however, that he must be up and on his
+ way before dawn next day, and his guide assured him that they should reach
+ the end of their journey towards noon. That promise kept up his courage
+ and gave him new strength. In spite of his sufferings, he continued his
+ march, with some blasphemings against science; he was ashamed to complain
+ to his guide, and kept his pain to himself. After marching for a third of
+ the day, he felt his strength failing, his feet were bleeding, he asked if
+ they should reach the place soon. &ldquo;In an hour&rsquo;s time,&rdquo; said the guide.
+ Armand braced himself for another hour&rsquo;s march, and they went on.
+ </p>
+ <p>
+ The hour slipped by; he could not so much as see against the sky the
+ palm-trees and crests of hill that should tell of the end of the journey
+ near at hand; the horizon line of sand was vast as the circle of the open
+ sea.
+ </p>
+ <p>
+ He came to a stand, refused to go farther, and threatened the guide&mdash;he
+ had deceived him, murdered him; tears of rage and weariness flowed over
+ his fevered cheeks; he was bowed down with fatigue upon fatigue, his
+ throat seemed to be glued by the desert thirst. The guide meanwhile stood
+ motionless, listening to these complaints with an ironical expression,
+ studying the while, with the apparent indifference of an Oriental, the
+ scarcely perceptible indications in the lie of the sands, which looked
+ almost black, like burnished gold.
+ </p>
+ <p>
+ &ldquo;I have made a mistake,&rdquo; he remarked coolly. &ldquo;I could not make out the
+ track, it is so long since I came this way; we are surely on it now, but
+ we must push on for two hours.&rdquo;
+ </p>
+ <p>
+ &ldquo;The man is right,&rdquo; thought M. de Montriveau.
+ </p>
+ <p>
+ So he went on again, struggling to follow the pitiless native. It seemed
+ as if he were bound to his guide by some thread like the invisible tie
+ between the condemned man and the headsman. But the two hours went by,
+ Montriveau had spent his last drops of energy, and the skyline was a
+ blank, there were no palm-trees, no hills. He could neither cry out nor
+ groan, he lay down on the sand to die, but his eyes would have frightened
+ the boldest; something in his face seemed to say that he would not die
+ alone. His guide, like a very fiend, gave him back a cool glance like a
+ man that knows his power, left him to lie there, and kept at a safe
+ distance out of reach of his desperate victim. At last M. Montriveau
+ recovered strength enough for a last curse. The guide came nearer,
+ silenced him with a steady look, and said, &ldquo;Was it not your own will to go
+ where I am taking you, in spite of us all? You say that I have lied to
+ you. If I had not, you would not be even here. Do you want the truth? Here
+ it is. <i>We have still another five hours&rsquo; march before us, and we cannot
+ go back</i>. Sound yourself; if you have not courage enough, here is my
+ dagger.&rdquo;
+ </p>
+ <p>
+ Startled by this dreadful knowledge of pain and human strength, M. de
+ Montriveau would not be behind a savage; he drew a fresh stock of courage
+ from his pride as a European, rose to his feet, and followed his guide.
+ The five hours were at an end, and still M. de Montriveau saw nothing, he
+ turned his failing eyes upon his guide; but the Nubian hoisted him on his
+ shoulders, and showed him a wide pool of water with greenness all about
+ it, and a noble forest lighted up by the sunset. It lay only a hundred
+ paces away; a vast ledge of granite hid the glorious landscape. It seemed
+ to Armand that he had taken a new lease of life. His guide, that giant in
+ courage and intelligence, finished his work of devotion by carrying him
+ across the hot, slippery, scarcely discernible track on the granite.
+ Behind him lay the hell of burning sand, before him the earthly paradise
+ of the most beautiful oasis in the desert.
+ </p>
+ <p>
+ The Duchess, struck from the first by the appearance of this romantic
+ figure, was even more impressed when she learned that this was that
+ Marquis de Montriveau of whom she had dreamed during the night. She had
+ been with him among the hot desert sands, he had been the companion of her
+ nightmare wanderings; for such a woman was not this a delightful presage
+ of a new interest in her life? And never was a man&rsquo;s exterior a better
+ exponent of his character; never were curious glances so well justified.
+ The principal characteristic of his great, square-hewn head was the thick,
+ luxuriant black hair which framed his face, and gave him a strikingly
+ close resemblance to General Kleber; and the likeness still held good in
+ the vigorous forehead, in the outlines of his face, the quiet fearlessness
+ of his eyes, and a kind of fiery vehemence expressed by strongly marked
+ features. He was short, deep-chested, and muscular as a lion. There was
+ something of the despot about him, and an indescribable suggestion of the
+ security of strength in his gait, bearing, and slightest movements. He
+ seemed to know that his will was irresistible, perhaps because he wished
+ for nothing unjust. And yet, like all really strong men, he was mild of
+ speech, simple in his manners, and kindly natured; although it seemed as
+ if, in the stress of a great crisis, all these finer qualities must
+ disappear, and the man would show himself implacable, unshaken in his
+ resolve, terrific in action. There was a certain drawing in of the inner
+ line of the lips which, to a close observer, indicated an ironical bent.
+ </p>
+ <p>
+ The Duchesse de Langeais, realising that a fleeting glory was to be won by
+ such a conquest, made up her mind to gain a lover in Armand de Montriveau
+ during the brief interval before the Duchesse de Maufrigneuse brought him
+ to be introduced. She would prefer him above the others; she would attach
+ him to herself, display all her powers of coquetry for him. It was a
+ fancy, such a merest Duchess&rsquo;s whim as furnished a Lope or a Calderon with
+ the plot of the <i>Dog in the Manger</i>. She would not suffer another
+ woman to engross him; but she had not the remotest intention of being his.
+ </p>
+ <p>
+ Nature had given the Duchess every qualification for the part of coquette,
+ and education had perfected her. Women envied her, and men fell in love
+ with her, not without reason. Nothing that can inspire love, justify it,
+ and give it lasting empire was wanting in her. Her style of beauty, her
+ manner, her voice, her bearing, all combined to give her that instinctive
+ coquetry which seems to be the consciousness of power. Her shape was
+ graceful; perhaps there was a trace of self-consciousness in her changes
+ of movement, the one affectation that could be laid to her charge; but
+ everything about her was a part of her personality, from her least little
+ gesture to the peculiar turn of her phrases, the demure glance of her
+ eyes. Her great lady&rsquo;s grace, her most striking characteristic, had not
+ destroyed the very French quick mobility of her person. There was an
+ extraordinary fascination in her swift, incessant changes of attitude. She
+ seemed as if she surely would be a most delicious mistress when her corset
+ and the encumbering costume of her part were laid aside. All the rapture
+ of love surely was latent in the freedom of her expressive glances, in her
+ caressing tones, in the charm of her words. She gave glimpses of the
+ high-born courtesan within her, vainly protesting against the creeds of
+ the duchess.
+ </p>
+ <p>
+ You might sit near her through an evening, she would be gay and melancholy
+ in turn, and her gaiety, like her sadness, seemed spontaneous. She could
+ be gracious, disdainful, insolent, or confiding at will. Her apparent good
+ nature was real; she had no temptation to descend to malignity. But at
+ each moment her mood changed; she was full of confidence or craft; her
+ moving tenderness would give place to a heart-breaking hardness and
+ insensibility. Yet how paint her as she was, without bringing together all
+ the extremes of feminine nature? In a word, the Duchess was anything that
+ she wished to be or to seem. Her face was slightly too long. There was a
+ grace in it, and a certain thinness and fineness that recalled the
+ portraits of the Middle Ages. Her skin was white, with a faint rose tint.
+ Everything about her erred, as it were, by an excess of delicacy.
+ </p>
+ <p>
+ M. de Montriveau willingly consented to be introduced to the Duchesse de
+ Langeais; and she, after the manner of persons whose sensitive taste leads
+ them to avoid banalities, refrained from overwhelming him with questions
+ and compliments. She received him with a gracious deference which could
+ not fail to flatter a man of more than ordinary powers, for the fact that
+ a man rises above the ordinary level implies that he possesses something
+ of that tact which makes women quick to read feeling. If the Duchess
+ showed any curiosity, it was by her glances; her compliments were conveyed
+ in her manner; there was a winning grace displayed in her words, a subtle
+ suggestion of a desire to please which she of all women knew the art of
+ manifesting. Yet her whole conversation was but, in a manner, the body of
+ the letter; the postscript with the principal thought in it was still to
+ come. After half an hour spent in ordinary talk, in which the words gained
+ all their value from her tone and smiles, M. de Montriveau was about to
+ retire discreetly, when the Duchess stopped him with an expressive
+ gesture.
+ </p>
+ <p>
+ &ldquo;I do not know, monsieur, whether these few minutes during which I have
+ had the pleasure of talking to you proved so sufficiently attractive, that
+ I may venture to ask you to call upon me; I am afraid that it may be very
+ selfish of me to wish to have you all to myself. If I should be so
+ fortunate as to find that my house is agreeable to you, you will always
+ find me at home in the evening until ten o&rsquo;clock.&rdquo;
+ </p>
+ <p>
+ The invitation was given with such irresistible grace, that M. de
+ Montriveau could not refuse to accept it. When he fell back again among
+ the groups of men gathered at a distance from the women, his friends
+ congratulated him, half laughingly, half in earnest, on the extraordinary
+ reception vouchsafed him by the Duchesse de Langeais. The difficult and
+ brilliant conquest had been made beyond a doubt, and the glory of it was
+ reserved for the Artillery of the Guard. It is easy to imagine the jests,
+ good and bad, when this topic had once been started; the world of Paris
+ salons is so eager for amusement, and a joke lasts for such a short time,
+ that everyone is eager to make the most of it while it is fresh.
+ </p>
+ <p>
+ All unconsciously, the General felt flattered by this nonsense. From his
+ place where he had taken his stand, his eyes were drawn again and again to
+ the Duchess by countless wavering reflections. He could not help admitting
+ to himself that of all the women whose beauty had captivated his eyes, not
+ one had seemed to be a more exquisite embodiment of faults and fair
+ qualities blended in a completeness that might realise the dreams of
+ earliest manhood. Is there a man in any rank of life that has not felt
+ indefinable rapture in his secret soul over the woman singled out (if only
+ in his dreams) to be his own; when she, in body, soul, and social aspects,
+ satisfies his every requirement, a thrice perfect woman? And if this
+ threefold perfection that flatters his pride is no argument for loving
+ her, it is beyond cavil one of the great inducements to the sentiment.
+ Love would soon be convalescent, as the eighteenth century moralist
+ remarked, were it not for vanity. And it is certainly true that for
+ everyone, man or woman, there is a wealth of pleasure in the superiority
+ of the beloved. Is she set so high by birth that a contemptuous glance can
+ never wound her? is she wealthy enough to surround herself with state
+ which falls nothing short of royalty, of kings, of finance during their
+ short reign of splendour? is she so ready-witted that a keen-edged jest
+ never brings her into confusion? beautiful enough to rival any woman?&mdash;Is
+ it such a small thing to know that your self-love will never suffer
+ through her? A man makes these reflections in the twinkling of an eye. And
+ how if, in the future opened out by early ripened passion, he catches
+ glimpses of the changeful delight of her charm, the frank innocence of a
+ maiden soul, the perils of love&rsquo;s voyage, the thousand folds of the veil
+ of coquetry? Is not this enough to move the coldest man&rsquo;s heart?
+ </p>
+ <p>
+ This, therefore, was M. de Montriveau&rsquo;s position with regard to woman; his
+ past life in some measure explaining the extraordinary fact. He had been
+ thrown, when little more than a boy, into the hurricane of Napoleon&rsquo;s
+ wars; his life had been spent on fields of battle. Of women he knew just
+ so much as a traveller knows of a country when he travels across it in
+ haste from one inn to another. The verdict which Voltaire passed upon his
+ eighty years of life might, perhaps, have been applied by Montriveau to
+ his own thirty-seven years of existence; had he not thirty-seven follies
+ with which to reproach himself? At his age he was as much a novice in love
+ as the lad that has just been furtively reading <i>Faublas</i>. Of women
+ he had nothing to learn; of love he knew nothing; and thus, desires, quite
+ unknown before, sprang from this virginity of feeling.
+ </p>
+ <p>
+ There are men here and there as much engrossed in the work demanded of
+ them by poverty or ambition, art or science, as M. de Montriveau by war
+ and a life of adventure&mdash;these know what it is to be in this unusual
+ position if they very seldom confess to it. Every man in Paris is supposed
+ to have been in love. No woman in Paris cares to take what other women
+ have passed over. The dread of being taken for a fool is the source of the
+ coxcomb&rsquo;s bragging so common in France; for in France to have the
+ reputation of a fool is to be a foreigner in one&rsquo;s own country. Vehement
+ desire seized on M. de Montriveau, desire that had gathered strength from
+ the heat of the desert and the first stirrings of a heart unknown as yet
+ in its suppressed turbulence.
+ </p>
+ <p>
+ A strong man, and violent as he was strong, he could keep mastery over
+ himself; but as he talked of indifferent things, he retired within
+ himself, and swore to possess this woman, for through that thought lay the
+ only way to love for him. Desire became a solemn compact made with
+ himself, an oath after the manner of the Arabs among whom he had lived;
+ for among them a vow is a kind of contract made with Destiny a man&rsquo;s whole
+ future is solemnly pledged to fulfil it, and everything even his own
+ death, is regarded simply as a means to the one end.
+ </p>
+ <p>
+ A younger man would have said to himself, &ldquo;I should very much like to have
+ the Duchess for my mistress!&rdquo; or, &ldquo;If the Duchesse de Langeais cared for a
+ man, he would be a very lucky rascal!&rdquo; But the General said, &ldquo;I will have
+ Mme de Langeais for my mistress.&rdquo; And if a man takes such an idea into his
+ head when his heart has never been touched before, and love begins to be a
+ kind of religion with him, he little knows in what a hell he has set his
+ foot.
+ </p>
+ <p>
+ Armand de Montriveau suddenly took flight and went home in the first hot
+ fever-fit of the first love that he had known. When a man has kept all his
+ boyish beliefs, illusions, frankness, and impetuosity into middle age, his
+ first impulse is, as it were, to stretch out a hand to take the thing that
+ he desires; a little later he realizes that there is a gulf set between
+ them, and that it is all but impossible to cross it. A sort of childish
+ impatience seizes him, he wants the thing the more, and trembles or cries.
+ Wherefore, the next day, after the stormiest reflections that had yet
+ perturbed his mind, Armand de Montriveau discovered that he was under the
+ yoke of the senses, and his bondage made the heavier by his love.
+ </p>
+ <p>
+ The woman so cavalierly treated in his thoughts of yesterday had become a
+ most sacred and dreadful power. She was to be his world, his life, from
+ this time forth. The greatest joy, the keenest anguish, that he had yet
+ known grew colorless before the bare recollection of the least sensation
+ stirred in him by her. The swiftest revolutions in a man&rsquo;s outward life
+ only touch his interests, while passion brings a complete revulsion of
+ feeling. And so in those who live by feeling, rather than by
+ self-interest, the doers rather than the reasoners, the sanguine rather
+ than the lymphatic temperaments, love works a complete revolution. In a
+ flash, with one single reflection, Armand de Montriveau wiped out his
+ whole past life.
+ </p>
+ <p>
+ A score of times he asked himself, like a boy, &ldquo;Shall I go, or shall I
+ not?&rdquo; and then at last he dressed, came to the Hotel de Langeais towards
+ eight o&rsquo;clock that evening, and was admitted. He was to see the woman&mdash;ah!
+ not the woman&mdash;the idol that he had seen yesterday, among lights, a
+ fresh innocent girl in gauze and silken lace and veiling. He burst in upon
+ her to declare his love, as if it were a question of firing the first shot
+ on a field of battle.
+ </p>
+ <p>
+ Poor novice! He found his ethereal sylphide shrouded in a brown cashmere
+ dressing-gown ingeniously befrilled, lying languidly stretched out upon a
+ sofa in a dimly lighted boudoir. Mme de Langeais did not so much as rise,
+ nothing was visible of her but her face, her hair was loose but confined
+ by a scarf. A hand indicated a seat, a hand that seemed white as marble to
+ Montriveau by the flickering light of a single candle at the further side
+ of the room, and a voice as soft as the light said:
+ </p>
+ <p>
+ &ldquo;If it had been anyone else, M. le Marquis, a friend with whom I could
+ dispense with ceremony, or a mere acquaintance in whom I felt but slight
+ interest, I should have closed my door. I am exceedingly unwell.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will go,&rdquo; Armand said to himself.
+ </p>
+ <p>
+ &ldquo;But I do not know how it is,&rdquo; she continued (and the simple warrior
+ attributed the shining of her eyes to fever), &ldquo;perhaps it was a
+ presentiment of your kind visit (and no one can be more sensible of the
+ prompt attention than I), but the vapors have left my head.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then may I stay?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I should be very sorry to allow you to go. I told myself this morning
+ that it was impossible that I should have made the slightest impression on
+ your mind, and that in all probability you took my request for one of the
+ commonplaces of which Parisians are lavish on every occasion. And I
+ forgave your ingratitude in advance. An explorer from the deserts is not
+ supposed to know how exclusive we are in our friendships in the Faubourg.&rdquo;
+ </p>
+ <p>
+ The gracious, half-murmured words dropped one by one, as if they had been
+ weighted with the gladness that apparently brought them to her lips. The
+ Duchess meant to have the full benefit of her headache, and her
+ speculation was fully successful. The General, poor man, was really
+ distressed by the lady&rsquo;s simulated distress. Like Crillon listening to the
+ story of the Crucifixion, he was ready to draw his sword against the
+ vapors. How could a man dare to speak just then to this suffering woman of
+ the love that she inspired? Armand had already felt that it would be
+ absurd to fire off a declaration of love point-blank at one so far above
+ other women. With a single thought came understanding of the delicacies of
+ feeling, of the soul&rsquo;s requirements. To love: what was that but to know
+ how to plead, to beg for alms, to wait? And as for the love that he felt,
+ must he not prove it? His tongue was mute, it was frozen by the
+ conventions of the noble Faubourg, the majesty of a sick headache, the
+ bashfulness of love. But no power on earth could veil his glances; the
+ heat and the Infinite of the desert blazed in eyes calm as a panther&rsquo;s,
+ beneath the lids that fell so seldom. The Duchess enjoyed the steady gaze
+ that enveloped her in light and warmth.
+ </p>
+ <p>
+ &ldquo;Mme la Duchesse,&rdquo; he answered, &ldquo;I am afraid I express my gratitude for
+ your goodness very badly. At this moment I have but one desire&mdash;I
+ wish it were in my power to cure the pain.&rdquo;
+ </p>
+ <p>
+ &ldquo;Permit me to throw this off, I feel too warm now,&rdquo; she said, gracefully
+ tossing aside a cushion that covered her feet.
+ </p>
+ <p>
+ &ldquo;Madame, in Asia your feet would be worth some ten thousand sequins.
+ </p>
+ <p>
+ &ldquo;A traveler&rsquo;s compliment!&rdquo; smiled she.
+ </p>
+ <p>
+ It pleased the sprightly lady to involve a rough soldier in a labyrinth of
+ nonsense, commonplaces, and meaningless talk, in which he manoeuvred, in
+ military language, as Prince Charles might have done at close quarters
+ with Napoleon. She took a mischievous amusement in reconnoitring the
+ extent of his infatuation by the number of foolish speeches extracted from
+ a novice whom she led step by step into a hopeless maze, meaning to leave
+ him there in confusion. She began by laughing at him, but nevertheless it
+ pleased her to make him forget how time went.
+ </p>
+ <p>
+ The length of a first visit is frequently a compliment, but Armand was
+ innocent of any such intent. The famous explorer spent an hour in chat on
+ all sorts of subjects, said nothing that he meant to say, and was feeling
+ that he was only an instrument on whom this woman played, when she rose,
+ sat upright, drew the scarf from her hair, and wrapped it about her
+ throat, leant her elbow on the cushions, did him the honour of a complete
+ cure, and rang for lights. The most graceful movement succeeded to
+ complete repose. She turned to M. de Montriveau, from whom she had just
+ extracted a confidence which seemed to interest her deeply, and said:
+ </p>
+ <p>
+ &ldquo;You wish to make game of me by trying to make me believe that you have
+ never loved. It is a man&rsquo;s great pretension with us. And we always believe
+ it! Out of pure politeness. Do we not know what to expect from it for
+ ourselves? Where is the man that has found but a single opportunity of
+ losing his heart? But you love to deceive us, and we submit to be
+ deceived, poor foolish creatures that we are; for your hypocrisy is, after
+ all, a homage paid to the superiority of our sentiments, which are all
+ purity.&rdquo;
+ </p>
+ <p>
+ The last words were spoken with a disdainful pride that made the novice in
+ love feel like a worthless bale flung into the deep, while the Duchess was
+ an angel soaring back to her particular heaven.
+ </p>
+ <p>
+ &ldquo;Confound it!&rdquo; thought Armand de Montriveau, &ldquo;how am I to tell this wild
+ thing that I love her?&rdquo;
+ </p>
+ <p>
+ He had told her already a score of times; or rather, the Duchess had a
+ score of times read his secret in his eyes; and the passion in this
+ unmistakably great man promised her amusement, and an interest in her
+ empty life. So she prepared with no little dexterity to raise a certain
+ number of redoubts for him to carry by storm before he should gain an
+ entrance into her heart. Montriveau should overleap one difficulty after
+ another; he should be a plaything for her caprice, just as an insect
+ teased by children is made to jump from one finger to another, and in
+ spite of all its pains is kept in the same place by its mischievous
+ tormentor. And yet it gave the Duchess inexpressible happiness to see that
+ this strong man had told her the truth. Armand had never loved, as he had
+ said. He was about to go, in a bad humour with himself, and still more out
+ of humour with her; but it delighted her to see a sullenness that she
+ could conjure away with a word, a glance, or a gesture.
+ </p>
+ <p>
+ &ldquo;Will you come tomorrow evening?&rdquo; she asked. &ldquo;I am going to a ball, but I
+ shall stay at home for you until ten o&rsquo;clock.&rdquo;
+ </p>
+ <p>
+ Montriveau spent most of the next day in smoking an indeterminate quantity
+ of cigars in his study window, and so got through the hours till he could
+ dress and go to the Hotel de Langeais. To anyone who had known the
+ magnificent worth of the man, it would have been grievous to see him grown
+ so small, so distrustful of himself; the mind that might have shed light
+ over undiscovered worlds shrunk to the proportions of a she-coxcomb&rsquo;s
+ boudoir. Even he himself felt that he had fallen so low already in his
+ happiness that to save his life he could not have told his love to one of
+ his closest friends. Is there not always a trace of shame in the lover&rsquo;s
+ bashfulness, and perhaps in woman a certain exultation over diminished
+ masculine stature? Indeed, but for a host of motives of this kind, how
+ explain why women are nearly always the first to betray the secret?&mdash;a
+ secret of which, perhaps, they soon weary.
+ </p>
+ <p>
+ &ldquo;Mme la Duchesse cannot see visitors, monsieur,&rdquo; said the man; &ldquo;she is
+ dressing, she begs you to wait for her here.&rdquo;
+ </p>
+ <p>
+ Armand walked up and down the drawing-room, studying her taste in the
+ least details. He admired Mme de Langeais herself in the objects of her
+ choosing; they revealed her life before he could grasp her personality and
+ ideas. About an hour later the Duchess came noiselessly out of her
+ chamber. Montriveau turned, saw her flit like a shadow across the room,
+ and trembled. She came up to him, not with a bourgeoise&rsquo;s enquiry, &ldquo;How do
+ I look?&rdquo; She was sure of herself; her steady eyes said plainly, &ldquo;I am
+ adorned to please you.&rdquo;
+ </p>
+ <p>
+ No one surely, save the old fairy godmother of some princess in disguise,
+ could have wound a cloud of gauze about the dainty throat, so that the
+ dazzling satin skin beneath should gleam through the gleaming folds. The
+ Duchess was dazzling. The pale blue colour of her gown, repeated in the
+ flowers in her hair, appeared by the richness of its hue to lend substance
+ to a fragile form grown too wholly ethereal; for as she glided towards
+ Armand, the loose ends of her scarf floated about her, putting that
+ valiant warrior in mind of the bright damosel flies that hover now over
+ water, now over the flowers with which they seem to mingle and blend.
+ </p>
+ <p>
+ &ldquo;I have kept you waiting,&rdquo; she said, with the tone that a woman can always
+ bring into her voice for the man whom she wishes to please.
+ </p>
+ <p>
+ &ldquo;I would wait patiently through an eternity,&rdquo; said he, &ldquo;if I were sure of
+ finding a divinity so fair; but it is no compliment to speak of your
+ beauty to you; nothing save worship could touch you. Suffer me only to
+ kiss your scarf.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, fie!&rdquo; she said, with a commanding gesture, &ldquo;I esteem you enough to
+ give you my hand.&rdquo;
+ </p>
+ <p>
+ She held it out for his kiss. A woman&rsquo;s hand, still moist from the scented
+ bath, has a soft freshness, a velvet smoothness that sends a tingling
+ thrill from the lips to the soul. And if a man is attracted to a woman,
+ and his senses are as quick to feel pleasure as his heart is full of love,
+ such a kiss, though chaste in appearance, may conjure up a terrific storm.
+ </p>
+ <p>
+ &ldquo;Will you always give it me like this?&rdquo; the General asked humbly when he
+ had pressed that dangerous hand respectfully to his lips.
+ </p>
+ <p>
+ &ldquo;Yes, but there we must stop,&rdquo; she said, smiling. She sat down, and seemed
+ very slow over putting on her gloves, trying to slip the unstretched kid
+ over all her fingers at once, while she watched M. de Montriveau; and he
+ was lost in admiration of the Duchess and those repeated graceful
+ movements of hers.
+ </p>
+ <p>
+ &ldquo;Ah! you were punctual,&rdquo; she said; &ldquo;that is right. I like punctuality. It
+ is the courtesy of kings, His Majesty says; but to my thinking, from you
+ men it is the most respectful flattery of all. Now, is it not? Just tell
+ me.&rdquo;
+ </p>
+ <p>
+ Again she gave him a side glance to express her insidious friendship, for
+ he was dumb with happiness sheer happiness through such nothings as these!
+ Oh, the Duchess understood <i>son metier de femme</i>&mdash;the art and
+ mystery of being a woman&mdash;most marvelously well; she knew, to
+ admiration, how to raise a man in his own esteem as he humbled himself to
+ her; how to reward every step of the descent to sentimental folly with
+ hollow flatteries.
+ </p>
+ <p>
+ &ldquo;You will never forget to come at nine o&rsquo;clock.&rdquo;
+ </p>
+ <p>
+ &ldquo;No; but are you going to a ball every night?&rdquo;
+ </p>
+ <p>
+ &ldquo;Do I know?&rdquo; she answered, with a little childlike shrug of the shoulders;
+ the gesture was meant to say that she was nothing if not capricious, and
+ that a lover must take her as she was.&mdash;&ldquo;Besides,&rdquo; she added, &ldquo;what
+ is that to you? You shall be my escort.&rdquo;
+ </p>
+ <p>
+ &ldquo;That would be difficult tonight,&rdquo; he objected; &ldquo;I am not properly
+ dressed.&rdquo;
+ </p>
+ <p>
+ &ldquo;It seems to me,&rdquo; she returned loftily, &ldquo;that if anyone has a right to
+ complain of your costume, it is I. Know, therefore, <i>monsieur le
+ voyageur</i>, that if I accept a man&rsquo;s arm, he is forthwith above the laws
+ of fashion, nobody would venture to criticise him. You do not know the
+ world, I see; I like you the better for it.&rdquo;
+ </p>
+ <p>
+ And even as she spoke she swept him into the pettiness of that world by
+ the attempt to initiate him into the vanities of a woman of fashion.
+ </p>
+ <p>
+ &ldquo;If she chooses to do a foolish thing for me, I should be a simpleton to
+ prevent her,&rdquo; said Armand to himself. &ldquo;She has a liking for me beyond a
+ doubt; and as for the world, she cannot despise it more than I do. So, now
+ for the ball if she likes.&rdquo;
+ </p>
+ <p>
+ The Duchess probably thought that if the General came with her and
+ appeared in a ballroom in boots and a black tie, nobody would hesitate to
+ believe that he was violently in love with her. And the General was well
+ pleased that the queen of fashion should think of compromising herself for
+ him; hope gave him wit. He had gained confidence, he brought out his
+ thoughts and views; he felt nothing of the restraint that weighed on his
+ spirits yesterday. His talk was interesting and animated, and full of
+ those first confidences so sweet to make and to receive.
+ </p>
+ <p>
+ Was Mme de Langeais really carried away by his talk, or had she devised
+ this charming piece of coquetry? At any rate, she looked up mischievously
+ as the clock struck twelve.
+ </p>
+ <p>
+ &ldquo;Ah! you have made me too late for the ball!&rdquo; she exclaimed, surprised and
+ vexed that she had forgotten how time was going.
+ </p>
+ <p>
+ The next moment she approved the exchange of pleasures with a smile that
+ made Armand&rsquo;s heart give a sudden leap.
+ </p>
+ <p>
+ &ldquo;I certainly promised Mme de Beauseant,&rdquo; she added. &ldquo;They are all
+ expecting me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well&mdash;go.&rdquo;
+ </p>
+ <p>
+ &ldquo;No&mdash;go on. I will stay. Your Eastern adventures fascinate me. Tell
+ me the whole story of your life. I love to share in a brave man&rsquo;s
+ hardships, and I feel them all, indeed I do!&rdquo;
+ </p>
+ <p>
+ She was playing with her scarf, twisting it and pulling it to pieces, with
+ jerky, impatient movements that seemed to tell of inward dissatisfaction
+ and deep reflection.
+ </p>
+ <p>
+ &ldquo;<i>We</i> are fit for nothing,&rdquo; she went on. &ldquo;Ah! we are contemptible,
+ selfish, frivolous creatures. We can bore ourselves with amusements, and
+ that is all we can do. Not one of us that understands that she has a part
+ to play in life. In old days in France, women were beneficent lights; they
+ lived to comfort those that mourned, to encourage high virtues, to reward
+ artists and stir new life with noble thoughts. If the world has grown so
+ petty, ours is the fault. You make me loathe the ball and this world in
+ which I live. No, I am not giving up much for you.&rdquo;
+ </p>
+ <p>
+ She had plucked her scarf to pieces, as a child plays with a flower,
+ pulling away all the petals one by one; and now she crushed it into a
+ ball, and flung it away. She could show her swan&rsquo;s neck.
+ </p>
+ <p>
+ She rang the bell. &ldquo;I shall not go out tonight,&rdquo; she told the footman. Her
+ long, blue eyes turned timidly to Armand; and by the look of misgiving in
+ them, he knew that he was meant to take the order for a confession, for a
+ first and great favour. There was a pause, filled with many thoughts,
+ before she spoke with that tenderness which is often in women&rsquo;s voices,
+ and not so often in their hearts. &ldquo;You have had a hard life,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; returned Armand. &ldquo;Until today I did not know what happiness was.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you know it now?&rdquo; she asked, looking at him with a demure, keen
+ glance.
+ </p>
+ <p>
+ &ldquo;What is happiness for me henceforth but this&mdash;to see you, to hear
+ you?... Until now I have only known privation; now I know that I can be
+ unhappy&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;That will do, that will do,&rdquo; she said. &ldquo;You must go; it is past midnight.
+ Let us regard appearances. People must not talk about us. I do not know
+ quite what I shall say; but the headache is a good-natured friend, and
+ tells no tales.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is there to be a ball tomorrow night?&rdquo;
+ </p>
+ <p>
+ &ldquo;You would grow accustomed to the life, I think. Very well. Yes, we will
+ go again tomorrow night.&rdquo;
+ </p>
+ <p>
+ There was not a happier man in the world than Armand when he went out from
+ her. Every evening he came to Mme de Langeais&rsquo; at the hour kept for him by
+ a tacit understanding.
+ </p>
+ <p>
+ It would be tedious, and, for the many young men who carry a redundance of
+ such sweet memories in their hearts, it were superfluous to follow the
+ story step by step&mdash;the progress of a romance growing in those hours
+ spent together, a romance controlled entirely by a woman&rsquo;s will. If
+ sentiment went too fast, she would raise a quarrel over a word, or when
+ words flagged behind her thoughts, she appealed to the feelings. Perhaps
+ the only way of following such Penelope&rsquo;s progress is by marking its
+ outward and visible signs.
+ </p>
+ <p>
+ As, for instance, within a few days of their first meeting, the assiduous
+ General had won and kept the right to kiss his lady&rsquo;s insatiable hands.
+ Wherever Mme de Langeais went, M. de Montriveau was certain to be seen,
+ till people jokingly called him &ldquo;Her Grace&rsquo;s orderly.&rdquo; And already he had
+ made enemies; others were jealous, and envied him his position. Mme de
+ Langeais had attained her end. The Marquis de Montriveau was among her
+ numerous train of adorers, and a means of humiliating those who boasted of
+ their progress in her good graces, for she publicly gave him preference
+ over them all.
+ </p>
+ <p>
+ &ldquo;Decidedly, M. de Montriveau is the man for whom the Duchess shows a
+ preference,&rdquo; pronounced Mme de Serizy.
+ </p>
+ <p>
+ And who in Paris does not know what it means when a woman &ldquo;shows a
+ preference?&rdquo; All went on therefore according to prescribed rule. The
+ anecdotes which people were pleased to circulate concerning the General
+ put that warrior in so formidable a light, that the more adroit quietly
+ dropped their pretensions to the Duchess, and remained in her train merely
+ to turn the position to account, and to use her name and personality to
+ make better terms for themselves with certain stars of the second
+ magnitude. And those lesser powers were delighted to take a lover away
+ from Mme de Langeais. The Duchess was keen-sighted enough to see these
+ desertions and treaties with the enemy; and her pride would not suffer her
+ to be the dupe of them. As M. de Talleyrand, one of her great admirers,
+ said, she knew how to take a second edition of revenge, laying the
+ two-edged blade of a sarcasm between the pairs in these &ldquo;morganatic&rdquo;
+ unions. Her mocking disdain contributed not a little to increase her
+ reputation as an extremely clever woman and a person to be feared. Her
+ character for virtue was consolidated while she amused herself with other
+ people&rsquo;s secrets, and kept her own to herself. Yet, after two months of
+ assiduities, she saw with a vague dread in the depths of her soul that M.
+ de Montriveau understood nothing of the subtleties of flirtation after the
+ manner of the Faubourg Saint-Germain; he was taking a Parisienne&rsquo;s
+ coquetry in earnest.
+ </p>
+ <p>
+ &ldquo;You will not tame <i>him</i>, dear Duchess,&rdquo; the old Vidame de Pamiers
+ had said. &ldquo;&lsquo;Tis a first cousin to the eagle; he will carry you off to his
+ eyrie if you do not take care.&rdquo;
+ </p>
+ <p>
+ Then Mme de Langeais felt afraid. The shrewd old noble&rsquo;s words sounded
+ like a prophecy. The next day she tried to turn love to hate. She was
+ harsh, exacting, irritable, unbearable; Montriveau disarmed her with
+ angelic sweetness. She so little knew the great generosity of a large
+ nature, that the kindly jests with which her first complaints were met
+ went to her heart. She sought a quarrel, and found proofs of affection.
+ She persisted.
+ </p>
+ <p>
+ &ldquo;When a man idolizes you, how can he have vexed you?&rdquo; asked Armand.
+ </p>
+ <p>
+ &ldquo;You do not vex me,&rdquo; she answered, suddenly grown gentle and submissive.
+ &ldquo;But why do you wish to compromise me? For me you ought to be nothing but
+ a <i>friend</i>. Do you not know it? I wish I could see that you had the
+ instincts, the delicacy of real friendship, so that I might lose neither
+ your respect nor the pleasure that your presence gives me.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing but your <i>friend</i>!&rdquo; he cried out. The terrible word sent an
+ electric shock through his brain. &ldquo;On the faith of these happy hours that
+ you grant me, I sleep and wake in your heart. And now today, for no
+ reason, you are pleased to destroy all the secret hopes by which I live.
+ You have required promises of such constancy in me, you have said so much
+ of your horror of women made up of nothing but caprice; and now do you
+ wish me to understand that, like other women here in Paris, you have
+ passions, and know nothing of love? If so, why did you ask my life of me?
+ why did you accept it?&rdquo;
+ </p>
+ <p>
+ &ldquo;I was wrong, my friend. Oh, it is wrong of a woman to yield to such
+ intoxication when she must not and cannot make any return.&rdquo;
+ </p>
+ <p>
+ &ldquo;I understand. You have merely been coquetting with me, and&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Coquetting?&rdquo; she repeated. &ldquo;I detest coquetry. A coquette Armand, makes
+ promises to many, and gives herself to none; and a woman who keeps such
+ promises is a libertine. This much I believed I had grasped of our code.
+ But to be melancholy with humorists, gay with the frivolous, and politic
+ with ambitious souls; to listen to a babbler with every appearance of
+ admiration, to talk of war with a soldier, wax enthusiastic with
+ philanthropists over the good of the nation, and to give to each one his
+ little dole of flattery&mdash;it seems to me that this is as much a matter
+ of necessity as dress, diamonds, and gloves, or flowers in one&rsquo;s hair.
+ Such talk is the moral counterpart of the toilette. You take it up and lay
+ it aside with the plumed head-dress. Do you call this coquetry? Why, I
+ have never treated you as I treat everyone else. With you, my friend, I am
+ sincere. Have I not always shared your views, and when you convinced me
+ after a discussion, was I not always perfectly glad? In short, I love you,
+ but only as a devout and pure woman may love. I have thought it over. I am
+ a married woman, Armand. My way of life with M. de Langeais gives me
+ liberty to bestow my heart; but law and custom leave me no right to
+ dispose of my person. If a woman loses her honour, she is an outcast in
+ any rank of life; and I have yet to meet with a single example of a man
+ that realizes all that our sacrifices demand of him in such a case. Quite
+ otherwise. Anyone can foresee the rupture between Mme de Beauseant and M.
+ d&rsquo;Ajuda (for he is going to marry Mlle de Rochefide, it seems), that
+ affair made it clear to my mind that these very sacrifices on the woman&rsquo;s
+ part are almost always the cause of the man&rsquo;s desertion. If you had loved
+ me sincerely, you would have kept away for a time.&mdash;Now, I will lay
+ aside all vanity for you; is not that something? What will not people say
+ of a woman to whom no man attaches himself? Oh, she is heartless,
+ brainless, soulless; and what is more, devoid of charm! Coquettes will not
+ spare me. They will rob me of the very qualities that mortify them. So
+ long as my reputation is safe, what do I care if my rivals deny my merits?
+ They certainly will not inherit them. Come, my friend; give up something
+ for her who sacrifices so much for you. Do not come quite so often; I
+ shall love you none the less.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; said Armand, with the profound irony of a wounded heart in his words
+ and tone. &ldquo;Love, so the scribblers say, only feeds on illusions. Nothing
+ could be truer, I see; I am expected to imagine that I am loved. But,
+ there!&mdash;there are some thoughts like wounds, from which there is no
+ recovery. My belief in you was one of the last left to me, and now I see
+ that there is nothing left to believe in this earth.&rdquo;
+ </p>
+ <p>
+ She began to smile.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; Montriveau went on in an unsteady voice, &ldquo;this Catholic faith to
+ which you wish to convert me is a lie that men make for themselves; hope
+ is a lie at the expense of the future; pride, a lie between us and our
+ fellows; and pity, and prudence, and terror are cunning lies. And now my
+ happiness is to be one more lying delusion; I am expected to delude
+ myself, to be willing to give gold coin for silver to the end. If you can
+ so easily dispense with my visits; if you can confess me neither as your
+ friend nor your lover, you do not care for me! And I, poor fool that I am,
+ tell myself this, and know it, and love you!&rdquo;
+ </p>
+ <p>
+ &ldquo;But, dear me, poor Armand, you are flying into a passion!&rdquo;
+ </p>
+ <p>
+ &ldquo;I flying into a passion?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. You think that the whole question is opened because I ask you to be
+ careful.&rdquo;
+ </p>
+ <p>
+ In her heart of hearts she was delighted with the anger that leapt out in
+ her lover&rsquo;s eyes. Even as she tortured him, she was criticising him,
+ watching every slightest change that passed over his face. If the General
+ had been so unluckily inspired as to show himself generous without
+ discussion (as happens occasionally with some artless souls), he would
+ have been a banished man forever, accused and convicted of not knowing how
+ to love. Most women are not displeased to have their code of right and
+ wrong broken through. Do they not flatter themselves that they never yield
+ except to force? But Armand was not learned enough in this kind of lore to
+ see the snare ingeniously spread for him by the Duchess. So much of the
+ child was there in the strong man in love.
+ </p>
+ <p>
+ &ldquo;If all you want is to preserve appearances,&rdquo; he began in his simplicity,
+ &ldquo;I am willing to&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Simply to preserve appearances!&rdquo; the lady broke in; &ldquo;why, what idea can
+ you have of me? Have I given you the slightest reason to suppose that I
+ can be yours?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, what else are we talking about?&rdquo; demanded Montriveau.
+ </p>
+ <p>
+ &ldquo;Monsieur, you frighten me!... No, pardon me. Thank you,&rdquo; she added,
+ coldly; &ldquo;thank you, Armand. You have given me timely warning of
+ imprudence; committed quite unconsciously, believe it, my friend. You know
+ how to endure, you say. I also know how to endure. We will not see each
+ other for a time; and then, when both of us have contrived to recover
+ calmness to some extent, we will think about arrangements for a happiness
+ sanctioned by the world. I am young, Armand; a man with no delicacy might
+ tempt a woman of four-and-twenty to do many foolish, wild things for his
+ sake. But <i>you</i>! You will be my friend, promise me that you will?&rdquo;
+ </p>
+ <p>
+ &ldquo;The woman of four-and-twenty,&rdquo; returned he, &ldquo;knows what she is about.&rdquo;
+ </p>
+ <p>
+ He sat down on the sofa in the boudoir, and leant his head on his hands.
+ </p>
+ <p>
+ &ldquo;Do you love me, madame?&rdquo; he asked at length, raising his head, and
+ turning a face full of resolution upon her. &ldquo;Say it straight out; Yes or
+ No!&rdquo;
+ </p>
+ <p>
+ His direct question dismayed the Duchess more than a threat of suicide
+ could have done; indeed, the woman of the nineteenth century is not to be
+ frightened by that stale stratagem, the sword has ceased to be part of the
+ masculine costume. But in the effect of eyelids and lashes, in the
+ contraction of the gaze, in the twitching of the lips, is there not some
+ influence that communicates the terror which they express with such vivid
+ magnetic power?
+ </p>
+ <p>
+ &ldquo;Ah, if I were free, if&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! is it only your husband that stands in the way?&rdquo; the General
+ exclaimed joyfully, as he strode to and fro in the boudoir. &ldquo;Dear
+ Antoinette, I wield a more absolute power than the Autocrat of all the
+ Russias. I have a compact with Fate; I can advance or retard destiny, so
+ far as men are concerned, at my fancy, as you alter the hands of a watch.
+ If you can direct the course of fate in our political machinery, it simply
+ means (does it not?) that you understand the ins and outs of it. You shall
+ be free before very long, and then you must remember your promise.&rdquo;
+ </p>
+ <p>
+ &ldquo;Armand!&rdquo; she cried. &ldquo;What do you mean? Great heavens! Can you imagine
+ that I am to be the prize of a crime? Do you want to kill me? Why! you
+ cannot have any religion in you! For my own part, I fear God. M. de
+ Langeais may have given me reason to hate him, but I wish him no manner of
+ harm.&rdquo;
+ </p>
+ <p>
+ M. de Montriveau beat a tattoo on the marble chimney-piece, and only
+ looked composedly at the lady.
+ </p>
+ <p>
+ &ldquo;Dear,&rdquo; continued she, &ldquo;respect him. He does not love me, he is not kind
+ to me, but I have duties to fulfil with regard to him. What would I not do
+ to avert the calamities with which you threaten him?&mdash;Listen,&rdquo; she
+ continued after a pause, &ldquo;I will not say another word about separation;
+ you shall come here as in the past, and I will still give you my forehead
+ to kiss. If I refused once or twice, it was pure coquetry, indeed it was.
+ But let us understand each other,&rdquo; she added as he came closer. &ldquo;You will
+ permit me to add to the number of my satellites; to receive even more
+ visitors in the morning than heretofore; I mean to be twice as frivolous;
+ I mean to use you to all appearance very badly; to feign a rupture; you
+ must come not quite so often, and then, afterwards&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ While she spoke, she had allowed him to put an arm about her waist,
+ Montriveau was holding her tightly to him, and she seemed to feel the
+ exceeding pleasure that women usually feel in that close contact, an
+ earnest of the bliss of a closer union. And then, doubtless she meant to
+ elicit some confidence, for she raised herself on tiptoe, and laid her
+ forehead against Armand&rsquo;s burning lips.
+ </p>
+ <p>
+ &ldquo;And then,&rdquo; Montriveau finished her sentence for her, &ldquo;you shall not speak
+ to me of your husband. You ought not to think of him again.&rdquo;
+ </p>
+ <p>
+ Mme de Langeais was silent awhile.
+ </p>
+ <p>
+ &ldquo;At least,&rdquo; she said, after a significant pause, &ldquo;at least you will do all
+ that I wish without grumbling, you will not be naughty; tell me so, my
+ friend? You wanted to frighten me, did you not? Come, now, confess it?...
+ You are too good ever to think of crimes. But is it possible that you can
+ have secrets that I do not know? How can you control Fate?&rdquo;
+ </p>
+ <p>
+ &ldquo;Now, when you confirm the gift of the heart that you have already given
+ me, I am far too happy to know exactly how to answer you. I can trust you,
+ Antoinette; I shall have no suspicion, no unfounded jealousy of you. But
+ if accident should set you free, we shall be one&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Accident, Armand?&rdquo; (With that little dainty turn of the head that seems
+ to say so many things, a gesture that such women as the Duchess can use on
+ light occasions, as a great singer can act with her voice.) &ldquo;Pure
+ accident,&rdquo; she repeated. &ldquo;Mind that. If anything should happen to M. de
+ Langeais by your fault, I should never be yours.&rdquo;
+ </p>
+ <p>
+ And so they parted, mutually content. The Duchess had made a pact that
+ left her free to prove to the world by words and deeds that M. de
+ Montriveau was no lover of hers. And as for him, the wily Duchess vowed to
+ tire him out. He should have nothing of her beyond the little concessions
+ snatched in the course of contests that she could stop at her pleasure.
+ She had so pretty an art of revoking the grant of yesterday, she was so
+ much in earnest in her purpose to remain technically virtuous, that she
+ felt that there was not the slightest danger for her in preliminaries
+ fraught with peril for a woman less sure of her self-command. After all,
+ the Duchess was practically separated from her husband; a marriage long
+ since annulled was no great sacrifice to make to her love.
+ </p>
+ <p>
+ Montriveau on his side was quite happy to win the vaguest promise, glad
+ once for all to sweep aside, with all scruples of conjugal fidelity, her
+ stock of excuses for refusing herself to his love. He had gained ground a
+ little, and congratulated himself. And so for a time he took unfair
+ advantage of the rights so hardly won. More a boy than he had ever been in
+ his life, he gave himself up to all the childishness that makes first love
+ the flower of life. He was a child again as he poured out all his soul,
+ all the thwarted forces that passion had given him, upon her hands, upon
+ the dazzling forehead that looked so pure to his eyes; upon her fair hair;
+ on the tufted curls where his lips were pressed. And the Duchess, on whom
+ his love was poured like a flood, was vanquished by the magnetic influence
+ of her lover&rsquo;s warmth; she hesitated to begin the quarrel that must part
+ them forever. She was more a woman than she thought, this slight creature,
+ in her effort to reconcile the demands of religion with the ever-new
+ sensations of vanity, the semblance of pleasure which turns a Parisienne&rsquo;s
+ head. Every Sunday she went to Mass; she never missed a service; then,
+ when evening came, she was steeped in the intoxicating bliss of repressed
+ desire. Armand and Mme de Langeais, like Hindoo fakirs, found the reward
+ of their continence in the temptations to which it gave rise. Possibly,
+ the Duchess had ended by resolving love into fraternal caresses, harmless
+ enough, as it might have seemed to the rest of the world, while they
+ borrowed extremes of degradation from the license of her thoughts. How
+ else explain the incomprehensible mystery of her continual fluctuations?
+ Every morning she proposed to herself to shut her door on the Marquis de
+ Montriveau; every evening, at the appointed hour, she fell under the charm
+ of his presence. There was a languid defence; then she grew less unkind.
+ Her words were sweet and soothing. They were lovers&mdash;lovers only
+ could have been thus. For him the Duchess would display her most sparkling
+ wit, her most captivating wiles; and when at last she had wrought upon his
+ senses and his soul, she might submit herself passively to his fierce
+ caresses, but she had her <i>nec plus ultra</i> of passion; and when once
+ it was reached, she grew angry if he lost the mastery of himself and made
+ as though he would pass beyond. No woman on earth can brave the
+ consequences of refusal without some motive; nothing is more natural than
+ to yield to love; wherefore Mme de Langeais promptly raised a second line
+ of fortification, a stronghold less easy to carry than the first. She
+ evoked the terrors of religion. Never did Father of the Church, however
+ eloquent, plead the cause of God better than the Duchess. Never was the
+ wrath of the Most High better justified than by her voice. She used no
+ preacher&rsquo;s commonplaces, no rhetorical amplifications. No. She had a
+ &ldquo;pulpit-tremor&rdquo; of her own. To Armand&rsquo;s most passionate entreaty, she
+ replied with a tearful gaze, and a gesture in which a terrible plenitude
+ of emotion found expression. She stopped his mouth with an appeal for
+ mercy. She would not hear another word; if she did, she must succumb; and
+ better death than criminal happiness.
+ </p>
+ <p>
+ &ldquo;Is it nothing to disobey God?&rdquo; she asked him, recovering a voice grown
+ faint in the crises of inward struggles, through which the fair actress
+ appeared to find it hard to preserve her self-control. &ldquo;I would sacrifice
+ society, I would give up the whole world for you, gladly; but it is very
+ selfish of you to ask my whole after-life of me for a moment of pleasure.
+ Come, now! are you not happy?&rdquo; she added, holding out her hand; and
+ certainly in her careless toilette the sight of her afforded consolations
+ to her lover, who made the most of them.
+ </p>
+ <p>
+ Sometimes from policy, to keep her hold on a man whose ardent passion gave
+ her emotions unknown before, sometimes in weakness, she suffered him to
+ snatch a swift kiss; and immediately, in feigned terror, she flushed red
+ and exiled Armand from the sofa so soon as the sofa became dangerous
+ ground.
+ </p>
+ <p>
+ &ldquo;Your joys are sins for me to expiate, Armand; they are paid for by
+ penitence and remorse,&rdquo; she cried.
+ </p>
+ <p>
+ And Montriveau, now at two chairs&rsquo; distance from that aristocratic
+ petticoat, betook himself to blasphemy and railed against Providence. The
+ Duchess grew angry at such times.
+ </p>
+ <p>
+ &ldquo;My friend,&rdquo; she said drily, &ldquo;I do not understand why you decline to
+ believe in God, for it is impossible to believe in man. Hush, do not talk
+ like that. You have too great a nature to take up their Liberal nonsense
+ with its pretension to abolish God.&rdquo;
+ </p>
+ <p>
+ Theological and political disputes acted like a cold douche on Montriveau;
+ he calmed down; he could not return to love when the Duchess stirred up
+ his wrath by suddenly setting him down a thousand miles away from the
+ boudoir, discussing theories of absolute monarchy, which she defended to
+ admiration. Few women venture to be democrats; the attitude of democratic
+ champion is scarcely compatible with tyrannous feminine sway. But often,
+ on the other hand, the General shook out his mane, dropped politics with a
+ leonine growling and lashing of the flanks, and sprang upon his prey; he
+ was no longer capable of carrying a heart and brain at such variance for
+ very far; he came back, terrible with love, to his mistress. And she, if
+ she felt the prick of fancy stimulated to a dangerous point, knew that it
+ was time to leave her boudoir; she came out of the atmosphere surcharged
+ with desires that she drew in with her breath, sat down to the piano, and
+ sang the most exquisite songs of modern music, and so baffled the physical
+ attraction which at times showed her no mercy, though she was strong
+ enough to fight it down.
+ </p>
+ <p>
+ At such times she was something sublime in Armand&rsquo;s eyes; she was not
+ acting, she was genuine; the unhappy lover was convinced that she loved
+ him. Her egoistic resistance deluded him into a belief that she was a pure
+ and sainted woman; he resigned himself; he talked of Platonic love, did
+ this artillery officer!
+ </p>
+ <p>
+ When Mme de Langeais had played with religion sufficiently to suit her own
+ purposes, she played with it again for Armand&rsquo;s benefit. She wanted to
+ bring him back to a Christian frame of mind; she brought out her edition
+ of <i>Le Genie du Christianisme</i>, adapted for the use of military men.
+ Montriveau chafed; his yoke was heavy. Oh! at that, possessed by the
+ spirit of contradiction, she dinned religion into his ears, to see whether
+ God might not rid her of this suitor, for the man&rsquo;s persistence was
+ beginning to frighten her. And in any case she was glad to prolong any
+ quarrel, if it bade fair to keep the dispute on moral grounds for an
+ indefinite period; the material struggle which followed it was more
+ dangerous.
+ </p>
+ <p>
+ But if the time of her opposition on the ground of the marriage law might
+ be said to be the <i>epoque civile</i> of this sentimental warfare, the
+ ensuing phase which might be taken to constitute the <i>epoque religieuse</i>
+ had also its crisis and consequent decline of severity.
+ </p>
+ <p>
+ Armand happening to come in very early one evening, found M. l&rsquo;Abbe
+ Gondrand, the Duchess&rsquo;s spiritual director, established in an armchair by
+ the fireside, looking as a spiritual director might be expected to look
+ while digesting his dinner and the charming sins of his penitent. In the
+ ecclesiastic&rsquo;s bearing there was a stateliness befitting a dignitary of
+ the Church; and the episcopal violet hue already appeared in his dress. At
+ sight of his fresh, well-preserved complexion, smooth forehead, and
+ ascetic&rsquo;s mouth, Montriveau&rsquo;s countenance grew uncommonly dark; he said
+ not a word under the malicious scrutiny of the other&rsquo;s gaze, and greeted
+ neither the lady nor the priest. The lover apart, Montriveau was not
+ wanting in tact; so a few glances exchanged with the bishop-designate told
+ him that here was the real forger of the Duchess&rsquo;s armory of scruples.
+ </p>
+ <p>
+ That an ambitious abbe should control the happiness of a man of
+ Montriveau&rsquo;s temper, and by underhand ways! The thought burst in a furious
+ tide over his face, clenched his fists, and set him chafing and pacing to
+ and fro; but when he came back to his place intending to make a scene, a
+ single look from the Duchess was enough. He was quiet.
+ </p>
+ <p>
+ Any other woman would have been put out by her lover&rsquo;s gloomy silence; it
+ was quite otherwise with Mme de Langeais. She continued her conversation
+ with M. de Gondrand on the necessity of re-establishing the Church in its
+ ancient splendour. And she talked brilliantly.
+ </p>
+ <p>
+ The Church, she maintained, ought to be a temporal as well as a spiritual
+ power, stating her case better than the Abbe had done, and regretting that
+ the Chamber of Peers, unlike the English House of Lords, had no bench of
+ bishops. Nevertheless, the Abbe rose, yielded his place to the General,
+ and took his leave, knowing that in Lent he could play a return game. As
+ for the Duchess, Montriveau&rsquo;s behaviour had excited her curiosity to such
+ a pitch that she scarcely rose to return her director&rsquo;s low bow.
+ </p>
+ <p>
+ &ldquo;What is the matter with you, my friend?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, I cannot stomach that Abbe of yours.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why did you not take a book?&rdquo; she asked, careless whether the Abbe, then
+ closing the door, heard her or no.
+ </p>
+ <p>
+ The General paused, for the gesture which accompanied the Duchess&rsquo;s speech
+ further increased the exceeding insolence of her words.
+ </p>
+ <p>
+ &ldquo;My dear Antoinette, thank you for giving love precedence of the Church;
+ but, for pity&rsquo;s sake, allow me to ask one question.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! you are questioning me! I am quite willing. You are my friend, are
+ you not? I certainly can open the bottom of my heart to you; you will see
+ only one image there.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you talk about our love to that man?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is my confessor.&rdquo;
+ </p>
+ <p>
+ &ldquo;Does he know that I love you?&rdquo;
+ </p>
+ <p>
+ &ldquo;M. de Montriveau, you cannot claim, I think, to penetrate the secrets of
+ the confessional?&rdquo;
+ </p>
+ <p>
+ &ldquo;Does that man know all about our quarrels and my love for you?&rdquo;
+ </p>
+ <p>
+ &ldquo;That man, monsieur; say God!&rdquo;
+ </p>
+ <p>
+ &ldquo;God again! <i>I</i> ought to be alone in your heart. But leave God alone
+ where He is, for the love of God and me. Madame, you <i>shall not</i> go
+ to confession again, or&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Or?&rdquo; she repeated sweetly.
+ </p>
+ <p>
+ &ldquo;Or I will never come back here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then go, Armand. Good-bye, good-bye forever.&rdquo;
+ </p>
+ <p>
+ She rose and went to her boudoir without so much as a glance at Armand, as
+ he stood with his hand on the back of a chair. How long he stood there
+ motionless he himself never knew. The soul within has the mysterious power
+ of expanding as of contracting space.
+ </p>
+ <p>
+ He opened the door of the boudoir. It was dark within. A faint voice was
+ raised to say sharply:
+ </p>
+ <p>
+ &ldquo;I did not ring. What made you come in without orders? Go away, Suzette.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you are ill,&rdquo; exclaimed Montriveau.
+ </p>
+ <p>
+ &ldquo;Stand up, monsieur, and go out of the room for a minute at any rate,&rdquo; she
+ said, ringing the bell.
+ </p>
+ <p>
+ &ldquo;Mme la Duchesse rang for lights?&rdquo; said the footman, coming in with the
+ candles. When the lovers were alone together, Mme de Langeais still lay on
+ her couch; she was just as silent and motionless as if Montriveau had not
+ been there.
+ </p>
+ <p>
+ &ldquo;Dear, I was wrong,&rdquo; he began, a note of pain and a sublime kindness in
+ his voice. &ldquo;Indeed, I would not have you without religion&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;It is fortunate that you can recognise the necessity of a conscience,&rdquo;
+ she said in a hard voice, without looking at him. &ldquo;I thank you in God&rsquo;s
+ name.&rdquo;
+ </p>
+ <p>
+ The General was broken down by her harshness; this woman seemed as if she
+ could be at will a sister or a stranger to him. He made one despairing
+ stride towards the door. He would leave her forever without another word.
+ He was wretched; and the Duchess was laughing within herself over mental
+ anguish far more cruel than the old judicial torture. But as for going
+ away, it was not in his power to do it. In any sort of crisis, a woman is,
+ as it were, bursting with a certain quantity of things to say; so long as
+ she has not delivered herself of them, she experiences the sensation which
+ we are apt to feel at the sight of something incomplete. Mme de Langeais
+ had not said all that was in her mind. She took up her parable and said:
+ </p>
+ <p>
+ &ldquo;We have not the same convictions, General, I am pained to think. It would
+ be dreadful if a woman could not believe in a religion which permits us to
+ love beyond the grave. I set Christian sentiments aside; you cannot
+ understand them. Let me simply speak to you of expediency. Would you
+ forbid a woman at court the table of the Lord when it is customary to take
+ the sacrament at Easter? People must certainly do something for their
+ party. The Liberals, whatever they may wish to do, will never destroy the
+ religious instinct. Religion will always be a political necessity. Would
+ you undertake to govern a nation of logic-choppers? Napoleon was afraid to
+ try; he persecuted ideologists. If you want to keep people from reasoning,
+ you must give them something to feel. So let us accept the Roman Catholic
+ Church with all its consequences. And if we would have France go to mass,
+ ought we not to begin by going ourselves? Religion, you see, Armand, is a
+ bond uniting all the conservative principles which enable the rich to live
+ in tranquillity. Religion and the rights of property are intimately
+ connected. It is certainly a finer thing to lead a nation by ideas of
+ morality than by fear of the scaffold, as in the time of the Terror&mdash;the
+ one method by which your odious Revolution could enforce obedience. The
+ priest and the king&mdash;that means you, and me, and the Princess my
+ neighbour; and, in a word, the interests of all honest people personified.
+ There, my friend, just be so good as to belong to your party, you that
+ might be its Scylla if you had the slightest ambition that way. I know
+ nothing about politics myself; I argue from my own feelings; but still I
+ know enough to guess that society would be overturned if people were
+ always calling its foundations in question&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;If that is how your Court and your Government think, I am sorry for you,&rdquo;
+ broke in Montriveau. &ldquo;The Restoration, madam, ought to say, like Catherine
+ de Medici, when she heard that the battle of Dreux was lost, &lsquo;Very well;
+ now we will go to the meeting-house.&rsquo; Now 1815 was your battle of Dreux.
+ Like the royal power of those days, you won in fact, while you lost in
+ right. Political Protestantism has gained an ascendancy over people&rsquo;s
+ minds. If you have no mind to issue your Edict of Nantes; or if, when it
+ is issued, you publish a Revocation; if you should one day be accused and
+ convicted of repudiating the Charter, which is simply a pledge given to
+ maintain the interests established under the Republic, then the Revolution
+ will rise again, terrible in her strength, and strike but a single blow.
+ It will not be the Revolution that will go into exile; she is the very
+ soil of France. Men die, but people&rsquo;s interests do not die. ... Eh, great
+ Heavens! what are France and the crown and rightful sovereigns, and the
+ whole world besides, to us? Idle words compared with my happiness. Let
+ them reign or be hurled from the throne, little do I care. Where am I
+ now?&rdquo;
+ </p>
+ <p>
+ &ldquo;In the Duchesse de Langeais&rsquo; boudoir, my friend.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no. No more of the Duchess, no more of Langeais; I am with my dear
+ Antoinette.&rdquo;
+ </p>
+ <p>
+ &ldquo;Will you do me the pleasure to stay where you are,&rdquo; she said, laughing
+ and pushing him back, gently however.
+ </p>
+ <p>
+ &ldquo;So you have never loved me,&rdquo; he retorted, and anger flashed in lightning
+ from his eyes.
+ </p>
+ <p>
+ &ldquo;No, dear&rdquo;; but the &ldquo;No&rdquo; was equivalent to &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am a great ass,&rdquo; he said, kissing her hands. The terrible queen was a
+ woman once more.&mdash;&ldquo;Antoinette,&rdquo; he went on, laying his head on her
+ feet, &ldquo;you are too chastely tender to speak of our happiness to anyone in
+ this world.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh!&rdquo; she cried, rising to her feet with a swift, graceful spring, &ldquo;you
+ are a great simpleton.&rdquo; And without another word she fled into the
+ drawing-room.
+ </p>
+ <p>
+ &ldquo;What is it now?&rdquo; wondered the General, little knowing that the touch of
+ his burning forehead had sent a swift electric thrill through her from
+ foot to head.
+ </p>
+ <p>
+ In hot wrath he followed her to the drawing-room, only to hear divinely
+ sweet chords. The Duchess was at the piano. If the man of science or the
+ poet can at once enjoy and comprehend, bringing his intelligence to bear
+ upon his enjoyment without loss of delight, he is conscious that the
+ alphabet and phraseology of music are but cunning instruments for the
+ composer, like the wood and copper wire under the hands of the executant.
+ For the poet and the man of science there is a music existing apart,
+ underlying the double expression of this language of the spirit and
+ senses. <i>Andiamo mio ben</i> can draw tears of joy or pitying laughter
+ at the will of the singer; and not unfrequently one here and there in the
+ world, some girl unable to live and bear the heavy burden of an unguessed
+ pain, some man whose soul vibrates with the throb of passion, may take up
+ a musical theme, and lo! heaven is opened for them, or they find a
+ language for themselves in some sublime melody, some song lost to the
+ world.
+ </p>
+ <p>
+ The General was listening now to such a song; a mysterious music unknown
+ to all other ears, as the solitary plaint of some mateless bird dying
+ alone in a virgin forest.
+ </p>
+ <p>
+ &ldquo;Great Heavens! what are you playing there?&rdquo; he asked in an unsteady
+ voice.
+ </p>
+ <p>
+ &ldquo;The prelude of a ballad, called, I believe, <i>Fleuve du Tage</i>.&rdquo;
+ </p>
+ <p>
+ &ldquo;I did not know that there was such music in a piano,&rdquo; he returned.
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; she said, and for the first time she looked at him as a woman looks
+ at the man she loves, &ldquo;nor do you know, my friend, that I love you, and
+ that you cause me horrible suffering; and that I feel that I must utter my
+ cry of pain without putting it too plainly into words. If I did not, I
+ should yield&mdash;&mdash;But you see nothing.&rdquo;
+ </p>
+ <p>
+ &ldquo;And you will not make me happy!&rdquo;
+ </p>
+ <p>
+ &ldquo;Armand, I should die of sorrow the next day.&rdquo;
+ </p>
+ <p>
+ The General turned abruptly from her and went. But out in the street he
+ brushed away the tears that he would not let fall.
+ </p>
+ <p>
+ The religious phase lasted for three months. At the end of that time the
+ Duchess grew weary of vain repetitions; the Deity, bound hand and foot,
+ was delivered up to her lover. Possibly she may have feared that by sheer
+ dint of talking of eternity she might perpetuate his love in this world
+ and the next. For her own sake, it must be believed that no man had
+ touched her heart, or her conduct would be inexcusable. She was young; the
+ time when men and women feel that they cannot afford to lose time or to
+ quibble over their joys was still far off. She, no doubt, was on the verge
+ not of first love, but of her first experience of the bliss of love. And
+ from inexperience, for want of the painful lessons which would have taught
+ her to value the treasure poured out at her feet, she was playing with it.
+ Knowing nothing of the glory and rapture of the light, she was fain to
+ stay in the shadow.
+ </p>
+ <p>
+ Armand was just beginning to understand this strange situation; he put his
+ hope in the first word spoken by nature. Every evening, as he came away
+ from Mme de Langeais&rsquo;, he told himself that no woman would accept the
+ tenderest, most delicate proofs of a man&rsquo;s love during seven months, nor
+ yield passively to the slighter demands of passion, only to cheat love at
+ the last. He was waiting patiently for the sun to gain power, not doubting
+ but that he should receive the earliest fruits. The married woman&rsquo;s
+ hesitations and the religious scruples he could quite well understand. He
+ even rejoiced over those battles. He mistook the Duchess&rsquo;s heartless
+ coquetry for modesty; and he would not have had her otherwise. So he had
+ loved to see her devising obstacles; was he not gradually triumphing over
+ them? Did not every victory won swell the meagre sum of lovers&rsquo; intimacies
+ long denied, and at last conceded with every sign of love? Still, he had
+ had such leisure to taste the full sweetness of every small successive
+ conquest on which a lover feeds his love, that these had come to be
+ matters of use and wont. So far as obstacles went, there were none now
+ save his own awe of her; nothing else left between him and his desire save
+ the whims of her who allowed him to call her Antoinette. So he made up his
+ mind to demand more, to demand all. Embarrassed like a young lover who
+ cannot dare to believe that his idol can stoop so low, he hesitated for a
+ long time. He passed through the experience of terrible reactions within
+ himself. A set purpose was annihilated by a word, and definite resolves
+ died within him on the threshold. He despised himself for his weakness,
+ and still his desire remained unuttered. Nevertheless, one evening, after
+ sitting in gloomy melancholy, he brought out a fierce demand for his
+ illegally legitimate rights. The Duchess had not to wait for her
+ bond-slave&rsquo;s request to guess his desire. When was a man&rsquo;s desire a
+ secret? And have not women an intuitive knowledge of the meaning of
+ certain changes of countenance?
+ </p>
+ <p>
+ &ldquo;What! you wish to be my friend no longer?&rdquo; she broke in at the first
+ words, and a divine red surging like new blood under the transparent skin,
+ lent brightness to her eyes. &ldquo;As a reward for my generosity, you would
+ dishonor me? Just reflect a little. I myself have thought much over this;
+ and I think always for us <i>both</i>. There is such a thing as a woman&rsquo;s
+ loyalty, and we can no more fail in it than you can fail in honour. <i>I</i>
+ cannot blind myself. If I am yours, how, in any sense, can I be M. de
+ Langeais&rsquo; wife? Can you require the sacrifice of my position, my rank, my
+ whole life in return for a doubtful love that could not wait patiently for
+ seven months? What! already you would rob me of my right to dispose of
+ myself? No, no; you must not talk like this again. No, not another word. I
+ will not, I cannot listen to you.&rdquo;
+ </p>
+ <p>
+ Mme de Langeais raised both hands to her head to push back the tufted
+ curls from her hot forehead; she seemed very much excited.
+ </p>
+ <p>
+ &ldquo;You come to a weak woman with your purpose definitely planned out. You
+ say&mdash;&lsquo;For a certain length of time she will talk to me of her
+ husband, then of God, and then of the inevitable consequences. But I will
+ use and abuse the ascendancy I shall gain over her; I will make myself
+ indispensable; all the bonds of habit, all the misconstructions of
+ outsiders, will make for me; and at length, when our <i>liaison</i> is
+ taken for granted by all the world, I shall be this woman&rsquo;s master.&rsquo;&mdash;Now,
+ be frank; these are your thoughts! Oh! you calculate, and you say that you
+ love. Shame on you! You are enamoured? Ah! that I well believe! You wish
+ to possess me, to have me for your mistress, that is all! Very well then,
+ No! The <i>Duchesse de Langeais</i> will not descend so far. Simple <i>bourgeoises</i>
+ may be the victims of your treachery&mdash;I, never! Nothing gives me
+ assurance of your love. You speak of my beauty; I may lose every trace of
+ it in six months, like the dear Princess, my neighbour. You are captivated
+ by my wit, my grace. Great Heavens! you would soon grow used to them and
+ to the pleasures of possession. Have not the little concessions that I was
+ weak enough to make come to be a matter of course in the last few months?
+ Some day, when ruin comes, you will give me no reason for the change in
+ you beyond a curt, &lsquo;I have ceased to care for you.&rsquo;&mdash;Then, rank and
+ fortune and honour and all that was the Duchesse de Langeais will be
+ swallowed up in one disappointed hope. I shall have children to bear
+ witness to my shame, and&mdash;&mdash;&rdquo; With an involuntary gesture she
+ interrupted herself, and continued: &ldquo;But I am too good-natured to explain
+ all this to you when you know it better than I. Come! let us stay as we
+ are. I am only too fortunate in that I can still break these bonds which
+ you think so strong. Is there anything so very heroic in coming to the
+ Hotel de Langeais to spend an evening with a woman whose prattle amuses
+ you?&mdash;a woman whom you take for a plaything? Why, half a dozen young
+ coxcombs come here just as regularly every afternoon between three and
+ five. They, too, are very generous, I am to suppose? I make fun of them;
+ they stand my petulance and insolence pretty quietly, and make me laugh;
+ but as for you, I give all the treasures of my soul to you, and you wish
+ to ruin me, you try my patience in endless ways. Hush, that will do, that
+ will do,&rdquo; she continued, seeing that he was about to speak, &ldquo;you have no
+ heart, no soul, no delicacy. I know what you want to tell me. Very well,
+ then&mdash;yes. I would rather you should take me for a cold, insensible
+ woman, with no devotion in her composition, no heart even, than be taken
+ by everybody else for a vulgar person, and be condemned to your so-called
+ pleasures, of which you would most certainly tire, and to everlasting
+ punishment for it afterwards. Your selfish love is not worth so many
+ sacrifices....&rdquo;
+ </p>
+ <p>
+ The words give but a very inadequate idea of the discourse which the
+ Duchess trilled out with the quick volubility of a bird-organ. Nor, truly,
+ was there anything to prevent her from talking on for some time to come,
+ for poor Armand&rsquo;s only reply to the torrent of flute notes was a silence
+ filled with cruelly painful thoughts. He was just beginning to see that
+ this woman was playing with him; he divined instinctively that a devoted
+ love, a responsive love, does not reason and count the consequences in
+ this way. Then, as he heard her reproach him with detestable motives, he
+ felt something like shame as he remembered that unconsciously he had made
+ those very calculations. With angelic honesty of purpose, he looked
+ within, and self-examination found nothing but selfishness in all his
+ thoughts and motives, in the answers which he framed and could not utter.
+ He was self-convicted. In his despair he longed to fling himself from the
+ window. The egoism of it was intolerable.
+ </p>
+ <p>
+ What indeed can a man say when a woman will not believe in love?&mdash;Let
+ me prove how much I love you.&mdash;The <i>I</i> is always there.
+ </p>
+ <p>
+ The heroes of the boudoir, in such circumstances, can follow the example
+ of the primitive logician who preceded the Pyrrhonists and denied
+ movement. Montriveau was not equal to this feat. With all his audacity, he
+ lacked this precise kind which never deserts an adept in the formulas of
+ feminine algebra. If so many women, and even the best of women, fall a
+ prey to a kind of expert to whom the vulgar give a grosser name, it is
+ perhaps because the said experts are great <i>provers</i>, and love, in
+ spite of its delicious poetry of sentiment, requires a little more
+ geometry than people are wont to think.
+ </p>
+ <p>
+ Now the Duchess and Montriveau were alike in this&mdash;they were both
+ equally unversed in love lore. The lady&rsquo;s knowledge of theory was but
+ scanty; in practice she knew nothing whatever; she felt nothing, and
+ reflected over everything. Montriveau had had but little experience, was
+ absolutely ignorant of theory, and felt too much to reflect at all. Both
+ therefore were enduring the consequences of the singular situation. At
+ that supreme moment the myriad thoughts in his mind might have been
+ reduced to the formula&mdash;&ldquo;Submit to be mine&mdash;&mdash;&rdquo; words which
+ seem horribly selfish to a woman for whom they awaken no memories, recall
+ no ideas. Something nevertheless he must say. And what was more, though
+ her barbed shafts had set his blood tingling, though the short phrases
+ that she discharged at him one by one were very keen and sharp and cold,
+ he must control himself lest he should lose all by an outbreak of anger.
+ </p>
+ <p>
+ &ldquo;Mme la Duchesse, I am in despair that God should have invented no way for
+ a woman to confirm the gift of her heart save by adding the gift of her
+ person. The high value which you yourself put upon the gift teaches me
+ that I cannot attach less importance to it. If you have given me your
+ inmost self and your whole heart, as you tell me, what can the rest
+ matter? And besides, if my happiness means so painful a sacrifice, let us
+ say no more about it. But you must pardon a man of spirit if he feels
+ humiliated at being taken for a spaniel.&rdquo;
+ </p>
+ <p>
+ The tone in which the last remark was uttered might perhaps have
+ frightened another woman; but when the wearer of a petticoat has allowed
+ herself to be addressed as a Divinity, and thereby set herself above all
+ other mortals, no power on earth can be so haughty.
+ </p>
+ <p>
+ &ldquo;M. le Marquis, I am in despair that God should not have invented some
+ nobler way for a man to confirm the gift of his heart than by the
+ manifestation of prodigiously vulgar desires. We become bond-slaves when
+ we give ourselves body and soul, but a man is bound to nothing by
+ accepting the gift. Who will assure me that love will last? The very love
+ that I might show for you at every moment, the better to keep your love,
+ might serve you as a reason for deserting me. I have no wish to be a
+ second edition of Mme de Beauseant. Who can ever know what it is that
+ keeps you beside us? Our persistent coldness of heart is the cause of an
+ unfailing passion in some of you; other men ask for an untiring devotion,
+ to be idolized at every moment; some for gentleness, others for tyranny.
+ No woman in this world as yet has really read the riddle of man&rsquo;s heart.&rdquo;
+ </p>
+ <p>
+ There was a pause. When she spoke again it was in a different tone.
+ </p>
+ <p>
+ &ldquo;After all, my friend, you cannot prevent a woman from trembling at the
+ question, &lsquo;Will this love last always?&rsquo; Hard though my words may be, the
+ dread of losing you puts them into my mouth. Oh, me! it is not I who
+ speaks, dear, it is reason; and how should anyone so mad as I be
+ reasonable? In truth, I am nothing of the sort.&rdquo;
+ </p>
+ <p>
+ The poignant irony of her answer had changed before the end into the most
+ musical accents in which a woman could find utterance for ingenuous love.
+ To listen to her words was to pass in a moment from martyrdom to heaven.
+ Montriveau grew pale; and for the first time in his life, he fell on his
+ knees before a woman. He kissed the Duchess&rsquo;s skirt hem, her knees, her
+ feet; but for the credit of the Faubourg Saint-Germain it is necessary to
+ respect the mysteries of its boudoirs, where many are fain to take the
+ utmost that Love can give without giving proof of love in return.
+ </p>
+ <p>
+ The Duchess thought herself generous when she suffered herself to be
+ adored. But Montriveau was in a wild frenzy of joy over her complete
+ surrender of the position.
+ </p>
+ <p>
+ &ldquo;Dear Antoinette,&rdquo; he cried. &ldquo;Yes, you are right; I will not have you
+ doubt any longer. I too am trembling at this moment&mdash;lest the angel
+ of my life should leave me; I wish I could invent some tie that might bind
+ us to each other irrevocably.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; she said, under her breath, &ldquo;so I was right, you see.&rdquo;
+ </p>
+ <p>
+ &ldquo;Let me say all that I have to say; I will scatter all your fears with a
+ word. Listen! if I deserted you, I should deserve to die a thousand
+ deaths. Be wholly mine, and I will give you the right to kill me if I am
+ false. I myself will write a letter explaining certain reasons for taking
+ my own life; I will make my final arrangements, in short. You shall have
+ the letter in your keeping; in the eye of the law it will be a sufficient
+ explanation of my death. You can avenge yourself, and fear nothing from
+ God or men.&rdquo;
+ </p>
+ <p>
+ &ldquo;What good would the letter be to me? What would life be if I had lost
+ your love? If I wished to kill you, should I not be ready to follow? No;
+ thank you for the thought, but I do not want the letter. Should I not
+ begin to dread that you were faithful to me through fear? And if a man
+ knows that he must risk his life for a stolen pleasure, might it not seem
+ more tempting? Armand, the thing I ask of you is the one hard thing to
+ do.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then what is it that you wish?&rdquo;
+ </p>
+ <p>
+ &ldquo;Your obedience and my liberty.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, God!&rdquo; cried he, &ldquo;I am a child.&rdquo;
+ </p>
+ <p>
+ &ldquo;A wayward, much spoilt child,&rdquo; she said, stroking the thick hair, for his
+ head still lay on her knee. &ldquo;Ah! and loved far more than he believes, and
+ yet he is very disobedient. Why not stay as we are? Why not sacrifice to
+ me the desires that hurt me? Why not take what I can give, when it is all
+ that I can honestly grant? Are you not happy?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh yes, I am happy when I have not a doubt left. Antoinette, doubt in
+ love is a kind of death, is it not?&rdquo;
+ </p>
+ <p>
+ In a moment he showed himself as he was, as all men are under the
+ influence of that hot fever; he grew eloquent, insinuating. And the
+ Duchess tasted the pleasures which she reconciled with her conscience by
+ some private, Jesuitical ukase of her own; Armand&rsquo;s love gave her a thrill
+ of cerebral excitement which custom made as necessary to her as society,
+ or the Opera. To feel that she was adored by this man, who rose above
+ other men, whose character frightened her; to treat him like a child; to
+ play with him as Poppaea played with Nero&mdash;many women, like the wives
+ of King Henry VIII, have paid for such a perilous delight with all the
+ blood in their veins. Grim presentiment! Even as she surrendered the
+ delicate, pale, gold curls to his touch, and felt the close pressure of
+ his hand, the little hand of a man whose greatness she could not mistake;
+ even as she herself played with his dark, thick locks, in that boudoir
+ where she reigned a queen, the Duchess would say to herself:
+ </p>
+ <p>
+ &ldquo;This man is capable of killing me if he once finds out that I am playing
+ with him.&rdquo;
+ </p>
+ <p>
+ Armand de Montriveau stayed with her till two o&rsquo;clock in the morning. From
+ that moment this woman, whom he loved, was neither a duchess nor a
+ Navarreins; Antoinette, in her disguises, had gone so far as to appear to
+ be a woman. On that most blissful evening, the sweetest prelude ever
+ played by a Parisienne to what the world calls &ldquo;a slip&rdquo;; in spite of all
+ her affectations of a coyness which she did not feel, the General saw all
+ maidenly beauty in her. He had some excuse for believing that so many
+ storms of caprice had been but clouds covering a heavenly soul; that these
+ must be lifted one by one like the veils that hid her divine loveliness.
+ The Duchess became, for him, the most simple and girlish mistress; she was
+ the one woman in the world for him; and he went away quite happy in that
+ at last he had brought her to give him such pledges of love, that it
+ seemed to him impossible but that he should be but her husband henceforth
+ in secret, her choice sanctioned by Heaven.
+ </p>
+ <p>
+ Armand went slowly home, turning this thought in his mind with the
+ impartiality of a man who is conscious of all the responsibilities that
+ love lays on him while he tastes the sweetness of its joys. He went along
+ the Quais to see the widest possible space of sky; his heart had grown in
+ him; he would fain have had the bounds of the firmament and of earth
+ enlarged. It seemed to him that his lungs drew an ampler breath. In the
+ course of his self-examination, as he walked, he vowed to love this woman
+ so devoutly, that every day of her life she should find absolution for her
+ sins against society in unfailing happiness. Sweet stirrings of life when
+ life is at the full! The man that is strong enough to steep his soul in
+ the colour of one emotion, feels infinite joy as glimpses open out for him
+ of an ardent lifetime that knows no diminution of passion to the end; even
+ so it is permitted to certain mystics, in ecstasy, to behold the Light of
+ God. Love would be naught without the belief that it would last forever;
+ love grows great through constancy. It was thus that, wholly absorbed by
+ his happiness, Montriveau understood passion.
+ </p>
+ <p>
+ &ldquo;We belong to each other forever!&rdquo;
+ </p>
+ <p>
+ The thought was like a talisman fulfilling the wishes of his life. He did
+ not ask whether the Duchess might not change, whether her love might not
+ last. No, for he had faith. Without that virtue there is no future for
+ Christianity, and perhaps it is even more necessary to society. A
+ conception of life as feeling occurred to him for the first time; hitherto
+ he had lived by action, the most strenuous exertion of human energies, the
+ physical devotion, as it may be called, of the soldier.
+ </p>
+ <p>
+ Next day M. de Montriveau went early in the direction of the Faubourg
+ Saint-Germain. He had made an appointment at a house not far from the
+ Hotel de Langeais; and the business over, he went thither as if to his own
+ home. The General&rsquo;s companion chanced to be a man for whom he felt a kind
+ of repulsion whenever he met him in other houses. This was the Marquis de
+ Ronquerolles, whose reputation had grown so great in Paris boudoirs. He
+ was witty, clever, and what was more&mdash;courageous; he set the fashion
+ to all the young men in Paris. As a man of gallantry, his success and
+ experience were equally matters of envy; and neither fortune nor birth was
+ wanting in his case, qualifications which add such lustre in Paris to a
+ reputation as a leader of fashion.
+ </p>
+ <p>
+ &ldquo;Where are you going?&rdquo; asked M. de Ronquerolles.
+ </p>
+ <p>
+ &ldquo;To Mme de Langeais&rsquo;.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, true. I forgot that you had allowed her to lime you. You are wasting
+ your affections on her when they might be much better employed elsewhere.
+ I could have told you of half a score of women in the financial world, any
+ one of them a thousand times better worth your while than that titled
+ courtesan, who does with her brains what less artificial women do with&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;What is this, my dear fellow?&rdquo; Armand broke in. &ldquo;The Duchess is an angel
+ of innocence.&rdquo;
+ </p>
+ <p>
+ Ronquerolles began to laugh.
+ </p>
+ <p>
+ &ldquo;Things being thus, dear boy,&rdquo; said he, &ldquo;it is my duty to enlighten you.
+ Just a word; there is no harm in it between ourselves. Has the Duchess
+ surrendered? If so, I have nothing more to say. Come, give me your
+ confidence. There is no occasion to waste your time in grafting your great
+ nature on that unthankful stock, when all your hopes and cultivation will
+ come to nothing.&rdquo;
+ </p>
+ <p>
+ Armand ingenuously made a kind of general report of his position,
+ enumerating with much minuteness the slender rights so hardly won.
+ Ronquerolles burst into a peal of laughter so heartless, that it would
+ have cost any other man his life. But from their manner of speaking and
+ looking at each other during that colloquy beneath the wall, in a corner
+ almost as remote from intrusion as the desert itself, it was easy to
+ imagine the friendship between the two men knew no bounds, and that no
+ power on earth could estrange them.
+ </p>
+ <p>
+ &ldquo;My dear Armand, why did you not tell me that the Duchess was a puzzle to
+ you? I would have given you a little advice which might have brought your
+ flirtation properly through. You must know, to begin with, that the women
+ of our Faubourg, like any other women, love to steep themselves in love;
+ but they have a mind to possess and not to be possessed. They have made a
+ sort of compromise with human nature. The code of their parish gives them
+ a pretty wide latitude short of the last transgression. The sweets enjoyed
+ by this fair Duchess of yours are so many venial sins to be washed away in
+ the waters of penitence. But if you had the impertinence to ask in earnest
+ for the moral sin to which naturally you are sure to attach the highest
+ importance, you would see the deep disdain with which the door of the
+ boudoir and the house would be incontinently shut upon you. The tender
+ Antoinette would dismiss everything from her memory; you would be less
+ than a cipher for her. She would wipe away your kisses, my dear friend, as
+ indifferently as she would perform her ablutions. She would sponge love
+ from her cheeks as she washes off rouge. We know women of that sort&mdash;the
+ thorough-bred Parisienne. Have you ever noticed a grisette tripping along
+ the street? Her face is as good as a picture. A pretty cap, fresh cheeks,
+ trim hair, a guileful smile, and the rest of her almost neglected. Is not
+ this true to the life? Well, that is the Parisienne. She knows that her
+ face is all that will be seen, so she devotes all her care, finery, and
+ vanity to her head. The Duchess is the same; the head is everything with
+ her. She can only feel through her intellect, her heart lies in her brain,
+ she is a sort of intellectual epicure, she has a head-voice. We call that
+ kind of poor creature a Lais of the intellect. You have been taken in like
+ a boy. If you doubt it, you can have proof of it tonight, this morning,
+ this instant. Go up to her, try the demand as an experiment, insist
+ peremptorily if it is refused. You might set about it like the late
+ Marechal de Richelieu, and get nothing for your pains.&rdquo;
+ </p>
+ <p>
+ Armand was dumb with amazement.
+ </p>
+ <p>
+ &ldquo;Has your desire reached the point of infatuation?&rdquo;
+ </p>
+ <p>
+ &ldquo;I want her at any cost!&rdquo; Montriveau cried out despairingly.
+ </p>
+ <p>
+ &ldquo;Very well. Now, look here. Be as inexorable as she is herself. Try to
+ humiliate her, to sting her vanity. Do <i>not</i> try to move her heart,
+ nor her soul, but the woman&rsquo;s nerves and temperament, for she is both
+ nervous and lymphatic. If you can once awaken desire in her, you are safe.
+ But you must drop these romantic boyish notions of yours. If when once you
+ have her in your eagle&rsquo;s talons you yield a point or draw back, if you so
+ much as stir an eyelid, if she thinks that she can regain her ascendancy
+ over you, she will slip out of your clutches like a fish, and you will
+ never catch her again. Be as inflexible as law. Show no more charity than
+ the headsman. Hit hard, and then hit again. Strike and keep on striking as
+ if you were giving her the knout. Duchesses are made of hard stuff, my
+ dear Armand; there is a sort of feminine nature that is only softened by
+ repeated blows; and as suffering develops a heart in women of that sort,
+ so it is a work of charity not to spare the rod. Do you persevere. Ah!
+ when pain has thoroughly relaxed those nerves and softened the fibres that
+ you take to be so pliant and yielding; when a shriveled heart has learned
+ to expand and contract and to beat under this discipline; when the brain
+ has capitulated&mdash;then, perhaps, passion may enter among the steel
+ springs of this machinery that turns out tears and affectations and
+ languors and melting phrases; then you shall see a most magnificent
+ conflagration (always supposing that the chimney takes fire). The steel
+ feminine system will glow red-hot like iron in the forge; that kind of
+ heat lasts longer than any other, and the glow of it may possibly turn to
+ love.
+ </p>
+ <p>
+ &ldquo;Still,&rdquo; he continued, &ldquo;I have my doubts. And, after all, is it worth
+ while to take so much trouble with the Duchess? Between ourselves a man of
+ my stamp ought first to take her in hand and break her in; I would make a
+ charming woman of her; she is a thoroughbred; whereas, you two left to
+ yourselves will never get beyond the A B C. But you are in love with her,
+ and just now you might not perhaps share my views on this subject&mdash;&mdash;.
+ A pleasant time to you, my children,&rdquo; added Ronquerolles, after a pause.
+ Then with a laugh: &ldquo;I have decided myself for facile beauties; they are
+ tender, at any rate, the natural woman appears in their love without any
+ of your social seasonings. A woman that haggles over herself, my poor boy,
+ and only means to inspire love! Well, have her like an extra horse&mdash;for
+ show. The match between the sofa and confessional, black and white, queen
+ and knight, conscientious scruples and pleasure, is an uncommonly amusing
+ game of chess. And if a man knows the game, let him be never so little of
+ a rake, he wins in three moves. Now, if I undertook a woman of that sort,
+ I should start with the deliberate purpose of&mdash;&mdash;&rdquo; His voice
+ sank to a whisper over the last words in Armand&rsquo;s ear, and he went before
+ there was time to reply.
+ </p>
+ <p>
+ As for Montriveau, he sprang at a bound across the courtyard of the Hotel
+ de Langeais, went unannounced up the stairs straight to the Duchess&rsquo;s
+ bedroom.
+ </p>
+ <p>
+ &ldquo;This is an unheard-of thing,&rdquo; she said, hastily wrapping her
+ dressing-gown about her. &ldquo;Armand! this is abominable of you! Come, leave
+ the room, I beg. Just go out of the room, and go at once. Wait for me in
+ the drawing-room.&mdash;Come now!&rdquo;
+ </p>
+ <p>
+ &ldquo;Dear angel, has a plighted lover no privilege whatsoever?&rdquo;
+ </p>
+ <p>
+ &ldquo;But, monsieur, it is in the worst possible taste of a plighted lover or a
+ wedded husband to break in like this upon his wife.&rdquo;
+ </p>
+ <p>
+ He came up to the Duchess, took her in his arms, and held her tightly to
+ him.
+ </p>
+ <p>
+ &ldquo;Forgive, dear Antoinette; but a host of horrid doubts are fermenting in
+ my heart.&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Doubts</i>? Fie!&mdash;Oh, fie on you!&rdquo;
+ </p>
+ <p>
+ &ldquo;Doubts all but justified. If you loved me, would you make this quarrel?
+ Would you not be glad to see me? Would you not have felt a something stir
+ in your heart? For I, that am not a woman, feel a thrill in my inmost self
+ at the mere sound of your voice. Often in a ballroom a longing has come
+ upon me to spring to your side and put my arms about your neck.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! if you have doubts of me so long as I am not ready to spring to your
+ arms before all the world, I shall be doubted all my life long, I suppose.
+ Why, Othello was a mere child compared with you!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; he cried despairingly, &ldquo;you have no love for me&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Admit, at any rate, that at this moment you are not lovable.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I have still to find favour in your sight?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, I should think so. Come,&rdquo; added she, &ldquo;with a little imperious air, go
+ out of the room, leave me. I am not like you; I wish always to find favour
+ in your eyes.&rdquo;
+ </p>
+ <p>
+ Never woman better understood the art of putting charm into insolence, and
+ does not the charm double the effect? is it not enough to infuriate the
+ coolest of men? There was a sort of untrammeled freedom about Mme de
+ Langeais; a something in her eyes, her voice, her attitude, which is never
+ seen in a woman who loves when she stands face to face with him at the
+ mere sight of whom her heart must needs begin to beat. The Marquis de
+ Ronquerolles&rsquo; counsels had cured Armand of sheepishness; and further,
+ there came to his aid that rapid power of intuition which passion will
+ develop at moments in the least wise among mortals, while a great man at
+ such a time possesses it to the full. He guessed the terrible truth
+ revealed by the Duchess&rsquo;s nonchalance, and his heart swelled with the
+ storm like a lake rising in flood.
+ </p>
+ <p>
+ &ldquo;If you told me the truth yesterday, be mine, dear Antoinette,&rdquo; he cried;
+ &ldquo;you shall&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;In the first place,&rdquo; said she composedly, thrusting him back as he came
+ nearer&mdash;&ldquo;in the first place, you are not to compromise me. My woman
+ might overhear you. Respect me, I beg of you. Your familiarity is all very
+ well in my boudoir in an evening; here it is quite different. Besides,
+ what may your &lsquo;you shall&rsquo; mean? &lsquo;You shall.&rsquo; No one as yet has ever used
+ that word to me. It is quite ridiculous, it seems to me, absolutely
+ ridiculous.
+ </p>
+ <p>
+ &ldquo;Will you surrender nothing to me on this point?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! do you call a woman&rsquo;s right to dispose of herself a &lsquo;point?&rsquo; A
+ capital point indeed; you will permit me to be entirely my own mistress on
+ that &lsquo;point.&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;And how if, believing in your promises to me, I should absolutely require
+ it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! then you would prove that I made the greatest possible mistake when I
+ made you a promise of any kind; and I should beg you to leave me in
+ peace.&rdquo;
+ </p>
+ <p>
+ The General&rsquo;s face grew white; he was about to spring to her side, when
+ Mme de Langeais rang the bell, the maid appeared, and, smiling with a
+ mocking grace, the Duchess added, &ldquo;Be so good as to return when I am
+ visible.&rdquo;
+ </p>
+ <p>
+ Then Montriveau felt the hardness of a woman as cold and keen as a steel
+ blade; she was crushing in her scorn. In one moment she had snapped the
+ bonds which held firm only for her lover. She had read Armand&rsquo;s intention
+ in his face, and held that the moment had come for teaching the Imperial
+ soldier his lesson. He was to be made to feel that though duchesses may
+ lend themselves to love, they do not give themselves, and that the
+ conquest of one of them would prove a harder matter than the conquest of
+ Europe.
+ </p>
+ <p>
+ &ldquo;Madame,&rdquo; returned Armand, &ldquo;I have not time to wait. I am a spoilt child,
+ as you told me yourself. When I seriously resolve to have that of which we
+ have been speaking, I shall have it.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will have it?&rdquo; queried she, and there was a trace of surprise in her
+ loftiness.
+ </p>
+ <p>
+ &ldquo;I shall have it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! you would do me a great pleasure by &lsquo;resolving&rsquo; to have it. For
+ curiosity&rsquo;s sake, I should be delighted to know how you would set about it&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I am delighted to put a new interest into your life,&rdquo; interrupted
+ Montriveau, breaking into a laugh which dismayed the Duchess. &ldquo;Will you
+ permit me to take you to the ball tonight?&rdquo;
+ </p>
+ <p>
+ &ldquo;A thousand thanks. M. de Marsay has been beforehand with you. I gave him
+ my promise.&rdquo;
+ </p>
+ <p>
+ Montriveau bowed gravely and went.
+ </p>
+ <p>
+ &ldquo;So Ronquerolles was right,&rdquo; thought he, &ldquo;and now for a game of chess.&rdquo;
+ </p>
+ <p>
+ Thenceforward he hid his agitation by complete composure. No man is strong
+ enough to bear such sudden alternations from the height of happiness to
+ the depths of wretchedness. So he had caught a glimpse of happy life the
+ better to feel the emptiness of his previous existence? There was a
+ terrible storm within him; but he had learned to endure, and bore the
+ shock of tumultuous thoughts as a granite cliff stands out against the
+ surge of an angry sea.
+ </p>
+ <p>
+ &ldquo;I could say nothing. When I am with her my wits desert me. She does not
+ know how vile and contemptible she is. Nobody has ventured to bring her
+ face to face with herself. She has played with many a man, no doubt; I
+ will avenge them all.&rdquo;
+ </p>
+ <p>
+ For the first time, it may be, in a man&rsquo;s heart, revenge and love were
+ blended so equally that Montriveau himself could not know whether love or
+ revenge would carry all before it. That very evening he went to the ball
+ at which he was sure of seeing the Duchesse de Langeais, and almost
+ despaired of reaching her heart. He inclined to think that there was
+ something diabolical about this woman, who was gracious to him and radiant
+ with charming smiles; probably because she had no wish to allow the world
+ to think that she had compromised herself with M. de Montriveau. Coolness
+ on both sides is a sign of love; but so long as the Duchess was the same
+ as ever, while the Marquis looked sullen and morose, was it not plain that
+ she had conceded nothing? Onlookers know the rejected lover by various
+ signs and tokens; they never mistake the genuine symptoms for a coolness
+ such as some women command their adorers to feign, in the hope of
+ concealing their love. Everyone laughed at Montriveau; and he, having
+ omitted to consult his cornac, was abstracted and ill at ease. M. de
+ Ronquerolles would very likely have bidden him compromise the Duchess by
+ responding to her show of friendliness by passionate demonstrations; but
+ as it was, Armand de Montriveau came away from the ball, loathing human
+ nature, and even then scarcely ready to believe in such complete
+ depravity.
+ </p>
+ <p>
+ &ldquo;If there is no executioner for such crimes,&rdquo; he said, as he looked up at
+ the lighted windows of the ballroom where the most enchanting women in
+ Paris were dancing, laughing, and chatting, &ldquo;I will take you by the nape
+ of the neck, Mme la Duchesse, and make you feel something that bites more
+ deeply than the knife in the Place de la Greve. Steel against steel; we
+ shall see which heart will leave the deeper mark.&rdquo;
+ </p>
+ <p>
+ For a week or so Mme de Langeais hoped to see the Marquis de Montriveau
+ again; but he contented himself with sending his card every morning to the
+ Hotel de Langeais. The Duchess could not help shuddering each time that
+ the card was brought in, and a dim foreboding crossed her mind, but the
+ thought was vague as a presentiment of disaster. When her eyes fell on the
+ name, it seemed to her that she felt the touch of the implacable man&rsquo;s
+ strong hand in her hair; sometimes the words seemed like a prognostication
+ of a vengeance which her lively intellect invented in the most shocking
+ forms. She had studied him too well not to dread him. Would he murder her,
+ she wondered? Would that bull-necked man dash out her vitals by flinging
+ her over his head? Would he trample her body under his feet? When, where,
+ and how would he get her into his power? Would he make her suffer very
+ much, and what kind of pain would he inflict? She repented of her conduct.
+ There were hours when, if he had come, she would have gone to his arms in
+ complete self-surrender.
+ </p>
+ <p>
+ Every night before she slept she saw Montriveau&rsquo;s face; every night it
+ wore a different aspect. Sometimes she saw his bitter smile, sometimes the
+ Jovelike knitting of the brows; or his leonine look, or some disdainful
+ movement of the shoulders made him terrible for her. Next day the card
+ seemed stained with blood. The name of Montriveau stirred her now as the
+ presence of the fiery, stubborn, exacting lover had never done. Her
+ apprehensions gathered strength in the silence. She was forced, without
+ aid from without, to face the thought of a hideous duel of which she could
+ not speak. Her proud hard nature was more responsive to thrills of hate
+ than it had ever been to the caresses of love. Ah! if the General could
+ but have seen her, as she sat with her forehead drawn into folds between
+ her brows; immersed in bitter thoughts in that boudoir where he had
+ enjoyed such happy moments, he might perhaps have conceived high hopes. Of
+ all human passions, is not pride alone incapable of engendering anything
+ base? Mme de Langeais kept her thoughts to herself, but is it not
+ permissible to suppose that M. de Montriveau was no longer indifferent to
+ her? And has not a man gained ground immensely when a woman thinks about
+ him? He is bound to make progress with her either one way or the other
+ afterwards.
+ </p>
+ <p>
+ Put any feminine creature under the feet of a furious horse or other
+ fearsome beast; she will certainly drop on her knees and look for death;
+ but if the brute shows a milder mood and does not utterly slay her, she
+ will love the horse, lion, bull, or what not, and will speak of him quite
+ at her ease. The Duchess felt that she was under the lion&rsquo;s paws; she
+ quaked, but she did not hate him.
+ </p>
+ <p>
+ The man and woman thus singularly placed with regard to each other met
+ three times in society during the course of that week. Each time, in reply
+ to coquettish questioning glances, the Duchess received a respectful bow,
+ and smiles tinged with such savage irony, that all her apprehensions over
+ the card in the morning were revived at night. Our lives are simply such
+ as our feelings shape them for us; and the feelings of these two had
+ hollowed out a great gulf between them.
+ </p>
+ <p>
+ The Comtesse de Serizy, the Marquis de Ronquerolles&rsquo; sister, gave a great
+ ball at the beginning of the following week, and Mme de Langeais was sure
+ to go to it. Armand was the first person whom the Duchess saw when she
+ came into the room, and this time Armand was looking out for her, or so
+ she thought at least. The two exchanged a look, and suddenly the woman
+ felt a cold perspiration break from every pore. She had thought all along
+ that Montriveau was capable of taking reprisals in some unheard-of way
+ proportioned to their condition, and now the revenge had been discovered,
+ it was ready, heated, and boiling. Lightnings flashed from the foiled
+ lover&rsquo;s eyes, his face was radiant with exultant vengeance. And the
+ Duchess? Her eyes were haggard in spite of her resolution to be cool and
+ insolent. She went to take her place beside the Comtesse de Serizy, who
+ could not help exclaiming, &ldquo;Dear Antoinette! what is the matter with you?
+ You are enough to frighten one.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shall be all right after a quadrille,&rdquo; she answered, giving a hand to a
+ young man who came up at that moment.
+ </p>
+ <p>
+ Mme de Langeais waltzed that evening with a sort of excitement and
+ transport which redoubled Montriveau&rsquo;s lowering looks. He stood in front
+ of the line of spectators, who were amusing themselves by looking on.
+ Every time that <i>she</i> came past him, his eyes darted down upon her
+ eddying face; he might have been a tiger with the prey in his grasp. The
+ waltz came to an end, Mme de Langeais went back to her place beside the
+ Countess, and Montriveau never took his eyes off her, talking all the
+ while with a stranger.
+ </p>
+ <p>
+ &ldquo;One of the things that struck me most on the journey,&rdquo; he was saying (and
+ the Duchess listened with all her ears), &ldquo;was the remark which the man
+ makes at Westminster when you are shown the axe with which a man in a mask
+ cut off Charles the First&rsquo;s head, so they tell you. The King made it first
+ of all to some inquisitive person, and they repeat it still in memory of
+ him.&rdquo;
+ </p>
+ <p>
+ &ldquo;What does the man say?&rdquo; asked Mme de Serizy.
+ </p>
+ <p>
+ &ldquo;&lsquo;Do not touch the axe!&rsquo;&rdquo; replied Montriveau, and there was menace in the
+ sound of his voice.
+ </p>
+ <p>
+ &ldquo;Really, my Lord Marquis,&rdquo; said Mme de Langeais, &ldquo;you tell this old story
+ that everybody knows if they have been to London, and look at my neck in
+ such a melodramatic way that you seem to me to have an axe in your hand.&rdquo;
+ </p>
+ <p>
+ The Duchess was in a cold sweat, but nevertheless she laughed as she spoke
+ the last words.
+ </p>
+ <p>
+ &ldquo;But circumstances give the story a quite new application,&rdquo; returned he.
+ </p>
+ <p>
+ &ldquo;How so; pray tell me, for pity&rsquo;s sake?&rdquo;
+ </p>
+ <p>
+ &ldquo;In this way, madame&mdash;you have touched the axe,&rdquo; said Montriveau,
+ lowering his voice.
+ </p>
+ <p>
+ &ldquo;What an enchanting prophecy!&rdquo; returned she, smiling with assumed grace.
+ &ldquo;And when is my head to fall?&rdquo;
+ </p>
+ <p>
+ &ldquo;I have no wish to see that pretty head of yours cut off. I only fear some
+ great misfortune for you. If your head were clipped close, would you feel
+ no regrets for the dainty golden hair that you turn to such good account?&rdquo;
+ </p>
+ <p>
+ &ldquo;There are those for whom a woman would love to make such a sacrifice;
+ even if, as often happens, it is for the sake of a man who cannot make
+ allowances for an outbreak of temper.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite so. Well, and if some wag were to spoil your beauty on a sudden by
+ some chemical process, and you, who are but eighteen for us, were to be a
+ hundred years old?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, the smallpox is our Battle of Waterloo, monsieur,&rdquo; she interrupted.
+ &ldquo;After it is over we find out those who love us sincerely.&rdquo;
+ </p>
+ <p>
+ &ldquo;Would you not regret the lovely face that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! indeed I should, but less for my own sake than for the sake of
+ someone else whose delight it might have been. And, after all, if I were
+ loved, always loved, and truly loved, what would my beauty matter to me?&mdash;What
+ do you say, Clara?&rdquo;
+ </p>
+ <p>
+ &ldquo;It is a dangerous speculation,&rdquo; replied Mme de Serizy.
+ </p>
+ <p>
+ &ldquo;Is it permissible to ask His Majesty the King of Sorcerers when I made
+ the mistake of touching the axe, since I have not been to London as yet?&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Not so</i>,&rdquo; he answered in English, with a burst of ironical
+ laughter.
+ </p>
+ <p>
+ &ldquo;And when will the punishment begin?&rdquo;
+ </p>
+ <p>
+ At this Montriveau coolly took out his watch, and ascertained the hour
+ with a truly appalling air of conviction.
+ </p>
+ <p>
+ &ldquo;A dreadful misfortune will befall you before this day is out.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am not a child to be easily frightened, or rather, I am a child
+ ignorant of danger,&rdquo; said the Duchess. &ldquo;I shall dance now without fear on
+ the edge of the precipice.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am delighted to know that you have so much strength of character,&rdquo; he
+ answered, as he watched her go to take her place in a square dance.
+ </p>
+ <p>
+ But the Duchess, in spite of her apparent contempt for Armand&rsquo;s dark
+ prophecies, was really frightened. Her late lover&rsquo;s presence weighed upon
+ her morally and physically with a sense of oppression that scarcely ceased
+ when he left the ballroom. And yet when she had drawn freer breath, and
+ enjoyed the relief for a moment, she found herself regretting the
+ sensation of dread, so greedy of extreme sensations is the feminine
+ nature. The regret was not love, but it was certainly akin to other
+ feelings which prepare the way for love. And then&mdash;as if the
+ impression which Montriveau had made upon her were suddenly revived&mdash;she
+ recollected his air of conviction as he took out his watch, and in a
+ sudden spasm of dread she went out.
+ </p>
+ <p>
+ By this time it was about midnight. One of her servants, waiting with her
+ pelisse, went down to order her carriage. On her way home she fell
+ naturally enough to musing over M. de Montriveau&rsquo;s prediction. Arrived in
+ her own courtyard, as she supposed, she entered a vestibule almost like
+ that of her own hotel, and suddenly saw that the staircase was different.
+ She was in a strange house. Turning to call her servants, she was attacked
+ by several men, who rapidly flung a handkerchief over her mouth, bound her
+ hand and foot, and carried her off. She shrieked aloud.
+ </p>
+ <p>
+ &ldquo;Madame, our orders are to kill you if you scream,&rdquo; a voice said in her
+ ear.
+ </p>
+ <p>
+ So great was the Duchess&rsquo;s terror, that she could never recollect how nor
+ by whom she was transported. When she came to herself, she was lying on a
+ couch in a bachelor&rsquo;s lodging, her hands and feet tied with silken cords.
+ In spite of herself, she shrieked aloud as she looked round and met Armand
+ de Montriveau&rsquo;s eyes. He was sitting in his dressing-gown, quietly smoking
+ a cigar in his armchair.
+ </p>
+ <p>
+ &ldquo;Do not cry out, Mme la Duchesse,&rdquo; he said, coolly taking the cigar out of
+ his mouth; &ldquo;I have a headache. Besides, I will untie you. But listen
+ attentively to what I have the honour to say to you.&rdquo;
+ </p>
+ <p>
+ Very carefully he untied the knots that bound her feet.
+ </p>
+ <p>
+ &ldquo;What would be the use of calling out? Nobody can hear your cries. You are
+ too well bred to make any unnecessary fuss. If you do not stay quietly, if
+ you insist upon a struggle with me, I shall tie your hands and feet again.
+ All things considered, I think that you have self-respect enough to stay
+ on this sofa as if you were lying on your own at home; cold as ever, if
+ you will. You have made me shed many tears on this couch, tears that I hid
+ from all other eyes.&rdquo;
+ </p>
+ <p>
+ While Montriveau was speaking, the Duchess glanced about her; it was a
+ woman&rsquo;s glance, a stolen look that saw all things and seemed to see
+ nothing. She was much pleased with the room. It was rather like a monk&rsquo;s
+ cell. The man&rsquo;s character and thoughts seemed to pervade it. No decoration
+ of any kind broke the grey painted surface of the walls. A green carpet
+ covered the floor. A black sofa, a table littered with papers, two big
+ easy-chairs, a chest of drawers with an alarum clock by way of ornament, a
+ very low bedstead with a coverlet flung over it&mdash;a red cloth with a
+ black key border&mdash;all these things made part of a whole that told of
+ a life reduced to its simplest terms. A triple candle-sconce of Egyptian
+ design on the chimney-piece recalled the vast spaces of the desert and
+ Montriveau&rsquo;s long wanderings; a huge sphinx-claw stood out beneath the
+ folds of stuff at the bed-foot; and just beyond, a green curtain with a
+ black and scarlet border was suspended by large rings from a spear handle
+ above a door near one corner of the room. The other door by which the band
+ had entered was likewise curtained, but the drapery hung from an ordinary
+ curtain-rod. As the Duchess finally noted that the pattern was the same on
+ both, she saw that the door at the bed-foot stood open; gleams of ruddy
+ light from the room beyond flickered below the fringed border. Naturally,
+ the ominous light roused her curiosity; she fancied she could distinguish
+ strange shapes in the shadows; but as it did not occur to her at the time
+ that danger could come from that quarter, she tried to gratify a more
+ ardent curiosity.
+ </p>
+ <p>
+ &ldquo;Monsieur, if it is not indiscreet, may I ask what you mean to do with
+ me?&rdquo; The insolence and irony of the tone stung through the words. The
+ Duchess quite believed that she read extravagant love in Montriveau&rsquo;s
+ speech. He had carried her off; was not that in itself an acknowledgment
+ of her power?
+ </p>
+ <p>
+ &ldquo;Nothing whatever, madame,&rdquo; he returned, gracefully puffing the last whiff
+ of cigar smoke. &ldquo;You will remain here for a short time. First of all, I
+ should like to explain to you what you are, and what I am. I cannot put my
+ thoughts into words whilst you are twisting on the sofa in your boudoir;
+ and besides, in your own house you take offence at the slightest hint, you
+ ring the bell, make an outcry, and turn your lover out at the door as if
+ he were the basest of wretches. Here my mind is unfettered. Here nobody
+ can turn me out. Here you shall be my victim for a few seconds, and you
+ are going to be so exceedingly kind as to listen to me. You need fear
+ nothing. I did not carry you off to insult you, nor yet to take by force
+ what you refused to grant of your own will to my unworthiness. I could not
+ stoop so low. You possibly think of outrage; for myself, I have no such
+ thoughts.&rdquo;
+ </p>
+ <p>
+ He flung his cigar coolly into the fire.
+ </p>
+ <p>
+ &ldquo;The smoke is unpleasant to you, no doubt, madame?&rdquo; he said, and rising at
+ once, he took a chafing-dish from the hearth, burnt perfumes, and purified
+ the air. The Duchess&rsquo;s astonishment was only equaled by her humiliation.
+ She was in this man&rsquo;s power; and he would not abuse his power. The eyes in
+ which love had once blazed like flame were now quiet and steady as stars.
+ She trembled. Her dread of Armand was increased by a nightmare sensation
+ of restlessness and utter inability to move; she felt as if she were
+ turned to stone. She lay passive in the grip of fear. She thought she saw
+ the light behind the curtains grow to a blaze, as if blown up by a pair of
+ bellows; in another moment the gleams of flame grew brighter, and she
+ fancied that three masked figures suddenly flashed out; but the terrible
+ vision disappeared so swiftly that she took it for an optical delusion.
+ </p>
+ <p>
+ &ldquo;Madame,&rdquo; Armand continued with cold contempt, &ldquo;one minute, just one
+ minute is enough for me, and you shall feel it afterwards at every moment
+ throughout your lifetime, the one eternity over which I have power. I am
+ not God. Listen carefully to me,&rdquo; he continued, pausing to add solemnity
+ to his words. &ldquo;Love will always come at your call. You have boundless
+ power over men: but remember that once you called love, and love came to
+ you; love as pure and true-hearted as may be on earth, and as reverent as
+ it was passionate; fond as a devoted woman&rsquo;s, as a mother&rsquo;s love; a love
+ so great indeed, that it was past the bounds of reason. You played with
+ it, and you committed a crime. Every woman has a right to refuse herself
+ to love which she feels she cannot share; and if a man loves and cannot
+ win love in return, he is not to be pitied, he has no right to complain.
+ But with a semblance of love to attract an unfortunate creature cut off
+ from all affection; to teach him to understand happiness to the full, only
+ to snatch it from him; to rob him of his future of felicity; to slay his
+ happiness not merely today, but as long as his life lasts, by poisoning
+ every hour of it and every thought&mdash;this I call a fearful crime!&rdquo;
+ </p>
+ <p>
+ &ldquo;Monsieur&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I cannot allow you to answer me yet. So listen to me still. In any case I
+ have rights over you; but I only choose to exercise one&mdash;the right of
+ the judge over the criminal, so that I may arouse your conscience. If you
+ had no conscience left, I should not reproach you at all; but you are so
+ young! You must feel some life still in your heart; or so I like to
+ believe. While I think of you as depraved enough to do a wrong which the
+ law does not punish, I do not think you so degraded that you cannot
+ comprehend the full meaning of my words. I resume.&rdquo;
+ </p>
+ <p>
+ As he spoke the Duchess heard the smothered sound of a pair of bellows.
+ Those mysterious figures which she had just seen were blowing up the fire,
+ no doubt; the glow shone through the curtain. But Montriveau&rsquo;s lurid face
+ was turned upon her; she could not choose but wait with a fast-beating
+ heart and eyes fixed in a stare. However curious she felt, the heat in
+ Armand&rsquo;s words interested her even more than the crackling of the
+ mysterious flames.
+ </p>
+ <p>
+ &ldquo;Madame,&rdquo; he went on after a pause, &ldquo;if some poor wretch commits a murder
+ in Paris, it is the executioner&rsquo;s duty, you know, to lay hands on him and
+ stretch him on the plank, where murderers pay for their crimes with their
+ heads. Then the newspapers inform everyone, rich and poor, so that the
+ former are assured that they may sleep in peace, and the latter are warned
+ that they must be on the watch if they would live. Well, you that are
+ religious, and even a little of a bigot, may have masses said for such a
+ man&rsquo;s soul. You both belong to the same family, but yours is the elder
+ branch; and the elder branch may occupy high places in peace and live
+ happily and without cares. Want or anger may drive your brother the
+ convict to take a man&rsquo;s life; you have taken more, you have taken the joy
+ out of a man&rsquo;s life, you have killed all that was best in his life&mdash;his
+ dearest beliefs. The murderer simply lay in wait for his victim, and
+ killed him reluctantly, and in fear of the scaffold; but <i>you</i> ...!
+ You heaped up every sin that weakness can commit against strength that
+ suspected no evil; you tamed a passive victim, the better to gnaw his
+ heart out; you lured him with caresses; you left nothing undone that could
+ set him dreaming, imagining, longing for the bliss of love. You asked
+ innumerable sacrifices of him, only to refuse to make any in return. He
+ should see the light indeed before you put out his eyes! It is wonderful
+ how you found the heart to do it! Such villainies demand a display of
+ resource quite above the comprehension of those bourgeoises whom you laugh
+ at and despise. They can give and forgive; they know how to love and
+ suffer. The grandeur of their devotion dwarfs us. Rising higher in the
+ social scale, one finds just as much mud as at the lower end; but with
+ this difference, at the upper end it is hard and gilded over.
+ </p>
+ <p>
+ &ldquo;Yes, to find baseness in perfection, you must look for a noble bringing
+ up, a great name, a fair woman, a duchess. You cannot fall lower than the
+ lowest unless you are set high above the rest of the world.&mdash;I
+ express my thoughts badly; the wounds you dealt me are too painful as yet,
+ but do not think that I complain. My words are not the expression of any
+ hope for myself; there is no trace of bitterness in them. Know this,
+ madame, for a certainty&mdash;I forgive you. My forgiveness is so complete
+ that you need not feel in the least sorry that you came hither to find it
+ against your will.... But you might take advantage of other hearts as
+ child-like as my own, and it is my duty to spare them anguish. So you have
+ inspired the thought of justice. Expiate your sin here on earth; God may
+ perhaps forgive you; I wish that He may, but He is inexorable, and will
+ strike.&rdquo;
+ </p>
+ <p>
+ The broken-spirited, broken-hearted woman looked up, her eyes filled with
+ tears.
+ </p>
+ <p>
+ &ldquo;Why do you cry? Be true to your nature. You could look on indifferently
+ at the torture of a heart as you broke it. That will do, madame, do not
+ cry. I cannot bear it any longer. Other men will tell you that you have
+ given them life; as for myself, I tell you, with rapture, that you have
+ given me blank extinction. Perhaps you guess that I am not my own, that I
+ am bound to live for my friends, that from this time forth I must endure
+ the cold chill of death, as well as the burden of life? Is it possible
+ that there can be so much kindness in you? Are you like the desert tigress
+ that licks the wounds she has inflicted?&rdquo;
+ </p>
+ <p>
+ The Duchess burst out sobbing.
+ </p>
+ <p>
+ &ldquo;Pray spare your tears, madame. If I believed in them at all, it would
+ merely set me on my guard. Is this another of your artifices? or is it
+ not? You have used so many with me; how can one think that there is any
+ truth in you? Nothing that you do or say has any power now to move me.
+ That is all I have to say.&rdquo;
+ </p>
+ <p>
+ Mme de Langeais rose to her feet, with a great dignity and humility in her
+ bearing.
+ </p>
+ <p>
+ &ldquo;You are right to treat me very hardly,&rdquo; she said, holding out a hand to
+ the man who did not take it; &ldquo;you have not spoken hardly enough; and I
+ deserve this punishment.&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>I</i> punish you, madame! A man must love still, to punish, must he
+ not? From me you must expect no feeling, nothing resembling it. If I
+ chose, I might be accuser and judge in my cause, and pronounce and carry
+ out the sentence. But I am about to fulfil a duty, not a desire of
+ vengeance of any kind. The cruelest revenge of all, I think, is scorn of
+ revenge when it is in our power to take it. Perhaps I shall be the
+ minister of your pleasures; who knows? Perhaps from this time forth, as
+ you gracefully wear the tokens of disgrace by which society marks out the
+ criminal, you may perforce learn something of the convict&rsquo;s sense of
+ honour. And then, you will love!&rdquo;
+ </p>
+ <p>
+ The Duchess sat listening; her meekness was unfeigned; it was no
+ coquettish device. When she spoke at last, it was after a silence.
+ </p>
+ <p>
+ &ldquo;Armand,&rdquo; she began, &ldquo;it seems to me that when I resisted love, I was
+ obeying all the instincts of woman&rsquo;s modesty; I should not have looked for
+ such reproaches from <i>you</i>. I was weak; you have turned all my
+ weaknesses against me, and made so many crimes of them. How could you fail
+ to understand that the curiosity of love might have carried me further
+ than I ought to go; and that next morning I might be angry with myself,
+ and wretched because I had gone too far? Alas! I sinned in ignorance. I
+ was as sincere in my wrongdoing, I swear to you, as in my remorse. There
+ was far more love for you in my severity than in my concessions. And
+ besides, of what do you complain? I gave you my heart; that was not
+ enough; you demanded, brutally, that I should give my person&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Brutally?&rdquo; repeated Montriveau. But to himself he said, &ldquo;If I once allow
+ her to dispute over words, I am lost.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. You came to me as if I were one of those women. You showed none of
+ the respect, none of the attentions of love. Had I not reason to reflect?
+ Very well, I reflected. The unseemliness of your conduct is not
+ inexcusable; love lay at the source of it; let me think so, and justify
+ you to myself.&mdash;Well, Armand, this evening, even while you were
+ prophesying evil, I felt convinced that there was happiness in store for
+ us both. Yes, I put my faith in the noble, proud nature so often tested
+ and proved.&rdquo; She bent lower. &ldquo;And I was yours wholly,&rdquo; she murmured in his
+ ear. &ldquo;I felt a longing that I cannot express to give happiness to a man so
+ violently tried by adversity. If I must have a master, my master should be
+ a great man. As I felt conscious of my height, the less I cared to
+ descend. I felt I could trust you, I saw a whole lifetime of love, while
+ you were pointing to death.... Strength and kindness always go together.
+ My friend, you are so strong, you will not be unkind to a helpless woman
+ who loves you. If I was wrong, is there no way of obtaining forgiveness?
+ No way of making reparation? Repentance is the charm of love; I should
+ like to be very charming for you. How could I, alone among women, fail to
+ know a woman&rsquo;s doubts and fears, the timidity that it is so natural to
+ feel when you bind yourself for life, and know how easily a man snaps such
+ ties? The bourgeoises, with whom you compared me just now, give
+ themselves, but they struggle first. Very well&mdash;I struggled; but here
+ I am!&mdash;Ah! God, he does not hear me!&rdquo; she broke off, and wringing her
+ hands, she cried out &ldquo;But I love you! I am yours!&rdquo; and fell at Armand&rsquo;s
+ feet.
+ </p>
+ <p>
+ &ldquo;Yours! yours! my one and only master!&rdquo;
+ </p>
+ <p>
+ Armand tried to raise her.
+ </p>
+ <p>
+ &ldquo;Madame, it is too late! Antoinette cannot save the Duchesse de Langeais.
+ I cannot believe in either. Today you may give yourself; tomorrow, you may
+ refuse. No power in earth or heaven can insure me the sweet constancy of
+ love. All love&rsquo;s pledges lay in the past; and now nothing of that past
+ exists.&rdquo;
+ </p>
+ <p>
+ The light behind the curtain blazed up so brightly, that the Duchess could
+ not help turning her head; this time she distinctly saw the three masked
+ figures.
+ </p>
+ <p>
+ &ldquo;Armand,&rdquo; she said, &ldquo;I would not wish to think ill of you. Why are those
+ men there? What are you going to do to me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Those men will be as silent as I myself with regard to the thing which is
+ about to be done. Think of them simply as my hands and my heart. One of
+ them is a surgeon&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;A surgeon! Armand, my friend, of all things, suspense is the hardest to
+ bear. Just speak; tell me if you wish for my life; I will give it to you,
+ you shall not take it&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Then you did not understand me? Did I not speak just now of justice? To
+ put an end to your misapprehensions,&rdquo; continued he, taking up a small
+ steel object from the table, &ldquo;I will now explain what I have decided with
+ regard to you.&rdquo;
+ </p>
+ <p>
+ He held out a Lorraine cross, fastened to the tip of a steel rod.
+ </p>
+ <p>
+ &ldquo;Two of my friends at this very moment are heating another cross, made on
+ this pattern, red-hot. We are going to stamp it upon your forehead, here
+ between the eyes, so that there will be no possibility of hiding the mark
+ with diamonds, and so avoiding people&rsquo;s questions. In short, you shall
+ bear on your forehead the brand of infamy which your brothers the convicts
+ wear on their shoulders. The pain is a mere trifle, but I feared a nervous
+ crisis of some kind, of resistance&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Resistance?&rdquo; she cried, clapping her hands for joy. &ldquo;Oh no, no! I would
+ have the whole world here to see. Ah, my Armand, brand her quickly, this
+ creature of yours; brand her with your mark as a poor little trifle
+ belonging to you. You asked for pledges of my love; here they are all in
+ one. Ah! for me there is nothing but mercy and forgiveness and eternal
+ happiness in this revenge of yours. When you have marked this woman with
+ your mark, when you set your crimson brand on her, your slave in soul, you
+ can never afterwards abandon her, you will be mine for evermore? When you
+ cut me off from my kind, you make yourself responsible for my happiness,
+ or you prove yourself base; and I know that you are noble and great! Why,
+ when a woman loves, the brand of love is burnt into her soul by her own
+ will.&mdash;Come in, gentlemen! come in and brand her, this Duchesse de
+ Langeais. She is M. de Montriveau&rsquo;s forever! Ah! come quickly, all of you,
+ my forehead burns hotter than your fire!&rdquo;
+ </p>
+ <p>
+ Armand turned his head sharply away lest he should see the Duchess
+ kneeling, quivering with the throbbings of her heart. He said some word,
+ and his three friends vanished.
+ </p>
+ <p>
+ The women of Paris salons know how one mirror reflects another. The
+ Duchess, with every motive for reading the depths of Armand&rsquo;s heart, was
+ all eyes; and Armand, all unsuspicious of the mirror, brushed away two
+ tears as they fell. Her whole future lay in those two tears. When he
+ turned round again to help her to rise, she was standing before him, sure
+ of love. Her pulses must have throbbed fast when he spoke with the
+ firmness she had known so well how to use of old while she played with
+ him.
+ </p>
+ <p>
+ &ldquo;I spare you, madame. All that has taken place shall be as if it had never
+ been, you may believe me. But now, let us bid each other goodbye. I like
+ to think that you were sincere in your coquetries on your sofa, sincere
+ again in this outpouring of your heart. Good-bye. I feel that there is no
+ faith in you left in me. You would torment me again; you would always be
+ the Duchess, and&mdash;&mdash;But there, good-bye, we shall never
+ understand each other.
+ </p>
+ <p>
+ &ldquo;Now, what do you wish?&rdquo; he continued, taking the tone of a master of the
+ ceremonies&mdash;&ldquo;to return home, or to go back to Mme de Serizy&rsquo;s ball? I
+ have done all in my power to prevent any scandal. Neither your servants
+ nor anyone else can possibly know what has passed between us in the last
+ quarter of an hour. Your servants have no idea that you have left the
+ ballroom; your carriage never left Mme de Serizy&rsquo;s courtyard; your
+ brougham may likewise be found in the court of your own hotel. Where do
+ you wish to be?&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you counsel, Armand?&rdquo;
+ </p>
+ <p>
+ &ldquo;There is no Armand now, Mme la Duchesse. We are strangers to each other.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then take me to the ball,&rdquo; she said, still curious to put Armand&rsquo;s power
+ to the test. &ldquo;Thrust a soul that suffered in the world, and must always
+ suffer there, if there is no happiness for her now, down into hell again.
+ And yet, oh my friend, I love you as your bourgeoises love; I love you so
+ that I could come to you and fling my arms about your neck before all the
+ world if you asked it off me. The hateful world has not corrupted me. I am
+ young at least, and I have grown younger still. I am a child, yes, your
+ child, your new creature. Ah! do not drive me forth out of my Eden!&rdquo;
+ </p>
+ <p>
+ Armand shook his head.
+ </p>
+ <p>
+ &ldquo;Ah! let me take something with me, if I go, some little thing to wear
+ tonight on my heart,&rdquo; she said, taking possession of Armand&rsquo;s glove, which
+ she twisted into her handkerchief.
+ </p>
+ <p>
+ &ldquo;No, I am <i>not</i> like all those depraved women. You do not know the
+ world, and so you cannot know my worth. You shall know it now! There are
+ women who sell themselves for money; there are others to be gained by
+ gifts, it is a vile world! Oh, I wish I were a simple bourgeoise, a
+ working girl, if you would rather have a woman beneath you than a woman
+ whose devotion is accompanied by high rank, as men count it. Oh, my
+ Armand, there are noble, high, and chaste and pure natures among us; and
+ then they are lovely indeed. I would have all nobleness that I might offer
+ it all up to you. Misfortune willed that I should be a duchess; I would I
+ were a royal princess, that my offering might be complete. I would be a
+ grisette for you, and a queen for everyone besides.&rdquo;
+ </p>
+ <p>
+ He listened, damping his cigars with his lips.
+ </p>
+ <p>
+ &ldquo;You will let me know when you wish to go,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;But I should like to stay&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;That is another matter!&rdquo;
+ </p>
+ <p>
+ &ldquo;Stay, that was badly rolled,&rdquo; she cried, seizing on a cigar and devouring
+ all that Armand&rsquo;s lips had touched.
+ </p>
+ <p>
+ &ldquo;Do you smoke?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, what would I not do to please you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well. Go, madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will obey you,&rdquo; she answered, with tears in her eyes.
+ </p>
+ <p>
+ &ldquo;You must be blindfolded; you must not see a glimpse of the way.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am ready, Armand,&rdquo; she said, bandaging her eyes.
+ </p>
+ <p>
+ &ldquo;Can you see?&rdquo;
+ </p>
+ <p>
+ &ldquo;No.&rdquo;
+ </p>
+ <p>
+ Noiselessly he knelt before her.
+ </p>
+ <p>
+ &ldquo;Ah! I can hear you!&rdquo; she cried, with a little fond gesture, thinking that
+ the pretence of harshness was over.
+ </p>
+ <p>
+ He made as if he would kiss her lips; she held up her face.
+ </p>
+ <p>
+ &ldquo;You can see, madame.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am just a little bit curious.&rdquo;
+ </p>
+ <p>
+ &ldquo;So you always deceive me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! take off this handkerchief, sir,&rdquo; she cried out, with the passion of
+ a great generosity repelled with scorn, &ldquo;lead me; I will not open my
+ eyes.&rdquo;
+ </p>
+ <p>
+ Armand felt sure of her after that cry. He led the way; the Duchess nobly
+ true to her word, was blind. But while Montriveau held her hand as a
+ father might, and led her up and down flights of stairs, he was studying
+ the throbbing pulses of this woman&rsquo;s heart so suddenly invaded by Love.
+ Mme de Langeais, rejoicing in this power of speech, was glad to let him
+ know all; but he was inflexible; his hand was passive in reply to the
+ questionings of her hand.
+ </p>
+ <p>
+ At length, after some journey made together, Armand bade her go forward;
+ the opening was doubtless narrow, for as she went she felt that his hand
+ protected her dress. His care touched her; it was a revelation surely that
+ there was a little love still left; yet it was in some sort a farewell,
+ for Montriveau left her without a word. The air was warm; the Duchess,
+ feeling the heat, opened her eyes, and found herself standing by the fire
+ in the Comtesse de Serizy&rsquo;s boudoir.
+ </p>
+ <p>
+ She was alone. Her first thought was for her disordered toilette; in a
+ moment she had adjusted her dress and restored her picturesque coiffure.
+ </p>
+ <p>
+ &ldquo;Well, dear Antoinette, we have been looking for you everywhere.&rdquo; It was
+ the Comtesse de Serizy who spoke as she opened the door.
+ </p>
+ <p>
+ &ldquo;I came here to breathe,&rdquo; said the Duchess; &ldquo;it is unbearably hot in the
+ rooms.&rdquo;
+ </p>
+ <p>
+ &ldquo;People thought that you had gone; but my brother Ronquerolles told me
+ that your servants were waiting for you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am tired out, dear, let me stay and rest here for a minute,&rdquo; and the
+ Duchess sat down on the sofa.
+ </p>
+ <p>
+ &ldquo;Why, what is the matter with you? You are shaking from head to foot!&rdquo;
+ </p>
+ <p>
+ The Marquis de Ronquerolles came in.
+ </p>
+ <p>
+ &ldquo;Mme la Duchesse, I was afraid that something might have happened. I have
+ just come across your coachman, the man is as tipsy as all the Swiss in
+ Switzerland.&rdquo;
+ </p>
+ <p>
+ The Duchess made no answer; she was looking round the room, at the
+ chimney-piece and the tall mirrors, seeking the trace of an opening. Then
+ with an extraordinary sensation she recollected that she was again in the
+ midst of the gaiety of the ballroom after that terrific scene which had
+ changed the whole course of her life. She began to shiver violently.
+ </p>
+ <p>
+ &ldquo;M. de Montriveau&rsquo;s prophecy has shaken my nerves,&rdquo; she said. &ldquo;It was a
+ joke, but still I will see whether his axe from London will haunt me even
+ in my sleep. So good-bye, dear.&mdash;Good-bye, M. le Marquis.&rdquo;
+ </p>
+ <p>
+ As she went through the rooms she was beset with inquiries and regrets.
+ Her world seemed to have dwindled now that she, its queen, had fallen so
+ low, was so diminished. And what, moreover, were these men compared with
+ him whom she loved with all her heart; with the man grown great by all
+ that she had lost in stature? The giant had regained the height that he
+ had lost for a while, and she exaggerated it perhaps beyond measure. She
+ looked, in spite of herself, at the servant who had attended her to the
+ ball. He was fast asleep.
+ </p>
+ <p>
+ &ldquo;Have you been here all the time?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Yes, madame.&rdquo;
+ </p>
+ <p>
+ As she took her seat in her carriage she saw, in fact, that her coachman
+ was drunk&mdash;so drunk, that at any other time she would have been
+ afraid; but after a great crisis in life, fear loses its appetite for
+ common food. She reached home, at any rate, without accident; but even
+ there she felt a change in herself, a new feeling that she could not shake
+ off. For her, there was now but one man in the world; which is to say that
+ henceforth she cared to shine for his sake alone.
+ </p>
+ <p>
+ While the physiologist can define love promptly by following out natural
+ laws, the moralist finds a far more perplexing problem before him if he
+ attempts to consider love in all its developments due to social
+ conditions. Still, in spite of the heresies of the endless sects that
+ divide the church of Love, there is one broad and trenchant line of
+ difference in doctrine, a line that all the discussion in the world can
+ never deflect. A rigid application of this line explains the nature of the
+ crisis through which the Duchess, like most women, was to pass. Passion
+ she knew, but she did not love as yet.
+ </p>
+ <p>
+ Love and passion are two different conditions which poets and men of the
+ world, philosophers and fools, alike continually confound. Love implies a
+ give and take, a certainty of bliss that nothing can change; it means so
+ close a clinging of the heart, and an exchange of happiness so constant,
+ that there is no room left for jealousy. Then possession is a means and
+ not an end; unfaithfulness may give pain, but the bond is not less close;
+ the soul is neither more nor less ardent or troubled, but happy at every
+ moment; in short, the divine breath of desire spreading from end to end of
+ the immensity of Time steeps it all for us in the selfsame hue; life takes
+ the tint of the unclouded heaven. But Passion is the foreshadowing of
+ Love, and of that Infinite to which all suffering souls aspire. Passion is
+ a hope that may be cheated. Passion means both suffering and transition.
+ Passion dies out when hope is dead. Men and women may pass through this
+ experience many times without dishonor, for it is so natural to spring
+ towards happiness; but there is only one love in a lifetime. All
+ discussions of sentiment ever conducted on paper or by word of mouth may
+ therefore be resumed by two questions&mdash;&ldquo;Is it passion? Is it love?&rdquo;
+ So, since love comes into existence only through the intimate experience
+ of the bliss which gives it lasting life, the Duchess was beneath the yoke
+ of passion as yet; and as she knew the fierce tumult, the unconscious
+ calculations, the fevered cravings, and all that is meant by that word <i>passion</i>&mdash;she
+ suffered. Through all the trouble of her soul there rose eddying gusts of
+ tempest, raised by vanity or self-love, or pride or a high spirit; for all
+ these forms of egoism make common cause together.
+ </p>
+ <p>
+ She had said to this man, &ldquo;I love you; I am yours!&rdquo; Was it possible that
+ the Duchesse de Langeais should have uttered those words&mdash;in vain?
+ She must either be loved now or play her part of queen no longer. And then
+ she felt the loneliness of the luxurious couch where pleasure had never
+ yet set his glowing feet; and over and over again, while she tossed and
+ writhed there, she said, &ldquo;I want to be loved.&rdquo;
+ </p>
+ <p>
+ But the belief that she still had in herself gave her hope of success. The
+ Duchess might be piqued, the vain Parisienne might be humiliated; but the
+ woman saw glimpses of wedded happiness, and imagination, avenging the time
+ lost for nature, took a delight in kindling the inextinguishable fire in
+ her veins. She all but attained to the sensations of love; for amid her
+ poignant doubt whether she was loved in return, she felt glad at heart to
+ say to herself, &ldquo;I love him!&rdquo; As for her scruples, religion, and the world
+ she could trample them under foot! Montriveau was her religion now. She
+ spent the next day in a state of moral torpor, troubled by a physical
+ unrest, which no words could express. She wrote letters and tore them all
+ up, and invented a thousand impossible fancies.
+ </p>
+ <p>
+ When M. de Montriveau&rsquo;s usual hour arrived, she tried to think that he
+ would come, and enjoyed the feeling of expectation. Her whole life was
+ concentrated in the single sense of hearing. Sometimes she shut her eyes,
+ straining her ears to listen through space, wishing that she could
+ annihilate everything that lay between her and her lover, and so establish
+ that perfect silence which sounds may traverse from afar. In her tense
+ self-concentration, the ticking of the clock grew hateful to her; she
+ stopped its ill-omened garrulity. The twelve strokes of midnight sounded
+ from the drawing-room.
+ </p>
+ <p>
+ &ldquo;Ah, God!&rdquo; she cried, &ldquo;to see him here would be happiness. And yet, it is
+ not so very long since he came here, brought by desire, and the tones of
+ his voice filled this boudoir. And now there is nothing.&rdquo;
+ </p>
+ <p>
+ She remembered the times that she had played the coquette with him, and
+ how that her coquetry had cost her her lover, and the despairing tears
+ flowed for long.
+ </p>
+ <p>
+ Her woman came at length with, &ldquo;Mme la Duchesse does not know, perhaps,
+ that it is two o&rsquo;clock in the morning; I thought that madame was not
+ feeling well.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I am going to bed,&rdquo; said the Duchess, drying her eyes. &ldquo;But
+ remember, Suzanne, never to come in again without orders; I tell you this
+ for the last time.&rdquo;
+ </p>
+ <p>
+ For a week, Mme de Langeais went to every house where there was a hope of
+ meeting M. de Montriveau. Contrary to her usual habits, she came early and
+ went late; gave up dancing, and went to the card-tables. Her experiments
+ were fruitless. She did not succeed in getting a glimpse of Armand. She
+ did not dare to utter his name now. One evening, however, in a fit of
+ despair, she spoke to Mme de Serizy, and asked as carelessly as she could,
+ &ldquo;You must have quarreled with M. de Montriveau? He is not to be seen at
+ your house now.&rdquo;
+ </p>
+ <p>
+ The Countess laughed. &ldquo;So he does not come here either?&rdquo; she returned. &ldquo;He
+ is not to be seen anywhere, for that matter. He is interested in some
+ woman, no doubt.&rdquo;
+ </p>
+ <p>
+ &ldquo;I used to think that the Marquis de Ronquerolles was one of his friends&mdash;&mdash;&rdquo;
+ the Duchess began sweetly.
+ </p>
+ <p>
+ &ldquo;I have never heard my brother say that he was acquainted with him.&rdquo;
+ </p>
+ <p>
+ Mme de Langeais did not reply. Mme de Serizy concluded from the Duchess&rsquo;s
+ silence that she might apply the scourge with impunity to a discreet
+ friendship which she had seen, with bitterness of soul, for a long time
+ past.
+ </p>
+ <p>
+ &ldquo;So you miss that melancholy personage, do you? I have heard most
+ extraordinary things of him. Wound his feelings, he never comes back, he
+ forgives nothing; and, if you love him, he keeps you in chains. To
+ everything that I said of him, one of those that praise him sky-high would
+ always answer, &lsquo;He knows how to love!&rsquo; People are always telling me that
+ Montriveau would give up all for his friend; that his is a great nature.
+ Pooh! society does not want such tremendous natures. Men of that stamp are
+ all very well at home; let them stay there and leave us to our pleasant
+ littlenesses. What do you say, Antoinette?&rdquo;
+ </p>
+ <p>
+ Woman of the world though she was, the Duchess seemed agitated, yet she
+ replied in a natural voice that deceived her fair friend:
+ </p>
+ <p>
+ &ldquo;I am sorry to miss him. I took a great interest in him, and promised to
+ myself to be his sincere friend. I like great natures, dear friend,
+ ridiculous though you may think it. To give oneself to a fool is a clear
+ confession, is it not, that one is governed wholly by one&rsquo;s senses?&rdquo;
+ </p>
+ <p>
+ Mme de Serizy&rsquo;s &ldquo;preferences&rdquo; had always been for commonplace men; her
+ lover at the moment, the Marquis d&rsquo;Aiglemont, was a fine, tall man.
+ </p>
+ <p>
+ After this, the Countess soon took her departure, you may be sure Mme de
+ Langeais saw hope in Armand&rsquo;s withdrawal from the world; she wrote to him
+ at once; it was a humble, gentle letter, surely it would bring him if he
+ loved her still. She sent her footman with it next day. On the servant&rsquo;s
+ return, she asked whether he had given the letter to M. de Montriveau
+ himself, and could not restrain the movement of joy at the affirmative
+ answer. Armand was in Paris! He stayed alone in his house; he did not go
+ out into society! So she was loved! All day long she waited for an answer
+ that never came. Again and again, when impatience grew unbearable,
+ Antoinette found reasons for his delay. Armand felt embarrassed; the reply
+ would come by post; but night came, and she could not deceive herself any
+ longer. It was a dreadful day, a day of pain grown sweet, of intolerable
+ heart-throbs, a day when the heart squanders the very forces of life in
+ riot.
+ </p>
+ <p>
+ Next day she sent for an answer.
+ </p>
+ <p>
+ &ldquo;M. le Marquis sent word that he would call on Mme la Duchesse,&rdquo; reported
+ Julien.
+ </p>
+ <p>
+ She fled lest her happiness should be seen in her face, and flung herself
+ on her couch to devour her first sensations.
+ </p>
+ <p>
+ &ldquo;He is coming!&rdquo;
+ </p>
+ <p>
+ The thought rent her soul. And, in truth, woe unto those for whom suspense
+ is not the most horrible time of tempest, while it increases and
+ multiplies the sweetest joys; for they have nothing in them of that flame
+ which quickens the images of things, giving to them a second existence, so
+ that we cling as closely to the pure essence as to its outward and visible
+ manifestation. What is suspense in love but a constant drawing upon an
+ unfailing hope?&mdash;a submission to the terrible scourging of passion,
+ while passion is yet happy, and the disenchantment of reality has not set
+ in. The constant putting forth of strength and longing, called suspense,
+ is surely, to the human soul, as fragrance to the flower that breathes it
+ forth. We soon leave the brilliant, unsatisfying colours of tulips and
+ coreopsis, but we turn again and again to drink in the sweetness of
+ orange-blossoms or volkameria-flowers compared separately, each in its own
+ land, to a betrothed bride, full of love, made fair by the past and
+ future.
+ </p>
+ <p>
+ The Duchess learned the joys of this new life of hers through the rapture
+ with which she received the scourgings of love. As this change wrought in
+ her, she saw other destinies before her, and a better meaning in the
+ things of life. As she hurried to her dressing-room, she understood what
+ studied adornment and the most minute attention to her toilet mean when
+ these are undertaken for love&rsquo;s sake and not for vanity. Even now this
+ making ready helped her to bear the long time of waiting. A relapse of
+ intense agitation set in when she was dressed; she passed through nervous
+ paroxysms brought on by the dreadful power which sets the whole mind in
+ ferment. Perhaps that power is only a disease, though the pain of it is
+ sweet. The Duchess was dressed and waiting at two o clock in the
+ afternoon. At half-past eleven that night M. de Montriveau had not
+ arrived. To try to give an idea of the anguish endured by a woman who
+ might be said to be the spoilt child of civilization, would be to attempt
+ to say how many imaginings the heart can condense into one thought. As
+ well endeavour to measure the forces expended by the soul in a sigh
+ whenever the bell rang; to estimate the drain of life when a carriage
+ rolled past without stopping, and left her prostrate.
+ </p>
+ <p>
+ &ldquo;Can he be playing with me?&rdquo; she said, as the clocks struck midnight.
+ </p>
+ <p>
+ She grew white; her teeth chattered; she struck her hands together and
+ leapt up and crossed the boudoir, recollecting as she did so how often he
+ had come thither without a summons. But she resigned herself. Had she not
+ seen him grow pale, and start up under the stinging barbs of irony? Then
+ Mme de Langeais felt the horror of the woman&rsquo;s appointed lot; a man&rsquo;s is
+ the active part, a woman must wait passively when she loves. If a woman
+ goes beyond her beloved, she makes a mistake which few men can forgive;
+ almost every man would feel that a woman lowers herself by this piece of
+ angelic flattery. But Armand&rsquo;s was a great nature; he surely must be one
+ of the very few who can repay such exceeding love by love that lasts
+ forever.
+ </p>
+ <p>
+ &ldquo;Well, I will make the advance,&rdquo; she told herself, as she tossed on her
+ bed and found no sleep there; &ldquo;I will go to him. I will not weary myself
+ with holding out a hand to him, but I will hold it out. A man of a
+ thousand will see a promise of love and constancy in every step that a
+ woman takes towards him. Yes, the angels must come down from heaven to
+ reach men; and I wish to be an angel for him.&rdquo;
+ </p>
+ <p>
+ Next day she wrote. It was a billet of the kind in which the intellects of
+ the ten thousand Sevignes that Paris now can number particularly excel.
+ And yet only a Duchesse de Langeais, brought up by Mme la Princesse de
+ Blamont-Chauvry, could have written that delicious note; no other woman
+ could complain without lowering herself; could spread wings in such a
+ flight without draggling her pinions in humiliation; rise gracefully in
+ revolt; scold without giving offence; and pardon without compromising her
+ personal dignity.
+ </p>
+ <p>
+ Julien went with the note. Julien, like his kind, was the victim of love&rsquo;s
+ marches and countermarches.
+ </p>
+ <p>
+ &ldquo;What did M. de Montriveau reply?&rdquo; she asked, as indifferently as she
+ could, when the man came back to report himself.
+ </p>
+ <p>
+ &ldquo;M. le Marquis requested me to tell Mme la Duchesse that it was all
+ right.&rdquo;
+ </p>
+ <p>
+ Oh the dreadful reaction of the soul upon herself! To have her heart
+ stretched on the rack before curious witnesses; yet not to utter a sound,
+ to be forced to keep silence! One of the countless miseries of the rich!
+ </p>
+ <p>
+ More than three weeks went by. Mme de Langeais wrote again and again, and
+ no answer came from Montriveau. At last she gave out that she was ill, to
+ gain a dispensation from attendance on the Princess and from social
+ duties. She was only at home to her father the Duc de Navarreins, her aunt
+ the Princesse de Blamont-Chauvry, the old Vidame de Pamiers (her maternal
+ great-uncle), and to her husband&rsquo;s uncle, the Duc de Grandlieu. These
+ persons found no difficulty in believing that the Duchess was ill, seeing
+ that she grew thinner and paler and more dejected every day. The vague
+ ardour of love, the smart of wounded pride, the continual prick of the
+ only scorn that could touch her, the yearnings towards joys that she
+ craved with a vain continual longing&mdash;all these things told upon her,
+ mind and body; all the forces of her nature were stimulated to no purpose.
+ She was paying the arrears of her life of make-believe.
+ </p>
+ <p>
+ She went out at last to a review. M. de Montriveau was to be there. For
+ the Duchess, on the balcony of the Tuileries with the Royal Family, it was
+ one of those festival days that are long remembered. She looked supremely
+ beautiful in her languor; she was greeted with admiration in all eyes. It
+ was Montriveau&rsquo;s presence that made her so fair.
+ </p>
+ <p>
+ Once or twice they exchanged glances. The General came almost to her feet
+ in all the glory of that soldier&rsquo;s uniform, which produces an effect upon
+ the feminine imagination to which the most prudish will confess. When a
+ woman is very much in love, and has not seen her lover for two months,
+ such a swift moment must be something like the phase of a dream when the
+ eyes embrace a world that stretches away forever. Only women or young men
+ can imagine the dull, frenzied hunger in the Duchess&rsquo;s eyes. As for older
+ men, if during the paroxysms of early passion in youth they had experience
+ of such phenomena of nervous power; at a later day it is so completely
+ forgotten that they deny the very existence of the luxuriant ecstasy&mdash;the
+ only name that can be given to these wonderful intuitions. Religious
+ ecstasy is the aberration of a soul that has shaken off its bonds of
+ flesh; whereas in amorous ecstasy all the forces of soul and body are
+ embraced and blended in one. If a woman falls a victim to the tyrannous
+ frenzy before which Mme de Langeais was forced to bend, she will take one
+ decisive resolution after another so swiftly that it is impossible to give
+ account of them. Thought after thought rises and flits across her brain,
+ as clouds are whirled by the wind across the grey veil of mist that shuts
+ out the sun. Thenceforth the facts reveal all. And the facts are these.
+ </p>
+ <p>
+ The day after the review, Mme de Langeais sent her carriage and liveried
+ servants to wait at the Marquis de Montriveau&rsquo;s door from eight o&rsquo;clock in
+ the morning till three in the afternoon. Armand lived in the Rue de
+ Tournon, a few steps away from the Chamber of Peers, and that very day the
+ House was sitting; but long before the peers returned to their palaces,
+ several people had recognised the Duchess&rsquo;s carriage and liveries. The
+ first of these was the Baron de Maulincour. That young officer had met
+ with disdain from Mme de Langeais and a better reception from Mme de
+ Serizy; he betook himself at once therefore to his mistress, and under
+ seal of secrecy told her of this strange freak.
+ </p>
+ <p>
+ In a moment the news was spread with telegraphic speed through all the
+ coteries in the Faubourg Saint-Germain; it reached the Tuileries and the
+ Elysee-Bourbon; it was the sensation of the day, the matter of all the
+ talk from noon till night. Almost everywhere the women denied the facts,
+ but in such a manner that the report was confirmed; the men one and all
+ believed it, and manifested a most indulgent interest in Mme de Langeais.
+ Some among them threw the blame on Armand.
+ </p>
+ <p>
+ &ldquo;That savage of a Montriveau is a man of bronze,&rdquo; said they; &ldquo;he insisted
+ on making this scandal, no doubt.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well, then,&rdquo; others replied, &ldquo;Mme de Langeais has been guilty of a
+ most generous piece of imprudence. To renounce the world and rank, and
+ fortune, and consideration for her lover&rsquo;s sake, and that in the face of
+ all Paris, is as fine a <i>coup d&rsquo;etat</i> for a woman as that barber&rsquo;s
+ knife-thrust, which so affected Canning in a court of assize. Not one of
+ the women who blame the Duchess would make a declaration worthy of ancient
+ times. It is heroic of Mme de Langeais to proclaim herself so frankly. Now
+ there is nothing left to her but to love Montriveau. There must be
+ something great about a woman if she says, &lsquo;I will have but one passion.&rsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;But what is to become of society, monsieur, if you honour vice in this
+ way without respect for virtue?&rdquo; asked the Comtesse de Granville, the
+ attorney-general&rsquo;s wife.
+ </p>
+ <p>
+ While the Chateau, the Faubourg, and the Chaussee d&rsquo;Antin were discussing
+ the shipwreck of aristocratic virtue; while excited young men rushed about
+ on horseback to make sure that the carriage was standing in the Rue de
+ Tournon, and the Duchess in consequence was beyond a doubt in M. de
+ Montriveau&rsquo;s rooms, Mme de Langeais, with heavy throbbing pulses, was
+ lying hidden away in her boudoir. And Armand?&mdash;he had been out all
+ night, and at that moment was walking with M. de Marsay in the Gardens of
+ the Tuileries. The elder members, of Mme de Langeais&rsquo; family were engaged
+ in calling upon one another, arranging to read her a homily and to hold a
+ consultation as to the best way of putting a stop to the scandal.
+ </p>
+ <p>
+ At three o&rsquo;clock, therefore, M. le Duc de Navarreins, the Vidame de
+ Pamiers, the old Princesse de Blamont-Chauvry, and the Duc de Grandlieu
+ were assembled in Mme la Duchesse de Langeais&rsquo; drawing-room. To them, as
+ to all curious inquirers, the servants said that their mistress was not at
+ home; the Duchess had made no exceptions to her orders. But these four
+ personages shone conspicuous in that lofty sphere, of which the
+ revolutions and hereditary pretensions are solemnly recorded year by year
+ in the <i>Almanach de Gotha</i>, wherefore without some slight sketch of
+ each of them this picture of society were incomplete.
+ </p>
+ <p>
+ The Princesse de Blamont-Chauvry, in the feminine world, was a most poetic
+ wreck of the reign of Louis Quinze. In her beautiful prime, so it was
+ said, she had done her part to win for that monarch his appellation of <i>le
+ Bien-aime</i>. Of her past charms of feature, little remained save a
+ remarkably prominent slender nose, curved like a Turkish scimitar, now the
+ principal ornament of a countenance that put you in mind of an old white
+ glove. Add a few powdered curls, high-heeled pantoufles, a cap with
+ upstanding loops of lace, black mittens, and a decided taste for <i>ombre</i>.
+ But to do full justice to the lady, it must be said that she appeared in
+ low-necked gowns of an evening (so high an opinion of her ruins had she),
+ wore long gloves, and raddled her cheeks with Martin&rsquo;s classic rouge. An
+ appalling amiability in her wrinkles, a prodigious brightness in the old
+ lady&rsquo;s eyes, a profound dignity in her whole person, together with the
+ triple barbed wit of her tongue, and an infallible memory in her head,
+ made of her a real power in the land. The whole Cabinet des Chartes was
+ entered in duplicate on the parchment of her brain. She knew all the
+ genealogies of every noble house in Europe&mdash;princes, dukes, and
+ counts&mdash;and could put her hand on the last descendants of Charlemagne
+ in the direct line. No usurpation of title could escape the Princesse de
+ Blamont-Chauvry.
+ </p>
+ <p>
+ Young men who wished to stand well at Court, ambitious men, and young
+ married women paid her assiduous homage. Her salon set the tone of the
+ Faubourg Saint-Germain. The words of this Talleyrand in petticoats were
+ taken as final decrees. People came to consult her on questions of
+ etiquette or usages, or to take lessons in good taste. And, in truth, no
+ other old woman could put back her snuff-box in her pocket as the Princess
+ could; while there was a precision and a grace about the movements of her
+ skirts, when she sat down or crossed her feet, which drove the finest
+ ladies of the young generation to despair. Her voice had remained in her
+ head during one-third of her lifetime; but she could not prevent a descent
+ into the membranes of the nose, which lent to it a peculiar
+ expressiveness. She still retained a hundred and fifty thousand livres of
+ her great fortune, for Napoleon had generously returned her woods to her;
+ so that personally and in the matter of possessions she was a woman of no
+ little consequence.
+ </p>
+ <p>
+ This curious antique, seated in a low chair by the fireside, was chatting
+ with the Vidame de Pamiers, a contemporary ruin. The Vidame was a big,
+ tall, and spare man, a seigneur of the old school, and had been a
+ Commander of the Order of Malta. His neck had always been so tightly
+ compressed by a strangulation stock, that his cheeks pouched over it a
+ little, and he held his head high; to many people this would have given an
+ air of self-sufficiency, but in the Vidame it was justified by a
+ Voltairean wit. His wide prominent eyes seemed to see everything, and as a
+ matter of fact there was not much that they had not seen. Altogether, his
+ person was a perfect model of aristocratic outline, slim and slender,
+ supple and agreeable. He seemed as if he could be pliant or rigid at will,
+ and twist and bend, or rear his head like a snake.
+ </p>
+ <p>
+ The Duc de Navarreins was pacing up and down the room with the Duc de
+ Grandlieu. Both were men of fifty-six or thereabouts, and still hale; both
+ were short, corpulent, flourishing, somewhat florid-complexioned men with
+ jaded eyes, and lower lips that had begun to hang already. But for an
+ exquisite refinement of accent, an urbane courtesy, and an ease of manner
+ that could change in a moment to insolence, a superficial observer might
+ have taken them for a couple of bankers. Any such mistake would have been
+ impossible, however, if the listener could have heard them converse, and
+ seen them on their guard with men whom they feared, vapid and commonplace
+ with their equals, slippery with the inferiors whom courtiers and
+ statesmen know how to tame by a tactful word, or to humiliate with an
+ unexpected phrase.
+ </p>
+ <p>
+ Such were the representatives of the great noblesse that determined to
+ perish rather than submit to any change. It was a noblesse that deserved
+ praise and blame in equal measure; a noblesse that will never be judged
+ impartially until some poet shall arise to tell how joyfully the nobles
+ obeyed the King though their heads fell under a Richelieu&rsquo;s axe, and how
+ deeply they scorned the guillotine of &lsquo;89 as a foul revenge.
+ </p>
+ <p>
+ Another noticeable trait in all the four was a thin voice that agreed
+ peculiarly well with their ideas and bearing. Among themselves, at any
+ rate, they were on terms of perfect equality. None of them betrayed any
+ sign of annoyance over the Duchess&rsquo;s escapade, but all of them had learned
+ at Court to hide their feelings.
+ </p>
+ <p>
+ And here, lest critics should condemn the puerility of the opening of the
+ forthcoming scene, it is perhaps as well to remind the reader that Locke,
+ once happening to be in the company of several great lords, renowned no
+ less for their wit than for their breeding and political consistency,
+ wickedly amused himself by taking down their conversation by some
+ shorthand process of his own; and afterwards, when he read it over to them
+ to see what they could make of it, they all burst out laughing. And, in
+ truth, the tinsel jargon which circulates among the upper ranks in every
+ country yields mighty little gold to the crucible when washed in the ashes
+ of literature or philosophy. In every rank of society (some few Parisian
+ salons excepted) the curious observer finds folly a constant quantity
+ beneath a more or less transparent varnish. Conversation with any
+ substance in it is a rare exception, and boeotianism is current coin in
+ every zone. In the higher regions they must perforce talk more, but to
+ make up for it they think the less. Thinking is a tiring exercise, and the
+ rich like their lives to flow by easily and without effort. It is by
+ comparing the fundamental matter of jests, as you rise in the social scale
+ from the street-boy to the peer of France, that the observer arrives at a
+ true comprehension of M. de Talleyrand&rsquo;s maxim, &ldquo;The manner is
+ everything&rdquo;; an elegant rendering of the legal axiom, &ldquo;The form is of more
+ consequence than the matter.&rdquo; In the eyes of the poet the advantage rests
+ with the lower classes, for they seldom fail to give a certain character
+ of rude poetry to their thoughts. Perhaps also this same observation may
+ explain the sterility of the salons, their emptiness, their shallowness,
+ and the repugnance felt by men of ability for bartering their ideas for
+ such pitiful small change.
+ </p>
+ <p>
+ The Duke suddenly stopped as if some bright idea occurred to him, and
+ remarked to his neighbour:
+ </p>
+ <p>
+ &ldquo;So you have sold Tornthon?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, he is ill. I am very much afraid I shall lose him, and I should be
+ uncommonly sorry. He is a very good hunter. Do you know how the Duchesse
+ de Marigny is?&rdquo;
+ </p>
+ <p>
+ &ldquo;No. I did not go this morning. I was just going out to call when you came
+ in to speak about Antoinette. But yesterday she was very ill indeed; they
+ had given her up, she took the sacrament.&rdquo;
+ </p>
+ <p>
+ &ldquo;Her death will make a change in your cousin&rsquo;s position.&rdquo;
+ </p>
+ <p>
+ &ldquo;Not at all. She gave away her property in her lifetime, only keeping an
+ annuity. She made over the Guebriant estate to her niece, Mme de
+ Soulanges, subject to a yearly charge.&rdquo;
+ </p>
+ <p>
+ &ldquo;It will be a great loss for society. She was a kind woman. Her family
+ will miss her; her experience and advice carried weight. Her son Marigny
+ is an amiable man; he has a sharp wit, he can talk. He is pleasant, very
+ pleasant. Pleasant? oh, that no one can deny, but&mdash;ill regulated to
+ the last degree. Well, and yet it is an extraordinary thing, he is very
+ acute. He was dining at the club the other day with that moneyed
+ Chaussee-d&rsquo;Antin set. Your uncle (he always goes there for his game of
+ cards) found him there to his astonishment, and asked if he was a member.
+ &lsquo;Yes,&rsquo; said he, &lsquo;I don&rsquo;t go into society now; I am living among the
+ bankers.&rsquo;&mdash;You know why?&rdquo; added the Marquis, with a meaning smile.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said the Duke.
+ </p>
+ <p>
+ &ldquo;He is smitten with that little Mme Keller, Gondreville&rsquo;s daughter; she is
+ only lately married, and has a great vogue, they say, in that set.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, Antoinette does not find time heavy on her hands, it seems,&rdquo;
+ remarked the Vidame.
+ </p>
+ <p>
+ &ldquo;My affection for that little woman has driven me to find a singular
+ pastime,&rdquo; replied the Princess, as she returned her snuff-box to her
+ pocket.
+ </p>
+ <p>
+ &ldquo;Dear aunt, I am extremely vexed,&rdquo; said the Duke, stopping short in his
+ walk. &ldquo;Nobody but one of Bonaparte&rsquo;s men could ask such an indecorous
+ thing of a woman of fashion. Between ourselves, Antoinette might have made
+ a better choice.&rdquo;
+ </p>
+ <p>
+ &ldquo;The Montriveaus are a very old family and very well connected, my dear,&rdquo;
+ replied the Princess; &ldquo;they are related to all the noblest houses of
+ Burgundy. If the Dulmen branch of the Arschoot Rivaudoults should come to
+ an end in Galicia, the Montriveaus would succeed to the Arschoot title and
+ estates. They inherit through their great-grandfather.
+ </p>
+ <p>
+ &ldquo;Are you sure?&rdquo;
+ </p>
+ <p>
+ &ldquo;I know it better than this Montriveau&rsquo;s father did. I told him about it,
+ I used to see a good deal of him; and, Chevalier of several orders though
+ he was, he only laughed; he was an encyclopaedist. But his brother turned
+ the relationship to good account during the emigration. I have heard it
+ said that his northern kinsfolk were most kind in every way&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, to be sure. The Comte de Montriveau died at St. Petersburg,&rdquo; said
+ the Vidame. &ldquo;I met him there. He was a big man with an incredible passion
+ for oysters.&rdquo;
+ </p>
+ <p>
+ &ldquo;However many did he eat?&rdquo; asked the Duc de Grandlieu.
+ </p>
+ <p>
+ &ldquo;Ten dozen every day.&rdquo;
+ </p>
+ <p>
+ &ldquo;And did they not disagree with him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not the least bit in the world.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, that is extraordinary! Had he neither the stone nor gout, nor any
+ other complaint, in consequence?&rdquo;
+ </p>
+ <p>
+ &ldquo;No; his health was perfectly good, and he died through an accident.&rdquo;
+ </p>
+ <p>
+ &ldquo;By accident! Nature prompted him to eat oysters, so probably he required
+ them; for up to a certain point our predominant tastes are conditions of
+ our existence.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am of your opinion,&rdquo; said the Princess, with a smile.
+ </p>
+ <p>
+ &ldquo;Madame, you always put a malicious construction on things,&rdquo; returned the
+ Marquis.
+ </p>
+ <p>
+ &ldquo;I only want you to understand that these remarks might leave a wrong
+ impression on a young woman&rsquo;s mind,&rdquo; said she, and interrupted herself to
+ exclaim, &ldquo;But this niece, this niece of mine!&rdquo;
+ </p>
+ <p>
+ &ldquo;Dear aunt, I still refuse to believe that she can have gone to M. de
+ Montriveau,&rdquo; said the Duc de Navarreins.
+ </p>
+ <p>
+ &ldquo;Bah!&rdquo; returned the Princess.
+ </p>
+ <p>
+ &ldquo;What do you think, Vidame?&rdquo; asked the Marquis.
+ </p>
+ <p>
+ &ldquo;If the Duchess were an artless simpleton, I should think that&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But when a woman is in love she becomes an artless simpleton,&rdquo; retorted
+ the Princess. &ldquo;Really, my poor Vidame, you must be getting older.&rdquo;
+ </p>
+ <p>
+ &ldquo;After all, what is to be done?&rdquo; asked the Duke.
+ </p>
+ <p>
+ &ldquo;If my dear niece is wise,&rdquo; said the Princess, &ldquo;she will go to Court this
+ evening&mdash;fortunately, today is Monday, and reception day&mdash;and
+ you must see that we all rally round her and give the lie to this absurd
+ rumour. There are hundreds of ways of explaining things; and if the
+ Marquis de Montriveau is a gentleman, he will come to our assistance. We
+ will bring these children to listen to reason&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But, dear aunt, it is not easy to tell M. de Montriveau the truth to his
+ face. He is one of Bonaparte&rsquo;s pupils, and he has a position. Why, he is
+ one of the great men of the day; he is high up in the Guards, and very
+ useful there. He has not a spark of ambition. He is just the man to say,
+ &lsquo;Here is my commission, leave me in peace,&rsquo; if the King should say a word
+ that he did not like.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then, pray, what are his opinions?&rdquo;
+ </p>
+ <p>
+ &ldquo;Very unsound.&rdquo;
+ </p>
+ <p>
+ &ldquo;Really,&rdquo; sighed the Princess, &ldquo;the King is, as he always has been, a
+ Jacobin under the Lilies of France.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh! not quite so bad,&rdquo; said the Vidame.
+ </p>
+ <p>
+ &ldquo;Yes; I have known him for a long while. The man that pointed out the
+ Court to his wife on the occasion of her first state dinner in public
+ with, &lsquo;These are our people,&rsquo; could only be a black-hearted scoundrel. I
+ can see Monsieur exactly the same as ever in the King. The bad brother who
+ voted so wrongly in his department of the Constituent Assembly was sure to
+ compound with the Liberals and allow them to argue and talk. This
+ philosophical cant will be just as dangerous now for the younger brother
+ as it used to be for the elder; this fat man with the little mind is
+ amusing himself by creating difficulties, and how his successor is to get
+ out of them I do not know; he holds his younger brother in abhorrence; he
+ would be glad to think as he lay dying, &lsquo;He will not reign very long&mdash;&mdash;&lsquo;&rdquo;
+ </p>
+ <p>
+ &ldquo;Aunt, he is the King, and I have the honour to be in his service&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;But does your post take away your right of free speech, my dear? You come
+ of quite as good a house as the Bourbons. If the Guises had shown a little
+ more resolution, His Majesty would be a nobody at this day. It is time I
+ went out of this world, the noblesse is dead. Yes, it is all over with
+ you, my children,&rdquo; she continued, looking as she spoke at the Vidame.
+ &ldquo;What has my niece done that the whole town should be talking about her?
+ She is in the wrong; I disapprove of her conduct, a useless scandal is a
+ blunder; that is why I still have my doubts about this want of regard for
+ appearances; I brought her up, and I know that&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ Just at that moment the Duchess came out of her boudoir. She had
+ recognised her aunt&rsquo;s voice and heard the name of Montriveau. She was
+ still in her loose morning-gown; and even as she came in, M. de Grandlieu,
+ looking carelessly out of the window, saw his niece&rsquo;s carriage driving
+ back along the street. The Duke took his daughter&rsquo;s face in both hands and
+ kissed her on the forehead.
+ </p>
+ <p>
+ &ldquo;So, dear girl,&rdquo; he said, &ldquo;you do not know what is going on?&rdquo;
+ </p>
+ <p>
+ &ldquo;Has anything extraordinary happened, father dear?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, all Paris believes that you are with M. de Montriveau.&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear Antoinette, you were at home all the time, were you not?&rdquo; said
+ the Princess, holding out a hand, which the Duchess kissed with
+ affectionate respect.
+ </p>
+ <p>
+ &ldquo;Yes, dear mother; I was at home all the time. And,&rdquo; she added, as she
+ turned to greet the Vidame and the Marquis, &ldquo;I wished that all Paris
+ should think that I was with M. de Montriveau.&rdquo;
+ </p>
+ <p>
+ The Duke flung up his hands, struck them together in despair, and folded
+ his arms.
+ </p>
+ <p>
+ &ldquo;Then, cannot you see what will come of this mad freak?&rdquo; he asked at last.
+ </p>
+ <p>
+ But the aged Princess had suddenly risen, and stood looking steadily at
+ the Duchess, the younger woman flushed, and her eyes fell. Mme de Chauvry
+ gently drew her closer, and said, &ldquo;My little angel, let me kiss you!&rdquo;
+ </p>
+ <p>
+ She kissed her niece very affectionately on the forehead, and continued
+ smiling, while she held her hand in a tight clasp.
+ </p>
+ <p>
+ &ldquo;We are not under the Valois now, dear child. You have compromised your
+ husband and your position. Still, we will arrange to make everything
+ right.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, dear aunt, I do not wish to make it right at all. It is my wish that
+ all Paris should say that I was with M. de Montriveau this morning. If you
+ destroy that belief, however ill grounded it may be, you will do me a
+ singular disservice.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you really wish to ruin yourself, child, and to grieve your family?&rdquo;
+ </p>
+ <p>
+ &ldquo;My family, father, unintentionally condemned me to irreparable misfortune
+ when they sacrificed me to family considerations. You may, perhaps, blame
+ me for seeking alleviations, but you will certainly feel for me.&rdquo;
+ </p>
+ <p>
+ &ldquo;After all the endless pains you take to settle your daughters suitably!&rdquo;
+ muttered M. de Navarreins, addressing the Vidame.
+ </p>
+ <p>
+ The Princess shook a stray grain of snuff from her skirts. &ldquo;My dear little
+ girl,&rdquo; she said, &ldquo;be happy, if you can. We are not talking of troubling
+ your felicity, but of reconciling it with social usages. We all of us here
+ assembled know that marriage is a defective institution tempered by love.
+ But when you take a lover, is there any need to make your bed in the Place
+ du Carrousel? See now, just be a bit reasonable, and hear what we have to
+ say.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am listening.&rdquo;
+ </p>
+ <p>
+ &ldquo;Mme la Duchesse,&rdquo; began the Duc de Grandlieu, &ldquo;if it were any part of an
+ uncle&rsquo;s duty to look after his nieces, he ought to have a position;
+ society would owe him honours and rewards and a salary, exactly as if he
+ were in the King&rsquo;s service. So I am not here to talk about my nephew, but
+ of your own interests. Let us look ahead a little. If you persist in
+ making a scandal&mdash;I have seen the animal before, and I own that I
+ have no great liking for him&mdash;Langeais is stingy enough, and he does
+ not care a rap for anyone but himself; he will have a separation; he will
+ stick to your money, and leave you poor, and consequently you will be a
+ nobody. The income of a hundred thousand livres that you have just
+ inherited from your maternal great-aunt will go to pay for his mistresses&rsquo;
+ amusements. You will be bound and gagged by the law; you will have to say
+ <i>Amen</i> to all these arrangements. Suppose M. de Montriveau leaves you&mdash;&mdash;dear
+ me! do not let us put ourselves in a passion, my dear niece; a man does
+ not leave a woman while she is young and pretty; still, we have seen so
+ many pretty women left disconsolate, even among princesses, that you will
+ permit the supposition, an all but impossible supposition I quite wish to
+ believe.&mdash;&mdash;Well, suppose that he goes, what will become of you
+ without a husband? Keep well with your husband as you take care of your
+ beauty; for beauty, after all, is a woman&rsquo;s parachute, and a husband also
+ stands between you and worse. I am supposing that you are happy and loved
+ to the end, and I am leaving unpleasant or unfortunate events altogether
+ out of the reckoning. This being so, fortunately or unfortunately, you may
+ have children. What are they to be? Montriveaus? Very well; they certainly
+ will not succeed to their father&rsquo;s whole fortune. You will want to give
+ them all that you have; he will wish to do the same. Nothing more natural,
+ dear me! And you will find the law against you. How many times have we
+ seen heirs-at-law bringing a law-suit to recover the property from
+ illegitimate children? Every court of law rings with such actions all over
+ the world. You will create a <i>fidei commissum</i> perhaps; and if the
+ trustee betrays your confidence, your children have no remedy against him;
+ and they are ruined. So choose carefully. You see the perplexities of the
+ position. In every possible way your children will be sacrificed of
+ necessity to the fancies of your heart; they will have no recognised
+ status. While they are little they will be charming; but, Lord! some day
+ they will reproach you for thinking of no one but your two selves. We old
+ gentlemen know all about it. Little boys grow up into men, and men are
+ ungrateful beings. When I was in Germany, did I not hear young de Horn
+ say, after supper, &lsquo;If my mother had been an honest woman, I should be
+ prince-regnant!&rsquo; <i>If</i>?&rsquo; We have spent our lives in hearing plebeians
+ say <i>if</i>. <i>If</i> brought about the Revolution. When a man cannot
+ lay the blame on his father or mother, he holds God responsible for his
+ hard lot. In short, dear child, we are here to open your eyes. I will say
+ all I have to say in a few words, on which you had better meditate: A
+ woman ought never to put her husband in the right.&rdquo;
+ </p>
+ <p>
+ &ldquo;Uncle, so long as I cared for nobody, I could calculate; I looked at
+ interests then, as you do; now, I can only feel.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, my dear little girl,&rdquo; remonstrated the Vidame, &ldquo;life is simply a
+ complication of interests and feelings; to be happy, more particularly in
+ your position, one must try to reconcile one&rsquo;s feelings with one&rsquo;s
+ interests. A grisette may love according to her fancy, that is
+ intelligible enough, but you have a pretty fortune, a family, a name and a
+ place at Court, and you ought not to fling them out of the window. And
+ what have we been asking you to do to keep them all?&mdash;To manoeuvre
+ carefully instead of falling foul of social conventions. Lord! I shall
+ very soon be eighty years old, and I cannot recollect, under any regime, a
+ love worth the price that you are willing to pay for the love of this
+ lucky young man.&rdquo;
+ </p>
+ <p>
+ The Duchess silenced the Vidame with a look; if Montriveau could have seen
+ that glance, he would have forgiven all.
+ </p>
+ <p>
+ &ldquo;It would be very effective on the stage,&rdquo; remarked the Duc de Grandlieu,
+ &ldquo;but it all amounts to nothing when your jointure and position and
+ independence is concerned. You are not grateful, my dear niece. You will
+ not find many families where the relatives have courage enough to teach
+ the wisdom gained by experience, and to make rash young heads listen to
+ reason. Renounce your salvation in two minutes, if it pleases you to damn
+ yourself; well and good; but reflect well beforehand when it comes to
+ renouncing your income. I know of no confessor who remits the pains of
+ poverty. I have a right, I think, to speak in this way to you; for if you
+ are ruined, I am the one person who can offer you a refuge. I am almost an
+ uncle to Langeais, and I alone have a right to put him in the wrong.&rdquo;
+ </p>
+ <p>
+ The Duc de Navarreins roused himself from painful reflections.
+ </p>
+ <p>
+ &ldquo;Since you speak of feeling, my child,&rdquo; he said, &ldquo;let me remind you that a
+ woman who bears your name ought to be moved by sentiments which do not
+ touch ordinary people. Can you wish to give an advantage to the Liberals,
+ to those Jesuits of Robespierre&rsquo;s that are doing all they can to vilify
+ the noblesse? Some things a Navarreins cannot do without failing in duty
+ to his house. You would not be alone in your dishonor&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Come, come!&rdquo; said the Princess. &ldquo;Dishonor? Do not make such a fuss about
+ the journey of an empty carriage, children, and leave me alone with
+ Antoinette. All three of you come and dine with me. I will undertake to
+ arrange matters suitably. You men understand nothing; you are beginning to
+ talk sourly already, and I have no wish to see a quarrel between you and
+ my dear child. Do me the pleasure to go.&rdquo;
+ </p>
+ <p>
+ The three gentlemen probably guessed the Princess&rsquo;s intentions; they took
+ their leave. M. de Navarreins kissed his daughter on the forehead with,
+ &ldquo;Come, be good, dear child. It is not too late yet if you choose.&rdquo;
+ </p>
+ <p>
+ &ldquo;Couldn&rsquo;t we find some good fellow in the family to pick a quarrel with
+ this Montriveau?&rdquo; said the Vidame, as they went downstairs.
+ </p>
+ <p>
+ When the two women were alone, the Princess beckoned her niece to a little
+ low chair by her side.
+ </p>
+ <p>
+ &ldquo;My pearl,&rdquo; said she, &ldquo;in this world below, I know nothing worse
+ calumniated than God and the eighteenth century; for as I look back over
+ my own young days, I do not recollect that a single duchess trampled the
+ proprieties underfoot as you have just done. Novelists and scribblers
+ brought the reign of Louis XV into disrepute. Do not believe them. The du
+ Barry, my dear, was quite as good as the Widow Scarron, and the more
+ agreeable woman of the two. In my time a woman could keep her dignity
+ among her gallantries. Indiscretion was the ruin of us, and the beginning
+ of all the mischief. The philosophists&mdash;the nobodies whom we admitted
+ into our salons&mdash;had no more gratitude or sense of decency than to
+ make an inventory of our hearts, to traduce us one and all, and to rail
+ against the age by way of a return for our kindness. The people are not in
+ a position to judge of anything whatsoever; they looked at the facts, not
+ at the form. But the men and women of those times, my heart, were quite as
+ remarkable as at any other period of the Monarchy. Not one of your
+ Werthers, none of your notabilities, as they are called, never a one of
+ your men in yellow kid gloves and trousers that disguise the poverty of
+ their legs, would cross Europe in the dress of a travelling hawker to
+ brave the daggers of a Duke of Modena, and to shut himself up in the
+ dressing-room of the Regent&rsquo;s daughter at the risk of his life. Not one of
+ your little consumptive patients with their tortoiseshell eyeglasses would
+ hide himself in a closet for six weeks, like Lauzun, to keep up his
+ mistress&rsquo;s courage while she was lying in of her child. There was more
+ passion in M. de Jaucourt&rsquo;s little finger than in your whole race of
+ higglers that leave a woman to better themselves elsewhere! Just tell me
+ where to find the page that would be cut in pieces and buried under the
+ floorboards for one kiss on the Konigsmark&rsquo;s gloved finger!
+ </p>
+ <p>
+ &ldquo;Really, it would seem today that the roles are exchanged, and women are
+ expected to show their devotion for men. These modern gentlemen are worth
+ less, and think more of themselves. Believe me, my dear, all these
+ adventures that have been made public, and now are turned against our good
+ Louis XV, were kept quite secret at first. If it had not been for a pack
+ of poetasters, scribblers, and moralists, who hung about our
+ waiting-women, and took down their slanders, our epoch would have appeared
+ in literature as a well-conducted age. I am justifying the century and not
+ its fringe. Perhaps a hundred women of quality were lost; but for every
+ one, the rogues set down ten, like the gazettes after a battle when they
+ count up the losses of the beaten side. And in any case I do not know that
+ the Revolution and the Empire can reproach us; they were coarse, dull,
+ licentious times. Faugh! it is revolting. Those are the brothels of French
+ history.
+ </p>
+ <p>
+ &ldquo;This preamble, my dear child,&rdquo; she continued after a pause, &ldquo;brings me to
+ the thing that I have to say. If you care for Montriveau, you are quite at
+ liberty to love him at your ease, and as much as you can. I know by
+ experience that, unless you are locked up (but locking people up is out of
+ fashion now), you will do as you please; I should have done the same at
+ your age. Only, sweetheart, I should not have given up my right to be the
+ mother of future Ducs de Langeais. So mind appearances. The Vidame is
+ right. No man is worth a single one of the sacrifices which we are foolish
+ enough to make for their love. Put yourself in such a position that you
+ may still be M. de Langeais&rsquo; wife, in case you should have the misfortune
+ to repent. When you are an old woman, you will be very glad to hear mass
+ said at Court, and not in some provincial convent. Therein lies the whole
+ question. A single imprudence means an allowance and a wandering life; it
+ means that you are at the mercy of your lover; it means that you must put
+ up with insolence from women that are not so honest, precisely because
+ they have been very vulgarly sharp-witted. It would be a hundred times
+ better to go to Montriveau&rsquo;s at night in a cab, and disguised, instead of
+ sending your carriage in broad daylight. You are a little fool, my dear
+ child! Your carriage flattered his vanity; your person would have ensnared
+ his heart. All this that I have said is just and true; but, for my own
+ part, I do not blame you. You are two centuries behind the times with your
+ false ideas of greatness. There, leave us to arrange your affairs, and say
+ that Montriveau made your servants drunk to gratify his vanity and to
+ compromise you&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ The Duchess rose to her feet with a spring. &ldquo;In Heaven&rsquo;s name, aunt, do
+ not slander him!&rdquo;
+ </p>
+ <p>
+ The old Princess&rsquo;s eyes flashed.
+ </p>
+ <p>
+ &ldquo;Dear child,&rdquo; she said, &ldquo;I should have liked to spare such of your
+ illusions as were not fatal. But there must be an end of all illusions
+ now. You would soften me if I were not so old. Come, now, do not vex him,
+ or us, or anyone else. I will undertake to satisfy everybody; but promise
+ me not to permit yourself a single step henceforth until you have
+ consulted me. Tell me all, and perhaps I may bring it all right again.&rdquo;
+ </p>
+ <p>
+ &ldquo;Aunt, I promise&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;To tell me everything?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, everything. Everything that can be told.&rdquo;
+ </p>
+ <p>
+ &ldquo;But, my sweetheart, it is precisely what cannot be told that I want to
+ know. Let us understand each other thoroughly. Come, let me put my
+ withered old lips on your beautiful forehead. No; let me do as I wish. I
+ forbid you to kiss my bones. Old people have a courtesy of their own....
+ There, take me down to my carriage,&rdquo; she added, when she had kissed her
+ niece.
+ </p>
+ <p>
+ &ldquo;Then may I go to him in disguise, dear aunt?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why&mdash;yes. The story can always be denied,&rdquo; said the old Princess.
+ </p>
+ <p>
+ This was the one idea which the Duchess had clearly grasped in the sermon.
+ When Mme de Chauvry was seated in the corner of her carriage, Mme de
+ Langeais bade her a graceful adieu and went up to her room. She was quite
+ happy again.
+ </p>
+ <p>
+ &ldquo;My person would have snared his heart; my aunt is right; a man cannot
+ surely refuse a pretty woman when she understands how to offer herself.&rdquo;
+ </p>
+ <p>
+ That evening, at the Elysee-Bourbon, the Duc de Navarreins, M. de Pamiers,
+ M. de Marsay, M. de Grandlieu, and the Duc de Maufrigneuse triumphantly
+ refuted the scandals that were circulating with regard to the Duchesse de
+ Langeais. So many officers and other persons had seen Montriveau walking
+ in the Tuileries that morning, that the silly story was set down to
+ chance, which takes all that is offered. And so, in spite of the fact that
+ the Duchess&rsquo;s carriage had waited before Montriveau&rsquo;s door, her character
+ became as clear and as spotless as Membrino&rsquo;s sword after Sancho had
+ polished it up.
+ </p>
+ <p>
+ But, at two o&rsquo;clock, M. de Ronquerolles passed Montriveau in a deserted
+ alley, and said with a smile, &ldquo;She is coming on, is your Duchess. Go on,
+ keep it up!&rdquo; he added, and gave a significant cut of the riding whip to
+ his mare, who sped off like a bullet down the avenue.
+ </p>
+ <p>
+ Two days after the fruitless scandal, Mme de Langeais wrote to M. de
+ Montriveau. That letter, like the preceding ones, remained unanswered.
+ This time she took her own measures, and bribed M. de Montriveau&rsquo;s man,
+ Auguste. And so at eight o&rsquo;clock that evening she was introduced into
+ Armand&rsquo;s apartment. It was not the room in which that secret scene had
+ passed; it was entirely different. The Duchess was told that the General
+ would not be at home that night. Had he two houses? The man would give no
+ answer. Mme de Langeais had bought the key of the room, but not the man&rsquo;s
+ whole loyalty.
+ </p>
+ <p>
+ When she was left alone she saw her fourteen letters lying on an
+ old-fashioned stand, all of them uncreased and unopened. He had not read
+ them. She sank into an easy-chair, and for a while she lost consciousness.
+ When she came to herself, Auguste was holding vinegar for her to inhale.
+ </p>
+ <p>
+ &ldquo;A carriage; quick!&rdquo; she ordered.
+ </p>
+ <p>
+ The carriage came. She hastened downstairs with convulsive speed, and left
+ orders that no one was to be admitted. For twenty-four hours she lay in
+ bed, and would have no one near her but her woman, who brought her a cup
+ of orange-flower water from time to time. Suzette heard her mistress moan
+ once or twice, and caught a glimpse of tears in the brilliant eyes, now
+ circled with dark shadows.
+ </p>
+ <p>
+ The next day, amid despairing tears, Mme de Langeais took her resolution.
+ Her man of business came for an interview, and no doubt received
+ instructions of some kind. Afterwards she sent for the Vidame de Pamiers;
+ and while she waited, she wrote a letter to M. de Montriveau. The Vidame
+ punctually came towards two o&rsquo;clock that afternoon, to find his young
+ cousin looking white and worn, but resigned; never had her divine
+ loveliness been more poetic than now in the languor of her agony.
+ </p>
+ <p>
+ &ldquo;You owe this assignation to your eighty-four years, dear cousin,&rdquo; she
+ said. &ldquo;Ah! do not smile, I beg of you, when an unhappy woman has reached
+ the lowest depths of wretchedness. You are a gentleman, and after the
+ adventures of your youth you must feel some indulgence for women.&rdquo;
+ </p>
+ <p>
+ &ldquo;None whatever,&rdquo; said he.
+ </p>
+ <p>
+ &ldquo;Indeed!&rdquo;
+ </p>
+ <p>
+ &ldquo;Everything is in their favour.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! Well, you are one of the inner family circle; possibly you will be
+ the last relative, the last friend whose hand I shall press, so I can ask
+ your good offices. Will you, dear Vidame, do me a service which I could
+ not ask of my own father, nor of my uncle Grandlieu, nor of any woman? You
+ cannot fail to understand. I beg of you to do my bidding, and then to
+ forget what you have done, whatever may come of it. It is this: Will you
+ take this letter and go to M. de Montriveau? will you see him yourself,
+ give it into his hands, and ask him, as you men can ask things between
+ yourselves&mdash;for you have a code of honour between man and man which
+ you do not use with us, and a different way of regarding things between
+ yourselves&mdash;ask him if he will read this letter? Not in your
+ presence. Certain feelings men hide from each other. I give you authority
+ to say, if you think it necessary to bring him, that it is a question of
+ life or death for me. If he deigns&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Deigns</i>!&rdquo; repeated the Vidame.
+ </p>
+ <p>
+ &ldquo;If he deigns to read it,&rdquo; the Duchess continued with dignity, &ldquo;say one
+ thing more. You will go to see him about five o&rsquo;clock, for I know that he
+ will dine at home today at that time. Very good. By way of answer he must
+ come to see me. If, three hours afterwards, by eight o&rsquo;clock, he does not
+ leave his house, all will be over. The Duchesse de Langeais will have
+ vanished from the world. I shall not be dead, dear friend, no, but no
+ human power will ever find me again on this earth. Come and dine with me;
+ I shall at least have one friend with me in the last agony. Yes, dear
+ cousin, tonight will decide my fate; and whatever happens to me, I pass
+ through an ordeal by fire. There! not a word. I will hear nothing of the
+ nature of comment or advice&mdash;&mdash;Let us chat and laugh together,&rdquo;
+ she added, holding out a hand, which he kissed. &ldquo;We will be like two
+ grey-headed philosophers who have learned how to enjoy life to the last
+ moment. I will look my best; I will be very enchanting for you. You
+ perhaps will be the last man to set eyes on the Duchesse de Langeais.&rdquo;
+ </p>
+ <p>
+ The Vicomte bowed, took the letter, and went without a word. At five
+ o&rsquo;clock he returned. His cousin had studied to please him, and she looked
+ lovely indeed. The room was gay with flowers as if for a festivity; the
+ dinner was exquisite. For the grey-headed Vidame the Duchess displayed all
+ the brilliancy of her wit; she was more charming than she had ever been
+ before. At first the Vidame tried to look on all these preparations as a
+ young woman&rsquo;s jest; but now and again the attempted illusion faded, the
+ spell of his fair cousin&rsquo;s charm was broken. He detected a shudder caused
+ by some kind of sudden dread, and once she seemed to listen during a
+ pause.
+ </p>
+ <p>
+ &ldquo;What is the matter?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Hush!&rdquo; she said.
+ </p>
+ <p>
+ At seven o&rsquo;clock the Duchess left him for a few minutes. When she came
+ back again she was dressed as her maid might have dressed for a journey.
+ She asked her guest to be her escort, took his arm, sprang into a hackney
+ coach, and by a quarter to eight they stood outside M. de Montriveau&rsquo;s
+ door.
+ </p>
+ <p>
+ Armand meantime had been reading the following letter:&mdash;
+ </p>
+ <p>
+ &ldquo;MY FRIEND,&mdash;I went to your rooms for a few minutes without your
+ knowledge; I found my letters there, and took them away. This cannot be
+ indifference, Armand, between us; and hatred would show itself quite
+ differently. If you love me, make an end of this cruel play, or you will
+ kill me, and afterwards, learning how much you were loved, you might be in
+ despair. If I have not rightly understood you, if you have no feeling
+ towards me but aversion, which implies both contempt and disgust, then I
+ give up all hope. A man never recovers from those feelings. You will have
+ no regrets. Dreadful though that thought may be, it will comfort me in my
+ long sorrow. Regrets? Oh, my Armand, may I never know of them; if I
+ thought that I had caused you a single regret&mdash;&mdash;But, no, I will
+ not tell you what desolation I should feel. I should be living still, and
+ I could not be your wife; it would be too late!
+ </p>
+ <p>
+ &ldquo;Now that I have given myself wholly to you in thought, to whom else
+ should I give myself?&mdash;to God. The eyes that you loved for a little
+ while shall never look on another man&rsquo;s face; and may the glory of God
+ blind them to all besides. I shall never hear human voices more since I
+ heard yours&mdash;so gentle at the first, so terrible yesterday; for it
+ seems to me that I am still only on the morrow of your vengeance. And now
+ may the will of God consume me. Between His wrath and yours, my friend,
+ there will be nothing left for me but a little space for tears and
+ prayers.
+ </p>
+ <p>
+ &ldquo;Perhaps you wonder why I write to you? Ah! do not think ill of me if I
+ keep a gleam of hope, and give one last sigh to happy life before I take
+ leave of it forever. I am in a hideous position. I feel all the inward
+ serenity that comes when a great resolution has been taken, even while I
+ hear the last growlings of the storm. When you went out on that terrible
+ adventure which so drew me to you, Armand, you went from the desert to the
+ oasis with a good guide to show you the way. Well, I am going out of the
+ oasis into the desert, and you are a pitiless guide to me. And yet you
+ only, my friend, can understand how melancholy it is to look back for the
+ last time on happiness&mdash;to you, and you only, I can make moan without
+ a blush. If you grant my entreaty, I shall be happy; if you are
+ inexorable, I shall expiate the wrong that I have done. After all, it is
+ natural, is it not, that a woman should wish to live, invested with all
+ noble feelings, in her friend&rsquo;s memory? Oh! my one and only love, let her
+ to whom you gave life go down into the tomb in the belief that she is
+ great in your eyes. Your harshness led me to reflect; and now that I love
+ you so, it seems to me that I am less guilty than you think. Listen to my
+ justification, I owe it to you; and you that are all the world to me, owe
+ me at least a moment&rsquo;s justice.
+ </p>
+ <p>
+ &ldquo;I have learned by my own anguish all that I made you suffer by my
+ coquetry; but in those days I was utterly ignorant of love. <i>You</i>
+ know what the torture is, and you mete it out to me! During those first
+ eight months that you gave me you never roused any feeling of love in me.
+ Do you ask why this was so, my friend? I can no more explain it than I can
+ tell you why I love you now. Oh! certainly it flattered my vanity that I
+ should be the subject of your passionate talk, and receive those burning
+ glances of yours; but you left me cold. No, I was not a woman; I had no
+ conception of womanly devotion and happiness. Who was to blame? You would
+ have despised me, would you not, if I had given myself without the impulse
+ of passion? Perhaps it is the highest height to which we can rise&mdash;to
+ give all and receive no joy; perhaps there is no merit in yielding oneself
+ to bliss that is foreseen and ardently desired. Alas, my friend, I can say
+ this now; these thoughts came to me when I played with you; and you seemed
+ to me so great even then that I would not have you owe the gift to pity&mdash;&mdash;What
+ is this that I have written?
+ </p>
+ <p>
+ &ldquo;I have taken back all my letters; I am flinging them one by one on the
+ fire; they are burning. You will never know what they confessed&mdash;all
+ the love and the passion and the madness&mdash;&mdash;
+ </p>
+ <p>
+ &ldquo;I will say no more, Armand; I will stop. I will not say another word of
+ my feelings. If my prayers have not echoed from my soul through yours, I
+ also, woman that I am, decline to owe your love to your pity. It is my
+ wish to be loved, because you cannot choose but love me, or else to be
+ left without mercy. If you refuse to read this letter, it shall be burnt.
+ If, after you have read it, you do not come to me within three hours, to
+ be henceforth forever my husband, the one man in the world for me; then I
+ shall never blush to know that this letter is in your hands, the pride of
+ my despair will protect my memory from all insult, and my end shall be
+ worthy of my love. When you see me no more on earth, albeit I shall still
+ be alive, you yourself will not think without a shudder of the woman who,
+ in three hours&rsquo; time, will live only to overwhelm you with her tenderness;
+ a woman consumed by a hopeless love, and faithful&mdash;not to memories of
+ past joys&mdash;but to a love that was slighted.
+ </p>
+ <p>
+ &ldquo;The Duchesse de la Valliere wept for lost happiness and vanished power;
+ but the Duchesse de Langeais will be happy that she may weep and be a
+ power for you still. Yes, you will regret me. I see clearly that I was not
+ of this world, and I thank you for making it clear to me.
+ </p>
+ <p>
+ &ldquo;Farewell; you will never touch <i>my</i> axe. Yours was the executioner&rsquo;s
+ axe, mine is God&rsquo;s; yours kills, mine saves. Your love was but mortal, it
+ could not endure disdain or ridicule; mine can endure all things without
+ growing weaker, it will last eternally. Ah! I feel a sombre joy in
+ crushing you that believe yourself so great; in humbling you with the
+ calm, indulgent smile of one of the least among the angels that lie at the
+ feet of God, for to them is given the right and the power to protect and
+ watch over men in His name. You have but felt fleeting desires, while the
+ poor nun will shed the light of her ceaseless and ardent prayer about you,
+ she will shelter you all your life long beneath the wings of a love that
+ has nothing of earth in it.
+ </p>
+ <p>
+ &ldquo;I have a presentiment of your answer; our trysting place shall be&mdash;in
+ heaven. Strength and weakness can both enter there, dear Armand; the
+ strong and the weak are bound to suffer. This thought soothes the anguish
+ of my final ordeal. So calm am I that I should fear that I had ceased to
+ love you if I were not about to leave the world for your sake.
+ </p>
+<pre xml:space="preserve">
+ &ldquo;ANTOINETTE.&rdquo;
+ </pre>
+ <p>
+ &ldquo;Dear Vidame,&rdquo; said the Duchess as they reached Montriveau&rsquo;s house, &ldquo;do me
+ the kindness to ask at the door whether he is at home.&rdquo; The Vidame,
+ obedient after the manner of the eighteenth century to a woman&rsquo;s wish, got
+ out, and came back to bring his cousin an affirmative answer that sent a
+ shudder through her. She grasped his hand tightly in hers, suffered him to
+ kiss her on either cheek, and begged him to go at once. He must not watch
+ her movements nor try to protect her. &ldquo;But the people passing in the
+ street,&rdquo; he objected.
+ </p>
+ <p>
+ &ldquo;No one can fail in respect to me,&rdquo; she said. It was the last word spoken
+ by the Duchess and the woman of fashion.
+ </p>
+ <p>
+ The Vidame went. Mme de Langeais wrapped herself about in her cloak, and
+ stood on the doorstep until the clocks struck eight. The last stroke died
+ away. The unhappy woman waited ten, fifteen minutes; to the last she tried
+ to see a fresh humiliation in the delay, then her faith ebbed. She turned
+ to leave the fatal threshold.
+ </p>
+ <p>
+ &ldquo;Oh, God!&rdquo; the cry broke from her in spite of herself; it was the first
+ word spoken by the Carmelite.
+ </p>
+ <p>
+ Montriveau and some of his friends were talking together. He tried to
+ hasten them to a conclusion, but his clock was slow, and by the time he
+ started out for the Hotel de Langeais the Duchess was hurrying on foot
+ through the streets of Paris, goaded by the dull rage in her heart. She
+ reached the Boulevard d&rsquo;Enfer, and looked out for the last time through
+ falling tears on the noisy, smoky city that lay below in a red mist,
+ lighted up by its own lamps. Then she hailed a cab, and drove away, never
+ to return. When the Marquis de Montriveau reached the Hotel de Langeais,
+ and found no trace of his mistress, he thought that he had been duped. He
+ hurried away at once to the Vidame, and found that worthy gentleman in the
+ act of slipping on his flowered dressing-gown, thinking the while of his
+ fair cousin&rsquo;s happiness.
+ </p>
+ <p>
+ Montriveau gave him one of the terrific glances that produced the effect
+ of an electric shock on men and women alike.
+ </p>
+ <p>
+ &ldquo;Is it possible that you have lent yourself to some cruel hoax, monsieur?&rdquo;
+ Montriveau exclaimed. &ldquo;I have just come from Mme de Langeais&rsquo; house; the
+ servants say that she is out.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then a great misfortune has happened, no doubt,&rdquo; returned the Vidame,
+ &ldquo;and through your fault. I left the Duchess at your door&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;When?&rdquo;
+ </p>
+ <p>
+ &ldquo;At a quarter to eight.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good evening,&rdquo; returned Montriveau, and he hurried home to ask the porter
+ whether he had seen a lady standing on the doorstep that evening.
+ </p>
+ <p>
+ &ldquo;Yes, my Lord Marquis, a handsome woman, who seemed very much put out. She
+ was crying like a Magdalen, but she never made a sound, and stood as
+ upright as a post. Then at last she went, and my wife and I that were
+ watching her while she could not see us, heard her say, &lsquo;Oh, God!&rsquo; so that
+ it went to our hearts, asking your pardon, to hear her say it.&rdquo;
+ </p>
+ <p>
+ Montriveau, in spite of all his firmness, turned pale at those few words.
+ He wrote a few lines to Ronquerolles, sent off the message at once, and
+ went up to his rooms. Ronquerolles came just about midnight.
+ </p>
+ <p>
+ Armand gave him the Duchess&rsquo;s letter to read.
+ </p>
+ <p>
+ &ldquo;Well?&rdquo; asked Ronquerolles.
+ </p>
+ <p>
+ &ldquo;She was here at my door at eight o&rsquo;clock; at a quarter-past eight she had
+ gone. I have lost her, and I love her. Oh! if my life were my own, I could
+ blow my brains out.&rdquo;
+ </p>
+ <p>
+ &ldquo;Pooh, pooh! Keep cool,&rdquo; said Ronquerolles. &ldquo;Duchesses do not fly off like
+ wagtails. She cannot travel faster than three leagues an hour, and
+ tomorrow we will ride six.&mdash;Confound it! Mme de Langeais is no
+ ordinary woman,&rdquo; he continued. &ldquo;Tomorrow we will all of us mount and ride.
+ The police will put us on her track during the day. She must have a
+ carriage; angels of that sort have no wings. We shall find her whether she
+ is on the road or hidden in Paris. There is the semaphore. We can stop
+ her. You shall be happy. But, my dear fellow, you have made a blunder, of
+ which men of your energy are very often guilty. They judge others by
+ themselves, and do not know the point when human nature gives way if you
+ strain the cords too tightly. Why did you not say a word to me sooner? I
+ would have told you to be punctual. Good-bye till tomorrow,&rdquo; he added, as
+ Montriveau said nothing. &ldquo;Sleep if you can,&rdquo; he added, with a grasp of the
+ hand.
+ </p>
+ <p>
+ But the greatest resources which society has ever placed at the disposal
+ of statesmen, kings, ministers, bankers, or any human power, in fact, were
+ all exhausted in vain. Neither Montriveau nor his friends could find any
+ trace of the Duchess. It was clear that she had entered a convent.
+ Montriveau determined to search, or to institute a search, for her through
+ every convent in the world. He must have her, even at the cost of all the
+ lives in a town. And in justice to this extraordinary man, it must be said
+ that his frenzied passion awoke to the same ardour daily and lasted
+ through five years. Only in 1829 did the Duc de Navarreins hear by chance
+ that his daughter had travelled to Spain as Lady Julia Hopwood&rsquo;s maid,
+ that she had left her service at Cadiz, and that Lady Julia never
+ discovered that Mlle Caroline was the illustrious duchess whose sudden
+ disappearance filled the minds of the highest society of Paris.
+ </p>
+ <p>
+ The feelings of the two lovers when they met again on either side of the
+ grating in the Carmelite convent should now be comprehended to the full,
+ and the violence of the passion awakened in either soul will doubtless
+ explain the catastrophe of the story.
+ </p>
+ <p>
+ In 1823 the Duc de Langeais was dead, and his wife was free. Antoinette de
+ Navarreins was living, consumed by love, on a ledge of rock in the
+ Mediterranean; but it was in the Pope&rsquo;s power to dissolve Sister Theresa&rsquo;s
+ vows. The happiness bought by so much love might yet bloom for the two
+ lovers. These thoughts sent Montriveau flying from Cadiz to Marseilles,
+ and from Marseilles to Paris.
+ </p>
+ <p>
+ A few months after his return to France, a merchant brig, fitted out and
+ munitioned for active service, set sail from the port of Marseilles for
+ Spain. The vessel had been chartered by several distinguished men, most of
+ them Frenchmen, who, smitten with a romantic passion for the East, wished
+ to make a journey to those lands. Montriveau&rsquo;s familiar knowledge of
+ Eastern customs made him an invaluable travelling companion, and at the
+ entreaty of the rest he had joined the expedition; the Minister of War
+ appointed him lieutenant-general, and put him on the Artillery Commission
+ to facilitate his departure.
+ </p>
+ <p>
+ Twenty-fours hours later the brig lay to off the north-west shore of an
+ island within sight of the Spanish coast. She had been specially chosen
+ for her shallow keel and light mastage, so that she might lie at anchor in
+ safety half a league away from the reefs that secure the island from
+ approach in this direction. If fishing vessels or the people on the island
+ caught sight of the brig, they were scarcely likely to feel suspicious of
+ her at once; and besides, it was easy to give a reason for her presence
+ without delay. Montriveau hoisted the flag of the United States before
+ they came in sight of the island, and the crew of the vessel were all
+ American sailors, who spoke nothing but English. One of M. de Montriveau&rsquo;s
+ companions took the men ashore in the ship&rsquo;s longboat, and made them so
+ drunk at an inn in the little town that they could not talk. Then he gave
+ out that the brig was manned by treasure-seekers, a gang of men whose
+ hobby was well known in the United States; indeed, some Spanish writer had
+ written a history of them. The presence of the brig among the reefs was
+ now sufficiently explained. The owners of the vessel, according to the
+ self-styled boatswain&rsquo;s mate, were looking for the wreck of a galleon
+ which foundered thereabouts in 1778 with a cargo of treasure from Mexico.
+ The people at the inn and the authorities asked no more questions.
+ </p>
+ <p>
+ Armand, and the devoted friends who were helping him in his difficult
+ enterprise, were all from the first of the opinion that there was no hope
+ of rescuing or carrying off Sister Theresa by force or stratagem from the
+ side of the little town. Wherefore these bold spirits, with one accord,
+ determined to take the bull by the horns. They would make a way to the
+ convent at the most seemingly inaccessible point; like General Lamarque,
+ at the storming of Capri, they would conquer Nature. The cliff at the end
+ of the island, a sheer block of granite, afforded even less hold than the
+ rock of Capri. So it seemed at least to Montriveau, who had taken part in
+ that incredible exploit, while the nuns in his eyes were much more
+ redoubtable than Sir Hudson Lowe. To raise a hubbub over carrying off the
+ Duchess would cover them with confusion. They might as well set siege to
+ the town and convent, like pirates, and leave not a single soul to tell of
+ their victory. So for them their expedition wore but two aspects. There
+ should be a conflagration and a feat of arms that should dismay all
+ Europe, while the motives of the crime remained unknown; or, on the other
+ hand, a mysterious, aerial descent which should persuade the nuns that the
+ Devil himself had paid them a visit. They had decided upon the latter
+ course in the secret council held before they left Paris, and subsequently
+ everything had been done to insure the success of an expedition which
+ promised some real excitement to jaded spirits weary of Paris and its
+ pleasures.
+ </p>
+ <p>
+ An extremely light pirogue, made at Marseilles on a Malayan model, enabled
+ them to cross the reef, until the rocks rose from out of the water. Then
+ two cables of iron wire were fastened several feet apart between one rock
+ and another. These wire ropes slanted upwards and downwards in opposite
+ directions, so that baskets of iron wire could travel to and fro along
+ them; and in this manner the rocks were covered with a system of baskets
+ and wire-cables, not unlike the filaments which a certain species of
+ spider weaves about a tree. The Chinese, an essentially imitative people,
+ were the first to take a lesson from the work of instinct. Fragile as
+ these bridges were, they were always ready for use; high waves and the
+ caprices of the sea could not throw them out of working order; the ropes
+ hung just sufficiently slack, so as to present to the breakers that
+ particular curve discovered by Cachin, the immortal creator of the harbour
+ at Cherbourg. Against this cunningly devised line the angry surge is
+ powerless; the law of that curve was a secret wrested from Nature by that
+ faculty of observation in which nearly all human genius consists.
+ </p>
+ <p>
+ M. de Montriveau&rsquo;s companions were alone on board the vessel, and out of
+ sight of every human eye. No one from the deck of a passing vessel could
+ have discovered either the brig hidden among the reefs, or the men at work
+ among the rocks; they lay below the ordinary range of the most powerful
+ telescope. Eleven days were spent in preparation, before the Thirteen,
+ with all their infernal power, could reach the foot of the cliffs. The
+ body of the rock rose up straight from the sea to a height of thirty
+ fathoms. Any attempt to climb the sheer wall of granite seemed impossible;
+ a mouse might as well try to creep up the slippery sides of a plain china
+ vase. Still there was a cleft, a straight line of fissure so fortunately
+ placed that large blocks of wood could be wedged firmly into it at a
+ distance of about a foot apart. Into these blocks the daring workers drove
+ iron cramps, specially made for the purpose, with a broad iron bracket at
+ the outer end, through which a hole had been drilled. Each bracket carried
+ a light deal board which corresponded with a notch made in a pole that
+ reached to the top of the cliffs, and was firmly planted in the beach at
+ their feet. With ingenuity worthy of these men who found nothing
+ impossible, one of their number, a skilled mathematician, had calculated
+ the angle from which the steps must start; so that from the middle they
+ rose gradually, like the sticks of a fan, to the top of the cliff, and
+ descended in the same fashion to its base. That miraculously light, yet
+ perfectly firm, staircase cost them twenty-two days of toil. A little
+ tinder and the surf of the sea would destroy all trace of it forever in a
+ single night. A betrayal of the secret was impossible; and all search for
+ the violators of the convent was doomed to failure.
+ </p>
+ <p>
+ At the top of the rock there was a platform with sheer precipice on all
+ sides. The Thirteen, reconnoitring the ground with their glasses from the
+ masthead, made certain that though the ascent was steep and rough, there
+ would be no difficulty in gaining the convent garden, where the trees were
+ thick enough for a hiding-place. After such great efforts they would not
+ risk the success of their enterprise, and were compelled to wait till the
+ moon passed out of her last quarter.
+ </p>
+ <p>
+ For two nights Montriveau, wrapped in his cloak, lay out on the rock
+ platform. The singing at vespers and matins filled him with unutterable
+ joy. He stood under the wall to hear the music of the organ, listening
+ intently for one voice among the rest. But in spite of the silence, the
+ confused effect of music was all that reached his ears. In those sweet
+ harmonies defects of execution are lost; the pure spirit of art comes into
+ direct communication with the spirit of the hearer, making no demand on
+ the attention, no strain on the power of listening. Intolerable memories
+ awoke. All the love within him seemed to break into blossom again at the
+ breath of that music; he tried to find auguries of happiness in the air.
+ During the last night he sat with his eyes fixed upon an ungrated window,
+ for bars were not needed on the side of the precipice. A light shone there
+ all through the hours; and that instinct of the heart, which is sometimes
+ true, and as often false, cried within him, &ldquo;She is there!&rdquo;
+ </p>
+ <p>
+ &ldquo;She is certainly there! Tomorrow she will be mine,&rdquo; he said to himself,
+ and joy blended with the slow tinkling of a bell that began to ring.
+ </p>
+ <p>
+ Strange unaccountable workings of the heart! The nun, wasted by yearning
+ love, worn out with tears and fasting, prayer and vigils; the woman of
+ nine-and-twenty, who had passed through heavy trials, was loved more
+ passionately than the lighthearted girl, the woman of four-and-twenty, the
+ sylphide, had ever been. But is there not, for men of vigorous character,
+ something attractive in the sublime expression engraven on women&rsquo;s faces
+ by the impetuous stirrings of thought and misfortunes of no ignoble kind?
+ Is there not a beauty of suffering which is the most interesting of all
+ beauty to those men who feel that within them there is an inexhaustible
+ wealth of tenderness and consoling pity for a creature so gracious in
+ weakness, so strong with love? It is the ordinary nature that is attracted
+ by young, smooth, pink-and-white beauty, or, in one word, by prettiness.
+ In some faces love awakens amid the wrinkles carved by sorrow and the ruin
+ made by melancholy; Montriveau could not but feel drawn to these. For
+ cannot a lover, with the voice of a great longing, call forth a wholly new
+ creature? a creature athrob with the life but just begun breaks forth for
+ him alone, from the outward form that is fair for him, and faded for all
+ the world besides. Does he not love two women?&mdash;One of them, as
+ others see her, is pale and wan and sad; but the other, the unseen love
+ that his heart knows, is an angel who understands life through feeling,
+ and is adorned in all her glory only for love&rsquo;s high festivals.
+ </p>
+ <p>
+ The General left his post before sunrise, but not before he had heard
+ voices singing together, sweet voices full of tenderness sounding faintly
+ from the cell. When he came down to the foot of the cliffs where his
+ friends were waiting, he told them that never in his life had he felt such
+ enthralling bliss, and in the few words there was that unmistakable thrill
+ of repressed strong feeling, that magnificent utterance which all men
+ respect.
+ </p>
+ <p>
+ That night eleven of his devoted comrades made the ascent in the darkness.
+ Each man carried a poniard, a provision of chocolate, and a set of
+ house-breaking tools. They climbed the outer walls with scaling-ladders,
+ and crossed the cemetery of the convent. Montriveau recognised the long,
+ vaulted gallery through which he went to the parlour, and remembered the
+ windows of the room. His plans were made and adopted in a moment. They
+ would effect an entrance through one of the windows in the Carmelite&rsquo;s
+ half of the parlour, find their way along the corridors, ascertain whether
+ the sister&rsquo;s names were written on the doors, find Sister Theresa&rsquo;s cell,
+ surprise her as she slept, and carry her off, bound and gagged. The
+ programme presented no difficulties to men who combined boldness and a
+ convict&rsquo;s dexterity with the knowledge peculiar to men of the world,
+ especially as they would not scruple to give a stab to ensure silence.
+ </p>
+ <p>
+ In two hours the bars were sawn through. Three men stood on guard outside,
+ and two inside the parlour. The rest, barefooted, took up their posts
+ along the corridor. Young Henri de Marsay, the most dexterous man among
+ them, disguised by way of precaution in a Carmelite&rsquo;s robe, exactly like
+ the costume of the convent, led the way, and Montriveau came immediately
+ behind him. The clock struck three just as the two men reached the
+ dormitory cells. They soon saw the position. Everything was perfectly
+ quiet. With the help of a dark lantern they read the names luckily written
+ on every door, together with the picture of a saint or saints and the
+ mystical words which every nun takes as a kind of motto for the beginning
+ of her new life and the revelation of her last thought. Montriveau reached
+ Sister Theresa&rsquo;s door and read the inscription, <i>Sub invocatione sanctae
+ matris Theresae</i>, and her motto, <i>Adoremus in aeternum</i>. Suddenly
+ his companion laid a hand on his shoulder. A bright light was streaming
+ through the chinks of the door. M. de Ronquerolles came up at that moment.
+ </p>
+ <p>
+ &ldquo;All the nuns are in the church,&rdquo; he said; &ldquo;they are beginning the Office
+ for the Dead.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will stay here,&rdquo; said Montriveau. &ldquo;Go back into the parlour, and shut
+ the door at the end of the passage.&rdquo;
+ </p>
+ <p>
+ He threw open the door and rushed in, preceded by his disguised companion,
+ who let down the veil over his face.
+ </p>
+ <p>
+ There before them lay the dead Duchess; her plank bed had been laid on the
+ floor of the outer room of her cell, between two lighted candles. Neither
+ Montriveau nor de Marsay spoke a word or uttered a cry; but they looked
+ into each other&rsquo;s faces. The General&rsquo;s dumb gesture tried to say, &ldquo;Let us
+ carry her away!&rdquo;
+ </p>
+ <p>
+ &ldquo;Quickly&rdquo; shouted Ronquerolles, &ldquo;the procession of nuns is leaving the
+ church. You will be caught!&rdquo;
+ </p>
+ <p>
+ With magical swiftness of movement, prompted by an intense desire, the
+ dead woman was carried into the convent parlour, passed through the
+ window, and lowered from the walls before the Abbess, followed by the
+ nuns, returned to take up Sister Theresa&rsquo;s body. The sister left in charge
+ had imprudently left her post; there were secrets that she longed to know;
+ and so busy was she ransacking the inner room, that she heard nothing, and
+ was horrified when she came back to find that the body was gone. Before
+ the women, in their blank amazement, could think of making a search, the
+ Duchess had been lowered by a cord to the foot of the crags, and
+ Montriveau&rsquo;s companions had destroyed all traces of their work. By nine
+ o&rsquo;clock that morning there was not a sign to show that either staircase or
+ wire-cables had ever existed, and Sister Theresa&rsquo;s body had been taken on
+ board. The brig came into the port to ship her crew, and sailed that day.
+ </p>
+ <p>
+ Montriveau, down in the cabin, was left alone with Antoinette de
+ Navarreins. For some hours it seemed as if her dead face was transfigured
+ for him by that unearthly beauty which the calm of death gives to the body
+ before it perishes.
+ </p>
+ <p>
+ &ldquo;Look here,&rdquo; said Ronquerolles when Montriveau reappeared on deck, &ldquo;<i>that</i>
+ was a woman once, now it is nothing. Let us tie a cannon ball to both feet
+ and throw the body overboard; and if ever you think of her again, think of
+ her as of some book that you read as a boy.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; assented Montriveau, &ldquo;it is nothing now but a dream.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is sensible of you. Now, after this, have passions; but as for love,
+ a man ought to know how to place it wisely; it is only a woman&rsquo;s last love
+ that can satisfy a man&rsquo;s first love.&rdquo;
+ </p>
+ <p>
+ <a name="link2H_4_0012" id="link2H_4_0012">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ADDENDUM
+ </h2>
+<pre xml:space="preserve">
+ Note: The Duchesse de Langeais is the second part of a trilogy.
+ Part one is entitled Ferragus and part three is The Girl with
+ the Golden Eyes. In other addendum references all three stories
+ are usually combined under the title The Thirteen.
+</pre>
+ <p>
+ The following personages appear in other stories of the Human Comedy.
+ </p>
+<pre xml:space="preserve">
+ Blamont-Chauvry, Princesse de
+ Madame Firmiani
+ The Lily of the Valley
+
+ Grandlieu, Duc Ferdinand de
+ The Gondreville Mystery
+ A Bachelor&rsquo;s Establishment
+ Modeste Mignon
+ Scenes from a Courtesan&rsquo;s Life
+
+ Granville, Comtesse Angelique de
+ A Second Home
+ A Daughter of Eve
+
+ Keller, Madame Francois
+ Domestic Peace
+ The Member for Arcis
+
+ Langeais, Duc de
+ An Episode under the Terror
+
+ Langeais, Duchesse Antoinette de
+ Father Goriot
+ Ferragus
+
+ Marsay, Henri de
+ Ferragus
+ The Girl with the Golden Eyes
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+ Montriveau, General Marquis Armand de
+ Father Goriot
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Another Study of Woman
+ Pierrette
+ The Member for Arcis
+
+ Navarreins, Duc de
+ A Bachelor&rsquo;s Establishment
+ Colonel Chabert
+ The Muse of the Department
+ Jealousies of a Country Town
+ The Peasantry
+ Scenes from a Courtesan&rsquo;s Life
+ The Country Parson
+ The Magic Skin
+ The Gondreville Mystery
+ The Secrets of a Princess
+ Cousin Betty
+
+ Pamiers, Vidame de
+ Ferragus
+ Jealousies of a Country Town
+
+ Ronquerolles, Marquis de
+ The Imaginary Mistress
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ Ferragus
+ The Girl with the Golden Eyes
+ The Member for Arcis
+
+ Serizy, Comtesse de
+ A Start in Life
+ Ferragus
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan&rsquo;s Life
+ Another Study of Woman
+ The Imaginary Mistress
+
+ Soulanges, Comtesse Hortense de
+ Domestic Peace
+ The Peasantry
+
+ Talleyrand-Perigord, Charles-Maurice de
+ The Chouans
+ The Gondreville Mystery
+ Letters of Two Brides
+ Gaudissart II
+</pre>
+ <p>
+ <a name="link2H_4_0013" id="link2H_4_0013">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III. THE GIRL WITH THE GOLDEN EYES
+ </h2>
+ <p>
+ Translated by Ellen Marriage
+ </p>
+<pre xml:space="preserve">
+ DEDICATION
+
+ To Eugene Delacroix, Painter
+</pre>
+ <p>
+ One of those sights in which most horror is to be encountered is, surely,
+ the general aspect of the Parisian populace&mdash;a people fearful to
+ behold, gaunt, yellow, tawny. Is not Paris a vast field in perpetual
+ turmoil from a storm of interests beneath which are whirled along a crop
+ of human beings, who are, more often than not, reaped by death, only to be
+ born again as pinched as ever, men whose twisted and contorted faces give
+ out at every pore the instinct, the desire, the poisons with which their
+ brains are pregnant; not faces so much as masks; masks of weakness, masks
+ of strength, masks of misery, masks of joy, masks of hypocrisy; all alike
+ worn and stamped with the indelible signs of a panting cupidity? What is
+ it they want? Gold or pleasure? A few observations upon the soul of Paris
+ may explain the causes of its cadaverous physiognomy, which has but two
+ ages&mdash;youth and decay: youth, wan and colorless; decay, painted to
+ seem young. In looking at this excavated people, foreigners, who are not
+ prone to reflection, experience at first a movement of disgust towards the
+ capital, that vast workshop of delights, from which, in a short time, they
+ cannot even extricate themselves, and where they stay willingly to be
+ corrupted. A few words will suffice to justify physiologically the almost
+ infernal hue of Parisian faces, for it is not in mere sport that Paris has
+ been called a hell. Take the phrase for truth. There all is smoke and
+ fire, everything gleams, crackles, flames, evaporates, dies out, then
+ lights up again, with shooting sparks, and is consumed. In no other
+ country has life ever been more ardent or acute. The social nature, even
+ in fusion, seems to say after each completed work: &ldquo;Pass on to another!&rdquo;
+ just as Nature says herself. Like Nature herself, this social nature is
+ busied with insects and flowers of a day&mdash;ephemeral trifles; and so,
+ too, it throws up fire and flame from its eternal crater. Perhaps, before
+ analyzing the causes which lend a special physiognomy to each tribe of
+ this intelligent and mobile nation, the general cause should be pointed
+ out which bleaches and discolors, tints with blue or brown individuals in
+ more or less degree.
+ </p>
+ <p>
+ By dint of taking interest in everything, the Parisian ends by being
+ interested in nothing. No emotion dominating his face, which friction has
+ rubbed away, it turns gray like the faces of those houses upon which all
+ kinds of dust and smoke have blown. In effect, the Parisian, with his
+ indifference on the day for what the morrow will bring forth, lives like a
+ child, whatever may be his age. He grumbles at everything, consoles
+ himself for everything, jests at everything, forgets, desires, and tastes
+ everything, seizes all with passion, quits all with indifference&mdash;his
+ kings, his conquests, his glory, his idols of bronze or glass&mdash;as he
+ throws away his stockings, his hats, and his fortune. In Paris no
+ sentiment can withstand the drift of things, and their current compels a
+ struggle in which the passions are relaxed: there love is a desire, and
+ hatred a whim; there&rsquo;s no true kinsman but the thousand-franc note, no
+ better friend than the pawnbroker. This universal toleration bears its
+ fruits, and in the salon, as in the street, there is no one <i>de trop</i>,
+ there is no one absolutely useful, or absolutely harmful&mdash;knaves or
+ fools, men of wit or integrity. There everything is tolerated: the
+ government and the guillotine, religion and the cholera. You are always
+ acceptable to this world, you will never be missed by it. What, then, is
+ the dominating impulse in this country without morals, without faith,
+ without any sentiment, wherein, however, every sentiment, belief, and
+ moral has its origin and end? It is gold and pleasure. Take those two
+ words for a lantern, and explore that great stucco cage, that hive with
+ its black gutters, and follow the windings of that thought which agitates,
+ sustains, and occupies it! Consider! And, in the first place, examine the
+ world which possesses nothing.
+ </p>
+ <p>
+ The artisan, the man of the proletariat, who uses his hands, his tongue,
+ his back, his right arm, his five fingers, to live&mdash;well, this very
+ man, who should be the first to economize his vital principle, outruns his
+ strength, yokes his wife to some machine, wears out his child, and ties
+ him to the wheel. The manufacturer&mdash;or I know not what secondary
+ thread which sets in motion all these folk who with their foul hands mould
+ and gild porcelain, sew coats and dresses, beat out iron, turn wood and
+ steel, weave hemp, festoon crystal, imitate flowers, work woolen things,
+ break in horses, dress harness, carve in copper, paint carriages, blow
+ glass, corrode the diamond, polish metals, turn marble into leaves, labor
+ on pebbles, deck out thought, tinge, bleach, or blacken everything&mdash;well,
+ this middleman has come to that world of sweat and good-will, of study and
+ patience, with promises of lavish wages, either in the name of the town&rsquo;s
+ caprices or with the voice of the monster dubbed speculation. Thus, these
+ <i>quadrumanes</i> set themselves to watch, work, and suffer, to fast,
+ sweat, and bestir them. Then, careless of the future, greedy of pleasure,
+ counting on their right arm as the painter on his palette, lords for one
+ day, they throw their money on Mondays to the <i>cabarets</i> which gird
+ the town like a belt of mud, haunts of the most shameless of the daughters
+ of Venus, in which the periodical money of this people, as ferocious in
+ their pleasures as they are calm at work, is squandered as it had been at
+ play. For five days, then, there is no repose for this laborious portion
+ of Paris! It is given up to actions which make it warped and rough, lean
+ and pale, gush forth with a thousand fits of creative energy. And then its
+ pleasure, its repose, are an exhausting debauch, swarthy and black with
+ blows, white with intoxication, or yellow with indigestion. It lasts but
+ two days, but it steals to-morrow&rsquo;s bread, the week&rsquo;s soup, the wife&rsquo;s
+ dress, the child&rsquo;s wretched rags. Men, born doubtless to be beautiful&mdash;for
+ all creatures have a relative beauty&mdash;are enrolled from their
+ childhood beneath the yoke of force, beneath the rule of the hammer, the
+ chisel, the loom, and have been promptly vulcanized. Is not Vulcan, with
+ his hideousness and his strength, the emblem of this strong and hideous
+ nation&mdash;sublime in its mechanical intelligence, patient in its
+ season, and once in a century terrible, inflammable as gunpowder, and ripe
+ with brandy for the madness of revolution, with wits enough, in fine, to
+ take fire at a captious word, which signifies to it always: Gold and
+ Pleasure! If we comprise in it all those who hold out their hands for an
+ alms, for lawful wages, or the five francs that are granted to every kind
+ of Parisian prostitution, in short, for all the money well or ill earned,
+ this people numbers three hundred thousand individuals. Were it not for
+ the <i>cabarets</i>, would not the Government be overturned every Tuesday?
+ Happily, by Tuesday, this people is glutted, sleeps off its pleasure, is
+ penniless, and returns to its labor, to dry bread, stimulated by a need of
+ material procreation, which has become a habit to it. None the less, this
+ people has its phenomenal virtues, its complete men, unknown Napoleons,
+ who are the type of its strength carried to its highest expression, and
+ sum up its social capacity in an existence wherein thought and movement
+ combine less to bring joy into it than to neutralize the action of sorrow.
+ </p>
+ <p>
+ Chance has made an artisan economical, chance has favored him with
+ forethought, he has been able to look forward, has met with a wife and
+ found himself a father, and, after some years of hard privation, he
+ embarks in some little draper&rsquo;s business, hires a shop. If neither
+ sickness nor vice blocks his way&mdash;if he has prospered&mdash;there is
+ the sketch of this normal life.
+ </p>
+ <p>
+ And, in the first place, hail to that king of Parisian activity, to whom
+ time and space give way. Yes, hail to that being, composed of saltpetre
+ and gas, who makes children for France during his laborious nights, and in
+ the day multiplies his personality for the service, glory, and pleasure of
+ his fellow-citizens. This man solves the problem of sufficing at once to
+ his amiable wife, to his hearth, to the <i>Constitutionnel</i>, to his
+ office, to the National Guard, to the opera, and to God; but, only in
+ order that the <i>Constitutionnel</i>, his office, the National Guard, the
+ opera, his wife, and God may be changed into coin. In fine, hail to an
+ irreproachable pluralist. Up every day at five o&rsquo;clock, he traverses like
+ a bird the space which separates his dwelling from the Rue Montmartre. Let
+ it blow or thunder, rain or snow, he is at the <i>Constitutionnel</i>, and
+ waits there for the load of newspapers which he has undertaken to
+ distribute. He receives this political bread with eagerness, takes it,
+ bears it away. At nine o&rsquo;clock he is in the bosom of his family, flings a
+ jest to his wife, snatches a loud kiss from her, gulps down a cup of
+ coffee, or scolds his children. At a quarter to ten he puts in an
+ appearance at the <i>Mairie</i>. There, stuck upon a stool, like a parrot
+ on its perch, warmed by Paris town, he registers until four o&rsquo;clock, with
+ never a tear or a smile, the deaths and births of an entire district. The
+ sorrow, the happiness, of the parish flow beneath his pen&mdash;as the
+ essence of the <i>Constitutionnel</i> traveled before upon his shoulders.
+ Nothing weighs upon him! He goes always straight before him, takes his
+ patriotism ready made from the newspaper, contradicts no one, shouts or
+ applauds with the world, and lives like a bird. Two yards from his parish,
+ in the event of an important ceremony, he can yield his place to an
+ assistant, and betake himself to chant a requiem from a stall in the
+ church of which on Sundays he is the fairest ornament, where his is the
+ most imposing voice, where he distorts his huge mouth with energy to
+ thunder out a joyous <i>Amen</i>. So is he chorister. At four o&rsquo;clock,
+ freed from his official servitude, he reappears to shed joy and gaiety
+ upon the most famous shop in the city. Happy is his wife, he has no time
+ to be jealous: he is a man of action rather than of sentiment. His mere
+ arrival spurs the young ladies at the counter; their bright eyes storm the
+ customers; he expands in the midst of all the finery, the lace and muslin
+ kerchiefs, that their cunning hands have wrought. Or, again, more often
+ still, before his dinner he waits on a client, copies the page of a
+ newspaper, or carries to the doorkeeper some goods that have been delayed.
+ Every other day, at six, he is faithful to his post. A permanent bass for
+ the chorus, he betakes himself to the opera, prepared to become a soldier
+ or an arab, prisoner, savage, peasant, spirit, camel&rsquo;s leg or lion, a
+ devil or a genie, a slave or a eunuch, black or white; always ready to
+ feign joy or sorrow, pity or astonishment, to utter cries that never vary,
+ to hold his tongue, to hunt, or fight for Rome or Egypt, but always at
+ heart&mdash;a huckster still.
+ </p>
+ <p>
+ At midnight he returns&mdash;a man, the good husband, the tender father;
+ he slips into the conjugal bed, his imagination still afire with the
+ illusive forms of the operatic nymphs, and so turns to the profit of
+ conjugal love the world&rsquo;s depravities, the voluptuous curves of Taglioni&rsquo;s
+ leg. And finally, if he sleeps, he sleeps apace, and hurries through his
+ slumber as he does his life.
+ </p>
+ <p>
+ This man sums up all things&mdash;history, literature, politics,
+ government, religion, military science. Is he not a living encyclopaedia,
+ a grotesque Atlas; ceaselessly in motion, like Paris itself, and knowing
+ not repose? He is all legs. No physiognomy could preserve its purity amid
+ such toils. Perhaps the artisan who dies at thirty, an old man, his
+ stomach tanned by repeated doses of brandy, will be held, according to
+ certain leisured philosophers, to be happier than the huckster is. The one
+ perishes in a breath, and the other by degrees. From his eight industries,
+ from the labor of his shoulders, his throat, his hands, from his wife and
+ his business, the one derives&mdash;as from so many farms&mdash;children,
+ some thousands of francs, and the most laborious happiness that has ever
+ diverted the heart of man. This fortune and these children, or the
+ children who sum up everything for him, become the prey of the world
+ above, to which he brings his ducats and his daughter or his son, reared
+ at college, who, with more education than his father, raises higher his
+ ambitious gaze. Often the son of a retail tradesman would fain be
+ something in the State.
+ </p>
+ <p>
+ Ambition of that sort carries on our thought to the second Parisian
+ sphere. Go up one story, then, and descend to the <i>entresol</i>: or
+ climb down from the attic and remain on the fourth floor; in fine,
+ penetrate into the world which has possessions: the same result! Wholesale
+ merchants, and their men&mdash;people with small banking accounts and much
+ integrity&mdash;rogues and catspaws, clerks old and young, sheriffs&rsquo;
+ clerks, barristers&rsquo; clerks, solicitors&rsquo; clerks; in fine, all the working,
+ thinking, and speculating members of that lower middle class which
+ honeycombs the interests of Paris and watches over its granary,
+ accumulates the coin, stores the products that the proletariat have made,
+ preserves the fruits of the South, the fishes, the wine from every
+ sun-favored hill; which stretches its hands over the Orient, and takes
+ from it the shawls that the Russ and the Turk despise; which harvests even
+ from the Indies; crouches down in expectation of a sale, greedy of profit;
+ which discounts bills, turns over and collects all kinds of securities,
+ holds all Paris in its hand, watches over the fantasies of children, spies
+ out the caprices and the vices of mature age, sucks money out of disease.
+ Even so, if they drink no brandy, like the artisan, nor wallow in the mire
+ of debauch, all equally abuse their strength, immeasurably strain their
+ bodies and their minds alike, are burned away with desires, devastated
+ with the swiftness of the pace. In their case the physical distortion is
+ accomplished beneath the whip of interests, beneath the scourge of
+ ambitions which torture the educated portion of this monstrous city, just
+ as in the case of the proletariat it is brought about by the cruel see-saw
+ of the material elaborations perpetually required from the despotism of
+ the aristocratic &ldquo;<i>I will</i>.&rdquo; Here, too, then, in order to obey that
+ universal master, pleasure or gold, they must devour time, hasten time,
+ find more than four-and-twenty hours in the day and night, waste
+ themselves, slay themselves, and purchase two years of unhealthy repose
+ with thirty years of old age. Only, the working-man dies in hospital when
+ the last term of his stunted growth expires; whereas the man of the middle
+ class is set upon living, and lives on, but in a state of idiocy. You will
+ meet him, with his worn, flat old face, with no light in his eyes, with no
+ strength in his limbs, dragging himself with a dazed air along the
+ boulevard&mdash;the belt of his Venus, of his beloved city. What was his
+ want? The sabre of the National Guard, a permanent stock-pot, a decent
+ plot in Pere Lachaise, and, for his old age, a little gold honestly
+ earned. <i>HIS</i> Monday is on Sunday, his rest a drive in a hired
+ carriage&mdash;a country excursion during which his wife and children glut
+ themselves merrily with dust or bask in the sun; his dissipation is at the
+ restaurateur&rsquo;s, whose poisonous dinner has won renown, or at some family
+ ball, where he suffocates till midnight. Some fools are surprised at the
+ phantasmagoria of the monads which they see with the aid of the microscope
+ in a drop of water; but what would Rabelais&rsquo; Gargantua,&mdash;that
+ misunderstood figure of an audacity so sublime,&mdash;what would that
+ giant say, fallen from the celestial spheres, if he amused himself by
+ contemplating the motions of this secondary life of Paris, of which here
+ is one of the formulae? Have you seen one of those little constructions&mdash;cold
+ in summer, and with no other warmth than a small stove in winter&mdash;placed
+ beneath the vast copper dome which crowns the Halle-auble? Madame is there
+ by morning. She is engaged at the markets, and makes by this occupation
+ twelve thousand francs a year, people say. Monsieur, when Madame is up,
+ passes into a gloomy office, where he lends money till the week-end to the
+ tradesmen of his district. By nine o&rsquo;clock he is at the passport office,
+ of which he is one of the minor officials. By evening he is at the
+ box-office of the Theatre Italien, or of any other theatre you like. The
+ children are put out to nurse, and only return to be sent to college or to
+ boarding-school. Monsieur and Madame live on the third floor, have but one
+ cook, give dances in a salon twelve foot by eight, lit by argand lamps;
+ but they give a hundred and fifty thousand francs to their daughter, and
+ retire at the age of fifty, an age when they begin to show themselves on
+ the balcony of the opera, in a <i>fiacre</i> at Longchamps; or, on sunny
+ days, in faded clothes on the boulevards&mdash;the fruit of all this
+ sowing. Respected by their neighbors, in good odor with the government,
+ connected with the upper middle classes, Monsieur obtains at sixty-five
+ the Cross of the Legion of Honor, and his daughter&rsquo;s father-in-law, a
+ parochial mayor, invites him to his evenings. These life-long labors,
+ then, are for the good of the children, whom these lower middle classes
+ are inevitably driven to exalt. Thus each sphere directs all its efforts
+ towards the sphere above it. The son of the rich grocer becomes a notary,
+ the son of the timber merchant becomes a magistrate. No link is wanting in
+ the chain, and everything stimulates the upward march of money.
+ </p>
+ <p>
+ Thus we are brought to the third circle of this hell, which, perhaps, will
+ some day find its Dante. In this third social circle, a sort of Parisian
+ belly, in which the interests of the town are digested, and where they are
+ condensed into the form known as <i>business</i>, there moves and
+ agitates, as by some acrid and bitter intestinal process, the crowd of
+ lawyers, doctors, notaries, councillors, business men, bankers, big
+ merchants, speculators, and magistrates. Here are to be found even more
+ causes of moral and physical destruction than elsewhere. These people&mdash;almost
+ all of them&mdash;live in unhealthy offices, in fetid ante-chambers, in
+ little barred dens, and spend their days bowed down beneath the weight of
+ affairs; they rise at dawn to be in time, not to be left behind, to gain
+ all or not to lose, to overreach a man or his money, to open or wind up
+ some business, to take advantage of some fleeting opportunity, to get a
+ man hanged or set him free. They infect their horses, they overdrive and
+ age and break them, like their own legs, before their time. Time is their
+ tyrant: it fails them, it escapes them; they can neither expand it nor cut
+ it short. What soul can remain great, pure, moral, and generous, and,
+ consequently, what face retain its beauty in this depraving practice of a
+ calling which compels one to bear the weight of the public sorrows, to
+ analyze them, to weigh them, estimate them, and mark them out by rule?
+ Where do these folk put aside their hearts?... I do not know; but they
+ leave them somewhere or other, when they have any, before they descend
+ each morning into the abyss of the misery which puts families on the rack.
+ For them there is no such thing as mystery; they see the reverse side of
+ society, whose confessors they are, and despise it. Then, whatever they
+ do, owing to their contact with corruption, they either are horrified at
+ it and grow gloomy, or else, out of lassitude, or some secret compromise,
+ espouse it. In fine, they necessarily become callous to every sentiment,
+ since man, his laws and his institutions, make them steal, like jackals,
+ from corpses that are still warm. At all hours the financier is trampling
+ on the living, the attorney on the dead, the pleader on the conscience.
+ Forced to be speaking without a rest, they all substitute words for ideas,
+ phrases for feelings, and their soul becomes a larynx. Neither the great
+ merchant, nor the judge, nor the pleader preserves his sense of right;
+ they feel no more, they apply set rules that leave cases out of count.
+ Borne along by their headlong course, they are neither husbands nor
+ fathers nor lovers; they glide on sledges over the facts of life, and live
+ at all times at the high pressure conduced by business and the vast city.
+ When they return to their homes they are required to go to a ball, to the
+ opera, into society, where they can make clients, acquaintances,
+ protectors. They all eat to excess, play and keep vigil, and their faces
+ become bloated, flushed, and emaciated.
+ </p>
+ <p>
+ To this terrific expenditure of intellectual strength, to such multifold
+ moral contradictions, they oppose&mdash;not, indeed pleasure, it would be
+ too pale a contrast&mdash;but debauchery, a debauchery both secret and
+ alarming, for they have all means at their disposal, and fix the morality
+ of society. Their genuine stupidity lies hid beneath their specialism.
+ They know their business, but are ignorant of everything which is outside
+ it. So that to preserve their self-conceit they question everything, are
+ crudely and crookedly critical. They appear to be sceptics and are in
+ reality simpletons; they swamp their wits in interminable arguments.
+ Almost all conveniently adopt social, literary, or political prejudices,
+ to do away with the need of having opinions, just as they adapt their
+ conscience to the standard of the Code or the Tribunal of Commerce. Having
+ started early to become men of note, they turn into mediocrities, and
+ crawl over the high places of the world. So, too, their faces present the
+ harsh pallor, the deceitful coloring, those dull, tarnished eyes, and
+ garrulous, sensual mouths, in which the observer recognizes the symptoms
+ of the degeneracy of the thought and its rotation in the circle of a
+ special idea which destroys the creative faculties of the brain and the
+ gift of seeing in large, of generalizing and deducing. No man who has
+ allowed himself to be caught in the revolutions of the gear of these huge
+ machines can ever become great. If he is a doctor, either he has practised
+ little or he is an exception&mdash;a Bichat who dies young. If a great
+ merchant, something remains&mdash;he is almost Jacques Coeur. Did
+ Robespierre practise? Danton was an idler who waited. But who, moreover
+ has ever felt envious of the figures of Danton and Robespierre, however
+ lofty they were? These men of affairs, <i>par excellence</i>, attract
+ money to them, and hoard it in order to ally themselves with aristocratic
+ families. If the ambition of the working-man is that of the small
+ tradesman, here, too, are the same passions. The type of this class might
+ be either an ambitious bourgeois, who, after a life of privation and
+ continual scheming, passes into the Council of State as an ant passes
+ through a chink; or some newspaper editor, jaded with intrigue, whom the
+ king makes a peer of France&mdash;perhaps to revenge himself on the
+ nobility; or some notary become mayor of his parish: all people crushed
+ with business, who, if they attain their end, are literally <i>killed</i>
+ in its attainment. In France the usage is to glorify wigs. Napoleon, Louis
+ XVI., the great rulers, alone have always wished for young men to fulfil
+ their projects.
+ </p>
+ <p>
+ Above this sphere the artist world exists. But here, too, the faces
+ stamped with the seal of originality are worn, nobly indeed, but worn,
+ fatigued, nervous. Harassed by a need of production, outrun by their
+ costly fantasies, worn out by devouring genius, hungry for pleasure, the
+ artists of Paris would all regain by excessive labor what they have lost
+ by idleness, and vainly seek to reconcile the world and glory, money and
+ art. To begin with, the artist is ceaselessly panting under his creditors;
+ his necessities beget his debts, and his debts require of him his nights.
+ After his labor, his pleasure. The comedian plays till midnight, studies
+ in the morning, rehearses at noon; the sculptor is bent before his statue;
+ the journalist is a marching thought, like the soldier when at war; the
+ painter who is the fashion is crushed with work, the painter with no
+ occupation, if he feels himself to be a man of genius, gnaws his entrails.
+ Competition, rivalry, calumny assail talent. Some, in desperation, plunge
+ into the abyss of vice, others die young and unknown because they have
+ discounted their future too soon. Few of these figures, originally
+ sublime, remain beautiful. On the other hand, the flagrant beauty of their
+ heads is not understood. An artist&rsquo;s face is always exorbitant, it is
+ always above or below the conventional lines of what fools call the <i>beau-ideal</i>.
+ What power is it that destroys them? Passion. Every passion in Paris
+ resolves into two terms: gold and pleasure. Now, do you not breathe again?
+ Do you not feel air and space purified? Here is neither labor nor
+ suffering. The soaring arch of gold has reached the summit. From the
+ lowest gutters, where its stream commences, from the little shops where it
+ is stopped by puny coffer-dams, from the heart of the counting-houses and
+ great workshops, where its volume is that of ingots&mdash;gold, in the
+ shape of dowries and inheritances, guided by the hands of young girls or
+ the bony fingers of age, courses towards the aristocracy, where it will
+ become a blazing, expansive stream. But, before leaving the four
+ territories upon which the utmost wealth of Paris is based, it is fitting,
+ having cited the moral causes, to deduce those which are physical, and to
+ call attention to a pestilence, latent, as it were, which incessantly acts
+ upon the faces of the porter, the artisan, the small shopkeeper; to point
+ out a deleterious influence the corruption of which equals that of the
+ Parisian administrators who allow it so complacently to exist!
+ </p>
+ <p>
+ If the air of the houses in which the greater proportion of the middle
+ classes live is noxious, if the atmosphere of the streets belches out
+ cruel miasmas into stuffy back-kitchens where there is little air, realize
+ that, apart from this pestilence, the forty thousand houses of this great
+ city have their foundations in filth, which the powers that be have not
+ yet seriously attempted to enclose with mortar walls solid enough to
+ prevent even the most fetid mud from filtering through the soil, poisoning
+ the wells, and maintaining subterraneously to Lutetia the tradition of her
+ celebrated name. Half of Paris sleeps amidst the putrid exhalations of
+ courts and streets and sewers. But let us turn to the vast saloons, gilded
+ and airy; the hotels in their gardens, the rich, indolent, happy moneyed
+ world. There the faces are lined and scarred with vanity. There nothing is
+ real. To seek for pleasure is it not to find <i>ennui</i>? People in
+ society have at an early age warped their nature. Having no occupation
+ other than to wallow in pleasure, they have speedily misused their sense,
+ as the artisan has misused brandy. Pleasure is of the nature of certain
+ medical substances: in order to obtain constantly the same effects the
+ doses must be doubled, and death or degradation is contained in the last.
+ All the lower classes are on their knees before the wealthy, and watch
+ their tastes in order to turn them into vices and exploit them. Thus you
+ see in these folk at an early age tastes instead of passions, romantic
+ fantasies and lukewarm loves. There impotence reigns; there ideas have
+ ceased&mdash;they have evaporated together with energy amongst the
+ affectations of the boudoir and the cajolements of women. There are
+ fledglings of forty, old doctors of sixty years. The wealthy obtain in
+ Paris ready-made wit and science&mdash;formulated opinions which save them
+ the need of having wit, science, or opinion of their own. The
+ irrationality of this world is equaled by its weakness and its
+ licentiousness. It is greedy of time to the point of wasting it. Seek in
+ it for affection as little as for ideas. Its kisses conceal a profound
+ indifference, its urbanity a perpetual contempt. It has no other fashion
+ of love. Flashes of wit without profundity, a wealth of indiscretion,
+ scandal, and above all, commonplace. Such is the sum of its speech; but
+ these happy fortunates pretend that they do not meet to make and repeat
+ maxims in the manner of La Rochefoucauld as though there did not exist a
+ mean, invented by the eighteenth century, between a superfluity and
+ absolute blank. If a few men of character indulge in witticism, at once
+ subtle and refined, they are misunderstood; soon, tired of giving without
+ receiving, they remain at home, and leave fools to reign over their
+ territory. This hollow life, this perpetual expectation of a pleasure
+ which never comes, this permanent <i>ennui</i> and emptiness of soul,
+ heart, and mind, the lassitude of the upper Parisian world, is reproduced
+ on its features, and stamps its parchment faces, its premature wrinkles,
+ that physiognomy of the wealthy upon which impotence has set its grimace,
+ in which gold is mirrored, and whence intelligence has fled.
+ </p>
+ <p>
+ Such a view of moral Paris proves that physical Paris could not be other
+ than it is. This coroneted town is like a queen, who, being always with
+ child, has desires of irresistible fury. Paris is the crown of the world,
+ a brain which perishes of genius and leads human civilization; it is a
+ great man, a perpetually creative artist, a politician with second-sight
+ who must of necessity have wrinkles on his forehead, the vices of a great
+ man, the fantasies of the artist, and the politician&rsquo;s disillusions. Its
+ physiognomy suggests the evolution of good and evil, battle and victory;
+ the moral combat of &lsquo;89, the clarion calls of which still re-echo in every
+ corner of the world; and also the downfall of 1814. Thus this city can no
+ more be moral, or cordial, or clean, than the engines which impel those
+ proud leviathans which you admire when they cleave the waves! Is not Paris
+ a sublime vessel laden with intelligence? Yes, her arms are one of those
+ oracles which fatality sometimes allows. The <i>City of Paris</i> has her
+ great mast, all of bronze, carved with victories, and for watchman&mdash;Napoleon.
+ The barque may roll and pitch, but she cleaves the world, illuminates it
+ through the hundred mouths of her tribunes, ploughs the seas of science,
+ rides with full sail, cries from the height of her tops, with the voice of
+ her scientists and artists: &ldquo;Onward, advance! Follow me!&rdquo; She carries a
+ huge crew, which delights in adorning her with fresh streamers. Boys and
+ urchins laughing in the rigging; ballast of heavy <i>bourgeoisie</i>;
+ working-men and sailor-men touched with tar; in her cabins the lucky
+ passengers; elegant midshipmen smoke their cigars leaning over the
+ bulwarks; then, on the deck, her soldiers, innovators or ambitious, would
+ accost every fresh shore, and shooting out their bright lights upon it,
+ ask for glory which is pleasure, or for love which needs gold.
+ </p>
+ <p>
+ Thus the exorbitant movement of the proletariat, the corrupting influence
+ of the interests which consume the two middle classes, the cruelties of
+ the artist&rsquo;s thought, and the excessive pleasure which is sought for
+ incessantly by the great, explain the normal ugliness of the Parisian
+ physiognomy. It is only in the Orient that the human race presents a
+ magnificent figure, but that is an effect of the constant calm affected by
+ those profound philosophers with their long pipes, their short legs, their
+ square contour, who despise and hold activity in horror, whilst in Paris
+ the little and the great and the mediocre run and leap and drive, whipped
+ on by an inexorable goddess, Necessity&mdash;the necessity for money,
+ glory, and amusement. Thus, any face which is fresh and graceful and
+ reposeful, any really young face, is in Paris the most extraordinary of
+ exceptions; it is met with rarely. Should you see one there, be sure it
+ belongs either to a young and ardent ecclesiastic or to some good abbe of
+ forty with three chins; to a young girl of pure life such as is brought up
+ in certain middle-class families; to a mother of twenty, still full of
+ illusions, as she suckles her first-born; to a young man newly embarked
+ from the provinces, and intrusted to the care of some devout dowager who
+ keeps him without a sou; or, perhaps, to some shop assistant who goes to
+ bed at midnight wearied out with folding and unfolding calico, and rises
+ at seven o&rsquo;clock to arrange the window; often again to some man of science
+ or poetry, who lives monastically in the embrace of a fine idea, who
+ remains sober, patient, and chaste; else to some self-contented fool,
+ feeding himself on folly, reeking of health, in a perpetual state of
+ absorption with his own smile; or to the soft and happy race of loungers,
+ the only folk really happy in Paris, which unfolds for them hour by hour
+ its moving poetry.
+ </p>
+ <p>
+ Nevertheless, there is in Paris a proportion of privileged beings to whom
+ this excessive movement of industries, interests, affairs, arts, and gold
+ is profitable. These beings are women. Although they also have a thousand
+ secret causes which, here more than elsewhere, destroy their physiognomy,
+ there are to be found in the feminine world little happy colonies, who
+ live in Oriental fashion and can preserve their beauty; but these women
+ rarely show themselves on foot in the streets, they lie hid like rare
+ plants who only unfold their petals at certain hours, and constitute
+ veritable exotic exceptions. However, Paris is essentially the country of
+ contrasts. If true sentiments are rare there, there also are to be found,
+ as elsewhere, noble friendships and unlimited devotion. On this
+ battlefield of interests and passions, just as in the midst of those
+ marching societies where egoism triumphs, where every one is obliged to
+ defend himself, and which we call <i>armies</i>, it seems as though
+ sentiments liked to be complete when they showed themselves, and are
+ sublime by juxtaposition. So it is with faces. In Paris one sometimes sees
+ in the aristocracy, set like stars, the ravishing faces of young people,
+ the fruit of quite exceptional manners and education. To the youthful
+ beauty of the English stock they unite the firmness of Southern traits.
+ The fire of their eyes, a delicious bloom on their lips, the lustrous
+ black of their soft locks, a white complexion, a distinguished caste of
+ features, render them the flowers of the human race, magnificent to behold
+ against the mass of other faces, worn, old, wrinkled, and grimacing. So
+ women, too, admire such young people with that eager pleasure which men
+ take in watching a pretty girl, elegant, gracious, and embellished with
+ all the virginal charms with which our imagination pleases to adorn the
+ perfect woman. If this hurried glance at the population of Paris has
+ enabled us to conceive the rarity of a Raphaelesque face, and the
+ passionate admiration which such an one must inspire at the first sight,
+ the prime interest of our history will have been justified. <i>Quod erat
+ demonstrandum</i>&mdash;if one may be permitted to apply scholastic
+ formulae to the science of manners.
+ </p>
+ <p>
+ Upon one of those fine spring mornings, when the leaves, although
+ unfolded, are not yet green, when the sun begins to gild the roofs, and
+ the sky is blue, when the population of Paris issues from its cells to
+ swarm along the boulevards, glides like a serpent of a thousand coils
+ through the Rue de la Paix towards the Tuileries, saluting the hymeneal
+ magnificence which the country puts on; on one of these joyous days, then,
+ a young man as beautiful as the day itself, dressed with taste, easy of
+ manner&mdash;to let out the secret he was a love-child, the natural son of
+ Lord Dudley and the famous Marquise de Vordac&mdash;was walking in the
+ great avenue of the Tuileries. This Adonis, by name Henri de Marsay, was
+ born in France, when Lord Dudley had just married the young lady, already
+ Henri&rsquo;s mother, to an old gentleman called M. de Marsay. This faded and
+ almost extinguished butterfly recognized the child as his own in
+ consideration of the life interest in a fund of a hundred thousand francs
+ definitively assigned to his putative son; a generosity which did not cost
+ Lord Dudley too dear. French funds were worth at that time seventeen
+ francs, fifty centimes. The old gentleman died without having ever known
+ his wife. Madame de Marsay subsequently married the Marquis de Vordac, but
+ before becoming a marquise she showed very little anxiety as to her son
+ and Lord Dudley. To begin with, the declaration of war between France and
+ England had separated the two lovers, and fidelity at all costs was not,
+ and never will be, the fashion of Paris. Then the successes of the woman,
+ elegant, pretty, universally adored, crushed in the Parisienne the
+ maternal sentiment. Lord Dudley was no more troubled about his offspring
+ than was the mother,&mdash;the speedy infidelity of a young girl he had
+ ardently loved gave him, perhaps, a sort of aversion for all that issued
+ from her. Moreover, fathers can, perhaps, only love the children with whom
+ they are fully acquainted, a social belief of the utmost importance for
+ the peace of families, which should be held by all the celibate, proving
+ as it does that paternity is a sentiment nourished artificially by woman,
+ custom, and the law.
+ </p>
+ <p>
+ Poor Henri de Marsay knew no other father than that one of the two who was
+ not compelled to be one. The paternity of M. de Marsay was naturally most
+ incomplete. In the natural order, it is but for a few fleeting instants
+ that children have a father, and M. de Marsay imitated nature. The worthy
+ man would not have sold his name had he been free from vices. Thus he
+ squandered without remorse in gambling hells, and drank elsewhere, the few
+ dividends which the National Treasury paid to its bondholders. Then he
+ handed over the child to an aged sister, a Demoiselle de Marsay, who took
+ much care of him, and provided him, out of the meagre sum allowed by her
+ brother, with a tutor, an abbe without a farthing, who took the measure of
+ the youth&rsquo;s future, and determined to pay himself out of the hundred
+ thousand livres for the care given to his pupil, for whom he conceived an
+ affection. As chance had it, this tutor was a true priest, one of those
+ ecclesiastics cut out to become cardinals in France, or Borgias beneath
+ the tiara. He taught the child in three years what he might have learned
+ at college in ten. Then the great man, by name the Abbe de Maronis,
+ completed the education of his pupil by making him study civilization
+ under all its aspects: he nourished him on his experience, led him little
+ into churches, which at that time were closed; introduced him sometimes
+ behind the scenes of theatres, more often into the houses of courtesans;
+ he exhibited human emotions to him one by one; taught him politics in the
+ drawing-rooms, where they simmered at the time, explained to him the
+ machinery of government, and endeavored out of attraction towards a fine
+ nature, deserted, yet rich in promise, virilely to replace a mother: is
+ not the Church the mother of orphans? The pupil was responsive to so much
+ care. The worthy priest died in 1812, a bishop, with the satisfaction of
+ having left in this world a child whose heart and mind were so well
+ moulded that he could outwit a man of forty. Who would have expected to
+ have found a heart of bronze, a brain of steel, beneath external traits as
+ seductive as ever the old painters, those naive artists, had given to the
+ serpent in the terrestrial paradise? Nor was that all. In addition, the
+ good-natured prelate had procured for the child of his choice certain
+ acquaintances in the best Parisian society, which might equal in value, in
+ the young man&rsquo;s hand, another hundred thousand invested livres. In fine,
+ this priest, vicious but politic, sceptical yet learned, treacherous yet
+ amiable, weak in appearance yet as vigorous physically as intellectually,
+ was so genuinely useful to his pupil, so complacent to his vices, so fine
+ a calculator of all kinds of strength, so profound when it was needful to
+ make some human reckoning, so youthful at table, at Frascati, at&mdash;I
+ know not where, that the grateful Henri de Marsay was hardly moved at
+ aught in 1814, except when he looked at the portrait of his beloved
+ bishop, the only personal possession which the prelate had been able to
+ bequeath him (admirable type of the men whose genius will preserve the
+ Catholic, Apostolic, and Roman Church, compromised for the moment by the
+ feebleness of its recruits and the decrepit age of its pontiffs; but if
+ the church likes!).
+ </p>
+ <p>
+ The continental war prevented young De Marsay from knowing his real
+ father. It is doubtful whether he was aware of his name. A deserted child,
+ he was equally ignorant of Madame de Marsay. Naturally, he had little
+ regret for his putative father. As for Mademoiselle de Marsay, his only
+ mother, he built for her a handsome little monument in Pere Lachaise when
+ she died. Monseigneur de Maronis had guaranteed to this old lady one of
+ the best places in the skies, so that when he saw her die happy, Henri
+ gave her some egotistical tears; he began to weep on his own account.
+ Observing this grief, the abbe dried his pupil&rsquo;s tears, bidding him
+ observe that the good woman took her snuff most offensively, and was
+ becoming so ugly and deaf and tedious that he ought to return thanks for
+ her death. The bishop had emancipated his pupil in 1811. Then, when the
+ mother of M. de Marsay remarried, the priest chose, in a family council,
+ one of those honest dullards, picked out by him through the windows of his
+ confessional, and charged him with the administration of the fortune, the
+ revenues of which he was willing to apply to the needs of the community,
+ but of which he wished to preserve the capital.
+ </p>
+ <p>
+ Towards the end of 1814, then, Henri de Marsay had no sentiment of
+ obligation in the world, and was as free as an unmated bird. Although he
+ had lived twenty-two years he appeared to be barely seventeen. As a rule
+ the most fastidious of his rivals considered him to be the prettiest youth
+ in Paris. From his father, Lord Dudley, he had derived a pair of the most
+ amorously deceiving blue eyes; from his mother the bushiest of black hair,
+ from both pure blood, the skin of a young girl, a gentle and modest
+ expression, a refined and aristocratic figure, and beautiful hands. For a
+ woman, to see him was to lose her head for him; do you understand? to
+ conceive one of those desires which eat the heart, which are forgotten
+ because of the impossibility of satisfying them, because women in Paris
+ are commonly without tenacity. Few of them say to themselves, after the
+ fashion of men, the &ldquo;<i>Je Maintiendrai</i>,&rdquo; of the House of Orange.
+ </p>
+ <p>
+ Underneath this fresh young life, and in spite of the limpid springs in
+ his eyes, Henri had a lion&rsquo;s courage, a monkey&rsquo;s agility. He could cut a
+ ball in half at ten paces on the blade of a knife; he rode his horse in a
+ way that made you realize the fable of the Centaur; drove a four-in-hand
+ with grace; was as light as a cherub and quiet as a lamb, but knew how to
+ beat a townsman at the terrible game of <i>savate</i> or cudgels;
+ moreover, he played the piano in a fashion which would have enabled him to
+ become an artist should he fall on calamity, and owned a voice which would
+ have been worth to Barbaja fifty thousand francs a season. Alas, that all
+ these fine qualities, these pretty faults, were tarnished by one
+ abominable vice: he believed neither in man nor woman, God nor Devil.
+ Capricious nature had commenced by endowing him, a priest had completed
+ the work.
+ </p>
+ <p>
+ To render this adventure comprehensible, it is necessary to add here that
+ Lord Dudley naturally found many women disposed to reproduce samples of
+ such a delicious pattern. His second masterpiece of this kind was a young
+ girl named Euphemie, born of a Spanish lady, reared in Havana, and brought
+ to Madrid with a young Creole woman of the Antilles, and with all the
+ ruinous tastes of the Colonies, but fortunately married to an old and
+ extremely rich Spanish noble, Don Hijos, Marquis de San-Real, who, since
+ the occupation of Spain by French troops, had taken up his abode in Paris,
+ and lived in the Rue St. Lazare. As much from indifference as from any
+ respect for the innocence of youth, Lord Dudley was not in the habit of
+ keeping his children informed of the relations he created for them in all
+ parts. That is a slightly inconvenient form of civilization; it has so
+ many advantages that we must overlook its drawbacks in consideration of
+ its benefits. Lord Dudley, to make no more words of it, came to Paris in
+ 1816 to take refuge from the pursuit of English justice, which protects
+ nothing Oriental except commerce. The exiled lord, when he saw Henri,
+ asked who that handsome young man might be. Then, upon hearing the name,
+ &ldquo;Ah, it is my son.... What a pity!&rdquo; he said.
+ </p>
+ <p>
+ Such was the story of the young man who, about the middle of the month of
+ April, 1815, was walking indolently up the broad avenue of the Tuileries,
+ after the fashion of all those animals who, knowing their strength, pass
+ along in majesty and peace. Middle-class matrons turned back naively to
+ look at him again; other women, without turning round, waited for him to
+ pass again, and engraved him in their minds that they might remember in
+ due season that fragrant face, which would not have disadorned the body of
+ the fairest among themselves.
+ </p>
+ <p>
+ &ldquo;What are you doing here on Sunday?&rdquo; said the Marquis de Ronquerolles to
+ Henri, as he passed.
+ </p>
+ <p>
+ &ldquo;There&rsquo;s a fish in the net,&rdquo; answered the young man.
+ </p>
+ <p>
+ This exchange of thoughts was accomplished by means of two significant
+ glances, without it appearing that either De Ronquerolles or De Marsay had
+ any knowledge of the other. The young man was taking note of the
+ passers-by with that promptitude of eye and ear which is peculiar to the
+ Parisian who seems, at first, to see and hear nothing, but who sees and
+ hears all.
+ </p>
+ <p>
+ At that moment a young man came up to him and took him familiarly by the
+ arm, saying to him: &ldquo;How are you, my dear De Marsay?&rdquo;
+ </p>
+ <p>
+ &ldquo;Extremely well,&rdquo; De Marsay answered, with that air of apparent affection
+ which amongst the young men of Paris proves nothing, either for the
+ present or the future.
+ </p>
+ <p>
+ In effect, the youth of Paris resemble the youth of no other town. They
+ may be divided into two classes: the young man who has something, and the
+ young man who has nothing; or the young man who thinks and he who spends.
+ But, be it well understood this applies only to those natives of the soil
+ who maintain in Paris the delicious course of the elegant life. There
+ exist, as well, plenty of other young men, but they are children who are
+ late in conceiving Parisian life, and who remain its dupes. They do not
+ speculate, they study; they <i>fag</i>, as the others say. Finally there
+ are to be found, besides, certain young people, rich or poor, who embrace
+ careers and follow them with a single heart; they are somewhat like the
+ Emile of Rousseau, of the flesh of citizens, and they never appear in
+ society. The diplomatic impolitely dub them fools. Be they that or no,
+ they augment the number of those mediocrities beneath the yoke of which
+ France is bowed down. They are always there, always ready to bungle public
+ or private concerns with the dull trowel of their mediocrity, bragging of
+ their impotence, which they count for conduct and integrity. This sort of
+ social <i>prizemen</i> infests the administration, the army, the
+ magistracy, the chambers, the courts. They diminish and level down the
+ country and constitute, in some manner, in the body politic, a lymph which
+ infects it and renders it flabby. These honest folk call men of talent
+ immoral or rogues. If such rogues require to be paid for their services,
+ at least their services are there; whereas the other sort do harm and are
+ respected by the mob; but, happily for France, elegant youth stigmatizes
+ them ceaselessly under the name of louts.
+ </p>
+ <p>
+ At the first glance, then, it is natural to consider as very distinct the
+ two sorts of young men who lead the life of elegance, the amiable
+ corporation to which Henri de Marsay belonged. But the observer, who goes
+ beyond the superficial aspect of things, is soon convinced that the
+ difference is purely moral, and that nothing is so deceptive as this
+ pretty outside. Nevertheless, all alike take precedence over everybody
+ else; speak rightly or wrongly of things, of men, literature, and the fine
+ arts; have ever in their mouth the Pitt and Coburg of each year; interrupt
+ a conversation with a pun, turn into ridicule science and the <i>savant</i>;
+ despise all things which they do not know or which they fear; set
+ themselves above all by constituting themselves the supreme judges of all.
+ They would all hoax their fathers, and be ready to shed crocodile tears
+ upon their mothers&rsquo; breasts; but generally they believe in nothing,
+ blaspheme women, or play at modesty, and in reality are led by some old
+ woman or an evil courtesan. They are all equally eaten to the bone with
+ calculation, with depravity, with a brutal lust to succeed, and if you
+ plumbed for their hearts you would find in all a stone. In their normal
+ state they have the prettiest exterior, stake their friendship at every
+ turn, are captivating alike. The same badinage dominates their
+ ever-changing jargon; they seek for oddity in their toilette, glory in
+ repeating the stupidities of such and such actor who is in fashion, and
+ commence operations, it matters not with whom, with contempt and
+ impertinence, in order to have, as it were, the first move in the game;
+ but, woe betide him who does not know how to take a blow on one cheek for
+ the sake of rendering two. They resemble, in fine, that pretty white spray
+ which crests the stormy waves. They dress and dance, dine and take their
+ pleasure, on the day of Waterloo, in the time of cholera or revolution.
+ Finally, their expenses are all the same, but here the contrast comes in.
+ Of this fluctuating fortune, so agreeably flung away, some possess the
+ capital for which the others wait; they have the same tailors, but the
+ bills of the latter are still to pay. Next, if the first, like sieves,
+ take in ideas of all kinds without retaining any, the latter compare them
+ and assimilate all the good. If the first believe they know something,
+ know nothing and understand everything, lend all to those who need nothing
+ and offer nothing to those who are in need; the latter study secretly
+ others&rsquo; thoughts and place out their money, like their follies, at big
+ interest. The one class have no more faithful impressions, because their
+ soul, like a mirror, worn from use, no longer reflects any image; the
+ others economize their senses and life, even while they seem, like the
+ first, to be flinging them away broadcast. The first, on the faith of a
+ hope, devote themselves without conviction to a system which has wind and
+ tide against it, but they leap upon another political craft when the first
+ goes adrift; the second take the measure of the future, sound it, and see
+ in political fidelity what the English see in commercial integrity, an
+ element of success. Where the young man of possessions makes a pun or an
+ epigram upon the restoration of the throne, he who has nothing makes a
+ public calculation or a secret reservation, and obtains everything by
+ giving a handshake to his friends. The one deny every faculty to others,
+ look upon all their ideas as new, as though the world had been made
+ yesterday, they have unlimited confidence in themselves, and no crueler
+ enemy than those same selves. But the others are armed with an incessant
+ distrust of men, whom they estimate at their value, and are sufficiently
+ profound to have one thought beyond their friends, whom they exploit; then
+ of evenings, when they lay their heads on their pillows, they weigh men as
+ a miser weighs his gold pieces. The one are vexed at an aimless
+ impertinence, and allow themselves to be ridiculed by the diplomatic, who
+ make them dance for them by pulling what is the main string of these
+ puppets&mdash;their vanity. Thus, a day comes when those who had nothing
+ have something, and those who had something have nothing. The latter look
+ at their comrades who have achieved positions as cunning fellows; their
+ hearts may be bad, but their heads are strong. &ldquo;He is very strong!&rdquo; is the
+ supreme praise accorded to those who have attained <i>quibuscumque viis</i>,
+ political rank, a woman, or a fortune. Amongst them are to be found
+ certain young men who play this <i>role</i> by commencing with having
+ debts. Naturally, these are more dangerous than those who play it without
+ a farthing.
+ </p>
+ <p>
+ The young man who called himself a friend of Henri de Marsay was a
+ rattle-head who had come from the provinces, and whom the young men then
+ in fashion were teaching the art of running through an inheritance; but he
+ had one last leg to stand on in his province, in the shape of a secure
+ establishment. He was simply an heir who had passed without any transition
+ from his pittance of a hundred francs a month to the entire paternal
+ fortune, and who, if he had not wit enough to perceive that he was laughed
+ at, was sufficiently cautious to stop short at two-thirds of his capital.
+ He had learned at Paris, for a consideration of some thousands of francs,
+ the exact value of harness, the art of not being too respectful to his
+ gloves, learned to make skilful meditations upon the right wages to give
+ people, and to seek out what bargain was the best to close with them. He
+ set store on his capacity to speak in good terms of his horses, of his
+ Pyrenean hound; to tell by her dress, her walk, her shoes, to what class a
+ woman belonged; to study <i>ecarte</i>, remember a few fashionable
+ catchwords, and win by his sojourn in Parisian society the necessary
+ authority to import later into his province a taste for tea and silver of
+ an English fashion, and to obtain the right of despising everything around
+ him for the rest of his days.
+ </p>
+ <p>
+ De Marsay had admitted him to his society in order to make use of him in
+ the world, just as a bold speculator employs a confidential clerk. The
+ friendship, real or feigned, of De Marsay was a social position for Paul
+ de Manerville, who, on his side, thought himself astute in exploiting,
+ after his fashion, his intimate friend. He lived in the reflecting lustre
+ of his friend, walked constantly under his umbrella, wore his boots,
+ gilded himself with his rays. When he posed in Henri&rsquo;s company or walked
+ at his side, he had the air of saying: &ldquo;Don&rsquo;t insult us, we are real
+ dogs.&rdquo; He often permitted himself to remark fatuously: &ldquo;If I were to ask
+ Henri for such and such a thing, he is a good enough friend of mine to do
+ it.&rdquo; But he was careful never to ask anything of him. He feared him, and
+ his fear, although imperceptible, reacted upon the others, and was of use
+ to De Marsay.
+ </p>
+ <p>
+ &ldquo;De Marsay is a man of a thousand,&rdquo; said Paul. &ldquo;Ah, you will see, he will
+ be what he likes. I should not be surprised to find him one of these days
+ Minister of Foreign Affairs. Nothing can withstand him.&rdquo;
+ </p>
+ <p>
+ He made of De Marsay what Corporal Trim made of his cap, a perpetual
+ instance.
+ </p>
+ <p>
+ &ldquo;Ask De Marsay and you will see!&rdquo;
+ </p>
+ <p>
+ Or again:
+ </p>
+ <p>
+ &ldquo;The other day we were hunting, De Marsay and I, He would not believe me,
+ but I jumped a hedge without moving on my horse!&rdquo;
+ </p>
+ <p>
+ Or again:
+ </p>
+ <p>
+ &ldquo;We were with some women, De Marsay and I, and upon my word of honor, I
+ was&mdash;&mdash;&rdquo; etc.
+ </p>
+ <p>
+ Thus Paul de Manerville could not be classed amongst the great,
+ illustrious, and powerful family of fools who succeed. He would one day be
+ a deputy. For the time he was not even a young man. His friend, De Marsay,
+ defined him thus: &ldquo;You ask me what is Paul? Paul? Why, Paul de
+ Manerville!&rdquo;
+ </p>
+ <p>
+ &ldquo;I am surprised, my dear fellow,&rdquo; he said to De Marsay, &ldquo;to see you here
+ on a Sunday.&rdquo;
+ </p>
+ <p>
+ &ldquo;I was going to ask you the same question.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is it an intrigue?&rdquo;
+ </p>
+ <p>
+ &ldquo;An intrigue.&rdquo;
+ </p>
+ <p>
+ &ldquo;Bah!&rdquo;
+ </p>
+ <p>
+ &ldquo;I can mention it to you without compromising my passion. Besides, a woman
+ who comes to the Tuileries on Sundays is of no account, aristocratically
+ speaking.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! ah!&rdquo;
+ </p>
+ <p>
+ &ldquo;Hold your tongue then, or I shall tell you nothing. Your laugh is too
+ loud, you will make people think that we have lunched too well. Last
+ Thursday, here on the Terrasse des Feuillants, I was walking along,
+ thinking of nothing at all, but when I got to the gate of the Rue de
+ Castiglione, by which I intended to leave, I came face to face with a
+ woman, or rather a young girl; who, if she did not throw herself at my
+ head, stopped short, less I think, from human respect, than from one of
+ those movements of profound surprise which affect the limbs, creep down
+ the length of the spine, and cease only in the sole of the feet, to nail
+ you to the ground. I have often produced effects of this nature, a sort of
+ animal magnetism which becomes enormously powerful when the relations are
+ reciprocally precise. But, my dear fellow, this was not stupefaction, nor
+ was she a common girl. Morally speaking, her face seemed to say: &lsquo;What, is
+ it you, my ideal! The creation of my thoughts, of my morning and evening
+ dreams! What, are you there? Why this morning? Why not yesterday? Take me,
+ I am thine, <i>et cetera</i>!&rsquo; Good, I said to myself, another one! Then I
+ scrutinize her. Ah, my dear fellow, speaking physically, my incognita is
+ the most adorable feminine person whom I ever met. She belongs to that
+ feminine variety which the Romans call <i>fulva, flava</i>&mdash;the woman
+ of fire. And in chief, what struck me the most, what I am still taken
+ with, are her two yellow eyes, like a tiger&rsquo;s, a golden yellow that
+ gleams, living gold, gold which thinks, gold which loves, and is
+ determined to take refuge in your pocket.&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear fellow, we are full of her!&rdquo; cried Paul. &ldquo;She comes here
+ sometimes&mdash;<i>the girl with the golden eyes</i>! That is the name we
+ have given her. She is a young creature&mdash;not more than twenty-two,
+ and I have seen her here in the time of the Bourbons, but with a woman who
+ was worth a hundred thousand of her.&rdquo;
+ </p>
+ <p>
+ &ldquo;Silence, Paul! It is impossible for any woman to surpass this girl; she
+ is like the cat who rubs herself against your legs; a white girl with
+ ash-colored hair, delicate in appearance, but who must have downy threads
+ on the third phalanx of her fingers, and all along her cheeks a white down
+ whose line, luminous on fine days, begins at her ears and loses itself on
+ her neck.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah, the other, my dear De Marsay! She has black eyes which have never
+ wept, but which burn; black eyebrows which meet and give her an air of
+ hardness contradicted by the compact curve of her lips, on which the
+ kisses do not stay, lips burning and fresh; a Moorish color that warms a
+ man like the sun. But&mdash;upon my word of honor, she is like you!&rdquo;
+ </p>
+ <p>
+ &ldquo;You flatter her!&rdquo;
+ </p>
+ <p>
+ &ldquo;A firm figure, the tapering figure of a corvette built for speed, which
+ rushes down upon the merchant vessel with French impetuosity, which
+ grapples with her and sinks her at the same time.&rdquo;
+ </p>
+ <p>
+ &ldquo;After all, my dear fellow,&rdquo; answered De Marsay, &ldquo;what has that got to do
+ with me, since I have never seen her? Ever since I have studied women, my
+ incognita is the only one whose virginal bosom, whose ardent and
+ voluptuous forms, have realized for me the only woman of my dreams&mdash;of
+ my dreams! She is the original of that ravishing picture called <i>La
+ Femme Caressant sa Chimere</i>, the warmest, the most infernal inspiration
+ of the genius of antiquity; a holy poem prostituted by those who have
+ copied it for frescoes and mosiacs; for a heap of bourgeois who see in
+ this gem nothing more than a gew-gaw and hang it on their watch-chains&mdash;whereas,
+ it is the whole woman, an abyss of pleasure into which one plunges and
+ finds no end; whereas, it is the ideal woman, to be seen sometimes in
+ reality in Spain or Italy, almost never in France. Well, I have again seen
+ this girl of the gold eyes, this woman caressing her chimera. I saw her on
+ Friday. I had a presentiment that on the following day she would be here
+ at the same hour; I was not mistaken. I have taken a pleasure in following
+ her without being observed, in studying her indolent walk, the walk of the
+ woman without occupation, but in the movements of which one devines all
+ the pleasure that lies asleep. Well, she turned back again, she saw me,
+ once more she adored me, once more trembled, shivered. It was then I
+ noticed the genuine Spanish duenna who looked after her, a hyena upon whom
+ some jealous man has put a dress, a she-devil well paid, no doubt, to
+ guard this delicious creature.... Ah, then the duenna made me deeper in
+ love. I grew curious. On Saturday, nobody. And here I am to-day waiting
+ for this girl whose chimera I am, asking nothing better than to pose as
+ the monster in the fresco.&rdquo;
+ </p>
+ <p>
+ &ldquo;There she is,&rdquo; said Paul. &ldquo;Every one is turning round to look at her.&rdquo;
+ </p>
+ <p>
+ The unknown blushed, her eyes shone; she saw Henri, she shut them and
+ passed by.
+ </p>
+ <p>
+ &ldquo;You say that she notices you?&rdquo; cried Paul, facetiously.
+ </p>
+ <p>
+ The duenna looked fixedly and attentively at the two young men. When the
+ unknown and Henri passed each other again, the young girl touched him, and
+ with her hand pressed the hand of the young man. Then she turned her head
+ and smiled with passion, but the duenna led her away very quickly to the
+ gate of the Rue de Castiglione.
+ </p>
+ <p>
+ The two friends followed the young girl, admiring the magnificent grace of
+ the neck which met her head in a harmony of vigorous lines, and upon which
+ a few coils of hair were tightly wound. The girl with the golden eyes had
+ that well-knitted, arched, slender foot which presents so many attractions
+ to the dainty imagination. Moreover, she was shod with elegance, and wore
+ a short skirt. During her course she turned from time to time to look at
+ Henri, and appeared to follow the old woman regretfully, seeming to be at
+ once her mistress and her slave; she could break her with blows, but could
+ not dismiss her. All that was perceptible. The two friends reached the
+ gate. Two men in livery let down the step of a tasteful <i>coupe</i>
+ emblazoned with armorial bearings. The girl with the golden eyes was the
+ first to enter it, took her seat at the side where she could be best seen
+ when the carriage turned, put her hand on the door, and waved her
+ handkerchief in the duennna&rsquo;s despite. In contempt of what might be said
+ by the curious, her handkerchief cried to Henri openly: &ldquo;Follow me!&rdquo;
+ </p>
+ <p>
+ &ldquo;Have you ever seen a handkerchief better thrown?&rdquo; said Henri to Paul de
+ Manerville.
+ </p>
+ <p>
+ Then, observing a fiacre on the point of departure, having just set down a
+ fare, he made a sign to the driver to wait.
+ </p>
+ <p>
+ &ldquo;Follow that carriage, notice the house and the street where it stops&mdash;you
+ shall have ten francs.... Paul, adieu.&rdquo;
+ </p>
+ <p>
+ The cab followed the <i>coupe</i>. The <i>coupe</i> stopped in the Rue
+ Saint Lazare before one of the finest houses of the neighborhood.
+ </p>
+ <p>
+ De Marsay was not impulsive. Any other young man would have obeyed his
+ impulse to obtain at once some information about a girl who realized so
+ fully the most luminous ideas ever expressed upon women in the poetry of
+ the East; but, too experienced to compromise his good fortune, he had told
+ his coachman to continue along the Rue Saint Lazare and carry him back to
+ his house. The next day, his confidential valet, Laurent by name, as
+ cunning a fellow as the Frontin of the old comedy, waited in the vicinity
+ of the house inhabited by the unknown for the hour at which letters were
+ distributed. In order to be able to spy at his ease and hang about the
+ house, he had followed the example of those police officers who seek a
+ good disguise, and bought up cast-off clothes of an Auvergnat, the
+ appearance of whom he sought to imitate. When the postman, who went the
+ round of the Rue Saint Lazare that morning, passed by, Laurent feigned to
+ be a porter unable to remember the name of a person to whom he had to
+ deliver a parcel, and consulted the postman. Deceived at first by
+ appearances, this personage, so picturesque in the midst of Parisian
+ civilization, informed him that the house in which the girl with the
+ golden eyes dwelt belonged to Don Hijos, Marquis de San-Real, grandee of
+ Spain. Naturally, it was not with the Marquis that the Auvergnat was
+ concerned.
+ </p>
+ <p>
+ &ldquo;My parcel,&rdquo; he said, &ldquo;is for the marquise.&rdquo;
+ </p>
+ <p>
+ &ldquo;She is away,&rdquo; replied the postman. &ldquo;Her letters are forwarded to London.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then the marquise is not a young girl who...?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; said the postman, interrupting the <i>valet de chambre</i> and
+ observing him attentively, &ldquo;you are as much a porter as I&rsquo;m...&rdquo;
+ </p>
+ <p>
+ Laurent chinked some pieces of gold before the functionary, who began to
+ smile.
+ </p>
+ <p>
+ &ldquo;Come, here&rsquo;s the name of your quarry,&rdquo; he said, taking from his leather
+ wallet a letter bearing a London stamp, upon which the address, &ldquo;To
+ Mademoiselle Paquita Valdes, Rue Saint Lazare, Hotel San-Real, Paris,&rdquo; was
+ written in long, fine characters, which spoke of a woman&rsquo;s hand.
+ </p>
+ <p>
+ &ldquo;Could you tap a bottle of Chablis, with a few dozen oysters, and a <i>filet
+ saute</i> with mushrooms to follow it?&rdquo; said Laurent, who wished to win
+ the postman&rsquo;s valuable friendship.
+ </p>
+ <p>
+ &ldquo;At half-past nine, when my round is finished&mdash;&mdash; Where?&rdquo;
+ </p>
+ <p>
+ &ldquo;At the corner of the Rue de la Chaussee-d&rsquo;Antin and the Rue
+ Neuve-des-Mathurins, at the <i>Puits sans Vin</i>,&rdquo; said Laurent.
+ </p>
+ <p>
+ &ldquo;Hark ye, my friend,&rdquo; said the postman, when he rejoined the valet an hour
+ after this encounter, &ldquo;if your master is in love with the girl, he is in
+ for a famous task. I doubt you&rsquo;ll not succeed in seeing her. In the ten
+ years that I&rsquo;ve been postman in Paris, I have seen plenty of different
+ kinds of doors! But I can tell you, and no fear of being called a liar by
+ any of my comrades, there never was a door so mysterious as M. de
+ San-Real&rsquo;s. No one can get into the house without the Lord knows what
+ counter-word; and, notice, it has been selected on purpose between a
+ courtyard and a garden to avoid any communication with other houses. The
+ porter is an old Spaniard, who never speaks a word of French, but peers at
+ people as Vidocq might, to see if they are not thieves. If a lover, a
+ thief, or you&mdash;I make no comparisons&mdash;could get the better of
+ this first wicket, well, in the first hall, which is shut by a glazed
+ door, you would run across a butler surrounded by lackeys, an old joker
+ more savage and surly even than the porter. If any one gets past the
+ porter&rsquo;s lodge, my butler comes out, waits for you at the entrance, and
+ puts you through a cross-examination like a criminal. That has happened to
+ me, a mere postman. He took me for an eavesdropper in disguise, he said,
+ laughing at his nonsense. As for the servants, don&rsquo;t hope to get aught out
+ of them; I think they are mutes, no one in the neighborhood knows the
+ color of their speech; I don&rsquo;t know what wages they can pay them to keep
+ them from talk and drink; the fact is, they are not to be got at, whether
+ because they are afraid of being shot, or that they have some enormous sum
+ to lose in the case of an indiscretion. If your master is fond enough of
+ Mademoiselle Paquita Valdes to surmount all these obstacles, he certainly
+ won&rsquo;t triumph over Dona Concha Marialva, the duenna who accompanies her
+ and would put her under her petticoats sooner than leave her. The two
+ women look as if they were sewn to one another.&rdquo;
+ </p>
+ <p>
+ &ldquo;All that you say, worthy postman,&rdquo; went on Laurent, after having drunk
+ off his wine, &ldquo;confirms me in what I have learned before. Upon my word, I
+ thought they were making fun of me! The fruiterer opposite told me that of
+ nights they let loose dogs whose food is hung up on stakes just out of
+ their reach. These cursed animals think, therefore, that any one likely to
+ come in has designs on their victuals, and would tear one to pieces. You
+ will tell me one might throw them down pieces, but it seems they have been
+ trained to touch nothing except from the hand of the porter.&rdquo;
+ </p>
+ <p>
+ &ldquo;The porter of the Baron de Nucingen, whose garden joins at the top that
+ of the Hotel San-Real, told me the same thing,&rdquo; replied the postman.
+ </p>
+ <p>
+ &ldquo;Good! my master knows him,&rdquo; said Laurent, to himself. &ldquo;Do you know,&rdquo; he
+ went on, leering at the postman, &ldquo;I serve a master who is a rare man, and
+ if he took it into his head to kiss the sole of the foot of an empress,
+ she would have to give in to him. If he had need of you, which is what I
+ wish for you, for he is generous, could one count on you?&rdquo;
+ </p>
+ <p>
+ &ldquo;Lord, Monsieur Laurent, my name is Moinot. My name is written exactly
+ like <i>Moineau</i>, magpie: M-o-i-n-o-t, Moinot.&rdquo;
+ </p>
+ <p>
+ &ldquo;Exactly,&rdquo; said Laurent.
+ </p>
+ <p>
+ &ldquo;I live at No. 11, Rue des Trois Freres, on the fifth floor,&rdquo; went on
+ Moinot; &ldquo;I have a wife and four children. If what you want of me doesn&rsquo;t
+ transgress the limits of my conscience and my official duties, you
+ understand! I am your man.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are an honest fellow,&rdquo; said Laurent, shaking his hand....
+ </p>
+ <p>
+ &ldquo;Paquita Valdes is, no doubt, the mistress of the Marquis de San-Real, the
+ friend of King Ferdinand. Only an old Spanish mummy of eighty years is
+ capable of taking such precautions,&rdquo; said Henri, when his <i>valet de
+ chambre</i> had related the result of his researches.
+ </p>
+ <p>
+ &ldquo;Monsieur,&rdquo; said Laurent, &ldquo;unless he takes a balloon no one can get into
+ that hotel.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are a fool! Is it necessary to get into the hotel to have Paquita,
+ when Paquita can get out of it?&rdquo;
+ </p>
+ <p>
+ &ldquo;But, sir, the duenna?&rdquo;
+ </p>
+ <p>
+ &ldquo;We will shut her up for a day or two, your duenna.&rdquo;
+ </p>
+ <p>
+ &ldquo;So, we shall have Paquita!&rdquo; said Laurent, rubbing his hands.
+ </p>
+ <p>
+ &ldquo;Rascal!&rdquo; answered Henri, &ldquo;I shall condemn you to the Concha, if you carry
+ your impudence so far as to speak so of a woman before she has become
+ mine.... Turn your thoughts to dressing me, I am going out.&rdquo;
+ </p>
+ <p>
+ Henri remained for a moment plunged in joyous reflections. Let us say it
+ to the praise of women, he obtained all those whom he deigned to desire.
+ And what could one think of a woman, having no lover, who should have
+ known how to resist a young man armed with beauty which is the
+ intelligence of the body, with intelligence which is a grace of the soul,
+ armed with moral force and fortune, which are the only two real powers?
+ Yet, in triumphing with such ease, De Marsay was bound to grow weary of
+ his triumphs; thus, for about two years he had grown very weary indeed.
+ And diving deep into the sea of pleasures he brought back more grit than
+ pearls. Thus had he come, like potentates, to implore of Chance some
+ obstacle to surmount, some enterprise which should ask the employment of
+ his dormant moral and physical strength. Although Paquita Valdes presented
+ him with a marvelous concentration of perfections which he had only yet
+ enjoyed in detail, the attraction of passion was almost <i>nil</i> with
+ him. Constant satiety had weakened in his heart the sentiment of love.
+ Like old men and people disillusioned, he had no longer anything but
+ extravagant caprices, ruinous tastes, fantasies, which, once satisfied,
+ left no pleasant memory in his heart. Amongst young people love is the
+ finest of the emotions, it makes the life of the soul blossom, it
+ nourishes by its solar power the finest inspirations and their great
+ thoughts; the first fruits in all things have a delicious savor. Amongst
+ men love becomes a passion; strength leads to abuse. Amongst old men it
+ turns to vice; impotence tends to extremes. Henri was at once an old man,
+ a man, and a youth. To afford him the feelings of a real love, he needed
+ like Lovelace, a Clarissa Harlowe. Without the magic lustre of that
+ unattainable pearl he could only have either passions rendered acute by
+ some Parisian vanity, or set determinations with himself to bring such and
+ such a woman to such and such a point of corruption, or else adventures
+ which stimulated his curiosity.
+ </p>
+ <p>
+ The report of Laurent, his <i>valet de chambre</i> had just given an
+ enormous value to the girl with the golden eyes. It was a question of
+ doing battle with some secret enemy who seemed as dangerous as he was
+ cunning; and to carry off the victory, all the forces which Henri could
+ dispose of would be useful. He was about to play in that eternal old
+ comedy which will be always fresh, and the characters in which are an old
+ man, a young girl, and a lover: Don Hijos, Paquita, De Marsay. If Laurent
+ was the equal of Figaro, the duenna seemed incorruptible. Thus, the living
+ play was supplied by Chance with a stronger plot than it had ever been by
+ dramatic author! But then is not Chance too, a man of genius?
+ </p>
+ <p>
+ &ldquo;It must be a cautious game,&rdquo; said Henri, to himself.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said Paul de Manerville, as he entered the room. &ldquo;How are we
+ getting on? I have come to breakfast with you.&rdquo;
+ </p>
+ <p>
+ &ldquo;So be it,&rdquo; said Henri. &ldquo;You won&rsquo;t be shocked if I make my toilette before
+ you?&rdquo;
+ </p>
+ <p>
+ &ldquo;How absurd!&rdquo;
+ </p>
+ <p>
+ &ldquo;We take so many things from the English just now that we might well
+ become as great prudes and hypocrites as themselves,&rdquo; said Henri.
+ </p>
+ <p>
+ Laurent had set before his master such a quantity of utensils, so many
+ different articles of such elegance, that Paul could not refrain from
+ saying:
+ </p>
+ <p>
+ &ldquo;But you will take a couple of hours over that?&rdquo;
+ </p>
+ <p>
+ &ldquo;No!&rdquo; said Henri, &ldquo;two hours and a half.&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, then, since we are by ourselves, and can say what we like, explain
+ to me why a man as superior as yourself&mdash;for you are superior&mdash;should
+ affect to exaggerate a foppery which cannot be natural. Why spend two
+ hours and a half in adorning yourself, when it is sufficient to spend a
+ quarter of an hour in your bath, to do your hair in two minutes, and to
+ dress! There, tell me your system.&rdquo;
+ </p>
+ <p>
+ &ldquo;I must be very fond of you, my good dunce, to confide such high thoughts
+ to you,&rdquo; said the young man, who was at that moment having his feet rubbed
+ with a soft brush lathered with English soap.
+ </p>
+ <p>
+ &ldquo;Have I not the most devoted attachment to you,&rdquo; replied Paul de
+ Manerville, &ldquo;and do I not like you because I know your superiority?...&rdquo;
+ </p>
+ <p>
+ &ldquo;You must have noticed, if you are in the least capable of observing any
+ moral fact, that women love fops,&rdquo; went on De Marsay, without replying in
+ any way to Paul&rsquo;s declaration except by a look. &ldquo;Do you know why women
+ love fops? My friend, fops are the only men who take care of themselves.
+ Now, to take excessive care of oneself, does it not imply that one takes
+ care in oneself of what belongs to another? The man who does not belong to
+ himself is precisely the man on whom women are keen. Love is essentially a
+ thief. I say nothing about that excess of niceness to which they are so
+ devoted. Do you know of any woman who has had a passion for a sloven, even
+ if he were a remarkable man? If such a fact has occurred, we must put it
+ to the account of those morbid affections of the breeding woman, mad
+ fancies which float through the minds of everybody. On the other hand, I
+ have seen most remarkable people left in the lurch because of their
+ carelessness. A fop, who is concerned about his person, is concerned with
+ folly, with petty things. And what is a woman? A petty thing, a bundle of
+ follies. With two words said to the winds, can you not make her busy for
+ four hours? She is sure that the fop will be occupied with her, seeing
+ that he has no mind for great things. She will never be neglected for
+ glory, ambition, politics, art&mdash;those prostitutes who for her are
+ rivals. Then fops have the courage to cover themselves with ridicule in
+ order to please a woman, and her heart is full of gratitude towards the
+ man who is ridiculous for love. In fine, a fop can be no fop unless he is
+ right in being one. It is women who bestow that rank. The fop is love&rsquo;s
+ colonel; he has his victories, his regiment of women at his command. My
+ dear fellow, in Paris everything is known, and a man cannot be a fop there
+ <i>gratis</i>. You, who have only one woman, and who, perhaps, are right
+ to have but one, try to act the fop!... You will not even become
+ ridiculous, you will be dead. You will become a foregone conclusion, one
+ of those men condemned inevitably to do one and the same thing. You will
+ come to signify <i>folly</i> as inseparably as M. de La Fayette signifies
+ <i>America</i>; M. de Talleyrand, <i>diplomacy</i>; Desaugiers, <i>song</i>;
+ M. de Segur, <i>romance</i>. If they once forsake their own line people no
+ longer attach any value to what they do. So, foppery, my friend Paul, is
+ the sign of an incontestable power over the female folk. A man who is
+ loved by many women passes for having superior qualities, and then, poor
+ fellow, it is a question who shall have him! But do you think it is
+ nothing to have the right of going into a drawing-room, of looking down at
+ people from over your cravat, or through your eye-glass, and of despising
+ the most superior of men should he wear an old-fashioned waistcoat?...
+ Laurent, you are hurting me! After breakfast, Paul, we will go to the
+ Tuileries and see the adorable girl with the golden eyes.&rdquo;
+ </p>
+ <p>
+ When, after making an excellent meal, the two young men had traversed the
+ Terrasse de Feuillants and the broad walk of the Tuileries, they nowhere
+ discovered the sublime Paquita Valdes, on whose account some fifty of the
+ most elegant young men in Paris where to be seen, all scented, with their
+ high scarfs, spurred and booted, riding, walking, talking, laughing, and
+ damning themselves mightily.
+ </p>
+ <p>
+ &ldquo;It&rsquo;s a white Mass,&rdquo; said Henri; &ldquo;but I have the most excellent idea in
+ the world. This girl receives letters from London. The postman must be
+ bought or made drunk, a letter opened, read of course, and a love-letter
+ slipped in before it is sealed up again. The old tyrant, <i>crudel tirano</i>,
+ is certain to know the person who writes the letters from London, and has
+ ceased to be suspicious of them.&rdquo;
+ </p>
+ <p>
+ The day after, De Marsay came again to walk on the Terrasse des
+ Feuillants, and saw Paquita Valdes; already passion had embellished her
+ for him. Seriously, he was wild for those eyes, whose rays seemed akin to
+ those which the sun emits, and whose ardor set the seal upon that of her
+ perfect body, in which all was delight. De Marsay was on fire to brush the
+ dress of this enchanting girl as they passed one another in their walk;
+ but his attempts were always vain. But at one moment, when he had repassed
+ Paquita and the duenna, in order to find himself on the same side as the
+ girl of the golden eyes, when he returned, Paquita, no less impatient,
+ came forward hurriedly, and De Marsay felt his hand pressed by her in a
+ fashion at once so swift and so passionately significant that it was as
+ though he had received the emotions surged up in his heart. When the two
+ lovers glanced at one another, Paquita seemed ashamed, she dropped her
+ eyes lest she should meet the eyes of Henri, but her gaze sank lower to
+ fasten on the feet and form of him whom women, before the Revolution,
+ called <i>their conqueror</i>.
+ </p>
+ <p>
+ &ldquo;I am determined to make this girl my mistress,&rdquo; said Henri to himself.
+ </p>
+ <p>
+ As he followed her along the terrace, in the direction of the Place Louis
+ XV., he caught sight of the aged Marquis de San-Real, who was walking on
+ the arm of his valet, stepping with all the precautions due to gout and
+ decrepitude. Dona Concha, who distrusted Henri, made Paquita pass between
+ herself and the old man.
+ </p>
+ <p>
+ &ldquo;Oh, for you,&rdquo; said De Marsay to himself, casting a glance of disdain upon
+ the duenna, &ldquo;if one cannot make you capitulate, with a little opium one
+ can make you sleep. We know mythology and the fable of Argus.&rdquo;
+ </p>
+ <p>
+ Before entering the carriage, the golden-eyed girl exchanged certain
+ glances with her lover, of which the meaning was unmistakable and which
+ enchanted Henri, but one of them was surprised by the duenna; she said a
+ few rapid words to Paquita, who threw herself into the <i>coupe</i> with
+ an air of desperation. For some days Paquita did not appear in the
+ Tuileries. Laurent, who by his master&rsquo;s orders was on watch by the hotel,
+ learned from the neighbors that neither the two women nor the aged marquis
+ had been abroad since the day upon which the duenna had surprised a glance
+ between the young girl in her charge and Henri. The bond, so flimsy
+ withal, which united the two lovers was already severed.
+ </p>
+ <p>
+ Some days later, none knew by what means, De Marsay had attained his end;
+ he had a seal and wax, exactly resembling the seal and wax affixed to the
+ letters sent to Mademoiselle Valdes from London; paper similar to that
+ which her correspondent used; moreover, all the implements and stamps
+ necessary to affix the French and English postmarks.
+ </p>
+ <p>
+ He wrote the following letter, to which he gave all the appearances of a
+ letter sent from London:&mdash;
+ </p>
+<pre xml:space="preserve">
+ &ldquo;MY DEAR PAQUITA,&mdash;I shall not try to paint to you in words the
+ passion with which you have inspired me. If, to my happiness, you
+ reciprocate it, understand that I have found a means of
+ corresponding with you. My name is Adolphe de Gouges, and I live
+ at No. 54 Rue de l&rsquo;Universite. If you are too closely watched to
+ be able to write to me, if you have neither pen nor paper, I shall
+ understand it by your silence. If then, to-morrow, you have not,
+ between eight o&rsquo;clock in the morning and ten o&rsquo;clock in the
+ evening, thrown a letter over the wall of your garden into that of
+ the Baron de Nucingen, where it will be waited for during the
+ whole of the day, a man, who is entirely devoted to me, will let
+ down two flasks by a string over your wall at ten o&rsquo;clock the next
+ morning. Be walking there at that hour. One of the two flasks will
+ contain opium to send your Argus to sleep; it will be sufficient
+ to employ six drops; the other will contain ink. The flask of ink
+ is of cut glass; the other is plain. Both are of such a size as
+ can easily be concealed within your bosom. All that I have already
+ done, in order to be able to correspond with you, should tell you
+ how greatly I love you. Should you have any doubt of it, I will
+ confess to you, that to obtain an interview of one hour with you I
+ would give my life.&rdquo;
+ </pre>
+ <p>
+ &ldquo;At least they believe that, poor creatures!&rdquo; said De Marsay; &ldquo;but they
+ are right. What should we think of a woman who refused to be beguiled by a
+ love-letter accompanied by such convincing accessories?&rdquo;
+ </p>
+ <p>
+ This letter was delivered by Master Moinot, postman, on the following day,
+ about eight o&rsquo;clock in the morning, to the porter of the Hotel San-Real.
+ </p>
+ <p>
+ In order to be nearer to the field of action, De Marsay went and
+ breakfasted with Paul, who lived in the Rue de la Pepiniere. At two
+ o&rsquo;clock, just as the two friends were laughingly discussing the
+ discomfiture of a young man who had attempted to lead the life of fashion
+ without a settled income, and were devising an end for him, Henri&rsquo;s
+ coachman came to seek his master at Paul&rsquo;s house, and presented to him a
+ mysterious personage who insisted on speaking himself with his master.
+ </p>
+ <p>
+ This individual was a mulatto, who would assuredly have given Talma a
+ model for the part of Othello, if he had come across him. Never did any
+ African face better express the grand vengefulness, the ready suspicion,
+ the promptitude in the execution of a thought, the strength of the Moor,
+ and his childish lack of reflection. His black eyes had the fixity of the
+ eyes of a bird of prey, and they were framed, like a vulture&rsquo;s, by a
+ bluish membrane devoid of lashes. His forehead, low and narrow, had
+ something menacing. Evidently, this man was under the yoke of some single
+ and unique thought. His sinewy arm did not belong to him.
+ </p>
+ <p>
+ He was followed by a man whom the imaginations of all folk, from those who
+ shiver in Greenland to those who sweat in the tropics, would paint in the
+ single phrase: <i>He was an unfortunate man</i>. From this phrase,
+ everybody will conceive him according to the special ideas of each
+ country. But who can best imagine his face&mdash;white and wrinkled, red
+ at the extremities, and his long beard. Who will see his lean and yellow
+ scarf, his greasy shirt-collar, his battered hat, his green frock coat,
+ his deplorable trousers, his dilapidated waistcoat, his imitation gold
+ pin, and battered shoes, the strings of which were plastered in mud? Who
+ will see all that but the Parisian? The unfortunate man of Paris is the
+ unfortunate man <i>in toto</i>, for he has still enough mirth to know the
+ extent of his misfortune. The mulatto was like an executioner of Louis XI.
+ leading a man to the gallows.
+ </p>
+ <p>
+ &ldquo;Who has hunted us out these two extraordinary creatures?&rdquo; said Henri.
+ </p>
+ <p>
+ &ldquo;Faith! there is one of them who makes me shudder,&rdquo; replied Paul.
+ </p>
+ <p>
+ &ldquo;Who are you&mdash;you fellow who look the most like a Christian of the
+ two?&rdquo; said Henri, looking at the unfortunate man.
+ </p>
+ <p>
+ The mulatto stood with his eyes fixed upon the two young men, like a man
+ who understood nothing, and who sought no less to divine something from
+ the gestures and movements of the lips.
+ </p>
+ <p>
+ &ldquo;I am a public scribe and interpreter; I live at the Palais de Justice,
+ and am named Poincet.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good!... and this one?&rdquo; said Henri to Poincet, looking towards the
+ mulatto.
+ </p>
+ <p>
+ &ldquo;I do not know; he only speaks a sort of Spanish <i>patois</i>, and he has
+ brought me here to make himself understood by you.&rdquo;
+ </p>
+ <p>
+ The mulatto drew from his pocket the letter which Henri had written to
+ Paquita and handed it to him. Henri threw it in the fire.
+ </p>
+ <p>
+ &ldquo;Ah&mdash;so&mdash;the game is beginning,&rdquo; said Henri to himself. &ldquo;Paul,
+ leave us alone for a moment.&rdquo;
+ </p>
+ <p>
+ &ldquo;I translated this letter for him,&rdquo; went on the interpreter, when they
+ were alone. &ldquo;When it was translated, he was in some place which I don&rsquo;t
+ remember. Then he came back to look for me, and promised me two <i>louis</i>
+ to fetch him here.&rdquo;
+ </p>
+ <p>
+ &ldquo;What have you to say to me, nigger?&rdquo; asked Henri.
+ </p>
+ <p>
+ &ldquo;I did not translate <i>nigger</i>,&rdquo; said the interpreter, waiting for the
+ mulatto&rsquo;s reply....
+ </p>
+ <p>
+ &ldquo;He said, sir,&rdquo; went on the interpreter, after having listened to the
+ unknown, &ldquo;that you must be at half-past ten to-morrow night on the
+ boulevard Montmartre, near the cafe. You will see a carriage there, in
+ which you must take your place, saying to the man, who will wait to open
+ the door for you, the word <i>cortejo</i>&mdash;a Spanish word, which
+ means <i>lover</i>,&rdquo; added Poincet, casting a glance of congratulation
+ upon Henri.
+ </p>
+ <p>
+ &ldquo;Good.&rdquo;
+ </p>
+ <p>
+ The mulatto was about to bestow the two <i>louis</i>, but De Marsay would
+ not permit it, and himself rewarded the interpreter. As he was paying him,
+ the mulatto began to speak.
+ </p>
+ <p>
+ &ldquo;What is he saying?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is warning me,&rdquo; replied the unfortunate, &ldquo;that if I commit a single
+ indiscretion he will strangle me. He speaks fair and he looks remarkably
+ as if he were capable of carrying out his threat.&rdquo;
+ </p>
+ <p>
+ &ldquo;I am sure of it,&rdquo; answered Henri; &ldquo;he would keep his word.&rdquo;
+ </p>
+ <p>
+ &ldquo;He says, as well,&rdquo; replied the interpreter, &ldquo;that the person from whom he
+ is sent implores you, for your sake and for hers, to act with the greatest
+ prudence, because the daggers which are raised above your head would
+ strike your heart before any human power could save you from them.&rdquo;
+ </p>
+ <p>
+ &ldquo;He said that? So much the better, it will be more amusing. You can come
+ in now, Paul,&rdquo; he cried to his friend.
+ </p>
+ <p>
+ The mulatto, who had not ceased to gaze at the lover of Paquita Valdes
+ with magnetic attention, went away, followed by the interpreter.
+ </p>
+ <p>
+ &ldquo;Well, at last I have an adventure which is entirely romantic,&rdquo; said
+ Henri, when Paul returned. &ldquo;After having shared in a certain number I have
+ finished by finding in Paris an intrigue accompanied by serious accidents,
+ by grave perils. The deuce! what courage danger gives a woman! To torment
+ a woman, to try and contradict her&mdash;doesn&rsquo;t it give her the right and
+ the courage to scale in one moment obstacles which it would take her years
+ to surmount of herself? Pretty creature, jump then! To die? Poor child!
+ Daggers? Oh, imagination of women! They cannot help trying to find
+ authority for their little jests. Besides, can one think of it, Paquita?
+ Can one think of it, my child? The devil take me, now that I know this
+ beautiful girl, this masterpiece of nature, is mine, the adventure has
+ lost its charm.&rdquo;
+ </p>
+ <p>
+ For all his light words, the youth in Henri had reappeared. In order to
+ live until the morrow without too much pain, he had recourse to exorbitant
+ pleasure; he played, dined, supped with his friends; he drank like a fish,
+ ate like a German, and won ten or twelve thousand francs. He left the
+ Rocher de Cancale at two o&rsquo;clock in the morning, slept like a child, awoke
+ the next morning fresh and rosy, and dressed to go to the Tuileries, with
+ the intention of taking a ride, after having seen Paquita, in order to get
+ himself an appetite and dine the better, and so kill the time.
+ </p>
+ <p>
+ At the hour mentioned Henri was on the boulevard, saw the carriage, and
+ gave the counter-word to a man who looked to him like the mulatto. Hearing
+ the word, the man opened the door and quickly let down the step. Henri was
+ so rapidly carried through Paris, and his thoughts left him so little
+ capacity to pay attention to the streets through which he passed, that he
+ did not know where the carriage stopped. The mulatto let him into a house,
+ the staircase of which was quite close to the entrance. This staircase was
+ dark, as was also the landing upon which Henri was obliged to wait while
+ the mulatto was opening the door of a damp apartment, fetid and unlit, the
+ chambers of which, barely illuminated by the candle which his guide found
+ in the ante-chamber, seemed to him empty and ill furnished, like those of
+ a house the inhabitants of which are away. He recognized the sensation
+ which he had experienced from the perusal of one of those romances of Anne
+ Radcliffe, in which the hero traverses the cold, sombre, and uninhabited
+ saloons of some sad and desert spot.
+ </p>
+ <p>
+ At last the mulatto opened the door of a <i>salon</i>. The condition of
+ the old furniture and the dilapidated curtains with which the room was
+ adorned gave it the air of the reception-room of a house of ill fame.
+ There was the same pretension to elegance, and the same collection of
+ things in bad taste, of dust and dirt. Upon a sofa covered with red
+ Utrecht velvet, by the side of a smoking hearth, the fire of which was
+ buried in ashes, sat an old, poorly dressed woman, her head capped by one
+ of those turbans which English women of a certain age have invented and
+ which would have a mighty success in China, where the artist&rsquo;s ideal is
+ the monstrous.
+ </p>
+ <p>
+ The room, the old woman, the cold hearth, all would have chilled love to
+ death had not Paquita been there, upon an ottoman, in a loose voluptuous
+ wrapper, free to scatter her gaze of gold and flame, free to show her
+ arched foot, free of her luminous movements. This first interview was what
+ every <i>rendezvous</i> must be between persons of passionate disposition,
+ who have stepped over a wide distance quickly, who desire each other
+ ardently, and who, nevertheless, do not know each other. It is impossible
+ that at first there should not occur certain discordant notes in the
+ situation, which is embarrassing until the moment when two souls find
+ themselves in unison.
+ </p>
+ <p>
+ If desire gives a man boldness and disposes him to lay restraint aside,
+ the mistress, under pain of ceasing to be woman, however great may be her
+ love, is afraid of arriving at the end so promptly, and face to face with
+ the necessity of giving herself, which to many women is equivalent to a
+ fall into an abyss, at the bottom of which they know not what they shall
+ find. The involuntary coldness of the woman contrasts with her confessed
+ passion, and necessarily reacts upon the most passionate lover. Thus
+ ideas, which often float around souls like vapors, determine in them a
+ sort of temporary malady. In the sweet journey which two beings undertake
+ through the fair domains of love, this moment is like a waste land to be
+ traversed, a land without a tree, alternatively damp and warm, full of
+ scorching sand, traversed by marshes, which leads to smiling groves clad
+ with roses, where Love and his retinue of pleasures disport themselves on
+ carpets of soft verdure. Often the witty man finds himself afflicted with
+ a foolish laugh which is his only answer to everything; his wit is, as it
+ were, suffocated beneath the icy pressure of his desires. It would not be
+ impossible for two beings of equal beauty, intelligence, and passion to
+ utter at first nothing but the most silly commonplaces, until chance, a
+ word, the tremor of a certain glance, the communication of a spark, should
+ have brought them to the happy transition which leads to that flowery way
+ in which one does not walk, but where one sways and at the same time does
+ not lapse.
+ </p>
+ <p>
+ Such a state of mind is always in proportion with the violence of the
+ feeling. Two creatures who love one another weakly feel nothing similar.
+ The effect of this crisis can even be compared with that which is produced
+ by the glow of a clear sky. Nature, at the first view, appears to be
+ covered with a gauze veil, the azure of the firmament seems black, the
+ intensity of light is like darkness. With Henri, as with the Spanish girl,
+ there was an equal intensity of feeling; and that law of statics, in
+ virtue of which two identical forces cancel each other, might have been
+ true also in the moral order. And the embarrassment of the moment was
+ singularly increased by the presence of the old hag. Love takes pleasure
+ or fright at all, all has meaning for it, everything is an omen of
+ happiness or sorrow for it.
+ </p>
+ <p>
+ This decrepit woman was there like a suggestion of catastrophe, and
+ represented the horrid fish&rsquo;s tail with which the allegorical geniuses of
+ Greece have terminated their chimeras and sirens, whose figures, like all
+ passions, are so seductive, so deceptive.
+ </p>
+ <p>
+ Although Henri was not a free-thinker&mdash;the phrase is always a mockery&mdash;but
+ a man of extraordinary power, a man as great as a man can be without
+ faith, the conjunction struck him. Moreover, the strongest men are
+ naturally the most impressionable, and consequently the most
+ superstitious, if, indeed, one may call superstition the prejudice of the
+ first thoughts, which, without doubt, is the appreciation of the result in
+ causes hidden to other eyes but perceptible to their own.
+ </p>
+ <p>
+ The Spanish girl profited by this moment of stupefaction to let herself
+ fall into the ecstasy of that infinite adoration which seizes the heart of
+ a woman, when she truly loves and finds herself in the presence of an idol
+ for whom she has vainly longed. Her eyes were all joy, all happiness, and
+ sparks flew from them. She was under the charm, and fearlessly intoxicated
+ herself with a felicity of which she had dreamed long. She seemed then so
+ marvelously beautiful to Henri, that all this phantasmagoria of rags and
+ old age, of worn red drapery and of the green mats in front of the
+ armchairs, the ill-washed red tiles, all this sick and dilapidated luxury,
+ disappeared.
+ </p>
+ <p>
+ The room seemed lit up; and it was only through a cloud that one could see
+ the fearful harpy fixed and dumb on her red sofa, her yellow eyes
+ betraying the servile sentiments, inspired by misfortune, or caused by
+ some vice beneath whose servitude one has fallen as beneath a tyrant who
+ brutalizes one with the flagellations of his despotism. Her eyes had the
+ cold glitter of a caged tiger, knowing his impotence and being compelled
+ to swallow his rage of destruction.
+ </p>
+ <p>
+ &ldquo;Who is that woman?&rdquo; said Henri to Paquita.
+ </p>
+ <p>
+ But Paquita did not answer. She made a sign that she understood no French,
+ and asked Henri if he spoke English.
+ </p>
+ <p>
+ De Marsay repeated his question in English.
+ </p>
+ <p>
+ &ldquo;She is the only woman in whom I can confide, although she has sold me
+ already,&rdquo; said Paquita, tranquilly. &ldquo;My dear Adolphe, she is my mother, a
+ slave bought in Georgia for her rare beauty, little enough of which
+ remains to-day. She only speaks her native tongue.&rdquo;
+ </p>
+ <p>
+ The attitude of this woman and her eagerness to guess from the gestures of
+ her daughter and Henri what was passing between them, were suddenly
+ explained to the young man; and this explanation put him at his ease.
+ </p>
+ <p>
+ &ldquo;Paquita,&rdquo; he said, &ldquo;are we never to be free then?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never,&rdquo; she said, with an air of sadness. &ldquo;Even now we have but a few
+ days before us.&rdquo;
+ </p>
+ <p>
+ She lowered her eyes, looked at and counted with her right hand on the
+ fingers of her left, revealing so the most beautiful hands which Henri had
+ ever seen.
+ </p>
+ <p>
+ &ldquo;One, two, three&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ She counted up to twelve.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she said, &ldquo;we have twelve days.&rdquo;
+ </p>
+ <p>
+ &ldquo;And after?&rdquo;
+ </p>
+ <p>
+ &ldquo;After,&rdquo; she said, showing the absorption of a weak woman before the
+ executioner&rsquo;s axe, and slain in advance, as it were, by a fear which
+ stripped her of that magnificent energy which Nature seemed to have
+ bestowed upon her only to aggrandize pleasure and convert the most vulgar
+ delights into endless poems. &ldquo;After&mdash;&mdash;&rdquo; she repeated. Her eyes
+ took a fixed stare; she seemed to contemplate a threatening object far
+ away.
+ </p>
+ <p>
+ &ldquo;I do not know,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;This girl is mad,&rdquo; said Henri to himself, falling into strange
+ reflections.
+ </p>
+ <p>
+ Paquita appeared to him occupied by something which was not himself, like
+ a woman constrained equally by remorse and passion. Perhaps she had in her
+ heart another love which she alternately remembered and forgot. In a
+ moment Henri was assailed by a thousand contradictory thoughts. This girl
+ became a mystery for him; but as he contemplated her with the scientific
+ attention of the <i>blase</i> man, famished for new pleasures, like that
+ Eastern king who asked that a pleasure should be created for him,&mdash;a
+ horrible thirst with which great souls are seized,&mdash;Henri recognized
+ in Paquita the richest organization that Nature had ever deigned to
+ compose for love. The presumptive play of this machinery, setting aside
+ the soul, would have frightened any other man than Henri; but he was
+ fascinated by that rich harvest of promised pleasures, by that constant
+ variety in happiness, the dream of every man, and the desire of every
+ loving woman too. He was infuriated by the infinite rendered palpable, and
+ transported into the most excessive raptures of which the creature is
+ capable. All that he saw in this girl more distinctly than he had yet seen
+ it, for she let herself be viewed complacently, happy to be admired. The
+ admiration of De Marsay became a secret fury, and he unveiled her
+ completely, throwing a glance at her which the Spaniard understood as
+ though she had been used to receive such.
+ </p>
+ <p>
+ &ldquo;If you are not to be mine, mine only, I will kill you!&rdquo; he cried.
+ </p>
+ <p>
+ Hearing this speech, Paquita covered her face in her hands, and cried
+ naively:
+ </p>
+ <p>
+ &ldquo;Holy Virgin! What have I brought upon myself?&rdquo;
+ </p>
+ <p>
+ She rose, flung herself down upon the red sofa, and buried her head in the
+ rags which covered the bosom of her mother, and wept there. The old woman
+ received her daughter without issuing from her state of immobility, or
+ displaying any emotion. The mother possessed in the highest degree that
+ gravity of savage races, the impassiveness of a statue upon which all
+ remarks are lost. Did she or did she not love her daughter? Beneath that
+ mask every human emotion might brood&mdash;good and evil; and from this
+ creature all might be expected. Her gaze passed slowly from her daughter&rsquo;s
+ beautiful hair, which covered her like a mantle, to the face of Henri,
+ which she considered with an indescribable curiosity.
+ </p>
+ <p>
+ She seemed to ask by what fatality he was there, from what caprice Nature
+ had made so seductive a man.
+ </p>
+ <p>
+ &ldquo;These women are making sport of me,&rdquo; said Henri to himself.
+ </p>
+ <p>
+ At that moment Paquita raised her head, cast at him one of those looks
+ which reach the very soul and consume it. So beautiful seemed she that he
+ swore he would possess such a treasure of beauty.
+ </p>
+ <p>
+ &ldquo;My Paquita! Be mine!&rdquo;
+ </p>
+ <p>
+ &ldquo;Wouldst thou kill me?&rdquo; she said fearfully, palpitating and anxious, but
+ drawn towards him by an inexplicable force.
+ </p>
+ <p>
+ &ldquo;Kill thee&mdash;I!&rdquo; he said, smiling.
+ </p>
+ <p>
+ Paquita uttered a cry of alarm, said a word to the old woman, who
+ authoritatively seized Henri&rsquo;s hand and that of her daughter. She gazed at
+ them for a long time, and then released them, wagging her head in a
+ fashion horribly significant.
+ </p>
+ <p>
+ &ldquo;Be mine&mdash;this evening, this moment; follow me, do not leave me! It
+ must be, Paquita! Dost thou love me? Come!&rdquo;
+ </p>
+ <p>
+ In a moment he had poured out a thousand foolish words to her, with the
+ rapidity of a torrent coursing between the rocks, and repeating the same
+ sound in a thousand different forms.
+ </p>
+ <p>
+ &ldquo;It is the same voice!&rdquo; said Paquita, in a melancholy voice, which De
+ Marsay could not overhear, &ldquo;and the same ardor,&rdquo; she added. &ldquo;So be it&mdash;yes,&rdquo;
+ she said, with an abandonment of passion which no words can describe.
+ &ldquo;Yes; but not to-night. To-night Adolphe, I gave too little opium to La
+ Concha. She might wake up, and I should be lost. At this moment the whole
+ household believes me to be asleep in my room. In two days be at the same
+ spot, say the same word to the same man. That man is my foster-father.
+ Cristemio worships me, and would die in torments for me before they could
+ extract one word against me from him. Farewell,&rdquo; she said seizing Henri by
+ the waist and twining round him like a serpent.
+ </p>
+ <p>
+ She pressed him on every side at once, lifted her head to his, and offered
+ him her lips, then snatched a kiss which filled them both with such a
+ dizziness that it seemed to Henri as though the earth opened; and Paquita
+ cried: &ldquo;Enough, depart!&rdquo; in a voice which told how little she was mistress
+ of herself. But she clung to him still, still crying &ldquo;Depart!&rdquo; and brought
+ him slowly to the staircase. There the mulatto, whose white eyes lit up at
+ the sight of Paquita, took the torch from the hands of his idol, and
+ conducted Henri to the street. He left the light under the arch, opened
+ the door, put Henri into the carriage, and set him down on the Boulevard
+ des Italiens with marvelous rapidity. It was as though the horses had
+ hell-fire in their veins.
+ </p>
+ <p>
+ The scene was like a dream to De Marsay, but one of those dreams which,
+ even when they fade away, leave a feeling of supernatural voluptuousness,
+ which a man runs after for the remainder of his life. A single kiss had
+ been enough. Never had <i>rendezvous</i> been spent in a manner more
+ decorous or chaste, or, perhaps, more coldly, in a spot of which the
+ surroundings were more gruesome, in presence of a more hideous divinity;
+ for the mother had remained in Henri&rsquo;s imagination like some infernal,
+ cowering thing, cadaverous, monstrous, savagely ferocious, which the
+ imagination of poets and painters had not yet conceived. In effect, no <i>rendezvous</i>
+ had ever irritated his senses more, revealed more audacious pleasures, or
+ better aroused love from its centre to shed itself round him like an
+ atmosphere. There was something sombre, mysterious, sweet, tender,
+ constrained, and expansive, an intermingling of the awful and the
+ celestial, of paradise and hell, which made De Marsay like a drunken man.
+ </p>
+ <p>
+ He was no longer himself, and he was, withal, great enough to be able to
+ resist the intoxication of pleasure.
+ </p>
+ <p>
+ In order to render his conduct intelligible in the catastrophe of this
+ story, it is needful to explain how his soul had broadened at an age when
+ young men generally belittle themselves in their relations with women, or
+ in too much occupation with them. Its growth was due to a concurrence of
+ secret circumstances, which invested him with a vast and unsuspected
+ power.
+ </p>
+ <p>
+ This young man held in his hand a sceptre more powerful than that of
+ modern kings, almost all of whom are curbed in their least wishes by the
+ laws. De Marsay exercised the autocratic power of an Oriental despot. But
+ this power, so stupidly put into execution in Asia by brutish men, was
+ increased tenfold by its conjunction with European intelligence, with
+ French wit&mdash;the most subtle, the keenest of all intellectual
+ instruments. Henri could do what he would in the interest of his pleasures
+ and vanities. This invisible action upon the social world had invested him
+ with a real, but secret, majesty, without emphasis and deriving from
+ himself. He had not the opinion which Louis XIV. could have of himself,
+ but that which the proudest of the Caliphs, the Pharoahs, the Xerxes, who
+ held themselves to be of divine origin, had of themselves when they
+ imitated God, and veiled themselves from their subjects under the pretext
+ that their looks dealt forth death. Thus, without any remorse at being at
+ once the judge and the accuser, De Marsay coldly condemned to death the
+ man or the woman who had seriously offended him. Although often pronounced
+ almost lightly, the verdict was irrevocable. An error was a misfortune
+ similar to that which a thunderbolt causes when it falls upon a smiling
+ Parisienne in some hackney coach, instead of crushing the old coachman who
+ is driving her to a <i>rendezvous</i>. Thus the bitter and profound
+ sarcasm which distinguished the young man&rsquo;s conversation usually tended to
+ frighten people; no one was anxious to put him out. Women are prodigiously
+ fond of those persons who call themselves pashas, and who are, as it were
+ accompanied by lions and executioners, and who walk in a panoply of
+ terror. The result, in the case of such men, is a security of action, a
+ certitude of power, a pride of gaze, a leonine consciousness, which makes
+ women realize the type of strength of which they all dream. Such was De
+ Marsay.
+ </p>
+ <p>
+ Happy, for the moment, with his future, he grew young and pliable, and
+ thought of nothing but love as he went to bed. He dreamed of the girl with
+ the golden eyes, as the young and passionate can dream. His dreams were
+ monstrous images, unattainable extravagances&mdash;full of light,
+ revealing invisible worlds, yet in a manner always incomplete, for an
+ intervening veil changes the conditions of vision.
+ </p>
+ <p>
+ For the next and succeeding day Henri disappeared and no one knew what had
+ become of him. His power only belonged to him under certain conditions,
+ and, happily for him, during those two days he was a private soldier in
+ the service of the demon to whom he owed his talismanic existence. But at
+ the appointed time, in the evening, he was waiting&mdash;and he had not
+ long to wait&mdash;for the carriage. The mulatto approached Henri, in
+ order to repeat to him in French a phrase which he seemed to have learned
+ by heart.
+ </p>
+ <p>
+ &ldquo;If you wish to come, she told me, you must consent to have your eyes
+ bandaged.&rdquo;
+ </p>
+ <p>
+ And Cristemio produced a white silk handkerchief.
+ </p>
+ <p>
+ &ldquo;No!&rdquo; said Henri, whose omnipotence revolted suddenly.
+ </p>
+ <p>
+ He tried to leap in. The mulatto made a sign, and the carriage drove off.
+ </p>
+ <p>
+ &ldquo;Yes!&rdquo; cried De Marsay, furious at the thought of losing a piece of good
+ fortune which had been promised him.
+ </p>
+ <p>
+ He saw, moreover, the impossibility of making terms with a slave whose
+ obedience was as blind as the hangman&rsquo;s. Nor was it this passive
+ instrument upon whom his anger could fall.
+ </p>
+ <p>
+ The mulatto whistled, the carriage returned. Henri got in hastily. Already
+ a few curious onlookers had assembled like sheep on the boulevard. Henri
+ was strong; he tried to play the mulatto. When the carriage started at a
+ gallop he seized his hands, in order to master him, and retain, by
+ subduing his attendant, the possession of his faculties, so that he might
+ know whither he was going. It was a vain attempt. The eyes of the mulatto
+ flashed from the darkness. The fellow uttered a cry which his fury stifled
+ in his throat, released himself, threw back De Marsay with a hand like
+ iron, and nailed him, so to speak, to the bottom of the carriage; then
+ with his free hand, he drew a triangular dagger, and whistled. The
+ coachman heard the whistle and stopped. Henri was unarmed, he was forced
+ to yield. He moved his head towards the handkerchief. The gesture of
+ submission calmed Cristemio, and he bound his eyes with a respect and care
+ which manifested a sort of veneration for the person of the man whom his
+ idol loved. But, before taking this course, he had placed his dagger
+ distrustfully in his side pocket, and buttoned himself up to the chin.
+ </p>
+ <p>
+ &ldquo;That nigger would have killed me!&rdquo; said De Marsay to himself.
+ </p>
+ <p>
+ Once more the carriage moved on rapidly. There was one resource still open
+ to a young man who knew Paris as well as Henri. To know whither he was
+ going, he had but to collect himself and count, by the number of gutters
+ crossed, the streets leading from the boulevards by which the carriage
+ passed, so long as it continued straight along. He could thus discover
+ into which lateral street it would turn, either towards the Seine or
+ towards the heights of Montmartre, and guess the name or position of the
+ street in which his guide should bring him to a halt. But the violent
+ emotion which his struggle had caused him, the rage into which his
+ compromised dignity had thrown him, the ideas of vengeance to which he
+ abandoned himself, the suppositions suggested to him by the circumstantial
+ care which this girl had taken in order to bring him to her, all hindered
+ him from the attention, which the blind have, necessary for the
+ concentration of his intelligence and the perfect lucidity of his
+ recollection. The journey lasted half an hour. When the carriage stopped,
+ it was no longer on the street. The mulatto and the coachman took Henri in
+ their arms, lifted him out, and, putting him into a sort of litter,
+ conveyed him across a garden. He could smell its flowers and the perfume
+ peculiar to trees and grass.
+ </p>
+ <p>
+ The silence which reigned there was so profound that he could distinguish
+ the noise made by the drops of water falling from the moist leaves. The
+ two men took him to a staircase, set him on his feet, led him by his hands
+ through several apartments, and left him in a room whose atmosphere was
+ perfumed, and the thick carpet of which he could feel beneath his feet.
+ </p>
+ <p>
+ A woman&rsquo;s hand pushed him on to a divan, and untied the handkerchief for
+ him. Henri saw Paquita before him, but Paquita in all her womanly and
+ voluptuous glory. The section of the boudoir in which Henri found himself
+ described a circular line, softly gracious, which was faced opposite by
+ the other perfectly square half, in the midst of which a chimney-piece
+ shone of gold and white marble. He had entered by a door on one side,
+ hidden by a rich tapestried screen, opposite which was a window. The
+ semicircular portion was adorned with a real Turkish divan, that is to
+ say, a mattress thrown on the ground, but a mattress as broad as a bed, a
+ divan fifty feet in circumference, made of white cashmere, relieved by
+ bows of black and scarlet silk, arranged in panels. The top of this huge
+ bed was raised several inches by numerous cushions, which further enriched
+ it by their tasteful comfort. The boudoir was lined with some red stuff,
+ over which an Indian muslin was stretched, fluted after the fashion of
+ Corinthian columns, in plaits going in and out, and bound at the top and
+ bottom by bands of poppy-colored stuff, on which were designs in black
+ arabesque.
+ </p>
+ <p>
+ Below the muslin the poppy turned to rose, that amorous color, which was
+ matched by window-curtains, which were of Indian muslin lined with
+ rose-colored taffeta, and set off with a fringe of poppy-color and black.
+ Six silver-gilt arms, each supporting two candles, were attached to the
+ tapestry at an equal distance, to illuminate the divan. The ceiling, from
+ the middle of which a lustre of unpolished silver hung, was of a brilliant
+ whiteness, and the cornice was gilded. The carpet was like an Oriental
+ shawl; it had the designs and recalled the poetry of Persia, where the
+ hands of slaves had worked on it. The furniture was covered in white
+ cashmere, relieved by black and poppy-colored ornaments. The clock, the
+ candelabra, all were in white marble and gold. The only table there had a
+ cloth of cashmere. Elegant flower-pots held roses of every kind, flowers
+ white or red. In fine, the least detail seemed to have been the object of
+ loving thought. Never had richness hidden itself more coquettishly to
+ become elegance, to express grace, to inspire pleasure. Everything there
+ would have warmed the coldest of beings. The caresses of the tapestry, of
+ which the color changed according to the direction of one&rsquo;s gaze, becoming
+ either all white or all rose, harmonized with the effects of the light
+ shed upon the diaphanous tissues of the muslin, which produced an
+ appearance of mistiness. The soul has I know not what attraction towards
+ white, love delights in red, and the passions are flattered by gold, which
+ has the power of realizing their caprices. Thus all that man possesses
+ within him of vague and mysterious, all his inexplicable affinities, were
+ caressed in their involuntary sympathies. There was in this perfect
+ harmony a concert of color to which the soul responded with vague and
+ voluptuous and fluctuating ideas.
+ </p>
+ <p>
+ It was out of a misty atmosphere, laden with exquisite perfumes, that
+ Paquita, clad in a white wrapper, her feet bare, orange blossoms in her
+ black hair, appeared to Henri, knelt before him, adoring him as the god of
+ this temple, whither he had deigned to come. Although De Marsay was
+ accustomed to seeing the utmost efforts of Parisian luxury, he was
+ surprised at the aspect of this shell, like that from which Venus rose out
+ of the sea. Whether from an effect of contrast between the darkness from
+ which he issued and the light which bathed his soul, whether from a
+ comparison which he swiftly made between this scene and that of their
+ first interview, he experienced one of those delicate sensations which
+ true poetry gives. Perceiving in the midst of this retreat, which had been
+ opened to him as by a fairy&rsquo;s magic wand, the masterpiece of creation,
+ this girl, whose warmly colored tints, whose soft skin&mdash;soft, but
+ slightly gilded by the shadows, by I know not what vaporous effusion of
+ love&mdash;gleamed as though it reflected the rays of color and light, his
+ anger, his desire for vengeance, his wounded vanity, all were lost.
+ </p>
+ <p>
+ Like an eagle darting on his prey, he took her utterly to him, set her on
+ his knees, and felt with an indescribable intoxication the voluptuous
+ pressure of this girl, whose richly developed beauties softly enveloped
+ him.
+ </p>
+ <p>
+ &ldquo;Come to me, Paquita!&rdquo; he said, in a low voice.
+ </p>
+ <p>
+ &ldquo;Speak, speak without fear!&rdquo; she said. &ldquo;This retreat was built for love.
+ No sound can escape from it, so greatly was it desired to guard
+ avariciously the accents and music of the beloved voice. However loud
+ should be the cries, they would not be heard without these walls. A person
+ might be murdered, and his moans would be as vain as if he were in the
+ midst of the great desert.&rdquo;
+ </p>
+ <p>
+ &ldquo;Who has understood jealousy and its needs so well?&rdquo;
+ </p>
+ <p>
+ &ldquo;Never question me as to that,&rdquo; she answered, untying with a gesture of
+ wonderful sweetness the young man&rsquo;s scarf, doubtless in order the better
+ to behold his neck.
+ </p>
+ <p>
+ &ldquo;Yes, there is the neck I love so well!&rdquo; she said. &ldquo;Wouldst thou please
+ me?&rdquo;
+ </p>
+ <p>
+ This interrogation, rendered by the accent almost lascivious, drew De
+ Marsay from the reverie in which he had been plunged by Paquita&rsquo;s
+ authoritative refusal to allow him any research as to the unknown being
+ who hovered like a shadow about them.
+ </p>
+ <p>
+ &ldquo;And if I wished to know who reigns here?&rdquo;
+ </p>
+ <p>
+ Paquita looked at him trembling.
+ </p>
+ <p>
+ &ldquo;It is not I, then?&rdquo; he said, rising and freeing himself from the girl,
+ whose head fell backwards. &ldquo;Where I am, I would be alone.&rdquo;
+ </p>
+ <p>
+ &ldquo;Strike, strike!...&rdquo; said the poor slave, a prey to terror.
+ </p>
+ <p>
+ &ldquo;For what do you take me, then?... Will you answer?&rdquo;
+ </p>
+ <p>
+ Paquita got up gently, her eyes full of tears, took a poniard from one of
+ the two ebony pieces of furniture, and presented it to Henri with a
+ gesture of submission which would have moved a tiger.
+ </p>
+ <p>
+ &ldquo;Give me a feast such as men give when they love,&rdquo; she said, &ldquo;and whilst I
+ sleep, slay me, for I know not how to answer thee. Hearken! I am bound
+ like some poor beast to a stake; I am amazed that I have been able to
+ throw a bridge over the abyss which divides us. Intoxicate me, then kill
+ me! Ah, no, no!&rdquo; she cried, joining her hands, &ldquo;do not kill me! I love
+ life! Life is fair to me! If I am a slave, I am a queen too. I could
+ beguile you with words, tell you that I love you alone, prove it to you,
+ profit by my momentary empire to say to you: &lsquo;Take me as one tastes the
+ perfume of a flower when one passes it in a king&rsquo;s garden.&rsquo; Then, after
+ having used the cunning eloquence of woman and soared on the wings of
+ pleasure, after having quenched my thirst, I could have you cast into a
+ pit, where none could find you, which has been made to gratify vengeance
+ without having to fear that of the law, a pit full of lime which would
+ kindle and consume you, until no particle of you were left. You would stay
+ in my heart, mine forever.&rdquo;
+ </p>
+ <p>
+ Henri looked at the girl without trembling, and this fearless gaze filled
+ her with joy.
+ </p>
+ <p>
+ &ldquo;No, I shall not do it! You have fallen into no trap here, but upon the
+ heart of a woman who adores you, and it is I who will be cast into the
+ pit.&rdquo;
+ </p>
+ <p>
+ &ldquo;All this appears to me prodigiously strange,&rdquo; said De Marsay, considering
+ her. &ldquo;But you seem to me a good girl, a strange nature; you are, upon my
+ word of honor, a living riddle, the answer to which is very difficult to
+ find.&rdquo;
+ </p>
+ <p>
+ Paquita understood nothing of what the young man said; she looked at him
+ gently, opening wide eyes which could never be stupid, so much was
+ pleasure written in them.
+ </p>
+ <p>
+ &ldquo;Come, then, my love,&rdquo; she said, returning to her first idea, &ldquo;wouldst
+ thou please me?&rdquo;
+ </p>
+ <p>
+ &ldquo;I would do all that thou wouldst, and even that thou wouldst not,&rdquo;
+ answered De Marsay, with a laugh. He had recovered his foppish ease, as he
+ took the resolve to let himself go to the climax of his good fortune,
+ looking neither before nor after. Perhaps he counted, moreover, on his
+ power and his capacity of a man used to adventures, to dominate this girl
+ a few hours later and learn all her secrets.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; said she, &ldquo;let me arrange you as I would like.&rdquo;
+ </p>
+ <p>
+ Paquita went joyously and took from one of the two chests a robe of red
+ velvet, in which she dressed De Marsay, then adorned his head with a
+ woman&rsquo;s bonnet and wrapped a shawl round him. Abandoning herself to these
+ follies with a child&rsquo;s innocence, she laughed a convulsive laugh, and
+ resembled some bird flapping its wings; but he saw nothing beyond.
+ </p>
+ <p>
+ If it be impossible to paint the unheard-of delights which these two
+ creatures&mdash;made by heaven in a joyous moment&mdash;found, it is
+ perhaps necessary to translate metaphysically the extraordinary and almost
+ fantastic impressions of the young man. That which persons in the social
+ position of De Marsay, living as he lived, are best able to recognize is a
+ girl&rsquo;s innocence. But, strange phenomenon! The girl of the golden eyes
+ might be virgin, but innocent she was certainly not. The fantastic union
+ of the mysterious and the real, of darkness and light, horror and beauty,
+ pleasure and danger, paradise and hell, which had already been met with in
+ this adventure, was resumed in the capricious and sublime being with which
+ De Marsay dallied. All the utmost science or the most refined pleasure,
+ all that Henri could know of that poetry of the senses which is called
+ love, was excelled by the treasures poured forth by this girl, whose
+ radiant eyes gave the lie to none of the promises which they made.
+ </p>
+ <p>
+ She was an Oriental poem, in which shone the sun that Saadi, that Hafiz,
+ have set in their pulsing strophes. Only, neither the rhythm of Saadi, nor
+ that of Pindar, could have expressed the ecstasy&mdash;full of confusion
+ and stupefaction&mdash;which seized the delicious girl when the error in
+ which an iron hand had caused her to live was at an end.
+ </p>
+ <p>
+ &ldquo;Dead!&rdquo; she said, &ldquo;I am dead, Adolphe! Take me away to the world&rsquo;s end, to
+ an island where no one knows us. Let there be no traces of our flight! We
+ should be followed to the gates of hell. God! here is the day! Escape!
+ Shall I ever see you again? Yes, to-morrow I will see you, if I have to
+ deal death to all my warders to have that joy. Till to-morrow.&rdquo;
+ </p>
+ <p>
+ She pressed him in her arms with an embrace in which the terror of death
+ mingled. Then she touched a spring, which must have been in connection
+ with a bell, and implored De Marsay to permit his eyes to be bandaged.
+ </p>
+ <p>
+ &ldquo;And if I would not&mdash;and if I wished to stay here?&rdquo;
+ </p>
+ <p>
+ &ldquo;You would be the death of me more speedily,&rdquo; she said, &ldquo;for now I know I
+ am certain to die on your account.&rdquo;
+ </p>
+ <p>
+ Henri submitted. In the man who had just gorged himself with pleasure
+ there occurs a propensity to forgetfulness, I know not what ingratitude, a
+ desire for liberty, a whim to go elsewhere, a tinge of contempt and,
+ perhaps, of disgust for his idol; in fine, indescribable sentiments which
+ render him ignoble and ashamed. The certainty of this confused, but real,
+ feeling in souls who are not illuminated by that celestial light, nor
+ perfumed with that holy essence from which the performance of sentiment
+ springs, doubtless suggested to Rousseau the adventures of Lord Edward,
+ which conclude the letters of the <i>Nouvelle Heloise</i>. If Rousseau is
+ obviously inspired by the work of Richardson, he departs from it in a
+ thousand details, which leave his achievement magnificently original; he
+ has recommended it to posterity by great ideas which it is difficult to
+ liberate by analysis, when, in one&rsquo;s youth, one reads this work with the
+ object of finding in it the lurid representation of the most physical of
+ our feelings, whereas serious and philosophical writers never employ its
+ images except as the consequence or the corollary of a vast thought; and
+ the adventures of Lord Edward are one of the most Europeanly delicate
+ ideas of the whole work.
+ </p>
+ <p>
+ Henri, therefore, found himself beneath the domination of that confused
+ sentiment which is unknown to true love. There was needful, in some sort,
+ the persuasive grip of comparisons, and the irresistible attraction of
+ memories to lead him back to a woman. True love rules above all through
+ recollection. A woman who is not engraven upon the soul by excess of
+ pleasure or by strength of emotion, how can she ever be loved? In Henri&rsquo;s
+ case, Paquita had established herself by both of these reasons. But at
+ this moment, seized as he was by the satiety of his happiness, that
+ delicious melancholy of the body, he could hardly analyze his heart, even
+ by recalling to his lips the taste of the liveliest gratifications that he
+ had ever grasped.
+ </p>
+ <p>
+ He found himself on the Boulevard Montmartre at the break of day, gazed
+ stupidly at the retreating carriage, produced two cigars from his pocket,
+ lit one from the lantern of a good woman who sold brandy and coffee to
+ workmen and street arabs and chestnut venders&mdash;to all the Parisian
+ populace which begins its work before daybreak; then he went off, smoking
+ his cigar, and putting his hands in his trousers&rsquo; pockets with a
+ devil-may-care air which did him small honor.
+ </p>
+ <p>
+ &ldquo;What a good thing a cigar is! That&rsquo;s one thing a man will never tire of,&rdquo;
+ he said to himself.
+ </p>
+ <p>
+ Of the girl with the golden eyes, over whom at that time all the elegant
+ youth of Paris was mad, he hardly thought. The idea of death, expressed in
+ the midst of their pleasure, and the fear of which had more than once
+ darkened the brow of that beautiful creature, who held to the houris of
+ Asia by her mother, to Europe by her education, to the tropics by her
+ birth, seemed to him merely one of those deceptions by which women seek to
+ make themselves interesting.
+ </p>
+ <p>
+ &ldquo;She is from Havana&mdash;the most Spanish region to be found in the New
+ World. So she preferred to feign terror rather than cast in my teeth
+ indisposition or difficulty, coquetry or duty, like a Parisian woman. By
+ her golden eyes, how glad I shall be to sleep.&rdquo;
+ </p>
+ <p>
+ He saw a hackney coach standing at the corner of Frascati&rsquo;s waiting for
+ some gambler; he awoke the driver, was driven home, went to bed, and slept
+ the sleep of the dissipated, which for some queer reason&mdash;of which no
+ rhymer has yet taken advantage&mdash;is as profound as that of innocence.
+ Perhaps it is an instance of the proverbial axiom, <i>extremes meet</i>.
+ </p>
+ <p>
+ About noon De Marsay awoke and stretched himself; he felt the grip of that
+ sort of voracious hunger which old soldiers can remember having
+ experienced on the morrow of victory. He was delighted, therefore, to see
+ Paul de Manerville standing in front of him, for at such a time nothing is
+ more agreeable than to eat in company.
+ </p>
+ <p>
+ &ldquo;Well,&rdquo; his friend remarked, &ldquo;we all imagined that you had been shut up
+ for the last ten days with the girl of the golden eyes.&rdquo;
+ </p>
+ <p>
+ &ldquo;The girl of the golden eyes! I have forgotten her. Faith! I have other
+ fish to fry!&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah! you are playing at discretion.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why not?&rdquo; asked De Marsay, with a laugh. &ldquo;My dear fellow, discretion is
+ the best form of calculation. Listen&mdash;however, no! I will not say a
+ word. You never teach me anything; I am not disposed to make you a
+ gratuitous present of the treasures of my policy. Life is a river which is
+ of use for the promotion of commerce. In the name of all that is most
+ sacred in life&mdash;of cigars! I am no professor of social economy for
+ the instruction of fools. Let us breakfast! It costs less to give you a
+ tunny omelette than to lavish the resources of my brain on you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Do you bargain with your friends?&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear fellow,&rdquo; said Henri, who rarely denied himself a sarcasm, &ldquo;since
+ all the same, you may some day need, like anybody else, to use discretion,
+ and since I have much love for you&mdash;yes, I like you! Upon my word, if
+ you only wanted a thousand-franc note to keep you from blowing your brains
+ out, you would find it here, for we haven&rsquo;t yet done any business of that
+ sort, eh, Paul? If you had to fight to-morrow, I would measure the ground
+ and load the pistols, so that you might be killed according to rule. In
+ short, if anybody besides myself took it into his head to say ill of you
+ in your absence, he would have to deal with the somewhat nasty gentleman
+ who walks in my shoes&mdash;there&rsquo;s what I call a friendship beyond
+ question. Well, my good fellow, if you should ever have need of
+ discretion, understand that there are two sorts of discretion&mdash;the
+ active and the negative. Negative discretion is that of fools who make use
+ of silence, negation, an air of refusal, the discretion of locked doors&mdash;mere
+ impotence! Active discretion proceeds by affirmation. Suppose at the club
+ this evening I were to say: &lsquo;Upon my word of honor the golden-eyed was not
+ worth all she cost me!&rsquo; Everybody would exclaim when I was gone: &lsquo;Did you
+ hear that fop De Marsay, who tried to make us believe that he has already
+ had the girl of the golden eyes? It&rsquo;s his way of trying to disembarrass
+ himself of his rivals: he&rsquo;s no simpleton.&rsquo; But such a ruse is vulgar and
+ dangerous. However gross a folly one utters, there are always idiots to be
+ found who will believe it. The best form of discretion is that of women
+ when they want to take the change out of their husbands. It consists in
+ compromising a woman with whom we are not concerned, or whom we do not
+ love, in order to save the honor of the one whom we love well enough to
+ respect. It is what is called the <i>woman-screen</i>.... Ah! here is
+ Laurent. What have you got for us?&rdquo;
+ </p>
+ <p>
+ &ldquo;Some Ostend oysters, Monsieur le Comte.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will know some day, Paul, how amusing it is to make a fool of the
+ world by depriving it of the secret of one&rsquo;s affections. I derive an
+ immense pleasure in escaping from the stupid jurisdiction of the crowd,
+ which knows neither what it wants, nor what one wants of it, which takes
+ the means for the end, and by turns curses and adores, elevates and
+ destroys! What a delight to impose emotions on it and receive none from
+ it, to tame it, never to obey it. If one may ever be proud of anything, is
+ it not a self-acquired power, of which one is at once the cause and
+ effect, the principle and the result? Well, no man knows what I love, nor
+ what I wish. Perhaps what I have loved, or what I may have wished will be
+ known, as a drama which is accomplished is known; but to let my game be
+ seen&mdash;weakness, mistake! I know nothing more despicable than strength
+ outwitted by cunning. Can I initiate myself with a laugh into the
+ ambassador&rsquo;s part, if indeed diplomacy is as difficult as life? I doubt
+ it. Have you any ambition? Would you like to become something?&rdquo;
+ </p>
+ <p>
+ &ldquo;But, Henri, you are laughing at me&mdash;as though I were not
+ sufficiently mediocre to arrive at anything.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good Paul! If you go on laughing at yourself, you will soon be able to
+ laugh at everybody else.&rdquo;
+ </p>
+ <p>
+ At breakfast, by the time he had started his cigars, De Marsay began to
+ see the events of the night in a singular light. Like many men of great
+ intelligence, his perspicuity was not spontaneous, as it did not at once
+ penetrate to the heart of things. As with all natures endowed with the
+ faculty of living greatly in the present, of extracting, so to speak, the
+ essence of it and assimilating it, his second-sight had need of a sort of
+ slumber before it could identify itself with causes. Cardinal de Richelieu
+ was so constituted, and it did not debar in him the gift of foresight
+ necessary to the conception of great designs.
+ </p>
+ <p>
+ De Marsay&rsquo;s conditions were alike, but at first he only used his weapons
+ for the benefit of his pleasures, and only became one of the most profound
+ politicians of his day when he had saturated himself with those pleasures
+ to which a young man&rsquo;s thoughts&mdash;when he has money and power&mdash;are
+ primarily directed. Man hardens himself thus: he uses woman in order that
+ she may not make use of him.
+ </p>
+ <p>
+ At this moment, then, De Marsay perceived that he had been fooled by the
+ girl of the golden eyes, seeing, as he did, in perspective, all that night
+ of which the delights had been poured upon him by degrees until they had
+ ended by flooding him in torrents. He could read, at last, that page in
+ effect so brilliant, divine its hidden meaning. The purely physical
+ innocence of Paquita, the bewilderment of her joy, certain words, obscure
+ at first, but now clear, which had escaped her in the midst of that joy,
+ all proved to him that he had posed for another person. As no social
+ corruption was unknown to him, as he professed a complete indifference
+ towards all perversities, and believed them to be justified on the simple
+ ground that they were capable of satisfaction, he was not startled at
+ vice, he knew it as one knows a friend, but he was wounded at having
+ served as sustenance for it. If his presumption was right, he had been
+ outraged in the most sensitive part of him. The mere suspicion filled him
+ with fury, he broke out with the roar of a tiger who has been the sport of
+ a deer, the cry of a tiger which united a brute&rsquo;s strength with the
+ intelligence of the demon.
+ </p>
+ <p>
+ &ldquo;I say, what is the matter with you?&rdquo; asked Paul.
+ </p>
+ <p>
+ &ldquo;Nothing!&rdquo;
+ </p>
+ <p>
+ &ldquo;I should be sorry, if you were to be asked whether you had anything
+ against me and were to reply with a <i>nothing</i> like that! It would be
+ a sure case of fighting the next day.&rdquo;
+ </p>
+ <p>
+ &ldquo;I fight no more duels,&rdquo; said De Marsay.
+ </p>
+ <p>
+ &ldquo;That seems to me even more tragical. Do you assassinate, then?&rdquo;
+ </p>
+ <p>
+ &ldquo;You travesty words. I execute.&rdquo;
+ </p>
+ <p>
+ &ldquo;My dear friend,&rdquo; said Paul, &ldquo;your jokes are of a very sombre color this
+ morning.&rdquo;
+ </p>
+ <p>
+ &ldquo;What would you have? Pleasure ends in cruelty. Why? I don&rsquo;t know, and am
+ not sufficiently curious to try and find out.... These cigars are
+ excellent. Give your friend some tea. Do you know, Paul, I live a brute&rsquo;s
+ life? It should be time to choose oneself a destiny, to employ one&rsquo;s
+ powers on something which makes life worth living. Life is a singular
+ comedy. I am frightened, I laugh at the inconsequence of our social order.
+ The Government cuts off the heads of poor devils who may have killed a man
+ and licenses creatures who despatch, medically speaking, a dozen young
+ folks in a season. Morality is powerless against a dozen vices which
+ destroy society and which nothing can punish.&mdash;Another cup!&mdash;Upon
+ my word of honor! man is a jester dancing upon a precipice. They talk to
+ us about the immorality of the <i>Liaisons Dangereuses</i>, and any other
+ book you like with a vulgar reputation; but there exists a book, horrible,
+ filthy, fearful, corrupting, which is always open and will never be shut,
+ the great book of the world; not to mention another book, a thousand times
+ more dangerous, which is composed of all that men whisper into each
+ other&rsquo;s ears, or women murmur behind their fans, of an evening in
+ society.&rdquo;
+ </p>
+ <p>
+ &ldquo;Henri, there is certainly something extraordinary the matter with you;
+ that is obvious in spite of your active discretion.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes!... Come, I must kill the time until this evening. Let&rsquo;s to the
+ tables.... Perhaps I shall have the good luck to lose.&rdquo;
+ </p>
+ <p>
+ De Marsay rose, took a handful of banknotes and folded them into his
+ cigar-case, dressed himself, and took advantage of Paul&rsquo;s carriage to
+ repair to the Salon des Etrangers, where until dinner he consumed the time
+ in those exciting alternations of loss and gain which are the last
+ resource of powerful organizations when they are compelled to exercise
+ themselves in the void. In the evening he repaired to the trysting-place
+ and submitted complacently to having his eyes bandaged. Then, with that
+ firm will which only really strong men have the faculty of concentrating,
+ he devoted his attention and applied his intelligence to the task of
+ divining through what streets the carriage passed. He had a sort of
+ certitude of being taken to the Rue Saint-Lazare, and being brought to a
+ halt at the little gate in the garden of the Hotel San-Real. When he
+ passed, as on the first occasion, through this gate, and was put in a
+ litter, carried, doubtless by the mulatto and the coachman, he understood,
+ as he heard the gravel grate beneath their feet, why they took such minute
+ precautions. He would have been able, had he been free, or if he had
+ walked, to pluck a twig of laurel, to observe the nature of the soil which
+ clung to his boots; whereas, transported, so to speak, ethereally into an
+ inaccessible mansion, his good fortune must remain what it had been
+ hitherto, a dream. But it is man&rsquo;s despair that all his work, whether for
+ good or evil, is imperfect. All his labors, physical or intellectual, are
+ sealed with the mark of destruction. There had been a gentle rain, the
+ earth was moist. At night-time certain vegetable perfumes are far stronger
+ than during the day; Henri could smell, therefore, the scent of the
+ mignonette which lined the avenue along which he was conveyed. This
+ indication was enough to light him in the researches which he promised
+ himself to make in order to recognize the hotel which contained Paquita&rsquo;s
+ boudoir. He studied in the same way the turnings which his bearers took
+ within the house, and believed himself able to recall them.
+ </p>
+ <p>
+ As on the previous night, he found himself on the ottoman before Paquita,
+ who was undoing his bandage; but he saw her pale and altered. She had
+ wept. On her knees like an angel in prayer, but like an angel profoundly
+ sad and melancholy, the poor girl no longer resembled the curious,
+ impatient, and impetuous creature who had carried De Marsay on her wings
+ to transport him to the seventh heaven of love. There was something so
+ true in this despair veiled by pleasure, that the terrible De Marsay felt
+ within him an admiration for this new masterpiece of nature, and forgot,
+ for the moment, the chief interest of his assignation.
+ </p>
+ <p>
+ &ldquo;What is the matter with thee, my Paquita?&rdquo;
+ </p>
+ <p>
+ &ldquo;My friend,&rdquo; she said, &ldquo;carry me away this very night. Bear me to some
+ place where no one can answer: &lsquo;There is a girl with a golden gaze here,
+ who has long hair.&rsquo; Yonder I will give thee as many pleasures as thou
+ wouldst have of me. Then when you love me no longer, you shall leave me, I
+ shall not complain, I shall say nothing; and your desertion need cause you
+ no remorse, for one day passed with you, only one day, in which I have had
+ you before my eyes, will be worth all my life to me. But if I stay here, I
+ am lost.&rdquo;
+ </p>
+ <p>
+ &ldquo;I cannot leave Paris, little one!&rdquo; replied Henri. &ldquo;I do not belong to
+ myself, I am bound by a vow to the fortune of several persons who stand to
+ me, as I do to them. But I can place you in a refuge in Paris, where no
+ human power can reach you.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she said, &ldquo;you forget the power of woman.&rdquo;
+ </p>
+ <p>
+ Never did phrase uttered by human voice express terror more absolutely.
+ </p>
+ <p>
+ &ldquo;What could reach you, then, if I put myself between you and the world?&rdquo;
+ </p>
+ <p>
+ &ldquo;Poison!&rdquo; she said. &ldquo;Dona Concha suspects you already... and,&rdquo; she
+ resumed, letting the tears fall and glisten on her cheeks, &ldquo;it is easy
+ enough to see I am no longer the same. Well, if you abandon me to the fury
+ of the monster who will destroy me, your holy will be done! But come, let
+ there be all the pleasures of life in our love. Besides, I will implore, I
+ will weep and cry out and defend myself; perhaps I shall be saved.&rdquo;
+ </p>
+ <p>
+ &ldquo;Whom will your implore?&rdquo; he asked.
+ </p>
+ <p>
+ &ldquo;Silence!&rdquo; said Paquita. &ldquo;If I obtain mercy it will perhaps be on account
+ of my discretion.&rdquo;
+ </p>
+ <p>
+ &ldquo;Give me my robe,&rdquo; said Henri, insidiously.
+ </p>
+ <p>
+ &ldquo;No, no!&rdquo; she answered quickly, &ldquo;be what you are, one of those angels whom
+ I have been taught to hate, and in whom I only saw ogres, whilst you are
+ what is fairest under the skies,&rdquo; she said, caressing Henri&rsquo;s hair. &ldquo;You
+ do not know how silly I am. I have learned nothing. Since I was twelve
+ years old I have been shut up without ever seeing any one. I can neither
+ read nor write, I can only speak English and Spanish.&rdquo;
+ </p>
+ <p>
+ &ldquo;How is it, then, that you receive letters from London?&rdquo;
+ </p>
+ <p>
+ &ldquo;My letters?... See, here they are!&rdquo; she said, proceeding to take some
+ papers out of a tall Japanese vase.
+ </p>
+ <p>
+ She offered De Marsay some letters, in which the young man saw, with
+ surprise, strange figures, similar to those of a rebus, traced in blood,
+ and illustrating phrases full of passion.
+ </p>
+ <p>
+ &ldquo;But,&rdquo; he cried, marveling at these hieroglyphics created by the alertness
+ of jealousy, &ldquo;you are in the power of an infernal genius?&rdquo;
+ </p>
+ <p>
+ &ldquo;Infernal,&rdquo; she repeated.
+ </p>
+ <p>
+ &ldquo;But how, then, were you able to get out?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah!&rdquo; she said, &ldquo;that was my ruin. I drove Dona Concha to choose between
+ the fear of immediate death and anger to be. I had the curiosity of a
+ demon, I wished to break the bronze circle which they had described
+ between creation and me, I wished to see what young people were like, for
+ I knew nothing of man except the Marquis and Cristemio. Our coachman and
+ the lackey who accompanies us are old men....&rdquo;
+ </p>
+ <p>
+ &ldquo;But you were not always thus shut up? Your health...?&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah,&rdquo; she answered, &ldquo;we used to walk, but it was at night and in the
+ country, by the side of the Seine, away from people.&rdquo;
+ </p>
+ <p>
+ &ldquo;Are you not proud of being loved like that?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she said, &ldquo;no longer. However full it be, this hidden life is but
+ darkness in comparison with the light.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you call the light?&rdquo;
+ </p>
+ <p>
+ &ldquo;Thee, my lovely Adolphe! Thee, for whom I would give my life. All the
+ passionate things that have been told me, and that I have inspired, I feel
+ for thee! For a certain time I understood nothing of existence, but now I
+ know what love is, and hitherto I have been the loved one only; for
+ myself, I did not love. I would give up everything for you, take me away.
+ If you like, take me as a toy, but let me be near you until you break me.&rdquo;
+ </p>
+ <p>
+ &ldquo;You will have no regrets?&rdquo;
+ </p>
+ <p>
+ &ldquo;Not one&rdquo;! she said, letting him read her eyes, whose golden tint was pure
+ and clear.
+ </p>
+ <p>
+ &ldquo;Am I the favored one?&rdquo; said Henri to himself. If he suspected the truth,
+ he was ready at that time to pardon the offence in view of a love so
+ single minded. &ldquo;I shall soon see,&rdquo; he thought.
+ </p>
+ <p>
+ If Paquita owed him no account of the past, yet the least recollection of
+ it became in his eyes a crime. He had therefore the sombre strength to
+ withhold a portion of his thought, to study her, even while abandoning
+ himself to the most enticing pleasures that ever peri descended from the
+ skies had devised for her beloved.
+ </p>
+ <p>
+ Paquita seemed to have been created for love by a particular effort of
+ nature. In a night her feminine genius had made the most rapid progress.
+ Whatever might be the power of this young man, and his indifference in the
+ matter of pleasures, in spite of his satiety of the previous night, he
+ found in the girl with the golden eyes that seraglio which a loving woman
+ knows how to create and which a man never refuses. Paquita responded to
+ that passion which is felt by all really great men for the infinite&mdash;that
+ mysterious passion so dramatically expressed in Faust, so poetically
+ translated in Manfred, and which urged Don Juan to search the heart of
+ women, in his hope to find there that limitless thought in pursuit of
+ which so many hunters after spectres have started, which wise men think to
+ discover in science, and which mystics find in God alone. The hope of
+ possessing at last the ideal being with whom the struggle could be
+ constant and tireless ravished De Marsay, who, for the first time for
+ long, opened his heart. His nerves expanded, his coldness was dissipated
+ in the atmosphere of that ardent soul, his hard and fast theories melted
+ away, and happiness colored his existence to the tint of the rose and
+ white boudoir. Experiencing the sting of a higher pleasure, he was carried
+ beyond the limits within which he had hitherto confined passion. He would
+ not be surpassed by this girl, whom a somewhat artificial love had formed
+ all ready for the needs of his soul, and then he found in that vanity
+ which urges a man to be in all things a victor, strength enough to tame
+ the girl; but, at the same time, urged beyond that line where the soul is
+ mistress over herself, he lost himself in these delicious limboes, which
+ the vulgar call so foolishly &ldquo;the imaginary regions.&rdquo; He was tender, kind,
+ and confidential. He affected Paquita almost to madness.
+ </p>
+ <p>
+ &ldquo;Why should we not go to Sorrento, to Nice, to Chiavari, and pass all our
+ life so? Will you?&rdquo; he asked of Paquita, in a penetrating voice.
+ </p>
+ <p>
+ &ldquo;Was there need to say to me: &lsquo;Will you&rsquo;?&rdquo; she cried. &ldquo;Have I a will? I am
+ nothing apart from you, except in so far as I am a pleasure for you. If
+ you would choose a retreat worthy of us, Asia is the only country where
+ love can unfold his wings....&rdquo;
+ </p>
+ <p>
+ &ldquo;You are right,&rdquo; answered Henri. &ldquo;Let us go to the Indies, there where
+ spring is eternal, where the earth grows only flowers, where man can
+ display the magnificence of kings and none shall say him nay, as in the
+ foolish lands where they would realize the dull chimera of equality. Let
+ us go to the country where one lives in the midst of a nation of slaves,
+ where the sun shines ever on a palace which is always white, where the air
+ sheds perfumes, the birds sing of love and where, when one can love no
+ more, one dies....&rdquo;
+ </p>
+ <p>
+ &ldquo;And where one dies together!&rdquo; said Paquita. &ldquo;But do not let us start
+ to-morrow, let us start this moment... take Cristemio.&rdquo;
+ </p>
+ <p>
+ &ldquo;Faith! pleasure is the fairest climax of life. Let us go to Asia; but to
+ start, my child, one needs much gold, and to have gold one must set one&rsquo;s
+ affairs in order.&rdquo;
+ </p>
+ <p>
+ She understood no part of these ideas.
+ </p>
+ <p>
+ &ldquo;Gold! There is a pile of it here&mdash;as high as that,&rdquo; she said holding
+ up her hand.
+ </p>
+ <p>
+ &ldquo;It is not mine.&rdquo;
+ </p>
+ <p>
+ &ldquo;What does that matter?&rdquo; she went on; &ldquo;if we have need of it let us take
+ it.&rdquo;
+ </p>
+ <p>
+ &ldquo;It does not belong to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Belong!&rdquo; she repeated. &ldquo;Have you not taken me? When we have taken it, it
+ will belong to us.&rdquo;
+ </p>
+ <p>
+ He gave a laugh.
+ </p>
+ <p>
+ &ldquo;Poor innocent! You know nothing of the world.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nay, but this is what I know,&rdquo; she cried, clasping Henri to her.
+ </p>
+ <p>
+ At the very moment when De Marsay was forgetting all, and conceiving the
+ desire to appropriate this creature forever, he received in the midst of
+ his joy a dagger-thrust, which Paquita, who had lifted him vigorously in
+ the air, as though to contemplate him, exclaimed: &ldquo;Oh, Margarita!&rdquo;
+ </p>
+ <p>
+ &ldquo;Margarita!&rdquo; cried the young man, with a roar; &ldquo;now I know all that I
+ still tried to disbelieve.&rdquo;
+ </p>
+ <p>
+ He leaped upon the cabinet in which the long poniard was kept. Happily for
+ Paquita and for himself, the cupboard was shut. His fury waxed at this
+ impediment, but he recovered his tranquillity, went and found his cravat,
+ and advanced towards her with an air of such ferocious meaning that,
+ without knowing of what crime she had been guilty, Paquita understood,
+ none the less, that her life was in question. With one bound she rushed to
+ the other end of the room to escape the fatal knot which De Marsay tried
+ to pass round her neck. There was a struggle. On either side there was an
+ equality of strength, agility, and suppleness. To end the combat Paquita
+ threw between the legs of her lover a cushion which made him fall, and
+ profited by the respite which this advantage gave to her, to push the
+ button of the spring which caused the bell to ring. Promptly the mulatto
+ arrived. In a second Cristemio leaped on De Marsay and held him down with
+ one foot on his chest, his heel turned towards the throat. De Marsay
+ realized that, if he struggled, at a single sign from Paquita he would be
+ instantly crushed.
+ </p>
+ <p>
+ &ldquo;Why did you want to kill me, my beloved?&rdquo; she said. De Marsay made no
+ reply.
+ </p>
+ <p>
+ &ldquo;In what have I angered you?&rdquo; she asked. &ldquo;Speak, let us understand each
+ other.&rdquo;
+ </p>
+ <p>
+ Henri maintained the phlegmatic attitude of a strong man who feels himself
+ vanquished; his countenance, cold, silent, entirely English, revealed the
+ consciousness of his dignity in a momentary resignation. Moreover, he had
+ already thought, in spite of the vehemence of his anger, that it was
+ scarcely prudent to compromise himself with the law by killing this girl
+ on the spur of the moment, before he had arranged the murder in such a
+ manner as should insure his impunity.
+ </p>
+ <p>
+ &ldquo;My beloved,&rdquo; went on Paquita, &ldquo;speak to me; do not leave me without one
+ loving farewell! I would not keep in my heart the terror which you have
+ just inspired in it.... Will you speak?&rdquo; she said, stamping her foot with
+ anger.
+ </p>
+ <p>
+ De Marsay, for all reply, gave her a glance, which signified so plainly, &ldquo;<i>You
+ must die!</i>&rdquo; that Paquita threw herself upon him.
+ </p>
+ <p>
+ &ldquo;Ah, well, you want to kill me!... If my death can give you any pleasure&mdash;kill
+ me!&rdquo;
+ </p>
+ <p>
+ She made a sign to Cristemio, who withdrew his foot from the body of the
+ young man, and retired without letting his face show that he had formed
+ any opinion, good or bad, with regard to Paquita.
+ </p>
+ <p>
+ &ldquo;That is a man,&rdquo; said De Marsay, pointing to the mulatto, with a sombre
+ gesture. &ldquo;There is no devotion like the devotion which obeys in
+ friendship, and does not stop to weigh motives. In that man you possess a
+ true friend.&rdquo;
+ </p>
+ <p>
+ &ldquo;I will give him you, if you like,&rdquo; she answered; &ldquo;he will serve you with
+ the same devotion that he has for me, if I so instruct him.&rdquo;
+ </p>
+ <p>
+ She waited for a word of recognition, and went on with an accent replete
+ with tenderness:
+ </p>
+ <p>
+ &ldquo;Adolphe, give me then one kind word!... It is nearly day.&rdquo;
+ </p>
+ <p>
+ Henri did not answer. The young man had one sorry quality, for one
+ considers as something great everything which resembles strength, and
+ often men invent extravagances. Henri knew not how to pardon. That <i>returning
+ upon itself</i> which is one of the soul&rsquo;s graces, was a non-existent
+ sense for him. The ferocity of the Northern man, with which the English
+ blood is deeply tainted, had been transmitted to him by his father. He was
+ inexorable both in his good and evil impulses. Paquita&rsquo;s exclamation had
+ been all the more horrible to him, in that it had dethroned him from the
+ sweetest triumph which had ever flattered his man&rsquo;s vanity. Hope, love,
+ and every emotion had been exalted with him, all had lit up within his
+ heart and his intelligence, then these torches illuminating his life had
+ been extinguished by a cold wind. Paquita, in her stupefaction of grief,
+ had only strength enough to give the signal for departure.
+ </p>
+ <p>
+ &ldquo;What is the use of that!&rdquo; she said, throwing away the bandage. &ldquo;If he
+ does not love me, if he hates me, it is all over.&rdquo;
+ </p>
+ <p>
+ She waited for one look, did not obtain it, and fell, half dead. The
+ mulatto cast a glance at Henri, so horribly significant, that, for the
+ first time in his life, the young man, to whom no one denied the gift of
+ rare courage, trembled. &ldquo;<i>If you do not love her well, if you give her
+ the least pain, I will kill you</i>.&rdquo; such was the sense of that brief
+ gaze. De Marsay was escorted, with a care almost obsequious, along the
+ dimly lit corridor, at the end of which he issued by a secret door into
+ the garden of the Hotel San-Real. The mulatto made him walk cautiously
+ through an avenue of lime trees, which led to a little gate opening upon a
+ street which was at that hour deserted. De Marsay took a keen notice of
+ everything. The carriage awaited him. This time the mulatto did not
+ accompany him, and at the moment when Henri put his head out of the window
+ to look once more at the gardens of the hotel, he encountered the white
+ eyes of Cristemio, with whom he exchanged a glance. On either side there
+ was a provocation, a challenge, the declaration of a savage war, of a duel
+ in which ordinary laws were invalid, where treason and treachery were
+ admitted means. Cristemio knew that Henri had sworn Paquita&rsquo;s death. Henri
+ knew that Cristemio would like to kill him before he killed Paquita. Both
+ understood each other to perfection.
+ </p>
+ <p>
+ &ldquo;The adventure is growing complicated in a most interesting way,&rdquo; said
+ Henri.
+ </p>
+ <p>
+ &ldquo;Where is the gentleman going to?&rdquo; asked the coachman.
+ </p>
+ <p>
+ De Marsay was driven to the house of Paul de Manerville. For more than a
+ week Henri was away from home, and no one could discover either what he
+ did during this period, nor where he stayed. This retreat saved him from
+ the fury of the mulatto and caused the ruin of the charming creature who
+ had placed all her hope in him whom she loved as never human heart had
+ loved on this earth before. On the last day of the week, about eleven
+ o&rsquo;clock at night, Henri drove up in a carriage to the little gate in the
+ garden of the Hotel San-Real. Four men accompanied him. The driver was
+ evidently one of his friends, for he stood up on his box, like a man who
+ was to listen, an attentive sentinel, for the least sound. One of the
+ other three took his stand outside the gate in the street; the second
+ waited in the garden, leaning against the wall; the last, who carried in
+ his hand a bunch of keys, accompanied De Marsay.
+ </p>
+ <p>
+ &ldquo;Henri,&rdquo; said his companion to him, &ldquo;we are betrayed.&rdquo;
+ </p>
+ <p>
+ &ldquo;By whom, my good Ferragus?&rdquo;
+ </p>
+ <p>
+ &ldquo;They are not all asleep,&rdquo; replied the chief of the Devourers; &ldquo;it is
+ absolutely certain that some one in the house has neither eaten nor
+ drunk.... Look! see that light!&rdquo;
+ </p>
+ <p>
+ &ldquo;We have a plan of the house; from where does it come?&rdquo;
+ </p>
+ <p>
+ &ldquo;I need no plan to know,&rdquo; replied Ferragus; &ldquo;it comes from the room of the
+ Marquise.&rdquo;
+ </p>
+ <p>
+ &ldquo;Ah,&rdquo; cried De Marsay, &ldquo;no doubt she arrived from London to-day. The woman
+ has robbed me even of my revenge! But if she has anticipated me, my good
+ Gratien, we will give her up to the law.&rdquo;
+ </p>
+ <p>
+ &ldquo;Listen, listen!... The thing is settled,&rdquo; said Ferragus to Henri.
+ </p>
+ <p>
+ The two friends listened intently, and heard some feeble cries which might
+ have aroused pity in the breast of a tiger.
+ </p>
+ <p>
+ &ldquo;Your marquise did not think the sound would escape by the chimney,&rdquo; said
+ the chief of the Devourers, with the laugh of a critic, enchanted to
+ detect a fault in a work of merit.
+ </p>
+ <p>
+ &ldquo;We alone, we know how to provide for every contingency,&rdquo; said Henri.
+ &ldquo;Wait for me. I want to see what is going on upstairs&mdash;I want to know
+ how their domestic quarrels are managed. By God! I believe she is roasting
+ her at a slow fire.&rdquo;
+ </p>
+ <p>
+ De Marsay lightly scaled the stairs, with which he was familiar, and
+ recognized the passage leading to the boudoir. When he opened the door he
+ experienced the involuntary shudder which the sight of bloodshed gives to
+ the most determined of men. The spectacle which was offered to his view
+ was, moreover, in more than one respect astonishing to him. The Marquise
+ was a woman; she had calculated her vengeance with that perfection of
+ perfidy which distinguishes the weaker animals. She had dissimulated her
+ anger in order to assure herself of the crime before she punished it.
+ </p>
+ <p>
+ &ldquo;Too late, my beloved!&rdquo; said Paquita, in her death agony, casting her pale
+ eyes upon De Marsay.
+ </p>
+ <p>
+ The girl of the golden eyes expired in a bath of blood. The great
+ illumination of candles, a delicate perfume which was perceptible, a
+ certain disorder, in which the eye of a man accustomed to amorous
+ adventures could not but discern the madness which is common to all the
+ passions, revealed how cunningly the Marquise had interrogated the guilty
+ one. The white room, where the blood showed so well, betrayed a long
+ struggle. The prints of Paquita&rsquo;s hands were on the cushions. Here she had
+ clung to her life, here she had defended herself, here she had been
+ struck. Long strips of the tapestry had been torn down by her bleeding
+ hands, which, without a doubt, had struggled long. Paquita must have tried
+ to reach the window; her bare feet had left their imprints on the edge of
+ the divan, along which she must have run. Her body, mutilated by the
+ dagger-thrusts of her executioner, told of the fury with which she had
+ disputed a life which Henri had made precious to her. She lay stretched on
+ the floor, and in her death-throes had bitten the ankles of Madame de
+ San-Real, who still held in her hand her dagger, dripping blood. The hair
+ of the Marquise had been torn out, she was covered with bites, many of
+ which were bleeding, and her torn dress revealed her in a state of
+ semi-nudity, with the scratches on her breasts. She was sublime so. Her
+ head, eager and maddened, exhaled the odor of blood. Her panting mouth was
+ open, and her nostrils were not sufficient for her breath. There are
+ certain animals who fall upon their enemy in their rage, do it to death,
+ and seem in the tranquillity of victory to have forgotten it. There are
+ others who prowl around their victim, who guard it in fear lest it should
+ be taken away from them, and who, like the Achilles of Homer, drag their
+ enemy by the feet nine times round the walls of Troy. The Marquise was
+ like that. She did not see Henri. In the first place, she was too secure
+ of her solitude to be afraid of witnesses; and, secondly, she was too
+ intoxicated with warm blood, too excited with the fray, too exalted, to
+ take notice of the whole of Paris, if Paris had formed a circle round her.
+ A thunderbolt would not have disturbed her. She had not even heard
+ Paquita&rsquo;s last sigh, and believed that the dead girl could still hear her.
+ </p>
+ <p>
+ &ldquo;Die without confessing!&rdquo; she said. &ldquo;Go down to hell, monster of
+ ingratitude; belong to no one but the fiend. For the blood you gave him
+ you owe me all your own! Die, die, suffer a thousand deaths! I have been
+ too kind&mdash;I was only a moment killing you. I should have made you
+ experience all the tortures that you have bequeathed to me. I&mdash;I
+ shall live! I shall live in misery. I have no one left to love but God!&rdquo;
+ </p>
+ <p>
+ She gazed at her.
+ </p>
+ <p>
+ &ldquo;She is dead!&rdquo; she said to herself, after a pause, in a violent reaction.
+ &ldquo;Dead! Oh, I shall die of grief!&rdquo;
+ </p>
+ <p>
+ The Marquise was throwing herself upon the divan, stricken with a despair
+ which deprived her of speech, when this movement brought her in view of
+ Henri de Marsay.
+ </p>
+ <p>
+ &ldquo;Who are you?&rdquo; she asked, rushing at him with her dagger raised.
+ </p>
+ <p>
+ Henri caught her arm, and thus they could contemplate each other face to
+ face. A horrible surprise froze the blood in their veins, and their limbs
+ quivered like those of frightened horses. In effect, the two Menoechmi had
+ not been more alike. With one accord they uttered the same phrase:
+ </p>
+ <p>
+ &ldquo;Lord Dudley must have been your father!&rdquo;
+ </p>
+ <p>
+ The head of each was drooped in affirmation.
+ </p>
+ <p>
+ &ldquo;She was true to the blood,&rdquo; said Henri, pointing to Paquita.
+ </p>
+ <p>
+ &ldquo;She was as little guilty as it is possible to be,&rdquo; replied Margarita
+ Euphemia Porraberil, and she threw herself upon the body of Paquita,
+ giving vent to a cry of despair. &ldquo;Poor child! Oh, if I could bring thee to
+ life again! I was wrong&mdash;forgive me, Paquita! Dead! and I live! I&mdash;I
+ am the most unhappy.&rdquo;
+ </p>
+ <p>
+ At that moment the horrible face of the mother of Paquita appeared.
+ </p>
+ <p>
+ &ldquo;You are come to tell me that you never sold her to me to kill,&rdquo; cried the
+ Marquise. &ldquo;I know why you have left your lair. I will pay you twice over.
+ Hold your peace.&rdquo;
+ </p>
+ <p>
+ She took a bag of gold from the ebony cabinet, and threw it contemptuously
+ at the old woman&rsquo;s feet. The chink of the gold was potent enough to excite
+ a smile on the Georgian&rsquo;s impassive face.
+ </p>
+ <p>
+ &ldquo;I come at the right moment for you, my sister,&rdquo; said Henri. &ldquo;The law will
+ ask of you&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;Nothing,&rdquo; replied the Marquise. &ldquo;One person alone might ask for a
+ reckoning for the death of this girl. Cristemio is dead.&rdquo;
+ </p>
+ <p>
+ &ldquo;And the mother,&rdquo; said Henri, pointing to the old woman. &ldquo;Will you not
+ always be in her power?&rdquo;
+ </p>
+ <p>
+ &ldquo;She comes from a country where women are not beings, but things&mdash;chattels,
+ with which one does as one wills, which one buys, sells, and slays; in
+ short, which one uses for one&rsquo;s caprices as you, here, use a piece of
+ furniture. Besides, she has one passion which dominates all the others,
+ and which would have stifled her maternal love, even if she had loved her
+ daughter, a passion&mdash;&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;What?&rdquo; Henri asked quickly, interrupting his sister.
+ </p>
+ <p>
+ &ldquo;Play! God keep you from it,&rdquo; answered the Marquise.
+ </p>
+ <p>
+ &ldquo;But whom have you,&rdquo; said Henri, looking at the girl of the golden eyes,
+ &ldquo;who will help you to remove the traces of this fantasy which the law
+ would not overlook?&rdquo;
+ </p>
+ <p>
+ &ldquo;I have her mother,&rdquo; replied the Marquise, designating the Georgian, to
+ whom she made a sign to remain.
+ </p>
+ <p>
+ &ldquo;We shall meet again,&rdquo; said Henri, who was thinking anxiously of his
+ friends and felt that it was time to leave.
+ </p>
+ <p>
+ &ldquo;No, brother,&rdquo; she said, &ldquo;we shall not meet again. I am going back to
+ Spain to enter the Convent of <i>los Dolores</i>.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are too young yet, too lovely,&rdquo; said Henri, taking her in his arms
+ and giving her a kiss.
+ </p>
+ <p>
+ &ldquo;Good-bye,&rdquo; she said; &ldquo;there is no consolation when you have lost that
+ which has seemed to you the infinite.&rdquo;
+ </p>
+ <p>
+ A week later Paul de Manerville met De Marsay in the Tuileries, on the
+ Terrasse de Feuillants.
+ </p>
+ <p>
+ &ldquo;Well, what has become of our beautiful girl of the golden eyes, you
+ rascal?&rdquo;
+ </p>
+ <p>
+ &ldquo;She is dead.&rdquo;
+ </p>
+ <p>
+ &ldquo;What of?&rdquo;
+ </p>
+ <p>
+ &ldquo;Consumption.&rdquo;
+ </p>
+ <p>
+ PARIS, March 1834-April 1835.
+ </p>
+ <p>
+ <a name="link2H_4_0014" id="link2H_4_0014">
+ <!-- H2 anchor --> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ ADDENDUM
+ </h2>
+<pre xml:space="preserve">
+ Note: The Girl with the Golden Eyes is the third part of a trilogy.
+ Part one is entitled Ferragus and part two is The Duchesse de
+ Langeais. In other addendum references all three stories are usually
+ combined under the title The Thirteen.
+</pre>
+ <p>
+ The following personages appear in other stories of the Human Comedy.
+ </p>
+<pre xml:space="preserve">
+ Bourignard, Gratien-Henri-Victor-Jean-Joseph
+ Ferragus
+
+ Dudley, Lord
+ The Lily of the Valley
+ A Man of Business
+ Another Study of Woman
+ A Daughter of Eve
+
+ Manerville, Paul Francois-Joseph, Comte de
+ The Ball at Sceaux
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Marriage Settlement
+
+ Marsay, Henri de
+ Ferragus
+ The Duchesse of Langeais
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+ Ronquerolles, Marquis de
+ The Imaginary Mistress
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ Ferragus
+ The Duchesse of Langeais
+ The Member for Arcis
+</pre>
+ <p>
+ <br /> <br />
+ </p>
+ <hr />
+ <p>
+ <br /> <br />
+ </p>
+<pre xml:space="preserve">
+
+
+
+
+
+End of the Project Gutenberg EBook of The Thirteen, by Honore de Balzac
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+</pre>
+ </body>
+</html>
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+The Project Gutenberg EBook of The Thirteen, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: The Thirteen
+
+Author: Honore de Balzac
+
+Translator: Katharine Prescott Wormeley and Ellen Marriage
+
+Release Date: Release Date: February, 2005 [EBook #7416]
+Posting Date: March 7, 2010
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE THIRTEEN ***
+
+
+
+
+Produced by John Bickers, Bonnie Sala, and Dagny
+
+
+
+
+
+THE THIRTEEN
+
+
+By Honore De Balzac
+
+
+Translated by Katharine Prescott Wormeley and Ellen Marriage
+
+
+
+
+ DEDICATION
+
+ To Hector Berlioz.
+
+
+
+
+INTRODUCTION
+
+The _Histoire des Treize_ consists--or rather is built up--of three
+stories: _Ferragus_ or the _Rue Soly_, _La Duchesse de Langeais_ or _Ne
+touchez-paz a la hache_, and _La Fille aux Yeux d'Or_.
+
+
+To tell the truth, there is more power than taste throughout the
+_Histoire des Treize_, and perhaps not very much less unreality than
+power. Balzac is very much better than Eugene Sue, though Eugene Sue
+also is better than it is the fashion to think him just now. But he is
+here, to a certain extent competing with Sue on the latter's own ground.
+The notion of the "Devorants"--of a secret society of men devoted to
+each other's interests, entirely free from any moral or legal scruple,
+possessed of considerable means in wealth, ability, and position, all
+working together, by fair means or foul, for good ends or bad--is,
+no doubt, rather seducing to the imagination at all times; and it so
+happened that it was particularly seducing to the imagination of
+that time. And its example has been powerful since; it gave us Mr.
+Stevenson's _New Arabian Nights_ only, as it were, the other day.
+
+But there is something a little schoolboyish in it; and I do not know
+that Balzac has succeeded entirely in eliminating this something. The
+pathos of the death, under persecution, of the innocent Clemence does
+not entirely make up for the unreasonableness of the whole situation.
+Nobody can say that the abominable misconduct of Maulincour--who is a
+hopeless "cad"--is too much punished, though an Englishman may think
+that Dr. Johnson's receipt of three or four footmen with cudgels,
+applied repeatedly and unsparingly, would have been better than
+elaborately prepared accidents and duels, which were too honorable for a
+Peeping Tom of this kind; and poisonings, which reduced the avengers to
+the level of their victim. But the imbroglio is of itself stupid; these
+fathers who cannot be made known to husbands are mere stage properties,
+and should never be fetched out of the theatrical lumber-room by
+literature.
+
+_La Duchesse de Langeais_ is, I think, a better story, with more
+romantic attraction, free from the objections just made to _Ferragus_,
+and furnished with a powerful, if slightly theatrical catastrophe. It
+is as good as anything that its author has done of the kind, subject
+to those general considerations of probability and otherwise which
+have been already hinted at. For those who are not troubled by any such
+critical reflections, both, no doubt, will be highly satisfactory.
+
+The third of the series, _La Fille aux Yeux d'Or_, in some respects one
+of Balzac's most brilliant effects, has been looked at askance by many
+of his English readers. At one time he had the audacity to think of
+calling it _La Femme aux Yeux Rouges_. To those who consider the story
+morbid or, one may say, _bizarre_, one word of justification, hardly of
+apology, may be offered. It was in the scheme of the _Comedie Humaine_
+to survey social life in its entirety by a minute analysis of its most
+diverse constituents. It included all the pursuits and passions, was
+large and patient, and unafraid. And the patience, the curiosity, of the
+artist which made Cesar Birotteau and his bankrupt ledgers matters of
+high import to us, which did not shrink from creating a Vautrin and a
+Lucien de Rubempre, would have been incomplete had it stopped short of a
+Marquise de San-Real, of a Paquita Valdes. And in the great mass of the
+_Comedie Humaine_, with its largeness and reality of life, as in life
+itself; the figure of Paquita justifies its presence.
+
+Considering the _Histoire des Treize_ as a whole, it is of engrossing
+interest. And I must confess I should not think much of any boy who,
+beginning Balzac with this series, failed to go rather mad over it. I
+know there was a time when I used to like it best of all, and thought
+not merely _Eugenie Grandet_, but _Le Pere Goriot_ (though not the _Peau
+de Chagrin_), dull in comparison. Some attention, however, must be paid
+to two remarkable characters, on whom it is quite clear that Balzac
+expended a great deal of pains, and one of whom he seems to have
+"caressed," as the French say, with a curious admixture of dislike and
+admiration.
+
+The first, Bourignard or Ferragus, is, of course, another, though a
+somewhat minor example--Collin or Vautrin being the chief--of that
+strange tendency to take intense interest in criminals, which seems to
+be a pretty constant eccentricity of many human minds, and which laid an
+extraordinary grasp on the great French writers of Balzac's time. I must
+confess, though it may sink me very low in some eyes, that I have never
+been able to fully appreciate the attractions of crime and criminals,
+fictitious or real. Certain pleasant and profitable things, no doubt,
+retain their pleasure and their profit, to some extent, when they are
+done in the manner which is technically called criminal; but they seem
+to me to acquire no additional interest by being so. As the criminal of
+fact is, in the vast majority of cases, an exceedingly commonplace and
+dull person, the criminal of fiction seems to me only, or usually, to
+escape these curses by being absolutely improbable and unreal. But I
+know this is a terrible heresy.
+
+Henri de Marsay is a much more ambitious and a much more interesting
+figure. In him are combined the attractions of criminality, beauty,
+brains, success, and, last of all, dandyism. It is a well-known and
+delightful fact that the most Anglophobe Frenchmen--and Balzac might
+fairly be classed among them--have always regarded the English dandy
+with half-jealous, half-awful admiration. Indeed, our novelist, it will
+be seen, found it necessary to give Marsay English blood. But there is
+a tradition that this young Don Juan--not such a good fellow as Byron's,
+nor such a _grand seigneur_ as Moliere's--was partly intended to
+represent Charles de Remusat, who is best known to this generation
+by very sober and serious philosophical works, and by his part in
+his mother's correspondence. I do not know that there ever were any
+imputation on M. de Remusat's morals; but in memoirs of the time, he
+is, I think, accused of a certain selfishness and _hauteur_, and he
+certainly made his way, partly by journalism, partly by society, to
+power very much as Marsay did. But Marsay would certainly not have
+written _Abelard_ and the rest, or have returned to Ministerial rank in
+our own time. Marsay, in fact, more fortunate than Rubempre, and of a
+higher stamp and flight than Rastignac, makes with them Balzac's trinity
+of sketches of the kind of personage whose part, in his day and since,
+every young Frenchman has aspired to play, and some have played. It
+cannot be said that "a moral man is Marsay"; it cannot be said that he
+has the element of good-nature which redeems Rastignac. But he bears
+a blame and a burden for which we Britons are responsible in part--the
+Byronic ideal of the guilty hero coming to cross and blacken the old
+French model of unscrupulous good humor. It is not a very pretty mixture
+or a very worthy ideal; but I am not so sure that it is not still a
+pretty common one.
+
+The association of the three stories forming the _Histoire des Treize_
+is, in book form, original, inasmuch as they filled three out of the
+four volumes of _Etudes des Moeurs_ published in 1834-35, and themselves
+forming part of the first collection of _Scenes de la Vie Parisienne_.
+But _Ferragus_ had appeared in parts (with titles to each) in the
+_Revue de Paris_ for March and April 1833, and part of _La Duchesse de
+Langeais_ in the _Echo de la Jeune France_ almost contemporaneously.
+There are divisions in this also. _Ferragus_ and _La Duchesse_ also
+appeared without _La Fille aux Yeux d'Or_ in 1839, published in one
+volume by Charpentier, before their absorption at the usual time in the
+_Comedie_.
+
+George Saintsbury
+
+
+
+
+AUTHOR'S PREFACE
+
+In the Paris of the Empire there were found Thirteen men equally
+impressed with the same idea, equally endowed with energy enough to keep
+them true to it, while among themselves they were loyal enough to keep
+faith even when their interests seemed to clash. They were strong
+enough to set themselves above all laws; bold enough to shrink from no
+enterprise; and lucky enough to succeed in nearly everything that they
+undertook. So profoundly politic were they, that they could dissemble
+the tie which bound them together. They ran the greatest risks, and
+kept their failures to themselves. Fear never entered into their
+calculations; not one of them had trembled before princes, before the
+executioner's axe, before innocence. They had taken each other as they
+were, regardless of social prejudices. Criminals they doubtless were,
+yet none the less were they all remarkable for some one of the virtues
+which go to the making of great men, and their numbers were filled up
+only from among picked recruits. Finally, that nothing should be lacking
+to complete the dark, mysterious romance of their history, nobody to
+this day knows who they were. The Thirteen once realized all the wildest
+ideas conjured up by tales of the occult powers of a Manfred, a
+Faust, or a Melmoth; and to-day the band is broken up or, at any rate,
+dispersed. Its members have quietly returned beneath the yoke of the
+Civil Code; much as Morgan, the Achilles of piracy, gave up buccaneering
+to be a peaceable planter; and, untroubled by qualms of conscience, sat
+himself down by the fireside to dispose of blood-stained booty acquired
+by the red light of blazing towns.
+
+After Napoleon's death, the band was dissolved by a chance event which
+the author is bound for the present to pass over in silence, and its
+mysterious existence, as curious, it may be, as the darkest novel by
+Mrs. Radcliffe, came to an end.
+
+It was only lately that the present writer, detecting, as he fancied,
+a faint desire for celebrity in one of the anonymous heroes to whom
+the whole band once owed an occult allegiance, received the somewhat
+singular permission to make public certain of the adventures which
+befell that band, provided that, while telling the story in his own
+fashion, he observed certain limits.
+
+The aforesaid leader was still an apparently young man with fair hair
+and blue eyes, and a soft, thin voice which might seem to indicate a
+feminine temperament. His face was pale, his ways mysterious. He chatted
+pleasantly, and told me that he was only just turned of forty. He might
+have belonged to any one of the upper classes. The name which he gave
+was probably assumed, and no one answering to his description was known
+in society. Who is he, do you ask? No one knows.
+
+Perhaps when he made his extraordinary disclosures to the present
+writer, he wished to see them in some sort reproduced; to enjoy the
+effect of the sensation on the multitude; to feel as Macpherson might
+have felt when the name of Ossian, his creation, passed into all
+languages. And, in truth, that Scottish advocate knew one of the
+keenest, or, at any rate, one of the rarest sensations in human
+experience. What was this but the incognito of genius? To write an
+_Itineraire de Paris a Jerusalem_ is to take one's share in the glory
+of a century, but to give a Homer to one's country--this surely is a
+usurpation of the rights of God.
+
+The writer is too well acquainted with the laws of narration to be
+unaware of the nature of the pledge given by this brief preface; but,
+at the same time, he knows enough of the history of the Thirteen to feel
+confident that he shall not disappoint any expectations raised by the
+programme. Tragedies dripping with gore, comedies piled up with horrors,
+tales of heads taken off in secret have been confided to him. If any
+reader has not had enough of the ghastly tales served up to the public
+for some time past, he has only to express his wish; the author is in
+a position to reveal cold-blooded atrocities and family secrets of a
+gloomy and astonishing nature. But in preference he has chosen those
+pleasanter stories in which stormy passions are succeeded by purer
+scenes, where the beauty and goodness of woman shine out the brighter
+for the darkness. And, to the honor of the Thirteen, such episodes as
+these are not wanting. Some day perhaps it may be thought worth while
+to give their whole history to the world; in which case it might form a
+pendant to the history of the buccaneers--that race apart so curiously
+energetic, so attractive in spite of their crimes.
+
+When a writer has a true story to tell, he should scorn to turn it into
+a sort of puzzle toy, after the manner of those novelists who take
+their reader for a walk through one cavern after another to show him a
+dried-up corpse at the end of the fourth volume, and inform him, by way
+of conclusion, that he has been frightened all along by a door hidden
+somewhere or other behind some tapestry; or a dead body, left by
+inadvertence, under the floor. So the present chronicler, in spite of
+his objection to prefaces, felt bound to introduce his fragment by a few
+remarks.
+
+_Ferragus_, the first episode, is connected by invisible links with the
+history of the Thirteen, for the power which they acquired in a natural
+manner provides the apparently supernatural machinery.
+
+Again, although a certain literary coquetry may be permissible to
+retailers of the marvelous, the sober chronicler is bound to forego
+such advantage as he may reap from an odd-sounding name, on which many
+ephemeral successes are founded in these days. Wherefore the present
+writer gives the following succinct statement of the reasons which
+induced him to adopt the unlikely sounding title and sub-title.
+
+In accordance with old-established custom, _Ferragus_ is a name taken by
+the head of a guild of _Devorants_, _id est Devoirants_ or journeymen.
+Every chief on the day of his election chooses a pseudonym and continues
+a dynasty of _Devorants_ precisely as a pope changes his name on his
+accession to the triple tiara; and as the Church has its Clement XIV.,
+Gregory XII., Julius II., or Alexander VI., so the workmen have their
+Trempe-la-Soupe IX., Ferragus XXII., Tutanus XIII., or Masche-Fer IV.
+Who are the _Devorants_, do you ask?
+
+The _Devorants_ are one among many tribes of _compagnons_ whose origin
+can be traced to a great mystical association formed among the
+workmen of Christendom for the rebuilding of the Temple at Jerusalem.
+_Compagnonnage_ is still a popular institution in France. Its traditions
+still exert a power over little enlightened minds, over men so
+uneducated that they have not learned to break their oaths; and the
+various organizations might be turned to formidable account even yet
+if any rough-hewn man of genius arose to make use of them, for his
+instruments would be, for the most part, almost blind.
+
+Wherever journeymen travel, they find a hostel for _compagnons_ which
+has been in existence in the town from time immemorial. The _obade_,
+as they call it, is a kind of lodge with a "Mother" in charge, an old,
+half-gypsy wife who has nothing to lose. She hears all that goes on in
+the countryside; and, either from fear or from long habit, is devoted to
+the interests of the tribe boarded and lodged by her. And as a result,
+this shifting population, subject as it is to an unalterable law of
+custom, has eyes in every place, and will carry out an order anywhere
+without asking questions; for the oldest journeyman is still at an age
+when a man has some beliefs left. What is more, the whole fraternity
+professes doctrines which, if unfolded never so little, are both
+true enough and mysterious enough to electrify all the adepts with
+patriotism; and the _compagnons_ are so attached to their rules, that
+there have been bloody battles between different fraternities on a
+question of principle. Fortunately, however, for peace and public order;
+if a _Devorant_ is ambitious, he takes to building houses, makes a
+fortune, and leaves the guild.
+
+A great many curious things might be told of their rivals, the
+_Compagnons du Devior_, of all the different sects of workmen, their
+manners and customs and brotherhoods, and of the resemblances between
+them and the Freemasons; but there, these particulars would be out
+of place. The author will merely add, that before the Revolution a
+Trempe-la-Soupe had been known in the King's service, which is to say,
+that he had the tenure of a place in His Majesty's galleys for one
+hundred and one years; but even thence he ruled his guild, and was
+religiously consulted on all matters, and if he escaped from the hulks
+he met with help, succor, and respect wherever he went. To have a
+chief in the hulks is one of those misfortunes for which Providence is
+responsible; but a faithful lodge of _devorants_ is bound, as before, to
+obey a power created by and set above themselves. Their lawful sovereign
+is in exile for the time being, but none the less is he their king.
+And now any romantic mystery hanging about the words _Ferragus_ and the
+_devorants_ is completely dispelled.
+
+As for the Thirteen, the author feels that, on the strength of the
+details of this almost fantastic story, he can afford to give away yet
+another prerogative, though it is one of the greatest on record, and
+would possibly fetch a high price if brought into a literary auction
+mart; for the owner might inflict as many volumes on the public as La
+Contemporaine.[*]
+
+ [*] A long series of so-called Memoirs, which appeared about 1830.
+
+The Thirteen were all of them men tempered like Byron's friend
+Trelawney, the original (so it is said) of _The Corsair_. All of them
+were fatalists, men of spirit and poetic temperament; all of them were
+tired of the commonplace life which they led; all felt attracted towards
+Asiatic pleasures by all the vehement strength of newly awakened
+and long dormant forces. One of these, chancing to take up _Venice
+Preserved_ for the second time, admired the sublime friendship between
+Pierre and Jaffir, and fell to musing on the virtues of outlaws, the
+loyalty of the hulks, the honor of thieves, and the immense power that
+a few men can wield if they bring their whole minds to bear upon the
+carrying out of a single will. It struck him that the individual man
+rose higher than men. Then he began to think that if a few picked men
+should band themselves together; and if, to natural wit, and education,
+and money, they could join a fanaticism hot enough to fuse, as it were,
+all those separate forces into a single one, then the whole world would
+be at their feet. From that time forth, with a tremendous power of
+concentration, they could wield an occult power against which the
+organization of society would be helpless; a power which would push
+obstacles aside and defeat the will of others; and the diabolical power
+of all would be at the service of each. A hostile world apart within the
+world, admitting none of the ideas, recognizing none of the laws of the
+world; submitting only to the sense of necessity, obedient only from
+devotion; acting all as one man in the interests of the comrade who
+should claim the aid of the rest; a band of buccaneers with carriages
+and yellow kid gloves; a close confederacy of men of extraordinary
+power, of amused and cool spectators of an artificial and petty world
+which they cursed with smiling lips; conscious as they were that they
+could make all things bend to their caprice, weave ingenious schemes of
+revenge, and live with the life in thirteen hearts, to say nothing
+of the unfailing pleasure of facing the world of men with a hidden
+misanthropy, a sense that they were armed against their kind, and could
+retire into themselves with one idea which the most remarkable men had
+not,--all this constituted a religion of pleasure and egoism which
+made fanatics of the Thirteen. The history of the Society of Jesus was
+repeated for the Devil's benefit. It was hideous and sublime.
+
+The pact was made; and it lasted, precisely because it seemed
+impossible. And so it came to pass that in Paris there was a fraternity
+of thirteen men, each one bound, body and soul, to the rest, and all
+of them strangers to each other in the sight of the world. But evening
+found them gathered together like conspirators, and then they had no
+thoughts apart; riches, like the wealth of the Old Man of the Mountain,
+they possessed in common; they had their feet in every salon, their
+hands in every strong box, their elbows in the streets, their heads upon
+all pillows, they did not scruple to help themselves at their pleasure.
+No chief commanded them, nobody was strong enough. The liveliest
+passion, the most urgent need took precedence--that was all. They were
+thirteen unknown kings; unknown, but with all the power and more than
+the power of kings; for they were both judges and executioners, they had
+taken wings that they might traverse the heights and depths of society,
+scorning to take any place in it, since all was theirs. If the author
+learns the reason of their abdication, he will communicate it.
+
+And now the author is free to give those episodes in the History of the
+Thirteen which, by reason of the Parisian flavor of the details or the
+strangeness of the contrasts, possessed a peculiar attraction for him.
+
+Paris
+
+
+
+
+
+THE THIRTEEN
+
+
+
+
+I. FERRAGUS, CHIEF OF THE DEVORANTS
+
+
+
+CHAPTER I. MADAME JULES
+
+Certain streets in Paris are as degraded as a man covered with infamy;
+also, there are noble streets, streets simply respectable, young streets
+on the morality of which the public has not yet formed an opinion; also
+cut-throat streets, streets older than the age of the oldest dowagers,
+estimable streets, streets always clean, streets always dirty, working,
+laboring, and mercantile streets. In short, the streets of Paris
+have every human quality, and impress us, by what we must call their
+physiognomy, with certain ideas against which we are defenceless. There
+are, for instance, streets of a bad neighborhood in which you could not
+be induced to live, and streets where you would willingly take up your
+abode. Some streets, like the rue Montmartre, have a charming head,
+and end in a fish's tail. The rue de la Paix is a wide street, a fine
+street, yet it wakens none of those gracefully noble thoughts which come
+to an impressible mind in the middle of the rue Royale, and it certainly
+lacks the majesty which reigns in the Place Vendome.
+
+If you walk the streets of the Ile Saint-Louis, do not seek the reason
+of the nervous sadness that lays hold upon you save in the solitude
+of the spot, the gloomy look of the houses, and the great deserted
+mansions. This island, the ghost of _fermiers-generaux_, is the Venice
+of Paris. The Place de la Bourse is voluble, busy, degraded; it is
+never fine except by moonlight at two in the morning. By day it is
+Paris epitomized; by night it is a dream of Greece. The rue
+Traversiere-Saint-Honore--is not that a villainous street? Look at the
+wretched little houses with two windows on a floor, where vice, crime,
+and misery abound. The narrow streets exposed to the north, where the
+sun never comes more than three or four times a year, are the cut-throat
+streets which murder with impunity; the authorities of the present
+day do not meddle with them; but in former times the Parliament might
+perhaps have summoned the lieutenant of police and reprimanded him for
+the state of things; and it would, at least, have issued some decree
+against such streets, as it once did against the wigs of the Chapter of
+Beauvais. And yet Monsieur Benoiston de Chateauneuf has proved that
+the mortality of these streets is double that of others! To sum up such
+theories by a single example: is not the rue Fromentin both murderous
+and profligate!
+
+These observations, incomprehensible out of Paris, will doubtless be
+understood by musing men of thought and poesy and pleasure, who
+know, while rambling about Paris, how to harvest the mass of floating
+interests which may be gathered at all hours within her walls; to them
+Paris is the most delightful and varied of monsters: here, a pretty
+woman; farther on, a haggard pauper; here, new as the coinage of a new
+reign; there, in this corner, elegant as a fashionable woman. A monster,
+moreover, complete! Its garrets, as it were, a head full of knowledge
+and genius; its first storeys stomachs repleted; its shops, actual feet,
+where the busy ambulating crowds are moving. Ah! what an ever-active
+life the monster leads! Hardly has the last vibration of the last
+carriage coming from a ball ceased at its heart before its arms are
+moving at the barriers and it shakes itself slowly into motion. Doors
+open; turning on their hinges like the membrane of some huge lobster,
+invisibly manipulated by thirty thousand men or women, of whom each
+individual occupies a space of six square feet, but has a kitchen, a
+workshop, a bed, children, a garden, little light to see by, but
+must see all. Imperceptibly, the articulations begin to crack; motion
+communicates itself; the street speaks. By mid-day, all is alive; the
+chimneys smoke, the monster eats; then he roars, and his thousand paws
+begin to ramp. Splendid spectacle! But, O Paris! he who has not admired
+your gloomy passages, your gleams and flashes of light, your deep and
+silent _cul-de-sacs_, who has not listened to your murmurings between
+midnight and two in the morning, knows nothing as yet of your true
+poesy, nor of your broad and fantastic contrasts.
+
+There are a few amateurs who never go their way heedlessly; who savor
+their Paris, so to speak; who know its physiognomy so well that they
+see every wart, and pimple, and redness. To others, Paris is always that
+monstrous marvel, that amazing assemblage of activities, of schemes,
+of thoughts; the city of a hundred thousand tales, the head of the
+universe. But to those few, Paris is sad or gay, ugly or beautiful,
+living or dead; to them Paris is a creature; every man, every fraction
+of a house is a lobe of the cellular tissue of that great courtesan
+whose head and heart and fantastic customs they know so well. These men
+are lovers of Paris; they lift their noses at such or such a corner of
+a street, certain that they can see the face of a clock; they tell a
+friend whose tobacco-pouch is empty, "Go down that passage and turn
+to the left; there's a tobacconist next door to a confectioner, where
+there's a pretty girl." Rambling about Paris is, to these poets, a
+costly luxury. How can they help spending precious minutes before
+the dramas, disasters, faces, and picturesque events which meet us
+everywhere amid this heaving queen of cities, clothed in posters,--who
+has, nevertheless, not a single clean corner, so complying is she to the
+vices of the French nation! Who has not chanced to leave his home early
+in the morning, intending to go to some extremity of Paris, and found
+himself unable to get away from the centre of it by the dinner-hour?
+Such a man will know how to excuse this vagabondizing start upon our
+tale; which, however, we here sum up in an observation both useful and
+novel, as far as any observation can be novel in Paris, where there is
+nothing new,--not even the statue erected yesterday, on which some young
+gamin has already scribbled his name.
+
+Well, then! there are streets, or ends of streets, there are houses,
+unknown for the most part to persons of social distinction, to which a
+woman of that class cannot go without causing cruel and very wounding
+things to be thought of her. Whether the woman be rich and has a
+carriage, whether she is on foot, or is disguised, if she enters one
+of these Parisian defiles at any hour of the day, she compromises her
+reputation as a virtuous woman. If, by chance, she is there at nine in
+the evening the conjectures that an observer permits himself to make
+upon her may prove fearful in their consequences. But if the woman is
+young and pretty, if she enters a house in one of those streets, if the
+house has a long, dark, damp, and evil-smelling passage-way, at the end
+of which flickers the pallid gleam of an oil lamp, and if beneath that
+gleam appears the horrid face of a withered old woman with fleshless
+fingers, ah, then! and we say it in the interests of young and pretty
+women, that woman is lost. She is at the mercy of the first man of her
+acquaintance who sees her in that Parisian slough. There is more than
+one street in Paris where such a meeting may lead to a frightful drama,
+a bloody drama of death and love, a drama of the modern school.
+
+Unhappily, this scene, this modern drama itself, will be comprehended by
+only a small number of persons; and it is a pity to tell the tale to
+a public which cannot enter into its local merit. But who can flatter
+himself that he will ever be understood? We all die unknown--'tis the
+saying of women and of authors.
+
+At half-past eight o'clock one evening, in the rue Pagevin, in the days
+when that street had no wall which did not echo some infamous word, and
+was, in the direction of the rue Soly, the narrowest and most impassable
+street in Paris (not excepting the least frequented corner of the most
+deserted street),--at the beginning of the month of February about
+thirteen years ago, a young man, by one of those chances which come but
+once in life, turned the corner of the rue Pagevin to enter the rue des
+Vieux-Augustins, close to the rue Soly. There, this young man, who lived
+himself in the rue de Bourbon, saw in a woman near whom he had been
+unconsciously walking, a vague resemblance to the prettiest woman in
+Paris; a chaste and delightful person, with whom he was secretly and
+passionately in love,--a love without hope; she was married. In a moment
+his heart leaped, an intolerable heat surged from his centre and flowed
+through all his veins; his back turned cold, the skin of his head crept.
+He loved, he was young, he knew Paris; and his knowledge did not permit
+him to be ignorant of all there was of possible infamy in an elegant,
+rich, young, and beautiful woman walking there, alone, with a furtively
+criminal step. _She_ in that mud! at that hour!
+
+The love that this young man felt for that woman may seem romantic, and
+all the more so because he was an officer in the Royal Guard. If he had
+been in the infantry, the affair might have seemed more likely; but, as
+an officer of rank in the cavalry, he belonged to that French arm which
+demands rapidity in its conquests and derives as much vanity from its
+amorous exploits as from its dashing uniform. But the passion of this
+officer was a true love, and many young hearts will think it noble.
+He loved this woman because she was virtuous; he loved her virtue, her
+modest grace, her imposing saintliness, as the dearest treasures of his
+hidden passion. This woman was indeed worthy to inspire one of those
+platonic loves which are found, like flowers amid bloody ruins, in the
+history of the middle-ages; worthy to be the hidden principle of all the
+actions of a young man's life; a love as high, as pure as the skies when
+blue; a love without hope and to which men bind themselves because
+it can never deceive; a love that is prodigal of unchecked enjoyment,
+especially at an age when the heart is ardent, the imagination keen, and
+the eyes of a man see very clearly.
+
+Strange, weird, inconceivable effects may be met with at night in Paris.
+Only those who have amused themselves by watching those effects have
+any idea how fantastic a woman may appear there at dusk. At times the
+creature whom you are following, by accident or design, seems to you
+light and slender; the stockings, if they are white, make you fancy that
+the legs must be slim and elegant; the figure though wrapped in a shawl,
+or concealed by a pelisse, defines itself gracefully and seductively
+among the shadows; anon, the uncertain gleam thrown from a shop-window
+or a street lamp bestows a fleeting lustre, nearly always deceptive, on
+the unknown woman, and fires the imagination, carrying it far beyond
+the truth. The senses then bestir themselves; everything takes color and
+animation; the woman appears in an altogether novel aspect; her person
+becomes beautiful. Behold! she is not a woman, she is a demon, a siren,
+who is drawing you by magnetic attraction to some respectable house,
+where the worthy _bourgeoise_, frightened by your threatening step and
+the clack of your boots, shuts the door in your face without looking at
+you.
+
+A vacillating gleam, thrown from the shop-window of a shoemaker,
+suddenly illuminated from the waist down the figure of the woman who was
+before the young man. Ah! surely, _she_ alone had that swaying figure;
+she alone knew the secret of that chaste gait which innocently set into
+relief the many beauties of that attractive form. Yes, that was the
+shawl, and that the velvet bonnet which she wore in the mornings. On
+her gray silk stockings not a spot, on her shoes not a splash. The shawl
+held tightly round the bust disclosed, vaguely, its charming lines; and
+the young man, who had often seen those shoulders at a ball, knew well
+the treasures that the shawl concealed. By the way a Parisian woman
+wraps a shawl around her, and the way she lifts her feet in the street,
+a man of intelligence in such studies can divine the secret of her
+mysterious errand. There is something, I know not what, of quivering
+buoyancy in the person, in the gait; the woman seems to weigh less; she
+steps, or rather, she glides like a star, and floats onward led by a
+thought which exhales from the folds and motion of her dress. The young
+man hastened his step, passed the woman, and then turned back to look
+at her. Pst! she had disappeared into a passage-way, the grated door of
+which and its bell still rattled and sounded. The young man walked back
+to the alley and saw the woman reach the farther end, where she began
+to mount--not without receiving the obsequious bow of an old portress--a
+winding staircase, the lower steps of which were strongly lighted; she
+went up buoyantly, eagerly, as though impatient.
+
+"Impatient for what?" said the young man to himself, drawing back to
+lean against a wooden railing on the other side of the street. He
+gazed, unhappy man, at the different storeys of the house, with the keen
+attention of a detective searching for a conspirator.
+
+It was one of those houses of which there are thousands in Paris,
+ignoble, vulgar, narrow, yellowish in tone, with four storeys and three
+windows on each floor. The outer blinds of the first floor were closed.
+Where was she going? The young man fancied he heard the tinkle of a bell
+on the second floor. As if in answer to it, a light began to move in a
+room with two windows strongly illuminated, which presently lit up the
+third window, evidently that of a first room, either the salon or the
+dining-room of the apartment. Instantly the outline of a woman's bonnet
+showed vaguely on the window, and a door between the two rooms must
+have closed, for the first was dark again, while the two other windows
+resumed their ruddy glow. At this moment a voice said, "Hi, there!" and
+the young man was conscious of a blow on his shoulder.
+
+"Why don't you pay attention?" said the rough voice of a workman,
+carrying a plank on his shoulder. The man passed on. He was the voice of
+Providence saying to the watcher: "What are you meddling with? Think of
+your own duty; and leave these Parisians to their own affairs."
+
+The young man crossed his arms; then, as no one beheld him, he suffered
+tears of rage to flow down his cheeks unchecked. At last the sight of
+the shadows moving behind the lighted windows gave him such pain that he
+looked elsewhere and noticed a hackney-coach, standing against a wall
+in the upper part of the rue des Vieux-Augustins, at a place where there
+was neither the door of a house, nor the light of a shop-window.
+
+Was it she? Was it not she? Life or death to a lover! This lover waited.
+He stood there during a century of twenty minutes. After that the woman
+came down, and he then recognized her as the one whom he secretly loved.
+Nevertheless, he wanted still to doubt. She went to the hackney-coach,
+and got into it.
+
+"The house will always be there and I can search it later," thought the
+young man, following the carriage at a run, to solve his last doubts;
+and soon he did so.
+
+The carriage stopped in the rue de Richelieu before a shop for
+artificial flowers, close to the rue de Menars. The lady got out,
+entered the shop, sent out the money to pay the coachman, and presently
+left the shop herself, on foot, after buying a bunch of marabouts.
+Marabouts for her black hair! The officer beheld her, through the
+window-panes, placing the feathers to her head to see the effect, and
+he fancied he could hear the conversation between herself and the
+shop-woman.
+
+"Oh! madame, nothing is more suitable for brunettes: brunettes have
+something a little too strongly marked in their lines, and marabouts
+give them just that _flow_ which they lack. Madame la Duchesse de
+Langeais says they give a woman something vague, Ossianic, and very
+high-bred."
+
+"Very good; send them to me at once."
+
+Then the lady turned quickly toward the rue de Menars, and entered her
+own house. When the door closed on her, the young lover, having lost
+his hopes, and worse, far worse, his dearest beliefs, walked through the
+streets like a drunken man, and presently found himself in his own room
+without knowing how he came there. He flung himself into an arm-chair,
+put his head in his hands and his feet on the andirons, drying his boots
+until he burned them. It was an awful moment,--one of those moments in
+human life when the character is moulded, and the future conduct of the
+best of men depends on the good or evil fortune of his first action.
+Providence or fatality?--choose which you will.
+
+This young man belonged to a good family, whose nobility was not very
+ancient; but there are so few really old families in these days, that
+all men of rank are ancient without dispute. His grandfather had bought
+the office of counsellor to the Parliament of Paris, where he afterwards
+became president. His sons, each provided with a handsome fortune,
+entered the army, and through their marriages became attached to the
+court. The Revolution swept the family away; but one old dowager, too
+obstinate to emigrate, was left; she was put in prison, threatened with
+death, but was saved by the 9th Thermidor and recovered her property.
+When the proper time came, about the year 1804, she recalled her
+grandson to France. Auguste de Maulincour, the only scion of the
+Carbonnon de Maulincour, was brought up by the good dowager with the
+triple care of a mother, a woman of rank, and an obstinate dowager. When
+the Restoration came, the young man, then eighteen years of age, entered
+the Maison-Rouge, followed the princes to Ghent, was made an officer in
+the body-guard, left it to serve in the line, but was recalled later to
+the Royal Guard, where, at twenty-three years of age, he found
+himself major of a cavalry regiment,--a splendid position, due to his
+grandmother, who had played her cards well to obtain it, in spite of his
+youth. This double biography is a compendium of the general and special
+history, barring variations, of all the noble families who emigrated
+having debts and property, dowagers and tact.
+
+Madame la Baronne de Maulincour had a friend in the old Vidame de
+Pamiers, formerly a commander of the Knights of Malta. This was one of
+those undying friendships founded on sexagenary ties which nothing
+can weaken, because at the bottom of such intimacies there are certain
+secrets of the human heart, delightful to guess at when we have the
+time, insipid to explain in twenty words, and which might make the text
+of a work in four volumes as amusing as the Doyen de Killerine,--a work
+about which young men talk and judge without having read it.
+
+Auguste de Maulincour belonged therefore to the faubourg Saint-Germain
+through his grandmother and the vidame, and it sufficed him to date back
+two centuries to take the tone and opinions of those who assume to
+go back to Clovis. This young man, pale, slender, and delicate in
+appearance, a man of honor and true courage, who would fight a duel for
+a yes or a no, had never yet fought upon a battle-field, though he wore
+in his button-hole the cross of the Legion of honor. He was, as you
+perceive, one of the blunders of the Restoration, perhaps the most
+excusable of them. The youth of those days was the youth of no epoch.
+It came between the memories of the Empire and those of the Emigration,
+between the old traditions of the court and the conscientious education
+of the _bourgeoisie_; between religion and fancy-balls; between two
+political faiths, between Louis XVIII., who saw only the present, and
+Charles X., who looked too far into the future; it was moreover bound to
+accept the will of the king, though the king was deceiving and tricking
+it. This unfortunate youth, blind and yet clear-sighted, was counted
+as nothing by old men jealously keeping the reins of the State in
+their feeble hands, while the monarchy could have been saved by their
+retirement and the accession of this Young France, which the old
+doctrinaires, the _emigres_ of the Restoration, still speak of
+slightingly. Auguste de Maulincour was a victim to the ideas which
+weighed in those days upon French youth, and we must here explain why.
+
+The Vidame de Pamiers was still, at sixty-seven years of age, a very
+brilliant man, having seen much and lived much; a good talker, a man of
+honor and a gallant man, but who held as to women the most detestable
+opinions; he loved them, and he despised them. _Their_ honor! _their_
+feelings! Ta-ra-ra, rubbish and shams! When he was with them, he
+believed in them, the ci-devant "monstre"; he never contradicted them,
+and he made them shine. But among his male friends, when the topic of
+the sex came up, he laid down the principle that to deceive women, and
+to carry on several intrigues at once, should be the occupation of those
+young men who were so misguided as to wish to meddle in the affairs of
+the State. It is sad to have to sketch so hackneyed a portrait, for has
+it not figured everywhere and become, literally, as threadbare as
+that of a grenadier of the Empire? But the vidame had an influence
+on Monsieur de Maulincour's destiny which obliges us to preserve his
+portrait; he lectured the young man after his fashion, and did his best
+to convert him to the doctrines of the great age of gallantry.
+
+The dowager, a tender-hearted, pious woman, sitting between God and her
+vidame, a model of grace and sweetness, but gifted with that well-bred
+persistency which triumphs in the long run, had longed to preserve for
+her grandson the beautiful illusions of life, and had therefore brought
+him up in the highest principles; she instilled into him her own
+delicacy of feeling and made him, to outward appearance, a timid man, if
+not a fool. The sensibilities of the young fellow, preserved pure, were
+not worn by contact without; he remained so chaste, so scrupulous, that
+he was keenly offended by actions and maxims to which the world attached
+no consequence. Ashamed of this susceptibility, he forced himself to
+conceal it under a false hardihood; but he suffered in secret, all the
+while scoffing with others at the things he reverenced.
+
+It came to pass that he was deceived; because, in accordance with a not
+uncommon whim of destiny, he, a man of gentle melancholy, and spiritual
+in love, encountered in the object of his first passion a woman who
+held in horror all German sentimentalism. The young man, in consequence,
+distrusted himself, became dreamy, absorbed in his griefs, complaining
+of not being understood. Then, as we desire all the more violently the
+things we find difficult to obtain, he continued to adore women with
+that ingenuous tenderness and feline delicacy the secret of which
+belongs to women themselves, who may, perhaps, prefer to keep the
+monopoly of it. In point of fact, though women of the world complain
+of the way men love them, they have little liking themselves for those
+whose soul is half feminine. Their own superiority consists in making
+men believe they are their inferiors in love; therefore they will
+readily leave a lover if he is inexperienced enough to rob them of those
+fears with which they seek to deck themselves, those delightful tortures
+of feigned jealousy, those troubles of hope betrayed, those futile
+expectations,--in short, the whole procession of their feminine
+miseries. They hold Sir Charles Grandison in horror. What can be more
+contrary to their nature than a tranquil, perfect love? They want
+emotions; happiness without storms is not happiness to them. Women with
+souls that are strong enough to bring infinitude into love are angelic
+exceptions; they are among women what noble geniuses are among men.
+Their great passions are rare as masterpieces. Below the level of
+such love come compromises, conventions, passing and contemptible
+irritations, as in all things petty and perishable.
+
+Amid the hidden disasters of his heart, and while he was still seeking
+the woman who could comprehend him (a search which, let us remark in
+passing, is one of the amorous follies of our epoch), Auguste met, in
+the rank of society that was farthest from his own, in the secondary
+sphere of money, where banking holds the first place, a perfect being,
+one of those women who have I know not what about them that is saintly
+and sacred,--women who inspire such reverence that love has need of the
+help of a long familiarity to declare itself.
+
+Auguste then gave himself up wholly to the delights of the deepest and
+most moving of passions, to a love that was purely adoring. Innumerable
+repressed desires there were, shadows of passion so vague yet so
+profound, so fugitive and yet so actual, that one scarcely knows to what
+we may compare them. They are like perfumes, or clouds, or rays of the
+sun, or shadows, or whatever there is in nature that shines for a moment
+and disappears, that springs to life and dies, leaving in the heart long
+echoes of emotion. When the soul is young enough to nurture melancholy
+and far-off hope, to find in woman more than a woman, is it not the
+greatest happiness that can befall a man when he loves enough to feel
+more joy in touching a gloved hand, or a lock of hair, in listening to
+a word, in casting a single look, than in all the ardor of possession
+given by happy love? Thus it is that rejected persons, those rebuffed by
+fate, the ugly and unfortunate, lovers unrevealed, women and timid men,
+alone know the treasures contained in the voice of the beloved. Taking
+their source and their element from the soul itself, the vibrations
+of the air, charged with passion, put our hearts so powerfully into
+communion, carrying thought between them so lucidly, and being, above
+all, so incapable of falsehood, that a single inflection of a voice is
+often a revelation. What enchantments the intonations of a tender
+voice can bestow upon the heart of a poet! What ideas they awaken! What
+freshness they shed there! Love is in the voice before the glance avows
+it. Auguste, poet after the manner of lovers (there are poets who feel,
+and poets who express; the first are the happiest), Auguste had tasted
+all these early joys, so vast, so fecund. SHE possessed the most winning
+organ that the most artful woman of the world could have desired in
+order to deceive at her ease; _she_ had that silvery voice which is soft
+to the ear, and ringing only for the heart which it stirs and troubles,
+caresses and subjugates.
+
+And this woman went by night to the rue Soly through the rue Pagevin!
+and her furtive apparition in an infamous house had just destroyed the
+grandest of passions! The vidame's logic triumphed.
+
+"If she is betraying her husband we will avenge ourselves," said
+Auguste.
+
+There was still faith in that "if". The philosophic doubt of Descartes
+is a politeness with which we should always honor virtue. Ten o'clock
+sounded. The Baron de Maulincour remembered that this woman was going to
+a ball that evening at a house to which he had access. He dressed, went
+there, and searched for her through all the salons. The mistress of the
+house, Madame de Nucingen, seeing him thus occupied, said:--
+
+"You are looking for Madame Jules; but she has not yet come."
+
+"Good evening, dear," said a voice.
+
+Auguste and Madame de Nucingen turned round. Madame Jules had arrived,
+dressed in white, looking simple and noble, wearing in her hair the
+marabouts the young baron had seen her choose in the flower-shop. That
+voice of love now pierced his heart. Had he won the slightest right to
+be jealous of her he would have petrified her then and there by saying
+the words, "Rue Soly!" But if he, an alien to her life, had said those
+words in her ear a thousand times, Madame Jules would have asked him in
+astonishment what he meant. He looked at her stupidly.
+
+For those sarcastic persons who scoff at all things it may be a great
+amusement to detect the secret of a woman, to know that her chastity is
+a lie, that her calm face hides some anxious thought, that under that
+pure brow is a dreadful drama. But there are other souls to whom
+the sight is saddening; and many of those who laugh in public, when
+withdrawn into themselves and alone with their conscience, curse the
+world while they despise the woman. Such was the case with Auguste de
+Maulincour, as he stood there in presence of Madame Jules. Singular
+situation! There was no other relation between them than that which
+social life establishes between persons who exchange a few words seven
+or eight times in the course of a winter, and yet he was calling her
+to account on behalf of a happiness unknown to her; he was judging her,
+without letting her know of his accusation.
+
+Many young men find themselves thus in despair at having broken forever
+with a woman adored in secret, condemned and despised in secret. There
+are many hidden monologues told to the walls of some solitary lodging;
+storms roused and calmed without ever leaving the depths of hearts;
+amazing scenes of the moral world, for which a painter is wanted. Madame
+Jules sat down, leaving her husband to make a turn around the salon.
+After she was seated she seemed uneasy, and, while talking with her
+neighbor, she kept a furtive eye on Monsieur Jules Desmarets, her
+husband, a broker chiefly employed by the Baron de Nucingen. The
+following is the history of their home life.
+
+Monsieur Desmarets was, five years before his marriage, in a broker's
+office, with no other means than the meagre salary of a clerk. But he
+was a man to whom misfortune had early taught the truths of life, and he
+followed the strait path with the tenacity of an insect making for its
+nest; he was one of those dogged young men who feign death before an
+obstacle and wear out everybody's patience with their own beetle-like
+perseverance. Thus, young as he was, he had all the republican virtue of
+poor peoples; he was sober, saving of his time, an enemy to pleasure.
+He waited. Nature had given him the immense advantage of an agreeable
+exterior. His calm, pure brow, the shape of his placid, but expressive
+face, his simple manners,--all revealed in him a laborious and resigned
+existence, that lofty personal dignity which is imposing to others,
+and the secret nobility of heart which can meet all events. His modesty
+inspired a sort of respect in those who knew him. Solitary in the midst
+of Paris, he knew the social world only by glimpses during the brief
+moments which he spent in his patron's salon on holidays.
+
+There were passions in this young man, as in most of the men who live
+in that way, of amazing profundity,--passions too vast to be drawn into
+petty incidents. His want of means compelled him to lead an ascetic
+life, and he conquered his fancies by hard work. After paling all day
+over figures, he found his recreation in striving obstinately to acquire
+that wide general knowledge so necessary in these days to every man who
+wants to make his mark, whether in society, or in commerce, at the bar,
+or in politics or literature. The only peril these fine souls have to
+fear comes from their own uprightness. They see some poor girl; they
+love her; they marry her, and wear out their lives in a struggle between
+poverty and love. The noblest ambition is quenched perforce by the
+household account-book. Jules Desmarets went headlong into this peril.
+
+He met one evening at his patron's house a girl of the rarest beauty.
+Unfortunate men who are deprived of affection, and who consume the
+finest hours of youth in work and study, alone know the rapid ravages
+that passion makes in their lonely, misconceived hearts. They are so
+certain of loving truly, all their forces are concentrated so quickly on
+the object of their love, that they receive, while beside her, the most
+delightful sensations, when, as often happens, they inspire none at
+all. Nothing is more flattering to a woman's egotism than to divine this
+passion, apparently immovable, and these emotions so deep that they have
+needed a great length of time to reach the human surface. These poor
+men, anchorites in the midst of Paris, have all the enjoyments of
+anchorites; and may sometimes succumb to temptations. But, more often
+deceived, betrayed, and misunderstood, they are rarely able to gather
+the sweet fruits of a love which, to them, is like a flower dropped from
+heaven.
+
+One smile from his wife, a single inflection of her voice sufficed to
+make Jules Desmarets conceive a passion which was boundless. Happily,
+the concentrated fire of that secret passion revealed itself artlessly
+to the woman who inspired it. These two beings then loved each other
+religiously. To express all in a word, they clasped hands without shame
+before the eyes of the world and went their way like two children,
+brother and sister, passing serenely through a crowd where all made way
+for them and admired them.
+
+The young girl was in one of those unfortunate positions which human
+selfishness entails upon children. She had no civil status; her name of
+"Clemence" and her age were recorded only by a notary public. As for
+her fortune, that was small indeed. Jules Desmarets was a happy man
+on hearing these particulars. If Clemence had belonged to an opulent
+family, he might have despaired of obtaining her; but she was only the
+poor child of love, the fruit of some terrible adulterous passion; and
+they were married. Then began for Jules Desmarets a series of fortunate
+events. Every one envied his happiness; and henceforth talked only of
+his luck, without recalling either his virtues or his courage.
+
+Some days after their marriage, the mother of Clemence, who passed in
+society for her godmother, told Jules Desmarets to buy the office and
+good-will of a broker, promising to provide him with the necessary
+capital. In those days, such offices could still be bought at a modest
+price. That evening, in the salon as it happened of his patron, a
+wealthy capitalist proposed, on the recommendation of the mother, a very
+advantageous transaction for Jules Desmarets, and the next day the happy
+clerk was able to buy out his patron. In four years Desmarets became one
+of the most prosperous men in his business; new clients increased the
+number his predecessor had left to him; he inspired confidence in all;
+and it was impossible for him not to feel, by the way business came
+to him, that some hidden influence, due to his mother-in-law, or to
+Providence, was secretly protecting him.
+
+At the end of the third year Clemence lost her godmother. By that time
+Monsieur Jules (so called to distinguish him from an elder brother, whom
+he had set up as a notary in Paris) possessed an income from invested
+property of two hundred thousand francs. There was not in all Paris
+another instance of the domestic happiness enjoyed by this couple.
+For five years their exceptional love had been troubled by only one
+event,--a calumny for which Monsieur Jules exacted vengeance. One of his
+former comrades attributed to Madame Jules the fortune of her husband,
+explaining that it came from a high protection dearly paid for. The man
+who uttered the calumny was killed in the duel that followed it.
+
+The profound passion of this couple, which survived marriage, obtained
+a great success in society, though some women were annoyed by it. The
+charming household was respected; everybody feted it. Monsieur and
+Madame Jules were sincerely liked, perhaps because there is nothing more
+delightful to see than happy people; but they never stayed long at any
+festivity. They slipped away early, as impatient to regain their nest
+as wandering pigeons. This nest was a large and beautiful mansion in the
+rue de Menars, where a true feeling for art tempered the luxury which
+the financial world continues, traditionally, to display. Here the happy
+pair received their society magnificently, although the obligations of
+social life suited them but little.
+
+Nevertheless, Jules submitted to the demands of the world, knowing
+that, sooner or later, a family has need of it; but he and his wife felt
+themselves, in its midst, like green-house plants in a tempest. With a
+delicacy that was very natural, Jules had concealed from his wife the
+calumny and the death of the calumniator. Madame Jules, herself, was
+inclined, through her sensitive and artistic nature, to desire luxury.
+In spite of the terrible lesson of the duel, some imprudent women
+whispered to each other that Madame Jules must sometimes be pressed for
+money. They often found her more elegantly dressed in her own home than
+when she went into society. She loved to adorn herself to please her
+husband, wishing to show him that to her he was more than any social
+life. A true love, a pure love, above all, a happy love! Jules, always a
+lover, and more in love as time went by, was happy in all things beside
+his wife, even in her caprices; in fact, he would have been uneasy if
+she had none, thinking it a symptom of some illness.
+
+Auguste de Maulincour had the personal misfortune of running against
+this passion, and falling in love with the wife beyond recovery.
+Nevertheless, though he carried in his heart so intense a love, he was
+not ridiculous; he complied with all the demands of society, and of
+military manners and customs. And yet his face wore constantly, even
+though he might be drinking a glass of champagne, that dreamy look, that
+air of silently despising life, that nebulous expression which belongs,
+though for other reasons, to _blases_ men,--men dissatisfied with hollow
+lives. To love without hope, to be disgusted with life, constitute, in
+these days, a social position. The enterprise of winning the heart of
+a sovereign might give, perhaps, more hope than a love rashly conceived
+for a happy woman. Therefore Maulincour had sufficient reason to be
+grave and gloomy. A queen has the vanity of her power; the height of her
+elevation protects her. But a pious _bourgeoise_ is like a hedgehog, or
+an oyster, in its rough wrappings.
+
+At this moment the young officer was beside his unconscious mistress,
+who certainly was unaware that she was doubly faithless. Madame
+Jules was seated, in a naive attitude, like the least artful woman in
+existence, soft and gentle, full of a majestic serenity. What an abyss
+is human nature! Before beginning a conversation, the baron looked
+alternately at the wife and at the husband. How many were the
+reflections he made! He recomposed the "Night Thoughts" of Young in a
+second. And yet the music was sounding through the salons, the light was
+pouring from a thousand candles. It was a banker's ball,--one of those
+insolent festivals by means of which the world of solid gold endeavored
+to sneer at the gold-embossed salons where the faubourg Saint-Germain
+met and laughed, not foreseeing the day when the bank would invade the
+Luxembourg and take its seat upon the throne. The conspirators were now
+dancing, indifferent to coming bankruptcies, whether of Power or of
+the Bank. The gilded salons of the Baron de Nucingen were gay with that
+peculiar animation that the world of Paris, apparently joyous at any
+rate, gives to its fetes. There, men of talent communicate their wit to
+fools, and fools communicate that air of enjoyment that characterizes
+them. By means of this exchange all is liveliness. But a ball in Paris
+always resembles fireworks to a certain extent; wit, coquetry, and
+pleasure sparkle and go out like rockets. The next day all present have
+forgotten their wit, their coquetry, their pleasure.
+
+"Ah!" thought Auguste, by way of conclusion, "women are what the vidame
+says they are. Certainly all those dancing here are less irreproachable
+actually than Madame Jules appears to be, and yet Madame Jules went to
+the rue Soly!"
+
+The rue Soly was like an illness to him; the very word shrivelled his
+heart.
+
+"Madame, do you ever dance?" he said to her.
+
+"This is the third time you have asked me that question this winter,"
+she answered, smiling.
+
+"But perhaps you have never answered it."
+
+"That is true."
+
+"I knew very well that you were false, like other women."
+
+Madame Jules continued to smile.
+
+"Listen, monsieur," she said; "if I told you the real reason, you would
+think it ridiculous. I do not think it false to abstain from telling
+things that the world would laugh at."
+
+"All secrets demand, in order to be told, a friendship of which I am no
+doubt unworthy, madame. But you cannot have any but noble secrets; do
+you think me capable of jesting on noble things?"
+
+"Yes," she said, "you, like all the rest, laugh at our purest
+sentiments; you calumniate them. Besides, I have no secrets. I have the
+right to love my husband in the face of all the world, and I say so,--I
+am proud of it; and if you laugh at me when I tell you that I dance only
+with him, I shall have a bad opinion of your heart."
+
+"Have you never danced since your marriage with any one but your
+husband?"
+
+"Never. His arm is the only one on which I have leaned; I have never
+felt the touch of another man."
+
+"Has your physician never felt your pulse?"
+
+"Now you are laughing at me."
+
+"No, madame, I admire you, because I comprehend you. But you let a man
+hear your voice, you let yourself be seen, you--in short, you permit our
+eyes to admire you--"
+
+"Ah!" she said, interrupting him, "that is one of my griefs. Yes, I wish
+it were possible for a married woman to live secluded with her husband,
+as a mistress lives with her lover, for then--"
+
+"Then why were you, two hours ago, on foot, disguised, in the rue Soly?"
+
+"The rue Soly, where is that?"
+
+And her pure voice gave no sign of any emotion; no feature of her face
+quivered; she did not blush; she remained calm.
+
+"What! you did not go up to the second floor of a house in the rue
+des Vieux-Augustins at the corner of the rue Soly? You did not have
+a hackney-coach waiting near by? You did not return in it to the
+flower-shop in the rue Richelieu, where you bought the feathers that are
+now in your hair?"
+
+"I did not leave my house this evening."
+
+As she uttered that lie she was smiling and imperturbable; she played
+with her fan; but if any one had passed a hand down her back they would,
+perhaps, have found it moist. At that instant Auguste remembered the
+instructions of the vidame.
+
+"Then it was some one who strangely resembled you," he said, with a
+credulous air.
+
+"Monsieur," she replied, "if you are capable of following a woman and
+detecting her secrets, you will allow me to say that it is a wrong, a
+very wrong thing, and I do you the honor to say that I disbelieve you."
+
+The baron turned away, placed himself before the fireplace and seemed
+thoughtful. He bent his head; but his eyes were covertly fixed on Madame
+Jules, who, not remembering the reflections in the mirror, cast two or
+three glances at him that were full of terror. Presently she made a sign
+to her husband and rising took his arm to walk about the salon. As she
+passed before Monsieur de Maulincour, who at that moment was speaking
+to a friend, he said in a loud voice, as if in reply to a remark:
+"That woman will certainly not sleep quietly this night." Madame
+Jules stopped, gave him an imposing look which expressed contempt,
+and continued her way, unaware that another look, if surprised by her
+husband, might endanger not only her happiness but the lives of two men.
+Auguste, frantic with anger, which he tried to smother in the depths of
+his soul, presently left the house, swearing to penetrate to the heart
+of the mystery. Before leaving, he sought Madame Jules, to look at her
+again; but she had disappeared.
+
+What a drama cast into that young head so eminently romantic, like all
+who have not known love in the wide extent which they give to it. He
+adored Madame Jules under a new aspect; he loved her now with the fury
+of jealousy and the frenzied anguish of hope. Unfaithful to her husband,
+the woman became common. Auguste could now give himself up to the
+joys of successful love, and his imagination opened to him a career
+of pleasures. Yes, he had lost the angel, but he had found the most
+delightful of demons. He went to bed, building castles in the air,
+excusing Madame Jules by some romantic fiction in which he did not
+believe. He resolved to devote himself wholly, from that day forth, to
+a search for the causes, motives, and keynote of this mystery. It was a
+tale to read, or better still, a drama to be played, in which he had a
+part.
+
+
+
+
+CHAPTER II. FERRAGUS
+
+A fine thing is the task of a spy, when performed for one's own benefit
+and in the interests of a passion. Is it not giving ourselves the
+pleasure of a thief and a rascal while continuing honest men? But there
+is another side to it; we must resign ourselves to boil with anger, to
+roar with impatience, to freeze our feet in the mud, to be numbed, and
+roasted, and torn by false hopes. We must go, on the faith of a mere
+indication, to a vague object, miss our end, curse our luck, improvise
+to ourselves elegies, dithyrambics, exclaim idiotically before
+inoffensive pedestrians who observe us, knock over old apple-women and
+their baskets, run hither and thither, stand on guard beneath a window,
+make a thousand suppositions. But, after all, it is a chase, a hunt; a
+hunt in Paris, a hunt with all its chances, minus dogs and guns and
+the tally-ho! Nothing compares with it but the life of gamblers. But
+it needs a heart big with love and vengeance to ambush itself in Paris,
+like a tiger waiting to spring upon its prey, and to enjoy the chances
+and contingencies of Paris, by adding one special interest to the many
+that abound there. But for this we need a many-sided soul--for must we
+not live in a thousand passions, a thousand sentiments?
+
+Auguste de Maulincour flung himself into this ardent existence
+passionately, for he felt all its pleasures and all its misery. He went
+disguised about Paris, watching at the corners of the rue Pagevin and
+the rue des Vieux-Augustins. He hurried like a hunter from the rue de
+Menars to the rue Soly, and back from the rue Soly to the rue de Menars,
+without obtaining either the vengeance or the knowledge which would
+punish or reward such cares, such efforts, such wiles. But he had not
+yet reached that impatience which wrings our very entrails and makes us
+sweat; he roamed in hope, believing that Madame Jules would only refrain
+for a few days from revisiting the place where she knew she had been
+detected. He devoted the first days therefore, to a careful study of
+the secrets of the street. A novice at such work, he dared not question
+either the porter or the shoemaker of the house to which Madame Jules
+had gone; but he managed to obtain a post of observation in a house
+directly opposite to the mysterious apartment. He studied the ground,
+trying to reconcile the conflicting demands of prudence, impatience,
+love, and secrecy.
+
+Early in the month of March, while busy with plans by which he expected
+to strike a decisive blow, he left his post about four in the afternoon,
+after one of those patient watches from which he had learned nothing.
+He was on his way to his own house whither a matter relating to
+his military service called him, when he was overtaken in the rue
+Coquilliere by one of those heavy showers which instantly flood the
+gutters, while each drop of rain rings loudly in the puddles of the
+roadway. A pedestrian under these circumstances is forced to stop short
+and take refuge in a shop or cafe if he is rich enough to pay for
+the forced hospitality, or, if in poorer circumstances, under a
+_porte-cochere_, that haven of paupers or shabbily dressed persons. Why
+have none of our painters ever attempted to reproduce the physiognomies
+of a swarm of Parisians, grouped, under stress of weather, in the damp
+_porte-cochere_ of a building? First, there's the musing philosophical
+pedestrian, who observes with interest all he sees,--whether it be the
+stripes made by the rain on the gray background of the atmosphere (a
+species of chasing not unlike the capricious threads of spun glass), or
+the whirl of white water which the wind is driving like a luminous
+dust along the roofs, or the fitful disgorgements of the gutter-pipes,
+sparkling and foaming; in short, the thousand nothings to be admired and
+studied with delight by loungers, in spite of the porter's broom which
+pretends to be sweeping out the gateway. Then there's the talkative
+refugee, who complains and converses with the porter while he rests on
+his broom like a grenadier on his musket; or the pauper wayfarer, curled
+against the wall indifferent to the condition of his rags, long used,
+alas, to contact with the streets; or the learned pedestrian who
+studies, spells, and reads the posters on the walls without finishing
+them; or the smiling pedestrian who makes fun of others to whom some
+street fatality has happened, who laughs at the muddy women, and makes
+grimaces at those of either sex who are looking from the windows; and
+the silent being who gazes from floor to floor; and the working-man,
+armed with a satchel or a paper bundle, who is estimating the rain as a
+profit or loss; and the good-natured fugitive, who arrives like a shot
+exclaiming, "Ah! what weather, messieurs, what weather!" and bows
+to every one; and, finally, the true _bourgeois_ of Paris, with his
+unfailing umbrella, an expert in showers, who foresaw this particular
+one, but would come out in spite of his wife; this one takes a seat in
+the porter's chair. According to individual character, each member of
+this fortuitous society contemplates the skies, and departs, skipping
+to avoid the mud,--because he is in a hurry, or because he sees other
+citizens walking along in spite of wind and slush, or because, the
+archway being damp and mortally catarrhal, the bed's edge, as the
+proverb says, is better than the sheets. Each one has his motive. No one
+is left but the prudent pedestrian, the man who, before he sets forth,
+makes sure of a scrap of blue sky through the rifting clouds.
+
+Monsieur de Maulincour took refuge, as we have said, with a whole family
+of fugitives, under the porch of an old house, the court-yard of
+which looked like the flue of a chimney. The sides of its plastered,
+nitrified, and mouldy walls were so covered with pipes and conduits from
+all the many floors of its four elevations, that it might have been
+said to resemble at that moment the _cascatelles_ of Saint-Cloud. Water
+flowed everywhere; it boiled, it leaped, it murmured; it was black,
+white, blue, and green; it shrieked, it bubbled under the broom of the
+portress, a toothless old woman used to storms, who seemed to bless them
+as she swept into the street a mass of scraps an intelligent inventory
+of which would have revealed the lives and habits of every dweller
+in the house,--bits of printed cottons, tea-leaves, artificial
+flower-petals faded and worthless, vegetable parings, papers, scraps of
+metal. At every sweep of her broom the old woman bared the soul of the
+gutter, that black fissure on which a porter's mind is ever bent. The
+poor lover examined this scene, like a thousand others which our heaving
+Paris presents daily; but he examined it mechanically, as a man absorbed
+in thought, when, happening to look up, he found himself all but nose to
+nose with a man who had just entered the gateway.
+
+In appearance this man was a beggar, but not the Parisian beggar,--that
+creation without a name in human language; no, this man formed another
+type, while presenting on the outside all the ideas suggested by
+the word "beggar." He was not marked by those original Parisian
+characteristics which strike us so forcibly in the paupers whom Charlet
+was fond of representing, with his rare luck in observation,--coarse
+faces reeking of mud, hoarse voices, reddened and bulbous noses, mouths
+devoid of teeth but menacing; humble yet terrible beings, in whom a
+profound intelligence shining in their eyes seems like a contradiction.
+Some of these bold vagabonds have blotched, cracked, veiny skins; their
+foreheads are covered with wrinkles, their hair scanty and dirty, like
+a wig thrown on a dust-heap. All are gay in their degradation, and
+degraded in their joys; all are marked with the stamp of debauchery,
+casting their silence as a reproach; their very attitude revealing
+fearful thoughts. Placed between crime and beggary they have no
+compunctions, and circle prudently around the scaffold without mounting
+it, innocent in the midst of crime, and vicious in their innocence. They
+often cause a laugh, but they always cause reflection. One represents
+to you civilization stunted, repressed; he comprehends everything, the
+honor of the galleys, patriotism, virtue, the malice of a vulgar crime,
+or the fine astuteness of elegant wickedness. Another is resigned, a
+perfect mimer, but stupid. All have slight yearnings after order and
+work, but they are pushed back into their mire by society, which makes
+no inquiry as to what there may be of great men, poets, intrepid souls,
+and splendid organizations among these vagrants, these gypsies of Paris;
+a people eminently good and eminently evil--like all the masses who
+suffer--accustomed to endure unspeakable woes, and whom a fatal power
+holds ever down to the level of the mire. They all have a dream, a hope,
+a happiness,--cards, lottery, or wine.
+
+There was nothing of all this in the personage who now leaned carelessly
+against the wall in front of Monsieur de Maulincour, like some fantastic
+idea drawn by an artist on the back of a canvas the front of which is
+turned to the wall. This tall, spare man, whose leaden visage expressed
+some deep but chilling thought, dried up all pity in the hearts of those
+who looked at him by the scowling look and the sarcastic attitude which
+announced an intention of treating every man as an equal. His face was
+of a dirty white, and his wrinkled skull, denuded of hair, bore a vague
+resemblance to a block of granite. A few gray locks on either side
+of his head fell straight to the collar of his greasy coat, which was
+buttoned to the chin. He resembled both Voltaire and Don Quixote;
+he was, apparently, scoffing but melancholy, full of disdain and
+philosophy, but half-crazy. He seemed to have no shirt. His beard was
+long. A rusty black cravat, much worn and ragged, exposed a protuberant
+neck deeply furrowed, with veins as thick as cords. A large brown circle
+like a bruise was strongly marked beneath his eyes, He seemed to be at
+least sixty years old. His hands were white and clean. His boots were
+trodden down at the heels, and full of holes. A pair of blue trousers,
+mended in various places, were covered with a species of fluff which
+made them offensive to the eye. Whether it was that his damp clothes
+exhaled a fetid odor, or that he had in his normal condition the "poor
+smell" which belongs to Parisian tenements, just as offices, sacristies,
+and hospitals have their own peculiar and rancid fetidness, of which
+no words can give the least idea, or whether some other reason affected
+them, those in the vicinity of this man immediately moved away and
+left him alone. He cast upon them and also upon the officer a calm,
+expressionless look, the celebrated look of Monsieur de Talleyrand,
+a dull, wan glance, without warmth, a species of impenetrable veil,
+beneath which a strong soul hides profound emotions and close estimation
+of men and things and events. Not a fold of his face quivered. His mouth
+and forehead were impassible; but his eyes moved and lowered themselves
+with a noble, almost tragic slowness. There was, in fact, a whole drama
+in the motion of those withered eyelids.
+
+The aspect of this stoical figure gave rise in Monsieur de Maulincour
+to one of those vagabond reveries which begin with a common question and
+end by comprising a world of thought. The storm was past. Monsieur de
+Maulincour presently saw no more of the man than the tail of his coat
+as it brushed the gate-post, but as he turned to leave his own place
+he noticed at his feet a letter which must have fallen from the unknown
+beggar when he took, as the baron had seen him take, a handkerchief from
+his pocket. The young man picked it up, and read, involuntarily, the
+address: "To Monsieur Ferragusse, Rue des Grands-Augustains, corner of
+rue Soly."
+
+The letter bore no postmark, and the address prevented Monsieur de
+Maulincour from following the beggar and returning it; for there are few
+passions that will not fail in rectitude in the long run. The baron
+had a presentiment of the opportunity afforded by this windfall. He
+determined to keep the letter, which would give him the right to enter
+the mysterious house to return it to the strange man, not doubting that
+he lived there. Suspicions, vague as the first faint gleams of daylight,
+made him fancy relations between this man and Madame Jules. A jealous
+lover supposes everything; and it is by supposing everything and
+selecting the most probable of their conjectures that judges, spies,
+lovers, and observers get at the truth they are looking for.
+
+"Is the letter for him? Is it from Madame Jules?"
+
+His restless imagination tossed a thousand such questions to him;
+but when he read the first words of the letter he smiled. Here it
+is, textually, in all the simplicity of its artless phrases and its
+miserable orthography,--a letter to which it would be impossible to add
+anything, or to take anything away, unless it were the letter itself.
+But we have yielded to the necessity of punctuating it. In the original
+there were neither commas nor stops of any kind, not even notes of
+exclamation,--a fact which tends to undervalue the system of notes
+and dashes by which modern authors have endeavored to depict the great
+disasters of all the passions:--
+
+
+ Henry,--Among the manny sacrifisis I imposed upon myself for your
+ sake was that of not giving you anny news of me; but an
+ iresistible voise now compells me to let you know the wrong you
+ have done me. I know beforehand that your soul hardened in vise
+ will not pitty me. Your heart is deaf to feeling. Is it deaf to
+ the cries of nature? But what matter? I must tell you to what a
+ dredful point you are gilty, and the horror of the position to
+ which you have brought me. Henry, you knew what I sufered from my
+ first wrong-doing, and yet you plunged me into the same misery,
+ and then abbandoned me to my dispair and sufering. Yes, I will say
+ it, the belif I had that you loved me and esteemed me gave me
+ corage to bare my fate. But now, what have I left? Have you not
+ made me loose all that was dear to me, all that held me to life;
+ parents, frends, onor, reputation,--all, I have sacrifised all to
+ you, and nothing is left me but shame, oprobrum, and--I say this
+ without blushing--poverty. Nothing was wanting to my misfortunes
+ but the sertainty of your contempt and hatred; and now I have them
+ I find the corage that my project requires. My decision is made;
+ the onor of my famly commands it. I must put an end to my
+ suferins. Make no remarks upon my conduct, Henry; it is orful, I
+ know, but my condition obliges me. Without help, without suport,
+ without one frend to comfort me, can I live? No. Fate has desided
+ for me. So in two days, Henry, two days, Ida will have seased to
+ be worthy of your regard. Oh, Henry! oh, my frend! for I can never
+ change to you, promise me to forgive me for what I am going to do.
+ Do not forget that you have driven me to it; it is your work, and
+ you must judge it. May heven not punish you for all your crimes. I
+ ask your pardon on my knees, for I feel nothing is wanting to my
+ misery but the sorow of knowing you unhappy. In spite of the
+ poverty I am in I shall refuse all help from you. If you had loved
+ me I would have taken all from your friendship; but a benfit given
+ by pitty _my soul refussis_. I would be baser to take it than he
+ who offered it. I have one favor to ask of you. I don't know how
+ long I must stay at Madame Meynardie's; be genrous enough not to
+ come there. Your last two vissits did me a harm I cannot get ofer.
+ I cannot enter into particlers about that conduct of yours. You
+ hate me,--you said so; that word is writen on my heart, and
+ freeses it with fear. Alas! it is now, when I need all my corage,
+ all my strength, that my faculties abandon me. Henry, my frend,
+ before I put a barrier forever between us, give me a last pruf of
+ your esteem. Write me, answer me, say you respect me still, though
+ you have seased to love me. My eyes are worthy still to look into
+ yours, but I do not ask an interfew; I fear my weakness and my
+ love. But for pitty's sake write me a line at once; it will give
+ me the corage I need to meet my trubbles. Farewell, orther of all
+ my woes, but the only frend my heart has chosen and will never
+ forget.
+
+Ida.
+
+
+This life of a young girl, with its love betrayed, its fatal joys, its
+pangs, its miseries, and its horrible resignation, summed up in a few
+words, this humble poem, essentially Parisian, written on dirty paper,
+influenced for a passing moment Monsieur de Maulincour. He asked himself
+whether this Ida might not be some poor relation of Madame Jules, and
+that strange rendezvous, which he had witnessed by chance, the mere
+necessity of a charitable effort. But could that old pauper have seduced
+this Ida? There was something impossible in the very idea. Wandering in
+this labyrinth of reflections, which crossed, recrossed, and obliterated
+one another, the baron reached the rue Pagevin, and saw a hackney-coach
+standing at the end of the rue des Vieux-Augustins where it enters the
+rue Montmartre. All waiting hackney-coaches now had an interest for him.
+
+"Can she be there?" he thought to himself, and his heart beat fast with
+a hot and feverish throbbing.
+
+He pushed the little door with the bell, but he lowered his head as he
+did so, obeying a sense of shame, for a voice said to him secretly:--
+
+"Why are you putting your foot into this mystery?"
+
+He went up a few steps, and found himself face to face with the old
+portress.
+
+"Monsieur Ferragus?" he said.
+
+"Don't know him."
+
+"Doesn't Monsieur Ferragus live here?"
+
+"Haven't such a name in the house."
+
+"But, my good woman--"
+
+"I'm not your good woman, monsieur, I'm the portress."
+
+"But, madame," persisted the baron, "I have a letter for Monsieur
+Ferragus."
+
+"Ah! if monsieur has a letter," she said, changing her tone, "that's
+another matter. Will you let me see it--that letter?"
+
+Auguste showed the folded letter. The old woman shook her head with a
+doubtful air, hesitated, seemed to wish to leave the lodge and inform
+the mysterious Ferragus of his unexpected visitor, but finally said:--
+
+"Very good; go up, monsieur. I suppose you know the way?"
+
+Without replying to this remark, which he thought might be a trap, the
+young officer ran lightly up the stairway, and rang loudly at the door
+of the second floor. His lover's instinct told him, "She is there."
+
+The beggar of the porch, Ferragus, the "orther" of Ida's woes, opened
+the door himself. He appeared in a flowered dressing-gown, white flannel
+trousers, his feet in embroidered slippers, and his face washed clean of
+stains. Madame Jules, whose head projected beyond the casing of the door
+in the next room, turned pale and dropped into a chair.
+
+"What is the matter, madame?" cried the officer, springing toward her.
+
+But Ferragus stretched forth an arm and flung the intruder back with so
+sharp a thrust that Auguste fancied he had received a blow with an iron
+bar full on his chest.
+
+"Back! monsieur," said the man. "What do you want there? For five or six
+days you have been roaming about the neighborhood. Are you a spy?"
+
+"Are you Monsieur Ferragus?" said the baron.
+
+"No, monsieur."
+
+"Nevertheless," continued Auguste, "it is to you that I must return this
+paper which you dropped in the gateway beneath which we both took refuge
+from the rain."
+
+While speaking and offering the letter to the man, Auguste did not
+refrain from casting an eye around the room where Ferragus received him.
+It was very well arranged, though simply. A fire burned on the hearth;
+and near it was a table with food upon it, which was served more
+sumptuously than agreed with the apparent conditions of the man and the
+poorness of his lodging. On a sofa in the next room, which he could
+see through the doorway, lay a heap of gold, and he heard a sound which
+could be no other than that of a woman weeping.
+
+"The paper belongs to me; I am much obliged to you," said the mysterious
+man, turning away as if to make the baron understand that he must go.
+
+Too curious himself to take much note of the deep examination of which
+he was himself the object, Auguste did not see the half-magnetic glance
+with which this strange being seemed to pierce him; had he encountered
+that basilisk eye he might have felt the danger that encompassed him.
+Too passionately excited to think of himself, Auguste bowed, went
+down the stairs, and returned home, striving to find a meaning in the
+connection of these three persons,--Ida, Ferragus, and Madame Jules;
+an occupation equivalent to that of trying to arrange the many-cornered
+bits of a Chinese puzzle without possessing the key to the game. But
+Madame Jules had seen him, Madame Jules went there, Madame Jules had
+lied to him. Maulincour determined to go and see her the next day. She
+could not refuse his visit, for he was now her accomplice; he was hands
+and feet in the mysterious affair, and she knew it. Already he
+felt himself a sultan, and thought of demanding from Madame Jules,
+imperiously, all her secrets.
+
+In those days Paris was seized with a building-fever. If Paris is
+a monster, it is certainly a most mania-ridden monster. It becomes
+enamored of a thousand fancies: sometimes it has a mania for building,
+like a great seigneur who loves a trowel; soon it abandons the trowel
+and becomes all military; it arrays itself from head to foot as a
+national guard, and drills and smokes; suddenly, it abandons military
+manoeuvres and flings away cigars; it is commercial, care-worn, falls
+into bankruptcy, sells its furniture on the place de Chatelet, files its
+schedule; but a few days later, lo! it has arranged its affairs and is
+giving fetes and dances. One day it eats barley-sugar by the mouthful,
+by the handful; yesterday it bought "papier Weymen"; to-day the
+monster's teeth ache, and it applies to its walls an alexipharmatic
+to mitigate their dampness; to-morrow it will lay in a provision of
+pectoral paste. It has its manias for the month, for the season, for the
+year, like its manias of a day.
+
+So, at the moment of which we speak, all the world was building or
+pulling down something,--people hardly knew what as yet. There were very
+few streets in which high scaffoldings on long poles could not be seen,
+fastened from floor to floor with transverse blocks inserted into holes
+in the walls on which the planks were laid,--a frail construction,
+shaken by the brick-layers, but held together by ropes, white with
+plaster, and insecurely protected from the wheels of carriages by the
+breastwork of planks which the law requires round all such buildings.
+There is something maritime in these masts, and ladders, and cordage,
+even in the shouts of the masons. About a dozen yards from the hotel
+Maulincour, one of these ephemeral barriers was erected before a house
+which was then being built of blocks of free-stone. The day after the
+event we have just related, at the moment when the Baron de Maulincour
+was passing this scaffolding in his cabriolet on his way to see Madame
+Jules, a stone, two feet square, which was being raised to the upper
+storey of this building, got loose from the ropes and fell, crushing the
+baron's servant who was behind the cabriolet. A cry of horror shook both
+the scaffold and the masons; one of them, apparently unable to keep his
+grasp on a pole, was in danger of death, and seemed to have been touched
+by the stone as it passed him.
+
+A crowd collected rapidly; the masons came down the ladders swearing
+and insisting that Monsieur de Maulincour's cabriolet had been driven
+against the boarding and so had shaken their crane. Two inches more and
+the stone would have fallen on the baron's head. The groom was dead,
+the carriage shattered. 'Twas an event for the whole neighborhood, the
+newspapers told of it. Monsieur de Maulincour, certain that he had not
+touched the boarding, complained; the case went to court. Inquiry being
+made, it was shown that a small boy, armed with a lath, had mounted
+guard and called to all foot-passengers to keep away. The affair ended
+there. Monsieur de Maulincour obtained no redress. He had lost his
+servant, and was confined to his bed for some days, for the back of the
+carriage when shattered had bruised him severely, and the nervous shock
+of the sudden surprise gave him a fever. He did not, therefore, go to
+see Madame Jules.
+
+Ten days after this event, he left the house for the first time, in his
+repaired cabriolet, when, as he drove down the rue de Bourgogne and was
+close to the sewer opposite to the Chamber of Deputies, the axle-tree
+broke in two, and the baron was driving so rapidly that the breakage
+would have caused the two wheels to come together with force enough to
+break his head, had it not been for the resistance of the leather hood.
+Nevertheless, he was badly wounded in the side. For the second time in
+ten days he was carried home in a fainting condition to his terrified
+grandmother. This second accident gave him a feeling of distrust; he
+thought, though vaguely, of Ferragus and Madame Jules. To throw light on
+these suspicions he had the broken axle brought to his room and sent
+for his carriage-maker. The man examined the axle and the fracture,
+and proved two things: First, the axle was not made in his workshop; he
+furnished none that did not bear the initials of his name on the iron.
+But he could not explain by what means this axle had been substituted
+for the other. Secondly, the breakage of the suspicious axle was caused
+by a hollow space having been blown in it and a straw very cleverly
+inserted.
+
+"Eh! Monsieur le baron, whoever did that was malicious!" he said; "any
+one would swear, to look at it, that the axle was sound."
+
+Monsieur de Maulincour begged the carriage-maker to say nothing of the
+affair; but he felt himself warned. These two attempts at murder were
+planned with an ability which denoted the enmity of intelligent minds.
+
+"It is war to the death," he said to himself, as he tossed in his
+bed,--"a war of savages, skulking in ambush, of trickery and treachery,
+declared in the name of Madame Jules. What sort of man is this to whom
+she belongs? What species of power does this Ferragus wield?"
+
+Monsieur de Maulincour, though a soldier and brave man, could not
+repress a shudder. In the midst of many thoughts that now assailed him,
+there was one against which he felt he had neither defence nor courage:
+might not poison be employed ere long by his secret enemies? Under the
+influence of fears, which his momentary weakness and fever and low diet
+increased, he sent for an old woman long attached to the service of his
+grandmother, whose affection for himself was one of those semi-maternal
+sentiments which are the sublime of the commonplace. Without confiding
+in her wholly, he charged her to buy secretly and daily, in different
+localities, the food he needed; telling her to keep it under lock and
+key and bring it to him herself, not allowing any one, no matter who, to
+approach her while preparing it. He took the most minute precautions to
+protect himself against that form of death. He was ill in his bed
+and alone, and he had therefore the leisure to think of his own
+security,--the one necessity clear-sighted enough to enable human
+egotism to forget nothing!
+
+But the unfortunate man had poisoned his own life by this dread, and,
+in spite of himself, suspicion dyed all his hours with its gloomy tints.
+These two lessons of attempted assassination did teach him, however, the
+value of one of the virtues most necessary to a public man; he saw the
+wise dissimulation that must be practised in dealing with the great
+interests of life. To be silent about our own secret is nothing; but to
+be silent from the start, to forget a fact as Ali Pacha did for thirty
+years in order to be sure of a vengeance waited for for thirty years,
+is a fine study in a land where there are few men who can keep their
+own counsel for thirty days. Monsieur de Maulincour literally lived only
+through Madame Jules. He was perpetually absorbed in a sober examination
+into the means he ought to employ to triumph in this mysterious struggle
+with these mysterious persons. His secret passion for that woman grew
+by reason of all these obstacles. Madame Jules was ever there, erect, in
+the midst of his thoughts, in the centre of his heart, more seductive by
+her presumable vices than by the positive virtues for which he had made
+her his idol.
+
+At last, anxious to reconnoitre the position of the enemy, he thought
+he might without danger initiate the vidame into the secrets of his
+situation. The old commander loved Auguste as a father loves his wife's
+children; he was shrewd, dexterous, and very diplomatic. He listened to
+the baron, shook his head, and they both held counsel. The worthy vidame
+did not share his young friend's confidence when Auguste declared that
+in the time in which they now lived, the police and the government were
+able to lay bare all mysteries, and that if it were absolutely necessary
+to have recourse to those powers, he should find them most powerful
+auxiliaries.
+
+The old man replied, gravely: "The police, my dear boy, is the most
+incompetent thing on this earth, and government the feeblest in all
+matters concerning individuals. Neither the police nor the government
+can read hearts. What we might reasonably ask of them is to search
+for the causes of an act. But the police and the government are both
+eminently unfitted for that; they lack, essentially, the personal
+interest which reveals all to him who wants to know all. No human power
+can prevent an assassin or a poisoner from reaching the heart of a
+prince or the stomach of an honest man. Passions are the best police."
+
+The vidame strongly advised the baron to go to Italy, and from Italy
+to Greece, from Greece to Syria, from Syria to Asia, and not to return
+until his secret enemies were convinced of his repentance, and would so
+make tacit peace with him. But if he did not take that course, then the
+vidame advised him to stay in the house, and even in his own room, where
+he would be safe from the attempts of this man Ferragus, and not to
+leave it until he could be certain of crushing him.
+
+"We should never touch an enemy until we can be sure of taking his head
+off," he said, gravely.
+
+The old man, however, promised his favorite to employ all the astuteness
+with which Heaven had provided him (without compromising any one)
+in reconnoitring the enemy's ground, and laying his plans for future
+victory. The Commander had in his service a retired Figaro, the wiliest
+monkey that ever walked in human form; in earlier days as clever as a
+devil, working his body like a galley-slave, alert as a thief, sly as a
+woman, but now fallen into the decadence of genius for want of practice
+since the new constitution of Parisian society, which has reformed even
+the valets of comedy. This Scapin emeritus was attached to his master
+as to a superior being; but the shrewd old vidame added a good round
+sum yearly to the wages of his former provost of gallantry,
+which strengthened the ties of natural affection by the bonds of
+self-interest, and obtained for the old gentleman as much care as the
+most loving mistress could bestow on a sick friend. It was this pearl
+of the old-fashioned comedy-valets, relic of the last century, auxiliary
+incorruptible from lack of passions to satisfy, on whom the old vidame
+and Monsieur de Maulincour now relied.
+
+"Monsieur le baron will spoil all," said the great man in livery, when
+called into counsel. "Monsieur should eat, drink, and sleep in peace. I
+take the whole matter upon myself."
+
+Accordingly, eight days after the conference, when Monsieur de
+Maulincour, perfectly restored to health, was breakfasting with his
+grandmother and the vidame, Justin entered to make his report. As soon
+as the dowager had returned to her own apartments he said, with that
+mock modesty which men of talent are so apt to affect:--
+
+"Ferragus is not the name of the enemy who is pursuing Monsieur le
+baron. This man--this devil, rather--is called Gratien, Henri, Victor,
+Jean-Joseph Bourignard. The Sieur Gratien Bourignard is a former
+ship-builder, once very rich, and, above all, one of the handsomest
+men of his day in Paris,--a Lovelace, capable of seducing Grandison.
+My information stops short there. He has been a simple workman; and the
+Companions of the Order of the Devorants did, at one time, elect him as
+their chief, under the title of Ferragus XXIII. The police ought to know
+that, if the police were instituted to know anything. The man has moved
+from the rue des Vieux-Augustins, and now roosts rue Joquelet, where
+Madame Jules Desmarets goes frequently to see him; sometimes her
+husband, on his way to the Bourse, drives her as far as the rue
+Vivienne, or she drives her husband to the Bourse. Monsieur le vidame
+knows about these things too well to want me to tell him if it is the
+husband who takes the wife, or the wife who takes the husband; but
+Madame Jules is so pretty, I'd bet on her. All that I have told you is
+positive. Bourignard often plays at number 129. Saving your presence,
+monsieur, he's a rogue who loves women, and he has his little ways
+like a man of condition. As for the rest, he wins sometimes, disguises
+himself like an actor, paints his face to look like anything he chooses,
+and lives, I may say, the most original life in the world. I don't doubt
+he has a good many lodgings, for most of the time he manages to evade
+what Monsieur le vidame calls 'parliamentary investigations.' If
+monsieur wishes, he could be disposed of honorably, seeing what his
+habits are. It is always easy to get rid of a man who loves women.
+However, this capitalist talks about moving again. Have Monsieur le
+vidame and Monsieur le baron any other commands to give me?"
+
+"Justin, I am satisfied with you; don't go any farther in the matter
+without my orders, but keep a close watch here, so that Monsieur le
+baron may have nothing to fear."
+
+"My dear boy," continued the vidame, when they were alone, "go back to
+your old life, and forget Madame Jules."
+
+"No, no," said Auguste; "I will never yield to Gratien Bourignard. I
+will have him bound hand and foot, and Madame Jules also."
+
+That evening the Baron Auguste de Maulincour, recently promoted to
+higher rank in the company of the Body-Guard of the king, went to a
+ball given by Madame la Duchesse de Berry at the Elysee-Bourbon. There,
+certainly, no danger could lurk for him; and yet, before he left the
+palace, he had an affair of honor on his hands,--an affair it was
+impossible to settle except by a duel.
+
+His adversary, the Marquis de Ronquerolles, considered that he had
+strong reasons to complain of Monsieur de Maulincour, who had given some
+ground for it during his former intimacy with Monsieur de Ronquerolles'
+sister, the Comtesse de Serizy. That lady, the one who detested German
+sentimentality, was all the more exacting in the matter of prudery. By
+one of those inexplicable fatalities, Auguste now uttered a harmless
+jest which Madame de Serizy took amiss, and her brother resented it. The
+discussion took place in the corner of a room, in a low voice. In good
+society, adversaries never raise their voices. The next day the faubourg
+Saint-Germain and the Chateau talked over the affair. Madame de Serizy
+was warmly defended, and all the blame was laid on Maulincour. August
+personages interfered. Seconds of the highest distinction were imposed
+on Messieurs de Maulincour and de Ronquerolles and every precaution was
+taken on the ground that no one should be killed.
+
+When Auguste found himself face to face with his antagonist, a man of
+pleasure, to whom no one could possibly deny sentiments of the highest
+honor, he felt it was impossible to believe him the instrument of
+Ferragus, chief of the Devorants; and yet he was compelled, as it were,
+by an inexplicable presentiment, to question the marquis.
+
+"Messieurs," he said to the seconds, "I certainly do not refuse to
+meet the fire of Monsieur de Ronquerolles; but before doing so, I here
+declare that I was to blame, and I offer him whatever excuses he may
+desire, and publicly if he wishes it; because when the matter concerns a
+woman, nothing, I think, can degrade a man of honor. I therefore appeal
+to his generosity and good sense; is there not something rather silly in
+fighting without a cause?"
+
+Monsieur de Ronquerolles would not allow of this way of ending the
+affair, and then the baron, his suspicions revived, walked up to him.
+
+"Well, then! Monsieur le marquis," he said, "pledge me, in presence of
+these gentlemen, your word as a gentleman that you have no other reason
+for vengeance than that you have chosen to put forward."
+
+"Monsieur, that is a question you have no right to ask."
+
+So saying, Monsieur de Ronquerolles took his place. It was agreed, in
+advance, that the adversaries were to be satisfied with one exchange
+of shots. Monsieur de Ronquerolles, in spite of the great distance
+determined by the seconds, which seemed to make the death of either
+party problematical, if not impossible, brought down the baron. The ball
+went through the latter's body just below the heart, but fortunately
+without doing vital injury.
+
+"You aimed too well, monsieur," said the baron, "to be avenging only a
+paltry quarrel."
+
+And he fainted. Monsieur de Ronquerolles, who believed him to be a dead
+man, smiled sardonically as he heard those words.
+
+After a fortnight, during which time the dowager and the vidame gave
+him those cares of old age the secret of which is in the hands of long
+experience only, the baron began to return to life. But one morning his
+grandmother dealt him a crushing blow, by revealing anxieties to which,
+in her last days, she was now subjected. She showed him a letter signed
+F, in which the history of her grandson's secret espionage was recounted
+step by step. The letter accused Monsieur de Maulincour of actions that
+were unworthy of a man of honor. He had, it said, placed an old woman
+at the stand of hackney-coaches in the rue de Menars; an old spy, who
+pretended to sell water from her cask to the coachmen, but who was
+really there to watch the actions of Madame Jules Desmarets. He had
+spied upon the daily life of a most inoffensive man, in order to detect
+his secrets,--secrets on which depended the lives of three persons. He
+had brought upon himself a relentless struggle, in which, although he
+had escaped with life three times, he must inevitably succumb, because
+his death had been sworn and would be compassed if all human means were
+employed upon it. Monsieur de Maulincour could no longer escape his fate
+by even promising to respect the mysterious life of these three persons,
+because it was impossible to believe the word of a gentleman who had
+fallen to the level of a police-spy; and for what reason? Merely to
+trouble the respectable life of an innocent woman and a harmless old
+man.
+
+The letter itself was nothing to Auguste in comparison to the tender
+reproaches of his grandmother. To lack respect to a woman! to spy upon
+her actions without a right to do so! Ought a man ever to spy upon
+a woman whom he loved?--in short, she poured out a torrent of those
+excellent reasons which prove nothing; and they put the young baron,
+for the first time in his life, into one of those great human furies in
+which are born, and from which issue the most vital actions of a man's
+life.
+
+"Since it is war to the knife," he said in conclusion, "I shall kill my
+enemy by any means that I can lay hold of."
+
+The vidame went immediately, at Auguste's request, to the chief of the
+private police of Paris, and without bringing Madame Jules' name or
+person into the narrative, although they were really the gist of it, he
+made the official aware of the fears of the family of Maulincour about
+this mysterious person who was bold enough to swear the death of an
+officer of the Guards, in defiance of the law and the police. The chief
+pushed up his green spectacles in amazement, blew his nose several
+times, and offered snuff to the vidame, who, to save his dignity,
+pretended not to use tobacco, although his own nose was discolored with
+it. Then the chief took notes and promised, Vidocq and his spies aiding,
+to send in a report within a few days to the Maulincour family, assuring
+them meantime that there were no secrets for the police of Paris.
+
+A few days after this the police official called to see the vidame at
+the Hotel de Maulincour, where he found the young baron quite recovered
+from his last wound. He gave them in bureaucratic style his thanks for
+the indications they had afforded him, and told them that Bourignard was
+a convict, condemned to twenty years' hard labor, who had miraculously
+escaped from a gang which was being transported from Bicetre to Toulon.
+For thirteen years the police had been endeavoring to recapture him,
+knowing that he had boldly returned to Paris; but so far this convict
+had escaped the most active search, although he was known to be mixed up
+in many nefarious deeds. However, the man, whose life was full of very
+curious incidents, would certainly be captured now in one or other of
+his several domiciles and delivered up to justice. The bureaucrat ended
+his report by saying to Monsieur de Maulincour that if he attached
+enough importance to the matter to wish to witness the capture of
+Bourignard, he might come the next day at eight in the morning to a
+house in the rue Sainte-Foi, of which he gave him the number. Monsieur
+de Maulincour excused himself from going personally in search of
+certainty,--trusting, with the sacred respect inspired by the police of
+Paris, in the capability of the authorities.
+
+Three days later, hearing nothing, and seeing nothing in the newspapers
+about the projected arrest, which was certainly of enough importance to
+have furnished an article, Monsieur de Maulincour was beginning to feel
+anxieties which were presently allayed by the following letter:--
+
+
+ Monsieur le Baron,--I have the honor to announce to you that you
+ need have no further uneasiness touching the affair in question.
+ The man named Gratien Bourignard, otherwise called Ferragus, died
+ yesterday, at his lodgings, rue Joquelet No. 7. The suspicions we
+ naturally conceived as to the identity of the dead body have been
+ completely set at rest by the facts. The physician of the
+ Prefecture of police was despatched by us to assist the physician
+ of the arrondissement, and the chief of the detective police made
+ all the necessary verifications to obtain absolute certainty.
+ Moreover, the character of the persons who signed the certificate
+ of death, and the affidavits of those who took care of the said
+ Bourignard in his last illness, among others that of the worthy
+ vicar of the church of the Bonne-Nouvelle (to whom he made his
+ last confession, for he died a Christian), do not permit us to
+ entertain any sort of doubt.
+
+ Accept, Monsieur le baron, etc., etc.
+
+
+Monsieur de Maulincour, the dowager, and the vidame breathed again with
+joy unspeakable. The good old woman kissed her grandson leaving a tear
+upon his cheek, and went away to thank God in prayer. The dear soul,
+who was making a novena for Auguste's safety, believed her prayers were
+answered.
+
+"Well," said the vidame, "now you had better show yourself at the ball
+you were speaking of. I oppose no further objections."
+
+
+
+
+CHAPTER III. THE WIFE ACCUSED
+
+Monsieur de Maulincour was all the more anxious to go to this ball
+because he knew that Madame Jules would be present. The fete was given
+by the Prefect of the Seine, in whose salons the two social worlds of
+Paris met as on neutral ground. Auguste passed through the rooms without
+finding the woman who now exercised so mighty an influence on his fate.
+He entered an empty boudoir where card-tables were placed awaiting
+players; and sitting down on a divan he gave himself up to the most
+contradictory thoughts about her. A man presently took the young officer
+by the arm, and looking up the baron was stupefied to behold the pauper
+of the rue Coquilliere, the Ferragus of Ida, the lodger in the rue Soly,
+the Bourignard of Justin, the convict of the police, and the dead man of
+the day before.
+
+"Monsieur, not a sound, not a word," said Bourignard, whose voice he
+recognized. The man was elegantly dressed; he wore the order of the
+Golden-Fleece, and a medal on his coat. "Monsieur," he continued, and
+his voice was sibilant like that of a hyena, "you increase my efforts
+against you by having recourse to the police. You will perish, monsieur;
+it has now become necessary. Do you love Madame Jules? Are you beloved
+by her? By what right do you trouble her peaceful life, and blacken her
+virtue?"
+
+Some one entered the card-room. Ferragus rose to go.
+
+"Do you know this man?" asked Monsieur de Maulincour of the new-comer,
+seizing Ferragus by the collar. But Ferragus quickly disengaged himself,
+took Monsieur de Maulincour by the hair, and shook his head rapidly.
+
+"Must you have lead in it to make it steady?" he said.
+
+"I do not know him personally," replied Henri de Marsay, the spectator
+of this scene, "but I know that he is Monsieur de Funcal, a rich
+Portuguese."
+
+Monsieur de Funcal had disappeared. The baron followed but without
+being able to overtake him until he reached the peristyle, where he
+saw Ferragus, who looked at him with a jeering laugh from a brilliant
+equipage which was driven away at high speed.
+
+"Monsieur," said Auguste, re-entering the salon and addressing de
+Marsay, whom he knew, "I entreat you to tell me where Monsieur de Funcal
+lives."
+
+"I do not know; but some one here can no doubt tell you."
+
+The baron, having questioned the prefect, ascertained that the Comte de
+Funcal lived at the Portuguese embassy. At this moment, while he still
+felt the icy fingers of that strange man in his hair, he saw Madame
+Jules in all her dazzling beauty, fresh, gracious, artless, resplendent
+with the sanctity of womanhood which had won his love. This creature,
+now infernal to him, excited no emotion in his soul but that of hatred;
+and this hatred shone in a savage, terrible look from his eyes. He
+watched for a moment when he could speak to her unheard, and then he
+said:--
+
+"Madame, your _bravi_ have missed me three times."
+
+"What do you mean, monsieur?" she said, flushing. "I know that you
+have had several unfortunate accidents lately, which I have greatly
+regretted; but how could I have had anything to do with them?"
+
+"You knew that _bravi_ were employed against me by that man of the rue
+Soly?"
+
+"Monsieur!"
+
+"Madame, I now call you to account, not for my happiness only, but for
+my blood--"
+
+At this instant Jules Desmarets approached them.
+
+"What are you saying to my wife, monsieur?"
+
+"Make that inquiry at my own house, monsieur, if you are curious," said
+Maulincour, moving away, and leaving Madame Jules in an almost fainting
+condition.
+
+There are few women who have not found themselves, once at least in
+their lives, _a propos_ of some undeniable fact, confronted with
+a direct, sharp, uncompromising question,--one of those questions
+pitilessly asked by husbands, the mere apprehension of which gives
+a chill, while the actual words enter the heart like the blade of a
+dagger. It is from such crises that the maxim has come, "All women
+lie." Falsehood, kindly falsehood, venial falsehood, sublime falsehood,
+horrible falsehood,--but always the necessity to lie. This necessity
+admitted, ought they not to know how to lie well? French women do it
+admirably. Our manners and customs teach them deception! Besides,
+women are so naively saucy, so pretty, graceful, and withal so true
+in lying,--they recognize so fully the utility of doing so in order
+to avoid in social life the violent shocks which happiness might not
+resist,--that lying is seen to be as necessary to their lives as the
+cotton-wool in which they put away their jewels. Falsehood becomes to
+them the foundation of speech; truth is exceptional; they tell it, if
+they are virtuous, by caprice or by calculation. According to individual
+character, some women laugh when they lie; others weep; others are
+grave; some grow angry. After beginning life by feigning indifference
+to the homage that deeply flatters them, they often end by lying to
+themselves. Who has not admired their apparent superiority to everything
+at the very moment when they are trembling for the secret treasures of
+their love? Who has never studied their ease, their readiness, their
+freedom of mind in the greatest embarrassments of life? In them, nothing
+is put on. Deception comes as the snow from heaven. And then, with what
+art they discover the truth in others! With what shrewdness they employ
+a direct logic in answer to some passionate question which has revealed
+to them the secret of the heart of a man who was guileless enough to
+proceed by questioning! To question a woman! why, that is delivering
+one's self up to her; does she not learn in that way all that we seek to
+hide from her? Does she not know also how to be dumb, through speaking?
+What men are daring enough to struggle with the Parisian woman?--a woman
+who knows how to hold herself above all dagger thrusts, saying: "You are
+very inquisitive; what is it to you? Why do you wish to know? Ah! you
+are jealous! And suppose I do not choose to answer you?"--in short, a
+woman who possesses the hundred and thirty-seven methods of saying _No_,
+and incommensurable variations of the word _Yes_. Is not a treatise on
+the words _yes_ and _no_, a fine diplomatic, philosophic, logographic,
+and moral work, still waiting to be written? But to accomplish this
+work, which we may also call diabolic, isn't an androgynous genius
+necessary? For that reason, probably, it will never be attempted. And
+besides, of all unpublished works isn't it the best known and the best
+practised among women? Have you studied the behavior, the pose, the
+_disinvoltura_ of a falsehood? Examine it.
+
+Madame Desmarets was seated in the right-hand corner of her carriage,
+her husband in the left. Having forced herself to recover from her
+emotion in the ballroom, she now affected a calm demeanor. Her husband
+had then said nothing to her, and he still said nothing. Jules looked
+out of the carriage window at the black walls of the silent houses
+before which they passed; but suddenly, as if driven by a determining
+thought, when turning the corner of a street he examined his wife, who
+appeared to be cold in spite of the fur-lined pelisse in which she was
+wrapped. He thought she seemed pensive, and perhaps she really was
+so. Of all communicable things, reflection and gravity are the most
+contagious.
+
+"What could Monsieur de Maulincour have said to affect you so keenly?"
+said Jules; "and why does he wish me to go to his house and find out?"
+
+"He can tell you nothing in his house that I cannot tell you here," she
+replied.
+
+Then, with that feminine craft which always slightly degrades virtue,
+Madame Jules waited for another question. Her husband turned his face
+back to the houses, and continued his study of their walls. Another
+question would imply suspicion, distrust. To suspect a woman is a crime
+in love. Jules had already killed a man for doubting his wife. Clemence
+did not know all there was of true passion, of loyal reflection, in her
+husband's silence; just as Jules was ignorant of the generous drama that
+was wringing the heart of his Clemence.
+
+The carriage rolled on through a silent Paris, bearing the couple,--two
+lovers who adored each other, and who, gently leaning on the same
+silken cushion, were being parted by an abyss. In these elegant coupes
+returning from a ball between midnight and two in the morning, how
+many curious and singular scenes must pass,--meaning those coupes with
+lanterns, which light both the street and the carriage, those with their
+windows unshaded; in short, legitimate coupes, in which couples can
+quarrel without caring for the eyes of pedestrians, because the civil
+code gives a right to provoke, or beat, or kiss, a wife in a carriage
+or elsewhere, anywhere, everywhere! How many secrets must be revealed in
+this way to nocturnal pedestrians,--to those young fellows who have gone
+to a ball in a carriage, but are obliged, for whatever cause it may be,
+to return on foot. It was the first time that Jules and Clemence had
+been together thus,--each in a corner; usually the husband pressed close
+to his wife.
+
+"It is very cold," remarked Madame Jules.
+
+But her husband did not hear her; he was studying the signs above the
+shop windows.
+
+"Clemence," he said at last, "forgive me the question I am about to ask
+you."
+
+He came closer, took her by the waist, and drew her to him.
+
+"My God, it is coming!" thought the poor woman. "Well," she said aloud,
+anticipating the question, "you want to know what Monsieur de Maulincour
+said to me. I will tell you, Jules; but not without fear. Good God! how
+is it possible that you and I should have secrets from one another? For
+the last few moments I have seen you struggling between a conviction of
+our love and vague fears. But that conviction is clear within us, is
+it not? And these doubts and fears, do they not seem to you dark and
+unnatural? Why not stay in that clear light of love you cannot doubt?
+When I have told you all, you will still desire to know more; and yet I
+myself do not know what the extraordinary words of that man meant. What
+I fear is that this may lead to some fatal affair between you. I would
+rather that we both forget this unpleasant moment. But, in any case,
+swear to me that you will let this singular adventure explain itself
+naturally. Here are the facts. Monsieur de Maulincour declared to me
+that the three accidents you have heard mentioned--the falling of a
+stone on his servant, the breaking down of his cabriolet, and his duel
+about Madame de Serizy--were the result of some plot I had laid against
+him. He also threatened to reveal to you the cause of my desire to
+destroy him. Can you imagine what all this means? My emotion came from
+the sight of his face convulsed with madness, his haggard eyes, and also
+his words, broken by some violent inward emotion. I thought him mad.
+That is all that took place. Now, I should be less than a woman if I had
+not perceived that for over a year I have become, as they call it, the
+passion of Monsieur de Maulincour. He has never seen me except at a
+ball; and our intercourse has been most insignificant,--merely that
+which every one shares at a ball. Perhaps he wants to disunite us, so
+that he may find me at some future time alone and unprotected. There,
+see! already you are frowning! Oh, how cordially I hate society! We were
+so happy without him; why take any notice of him? Jules, I entreat you,
+forget all this! To-morrow we shall, no doubt, hear that Monsieur de
+Maulincour has gone mad."
+
+"What a singular affair!" thought Jules, as the carriage stopped under
+the peristyle of their house. He gave his arm to his wife and together
+they went up to their apartments.
+
+To develop this history in all its truth of detail, and to follow its
+course through many windings, it is necessary here to divulge some of
+love's secrets, to glide beneath the ceilings of a marriage chamber, not
+shamelessly, but like Trilby, frightening neither Dougal nor Jeannie,
+alarming no one,--being as chaste as our noble French language requires,
+and as bold as the pencil of Gerard in his picture of Daphnis and Chloe.
+
+The bedroom of Madame Jules was a sacred plot. Herself, her husband,
+and her maid alone entered it. Opulence has glorious privileges, and the
+most enviable are those which enable the development of sentiments to
+their fullest extent,--fertilizing them by the accomplishment of even
+their caprices, and surrounding them with a brilliancy that enlarges
+them, with refinements that purify them, with a thousand delicacies that
+make them still more alluring. If you hate dinners on the grass, and
+meals ill-served, if you feel a pleasure in seeing a damask cloth that
+is dazzlingly white, a silver-gilt dinner service, and porcelain of
+exquisite purity, lighted by transparent candles, where miracles of
+cookery are served under silver covers bearing coats of arms, you must,
+to be consistent, leave the garrets at the tops of the houses, and the
+grisettes in the streets, abandon garrets, grisettes, umbrellas, and
+overshoes to men who pay for their dinners with tickets; and you must
+also comprehend Love to be a principle which develops in all its grace
+only on Savonnerie carpets, beneath the opal gleams of an alabaster
+lamp, between guarded walls silk-hung, before gilded hearths in chambers
+deadened to all outward sounds by shutters and billowy curtains. Mirrors
+must be there to show the play of form and repeat the woman we would
+multiply as love itself multiplies and magnifies her; next low
+divans, and a bed which, like a secret, is divined, not shown. In this
+coquettish chamber are fur-lined slippers for pretty feet, wax-candles
+under glass with muslin draperies, by which to read at all hours of the
+night, and flowers, not those oppressive to the head, and linen, the
+fineness of which might have satisfied Anne of Austria.
+
+Madame Jules had realized this charming programme, but that was nothing.
+All women of taste can do as much, though there is always in the
+arrangement of these details a stamp of personality which gives to this
+decoration or that detail a character that cannot be imitated. To-day,
+more than ever, reigns the fanaticism of individuality. The more our
+laws tend to an impossible equality, the more we shall get away from it
+in our manners and customs. Thus, rich people are beginning, in France,
+to become more exclusive in their tastes and their belongings, than they
+have been for the last thirty years. Madame Jules knew very well how
+to carry out this programme; and everything about her was arranged in
+harmony with a luxury that suits so well with love. Love in a cottage,
+or "Fifteen hundred francs and my Sophy," is the dream of starvelings to
+whom black bread suffices in their present state; but when love
+really comes, they grow fastidious and end by craving the luxuries of
+gastronomy. Love holds toil and poverty in horror. It would rather die
+than merely live on from hand to mouth.
+
+Many women, returning from a ball, impatient for their beds, throw off
+their gowns, their faded flowers, their bouquets, the fragrance of which
+has now departed. They leave their little shoes beneath a chair, the
+white strings trailing; they take out their combs and let their hair
+roll down as it will. Little they care if their husbands see the puffs,
+the hairpins, the artful props which supported the elegant edifices
+of the hair, and the garlands or the jewels that adorned it. No more
+mysteries! all is over for the husband; no more painting or decoration
+for him. The corset--half the time it is a corset of a reparative
+kind--lies where it is thrown, if the maid is too sleepy to take it away
+with her. The whalebone bustle, the oiled-silk protections round the
+sleeves, the pads, the hair bought from a coiffeur, all the false woman
+is there, scattered about in open sight. _Disjecta membra poetae_, the
+artificial poesy, so much admired by those for whom it is conceived and
+elaborated, the fragments of a pretty woman, litter every corner of the
+room. To the love of a yawning husband, the actual presents herself,
+also yawning, in a dishabille without elegance, and a tumbled night-cap,
+that of last night and that of to-morrow night also,--"For really,
+monsieur, if you want a pretty cap to rumple every night, increase my
+pin-money."
+
+There's life as it is! A woman makes herself old and unpleasing to her
+husband; but dainty and elegant and adorned for others, for the rival of
+all husbands,--for that world which calumniates and tears to shreds her
+sex.
+
+Inspired by true love, for Love has, like other creations, its instinct
+of preservation, Madame Jules did very differently; she found in the
+constant blessing of her love the necessary impulse to fulfil all those
+minute personal cares which ought never to be relaxed, because they
+perpetuate love. Besides, such personal cares and duties proceed from a
+personal dignity which becomes all women, and are among the sweetest of
+flatteries, for is it not respecting in themselves the man they love?
+
+So Madame Jules denied to her husband all access to her dressing-room,
+where she left the accessories of her toilet, and whence she issued
+mysteriously adorned for the mysterious fetes of her heart. Entering
+their chamber, which was always graceful and elegant, Jules found a
+woman coquettishly wrapped in a charming _peignoir_, her hair simply
+wound in heavy coils around her head; a woman always more simple, more
+beautiful there than she was before the world; a woman just refreshed in
+water, whose only artifice consisted in being whiter than her muslins,
+sweeter than all perfumes, more seductive than any siren, always loving
+and therefore always loved. This admirable understanding of a wife's
+business was the secret of Josephine's charm for Napoleon, as in former
+times it was that of Caesonia for Caius Caligula, of Diane de Poitiers
+for Henri II. If it was largely productive to women of seven or eight
+lustres what a weapon is it in the hands of young women! A husband
+gathers with delight the rewards of his fidelity.
+
+Returning home after the conversation which had chilled her with fear,
+and still gave her the keenest anxiety, Madame Jules took particular
+pains with her toilet for the night. She wanted to make herself, and she
+did make herself enchanting. She belted the cambric of her dressing-gown
+round her waist, defining the lines of her bust; she allowed her hair to
+fall upon her beautifully modelled shoulders. A perfumed bath had given
+her a delightful fragrance, and her little bare feet were in velvet
+slippers. Strong in a sense of her advantages she came in stepping
+softly, and put her hands over her husband's eyes. She thought him
+pensive; he was standing in his dressing-gown before the fire, his elbow
+on the mantel and one foot on the fender. She said in his ear, warming
+it with her breath, and nibbling the tip of it with her teeth:--
+
+"What are you thinking about, monsieur?"
+
+Then she pressed him in her arms as if to tear him away from all evil
+thoughts. The woman who loves has a full knowledge of her power; the
+more virtuous she is, the more effectual her coquetry.
+
+"About you," he answered.
+
+"Only about me?"
+
+"Yes."
+
+"Ah! that's a very doubtful 'yes.'"
+
+They went to bed. As she fell asleep, Madame Jules said to herself:--
+
+"Monsieur de Maulincour will certainly cause some evil. Jules' mind is
+preoccupied, disturbed; he is nursing thoughts he does not tell me."
+
+It was three in the morning when Madame Jules was awakened by a
+presentiment which struck her heart as she slept. She had a sense both
+physical and moral of her husband's absence. She did not feel the
+arm Jules passed beneath her head,--that arm in which she had slept,
+peacefully and happy, for five years; an arm she had never wearied. A
+voice said to her, "Jules suffers, Jules is weeping." She raised her
+head, and then sat up; felt that her husband's place was cold, and saw
+him sitting before the fire, his feet on the fender, his head resting
+against the back of an arm-chair. Tears were on his cheeks. The poor
+woman threw herself hastily from her bed and sprang at a bound to her
+husband's knees.
+
+"Jules! what is it? Are you ill? Speak, tell me! Speak to me, if you
+love me!" and she poured out a hundred words expressing the deepest
+tenderness.
+
+Jules knelt at her feet, kissed her hands and knees, and answered with
+fresh tears:--
+
+"Dear Clemence, I am most unhappy! It is not loving to distrust the
+one we love. I adore you and suspect you. The words that man said to me
+to-night have struck to my heart; they stay there in spite of myself,
+and confound me. There is some mystery here. In short, and I blush to
+say it, your explanations do not satisfy me. My reason casts gleams
+into my soul which my love rejects. It is an awful combat. Could I
+stay there, holding your head, and suspecting thoughts within it to me
+unknown? Oh! I believe in you, I believe in you!" he cried, seeing her
+smile sadly and open her mouth as if to speak. "Say nothing; do not
+reproach me. Besides, could you say anything I have not said myself for
+the last three hours? Yes, for three hours, I have been here, watching
+you as you slept, so beautiful! admiring that pure, peaceful brow. Yes,
+yes! you have always told me your thoughts, have you not? I alone am in
+that soul. While I look at you, while my eyes can plunge into yours I
+see all plainly. Your life is as pure as your glance is clear. No, there
+is no secret behind those transparent eyes." He rose and kissed their
+lids. "Let me avow to you, dearest soul," he said, "that for the last
+five years each day has increased my happiness, through the knowledge
+that you are all mine, and that no natural affection even can take any
+of your love. Having no sister, no father, no mother, no companion, I
+am neither above nor below any living being in your heart; I am alone
+there. Clemence, repeat to me those sweet things of the spirit you have
+so often said to me; do not blame me; comfort me, I am so unhappy. I
+have an odious suspicion on my conscience, and you have nothing in your
+heart to sear it. My beloved, tell me, could I stay there beside you?
+Could two heads united as ours have been lie on the same pillow when
+one was suffering and the other tranquil? What are you thinking of?"
+he cried abruptly, observing that Clemence was anxious, confused, and
+seemed unable to restrain her tears.
+
+"I am thinking of my mother," she answered, in a grave voice. "You
+will never know, Jules, what I suffer in remembering my mother's dying
+farewell, said in a voice sweeter than all music, and in feeling the
+solemn touch of her icy hand at a moment when you overwhelm me with
+those assurances of your precious love."
+
+She raised her husband, strained him to her with a nervous force greater
+than that of men, and kissed his hair, covering it with tears.
+
+"Ah! I would be hacked in pieces for you! Tell me that I make you happy;
+that I am to you the most beautiful of women--a thousand women to you.
+Oh! you are loved as no other man ever was or will be. I don't know the
+meaning of those words 'duty,' 'virtue.' Jules, I love you for yourself;
+I am happy in loving you; I shall love you more and more to my dying
+day. I have pride in my love; I feel it is my destiny to have one sole
+emotion in my life. What I shall tell you now is dreadful, I know--but
+I am glad to have no child; I do not wish for any. I feel I am more wife
+than mother. Well, then, can you fear? Listen to me, my own beloved,
+promise to forget, not this hour of mingled tenderness and doubt, but
+the words of that madman. Jules, you _must_. Promise me not to see him,
+not to go to him. I have a deep conviction that if you set one foot in
+that maze we shall both roll down a precipice where I shall perish--but
+with your name upon my lips, your heart in my heart. Why hold me so high
+in that heart and yet so low in reality? What! you who give credit to so
+many as to money, can you not give me the charity of faith? And on the
+first occasion in our lives when you might prove to me your boundless
+trust, do you cast me from my throne in your heart? Between a madman
+and me, it is the madman whom you choose to believe? oh, Jules!" She
+stopped, threw back the hair that fell about her brow and neck, and
+then, in a heart-rending tone, she added: "I have said too much; one
+word should suffice. If your soul and your forehead still keep this
+cloud, however light it be, I tell you now that I shall die of it."
+
+She could not repress a shudder, and turned pale.
+
+"Oh! I will kill that man," thought Jules, as he lifted his wife in his
+arms and carried her to her bed.
+
+"Let us sleep in peace, my angel," he said. "I have forgotten all, I
+swear it!"
+
+Clemence fell asleep to the music of those sweet words, softly repeated.
+Jules, as he watched her sleeping, said in his heart:--
+
+"She is right; when love is so pure, suspicion blights it. To that young
+soul, that tender flower, a blight--yes, a blight means death."
+
+When a cloud comes between two beings filled with affection for each
+other and whose lives are in absolute unison, that cloud, though it
+may disperse, leaves in those souls a trace of its passage. Either
+love gains a stronger life, as the earth after rain, or the shock still
+echoes like distant thunder through a cloudless sky. It is impossible
+to recover absolutely the former life; love will either increase or
+diminish.
+
+At breakfast, Monsieur and Madame Jules showed to each other those
+particular attentions in which there is always something of affectation.
+There were glances of forced gaiety, which seemed the efforts of persons
+endeavoring to deceive themselves. Jules had involuntary doubts, his
+wife had positive fears. Still, sure of each other, they had slept. Was
+this strained condition the effect of a want of faith, or was it only a
+memory of their nocturnal scene? They did not know themselves. But they
+loved each other so purely that the impression of that scene, both cruel
+and beneficent, could not fail to leave its traces in their souls; both
+were eager to make those traces disappear, each striving to be the first
+to return to the other, and thus they could not fail to think of the
+cause of their first variance. To loving souls, this is not grief; pain
+is still far-off; but it is a sort of mourning, which is difficult to
+depict. If there are, indeed, relations between colors and the emotions
+of the soul, if, as Locke's blind man said, scarlet produces on the
+sight the effect produced upon the hearing by a blast of trumpets, it is
+permissible to compare this reaction of melancholy to mourning tones of
+gray.
+
+But even so, love saddened, love in which remains a true sentiment
+of its happiness, momentarily troubled though it be, gives enjoyments
+derived from pain and pleasure both, which are all novel. Jules studied
+his wife's voice; he watched her glances with the freshness of feeling
+that inspired him in the earliest days of his passion for her. The
+memory of five absolutely happy years, her beauty, the candor of her
+love, quickly effaced in her husband's mind the last vestiges of an
+intolerable pain.
+
+The day was Sunday,--a day on which there was no Bourse and no business
+to be done. The reunited pair passed the whole day together, getting
+farther into each other's hearts than they ever yet had done, like two
+children who in a moment of fear, hold each other closely and cling
+together, united by an instinct. There are in this life of two-in-one
+completely happy days, the gift of chance, ephemeral flowers, born
+neither of yesterday nor belonging to the morrow. Jules and Clemence
+now enjoyed this day as though they forboded it to be the last of their
+loving life. What name shall we give to that mysterious power which
+hastens the steps of travellers before the storm is visible; which makes
+the life and beauty of the dying so resplendent, and fills the parting
+soul with joyous projects for days before death comes; which tells the
+midnight student to fill his lamp when it shines brightest; and makes
+the mother fear the thoughtful look cast upon her infant by an observing
+man? We all are affected by this influence in the great catastrophes of
+life; but it has never yet been named or studied; it is something more
+than presentiment, but not as yet clear vision.
+
+All went well till the following day. On Monday, Jules Desmarets,
+obliged to go to the Bourse on his usual business, asked his wife, as
+usual, if she would take advantage of his carriage and let him drive her
+anywhere.
+
+"No," she said, "the day is too unpleasant to go out."
+
+It was raining in torrents. At half-past two o'clock Monsieur Desmarets
+reached the Treasury. At four o'clock, as he left the Bourse, he came
+face to face with Monsieur de Maulincour, who was waiting for him with
+the nervous pertinacity of hatred and vengeance.
+
+"Monsieur," he said, taking Monsieur Desmarets by the arm, "I have
+important information to give you. Listen to me. I am too loyal a man to
+have recourse to anonymous letters with which to trouble your peace of
+mind; I prefer to speak to you in person. Believe me, if my very life
+were not concerned, I should not meddle with the private affairs of any
+household, even if I thought I had the right to do so."
+
+"If what you have to say to me concerns Madame Desmarets," replied
+Jules, "I request you to be silent, monsieur."
+
+"If I am silent, monsieur, you may before long see Madame Jules on the
+prisoner's bench at the court of assizes beside a convict. Now, do you
+wish me to be silent?"
+
+Jules turned pale; but his noble face instantly resumed its calmness,
+though it was now a false calmness. Drawing the baron under one of the
+temporary sheds of the Bourse, near which they were standing, he said to
+him in a voice which concealed his intense inward emotion:--
+
+"Monsieur, I will listen to you; but there will be a duel to the death
+between us if--"
+
+"Oh, to that I consent!" cried Monsieur de Maulincour. "I have the
+greatest esteem for your character. You speak of death. You are unaware
+that your wife may have assisted in poisoning me last Saturday night.
+Yes, monsieur, since then some extraordinary evil has developed in me.
+My hair appears to distil an inward fever and a deadly languor through
+my skull; I know who clutched my hair at that ball."
+
+Monsieur de Maulincour then related, without omitting a single fact, his
+platonic love for Madame Jules, and the details of the affair in the rue
+Soly which began this narrative. Any one would have listened to him with
+attention; but Madame Jules' husband had good reason to be more amazed
+than any other human being. Here his character displayed itself; he
+was more amazed than overcome. Made a judge, and the judge of an
+adored woman, he found in his soul the equity of a judge as well as the
+inflexibility. A lover still, he thought less of his own shattered life
+than of his wife's life; he listened, not to his own anguish, but to
+some far-off voice that cried to him, "Clemence cannot lie! Why should
+she betray you?"
+
+"Monsieur," said the baron, as he ended, "being absolutely certain
+of having recognized in Monsieur de Funcal the same Ferragus whom the
+police declared dead, I have put upon his traces an intelligent man. As
+I returned that night I remembered, by a fortunate chance, the name of
+Madame Meynardie, mentioned in that letter of Ida, the presumed mistress
+of my persecutor. Supplied with this clue, my emissary will soon get to
+the bottom of this horrible affair; for he is far more able to discover
+the truth than the police themselves."
+
+"Monsieur," replied Desmarets, "I know not how to thank you for this
+confidence. You say that you can obtain proofs and witnesses; I shall
+await them. I shall seek the truth of this strange affair courageously;
+but you must permit me to doubt everything until the evidence of
+the facts you state is proved to me. In any case you shall have
+satisfaction, for, as you will certainly understand, we both require
+it."
+
+Jules returned home.
+
+"What is the matter, Jules?" asked his wife, when she saw him. "You look
+so pale you frighten me!"
+
+"The day is cold," he answered, walking with slow steps across the room
+where all things spoke to him of love and happiness,--that room so calm
+and peaceful where a deadly storm was gathering.
+
+"Did you go out to-day?" he asked, as though mechanically.
+
+He was impelled to ask the question by the last of a myriad of thoughts
+which had gathered themselves together into a lucid meditation, though
+jealousy was actively prompting them.
+
+"No," she answered, in a tone that was falsely candid.
+
+At that instant Jules saw through the open door of the dressing-room the
+velvet bonnet which his wife wore in the mornings; on it were drops of
+rain. Jules was a passionate man, but he was also full of delicacy. It
+was repugnant to him to bring his wife face to face with a lie. When
+such a situation occurs, all has come to an end forever between certain
+beings. And yet those drops of rain were like a flash tearing through
+his brain.
+
+He left the room, went down to the porter's lodge, and said to the
+porter, after making sure that they were alone:--
+
+"Fouguereau, a hundred crowns if you tell me the truth; dismissal if you
+deceive me; and nothing at all if you ever speak of my question and your
+answer."
+
+He stopped to examine the man's face, leading him under the window. Then
+he continued:--
+
+"Did madame go out this morning?"
+
+"Madame went out at a quarter to three, and I think I saw her come in
+about half an hour ago."
+
+"That is true, upon your honor?"
+
+"Yes, monsieur."
+
+"You will have the money; but if you speak of this, remember, you will
+lose all."
+
+Jules returned to his wife.
+
+"Clemence," he said, "I find I must put my accounts in order. Do not be
+offended at the inquiry I am going to make. Have I not given you forty
+thousand francs since the beginning of the year?"
+
+"More," she said,--"forty-seven."
+
+"Have you spent them?"
+
+"Nearly," she replied. "In the first place, I had to pay several of our
+last year's bills--"
+
+"I shall never find out anything in this way," thought Jules. "I am not
+taking the best course."
+
+At this moment Jules' own valet entered the room with a letter for his
+master, who opened it indifferently, but as soon as his eyes had lighted
+on the signature he read it eagerly. The letter was as follows:--
+
+
+ Monsieur,--For the sake of your peace of mind as well as ours, I
+ take the course of writing you this letter without possessing the
+ advantage of being known to you; but my position, my age, and the
+ fear of some misfortune compel me to entreat you to show
+ indulgence in the trying circumstances under which our afflicted
+ family is placed. Monsieur Auguste de Maulincour has for the last
+ few days shown signs of mental derangement, and we fear that he
+ may trouble your happiness by fancies which he confided to
+ Monsieur le Vidame de Pamiers and myself during his first attack
+ of frenzy. We think it right, therefore, to warn you of his
+ malady, which is, we hope, curable; but it will have such serious
+ and important effects on the honor of our family and the career of
+ my grandson that we must rely, monsieur, on your entire
+ discretion.
+
+ If Monsieur le Vidame or I could have gone to see you we would not
+ have written. But I make no doubt that you will regard this prayer
+ of a mother, who begs you to destroy this letter.
+
+ Accept the assurance of my perfect consideration.
+
+Baronne de Maulincour, _nee_ de Rieux.
+
+
+"Oh! what torture!" cried Jules.
+
+"What is it? what is in your mind?" asked his wife, exhibiting the
+deepest anxiety.
+
+"I have come," he answered, slowly, as he threw her the letter, "to
+ask myself whether it can be you who have sent me that to avert my
+suspicions. Judge, therefore, what I suffer."
+
+"Unhappy man!" said Madame Jules, letting fall the paper. "I pity him;
+though he has done me great harm."
+
+"Are you aware that he has spoken to me?"
+
+"Oh! have you been to see him, in spite of your promise?" she cried in
+terror.
+
+"Clemence, our love is in danger of perishing; we stand outside of the
+ordinary rules of life; let us lay aside all petty considerations
+in presence of this great peril. Explain to me why you went out this
+morning. Women think they have the right to tell us little falsehoods.
+Sometimes they like to hide a pleasure they are preparing for us. Just
+now you said a word to me, by mistake, no doubt, a no for a yes."
+
+He went into the dressing-room and brought out the bonnet.
+
+"See," he said, "your bonnet has betrayed you; these spots are
+raindrops. You must, therefore, have gone out in a street cab, and these
+drops fell upon it as you went to find one, or as you entered or left
+the house where you went. But a woman can leave her own home for many
+innocent purposes, even after she has told her husband that she did
+not mean to go out. There are so many reasons for changing our plans!
+Caprices, whims, are they not your right? Women are not required to be
+consistent with themselves. You had forgotten something,--a service
+to render, a visit, some kind action. But nothing hinders a woman from
+telling her husband what she does. Can we ever blush on the breast of a
+friend? It is not a jealous husband who speaks to you, my Clemence; it
+is your lover, your friend, your brother." He flung himself passionately
+at her feet. "Speak, not to justify yourself, but to calm my horrible
+sufferings. I know that you went out. Well--what did you do? where did
+you go?"
+
+"Yes, I went out, Jules," she answered in a strained voice, though her
+face was calm. "But ask me nothing more. Wait; have confidence; without
+which you will lay up for yourself terrible remorse. Jules, my Jules,
+trust is the virtue of love. I owe to you that I am at this moment too
+troubled to answer you: but I am not a false woman; I love you, and you
+know it."
+
+"In the midst of all that can shake the faith of man and rouse his
+jealousy, for I see I am not first in your heart, I am no longer thine
+own self--well, Clemence, even so, I prefer to believe you, to believe
+that voice, to believe those eyes. If you deceive me, you deserve--"
+
+"Ten thousand deaths!" she cried, interrupting him.
+
+"I have never hidden a thought from you, but you--"
+
+"Hush!" she said, "our happiness depends upon our mutual silence."
+
+"Ha! I _will_ know all!" he exclaimed, with sudden violence.
+
+At that moment the cries of a woman were heard,--the yelping of a shrill
+little voice came from the antechamber.
+
+"I tell you I will go in!" it cried. "Yes, I shall go in; I will see
+her! I shall see her!"
+
+Jules and Clemence both ran to the salon as the door from the
+antechamber was violently burst open. A young woman entered hastily,
+followed by two servants, who said to their master:--
+
+"Monsieur, this person would come in in spite of us. We told her that
+madame was not at home. She answered that she knew very well madame had
+been out, but she saw her come in. She threatened to stay at the door of
+the house till she could speak to madame."
+
+"You can go," said Monsieur Desmarets to the two men. "What do you want,
+mademoiselle?" he added, turning to the strange woman.
+
+This "demoiselle" was the type of a woman who is never to be met with
+except in Paris. She is made in Paris, like the mud, like the pavement,
+like the water of the Seine, such as it becomes in Paris before human
+industry filters it ten times ere it enters the cut-glass decanters and
+sparkles pure and bright from the filth it has been. She is therefore a
+being who is truly original. Depicted scores of times by the painter's
+brush, the pencil of the caricaturist, the charcoal of the etcher, she
+still escapes analysis, because she cannot be caught and rendered in all
+her moods, like Nature, like this fantastic Paris itself. She holds to
+vice by one thread only, and she breaks away from it at a thousand other
+points of the social circumference. Besides, she lets only one trait
+of her character be known, and that the only one which renders her
+blamable; her noble virtues are hidden; she prefers to glory in her
+naive libertinism. Most incompletely rendered in dramas and tales where
+she is put upon the scene with all her poesy, she is nowhere really
+true but in her garret; elsewhere she is invariably calumniated or
+over-praised. Rich, she deteriorates; poor, she is misunderstood. She
+has too many vices, and too many good qualities; she is too near to
+pathetic asphyxiation or to a dissolute laugh; too beautiful and too
+hideous. She personifies Paris, to which, in the long run, she supplies
+the toothless portresses, washerwomen, street-sweepers, beggars,
+occasionally insolent countesses, admired actresses, applauded singers;
+she has even given, in the olden time, two quasi-queens to the monarchy.
+Who can grasp such a Proteus? She is all woman, less than woman, more
+than woman. From this vast portrait the painter of manners and morals
+can take but a feature here and there; the _ensemble_ is infinite.
+
+She was a grisette of Paris; a grisette in all her glory; a grisette
+in a hackney-coach,--happy, young, handsome, fresh, but a grisette; a
+grisette with claws, scissors, impudent as a Spanish woman, snarling as
+a prudish English woman proclaiming her conjugal rights, coquettish as
+a great lady, though more frank, and ready for everything; a perfect
+_lionne_ in her way; issuing from the little apartment of which she
+had dreamed so often, with its red-calico curtains, its Utrecht velvet
+furniture, its tea-table, the cabinet of china with painted designs, the
+sofa, the little moquette carpet, the alabaster clock and candlesticks
+(under glass cases), the yellow bedroom, the eider-down quilt,--in
+short, all the domestic joys of a grisette's life; and in addition,
+the woman-of-all-work (a former grisette herself, now the owner of a
+moustache), theatre-parties, unlimited bonbons, silk dresses, bonnets to
+spoil,--in fact, all the felicities coveted by the grisette heart except
+a carriage, which only enters her imagination as a marshal's baton into
+the dreams of a soldier. Yes, this grisette had all these things in
+return for a true affection, or in spite of a true affection, as some
+others obtain it for an hour a day,--a sort of tax carelessly paid under
+the claws of an old man.
+
+The young woman who now entered the presence of Monsieur and Madame
+Jules had a pair of feet so little covered by her shoes that only a slim
+black line was visible between the carpet and her white stockings. This
+peculiar foot-gear, which Parisian caricaturists have well-rendered,
+is a special attribute of the grisette of Paris; but she is even more
+distinctive to the eyes of an observer by the care with which her
+garments are made to adhere to her form, which they clearly define.
+On this occasion she was trigly dressed in a green gown, with a white
+chemisette, which allowed the beauty of her bust to be seen; her shawl,
+of Ternaux cashmere, had fallen from her shoulders, and was held by its
+two corners, which were twisted round her wrists. She had a delicate
+face, rosy cheeks, a white skin, sparkling gray eyes, a round, very
+promising forehead, hair carefully smoothed beneath her little bonnet,
+and heavy curls upon her neck.
+
+"My name is Ida," she said, "and if that's Madame Jules to whom I have
+the advantage of speaking, I've come to tell her all I have in my
+heart against her. It is very wrong, when a woman is set up and in her
+furniture, as you are here, to come and take from a poor girl a man
+with whom I'm as good as married, morally, and who did talk of making it
+right by marrying me before the municipality. There's plenty of handsome
+young men in the world--ain't there, monsieur?--to take your fancy,
+without going after a man of middle age, who makes my happiness. Yah! I
+haven't got a fine hotel like this, but I've got my love, I have. I hate
+handsome men and money; I'm all heart, and--"
+
+Madame Jules turned to her husband.
+
+"You will allow me, monsieur, to hear no more of all this," she said,
+retreating to her bedroom.
+
+"If the lady lives with you, I've made a mess of it; but I can't help
+that," resumed Ida. "Why does she come after Monsieur Ferragus every
+day?"
+
+"You are mistaken, mademoiselle," said Jules, stupefied; "my wife is
+incapable--"
+
+"Ha! so you're married, you two," said the grisette showing some
+surprise. "Then it's very wrong, monsieur,--isn't it?--for a woman who
+has the happiness of being married in legal marriage to have relations
+with a man like Henri--"
+
+"Henri! who is Henri?" said Jules, taking Ida by the arm and pulling her
+into an adjoining room that his wife might hear no more.
+
+"Why, Monsieur Ferragus."
+
+"But he is dead," said Jules.
+
+"Nonsense; I went to Franconi's with him last night, and he brought me
+home--as he ought. Besides, your wife can tell you about him; didn't
+she go there this very afternoon at three o'clock? I know she did, for
+I waited in the street, and saw her,--all because that good-natured
+fellow, Monsieur Justin, whom you know perhaps,--a little old man with
+jewelry who wears corsets,--told me that Madame Jules was my rival. That
+name, monsieur, sounds mighty like a feigned one; but if it is yours,
+excuse me. But this I say, if Madame Jules was a court duchess, Henri is
+rich enough to satisfy all her fancies, and it is my business to protect
+my property; I've a right to, for I love him, that I do. He is my
+_first_ inclination; my happiness and all my future fate depends on
+it. I fear nothing, monsieur; I am honest; I never lied, or stole the
+property of any living soul, no matter who. If an empress was my rival,
+I'd go straight to her, empress as she was; because all pretty women are
+equals, monsieur--"
+
+"Enough! enough!" said Jules. "Where do you live?"
+
+"Rue de la Corderie-du-Temple, number 14, monsieur,--Ida Gruget,
+corset-maker, at your service,--for we make lots of corsets for men."
+
+"Where does the man whom you call Ferragus live?"
+
+"Monsieur," she said, pursing up her lips, "in the first place, he's not
+a man; he is a rich monsieur, much richer, perhaps, than you are. But
+why do you ask me his address when your wife knows it? He told me not
+to give it. Am I obliged to answer you? I'm not, thank God, in a
+confessional or a police-court; I'm responsible only to myself."
+
+"If I were to offer you ten thousand francs to tell me where Monsieur
+Ferragus lives, how then?"
+
+"Ha! n, o, _no_, my little friend, and that ends the matter," she said,
+emphasizing this singular reply with a popular gesture. "There's no
+sum in the world could make me tell you. I have the honor to bid you
+good-day. How do I get out of here?"
+
+Jules, horror-struck, allowed her to go without further notice. The
+whole world seemed to crumble beneath his feet, and above him the
+heavens were falling with a crash.
+
+"Monsieur is served," said his valet.
+
+The valet and the footman waited in the dining-room a quarter of an hour
+without seeing master or mistress.
+
+"Madame will not dine to-day," said the waiting-maid, coming in.
+
+"What's the matter, Josephine?" asked the valet.
+
+"I don't know," she answered. "Madame is crying, and is going to bed.
+Monsieur has no doubt got some love-affair on hand, and it has been
+discovered at a very bad time. I wouldn't answer for madame's life. Men
+are so clumsy; they'll make you scenes without any precaution."
+
+"That's not so," said the valet, in a low voice. "On the contrary,
+madame is the one who--you understand? What times does monsieur have to
+go after pleasures, he, who hasn't slept out of madame's room for five
+years, who goes to his study at ten and never leaves it till breakfast,
+at twelve. His life is all known, it is regular; whereas madame goes out
+nearly every day at three o'clock, Heaven knows where."
+
+"And monsieur too," said the maid, taking her mistress's part.
+
+"Yes, but he goes straight to the Bourse. I told him three times that
+dinner was ready," continued the valet, after a pause. "You might as
+well talk to a post."
+
+Monsieur Jules entered the dining-room.
+
+"Where is madame?" he said.
+
+"Madame is going to bed; her head aches," replied the maid, assuming an
+air of importance.
+
+Monsieur Jules then said to the footmen composedly: "You can take away;
+I shall go and sit with madame."
+
+He went to his wife's room and found her weeping, but endeavoring to
+smother her sobs with her handkerchief.
+
+"Why do you weep?" said Jules; "you need expect no violence and no
+reproaches from me. Why should I avenge myself? If you have not been
+faithful to my love, it is that you were never worthy of it."
+
+"Not worthy?" The words were repeated amid her sobs and the accent in
+which they were said would have moved any other man than Jules.
+
+"To kill you, I must love more than perhaps I do love you," he
+continued. "But I should never have the courage; I would rather kill
+myself, leaving you to your--happiness, and with--whom!--"
+
+He did not end his sentence.
+
+"Kill yourself!" she cried, flinging herself at his feet and clasping
+them.
+
+But he, wishing to escape the embrace, tried to shake her off, dragging
+her in so doing toward the bed.
+
+"Let me alone," he said.
+
+"No, no, Jules!" she cried. "If you love me no longer I shall die. Do
+you wish to know all?"
+
+"Yes."
+
+He took her, grasped her violently, and sat down on the edge of the bed,
+holding her between his legs. Then, looking at that beautiful face now
+red as fire and furrowed with tears,--
+
+"Speak," he said.
+
+Her sobs began again.
+
+"No; it is a secret of life and death. If I tell it, I--No, I cannot.
+Have mercy, Jules!"
+
+"You have betrayed me--"
+
+"Ah! Jules, you think so now, but soon you will know all."
+
+"But this Ferragus, this convict whom you go to see, a man enriched by
+crime, if he does not belong to you, if you do not belong to him--"
+
+"Oh, Jules!"
+
+"Speak! Is he your mysterious benefactor?--the man to whom we owe our
+fortune, as persons have said already?"
+
+"Who said that?"
+
+"A man whom I killed in a duel."
+
+"Oh, God! one death already!"
+
+"If he is not your protector, if he does not give you money, if it
+is you, on the contrary, who carry money to him, tell me, is he your
+brother?"
+
+"What if he were?" she said.
+
+Monsieur Desmarets crossed his arms.
+
+"Why should that have been concealed from me?" he said. "Then you and
+your mother have both deceived me? Besides, does a woman go to see her
+brother every day, or nearly every day?"
+
+His wife had fainted at his feet.
+
+"Dead," he said. "And suppose I am mistaken?"
+
+He sprang to the bell-rope; called Josephine, and lifted Clemence to the
+bed.
+
+"I shall die of this," said Madame Jules, recovering consciousness.
+
+"Josephine," cried Monsieur Desmarets. "Send for Monsieur Desplein; send
+also to my brother and ask him to come here immediately."
+
+"Why your brother?" asked Clemence.
+
+But Jules had already left the room.
+
+
+
+
+CHAPTER IV. WHERE GO TO DIE?
+
+For the first time in five years Madame Jules slept alone in her bed,
+and was compelled to admit a physician into that sacred chamber. These
+in themselves were two keen pangs. Desplein found Madame Jules very
+ill. Never was a violent emotion more untimely. He would say nothing
+definite, and postponed till the morrow giving any opinion, after
+leaving a few directions, which were not executed, the emotions of the
+heart causing all bodily cares to be forgotten.
+
+When morning dawned, Clemence had not yet slept. Her mind was absorbed
+in the low murmur of a conversation which lasted several hours between
+the brothers; but the thickness of the walls allowed no word which could
+betray the object of this long conference to reach her ears. Monsieur
+Desmarets, the notary, went away at last. The stillness of the night,
+and the singular activity of the senses given by powerful emotion,
+enabled Clemence to distinguish the scratching of a pen and the
+involuntary movements of a person engaged in writing. Those who are
+habitually up at night, and who observe the different acoustic effects
+produced in absolute silence, know that a slight echo can be readily
+perceived in the very places where louder but more equable and continued
+murmurs are not distinct. At four o'clock the sound ceased. Clemence
+rose, anxious and trembling. Then, with bare feet and without a wrapper,
+forgetting her illness and her moist condition, the poor woman opened
+the door softly without noise and looked into the next room. She saw her
+husband sitting, with a pen in his hand, asleep in his arm-chair. The
+candles had burned to the sockets. She slowly advanced and read on an
+envelope, already sealed, the words, "This is my will."
+
+She knelt down as if before an open grave and kissed her husband's hand.
+He woke instantly.
+
+"Jules, my friend, they grant some days to criminals condemned to
+death," she said, looking at him with eyes that blazed with fever and
+with love. "Your innocent wife asks only two. Leave me free for two
+days, and--wait! After that, I shall die happy--at least, you will
+regret me."
+
+"Clemence, I grant them."
+
+Then, as she kissed her husband's hands in the tender transport of her
+heart, Jules, under the spell of that cry of innocence, took her in his
+arms and kissed her forehead, though ashamed to feel himself still under
+subjection to the power of that noble beauty.
+
+On the morrow, after taking a few hours' rest, Jules entered his wife's
+room, obeying mechanically his invariable custom of not leaving the
+house without a word to her. Clemence was sleeping. A ray of light
+passing through a chink in the upper blind of a window fell across the
+face of the dejected woman. Already suffering had impaired her forehead
+and the freshness of her lips. A lover's eye could not fail to notice
+the appearance of dark blotches, and a sickly pallor in place of
+the uniform tone of the cheeks and the pure ivory whiteness of the
+skin,--two points at which the sentiments of her noble soul were
+artlessly wont to show themselves.
+
+"She suffers," thought Jules. "Poor Clemence! May God protect us!"
+
+He kissed her very softly on the forehead. She woke, saw her husband,
+and remembered all. Unable to speak, she took his hand, her eyes filling
+with tears.
+
+"I am innocent," she said, ending her dream.
+
+"You will not go out to-day, will you?" asked Jules.
+
+"No, I feel too weak to leave my bed."
+
+"If you should change your mind, wait till I return," said Jules.
+
+Then he went down to the porter's lodge.
+
+"Fouguereau, you will watch the door yourself to-day. I wish to know
+exactly who comes to the house, and who leaves it."
+
+Then he threw himself into a hackney-coach, and was driven to the hotel
+de Maulincour, where he asked for the baron.
+
+"Monsieur is ill," they told him.
+
+Jules insisted on entering, and gave his name. If he could not see the
+baron, he wished to see the vidame or the dowager. He waited some time
+in the salon, where Madame de Maulincour finally came to him and told
+him that her grandson was much too ill to receive him.
+
+"I know, madame, the nature of his illness from the letter you did me
+the honor to write, and I beg you to believe--"
+
+"A letter to you, monsieur, written by me!" cried the dowager,
+interrupting him. "I have written you no letter. What was I made to say
+in that letter, monsieur?"
+
+"Madame," replied Jules, "intending to see Monsieur de Maulincour
+to-day, I thought it best to preserve the letter in spite of its
+injunction to destroy it. There it is."
+
+Madame de Maulincour put on her spectacles, and the moment she cast her
+eyes on the paper she showed the utmost surprise.
+
+"Monsieur," she said, "my writing is so perfectly imitated that, if the
+matter were not so recent, I might be deceived myself. My grandson is
+ill, it is true; but his reason has never for a moment been affected. We
+are the puppets of some evil-minded person or persons; and yet I cannot
+imagine the object of a trick like this. You shall see my grandson,
+monsieur, and you will at once perceive that he is perfectly sound in
+mind."
+
+She rang the bell, and sent to ask if the baron felt able to receive
+Monsieur Desmarets. The servant returned with an affirmative answer.
+Jules went to the baron's room, where he found him in an arm-chair near
+the fire. Too feeble to move, the unfortunate man merely bowed his head
+with a melancholy gesture. The Vidame de Pamiers was sitting with him.
+
+"Monsieur le baron," said Jules, "I have something to say which makes it
+desirable that I should see you alone."
+
+"Monsieur," replied Auguste, "Monsieur le vidame knows about this
+affair; you can speak fearlessly before him."
+
+"Monsieur le baron," said Jules, in a grave voice, "you have troubled
+and well-nigh destroyed my happiness without having any right to do so.
+Until the moment when we can see clearly which of us should demand, or
+grant, reparation to the other, you are bound to help me in following
+the dark and mysterious path into which you have flung me. I have now
+come to ascertain from you the present residence of the extraordinary
+being who exercises such a baneful effect on your life and mine. On my
+return home yesterday, after listening to your avowals, I received that
+letter."
+
+Jules gave him the forged letter.
+
+"This Ferragus, this Bourignard, or this Monsieur de Funcal, is a
+demon!" cried Maulincour, after having read it. "Oh, what a frightful
+maze I put my foot into when I meddled in this matter! Where am I going?
+I did wrong, monsieur," he continued, looking at Jules; "but death is
+the greatest of all expiations, and my death is now approaching. You can
+ask me whatever you like; I am at your orders."
+
+"Monsieur, you know, of course, where this man is living, and I must
+know it if it costs me all my fortune to penetrate this mystery. In
+presence of so cruel an enemy every moment is precious."
+
+"Justin shall tell you all," replied the baron.
+
+At these words the vidame fidgeted on his chair. Auguste rang the bell.
+
+"Justin is not in the house!" cried the vidame, in a hasty manner that
+told much.
+
+"Well, then," said Auguste, excitedly, "the other servants must know
+where he is; send a man on horseback to fetch him. Your valet is in
+Paris, isn't he? He can be found."
+
+The vidame was visibly distressed.
+
+"Justin can't come, my dear boy," said the old man; "he is dead. I
+wanted to conceal the accident from you, but--"
+
+"Dead!" cried Monsieur de Maulincour,--"dead! When and how?"
+
+"Last night. He had been supping with some old friends, and, I dare say,
+was drunk; his friends--no doubt they were drunk, too--left him lying in
+the street, and a heavy vehicle ran over him."
+
+"The convict did not miss _him_; at the first stroke he killed," said
+Auguste. "He has had less luck with me; it has taken four blows to put
+me out of the way."
+
+Jules was gloomy and thoughtful.
+
+"Am I to know nothing, then?" he cried, after a long pause. "Your valet
+seems to have been justly punished. Did he not exceed your orders in
+calumniating Madame Desmarets to a person named Ida, whose jealousy he
+roused in order to turn her vindictiveness upon us?"
+
+"Ah, monsieur! in my anger I informed him about Madame Jules," said
+Auguste.
+
+"Monsieur!" cried the husband, keenly irritated.
+
+"Oh, monsieur!" replied the baron, claiming silence by a gesture, "I am
+prepared for all. You cannot tell me anything my own conscience has
+not already told me. I am now expecting the most celebrated of all
+professors of toxicology, in order to learn my fate. If I am destined
+to intolerable suffering, my resolution is taken. I shall blow my brains
+out."
+
+"You talk like a child!" cried the vidame, horrified by the coolness
+with which the baron said these words. "Your grandmother would die of
+grief."
+
+"Then, monsieur," said Jules, "am I to understand that there exist
+no means of discovering in what part of Paris this extraordinary man
+resides?"
+
+"I think, monsieur," said the old vidame, "from what I have heard poor
+Justin say, that Monsieur de Funcal lives at either the Portuguese or
+the Brazilian embassy. Monsieur de Funcal is a nobleman belonging to
+both those countries. As for the convict, he is dead and buried. Your
+persecutor, whoever he is, seems to me so powerful that it would be
+well to take no decisive measures until you are sure of some way of
+confounding and crushing him. Act prudently and with caution, my dear
+monsieur. Had Monsieur de Maulincour followed my advice, nothing of all
+this would have happened."
+
+Jules coldly but politely withdrew. He was now at a total loss to know
+how to reach Ferragus. As he passed into his own house, the porter told
+him that Madame had just been out to throw a letter into the post box
+at the head of the rue de Menars. Jules felt humiliated by this proof of
+the insight with which the porter espoused his cause, and the cleverness
+by which he guessed the way to serve him. The eagerness of servants, and
+their shrewdness in compromising masters who compromised themselves,
+was known to him, and he fully appreciated the danger of having them as
+accomplices, no matter for what purpose. But he could not think of his
+personal dignity until the moment when he found himself thus suddenly
+degraded. What a triumph for the slave who could not raise himself to
+his master, to compel his master to come down to his level! Jules was
+harsh and hard to him. Another fault. But he suffered so deeply! His
+life till then so upright, so pure, was becoming crafty; he was to
+scheme and lie. Clemence was scheming and lying. This to him was a
+moment of horrible disgust. Lost in a flood of bitter feelings, Jules
+stood motionless at the door of his house. Yielding to despair, he
+thought of fleeing, of leaving France forever, carrying with him the
+illusions of uncertainty. Then, again, not doubting that the letter
+Clemence had just posted was addressed to Ferragus, his mind searched
+for a means of obtaining the answer that mysterious being was certain
+to send. Then his thoughts began to analyze the singular good fortune
+of his life since his marriage, and he asked himself whether the calumny
+for which he had taken such signal vengeance was not a truth. Finally,
+reverting to the coming answer, he said to himself:--
+
+"But this man, so profoundly capable, so logical in his every act, who
+sees and foresees, who calculates, and even divines, our very thoughts,
+is he likely to make an answer? Will he not employ some other means more
+in keeping with his power? He may send his answer by some beggar; or in
+a carton brought by an honest man, who does not suspect what he brings;
+or in some parcel of shoes, which a shop-girl may innocently deliver to
+my wife. If Clemence and he have agreed upon such means--"
+
+He distrusted all things; his mind ran over vast tracts and shoreless
+oceans of conjecture. Then, after floating for a time among a thousand
+contradictory ideas, he felt he was strongest in his own house, and he
+resolved to watch it as the ant-lion watches his sandy labyrinth.
+
+"Fouguereau," he said to the porter, "I am not at home to any one who
+comes to see me. If any one calls to see madame, or brings her anything,
+ring twice. Bring all letters addressed here to me, no matter for whom
+they are intended."
+
+"Thus," thought he, as he entered his study, which was in the entresol,
+"I forestall the schemes of this Ferragus. If he sends some one to ask
+for me so as to find out if Clemence is alone, at least I shall not be
+tricked like a fool."
+
+He stood by the window of his study, which looked upon the street,
+and then a final scheme, inspired by jealousy, came into his mind. He
+resolved to send his head-clerk in his own carriage to the Bourse with
+a letter to another broker, explaining his sales and purchases and
+requesting him to do his business for that day. He postponed his more
+delicate transactions till the morrow, indifferent to the fall or
+rise of stocks or the debts of all Europe. High privilege of love!--it
+crushes all things, all interests fall before it: altar, throne,
+consols!
+
+At half-past three, just the hour at which the Bourse is in full blast
+of reports, monthly settlements, premiums, etc., Fouguereau entered the
+study, quite radiant with his news.
+
+"Monsieur, an old woman has come, but very cautiously; I think she's a
+sly one. She asked for monsieur, and seemed much annoyed when I told her
+he was out; then she gave me a letter for madame, and here it is."
+
+Fevered with anxiety, Jules opened the letter; then he dropped into a
+chair, exhausted. The letter was mere nonsense throughout, and needed a
+key. It was virtually in cipher.
+
+"Go away, Fouguereau." The porter left him. "It is a mystery deeper than
+the sea below the plummet line! Ah! it must be love; love only is so
+sagacious, so inventive as this. Ah! I shall kill her."
+
+At this moment an idea flashed through his brain with such force that
+he felt almost physically illuminated by it. In the days of his toilsome
+poverty before his marriage, Jules had made for himself a true friend.
+The extreme delicacy with which he had managed the susceptibilities of a
+man both poor and modest; the respect with which he had surrounded him;
+the ingenious cleverness he had employed to nobly compel him to share
+his opulence without permitting it to make him blush, increased their
+friendship. Jacquet continued faithful to Desmarets in spite of his
+wealth.
+
+Jacquet, a nobly upright man, a toiler, austere in his morals, had
+slowly made his way in that particular ministry which develops both
+honesty and knavery at the same time. A clerk in the ministry of Foreign
+Affairs, he had charge of the most delicate division of its archives.
+Jacquet in that office was like a glow-worm, casting his light upon
+those secret correspondences, deciphering and classifying despatches.
+Ranking higher than a mere _bourgeois_, his position at the ministry was
+superior to that of the other subalterns. He lived obscurely, glad
+to feel that such obscurity sheltered him from reverses and
+disappointments, and was satisfied to humbly pay in the lowest coin
+his debt to the country. Thanks to Jules, his position had been much
+ameliorated by a worthy marriage. An unrecognized patriot, a minister in
+actual fact, he contented himself with groaning in his chimney-corner at
+the course of the government. In his own home, Jacquet was an easy-going
+king,--an umbrella-man, as they say, who hired a carriage for his
+wife which he never entered himself. In short, to end this sketch of a
+philosopher unknown to himself, he had never suspected and never in
+all his life would suspect the advantages he might have drawn from
+his position,--that of having for his intimate friend a broker, and of
+knowing every morning all the secrets of the State. This man, sublime
+after the manner of that nameless soldier who died in saving Napoleon by
+a "qui vive," lived at the ministry.
+
+In ten minutes Jules was in his friend's office. Jacquet gave him a
+chair, laid aside methodically his green silk eye-shade, rubbed his
+hands, picked up his snuff-box, rose, stretched himself till his
+shoulder-blades cracked, swelled out his chest, and said:--
+
+"What brings you here, Monsieur Desmarets? What do you want with me?"
+
+"Jacquet, I want you to decipher a secret,--a secret of life and death."
+
+"It doesn't concern politics?"
+
+"If it did, I shouldn't come to you for information," said Jules.
+"No, it is a family matter, about which I require you to be absolutely
+silent."
+
+"Claude-Joseph Jacquet, dumb by profession. Don't you know me by this
+time?" he said, laughing. "Discretion is my lot."
+
+Jules showed him the letter.
+
+"You must read me this letter, addressed to my wife."
+
+"The deuce! the deuce! a bad business!" said Jacquet, examining the
+letter as a usurer examines a note to be negotiated. "Ha! that's a
+gridiron letter! Wait a minute."
+
+He left Jules alone for a moment, but returned immediately.
+
+"Easy enough to read, my friend! It is written on the gridiron plan,
+used by the Portuguese minister under Monsieur de Choiseul, at the time
+of the dismissal of the Jesuits. Here, see!"
+
+Jacquet placed upon the writing a piece of paper cut out in regular
+squares, like the paper laces which confectioners wrap round their
+sugarplums; and Jules then read with perfect ease the words that were
+visible in the interstices. They were as follows:--
+
+ "Don't be uneasy, my dear Clemence; our happiness cannot again be
+ troubled; and your husband will soon lay aside his suspicions.
+ However ill you may be, you must have the courage to come here
+ to-morrow; find strength in your love for me. Mine for you has
+ induced me to submit to a cruel operation, and I cannot leave my
+ bed. I have had the actual cautery applied to my back, and it was
+ necessary to burn it in a long time; you understand me? But I
+ thought of you, and I did not suffer.
+
+ "To baffle Maulincour (who will not persecute us much longer), I
+ have left the protecting roof of the embassy, and am now safe from
+ all inquiry in the rue des Enfants-Rouges, number 12, with an old
+ woman, Madame Etienne Gruget, mother of that Ida, who shall pay
+ dear for her folly. Come to-morrow, at nine in the morning. I am
+ in a room which is reached only by an interior staircase. Ask for
+ Monsieur Camuset. Adieu; I kiss your forehead, my darling."
+
+Jacquet looked at Jules with a sort of honest terror, the sign of a
+true compassion, as he made his favorite exclamation in two separate and
+distinct tones,--
+
+"The deuce! the deuce!"
+
+"That seems clear to you, doesn't it?" said Jules. "Well, in the depths
+of my heart there is a voice that pleads for my wife, and makes itself
+heard above the pangs of jealousy. I must endure the worst of all agony
+until to-morrow; but to-morrow, between nine and ten I shall know all; I
+shall be happy or wretched for all my life. Think of me then, Jacquet."
+
+"I shall be at your house to-morrow at eight o'clock. We will go
+together; I'll wait for you, if you like, in the street. You may run
+some danger, and you ought to have near you some devoted person who'll
+understand a mere sign, and whom you can safely trust. Count on me."
+
+"Even to help me in killing some one?"
+
+"The deuce! the deuce!" said Jacquet, repeating, as it were, the same
+musical note. "I have two children and a wife."
+
+Jules pressed his friend's hand and went away; but returned immediately.
+
+"I forgot the letter," he said. "But that's not all, I must reseal it."
+
+"The deuce! the deuce! you opened it without saving the seal; however,
+it is still possible to restore it. Leave it with me and I'll bring it
+to you _secundum scripturam_."
+
+"At what time?"
+
+"Half-past five."
+
+"If I am not yet in, give it to the porter and tell him to send it up to
+madame."
+
+"Do you want me to-morrow?"
+
+"No. Adieu."
+
+Jules drove at once to the place de la Rotonde du Temple, where he left
+his cabriolet and went on foot to the rue des Enfants-Rouges. He found
+the house of Madame Etienne Gruget and examined it. There, the mystery
+on which depended the fate of so many persons would be cleared up;
+there, at this moment, was Ferragus, and to Ferragus all the threads of
+this strange plot led. The Gordian knot of the drama, already so bloody,
+was surely in a meeting between Madame Jules, her husband, and that man;
+and a blade able to cut the closest of such knots would not be wanting.
+
+The house was one of those which belong to the class called
+_cabajoutis_. This significant name is given by the populace of Paris
+to houses which are built, as it were, piecemeal. They are nearly
+always composed of buildings originally separate but afterwards united
+according to the fancy of the various proprietors who successively
+enlarge them; or else they are houses begun, left unfinished, again
+built upon, and completed,--unfortunate structures which have passed,
+like certain peoples, under many dynasties of capricious masters.
+Neither the floors nor the windows have an _ensemble_,--to borrow one of
+the most picturesque terms of the art of painting; all is discord, even
+the external decoration. The _cabajoutis_ is to Parisian architecture
+what the _capharnaum_ is to the apartment,--a poke-hole, where the most
+heterogeneous articles are flung pell-mell.
+
+"Madame Etienne?" asked Jules of the portress.
+
+This portress had her lodge under the main entrance, in a sort of
+chicken coop, or wooden house on rollers, not unlike those sentry-boxes
+which the police have lately set up by the stands of hackney-coaches.
+
+"Hein?" said the portress, without laying down the stocking she was
+knitting.
+
+In Paris the various component parts which make up the physiognomy of
+any given portion of the monstrous city, are admirably in keeping with
+its general character. Thus porter, concierge, or Suisse, whatever name
+may be given to that essential muscle of the Parisian monster, is always
+in conformity with the neighborhood of which he is a part; in fact,
+he is often an epitome of it. The lazy porter of the faubourg
+Saint-Germain, with lace on every seam of his coat, dabbles in stocks;
+he of the Chaussee d'Antin takes his ease, reads the money-articles
+in the newspapers, and has a business of his own in the faubourg
+Montmartre. The portress in the quarter of prostitution was formerly a
+prostitute; in the Marais, she has morals, is cross-grained, and full of
+crotchets.
+
+On seeing Monsieur Jules this particular portress, holding her knitting
+in one hand, took a knife and stirred the half-extinguished peat in her
+foot-warmer; then she said:--
+
+"You want Madame Etienne; do you mean Madame Etienne Gruget?"
+
+"Yes," said Jules, assuming a vexed air.
+
+"Who makes trimmings?"
+
+"Yes."
+
+"Well, then, monsieur," she said, issuing from her cage, and laying her
+hand on Jules' arm and leading him to the end of a long passage-way,
+vaulted like a cellar, "go up the second staircase at the end of the
+court-yard--where you will see the windows with the pots of pinks;
+that's where Madame Etienne lives."
+
+"Thank you, madame. Do you think she is alone?"
+
+"Why shouldn't she be alone? she's a widow."
+
+Jules hastened up a dark stairway, the steps of which were knobby with
+hardened mud left by the feet of those who came and went. On the second
+floor he saw three doors but no signs of pinks. Fortunately, on one of
+the doors, the oiliest and darkest of the three, he read these words,
+chalked on a panel: "Ida will come to-night at nine o'clock."
+
+"This is the place," thought Jules.
+
+He pulled an old bellrope, black with age, and heard the smothered sound
+of a cracked bell and the barking of an asthmatic little dog. By the
+way the sounds echoed from the interior he knew that the rooms were
+encumbered with articles which left no space for reverberation,--a
+characteristic feature of the homes of workmen and humble households,
+where space and air are always lacking.
+
+Jules looked out mechanically for the pinks, and found them on the
+outer sill of a sash window between two filthy drain-pipes. So here were
+flowers; here, a garden, two yards long and six inches wide; here,
+a wheat-ear; here, a whole life epitomized; but here, too, all the
+miseries of that life. A ray of light falling from heaven as if by
+special favor on those puny flowers and the vigorous wheat-ear brought
+out in full relief the dust, the grease, and that nameless color,
+peculiar to Parisian squalor, made of dirt, which crusted and spotted
+the damp walls, the worm-eaten balusters, the disjointed window-casings,
+and the door originally red. Presently the cough of an old woman, and a
+heavy female step, shuffling painfully in list slippers, announced the
+coming of the mother of Ida Gruget. The creature opened the door and
+came out upon the landing, looked up, and said:--
+
+"Ah! is this Monsieur Bocquillon? Why, no? But perhaps you're his
+brother. What can I do for you? Come in, monsieur."
+
+Jules followed her into the first room, where he saw, huddled together,
+cages, household utensils, ovens, furniture, little earthenware
+dishes full of food or water for the dog and the cats, a wooden clock,
+bed-quilts, engravings of Eisen, heaps of old iron, all these things
+mingled and massed together in a way that produced a most grotesque
+effect,--a true Parisian dusthole, in which were not lacking a few old
+numbers of the "Constitutionel."
+
+Jules, impelled by a sense of prudence, paid no attention to the widow's
+invitation when she said civilly, showing him an inner room:--
+
+"Come in here, monsieur, and warm yourself."
+
+Fearing to be overheard by Ferragus, Jules asked himself whether it were
+not wisest to conclude the arrangement he had come to make with the old
+woman in the crowded antechamber. A hen, which descended cackling from
+a loft, roused him from this inward meditation. He came to a resolution,
+and followed Ida's mother into the inner room, whither they were
+accompanied by the wheezy pug, a personage otherwise mute, who jumped
+upon a stool. Madame Gruget showed the assumption of semi-pauperism
+when she invited her visitor to warm himself. Her fire-pot contained, or
+rather concealed two bits of sticks, which lay apart: the grating was
+on the ground, its handle in the ashes. The mantel-shelf, adorned with
+a little wax Jesus under a shade of squares of glass held together with
+blue paper, was piled with wools, bobbins, and tools used in the making
+of gimps and trimmings. Jules examined everything in the room with a
+curiosity that was full of interest, and showed, in spite of himself, an
+inward satisfaction.
+
+"Well, monsieur, tell me, do you want to buy any of my things?" said the
+old woman, seating herself in a cane arm-chair, which appeared to be
+her headquarters. In it she kept her handkerchief, snuffbox, knitting,
+half-peeled vegetables, spectacles, calendar, a bit of livery gold lace
+just begun, a greasy pack of cards, and two volumes of novels, all stuck
+into the hollow of the back. This article of furniture, in which the
+old creature was floating down the river of life, was not unlike the
+encyclopedic bag which a woman carries with her when she travels; in
+which may be found a compendium of her household belongings, from the
+portrait of her husband to _eau de Melisse_ for faintness, sugarplums
+for the children, and English court-plaster in case of cuts.
+
+Jules studied all. He looked attentively at Madame Gruget's yellow
+visage, at her gray eyes without either brows or lashes, her toothless
+mouth, her wrinkles marked in black, her rusty cap, her still more rusty
+ruffles, her cotton petticoat full of holes, her worn-out slippers, her
+disabled fire-pot, her table heaped with dishes and silks and work begun
+or finished, in wool or cotton, in the midst of which stood a bottle of
+wine. Then he said to himself: "This old woman has some passion, some
+strong liking or vice; I can make her do my will."
+
+"Madame," he said aloud, with a private sign of intelligence, "I have
+come to order some livery trimmings." Then he lowered his voice. "I
+know," he continued, "that you have a lodger who has taken the name of
+Camuset." The old woman looked at him suddenly, but without any sign of
+astonishment. "Now, tell me, can we come to an understanding? This is a
+question which means fortune for you."
+
+"Monsieur," she replied, "speak out, and don't be afraid. There's no one
+here. But if I had any one above, it would be impossible for him to hear
+you."
+
+"Ha! the sly old creature, she answers like a Norman," thought Jules,
+"We shall agree. Do not give yourself the trouble to tell falsehoods,
+madame," he resumed, "In the first place, let me tell you that I mean no
+harm either to you or to your lodger who is suffering from cautery, or
+to your daughter Ida, a stay-maker, the friend of Ferragus. You see, I
+know all your affairs. Do not be uneasy; I am not a detective policeman,
+nor do I desire anything that can hurt your conscience. A young lady
+will come here to-morrow-morning at half-past nine o'clock, to talk with
+this lover of your daughter. I want to be where I can see all and hear
+all, without being seen or heard by them. If you will furnish me with
+the means of doing so, I will reward that service with the gift of two
+thousand francs and a yearly stipend of six hundred. My notary shall
+prepare a deed before you this evening, and I will give him the money to
+hold; he will pay the two thousand to you to-morrow after the conference
+at which I desire to be present, as you will then have given proofs of
+your good faith."
+
+"Will it injure my daughter, my good monsieur?" she asked, casting a
+cat-like glance of doubt and uneasiness upon him.
+
+"In no way, madame. But, in any case, it seems to me that your daughter
+does not treat you well. A girl who is loved by so rich a man as
+Ferragus ought to make you more comfortable than you seem to be."
+
+"Ah, my dear monsieur, just think, not so much as one poor ticket to
+the Ambigu, or the Gaiete, where she can go as much as she likes. It's
+shameful! A girl for whom I sold my silver forks and spoons! and now
+I eat, at my age, with German metal,--and all to pay for her
+apprenticeship, and give her a trade, where she could coin money if she
+chose. As for that, she's like me, clever as a witch; I must do her that
+justice. But, I will say, she might give me her old silk gowns,--I,
+who am so fond of wearing silk. But no! Monsieur, she dines at the
+Cadran-Bleu at fifty francs a head, and rolls in her carriage as if she
+were a princess, and despises her mother for a Colin-Lampon. Heavens and
+earth! what heedless young ones we've brought into the world; we have
+nothing to boast of there. A mother, monsieur, can't be anything else
+but a good mother; and I've concealed that girl's ways, and kept her in
+my bosom, to take the bread out of my mouth and cram everything into her
+own. Well, well! and now she comes and fondles one a little, and says,
+'How d'ye do, mother?' And that's all the duty she thinks of paying. But
+she'll have children one of these days, and then she'll find out what it
+is to have such baggage,--which one can't help loving all the same."
+
+"Do you mean that she does nothing for you?"
+
+"Ah, nothing? No, monsieur, I didn't say that; if she did nothing, that
+would be a little too much. She gives me my rent and thirty-six francs a
+month. But, monsieur, at my age,--and I'm fifty-two years old, with
+eyes that feel the strain at night,--ought I to be working in this way?
+Besides, why won't she have me to live with her? I should shame her,
+should I? Then let her say so. Faith, one ought to be buried out of the
+way of such dogs of children, who forget you before they've even shut
+the door."
+
+She pulled her handkerchief from her pocket, and with it a lottery
+ticket that dropped on the floor; but she hastily picked it up, saying,
+"Hi! that's the receipt for my taxes."
+
+Jules at once perceived the reason of the sagacious parsimony of which
+the mother complained; and he was the more certain that the widow Gruget
+would agree to the proposed bargain.
+
+"Well, then, madame," he said, "accept what I offer you."
+
+"Did you say two thousand francs in ready money, and six hundred
+annuity, monsieur?"
+
+"Madame, I've changed my mind; I will promise you only three hundred
+annuity. This way seems more to my own interests. But I will give you
+five thousand francs in ready money. Wouldn't you like that as well?"
+
+"Bless me, yes, monsieur!"
+
+"You'll get more comfort out of it; and you can go to the Ambigu and
+Franconi's at your ease in a coach."
+
+"As for Franconi, I don't like that, for they don't talk there.
+Monsieur, if I accept, it is because it will be very advantageous for
+my child. I sha'n't be a drag on her any longer. Poor little thing!
+I'm glad she has her pleasures, after all. Ah, monsieur, youth must be
+amused! And so, if you assure me that no harm will come to anybody--"
+
+"Not to anybody," replied Jules. "But now, how will you manage it?"
+
+"Well, monsieur, if I give Monsieur Ferragus a little tea made of
+poppy-heads to-night, he'll sleep sound, the dear man; and he needs it,
+too, because of his sufferings, for he does suffer, I can tell you, and
+more's the pity. But I'd like to know what a healthy man like him wants
+to burn his back for, just to get rid of a tic douleureux which troubles
+him once in two years. However, to come back to our business. I have my
+neighbor's key; her lodging is just above mine, and in it there's a
+room adjoining the one where Monsieur Ferragus is, with only a
+partition between them. My neighbor is away in the country for ten days.
+Therefore, if I make a hole to-night while Monsieur Ferragus is sound
+asleep, you can see and hear them to-morrow at your ease. I'm on good
+terms with a locksmith,--a very friendly man, who talks like an angel,
+and he'll do the work for me and say nothing about it."
+
+"Then here's a hundred francs for him. Come to-night to Monsieur
+Desmaret's office; he's a notary, and here's his address. At nine
+o'clock the deed will be ready, but--silence!"
+
+"Enough, monsieur; as you say--silence! Au revoir, monsieur."
+
+Jules went home, almost calmed by the certainty that he should know the
+truth on the morrow. As he entered the house, the porter gave him the
+letter properly resealed.
+
+"How do you feel now?" he said to his wife, in spite of the coldness
+that separated them.
+
+"Pretty well, Jules," she answered in a coaxing voice, "do come and dine
+beside me."
+
+"Very good," he said, giving her the letter. "Here is something
+Fouguereau gave me for you."
+
+Clemence, who was very pale, colored high when she saw the letter, and
+that sudden redness was a fresh blow to her husband.
+
+"Is that joy," he said, laughing, "or the effect of expectation?"
+
+"Oh, of many things!" she said, examining the seal.
+
+"I leave you now for a few moments."
+
+He went down to his study, and wrote to his brother, giving him
+directions about the payment to the widow Gruget. When he returned, he
+found his dinner served on a little table by his wife's bedside, and
+Josephine ready to wait on him.
+
+"If I were up how I should like to serve you myself," said Clemence,
+when Josephine had left them. "Oh, yes, on my knees!" she added, passing
+her white hands through her husband's hair. "Dear, noble heart, you were
+very kind and gracious to me just now. You did me more good by showing
+me such confidence than all the doctors on earth could do me with their
+prescriptions. That feminine delicacy of yours--for you do know how
+to love like a woman--well, it has shed a balm into my heart which has
+almost cured me. There's truce between us, Jules; lower your head, that
+I may kiss it."
+
+Jules could not deny himself the pleasure of that embrace. But it was
+not without a feeling of remorse in his heart; he felt himself small
+before this woman whom he was still tempted to think innocent. A sort
+of melancholy joy possessed him. A tender hope shone on her features
+in spite of their grieved expression. They both were equally unhappy
+in deceiving each other; another caress, and, unable to resist their
+suffering, all would then have been avowed.
+
+"To-morrow evening, Clemence."
+
+"No, no; to-morrow morning, by twelve o'clock, you will know all, and
+you'll kneel down before your wife--Oh, no! you shall not be humiliated;
+you are all forgiven now; you have done no wrong. Listen, Jules;
+yesterday you did crush me--harshly; but perhaps my life would not have
+been complete without that agony; it may be a shadow that will make our
+coming days celestial."
+
+"You lay a spell upon me," cried Jules; "you fill me with remorse."
+
+"Poor love! destiny is stronger than we, and I am not the accomplice of
+mine. I shall go out to-morrow."
+
+"At what hour?" asked Jules.
+
+"At half-past nine."
+
+"Clemence," he said, "take every precaution; consult Doctor Desplein and
+old Haudry."
+
+"I shall consult nothing but my heart and my courage."
+
+"I shall leave you free; you will not see me till twelve o'clock."
+
+"Won't you keep me company this evening? I feel so much better."
+
+After attending to some business, Jules returned to his wife,--recalled
+by her invincible attraction. His passion was stronger than his anguish.
+
+The next day, at nine o'clock Jules left home, hurried to the rue des
+Enfants-Rouges, went upstairs, and rang the bell of the widow Gruget's
+lodgings.
+
+"Ah! you've kept your word, as true as the dawn. Come in, monsieur,"
+said the old woman when she saw him. "I've made you a cup of coffee with
+cream," she added, when the door was closed. "Oh! real cream; I saw it
+milked myself at the dairy we have in this very street."
+
+"Thank you, no, madame, nothing. Take me at once--"
+
+"Very good, monsieur. Follow me, this way."
+
+She led him up into the room above her own, where she showed him,
+triumphantly, an opening about the size of a two-franc piece, made
+during the night, in a place, which, in each room, was above a wardrobe.
+In order to look through it, Jules was forced to maintain himself in
+rather a fatiguing attitude, by standing on a step-ladder which the
+widow had been careful to place there.
+
+"There's a gentleman with him," she whispered, as she retired.
+
+Jules then beheld a man employed in dressing a number of wounds on the
+shoulders of Ferragus, whose head he recognized from the description
+given to him by Monsieur de Maulincour.
+
+"When do you think those wounds will heal?" asked Ferragus.
+
+"I don't know," said the other man. "The doctors say those wounds will
+require seven or eight more dressings."
+
+"Well, then, good-bye until to-night," said Ferragus, holding out his
+hand to the man, who had just replaced the bandage.
+
+"Yes, to-night," said the other, pressing his hand cordially. "I wish I
+could see you past your sufferings."
+
+"To-morrow Monsieur de Funcal's papers will be delivered to us, and
+Henri Bourignard will be dead forever," said Ferragus. "Those fatal
+marks which have cost us so dear no longer exist. I shall become once
+more a social being, a man among men, and more of a man than the sailor
+whom the fishes are eating. God knows it is not for my own sake I have
+made myself a Portuguese count!"
+
+"Poor Gratien!--you, the wisest of us all, our beloved brother, the
+Benjamin of the band; as you very well know."
+
+"Adieu; keep an eye on Maulincour."
+
+"You can rest easy on that score."
+
+"Ho! stay, marquis," cried the convict.
+
+"What is it?"
+
+"Ida is capable of everything after the scene of last night. If she
+should throw herself into the river, I would not fish her out. She knows
+the secret of my name, and she'll keep it better there. But still, look
+after her; for she is, in her way, a good girl."
+
+"Very well."
+
+The stranger departed. Ten minutes later Jules heard, with a feverish
+shudder, the rustle of a silk gown, and almost recognized by their sound
+the steps of his wife.
+
+"Well, father," said Clemence, "my poor father, are you better? What
+courage you have shown!"
+
+"Come here, my child," replied Ferragus, holding out his hand to her.
+
+Clemence held her forehead to him and he kissed it.
+
+"Now tell me, what is the matter, my little girl? What are these new
+troubles?"
+
+"Troubles, father! it concerns the life or death of the daughter you
+have loved so much. Indeed you must, as I wrote you yesterday, you
+_must_ find a way to see my poor Jules to-day. If you knew how good he
+has been to me, in spite of all suspicions apparently so legitimate.
+Father, my love is my very life. Would you see me die? Ah! I have
+suffered so much that my life, I feel it! is in danger."
+
+"And all because of the curiosity of that miserable Parisian?" cried
+Ferragus. "I'd burn Paris down if I lost you, my daughter. Ha! you may
+know what a lover is, but you don't yet know what a father can do."
+
+"Father, you frighten me when you look at me in that way. Don't weigh
+such different feelings in the same scales. I had a husband before I
+knew that my father was living--"
+
+"If your husband was the first to lay kisses on your forehead, I was
+the first to drop tears upon it," replied Ferragus. "But don't feel
+frightened, Clemence, speak to me frankly. I love you enough to rejoice
+in the knowledge that you are happy, though I, your father, may have
+little place in your heart, while you fill the whole of mine."
+
+"Ah! what good such words do me! You make me love you more and more,
+though I seem to rob something from my Jules. But, my kind father, think
+what his sufferings are. What may I tell him to-day?"
+
+"My child, do you think I waited for your letter to save you from this
+threatened danger? Do you know what will become of those who venture to
+touch your happiness, or come between us? Have you never been aware
+that a second providence was guarding your life? Twelve men of power and
+intellect form a phalanx round your love and your existence,--ready to
+do all things to protect you. Think of your father, who has risked death
+to meet you in the public promenades, or see you asleep in your little
+bed in your mother's home, during the night-time. Could such a father,
+to whom your innocent caresses give strength to live when a man of honor
+ought to have died to escape his infamy, could _I_, in short, I who
+breathe through your lips, and see with your eyes, and feel with your
+heart, could I fail to defend with the claws of a lion and the soul of a
+father, my only blessing, my life, my daughter? Since the death of that
+angel, your mother, I have dreamed but of one thing,--the happiness of
+pressing you to my heart in the face of the whole earth, of burying
+the convict,--" He paused a moment, and then added: "--of giving you a
+father, a father who could press without shame your husband's hand, who
+could live without fear in both your hearts, who could say to all the
+world, 'This is my daughter,'--in short, to be a happy father."
+
+"Oh, father! father!"
+
+"After infinite difficulty, after searching the whole globe," continued
+Ferragus, "my friends have found me the skin of a dead man in which to
+take my place once more in social life. A few days hence, I shall be
+Monsieur de Funcal, a Portuguese count. Ah! my dear child, there are few
+men of my age who would have had the patience to learn Portuguese and
+English, which were spoken fluently by that devil of a sailor, who was
+drowned at sea."
+
+"But, my dear father--"
+
+"All has been foreseen, and prepared. A few days hence, his Majesty John
+VI., King of Portugal will be my accomplice. My child, you must have a
+little patience where your father has had so much. But ah! what would
+I not do to reward your devotion for the last three years,--coming
+religiously to comfort your old father, at the risk of your own peace!"
+
+"Father!" cried Clemence, taking his hands and kissing them.
+
+"Come, my child, have courage still; keep my fatal secret a few days
+longer, till the end is reached. Jules is not an ordinary man, I know;
+but are we sure that his lofty character and his noble love may not
+impel him to dislike the daughter of a--"
+
+"Oh!" cried Clemence, "you have read my heart; I have no other fear than
+that. The very thought turns me to ice," she added, in a heart-rending
+tone. "But, father, think that I have promised him the truth in two
+hours."
+
+"If so, my daughter, tell him to go to the Portuguese embassy and see
+the Comte de Funcal, your father. I will be there."
+
+"But Monsieur de Maulincour has told him of Ferragus. Oh, father, what
+torture, to deceive, deceive, deceive!"
+
+"Need you say that to me? But only a few days more, and no living man
+will be able to expose me. Besides, Monsieur de Maulincour is beyond
+the faculty of remembering. Come, dry your tears, my silly child, and
+think--"
+
+At this instant a terrible cry rang from the room in which Jules
+Desmarets was stationed.
+
+The clamor was heard by Madame Jules and Ferragus through the opening of
+the wall, and struck them with terror.
+
+"Go and see what it means, Clemence," said her father.
+
+Clemence ran rapidly down the little staircase, found the door into
+Madame Gruget's apartment wide open, heard the cries which echoed from
+the upper floor, went up the stairs, guided by the noise of sobs, and
+caught these words before she entered the fatal chamber:--
+
+"You, monsieur, you, with your horrid inventions,--you are the cause of
+her death!"
+
+"Hush, miserable woman!" replied Jules, putting his handkerchief on the
+mouth of the old woman, who began at once to cry out, "Murder! help!"
+
+At this instant Clemence entered, saw her husband, uttered a cry, and
+fled away.
+
+"Who will save my child?" cried the widow Gruget. "You have murdered
+her."
+
+"How?" asked Jules, mechanically, for he was horror-struck at being seen
+by his wife.
+
+"Read that," said the old woman, giving him a letter. "Can money or
+annuities console me for that?"
+
+
+ Farewell, mother! I bequeeth you what I have. I beg your pardon
+ for my forlts, and the last greef to which I put you by ending my
+ life in the river. Henry, who I love more than myself, says I have
+ made his misfortune, and as he has drifen me away, and I have lost
+ all my hops of merrying him, I am going to droun myself. I shall
+ go abov Neuilly, so that they can't put me in the Morg. If Henry
+ does not hate me anny more after I am ded, ask him to berry a pore
+ girl whose hart beet for him only, and to forgif me, for I did
+ rong to meddle in what didn't consern me. Tak care of his wounds.
+ How much he sufered, pore fellow! I shall have as much corage to
+ kill myself as he had to burn his bak. Carry home the corsets I
+ have finished. And pray God for your daughter.
+
+Ida.
+
+
+"Take this letter to Monsieur de Funcal, who is upstairs," said Jules.
+"He alone can save your daughter, if there is still time."
+
+So saying he disappeared, running like a man who has committed a crime.
+His legs trembled. The hot blood poured into his swelling heart in
+torrents greater than at any other moment of his life, and left it again
+with untold violence. Conflicting thoughts struggled in his mind, and
+yet one thought predominated,--he had not been loyal to the being he
+loved most. It was impossible for him to argue with his conscience,
+whose voice, rising high with conviction, came like an echo of those
+inward cries of his love during the cruel hours of doubt he had lately
+lived through.
+
+He spent the greater part of the day wandering about Paris, for he dared
+not go home. This man of integrity and honor feared to meet the spotless
+brow of the woman he had misjudged. We estimate wrongdoing in proportion
+to the purity of our conscience; the deed which is scarcely a fault
+in some hearts, takes the proportions of a crime in certain unsullied
+souls. The slightest stain on the white garment of a virgin makes it a
+thing ignoble as the rags of a mendicant. Between the two the difference
+lies in the misfortune of the one, the wrong-doing of the other. God
+never measures repentance; he never apportions it. As much is needed
+to efface a spot as to obliterate the crimes of a lifetime. These
+reflections fell with all their weight on Jules; passions, like human
+laws, will not pardon, and their reasoning is more just; for are they
+not based upon a conscience of their own as infallible as an instinct?
+
+Jules finally came home pale, despondent, crushed beneath a sense of his
+wrong-doing, and yet expressing in spite of himself the joy his wife's
+innocence had given him. He entered her room all throbbing with emotion;
+she was in bed with a high fever. He took her hand, kissed it, and
+covered it with tears.
+
+"Dear angel," he said, when they were alone, "it is repentance."
+
+"And for what?" she answered.
+
+As she made that reply, she laid her head back upon the pillow, closed
+her eyes, and remained motionless, keeping the secret of her sufferings
+that she might not frighten her husband,--the tenderness of a mother,
+the delicacy of an angel! All the woman was in her answer.
+
+The silence lasted long. Jules, thinking her asleep, went to question
+Josephine as to her mistress's condition.
+
+"Madame came home half-dead, monsieur. We sent at once for Monsieur
+Haudry."
+
+"Did he come? What did he say?"
+
+"He said nothing, monsieur. He did not seem satisfied; gave orders that
+no one should go near madame except the nurse, and said he should come
+back this evening."
+
+Jules returned softly to his wife's room and sat down in a chair before
+the bed. There he remained, motionless, with his eyes fixed on those
+of Clemence. When she raised her eyelids she saw him, and through those
+lids passed a tender glance, full of passionate love, free from reproach
+and bitterness,--a look which fell like a flame of fire upon the heart
+of that husband, nobly absolved and forever loved by the being whom he
+had killed. The presentiment of death struck both their minds with equal
+force. Their looks were blended in one anguish, as their hearts had long
+been blended in one love, felt equally by both, and shared equally. No
+questions were uttered; a horrible certainty was there,--in the wife
+an absolute generosity; in the husband an awful remorse; then, in both
+souls the same vision of the end, the same conviction of fatality.
+
+There came a moment when, thinking his wife asleep, Jules kissed her
+softly on the forehead; then after long contemplation of that cherished
+face, he said:--
+
+"Oh God! leave me this angel still a little while that I may blot out my
+wrong by love and adoration. As a daughter, she is sublime; as a wife,
+what word can express her?"
+
+Clemence raised her eyes; they were full of tears.
+
+"You pain me," she said, in a feeble voice.
+
+It was getting late; Doctor Haudry came, and requested the husband to
+withdraw during his visit. When the doctor left the sick-room Jules
+asked him no question; one gesture was enough.
+
+"Call in consultation any physician in whom you place confidence; I may
+be wrong."
+
+"Doctor, tell me the truth. I am a man, and I can bear it. Besides,
+I have the deepest interest in knowing it; I have certain affairs to
+settle."
+
+"Madame Jules is dying," said the physician. "There is some moral malady
+which has made great progress, and it has complicated her physical
+condition, which was already dangerous, and made still more so by her
+great imprudence. To walk about barefooted at night! to go out when I
+forbade it! on foot yesterday in the rain, to-day in a carriage! She
+must have meant to kill herself. But still, my judgment is not final;
+she has youth, and a most amazing nervous strength. It may be best to
+risk all to win all by employing some violent reagent. But I will not
+take upon myself to order it; nor will I advise it; in consultation I
+shall oppose it."
+
+Jules returned to his wife. For eleven days and eleven nights he
+remained beside her bed, taking no sleep during the day when he laid his
+head upon the foot of the bed. No man ever pushed the jealousy of care
+and the craving for devotion to such an extreme as he. He could not
+endure that the slightest service should be done by others for his wife.
+There were days of uncertainty, false hopes, now a little better, then
+a crisis,--in short, all the horrible mutations of death as it wavers,
+hesitates, and finally strikes. Madame Jules always found strength to
+smile at her husband. She pitied him, knowing that soon he would be
+alone. It was a double death,--that of life, that of love; but life grew
+feebler, and love grew mightier. One frightful night there was, when
+Clemence passed through that delirium which precedes the death of youth.
+She talked of her happy love, she talked of her father; she related her
+mother's revelations on her death-bed, and the obligations that mother
+had laid upon her. She struggled, not for life, but for her love which
+she could not leave.
+
+"Grant, O God!" she said, "that he may not know I want him to die with
+me."
+
+Jules, unable to bear the scene, was at that moment in the adjoining
+room, and did not hear the prayer, which he would doubtless have
+fulfilled.
+
+When this crisis was over, Madame Jules recovered some strength. The
+next day she was beautiful and tranquil; hope seemed to come to her; she
+adorned herself, as the dying often do. Then she asked to be alone all
+day, and sent away her husband with one of those entreaties made so
+earnestly that they are granted as we grant the prayer of a little
+child.
+
+Jules, indeed, had need of this day. He went to Monsieur de Maulincour
+to demand the satisfaction agreed upon between them. It was not without
+great difficulty that he succeeded in reaching the presence of the
+author of these misfortunes; but the vidame, when he learned that the
+visit related to an affair of honor, obeyed the precepts of his whole
+life, and himself took Jules into the baron's chamber.
+
+Monsieur Desmarets looked about him in search of his antagonist.
+
+"Yes! that is really he," said the vidame, motioning to a man who was
+sitting in an arm-chair beside the fire.
+
+"Who is it? Jules?" said the dying man in a broken voice.
+
+Auguste had lost the only faculty that makes us live--memory. Jules
+Desmarets recoiled with horror at this sight. He could not even
+recognize the elegant young man in that thing without--as Bossuet
+said--a name in any language. It was, in truth, a corpse with whitened
+hair, its bones scarce covered with a wrinkled, blighted, withered
+skin,--a corpse with white eyes motionless, mouth hideously gaping,
+like those of idiots or vicious men killed by excesses. No trace of
+intelligence remained upon that brow, nor in any feature; nor was
+there in that flabby flesh either color or the faintest appearance of
+circulating blood. Here was a shrunken, withered creature brought to
+the state of those monsters we see preserved in museums, floating in
+alchohol. Jules fancied that he saw above that face the terrible head
+of Ferragus, and his own anger was silenced by such a vengeance. The
+husband found pity in his heart for the vacant wreck of what was once a
+man.
+
+"The duel has taken place," said the vidame.
+
+"But he has killed many," answered Jules, sorrowfully.
+
+"And many dear ones," added the old man. "His grandmother is dying; and
+I shall follow her soon into the grave."
+
+On the morrow of this day, Madame Jules grew worse from hour to hour.
+She used a moment's strength to take a letter from beneath her pillow,
+and gave it eagerly to her husband with a sign that was easy to
+understand,--she wished to give him, in a kiss, her last breath. He
+took it, and she died. Jules fell half-dead himself and was taken to his
+brother's house. There, as he deplored in tears his absence of the day
+before, his brother told him that this separation was eagerly desired
+by Clemence, who wished to spare him the sight of the religious
+paraphernalia, so terrible to tender imaginations, which the Church
+displays when conferring the last sacraments upon the dying.
+
+"You could not have borne it," said his brother. "I could hardly bear
+the sight myself, and all the servants wept. Clemence was like a saint.
+She gathered strength to bid us all good-bye, and that voice, heard for
+the last time, rent our hearts. When she asked pardon for the pain she
+might unwillingly have caused her servants, there were cries and sobs
+and--"
+
+"Enough! enough!" said Jules.
+
+He wanted to be alone, that he might read the last words of the woman
+whom all had loved, and who had passed away like a flower.
+
+
+ "My beloved, this is my last will. Why should we not make wills
+ for the treasures of our hearts, as for our worldly property? Was
+ not my love my property, my all? I mean here to dispose of my
+ love: it was the only fortune of your Clemence, and it is all that
+ she can leave you in dying. Jules, you love me still, and I die
+ happy. The doctors may explain my death as they think best; I
+ alone know the true cause. I shall tell it to you, whatever pain
+ it may cause you. I cannot carry with me, in a heart all yours, a
+ secret which you do not share, although I die the victim of an
+ enforced silence.
+
+ "Jules, I was nurtured and brought up in the deepest solitude, far
+ from the vices and the falsehoods of the world, by the loving
+ woman whom you knew. Society did justice to her conventional
+ charm, for that is what pleases society; but I knew secretly her
+ precious soul, I could cherish the mother who made my childhood a
+ joy without bitterness, and I knew why I cherished her. Was not
+ that to love doubly? Yes, I loved her, I feared her, I respected
+ her; yet nothing oppressed my heart, neither fear nor respect. I
+ was all in all to her; she was all in all to me. For nineteen
+ happy years, without a care, my soul, solitary amid the world
+ which muttered round me, reflected only her pure image; my heart
+ beat for her and through her. I was scrupulously pious; I found
+ pleasure in being innocent before God. My mother cultivated all
+ noble and self-respecting sentiments in me. Ah! it gives me
+ happiness to tell you, Jules, that I now know I was indeed a young
+ girl, and that I came to you virgin in heart.
+
+ "When I left that absolute solitude, when, for the first time, I
+ braided my hair and crowned it with almond blossoms, when I added,
+ with delight, a few satin knots to my white dress, thinking of the
+ world I was to see, and which I was curious to see--Jules, that
+ innocent and modest coquetry was done for you! Yes, as I entered
+ the world, I saw _you_ first of all. Your face, I remarked it; it
+ stood out from the rest; your person pleased me; your voice, your
+ manners all inspired me with pleasant presentiments. When you came
+ up, when you spoke to me, the color on your forehead, the tremble
+ in your voice,--that moment gave me memories with which I throb as
+ I now write to you, as I now, for the last time, think of them.
+ Our love was at first the keenest of sympathies, but it was soon
+ discovered by each of us and then, as speedily, shared; just as,
+ in after times, we have both equally felt and shared innumerable
+ happinesses. From that moment my mother was only second in my
+ heart. Next, I was yours, all yours. There is my life, and all my
+ life, dear husband.
+
+ "And here is what remains for me to tell you. One evening, a few
+ days before my mother's death, she revealed to me the secret of
+ her life,--not without burning tears. I have loved you better
+ since the day I learned from the priest as he absolved my mother
+ that there are passions condemned by the world and by the Church.
+ But surely God will not be severe when they are the sins of souls
+ as tender as that of my mother; only, that dear woman could never
+ bring herself to repent. She loved much, Jules; she was all love.
+ So I have prayed daily for her, but never judged her.
+
+ "That night I learned the cause of her deep maternal tenderness;
+ then I also learned that there was in Paris a man whose life and
+ whose love centred on me; that your fortune was his doing, and
+ that he loved you. I learned also that he was exiled from society
+ and bore a tarnished name; but that he was more unhappy for me,
+ for us, than for himself. My mother was all his comfort; she was
+ dying, and I promised to take her place. With all the ardor of a
+ soul whose feelings had never been perverted, I saw only the
+ happiness of softening the bitterness of my mother's last moments,
+ and I pledged myself to continue her work of secret charity,--the
+ charity of the heart. The first time that I saw my father was
+ beside the bed where my mother had just expired. When he raised
+ his tearful eyes, it was to see in me a revival of his dead hopes.
+ I had sworn, not to tell a lie, but to keep silence; and that
+ silence what woman could have broken it?
+
+ "There is my fault, Jules,--a fault which I expiate by death. I
+ doubted you. But fear is so natural to a woman; above all, a woman
+ who knows what it is that she may lose. I trembled for our love.
+ My father's secret seemed to me the death of my happiness; and the
+ more I loved, the more I feared. I dared not avow this feeling to
+ my father; it would have wounded him, and in his situation a wound
+ was agony. But, without a word from me, he shared my fears. That
+ fatherly heart trembled for my happiness as much as I trembled for
+ myself; but it dared not speak, obeying the same delicacy that
+ kept me mute. Yes, Jules, I believed that you could not love the
+ daughter of Gratien Bourignard as you loved your Clemence. Without
+ that terror could I have kept back anything from you,--you who
+ live in every fold of my heart?
+
+ "The day when that odious, unfortunate young officer spoke to you,
+ I was forced to lie. That day, for the second time in my life, I
+ knew what pain was; that pain has steadily increased until this
+ moment, when I speak with you for the last time. What matters now
+ my father's position? You know all. I could, by the help of my
+ love, have conquered my illness and borne its sufferings; but I
+ cannot stifle the voice of doubt. Is it not probable that my
+ origin would affect the purity of your love and weaken it,
+ diminish it? That fear nothing has been able to quench in me.
+ There, Jules, is the cause of my death. I cannot live fearing a
+ word, a look,--a word you may never say, a look you may never
+ give; but, I cannot help it, I fear them. I die beloved; there is
+ my consolation.
+
+ "I have known, for the last three years, that my father and his
+ friends have well-nigh moved the world to deceive the world. That
+ I might have a station in life, they have bought a dead man, a
+ reputation, a fortune, so that a living man might live again,
+ restored; and all this for you, for us. We were never to have
+ known of it. Well, my death will save my father from that
+ falsehood, for he will not survive me.
+
+ "Farewell, Jules, my heart is all here. To show you my love in its
+ agony of fear, is not that bequeathing my whole soul to you? I
+ could never have the strength to speak to you; I have only enough
+ to write. I have just confessed to God the sins of my life. I have
+ promised to fill my mind with the King of Heaven only; but I must
+ confess to him who is, for me, the whole of earth. Alas! shall I
+ not be pardoned for this last sigh between the life that was and
+ the life that shall be? Farewell, my Jules, my loved one! I go to
+ God, with whom is Love without a cloud, to whom you will follow
+ me. There, before his throne, united forever, we may love each
+ other throughout the ages. This hope alone can comfort me. If I am
+ worthy of being there at once, I will follow you through life. My
+ soul shall bear your company; it will wrap you about, for _you_
+ must stay here still,--ah! here below. Lead a holy life that you
+ may the more surely come to me. You can do such good upon this
+ earth! Is it not an angel's mission for the suffering soul to shed
+ happiness about him,--to give to others that which he has not? I
+ bequeath you to the Unhappy. Their smiles, their tears, are the
+ only ones of which I cannot be jealous. We shall find a charm in
+ sweet beneficence. Can we not live together still if you would
+ join my name--your Clemence--in these good works?
+
+ "After loving as we have loved, there is naught but God, Jules.
+ God does not lie; God never betrays. Adore him only, I charge you!
+ Lead those who suffer up to him; comfort the sorrowing members of
+ his Church. Farewell, dear soul that I have filled! I know you;
+ you will never love again. I may die happy in the thought that
+ makes all women happy. Yes, my grave will be your heart. After
+ this childhood I have just related, has not my life flowed on
+ within that heart? Dead, you will never drive me forth. I am proud
+ of that rare life! You will know me only in the flower of my
+ youth; I leave you regrets without disillusions. Jules, it is a
+ happy death.
+
+ "You, who have so fully understood me, may I ask one thing more of
+ you,--superfluous request, perhaps, the fulfilment of a woman's
+ fancy, the prayer of a jealousy we all must feel,--I pray you to
+ burn all that especially belonged to _us_, destroy our chamber,
+ annihilate all that is a memory of our happiness.
+
+ "Once more, farewell,--the last farewell! It is all love, and so
+ will be my parting thought, my parting breath."
+
+
+When Jules had read that letter there came into his heart one of those
+wild frenzies of which it is impossible to describe the awful anguish.
+All sorrows are individual; their effects are not subjected to any fixed
+rule. Certain men will stop their ears to hear nothing; some women close
+their eyes hoping never to see again; great and splendid souls are met
+with who fling themselves into sorrow as into an abyss. In the matter of
+despair, all is true.
+
+
+
+
+CHAPTER V. CONCLUSION
+
+
+Jules escaped from his brother's house and returned home, wishing
+to pass the night beside his wife, and see till the last moment that
+celestial creature. As he walked along with an indifference to life
+known only to those who have reached the last degree of wretchedness,
+he thought of how, in India, the law ordained that widows should die; he
+longed to die. He was not yet crushed; the fever of his grief was still
+upon him. He reached his home and went up into the sacred chamber; he
+saw his Clemence on the bed of death, beautiful, like a saint, her hair
+smoothly laid upon her forehead, her hands joined, her body wrapped
+already in its shroud. Tapers were lighted, a priest was praying,
+Josephine kneeling in a corner, wept, and, near the bed, were two men.
+One was Ferragus. He stood erect, motionless, gazing at his daughter
+with dry eyes; his head you might have taken for bronze: he did not see
+Jules.
+
+The other man was Jacquet,--Jacquet, to whom Madame Jules had been ever
+kind. Jacquet felt for her one of those respectful friendships which
+rejoice the untroubled heart; a gentle passion; love without its desires
+and its storms. He had come to pay his debt of tears, to bid a long
+adieu to the wife of his friend, to kiss, for the first time, the icy
+brow of the woman he had tacitly made his sister.
+
+All was silence. Here death was neither terrible as in the churches, nor
+pompous as it makes its way along the streets; no, it was death in the
+home, a tender death; here were pomps of the heart, tears drawn from the
+eyes of all. Jules sat down beside Jacquet and pressed his hand; then,
+without uttering a word, all these persons remained as they were till
+morning.
+
+When daylight paled the tapers, Jacquet, foreseeing the painful scenes
+which would then take place, drew Jules away into another room. At this
+moment the husband looked at the father, and Ferragus looked at
+Jules. The two sorrows arraigned each other, measured each other, and
+comprehended each other in that look. A flash of fury shone for an
+instant in the eyes of Ferragus.
+
+"You killed her," thought he.
+
+"Why was I distrusted?" seemed the answer of the husband.
+
+The scene was one that might have passed between two tigers recognizing
+the futility of a struggle and, after a moment's hesitation, turning
+away, without even a roar.
+
+"Jacquet," said Jules, "have you attended to everything?"
+
+"Yes, to everything," replied his friend, "but a man had forestalled me
+who had ordered and paid for all."
+
+"He tears his daughter from me!" cried the husband, with the violence of
+despair.
+
+Jules rushed back to his wife's room; but the father was there no
+longer. Clemence had now been placed in a leaden coffin, and workmen
+were employed in soldering the cover. Jules returned, horrified by the
+sight; the sound of the hammers the men were using made him mechanically
+burst into tears.
+
+"Jacquet," he said, "out of this dreadful night one idea has come to
+me, only one, but one I must make a reality at any price. I cannot let
+Clemence stay in any cemetery in Paris. I wish to burn her,--to gather
+her ashes and keep her with me. Say nothing of this, but manage on my
+behalf to have it done. I am going to _her_ chamber, where I shall stay
+until the time has come to go. You alone may come in there to tell me
+what you have done. Go, and spare nothing."
+
+During the morning, Madame Jules, after lying in a mortuary chapel at
+the door of her house, was taken to Saint-Roch. The church was hung with
+black throughout. The sort of luxury thus displayed had drawn a crowd;
+for in Paris all things are sights, even true grief. There are people
+who stand at their windows to see how a son deplores a mother as he
+follows her body; there are others who hire commodious seats to see how
+a head is made to fall. No people in the world have such insatiate eyes
+as the Parisians. On this occasion, inquisitive minds were particularly
+surprised to see the six lateral chapels at Saint-Roch also hung in
+black. Two men in mourning were listening to a mortuary mass said in
+each chapel. In the chancel no other persons but Monsieur Desmarets,
+the notary, and Jacquet were present; the servants of the household were
+outside the screen. To church loungers there was something inexplicable
+in so much pomp and so few mourners. But Jules had been determined that
+no indifferent persons should be present at the ceremony.
+
+High mass was celebrated with the sombre magnificence of funeral
+services. Beside the ministers in ordinary of Saint-Roch, thirteen
+priests from other parishes were present. Perhaps never did the _Dies
+irae_ produce upon Christians, assembled by chance, by curiosity, and
+thirsting for emotions, an effect so profound, so nervously glacial as
+that now caused by this hymn when the eight voices of the precentors,
+accompanied by the voices of the priests and the choir-boys, intoned it
+alternately. From the six lateral chapels twelve other childish voices
+rose shrilly in grief, mingling with the choir voices lamentably. From
+all parts of the church this mourning issued; cries of anguish responded
+to the cries of fear. That terrible music was the voice of sorrows
+hidden from the world, of secret friendships weeping for the dead.
+Never, in any human religion, have the terrors of the soul, violently
+torn from the body and stormily shaken in presence of the fulminating
+majesty of God, been rendered with such force. Before that clamor of
+clamors all artists and their most passionate compositions must bow
+humiliated. No, nothing can stand beside that hymn, which sums all human
+passions, gives them a galvanic life beyond the coffin, and leaves them,
+palpitating still, before the living and avenging God. These cries of
+childhood, mingling with the tones of older voices, including thus in
+the Song of Death all human life and its developments, recalling the
+sufferings of the cradle, swelling to the griefs of other ages in
+the stronger male voices and the quavering of the priests,--all this
+strident harmony, big with lightning and thunderbolts, does it not speak
+with equal force to the daring imagination, the coldest heart, nay, to
+philosophers themselves? As we hear it, we think God speaks; the vaulted
+arches of no church are mere material; they have a voice, they tremble,
+they scatter fear by the might of their echoes. We think we see
+unnumbered dead arising and holding out their hands. It is no more a
+father, a wife, a child,--humanity itself is rising from its dust.
+
+It is impossible to judge of the catholic, apostolic, and Roman faith,
+unless the soul has known that deepest grief of mourning for a loved one
+lying beneath the pall; unless it has felt the emotions that fill the
+heart, uttered by that Hymn of Despair, by those cries that crush the
+mind, by that sacred fear augmenting strophe by strophe, ascending
+heavenward, which terrifies, belittles, and elevates the soul, and
+leaves within our minds, as the last sound ceases, a consciousness
+of immortality. We have met and struggled with the vast idea of the
+Infinite. After that, all is silent in the church. No word is said;
+sceptics themselves _know not what they are feeling_. Spanish genius
+alone was able to bring this untold majesty to untold griefs.
+
+When the solemn ceremony was over, twelve men came from the six chapels
+and stood around the coffin to hear the song of hope which the Church
+intones for the Christian soul before the human form is buried. Then,
+each man entered alone a mourning-coach; Jacquet and Monsieur Desmarets
+took the thirteenth; the servants followed on foot. An hour later, they
+were at the summit of that cemetery popularly called Pere-Lachaise. The
+unknown twelve men stood in a circle round the grave, where the coffin
+had been laid in presence of a crowd of loiterers gathered from all
+parts of this public garden. After a few short prayers the priest threw
+a handful of earth on the remains of this woman, and the grave-diggers,
+having asked for their fee, made haste to fill the grave in order to dig
+another.
+
+Here this history seems to end; but perhaps it would be incomplete if,
+after giving a rapid sketch of Parisian life, and following certain of
+its capricious undulations, the effects of death were omitted. Death in
+Paris is unlike death in any other capital; few persons know the trials
+of true grief in its struggle with civilization, and the government of
+Paris. Perhaps, also, Monsieur Jules and Ferragus XXIII. may have proved
+sufficiently interesting to make a few words on their after life not
+entirely out of place. Besides, some persons like to be told all, and
+wish, as one of our cleverest critics has remarked, to know by what
+chemical process oil was made to burn in Aladdin's lamp.
+
+Jacquet, being a government employee, naturally applied to the
+authorities for permission to exhume the body of Madame Jules and burn
+it. He went to see the prefect of police, under whose protection the
+dead sleep. That functionary demanded a petition. The blank was brought
+that gives to sorrow its proper administrative form; it was necessary to
+employ the bureaucratic jargon to express the wishes of a man so crushed
+that words, perhaps, were lacking to him, and it was also necessary to
+coldly and briefly repeat on the margin the nature of the request,
+which was done in these words: "The petitioner respectfully asks for the
+incineration of his wife."
+
+When the official charged with making the report to the Councillor of
+State and prefect of police read that marginal note, explaining the
+object of the petition, and couched, as requested, in the plainest
+terms, he said:--
+
+"This is a serious matter! my report cannot be ready under eight days."
+
+Jules, to whom Jacquet was obliged to speak of this delay, comprehended
+the words that Ferragus had said in his hearing, "I'll burn Paris!"
+Nothing seemed to him now more natural than to annihilate that
+receptacle of monstrous things.
+
+"But," he said to Jacquet, "you must go to the minister of the Interior,
+and get your minister to speak to him."
+
+Jacquet went to the minister of the Interior, and asked an audience; it
+was granted, but the time appointed was two weeks later. Jacquet was a
+persistent man. He travelled from bureau to bureau, and finally reached
+the private secretary of the minister of the Interior, to whom he had
+made the private secretary of his own minister say a word. These high
+protectors aiding, he obtained for the morrow a second interview, in
+which, being armed with a line from the autocrat of Foreign affairs to
+the pacha of the Interior, Jacquet hoped to carry the matter by assault.
+He was ready with reasons, and answers to peremptory questions,--in
+short, he was armed at all points; but he failed.
+
+"This matter does not concern me," said the minister; "it belongs to the
+prefect of police. Besides, there is no law giving a husband any legal
+right to the body of his wife, nor to fathers those of their children.
+The matter is serious. There are questions of public utility involved
+which will have to be examined. The interests of the city of Paris might
+suffer. Therefore if the matter depended on me, which it does not, I
+could not decide _hic et nunc_; I should require a report."
+
+A _report_ is to the present system of administration what limbo
+or hades is to Christianity. Jacquet knew very well the mania for
+"reports"; he had not waited until this occasion to groan at that
+bureaucratic absurdity. He knew that since the invasion into public
+business of the _Report_ (an administrative revolution consummated
+in 1804) there was never known a single minister who would take upon
+himself to have an opinion or to decide the slightest matter, unless
+that opinion or matter had been winnowed, sifted, and plucked to bits
+by the paper-spoilers, quill-drivers, and splendid intellects of his
+particular bureau. Jacquet--he was one of those who are worthy of
+Plutarch as biographer--saw that he had made a mistake in his management
+of the affair, and had, in fact, rendered it impossible by trying to
+proceed legally. The thing he should have done was to have taken Madame
+Jules to one of Desmaret's estates in the country; and there, under
+the good-natured authority of some village mayor to have gratified the
+sorrowful longing of his friend. Law, constitutional and administrative,
+begets nothing; it is a barren monster for peoples, for kings, and for
+private interests. But the peoples decipher no principles but those that
+are writ in blood, and the evils of legality will always be pacific; it
+flattens a nation down, that is all. Jacquet, a man of modern liberty,
+returned home reflecting on the benefits of arbitrary power.
+
+When he went with his report to Jules, he found it necessary to deceive
+him, for the unhappy man was in a high fever, unable to leave his bed.
+The minister of the Interior mentioned, at a ministerial dinner that
+same evening, the singular fancy of a Parisian in wishing to burn his
+wife after the manner of the Romans. The clubs of Paris took up the
+subject, and talked for a while of the burials of antiquity. Ancient
+things were just then becoming a fashion, and some persons declared that
+it would be a fine thing to re-establish, for distinguished persons, the
+funeral pyre. This opinion had its defenders and its detractors. Some
+said that there were too many such personages, and the price of wood
+would be enormously increased by such a custom; moreover, it would
+be absurd to see our ancestors in their urns in the procession at
+Longchamps. And if the urns were valuable, they were likely some day
+to be sold at auction, full of respectable ashes, or seized by
+creditors,--a race of men who respected nothing. The other side made
+answer that our ancestors were much safer in urns than at Pere-Lachaise,
+for before very long the city of Paris would be compelled to order a
+Saint-Bartholomew against its dead, who were invading the neighboring
+country, and threatening to invade the territory of Brie. It was, in
+short, one of those futile but witty discussions which sometimes cause
+deep and painful wounds. Happily for Jules, he knew nothing of the
+conversations, the witty speeches, and arguments which his sorrow had
+furnished to the tongues of Paris.
+
+The prefect of police was indignant that Monsieur Jacquet had appealed
+to a minister to avoid the wise delays of the commissioners of the
+public highways; for the exhumation of Madame Jules was a question
+belonging to that department. The police bureau was doing its best to
+reply promptly to the petition; one appeal was quite sufficient to set
+the office in motion, and once in motion matters would go far. But as
+for the administration, that might take the case before the Council of
+state,--a machine very difficult indeed to move.
+
+After the second day Jacquet was obliged to tell his friend that he must
+renounce his desire, because, in a city where the number of tears shed
+on black draperies is tariffed, where the laws recognize seven classes
+of funerals, where the scrap of ground to hold the dead is sold at its
+weight in silver, where grief is worked for what it is worth, where the
+prayers of the Church are costly, and the vestry claim payment for extra
+voices in the _Dies irae_,--all attempt to get out of the rut prescribed
+by the authorities for sorrow is useless and impossible.
+
+"It would have been to me," said Jules, "a comfort in my misery. I meant
+to have died away from here, and I hoped to hold her in my arms in a
+distant grave. I did not know that bureaucracy could send its claws into
+our very coffins."
+
+He now wished to see if room had been left for him beside his wife. The
+two friends went to the cemetery. When they reached it they found (as
+at the doors of museums, galleries, and coach-offices) _ciceroni_, who
+proposed to guide them through the labyrinth of Pere-Lachaise. Neither
+Jules nor Jacquet could have found the spot where Clemence lay. Ah,
+frightful anguish! They went to the lodge to consult the porter of the
+cemetery. The dead have a porter, and there are hours when the dead are
+"not receiving." It is necessary to upset all the rules and regulations
+of the upper and lower police to obtain permission to weep at night, in
+silence and solitude, over the grave where a loved one lies. There's a
+rule for summer and a rule for winter about this.
+
+Certainly, of all the porters in Paris, the porter of Pere-Lachaise is
+the luckiest. In the first place, he has no gate-cord to pull; then,
+instead of a lodge, he has a house,--an establishment which is not
+quite ministerial, although a vast number of persons come under his
+administration, and a good many employees. And this governor of the
+dead has a salary, with emoluments, and acts under powers of which
+none complain; he plays despot at his ease. His lodge is not a place of
+business, though it has departments where the book-keeping of receipts,
+expenses, and profits, is carried on. The man is not a _suisse_, nor a
+concierge, nor actually a porter. The gate which admits the dead stands
+wide open; and though there are monuments and buildings to be cared
+for, he is not a care-taker. In short, he is an indefinable anomaly, an
+authority which participates in all, and yet is nothing,--an authority
+placed, like the dead on whom it is based, outside of all. Nevertheless,
+this exceptional man grows out of the city of Paris,--that chimerical
+creation like the ship which is its emblem, that creature of reason
+moving on a thousand paws which are seldom unanimous in motion.
+
+This guardian of the cemetery may be called a concierge who has reached
+the condition of a functionary, not soluble by dissolution! His place
+is far from being a sinecure. He does not allow any one to be buried
+without a permit; he must count his dead. He points out to you in this
+vast field the six feet square of earth where you will one day put all
+you love, or all you hate, a mistress, or a cousin. Yes, remember
+this: all the feelings and emotions of Paris come to end here, at
+this porter's lodge, where they are administrationized. This man has
+registers in which his dead are booked; they are in their graves, and
+also on his records. He has under him keepers, gardeners, grave-diggers,
+and their assistants. He is a personage. Mourning hearts do not speak to
+him at first. He does not appear at all except in serious cases, such as
+one corpse mistaken for another, a murdered body, an exhumation, a
+dead man coming to life. The bust of the reigning king is in his hall;
+possibly he keeps the late royal, imperial, and quasi-royal busts
+in some cupboard,--a sort of little Pere-Lachaise all ready for
+revolutions. In short, he is a public man, an excellent man, good
+husband and good father,--epitaph apart. But so many diverse sentiments
+have passed before him on biers; he has seen so many tears, true and
+false; he has beheld sorrow under so many aspects and on so many faces;
+he has heard such endless thousands of eternal woes,--that to him sorrow
+has come to be nothing more than a stone an inch thick, four feet long,
+and twenty-four inches wide. As for regrets, they are the annoyances of
+his office; he neither breakfasts nor dines without first wiping off
+the rain of an inconsolable affliction. He is kind and tender to other
+feelings; he will weep over a stage-hero, over Monsieur Germeuil in the
+"Auberge des Adrets," the man with the butter-colored breeches, murdered
+by Macaire; but his heart is ossified in the matter of real dead men.
+Dead men are ciphers, numbers, to him; it is his business to organize
+death. Yet he does meet, three times in a century, perhaps, with an
+occasion when his part becomes sublime, and then he _is_ sublime through
+every hour of his day,--in times of pestilence.
+
+When Jacquet approached him this absolute monarch was evidently out of
+temper.
+
+"I told you," he was saying, "to water the flowers from the rue Massena
+to the place Regnault de Saint-Jean-d'Angely. You paid no attention
+to me! _Sac-a-papier_! suppose the relations should take it into their
+heads to come here to-day because the weather is fine, what would they
+say to me? They'd shriek as if they were burned; they'd say horrid
+things of us, and calumniate us--"
+
+"Monsieur," said Jacquet, "we want to know where Madame Jules is
+buried."
+
+"Madame Jules _who_?" he asked. "We've had three Madame Jules within the
+last week. Ah," he said, interrupting himself, "here comes the funeral
+of Monsieur le Baron de Maulincour! A fine procession, that! He has soon
+followed his grandmother. Some families, when they begin to go, rattle
+down like a wager. Lots of bad blood in Parisians."
+
+"Monsieur," said Jacquet, touching him on the arm, "the person I spoke
+of is Madame Jules Desmarets, the wife of the broker of that name."
+
+"Ah, I know!" he replied, looking at Jacquet. "Wasn't it a funeral with
+thirteen mourning coaches, and only one mourner in the twelve first? It
+was so droll we all noticed it--"
+
+"Monsieur, take care, Monsieur Desmarets is with me; he might hear you,
+and what you say is not seemly."
+
+"I beg pardon, monsieur! you are quite right. Excuse me, I took you for
+heirs. Monsieur," he continued, after consulting a plan of the cemetery,
+"Madame Jules is in the rue Marechal Lefebre, alley No. 4, between
+Mademoiselle Raucourt, of the Comedie-Francaise, and Monsieur
+Moreau-Malvin, a butcher, for whom a handsome tomb in white marble has
+been ordered, which will be one of the finest in the cemetery--"
+
+"Monsieur," said Jacquet, interrupting him, "that does not help us."
+
+"True," said the official, looking round him. "Jean," he cried, to a man
+whom he saw at a little distance, "conduct these gentlemen to the
+grave of Madame Jules Desmarets, the broker's wife. You know where it
+is,--near to Mademoiselle Raucourt, the tomb where there's a bust."
+
+The two friends followed the guide; but they did not reach the steep
+path which leads to the upper part of the cemetery without having
+to pass through a score of proposals and requests, made, with honied
+softness, by the touts of marble-workers, iron-founders, and monumental
+sculptors.
+
+"If monsieur would like to order _something_, we would do it on the most
+reasonable terms."
+
+Jacquet was fortunate enough to be able to spare his friend the hearing
+of these proposals so agonizing to bleeding hearts; and presently they
+reached the resting-place. When Jules beheld the earth so recently dug,
+into which the masons had stuck stakes to mark the place for the stone
+posts required to support the iron railing, he turned, and leaned upon
+Jacquet's shoulder, raising himself now and again to cast long glances
+at the clay mound where he was forced to leave the remains of the being
+in and by whom he still lived.
+
+"How miserably she lies there!" he said.
+
+"But she is not there," said Jacquet, "she is in your memory. Come, let
+us go; let us leave this odious cemetery, where the dead are adorned
+like women for a ball."
+
+"Suppose we take her away?"
+
+"Can it be done?"
+
+"All things can be done!" cried Jules. "So, I shall lie there," he
+added, after a pause. "There is room enough."
+
+Jacquet finally succeeded in getting him to leave the great enclosure,
+divided like a chessboard by iron railings and elegant compartments, in
+which were tombs decorated with palms, inscriptions, and tears as cold
+as the stones on which sorrowing hearts had caused to be carved their
+regrets and coats of arms. Many good words are there engraved in black
+letters, epigrams reproving the curious, _concetti_, wittily turned
+farewells, rendezvous given at which only one side appears, pretentious
+biographies, glitter, rubbish and tinsel. Here the floriated thyrsus,
+there a lance-head, farther on Egyptian urns, now and then a few
+cannon; on all sides the emblems of professions, and every style of
+art,--Moorish, Greek, Gothic,--friezes, ovules, paintings, vases,
+guardian-angels, temples, together with innumerable _immortelles_, and
+dead rose-bushes. It is a forlorn comedy! It is another Paris, with its
+streets, its signs, its industries, and its lodgings; but a Paris seen
+through the diminishing end of an opera-glass, a microscopic Paris
+reduced to the littleness of shadows, spectres, dead men, a human race
+which no longer has anything great about it, except its vanity. There
+Jules saw at his feet, in the long valley of the Seine, between the
+slopes of Vaugirard and Meudon and those of Belleville and Montmartre,
+the real Paris, wrapped in a misty blue veil produced by smoke, which
+the sunlight tendered at that moment diaphanous. He glanced with a
+constrained eye at those forty thousand houses, and said, pointing to
+the space comprised between the column of the Place Vendome and the
+gilded cupola of the Invalides:--
+
+"She was wrenched from me there by the fatal curiosity of that world
+which excites itself and meddles solely for excitement and occupation."
+
+Twelve miles from where they were, on the banks of the Seine, in a
+modest village lying on the slope of a hill of that long hilly basin the
+middle of which great Paris stirs like a child in its cradle, a death
+scene was taking place, far indeed removed from Parisian pomps, with no
+accompaniment of torches or tapers or mourning-coaches, without prayers
+of the Church, in short, a death in all simplicity. Here are the facts:
+The body of a young girl was found early in the morning, stranded on the
+river-bank in the slime and reeds of the Seine. Men employed in dredging
+sand saw it as they were getting into their frail boat on their way to
+their work.
+
+"_Tiens_! fifty francs earned!" said one of them.
+
+"True," said the other.
+
+They approached the body.
+
+"A handsome girl! We had better go and make our statement."
+
+And the two dredgers, after covering the body with their jackets, went
+to the house of the village mayor, who was much embarrassed at having to
+make out the legal papers necessitated by this discovery.
+
+The news of this event spread with the telegraphic rapidity peculiar to
+regions where social communications have no distractions, where gossip,
+scandal, calumny, in short, the social tale which feasts the world
+has no break of continuity from one boundary to another. Before
+long, persons arriving at the mayor's office released him from all
+embarrassment. They were able to convert the _proces-verbal_ into a mere
+certificate of death, by recognizing the body as that of the Demoiselle
+Ida Gruget, corset-maker, living rue de la Corderie-du-Temple, number
+14. The judiciary police of Paris arrived, and the mother, bearing her
+daughter's last letter. Amid the mother's moans, a doctor certified
+to death by asphyxia, through the injection of black blood into the
+pulmonary system,--which settled the matter. The inquest over, and the
+certificates signed, by six o'clock the same evening authority was given
+to bury the grisette. The rector of the parish, however, refused to
+receive her into the church or to pray for her. Ida Gruget was
+therefore wrapped in a shroud by an old peasant-woman, put into a common
+pine-coffin, and carried to the village cemetery by four men, followed
+by a few inquisitive peasant-women, who talked about the death with
+wonder mingled with some pity.
+
+The widow Gruget was charitably taken in by an old lady who prevented
+her from following the sad procession of her daughter's funeral. A man
+of triple functions, the bell-ringer, beadle, and grave-digger of the
+parish, had dug a grave in the half-acre cemetery behind the church,--a
+church well known, a classic church, with a square tower and pointed
+roof covered with slate, supported on the outside by strong corner
+buttresses. Behind the apse of the chancel, lay the cemetery, enclosed
+with a dilapidated wall,--a little field full of hillocks; no marble
+monuments, no visitors, but surely in every furrow, tears and true
+regrets, which were lacking to Ida Gruget. She was cast into a corner
+full of tall grass and brambles. After the coffin had been laid in
+this field, so poetic in its simplicity, the grave-digger found himself
+alone, for night was coming on. While filling the grave, he stopped now
+and then to gaze over the wall along the road. He was standing thus,
+resting on his spade, and looking at the Seine, which had brought him
+the body.
+
+"Poor girl!" cried the voice of a man who suddenly appeared.
+
+"How you made me jump, monsieur," said the grave-digger.
+
+"Was any service held over the body you are burying?"
+
+"No, monsieur. Monsieur le cure wasn't willing. This is the first person
+buried here who didn't belong to the parish. Everybody knows everybody
+else in this place. Does monsieur--Why, he's gone!"
+
+Some days had elapsed when a man dressed in black called at the house
+of Monsieur Jules Desmarets, and without asking to see him carried up to
+the chamber of his wife a large porphyry vase, on which were inscribed
+the words:--
+
+
+ INVITA LEGE
+ CONJUGI MOERENTI
+ FILIOLAE CINERES
+ RESTITUIT
+ AMICIS XII. JUVANTIBUS
+ MORIBUNDUS PATER.
+
+
+"What a man!" cried Jules, bursting into tears.
+
+Eight days sufficed the husband to obey all the wishes of his wife, and
+to arrange his own affairs. He sold his practice to a brother of Martin
+Falleix, and left Paris while the authorities were still discussing
+whether it was lawful for a citizen to dispose of the body of his wife.
+
+ * * * * *
+
+Who has not encountered on the boulevards of Paris, at the turn of a
+street, or beneath the arcades of the Palais-Royal, or in any part of
+the world where chance may offer him the sight, a being, man or woman,
+at whose aspect a thousand confused thoughts spring into his mind?
+At that sight we are suddenly interested, either by features of some
+fantastic conformation which reveal an agitated life, or by a singular
+effect of the whole person, produced by gestures, air, gait, clothes; or
+by some deep, intense look; or by other inexpressible signs which seize
+our minds suddenly and forcibly without our being able to explain even
+to ourselves the cause of our emotion. The next day other thoughts and
+other images have carried out of sight that passing dream. But if we
+meet the same personage again, either passing at some fixed hour, like
+the clerk of a mayor's office, or wandering about the public promenades,
+like those individuals who seem to be a sort of furniture of the streets
+of Paris, and who are always to be found in public places, at first
+representations or noted restaurants,--then this being fastens himself
+or herself on our memory, and remains there like the first volume of a
+novel the end of which is lost. We are tempted to question this unknown
+person, and say, "Who are you?" "Why are you lounging here?" "By what
+right do you wear that pleated ruffle, that faded waistcoat, and carry
+that cane with an ivory top; why those blue spectacles; for what reason
+do you cling to that cravat of a dead and gone fashion?" Among these
+wandering creations some belong to the species of the Greek Hermae;
+they say nothing to the soul; _they are there_, and that is all. Why? is
+known to none. Such figure are a type of those used by sculptors for
+the four Seasons, for Commerce, for Plenty, etc. Some others--former
+lawyers, old merchants, elderly generals--move and walk, and yet seem
+stationary. Like old trees that are half uprooted by the current of a
+river, they seem never to take part in the torrent of Paris, with its
+youthful, active crowd. It is impossible to know if their friends
+have forgotten to bury them, or whether they have escaped out of their
+coffins. At any rate, they have reached the condition of semi-fossils.
+
+One of these Parisian Melmoths had come within a few days into a
+neighborhood of sober, quiet people, who, when the weather is fine,
+are invariably to be found in the space which lies between the
+south entrance of the Luxembourg and the north entrance of the
+Observatoire,--a space without a name, the neutral space of Paris.
+There, Paris is no longer; and there, Paris still lingers. The spot is
+a mingling of street, square, boulevard, fortification, garden, avenue,
+high-road, province, and metropolis; certainly, all of that is to be
+found there, and yet the place is nothing of all that,--it is a desert.
+Around this spot without a name stand the Foundling hospital,
+the Bourbe, the Cochin hospital, the Capucines, the hospital
+La Rochefoucauld, the Deaf and Dumb Asylum, the hospital of the
+Val-de-Grace; in short, all the vices and all the misfortunes of
+Paris find their asylum there. And (that nothing may lack in this
+philanthropic centre) Science there studies the tides and longitudes,
+Monsieur de Chateaubriand has erected the Marie-Therese Infirmary, and
+the Carmelites have founded a convent. The great events of life are
+represented by bells which ring incessantly through this desert,--for
+the mother giving birth, for the babe that is born, for the vice that
+succumbs, for the toiler who dies, for the virgin who prays, for the old
+man shaking with cold, for genius self-deluded. And a few steps off
+is the cemetery of Mont-Parnasse, where, hour after hour, the sorry
+funerals of the faubourg Saint-Marceau wend their way. This esplanade,
+which commands a view of Paris, has been taken possession of by
+bowl-players; it is, in fact, a sort of bowling green frequented by old
+gray faces, belonging to kindly, worthy men, who seem to continue the
+race of our ancestors, whose countenances must only be compared with
+those of their surroundings.
+
+The man who had become, during the last few days, an inhabitant of this
+desert region, proved an assiduous attendant at these games of bowls;
+and must, undoubtedly, be considered the most striking creature of these
+various groups, who (if it is permissible to liken Parisians to
+the different orders of zoology) belonged to the genus mollusk. The
+new-comer kept sympathetic step with the _cochonnet_,--the little
+bowl which serves as a goal and on which the interest of the game must
+centre. He leaned against a tree when the _cochonnet_ stopped; then,
+with the same attention that a dog gives to his master's gestures, he
+looked at the other bowls flying through the air, or rolling along the
+ground. You might have taken him for the weird and watchful genii of the
+_cochonnet_. He said nothing; and the bowl-players--the most fanatic
+men that can be encountered among the sectarians of any faith--had never
+asked the reason of his dogged silence; in fact, the most observing of
+them thought him deaf and dumb.
+
+When it happened that the distances between the bowls and the
+_cochonnet_ had to be measured, the cane of this silent being was used
+as a measure, the players coming up and taking it from the icy hands
+of the old man and returning it without a word or even a sign of
+friendliness. The loan of his cane seemed a servitude to which he
+had negatively consented. When a shower fell, he stayed near the
+_cochonnet_, the slave of the bowls, and the guardian of the unfinished
+game. Rain affected him no more than the fine weather did; he was, like
+the players themselves, an intermediary species between a Parisian
+who has the lowest intellect of his kind and an animal which has the
+highest.
+
+In other respects, pallid and shrunken, indifferent to his own person,
+vacant in mind, he often came bareheaded, showing his sparse white
+hair, and his square, yellow, bald skull, like the knee of a beggar seen
+through his tattered trousers. His mouth was half-open, no ideas were
+in his glance, no precise object appeared in his movements; he never
+smiled; he never raised his eyes to heaven, but kept them habitually on
+the ground, where he seemed to be looking for something. At four o'clock
+an old woman arrived, to take him Heaven knows where; which she did by
+towing him along by the arm, as a young girl drags a wilful goat which
+still wants to browse by the wayside. This old man was a horrible thing
+to see.
+
+In the afternoon of the day when Jules Desmarets left Paris, his
+travelling-carriage, in which he was alone, passed rapidly through the
+rue de l'Est, and came out upon the esplanade of the Observatoire at the
+moment when the old man, leaning against a tree, had allowed his cane
+to be taken from his hand amid the noisy vociferations of the players,
+pacifically irritated. Jules, thinking that he recognized that face,
+felt an impulse to stop, and at the same instant the carriage came to a
+standstill; for the postilion, hemmed in by some handcarts, had too much
+respect for the game to call upon the players to make way for him.
+
+"It is he!" said Jules, beholding in that human wreck, Ferragus XXIII.,
+chief of the Devorants. Then, after a pause, he added, "How he loved
+her!--Go on, postilion."
+
+
+
+
+ADDENDUM
+
+ Note: Ferragus is the first part of a trilogy. Part two is
+ entitled The Duchesse de Langeais and part three is The Girl with
+ the Golden Eyes. In other addendum references all three stories
+ are usually combined under the title The Thirteen.
+
+The following personages appear in other stories of the Human Comedy.
+
+Bourignard, Gratien-Henri-Victor-Jean-Joseph The Girl with the Golden Eyes
+
+Desmartes, Jules Cesar Birotteau
+
+Desmartes, Madame Jules Cesar Birotteau
+
+Desplein The Atheist's Mass
+ Cousin Pons
+ Lost Illusions
+ The Government Clerks
+ Pierrette
+ A Bachelor's Establishment
+ The Seamy Side of History
+ Modeste Mignon
+ Scenes from a Courtesan's Life
+ Honorine
+
+Gruget, Madame Etienne The Government Clerks
+ A Bachelor's Establishment
+
+Haudry (doctor) Cesar Birotteau
+ A Bachelor's Establishment
+ The Seamy Side of History
+ Cousin Pons
+
+Langeais, Duchesse Antoinette de Father Goriot
+ The Duchesse of Langeais
+
+Marsay, Henri de The Duchesse of Langeais
+ The Girl with the Golden Eyes
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+Maulincour, Baronne de A Marriage Settlement
+
+Meynardie, Madame Scenes from a Courtesan's Life
+
+Nucingen, Baronne Delphine de Father Goriot
+ Eugenie Grandet
+ Cesar Birotteau
+ Melmoth Reconciled
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ The Commission in Lunacy
+ Scenes from a Courtesan's Life
+ Modeste Mignon
+ The Firm of Nucingen
+ Another Study of Woman
+ A Daughter of Eve
+ The Member for Arcis
+
+Pamiers, Vidame de The Duchesse of Langeais
+ Jealousies of a Country Town
+
+Ronquerolles, Marquis de The Imaginary Mistress
+ The Duchess of Langeais
+ The Girl with the Golden Eyes
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ The Member for Arcis
+
+Serizy, Comtesse de A Start in Life
+ The Duchesse of Langeais
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan's Life
+ Another Study of Woman
+ The Imaginary Mistress
+
+
+
+
+
+II. THE DUCHESSE OF LANGEAIS
+
+
+
+Translated by Ellen Marriage
+
+
+
+ To Franz Liszt
+
+
+
+In a Spanish city on an island in the Mediterranean, there stands a
+convent of the Order of Barefoot Carmelites, where the rule instituted
+by St. Theresa is still preserved with all the first rigor of the
+reformation brought about by that illustrious woman. Extraordinary as
+this may seem, it is none the less true. Almost every religious house
+in the Peninsula, or in Europe for that matter, was either destroyed or
+disorganized by the outbreak of the French Revolution and the Napoleonic
+wars; but as this island was protected through those times by the
+English fleet, its wealthy convent and peaceable inhabitants were secure
+from the general trouble and spoliation. The storms of many kinds which
+shook the first fifteen years of the nineteenth century spent their
+force before they reached those cliffs at so short a distance from the
+coast of Andalusia.
+
+If the rumour of the Emperor's name so much as reached the shore of the
+island, it is doubtful whether the holy women kneeling in the cloisters
+grasped the reality of his dream-like progress of glory, or the majesty
+that blazed in flame across kingdom after kingdom during his meteor
+life.
+
+In the minds of the Roman Catholic world, the convent stood out
+pre-eminent for a stern discipline which nothing had changed; the purity
+of its rule had attracted unhappy women from the furthest parts of
+Europe, women deprived of all human ties, sighing after the long suicide
+accomplished in the breast of God. No convent, indeed, was so well
+fitted for that complete detachment of the soul from all earthly things,
+which is demanded by the religious life, albeit on the continent of
+Europe there are many convents magnificently adapted to the purpose
+of their existence. Buried away in the loneliest valleys, hanging
+in mid-air on the steepest mountainsides, set down on the brink
+of precipices, in every place man has sought for the poetry of the
+Infinite, the solemn awe of Silence; in every place man has striven to
+draw closer to God, seeking Him on mountain peaks, in the depths below
+the crags, at the cliff's edge; and everywhere man has found God. But
+nowhere, save on this half-European, half-African ledge of rock could
+you find so many different harmonies, combining so to raise the soul,
+that the sharpest pain comes to be like other memories; the strongest
+impressions are dulled, till the sorrows of life are laid to rest in the
+depths.
+
+The convent stands on the highest point of the crags at the uttermost
+end of the island. On the side towards the sea the rock was once rent
+sheer away in some globe-cataclysm; it rises up a straight wall from
+the base where the waves gnaw at the stone below high-water mark. Any
+assault is made impossible by the dangerous reefs that stretch far out
+to sea, with the sparkling waves of the Mediterranean playing over them.
+So, only from the sea can you discern the square mass of the convent
+built conformably to the minute rules laid down as to the shape, height,
+doors, and windows of monastic buildings. From the side of the town, the
+church completely hides the solid structure of the cloisters and their
+roofs, covered with broad slabs of stone impervious to sun or storm or
+gales of wind.
+
+The church itself, built by the munificence of a Spanish family, is the
+crowning edifice of the town. Its fine, bold front gives an imposing
+and picturesque look to the little city in the sea. The sight of such
+a city, with its close-huddled roofs, arranged for the most part
+amphitheatre-wise above a picturesque harbour, and crowned by a glorious
+cathedral front with triple-arched Gothic doorways, belfry towers, and
+filigree spires, is a spectacle surely in every way the sublimest on
+earth. Religion towering above daily life, to put men continually
+in mind of the End and the way, is in truth a thoroughly Spanish
+conception. But now surround this picture by the Mediterranean, and a
+burning sky, imagine a few palms here and there, a few stunted evergreen
+trees mingling their waving leaves with the motionless flowers and
+foliage of carved stone; look out over the reef with its white fringes
+of foam in contrast to the sapphire sea; and then turn to the city, with
+its galleries and terraces whither the townsfolk come to take the air
+among their flowers of an evening, above the houses and the tops of the
+trees in their little gardens; add a few sails down in the harbour; and
+lastly, in the stillness of falling night, listen to the organ music,
+the chanting of the services, the wonderful sound of bells pealing out
+over the open sea. There is sound and silence everywhere; oftener still
+there is silence over all.
+
+The church is divided within into a sombre mysterious nave and narrow
+aisles. For some reason, probably because the winds are so high, the
+architect was unable to build the flying buttresses and intervening
+chapels which adorn almost all cathedrals, nor are there openings of any
+kind in the walls which support the weight of the roof. Outside there
+is simply the heavy wall structure, a solid mass of grey stone further
+strengthened by huge piers placed at intervals. Inside, the nave and its
+little side galleries are lighted entirely by the great stained-glass
+rose-window suspended by a miracle of art above the centre doorway; for
+upon that side the exposure permits of the display of lacework in stone
+and of other beauties peculiar to the style improperly called Gothic.
+
+The larger part of the nave and aisles was left for the townsfolk, who
+came and went and heard mass there. The choir was shut off from the
+rest of the church by a grating and thick folds of brown curtain, left
+slightly apart in the middle in such a way that nothing of the choir
+could be seen from the church except the high altar and the officiating
+priest. The grating itself was divided up by the pillars which supported
+the organ loft; and this part of the structure, with its carved wooden
+columns, completed the line of the arcading in the gallery carried by
+the shafts in the nave. If any inquisitive person, therefore, had been
+bold enough to climb upon the narrow balustrade in the gallery to look
+down into the choir, he could have seen nothing but the tall eight-sided
+windows of stained glass beyond the high altar.
+
+At the time of the French expedition into Spain to establish Ferdinand
+VII once more on the throne, a French general came to the island after
+the taking of Cadiz, ostensibly to require the recognition of the King's
+Government, really to see the convent and to find some means of
+entering it. The undertaking was certainly a delicate one; but a man of
+passionate temper, whose life had been, as it were, but one series of
+poems in action, a man who all his life long had lived romances instead
+of writing them, a man pre-eminently a Doer, was sure to be tempted by a
+deed which seemed to be impossible.
+
+To open the doors of a convent of nuns by lawful means! The metropolitan
+or the Pope would scarcely have permitted it! And as for force or
+stratagem--might not any indiscretion cost him his position, his whole
+career as a soldier, and the end in view to boot? The Duc d'Angouleme
+was still in Spain; and of all the crimes which a man in favour with the
+Commander-in-Chief might commit, this one alone was certain to find him
+inexorable. The General had asked for the mission to gratify private
+motives of curiosity, though never was curiosity more hopeless. This
+final attempt was a matter of conscience. The Carmelite convent on the
+island was the only nunnery in Spain which had baffled his search.
+
+As he crossed from the mainland, scarcely an hour's distance, he felt a
+presentiment that his hopes were to be fulfilled; and afterwards, when
+as yet he had seen nothing of the convent but its walls, and of the nuns
+not so much as their robes; while he had merely heard the chanting of
+the service, there were dim auguries under the walls and in the sound of
+the voices to justify his frail hope. And, indeed, however faint those
+so unaccountable presentiments might be, never was human passion more
+vehemently excited than the General's curiosity at that moment. There
+are no small events for the heart; the heart exaggerates everything; the
+heart weighs the fall of a fourteen-year-old Empire and the dropping of
+a woman's glove in the same scales, and the glove is nearly always
+the heavier of the two. So here are the facts in all their prosaic
+simplicity. The facts first, the emotions will follow.
+
+An hour after the General landed on the island, the royal authority was
+re-established there. Some few Constitutional Spaniards who had found
+their way thither after the fall of Cadiz were allowed to charter
+a vessel and sail for London. So there was neither resistance nor
+reaction. But the change of government could not be effected in the
+little town without a mass, at which the two divisions under the
+General's command were obliged to be present. Now, it was upon this mass
+that the General had built his hopes of gaining some information as
+to the sisters in the convent; he was quite unaware how absolutely the
+Carmelites were cut off from the world; but he knew that there might be
+among them one whom he held dearer than life, dearer than honour.
+
+His hopes were cruelly dashed at once. Mass, it is true, was celebrated
+in state. In honour of such a solemnity, the curtains which always hid
+the choir were drawn back to display its riches, its valuable paintings
+and shrines so bright with gems that they eclipsed the glories of
+the ex-votos of gold and silver hung up by sailors of the port on
+the columns in the nave. But all the nuns had taken refuge in the
+organ-loft. And yet, in spite of this first check, during this very mass
+of thanksgiving, the most intimately thrilling drama that ever set a
+man's heart beating opened out widely before him.
+
+The sister who played the organ aroused such intense enthusiasm, that
+not a single man regretted that he had come to the service. Even the men
+in the ranks were delighted, and the officers were in ecstasy. As for
+the General, he was seemingly calm and indifferent. The sensations
+stirred in him as the sister played one piece after another belong to
+the small number of things which it is not lawful to utter; words are
+powerless to express them; like death, God, eternity, they can only be
+realised through their one point of contact with humanity. Strangely
+enough, the organ music seemed to belong to the school of Rossini, the
+musician who brings most human passion into his art.
+
+Some day his works, by their number and extent, will receive the
+reverence due to the Homer of music. From among all the scores that we
+owe to his great genius, the nun seemed to have chosen _Moses in Egypt_
+for special study, doubtless because the spirit of sacred music finds
+therein its supreme expression. Perhaps the soul of the great musician,
+so gloriously known to Europe, and the soul of this unknown executant
+had met in the intuitive apprehension of the same poetry. So at least
+thought two dilettanti officers who must have missed the Theatre Favart
+in Spain.
+
+At last in the _Te Deum_ no one could fail to discern a French soul in
+the sudden change that came over the music. Joy for the victory of the
+Most Christian King evidently stirred this nun's heart to the depths.
+She was a Frenchwoman beyond mistake. Soon the love of country shone
+out, breaking forth like shafts of light from the fugue, as the sister
+introduced variations with all a Parisienne's fastidious taste, and
+blended vague suggestions of our grandest national airs with her music.
+A Spaniard's fingers would not have brought this warmth into a
+graceful tribute paid to the victorious arms of France. The musician's
+nationality was revealed.
+
+"We find France everywhere, it seems," said one of the men.
+
+The General had left the church during the _Te Deum_; he could not
+listen any longer. The nun's music had been a revelation of a woman
+loved to frenzy; a woman so carefully hidden from the world's eyes,
+so deeply buried in the bosom of the Church, that hitherto the most
+ingenious and persistent efforts made by men who brought great influence
+and unusual powers to bear upon the search had failed to find her. The
+suspicion aroused in the General's heart became all but a certainty with
+the vague reminiscence of a sad, delicious melody, the air of _Fleuve
+du Tage_. The woman he loved had played the prelude to the ballad in
+a boudoir in Paris, how often! and now this nun had chosen the song
+to express an exile's longing, amid the joy of those that triumphed.
+Terrible sensation! To hope for the resurrection of a lost love, to find
+her only to know that she was lost, to catch a mysterious glimpse of her
+after five years--five years, in which the pent-up passion, chafing
+in an empty life, had grown the mightier for every fruitless effort to
+satisfy it!
+
+Who has not known, at least once in his life, what it is to lose some
+precious thing; and after hunting through his papers, ransacking his
+memory, and turning his house upside down; after one or two days spent
+in vain search, and hope, and despair; after a prodigious expenditure
+of the liveliest irritation of soul, who has not known the ineffable
+pleasure of finding that all-important nothing which had come to be a
+king of monomania? Very good. Now, spread that fury of search over five
+years; put a woman, put a heart, put love in the place of the trifle;
+transpose the monomania into the key of high passion; and, furthermore,
+let the seeker be a man of ardent temper, with a lion's heart and a
+leonine head and mane, a man to inspire awe and fear in those who come
+in contact with him--realise this, and you may, perhaps, understand why
+the General walked abruptly out of the church when the first notes of
+a ballad, which he used to hear with a rapture of delight in a
+gilt-paneled boudoir, began to vibrate along the aisles of the church in
+the sea.
+
+The General walked away down the steep street which led to the port, and
+only stopped when he could not hear the deep notes of the organ. Unable
+to think of anything but the love which broke out in volcanic eruption,
+filling his heart with fire, he only knew that the _Te Deum_ was over
+when the Spanish congregation came pouring out of the church. Feeling
+that his behaviour and attitude might seem ridiculous, he went back to
+head the procession, telling the alcalde and the governor that, feeling
+suddenly faint, he had gone out into the air. Casting about for a plea
+for prolonging his stay, it at once occurred to him to make the most of
+this excuse, framed on the spur of the moment. He declined, on a plea of
+increasing indisposition, to preside at the banquet given by the town
+to the French officers, betook himself to his bed, and sent a message to
+the Major-General, to the effect that temporary illness obliged him
+to leave the Colonel in command of the troops for the time being.
+This commonplace but very plausible stratagem relieved him of all
+responsibility for the time necessary to carry out his plans. The
+General, nothing if not "catholic and monarchical," took occasion to
+inform himself of the hours of the services, and manifested the greatest
+zeal for the performance of his religious duties, piety which caused no
+remark in Spain.
+
+The very next day, while the division was marching out of the town, the
+General went to the convent to be present at vespers. He found an empty
+church. The townsfolk, devout though they were, had all gone down to the
+quay to watch the embarkation of the troops. He felt glad to be the only
+man there. He tramped noisily up the nave, clanking his spurs till the
+vaulted roof rang with the sound; he coughed, he talked aloud to himself
+to let the nuns know, and more particularly to let the organist know
+that if the troops were gone, one Frenchman was left behind. Was this
+singular warning heard and understood? He thought so. It seemed to him
+that in the _Magnificat_ the organ made response which was borne to him
+on the vibrating air. The nun's spirit found wings in music and fled
+towards him, throbbing with the rhythmical pulse of the sounds. Then, in
+all its might, the music burst forth and filled the church with warmth.
+The Song of Joy set apart in the sublime liturgy of Latin Christianity
+to express the exaltation of the soul in the presence of the glory of
+the ever-living God, became the utterance of a heart almost terrified by
+its gladness in the presence of the glory of a mortal love; a love that
+yet lived, a love that had risen to trouble her even beyond the grave in
+which the nun is laid, that she may rise again as the bride of Christ.
+
+The organ is in truth the grandest, the most daring, the most
+magnificent of all instruments invented by human genius. It is a whole
+orchestra in itself. It can express anything in response to a skilled
+touch. Surely it is in some sort a pedestal on which the soul poises for
+a flight forth into space, essaying on her course to draw picture after
+picture in an endless series, to paint human life, to cross the Infinite
+that separates heaven from earth? And the longer a dreamer listens to
+those giant harmonies, the better he realizes that nothing save this
+hundred-voiced choir on earth can fill all the space between kneeling
+men, and a God hidden by the blinding light of the Sanctuary. The music
+is the one interpreter strong enough to bear up the prayers of humanity
+to heaven, prayer in its omnipotent moods, prayer tinged by the
+melancholy of many different natures, coloured by meditative ecstasy,
+upspringing with the impulse of repentance--blended with the myriad
+fancies of every creed. Yes. In those long vaulted aisles the melodies
+inspired by the sense of things divine are blended with a grandeur
+unknown before, are decked with new glory and might. Out of the dim
+daylight, and the deep silence broken by the chanting of the choir in
+response to the thunder of the organ, a veil is woven for God, and the
+brightness of His attributes shines through it.
+
+And this wealth of holy things seemed to be flung down like a grain of
+incense upon the fragile altar raised to Love beneath the eternal throne
+of a jealous and avenging God. Indeed, in the joy of the nun there
+was little of that awe and gravity which should harmonize with the
+solemnities of the _Magnificat_. She had enriched the music with
+graceful variations, earthly gladness throbbing through the rhythm of
+each. In such brilliant quivering notes some great singer might strive
+to find a voice for her love, her melodies fluttered as a bird flutters
+about her mate. There were moments when she seemed to leap back into
+the past, to dally there now with laughter, now with tears. Her changing
+moods, as it were, ran riot. She was like a woman excited and happy over
+her lover's return.
+
+But at length, after the swaying fugues of delirium, after the
+marvellous rendering of a vision of the past, a revulsion swept over the
+soul that thus found utterance for itself. With a swift transition from
+the major to the minor, the organist told her hearer of her present lot.
+She gave the story of long melancholy broodings, of the slow course
+of her moral malady. How day by day she deadened the senses, how every
+night cut off one more thought, how her heart was slowly reduced
+to ashes. The sadness deepened shade after shade through languid
+modulations, and in a little while the echoes were pouring out a torrent
+of grief. Then on a sudden, high notes rang out like the voices of
+angels singing together, as if to tell the lost but not forgotten lover
+that their spirits now could only meet in heaven. Pathetic hope! Then
+followed the _Amen_. No more joy, no more tears in the air, no sadness,
+no regrets. The _Amen_ was the return to God. The final chord was deep,
+solemn, even terrible; for the last rumblings of the bass sent a shiver
+through the audience that raised the hair on their heads; the nun shook
+out her veiling of crepe, and seemed to sink again into the grave from
+which she had risen for a moment. Slowly the reverberations died away;
+it seemed as if the church, but now so full of light, had returned to
+thick darkness.
+
+The General had been caught up and borne swiftly away by this
+strong-winged spirit; he had followed the course of its flight from
+beginning to end. He understood to the fullest extent the imagery of
+that burning symphony; for him the chords reached deep and far. For
+him, as for the sister, the poem meant future, present, and past. Is
+not music, and even opera music, a sort of text, which a susceptible
+or poetic temper, or a sore and stricken heart, may expand as memories
+shall determine? If a musician must needs have the heart of a poet, must
+not the listener too be in a manner a poet and a lover to hear all that
+lies in great music? Religion, love, and music--what are they but a
+threefold expression of the same fact, of that craving for expansion
+which stirs in every noble soul. And these three forms of poetry ascend
+to God, in whom all passion on earth finds its end. Wherefore the holy
+human trinity finds a place amid the infinite glories of God; of God,
+whom we always represent surrounded with the fires of love and seistrons
+of gold--music and light and harmony. Is not He the Cause and the End of
+all our strivings?
+
+The French General guessed rightly that here in the desert, on this bare
+rock in the sea, the nun had seized upon music as an outpouring of the
+passion that still consumed her. Was this her manner of offering up her
+love as a sacrifice to God? Or was it Love exultant in triumph over God?
+The questions were hard to answer. But one thing at least the General
+could not mistake--in this heart, dead to the world, the fire of passion
+burned as fiercely as in his own.
+
+Vespers over, he went back to the alcalde with whom he was staying.
+In the all-absorbing joy which comes in such full measure when a
+satisfaction sought long and painfully is attained at last, he could see
+nothing beyond this--he was still loved! In her heart love had grown
+in loneliness, even as his love had grown stronger as he surmounted one
+barrier after another which this woman had set between them! The glow of
+soul came to its natural end. There followed a longing to see her again,
+to contend with God for her, to snatch her away--a rash scheme, which
+appealed to a daring nature. He went to bed, when the meal was over, to
+avoid questions; to be alone and think at his ease; and he lay absorbed
+by deep thought till day broke.
+
+He rose only to go to mass. He went to the church and knelt close to
+the screen, with his forehead touching the curtain; he would have torn
+a hole in it if he had been alone, but his host had come with him out of
+politeness, and the least imprudence might compromise the whole future
+of his love, and ruin the new hopes.
+
+The organ sounded, but it was another player, and not the nun of the
+last two days whose hands touched the keys. It was all colorless and
+cold for the General. Was the woman he loved prostrated by emotion which
+well-nigh overcame a strong man's heart? Had she so fully realised and
+shared an unchanged, longed-for love, that now she lay dying on her bed
+in her cell? While innumerable thoughts of this kind perplexed his mind,
+the voice of the woman he worshipped rang out close beside him; he knew
+its clear resonant soprano. It was her voice, with that faint tremor in
+it which gave it all the charm that shyness and diffidence gives to a
+young girl; her voice, distinct from the mass of singing as a _prima
+donna's_ in the chorus of a finale. It was like a golden or silver
+thread in dark frieze.
+
+It was she! There could be no mistake. Parisienne now as ever, she had
+not laid coquetry aside when she threw off worldly adornments for the
+veil and the Carmelite's coarse serge. She who had affirmed her love
+last evening in the praise sent up to God, seemed now to say to her
+lover, "Yes, it is I. I am here. My love is unchanged, but I am beyond
+the reach of love. You will hear my voice, my soul shall enfold you,
+and I shall abide here under the brown shroud in the choir from which no
+power on earth can tear me. You shall never see me more!"
+
+"It is she indeed!" the General said to himself, raising his head. He
+had leant his face on his hands, unable at first to bear the intolerable
+emotion that surged like a whirlpool in his heart, when that well-known
+voice vibrated under the arcading, with the sound of the sea for
+accompaniment.
+
+Storm was without, and calm within the sanctuary. Still that rich voice
+poured out all its caressing notes; it fell like balm on the lover's
+burning heart; it blossomed upon the air--the air that a man would fain
+breathe more deeply to receive the effluence of a soul breathed forth
+with love in the words of the prayer. The alcalde coming to join
+his guest found him in tears during the elevation, while the nun was
+singing, and brought him back to his house. Surprised to find so much
+piety in a French military man, the worthy magistrate invited the
+confessor of the convent to meet his guest. Never had news given the
+General more pleasure; he paid the ecclesiastic a good deal of attention
+at supper, and confirmed his Spanish hosts in the high opinion they had
+formed of his piety by a not wholly disinterested respect.
+
+He inquired with gravity how many sisters there were in the convent, and
+asked for particulars of its endowment and revenues, as if from
+courtesy he wished to hear the good priest discourse on the subject most
+interesting to him. He informed himself as to the manner of life led by
+the holy women. Were they allowed to go out of the convent, or to see
+visitors?
+
+"Senor," replied the venerable churchman, "the rule is strict. A woman
+cannot enter a monastery of the order of St. Bruno without a special
+permission from His Holiness, and the rule here is equally stringent.
+No man may enter a convent of Barefoot Carmelites unless he is a priest
+specially attached to the services of the house by the Archbishop. None
+of the nuns may leave the convent; though the great Saint, St. Theresa,
+often left her cell. The Visitor or the Mothers Superior can alone give
+permission, subject to an authorization from the Archbishop, for a nun
+to see a visitor, and then especially in a case of illness. Now we are
+one of the principal houses, and consequently we have a Mother Superior
+here. Among other foreign sisters there is one Frenchwoman, Sister
+Theresa; she it is who directs the music in the chapel."
+
+"Oh!" said the General, with feigned surprise. "She must have rejoiced
+over the victory of the House of Bourbon."
+
+"I told them the reason of the mass; they are always a little bit
+inquisitive."
+
+"But Sister Theresa may have interests in France. Perhaps she would like
+to send some message or to hear news."
+
+"I do not think so. She would have come to ask me."
+
+"As a fellow-countryman, I should be quite curious to see her," said the
+General. "If it is possible, if the Lady Superior consents, if----"
+
+"Even at the grating and in the Reverend Mother's presence, an interview
+would be quite impossible for anybody whatsoever; but, strict as the
+Mother is, for a deliverer of our holy religion and the throne of his
+Catholic Majesty, the rule might be relaxed for a moment," said the
+confessor, blinking. "I will speak about it."
+
+"How old is Sister Theresa?" inquired the lover. He dared not ask any
+questions of the priest as to the nun's beauty.
+
+"She does not reckon years now," the good man answered, with a
+simplicity that made the General shudder.
+
+Next day before siesta, the confessor came to inform the French General
+that Sister Theresa and the Mother consented to receive him at the
+grating in the parlour before vespers. The General spent the siesta in
+pacing to and fro along the quay in the noonday heat. Thither the priest
+came to find him, and brought him to the convent by way of the gallery
+round the cemetery. Fountains, green trees, and rows of arcading
+maintained a cool freshness in keeping with the place.
+
+At the further end of the long gallery the priest led the way into a
+large room divided in two by a grating covered with a brown curtain. In
+the first, and in some sort of public half of the apartment, where the
+confessor left the newcomer, a wooden bench ran round the wall, and two
+or three chairs, also of wood, were placed near the grating. The ceiling
+consisted of bare unornamented joists and cross-beams of ilex wood. As
+the two windows were both on the inner side of the grating, and the dark
+surface of the wood was a bad reflector, the light in the place was so
+dim that you could scarcely see the great black crucifix, the portrait
+of Saint Theresa, and a picture of the Madonna which adorned the grey
+parlour walls. Tumultuous as the General's feelings were, they took
+something of the melancholy of the place. He grew calm in that homely
+quiet. A sense of something vast as the tomb took possession of him
+beneath the chill unceiled roof. Here, as in the grave, was there not
+eternal silence, deep peace--the sense of the Infinite? And besides this
+there was the quiet and the fixed thought of the cloister--a thought
+which you felt like a subtle presence in the air, and in the dim dusk
+of the room; an all-pervasive thought nowhere definitely expressed, and
+looming the larger in the imagination; for in the cloister the great
+saying, "Peace in the Lord," enters the least religious soul as a living
+force.
+
+The monk's life is scarcely comprehensible. A man seems confessed a
+weakling in a monastery; he was born to act, to live out a life of work;
+he is evading a man's destiny in his cell. But what man's strength,
+blended with pathetic weakness, is implied by a woman's choice of the
+convent life! A man may have any number of motives for burying himself
+in a monastery; for him it is the leap over the precipice. A woman
+has but one motive--she is a woman still; she betrothes herself to a
+Heavenly Bridegroom. Of the monk you may ask, "Why did you not fight
+your battle?" But if a woman immures herself in the cloister, is there
+not always a sublime battle fought first?
+
+At length it seemed to the General that that still room, and the lonely
+convent in the sea, were full of thoughts of him. Love seldom attains
+to solemnity; yet surely a love still faithful in the breast of God was
+something solemn, something more than a man had a right to look for
+as things are in this nineteenth century? The infinite grandeur of the
+situation might well produce an effect upon the General's mind; he had
+precisely enough elevation of soul to forget politics, honours, Spain,
+and society in Paris, and to rise to the height of this lofty climax.
+And what in truth could be more tragic? How much must pass in the souls
+of these two lovers, brought together in a place of strangers, on
+a ledge of granite in the sea; yet held apart by an intangible,
+unsurmountable barrier! Try to imagine the man saying within himself,
+"Shall I triumph over God in her heart?" when a faint rustling sound
+made him quiver, and the curtain was drawn aside.
+
+Between him and the light stood a woman. Her face was hidden by the veil
+that drooped from the folds upon her head; she was dressed according
+to the rule of the order in a gown of the colour become proverbial. Her
+bare feet were hidden; if the General could have seen them, he would
+have known how appallingly thin she had grown; and yet in spite of the
+thick folds of her coarse gown, a mere covering and no ornament, he
+could guess how tears, and prayer, and passion, and loneliness had
+wasted the woman before him.
+
+An ice-cold hand, belonging, no doubt, to the Mother Superior, held back
+the curtain. The General gave the enforced witness of their interview a
+searching glance, and met the dark, inscrutable gaze of an aged recluse.
+The Mother might have been a century old, but the bright, youthful eyes
+belied the wrinkles that furrowed her pale face.
+
+"Mme la Duchesse," he began, his voice shaken with emotion, "does your
+companion understand French?" The veiled figure bowed her head at the
+sound of his voice.
+
+"There is no duchess here," she replied. "It is Sister Theresa whom you
+see before you. She whom you call my companion is my mother in God, my
+superior here on earth."
+
+The words were so meekly spoken by the voice that sounded in other years
+amid harmonious surroundings of refined luxury, the voice of a queen of
+fashion in Paris. Such words from the lips that once spoke so lightly
+and flippantly struck the General dumb with amazement.
+
+"The Holy Mother only speaks Latin and Spanish," she added.
+
+"I understand neither. Dear Antoinette, make my excuses to her."
+
+The light fell full upon the nun's figure; a thrill of deep emotion
+betrayed itself in a faint quiver of her veil as she heard her name
+softly spoken by the man who had been so hard in the past.
+
+"My brother," she said, drawing her sleeve under her veil, perhaps to
+brush tears away, "I am Sister Theresa."
+
+Then, turning to the Superior, she spoke in Spanish; the General knew
+enough of the language to understand what she said perfectly well;
+possibly he could have spoken it had he chosen to do so.
+
+"Dear Mother, the gentleman presents his respects to you, and begs you
+to pardon him if he cannot pay them himself, but he knows neither of the
+languages which you speak----"
+
+The aged nun bent her head slowly, with an expression of angelic
+sweetness, enhanced at the same time by the consciousness of her power
+and dignity.
+
+"Do you know this gentleman?" she asked, with a keen glance.
+
+"Yes, Mother."
+
+"Go back to your cell, my daughter!" said the Mother imperiously.
+
+The General slipped aside behind the curtain lest the dreadful tumult
+within him should appear in his face; even in the shadow it seemed to
+him that he could still see the Superior's piercing eyes. He was afraid
+of her; she held his little, frail, hardly-won happiness in her hands;
+and he, who had never quailed under a triple row of guns, now trembled
+before this nun. The Duchess went towards the door, but she turned back.
+
+"Mother," she said, with dreadful calmness, "the Frenchman is one of my
+brothers."
+
+"Then stay, my daughter," said the Superior, after a pause.
+
+The piece of admirable Jesuitry told of such love and regret, that a man
+less strongly constituted might have broken down under the keen delight
+in the midst of a great and, for him, an entirely novel peril. Oh! how
+precious words, looks, and gestures became when love must baffle lynx
+eyes and tiger's claws! Sister Theresa came back.
+
+"You see, my brother, what I have dared to do only to speak to you for
+a moment of your salvation and of the prayers that my soul puts up for
+your soul daily. I am committing mortal sin. I have told a lie. How many
+days of penance must expiate that lie! But I shall endure it for your
+sake. My brother, you do not know what happiness it is to love in
+heaven; to feel that you can confess love purified by religion, love
+transported into the highest heights of all, so that we are permitted
+to lose sight of all but the soul. If the doctrine and the spirit of
+the Saint to whom we owe this refuge had not raised me above earth's
+anguish, and caught me up and set me, far indeed beneath the Sphere
+wherein she dwells, yet truly above this world, I should not have
+seen you again. But now I can see you, and hear your voice, and remain
+calm----"
+
+The General broke in, "But, Antoinette, let me see you, you whom I love
+passionately, desperately, as you could have wished me to love you."
+
+"Do not call me Antoinette, I implore you. Memories of the past hurt me.
+You must see no one here but Sister Theresa, a creature who trusts in
+the Divine mercy." She paused for a little, and then added, "You must
+control yourself, my brother. Our Mother would separate us without pity
+if there is any worldly passion in your face, or if you allow the tears
+to fall from your eyes."
+
+The General bowed his head to regain self-control; when he looked up
+again he saw her face beyond the grating--the thin, white, but still
+impassioned face of the nun. All the magic charm of youth that once
+bloomed there, all the fair contrast of velvet whiteness and the colour
+of the Bengal rose, had given place to a burning glow, as of a porcelain
+jar with a faint light shining through it. The wonderful hair in which
+she took such pride had been shaven; there was a bandage round her
+forehead and about her face. An ascetic life had left dark traces about
+the eyes, which still sometimes shot out fevered glances; their ordinary
+calm expression was but a veil. In a few words, she was but the ghost of
+her former self.
+
+"Ah! you that have come to be my life, you must come out of this tomb!
+You were mine; you had no right to give yourself, even to God. Did you
+not promise me to give up all at the least command from me? You may
+perhaps think me worthy of that promise now when you hear what I have
+done for you. I have sought you all through the world. You have been in
+my thoughts at every moment for five years; my life has been given to
+you. My friends, very powerful friends, as you know, have helped with
+all their might to search every convent in France, Italy, Spain, Sicily,
+and America. Love burned more brightly for every vain search. Again and
+again I made long journeys with a false hope; I have wasted my life and
+the heaviest throbbings of my heart in vain under many a dark convent
+wall. I am not speaking of a faithfulness that knows no bounds, for what
+is it?--nothing compared with the infinite longings of my love. If your
+remorse long ago was sincere, you ought not to hesitate to follow me
+today."
+
+"You forget that I am not free."
+
+"The Duke is dead," he answered quickly.
+
+Sister Theresa flushed red.
+
+"May heaven be open to him!" she cried with a quick rush of feeling. "He
+was generous to me.--But I did not mean such ties; it was one of my sins
+that I was ready to break them all without scruple--for you."
+
+"Are you speaking of your vows?" the General asked, frowning. "I did not
+think that anything weighed heavier with your heart than love. But do
+not think twice of it, Antoinette; the Holy Father himself shall absolve
+you of your oath. I will surely go to Rome, I will entreat all the
+powers of earth; if God could come down from heaven, I would----"
+
+"Do not blaspheme."
+
+"So do not fear the anger of God. Ah! I would far rather hear that
+you would leave your prison for me; that this very night you would let
+yourself down into a boat at the foot of the cliffs. And we would go
+away to be happy somewhere at the world's end, I know not where. And
+with me at your side, you should come back to life and health under the
+wings of love."
+
+"You must not talk like this," said Sister Theresa; "you do not know
+what you are to me now. I love you far better than I ever loved you
+before. Every day I pray for you; I see you with other eyes. Armand, if
+you but knew the happiness of giving yourself up, without shame, to a
+pure friendship which God watches over! You do not know what joy it is
+to me to pray for heaven's blessing on you. I never pray for myself: God
+will do with me according to His will; but, at the price of my soul, I
+wish I could be sure that you are happy here on earth, and that you
+will be happy hereafter throughout all ages. My eternal life is all that
+trouble has left me to offer up to you. I am old now with weeping; I am
+neither young nor fair; and in any case, you could not respect the
+nun who became a wife; no love, not even motherhood, could give me
+absolution.... What can you say to outweigh the uncounted thoughts that
+have gathered in my heart during the past five years, thoughts that have
+changed, and worn, and blighted it? I ought to have given a heart less
+sorrowful to God."
+
+"What can I say? Dear Antoinette, I will say this, that I love you; that
+affection, love, a great love, the joy of living in another heart that
+is ours, utterly and wholly ours, is so rare a thing and so hard to
+find, that I doubted you, and put you to sharp proof; but now, today, I
+love you, Antoinette, with all my soul's strength.... If you will follow
+me into solitude, I will hear no voice but yours, I will see no other
+face."
+
+"Hush, Armand! You are shortening the little time that we may be
+together here on earth."
+
+"Antoinette, will you come with me?"
+
+"I am never away from you. My life is in your heart, not through the
+selfish ties of earthly happiness, or vanity, or enjoyment; pale and
+withered as I am, I live here for you, in the breast of God. As God is
+just, you shall be happy----"
+
+"Words, words all of it! Pale and withered? How if I want you? How if I
+cannot be happy without you? Do you still think of nothing but duty with
+your lover before you? Is he never to come first and above all things
+else in your heart? In time past you put social success, yourself,
+heaven knows what, before him; now it is God, it is the welfare of my
+soul! In Sister Theresa I find the Duchess over again, ignorant of
+the happiness of love, insensible as ever, beneath the semblance of
+sensibility. You do not love me; you have never loved me----"
+
+"Oh, my brother----!"
+
+"You do not wish to leave this tomb. You love my soul, do you say?
+Very well, through you it will be lost forever. I shall make away with
+myself----"
+
+"Mother!" Sister Theresa called aloud in Spanish, "I have lied to you;
+this man is my lover!"
+
+The curtain fell at once. The General, in his stupor, scarcely heard the
+doors within as they clanged.
+
+"Ah! she loves me still!" he cried, understanding all the sublimity of
+that cry of hers. "She loves me still. She must be carried off...."
+
+
+
+The General left the island, returned to headquarters, pleaded
+ill-health, asked for leave of absence, and forthwith took his departure
+for France.
+
+And now for the incidents which brought the two personages in this Scene
+into their present relation to each other.
+
+
+
+The thing known in France as the Faubourg Saint-Germain is neither a
+Quarter, nor a sect, nor an institution, nor anything else that admits
+of a precise definition. There are great houses in the Place Royale, the
+Faubourg Saint-Honore, and the Chaussee d'Antin, in any one of which you
+may breathe the same atmosphere of Faubourg Saint-Germain. So, to begin
+with, the whole Faubourg is not within the Faubourg. There are men and
+women born far enough away from its influences who respond to them and
+take their place in the circle; and again there are others, born within
+its limits, who may yet be driven forth forever. For the last forty
+years the manners, and customs, and speech, in a word, the tradition of
+the Faubourg Saint-Germain, has been to Paris what the Court used to be
+in other times; it is what the Hotel Saint-Paul was to the fourteenth
+century; the Louvre to the fifteenth; the Palais, the Hotel Rambouillet,
+and the Place Royale to the sixteenth; and lastly, as Versailles was to
+the seventeenth and the eighteenth.
+
+Just as the ordinary workaday Paris will always centre about some point;
+so, through all periods of history, the Paris of the nobles and
+the upper classes converges towards some particular spot. It is a
+periodically recurrent phenomenon which presents ample matter for
+reflection to those who are fain to observe or describe the various
+social zones; and possibly an enquiry into the causes that bring about
+this centralization may do more than merely justify the probability of
+this episode; it may be of service to serious interests which some
+day will be more deeply rooted in the commonwealth, unless, indeed,
+experience is as meaningless for political parties as it is for youth.
+
+In every age the great nobles, and the rich who always ape the great
+nobles, build their houses as far as possible from crowded streets. When
+the Duc d'Uzes built his splendid hotel in the Rue Montmartre in
+the reign of Louis XIV, and set the fountain at his gates--for which
+beneficent action, to say nothing of his other virtues, he was held in
+such veneration that the whole quarter turned out in a body to follow
+his funeral--when the Duke, I say, chose this site for his house, he
+did so because that part of Paris was almost deserted in those days. But
+when the fortifications were pulled down, and the market gardens beyond
+the line of the boulevards began to fill with houses, then the d'Uzes
+family left their fine mansion, and in our time it was occupied by a
+banker. Later still, the noblesse began to find themselves out of their
+element among shopkeepers, left the Place Royale and the centre of
+Paris for good, and crossed the river to breathe freely in the Faubourg
+Saint-Germain, where palaces were reared already about the great
+hotel built by Louis XIV for the Duc de Maine--the Benjamin among his
+legitimated offspring. And indeed, for people accustomed to a stately
+life, can there be more unseemly surroundings than the bustle, the mud,
+the street cries, the bad smells, and narrow thoroughfares of a populous
+quarter? The very habits of life in a mercantile or manufacturing
+district are completely at variance with the lives of nobles. The
+shopkeeper and artisan are just going to bed when the great world is
+thinking of dinner; and the noisy stir of life begins among the former
+when the latter have gone to rest. Their day's calculations never
+coincide; the one class represents the expenditure, the other the
+receipts. Consequently their manners and customs are diametrically
+opposed.
+
+Nothing contemptuous is intended by this statement. An aristocracy is in
+a manner the intellect of the social system, as the middle classes and
+the proletariat may be said to be its organizing and working power. It
+naturally follows that these forces are differently situated; and of
+their antagonism there is bred a seeming antipathy produced by the
+performance of different functions, all of them, however, existing for
+one common end.
+
+Such social dissonances are so inevitably the outcome of any charter
+of the constitution, that however much a Liberal may be disposed to
+complain of them, as of treason against those sublime ideas with which
+the ambitious plebeian is apt to cover his designs, he would none the
+less think it a preposterous notion that M. le Prince de Montmorency,
+for instance, should continue to live in the Rue Saint-Martin at the
+corner of the street which bears that nobleman's name; or that M. le Duc
+de Fitz-James, descendant of the royal house of Scotland, should have
+his hotel at the angle of the Rue Marie Stuart and the Rue Montorgueil.
+_Sint ut sunt, aut non sint_, the grand words of the Jesuit, might be
+taken as a motto by the great in all countries. These social differences
+are patent in all ages; the fact is always accepted by the people; its
+"reasons of state" are self-evident; it is at once cause and effect, a
+principle and a law. The common sense of the masses never deserts them
+until demagogues stir them up to gain ends of their own; that common
+sense is based on the verities of social order; and the social order is
+the same everywhere, in Moscow as in London, in Geneva as in Calcutta.
+Given a certain number of families of unequal fortune in any given
+space, you will see an aristocracy forming under your eyes; there will
+be the patricians, the upper classes, and yet other ranks below them.
+Equality may be a _right_, but no power on earth can convert it into
+_fact_. It would be a good thing for France if this idea could be
+popularized. The benefits of political harmony are obvious to the least
+intelligent classes. Harmony is, as it were, the poetry of order, and
+order is a matter of vital importance to the working population. And
+what is order, reduced to its simplest expression, but the agreement
+of things among themselves--unity, in short? Architecture, music, and
+poetry, everything in France, and in France more than in any other
+country, is based upon this principle; it is written upon the very
+foundations of her clear accurate language, and a language must always
+be the most infallible index of national character. In the same way
+you may note that the French popular airs are those most calculated to
+strike the imagination, the best-modulated melodies are taken over by
+the people; clearness of thought, the intellectual simplicity of an idea
+attracts them; they like the incisive sayings that hold the greatest
+number of ideas. France is the one country in the world where a little
+phrase may bring about a great revolution. Whenever the masses have
+risen, it has been to bring men, affairs, and principles into agreement.
+No nation has a clearer conception of that idea of unity which should
+permeate the life of an aristocracy; possibly no other nation has so
+intelligent a comprehension of a political necessity; history will never
+find her behind the time. France has been led astray many a time, but
+she is deluded, woman-like, by generous ideas, by a glow of enthusiasm
+which at first outstrips sober reason.
+
+So, to begin with, the most striking characteristic of the Faubourg
+is the splendour of its great mansions, its great gardens, and a
+surrounding quiet in keeping with princely revenues drawn from great
+estates. And what is this distance set between a class and a whole
+metropolis but visible and outward expression of the widely different
+attitude of mind which must inevitably keep them apart? The position of
+the head is well defined in every organism. If by any chance a nation
+allows its head to fall at its feet, it is pretty sure sooner or later
+to discover that this is a suicidal measure; and since nations have no
+desire to perish, they set to work at once to grow a new head. If they
+lack the strength for this, they perish as Rome perished, and Venice,
+and so many other states.
+
+This distinction between the upper and lower spheres of social activity,
+emphasized by differences in their manner of living, necessarily
+implies that in the highest aristocracy there is real worth and some
+distinguishing merit. In any state, no matter what form of "government"
+is affected, so soon as the patrician class fails to maintain that
+complete superiority which is the condition of its existence, it ceases
+to be a force, and is pulled down at once by the populace. The people
+always wish to see money, power, and initiative in their leaders, hands,
+hearts, and heads; they must be the spokesmen, they must represent the
+intelligence and the glory of the nation. Nations, like women, love
+strength in those who rule them; they cannot give love without respect;
+they refuse utterly to obey those of whom they do not stand in awe.
+An aristocracy fallen into contempt is a _roi faineant_, a husband in
+petticoats; first it ceases to be itself, and then it ceases to be.
+
+And in this way the isolation of the great, the sharply marked
+distinction in their manner of life, or in a word, the general custom
+of the patrician caste is at once the sign of a real power, and their
+destruction so soon as that power is lost. The Faubourg Saint-Germain
+failed to recognise the conditions of its being, while it would still
+have been easy to perpetuate its existence, and therefore was brought
+low for a time. The Faubourg should have looked the facts fairly in the
+face, as the English aristocracy did before them; they should have seen
+that every institution has its climacteric periods, when words lose
+their old meanings, and ideas reappear in a new guise, and the whole
+conditions of politics wear a changed aspect, while the underlying
+realities undergo no essential alteration.
+
+These ideas demand further development which form an essential part of
+this episode; they are given here both as a succinct statement of the
+causes, and an explanation of the things which happen in the course of
+the story.
+
+The stateliness of the castles and palaces where nobles dwell; the
+luxury of the details; the constantly maintained sumptuousness of the
+furniture; the "atmosphere" in which the fortunate owner of landed
+estates (a rich man before he was born) lives and moves easily and
+without friction; the habit of mind which never descends to calculate
+the petty workaday gains of existence; the leisure; the higher education
+attainable at a much earlier age; and lastly, the aristocratic tradition
+that makes of him a social force, for which his opponents, by dint
+of study and a strong will and tenacity of vocation, are scarcely a
+match-all these things should contribute to form a lofty spirit in a
+man, possessed of such privileges from his youth up; they should
+stamp his character with that high self-respect, of which the least
+consequence is a nobleness of heart in harmony with the noble name that
+he bears. And in some few families all this is realised. There are
+noble characters here and there in the Faubourg, but they are marked
+exceptions to a general rule of egoism which has been the ruin of this
+world within a world. The privileges above enumerated are the birthright
+of the French noblesse, as of every patrician efflorescence ever formed
+on the surface of a nation; and will continue to be theirs so long as
+their existence is based upon real estate, or money; _domaine-sol_ and
+_domaine-argent_ alike, the only solid bases of an organized society;
+but such privileges are held upon the understanding that the patricians
+must continue to justify their existence. There is a sort of moral
+_fief_ held on a tenure of service rendered to the sovereign, and here
+in France the people are undoubtedly the sovereigns nowadays. The times
+are changed, and so are the weapons. The knight-banneret of old wore
+a coat of chain armor and a hauberk; he could handle a lance well and
+display his pennon, and no more was required of him; today he is bound
+to give proof of his intelligence. A stout heart was enough in the days
+of old; in our days he is required to have a capacious brain-pan. Skill
+and knowledge and capital--these three points mark out a social triangle
+on which the scutcheon of power is blazoned; our modern aristocracy must
+take its stand on these.
+
+A fine theorem is as good as a great name. The Rothschilds, the Fuggers
+of the nineteenth century, are princes _de facto_. A great artist is in
+reality an oligarch; he represents a whole century, and almost always he
+is a law to others. And the art of words, the high pressure machinery
+of the writer, the poet's genius, the merchant's steady endurance,
+the strong will of the statesman who concentrates a thousand dazzling
+qualities in himself, the general's sword--all these victories, in
+short, which a single individual will win, that he may tower above the
+rest of the world, the patrician class is now bound to win and keep
+exclusively. They must head the new forces as they once headed the
+material forces; how should they keep the position unless they are
+worthy of it? How, unless they are the soul and brain of a nation,
+shall they set its hands moving? How lead a people without the power of
+command? And what is the marshal's baton without the innate power of
+the captain in the man who wields it? The Faubourg Saint-Germain took to
+playing with batons, and fancied that all the power was in its hands.
+It inverted the terms of the proposition which called it into existence.
+And instead of flinging away the insignia which offended the people,
+and quietly grasping the power, it allowed the bourgeoisie to seize the
+authority, clung with fatal obstinacy to its shadow, and over and over
+again forgot the laws which a minority must observe if it would live.
+When an aristocracy is scarce a thousandth part of the body social, it
+is bound today, as of old, to multiply its points of action, so as to
+counterbalance the weight of the masses in a great crisis. And in our
+days those means of action must be living forces, and not historical
+memories.
+
+In France, unluckily, the noblesse were still so puffed up with the
+notion of their vanished power, that it was difficult to contend against
+a kind of innate presumption in themselves. Perhaps this is a national
+defect. The Frenchman is less given than anyone else to undervalue
+himself; it comes natural to him to go from his degree to the one above
+it; and while it is a rare thing for him to pity the unfortunates
+over whose heads he rises, he always groans in spirit to see so many
+fortunate people above him. He is very far from heartless, but too
+often he prefers to listen to his intellect. The national instinct which
+brings the Frenchman to the front, the vanity that wastes his substance,
+is as much a dominant passion as thrift in the Dutch. For three
+centuries it swayed the noblesse, who, in this respect, were certainly
+pre-eminently French. The scion of the Faubourg Saint-Germain, beholding
+his material superiority, was fully persuaded of his intellectual
+superiority. And everything contributed to confirm him in his belief;
+for ever since the Faubourg Saint-Germain existed at all--which is
+to say, ever since Versailles ceased to be the royal residence--the
+Faubourg, with some few gaps in continuity, was always backed up by the
+central power, which in France seldom fails to support that side. Thence
+its downfall in 1830.
+
+At that time the party of the Faubourg Saint-Germain was rather like
+an army without a base of operation. It had utterly failed to take
+advantage of the peace to plant itself in the heart of the nation.
+It sinned for want of learning its lesson, and through an utter
+incapability of regarding its interests as a whole. A future certainty
+was sacrificed to a doubtful present gain. This blunder in policy may
+perhaps be attributed to the following cause.
+
+The class-isolation so strenuously kept up by the noblesse brought about
+fatal results during the last forty years; even caste-patriotism was
+extinguished by it, and rivalry fostered among themselves. When the
+French noblesse of other times were rich and powerful, the nobles
+(_gentilhommes_) could choose their chiefs and obey them in the hour
+of danger. As their power diminished, they grew less amenable to
+discipline; and as in the last days of the Byzantine Empire, everyone
+wished to be emperor. They mistook their uniform weakness for uniform
+strength.
+
+Each family ruined by the Revolution and the abolition of the law of
+primogeniture thought only of itself, and not at all of the great family
+of the noblesse. It seemed to them that as each individual grew rich,
+the party as a whole would gain in strength. And herein lay their
+mistake. Money, likewise, is only the outward and visible sign of
+power. All these families were made up of persons who preserved a high
+tradition of courtesy, of true graciousness of life, of refined speech,
+with a family pride, and a squeamish sense of _noblesse oblige_ which
+suited well with the kind of life they led; a life wholly filled with
+occupations which become contemptible so soon as they cease to be
+accessories and take the chief place in existence. There was a certain
+intrinsic merit in all these people, but the merit was on the surface,
+and none of them were worth their face-value.
+
+Not a single one among those families had courage to ask itself the
+question, "Are we strong enough for the responsibility of power?" They
+were cast on the top, like the lawyers of 1830; and instead of taking
+the patron's place, like a great man, the Faubourg Saint-Germain showed
+itself greedy as an upstart. The most intelligent nation in the world
+perceived clearly that the restored nobles were organizing everything
+for their own particular benefit. From that day the noblesse was doomed.
+The Faubourg Saint-Germain tried to be an aristocracy when it could
+only be an oligarchy--two very different systems, as any man may see
+for himself if he gives an intelligent perusal to the list of the
+patronymics of the House of Peers.
+
+The King's Government certainly meant well; but the maxim that the
+people must be made to _will_ everything, even their own welfare, was
+pretty constantly forgotten, nor did they bear in mind that La France is
+a woman and capricious, and must be happy or chastised at her own good
+pleasure. If there had been many dukes like the Duc de Laval, whose
+modesty made him worthy of the name he bore, the elder branch would have
+been as securely seated on the throne as the House of Hanover at this
+day.
+
+In 1814 the noblesse of France were called upon to assert their
+superiority over the most aristocratic bourgeoisie in the most feminine
+of all countries, to take the lead in the most highly educated epoch the
+world had yet seen. And this was even more notably the case in 1820. The
+Faubourg Saint-Germain might very easily have led and amused the middle
+classes in days when people's heads were turned with distinctions, and
+art and science were all the rage. But the narrow-minded leaders of
+a time of great intellectual progress all of them detested art and
+science. They had not even the wit to present religion in attractive
+colours, though they needed its support. While Lamartine, Lamennais,
+Montalembert, and other writers were putting new life and elevation into
+men's ideas of religion, and gilding it with poetry, these bunglers in
+the Government chose to make the harshness of their creed felt all over
+the country. Never was nation in a more tractable humour; La France,
+like a tired woman, was ready to agree to anything; never was
+mismanagement so clumsy; and La France, like a woman, would have
+forgiven wrongs more easily than bungling.
+
+If the noblesse meant to reinstate themselves, the better to found a
+strong oligarchy, they should have honestly and diligently searched
+their Houses for men of the stamp that Napoleon used; they should
+have turned themselves inside out to see if peradventure there was a
+Constitutionalist Richelieu lurking in the entrails of the Faubourg; and
+if that genius was not forthcoming from among them, they should have set
+out to find him, even in the fireless garret where he might happen to
+be perishing of cold; they should have assimilated him, as the English
+House of Lords continually assimilates aristocrats made by chance; and
+finally ordered him to be ruthless, to lop away the old wood, and cut
+the tree down to the living shoots. But, in the first place, the great
+system of English Toryism was far too large for narrow minds; the
+importation required time, and in France a tardy success is no better
+than a fiasco. So far, moreover, from adopting a policy of redemption,
+and looking for new forces where God puts them, these petty great folk
+took a dislike to any capacity that did not issue from their midst; and,
+lastly, instead of growing young again, the Faubourg Saint-Germain grew
+positively older.
+
+Etiquette, not an institution of primary necessity, might have been
+maintained if it had appeared only on state occasions, but as it was,
+there was a daily wrangle over precedence; it ceased to be a matter of
+art or court ceremonial, it became a question of power. And if from
+the outset the Crown lacked an adviser equal to so great a crisis, the
+aristocracy was still more lacking in a sense of its wider interests, an
+instinct which might have supplied the deficiency. They stood nice about
+M. de Talleyrand's marriage, when M. de Talleyrand was the one man among
+them with the steel-encompassed brains that can forge a new political
+system and begin a new career of glory for a nation. The Faubourg
+scoffed at a minister if he was not gently born, and produced no one of
+gentle birth that was fit to be a minister. There were plenty of nobles
+fitted to serve their country by raising the dignity of justices of
+the peace, by improving the land, by opening out roads and canals, and
+taking an active and leading part as country gentlemen; but these had
+sold their estates to gamble on the Stock Exchange. Again the Faubourg
+might have absorbed the energetic men among the bourgeoisie, and opened
+their ranks to the ambition which was undermining authority; they
+preferred instead to fight, and to fight unarmed, for of all that
+they once possessed there was nothing left but tradition. For their
+misfortune there was just precisely enough of their former wealth left
+them as a class to keep up their bitter pride. They were content with
+their past. Not one of them seriously thought of bidding the son of the
+house take up arms from the pile of weapons which the nineteenth century
+flings down in the market-place. Young men, shut out from office, were
+dancing at Madame's balls, while they should have been doing the
+work done under the Republic and the Empire by young, conscientious,
+harmlessly employed energies. It was their place to carry out at Paris
+the programme which their seniors should have been following in the
+country. The heads of houses might have won back recognition of their
+titles by unremitting attention to local interests, by falling in with
+the spirit of the age, by recasting their order to suit the taste of the
+times.
+
+But, pent up together in the Faubourg Saint-Germain, where the spirit of
+the ancient court and traditions of bygone feuds between the nobles and
+the Crown still lingered on, the aristocracy was not whole-hearted in
+its allegiance to the Tuileries, and so much the more easily defeated
+because it was concentrated in the Chamber of Peers, and badly organized
+even there. If the noblesse had woven themselves into a network over
+the country, they could have held their own; but cooped up in their
+Faubourg, with their backs against the Chateau, or spread at full length
+over the Budget, a single blow cut the thread of a fast-expiring life,
+and a petty, smug-faced lawyer came forward with the axe. In spite of M.
+Royer-Collard's admirable discourse, the hereditary peerage and law of
+entail fell before the lampoons of a man who made it a boast that he had
+adroitly argued some few heads out of the executioner's clutches, and
+now forsooth must clumsily proceed to the slaying of old institutions.
+
+There are examples and lessons for the future in all this. For if there
+were not still a future before the French aristocracy, there would be
+no need to do more than find a suitable sarcophagus; it were something
+pitilessly cruel to burn the dead body of it with fire of Tophet. But
+though the surgeon's scalpel is ruthless, it sometimes gives back life
+to a dying man; and the Faubourg Saint-Germain may wax more powerful
+under persecution than in its day of triumph, if it but chooses to
+organize itself under a leader.
+
+And now it is easy to give a summary of this semi-political survey. The
+wish to re-establish a large fortune was uppermost in everyone's mind;
+a lack of broad views, and a mass of small defects, a real need of
+religion as a political factor, combined with a thirst for pleasure
+which damaged the cause of religion and necessitated a good deal of
+hypocrisy; a certain attitude of protest on the part of loftier and
+clearer-sighted men who set their faces against Court jealousies; and
+the disaffection of the provincial families, who often came of
+purer descent than the nobles of the Court which alienated them from
+itself--all these things combined to bring about a most discordant state
+of things in the Faubourg Saint-Germain. It was neither compact in its
+organisation, nor consequent in its action; neither completely moral,
+nor frankly dissolute; it did not corrupt, nor was it corrupted; it
+would neither wholly abandon the disputed points which damaged its
+cause, nor yet adopt the policy that might have saved it. In short,
+however effete individuals might be, the party as a whole was none
+the less armed with all the great principles which lie at the roots of
+national existence. What was there in the Faubourg that it should perish
+in its strength?
+
+It was very hard to please in the choice of candidates; the Faubourg
+had good taste, it was scornfully fastidious, yet there was nothing very
+glorious nor chivalrous truly about its fall.
+
+In the Emigration of 1789 there were some traces of a loftier feeling;
+but in the Emigration of 1830 from Paris into the country there was
+nothing discernible but self-interest. A few famous men of letters, a
+few oratorical triumphs in the Chambers, M. de Talleyrand's attitude
+in the Congress, the taking of Algiers, and not a few names that found
+their way from the battlefield into the pages of history--all these
+things were so many examples set before the French noblesse to show that
+it was still open to them to take their part in the national existence,
+and to win recognition of their claims, if, indeed, they could
+condescend thus far. In every living organism the work of bringing
+the whole into harmony within itself is always going on. If a man is
+indolent, the indolence shows itself in everything that he does; and,
+in the same manner, the general spirit of a class is pretty plainly
+manifested in the face it turns on the world, and the soul informs the
+body.
+
+The women of the Restoration displayed neither the proud disregard
+of public opinion shown by the court ladies of olden time in their
+wantonness, nor yet the simple grandeur of the tardy virtues by which
+they expiated their sins and shed so bright a glory about their names.
+There was nothing either very frivolous or very serious about the woman
+of the Restoration. She was hypocritical as a rule in her passion, and
+compounded, so to speak, with its pleasures. Some few families led
+the domestic life of the Duchesse d'Orleans, whose connubial couch was
+exhibited so absurdly to visitors at the Palais Royal. Two or three kept
+up the traditions of the Regency, filling cleverer women with something
+like disgust. The great lady of the new school exercised no influence at
+all over the manners of the time; and yet she might have done much.
+She might, at worst, have presented as dignified a spectacle as
+English-women of the same rank. But she hesitated feebly among old
+precedents, became a bigot by force of circumstances, and allowed
+nothing of herself to appear, not even her better qualities.
+
+Not one among the Frenchwomen of that day had the ability to create a
+salon whither leaders of fashion might come to take lessons in taste and
+elegance. Their voices, which once laid down the law to literature, that
+living expression of a time, now counted absolutely for nought. Now
+when a literature lacks a general system, it fails to shape a body for
+itself, and dies out with its period.
+
+When in a nation at any time there is a people apart thus constituted,
+the historian is pretty certain to find some representative figure,
+some central personage who embodies the qualities and the defects of the
+whole party to which he belongs; there is Coligny, for instance, among
+the Huguenots, the Coadjuteur in the time of the Fronde, the Marechal de
+Richelieu under Louis XV, Danton during the Terror. It is in the nature
+of things that the man should be identified with the company in which
+history finds him. How is it possible to lead a party without conforming
+to its ideas? or to shine in any epoch unless a man represents the ideas
+of his time? The wise and prudent head of a party is continually obliged
+to bow to the prejudices and follies of its rear; and this is the
+cause of actions for which he is afterwards criticised by this or that
+historian sitting at a safer distance from terrific popular explosions,
+coolly judging the passion and ferment without which the great struggles
+of the world could not be carried on at all. And if this is true of
+the Historical Comedy of the Centuries, it is equally true in a more
+restricted sphere in the detached scenes of the national drama known as
+the _Manners of the Age_.
+
+
+
+At the beginning of that ephemeral life led by the Faubourg
+Saint-Germain under the Restoration, to which, if there is any truth in
+the above reflections, they failed to give stability, the most perfect
+type of the aristocratic caste in its weakness and strength, its
+greatness and littleness, might have been found for a brief space in a
+young married woman who belonged to it. This was a woman artificially
+educated, but in reality ignorant; a woman whose instincts and feelings
+were lofty while the thought which should have controlled them was
+wanting. She squandered the wealth of her nature in obedience to social
+conventions; she was ready to brave society, yet she hesitated till her
+scruples degenerated into artifice. With more wilfulness than real force
+of character, impressionable rather than enthusiastic, gifted with more
+brain than heart; she was supremely a woman, supremely a coquette,
+and above all things a Parisienne, loving a brilliant life and gaiety,
+reflecting never, or too late; imprudent to the verge of poetry, and
+humble in the depths of her heart, in spite of her charming insolence.
+Like some straight-growing reed, she made a show of independence; yet,
+like the reed, she was ready to bend to a strong hand. She talked much
+of religion, and had it not at heart, though she was prepared to find in
+it a solution of her life. How explain a creature so complex? Capable
+of heroism, yet sinking unconsciously from heroic heights to utter a
+spiteful word; young and sweet-natured, not so much old at heart as
+aged by the maxims of those about her; versed in a selfish philosophy in
+which she was all unpractised, she had all the vices of a courtier, all
+the nobleness of developing womanhood. She trusted nothing and no one,
+yet there were times when she quitted her sceptical attitude for a
+submissive credulity.
+
+How should any portrait be anything but incomplete of her, in whom the
+play of swiftly-changing colour made discord only to produce a poetic
+confusion? For in her there shone a divine brightness, a radiance of
+youth that blended all her bewildering characteristics in a certain
+completeness and unity informed by her charm. Nothing was feigned. The
+passion or semi-passion, the ineffectual high aspirations, the actual
+pettiness, the coolness of sentiment and warmth of impulse, were all
+spontaneous and unaffected, and as much the outcome of her own position
+as of the position of the aristocracy to which she belonged. She was
+wholly self-contained; she put herself proudly above the world and
+beneath the shelter of her name. There was something of the egoism of
+Medea in her life, as in the life of the aristocracy that lay a-dying,
+and would not so much as raise itself or stretch out a hand to any
+political physician; so well aware of its feebleness, or so conscious
+that it was already dust, that it refused to touch or be touched.
+
+The Duchesse de Langeais (for that was her name) had been married for
+about four years when the Restoration was finally consummated, which is
+to say, in 1816. By that time the revolution of the Hundred Days had let
+in the light on the mind of Louis XVIII. In spite of his surroundings,
+he comprehended the situation and the age in which he was living; and it
+was only later, when this Louis XI, without the axe, lay stricken down
+by disease, that those about him got the upper hand. The Duchesse de
+Langeais, a Navarreins by birth, came of a ducal house which had made
+a point of never marrying below its rank since the reign of Louis XIV.
+Every daughter of the house must sooner or later take a _tabouret_ at
+Court. So, Antoinette de Navarreins, at the age of eighteen, came out of
+the profound solitude in which her girlhood had been spent to marry the
+Duc de Langeais' eldest son. The two families at that time were living
+quite out of the world; but after the invasion of France, the return
+of the Bourbons seemed to every Royalist mind the only possible way of
+putting an end to the miseries of the war.
+
+The Ducs de Navarreins and de Langeais had been faithful throughout to
+the exiled Princes, nobly resisting all the temptations of glory under
+the Empire. Under the circumstances they naturally followed out the old
+family policy; and Mlle Antoinette, a beautiful and portionless girl,
+was married to M. le Marquis de Langeais only a few months before the
+death of the Duke his father.
+
+After the return of the Bourbons, the families resumed their rank,
+offices, and dignity at Court; once more they entered public life, from
+which hitherto they held aloof, and took their place high on the sunlit
+summits of the new political world. In that time of general baseness and
+sham political conversions, the public conscience was glad to recognise
+the unstained loyalty of the two houses, and a consistency in political
+and private life for which all parties involuntarily respected them.
+But, unfortunately, as so often happens in a time of transition, the
+most disinterested persons, the men whose loftiness of view and wise
+principles would have gained the confidence of the French nation and led
+them to believe in the generosity of a novel and spirited policy--these
+men, to repeat, were taken out of affairs, and public business was
+allowed to fall into the hands of others, who found it to their interest
+to push principles to their extreme consequences by way of proving their
+devotion.
+
+The families of Langeais and Navarreins remained about the Court,
+condemned to perform the duties required by Court ceremonial amid the
+reproaches and sneers of the Liberal party. They were accused of gorging
+themselves with riches and honours, and all the while their family
+estates were no larger than before, and liberal allowances from the
+civil list were wholly expended in keeping up the state necessary for
+any European government, even if it be a Republic.
+
+In 1818, M. le Duc de Langeais commanded a division of the army, and the
+Duchess held a post about one of the Princesses, in virtue of which she
+was free to live in Paris and apart from her husband without scandal.
+The Duke, moreover, besides his military duties, had a place at Court,
+to which he came during his term of waiting, leaving his major-general
+in command. The Duke and Duchess were leading lives entirely apart, the
+world none the wiser. Their marriage of convention shared the fate
+of nearly all family arrangements of the kind. Two more antipathetic
+dispositions could not well have been found; they were brought together;
+they jarred upon each other; there was soreness on either side; then
+they were divided once for all. Then they went their separate ways,
+with a due regard for appearances. The Duc de Langeais, by nature
+as methodical as the Chevalier de Folard himself, gave himself up
+methodically to his own tastes and amusements, and left his wife at
+liberty to do as she pleased so soon as he felt sure of her character.
+He recognised in her a spirit pre-eminently proud, a cold heart, a
+profound submissiveness to the usages of the world, and a youthful
+loyalty. Under the eyes of great relations, with the light of a prudish
+and bigoted Court turned full upon the Duchess, his honour was safe.
+
+So the Duke calmly did as the _grands seigneurs_ of the eighteenth
+century did before him, and left a young wife of two-and-twenty to her
+own devices. He had deeply offended that wife, and in her nature there
+was one appalling characteristic--she would never forgive an offence
+when woman's vanity and self-love, with all that was best in her nature
+perhaps, had been slighted, wounded in secret. Insult and injury in the
+face of the world a woman loves to forget; there is a way open to her of
+showing herself great; she is a woman in her forgiveness; but a secret
+offence women never pardon; for secret baseness, as for hidden virtues
+and hidden love, they have no kindness.
+
+This was Mme la Duchesse de Langeais' real position, unknown to the
+world. She herself did not reflect upon it. It was the time of the
+rejoicings over the Duc de Berri's marriage. The Court and the Faubourg
+roused itself from its listlessness and reserve. This was the real
+beginning of that unheard-of splendour which the Government of the
+Restoration carried too far. At that time the Duchess, whether for
+reasons of her own, or from vanity, never appeared in public without a
+following of women equally distinguished by name and fortune. As queen
+of fashion she had her _dames d'atours_, her ladies, who modeled their
+manner and their wit on hers. They had been cleverly chosen. None of her
+satellites belonged to the inmost Court circle, nor to the highest
+level of the Faubourg Saint-Germain; but they had set their minds upon
+admission to those inner sanctuaries. Being as yet simple denominations,
+they wished to rise to the neighbourhood of the throne, and mingle with
+the seraphic powers in the high sphere known as _le petit chateau_. Thus
+surrounded, the Duchess's position was stronger and more commanding and
+secure. Her "ladies" defended her character and helped her to play her
+detestable part of a woman of fashion. She could laugh at men at her
+ease, play with fire, receive the homage on which the feminine nature is
+nourished, and remain mistress of herself.
+
+At Paris, in the highest society of all, a woman is a woman still; she
+lives on incense, adulation, and honours. No beauty, however undoubted,
+no face, however fair, is anything without admiration. Flattery and
+a lover are proofs of power. And what is power without recognition?
+Nothing. If the prettiest of women were left alone in a corner of a
+drawing-room, she would droop. Put her in the very centre and summit of
+social grandeur, she will at once aspire to reign over all hearts--often
+because it is out of her power to be the happy queen of one. Dress and
+manner and coquetry are all meant to please one of the poorest creatures
+extant--the brainless coxcomb, whose handsome face is his sole merit;
+it was for such as these that women threw themselves away. The gilded
+wooden idols of the Restoration, for they were neither more nor less,
+had neither the antecedents of the _petits maitres_ of the time of the
+Fronde, nor the rough sterling worth of Napoleon's heroes, not the wit
+and fine manners of their grandsires; but something of all three they
+meant to be without any trouble to themselves. Brave they were, like
+all young Frenchmen; ability they possessed, no doubt, if they had had
+a chance of proving it, but their places were filled up by the old
+worn-out men, who kept them in leading strings. It was a day of
+small things, a cold prosaic era. Perhaps it takes a long time for a
+Restoration to become a Monarchy.
+
+For the past eighteen months the Duchesse de Langeais had been leading
+this empty life, filled with balls and subsequent visits, objectless
+triumphs, and the transient loves that spring up and die in an evening's
+space. All eyes were turned on her when she entered a room; she reaped
+her harvest of flatteries and some few words of warmer admiration, which
+she encouraged by a gesture or a glance, but never suffered to penetrate
+deeper than the skin. Her tone and bearing and everything else about her
+imposed her will upon others. Her life was a sort of fever of vanity
+and perpetual enjoyment, which turned her head. She was daring enough in
+conversation; she would listen to anything, corrupting the surface, as
+it were, of her heart. Yet when she returned home, she often blushed at
+the story that had made her laugh; at the scandalous tale that supplied
+the details, on the strength of which she analyzed the love that she had
+never known, and marked the subtle distinctions of modern passion, not
+with comment on the part of complacent hypocrites. For women know how
+to say everything among themselves, and more of them are ruined by each
+other than corrupted by men.
+
+There came a moment when she discerned that not until a woman is loved
+will the world fully recognise her beauty and her wit. What does a
+husband prove? Simply that a girl or woman was endowed with wealth, or
+well brought up; that her mother managed cleverly that in some way she
+satisfied a man's ambitions. A lover constantly bears witness to her
+personal perfections. Then followed the discovery still in Mme de
+Langeais' early womanhood, that it was possible to be loved without
+committing herself, without permission, without vouchsafing any
+satisfaction beyond the most meagre dues. There was more than one demure
+feminine hypocrite to instruct her in the art of playing such dangerous
+comedies.
+
+So the Duchess had her court, and the number of her adorers and
+courtiers guaranteed her virtue. She was amiable and fascinating; she
+flirted till the ball or the evening's gaiety was at an end. Then the
+curtain dropped. She was cold, indifferent, self-contained again till
+the next day brought its renewed sensations, superficial as before. Two
+or three men were completely deceived, and fell in love in earnest.
+She laughed at them, she was utterly insensible. "I am loved!" she told
+herself. "He loves me!" The certainty sufficed her. It is enough for the
+miser to know that his every whim might be fulfilled if he chose; so it
+was with the Duchess, and perhaps she did not even go so far as to form
+a wish.
+
+One evening she chanced to be at the house of an intimate friend Mme la
+Vicomtesse de Fontaine, one of the humble rivals who cordially detested
+her, and went with her everywhere. In a "friendship" of this sort both
+sides are on their guard, and never lay their armor aside; confidences
+are ingeniously indiscreet, and not unfrequently treacherous. Mme de
+Langeais had distributed her little patronizing, friendly, or freezing
+bows, with the air natural to a woman who knows the worth of her smiles,
+when her eyes fell upon a total stranger. Something in the man's large
+gravity of aspect startled her, and, with a feeling almost like dread,
+she turned to Mme de Maufrigneuse with, "Who is the newcomer, dear?"
+
+"Someone that you have heard of, no doubt. The Marquis de Montriveau."
+
+"Oh! is it he?"
+
+She took up her eyeglass and submitted him to a very insolent scrutiny,
+as if he had been a picture meant to receive glances, not to return
+them.
+
+"Do introduce him; he ought to be interesting."
+
+"Nobody more tiresome and dull, dear. But he is the fashion."
+
+M. Armand de Montriveau, at that moment all unwittingly the object of
+general curiosity, better deserved attention than any of the idols that
+Paris needs must set up to worship for a brief space, for the city is
+vexed by periodical fits of craving, a passion for _engouement_ and sham
+enthusiasm, which must be satisfied. The Marquis was the only son of
+General de Montriveau, one of the _ci-devants_ who served the Republic
+nobly, and fell by Joubert's side at Novi. Bonaparte had placed his son
+at the school at Chalons, with the orphans of other generals who fell
+on the battlefield, leaving their children under the protection of the
+Republic. Armand de Montriveau left school with his way to make, entered
+the artillery, and had only reached a major's rank at the time of the
+Fontainebleau disaster. In his section of the service the chances of
+advancement were not many. There are fewer officers, in the first place,
+among the gunners than in any other corps; and in the second place, the
+feeling in the artillery was decidedly Liberal, not to say Republican;
+and the Emperor, feeling little confidence in a body of highly educated
+men who were apt to think for themselves, gave promotion grudgingly in
+the service. In the artillery, accordingly, the general rule of the
+army did not apply; the commanding officers were not invariably the most
+remarkable men in their department, because there was less to be feared
+from mediocrities. The artillery was a separate corps in those days, and
+only came under Napoleon in action.
+
+Besides these general causes, other reasons, inherent in Armand de
+Montriveau's character, were sufficient in themselves to account for his
+tardy promotion. He was alone in the world. He had been thrown at
+the age of twenty into the whirlwind of men directed by Napoleon; his
+interests were bounded by himself, any day he might lose his life; it
+became a habit of mind with him to live by his own self-respect and
+the consciousness that he had done his duty. Like all shy men, he was
+habitually silent; but his shyness sprang by no means from timidity;
+it was a kind of modesty in him; he found any demonstration of vanity
+intolerable. There was no sort of swagger about his fearlessness in
+action; nothing escaped his eyes; he could give sensible advice to his
+chums with unshaken coolness; he could go under fire, and duck upon
+occasion to avoid bullets. He was kindly; but his expression was haughty
+and stern, and his face gained him this character. In everything he was
+rigorous as arithmetic; he never permitted the slightest deviation from
+duty on any plausible pretext, nor blinked the consequences of a fact.
+He would lend himself to nothing of which he was ashamed; he never asked
+anything for himself; in short, Armand de Montriveau was one of many
+great men unknown to fame, and philosophical enough to despise it;
+living without attaching themselves to life, because they have not found
+their opportunity of developing to the full their power to do and feel.
+
+People were afraid of Montriveau; they respected him, but he was not
+very popular. Men may indeed allow you to rise above them, but to
+decline to descend as low as they can do is the one unpardonable sin.
+In their feeling towards loftier natures, there is a trace of hate and
+fear. Too much honour with them implies censure of themselves, a thing
+forgiven neither to the living nor to the dead.
+
+After the Emperor's farewells at Fontainebleau, Montriveau, noble though
+he was, was put on half-pay. Perhaps the heads of the War Office took
+fright at uncompromising uprightness worthy of antiquity, or perhaps it
+was known that he felt bound by his oath to the Imperial Eagle. During
+the Hundred Days he was made a Colonel of the Guard, and left on the
+field of Waterloo. His wounds kept him in Belgium he was not present
+at the disbanding of the Army of the Loire, but the King's government
+declined to recognise promotion made during the Hundred Days, and Armand
+de Montriveau left France.
+
+An adventurous spirit, a loftiness of thought hitherto satisfied by
+the hazards of war, drove him on an exploring expedition through Upper
+Egypt; his sanity or impulse directed his enthusiasm to a project of
+great importance, he turned his attention to that unexplored Central
+Africa which occupies the learned of today. The scientific expedition
+was long and unfortunate. He had made a valuable collection of notes
+bearing on various geographical and commercial problems, of which
+solutions are still eagerly sought; and succeeded, after surmounting
+many obstacles, in reaching the heart of the continent, when he was
+betrayed into the hands of a hostile native tribe. Then, stripped of all
+that he had, for two years he led a wandering life in the desert,
+the slave of savages, threatened with death at every moment, and more
+cruelly treated than a dumb animal in the power of pitiless children.
+Physical strength, and a mind braced to endurance, enabled him to
+survive the horrors of that captivity; but his miraculous escape
+well-nigh exhausted his energies. When he reached the French colony at
+Senegal, a half-dead fugitive covered with rags, his memories of his
+former life were dim and shapeless. The great sacrifices made in his
+travels were all forgotten like his studies of African dialects, his
+discoveries, and observations. One story will give an idea of all that
+he passed through. Once for several days the children of the sheikh of
+the tribe amused themselves by putting him up for a mark and flinging
+horses' knuckle-bones at his head.
+
+Montriveau came back to Paris in 1818 a ruined man. He had no interest,
+and wished for none. He would have died twenty times over sooner than
+ask a favour of anyone; he would not even press the recognition of his
+claims. Adversity and hardship had developed his energy even in trifles,
+while the habit of preserving his self-respect before that spiritual
+self which we call conscience led him to attach consequence to the most
+apparently trivial actions. His merits and adventures became known,
+however, through his acquaintances, among the principal men of science
+in Paris, and some few well-read military men. The incidents of his
+slavery and subsequent escape bore witness to a courage, intelligence,
+and coolness which won him celebrity without his knowledge, and that
+transient fame of which Paris salons are lavish, though the artist that
+fain would keep it must make untold efforts.
+
+Montriveau's position suddenly changed towards the end of that year. He
+had been a poor man, he was now rich; or, externally at any rate, he had
+all the advantages of wealth. The King's government, trying to attach
+capable men to itself and to strengthen the army, made concessions
+about that time to Napoleon's old officers if their known loyalty and
+character offered guarantees of fidelity. M. de Montriveau's name once
+more appeared in the army list with the rank of colonel; he received his
+arrears of pay and passed into the Guards. All these favours, one
+after another, came to seek the Marquis de Montriveau; he had asked
+for nothing however small. Friends had taken the steps for him which he
+would have refused to take for himself.
+
+After this, his habits were modified all at once; contrary to his
+custom, he went into society. He was well received, everywhere he met
+with great deference and respect. He seemed to have found some end
+in life; but everything passed within the man, there were no external
+signs; in society he was silent and cold, and wore a grave, reserved
+face. His social success was great, precisely because he stood out in
+such strong contrast to the conventional faces which line the walls
+of Paris salons. He was, indeed, something quite new there. Terse
+of speech, like a hermit or a savage, his shyness was thought to be
+haughtiness, and people were greatly taken with it. He was something
+strange and great. Women generally were so much the more smitten
+with this original person because he was not to be caught by their
+flatteries, however adroit, nor by the wiles with which they circumvent
+the strongest men and corrode the steel temper. Their Parisian's
+grimaces were lost upon M. de Montriveau; his nature only responded to
+the sonorous vibration of lofty thought and feeling. And he would very
+promptly have been dropped but for the romance that hung about his
+adventures and his life; but for the men who cried him up behind his
+back; but for a woman who looked for a triumph for her vanity, the woman
+who was to fill his thoughts.
+
+For these reasons the Duchesse de Langeais' curiosity was no less lively
+than natural. Chance had so ordered it that her interest in the man
+before her had been aroused only the day before, when she heard the
+story of one of M. de Montriveau's adventures, a story calculated to
+make the strongest impression upon a woman's ever-changing fancy.
+
+During M. de Montriveau's voyage of discovery to the sources of the
+Nile, he had had an argument with one of his guides, surely the most
+extraordinary debate in the annals of travel. The district that he
+wished to explore could only be reached on foot across a tract of
+desert. Only one of his guides knew the way; no traveller had penetrated
+before into that part of the country, where the undaunted officer hoped
+to find a solution of several scientific problems. In spite of the
+representations made to him by the guide and the older men of the place,
+he started upon the formidable journey. Summoning up courage, already
+highly strung by the prospect of dreadful difficulties, he set out in
+the morning.
+
+The loose sand shifted under his feet at every step; and when, at the
+end of a long day's march, he lay down to sleep on the ground, he had
+never been so tired in his life. He knew, however, that he must be up
+and on his way before dawn next day, and his guide assured him that they
+should reach the end of their journey towards noon. That promise kept
+up his courage and gave him new strength. In spite of his sufferings,
+he continued his march, with some blasphemings against science; he was
+ashamed to complain to his guide, and kept his pain to himself. After
+marching for a third of the day, he felt his strength failing, his feet
+were bleeding, he asked if they should reach the place soon. "In an
+hour's time," said the guide. Armand braced himself for another hour's
+march, and they went on.
+
+The hour slipped by; he could not so much as see against the sky the
+palm-trees and crests of hill that should tell of the end of the journey
+near at hand; the horizon line of sand was vast as the circle of the
+open sea.
+
+He came to a stand, refused to go farther, and threatened the guide--he
+had deceived him, murdered him; tears of rage and weariness flowed over
+his fevered cheeks; he was bowed down with fatigue upon fatigue, his
+throat seemed to be glued by the desert thirst. The guide meanwhile
+stood motionless, listening to these complaints with an ironical
+expression, studying the while, with the apparent indifference of an
+Oriental, the scarcely perceptible indications in the lie of the sands,
+which looked almost black, like burnished gold.
+
+"I have made a mistake," he remarked coolly. "I could not make out the
+track, it is so long since I came this way; we are surely on it now, but
+we must push on for two hours."
+
+"The man is right," thought M. de Montriveau.
+
+So he went on again, struggling to follow the pitiless native. It seemed
+as if he were bound to his guide by some thread like the invisible tie
+between the condemned man and the headsman. But the two hours went by,
+Montriveau had spent his last drops of energy, and the skyline was a
+blank, there were no palm-trees, no hills. He could neither cry out
+nor groan, he lay down on the sand to die, but his eyes would have
+frightened the boldest; something in his face seemed to say that he
+would not die alone. His guide, like a very fiend, gave him back a cool
+glance like a man that knows his power, left him to lie there, and kept
+at a safe distance out of reach of his desperate victim. At last M.
+Montriveau recovered strength enough for a last curse. The guide came
+nearer, silenced him with a steady look, and said, "Was it not your own
+will to go where I am taking you, in spite of us all? You say that I
+have lied to you. If I had not, you would not be even here. Do you want
+the truth? Here it is. _We have still another five hours' march before
+us, and we cannot go back_. Sound yourself; if you have not courage
+enough, here is my dagger."
+
+Startled by this dreadful knowledge of pain and human strength, M.
+de Montriveau would not be behind a savage; he drew a fresh stock of
+courage from his pride as a European, rose to his feet, and followed
+his guide. The five hours were at an end, and still M. de Montriveau
+saw nothing, he turned his failing eyes upon his guide; but the Nubian
+hoisted him on his shoulders, and showed him a wide pool of water with
+greenness all about it, and a noble forest lighted up by the sunset. It
+lay only a hundred paces away; a vast ledge of granite hid the glorious
+landscape. It seemed to Armand that he had taken a new lease of life.
+His guide, that giant in courage and intelligence, finished his work of
+devotion by carrying him across the hot, slippery, scarcely discernible
+track on the granite. Behind him lay the hell of burning sand, before
+him the earthly paradise of the most beautiful oasis in the desert.
+
+The Duchess, struck from the first by the appearance of this romantic
+figure, was even more impressed when she learned that this was that
+Marquis de Montriveau of whom she had dreamed during the night. She had
+been with him among the hot desert sands, he had been the companion of
+her nightmare wanderings; for such a woman was not this a delightful
+presage of a new interest in her life? And never was a man's exterior
+a better exponent of his character; never were curious glances so well
+justified. The principal characteristic of his great, square-hewn head
+was the thick, luxuriant black hair which framed his face, and gave him
+a strikingly close resemblance to General Kleber; and the likeness still
+held good in the vigorous forehead, in the outlines of his face, the
+quiet fearlessness of his eyes, and a kind of fiery vehemence expressed
+by strongly marked features. He was short, deep-chested, and muscular
+as a lion. There was something of the despot about him, and an
+indescribable suggestion of the security of strength in his gait,
+bearing, and slightest movements. He seemed to know that his will was
+irresistible, perhaps because he wished for nothing unjust. And yet,
+like all really strong men, he was mild of speech, simple in his
+manners, and kindly natured; although it seemed as if, in the stress of
+a great crisis, all these finer qualities must disappear, and the man
+would show himself implacable, unshaken in his resolve, terrific in
+action. There was a certain drawing in of the inner line of the lips
+which, to a close observer, indicated an ironical bent.
+
+The Duchesse de Langeais, realising that a fleeting glory was to be
+won by such a conquest, made up her mind to gain a lover in Armand de
+Montriveau during the brief interval before the Duchesse de Maufrigneuse
+brought him to be introduced. She would prefer him above the others; she
+would attach him to herself, display all her powers of coquetry for him.
+It was a fancy, such a merest Duchess's whim as furnished a Lope or a
+Calderon with the plot of the _Dog in the Manger_. She would not suffer
+another woman to engross him; but she had not the remotest intention of
+being his.
+
+Nature had given the Duchess every qualification for the part of
+coquette, and education had perfected her. Women envied her, and men
+fell in love with her, not without reason. Nothing that can inspire
+love, justify it, and give it lasting empire was wanting in her. Her
+style of beauty, her manner, her voice, her bearing, all combined to
+give her that instinctive coquetry which seems to be the consciousness
+of power. Her shape was graceful; perhaps there was a trace of
+self-consciousness in her changes of movement, the one affectation that
+could be laid to her charge; but everything about her was a part of her
+personality, from her least little gesture to the peculiar turn of her
+phrases, the demure glance of her eyes. Her great lady's grace, her
+most striking characteristic, had not destroyed the very French quick
+mobility of her person. There was an extraordinary fascination in her
+swift, incessant changes of attitude. She seemed as if she surely would
+be a most delicious mistress when her corset and the encumbering costume
+of her part were laid aside. All the rapture of love surely was latent
+in the freedom of her expressive glances, in her caressing tones, in the
+charm of her words. She gave glimpses of the high-born courtesan within
+her, vainly protesting against the creeds of the duchess.
+
+You might sit near her through an evening, she would be gay and
+melancholy in turn, and her gaiety, like her sadness, seemed
+spontaneous. She could be gracious, disdainful, insolent, or confiding
+at will. Her apparent good nature was real; she had no temptation to
+descend to malignity. But at each moment her mood changed; she was full
+of confidence or craft; her moving tenderness would give place to a
+heart-breaking hardness and insensibility. Yet how paint her as she
+was, without bringing together all the extremes of feminine nature? In
+a word, the Duchess was anything that she wished to be or to seem.
+Her face was slightly too long. There was a grace in it, and a certain
+thinness and fineness that recalled the portraits of the Middle Ages.
+Her skin was white, with a faint rose tint. Everything about her erred,
+as it were, by an excess of delicacy.
+
+M. de Montriveau willingly consented to be introduced to the Duchesse
+de Langeais; and she, after the manner of persons whose sensitive taste
+leads them to avoid banalities, refrained from overwhelming him with
+questions and compliments. She received him with a gracious deference
+which could not fail to flatter a man of more than ordinary powers,
+for the fact that a man rises above the ordinary level implies that
+he possesses something of that tact which makes women quick to read
+feeling. If the Duchess showed any curiosity, it was by her glances;
+her compliments were conveyed in her manner; there was a winning grace
+displayed in her words, a subtle suggestion of a desire to please which
+she of all women knew the art of manifesting. Yet her whole conversation
+was but, in a manner, the body of the letter; the postscript with the
+principal thought in it was still to come. After half an hour spent in
+ordinary talk, in which the words gained all their value from her tone
+and smiles, M. de Montriveau was about to retire discreetly, when the
+Duchess stopped him with an expressive gesture.
+
+"I do not know, monsieur, whether these few minutes during which I have
+had the pleasure of talking to you proved so sufficiently attractive,
+that I may venture to ask you to call upon me; I am afraid that it may
+be very selfish of me to wish to have you all to myself. If I should
+be so fortunate as to find that my house is agreeable to you, you will
+always find me at home in the evening until ten o'clock."
+
+The invitation was given with such irresistible grace, that M. de
+Montriveau could not refuse to accept it. When he fell back again among
+the groups of men gathered at a distance from the women, his
+friends congratulated him, half laughingly, half in earnest, on the
+extraordinary reception vouchsafed him by the Duchesse de Langeais. The
+difficult and brilliant conquest had been made beyond a doubt, and the
+glory of it was reserved for the Artillery of the Guard. It is easy to
+imagine the jests, good and bad, when this topic had once been started;
+the world of Paris salons is so eager for amusement, and a joke lasts
+for such a short time, that everyone is eager to make the most of it
+while it is fresh.
+
+All unconsciously, the General felt flattered by this nonsense. From his
+place where he had taken his stand, his eyes were drawn again and again
+to the Duchess by countless wavering reflections. He could not help
+admitting to himself that of all the women whose beauty had captivated
+his eyes, not one had seemed to be a more exquisite embodiment of faults
+and fair qualities blended in a completeness that might realise the
+dreams of earliest manhood. Is there a man in any rank of life that has
+not felt indefinable rapture in his secret soul over the woman singled
+out (if only in his dreams) to be his own; when she, in body, soul, and
+social aspects, satisfies his every requirement, a thrice perfect woman?
+And if this threefold perfection that flatters his pride is no argument
+for loving her, it is beyond cavil one of the great inducements to the
+sentiment. Love would soon be convalescent, as the eighteenth century
+moralist remarked, were it not for vanity. And it is certainly true
+that for everyone, man or woman, there is a wealth of pleasure in
+the superiority of the beloved. Is she set so high by birth that a
+contemptuous glance can never wound her? is she wealthy enough to
+surround herself with state which falls nothing short of royalty, of
+kings, of finance during their short reign of splendour? is she so
+ready-witted that a keen-edged jest never brings her into confusion?
+beautiful enough to rival any woman?--Is it such a small thing to know
+that your self-love will never suffer through her? A man makes these
+reflections in the twinkling of an eye. And how if, in the future opened
+out by early ripened passion, he catches glimpses of the changeful
+delight of her charm, the frank innocence of a maiden soul, the perils
+of love's voyage, the thousand folds of the veil of coquetry? Is not
+this enough to move the coldest man's heart?
+
+This, therefore, was M. de Montriveau's position with regard to woman;
+his past life in some measure explaining the extraordinary fact. He
+had been thrown, when little more than a boy, into the hurricane of
+Napoleon's wars; his life had been spent on fields of battle. Of women
+he knew just so much as a traveller knows of a country when he travels
+across it in haste from one inn to another. The verdict which Voltaire
+passed upon his eighty years of life might, perhaps, have been applied
+by Montriveau to his own thirty-seven years of existence; had he not
+thirty-seven follies with which to reproach himself? At his age he was
+as much a novice in love as the lad that has just been furtively reading
+_Faublas_. Of women he had nothing to learn; of love he knew nothing;
+and thus, desires, quite unknown before, sprang from this virginity of
+feeling.
+
+There are men here and there as much engrossed in the work demanded of
+them by poverty or ambition, art or science, as M. de Montriveau by war
+and a life of adventure--these know what it is to be in this unusual
+position if they very seldom confess to it. Every man in Paris is
+supposed to have been in love. No woman in Paris cares to take what
+other women have passed over. The dread of being taken for a fool is the
+source of the coxcomb's bragging so common in France; for in France to
+have the reputation of a fool is to be a foreigner in one's own country.
+Vehement desire seized on M. de Montriveau, desire that had gathered
+strength from the heat of the desert and the first stirrings of a heart
+unknown as yet in its suppressed turbulence.
+
+A strong man, and violent as he was strong, he could keep mastery over
+himself; but as he talked of indifferent things, he retired within
+himself, and swore to possess this woman, for through that thought lay
+the only way to love for him. Desire became a solemn compact made with
+himself, an oath after the manner of the Arabs among whom he had lived;
+for among them a vow is a kind of contract made with Destiny a man's
+whole future is solemnly pledged to fulfil it, and everything even his
+own death, is regarded simply as a means to the one end.
+
+A younger man would have said to himself, "I should very much like to
+have the Duchess for my mistress!" or, "If the Duchesse de Langeais
+cared for a man, he would be a very lucky rascal!" But the General said,
+"I will have Mme de Langeais for my mistress." And if a man takes such
+an idea into his head when his heart has never been touched before, and
+love begins to be a kind of religion with him, he little knows in what a
+hell he has set his foot.
+
+Armand de Montriveau suddenly took flight and went home in the first hot
+fever-fit of the first love that he had known. When a man has kept all
+his boyish beliefs, illusions, frankness, and impetuosity into middle
+age, his first impulse is, as it were, to stretch out a hand to take the
+thing that he desires; a little later he realizes that there is a gulf
+set between them, and that it is all but impossible to cross it. A sort
+of childish impatience seizes him, he wants the thing the more,
+and trembles or cries. Wherefore, the next day, after the stormiest
+reflections that had yet perturbed his mind, Armand de Montriveau
+discovered that he was under the yoke of the senses, and his bondage
+made the heavier by his love.
+
+The woman so cavalierly treated in his thoughts of yesterday had become
+a most sacred and dreadful power. She was to be his world, his life,
+from this time forth. The greatest joy, the keenest anguish, that he
+had yet known grew colorless before the bare recollection of the least
+sensation stirred in him by her. The swiftest revolutions in a man's
+outward life only touch his interests, while passion brings a complete
+revulsion of feeling. And so in those who live by feeling, rather than
+by self-interest, the doers rather than the reasoners, the sanguine
+rather than the lymphatic temperaments, love works a complete
+revolution. In a flash, with one single reflection, Armand de Montriveau
+wiped out his whole past life.
+
+A score of times he asked himself, like a boy, "Shall I go, or shall I
+not?" and then at last he dressed, came to the Hotel de Langeais
+towards eight o'clock that evening, and was admitted. He was to see the
+woman--ah! not the woman--the idol that he had seen yesterday, among
+lights, a fresh innocent girl in gauze and silken lace and veiling.
+He burst in upon her to declare his love, as if it were a question of
+firing the first shot on a field of battle.
+
+Poor novice! He found his ethereal sylphide shrouded in a brown cashmere
+dressing-gown ingeniously befrilled, lying languidly stretched out upon
+a sofa in a dimly lighted boudoir. Mme de Langeais did not so much as
+rise, nothing was visible of her but her face, her hair was loose but
+confined by a scarf. A hand indicated a seat, a hand that seemed white
+as marble to Montriveau by the flickering light of a single candle at
+the further side of the room, and a voice as soft as the light said:
+
+"If it had been anyone else, M. le Marquis, a friend with whom I could
+dispense with ceremony, or a mere acquaintance in whom I felt but slight
+interest, I should have closed my door. I am exceedingly unwell."
+
+"I will go," Armand said to himself.
+
+"But I do not know how it is," she continued (and the simple warrior
+attributed the shining of her eyes to fever), "perhaps it was a
+presentiment of your kind visit (and no one can be more sensible of the
+prompt attention than I), but the vapors have left my head."
+
+"Then may I stay?"
+
+"Oh, I should be very sorry to allow you to go. I told myself this
+morning that it was impossible that I should have made the slightest
+impression on your mind, and that in all probability you took my request
+for one of the commonplaces of which Parisians are lavish on every
+occasion. And I forgave your ingratitude in advance. An explorer
+from the deserts is not supposed to know how exclusive we are in our
+friendships in the Faubourg."
+
+The gracious, half-murmured words dropped one by one, as if they had
+been weighted with the gladness that apparently brought them to her
+lips. The Duchess meant to have the full benefit of her headache, and
+her speculation was fully successful. The General, poor man, was really
+distressed by the lady's simulated distress. Like Crillon listening to
+the story of the Crucifixion, he was ready to draw his sword against the
+vapors. How could a man dare to speak just then to this suffering woman
+of the love that she inspired? Armand had already felt that it would be
+absurd to fire off a declaration of love point-blank at one so far above
+other women. With a single thought came understanding of the delicacies
+of feeling, of the soul's requirements. To love: what was that but to
+know how to plead, to beg for alms, to wait? And as for the love that
+he felt, must he not prove it? His tongue was mute, it was frozen by the
+conventions of the noble Faubourg, the majesty of a sick headache, the
+bashfulness of love. But no power on earth could veil his glances; the
+heat and the Infinite of the desert blazed in eyes calm as a panther's,
+beneath the lids that fell so seldom. The Duchess enjoyed the steady
+gaze that enveloped her in light and warmth.
+
+"Mme la Duchesse," he answered, "I am afraid I express my gratitude for
+your goodness very badly. At this moment I have but one desire--I wish
+it were in my power to cure the pain."
+
+"Permit me to throw this off, I feel too warm now," she said, gracefully
+tossing aside a cushion that covered her feet.
+
+"Madame, in Asia your feet would be worth some ten thousand sequins.
+
+"A traveler's compliment!" smiled she.
+
+It pleased the sprightly lady to involve a rough soldier in a labyrinth
+of nonsense, commonplaces, and meaningless talk, in which he manoeuvred,
+in military language, as Prince Charles might have done at close
+quarters with Napoleon. She took a mischievous amusement in
+reconnoitring the extent of his infatuation by the number of foolish
+speeches extracted from a novice whom she led step by step into a
+hopeless maze, meaning to leave him there in confusion. She began by
+laughing at him, but nevertheless it pleased her to make him forget how
+time went.
+
+The length of a first visit is frequently a compliment, but Armand was
+innocent of any such intent. The famous explorer spent an hour in chat
+on all sorts of subjects, said nothing that he meant to say, and was
+feeling that he was only an instrument on whom this woman played, when
+she rose, sat upright, drew the scarf from her hair, and wrapped it
+about her throat, leant her elbow on the cushions, did him the honour
+of a complete cure, and rang for lights. The most graceful movement
+succeeded to complete repose. She turned to M. de Montriveau, from whom
+she had just extracted a confidence which seemed to interest her deeply,
+and said:
+
+"You wish to make game of me by trying to make me believe that you
+have never loved. It is a man's great pretension with us. And we always
+believe it! Out of pure politeness. Do we not know what to expect
+from it for ourselves? Where is the man that has found but a single
+opportunity of losing his heart? But you love to deceive us, and we
+submit to be deceived, poor foolish creatures that we are; for your
+hypocrisy is, after all, a homage paid to the superiority of our
+sentiments, which are all purity."
+
+The last words were spoken with a disdainful pride that made the novice
+in love feel like a worthless bale flung into the deep, while the
+Duchess was an angel soaring back to her particular heaven.
+
+"Confound it!" thought Armand de Montriveau, "how am I to tell this wild
+thing that I love her?"
+
+He had told her already a score of times; or rather, the Duchess had
+a score of times read his secret in his eyes; and the passion in this
+unmistakably great man promised her amusement, and an interest in her
+empty life. So she prepared with no little dexterity to raise a certain
+number of redoubts for him to carry by storm before he should gain an
+entrance into her heart. Montriveau should overleap one difficulty after
+another; he should be a plaything for her caprice, just as an insect
+teased by children is made to jump from one finger to another, and in
+spite of all its pains is kept in the same place by its mischievous
+tormentor. And yet it gave the Duchess inexpressible happiness to see
+that this strong man had told her the truth. Armand had never loved, as
+he had said. He was about to go, in a bad humour with himself, and still
+more out of humour with her; but it delighted her to see a sullenness
+that she could conjure away with a word, a glance, or a gesture.
+
+"Will you come tomorrow evening?" she asked. "I am going to a ball, but
+I shall stay at home for you until ten o'clock."
+
+Montriveau spent most of the next day in smoking an indeterminate
+quantity of cigars in his study window, and so got through the hours
+till he could dress and go to the Hotel de Langeais. To anyone who had
+known the magnificent worth of the man, it would have been grievous to
+see him grown so small, so distrustful of himself; the mind that might
+have shed light over undiscovered worlds shrunk to the proportions of
+a she-coxcomb's boudoir. Even he himself felt that he had fallen so low
+already in his happiness that to save his life he could not have told
+his love to one of his closest friends. Is there not always a trace
+of shame in the lover's bashfulness, and perhaps in woman a certain
+exultation over diminished masculine stature? Indeed, but for a host of
+motives of this kind, how explain why women are nearly always the first
+to betray the secret?--a secret of which, perhaps, they soon weary.
+
+"Mme la Duchesse cannot see visitors, monsieur," said the man; "she is
+dressing, she begs you to wait for her here."
+
+Armand walked up and down the drawing-room, studying her taste in the
+least details. He admired Mme de Langeais herself in the objects of her
+choosing; they revealed her life before he could grasp her personality
+and ideas. About an hour later the Duchess came noiselessly out of her
+chamber. Montriveau turned, saw her flit like a shadow across the room,
+and trembled. She came up to him, not with a bourgeoise's enquiry, "How
+do I look?" She was sure of herself; her steady eyes said plainly, "I am
+adorned to please you."
+
+No one surely, save the old fairy godmother of some princess in
+disguise, could have wound a cloud of gauze about the dainty throat, so
+that the dazzling satin skin beneath should gleam through the gleaming
+folds. The Duchess was dazzling. The pale blue colour of her gown,
+repeated in the flowers in her hair, appeared by the richness of its hue
+to lend substance to a fragile form grown too wholly ethereal; for as
+she glided towards Armand, the loose ends of her scarf floated about
+her, putting that valiant warrior in mind of the bright damosel flies
+that hover now over water, now over the flowers with which they seem to
+mingle and blend.
+
+"I have kept you waiting," she said, with the tone that a woman can
+always bring into her voice for the man whom she wishes to please.
+
+"I would wait patiently through an eternity," said he, "if I were sure
+of finding a divinity so fair; but it is no compliment to speak of your
+beauty to you; nothing save worship could touch you. Suffer me only to
+kiss your scarf."
+
+"Oh, fie!" she said, with a commanding gesture, "I esteem you enough to
+give you my hand."
+
+She held it out for his kiss. A woman's hand, still moist from the
+scented bath, has a soft freshness, a velvet smoothness that sends a
+tingling thrill from the lips to the soul. And if a man is attracted to
+a woman, and his senses are as quick to feel pleasure as his heart is
+full of love, such a kiss, though chaste in appearance, may conjure up a
+terrific storm.
+
+"Will you always give it me like this?" the General asked humbly when he
+had pressed that dangerous hand respectfully to his lips.
+
+"Yes, but there we must stop," she said, smiling. She sat down,
+and seemed very slow over putting on her gloves, trying to slip the
+unstretched kid over all her fingers at once, while she watched M.
+de Montriveau; and he was lost in admiration of the Duchess and those
+repeated graceful movements of hers.
+
+"Ah! you were punctual," she said; "that is right. I like punctuality.
+It is the courtesy of kings, His Majesty says; but to my thinking, from
+you men it is the most respectful flattery of all. Now, is it not? Just
+tell me."
+
+Again she gave him a side glance to express her insidious friendship,
+for he was dumb with happiness sheer happiness through such nothings
+as these! Oh, the Duchess understood _son metier de femme_--the art
+and mystery of being a woman--most marvelously well; she knew, to
+admiration, how to raise a man in his own esteem as he humbled himself
+to her; how to reward every step of the descent to sentimental folly
+with hollow flatteries.
+
+"You will never forget to come at nine o'clock."
+
+"No; but are you going to a ball every night?"
+
+"Do I know?" she answered, with a little childlike shrug of the
+shoulders; the gesture was meant to say that she was nothing if not
+capricious, and that a lover must take her as she was.--"Besides," she
+added, "what is that to you? You shall be my escort."
+
+"That would be difficult tonight," he objected; "I am not properly
+dressed."
+
+"It seems to me," she returned loftily, "that if anyone has a right
+to complain of your costume, it is I. Know, therefore, _monsieur le
+voyageur_, that if I accept a man's arm, he is forthwith above the laws
+of fashion, nobody would venture to criticise him. You do not know the
+world, I see; I like you the better for it."
+
+And even as she spoke she swept him into the pettiness of that world by
+the attempt to initiate him into the vanities of a woman of fashion.
+
+"If she chooses to do a foolish thing for me, I should be a simpleton to
+prevent her," said Armand to himself. "She has a liking for me beyond a
+doubt; and as for the world, she cannot despise it more than I do. So,
+now for the ball if she likes."
+
+The Duchess probably thought that if the General came with her and
+appeared in a ballroom in boots and a black tie, nobody would hesitate
+to believe that he was violently in love with her. And the General was
+well pleased that the queen of fashion should think of compromising
+herself for him; hope gave him wit. He had gained confidence, he brought
+out his thoughts and views; he felt nothing of the restraint that
+weighed on his spirits yesterday. His talk was interesting and animated,
+and full of those first confidences so sweet to make and to receive.
+
+Was Mme de Langeais really carried away by his talk, or had she
+devised this charming piece of coquetry? At any rate, she looked up
+mischievously as the clock struck twelve.
+
+"Ah! you have made me too late for the ball!" she exclaimed, surprised
+and vexed that she had forgotten how time was going.
+
+The next moment she approved the exchange of pleasures with a smile that
+made Armand's heart give a sudden leap.
+
+"I certainly promised Mme de Beauseant," she added. "They are all
+expecting me."
+
+"Very well--go."
+
+"No--go on. I will stay. Your Eastern adventures fascinate me. Tell
+me the whole story of your life. I love to share in a brave man's
+hardships, and I feel them all, indeed I do!"
+
+She was playing with her scarf, twisting it and pulling it to
+pieces, with jerky, impatient movements that seemed to tell of inward
+dissatisfaction and deep reflection.
+
+"_We_ are fit for nothing," she went on. "Ah! we are contemptible,
+selfish, frivolous creatures. We can bore ourselves with amusements,
+and that is all we can do. Not one of us that understands that she has
+a part to play in life. In old days in France, women were beneficent
+lights; they lived to comfort those that mourned, to encourage high
+virtues, to reward artists and stir new life with noble thoughts. If the
+world has grown so petty, ours is the fault. You make me loathe the ball
+and this world in which I live. No, I am not giving up much for you."
+
+She had plucked her scarf to pieces, as a child plays with a flower,
+pulling away all the petals one by one; and now she crushed it into a
+ball, and flung it away. She could show her swan's neck.
+
+She rang the bell. "I shall not go out tonight," she told the footman.
+Her long, blue eyes turned timidly to Armand; and by the look of
+misgiving in them, he knew that he was meant to take the order for a
+confession, for a first and great favour. There was a pause, filled with
+many thoughts, before she spoke with that tenderness which is often in
+women's voices, and not so often in their hearts. "You have had a hard
+life," she said.
+
+"No," returned Armand. "Until today I did not know what happiness was."
+
+"Then you know it now?" she asked, looking at him with a demure, keen
+glance.
+
+"What is happiness for me henceforth but this--to see you, to hear
+you?... Until now I have only known privation; now I know that I can be
+unhappy----"
+
+"That will do, that will do," she said. "You must go; it is past
+midnight. Let us regard appearances. People must not talk about us. I
+do not know quite what I shall say; but the headache is a good-natured
+friend, and tells no tales."
+
+"Is there to be a ball tomorrow night?"
+
+"You would grow accustomed to the life, I think. Very well. Yes, we will
+go again tomorrow night."
+
+There was not a happier man in the world than Armand when he went out
+from her. Every evening he came to Mme de Langeais' at the hour kept for
+him by a tacit understanding.
+
+It would be tedious, and, for the many young men who carry a redundance
+of such sweet memories in their hearts, it were superfluous to follow
+the story step by step--the progress of a romance growing in those hours
+spent together, a romance controlled entirely by a woman's will. If
+sentiment went too fast, she would raise a quarrel over a word, or when
+words flagged behind her thoughts, she appealed to the feelings. Perhaps
+the only way of following such Penelope's progress is by marking its
+outward and visible signs.
+
+As, for instance, within a few days of their first meeting, the
+assiduous General had won and kept the right to kiss his lady's
+insatiable hands. Wherever Mme de Langeais went, M. de Montriveau
+was certain to be seen, till people jokingly called him "Her Grace's
+orderly." And already he had made enemies; others were jealous, and
+envied him his position. Mme de Langeais had attained her end. The
+Marquis de Montriveau was among her numerous train of adorers, and a
+means of humiliating those who boasted of their progress in her good
+graces, for she publicly gave him preference over them all.
+
+"Decidedly, M. de Montriveau is the man for whom the Duchess shows a
+preference," pronounced Mme de Serizy.
+
+And who in Paris does not know what it means when a woman "shows a
+preference?" All went on therefore according to prescribed rule. The
+anecdotes which people were pleased to circulate concerning the General
+put that warrior in so formidable a light, that the more adroit quietly
+dropped their pretensions to the Duchess, and remained in her train
+merely to turn the position to account, and to use her name and
+personality to make better terms for themselves with certain stars of
+the second magnitude. And those lesser powers were delighted to take a
+lover away from Mme de Langeais. The Duchess was keen-sighted enough to
+see these desertions and treaties with the enemy; and her pride would
+not suffer her to be the dupe of them. As M. de Talleyrand, one of her
+great admirers, said, she knew how to take a second edition of revenge,
+laying the two-edged blade of a sarcasm between the pairs in these
+"morganatic" unions. Her mocking disdain contributed not a little to
+increase her reputation as an extremely clever woman and a person to
+be feared. Her character for virtue was consolidated while she amused
+herself with other people's secrets, and kept her own to herself. Yet,
+after two months of assiduities, she saw with a vague dread in the
+depths of her soul that M. de Montriveau understood nothing of the
+subtleties of flirtation after the manner of the Faubourg Saint-Germain;
+he was taking a Parisienne's coquetry in earnest.
+
+"You will not tame _him_, dear Duchess," the old Vidame de Pamiers had
+said. "'Tis a first cousin to the eagle; he will carry you off to his
+eyrie if you do not take care."
+
+Then Mme de Langeais felt afraid. The shrewd old noble's words sounded
+like a prophecy. The next day she tried to turn love to hate. She was
+harsh, exacting, irritable, unbearable; Montriveau disarmed her with
+angelic sweetness. She so little knew the great generosity of a large
+nature, that the kindly jests with which her first complaints were met
+went to her heart. She sought a quarrel, and found proofs of affection.
+She persisted.
+
+"When a man idolizes you, how can he have vexed you?" asked Armand.
+
+"You do not vex me," she answered, suddenly grown gentle and submissive.
+"But why do you wish to compromise me? For me you ought to be nothing
+but a _friend_. Do you not know it? I wish I could see that you had the
+instincts, the delicacy of real friendship, so that I might lose neither
+your respect nor the pleasure that your presence gives me."
+
+"Nothing but your _friend_!" he cried out. The terrible word sent an
+electric shock through his brain. "On the faith of these happy hours
+that you grant me, I sleep and wake in your heart. And now today, for no
+reason, you are pleased to destroy all the secret hopes by which I live.
+You have required promises of such constancy in me, you have said so
+much of your horror of women made up of nothing but caprice; and now do
+you wish me to understand that, like other women here in Paris, you have
+passions, and know nothing of love? If so, why did you ask my life of
+me? why did you accept it?"
+
+"I was wrong, my friend. Oh, it is wrong of a woman to yield to such
+intoxication when she must not and cannot make any return."
+
+"I understand. You have merely been coquetting with me, and----"
+
+"Coquetting?" she repeated. "I detest coquetry. A coquette Armand, makes
+promises to many, and gives herself to none; and a woman who keeps such
+promises is a libertine. This much I believed I had grasped of our code.
+But to be melancholy with humorists, gay with the frivolous, and politic
+with ambitious souls; to listen to a babbler with every appearance
+of admiration, to talk of war with a soldier, wax enthusiastic with
+philanthropists over the good of the nation, and to give to each one his
+little dole of flattery--it seems to me that this is as much a matter of
+necessity as dress, diamonds, and gloves, or flowers in one's hair. Such
+talk is the moral counterpart of the toilette. You take it up and lay it
+aside with the plumed head-dress. Do you call this coquetry? Why, I have
+never treated you as I treat everyone else. With you, my friend, I am
+sincere. Have I not always shared your views, and when you convinced me
+after a discussion, was I not always perfectly glad? In short, I love
+you, but only as a devout and pure woman may love. I have thought it
+over. I am a married woman, Armand. My way of life with M. de Langeais
+gives me liberty to bestow my heart; but law and custom leave me no
+right to dispose of my person. If a woman loses her honour, she is
+an outcast in any rank of life; and I have yet to meet with a single
+example of a man that realizes all that our sacrifices demand of him in
+such a case. Quite otherwise. Anyone can foresee the rupture between Mme
+de Beauseant and M. d'Ajuda (for he is going to marry Mlle de Rochefide,
+it seems), that affair made it clear to my mind that these very
+sacrifices on the woman's part are almost always the cause of the man's
+desertion. If you had loved me sincerely, you would have kept away for a
+time.--Now, I will lay aside all vanity for you; is not that something?
+What will not people say of a woman to whom no man attaches himself?
+Oh, she is heartless, brainless, soulless; and what is more, devoid
+of charm! Coquettes will not spare me. They will rob me of the very
+qualities that mortify them. So long as my reputation is safe, what do I
+care if my rivals deny my merits? They certainly will not inherit them.
+Come, my friend; give up something for her who sacrifices so much for
+you. Do not come quite so often; I shall love you none the less."
+
+"Ah!" said Armand, with the profound irony of a wounded heart in his
+words and tone. "Love, so the scribblers say, only feeds on illusions.
+Nothing could be truer, I see; I am expected to imagine that I am loved.
+But, there!--there are some thoughts like wounds, from which there is no
+recovery. My belief in you was one of the last left to me, and now I see
+that there is nothing left to believe in this earth."
+
+She began to smile.
+
+"Yes," Montriveau went on in an unsteady voice, "this Catholic faith to
+which you wish to convert me is a lie that men make for themselves; hope
+is a lie at the expense of the future; pride, a lie between us and our
+fellows; and pity, and prudence, and terror are cunning lies. And now
+my happiness is to be one more lying delusion; I am expected to delude
+myself, to be willing to give gold coin for silver to the end. If you
+can so easily dispense with my visits; if you can confess me neither
+as your friend nor your lover, you do not care for me! And I, poor fool
+that I am, tell myself this, and know it, and love you!"
+
+"But, dear me, poor Armand, you are flying into a passion!"
+
+"I flying into a passion?"
+
+"Yes. You think that the whole question is opened because I ask you to
+be careful."
+
+In her heart of hearts she was delighted with the anger that leapt out
+in her lover's eyes. Even as she tortured him, she was criticising
+him, watching every slightest change that passed over his face. If
+the General had been so unluckily inspired as to show himself generous
+without discussion (as happens occasionally with some artless souls),
+he would have been a banished man forever, accused and convicted of not
+knowing how to love. Most women are not displeased to have their code of
+right and wrong broken through. Do they not flatter themselves that they
+never yield except to force? But Armand was not learned enough in this
+kind of lore to see the snare ingeniously spread for him by the Duchess.
+So much of the child was there in the strong man in love.
+
+"If all you want is to preserve appearances," he began in his
+simplicity, "I am willing to----"
+
+"Simply to preserve appearances!" the lady broke in; "why, what idea can
+you have of me? Have I given you the slightest reason to suppose that I
+can be yours?"
+
+"Why, what else are we talking about?" demanded Montriveau.
+
+"Monsieur, you frighten me!... No, pardon me. Thank you," she added,
+coldly; "thank you, Armand. You have given me timely warning of
+imprudence; committed quite unconsciously, believe it, my friend. You
+know how to endure, you say. I also know how to endure. We will not
+see each other for a time; and then, when both of us have contrived to
+recover calmness to some extent, we will think about arrangements for
+a happiness sanctioned by the world. I am young, Armand; a man with no
+delicacy might tempt a woman of four-and-twenty to do many foolish, wild
+things for his sake. But _you_! You will be my friend, promise me that
+you will?"
+
+"The woman of four-and-twenty," returned he, "knows what she is about."
+
+He sat down on the sofa in the boudoir, and leant his head on his hands.
+
+"Do you love me, madame?" he asked at length, raising his head, and
+turning a face full of resolution upon her. "Say it straight out; Yes or
+No!"
+
+His direct question dismayed the Duchess more than a threat of suicide
+could have done; indeed, the woman of the nineteenth century is not to
+be frightened by that stale stratagem, the sword has ceased to be part
+of the masculine costume. But in the effect of eyelids and lashes, in
+the contraction of the gaze, in the twitching of the lips, is there not
+some influence that communicates the terror which they express with such
+vivid magnetic power?
+
+"Ah, if I were free, if----"
+
+"Oh! is it only your husband that stands in the way?" the General
+exclaimed joyfully, as he strode to and fro in the boudoir. "Dear
+Antoinette, I wield a more absolute power than the Autocrat of all the
+Russias. I have a compact with Fate; I can advance or retard destiny,
+so far as men are concerned, at my fancy, as you alter the hands of a
+watch. If you can direct the course of fate in our political machinery,
+it simply means (does it not?) that you understand the ins and outs of
+it. You shall be free before very long, and then you must remember your
+promise."
+
+"Armand!" she cried. "What do you mean? Great heavens! Can you imagine
+that I am to be the prize of a crime? Do you want to kill me? Why! you
+cannot have any religion in you! For my own part, I fear God. M. de
+Langeais may have given me reason to hate him, but I wish him no manner
+of harm."
+
+M. de Montriveau beat a tattoo on the marble chimney-piece, and only
+looked composedly at the lady.
+
+"Dear," continued she, "respect him. He does not love me, he is not kind
+to me, but I have duties to fulfil with regard to him. What would I not
+do to avert the calamities with which you threaten him?--Listen," she
+continued after a pause, "I will not say another word about separation;
+you shall come here as in the past, and I will still give you my
+forehead to kiss. If I refused once or twice, it was pure coquetry,
+indeed it was. But let us understand each other," she added as he came
+closer. "You will permit me to add to the number of my satellites; to
+receive even more visitors in the morning than heretofore; I mean to be
+twice as frivolous; I mean to use you to all appearance very badly;
+to feign a rupture; you must come not quite so often, and then,
+afterwards----"
+
+While she spoke, she had allowed him to put an arm about her waist,
+Montriveau was holding her tightly to him, and she seemed to feel the
+exceeding pleasure that women usually feel in that close contact, an
+earnest of the bliss of a closer union. And then, doubtless she meant to
+elicit some confidence, for she raised herself on tiptoe, and laid her
+forehead against Armand's burning lips.
+
+"And then," Montriveau finished her sentence for her, "you shall not
+speak to me of your husband. You ought not to think of him again."
+
+Mme de Langeais was silent awhile.
+
+"At least," she said, after a significant pause, "at least you will do
+all that I wish without grumbling, you will not be naughty; tell me so,
+my friend? You wanted to frighten me, did you not? Come, now, confess
+it?... You are too good ever to think of crimes. But is it possible that
+you can have secrets that I do not know? How can you control Fate?"
+
+"Now, when you confirm the gift of the heart that you have already given
+me, I am far too happy to know exactly how to answer you. I can trust
+you, Antoinette; I shall have no suspicion, no unfounded jealousy of
+you. But if accident should set you free, we shall be one----"
+
+"Accident, Armand?" (With that little dainty turn of the head that seems
+to say so many things, a gesture that such women as the Duchess can use
+on light occasions, as a great singer can act with her voice.) "Pure
+accident," she repeated. "Mind that. If anything should happen to M. de
+Langeais by your fault, I should never be yours."
+
+And so they parted, mutually content. The Duchess had made a pact
+that left her free to prove to the world by words and deeds that M. de
+Montriveau was no lover of hers. And as for him, the wily Duchess
+vowed to tire him out. He should have nothing of her beyond the little
+concessions snatched in the course of contests that she could stop
+at her pleasure. She had so pretty an art of revoking the grant
+of yesterday, she was so much in earnest in her purpose to remain
+technically virtuous, that she felt that there was not the slightest
+danger for her in preliminaries fraught with peril for a woman less sure
+of her self-command. After all, the Duchess was practically separated
+from her husband; a marriage long since annulled was no great sacrifice
+to make to her love.
+
+Montriveau on his side was quite happy to win the vaguest promise, glad
+once for all to sweep aside, with all scruples of conjugal fidelity, her
+stock of excuses for refusing herself to his love. He had gained ground
+a little, and congratulated himself. And so for a time he took unfair
+advantage of the rights so hardly won. More a boy than he had ever been
+in his life, he gave himself up to all the childishness that makes first
+love the flower of life. He was a child again as he poured out all
+his soul, all the thwarted forces that passion had given him, upon her
+hands, upon the dazzling forehead that looked so pure to his eyes; upon
+her fair hair; on the tufted curls where his lips were pressed. And the
+Duchess, on whom his love was poured like a flood, was vanquished by
+the magnetic influence of her lover's warmth; she hesitated to begin
+the quarrel that must part them forever. She was more a woman than she
+thought, this slight creature, in her effort to reconcile the demands
+of religion with the ever-new sensations of vanity, the semblance of
+pleasure which turns a Parisienne's head. Every Sunday she went to Mass;
+she never missed a service; then, when evening came, she was steeped in
+the intoxicating bliss of repressed desire. Armand and Mme de Langeais,
+like Hindoo fakirs, found the reward of their continence in the
+temptations to which it gave rise. Possibly, the Duchess had ended by
+resolving love into fraternal caresses, harmless enough, as it might
+have seemed to the rest of the world, while they borrowed extremes
+of degradation from the license of her thoughts. How else explain the
+incomprehensible mystery of her continual fluctuations? Every morning
+she proposed to herself to shut her door on the Marquis de Montriveau;
+every evening, at the appointed hour, she fell under the charm of his
+presence. There was a languid defence; then she grew less unkind. Her
+words were sweet and soothing. They were lovers--lovers only could have
+been thus. For him the Duchess would display her most sparkling wit, her
+most captivating wiles; and when at last she had wrought upon his senses
+and his soul, she might submit herself passively to his fierce caresses,
+but she had her _nec plus ultra_ of passion; and when once it was
+reached, she grew angry if he lost the mastery of himself and made
+as though he would pass beyond. No woman on earth can brave the
+consequences of refusal without some motive; nothing is more natural
+than to yield to love; wherefore Mme de Langeais promptly raised a
+second line of fortification, a stronghold less easy to carry than
+the first. She evoked the terrors of religion. Never did Father of
+the Church, however eloquent, plead the cause of God better than the
+Duchess. Never was the wrath of the Most High better justified than
+by her voice. She used no preacher's commonplaces, no rhetorical
+amplifications. No. She had a "pulpit-tremor" of her own. To Armand's
+most passionate entreaty, she replied with a tearful gaze, and a gesture
+in which a terrible plenitude of emotion found expression. She stopped
+his mouth with an appeal for mercy. She would not hear another word; if
+she did, she must succumb; and better death than criminal happiness.
+
+"Is it nothing to disobey God?" she asked him, recovering a voice grown
+faint in the crises of inward struggles, through which the fair
+actress appeared to find it hard to preserve her self-control. "I would
+sacrifice society, I would give up the whole world for you, gladly; but
+it is very selfish of you to ask my whole after-life of me for a moment
+of pleasure. Come, now! are you not happy?" she added, holding out her
+hand; and certainly in her careless toilette the sight of her afforded
+consolations to her lover, who made the most of them.
+
+Sometimes from policy, to keep her hold on a man whose ardent passion
+gave her emotions unknown before, sometimes in weakness, she suffered
+him to snatch a swift kiss; and immediately, in feigned terror, she
+flushed red and exiled Armand from the sofa so soon as the sofa became
+dangerous ground.
+
+"Your joys are sins for me to expiate, Armand; they are paid for by
+penitence and remorse," she cried.
+
+And Montriveau, now at two chairs' distance from that aristocratic
+petticoat, betook himself to blasphemy and railed against Providence.
+The Duchess grew angry at such times.
+
+"My friend," she said drily, "I do not understand why you decline to
+believe in God, for it is impossible to believe in man. Hush, do not
+talk like that. You have too great a nature to take up their Liberal
+nonsense with its pretension to abolish God."
+
+Theological and political disputes acted like a cold douche on
+Montriveau; he calmed down; he could not return to love when the Duchess
+stirred up his wrath by suddenly setting him down a thousand miles away
+from the boudoir, discussing theories of absolute monarchy, which she
+defended to admiration. Few women venture to be democrats; the attitude
+of democratic champion is scarcely compatible with tyrannous feminine
+sway. But often, on the other hand, the General shook out his mane,
+dropped politics with a leonine growling and lashing of the flanks, and
+sprang upon his prey; he was no longer capable of carrying a heart and
+brain at such variance for very far; he came back, terrible with love,
+to his mistress. And she, if she felt the prick of fancy stimulated to
+a dangerous point, knew that it was time to leave her boudoir; she came
+out of the atmosphere surcharged with desires that she drew in with
+her breath, sat down to the piano, and sang the most exquisite songs
+of modern music, and so baffled the physical attraction which at times
+showed her no mercy, though she was strong enough to fight it down.
+
+At such times she was something sublime in Armand's eyes; she was not
+acting, she was genuine; the unhappy lover was convinced that she loved
+him. Her egoistic resistance deluded him into a belief that she was a
+pure and sainted woman; he resigned himself; he talked of Platonic love,
+did this artillery officer!
+
+When Mme de Langeais had played with religion sufficiently to suit her
+own purposes, she played with it again for Armand's benefit. She wanted
+to bring him back to a Christian frame of mind; she brought out her
+edition of _Le Genie du Christianisme_, adapted for the use of military
+men. Montriveau chafed; his yoke was heavy. Oh! at that, possessed by
+the spirit of contradiction, she dinned religion into his ears, to see
+whether God might not rid her of this suitor, for the man's persistence
+was beginning to frighten her. And in any case she was glad to prolong
+any quarrel, if it bade fair to keep the dispute on moral grounds for
+an indefinite period; the material struggle which followed it was more
+dangerous.
+
+But if the time of her opposition on the ground of the marriage law
+might be said to be the _epoque civile_ of this sentimental warfare, the
+ensuing phase which might be taken to constitute the _epoque religieuse_
+had also its crisis and consequent decline of severity.
+
+Armand happening to come in very early one evening, found M. l'Abbe
+Gondrand, the Duchess's spiritual director, established in an armchair
+by the fireside, looking as a spiritual director might be expected to
+look while digesting his dinner and the charming sins of his penitent.
+In the ecclesiastic's bearing there was a stateliness befitting a
+dignitary of the Church; and the episcopal violet hue already appeared
+in his dress. At sight of his fresh, well-preserved complexion, smooth
+forehead, and ascetic's mouth, Montriveau's countenance grew uncommonly
+dark; he said not a word under the malicious scrutiny of the other's
+gaze, and greeted neither the lady nor the priest. The lover apart,
+Montriveau was not wanting in tact; so a few glances exchanged with the
+bishop-designate told him that here was the real forger of the Duchess's
+armory of scruples.
+
+That an ambitious abbe should control the happiness of a man of
+Montriveau's temper, and by underhand ways! The thought burst in a
+furious tide over his face, clenched his fists, and set him chafing and
+pacing to and fro; but when he came back to his place intending to make
+a scene, a single look from the Duchess was enough. He was quiet.
+
+Any other woman would have been put out by her lover's gloomy silence;
+it was quite otherwise with Mme de Langeais. She continued her
+conversation with M. de Gondrand on the necessity of re-establishing the
+Church in its ancient splendour. And she talked brilliantly.
+
+The Church, she maintained, ought to be a temporal as well as a
+spiritual power, stating her case better than the Abbe had done, and
+regretting that the Chamber of Peers, unlike the English House of Lords,
+had no bench of bishops. Nevertheless, the Abbe rose, yielded his place
+to the General, and took his leave, knowing that in Lent he could play a
+return game. As for the Duchess, Montriveau's behaviour had excited
+her curiosity to such a pitch that she scarcely rose to return her
+director's low bow.
+
+"What is the matter with you, my friend?"
+
+"Why, I cannot stomach that Abbe of yours."
+
+"Why did you not take a book?" she asked, careless whether the Abbe,
+then closing the door, heard her or no.
+
+The General paused, for the gesture which accompanied the Duchess's
+speech further increased the exceeding insolence of her words.
+
+"My dear Antoinette, thank you for giving love precedence of the Church;
+but, for pity's sake, allow me to ask one question."
+
+"Oh! you are questioning me! I am quite willing. You are my friend, are
+you not? I certainly can open the bottom of my heart to you; you will
+see only one image there."
+
+"Do you talk about our love to that man?"
+
+"He is my confessor."
+
+"Does he know that I love you?"
+
+"M. de Montriveau, you cannot claim, I think, to penetrate the secrets
+of the confessional?"
+
+"Does that man know all about our quarrels and my love for you?"
+
+"That man, monsieur; say God!"
+
+"God again! _I_ ought to be alone in your heart. But leave God alone
+where He is, for the love of God and me. Madame, you _shall not_ go to
+confession again, or----"
+
+"Or?" she repeated sweetly.
+
+"Or I will never come back here."
+
+"Then go, Armand. Good-bye, good-bye forever."
+
+She rose and went to her boudoir without so much as a glance at Armand,
+as he stood with his hand on the back of a chair. How long he stood
+there motionless he himself never knew. The soul within has the
+mysterious power of expanding as of contracting space.
+
+He opened the door of the boudoir. It was dark within. A faint voice was
+raised to say sharply:
+
+"I did not ring. What made you come in without orders? Go away,
+Suzette."
+
+"Then you are ill," exclaimed Montriveau.
+
+"Stand up, monsieur, and go out of the room for a minute at any rate,"
+she said, ringing the bell.
+
+"Mme la Duchesse rang for lights?" said the footman, coming in with the
+candles. When the lovers were alone together, Mme de Langeais still lay
+on her couch; she was just as silent and motionless as if Montriveau had
+not been there.
+
+"Dear, I was wrong," he began, a note of pain and a sublime kindness in
+his voice. "Indeed, I would not have you without religion----"
+
+"It is fortunate that you can recognise the necessity of a conscience,"
+she said in a hard voice, without looking at him. "I thank you in God's
+name."
+
+The General was broken down by her harshness; this woman seemed as
+if she could be at will a sister or a stranger to him. He made one
+despairing stride towards the door. He would leave her forever without
+another word. He was wretched; and the Duchess was laughing within
+herself over mental anguish far more cruel than the old judicial
+torture. But as for going away, it was not in his power to do it. In any
+sort of crisis, a woman is, as it were, bursting with a certain quantity
+of things to say; so long as she has not delivered herself of them,
+she experiences the sensation which we are apt to feel at the sight of
+something incomplete. Mme de Langeais had not said all that was in her
+mind. She took up her parable and said:
+
+"We have not the same convictions, General, I am pained to think. It
+would be dreadful if a woman could not believe in a religion which
+permits us to love beyond the grave. I set Christian sentiments aside;
+you cannot understand them. Let me simply speak to you of expediency.
+Would you forbid a woman at court the table of the Lord when it is
+customary to take the sacrament at Easter? People must certainly do
+something for their party. The Liberals, whatever they may wish to do,
+will never destroy the religious instinct. Religion will always be
+a political necessity. Would you undertake to govern a nation of
+logic-choppers? Napoleon was afraid to try; he persecuted ideologists.
+If you want to keep people from reasoning, you must give them something
+to feel. So let us accept the Roman Catholic Church with all its
+consequences. And if we would have France go to mass, ought we not to
+begin by going ourselves? Religion, you see, Armand, is a bond uniting
+all the conservative principles which enable the rich to live in
+tranquillity. Religion and the rights of property are intimately
+connected. It is certainly a finer thing to lead a nation by ideas of
+morality than by fear of the scaffold, as in the time of the Terror--the
+one method by which your odious Revolution could enforce obedience.
+The priest and the king--that means you, and me, and the Princess
+my neighbour; and, in a word, the interests of all honest people
+personified. There, my friend, just be so good as to belong to your
+party, you that might be its Scylla if you had the slightest ambition
+that way. I know nothing about politics myself; I argue from my own
+feelings; but still I know enough to guess that society would
+be overturned if people were always calling its foundations in
+question----"
+
+"If that is how your Court and your Government think, I am sorry for
+you," broke in Montriveau. "The Restoration, madam, ought to say, like
+Catherine de Medici, when she heard that the battle of Dreux was lost,
+'Very well; now we will go to the meeting-house.' Now 1815 was your
+battle of Dreux. Like the royal power of those days, you won in
+fact, while you lost in right. Political Protestantism has gained an
+ascendancy over people's minds. If you have no mind to issue your Edict
+of Nantes; or if, when it is issued, you publish a Revocation; if you
+should one day be accused and convicted of repudiating the Charter,
+which is simply a pledge given to maintain the interests established
+under the Republic, then the Revolution will rise again, terrible in her
+strength, and strike but a single blow. It will not be the Revolution
+that will go into exile; she is the very soil of France. Men die, but
+people's interests do not die. ... Eh, great Heavens! what are France
+and the crown and rightful sovereigns, and the whole world besides, to
+us? Idle words compared with my happiness. Let them reign or be hurled
+from the throne, little do I care. Where am I now?"
+
+"In the Duchesse de Langeais' boudoir, my friend."
+
+"No, no. No more of the Duchess, no more of Langeais; I am with my dear
+Antoinette."
+
+"Will you do me the pleasure to stay where you are," she said, laughing
+and pushing him back, gently however.
+
+"So you have never loved me," he retorted, and anger flashed in
+lightning from his eyes.
+
+"No, dear"; but the "No" was equivalent to "Yes."
+
+"I am a great ass," he said, kissing her hands. The terrible queen was a
+woman once more.--"Antoinette," he went on, laying his head on her feet,
+"you are too chastely tender to speak of our happiness to anyone in this
+world."
+
+"Oh!" she cried, rising to her feet with a swift, graceful spring,
+"you are a great simpleton." And without another word she fled into the
+drawing-room.
+
+"What is it now?" wondered the General, little knowing that the touch of
+his burning forehead had sent a swift electric thrill through her from
+foot to head.
+
+In hot wrath he followed her to the drawing-room, only to hear divinely
+sweet chords. The Duchess was at the piano. If the man of science or the
+poet can at once enjoy and comprehend, bringing his intelligence to bear
+upon his enjoyment without loss of delight, he is conscious that the
+alphabet and phraseology of music are but cunning instruments for
+the composer, like the wood and copper wire under the hands of the
+executant. For the poet and the man of science there is a music existing
+apart, underlying the double expression of this language of the spirit
+and senses. _Andiamo mio ben_ can draw tears of joy or pitying laughter
+at the will of the singer; and not unfrequently one here and there in
+the world, some girl unable to live and bear the heavy burden of an
+unguessed pain, some man whose soul vibrates with the throb of passion,
+may take up a musical theme, and lo! heaven is opened for them, or they
+find a language for themselves in some sublime melody, some song lost to
+the world.
+
+The General was listening now to such a song; a mysterious music unknown
+to all other ears, as the solitary plaint of some mateless bird dying
+alone in a virgin forest.
+
+"Great Heavens! what are you playing there?" he asked in an unsteady
+voice.
+
+"The prelude of a ballad, called, I believe, _Fleuve du Tage_."
+
+"I did not know that there was such music in a piano," he returned.
+
+"Ah!" she said, and for the first time she looked at him as a woman
+looks at the man she loves, "nor do you know, my friend, that I love
+you, and that you cause me horrible suffering; and that I feel that I
+must utter my cry of pain without putting it too plainly into words. If
+I did not, I should yield----But you see nothing."
+
+"And you will not make me happy!"
+
+"Armand, I should die of sorrow the next day."
+
+The General turned abruptly from her and went. But out in the street he
+brushed away the tears that he would not let fall.
+
+The religious phase lasted for three months. At the end of that time the
+Duchess grew weary of vain repetitions; the Deity, bound hand and foot,
+was delivered up to her lover. Possibly she may have feared that by
+sheer dint of talking of eternity she might perpetuate his love in this
+world and the next. For her own sake, it must be believed that no man
+had touched her heart, or her conduct would be inexcusable. She was
+young; the time when men and women feel that they cannot afford to lose
+time or to quibble over their joys was still far off. She, no doubt, was
+on the verge not of first love, but of her first experience of the bliss
+of love. And from inexperience, for want of the painful lessons which
+would have taught her to value the treasure poured out at her feet, she
+was playing with it. Knowing nothing of the glory and rapture of the
+light, she was fain to stay in the shadow.
+
+Armand was just beginning to understand this strange situation; he put
+his hope in the first word spoken by nature. Every evening, as he came
+away from Mme de Langeais', he told himself that no woman would accept
+the tenderest, most delicate proofs of a man's love during seven months,
+nor yield passively to the slighter demands of passion, only to cheat
+love at the last. He was waiting patiently for the sun to gain power,
+not doubting but that he should receive the earliest fruits. The married
+woman's hesitations and the religious scruples he could quite well
+understand. He even rejoiced over those battles. He mistook the
+Duchess's heartless coquetry for modesty; and he would not have had her
+otherwise. So he had loved to see her devising obstacles; was he not
+gradually triumphing over them? Did not every victory won swell the
+meagre sum of lovers' intimacies long denied, and at last conceded with
+every sign of love? Still, he had had such leisure to taste the full
+sweetness of every small successive conquest on which a lover feeds
+his love, that these had come to be matters of use and wont. So far as
+obstacles went, there were none now save his own awe of her; nothing
+else left between him and his desire save the whims of her who allowed
+him to call her Antoinette. So he made up his mind to demand more, to
+demand all. Embarrassed like a young lover who cannot dare to believe
+that his idol can stoop so low, he hesitated for a long time. He passed
+through the experience of terrible reactions within himself. A set
+purpose was annihilated by a word, and definite resolves died within him
+on the threshold. He despised himself for his weakness, and still his
+desire remained unuttered. Nevertheless, one evening, after sitting
+in gloomy melancholy, he brought out a fierce demand for his illegally
+legitimate rights. The Duchess had not to wait for her bond-slave's
+request to guess his desire. When was a man's desire a secret? And have
+not women an intuitive knowledge of the meaning of certain changes of
+countenance?
+
+"What! you wish to be my friend no longer?" she broke in at the first
+words, and a divine red surging like new blood under the transparent
+skin, lent brightness to her eyes. "As a reward for my generosity, you
+would dishonor me? Just reflect a little. I myself have thought much
+over this; and I think always for us _both_. There is such a thing as
+a woman's loyalty, and we can no more fail in it than you can fail in
+honour. _I_ cannot blind myself. If I am yours, how, in any sense, can
+I be M. de Langeais' wife? Can you require the sacrifice of my position,
+my rank, my whole life in return for a doubtful love that could not wait
+patiently for seven months? What! already you would rob me of my right
+to dispose of myself? No, no; you must not talk like this again. No, not
+another word. I will not, I cannot listen to you."
+
+Mme de Langeais raised both hands to her head to push back the tufted
+curls from her hot forehead; she seemed very much excited.
+
+"You come to a weak woman with your purpose definitely planned out. You
+say--'For a certain length of time she will talk to me of her husband,
+then of God, and then of the inevitable consequences. But I will use
+and abuse the ascendancy I shall gain over her; I will make myself
+indispensable; all the bonds of habit, all the misconstructions of
+outsiders, will make for me; and at length, when our _liaison_ is taken
+for granted by all the world, I shall be this woman's master.'--Now, be
+frank; these are your thoughts! Oh! you calculate, and you say that you
+love. Shame on you! You are enamoured? Ah! that I well believe! You
+wish to possess me, to have me for your mistress, that is all! Very well
+then, No! The _Duchesse de Langeais_ will not descend so far. Simple
+_bourgeoises_ may be the victims of your treachery--I, never! Nothing
+gives me assurance of your love. You speak of my beauty; I may lose
+every trace of it in six months, like the dear Princess, my neighbour.
+You are captivated by my wit, my grace. Great Heavens! you would soon
+grow used to them and to the pleasures of possession. Have not the
+little concessions that I was weak enough to make come to be a matter of
+course in the last few months? Some day, when ruin comes, you will give
+me no reason for the change in you beyond a curt, 'I have ceased to
+care for you.'--Then, rank and fortune and honour and all that was the
+Duchesse de Langeais will be swallowed up in one disappointed hope.
+I shall have children to bear witness to my shame, and----" With an
+involuntary gesture she interrupted herself, and continued: "But I am
+too good-natured to explain all this to you when you know it better than
+I. Come! let us stay as we are. I am only too fortunate in that I can
+still break these bonds which you think so strong. Is there anything so
+very heroic in coming to the Hotel de Langeais to spend an evening
+with a woman whose prattle amuses you?--a woman whom you take for a
+plaything? Why, half a dozen young coxcombs come here just as regularly
+every afternoon between three and five. They, too, are very generous, I
+am to suppose? I make fun of them; they stand my petulance and insolence
+pretty quietly, and make me laugh; but as for you, I give all the
+treasures of my soul to you, and you wish to ruin me, you try my
+patience in endless ways. Hush, that will do, that will do," she
+continued, seeing that he was about to speak, "you have no heart,
+no soul, no delicacy. I know what you want to tell me. Very well,
+then--yes. I would rather you should take me for a cold, insensible
+woman, with no devotion in her composition, no heart even, than be
+taken by everybody else for a vulgar person, and be condemned to your
+so-called pleasures, of which you would most certainly tire, and to
+everlasting punishment for it afterwards. Your selfish love is not worth
+so many sacrifices...."
+
+The words give but a very inadequate idea of the discourse which the
+Duchess trilled out with the quick volubility of a bird-organ. Nor,
+truly, was there anything to prevent her from talking on for some time
+to come, for poor Armand's only reply to the torrent of flute notes was
+a silence filled with cruelly painful thoughts. He was just beginning to
+see that this woman was playing with him; he divined instinctively
+that a devoted love, a responsive love, does not reason and count
+the consequences in this way. Then, as he heard her reproach him with
+detestable motives, he felt something like shame as he remembered that
+unconsciously he had made those very calculations. With angelic honesty
+of purpose, he looked within, and self-examination found nothing but
+selfishness in all his thoughts and motives, in the answers which he
+framed and could not utter. He was self-convicted. In his despair
+he longed to fling himself from the window. The egoism of it was
+intolerable.
+
+What indeed can a man say when a woman will not believe in love?--Let me
+prove how much I love you.--The _I_ is always there.
+
+The heroes of the boudoir, in such circumstances, can follow the example
+of the primitive logician who preceded the Pyrrhonists and denied
+movement. Montriveau was not equal to this feat. With all his audacity,
+he lacked this precise kind which never deserts an adept in the formulas
+of feminine algebra. If so many women, and even the best of women, fall
+a prey to a kind of expert to whom the vulgar give a grosser name, it is
+perhaps because the said experts are great _provers_, and love, in spite
+of its delicious poetry of sentiment, requires a little more geometry
+than people are wont to think.
+
+Now the Duchess and Montriveau were alike in this--they were both
+equally unversed in love lore. The lady's knowledge of theory was but
+scanty; in practice she knew nothing whatever; she felt nothing, and
+reflected over everything. Montriveau had had but little experience, was
+absolutely ignorant of theory, and felt too much to reflect at all. Both
+therefore were enduring the consequences of the singular situation.
+At that supreme moment the myriad thoughts in his mind might have
+been reduced to the formula--"Submit to be mine----" words which seem
+horribly selfish to a woman for whom they awaken no memories, recall no
+ideas. Something nevertheless he must say. And what was more, though her
+barbed shafts had set his blood tingling, though the short phrases that
+she discharged at him one by one were very keen and sharp and cold, he
+must control himself lest he should lose all by an outbreak of anger.
+
+"Mme la Duchesse, I am in despair that God should have invented no way
+for a woman to confirm the gift of her heart save by adding the gift of
+her person. The high value which you yourself put upon the gift teaches
+me that I cannot attach less importance to it. If you have given me
+your inmost self and your whole heart, as you tell me, what can the rest
+matter? And besides, if my happiness means so painful a sacrifice, let
+us say no more about it. But you must pardon a man of spirit if he feels
+humiliated at being taken for a spaniel."
+
+The tone in which the last remark was uttered might perhaps have
+frightened another woman; but when the wearer of a petticoat has allowed
+herself to be addressed as a Divinity, and thereby set herself above all
+other mortals, no power on earth can be so haughty.
+
+"M. le Marquis, I am in despair that God should not have invented
+some nobler way for a man to confirm the gift of his heart than by the
+manifestation of prodigiously vulgar desires. We become bond-slaves
+when we give ourselves body and soul, but a man is bound to nothing by
+accepting the gift. Who will assure me that love will last? The very
+love that I might show for you at every moment, the better to keep your
+love, might serve you as a reason for deserting me. I have no wish to be
+a second edition of Mme de Beauseant. Who can ever know what it is that
+keeps you beside us? Our persistent coldness of heart is the cause of
+an unfailing passion in some of you; other men ask for an untiring
+devotion, to be idolized at every moment; some for gentleness, others
+for tyranny. No woman in this world as yet has really read the riddle of
+man's heart."
+
+There was a pause. When she spoke again it was in a different tone.
+
+"After all, my friend, you cannot prevent a woman from trembling at the
+question, 'Will this love last always?' Hard though my words may be,
+the dread of losing you puts them into my mouth. Oh, me! it is not I
+who speaks, dear, it is reason; and how should anyone so mad as I be
+reasonable? In truth, I am nothing of the sort."
+
+The poignant irony of her answer had changed before the end into the
+most musical accents in which a woman could find utterance for ingenuous
+love. To listen to her words was to pass in a moment from martyrdom to
+heaven. Montriveau grew pale; and for the first time in his life, he
+fell on his knees before a woman. He kissed the Duchess's skirt hem, her
+knees, her feet; but for the credit of the Faubourg Saint-Germain it is
+necessary to respect the mysteries of its boudoirs, where many are fain
+to take the utmost that Love can give without giving proof of love in
+return.
+
+The Duchess thought herself generous when she suffered herself to be
+adored. But Montriveau was in a wild frenzy of joy over her complete
+surrender of the position.
+
+"Dear Antoinette," he cried. "Yes, you are right; I will not have you
+doubt any longer. I too am trembling at this moment--lest the angel of
+my life should leave me; I wish I could invent some tie that might bind
+us to each other irrevocably."
+
+"Ah!" she said, under her breath, "so I was right, you see."
+
+"Let me say all that I have to say; I will scatter all your fears with
+a word. Listen! if I deserted you, I should deserve to die a thousand
+deaths. Be wholly mine, and I will give you the right to kill me if I
+am false. I myself will write a letter explaining certain reasons for
+taking my own life; I will make my final arrangements, in short. You
+shall have the letter in your keeping; in the eye of the law it will be
+a sufficient explanation of my death. You can avenge yourself, and fear
+nothing from God or men."
+
+"What good would the letter be to me? What would life be if I had lost
+your love? If I wished to kill you, should I not be ready to follow? No;
+thank you for the thought, but I do not want the letter. Should I not
+begin to dread that you were faithful to me through fear? And if a man
+knows that he must risk his life for a stolen pleasure, might it not
+seem more tempting? Armand, the thing I ask of you is the one hard thing
+to do."
+
+"Then what is it that you wish?"
+
+"Your obedience and my liberty."
+
+"Ah, God!" cried he, "I am a child."
+
+"A wayward, much spoilt child," she said, stroking the thick hair,
+for his head still lay on her knee. "Ah! and loved far more than he
+believes, and yet he is very disobedient. Why not stay as we are? Why
+not sacrifice to me the desires that hurt me? Why not take what I can
+give, when it is all that I can honestly grant? Are you not happy?"
+
+"Oh yes, I am happy when I have not a doubt left. Antoinette, doubt in
+love is a kind of death, is it not?"
+
+In a moment he showed himself as he was, as all men are under the
+influence of that hot fever; he grew eloquent, insinuating. And the
+Duchess tasted the pleasures which she reconciled with her conscience
+by some private, Jesuitical ukase of her own; Armand's love gave her a
+thrill of cerebral excitement which custom made as necessary to her as
+society, or the Opera. To feel that she was adored by this man, who rose
+above other men, whose character frightened her; to treat him like a
+child; to play with him as Poppaea played with Nero--many women, like
+the wives of King Henry VIII, have paid for such a perilous delight with
+all the blood in their veins. Grim presentiment! Even as she surrendered
+the delicate, pale, gold curls to his touch, and felt the close pressure
+of his hand, the little hand of a man whose greatness she could not
+mistake; even as she herself played with his dark, thick locks, in that
+boudoir where she reigned a queen, the Duchess would say to herself:
+
+"This man is capable of killing me if he once finds out that I am
+playing with him."
+
+Armand de Montriveau stayed with her till two o'clock in the morning.
+From that moment this woman, whom he loved, was neither a duchess nor a
+Navarreins; Antoinette, in her disguises, had gone so far as to appear
+to be a woman. On that most blissful evening, the sweetest prelude ever
+played by a Parisienne to what the world calls "a slip"; in spite of all
+her affectations of a coyness which she did not feel, the General saw
+all maidenly beauty in her. He had some excuse for believing that so
+many storms of caprice had been but clouds covering a heavenly soul;
+that these must be lifted one by one like the veils that hid her divine
+loveliness. The Duchess became, for him, the most simple and girlish
+mistress; she was the one woman in the world for him; and he went away
+quite happy in that at last he had brought her to give him such pledges
+of love, that it seemed to him impossible but that he should be but her
+husband henceforth in secret, her choice sanctioned by Heaven.
+
+Armand went slowly home, turning this thought in his mind with the
+impartiality of a man who is conscious of all the responsibilities that
+love lays on him while he tastes the sweetness of its joys. He went
+along the Quais to see the widest possible space of sky; his heart had
+grown in him; he would fain have had the bounds of the firmament and of
+earth enlarged. It seemed to him that his lungs drew an ampler breath.
+In the course of his self-examination, as he walked, he vowed to love
+this woman so devoutly, that every day of her life she should find
+absolution for her sins against society in unfailing happiness. Sweet
+stirrings of life when life is at the full! The man that is strong
+enough to steep his soul in the colour of one emotion, feels infinite
+joy as glimpses open out for him of an ardent lifetime that knows no
+diminution of passion to the end; even so it is permitted to certain
+mystics, in ecstasy, to behold the Light of God. Love would be naught
+without the belief that it would last forever; love grows great
+through constancy. It was thus that, wholly absorbed by his happiness,
+Montriveau understood passion.
+
+"We belong to each other forever!"
+
+The thought was like a talisman fulfilling the wishes of his life. He
+did not ask whether the Duchess might not change, whether her love might
+not last. No, for he had faith. Without that virtue there is no future
+for Christianity, and perhaps it is even more necessary to society.
+A conception of life as feeling occurred to him for the first time;
+hitherto he had lived by action, the most strenuous exertion of human
+energies, the physical devotion, as it may be called, of the soldier.
+
+Next day M. de Montriveau went early in the direction of the Faubourg
+Saint-Germain. He had made an appointment at a house not far from the
+Hotel de Langeais; and the business over, he went thither as if to his
+own home. The General's companion chanced to be a man for whom he felt
+a kind of repulsion whenever he met him in other houses. This was the
+Marquis de Ronquerolles, whose reputation had grown so great in Paris
+boudoirs. He was witty, clever, and what was more--courageous; he set
+the fashion to all the young men in Paris. As a man of gallantry, his
+success and experience were equally matters of envy; and neither fortune
+nor birth was wanting in his case, qualifications which add such lustre
+in Paris to a reputation as a leader of fashion.
+
+"Where are you going?" asked M. de Ronquerolles.
+
+"To Mme de Langeais'."
+
+"Ah, true. I forgot that you had allowed her to lime you. You are
+wasting your affections on her when they might be much better employed
+elsewhere. I could have told you of half a score of women in the
+financial world, any one of them a thousand times better worth your
+while than that titled courtesan, who does with her brains what less
+artificial women do with----"
+
+"What is this, my dear fellow?" Armand broke in. "The Duchess is an
+angel of innocence."
+
+Ronquerolles began to laugh.
+
+"Things being thus, dear boy," said he, "it is my duty to enlighten you.
+Just a word; there is no harm in it between ourselves. Has the Duchess
+surrendered? If so, I have nothing more to say. Come, give me your
+confidence. There is no occasion to waste your time in grafting
+your great nature on that unthankful stock, when all your hopes and
+cultivation will come to nothing."
+
+Armand ingenuously made a kind of general report of his position,
+enumerating with much minuteness the slender rights so hardly won.
+Ronquerolles burst into a peal of laughter so heartless, that it would
+have cost any other man his life. But from their manner of speaking and
+looking at each other during that colloquy beneath the wall, in a corner
+almost as remote from intrusion as the desert itself, it was easy to
+imagine the friendship between the two men knew no bounds, and that no
+power on earth could estrange them.
+
+"My dear Armand, why did you not tell me that the Duchess was a puzzle
+to you? I would have given you a little advice which might have brought
+your flirtation properly through. You must know, to begin with, that the
+women of our Faubourg, like any other women, love to steep themselves in
+love; but they have a mind to possess and not to be possessed. They have
+made a sort of compromise with human nature. The code of their parish
+gives them a pretty wide latitude short of the last transgression. The
+sweets enjoyed by this fair Duchess of yours are so many venial sins
+to be washed away in the waters of penitence. But if you had the
+impertinence to ask in earnest for the moral sin to which naturally
+you are sure to attach the highest importance, you would see the deep
+disdain with which the door of the boudoir and the house would be
+incontinently shut upon you. The tender Antoinette would dismiss
+everything from her memory; you would be less than a cipher for her.
+She would wipe away your kisses, my dear friend, as indifferently as she
+would perform her ablutions. She would sponge love from her cheeks as
+she washes off rouge. We know women of that sort--the thorough-bred
+Parisienne. Have you ever noticed a grisette tripping along the street?
+Her face is as good as a picture. A pretty cap, fresh cheeks, trim hair,
+a guileful smile, and the rest of her almost neglected. Is not this true
+to the life? Well, that is the Parisienne. She knows that her face is
+all that will be seen, so she devotes all her care, finery, and vanity
+to her head. The Duchess is the same; the head is everything with her.
+She can only feel through her intellect, her heart lies in her brain,
+she is a sort of intellectual epicure, she has a head-voice. We call
+that kind of poor creature a Lais of the intellect. You have been taken
+in like a boy. If you doubt it, you can have proof of it tonight, this
+morning, this instant. Go up to her, try the demand as an experiment,
+insist peremptorily if it is refused. You might set about it like the
+late Marechal de Richelieu, and get nothing for your pains."
+
+Armand was dumb with amazement.
+
+"Has your desire reached the point of infatuation?"
+
+"I want her at any cost!" Montriveau cried out despairingly.
+
+"Very well. Now, look here. Be as inexorable as she is herself. Try to
+humiliate her, to sting her vanity. Do _not_ try to move her heart,
+nor her soul, but the woman's nerves and temperament, for she is both
+nervous and lymphatic. If you can once awaken desire in her, you are
+safe. But you must drop these romantic boyish notions of yours. If when
+once you have her in your eagle's talons you yield a point or draw back,
+if you so much as stir an eyelid, if she thinks that she can regain her
+ascendancy over you, she will slip out of your clutches like a fish, and
+you will never catch her again. Be as inflexible as law. Show no more
+charity than the headsman. Hit hard, and then hit again. Strike and keep
+on striking as if you were giving her the knout. Duchesses are made of
+hard stuff, my dear Armand; there is a sort of feminine nature that is
+only softened by repeated blows; and as suffering develops a heart in
+women of that sort, so it is a work of charity not to spare the rod.
+Do you persevere. Ah! when pain has thoroughly relaxed those nerves and
+softened the fibres that you take to be so pliant and yielding; when
+a shriveled heart has learned to expand and contract and to beat under
+this discipline; when the brain has capitulated--then, perhaps, passion
+may enter among the steel springs of this machinery that turns out tears
+and affectations and languors and melting phrases; then you shall see a
+most magnificent conflagration (always supposing that the chimney takes
+fire). The steel feminine system will glow red-hot like iron in the
+forge; that kind of heat lasts longer than any other, and the glow of it
+may possibly turn to love.
+
+"Still," he continued, "I have my doubts. And, after all, is it worth
+while to take so much trouble with the Duchess? Between ourselves a man
+of my stamp ought first to take her in hand and break her in; I would
+make a charming woman of her; she is a thoroughbred; whereas, you two
+left to yourselves will never get beyond the A B C. But you are in love
+with her, and just now you might not perhaps share my views on this
+subject----. A pleasant time to you, my children," added Ronquerolles,
+after a pause. Then with a laugh: "I have decided myself for facile
+beauties; they are tender, at any rate, the natural woman appears in
+their love without any of your social seasonings. A woman that haggles
+over herself, my poor boy, and only means to inspire love! Well, have
+her like an extra horse--for show. The match between the sofa and
+confessional, black and white, queen and knight, conscientious scruples
+and pleasure, is an uncommonly amusing game of chess. And if a man knows
+the game, let him be never so little of a rake, he wins in three moves.
+Now, if I undertook a woman of that sort, I should start with the
+deliberate purpose of----" His voice sank to a whisper over the last
+words in Armand's ear, and he went before there was time to reply.
+
+As for Montriveau, he sprang at a bound across the courtyard of the
+Hotel de Langeais, went unannounced up the stairs straight to the
+Duchess's bedroom.
+
+"This is an unheard-of thing," she said, hastily wrapping her
+dressing-gown about her. "Armand! this is abominable of you! Come, leave
+the room, I beg. Just go out of the room, and go at once. Wait for me in
+the drawing-room.--Come now!"
+
+"Dear angel, has a plighted lover no privilege whatsoever?"
+
+"But, monsieur, it is in the worst possible taste of a plighted lover or
+a wedded husband to break in like this upon his wife."
+
+He came up to the Duchess, took her in his arms, and held her tightly to
+him.
+
+"Forgive, dear Antoinette; but a host of horrid doubts are fermenting in
+my heart."
+
+"_Doubts_? Fie!--Oh, fie on you!"
+
+"Doubts all but justified. If you loved me, would you make this quarrel?
+Would you not be glad to see me? Would you not have felt a something
+stir in your heart? For I, that am not a woman, feel a thrill in my
+inmost self at the mere sound of your voice. Often in a ballroom a
+longing has come upon me to spring to your side and put my arms about
+your neck."
+
+"Oh! if you have doubts of me so long as I am not ready to spring to
+your arms before all the world, I shall be doubted all my life long, I
+suppose. Why, Othello was a mere child compared with you!"
+
+"Ah!" he cried despairingly, "you have no love for me----"
+
+"Admit, at any rate, that at this moment you are not lovable."
+
+"Then I have still to find favour in your sight?"
+
+"Oh, I should think so. Come," added she, "with a little imperious air,
+go out of the room, leave me. I am not like you; I wish always to find
+favour in your eyes."
+
+Never woman better understood the art of putting charm into insolence,
+and does not the charm double the effect? is it not enough to infuriate
+the coolest of men? There was a sort of untrammeled freedom about Mme
+de Langeais; a something in her eyes, her voice, her attitude, which is
+never seen in a woman who loves when she stands face to face with him at
+the mere sight of whom her heart must needs begin to beat. The Marquis
+de Ronquerolles' counsels had cured Armand of sheepishness; and further,
+there came to his aid that rapid power of intuition which passion will
+develop at moments in the least wise among mortals, while a great man
+at such a time possesses it to the full. He guessed the terrible truth
+revealed by the Duchess's nonchalance, and his heart swelled with the
+storm like a lake rising in flood.
+
+"If you told me the truth yesterday, be mine, dear Antoinette," he
+cried; "you shall----"
+
+"In the first place," said she composedly, thrusting him back as he
+came nearer--"in the first place, you are not to compromise me. My woman
+might overhear you. Respect me, I beg of you. Your familiarity is all
+very well in my boudoir in an evening; here it is quite different.
+Besides, what may your 'you shall' mean? 'You shall.' No one as yet
+has ever used that word to me. It is quite ridiculous, it seems to me,
+absolutely ridiculous.
+
+"Will you surrender nothing to me on this point?"
+
+"Oh! do you call a woman's right to dispose of herself a 'point?' A
+capital point indeed; you will permit me to be entirely my own mistress
+on that 'point.'"
+
+"And how if, believing in your promises to me, I should absolutely
+require it?"
+
+"Oh! then you would prove that I made the greatest possible mistake when
+I made you a promise of any kind; and I should beg you to leave me in
+peace."
+
+The General's face grew white; he was about to spring to her side, when
+Mme de Langeais rang the bell, the maid appeared, and, smiling with a
+mocking grace, the Duchess added, "Be so good as to return when I am
+visible."
+
+Then Montriveau felt the hardness of a woman as cold and keen as a steel
+blade; she was crushing in her scorn. In one moment she had snapped
+the bonds which held firm only for her lover. She had read Armand's
+intention in his face, and held that the moment had come for teaching
+the Imperial soldier his lesson. He was to be made to feel that though
+duchesses may lend themselves to love, they do not give themselves, and
+that the conquest of one of them would prove a harder matter than the
+conquest of Europe.
+
+"Madame," returned Armand, "I have not time to wait. I am a spoilt
+child, as you told me yourself. When I seriously resolve to have that of
+which we have been speaking, I shall have it."
+
+"You will have it?" queried she, and there was a trace of surprise in
+her loftiness.
+
+"I shall have it."
+
+"Oh! you would do me a great pleasure by 'resolving' to have it. For
+curiosity's sake, I should be delighted to know how you would set about
+it----"
+
+"I am delighted to put a new interest into your life," interrupted
+Montriveau, breaking into a laugh which dismayed the Duchess. "Will you
+permit me to take you to the ball tonight?"
+
+"A thousand thanks. M. de Marsay has been beforehand with you. I gave
+him my promise."
+
+Montriveau bowed gravely and went.
+
+"So Ronquerolles was right," thought he, "and now for a game of chess."
+
+Thenceforward he hid his agitation by complete composure. No man is
+strong enough to bear such sudden alternations from the height of
+happiness to the depths of wretchedness. So he had caught a glimpse of
+happy life the better to feel the emptiness of his previous existence?
+There was a terrible storm within him; but he had learned to endure,
+and bore the shock of tumultuous thoughts as a granite cliff stands out
+against the surge of an angry sea.
+
+"I could say nothing. When I am with her my wits desert me. She does not
+know how vile and contemptible she is. Nobody has ventured to bring her
+face to face with herself. She has played with many a man, no doubt; I
+will avenge them all."
+
+For the first time, it may be, in a man's heart, revenge and love were
+blended so equally that Montriveau himself could not know whether love
+or revenge would carry all before it. That very evening he went to the
+ball at which he was sure of seeing the Duchesse de Langeais, and almost
+despaired of reaching her heart. He inclined to think that there was
+something diabolical about this woman, who was gracious to him and
+radiant with charming smiles; probably because she had no wish to
+allow the world to think that she had compromised herself with M. de
+Montriveau. Coolness on both sides is a sign of love; but so long as
+the Duchess was the same as ever, while the Marquis looked sullen and
+morose, was it not plain that she had conceded nothing? Onlookers know
+the rejected lover by various signs and tokens; they never mistake the
+genuine symptoms for a coolness such as some women command their adorers
+to feign, in the hope of concealing their love. Everyone laughed at
+Montriveau; and he, having omitted to consult his cornac, was abstracted
+and ill at ease. M. de Ronquerolles would very likely have bidden him
+compromise the Duchess by responding to her show of friendliness by
+passionate demonstrations; but as it was, Armand de Montriveau came away
+from the ball, loathing human nature, and even then scarcely ready to
+believe in such complete depravity.
+
+"If there is no executioner for such crimes," he said, as he looked up
+at the lighted windows of the ballroom where the most enchanting women
+in Paris were dancing, laughing, and chatting, "I will take you by the
+nape of the neck, Mme la Duchesse, and make you feel something that
+bites more deeply than the knife in the Place de la Greve. Steel against
+steel; we shall see which heart will leave the deeper mark."
+
+For a week or so Mme de Langeais hoped to see the Marquis de Montriveau
+again; but he contented himself with sending his card every morning to
+the Hotel de Langeais. The Duchess could not help shuddering each time
+that the card was brought in, and a dim foreboding crossed her mind, but
+the thought was vague as a presentiment of disaster. When her eyes fell
+on the name, it seemed to her that she felt the touch of the implacable
+man's strong hand in her hair; sometimes the words seemed like a
+prognostication of a vengeance which her lively intellect invented in
+the most shocking forms. She had studied him too well not to dread him.
+Would he murder her, she wondered? Would that bull-necked man dash out
+her vitals by flinging her over his head? Would he trample her body
+under his feet? When, where, and how would he get her into his power?
+Would he make her suffer very much, and what kind of pain would he
+inflict? She repented of her conduct. There were hours when, if he had
+come, she would have gone to his arms in complete self-surrender.
+
+Every night before she slept she saw Montriveau's face; every night it
+wore a different aspect. Sometimes she saw his bitter smile, sometimes
+the Jovelike knitting of the brows; or his leonine look, or some
+disdainful movement of the shoulders made him terrible for her. Next day
+the card seemed stained with blood. The name of Montriveau stirred her
+now as the presence of the fiery, stubborn, exacting lover had never
+done. Her apprehensions gathered strength in the silence. She was
+forced, without aid from without, to face the thought of a hideous duel
+of which she could not speak. Her proud hard nature was more responsive
+to thrills of hate than it had ever been to the caresses of love. Ah! if
+the General could but have seen her, as she sat with her forehead
+drawn into folds between her brows; immersed in bitter thoughts in that
+boudoir where he had enjoyed such happy moments, he might perhaps
+have conceived high hopes. Of all human passions, is not pride alone
+incapable of engendering anything base? Mme de Langeais kept her
+thoughts to herself, but is it not permissible to suppose that M. de
+Montriveau was no longer indifferent to her? And has not a man gained
+ground immensely when a woman thinks about him? He is bound to make
+progress with her either one way or the other afterwards.
+
+Put any feminine creature under the feet of a furious horse or other
+fearsome beast; she will certainly drop on her knees and look for death;
+but if the brute shows a milder mood and does not utterly slay her,
+she will love the horse, lion, bull, or what not, and will speak of him
+quite at her ease. The Duchess felt that she was under the lion's paws;
+she quaked, but she did not hate him.
+
+The man and woman thus singularly placed with regard to each other met
+three times in society during the course of that week. Each time,
+in reply to coquettish questioning glances, the Duchess received a
+respectful bow, and smiles tinged with such savage irony, that all her
+apprehensions over the card in the morning were revived at night.
+Our lives are simply such as our feelings shape them for us; and the
+feelings of these two had hollowed out a great gulf between them.
+
+The Comtesse de Serizy, the Marquis de Ronquerolles' sister, gave a
+great ball at the beginning of the following week, and Mme de Langeais
+was sure to go to it. Armand was the first person whom the Duchess saw
+when she came into the room, and this time Armand was looking out for
+her, or so she thought at least. The two exchanged a look, and suddenly
+the woman felt a cold perspiration break from every pore. She had
+thought all along that Montriveau was capable of taking reprisals in
+some unheard-of way proportioned to their condition, and now the revenge
+had been discovered, it was ready, heated, and boiling. Lightnings
+flashed from the foiled lover's eyes, his face was radiant with exultant
+vengeance. And the Duchess? Her eyes were haggard in spite of her
+resolution to be cool and insolent. She went to take her place beside
+the Comtesse de Serizy, who could not help exclaiming, "Dear Antoinette!
+what is the matter with you? You are enough to frighten one."
+
+"I shall be all right after a quadrille," she answered, giving a hand to
+a young man who came up at that moment.
+
+Mme de Langeais waltzed that evening with a sort of excitement and
+transport which redoubled Montriveau's lowering looks. He stood in front
+of the line of spectators, who were amusing themselves by looking on.
+Every time that _she_ came past him, his eyes darted down upon her
+eddying face; he might have been a tiger with the prey in his grasp. The
+waltz came to an end, Mme de Langeais went back to her place beside the
+Countess, and Montriveau never took his eyes off her, talking all the
+while with a stranger.
+
+"One of the things that struck me most on the journey," he was saying
+(and the Duchess listened with all her ears), "was the remark which the
+man makes at Westminster when you are shown the axe with which a man in
+a mask cut off Charles the First's head, so they tell you. The King made
+it first of all to some inquisitive person, and they repeat it still in
+memory of him."
+
+"What does the man say?" asked Mme de Serizy.
+
+"'Do not touch the axe!'" replied Montriveau, and there was menace in
+the sound of his voice.
+
+"Really, my Lord Marquis," said Mme de Langeais, "you tell this old
+story that everybody knows if they have been to London, and look at my
+neck in such a melodramatic way that you seem to me to have an axe in
+your hand."
+
+The Duchess was in a cold sweat, but nevertheless she laughed as she
+spoke the last words.
+
+"But circumstances give the story a quite new application," returned he.
+
+"How so; pray tell me, for pity's sake?"
+
+"In this way, madame--you have touched the axe," said Montriveau,
+lowering his voice.
+
+"What an enchanting prophecy!" returned she, smiling with assumed grace.
+"And when is my head to fall?"
+
+"I have no wish to see that pretty head of yours cut off. I only fear
+some great misfortune for you. If your head were clipped close, would
+you feel no regrets for the dainty golden hair that you turn to such
+good account?"
+
+"There are those for whom a woman would love to make such a sacrifice;
+even if, as often happens, it is for the sake of a man who cannot make
+allowances for an outbreak of temper."
+
+"Quite so. Well, and if some wag were to spoil your beauty on a sudden
+by some chemical process, and you, who are but eighteen for us, were to
+be a hundred years old?"
+
+"Why, the smallpox is our Battle of Waterloo, monsieur," she
+interrupted. "After it is over we find out those who love us sincerely."
+
+"Would you not regret the lovely face that?"
+
+"Oh! indeed I should, but less for my own sake than for the sake of
+someone else whose delight it might have been. And, after all, if I were
+loved, always loved, and truly loved, what would my beauty matter to
+me?--What do you say, Clara?"
+
+"It is a dangerous speculation," replied Mme de Serizy.
+
+"Is it permissible to ask His Majesty the King of Sorcerers when I made
+the mistake of touching the axe, since I have not been to London as
+yet?----"
+
+"_Not so_," he answered in English, with a burst of ironical laughter.
+
+"And when will the punishment begin?"
+
+At this Montriveau coolly took out his watch, and ascertained the hour
+with a truly appalling air of conviction.
+
+"A dreadful misfortune will befall you before this day is out."
+
+"I am not a child to be easily frightened, or rather, I am a child
+ignorant of danger," said the Duchess. "I shall dance now without fear
+on the edge of the precipice."
+
+"I am delighted to know that you have so much strength of character," he
+answered, as he watched her go to take her place in a square dance.
+
+But the Duchess, in spite of her apparent contempt for Armand's dark
+prophecies, was really frightened. Her late lover's presence weighed
+upon her morally and physically with a sense of oppression that scarcely
+ceased when he left the ballroom. And yet when she had drawn freer
+breath, and enjoyed the relief for a moment, she found herself
+regretting the sensation of dread, so greedy of extreme sensations is
+the feminine nature. The regret was not love, but it was certainly akin
+to other feelings which prepare the way for love. And then--as if the
+impression which Montriveau had made upon her were suddenly revived--she
+recollected his air of conviction as he took out his watch, and in a
+sudden spasm of dread she went out.
+
+By this time it was about midnight. One of her servants, waiting with
+her pelisse, went down to order her carriage. On her way home she fell
+naturally enough to musing over M. de Montriveau's prediction. Arrived
+in her own courtyard, as she supposed, she entered a vestibule almost
+like that of her own hotel, and suddenly saw that the staircase was
+different. She was in a strange house. Turning to call her servants, she
+was attacked by several men, who rapidly flung a handkerchief over her
+mouth, bound her hand and foot, and carried her off. She shrieked aloud.
+
+"Madame, our orders are to kill you if you scream," a voice said in her
+ear.
+
+So great was the Duchess's terror, that she could never recollect how
+nor by whom she was transported. When she came to herself, she was lying
+on a couch in a bachelor's lodging, her hands and feet tied with silken
+cords. In spite of herself, she shrieked aloud as she looked round and
+met Armand de Montriveau's eyes. He was sitting in his dressing-gown,
+quietly smoking a cigar in his armchair.
+
+"Do not cry out, Mme la Duchesse," he said, coolly taking the cigar out
+of his mouth; "I have a headache. Besides, I will untie you. But listen
+attentively to what I have the honour to say to you."
+
+Very carefully he untied the knots that bound her feet.
+
+"What would be the use of calling out? Nobody can hear your cries.
+You are too well bred to make any unnecessary fuss. If you do not stay
+quietly, if you insist upon a struggle with me, I shall tie your
+hands and feet again. All things considered, I think that you have
+self-respect enough to stay on this sofa as if you were lying on your
+own at home; cold as ever, if you will. You have made me shed many tears
+on this couch, tears that I hid from all other eyes."
+
+While Montriveau was speaking, the Duchess glanced about her; it was
+a woman's glance, a stolen look that saw all things and seemed to see
+nothing. She was much pleased with the room. It was rather like a
+monk's cell. The man's character and thoughts seemed to pervade it. No
+decoration of any kind broke the grey painted surface of the walls.
+A green carpet covered the floor. A black sofa, a table littered with
+papers, two big easy-chairs, a chest of drawers with an alarum clock by
+way of ornament, a very low bedstead with a coverlet flung over it--a
+red cloth with a black key border--all these things made part of a
+whole that told of a life reduced to its simplest terms. A triple
+candle-sconce of Egyptian design on the chimney-piece recalled the
+vast spaces of the desert and Montriveau's long wanderings; a huge
+sphinx-claw stood out beneath the folds of stuff at the bed-foot;
+and just beyond, a green curtain with a black and scarlet border was
+suspended by large rings from a spear handle above a door near one
+corner of the room. The other door by which the band had entered was
+likewise curtained, but the drapery hung from an ordinary curtain-rod.
+As the Duchess finally noted that the pattern was the same on both, she
+saw that the door at the bed-foot stood open; gleams of ruddy light
+from the room beyond flickered below the fringed border. Naturally, the
+ominous light roused her curiosity; she fancied she could distinguish
+strange shapes in the shadows; but as it did not occur to her at the
+time that danger could come from that quarter, she tried to gratify a
+more ardent curiosity.
+
+"Monsieur, if it is not indiscreet, may I ask what you mean to do with
+me?" The insolence and irony of the tone stung through the words. The
+Duchess quite believed that she read extravagant love in Montriveau's
+speech. He had carried her off; was not that in itself an acknowledgment
+of her power?
+
+"Nothing whatever, madame," he returned, gracefully puffing the last
+whiff of cigar smoke. "You will remain here for a short time. First
+of all, I should like to explain to you what you are, and what I am. I
+cannot put my thoughts into words whilst you are twisting on the sofa
+in your boudoir; and besides, in your own house you take offence at the
+slightest hint, you ring the bell, make an outcry, and turn your lover
+out at the door as if he were the basest of wretches. Here my mind is
+unfettered. Here nobody can turn me out. Here you shall be my victim for
+a few seconds, and you are going to be so exceedingly kind as to listen
+to me. You need fear nothing. I did not carry you off to insult you, nor
+yet to take by force what you refused to grant of your own will to my
+unworthiness. I could not stoop so low. You possibly think of outrage;
+for myself, I have no such thoughts."
+
+He flung his cigar coolly into the fire.
+
+"The smoke is unpleasant to you, no doubt, madame?" he said, and rising
+at once, he took a chafing-dish from the hearth, burnt perfumes, and
+purified the air. The Duchess's astonishment was only equaled by her
+humiliation. She was in this man's power; and he would not abuse his
+power. The eyes in which love had once blazed like flame were now quiet
+and steady as stars. She trembled. Her dread of Armand was increased by
+a nightmare sensation of restlessness and utter inability to move; she
+felt as if she were turned to stone. She lay passive in the grip of
+fear. She thought she saw the light behind the curtains grow to a blaze,
+as if blown up by a pair of bellows; in another moment the gleams of
+flame grew brighter, and she fancied that three masked figures suddenly
+flashed out; but the terrible vision disappeared so swiftly that she
+took it for an optical delusion.
+
+"Madame," Armand continued with cold contempt, "one minute, just one
+minute is enough for me, and you shall feel it afterwards at every
+moment throughout your lifetime, the one eternity over which I have
+power. I am not God. Listen carefully to me," he continued, pausing to
+add solemnity to his words. "Love will always come at your call. You
+have boundless power over men: but remember that once you called love,
+and love came to you; love as pure and true-hearted as may be on earth,
+and as reverent as it was passionate; fond as a devoted woman's, as a
+mother's love; a love so great indeed, that it was past the bounds of
+reason. You played with it, and you committed a crime. Every woman has a
+right to refuse herself to love which she feels she cannot share; and
+if a man loves and cannot win love in return, he is not to be pitied,
+he has no right to complain. But with a semblance of love to attract
+an unfortunate creature cut off from all affection; to teach him to
+understand happiness to the full, only to snatch it from him; to rob him
+of his future of felicity; to slay his happiness not merely today,
+but as long as his life lasts, by poisoning every hour of it and every
+thought--this I call a fearful crime!"
+
+"Monsieur----"
+
+"I cannot allow you to answer me yet. So listen to me still. In any case
+I have rights over you; but I only choose to exercise one--the right of
+the judge over the criminal, so that I may arouse your conscience. If
+you had no conscience left, I should not reproach you at all; but you
+are so young! You must feel some life still in your heart; or so I like
+to believe. While I think of you as depraved enough to do a wrong which
+the law does not punish, I do not think you so degraded that you cannot
+comprehend the full meaning of my words. I resume."
+
+As he spoke the Duchess heard the smothered sound of a pair of bellows.
+Those mysterious figures which she had just seen were blowing up the
+fire, no doubt; the glow shone through the curtain. But Montriveau's
+lurid face was turned upon her; she could not choose but wait with a
+fast-beating heart and eyes fixed in a stare. However curious she felt,
+the heat in Armand's words interested her even more than the crackling
+of the mysterious flames.
+
+"Madame," he went on after a pause, "if some poor wretch commits a
+murder in Paris, it is the executioner's duty, you know, to lay hands on
+him and stretch him on the plank, where murderers pay for their crimes
+with their heads. Then the newspapers inform everyone, rich and poor, so
+that the former are assured that they may sleep in peace, and the latter
+are warned that they must be on the watch if they would live. Well, you
+that are religious, and even a little of a bigot, may have masses said
+for such a man's soul. You both belong to the same family, but yours is
+the elder branch; and the elder branch may occupy high places in peace
+and live happily and without cares. Want or anger may drive your brother
+the convict to take a man's life; you have taken more, you have taken
+the joy out of a man's life, you have killed all that was best in his
+life--his dearest beliefs. The murderer simply lay in wait for his
+victim, and killed him reluctantly, and in fear of the scaffold; but
+_you_ ...! You heaped up every sin that weakness can commit against
+strength that suspected no evil; you tamed a passive victim, the better
+to gnaw his heart out; you lured him with caresses; you left nothing
+undone that could set him dreaming, imagining, longing for the bliss of
+love. You asked innumerable sacrifices of him, only to refuse to make
+any in return. He should see the light indeed before you put out his
+eyes! It is wonderful how you found the heart to do it! Such villainies
+demand a display of resource quite above the comprehension of those
+bourgeoises whom you laugh at and despise. They can give and forgive;
+they know how to love and suffer. The grandeur of their devotion dwarfs
+us. Rising higher in the social scale, one finds just as much mud as at
+the lower end; but with this difference, at the upper end it is hard and
+gilded over.
+
+"Yes, to find baseness in perfection, you must look for a noble bringing
+up, a great name, a fair woman, a duchess. You cannot fall lower than
+the lowest unless you are set high above the rest of the world.--I
+express my thoughts badly; the wounds you dealt me are too painful as
+yet, but do not think that I complain. My words are not the expression
+of any hope for myself; there is no trace of bitterness in them. Know
+this, madame, for a certainty--I forgive you. My forgiveness is so
+complete that you need not feel in the least sorry that you came hither
+to find it against your will.... But you might take advantage of other
+hearts as child-like as my own, and it is my duty to spare them anguish.
+So you have inspired the thought of justice. Expiate your sin here
+on earth; God may perhaps forgive you; I wish that He may, but He is
+inexorable, and will strike."
+
+The broken-spirited, broken-hearted woman looked up, her eyes filled
+with tears.
+
+"Why do you cry? Be true to your nature. You could look on indifferently
+at the torture of a heart as you broke it. That will do, madame, do not
+cry. I cannot bear it any longer. Other men will tell you that you have
+given them life; as for myself, I tell you, with rapture, that you have
+given me blank extinction. Perhaps you guess that I am not my own, that
+I am bound to live for my friends, that from this time forth I must
+endure the cold chill of death, as well as the burden of life? Is it
+possible that there can be so much kindness in you? Are you like the
+desert tigress that licks the wounds she has inflicted?"
+
+The Duchess burst out sobbing.
+
+"Pray spare your tears, madame. If I believed in them at all, it would
+merely set me on my guard. Is this another of your artifices? or is it
+not? You have used so many with me; how can one think that there is any
+truth in you? Nothing that you do or say has any power now to move me.
+That is all I have to say."
+
+Mme de Langeais rose to her feet, with a great dignity and humility in
+her bearing.
+
+"You are right to treat me very hardly," she said, holding out a hand to
+the man who did not take it; "you have not spoken hardly enough; and I
+deserve this punishment."
+
+"_I_ punish you, madame! A man must love still, to punish, must he not?
+From me you must expect no feeling, nothing resembling it. If I chose, I
+might be accuser and judge in my cause, and pronounce and carry out the
+sentence. But I am about to fulfil a duty, not a desire of vengeance of
+any kind. The cruelest revenge of all, I think, is scorn of revenge when
+it is in our power to take it. Perhaps I shall be the minister of your
+pleasures; who knows? Perhaps from this time forth, as you gracefully
+wear the tokens of disgrace by which society marks out the criminal, you
+may perforce learn something of the convict's sense of honour. And then,
+you will love!"
+
+The Duchess sat listening; her meekness was unfeigned; it was no
+coquettish device. When she spoke at last, it was after a silence.
+
+"Armand," she began, "it seems to me that when I resisted love, I was
+obeying all the instincts of woman's modesty; I should not have looked
+for such reproaches from _you_. I was weak; you have turned all my
+weaknesses against me, and made so many crimes of them. How could you
+fail to understand that the curiosity of love might have carried me
+further than I ought to go; and that next morning I might be angry
+with myself, and wretched because I had gone too far? Alas! I sinned in
+ignorance. I was as sincere in my wrongdoing, I swear to you, as in
+my remorse. There was far more love for you in my severity than in my
+concessions. And besides, of what do you complain? I gave you my heart;
+that was not enough; you demanded, brutally, that I should give my
+person----"
+
+"Brutally?" repeated Montriveau. But to himself he said, "If I once
+allow her to dispute over words, I am lost."
+
+"Yes. You came to me as if I were one of those women. You showed none
+of the respect, none of the attentions of love. Had I not reason to
+reflect? Very well, I reflected. The unseemliness of your conduct is not
+inexcusable; love lay at the source of it; let me think so, and
+justify you to myself.--Well, Armand, this evening, even while you were
+prophesying evil, I felt convinced that there was happiness in store for
+us both. Yes, I put my faith in the noble, proud nature so often tested
+and proved." She bent lower. "And I was yours wholly," she murmured in
+his ear. "I felt a longing that I cannot express to give happiness to a
+man so violently tried by adversity. If I must have a master, my master
+should be a great man. As I felt conscious of my height, the less I
+cared to descend. I felt I could trust you, I saw a whole lifetime of
+love, while you were pointing to death.... Strength and kindness always
+go together. My friend, you are so strong, you will not be unkind to
+a helpless woman who loves you. If I was wrong, is there no way of
+obtaining forgiveness? No way of making reparation? Repentance is the
+charm of love; I should like to be very charming for you. How could I,
+alone among women, fail to know a woman's doubts and fears, the timidity
+that it is so natural to feel when you bind yourself for life, and
+know how easily a man snaps such ties? The bourgeoises, with whom you
+compared me just now, give themselves, but they struggle first. Very
+well--I struggled; but here I am!--Ah! God, he does not hear me!" she
+broke off, and wringing her hands, she cried out "But I love you! I am
+yours!" and fell at Armand's feet.
+
+"Yours! yours! my one and only master!"
+
+Armand tried to raise her.
+
+"Madame, it is too late! Antoinette cannot save the Duchesse de
+Langeais. I cannot believe in either. Today you may give yourself;
+tomorrow, you may refuse. No power in earth or heaven can insure me the
+sweet constancy of love. All love's pledges lay in the past; and now
+nothing of that past exists."
+
+The light behind the curtain blazed up so brightly, that the Duchess
+could not help turning her head; this time she distinctly saw the three
+masked figures.
+
+"Armand," she said, "I would not wish to think ill of you. Why are those
+men there? What are you going to do to me?"
+
+"Those men will be as silent as I myself with regard to the thing which
+is about to be done. Think of them simply as my hands and my heart. One
+of them is a surgeon----"
+
+"A surgeon! Armand, my friend, of all things, suspense is the hardest
+to bear. Just speak; tell me if you wish for my life; I will give it to
+you, you shall not take it----"
+
+"Then you did not understand me? Did I not speak just now of justice?
+To put an end to your misapprehensions," continued he, taking up a small
+steel object from the table, "I will now explain what I have decided
+with regard to you."
+
+He held out a Lorraine cross, fastened to the tip of a steel rod.
+
+"Two of my friends at this very moment are heating another cross, made
+on this pattern, red-hot. We are going to stamp it upon your forehead,
+here between the eyes, so that there will be no possibility of hiding
+the mark with diamonds, and so avoiding people's questions. In short,
+you shall bear on your forehead the brand of infamy which your brothers
+the convicts wear on their shoulders. The pain is a mere trifle, but I
+feared a nervous crisis of some kind, of resistance----"
+
+"Resistance?" she cried, clapping her hands for joy. "Oh no, no! I would
+have the whole world here to see. Ah, my Armand, brand her quickly,
+this creature of yours; brand her with your mark as a poor little trifle
+belonging to you. You asked for pledges of my love; here they are all in
+one. Ah! for me there is nothing but mercy and forgiveness and eternal
+happiness in this revenge of yours. When you have marked this woman with
+your mark, when you set your crimson brand on her, your slave in soul,
+you can never afterwards abandon her, you will be mine for evermore?
+When you cut me off from my kind, you make yourself responsible for my
+happiness, or you prove yourself base; and I know that you are noble and
+great! Why, when a woman loves, the brand of love is burnt into her
+soul by her own will.--Come in, gentlemen! come in and brand her,
+this Duchesse de Langeais. She is M. de Montriveau's forever! Ah! come
+quickly, all of you, my forehead burns hotter than your fire!"
+
+Armand turned his head sharply away lest he should see the Duchess
+kneeling, quivering with the throbbings of her heart. He said some word,
+and his three friends vanished.
+
+The women of Paris salons know how one mirror reflects another. The
+Duchess, with every motive for reading the depths of Armand's heart, was
+all eyes; and Armand, all unsuspicious of the mirror, brushed away two
+tears as they fell. Her whole future lay in those two tears. When he
+turned round again to help her to rise, she was standing before him,
+sure of love. Her pulses must have throbbed fast when he spoke with the
+firmness she had known so well how to use of old while she played with
+him.
+
+"I spare you, madame. All that has taken place shall be as if it had
+never been, you may believe me. But now, let us bid each other goodbye.
+I like to think that you were sincere in your coquetries on your sofa,
+sincere again in this outpouring of your heart. Good-bye. I feel that
+there is no faith in you left in me. You would torment me again; you
+would always be the Duchess, and----But there, good-bye, we shall never
+understand each other.
+
+"Now, what do you wish?" he continued, taking the tone of a master of
+the ceremonies--"to return home, or to go back to Mme de Serizy's
+ball? I have done all in my power to prevent any scandal. Neither your
+servants nor anyone else can possibly know what has passed between us
+in the last quarter of an hour. Your servants have no idea that you have
+left the ballroom; your carriage never left Mme de Serizy's courtyard;
+your brougham may likewise be found in the court of your own hotel.
+Where do you wish to be?"
+
+"What do you counsel, Armand?"
+
+"There is no Armand now, Mme la Duchesse. We are strangers to each
+other."
+
+"Then take me to the ball," she said, still curious to put Armand's
+power to the test. "Thrust a soul that suffered in the world, and must
+always suffer there, if there is no happiness for her now, down into
+hell again. And yet, oh my friend, I love you as your bourgeoises love;
+I love you so that I could come to you and fling my arms about your neck
+before all the world if you asked it off me. The hateful world has not
+corrupted me. I am young at least, and I have grown younger still. I am
+a child, yes, your child, your new creature. Ah! do not drive me forth
+out of my Eden!"
+
+Armand shook his head.
+
+"Ah! let me take something with me, if I go, some little thing to wear
+tonight on my heart," she said, taking possession of Armand's glove,
+which she twisted into her handkerchief.
+
+"No, I am _not_ like all those depraved women. You do not know the
+world, and so you cannot know my worth. You shall know it now! There are
+women who sell themselves for money; there are others to be gained by
+gifts, it is a vile world! Oh, I wish I were a simple bourgeoise, a
+working girl, if you would rather have a woman beneath you than a woman
+whose devotion is accompanied by high rank, as men count it. Oh, my
+Armand, there are noble, high, and chaste and pure natures among us;
+and then they are lovely indeed. I would have all nobleness that I might
+offer it all up to you. Misfortune willed that I should be a duchess;
+I would I were a royal princess, that my offering might be complete. I
+would be a grisette for you, and a queen for everyone besides."
+
+He listened, damping his cigars with his lips.
+
+"You will let me know when you wish to go," he said.
+
+"But I should like to stay----"
+
+"That is another matter!"
+
+"Stay, that was badly rolled," she cried, seizing on a cigar and
+devouring all that Armand's lips had touched.
+
+"Do you smoke?"
+
+"Oh, what would I not do to please you?"
+
+"Very well. Go, madame."
+
+"I will obey you," she answered, with tears in her eyes.
+
+"You must be blindfolded; you must not see a glimpse of the way."
+
+"I am ready, Armand," she said, bandaging her eyes.
+
+"Can you see?"
+
+"No."
+
+Noiselessly he knelt before her.
+
+"Ah! I can hear you!" she cried, with a little fond gesture, thinking
+that the pretence of harshness was over.
+
+He made as if he would kiss her lips; she held up her face.
+
+"You can see, madame."
+
+"I am just a little bit curious."
+
+"So you always deceive me?"
+
+"Ah! take off this handkerchief, sir," she cried out, with the passion
+of a great generosity repelled with scorn, "lead me; I will not open my
+eyes."
+
+Armand felt sure of her after that cry. He led the way; the Duchess
+nobly true to her word, was blind. But while Montriveau held her hand
+as a father might, and led her up and down flights of stairs, he was
+studying the throbbing pulses of this woman's heart so suddenly invaded
+by Love. Mme de Langeais, rejoicing in this power of speech, was glad to
+let him know all; but he was inflexible; his hand was passive in reply
+to the questionings of her hand.
+
+At length, after some journey made together, Armand bade her go forward;
+the opening was doubtless narrow, for as she went she felt that his hand
+protected her dress. His care touched her; it was a revelation surely
+that there was a little love still left; yet it was in some sort a
+farewell, for Montriveau left her without a word. The air was warm; the
+Duchess, feeling the heat, opened her eyes, and found herself standing
+by the fire in the Comtesse de Serizy's boudoir.
+
+She was alone. Her first thought was for her disordered toilette; in a
+moment she had adjusted her dress and restored her picturesque coiffure.
+
+"Well, dear Antoinette, we have been looking for you everywhere." It was
+the Comtesse de Serizy who spoke as she opened the door.
+
+"I came here to breathe," said the Duchess; "it is unbearably hot in the
+rooms."
+
+"People thought that you had gone; but my brother Ronquerolles told me
+that your servants were waiting for you."
+
+"I am tired out, dear, let me stay and rest here for a minute," and the
+Duchess sat down on the sofa.
+
+"Why, what is the matter with you? You are shaking from head to foot!"
+
+The Marquis de Ronquerolles came in.
+
+"Mme la Duchesse, I was afraid that something might have happened. I
+have just come across your coachman, the man is as tipsy as all the
+Swiss in Switzerland."
+
+The Duchess made no answer; she was looking round the room, at the
+chimney-piece and the tall mirrors, seeking the trace of an opening.
+Then with an extraordinary sensation she recollected that she was again
+in the midst of the gaiety of the ballroom after that terrific scene
+which had changed the whole course of her life. She began to shiver
+violently.
+
+"M. de Montriveau's prophecy has shaken my nerves," she said. "It was
+a joke, but still I will see whether his axe from London will haunt me
+even in my sleep. So good-bye, dear.--Good-bye, M. le Marquis."
+
+As she went through the rooms she was beset with inquiries and regrets.
+Her world seemed to have dwindled now that she, its queen, had fallen so
+low, was so diminished. And what, moreover, were these men compared with
+him whom she loved with all her heart; with the man grown great by all
+that she had lost in stature? The giant had regained the height that he
+had lost for a while, and she exaggerated it perhaps beyond measure. She
+looked, in spite of herself, at the servant who had attended her to the
+ball. He was fast asleep.
+
+"Have you been here all the time?" she asked.
+
+"Yes, madame."
+
+As she took her seat in her carriage she saw, in fact, that her coachman
+was drunk--so drunk, that at any other time she would have been afraid;
+but after a great crisis in life, fear loses its appetite for common
+food. She reached home, at any rate, without accident; but even there
+she felt a change in herself, a new feeling that she could not shake
+off. For her, there was now but one man in the world; which is to say
+that henceforth she cared to shine for his sake alone.
+
+While the physiologist can define love promptly by following out natural
+laws, the moralist finds a far more perplexing problem before him if
+he attempts to consider love in all its developments due to social
+conditions. Still, in spite of the heresies of the endless sects that
+divide the church of Love, there is one broad and trenchant line of
+difference in doctrine, a line that all the discussion in the world can
+never deflect. A rigid application of this line explains the nature
+of the crisis through which the Duchess, like most women, was to pass.
+Passion she knew, but she did not love as yet.
+
+Love and passion are two different conditions which poets and men of the
+world, philosophers and fools, alike continually confound. Love implies
+a give and take, a certainty of bliss that nothing can change; it
+means so close a clinging of the heart, and an exchange of happiness so
+constant, that there is no room left for jealousy. Then possession is a
+means and not an end; unfaithfulness may give pain, but the bond is not
+less close; the soul is neither more nor less ardent or troubled, but
+happy at every moment; in short, the divine breath of desire spreading
+from end to end of the immensity of Time steeps it all for us in the
+selfsame hue; life takes the tint of the unclouded heaven. But Passion
+is the foreshadowing of Love, and of that Infinite to which all
+suffering souls aspire. Passion is a hope that may be cheated. Passion
+means both suffering and transition. Passion dies out when hope is
+dead. Men and women may pass through this experience many times without
+dishonor, for it is so natural to spring towards happiness; but there is
+only one love in a lifetime. All discussions of sentiment ever
+conducted on paper or by word of mouth may therefore be resumed by
+two questions--"Is it passion? Is it love?" So, since love comes into
+existence only through the intimate experience of the bliss which gives
+it lasting life, the Duchess was beneath the yoke of passion as yet; and
+as she knew the fierce tumult, the unconscious calculations, the fevered
+cravings, and all that is meant by that word _passion_--she suffered.
+Through all the trouble of her soul there rose eddying gusts of tempest,
+raised by vanity or self-love, or pride or a high spirit; for all these
+forms of egoism make common cause together.
+
+She had said to this man, "I love you; I am yours!" Was it possible that
+the Duchesse de Langeais should have uttered those words--in vain? She
+must either be loved now or play her part of queen no longer. And then
+she felt the loneliness of the luxurious couch where pleasure had never
+yet set his glowing feet; and over and over again, while she tossed and
+writhed there, she said, "I want to be loved."
+
+But the belief that she still had in herself gave her hope of success.
+The Duchess might be piqued, the vain Parisienne might be humiliated;
+but the woman saw glimpses of wedded happiness, and imagination,
+avenging the time lost for nature, took a delight in kindling the
+inextinguishable fire in her veins. She all but attained to the
+sensations of love; for amid her poignant doubt whether she was loved in
+return, she felt glad at heart to say to herself, "I love him!" As for
+her scruples, religion, and the world she could trample them under foot!
+Montriveau was her religion now. She spent the next day in a state
+of moral torpor, troubled by a physical unrest, which no words could
+express. She wrote letters and tore them all up, and invented a thousand
+impossible fancies.
+
+When M. de Montriveau's usual hour arrived, she tried to think that he
+would come, and enjoyed the feeling of expectation. Her whole life was
+concentrated in the single sense of hearing. Sometimes she shut her
+eyes, straining her ears to listen through space, wishing that she
+could annihilate everything that lay between her and her lover, and so
+establish that perfect silence which sounds may traverse from afar. In
+her tense self-concentration, the ticking of the clock grew hateful
+to her; she stopped its ill-omened garrulity. The twelve strokes of
+midnight sounded from the drawing-room.
+
+"Ah, God!" she cried, "to see him here would be happiness. And yet, it
+is not so very long since he came here, brought by desire, and the tones
+of his voice filled this boudoir. And now there is nothing."
+
+She remembered the times that she had played the coquette with him, and
+how that her coquetry had cost her her lover, and the despairing tears
+flowed for long.
+
+Her woman came at length with, "Mme la Duchesse does not know, perhaps,
+that it is two o'clock in the morning; I thought that madame was not
+feeling well."
+
+"Yes, I am going to bed," said the Duchess, drying her eyes. "But
+remember, Suzanne, never to come in again without orders; I tell you
+this for the last time."
+
+For a week, Mme de Langeais went to every house where there was a hope
+of meeting M. de Montriveau. Contrary to her usual habits, she came
+early and went late; gave up dancing, and went to the card-tables. Her
+experiments were fruitless. She did not succeed in getting a glimpse of
+Armand. She did not dare to utter his name now. One evening, however, in
+a fit of despair, she spoke to Mme de Serizy, and asked as carelessly as
+she could, "You must have quarreled with M. de Montriveau? He is not to
+be seen at your house now."
+
+The Countess laughed. "So he does not come here either?" she returned.
+"He is not to be seen anywhere, for that matter. He is interested in
+some woman, no doubt."
+
+"I used to think that the Marquis de Ronquerolles was one of his
+friends----" the Duchess began sweetly.
+
+"I have never heard my brother say that he was acquainted with him."
+
+Mme de Langeais did not reply. Mme de Serizy concluded from the
+Duchess's silence that she might apply the scourge with impunity to a
+discreet friendship which she had seen, with bitterness of soul, for a
+long time past.
+
+"So you miss that melancholy personage, do you? I have heard most
+extraordinary things of him. Wound his feelings, he never comes back,
+he forgives nothing; and, if you love him, he keeps you in chains. To
+everything that I said of him, one of those that praise him sky-high
+would always answer, 'He knows how to love!' People are always telling
+me that Montriveau would give up all for his friend; that his is a great
+nature. Pooh! society does not want such tremendous natures. Men of that
+stamp are all very well at home; let them stay there and leave us to our
+pleasant littlenesses. What do you say, Antoinette?"
+
+Woman of the world though she was, the Duchess seemed agitated, yet she
+replied in a natural voice that deceived her fair friend:
+
+"I am sorry to miss him. I took a great interest in him, and promised
+to myself to be his sincere friend. I like great natures, dear friend,
+ridiculous though you may think it. To give oneself to a fool is a clear
+confession, is it not, that one is governed wholly by one's senses?"
+
+Mme de Serizy's "preferences" had always been for commonplace men; her
+lover at the moment, the Marquis d'Aiglemont, was a fine, tall man.
+
+After this, the Countess soon took her departure, you may be sure Mme
+de Langeais saw hope in Armand's withdrawal from the world; she wrote to
+him at once; it was a humble, gentle letter, surely it would bring him
+if he loved her still. She sent her footman with it next day. On the
+servant's return, she asked whether he had given the letter to M. de
+Montriveau himself, and could not restrain the movement of joy at the
+affirmative answer. Armand was in Paris! He stayed alone in his house;
+he did not go out into society! So she was loved! All day long she
+waited for an answer that never came. Again and again, when impatience
+grew unbearable, Antoinette found reasons for his delay. Armand felt
+embarrassed; the reply would come by post; but night came, and she could
+not deceive herself any longer. It was a dreadful day, a day of pain
+grown sweet, of intolerable heart-throbs, a day when the heart squanders
+the very forces of life in riot.
+
+Next day she sent for an answer.
+
+"M. le Marquis sent word that he would call on Mme la Duchesse,"
+reported Julien.
+
+She fled lest her happiness should be seen in her face, and flung
+herself on her couch to devour her first sensations.
+
+"He is coming!"
+
+The thought rent her soul. And, in truth, woe unto those for whom
+suspense is not the most horrible time of tempest, while it increases
+and multiplies the sweetest joys; for they have nothing in them of
+that flame which quickens the images of things, giving to them a second
+existence, so that we cling as closely to the pure essence as to its
+outward and visible manifestation. What is suspense in love but a
+constant drawing upon an unfailing hope?--a submission to the terrible
+scourging of passion, while passion is yet happy, and the disenchantment
+of reality has not set in. The constant putting forth of strength and
+longing, called suspense, is surely, to the human soul, as fragrance
+to the flower that breathes it forth. We soon leave the brilliant,
+unsatisfying colours of tulips and coreopsis, but we turn again and
+again to drink in the sweetness of orange-blossoms or volkameria-flowers
+compared separately, each in its own land, to a betrothed bride, full of
+love, made fair by the past and future.
+
+The Duchess learned the joys of this new life of hers through the
+rapture with which she received the scourgings of love. As this change
+wrought in her, she saw other destinies before her, and a better
+meaning in the things of life. As she hurried to her dressing-room, she
+understood what studied adornment and the most minute attention to
+her toilet mean when these are undertaken for love's sake and not for
+vanity. Even now this making ready helped her to bear the long time of
+waiting. A relapse of intense agitation set in when she was dressed; she
+passed through nervous paroxysms brought on by the dreadful power which
+sets the whole mind in ferment. Perhaps that power is only a disease,
+though the pain of it is sweet. The Duchess was dressed and waiting
+at two o clock in the afternoon. At half-past eleven that night M.
+de Montriveau had not arrived. To try to give an idea of the anguish
+endured by a woman who might be said to be the spoilt child of
+civilization, would be to attempt to say how many imaginings the heart
+can condense into one thought. As well endeavour to measure the forces
+expended by the soul in a sigh whenever the bell rang; to estimate the
+drain of life when a carriage rolled past without stopping, and left her
+prostrate.
+
+"Can he be playing with me?" she said, as the clocks struck midnight.
+
+She grew white; her teeth chattered; she struck her hands together and
+leapt up and crossed the boudoir, recollecting as she did so how often
+he had come thither without a summons. But she resigned herself. Had she
+not seen him grow pale, and start up under the stinging barbs of irony?
+Then Mme de Langeais felt the horror of the woman's appointed lot; a
+man's is the active part, a woman must wait passively when she loves. If
+a woman goes beyond her beloved, she makes a mistake which few men can
+forgive; almost every man would feel that a woman lowers herself by this
+piece of angelic flattery. But Armand's was a great nature; he surely
+must be one of the very few who can repay such exceeding love by love
+that lasts forever.
+
+"Well, I will make the advance," she told herself, as she tossed on her
+bed and found no sleep there; "I will go to him. I will not weary myself
+with holding out a hand to him, but I will hold it out. A man of a
+thousand will see a promise of love and constancy in every step that a
+woman takes towards him. Yes, the angels must come down from heaven to
+reach men; and I wish to be an angel for him."
+
+Next day she wrote. It was a billet of the kind in which the intellects
+of the ten thousand Sevignes that Paris now can number particularly
+excel. And yet only a Duchesse de Langeais, brought up by Mme la
+Princesse de Blamont-Chauvry, could have written that delicious note; no
+other woman could complain without lowering herself; could spread wings
+in such a flight without draggling her pinions in humiliation; rise
+gracefully in revolt; scold without giving offence; and pardon without
+compromising her personal dignity.
+
+Julien went with the note. Julien, like his kind, was the victim of
+love's marches and countermarches.
+
+"What did M. de Montriveau reply?" she asked, as indifferently as she
+could, when the man came back to report himself.
+
+"M. le Marquis requested me to tell Mme la Duchesse that it was all
+right."
+
+Oh the dreadful reaction of the soul upon herself! To have her heart
+stretched on the rack before curious witnesses; yet not to utter a
+sound, to be forced to keep silence! One of the countless miseries of
+the rich!
+
+More than three weeks went by. Mme de Langeais wrote again and again,
+and no answer came from Montriveau. At last she gave out that she was
+ill, to gain a dispensation from attendance on the Princess and from
+social duties. She was only at home to her father the Duc de Navarreins,
+her aunt the Princesse de Blamont-Chauvry, the old Vidame de Pamiers
+(her maternal great-uncle), and to her husband's uncle, the Duc de
+Grandlieu. These persons found no difficulty in believing that the
+Duchess was ill, seeing that she grew thinner and paler and more
+dejected every day. The vague ardour of love, the smart of wounded
+pride, the continual prick of the only scorn that could touch her,
+the yearnings towards joys that she craved with a vain continual
+longing--all these things told upon her, mind and body; all the forces
+of her nature were stimulated to no purpose. She was paying the arrears
+of her life of make-believe.
+
+She went out at last to a review. M. de Montriveau was to be there. For
+the Duchess, on the balcony of the Tuileries with the Royal Family,
+it was one of those festival days that are long remembered. She looked
+supremely beautiful in her languor; she was greeted with admiration in
+all eyes. It was Montriveau's presence that made her so fair.
+
+Once or twice they exchanged glances. The General came almost to her
+feet in all the glory of that soldier's uniform, which produces an
+effect upon the feminine imagination to which the most prudish will
+confess. When a woman is very much in love, and has not seen her lover
+for two months, such a swift moment must be something like the phase of
+a dream when the eyes embrace a world that stretches away forever.
+Only women or young men can imagine the dull, frenzied hunger in the
+Duchess's eyes. As for older men, if during the paroxysms of early
+passion in youth they had experience of such phenomena of nervous power;
+at a later day it is so completely forgotten that they deny the very
+existence of the luxuriant ecstasy--the only name that can be given to
+these wonderful intuitions. Religious ecstasy is the aberration of a
+soul that has shaken off its bonds of flesh; whereas in amorous ecstasy
+all the forces of soul and body are embraced and blended in one. If
+a woman falls a victim to the tyrannous frenzy before which Mme de
+Langeais was forced to bend, she will take one decisive resolution
+after another so swiftly that it is impossible to give account of them.
+Thought after thought rises and flits across her brain, as clouds are
+whirled by the wind across the grey veil of mist that shuts out the sun.
+Thenceforth the facts reveal all. And the facts are these.
+
+The day after the review, Mme de Langeais sent her carriage and liveried
+servants to wait at the Marquis de Montriveau's door from eight o'clock
+in the morning till three in the afternoon. Armand lived in the Rue de
+Tournon, a few steps away from the Chamber of Peers, and that very
+day the House was sitting; but long before the peers returned to their
+palaces, several people had recognised the Duchess's carriage and
+liveries. The first of these was the Baron de Maulincour. That young
+officer had met with disdain from Mme de Langeais and a better reception
+from Mme de Serizy; he betook himself at once therefore to his mistress,
+and under seal of secrecy told her of this strange freak.
+
+In a moment the news was spread with telegraphic speed through all the
+coteries in the Faubourg Saint-Germain; it reached the Tuileries and the
+Elysee-Bourbon; it was the sensation of the day, the matter of all the
+talk from noon till night. Almost everywhere the women denied the facts,
+but in such a manner that the report was confirmed; the men one and
+all believed it, and manifested a most indulgent interest in Mme de
+Langeais. Some among them threw the blame on Armand.
+
+"That savage of a Montriveau is a man of bronze," said they; "he
+insisted on making this scandal, no doubt."
+
+"Very well, then," others replied, "Mme de Langeais has been guilty of
+a most generous piece of imprudence. To renounce the world and rank, and
+fortune, and consideration for her lover's sake, and that in the face
+of all Paris, is as fine a _coup d'etat_ for a woman as that barber's
+knife-thrust, which so affected Canning in a court of assize. Not one
+of the women who blame the Duchess would make a declaration worthy of
+ancient times. It is heroic of Mme de Langeais to proclaim herself so
+frankly. Now there is nothing left to her but to love Montriveau. There
+must be something great about a woman if she says, 'I will have but one
+passion.'"
+
+"But what is to become of society, monsieur, if you honour vice in this
+way without respect for virtue?" asked the Comtesse de Granville, the
+attorney-general's wife.
+
+While the Chateau, the Faubourg, and the Chaussee d'Antin were
+discussing the shipwreck of aristocratic virtue; while excited young men
+rushed about on horseback to make sure that the carriage was standing in
+the Rue de Tournon, and the Duchess in consequence was beyond a doubt in
+M. de Montriveau's rooms, Mme de Langeais, with heavy throbbing pulses,
+was lying hidden away in her boudoir. And Armand?--he had been out all
+night, and at that moment was walking with M. de Marsay in the Gardens
+of the Tuileries. The elder members, of Mme de Langeais' family were
+engaged in calling upon one another, arranging to read her a homily
+and to hold a consultation as to the best way of putting a stop to the
+scandal.
+
+At three o'clock, therefore, M. le Duc de Navarreins, the Vidame de
+Pamiers, the old Princesse de Blamont-Chauvry, and the Duc de Grandlieu
+were assembled in Mme la Duchesse de Langeais' drawing-room. To them, as
+to all curious inquirers, the servants said that their mistress was not
+at home; the Duchess had made no exceptions to her orders. But these
+four personages shone conspicuous in that lofty sphere, of which the
+revolutions and hereditary pretensions are solemnly recorded year by
+year in the _Almanach de Gotha_, wherefore without some slight sketch of
+each of them this picture of society were incomplete.
+
+The Princesse de Blamont-Chauvry, in the feminine world, was a most
+poetic wreck of the reign of Louis Quinze. In her beautiful prime, so it
+was said, she had done her part to win for that monarch his appellation
+of _le Bien-aime_. Of her past charms of feature, little remained save
+a remarkably prominent slender nose, curved like a Turkish scimitar, now
+the principal ornament of a countenance that put you in mind of an old
+white glove. Add a few powdered curls, high-heeled pantoufles, a cap
+with upstanding loops of lace, black mittens, and a decided taste for
+_ombre_. But to do full justice to the lady, it must be said that she
+appeared in low-necked gowns of an evening (so high an opinion of her
+ruins had she), wore long gloves, and raddled her cheeks with Martin's
+classic rouge. An appalling amiability in her wrinkles, a prodigious
+brightness in the old lady's eyes, a profound dignity in her whole
+person, together with the triple barbed wit of her tongue, and an
+infallible memory in her head, made of her a real power in the land. The
+whole Cabinet des Chartes was entered in duplicate on the parchment
+of her brain. She knew all the genealogies of every noble house in
+Europe--princes, dukes, and counts--and could put her hand on the last
+descendants of Charlemagne in the direct line. No usurpation of title
+could escape the Princesse de Blamont-Chauvry.
+
+Young men who wished to stand well at Court, ambitious men, and young
+married women paid her assiduous homage. Her salon set the tone of the
+Faubourg Saint-Germain. The words of this Talleyrand in petticoats
+were taken as final decrees. People came to consult her on questions of
+etiquette or usages, or to take lessons in good taste. And, in truth,
+no other old woman could put back her snuff-box in her pocket as the
+Princess could; while there was a precision and a grace about the
+movements of her skirts, when she sat down or crossed her feet, which
+drove the finest ladies of the young generation to despair. Her voice
+had remained in her head during one-third of her lifetime; but she could
+not prevent a descent into the membranes of the nose, which lent to it a
+peculiar expressiveness. She still retained a hundred and fifty thousand
+livres of her great fortune, for Napoleon had generously returned her
+woods to her; so that personally and in the matter of possessions she
+was a woman of no little consequence.
+
+This curious antique, seated in a low chair by the fireside, was
+chatting with the Vidame de Pamiers, a contemporary ruin. The Vidame was
+a big, tall, and spare man, a seigneur of the old school, and had been
+a Commander of the Order of Malta. His neck had always been so tightly
+compressed by a strangulation stock, that his cheeks pouched over it a
+little, and he held his head high; to many people this would have given
+an air of self-sufficiency, but in the Vidame it was justified by a
+Voltairean wit. His wide prominent eyes seemed to see everything, and as
+a matter of fact there was not much that they had not seen. Altogether,
+his person was a perfect model of aristocratic outline, slim and
+slender, supple and agreeable. He seemed as if he could be pliant or
+rigid at will, and twist and bend, or rear his head like a snake.
+
+The Duc de Navarreins was pacing up and down the room with the Duc de
+Grandlieu. Both were men of fifty-six or thereabouts, and still hale;
+both were short, corpulent, flourishing, somewhat florid-complexioned
+men with jaded eyes, and lower lips that had begun to hang already. But
+for an exquisite refinement of accent, an urbane courtesy, and an ease
+of manner that could change in a moment to insolence, a superficial
+observer might have taken them for a couple of bankers. Any such mistake
+would have been impossible, however, if the listener could have heard
+them converse, and seen them on their guard with men whom they feared,
+vapid and commonplace with their equals, slippery with the inferiors
+whom courtiers and statesmen know how to tame by a tactful word, or to
+humiliate with an unexpected phrase.
+
+Such were the representatives of the great noblesse that determined to
+perish rather than submit to any change. It was a noblesse that deserved
+praise and blame in equal measure; a noblesse that will never be judged
+impartially until some poet shall arise to tell how joyfully the nobles
+obeyed the King though their heads fell under a Richelieu's axe, and how
+deeply they scorned the guillotine of '89 as a foul revenge.
+
+Another noticeable trait in all the four was a thin voice that agreed
+peculiarly well with their ideas and bearing. Among themselves, at any
+rate, they were on terms of perfect equality. None of them betrayed
+any sign of annoyance over the Duchess's escapade, but all of them had
+learned at Court to hide their feelings.
+
+And here, lest critics should condemn the puerility of the opening of
+the forthcoming scene, it is perhaps as well to remind the reader that
+Locke, once happening to be in the company of several great lords,
+renowned no less for their wit than for their breeding and political
+consistency, wickedly amused himself by taking down their conversation
+by some shorthand process of his own; and afterwards, when he read
+it over to them to see what they could make of it, they all burst out
+laughing. And, in truth, the tinsel jargon which circulates among the
+upper ranks in every country yields mighty little gold to the crucible
+when washed in the ashes of literature or philosophy. In every rank of
+society (some few Parisian salons excepted) the curious observer finds
+folly a constant quantity beneath a more or less transparent varnish.
+Conversation with any substance in it is a rare exception, and
+boeotianism is current coin in every zone. In the higher regions they
+must perforce talk more, but to make up for it they think the less.
+Thinking is a tiring exercise, and the rich like their lives to flow by
+easily and without effort. It is by comparing the fundamental matter of
+jests, as you rise in the social scale from the street-boy to the peer
+of France, that the observer arrives at a true comprehension of M. de
+Talleyrand's maxim, "The manner is everything"; an elegant rendering of
+the legal axiom, "The form is of more consequence than the matter." In
+the eyes of the poet the advantage rests with the lower classes, for
+they seldom fail to give a certain character of rude poetry to their
+thoughts. Perhaps also this same observation may explain the sterility
+of the salons, their emptiness, their shallowness, and the repugnance
+felt by men of ability for bartering their ideas for such pitiful small
+change.
+
+The Duke suddenly stopped as if some bright idea occurred to him, and
+remarked to his neighbour:
+
+"So you have sold Tornthon?"
+
+"No, he is ill. I am very much afraid I shall lose him, and I should be
+uncommonly sorry. He is a very good hunter. Do you know how the Duchesse
+de Marigny is?"
+
+"No. I did not go this morning. I was just going out to call when
+you came in to speak about Antoinette. But yesterday she was very ill
+indeed; they had given her up, she took the sacrament."
+
+"Her death will make a change in your cousin's position."
+
+"Not at all. She gave away her property in her lifetime, only keeping
+an annuity. She made over the Guebriant estate to her niece, Mme de
+Soulanges, subject to a yearly charge."
+
+"It will be a great loss for society. She was a kind woman. Her family
+will miss her; her experience and advice carried weight. Her son Marigny
+is an amiable man; he has a sharp wit, he can talk. He is pleasant, very
+pleasant. Pleasant? oh, that no one can deny, but--ill regulated to
+the last degree. Well, and yet it is an extraordinary thing, he is
+very acute. He was dining at the club the other day with that moneyed
+Chaussee-d'Antin set. Your uncle (he always goes there for his game
+of cards) found him there to his astonishment, and asked if he was a
+member. 'Yes,' said he, 'I don't go into society now; I am living among
+the bankers.'--You know why?" added the Marquis, with a meaning smile.
+
+"No," said the Duke.
+
+"He is smitten with that little Mme Keller, Gondreville's daughter; she
+is only lately married, and has a great vogue, they say, in that set."
+
+"Well, Antoinette does not find time heavy on her hands, it seems,"
+remarked the Vidame.
+
+"My affection for that little woman has driven me to find a singular
+pastime," replied the Princess, as she returned her snuff-box to her
+pocket.
+
+"Dear aunt, I am extremely vexed," said the Duke, stopping short in his
+walk. "Nobody but one of Bonaparte's men could ask such an indecorous
+thing of a woman of fashion. Between ourselves, Antoinette might have
+made a better choice."
+
+"The Montriveaus are a very old family and very well connected, my
+dear," replied the Princess; "they are related to all the noblest houses
+of Burgundy. If the Dulmen branch of the Arschoot Rivaudoults should
+come to an end in Galicia, the Montriveaus would succeed to the Arschoot
+title and estates. They inherit through their great-grandfather.
+
+"Are you sure?"
+
+"I know it better than this Montriveau's father did. I told him about
+it, I used to see a good deal of him; and, Chevalier of several orders
+though he was, he only laughed; he was an encyclopaedist. But his
+brother turned the relationship to good account during the emigration.
+I have heard it said that his northern kinsfolk were most kind in every
+way----"
+
+"Yes, to be sure. The Comte de Montriveau died at St. Petersburg,"
+said the Vidame. "I met him there. He was a big man with an incredible
+passion for oysters."
+
+"However many did he eat?" asked the Duc de Grandlieu.
+
+"Ten dozen every day."
+
+"And did they not disagree with him?"
+
+"Not the least bit in the world."
+
+"Why, that is extraordinary! Had he neither the stone nor gout, nor any
+other complaint, in consequence?"
+
+"No; his health was perfectly good, and he died through an accident."
+
+"By accident! Nature prompted him to eat oysters, so probably he
+required them; for up to a certain point our predominant tastes are
+conditions of our existence."
+
+"I am of your opinion," said the Princess, with a smile.
+
+"Madame, you always put a malicious construction on things," returned
+the Marquis.
+
+"I only want you to understand that these remarks might leave a wrong
+impression on a young woman's mind," said she, and interrupted herself
+to exclaim, "But this niece, this niece of mine!"
+
+"Dear aunt, I still refuse to believe that she can have gone to M. de
+Montriveau," said the Duc de Navarreins.
+
+"Bah!" returned the Princess.
+
+"What do you think, Vidame?" asked the Marquis.
+
+"If the Duchess were an artless simpleton, I should think that----"
+
+"But when a woman is in love she becomes an artless simpleton," retorted
+the Princess. "Really, my poor Vidame, you must be getting older."
+
+"After all, what is to be done?" asked the Duke.
+
+"If my dear niece is wise," said the Princess, "she will go to Court
+this evening--fortunately, today is Monday, and reception day--and you
+must see that we all rally round her and give the lie to this absurd
+rumour. There are hundreds of ways of explaining things; and if the
+Marquis de Montriveau is a gentleman, he will come to our assistance. We
+will bring these children to listen to reason----"
+
+"But, dear aunt, it is not easy to tell M. de Montriveau the truth to
+his face. He is one of Bonaparte's pupils, and he has a position. Why,
+he is one of the great men of the day; he is high up in the Guards, and
+very useful there. He has not a spark of ambition. He is just the man to
+say, 'Here is my commission, leave me in peace,' if the King should say
+a word that he did not like."
+
+"Then, pray, what are his opinions?"
+
+"Very unsound."
+
+"Really," sighed the Princess, "the King is, as he always has been, a
+Jacobin under the Lilies of France."
+
+"Oh! not quite so bad," said the Vidame.
+
+"Yes; I have known him for a long while. The man that pointed out the
+Court to his wife on the occasion of her first state dinner in public
+with, 'These are our people,' could only be a black-hearted scoundrel.
+I can see Monsieur exactly the same as ever in the King. The bad brother
+who voted so wrongly in his department of the Constituent Assembly was
+sure to compound with the Liberals and allow them to argue and talk.
+This philosophical cant will be just as dangerous now for the younger
+brother as it used to be for the elder; this fat man with the little
+mind is amusing himself by creating difficulties, and how his successor
+is to get out of them I do not know; he holds his younger brother in
+abhorrence; he would be glad to think as he lay dying, 'He will not
+reign very long----'"
+
+"Aunt, he is the King, and I have the honour to be in his service----"
+
+"But does your post take away your right of free speech, my dear? You
+come of quite as good a house as the Bourbons. If the Guises had shown a
+little more resolution, His Majesty would be a nobody at this day. It is
+time I went out of this world, the noblesse is dead. Yes, it is all
+over with you, my children," she continued, looking as she spoke at the
+Vidame. "What has my niece done that the whole town should be talking
+about her? She is in the wrong; I disapprove of her conduct, a useless
+scandal is a blunder; that is why I still have my doubts about this want
+of regard for appearances; I brought her up, and I know that----"
+
+Just at that moment the Duchess came out of her boudoir. She had
+recognised her aunt's voice and heard the name of Montriveau. She
+was still in her loose morning-gown; and even as she came in, M.
+de Grandlieu, looking carelessly out of the window, saw his niece's
+carriage driving back along the street. The Duke took his daughter's
+face in both hands and kissed her on the forehead.
+
+"So, dear girl," he said, "you do not know what is going on?"
+
+"Has anything extraordinary happened, father dear?"
+
+"Why, all Paris believes that you are with M. de Montriveau."
+
+"My dear Antoinette, you were at home all the time, were you not?"
+said the Princess, holding out a hand, which the Duchess kissed with
+affectionate respect.
+
+"Yes, dear mother; I was at home all the time. And," she added, as she
+turned to greet the Vidame and the Marquis, "I wished that all Paris
+should think that I was with M. de Montriveau."
+
+The Duke flung up his hands, struck them together in despair, and folded
+his arms.
+
+"Then, cannot you see what will come of this mad freak?" he asked at
+last.
+
+But the aged Princess had suddenly risen, and stood looking steadily
+at the Duchess, the younger woman flushed, and her eyes fell. Mme de
+Chauvry gently drew her closer, and said, "My little angel, let me kiss
+you!"
+
+She kissed her niece very affectionately on the forehead, and continued
+smiling, while she held her hand in a tight clasp.
+
+"We are not under the Valois now, dear child. You have compromised your
+husband and your position. Still, we will arrange to make everything
+right."
+
+"But, dear aunt, I do not wish to make it right at all. It is my wish
+that all Paris should say that I was with M. de Montriveau this morning.
+If you destroy that belief, however ill grounded it may be, you will do
+me a singular disservice."
+
+"Do you really wish to ruin yourself, child, and to grieve your family?"
+
+"My family, father, unintentionally condemned me to irreparable
+misfortune when they sacrificed me to family considerations. You may,
+perhaps, blame me for seeking alleviations, but you will certainly feel
+for me."
+
+"After all the endless pains you take to settle your daughters
+suitably!" muttered M. de Navarreins, addressing the Vidame.
+
+The Princess shook a stray grain of snuff from her skirts. "My dear
+little girl," she said, "be happy, if you can. We are not talking of
+troubling your felicity, but of reconciling it with social usages. We
+all of us here assembled know that marriage is a defective institution
+tempered by love. But when you take a lover, is there any need to make
+your bed in the Place du Carrousel? See now, just be a bit reasonable,
+and hear what we have to say."
+
+"I am listening."
+
+"Mme la Duchesse," began the Duc de Grandlieu, "if it were any part of
+an uncle's duty to look after his nieces, he ought to have a position;
+society would owe him honours and rewards and a salary, exactly as if
+he were in the King's service. So I am not here to talk about my nephew,
+but of your own interests. Let us look ahead a little. If you persist in
+making a scandal--I have seen the animal before, and I own that I have
+no great liking for him--Langeais is stingy enough, and he does not care
+a rap for anyone but himself; he will have a separation; he will stick
+to your money, and leave you poor, and consequently you will be a
+nobody. The income of a hundred thousand livres that you have just
+inherited from your maternal great-aunt will go to pay for his
+mistresses' amusements. You will be bound and gagged by the law;
+you will have to say _Amen_ to all these arrangements. Suppose M. de
+Montriveau leaves you----dear me! do not let us put ourselves in a
+passion, my dear niece; a man does not leave a woman while she is young
+and pretty; still, we have seen so many pretty women left disconsolate,
+even among princesses, that you will permit the supposition, an all but
+impossible supposition I quite wish to believe.----Well, suppose that
+he goes, what will become of you without a husband? Keep well with your
+husband as you take care of your beauty; for beauty, after all, is a
+woman's parachute, and a husband also stands between you and worse. I
+am supposing that you are happy and loved to the end, and I am leaving
+unpleasant or unfortunate events altogether out of the reckoning. This
+being so, fortunately or unfortunately, you may have children. What are
+they to be? Montriveaus? Very well; they certainly will not succeed to
+their father's whole fortune. You will want to give them all that you
+have; he will wish to do the same. Nothing more natural, dear me!
+And you will find the law against you. How many times have we
+seen heirs-at-law bringing a law-suit to recover the property from
+illegitimate children? Every court of law rings with such actions all
+over the world. You will create a _fidei commissum_ perhaps; and if the
+trustee betrays your confidence, your children have no remedy against
+him; and they are ruined. So choose carefully. You see the perplexities
+of the position. In every possible way your children will be sacrificed
+of necessity to the fancies of your heart; they will have no recognised
+status. While they are little they will be charming; but, Lord! some day
+they will reproach you for thinking of no one but your two selves. We
+old gentlemen know all about it. Little boys grow up into men, and men
+are ungrateful beings. When I was in Germany, did I not hear young de
+Horn say, after supper, 'If my mother had been an honest woman, I should
+be prince-regnant!' _If_?' We have spent our lives in hearing plebeians
+say _if_. _If_ brought about the Revolution. When a man cannot lay the
+blame on his father or mother, he holds God responsible for his hard
+lot. In short, dear child, we are here to open your eyes. I will say all
+I have to say in a few words, on which you had better meditate: A woman
+ought never to put her husband in the right."
+
+"Uncle, so long as I cared for nobody, I could calculate; I looked at
+interests then, as you do; now, I can only feel."
+
+"But, my dear little girl," remonstrated the Vidame, "life is simply a
+complication of interests and feelings; to be happy, more particularly
+in your position, one must try to reconcile one's feelings with
+one's interests. A grisette may love according to her fancy, that is
+intelligible enough, but you have a pretty fortune, a family, a name and
+a place at Court, and you ought not to fling them out of the window.
+And what have we been asking you to do to keep them all?--To manoeuvre
+carefully instead of falling foul of social conventions. Lord! I shall
+very soon be eighty years old, and I cannot recollect, under any regime,
+a love worth the price that you are willing to pay for the love of this
+lucky young man."
+
+The Duchess silenced the Vidame with a look; if Montriveau could have
+seen that glance, he would have forgiven all.
+
+"It would be very effective on the stage," remarked the Duc de
+Grandlieu, "but it all amounts to nothing when your jointure and
+position and independence is concerned. You are not grateful, my dear
+niece. You will not find many families where the relatives have courage
+enough to teach the wisdom gained by experience, and to make rash young
+heads listen to reason. Renounce your salvation in two minutes, if it
+pleases you to damn yourself; well and good; but reflect well beforehand
+when it comes to renouncing your income. I know of no confessor who
+remits the pains of poverty. I have a right, I think, to speak in this
+way to you; for if you are ruined, I am the one person who can offer you
+a refuge. I am almost an uncle to Langeais, and I alone have a right to
+put him in the wrong."
+
+The Duc de Navarreins roused himself from painful reflections.
+
+"Since you speak of feeling, my child," he said, "let me remind you that
+a woman who bears your name ought to be moved by sentiments which do
+not touch ordinary people. Can you wish to give an advantage to the
+Liberals, to those Jesuits of Robespierre's that are doing all they
+can to vilify the noblesse? Some things a Navarreins cannot do
+without failing in duty to his house. You would not be alone in your
+dishonor----"
+
+"Come, come!" said the Princess. "Dishonor? Do not make such a fuss
+about the journey of an empty carriage, children, and leave me alone
+with Antoinette. All three of you come and dine with me. I will
+undertake to arrange matters suitably. You men understand nothing;
+you are beginning to talk sourly already, and I have no wish to see a
+quarrel between you and my dear child. Do me the pleasure to go."
+
+The three gentlemen probably guessed the Princess's intentions; they
+took their leave. M. de Navarreins kissed his daughter on the forehead
+with, "Come, be good, dear child. It is not too late yet if you choose."
+
+"Couldn't we find some good fellow in the family to pick a quarrel with
+this Montriveau?" said the Vidame, as they went downstairs.
+
+When the two women were alone, the Princess beckoned her niece to a
+little low chair by her side.
+
+"My pearl," said she, "in this world below, I know nothing worse
+calumniated than God and the eighteenth century; for as I look back over
+my own young days, I do not recollect that a single duchess trampled the
+proprieties underfoot as you have just done. Novelists and scribblers
+brought the reign of Louis XV into disrepute. Do not believe them. The
+du Barry, my dear, was quite as good as the Widow Scarron, and the more
+agreeable woman of the two. In my time a woman could keep her dignity
+among her gallantries. Indiscretion was the ruin of us, and the
+beginning of all the mischief. The philosophists--the nobodies whom we
+admitted into our salons--had no more gratitude or sense of decency than
+to make an inventory of our hearts, to traduce us one and all, and to
+rail against the age by way of a return for our kindness. The people are
+not in a position to judge of anything whatsoever; they looked at the
+facts, not at the form. But the men and women of those times, my heart,
+were quite as remarkable as at any other period of the Monarchy. Not one
+of your Werthers, none of your notabilities, as they are called, never
+a one of your men in yellow kid gloves and trousers that disguise the
+poverty of their legs, would cross Europe in the dress of a travelling
+hawker to brave the daggers of a Duke of Modena, and to shut himself up
+in the dressing-room of the Regent's daughter at the risk of his life.
+Not one of your little consumptive patients with their tortoiseshell
+eyeglasses would hide himself in a closet for six weeks, like Lauzun,
+to keep up his mistress's courage while she was lying in of her child.
+There was more passion in M. de Jaucourt's little finger than in
+your whole race of higglers that leave a woman to better themselves
+elsewhere! Just tell me where to find the page that would be cut in
+pieces and buried under the floorboards for one kiss on the Konigsmark's
+gloved finger!
+
+"Really, it would seem today that the roles are exchanged, and women
+are expected to show their devotion for men. These modern gentlemen are
+worth less, and think more of themselves. Believe me, my dear, all these
+adventures that have been made public, and now are turned against our
+good Louis XV, were kept quite secret at first. If it had not been for
+a pack of poetasters, scribblers, and moralists, who hung about our
+waiting-women, and took down their slanders, our epoch would have
+appeared in literature as a well-conducted age. I am justifying the
+century and not its fringe. Perhaps a hundred women of quality were
+lost; but for every one, the rogues set down ten, like the gazettes
+after a battle when they count up the losses of the beaten side. And in
+any case I do not know that the Revolution and the Empire can reproach
+us; they were coarse, dull, licentious times. Faugh! it is revolting.
+Those are the brothels of French history.
+
+"This preamble, my dear child," she continued after a pause, "brings
+me to the thing that I have to say. If you care for Montriveau, you are
+quite at liberty to love him at your ease, and as much as you can. I
+know by experience that, unless you are locked up (but locking people
+up is out of fashion now), you will do as you please; I should have done
+the same at your age. Only, sweetheart, I should not have given up my
+right to be the mother of future Ducs de Langeais. So mind appearances.
+The Vidame is right. No man is worth a single one of the sacrifices
+which we are foolish enough to make for their love. Put yourself in
+such a position that you may still be M. de Langeais' wife, in case you
+should have the misfortune to repent. When you are an old woman, you
+will be very glad to hear mass said at Court, and not in some provincial
+convent. Therein lies the whole question. A single imprudence means an
+allowance and a wandering life; it means that you are at the mercy of
+your lover; it means that you must put up with insolence from women
+that are not so honest, precisely because they have been very vulgarly
+sharp-witted. It would be a hundred times better to go to Montriveau's
+at night in a cab, and disguised, instead of sending your carriage in
+broad daylight. You are a little fool, my dear child! Your carriage
+flattered his vanity; your person would have ensnared his heart. All
+this that I have said is just and true; but, for my own part, I do not
+blame you. You are two centuries behind the times with your false ideas
+of greatness. There, leave us to arrange your affairs, and say that
+Montriveau made your servants drunk to gratify his vanity and to
+compromise you----"
+
+The Duchess rose to her feet with a spring. "In Heaven's name, aunt, do
+not slander him!"
+
+The old Princess's eyes flashed.
+
+"Dear child," she said, "I should have liked to spare such of your
+illusions as were not fatal. But there must be an end of all illusions
+now. You would soften me if I were not so old. Come, now, do not vex
+him, or us, or anyone else. I will undertake to satisfy everybody; but
+promise me not to permit yourself a single step henceforth until you
+have consulted me. Tell me all, and perhaps I may bring it all right
+again."
+
+"Aunt, I promise----"
+
+"To tell me everything?"
+
+"Yes, everything. Everything that can be told."
+
+"But, my sweetheart, it is precisely what cannot be told that I want
+to know. Let us understand each other thoroughly. Come, let me put my
+withered old lips on your beautiful forehead. No; let me do as I wish. I
+forbid you to kiss my bones. Old people have a courtesy of their own....
+There, take me down to my carriage," she added, when she had kissed her
+niece.
+
+"Then may I go to him in disguise, dear aunt?"
+
+"Why--yes. The story can always be denied," said the old Princess.
+
+This was the one idea which the Duchess had clearly grasped in the
+sermon. When Mme de Chauvry was seated in the corner of her carriage,
+Mme de Langeais bade her a graceful adieu and went up to her room. She
+was quite happy again.
+
+"My person would have snared his heart; my aunt is right; a man cannot
+surely refuse a pretty woman when she understands how to offer herself."
+
+That evening, at the Elysee-Bourbon, the Duc de Navarreins, M. de
+Pamiers, M. de Marsay, M. de Grandlieu, and the Duc de Maufrigneuse
+triumphantly refuted the scandals that were circulating with regard to
+the Duchesse de Langeais. So many officers and other persons had seen
+Montriveau walking in the Tuileries that morning, that the silly story
+was set down to chance, which takes all that is offered. And so,
+in spite of the fact that the Duchess's carriage had waited before
+Montriveau's door, her character became as clear and as spotless as
+Membrino's sword after Sancho had polished it up.
+
+But, at two o'clock, M. de Ronquerolles passed Montriveau in a deserted
+alley, and said with a smile, "She is coming on, is your Duchess. Go on,
+keep it up!" he added, and gave a significant cut of the riding whip to
+his mare, who sped off like a bullet down the avenue.
+
+Two days after the fruitless scandal, Mme de Langeais wrote to M. de
+Montriveau. That letter, like the preceding ones, remained unanswered.
+This time she took her own measures, and bribed M. de Montriveau's man,
+Auguste. And so at eight o'clock that evening she was introduced into
+Armand's apartment. It was not the room in which that secret scene had
+passed; it was entirely different. The Duchess was told that the General
+would not be at home that night. Had he two houses? The man would give
+no answer. Mme de Langeais had bought the key of the room, but not the
+man's whole loyalty.
+
+When she was left alone she saw her fourteen letters lying on an
+old-fashioned stand, all of them uncreased and unopened. He had not
+read them. She sank into an easy-chair, and for a while she lost
+consciousness. When she came to herself, Auguste was holding vinegar for
+her to inhale.
+
+"A carriage; quick!" she ordered.
+
+The carriage came. She hastened downstairs with convulsive speed, and
+left orders that no one was to be admitted. For twenty-four hours she
+lay in bed, and would have no one near her but her woman, who brought
+her a cup of orange-flower water from time to time. Suzette heard
+her mistress moan once or twice, and caught a glimpse of tears in the
+brilliant eyes, now circled with dark shadows.
+
+The next day, amid despairing tears, Mme de Langeais took her
+resolution. Her man of business came for an interview, and no doubt
+received instructions of some kind. Afterwards she sent for the
+Vidame de Pamiers; and while she waited, she wrote a letter to M.
+de Montriveau. The Vidame punctually came towards two o'clock that
+afternoon, to find his young cousin looking white and worn, but
+resigned; never had her divine loveliness been more poetic than now in
+the languor of her agony.
+
+"You owe this assignation to your eighty-four years, dear cousin," she
+said. "Ah! do not smile, I beg of you, when an unhappy woman has reached
+the lowest depths of wretchedness. You are a gentleman, and after the
+adventures of your youth you must feel some indulgence for women."
+
+"None whatever," said he.
+
+"Indeed!"
+
+"Everything is in their favour."
+
+"Ah! Well, you are one of the inner family circle; possibly you will be
+the last relative, the last friend whose hand I shall press, so I can
+ask your good offices. Will you, dear Vidame, do me a service which I
+could not ask of my own father, nor of my uncle Grandlieu, nor of any
+woman? You cannot fail to understand. I beg of you to do my bidding, and
+then to forget what you have done, whatever may come of it. It is this:
+Will you take this letter and go to M. de Montriveau? will you see him
+yourself, give it into his hands, and ask him, as you men can ask things
+between yourselves--for you have a code of honour between man and man
+which you do not use with us, and a different way of regarding things
+between yourselves--ask him if he will read this letter? Not in
+your presence. Certain feelings men hide from each other. I give you
+authority to say, if you think it necessary to bring him, that it is a
+question of life or death for me. If he deigns----"
+
+"_Deigns_!" repeated the Vidame.
+
+"If he deigns to read it," the Duchess continued with dignity, "say one
+thing more. You will go to see him about five o'clock, for I know that
+he will dine at home today at that time. Very good. By way of answer he
+must come to see me. If, three hours afterwards, by eight o'clock, he
+does not leave his house, all will be over. The Duchesse de Langeais
+will have vanished from the world. I shall not be dead, dear friend, no,
+but no human power will ever find me again on this earth. Come and dine
+with me; I shall at least have one friend with me in the last agony.
+Yes, dear cousin, tonight will decide my fate; and whatever happens to
+me, I pass through an ordeal by fire. There! not a word. I will hear
+nothing of the nature of comment or advice----Let us chat and laugh
+together," she added, holding out a hand, which he kissed. "We will be
+like two grey-headed philosophers who have learned how to enjoy life to
+the last moment. I will look my best; I will be very enchanting for
+you. You perhaps will be the last man to set eyes on the Duchesse de
+Langeais."
+
+The Vicomte bowed, took the letter, and went without a word. At five
+o'clock he returned. His cousin had studied to please him, and she
+looked lovely indeed. The room was gay with flowers as if for a
+festivity; the dinner was exquisite. For the grey-headed Vidame the
+Duchess displayed all the brilliancy of her wit; she was more charming
+than she had ever been before. At first the Vidame tried to look on
+all these preparations as a young woman's jest; but now and again the
+attempted illusion faded, the spell of his fair cousin's charm was
+broken. He detected a shudder caused by some kind of sudden dread, and
+once she seemed to listen during a pause.
+
+"What is the matter?" he asked.
+
+"Hush!" she said.
+
+At seven o'clock the Duchess left him for a few minutes. When she came
+back again she was dressed as her maid might have dressed for a journey.
+She asked her guest to be her escort, took his arm, sprang into a
+hackney coach, and by a quarter to eight they stood outside M. de
+Montriveau's door.
+
+Armand meantime had been reading the following letter:--
+
+
+"MY FRIEND,--I went to your rooms for a few minutes without your
+knowledge; I found my letters there, and took them away. This cannot
+be indifference, Armand, between us; and hatred would show itself quite
+differently. If you love me, make an end of this cruel play, or you will
+kill me, and afterwards, learning how much you were loved, you might be
+in despair. If I have not rightly understood you, if you have no feeling
+towards me but aversion, which implies both contempt and disgust, then
+I give up all hope. A man never recovers from those feelings. You will
+have no regrets. Dreadful though that thought may be, it will comfort me
+in my long sorrow. Regrets? Oh, my Armand, may I never know of them; if
+I thought that I had caused you a single regret----But, no, I will not
+tell you what desolation I should feel. I should be living still, and I
+could not be your wife; it would be too late!
+
+"Now that I have given myself wholly to you in thought, to whom else
+should I give myself?--to God. The eyes that you loved for a little
+while shall never look on another man's face; and may the glory of God
+blind them to all besides. I shall never hear human voices more since I
+heard yours--so gentle at the first, so terrible yesterday; for it seems
+to me that I am still only on the morrow of your vengeance. And now
+may the will of God consume me. Between His wrath and yours, my friend,
+there will be nothing left for me but a little space for tears and
+prayers.
+
+"Perhaps you wonder why I write to you? Ah! do not think ill of me if I
+keep a gleam of hope, and give one last sigh to happy life before I take
+leave of it forever. I am in a hideous position. I feel all the inward
+serenity that comes when a great resolution has been taken, even while I
+hear the last growlings of the storm. When you went out on that terrible
+adventure which so drew me to you, Armand, you went from the desert to
+the oasis with a good guide to show you the way. Well, I am going out of
+the oasis into the desert, and you are a pitiless guide to me. And yet
+you only, my friend, can understand how melancholy it is to look back
+for the last time on happiness--to you, and you only, I can make moan
+without a blush. If you grant my entreaty, I shall be happy; if you are
+inexorable, I shall expiate the wrong that I have done. After all, it is
+natural, is it not, that a woman should wish to live, invested with all
+noble feelings, in her friend's memory? Oh! my one and only love, let
+her to whom you gave life go down into the tomb in the belief that she
+is great in your eyes. Your harshness led me to reflect; and now that I
+love you so, it seems to me that I am less guilty than you think. Listen
+to my justification, I owe it to you; and you that are all the world to
+me, owe me at least a moment's justice.
+
+"I have learned by my own anguish all that I made you suffer by my
+coquetry; but in those days I was utterly ignorant of love. _You_ know
+what the torture is, and you mete it out to me! During those first eight
+months that you gave me you never roused any feeling of love in me. Do
+you ask why this was so, my friend? I can no more explain it than I can
+tell you why I love you now. Oh! certainly it flattered my vanity that I
+should be the subject of your passionate talk, and receive those burning
+glances of yours; but you left me cold. No, I was not a woman; I had
+no conception of womanly devotion and happiness. Who was to blame? You
+would have despised me, would you not, if I had given myself without
+the impulse of passion? Perhaps it is the highest height to which we
+can rise--to give all and receive no joy; perhaps there is no merit in
+yielding oneself to bliss that is foreseen and ardently desired. Alas,
+my friend, I can say this now; these thoughts came to me when I played
+with you; and you seemed to me so great even then that I would not have
+you owe the gift to pity----What is this that I have written?
+
+"I have taken back all my letters; I am flinging them one by one on the
+fire; they are burning. You will never know what they confessed--all the
+love and the passion and the madness----
+
+"I will say no more, Armand; I will stop. I will not say another word of
+my feelings. If my prayers have not echoed from my soul through yours,
+I also, woman that I am, decline to owe your love to your pity. It is my
+wish to be loved, because you cannot choose but love me, or else to
+be left without mercy. If you refuse to read this letter, it shall be
+burnt. If, after you have read it, you do not come to me within three
+hours, to be henceforth forever my husband, the one man in the world for
+me; then I shall never blush to know that this letter is in your hands,
+the pride of my despair will protect my memory from all insult, and my
+end shall be worthy of my love. When you see me no more on earth, albeit
+I shall still be alive, you yourself will not think without a shudder
+of the woman who, in three hours' time, will live only to overwhelm
+you with her tenderness; a woman consumed by a hopeless love, and
+faithful--not to memories of past joys--but to a love that was slighted.
+
+"The Duchesse de la Valliere wept for lost happiness and vanished power;
+but the Duchesse de Langeais will be happy that she may weep and be a
+power for you still. Yes, you will regret me. I see clearly that I was
+not of this world, and I thank you for making it clear to me.
+
+"Farewell; you will never touch _my_ axe. Yours was the executioner's
+axe, mine is God's; yours kills, mine saves. Your love was but mortal,
+it could not endure disdain or ridicule; mine can endure all things
+without growing weaker, it will last eternally. Ah! I feel a sombre joy
+in crushing you that believe yourself so great; in humbling you with the
+calm, indulgent smile of one of the least among the angels that lie at
+the feet of God, for to them is given the right and the power to protect
+and watch over men in His name. You have but felt fleeting desires,
+while the poor nun will shed the light of her ceaseless and ardent
+prayer about you, she will shelter you all your life long beneath the
+wings of a love that has nothing of earth in it.
+
+"I have a presentiment of your answer; our trysting place shall be--in
+heaven. Strength and weakness can both enter there, dear Armand; the
+strong and the weak are bound to suffer. This thought soothes the
+anguish of my final ordeal. So calm am I that I should fear that I had
+ceased to love you if I were not about to leave the world for your sake.
+
+ "ANTOINETTE."
+
+
+"Dear Vidame," said the Duchess as they reached Montriveau's house, "do
+me the kindness to ask at the door whether he is at home." The Vidame,
+obedient after the manner of the eighteenth century to a woman's wish,
+got out, and came back to bring his cousin an affirmative answer that
+sent a shudder through her. She grasped his hand tightly in hers,
+suffered him to kiss her on either cheek, and begged him to go at once.
+He must not watch her movements nor try to protect her. "But the people
+passing in the street," he objected.
+
+"No one can fail in respect to me," she said. It was the last word
+spoken by the Duchess and the woman of fashion.
+
+The Vidame went. Mme de Langeais wrapped herself about in her cloak,
+and stood on the doorstep until the clocks struck eight. The last stroke
+died away. The unhappy woman waited ten, fifteen minutes; to the last
+she tried to see a fresh humiliation in the delay, then her faith ebbed.
+She turned to leave the fatal threshold.
+
+"Oh, God!" the cry broke from her in spite of herself; it was the first
+word spoken by the Carmelite.
+
+
+
+Montriveau and some of his friends were talking together. He tried to
+hasten them to a conclusion, but his clock was slow, and by the time he
+started out for the Hotel de Langeais the Duchess was hurrying on foot
+through the streets of Paris, goaded by the dull rage in her heart. She
+reached the Boulevard d'Enfer, and looked out for the last time through
+falling tears on the noisy, smoky city that lay below in a red mist,
+lighted up by its own lamps. Then she hailed a cab, and drove away,
+never to return. When the Marquis de Montriveau reached the Hotel de
+Langeais, and found no trace of his mistress, he thought that he had
+been duped. He hurried away at once to the Vidame, and found that worthy
+gentleman in the act of slipping on his flowered dressing-gown, thinking
+the while of his fair cousin's happiness.
+
+Montriveau gave him one of the terrific glances that produced the effect
+of an electric shock on men and women alike.
+
+"Is it possible that you have lent yourself to some cruel hoax,
+monsieur?" Montriveau exclaimed. "I have just come from Mme de Langeais'
+house; the servants say that she is out."
+
+"Then a great misfortune has happened, no doubt," returned the Vidame,
+"and through your fault. I left the Duchess at your door----"
+
+"When?"
+
+"At a quarter to eight."
+
+"Good evening," returned Montriveau, and he hurried home to ask the
+porter whether he had seen a lady standing on the doorstep that evening.
+
+"Yes, my Lord Marquis, a handsome woman, who seemed very much put out.
+She was crying like a Magdalen, but she never made a sound, and stood
+as upright as a post. Then at last she went, and my wife and I that were
+watching her while she could not see us, heard her say, 'Oh, God!' so
+that it went to our hearts, asking your pardon, to hear her say it."
+
+Montriveau, in spite of all his firmness, turned pale at those few
+words. He wrote a few lines to Ronquerolles, sent off the message at
+once, and went up to his rooms. Ronquerolles came just about midnight.
+
+Armand gave him the Duchess's letter to read.
+
+"Well?" asked Ronquerolles.
+
+"She was here at my door at eight o'clock; at a quarter-past eight she
+had gone. I have lost her, and I love her. Oh! if my life were my own, I
+could blow my brains out."
+
+"Pooh, pooh! Keep cool," said Ronquerolles. "Duchesses do not fly off
+like wagtails. She cannot travel faster than three leagues an hour, and
+tomorrow we will ride six.--Confound it! Mme de Langeais is no ordinary
+woman," he continued. "Tomorrow we will all of us mount and ride.
+The police will put us on her track during the day. She must have a
+carriage; angels of that sort have no wings. We shall find her whether
+she is on the road or hidden in Paris. There is the semaphore. We can
+stop her. You shall be happy. But, my dear fellow, you have made a
+blunder, of which men of your energy are very often guilty. They judge
+others by themselves, and do not know the point when human nature gives
+way if you strain the cords too tightly. Why did you not say a word
+to me sooner? I would have told you to be punctual. Good-bye till
+tomorrow," he added, as Montriveau said nothing. "Sleep if you can," he
+added, with a grasp of the hand.
+
+But the greatest resources which society has ever placed at the disposal
+of statesmen, kings, ministers, bankers, or any human power, in fact,
+were all exhausted in vain. Neither Montriveau nor his friends could
+find any trace of the Duchess. It was clear that she had entered a
+convent. Montriveau determined to search, or to institute a search, for
+her through every convent in the world. He must have her, even at the
+cost of all the lives in a town. And in justice to this extraordinary
+man, it must be said that his frenzied passion awoke to the same
+ardour daily and lasted through five years. Only in 1829 did the Duc de
+Navarreins hear by chance that his daughter had travelled to Spain as
+Lady Julia Hopwood's maid, that she had left her service at Cadiz, and
+that Lady Julia never discovered that Mlle Caroline was the illustrious
+duchess whose sudden disappearance filled the minds of the highest
+society of Paris.
+
+
+
+The feelings of the two lovers when they met again on either side of the
+grating in the Carmelite convent should now be comprehended to the full,
+and the violence of the passion awakened in either soul will doubtless
+explain the catastrophe of the story.
+
+In 1823 the Duc de Langeais was dead, and his wife was free. Antoinette
+de Navarreins was living, consumed by love, on a ledge of rock in
+the Mediterranean; but it was in the Pope's power to dissolve Sister
+Theresa's vows. The happiness bought by so much love might yet bloom
+for the two lovers. These thoughts sent Montriveau flying from Cadiz to
+Marseilles, and from Marseilles to Paris.
+
+A few months after his return to France, a merchant brig, fitted out and
+munitioned for active service, set sail from the port of Marseilles for
+Spain. The vessel had been chartered by several distinguished men, most
+of them Frenchmen, who, smitten with a romantic passion for the East,
+wished to make a journey to those lands. Montriveau's familiar knowledge
+of Eastern customs made him an invaluable travelling companion, and at
+the entreaty of the rest he had joined the expedition; the Minister
+of War appointed him lieutenant-general, and put him on the Artillery
+Commission to facilitate his departure.
+
+Twenty-fours hours later the brig lay to off the north-west shore of an
+island within sight of the Spanish coast. She had been specially chosen
+for her shallow keel and light mastage, so that she might lie at anchor
+in safety half a league away from the reefs that secure the island from
+approach in this direction. If fishing vessels or the people on the
+island caught sight of the brig, they were scarcely likely to feel
+suspicious of her at once; and besides, it was easy to give a reason for
+her presence without delay. Montriveau hoisted the flag of the United
+States before they came in sight of the island, and the crew of the
+vessel were all American sailors, who spoke nothing but English. One
+of M. de Montriveau's companions took the men ashore in the ship's
+longboat, and made them so drunk at an inn in the little town that
+they could not talk. Then he gave out that the brig was manned by
+treasure-seekers, a gang of men whose hobby was well known in the United
+States; indeed, some Spanish writer had written a history of them. The
+presence of the brig among the reefs was now sufficiently explained.
+The owners of the vessel, according to the self-styled boatswain's mate,
+were looking for the wreck of a galleon which foundered thereabouts in
+1778 with a cargo of treasure from Mexico. The people at the inn and the
+authorities asked no more questions.
+
+Armand, and the devoted friends who were helping him in his difficult
+enterprise, were all from the first of the opinion that there was no
+hope of rescuing or carrying off Sister Theresa by force or stratagem
+from the side of the little town. Wherefore these bold spirits, with one
+accord, determined to take the bull by the horns. They would make a way
+to the convent at the most seemingly inaccessible point; like General
+Lamarque, at the storming of Capri, they would conquer Nature. The cliff
+at the end of the island, a sheer block of granite, afforded even less
+hold than the rock of Capri. So it seemed at least to Montriveau, who
+had taken part in that incredible exploit, while the nuns in his eyes
+were much more redoubtable than Sir Hudson Lowe. To raise a hubbub over
+carrying off the Duchess would cover them with confusion. They might as
+well set siege to the town and convent, like pirates, and leave not a
+single soul to tell of their victory. So for them their expedition wore
+but two aspects. There should be a conflagration and a feat of arms
+that should dismay all Europe, while the motives of the crime remained
+unknown; or, on the other hand, a mysterious, aerial descent which
+should persuade the nuns that the Devil himself had paid them a visit.
+They had decided upon the latter course in the secret council held
+before they left Paris, and subsequently everything had been done to
+insure the success of an expedition which promised some real excitement
+to jaded spirits weary of Paris and its pleasures.
+
+An extremely light pirogue, made at Marseilles on a Malayan model,
+enabled them to cross the reef, until the rocks rose from out of the
+water. Then two cables of iron wire were fastened several feet apart
+between one rock and another. These wire ropes slanted upwards and
+downwards in opposite directions, so that baskets of iron wire could
+travel to and fro along them; and in this manner the rocks were covered
+with a system of baskets and wire-cables, not unlike the filaments
+which a certain species of spider weaves about a tree. The Chinese, an
+essentially imitative people, were the first to take a lesson from the
+work of instinct. Fragile as these bridges were, they were always ready
+for use; high waves and the caprices of the sea could not throw them
+out of working order; the ropes hung just sufficiently slack, so as to
+present to the breakers that particular curve discovered by Cachin, the
+immortal creator of the harbour at Cherbourg. Against this cunningly
+devised line the angry surge is powerless; the law of that curve was
+a secret wrested from Nature by that faculty of observation in which
+nearly all human genius consists.
+
+M. de Montriveau's companions were alone on board the vessel, and out of
+sight of every human eye. No one from the deck of a passing vessel could
+have discovered either the brig hidden among the reefs, or the men at
+work among the rocks; they lay below the ordinary range of the most
+powerful telescope. Eleven days were spent in preparation, before the
+Thirteen, with all their infernal power, could reach the foot of the
+cliffs. The body of the rock rose up straight from the sea to a height
+of thirty fathoms. Any attempt to climb the sheer wall of granite seemed
+impossible; a mouse might as well try to creep up the slippery sides of
+a plain china vase. Still there was a cleft, a straight line of fissure
+so fortunately placed that large blocks of wood could be wedged firmly
+into it at a distance of about a foot apart. Into these blocks the
+daring workers drove iron cramps, specially made for the purpose, with
+a broad iron bracket at the outer end, through which a hole had been
+drilled. Each bracket carried a light deal board which corresponded with
+a notch made in a pole that reached to the top of the cliffs, and was
+firmly planted in the beach at their feet. With ingenuity worthy of
+these men who found nothing impossible, one of their number, a skilled
+mathematician, had calculated the angle from which the steps must start;
+so that from the middle they rose gradually, like the sticks of a fan,
+to the top of the cliff, and descended in the same fashion to its
+base. That miraculously light, yet perfectly firm, staircase cost them
+twenty-two days of toil. A little tinder and the surf of the sea would
+destroy all trace of it forever in a single night. A betrayal of the
+secret was impossible; and all search for the violators of the convent
+was doomed to failure.
+
+At the top of the rock there was a platform with sheer precipice on all
+sides. The Thirteen, reconnoitring the ground with their glasses from
+the masthead, made certain that though the ascent was steep and rough,
+there would be no difficulty in gaining the convent garden, where the
+trees were thick enough for a hiding-place. After such great efforts
+they would not risk the success of their enterprise, and were compelled
+to wait till the moon passed out of her last quarter.
+
+For two nights Montriveau, wrapped in his cloak, lay out on the rock
+platform. The singing at vespers and matins filled him with unutterable
+joy. He stood under the wall to hear the music of the organ, listening
+intently for one voice among the rest. But in spite of the silence, the
+confused effect of music was all that reached his ears. In those sweet
+harmonies defects of execution are lost; the pure spirit of art comes
+into direct communication with the spirit of the hearer, making
+no demand on the attention, no strain on the power of listening.
+Intolerable memories awoke. All the love within him seemed to break into
+blossom again at the breath of that music; he tried to find auguries of
+happiness in the air. During the last night he sat with his eyes fixed
+upon an ungrated window, for bars were not needed on the side of the
+precipice. A light shone there all through the hours; and that instinct
+of the heart, which is sometimes true, and as often false, cried within
+him, "She is there!"
+
+"She is certainly there! Tomorrow she will be mine," he said to himself,
+and joy blended with the slow tinkling of a bell that began to ring.
+
+Strange unaccountable workings of the heart! The nun, wasted by yearning
+love, worn out with tears and fasting, prayer and vigils; the woman of
+nine-and-twenty, who had passed through heavy trials, was loved more
+passionately than the lighthearted girl, the woman of four-and-twenty,
+the sylphide, had ever been. But is there not, for men of vigorous
+character, something attractive in the sublime expression engraven on
+women's faces by the impetuous stirrings of thought and misfortunes of
+no ignoble kind? Is there not a beauty of suffering which is the most
+interesting of all beauty to those men who feel that within them there
+is an inexhaustible wealth of tenderness and consoling pity for a
+creature so gracious in weakness, so strong with love? It is the
+ordinary nature that is attracted by young, smooth, pink-and-white
+beauty, or, in one word, by prettiness. In some faces love awakens
+amid the wrinkles carved by sorrow and the ruin made by melancholy;
+Montriveau could not but feel drawn to these. For cannot a lover,
+with the voice of a great longing, call forth a wholly new creature? a
+creature athrob with the life but just begun breaks forth for him alone,
+from the outward form that is fair for him, and faded for all the world
+besides. Does he not love two women?--One of them, as others see her,
+is pale and wan and sad; but the other, the unseen love that his heart
+knows, is an angel who understands life through feeling, and is adorned
+in all her glory only for love's high festivals.
+
+The General left his post before sunrise, but not before he had heard
+voices singing together, sweet voices full of tenderness sounding
+faintly from the cell. When he came down to the foot of the cliffs where
+his friends were waiting, he told them that never in his life had
+he felt such enthralling bliss, and in the few words there was that
+unmistakable thrill of repressed strong feeling, that magnificent
+utterance which all men respect.
+
+
+
+That night eleven of his devoted comrades made the ascent in the
+darkness. Each man carried a poniard, a provision of chocolate, and
+a set of house-breaking tools. They climbed the outer walls with
+scaling-ladders, and crossed the cemetery of the convent. Montriveau
+recognised the long, vaulted gallery through which he went to the
+parlour, and remembered the windows of the room. His plans were made and
+adopted in a moment. They would effect an entrance through one of the
+windows in the Carmelite's half of the parlour, find their way along
+the corridors, ascertain whether the sister's names were written on the
+doors, find Sister Theresa's cell, surprise her as she slept, and carry
+her off, bound and gagged. The programme presented no difficulties to
+men who combined boldness and a convict's dexterity with the knowledge
+peculiar to men of the world, especially as they would not scruple to
+give a stab to ensure silence.
+
+In two hours the bars were sawn through. Three men stood on guard
+outside, and two inside the parlour. The rest, barefooted, took up their
+posts along the corridor. Young Henri de Marsay, the most dexterous
+man among them, disguised by way of precaution in a Carmelite's robe,
+exactly like the costume of the convent, led the way, and Montriveau
+came immediately behind him. The clock struck three just as the two men
+reached the dormitory cells. They soon saw the position. Everything was
+perfectly quiet. With the help of a dark lantern they read the names
+luckily written on every door, together with the picture of a saint or
+saints and the mystical words which every nun takes as a kind of
+motto for the beginning of her new life and the revelation of her
+last thought. Montriveau reached Sister Theresa's door and read the
+inscription, _Sub invocatione sanctae matris Theresae_, and her motto,
+_Adoremus in aeternum_. Suddenly his companion laid a hand on his
+shoulder. A bright light was streaming through the chinks of the door.
+M. de Ronquerolles came up at that moment.
+
+"All the nuns are in the church," he said; "they are beginning the
+Office for the Dead."
+
+"I will stay here," said Montriveau. "Go back into the parlour, and shut
+the door at the end of the passage."
+
+He threw open the door and rushed in, preceded by his disguised
+companion, who let down the veil over his face.
+
+There before them lay the dead Duchess; her plank bed had been laid on
+the floor of the outer room of her cell, between two lighted candles.
+Neither Montriveau nor de Marsay spoke a word or uttered a cry; but they
+looked into each other's faces. The General's dumb gesture tried to say,
+"Let us carry her away!"
+
+"Quickly" shouted Ronquerolles, "the procession of nuns is leaving the
+church. You will be caught!"
+
+With magical swiftness of movement, prompted by an intense desire, the
+dead woman was carried into the convent parlour, passed through the
+window, and lowered from the walls before the Abbess, followed by the
+nuns, returned to take up Sister Theresa's body. The sister left in
+charge had imprudently left her post; there were secrets that she longed
+to know; and so busy was she ransacking the inner room, that she heard
+nothing, and was horrified when she came back to find that the body was
+gone. Before the women, in their blank amazement, could think of making
+a search, the Duchess had been lowered by a cord to the foot of the
+crags, and Montriveau's companions had destroyed all traces of their
+work. By nine o'clock that morning there was not a sign to show that
+either staircase or wire-cables had ever existed, and Sister Theresa's
+body had been taken on board. The brig came into the port to ship her
+crew, and sailed that day.
+
+Montriveau, down in the cabin, was left alone with Antoinette
+de Navarreins. For some hours it seemed as if her dead face was
+transfigured for him by that unearthly beauty which the calm of death
+gives to the body before it perishes.
+
+"Look here," said Ronquerolles when Montriveau reappeared on deck,
+"_that_ was a woman once, now it is nothing. Let us tie a cannon ball
+to both feet and throw the body overboard; and if ever you think of her
+again, think of her as of some book that you read as a boy."
+
+"Yes," assented Montriveau, "it is nothing now but a dream."
+
+"That is sensible of you. Now, after this, have passions; but as for
+love, a man ought to know how to place it wisely; it is only a woman's
+last love that can satisfy a man's first love."
+
+
+
+
+ADDENDUM
+
+ Note: The Duchesse de Langeais is the second part of a trilogy.
+ Part one is entitled Ferragus and part three is The Girl with
+ the Golden Eyes. In other addendum references all three stories
+ are usually combined under the title The Thirteen.
+
+The following personages appear in other stories of the Human Comedy.
+
+ Blamont-Chauvry, Princesse de
+ Madame Firmiani
+ The Lily of the Valley
+
+ Grandlieu, Duc Ferdinand de
+ The Gondreville Mystery
+ A Bachelor's Establishment
+ Modeste Mignon
+ Scenes from a Courtesan's Life
+
+ Granville, Comtesse Angelique de
+ A Second Home
+ A Daughter of Eve
+
+ Keller, Madame Francois
+ Domestic Peace
+ The Member for Arcis
+
+ Langeais, Duc de
+ An Episode under the Terror
+
+ Langeais, Duchesse Antoinette de
+ Father Goriot
+ Ferragus
+
+ Marsay, Henri de
+ Ferragus
+ The Girl with the Golden Eyes
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+ Montriveau, General Marquis Armand de
+ Father Goriot
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Another Study of Woman
+ Pierrette
+ The Member for Arcis
+
+ Navarreins, Duc de
+ A Bachelor's Establishment
+ Colonel Chabert
+ The Muse of the Department
+ Jealousies of a Country Town
+ The Peasantry
+ Scenes from a Courtesan's Life
+ The Country Parson
+ The Magic Skin
+ The Gondreville Mystery
+ The Secrets of a Princess
+ Cousin Betty
+
+ Pamiers, Vidame de
+ Ferragus
+ Jealousies of a Country Town
+
+ Ronquerolles, Marquis de
+ The Imaginary Mistress
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ Ferragus
+ The Girl with the Golden Eyes
+ The Member for Arcis
+
+ Serizy, Comtesse de
+ A Start in Life
+ Ferragus
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan's Life
+ Another Study of Woman
+ The Imaginary Mistress
+
+ Soulanges, Comtesse Hortense de
+ Domestic Peace
+ The Peasantry
+
+ Talleyrand-Perigord, Charles-Maurice de
+ The Chouans
+ The Gondreville Mystery
+ Letters of Two Brides
+ Gaudissart II
+
+
+
+
+
+III. THE GIRL WITH THE GOLDEN EYES
+
+
+
+Translated by Ellen Marriage
+
+
+
+ DEDICATION
+
+ To Eugene Delacroix, Painter
+
+
+One of those sights in which most horror is to be encountered is,
+surely, the general aspect of the Parisian populace--a people fearful
+to behold, gaunt, yellow, tawny. Is not Paris a vast field in perpetual
+turmoil from a storm of interests beneath which are whirled along a crop
+of human beings, who are, more often than not, reaped by death, only to
+be born again as pinched as ever, men whose twisted and contorted faces
+give out at every pore the instinct, the desire, the poisons with
+which their brains are pregnant; not faces so much as masks; masks of
+weakness, masks of strength, masks of misery, masks of joy, masks of
+hypocrisy; all alike worn and stamped with the indelible signs of
+a panting cupidity? What is it they want? Gold or pleasure? A few
+observations upon the soul of Paris may explain the causes of its
+cadaverous physiognomy, which has but two ages--youth and decay: youth,
+wan and colorless; decay, painted to seem young. In looking at
+this excavated people, foreigners, who are not prone to reflection,
+experience at first a movement of disgust towards the capital, that
+vast workshop of delights, from which, in a short time, they cannot even
+extricate themselves, and where they stay willingly to be corrupted. A
+few words will suffice to justify physiologically the almost infernal
+hue of Parisian faces, for it is not in mere sport that Paris has been
+called a hell. Take the phrase for truth. There all is smoke and fire,
+everything gleams, crackles, flames, evaporates, dies out, then lights
+up again, with shooting sparks, and is consumed. In no other country has
+life ever been more ardent or acute. The social nature, even in fusion,
+seems to say after each completed work: "Pass on to another!" just as
+Nature says herself. Like Nature herself, this social nature is busied
+with insects and flowers of a day--ephemeral trifles; and so, too,
+it throws up fire and flame from its eternal crater. Perhaps, before
+analyzing the causes which lend a special physiognomy to each tribe of
+this intelligent and mobile nation, the general cause should be pointed
+out which bleaches and discolors, tints with blue or brown individuals
+in more or less degree.
+
+By dint of taking interest in everything, the Parisian ends by being
+interested in nothing. No emotion dominating his face, which friction
+has rubbed away, it turns gray like the faces of those houses upon which
+all kinds of dust and smoke have blown. In effect, the Parisian, with
+his indifference on the day for what the morrow will bring forth,
+lives like a child, whatever may be his age. He grumbles at everything,
+consoles himself for everything, jests at everything, forgets,
+desires, and tastes everything, seizes all with passion, quits all with
+indifference--his kings, his conquests, his glory, his idols of bronze
+or glass--as he throws away his stockings, his hats, and his fortune. In
+Paris no sentiment can withstand the drift of things, and their current
+compels a struggle in which the passions are relaxed: there love is
+a desire, and hatred a whim; there's no true kinsman but the
+thousand-franc note, no better friend than the pawnbroker. This
+universal toleration bears its fruits, and in the salon, as in the
+street, there is no one _de trop_, there is no one absolutely useful,
+or absolutely harmful--knaves or fools, men of wit or integrity. There
+everything is tolerated: the government and the guillotine, religion and
+the cholera. You are always acceptable to this world, you will never
+be missed by it. What, then, is the dominating impulse in this country
+without morals, without faith, without any sentiment, wherein, however,
+every sentiment, belief, and moral has its origin and end? It is gold
+and pleasure. Take those two words for a lantern, and explore that great
+stucco cage, that hive with its black gutters, and follow the windings
+of that thought which agitates, sustains, and occupies it! Consider!
+And, in the first place, examine the world which possesses nothing.
+
+The artisan, the man of the proletariat, who uses his hands, his tongue,
+his back, his right arm, his five fingers, to live--well, this very man,
+who should be the first to economize his vital principle, outruns his
+strength, yokes his wife to some machine, wears out his child, and ties
+him to the wheel. The manufacturer--or I know not what secondary thread
+which sets in motion all these folk who with their foul hands mould
+and gild porcelain, sew coats and dresses, beat out iron, turn wood and
+steel, weave hemp, festoon crystal, imitate flowers, work woolen things,
+break in horses, dress harness, carve in copper, paint carriages, blow
+glass, corrode the diamond, polish metals, turn marble into leaves,
+labor on pebbles, deck out thought, tinge, bleach, or blacken
+everything--well, this middleman has come to that world of sweat and
+good-will, of study and patience, with promises of lavish wages, either
+in the name of the town's caprices or with the voice of the monster
+dubbed speculation. Thus, these _quadrumanes_ set themselves to watch,
+work, and suffer, to fast, sweat, and bestir them. Then, careless of the
+future, greedy of pleasure, counting on their right arm as the painter
+on his palette, lords for one day, they throw their money on Mondays
+to the _cabarets_ which gird the town like a belt of mud, haunts of the
+most shameless of the daughters of Venus, in which the periodical money
+of this people, as ferocious in their pleasures as they are calm at
+work, is squandered as it had been at play. For five days, then, there
+is no repose for this laborious portion of Paris! It is given up to
+actions which make it warped and rough, lean and pale, gush forth with a
+thousand fits of creative energy. And then its pleasure, its repose,
+are an exhausting debauch, swarthy and black with blows, white with
+intoxication, or yellow with indigestion. It lasts but two days, but it
+steals to-morrow's bread, the week's soup, the wife's dress, the child's
+wretched rags. Men, born doubtless to be beautiful--for all creatures
+have a relative beauty--are enrolled from their childhood beneath the
+yoke of force, beneath the rule of the hammer, the chisel, the loom, and
+have been promptly vulcanized. Is not Vulcan, with his hideousness and
+his strength, the emblem of this strong and hideous nation--sublime
+in its mechanical intelligence, patient in its season, and once in a
+century terrible, inflammable as gunpowder, and ripe with brandy for
+the madness of revolution, with wits enough, in fine, to take fire at
+a captious word, which signifies to it always: Gold and Pleasure! If
+we comprise in it all those who hold out their hands for an alms, for
+lawful wages, or the five francs that are granted to every kind of
+Parisian prostitution, in short, for all the money well or ill earned,
+this people numbers three hundred thousand individuals. Were it not for
+the _cabarets_, would not the Government be overturned every Tuesday?
+Happily, by Tuesday, this people is glutted, sleeps off its pleasure, is
+penniless, and returns to its labor, to dry bread, stimulated by a need
+of material procreation, which has become a habit to it. None the
+less, this people has its phenomenal virtues, its complete men, unknown
+Napoleons, who are the type of its strength carried to its highest
+expression, and sum up its social capacity in an existence wherein
+thought and movement combine less to bring joy into it than to
+neutralize the action of sorrow.
+
+Chance has made an artisan economical, chance has favored him with
+forethought, he has been able to look forward, has met with a wife and
+found himself a father, and, after some years of hard privation, he
+embarks in some little draper's business, hires a shop. If neither
+sickness nor vice blocks his way--if he has prospered--there is the
+sketch of this normal life.
+
+And, in the first place, hail to that king of Parisian activity, to whom
+time and space give way. Yes, hail to that being, composed of saltpetre
+and gas, who makes children for France during his laborious nights,
+and in the day multiplies his personality for the service, glory,
+and pleasure of his fellow-citizens. This man solves the problem
+of sufficing at once to his amiable wife, to his hearth, to the
+_Constitutionnel_, to his office, to the National Guard, to the opera,
+and to God; but, only in order that the _Constitutionnel_, his office,
+the National Guard, the opera, his wife, and God may be changed into
+coin. In fine, hail to an irreproachable pluralist. Up every day at five
+o'clock, he traverses like a bird the space which separates his dwelling
+from the Rue Montmartre. Let it blow or thunder, rain or snow, he is at
+the _Constitutionnel_, and waits there for the load of newspapers which
+he has undertaken to distribute. He receives this political bread with
+eagerness, takes it, bears it away. At nine o'clock he is in the bosom
+of his family, flings a jest to his wife, snatches a loud kiss from her,
+gulps down a cup of coffee, or scolds his children. At a quarter to ten
+he puts in an appearance at the _Mairie_. There, stuck upon a stool,
+like a parrot on its perch, warmed by Paris town, he registers until
+four o'clock, with never a tear or a smile, the deaths and births of an
+entire district. The sorrow, the happiness, of the parish flow beneath
+his pen--as the essence of the _Constitutionnel_ traveled before upon
+his shoulders. Nothing weighs upon him! He goes always straight before
+him, takes his patriotism ready made from the newspaper, contradicts no
+one, shouts or applauds with the world, and lives like a bird. Two yards
+from his parish, in the event of an important ceremony, he can yield
+his place to an assistant, and betake himself to chant a requiem from
+a stall in the church of which on Sundays he is the fairest ornament,
+where his is the most imposing voice, where he distorts his huge mouth
+with energy to thunder out a joyous _Amen_. So is he chorister. At four
+o'clock, freed from his official servitude, he reappears to shed joy and
+gaiety upon the most famous shop in the city. Happy is his wife, he has
+no time to be jealous: he is a man of action rather than of sentiment.
+His mere arrival spurs the young ladies at the counter; their bright
+eyes storm the customers; he expands in the midst of all the finery, the
+lace and muslin kerchiefs, that their cunning hands have wrought. Or,
+again, more often still, before his dinner he waits on a client, copies
+the page of a newspaper, or carries to the doorkeeper some goods that
+have been delayed. Every other day, at six, he is faithful to his
+post. A permanent bass for the chorus, he betakes himself to the opera,
+prepared to become a soldier or an arab, prisoner, savage, peasant,
+spirit, camel's leg or lion, a devil or a genie, a slave or a
+eunuch, black or white; always ready to feign joy or sorrow, pity or
+astonishment, to utter cries that never vary, to hold his tongue, to
+hunt, or fight for Rome or Egypt, but always at heart--a huckster still.
+
+At midnight he returns--a man, the good husband, the tender father;
+he slips into the conjugal bed, his imagination still afire with the
+illusive forms of the operatic nymphs, and so turns to the profit
+of conjugal love the world's depravities, the voluptuous curves of
+Taglioni's leg. And finally, if he sleeps, he sleeps apace, and hurries
+through his slumber as he does his life.
+
+This man sums up all things--history, literature, politics, government,
+religion, military science. Is he not a living encyclopaedia, a
+grotesque Atlas; ceaselessly in motion, like Paris itself, and knowing
+not repose? He is all legs. No physiognomy could preserve its purity
+amid such toils. Perhaps the artisan who dies at thirty, an old man, his
+stomach tanned by repeated doses of brandy, will be held, according to
+certain leisured philosophers, to be happier than the huckster is.
+The one perishes in a breath, and the other by degrees. From his eight
+industries, from the labor of his shoulders, his throat, his hands,
+from his wife and his business, the one derives--as from so many
+farms--children, some thousands of francs, and the most laborious
+happiness that has ever diverted the heart of man. This fortune and
+these children, or the children who sum up everything for him, become
+the prey of the world above, to which he brings his ducats and his
+daughter or his son, reared at college, who, with more education than
+his father, raises higher his ambitious gaze. Often the son of a retail
+tradesman would fain be something in the State.
+
+Ambition of that sort carries on our thought to the second Parisian
+sphere. Go up one story, then, and descend to the _entresol_: or climb
+down from the attic and remain on the fourth floor; in fine, penetrate
+into the world which has possessions: the same result! Wholesale
+merchants, and their men--people with small banking accounts and much
+integrity--rogues and catspaws, clerks old and young, sheriffs' clerks,
+barristers' clerks, solicitors' clerks; in fine, all the working,
+thinking, and speculating members of that lower middle class which
+honeycombs the interests of Paris and watches over its granary,
+accumulates the coin, stores the products that the proletariat have
+made, preserves the fruits of the South, the fishes, the wine from every
+sun-favored hill; which stretches its hands over the Orient, and takes
+from it the shawls that the Russ and the Turk despise; which harvests
+even from the Indies; crouches down in expectation of a sale, greedy
+of profit; which discounts bills, turns over and collects all kinds of
+securities, holds all Paris in its hand, watches over the fantasies
+of children, spies out the caprices and the vices of mature age,
+sucks money out of disease. Even so, if they drink no brandy, like the
+artisan, nor wallow in the mire of debauch, all equally abuse their
+strength, immeasurably strain their bodies and their minds alike, are
+burned away with desires, devastated with the swiftness of the pace. In
+their case the physical distortion is accomplished beneath the whip of
+interests, beneath the scourge of ambitions which torture the educated
+portion of this monstrous city, just as in the case of the proletariat
+it is brought about by the cruel see-saw of the material elaborations
+perpetually required from the despotism of the aristocratic "_I will_."
+Here, too, then, in order to obey that universal master, pleasure or
+gold, they must devour time, hasten time, find more than four-and-twenty
+hours in the day and night, waste themselves, slay themselves, and
+purchase two years of unhealthy repose with thirty years of old age.
+Only, the working-man dies in hospital when the last term of his stunted
+growth expires; whereas the man of the middle class is set upon living,
+and lives on, but in a state of idiocy. You will meet him, with his
+worn, flat old face, with no light in his eyes, with no strength in his
+limbs, dragging himself with a dazed air along the boulevard--the belt
+of his Venus, of his beloved city. What was his want? The sabre of the
+National Guard, a permanent stock-pot, a decent plot in Pere Lachaise,
+and, for his old age, a little gold honestly earned. _HIS_ Monday is on
+Sunday, his rest a drive in a hired carriage--a country excursion during
+which his wife and children glut themselves merrily with dust or bask
+in the sun; his dissipation is at the restaurateur's, whose poisonous
+dinner has won renown, or at some family ball, where he suffocates till
+midnight. Some fools are surprised at the phantasmagoria of the monads
+which they see with the aid of the microscope in a drop of water;
+but what would Rabelais' Gargantua,--that misunderstood figure of
+an audacity so sublime,--what would that giant say, fallen from the
+celestial spheres, if he amused himself by contemplating the motions of
+this secondary life of Paris, of which here is one of the formulae? Have
+you seen one of those little constructions--cold in summer, and with
+no other warmth than a small stove in winter--placed beneath the vast
+copper dome which crowns the Halle-auble? Madame is there by morning.
+She is engaged at the markets, and makes by this occupation twelve
+thousand francs a year, people say. Monsieur, when Madame is up, passes
+into a gloomy office, where he lends money till the week-end to the
+tradesmen of his district. By nine o'clock he is at the passport office,
+of which he is one of the minor officials. By evening he is at the
+box-office of the Theatre Italien, or of any other theatre you like. The
+children are put out to nurse, and only return to be sent to college or
+to boarding-school. Monsieur and Madame live on the third floor, have
+but one cook, give dances in a salon twelve foot by eight, lit by
+argand lamps; but they give a hundred and fifty thousand francs to their
+daughter, and retire at the age of fifty, an age when they begin to show
+themselves on the balcony of the opera, in a _fiacre_ at Longchamps; or,
+on sunny days, in faded clothes on the boulevards--the fruit of all this
+sowing. Respected by their neighbors, in good odor with the government,
+connected with the upper middle classes, Monsieur obtains at sixty-five
+the Cross of the Legion of Honor, and his daughter's father-in-law, a
+parochial mayor, invites him to his evenings. These life-long labors,
+then, are for the good of the children, whom these lower middle classes
+are inevitably driven to exalt. Thus each sphere directs all its efforts
+towards the sphere above it. The son of the rich grocer becomes a
+notary, the son of the timber merchant becomes a magistrate. No link
+is wanting in the chain, and everything stimulates the upward march of
+money.
+
+Thus we are brought to the third circle of this hell, which, perhaps,
+will some day find its Dante. In this third social circle, a sort of
+Parisian belly, in which the interests of the town are digested, and
+where they are condensed into the form known as _business_, there moves
+and agitates, as by some acrid and bitter intestinal process, the crowd
+of lawyers, doctors, notaries, councillors, business men, bankers, big
+merchants, speculators, and magistrates. Here are to be found even
+more causes of moral and physical destruction than elsewhere. These
+people--almost all of them--live in unhealthy offices, in fetid
+ante-chambers, in little barred dens, and spend their days bowed down
+beneath the weight of affairs; they rise at dawn to be in time, not to
+be left behind, to gain all or not to lose, to overreach a man or his
+money, to open or wind up some business, to take advantage of some
+fleeting opportunity, to get a man hanged or set him free. They infect
+their horses, they overdrive and age and break them, like their own
+legs, before their time. Time is their tyrant: it fails them, it escapes
+them; they can neither expand it nor cut it short. What soul can remain
+great, pure, moral, and generous, and, consequently, what face retain
+its beauty in this depraving practice of a calling which compels one to
+bear the weight of the public sorrows, to analyze them, to weigh them,
+estimate them, and mark them out by rule? Where do these folk put aside
+their hearts?... I do not know; but they leave them somewhere or other,
+when they have any, before they descend each morning into the abyss of
+the misery which puts families on the rack. For them there is no such
+thing as mystery; they see the reverse side of society, whose confessors
+they are, and despise it. Then, whatever they do, owing to their contact
+with corruption, they either are horrified at it and grow gloomy, or
+else, out of lassitude, or some secret compromise, espouse it. In fine,
+they necessarily become callous to every sentiment, since man, his laws
+and his institutions, make them steal, like jackals, from corpses that
+are still warm. At all hours the financier is trampling on the living,
+the attorney on the dead, the pleader on the conscience. Forced to be
+speaking without a rest, they all substitute words for ideas, phrases
+for feelings, and their soul becomes a larynx. Neither the great
+merchant, nor the judge, nor the pleader preserves his sense of right;
+they feel no more, they apply set rules that leave cases out of count.
+Borne along by their headlong course, they are neither husbands nor
+fathers nor lovers; they glide on sledges over the facts of life, and
+live at all times at the high pressure conduced by business and the vast
+city. When they return to their homes they are required to go to a ball,
+to the opera, into society, where they can make clients, acquaintances,
+protectors. They all eat to excess, play and keep vigil, and their faces
+become bloated, flushed, and emaciated.
+
+To this terrific expenditure of intellectual strength, to such multifold
+moral contradictions, they oppose--not, indeed pleasure, it would be too
+pale a contrast--but debauchery, a debauchery both secret and alarming,
+for they have all means at their disposal, and fix the morality of
+society. Their genuine stupidity lies hid beneath their specialism. They
+know their business, but are ignorant of everything which is outside
+it. So that to preserve their self-conceit they question everything, are
+crudely and crookedly critical. They appear to be sceptics and are in
+reality simpletons; they swamp their wits in interminable arguments.
+Almost all conveniently adopt social, literary, or political prejudices,
+to do away with the need of having opinions, just as they adapt their
+conscience to the standard of the Code or the Tribunal of Commerce.
+Having started early to become men of note, they turn into mediocrities,
+and crawl over the high places of the world. So, too, their faces
+present the harsh pallor, the deceitful coloring, those dull, tarnished
+eyes, and garrulous, sensual mouths, in which the observer recognizes
+the symptoms of the degeneracy of the thought and its rotation in the
+circle of a special idea which destroys the creative faculties of the
+brain and the gift of seeing in large, of generalizing and deducing. No
+man who has allowed himself to be caught in the revolutions of the gear
+of these huge machines can ever become great. If he is a doctor, either
+he has practised little or he is an exception--a Bichat who dies young.
+If a great merchant, something remains--he is almost Jacques Coeur. Did
+Robespierre practise? Danton was an idler who waited. But who, moreover
+has ever felt envious of the figures of Danton and Robespierre, however
+lofty they were? These men of affairs, _par excellence_, attract money
+to them, and hoard it in order to ally themselves with aristocratic
+families. If the ambition of the working-man is that of the small
+tradesman, here, too, are the same passions. The type of this class
+might be either an ambitious bourgeois, who, after a life of privation
+and continual scheming, passes into the Council of State as an ant
+passes through a chink; or some newspaper editor, jaded with intrigue,
+whom the king makes a peer of France--perhaps to revenge himself on the
+nobility; or some notary become mayor of his parish: all people crushed
+with business, who, if they attain their end, are literally _killed_ in
+its attainment. In France the usage is to glorify wigs. Napoleon, Louis
+XVI., the great rulers, alone have always wished for young men to fulfil
+their projects.
+
+Above this sphere the artist world exists. But here, too, the faces
+stamped with the seal of originality are worn, nobly indeed, but worn,
+fatigued, nervous. Harassed by a need of production, outrun by their
+costly fantasies, worn out by devouring genius, hungry for pleasure, the
+artists of Paris would all regain by excessive labor what they have lost
+by idleness, and vainly seek to reconcile the world and glory, money
+and art. To begin with, the artist is ceaselessly panting under his
+creditors; his necessities beget his debts, and his debts require of
+him his nights. After his labor, his pleasure. The comedian plays till
+midnight, studies in the morning, rehearses at noon; the sculptor is
+bent before his statue; the journalist is a marching thought, like the
+soldier when at war; the painter who is the fashion is crushed with
+work, the painter with no occupation, if he feels himself to be a man of
+genius, gnaws his entrails. Competition, rivalry, calumny assail talent.
+Some, in desperation, plunge into the abyss of vice, others die young
+and unknown because they have discounted their future too soon. Few of
+these figures, originally sublime, remain beautiful. On the other hand,
+the flagrant beauty of their heads is not understood. An artist's face
+is always exorbitant, it is always above or below the conventional lines
+of what fools call the _beau-ideal_. What power is it that destroys
+them? Passion. Every passion in Paris resolves into two terms: gold and
+pleasure. Now, do you not breathe again? Do you not feel air and space
+purified? Here is neither labor nor suffering. The soaring arch of
+gold has reached the summit. From the lowest gutters, where its
+stream commences, from the little shops where it is stopped by puny
+coffer-dams, from the heart of the counting-houses and great workshops,
+where its volume is that of ingots--gold, in the shape of dowries and
+inheritances, guided by the hands of young girls or the bony fingers of
+age, courses towards the aristocracy, where it will become a blazing,
+expansive stream. But, before leaving the four territories upon which
+the utmost wealth of Paris is based, it is fitting, having cited the
+moral causes, to deduce those which are physical, and to call attention
+to a pestilence, latent, as it were, which incessantly acts upon the
+faces of the porter, the artisan, the small shopkeeper; to point out
+a deleterious influence the corruption of which equals that of the
+Parisian administrators who allow it so complacently to exist!
+
+If the air of the houses in which the greater proportion of the middle
+classes live is noxious, if the atmosphere of the streets belches out
+cruel miasmas into stuffy back-kitchens where there is little air,
+realize that, apart from this pestilence, the forty thousand houses of
+this great city have their foundations in filth, which the powers that
+be have not yet seriously attempted to enclose with mortar walls solid
+enough to prevent even the most fetid mud from filtering through the
+soil, poisoning the wells, and maintaining subterraneously to Lutetia
+the tradition of her celebrated name. Half of Paris sleeps amidst the
+putrid exhalations of courts and streets and sewers. But let us turn
+to the vast saloons, gilded and airy; the hotels in their gardens,
+the rich, indolent, happy moneyed world. There the faces are lined and
+scarred with vanity. There nothing is real. To seek for pleasure is it
+not to find _ennui_? People in society have at an early age warped their
+nature. Having no occupation other than to wallow in pleasure, they
+have speedily misused their sense, as the artisan has misused brandy.
+Pleasure is of the nature of certain medical substances: in order to
+obtain constantly the same effects the doses must be doubled, and death
+or degradation is contained in the last. All the lower classes are on
+their knees before the wealthy, and watch their tastes in order to turn
+them into vices and exploit them. Thus you see in these folk at an early
+age tastes instead of passions, romantic fantasies and lukewarm loves.
+There impotence reigns; there ideas have ceased--they have evaporated
+together with energy amongst the affectations of the boudoir and the
+cajolements of women. There are fledglings of forty, old doctors
+of sixty years. The wealthy obtain in Paris ready-made wit and
+science--formulated opinions which save them the need of having wit,
+science, or opinion of their own. The irrationality of this world is
+equaled by its weakness and its licentiousness. It is greedy of time
+to the point of wasting it. Seek in it for affection as little as
+for ideas. Its kisses conceal a profound indifference, its urbanity
+a perpetual contempt. It has no other fashion of love. Flashes of wit
+without profundity, a wealth of indiscretion, scandal, and above all,
+commonplace. Such is the sum of its speech; but these happy fortunates
+pretend that they do not meet to make and repeat maxims in the manner of
+La Rochefoucauld as though there did not exist a mean, invented by the
+eighteenth century, between a superfluity and absolute blank. If a few
+men of character indulge in witticism, at once subtle and refined, they
+are misunderstood; soon, tired of giving without receiving, they remain
+at home, and leave fools to reign over their territory. This hollow
+life, this perpetual expectation of a pleasure which never comes, this
+permanent _ennui_ and emptiness of soul, heart, and mind, the lassitude
+of the upper Parisian world, is reproduced on its features, and stamps
+its parchment faces, its premature wrinkles, that physiognomy of the
+wealthy upon which impotence has set its grimace, in which gold is
+mirrored, and whence intelligence has fled.
+
+Such a view of moral Paris proves that physical Paris could not be other
+than it is. This coroneted town is like a queen, who, being always
+with child, has desires of irresistible fury. Paris is the crown of the
+world, a brain which perishes of genius and leads human civilization;
+it is a great man, a perpetually creative artist, a politician with
+second-sight who must of necessity have wrinkles on his forehead, the
+vices of a great man, the fantasies of the artist, and the politician's
+disillusions. Its physiognomy suggests the evolution of good and evil,
+battle and victory; the moral combat of '89, the clarion calls of which
+still re-echo in every corner of the world; and also the downfall of
+1814. Thus this city can no more be moral, or cordial, or clean, than
+the engines which impel those proud leviathans which you admire
+when they cleave the waves! Is not Paris a sublime vessel laden with
+intelligence? Yes, her arms are one of those oracles which fatality
+sometimes allows. The _City of Paris_ has her great mast, all of bronze,
+carved with victories, and for watchman--Napoleon. The barque may roll
+and pitch, but she cleaves the world, illuminates it through the hundred
+mouths of her tribunes, ploughs the seas of science, rides with
+full sail, cries from the height of her tops, with the voice of her
+scientists and artists: "Onward, advance! Follow me!" She carries a
+huge crew, which delights in adorning her with fresh streamers. Boys
+and urchins laughing in the rigging; ballast of heavy _bourgeoisie_;
+working-men and sailor-men touched with tar; in her cabins the lucky
+passengers; elegant midshipmen smoke their cigars leaning over the
+bulwarks; then, on the deck, her soldiers, innovators or ambitious,
+would accost every fresh shore, and shooting out their bright lights
+upon it, ask for glory which is pleasure, or for love which needs gold.
+
+Thus the exorbitant movement of the proletariat, the corrupting
+influence of the interests which consume the two middle classes, the
+cruelties of the artist's thought, and the excessive pleasure which is
+sought for incessantly by the great, explain the normal ugliness of
+the Parisian physiognomy. It is only in the Orient that the human race
+presents a magnificent figure, but that is an effect of the constant
+calm affected by those profound philosophers with their long pipes,
+their short legs, their square contour, who despise and hold activity
+in horror, whilst in Paris the little and the great and the mediocre run
+and leap and drive, whipped on by an inexorable goddess, Necessity--the
+necessity for money, glory, and amusement. Thus, any face which is fresh
+and graceful and reposeful, any really young face, is in Paris the most
+extraordinary of exceptions; it is met with rarely. Should you see one
+there, be sure it belongs either to a young and ardent ecclesiastic or
+to some good abbe of forty with three chins; to a young girl of pure
+life such as is brought up in certain middle-class families; to a mother
+of twenty, still full of illusions, as she suckles her first-born; to a
+young man newly embarked from the provinces, and intrusted to the care
+of some devout dowager who keeps him without a sou; or, perhaps, to some
+shop assistant who goes to bed at midnight wearied out with folding
+and unfolding calico, and rises at seven o'clock to arrange the window;
+often again to some man of science or poetry, who lives monastically in
+the embrace of a fine idea, who remains sober, patient, and chaste;
+else to some self-contented fool, feeding himself on folly, reeking of
+health, in a perpetual state of absorption with his own smile; or to the
+soft and happy race of loungers, the only folk really happy in Paris,
+which unfolds for them hour by hour its moving poetry.
+
+Nevertheless, there is in Paris a proportion of privileged beings to
+whom this excessive movement of industries, interests, affairs, arts,
+and gold is profitable. These beings are women. Although they also have
+a thousand secret causes which, here more than elsewhere, destroy their
+physiognomy, there are to be found in the feminine world little happy
+colonies, who live in Oriental fashion and can preserve their beauty;
+but these women rarely show themselves on foot in the streets, they lie
+hid like rare plants who only unfold their petals at certain hours, and
+constitute veritable exotic exceptions. However, Paris is essentially
+the country of contrasts. If true sentiments are rare there, there also
+are to be found, as elsewhere, noble friendships and unlimited devotion.
+On this battlefield of interests and passions, just as in the midst
+of those marching societies where egoism triumphs, where every one
+is obliged to defend himself, and which we call _armies_, it seems as
+though sentiments liked to be complete when they showed themselves,
+and are sublime by juxtaposition. So it is with faces. In Paris one
+sometimes sees in the aristocracy, set like stars, the ravishing faces
+of young people, the fruit of quite exceptional manners and education.
+To the youthful beauty of the English stock they unite the firmness
+of Southern traits. The fire of their eyes, a delicious bloom on their
+lips, the lustrous black of their soft locks, a white complexion, a
+distinguished caste of features, render them the flowers of the human
+race, magnificent to behold against the mass of other faces, worn, old,
+wrinkled, and grimacing. So women, too, admire such young people with
+that eager pleasure which men take in watching a pretty girl, elegant,
+gracious, and embellished with all the virginal charms with which our
+imagination pleases to adorn the perfect woman. If this hurried glance
+at the population of Paris has enabled us to conceive the rarity of a
+Raphaelesque face, and the passionate admiration which such an one must
+inspire at the first sight, the prime interest of our history will have
+been justified. _Quod erat demonstrandum_--if one may be permitted to
+apply scholastic formulae to the science of manners.
+
+Upon one of those fine spring mornings, when the leaves, although
+unfolded, are not yet green, when the sun begins to gild the roofs, and
+the sky is blue, when the population of Paris issues from its cells to
+swarm along the boulevards, glides like a serpent of a thousand coils
+through the Rue de la Paix towards the Tuileries, saluting the hymeneal
+magnificence which the country puts on; on one of these joyous days,
+then, a young man as beautiful as the day itself, dressed with taste,
+easy of manner--to let out the secret he was a love-child, the natural
+son of Lord Dudley and the famous Marquise de Vordac--was walking in the
+great avenue of the Tuileries. This Adonis, by name Henri de Marsay,
+was born in France, when Lord Dudley had just married the young lady,
+already Henri's mother, to an old gentleman called M. de Marsay. This
+faded and almost extinguished butterfly recognized the child as his own
+in consideration of the life interest in a fund of a hundred thousand
+francs definitively assigned to his putative son; a generosity which
+did not cost Lord Dudley too dear. French funds were worth at that time
+seventeen francs, fifty centimes. The old gentleman died without having
+ever known his wife. Madame de Marsay subsequently married the Marquis
+de Vordac, but before becoming a marquise she showed very little anxiety
+as to her son and Lord Dudley. To begin with, the declaration of war
+between France and England had separated the two lovers, and fidelity
+at all costs was not, and never will be, the fashion of Paris. Then the
+successes of the woman, elegant, pretty, universally adored, crushed in
+the Parisienne the maternal sentiment. Lord Dudley was no more troubled
+about his offspring than was the mother,--the speedy infidelity of a
+young girl he had ardently loved gave him, perhaps, a sort of aversion
+for all that issued from her. Moreover, fathers can, perhaps, only love
+the children with whom they are fully acquainted, a social belief of the
+utmost importance for the peace of families, which should be held by all
+the celibate, proving as it does that paternity is a sentiment nourished
+artificially by woman, custom, and the law.
+
+Poor Henri de Marsay knew no other father than that one of the two who
+was not compelled to be one. The paternity of M. de Marsay was naturally
+most incomplete. In the natural order, it is but for a few fleeting
+instants that children have a father, and M. de Marsay imitated nature.
+The worthy man would not have sold his name had he been free from
+vices. Thus he squandered without remorse in gambling hells, and drank
+elsewhere, the few dividends which the National Treasury paid to
+its bondholders. Then he handed over the child to an aged sister, a
+Demoiselle de Marsay, who took much care of him, and provided him, out
+of the meagre sum allowed by her brother, with a tutor, an abbe without
+a farthing, who took the measure of the youth's future, and determined
+to pay himself out of the hundred thousand livres for the care given to
+his pupil, for whom he conceived an affection. As chance had it, this
+tutor was a true priest, one of those ecclesiastics cut out to become
+cardinals in France, or Borgias beneath the tiara. He taught the child
+in three years what he might have learned at college in ten. Then the
+great man, by name the Abbe de Maronis, completed the education of
+his pupil by making him study civilization under all its aspects: he
+nourished him on his experience, led him little into churches, which
+at that time were closed; introduced him sometimes behind the scenes of
+theatres, more often into the houses of courtesans; he exhibited human
+emotions to him one by one; taught him politics in the drawing-rooms,
+where they simmered at the time, explained to him the machinery of
+government, and endeavored out of attraction towards a fine nature,
+deserted, yet rich in promise, virilely to replace a mother: is not the
+Church the mother of orphans? The pupil was responsive to so much care.
+The worthy priest died in 1812, a bishop, with the satisfaction of
+having left in this world a child whose heart and mind were so well
+moulded that he could outwit a man of forty. Who would have expected to
+have found a heart of bronze, a brain of steel, beneath external traits
+as seductive as ever the old painters, those naive artists, had given to
+the serpent in the terrestrial paradise? Nor was that all. In addition,
+the good-natured prelate had procured for the child of his choice
+certain acquaintances in the best Parisian society, which might equal
+in value, in the young man's hand, another hundred thousand invested
+livres. In fine, this priest, vicious but politic, sceptical yet
+learned, treacherous yet amiable, weak in appearance yet as vigorous
+physically as intellectually, was so genuinely useful to his pupil, so
+complacent to his vices, so fine a calculator of all kinds of strength,
+so profound when it was needful to make some human reckoning, so
+youthful at table, at Frascati, at--I know not where, that the grateful
+Henri de Marsay was hardly moved at aught in 1814, except when he looked
+at the portrait of his beloved bishop, the only personal possession
+which the prelate had been able to bequeath him (admirable type of
+the men whose genius will preserve the Catholic, Apostolic, and Roman
+Church, compromised for the moment by the feebleness of its recruits and
+the decrepit age of its pontiffs; but if the church likes!).
+
+The continental war prevented young De Marsay from knowing his real
+father. It is doubtful whether he was aware of his name. A deserted
+child, he was equally ignorant of Madame de Marsay. Naturally, he had
+little regret for his putative father. As for Mademoiselle de Marsay,
+his only mother, he built for her a handsome little monument in Pere
+Lachaise when she died. Monseigneur de Maronis had guaranteed to this
+old lady one of the best places in the skies, so that when he saw her
+die happy, Henri gave her some egotistical tears; he began to weep on
+his own account. Observing this grief, the abbe dried his pupil's tears,
+bidding him observe that the good woman took her snuff most offensively,
+and was becoming so ugly and deaf and tedious that he ought to return
+thanks for her death. The bishop had emancipated his pupil in 1811.
+Then, when the mother of M. de Marsay remarried, the priest chose, in a
+family council, one of those honest dullards, picked out by him through
+the windows of his confessional, and charged him with the administration
+of the fortune, the revenues of which he was willing to apply to the
+needs of the community, but of which he wished to preserve the capital.
+
+Towards the end of 1814, then, Henri de Marsay had no sentiment of
+obligation in the world, and was as free as an unmated bird. Although he
+had lived twenty-two years he appeared to be barely seventeen. As a rule
+the most fastidious of his rivals considered him to be the prettiest
+youth in Paris. From his father, Lord Dudley, he had derived a pair of
+the most amorously deceiving blue eyes; from his mother the bushiest of
+black hair, from both pure blood, the skin of a young girl, a gentle
+and modest expression, a refined and aristocratic figure, and beautiful
+hands. For a woman, to see him was to lose her head for him; do you
+understand? to conceive one of those desires which eat the heart, which
+are forgotten because of the impossibility of satisfying them, because
+women in Paris are commonly without tenacity. Few of them say to
+themselves, after the fashion of men, the "_Je Maintiendrai_," of the
+House of Orange.
+
+Underneath this fresh young life, and in spite of the limpid springs in
+his eyes, Henri had a lion's courage, a monkey's agility. He could cut a
+ball in half at ten paces on the blade of a knife; he rode his horse
+in a way that made you realize the fable of the Centaur; drove a
+four-in-hand with grace; was as light as a cherub and quiet as a lamb,
+but knew how to beat a townsman at the terrible game of _savate_ or
+cudgels; moreover, he played the piano in a fashion which would have
+enabled him to become an artist should he fall on calamity, and owned
+a voice which would have been worth to Barbaja fifty thousand francs a
+season. Alas, that all these fine qualities, these pretty faults, were
+tarnished by one abominable vice: he believed neither in man nor woman,
+God nor Devil. Capricious nature had commenced by endowing him, a priest
+had completed the work.
+
+To render this adventure comprehensible, it is necessary to add here
+that Lord Dudley naturally found many women disposed to reproduce
+samples of such a delicious pattern. His second masterpiece of this
+kind was a young girl named Euphemie, born of a Spanish lady, reared in
+Havana, and brought to Madrid with a young Creole woman of the Antilles,
+and with all the ruinous tastes of the Colonies, but fortunately married
+to an old and extremely rich Spanish noble, Don Hijos, Marquis de
+San-Real, who, since the occupation of Spain by French troops, had taken
+up his abode in Paris, and lived in the Rue St. Lazare. As much from
+indifference as from any respect for the innocence of youth, Lord Dudley
+was not in the habit of keeping his children informed of the relations
+he created for them in all parts. That is a slightly inconvenient form
+of civilization; it has so many advantages that we must overlook its
+drawbacks in consideration of its benefits. Lord Dudley, to make no more
+words of it, came to Paris in 1816 to take refuge from the pursuit of
+English justice, which protects nothing Oriental except commerce. The
+exiled lord, when he saw Henri, asked who that handsome young man might
+be. Then, upon hearing the name, "Ah, it is my son.... What a pity!" he
+said.
+
+Such was the story of the young man who, about the middle of the month
+of April, 1815, was walking indolently up the broad avenue of the
+Tuileries, after the fashion of all those animals who, knowing their
+strength, pass along in majesty and peace. Middle-class matrons turned
+back naively to look at him again; other women, without turning round,
+waited for him to pass again, and engraved him in their minds that they
+might remember in due season that fragrant face, which would not have
+disadorned the body of the fairest among themselves.
+
+"What are you doing here on Sunday?" said the Marquis de Ronquerolles to
+Henri, as he passed.
+
+"There's a fish in the net," answered the young man.
+
+This exchange of thoughts was accomplished by means of two significant
+glances, without it appearing that either De Ronquerolles or De Marsay
+had any knowledge of the other. The young man was taking note of the
+passers-by with that promptitude of eye and ear which is peculiar to the
+Parisian who seems, at first, to see and hear nothing, but who sees and
+hears all.
+
+At that moment a young man came up to him and took him familiarly by the
+arm, saying to him: "How are you, my dear De Marsay?"
+
+"Extremely well," De Marsay answered, with that air of apparent
+affection which amongst the young men of Paris proves nothing, either
+for the present or the future.
+
+In effect, the youth of Paris resemble the youth of no other town. They
+may be divided into two classes: the young man who has something, and
+the young man who has nothing; or the young man who thinks and he who
+spends. But, be it well understood this applies only to those natives of
+the soil who maintain in Paris the delicious course of the elegant life.
+There exist, as well, plenty of other young men, but they are children
+who are late in conceiving Parisian life, and who remain its dupes. They
+do not speculate, they study; they _fag_, as the others say. Finally
+there are to be found, besides, certain young people, rich or poor, who
+embrace careers and follow them with a single heart; they are somewhat
+like the Emile of Rousseau, of the flesh of citizens, and they never
+appear in society. The diplomatic impolitely dub them fools. Be they
+that or no, they augment the number of those mediocrities beneath the
+yoke of which France is bowed down. They are always there, always ready
+to bungle public or private concerns with the dull trowel of their
+mediocrity, bragging of their impotence, which they count for
+conduct and integrity. This sort of social _prizemen_ infests the
+administration, the army, the magistracy, the chambers, the courts. They
+diminish and level down the country and constitute, in some manner, in
+the body politic, a lymph which infects it and renders it flabby. These
+honest folk call men of talent immoral or rogues. If such rogues require
+to be paid for their services, at least their services are there;
+whereas the other sort do harm and are respected by the mob; but,
+happily for France, elegant youth stigmatizes them ceaselessly under the
+name of louts.
+
+At the first glance, then, it is natural to consider as very distinct
+the two sorts of young men who lead the life of elegance, the amiable
+corporation to which Henri de Marsay belonged. But the observer, who
+goes beyond the superficial aspect of things, is soon convinced that
+the difference is purely moral, and that nothing is so deceptive as this
+pretty outside. Nevertheless, all alike take precedence over everybody
+else; speak rightly or wrongly of things, of men, literature, and the
+fine arts; have ever in their mouth the Pitt and Coburg of each year;
+interrupt a conversation with a pun, turn into ridicule science and the
+_savant_; despise all things which they do not know or which they fear;
+set themselves above all by constituting themselves the supreme
+judges of all. They would all hoax their fathers, and be ready to shed
+crocodile tears upon their mothers' breasts; but generally they believe
+in nothing, blaspheme women, or play at modesty, and in reality are led
+by some old woman or an evil courtesan. They are all equally eaten
+to the bone with calculation, with depravity, with a brutal lust to
+succeed, and if you plumbed for their hearts you would find in all a
+stone. In their normal state they have the prettiest exterior, stake
+their friendship at every turn, are captivating alike. The same badinage
+dominates their ever-changing jargon; they seek for oddity in their
+toilette, glory in repeating the stupidities of such and such actor who
+is in fashion, and commence operations, it matters not with whom, with
+contempt and impertinence, in order to have, as it were, the first move
+in the game; but, woe betide him who does not know how to take a blow
+on one cheek for the sake of rendering two. They resemble, in fine, that
+pretty white spray which crests the stormy waves. They dress and dance,
+dine and take their pleasure, on the day of Waterloo, in the time of
+cholera or revolution. Finally, their expenses are all the same, but
+here the contrast comes in. Of this fluctuating fortune, so agreeably
+flung away, some possess the capital for which the others wait; they
+have the same tailors, but the bills of the latter are still to pay.
+Next, if the first, like sieves, take in ideas of all kinds without
+retaining any, the latter compare them and assimilate all the good.
+If the first believe they know something, know nothing and understand
+everything, lend all to those who need nothing and offer nothing to
+those who are in need; the latter study secretly others' thoughts and
+place out their money, like their follies, at big interest. The one
+class have no more faithful impressions, because their soul, like
+a mirror, worn from use, no longer reflects any image; the others
+economize their senses and life, even while they seem, like the first,
+to be flinging them away broadcast. The first, on the faith of a hope,
+devote themselves without conviction to a system which has wind and tide
+against it, but they leap upon another political craft when the first
+goes adrift; the second take the measure of the future, sound it, and
+see in political fidelity what the English see in commercial integrity,
+an element of success. Where the young man of possessions makes a pun or
+an epigram upon the restoration of the throne, he who has nothing makes
+a public calculation or a secret reservation, and obtains everything by
+giving a handshake to his friends. The one deny every faculty to others,
+look upon all their ideas as new, as though the world had been made
+yesterday, they have unlimited confidence in themselves, and no crueler
+enemy than those same selves. But the others are armed with an incessant
+distrust of men, whom they estimate at their value, and are sufficiently
+profound to have one thought beyond their friends, whom they exploit;
+then of evenings, when they lay their heads on their pillows, they weigh
+men as a miser weighs his gold pieces. The one are vexed at an aimless
+impertinence, and allow themselves to be ridiculed by the diplomatic,
+who make them dance for them by pulling what is the main string of these
+puppets--their vanity. Thus, a day comes when those who had nothing have
+something, and those who had something have nothing. The latter look
+at their comrades who have achieved positions as cunning fellows; their
+hearts may be bad, but their heads are strong. "He is very strong!" is
+the supreme praise accorded to those who have attained _quibuscumque
+viis_, political rank, a woman, or a fortune. Amongst them are to be
+found certain young men who play this _role_ by commencing with having
+debts. Naturally, these are more dangerous than those who play it
+without a farthing.
+
+The young man who called himself a friend of Henri de Marsay was a
+rattle-head who had come from the provinces, and whom the young men then
+in fashion were teaching the art of running through an inheritance;
+but he had one last leg to stand on in his province, in the shape of a
+secure establishment. He was simply an heir who had passed without any
+transition from his pittance of a hundred francs a month to the entire
+paternal fortune, and who, if he had not wit enough to perceive that he
+was laughed at, was sufficiently cautious to stop short at two-thirds
+of his capital. He had learned at Paris, for a consideration of some
+thousands of francs, the exact value of harness, the art of not being
+too respectful to his gloves, learned to make skilful meditations upon
+the right wages to give people, and to seek out what bargain was the
+best to close with them. He set store on his capacity to speak in good
+terms of his horses, of his Pyrenean hound; to tell by her dress, her
+walk, her shoes, to what class a woman belonged; to study _ecarte_,
+remember a few fashionable catchwords, and win by his sojourn in
+Parisian society the necessary authority to import later into his
+province a taste for tea and silver of an English fashion, and to obtain
+the right of despising everything around him for the rest of his days.
+
+De Marsay had admitted him to his society in order to make use of him in
+the world, just as a bold speculator employs a confidential clerk. The
+friendship, real or feigned, of De Marsay was a social position for Paul
+de Manerville, who, on his side, thought himself astute in exploiting,
+after his fashion, his intimate friend. He lived in the reflecting
+lustre of his friend, walked constantly under his umbrella, wore his
+boots, gilded himself with his rays. When he posed in Henri's company or
+walked at his side, he had the air of saying: "Don't insult us, we are
+real dogs." He often permitted himself to remark fatuously: "If I were
+to ask Henri for such and such a thing, he is a good enough friend of
+mine to do it." But he was careful never to ask anything of him. He
+feared him, and his fear, although imperceptible, reacted upon the
+others, and was of use to De Marsay.
+
+"De Marsay is a man of a thousand," said Paul. "Ah, you will see, he
+will be what he likes. I should not be surprised to find him one of
+these days Minister of Foreign Affairs. Nothing can withstand him."
+
+He made of De Marsay what Corporal Trim made of his cap, a perpetual
+instance.
+
+"Ask De Marsay and you will see!"
+
+Or again:
+
+"The other day we were hunting, De Marsay and I, He would not believe
+me, but I jumped a hedge without moving on my horse!"
+
+Or again:
+
+"We were with some women, De Marsay and I, and upon my word of honor, I
+was----" etc.
+
+Thus Paul de Manerville could not be classed amongst the great,
+illustrious, and powerful family of fools who succeed. He would one day
+be a deputy. For the time he was not even a young man. His friend, De
+Marsay, defined him thus: "You ask me what is Paul? Paul? Why, Paul de
+Manerville!"
+
+"I am surprised, my dear fellow," he said to De Marsay, "to see you here
+on a Sunday."
+
+"I was going to ask you the same question."
+
+"Is it an intrigue?"
+
+"An intrigue."
+
+"Bah!"
+
+"I can mention it to you without compromising my passion. Besides,
+a woman who comes to the Tuileries on Sundays is of no account,
+aristocratically speaking."
+
+"Ah! ah!"
+
+"Hold your tongue then, or I shall tell you nothing. Your laugh is too
+loud, you will make people think that we have lunched too well. Last
+Thursday, here on the Terrasse des Feuillants, I was walking along,
+thinking of nothing at all, but when I got to the gate of the Rue de
+Castiglione, by which I intended to leave, I came face to face with a
+woman, or rather a young girl; who, if she did not throw herself at my
+head, stopped short, less I think, from human respect, than from one of
+those movements of profound surprise which affect the limbs, creep down
+the length of the spine, and cease only in the sole of the feet, to nail
+you to the ground. I have often produced effects of this nature, a sort
+of animal magnetism which becomes enormously powerful when the
+relations are reciprocally precise. But, my dear fellow, this was not
+stupefaction, nor was she a common girl. Morally speaking, her face
+seemed to say: 'What, is it you, my ideal! The creation of my thoughts,
+of my morning and evening dreams! What, are you there? Why this morning?
+Why not yesterday? Take me, I am thine, _et cetera_!' Good, I said to
+myself, another one! Then I scrutinize her. Ah, my dear fellow, speaking
+physically, my incognita is the most adorable feminine person whom I
+ever met. She belongs to that feminine variety which the Romans call
+_fulva, flava_--the woman of fire. And in chief, what struck me the
+most, what I am still taken with, are her two yellow eyes, like a
+tiger's, a golden yellow that gleams, living gold, gold which thinks,
+gold which loves, and is determined to take refuge in your pocket."
+
+"My dear fellow, we are full of her!" cried Paul. "She comes here
+sometimes--_the girl with the golden eyes_! That is the name we have
+given her. She is a young creature--not more than twenty-two, and I
+have seen her here in the time of the Bourbons, but with a woman who was
+worth a hundred thousand of her."
+
+"Silence, Paul! It is impossible for any woman to surpass this girl; she
+is like the cat who rubs herself against your legs; a white girl with
+ash-colored hair, delicate in appearance, but who must have downy
+threads on the third phalanx of her fingers, and all along her cheeks
+a white down whose line, luminous on fine days, begins at her ears and
+loses itself on her neck."
+
+"Ah, the other, my dear De Marsay! She has black eyes which have never
+wept, but which burn; black eyebrows which meet and give her an air of
+hardness contradicted by the compact curve of her lips, on which the
+kisses do not stay, lips burning and fresh; a Moorish color that warms a
+man like the sun. But--upon my word of honor, she is like you!"
+
+"You flatter her!"
+
+"A firm figure, the tapering figure of a corvette built for speed, which
+rushes down upon the merchant vessel with French impetuosity, which
+grapples with her and sinks her at the same time."
+
+"After all, my dear fellow," answered De Marsay, "what has that got
+to do with me, since I have never seen her? Ever since I have studied
+women, my incognita is the only one whose virginal bosom, whose
+ardent and voluptuous forms, have realized for me the only woman of
+my dreams--of my dreams! She is the original of that ravishing picture
+called _La Femme Caressant sa Chimere_, the warmest, the most infernal
+inspiration of the genius of antiquity; a holy poem prostituted by those
+who have copied it for frescoes and mosiacs; for a heap of bourgeois
+who see in this gem nothing more than a gew-gaw and hang it on their
+watch-chains--whereas, it is the whole woman, an abyss of pleasure into
+which one plunges and finds no end; whereas, it is the ideal woman, to
+be seen sometimes in reality in Spain or Italy, almost never in France.
+Well, I have again seen this girl of the gold eyes, this woman caressing
+her chimera. I saw her on Friday. I had a presentiment that on the
+following day she would be here at the same hour; I was not mistaken.
+I have taken a pleasure in following her without being observed, in
+studying her indolent walk, the walk of the woman without occupation,
+but in the movements of which one devines all the pleasure that lies
+asleep. Well, she turned back again, she saw me, once more she adored
+me, once more trembled, shivered. It was then I noticed the genuine
+Spanish duenna who looked after her, a hyena upon whom some jealous
+man has put a dress, a she-devil well paid, no doubt, to guard this
+delicious creature.... Ah, then the duenna made me deeper in love. I
+grew curious. On Saturday, nobody. And here I am to-day waiting for
+this girl whose chimera I am, asking nothing better than to pose as the
+monster in the fresco."
+
+"There she is," said Paul. "Every one is turning round to look at her."
+
+The unknown blushed, her eyes shone; she saw Henri, she shut them and
+passed by.
+
+"You say that she notices you?" cried Paul, facetiously.
+
+The duenna looked fixedly and attentively at the two young men. When the
+unknown and Henri passed each other again, the young girl touched him,
+and with her hand pressed the hand of the young man. Then she turned her
+head and smiled with passion, but the duenna led her away very quickly
+to the gate of the Rue de Castiglione.
+
+The two friends followed the young girl, admiring the magnificent grace
+of the neck which met her head in a harmony of vigorous lines, and upon
+which a few coils of hair were tightly wound. The girl with the golden
+eyes had that well-knitted, arched, slender foot which presents so
+many attractions to the dainty imagination. Moreover, she was shod with
+elegance, and wore a short skirt. During her course she turned from
+time to time to look at Henri, and appeared to follow the old woman
+regretfully, seeming to be at once her mistress and her slave; she
+could break her with blows, but could not dismiss her. All that was
+perceptible. The two friends reached the gate. Two men in livery let
+down the step of a tasteful _coupe_ emblazoned with armorial bearings.
+The girl with the golden eyes was the first to enter it, took her seat
+at the side where she could be best seen when the carriage turned,
+put her hand on the door, and waved her handkerchief in the duennna's
+despite. In contempt of what might be said by the curious, her
+handkerchief cried to Henri openly: "Follow me!"
+
+"Have you ever seen a handkerchief better thrown?" said Henri to Paul de
+Manerville.
+
+Then, observing a fiacre on the point of departure, having just set down
+a fare, he made a sign to the driver to wait.
+
+"Follow that carriage, notice the house and the street where it
+stops--you shall have ten francs.... Paul, adieu."
+
+The cab followed the _coupe_. The _coupe_ stopped in the Rue Saint
+Lazare before one of the finest houses of the neighborhood.
+
+De Marsay was not impulsive. Any other young man would have obeyed his
+impulse to obtain at once some information about a girl who realized so
+fully the most luminous ideas ever expressed upon women in the poetry
+of the East; but, too experienced to compromise his good fortune, he had
+told his coachman to continue along the Rue Saint Lazare and carry him
+back to his house. The next day, his confidential valet, Laurent by
+name, as cunning a fellow as the Frontin of the old comedy, waited in
+the vicinity of the house inhabited by the unknown for the hour at which
+letters were distributed. In order to be able to spy at his ease and
+hang about the house, he had followed the example of those police
+officers who seek a good disguise, and bought up cast-off clothes of
+an Auvergnat, the appearance of whom he sought to imitate. When the
+postman, who went the round of the Rue Saint Lazare that morning, passed
+by, Laurent feigned to be a porter unable to remember the name of a
+person to whom he had to deliver a parcel, and consulted the postman.
+Deceived at first by appearances, this personage, so picturesque in the
+midst of Parisian civilization, informed him that the house in which
+the girl with the golden eyes dwelt belonged to Don Hijos, Marquis de
+San-Real, grandee of Spain. Naturally, it was not with the Marquis that
+the Auvergnat was concerned.
+
+"My parcel," he said, "is for the marquise."
+
+"She is away," replied the postman. "Her letters are forwarded to
+London."
+
+"Then the marquise is not a young girl who...?"
+
+"Ah!" said the postman, interrupting the _valet de chambre_ and
+observing him attentively, "you are as much a porter as I'm..."
+
+Laurent chinked some pieces of gold before the functionary, who began to
+smile.
+
+"Come, here's the name of your quarry," he said, taking from his leather
+wallet a letter bearing a London stamp, upon which the address, "To
+Mademoiselle Paquita Valdes, Rue Saint Lazare, Hotel San-Real, Paris,"
+was written in long, fine characters, which spoke of a woman's hand.
+
+"Could you tap a bottle of Chablis, with a few dozen oysters, and a
+_filet saute_ with mushrooms to follow it?" said Laurent, who wished to
+win the postman's valuable friendship.
+
+"At half-past nine, when my round is finished---- Where?"
+
+"At the corner of the Rue de la Chaussee-d'Antin and the Rue
+Neuve-des-Mathurins, at the _Puits sans Vin_," said Laurent.
+
+"Hark ye, my friend," said the postman, when he rejoined the valet an
+hour after this encounter, "if your master is in love with the girl, he
+is in for a famous task. I doubt you'll not succeed in seeing her. In
+the ten years that I've been postman in Paris, I have seen plenty of
+different kinds of doors! But I can tell you, and no fear of being
+called a liar by any of my comrades, there never was a door so
+mysterious as M. de San-Real's. No one can get into the house without
+the Lord knows what counter-word; and, notice, it has been selected on
+purpose between a courtyard and a garden to avoid any communication with
+other houses. The porter is an old Spaniard, who never speaks a word
+of French, but peers at people as Vidocq might, to see if they are not
+thieves. If a lover, a thief, or you--I make no comparisons--could get
+the better of this first wicket, well, in the first hall, which is shut
+by a glazed door, you would run across a butler surrounded by lackeys,
+an old joker more savage and surly even than the porter. If any one
+gets past the porter's lodge, my butler comes out, waits for you at the
+entrance, and puts you through a cross-examination like a criminal. That
+has happened to me, a mere postman. He took me for an eavesdropper in
+disguise, he said, laughing at his nonsense. As for the servants, don't
+hope to get aught out of them; I think they are mutes, no one in the
+neighborhood knows the color of their speech; I don't know what wages
+they can pay them to keep them from talk and drink; the fact is, they
+are not to be got at, whether because they are afraid of being shot, or
+that they have some enormous sum to lose in the case of an indiscretion.
+If your master is fond enough of Mademoiselle Paquita Valdes to surmount
+all these obstacles, he certainly won't triumph over Dona Concha
+Marialva, the duenna who accompanies her and would put her under her
+petticoats sooner than leave her. The two women look as if they were
+sewn to one another."
+
+"All that you say, worthy postman," went on Laurent, after having drunk
+off his wine, "confirms me in what I have learned before. Upon my word,
+I thought they were making fun of me! The fruiterer opposite told me
+that of nights they let loose dogs whose food is hung up on stakes just
+out of their reach. These cursed animals think, therefore, that any one
+likely to come in has designs on their victuals, and would tear one to
+pieces. You will tell me one might throw them down pieces, but it seems
+they have been trained to touch nothing except from the hand of the
+porter."
+
+"The porter of the Baron de Nucingen, whose garden joins at the top that
+of the Hotel San-Real, told me the same thing," replied the postman.
+
+"Good! my master knows him," said Laurent, to himself. "Do you know,"
+he went on, leering at the postman, "I serve a master who is a rare
+man, and if he took it into his head to kiss the sole of the foot of an
+empress, she would have to give in to him. If he had need of you, which
+is what I wish for you, for he is generous, could one count on you?"
+
+"Lord, Monsieur Laurent, my name is Moinot. My name is written exactly
+like _Moineau_, magpie: M-o-i-n-o-t, Moinot."
+
+"Exactly," said Laurent.
+
+"I live at No. 11, Rue des Trois Freres, on the fifth floor," went on
+Moinot; "I have a wife and four children. If what you want of me doesn't
+transgress the limits of my conscience and my official duties, you
+understand! I am your man."
+
+"You are an honest fellow," said Laurent, shaking his hand....
+
+"Paquita Valdes is, no doubt, the mistress of the Marquis de San-Real,
+the friend of King Ferdinand. Only an old Spanish mummy of eighty years
+is capable of taking such precautions," said Henri, when his _valet de
+chambre_ had related the result of his researches.
+
+"Monsieur," said Laurent, "unless he takes a balloon no one can get into
+that hotel."
+
+"You are a fool! Is it necessary to get into the hotel to have Paquita,
+when Paquita can get out of it?"
+
+"But, sir, the duenna?"
+
+"We will shut her up for a day or two, your duenna."
+
+"So, we shall have Paquita!" said Laurent, rubbing his hands.
+
+"Rascal!" answered Henri, "I shall condemn you to the Concha, if you
+carry your impudence so far as to speak so of a woman before she has
+become mine.... Turn your thoughts to dressing me, I am going out."
+
+Henri remained for a moment plunged in joyous reflections. Let us say it
+to the praise of women, he obtained all those whom he deigned to desire.
+And what could one think of a woman, having no lover, who should
+have known how to resist a young man armed with beauty which is the
+intelligence of the body, with intelligence which is a grace of the
+soul, armed with moral force and fortune, which are the only two real
+powers? Yet, in triumphing with such ease, De Marsay was bound to grow
+weary of his triumphs; thus, for about two years he had grown very weary
+indeed. And diving deep into the sea of pleasures he brought back more
+grit than pearls. Thus had he come, like potentates, to implore of
+Chance some obstacle to surmount, some enterprise which should ask the
+employment of his dormant moral and physical strength. Although Paquita
+Valdes presented him with a marvelous concentration of perfections which
+he had only yet enjoyed in detail, the attraction of passion was almost
+_nil_ with him. Constant satiety had weakened in his heart the sentiment
+of love. Like old men and people disillusioned, he had no longer
+anything but extravagant caprices, ruinous tastes, fantasies, which,
+once satisfied, left no pleasant memory in his heart. Amongst young
+people love is the finest of the emotions, it makes the life of the soul
+blossom, it nourishes by its solar power the finest inspirations and
+their great thoughts; the first fruits in all things have a delicious
+savor. Amongst men love becomes a passion; strength leads to abuse.
+Amongst old men it turns to vice; impotence tends to extremes. Henri was
+at once an old man, a man, and a youth. To afford him the feelings of
+a real love, he needed like Lovelace, a Clarissa Harlowe. Without
+the magic lustre of that unattainable pearl he could only have either
+passions rendered acute by some Parisian vanity, or set determinations
+with himself to bring such and such a woman to such and such a point of
+corruption, or else adventures which stimulated his curiosity.
+
+The report of Laurent, his _valet de chambre_ had just given an enormous
+value to the girl with the golden eyes. It was a question of doing
+battle with some secret enemy who seemed as dangerous as he was cunning;
+and to carry off the victory, all the forces which Henri could dispose
+of would be useful. He was about to play in that eternal old comedy
+which will be always fresh, and the characters in which are an old man,
+a young girl, and a lover: Don Hijos, Paquita, De Marsay. If Laurent was
+the equal of Figaro, the duenna seemed incorruptible. Thus, the living
+play was supplied by Chance with a stronger plot than it had ever been
+by dramatic author! But then is not Chance too, a man of genius?
+
+"It must be a cautious game," said Henri, to himself.
+
+"Well," said Paul de Manerville, as he entered the room. "How are we
+getting on? I have come to breakfast with you."
+
+"So be it," said Henri. "You won't be shocked if I make my toilette
+before you?"
+
+"How absurd!"
+
+"We take so many things from the English just now that we might well
+become as great prudes and hypocrites as themselves," said Henri.
+
+Laurent had set before his master such a quantity of utensils, so many
+different articles of such elegance, that Paul could not refrain from
+saying:
+
+"But you will take a couple of hours over that?"
+
+"No!" said Henri, "two hours and a half."
+
+"Well, then, since we are by ourselves, and can say what we like,
+explain to me why a man as superior as yourself--for you are
+superior--should affect to exaggerate a foppery which cannot be
+natural. Why spend two hours and a half in adorning yourself, when it is
+sufficient to spend a quarter of an hour in your bath, to do your hair
+in two minutes, and to dress! There, tell me your system."
+
+"I must be very fond of you, my good dunce, to confide such high
+thoughts to you," said the young man, who was at that moment having his
+feet rubbed with a soft brush lathered with English soap.
+
+"Have I not the most devoted attachment to you," replied Paul de
+Manerville, "and do I not like you because I know your superiority?..."
+
+"You must have noticed, if you are in the least capable of observing any
+moral fact, that women love fops," went on De Marsay, without replying
+in any way to Paul's declaration except by a look. "Do you know why
+women love fops? My friend, fops are the only men who take care of
+themselves. Now, to take excessive care of oneself, does it not imply
+that one takes care in oneself of what belongs to another? The man who
+does not belong to himself is precisely the man on whom women are keen.
+Love is essentially a thief. I say nothing about that excess of niceness
+to which they are so devoted. Do you know of any woman who has had a
+passion for a sloven, even if he were a remarkable man? If such a fact
+has occurred, we must put it to the account of those morbid affections
+of the breeding woman, mad fancies which float through the minds of
+everybody. On the other hand, I have seen most remarkable people left in
+the lurch because of their carelessness. A fop, who is concerned about
+his person, is concerned with folly, with petty things. And what is a
+woman? A petty thing, a bundle of follies. With two words said to the
+winds, can you not make her busy for four hours? She is sure that the
+fop will be occupied with her, seeing that he has no mind for great
+things. She will never be neglected for glory, ambition, politics,
+art--those prostitutes who for her are rivals. Then fops have the
+courage to cover themselves with ridicule in order to please a woman,
+and her heart is full of gratitude towards the man who is ridiculous for
+love. In fine, a fop can be no fop unless he is right in being one. It
+is women who bestow that rank. The fop is love's colonel; he has his
+victories, his regiment of women at his command. My dear fellow, in
+Paris everything is known, and a man cannot be a fop there _gratis_.
+You, who have only one woman, and who, perhaps, are right to have but
+one, try to act the fop!... You will not even become ridiculous, you
+will be dead. You will become a foregone conclusion, one of those men
+condemned inevitably to do one and the same thing. You will come to
+signify _folly_ as inseparably as M. de La Fayette signifies _America_;
+M. de Talleyrand, _diplomacy_; Desaugiers, _song_; M. de Segur,
+_romance_. If they once forsake their own line people no longer attach
+any value to what they do. So, foppery, my friend Paul, is the sign of
+an incontestable power over the female folk. A man who is loved by many
+women passes for having superior qualities, and then, poor fellow, it
+is a question who shall have him! But do you think it is nothing to have
+the right of going into a drawing-room, of looking down at people from
+over your cravat, or through your eye-glass, and of despising the most
+superior of men should he wear an old-fashioned waistcoat?... Laurent,
+you are hurting me! After breakfast, Paul, we will go to the Tuileries
+and see the adorable girl with the golden eyes."
+
+When, after making an excellent meal, the two young men had traversed
+the Terrasse de Feuillants and the broad walk of the Tuileries, they
+nowhere discovered the sublime Paquita Valdes, on whose account some
+fifty of the most elegant young men in Paris where to be seen, all
+scented, with their high scarfs, spurred and booted, riding, walking,
+talking, laughing, and damning themselves mightily.
+
+"It's a white Mass," said Henri; "but I have the most excellent idea in
+the world. This girl receives letters from London. The postman must be
+bought or made drunk, a letter opened, read of course, and a love-letter
+slipped in before it is sealed up again. The old tyrant, _crudel
+tirano_, is certain to know the person who writes the letters from
+London, and has ceased to be suspicious of them."
+
+The day after, De Marsay came again to walk on the Terrasse des
+Feuillants, and saw Paquita Valdes; already passion had embellished her
+for him. Seriously, he was wild for those eyes, whose rays seemed akin
+to those which the sun emits, and whose ardor set the seal upon that
+of her perfect body, in which all was delight. De Marsay was on fire to
+brush the dress of this enchanting girl as they passed one another in
+their walk; but his attempts were always vain. But at one moment, when
+he had repassed Paquita and the duenna, in order to find himself on the
+same side as the girl of the golden eyes, when he returned, Paquita,
+no less impatient, came forward hurriedly, and De Marsay felt his
+hand pressed by her in a fashion at once so swift and so passionately
+significant that it was as though he had received the emotions surged up
+in his heart. When the two lovers glanced at one another, Paquita seemed
+ashamed, she dropped her eyes lest she should meet the eyes of Henri,
+but her gaze sank lower to fasten on the feet and form of him whom
+women, before the Revolution, called _their conqueror_.
+
+"I am determined to make this girl my mistress," said Henri to himself.
+
+As he followed her along the terrace, in the direction of the Place
+Louis XV., he caught sight of the aged Marquis de San-Real, who was
+walking on the arm of his valet, stepping with all the precautions due
+to gout and decrepitude. Dona Concha, who distrusted Henri, made Paquita
+pass between herself and the old man.
+
+"Oh, for you," said De Marsay to himself, casting a glance of disdain
+upon the duenna, "if one cannot make you capitulate, with a little opium
+one can make you sleep. We know mythology and the fable of Argus."
+
+Before entering the carriage, the golden-eyed girl exchanged certain
+glances with her lover, of which the meaning was unmistakable and which
+enchanted Henri, but one of them was surprised by the duenna; she said
+a few rapid words to Paquita, who threw herself into the _coupe_ with
+an air of desperation. For some days Paquita did not appear in the
+Tuileries. Laurent, who by his master's orders was on watch by the
+hotel, learned from the neighbors that neither the two women nor the
+aged marquis had been abroad since the day upon which the duenna had
+surprised a glance between the young girl in her charge and Henri. The
+bond, so flimsy withal, which united the two lovers was already severed.
+
+Some days later, none knew by what means, De Marsay had attained his
+end; he had a seal and wax, exactly resembling the seal and wax affixed
+to the letters sent to Mademoiselle Valdes from London; paper similar
+to that which her correspondent used; moreover, all the implements and
+stamps necessary to affix the French and English postmarks.
+
+He wrote the following letter, to which he gave all the appearances of a
+letter sent from London:--
+
+
+ "MY DEAR PAQUITA,--I shall not try to paint to you in words the
+ passion with which you have inspired me. If, to my happiness, you
+ reciprocate it, understand that I have found a means of
+ corresponding with you. My name is Adolphe de Gouges, and I live
+ at No. 54 Rue de l'Universite. If you are too closely watched to
+ be able to write to me, if you have neither pen nor paper, I shall
+ understand it by your silence. If then, to-morrow, you have not,
+ between eight o'clock in the morning and ten o'clock in the
+ evening, thrown a letter over the wall of your garden into that of
+ the Baron de Nucingen, where it will be waited for during the
+ whole of the day, a man, who is entirely devoted to me, will let
+ down two flasks by a string over your wall at ten o'clock the next
+ morning. Be walking there at that hour. One of the two flasks will
+ contain opium to send your Argus to sleep; it will be sufficient
+ to employ six drops; the other will contain ink. The flask of ink
+ is of cut glass; the other is plain. Both are of such a size as
+ can easily be concealed within your bosom. All that I have already
+ done, in order to be able to correspond with you, should tell you
+ how greatly I love you. Should you have any doubt of it, I will
+ confess to you, that to obtain an interview of one hour with you I
+ would give my life."
+
+
+"At least they believe that, poor creatures!" said De Marsay; "but they
+are right. What should we think of a woman who refused to be beguiled by
+a love-letter accompanied by such convincing accessories?"
+
+This letter was delivered by Master Moinot, postman, on the following
+day, about eight o'clock in the morning, to the porter of the Hotel
+San-Real.
+
+In order to be nearer to the field of action, De Marsay went and
+breakfasted with Paul, who lived in the Rue de la Pepiniere. At
+two o'clock, just as the two friends were laughingly discussing the
+discomfiture of a young man who had attempted to lead the life of
+fashion without a settled income, and were devising an end for him,
+Henri's coachman came to seek his master at Paul's house, and presented
+to him a mysterious personage who insisted on speaking himself with his
+master.
+
+This individual was a mulatto, who would assuredly have given Talma a
+model for the part of Othello, if he had come across him. Never did any
+African face better express the grand vengefulness, the ready suspicion,
+the promptitude in the execution of a thought, the strength of the Moor,
+and his childish lack of reflection. His black eyes had the fixity of
+the eyes of a bird of prey, and they were framed, like a vulture's, by
+a bluish membrane devoid of lashes. His forehead, low and narrow, had
+something menacing. Evidently, this man was under the yoke of some
+single and unique thought. His sinewy arm did not belong to him.
+
+He was followed by a man whom the imaginations of all folk, from those
+who shiver in Greenland to those who sweat in the tropics, would paint
+in the single phrase: _He was an unfortunate man_. From this phrase,
+everybody will conceive him according to the special ideas of each
+country. But who can best imagine his face--white and wrinkled, red at
+the extremities, and his long beard. Who will see his lean and yellow
+scarf, his greasy shirt-collar, his battered hat, his green frock coat,
+his deplorable trousers, his dilapidated waistcoat, his imitation gold
+pin, and battered shoes, the strings of which were plastered in mud? Who
+will see all that but the Parisian? The unfortunate man of Paris is the
+unfortunate man _in toto_, for he has still enough mirth to know the
+extent of his misfortune. The mulatto was like an executioner of Louis
+XI. leading a man to the gallows.
+
+"Who has hunted us out these two extraordinary creatures?" said Henri.
+
+"Faith! there is one of them who makes me shudder," replied Paul.
+
+"Who are you--you fellow who look the most like a Christian of the two?"
+said Henri, looking at the unfortunate man.
+
+The mulatto stood with his eyes fixed upon the two young men, like a man
+who understood nothing, and who sought no less to divine something from
+the gestures and movements of the lips.
+
+"I am a public scribe and interpreter; I live at the Palais de Justice,
+and am named Poincet."
+
+"Good!... and this one?" said Henri to Poincet, looking towards the
+mulatto.
+
+"I do not know; he only speaks a sort of Spanish _patois_, and he has
+brought me here to make himself understood by you."
+
+The mulatto drew from his pocket the letter which Henri had written to
+Paquita and handed it to him. Henri threw it in the fire.
+
+"Ah--so--the game is beginning," said Henri to himself. "Paul, leave us
+alone for a moment."
+
+"I translated this letter for him," went on the interpreter, when they
+were alone. "When it was translated, he was in some place which I don't
+remember. Then he came back to look for me, and promised me two _louis_
+to fetch him here."
+
+"What have you to say to me, nigger?" asked Henri.
+
+"I did not translate _nigger_," said the interpreter, waiting for the
+mulatto's reply....
+
+"He said, sir," went on the interpreter, after having listened to the
+unknown, "that you must be at half-past ten to-morrow night on the
+boulevard Montmartre, near the cafe. You will see a carriage there, in
+which you must take your place, saying to the man, who will wait to
+open the door for you, the word _cortejo_--a Spanish word, which means
+_lover_," added Poincet, casting a glance of congratulation upon Henri.
+
+"Good."
+
+The mulatto was about to bestow the two _louis_, but De Marsay would not
+permit it, and himself rewarded the interpreter. As he was paying him,
+the mulatto began to speak.
+
+"What is he saying?"
+
+"He is warning me," replied the unfortunate, "that if I commit a single
+indiscretion he will strangle me. He speaks fair and he looks remarkably
+as if he were capable of carrying out his threat."
+
+"I am sure of it," answered Henri; "he would keep his word."
+
+"He says, as well," replied the interpreter, "that the person from whom
+he is sent implores you, for your sake and for hers, to act with the
+greatest prudence, because the daggers which are raised above your
+head would strike your heart before any human power could save you from
+them."
+
+"He said that? So much the better, it will be more amusing. You can come
+in now, Paul," he cried to his friend.
+
+The mulatto, who had not ceased to gaze at the lover of Paquita Valdes
+with magnetic attention, went away, followed by the interpreter.
+
+"Well, at last I have an adventure which is entirely romantic," said
+Henri, when Paul returned. "After having shared in a certain number I
+have finished by finding in Paris an intrigue accompanied by serious
+accidents, by grave perils. The deuce! what courage danger gives a
+woman! To torment a woman, to try and contradict her--doesn't it give
+her the right and the courage to scale in one moment obstacles which it
+would take her years to surmount of herself? Pretty creature, jump then!
+To die? Poor child! Daggers? Oh, imagination of women! They cannot help
+trying to find authority for their little jests. Besides, can one think
+of it, Paquita? Can one think of it, my child? The devil take me, now
+that I know this beautiful girl, this masterpiece of nature, is mine,
+the adventure has lost its charm."
+
+For all his light words, the youth in Henri had reappeared. In order
+to live until the morrow without too much pain, he had recourse to
+exorbitant pleasure; he played, dined, supped with his friends; he drank
+like a fish, ate like a German, and won ten or twelve thousand francs.
+He left the Rocher de Cancale at two o'clock in the morning, slept like
+a child, awoke the next morning fresh and rosy, and dressed to go to
+the Tuileries, with the intention of taking a ride, after having seen
+Paquita, in order to get himself an appetite and dine the better, and so
+kill the time.
+
+At the hour mentioned Henri was on the boulevard, saw the carriage,
+and gave the counter-word to a man who looked to him like the mulatto.
+Hearing the word, the man opened the door and quickly let down the step.
+Henri was so rapidly carried through Paris, and his thoughts left him so
+little capacity to pay attention to the streets through which he passed,
+that he did not know where the carriage stopped. The mulatto let him
+into a house, the staircase of which was quite close to the entrance.
+This staircase was dark, as was also the landing upon which Henri
+was obliged to wait while the mulatto was opening the door of a damp
+apartment, fetid and unlit, the chambers of which, barely illuminated
+by the candle which his guide found in the ante-chamber, seemed to him
+empty and ill furnished, like those of a house the inhabitants of which
+are away. He recognized the sensation which he had experienced from the
+perusal of one of those romances of Anne Radcliffe, in which the hero
+traverses the cold, sombre, and uninhabited saloons of some sad and
+desert spot.
+
+At last the mulatto opened the door of a _salon_. The condition of
+the old furniture and the dilapidated curtains with which the room was
+adorned gave it the air of the reception-room of a house of ill fame.
+There was the same pretension to elegance, and the same collection of
+things in bad taste, of dust and dirt. Upon a sofa covered with red
+Utrecht velvet, by the side of a smoking hearth, the fire of which was
+buried in ashes, sat an old, poorly dressed woman, her head capped by
+one of those turbans which English women of a certain age have invented
+and which would have a mighty success in China, where the artist's ideal
+is the monstrous.
+
+The room, the old woman, the cold hearth, all would have chilled love to
+death had not Paquita been there, upon an ottoman, in a loose voluptuous
+wrapper, free to scatter her gaze of gold and flame, free to show her
+arched foot, free of her luminous movements. This first interview
+was what every _rendezvous_ must be between persons of passionate
+disposition, who have stepped over a wide distance quickly, who desire
+each other ardently, and who, nevertheless, do not know each other. It
+is impossible that at first there should not occur certain discordant
+notes in the situation, which is embarrassing until the moment when two
+souls find themselves in unison.
+
+If desire gives a man boldness and disposes him to lay restraint aside,
+the mistress, under pain of ceasing to be woman, however great may be
+her love, is afraid of arriving at the end so promptly, and face to face
+with the necessity of giving herself, which to many women is equivalent
+to a fall into an abyss, at the bottom of which they know not what they
+shall find. The involuntary coldness of the woman contrasts with her
+confessed passion, and necessarily reacts upon the most passionate
+lover. Thus ideas, which often float around souls like vapors, determine
+in them a sort of temporary malady. In the sweet journey which two
+beings undertake through the fair domains of love, this moment is like
+a waste land to be traversed, a land without a tree, alternatively damp
+and warm, full of scorching sand, traversed by marshes, which leads to
+smiling groves clad with roses, where Love and his retinue of pleasures
+disport themselves on carpets of soft verdure. Often the witty man
+finds himself afflicted with a foolish laugh which is his only answer to
+everything; his wit is, as it were, suffocated beneath the icy pressure
+of his desires. It would not be impossible for two beings of equal
+beauty, intelligence, and passion to utter at first nothing but the
+most silly commonplaces, until chance, a word, the tremor of a certain
+glance, the communication of a spark, should have brought them to the
+happy transition which leads to that flowery way in which one does not
+walk, but where one sways and at the same time does not lapse.
+
+Such a state of mind is always in proportion with the violence of the
+feeling. Two creatures who love one another weakly feel nothing similar.
+The effect of this crisis can even be compared with that which is
+produced by the glow of a clear sky. Nature, at the first view, appears
+to be covered with a gauze veil, the azure of the firmament seems black,
+the intensity of light is like darkness. With Henri, as with the Spanish
+girl, there was an equal intensity of feeling; and that law of statics,
+in virtue of which two identical forces cancel each other, might have
+been true also in the moral order. And the embarrassment of the moment
+was singularly increased by the presence of the old hag. Love takes
+pleasure or fright at all, all has meaning for it, everything is an omen
+of happiness or sorrow for it.
+
+This decrepit woman was there like a suggestion of catastrophe, and
+represented the horrid fish's tail with which the allegorical geniuses
+of Greece have terminated their chimeras and sirens, whose figures, like
+all passions, are so seductive, so deceptive.
+
+Although Henri was not a free-thinker--the phrase is always a
+mockery--but a man of extraordinary power, a man as great as a man can
+be without faith, the conjunction struck him. Moreover, the strongest
+men are naturally the most impressionable, and consequently the most
+superstitious, if, indeed, one may call superstition the prejudice of
+the first thoughts, which, without doubt, is the appreciation of the
+result in causes hidden to other eyes but perceptible to their own.
+
+The Spanish girl profited by this moment of stupefaction to let herself
+fall into the ecstasy of that infinite adoration which seizes the heart
+of a woman, when she truly loves and finds herself in the presence of
+an idol for whom she has vainly longed. Her eyes were all joy, all
+happiness, and sparks flew from them. She was under the charm, and
+fearlessly intoxicated herself with a felicity of which she had dreamed
+long. She seemed then so marvelously beautiful to Henri, that all this
+phantasmagoria of rags and old age, of worn red drapery and of the green
+mats in front of the armchairs, the ill-washed red tiles, all this sick
+and dilapidated luxury, disappeared.
+
+The room seemed lit up; and it was only through a cloud that one could
+see the fearful harpy fixed and dumb on her red sofa, her yellow eyes
+betraying the servile sentiments, inspired by misfortune, or caused by
+some vice beneath whose servitude one has fallen as beneath a tyrant who
+brutalizes one with the flagellations of his despotism. Her eyes had the
+cold glitter of a caged tiger, knowing his impotence and being compelled
+to swallow his rage of destruction.
+
+"Who is that woman?" said Henri to Paquita.
+
+But Paquita did not answer. She made a sign that she understood no
+French, and asked Henri if he spoke English.
+
+De Marsay repeated his question in English.
+
+"She is the only woman in whom I can confide, although she has sold me
+already," said Paquita, tranquilly. "My dear Adolphe, she is my mother,
+a slave bought in Georgia for her rare beauty, little enough of which
+remains to-day. She only speaks her native tongue."
+
+The attitude of this woman and her eagerness to guess from the gestures
+of her daughter and Henri what was passing between them, were suddenly
+explained to the young man; and this explanation put him at his ease.
+
+"Paquita," he said, "are we never to be free then?"
+
+"Never," she said, with an air of sadness. "Even now we have but a few
+days before us."
+
+She lowered her eyes, looked at and counted with her right hand on the
+fingers of her left, revealing so the most beautiful hands which Henri
+had ever seen.
+
+"One, two, three----"
+
+She counted up to twelve.
+
+"Yes," she said, "we have twelve days."
+
+"And after?"
+
+"After," she said, showing the absorption of a weak woman before the
+executioner's axe, and slain in advance, as it were, by a fear which
+stripped her of that magnificent energy which Nature seemed to have
+bestowed upon her only to aggrandize pleasure and convert the most
+vulgar delights into endless poems. "After----" she repeated. Her eyes
+took a fixed stare; she seemed to contemplate a threatening object far
+away.
+
+"I do not know," she said.
+
+"This girl is mad," said Henri to himself, falling into strange
+reflections.
+
+Paquita appeared to him occupied by something which was not himself,
+like a woman constrained equally by remorse and passion. Perhaps she had
+in her heart another love which she alternately remembered and forgot.
+In a moment Henri was assailed by a thousand contradictory thoughts.
+This girl became a mystery for him; but as he contemplated her with the
+scientific attention of the _blase_ man, famished for new pleasures,
+like that Eastern king who asked that a pleasure should be created
+for him,--a horrible thirst with which great souls are seized,--Henri
+recognized in Paquita the richest organization that Nature had ever
+deigned to compose for love. The presumptive play of this machinery,
+setting aside the soul, would have frightened any other man than Henri;
+but he was fascinated by that rich harvest of promised pleasures, by
+that constant variety in happiness, the dream of every man, and the
+desire of every loving woman too. He was infuriated by the infinite
+rendered palpable, and transported into the most excessive raptures
+of which the creature is capable. All that he saw in this girl more
+distinctly than he had yet seen it, for she let herself be viewed
+complacently, happy to be admired. The admiration of De Marsay became
+a secret fury, and he unveiled her completely, throwing a glance at her
+which the Spaniard understood as though she had been used to receive
+such.
+
+"If you are not to be mine, mine only, I will kill you!" he cried.
+
+Hearing this speech, Paquita covered her face in her hands, and cried
+naively:
+
+"Holy Virgin! What have I brought upon myself?"
+
+She rose, flung herself down upon the red sofa, and buried her head in
+the rags which covered the bosom of her mother, and wept there. The
+old woman received her daughter without issuing from her state of
+immobility, or displaying any emotion. The mother possessed in the
+highest degree that gravity of savage races, the impassiveness of a
+statue upon which all remarks are lost. Did she or did she not love her
+daughter? Beneath that mask every human emotion might brood--good and
+evil; and from this creature all might be expected. Her gaze passed
+slowly from her daughter's beautiful hair, which covered her like a
+mantle, to the face of Henri, which she considered with an indescribable
+curiosity.
+
+She seemed to ask by what fatality he was there, from what caprice
+Nature had made so seductive a man.
+
+"These women are making sport of me," said Henri to himself.
+
+At that moment Paquita raised her head, cast at him one of those looks
+which reach the very soul and consume it. So beautiful seemed she that
+he swore he would possess such a treasure of beauty.
+
+"My Paquita! Be mine!"
+
+"Wouldst thou kill me?" she said fearfully, palpitating and anxious, but
+drawn towards him by an inexplicable force.
+
+"Kill thee--I!" he said, smiling.
+
+Paquita uttered a cry of alarm, said a word to the old woman, who
+authoritatively seized Henri's hand and that of her daughter. She gazed
+at them for a long time, and then released them, wagging her head in a
+fashion horribly significant.
+
+"Be mine--this evening, this moment; follow me, do not leave me! It must
+be, Paquita! Dost thou love me? Come!"
+
+In a moment he had poured out a thousand foolish words to her, with the
+rapidity of a torrent coursing between the rocks, and repeating the same
+sound in a thousand different forms.
+
+"It is the same voice!" said Paquita, in a melancholy voice, which
+De Marsay could not overhear, "and the same ardor," she added. "So be
+it--yes," she said, with an abandonment of passion which no words can
+describe. "Yes; but not to-night. To-night Adolphe, I gave too little
+opium to La Concha. She might wake up, and I should be lost. At this
+moment the whole household believes me to be asleep in my room. In two
+days be at the same spot, say the same word to the same man. That man is
+my foster-father. Cristemio worships me, and would die in torments for
+me before they could extract one word against me from him. Farewell,"
+she said seizing Henri by the waist and twining round him like a
+serpent.
+
+She pressed him on every side at once, lifted her head to his, and
+offered him her lips, then snatched a kiss which filled them both with
+such a dizziness that it seemed to Henri as though the earth opened; and
+Paquita cried: "Enough, depart!" in a voice which told how little
+she was mistress of herself. But she clung to him still, still crying
+"Depart!" and brought him slowly to the staircase. There the mulatto,
+whose white eyes lit up at the sight of Paquita, took the torch from the
+hands of his idol, and conducted Henri to the street. He left the light
+under the arch, opened the door, put Henri into the carriage, and set
+him down on the Boulevard des Italiens with marvelous rapidity. It was
+as though the horses had hell-fire in their veins.
+
+The scene was like a dream to De Marsay, but one of those dreams
+which, even when they fade away, leave a feeling of supernatural
+voluptuousness, which a man runs after for the remainder of his life.
+A single kiss had been enough. Never had _rendezvous_ been spent in a
+manner more decorous or chaste, or, perhaps, more coldly, in a spot of
+which the surroundings were more gruesome, in presence of a more hideous
+divinity; for the mother had remained in Henri's imagination like some
+infernal, cowering thing, cadaverous, monstrous, savagely ferocious,
+which the imagination of poets and painters had not yet conceived. In
+effect, no _rendezvous_ had ever irritated his senses more, revealed
+more audacious pleasures, or better aroused love from its centre to
+shed itself round him like an atmosphere. There was something sombre,
+mysterious, sweet, tender, constrained, and expansive, an intermingling
+of the awful and the celestial, of paradise and hell, which made De
+Marsay like a drunken man.
+
+He was no longer himself, and he was, withal, great enough to be able to
+resist the intoxication of pleasure.
+
+In order to render his conduct intelligible in the catastrophe of this
+story, it is needful to explain how his soul had broadened at an age
+when young men generally belittle themselves in their relations with
+women, or in too much occupation with them. Its growth was due to a
+concurrence of secret circumstances, which invested him with a vast and
+unsuspected power.
+
+This young man held in his hand a sceptre more powerful than that of
+modern kings, almost all of whom are curbed in their least wishes by the
+laws. De Marsay exercised the autocratic power of an Oriental despot.
+But this power, so stupidly put into execution in Asia by brutish men,
+was increased tenfold by its conjunction with European intelligence,
+with French wit--the most subtle, the keenest of all intellectual
+instruments. Henri could do what he would in the interest of his
+pleasures and vanities. This invisible action upon the social world
+had invested him with a real, but secret, majesty, without emphasis and
+deriving from himself. He had not the opinion which Louis XIV. could
+have of himself, but that which the proudest of the Caliphs, the
+Pharoahs, the Xerxes, who held themselves to be of divine origin, had
+of themselves when they imitated God, and veiled themselves from their
+subjects under the pretext that their looks dealt forth death. Thus,
+without any remorse at being at once the judge and the accuser, De
+Marsay coldly condemned to death the man or the woman who had seriously
+offended him. Although often pronounced almost lightly, the verdict
+was irrevocable. An error was a misfortune similar to that which a
+thunderbolt causes when it falls upon a smiling Parisienne in some
+hackney coach, instead of crushing the old coachman who is driving
+her to a _rendezvous_. Thus the bitter and profound sarcasm which
+distinguished the young man's conversation usually tended to frighten
+people; no one was anxious to put him out. Women are prodigiously fond
+of those persons who call themselves pashas, and who are, as it were
+accompanied by lions and executioners, and who walk in a panoply of
+terror. The result, in the case of such men, is a security of action,
+a certitude of power, a pride of gaze, a leonine consciousness, which
+makes women realize the type of strength of which they all dream. Such
+was De Marsay.
+
+Happy, for the moment, with his future, he grew young and pliable, and
+thought of nothing but love as he went to bed. He dreamed of the girl
+with the golden eyes, as the young and passionate can dream. His dreams
+were monstrous images, unattainable extravagances--full of light,
+revealing invisible worlds, yet in a manner always incomplete, for an
+intervening veil changes the conditions of vision.
+
+For the next and succeeding day Henri disappeared and no one knew
+what had become of him. His power only belonged to him under certain
+conditions, and, happily for him, during those two days he was a private
+soldier in the service of the demon to whom he owed his talismanic
+existence. But at the appointed time, in the evening, he was
+waiting--and he had not long to wait--for the carriage. The mulatto
+approached Henri, in order to repeat to him in French a phrase which he
+seemed to have learned by heart.
+
+"If you wish to come, she told me, you must consent to have your eyes
+bandaged."
+
+And Cristemio produced a white silk handkerchief.
+
+"No!" said Henri, whose omnipotence revolted suddenly.
+
+He tried to leap in. The mulatto made a sign, and the carriage drove
+off.
+
+"Yes!" cried De Marsay, furious at the thought of losing a piece of good
+fortune which had been promised him.
+
+He saw, moreover, the impossibility of making terms with a slave
+whose obedience was as blind as the hangman's. Nor was it this passive
+instrument upon whom his anger could fall.
+
+The mulatto whistled, the carriage returned. Henri got in hastily.
+Already a few curious onlookers had assembled like sheep on the
+boulevard. Henri was strong; he tried to play the mulatto. When the
+carriage started at a gallop he seized his hands, in order to master
+him, and retain, by subduing his attendant, the possession of his
+faculties, so that he might know whither he was going. It was a vain
+attempt. The eyes of the mulatto flashed from the darkness. The fellow
+uttered a cry which his fury stifled in his throat, released himself,
+threw back De Marsay with a hand like iron, and nailed him, so to
+speak, to the bottom of the carriage; then with his free hand, he drew
+a triangular dagger, and whistled. The coachman heard the whistle and
+stopped. Henri was unarmed, he was forced to yield. He moved his head
+towards the handkerchief. The gesture of submission calmed Cristemio,
+and he bound his eyes with a respect and care which manifested a sort
+of veneration for the person of the man whom his idol loved. But, before
+taking this course, he had placed his dagger distrustfully in his side
+pocket, and buttoned himself up to the chin.
+
+"That nigger would have killed me!" said De Marsay to himself.
+
+Once more the carriage moved on rapidly. There was one resource still
+open to a young man who knew Paris as well as Henri. To know whither
+he was going, he had but to collect himself and count, by the number of
+gutters crossed, the streets leading from the boulevards by which the
+carriage passed, so long as it continued straight along. He could thus
+discover into which lateral street it would turn, either towards the
+Seine or towards the heights of Montmartre, and guess the name or
+position of the street in which his guide should bring him to a halt.
+But the violent emotion which his struggle had caused him, the rage into
+which his compromised dignity had thrown him, the ideas of vengeance
+to which he abandoned himself, the suppositions suggested to him by the
+circumstantial care which this girl had taken in order to bring him
+to her, all hindered him from the attention, which the blind have,
+necessary for the concentration of his intelligence and the perfect
+lucidity of his recollection. The journey lasted half an hour. When the
+carriage stopped, it was no longer on the street. The mulatto and the
+coachman took Henri in their arms, lifted him out, and, putting him
+into a sort of litter, conveyed him across a garden. He could smell its
+flowers and the perfume peculiar to trees and grass.
+
+The silence which reigned there was so profound that he could
+distinguish the noise made by the drops of water falling from the moist
+leaves. The two men took him to a staircase, set him on his feet, led
+him by his hands through several apartments, and left him in a room
+whose atmosphere was perfumed, and the thick carpet of which he could
+feel beneath his feet.
+
+A woman's hand pushed him on to a divan, and untied the handkerchief for
+him. Henri saw Paquita before him, but Paquita in all her womanly
+and voluptuous glory. The section of the boudoir in which Henri found
+himself described a circular line, softly gracious, which was faced
+opposite by the other perfectly square half, in the midst of which a
+chimney-piece shone of gold and white marble. He had entered by a door
+on one side, hidden by a rich tapestried screen, opposite which was a
+window. The semicircular portion was adorned with a real Turkish divan,
+that is to say, a mattress thrown on the ground, but a mattress as broad
+as a bed, a divan fifty feet in circumference, made of white cashmere,
+relieved by bows of black and scarlet silk, arranged in panels. The top
+of this huge bed was raised several inches by numerous cushions, which
+further enriched it by their tasteful comfort. The boudoir was lined
+with some red stuff, over which an Indian muslin was stretched, fluted
+after the fashion of Corinthian columns, in plaits going in and out, and
+bound at the top and bottom by bands of poppy-colored stuff, on which
+were designs in black arabesque.
+
+Below the muslin the poppy turned to rose, that amorous color, which
+was matched by window-curtains, which were of Indian muslin lined with
+rose-colored taffeta, and set off with a fringe of poppy-color and
+black. Six silver-gilt arms, each supporting two candles, were attached
+to the tapestry at an equal distance, to illuminate the divan. The
+ceiling, from the middle of which a lustre of unpolished silver hung,
+was of a brilliant whiteness, and the cornice was gilded. The carpet was
+like an Oriental shawl; it had the designs and recalled the poetry of
+Persia, where the hands of slaves had worked on it. The furniture
+was covered in white cashmere, relieved by black and poppy-colored
+ornaments. The clock, the candelabra, all were in white marble and gold.
+The only table there had a cloth of cashmere. Elegant flower-pots held
+roses of every kind, flowers white or red. In fine, the least detail
+seemed to have been the object of loving thought. Never had richness
+hidden itself more coquettishly to become elegance, to express grace,
+to inspire pleasure. Everything there would have warmed the coldest
+of beings. The caresses of the tapestry, of which the color changed
+according to the direction of one's gaze, becoming either all white
+or all rose, harmonized with the effects of the light shed upon the
+diaphanous tissues of the muslin, which produced an appearance of
+mistiness. The soul has I know not what attraction towards white, love
+delights in red, and the passions are flattered by gold, which has the
+power of realizing their caprices. Thus all that man possesses within
+him of vague and mysterious, all his inexplicable affinities, were
+caressed in their involuntary sympathies. There was in this perfect
+harmony a concert of color to which the soul responded with vague and
+voluptuous and fluctuating ideas.
+
+It was out of a misty atmosphere, laden with exquisite perfumes, that
+Paquita, clad in a white wrapper, her feet bare, orange blossoms in her
+black hair, appeared to Henri, knelt before him, adoring him as the god
+of this temple, whither he had deigned to come. Although De Marsay
+was accustomed to seeing the utmost efforts of Parisian luxury, he was
+surprised at the aspect of this shell, like that from which Venus rose
+out of the sea. Whether from an effect of contrast between the darkness
+from which he issued and the light which bathed his soul, whether from
+a comparison which he swiftly made between this scene and that of their
+first interview, he experienced one of those delicate sensations which
+true poetry gives. Perceiving in the midst of this retreat, which
+had been opened to him as by a fairy's magic wand, the masterpiece of
+creation, this girl, whose warmly colored tints, whose soft skin--soft,
+but slightly gilded by the shadows, by I know not what vaporous effusion
+of love--gleamed as though it reflected the rays of color and light, his
+anger, his desire for vengeance, his wounded vanity, all were lost.
+
+Like an eagle darting on his prey, he took her utterly to him, set her
+on his knees, and felt with an indescribable intoxication the voluptuous
+pressure of this girl, whose richly developed beauties softly enveloped
+him.
+
+"Come to me, Paquita!" he said, in a low voice.
+
+"Speak, speak without fear!" she said. "This retreat was built for
+love. No sound can escape from it, so greatly was it desired to guard
+avariciously the accents and music of the beloved voice. However loud
+should be the cries, they would not be heard without these walls. A
+person might be murdered, and his moans would be as vain as if he were
+in the midst of the great desert."
+
+"Who has understood jealousy and its needs so well?"
+
+"Never question me as to that," she answered, untying with a gesture of
+wonderful sweetness the young man's scarf, doubtless in order the better
+to behold his neck.
+
+"Yes, there is the neck I love so well!" she said. "Wouldst thou please
+me?"
+
+This interrogation, rendered by the accent almost lascivious, drew
+De Marsay from the reverie in which he had been plunged by Paquita's
+authoritative refusal to allow him any research as to the unknown being
+who hovered like a shadow about them.
+
+"And if I wished to know who reigns here?"
+
+Paquita looked at him trembling.
+
+"It is not I, then?" he said, rising and freeing himself from the girl,
+whose head fell backwards. "Where I am, I would be alone."
+
+"Strike, strike!..." said the poor slave, a prey to terror.
+
+"For what do you take me, then?... Will you answer?"
+
+Paquita got up gently, her eyes full of tears, took a poniard from one
+of the two ebony pieces of furniture, and presented it to Henri with a
+gesture of submission which would have moved a tiger.
+
+"Give me a feast such as men give when they love," she said, "and whilst
+I sleep, slay me, for I know not how to answer thee. Hearken! I am bound
+like some poor beast to a stake; I am amazed that I have been able to
+throw a bridge over the abyss which divides us. Intoxicate me, then kill
+me! Ah, no, no!" she cried, joining her hands, "do not kill me! I love
+life! Life is fair to me! If I am a slave, I am a queen too. I could
+beguile you with words, tell you that I love you alone, prove it to you,
+profit by my momentary empire to say to you: 'Take me as one tastes the
+perfume of a flower when one passes it in a king's garden.' Then, after
+having used the cunning eloquence of woman and soared on the wings of
+pleasure, after having quenched my thirst, I could have you cast into a
+pit, where none could find you, which has been made to gratify vengeance
+without having to fear that of the law, a pit full of lime which would
+kindle and consume you, until no particle of you were left. You would
+stay in my heart, mine forever."
+
+Henri looked at the girl without trembling, and this fearless gaze
+filled her with joy.
+
+"No, I shall not do it! You have fallen into no trap here, but upon the
+heart of a woman who adores you, and it is I who will be cast into the
+pit."
+
+"All this appears to me prodigiously strange," said De Marsay,
+considering her. "But you seem to me a good girl, a strange nature; you
+are, upon my word of honor, a living riddle, the answer to which is very
+difficult to find."
+
+Paquita understood nothing of what the young man said; she looked at
+him gently, opening wide eyes which could never be stupid, so much was
+pleasure written in them.
+
+"Come, then, my love," she said, returning to her first idea, "wouldst
+thou please me?"
+
+"I would do all that thou wouldst, and even that thou wouldst not,"
+answered De Marsay, with a laugh. He had recovered his foppish ease, as
+he took the resolve to let himself go to the climax of his good fortune,
+looking neither before nor after. Perhaps he counted, moreover, on his
+power and his capacity of a man used to adventures, to dominate this
+girl a few hours later and learn all her secrets.
+
+"Well," said she, "let me arrange you as I would like."
+
+Paquita went joyously and took from one of the two chests a robe of red
+velvet, in which she dressed De Marsay, then adorned his head with a
+woman's bonnet and wrapped a shawl round him. Abandoning herself to
+these follies with a child's innocence, she laughed a convulsive laugh,
+and resembled some bird flapping its wings; but he saw nothing beyond.
+
+If it be impossible to paint the unheard-of delights which these two
+creatures--made by heaven in a joyous moment--found, it is perhaps
+necessary to translate metaphysically the extraordinary and almost
+fantastic impressions of the young man. That which persons in the social
+position of De Marsay, living as he lived, are best able to recognize is
+a girl's innocence. But, strange phenomenon! The girl of the golden eyes
+might be virgin, but innocent she was certainly not. The fantastic
+union of the mysterious and the real, of darkness and light, horror and
+beauty, pleasure and danger, paradise and hell, which had already been
+met with in this adventure, was resumed in the capricious and sublime
+being with which De Marsay dallied. All the utmost science or the most
+refined pleasure, all that Henri could know of that poetry of the senses
+which is called love, was excelled by the treasures poured forth by this
+girl, whose radiant eyes gave the lie to none of the promises which they
+made.
+
+She was an Oriental poem, in which shone the sun that Saadi, that Hafiz,
+have set in their pulsing strophes. Only, neither the rhythm of Saadi,
+nor that of Pindar, could have expressed the ecstasy--full of confusion
+and stupefaction--which seized the delicious girl when the error in
+which an iron hand had caused her to live was at an end.
+
+"Dead!" she said, "I am dead, Adolphe! Take me away to the world's
+end, to an island where no one knows us. Let there be no traces of our
+flight! We should be followed to the gates of hell. God! here is the
+day! Escape! Shall I ever see you again? Yes, to-morrow I will see
+you, if I have to deal death to all my warders to have that joy. Till
+to-morrow."
+
+She pressed him in her arms with an embrace in which the terror of death
+mingled. Then she touched a spring, which must have been in connection
+with a bell, and implored De Marsay to permit his eyes to be bandaged.
+
+"And if I would not--and if I wished to stay here?"
+
+"You would be the death of me more speedily," she said, "for now I know
+I am certain to die on your account."
+
+Henri submitted. In the man who had just gorged himself with pleasure
+there occurs a propensity to forgetfulness, I know not what ingratitude,
+a desire for liberty, a whim to go elsewhere, a tinge of contempt and,
+perhaps, of disgust for his idol; in fine, indescribable sentiments
+which render him ignoble and ashamed. The certainty of this confused,
+but real, feeling in souls who are not illuminated by that celestial
+light, nor perfumed with that holy essence from which the performance
+of sentiment springs, doubtless suggested to Rousseau the adventures of
+Lord Edward, which conclude the letters of the _Nouvelle Heloise_. If
+Rousseau is obviously inspired by the work of Richardson, he departs
+from it in a thousand details, which leave his achievement magnificently
+original; he has recommended it to posterity by great ideas which it is
+difficult to liberate by analysis, when, in one's youth, one reads this
+work with the object of finding in it the lurid representation of the
+most physical of our feelings, whereas serious and philosophical writers
+never employ its images except as the consequence or the corollary of
+a vast thought; and the adventures of Lord Edward are one of the most
+Europeanly delicate ideas of the whole work.
+
+Henri, therefore, found himself beneath the domination of that confused
+sentiment which is unknown to true love. There was needful, in
+some sort, the persuasive grip of comparisons, and the irresistible
+attraction of memories to lead him back to a woman. True love rules
+above all through recollection. A woman who is not engraven upon the
+soul by excess of pleasure or by strength of emotion, how can she ever
+be loved? In Henri's case, Paquita had established herself by both of
+these reasons. But at this moment, seized as he was by the satiety of
+his happiness, that delicious melancholy of the body, he could hardly
+analyze his heart, even by recalling to his lips the taste of the
+liveliest gratifications that he had ever grasped.
+
+He found himself on the Boulevard Montmartre at the break of day,
+gazed stupidly at the retreating carriage, produced two cigars from his
+pocket, lit one from the lantern of a good woman who sold brandy and
+coffee to workmen and street arabs and chestnut venders--to all the
+Parisian populace which begins its work before daybreak; then he went
+off, smoking his cigar, and putting his hands in his trousers' pockets
+with a devil-may-care air which did him small honor.
+
+"What a good thing a cigar is! That's one thing a man will never tire
+of," he said to himself.
+
+Of the girl with the golden eyes, over whom at that time all the elegant
+youth of Paris was mad, he hardly thought. The idea of death, expressed
+in the midst of their pleasure, and the fear of which had more than once
+darkened the brow of that beautiful creature, who held to the houris of
+Asia by her mother, to Europe by her education, to the tropics by her
+birth, seemed to him merely one of those deceptions by which women seek
+to make themselves interesting.
+
+"She is from Havana--the most Spanish region to be found in the New
+World. So she preferred to feign terror rather than cast in my teeth
+indisposition or difficulty, coquetry or duty, like a Parisian woman. By
+her golden eyes, how glad I shall be to sleep."
+
+He saw a hackney coach standing at the corner of Frascati's waiting for
+some gambler; he awoke the driver, was driven home, went to bed, and
+slept the sleep of the dissipated, which for some queer reason--of which
+no rhymer has yet taken advantage--is as profound as that of innocence.
+Perhaps it is an instance of the proverbial axiom, _extremes meet_.
+
+About noon De Marsay awoke and stretched himself; he felt the grip of
+that sort of voracious hunger which old soldiers can remember having
+experienced on the morrow of victory. He was delighted, therefore, to
+see Paul de Manerville standing in front of him, for at such a time
+nothing is more agreeable than to eat in company.
+
+"Well," his friend remarked, "we all imagined that you had been shut up
+for the last ten days with the girl of the golden eyes."
+
+"The girl of the golden eyes! I have forgotten her. Faith! I have other
+fish to fry!"
+
+"Ah! you are playing at discretion."
+
+"Why not?" asked De Marsay, with a laugh. "My dear fellow, discretion
+is the best form of calculation. Listen--however, no! I will not say
+a word. You never teach me anything; I am not disposed to make you a
+gratuitous present of the treasures of my policy. Life is a river which
+is of use for the promotion of commerce. In the name of all that is most
+sacred in life--of cigars! I am no professor of social economy for the
+instruction of fools. Let us breakfast! It costs less to give you a
+tunny omelette than to lavish the resources of my brain on you."
+
+"Do you bargain with your friends?"
+
+"My dear fellow," said Henri, who rarely denied himself a sarcasm,
+"since all the same, you may some day need, like anybody else, to use
+discretion, and since I have much love for you--yes, I like you! Upon my
+word, if you only wanted a thousand-franc note to keep you from blowing
+your brains out, you would find it here, for we haven't yet done any
+business of that sort, eh, Paul? If you had to fight to-morrow, I would
+measure the ground and load the pistols, so that you might be killed
+according to rule. In short, if anybody besides myself took it into his
+head to say ill of you in your absence, he would have to deal with the
+somewhat nasty gentleman who walks in my shoes--there's what I call a
+friendship beyond question. Well, my good fellow, if you should
+ever have need of discretion, understand that there are two sorts of
+discretion--the active and the negative. Negative discretion is that
+of fools who make use of silence, negation, an air of refusal, the
+discretion of locked doors--mere impotence! Active discretion proceeds
+by affirmation. Suppose at the club this evening I were to say: 'Upon my
+word of honor the golden-eyed was not worth all she cost me!' Everybody
+would exclaim when I was gone: 'Did you hear that fop De Marsay, who
+tried to make us believe that he has already had the girl of the golden
+eyes? It's his way of trying to disembarrass himself of his rivals: he's
+no simpleton.' But such a ruse is vulgar and dangerous. However gross a
+folly one utters, there are always idiots to be found who will believe
+it. The best form of discretion is that of women when they want to take
+the change out of their husbands. It consists in compromising a woman
+with whom we are not concerned, or whom we do not love, in order to save
+the honor of the one whom we love well enough to respect. It is what is
+called the _woman-screen_.... Ah! here is Laurent. What have you got for
+us?"
+
+"Some Ostend oysters, Monsieur le Comte."
+
+"You will know some day, Paul, how amusing it is to make a fool of the
+world by depriving it of the secret of one's affections. I derive an
+immense pleasure in escaping from the stupid jurisdiction of the crowd,
+which knows neither what it wants, nor what one wants of it, which takes
+the means for the end, and by turns curses and adores, elevates and
+destroys! What a delight to impose emotions on it and receive none from
+it, to tame it, never to obey it. If one may ever be proud of anything,
+is it not a self-acquired power, of which one is at once the cause and
+effect, the principle and the result? Well, no man knows what I love,
+nor what I wish. Perhaps what I have loved, or what I may have wished
+will be known, as a drama which is accomplished is known; but to let
+my game be seen--weakness, mistake! I know nothing more despicable than
+strength outwitted by cunning. Can I initiate myself with a laugh into
+the ambassador's part, if indeed diplomacy is as difficult as life? I
+doubt it. Have you any ambition? Would you like to become something?"
+
+"But, Henri, you are laughing at me--as though I were not sufficiently
+mediocre to arrive at anything."
+
+"Good Paul! If you go on laughing at yourself, you will soon be able to
+laugh at everybody else."
+
+At breakfast, by the time he had started his cigars, De Marsay began to
+see the events of the night in a singular light. Like many men of great
+intelligence, his perspicuity was not spontaneous, as it did not at once
+penetrate to the heart of things. As with all natures endowed with the
+faculty of living greatly in the present, of extracting, so to speak,
+the essence of it and assimilating it, his second-sight had need of a
+sort of slumber before it could identify itself with causes. Cardinal
+de Richelieu was so constituted, and it did not debar in him the gift of
+foresight necessary to the conception of great designs.
+
+De Marsay's conditions were alike, but at first he only used his weapons
+for the benefit of his pleasures, and only became one of the most
+profound politicians of his day when he had saturated himself with
+those pleasures to which a young man's thoughts--when he has money and
+power--are primarily directed. Man hardens himself thus: he uses woman
+in order that she may not make use of him.
+
+At this moment, then, De Marsay perceived that he had been fooled by
+the girl of the golden eyes, seeing, as he did, in perspective, all that
+night of which the delights had been poured upon him by degrees until
+they had ended by flooding him in torrents. He could read, at last,
+that page in effect so brilliant, divine its hidden meaning. The purely
+physical innocence of Paquita, the bewilderment of her joy, certain
+words, obscure at first, but now clear, which had escaped her in the
+midst of that joy, all proved to him that he had posed for another
+person. As no social corruption was unknown to him, as he professed a
+complete indifference towards all perversities, and believed them to be
+justified on the simple ground that they were capable of satisfaction,
+he was not startled at vice, he knew it as one knows a friend, but he
+was wounded at having served as sustenance for it. If his presumption
+was right, he had been outraged in the most sensitive part of him. The
+mere suspicion filled him with fury, he broke out with the roar of a
+tiger who has been the sport of a deer, the cry of a tiger which united
+a brute's strength with the intelligence of the demon.
+
+"I say, what is the matter with you?" asked Paul.
+
+"Nothing!"
+
+"I should be sorry, if you were to be asked whether you had anything
+against me and were to reply with a _nothing_ like that! It would be a
+sure case of fighting the next day."
+
+"I fight no more duels," said De Marsay.
+
+"That seems to me even more tragical. Do you assassinate, then?"
+
+"You travesty words. I execute."
+
+"My dear friend," said Paul, "your jokes are of a very sombre color this
+morning."
+
+"What would you have? Pleasure ends in cruelty. Why? I don't know, and
+am not sufficiently curious to try and find out.... These cigars are
+excellent. Give your friend some tea. Do you know, Paul, I live a
+brute's life? It should be time to choose oneself a destiny, to employ
+one's powers on something which makes life worth living. Life is a
+singular comedy. I am frightened, I laugh at the inconsequence of our
+social order. The Government cuts off the heads of poor devils who
+may have killed a man and licenses creatures who despatch, medically
+speaking, a dozen young folks in a season. Morality is powerless
+against a dozen vices which destroy society and which nothing can
+punish.--Another cup!--Upon my word of honor! man is a jester dancing
+upon a precipice. They talk to us about the immorality of the _Liaisons
+Dangereuses_, and any other book you like with a vulgar reputation; but
+there exists a book, horrible, filthy, fearful, corrupting, which is
+always open and will never be shut, the great book of the world; not to
+mention another book, a thousand times more dangerous, which is composed
+of all that men whisper into each other's ears, or women murmur behind
+their fans, of an evening in society."
+
+"Henri, there is certainly something extraordinary the matter with you;
+that is obvious in spite of your active discretion."
+
+"Yes!... Come, I must kill the time until this evening. Let's to the
+tables.... Perhaps I shall have the good luck to lose."
+
+De Marsay rose, took a handful of banknotes and folded them into his
+cigar-case, dressed himself, and took advantage of Paul's carriage to
+repair to the Salon des Etrangers, where until dinner he consumed the
+time in those exciting alternations of loss and gain which are the last
+resource of powerful organizations when they are compelled to exercise
+themselves in the void. In the evening he repaired to the trysting-place
+and submitted complacently to having his eyes bandaged. Then, with
+that firm will which only really strong men have the faculty of
+concentrating, he devoted his attention and applied his intelligence to
+the task of divining through what streets the carriage passed. He had
+a sort of certitude of being taken to the Rue Saint-Lazare, and
+being brought to a halt at the little gate in the garden of the Hotel
+San-Real. When he passed, as on the first occasion, through this gate,
+and was put in a litter, carried, doubtless by the mulatto and the
+coachman, he understood, as he heard the gravel grate beneath their
+feet, why they took such minute precautions. He would have been able,
+had he been free, or if he had walked, to pluck a twig of laurel,
+to observe the nature of the soil which clung to his boots; whereas,
+transported, so to speak, ethereally into an inaccessible mansion, his
+good fortune must remain what it had been hitherto, a dream. But it is
+man's despair that all his work, whether for good or evil, is imperfect.
+All his labors, physical or intellectual, are sealed with the mark
+of destruction. There had been a gentle rain, the earth was moist. At
+night-time certain vegetable perfumes are far stronger than during the
+day; Henri could smell, therefore, the scent of the mignonette which
+lined the avenue along which he was conveyed. This indication was enough
+to light him in the researches which he promised himself to make in
+order to recognize the hotel which contained Paquita's boudoir. He
+studied in the same way the turnings which his bearers took within the
+house, and believed himself able to recall them.
+
+As on the previous night, he found himself on the ottoman before
+Paquita, who was undoing his bandage; but he saw her pale and altered.
+She had wept. On her knees like an angel in prayer, but like an angel
+profoundly sad and melancholy, the poor girl no longer resembled the
+curious, impatient, and impetuous creature who had carried De Marsay
+on her wings to transport him to the seventh heaven of love. There was
+something so true in this despair veiled by pleasure, that the terrible
+De Marsay felt within him an admiration for this new masterpiece
+of nature, and forgot, for the moment, the chief interest of his
+assignation.
+
+"What is the matter with thee, my Paquita?"
+
+"My friend," she said, "carry me away this very night. Bear me to some
+place where no one can answer: 'There is a girl with a golden gaze here,
+who has long hair.' Yonder I will give thee as many pleasures as thou
+wouldst have of me. Then when you love me no longer, you shall leave me,
+I shall not complain, I shall say nothing; and your desertion need cause
+you no remorse, for one day passed with you, only one day, in which I
+have had you before my eyes, will be worth all my life to me. But if I
+stay here, I am lost."
+
+"I cannot leave Paris, little one!" replied Henri. "I do not belong to
+myself, I am bound by a vow to the fortune of several persons who stand
+to me, as I do to them. But I can place you in a refuge in Paris, where
+no human power can reach you."
+
+"No," she said, "you forget the power of woman."
+
+Never did phrase uttered by human voice express terror more absolutely.
+
+"What could reach you, then, if I put myself between you and the world?"
+
+"Poison!" she said. "Dona Concha suspects you already... and," she
+resumed, letting the tears fall and glisten on her cheeks, "it is easy
+enough to see I am no longer the same. Well, if you abandon me to the
+fury of the monster who will destroy me, your holy will be done! But
+come, let there be all the pleasures of life in our love. Besides, I
+will implore, I will weep and cry out and defend myself; perhaps I shall
+be saved."
+
+"Whom will your implore?" he asked.
+
+"Silence!" said Paquita. "If I obtain mercy it will perhaps be on
+account of my discretion."
+
+"Give me my robe," said Henri, insidiously.
+
+"No, no!" she answered quickly, "be what you are, one of those angels
+whom I have been taught to hate, and in whom I only saw ogres, whilst
+you are what is fairest under the skies," she said, caressing Henri's
+hair. "You do not know how silly I am. I have learned nothing. Since I
+was twelve years old I have been shut up without ever seeing any one. I
+can neither read nor write, I can only speak English and Spanish."
+
+"How is it, then, that you receive letters from London?"
+
+"My letters?... See, here they are!" she said, proceeding to take some
+papers out of a tall Japanese vase.
+
+She offered De Marsay some letters, in which the young man saw, with
+surprise, strange figures, similar to those of a rebus, traced in blood,
+and illustrating phrases full of passion.
+
+"But," he cried, marveling at these hieroglyphics created by the
+alertness of jealousy, "you are in the power of an infernal genius?"
+
+"Infernal," she repeated.
+
+"But how, then, were you able to get out?"
+
+"Ah!" she said, "that was my ruin. I drove Dona Concha to choose between
+the fear of immediate death and anger to be. I had the curiosity of
+a demon, I wished to break the bronze circle which they had described
+between creation and me, I wished to see what young people were like,
+for I knew nothing of man except the Marquis and Cristemio. Our coachman
+and the lackey who accompanies us are old men...."
+
+"But you were not always thus shut up? Your health...?"
+
+"Ah," she answered, "we used to walk, but it was at night and in the
+country, by the side of the Seine, away from people."
+
+"Are you not proud of being loved like that?"
+
+"No," she said, "no longer. However full it be, this hidden life is but
+darkness in comparison with the light."
+
+"What do you call the light?"
+
+"Thee, my lovely Adolphe! Thee, for whom I would give my life. All the
+passionate things that have been told me, and that I have inspired, I
+feel for thee! For a certain time I understood nothing of existence, but
+now I know what love is, and hitherto I have been the loved one only;
+for myself, I did not love. I would give up everything for you, take me
+away. If you like, take me as a toy, but let me be near you until you
+break me."
+
+"You will have no regrets?"
+
+"Not one"! she said, letting him read her eyes, whose golden tint was
+pure and clear.
+
+"Am I the favored one?" said Henri to himself. If he suspected the
+truth, he was ready at that time to pardon the offence in view of a love
+so single minded. "I shall soon see," he thought.
+
+If Paquita owed him no account of the past, yet the least recollection
+of it became in his eyes a crime. He had therefore the sombre strength
+to withhold a portion of his thought, to study her, even while
+abandoning himself to the most enticing pleasures that ever peri
+descended from the skies had devised for her beloved.
+
+Paquita seemed to have been created for love by a particular effort of
+nature. In a night her feminine genius had made the most rapid progress.
+Whatever might be the power of this young man, and his indifference in
+the matter of pleasures, in spite of his satiety of the previous night,
+he found in the girl with the golden eyes that seraglio which a loving
+woman knows how to create and which a man never refuses. Paquita
+responded to that passion which is felt by all really great men for the
+infinite--that mysterious passion so dramatically expressed in Faust, so
+poetically translated in Manfred, and which urged Don Juan to search
+the heart of women, in his hope to find there that limitless thought in
+pursuit of which so many hunters after spectres have started, which wise
+men think to discover in science, and which mystics find in God alone.
+The hope of possessing at last the ideal being with whom the struggle
+could be constant and tireless ravished De Marsay, who, for the first
+time for long, opened his heart. His nerves expanded, his coldness was
+dissipated in the atmosphere of that ardent soul, his hard and fast
+theories melted away, and happiness colored his existence to the tint of
+the rose and white boudoir. Experiencing the sting of a higher pleasure,
+he was carried beyond the limits within which he had hitherto confined
+passion. He would not be surpassed by this girl, whom a somewhat
+artificial love had formed all ready for the needs of his soul, and then
+he found in that vanity which urges a man to be in all things a victor,
+strength enough to tame the girl; but, at the same time, urged beyond
+that line where the soul is mistress over herself, he lost himself
+in these delicious limboes, which the vulgar call so foolishly "the
+imaginary regions." He was tender, kind, and confidential. He affected
+Paquita almost to madness.
+
+"Why should we not go to Sorrento, to Nice, to Chiavari, and pass all
+our life so? Will you?" he asked of Paquita, in a penetrating voice.
+
+"Was there need to say to me: 'Will you'?" she cried. "Have I a will? I
+am nothing apart from you, except in so far as I am a pleasure for you.
+If you would choose a retreat worthy of us, Asia is the only country
+where love can unfold his wings...."
+
+"You are right," answered Henri. "Let us go to the Indies, there where
+spring is eternal, where the earth grows only flowers, where man can
+display the magnificence of kings and none shall say him nay, as in the
+foolish lands where they would realize the dull chimera of equality. Let
+us go to the country where one lives in the midst of a nation of slaves,
+where the sun shines ever on a palace which is always white, where the
+air sheds perfumes, the birds sing of love and where, when one can love
+no more, one dies...."
+
+"And where one dies together!" said Paquita. "But do not let us start
+to-morrow, let us start this moment... take Cristemio."
+
+"Faith! pleasure is the fairest climax of life. Let us go to Asia; but
+to start, my child, one needs much gold, and to have gold one must set
+one's affairs in order."
+
+She understood no part of these ideas.
+
+"Gold! There is a pile of it here--as high as that," she said holding up
+her hand.
+
+"It is not mine."
+
+"What does that matter?" she went on; "if we have need of it let us take
+it."
+
+"It does not belong to you."
+
+"Belong!" she repeated. "Have you not taken me? When we have taken it,
+it will belong to us."
+
+He gave a laugh.
+
+"Poor innocent! You know nothing of the world."
+
+"Nay, but this is what I know," she cried, clasping Henri to her.
+
+At the very moment when De Marsay was forgetting all, and conceiving the
+desire to appropriate this creature forever, he received in the midst of
+his joy a dagger-thrust, which Paquita, who had lifted him vigorously in
+the air, as though to contemplate him, exclaimed: "Oh, Margarita!"
+
+"Margarita!" cried the young man, with a roar; "now I know all that I
+still tried to disbelieve."
+
+He leaped upon the cabinet in which the long poniard was kept. Happily
+for Paquita and for himself, the cupboard was shut. His fury waxed at
+this impediment, but he recovered his tranquillity, went and found his
+cravat, and advanced towards her with an air of such ferocious meaning
+that, without knowing of what crime she had been guilty, Paquita
+understood, none the less, that her life was in question. With one bound
+she rushed to the other end of the room to escape the fatal knot which
+De Marsay tried to pass round her neck. There was a struggle. On either
+side there was an equality of strength, agility, and suppleness. To end
+the combat Paquita threw between the legs of her lover a cushion which
+made him fall, and profited by the respite which this advantage gave
+to her, to push the button of the spring which caused the bell to ring.
+Promptly the mulatto arrived. In a second Cristemio leaped on De Marsay
+and held him down with one foot on his chest, his heel turned towards
+the throat. De Marsay realized that, if he struggled, at a single sign
+from Paquita he would be instantly crushed.
+
+"Why did you want to kill me, my beloved?" she said. De Marsay made no
+reply.
+
+"In what have I angered you?" she asked. "Speak, let us understand each
+other."
+
+Henri maintained the phlegmatic attitude of a strong man who feels
+himself vanquished; his countenance, cold, silent, entirely English,
+revealed the consciousness of his dignity in a momentary resignation.
+Moreover, he had already thought, in spite of the vehemence of his
+anger, that it was scarcely prudent to compromise himself with the law
+by killing this girl on the spur of the moment, before he had arranged
+the murder in such a manner as should insure his impunity.
+
+"My beloved," went on Paquita, "speak to me; do not leave me without one
+loving farewell! I would not keep in my heart the terror which you have
+just inspired in it.... Will you speak?" she said, stamping her foot
+with anger.
+
+De Marsay, for all reply, gave her a glance, which signified so plainly,
+"_You must die!_" that Paquita threw herself upon him.
+
+"Ah, well, you want to kill me!... If my death can give you any
+pleasure--kill me!"
+
+She made a sign to Cristemio, who withdrew his foot from the body of the
+young man, and retired without letting his face show that he had formed
+any opinion, good or bad, with regard to Paquita.
+
+"That is a man," said De Marsay, pointing to the mulatto, with a
+sombre gesture. "There is no devotion like the devotion which obeys in
+friendship, and does not stop to weigh motives. In that man you possess
+a true friend."
+
+"I will give him you, if you like," she answered; "he will serve you
+with the same devotion that he has for me, if I so instruct him."
+
+She waited for a word of recognition, and went on with an accent replete
+with tenderness:
+
+"Adolphe, give me then one kind word!... It is nearly day."
+
+Henri did not answer. The young man had one sorry quality, for one
+considers as something great everything which resembles strength, and
+often men invent extravagances. Henri knew not how to pardon. That
+_returning upon itself_ which is one of the soul's graces, was a
+non-existent sense for him. The ferocity of the Northern man, with which
+the English blood is deeply tainted, had been transmitted to him by his
+father. He was inexorable both in his good and evil impulses. Paquita's
+exclamation had been all the more horrible to him, in that it had
+dethroned him from the sweetest triumph which had ever flattered his
+man's vanity. Hope, love, and every emotion had been exalted with him,
+all had lit up within his heart and his intelligence, then these torches
+illuminating his life had been extinguished by a cold wind. Paquita, in
+her stupefaction of grief, had only strength enough to give the signal
+for departure.
+
+"What is the use of that!" she said, throwing away the bandage. "If he
+does not love me, if he hates me, it is all over."
+
+She waited for one look, did not obtain it, and fell, half dead. The
+mulatto cast a glance at Henri, so horribly significant, that, for the
+first time in his life, the young man, to whom no one denied the gift of
+rare courage, trembled. "_If you do not love her well, if you give her
+the least pain, I will kill you_." such was the sense of that brief
+gaze. De Marsay was escorted, with a care almost obsequious, along the
+dimly lit corridor, at the end of which he issued by a secret door into
+the garden of the Hotel San-Real. The mulatto made him walk cautiously
+through an avenue of lime trees, which led to a little gate opening upon
+a street which was at that hour deserted. De Marsay took a keen notice
+of everything. The carriage awaited him. This time the mulatto did not
+accompany him, and at the moment when Henri put his head out of the
+window to look once more at the gardens of the hotel, he encountered the
+white eyes of Cristemio, with whom he exchanged a glance. On either side
+there was a provocation, a challenge, the declaration of a savage
+war, of a duel in which ordinary laws were invalid, where treason and
+treachery were admitted means. Cristemio knew that Henri had sworn
+Paquita's death. Henri knew that Cristemio would like to kill him before
+he killed Paquita. Both understood each other to perfection.
+
+"The adventure is growing complicated in a most interesting way," said
+Henri.
+
+"Where is the gentleman going to?" asked the coachman.
+
+De Marsay was driven to the house of Paul de Manerville. For more than a
+week Henri was away from home, and no one could discover either what he
+did during this period, nor where he stayed. This retreat saved him from
+the fury of the mulatto and caused the ruin of the charming creature who
+had placed all her hope in him whom she loved as never human heart had
+loved on this earth before. On the last day of the week, about eleven
+o'clock at night, Henri drove up in a carriage to the little gate in the
+garden of the Hotel San-Real. Four men accompanied him. The driver was
+evidently one of his friends, for he stood up on his box, like a man who
+was to listen, an attentive sentinel, for the least sound. One of the
+other three took his stand outside the gate in the street; the second
+waited in the garden, leaning against the wall; the last, who carried in
+his hand a bunch of keys, accompanied De Marsay.
+
+"Henri," said his companion to him, "we are betrayed."
+
+"By whom, my good Ferragus?"
+
+"They are not all asleep," replied the chief of the Devourers; "it is
+absolutely certain that some one in the house has neither eaten nor
+drunk.... Look! see that light!"
+
+"We have a plan of the house; from where does it come?"
+
+"I need no plan to know," replied Ferragus; "it comes from the room of
+the Marquise."
+
+"Ah," cried De Marsay, "no doubt she arrived from London to-day. The
+woman has robbed me even of my revenge! But if she has anticipated me,
+my good Gratien, we will give her up to the law."
+
+"Listen, listen!... The thing is settled," said Ferragus to Henri.
+
+The two friends listened intently, and heard some feeble cries which
+might have aroused pity in the breast of a tiger.
+
+"Your marquise did not think the sound would escape by the chimney,"
+said the chief of the Devourers, with the laugh of a critic, enchanted
+to detect a fault in a work of merit.
+
+"We alone, we know how to provide for every contingency," said Henri.
+"Wait for me. I want to see what is going on upstairs--I want to know
+how their domestic quarrels are managed. By God! I believe she is
+roasting her at a slow fire."
+
+De Marsay lightly scaled the stairs, with which he was familiar, and
+recognized the passage leading to the boudoir. When he opened the door
+he experienced the involuntary shudder which the sight of bloodshed
+gives to the most determined of men. The spectacle which was offered to
+his view was, moreover, in more than one respect astonishing to him.
+The Marquise was a woman; she had calculated her vengeance with that
+perfection of perfidy which distinguishes the weaker animals. She had
+dissimulated her anger in order to assure herself of the crime before
+she punished it.
+
+"Too late, my beloved!" said Paquita, in her death agony, casting her
+pale eyes upon De Marsay.
+
+The girl of the golden eyes expired in a bath of blood. The great
+illumination of candles, a delicate perfume which was perceptible,
+a certain disorder, in which the eye of a man accustomed to amorous
+adventures could not but discern the madness which is common to all
+the passions, revealed how cunningly the Marquise had interrogated the
+guilty one. The white room, where the blood showed so well, betrayed a
+long struggle. The prints of Paquita's hands were on the cushions. Here
+she had clung to her life, here she had defended herself, here she
+had been struck. Long strips of the tapestry had been torn down by her
+bleeding hands, which, without a doubt, had struggled long. Paquita must
+have tried to reach the window; her bare feet had left their imprints
+on the edge of the divan, along which she must have run. Her body,
+mutilated by the dagger-thrusts of her executioner, told of the fury
+with which she had disputed a life which Henri had made precious to her.
+She lay stretched on the floor, and in her death-throes had bitten the
+ankles of Madame de San-Real, who still held in her hand her dagger,
+dripping blood. The hair of the Marquise had been torn out, she was
+covered with bites, many of which were bleeding, and her torn dress
+revealed her in a state of semi-nudity, with the scratches on her
+breasts. She was sublime so. Her head, eager and maddened, exhaled the
+odor of blood. Her panting mouth was open, and her nostrils were not
+sufficient for her breath. There are certain animals who fall upon their
+enemy in their rage, do it to death, and seem in the tranquillity of
+victory to have forgotten it. There are others who prowl around their
+victim, who guard it in fear lest it should be taken away from them, and
+who, like the Achilles of Homer, drag their enemy by the feet nine times
+round the walls of Troy. The Marquise was like that. She did not see
+Henri. In the first place, she was too secure of her solitude to be
+afraid of witnesses; and, secondly, she was too intoxicated with warm
+blood, too excited with the fray, too exalted, to take notice of the
+whole of Paris, if Paris had formed a circle round her. A thunderbolt
+would not have disturbed her. She had not even heard Paquita's last
+sigh, and believed that the dead girl could still hear her.
+
+"Die without confessing!" she said. "Go down to hell, monster of
+ingratitude; belong to no one but the fiend. For the blood you gave him
+you owe me all your own! Die, die, suffer a thousand deaths! I have
+been too kind--I was only a moment killing you. I should have made you
+experience all the tortures that you have bequeathed to me. I--I shall
+live! I shall live in misery. I have no one left to love but God!"
+
+She gazed at her.
+
+"She is dead!" she said to herself, after a pause, in a violent
+reaction. "Dead! Oh, I shall die of grief!"
+
+The Marquise was throwing herself upon the divan, stricken with a
+despair which deprived her of speech, when this movement brought her in
+view of Henri de Marsay.
+
+"Who are you?" she asked, rushing at him with her dagger raised.
+
+Henri caught her arm, and thus they could contemplate each other face
+to face. A horrible surprise froze the blood in their veins, and their
+limbs quivered like those of frightened horses. In effect, the two
+Menoechmi had not been more alike. With one accord they uttered the same
+phrase:
+
+"Lord Dudley must have been your father!"
+
+The head of each was drooped in affirmation.
+
+"She was true to the blood," said Henri, pointing to Paquita.
+
+"She was as little guilty as it is possible to be," replied Margarita
+Euphemia Porraberil, and she threw herself upon the body of Paquita,
+giving vent to a cry of despair. "Poor child! Oh, if I could bring thee
+to life again! I was wrong--forgive me, Paquita! Dead! and I live! I--I
+am the most unhappy."
+
+At that moment the horrible face of the mother of Paquita appeared.
+
+"You are come to tell me that you never sold her to me to kill," cried
+the Marquise. "I know why you have left your lair. I will pay you twice
+over. Hold your peace."
+
+She took a bag of gold from the ebony cabinet, and threw it
+contemptuously at the old woman's feet. The chink of the gold was potent
+enough to excite a smile on the Georgian's impassive face.
+
+"I come at the right moment for you, my sister," said Henri. "The law
+will ask of you----"
+
+"Nothing," replied the Marquise. "One person alone might ask for a
+reckoning for the death of this girl. Cristemio is dead."
+
+"And the mother," said Henri, pointing to the old woman. "Will you not
+always be in her power?"
+
+"She comes from a country where women are not beings, but
+things--chattels, with which one does as one wills, which one buys,
+sells, and slays; in short, which one uses for one's caprices as you,
+here, use a piece of furniture. Besides, she has one passion which
+dominates all the others, and which would have stifled her maternal
+love, even if she had loved her daughter, a passion----"
+
+"What?" Henri asked quickly, interrupting his sister.
+
+"Play! God keep you from it," answered the Marquise.
+
+"But whom have you," said Henri, looking at the girl of the golden eyes,
+"who will help you to remove the traces of this fantasy which the law
+would not overlook?"
+
+"I have her mother," replied the Marquise, designating the Georgian, to
+whom she made a sign to remain.
+
+"We shall meet again," said Henri, who was thinking anxiously of his
+friends and felt that it was time to leave.
+
+"No, brother," she said, "we shall not meet again. I am going back to
+Spain to enter the Convent of _los Dolores_."
+
+"You are too young yet, too lovely," said Henri, taking her in his arms
+and giving her a kiss.
+
+"Good-bye," she said; "there is no consolation when you have lost that
+which has seemed to you the infinite."
+
+A week later Paul de Manerville met De Marsay in the Tuileries, on the
+Terrasse de Feuillants.
+
+"Well, what has become of our beautiful girl of the golden eyes, you
+rascal?"
+
+"She is dead."
+
+"What of?"
+
+"Consumption."
+
+
+PARIS, March 1834-April 1835.
+
+
+
+
+ADDENDUM
+
+ Note: The Girl with the Golden Eyes is the third part of a trilogy.
+ Part one is entitled Ferragus and part two is The Duchesse de
+ Langeais. In other addendum references all three stories are usually
+ combined under the title The Thirteen.
+
+The following personages appear in other stories of the Human Comedy.
+
+ Bourignard, Gratien-Henri-Victor-Jean-Joseph
+ Ferragus
+
+ Dudley, Lord
+ The Lily of the Valley
+ A Man of Business
+ Another Study of Woman
+ A Daughter of Eve
+
+ Manerville, Paul Francois-Joseph, Comte de
+ The Ball at Sceaux
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Marriage Settlement
+
+ Marsay, Henri de
+ Ferragus
+ The Duchesse of Langeais
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+ Ronquerolles, Marquis de
+ The Imaginary Mistress
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ Ferragus
+ The Duchesse of Langeais
+ The Member for Arcis
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Thirteen, by Honore de Balzac
+
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diff --git a/7416.zip b/7416.zip
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+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #7416 (https://www.gutenberg.org/ebooks/7416)
diff --git a/old/20040919-7416.txt b/old/20040919-7416.txt
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+The Project Gutenberg EBook of The Thirteen, by Honore de Balzac
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.net
+
+
+Title: The Thirteen
+
+Author: Honore de Balzac
+
+Release Date: September 19, 2004 [EBook #7416]
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK THE THIRTEEN ***
+
+
+
+
+Produced by Dagny, Bonnie Sala, and John Bickers
+
+
+
+
+ THE THIRTEEN
+
+ BY
+
+ HONORE DE BALZAC
+
+
+
+ INTRODUCTION
+
+The _Histoire des Treize_ consists--or rather is built up--of three
+stories: _Ferragus_ or the _Rue Soly_, _La Duchesse de Langeais_ or
+_Ne touchez-paz a la hache_, and _La Fille aux Yeux d'Or_.
+
+
+
+To tell the truth, there is more power than taste throughout the
+_Histoire des Treize_, and perhaps not very much less unreality than
+power. Balzac is very much better than Eugene Sue, though Eugene Sue
+also is better than it is the fashion to think him just now. But he is
+here, to a certain extent competing with Sue on the latter's own
+ground. The notion of the "Devorants"--of a secret society of men
+devoted to each other's interests, entirely free from any moral or
+legal scruple, possessed of considerable means in wealth, ability, and
+position, all working together, by fair means or foul, for good ends
+or bad--is, no doubt, rather seducing to the imagination at all times;
+and it so happened that it was particularly seducing to the
+imagination of that time. And its example has been powerful since; it
+gave us Mr. Stevenson's _New Arabian Nights_ only, as it were, the
+other day.
+
+But there is something a little schoolboyish in it; and I do not know
+that Balzac has succeeded entirely in eliminating this something. The
+pathos of the death, under persecution, of the innocent Clemence does
+not entirely make up for the unreasonableness of the whole situation.
+Nobody can say that the abominable misconduct of Maulincour--who is a
+hopeless "cad"--is too much punished, though an Englishman may think
+that Dr. Johnson's receipt of three or four footmen with cudgels,
+applied repeatedly and unsparingly, would have been better than
+elaborately prepared accidents and duels, which were too honorable for
+a Peeping Tom of this kind; and poisonings, which reduced the avengers
+to the level of their victim. But the imbroglio is of itself stupid;
+these fathers who cannot be made known to husbands are mere stage
+properties, and should never be fetched out of the theatrical
+lumber-room by literature.
+
+_La Duchesse de Langeais_ is, I think, a better story, with more
+romantic attraction, free from the objections just made to _Ferragus_,
+and furnished with a powerful, if slightly theatrical catastrophe. It
+is as good as anything that its author has done of the kind, subject
+to those general considerations of probability and otherwise which
+have been already hinted at. For those who are not troubled by any
+such critical reflections, both, no doubt, will be highly
+satisfactory.
+
+The third of the series, _La Fille aux Yeux d'Or_, in some respects
+one of Balzac's most brilliant effects, has been looked at askance by
+many of his English readers. At one time he had the audacity to think
+of calling it _La Femme aux Yeux Rouges_. To those who consider the
+story morbid or, one may say, _bizarre_, one word of justification,
+hardly of apology, may be offered. It was in the scheme of the
+_Comedie Humaine_ to survey social life in its entirety by a minute
+analysis of its most diverse constituents. It included all the
+pursuits and passions, was large and patient, and unafraid. And the
+patience, the curiosity, of the artist which made Cesar Birotteau and
+his bankrupt ledgers matters of high import to us, which did not
+shrink from creating a Vautrin and a Lucien de Rubempre, would have
+been incomplete had it stopped short of a Marquise de San-Real, of a
+Paquita Valdes. And in the great mass of the _Comedie Humaine_, with
+its largeness and reality of life, as in life itself; the figure of
+Paquita justifies its presence.
+
+Considering the _Histoire des Treize_ as a whole, it is of engrossing
+interest. And I must confess I should not think much of any boy who,
+beginning Balzac with this series, failed to go rather mad over it. I
+know there was a time when I used to like it best of all, and thought
+not merely _Eugenie Grandet_, but _Le Pere Goriot_ (though not the
+_Peau de Chagrin_), dull in comparison. Some attention, however, must
+be paid to two remarkable characters, on whom it is quite clear that
+Balzac expended a great deal of pains, and one of whom he seems to
+have "caressed," as the French say, with a curious admixture of
+dislike and admiration.
+
+The first, Bourignard or Ferragus, is, of course, another, though a
+somewhat minor example--Collin or Vautrin being the chief--of that
+strange tendency to take intense interest in criminals, which seems to
+be a pretty constant eccentricity of many human minds, and which laid
+an extraordinary grasp on the great French writers of Balzac's time. I
+must confess, though it may sink me very low in some eyes, that I have
+never been able to fully appreciate the attractions of crime and
+criminals, fictitious or real. Certain pleasant and profitable things,
+no doubt, retain their pleasure and their profit, to some extent, when
+they are done in the manner which is technically called criminal; but
+they seem to me to acquire no additional interest by being so. As the
+criminal of fact is, in the vast majority of cases, an exceedingly
+commonplace and dull person, the criminal of fiction seems to me only,
+or usually, to escape these curses by being absolutely improbable and
+unreal. But I know this is a terrible heresy.
+
+Henri de Marsay is a much more ambitious and a much more interesting
+figure. In him are combined the attractions of criminality, beauty,
+brains, success, and, last of all, dandyism. It is a well-known and
+delightful fact that the most Anglophobe Frenchmen--and Balzac might
+fairly be classed among them--have always regarded the English dandy
+with half-jealous, half-awful admiration. Indeed, our novelist, it
+will be seen, found it necessary to give Marsay English blood. But
+there is a tradition that this young Don Juan--not such a good fellow
+as Byron's, nor such a _grand seigneur_ as Moliere's--was partly
+intended to represent Charles de Remusat, who is best known to this
+generation by very sober and serious philosophical works, and by his
+part in his mother's correspondence. I do not know that there ever
+were any imputation on M. de Remusat's morals; but in memoirs of the
+time, he is, I think, accused of a certain selfishness and _hauteur_,
+and he certainly made his way, partly by journalism, partly by
+society, to power very much as Marsay did. But Marsay would certainly
+not have written _Abelard_ and the rest, or have returned to
+Ministerial rank in our own time. Marsay, in fact, more fortunate than
+Rubempre, and of a higher stamp and flight than Rastignac, makes with
+them Balzac's trinity of sketches of the kind of personage whose part,
+in his day and since, every young Frenchman has aspired to play, and
+some have played. It cannot be said that "a moral man is Marsay"; it
+cannot be said that he has the element of good-nature which redeems
+Rastignac. But he bears a blame and a burden for which we Britons are
+responsible in part--the Byronic ideal of the guilty hero coming to
+cross and blacken the old French model of unscrupulous good humor. It
+is not a very pretty mixture or a very worthy ideal; but I am not so
+sure that it is not still a pretty common one.
+
+The association of the three stories forming the _Histoire des Treize_
+is, in book form, original, inasmuch as they filled three out of the
+four volumes of _Etudes des Moeurs_ published in 1834-35, and
+themselves forming part of the first collection of _Scenes de la Vie
+Parisienne_. But _Ferragus_ had appeared in parts (with titles to
+each) in the _Revue de Paris_ for March and April 1833, and part of
+_La Duchesse de Langeais_ in the _Echo de la Jeune France_ almost
+contemporaneously. There are divisions in this also. _Ferragus_ and
+_La Duchesse_ also appeared without _La Fille aux Yeux d'Or_ in 1839,
+published in one volume by Charpentier, before their absorption at the
+usual time in the _Comedie_.
+
+ George Saintsbury
+
+
+
+
+ THE THIRTEEN
+
+
+
+ AUTHOR'S PREFACE
+
+In the Paris of the Empire there were found Thirteen men equally
+impressed with the same idea, equally endowed with energy enough to
+keep them true to it, while among themselves they were loyal enough to
+keep faith even when their interests seemed to clash. They were strong
+enough to set themselves above all laws; bold enough to shrink from no
+enterprise; and lucky enough to succeed in nearly everything that they
+undertook. So profoundly politic were they, that they could dissemble
+the tie which bound them together. They ran the greatest risks, and
+kept their failures to themselves. Fear never entered into their
+calculations; not one of them had trembled before princes, before the
+executioner's axe, before innocence. They had taken each other as they
+were, regardless of social prejudices. Criminals they doubtless were,
+yet none the less were they all remarkable for some one of the virtues
+which go to the making of great men, and their numbers were filled up
+only from among picked recruits. Finally, that nothing should be
+lacking to complete the dark, mysterious romance of their history,
+nobody to this day knows who they were. The Thirteen once realized all
+the wildest ideas conjured up by tales of the occult powers of a
+Manfred, a Faust, or a Melmoth; and to-day the band is broken up or,
+at any rate, dispersed. Its members have quietly returned beneath the
+yoke of the Civil Code; much as Morgan, the Achilles of piracy, gave
+up buccaneering to be a peaceable planter; and, untroubled by qualms
+of conscience, sat himself down by the fireside to dispose of
+blood-stained booty acquired by the red light of blazing towns.
+
+After Napoleon's death, the band was dissolved by a chance event which
+the author is bound for the present to pass over in silence, and its
+mysterious existence, as curious, it may be, as the darkest novel by
+Mrs. Radcliffe, came to an end.
+
+It was only lately that the present writer, detecting, as he fancied,
+a faint desire for celebrity in one of the anonymous heroes to whom
+the whole band once owed an occult allegiance, received the somewhat
+singular permission to make public certain of the adventures which
+befell that band, provided that, while telling the story in his own
+fashion, he observed certain limits.
+
+The aforesaid leader was still an apparently young man with fair hair
+and blue eyes, and a soft, thin voice which might seem to indicate a
+feminine temperament. His face was pale, his ways mysterious. He
+chatted pleasantly, and told me that he was only just turned of forty.
+He might have belonged to any one of the upper classes. The name which
+he gave was probably assumed, and no one answering to his description
+was known in society. Who is he, do you ask? No one knows.
+
+Perhaps when he made his extraordinary disclosures to the present
+writer, he wished to see them in some sort reproduced; to enjoy the
+effect of the sensation on the multitude; to feel as Macpherson might
+have felt when the name of Ossian, his creation, passed into all
+languages. And, in truth, that Scottish advocate knew one of the
+keenest, or, at any rate, one of the rarest sensations in human
+experience. What was this but the incognito of genius? To write an
+_Itineraire de Paris a Jerusalem_ is to take one's share in the glory
+of a century, but to give a Homer to one's country--this surely is a
+usurpation of the rights of God.
+
+The writer is too well acquainted with the laws of narration to be
+unaware of the nature of the pledge given by this brief preface; but,
+at the same time, he knows enough of the history of the Thirteen to
+feel confident that he shall not disappoint any expectations raised by
+the programme. Tragedies dripping with gore, comedies piled up with
+horrors, tales of heads taken off in secret have been confided to him.
+If any reader has not had enough of the ghastly tales served up to the
+public for some time past, he has only to express his wish; the author
+is in a position to reveal cold-blooded atrocities and family secrets
+of a gloomy and astonishing nature. But in preference he has chosen
+those pleasanter stories in which stormy passions are succeeded by
+purer scenes, where the beauty and goodness of woman shine out the
+brighter for the darkness. And, to the honor of the Thirteen, such
+episodes as these are not wanting. Some day perhaps it may be thought
+worth while to give their whole history to the world; in which case it
+might form a pendant to the history of the buccaneers--that race apart
+so curiously energetic, so attractive in spite of their crimes.
+
+When a writer has a true story to tell, he should scorn to turn it
+into a sort of puzzle toy, after the manner of those novelists who
+take their reader for a walk through one cavern after another to show
+him a dried-up corpse at the end of the fourth volume, and inform him,
+by way of conclusion, that he has been frightened all along by a door
+hidden somewhere or other behind some tapestry; or a dead body, left
+by inadvertence, under the floor. So the present chronicler, in spite
+of his objection to prefaces, felt bound to introduce his fragment by
+a few remarks.
+
+_Ferragus_, the first episode, is connected by invisible links with
+the history of the Thirteen, for the power which they acquired in a
+natural manner provides the apparently supernatural machinery.
+
+Again, although a certain literary coquetry may be permissible to
+retailers of the marvelous, the sober chronicler is bound to forego
+such advantage as he may reap from an odd-sounding name, on which many
+ephemeral successes are founded in these days. Wherefore the present
+writer gives the following succinct statement of the reasons which
+induced him to adopt the unlikely sounding title and sub-title.
+
+In accordance with old-established custom, _Ferragus_ is a name taken
+by the head of a guild of _Devorants_, _id est Devoirants_ or
+journeymen. Every chief on the day of his election chooses a pseudonym
+and continues a dynasty of _Devorants_ precisely as a pope changes his
+name on his accession to the triple tiara; and as the Church has its
+Clement XIV., Gregory XII., Julius II., or Alexander VI., so the
+workmen have their Trempe-la-Soupe IX., Ferragus XXII., Tutanus XIII.,
+or Masche-Fer IV. Who are the _Devorants_, do you ask?
+
+The _Devorants_ are one among many tribes of _compagnons_ whose origin
+can be traced to a great mystical association formed among the workmen
+of Christendom for the rebuilding of the Temple at Jerusalem.
+_Compagnonnage_ is still a popular institution in France. Its
+traditions still exert a power over little enlightened minds, over men
+so uneducated that they have not learned to break their oaths; and the
+various organizations might be turned to formidable account even yet
+if any rough-hewn man of genius arose to make use of them, for his
+instruments would be, for the most part, almost blind.
+
+Wherever journeymen travel, they find a hostel for _compagnons_ which
+has been in existence in the town from time immemorial. The _obade_,
+as they call it, is a kind of lodge with a "Mother" in charge, an old,
+half-gypsy wife who has nothing to lose. She hears all that goes on in
+the countryside; and, either from fear or from long habit, is devoted
+to the interests of the tribe boarded and lodged by her. And as a
+result, this shifting population, subject as it is to an unalterable
+law of custom, has eyes in every place, and will carry out an order
+anywhere without asking questions; for the oldest journeyman is still
+at an age when a man has some beliefs left. What is more, the whole
+fraternity professes doctrines which, if unfolded never so little, are
+both true enough and mysterious enough to electrify all the adepts
+with patriotism; and the _compagnons_ are so attached to their rules,
+that there have been bloody battles between different fraternities on
+a question of principle. Fortunately, however, for peace and public
+order; if a _Devorant_ is ambitious, he takes to building houses,
+makes a fortune, and leaves the guild.
+
+A great many curious things might be told of their rivals, the
+_Compagnons du Devior_, of all the different sects of workmen, their
+manners and customs and brotherhoods, and of the resemblances between
+them and the Freemasons; but there, these particulars would be out of
+place. The author will merely add, that before the Revolution a
+Trempe-la-Soupe had been known in the King's service, which is to say,
+that he had the tenure of a place in His Majesty's galleys for one
+hundred and one years; but even thence he ruled his guild, and was
+religiously consulted on all matters, and if he escaped from the hulks
+he met with help, succor, and respect wherever he went. To have a
+chief in the hulks is one of those misfortunes for which Providence is
+responsible; but a faithful lodge of _devorants_ is bound, as before,
+to obey a power created by and set above themselves. Their lawful
+sovereign is in exile for the time being, but none the less is he
+their king. And now any romantic mystery hanging about the words
+_Ferragus_ and the _devorants_ is completely dispelled.
+
+As for the Thirteen, the author feels that, on the strength of the
+details of this almost fantastic story, he can afford to give away yet
+another prerogative, though it is one of the greatest on record, and
+would possibly fetch a high price if brought into a literary auction
+mart; for the owner might inflict as many volumes on the public as La
+Contemporaine.[*]
+
+[*] A long series of so-called Memoirs, which appeared about 1830.
+
+The Thirteen were all of them men tempered like Byron's friend
+Trelawney, the original (so it is said) of _The Corsair_. All of them
+were fatalists, men of spirit and poetic temperament; all of them were
+tired of the commonplace life which they led; all felt attracted
+towards Asiatic pleasures by all the vehement strength of newly
+awakened and long dormant forces. One of these, chancing to take up
+_Venice Preserved_ for the second time, admired the sublime friendship
+between Pierre and Jaffir, and fell to musing on the virtues of
+outlaws, the loyalty of the hulks, the honor of thieves, and the
+immense power that a few men can wield if they bring their whole minds
+to bear upon the carrying out of a single will. It struck him that the
+individual man rose higher than men. Then he began to think that if a
+few picked men should band themselves together; and if, to natural
+wit, and education, and money, they could join a fanaticism hot enough
+to fuse, as it were, all those separate forces into a single one, then
+the whole world would be at their feet. From that time forth, with a
+tremendous power of concentration, they could wield an occult power
+against which the organization of society would be helpless; a power
+which would push obstacles aside and defeat the will of others; and
+the diabolical power of all would be at the service of each. A hostile
+world apart within the world, admitting none of the ideas, recognizing
+none of the laws of the world; submitting only to the sense of
+necessity, obedient only from devotion; acting all as one man in the
+interests of the comrade who should claim the aid of the rest; a band
+of buccaneers with carriages and yellow kid gloves; a close
+confederacy of men of extraordinary power, of amused and cool
+spectators of an artificial and petty world which they cursed with
+smiling lips; conscious as they were that they could make all things
+bend to their caprice, weave ingenious schemes of revenge, and live
+with the life in thirteen hearts, to say nothing of the unfailing
+pleasure of facing the world of men with a hidden misanthropy, a sense
+that they were armed against their kind, and could retire into
+themselves with one idea which the most remarkable men had not,--all
+this constituted a religion of pleasure and egoism which made fanatics
+of the Thirteen. The history of the Society of Jesus was repeated for
+the Devil's benefit. It was hideous and sublime.
+
+The pact was made; and it lasted, precisely because it seemed
+impossible. And so it came to pass that in Paris there was a
+fraternity of thirteen men, each one bound, body and soul, to the
+rest, and all of them strangers to each other in the sight of the
+world. But evening found them gathered together like conspirators, and
+then they had no thoughts apart; riches, like the wealth of the Old
+Man of the Mountain, they possessed in common; they had their feet in
+every salon, their hands in every strong box, their elbows in the
+streets, their heads upon all pillows, they did not scruple to help
+themselves at their pleasure. No chief commanded them, nobody was
+strong enough. The liveliest passion, the most urgent need took
+precedence--that was all. They were thirteen unknown kings; unknown,
+but with all the power and more than the power of kings; for they were
+both judges and executioners, they had taken wings that they might
+traverse the heights and depths of society, scorning to take any place
+in it, since all was theirs. If the author learns the reason of their
+abdication, he will communicate it.
+
+And now the author is free to give those episodes in the History of
+the Thirteen which, by reason of the Parisian flavor of the details or
+the strangeness of the contrasts, possessed a peculiar attraction for
+him.
+
+ Paris
+
+
+
+
+ THE THIRTEEN
+
+
+
+
+ I.
+
+
+
+
+ FERRAGUS,
+ CHIEF OF THE DEVORANTS
+
+ BY
+
+ HONORE DE BALZAC
+
+
+
+ Translated by
+ Katharine Prescott Wormeley
+
+
+
+
+ DEDICATION
+
+ To Hector Berlioz.
+
+ FERRAGUS,
+ CHIEF OF THE DEVORANTS
+
+
+
+ CHAPTER I
+
+ MADAME JULES
+
+Certain streets in Paris are as degraded as a man covered with infamy;
+also, there are noble streets, streets simply respectable, young
+streets on the morality of which the public has not yet formed an
+opinion; also cut-throat streets, streets older than the age of the
+oldest dowagers, estimable streets, streets always clean, streets
+always dirty, working, laboring, and mercantile streets. In short, the
+streets of Paris have every human quality, and impress us, by what we
+must call their physiognomy, with certain ideas against which we are
+defenceless. There are, for instance, streets of a bad neighborhood in
+which you could not be induced to live, and streets where you would
+willingly take up your abode. Some streets, like the rue Montmartre,
+have a charming head, and end in a fish's tail. The rue de la Paix is
+a wide street, a fine street, yet it wakens none of those gracefully
+noble thoughts which come to an impressible mind in the middle of the
+rue Royale, and it certainly lacks the majesty which reigns in the
+Place Vendome.
+
+If you walk the streets of the Ile Saint-Louis, do not seek the reason
+of the nervous sadness that lays hold upon you save in the solitude of
+the spot, the gloomy look of the houses, and the great deserted
+mansions. This island, the ghost of _fermiers-generaux_, is the Venice
+of Paris. The Place de la Bourse is voluble, busy, degraded; it is
+never fine except by moonlight at two in the morning. By day it is
+Paris epitomized; by night it is a dream of Greece. The rue
+Traversiere-Saint-Honore--is not that a villainous street? Look at the
+wretched little houses with two windows on a floor, where vice, crime,
+and misery abound. The narrow streets exposed to the north, where the
+sun never comes more than three or four times a year, are the
+cut-throat streets which murder with impunity; the authorities of the
+present day do not meddle with them; but in former times the
+Parliament might perhaps have summoned the lieutenant of police and
+reprimanded him for the state of things; and it would, at least, have
+issued some decree against such streets, as it once did against the
+wigs of the Chapter of Beauvais. And yet Monsieur Benoiston de
+Chateauneuf has proved that the mortality of these streets is double
+that of others! To sum up such theories by a single example: is not
+the rue Fromentin both murderous and profligate!
+
+These observations, incomprehensible out of Paris, will doubtless be
+understood by musing men of thought and poesy and pleasure, who know,
+while rambling about Paris, how to harvest the mass of floating
+interests which may be gathered at all hours within her walls; to them
+Paris is the most delightful and varied of monsters: here, a pretty
+woman; farther on, a haggard pauper; here, new as the coinage of a new
+reign; there, in this corner, elegant as a fashionable woman. A
+monster, moreover, complete! Its garrets, as it were, a head full of
+knowledge and genius; its first storeys stomachs repleted; its shops,
+actual feet, where the busy ambulating crowds are moving. Ah! what an
+ever-active life the monster leads! Hardly has the last vibration of
+the last carriage coming from a ball ceased at its heart before its
+arms are moving at the barriers and it shakes itself slowly into
+motion. Doors open; turning on their hinges like the membrane of some
+huge lobster, invisibly manipulated by thirty thousand men or women,
+of whom each individual occupies a space of six square feet, but has a
+kitchen, a workshop, a bed, children, a garden, little light to see
+by, but must see all. Imperceptibly, the articulations begin to crack;
+motion communicates itself; the street speaks. By mid-day, all is
+alive; the chimneys smoke, the monster eats; then he roars, and his
+thousand paws begin to ramp. Splendid spectacle! But, O Paris! he who
+has not admired your gloomy passages, your gleams and flashes of
+light, your deep and silent _cul-de-sacs_, who has not listened to
+your murmurings between midnight and two in the morning, knows nothing
+as yet of your true poesy, nor of your broad and fantastic contrasts.
+
+There are a few amateurs who never go their way heedlessly; who savor
+their Paris, so to speak; who know its physiognomy so well that they
+see every wart, and pimple, and redness. To others, Paris is always
+that monstrous marvel, that amazing assemblage of activities, of
+schemes, of thoughts; the city of a hundred thousand tales, the head
+of the universe. But to those few, Paris is sad or gay, ugly or
+beautiful, living or dead; to them Paris is a creature; every man,
+every fraction of a house is a lobe of the cellular tissue of that
+great courtesan whose head and heart and fantastic customs they know
+so well. These men are lovers of Paris; they lift their noses at such
+or such a corner of a street, certain that they can see the face of a
+clock; they tell a friend whose tobacco-pouch is empty, "Go down that
+passage and turn to the left; there's a tobacconist next door to a
+confectioner, where there's a pretty girl." Rambling about Paris is,
+to these poets, a costly luxury. How can they help spending precious
+minutes before the dramas, disasters, faces, and picturesque events
+which meet us everywhere amid this heaving queen of cities, clothed in
+posters,--who has, nevertheless, not a single clean corner, so
+complying is she to the vices of the French nation! Who has not
+chanced to leave his home early in the morning, intending to go to
+some extremity of Paris, and found himself unable to get away from the
+centre of it by the dinner-hour? Such a man will know how to excuse
+this vagabondizing start upon our tale; which, however, we here sum up
+in an observation both useful and novel, as far as any observation can
+be novel in Paris, where there is nothing new,--not even the statue
+erected yesterday, on which some young gamin has already scribbled his
+name.
+
+Well, then! there are streets, or ends of streets, there are houses,
+unknown for the most part to persons of social distinction, to which a
+woman of that class cannot go without causing cruel and very wounding
+things to be thought of her. Whether the woman be rich and has a
+carriage, whether she is on foot, or is disguised, if she enters one
+of these Parisian defiles at any hour of the day, she compromises her
+reputation as a virtuous woman. If, by chance, she is there at nine in
+the evening the conjectures that an observer permits himself to make
+upon her may prove fearful in their consequences. But if the woman is
+young and pretty, if she enters a house in one of those streets, if
+the house has a long, dark, damp, and evil-smelling passage-way, at
+the end of which flickers the pallid gleam of an oil lamp, and if
+beneath that gleam appears the horrid face of a withered old woman
+with fleshless fingers, ah, then! and we say it in the interests of
+young and pretty women, that woman is lost. She is at the mercy of the
+first man of her acquaintance who sees her in that Parisian slough.
+There is more than one street in Paris where such a meeting may lead
+to a frightful drama, a bloody drama of death and love, a drama of the
+modern school.
+
+Unhappily, this scene, this modern drama itself, will be comprehended
+by only a small number of persons; and it is a pity to tell the tale
+to a public which cannot enter into its local merit. But who can
+flatter himself that he will ever be understood? We all die unknown
+--'tis the saying of women and of authors.
+
+At half-past eight o'clock one evening, in the rue Pagevin, in the
+days when that street had no wall which did not echo some infamous
+word, and was, in the direction of the rue Soly, the narrowest and
+most impassable street in Paris (not excepting the least frequented
+corner of the most deserted street),--at the beginning of the month of
+February about thirteen years ago, a young man, by one of those
+chances which come but once in life, turned the corner of the rue
+Pagevin to enter the rue des Vieux-Augustins, close to the rue Soly.
+There, this young man, who lived himself in the rue de Bourbon, saw in
+a woman near whom he had been unconsciously walking, a vague
+resemblance to the prettiest woman in Paris; a chaste and delightful
+person, with whom he was secretly and passionately in love,--a love
+without hope; she was married. In a moment his heart leaped, an
+intolerable heat surged from his centre and flowed through all his
+veins; his back turned cold, the skin of his head crept. He loved, he
+was young, he knew Paris; and his knowledge did not permit him to be
+ignorant of all there was of possible infamy in an elegant, rich,
+young, and beautiful woman walking there, alone, with a furtively
+criminal step. _She_ in that mud! at that hour!
+
+The love that this young man felt for that woman may seem romantic,
+and all the more so because he was an officer in the Royal Guard. If
+he had been in the infantry, the affair might have seemed more likely;
+but, as an officer of rank in the cavalry, he belonged to that French
+arm which demands rapidity in its conquests and derives as much vanity
+from its amorous exploits as from its dashing uniform. But the passion
+of this officer was a true love, and many young hearts will think it
+noble. He loved this woman because she was virtuous; he loved her
+virtue, her modest grace, her imposing saintliness, as the dearest
+treasures of his hidden passion. This woman was indeed worthy to
+inspire one of those platonic loves which are found, like flowers amid
+bloody ruins, in the history of the middle-ages; worthy to be the
+hidden principle of all the actions of a young man's life; a love as
+high, as pure as the skies when blue; a love without hope and to which
+men bind themselves because it can never deceive; a love that is
+prodigal of unchecked enjoyment, especially at an age when the heart
+is ardent, the imagination keen, and the eyes of a man see very
+clearly.
+
+Strange, weird, inconceivable effects may be met with at night in
+Paris. Only those who have amused themselves by watching those effects
+have any idea how fantastic a woman may appear there at dusk. At times
+the creature whom you are following, by accident or design, seems to
+you light and slender; the stockings, if they are white, make you
+fancy that the legs must be slim and elegant; the figure though
+wrapped in a shawl, or concealed by a pelisse, defines itself
+gracefully and seductively among the shadows; anon, the uncertain
+gleam thrown from a shop-window or a street lamp bestows a fleeting
+lustre, nearly always deceptive, on the unknown woman, and fires the
+imagination, carrying it far beyond the truth. The senses then bestir
+themselves; everything takes color and animation; the woman appears in
+an altogether novel aspect; her person becomes beautiful. Behold! she
+is not a woman, she is a demon, a siren, who is drawing you by
+magnetic attraction to some respectable house, where the worthy
+_bourgeoise_, frightened by your threatening step and the clack of
+your boots, shuts the door in your face without looking at you.
+
+A vacillating gleam, thrown from the shop-window of a shoemaker,
+suddenly illuminated from the waist down the figure of the woman who
+was before the young man. Ah! surely, _she_ alone had that swaying
+figure; she alone knew the secret of that chaste gait which innocently
+set into relief the many beauties of that attractive form. Yes, that
+was the shawl, and that the velvet bonnet which she wore in the
+mornings. On her gray silk stockings not a spot, on her shoes not a
+splash. The shawl held tightly round the bust disclosed, vaguely, its
+charming lines; and the young man, who had often seen those shoulders
+at a ball, knew well the treasures that the shawl concealed. By the
+way a Parisian woman wraps a shawl around her, and the way she lifts
+her feet in the street, a man of intelligence in such studies can
+divine the secret of her mysterious errand. There is something, I know
+not what, of quivering buoyancy in the person, in the gait; the woman
+seems to weigh less; she steps, or rather, she glides like a star, and
+floats onward led by a thought which exhales from the folds and motion
+of her dress. The young man hastened his step, passed the woman, and
+then turned back to look at her. Pst! she had disappeared into a
+passage-way, the grated door of which and its bell still rattled and
+sounded. The young man walked back to the alley and saw the woman
+reach the farther end, where she began to mount--not without receiving
+the obsequious bow of an old portress--a winding staircase, the lower
+steps of which were strongly lighted; she went up buoyantly, eagerly,
+as though impatient.
+
+"Impatient for what?" said the young man to himself, drawing back to
+lean against a wooden railing on the other side of the street. He
+gazed, unhappy man, at the different storeys of the house, with the
+keen attention of a detective searching for a conspirator.
+
+It was one of those houses of which there are thousands in Paris,
+ignoble, vulgar, narrow, yellowish in tone, with four storeys and
+three windows on each floor. The outer blinds of the first floor were
+closed. Where was she going? The young man fancied he heard the tinkle
+of a bell on the second floor. As if in answer to it, a light began to
+move in a room with two windows strongly illuminated, which presently
+lit up the third window, evidently that of a first room, either the
+salon or the dining-room of the apartment. Instantly the outline of a
+woman's bonnet showed vaguely on the window, and a door between the
+two rooms must have closed, for the first was dark again, while the
+two other windows resumed their ruddy glow. At this moment a voice
+said, "Hi, there!" and the young man was conscious of a blow on his
+shoulder.
+
+"Why don't you pay attention?" said the rough voice of a workman,
+carrying a plank on his shoulder. The man passed on. He was the voice
+of Providence saying to the watcher: "What are you meddling with?
+Think of your own duty; and leave these Parisians to their own
+affairs."
+
+The young man crossed his arms; then, as no one beheld him, he
+suffered tears of rage to flow down his cheeks unchecked. At last the
+sight of the shadows moving behind the lighted windows gave him such
+pain that he looked elsewhere and noticed a hackney-coach, standing
+against a wall in the upper part of the rue des Vieux-Augustins, at a
+place where there was neither the door of a house, nor the light of a
+shop-window.
+
+Was it she? Was it not she? Life or death to a lover! This lover
+waited. He stood there during a century of twenty minutes. After that
+the woman came down, and he then recognized her as the one whom he
+secretly loved. Nevertheless, he wanted still to doubt. She went to
+the hackney-coach, and got into it.
+
+"The house will always be there and I can search it later," thought
+the young man, following the carriage at a run, to solve his last
+doubts; and soon he did so.
+
+The carriage stopped in the rue de Richelieu before a shop for
+artificial flowers, close to the rue de Menars. The lady got out,
+entered the shop, sent out the money to pay the coachman, and
+presently left the shop herself, on foot, after buying a bunch of
+marabouts. Marabouts for her black hair! The officer beheld her,
+through the window-panes, placing the feathers to her head to see the
+effect, and he fancied he could hear the conversation between herself
+and the shop-woman.
+
+"Oh! madame, nothing is more suitable for brunettes: brunettes have
+something a little too strongly marked in their lines, and marabouts
+give them just that _flow_ which they lack. Madame la Duchesse de
+Langeais says they give a woman something vague, Ossianic, and very
+high-bred."
+
+"Very good; send them to me at once."
+
+Then the lady turned quickly toward the rue de Menars, and entered her
+own house. When the door closed on her, the young lover, having lost
+his hopes, and worse, far worse, his dearest beliefs, walked through
+the streets like a drunken man, and presently found himself in his own
+room without knowing how he came there. He flung himself into an
+arm-chair, put his head in his hands and his feet on the andirons,
+drying his boots until he burned them. It was an awful moment,--one of
+those moments in human life when the character is moulded, and the
+future conduct of the best of men depends on the good or evil fortune
+of his first action. Providence or fatality?--choose which you will.
+
+This young man belonged to a good family, whose nobility was not very
+ancient; but there are so few really old families in these days, that
+all men of rank are ancient without dispute. His grandfather had
+bought the office of counsellor to the Parliament of Paris, where he
+afterwards became president. His sons, each provided with a handsome
+fortune, entered the army, and through their marriages became attached
+to the court. The Revolution swept the family away; but one old
+dowager, too obstinate to emigrate, was left; she was put in prison,
+threatened with death, but was saved by the 9th Thermidor and
+recovered her property. When the proper time came, about the year
+1804, she recalled her grandson to France. Auguste de Maulincour, the
+only scion of the Carbonnon de Maulincour, was brought up by the good
+dowager with the triple care of a mother, a woman of rank, and an
+obstinate dowager. When the Restoration came, the young man, then
+eighteen years of age, entered the Maison-Rouge, followed the princes
+to Ghent, was made an officer in the body-guard, left it to serve in
+the line, but was recalled later to the Royal Guard, where, at
+twenty-three years of age, he found himself major of a cavalry regiment,
+--a splendid position, due to his grandmother, who had played her cards
+well to obtain it, in spite of his youth. This double biography is a
+compendium of the general and special history, barring variations, of
+all the noble families who emigrated having debts and property,
+dowagers and tact.
+
+Madame la Baronne de Maulincour had a friend in the old Vidame de
+Pamiers, formerly a commander of the Knights of Malta. This was one of
+those undying friendships founded on sexagenary ties which nothing can
+weaken, because at the bottom of such intimacies there are certain
+secrets of the human heart, delightful to guess at when we have the
+time, insipid to explain in twenty words, and which might make the
+text of a work in four volumes as amusing as the Doyen de Killerine,
+--a work about which young men talk and judge without having read it.
+
+Auguste de Maulincour belonged therefore to the faubourg Saint-Germain
+through his grandmother and the vidame, and it sufficed him to date
+back two centuries to take the tone and opinions of those who assume
+to go back to Clovis. This young man, pale, slender, and delicate in
+appearance, a man of honor and true courage, who would fight a duel
+for a yes or a no, had never yet fought upon a battle-field, though he
+wore in his button-hole the cross of the Legion of honor. He was, as
+you perceive, one of the blunders of the Restoration, perhaps the most
+excusable of them. The youth of those days was the youth of no epoch.
+It came between the memories of the Empire and those of the
+Emigration, between the old traditions of the court and the
+conscientious education of the _bourgeoisie_; between religion and
+fancy-balls; between two political faiths, between Louis XVIII., who
+saw only the present, and Charles X., who looked too far into the
+future; it was moreover bound to accept the will of the king, though
+the king was deceiving and tricking it. This unfortunate youth, blind
+and yet clear-sighted, was counted as nothing by old men jealously
+keeping the reins of the State in their feeble hands, while the
+monarchy could have been saved by their retirement and the accession
+of this Young France, which the old doctrinaires, the _emigres_ of the
+Restoration, still speak of slightingly. Auguste de Maulincour was a
+victim to the ideas which weighed in those days upon French youth, and
+we must here explain why.
+
+The Vidame de Pamiers was still, at sixty-seven years of age, a very
+brilliant man, having seen much and lived much; a good talker, a man
+of honor and a gallant man, but who held as to women the most
+detestable opinions; he loved them, and he despised them. _Their_
+honor! _their_ feelings! Ta-ra-ra, rubbish and shams! When he was with
+them, he believed in them, the ci-devant "monstre"; he never
+contradicted them, and he made them shine. But among his male friends,
+when the topic of the sex came up, he laid down the principle that to
+deceive women, and to carry on several intrigues at once, should be
+the occupation of those young men who were so misguided as to wish to
+meddle in the affairs of the State. It is sad to have to sketch so
+hackneyed a portrait, for has it not figured everywhere and become,
+literally, as threadbare as that of a grenadier of the Empire? But the
+vidame had an influence on Monsieur de Maulincour's destiny which
+obliges us to preserve his portrait; he lectured the young man after
+his fashion, and did his best to convert him to the doctrines of the
+great age of gallantry.
+
+The dowager, a tender-hearted, pious woman, sitting between God and
+her vidame, a model of grace and sweetness, but gifted with that
+well-bred persistency which triumphs in the long run, had longed to
+preserve for her grandson the beautiful illusions of life, and had
+therefore brought him up in the highest principles; she instilled into
+him her own delicacy of feeling and made him, to outward appearance, a
+timid man, if not a fool. The sensibilities of the young fellow,
+preserved pure, were not worn by contact without; he remained so
+chaste, so scrupulous, that he was keenly offended by actions and
+maxims to which the world attached no consequence. Ashamed of this
+susceptibility, he forced himself to conceal it under a false
+hardihood; but he suffered in secret, all the while scoffing with
+others at the things he reverenced.
+
+It came to pass that he was deceived; because, in accordance with a
+not uncommon whim of destiny, he, a man of gentle melancholy, and
+spiritual in love, encountered in the object of his first passion a
+woman who held in horror all German sentimentalism. The young man, in
+consequence, distrusted himself, became dreamy, absorbed in his
+griefs, complaining of not being understood. Then, as we desire all
+the more violently the things we find difficult to obtain, he
+continued to adore women with that ingenuous tenderness and feline
+delicacy the secret of which belongs to women themselves, who may,
+perhaps, prefer to keep the monopoly of it. In point of fact, though
+women of the world complain of the way men love them, they have little
+liking themselves for those whose soul is half feminine. Their own
+superiority consists in making men believe they are their inferiors in
+love; therefore they will readily leave a lover if he is inexperienced
+enough to rob them of those fears with which they seek to deck
+themselves, those delightful tortures of feigned jealousy, those
+troubles of hope betrayed, those futile expectations,--in short, the
+whole procession of their feminine miseries. They hold Sir Charles
+Grandison in horror. What can be more contrary to their nature than a
+tranquil, perfect love? They want emotions; happiness without storms
+is not happiness to them. Women with souls that are strong enough to
+bring infinitude into love are angelic exceptions; they are among
+women what noble geniuses are among men. Their great passions are rare
+as masterpieces. Below the level of such love come compromises,
+conventions, passing and contemptible irritations, as in all things
+petty and perishable.
+
+Amid the hidden disasters of his heart, and while he was still seeking
+the woman who could comprehend him (a search which, let us remark in
+passing, is one of the amorous follies of our epoch), Auguste met, in
+the rank of society that was farthest from his own, in the secondary
+sphere of money, where banking holds the first place, a perfect being,
+one of those women who have I know not what about them that is saintly
+and sacred,--women who inspire such reverence that love has need of
+the help of a long familiarity to declare itself.
+
+Auguste then gave himself up wholly to the delights of the deepest and
+most moving of passions, to a love that was purely adoring.
+Innumerable repressed desires there were, shadows of passion so vague
+yet so profound, so fugitive and yet so actual, that one scarcely
+knows to what we may compare them. They are like perfumes, or clouds,
+or rays of the sun, or shadows, or whatever there is in nature that
+shines for a moment and disappears, that springs to life and dies,
+leaving in the heart long echoes of emotion. When the soul is young
+enough to nurture melancholy and far-off hope, to find in woman more
+than a woman, is it not the greatest happiness that can befall a man
+when he loves enough to feel more joy in touching a gloved hand, or a
+lock of hair, in listening to a word, in casting a single look, than
+in all the ardor of possession given by happy love? Thus it is that
+rejected persons, those rebuffed by fate, the ugly and unfortunate,
+lovers unrevealed, women and timid men, alone know the treasures
+contained in the voice of the beloved. Taking their source and their
+element from the soul itself, the vibrations of the air, charged with
+passion, put our hearts so powerfully into communion, carrying thought
+between them so lucidly, and being, above all, so incapable of
+falsehood, that a single inflection of a voice is often a revelation.
+What enchantments the intonations of a tender voice can bestow upon
+the heart of a poet! What ideas they awaken! What freshness they shed
+there! Love is in the voice before the glance avows it. Auguste, poet
+after the manner of lovers (there are poets who feel, and poets who
+express; the first are the happiest), Auguste had tasted all these
+early joys, so vast, so fecund. SHE possessed the most winning organ
+that the most artful woman of the world could have desired in order to
+deceive at her ease; _she_ had that silvery voice which is soft to the
+ear, and ringing only for the heart which it stirs and troubles,
+caresses and subjugates.
+
+And this woman went by night to the rue Soly through the rue Pagevin!
+and her furtive apparition in an infamous house had just destroyed the
+grandest of passions! The vidame's logic triumphed.
+
+"If she is betraying her husband we will avenge ourselves," said
+Auguste.
+
+There was still faith in that "if." The philosophic doubt of Descartes
+is a politeness with which we should always honor virtue. Ten o'clock
+sounded. The Baron de Maulincour remembered that this woman was going
+to a ball that evening at a house to which he had access. He dressed,
+went there, and searched for her through all the salons. The mistress
+of the house, Madame de Nucingen, seeing him thus occupied, said:--
+
+"You are looking for Madame Jules; but she has not yet come."
+
+"Good evening, dear," said a voice.
+
+Auguste and Madame de Nucingen turned round. Madame Jules had arrived,
+dressed in white, looking simple and noble, wearing in her hair the
+marabouts the young baron had seen her choose in the flower-shop. That
+voice of love now pierced his heart. Had he won the slightest right to
+be jealous of her he would have petrified her then and there by saying
+the words, "Rue Soly!" But if he, an alien to her life, had said those
+words in her ear a thousand times, Madame Jules would have asked him
+in astonishment what he meant. He looked at her stupidly.
+
+For those sarcastic persons who scoff at all things it may be a great
+amusement to detect the secret of a woman, to know that her chastity
+is a lie, that her calm face hides some anxious thought, that under
+that pure brow is a dreadful drama. But there are other souls to whom
+the sight is saddening; and many of those who laugh in public, when
+withdrawn into themselves and alone with their conscience, curse the
+world while they despise the woman. Such was the case with Auguste de
+Maulincour, as he stood there in presence of Madame Jules. Singular
+situation! There was no other relation between them than that which
+social life establishes between persons who exchange a few words seven
+or eight times in the course of a winter, and yet he was calling her
+to account on behalf of a happiness unknown to her; he was judging
+her, without letting her know of his accusation.
+
+Many young men find themselves thus in despair at having broken
+forever with a woman adored in secret, condemned and despised in
+secret. There are many hidden monologues told to the walls of some
+solitary lodging; storms roused and calmed without ever leaving the
+depths of hearts; amazing scenes of the moral world, for which a
+painter is wanted. Madame Jules sat down, leaving her husband to make
+a turn around the salon. After she was seated she seemed uneasy, and,
+while talking with her neighbor, she kept a furtive eye on Monsieur
+Jules Desmarets, her husband, a broker chiefly employed by the Baron
+de Nucingen. The following is the history of their home life.
+
+Monsieur Desmarets was, five years before his marriage, in a broker's
+office, with no other means than the meagre salary of a clerk. But he
+was a man to whom misfortune had early taught the truths of life, and
+he followed the strait path with the tenacity of an insect making for
+its nest; he was one of those dogged young men who feign death before
+an obstacle and wear out everybody's patience with their own
+beetle-like perseverance. Thus, young as he was, he had all the
+republican virtue of poor peoples; he was sober, saving of his time,
+an enemy to pleasure. He waited. Nature had given him the immense
+advantage of an agreeable exterior. His calm, pure brow, the shape of
+his placid, but expressive face, his simple manners,--all revealed in
+him a laborious and resigned existence, that lofty personal dignity
+which is imposing to others, and the secret nobility of heart which
+can meet all events. His modesty inspired a sort of respect in those
+who knew him. Solitary in the midst of Paris, he knew the social world
+only by glimpses during the brief moments which he spent in his
+patron's salon on holidays.
+
+There were passions in this young man, as in most of the men who live
+in that way, of amazing profundity,--passions too vast to be drawn
+into petty incidents. His want of means compelled him to lead an
+ascetic life, and he conquered his fancies by hard work. After paling
+all day over figures, he found his recreation in striving obstinately
+to acquire that wide general knowledge so necessary in these days to
+every man who wants to make his mark, whether in society, or in
+commerce, at the bar, or in politics or literature. The only peril
+these fine souls have to fear comes from their own uprightness. They
+see some poor girl; they love her; they marry her, and wear out their
+lives in a struggle between poverty and love. The noblest ambition is
+quenched perforce by the household account-book. Jules Desmarets went
+headlong into this peril.
+
+He met one evening at his patron's house a girl of the rarest beauty.
+Unfortunate men who are deprived of affection, and who consume the
+finest hours of youth in work and study, alone know the rapid ravages
+that passion makes in their lonely, misconceived hearts. They are so
+certain of loving truly, all their forces are concentrated so quickly
+on the object of their love, that they receive, while beside her, the
+most delightful sensations, when, as often happens, they inspire none
+at all. Nothing is more flattering to a woman's egotism than to divine
+this passion, apparently immovable, and these emotions so deep that
+they have needed a great length of time to reach the human surface.
+These poor men, anchorites in the midst of Paris, have all the
+enjoyments of anchorites; and may sometimes succumb to temptations.
+But, more often deceived, betrayed, and misunderstood, they are rarely
+able to gather the sweet fruits of a love which, to them, is like a
+flower dropped from heaven.
+
+One smile from his wife, a single inflection of her voice sufficed to
+make Jules Desmarets conceive a passion which was boundless. Happily,
+the concentrated fire of that secret passion revealed itself artlessly
+to the woman who inspired it. These two beings then loved each other
+religiously. To express all in a word, they clasped hands without
+shame before the eyes of the world and went their way like two
+children, brother and sister, passing serenely through a crowd where
+all made way for them and admired them.
+
+The young girl was in one of those unfortunate positions which human
+selfishness entails upon children. She had no civil status; her name
+of "Clemence" and her age were recorded only by a notary public. As
+for her fortune, that was small indeed. Jules Desmarets was a happy
+man on hearing these particulars. If Clemence had belonged to an
+opulent family, he might have despaired of obtaining her; but she was
+only the poor child of love, the fruit of some terrible adulterous
+passion; and they were married. Then began for Jules Desmarets a
+series of fortunate events. Every one envied his happiness; and
+henceforth talked only of his luck, without recalling either his
+virtues or his courage.
+
+Some days after their marriage, the mother of Clemence, who passed in
+society for her godmother, told Jules Desmarets to buy the office and
+good-will of a broker, promising to provide him with the necessary
+capital. In those days, such offices could still be bought at a modest
+price. That evening, in the salon as it happened of his patron, a
+wealthy capitalist proposed, on the recommendation of the mother, a
+very advantageous transaction for Jules Desmarets, and the next day
+the happy clerk was able to buy out his patron. In four years
+Desmarets became one of the most prosperous men in his business; new
+clients increased the number his predecessor had left to him; he
+inspired confidence in all; and it was impossible for him not to feel,
+by the way business came to him, that some hidden influence, due to
+his mother-in-law, or to Providence, was secretly protecting him.
+
+At the end of the third year Clemence lost her godmother. By that time
+Monsieur Jules (so called to distinguish him from an elder brother,
+whom he had set up as a notary in Paris) possessed an income from
+invested property of two hundred thousand francs. There was not in all
+Paris another instance of the domestic happiness enjoyed by this
+couple. For five years their exceptional love had been troubled by
+only one event,--a calumny for which Monsieur Jules exacted vengeance.
+One of his former comrades attributed to Madame Jules the fortune of
+her husband, explaining that it came from a high protection dearly
+paid for. The man who uttered the calumny was killed in the duel that
+followed it.
+
+The profound passion of this couple, which survived marriage, obtained
+a great success in society, though some women were annoyed by it. The
+charming household was respected; everybody feted it. Monsieur and
+Madame Jules were sincerely liked, perhaps because there is nothing
+more delightful to see than happy people; but they never stayed long
+at any festivity. They slipped away early, as impatient to regain
+their nest as wandering pigeons. This nest was a large and beautiful
+mansion in the rue de Menars, where a true feeling for art tempered
+the luxury which the financial world continues, traditionally, to
+display. Here the happy pair received their society magnificently,
+although the obligations of social life suited them but little.
+
+Nevertheless, Jules submitted to the demands of the world, knowing
+that, sooner or later, a family has need of it; but he and his wife
+felt themselves, in its midst, like green-house plants in a tempest.
+With a delicacy that was very natural, Jules had concealed from his
+wife the calumny and the death of the calumniator. Madame Jules,
+herself, was inclined, through her sensitive and artistic nature, to
+desire luxury. In spite of the terrible lesson of the duel, some
+imprudent women whispered to each other that Madame Jules must
+sometimes be pressed for money. They often found her more elegantly
+dressed in her own home than when she went into society. She loved to
+adorn herself to please her husband, wishing to show him that to her
+he was more than any social life. A true love, a pure love, above all,
+a happy love! Jules, always a lover, and more in love as time went by,
+was happy in all things beside his wife, even in her caprices; in
+fact, he would have been uneasy if she had none, thinking it a symptom
+of some illness.
+
+Auguste de Maulincour had the personal misfortune of running against
+this passion, and falling in love with the wife beyond recovery.
+Nevertheless, though he carried in his heart so intense a love, he was
+not ridiculous; he complied with all the demands of society, and of
+military manners and customs. And yet his face wore constantly, even
+though he might be drinking a glass of champagne, that dreamy look,
+that air of silently despising life, that nebulous expression which
+belongs, though for other reasons, to _blases_ men,--men dissatisfied
+with hollow lives. To love without hope, to be disgusted with life,
+constitute, in these days, a social position. The enterprise of
+winning the heart of a sovereign might give, perhaps, more hope than a
+love rashly conceived for a happy woman. Therefore Maulincour had
+sufficient reason to be grave and gloomy. A queen has the vanity of
+her power; the height of her elevation protects her. But a pious
+_bourgeoise_ is like a hedgehog, or an oyster, in its rough wrappings.
+
+At this moment the young officer was beside his unconscious mistress,
+who certainly was unaware that she was doubly faithless. Madame Jules
+was seated, in a naive attitude, like the least artful woman in
+existence, soft and gentle, full of a majestic serenity. What an abyss
+is human nature! Before beginning a conversation, the baron looked
+alternately at the wife and at the husband. How many were the
+reflections he made! He recomposed the "Night Thoughts" of Young in a
+second. And yet the music was sounding through the salons, the light
+was pouring from a thousand candles. It was a banker's ball,--one of
+those insolent festivals by means of which the world of solid gold
+endeavored to sneer at the gold-embossed salons where the faubourg
+Saint-Germain met and laughed, not foreseeing the day when the bank
+would invade the Luxembourg and take its seat upon the throne. The
+conspirators were now dancing, indifferent to coming bankruptcies,
+whether of Power or of the Bank. The gilded salons of the Baron de
+Nucingen were gay with that peculiar animation that the world of
+Paris, apparently joyous at any rate, gives to its fetes. There, men
+of talent communicate their wit to fools, and fools communicate that
+air of enjoyment that characterizes them. By means of this exchange
+all is liveliness. But a ball in Paris always resembles fireworks to a
+certain extent; wit, coquetry, and pleasure sparkle and go out like
+rockets. The next day all present have forgotten their wit, their
+coquetry, their pleasure.
+
+"Ah!" thought Auguste, by way of conclusion, "women are what the
+vidame says they are. Certainly all those dancing here are less
+irreproachable actually than Madame Jules appears to be, and yet
+Madame Jules went to the rue Soly!"
+
+The rue Soly was like an illness to him; the very word shrivelled his
+heart.
+
+"Madame, do you ever dance?" he said to her.
+
+"This is the third time you have asked me that question this winter,"
+she answered, smiling.
+
+"But perhaps you have never answered it."
+
+"That is true."
+
+"I knew very well that you were false, like other women."
+
+Madame Jules continued to smile.
+
+"Listen, monsieur," she said; "if I told you the real reason, you
+would think it ridiculous. I do not think it false to abstain from
+telling things that the world would laugh at."
+
+"All secrets demand, in order to be told, a friendship of which I am
+no doubt unworthy, madame. But you cannot have any but noble secrets;
+do you think me capable of jesting on noble things?"
+
+"Yes," she said, "you, like all the rest, laugh at our purest
+sentiments; you calumniate them. Besides, I have no secrets. I have
+the right to love my husband in the face of all the world, and I say
+so,--I am proud of it; and if you laugh at me when I tell you that I
+dance only with him, I shall have a bad opinion of your heart."
+
+"Have you never danced since your marriage with any one but your
+husband?"
+
+"Never. His arm is the only one on which I have leaned; I have never
+felt the touch of another man."
+
+"Has your physician never felt your pulse?"
+
+"Now you are laughing at me."
+
+"No, madame, I admire you, because I comprehend you. But you let a man
+hear your voice, you let yourself be seen, you--in short, you permit
+our eyes to admire you--"
+
+"Ah!" she said, interrupting him, "that is one of my griefs. Yes, I
+wish it were possible for a married woman to live secluded with her
+husband, as a mistress lives with her lover, for then--"
+
+"Then why were you, two hours ago, on foot, disguised, in the rue
+Soly?"
+
+"The rue Soly, where is that?"
+
+And her pure voice gave no sign of any emotion; no feature of her face
+quivered; she did not blush; she remained calm.
+
+"What! you did not go up to the second floor of a house in the rue des
+Vieux-Augustins at the corner of the rue Soly? You did not have a
+hackney-coach waiting near by? You did not return in it to the
+flower-shop in the rue Richelieu, where you bought the feathers that
+are now in your hair?"
+
+"I did not leave my house this evening."
+
+As she uttered that lie she was smiling and imperturbable; she played
+with her fan; but if any one had passed a hand down her back they
+would, perhaps, have found it moist. At that instant Auguste
+remembered the instructions of the vidame.
+
+"Then it was some one who strangely resembled you," he said, with a
+credulous air.
+
+"Monsieur," she replied, "if you are capable of following a woman and
+detecting her secrets, you will allow me to say that it is a wrong, a
+very wrong thing, and I do you the honor to say that I disbelieve
+you."
+
+The baron turned away, placed himself before the fireplace and seemed
+thoughtful. He bent his head; but his eyes were covertly fixed on
+Madame Jules, who, not remembering the reflections in the mirror, cast
+two or three glances at him that were full of terror. Presently she
+made a sign to her husband and rising took his arm to walk about the
+salon. As she passed before Monsieur de Maulincour, who at that moment
+was speaking to a friend, he said in a loud voice, as if in reply to a
+remark: "That woman will certainly not sleep quietly this night."
+Madame Jules stopped, gave him an imposing look which expressed
+contempt, and continued her way, unaware that another look, if
+surprised by her husband, might endanger not only her happiness but
+the lives of two men. Auguste, frantic with anger, which he tried to
+smother in the depths of his soul, presently left the house, swearing
+to penetrate to the heart of the mystery. Before leaving, he sought
+Madame Jules, to look at her again; but she had disappeared.
+
+What a drama cast into that young head so eminently romantic, like all
+who have not known love in the wide extent which they give to it. He
+adored Madame Jules under a new aspect; he loved her now with the fury
+of jealousy and the frenzied anguish of hope. Unfaithful to her
+husband, the woman became common. Auguste could now give himself up to
+the joys of successful love, and his imagination opened to him a
+career of pleasures. Yes, he had lost the angel, but he had found the
+most delightful of demons. He went to bed, building castles in the
+air, excusing Madame Jules by some romantic fiction in which he did
+not believe. He resolved to devote himself wholly, from that day
+forth, to a search for the causes, motives, and keynote of this
+mystery. It was a tale to read, or better still, a drama to be played,
+in which he had a part.
+
+
+
+ CHAPTER II
+
+ FERRAGUS
+
+A fine thing is the task of a spy, when performed for one's own
+benefit and in the interests of a passion. Is it not giving ourselves
+the pleasure of a thief and a rascal while continuing honest men? But
+there is another side to it; we must resign ourselves to boil with
+anger, to roar with impatience, to freeze our feet in the mud, to be
+numbed, and roasted, and torn by false hopes. We must go, on the faith
+of a mere indication, to a vague object, miss our end, curse our luck,
+improvise to ourselves elegies, dithyrambics, exclaim idiotically
+before inoffensive pedestrians who observe us, knock over old
+apple-women and their baskets, run hither and thither, stand on guard
+beneath a window, make a thousand suppositions. But, after all, it is
+a chase, a hunt; a hunt in Paris, a hunt with all its chances, minus
+dogs and guns and the tally-ho! Nothing compares with it but the life
+of gamblers. But it needs a heart big with love and vengeance to
+ambush itself in Paris, like a tiger waiting to spring upon its prey,
+and to enjoy the chances and contingencies of Paris, by adding one
+special interest to the many that abound there. But for this we need a
+many-sided soul--for must we not live in a thousand passions, a
+thousand sentiments?
+
+Auguste de Maulincour flung himself into this ardent existence
+passionately, for he felt all its pleasures and all its misery. He
+went disguised about Paris, watching at the corners of the rue Pagevin
+and the rue des Vieux-Augustins. He hurried like a hunter from the rue
+de Menars to the rue Soly, and back from the rue Soly to the rue de
+Menars, without obtaining either the vengeance or the knowledge which
+would punish or reward such cares, such efforts, such wiles. But he
+had not yet reached that impatience which wrings our very entrails and
+makes us sweat; he roamed in hope, believing that Madame Jules would
+only refrain for a few days from revisiting the place where she knew
+she had been detected. He devoted the first days therefore, to a
+careful study of the secrets of the street. A novice at such work, he
+dared not question either the porter or the shoemaker of the house to
+which Madame Jules had gone; but he managed to obtain a post of
+observation in a house directly opposite to the mysterious apartment.
+He studied the ground, trying to reconcile the conflicting demands of
+prudence, impatience, love, and secrecy.
+
+Early in the month of March, while busy with plans by which he
+expected to strike a decisive blow, he left his post about four in the
+afternoon, after one of those patient watches from which he had
+learned nothing. He was on his way to his own house whither a matter
+relating to his military service called him, when he was overtaken in
+the rue Coquilliere by one of those heavy showers which instantly
+flood the gutters, while each drop of rain rings loudly in the puddles
+of the roadway. A pedestrian under these circumstances is forced to
+stop short and take refuge in a shop or cafe if he is rich enough to
+pay for the forced hospitality, or, if in poorer circumstances, under
+a _porte-cochere_, that haven of paupers or shabbily dressed persons.
+Why have none of our painters ever attempted to reproduce the
+physiognomies of a swarm of Parisians, grouped, under stress of
+weather, in the damp _porte-cochere_ of a building? First, there's the
+musing philosophical pedestrian, who observes with interest all he
+sees,--whether it be the stripes made by the rain on the gray
+background of the atmosphere (a species of chasing not unlike the
+capricious threads of spun glass), or the whirl of white water which
+the wind is driving like a luminous dust along the roofs, or the
+fitful disgorgements of the gutter-pipes, sparkling and foaming; in
+short, the thousand nothings to be admired and studied with delight by
+loungers, in spite of the porter's broom which pretends to be sweeping
+out the gateway. Then there's the talkative refugee, who complains and
+converses with the porter while he rests on his broom like a grenadier
+on his musket; or the pauper wayfarer, curled against the wall
+indifferent to the condition of his rags, long used, alas, to contact
+with the streets; or the learned pedestrian who studies, spells, and
+reads the posters on the walls without finishing them; or the smiling
+pedestrian who makes fun of others to whom some street fatality has
+happened, who laughs at the muddy women, and makes grimaces at those
+of either sex who are looking from the windows; and the silent being
+who gazes from floor to floor; and the working-man, armed with a
+satchel or a paper bundle, who is estimating the rain as a profit or
+loss; and the good-natured fugitive, who arrives like a shot
+exclaiming, "Ah! what weather, messieurs, what weather!" and bows to
+every one; and, finally, the true _bourgeois_ of Paris, with his
+unfailing umbrella, an expert in showers, who foresaw this particular
+one, but would come out in spite of his wife; this one takes a seat in
+the porter's chair. According to individual character, each member of
+this fortuitous society contemplates the skies, and departs, skipping
+to avoid the mud,--because he is in a hurry, or because he sees other
+citizens walking along in spite of wind and slush, or because, the
+archway being damp and mortally catarrhal, the bed's edge, as the
+proverb says, is better than the sheets. Each one has his motive. No
+one is left but the prudent pedestrian, the man who, before he sets
+forth, makes sure of a scrap of blue sky through the rifting clouds.
+
+Monsieur de Maulincour took refuge, as we have said, with a whole
+family of fugitives, under the porch of an old house, the court-yard
+of which looked like the flue of a chimney. The sides of its
+plastered, nitrified, and mouldy walls were so covered with pipes and
+conduits from all the many floors of its four elevations, that it
+might have been said to resemble at that moment the _cascatelles_ of
+Saint-Cloud. Water flowed everywhere; it boiled, it leaped, it
+murmured; it was black, white, blue, and green; it shrieked, it
+bubbled under the broom of the portress, a toothless old woman used to
+storms, who seemed to bless them as she swept into the street a mass
+of scraps an intelligent inventory of which would have revealed the
+lives and habits of every dweller in the house,--bits of printed
+cottons, tea-leaves, artificial flower-petals faded and worthless,
+vegetable parings, papers, scraps of metal. At every sweep of her
+broom the old woman bared the soul of the gutter, that black fissure
+on which a porter's mind is ever bent. The poor lover examined this
+scene, like a thousand others which our heaving Paris presents daily;
+but he examined it mechanically, as a man absorbed in thought, when,
+happening to look up, he found himself all but nose to nose with a man
+who had just entered the gateway.
+
+In appearance this man was a beggar, but not the Parisian beggar,
+--that creation without a name in human language; no, this man formed
+another type, while presenting on the outside all the ideas suggested
+by the word "beggar." He was not marked by those original Parisian
+characteristics which strike us so forcibly in the paupers whom
+Charlet was fond of representing, with his rare luck in observation,
+--coarse faces reeking of mud, hoarse voices, reddened and bulbous
+noses, mouths devoid of teeth but menacing; humble yet terrible
+beings, in whom a profound intelligence shining in their eyes seems
+like a contradiction. Some of these bold vagabonds have blotched,
+cracked, veiny skins; their foreheads are covered with wrinkles, their
+hair scanty and dirty, like a wig thrown on a dust-heap. All are gay
+in their degradation, and degraded in their joys; all are marked with
+the stamp of debauchery, casting their silence as a reproach; their
+very attitude revealing fearful thoughts. Placed between crime and
+beggary they have no compunctions, and circle prudently around the
+scaffold without mounting it, innocent in the midst of crime, and
+vicious in their innocence. They often cause a laugh, but they always
+cause reflection. One represents to you civilization stunted,
+repressed; he comprehends everything, the honor of the galleys,
+patriotism, virtue, the malice of a vulgar crime, or the fine
+astuteness of elegant wickedness. Another is resigned, a perfect
+mimer, but stupid. All have slight yearnings after order and work, but
+they are pushed back into their mire by society, which makes no
+inquiry as to what there may be of great men, poets, intrepid souls,
+and splendid organizations among these vagrants, these gypsies of
+Paris; a people eminently good and eminently evil--like all the masses
+who suffer--accustomed to endure unspeakable woes, and whom a fatal
+power holds ever down to the level of the mire. They all have a dream,
+a hope, a happiness,--cards, lottery, or wine.
+
+There was nothing of all this in the personage who now leaned
+carelessly against the wall in front of Monsieur de Maulincour, like
+some fantastic idea drawn by an artist on the back of a canvas the
+front of which is turned to the wall. This tall, spare man, whose
+leaden visage expressed some deep but chilling thought, dried up all
+pity in the hearts of those who looked at him by the scowling look and
+the sarcastic attitude which announced an intention of treating every
+man as an equal. His face was of a dirty white, and his wrinkled
+skull, denuded of hair, bore a vague resemblance to a block of
+granite. A few gray locks on either side of his head fell straight to
+the collar of his greasy coat, which was buttoned to the chin. He
+resembled both Voltaire and Don Quixote; he was, apparently, scoffing
+but melancholy, full of disdain and philosophy, but half-crazy. He
+seemed to have no shirt. His beard was long. A rusty black cravat,
+much worn and ragged, exposed a protuberant neck deeply furrowed, with
+veins as thick as cords. A large brown circle like a bruise was
+strongly marked beneath his eyes, He seemed to be at least sixty years
+old. His hands were white and clean. His boots were trodden down at
+the heels, and full of holes. A pair of blue trousers, mended in
+various places, were covered with a species of fluff which made them
+offensive to the eye. Whether it was that his damp clothes exhaled a
+fetid odor, or that he had in his normal condition the "poor smell"
+which belongs to Parisian tenements, just as offices, sacristies, and
+hospitals have their own peculiar and rancid fetidness, of which no
+words can give the least idea, or whether some other reason affected
+them, those in the vicinity of this man immediately moved away and
+left him alone. He cast upon them and also upon the officer a calm,
+expressionless look, the celebrated look of Monsieur de Talleyrand, a
+dull, wan glance, without warmth, a species of impenetrable veil,
+beneath which a strong soul hides profound emotions and close
+estimation of men and things and events. Not a fold of his face
+quivered. His mouth and forehead were impassible; but his eyes moved
+and lowered themselves with a noble, almost tragic slowness. There
+was, in fact, a whole drama in the motion of those withered eyelids.
+
+The aspect of this stoical figure gave rise in Monsieur de Maulincour
+to one of those vagabond reveries which begin with a common question
+and end by comprising a world of thought. The storm was past. Monsieur
+de Maulincour presently saw no more of the man than the tail of his
+coat as it brushed the gate-post, but as he turned to leave his own
+place he noticed at his feet a letter which must have fallen from the
+unknown beggar when he took, as the baron had seen him take, a
+handkerchief from his pocket. The young man picked it up, and read,
+involuntarily, the address: "To Monsieur Ferragusse, Rue des
+Grands-Augustains, corner of rue Soly."
+
+The letter bore no postmark, and the address prevented Monsieur de
+Maulincour from following the beggar and returning it; for there are
+few passions that will not fail in rectitude in the long run. The
+baron had a presentiment of the opportunity afforded by this windfall.
+He determined to keep the letter, which would give him the right to
+enter the mysterious house to return it to the strange man, not
+doubting that he lived there. Suspicions, vague as the first faint
+gleams of daylight, made him fancy relations between this man and
+Madame Jules. A jealous lover supposes everything; and it is by
+supposing everything and selecting the most probable of their
+conjectures that judges, spies, lovers, and observers get at the truth
+they are looking for.
+
+"Is the letter for him? Is it from Madame Jules?"
+
+His restless imagination tossed a thousand such questions to him; but
+when he read the first words of the letter he smiled. Here it is,
+textually, in all the simplicity of its artless phrases and its
+miserable orthography,--a letter to which it would be impossible to
+add anything, or to take anything away, unless it were the letter
+itself. But we have yielded to the necessity of punctuating it. In the
+original there were neither commas nor stops of any kind, not even
+notes of exclamation,--a fact which tends to undervalue the system of
+notes and dashes by which modern authors have endeavored to depict the
+great disasters of all the passions:--
+
+
+ Henry,--Among the manny sacrifisis I imposed upon myself for your
+ sake was that of not giving you anny news of me; but an
+ iresistible voise now compells me to let you know the wrong you
+ have done me. I know beforehand that your soul hardened in vise
+ will not pitty me. Your heart is deaf to feeling. Is it deaf to
+ the cries of nature? But what matter? I must tell you to what a
+ dredful point you are gilty, and the horror of the position to
+ which you have brought me. Henry, you knew what I sufered from my
+ first wrong-doing, and yet you plunged me into the same misery,
+ and then abbandoned me to my dispair and sufering. Yes, I will say
+ it, the belif I had that you loved me and esteemed me gave me
+ corage to bare my fate. But now, what have I left? Have you not
+ made me loose all that was dear to me, all that held me to life;
+ parents, frends, onor, reputation,--all, I have sacrifised all to
+ you, and nothing is left me but shame, oprobrum, and--I say this
+ without blushing--poverty. Nothing was wanting to my misfortunes
+ but the sertainty of your contempt and hatred; and now I have them
+ I find the corage that my project requires. My decision is made;
+ the onor of my famly commands it. I must put an end to my
+ suferins. Make no remarks upon my conduct, Henry; it is orful, I
+ know, but my condition obliges me. Without help, without suport,
+ without one frend to comfort me, can I live? No. Fate has desided
+ for me. So in two days, Henry, two days, Ida will have seased to
+ be worthy of your regard. Oh, Henry! oh, my frend! for I can never
+ change to you, promise me to forgive me for what I am going to do.
+ Do not forget that you have driven me to it; it is your work, and
+ you must judge it. May heven not punish you for all your crimes. I
+ ask your pardon on my knees, for I feel nothing is wanting to my
+ misery but the sorow of knowing you unhappy. In spite of the
+ poverty I am in I shall refuse all help from you. If you had loved
+ me I would have taken all from your friendship; but a benfit given
+ by pitty _my soul refussis_. I would be baser to take it than he
+ who offered it. I have one favor to ask of you. I don't know how
+ long I must stay at Madame Meynardie's; be genrous enough not to
+ come there. Your last two vissits did me a harm I cannot get ofer.
+ I cannot enter into particlers about that conduct of yours. You
+ hate me,--you said so; that word is writen on my heart, and
+ freeses it with fear. Alas! it is now, when I need all my corage,
+ all my strength, that my faculties abandon me. Henry, my frend,
+ before I put a barrier forever between us, give me a last pruf of
+ your esteem. Write me, answer me, say you respect me still, though
+ you have seased to love me. My eyes are worthy still to look into
+ yours, but I do not ask an interfew; I fear my weakness and my
+ love. But for pitty's sake write me a line at once; it will give
+ me the corage I need to meet my trubbles. Farewell, orther of all
+ my woes, but the only frend my heart has chosen and will never
+ forget.
+
+Ida.
+
+
+This life of a young girl, with its love betrayed, its fatal joys, its
+pangs, its miseries, and its horrible resignation, summed up in a few
+words, this humble poem, essentially Parisian, written on dirty paper,
+influenced for a passing moment Monsieur de Maulincour. He asked
+himself whether this Ida might not be some poor relation of Madame
+Jules, and that strange rendezvous, which he had witnessed by chance,
+the mere necessity of a charitable effort. But could that old pauper
+have seduced this Ida? There was something impossible in the very
+idea. Wandering in this labyrinth of reflections, which crossed,
+recrossed, and obliterated one another, the baron reached the rue
+Pagevin, and saw a hackney-coach standing at the end of the rue des
+Vieux-Augustins where it enters the rue Montmartre. All waiting
+hackney-coaches now had an interest for him.
+
+"Can she be there?" he thought to himself, and his heart beat fast
+with a hot and feverish throbbing.
+
+He pushed the little door with the bell, but he lowered his head as he
+did so, obeying a sense of shame, for a voice said to him secretly:--
+
+"Why are you putting your foot into this mystery?"
+
+He went up a few steps, and found himself face to face with the old
+portress.
+
+"Monsieur Ferragus?" he said.
+
+"Don't know him."
+
+"Doesn't Monsieur Ferragus live here?"
+
+"Haven't such a name in the house."
+
+"But, my good woman--"
+
+"I'm not your good woman, monsieur, I'm the portress."
+
+"But, madame," persisted the baron, "I have a letter for Monsieur
+Ferragus."
+
+"Ah! if monsieur has a letter," she said, changing her tone, "that's
+another matter. Will you let me see it--that letter?"
+
+Auguste showed the folded letter. The old woman shook her head with a
+doubtful air, hesitated, seemed to wish to leave the lodge and inform
+the mysterious Ferragus of his unexpected visitor, but finally said:--
+
+"Very good; go up, monsieur. I suppose you know the way?"
+
+Without replying to this remark, which he thought might be a trap, the
+young officer ran lightly up the stairway, and rang loudly at the door
+of the second floor. His lover's instinct told him, "She is there."
+
+The beggar of the porch, Ferragus, the "orther" of Ida's woes, opened
+the door himself. He appeared in a flowered dressing-gown, white
+flannel trousers, his feet in embroidered slippers, and his face
+washed clean of stains. Madame Jules, whose head projected beyond the
+casing of the door in the next room, turned pale and dropped into a
+chair.
+
+"What is the matter, madame?" cried the officer, springing toward her.
+
+But Ferragus stretched forth an arm and flung the intruder back with
+so sharp a thrust that Auguste fancied he had received a blow with an
+iron bar full on his chest.
+
+"Back! monsieur," said the man. "What do you want there? For five or
+six days you have been roaming about the neighborhood. Are you a spy?"
+
+"Are you Monsieur Ferragus?" said the baron.
+
+"No, monsieur."
+
+"Nevertheless," continued Auguste, "it is to you that I must return
+this paper which you dropped in the gateway beneath which we both took
+refuge from the rain."
+
+While speaking and offering the letter to the man, Auguste did not
+refrain from casting an eye around the room where Ferragus received
+him. It was very well arranged, though simply. A fire burned on the
+hearth; and near it was a table with food upon it, which was served
+more sumptuously than agreed with the apparent conditions of the man
+and the poorness of his lodging. On a sofa in the next room, which he
+could see through the doorway, lay a heap of gold, and he heard a
+sound which could be no other than that of a woman weeping.
+
+"The paper belongs to me; I am much obliged to you," said the
+mysterious man, turning away as if to make the baron understand that
+he must go.
+
+Too curious himself to take much note of the deep examination of which
+he was himself the object, Auguste did not see the half-magnetic
+glance with which this strange being seemed to pierce him; had he
+encountered that basilisk eye he might have felt the danger that
+encompassed him. Too passionately excited to think of himself, Auguste
+bowed, went down the stairs, and returned home, striving to find a
+meaning in the connection of these three persons,--Ida, Ferragus, and
+Madame Jules; an occupation equivalent to that of trying to arrange
+the many-cornered bits of a Chinese puzzle without possessing the key
+to the game. But Madame Jules had seen him, Madame Jules went there,
+Madame Jules had lied to him. Maulincour determined to go and see her
+the next day. She could not refuse his visit, for he was now her
+accomplice; he was hands and feet in the mysterious affair, and she
+knew it. Already he felt himself a sultan, and thought of demanding
+from Madame Jules, imperiously, all her secrets.
+
+In those days Paris was seized with a building-fever. If Paris is a
+monster, it is certainly a most mania-ridden monster. It becomes
+enamored of a thousand fancies: sometimes it has a mania for building,
+like a great seigneur who loves a trowel; soon it abandons the trowel
+and becomes all military; it arrays itself from head to foot as a
+national guard, and drills and smokes; suddenly, it abandons military
+manoeuvres and flings away cigars; it is commercial, care-worn, falls
+into bankruptcy, sells its furniture on the place de Chatelet, files
+its schedule; but a few days later, lo! it has arranged its affairs
+and is giving fetes and dances. One day it eats barley-sugar by the
+mouthful, by the handful; yesterday it bought "papier Weymen"; to-day
+the monster's teeth ache, and it applies to its walls an
+alexipharmatic to mitigate their dampness; to-morrow it will lay in a
+provision of pectoral paste. It has its manias for the month, for the
+season, for the year, like its manias of a day.
+
+So, at the moment of which we speak, all the world was building or
+pulling down something,--people hardly knew what as yet. There were
+very few streets in which high scaffoldings on long poles could not be
+seen, fastened from floor to floor with transverse blocks inserted
+into holes in the walls on which the planks were laid,--a frail
+construction, shaken by the brick-layers, but held together by ropes,
+white with plaster, and insecurely protected from the wheels of
+carriages by the breastwork of planks which the law requires round all
+such buildings. There is something maritime in these masts, and
+ladders, and cordage, even in the shouts of the masons. About a dozen
+yards from the hotel Maulincour, one of these ephemeral barriers was
+erected before a house which was then being built of blocks of
+free-stone. The day after the event we have just related, at the
+moment when the Baron de Maulincour was passing this scaffolding in
+his cabriolet on his way to see Madame Jules, a stone, two feet square,
+which was being raised to the upper storey of this building, got loose
+from the ropes and fell, crushing the baron's servant who was behind
+the cabriolet. A cry of horror shook both the scaffold and the masons;
+one of them, apparently unable to keep his grasp on a pole, was in
+danger of death, and seemed to have been touched by the stone as it
+passed him.
+
+A crowd collected rapidly; the masons came down the ladders swearing
+and insisting that Monsieur de Maulincour's cabriolet had been driven
+against the boarding and so had shaken their crane. Two inches more
+and the stone would have fallen on the baron's head. The groom was
+dead, the carriage shattered. 'Twas an event for the whole
+neighborhood, the newspapers told of it. Monsieur de Maulincour,
+certain that he had not touched the boarding, complained; the case
+went to court. Inquiry being made, it was shown that a small boy,
+armed with a lath, had mounted guard and called to all foot-passengers
+to keep away. The affair ended there. Monsieur de Maulincour obtained
+no redress. He had lost his servant, and was confined to his bed for
+some days, for the back of the carriage when shattered had bruised him
+severely, and the nervous shock of the sudden surprise gave him a
+fever. He did not, therefore, go to see Madame Jules.
+
+Ten days after this event, he left the house for the first time, in
+his repaired cabriolet, when, as he drove down the rue de Bourgogne
+and was close to the sewer opposite to the Chamber of Deputies, the
+axle-tree broke in two, and the baron was driving so rapidly that the
+breakage would have caused the two wheels to come together with force
+enough to break his head, had it not been for the resistance of the
+leather hood. Nevertheless, he was badly wounded in the side. For the
+second time in ten days he was carried home in a fainting condition to
+his terrified grandmother. This second accident gave him a feeling of
+distrust; he thought, though vaguely, of Ferragus and Madame Jules. To
+throw light on these suspicions he had the broken axle brought to his
+room and sent for his carriage-maker. The man examined the axle and
+the fracture, and proved two things: First, the axle was not made in
+his workshop; he furnished none that did not bear the initials of his
+name on the iron. But he could not explain by what means this axle had
+been substituted for the other. Secondly, the breakage of the
+suspicious axle was caused by a hollow space having been blown in it
+and a straw very cleverly inserted.
+
+"Eh! Monsieur le baron, whoever did that was malicious!" he said; "any
+one would swear, to look at it, that the axle was sound."
+
+Monsieur de Maulincour begged the carriage-maker to say nothing of the
+affair; but he felt himself warned. These two attempts at murder were
+planned with an ability which denoted the enmity of intelligent minds.
+
+"It is war to the death," he said to himself, as he tossed in his bed,
+--"a war of savages, skulking in ambush, of trickery and treachery,
+declared in the name of Madame Jules. What sort of man is this to whom
+she belongs? What species of power does this Ferragus wield?"
+
+Monsieur de Maulincour, though a soldier and brave man, could not
+repress a shudder. In the midst of many thoughts that now assailed
+him, there was one against which he felt he had neither defence nor
+courage: might not poison be employed ere long by his secret enemies?
+Under the influence of fears, which his momentary weakness and fever
+and low diet increased, he sent for an old woman long attached to the
+service of his grandmother, whose affection for himself was one of
+those semi-maternal sentiments which are the sublime of the
+commonplace. Without confiding in her wholly, he charged her to buy
+secretly and daily, in different localities, the food he needed;
+telling her to keep it under lock and key and bring it to him herself,
+not allowing any one, no matter who, to approach her while preparing
+it. He took the most minute precautions to protect himself against
+that form of death. He was ill in his bed and alone, and he had
+therefore the leisure to think of his own security,--the one necessity
+clear-sighted enough to enable human egotism to forget nothing!
+
+But the unfortunate man had poisoned his own life by this dread, and,
+in spite of himself, suspicion dyed all his hours with its gloomy
+tints. These two lessons of attempted assassination did teach him,
+however, the value of one of the virtues most necessary to a public
+man; he saw the wise dissimulation that must be practised in dealing
+with the great interests of life. To be silent about our own secret is
+nothing; but to be silent from the start, to forget a fact as Ali
+Pacha did for thirty years in order to be sure of a vengeance waited
+for for thirty years, is a fine study in a land where there are few
+men who can keep their own counsel for thirty days. Monsieur de
+Maulincour literally lived only through Madame Jules. He was
+perpetually absorbed in a sober examination into the means he ought to
+employ to triumph in this mysterious struggle with these mysterious
+persons. His secret passion for that woman grew by reason of all these
+obstacles. Madame Jules was ever there, erect, in the midst of his
+thoughts, in the centre of his heart, more seductive by her presumable
+vices than by the positive virtues for which he had made her his idol.
+
+At last, anxious to reconnoitre the position of the enemy, he thought
+he might without danger initiate the vidame into the secrets of his
+situation. The old commander loved Auguste as a father loves his
+wife's children; he was shrewd, dexterous, and very diplomatic. He
+listened to the baron, shook his head, and they both held counsel. The
+worthy vidame did not share his young friend's confidence when Auguste
+declared that in the time in which they now lived, the police and the
+government were able to lay bare all mysteries, and that if it were
+absolutely necessary to have recourse to those powers, he should find
+them most powerful auxiliaries.
+
+The old man replied, gravely: "The police, my dear boy, is the most
+incompetent thing on this earth, and government the feeblest in all
+matters concerning individuals. Neither the police nor the government
+can read hearts. What we might reasonably ask of them is to search for
+the causes of an act. But the police and the government are both
+eminently unfitted for that; they lack, essentially, the personal
+interest which reveals all to him who wants to know all. No human
+power can prevent an assassin or a poisoner from reaching the heart of
+a prince or the stomach of an honest man. Passions are the best
+police."
+
+The vidame strongly advised the baron to go to Italy, and from Italy
+to Greece, from Greece to Syria, from Syria to Asia, and not to return
+until his secret enemies were convinced of his repentance, and would
+so make tacit peace with him. But if he did not take that course, then
+the vidame advised him to stay in the house, and even in his own room,
+where he would be safe from the attempts of this man Ferragus, and not
+to leave it until he could be certain of crushing him.
+
+"We should never touch an enemy until we can be sure of taking his
+head off," he said, gravely.
+
+The old man, however, promised his favorite to employ all the
+astuteness with which Heaven had provided him (without compromising
+any one) in reconnoitring the enemy's ground, and laying his plans for
+future victory. The Commander had in his service a retired Figaro, the
+wiliest monkey that ever walked in human form; in earlier days as
+clever as a devil, working his body like a galley-slave, alert as a
+thief, sly as a woman, but now fallen into the decadence of genius for
+want of practice since the new constitution of Parisian society, which
+has reformed even the valets of comedy. This Scapin emeritus was
+attached to his master as to a superior being; but the shrewd old
+vidame added a good round sum yearly to the wages of his former
+provost of gallantry, which strengthened the ties of natural affection
+by the bonds of self-interest, and obtained for the old gentleman as
+much care as the most loving mistress could bestow on a sick friend.
+It was this pearl of the old-fashioned comedy-valets, relic of the
+last century, auxiliary incorruptible from lack of passions to
+satisfy, on whom the old vidame and Monsieur de Maulincour now relied.
+
+"Monsieur le baron will spoil all," said the great man in livery, when
+called into counsel. "Monsieur should eat, drink, and sleep in peace.
+I take the whole matter upon myself."
+
+Accordingly, eight days after the conference, when Monsieur de
+Maulincour, perfectly restored to health, was breakfasting with his
+grandmother and the vidame, Justin entered to make his report. As soon
+as the dowager had returned to her own apartments he said, with that
+mock modesty which men of talent are so apt to affect:--
+
+"Ferragus is not the name of the enemy who is pursuing Monsieur le
+baron. This man--this devil, rather--is called Gratien, Henri, Victor,
+Jean-Joseph Bourignard. The Sieur Gratien Bourignard is a former
+ship-builder, once very rich, and, above all, one of the handsomest
+men of his day in Paris,--a Lovelace, capable of seducing Grandison. My
+information stops short there. He has been a simple workman; and the
+Companions of the Order of the Devorants did, at one time, elect him
+as their chief, under the title of Ferragus XXIII. The police ought to
+know that, if the police were instituted to know anything. The man has
+moved from the rue des Vieux-Augustins, and now roosts rue Joquelet,
+where Madame Jules Desmarets goes frequently to see him; sometimes her
+husband, on his way to the Bourse, drives her as far as the rue
+Vivienne, or she drives her husband to the Bourse. Monsieur le vidame
+knows about these things too well to want me to tell him if it is the
+husband who takes the wife, or the wife who takes the husband; but
+Madame Jules is so pretty, I'd bet on her. All that I have told you is
+positive. Bourignard often plays at number 129. Saving your presence,
+monsieur, he's a rogue who loves women, and he has his little ways
+like a man of condition. As for the rest, he wins sometimes, disguises
+himself like an actor, paints his face to look like anything he
+chooses, and lives, I may say, the most original life in the world. I
+don't doubt he has a good many lodgings, for most of the time he
+manages to evade what Monsieur le vidame calls 'parliamentary
+investigations.' If monsieur wishes, he could be disposed of
+honorably, seeing what his habits are. It is always easy to get rid of
+a man who loves women. However, this capitalist talks about moving
+again. Have Monsieur le vidame and Monsieur le baron any other
+commands to give me?"
+
+"Justin, I am satisfied with you; don't go any farther in the matter
+without my orders, but keep a close watch here, so that Monsieur le
+baron may have nothing to fear."
+
+"My dear boy," continued the vidame, when they were alone, "go back to
+your old life, and forget Madame Jules."
+
+"No, no," said Auguste; "I will never yield to Gratien Bourignard. I
+will have him bound hand and foot, and Madame Jules also."
+
+That evening the Baron Auguste de Maulincour, recently promoted to
+higher rank in the company of the Body-Guard of the king, went to a
+ball given by Madame la Duchesse de Berry at the Elysee-Bourbon.
+There, certainly, no danger could lurk for him; and yet, before he
+left the palace, he had an affair of honor on his hands,--an affair it
+was impossible to settle except by a duel.
+
+His adversary, the Marquis de Ronquerolles, considered that he had
+strong reasons to complain of Monsieur de Maulincour, who had given
+some ground for it during his former intimacy with Monsieur de
+Ronquerolles' sister, the Comtesse de Serizy. That lady, the one who
+detested German sentimentality, was all the more exacting in the
+matter of prudery. By one of those inexplicable fatalities, Auguste
+now uttered a harmless jest which Madame de Serizy took amiss, and her
+brother resented it. The discussion took place in the corner of a
+room, in a low voice. In good society, adversaries never raise their
+voices. The next day the faubourg Saint-Germain and the Chateau talked
+over the affair. Madame de Serizy was warmly defended, and all the
+blame was laid on Maulincour. August personages interfered. Seconds of
+the highest distinction were imposed on Messieurs de Maulincour and de
+Ronquerolles and every precaution was taken on the ground that no one
+should be killed.
+
+When Auguste found himself face to face with his antagonist, a man of
+pleasure, to whom no one could possibly deny sentiments of the highest
+honor, he felt it was impossible to believe him the instrument of
+Ferragus, chief of the Devorants; and yet he was compelled, as it
+were, by an inexplicable presentiment, to question the marquis.
+
+"Messieurs," he said to the seconds, "I certainly do not refuse to
+meet the fire of Monsieur de Ronquerolles; but before doing so, I here
+declare that I was to blame, and I offer him whatever excuses he may
+desire, and publicly if he wishes it; because when the matter concerns
+a woman, nothing, I think, can degrade a man of honor. I therefore
+appeal to his generosity and good sense; is there not something rather
+silly in fighting without a cause?"
+
+Monsieur de Ronquerolles would not allow of this way of ending the
+affair, and then the baron, his suspicions revived, walked up to him.
+
+"Well, then! Monsieur le marquis," he said, "pledge me, in presence of
+these gentlemen, your word as a gentleman that you have no other
+reason for vengeance than that you have chosen to put forward."
+
+"Monsieur, that is a question you have no right to ask."
+
+So saying, Monsieur de Ronquerolles took his place. It was agreed, in
+advance, that the adversaries were to be satisfied with one exchange
+of shots. Monsieur de Ronquerolles, in spite of the great distance
+determined by the seconds, which seemed to make the death of either
+party problematical, if not impossible, brought down the baron. The
+ball went through the latter's body just below the heart, but
+fortunately without doing vital injury.
+
+"You aimed too well, monsieur," said the baron, "to be avenging only a
+paltry quarrel."
+
+And he fainted. Monsieur de Ronquerolles, who believed him to be a
+dead man, smiled sardonically as he heard those words.
+
+After a fortnight, during which time the dowager and the vidame gave
+him those cares of old age the secret of which is in the hands of long
+experience only, the baron began to return to life. But one morning
+his grandmother dealt him a crushing blow, by revealing anxieties to
+which, in her last days, she was now subjected. She showed him a
+letter signed F, in which the history of her grandson's secret
+espionage was recounted step by step. The letter accused Monsieur de
+Maulincour of actions that were unworthy of a man of honor. He had, it
+said, placed an old woman at the stand of hackney-coaches in the rue
+de Menars; an old spy, who pretended to sell water from her cask to
+the coachmen, but who was really there to watch the actions of Madame
+Jules Desmarets. He had spied upon the daily life of a most
+inoffensive man, in order to detect his secrets,--secrets on which
+depended the lives of three persons. He had brought upon himself a
+relentless struggle, in which, although he had escaped with life three
+times, he must inevitably succumb, because his death had been sworn
+and would be compassed if all human means were employed upon it.
+Monsieur de Maulincour could no longer escape his fate by even
+promising to respect the mysterious life of these three persons,
+because it was impossible to believe the word of a gentleman who had
+fallen to the level of a police-spy; and for what reason? Merely to
+trouble the respectable life of an innocent woman and a harmless old
+man.
+
+The letter itself was nothing to Auguste in comparison to the tender
+reproaches of his grandmother. To lack respect to a woman! to spy upon
+her actions without a right to do so! Ought a man ever to spy upon a
+woman whom he loved?--in short, she poured out a torrent of those
+excellent reasons which prove nothing; and they put the young baron,
+for the first time in his life, into one of those great human furies
+in which are born, and from which issue the most vital actions of a
+man's life.
+
+"Since it is war to the knife," he said in conclusion, "I shall kill
+my enemy by any means that I can lay hold of."
+
+The vidame went immediately, at Auguste's request, to the chief of the
+private police of Paris, and without bringing Madame Jules' name or
+person into the narrative, although they were really the gist of it,
+he made the official aware of the fears of the family of Maulincour
+about this mysterious person who was bold enough to swear the death of
+an officer of the Guards, in defiance of the law and the police. The
+chief pushed up his green spectacles in amazement, blew his nose
+several times, and offered snuff to the vidame, who, to save his
+dignity, pretended not to use tobacco, although his own nose was
+discolored with it. Then the chief took notes and promised, Vidocq and
+his spies aiding, to send in a report within a few days to the
+Maulincour family, assuring them meantime that there were no secrets
+for the police of Paris.
+
+A few days after this the police official called to see the vidame at
+the Hotel de Maulincour, where he found the young baron quite
+recovered from his last wound. He gave them in bureaucratic style his
+thanks for the indications they had afforded him, and told them that
+Bourignard was a convict, condemned to twenty years' hard labor, who
+had miraculously escaped from a gang which was being transported from
+Bicetre to Toulon. For thirteen years the police had been endeavoring
+to recapture him, knowing that he had boldly returned to Paris; but so
+far this convict had escaped the most active search, although he was
+known to be mixed up in many nefarious deeds. However, the man, whose
+life was full of very curious incidents, would certainly be captured
+now in one or other of his several domiciles and delivered up to
+justice. The bureaucrat ended his report by saying to Monsieur de
+Maulincour that if he attached enough importance to the matter to wish
+to witness the capture of Bourignard, he might come the next day at
+eight in the morning to a house in the rue Sainte-Foi, of which he
+gave him the number. Monsieur de Maulincour excused himself from going
+personally in search of certainty,--trusting, with the sacred respect
+inspired by the police of Paris, in the capability of the authorities.
+
+Three days later, hearing nothing, and seeing nothing in the
+newspapers about the projected arrest, which was certainly of enough
+importance to have furnished an article, Monsieur de Maulincour was
+beginning to feel anxieties which were presently allayed by the
+following letter:--
+
+
+ Monsieur le Baron,--I have the honor to announce to you that you
+ need have no further uneasiness touching the affair in question.
+ The man named Gratien Bourignard, otherwise called Ferragus, died
+ yesterday, at his lodgings, rue Joquelet No. 7. The suspicions we
+ naturally conceived as to the identity of the dead body have been
+ completely set at rest by the facts. The physician of the
+ Prefecture of police was despatched by us to assist the physician
+ of the arrondissement, and the chief of the detective police made
+ all the necessary verifications to obtain absolute certainty.
+ Moreover, the character of the persons who signed the certificate
+ of death, and the affidavits of those who took care of the said
+ Bourignard in his last illness, among others that of the worthy
+ vicar of the church of the Bonne-Nouvelle (to whom he made his
+ last confession, for he died a Christian), do not permit us to
+ entertain any sort of doubt.
+
+Accept, Monsieur le baron, etc., etc.
+
+
+Monsieur de Maulincour, the dowager, and the vidame breathed again
+with joy unspeakable. The good old woman kissed her grandson leaving a
+tear upon his cheek, and went away to thank God in prayer. The dear
+soul, who was making a novena for Auguste's safety, believed her
+prayers were answered.
+
+"Well," said the vidame, "now you had better show yourself at the ball
+you were speaking of. I oppose no further objections."
+
+
+
+ CHAPTER III
+
+ THE WIFE ACCUSED
+
+Monsieur de Maulincour was all the more anxious to go to this ball
+because he knew that Madame Jules would be present. The fete was given
+by the Prefect of the Seine, in whose salons the two social worlds of
+Paris met as on neutral ground. Auguste passed through the rooms
+without finding the woman who now exercised so mighty an influence on
+his fate. He entered an empty boudoir where card-tables were placed
+awaiting players; and sitting down on a divan he gave himself up to
+the most contradictory thoughts about her. A man presently took the
+young officer by the arm, and looking up the baron was stupefied to
+behold the pauper of the rue Coquilliere, the Ferragus of Ida, the
+lodger in the rue Soly, the Bourignard of Justin, the convict of the
+police, and the dead man of the day before.
+
+"Monsieur, not a sound, not a word," said Bourignard, whose voice he
+recognized. The man was elegantly dressed; he wore the order of the
+Golden-Fleece, and a medal on his coat. "Monsieur," he continued, and
+his voice was sibilant like that of a hyena, "you increase my efforts
+against you by having recourse to the police. You will perish,
+monsieur; it has now become necessary. Do you love Madame Jules? Are
+you beloved by her? By what right do you trouble her peaceful life,
+and blacken her virtue?"
+
+Some one entered the card-room. Ferragus rose to go.
+
+"Do you know this man?" asked Monsieur de Maulincour of the new-comer,
+seizing Ferragus by the collar. But Ferragus quickly disengaged
+himself, took Monsieur de Maulincour by the hair, and shook his head
+rapidly.
+
+"Must you have lead in it to make it steady?" he said.
+
+"I do not know him personally," replied Henri de Marsay, the spectator
+of this scene, "but I know that he is Monsieur de Funcal, a rich
+Portuguese."
+
+Monsieur de Funcal had disappeared. The baron followed but without
+being able to overtake him until he reached the peristyle, where he
+saw Ferragus, who looked at him with a jeering laugh from a brilliant
+equipage which was driven away at high speed.
+
+"Monsieur," said Auguste, re-entering the salon and addressing de
+Marsay, whom he knew, "I entreat you to tell me where Monsieur de
+Funcal lives."
+
+"I do not know; but some one here can no doubt tell you."
+
+The baron, having questioned the prefect, ascertained that the Comte
+de Funcal lived at the Portuguese embassy. At this moment, while he
+still felt the icy fingers of that strange man in his hair, he saw
+Madame Jules in all her dazzling beauty, fresh, gracious, artless,
+resplendent with the sanctity of womanhood which had won his love.
+This creature, now infernal to him, excited no emotion in his soul but
+that of hatred; and this hatred shone in a savage, terrible look from
+his eyes. He watched for a moment when he could speak to her unheard,
+and then he said:--
+
+"Madame, your _bravi_ have missed me three times."
+
+"What do you mean, monsieur?" she said, flushing. "I know that you
+have had several unfortunate accidents lately, which I have greatly
+regretted; but how could I have had anything to do with them?"
+
+"You knew that _bravi_ were employed against me by that man of the rue
+Soly?"
+
+"Monsieur!"
+
+"Madame, I now call you to account, not for my happiness only, but for
+my blood--"
+
+At this instant Jules Desmarets approached them.
+
+"What are you saying to my wife, monsieur?"
+
+"Make that inquiry at my own house, monsieur, if you are curious,"
+said Maulincour, moving away, and leaving Madame Jules in an almost
+fainting condition.
+
+There are few women who have not found themselves, once at least in
+their lives, _a propos_ of some undeniable fact, confronted with a
+direct, sharp, uncompromising question,--one of those questions
+pitilessly asked by husbands, the mere apprehension of which gives a
+chill, while the actual words enter the heart like the blade of a
+dagger. It is from such crises that the maxim has come, "All women
+lie." Falsehood, kindly falsehood, venial falsehood, sublime
+falsehood, horrible falsehood,--but always the necessity to lie. This
+necessity admitted, ought they not to know how to lie well? French
+women do it admirably. Our manners and customs teach them deception!
+Besides, women are so naively saucy, so pretty, graceful, and withal
+so true in lying,--they recognize so fully the utility of doing so in
+order to avoid in social life the violent shocks which happiness might
+not resist,--that lying is seen to be as necessary to their lives as
+the cotton-wool in which they put away their jewels. Falsehood becomes
+to them the foundation of speech; truth is exceptional; they tell it,
+if they are virtuous, by caprice or by calculation. According to
+individual character, some women laugh when they lie; others weep;
+others are grave; some grow angry. After beginning life by feigning
+indifference to the homage that deeply flatters them, they often end
+by lying to themselves. Who has not admired their apparent superiority
+to everything at the very moment when they are trembling for the
+secret treasures of their love? Who has never studied their ease,
+their readiness, their freedom of mind in the greatest embarrassments
+of life? In them, nothing is put on. Deception comes as the snow from
+heaven. And then, with what art they discover the truth in others!
+With what shrewdness they employ a direct logic in answer to some
+passionate question which has revealed to them the secret of the heart
+of a man who was guileless enough to proceed by questioning! To
+question a woman! why, that is delivering one's self up to her; does
+she not learn in that way all that we seek to hide from her? Does she
+not know also how to be dumb, through speaking? What men are daring
+enough to struggle with the Parisian woman?--a woman who knows how to
+hold herself above all dagger thrusts, saying: "You are very
+inquisitive; what is it to you? Why do you wish to know? Ah! you are
+jealous! And suppose I do not choose to answer you?"--in short, a
+woman who possesses the hundred and thirty-seven methods of saying
+_No_, and incommensurable variations of the word _Yes_. Is not a
+treatise on the words _yes_ and _no_, a fine diplomatic, philosophic,
+logographic, and moral work, still waiting to be written? But to
+accomplish this work, which we may also call diabolic, isn't an
+androgynous genius necessary? For that reason, probably, it will never
+be attempted. And besides, of all unpublished works isn't it the best
+known and the best practised among women? Have you studied the
+behavior, the pose, the _disinvoltura_ of a falsehood? Examine it.
+
+Madame Desmarets was seated in the right-hand corner of her carriage,
+her husband in the left. Having forced herself to recover from her
+emotion in the ballroom, she now affected a calm demeanor. Her husband
+had then said nothing to her, and he still said nothing. Jules looked
+out of the carriage window at the black walls of the silent houses
+before which they passed; but suddenly, as if driven by a determining
+thought, when turning the corner of a street he examined his wife, who
+appeared to be cold in spite of the fur-lined pelisse in which she was
+wrapped. He thought she seemed pensive, and perhaps she really was so.
+Of all communicable things, reflection and gravity are the most
+contagious.
+
+"What could Monsieur de Maulincour have said to affect you so keenly?"
+said Jules; "and why does he wish me to go to his house and find out?"
+
+"He can tell you nothing in his house that I cannot tell you here,"
+she replied.
+
+Then, with that feminine craft which always slightly degrades virtue,
+Madame Jules waited for another question. Her husband turned his face
+back to the houses, and continued his study of their walls. Another
+question would imply suspicion, distrust. To suspect a woman is a
+crime in love. Jules had already killed a man for doubting his wife.
+Clemence did not know all there was of true passion, of loyal
+reflection, in her husband's silence; just as Jules was ignorant of
+the generous drama that was wringing the heart of his Clemence.
+
+The carriage rolled on through a silent Paris, bearing the couple,
+--two lovers who adored each other, and who, gently leaning on the
+same silken cushion, were being parted by an abyss. In these elegant
+coupes returning from a ball between midnight and two in the morning,
+how many curious and singular scenes must pass,--meaning those coupes
+with lanterns, which light both the street and the carriage, those
+with their windows unshaded; in short, legitimate coupes, in which
+couples can quarrel without caring for the eyes of pedestrians,
+because the civil code gives a right to provoke, or beat, or kiss, a
+wife in a carriage or elsewhere, anywhere, everywhere! How many
+secrets must be revealed in this way to nocturnal pedestrians,--to
+those young fellows who have gone to a ball in a carriage, but are
+obliged, for whatever cause it may be, to return on foot. It was the
+first time that Jules and Clemence had been together thus,--each in a
+corner; usually the husband pressed close to his wife.
+
+"It is very cold," remarked Madame Jules.
+
+But her husband did not hear her; he was studying the signs above the
+shop windows.
+
+"Clemence," he said at last, "forgive me the question I am about to
+ask you."
+
+He came closer, took her by the waist, and drew her to him.
+
+"My God, it is coming!" thought the poor woman. "Well," she said
+aloud, anticipating the question, "you want to know what Monsieur de
+Maulincour said to me. I will tell you, Jules; but not without fear.
+Good God! how is it possible that you and I should have secrets from
+one another? For the last few moments I have seen you struggling
+between a conviction of our love and vague fears. But that conviction
+is clear within us, is it not? And these doubts and fears, do they not
+seem to you dark and unnatural? Why not stay in that clear light of
+love you cannot doubt? When I have told you all, you will still desire
+to know more; and yet I myself do not know what the extraordinary
+words of that man meant. What I fear is that this may lead to some
+fatal affair between you. I would rather that we both forget this
+unpleasant moment. But, in any case, swear to me that you will let
+this singular adventure explain itself naturally. Here are the facts.
+Monsieur de Maulincour declared to me that the three accidents you
+have heard mentioned--the falling of a stone on his servant, the
+breaking down of his cabriolet, and his duel about Madame de Serizy
+--were the result of some plot I had laid against him. He also
+threatened to reveal to you the cause of my desire to destroy him. Can
+you imagine what all this means? My emotion came from the sight of his
+face convulsed with madness, his haggard eyes, and also his words,
+broken by some violent inward emotion. I thought him mad. That is all
+that took place. Now, I should be less than a woman if I had not
+perceived that for over a year I have become, as they call it, the
+passion of Monsieur de Maulincour. He has never seen me except at a
+ball; and our intercourse has been most insignificant,--merely that
+which every one shares at a ball. Perhaps he wants to disunite us, so
+that he may find me at some future time alone and unprotected. There,
+see! already you are frowning! Oh, how cordially I hate society! We
+were so happy without him; why take any notice of him? Jules, I
+entreat you, forget all this! To-morrow we shall, no doubt, hear that
+Monsieur de Maulincour has gone mad."
+
+"What a singular affair!" thought Jules, as the carriage stopped under
+the peristyle of their house. He gave his arm to his wife and together
+they went up to their apartments.
+
+To develop this history in all its truth of detail, and to follow its
+course through many windings, it is necessary here to divulge some of
+love's secrets, to glide beneath the ceilings of a marriage chamber,
+not shamelessly, but like Trilby, frightening neither Dougal nor
+Jeannie, alarming no one,--being as chaste as our noble French
+language requires, and as bold as the pencil of Gerard in his picture
+of Daphnis and Chloe.
+
+The bedroom of Madame Jules was a sacred plot. Herself, her husband,
+and her maid alone entered it. Opulence has glorious privileges, and
+the most enviable are those which enable the development of sentiments
+to their fullest extent,--fertilizing them by the accomplishment of
+even their caprices, and surrounding them with a brilliancy that
+enlarges them, with refinements that purify them, with a thousand
+delicacies that make them still more alluring. If you hate dinners on
+the grass, and meals ill-served, if you feel a pleasure in seeing a
+damask cloth that is dazzlingly white, a silver-gilt dinner service,
+and porcelain of exquisite purity, lighted by transparent candles,
+where miracles of cookery are served under silver covers bearing coats
+of arms, you must, to be consistent, leave the garrets at the tops of
+the houses, and the grisettes in the streets, abandon garrets,
+grisettes, umbrellas, and overshoes to men who pay for their dinners
+with tickets; and you must also comprehend Love to be a principle
+which develops in all its grace only on Savonnerie carpets, beneath
+the opal gleams of an alabaster lamp, between guarded walls silk-hung,
+before gilded hearths in chambers deadened to all outward sounds by
+shutters and billowy curtains. Mirrors must be there to show the play
+of form and repeat the woman we would multiply as love itself
+multiplies and magnifies her; next low divans, and a bed which, like a
+secret, is divined, not shown. In this coquettish chamber are
+fur-lined slippers for pretty feet, wax-candles under glass with
+muslin draperies, by which to read at all hours of the night, and
+flowers, not those oppressive to the head, and linen, the fineness of
+which might have satisfied Anne of Austria.
+
+Madame Jules had realized this charming programme, but that was
+nothing. All women of taste can do as much, though there is always in
+the arrangement of these details a stamp of personality which gives to
+this decoration or that detail a character that cannot be imitated.
+To-day, more than ever, reigns the fanaticism of individuality. The
+more our laws tend to an impossible equality, the more we shall get
+away from it in our manners and customs. Thus, rich people are
+beginning, in France, to become more exclusive in their tastes and
+their belongings, than they have been for the last thirty years.
+Madame Jules knew very well how to carry out this programme; and
+everything about her was arranged in harmony with a luxury that suits
+so well with love. Love in a cottage, or "Fifteen hundred francs and
+my Sophy," is the dream of starvelings to whom black bread suffices in
+their present state; but when love really comes, they grow fastidious
+and end by craving the luxuries of gastronomy. Love holds toil and
+poverty in horror. It would rather die than merely live on from hand
+to mouth.
+
+Many women, returning from a ball, impatient for their beds, throw off
+their gowns, their faded flowers, their bouquets, the fragrance of
+which has now departed. They leave their little shoes beneath a chair,
+the white strings trailing; they take out their combs and let their
+hair roll down as it will. Little they care if their husbands see the
+puffs, the hairpins, the artful props which supported the elegant
+edifices of the hair, and the garlands or the jewels that adorned it.
+No more mysteries! all is over for the husband; no more painting or
+decoration for him. The corset--half the time it is a corset of a
+reparative kind--lies where it is thrown, if the maid is too sleepy to
+take it away with her. The whalebone bustle, the oiled-silk
+protections round the sleeves, the pads, the hair bought from a
+coiffeur, all the false woman is there, scattered about in open sight.
+_Disjecta membra poetae_, the artificial poesy, so much admired by
+those for whom it is conceived and elaborated, the fragments of a
+pretty woman, litter every corner of the room. To the love of a
+yawning husband, the actual presents herself, also yawning, in a
+dishabille without elegance, and a tumbled night-cap, that of last
+night and that of to-morrow night also,--"For really, monsieur, if you
+want a pretty cap to rumple every night, increase my pin-money."
+
+There's life as it is! A woman makes herself old and unpleasing to her
+husband; but dainty and elegant and adorned for others, for the rival
+of all husbands,--for that world which calumniates and tears to shreds
+her sex.
+
+Inspired by true love, for Love has, like other creations, its
+instinct of preservation, Madame Jules did very differently; she found
+in the constant blessing of her love the necessary impulse to fulfil
+all those minute personal cares which ought never to be relaxed,
+because they perpetuate love. Besides, such personal cares and duties
+proceed from a personal dignity which becomes all women, and are among
+the sweetest of flatteries, for is it not respecting in themselves the
+man they love?
+
+So Madame Jules denied to her husband all access to her dressing-room,
+where she left the accessories of her toilet, and whence she issued
+mysteriously adorned for the mysterious fetes of her heart. Entering
+their chamber, which was always graceful and elegant, Jules found a
+woman coquettishly wrapped in a charming _peignoir_, her hair simply
+wound in heavy coils around her head; a woman always more simple, more
+beautiful there than she was before the world; a woman just refreshed
+in water, whose only artifice consisted in being whiter than her
+muslins, sweeter than all perfumes, more seductive than any siren,
+always loving and therefore always loved. This admirable understanding
+of a wife's business was the secret of Josephine's charm for Napoleon,
+as in former times it was that of Caesonia for Caius Caligula, of
+Diane de Poitiers for Henri II. If it was largely productive to women
+of seven or eight lustres what a weapon is it in the hands of young
+women! A husband gathers with delight the rewards of his fidelity.
+
+Returning home after the conversation which had chilled her with fear,
+and still gave her the keenest anxiety, Madame Jules took particular
+pains with her toilet for the night. She wanted to make herself, and
+she did make herself enchanting. She belted the cambric of her
+dressing-gown round her waist, defining the lines of her bust; she
+allowed her hair to fall upon her beautifully modelled shoulders. A
+perfumed bath had given her a delightful fragrance, and her little
+bare feet were in velvet slippers. Strong in a sense of her advantages
+she came in stepping softly, and put her hands over her husband's
+eyes. She thought him pensive; he was standing in his dressing-gown
+before the fire, his elbow on the mantel and one foot on the fender.
+She said in his ear, warming it with her breath, and nibbling the tip
+of it with her teeth:--
+
+"What are you thinking about, monsieur?"
+
+Then she pressed him in her arms as if to tear him away from all evil
+thoughts. The woman who loves has a full knowledge of her power; the
+more virtuous she is, the more effectual her coquetry.
+
+"About you," he answered.
+
+"Only about me?"
+
+"Yes."
+
+"Ah! that's a very doubtful 'yes.'"
+
+They went to bed. As she fell asleep, Madame Jules said to herself:--
+
+"Monsieur de Maulincour will certainly cause some evil. Jules' mind is
+preoccupied, disturbed; he is nursing thoughts he does not tell me."
+
+It was three in the morning when Madame Jules was awakened by a
+presentiment which struck her heart as she slept. She had a sense both
+physical and moral of her husband's absence. She did not feel the arm
+Jules passed beneath her head,--that arm in which she had slept,
+peacefully and happy, for five years; an arm she had never wearied. A
+voice said to her, "Jules suffers, Jules is weeping." She raised her
+head, and then sat up; felt that her husband's place was cold, and saw
+him sitting before the fire, his feet on the fender, his head resting
+against the back of an arm-chair. Tears were on his cheeks. The poor
+woman threw herself hastily from her bed and sprang at a bound to her
+husband's knees.
+
+"Jules! what is it? Are you ill? Speak, tell me! Speak to me, if you
+love me!" and she poured out a hundred words expressing the deepest
+tenderness.
+
+Jules knelt at her feet, kissed her hands and knees, and answered with
+fresh tears:--
+
+"Dear Clemence, I am most unhappy! It is not loving to distrust the
+one we love. I adore you and suspect you. The words that man said to
+me to-night have struck to my heart; they stay there in spite of
+myself, and confound me. There is some mystery here. In short, and I
+blush to say it, your explanations do not satisfy me. My reason casts
+gleams into my soul which my love rejects. It is an awful combat.
+Could I stay there, holding your head, and suspecting thoughts within
+it to me unknown? Oh! I believe in you, I believe in you!" he cried,
+seeing her smile sadly and open her mouth as if to speak. "Say
+nothing; do not reproach me. Besides, could you say anything I have
+not said myself for the last three hours? Yes, for three hours, I have
+been here, watching you as you slept, so beautiful! admiring that
+pure, peaceful brow. Yes, yes! you have always told me your thoughts,
+have you not? I alone am in that soul. While I look at you, while my
+eyes can plunge into yours I see all plainly. Your life is as pure as
+your glance is clear. No, there is no secret behind those transparent
+eyes." He rose and kissed their lids. "Let me avow to you, dearest
+soul," he said, "that for the last five years each day has increased
+my happiness, through the knowledge that you are all mine, and that no
+natural affection even can take any of your love. Having no sister, no
+father, no mother, no companion, I am neither above nor below any
+living being in your heart; I am alone there. Clemence, repeat to me
+those sweet things of the spirit you have so often said to me; do not
+blame me; comfort me, I am so unhappy. I have an odious suspicion on
+my conscience, and you have nothing in your heart to sear it. My
+beloved, tell me, could I stay there beside you? Could two heads
+united as ours have been lie on the same pillow when one was suffering
+and the other tranquil? What are you thinking of?" he cried abruptly,
+observing that Clemence was anxious, confused, and seemed unable to
+restrain her tears.
+
+"I am thinking of my mother," she answered, in a grave voice. "You
+will never know, Jules, what I suffer in remembering my mother's dying
+farewell, said in a voice sweeter than all music, and in feeling the
+solemn touch of her icy hand at a moment when you overwhelm me with
+those assurances of your precious love."
+
+She raised her husband, strained him to her with a nervous force
+greater than that of men, and kissed his hair, covering it with tears.
+
+"Ah! I would be hacked in pieces for you! Tell me that I make you
+happy; that I am to you the most beautiful of women--a thousand women
+to you. Oh! you are loved as no other man ever was or will be. I don't
+know the meaning of those words 'duty,' 'virtue.' Jules, I love you
+for yourself; I am happy in loving you; I shall love you more and more
+to my dying day. I have pride in my love; I feel it is my destiny to
+have one sole emotion in my life. What I shall tell you now is
+dreadful, I know--but I am glad to have no child; I do not wish for
+any. I feel I am more wife than mother. Well, then, can you fear?
+Listen to me, my own beloved, promise to forget, not this hour of
+mingled tenderness and doubt, but the words of that madman. Jules, you
+_must_. Promise me not to see him, not to go to him. I have a deep
+conviction that if you set one foot in that maze we shall both roll
+down a precipice where I shall perish--but with your name upon my
+lips, your heart in my heart. Why hold me so high in that heart and
+yet so low in reality? What! you who give credit to so many as to
+money, can you not give me the charity of faith? And on the first
+occasion in our lives when you might prove to me your boundless trust,
+do you cast me from my throne in your heart? Between a madman and me,
+it is the madman whom you choose to believe? oh, Jules!" She stopped,
+threw back the hair that fell about her brow and neck, and then, in a
+heart-rending tone, she added: "I have said too much; one word should
+suffice. If your soul and your forehead still keep this cloud, however
+light it be, I tell you now that I shall die of it."
+
+She could not repress a shudder, and turned pale.
+
+"Oh! I will kill that man," thought Jules, as he lifted his wife in
+his arms and carried her to her bed.
+
+"Let us sleep in peace, my angel," he said. "I have forgotten all, I
+swear it!"
+
+Clemence fell asleep to the music of those sweet words, softly
+repeated. Jules, as he watched her sleeping, said in his heart:--
+
+"She is right; when love is so pure, suspicion blights it. To that
+young soul, that tender flower, a blight--yes, a blight means death."
+
+When a cloud comes between two beings filled with affection for each
+other and whose lives are in absolute unison, that cloud, though it
+may disperse, leaves in those souls a trace of its passage. Either
+love gains a stronger life, as the earth after rain, or the shock
+still echoes like distant thunder through a cloudless sky. It is
+impossible to recover absolutely the former life; love will either
+increase or diminish.
+
+At breakfast, Monsieur and Madame Jules showed to each other those
+particular attentions in which there is always something of
+affectation. There were glances of forced gaiety, which seemed the
+efforts of persons endeavoring to deceive themselves. Jules had
+involuntary doubts, his wife had positive fears. Still, sure of each
+other, they had slept. Was this strained condition the effect of a
+want of faith, or was it only a memory of their nocturnal scene? They
+did not know themselves. But they loved each other so purely that the
+impression of that scene, both cruel and beneficent, could not fail to
+leave its traces in their souls; both were eager to make those traces
+disappear, each striving to be the first to return to the other, and
+thus they could not fail to think of the cause of their first
+variance. To loving souls, this is not grief; pain is still far-off;
+but it is a sort of mourning, which is difficult to depict. If there
+are, indeed, relations between colors and the emotions of the soul,
+if, as Locke's blind man said, scarlet produces on the sight the
+effect produced upon the hearing by a blast of trumpets, it is
+permissible to compare this reaction of melancholy to mourning tones
+of gray.
+
+But even so, love saddened, love in which remains a true sentiment of
+its happiness, momentarily troubled though it be, gives enjoyments
+derived from pain and pleasure both, which are all novel. Jules
+studied his wife's voice; he watched her glances with the freshness of
+feeling that inspired him in the earliest days of his passion for her.
+The memory of five absolutely happy years, her beauty, the candor of
+her love, quickly effaced in her husband's mind the last vestiges of
+an intolerable pain.
+
+The day was Sunday,--a day on which there was no Bourse and no
+business to be done. The reunited pair passed the whole day together,
+getting farther into each other's hearts than they ever yet had done,
+like two children who in a moment of fear, hold each other closely and
+cling together, united by an instinct. There are in this life of
+two-in-one completely happy days, the gift of chance, ephemeral
+flowers, born neither of yesterday nor belonging to the morrow. Jules
+and Clemence now enjoyed this day as though they forboded it to be the
+last of their loving life. What name shall we give to that mysterious
+power which hastens the steps of travellers before the storm is
+visible; which makes the life and beauty of the dying so resplendent,
+and fills the parting soul with joyous projects for days before death
+comes; which tells the midnight student to fill his lamp when it
+shines brightest; and makes the mother fear the thoughtful look cast
+upon her infant by an observing man? We all are affected by this
+influence in the great catastrophes of life; but it has never yet been
+named or studied; it is something more than presentiment, but not as
+yet clear vision.
+
+All went well till the following day. On Monday, Jules Desmarets,
+obliged to go to the Bourse on his usual business, asked his wife, as
+usual, if she would take advantage of his carriage and let him drive
+her anywhere.
+
+"No," she said, "the day is too unpleasant to go out."
+
+It was raining in torrents. At half-past two o'clock Monsieur
+Desmarets reached the Treasury. At four o'clock, as he left the
+Bourse, he came face to face with Monsieur de Maulincour, who was
+waiting for him with the nervous pertinacity of hatred and vengeance.
+
+"Monsieur," he said, taking Monsieur Desmarets by the arm, "I have
+important information to give you. Listen to me. I am too loyal a man
+to have recourse to anonymous letters with which to trouble your peace
+of mind; I prefer to speak to you in person. Believe me, if my very
+life were not concerned, I should not meddle with the private affairs
+of any household, even if I thought I had the right to do so."
+
+"If what you have to say to me concerns Madame Desmarets," replied
+Jules, "I request you to be silent, monsieur."
+
+"If I am silent, monsieur, you may before long see Madame Jules on the
+prisoner's bench at the court of assizes beside a convict. Now, do you
+wish me to be silent?"
+
+Jules turned pale; but his noble face instantly resumed its calmness,
+though it was now a false calmness. Drawing the baron under one of the
+temporary sheds of the Bourse, near which they were standing, he said
+to him in a voice which concealed his intense inward emotion:--
+
+"Monsieur, I will listen to you; but there will be a duel to the death
+between us if--"
+
+"Oh, to that I consent!" cried Monsieur de Maulincour. "I have the
+greatest esteem for your character. You speak of death. You are
+unaware that your wife may have assisted in poisoning me last Saturday
+night. Yes, monsieur, since then some extraordinary evil has developed
+in me. My hair appears to distil an inward fever and a deadly languor
+through my skull; I know who clutched my hair at that ball."
+
+Monsieur de Maulincour then related, without omitting a single fact,
+his platonic love for Madame Jules, and the details of the affair in
+the rue Soly which began this narrative. Any one would have listened
+to him with attention; but Madame Jules' husband had good reason to be
+more amazed than any other human being. Here his character displayed
+itself; he was more amazed than overcome. Made a judge, and the judge
+of an adored woman, he found in his soul the equity of a judge as well
+as the inflexibility. A lover still, he thought less of his own
+shattered life than of his wife's life; he listened, not to his own
+anguish, but to some far-off voice that cried to him, "Clemence cannot
+lie! Why should she betray you?"
+
+"Monsieur," said the baron, as he ended, "being absolutely certain of
+having recognized in Monsieur de Funcal the same Ferragus whom the
+police declared dead, I have put upon his traces an intelligent man.
+As I returned that night I remembered, by a fortunate chance, the name
+of Madame Meynardie, mentioned in that letter of Ida, the presumed
+mistress of my persecutor. Supplied with this clue, my emissary will
+soon get to the bottom of this horrible affair; for he is far more
+able to discover the truth than the police themselves."
+
+"Monsieur," replied Desmarets, "I know not how to thank you for this
+confidence. You say that you can obtain proofs and witnesses; I shall
+await them. I shall seek the truth of this strange affair
+courageously; but you must permit me to doubt everything until the
+evidence of the facts you state is proved to me. In any case you shall
+have satisfaction, for, as you will certainly understand, we both
+require it."
+
+Jules returned home.
+
+"What is the matter, Jules?" asked his wife, when she saw him. "You
+look so pale you frighten me!"
+
+"The day is cold," he answered, walking with slow steps across the
+room where all things spoke to him of love and happiness,--that room
+so calm and peaceful where a deadly storm was gathering.
+
+"Did you go out to-day?" he asked, as though mechanically.
+
+He was impelled to ask the question by the last of a myriad of
+thoughts which had gathered themselves together into a lucid
+meditation, though jealousy was actively prompting them.
+
+"No," she answered, in a tone that was falsely candid.
+
+At that instant Jules saw through the open door of the dressing-room
+the velvet bonnet which his wife wore in the mornings; on it were
+drops of rain. Jules was a passionate man, but he was also full of
+delicacy. It was repugnant to him to bring his wife face to face with
+a lie. When such a situation occurs, all has come to an end forever
+between certain beings. And yet those drops of rain were like a flash
+tearing through his brain.
+
+He left the room, went down to the porter's lodge, and said to the
+porter, after making sure that they were alone:--
+
+"Fouguereau, a hundred crowns if you tell me the truth; dismissal if
+you deceive me; and nothing at all if you ever speak of my question
+and your answer."
+
+He stopped to examine the man's face, leading him under the window.
+Then he continued:--
+
+"Did madame go out this morning?"
+
+"Madame went out at a quarter to three, and I think I saw her come in
+about half an hour ago."
+
+"That is true, upon your honor?"
+
+"Yes, monsieur."
+
+"You will have the money; but if you speak of this, remember, you will
+lose all."
+
+Jules returned to his wife.
+
+"Clemence," he said, "I find I must put my accounts in order. Do not
+be offended at the inquiry I am going to make. Have I not given you
+forty thousand francs since the beginning of the year?"
+
+"More," she said,--"forty-seven."
+
+"Have you spent them?"
+
+"Nearly," she replied. "In the first place, I had to pay several of
+our last year's bills--"
+
+"I shall never find out anything in this way," thought Jules. "I am
+not taking the best course."
+
+At this moment Jules' own valet entered the room with a letter for his
+master, who opened it indifferently, but as soon as his eyes had
+lighted on the signature he read it eagerly. The letter was as
+follows:--
+
+
+ Monsieur,--For the sake of your peace of mind as well as ours, I
+ take the course of writing you this letter without possessing the
+ advantage of being known to you; but my position, my age, and the
+ fear of some misfortune compel me to entreat you to show
+ indulgence in the trying circumstances under which our afflicted
+ family is placed. Monsieur Auguste de Maulincour has for the last
+ few days shown signs of mental derangement, and we fear that he
+ may trouble your happiness by fancies which he confided to
+ Monsieur le Vidame de Pamiers and myself during his first attack
+ of frenzy. We think it right, therefore, to warn you of his
+ malady, which is, we hope, curable; but it will have such serious
+ and important effects on the honor of our family and the career of
+ my grandson that we must rely, monsieur, on your entire
+ discretion.
+
+ If Monsieur le Vidame or I could have gone to see you we would not
+ have written. But I make no doubt that you will regard this prayer
+ of a mother, who begs you to destroy this letter.
+
+ Accept the assurance of my perfect consideration.
+
+Baronne de Maulincour, _nee_ de Rieux.
+
+
+"Oh! what torture!" cried Jules.
+
+"What is it? what is in your mind?" asked his wife, exhibiting the
+deepest anxiety.
+
+"I have come," he answered, slowly, as he threw her the letter, "to
+ask myself whether it can be you who have sent me that to avert my
+suspicions. Judge, therefore, what I suffer."
+
+"Unhappy man!" said Madame Jules, letting fall the paper. "I pity him;
+though he has done me great harm."
+
+"Are you aware that he has spoken to me?"
+
+"Oh! have you been to see him, in spite of your promise?" she cried in
+terror.
+
+"Clemence, our love is in danger of perishing; we stand outside of the
+ordinary rules of life; let us lay aside all petty considerations in
+presence of this great peril. Explain to me why you went out this
+morning. Women think they have the right to tell us little falsehoods.
+Sometimes they like to hide a pleasure they are preparing for us. Just
+now you said a word to me, by mistake, no doubt, a no for a yes."
+
+He went into the dressing-room and brought out the bonnet.
+
+"See," he said, "your bonnet has betrayed you; these spots are
+raindrops. You must, therefore, have gone out in a street cab, and
+these drops fell upon it as you went to find one, or as you entered or
+left the house where you went. But a woman can leave her own home for
+many innocent purposes, even after she has told her husband that she
+did not mean to go out. There are so many reasons for changing our
+plans! Caprices, whims, are they not your right? Women are not
+required to be consistent with themselves. You had forgotten
+something,--a service to render, a visit, some kind action. But
+nothing hinders a woman from telling her husband what she does. Can we
+ever blush on the breast of a friend? It is not a jealous husband who
+speaks to you, my Clemence; it is your lover, your friend, your
+brother." He flung himself passionately at her feet. "Speak, not to
+justify yourself, but to calm my horrible sufferings. I know that you
+went out. Well--what did you do? where did you go?"
+
+"Yes, I went out, Jules," she answered in a strained voice, though her
+face was calm. "But ask me nothing more. Wait; have confidence;
+without which you will lay up for yourself terrible remorse. Jules, my
+Jules, trust is the virtue of love. I owe to you that I am at this
+moment too troubled to answer you: but I am not a false woman; I love
+you, and you know it."
+
+"In the midst of all that can shake the faith of man and rouse his
+jealousy, for I see I am not first in your heart, I am no longer thine
+own self--well, Clemence, even so, I prefer to believe you, to believe
+that voice, to believe those eyes. If you deceive me, you deserve--"
+
+"Ten thousand deaths!" she cried, interrupting him.
+
+"I have never hidden a thought from you, but you--"
+
+"Hush!" she said, "our happiness depends upon our mutual silence."
+
+"Ha! I _will_ know all!" he exclaimed, with sudden violence.
+
+At that moment the cries of a woman were heard,--the yelping of a
+shrill little voice came from the antechamber.
+
+"I tell you I will go in!" it cried. "Yes, I shall go in; I will see
+her! I shall see her!"
+
+Jules and Clemence both ran to the salon as the door from the
+antechamber was violently burst open. A young woman entered hastily,
+followed by two servants, who said to their master:--
+
+"Monsieur, this person would come in in spite of us. We told her that
+madame was not at home. She answered that she knew very well madame
+had been out, but she saw her come in. She threatened to stay at the
+door of the house till she could speak to madame."
+
+"You can go," said Monsieur Desmarets to the two men. "What do you
+want, mademoiselle?" he added, turning to the strange woman.
+
+This "demoiselle" was the type of a woman who is never to be met with
+except in Paris. She is made in Paris, like the mud, like the
+pavement, like the water of the Seine, such as it becomes in Paris
+before human industry filters it ten times ere it enters the cut-glass
+decanters and sparkles pure and bright from the filth it has been. She
+is therefore a being who is truly original. Depicted scores of times
+by the painter's brush, the pencil of the caricaturist, the charcoal
+of the etcher, she still escapes analysis, because she cannot be
+caught and rendered in all her moods, like Nature, like this fantastic
+Paris itself. She holds to vice by one thread only, and she breaks
+away from it at a thousand other points of the social circumference.
+Besides, she lets only one trait of her character be known, and that
+the only one which renders her blamable; her noble virtues are hidden;
+she prefers to glory in her naive libertinism. Most incompletely
+rendered in dramas and tales where she is put upon the scene with all
+her poesy, she is nowhere really true but in her garret; elsewhere she
+is invariably calumniated or over-praised. Rich, she deteriorates;
+poor, she is misunderstood. She has too many vices, and too many good
+qualities; she is too near to pathetic asphyxiation or to a dissolute
+laugh; too beautiful and too hideous. She personifies Paris, to which,
+in the long run, she supplies the toothless portresses, washerwomen,
+street-sweepers, beggars, occasionally insolent countesses, admired
+actresses, applauded singers; she has even given, in the olden time,
+two quasi-queens to the monarchy. Who can grasp such a Proteus? She is
+all woman, less than woman, more than woman. From this vast portrait
+the painter of manners and morals can take but a feature here and
+there; the _ensemble_ is infinite.
+
+She was a grisette of Paris; a grisette in all her glory; a grisette
+in a hackney-coach,--happy, young, handsome, fresh, but a grisette; a
+grisette with claws, scissors, impudent as a Spanish woman, snarling
+as a prudish English woman proclaiming her conjugal rights, coquettish
+as a great lady, though more frank, and ready for everything; a
+perfect _lionne_ in her way; issuing from the little apartment of
+which she had dreamed so often, with its red-calico curtains, its
+Utrecht velvet furniture, its tea-table, the cabinet of china with
+painted designs, the sofa, the little moquette carpet, the alabaster
+clock and candlesticks (under glass cases), the yellow bedroom, the
+eider-down quilt,--in short, all the domestic joys of a grisette's
+life; and in addition, the woman-of-all-work (a former grisette
+herself, now the owner of a moustache), theatre-parties, unlimited
+bonbons, silk dresses, bonnets to spoil,--in fact, all the felicities
+coveted by the grisette heart except a carriage, which only enters her
+imagination as a marshal's baton into the dreams of a soldier. Yes,
+this grisette had all these things in return for a true affection, or
+in spite of a true affection, as some others obtain it for an hour a
+day,--a sort of tax carelessly paid under the claws of an old man.
+
+The young woman who now entered the presence of Monsieur and Madame
+Jules had a pair of feet so little covered by her shoes that only a
+slim black line was visible between the carpet and her white
+stockings. This peculiar foot-gear, which Parisian caricaturists have
+well-rendered, is a special attribute of the grisette of Paris; but
+she is even more distinctive to the eyes of an observer by the care
+with which her garments are made to adhere to her form, which they
+clearly define. On this occasion she was trigly dressed in a green
+gown, with a white chemisette, which allowed the beauty of her bust to
+be seen; her shawl, of Ternaux cashmere, had fallen from her
+shoulders, and was held by its two corners, which were twisted round
+her wrists. She had a delicate face, rosy cheeks, a white skin,
+sparkling gray eyes, a round, very promising forehead, hair carefully
+smoothed beneath her little bonnet, and heavy curls upon her neck.
+
+"My name is Ida," she said, "and if that's Madame Jules to whom I have
+the advantage of speaking, I've come to tell her all I have in my
+heart against her. It is very wrong, when a woman is set up and in her
+furniture, as you are here, to come and take from a poor girl a man
+with whom I'm as good as married, morally, and who did talk of making
+it right by marrying me before the municipality. There's plenty of
+handsome young men in the world--ain't there, monsieur?--to take your
+fancy, without going after a man of middle age, who makes my
+happiness. Yah! I haven't got a fine hotel like this, but I've got my
+love, I have. I hate handsome men and money; I'm all heart, and--"
+
+Madame Jules turned to her husband.
+
+"You will allow me, monsieur, to hear no more of all this," she said,
+retreating to her bedroom.
+
+"If the lady lives with you, I've made a mess of it; but I can't help
+that," resumed Ida. "Why does she come after Monsieur Ferragus every
+day?"
+
+"You are mistaken, mademoiselle," said Jules, stupefied; "my wife is
+incapable--"
+
+"Ha! so you're married, you two," said the grisette showing some
+surprise. "Then it's very wrong, monsieur,--isn't it?--for a woman who
+has the happiness of being married in legal marriage to have relations
+with a man like Henri--"
+
+"Henri! who is Henri?" said Jules, taking Ida by the arm and pulling
+her into an adjoining room that his wife might hear no more.
+
+"Why, Monsieur Ferragus."
+
+"But he is dead," said Jules.
+
+"Nonsense; I went to Franconi's with him last night, and he brought me
+home--as he ought. Besides, your wife can tell you about him; didn't
+she go there this very afternoon at three o'clock? I know she did, for
+I waited in the street, and saw her,--all because that good-natured
+fellow, Monsieur Justin, whom you know perhaps,--a little old man with
+jewelry who wears corsets,--told me that Madame Jules was my rival.
+That name, monsieur, sounds mighty like a feigned one; but if it is
+yours, excuse me. But this I say, if Madame Jules was a court duchess,
+Henri is rich enough to satisfy all her fancies, and it is my business
+to protect my property; I've a right to, for I love him, that I do. He
+is my _first_ inclination; my happiness and all my future fate depends
+on it. I fear nothing, monsieur; I am honest; I never lied, or stole
+the property of any living soul, no matter who. If an empress was my
+rival, I'd go straight to her, empress as she was; because all pretty
+women are equals, monsieur--"
+
+"Enough! enough!" said Jules. "Where do you live?"
+
+"Rue de la Corderie-du-Temple, number 14, monsieur,--Ida Gruget,
+corset-maker, at your service,--for we make lots of corsets for men."
+
+"Where does the man whom you call Ferragus live?"
+
+"Monsieur," she said, pursing up her lips, "in the first place, he's
+not a man; he is a rich monsieur, much richer, perhaps, than you are.
+But why do you ask me his address when your wife knows it? He told me
+not to give it. Am I obliged to answer you? I'm not, thank God, in a
+confessional or a police-court; I'm responsible only to myself."
+
+"If I were to offer you ten thousand francs to tell me where Monsieur
+Ferragus lives, how then?"
+
+"Ha! n, o, _no_, my little friend, and that ends the matter," she
+said, emphasizing this singular reply with a popular gesture. "There's
+no sum in the world could make me tell you. I have the honor to bid
+you good-day. How do I get out of here?"
+
+Jules, horror-struck, allowed her to go without further notice. The
+whole world seemed to crumble beneath his feet, and above him the
+heavens were falling with a crash.
+
+"Monsieur is served," said his valet.
+
+The valet and the footman waited in the dining-room a quarter of an
+hour without seeing master or mistress.
+
+"Madame will not dine to-day," said the waiting-maid, coming in.
+
+"What's the matter, Josephine?" asked the valet.
+
+"I don't know," she answered. "Madame is crying, and is going to bed.
+Monsieur has no doubt got some love-affair on hand, and it has been
+discovered at a very bad time. I wouldn't answer for madame's life.
+Men are so clumsy; they'll make you scenes without any precaution."
+
+"That's not so," said the valet, in a low voice. "On the contrary,
+madame is the one who--you understand? What times does monsieur have
+to go after pleasures, he, who hasn't slept out of madame's room for
+five years, who goes to his study at ten and never leaves it till
+breakfast, at twelve. His life is all known, it is regular; whereas
+madame goes out nearly every day at three o'clock, Heaven knows
+where."
+
+"And monsieur too," said the maid, taking her mistress's part.
+
+"Yes, but he goes straight to the Bourse. I told him three times that
+dinner was ready," continued the valet, after a pause. "You might as
+well talk to a post."
+
+Monsieur Jules entered the dining-room.
+
+"Where is madame?" he said.
+
+"Madame is going to bed; her head aches," replied the maid, assuming
+an air of importance.
+
+Monsieur Jules then said to the footmen composedly: "You can take
+away; I shall go and sit with madame."
+
+He went to his wife's room and found her weeping, but endeavoring to
+smother her sobs with her handkerchief.
+
+"Why do you weep?" said Jules; "you need expect no violence and no
+reproaches from me. Why should I avenge myself? If you have not been
+faithful to my love, it is that you were never worthy of it."
+
+"Not worthy?" The words were repeated amid her sobs and the accent in
+which they were said would have moved any other man than Jules.
+
+"To kill you, I must love more than perhaps I do love you," he
+continued. "But I should never have the courage; I would rather kill
+myself, leaving you to your--happiness, and with--whom!--"
+
+He did not end his sentence.
+
+"Kill yourself!" she cried, flinging herself at his feet and clasping
+them.
+
+But he, wishing to escape the embrace, tried to shake her off,
+dragging her in so doing toward the bed.
+
+"Let me alone," he said.
+
+"No, no, Jules!" she cried. "If you love me no longer I shall die. Do
+you wish to know all?"
+
+"Yes."
+
+He took her, grasped her violently, and sat down on the edge of the
+bed, holding her between his legs. Then, looking at that beautiful
+face now red as fire and furrowed with tears,--
+
+"Speak," he said.
+
+Her sobs began again.
+
+"No; it is a secret of life and death. If I tell it, I--No, I cannot.
+Have mercy, Jules!"
+
+"You have betrayed me--"
+
+"Ah! Jules, you think so now, but soon you will know all."
+
+"But this Ferragus, this convict whom you go to see, a man enriched by
+crime, if he does not belong to you, if you do not belong to him--"
+
+"Oh, Jules!"
+
+"Speak! Is he your mysterious benefactor?--the man to whom we owe our
+fortune, as persons have said already?"
+
+"Who said that?"
+
+"A man whom I killed in a duel."
+
+"Oh, God! one death already!"
+
+"If he is not your protector, if he does not give you money, if it is
+you, on the contrary, who carry money to him, tell me, is he your
+brother?"
+
+"What if he were?" she said.
+
+Monsieur Desmarets crossed his arms.
+
+"Why should that have been concealed from me?" he said. "Then you and
+your mother have both deceived me? Besides, does a woman go to see her
+brother every day, or nearly every day?"
+
+His wife had fainted at his feet.
+
+"Dead," he said. "And suppose I am mistaken?"
+
+He sprang to the bell-rope; called Josephine, and lifted Clemence to
+the bed.
+
+"I shall die of this," said Madame Jules, recovering consciousness.
+
+"Josephine," cried Monsieur Desmarets. "Send for Monsieur Desplein;
+send also to my brother and ask him to come here immediately."
+
+"Why your brother?" asked Clemence.
+
+But Jules had already left the room.
+
+
+
+ CHAPTER IV
+
+ WHERE GO TO DIE?
+
+For the first time in five years Madame Jules slept alone in her bed,
+and was compelled to admit a physician into that sacred chamber. These
+in themselves were two keen pangs. Desplein found Madame Jules very
+ill. Never was a violent emotion more untimely. He would say nothing
+definite, and postponed till the morrow giving any opinion, after
+leaving a few directions, which were not executed, the emotions of the
+heart causing all bodily cares to be forgotten.
+
+When morning dawned, Clemence had not yet slept. Her mind was absorbed
+in the low murmur of a conversation which lasted several hours between
+the brothers; but the thickness of the walls allowed no word which
+could betray the object of this long conference to reach her ears.
+Monsieur Desmarets, the notary, went away at last. The stillness of
+the night, and the singular activity of the senses given by powerful
+emotion, enabled Clemence to distinguish the scratching of a pen and
+the involuntary movements of a person engaged in writing. Those who
+are habitually up at night, and who observe the different acoustic
+effects produced in absolute silence, know that a slight echo can be
+readily perceived in the very places where louder but more equable and
+continued murmurs are not distinct. At four o'clock the sound ceased.
+Clemence rose, anxious and trembling. Then, with bare feet and without
+a wrapper, forgetting her illness and her moist condition, the poor
+woman opened the door softly without noise and looked into the next
+room. She saw her husband sitting, with a pen in his hand, asleep in
+his arm-chair. The candles had burned to the sockets. She slowly
+advanced and read on an envelope, already sealed, the words, "This is
+my will."
+
+She knelt down as if before an open grave and kissed her husband's
+hand. He woke instantly.
+
+"Jules, my friend, they grant some days to criminals condemned to
+death," she said, looking at him with eyes that blazed with fever and
+with love. "Your innocent wife asks only two. Leave me free for two
+days, and--wait! After that, I shall die happy--at least, you will
+regret me."
+
+"Clemence, I grant them."
+
+Then, as she kissed her husband's hands in the tender transport of her
+heart, Jules, under the spell of that cry of innocence, took her in
+his arms and kissed her forehead, though ashamed to feel himself still
+under subjection to the power of that noble beauty.
+
+On the morrow, after taking a few hours' rest, Jules entered his
+wife's room, obeying mechanically his invariable custom of not leaving
+the house without a word to her. Clemence was sleeping. A ray of light
+passing through a chink in the upper blind of a window fell across the
+face of the dejected woman. Already suffering had impaired her
+forehead and the freshness of her lips. A lover's eye could not fail
+to notice the appearance of dark blotches, and a sickly pallor in
+place of the uniform tone of the cheeks and the pure ivory whiteness
+of the skin,--two points at which the sentiments of her noble soul
+were artlessly wont to show themselves.
+
+"She suffers," thought Jules. "Poor Clemence! May God protect us!"
+
+He kissed her very softly on the forehead. She woke, saw her husband,
+and remembered all. Unable to speak, she took his hand, her eyes
+filling with tears.
+
+"I am innocent," she said, ending her dream.
+
+"You will not go out to-day, will you?" asked Jules.
+
+"No, I feel too weak to leave my bed."
+
+"If you should change your mind, wait till I return," said Jules.
+
+Then he went down to the porter's lodge.
+
+"Fouguereau, you will watch the door yourself to-day. I wish to know
+exactly who comes to the house, and who leaves it."
+
+Then he threw himself into a hackney-coach, and was driven to the
+hotel de Maulincour, where he asked for the baron.
+
+"Monsieur is ill," they told him.
+
+Jules insisted on entering, and gave his name. If he could not see the
+baron, he wished to see the vidame or the dowager. He waited some time
+in the salon, where Madame de Maulincour finally came to him and told
+him that her grandson was much too ill to receive him.
+
+"I know, madame, the nature of his illness from the letter you did me
+the honor to write, and I beg you to believe--"
+
+"A letter to you, monsieur, written by me!" cried the dowager,
+interrupting him. "I have written you no letter. What was I made to
+say in that letter, monsieur?"
+
+"Madame," replied Jules, "intending to see Monsieur de Maulincour
+to-day, I thought it best to preserve the letter in spite of its
+injunction to destroy it. There it is."
+
+Madame de Maulincour put on her spectacles, and the moment she cast
+her eyes on the paper she showed the utmost surprise.
+
+"Monsieur," she said, "my writing is so perfectly imitated that, if
+the matter were not so recent, I might be deceived myself. My grandson
+is ill, it is true; but his reason has never for a moment been
+affected. We are the puppets of some evil-minded person or persons;
+and yet I cannot imagine the object of a trick like this. You shall
+see my grandson, monsieur, and you will at once perceive that he is
+perfectly sound in mind."
+
+She rang the bell, and sent to ask if the baron felt able to receive
+Monsieur Desmarets. The servant returned with an affirmative answer.
+Jules went to the baron's room, where he found him in an arm-chair
+near the fire. Too feeble to move, the unfortunate man merely bowed
+his head with a melancholy gesture. The Vidame de Pamiers was sitting
+with him.
+
+"Monsieur le baron," said Jules, "I have something to say which makes
+it desirable that I should see you alone."
+
+"Monsieur," replied Auguste, "Monsieur le vidame knows about this
+affair; you can speak fearlessly before him."
+
+"Monsieur le baron," said Jules, in a grave voice, "you have troubled
+and well-nigh destroyed my happiness without having any right to do
+so. Until the moment when we can see clearly which of us should
+demand, or grant, reparation to the other, you are bound to help me in
+following the dark and mysterious path into which you have flung me. I
+have now come to ascertain from you the present residence of the
+extraordinary being who exercises such a baneful effect on your life
+and mine. On my return home yesterday, after listening to your
+avowals, I received that letter."
+
+Jules gave him the forged letter.
+
+"This Ferragus, this Bourignard, or this Monsieur de Funcal, is a
+demon!" cried Maulincour, after having read it. "Oh, what a frightful
+maze I put my foot into when I meddled in this matter! Where am I
+going? I did wrong, monsieur," he continued, looking at Jules; "but
+death is the greatest of all expiations, and my death is now
+approaching. You can ask me whatever you like; I am at your orders."
+
+"Monsieur, you know, of course, where this man is living, and I must
+know it if it costs me all my fortune to penetrate this mystery. In
+presence of so cruel an enemy every moment is precious."
+
+"Justin shall tell you all," replied the baron.
+
+At these words the vidame fidgeted on his chair. Auguste rang the
+bell.
+
+"Justin is not in the house!" cried the vidame, in a hasty manner that
+told much.
+
+"Well, then," said Auguste, excitedly, "the other servants must know
+where he is; send a man on horseback to fetch him. Your valet is in
+Paris, isn't he? He can be found."
+
+The vidame was visibly distressed.
+
+"Justin can't come, my dear boy," said the old man; "he is dead. I
+wanted to conceal the accident from you, but--"
+
+"Dead!" cried Monsieur de Maulincour,--"dead! When and how?"
+
+"Last night. He had been supping with some old friends, and, I dare
+say, was drunk; his friends--no doubt they were drunk, too--left him
+lying in the street, and a heavy vehicle ran over him."
+
+"The convict did not miss _him_; at the first stroke he killed," said
+Auguste. "He has had less luck with me; it has taken four blows to put
+me out of the way."
+
+Jules was gloomy and thoughtful.
+
+"Am I to know nothing, then?" he cried, after a long pause. "Your
+valet seems to have been justly punished. Did he not exceed your
+orders in calumniating Madame Desmarets to a person named Ida, whose
+jealousy he roused in order to turn her vindictiveness upon us?"
+
+"Ah, monsieur! in my anger I informed him about Madame Jules," said
+Auguste.
+
+"Monsieur!" cried the husband, keenly irritated.
+
+"Oh, monsieur!" replied the baron, claiming silence by a gesture, "I
+am prepared for all. You cannot tell me anything my own conscience has
+not already told me. I am now expecting the most celebrated of all
+professors of toxicology, in order to learn my fate. If I am destined
+to intolerable suffering, my resolution is taken. I shall blow my
+brains out."
+
+"You talk like a child!" cried the vidame, horrified by the coolness
+with which the baron said these words. "Your grandmother would die of
+grief."
+
+"Then, monsieur," said Jules, "am I to understand that there exist no
+means of discovering in what part of Paris this extraordinary man
+resides?"
+
+"I think, monsieur," said the old vidame, "from what I have heard poor
+Justin say, that Monsieur de Funcal lives at either the Portuguese or
+the Brazilian embassy. Monsieur de Funcal is a nobleman belonging to
+both those countries. As for the convict, he is dead and buried. Your
+persecutor, whoever he is, seems to me so powerful that it would be
+well to take no decisive measures until you are sure of some way of
+confounding and crushing him. Act prudently and with caution, my dear
+monsieur. Had Monsieur de Maulincour followed my advice, nothing of
+all this would have happened."
+
+Jules coldly but politely withdrew. He was now at a total loss to know
+how to reach Ferragus. As he passed into his own house, the porter
+told him that Madame had just been out to throw a letter into the post
+box at the head of the rue de Menars. Jules felt humiliated by this
+proof of the insight with which the porter espoused his cause, and the
+cleverness by which he guessed the way to serve him. The eagerness of
+servants, and their shrewdness in compromising masters who compromised
+themselves, was known to him, and he fully appreciated the danger of
+having them as accomplices, no matter for what purpose. But he could
+not think of his personal dignity until the moment when he found
+himself thus suddenly degraded. What a triumph for the slave who could
+not raise himself to his master, to compel his master to come down to
+his level! Jules was harsh and hard to him. Another fault. But he
+suffered so deeply! His life till then so upright, so pure, was
+becoming crafty; he was to scheme and lie. Clemence was scheming and
+lying. This to him was a moment of horrible disgust. Lost in a flood
+of bitter feelings, Jules stood motionless at the door of his house.
+Yielding to despair, he thought of fleeing, of leaving France forever,
+carrying with him the illusions of uncertainty. Then, again, not
+doubting that the letter Clemence had just posted was addressed to
+Ferragus, his mind searched for a means of obtaining the answer that
+mysterious being was certain to send. Then his thoughts began to
+analyze the singular good fortune of his life since his marriage, and
+he asked himself whether the calumny for which he had taken such
+signal vengeance was not a truth. Finally, reverting to the coming
+answer, he said to himself:--
+
+"But this man, so profoundly capable, so logical in his every act, who
+sees and foresees, who calculates, and even divines, our very
+thoughts, is he likely to make an answer? Will he not employ some
+other means more in keeping with his power? He may send his answer by
+some beggar; or in a carton brought by an honest man, who does not
+suspect what he brings; or in some parcel of shoes, which a shop-girl
+may innocently deliver to my wife. If Clemence and he have agreed upon
+such means--"
+
+He distrusted all things; his mind ran over vast tracts and shoreless
+oceans of conjecture. Then, after floating for a time among a thousand
+contradictory ideas, he felt he was strongest in his own house, and he
+resolved to watch it as the ant-lion watches his sandy labyrinth.
+
+"Fouguereau," he said to the porter, "I am not at home to any one who
+comes to see me. If any one calls to see madame, or brings her
+anything, ring twice. Bring all letters addressed here to me, no
+matter for whom they are intended."
+
+"Thus," thought he, as he entered his study, which was in the
+entresol, "I forestall the schemes of this Ferragus. If he sends some
+one to ask for me so as to find out if Clemence is alone, at least I
+shall not be tricked like a fool."
+
+He stood by the window of his study, which looked upon the street, and
+then a final scheme, inspired by jealousy, came into his mind. He
+resolved to send his head-clerk in his own carriage to the Bourse with
+a letter to another broker, explaining his sales and purchases and
+requesting him to do his business for that day. He postponed his more
+delicate transactions till the morrow, indifferent to the fall or rise
+of stocks or the debts of all Europe. High privilege of love!--it
+crushes all things, all interests fall before it: altar, throne,
+consols!
+
+At half-past three, just the hour at which the Bourse is in full blast
+of reports, monthly settlements, premiums, etc., Fouguereau entered
+the study, quite radiant with his news.
+
+"Monsieur, an old woman has come, but very cautiously; I think she's a
+sly one. She asked for monsieur, and seemed much annoyed when I told
+her he was out; then she gave me a letter for madame, and here it is."
+
+Fevered with anxiety, Jules opened the letter; then he dropped into a
+chair, exhausted. The letter was mere nonsense throughout, and needed
+a key. It was virtually in cipher.
+
+"Go away, Fouguereau." The porter left him. "It is a mystery deeper
+than the sea below the plummet line! Ah! it must be love; love only is
+so sagacious, so inventive as this. Ah! I shall kill her."
+
+At this moment an idea flashed through his brain with such force that
+he felt almost physically illuminated by it. In the days of his
+toilsome poverty before his marriage, Jules had made for himself a
+true friend. The extreme delicacy with which he had managed the
+susceptibilities of a man both poor and modest; the respect with which
+he had surrounded him; the ingenious cleverness he had employed to
+nobly compel him to share his opulence without permitting it to make
+him blush, increased their friendship. Jacquet continued faithful to
+Desmarets in spite of his wealth.
+
+Jacquet, a nobly upright man, a toiler, austere in his morals, had
+slowly made his way in that particular ministry which develops both
+honesty and knavery at the same time. A clerk in the ministry of
+Foreign Affairs, he had charge of the most delicate division of its
+archives. Jacquet in that office was like a glow-worm, casting his
+light upon those secret correspondences, deciphering and classifying
+despatches. Ranking higher than a mere _bourgeois_, his position at
+the ministry was superior to that of the other subalterns. He lived
+obscurely, glad to feel that such obscurity sheltered him from
+reverses and disappointments, and was satisfied to humbly pay in the
+lowest coin his debt to the country. Thanks to Jules, his position had
+been much ameliorated by a worthy marriage. An unrecognized patriot, a
+minister in actual fact, he contented himself with groaning in his
+chimney-corner at the course of the government. In his own home,
+Jacquet was an easy-going king,--an umbrella-man, as they say, who
+hired a carriage for his wife which he never entered himself. In
+short, to end this sketch of a philosopher unknown to himself, he had
+never suspected and never in all his life would suspect the advantages
+he might have drawn from his position,--that of having for his
+intimate friend a broker, and of knowing every morning all the secrets
+of the State. This man, sublime after the manner of that nameless
+soldier who died in saving Napoleon by a "qui vive," lived at the
+ministry.
+
+In ten minutes Jules was in his friend's office. Jacquet gave him a
+chair, laid aside methodically his green silk eye-shade, rubbed his
+hands, picked up his snuff-box, rose, stretched himself till his
+shoulder-blades cracked, swelled out his chest, and said:--
+
+"What brings you here, Monsieur Desmarets? What do you want with me?"
+
+"Jacquet, I want you to decipher a secret,--a secret of life and
+death."
+
+"It doesn't concern politics?"
+
+"If it did, I shouldn't come to you for information," said Jules. "No,
+it is a family matter, about which I require you to be absolutely
+silent."
+
+"Claude-Joseph Jacquet, dumb by profession. Don't you know me by this
+time?" he said, laughing. "Discretion is my lot."
+
+Jules showed him the letter.
+
+"You must read me this letter, addressed to my wife."
+
+"The deuce! the deuce! a bad business!" said Jacquet, examining the
+letter as a usurer examines a note to be negotiated. "Ha! that's a
+gridiron letter! Wait a minute."
+
+He left Jules alone for a moment, but returned immediately.
+
+"Easy enough to read, my friend! It is written on the gridiron plan,
+used by the Portuguese minister under Monsieur de Choiseul, at the
+time of the dismissal of the Jesuits. Here, see!"
+
+Jacquet placed upon the writing a piece of paper cut out in regular
+squares, like the paper laces which confectioners wrap round their
+sugarplums; and Jules then read with perfect ease the words that were
+visible in the interstices. They were as follows:--
+
+ "Don't be uneasy, my dear Clemence; our happiness cannot again be
+ troubled; and your husband will soon lay aside his suspicions.
+ However ill you may be, you must have the courage to come here
+ to-morrow; find strength in your love for me. Mine for you has
+ induced me to submit to a cruel operation, and I cannot leave my
+ bed. I have had the actual cautery applied to my back, and it was
+ necessary to burn it in a long time; you understand me? But I
+ thought of you, and I did not suffer.
+
+ "To baffle Maulincour (who will not persecute us much longer), I
+ have left the protecting roof of the embassy, and am now safe from
+ all inquiry in the rue des Enfants-Rouges, number 12, with an old
+ woman, Madame Etienne Gruget, mother of that Ida, who shall pay
+ dear for her folly. Come to-morrow, at nine in the morning. I am
+ in a room which is reached only by an interior staircase. Ask for
+ Monsieur Camuset. Adieu; I kiss your forehead, my darling."
+
+Jacquet looked at Jules with a sort of honest terror, the sign of a
+true compassion, as he made his favorite exclamation in two separate
+and distinct tones,--
+
+"The deuce! the deuce!"
+
+"That seems clear to you, doesn't it?" said Jules. "Well, in the
+depths of my heart there is a voice that pleads for my wife, and makes
+itself heard above the pangs of jealousy. I must endure the worst of
+all agony until to-morrow; but to-morrow, between nine and ten I shall
+know all; I shall be happy or wretched for all my life. Think of me
+then, Jacquet."
+
+"I shall be at your house to-morrow at eight o'clock. We will go
+together; I'll wait for you, if you like, in the street. You may run
+some danger, and you ought to have near you some devoted person who'll
+understand a mere sign, and whom you can safely trust. Count on me."
+
+"Even to help me in killing some one?"
+
+"The deuce! the deuce!" said Jacquet, repeating, as it were, the same
+musical note. "I have two children and a wife."
+
+Jules pressed his friend's hand and went away; but returned
+immediately.
+
+"I forgot the letter," he said. "But that's not all, I must reseal
+it."
+
+"The deuce! the deuce! you opened it without saving the seal; however,
+it is still possible to restore it. Leave it with me and I'll bring it
+to you _secundum scripturam_."
+
+"At what time?"
+
+"Half-past five."
+
+"If I am not yet in, give it to the porter and tell him to send it up
+to madame."
+
+"Do you want me to-morrow?"
+
+"No. Adieu."
+
+Jules drove at once to the place de la Rotonde du Temple, where he
+left his cabriolet and went on foot to the rue des Enfants-Rouges. He
+found the house of Madame Etienne Gruget and examined it. There, the
+mystery on which depended the fate of so many persons would be cleared
+up; there, at this moment, was Ferragus, and to Ferragus all the
+threads of this strange plot led. The Gordian knot of the drama,
+already so bloody, was surely in a meeting between Madame Jules, her
+husband, and that man; and a blade able to cut the closest of such
+knots would not be wanting.
+
+The house was one of those which belong to the class called
+_cabajoutis_. This significant name is given by the populace of Paris
+to houses which are built, as it were, piecemeal. They are nearly
+always composed of buildings originally separate but afterwards united
+according to the fancy of the various proprietors who successively
+enlarge them; or else they are houses begun, left unfinished, again
+built upon, and completed,--unfortunate structures which have passed,
+like certain peoples, under many dynasties of capricious masters.
+Neither the floors nor the windows have an _ensemble_,--to borrow one
+of the most picturesque terms of the art of painting; all is discord,
+even the external decoration. The _cabajoutis_ is to Parisian
+architecture what the _capharnaum_ is to the apartment,--a poke-hole,
+where the most heterogeneous articles are flung pell-mell.
+
+"Madame Etienne?" asked Jules of the portress.
+
+This portress had her lodge under the main entrance, in a sort
+of chicken coop, or wooden house on rollers, not unlike those
+sentry-boxes which the police have lately set up by the stands
+of hackney-coaches.
+
+"Hein?" said the portress, without laying down the stocking she was
+knitting.
+
+In Paris the various component parts which make up the physiognomy of
+any given portion of the monstrous city, are admirably in keeping with
+its general character. Thus porter, concierge, or Suisse, whatever
+name may be given to that essential muscle of the Parisian monster, is
+always in conformity with the neighborhood of which he is a part; in
+fact, he is often an epitome of it. The lazy porter of the faubourg
+Saint-Germain, with lace on every seam of his coat, dabbles in stocks;
+he of the Chaussee d'Antin takes his ease, reads the money-articles in
+the newspapers, and has a business of his own in the faubourg
+Montmartre. The portress in the quarter of prostitution was formerly a
+prostitute; in the Marais, she has morals, is cross-grained, and full
+of crotchets.
+
+On seeing Monsieur Jules this particular portress, holding her
+knitting in one hand, took a knife and stirred the half-extinguished
+peat in her foot-warmer; then she said:--
+
+"You want Madame Etienne; do you mean Madame Etienne Gruget?"
+
+"Yes," said Jules, assuming a vexed air.
+
+"Who makes trimmings?"
+
+"Yes."
+
+"Well, then, monsieur," she said, issuing from her cage, and laying
+her hand on Jules' arm and leading him to the end of a long
+passage-way, vaulted like a cellar, "go up the second staircase at
+the end of the court-yard--where you will see the windows with the
+pots of pinks; that's where Madame Etienne lives."
+
+"Thank you, madame. Do you think she is alone?"
+
+"Why shouldn't she be alone? she's a widow."
+
+Jules hastened up a dark stairway, the steps of which were knobby with
+hardened mud left by the feet of those who came and went. On the
+second floor he saw three doors but no signs of pinks. Fortunately, on
+one of the doors, the oiliest and darkest of the three, he read these
+words, chalked on a panel: "Ida will come to-night at nine o'clock."
+
+"This is the place," thought Jules.
+
+He pulled an old bellrope, black with age, and heard the smothered
+sound of a cracked bell and the barking of an asthmatic little dog. By
+the way the sounds echoed from the interior he knew that the rooms
+were encumbered with articles which left no space for reverberation,
+--a characteristic feature of the homes of workmen and humble
+households, where space and air are always lacking.
+
+Jules looked out mechanically for the pinks, and found them on the
+outer sill of a sash window between two filthy drain-pipes. So here
+were flowers; here, a garden, two yards long and six inches wide;
+here, a wheat-ear; here, a whole life epitomized; but here, too, all
+the miseries of that life. A ray of light falling from heaven as if by
+special favor on those puny flowers and the vigorous wheat-ear brought
+out in full relief the dust, the grease, and that nameless color,
+peculiar to Parisian squalor, made of dirt, which crusted and spotted
+the damp walls, the worm-eaten balusters, the disjointed
+window-casings, and the door originally red. Presently the cough of an
+old woman, and a heavy female step, shuffling painfully in list
+slippers, announced the coming of the mother of Ida Gruget. The
+creature opened the door and came out upon the landing, looked up, and
+said:--
+
+"Ah! is this Monsieur Bocquillon? Why, no? But perhaps you're his
+brother. What can I do for you? Come in, monsieur."
+
+Jules followed her into the first room, where he saw, huddled
+together, cages, household utensils, ovens, furniture, little
+earthenware dishes full of food or water for the dog and the cats, a
+wooden clock, bed-quilts, engravings of Eisen, heaps of old iron, all
+these things mingled and massed together in a way that produced a most
+grotesque effect,--a true Parisian dusthole, in which were not lacking
+a few old numbers of the "Constitutionel."
+
+Jules, impelled by a sense of prudence, paid no attention to the
+widow's invitation when she said civilly, showing him an inner room:--
+
+"Come in here, monsieur, and warm yourself."
+
+Fearing to be overheard by Ferragus, Jules asked himself whether it
+were not wisest to conclude the arrangement he had come to make with
+the old woman in the crowded antechamber. A hen, which descended
+cackling from a loft, roused him from this inward meditation. He came
+to a resolution, and followed Ida's mother into the inner room,
+whither they were accompanied by the wheezy pug, a personage otherwise
+mute, who jumped upon a stool. Madame Gruget showed the assumption of
+semi-pauperism when she invited her visitor to warm himself. Her
+fire-pot contained, or rather concealed two bits of sticks, which lay
+apart: the grating was on the ground, its handle in the ashes. The
+mantel-shelf, adorned with a little wax Jesus under a shade of squares
+of glass held together with blue paper, was piled with wools, bobbins,
+and tools used in the making of gimps and trimmings. Jules examined
+everything in the room with a curiosity that was full of interest, and
+showed, in spite of himself, an inward satisfaction.
+
+"Well, monsieur, tell me, do you want to buy any of my things?" said
+the old woman, seating herself in a cane arm-chair, which appeared to
+be her headquarters. In it she kept her handkerchief, snuffbox,
+knitting, half-peeled vegetables, spectacles, calendar, a bit of
+livery gold lace just begun, a greasy pack of cards, and two volumes
+of novels, all stuck into the hollow of the back. This article of
+furniture, in which the old creature was floating down the river of
+life, was not unlike the encyclopedic bag which a woman carries with
+her when she travels; in which may be found a compendium of her
+household belongings, from the portrait of her husband to _eau de
+Melisse_ for faintness, sugarplums for the children, and English
+court-plaster in case of cuts.
+
+Jules studied all. He looked attentively at Madame Gruget's yellow
+visage, at her gray eyes without either brows or lashes, her toothless
+mouth, her wrinkles marked in black, her rusty cap, her still more
+rusty ruffles, her cotton petticoat full of holes, her worn-out
+slippers, her disabled fire-pot, her table heaped with dishes and
+silks and work begun or finished, in wool or cotton, in the midst of
+which stood a bottle of wine. Then he said to himself: "This old woman
+has some passion, some strong liking or vice; I can make her do my
+will."
+
+"Madame," he said aloud, with a private sign of intelligence, "I have
+come to order some livery trimmings." Then he lowered his voice. "I
+know," he continued, "that you have a lodger who has taken the name of
+Camuset." The old woman looked at him suddenly, but without any sign
+of astonishment. "Now, tell me, can we come to an understanding? This
+is a question which means fortune for you."
+
+"Monsieur," she replied, "speak out, and don't be afraid. There's no
+one here. But if I had any one above, it would be impossible for him
+to hear you."
+
+"Ha! the sly old creature, she answers like a Norman," thought Jules,
+"We shall agree. Do not give yourself the trouble to tell falsehoods,
+madame," he resumed, "In the first place, let me tell you that I mean
+no harm either to you or to your lodger who is suffering from cautery,
+or to your daughter Ida, a stay-maker, the friend of Ferragus. You
+see, I know all your affairs. Do not be uneasy; I am not a detective
+policeman, nor do I desire anything that can hurt your conscience. A
+young lady will come here to-morrow-morning at half-past nine o'clock,
+to talk with this lover of your daughter. I want to be where I can see
+all and hear all, without being seen or heard by them. If you will
+furnish me with the means of doing so, I will reward that service with
+the gift of two thousand francs and a yearly stipend of six hundred.
+My notary shall prepare a deed before you this evening, and I will
+give him the money to hold; he will pay the two thousand to you
+to-morrow after the conference at which I desire to be present, as you
+will then have given proofs of your good faith."
+
+"Will it injure my daughter, my good monsieur?" she asked, casting a
+cat-like glance of doubt and uneasiness upon him.
+
+"In no way, madame. But, in any case, it seems to me that your
+daughter does not treat you well. A girl who is loved by so rich a man
+as Ferragus ought to make you more comfortable than you seem to be."
+
+"Ah, my dear monsieur, just think, not so much as one poor ticket to
+the Ambigu, or the Gaiete, where she can go as much as she likes. It's
+shameful! A girl for whom I sold my silver forks and spoons! and now I
+eat, at my age, with German metal,--and all to pay for her
+apprenticeship, and give her a trade, where she could coin money if
+she chose. As for that, she's like me, clever as a witch; I must do
+her that justice. But, I will say, she might give me her old silk
+gowns,--I, who am so fond of wearing silk. But no! Monsieur, she dines
+at the Cadran-Bleu at fifty francs a head, and rolls in her carriage
+as if she were a princess, and despises her mother for a Colin-Lampon.
+Heavens and earth! what heedless young ones we've brought into the
+world; we have nothing to boast of there. A mother, monsieur, can't be
+anything else but a good mother; and I've concealed that girl's ways,
+and kept her in my bosom, to take the bread out of my mouth and cram
+everything into her own. Well, well! and now she comes and fondles one
+a little, and says, 'How d'ye do, mother?' And that's all the duty she
+thinks of paying. But she'll have children one of these days, and then
+she'll find out what it is to have such baggage,--which one can't help
+loving all the same."
+
+"Do you mean that she does nothing for you?"
+
+"Ah, nothing? No, monsieur, I didn't say that; if she did nothing,
+that would be a little too much. She gives me my rent and thirty-six
+francs a month. But, monsieur, at my age,--and I'm fifty-two years
+old, with eyes that feel the strain at night,--ought I to be working
+in this way? Besides, why won't she have me to live with her? I should
+shame her, should I? Then let her say so. Faith, one ought to be
+buried out of the way of such dogs of children, who forget you before
+they've even shut the door."
+
+She pulled her handkerchief from her pocket, and with it a lottery
+ticket that dropped on the floor; but she hastily picked it up,
+saying, "Hi! that's the receipt for my taxes."
+
+Jules at once perceived the reason of the sagacious parsimony of which
+the mother complained; and he was the more certain that the widow
+Gruget would agree to the proposed bargain.
+
+"Well, then, madame," he said, "accept what I offer you."
+
+"Did you say two thousand francs in ready money, and six hundred
+annuity, monsieur?"
+
+"Madame, I've changed my mind; I will promise you only three hundred
+annuity. This way seems more to my own interests. But I will give you
+five thousand francs in ready money. Wouldn't you like that as well?"
+
+"Bless me, yes, monsieur!"
+
+"You'll get more comfort out of it; and you can go to the Ambigu and
+Franconi's at your ease in a coach."
+
+"As for Franconi, I don't like that, for they don't talk there.
+Monsieur, if I accept, it is because it will be very advantageous for
+my child. I sha'n't be a drag on her any longer. Poor little thing!
+I'm glad she has her pleasures, after all. Ah, monsieur, youth must be
+amused! And so, if you assure me that no harm will come to anybody--"
+
+"Not to anybody," replied Jules. "But now, how will you manage it?"
+
+"Well, monsieur, if I give Monsieur Ferragus a little tea made of
+poppy-heads to-night, he'll sleep sound, the dear man; and he needs
+it, too, because of his sufferings, for he does suffer, I can tell
+you, and more's the pity. But I'd like to know what a healthy man like
+him wants to burn his back for, just to get rid of a tic douleureux
+which troubles him once in two years. However, to come back to our
+business. I have my neighbor's key; her lodging is just above mine,
+and in it there's a room adjoining the one where Monsieur Ferragus is,
+with only a partition between them. My neighbor is away in the country
+for ten days. Therefore, if I make a hole to-night while Monsieur
+Ferragus is sound asleep, you can see and hear them to-morrow at your
+ease. I'm on good terms with a locksmith,--a very friendly man, who
+talks like an angel, and he'll do the work for me and say nothing
+about it."
+
+"Then here's a hundred francs for him. Come to-night to Monsieur
+Desmaret's office; he's a notary, and here's his address. At nine
+o'clock the deed will be ready, but--silence!"
+
+"Enough, monsieur; as you say--silence! Au revoir, monsieur."
+
+Jules went home, almost calmed by the certainty that he should know
+the truth on the morrow. As he entered the house, the porter gave him
+the letter properly resealed.
+
+"How do you feel now?" he said to his wife, in spite of the coldness
+that separated them.
+
+"Pretty well, Jules," she answered in a coaxing voice, "do come and
+dine beside me."
+
+"Very good," he said, giving her the letter. "Here is something
+Fouguereau gave me for you."
+
+Clemence, who was very pale, colored high when she saw the letter, and
+that sudden redness was a fresh blow to her husband.
+
+"Is that joy," he said, laughing, "or the effect of expectation?"
+
+"Oh, of many things!" she said, examining the seal.
+
+"I leave you now for a few moments."
+
+He went down to his study, and wrote to his brother, giving him
+directions about the payment to the widow Gruget. When he returned, he
+found his dinner served on a little table by his wife's bedside, and
+Josephine ready to wait on him.
+
+"If I were up how I should like to serve you myself," said Clemence,
+when Josephine had left them. "Oh, yes, on my knees!" she added,
+passing her white hands through her husband's hair. "Dear, noble
+heart, you were very kind and gracious to me just now. You did me more
+good by showing me such confidence than all the doctors on earth could
+do me with their prescriptions. That feminine delicacy of yours--for
+you do know how to love like a woman--well, it has shed a balm into my
+heart which has almost cured me. There's truce between us, Jules;
+lower your head, that I may kiss it."
+
+Jules could not deny himself the pleasure of that embrace. But it was
+not without a feeling of remorse in his heart; he felt himself small
+before this woman whom he was still tempted to think innocent. A sort
+of melancholy joy possessed him. A tender hope shone on her features
+in spite of their grieved expression. They both were equally unhappy
+in deceiving each other; another caress, and, unable to resist their
+suffering, all would then have been avowed.
+
+"To-morrow evening, Clemence."
+
+"No, no; to-morrow morning, by twelve o'clock, you will know all, and
+you'll kneel down before your wife--Oh, no! you shall not be
+humiliated; you are all forgiven now; you have done no wrong. Listen,
+Jules; yesterday you did crush me--harshly; but perhaps my life would
+not have been complete without that agony; it may be a shadow that
+will make our coming days celestial."
+
+"You lay a spell upon me," cried Jules; "you fill me with remorse."
+
+"Poor love! destiny is stronger than we, and I am not the accomplice
+of mine. I shall go out to-morrow."
+
+"At what hour?" asked Jules.
+
+"At half-past nine."
+
+"Clemence," he said, "take every precaution; consult Doctor Desplein
+and old Haudry."
+
+"I shall consult nothing but my heart and my courage."
+
+"I shall leave you free; you will not see me till twelve o'clock."
+
+"Won't you keep me company this evening? I feel so much better."
+
+After attending to some business, Jules returned to his wife,
+--recalled by her invincible attraction. His passion was stronger
+than his anguish.
+
+The next day, at nine o'clock Jules left home, hurried to the rue des
+Enfants-Rouges, went upstairs, and rang the bell of the widow Gruget's
+lodgings.
+
+"Ah! you've kept your word, as true as the dawn. Come in, monsieur,"
+said the old woman when she saw him. "I've made you a cup of coffee
+with cream," she added, when the door was closed. "Oh! real cream; I
+saw it milked myself at the dairy we have in this very street."
+
+"Thank you, no, madame, nothing. Take me at once--"
+
+"Very good, monsieur. Follow me, this way."
+
+She led him up into the room above her own, where she showed him,
+triumphantly, an opening about the size of a two-franc piece, made
+during the night, in a place, which, in each room, was above a
+wardrobe. In order to look through it, Jules was forced to maintain
+himself in rather a fatiguing attitude, by standing on a step-ladder
+which the widow had been careful to place there.
+
+"There's a gentleman with him," she whispered, as she retired.
+
+Jules then beheld a man employed in dressing a number of wounds on the
+shoulders of Ferragus, whose head he recognized from the description
+given to him by Monsieur de Maulincour.
+
+"When do you think those wounds will heal?" asked Ferragus.
+
+"I don't know," said the other man. "The doctors say those wounds will
+require seven or eight more dressings."
+
+"Well, then, good-bye until to-night," said Ferragus, holding out his
+hand to the man, who had just replaced the bandage.
+
+"Yes, to-night," said the other, pressing his hand cordially. "I wish
+I could see you past your sufferings."
+
+"To-morrow Monsieur de Funcal's papers will be delivered to us, and
+Henri Bourignard will be dead forever," said Ferragus. "Those fatal
+marks which have cost us so dear no longer exist. I shall become once
+more a social being, a man among men, and more of a man than the
+sailor whom the fishes are eating. God knows it is not for my own sake
+I have made myself a Portuguese count!"
+
+"Poor Gratien!--you, the wisest of us all, our beloved brother, the
+Benjamin of the band; as you very well know."
+
+"Adieu; keep an eye on Maulincour."
+
+"You can rest easy on that score."
+
+"Ho! stay, marquis," cried the convict.
+
+"What is it?"
+
+"Ida is capable of everything after the scene of last night. If she
+should throw herself into the river, I would not fish her out. She
+knows the secret of my name, and she'll keep it better there. But
+still, look after her; for she is, in her way, a good girl."
+
+"Very well."
+
+The stranger departed. Ten minutes later Jules heard, with a feverish
+shudder, the rustle of a silk gown, and almost recognized by their
+sound the steps of his wife.
+
+"Well, father," said Clemence, "my poor father, are you better? What
+courage you have shown!"
+
+"Come here, my child," replied Ferragus, holding out his hand to her.
+
+Clemence held her forehead to him and he kissed it.
+
+"Now tell me, what is the matter, my little girl? What are these new
+troubles?"
+
+"Troubles, father! it concerns the life or death of the daughter you
+have loved so much. Indeed you must, as I wrote you yesterday, you
+_must_ find a way to see my poor Jules to-day. If you knew how good he
+has been to me, in spite of all suspicions apparently so legitimate.
+Father, my love is my very life. Would you see me die? Ah! I have
+suffered so much that my life, I feel it! is in danger."
+
+"And all because of the curiosity of that miserable Parisian?" cried
+Ferragus. "I'd burn Paris down if I lost you, my daughter. Ha! you may
+know what a lover is, but you don't yet know what a father can do."
+
+"Father, you frighten me when you look at me in that way. Don't weigh
+such different feelings in the same scales. I had a husband before I
+knew that my father was living--"
+
+"If your husband was the first to lay kisses on your forehead, I was
+the first to drop tears upon it," replied Ferragus. "But don't feel
+frightened, Clemence, speak to me frankly. I love you enough to
+rejoice in the knowledge that you are happy, though I, your father,
+may have little place in your heart, while you fill the whole of
+mine."
+
+"Ah! what good such words do me! You make me love you more and more,
+though I seem to rob something from my Jules. But, my kind father,
+think what his sufferings are. What may I tell him to-day?"
+
+"My child, do you think I waited for your letter to save you from this
+threatened danger? Do you know what will become of those who venture
+to touch your happiness, or come between us? Have you never been aware
+that a second providence was guarding your life? Twelve men of power
+and intellect form a phalanx round your love and your existence,
+--ready to do all things to protect you. Think of your father, who has
+risked death to meet you in the public promenades, or see you asleep
+in your little bed in your mother's home, during the night-time. Could
+such a father, to whom your innocent caresses give strength to live
+when a man of honor ought to have died to escape his infamy, could
+_I_, in short, I who breathe through your lips, and see with your
+eyes, and feel with your heart, could I fail to defend with the claws
+of a lion and the soul of a father, my only blessing, my life, my
+daughter? Since the death of that angel, your mother, I have dreamed
+but of one thing,--the happiness of pressing you to my heart in the
+face of the whole earth, of burying the convict,--" He paused a
+moment, and then added: "--of giving you a father, a father who could
+press without shame your husband's hand, who could live without fear
+in both your hearts, who could say to all the world, 'This is my
+daughter,'--in short, to be a happy father."
+
+"Oh, father! father!"
+
+"After infinite difficulty, after searching the whole globe,"
+continued Ferragus, "my friends have found me the skin of a dead man
+in which to take my place once more in social life. A few days hence,
+I shall be Monsieur de Funcal, a Portuguese count. Ah! my dear child,
+there are few men of my age who would have had the patience to learn
+Portuguese and English, which were spoken fluently by that devil of a
+sailor, who was drowned at sea."
+
+"But, my dear father--"
+
+"All has been foreseen, and prepared. A few days hence, his Majesty
+John VI., King of Portugal will be my accomplice. My child, you must
+have a little patience where your father has had so much. But ah! what
+would I not do to reward your devotion for the last three years,
+--coming religiously to comfort your old father, at the risk of your
+own peace!"
+
+"Father!" cried Clemence, taking his hands and kissing them.
+
+"Come, my child, have courage still; keep my fatal secret a few days
+longer, till the end is reached. Jules is not an ordinary man, I know;
+but are we sure that his lofty character and his noble love may not
+impel him to dislike the daughter of a--"
+
+"Oh!" cried Clemence, "you have read my heart; I have no other fear
+than that. The very thought turns me to ice," she added, in a
+heart-rending tone. "But, father, think that I have promised him the
+truth in two hours."
+
+"If so, my daughter, tell him to go to the Portuguese embassy and see
+the Comte de Funcal, your father. I will be there."
+
+"But Monsieur de Maulincour has told him of Ferragus. Oh, father, what
+torture, to deceive, deceive, deceive!"
+
+"Need you say that to me? But only a few days more, and no living man
+will be able to expose me. Besides, Monsieur de Maulincour is beyond
+the faculty of remembering. Come, dry your tears, my silly child, and
+think--"
+
+At this instant a terrible cry rang from the room in which Jules
+Desmarets was stationed.
+
+The clamor was heard by Madame Jules and Ferragus through the opening
+of the wall, and struck them with terror.
+
+"Go and see what it means, Clemence," said her father.
+
+Clemence ran rapidly down the little staircase, found the door into
+Madame Gruget's apartment wide open, heard the cries which echoed from
+the upper floor, went up the stairs, guided by the noise of sobs, and
+caught these words before she entered the fatal chamber:--
+
+"You, monsieur, you, with your horrid inventions,--you are the cause
+of her death!"
+
+"Hush, miserable woman!" replied Jules, putting his handkerchief on
+the mouth of the old woman, who began at once to cry out, "Murder!
+help!"
+
+At this instant Clemence entered, saw her husband, uttered a cry, and
+fled away.
+
+"Who will save my child?" cried the widow Gruget. "You have murdered
+her."
+
+"How?" asked Jules, mechanically, for he was horror-struck at being
+seen by his wife.
+
+"Read that," said the old woman, giving him a letter. "Can money or
+annuities console me for that?"
+
+
+ Farewell, mother! I bequeeth you what I have. I beg your pardon
+ for my forlts, and the last greef to which I put you by ending my
+ life in the river. Henry, who I love more than myself, says I have
+ made his misfortune, and as he has drifen me away, and I have lost
+ all my hops of merrying him, I am going to droun myself. I shall
+ go abov Neuilly, so that they can't put me in the Morg. If Henry
+ does not hate me anny more after I am ded, ask him to berry a pore
+ girl whose hart beet for him only, and to forgif me, for I did
+ rong to meddle in what didn't consern me. Tak care of his wounds.
+ How much he sufered, pore fellow! I shall have as much corage to
+ kill myself as he had to burn his bak. Carry home the corsets I
+ have finished. And pray God for your daughter.
+
+Ida.
+
+
+"Take this letter to Monsieur de Funcal, who is upstairs," said Jules.
+"He alone can save your daughter, if there is still time."
+
+So saying he disappeared, running like a man who has committed a
+crime. His legs trembled. The hot blood poured into his swelling heart
+in torrents greater than at any other moment of his life, and left it
+again with untold violence. Conflicting thoughts struggled in his
+mind, and yet one thought predominated,--he had not been loyal to the
+being he loved most. It was impossible for him to argue with his
+conscience, whose voice, rising high with conviction, came like an
+echo of those inward cries of his love during the cruel hours of doubt
+he had lately lived through.
+
+He spent the greater part of the day wandering about Paris, for he
+dared not go home. This man of integrity and honor feared to meet the
+spotless brow of the woman he had misjudged. We estimate wrongdoing in
+proportion to the purity of our conscience; the deed which is scarcely
+a fault in some hearts, takes the proportions of a crime in certain
+unsullied souls. The slightest stain on the white garment of a virgin
+makes it a thing ignoble as the rags of a mendicant. Between the two
+the difference lies in the misfortune of the one, the wrong-doing of
+the other. God never measures repentance; he never apportions it. As
+much is needed to efface a spot as to obliterate the crimes of a
+lifetime. These reflections fell with all their weight on Jules;
+passions, like human laws, will not pardon, and their reasoning is
+more just; for are they not based upon a conscience of their own as
+infallible as an instinct?
+
+Jules finally came home pale, despondent, crushed beneath a sense of
+his wrong-doing, and yet expressing in spite of himself the joy his
+wife's innocence had given him. He entered her room all throbbing with
+emotion; she was in bed with a high fever. He took her hand, kissed
+it, and covered it with tears.
+
+"Dear angel," he said, when they were alone, "it is repentance."
+
+"And for what?" she answered.
+
+As she made that reply, she laid her head back upon the pillow, closed
+her eyes, and remained motionless, keeping the secret of her
+sufferings that she might not frighten her husband,--the tenderness of
+a mother, the delicacy of an angel! All the woman was in her answer.
+
+The silence lasted long. Jules, thinking her asleep, went to question
+Josephine as to her mistress's condition.
+
+"Madame came home half-dead, monsieur. We sent at once for Monsieur
+Haudry."
+
+"Did he come? What did he say?"
+
+"He said nothing, monsieur. He did not seem satisfied; gave orders
+that no one should go near madame except the nurse, and said he should
+come back this evening."
+
+Jules returned softly to his wife's room and sat down in a chair
+before the bed. There he remained, motionless, with his eyes fixed on
+those of Clemence. When she raised her eyelids she saw him, and
+through those lids passed a tender glance, full of passionate love,
+free from reproach and bitterness,--a look which fell like a flame of
+fire upon the heart of that husband, nobly absolved and forever loved
+by the being whom he had killed. The presentiment of death struck both
+their minds with equal force. Their looks were blended in one anguish,
+as their hearts had long been blended in one love, felt equally by
+both, and shared equally. No questions were uttered; a horrible
+certainty was there,--in the wife an absolute generosity; in the
+husband an awful remorse; then, in both souls the same vision of the
+end, the same conviction of fatality.
+
+There came a moment when, thinking his wife asleep, Jules kissed her
+softly on the forehead; then after long contemplation of that
+cherished face, he said:--
+
+"Oh God! leave me this angel still a little while that I may blot out
+my wrong by love and adoration. As a daughter, she is sublime; as a
+wife, what word can express her?"
+
+Clemence raised her eyes; they were full of tears.
+
+"You pain me," she said, in a feeble voice.
+
+It was getting late; Doctor Haudry came, and requested the husband to
+withdraw during his visit. When the doctor left the sick-room Jules
+asked him no question; one gesture was enough.
+
+"Call in consultation any physician in whom you place confidence; I
+may be wrong."
+
+"Doctor, tell me the truth. I am a man, and I can bear it. Besides, I
+have the deepest interest in knowing it; I have certain affairs to
+settle."
+
+"Madame Jules is dying," said the physician. "There is some moral
+malady which has made great progress, and it has complicated her
+physical condition, which was already dangerous, and made still more
+so by her great imprudence. To walk about barefooted at night! to go
+out when I forbade it! on foot yesterday in the rain, to-day in a
+carriage! She must have meant to kill herself. But still, my judgment
+is not final; she has youth, and a most amazing nervous strength. It
+may be best to risk all to win all by employing some violent reagent.
+But I will not take upon myself to order it; nor will I advise it; in
+consultation I shall oppose it."
+
+Jules returned to his wife. For eleven days and eleven nights he
+remained beside her bed, taking no sleep during the day when he laid
+his head upon the foot of the bed. No man ever pushed the jealousy of
+care and the craving for devotion to such an extreme as he. He could
+not endure that the slightest service should be done by others for his
+wife. There were days of uncertainty, false hopes, now a little
+better, then a crisis,--in short, all the horrible mutations of death
+as it wavers, hesitates, and finally strikes. Madame Jules always
+found strength to smile at her husband. She pitied him, knowing that
+soon he would be alone. It was a double death,--that of life, that of
+love; but life grew feebler, and love grew mightier. One frightful
+night there was, when Clemence passed through that delirium which
+precedes the death of youth. She talked of her happy love, she talked
+of her father; she related her mother's revelations on her death-bed,
+and the obligations that mother had laid upon her. She struggled, not
+for life, but for her love which she could not leave.
+
+"Grant, O God!" she said, "that he may not know I want him to die with
+me."
+
+Jules, unable to bear the scene, was at that moment in the adjoining
+room, and did not hear the prayer, which he would doubtless have
+fulfilled.
+
+When this crisis was over, Madame Jules recovered some strength. The
+next day she was beautiful and tranquil; hope seemed to come to her;
+she adorned herself, as the dying often do. Then she asked to be alone
+all day, and sent away her husband with one of those entreaties made
+so earnestly that they are granted as we grant the prayer of a little
+child.
+
+Jules, indeed, had need of this day. He went to Monsieur de Maulincour
+to demand the satisfaction agreed upon between them. It was not
+without great difficulty that he succeeded in reaching the presence of
+the author of these misfortunes; but the vidame, when he learned that
+the visit related to an affair of honor, obeyed the precepts of his
+whole life, and himself took Jules into the baron's chamber.
+
+Monsieur Desmarets looked about him in search of his antagonist.
+
+"Yes! that is really he," said the vidame, motioning to a man who was
+sitting in an arm-chair beside the fire.
+
+"Who is it? Jules?" said the dying man in a broken voice.
+
+Auguste had lost the only faculty that makes us live--memory. Jules
+Desmarets recoiled with horror at this sight. He could not even
+recognize the elegant young man in that thing without--as Bossuet
+said--a name in any language. It was, in truth, a corpse with whitened
+hair, its bones scarce covered with a wrinkled, blighted, withered
+skin,--a corpse with white eyes motionless, mouth hideously gaping,
+like those of idiots or vicious men killed by excesses. No trace of
+intelligence remained upon that brow, nor in any feature; nor was
+there in that flabby flesh either color or the faintest appearance of
+circulating blood. Here was a shrunken, withered creature brought to
+the state of those monsters we see preserved in museums, floating in
+alchohol. Jules fancied that he saw above that face the terrible head
+of Ferragus, and his own anger was silenced by such a vengeance. The
+husband found pity in his heart for the vacant wreck of what was once
+a man.
+
+"The duel has taken place," said the vidame.
+
+"But he has killed many," answered Jules, sorrowfully.
+
+"And many dear ones," added the old man. "His grandmother is dying;
+and I shall follow her soon into the grave."
+
+On the morrow of this day, Madame Jules grew worse from hour to hour.
+She used a moment's strength to take a letter from beneath her pillow,
+and gave it eagerly to her husband with a sign that was easy to
+understand,--she wished to give him, in a kiss, her last breath. He
+took it, and she died. Jules fell half-dead himself and was taken to
+his brother's house. There, as he deplored in tears his absence of the
+day before, his brother told him that this separation was eagerly
+desired by Clemence, who wished to spare him the sight of the
+religious paraphernalia, so terrible to tender imaginations, which the
+Church displays when conferring the last sacraments upon the dying.
+
+"You could not have borne it," said his brother. "I could hardly bear
+the sight myself, and all the servants wept. Clemence was like a
+saint. She gathered strength to bid us all good-bye, and that voice,
+heard for the last time, rent our hearts. When she asked pardon for
+the pain she might unwillingly have caused her servants, there were
+cries and sobs and--"
+
+"Enough! enough!" said Jules.
+
+He wanted to be alone, that he might read the last words of the woman
+whom all had loved, and who had passed away like a flower.
+
+
+ "My beloved, this is my last will. Why should we not make wills
+ for the treasures of our hearts, as for our worldly property? Was
+ not my love my property, my all? I mean here to dispose of my
+ love: it was the only fortune of your Clemence, and it is all that
+ she can leave you in dying. Jules, you love me still, and I die
+ happy. The doctors may explain my death as they think best; I
+ alone know the true cause. I shall tell it to you, whatever pain
+ it may cause you. I cannot carry with me, in a heart all yours, a
+ secret which you do not share, although I die the victim of an
+ enforced silence.
+
+ "Jules, I was nurtured and brought up in the deepest solitude, far
+ from the vices and the falsehoods of the world, by the loving
+ woman whom you knew. Society did justice to her conventional
+ charm, for that is what pleases society; but I knew secretly her
+ precious soul, I could cherish the mother who made my childhood a
+ joy without bitterness, and I knew why I cherished her. Was not
+ that to love doubly? Yes, I loved her, I feared her, I respected
+ her; yet nothing oppressed my heart, neither fear nor respect. I
+ was all in all to her; she was all in all to me. For nineteen
+ happy years, without a care, my soul, solitary amid the world
+ which muttered round me, reflected only her pure image; my heart
+ beat for her and through her. I was scrupulously pious; I found
+ pleasure in being innocent before God. My mother cultivated all
+ noble and self-respecting sentiments in me. Ah! it gives me
+ happiness to tell you, Jules, that I now know I was indeed a young
+ girl, and that I came to you virgin in heart.
+
+ "When I left that absolute solitude, when, for the first time, I
+ braided my hair and crowned it with almond blossoms, when I added,
+ with delight, a few satin knots to my white dress, thinking of the
+ world I was to see, and which I was curious to see--Jules, that
+ innocent and modest coquetry was done for you! Yes, as I entered
+ the world, I saw _you_ first of all. Your face, I remarked it; it
+ stood out from the rest; your person pleased me; your voice, your
+ manners all inspired me with pleasant presentiments. When you came
+ up, when you spoke to me, the color on your forehead, the tremble
+ in your voice,--that moment gave me memories with which I throb as
+ I now write to you, as I now, for the last time, think of them.
+ Our love was at first the keenest of sympathies, but it was soon
+ discovered by each of us and then, as speedily, shared; just as,
+ in after times, we have both equally felt and shared innumerable
+ happinesses. From that moment my mother was only second in my
+ heart. Next, I was yours, all yours. There is my life, and all my
+ life, dear husband.
+
+ "And here is what remains for me to tell you. One evening, a few
+ days before my mother's death, she revealed to me the secret of
+ her life,--not without burning tears. I have loved you better
+ since the day I learned from the priest as he absolved my mother
+ that there are passions condemned by the world and by the Church.
+ But surely God will not be severe when they are the sins of souls
+ as tender as that of my mother; only, that dear woman could never
+ bring herself to repent. She loved much, Jules; she was all love.
+ So I have prayed daily for her, but never judged her.
+
+ "That night I learned the cause of her deep maternal tenderness;
+ then I also learned that there was in Paris a man whose life and
+ whose love centred on me; that your fortune was his doing, and
+ that he loved you. I learned also that he was exiled from society
+ and bore a tarnished name; but that he was more unhappy for me,
+ for us, than for himself. My mother was all his comfort; she was
+ dying, and I promised to take her place. With all the ardor of a
+ soul whose feelings had never been perverted, I saw only the
+ happiness of softening the bitterness of my mother's last moments,
+ and I pledged myself to continue her work of secret charity,--the
+ charity of the heart. The first time that I saw my father was
+ beside the bed where my mother had just expired. When he raised
+ his tearful eyes, it was to see in me a revival of his dead hopes.
+ I had sworn, not to tell a lie, but to keep silence; and that
+ silence what woman could have broken it?
+
+ "There is my fault, Jules,--a fault which I expiate by death. I
+ doubted you. But fear is so natural to a woman; above all, a woman
+ who knows what it is that she may lose. I trembled for our love.
+ My father's secret seemed to me the death of my happiness; and the
+ more I loved, the more I feared. I dared not avow this feeling to
+ my father; it would have wounded him, and in his situation a wound
+ was agony. But, without a word from me, he shared my fears. That
+ fatherly heart trembled for my happiness as much as I trembled for
+ myself; but it dared not speak, obeying the same delicacy that
+ kept me mute. Yes, Jules, I believed that you could not love the
+ daughter of Gratien Bourignard as you loved your Clemence. Without
+ that terror could I have kept back anything from you,--you who
+ live in every fold of my heart?
+
+ "The day when that odious, unfortunate young officer spoke to you,
+ I was forced to lie. That day, for the second time in my life, I
+ knew what pain was; that pain has steadily increased until this
+ moment, when I speak with you for the last time. What matters now
+ my father's position? You know all. I could, by the help of my
+ love, have conquered my illness and borne its sufferings; but I
+ cannot stifle the voice of doubt. Is it not probable that my
+ origin would affect the purity of your love and weaken it,
+ diminish it? That fear nothing has been able to quench in me.
+ There, Jules, is the cause of my death. I cannot live fearing a
+ word, a look,--a word you may never say, a look you may never
+ give; but, I cannot help it, I fear them. I die beloved; there is
+ my consolation.
+
+ "I have known, for the last three years, that my father and his
+ friends have well-nigh moved the world to deceive the world. That
+ I might have a station in life, they have bought a dead man, a
+ reputation, a fortune, so that a living man might live again,
+ restored; and all this for you, for us. We were never to have
+ known of it. Well, my death will save my father from that
+ falsehood, for he will not survive me.
+
+ "Farewell, Jules, my heart is all here. To show you my love in its
+ agony of fear, is not that bequeathing my whole soul to you? I
+ could never have the strength to speak to you; I have only enough
+ to write. I have just confessed to God the sins of my life. I have
+ promised to fill my mind with the King of Heaven only; but I must
+ confess to him who is, for me, the whole of earth. Alas! shall I
+ not be pardoned for this last sigh between the life that was and
+ the life that shall be? Farewell, my Jules, my loved one! I go to
+ God, with whom is Love without a cloud, to whom you will follow
+ me. There, before his throne, united forever, we may love each
+ other throughout the ages. This hope alone can comfort me. If I am
+ worthy of being there at once, I will follow you through life. My
+ soul shall bear your company; it will wrap you about, for _you_
+ must stay here still,--ah! here below. Lead a holy life that you
+ may the more surely come to me. You can do such good upon this
+ earth! Is it not an angel's mission for the suffering soul to shed
+ happiness about him,--to give to others that which he has not? I
+ bequeath you to the Unhappy. Their smiles, their tears, are the
+ only ones of which I cannot be jealous. We shall find a charm in
+ sweet beneficence. Can we not live together still if you would
+ join my name--your Clemence--in these good works?
+
+ "After loving as we have loved, there is naught but God, Jules.
+ God does not lie; God never betrays. Adore him only, I charge you!
+ Lead those who suffer up to him; comfort the sorrowing members of
+ his Church. Farewell, dear soul that I have filled! I know you;
+ you will never love again. I may die happy in the thought that
+ makes all women happy. Yes, my grave will be your heart. After
+ this childhood I have just related, has not my life flowed on
+ within that heart? Dead, you will never drive me forth. I am proud
+ of that rare life! You will know me only in the flower of my
+ youth; I leave you regrets without disillusions. Jules, it is a
+ happy death.
+
+ "You, who have so fully understood me, may I ask one thing more of
+ you,--superfluous request, perhaps, the fulfilment of a woman's
+ fancy, the prayer of a jealousy we all must feel,--I pray you to
+ burn all that especially belonged to _us_, destroy our chamber,
+ annihilate all that is a memory of our happiness.
+
+ "Once more, farewell,--the last farewell! It is all love, and so
+ will be my parting thought, my parting breath."
+
+
+When Jules had read that letter there came into his heart one of those
+wild frenzies of which it is impossible to describe the awful anguish.
+All sorrows are individual; their effects are not subjected to any
+fixed rule. Certain men will stop their ears to hear nothing; some
+women close their eyes hoping never to see again; great and splendid
+souls are met with who fling themselves into sorrow as into an abyss.
+In the matter of despair, all is true.
+
+
+
+ CHAPTER V
+
+ CONCLUSION
+
+
+Jules escaped from his brother's house and returned home, wishing to
+pass the night beside his wife, and see till the last moment that
+celestial creature. As he walked along with an indifference to life
+known only to those who have reached the last degree of wretchedness,
+he thought of how, in India, the law ordained that widows should die;
+he longed to die. He was not yet crushed; the fever of his grief was
+still upon him. He reached his home and went up into the sacred
+chamber; he saw his Clemence on the bed of death, beautiful, like a
+saint, her hair smoothly laid upon her forehead, her hands joined, her
+body wrapped already in its shroud. Tapers were lighted, a priest was
+praying, Josephine kneeling in a corner, wept, and, near the bed, were
+two men. One was Ferragus. He stood erect, motionless, gazing at his
+daughter with dry eyes; his head you might have taken for bronze: he
+did not see Jules.
+
+The other man was Jacquet,--Jacquet, to whom Madame Jules had been
+ever kind. Jacquet felt for her one of those respectful friendships
+which rejoice the untroubled heart; a gentle passion; love without its
+desires and its storms. He had come to pay his debt of tears, to bid a
+long adieu to the wife of his friend, to kiss, for the first time, the
+icy brow of the woman he had tacitly made his sister.
+
+All was silence. Here death was neither terrible as in the churches,
+nor pompous as it makes its way along the streets; no, it was death in
+the home, a tender death; here were pomps of the heart, tears drawn
+from the eyes of all. Jules sat down beside Jacquet and pressed his
+hand; then, without uttering a word, all these persons remained as
+they were till morning.
+
+When daylight paled the tapers, Jacquet, foreseeing the painful scenes
+which would then take place, drew Jules away into another room. At
+this moment the husband looked at the father, and Ferragus looked at
+Jules. The two sorrows arraigned each other, measured each other, and
+comprehended each other in that look. A flash of fury shone for an
+instant in the eyes of Ferragus.
+
+"You killed her," thought he.
+
+"Why was I distrusted?" seemed the answer of the husband.
+
+The scene was one that might have passed between two tigers
+recognizing the futility of a struggle and, after a moment's
+hesitation, turning away, without even a roar.
+
+"Jacquet," said Jules, "have you attended to everything?"
+
+"Yes, to everything," replied his friend, "but a man had forestalled
+me who had ordered and paid for all."
+
+"He tears his daughter from me!" cried the husband, with the violence
+of despair.
+
+Jules rushed back to his wife's room; but the father was there no
+longer. Clemence had now been placed in a leaden coffin, and workmen
+were employed in soldering the cover. Jules returned, horrified by the
+sight; the sound of the hammers the men were using made him
+mechanically burst into tears.
+
+"Jacquet," he said, "out of this dreadful night one idea has come to
+me, only one, but one I must make a reality at any price. I cannot let
+Clemence stay in any cemetery in Paris. I wish to burn her,--to gather
+her ashes and keep her with me. Say nothing of this, but manage on my
+behalf to have it done. I am going to _her_ chamber, where I shall
+stay until the time has come to go. You alone may come in there to
+tell me what you have done. Go, and spare nothing."
+
+During the morning, Madame Jules, after lying in a mortuary chapel at
+the door of her house, was taken to Saint-Roch. The church was hung
+with black throughout. The sort of luxury thus displayed had drawn a
+crowd; for in Paris all things are sights, even true grief. There are
+people who stand at their windows to see how a son deplores a mother
+as he follows her body; there are others who hire commodious seats to
+see how a head is made to fall. No people in the world have such
+insatiate eyes as the Parisians. On this occasion, inquisitive minds
+were particularly surprised to see the six lateral chapels at
+Saint-Roch also hung in black. Two men in mourning were listening to a
+mortuary mass said in each chapel. In the chancel no other persons but
+Monsieur Desmarets, the notary, and Jacquet were present; the servants
+of the household were outside the screen. To church loungers there was
+something inexplicable in so much pomp and so few mourners. But Jules
+had been determined that no indifferent persons should be present at
+the ceremony.
+
+High mass was celebrated with the sombre magnificence of funeral
+services. Beside the ministers in ordinary of Saint-Roch, thirteen
+priests from other parishes were present. Perhaps never did the _Dies
+irae_ produce upon Christians, assembled by chance, by curiosity, and
+thirsting for emotions, an effect so profound, so nervously glacial as
+that now caused by this hymn when the eight voices of the precentors,
+accompanied by the voices of the priests and the choir-boys, intoned
+it alternately. From the six lateral chapels twelve other childish
+voices rose shrilly in grief, mingling with the choir voices
+lamentably. From all parts of the church this mourning issued; cries
+of anguish responded to the cries of fear. That terrible music was the
+voice of sorrows hidden from the world, of secret friendships weeping
+for the dead. Never, in any human religion, have the terrors of the
+soul, violently torn from the body and stormily shaken in presence of
+the fulminating majesty of God, been rendered with such force. Before
+that clamor of clamors all artists and their most passionate
+compositions must bow humiliated. No, nothing can stand beside that
+hymn, which sums all human passions, gives them a galvanic life beyond
+the coffin, and leaves them, palpitating still, before the living and
+avenging God. These cries of childhood, mingling with the tones of
+older voices, including thus in the Song of Death all human life and
+its developments, recalling the sufferings of the cradle, swelling to
+the griefs of other ages in the stronger male voices and the quavering
+of the priests,--all this strident harmony, big with lightning and
+thunderbolts, does it not speak with equal force to the daring
+imagination, the coldest heart, nay, to philosophers themselves? As we
+hear it, we think God speaks; the vaulted arches of no church are mere
+material; they have a voice, they tremble, they scatter fear by the
+might of their echoes. We think we see unnumbered dead arising and
+holding out their hands. It is no more a father, a wife, a child,
+--humanity itself is rising from its dust.
+
+It is impossible to judge of the catholic, apostolic, and Roman faith,
+unless the soul has known that deepest grief of mourning for a loved
+one lying beneath the pall; unless it has felt the emotions that fill
+the heart, uttered by that Hymn of Despair, by those cries that crush
+the mind, by that sacred fear augmenting strophe by strophe, ascending
+heavenward, which terrifies, belittles, and elevates the soul, and
+leaves within our minds, as the last sound ceases, a consciousness of
+immortality. We have met and struggled with the vast idea of the
+Infinite. After that, all is silent in the church. No word is said;
+sceptics themselves _know not what they are feeling_. Spanish genius
+alone was able to bring this untold majesty to untold griefs.
+
+When the solemn ceremony was over, twelve men came from the six
+chapels and stood around the coffin to hear the song of hope which the
+Church intones for the Christian soul before the human form is buried.
+Then, each man entered alone a mourning-coach; Jacquet and Monsieur
+Desmarets took the thirteenth; the servants followed on foot. An hour
+later, they were at the summit of that cemetery popularly called
+Pere-Lachaise. The unknown twelve men stood in a circle round the
+grave, where the coffin had been laid in presence of a crowd of
+loiterers gathered from all parts of this public garden. After a few
+short prayers the priest threw a handful of earth on the remains of
+this woman, and the grave-diggers, having asked for their fee, made
+haste to fill the grave in order to dig another.
+
+Here this history seems to end; but perhaps it would be incomplete if,
+after giving a rapid sketch of Parisian life, and following certain of
+its capricious undulations, the effects of death were omitted. Death
+in Paris is unlike death in any other capital; few persons know the
+trials of true grief in its struggle with civilization, and the
+government of Paris. Perhaps, also, Monsieur Jules and Ferragus XXIII.
+may have proved sufficiently interesting to make a few words on their
+after life not entirely out of place. Besides, some persons like to be
+told all, and wish, as one of our cleverest critics has remarked, to
+know by what chemical process oil was made to burn in Aladdin's lamp.
+
+Jacquet, being a government employee, naturally applied to the
+authorities for permission to exhume the body of Madame Jules and burn
+it. He went to see the prefect of police, under whose protection the
+dead sleep. That functionary demanded a petition. The blank was
+brought that gives to sorrow its proper administrative form; it was
+necessary to employ the bureaucratic jargon to express the wishes of a
+man so crushed that words, perhaps, were lacking to him, and it was
+also necessary to coldly and briefly repeat on the margin the nature
+of the request, which was done in these words: "The petitioner
+respectfully asks for the incineration of his wife."
+
+When the official charged with making the report to the Councillor of
+State and prefect of police read that marginal note, explaining the
+object of the petition, and couched, as requested, in the plainest
+terms, he said:--
+
+"This is a serious matter! my report cannot be ready under eight
+days."
+
+Jules, to whom Jacquet was obliged to speak of this delay,
+comprehended the words that Ferragus had said in his hearing, "I'll
+burn Paris!" Nothing seemed to him now more natural than to annihilate
+that receptacle of monstrous things.
+
+"But," he said to Jacquet, "you must go to the minister of the
+Interior, and get your minister to speak to him."
+
+Jacquet went to the minister of the Interior, and asked an audience;
+it was granted, but the time appointed was two weeks later. Jacquet
+was a persistent man. He travelled from bureau to bureau, and finally
+reached the private secretary of the minister of the Interior, to whom
+he had made the private secretary of his own minister say a word.
+These high protectors aiding, he obtained for the morrow a second
+interview, in which, being armed with a line from the autocrat of
+Foreign affairs to the pacha of the Interior, Jacquet hoped to carry
+the matter by assault. He was ready with reasons, and answers to
+peremptory questions,--in short, he was armed at all points; but he
+failed.
+
+"This matter does not concern me," said the minister; "it belongs to
+the prefect of police. Besides, there is no law giving a husband any
+legal right to the body of his wife, nor to fathers those of their
+children. The matter is serious. There are questions of public utility
+involved which will have to be examined. The interests of the city of
+Paris might suffer. Therefore if the matter depended on me, which it
+does not, I could not decide _hic et nunc_; I should require a
+report."
+
+A _report_ is to the present system of administration what limbo or
+hades is to Christianity. Jacquet knew very well the mania for
+"reports"; he had not waited until this occasion to groan at that
+bureaucratic absurdity. He knew that since the invasion into public
+business of the _Report_ (an administrative revolution consummated in
+1804) there was never known a single minister who would take upon
+himself to have an opinion or to decide the slightest matter, unless
+that opinion or matter had been winnowed, sifted, and plucked to bits
+by the paper-spoilers, quill-drivers, and splendid intellects of his
+particular bureau. Jacquet--he was one of those who are worthy of
+Plutarch as biographer--saw that he had made a mistake in his
+management of the affair, and had, in fact, rendered it impossible by
+trying to proceed legally. The thing he should have done was to have
+taken Madame Jules to one of Desmaret's estates in the country; and
+there, under the good-natured authority of some village mayor to have
+gratified the sorrowful longing of his friend. Law, constitutional and
+administrative, begets nothing; it is a barren monster for peoples,
+for kings, and for private interests. But the peoples decipher no
+principles but those that are writ in blood, and the evils of legality
+will always be pacific; it flattens a nation down, that is all.
+Jacquet, a man of modern liberty, returned home reflecting on the
+benefits of arbitrary power.
+
+When he went with his report to Jules, he found it necessary to
+deceive him, for the unhappy man was in a high fever, unable to leave
+his bed. The minister of the Interior mentioned, at a ministerial
+dinner that same evening, the singular fancy of a Parisian in wishing
+to burn his wife after the manner of the Romans. The clubs of Paris
+took up the subject, and talked for a while of the burials of
+antiquity. Ancient things were just then becoming a fashion, and some
+persons declared that it would be a fine thing to re-establish, for
+distinguished persons, the funeral pyre. This opinion had its
+defenders and its detractors. Some said that there were too many such
+personages, and the price of wood would be enormously increased by
+such a custom; moreover, it would be absurd to see our ancestors in
+their urns in the procession at Longchamps. And if the urns were
+valuable, they were likely some day to be sold at auction, full of
+respectable ashes, or seized by creditors,--a race of men who
+respected nothing. The other side made answer that our ancestors were
+much safer in urns than at Pere-Lachaise, for before very long the
+city of Paris would be compelled to order a Saint-Bartholomew against
+its dead, who were invading the neighboring country, and threatening
+to invade the territory of Brie. It was, in short, one of those futile
+but witty discussions which sometimes cause deep and painful wounds.
+Happily for Jules, he knew nothing of the conversations, the witty
+speeches, and arguments which his sorrow had furnished to the tongues
+of Paris.
+
+The prefect of police was indignant that Monsieur Jacquet had appealed
+to a minister to avoid the wise delays of the commissioners of the
+public highways; for the exhumation of Madame Jules was a question
+belonging to that department. The police bureau was doing its best to
+reply promptly to the petition; one appeal was quite sufficient to set
+the office in motion, and once in motion matters would go far. But as
+for the administration, that might take the case before the Council of
+state,--a machine very difficult indeed to move.
+
+After the second day Jacquet was obliged to tell his friend that he
+must renounce his desire, because, in a city where the number of tears
+shed on black draperies is tariffed, where the laws recognize seven
+classes of funerals, where the scrap of ground to hold the dead is
+sold at its weight in silver, where grief is worked for what it is
+worth, where the prayers of the Church are costly, and the vestry
+claim payment for extra voices in the _Dies irae_,--all attempt to get
+out of the rut prescribed by the authorities for sorrow is useless and
+impossible.
+
+"It would have been to me," said Jules, "a comfort in my misery. I
+meant to have died away from here, and I hoped to hold her in my arms
+in a distant grave. I did not know that bureaucracy could send its
+claws into our very coffins."
+
+He now wished to see if room had been left for him beside his wife.
+The two friends went to the cemetery. When they reached it they found
+(as at the doors of museums, galleries, and coach-offices) _ciceroni_,
+who proposed to guide them through the labyrinth of Pere-Lachaise.
+Neither Jules nor Jacquet could have found the spot where Clemence
+lay. Ah, frightful anguish! They went to the lodge to consult the
+porter of the cemetery. The dead have a porter, and there are hours
+when the dead are "not receiving." It is necessary to upset all the
+rules and regulations of the upper and lower police to obtain
+permission to weep at night, in silence and solitude, over the grave
+where a loved one lies. There's a rule for summer and a rule for
+winter about this.
+
+Certainly, of all the porters in Paris, the porter of Pere-Lachaise is
+the luckiest. In the first place, he has no gate-cord to pull; then,
+instead of a lodge, he has a house,--an establishment which is not
+quite ministerial, although a vast number of persons come under his
+administration, and a good many employees. And this governor of the
+dead has a salary, with emoluments, and acts under powers of which
+none complain; he plays despot at his ease. His lodge is not a place
+of business, though it has departments where the book-keeping of
+receipts, expenses, and profits, is carried on. The man is not a
+_suisse_, nor a concierge, nor actually a porter. The gate which
+admits the dead stands wide open; and though there are monuments and
+buildings to be cared for, he is not a care-taker. In short, he is an
+indefinable anomaly, an authority which participates in all, and yet
+is nothing,--an authority placed, like the dead on whom it is based,
+outside of all. Nevertheless, this exceptional man grows out of the
+city of Paris,--that chimerical creation like the ship which is its
+emblem, that creature of reason moving on a thousand paws which are
+seldom unanimous in motion.
+
+This guardian of the cemetery may be called a concierge who has
+reached the condition of a functionary, not soluble by dissolution!
+His place is far from being a sinecure. He does not allow any one to
+be buried without a permit; he must count his dead. He points out to
+you in this vast field the six feet square of earth where you will one
+day put all you love, or all you hate, a mistress, or a cousin. Yes,
+remember this: all the feelings and emotions of Paris come to end
+here, at this porter's lodge, where they are administrationized. This
+man has registers in which his dead are booked; they are in their
+graves, and also on his records. He has under him keepers, gardeners,
+grave-diggers, and their assistants. He is a personage. Mourning
+hearts do not speak to him at first. He does not appear at all except
+in serious cases, such as one corpse mistaken for another, a murdered
+body, an exhumation, a dead man coming to life. The bust of the
+reigning king is in his hall; possibly he keeps the late royal,
+imperial, and quasi-royal busts in some cupboard,--a sort of little
+Pere-Lachaise all ready for revolutions. In short, he is a public man,
+an excellent man, good husband and good father,--epitaph apart. But so
+many diverse sentiments have passed before him on biers; he has seen
+so many tears, true and false; he has beheld sorrow under so many
+aspects and on so many faces; he has heard such endless thousands of
+eternal woes,--that to him sorrow has come to be nothing more than a
+stone an inch thick, four feet long, and twenty-four inches wide. As
+for regrets, they are the annoyances of his office; he neither
+breakfasts nor dines without first wiping off the rain of an
+inconsolable affliction. He is kind and tender to other feelings; he
+will weep over a stage-hero, over Monsieur Germeuil in the "Auberge
+des Adrets," the man with the butter-colored breeches, murdered by
+Macaire; but his heart is ossified in the matter of real dead men.
+Dead men are ciphers, numbers, to him; it is his business to organize
+death. Yet he does meet, three times in a century, perhaps, with an
+occasion when his part becomes sublime, and then he _is_ sublime
+through every hour of his day,--in times of pestilence.
+
+When Jacquet approached him this absolute monarch was evidently out of
+temper.
+
+"I told you," he was saying, "to water the flowers from the rue
+Massena to the place Regnault de Saint-Jean-d'Angely. You paid no
+attention to me! _Sac-a-papier_! suppose the relations should take it
+into their heads to come here to-day because the weather is fine, what
+would they say to me? They'd shriek as if they were burned; they'd say
+horrid things of us, and calumniate us--"
+
+"Monsieur," said Jacquet, "we want to know where Madame Jules is
+buried."
+
+"Madame Jules _who_?" he asked. "We've had three Madame Jules within
+the last week. Ah," he said, interrupting himself, "here comes the
+funeral of Monsieur le Baron de Maulincour! A fine procession, that!
+He has soon followed his grandmother. Some families, when they begin
+to go, rattle down like a wager. Lots of bad blood in Parisians."
+
+"Monsieur," said Jacquet, touching him on the arm, "the person I spoke
+of is Madame Jules Desmarets, the wife of the broker of that name."
+
+"Ah, I know!" he replied, looking at Jacquet. "Wasn't it a funeral
+with thirteen mourning coaches, and only one mourner in the twelve
+first? It was so droll we all noticed it--"
+
+"Monsieur, take care, Monsieur Desmarets is with me; he might hear
+you, and what you say is not seemly."
+
+"I beg pardon, monsieur! you are quite right. Excuse me, I took you
+for heirs. Monsieur," he continued, after consulting a plan of the
+cemetery, "Madame Jules is in the rue Marechal Lefebre, alley No. 4,
+between Mademoiselle Raucourt, of the Comedie-Francaise, and Monsieur
+Moreau-Malvin, a butcher, for whom a handsome tomb in white marble has
+been ordered, which will be one of the finest in the cemetery--"
+
+"Monsieur," said Jacquet, interrupting him, "that does not help us."
+
+"True," said the official, looking round him. "Jean," he cried, to a
+man whom he saw at a little distance, "conduct these gentlemen to the
+grave of Madame Jules Desmarets, the broker's wife. You know where it
+is,--near to Mademoiselle Raucourt, the tomb where there's a bust."
+
+The two friends followed the guide; but they did not reach the steep
+path which leads to the upper part of the cemetery without having to
+pass through a score of proposals and requests, made, with honied
+softness, by the touts of marble-workers, iron-founders, and
+monumental sculptors.
+
+"If monsieur would like to order _something_, we would do it on the
+most reasonable terms."
+
+Jacquet was fortunate enough to be able to spare his friend the
+hearing of these proposals so agonizing to bleeding hearts; and
+presently they reached the resting-place. When Jules beheld the earth
+so recently dug, into which the masons had stuck stakes to mark the
+place for the stone posts required to support the iron railing, he
+turned, and leaned upon Jacquet's shoulder, raising himself now and
+again to cast long glances at the clay mound where he was forced to
+leave the remains of the being in and by whom he still lived.
+
+"How miserably she lies there!" he said.
+
+"But she is not there," said Jacquet, "she is in your memory. Come,
+let us go; let us leave this odious cemetery, where the dead are
+adorned like women for a ball."
+
+"Suppose we take her away?"
+
+"Can it be done?"
+
+"All things can be done!" cried Jules. "So, I shall lie there," he
+added, after a pause. "There is room enough."
+
+Jacquet finally succeeded in getting him to leave the great enclosure,
+divided like a chessboard by iron railings and elegant compartments,
+in which were tombs decorated with palms, inscriptions, and tears as
+cold as the stones on which sorrowing hearts had caused to be carved
+their regrets and coats of arms. Many good words are there engraved in
+black letters, epigrams reproving the curious, _concetti_, wittily
+turned farewells, rendezvous given at which only one side appears,
+pretentious biographies, glitter, rubbish and tinsel. Here the
+floriated thyrsus, there a lance-head, farther on Egyptian urns, now
+and then a few cannon; on all sides the emblems of professions, and
+every style of art,--Moorish, Greek, Gothic,--friezes, ovules,
+paintings, vases, guardian-angels, temples, together with innumerable
+_immortelles_, and dead rose-bushes. It is a forlorn comedy! It is
+another Paris, with its streets, its signs, its industries, and its
+lodgings; but a Paris seen through the diminishing end of an
+opera-glass, a microscopic Paris reduced to the littleness of shadows,
+spectres, dead men, a human race which no longer has anything great
+about it, except its vanity. There Jules saw at his feet, in the long
+valley of the Seine, between the slopes of Vaugirard and Meudon and
+those of Belleville and Montmartre, the real Paris, wrapped in a misty
+blue veil produced by smoke, which the sunlight tendered at that
+moment diaphanous. He glanced with a constrained eye at those forty
+thousand houses, and said, pointing to the space comprised between the
+column of the Place Vendome and the gilded cupola of the Invalides:--
+
+"She was wrenched from me there by the fatal curiosity of that world
+which excites itself and meddles solely for excitement and
+occupation."
+
+Twelve miles from where they were, on the banks of the Seine, in a
+modest village lying on the slope of a hill of that long hilly basin
+the middle of which great Paris stirs like a child in its cradle, a
+death scene was taking place, far indeed removed from Parisian pomps,
+with no accompaniment of torches or tapers or mourning-coaches,
+without prayers of the Church, in short, a death in all simplicity.
+Here are the facts: The body of a young girl was found early in the
+morning, stranded on the river-bank in the slime and reeds of the
+Seine. Men employed in dredging sand saw it as they were getting into
+their frail boat on their way to their work.
+
+"_Tiens_! fifty francs earned!" said one of them.
+
+"True," said the other.
+
+They approached the body.
+
+"A handsome girl! We had better go and make our statement."
+
+And the two dredgers, after covering the body with their jackets, went
+to the house of the village mayor, who was much embarrassed at having
+to make out the legal papers necessitated by this discovery.
+
+The news of this event spread with the telegraphic rapidity peculiar
+to regions where social communications have no distractions, where
+gossip, scandal, calumny, in short, the social tale which feasts the
+world has no break of continuity from one boundary to another. Before
+long, persons arriving at the mayor's office released him from all
+embarrassment. They were able to convert the _proces-verbal_ into a
+mere certificate of death, by recognizing the body as that of the
+Demoiselle Ida Gruget, corset-maker, living rue de la
+Corderie-du-Temple, number 14. The judiciary police of Paris arrived,
+and the mother, bearing her daughter's last letter. Amid the mother's
+moans, a doctor certified to death by asphyxia, through the injection
+of black blood into the pulmonary system,--which settled the matter.
+The inquest over, and the certificates signed, by six o'clock the same
+evening authority was given to bury the grisette. The rector of the
+parish, however, refused to receive her into the church or to pray for
+her. Ida Gruget was therefore wrapped in a shroud by an old
+peasant-woman, put into a common pine-coffin, and carried to the
+village cemetery by four men, followed by a few inquisitive
+peasant-women, who talked about the death with wonder mingled with
+some pity.
+
+The widow Gruget was charitably taken in by an old lady who prevented
+her from following the sad procession of her daughter's funeral. A man
+of triple functions, the bell-ringer, beadle, and grave-digger of the
+parish, had dug a grave in the half-acre cemetery behind the church,
+--a church well known, a classic church, with a square tower and
+pointed roof covered with slate, supported on the outside by strong
+corner buttresses. Behind the apse of the chancel, lay the cemetery,
+enclosed with a dilapidated wall,--a little field full of hillocks;
+no marble monuments, no visitors, but surely in every furrow, tears
+and true regrets, which were lacking to Ida Gruget. She was cast into
+a corner full of tall grass and brambles. After the coffin had been
+laid in this field, so poetic in its simplicity, the grave-digger
+found himself alone, for night was coming on. While filling the grave,
+he stopped now and then to gaze over the wall along the road. He was
+standing thus, resting on his spade, and looking at the Seine, which
+had brought him the body.
+
+"Poor girl!" cried the voice of a man who suddenly appeared.
+
+"How you made me jump, monsieur," said the grave-digger.
+
+"Was any service held over the body you are burying?"
+
+"No, monsieur. Monsieur le cure wasn't willing. This is the first
+person buried here who didn't belong to the parish. Everybody knows
+everybody else in this place. Does monsieur--Why, he's gone!"
+
+Some days had elapsed when a man dressed in black called at the house
+of Monsieur Jules Desmarets, and without asking to see him carried up
+to the chamber of his wife a large porphyry vase, on which were
+inscribed the words:--
+
+
+ INVITA LEGE
+ CONJUGI MOERENTI
+ FILIOLAE CINERES
+ RESTITUIT
+ AMICIS XII. JUVANTIBUS
+ MORIBUNDUS PATER.
+
+
+"What a man!" cried Jules, bursting into tears.
+
+Eight days sufficed the husband to obey all the wishes of his wife,
+and to arrange his own affairs. He sold his practice to a brother of
+Martin Falleix, and left Paris while the authorities were still
+discussing whether it was lawful for a citizen to dispose of the body
+of his wife.
+
+ * * * * *
+
+Who has not encountered on the boulevards of Paris, at the turn of a
+street, or beneath the arcades of the Palais-Royal, or in any part of
+the world where chance may offer him the sight, a being, man or woman,
+at whose aspect a thousand confused thoughts spring into his mind? At
+that sight we are suddenly interested, either by features of some
+fantastic conformation which reveal an agitated life, or by a singular
+effect of the whole person, produced by gestures, air, gait, clothes;
+or by some deep, intense look; or by other inexpressible signs which
+seize our minds suddenly and forcibly without our being able to
+explain even to ourselves the cause of our emotion. The next day other
+thoughts and other images have carried out of sight that passing
+dream. But if we meet the same personage again, either passing at some
+fixed hour, like the clerk of a mayor's office, or wandering about the
+public promenades, like those individuals who seem to be a sort of
+furniture of the streets of Paris, and who are always to be found in
+public places, at first representations or noted restaurants,--then
+this being fastens himself or herself on our memory, and remains there
+like the first volume of a novel the end of which is lost. We are
+tempted to question this unknown person, and say, "Who are you?" "Why
+are you lounging here?" "By what right do you wear that pleated
+ruffle, that faded waistcoat, and carry that cane with an ivory top;
+why those blue spectacles; for what reason do you cling to that cravat
+of a dead and gone fashion?" Among these wandering creations some
+belong to the species of the Greek Hermae; they say nothing to the
+soul; _they are there_, and that is all. Why? is known to none. Such
+figure are a type of those used by sculptors for the four Seasons, for
+Commerce, for Plenty, etc. Some others--former lawyers, old merchants,
+elderly generals--move and walk, and yet seem stationary. Like old
+trees that are half uprooted by the current of a river, they seem
+never to take part in the torrent of Paris, with its youthful, active
+crowd. It is impossible to know if their friends have forgotten to
+bury them, or whether they have escaped out of their coffins. At any
+rate, they have reached the condition of semi-fossils.
+
+One of these Parisian Melmoths had come within a few days into a
+neighborhood of sober, quiet people, who, when the weather is fine,
+are invariably to be found in the space which lies between the south
+entrance of the Luxembourg and the north entrance of the Observatoire,
+--a space without a name, the neutral space of Paris. There, Paris is
+no longer; and there, Paris still lingers. The spot is a mingling of
+street, square, boulevard, fortification, garden, avenue, high-road,
+province, and metropolis; certainly, all of that is to be found there,
+and yet the place is nothing of all that,--it is a desert. Around this
+spot without a name stand the Foundling hospital, the Bourbe, the
+Cochin hospital, the Capucines, the hospital La Rochefoucauld, the
+Deaf and Dumb Asylum, the hospital of the Val-de-Grace; in short, all
+the vices and all the misfortunes of Paris find their asylum there.
+And (that nothing may lack in this philanthropic centre) Science there
+studies the tides and longitudes, Monsieur de Chateaubriand has
+erected the Marie-Therese Infirmary, and the Carmelites have founded a
+convent. The great events of life are represented by bells which ring
+incessantly through this desert,--for the mother giving birth, for the
+babe that is born, for the vice that succumbs, for the toiler who
+dies, for the virgin who prays, for the old man shaking with cold, for
+genius self-deluded. And a few steps off is the cemetery of
+Mont-Parnasse, where, hour after hour, the sorry funerals of the
+faubourg Saint-Marceau wend their way. This esplanade, which commands
+a view of Paris, has been taken possession of by bowl-players; it is,
+in fact, a sort of bowling green frequented by old gray faces,
+belonging to kindly, worthy men, who seem to continue the race of our
+ancestors, whose countenances must only be compared with those of
+their surroundings.
+
+The man who had become, during the last few days, an inhabitant of
+this desert region, proved an assiduous attendant at these games of
+bowls; and must, undoubtedly, be considered the most striking creature
+of these various groups, who (if it is permissible to liken Parisians
+to the different orders of zoology) belonged to the genus mollusk. The
+new-comer kept sympathetic step with the _cochonnet_,--the little bowl
+which serves as a goal and on which the interest of the game must
+centre. He leaned against a tree when the _cochonnet_ stopped; then,
+with the same attention that a dog gives to his master's gestures, he
+looked at the other bowls flying through the air, or rolling along the
+ground. You might have taken him for the weird and watchful genii of
+the _cochonnet_. He said nothing; and the bowl-players--the most
+fanatic men that can be encountered among the sectarians of any faith
+--had never asked the reason of his dogged silence; in fact, the most
+observing of them thought him deaf and dumb.
+
+When it happened that the distances between the bowls and the
+_cochonnet_ had to be measured, the cane of this silent being was used
+as a measure, the players coming up and taking it from the icy hands
+of the old man and returning it without a word or even a sign of
+friendliness. The loan of his cane seemed a servitude to which he had
+negatively consented. When a shower fell, he stayed near the
+_cochonnet_, the slave of the bowls, and the guardian of the
+unfinished game. Rain affected him no more than the fine weather did;
+he was, like the players themselves, an intermediary species between a
+Parisian who has the lowest intellect of his kind and an animal which
+has the highest.
+
+In other respects, pallid and shrunken, indifferent to his own person,
+vacant in mind, he often came bareheaded, showing his sparse white
+hair, and his square, yellow, bald skull, like the knee of a beggar
+seen through his tattered trousers. His mouth was half-open, no ideas
+were in his glance, no precise object appeared in his movements; he
+never smiled; he never raised his eyes to heaven, but kept them
+habitually on the ground, where he seemed to be looking for something.
+At four o'clock an old woman arrived, to take him Heaven knows where;
+which she did by towing him along by the arm, as a young girl drags a
+wilful goat which still wants to browse by the wayside. This old man
+was a horrible thing to see.
+
+In the afternoon of the day when Jules Desmarets left Paris, his
+travelling-carriage, in which he was alone, passed rapidly through the
+rue de l'Est, and came out upon the esplanade of the Observatoire at
+the moment when the old man, leaning against a tree, had allowed his
+cane to be taken from his hand amid the noisy vociferations of the
+players, pacifically irritated. Jules, thinking that he recognized
+that face, felt an impulse to stop, and at the same instant the
+carriage came to a standstill; for the postilion, hemmed in by some
+handcarts, had too much respect for the game to call upon the players
+to make way for him.
+
+"It is he!" said Jules, beholding in that human wreck, Ferragus
+XXIII., chief of the Devorants. Then, after a pause, he added, "How he
+loved her!--Go on, postilion."
+
+
+
+
+ADDENDUM
+
+ Note: Ferragus is the first part of a trilogy. Part two is
+ entitled The Duchesse de Langeais and part three is The Girl with
+ the Golden Eyes. In other addendum references all three stories
+ are usually combined under the title The Thirteen.
+
+The following personages appear in other stories of the Human Comedy.
+
+Bourignard, Gratien-Henri-Victor-Jean-Joseph
+ The Girl with the Golden Eyes
+
+Desmartes, Jules
+ Cesar Birotteau
+
+Desmartes, Madame Jules
+ Cesar Birotteau
+
+Desplein
+ The Atheist's Mass
+ Cousin Pons
+ Lost Illusions
+ The Government Clerks
+ Pierrette
+ A Bachelor's Establishment
+ The Seamy Side of History
+ Modeste Mignon
+ Scenes from a Courtesan's Life
+ Honorine
+
+Gruget, Madame Etienne
+ The Government Clerks
+ A Bachelor's Establishment
+
+Haudry (doctor)
+ Cesar Birotteau
+ A Bachelor's Establishment
+ The Seamy Side of History
+ Cousin Pons
+
+Langeais, Duchesse Antoinette de
+ Father Goriot
+ The Duchesse of Langeais
+
+Marsay, Henri de
+ The Duchesse of Langeais
+ The Girl with the Golden Eyes
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+Maulincour, Baronne de
+ A Marriage Settlement
+
+Meynardie, Madame
+ Scenes from a Courtesan's Life
+
+Nucingen, Baronne Delphine de
+ Father Goriot
+ Eugenie Grandet
+ Cesar Birotteau
+ Melmoth Reconciled
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ The Commission in Lunacy
+ Scenes from a Courtesan's Life
+ Modeste Mignon
+ The Firm of Nucingen
+ Another Study of Woman
+ A Daughter of Eve
+ The Member for Arcis
+
+Pamiers, Vidame de
+ The Duchesse of Langeais
+ Jealousies of a Country Town
+
+Ronquerolles, Marquis de
+ The Imaginary Mistress
+ The Duchess of Langeais
+ The Girl with the Golden Eyes
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ The Member for Arcis
+
+Serizy, Comtesse de
+ A Start in Life
+ The Duchesse of Langeais
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan's Life
+ Another Study of Woman
+ The Imaginary Mistress
+
+
+
+
+ II
+
+
+
+
+ THE DUCHESSE OF LANGEAIS
+
+ BY
+
+ HONORE DE BALZAC
+
+
+
+ Translated by
+ Ellen Marriage
+
+
+
+ To Franz Liszt
+
+
+
+In a Spanish city on an island in the Mediterranean, there stands
+a convent of the Order of Barefoot Carmelites, where the rule
+instituted by St. Theresa is still preserved with all the first
+rigor of the reformation brought about by that illustrious
+woman. Extraordinary as this may seem, it is none the less true.
+Almost every religious house in the Peninsula, or in Europe for
+that matter, was either destroyed or disorganized by the outbreak
+of the French Revolution and the Napoleonic wars; but as this
+island was protected through those times by the English fleet,
+its wealthy convent and peaceable inhabitants were secure from
+the general trouble and spoliation. The storms of many kinds
+which shook the first fifteen years of the nineteenth century
+spent their force before they reached those cliffs at so short a
+distance from the coast of Andalusia.
+
+If the rumour of the Emperor's name so much as reached the shore
+of the island, it is doubtful whether the holy women kneeling in
+the cloisters grasped the reality of his dream-like progress of
+glory, or the majesty that blazed in flame across kingdom after
+kingdom during his meteor life.
+
+In the minds of the Roman Catholic world, the convent stood out
+pre-eminent for a stern discipline which nothing had changed; the
+purity of its rule had attracted unhappy women from the furthest
+parts of Europe, women deprived of all human ties, sighing after
+the long suicide accomplished in the breast of God. No convent,
+indeed, was so well fitted for that complete detachment of the
+soul from all earthly things, which is demanded by the religious
+life, albeit on the continent of Europe there are many convents
+magnificently adapted to the purpose of their existence. Buried
+away in the loneliest valleys, hanging in mid-air on the steepest
+mountainsides, set down on the brink of precipices, in every
+place man has sought for the poetry of the Infinite, the solemn
+awe of Silence; in every place man has striven to draw closer to
+God, seeking Him on mountain peaks, in the depths below the
+crags, at the cliff's edge; and everywhere man has found God.
+But nowhere, save on this half-European, half-African ledge of
+rock could you find so many different harmonies, combining so to
+raise the soul, that the sharpest pain comes to be like other
+memories; the strongest impressions are dulled, till the sorrows
+of life are laid to rest in the depths.
+
+The convent stands on the highest point of the crags at the
+uttermost end of the island. On the side towards the sea the
+rock was once rent sheer away in some globe-cataclysm; it rises
+up a straight wall from the base where the waves gnaw at the
+stone below high-water mark. Any assault is made impossible by
+the dangerous reefs that stretch far out to sea, with the
+sparkling waves of the Mediterranean playing over them. So, only
+from the sea can you discern the square mass of the convent built
+conformably to the minute rules laid down as to the shape,
+height, doors, and windows of monastic buildings. From the side
+of the town, the church completely hides the solid structure of
+the cloisters and their roofs, covered with broad slabs of stone
+impervious to sun or storm or gales of wind.
+
+The church itself, built by the munificence of a Spanish family,
+is the crowning edifice of the town. Its fine, bold front gives
+an imposing and picturesque look to the little city in the sea.
+The sight of such a city, with its close-huddled roofs, arranged
+for the most part amphitheatre-wise above a picturesque harbour,
+and crowned by a glorious cathedral front with triple-arched
+Gothic doorways, belfry towers, and filigree spires, is a
+spectacle surely in every way the sublimest on earth. Religion
+towering above daily life, to put men continually in mind of the
+End and the way, is in truth a thoroughly Spanish conception.
+But now surround this picture by the Mediterranean, and a burning
+sky, imagine a few palms here and there, a few stunted evergreen
+trees mingling their waving leaves with the motionless flowers
+and foliage of carved stone; look out over the reef with its
+white fringes of foam in contrast to the sapphire sea; and then
+turn to the city, with its galleries and terraces whither the
+townsfolk come to take the air among their flowers of an evening,
+above the houses and the tops of the trees in their little
+gardens; add a few sails down in the harbour; and lastly, in the
+stillness of falling night, listen to the organ music, the
+chanting of the services, the wonderful sound of bells pealing
+out over the open sea. There is sound and silence everywhere;
+oftener still there is silence over all.
+
+The church is divided within into a sombre mysterious nave and
+narrow aisles. For some reason, probably because the winds are
+so high, the architect was unable to build the flying buttresses
+and intervening chapels which adorn almost all cathedrals, nor
+are there openings of any kind in the walls which support the
+weight of the roof. Outside there is simply the heavy wall
+structure, a solid mass of grey stone further strengthened by
+huge piers placed at intervals. Inside, the nave and its little
+side galleries are lighted entirely by the great stained-glass
+rose-window suspended by a miracle of art above the centre
+doorway; for upon that side the exposure permits of the display
+of lacework in stone and of other beauties peculiar to the style
+improperly called Gothic.
+
+The larger part of the nave and aisles was left for the
+townsfolk, who came and went and heard mass there. The choir was
+shut off from the rest of the church by a grating and thick folds
+of brown curtain, left slightly apart in the middle in such a way
+that nothing of the choir could be seen from the church except
+the high altar and the officiating priest. The grating itself
+was divided up by the pillars which supported the organ loft; and
+this part of the structure, with its carved wooden columns,
+completed the line of the arcading in the gallery carried by the
+shafts in the nave. If any inquisitive person, therefore, had
+been bold enough to climb upon the narrow balustrade in the
+gallery to look down into the choir, he could have seen nothing
+but the tall eight-sided windows of stained glass beyond the high
+altar.
+
+At the time of the French expedition into Spain to establish
+Ferdinand VII once more on the throne, a French general came to
+the island after the taking of Cadiz, ostensibly to require the
+recognition of the King's Government, really to see the convent
+and to find some means of entering it. The undertaking was
+certainly a delicate one; but a man of passionate temper, whose
+life had been, as it were, but one series of poems in action, a
+man who all his life long had lived romances instead of writing
+them, a man pre-eminently a Doer, was sure to be tempted by a
+deed which seemed to be impossible.
+
+To open the doors of a convent of nuns by lawful means! The
+metropolitan or the Pope would scarcely have permitted it! And
+as for force or stratagem--might not any indiscretion cost him
+his position, his whole career as a soldier, and the end in view
+to boot? The Duc d'Angouleme was still in Spain; and of all the
+crimes which a man in favour with the Commander-in-Chief might
+commit, this one alone was certain to find him inexorable. The
+General had asked for the mission to gratify private motives of
+curiosity, though never was curiosity more hopeless. This final
+attempt was a matter of conscience. The Carmelite convent on the
+island was the only nunnery in Spain which had baffled his
+search.
+
+As he crossed from the mainland, scarcely an hour's distance, he
+felt a presentiment that his hopes were to be fulfilled; and
+afterwards, when as yet he had seen nothing of the convent but
+its walls, and of the nuns not so much as their robes; while he
+had merely heard the chanting of the service, there were dim
+auguries under the walls and in the sound of the voices to
+justify his frail hope. And, indeed, however faint those so
+unaccountable presentiments might be, never was human passion
+more vehemently excited than the General's curiosity at that
+moment. There are no small events for the heart; the heart
+exaggerates everything; the heart weighs the fall of a
+fourteen-year-old Empire and the dropping of a woman's glove in
+the same scales, and the glove is nearly always the heavier of
+the two. So here are the facts in all their prosaic simplicity.
+The facts first, the emotions will follow.
+
+An hour after the General landed on the island, the royal
+authority was re-established there. Some few Constitutional
+Spaniards who had found their way thither after the fall of Cadiz
+were allowed to charter a vessel and sail for London. So there
+was neither resistance nor reaction. But the change of
+government could not be effected in the little town without a
+mass, at which the two divisions under the General's command were
+obliged to be present. Now, it was upon this mass that the
+General had built his hopes of gaining some information as to the
+sisters in the convent; he was quite unaware how absolutely the
+Carmelites were cut off from the world; but he knew that there
+might be among them one whom he held dearer than life, dearer
+than honour.
+
+His hopes were cruelly dashed at once. Mass, it is true, was
+celebrated in state. In honour of such a solemnity, the curtains
+which always hid the choir were drawn back to display its riches,
+its valuable paintings and shrines so bright with gems that they
+eclipsed the glories of the ex-votos of gold and silver hung up
+by sailors of the port on the columns in the nave. But all the
+nuns had taken refuge in the organ-loft. And yet, in spite of
+this first check, during this very mass of thanksgiving, the most
+intimately thrilling drama that ever set a man's heart beating
+opened out widely before him.
+
+The sister who played the organ aroused such intense enthusiasm,
+that not a single man regretted that he had come to the service.
+Even the men in the ranks were delighted, and the officers were
+in ecstasy. As for the General, he was seemingly calm and
+indifferent. The sensations stirred in him as the sister played
+one piece after another belong to the small number of things
+which it is not lawful to utter; words are powerless to express
+them; like death, God, eternity, they can only be realised
+through their one point of contact with humanity. Strangely
+enough, the organ music seemed to belong to the school of
+Rossini, the musician who brings most human passion into his art.
+
+Some day his works, by their number and extent, will receive the
+reverence due to the Homer of music. From among all the scores
+that we owe to his great genius, the nun seemed to have chosen
+_Moses in Egypt_ for special study, doubtless because the spirit of
+sacred music finds therein its supreme expression. Perhaps the
+soul of the great musician, so gloriously known to Europe, and
+the soul of this unknown executant had met in the intuitive
+apprehension of the same poetry. So at least thought two
+dilettanti officers who must have missed the Theatre Favart in
+Spain.
+
+At last in the _Te Deum_ no one could fail to discern a French soul
+in the sudden change that came over the music. Joy for the
+victory of the Most Christian King evidently stirred this nun's
+heart to the depths. She was a Frenchwoman beyond mistake. Soon
+the love of country shone out, breaking forth like shafts of
+light from the fugue, as the sister introduced variations with
+all a Parisienne's fastidious taste, and blended vague
+suggestions of our grandest national airs with her music. A
+Spaniard's fingers would not have brought this warmth into a
+graceful tribute paid to the victorious arms of France. The
+musician's nationality was revealed.
+
+"We find France everywhere, it seems," said one of the men.
+
+The General had left the church during the _Te Deum_; he could
+not listen any longer. The nun's music had been a revelation of
+a woman loved to frenzy; a woman so carefully hidden from the
+world's eyes, so deeply buried in the bosom of the Church, that
+hitherto the most ingenious and persistent efforts made by men
+who brought great influence and unusual powers to bear upon the
+search had failed to find her. The suspicion aroused in the
+General's heart became all but a certainty with the vague
+reminiscence of a sad, delicious melody, the air of _Fleuve du
+Tage_. The woman he loved had played the prelude to the ballad in
+a boudoir in Paris, how often! and now this nun had chosen the
+song to express an exile's longing, amid the joy of those that
+triumphed. Terrible sensation! To hope for the resurrection of
+a lost love, to find her only to know that she was lost, to catch
+a mysterious glimpse of her after five years--five years, in
+which the pent-up passion, chafing in an empty life, had grown
+the mightier for every fruitless effort to satisfy it!
+
+Who has not known, at least once in his life, what it is to lose
+some precious thing; and after hunting through his papers,
+ransacking his memory, and turning his house upside down; after
+one or two days spent in vain search, and hope, and despair;
+after a prodigious expenditure of the liveliest irritation of
+soul, who has not known the ineffable pleasure of finding that
+all-important nothing which had come to be a king of monomania?
+Very good. Now, spread that fury of search over five years; put
+a woman, put a heart, put love in the place of the trifle;
+transpose the monomania into the key of high passion; and,
+furthermore, let the seeker be a man of ardent temper, with a
+lion's heart and a leonine head and mane, a man to inspire awe
+and fear in those who come in contact with him--realise this, and
+you may, perhaps, understand why the General walked abruptly out
+of the church when the first notes of a ballad, which he used to
+hear with a rapture of delight in a gilt-paneled boudoir, began
+to vibrate along the aisles of the church in the sea.
+
+The General walked away down the steep street which led to the
+port, and only stopped when he could not hear the deep notes of
+the organ. Unable to think of anything but the love which broke
+out in volcanic eruption, filling his heart with fire, he only
+knew that the _Te Deum_ was over when the Spanish congregation
+came pouring out of the church. Feeling that his behaviour and
+attitude might seem ridiculous, he went back to head the
+procession, telling the alcalde and the governor that, feeling
+suddenly faint, he had gone out into the air. Casting about for
+a plea for prolonging his stay, it at once occurred to him to
+make the most of this excuse, framed on the spur of the moment.
+He declined, on a plea of increasing indisposition, to preside at
+the banquet given by the town to the French officers, betook
+himself to his bed, and sent a message to the Major-General, to
+the effect that temporary illness obliged him to leave the
+Colonel in command of the troops for the time being. This
+commonplace but very plausible stratagem relieved him of all
+responsibility for the time necessary to carry out his plans.
+The General, nothing if not "catholic and monarchical," took
+occasion to inform himself of the hours of the services, and
+manifested the greatest zeal for the performance of his religious
+duties, piety which caused no remark in Spain.
+
+The very next day, while the division was marching out of the
+town, the General went to the convent to be present at vespers.
+He found an empty church. The townsfolk, devout though they
+were, had all gone down to the quay to watch the embarkation of
+the troops. He felt glad to be the only man there. He tramped
+noisily up the nave, clanking his spurs till the vaulted roof
+rang with the sound; he coughed, he talked aloud to himself to
+let the nuns know, and more particularly to let the organist know
+that if the troops were gone, one Frenchman was left behind. Was
+this singular warning heard and understood? He thought so. It
+seemed to him that in the _Magnificat_ the organ made response
+which was borne to him on the vibrating air. The nun's spirit
+found wings in music and fled towards him, throbbing with the
+rhythmical pulse of the sounds. Then, in all its might, the
+music burst forth and filled the church with warmth. The Song of
+Joy set apart in the sublime liturgy of Latin Christianity to
+express the exaltation of the soul in the presence of the glory
+of the ever-living God, became the utterance of a heart almost
+terrified by its gladness in the presence of the glory of a
+mortal love; a love that yet lived, a love that had risen to
+trouble her even beyond the grave in which the nun is laid, that
+she may rise again as the bride of Christ.
+
+The organ is in truth the grandest, the most daring, the most
+magnificent of all instruments invented by human genius. It is a
+whole orchestra in itself. It can express anything in response
+to a skilled touch. Surely it is in some sort a pedestal on
+which the soul poises for a flight forth into space, essaying on
+her course to draw picture after picture in an endless series, to
+paint human life, to cross the Infinite that separates heaven
+from earth? And the longer a dreamer listens to those giant
+harmonies, the better he realizes that nothing save this
+hundred-voiced choir on earth can fill all the space between
+kneeling men, and a God hidden by the blinding light of the
+Sanctuary. The music is the one interpreter strong enough to
+bear up the prayers of humanity to heaven, prayer in its
+omnipotent moods, prayer tinged by the melancholy of many
+different natures, coloured by meditative ecstasy, upspringing
+with the impulse of repentance--blended with the myriad fancies
+of every creed. Yes. In those long vaulted aisles the melodies
+inspired by the sense of things divine are blended with a grandeur
+unknown before, are decked with new glory and might. Out of the
+dim daylight, and the deep silence broken by the chanting of the
+choir in response to the thunder of the organ, a veil is woven
+for God, and the brightness of His attributes shines through it.
+
+And this wealth of holy things seemed to be flung down like a
+grain of incense upon the fragile altar raised to Love beneath
+the eternal throne of a jealous and avenging God. Indeed, in the
+joy of the nun there was little of that awe and gravity which
+should harmonize with the solemnities of the _Magnificat_. She
+had enriched the music with graceful variations, earthly
+gladness throbbing through the rhythm of each. In such brilliant
+quivering notes some great singer might strive to find a voice
+for her love, her melodies fluttered as a bird flutters about her
+mate. There were moments when she seemed to leap back into the
+past, to dally there now with laughter, now with tears. Her
+changing moods, as it were, ran riot. She was like a woman
+excited and happy over her lover's return.
+
+But at length, after the swaying fugues of delirium, after the
+marvellous rendering of a vision of the past, a revulsion swept
+over the soul that thus found utterance for itself. With a swift
+transition from the major to the minor, the organist told her
+hearer of her present lot. She gave the story of long melancholy
+broodings, of the slow course of her moral malady. How day by
+day she deadened the senses, how every night cut off one more
+thought, how her heart was slowly reduced to ashes. The sadness
+deepened shade after shade through languid modulations, and in a
+little while the echoes were pouring out a torrent of grief.
+Then on a sudden, high notes rang out like the voices of angels
+singing together, as if to tell the lost but not forgotten lover
+that their spirits now could only meet in heaven. Pathetic hope!
+Then followed the _Amen_. No more joy, no more tears in the air,
+no sadness, no regrets. The _Amen_ was the return to God. The
+final chord was deep, solemn, even terrible; for the last
+rumblings of the bass sent a shiver through the audience that
+raised the hair on their heads; the nun shook out her veiling of
+crepe, and seemed to sink again into the grave from which she had
+risen for a moment. Slowly the reverberations died away; it
+seemed as if the church, but now so full of light, had returned
+to thick darkness.
+
+The General had been caught up and borne swiftly away by this
+strong-winged spirit; he had followed the course of its flight
+from beginning to end. He understood to the fullest extent the
+imagery of that burning symphony; for him the chords reached deep
+and far. For him, as for the sister, the poem meant future,
+present, and past. Is not music, and even opera music, a sort of
+text, which a susceptible or poetic temper, or a sore and
+stricken heart, may expand as memories shall determine? If a
+musician must needs have the heart of a poet, must not the
+listener too be in a manner a poet and a lover to hear all that
+lies in great music? Religion, love, and music--what are they
+but a threefold expression of the same fact, of that craving for
+expansion which stirs in every noble soul. And these three forms
+of poetry ascend to God, in whom all passion on earth finds its
+end. Wherefore the holy human trinity finds a place amid the
+infinite glories of God; of God, whom we always represent
+surrounded with the fires of love and seistrons of gold--music
+and light and harmony. Is not He the Cause and the End of all
+our strivings?
+
+The French General guessed rightly that here in the desert, on
+this bare rock in the sea, the nun had seized upon music as an
+outpouring of the passion that still consumed her. Was this her
+manner of offering up her love as a sacrifice to God? Or was it
+Love exultant in triumph over God? The questions were hard to
+answer. But one thing at least the General could not mistake--in
+this heart, dead to the world, the fire of passion burned as
+fiercely as in his own.
+
+Vespers over, he went back to the alcalde with whom he was
+staying. In the all-absorbing joy which comes in such full
+measure when a satisfaction sought long and painfully is attained
+at last, he could see nothing beyond this--he was still loved!
+In her heart love had grown in loneliness, even as his love had
+grown stronger as he surmounted one barrier after another which
+this woman had set between them! The glow of soul came to its
+natural end. There followed a longing to see her again, to
+contend with God for her, to snatch her away--a rash scheme,
+which appealed to a daring nature. He went to bed, when the meal
+was over, to avoid questions; to be alone and think at his ease;
+and he lay absorbed by deep thought till day broke.
+
+He rose only to go to mass. He went to the church and knelt
+close to the screen, with his forehead touching the curtain; he
+would have torn a hole in it if he had been alone, but his host
+had come with him out of politeness, and the least imprudence
+might compromise the whole future of his love, and ruin the new
+hopes.
+
+The organ sounded, but it was another player, and not the nun of
+the last two days whose hands touched the keys. It was all
+colorless and cold for the General. Was the woman he loved
+prostrated by emotion which well-nigh overcame a strong man's
+heart? Had she so fully realised and shared an unchanged,
+longed-for love, that now she lay dying on her bed in her cell?
+While innumerable thoughts of this kind perplexed his mind, the
+voice of the woman he worshipped rang out close beside him; he
+knew its clear resonant soprano. It was her voice, with that
+faint tremor in it which gave it all the charm that shyness and
+diffidence gives to a young girl; her voice, distinct from the
+mass of singing as a _prima donna's_ in the chorus of a finale.
+It was like a golden or silver thread in dark frieze.
+
+It was she! There could be no mistake. Parisienne now as ever,
+she had not laid coquetry aside when she threw off worldly
+adornments for the veil and the Carmelite's coarse serge. She
+who had affirmed her love last evening in the praise sent up to
+God, seemed now to say to her lover, "Yes, it is I. I am here.
+My love is unchanged, but I am beyond the reach of love. You
+will hear my voice, my soul shall enfold you, and I shall abide
+here under the brown shroud in the choir from which no power on
+earth can tear me. You shall never see me more!"
+
+"It is she indeed!" the General said to himself, raising his
+head. He had leant his face on his hands, unable at first to
+bear the intolerable emotion that surged like a whirlpool in his
+heart, when that well-known voice vibrated under the arcading,
+with the sound of the sea for accompaniment.
+
+Storm was without, and calm within the sanctuary. Still that
+rich voice poured out all its caressing notes; it fell like balm
+on the lover's burning heart; it blossomed upon the air--the air
+that a man would fain breathe more deeply to receive the
+effluence of a soul breathed forth with love in the words of the
+prayer. The alcalde coming to join his guest found him in tears
+during the elevation, while the nun was singing, and brought him
+back to his house. Surprised to find so much piety in a French
+military man, the worthy magistrate invited the confessor of the
+convent to meet his guest. Never had news given the General more
+pleasure; he paid the ecclesiastic a good deal of attention at
+supper, and confirmed his Spanish hosts in the high opinion they
+had formed of his piety by a not wholly disinterested respect.
+
+He inquired with gravity how many sisters there were in the
+convent, and asked for particulars of its endowment and revenues,
+as if from courtesy he wished to hear the good priest discourse
+on the subject most interesting to him. He informed himself as
+to the manner of life led by the holy women. Were they allowed
+to go out of the convent, or to see visitors?
+
+"Senor," replied the venerable churchman, "the rule is strict.
+A woman cannot enter a monastery of the order of St. Bruno
+without a special permission from His Holiness, and the rule here
+is equally stringent. No man may enter a convent of Barefoot
+Carmelites unless he is a priest specially attached to the
+services of the house by the Archbishop. None of the nuns may
+leave the convent; though the great Saint, St. Theresa, often
+left her cell. The Visitor or the Mothers Superior can alone
+give permission, subject to an authorization from the Archbishop,
+for a nun to see a visitor, and then especially in a case of
+illness. Now we are one of the principal houses, and
+consequently we have a Mother Superior here. Among other foreign
+sisters there is one Frenchwoman, Sister Theresa; she it is who
+directs the music in the chapel."
+
+"Oh!" said the General, with feigned surprise. "She must have
+rejoiced over the victory of the House of Bourbon."
+
+"I told them the reason of the mass; they are always a little
+bit inquisitive."
+
+"But Sister Theresa may have interests in France. Perhaps she
+would like to send some message or to hear news."
+
+"I do not think so. She would have come to ask me."
+
+"As a fellow-countryman, I should be quite curious to see her,"
+said the General. "If it is possible, if the Lady Superior
+consents, if----"
+
+"Even at the grating and in the Reverend Mother's presence, an
+interview would be quite impossible for anybody whatsoever; but,
+strict as the Mother is, for a deliverer of our holy religion and
+the throne of his Catholic Majesty, the rule might be relaxed for
+a moment," said the confessor, blinking. "I will speak about
+it."
+
+"How old is Sister Theresa?" inquired the lover. He dared not
+ask any questions of the priest as to the nun's beauty.
+
+"She does not reckon years now," the good man answered, with a
+simplicity that made the General shudder.
+
+Next day before siesta, the confessor came to inform the French
+General that Sister Theresa and the Mother consented to receive
+him at the grating in the parlour before vespers. The General
+spent the siesta in pacing to and fro along the quay in the
+noonday heat. Thither the priest came to find him, and brought
+him to the convent by way of the gallery round the cemetery.
+Fountains, green trees, and rows of arcading maintained a cool
+freshness in keeping with the place.
+
+At the further end of the long gallery the priest led the way
+into a large room divided in two by a grating covered with a
+brown curtain. In the first, and in some sort of public half of
+the apartment, where the confessor left the newcomer, a wooden
+bench ran round the wall, and two or three chairs, also of wood,
+were placed near the grating. The ceiling consisted of bare
+unornamented joists and cross-beams of ilex wood. As the two
+windows were both on the inner side of the grating, and the dark
+surface of the wood was a bad reflector, the light in the place
+was so dim that you could scarcely see the great black crucifix,
+the portrait of Saint Theresa, and a picture of the Madonna which
+adorned the grey parlour walls. Tumultuous as the General's
+feelings were, they took something of the melancholy of the
+place. He grew calm in that homely quiet. A sense of something
+vast as the tomb took possession of him beneath the chill
+unceiled roof. Here, as in the grave, was there not eternal
+silence, deep peace--the sense of the Infinite? And besides this
+there was the quiet and the fixed thought of the cloister--a
+thought which you felt like a subtle presence in the air, and in
+the dim dusk of the room; an all-pervasive thought nowhere
+definitely expressed, and looming the larger in the imagination;
+for in the cloister the great saying, "Peace in the Lord,"
+enters the least religious soul as a living force.
+
+The monk's life is scarcely comprehensible. A man seems
+confessed a weakling in a monastery; he was born to act, to live
+out a life of work; he is evading a man's destiny in his cell.
+But what man's strength, blended with pathetic weakness, is
+implied by a woman's choice of the convent life! A man may have
+any number of motives for burying himself in a monastery; for him
+it is the leap over the precipice. A woman has but one motive
+--she is a woman still; she betrothes herself to a Heavenly
+Bridegroom. Of the monk you may ask, "Why did you not fight
+your battle?" But if a woman immures herself in the cloister,
+is there not always a sublime battle fought first?
+
+At length it seemed to the General that that still room, and the
+lonely convent in the sea, were full of thoughts of him. Love
+seldom attains to solemnity; yet surely a love still faithful in
+the breast of God was something solemn, something more than a man
+had a right to look for as things are in this nineteenth century?
+The infinite grandeur of the situation might well produce an
+effect upon the General's mind; he had precisely enough elevation
+of soul to forget politics, honours, Spain, and society in Paris,
+and to rise to the height of this lofty climax. And what in
+truth could be more tragic? How much must pass in the souls of
+these two lovers, brought together in a place of strangers, on a
+ledge of granite in the sea; yet held apart by an intangible,
+unsurmountable barrier! Try to imagine the man saying within
+himself, "Shall I triumph over God in her heart?" when a faint
+rustling sound made him quiver, and the curtain was drawn aside.
+
+Between him and the light stood a woman. Her face was hidden by
+the veil that drooped from the folds upon her head; she was
+dressed according to the rule of the order in a gown of the
+colour become proverbial. Her bare feet were hidden; if the
+General could have seen them, he would have known how appallingly
+thin she had grown; and yet in spite of the thick folds of her
+coarse gown, a mere covering and no ornament, he could guess how
+tears, and prayer, and passion, and loneliness had wasted the
+woman before him.
+
+An ice-cold hand, belonging, no doubt, to the Mother Superior,
+held back the curtain. The General gave the enforced witness of
+their interview a searching glance, and met the dark, inscrutable
+gaze of an aged recluse. The Mother might have been a century
+old, but the bright, youthful eyes belied the wrinkles that
+furrowed her pale face.
+
+"Mme la Duchesse," he began, his voice shaken with emotion,
+"does your companion understand French?" The veiled figure
+bowed her head at the sound of his voice.
+
+"There is no duchess here," she replied. "It is Sister Theresa
+whom you see before you. She whom you call my companion is my
+mother in God, my superior here on earth."
+
+The words were so meekly spoken by the voice that sounded in
+other years amid harmonious surroundings of refined luxury, the
+voice of a queen of fashion in Paris. Such words from the lips
+that once spoke so lightly and flippantly struck the General dumb
+with amazement.
+
+"The Holy Mother only speaks Latin and Spanish," she added.
+
+"I understand neither. Dear Antoinette, make my excuses to
+her."
+
+The light fell full upon the nun's figure; a thrill of deep
+emotion betrayed itself in a faint quiver of her veil as she
+heard her name softly spoken by the man who had been so hard in
+the past.
+
+"My brother," she said, drawing her sleeve under her veil,
+perhaps to brush tears away, "I am Sister Theresa."
+
+Then, turning to the Superior, she spoke in Spanish; the General
+knew enough of the language to understand what she said perfectly
+well; possibly he could have spoken it had he chosen to do so.
+
+"Dear Mother, the gentleman presents his respects to you, and
+begs you to pardon him if he cannot pay them himself, but he
+knows neither of the languages which you speak----"
+
+The aged nun bent her head slowly, with an expression of angelic
+sweetness, enhanced at the same time by the consciousness of her
+power and dignity.
+
+"Do you know this gentleman?" she asked, with a keen glance.
+
+"Yes, Mother."
+
+"Go back to your cell, my daughter!" said the Mother imperiously.
+
+The General slipped aside behind the curtain lest the dreadful
+tumult within him should appear in his face; even in the shadow
+it seemed to him that he could still see the Superior's piercing
+eyes. He was afraid of her; she held his little, frail, hardly-won
+happiness in her hands; and he, who had never quailed under a
+triple row of guns, now trembled before this nun. The Duchess went
+towards the door, but she turned back.
+
+"Mother," she said, with dreadful calmness, "the Frenchman is
+one of my brothers."
+
+"Then stay, my daughter," said the Superior, after a pause.
+
+The piece of admirable Jesuitry told of such love and regret,
+that a man less strongly constituted might have broken down under
+the keen delight in the midst of a great and, for him, an
+entirely novel peril. Oh! how precious words, looks, and
+gestures became when love must baffle lynx eyes and tiger's
+claws! Sister Theresa came back.
+
+"You see, my brother, what I have dared to do only to speak to
+you for a moment of your salvation and of the prayers that my
+soul puts up for your soul daily. I am committing mortal sin. I
+have told a lie. How many days of penance must expiate that lie!
+But I shall endure it for your sake. My brother, you do not know
+what happiness it is to love in heaven; to feel that you can
+confess love purified by religion, love transported into the
+highest heights of all, so that we are permitted to lose sight of
+all but the soul. If the doctrine and the spirit of the Saint to
+whom we owe this refuge had not raised me above earth's anguish,
+and caught me up and set me, far indeed beneath the Sphere
+wherein she dwells, yet truly above this world, I should not have
+seen you again. But now I can see you, and hear your voice, and
+remain calm----"
+
+The General broke in, "But, Antoinette, let me see you, you whom
+I love passionately, desperately, as you could have wished me to
+love you."
+
+"Do not call me Antoinette, I implore you. Memories of the past
+hurt me. You must see no one here but Sister Theresa, a creature
+who trusts in the Divine mercy." She paused for a little, and
+then added, "You must control yourself, my brother. Our Mother
+would separate us without pity if there is any worldly passion in
+your face, or if you allow the tears to fall from your eyes."
+
+The General bowed his head to regain self-control; when he looked
+up again he saw her face beyond the grating--the thin, white, but
+still impassioned face of the nun. All the magic charm of youth
+that once bloomed there, all the fair contrast of velvet
+whiteness and the colour of the Bengal rose, had given place to a
+burning glow, as of a porcelain jar with a faint light shining
+through it. The wonderful hair in which she took such pride had
+been shaven; there was a bandage round her forehead and about her
+face. An ascetic life had left dark traces about the eyes, which
+still sometimes shot out fevered glances; their ordinary calm
+expression was but a veil. In a few words, she was but the ghost
+of her former self.
+
+"Ah! you that have come to be my life, you must come out of this
+tomb! You were mine; you had no right to give yourself, even to
+God. Did you not promise me to give up all at the least command
+from me? You may perhaps think me worthy of that promise now
+when you hear what I have done for you. I have sought you all
+through the world. You have been in my thoughts at every moment
+for five years; my life has been given to you. My friends, very
+powerful friends, as you know, have helped with all their might
+to search every convent in France, Italy, Spain, Sicily, and
+America. Love burned more brightly for every vain search. Again
+and again I made long journeys with a false hope; I have wasted
+my life and the heaviest throbbings of my heart in vain under
+many a dark convent wall. I am not speaking of a faithfulness
+that knows no bounds, for what is it?--nothing compared with the
+infinite longings of my love. If your remorse long ago was
+sincere, you ought not to hesitate to follow me today."
+
+"You forget that I am not free."
+
+"The Duke is dead," he answered quickly.
+
+Sister Theresa flushed red.
+
+"May heaven be open to him!" she cried with a quick rush of
+feeling. "He was generous to me.--But I did not mean such ties;
+it was one of my sins that I was ready to break them all without
+scruple--for you."
+
+"Are you speaking of your vows?" the General asked, frowning. "I
+did not think that anything weighed heavier with your heart than
+love. But do not think twice of it, Antoinette; the Holy Father
+himself shall absolve you of your oath. I will surely go to Rome,
+I will entreat all the powers of earth; if God could come down
+from heaven, I would----"
+
+"Do not blaspheme."
+
+"So do not fear the anger of God. Ah! I would far rather hear
+that you would leave your prison for me; that this very night you
+would let yourself down into a boat at the foot of the cliffs.
+And we would go away to be happy somewhere at the world's end, I
+know not where. And with me at your side, you should come back
+to life and health under the wings of love."
+
+"You must not talk like this," said Sister Theresa; "you do
+not know what you are to me now. I love you far better than I
+ever loved you before. Every day I pray for you; I see you with
+other eyes. Armand, if you but knew the happiness of giving
+yourself up, without shame, to a pure friendship which God
+watches over! You do not know what joy it is to me to pray for
+heaven's blessing on you. I never pray for myself: God will do
+with me according to His will; but, at the price of my soul, I
+wish I could be sure that you are happy here on earth, and that
+you will be happy hereafter throughout all ages. My eternal life
+is all that trouble has left me to offer up to you. I am old now
+with weeping; I am neither young nor fair; and in any case, you
+could not respect the nun who became a wife; no love, not even
+motherhood, could give me absolution. . . . What can you say to
+outweigh the uncounted thoughts that have gathered in my heart
+during the past five years, thoughts that have changed, and worn,
+and blighted it? I ought to have given a heart less sorrowful to
+God."
+
+"What can I say? Dear Antoinette, I will say this, that I love
+you; that affection, love, a great love, the joy of living in
+another heart that is ours, utterly and wholly ours, is so rare a
+thing and so hard to find, that I doubted you, and put you to
+sharp proof; but now, today, I love you, Antoinette, with all my
+soul's strength. . . . If you will follow me into solitude, I
+will hear no voice but yours, I will see no other face."
+
+"Hush, Armand! You are shortening the little time that we may
+be together here on earth."
+
+"Antoinette, will you come with me?"
+
+"I am never away from you. My life is in your heart, not
+through the selfish ties of earthly happiness, or vanity, or
+enjoyment; pale and withered as I am, I live here for you, in
+the breast of God. As God is just, you shall be happy----"
+
+"Words, words all of it! Pale and withered? How if I want you?
+How if I cannot be happy without you? Do you still think of
+nothing but duty with your lover before you? Is he never to come
+first and above all things else in your heart? In time past you
+put social success, yourself, heaven knows what, before him; now
+it is God, it is the welfare of my soul! In Sister Theresa I
+find the Duchess over again, ignorant of the happiness of love,
+insensible as ever, beneath the semblance of sensibility. You do
+not love me; you have never loved me----"
+
+"Oh, my brother----!"
+
+"You do not wish to leave this tomb. You love my soul, do you
+say? Very well, through you it will be lost forever. I shall
+make away with myself----"
+
+"Mother!" Sister Theresa called aloud in Spanish, "I have lied
+to you; this man is my lover!"
+
+The curtain fell at once. The General, in his stupor, scarcely
+heard the doors within as they clanged.
+
+"Ah! she loves me still!" he cried, understanding all the
+sublimity of that cry of hers. "She loves me still. She must
+be carried off. . . ."
+
+
+
+The General left the island, returned to headquarters, pleaded
+ill-health, asked for leave of absence, and forthwith took his
+departure for France.
+
+And now for the incidents which brought the two personages in
+this Scene into their present relation to each other.
+
+
+
+The thing known in France as the Faubourg Saint-Germain is
+neither a Quarter, nor a sect, nor an institution, nor anything
+else that admits of a precise definition. There are great houses
+in the Place Royale, the Faubourg Saint-Honore, and the Chaussee
+d'Antin, in any one of which you may breathe the same atmosphere
+of Faubourg Saint-Germain. So, to begin with, the whole Faubourg
+is not within the Faubourg. There are men and women born far
+enough away from its influences who respond to them and take
+their place in the circle; and again there are others, born
+within its limits, who may yet be driven forth forever. For the
+last forty years the manners, and customs, and speech, in a word,
+the tradition of the Faubourg Saint-Germain, has been to Paris
+what the Court used to be in other times; it is what the Hotel
+Saint-Paul was to the fourteenth century; the Louvre to the
+fifteenth; the Palais, the Hotel Rambouillet, and the Place
+Royale to the sixteenth; and lastly, as Versailles was to the
+seventeenth and the eighteenth.
+
+Just as the ordinary workaday Paris will always centre about some
+point; so, through all periods of history, the Paris of the
+nobles and the upper classes converges towards some particular
+spot. It is a periodically recurrent phenomenon which presents
+ample matter for reflection to those who are fain to observe or
+describe the various social zones; and possibly an enquiry into
+the causes that bring about this centralization may do more than
+merely justify the probability of this episode; it may be of
+service to serious interests which some day will be more deeply
+rooted in the commonwealth, unless, indeed, experience is as
+meaningless for political parties as it is for youth.
+
+In every age the great nobles, and the rich who always ape the
+great nobles, build their houses as far as possible from crowded
+streets. When the Duc d'Uzes built his splendid hotel in the Rue
+Montmartre in the reign of Louis XIV, and set the fountain at his
+gates--for which beneficent action, to say nothing of his other
+virtues, he was held in such veneration that the whole quarter
+turned out in a body to follow his funeral--when the Duke, I say,
+chose this site for his house, he did so because that part of
+Paris was almost deserted in those days. But when the
+fortifications were pulled down, and the market gardens beyond
+the line of the boulevards began to fill with houses, then the
+d'Uzes family left their fine mansion, and in our time it was
+occupied by a banker. Later still, the noblesse began to find
+themselves out of their element among shopkeepers, left the Place
+Royale and the centre of Paris for good, and crossed the river to
+breathe freely in the Faubourg Saint-Germain, where palaces were
+reared already about the great hotel built by Louis XIV for the
+Duc de Maine--the Benjamin among his legitimated offspring. And
+indeed, for people accustomed to a stately life, can there be
+more unseemly surroundings than the bustle, the mud, the street
+cries, the bad smells, and narrow thoroughfares of a populous
+quarter? The very habits of life in a mercantile or
+manufacturing district are completely at variance with the lives
+of nobles. The shopkeeper and artisan are just going to bed when
+the great world is thinking of dinner; and the noisy stir of life
+begins among the former when the latter have gone to rest. Their
+day's calculations never coincide; the one class represents the
+expenditure, the other the receipts. Consequently their manners
+and customs are diametrically opposed.
+
+Nothing contemptuous is intended by this statement. An
+aristocracy is in a manner the intellect of the social system, as
+the middle classes and the proletariat may be said to be its
+organizing and working power. It naturally follows that these
+forces are differently situated; and of their antagonism there is
+bred a seeming antipathy produced by the performance of different
+functions, all of them, however, existing for one common end.
+
+Such social dissonances are so inevitably the outcome of any
+charter of the constitution, that however much a Liberal may be
+disposed to complain of them, as of treason against those sublime
+ideas with which the ambitious plebeian is apt to cover his
+designs, he would none the less think it a preposterous notion
+that M. le Prince de Montmorency, for instance, should continue
+to live in the Rue Saint-Martin at the corner of the street which
+bears that nobleman's name; or that M. le Duc de Fitz-James,
+descendant of the royal house of Scotland, should have his hotel
+at the angle of the Rue Marie Stuart and the Rue Montorgueil.
+_Sint ut sunt, aut non sint_, the grand words of the Jesuit, might
+be taken as a motto by the great in all countries. These social
+differences are patent in all ages; the fact is always accepted
+by the people; its "reasons of state" are self-evident; it is
+at once cause and effect, a principle and a law. The common
+sense of the masses never deserts them until demagogues stir them
+up to gain ends of their own; that common sense is based on the
+verities of social order; and the social order is the same
+everywhere, in Moscow as in London, in Geneva as in Calcutta.
+Given a certain number of families of unequal fortune in any
+given space, you will see an aristocracy forming under your eyes;
+there will be the patricians, the upper classes, and yet other
+ranks below them. Equality may be a _right_, but no power on earth
+can convert it into _fact_. It would be a good thing for France if
+this idea could be popularized. The benefits of political
+harmony are obvious to the least intelligent classes. Harmony
+is, as it were, the poetry of order, and order is a matter of
+vital importance to the working population. And what is order,
+reduced to its simplest expression, but the agreement of things
+among themselves--unity, in short? Architecture, music, and
+poetry, everything in France, and in France more than in any
+other country, is based upon this principle; it is written upon
+the very foundations of her clear accurate language, and a
+language must always be the most infallible index of national
+character. In the same way you may note that the French popular
+airs are those most calculated to strike the imagination, the
+best-modulated melodies are taken over by the people; clearness
+of thought, the intellectual simplicity of an idea attracts them;
+they like the incisive sayings that hold the greatest number of
+ideas. France is the one country in the world where a little phrase
+may bring about a great revolution. Whenever the masses have risen,
+it has been to bring men, affairs, and principles into agreement.
+No nation has a clearer conception of that idea of unity which
+should permeate the life of an aristocracy; possibly no other
+nation has so intelligent a comprehension of a political
+necessity; history will never find her behind the time. France
+has been led astray many a time, but she is deluded, woman-like,
+by generous ideas, by a glow of enthusiasm which at first
+outstrips sober reason.
+
+So, to begin with, the most striking characteristic of the
+Faubourg is the splendour of its great mansions, its great
+gardens, and a surrounding quiet in keeping with princely
+revenues drawn from great estates. And what is this distance set
+between a class and a whole metropolis but visible and outward
+expression of the widely different attitude of mind which must
+inevitably keep them apart? The position of the head is well
+defined in every organism. If by any chance a nation allows its
+head to fall at its feet, it is pretty sure sooner or later to
+discover that this is a suicidal measure; and since nations have
+no desire to perish, they set to work at once to grow a new head.
+If they lack the strength for this, they perish as Rome perished,
+and Venice, and so many other states.
+
+This distinction between the upper and lower spheres of social
+activity, emphasized by differences in their manner of living,
+necessarily implies that in the highest aristocracy there is real
+worth and some distinguishing merit. In any state, no matter
+what form of "government" is affected, so soon as the patrician
+class fails to maintain that complete superiority which is the
+condition of its existence, it ceases to be a force, and is
+pulled down at once by the populace. The people always wish to
+see money, power, and initiative in their leaders, hands, hearts,
+and heads; they must be the spokesmen, they must represent the
+intelligence and the glory of the nation. Nations, like women,
+love strength in those who rule them; they cannot give love
+without respect; they refuse utterly to obey those of whom they
+do not stand in awe. An aristocracy fallen into contempt is a
+_roi faineant_, a husband in petticoats; first it ceases to be
+itself, and then it ceases to be.
+
+And in this way the isolation of the great, the sharply marked
+distinction in their manner of life, or in a word, the general
+custom of the patrician caste is at once the sign of a real
+power, and their destruction so soon as that power is lost. The
+Faubourg Saint-Germain failed to recognise the conditions of its
+being, while it would still have been easy to perpetuate its
+existence, and therefore was brought low for a time. The
+Faubourg should have looked the facts fairly in the face, as the
+English aristocracy did before them; they should have seen that
+every institution has its climacteric periods, when words lose
+their old meanings, and ideas reappear in a new guise, and the
+whole conditions of politics wear a changed aspect, while the
+underlying realities undergo no essential alteration.
+
+These ideas demand further development which form an essential
+part of this episode; they are given here both as a succinct
+statement of the causes, and an explanation of the things which
+happen in the course of the story.
+
+The stateliness of the castles and palaces where nobles dwell;
+the luxury of the details; the constantly maintained
+sumptuousness of the furniture; the "atmosphere" in which the
+fortunate owner of landed estates (a rich man before he was born)
+lives and moves easily and without friction; the habit of mind
+which never descends to calculate the petty workaday gains of
+existence; the leisure; the higher education attainable at a much
+earlier age; and lastly, the aristocratic tradition that makes of
+him a social force, for which his opponents, by dint of study and
+a strong will and tenacity of vocation, are scarcely a match-all
+these things should contribute to form a lofty spirit in a man,
+possessed of such privileges from his youth up; they should stamp
+his character with that high self-respect, of which the least
+consequence is a nobleness of heart in harmony with the noble
+name that he bears. And in some few families all this is
+realised. There are noble characters here and there in the
+Faubourg, but they are marked exceptions to a general rule of
+egoism which has been the ruin of this world within a world. The
+privileges above enumerated are the birthright of the French
+noblesse, as of every patrician efflorescence ever formed on the
+surface of a nation; and will continue to be theirs so long as
+their existence is based upon real estate, or money; _domaine-sol_
+and _domaine-argent_ alike, the only solid bases of an organized
+society; but such privileges are held upon the understanding that
+the patricians must continue to justify their existence. There
+is a sort of moral _fief_ held on a tenure of service rendered to
+the sovereign, and here in France the people are undoubtedly the
+sovereigns nowadays. The times are changed, and so are the
+weapons. The knight-banneret of old wore a coat of chain armor
+and a hauberk; he could handle a lance well and display his
+pennon, and no more was required of him; today he is bound to
+give proof of his intelligence. A stout heart was enough in the
+days of old; in our days he is required to have a capacious
+brain-pan. Skill and knowledge and capital--these three points
+mark out a social triangle on which the scutcheon of power is
+blazoned; our modern aristocracy must take its stand on these.
+
+A fine theorem is as good as a great name. The Rothschilds, the
+Fuggers of the nineteenth century, are princes _de facto_. A great
+artist is in reality an oligarch; he represents a whole century,
+and almost always he is a law to others. And the art of words,
+the high pressure machinery of the writer, the poet's genius, the
+merchant's steady endurance, the strong will of the statesman who
+concentrates a thousand dazzling qualities in himself, the
+general's sword--all these victories, in short, which a single
+individual will win, that he may tower above the rest of the
+world, the patrician class is now bound to win and keep
+exclusively. They must head the new forces as they once headed
+the material forces; how should they keep the position unless
+they are worthy of it? How, unless they are the soul and brain
+of a nation, shall they set its hands moving? How lead a people
+without the power of command? And what is the marshal's baton
+without the innate power of the captain in the man who wields it?
+The Faubourg Saint-Germain took to playing with batons, and
+fancied that all the power was in its hands. It inverted the
+terms of the proposition which called it into existence. And
+instead of flinging away the insignia which offended the people,
+and quietly grasping the power, it allowed the bourgeoisie to
+seize the authority, clung with fatal obstinacy to its shadow,
+and over and over again forgot the laws which a minority must
+observe if it would live. When an aristocracy is scarce a
+thousandth part of the body social, it is bound today, as of old,
+to multiply its points of action, so as to counterbalance the
+weight of the masses in a great crisis. And in our days those
+means of action must be living forces, and not historical
+memories.
+
+In France, unluckily, the noblesse were still so puffed up with
+the notion of their vanished power, that it was difficult to
+contend against a kind of innate presumption in themselves.
+Perhaps this is a national defect. The Frenchman is less given
+than anyone else to undervalue himself; it comes natural to him
+to go from his degree to the one above it; and while it is a rare
+thing for him to pity the unfortunates over whose heads he rises,
+he always groans in spirit to see so many fortunate people above
+him. He is very far from heartless, but too often he prefers to
+listen to his intellect. The national instinct which brings the
+Frenchman to the front, the vanity that wastes his substance, is
+as much a dominant passion as thrift in the Dutch. For three
+centuries it swayed the noblesse, who, in this respect, were
+certainly pre-eminently French. The scion of the Faubourg
+Saint-Germain, beholding his material superiority, was fully
+persuaded of his intellectual superiority. And everything
+contributed to confirm him in his belief; for ever since the
+Faubourg Saint-Germain existed at all--which is to say, ever
+since Versailles ceased to be the royal residence--the Faubourg,
+with some few gaps in continuity, was always backed up by the
+central power, which in France seldom fails to support that side.
+Thence its downfall in 1830.
+
+At that time the party of the Faubourg Saint-Germain was rather
+like an army without a base of operation. It had utterly failed
+to take advantage of the peace to plant itself in the heart of
+the nation. It sinned for want of learning its lesson, and
+through an utter incapability of regarding its interests as a
+whole. A future certainty was sacrificed to a doubtful present
+gain. This blunder in policy may perhaps be attributed to the
+following cause.
+
+The class-isolation so strenuously kept up by the noblesse
+brought about fatal results during the last forty years; even
+caste-patriotism was extinguished by it, and rivalry fostered
+among themselves. When the French noblesse of other times were
+rich and powerful, the nobles (_gentilhommes_) could choose their
+chiefs and obey them in the hour of danger. As their power
+diminished, they grew less amenable to discipline; and as in the
+last days of the Byzantine Empire, everyone wished to be emperor.
+They mistook their uniform weakness for uniform strength.
+
+Each family ruined by the Revolution and the abolition of the law
+of primogeniture thought only of itself, and not at all of the
+great family of the noblesse. It seemed to them that as each
+individual grew rich, the party as a whole would gain in
+strength. And herein lay their mistake. Money, likewise, is
+only the outward and visible sign of power. All these families
+were made up of persons who preserved a high tradition of
+courtesy, of true graciousness of life, of refined speech, with a
+family pride, and a squeamish sense of _noblesse oblige_ which
+suited well with the kind of life they led; a life wholly filled
+with occupations which become contemptible so soon as they cease
+to be accessories and take the chief place in existence. There
+was a certain intrinsic merit in all these people, but the merit
+was on the surface, and none of them were worth their face-value.
+
+Not a single one among those families had courage to ask itself
+the question, "Are we strong enough for the responsibility of
+power?" They were cast on the top, like the lawyers of 1830;
+and instead of taking the patron's place, like a great man, the
+Faubourg Saint-Germain showed itself greedy as an upstart. The
+most intelligent nation in the world perceived clearly that the
+restored nobles were organizing everything for their own
+particular benefit. From that day the noblesse was doomed. The
+Faubourg Saint-Germain tried to be an aristocracy when it could
+only be an oligarchy--two very different systems, as any man may
+see for himself if he gives an intelligent perusal to the list of
+the patronymics of the House of Peers.
+
+The King's Government certainly meant well; but the maxim that
+the people must be made to _will_ everything, even their own
+welfare, was pretty constantly forgotten, nor did they bear in
+mind that La France is a woman and capricious, and must be happy
+or chastised at her own good pleasure. If there had been many
+dukes like the Duc de Laval, whose modesty made him worthy of the
+name he bore, the elder branch would have been as securely seated
+on the throne as the House of Hanover at this day.
+
+In 1814 the noblesse of France were called upon to assert their
+superiority over the most aristocratic bourgeoisie in the most
+feminine of all countries, to take the lead in the most highly
+educated epoch the world had yet seen. And this was even more
+notably the case in 1820. The Faubourg Saint-Germain might very
+easily have led and amused the middle classes in days when
+people's heads were turned with distinctions, and art and science
+were all the rage. But the narrow-minded leaders of a time of
+great intellectual progress all of them detested art and science.
+They had not even the wit to present religion in attractive
+colours, though they needed its support. While Lamartine,
+Lamennais, Montalembert, and other writers were putting new life
+and elevation into men's ideas of religion, and gilding it with
+poetry, these bunglers in the Government chose to make the
+harshness of their creed felt all over the country. Never was
+nation in a more tractable humour; La France, like a tired woman,
+was ready to agree to anything; never was mismanagement so
+clumsy; and La France, like a woman, would have forgiven wrongs
+more easily than bungling.
+
+If the noblesse meant to reinstate themselves, the better to
+found a strong oligarchy, they should have honestly and
+diligently searched their Houses for men of the stamp that
+Napoleon used; they should have turned themselves inside out to
+see if peradventure there was a Constitutionalist Richelieu
+lurking in the entrails of the Faubourg; and if that genius was
+not forthcoming from among them, they should have set out to find
+him, even in the fireless garret where he might happen to be
+perishing of cold; they should have assimilated him, as the
+English House of Lords continually assimilates aristocrats made
+by chance; and finally ordered him to be ruthless, to lop away
+the old wood, and cut the tree down to the living shoots. But,
+in the first place, the great system of English Toryism was far
+too large for narrow minds; the importation required time, and in
+France a tardy success is no better than a fiasco. So far,
+moreover, from adopting a policy of redemption, and looking for
+new forces where God puts them, these petty great folk took a
+dislike to any capacity that did not issue from their midst; and,
+lastly, instead of growing young again, the Faubourg
+Saint-Germain grew positively older.
+
+Etiquette, not an institution of primary necessity, might have
+been maintained if it had appeared only on state occasions, but
+as it was, there was a daily wrangle over precedence; it ceased
+to be a matter of art or court ceremonial, it became a question
+of power. And if from the outset the Crown lacked an adviser
+equal to so great a crisis, the aristocracy was still more
+lacking in a sense of its wider interests, an instinct which
+might have supplied the deficiency. They stood nice about M. de
+Talleyrand's marriage, when M. de Talleyrand was the one man
+among them with the steel-encompassed brains that can forge a new
+political system and begin a new career of glory for a nation.
+The Faubourg scoffed at a minister if he was not gently born, and
+produced no one of gentle birth that was fit to be a minister.
+There were plenty of nobles fitted to serve their country by
+raising the dignity of justices of the peace, by improving the
+land, by opening out roads and canals, and taking an active and
+leading part as country gentlemen; but these had sold their
+estates to gamble on the Stock Exchange. Again the Faubourg
+might have absorbed the energetic men among the bourgeoisie, and
+opened their ranks to the ambition which was undermining
+authority; they preferred instead to fight, and to fight unarmed,
+for of all that they once possessed there was nothing left but
+tradition. For their misfortune there was just precisely enough
+of their former wealth left them as a class to keep up their
+bitter pride. They were content with their past. Not one of
+them seriously thought of bidding the son of the house take up
+arms from the pile of weapons which the nineteenth century flings
+down in the market-place. Young men, shut out from office, were
+dancing at Madame's balls, while they should have been doing the
+work done under the Republic and the Empire by young,
+conscientious, harmlessly employed energies. It was their place
+to carry out at Paris the programme which their seniors should
+have been following in the country. The heads of houses might
+have won back recognition of their titles by unremitting
+attention to local interests, by falling in with the spirit of
+the age, by recasting their order to suit the taste of the times.
+
+But, pent up together in the Faubourg Saint-Germain, where the
+spirit of the ancient court and traditions of bygone feuds
+between the nobles and the Crown still lingered on, the
+aristocracy was not whole-hearted in its allegiance to the
+Tuileries, and so much the more easily defeated because it was
+concentrated in the Chamber of Peers, and badly organized even
+there. If the noblesse had woven themselves into a network over
+the country, they could have held their own; but cooped up in
+their Faubourg, with their backs against the Chateau, or spread
+at full length over the Budget, a single blow cut the thread of a
+fast-expiring life, and a petty, smug-faced lawyer came forward
+with the axe. In spite of M. Royer-Collard's admirable
+discourse, the hereditary peerage and law of entail fell before
+the lampoons of a man who made it a boast that he had adroitly
+argued some few heads out of the executioner's clutches, and now
+forsooth must clumsily proceed to the slaying of old institutions.
+
+There are examples and lessons for the future in all this. For
+if there were not still a future before the French aristocracy,
+there would be no need to do more than find a suitable
+sarcophagus; it were something pitilessly cruel to burn the dead
+body of it with fire of Tophet. But though the surgeon's scalpel
+is ruthless, it sometimes gives back life to a dying man; and the
+Faubourg Saint-Germain may wax more powerful under persecution
+than in its day of triumph, if it but chooses to organize itself
+under a leader.
+
+And now it is easy to give a summary of this semi-political
+survey. The wish to re-establish a large fortune was uppermost
+in everyone's mind; a lack of broad views, and a mass of small
+defects, a real need of religion as a political factor, combined
+with a thirst for pleasure which damaged the cause of religion
+and necessitated a good deal of hypocrisy; a certain attitude of
+protest on the part of loftier and clearer-sighted men who set
+their faces against Court jealousies; and the disaffection of the
+provincial families, who often came of purer descent than the
+nobles of the Court which alienated them from itself--all these
+things combined to bring about a most discordant state of things
+in the Faubourg Saint-Germain. It was neither compact in its
+organisation, nor consequent in its action; neither completely
+moral, nor frankly dissolute; it did not corrupt, nor was it
+corrupted; it would neither wholly abandon the disputed points
+which damaged its cause, nor yet adopt the policy that might have
+saved it. In short, however effete individuals might be, the
+party as a whole was none the less armed with all the great
+principles which lie at the roots of national existence. What
+was there in the Faubourg that it should perish in its strength?
+
+It was very hard to please in the choice of candidates; the
+Faubourg had good taste, it was scornfully fastidious, yet there
+was nothing very glorious nor chivalrous truly about its fall.
+
+In the Emigration of 1789 there were some traces of a loftier
+feeling; but in the Emigration of 1830 from Paris into the
+country there was nothing discernible but self-interest. A few
+famous men of letters, a few oratorical triumphs in the Chambers,
+M. de Talleyrand's attitude in the Congress, the taking of
+Algiers, and not a few names that found their way from the
+battlefield into the pages of history--all these things were so
+many examples set before the French noblesse to show that it was
+still open to them to take their part in the national existence,
+and to win recognition of their claims, if, indeed, they could
+condescend thus far. In every living organism the work of
+bringing the whole into harmony within itself is always going on.
+If a man is indolent, the indolence shows itself in everything
+that he does; and, in the same manner, the general spirit of a
+class is pretty plainly manifested in the face it turns on the
+world, and the soul informs the body.
+
+The women of the Restoration displayed neither the proud
+disregard of public opinion shown by the court ladies of olden
+time in their wantonness, nor yet the simple grandeur of the
+tardy virtues by which they expiated their sins and shed so
+bright a glory about their names. There was nothing either very
+frivolous or very serious about the woman of the Restoration.
+She was hypocritical as a rule in her passion, and compounded, so
+to speak, with its pleasures. Some few families led the domestic
+life of the Duchesse d'Orleans, whose connubial couch was
+exhibited so absurdly to visitors at the Palais Royal. Two or
+three kept up the traditions of the Regency, filling cleverer
+women with something like disgust. The great lady of the new
+school exercised no influence at all over the manners of the
+time; and yet she might have done much. She might, at worst,
+have presented as dignified a spectacle as English-women of the
+same rank. But she hesitated feebly among old precedents, became
+a bigot by force of circumstances, and allowed nothing of herself
+to appear, not even her better qualities.
+
+Not one among the Frenchwomen of that day had the ability to
+create a salon whither leaders of fashion might come to take
+lessons in taste and elegance. Their voices, which once laid
+down the law to literature, that living expression of a time, now
+counted absolutely for nought. Now when a literature lacks a
+general system, it fails to shape a body for itself, and dies out
+with its period.
+
+When in a nation at any time there is a people apart thus
+constituted, the historian is pretty certain to find some
+representative figure, some central personage who embodies the
+qualities and the defects of the whole party to which he belongs;
+there is Coligny, for instance, among the Huguenots, the
+Coadjuteur in the time of the Fronde, the Marechal de Richelieu
+under Louis XV, Danton during the Terror. It is in the nature of
+things that the man should be identified with the company in
+which history finds him. How is it possible to lead a party
+without conforming to its ideas? or to shine in any epoch unless
+a man represents the ideas of his time? The wise and prudent
+head of a party is continually obliged to bow to the prejudices
+and follies of its rear; and this is the cause of actions for
+which he is afterwards criticised by this or that historian
+sitting at a safer distance from terrific popular explosions,
+coolly judging the passion and ferment without which the great
+struggles of the world could not be carried on at all. And if
+this is true of the Historical Comedy of the Centuries, it is
+equally true in a more restricted sphere in the detached scenes
+of the national drama known as the _Manners of the Age_.
+
+
+
+At the beginning of that ephemeral life led by the Faubourg
+Saint-Germain under the Restoration, to which, if there is any
+truth in the above reflections, they failed to give stability,
+the most perfect type of the aristocratic caste in its weakness
+and strength, its greatness and littleness, might have been found
+for a brief space in a young married woman who belonged to it.
+This was a woman artificially educated, but in reality ignorant;
+a woman whose instincts and feelings were lofty while the thought
+which should have controlled them was wanting. She squandered
+the wealth of her nature in obedience to social conventions; she
+was ready to brave society, yet she hesitated till her scruples
+degenerated into artifice. With more wilfulness than real force
+of character, impressionable rather than enthusiastic, gifted
+with more brain than heart; she was supremely a woman, supremely
+a coquette, and above all things a Parisienne, loving a brilliant
+life and gaiety, reflecting never, or too late; imprudent to the
+verge of poetry, and humble in the depths of her heart, in spite
+of her charming insolence. Like some straight-growing reed, she
+made a show of independence; yet, like the reed, she was ready to
+bend to a strong hand. She talked much of religion, and had it
+not at heart, though she was prepared to find in it a solution of
+her life. How explain a creature so complex? Capable of heroism,
+yet sinking unconsciously from heroic heights to utter a spiteful
+word; young and sweet-natured, not so much old at heart as aged
+by the maxims of those about her; versed in a selfish philosophy
+in which she was all unpractised, she had all the vices of a
+courtier, all the nobleness of developing womanhood. She trusted
+nothing and no one, yet there were times when she quitted her
+sceptical attitude for a submissive credulity.
+
+How should any portrait be anything but incomplete of her, in
+whom the play of swiftly-changing colour made discord only to
+produce a poetic confusion? For in her there shone a divine
+brightness, a radiance of youth that blended all her bewildering
+characteristics in a certain completeness and unity informed by
+her charm. Nothing was feigned. The passion or semi-passion,
+the ineffectual high aspirations, the actual pettiness, the
+coolness of sentiment and warmth of impulse, were all spontaneous
+and unaffected, and as much the outcome of her own position as of
+the position of the aristocracy to which she belonged. She was
+wholly self-contained; she put herself proudly above the world
+and beneath the shelter of her name. There was something of the
+egoism of Medea in her life, as in the life of the aristocracy
+that lay a-dying, and would not so much as raise itself or
+stretch out a hand to any political physician; so well aware of
+its feebleness, or so conscious that it was already dust, that it
+refused to touch or be touched.
+
+The Duchesse de Langeais (for that was her name) had been married
+for about four years when the Restoration was finally
+consummated, which is to say, in 1816. By that time the
+revolution of the Hundred Days had let in the light on the mind
+of Louis XVIII. In spite of his surroundings, he comprehended
+the situation and the age in which he was living; and it was only
+later, when this Louis XI, without the axe, lay stricken down by
+disease, that those about him got the upper hand. The Duchesse
+de Langeais, a Navarreins by birth, came of a ducal house which
+had made a point of never marrying below its rank since the reign
+of Louis XIV. Every daughter of the house must sooner or later
+take a _tabouret_ at Court. So, Antoinette de Navarreins, at the
+age of eighteen, came out of the profound solitude in which her
+girlhood had been spent to marry the Duc de Langeais' eldest
+son. The two families at that time were living quite out of the
+world; but after the invasion of France, the return of the
+Bourbons seemed to every Royalist mind the only possible way of
+putting an end to the miseries of the war.
+
+The Ducs de Navarreins and de Langeais had been faithful
+throughout to the exiled Princes, nobly resisting all the
+temptations of glory under the Empire. Under the circumstances
+they naturally followed out the old family policy; and Mlle
+Antoinette, a beautiful and portionless girl, was married to M.
+le Marquis de Langeais only a few months before the death of the
+Duke his father.
+
+After the return of the Bourbons, the families resumed their
+rank, offices, and dignity at Court; once more they entered
+public life, from which hitherto they held aloof, and took their
+place high on the sunlit summits of the new political world. In
+that time of general baseness and sham political conversions, the
+public conscience was glad to recognise the unstained loyalty of
+the two houses, and a consistency in political and private life
+for which all parties involuntarily respected them. But,
+unfortunately, as so often happens in a time of transition, the
+most disinterested persons, the men whose loftiness of view and
+wise principles would have gained the confidence of the French
+nation and led them to believe in the generosity of a novel and
+spirited policy--these men, to repeat, were taken out of affairs,
+and public business was allowed to fall into the hands of others,
+who found it to their interest to push principles to their
+extreme consequences by way of proving their devotion.
+
+The families of Langeais and Navarreins remained about the Court,
+condemned to perform the duties required by Court ceremonial amid
+the reproaches and sneers of the Liberal party. They were
+accused of gorging themselves with riches and honours, and all
+the while their family estates were no larger than before, and
+liberal allowances from the civil list were wholly expended in
+keeping up the state necessary for any European government, even
+if it be a Republic.
+
+In 1818, M. le Duc de Langeais commanded a division of the army,
+and the Duchess held a post about one of the Princesses, in
+virtue of which she was free to live in Paris and apart from her
+husband without scandal. The Duke, moreover, besides his
+military duties, had a place at Court, to which he came during
+his term of waiting, leaving his major-general in command. The
+Duke and Duchess were leading lives entirely apart, the world
+none the wiser. Their marriage of convention shared the fate of
+nearly all family arrangements of the kind. Two more
+antipathetic dispositions could not well have been found; they
+were brought together; they jarred upon each other; there was
+soreness on either side; then they were divided once for all.
+Then they went their separate ways, with a due regard for
+appearances. The Duc de Langeais, by nature as methodical as the
+Chevalier de Folard himself, gave himself up methodically to his
+own tastes and amusements, and left his wife at liberty to do as
+she pleased so soon as he felt sure of her character. He
+recognised in her a spirit pre-eminently proud, a cold heart, a
+profound submissiveness to the usages of the world, and a
+youthful loyalty. Under the eyes of great relations, with the
+light of a prudish and bigoted Court turned full upon the
+Duchess, his honour was safe.
+
+So the Duke calmly did as the _grands seigneurs_ of the eighteenth
+century did before him, and left a young wife of two-and-twenty
+to her own devices. He had deeply offended that wife, and in her
+nature there was one appalling characteristic--she would never
+forgive an offence when woman's vanity and self-love, with all
+that was best in her nature perhaps, had been slighted, wounded
+in secret. Insult and injury in the face of the world a woman
+loves to forget; there is a way open to her of showing herself
+great; she is a woman in her forgiveness; but a secret offence
+women never pardon; for secret baseness, as for hidden virtues
+and hidden love, they have no kindness.
+
+This was Mme la Duchesse de Langeais' real position, unknown to
+the world. She herself did not reflect upon it. It was the time
+of the rejoicings over the Duc de Berri's marriage. The Court
+and the Faubourg roused itself from its listlessness and reserve.
+This was the real beginning of that unheard-of splendour which
+the Government of the Restoration carried too far. At that time
+the Duchess, whether for reasons of her own, or from vanity,
+never appeared in public without a following of women equally
+distinguished by name and fortune. As queen of fashion she had
+her _dames d'atours_, her ladies, who modeled their manner and
+their wit on hers. They had been cleverly chosen. None of her
+satellites belonged to the inmost Court circle, nor to the
+highest level of the Faubourg Saint-Germain; but they had set
+their minds upon admission to those inner sanctuaries. Being as
+yet simple denominations, they wished to rise to the neighbourhood
+of the throne, and mingle with the seraphic powers in the high
+sphere known as _le petit chateau_. Thus surrounded, the Duchess's
+position was stronger and more commanding and secure. Her
+"ladies" defended her character and helped her to play her
+detestable part of a woman of fashion. She could laugh at men at
+her ease, play with fire, receive the homage on which the
+feminine nature is nourished, and remain mistress of herself.
+
+At Paris, in the highest society of all, a woman is a woman
+still; she lives on incense, adulation, and honours. No beauty,
+however undoubted, no face, however fair, is anything without
+admiration. Flattery and a lover are proofs of power. And what
+is power without recognition? Nothing. If the prettiest of
+women were left alone in a corner of a drawing-room, she would
+droop. Put her in the very centre and summit of social grandeur,
+she will at once aspire to reign over all hearts--often because
+it is out of her power to be the happy queen of one. Dress and
+manner and coquetry are all meant to please one of the poorest
+creatures extant--the brainless coxcomb, whose handsome face is
+his sole merit; it was for such as these that women threw
+themselves away. The gilded wooden idols of the Restoration, for
+they were neither more nor less, had neither the antecedents of
+the _petits maitres_ of the time of the Fronde, nor the rough
+sterling worth of Napoleon's heroes, not the wit and fine manners
+of their grandsires; but something of all three they meant to be
+without any trouble to themselves. Brave they were, like all
+young Frenchmen; ability they possessed, no doubt, if they had
+had a chance of proving it, but their places were filled up by
+the old worn-out men, who kept them in leading strings. It was a
+day of small things, a cold prosaic era. Perhaps it takes a long
+time for a Restoration to become a Monarchy.
+
+For the past eighteen months the Duchesse de Langeais had been
+leading this empty life, filled with balls and subsequent visits,
+objectless triumphs, and the transient loves that spring up and
+die in an evening's space. All eyes were turned on her when she
+entered a room; she reaped her harvest of flatteries and some few
+words of warmer admiration, which she encouraged by a gesture or
+a glance, but never suffered to penetrate deeper than the skin.
+Her tone and bearing and everything else about her imposed her
+will upon others. Her life was a sort of fever of vanity and
+perpetual enjoyment, which turned her head. She was daring
+enough in conversation; she would listen to anything, corrupting
+the surface, as it were, of her heart. Yet when she returned
+home, she often blushed at the story that had made her laugh; at
+the scandalous tale that supplied the details, on the strength of
+which she analyzed the love that she had never known, and marked
+the subtle distinctions of modern passion, not with comment on
+the part of complacent hypocrites. For women know how to say
+everything among themselves, and more of them are ruined by each
+other than corrupted by men.
+
+There came a moment when she discerned that not until a woman is
+loved will the world fully recognise her beauty and her wit.
+What does a husband prove? Simply that a girl or woman was
+endowed with wealth, or well brought up; that her mother managed
+cleverly that in some way she satisfied a man's ambitions. A
+lover constantly bears witness to her personal perfections. Then
+followed the discovery still in Mme de Langeais' early womanhood,
+that it was possible to be loved without committing herself,
+without permission, without vouchsafing any satisfaction beyond
+the most meagre dues. There was more than one demure feminine
+hypocrite to instruct her in the art of playing such dangerous
+comedies.
+
+So the Duchess had her court, and the number of her adorers and
+courtiers guaranteed her virtue. She was amiable and
+fascinating; she flirted till the ball or the evening's gaiety
+was at an end. Then the curtain dropped. She was cold,
+indifferent, self-contained again till the next day brought its
+renewed sensations, superficial as before. Two or three men were
+completely deceived, and fell in love in earnest. She laughed at
+them, she was utterly insensible. "I am loved!" she told
+herself. "He loves me!" The certainty sufficed her. It is
+enough for the miser to know that his every whim might be
+fulfilled if he chose; so it was with the Duchess, and perhaps
+she did not even go so far as to form a wish.
+
+One evening she chanced to be at the house of an intimate friend
+Mme la Vicomtesse de Fontaine, one of the humble rivals who
+cordially detested her, and went with her everywhere. In a
+"friendship" of this sort both sides are on their guard, and
+never lay their armor aside; confidences are ingeniously
+indiscreet, and not unfrequently treacherous. Mme de Langeais
+had distributed her little patronizing, friendly, or freezing
+bows, with the air natural to a woman who knows the worth of her
+smiles, when her eyes fell upon a total stranger. Something in
+the man's large gravity of aspect startled her, and, with a
+feeling almost like dread, she turned to Mme de Maufrigneuse
+with, "Who is the newcomer, dear?"
+
+"Someone that you have heard of, no doubt. The Marquis de
+Montriveau."
+
+"Oh! is it he?"
+
+She took up her eyeglass and submitted him to a very insolent
+scrutiny, as if he had been a picture meant to receive glances,
+not to return them.
+
+"Do introduce him; he ought to be interesting."
+
+"Nobody more tiresome and dull, dear. But he is the fashion."
+
+M. Armand de Montriveau, at that moment all unwittingly the
+object of general curiosity, better deserved attention than any
+of the idols that Paris needs must set up to worship for a brief
+space, for the city is vexed by periodical fits of craving, a
+passion for _engouement_ and sham enthusiasm, which must be
+satisfied. The Marquis was the only son of General de Montriveau,
+one of the _ci-devants_ who served the Republic nobly, and fell
+by Joubert's side at Novi. Bonaparte had placed his son at the
+school at Chalons, with the orphans of other generals who fell
+on the battlefield, leaving their children under the protection
+of the Republic. Armand de Montriveau left school with his way
+to make, entered the artillery, and had only reached a major's
+rank at the time of the Fontainebleau disaster. In his section
+of the service the chances of advancement were not many. There
+are fewer officers, in the first place, among the gunners than
+in any other corps; and in the second place, the feeling in the
+artillery was decidedly Liberal, not to say Republican; and the
+Emperor, feeling little confidence in a body of highly educated
+men who were apt to think for themselves, gave promotion
+grudgingly in the service. In the artillery, accordingly, the
+general rule of the army did not apply; the commanding officers
+were not invariably the most remarkable men in their department,
+because there was less to be feared from mediocrities. The
+artillery was a separate corps in those days, and only came under
+Napoleon in action.
+
+Besides these general causes, other reasons, inherent in Armand
+de Montriveau's character, were sufficient in themselves to
+account for his tardy promotion. He was alone in the world. He
+had been thrown at the age of twenty into the whirlwind of men
+directed by Napoleon; his interests were bounded by himself, any
+day he might lose his life; it became a habit of mind with him to
+live by his own self-respect and the consciousness that he had
+done his duty. Like all shy men, he was habitually silent; but
+his shyness sprang by no means from timidity; it was a kind of
+modesty in him; he found any demonstration of vanity intolerable.
+There was no sort of swagger about his fearlessness in action;
+nothing escaped his eyes; he could give sensible advice to his
+chums with unshaken coolness; he could go under fire, and duck
+upon occasion to avoid bullets. He was kindly; but his
+expression was haughty and stern, and his face gained him this
+character. In everything he was rigorous as arithmetic; he never
+permitted the slightest deviation from duty on any plausible
+pretext, nor blinked the consequences of a fact. He would lend
+himself to nothing of which he was ashamed; he never asked
+anything for himself; in short, Armand de Montriveau was one of
+many great men unknown to fame, and philosophical enough to
+despise it; living without attaching themselves to life, because
+they have not found their opportunity of developing to the full
+their power to do and feel.
+
+People were afraid of Montriveau; they respected him, but he was
+not very popular. Men may indeed allow you to rise above them,
+but to decline to descend as low as they can do is the one
+unpardonable sin. In their feeling towards loftier natures,
+there is a trace of hate and fear. Too much honour with them
+implies censure of themselves, a thing forgiven neither to the
+living nor to the dead.
+
+After the Emperor's farewells at Fontainebleau, Montriveau, noble
+though he was, was put on half-pay. Perhaps the heads of the War
+Office took fright at uncompromising uprightness worthy of
+antiquity, or perhaps it was known that he felt bound by his oath
+to the Imperial Eagle. During the Hundred Days he was made a
+Colonel of the Guard, and left on the field of Waterloo. His
+wounds kept him in Belgium he was not present at the disbanding
+of the Army of the Loire, but the King's government declined to
+recognise promotion made during the Hundred Days, and Armand de
+Montriveau left France.
+
+An adventurous spirit, a loftiness of thought hitherto satisfied
+by the hazards of war, drove him on an exploring expedition
+through Upper Egypt; his sanity or impulse directed his
+enthusiasm to a project of great importance, he turned his
+attention to that unexplored Central Africa which occupies the
+learned of today. The scientific expedition was long and
+unfortunate. He had made a valuable collection of notes bearing
+on various geographical and commercial problems, of which
+solutions are still eagerly sought; and succeeded, after
+surmounting many obstacles, in reaching the heart of the
+continent, when he was betrayed into the hands of a hostile
+native tribe. Then, stripped of all that he had, for two years
+he led a wandering life in the desert, the slave of savages,
+threatened with death at every moment, and more cruelly treated
+than a dumb animal in the power of pitiless children. Physical
+strength, and a mind braced to endurance, enabled him to survive
+the horrors of that captivity; but his miraculous escape
+well-nigh exhausted his energies. When he reached the French
+colony at Senegal, a half-dead fugitive covered with rags, his
+memories of his former life were dim and shapeless. The great
+sacrifices made in his travels were all forgotten like his
+studies of African dialects, his discoveries, and observations.
+One story will give an idea of all that he passed through. Once
+for several days the children of the sheikh of the tribe amused
+themselves by putting him up for a mark and flinging horses'
+knuckle-bones at his head.
+
+Montriveau came back to Paris in 1818 a ruined man. He had no
+interest, and wished for none. He would have died twenty times
+over sooner than ask a favour of anyone; he would not even press
+the recognition of his claims. Adversity and hardship had
+developed his energy even in trifles, while the habit of
+preserving his self-respect before that spiritual self which we
+call conscience led him to attach consequence to the most
+apparently trivial actions. His merits and adventures became
+known, however, through his acquaintances, among the principal
+men of science in Paris, and some few well-read military men.
+The incidents of his slavery and subsequent escape bore witness
+to a courage, intelligence, and coolness which won him celebrity
+without his knowledge, and that transient fame of which Paris
+salons are lavish, though the artist that fain would keep it must
+make untold efforts.
+
+Montriveau's position suddenly changed towards the end of that
+year. He had been a poor man, he was now rich; or, externally at
+any rate, he had all the advantages of wealth. The King's
+government, trying to attach capable men to itself and to
+strengthen the army, made concessions about that time to
+Napoleon's old officers if their known loyalty and character
+offered guarantees of fidelity. M. de Montriveau's name once
+more appeared in the army list with the rank of colonel; he
+received his arrears of pay and passed into the Guards. All
+these favours, one after another, came to seek the Marquis de
+Montriveau; he had asked for nothing however small. Friends had
+taken the steps for him which he would have refused to take for
+himself.
+
+After this, his habits were modified all at once; contrary to his
+custom, he went into society. He was well received, everywhere
+he met with great deference and respect. He seemed to have found
+some end in life; but everything passed within the man, there
+were no external signs; in society he was silent and cold, and
+wore a grave, reserved face. His social success was great,
+precisely because he stood out in such strong contrast to the
+conventional faces which line the walls of Paris salons. He was,
+indeed, something quite new there. Terse of speech, like a
+hermit or a savage, his shyness was thought to be haughtiness,
+and people were greatly taken with it. He was something strange
+and great. Women generally were so much the more smitten with
+this original person because he was not to be caught by their
+flatteries, however adroit, nor by the wiles with which they
+circumvent the strongest men and corrode the steel temper. Their
+Parisian's grimaces were lost upon M. de Montriveau; his nature
+only responded to the sonorous vibration of lofty thought and
+feeling. And he would very promptly have been dropped but for
+the romance that hung about his adventures and his life; but for
+the men who cried him up behind his back; but for a woman who
+looked for a triumph for her vanity, the woman who was to fill
+his thoughts.
+
+For these reasons the Duchesse de Langeais' curiosity was no
+less lively than natural. Chance had so ordered it that her
+interest in the man before her had been aroused only the day
+before, when she heard the story of one of M. de Montriveau's
+adventures, a story calculated to make the strongest impression
+upon a woman's ever-changing fancy.
+
+During M. de Montriveau's voyage of discovery to the sources of
+the Nile, he had had an argument with one of his guides, surely
+the most extraordinary debate in the annals of travel. The
+district that he wished to explore could only be reached on foot
+across a tract of desert. Only one of his guides knew the way;
+no traveller had penetrated before into that part of the country,
+where the undaunted officer hoped to find a solution of several
+scientific problems. In spite of the representations made to him
+by the guide and the older men of the place, he started upon the
+formidable journey. Summoning up courage, already highly strung
+by the prospect of dreadful difficulties, he set out in the
+morning.
+
+The loose sand shifted under his feet at every step; and when,
+at the end of a long day's march, he lay down to sleep on the
+ground, he had never been so tired in his life. He knew,
+however, that he must be up and on his way before dawn next day,
+and his guide assured him that they should reach the end of their
+journey towards noon. That promise kept up his courage and gave
+him new strength. In spite of his sufferings, he continued his
+march, with some blasphemings against science; he was ashamed to
+complain to his guide, and kept his pain to himself. After
+marching for a third of the day, he felt his strength failing,
+his feet were bleeding, he asked if they should reach the place
+soon. "In an hour's time," said the guide. Armand braced himself
+for another hour's march, and they went on.
+
+The hour slipped by; he could not so much as see against the sky
+the palm-trees and crests of hill that should tell of the end of
+the journey near at hand; the horizon line of sand was vast as
+the circle of the open sea.
+
+He came to a stand, refused to go farther, and threatened the
+guide--he had deceived him, murdered him; tears of rage and
+weariness flowed over his fevered cheeks; he was bowed down with
+fatigue upon fatigue, his throat seemed to be glued by the desert
+thirst. The guide meanwhile stood motionless, listening to these
+complaints with an ironical expression, studying the while, with
+the apparent indifference of an Oriental, the scarcely
+perceptible indications in the lie of the sands, which looked
+almost black, like burnished gold.
+
+"I have made a mistake," he remarked coolly. "I could not
+make out the track, it is so long since I came this way; we are
+surely on it now, but we must push on for two hours."
+
+"The man is right," thought M. de Montriveau.
+
+So he went on again, struggling to follow the pitiless native.
+It seemed as if he were bound to his guide by some thread like
+the invisible tie between the condemned man and the headsman.
+But the two hours went by, Montriveau had spent his last drops of
+energy, and the skyline was a blank, there were no palm-trees, no
+hills. He could neither cry out nor groan, he lay down on the
+sand to die, but his eyes would have frightened the boldest;
+something in his face seemed to say that he would not die alone.
+His guide, like a very fiend, gave him back a cool glance like a
+man that knows his power, left him to lie there, and kept at a
+safe distance out of reach of his desperate victim. At last M.
+Montriveau recovered strength enough for a last curse. The guide
+came nearer, silenced him with a steady look, and said, "Was it not
+your own will to go where I am taking you, in spite of us all? You
+say that I have lied to you. If I had not, you would not be even
+here. Do you want the truth? Here it is. _We have still another five
+hours' march before us, and we cannot go back_. Sound yourself; if
+you have not courage enough, here is my dagger."
+
+Startled by this dreadful knowledge of pain and human strength,
+M. de Montriveau would not be behind a savage; he drew a fresh
+stock of courage from his pride as a European, rose to his feet,
+and followed his guide. The five hours were at an end, and still
+M. de Montriveau saw nothing, he turned his failing eyes upon his
+guide; but the Nubian hoisted him on his shoulders, and showed
+him a wide pool of water with greenness all about it, and a noble
+forest lighted up by the sunset. It lay only a hundred paces
+away; a vast ledge of granite hid the glorious landscape. It
+seemed to Armand that he had taken a new lease of life. His
+guide, that giant in courage and intelligence, finished his work
+of devotion by carrying him across the hot, slippery, scarcely
+discernible track on the granite. Behind him lay the hell of
+burning sand, before him the earthly paradise of the most
+beautiful oasis in the desert.
+
+The Duchess, struck from the first by the appearance of this
+romantic figure, was even more impressed when she learned that
+this was that Marquis de Montriveau of whom she had dreamed
+during the night. She had been with him among the hot desert
+sands, he had been the companion of her nightmare wanderings; for
+such a woman was not this a delightful presage of a new interest
+in her life? And never was a man's exterior a better exponent of
+his character; never were curious glances so well justified. The
+principal characteristic of his great, square-hewn head was the
+thick, luxuriant black hair which framed his face, and gave him a
+strikingly close resemblance to General Kleber; and the likeness
+still held good in the vigorous forehead, in the outlines of his
+face, the quiet fearlessness of his eyes, and a kind of fiery
+vehemence expressed by strongly marked features. He was short,
+deep-chested, and muscular as a lion. There was something of the
+despot about him, and an indescribable suggestion of the security
+of strength in his gait, bearing, and slightest movements. He
+seemed to know that his will was irresistible, perhaps because he
+wished for nothing unjust. And yet, like all really strong men,
+he was mild of speech, simple in his manners, and kindly natured;
+although it seemed as if, in the stress of a great crisis, all
+these finer qualities must disappear, and the man would show
+himself implacable, unshaken in his resolve, terrific in action.
+There was a certain drawing in of the inner line of the lips
+which, to a close observer, indicated an ironical bent.
+
+The Duchesse de Langeais, realising that a fleeting glory was to
+be won by such a conquest, made up her mind to gain a lover in
+Armand de Montriveau during the brief interval before the
+Duchesse de Maufrigneuse brought him to be introduced. She would
+prefer him above the others; she would attach him to herself,
+display all her powers of coquetry for him. It was a fancy, such
+a merest Duchess's whim as furnished a Lope or a Calderon with
+the plot of the _Dog in the Manger_. She would not suffer another
+woman to engross him; but she had not the remotest intention of
+being his.
+
+Nature had given the Duchess every qualification for the part of
+coquette, and education had perfected her. Women envied her, and
+men fell in love with her, not without reason. Nothing that can
+inspire love, justify it, and give it lasting empire was wanting
+in her. Her style of beauty, her manner, her voice, her bearing,
+all combined to give her that instinctive coquetry which seems to
+be the consciousness of power. Her shape was graceful; perhaps
+there was a trace of self-consciousness in her changes of
+movement, the one affectation that could be laid to her charge;
+but everything about her was a part of her personality, from her
+least little gesture to the peculiar turn of her phrases, the
+demure glance of her eyes. Her great lady's grace, her most
+striking characteristic, had not destroyed the very French quick
+mobility of her person. There was an extraordinary fascination
+in her swift, incessant changes of attitude. She seemed as if
+she surely would be a most delicious mistress when her corset and
+the encumbering costume of her part were laid aside. All the
+rapture of love surely was latent in the freedom of her
+expressive glances, in her caressing tones, in the charm of her
+words. She gave glimpses of the high-born courtesan within her,
+vainly protesting against the creeds of the duchess.
+
+You might sit near her through an evening, she would be gay and
+melancholy in turn, and her gaiety, like her sadness, seemed
+spontaneous. She could be gracious, disdainful, insolent, or
+confiding at will. Her apparent good nature was real; she had no
+temptation to descend to malignity. But at each moment her mood
+changed; she was full of confidence or craft; her moving
+tenderness would give place to a heart-breaking hardness and
+insensibility. Yet how paint her as she was, without bringing
+together all the extremes of feminine nature? In a word, the
+Duchess was anything that she wished to be or to seem. Her face
+was slightly too long. There was a grace in it, and a certain
+thinness and fineness that recalled the portraits of the Middle
+Ages. Her skin was white, with a faint rose tint. Everything
+about her erred, as it were, by an excess of delicacy.
+
+M. de Montriveau willingly consented to be introduced to the
+Duchesse de Langeais; and she, after the manner of persons whose
+sensitive taste leads them to avoid banalities, refrained from
+overwhelming him with questions and compliments. She received
+him with a gracious deference which could not fail to flatter a
+man of more than ordinary powers, for the fact that a man rises
+above the ordinary level implies that he possesses something of
+that tact which makes women quick to read feeling. If the
+Duchess showed any curiosity, it was by her glances; her
+compliments were conveyed in her manner; there was a winning
+grace displayed in her words, a subtle suggestion of a desire to
+please which she of all women knew the art of manifesting. Yet
+her whole conversation was but, in a manner, the body of the
+letter; the postscript with the principal thought in it was still
+to come. After half an hour spent in ordinary talk, in which the
+words gained all their value from her tone and smiles, M. de
+Montriveau was about to retire discreetly, when the Duchess
+stopped him with an expressive gesture.
+
+"I do not know, monsieur, whether these few minutes during which
+I have had the pleasure of talking to you proved so sufficiently
+attractive, that I may venture to ask you to call upon me; I am
+afraid that it may be very selfish of me to wish to have you all
+to myself. If I should be so fortunate as to find that my house
+is agreeable to you, you will always find me at home in the
+evening until ten o'clock."
+
+The invitation was given with such irresistible grace, that M. de
+Montriveau could not refuse to accept it. When he fell back
+again among the groups of men gathered at a distance from the
+women, his friends congratulated him, half laughingly, half in
+earnest, on the extraordinary reception vouchsafed him by the
+Duchesse de Langeais. The difficult and brilliant conquest had
+been made beyond a doubt, and the glory of it was reserved for
+the Artillery of the Guard. It is easy to imagine the jests,
+good and bad, when this topic had once been started; the world of
+Paris salons is so eager for amusement, and a joke lasts for such
+a short time, that everyone is eager to make the most of it while
+it is fresh.
+
+All unconsciously, the General felt flattered by this nonsense.
+From his place where he had taken his stand, his eyes were drawn
+again and again to the Duchess by countless wavering reflections.
+He could not help admitting to himself that of all the women
+whose beauty had captivated his eyes, not one had seemed to be a
+more exquisite embodiment of faults and fair qualities blended in
+a completeness that might realise the dreams of earliest manhood.
+Is there a man in any rank of life that has not felt indefinable
+rapture in his secret soul over the woman singled out (if only in
+his dreams) to be his own; when she, in body, soul, and social
+aspects, satisfies his every requirement, a thrice perfect woman?
+And if this threefold perfection that flatters his pride is no
+argument for loving her, it is beyond cavil one of the great
+inducements to the sentiment. Love would soon be convalescent,
+as the eighteenth century moralist remarked, were it not for
+vanity. And it is certainly true that for everyone, man or
+woman, there is a wealth of pleasure in the superiority of the
+beloved. Is she set so high by birth that a contemptuous glance
+can never wound her? is she wealthy enough to surround herself
+with state which falls nothing short of royalty, of kings, of
+finance during their short reign of splendour? is she so
+ready-witted that a keen-edged jest never brings her into
+confusion? beautiful enough to rival any woman?--Is it such a
+small thing to know that your self-love will never suffer through
+her? A man makes these reflections in the twinkling of an eye.
+And how if, in the future opened out by early ripened passion, he
+catches glimpses of the changeful delight of her charm, the frank
+innocence of a maiden soul, the perils of love's voyage, the
+thousand folds of the veil of coquetry? Is not this enough to
+move the coldest man's heart?
+
+This, therefore, was M. de Montriveau's position with regard to
+woman; his past life in some measure explaining the extraordinary
+fact. He had been thrown, when little more than a boy, into the
+hurricane of Napoleon's wars; his life had been spent on fields
+of battle. Of women he knew just so much as a traveller knows of
+a country when he travels across it in haste from one inn to
+another. The verdict which Voltaire passed upon his eighty years
+of life might, perhaps, have been applied by Montriveau to his
+own thirty-seven years of existence; had he not thirty-seven
+follies with which to reproach himself? At his age he was as
+much a novice in love as the lad that has just been furtively
+reading _Faublas_. Of women he had nothing to learn; of love he
+knew nothing; and thus, desires, quite unknown before, sprang
+from this virginity of feeling.
+
+There are men here and there as much engrossed in the work
+demanded of them by poverty or ambition, art or science, as M. de
+Montriveau by war and a life of adventure--these know what it is
+to be in this unusual position if they very seldom confess to it.
+Every man in Paris is supposed to have been in love. No woman in
+Paris cares to take what other women have passed over. The dread
+of being taken for a fool is the source of the coxcomb's bragging
+so common in France; for in France to have the reputation of a
+fool is to be a foreigner in one's own country. Vehement desire
+seized on M. de Montriveau, desire that had gathered strength
+from the heat of the desert and the first stirrings of a heart
+unknown as yet in its suppressed turbulence.
+
+A strong man, and violent as he was strong, he could keep mastery
+over himself; but as he talked of indifferent things, he retired
+within himself, and swore to possess this woman, for through that
+thought lay the only way to love for him. Desire became a solemn
+compact made with himself, an oath after the manner of the Arabs
+among whom he had lived; for among them a vow is a kind of
+contract made with Destiny a man's whole future is solemnly
+pledged to fulfil it, and everything even his own death, is
+regarded simply as a means to the one end.
+
+A younger man would have said to himself, "I should very much
+like to have the Duchess for my mistress!" or, "If the Duchesse
+de Langeais cared for a man, he would be a very lucky rascal!"
+But the General said, "I will have Mme de Langeais for my
+mistress." And if a man takes such an idea into his head when
+his heart has never been touched before, and love begins to be a
+kind of religion with him, he little knows in what a hell he has
+set his foot.
+
+Armand de Montriveau suddenly took flight and went home in the
+first hot fever-fit of the first love that he had known. When a
+man has kept all his boyish beliefs, illusions, frankness, and
+impetuosity into middle age, his first impulse is, as it were, to
+stretch out a hand to take the thing that he desires; a little
+later he realizes that there is a gulf set between them, and that
+it is all but impossible to cross it. A sort of childish
+impatience seizes him, he wants the thing the more, and trembles
+or cries. Wherefore, the next day, after the stormiest
+reflections that had yet perturbed his mind, Armand de Montriveau
+discovered that he was under the yoke of the senses, and his
+bondage made the heavier by his love.
+
+The woman so cavalierly treated in his thoughts of yesterday had
+become a most sacred and dreadful power. She was to be his
+world, his life, from this time forth. The greatest joy, the
+keenest anguish, that he had yet known grew colorless before the
+bare recollection of the least sensation stirred in him by her.
+The swiftest revolutions in a man's outward life only touch his
+interests, while passion brings a complete revulsion of feeling.
+And so in those who live by feeling, rather than by self-interest,
+the doers rather than the reasoners, the sanguine rather than the
+lymphatic temperaments, love works a complete revolution. In a
+flash, with one single reflection, Armand de Montriveau wiped out
+his whole past life.
+
+A score of times he asked himself, like a boy, "Shall I go, or
+shall I not?" and then at last he dressed, came to the Hotel de
+Langeais towards eight o'clock that evening, and was admitted.
+He was to see the woman--ah! not the woman--the idol that he had
+seen yesterday, among lights, a fresh innocent girl in gauze and
+silken lace and veiling. He burst in upon her to declare his
+love, as if it were a question of firing the first shot on a
+field of battle.
+
+Poor novice! He found his ethereal sylphide shrouded in a brown
+cashmere dressing-gown ingeniously befrilled, lying languidly
+stretched out upon a sofa in a dimly lighted boudoir. Mme de
+Langeais did not so much as rise, nothing was visible of her but
+her face, her hair was loose but confined by a scarf. A hand
+indicated a seat, a hand that seemed white as marble to
+Montriveau by the flickering light of a single candle at the
+further side of the room, and a voice as soft as the light said:
+
+"If it had been anyone else, M. le Marquis, a friend with whom I
+could dispense with ceremony, or a mere acquaintance in whom I
+felt but slight interest, I should have closed my door. I am
+exceedingly unwell."
+
+"I will go," Armand said to himself.
+
+"But I do not know how it is," she continued (and the simple
+warrior attributed the shining of her eyes to fever), "perhaps
+it was a presentiment of your kind visit (and no one can be more
+sensible of the prompt attention than I), but the vapors have
+left my head."
+
+"Then may I stay?"
+
+"Oh, I should be very sorry to allow you to go. I told myself
+this morning that it was impossible that I should have made the
+slightest impression on your mind, and that in all probability
+you took my request for one of the commonplaces of which
+Parisians are lavish on every occasion. And I forgave your
+ingratitude in advance. An explorer from the deserts is not
+supposed to know how exclusive we are in our friendships in the
+Faubourg."
+
+The gracious, half-murmured words dropped one by one, as if they
+had been weighted with the gladness that apparently brought them
+to her lips. The Duchess meant to have the full benefit of her
+headache, and her speculation was fully successful. The General,
+poor man, was really distressed by the lady's simulated distress.
+Like Crillon listening to the story of the Crucifixion, he was
+ready to draw his sword against the vapors. How could a man
+dare to speak just then to this suffering woman of the love that
+she inspired? Armand had already felt that it would be absurd to
+fire off a declaration of love point-blank at one so far above
+other women. With a single thought came understanding of the
+delicacies of feeling, of the soul's requirements. To love: what
+was that but to know how to plead, to beg for alms, to wait? And
+as for the love that he felt, must he not prove it? His tongue
+was mute, it was frozen by the conventions of the noble Faubourg,
+the majesty of a sick headache, the bashfulness of love. But no
+power on earth could veil his glances; the heat and the Infinite
+of the desert blazed in eyes calm as a panther's, beneath the
+lids that fell so seldom. The Duchess enjoyed the steady gaze
+that enveloped her in light and warmth.
+
+"Mme la Duchesse," he answered, "I am afraid I express my
+gratitude for your goodness very badly. At this moment I have
+but one desire--I wish it were in my power to cure the pain."
+
+"Permit me to throw this off, I feel too warm now," she said,
+gracefully tossing aside a cushion that covered her feet.
+
+"Madame, in Asia your feet would be worth some ten thousand
+sequins.
+
+"A traveler's compliment!" smiled she.
+
+It pleased the sprightly lady to involve a rough soldier in a
+labyrinth of nonsense, commonplaces, and meaningless talk, in
+which he manoeuvred, in military language, as Prince Charles
+might have done at close quarters with Napoleon. She took a
+mischievous amusement in reconnoitring the extent of his
+infatuation by the number of foolish speeches extracted from a
+novice whom she led step by step into a hopeless maze, meaning to
+leave him there in confusion. She began by laughing at him, but
+nevertheless it pleased her to make him forget how time went.
+
+The length of a first visit is frequently a compliment, but
+Armand was innocent of any such intent. The famous explorer
+spent an hour in chat on all sorts of subjects, said nothing that
+he meant to say, and was feeling that he was only an instrument
+on whom this woman played, when she rose, sat upright, drew the
+scarf from her hair, and wrapped it about her throat, leant her
+elbow on the cushions, did him the honour of a complete cure, and
+rang for lights. The most graceful movement succeeded to
+complete repose. She turned to M. de Montriveau, from whom she
+had just extracted a confidence which seemed to interest her
+deeply, and said:
+
+"You wish to make game of me by trying to make me believe that
+you have never loved. It is a man's great pretension with us.
+And we always believe it! Out of pure politeness. Do we not
+know what to expect from it for ourselves? Where is the man that
+has found but a single opportunity of losing his heart? But you
+love to deceive us, and we submit to be deceived, poor foolish
+creatures that we are; for your hypocrisy is, after all, a homage
+paid to the superiority of our sentiments, which are all
+purity."
+
+The last words were spoken with a disdainful pride that made the
+novice in love feel like a worthless bale flung into the deep,
+while the Duchess was an angel soaring back to her particular
+heaven.
+
+"Confound it!" thought Armand de Montriveau, "how am I to tell
+this wild thing that I love her?"
+
+He had told her already a score of times; or rather, the Duchess
+had a score of times read his secret in his eyes; and the passion
+in this unmistakably great man promised her amusement, and an
+interest in her empty life. So she prepared with no little
+dexterity to raise a certain number of redoubts for him to carry
+by storm before he should gain an entrance into her heart.
+Montriveau should overleap one difficulty after another; he
+should be a plaything for her caprice, just as an insect teased
+by children is made to jump from one finger to another, and in
+spite of all its pains is kept in the same place by its
+mischievous tormentor. And yet it gave the Duchess inexpressible
+happiness to see that this strong man had told her the truth.
+Armand had never loved, as he had said. He was about to go, in a
+bad humour with himself, and still more out of humour with her;
+but it delighted her to see a sullenness that she could conjure
+away with a word, a glance, or a gesture.
+
+"Will you come tomorrow evening?" she asked. "I am going to a
+ball, but I shall stay at home for you until ten o'clock."
+
+Montriveau spent most of the next day in smoking an indeterminate
+quantity of cigars in his study window, and so got through the
+hours till he could dress and go to the Hotel de Langeais. To
+anyone who had known the magnificent worth of the man, it would
+have been grievous to see him grown so small, so distrustful of
+himself; the mind that might have shed light over undiscovered
+worlds shrunk to the proportions of a she-coxcomb's boudoir.
+Even he himself felt that he had fallen so low already in his
+happiness that to save his life he could not have told his love
+to one of his closest friends. Is there not always a trace of
+shame in the lover's bashfulness, and perhaps in woman a certain
+exultation over diminished masculine stature? Indeed, but for a
+host of motives of this kind, how explain why women are nearly
+always the first to betray the secret?--a secret of which,
+perhaps, they soon weary.
+
+"Mme la Duchesse cannot see visitors, monsieur," said the man;
+"she is dressing, she begs you to wait for her here."
+
+Armand walked up and down the drawing-room, studying her taste in
+the least details. He admired Mme de Langeais herself in the
+objects of her choosing; they revealed her life before he could
+grasp her personality and ideas. About an hour later the Duchess
+came noiselessly out of her chamber. Montriveau turned, saw her
+flit like a shadow across the room, and trembled. She came up to
+him, not with a bourgeoise's enquiry, "How do I look?" She was
+sure of herself; her steady eyes said plainly, "I am adorned to
+please you."
+
+No one surely, save the old fairy godmother of some princess in
+disguise, could have wound a cloud of gauze about the dainty
+throat, so that the dazzling satin skin beneath should gleam
+through the gleaming folds. The Duchess was dazzling. The pale
+blue colour of her gown, repeated in the flowers in her hair,
+appeared by the richness of its hue to lend substance to a
+fragile form grown too wholly ethereal; for as she glided towards
+Armand, the loose ends of her scarf floated about her, putting
+that valiant warrior in mind of the bright damosel flies that
+hover now over water, now over the flowers with which they seem
+to mingle and blend.
+
+"I have kept you waiting," she said, with the tone that a woman
+can always bring into her voice for the man whom she wishes to
+please.
+
+"I would wait patiently through an eternity," said he, "if I
+were sure of finding a divinity so fair; but it is no compliment
+to speak of your beauty to you; nothing save worship could touch
+you. Suffer me only to kiss your scarf."
+
+"Oh, fie!" she said, with a commanding gesture, "I esteem you
+enough to give you my hand."
+
+She held it out for his kiss. A woman's hand, still moist from
+the scented bath, has a soft freshness, a velvet smoothness that
+sends a tingling thrill from the lips to the soul. And if a man
+is attracted to a woman, and his senses are as quick to feel
+pleasure as his heart is full of love, such a kiss, though chaste
+in appearance, may conjure up a terrific storm.
+
+"Will you always give it me like this?" the General asked
+humbly when he had pressed that dangerous hand respectfully to
+his lips.
+
+"Yes, but there we must stop," she said, smiling. She sat
+down, and seemed very slow over putting on her gloves, trying to
+slip the unstretched kid over all her fingers at once, while she
+watched M. de Montriveau; and he was lost in admiration of the
+Duchess and those repeated graceful movements of hers.
+
+"Ah! you were punctual," she said; "that is right. I like
+punctuality. It is the courtesy of kings, His Majesty says; but
+to my thinking, from you men it is the most respectful flattery
+of all. Now, is it not? Just tell me."
+
+Again she gave him a side glance to express her insidious
+friendship, for he was dumb with happiness sheer happiness
+through such nothings as these! Oh, the Duchess understood _son
+metier de femme_--the art and mystery of being a woman--most
+marvelously well; she knew, to admiration, how to raise a man in
+his own esteem as he humbled himself to her; how to reward every
+step of the descent to sentimental folly with hollow flatteries.
+
+"You will never forget to come at nine o'clock."
+
+"No; but are you going to a ball every night?"
+
+"Do I know?" she answered, with a little childlike shrug of the
+shoulders; the gesture was meant to say that she was nothing if
+not capricious, and that a lover must take her as she
+was.--"Besides," she added, "what is that to you? You shall
+be my escort."
+
+"That would be difficult tonight," he objected; "I am not
+properly dressed."
+
+"It seems to me," she returned loftily, "that if anyone has a
+right to complain of your costume, it is I. Know, therefore,
+_monsieur le voyageur_, that if I accept a man's arm, he is
+forthwith above the laws of fashion, nobody would venture to
+criticise him. You do not know the world, I see; I like you the
+better for it."
+
+And even as she spoke she swept him into the pettiness of that
+world by the attempt to initiate him into the vanities of a woman
+of fashion.
+
+"If she chooses to do a foolish thing for me, I should be a
+simpleton to prevent her," said Armand to himself. "She has a
+liking for me beyond a doubt; and as for the world, she cannot
+despise it more than I do. So, now for the ball if she likes."
+
+The Duchess probably thought that if the General came with her
+and appeared in a ballroom in boots and a black tie, nobody would
+hesitate to believe that he was violently in love with her. And
+the General was well pleased that the queen of fashion should
+think of compromising herself for him; hope gave him wit. He had
+gained confidence, he brought out his thoughts and views; he felt
+nothing of the restraint that weighed on his spirits yesterday.
+His talk was interesting and animated, and full of those first
+confidences so sweet to make and to receive.
+
+Was Mme de Langeais really carried away by his talk, or had she
+devised this charming piece of coquetry? At any rate, she looked
+up mischievously as the clock struck twelve.
+
+"Ah! you have made me too late for the ball!" she exclaimed,
+surprised and vexed that she had forgotten how time was going.
+
+The next moment she approved the exchange of pleasures with a
+smile that made Armand's heart give a sudden leap.
+
+"I certainly promised Mme de Beauseant," she added. "They are
+all expecting me."
+
+"Very well--go."
+
+"No--go on. I will stay. Your Eastern adventures fascinate me.
+Tell me the whole story of your life. I love to share in a brave
+man's hardships, and I feel them all, indeed I do!"
+
+She was playing with her scarf, twisting it and pulling it to
+pieces, with jerky, impatient movements that seemed to tell of
+inward dissatisfaction and deep reflection.
+
+"_We_ are fit for nothing," she went on. "Ah! we are
+contemptible, selfish, frivolous creatures. We can bore
+ourselves with amusements, and that is all we can do. Not one of
+us that understands that she has a part to play in life. In old
+days in France, women were beneficent lights; they lived to
+comfort those that mourned, to encourage high virtues, to reward
+artists and stir new life with noble thoughts. If the world has
+grown so petty, ours is the fault. You make me loathe the ball
+and this world in which I live. No, I am not giving up much for
+you."
+
+She had plucked her scarf to pieces, as a child plays with a
+flower, pulling away all the petals one by one; and now she
+crushed it into a ball, and flung it away. She could show her
+swan's neck.
+
+She rang the bell. "I shall not go out tonight," she told the
+footman. Her long, blue eyes turned timidly to Armand; and by
+the look of misgiving in them, he knew that he was meant to take
+the order for a confession, for a first and great favour. There
+was a pause, filled with many thoughts, before she spoke with
+that tenderness which is often in women's voices, and not so
+often in their hearts. "You have had a hard life," she said.
+
+"No," returned Armand. "Until today I did not know what
+happiness was."
+
+"Then you know it now?" she asked, looking at him with a
+demure, keen glance.
+
+"What is happiness for me henceforth but this--to see you, to
+hear you? . . . Until now I have only known privation; now I
+know that I can be unhappy----"
+
+"That will do, that will do," she said. "You must go; it is
+past midnight. Let us regard appearances. People must not talk
+about us. I do not know quite what I shall say; but the headache
+is a good-natured friend, and tells no tales."
+
+"Is there to be a ball tomorrow night?"
+
+"You would grow accustomed to the life, I think. Very well.
+Yes, we will go again tomorrow night."
+
+There was not a happier man in the world than Armand when he went
+out from her. Every evening he came to Mme de Langeais' at the
+hour kept for him by a tacit understanding.
+
+It would be tedious, and, for the many young men who carry a
+redundance of such sweet memories in their hearts, it were
+superfluous to follow the story step by step--the progress of a
+romance growing in those hours spent together, a romance
+controlled entirely by a woman's will. If sentiment went too
+fast, she would raise a quarrel over a word, or when words
+flagged behind her thoughts, she appealed to the feelings.
+Perhaps the only way of following such Penelope's progress is by
+marking its outward and visible signs.
+
+As, for instance, within a few days of their first meeting, the
+assiduous General had won and kept the right to kiss his lady's
+insatiable hands. Wherever Mme de Langeais went, M. de
+Montriveau was certain to be seen, till people jokingly called
+him "Her Grace's orderly." And already he had made enemies;
+others were jealous, and envied him his position. Mme de
+Langeais had attained her end. The Marquis de Montriveau was
+among her numerous train of adorers, and a means of humiliating
+those who boasted of their progress in her good graces, for she
+publicly gave him preference over them all.
+
+"Decidedly, M. de Montriveau is the man for whom the Duchess
+shows a preference," pronounced Mme de Serizy.
+
+And who in Paris does not know what it means when a woman "shows
+a preference?" All went on therefore according to prescribed
+rule. The anecdotes which people were pleased to circulate
+concerning the General put that warrior in so formidable a light,
+that the more adroit quietly dropped their pretensions to the
+Duchess, and remained in her train merely to turn the position to
+account, and to use her name and personality to make better terms
+for themselves with certain stars of the second magnitude. And
+those lesser powers were delighted to take a lover away from Mme
+de Langeais. The Duchess was keen-sighted enough to see these
+desertions and treaties with the enemy; and her pride would not
+suffer her to be the dupe of them. As M. de Talleyrand, one of
+her great admirers, said, she knew how to take a second edition
+of revenge, laying the two-edged blade of a sarcasm between the
+pairs in these "morganatic" unions. Her mocking disdain
+contributed not a little to increase her reputation as an
+extremely clever woman and a person to be feared. Her character
+for virtue was consolidated while she amused herself with other
+people's secrets, and kept her own to herself. Yet, after two
+months of assiduities, she saw with a vague dread in the depths
+of her soul that M. de Montriveau understood nothing of the
+subtleties of flirtation after the manner of the Faubourg
+Saint-Germain; he was taking a Parisienne's coquetry in earnest.
+
+"You will not tame _him_, dear Duchess," the old Vidame de
+Pamiers had said. "'Tis a first cousin to the eagle; he will
+carry you off to his eyrie if you do not take care."
+
+Then Mme de Langeais felt afraid. The shrewd old noble's words
+sounded like a prophecy. The next day she tried to turn love to
+hate. She was harsh, exacting, irritable, unbearable; Montriveau
+disarmed her with angelic sweetness. She so little knew the
+great generosity of a large nature, that the kindly jests with
+which her first complaints were met went to her heart. She
+sought a quarrel, and found proofs of affection. She persisted.
+
+"When a man idolizes you, how can he have vexed you?" asked
+Armand.
+
+"You do not vex me," she answered, suddenly grown gentle and
+submissive. "But why do you wish to compromise me? For me you
+ought to be nothing but a _friend_. Do you not know it? I wish I
+could see that you had the instincts, the delicacy of real
+friendship, so that I might lose neither your respect nor the
+pleasure that your presence gives me."
+
+"Nothing but your _friend_!" he cried out. The terrible word
+sent an electric shock through his brain. "On the faith of
+these happy hours that you grant me, I sleep and wake in your
+heart. And now today, for no reason, you are pleased to destroy
+all the secret hopes by which I live. You have required promises
+of such constancy in me, you have said so much of your horror of
+women made up of nothing but caprice; and now do you wish me to
+understand that, like other women here in Paris, you have
+passions, and know nothing of love? If so, why did you ask my
+life of me? why did you accept it?"
+
+"I was wrong, my friend. Oh, it is wrong of a woman to yield to
+such intoxication when she must not and cannot make any return."
+
+"I understand. You have merely been coquetting with me,
+and----"
+
+"Coquetting?" she repeated. "I detest coquetry. A coquette
+Armand, makes promises to many, and gives herself to none; and a
+woman who keeps such promises is a libertine. This much I
+believed I had grasped of our code. But to be melancholy with
+humorists, gay with the frivolous, and politic with ambitious
+souls; to listen to a babbler with every appearance of
+admiration, to talk of war with a soldier, wax enthusiastic with
+philanthropists over the good of the nation, and to give to each
+one his little dole of flattery--it seems to me that this is as
+much a matter of necessity as dress, diamonds, and gloves, or
+flowers in one's hair. Such talk is the moral counterpart of the
+toilette. You take it up and lay it aside with the plumed
+head-dress. Do you call this coquetry? Why, I have never
+treated you as I treat everyone else. With you, my friend, I am
+sincere. Have I not always shared your views, and when you
+convinced me after a discussion, was I not always perfectly glad?
+In short, I love you, but only as a devout and pure woman may
+love. I have thought it over. I am a married woman, Armand. My
+way of life with M. de Langeais gives me liberty to bestow my
+heart; but law and custom leave me no right to dispose of my
+person. If a woman loses her honour, she is an outcast in any
+rank of life; and I have yet to meet with a single example of a
+man that realizes all that our sacrifices demand of him in such a
+case. Quite otherwise. Anyone can foresee the rupture between
+Mme de Beauseant and M. d'Ajuda (for he is going to marry Mlle de
+Rochefide, it seems), that affair made it clear to my mind that
+these very sacrifices on the woman's part are almost always the
+cause of the man's desertion. If you had loved me sincerely, you
+would have kept away for a time.--Now, I will lay aside all
+vanity for you; is not that something? What will not people say
+of a woman to whom no man attaches himself? Oh, she is
+heartless, brainless, soulless; and what is more, devoid of
+charm! Coquettes will not spare me. They will rob me of the
+very qualities that mortify them. So long as my reputation is
+safe, what do I care if my rivals deny my merits? They certainly
+will not inherit them. Come, my friend; give up something for
+her who sacrifices so much for you. Do not come quite so often;
+I shall love you none the less."
+
+"Ah!" said Armand, with the profound irony of a wounded heart
+in his words and tone. "Love, so the scribblers say, only feeds
+on illusions. Nothing could be truer, I see; I am expected to
+imagine that I am loved. But, there!--there are some thoughts
+like wounds, from which there is no recovery. My belief in you
+was one of the last left to me, and now I see that there is
+nothing left to believe in this earth."
+
+She began to smile.
+
+"Yes," Montriveau went on in an unsteady voice, "this Catholic
+faith to which you wish to convert me is a lie that men make for
+themselves; hope is a lie at the expense of the future; pride, a
+lie between us and our fellows; and pity, and prudence, and
+terror are cunning lies. And now my happiness is to be one more
+lying delusion; I am expected to delude myself, to be willing to
+give gold coin for silver to the end. If you can so easily
+dispense with my visits; if you can confess me neither as your
+friend nor your lover, you do not care for me! And I, poor fool
+that I am, tell myself this, and know it, and love you!"
+
+"But, dear me, poor Armand, you are flying into a passion!"
+
+"I flying into a passion?"
+
+"Yes. You think that the whole question is opened because I ask
+you to be careful."
+
+In her heart of hearts she was delighted with the anger that
+leapt out in her lover's eyes. Even as she tortured him, she was
+criticising him, watching every slightest change that passed over
+his face. If the General had been so unluckily inspired as to
+show himself generous without discussion (as happens occasionally
+with some artless souls), he would have been a banished man
+forever, accused and convicted of not knowing how to love. Most
+women are not displeased to have their code of right and wrong
+broken through. Do they not flatter themselves that they never
+yield except to force? But Armand was not learned enough in this
+kind of lore to see the snare ingeniously spread for him by the
+Duchess. So much of the child was there in the strong man in
+love.
+
+"If all you want is to preserve appearances," he began in his
+simplicity, "I am willing to----"
+
+"Simply to preserve appearances!" the lady broke in; "why,
+what idea can you have of me? Have I given you the slightest
+reason to suppose that I can be yours?"
+
+"Why, what else are we talking about?" demanded Montriveau.
+
+"Monsieur, you frighten me! . . . No, pardon me. Thank you,"
+she added, coldly; "thank you, Armand. You have given me timely
+warning of imprudence; committed quite unconsciously, believe it,
+my friend. You know how to endure, you say. I also know how to
+endure. We will not see each other for a time; and then, when
+both of us have contrived to recover calmness to some extent, we
+will think about arrangements for a happiness sanctioned by the
+world. I am young, Armand; a man with no delicacy might tempt a
+woman of four-and-twenty to do many foolish, wild things for his
+sake. But _you_! You will be my friend, promise me that you
+will?"
+
+"The woman of four-and-twenty," returned he, "knows what she
+is about."
+
+He sat down on the sofa in the boudoir, and leant his head on his
+hands.
+
+"Do you love me, madame?" he asked at length, raising his head,
+and turning a face full of resolution upon her. "Say it
+straight out; Yes or No!"
+
+His direct question dismayed the Duchess more than a threat of
+suicide could have done; indeed, the woman of the nineteenth
+century is not to be frightened by that stale stratagem, the
+sword has ceased to be part of the masculine costume. But in the
+effect of eyelids and lashes, in the contraction of the gaze, in
+the twitching of the lips, is there not some influence that
+communicates the terror which they express with such vivid
+magnetic power?
+
+"Ah, if I were free, if----"
+
+"Oh! is it only your husband that stands in the way?" the
+General exclaimed joyfully, as he strode to and fro in the
+boudoir. "Dear Antoinette, I wield a more absolute power than
+the Autocrat of all the Russias. I have a compact with Fate; I
+can advance or retard destiny, so far as men are concerned, at my
+fancy, as you alter the hands of a watch. If you can direct the
+course of fate in our political machinery, it simply means (does
+it not?) that you understand the ins and outs of it. You shall
+be free before very long, and then you must remember your
+promise."
+
+"Armand!" she cried. "What do you mean? Great heavens! Can
+you imagine that I am to be the prize of a crime? Do you want to
+kill me? Why! you cannot have any religion in you! For my own
+part, I fear God. M. de Langeais may have given me reason to
+hate him, but I wish him no manner of harm."
+
+M. de Montriveau beat a tattoo on the marble chimney-piece, and
+only looked composedly at the lady.
+
+"Dear," continued she, "respect him. He does not love me, he
+is not kind to me, but I have duties to fulfil with regard to
+him. What would I not do to avert the calamities with which you
+threaten him?--Listen," she continued after a pause, "I will
+not say another word about separation; you shall come here as in
+the past, and I will still give you my forehead to kiss. If I
+refused once or twice, it was pure coquetry, indeed it was. But
+let us understand each other," she added as he came closer.
+"You will permit me to add to the number of my satellites; to
+receive even more visitors in the morning than heretofore; I mean
+to be twice as frivolous; I mean to use you to all appearance
+very badly; to feign a rupture; you must come not quite so often,
+and then, afterwards----"
+
+While she spoke, she had allowed him to put an arm about her
+waist, Montriveau was holding her tightly to him, and she seemed
+to feel the exceeding pleasure that women usually feel in that
+close contact, an earnest of the bliss of a closer union. And
+then, doubtless she meant to elicit some confidence, for she
+raised herself on tiptoe, and laid her forehead against Armand's
+burning lips.
+
+"And then," Montriveau finished her sentence for her, "you
+shall not speak to me of your husband. You ought not to think of
+him again."
+
+Mme de Langeais was silent awhile.
+
+"At least," she said, after a significant pause, "at least you
+will do all that I wish without grumbling, you will not be
+naughty; tell me so, my friend? You wanted to frighten me, did
+you not? Come, now, confess it? . . . You are too good ever to
+think of crimes. But is it possible that you can have secrets
+that I do not know? How can you control Fate?"
+
+"Now, when you confirm the gift of the heart that you have
+already given me, I am far too happy to know exactly how to
+answer you. I can trust you, Antoinette; I shall have no
+suspicion, no unfounded jealousy of you. But if accident should
+set you free, we shall be one----"
+
+"Accident, Armand?" (With that little dainty turn of the head
+that seems to say so many things, a gesture that such women as
+the Duchess can use on light occasions, as a great singer can act
+with her voice.) "Pure accident," she repeated. "Mind that.
+If anything should happen to M. de Langeais by your fault, I
+should never be yours."
+
+And so they parted, mutually content. The Duchess had made a
+pact that left her free to prove to the world by words and deeds
+that M. de Montriveau was no lover of hers. And as for him, the
+wily Duchess vowed to tire him out. He should have nothing of
+her beyond the little concessions snatched in the course of
+contests that she could stop at her pleasure. She had so pretty
+an art of revoking the grant of yesterday, she was so much in
+earnest in her purpose to remain technically virtuous, that she
+felt that there was not the slightest danger for her in
+preliminaries fraught with peril for a woman less sure of her
+self-command. After all, the Duchess was practically separated
+from her husband; a marriage long since annulled was no great
+sacrifice to make to her love.
+
+Montriveau on his side was quite happy to win the vaguest
+promise, glad once for all to sweep aside, with all scruples of
+conjugal fidelity, her stock of excuses for refusing herself to
+his love. He had gained ground a little, and congratulated
+himself. And so for a time he took unfair advantage of the
+rights so hardly won. More a boy than he had ever been in his
+life, he gave himself up to all the childishness that makes first
+love the flower of life. He was a child again as he poured out
+all his soul, all the thwarted forces that passion had given him,
+upon her hands, upon the dazzling forehead that looked so pure to
+his eyes; upon her fair hair; on the tufted curls where his lips
+were pressed. And the Duchess, on whom his love was poured like
+a flood, was vanquished by the magnetic influence of her lover's
+warmth; she hesitated to begin the quarrel that must part them
+forever. She was more a woman than she thought, this slight
+creature, in her effort to reconcile the demands of religion with
+the ever-new sensations of vanity, the semblance of pleasure
+which turns a Parisienne's head. Every Sunday she went to Mass;
+she never missed a service; then, when evening came, she was
+steeped in the intoxicating bliss of repressed desire. Armand
+and Mme de Langeais, like Hindoo fakirs, found the reward of
+their continence in the temptations to which it gave rise.
+Possibly, the Duchess had ended by resolving love into fraternal
+caresses, harmless enough, as it might have seemed to the rest of
+the world, while they borrowed extremes of degradation from the
+license of her thoughts. How else explain the incomprehensible
+mystery of her continual fluctuations? Every morning she
+proposed to herself to shut her door on the Marquis de
+Montriveau; every evening, at the appointed hour, she fell under
+the charm of his presence. There was a languid defence; then she
+grew less unkind. Her words were sweet and soothing. They were
+lovers--lovers only could have been thus. For him the Duchess
+would display her most sparkling wit, her most captivating wiles;
+and when at last she had wrought upon his senses and his soul,
+she might submit herself passively to his fierce caresses, but
+she had her _nec plus ultra_ of passion; and when once it was
+reached, she grew angry if he lost the mastery of himself and
+made as though he would pass beyond. No woman on earth can brave
+the consequences of refusal without some motive; nothing is more
+natural than to yield to love; wherefore Mme de Langeais promptly
+raised a second line of fortification, a stronghold less easy to
+carry than the first. She evoked the terrors of religion. Never
+did Father of the Church, however eloquent, plead the cause of
+God better than the Duchess. Never was the wrath of the Most
+High better justified than by her voice. She used no preacher's
+commonplaces, no rhetorical amplifications. No. She had a
+"pulpit-tremor" of her own. To Armand's most passionate
+entreaty, she replied with a tearful gaze, and a gesture in which
+a terrible plenitude of emotion found expression. She stopped
+his mouth with an appeal for mercy. She would not hear another
+word; if she did, she must succumb; and better death than
+criminal happiness.
+
+"Is it nothing to disobey God?" she asked him, recovering a
+voice grown faint in the crises of inward struggles, through
+which the fair actress appeared to find it hard to preserve her
+self-control. "I would sacrifice society, I would give up the
+whole world for you, gladly; but it is very selfish of you to ask
+my whole after-life of me for a moment of pleasure. Come, now!
+are you not happy?" she added, holding out her hand; and
+certainly in her careless toilette the sight of her afforded
+consolations to her lover, who made the most of them.
+
+Sometimes from policy, to keep her hold on a man whose ardent
+passion gave her emotions unknown before, sometimes in weakness,
+she suffered him to snatch a swift kiss; and immediately, in
+feigned terror, she flushed red and exiled Armand from the sofa
+so soon as the sofa became dangerous ground.
+
+"Your joys are sins for me to expiate, Armand; they are paid for
+by penitence and remorse," she cried.
+
+And Montriveau, now at two chairs' distance from that
+aristocratic petticoat, betook himself to blasphemy and railed
+against Providence. The Duchess grew angry at such times.
+
+"My friend," she said drily, "I do not understand why you
+decline to believe in God, for it is impossible to believe in
+man. Hush, do not talk like that. You have too great a nature
+to take up their Liberal nonsense with its pretension to abolish
+God."
+
+Theological and political disputes acted like a cold douche on
+Montriveau; he calmed down; he could not return to love when the
+Duchess stirred up his wrath by suddenly setting him down a
+thousand miles away from the boudoir, discussing theories of
+absolute monarchy, which she defended to admiration. Few women
+venture to be democrats; the attitude of democratic champion is
+scarcely compatible with tyrannous feminine sway. But often, on
+the other hand, the General shook out his mane, dropped politics
+with a leonine growling and lashing of the flanks, and sprang
+upon his prey; he was no longer capable of carrying a heart and
+brain at such variance for very far; he came back, terrible with
+love, to his mistress. And she, if she felt the prick of fancy
+stimulated to a dangerous point, knew that it was time to leave
+her boudoir; she came out of the atmosphere surcharged with
+desires that she drew in with her breath, sat down to the piano,
+and sang the most exquisite songs of modern music, and so baffled
+the physical attraction which at times showed her no mercy,
+though she was strong enough to fight it down.
+
+At such times she was something sublime in Armand's eyes; she was
+not acting, she was genuine; the unhappy lover was convinced that
+she loved him. Her egoistic resistance deluded him into a belief
+that she was a pure and sainted woman; he resigned himself; he
+talked of Platonic love, did this artillery officer!
+
+When Mme de Langeais had played with religion sufficiently to
+suit her own purposes, she played with it again for Armand's
+benefit. She wanted to bring him back to a Christian frame of
+mind; she brought out her edition of _Le Genie du Christianisme_,
+adapted for the use of military men. Montriveau chafed; his yoke
+was heavy. Oh! at that, possessed by the spirit of contradiction,
+she dinned religion into his ears, to see whether God might not
+rid her of this suitor, for the man's persistence was beginning
+to frighten her. And in any case she was glad to prolong any
+quarrel, if it bade fair to keep the dispute on moral grounds
+for an indefinite period; the material struggle which followed
+it was more dangerous.
+
+But if the time of her opposition on the ground of the marriage
+law might be said to be the _epoque civile_ of this sentimental
+warfare, the ensuing phase which might be taken to constitute the
+_epoque religieuse_ had also its crisis and consequent decline of
+severity.
+
+Armand happening to come in very early one evening, found M.
+l'Abbe Gondrand, the Duchess's spiritual director, established in
+an armchair by the fireside, looking as a spiritual director
+might be expected to look while digesting his dinner and the
+charming sins of his penitent. In the ecclesiastic's bearing
+there was a stateliness befitting a dignitary of the Church; and
+the episcopal violet hue already appeared in his dress. At sight
+of his fresh, well-preserved complexion, smooth forehead, and
+ascetic's mouth, Montriveau's countenance grew uncommonly dark;
+he said not a word under the malicious scrutiny of the other's
+gaze, and greeted neither the lady nor the priest. The lover
+apart, Montriveau was not wanting in tact; so a few glances
+exchanged with the bishop-designate told him that here was the
+real forger of the Duchess's armory of scruples.
+
+That an ambitious abbe should control the happiness of a man of
+Montriveau's temper, and by underhand ways! The thought burst in
+a furious tide over his face, clenched his fists, and set him
+chafing and pacing to and fro; but when he came back to his place
+intending to make a scene, a single look from the Duchess was
+enough. He was quiet.
+
+Any other woman would have been put out by her lover's gloomy
+silence; it was quite otherwise with Mme de Langeais. She
+continued her conversation with M. de Gondrand on the necessity
+of re-establishing the Church in its ancient splendour. And she
+talked brilliantly.
+
+The Church, she maintained, ought to be a temporal as well as a
+spiritual power, stating her case better than the Abbe had done,
+and regretting that the Chamber of Peers, unlike the English
+House of Lords, had no bench of bishops. Nevertheless, the Abbe
+rose, yielded his place to the General, and took his leave,
+knowing that in Lent he could play a return game. As for the
+Duchess, Montriveau's behaviour had excited her curiosity to such
+a pitch that she scarcely rose to return her director's low bow.
+
+"What is the matter with you, my friend?"
+
+"Why, I cannot stomach that Abbe of yours."
+
+"Why did you not take a book?" she asked, careless whether the
+Abbe, then closing the door, heard her or no.
+
+The General paused, for the gesture which accompanied the
+Duchess's speech further increased the exceeding insolence of her
+words.
+
+"My dear Antoinette, thank you for giving love precedence of the
+Church; but, for pity's sake, allow me to ask one question."
+
+"Oh! you are questioning me! I am quite willing. You are my
+friend, are you not? I certainly can open the bottom of my heart
+to you; you will see only one image there."
+
+"Do you talk about our love to that man?"
+
+"He is my confessor."
+
+"Does he know that I love you?"
+
+"M. de Montriveau, you cannot claim, I think, to penetrate the
+secrets of the confessional?"
+
+"Does that man know all about our quarrels and my love for
+you?"
+
+"That man, monsieur; say God!"
+
+"God again! _I_ ought to be alone in your heart. But leave God
+alone where He is, for the love of God and me. Madame, you _shall
+not_ go to confession again, or----"
+
+"Or?" she repeated sweetly.
+
+"Or I will never come back here."
+
+"Then go, Armand. Good-bye, good-bye forever."
+
+She rose and went to her boudoir without so much as a glance at
+Armand, as he stood with his hand on the back of a chair. How
+long he stood there motionless he himself never knew. The soul
+within has the mysterious power of expanding as of contracting
+space.
+
+He opened the door of the boudoir. It was dark within. A faint
+voice was raised to say sharply:
+
+"I did not ring. What made you come in without orders? Go
+away, Suzette."
+
+"Then you are ill," exclaimed Montriveau.
+
+"Stand up, monsieur, and go out of the room for a minute at any
+rate," she said, ringing the bell.
+
+"Mme la Duchesse rang for lights?" said the footman, coming in
+with the candles. When the lovers were alone together, Mme de
+Langeais still lay on her couch; she was just as silent and
+motionless as if Montriveau had not been there.
+
+"Dear, I was wrong," he began, a note of pain and a sublime
+kindness in his voice. "Indeed, I would not have you without
+religion----"
+
+"It is fortunate that you can recognise the necessity of a
+conscience," she said in a hard voice, without looking at him.
+"I thank you in God's name."
+
+The General was broken down by her harshness; this woman seemed
+as if she could be at will a sister or a stranger to him. He
+made one despairing stride towards the door. He would leave her
+forever without another word. He was wretched; and the Duchess
+was laughing within herself over mental anguish far more cruel
+than the old judicial torture. But as for going away, it was not
+in his power to do it. In any sort of crisis, a woman is, as it
+were, bursting with a certain quantity of things to say; so long
+as she has not delivered herself of them, she experiences the
+sensation which we are apt to feel at the sight of something
+incomplete. Mme de Langeais had not said all that was in her
+mind. She took up her parable and said:
+
+"We have not the same convictions, General, I am pained to
+think. It would be dreadful if a woman could not believe in a
+religion which permits us to love beyond the grave. I set
+Christian sentiments aside; you cannot understand them. Let me
+simply speak to you of expediency. Would you forbid a woman at
+court the table of the Lord when it is customary to take the
+sacrament at Easter? People must certainly do something for
+their party. The Liberals, whatever they may wish to do, will
+never destroy the religious instinct. Religion will always be a
+political necessity. Would you undertake to govern a nation of
+logic-choppers? Napoleon was afraid to try; he persecuted
+ideologists. If you want to keep people from reasoning, you must
+give them something to feel. So let us accept the Roman Catholic
+Church with all its consequences. And if we would have France go
+to mass, ought we not to begin by going ourselves? Religion, you
+see, Armand, is a bond uniting all the conservative principles
+which enable the rich to live in tranquillity. Religion and the
+rights of property are intimately connected. It is certainly a
+finer thing to lead a nation by ideas of morality than by fear of
+the scaffold, as in the time of the Terror--the one method by
+which your odious Revolution could enforce obedience. The priest
+and the king--that means you, and me, and the Princess my
+neighbour; and, in a word, the interests of all honest people
+personified. There, my friend, just be so good as to belong to
+your party, you that might be its Scylla if you had the slightest
+ambition that way. I know nothing about politics myself; I argue
+from my own feelings; but still I know enough to guess that
+society would be overturned if people were always calling its
+foundations in question----"
+
+"If that is how your Court and your Government think, I am sorry
+for you," broke in Montriveau. "The Restoration, madam, ought
+to say, like Catherine de Medici, when she heard that the battle
+of Dreux was lost, 'Very well; now we will go to the
+meeting-house.' Now 1815 was your battle of Dreux. Like the
+royal power of those days, you won in fact, while you lost in
+right. Political Protestantism has gained an ascendancy over
+people's minds. If you have no mind to issue your Edict of
+Nantes; or if, when it is issued, you publish a Revocation; if
+you should one day be accused and convicted of repudiating the
+Charter, which is simply a pledge given to maintain the interests
+established under the Republic, then the Revolution will rise
+again, terrible in her strength, and strike but a single blow.
+It will not be the Revolution that will go into exile; she is the
+very soil of France. Men die, but people's interests do not die.
+. . . Eh, great Heavens! what are France and the crown and
+rightful sovereigns, and the whole world besides, to us? Idle
+words compared with my happiness. Let them reign or be hurled
+from the throne, little do I care. Where am I now?"
+
+"In the Duchesse de Langeais' boudoir, my friend."
+
+"No, no. No more of the Duchess, no more of Langeais; I am with
+my dear Antoinette."
+
+"Will you do me the pleasure to stay where you are," she said,
+laughing and pushing him back, gently however.
+
+"So you have never loved me," he retorted, and anger flashed in
+lightning from his eyes.
+
+"No, dear"; but the "No" was equivalent to "Yes."
+
+"I am a great ass," he said, kissing her hands. The terrible
+queen was a woman once more.--"Antoinette," he went on, laying
+his head on her feet, "you are too chastely tender to speak of
+our happiness to anyone in this world."
+
+"Oh!" she cried, rising to her feet with a swift, graceful
+spring, "you are a great simpleton." And without another word
+she fled into the drawing-room.
+
+"What is it now?" wondered the General, little knowing that the
+touch of his burning forehead had sent a swift electric thrill
+through her from foot to head.
+
+In hot wrath he followed her to the drawing-room, only to hear
+divinely sweet chords. The Duchess was at the piano. If the man
+of science or the poet can at once enjoy and comprehend, bringing
+his intelligence to bear upon his enjoyment without loss of
+delight, he is conscious that the alphabet and phraseology of
+music are but cunning instruments for the composer, like the wood
+and copper wire under the hands of the executant. For the poet
+and the man of science there is a music existing apart,
+underlying the double expression of this language of the spirit
+and senses. _Andiamo mio ben_ can draw tears of joy or pitying
+laughter at the will of the singer; and not unfrequently one here
+and there in the world, some girl unable to live and bear the
+heavy burden of an unguessed pain, some man whose soul vibrates
+with the throb of passion, may take up a musical theme, and lo!
+heaven is opened for them, or they find a language for themselves
+in some sublime melody, some song lost to the world.
+
+The General was listening now to such a song; a mysterious music
+unknown to all other ears, as the solitary plaint of some
+mateless bird dying alone in a virgin forest.
+
+"Great Heavens! what are you playing there?" he asked in an
+unsteady voice.
+
+"The prelude of a ballad, called, I believe, _Fleuve du Tage_."
+
+"I did not know that there was such music in a piano," he
+returned.
+
+"Ah!" she said, and for the first time she looked at him as a
+woman looks at the man she loves, "nor do you know, my friend,
+that I love you, and that you cause me horrible suffering; and
+that I feel that I must utter my cry of pain without putting it
+too plainly into words. If I did not, I should yield----But you
+see nothing."
+
+"And you will not make me happy!"
+
+"Armand, I should die of sorrow the next day."
+
+The General turned abruptly from her and went. But out in the
+street he brushed away the tears that he would not let fall.
+
+The religious phase lasted for three months. At the end of that
+time the Duchess grew weary of vain repetitions; the Deity, bound
+hand and foot, was delivered up to her lover. Possibly she may
+have feared that by sheer dint of talking of eternity she might
+perpetuate his love in this world and the next. For her own
+sake, it must be believed that no man had touched her heart, or
+her conduct would be inexcusable. She was young; the time when
+men and women feel that they cannot afford to lose time or to
+quibble over their joys was still far off. She, no doubt, was on
+the verge not of first love, but of her first experience of the
+bliss of love. And from inexperience, for want of the painful
+lessons which would have taught her to value the treasure poured
+out at her feet, she was playing with it. Knowing nothing of the
+glory and rapture of the light, she was fain to stay in the
+shadow.
+
+Armand was just beginning to understand this strange situation;
+he put his hope in the first word spoken by nature. Every
+evening, as he came away from Mme de Langeais', he told himself
+that no woman would accept the tenderest, most delicate proofs of
+a man's love during seven months, nor yield passively to the
+slighter demands of passion, only to cheat love at the last. He
+was waiting patiently for the sun to gain power, not doubting but
+that he should receive the earliest fruits. The married woman's
+hesitations and the religious scruples he could quite well
+understand. He even rejoiced over those battles. He mistook the
+Duchess's heartless coquetry for modesty; and he would not have
+had her otherwise. So he had loved to see her devising
+obstacles; was he not gradually triumphing over them? Did not
+every victory won swell the meagre sum of lovers' intimacies long
+denied, and at last conceded with every sign of love? Still, he
+had had such leisure to taste the full sweetness of every small
+successive conquest on which a lover feeds his love, that these
+had come to be matters of use and wont. So far as obstacles
+went, there were none now save his own awe of her; nothing else
+left between him and his desire save the whims of her who allowed
+him to call her Antoinette. So he made up his mind to demand
+more, to demand all. Embarrassed like a young lover who cannot
+dare to believe that his idol can stoop so low, he hesitated for
+a long time. He passed through the experience of terrible
+reactions within himself. A set purpose was annihilated by a
+word, and definite resolves died within him on the threshold. He
+despised himself for his weakness, and still his desire remained
+unuttered. Nevertheless, one evening, after sitting in gloomy
+melancholy, he brought out a fierce demand for his illegally
+legitimate rights. The Duchess had not to wait for her bond-slave's
+request to guess his desire. When was a man's desire a secret? And
+have not women an intuitive knowledge of the meaning of certain
+changes of countenance?
+
+"What! you wish to be my friend no longer?" she broke in at the
+first words, and a divine red surging like new blood under the
+transparent skin, lent brightness to her eyes. "As a reward for
+my generosity, you would dishonor me? Just reflect a little. I
+myself have thought much over this; and I think always for us
+_both_. There is such a thing as a woman's loyalty, and we can no
+more fail in it than you can fail in honour. _I_ cannot blind
+myself. If I am yours, how, in any sense, can I be M. de
+Langeais' wife? Can you require the sacrifice of my position,
+my rank, my whole life in return for a doubtful love that could
+not wait patiently for seven months? What! already you would rob
+me of my right to dispose of myself? No, no; you must not talk
+like this again. No, not another word. I will not, I cannot
+listen to you."
+
+Mme de Langeais raised both hands to her head to push back the
+tufted curls from her hot forehead; she seemed very much excited.
+
+"You come to a weak woman with your purpose definitely planned
+out. You say--'For a certain length of time she will talk to me
+of her husband, then of God, and then of the inevitable
+consequences. But I will use and abuse the ascendancy I shall
+gain over her; I will make myself indispensable; all the bonds of
+habit, all the misconstructions of outsiders, will make for me;
+and at length, when our _liaison_ is taken for granted by all the
+world, I shall be this woman's master.'--Now, be frank; these are
+your thoughts! Oh! you calculate, and you say that you love.
+Shame on you! You are enamoured? Ah! that I well believe! You
+wish to possess me, to have me for your mistress, that is all!
+Very well then, No! The _Duchesse de Langeais_ will not descend so
+far. Simple _bourgeoises_ may be the victims of your treachery--I,
+never! Nothing gives me assurance of your love. You speak of my
+beauty; I may lose every trace of it in six months, like the dear
+Princess, my neighbour. You are captivated by my wit, my grace.
+Great Heavens! you would soon grow used to them and to the
+pleasures of possession. Have not the little concessions that I
+was weak enough to make come to be a matter of course in the last
+few months? Some day, when ruin comes, you will give me no
+reason for the change in you beyond a curt, 'I have ceased to
+care for you.'--Then, rank and fortune and honour and all that
+was the Duchesse de Langeais will be swallowed up in one
+disappointed hope. I shall have children to bear witness to my
+shame, and----" With an involuntary gesture she interrupted
+herself, and continued: "But I am too good-natured to explain
+all this to you when you know it better than I. Come! let us
+stay as we are. I am only too fortunate in that I can still
+break these bonds which you think so strong. Is there anything
+so very heroic in coming to the Hotel de Langeais to spend an
+evening with a woman whose prattle amuses you?--a woman whom you
+take for a plaything? Why, half a dozen young coxcombs come here
+just as regularly every afternoon between three and five. They,
+too, are very generous, I am to suppose? I make fun of them;
+they stand my petulance and insolence pretty quietly, and make me
+laugh; but as for you, I give all the treasures of my soul to
+you, and you wish to ruin me, you try my patience in endless
+ways. Hush, that will do, that will do," she continued, seeing
+that he was about to speak, "you have no heart, no soul, no
+delicacy. I know what you want to tell me. Very well,
+then--yes. I would rather you should take me for a cold,
+insensible woman, with no devotion in her composition, no heart
+even, than be taken by everybody else for a vulgar person, and be
+condemned to your so-called pleasures, of which you would most
+certainly tire, and to everlasting punishment for it afterwards.
+Your selfish love is not worth so many sacrifices. . . ."
+
+The words give but a very inadequate idea of the discourse which
+the Duchess trilled out with the quick volubility of a
+bird-organ. Nor, truly, was there anything to prevent her from
+talking on for some time to come, for poor Armand's only reply to
+the torrent of flute notes was a silence filled with cruelly
+painful thoughts. He was just beginning to see that this woman
+was playing with him; he divined instinctively that a devoted
+love, a responsive love, does not reason and count the
+consequences in this way. Then, as he heard her reproach him
+with detestable motives, he felt something like shame as he
+remembered that unconsciously he had made those very
+calculations. With angelic honesty of purpose, he looked within,
+and self-examination found nothing but selfishness in all his
+thoughts and motives, in the answers which he framed and could
+not utter. He was self-convicted. In his despair he longed to
+fling himself from the window. The egoism of it was intolerable.
+
+What indeed can a man say when a woman will not believe in love?
+--Let me prove how much I love you.--The _I_ is always there.
+
+The heroes of the boudoir, in such circumstances, can follow the
+example of the primitive logician who preceded the Pyrrhonists
+and denied movement. Montriveau was not equal to this feat.
+With all his audacity, he lacked this precise kind which never
+deserts an adept in the formulas of feminine algebra. If so many
+women, and even the best of women, fall a prey to a kind of
+expert to whom the vulgar give a grosser name, it is perhaps
+because the said experts are great _provers_, and love, in spite
+of its delicious poetry of sentiment, requires a little more
+geometry than people are wont to think.
+
+Now the Duchess and Montriveau were alike in this--they were both
+equally unversed in love lore. The lady's knowledge of theory
+was but scanty; in practice she knew nothing whatever; she felt
+nothing, and reflected over everything. Montriveau had had but
+little experience, was absolutely ignorant of theory, and felt
+too much to reflect at all. Both therefore were enduring the
+consequences of the singular situation. At that supreme moment
+the myriad thoughts in his mind might have been reduced to the
+formula--"Submit to be mine----" words which seem horribly
+selfish to a woman for whom they awaken no memories, recall no
+ideas. Something nevertheless he must say. And what was more,
+though her barbed shafts had set his blood tingling, though the
+short phrases that she discharged at him one by one were very
+keen and sharp and cold, he must control himself lest he should
+lose all by an outbreak of anger.
+
+"Mme la Duchesse, I am in despair that God should have invented
+no way for a woman to confirm the gift of her heart save by
+adding the gift of her person. The high value which you yourself
+put upon the gift teaches me that I cannot attach less importance
+to it. If you have given me your inmost self and your whole
+heart, as you tell me, what can the rest matter? And besides, if
+my happiness means so painful a sacrifice, let us say no more
+about it. But you must pardon a man of spirit if he feels
+humiliated at being taken for a spaniel."
+
+The tone in which the last remark was uttered might perhaps have
+frightened another woman; but when the wearer of a petticoat has
+allowed herself to be addressed as a Divinity, and thereby set
+herself above all other mortals, no power on earth can be so
+haughty.
+
+"M. le Marquis, I am in despair that God should not have
+invented some nobler way for a man to confirm the gift of his
+heart than by the manifestation of prodigiously vulgar desires.
+We become bond-slaves when we give ourselves body and soul, but a
+man is bound to nothing by accepting the gift. Who will assure
+me that love will last? The very love that I might show for you
+at every moment, the better to keep your love, might serve you as
+a reason for deserting me. I have no wish to be a second edition
+of Mme de Beauseant. Who can ever know what it is that keeps you
+beside us? Our persistent coldness of heart is the cause of an
+unfailing passion in some of you; other men ask for an untiring
+devotion, to be idolized at every moment; some for gentleness,
+others for tyranny. No woman in this world as yet has really
+read the riddle of man's heart."
+
+There was a pause. When she spoke again it was in a different
+tone.
+
+"After all, my friend, you cannot prevent a woman from trembling
+at the question, 'Will this love last always?' Hard though my
+words may be, the dread of losing you puts them into my mouth.
+Oh, me! it is not I who speaks, dear, it is reason; and how
+should anyone so mad as I be reasonable? In truth, I am nothing
+of the sort."
+
+The poignant irony of her answer had changed before the end into
+the most musical accents in which a woman could find utterance
+for ingenuous love. To listen to her words was to pass in a
+moment from martyrdom to heaven. Montriveau grew pale; and for
+the first time in his life, he fell on his knees before a woman.
+He kissed the Duchess's skirt hem, her knees, her feet; but for
+the credit of the Faubourg Saint-Germain it is necessary to
+respect the mysteries of its boudoirs, where many are fain to
+take the utmost that Love can give without giving proof of love
+in return.
+
+The Duchess thought herself generous when she suffered herself to
+be adored. But Montriveau was in a wild frenzy of joy over her
+complete surrender of the position.
+
+"Dear Antoinette," he cried. "Yes, you are right; I will not
+have you doubt any longer. I too am trembling at this
+moment--lest the angel of my life should leave me; I wish I could
+invent some tie that might bind us to each other irrevocably."
+
+"Ah!" she said, under her breath, "so I was right, you see."
+
+"Let me say all that I have to say; I will scatter all your
+fears with a word. Listen! if I deserted you, I should deserve
+to die a thousand deaths. Be wholly mine, and I will give you
+the right to kill me if I am false. I myself will write a letter
+explaining certain reasons for taking my own life; I will make my
+final arrangements, in short. You shall have the letter in your
+keeping; in the eye of the law it will be a sufficient
+explanation of my death. You can avenge yourself, and fear
+nothing from God or men."
+
+"What good would the letter be to me? What would life be if I
+had lost your love? If I wished to kill you, should I not be
+ready to follow? No; thank you for the thought, but I do not
+want the letter. Should I not begin to dread that you were
+faithful to me through fear? And if a man knows that he must
+risk his life for a stolen pleasure, might it not seem more
+tempting? Armand, the thing I ask of you is the one hard thing
+to do."
+
+"Then what is it that you wish?"
+
+"Your obedience and my liberty."
+
+"Ah, God!" cried he, "I am a child."
+
+"A wayward, much spoilt child," she said, stroking the thick
+hair, for his head still lay on her knee. "Ah! and loved far
+more than he believes, and yet he is very disobedient. Why not
+stay as we are? Why not sacrifice to me the desires that hurt
+me? Why not take what I can give, when it is all that I can
+honestly grant? Are you not happy?"
+
+"Oh yes, I am happy when I have not a doubt left. Antoinette,
+doubt in love is a kind of death, is it not?"
+
+In a moment he showed himself as he was, as all men are under the
+influence of that hot fever; he grew eloquent, insinuating. And
+the Duchess tasted the pleasures which she reconciled with her
+conscience by some private, Jesuitical ukase of her own; Armand's
+love gave her a thrill of cerebral excitement which custom made
+as necessary to her as society, or the Opera. To feel that she
+was adored by this man, who rose above other men, whose character
+frightened her; to treat him like a child; to play with him as
+Poppaea played with Nero--many women, like the wives of King
+Henry VIII, have paid for such a perilous delight with all the
+blood in their veins. Grim presentiment! Even as she surrendered
+the delicate, pale, gold curls to his touch, and felt the close
+pressure of his hand, the little hand of a man whose greatness
+she could not mistake; even as she herself played with his dark,
+thick locks, in that boudoir where she reigned a queen, the
+Duchess would say to herself:
+
+"This man is capable of killing me if he once finds out that I
+am playing with him."
+
+Armand de Montriveau stayed with her till two o'clock in the
+morning. From that moment this woman, whom he loved, was neither
+a duchess nor a Navarreins; Antoinette, in her disguises, had
+gone so far as to appear to be a woman. On that most blissful
+evening, the sweetest prelude ever played by a Parisienne to what
+the world calls "a slip"; in spite of all her affectations of a
+coyness which she did not feel, the General saw all maidenly
+beauty in her. He had some excuse for believing that so many
+storms of caprice had been but clouds covering a heavenly soul;
+that these must be lifted one by one like the veils that hid her
+divine loveliness. The Duchess became, for him, the most simple
+and girlish mistress; she was the one woman in the world for him;
+and he went away quite happy in that at last he had brought her
+to give him such pledges of love, that it seemed to him
+impossible but that he should be but her husband henceforth in
+secret, her choice sanctioned by Heaven.
+
+Armand went slowly home, turning this thought in his mind with
+the impartiality of a man who is conscious of all the
+responsibilities that love lays on him while he tastes the
+sweetness of its joys. He went along the Quais to see the widest
+possible space of sky; his heart had grown in him; he would fain
+have had the bounds of the firmament and of earth enlarged. It
+seemed to him that his lungs drew an ampler breath. In the course
+of his self-examination, as he walked, he vowed to love this woman
+so devoutly, that every day of her life she should find absolution
+for her sins against society in unfailing happiness. Sweet
+stirrings of life when life is at the full! The man that is strong
+enough to steep his soul in the colour of one emotion, feels
+infinite joy as glimpses open out for him of an ardent lifetime
+that knows no diminution of passion to the end; even so it is
+permitted to certain mystics, in ecstasy, to behold the Light of
+God. Love would be naught without the belief that it would last
+forever; love grows great through constancy. It was thus that,
+wholly absorbed by his happiness, Montriveau understood passion.
+
+"We belong to each other forever!"
+
+The thought was like a talisman fulfilling the wishes of his
+life. He did not ask whether the Duchess might not change,
+whether her love might not last. No, for he had faith. Without
+that virtue there is no future for Christianity, and perhaps it
+is even more necessary to society. A conception of life as
+feeling occurred to him for the first time; hitherto he had lived
+by action, the most strenuous exertion of human energies, the
+physical devotion, as it may be called, of the soldier.
+
+Next day M. de Montriveau went early in the direction of the
+Faubourg Saint-Germain. He had made an appointment at a house
+not far from the Hotel de Langeais; and the business over, he
+went thither as if to his own home. The General's companion
+chanced to be a man for whom he felt a kind of repulsion whenever
+he met him in other houses. This was the Marquis de
+Ronquerolles, whose reputation had grown so great in Paris
+boudoirs. He was witty, clever, and what was more--courageous;
+he set the fashion to all the young men in Paris. As a man of
+gallantry, his success and experience were equally matters of
+envy; and neither fortune nor birth was wanting in his case,
+qualifications which add such lustre in Paris to a reputation as
+a leader of fashion.
+
+"Where are you going?" asked M. de Ronquerolles.
+
+"To Mme de Langeais'."
+
+"Ah, true. I forgot that you had allowed her to lime you. You
+are wasting your affections on her when they might be much better
+employed elsewhere. I could have told you of half a score of
+women in the financial world, any one of them a thousand times
+better worth your while than that titled courtesan, who does with
+her brains what less artificial women do with----"
+
+"What is this, my dear fellow?" Armand broke in. "The Duchess
+is an angel of innocence."
+
+Ronquerolles began to laugh.
+
+"Things being thus, dear boy," said he, "it is my duty to
+enlighten you. Just a word; there is no harm in it between
+ourselves. Has the Duchess surrendered? If so, I have nothing
+more to say. Come, give me your confidence. There is no
+occasion to waste your time in grafting your great nature on that
+unthankful stock, when all your hopes and cultivation will come
+to nothing."
+
+Armand ingenuously made a kind of general report of his position,
+enumerating with much minuteness the slender rights so hardly
+won. Ronquerolles burst into a peal of laughter so heartless,
+that it would have cost any other man his life. But from their
+manner of speaking and looking at each other during that colloquy
+beneath the wall, in a corner almost as remote from intrusion as
+the desert itself, it was easy to imagine the friendship between
+the two men knew no bounds, and that no power on earth could
+estrange them.
+
+"My dear Armand, why did you not tell me that the Duchess was a
+puzzle to you? I would have given you a little advice which
+might have brought your flirtation properly through. You must
+know, to begin with, that the women of our Faubourg, like any
+other women, love to steep themselves in love; but they have a
+mind to possess and not to be possessed. They have made a sort
+of compromise with human nature. The code of their parish gives
+them a pretty wide latitude short of the last transgression. The
+sweets enjoyed by this fair Duchess of yours are so many venial
+sins to be washed away in the waters of penitence. But if you
+had the impertinence to ask in earnest for the moral sin to which
+naturally you are sure to attach the highest importance, you
+would see the deep disdain with which the door of the boudoir and
+the house would be incontinently shut upon you. The tender
+Antoinette would dismiss everything from her memory; you would be
+less than a cipher for her. She would wipe away your kisses, my
+dear friend, as indifferently as she would perform her ablutions.
+She would sponge love from her cheeks as she washes off rouge.
+We know women of that sort--the thorough-bred Parisienne. Have
+you ever noticed a grisette tripping along the street? Her face
+is as good as a picture. A pretty cap, fresh cheeks, trim hair,
+a guileful smile, and the rest of her almost neglected. Is not
+this true to the life? Well, that is the Parisienne. She knows
+that her face is all that will be seen, so she devotes all her
+care, finery, and vanity to her head. The Duchess is the same;
+the head is everything with her. She can only feel through her
+intellect, her heart lies in her brain, she is a sort of
+intellectual epicure, she has a head-voice. We call that kind of
+poor creature a Lais of the intellect. You have been taken in
+like a boy. If you doubt it, you can have proof of it tonight,
+this morning, this instant. Go up to her, try the demand as an
+experiment, insist peremptorily if it is refused. You might set
+about it like the late Marechal de Richelieu, and get nothing for
+your pains."
+
+Armand was dumb with amazement.
+
+"Has your desire reached the point of infatuation?"
+
+"I want her at any cost!" Montriveau cried out despairingly.
+
+"Very well. Now, look here. Be as inexorable as she is
+herself. Try to humiliate her, to sting her vanity. Do _not_ try
+to move her heart, nor her soul, but the woman's nerves and
+temperament, for she is both nervous and lymphatic. If you can
+once awaken desire in her, you are safe. But you must drop these
+romantic boyish notions of yours. If when once you have her in
+your eagle's talons you yield a point or draw back, if you so
+much as stir an eyelid, if she thinks that she can regain her
+ascendancy over you, she will slip out of your clutches like a
+fish, and you will never catch her again. Be as inflexible as
+law. Show no more charity than the headsman. Hit hard, and then
+hit again. Strike and keep on striking as if you were giving her
+the knout. Duchesses are made of hard stuff, my dear Armand;
+there is a sort of feminine nature that is only softened by
+repeated blows; and as suffering develops a heart in women of
+that sort, so it is a work of charity not to spare the rod. Do
+you persevere. Ah! when pain has thoroughly relaxed those nerves
+and softened the fibres that you take to be so pliant and
+yielding; when a shriveled heart has learned to expand and
+contract and to beat under this discipline; when the brain has
+capitulated--then, perhaps, passion may enter among the steel
+springs of this machinery that turns out tears and affectations
+and languors and melting phrases; then you shall see a most
+magnificent conflagration (always supposing that the chimney
+takes fire). The steel feminine system will glow red-hot like
+iron in the forge; that kind of heat lasts longer than any other,
+and the glow of it may possibly turn to love.
+
+"Still," he continued, "I have my doubts. And, after all, is
+it worth while to take so much trouble with the Duchess? Between
+ourselves a man of my stamp ought first to take her in hand and
+break her in; I would make a charming woman of her; she is a
+thoroughbred; whereas, you two left to yourselves will never get
+beyond the A B C. But you are in love with her, and just now you
+might not perhaps share my views on this subject----. A pleasant
+time to you, my children," added Ronquerolles, after a pause.
+Then with a laugh: "I have decided myself for facile beauties;
+they are tender, at any rate, the natural woman appears in their
+love without any of your social seasonings. A woman that haggles
+over herself, my poor boy, and only means to inspire love! Well,
+have her like an extra horse--for show. The match between the
+sofa and confessional, black and white, queen and knight,
+conscientious scruples and pleasure, is an uncommonly amusing
+game of chess. And if a man knows the game, let him be never so
+little of a rake, he wins in three moves. Now, if I undertook a
+woman of that sort, I should start with the deliberate purpose
+of----" His voice sank to a whisper over the last words in
+Armand's ear, and he went before there was time to reply.
+
+As for Montriveau, he sprang at a bound across the courtyard of
+the Hotel de Langeais, went unannounced up the stairs straight to
+the Duchess's bedroom.
+
+"This is an unheard-of thing," she said, hastily wrapping her
+dressing-gown about her. "Armand! this is abominable of you!
+Come, leave the room, I beg. Just go out of the room, and go at
+once. Wait for me in the drawing-room.--Come now!"
+
+"Dear angel, has a plighted lover no privilege whatsoever?"
+
+"But, monsieur, it is in the worst possible taste of a plighted
+lover or a wedded husband to break in like this upon his wife."
+
+He came up to the Duchess, took her in his arms, and held her
+tightly to him.
+
+"Forgive, dear Antoinette; but a host of horrid doubts are
+fermenting in my heart."
+
+"_Doubts_? Fie!--Oh, fie on you!"
+
+"Doubts all but justified. If you loved me, would you make this
+quarrel? Would you not be glad to see me? Would you not have
+felt a something stir in your heart? For I, that am not a woman,
+feel a thrill in my inmost self at the mere sound of your voice.
+Often in a ballroom a longing has come upon me to spring to your
+side and put my arms about your neck."
+
+"Oh! if you have doubts of me so long as I am not ready to
+spring to your arms before all the world, I shall be doubted all
+my life long, I suppose. Why, Othello was a mere child compared
+with you!"
+
+"Ah!" he cried despairingly, "you have no love for me----"
+
+"Admit, at any rate, that at this moment you are not lovable."
+
+"Then I have still to find favour in your sight?"
+
+"Oh, I should think so. Come," added she, "with a little
+imperious air, go out of the room, leave me. I am not like you;
+I wish always to find favour in your eyes."
+
+Never woman better understood the art of putting charm into
+insolence, and does not the charm double the effect? is it not
+enough to infuriate the coolest of men? There was a sort of
+untrammeled freedom about Mme de Langeais; a something in her
+eyes, her voice, her attitude, which is never seen in a woman who
+loves when she stands face to face with him at the mere sight of
+whom her heart must needs begin to beat. The Marquis de
+Ronquerolles' counsels had cured Armand of sheepishness; and
+further, there came to his aid that rapid power of intuition
+which passion will develop at moments in the least wise among
+mortals, while a great man at such a time possesses it to the
+full. He guessed the terrible truth revealed by the Duchess's
+nonchalance, and his heart swelled with the storm like a lake
+rising in flood.
+
+"If you told me the truth yesterday, be mine, dear Antoinette,"
+he cried; "you shall----"
+
+"In the first place," said she composedly, thrusting him back
+as he came nearer--"in the first place, you are not to
+compromise me. My woman might overhear you. Respect me, I beg
+of you. Your familiarity is all very well in my boudoir in an
+evening; here it is quite different. Besides, what may your 'you
+shall' mean? 'You shall.' No one as yet has ever used that word
+to me. It is quite ridiculous, it seems to me, absolutely
+ridiculous.
+
+"Will you surrender nothing to me on this point?"
+
+"Oh! do you call a woman's right to dispose of herself a
+'point?' A capital point indeed; you will permit me to be
+entirely my own mistress on that 'point.'"
+
+"And how if, believing in your promises to me, I should
+absolutely require it?"
+
+"Oh! then you would prove that I made the greatest possible
+mistake when I made you a promise of any kind; and I should beg
+you to leave me in peace."
+
+The General's face grew white; he was about to spring to her
+side, when Mme de Langeais rang the bell, the maid appeared, and,
+smiling with a mocking grace, the Duchess added, "Be so good as
+to return when I am visible."
+
+Then Montriveau felt the hardness of a woman as cold and keen as
+a steel blade; she was crushing in her scorn. In one moment she
+had snapped the bonds which held firm only for her lover. She
+had read Armand's intention in his face, and held that the moment
+had come for teaching the Imperial soldier his lesson. He was to
+be made to feel that though duchesses may lend themselves to
+love, they do not give themselves, and that the conquest of one
+of them would prove a harder matter than the conquest of Europe.
+
+"Madame," returned Armand, "I have not time to wait. I am a
+spoilt child, as you told me yourself. When I seriously resolve
+to have that of which we have been speaking, I shall have it."
+
+"You will have it?" queried she, and there was a trace of
+surprise in her loftiness.
+
+"I shall have it."
+
+"Oh! you would do me a great pleasure by 'resolving' to have it.
+For curiosity's sake, I should be delighted to know how you would
+set about it----"
+
+"I am delighted to put a new interest into your life,"
+interrupted Montriveau, breaking into a laugh which dismayed the
+Duchess. "Will you permit me to take you to the ball tonight?"
+
+"A thousand thanks. M. de Marsay has been beforehand with you. I
+gave him my promise."
+
+Montriveau bowed gravely and went.
+
+"So Ronquerolles was right," thought he, "and now for a game
+of chess."
+
+Thenceforward he hid his agitation by complete composure. No man
+is strong enough to bear such sudden alternations from the height
+of happiness to the depths of wretchedness. So he had caught a
+glimpse of happy life the better to feel the emptiness of his
+previous existence? There was a terrible storm within him; but
+he had learned to endure, and bore the shock of tumultuous
+thoughts as a granite cliff stands out against the surge of an
+angry sea.
+
+"I could say nothing. When I am with her my wits desert me.
+She does not know how vile and contemptible she is. Nobody has
+ventured to bring her face to face with herself. She has played
+with many a man, no doubt; I will avenge them all."
+
+For the first time, it may be, in a man's heart, revenge and love
+were blended so equally that Montriveau himself could not know
+whether love or revenge would carry all before it. That very
+evening he went to the ball at which he was sure of seeing the
+Duchesse de Langeais, and almost despaired of reaching her heart.
+He inclined to think that there was something diabolical about
+this woman, who was gracious to him and radiant with charming
+smiles; probably because she had no wish to allow the world to
+think that she had compromised herself with M. de Montriveau.
+Coolness on both sides is a sign of love; but so long as the
+Duchess was the same as ever, while the Marquis looked sullen and
+morose, was it not plain that she had conceded nothing?
+Onlookers know the rejected lover by various signs and tokens;
+they never mistake the genuine symptoms for a coolness such as
+some women command their adorers to feign, in the hope of
+concealing their love. Everyone laughed at Montriveau; and he,
+having omitted to consult his cornac, was abstracted and ill at
+ease. M. de Ronquerolles would very likely have bidden him
+compromise the Duchess by responding to her show of friendliness
+by passionate demonstrations; but as it was, Armand de Montriveau
+came away from the ball, loathing human nature, and even then
+scarcely ready to believe in such complete depravity.
+
+"If there is no executioner for such crimes," he said, as he
+looked up at the lighted windows of the ballroom where the most
+enchanting women in Paris were dancing, laughing, and chatting,
+"I will take you by the nape of the neck, Mme la Duchesse, and
+make you feel something that bites more deeply than the knife in
+the Place de la Greve. Steel against steel; we shall see which
+heart will leave the deeper mark."
+
+For a week or so Mme de Langeais hoped to see the Marquis de
+Montriveau again; but he contented himself with sending his card
+every morning to the Hotel de Langeais. The Duchess could not
+help shuddering each time that the card was brought in, and a dim
+foreboding crossed her mind, but the thought was vague as a
+presentiment of disaster. When her eyes fell on the name, it
+seemed to her that she felt the touch of the implacable man's
+strong hand in her hair; sometimes the words seemed like a
+prognostication of a vengeance which her lively intellect
+invented in the most shocking forms. She had studied him too
+well not to dread him. Would he murder her, she wondered? Would
+that bull-necked man dash out her vitals by flinging her over his
+head? Would he trample her body under his feet? When, where,
+and how would he get her into his power? Would he make her
+suffer very much, and what kind of pain would he inflict? She
+repented of her conduct. There were hours when, if he had come,
+she would have gone to his arms in complete self-surrender.
+
+Every night before she slept she saw Montriveau's face; every
+night it wore a different aspect. Sometimes she saw his bitter
+smile, sometimes the Jovelike knitting of the brows; or his
+leonine look, or some disdainful movement of the shoulders made
+him terrible for her. Next day the card seemed stained with
+blood. The name of Montriveau stirred her now as the presence of
+the fiery, stubborn, exacting lover had never done. Her
+apprehensions gathered strength in the silence. She was forced,
+without aid from without, to face the thought of a hideous duel
+of which she could not speak. Her proud hard nature was more
+responsive to thrills of hate than it had ever been to the
+caresses of love. Ah! if the General could but have seen her, as
+she sat with her forehead drawn into folds between her brows;
+immersed in bitter thoughts in that boudoir where he had enjoyed
+such happy moments, he might perhaps have conceived high hopes.
+Of all human passions, is not pride alone incapable of
+engendering anything base? Mme de Langeais kept her thoughts to
+herself, but is it not permissible to suppose that M. de
+Montriveau was no longer indifferent to her? And has not a man
+gained ground immensely when a woman thinks about him? He is
+bound to make progress with her either one way or the other
+afterwards.
+
+Put any feminine creature under the feet of a furious horse or
+other fearsome beast; she will certainly drop on her knees and
+look for death; but if the brute shows a milder mood and does not
+utterly slay her, she will love the horse, lion, bull, or what
+not, and will speak of him quite at her ease. The Duchess felt
+that she was under the lion's paws; she quaked, but she did not
+hate him.
+
+The man and woman thus singularly placed with regard to each
+other met three times in society during the course of that week.
+Each time, in reply to coquettish questioning glances, the
+Duchess received a respectful bow, and smiles tinged with such
+savage irony, that all her apprehensions over the card in the
+morning were revived at night. Our lives are simply such as our
+feelings shape them for us; and the feelings of these two had
+hollowed out a great gulf between them.
+
+The Comtesse de Serizy, the Marquis de Ronquerolles' sister,
+gave a great ball at the beginning of the following week, and Mme
+de Langeais was sure to go to it. Armand was the first person
+whom the Duchess saw when she came into the room, and this time
+Armand was looking out for her, or so she thought at least. The
+two exchanged a look, and suddenly the woman felt a cold
+perspiration break from every pore. She had thought all along
+that Montriveau was capable of taking reprisals in some
+unheard-of way proportioned to their condition, and now the
+revenge had been discovered, it was ready, heated, and boiling.
+Lightnings flashed from the foiled lover's eyes, his face was
+radiant with exultant vengeance. And the Duchess? Her eyes were
+haggard in spite of her resolution to be cool and insolent. She
+went to take her place beside the Comtesse de Serizy, who could
+not help exclaiming, "Dear Antoinette! what is the matter with
+you? You are enough to frighten one."
+
+"I shall be all right after a quadrille," she answered, giving
+a hand to a young man who came up at that moment.
+
+Mme de Langeais waltzed that evening with a sort of excitement
+and transport which redoubled Montriveau's lowering looks. He
+stood in front of the line of spectators, who were amusing
+themselves by looking on. Every time that _she_ came past him, his
+eyes darted down upon her eddying face; he might have been a
+tiger with the prey in his grasp. The waltz came to an end, Mme
+de Langeais went back to her place beside the Countess, and
+Montriveau never took his eyes off her, talking all the while
+with a stranger.
+
+"One of the things that struck me most on the journey," he was
+saying (and the Duchess listened with all her ears), "was the
+remark which the man makes at Westminster when you are shown the
+axe with which a man in a mask cut off Charles the First's head,
+so they tell you. The King made it first of all to some
+inquisitive person, and they repeat it still in memory of him."
+
+"What does the man say?" asked Mme de Serizy.
+
+"'Do not touch the axe!'" replied Montriveau, and there was
+menace in the sound of his voice.
+
+"Really, my Lord Marquis," said Mme de Langeais, "you tell
+this old story that everybody knows if they have been to London,
+and look at my neck in such a melodramatic way that you seem to
+me to have an axe in your hand."
+
+The Duchess was in a cold sweat, but nevertheless she laughed as
+she spoke the last words.
+
+"But circumstances give the story a quite new application,"
+returned he.
+
+"How so; pray tell me, for pity's sake?"
+
+"In this way, madame--you have touched the axe," said
+Montriveau, lowering his voice.
+
+"What an enchanting prophecy!" returned she, smiling with
+assumed grace. "And when is my head to fall?"
+
+"I have no wish to see that pretty head of yours cut off. I
+only fear some great misfortune for you. If your head were
+clipped close, would you feel no regrets for the dainty golden
+hair that you turn to such good account?"
+
+"There are those for whom a woman would love to make such a
+sacrifice; even if, as often happens, it is for the sake of a man
+who cannot make allowances for an outbreak of temper."
+
+"Quite so. Well, and if some wag were to spoil your beauty on a
+sudden by some chemical process, and you, who are but eighteen
+for us, were to be a hundred years old?"
+
+"Why, the smallpox is our Battle of Waterloo, monsieur," she
+interrupted. "After it is over we find out those who love us
+sincerely."
+
+"Would you not regret the lovely face that?"
+
+"Oh! indeed I should, but less for my own sake than for the sake
+of someone else whose delight it might have been. And, after
+all, if I were loved, always loved, and truly loved, what would
+my beauty matter to me?--What do you say, Clara?"
+
+"It is a dangerous speculation," replied Mme de Serizy.
+
+"Is it permissible to ask His Majesty the King of Sorcerers when
+I made the mistake of touching the axe, since I have not been to
+London as yet?----"
+
+"_Not so_," he answered in English, with a burst of ironical
+laughter.
+
+"And when will the punishment begin?"
+
+At this Montriveau coolly took out his watch, and ascertained the
+hour with a truly appalling air of conviction.
+
+"A dreadful misfortune will befall you before this day is out."
+
+"I am not a child to be easily frightened, or rather, I am a
+child ignorant of danger," said the Duchess. "I shall dance
+now without fear on the edge of the precipice."
+
+"I am delighted to know that you have so much strength of
+character," he answered, as he watched her go to take her place
+in a square dance.
+
+But the Duchess, in spite of her apparent contempt for Armand's
+dark prophecies, was really frightened. Her late lover's
+presence weighed upon her morally and physically with a sense of
+oppression that scarcely ceased when he left the ballroom. And
+yet when she had drawn freer breath, and enjoyed the relief for a
+moment, she found herself regretting the sensation of dread, so
+greedy of extreme sensations is the feminine nature. The regret
+was not love, but it was certainly akin to other feelings which
+prepare the way for love. And then--as if the impression which
+Montriveau had made upon her were suddenly revived--she
+recollected his air of conviction as he took out his watch, and
+in a sudden spasm of dread she went out.
+
+By this time it was about midnight. One of her servants, waiting
+with her pelisse, went down to order her carriage. On her way
+home she fell naturally enough to musing over M. de Montriveau's
+prediction. Arrived in her own courtyard, as she supposed, she
+entered a vestibule almost like that of her own hotel, and
+suddenly saw that the staircase was different. She was in a
+strange house. Turning to call her servants, she was attacked by
+several men, who rapidly flung a handkerchief over her mouth,
+bound her hand and foot, and carried her off. She shrieked
+aloud.
+
+"Madame, our orders are to kill you if you scream," a voice
+said in her ear.
+
+So great was the Duchess's terror, that she could never recollect
+how nor by whom she was transported. When she came to herself,
+she was lying on a couch in a bachelor's lodging, her hands and
+feet tied with silken cords. In spite of herself, she shrieked
+aloud as she looked round and met Armand de Montriveau's eyes.
+He was sitting in his dressing-gown, quietly smoking a cigar in
+his armchair.
+
+"Do not cry out, Mme la Duchesse," he said, coolly taking the
+cigar out of his mouth; "I have a headache. Besides, I will
+untie you. But listen attentively to what I have the honour to
+say to you."
+
+Very carefully he untied the knots that bound her feet.
+
+"What would be the use of calling out? Nobody can hear your
+cries. You are too well bred to make any unnecessary fuss. If
+you do not stay quietly, if you insist upon a struggle with me, I
+shall tie your hands and feet again. All things considered, I
+think that you have self-respect enough to stay on this sofa as
+if you were lying on your own at home; cold as ever, if you will.
+You have made me shed many tears on this couch, tears that I hid
+from all other eyes."
+
+While Montriveau was speaking, the Duchess glanced about her; it
+was a woman's glance, a stolen look that saw all things and
+seemed to see nothing. She was much pleased with the room. It
+was rather like a monk's cell. The man's character and thoughts
+seemed to pervade it. No decoration of any kind broke the grey
+painted surface of the walls. A green carpet covered the floor.
+A black sofa, a table littered with papers, two big easy-chairs,
+a chest of drawers with an alarum clock by way of ornament, a
+very low bedstead with a coverlet flung over it--a red cloth with
+a black key border--all these things made part of a whole that
+told of a life reduced to its simplest terms. A triple
+candle-sconce of Egyptian design on the chimney-piece recalled
+the vast spaces of the desert and Montriveau's long wanderings; a
+huge sphinx-claw stood out beneath the folds of stuff at the
+bed-foot; and just beyond, a green curtain with a black and
+scarlet border was suspended by large rings from a spear handle
+above a door near one corner of the room. The other door by
+which the band had entered was likewise curtained, but the
+drapery hung from an ordinary curtain-rod. As the Duchess
+finally noted that the pattern was the same on both, she saw that
+the door at the bed-foot stood open; gleams of ruddy light from
+the room beyond flickered below the fringed border. Naturally,
+the ominous light roused her curiosity; she fancied she could
+distinguish strange shapes in the shadows; but as it did not
+occur to her at the time that danger could come from that
+quarter, she tried to gratify a more ardent curiosity.
+
+"Monsieur, if it is not indiscreet, may I ask what you mean to
+do with me?" The insolence and irony of the tone stung through
+the words. The Duchess quite believed that she read extravagant
+love in Montriveau's speech. He had carried her off; was not
+that in itself an acknowledgment of her power?
+
+"Nothing whatever, madame," he returned, gracefully puffing the
+last whiff of cigar smoke. "You will remain here for a short
+time. First of all, I should like to explain to you what you
+are, and what I am. I cannot put my thoughts into words whilst
+you are twisting on the sofa in your boudoir; and besides, in
+your own house you take offence at the slightest hint, you ring
+the bell, make an outcry, and turn your lover out at the door as
+if he were the basest of wretches. Here my mind is unfettered.
+Here nobody can turn me out. Here you shall be my victim for a
+few seconds, and you are going to be so exceedingly kind as to
+listen to me. You need fear nothing. I did not carry you off to
+insult you, nor yet to take by force what you refused to grant of
+your own will to my unworthiness. I could not stoop so low. You
+possibly think of outrage; for myself, I have no such thoughts."
+
+He flung his cigar coolly into the fire.
+
+"The smoke is unpleasant to you, no doubt, madame?" he said,
+and rising at once, he took a chafing-dish from the hearth, burnt
+perfumes, and purified the air. The Duchess's astonishment was
+only equaled by her humiliation. She was in this man's power;
+and he would not abuse his power. The eyes in which love had
+once blazed like flame were now quiet and steady as stars. She
+trembled. Her dread of Armand was increased by a nightmare
+sensation of restlessness and utter inability to move; she felt
+as if she were turned to stone. She lay passive in the grip of
+fear. She thought she saw the light behind the curtains grow to
+a blaze, as if blown up by a pair of bellows; in another moment
+the gleams of flame grew brighter, and she fancied that three
+masked figures suddenly flashed out; but the terrible vision
+disappeared so swiftly that she took it for an optical delusion.
+
+"Madame," Armand continued with cold contempt, "one minute,
+just one minute is enough for me, and you shall feel it
+afterwards at every moment throughout your lifetime, the one
+eternity over which I have power. I am not God. Listen
+carefully to me," he continued, pausing to add solemnity to his
+words. "Love will always come at your call. You have boundless
+power over men: but remember that once you called love, and love
+came to you; love as pure and true-hearted as may be on earth,
+and as reverent as it was passionate; fond as a devoted woman's,
+as a mother's love; a love so great indeed, that it was past the
+bounds of reason. You played with it, and you committed a crime.
+Every woman has a right to refuse herself to love which she feels
+she cannot share; and if a man loves and cannot win love in
+return, he is not to be pitied, he has no right to complain. But
+with a semblance of love to attract an unfortunate creature cut
+off from all affection; to teach him to understand happiness to
+the full, only to snatch it from him; to rob him of his future of
+felicity; to slay his happiness not merely today, but as long as
+his life lasts, by poisoning every hour of it and every thought
+--this I call a fearful crime!"
+
+"Monsieur----"
+
+"I cannot allow you to answer me yet. So listen to me still. In
+any case I have rights over you; but I only choose to exercise
+one--the right of the judge over the criminal, so that I may
+arouse your conscience. If you had no conscience left, I should
+not reproach you at all; but you are so young! You must feel
+some life still in your heart; or so I like to believe. While I
+think of you as depraved enough to do a wrong which the law does
+not punish, I do not think you so degraded that you cannot
+comprehend the full meaning of my words. I resume."
+
+As he spoke the Duchess heard the smothered sound of a pair of
+bellows. Those mysterious figures which she had just seen were
+blowing up the fire, no doubt; the glow shone through the
+curtain. But Montriveau's lurid face was turned upon her; she
+could not choose but wait with a fast-beating heart and eyes
+fixed in a stare. However curious she felt, the heat in Armand's
+words interested her even more than the crackling of the
+mysterious flames.
+
+"Madame," he went on after a pause, "if some poor wretch
+commits a murder in Paris, it is the executioner's duty, you
+know, to lay hands on him and stretch him on the plank, where
+murderers pay for their crimes with their heads. Then the
+newspapers inform everyone, rich and poor, so that the former are
+assured that they may sleep in peace, and the latter are warned
+that they must be on the watch if they would live. Well, you
+that are religious, and even a little of a bigot, may have masses
+said for such a man's soul. You both belong to the same family,
+but yours is the elder branch; and the elder branch may occupy
+high places in peace and live happily and without cares. Want or
+anger may drive your brother the convict to take a man's life;
+you have taken more, you have taken the joy out of a man's life,
+you have killed all that was best in his life--his dearest
+beliefs. The murderer simply lay in wait for his victim, and
+killed him reluctantly, and in fear of the scaffold; but _you_
+. . . ! You heaped up every sin that weakness can commit against
+strength that suspected no evil; you tamed a passive victim, the
+better to gnaw his heart out; you lured him with caresses; you
+left nothing undone that could set him dreaming, imagining,
+longing for the bliss of love. You asked innumerable sacrifices
+of him, only to refuse to make any in return. He should see the
+light indeed before you put out his eyes! It is wonderful how
+you found the heart to do it! Such villainies demand a display
+of resource quite above the comprehension of those bourgeoises
+whom you laugh at and despise. They can give and forgive; they
+know how to love and suffer. The grandeur of their devotion
+dwarfs us. Rising higher in the social scale, one finds just as
+much mud as at the lower end; but with this difference, at the
+upper end it is hard and gilded over.
+
+"Yes, to find baseness in perfection, you must look for a noble
+bringing up, a great name, a fair woman, a duchess. You cannot
+fall lower than the lowest unless you are set high above the rest
+of the world.--I express my thoughts badly; the wounds you dealt
+me are too painful as yet, but do not think that I complain. My
+words are not the expression of any hope for myself; there is no
+trace of bitterness in them. Know this, madame, for a
+certainty--I forgive you. My forgiveness is so complete that you
+need not feel in the least sorry that you came hither to find it
+against your will. . . . But you might take advantage of other
+hearts as child-like as my own, and it is my duty to spare them
+anguish. So you have inspired the thought of justice. Expiate
+your sin here on earth; God may perhaps forgive you; I wish that
+He may, but He is inexorable, and will strike."
+
+The broken-spirited, broken-hearted woman looked up, her eyes
+filled with tears.
+
+"Why do you cry? Be true to your nature. You could look on
+indifferently at the torture of a heart as you broke it. That
+will do, madame, do not cry. I cannot bear it any longer. Other
+men will tell you that you have given them life; as for myself, I
+tell you, with rapture, that you have given me blank extinction.
+Perhaps you guess that I am not my own, that I am bound to live
+for my friends, that from this time forth I must endure the cold
+chill of death, as well as the burden of life? Is it possible
+that there can be so much kindness in you? Are you like the
+desert tigress that licks the wounds she has inflicted?"
+
+The Duchess burst out sobbing.
+
+"Pray spare your tears, madame. If I believed in them at all,
+it would merely set me on my guard. Is this another of your
+artifices? or is it not? You have used so many with me; how can
+one think that there is any truth in you? Nothing that you do or
+say has any power now to move me. That is all I have to say."
+
+Mme de Langeais rose to her feet, with a great dignity and
+humility in her bearing.
+
+"You are right to treat me very hardly," she said, holding out
+a hand to the man who did not take it; "you have not spoken
+hardly enough; and I deserve this punishment."
+
+"_I_ punish you, madame! A man must love still, to punish, must
+he not? From me you must expect no feeling, nothing resembling
+it. If I chose, I might be accuser and judge in my cause, and
+pronounce and carry out the sentence. But I am about to fulfil a
+duty, not a desire of vengeance of any kind. The cruelest
+revenge of all, I think, is scorn of revenge when it is in our
+power to take it. Perhaps I shall be the minister of your
+pleasures; who knows? Perhaps from this time forth, as you
+gracefully wear the tokens of disgrace by which society marks out
+the criminal, you may perforce learn something of the convict's
+sense of honour. And then, you will love!"
+
+The Duchess sat listening; her meekness was unfeigned; it was no
+coquettish device. When she spoke at last, it was after a
+silence.
+
+"Armand," she began, "it seems to me that when I resisted
+love, I was obeying all the instincts of woman's modesty; I
+should not have looked for such reproaches from _you_. I was weak;
+you have turned all my weaknesses against me, and made so many
+crimes of them. How could you fail to understand that the
+curiosity of love might have carried me further than I ought to
+go; and that next morning I might be angry with myself, and
+wretched because I had gone too far? Alas! I sinned in
+ignorance. I was as sincere in my wrongdoing, I swear to you, as
+in my remorse. There was far more love for you in my severity
+than in my concessions. And besides, of what do you complain? I
+gave you my heart; that was not enough; you demanded, brutally,
+that I should give my person----"
+
+"Brutally?" repeated Montriveau. But to himself he said, "If
+I once allow her to dispute over words, I am lost."
+
+"Yes. You came to me as if I were one of those women. You
+showed none of the respect, none of the attentions of love. Had
+I not reason to reflect? Very well, I reflected. The
+unseemliness of your conduct is not inexcusable; love lay at the
+source of it; let me think so, and justify you to myself.--Well,
+Armand, this evening, even while you were prophesying evil, I
+felt convinced that there was happiness in store for us both.
+Yes, I put my faith in the noble, proud nature so often tested
+and proved." She bent lower. "And I was yours wholly," she
+murmured in his ear. "I felt a longing that I cannot express to
+give happiness to a man so violently tried by adversity. If I
+must have a master, my master should be a great man. As I felt
+conscious of my height, the less I cared to descend. I felt I
+could trust you, I saw a whole lifetime of love, while you were
+pointing to death. . . . Strength and kindness always go
+together. My friend, you are so strong, you will not be unkind
+to a helpless woman who loves you. If I was wrong, is there no
+way of obtaining forgiveness? No way of making reparation?
+Repentance is the charm of love; I should like to be very
+charming for you. How could I, alone among women, fail to know a
+woman's doubts and fears, the timidity that it is so natural to
+feel when you bind yourself for life, and know how easily a man
+snaps such ties? The bourgeoises, with whom you compared me just
+now, give themselves, but they struggle first. Very well--I
+struggled; but here I am!--Ah! God, he does not hear me!" she
+broke off, and wringing her hands, she cried out "But I love
+you! I am yours!" and fell at Armand's feet.
+
+"Yours! yours! my one and only master!"
+
+Armand tried to raise her.
+
+"Madame, it is too late! Antoinette cannot save the Duchesse de
+Langeais. I cannot believe in either. Today you may give
+yourself; tomorrow, you may refuse. No power in earth or heaven
+can insure me the sweet constancy of love. All love's pledges
+lay in the past; and now nothing of that past exists."
+
+The light behind the curtain blazed up so brightly, that the
+Duchess could not help turning her head; this time she distinctly
+saw the three masked figures.
+
+"Armand," she said, "I would not wish to think ill of you. Why
+are those men there? What are you going to do to me?"
+
+"Those men will be as silent as I myself with regard to the
+thing which is about to be done. Think of them simply as my
+hands and my heart. One of them is a surgeon----"
+
+"A surgeon! Armand, my friend, of all things, suspense is the
+hardest to bear. Just speak; tell me if you wish for my life; I
+will give it to you, you shall not take it----"
+
+"Then you did not understand me? Did I not speak just now of
+justice? To put an end to your misapprehensions," continued he,
+taking up a small steel object from the table, "I will now
+explain what I have decided with regard to you."
+
+He held out a Lorraine cross, fastened to the tip of a steel rod.
+
+"Two of my friends at this very moment are heating another
+cross, made on this pattern, red-hot. We are going to stamp it
+upon your forehead, here between the eyes, so that there will be
+no possibility of hiding the mark with diamonds, and so avoiding
+people's questions. In short, you shall bear on your forehead
+the brand of infamy which your brothers the convicts wear on
+their shoulders. The pain is a mere trifle, but I feared a
+nervous crisis of some kind, of resistance----"
+
+"Resistance?" she cried, clapping her hands for joy. "Oh no,
+no! I would have the whole world here to see. Ah, my Armand,
+brand her quickly, this creature of yours; brand her with your
+mark as a poor little trifle belonging to you. You asked for
+pledges of my love; here they are all in one. Ah! for me there
+is nothing but mercy and forgiveness and eternal happiness in
+this revenge of yours. When you have marked this woman with your
+mark, when you set your crimson brand on her, your slave in soul,
+you can never afterwards abandon her, you will be mine for
+evermore? When you cut me off from my kind, you make yourself
+responsible for my happiness, or you prove yourself base; and I
+know that you are noble and great! Why, when a woman loves, the
+brand of love is burnt into her soul by her own will.--Come in,
+gentlemen! come in and brand her, this Duchesse de Langeais. She
+is M. de Montriveau's forever! Ah! come quickly, all of you, my
+forehead burns hotter than your fire!"
+
+Armand turned his head sharply away lest he should see the
+Duchess kneeling, quivering with the throbbings of her heart. He
+said some word, and his three friends vanished.
+
+The women of Paris salons know how one mirror reflects another.
+The Duchess, with every motive for reading the depths of Armand's
+heart, was all eyes; and Armand, all unsuspicious of the mirror,
+brushed away two tears as they fell. Her whole future lay in
+those two tears. When he turned round again to help her to rise,
+she was standing before him, sure of love. Her pulses must have
+throbbed fast when he spoke with the firmness she had known so
+well how to use of old while she played with him.
+
+"I spare you, madame. All that has taken place shall be as if
+it had never been, you may believe me. But now, let us bid each
+other goodbye. I like to think that you were sincere in your
+coquetries on your sofa, sincere again in this outpouring of your
+heart. Good-bye. I feel that there is no faith in you left in
+me. You would torment me again; you would always be the Duchess,
+and----But there, good-bye, we shall never understand each
+other.
+
+"Now, what do you wish?" he continued, taking the tone of a
+master of the ceremonies--"to return home, or to go back to Mme
+de Serizy's ball? I have done all in my power to prevent any
+scandal. Neither your servants nor anyone else can possibly know
+what has passed between us in the last quarter of an hour. Your
+servants have no idea that you have left the ballroom; your
+carriage never left Mme de Serizy's courtyard; your brougham may
+likewise be found in the court of your own hotel. Where do you
+wish to be?"
+
+"What do you counsel, Armand?"
+
+"There is no Armand now, Mme la Duchesse. We are strangers to
+each other."
+
+"Then take me to the ball," she said, still curious to put
+Armand's power to the test. "Thrust a soul that suffered in the
+world, and must always suffer there, if there is no happiness for
+her now, down into hell again. And yet, oh my friend, I love you
+as your bourgeoises love; I love you so that I could come to you
+and fling my arms about your neck before all the world if you
+asked it off me. The hateful world has not corrupted me. I am
+young at least, and I have grown younger still. I am a child,
+yes, your child, your new creature. Ah! do not drive me forth
+out of my Eden!"
+
+Armand shook his head.
+
+"Ah! let me take something with me, if I go, some little thing
+to wear tonight on my heart," she said, taking possession of
+Armand's glove, which she twisted into her handkerchief.
+
+"No, I am _not_ like all those depraved women. You do not know
+the world, and so you cannot know my worth. You shall know it
+now! There are women who sell themselves for money; there are
+others to be gained by gifts, it is a vile world! Oh, I wish I
+were a simple bourgeoise, a working girl, if you would rather
+have a woman beneath you than a woman whose devotion is
+accompanied by high rank, as men count it. Oh, my Armand, there
+are noble, high, and chaste and pure natures among us; and then
+they are lovely indeed. I would have all nobleness that I might
+offer it all up to you. Misfortune willed that I should be a
+duchess; I would I were a royal princess, that my offering might
+be complete. I would be a grisette for you, and a queen for
+everyone besides."
+
+He listened, damping his cigars with his lips.
+
+"You will let me know when you wish to go," he said.
+
+"But I should like to stay----"
+
+"That is another matter!"
+
+"Stay, that was badly rolled," she cried, seizing on a cigar
+and devouring all that Armand's lips had touched.
+
+"Do you smoke?"
+
+"Oh, what would I not do to please you?"
+
+"Very well. Go, madame."
+
+"I will obey you," she answered, with tears in her eyes.
+
+"You must be blindfolded; you must not see a glimpse of the
+way."
+
+"I am ready, Armand," she said, bandaging her eyes.
+
+"Can you see?"
+
+"No."
+
+Noiselessly he knelt before her.
+
+"Ah! I can hear you!" she cried, with a little fond gesture,
+thinking that the pretence of harshness was over.
+
+He made as if he would kiss her lips; she held up her face.
+
+"You can see, madame."
+
+"I am just a little bit curious."
+
+"So you always deceive me?"
+
+"Ah! take off this handkerchief, sir," she cried out, with the
+passion of a great generosity repelled with scorn, "lead me; I
+will not open my eyes."
+
+Armand felt sure of her after that cry. He led the way; the
+Duchess nobly true to her word, was blind. But while Montriveau
+held her hand as a father might, and led her up and down flights
+of stairs, he was studying the throbbing pulses of this woman's
+heart so suddenly invaded by Love. Mme de Langeais, rejoicing in
+this power of speech, was glad to let him know all; but he was
+inflexible; his hand was passive in reply to the questionings of
+her hand.
+
+At length, after some journey made together, Armand bade her go
+forward; the opening was doubtless narrow, for as she went she
+felt that his hand protected her dress. His care touched her; it
+was a revelation surely that there was a little love still left;
+yet it was in some sort a farewell, for Montriveau left her
+without a word. The air was warm; the Duchess, feeling the heat,
+opened her eyes, and found herself standing by the fire in the
+Comtesse de Serizy's boudoir.
+
+She was alone. Her first thought was for her disordered
+toilette; in a moment she had adjusted her dress and restored
+her picturesque coiffure.
+
+"Well, dear Antoinette, we have been looking for you
+everywhere." It was the Comtesse de Serizy who spoke as she
+opened the door.
+
+"I came here to breathe," said the Duchess; "it is unbearably
+hot in the rooms."
+
+"People thought that you had gone; but my brother Ronquerolles
+told me that your servants were waiting for you."
+
+"I am tired out, dear, let me stay and rest here for a minute,"
+and the Duchess sat down on the sofa.
+
+"Why, what is the matter with you? You are shaking from head to
+foot!"
+
+The Marquis de Ronquerolles came in.
+
+"Mme la Duchesse, I was afraid that something might have
+happened. I have just come across your coachman, the man is as
+tipsy as all the Swiss in Switzerland."
+
+The Duchess made no answer; she was looking round the room, at
+the chimney-piece and the tall mirrors, seeking the trace of an
+opening. Then with an extraordinary sensation she recollected
+that she was again in the midst of the gaiety of the ballroom
+after that terrific scene which had changed the whole course of
+her life. She began to shiver violently.
+
+"M. de Montriveau's prophecy has shaken my nerves," she said.
+"It was a joke, but still I will see whether his axe from London
+will haunt me even in my sleep. So good-bye, dear.--Good-bye, M.
+le Marquis."
+
+As she went through the rooms she was beset with inquiries and
+regrets. Her world seemed to have dwindled now that she, its
+queen, had fallen so low, was so diminished. And what, moreover,
+were these men compared with him whom she loved with all her
+heart; with the man grown great by all that she had lost in
+stature? The giant had regained the height that he had lost for
+a while, and she exaggerated it perhaps beyond measure. She
+looked, in spite of herself, at the servant who had attended her
+to the ball. He was fast asleep.
+
+"Have you been here all the time?" she asked.
+
+"Yes, madame."
+
+As she took her seat in her carriage she saw, in fact, that her
+coachman was drunk--so drunk, that at any other time she would
+have been afraid; but after a great crisis in life, fear loses
+its appetite for common food. She reached home, at any rate,
+without accident; but even there she felt a change in herself, a
+new feeling that she could not shake off. For her, there was now
+but one man in the world; which is to say that henceforth she
+cared to shine for his sake alone.
+
+While the physiologist can define love promptly by following out
+natural laws, the moralist finds a far more perplexing problem
+before him if he attempts to consider love in all its
+developments due to social conditions. Still, in spite of the
+heresies of the endless sects that divide the church of Love,
+there is one broad and trenchant line of difference in doctrine,
+a line that all the discussion in the world can never deflect. A
+rigid application of this line explains the nature of the crisis
+through which the Duchess, like most women, was to pass. Passion
+she knew, but she did not love as yet.
+
+Love and passion are two different conditions which poets and men
+of the world, philosophers and fools, alike continually confound.
+Love implies a give and take, a certainty of bliss that nothing
+can change; it means so close a clinging of the heart, and an
+exchange of happiness so constant, that there is no room left for
+jealousy. Then possession is a means and not an end;
+unfaithfulness may give pain, but the bond is not less close; the
+soul is neither more nor less ardent or troubled, but happy at
+every moment; in short, the divine breath of desire spreading
+from end to end of the immensity of Time steeps it all for us in
+the selfsame hue; life takes the tint of the unclouded heaven.
+But Passion is the foreshadowing of Love, and of that Infinite to
+which all suffering souls aspire. Passion is a hope that may be
+cheated. Passion means both suffering and transition. Passion
+dies out when hope is dead. Men and women may pass through this
+experience many times without dishonor, for it is so natural to
+spring towards happiness; but there is only one love in a
+lifetime. All discussions of sentiment ever conducted on paper
+or by word of mouth may therefore be resumed by two questions
+--"Is it passion? Is it love?" So, since love comes into
+existence only through the intimate experience of the bliss
+which gives it lasting life, the Duchess was beneath the yoke of
+passion as yet; and as she knew the fierce tumult, the
+unconscious calculations, the fevered cravings, and all that is
+meant by that word _passion_--she suffered. Through all the
+trouble of her soul there rose eddying gusts of tempest, raised
+by vanity or self-love, or pride or a high spirit; for all these
+forms of egoism make common cause together.
+
+She had said to this man, "I love you; I am yours!" Was it
+possible that the Duchesse de Langeais should have uttered those
+words--in vain? She must either be loved now or play her part of
+queen no longer. And then she felt the loneliness of the
+luxurious couch where pleasure had never yet set his glowing
+feet; and over and over again, while she tossed and writhed
+there, she said, "I want to be loved."
+
+But the belief that she still had in herself gave her hope of
+success. The Duchess might be piqued, the vain Parisienne might
+be humiliated; but the woman saw glimpses of wedded happiness,
+and imagination, avenging the time lost for nature, took a
+delight in kindling the inextinguishable fire in her veins. She
+all but attained to the sensations of love; for amid her poignant
+doubt whether she was loved in return, she felt glad at heart to
+say to herself, "I love him!" As for her scruples, religion,
+and the world she could trample them under foot! Montriveau was
+her religion now. She spent the next day in a state of moral
+torpor, troubled by a physical unrest, which no words could
+express. She wrote letters and tore them all up, and invented a
+thousand impossible fancies.
+
+When M. de Montriveau's usual hour arrived, she tried to think
+that he would come, and enjoyed the feeling of expectation. Her
+whole life was concentrated in the single sense of hearing.
+Sometimes she shut her eyes, straining her ears to listen through
+space, wishing that she could annihilate everything that lay
+between her and her lover, and so establish that perfect silence
+which sounds may traverse from afar. In her tense
+self-concentration, the ticking of the clock grew hateful to her;
+she stopped its ill-omened garrulity. The twelve strokes of
+midnight sounded from the drawing-room.
+
+"Ah, God!" she cried, "to see him here would be happiness. And
+yet, it is not so very long since he came here, brought by
+desire, and the tones of his voice filled this boudoir. And now
+there is nothing."
+
+She remembered the times that she had played the coquette with
+him, and how that her coquetry had cost her her lover, and the
+despairing tears flowed for long.
+
+Her woman came at length with, "Mme la Duchesse does not know,
+perhaps, that it is two o'clock in the morning; I thought that
+madame was not feeling well."
+
+"Yes, I am going to bed," said the Duchess, drying her eyes.
+"But remember, Suzanne, never to come in again without orders; I
+tell you this for the last time."
+
+For a week, Mme de Langeais went to every house where there was a
+hope of meeting M. de Montriveau. Contrary to her usual habits,
+she came early and went late; gave up dancing, and went to the
+card-tables. Her experiments were fruitless. She did not
+succeed in getting a glimpse of Armand. She did not dare to
+utter his name now. One evening, however, in a fit of despair,
+she spoke to Mme de Serizy, and asked as carelessly as she could,
+"You must have quarreled with M. de Montriveau? He is not to
+be seen at your house now."
+
+The Countess laughed. "So he does not come here either?" she
+returned. "He is not to be seen anywhere, for that matter. He
+is interested in some woman, no doubt."
+
+"I used to think that the Marquis de Ronquerolles was one of his
+friends----" the Duchess began sweetly.
+
+"I have never heard my brother say that he was acquainted with
+him."
+
+Mme de Langeais did not reply. Mme de Serizy concluded from the
+Duchess's silence that she might apply the scourge with impunity
+to a discreet friendship which she had seen, with bitterness of
+soul, for a long time past.
+
+"So you miss that melancholy personage, do you? I have heard
+most extraordinary things of him. Wound his feelings, he never
+comes back, he forgives nothing; and, if you love him, he keeps
+you in chains. To everything that I said of him, one of those
+that praise him sky-high would always answer, 'He knows how to
+love!' People are always telling me that Montriveau would give
+up all for his friend; that his is a great nature. Pooh! society
+does not want such tremendous natures. Men of that stamp are all
+very well at home; let them stay there and leave us to our
+pleasant littlenesses. What do you say, Antoinette?"
+
+Woman of the world though she was, the Duchess seemed agitated,
+yet she replied in a natural voice that deceived her fair
+friend:
+
+"I am sorry to miss him. I took a great interest in him, and
+promised to myself to be his sincere friend. I like great
+natures, dear friend, ridiculous though you may think it. To
+give oneself to a fool is a clear confession, is it not, that one
+is governed wholly by one's senses?"
+
+Mme de Serizy's "preferences" had always been for commonplace
+men; her lover at the moment, the Marquis d'Aiglemont, was a
+fine, tall man.
+
+After this, the Countess soon took her departure, you may be sure
+Mme de Langeais saw hope in Armand's withdrawal from the world;
+she wrote to him at once; it was a humble, gentle letter, surely
+it would bring him if he loved her still. She sent her footman
+with it next day. On the servant's return, she asked whether he
+had given the letter to M. de Montriveau himself, and could not
+restrain the movement of joy at the affirmative answer. Armand
+was in Paris! He stayed alone in his house; he did not go out
+into society! So she was loved! All day long she waited for an
+answer that never came. Again and again, when impatience grew
+unbearable, Antoinette found reasons for his delay. Armand felt
+embarrassed; the reply would come by post; but night came, and
+she could not deceive herself any longer. It was a dreadful day,
+a day of pain grown sweet, of intolerable heart-throbs, a day
+when the heart squanders the very forces of life in riot.
+
+Next day she sent for an answer.
+
+"M. le Marquis sent word that he would call on Mme la
+Duchesse," reported Julien.
+
+She fled lest her happiness should be seen in her face, and flung
+herself on her couch to devour her first sensations.
+
+"He is coming!"
+
+The thought rent her soul. And, in truth, woe unto those for
+whom suspense is not the most horrible time of tempest, while it
+increases and multiplies the sweetest joys; for they have nothing
+in them of that flame which quickens the images of things, giving
+to them a second existence, so that we cling as closely to the
+pure essence as to its outward and visible manifestation. What
+is suspense in love but a constant drawing upon an unfailing
+hope?--a submission to the terrible scourging of passion, while
+passion is yet happy, and the disenchantment of reality has not
+set in. The constant putting forth of strength and longing,
+called suspense, is surely, to the human soul, as fragrance to
+the flower that breathes it forth. We soon leave the brilliant,
+unsatisfying colours of tulips and coreopsis, but we turn again
+and again to drink in the sweetness of orange-blossoms or
+volkameria-flowers compared separately, each in its own land, to
+a betrothed bride, full of love, made fair by the past and
+future.
+
+The Duchess learned the joys of this new life of hers through the
+rapture with which she received the scourgings of love. As this
+change wrought in her, she saw other destinies before her, and a
+better meaning in the things of life. As she hurried to her
+dressing-room, she understood what studied adornment and the most
+minute attention to her toilet mean when these are undertaken for
+love's sake and not for vanity. Even now this making ready
+helped her to bear the long time of waiting. A relapse of
+intense agitation set in when she was dressed; she passed through
+nervous paroxysms brought on by the dreadful power which sets the
+whole mind in ferment. Perhaps that power is only a disease,
+though the pain of it is sweet. The Duchess was dressed and
+waiting at two o clock in the afternoon. At half-past eleven
+that night M. de Montriveau had not arrived. To try to give an
+idea of the anguish endured by a woman who might be said to be
+the spoilt child of civilization, would be to attempt to say how
+many imaginings the heart can condense into one thought. As well
+endeavour to measure the forces expended by the soul in a sigh
+whenever the bell rang; to estimate the drain of life when a
+carriage rolled past without stopping, and left her prostrate.
+
+"Can he be playing with me?" she said, as the clocks struck
+midnight.
+
+She grew white; her teeth chattered; she struck her hands
+together and leapt up and crossed the boudoir, recollecting as
+she did so how often he had come thither without a summons. But
+she resigned herself. Had she not seen him grow pale, and start
+up under the stinging barbs of irony? Then Mme de Langeais felt
+the horror of the woman's appointed lot; a man's is the active
+part, a woman must wait passively when she loves. If a woman
+goes beyond her beloved, she makes a mistake which few men can
+forgive; almost every man would feel that a woman lowers herself
+by this piece of angelic flattery. But Armand's was a great
+nature; he surely must be one of the very few who can repay such
+exceeding love by love that lasts forever.
+
+"Well, I will make the advance," she told herself, as she
+tossed on her bed and found no sleep there; "I will go to him.
+I will not weary myself with holding out a hand to him, but I
+will hold it out. A man of a thousand will see a promise of love
+and constancy in every step that a woman takes towards him. Yes,
+the angels must come down from heaven to reach men; and I wish to
+be an angel for him."
+
+Next day she wrote. It was a billet of the kind in which the
+intellects of the ten thousand Sevignes that Paris now can number
+particularly excel. And yet only a Duchesse de Langeais, brought
+up by Mme la Princesse de Blamont-Chauvry, could have written
+that delicious note; no other woman could complain without
+lowering herself; could spread wings in such a flight without
+draggling her pinions in humiliation; rise gracefully in revolt;
+scold without giving offence; and pardon without compromising her
+personal dignity.
+
+Julien went with the note. Julien, like his kind, was the victim
+of love's marches and countermarches.
+
+"What did M. de Montriveau reply?" she asked, as indifferently
+as she could, when the man came back to report himself.
+
+"M. le Marquis requested me to tell Mme la Duchesse that it was
+all right."
+
+Oh the dreadful reaction of the soul upon herself! To have her
+heart stretched on the rack before curious witnesses; yet not to
+utter a sound, to be forced to keep silence! One of the
+countless miseries of the rich!
+
+More than three weeks went by. Mme de Langeais wrote again and
+again, and no answer came from Montriveau. At last she gave out
+that she was ill, to gain a dispensation from attendance on the
+Princess and from social duties. She was only at home to her
+father the Duc de Navarreins, her aunt the Princesse de
+Blamont-Chauvry, the old Vidame de Pamiers (her maternal
+great-uncle), and to her husband's uncle, the Duc de Grandlieu.
+These persons found no difficulty in believing that the Duchess
+was ill, seeing that she grew thinner and paler and more dejected
+every day. The vague ardour of love, the smart of wounded pride,
+the continual prick of the only scorn that could touch her, the
+yearnings towards joys that she craved with a vain continual
+longing--all these things told upon her, mind and body; all the
+forces of her nature were stimulated to no purpose. She was
+paying the arrears of her life of make-believe.
+
+She went out at last to a review. M. de Montriveau was to be
+there. For the Duchess, on the balcony of the Tuileries with the
+Royal Family, it was one of those festival days that are long
+remembered. She looked supremely beautiful in her languor; she
+was greeted with admiration in all eyes. It was Montriveau's
+presence that made her so fair.
+
+Once or twice they exchanged glances. The General came almost to
+her feet in all the glory of that soldier's uniform, which
+produces an effect upon the feminine imagination to which the
+most prudish will confess. When a woman is very much in love,
+and has not seen her lover for two months, such a swift moment
+must be something like the phase of a dream when the eyes embrace
+a world that stretches away forever. Only women or young men can
+imagine the dull, frenzied hunger in the Duchess's eyes. As for
+older men, if during the paroxysms of early passion in youth they
+had experience of such phenomena of nervous power; at a later day
+it is so completely forgotten that they deny the very existence
+of the luxuriant ecstasy--the only name that can be given to
+these wonderful intuitions. Religious ecstasy is the aberration
+of a soul that has shaken off its bonds of flesh; whereas in
+amorous ecstasy all the forces of soul and body are embraced and
+blended in one. If a woman falls a victim to the tyrannous
+frenzy before which Mme de Langeais was forced to bend, she will
+take one decisive resolution after another so swiftly that it is
+impossible to give account of them. Thought after thought rises
+and flits across her brain, as clouds are whirled by the wind
+across the grey veil of mist that shuts out the sun. Thenceforth
+the facts reveal all. And the facts are these.
+
+The day after the review, Mme de Langeais sent her carriage and
+liveried servants to wait at the Marquis de Montriveau's door
+from eight o'clock in the morning till three in the afternoon.
+Armand lived in the Rue de Tournon, a few steps away from the
+Chamber of Peers, and that very day the House was sitting; but
+long before the peers returned to their palaces, several people
+had recognised the Duchess's carriage and liveries. The first of
+these was the Baron de Maulincour. That young officer had met
+with disdain from Mme de Langeais and a better reception from Mme
+de Serizy; he betook himself at once therefore to his mistress,
+and under seal of secrecy told her of this strange freak.
+
+In a moment the news was spread with telegraphic speed through
+all the coteries in the Faubourg Saint-Germain; it reached the
+Tuileries and the Elysee-Bourbon; it was the sensation of the
+day, the matter of all the talk from noon till night. Almost
+everywhere the women denied the facts, but in such a manner that
+the report was confirmed; the men one and all believed it, and
+manifested a most indulgent interest in Mme de Langeais. Some
+among them threw the blame on Armand.
+
+"That savage of a Montriveau is a man of bronze," said they;
+"he insisted on making this scandal, no doubt."
+
+"Very well, then," others replied, "Mme de Langeais has been
+guilty of a most generous piece of imprudence. To renounce the
+world and rank, and fortune, and consideration for her lover's
+sake, and that in the face of all Paris, is as fine a _coup d'etat_
+for a woman as that barber's knife-thrust, which so affected
+Canning in a court of assize. Not one of the women who blame the
+Duchess would make a declaration worthy of ancient times. It is
+heroic of Mme de Langeais to proclaim herself so frankly. Now
+there is nothing left to her but to love Montriveau. There must
+be something great about a woman if she says, 'I will have but
+one passion.'"
+
+"But what is to become of society, monsieur, if you honour vice
+in this way without respect for virtue?" asked the Comtesse de
+Granville, the attorney-general's wife.
+
+While the Chateau, the Faubourg, and the Chaussee d'Antin were
+discussing the shipwreck of aristocratic virtue; while excited
+young men rushed about on horseback to make sure that the
+carriage was standing in the Rue de Tournon, and the Duchess in
+consequence was beyond a doubt in M. de Montriveau's rooms, Mme
+de Langeais, with heavy throbbing pulses, was lying hidden away
+in her boudoir. And Armand?--he had been out all night, and at
+that moment was walking with M. de Marsay in the Gardens of the
+Tuileries. The elder members, of Mme de Langeais' family were
+engaged in calling upon one another, arranging to read her a
+homily and to hold a consultation as to the best way of putting a
+stop to the scandal.
+
+At three o'clock, therefore, M. le Duc de Navarreins, the Vidame
+de Pamiers, the old Princesse de Blamont-Chauvry, and the Duc de
+Grandlieu were assembled in Mme la Duchesse de Langeais'
+drawing-room. To them, as to all curious inquirers, the servants
+said that their mistress was not at home; the Duchess had made no
+exceptions to her orders. But these four personages shone
+conspicuous in that lofty sphere, of which the revolutions and
+hereditary pretensions are solemnly recorded year by year in the
+_Almanach de Gotha_, wherefore without some slight sketch of each
+of them this picture of society were incomplete.
+
+The Princesse de Blamont-Chauvry, in the feminine world, was a
+most poetic wreck of the reign of Louis Quinze. In her beautiful
+prime, so it was said, she had done her part to win for that
+monarch his appellation of _le Bien-aime_. Of her past charms of
+feature, little remained save a remarkably prominent slender
+nose, curved like a Turkish scimitar, now the principal ornament
+of a countenance that put you in mind of an old white glove. Add
+a few powdered curls, high-heeled pantoufles, a cap with
+upstanding loops of lace, black mittens, and a decided taste for
+_ombre_. But to do full justice to the lady, it must be said that
+she appeared in low-necked gowns of an evening (so high an
+opinion of her ruins had she), wore long gloves, and raddled her
+cheeks with Martin's classic rouge. An appalling amiability in
+her wrinkles, a prodigious brightness in the old lady's eyes, a
+profound dignity in her whole person, together with the triple
+barbed wit of her tongue, and an infallible memory in her head,
+made of her a real power in the land. The whole Cabinet des
+Chartes was entered in duplicate on the parchment of her brain.
+She knew all the genealogies of every noble house in Europe
+--princes, dukes, and counts--and could put her hand on the last
+descendants of Charlemagne in the direct line. No usurpation of
+title could escape the Princesse de Blamont-Chauvry.
+
+Young men who wished to stand well at Court, ambitious men, and
+young married women paid her assiduous homage. Her salon set the
+tone of the Faubourg Saint-Germain. The words of this Talleyrand
+in petticoats were taken as final decrees. People came to
+consult her on questions of etiquette or usages, or to take
+lessons in good taste. And, in truth, no other old woman could
+put back her snuff-box in her pocket as the Princess could; while
+there was a precision and a grace about the movements of her
+skirts, when she sat down or crossed her feet, which drove the
+finest ladies of the young generation to despair. Her voice had
+remained in her head during one-third of her lifetime; but she
+could not prevent a descent into the membranes of the nose, which
+lent to it a peculiar expressiveness. She still retained a
+hundred and fifty thousand livres of her great fortune, for
+Napoleon had generously returned her woods to her; so that
+personally and in the matter of possessions she was a woman of no
+little consequence.
+
+This curious antique, seated in a low chair by the fireside, was
+chatting with the Vidame de Pamiers, a contemporary ruin. The
+Vidame was a big, tall, and spare man, a seigneur of the old
+school, and had been a Commander of the Order of Malta. His neck
+had always been so tightly compressed by a strangulation stock,
+that his cheeks pouched over it a little, and he held his head
+high; to many people this would have given an air of
+self-sufficiency, but in the Vidame it was justified by a
+Voltairean wit. His wide prominent eyes seemed to see
+everything, and as a matter of fact there was not much that they
+had not seen. Altogether, his person was a perfect model of
+aristocratic outline, slim and slender, supple and agreeable. He
+seemed as if he could be pliant or rigid at will, and twist and
+bend, or rear his head like a snake.
+
+The Duc de Navarreins was pacing up and down the room with the
+Duc de Grandlieu. Both were men of fifty-six or thereabouts, and
+still hale; both were short, corpulent, flourishing, somewhat
+florid-complexioned men with jaded eyes, and lower lips that had
+begun to hang already. But for an exquisite refinement of
+accent, an urbane courtesy, and an ease of manner that could
+change in a moment to insolence, a superficial observer might
+have taken them for a couple of bankers. Any such mistake would
+have been impossible, however, if the listener could have heard
+them converse, and seen them on their guard with men whom they
+feared, vapid and commonplace with their equals, slippery with
+the inferiors whom courtiers and statesmen know how to tame by a
+tactful word, or to humiliate with an unexpected phrase.
+
+Such were the representatives of the great noblesse that
+determined to perish rather than submit to any change. It was a
+noblesse that deserved praise and blame in equal measure; a
+noblesse that will never be judged impartially until some poet
+shall arise to tell how joyfully the nobles obeyed the King
+though their heads fell under a Richelieu's axe, and how deeply
+they scorned the guillotine of '89 as a foul revenge.
+
+Another noticeable trait in all the four was a thin voice that
+agreed peculiarly well with their ideas and bearing. Among
+themselves, at any rate, they were on terms of perfect equality.
+None of them betrayed any sign of annoyance over the Duchess's
+escapade, but all of them had learned at Court to hide their
+feelings.
+
+And here, lest critics should condemn the puerility of the
+opening of the forthcoming scene, it is perhaps as well to remind
+the reader that Locke, once happening to be in the company of
+several great lords, renowned no less for their wit than for
+their breeding and political consistency, wickedly amused himself
+by taking down their conversation by some shorthand process of
+his own; and afterwards, when he read it over to them to see what
+they could make of it, they all burst out laughing. And, in
+truth, the tinsel jargon which circulates among the upper ranks
+in every country yields mighty little gold to the crucible when
+washed in the ashes of literature or philosophy. In every rank
+of society (some few Parisian salons excepted) the curious
+observer finds folly a constant quantity beneath a more or less
+transparent varnish. Conversation with any substance in it is a
+rare exception, and boeotianism is current coin in every zone.
+In the higher regions they must perforce talk more, but to make
+up for it they think the less. Thinking is a tiring exercise,
+and the rich like their lives to flow by easily and without
+effort. It is by comparing the fundamental matter of jests, as
+you rise in the social scale from the street-boy to the peer of
+France, that the observer arrives at a true comprehension of M.
+de Talleyrand's maxim, "The manner is everything"; an elegant
+rendering of the legal axiom, "The form is of more consequence
+than the matter." In the eyes of the poet the advantage rests
+with the lower classes, for they seldom fail to give a certain
+character of rude poetry to their thoughts. Perhaps also this
+same observation may explain the sterility of the salons, their
+emptiness, their shallowness, and the repugnance felt by men of
+ability for bartering their ideas for such pitiful small change.
+
+The Duke suddenly stopped as if some bright idea occurred to him,
+and remarked to his neighbour:
+
+"So you have sold Tornthon?"
+
+"No, he is ill. I am very much afraid I shall lose him, and I
+should be uncommonly sorry. He is a very good hunter. Do you
+know how the Duchesse de Marigny is?"
+
+"No. I did not go this morning. I was just going out to call
+when you came in to speak about Antoinette. But yesterday she
+was very ill indeed; they had given her up, she took the
+sacrament."
+
+"Her death will make a change in your cousin's position."
+
+"Not at all. She gave away her property in her lifetime, only
+keeping an annuity. She made over the Guebriant estate to her
+niece, Mme de Soulanges, subject to a yearly charge."
+
+"It will be a great loss for society. She was a kind woman.
+Her family will miss her; her experience and advice carried
+weight. Her son Marigny is an amiable man; he has a sharp wit,
+he can talk. He is pleasant, very pleasant. Pleasant? oh, that
+no one can deny, but--ill regulated to the last degree. Well,
+and yet it is an extraordinary thing, he is very acute. He was
+dining at the club the other day with that moneyed
+Chaussee-d'Antin set. Your uncle (he always goes there for his
+game of cards) found him there to his astonishment, and asked if
+he was a member. 'Yes,' said he, 'I don't go into society now; I
+am living among the bankers.'--You know why?" added the Marquis,
+with a meaning smile.
+
+"No," said the Duke.
+
+"He is smitten with that little Mme Keller, Gondreville's
+daughter; she is only lately married, and has a great vogue, they
+say, in that set."
+
+"Well, Antoinette does not find time heavy on her hands, it
+seems," remarked the Vidame.
+
+"My affection for that little woman has driven me to find a
+singular pastime," replied the Princess, as she returned her
+snuff-box to her pocket.
+
+"Dear aunt, I am extremely vexed," said the Duke, stopping
+short in his walk. "Nobody but one of Bonaparte's men could
+ask such an indecorous thing of a woman of fashion. Between
+ourselves, Antoinette might have made a better choice."
+
+"The Montriveaus are a very old family and very well connected,
+my dear," replied the Princess; "they are related to all the
+noblest houses of Burgundy. If the Dulmen branch of the Arschoot
+Rivaudoults should come to an end in Galicia, the Montriveaus
+would succeed to the Arschoot title and estates. They inherit
+through their great-grandfather.
+
+"Are you sure?"
+
+"I know it better than this Montriveau's father did. I told him
+about it, I used to see a good deal of him; and, Chevalier of
+several orders though he was, he only laughed; he was an
+encyclopaedist. But his brother turned the relationship to good
+account during the emigration. I have heard it said that his
+northern kinsfolk were most kind in every way----"
+
+"Yes, to be sure. The Comte de Montriveau died at St.
+Petersburg," said the Vidame. "I met him there. He was a big
+man with an incredible passion for oysters."
+
+"However many did he eat?" asked the Duc de Grandlieu.
+
+"Ten dozen every day."
+
+"And did they not disagree with him?"
+
+"Not the least bit in the world."
+
+"Why, that is extraordinary! Had he neither the stone nor gout,
+nor any other complaint, in consequence?"
+
+"No; his health was perfectly good, and he died through an
+accident."
+
+"By accident! Nature prompted him to eat oysters, so probably
+he required them; for up to a certain point our predominant
+tastes are conditions of our existence."
+
+"I am of your opinion," said the Princess, with a smile.
+
+"Madame, you always put a malicious construction on things,"
+returned the Marquis.
+
+"I only want you to understand that these remarks might leave a
+wrong impression on a young woman's mind," said she, and
+interrupted herself to exclaim, "But this niece, this niece of
+mine!"
+
+"Dear aunt, I still refuse to believe that she can have gone to
+M. de Montriveau," said the Duc de Navarreins.
+
+"Bah!" returned the Princess.
+
+"What do you think, Vidame?" asked the Marquis.
+
+"If the Duchess were an artless simpleton, I should think
+that----"
+
+"But when a woman is in love she becomes an artless simpleton,"
+retorted the Princess. "Really, my poor Vidame, you must be
+getting older."
+
+"After all, what is to be done?" asked the Duke.
+
+"If my dear niece is wise," said the Princess, "she will go to
+Court this evening--fortunately, today is Monday, and reception
+day--and you must see that we all rally round her and give the
+lie to this absurd rumour. There are hundreds of ways of
+explaining things; and if the Marquis de Montriveau is a
+gentleman, he will come to our assistance. We will bring these
+children to listen to reason----"
+
+"But, dear aunt, it is not easy to tell M. de Montriveau the
+truth to his face. He is one of Bonaparte's pupils, and he has
+a position. Why, he is one of the great men of the day; he is
+high up in the Guards, and very useful there. He has not a spark
+of ambition. He is just the man to say, 'Here is my commission,
+leave me in peace,' if the King should say a word that he did not
+like."
+
+"Then, pray, what are his opinions?"
+
+"Very unsound."
+
+"Really," sighed the Princess, "the King is, as he always has
+been, a Jacobin under the Lilies of France."
+
+"Oh! not quite so bad," said the Vidame.
+
+"Yes; I have known him for a long while. The man that pointed
+out the Court to his wife on the occasion of her first state
+dinner in public with, 'These are our people,' could only be a
+black-hearted scoundrel. I can see Monsieur exactly the same as
+ever in the King. The bad brother who voted so wrongly in his
+department of the Constituent Assembly was sure to compound with
+the Liberals and allow them to argue and talk. This
+philosophical cant will be just as dangerous now for the younger
+brother as it used to be for the elder; this fat man with the
+little mind is amusing himself by creating difficulties, and how
+his successor is to get out of them I do not know; he holds his
+younger brother in abhorrence; he would be glad to think as he
+lay dying, 'He will not reign very long----'"
+
+"Aunt, he is the King, and I have the honour to be in his
+service----"
+
+"But does your post take away your right of free speech, my
+dear? You come of quite as good a house as the Bourbons. If the
+Guises had shown a little more resolution, His Majesty would be a
+nobody at this day. It is time I went out of this world, the
+noblesse is dead. Yes, it is all over with you, my children,"
+she continued, looking as she spoke at the Vidame. "What has my
+niece done that the whole town should be talking about her? She
+is in the wrong; I disapprove of her conduct, a useless scandal
+is a blunder; that is why I still have my doubts about this want
+of regard for appearances; I brought her up, and I know
+that----"
+
+Just at that moment the Duchess came out of her boudoir. She had
+recognised her aunt's voice and heard the name of Montriveau.
+She was still in her loose morning-gown; and even as she came in,
+M. de Grandlieu, looking carelessly out of the window, saw his
+niece's carriage driving back along the street. The Duke took
+his daughter's face in both hands and kissed her on the forehead.
+
+"So, dear girl," he said, "you do not know what is going on?"
+
+"Has anything extraordinary happened, father dear?"
+
+"Why, all Paris believes that you are with M. de Montriveau."
+
+"My dear Antoinette, you were at home all the time, were you
+not?" said the Princess, holding out a hand, which the Duchess
+kissed with affectionate respect.
+
+"Yes, dear mother; I was at home all the time. And," she
+added, as she turned to greet the Vidame and the Marquis, "I
+wished that all Paris should think that I was with M. de
+Montriveau."
+
+The Duke flung up his hands, struck them together in despair, and
+folded his arms.
+
+"Then, cannot you see what will come of this mad freak?" he
+asked at last.
+
+But the aged Princess had suddenly risen, and stood looking
+steadily at the Duchess, the younger woman flushed, and her eyes
+fell. Mme de Chauvry gently drew her closer, and said, "My
+little angel, let me kiss you!"
+
+She kissed her niece very affectionately on the forehead, and
+continued smiling, while she held her hand in a tight clasp.
+
+"We are not under the Valois now, dear child. You have
+compromised your husband and your position. Still, we will
+arrange to make everything right."
+
+"But, dear aunt, I do not wish to make it right at all. It is
+my wish that all Paris should say that I was with M. de
+Montriveau this morning. If you destroy that belief, however ill
+grounded it may be, you will do me a singular disservice."
+
+"Do you really wish to ruin yourself, child, and to grieve your
+family?"
+
+"My family, father, unintentionally condemned me to irreparable
+misfortune when they sacrificed me to family considerations. You
+may, perhaps, blame me for seeking alleviations, but you will
+certainly feel for me."
+
+"After all the endless pains you take to settle your daughters
+suitably!" muttered M. de Navarreins, addressing the Vidame.
+
+The Princess shook a stray grain of snuff from her skirts. "My
+dear little girl," she said, "be happy, if you can. We are not
+talking of troubling your felicity, but of reconciling it with
+social usages. We all of us here assembled know that marriage is
+a defective institution tempered by love. But when you take a
+lover, is there any need to make your bed in the Place du
+Carrousel? See now, just be a bit reasonable, and hear what we
+have to say."
+
+"I am listening."
+
+"Mme la Duchesse," began the Duc de Grandlieu, "if it were any
+part of an uncle's duty to look after his nieces, he ought to
+have a position; society would owe him honours and rewards and a
+salary, exactly as if he were in the King's service. So I am not
+here to talk about my nephew, but of your own interests. Let us
+look ahead a little. If you persist in making a scandal--I have
+seen the animal before, and I own that I have no great liking for
+him--Langeais is stingy enough, and he does not care a rap for
+anyone but himself; he will have a separation; he will stick to
+your money, and leave you poor, and consequently you will be a
+nobody. The income of a hundred thousand livres that you have
+just inherited from your maternal great-aunt will go to pay for
+his mistresses' amusements. You will be bound and gagged by the
+law; you will have to say _Amen_ to all these arrangements.
+Suppose M. de Montriveau leaves you----dear me! do not let us put
+ourselves in a passion, my dear niece; a man does not leave a
+woman while she is young and pretty; still, we have seen so many
+pretty women left disconsolate, even among princesses, that you
+will permit the supposition, an all but impossible supposition I
+quite wish to believe.----Well, suppose that he goes, what will
+become of you without a husband? Keep well with your husband as
+you take care of your beauty; for beauty, after all, is a woman's
+parachute, and a husband also stands between you and worse. I am
+supposing that you are happy and loved to the end, and I am
+leaving unpleasant or unfortunate events altogether out of the
+reckoning. This being so, fortunately or unfortunately, you may
+have children. What are they to be? Montriveaus? Very well;
+they certainly will not succeed to their father's whole fortune.
+You will want to give them all that you have; he will wish to do
+the same. Nothing more natural, dear me! And you will find the
+law against you. How many times have we seen heirs-at-law
+bringing a law-suit to recover the property from illegitimate
+children? Every court of law rings with such actions all over
+the world. You will create a _fidei commissum_ perhaps; and if the
+trustee betrays your confidence, your children have no remedy
+against him; and they are ruined. So choose carefully. You see
+the perplexities of the position. In every possible way your
+children will be sacrificed of necessity to the fancies of your
+heart; they will have no recognised status. While they are
+little they will be charming; but, Lord! some day they will
+reproach you for thinking of no one but your two selves. We old
+gentlemen know all about it. Little boys grow up into men, and
+men are ungrateful beings. When I was in Germany, did I not hear
+young de Horn say, after supper, 'If my mother had been an honest
+woman, I should be prince-regnant!' _If_?' We have spent our
+lives in hearing plebeians say _if_. _If_ brought about the
+Revolution. When a man cannot lay the blame on his father or
+mother, he holds God responsible for his hard lot. In short,
+dear child, we are here to open your eyes. I will say all I have
+to say in a few words, on which you had better meditate: A woman
+ought never to put her husband in the right."
+
+"Uncle, so long as I cared for nobody, I could calculate; I
+looked at interests then, as you do; now, I can only feel."
+
+"But, my dear little girl," remonstrated the Vidame, "life is
+simply a complication of interests and feelings; to be happy,
+more particularly in your position, one must try to reconcile
+one's feelings with one's interests. A grisette may love
+according to her fancy, that is intelligible enough, but you have
+a pretty fortune, a family, a name and a place at Court, and you
+ought not to fling them out of the window. And what have we been
+asking you to do to keep them all?--To manoeuvre carefully
+instead of falling foul of social conventions. Lord! I shall
+very soon be eighty years old, and I cannot recollect, under any
+regime, a love worth the price that you are willing to pay for
+the love of this lucky young man."
+
+The Duchess silenced the Vidame with a look; if Montriveau could
+have seen that glance, he would have forgiven all.
+
+"It would be very effective on the stage," remarked the Duc de
+Grandlieu, "but it all amounts to nothing when your jointure and
+position and independence is concerned. You are not grateful, my
+dear niece. You will not find many families where the relatives
+have courage enough to teach the wisdom gained by experience, and
+to make rash young heads listen to reason. Renounce your
+salvation in two minutes, if it pleases you to damn yourself;
+well and good; but reflect well beforehand when it comes to
+renouncing your income. I know of no confessor who remits the
+pains of poverty. I have a right, I think, to speak in this way
+to you; for if you are ruined, I am the one person who can offer
+you a refuge. I am almost an uncle to Langeais, and I alone have
+a right to put him in the wrong."
+
+The Duc de Navarreins roused himself from painful reflections.
+
+"Since you speak of feeling, my child," he said, "let me
+remind you that a woman who bears your name ought to be moved by
+sentiments which do not touch ordinary people. Can you wish to
+give an advantage to the Liberals, to those Jesuits of
+Robespierre's that are doing all they can to vilify the noblesse?
+Some things a Navarreins cannot do without failing in duty to his
+house. You would not be alone in your dishonor----"
+
+"Come, come!" said the Princess. "Dishonor? Do not make
+such a fuss about the journey of an empty carriage, children, and
+leave me alone with Antoinette. All three of you come and dine
+with me. I will undertake to arrange matters suitably. You men
+understand nothing; you are beginning to talk sourly already, and
+I have no wish to see a quarrel between you and my dear child.
+Do me the pleasure to go."
+
+The three gentlemen probably guessed the Princess's intentions;
+they took their leave. M. de Navarreins kissed his daughter on
+the forehead with, "Come, be good, dear child. It is not too
+late yet if you choose."
+
+"Couldn't we find some good fellow in the family to pick a
+quarrel with this Montriveau?" said the Vidame, as they went
+downstairs.
+
+When the two women were alone, the Princess beckoned her niece to
+a little low chair by her side.
+
+"My pearl," said she, "in this world below, I know nothing
+worse calumniated than God and the eighteenth century; for as I
+look back over my own young days, I do not recollect that a
+single duchess trampled the proprieties underfoot as you have
+just done. Novelists and scribblers brought the reign of Louis
+XV into disrepute. Do not believe them. The du Barry, my dear,
+was quite as good as the Widow Scarron, and the more agreeable
+woman of the two. In my time a woman could keep her dignity
+among her gallantries. Indiscretion was the ruin of us, and the
+beginning of all the mischief. The philosophists--the nobodies
+whom we admitted into our salons--had no more gratitude or sense
+of decency than to make an inventory of our hearts, to traduce us
+one and all, and to rail against the age by way of a return for
+our kindness. The people are not in a position to judge of
+anything whatsoever; they looked at the facts, not at the form.
+But the men and women of those times, my heart, were quite as
+remarkable as at any other period of the Monarchy. Not one of
+your Werthers, none of your notabilities, as they are called,
+never a one of your men in yellow kid gloves and trousers that
+disguise the poverty of their legs, would cross Europe in the
+dress of a travelling hawker to brave the daggers of a Duke of
+Modena, and to shut himself up in the dressing-room of the
+Regent's daughter at the risk of his life. Not one of your
+little consumptive patients with their tortoiseshell eyeglasses
+would hide himself in a closet for six weeks, like Lauzun, to
+keep up his mistress's courage while she was lying in of her
+child. There was more passion in M. de Jaucourt's little finger
+than in your whole race of higglers that leave a woman to better
+themselves elsewhere! Just tell me where to find the page that
+would be cut in pieces and buried under the floorboards for one
+kiss on the Konigsmark's gloved finger!
+
+"Really, it would seem today that the roles are exchanged, and
+women are expected to show their devotion for men. These modern
+gentlemen are worth less, and think more of themselves. Believe
+me, my dear, all these adventures that have been made public, and
+now are turned against our good Louis XV, were kept quite secret
+at first. If it had not been for a pack of poetasters,
+scribblers, and moralists, who hung about our waiting-women, and
+took down their slanders, our epoch would have appeared in
+literature as a well-conducted age. I am justifying the century
+and not its fringe. Perhaps a hundred women of quality were
+lost; but for every one, the rogues set down ten, like the
+gazettes after a battle when they count up the losses of the
+beaten side. And in any case I do not know that the Revolution
+and the Empire can reproach us; they were coarse, dull,
+licentious times. Faugh! it is revolting. Those are the
+brothels of French history.
+
+"This preamble, my dear child," she continued after a pause,
+"brings me to the thing that I have to say. If you care for
+Montriveau, you are quite at liberty to love him at your ease,
+and as much as you can. I know by experience that, unless you
+are locked up (but locking people up is out of fashion now), you
+will do as you please; I should have done the same at your age.
+Only, sweetheart, I should not have given up my right to be the
+mother of future Ducs de Langeais. So mind appearances. The
+Vidame is right. No man is worth a single one of the sacrifices
+which we are foolish enough to make for their love. Put yourself
+in such a position that you may still be M. de Langeais' wife,
+in case you should have the misfortune to repent. When you are
+an old woman, you will be very glad to hear mass said at Court,
+and not in some provincial convent. Therein lies the whole
+question. A single imprudence means an allowance and a wandering
+life; it means that you are at the mercy of your lover; it means
+that you must put up with insolence from women that are not so
+honest, precisely because they have been very vulgarly
+sharp-witted. It would be a hundred times better to go to
+Montriveau's at night in a cab, and disguised, instead of sending
+your carriage in broad daylight. You are a little fool, my dear
+child! Your carriage flattered his vanity; your person would
+have ensnared his heart. All this that I have said is just and
+true; but, for my own part, I do not blame you. You are two
+centuries behind the times with your false ideas of greatness.
+There, leave us to arrange your affairs, and say that Montriveau
+made your servants drunk to gratify his vanity and to compromise
+you----"
+
+The Duchess rose to her feet with a spring. "In Heaven's name,
+aunt, do not slander him!"
+
+The old Princess's eyes flashed.
+
+"Dear child," she said, "I should have liked to spare such of
+your illusions as were not fatal. But there must be an end of
+all illusions now. You would soften me if I were not so old.
+Come, now, do not vex him, or us, or anyone else. I will
+undertake to satisfy everybody; but promise me not to permit
+yourself a single step henceforth until you have consulted me.
+Tell me all, and perhaps I may bring it all right again."
+
+"Aunt, I promise----"
+
+"To tell me everything?"
+
+"Yes, everything. Everything that can be told."
+
+"But, my sweetheart, it is precisely what cannot be told that I
+want to know. Let us understand each other thoroughly. Come,
+let me put my withered old lips on your beautiful forehead. No;
+let me do as I wish. I forbid you to kiss my bones. Old people
+have a courtesy of their own. . . . There, take me down to my
+carriage," she added, when she had kissed her niece.
+
+"Then may I go to him in disguise, dear aunt?"
+
+"Why--yes. The story can always be denied," said the old
+Princess.
+
+This was the one idea which the Duchess had clearly grasped in
+the sermon. When Mme de Chauvry was seated in the corner of her
+carriage, Mme de Langeais bade her a graceful adieu and went up
+to her room. She was quite happy again.
+
+"My person would have snared his heart; my aunt is right; a man
+cannot surely refuse a pretty woman when she understands how to
+offer herself."
+
+That evening, at the Elysee-Bourbon, the Duc de Navarreins, M. de
+Pamiers, M. de Marsay, M. de Grandlieu, and the Duc de
+Maufrigneuse triumphantly refuted the scandals that were
+circulating with regard to the Duchesse de Langeais. So many
+officers and other persons had seen Montriveau walking in the
+Tuileries that morning, that the silly story was set down to
+chance, which takes all that is offered. And so, in spite of the
+fact that the Duchess's carriage had waited before Montriveau's
+door, her character became as clear and as spotless as Membrino's
+sword after Sancho had polished it up.
+
+But, at two o'clock, M. de Ronquerolles passed Montriveau in a
+deserted alley, and said with a smile, "She is coming on, is
+your Duchess. Go on, keep it up!" he added, and gave a
+significant cut of the riding whip to his mare, who sped off like
+a bullet down the avenue.
+
+Two days after the fruitless scandal, Mme de Langeais wrote to M.
+de Montriveau. That letter, like the preceding ones, remained
+unanswered. This time she took her own measures, and bribed M.
+de Montriveau's man, Auguste. And so at eight o'clock that
+evening she was introduced into Armand's apartment. It was not
+the room in which that secret scene had passed; it was entirely
+different. The Duchess was told that the General would not be at
+home that night. Had he two houses? The man would give no
+answer. Mme de Langeais had bought the key of the room, but not
+the man's whole loyalty.
+
+When she was left alone she saw her fourteen letters lying on an
+old-fashioned stand, all of them uncreased and unopened. He had
+not read them. She sank into an easy-chair, and for a while she
+lost consciousness. When she came to herself, Auguste was
+holding vinegar for her to inhale.
+
+"A carriage; quick!" she ordered.
+
+The carriage came. She hastened downstairs with convulsive
+speed, and left orders that no one was to be admitted. For
+twenty-four hours she lay in bed, and would have no one near her
+but her woman, who brought her a cup of orange-flower water from
+time to time. Suzette heard her mistress moan once or twice, and
+caught a glimpse of tears in the brilliant eyes, now circled with
+dark shadows.
+
+The next day, amid despairing tears, Mme de Langeais took her
+resolution. Her man of business came for an interview, and no
+doubt received instructions of some kind. Afterwards she sent
+for the Vidame de Pamiers; and while she waited, she wrote a
+letter to M. de Montriveau. The Vidame punctually came towards
+two o'clock that afternoon, to find his young cousin looking
+white and worn, but resigned; never had her divine loveliness
+been more poetic than now in the languor of her agony.
+
+"You owe this assignation to your eighty-four years, dear
+cousin," she said. "Ah! do not smile, I beg of you, when an
+unhappy woman has reached the lowest depths of wretchedness. You
+are a gentleman, and after the adventures of your youth you must
+feel some indulgence for women."
+
+"None whatever," said he.
+
+"Indeed!"
+
+"Everything is in their favour."
+
+"Ah! Well, you are one of the inner family circle; possibly you
+will be the last relative, the last friend whose hand I shall
+press, so I can ask your good offices. Will you, dear Vidame, do
+me a service which I could not ask of my own father, nor of my
+uncle Grandlieu, nor of any woman? You cannot fail to
+understand. I beg of you to do my bidding, and then to forget
+what you have done, whatever may come of it. It is this: Will
+you take this letter and go to M. de Montriveau? will you see him
+yourself, give it into his hands, and ask him, as you men can ask
+things between yourselves--for you have a code of honour between
+man and man which you do not use with us, and a different way of
+regarding things between yourselves--ask him if he will read this
+letter? Not in your presence. Certain feelings men hide from
+each other. I give you authority to say, if you think it
+necessary to bring him, that it is a question of life or death
+for me. If he deigns----"
+
+"_Deigns_!" repeated the Vidame.
+
+"If he deigns to read it," the Duchess continued with dignity,
+"say one thing more. You will go to see him about five o'clock,
+for I know that he will dine at home today at that time. Very
+good. By way of answer he must come to see me. If, three hours
+afterwards, by eight o'clock, he does not leave his house, all
+will be over. The Duchesse de Langeais will have vanished from
+the world. I shall not be dead, dear friend, no, but no human
+power will ever find me again on this earth. Come and dine with
+me; I shall at least have one friend with me in the last agony.
+Yes, dear cousin, tonight will decide my fate; and whatever
+happens to me, I pass through an ordeal by fire. There! not a
+word. I will hear nothing of the nature of comment or
+advice----Let us chat and laugh together," she added, holding
+out a hand, which he kissed. "We will be like two grey-headed
+philosophers who have learned how to enjoy life to the last
+moment. I will look my best; I will be very enchanting for you.
+You perhaps will be the last man to set eyes on the Duchesse de
+Langeais."
+
+The Vicomte bowed, took the letter, and went without a word. At
+five o'clock he returned. His cousin had studied to please him,
+and she looked lovely indeed. The room was gay with flowers as
+if for a festivity; the dinner was exquisite. For the
+grey-headed Vidame the Duchess displayed all the brilliancy of
+her wit; she was more charming than she had ever been before. At
+first the Vidame tried to look on all these preparations as a
+young woman's jest; but now and again the attempted illusion
+faded, the spell of his fair cousin's charm was broken. He
+detected a shudder caused by some kind of sudden dread, and once
+she seemed to listen during a pause.
+
+"What is the matter?" he asked.
+
+"Hush!" she said.
+
+At seven o'clock the Duchess left him for a few minutes. When
+she came back again she was dressed as her maid might have
+dressed for a journey. She asked her guest to be her escort,
+took his arm, sprang into a hackney coach, and by a quarter to
+eight they stood outside M. de Montriveau's door.
+
+Armand meantime had been reading the following letter:--
+
+
+"MY FRIEND,--I went to your rooms for a few minutes without your
+knowledge; I found my letters there, and took them away. This
+cannot be indifference, Armand, between us; and hatred would show
+itself quite differently. If you love me, make an end of this
+cruel play, or you will kill me, and afterwards, learning how
+much you were loved, you might be in despair. If I have not
+rightly understood you, if you have no feeling towards me but
+aversion, which implies both contempt and disgust, then I give up
+all hope. A man never recovers from those feelings. You will
+have no regrets. Dreadful though that thought may be, it will
+comfort me in my long sorrow. Regrets? Oh, my Armand, may I
+never know of them; if I thought that I had caused you a single
+regret----But, no, I will not tell you what desolation I should
+feel. I should be living still, and I could not be your wife; it
+would be too late!
+
+"Now that I have given myself wholly to you in thought, to whom
+else should I give myself?--to God. The eyes that you loved for
+a little while shall never look on another man's face; and may
+the glory of God blind them to all besides. I shall never hear
+human voices more since I heard yours--so gentle at the first, so
+terrible yesterday; for it seems to me that I am still only on
+the morrow of your vengeance. And now may the will of God
+consume me. Between His wrath and yours, my friend, there will
+be nothing left for me but a little space for tears and prayers.
+
+"Perhaps you wonder why I write to you? Ah! do not think ill of
+me if I keep a gleam of hope, and give one last sigh to happy
+life before I take leave of it forever. I am in a hideous
+position. I feel all the inward serenity that comes when a great
+resolution has been taken, even while I hear the last growlings
+of the storm. When you went out on that terrible adventure which
+so drew me to you, Armand, you went from the desert to the oasis
+with a good guide to show you the way. Well, I am going out of
+the oasis into the desert, and you are a pitiless guide to me.
+And yet you only, my friend, can understand how melancholy it is
+to look back for the last time on happiness--to you, and you
+only, I can make moan without a blush. If you grant my entreaty,
+I shall be happy; if you are inexorable, I shall expiate the
+wrong that I have done. After all, it is natural, is it not,
+that a woman should wish to live, invested with all noble
+feelings, in her friend's memory? Oh! my one and only love, let
+her to whom you gave life go down into the tomb in the belief
+that she is great in your eyes. Your harshness led me to
+reflect; and now that I love you so, it seems to me that I am
+less guilty than you think. Listen to my justification, I owe it
+to you; and you that are all the world to me, owe me at least a
+moment's justice.
+
+"I have learned by my own anguish all that I made you suffer by
+my coquetry; but in those days I was utterly ignorant of love.
+_You_ know what the torture is, and you mete it out to me! During
+those first eight months that you gave me you never roused any
+feeling of love in me. Do you ask why this was so, my friend? I
+can no more explain it than I can tell you why I love you now.
+Oh! certainly it flattered my vanity that I should be the subject
+of your passionate talk, and receive those burning glances of
+yours; but you left me cold. No, I was not a woman; I had no
+conception of womanly devotion and happiness. Who was to blame?
+You would have despised me, would you not, if I had given myself
+without the impulse of passion? Perhaps it is the highest height
+to which we can rise--to give all and receive no joy; perhaps
+there is no merit in yielding oneself to bliss that is foreseen
+and ardently desired. Alas, my friend, I can say this now; these
+thoughts came to me when I played with you; and you seemed to me
+so great even then that I would not have you owe the gift to
+pity----What is this that I have written?
+
+"I have taken back all my letters; I am flinging them one by one
+on the fire; they are burning. You will never know what they
+confessed--all the love and the passion and the madness----
+
+"I will say no more, Armand; I will stop. I will not say
+another word of my feelings. If my prayers have not echoed from
+my soul through yours, I also, woman that I am, decline to owe
+your love to your pity. It is my wish to be loved, because you
+cannot choose but love me, or else to be left without mercy. If
+you refuse to read this letter, it shall be burnt. If, after you
+have read it, you do not come to me within three hours, to be
+henceforth forever my husband, the one man in the world for me;
+then I shall never blush to know that this letter is in your
+hands, the pride of my despair will protect my memory from all
+insult, and my end shall be worthy of my love. When you see me
+no more on earth, albeit I shall still be alive, you yourself
+will not think without a shudder of the woman who, in three
+hours' time, will live only to overwhelm you with her tenderness;
+a woman consumed by a hopeless love, and faithful--not to
+memories of past joys--but to a love that was slighted.
+
+"The Duchesse de la Valliere wept for lost happiness and
+vanished power; but the Duchesse de Langeais will be happy that
+she may weep and be a power for you still. Yes, you will regret
+me. I see clearly that I was not of this world, and I thank you
+for making it clear to me.
+
+"Farewell; you will never touch _my_ axe. Yours was the
+executioner's axe, mine is God's; yours kills, mine saves. Your
+love was but mortal, it could not endure disdain or ridicule;
+mine can endure all things without growing weaker, it will last
+eternally. Ah! I feel a sombre joy in crushing you that believe
+yourself so great; in humbling you with the calm, indulgent smile
+of one of the least among the angels that lie at the feet of God,
+for to them is given the right and the power to protect and watch
+over men in His name. You have but felt fleeting desires, while
+the poor nun will shed the light of her ceaseless and ardent
+prayer about you, she will shelter you all your life long beneath
+the wings of a love that has nothing of earth in it.
+
+"I have a presentiment of your answer; our trysting place shall
+be--in heaven. Strength and weakness can both enter there, dear
+Armand; the strong and the weak are bound to suffer. This
+thought soothes the anguish of my final ordeal. So calm am I
+that I should fear that I had ceased to love you if I were not
+about to leave the world for your sake.
+
+ "ANTOINETTE."
+
+
+"Dear Vidame," said the Duchess as they reached Montriveau's
+house, "do me the kindness to ask at the door whether he is at
+home." The Vidame, obedient after the manner of the eighteenth
+century to a woman's wish, got out, and came back to bring his
+cousin an affirmative answer that sent a shudder through her.
+She grasped his hand tightly in hers, suffered him to kiss her on
+either cheek, and begged him to go at once. He must not watch
+her movements nor try to protect her. "But the people passing
+in the street," he objected.
+
+"No one can fail in respect to me," she said. It was the last
+word spoken by the Duchess and the woman of fashion.
+
+The Vidame went. Mme de Langeais wrapped herself about in her
+cloak, and stood on the doorstep until the clocks struck eight.
+The last stroke died away. The unhappy woman waited ten, fifteen
+minutes; to the last she tried to see a fresh humiliation in the
+delay, then her faith ebbed. She turned to leave the fatal
+threshold.
+
+"Oh, God!" the cry broke from her in spite of herself; it was
+the first word spoken by the Carmelite.
+
+
+
+Montriveau and some of his friends were talking together. He
+tried to hasten them to a conclusion, but his clock was slow, and
+by the time he started out for the Hotel de Langeais the Duchess
+was hurrying on foot through the streets of Paris, goaded by the
+dull rage in her heart. She reached the Boulevard d'Enfer, and
+looked out for the last time through falling tears on the noisy,
+smoky city that lay below in a red mist, lighted up by its own
+lamps. Then she hailed a cab, and drove away, never to return.
+When the Marquis de Montriveau reached the Hotel de Langeais, and
+found no trace of his mistress, he thought that he had been
+duped. He hurried away at once to the Vidame, and found that
+worthy gentleman in the act of slipping on his flowered
+dressing-gown, thinking the while of his fair cousin's happiness.
+
+Montriveau gave him one of the terrific glances that produced the
+effect of an electric shock on men and women alike.
+
+"Is it possible that you have lent yourself to some cruel hoax,
+monsieur?" Montriveau exclaimed. "I have just come from Mme de
+Langeais' house; the servants say that she is out."
+
+"Then a great misfortune has happened, no doubt," returned the
+Vidame, "and through your fault. I left the Duchess at your
+door----"
+
+"When?"
+
+"At a quarter to eight."
+
+"Good evening," returned Montriveau, and he hurried home to ask
+the porter whether he had seen a lady standing on the doorstep
+that evening.
+
+"Yes, my Lord Marquis, a handsome woman, who seemed very much
+put out. She was crying like a Magdalen, but she never made a
+sound, and stood as upright as a post. Then at last she went,
+and my wife and I that were watching her while she could not see
+us, heard her say, 'Oh, God!' so that it went to our hearts,
+asking your pardon, to hear her say it."
+
+Montriveau, in spite of all his firmness, turned pale at those
+few words. He wrote a few lines to Ronquerolles, sent off the
+message at once, and went up to his rooms. Ronquerolles came
+just about midnight.
+
+Armand gave him the Duchess's letter to read.
+
+"Well?" asked Ronquerolles.
+
+"She was here at my door at eight o'clock; at a quarter-past
+eight she had gone. I have lost her, and I love her. Oh! if my
+life were my own, I could blow my brains out."
+
+"Pooh, pooh! Keep cool," said Ronquerolles. "Duchesses do
+not fly off like wagtails. She cannot travel faster than three
+leagues an hour, and tomorrow we will ride six.--Confound it!
+Mme de Langeais is no ordinary woman," he continued. "Tomorrow
+we will all of us mount and ride. The police will put us on her
+track during the day. She must have a carriage; angels of that
+sort have no wings. We shall find her whether she is on the road
+or hidden in Paris. There is the semaphore. We can stop her.
+You shall be happy. But, my dear fellow, you have made a
+blunder, of which men of your energy are very often guilty. They
+judge others by themselves, and do not know the point when human
+nature gives way if you strain the cords too tightly. Why did
+you not say a word to me sooner? I would have told you to be
+punctual. Good-bye till tomorrow," he added, as Montriveau said
+nothing. "Sleep if you can," he added, with a grasp of the
+hand.
+
+But the greatest resources which society has ever placed at the
+disposal of statesmen, kings, ministers, bankers, or any human
+power, in fact, were all exhausted in vain. Neither Montriveau
+nor his friends could find any trace of the Duchess. It was
+clear that she had entered a convent. Montriveau determined to
+search, or to institute a search, for her through every convent
+in the world. He must have her, even at the cost of all the
+lives in a town. And in justice to this extraordinary man, it
+must be said that his frenzied passion awoke to the same ardour
+daily and lasted through five years. Only in 1829 did the Duc de
+Navarreins hear by chance that his daughter had travelled to
+Spain as Lady Julia Hopwood's maid, that she had left her service
+at Cadiz, and that Lady Julia never discovered that Mlle Caroline
+was the illustrious duchess whose sudden disappearance filled the
+minds of the highest society of Paris.
+
+
+
+The feelings of the two lovers when they met again on either side
+of the grating in the Carmelite convent should now be
+comprehended to the full, and the violence of the passion
+awakened in either soul will doubtless explain the catastrophe of
+the story.
+
+In 1823 the Duc de Langeais was dead, and his wife was free.
+Antoinette de Navarreins was living, consumed by love, on a ledge
+of rock in the Mediterranean; but it was in the Pope's power to
+dissolve Sister Theresa's vows. The happiness bought by so much
+love might yet bloom for the two lovers. These thoughts sent
+Montriveau flying from Cadiz to Marseilles, and from Marseilles
+to Paris.
+
+A few months after his return to France, a merchant brig, fitted
+out and munitioned for active service, set sail from the port of
+Marseilles for Spain. The vessel had been chartered by several
+distinguished men, most of them Frenchmen, who, smitten with a
+romantic passion for the East, wished to make a journey to those
+lands. Montriveau's familiar knowledge of Eastern customs made
+him an invaluable travelling companion, and at the entreaty of
+the rest he had joined the expedition; the Minister of War
+appointed him lieutenant-general, and put him on the Artillery
+Commission to facilitate his departure.
+
+Twenty-fours hours later the brig lay to off the north-west shore
+of an island within sight of the Spanish coast. She had been
+specially chosen for her shallow keel and light mastage, so that
+she might lie at anchor in safety half a league away from the
+reefs that secure the island from approach in this direction. If
+fishing vessels or the people on the island caught sight of the
+brig, they were scarcely likely to feel suspicious of her at
+once; and besides, it was easy to give a reason for her presence
+without delay. Montriveau hoisted the flag of the United States
+before they came in sight of the island, and the crew of the
+vessel were all American sailors, who spoke nothing but English.
+One of M. de Montriveau's companions took the men ashore in the
+ship's longboat, and made them so drunk at an inn in the little
+town that they could not talk. Then he gave out that the brig
+was manned by treasure-seekers, a gang of men whose hobby was
+well known in the United States; indeed, some Spanish writer had
+written a history of them. The presence of the brig among the
+reefs was now sufficiently explained. The owners of the vessel,
+according to the self-styled boatswain's mate, were looking for
+the wreck of a galleon which foundered thereabouts in 1778 with a
+cargo of treasure from Mexico. The people at the inn and the
+authorities asked no more questions.
+
+Armand, and the devoted friends who were helping him in his
+difficult enterprise, were all from the first of the opinion that
+there was no hope of rescuing or carrying off Sister Theresa by
+force or stratagem from the side of the little town. Wherefore
+these bold spirits, with one accord, determined to take the bull
+by the horns. They would make a way to the convent at the most
+seemingly inaccessible point; like General Lamarque, at the
+storming of Capri, they would conquer Nature. The cliff at the
+end of the island, a sheer block of granite, afforded even less
+hold than the rock of Capri. So it seemed at least to
+Montriveau, who had taken part in that incredible exploit, while
+the nuns in his eyes were much more redoubtable than Sir Hudson
+Lowe. To raise a hubbub over carrying off the Duchess would
+cover them with confusion. They might as well set siege to the
+town and convent, like pirates, and leave not a single soul to
+tell of their victory. So for them their expedition wore but two
+aspects. There should be a conflagration and a feat of arms that
+should dismay all Europe, while the motives of the crime remained
+unknown; or, on the other hand, a mysterious, aerial descent
+which should persuade the nuns that the Devil himself had paid
+them a visit. They had decided upon the latter course in the
+secret council held before they left Paris, and subsequently
+everything had been done to insure the success of an expedition
+which promised some real excitement to jaded spirits weary of
+Paris and its pleasures.
+
+An extremely light pirogue, made at Marseilles on a Malayan
+model, enabled them to cross the reef, until the rocks rose from
+out of the water. Then two cables of iron wire were fastened
+several feet apart between one rock and another. These wire
+ropes slanted upwards and downwards in opposite directions, so
+that baskets of iron wire could travel to and fro along them; and
+in this manner the rocks were covered with a system of baskets
+and wire-cables, not unlike the filaments which a certain species
+of spider weaves about a tree. The Chinese, an essentially
+imitative people, were the first to take a lesson from the work
+of instinct. Fragile as these bridges were, they were always
+ready for use; high waves and the caprices of the sea could not
+throw them out of working order; the ropes hung just sufficiently
+slack, so as to present to the breakers that particular curve
+discovered by Cachin, the immortal creator of the harbour at
+Cherbourg. Against this cunningly devised line the angry surge
+is powerless; the law of that curve was a secret wrested from
+Nature by that faculty of observation in which nearly all human
+genius consists.
+
+M. de Montriveau's companions were alone on board the vessel, and
+out of sight of every human eye. No one from the deck of a
+passing vessel could have discovered either the brig hidden among
+the reefs, or the men at work among the rocks; they lay below the
+ordinary range of the most powerful telescope. Eleven days were
+spent in preparation, before the Thirteen, with all their
+infernal power, could reach the foot of the cliffs. The body of
+the rock rose up straight from the sea to a height of thirty
+fathoms. Any attempt to climb the sheer wall of granite seemed
+impossible; a mouse might as well try to creep up the slippery
+sides of a plain china vase. Still there was a cleft, a straight
+line of fissure so fortunately placed that large blocks of wood
+could be wedged firmly into it at a distance of about a foot
+apart. Into these blocks the daring workers drove iron cramps,
+specially made for the purpose, with a broad iron bracket at the
+outer end, through which a hole had been drilled. Each bracket
+carried a light deal board which corresponded with a notch made
+in a pole that reached to the top of the cliffs, and was firmly
+planted in the beach at their feet. With ingenuity worthy of
+these men who found nothing impossible, one of their number, a
+skilled mathematician, had calculated the angle from which the
+steps must start; so that from the middle they rose gradually,
+like the sticks of a fan, to the top of the cliff, and descended
+in the same fashion to its base. That miraculously light, yet
+perfectly firm, staircase cost them twenty-two days of toil. A
+little tinder and the surf of the sea would destroy all trace of
+it forever in a single night. A betrayal of the secret was
+impossible; and all search for the violators of the convent was
+doomed to failure.
+
+At the top of the rock there was a platform with sheer precipice
+on all sides. The Thirteen, reconnoitring the ground with their
+glasses from the masthead, made certain that though the ascent
+was steep and rough, there would be no difficulty in gaining the
+convent garden, where the trees were thick enough for a
+hiding-place. After such great efforts they would not risk the
+success of their enterprise, and were compelled to wait till the
+moon passed out of her last quarter.
+
+For two nights Montriveau, wrapped in his cloak, lay out on the
+rock platform. The singing at vespers and matins filled him with
+unutterable joy. He stood under the wall to hear the music of
+the organ, listening intently for one voice among the rest. But
+in spite of the silence, the confused effect of music was all
+that reached his ears. In those sweet harmonies defects of
+execution are lost; the pure spirit of art comes into direct
+communication with the spirit of the hearer, making no demand on
+the attention, no strain on the power of listening. Intolerable
+memories awoke. All the love within him seemed to break into
+blossom again at the breath of that music; he tried to find
+auguries of happiness in the air. During the last night he sat
+with his eyes fixed upon an ungrated window, for bars were not
+needed on the side of the precipice. A light shone there all
+through the hours; and that instinct of the heart, which is
+sometimes true, and as often false, cried within him, "She is
+there!"
+
+"She is certainly there! Tomorrow she will be mine," he said
+to himself, and joy blended with the slow tinkling of a bell that
+began to ring.
+
+Strange unaccountable workings of the heart! The nun, wasted by
+yearning love, worn out with tears and fasting, prayer and
+vigils; the woman of nine-and-twenty, who had passed through
+heavy trials, was loved more passionately than the lighthearted
+girl, the woman of four-and-twenty, the sylphide, had ever been.
+But is there not, for men of vigorous character, something
+attractive in the sublime expression engraven on women's faces by
+the impetuous stirrings of thought and misfortunes of no ignoble
+kind? Is there not a beauty of suffering which is the most
+interesting of all beauty to those men who feel that within them
+there is an inexhaustible wealth of tenderness and consoling pity
+for a creature so gracious in weakness, so strong with love? It
+is the ordinary nature that is attracted by young, smooth,
+pink-and-white beauty, or, in one word, by prettiness. In some
+faces love awakens amid the wrinkles carved by sorrow and the
+ruin made by melancholy; Montriveau could not but feel drawn to
+these. For cannot a lover, with the voice of a great longing,
+call forth a wholly new creature? a creature athrob with the life
+but just begun breaks forth for him alone, from the outward form
+that is fair for him, and faded for all the world besides. Does
+he not love two women?--One of them, as others see her, is pale
+and wan and sad; but the other, the unseen love that his heart
+knows, is an angel who understands life through feeling, and is
+adorned in all her glory only for love's high festivals.
+
+The General left his post before sunrise, but not before he had
+heard voices singing together, sweet voices full of tenderness
+sounding faintly from the cell. When he came down to the foot of
+the cliffs where his friends were waiting, he told them that
+never in his life had he felt such enthralling bliss, and in the
+few words there was that unmistakable thrill of repressed strong
+feeling, that magnificent utterance which all men respect.
+
+
+
+That night eleven of his devoted comrades made the ascent in the
+darkness. Each man carried a poniard, a provision of chocolate,
+and a set of house-breaking tools. They climbed the outer walls
+with scaling-ladders, and crossed the cemetery of the convent.
+Montriveau recognised the long, vaulted gallery through which he
+went to the parlour, and remembered the windows of the room. His
+plans were made and adopted in a moment. They would effect an
+entrance through one of the windows in the Carmelite's half of
+the parlour, find their way along the corridors, ascertain
+whether the sister's names were written on the doors, find Sister
+Theresa's cell, surprise her as she slept, and carry her off,
+bound and gagged. The programme presented no difficulties to men
+who combined boldness and a convict's dexterity with the
+knowledge peculiar to men of the world, especially as they would
+not scruple to give a stab to ensure silence.
+
+In two hours the bars were sawn through. Three men stood on
+guard outside, and two inside the parlour. The rest, barefooted,
+took up their posts along the corridor. Young Henri de Marsay,
+the most dexterous man among them, disguised by way of precaution
+in a Carmelite's robe, exactly like the costume of the convent,
+led the way, and Montriveau came immediately behind him. The
+clock struck three just as the two men reached the dormitory
+cells. They soon saw the position. Everything was perfectly
+quiet. With the help of a dark lantern they read the names
+luckily written on every door, together with the picture of a
+saint or saints and the mystical words which every nun takes as a
+kind of motto for the beginning of her new life and the
+revelation of her last thought. Montriveau reached Sister
+Theresa's door and read the inscription, _Sub invocatione sanctae
+matris Theresae_, and her motto, _Adoremus in aeternum_. Suddenly
+his companion laid a hand on his shoulder. A bright light was
+streaming through the chinks of the door. M. de Ronquerolles
+came up at that moment.
+
+"All the nuns are in the church," he said; "they are beginning
+the Office for the Dead."
+
+"I will stay here," said Montriveau. "Go back into the parlour,
+and shut the door at the end of the passage."
+
+He threw open the door and rushed in, preceded by his disguised
+companion, who let down the veil over his face.
+
+There before them lay the dead Duchess; her plank bed had been
+laid on the floor of the outer room of her cell, between two
+lighted candles. Neither Montriveau nor de Marsay spoke a word
+or uttered a cry; but they looked into each other's faces. The
+General's dumb gesture tried to say, "Let us carry her away!"
+
+"Quickly" shouted Ronquerolles, "the procession of nuns is
+leaving the church. You will be caught!"
+
+With magical swiftness of movement, prompted by an intense
+desire, the dead woman was carried into the convent parlour,
+passed through the window, and lowered from the walls before the
+Abbess, followed by the nuns, returned to take up Sister
+Theresa's body. The sister left in charge had imprudently left
+her post; there were secrets that she longed to know; and so busy
+was she ransacking the inner room, that she heard nothing, and
+was horrified when she came back to find that the body was gone.
+Before the women, in their blank amazement, could think of making
+a search, the Duchess had been lowered by a cord to the foot of
+the crags, and Montriveau's companions had destroyed all traces
+of their work. By nine o'clock that morning there was not a sign
+to show that either staircase or wire-cables had ever existed,
+and Sister Theresa's body had been taken on board. The brig came
+into the port to ship her crew, and sailed that day.
+
+Montriveau, down in the cabin, was left alone with Antoinette de
+Navarreins. For some hours it seemed as if her dead face was
+transfigured for him by that unearthly beauty which the calm of
+death gives to the body before it perishes.
+
+"Look here," said Ronquerolles when Montriveau reappeared on
+deck, "_that_ was a woman once, now it is nothing. Let us tie a
+cannon ball to both feet and throw the body overboard; and if
+ever you think of her again, think of her as of some book that
+you read as a boy."
+
+"Yes," assented Montriveau, "it is nothing now but a dream."
+
+"That is sensible of you. Now, after this, have passions; but
+as for love, a man ought to know how to place it wisely; it is
+only a woman's last love that can satisfy a man's first love."
+
+
+
+
+ADDENDUM
+
+ Note: The Duchesse de Langeais is the second part of a trilogy.
+ Part one is entitled Ferragus and part three is The Girl with
+ the Golden Eyes. In other addendum references all three stories
+ are usually combined under the title The Thirteen.
+
+The following personages appear in other stories of the Human Comedy.
+
+Blamont-Chauvry, Princesse de
+ Madame Firmiani
+ The Lily of the Valley
+
+Grandlieu, Duc Ferdinand de
+ The Gondreville Mystery
+ A Bachelor's Establishment
+ Modeste Mignon
+ Scenes from a Courtesan's Life
+
+Granville, Comtesse Angelique de
+ A Second Home
+ A Daughter of Eve
+
+Keller, Madame Francois
+ Domestic Peace
+ The Member for Arcis
+
+Langeais, Duc de
+ An Episode under the Terror
+
+Langeais, Duchesse Antoinette de
+ Father Goriot
+ Ferragus
+
+Marsay, Henri de
+ Ferragus
+ The Girl with the Golden Eyes
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+Montriveau, General Marquis Armand de
+ Father Goriot
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Another Study of Woman
+ Pierrette
+ The Member for Arcis
+
+Navarreins, Duc de
+ A Bachelor's Establishment
+ Colonel Chabert
+ The Muse of the Department
+ Jealousies of a Country Town
+ The Peasantry
+ Scenes from a Courtesan's Life
+ The Country Parson
+ The Magic Skin
+ The Gondreville Mystery
+ The Secrets of a Princess
+ Cousin Betty
+
+Pamiers, Vidame de
+ Ferragus
+ Jealousies of a Country Town
+
+Ronquerolles, Marquis de
+ The Imaginary Mistress
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ Ferragus
+ The Girl with the Golden Eyes
+ The Member for Arcis
+
+Serizy, Comtesse de
+ A Start in Life
+ Ferragus
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan's Life
+ Another Study of Woman
+ The Imaginary Mistress
+
+Soulanges, Comtesse Hortense de
+ Domestic Peace
+ The Peasantry
+
+Talleyrand-Perigord, Charles-Maurice de
+ The Chouans
+ The Gondreville Mystery
+ Letters of Two Brides
+ Gaudissart II
+
+
+
+
+ III
+
+
+
+
+ THE GIRL WITH THE GOLDEN EYES
+
+ BY
+
+ HONORE DE BALZAC
+
+
+
+ Translated by
+ Ellen Marriage
+
+
+
+ DEDICATION
+
+ To Eugene Delacroix, Painter.
+
+
+
+ THE GIRL WITH THE GOLDEN EYES
+
+
+
+One of those sights in which most horror is to be encountered is,
+surely, the general aspect of the Parisian populace--a people fearful
+to behold, gaunt, yellow, tawny. Is not Paris a vast field in
+perpetual turmoil from a storm of interests beneath which are whirled
+along a crop of human beings, who are, more often than not, reaped by
+death, only to be born again as pinched as ever, men whose twisted and
+contorted faces give out at every pore the instinct, the desire, the
+poisons with which their brains are pregnant; not faces so much as
+masks; masks of weakness, masks of strength, masks of misery, masks of
+joy, masks of hypocrisy; all alike worn and stamped with the indelible
+signs of a panting cupidity? What is it they want? Gold or pleasure? A
+few observations upon the soul of Paris may explain the causes of its
+cadaverous physiognomy, which has but two ages--youth and decay:
+youth, wan and colorless; decay, painted to seem young. In looking at
+this excavated people, foreigners, who are not prone to reflection,
+experience at first a movement of disgust towards the capital, that
+vast workshop of delights, from which, in a short time, they cannot
+even extricate themselves, and where they stay willingly to be
+corrupted. A few words will suffice to justify physiologically the
+almost infernal hue of Parisian faces, for it is not in mere sport
+that Paris has been called a hell. Take the phrase for truth. There
+all is smoke and fire, everything gleams, crackles, flames,
+evaporates, dies out, then lights up again, with shooting sparks, and
+is consumed. In no other country has life ever been more ardent or
+acute. The social nature, even in fusion, seems to say after each
+completed work: "Pass on to another!" just as Nature says herself.
+Like Nature herself, this social nature is busied with insects and
+flowers of a day--ephemeral trifles; and so, too, it throws up fire
+and flame from its eternal crater. Perhaps, before analyzing the
+causes which lend a special physiognomy to each tribe of this
+intelligent and mobile nation, the general cause should be pointed out
+which bleaches and discolors, tints with blue or brown individuals in
+more or less degree.
+
+By dint of taking interest in everything, the Parisian ends by being
+interested in nothing. No emotion dominating his face, which friction
+has rubbed away, it turns gray like the faces of those houses upon
+which all kinds of dust and smoke have blown. In effect, the Parisian,
+with his indifference on the day for what the morrow will bring forth,
+lives like a child, whatever may be his age. He grumbles at
+everything, consoles himself for everything, jests at everything,
+forgets, desires, and tastes everything, seizes all with passion,
+quits all with indifference--his kings, his conquests, his glory, his
+idols of bronze or glass--as he throws away his stockings, his hats,
+and his fortune. In Paris no sentiment can withstand the drift of
+things, and their current compels a struggle in which the passions are
+relaxed: there love is a desire, and hatred a whim; there's no true
+kinsman but the thousand-franc note, no better friend than the
+pawnbroker. This universal toleration bears its fruits, and in the
+salon, as in the street, there is no one _de trop_, there is no one
+absolutely useful, or absolutely harmful--knaves or fools, men of wit
+or integrity. There everything is tolerated: the government and the
+guillotine, religion and the cholera. You are always acceptable to
+this world, you will never be missed by it. What, then, is the
+dominating impulse in this country without morals, without faith,
+without any sentiment, wherein, however, every sentiment, belief, and
+moral has its origin and end? It is gold and pleasure. Take those two
+words for a lantern, and explore that great stucco cage, that hive
+with its black gutters, and follow the windings of that thought which
+agitates, sustains, and occupies it! Consider! And, in the first
+place, examine the world which possesses nothing.
+
+The artisan, the man of the proletariat, who uses his hands, his
+tongue, his back, his right arm, his five fingers, to live--well, this
+very man, who should be the first to economize his vital principle,
+outruns his strength, yokes his wife to some machine, wears out his
+child, and ties him to the wheel. The manufacturer--or I know not what
+secondary thread which sets in motion all these folk who with their
+foul hands mould and gild porcelain, sew coats and dresses, beat out
+iron, turn wood and steel, weave hemp, festoon crystal, imitate
+flowers, work woolen things, break in horses, dress harness, carve in
+copper, paint carriages, blow glass, corrode the diamond, polish
+metals, turn marble into leaves, labor on pebbles, deck out thought,
+tinge, bleach, or blacken everything--well, this middleman has come to
+that world of sweat and good-will, of study and patience, with
+promises of lavish wages, either in the name of the town's caprices or
+with the voice of the monster dubbed speculation. Thus, these
+_quadrumanes_ set themselves to watch, work, and suffer, to fast,
+sweat, and bestir them. Then, careless of the future, greedy of
+pleasure, counting on their right arm as the painter on his palette,
+lords for one day, they throw their money on Mondays to the _cabarets_
+which gird the town like a belt of mud, haunts of the most shameless
+of the daughters of Venus, in which the periodical money of this
+people, as ferocious in their pleasures as they are calm at work, is
+squandered as it had been at play. For five days, then, there is no
+repose for this laborious portion of Paris! It is given up to actions
+which make it warped and rough, lean and pale, gush forth with a
+thousand fits of creative energy. And then its pleasure, its repose,
+are an exhausting debauch, swarthy and black with blows, white with
+intoxication, or yellow with indigestion. It lasts but two days, but
+it steals to-morrow's bread, the week's soup, the wife's dress, the
+child's wretched rags. Men, born doubtless to be beautiful--for all
+creatures have a relative beauty--are enrolled from their childhood
+beneath the yoke of force, beneath the rule of the hammer, the chisel,
+the loom, and have been promptly vulcanized. Is not Vulcan, with his
+hideousness and his strength, the emblem of this strong and hideous
+nation--sublime in its mechanical intelligence, patient in its season,
+and once in a century terrible, inflammable as gunpowder, and ripe
+with brandy for the madness of revolution, with wits enough, in fine,
+to take fire at a captious word, which signifies to it always: Gold
+and Pleasure! If we comprise in it all those who hold out their hands
+for an alms, for lawful wages, or the five francs that are granted to
+every kind of Parisian prostitution, in short, for all the money well
+or ill earned, this people numbers three hundred thousand individuals.
+Were it not for the _cabarets_, would not the Government be overturned
+every Tuesday? Happily, by Tuesday, this people is glutted, sleeps off
+its pleasure, is penniless, and returns to its labor, to dry bread,
+stimulated by a need of material procreation, which has become a habit
+to it. None the less, this people has its phenomenal virtues, its
+complete men, unknown Napoleons, who are the type of its strength
+carried to its highest expression, and sum up its social capacity in
+an existence wherein thought and movement combine less to bring joy
+into it than to neutralize the action of sorrow.
+
+Chance has made an artisan economical, chance has favored him with
+forethought, he has been able to look forward, has met with a wife and
+found himself a father, and, after some years of hard privation, he
+embarks in some little draper's business, hires a shop. If neither
+sickness nor vice blocks his way--if he has prospered--there is the
+sketch of this normal life.
+
+And, in the first place, hail to that king of Parisian activity, to
+whom time and space give way. Yes, hail to that being, composed of
+saltpetre and gas, who makes children for France during his laborious
+nights, and in the day multiplies his personality for the service,
+glory, and pleasure of his fellow-citizens. This man solves the
+problem of sufficing at once to his amiable wife, to his hearth, to
+the _Constitutionnel_, to his office, to the National Guard, to the
+opera, and to God; but, only in order that the _Constitutionnel_, his
+office, the National Guard, the opera, his wife, and God may be
+changed into coin. In fine, hail to an irreproachable pluralist. Up
+every day at five o'clock, he traverses like a bird the space which
+separates his dwelling from the Rue Montmartre. Let it blow or
+thunder, rain or snow, he is at the _Constitutionnel_, and waits there
+for the load of newspapers which he has undertaken to distribute. He
+receives this political bread with eagerness, takes it, bears it away.
+At nine o'clock he is in the bosom of his family, flings a jest to his
+wife, snatches a loud kiss from her, gulps down a cup of coffee, or
+scolds his children. At a quarter to ten he puts in an appearance at
+the _Mairie_. There, stuck upon a stool, like a parrot on its perch,
+warmed by Paris town, he registers until four o'clock, with never a
+tear or a smile, the deaths and births of an entire district. The
+sorrow, the happiness, of the parish flow beneath his pen--as the
+essence of the _Constitutionnel_ traveled before upon his shoulders.
+Nothing weighs upon him! He goes always straight before him, takes his
+patriotism ready made from the newspaper, contradicts no one, shouts
+or applauds with the world, and lives like a bird. Two yards from his
+parish, in the event of an important ceremony, he can yield his place
+to an assistant, and betake himself to chant a requiem from a stall in
+the church of which on Sundays he is the fairest ornament, where his
+is the most imposing voice, where he distorts his huge mouth with
+energy to thunder out a joyous _Amen_. So is he chorister. At four
+o'clock, freed from his official servitude, he reappears to shed joy
+and gaiety upon the most famous shop in the city. Happy is his wife,
+he has no time to be jealous: he is a man of action rather than of
+sentiment. His mere arrival spurs the young ladies at the counter;
+their bright eyes storm the customers; he expands in the midst of all
+the finery, the lace and muslin kerchiefs, that their cunning hands
+have wrought. Or, again, more often still, before his dinner he waits
+on a client, copies the page of a newspaper, or carries to the
+doorkeeper some goods that have been delayed. Every other day, at six,
+he is faithful to his post. A permanent bass for the chorus, he
+betakes himself to the opera, prepared to become a soldier or an arab,
+prisoner, savage, peasant, spirit, camel's leg or lion, a devil or a
+genie, a slave or a eunuch, black or white; always ready to feign joy
+or sorrow, pity or astonishment, to utter cries that never vary, to
+hold his tongue, to hunt, or fight for Rome or Egypt, but always at
+heart--a huckster still.
+
+At midnight he returns--a man, the good husband, the tender father; he
+slips into the conjugal bed, his imagination still afire with the
+illusive forms of the operatic nymphs, and so turns to the profit of
+conjugal love the world's depravities, the voluptuous curves of
+Taglioni's leg. And finally, if he sleeps, he sleeps apace, and
+hurries through his slumber as he does his life.
+
+This man sums up all things--history, literature, politics,
+government, religion, military science. Is he not a living
+encyclopaedia, a grotesque Atlas; ceaselessly in motion, like Paris
+itself, and knowing not repose? He is all legs. No physiognomy could
+preserve its purity amid such toils. Perhaps the artisan who dies at
+thirty, an old man, his stomach tanned by repeated doses of brandy,
+will be held, according to certain leisured philosophers, to be
+happier than the huckster is. The one perishes in a breath, and the
+other by degrees. From his eight industries, from the labor of his
+shoulders, his throat, his hands, from his wife and his business, the
+one derives--as from so many farms--children, some thousands of
+francs, and the most laborious happiness that has ever diverted the
+heart of man. This fortune and these children, or the children who sum
+up everything for him, become the prey of the world above, to which he
+brings his ducats and his daughter or his son, reared at college, who,
+with more education than his father, raises higher his ambitious gaze.
+Often the son of a retail tradesman would fain be something in the
+State.
+
+Ambition of that sort carries on our thought to the second Parisian
+sphere. Go up one story, then, and descend to the _entresol_: or climb
+down from the attic and remain on the fourth floor; in fine, penetrate
+into the world which has possessions: the same result! Wholesale
+merchants, and their men--people with small banking accounts and much
+integrity--rogues and catspaws, clerks old and young, sheriffs'
+clerks, barristers' clerks, solicitors' clerks; in fine, all the
+working, thinking, and speculating members of that lower middle class
+which honeycombs the interests of Paris and watches over its granary,
+accumulates the coin, stores the products that the proletariat have
+made, preserves the fruits of the South, the fishes, the wine from
+every sun-favored hill; which stretches its hands over the Orient, and
+takes from it the shawls that the Russ and the Turk despise; which
+harvests even from the Indies; crouches down in expectation of a sale,
+greedy of profit; which discounts bills, turns over and collects all
+kinds of securities, holds all Paris in its hand, watches over the
+fantasies of children, spies out the caprices and the vices of mature
+age, sucks money out of disease. Even so, if they drink no brandy,
+like the artisan, nor wallow in the mire of debauch, all equally abuse
+their strength, immeasurably strain their bodies and their minds
+alike, are burned away with desires, devastated with the swiftness of
+the pace. In their case the physical distortion is accomplished
+beneath the whip of interests, beneath the scourge of ambitions which
+torture the educated portion of this monstrous city, just as in the
+case of the proletariat it is brought about by the cruel see-saw of
+the material elaborations perpetually required from the despotism of
+the aristocratic "_I will_." Here, too, then, in order to obey that
+universal master, pleasure or gold, they must devour time, hasten
+time, find more than four-and-twenty hours in the day and night, waste
+themselves, slay themselves, and purchase two years of unhealthy
+repose with thirty years of old age. Only, the working-man dies in
+hospital when the last term of his stunted growth expires; whereas the
+man of the middle class is set upon living, and lives on, but in a
+state of idiocy. You will meet him, with his worn, flat old face, with
+no light in his eyes, with no strength in his limbs, dragging himself
+with a dazed air along the boulevard--the belt of his Venus, of his
+beloved city. What was his want? The sabre of the National Guard, a
+permanent stock-pot, a decent plot in Pere Lachaise, and, for his old
+age, a little gold honestly earned. _HIS_ Monday is on Sunday, his
+rest a drive in a hired carriage--a country excursion during which his
+wife and children glut themselves merrily with dust or bask in the
+sun; his dissipation is at the restaurateur's, whose poisonous dinner
+has won renown, or at some family ball, where he suffocates till
+midnight. Some fools are surprised at the phantasmagoria of the monads
+which they see with the aid of the microscope in a drop of water; but
+what would Rabelais' Gargantua,--that misunderstood figure of an
+audacity so sublime,--what would that giant say, fallen from the
+celestial spheres, if he amused himself by contemplating the motions
+of this secondary life of Paris, of which here is one of the formulae?
+Have you seen one of those little constructions--cold in summer, and
+with no other warmth than a small stove in winter--placed beneath the
+vast copper dome which crowns the Halle-auble? Madame is there by
+morning. She is engaged at the markets, and makes by this occupation
+twelve thousand francs a year, people say. Monsieur, when Madame is
+up, passes into a gloomy office, where he lends money till the
+week-end to the tradesmen of his district. By nine o'clock he is at
+the passport office, of which he is one of the minor officials. By
+evening he is at the box-office of the Theatre Italien, or of any other
+theatre you like. The children are put out to nurse, and only return
+to be sent to college or to boarding-school. Monsieur and Madame live
+on the third floor, have but one cook, give dances in a salon twelve
+foot by eight, lit by argand lamps; but they give a hundred and fifty
+thousand francs to their daughter, and retire at the age of fifty, an
+age when they begin to show themselves on the balcony of the opera, in
+a _fiacre_ at Longchamps; or, on sunny days, in faded clothes on the
+boulevards--the fruit of all this sowing. Respected by their
+neighbors, in good odor with the government, connected with the upper
+middle classes, Monsieur obtains at sixty-five the Cross of the Legion
+of Honor, and his daughter's father-in-law, a parochial mayor, invites
+him to his evenings. These life-long labors, then, are for the good of
+the children, whom these lower middle classes are inevitably driven to
+exalt. Thus each sphere directs all its efforts towards the sphere
+above it. The son of the rich grocer becomes a notary, the son of the
+timber merchant becomes a magistrate. No link is wanting in the chain,
+and everything stimulates the upward march of money.
+
+Thus we are brought to the third circle of this hell, which, perhaps,
+will some day find its Dante. In this third social circle, a sort of
+Parisian belly, in which the interests of the town are digested, and
+where they are condensed into the form known as _business_, there
+moves and agitates, as by some acrid and bitter intestinal process,
+the crowd of lawyers, doctors, notaries, councillors, business men,
+bankers, big merchants, speculators, and magistrates. Here are to be
+found even more causes of moral and physical destruction than
+elsewhere. These people--almost all of them--live in unhealthy
+offices, in fetid ante-chambers, in little barred dens, and spend
+their days bowed down beneath the weight of affairs; they rise at dawn
+to be in time, not to be left behind, to gain all or not to lose, to
+overreach a man or his money, to open or wind up some business, to
+take advantage of some fleeting opportunity, to get a man hanged or
+set him free. They infect their horses, they overdrive and age and
+break them, like their own legs, before their time. Time is their
+tyrant: it fails them, it escapes them; they can neither expand it nor
+cut it short. What soul can remain great, pure, moral, and generous,
+and, consequently, what face retain its beauty in this depraving
+practice of a calling which compels one to bear the weight of the
+public sorrows, to analyze them, to weigh them, estimate them, and
+mark them out by rule? Where do these folk put aside their
+hearts? . . . I do not know; but they leave them somewhere or other,
+when they have any, before they descend each morning into the abyss of
+the misery which puts families on the rack. For them there is no such
+thing as mystery; they see the reverse side of society, whose
+confessors they are, and despise it. Then, whatever they do, owing to
+their contact with corruption, they either are horrified at it and
+grow gloomy, or else, out of lassitude, or some secret compromise,
+espouse it. In fine, they necessarily become callous to every
+sentiment, since man, his laws and his institutions, make them steal,
+like jackals, from corpses that are still warm. At all hours the
+financier is trampling on the living, the attorney on the dead, the
+pleader on the conscience. Forced to be speaking without a rest, they
+all substitute words for ideas, phrases for feelings, and their soul
+becomes a larynx. Neither the great merchant, nor the judge, nor the
+pleader preserves his sense of right; they feel no more, they apply
+set rules that leave cases out of count. Borne along by their headlong
+course, they are neither husbands nor fathers nor lovers; they glide
+on sledges over the facts of life, and live at all times at the high
+pressure conduced by business and the vast city. When they return to
+their homes they are required to go to a ball, to the opera, into
+society, where they can make clients, acquaintances, protectors. They
+all eat to excess, play and keep vigil, and their faces become
+bloated, flushed, and emaciated.
+
+To this terrific expenditure of intellectual strength, to such
+multifold moral contradictions, they oppose--not, indeed pleasure, it
+would be too pale a contrast--but debauchery, a debauchery both secret
+and alarming, for they have all means at their disposal, and fix the
+morality of society. Their genuine stupidity lies hid beneath their
+specialism. They know their business, but are ignorant of everything
+which is outside it. So that to preserve their self-conceit they
+question everything, are crudely and crookedly critical. They appear
+to be sceptics and are in reality simpletons; they swamp their wits in
+interminable arguments. Almost all conveniently adopt social,
+literary, or political prejudices, to do away with the need of having
+opinions, just as they adapt their conscience to the standard of the
+Code or the Tribunal of Commerce. Having started early to become men
+of note, they turn into mediocrities, and crawl over the high places
+of the world. So, too, their faces present the harsh pallor, the
+deceitful coloring, those dull, tarnished eyes, and garrulous, sensual
+mouths, in which the observer recognizes the symptoms of the
+degeneracy of the thought and its rotation in the circle of a special
+idea which destroys the creative faculties of the brain and the gift
+of seeing in large, of generalizing and deducing. No man who has
+allowed himself to be caught in the revolutions of the gear of these
+huge machines can ever become great. If he is a doctor, either he has
+practised little or he is an exception--a Bichat who dies young. If a
+great merchant, something remains--he is almost Jacques Coeur. Did
+Robespierre practise? Danton was an idler who waited. But who,
+moreover has ever felt envious of the figures of Danton and
+Robespierre, however lofty they were? These men of affairs, _par
+excellence_, attract money to them, and hoard it in order to ally
+themselves with aristocratic families. If the ambition of the
+working-man is that of the small tradesman, here, too, are the same
+passions. The type of this class might be either an ambitious
+bourgeois, who, after a life of privation and continual scheming,
+passes into the Council of State as an ant passes through a chink; or
+some newspaper editor, jaded with intrigue, whom the king makes a peer
+of France--perhaps to revenge himself on the nobility; or some notary
+become mayor of his parish: all people crushed with business, who, if
+they attain their end, are literally _killed_ in its attainment. In
+France the usage is to glorify wigs. Napoleon, Louis XVI., the great
+rulers, alone have always wished for young men to fulfil their
+projects.
+
+Above this sphere the artist world exists. But here, too, the faces
+stamped with the seal of originality are worn, nobly indeed, but worn,
+fatigued, nervous. Harassed by a need of production, outrun by their
+costly fantasies, worn out by devouring genius, hungry for pleasure,
+the artists of Paris would all regain by excessive labor what they
+have lost by idleness, and vainly seek to reconcile the world and
+glory, money and art. To begin with, the artist is ceaselessly panting
+under his creditors; his necessities beget his debts, and his debts
+require of him his nights. After his labor, his pleasure. The comedian
+plays till midnight, studies in the morning, rehearses at noon; the
+sculptor is bent before his statue; the journalist is a marching
+thought, like the soldier when at war; the painter who is the fashion
+is crushed with work, the painter with no occupation, if he feels
+himself to be a man of genius, gnaws his entrails. Competition,
+rivalry, calumny assail talent. Some, in desperation, plunge into the
+abyss of vice, others die young and unknown because they have
+discounted their future too soon. Few of these figures, originally
+sublime, remain beautiful. On the other hand, the flagrant beauty of
+their heads is not understood. An artist's face is always exorbitant,
+it is always above or below the conventional lines of what fools call
+the _beau-ideal_. What power is it that destroys them? Passion. Every
+passion in Paris resolves into two terms: gold and pleasure. Now, do
+you not breathe again? Do you not feel air and space purified? Here is
+neither labor nor suffering. The soaring arch of gold has reached the
+summit. From the lowest gutters, where its stream commences, from the
+little shops where it is stopped by puny coffer-dams, from the heart
+of the counting-houses and great workshops, where its volume is that
+of ingots--gold, in the shape of dowries and inheritances, guided by
+the hands of young girls or the bony fingers of age, courses towards
+the aristocracy, where it will become a blazing, expansive stream.
+But, before leaving the four territories upon which the utmost wealth
+of Paris is based, it is fitting, having cited the moral causes, to
+deduce those which are physical, and to call attention to a
+pestilence, latent, as it were, which incessantly acts upon the faces
+of the porter, the artisan, the small shopkeeper; to point out a
+deleterious influence the corruption of which equals that of the
+Parisian administrators who allow it so complacently to exist!
+
+If the air of the houses in which the greater proportion of the middle
+classes live is noxious, if the atmosphere of the streets belches out
+cruel miasmas into stuffy back-kitchens where there is little air,
+realize that, apart from this pestilence, the forty thousand houses of
+this great city have their foundations in filth, which the powers that
+be have not yet seriously attempted to enclose with mortar walls solid
+enough to prevent even the most fetid mud from filtering through the
+soil, poisoning the wells, and maintaining subterraneously to Lutetia
+the tradition of her celebrated name. Half of Paris sleeps amidst the
+putrid exhalations of courts and streets and sewers. But let us turn
+to the vast saloons, gilded and airy; the hotels in their gardens, the
+rich, indolent, happy moneyed world. There the faces are lined and
+scarred with vanity. There nothing is real. To seek for pleasure is it
+not to find _ennui_? People in society have at an early age warped
+their nature. Having no occupation other than to wallow in pleasure,
+they have speedily misused their sense, as the artisan has misused
+brandy. Pleasure is of the nature of certain medical substances: in
+order to obtain constantly the same effects the doses must be doubled,
+and death or degradation is contained in the last. All the lower
+classes are on their knees before the wealthy, and watch their tastes
+in order to turn them into vices and exploit them. Thus you see in
+these folk at an early age tastes instead of passions, romantic
+fantasies and lukewarm loves. There impotence reigns; there ideas have
+ceased--they have evaporated together with energy amongst the
+affectations of the boudoir and the cajolements of women. There are
+fledglings of forty, old doctors of sixty years. The wealthy obtain in
+Paris ready-made wit and science--formulated opinions which save them
+the need of having wit, science, or opinion of their own. The
+irrationality of this world is equaled by its weakness and its
+licentiousness. It is greedy of time to the point of wasting it. Seek
+in it for affection as little as for ideas. Its kisses conceal a
+profound indifference, its urbanity a perpetual contempt. It has no
+other fashion of love. Flashes of wit without profundity, a wealth of
+indiscretion, scandal, and above all, commonplace. Such is the sum of
+its speech; but these happy fortunates pretend that they do not meet
+to make and repeat maxims in the manner of La Rochefoucauld as though
+there did not exist a mean, invented by the eighteenth century,
+between a superfluity and absolute blank. If a few men of character
+indulge in witticism, at once subtle and refined, they are
+misunderstood; soon, tired of giving without receiving, they remain at
+home, and leave fools to reign over their territory. This hollow life,
+this perpetual expectation of a pleasure which never comes, this
+permanent _ennui_ and emptiness of soul, heart, and mind, the
+lassitude of the upper Parisian world, is reproduced on its features,
+and stamps its parchment faces, its premature wrinkles, that
+physiognomy of the wealthy upon which impotence has set its grimace,
+in which gold is mirrored, and whence intelligence has fled.
+
+Such a view of moral Paris proves that physical Paris could not be
+other than it is. This coroneted town is like a queen, who, being
+always with child, has desires of irresistible fury. Paris is the
+crown of the world, a brain which perishes of genius and leads human
+civilization; it is a great man, a perpetually creative artist, a
+politician with second-sight who must of necessity have wrinkles on
+his forehead, the vices of a great man, the fantasies of the artist,
+and the politician's disillusions. Its physiognomy suggests the
+evolution of good and evil, battle and victory; the moral combat of
+'89, the clarion calls of which still re-echo in every corner of the
+world; and also the downfall of 1814. Thus this city can no more be
+moral, or cordial, or clean, than the engines which impel those proud
+leviathans which you admire when they cleave the waves! Is not Paris a
+sublime vessel laden with intelligence? Yes, her arms are one of those
+oracles which fatality sometimes allows. The _City of Paris_ has her
+great mast, all of bronze, carved with victories, and for watchman
+--Napoleon. The barque may roll and pitch, but she cleaves the world,
+illuminates it through the hundred mouths of her tribunes, ploughs the
+seas of science, rides with full sail, cries from the height of her
+tops, with the voice of her scientists and artists: "Onward, advance!
+Follow me!" She carries a huge crew, which delights in adorning her
+with fresh streamers. Boys and urchins laughing in the rigging;
+ballast of heavy _bourgeoisie_; working-men and sailor-men touched
+with tar; in her cabins the lucky passengers; elegant midshipmen smoke
+their cigars leaning over the bulwarks; then, on the deck, her
+soldiers, innovators or ambitious, would accost every fresh shore, and
+shooting out their bright lights upon it, ask for glory which is
+pleasure, or for love which needs gold.
+
+Thus the exorbitant movement of the proletariat, the corrupting
+influence of the interests which consume the two middle classes, the
+cruelties of the artist's thought, and the excessive pleasure which is
+sought for incessantly by the great, explain the normal ugliness of
+the Parisian physiognomy. It is only in the Orient that the human race
+presents a magnificent figure, but that is an effect of the constant
+calm affected by those profound philosophers with their long pipes,
+their short legs, their square contour, who despise and hold activity
+in horror, whilst in Paris the little and the great and the mediocre
+run and leap and drive, whipped on by an inexorable goddess, Necessity
+--the necessity for money, glory, and amusement. Thus, any face which
+is fresh and graceful and reposeful, any really young face, is in
+Paris the most extraordinary of exceptions; it is met with rarely.
+Should you see one there, be sure it belongs either to a young and
+ardent ecclesiastic or to some good abbe of forty with three chins; to
+a young girl of pure life such as is brought up in certain
+middle-class families; to a mother of twenty, still full of illusions,
+as she suckles her first-born; to a young man newly embarked from the
+provinces, and intrusted to the care of some devout dowager who keeps
+him without a sou; or, perhaps, to some shop assistant who goes to bed
+at midnight wearied out with folding and unfolding calico, and rises
+at seven o'clock to arrange the window; often again to some man of
+science or poetry, who lives monastically in the embrace of a fine
+idea, who remains sober, patient, and chaste; else to some
+self-contented fool, feeding himself on folly, reeking of health, in a
+perpetual state of absorption with his own smile; or to the soft and
+happy race of loungers, the only folk really happy in Paris, which
+unfolds for them hour by hour its moving poetry.
+
+Nevertheless, there is in Paris a proportion of privileged beings to
+whom this excessive movement of industries, interests, affairs, arts,
+and gold is profitable. These beings are women. Although they also
+have a thousand secret causes which, here more than elsewhere, destroy
+their physiognomy, there are to be found in the feminine world little
+happy colonies, who live in Oriental fashion and can preserve their
+beauty; but these women rarely show themselves on foot in the streets,
+they lie hid like rare plants who only unfold their petals at certain
+hours, and constitute veritable exotic exceptions. However, Paris is
+essentially the country of contrasts. If true sentiments are rare
+there, there also are to be found, as elsewhere, noble friendships and
+unlimited devotion. On this battlefield of interests and passions,
+just as in the midst of those marching societies where egoism
+triumphs, where every one is obliged to defend himself, and which we
+call _armies_, it seems as though sentiments liked to be complete when
+they showed themselves, and are sublime by juxtaposition. So it is
+with faces. In Paris one sometimes sees in the aristocracy, set like
+stars, the ravishing faces of young people, the fruit of quite
+exceptional manners and education. To the youthful beauty of the
+English stock they unite the firmness of Southern traits. The fire of
+their eyes, a delicious bloom on their lips, the lustrous black of
+their soft locks, a white complexion, a distinguished caste of
+features, render them the flowers of the human race, magnificent to
+behold against the mass of other faces, worn, old, wrinkled, and
+grimacing. So women, too, admire such young people with that eager
+pleasure which men take in watching a pretty girl, elegant, gracious,
+and embellished with all the virginal charms with which our
+imagination pleases to adorn the perfect woman. If this hurried glance
+at the population of Paris has enabled us to conceive the rarity of a
+Raphaelesque face, and the passionate admiration which such an one
+must inspire at the first sight, the prime interest of our history
+will have been justified. _Quod erat demonstrandum_--if one may be
+permitted to apply scholastic formulae to the science of manners.
+
+Upon one of those fine spring mornings, when the leaves, although
+unfolded, are not yet green, when the sun begins to gild the roofs,
+and the sky is blue, when the population of Paris issues from its
+cells to swarm along the boulevards, glides like a serpent of a
+thousand coils through the Rue de la Paix towards the Tuileries,
+saluting the hymeneal magnificence which the country puts on; on one
+of these joyous days, then, a young man as beautiful as the day
+itself, dressed with taste, easy of manner--to let out the secret he
+was a love-child, the natural son of Lord Dudley and the famous
+Marquise de Vordac--was walking in the great avenue of the Tuileries.
+This Adonis, by name Henri de Marsay, was born in France, when Lord
+Dudley had just married the young lady, already Henri's mother, to an
+old gentleman called M. de Marsay. This faded and almost extinguished
+butterfly recognized the child as his own in consideration of the life
+interest in a fund of a hundred thousand francs definitively assigned
+to his putative son; a generosity which did not cost Lord Dudley too
+dear. French funds were worth at that time seventeen francs, fifty
+centimes. The old gentleman died without having ever known his wife.
+Madame de Marsay subsequently married the Marquis de Vordac, but
+before becoming a marquise she showed very little anxiety as to her
+son and Lord Dudley. To begin with, the declaration of war between
+France and England had separated the two lovers, and fidelity at all
+costs was not, and never will be, the fashion of Paris. Then the
+successes of the woman, elegant, pretty, universally adored, crushed
+in the Parisienne the maternal sentiment. Lord Dudley was no more
+troubled about his offspring than was the mother,--the speedy
+infidelity of a young girl he had ardently loved gave him, perhaps, a
+sort of aversion for all that issued from her. Moreover, fathers can,
+perhaps, only love the children with whom they are fully acquainted, a
+social belief of the utmost importance for the peace of families,
+which should be held by all the celibate, proving as it does that
+paternity is a sentiment nourished artificially by woman, custom, and
+the law.
+
+Poor Henri de Marsay knew no other father than that one of the two who
+was not compelled to be one. The paternity of M. de Marsay was
+naturally most incomplete. In the natural order, it is but for a few
+fleeting instants that children have a father, and M. de Marsay
+imitated nature. The worthy man would not have sold his name had he
+been free from vices. Thus he squandered without remorse in gambling
+hells, and drank elsewhere, the few dividends which the National
+Treasury paid to its bondholders. Then he handed over the child to an
+aged sister, a Demoiselle de Marsay, who took much care of him, and
+provided him, out of the meagre sum allowed by her brother, with a
+tutor, an abbe without a farthing, who took the measure of the youth's
+future, and determined to pay himself out of the hundred thousand
+livres for the care given to his pupil, for whom he conceived an
+affection. As chance had it, this tutor was a true priest, one of
+those ecclesiastics cut out to become cardinals in France, or Borgias
+beneath the tiara. He taught the child in three years what he might
+have learned at college in ten. Then the great man, by name the Abbe
+de Maronis, completed the education of his pupil by making him study
+civilization under all its aspects: he nourished him on his
+experience, led him little into churches, which at that time were
+closed; introduced him sometimes behind the scenes of theatres, more
+often into the houses of courtesans; he exhibited human emotions to
+him one by one; taught him politics in the drawing-rooms, where they
+simmered at the time, explained to him the machinery of government,
+and endeavored out of attraction towards a fine nature, deserted, yet
+rich in promise, virilely to replace a mother: is not the Church the
+mother of orphans? The pupil was responsive to so much care. The
+worthy priest died in 1812, a bishop, with the satisfaction of having
+left in this world a child whose heart and mind were so well moulded
+that he could outwit a man of forty. Who would have expected to have
+found a heart of bronze, a brain of steel, beneath external traits as
+seductive as ever the old painters, those naive artists, had given to
+the serpent in the terrestrial paradise? Nor was that all. In
+addition, the good-natured prelate had procured for the child of his
+choice certain acquaintances in the best Parisian society, which might
+equal in value, in the young man's hand, another hundred thousand
+invested livres. In fine, this priest, vicious but politic, sceptical
+yet learned, treacherous yet amiable, weak in appearance yet as
+vigorous physically as intellectually, was so genuinely useful to his
+pupil, so complacent to his vices, so fine a calculator of all kinds
+of strength, so profound when it was needful to make some human
+reckoning, so youthful at table, at Frascati, at--I know not where,
+that the grateful Henri de Marsay was hardly moved at aught in 1814,
+except when he looked at the portrait of his beloved bishop, the only
+personal possession which the prelate had been able to bequeath him
+(admirable type of the men whose genius will preserve the Catholic,
+Apostolic, and Roman Church, compromised for the moment by the
+feebleness of its recruits and the decrepit age of its pontiffs; but
+if the church likes!).
+
+The continental war prevented young De Marsay from knowing his real
+father. It is doubtful whether he was aware of his name. A deserted
+child, he was equally ignorant of Madame de Marsay. Naturally, he had
+little regret for his putative father. As for Mademoiselle de Marsay,
+his only mother, he built for her a handsome little monument in Pere
+Lachaise when she died. Monseigneur de Maronis had guaranteed to this
+old lady one of the best places in the skies, so that when he saw her
+die happy, Henri gave her some egotistical tears; he began to weep on
+his own account. Observing this grief, the abbe dried his pupil's
+tears, bidding him observe that the good woman took her snuff most
+offensively, and was becoming so ugly and deaf and tedious that he
+ought to return thanks for her death. The bishop had emancipated his
+pupil in 1811. Then, when the mother of M. de Marsay remarried, the
+priest chose, in a family council, one of those honest dullards,
+picked out by him through the windows of his confessional, and charged
+him with the administration of the fortune, the revenues of which he
+was willing to apply to the needs of the community, but of which he
+wished to preserve the capital.
+
+Towards the end of 1814, then, Henri de Marsay had no sentiment of
+obligation in the world, and was as free as an unmated bird. Although
+he had lived twenty-two years he appeared to be barely seventeen. As a
+rule the most fastidious of his rivals considered him to be the
+prettiest youth in Paris. From his father, Lord Dudley, he had derived
+a pair of the most amorously deceiving blue eyes; from his mother the
+bushiest of black hair, from both pure blood, the skin of a young
+girl, a gentle and modest expression, a refined and aristocratic
+figure, and beautiful hands. For a woman, to see him was to lose her
+head for him; do you understand? to conceive one of those desires
+which eat the heart, which are forgotten because of the impossibility
+of satisfying them, because women in Paris are commonly without
+tenacity. Few of them say to themselves, after the fashion of men, the
+"_Je Maintiendrai_," of the House of Orange.
+
+Underneath this fresh young life, and in spite of the limpid springs
+in his eyes, Henri had a lion's courage, a monkey's agility. He could
+cut a ball in half at ten paces on the blade of a knife; he rode his
+horse in a way that made you realize the fable of the Centaur; drove a
+four-in-hand with grace; was as light as a cherub and quiet as a lamb,
+but knew how to beat a townsman at the terrible game of _savate_ or
+cudgels; moreover, he played the piano in a fashion which would have
+enabled him to become an artist should he fall on calamity, and owned
+a voice which would have been worth to Barbaja fifty thousand francs a
+season. Alas, that all these fine qualities, these pretty faults, were
+tarnished by one abominable vice: he believed neither in man nor
+woman, God nor Devil. Capricious nature had commenced by endowing him,
+a priest had completed the work.
+
+To render this adventure comprehensible, it is necessary to add here
+that Lord Dudley naturally found many women disposed to reproduce
+samples of such a delicious pattern. His second masterpiece of this
+kind was a young girl named Euphemie, born of a Spanish lady, reared
+in Havana, and brought to Madrid with a young Creole woman of the
+Antilles, and with all the ruinous tastes of the Colonies, but
+fortunately married to an old and extremely rich Spanish noble, Don
+Hijos, Marquis de San-Real, who, since the occupation of Spain by
+French troops, had taken up his abode in Paris, and lived in the Rue
+St. Lazare. As much from indifference as from any respect for the
+innocence of youth, Lord Dudley was not in the habit of keeping his
+children informed of the relations he created for them in all parts.
+That is a slightly inconvenient form of civilization; it has so many
+advantages that we must overlook its drawbacks in consideration of its
+benefits. Lord Dudley, to make no more words of it, came to Paris in
+1816 to take refuge from the pursuit of English justice, which
+protects nothing Oriental except commerce. The exiled lord, when he
+saw Henri, asked who that handsome young man might be. Then, upon
+hearing the name, "Ah, it is my son. . . . What a pity!" he said.
+
+Such was the story of the young man who, about the middle of the month
+of April, 1815, was walking indolently up the broad avenue of the
+Tuileries, after the fashion of all those animals who, knowing their
+strength, pass along in majesty and peace. Middle-class matrons turned
+back naively to look at him again; other women, without turning round,
+waited for him to pass again, and engraved him in their minds that
+they might remember in due season that fragrant face, which would not
+have disadorned the body of the fairest among themselves.
+
+"What are you doing here on Sunday?" said the Marquis de Ronquerolles
+to Henri, as he passed.
+
+"There's a fish in the net," answered the young man.
+
+This exchange of thoughts was accomplished by means of two significant
+glances, without it appearing that either De Ronquerolles or De Marsay
+had any knowledge of the other. The young man was taking note of the
+passers-by with that promptitude of eye and ear which is peculiar to
+the Parisian who seems, at first, to see and hear nothing, but who
+sees and hears all.
+
+At that moment a young man came up to him and took him familiarly by
+the arm, saying to him: "How are you, my dear De Marsay?"
+
+"Extremely well," De Marsay answered, with that air of apparent
+affection which amongst the young men of Paris proves nothing, either
+for the present or the future.
+
+In effect, the youth of Paris resemble the youth of no other town.
+They may be divided into two classes: the young man who has something,
+and the young man who has nothing; or the young man who thinks and he
+who spends. But, be it well understood this applies only to those
+natives of the soil who maintain in Paris the delicious course of the
+elegant life. There exist, as well, plenty of other young men, but
+they are children who are late in conceiving Parisian life, and who
+remain its dupes. They do not speculate, they study; they _fag_, as
+the others say. Finally there are to be found, besides, certain young
+people, rich or poor, who embrace careers and follow them with a
+single heart; they are somewhat like the Emile of Rousseau, of the
+flesh of citizens, and they never appear in society. The diplomatic
+impolitely dub them fools. Be they that or no, they augment the number
+of those mediocrities beneath the yoke of which France is bowed down.
+They are always there, always ready to bungle public or private
+concerns with the dull trowel of their mediocrity, bragging of their
+impotence, which they count for conduct and integrity. This sort of
+social _prizemen_ infests the administration, the army, the
+magistracy, the chambers, the courts. They diminish and level down the
+country and constitute, in some manner, in the body politic, a lymph
+which infects it and renders it flabby. These honest folk call men of
+talent immoral or rogues. If such rogues require to be paid for their
+services, at least their services are there; whereas the other sort do
+harm and are respected by the mob; but, happily for France, elegant
+youth stigmatizes them ceaselessly under the name of louts.
+
+At the first glance, then, it is natural to consider as very distinct
+the two sorts of young men who lead the life of elegance, the amiable
+corporation to which Henri de Marsay belonged. But the observer, who
+goes beyond the superficial aspect of things, is soon convinced that
+the difference is purely moral, and that nothing is so deceptive as
+this pretty outside. Nevertheless, all alike take precedence over
+everybody else; speak rightly or wrongly of things, of men,
+literature, and the fine arts; have ever in their mouth the Pitt and
+Coburg of each year; interrupt a conversation with a pun, turn into
+ridicule science and the _savant_; despise all things which they do
+not know or which they fear; set themselves above all by constituting
+themselves the supreme judges of all. They would all hoax their
+fathers, and be ready to shed crocodile tears upon their mothers'
+breasts; but generally they believe in nothing, blaspheme women, or
+play at modesty, and in reality are led by some old woman or an evil
+courtesan. They are all equally eaten to the bone with calculation,
+with depravity, with a brutal lust to succeed, and if you plumbed for
+their hearts you would find in all a stone. In their normal state they
+have the prettiest exterior, stake their friendship at every turn, are
+captivating alike. The same badinage dominates their ever-changing
+jargon; they seek for oddity in their toilette, glory in repeating the
+stupidities of such and such actor who is in fashion, and commence
+operations, it matters not with whom, with contempt and impertinence,
+in order to have, as it were, the first move in the game; but, woe
+betide him who does not know how to take a blow on one cheek for the
+sake of rendering two. They resemble, in fine, that pretty white spray
+which crests the stormy waves. They dress and dance, dine and take
+their pleasure, on the day of Waterloo, in the time of cholera or
+revolution. Finally, their expenses are all the same, but here the
+contrast comes in. Of this fluctuating fortune, so agreeably flung
+away, some possess the capital for which the others wait; they have
+the same tailors, but the bills of the latter are still to pay. Next,
+if the first, like sieves, take in ideas of all kinds without
+retaining any, the latter compare them and assimilate all the good. If
+the first believe they know something, know nothing and understand
+everything, lend all to those who need nothing and offer nothing to
+those who are in need; the latter study secretly others' thoughts and
+place out their money, like their follies, at big interest. The one
+class have no more faithful impressions, because their soul, like a
+mirror, worn from use, no longer reflects any image; the others
+economize their senses and life, even while they seem, like the first,
+to be flinging them away broadcast. The first, on the faith of a hope,
+devote themselves without conviction to a system which has wind and
+tide against it, but they leap upon another political craft when the
+first goes adrift; the second take the measure of the future, sound
+it, and see in political fidelity what the English see in commercial
+integrity, an element of success. Where the young man of possessions
+makes a pun or an epigram upon the restoration of the throne, he who
+has nothing makes a public calculation or a secret reservation, and
+obtains everything by giving a handshake to his friends. The one deny
+every faculty to others, look upon all their ideas as new, as though
+the world had been made yesterday, they have unlimited confidence in
+themselves, and no crueler enemy than those same selves. But the
+others are armed with an incessant distrust of men, whom they estimate
+at their value, and are sufficiently profound to have one thought
+beyond their friends, whom they exploit; then of evenings, when they
+lay their heads on their pillows, they weigh men as a miser weighs his
+gold pieces. The one are vexed at an aimless impertinence, and allow
+themselves to be ridiculed by the diplomatic, who make them dance for
+them by pulling what is the main string of these puppets--their
+vanity. Thus, a day comes when those who had nothing have something,
+and those who had something have nothing. The latter look at their
+comrades who have achieved positions as cunning fellows; their hearts
+may be bad, but their heads are strong. "He is very strong!" is the
+supreme praise accorded to those who have attained _quibuscumque
+viis_, political rank, a woman, or a fortune. Amongst them are to be
+found certain young men who play this _role_ by commencing with having
+debts. Naturally, these are more dangerous than those who play it
+without a farthing.
+
+The young man who called himself a friend of Henri de Marsay was a
+rattle-head who had come from the provinces, and whom the young men
+then in fashion were teaching the art of running through an
+inheritance; but he had one last leg to stand on in his province, in
+the shape of a secure establishment. He was simply an heir who had
+passed without any transition from his pittance of a hundred francs a
+month to the entire paternal fortune, and who, if he had not wit
+enough to perceive that he was laughed at, was sufficiently cautious
+to stop short at two-thirds of his capital. He had learned at Paris,
+for a consideration of some thousands of francs, the exact value of
+harness, the art of not being too respectful to his gloves, learned to
+make skilful meditations upon the right wages to give people, and to
+seek out what bargain was the best to close with them. He set store on
+his capacity to speak in good terms of his horses, of his Pyrenean
+hound; to tell by her dress, her walk, her shoes, to what class a
+woman belonged; to study _ecarte_, remember a few fashionable
+catchwords, and win by his sojourn in Parisian society the necessary
+authority to import later into his province a taste for tea and silver
+of an English fashion, and to obtain the right of despising everything
+around him for the rest of his days.
+
+De Marsay had admitted him to his society in order to make use of him
+in the world, just as a bold speculator employs a confidential clerk.
+The friendship, real or feigned, of De Marsay was a social position
+for Paul de Manerville, who, on his side, thought himself astute in
+exploiting, after his fashion, his intimate friend. He lived in the
+reflecting lustre of his friend, walked constantly under his umbrella,
+wore his boots, gilded himself with his rays. When he posed in Henri's
+company or walked at his side, he had the air of saying: "Don't insult
+us, we are real dogs." He often permitted himself to remark fatuously:
+"If I were to ask Henri for such and such a thing, he is a good enough
+friend of mine to do it." But he was careful never to ask anything of
+him. He feared him, and his fear, although imperceptible, reacted upon
+the others, and was of use to De Marsay.
+
+"De Marsay is a man of a thousand," said Paul. "Ah, you will see, he
+will be what he likes. I should not be surprised to find him one of
+these days Minister of Foreign Affairs. Nothing can withstand him."
+
+He made of De Marsay what Corporal Trim made of his cap, a perpetual
+instance.
+
+"Ask De Marsay and you will see!"
+
+Or again:
+
+"The other day we were hunting, De Marsay and I, He would not believe
+me, but I jumped a hedge without moving on my horse!"
+
+Or again:
+
+"We were with some women, De Marsay and I, and upon my word of honor,
+I was----" etc.
+
+Thus Paul de Manerville could not be classed amongst the great,
+illustrious, and powerful family of fools who succeed. He would one
+day be a deputy. For the time he was not even a young man. His friend,
+De Marsay, defined him thus: "You ask me what is Paul? Paul? Why, Paul
+de Manerville!"
+
+"I am surprised, my dear fellow," he said to De Marsay, "to see you
+here on a Sunday."
+
+"I was going to ask you the same question."
+
+"Is it an intrigue?"
+
+"An intrigue."
+
+"Bah!"
+
+"I can mention it to you without compromising my passion. Besides, a
+woman who comes to the Tuileries on Sundays is of no account,
+aristocratically speaking."
+
+"Ah! ah!"
+
+"Hold your tongue then, or I shall tell you nothing. Your laugh is too
+loud, you will make people think that we have lunched too well. Last
+Thursday, here on the Terrasse des Feuillants, I was walking along,
+thinking of nothing at all, but when I got to the gate of the Rue de
+Castiglione, by which I intended to leave, I came face to face with a
+woman, or rather a young girl; who, if she did not throw herself at my
+head, stopped short, less I think, from human respect, than from one
+of those movements of profound surprise which affect the limbs, creep
+down the length of the spine, and cease only in the sole of the feet,
+to nail you to the ground. I have often produced effects of this
+nature, a sort of animal magnetism which becomes enormously powerful
+when the relations are reciprocally precise. But, my dear fellow, this
+was not stupefaction, nor was she a common girl. Morally speaking, her
+face seemed to say: 'What, is it you, my ideal! The creation of my
+thoughts, of my morning and evening dreams! What, are you there? Why
+this morning? Why not yesterday? Take me, I am thine, _et cetera_!'
+Good, I said to myself, another one! Then I scrutinize her. Ah, my
+dear fellow, speaking physically, my incognita is the most adorable
+feminine person whom I ever met. She belongs to that feminine variety
+which the Romans call _fulva, flava_--the woman of fire. And in chief,
+what struck me the most, what I am still taken with, are her two
+yellow eyes, like a tiger's, a golden yellow that gleams, living gold,
+gold which thinks, gold which loves, and is determined to take refuge
+in your pocket."
+
+"My dear fellow, we are full of her!" cried Paul. "She comes here
+sometimes--_the girl with the golden eyes_! That is the name we have
+given her. She is a young creature--not more than twenty-two, and I
+have seen her here in the time of the Bourbons, but with a woman who
+was worth a hundred thousand of her."
+
+"Silence, Paul! It is impossible for any woman to surpass this girl;
+she is like the cat who rubs herself against your legs; a white girl
+with ash-colored hair, delicate in appearance, but who must have downy
+threads on the third phalanx of her fingers, and all along her cheeks
+a white down whose line, luminous on fine days, begins at her ears and
+loses itself on her neck."
+
+"Ah, the other, my dear De Marsay! She has black eyes which have never
+wept, but which burn; black eyebrows which meet and give her an air of
+hardness contradicted by the compact curve of her lips, on which the
+kisses do not stay, lips burning and fresh; a Moorish color that warms
+a man like the sun. But--upon my word of honor, she is like you!"
+
+"You flatter her!"
+
+"A firm figure, the tapering figure of a corvette built for speed,
+which rushes down upon the merchant vessel with French impetuosity,
+which grapples with her and sinks her at the same time."
+
+"After all, my dear fellow," answered De Marsay, "what has that got to
+do with me, since I have never seen her? Ever since I have studied
+women, my incognita is the only one whose virginal bosom, whose ardent
+and voluptuous forms, have realized for me the only woman of my dreams
+--of my dreams! She is the original of that ravishing picture called
+_La Femme Caressant sa Chimere_, the warmest, the most infernal
+inspiration of the genius of antiquity; a holy poem prostituted by
+those who have copied it for frescoes and mosiacs; for a heap of
+bourgeois who see in this gem nothing more than a gew-gaw and hang it
+on their watch-chains--whereas, it is the whole woman, an abyss of
+pleasure into which one plunges and finds no end; whereas, it is the
+ideal woman, to be seen sometimes in reality in Spain or Italy, almost
+never in France. Well, I have again seen this girl of the gold eyes,
+this woman caressing her chimera. I saw her on Friday. I had a
+presentiment that on the following day she would be here at the same
+hour; I was not mistaken. I have taken a pleasure in following her
+without being observed, in studying her indolent walk, the walk of the
+woman without occupation, but in the movements of which one devines
+all the pleasure that lies asleep. Well, she turned back again, she
+saw me, once more she adored me, once more trembled, shivered. It was
+then I noticed the genuine Spanish duenna who looked after her, a
+hyena upon whom some jealous man has put a dress, a she-devil well
+paid, no doubt, to guard this delicious creature. . . . Ah, then the
+duenna made me deeper in love. I grew curious. On Saturday, nobody.
+And here I am to-day waiting for this girl whose chimera I am, asking
+nothing better than to pose as the monster in the fresco."
+
+"There she is," said Paul. "Every one is turning round to look at
+her."
+
+The unknown blushed, her eyes shone; she saw Henri, she shut them and
+passed by.
+
+"You say that she notices you?" cried Paul, facetiously.
+
+The duenna looked fixedly and attentively at the two young men. When
+the unknown and Henri passed each other again, the young girl touched
+him, and with her hand pressed the hand of the young man. Then she
+turned her head and smiled with passion, but the duenna led her away
+very quickly to the gate of the Rue de Castiglione.
+
+The two friends followed the young girl, admiring the magnificent
+grace of the neck which met her head in a harmony of vigorous lines,
+and upon which a few coils of hair were tightly wound. The girl with
+the golden eyes had that well-knitted, arched, slender foot which
+presents so many attractions to the dainty imagination. Moreover, she
+was shod with elegance, and wore a short skirt. During her course she
+turned from time to time to look at Henri, and appeared to follow the
+old woman regretfully, seeming to be at once her mistress and her
+slave; she could break her with blows, but could not dismiss her. All
+that was perceptible. The two friends reached the gate. Two men in
+livery let down the step of a tasteful _coupe_ emblazoned with
+armorial bearings. The girl with the golden eyes was the first to
+enter it, took her seat at the side where she could be best seen when
+the carriage turned, put her hand on the door, and waved her
+handkerchief in the duennna's despite. In contempt of what might be
+said by the curious, her handkerchief cried to Henri openly: "Follow
+me!"
+
+"Have you ever seen a handkerchief better thrown?" said Henri to Paul
+de Manerville.
+
+Then, observing a fiacre on the point of departure, having just set
+down a fare, he made a sign to the driver to wait.
+
+"Follow that carriage, notice the house and the street where it stops
+--you shall have ten francs. . . . Paul, adieu."
+
+The cab followed the _coupe_. The _coupe_ stopped in the Rue Saint
+Lazare before one of the finest houses of the neighborhood.
+
+De Marsay was not impulsive. Any other young man would have obeyed his
+impulse to obtain at once some information about a girl who realized
+so fully the most luminous ideas ever expressed upon women in the
+poetry of the East; but, too experienced to compromise his good
+fortune, he had told his coachman to continue along the Rue Saint
+Lazare and carry him back to his house. The next day, his confidential
+valet, Laurent by name, as cunning a fellow as the Frontin of the old
+comedy, waited in the vicinity of the house inhabited by the unknown
+for the hour at which letters were distributed. In order to be able to
+spy at his ease and hang about the house, he had followed the example
+of those police officers who seek a good disguise, and bought up
+cast-off clothes of an Auvergnat, the appearance of whom he sought to
+imitate. When the postman, who went the round of the Rue Saint Lazare
+that morning, passed by, Laurent feigned to be a porter unable to
+remember the name of a person to whom he had to deliver a parcel, and
+consulted the postman. Deceived at first by appearances, this
+personage, so picturesque in the midst of Parisian civilization,
+informed him that the house in which the girl with the golden eyes
+dwelt belonged to Don Hijos, Marquis de San-Real, grandee of Spain.
+Naturally, it was not with the Marquis that the Auvergnat was
+concerned.
+
+"My parcel," he said, "is for the marquise."
+
+"She is away," replied the postman. "Her letters are forwarded to
+London."
+
+"Then the marquise is not a young girl who . . . ?"
+
+"Ah!" said the postman, interrupting the _valet de chambre_ and
+observing him attentively, "you are as much a porter as I'm . . ."
+
+Laurent chinked some pieces of gold before the functionary, who began
+to smile.
+
+"Come, here's the name of your quarry," he said, taking from his
+leather wallet a letter bearing a London stamp, upon which the
+address, "To Mademoiselle Paquita Valdes, Rue Saint Lazare, Hotel
+San-Real, Paris," was written in long, fine characters, which spoke
+of a woman's hand.
+
+"Could you tap a bottle of Chablis, with a few dozen oysters, and a
+_filet saute_ with mushrooms to follow it?" said Laurent, who wished
+to win the postman's valuable friendship.
+
+"At half-past nine, when my round is finished---- Where?"
+
+"At the corner of the Rue de la Chaussee-d'Antin and the Rue
+Neuve-des-Mathurins, at the _Puits sans Vin_," said Laurent.
+
+"Hark ye, my friend," said the postman, when he rejoined the valet an
+hour after this encounter, "if your master is in love with the girl,
+he is in for a famous task. I doubt you'll not succeed in seeing her.
+In the ten years that I've been postman in Paris, I have seen plenty
+of different kinds of doors! But I can tell you, and no fear of being
+called a liar by any of my comrades, there never was a door so
+mysterious as M. de San-Real's. No one can get into the house without
+the Lord knows what counter-word; and, notice, it has been selected on
+purpose between a courtyard and a garden to avoid any communication
+with other houses. The porter is an old Spaniard, who never speaks a
+word of French, but peers at people as Vidocq might, to see if they
+are not thieves. If a lover, a thief, or you--I make no comparisons
+--could get the better of this first wicket, well, in the first hall,
+which is shut by a glazed door, you would run across a butler
+surrounded by lackeys, an old joker more savage and surly even than
+the porter. If any one gets past the porter's lodge, my butler comes
+out, waits for you at the entrance, and puts you through a
+cross-examination like a criminal. That has happened to me, a mere
+postman. He took me for an eavesdropper in disguise, he said, laughing
+at his nonsense. As for the servants, don't hope to get aught out of
+them; I think they are mutes, no one in the neighborhood knows the
+color of their speech; I don't know what wages they can pay them to
+keep them from talk and drink; the fact is, they are not to be got at,
+whether because they are afraid of being shot, or that they have some
+enormous sum to lose in the case of an indiscretion. If your master is
+fond enough of Mademoiselle Paquita Valdes to surmount all these
+obstacles, he certainly won't triumph over Dona Concha Marialva, the
+duenna who accompanies her and would put her under her petticoats
+sooner than leave her. The two women look as if they were sewn to one
+another."
+
+"All that you say, worthy postman," went on Laurent, after having
+drunk off his wine, "confirms me in what I have learned before. Upon
+my word, I thought they were making fun of me! The fruiterer opposite
+told me that of nights they let loose dogs whose food is hung up on
+stakes just out of their reach. These cursed animals think, therefore,
+that any one likely to come in has designs on their victuals, and
+would tear one to pieces. You will tell me one might throw them down
+pieces, but it seems they have been trained to touch nothing except
+from the hand of the porter."
+
+"The porter of the Baron de Nucingen, whose garden joins at the top
+that of the Hotel San-Real, told me the same thing," replied the
+postman.
+
+"Good! my master knows him," said Laurent, to himself. "Do you know,"
+he went on, leering at the postman, "I serve a master who is a rare
+man, and if he took it into his head to kiss the sole of the foot of
+an empress, she would have to give in to him. If he had need of you,
+which is what I wish for you, for he is generous, could one count on
+you?"
+
+"Lord, Monsieur Laurent, my name is Moinot. My name is written exactly
+like _Moineau_, magpie: M-o-i-n-o-t, Moinot."
+
+"Exactly," said Laurent.
+
+"I live at No. 11, Rue des Trois Freres, on the fifth floor," went on
+Moinot; "I have a wife and four children. If what you want of me
+doesn't transgress the limits of my conscience and my official duties,
+you understand! I am your man."
+
+"You are an honest fellow," said Laurent, shaking his hand. . . .
+
+"Paquita Valdes is, no doubt, the mistress of the Marquis de San-Real,
+the friend of King Ferdinand. Only an old Spanish mummy of eighty
+years is capable of taking such precautions," said Henri, when his
+_valet de chambre_ had related the result of his researches.
+
+"Monsieur," said Laurent, "unless he takes a balloon no one can get
+into that hotel."
+
+"You are a fool! Is it necessary to get into the hotel to have
+Paquita, when Paquita can get out of it?"
+
+"But, sir, the duenna?"
+
+"We will shut her up for a day or two, your duenna."
+
+"So, we shall have Paquita!" said Laurent, rubbing his hands.
+
+"Rascal!" answered Henri, "I shall condemn you to the Concha, if you
+carry your impudence so far as to speak so of a woman before she has
+become mine. . . . Turn your thoughts to dressing me, I am going out."
+
+Henri remained for a moment plunged in joyous reflections. Let us say
+it to the praise of women, he obtained all those whom he deigned to
+desire. And what could one think of a woman, having no lover, who
+should have known how to resist a young man armed with beauty which is
+the intelligence of the body, with intelligence which is a grace of
+the soul, armed with moral force and fortune, which are the only two
+real powers? Yet, in triumphing with such ease, De Marsay was bound to
+grow weary of his triumphs; thus, for about two years he had grown
+very weary indeed. And diving deep into the sea of pleasures he
+brought back more grit than pearls. Thus had he come, like potentates,
+to implore of Chance some obstacle to surmount, some enterprise which
+should ask the employment of his dormant moral and physical strength.
+Although Paquita Valdes presented him with a marvelous concentration
+of perfections which he had only yet enjoyed in detail, the attraction
+of passion was almost _nil_ with him. Constant satiety had weakened in
+his heart the sentiment of love. Like old men and people
+disillusioned, he had no longer anything but extravagant caprices,
+ruinous tastes, fantasies, which, once satisfied, left no pleasant
+memory in his heart. Amongst young people love is the finest of the
+emotions, it makes the life of the soul blossom, it nourishes by its
+solar power the finest inspirations and their great thoughts; the
+first fruits in all things have a delicious savor. Amongst men love
+becomes a passion; strength leads to abuse. Amongst old men it turns
+to vice; impotence tends to extremes. Henri was at once an old man, a
+man, and a youth. To afford him the feelings of a real love, he needed
+like Lovelace, a Clarissa Harlowe. Without the magic lustre of that
+unattainable pearl he could only have either passions rendered acute
+by some Parisian vanity, or set determinations with himself to bring
+such and such a woman to such and such a point of corruption, or else
+adventures which stimulated his curiosity.
+
+The report of Laurent, his _valet de chambre_ had just given an
+enormous value to the girl with the golden eyes. It was a question of
+doing battle with some secret enemy who seemed as dangerous as he was
+cunning; and to carry off the victory, all the forces which Henri
+could dispose of would be useful. He was about to play in that eternal
+old comedy which will be always fresh, and the characters in which are
+an old man, a young girl, and a lover: Don Hijos, Paquita, De Marsay.
+If Laurent was the equal of Figaro, the duenna seemed incorruptible.
+Thus, the living play was supplied by Chance with a stronger plot than
+it had ever been by dramatic author! But then is not Chance too, a man
+of genius?
+
+"It must be a cautious game," said Henri, to himself.
+
+"Well," said Paul de Manerville, as he entered the room. "How are we
+getting on? I have come to breakfast with you."
+
+"So be it," said Henri. "You won't be shocked if I make my toilette
+before you?"
+
+"How absurd!"
+
+"We take so many things from the English just now that we might well
+become as great prudes and hypocrites as themselves," said Henri.
+
+Laurent had set before his master such a quantity of utensils, so many
+different articles of such elegance, that Paul could not refrain from
+saying:
+
+"But you will take a couple of hours over that?"
+
+"No!" said Henri, "two hours and a half."
+
+"Well, then, since we are by ourselves, and can say what we like,
+explain to me why a man as superior as yourself--for you are superior
+--should affect to exaggerate a foppery which cannot be natural. Why
+spend two hours and a half in adorning yourself, when it is sufficient
+to spend a quarter of an hour in your bath, to do your hair in two
+minutes, and to dress! There, tell me your system."
+
+"I must be very fond of you, my good dunce, to confide such high
+thoughts to you," said the young man, who was at that moment having
+his feet rubbed with a soft brush lathered with English soap.
+
+"Have I not the most devoted attachment to you," replied Paul de
+Manerville, "and do I not like you because I know your
+superiority? . . ."
+
+"You must have noticed, if you are in the least capable of observing
+any moral fact, that women love fops," went on De Marsay, without
+replying in any way to Paul's declaration except by a look. "Do you
+know why women love fops? My friend, fops are the only men who take
+care of themselves. Now, to take excessive care of oneself, does it
+not imply that one takes care in oneself of what belongs to another?
+The man who does not belong to himself is precisely the man on whom
+women are keen. Love is essentially a thief. I say nothing about that
+excess of niceness to which they are so devoted. Do you know of any
+woman who has had a passion for a sloven, even if he were a remarkable
+man? If such a fact has occurred, we must put it to the account of
+those morbid affections of the breeding woman, mad fancies which float
+through the minds of everybody. On the other hand, I have seen most
+remarkable people left in the lurch because of their carelessness. A
+fop, who is concerned about his person, is concerned with folly, with
+petty things. And what is a woman? A petty thing, a bundle of follies.
+With two words said to the winds, can you not make her busy for four
+hours? She is sure that the fop will be occupied with her, seeing that
+he has no mind for great things. She will never be neglected for
+glory, ambition, politics, art--those prostitutes who for her are
+rivals. Then fops have the courage to cover themselves with ridicule
+in order to please a woman, and her heart is full of gratitude towards
+the man who is ridiculous for love. In fine, a fop can be no fop
+unless he is right in being one. It is women who bestow that rank. The
+fop is love's colonel; he has his victories, his regiment of women at
+his command. My dear fellow, in Paris everything is known, and a man
+cannot be a fop there _gratis_. You, who have only one woman, and who,
+perhaps, are right to have but one, try to act the fop! . . . You will
+not even become ridiculous, you will be dead. You will become a
+foregone conclusion, one of those men condemned inevitably to do one
+and the same thing. You will come to signify _folly_ as inseparably as
+M. de La Fayette signifies _America_; M. de Talleyrand, _diplomacy_;
+Desaugiers, _song_; M. de Segur, _romance_. If they once forsake their
+own line people no longer attach any value to what they do. So,
+foppery, my friend Paul, is the sign of an incontestable power over
+the female folk. A man who is loved by many women passes for having
+superior qualities, and then, poor fellow, it is a question who shall
+have him! But do you think it is nothing to have the right of going
+into a drawing-room, of looking down at people from over your cravat,
+or through your eye-glass, and of despising the most superior of men
+should he wear an old-fashioned waistcoat? . . . Laurent, you are
+hurting me! After breakfast, Paul, we will go to the Tuileries and see
+the adorable girl with the golden eyes."
+
+When, after making an excellent meal, the two young men had traversed
+the Terrasse de Feuillants and the broad walk of the Tuileries, they
+nowhere discovered the sublime Paquita Valdes, on whose account some
+fifty of the most elegant young men in Paris where to be seen, all
+scented, with their high scarfs, spurred and booted, riding, walking,
+talking, laughing, and damning themselves mightily.
+
+"It's a white Mass," said Henri; "but I have the most excellent idea
+in the world. This girl receives letters from London. The postman must
+be bought or made drunk, a letter opened, read of course, and a
+love-letter slipped in before it is sealed up again. The old tyrant,
+_crudel tirano_, is certain to know the person who writes the letters
+from London, and has ceased to be suspicious of them."
+
+The day after, De Marsay came again to walk on the Terrasse des
+Feuillants, and saw Paquita Valdes; already passion had embellished
+her for him. Seriously, he was wild for those eyes, whose rays seemed
+akin to those which the sun emits, and whose ardor set the seal upon
+that of her perfect body, in which all was delight. De Marsay was on
+fire to brush the dress of this enchanting girl as they passed one
+another in their walk; but his attempts were always vain. But at one
+moment, when he had repassed Paquita and the duenna, in order to find
+himself on the same side as the girl of the golden eyes, when he
+returned, Paquita, no less impatient, came forward hurriedly, and De
+Marsay felt his hand pressed by her in a fashion at once so swift and
+so passionately significant that it was as though he had received the
+emotions surged up in his heart. When the two lovers glanced at one
+another, Paquita seemed ashamed, she dropped her eyes lest she should
+meet the eyes of Henri, but her gaze sank lower to fasten on the feet
+and form of him whom women, before the Revolution, called _their
+conqueror_.
+
+"I am determined to make this girl my mistress," said Henri to
+himself.
+
+As he followed her along the terrace, in the direction of the Place
+Louis XV., he caught sight of the aged Marquis de San-Real, who was
+walking on the arm of his valet, stepping with all the precautions due
+to gout and decrepitude. Dona Concha, who distrusted Henri, made
+Paquita pass between herself and the old man.
+
+"Oh, for you," said De Marsay to himself, casting a glance of disdain
+upon the duenna, "if one cannot make you capitulate, with a little
+opium one can make you sleep. We know mythology and the fable of
+Argus."
+
+Before entering the carriage, the golden-eyed girl exchanged certain
+glances with her lover, of which the meaning was unmistakable and
+which enchanted Henri, but one of them was surprised by the duenna;
+she said a few rapid words to Paquita, who threw herself into the
+_coupe_ with an air of desperation. For some days Paquita did not
+appear in the Tuileries. Laurent, who by his master's orders was on
+watch by the hotel, learned from the neighbors that neither the two
+women nor the aged marquis had been abroad since the day upon which
+the duenna had surprised a glance between the young girl in her charge
+and Henri. The bond, so flimsy withal, which united the two lovers was
+already severed.
+
+Some days later, none knew by what means, De Marsay had attained his
+end; he had a seal and wax, exactly resembling the seal and wax
+affixed to the letters sent to Mademoiselle Valdes from London; paper
+similar to that which her correspondent used; moreover, all the
+implements and stamps necessary to affix the French and English
+postmarks.
+
+He wrote the following letter, to which he gave all the appearances of
+a letter sent from London:--
+
+
+ "MY DEAR PAQUITA,--I shall not try to paint to you in words the
+ passion with which you have inspired me. If, to my happiness, you
+ reciprocate it, understand that I have found a means of
+ corresponding with you. My name is Adolphe de Gouges, and I live
+ at No. 54 Rue de l'Universite. If you are too closely watched to
+ be able to write to me, if you have neither pen nor paper, I shall
+ understand it by your silence. If then, to-morrow, you have not,
+ between eight o'clock in the morning and ten o'clock in the
+ evening, thrown a letter over the wall of your garden into that of
+ the Baron de Nucingen, where it will be waited for during the
+ whole of the day, a man, who is entirely devoted to me, will let
+ down two flasks by a string over your wall at ten o'clock the next
+ morning. Be walking there at that hour. One of the two flasks will
+ contain opium to send your Argus to sleep; it will be sufficient
+ to employ six drops; the other will contain ink. The flask of ink
+ is of cut glass; the other is plain. Both are of such a size as
+ can easily be concealed within your bosom. All that I have already
+ done, in order to be able to correspond with you, should tell you
+ how greatly I love you. Should you have any doubt of it, I will
+ confess to you, that to obtain an interview of one hour with you I
+ would give my life."
+
+
+"At least they believe that, poor creatures!" said De Marsay; "but
+they are right. What should we think of a woman who refused to be
+beguiled by a love-letter accompanied by such convincing accessories?"
+
+This letter was delivered by Master Moinot, postman, on the following
+day, about eight o'clock in the morning, to the porter of the Hotel
+San-Real.
+
+In order to be nearer to the field of action, De Marsay went and
+breakfasted with Paul, who lived in the Rue de la Pepiniere. At two
+o'clock, just as the two friends were laughingly discussing the
+discomfiture of a young man who had attempted to lead the life of
+fashion without a settled income, and were devising an end for him,
+Henri's coachman came to seek his master at Paul's house, and
+presented to him a mysterious personage who insisted on speaking
+himself with his master.
+
+This individual was a mulatto, who would assuredly have given Talma a
+model for the part of Othello, if he had come across him. Never did
+any African face better express the grand vengefulness, the ready
+suspicion, the promptitude in the execution of a thought, the strength
+of the Moor, and his childish lack of reflection. His black eyes had
+the fixity of the eyes of a bird of prey, and they were framed, like a
+vulture's, by a bluish membrane devoid of lashes. His forehead, low
+and narrow, had something menacing. Evidently, this man was under the
+yoke of some single and unique thought. His sinewy arm did not belong
+to him.
+
+He was followed by a man whom the imaginations of all folk, from those
+who shiver in Greenland to those who sweat in the tropics, would paint
+in the single phrase: _He was an unfortunate man_. From this phrase,
+everybody will conceive him according to the special ideas of each
+country. But who can best imagine his face--white and wrinkled, red at
+the extremities, and his long beard. Who will see his lean and yellow
+scarf, his greasy shirt-collar, his battered hat, his green frock
+coat, his deplorable trousers, his dilapidated waistcoat, his
+imitation gold pin, and battered shoes, the strings of which were
+plastered in mud? Who will see all that but the Parisian? The
+unfortunate man of Paris is the unfortunate man _in toto_, for he has
+still enough mirth to know the extent of his misfortune. The mulatto
+was like an executioner of Louis XI. leading a man to the gallows.
+
+"Who has hunted us out these two extraordinary creatures?" said Henri.
+
+"Faith! there is one of them who makes me shudder," replied Paul.
+
+"Who are you--you fellow who look the most like a Christian of the
+two?" said Henri, looking at the unfortunate man.
+
+The mulatto stood with his eyes fixed upon the two young men, like a
+man who understood nothing, and who sought no less to divine something
+from the gestures and movements of the lips.
+
+"I am a public scribe and interpreter; I live at the Palais de
+Justice, and am named Poincet."
+
+"Good! . . . and this one?" said Henri to Poincet, looking towards the
+mulatto.
+
+"I do not know; he only speaks a sort of Spanish _patois_, and he has
+brought me here to make himself understood by you."
+
+The mulatto drew from his pocket the letter which Henri had written to
+Paquita and handed it to him. Henri threw it in the fire.
+
+"Ah--so--the game is beginning," said Henri to himself. "Paul, leave
+us alone for a moment."
+
+"I translated this letter for him," went on the interpreter, when they
+were alone. "When it was translated, he was in some place which I
+don't remember. Then he came back to look for me, and promised me two
+_louis_ to fetch him here."
+
+"What have you to say to me, nigger?" asked Henri.
+
+"I did not translate _nigger_," said the interpreter, waiting for the
+mulatto's reply. . . .
+
+"He said, sir," went on the interpreter, after having listened to the
+unknown, "that you must be at half-past ten to-morrow night on the
+boulevard Montmartre, near the cafe. You will see a carriage there, in
+which you must take your place, saying to the man, who will wait to
+open the door for you, the word _cortejo_--a Spanish word, which means
+_lover_," added Poincet, casting a glance of congratulation upon
+Henri.
+
+"Good."
+
+The mulatto was about to bestow the two _louis_, but De Marsay would
+not permit it, and himself rewarded the interpreter. As he was paying
+him, the mulatto began to speak.
+
+"What is he saying?"
+
+"He is warning me," replied the unfortunate, "that if I commit a
+single indiscretion he will strangle me. He speaks fair and he looks
+remarkably as if he were capable of carrying out his threat."
+
+"I am sure of it," answered Henri; "he would keep his word."
+
+"He says, as well," replied the interpreter, "that the person from
+whom he is sent implores you, for your sake and for hers, to act with
+the greatest prudence, because the daggers which are raised above your
+head would strike your heart before any human power could save you
+from them."
+
+"He said that? So much the better, it will be more amusing. You can
+come in now, Paul," he cried to his friend.
+
+The mulatto, who had not ceased to gaze at the lover of Paquita Valdes
+with magnetic attention, went away, followed by the interpreter.
+
+"Well, at last I have an adventure which is entirely romantic," said
+Henri, when Paul returned. "After having shared in a certain number I
+have finished by finding in Paris an intrigue accompanied by serious
+accidents, by grave perils. The deuce! what courage danger gives a
+woman! To torment a woman, to try and contradict her--doesn't it give
+her the right and the courage to scale in one moment obstacles which
+it would take her years to surmount of herself? Pretty creature, jump
+then! To die? Poor child! Daggers? Oh, imagination of women! They
+cannot help trying to find authority for their little jests. Besides,
+can one think of it, Paquita? Can one think of it, my child? The devil
+take me, now that I know this beautiful girl, this masterpiece of
+nature, is mine, the adventure has lost its charm."
+
+For all his light words, the youth in Henri had reappeared. In order
+to live until the morrow without too much pain, he had recourse to
+exorbitant pleasure; he played, dined, supped with his friends; he
+drank like a fish, ate like a German, and won ten or twelve thousand
+francs. He left the Rocher de Cancale at two o'clock in the morning,
+slept like a child, awoke the next morning fresh and rosy, and dressed
+to go to the Tuileries, with the intention of taking a ride, after
+having seen Paquita, in order to get himself an appetite and dine the
+better, and so kill the time.
+
+At the hour mentioned Henri was on the boulevard, saw the carriage,
+and gave the counter-word to a man who looked to him like the mulatto.
+Hearing the word, the man opened the door and quickly let down the
+step. Henri was so rapidly carried through Paris, and his thoughts
+left him so little capacity to pay attention to the streets through
+which he passed, that he did not know where the carriage stopped. The
+mulatto let him into a house, the staircase of which was quite close
+to the entrance. This staircase was dark, as was also the landing upon
+which Henri was obliged to wait while the mulatto was opening the door
+of a damp apartment, fetid and unlit, the chambers of which, barely
+illuminated by the candle which his guide found in the ante-chamber,
+seemed to him empty and ill furnished, like those of a house the
+inhabitants of which are away. He recognized the sensation which he
+had experienced from the perusal of one of those romances of Anne
+Radcliffe, in which the hero traverses the cold, sombre, and
+uninhabited saloons of some sad and desert spot.
+
+At last the mulatto opened the door of a _salon_. The condition of the
+old furniture and the dilapidated curtains with which the room was
+adorned gave it the air of the reception-room of a house of ill fame.
+There was the same pretension to elegance, and the same collection of
+things in bad taste, of dust and dirt. Upon a sofa covered with red
+Utrecht velvet, by the side of a smoking hearth, the fire of which was
+buried in ashes, sat an old, poorly dressed woman, her head capped by
+one of those turbans which English women of a certain age have
+invented and which would have a mighty success in China, where the
+artist's ideal is the monstrous.
+
+The room, the old woman, the cold hearth, all would have chilled love
+to death had not Paquita been there, upon an ottoman, in a loose
+voluptuous wrapper, free to scatter her gaze of gold and flame, free
+to show her arched foot, free of her luminous movements. This first
+interview was what every _rendezvous_ must be between persons of
+passionate disposition, who have stepped over a wide distance quickly,
+who desire each other ardently, and who, nevertheless, do not know
+each other. It is impossible that at first there should not occur
+certain discordant notes in the situation, which is embarrassing until
+the moment when two souls find themselves in unison.
+
+If desire gives a man boldness and disposes him to lay restraint
+aside, the mistress, under pain of ceasing to be woman, however great
+may be her love, is afraid of arriving at the end so promptly, and
+face to face with the necessity of giving herself, which to many women
+is equivalent to a fall into an abyss, at the bottom of which they
+know not what they shall find. The involuntary coldness of the woman
+contrasts with her confessed passion, and necessarily reacts upon the
+most passionate lover. Thus ideas, which often float around souls like
+vapors, determine in them a sort of temporary malady. In the sweet
+journey which two beings undertake through the fair domains of love,
+this moment is like a waste land to be traversed, a land without a
+tree, alternatively damp and warm, full of scorching sand, traversed
+by marshes, which leads to smiling groves clad with roses, where Love
+and his retinue of pleasures disport themselves on carpets of soft
+verdure. Often the witty man finds himself afflicted with a foolish
+laugh which is his only answer to everything; his wit is, as it were,
+suffocated beneath the icy pressure of his desires. It would not be
+impossible for two beings of equal beauty, intelligence, and passion
+to utter at first nothing but the most silly commonplaces, until
+chance, a word, the tremor of a certain glance, the communication of a
+spark, should have brought them to the happy transition which leads to
+that flowery way in which one does not walk, but where one sways and
+at the same time does not lapse.
+
+Such a state of mind is always in proportion with the violence of the
+feeling. Two creatures who love one another weakly feel nothing
+similar. The effect of this crisis can even be compared with that
+which is produced by the glow of a clear sky. Nature, at the first
+view, appears to be covered with a gauze veil, the azure of the
+firmament seems black, the intensity of light is like darkness. With
+Henri, as with the Spanish girl, there was an equal intensity of
+feeling; and that law of statics, in virtue of which two identical
+forces cancel each other, might have been true also in the moral
+order. And the embarrassment of the moment was singularly increased by
+the presence of the old hag. Love takes pleasure or fright at all, all
+has meaning for it, everything is an omen of happiness or sorrow for
+it.
+
+This decrepit woman was there like a suggestion of catastrophe, and
+represented the horrid fish's tail with which the allegorical geniuses
+of Greece have terminated their chimeras and sirens, whose figures,
+like all passions, are so seductive, so deceptive.
+
+Although Henri was not a free-thinker--the phrase is always a mockery
+--but a man of extraordinary power, a man as great as a man can be
+without faith, the conjunction struck him. Moreover, the strongest men
+are naturally the most impressionable, and consequently the most
+superstitious, if, indeed, one may call superstition the prejudice of
+the first thoughts, which, without doubt, is the appreciation of the
+result in causes hidden to other eyes but perceptible to their own.
+
+The Spanish girl profited by this moment of stupefaction to let
+herself fall into the ecstasy of that infinite adoration which seizes
+the heart of a woman, when she truly loves and finds herself in the
+presence of an idol for whom she has vainly longed. Her eyes were all
+joy, all happiness, and sparks flew from them. She was under the
+charm, and fearlessly intoxicated herself with a felicity of which she
+had dreamed long. She seemed then so marvelously beautiful to Henri,
+that all this phantasmagoria of rags and old age, of worn red drapery
+and of the green mats in front of the armchairs, the ill-washed red
+tiles, all this sick and dilapidated luxury, disappeared.
+
+The room seemed lit up; and it was only through a cloud that one could
+see the fearful harpy fixed and dumb on her red sofa, her yellow eyes
+betraying the servile sentiments, inspired by misfortune, or caused by
+some vice beneath whose servitude one has fallen as beneath a tyrant
+who brutalizes one with the flagellations of his despotism. Her eyes
+had the cold glitter of a caged tiger, knowing his impotence and being
+compelled to swallow his rage of destruction.
+
+"Who is that woman?" said Henri to Paquita.
+
+But Paquita did not answer. She made a sign that she understood no
+French, and asked Henri if he spoke English.
+
+De Marsay repeated his question in English.
+
+"She is the only woman in whom I can confide, although she has sold me
+already," said Paquita, tranquilly. "My dear Adolphe, she is my
+mother, a slave bought in Georgia for her rare beauty, little enough
+of which remains to-day. She only speaks her native tongue."
+
+The attitude of this woman and her eagerness to guess from the
+gestures of her daughter and Henri what was passing between them, were
+suddenly explained to the young man; and this explanation put him at
+his ease.
+
+"Paquita," he said, "are we never to be free then?"
+
+"Never," she said, with an air of sadness. "Even now we have but a few
+days before us."
+
+She lowered her eyes, looked at and counted with her right hand on the
+fingers of her left, revealing so the most beautiful hands which Henri
+had ever seen.
+
+"One, two, three----"
+
+She counted up to twelve.
+
+"Yes," she said, "we have twelve days."
+
+"And after?"
+
+"After," she said, showing the absorption of a weak woman before the
+executioner's axe, and slain in advance, as it were, by a fear which
+stripped her of that magnificent energy which Nature seemed to have
+bestowed upon her only to aggrandize pleasure and convert the most
+vulgar delights into endless poems. "After----" she repeated. Her eyes
+took a fixed stare; she seemed to contemplate a threatening object far
+away.
+
+"I do not know," she said.
+
+"This girl is mad," said Henri to himself, falling into strange
+reflections.
+
+Paquita appeared to him occupied by something which was not himself,
+like a woman constrained equally by remorse and passion. Perhaps she
+had in her heart another love which she alternately remembered and
+forgot. In a moment Henri was assailed by a thousand contradictory
+thoughts. This girl became a mystery for him; but as he contemplated
+her with the scientific attention of the _blase_ man, famished for new
+pleasures, like that Eastern king who asked that a pleasure should be
+created for him,--a horrible thirst with which great souls are seized,
+--Henri recognized in Paquita the richest organization that Nature had
+ever deigned to compose for love. The presumptive play of this
+machinery, setting aside the soul, would have frightened any other man
+than Henri; but he was fascinated by that rich harvest of promised
+pleasures, by that constant variety in happiness, the dream of every
+man, and the desire of every loving woman too. He was infuriated by
+the infinite rendered palpable, and transported into the most
+excessive raptures of which the creature is capable. All that he saw
+in this girl more distinctly than he had yet seen it, for she let
+herself be viewed complacently, happy to be admired. The admiration of
+De Marsay became a secret fury, and he unveiled her completely,
+throwing a glance at her which the Spaniard understood as though she
+had been used to receive such.
+
+"If you are not to be mine, mine only, I will kill you!" he cried.
+
+Hearing this speech, Paquita covered her face in her hands, and cried
+naively:
+
+"Holy Virgin! What have I brought upon myself?"
+
+She rose, flung herself down upon the red sofa, and buried her head in
+the rags which covered the bosom of her mother, and wept there. The
+old woman received her daughter without issuing from her state of
+immobility, or displaying any emotion. The mother possessed in the
+highest degree that gravity of savage races, the impassiveness of a
+statue upon which all remarks are lost. Did she or did she not love
+her daughter? Beneath that mask every human emotion might brood--good
+and evil; and from this creature all might be expected. Her gaze
+passed slowly from her daughter's beautiful hair, which covered her
+like a mantle, to the face of Henri, which she considered with an
+indescribable curiosity.
+
+She seemed to ask by what fatality he was there, from what caprice
+Nature had made so seductive a man.
+
+"These women are making sport of me," said Henri to himself.
+
+At that moment Paquita raised her head, cast at him one of those looks
+which reach the very soul and consume it. So beautiful seemed she that
+he swore he would possess such a treasure of beauty.
+
+"My Paquita! Be mine!"
+
+"Wouldst thou kill me?" she said fearfully, palpitating and anxious,
+but drawn towards him by an inexplicable force.
+
+"Kill thee--I!" he said, smiling.
+
+Paquita uttered a cry of alarm, said a word to the old woman, who
+authoritatively seized Henri's hand and that of her daughter. She
+gazed at them for a long time, and then released them, wagging her
+head in a fashion horribly significant.
+
+"Be mine--this evening, this moment; follow me, do not leave me! It
+must be, Paquita! Dost thou love me? Come!"
+
+In a moment he had poured out a thousand foolish words to her, with
+the rapidity of a torrent coursing between the rocks, and repeating
+the same sound in a thousand different forms.
+
+"It is the same voice!" said Paquita, in a melancholy voice, which De
+Marsay could not overhear, "and the same ardor," she added. "So be
+it--yes," she said, with an abandonment of passion which no words can
+describe. "Yes; but not to-night. To-night Adolphe, I gave too little
+opium to La Concha. She might wake up, and I should be lost. At this
+moment the whole household believes me to be asleep in my room. In two
+days be at the same spot, say the same word to the same man. That man
+is my foster-father. Cristemio worships me, and would die in torments
+for me before they could extract one word against me from him.
+Farewell," she said seizing Henri by the waist and twining round him
+like a serpent.
+
+She pressed him on every side at once, lifted her head to his, and
+offered him her lips, then snatched a kiss which filled them both with
+such a dizziness that it seemed to Henri as though the earth opened;
+and Paquita cried: "Enough, depart!" in a voice which told how little
+she was mistress of herself. But she clung to him still, still crying
+"Depart!" and brought him slowly to the staircase. There the mulatto,
+whose white eyes lit up at the sight of Paquita, took the torch from
+the hands of his idol, and conducted Henri to the street. He left the
+light under the arch, opened the door, put Henri into the carriage,
+and set him down on the Boulevard des Italiens with marvelous
+rapidity. It was as though the horses had hell-fire in their veins.
+
+The scene was like a dream to De Marsay, but one of those dreams
+which, even when they fade away, leave a feeling of supernatural
+voluptuousness, which a man runs after for the remainder of his life.
+A single kiss had been enough. Never had _rendezvous_ been spent in a
+manner more decorous or chaste, or, perhaps, more coldly, in a spot of
+which the surroundings were more gruesome, in presence of a more
+hideous divinity; for the mother had remained in Henri's imagination
+like some infernal, cowering thing, cadaverous, monstrous, savagely
+ferocious, which the imagination of poets and painters had not yet
+conceived. In effect, no _rendezvous_ had ever irritated his senses
+more, revealed more audacious pleasures, or better aroused love from
+its centre to shed itself round him like an atmosphere. There was
+something sombre, mysterious, sweet, tender, constrained, and
+expansive, an intermingling of the awful and the celestial, of
+paradise and hell, which made De Marsay like a drunken man.
+
+He was no longer himself, and he was, withal, great enough to be able
+to resist the intoxication of pleasure.
+
+In order to render his conduct intelligible in the catastrophe of this
+story, it is needful to explain how his soul had broadened at an age
+when young men generally belittle themselves in their relations with
+women, or in too much occupation with them. Its growth was due to a
+concurrence of secret circumstances, which invested him with a vast
+and unsuspected power.
+
+This young man held in his hand a sceptre more powerful than that of
+modern kings, almost all of whom are curbed in their least wishes by
+the laws. De Marsay exercised the autocratic power of an Oriental
+despot. But this power, so stupidly put into execution in Asia by
+brutish men, was increased tenfold by its conjunction with European
+intelligence, with French wit--the most subtle, the keenest of all
+intellectual instruments. Henri could do what he would in the interest
+of his pleasures and vanities. This invisible action upon the social
+world had invested him with a real, but secret, majesty, without
+emphasis and deriving from himself. He had not the opinion which Louis
+XIV. could have of himself, but that which the proudest of the
+Caliphs, the Pharoahs, the Xerxes, who held themselves to be of divine
+origin, had of themselves when they imitated God, and veiled
+themselves from their subjects under the pretext that their looks
+dealt forth death. Thus, without any remorse at being at once the
+judge and the accuser, De Marsay coldly condemned to death the man or
+the woman who had seriously offended him. Although often pronounced
+almost lightly, the verdict was irrevocable. An error was a misfortune
+similar to that which a thunderbolt causes when it falls upon a
+smiling Parisienne in some hackney coach, instead of crushing the old
+coachman who is driving her to a _rendezvous_. Thus the bitter and
+profound sarcasm which distinguished the young man's conversation
+usually tended to frighten people; no one was anxious to put him out.
+Women are prodigiously fond of those persons who call themselves
+pashas, and who are, as it were accompanied by lions and executioners,
+and who walk in a panoply of terror. The result, in the case of such
+men, is a security of action, a certitude of power, a pride of gaze, a
+leonine consciousness, which makes women realize the type of strength
+of which they all dream. Such was De Marsay.
+
+Happy, for the moment, with his future, he grew young and pliable, and
+thought of nothing but love as he went to bed. He dreamed of the girl
+with the golden eyes, as the young and passionate can dream. His
+dreams were monstrous images, unattainable extravagances--full of
+light, revealing invisible worlds, yet in a manner always incomplete,
+for an intervening veil changes the conditions of vision.
+
+For the next and succeeding day Henri disappeared and no one knew what
+had become of him. His power only belonged to him under certain
+conditions, and, happily for him, during those two days he was a
+private soldier in the service of the demon to whom he owed his
+talismanic existence. But at the appointed time, in the evening, he
+was waiting--and he had not long to wait--for the carriage. The
+mulatto approached Henri, in order to repeat to him in French a phrase
+which he seemed to have learned by heart.
+
+"If you wish to come, she told me, you must consent to have your eyes
+bandaged."
+
+And Cristemio produced a white silk handkerchief.
+
+"No!" said Henri, whose omnipotence revolted suddenly.
+
+He tried to leap in. The mulatto made a sign, and the carriage drove
+off.
+
+"Yes!" cried De Marsay, furious at the thought of losing a piece of
+good fortune which had been promised him.
+
+He saw, moreover, the impossibility of making terms with a slave whose
+obedience was as blind as the hangman's. Nor was it this passive
+instrument upon whom his anger could fall.
+
+The mulatto whistled, the carriage returned. Henri got in hastily.
+Already a few curious onlookers had assembled like sheep on the
+boulevard. Henri was strong; he tried to play the mulatto. When the
+carriage started at a gallop he seized his hands, in order to master
+him, and retain, by subduing his attendant, the possession of his
+faculties, so that he might know whither he was going. It was a vain
+attempt. The eyes of the mulatto flashed from the darkness. The fellow
+uttered a cry which his fury stifled in his throat, released himself,
+threw back De Marsay with a hand like iron, and nailed him, so to
+speak, to the bottom of the carriage; then with his free hand, he drew
+a triangular dagger, and whistled. The coachman heard the whistle and
+stopped. Henri was unarmed, he was forced to yield. He moved his head
+towards the handkerchief. The gesture of submission calmed Cristemio,
+and he bound his eyes with a respect and care which manifested a sort
+of veneration for the person of the man whom his idol loved. But,
+before taking this course, he had placed his dagger distrustfully in
+his side pocket, and buttoned himself up to the chin.
+
+"That nigger would have killed me!" said De Marsay to himself.
+
+Once more the carriage moved on rapidly. There was one resource still
+open to a young man who knew Paris as well as Henri. To know whither
+he was going, he had but to collect himself and count, by the number
+of gutters crossed, the streets leading from the boulevards by which
+the carriage passed, so long as it continued straight along. He could
+thus discover into which lateral street it would turn, either towards
+the Seine or towards the heights of Montmartre, and guess the name or
+position of the street in which his guide should bring him to a halt.
+But the violent emotion which his struggle had caused him, the rage
+into which his compromised dignity had thrown him, the ideas of
+vengeance to which he abandoned himself, the suppositions suggested to
+him by the circumstantial care which this girl had taken in order to
+bring him to her, all hindered him from the attention, which the blind
+have, necessary for the concentration of his intelligence and the
+perfect lucidity of his recollection. The journey lasted half an hour.
+When the carriage stopped, it was no longer on the street. The mulatto
+and the coachman took Henri in their arms, lifted him out, and,
+putting him into a sort of litter, conveyed him across a garden. He
+could smell its flowers and the perfume peculiar to trees and grass.
+
+The silence which reigned there was so profound that he could
+distinguish the noise made by the drops of water falling from the
+moist leaves. The two men took him to a staircase, set him on his
+feet, led him by his hands through several apartments, and left him in
+a room whose atmosphere was perfumed, and the thick carpet of which he
+could feel beneath his feet.
+
+A woman's hand pushed him on to a divan, and untied the handkerchief
+for him. Henri saw Paquita before him, but Paquita in all her womanly
+and voluptuous glory. The section of the boudoir in which Henri found
+himself described a circular line, softly gracious, which was faced
+opposite by the other perfectly square half, in the midst of which a
+chimney-piece shone of gold and white marble. He had entered by a door
+on one side, hidden by a rich tapestried screen, opposite which was a
+window. The semicircular portion was adorned with a real Turkish
+divan, that is to say, a mattress thrown on the ground, but a mattress
+as broad as a bed, a divan fifty feet in circumference, made of white
+cashmere, relieved by bows of black and scarlet silk, arranged in
+panels. The top of this huge bed was raised several inches by numerous
+cushions, which further enriched it by their tasteful comfort. The
+boudoir was lined with some red stuff, over which an Indian muslin was
+stretched, fluted after the fashion of Corinthian columns, in plaits
+going in and out, and bound at the top and bottom by bands of
+poppy-colored stuff, on which were designs in black arabesque.
+
+Below the muslin the poppy turned to rose, that amorous color, which
+was matched by window-curtains, which were of Indian muslin lined with
+rose-colored taffeta, and set off with a fringe of poppy-color and
+black. Six silver-gilt arms, each supporting two candles, were
+attached to the tapestry at an equal distance, to illuminate the
+divan. The ceiling, from the middle of which a lustre of unpolished
+silver hung, was of a brilliant whiteness, and the cornice was gilded.
+The carpet was like an Oriental shawl; it had the designs and recalled
+the poetry of Persia, where the hands of slaves had worked on it. The
+furniture was covered in white cashmere, relieved by black and
+poppy-colored ornaments. The clock, the candelabra, all were in white
+marble and gold. The only table there had a cloth of cashmere. Elegant
+flower-pots held roses of every kind, flowers white or red. In fine,
+the least detail seemed to have been the object of loving thought.
+Never had richness hidden itself more coquettishly to become elegance,
+to express grace, to inspire pleasure. Everything there would have
+warmed the coldest of beings. The caresses of the tapestry, of which
+the color changed according to the direction of one's gaze, becoming
+either all white or all rose, harmonized with the effects of the light
+shed upon the diaphanous tissues of the muslin, which produced an
+appearance of mistiness. The soul has I know not what attraction
+towards white, love delights in red, and the passions are flattered by
+gold, which has the power of realizing their caprices. Thus all that
+man possesses within him of vague and mysterious, all his inexplicable
+affinities, were caressed in their involuntary sympathies. There was
+in this perfect harmony a concert of color to which the soul responded
+with vague and voluptuous and fluctuating ideas.
+
+It was out of a misty atmosphere, laden with exquisite perfumes, that
+Paquita, clad in a white wrapper, her feet bare, orange blossoms in
+her black hair, appeared to Henri, knelt before him, adoring him as
+the god of this temple, whither he had deigned to come. Although De
+Marsay was accustomed to seeing the utmost efforts of Parisian luxury,
+he was surprised at the aspect of this shell, like that from which
+Venus rose out of the sea. Whether from an effect of contrast between
+the darkness from which he issued and the light which bathed his soul,
+whether from a comparison which he swiftly made between this scene and
+that of their first interview, he experienced one of those delicate
+sensations which true poetry gives. Perceiving in the midst of this
+retreat, which had been opened to him as by a fairy's magic wand, the
+masterpiece of creation, this girl, whose warmly colored tints, whose
+soft skin--soft, but slightly gilded by the shadows, by I know not
+what vaporous effusion of love--gleamed as though it reflected the
+rays of color and light, his anger, his desire for vengeance, his
+wounded vanity, all were lost.
+
+Like an eagle darting on his prey, he took her utterly to him, set her
+on his knees, and felt with an indescribable intoxication the
+voluptuous pressure of this girl, whose richly developed beauties
+softly enveloped him.
+
+"Come to me, Paquita!" he said, in a low voice.
+
+"Speak, speak without fear!" she said. "This retreat was built for
+love. No sound can escape from it, so greatly was it desired to guard
+avariciously the accents and music of the beloved voice. However loud
+should be the cries, they would not be heard without these walls. A
+person might be murdered, and his moans would be as vain as if he were
+in the midst of the great desert."
+
+"Who has understood jealousy and its needs so well?"
+
+"Never question me as to that," she answered, untying with a gesture
+of wonderful sweetness the young man's scarf, doubtless in order the
+better to behold his neck.
+
+"Yes, there is the neck I love so well!" she said. "Wouldst thou
+please me?"
+
+This interrogation, rendered by the accent almost lascivious, drew De
+Marsay from the reverie in which he had been plunged by Paquita's
+authoritative refusal to allow him any research as to the unknown
+being who hovered like a shadow about them.
+
+"And if I wished to know who reigns here?"
+
+Paquita looked at him trembling.
+
+"It is not I, then?" he said, rising and freeing himself from the
+girl, whose head fell backwards. "Where I am, I would be alone."
+
+"Strike, strike! . . ." said the poor slave, a prey to terror.
+
+"For what do you take me, then? . . . Will you answer?"
+
+Paquita got up gently, her eyes full of tears, took a poniard from one
+of the two ebony pieces of furniture, and presented it to Henri with a
+gesture of submission which would have moved a tiger.
+
+"Give me a feast such as men give when they love," she said, "and
+whilst I sleep, slay me, for I know not how to answer thee. Hearken! I
+am bound like some poor beast to a stake; I am amazed that I have been
+able to throw a bridge over the abyss which divides us. Intoxicate me,
+then kill me! Ah, no, no!" she cried, joining her hands, "do not kill
+me! I love life! Life is fair to me! If I am a slave, I am a queen
+too. I could beguile you with words, tell you that I love you alone,
+prove it to you, profit by my momentary empire to say to you: 'Take me
+as one tastes the perfume of a flower when one passes it in a king's
+garden.' Then, after having used the cunning eloquence of woman and
+soared on the wings of pleasure, after having quenched my thirst, I
+could have you cast into a pit, where none could find you, which has
+been made to gratify vengeance without having to fear that of the law,
+a pit full of lime which would kindle and consume you, until no
+particle of you were left. You would stay in my heart, mine forever."
+
+Henri looked at the girl without trembling, and this fearless gaze
+filled her with joy.
+
+"No, I shall not do it! You have fallen into no trap here, but upon
+the heart of a woman who adores you, and it is I who will be cast into
+the pit."
+
+"All this appears to me prodigiously strange," said De Marsay,
+considering her. "But you seem to me a good girl, a strange nature;
+you are, upon my word of honor, a living riddle, the answer to which
+is very difficult to find."
+
+Paquita understood nothing of what the young man said; she looked at
+him gently, opening wide eyes which could never be stupid, so much was
+pleasure written in them.
+
+"Come, then, my love," she said, returning to her first idea, "wouldst
+thou please me?"
+
+"I would do all that thou wouldst, and even that thou wouldst not,"
+answered De Marsay, with a laugh. He had recovered his foppish ease,
+as he took the resolve to let himself go to the climax of his good
+fortune, looking neither before nor after. Perhaps he counted,
+moreover, on his power and his capacity of a man used to adventures,
+to dominate this girl a few hours later and learn all her secrets.
+
+"Well," said she, "let me arrange you as I would like."
+
+Paquita went joyously and took from one of the two chests a robe of
+red velvet, in which she dressed De Marsay, then adorned his head with
+a woman's bonnet and wrapped a shawl round him. Abandoning herself to
+these follies with a child's innocence, she laughed a convulsive
+laugh, and resembled some bird flapping its wings; but he saw nothing
+beyond.
+
+If it be impossible to paint the unheard-of delights which these two
+creatures--made by heaven in a joyous moment--found, it is perhaps
+necessary to translate metaphysically the extraordinary and almost
+fantastic impressions of the young man. That which persons in the
+social position of De Marsay, living as he lived, are best able to
+recognize is a girl's innocence. But, strange phenomenon! The girl of
+the golden eyes might be virgin, but innocent she was certainly not.
+The fantastic union of the mysterious and the real, of darkness and
+light, horror and beauty, pleasure and danger, paradise and hell,
+which had already been met with in this adventure, was resumed in the
+capricious and sublime being with which De Marsay dallied. All the
+utmost science or the most refined pleasure, all that Henri could know
+of that poetry of the senses which is called love, was excelled by the
+treasures poured forth by this girl, whose radiant eyes gave the lie
+to none of the promises which they made.
+
+She was an Oriental poem, in which shone the sun that Saadi, that
+Hafiz, have set in their pulsing strophes. Only, neither the rhythm of
+Saadi, nor that of Pindar, could have expressed the ecstasy--full of
+confusion and stupefaction--which seized the delicious girl when the
+error in which an iron hand had caused her to live was at an end.
+
+"Dead!" she said, "I am dead, Adolphe! Take me away to the world's
+end, to an island where no one knows us. Let there be no traces of our
+flight! We should be followed to the gates of hell. God! here is the
+day! Escape! Shall I ever see you again? Yes, to-morrow I will see
+you, if I have to deal death to all my warders to have that joy. Till
+to-morrow."
+
+She pressed him in her arms with an embrace in which the terror of
+death mingled. Then she touched a spring, which must have been in
+connection with a bell, and implored De Marsay to permit his eyes to
+be bandaged.
+
+"And if I would not--and if I wished to stay here?"
+
+"You would be the death of me more speedily," she said, "for now I
+know I am certain to die on your account."
+
+Henri submitted. In the man who had just gorged himself with pleasure
+there occurs a propensity to forgetfulness, I know not what
+ingratitude, a desire for liberty, a whim to go elsewhere, a tinge of
+contempt and, perhaps, of disgust for his idol; in fine, indescribable
+sentiments which render him ignoble and ashamed. The certainty of this
+confused, but real, feeling in souls who are not illuminated by that
+celestial light, nor perfumed with that holy essence from which the
+performance of sentiment springs, doubtless suggested to Rousseau the
+adventures of Lord Edward, which conclude the letters of the _Nouvelle
+Heloise_. If Rousseau is obviously inspired by the work of Richardson,
+he departs from it in a thousand details, which leave his achievement
+magnificently original; he has recommended it to posterity by great
+ideas which it is difficult to liberate by analysis, when, in one's
+youth, one reads this work with the object of finding in it the lurid
+representation of the most physical of our feelings, whereas serious
+and philosophical writers never employ its images except as the
+consequence or the corollary of a vast thought; and the adventures of
+Lord Edward are one of the most Europeanly delicate ideas of the whole
+work.
+
+Henri, therefore, found himself beneath the domination of that
+confused sentiment which is unknown to true love. There was needful,
+in some sort, the persuasive grip of comparisons, and the irresistible
+attraction of memories to lead him back to a woman. True love rules
+above all through recollection. A woman who is not engraven upon the
+soul by excess of pleasure or by strength of emotion, how can she ever
+be loved? In Henri's case, Paquita had established herself by both of
+these reasons. But at this moment, seized as he was by the satiety of
+his happiness, that delicious melancholy of the body, he could hardly
+analyze his heart, even by recalling to his lips the taste of the
+liveliest gratifications that he had ever grasped.
+
+He found himself on the Boulevard Montmartre at the break of day,
+gazed stupidly at the retreating carriage, produced two cigars from
+his pocket, lit one from the lantern of a good woman who sold brandy
+and coffee to workmen and street arabs and chestnut venders--to all
+the Parisian populace which begins its work before daybreak; then he
+went off, smoking his cigar, and putting his hands in his trousers'
+pockets with a devil-may-care air which did him small honor.
+
+"What a good thing a cigar is! That's one thing a man will never tire
+of," he said to himself.
+
+Of the girl with the golden eyes, over whom at that time all the
+elegant youth of Paris was mad, he hardly thought. The idea of death,
+expressed in the midst of their pleasure, and the fear of which had
+more than once darkened the brow of that beautiful creature, who held
+to the houris of Asia by her mother, to Europe by her education, to
+the tropics by her birth, seemed to him merely one of those deceptions
+by which women seek to make themselves interesting.
+
+"She is from Havana--the most Spanish region to be found in the New
+World. So she preferred to feign terror rather than cast in my teeth
+indisposition or difficulty, coquetry or duty, like a Parisian woman.
+By her golden eyes, how glad I shall be to sleep."
+
+He saw a hackney coach standing at the corner of Frascati's waiting
+for some gambler; he awoke the driver, was driven home, went to bed,
+and slept the sleep of the dissipated, which for some queer reason--of
+which no rhymer has yet taken advantage--is as profound as that of
+innocence. Perhaps it is an instance of the proverbial axiom,
+_extremes meet_.
+
+About noon De Marsay awoke and stretched himself; he felt the grip of
+that sort of voracious hunger which old soldiers can remember having
+experienced on the morrow of victory. He was delighted, therefore, to
+see Paul de Manerville standing in front of him, for at such a time
+nothing is more agreeable than to eat in company.
+
+"Well," his friend remarked, "we all imagined that you had been shut
+up for the last ten days with the girl of the golden eyes."
+
+"The girl of the golden eyes! I have forgotten her. Faith! I have
+other fish to fry!"
+
+"Ah! you are playing at discretion."
+
+"Why not?" asked De Marsay, with a laugh. "My dear fellow, discretion
+is the best form of calculation. Listen--however, no! I will not say a
+word. You never teach me anything; I am not disposed to make you a
+gratuitous present of the treasures of my policy. Life is a river
+which is of use for the promotion of commerce. In the name of all that
+is most sacred in life--of cigars! I am no professor of social economy
+for the instruction of fools. Let us breakfast! It costs less to give
+you a tunny omelette than to lavish the resources of my brain on you."
+
+"Do you bargain with your friends?"
+
+"My dear fellow," said Henri, who rarely denied himself a sarcasm,
+"since all the same, you may some day need, like anybody else, to use
+discretion, and since I have much love for you--yes, I like you! Upon
+my word, if you only wanted a thousand-franc note to keep you from
+blowing your brains out, you would find it here, for we haven't yet
+done any business of that sort, eh, Paul? If you had to fight
+to-morrow, I would measure the ground and load the pistols, so that
+you might be killed according to rule. In short, if anybody besides
+myself took it into his head to say ill of you in your absence, he
+would have to deal with the somewhat nasty gentleman who walks in my
+shoes--there's what I call a friendship beyond question. Well, my good
+fellow, if you should ever have need of discretion, understand that
+there are two sorts of discretion--the active and the negative.
+Negative discretion is that of fools who make use of silence,
+negation, an air of refusal, the discretion of locked doors--mere
+impotence! Active discretion proceeds by affirmation. Suppose at the
+club this evening I were to say: 'Upon my word of honor the
+golden-eyed was not worth all she cost me!' Everybody would exclaim
+when I was gone: 'Did you hear that fop De Marsay, who tried to make
+us believe that he has already had the girl of the golden eyes? It's
+his way of trying to disembarrass himself of his rivals: he's no
+simpleton.' But such a ruse is vulgar and dangerous. However gross a
+folly one utters, there are always idiots to be found who will believe
+it. The best form of discretion is that of women when they want to
+take the change out of their husbands. It consists in compromising a
+woman with whom we are not concerned, or whom we do not love, in order
+to save the honor of the one whom we love well enough to respect. It
+is what is called the _woman-screen_. . . . Ah! here is Laurent. What
+have you got for us?"
+
+"Some Ostend oysters, Monsieur le Comte."
+
+"You will know some day, Paul, how amusing it is to make a fool of the
+world by depriving it of the secret of one's affections. I derive an
+immense pleasure in escaping from the stupid jurisdiction of the
+crowd, which knows neither what it wants, nor what one wants of it,
+which takes the means for the end, and by turns curses and adores,
+elevates and destroys! What a delight to impose emotions on it and
+receive none from it, to tame it, never to obey it. If one may ever be
+proud of anything, is it not a self-acquired power, of which one is at
+once the cause and effect, the principle and the result? Well, no man
+knows what I love, nor what I wish. Perhaps what I have loved, or what
+I may have wished will be known, as a drama which is accomplished is
+known; but to let my game be seen--weakness, mistake! I know nothing
+more despicable than strength outwitted by cunning. Can I initiate
+myself with a laugh into the ambassador's part, if indeed diplomacy is
+as difficult as life? I doubt it. Have you any ambition? Would you
+like to become something?"
+
+"But, Henri, you are laughing at me--as though I were not sufficiently
+mediocre to arrive at anything."
+
+"Good Paul! If you go on laughing at yourself, you will soon be able
+to laugh at everybody else."
+
+At breakfast, by the time he had started his cigars, De Marsay began
+to see the events of the night in a singular light. Like many men of
+great intelligence, his perspicuity was not spontaneous, as it did not
+at once penetrate to the heart of things. As with all natures endowed
+with the faculty of living greatly in the present, of extracting, so
+to speak, the essence of it and assimilating it, his second-sight had
+need of a sort of slumber before it could identify itself with causes.
+Cardinal de Richelieu was so constituted, and it did not debar in him
+the gift of foresight necessary to the conception of great designs.
+
+De Marsay's conditions were alike, but at first he only used his
+weapons for the benefit of his pleasures, and only became one of the
+most profound politicians of his day when he had saturated himself
+with those pleasures to which a young man's thoughts--when he has
+money and power--are primarily directed. Man hardens himself thus: he
+uses woman in order that she may not make use of him.
+
+At this moment, then, De Marsay perceived that he had been fooled by
+the girl of the golden eyes, seeing, as he did, in perspective, all
+that night of which the delights had been poured upon him by degrees
+until they had ended by flooding him in torrents. He could read, at
+last, that page in effect so brilliant, divine its hidden meaning. The
+purely physical innocence of Paquita, the bewilderment of her joy,
+certain words, obscure at first, but now clear, which had escaped her
+in the midst of that joy, all proved to him that he had posed for
+another person. As no social corruption was unknown to him, as he
+professed a complete indifference towards all perversities, and
+believed them to be justified on the simple ground that they were
+capable of satisfaction, he was not startled at vice, he knew it as
+one knows a friend, but he was wounded at having served as sustenance
+for it. If his presumption was right, he had been outraged in the most
+sensitive part of him. The mere suspicion filled him with fury, he
+broke out with the roar of a tiger who has been the sport of a deer,
+the cry of a tiger which united a brute's strength with the
+intelligence of the demon.
+
+"I say, what is the matter with you?" asked Paul.
+
+"Nothing!"
+
+"I should be sorry, if you were to be asked whether you had anything
+against me and were to reply with a _nothing_ like that! It would be a
+sure case of fighting the next day."
+
+"I fight no more duels," said De Marsay.
+
+"That seems to me even more tragical. Do you assassinate, then?"
+
+"You travesty words. I execute."
+
+"My dear friend," said Paul, "your jokes are of a very sombre color
+this morning."
+
+"What would you have? Pleasure ends in cruelty. Why? I don't know, and
+am not sufficiently curious to try and find out. . . . These cigars
+are excellent. Give your friend some tea. Do you know, Paul, I live a
+brute's life? It should be time to choose oneself a destiny, to employ
+one's powers on something which makes life worth living. Life is a
+singular comedy. I am frightened, I laugh at the inconsequence of our
+social order. The Government cuts off the heads of poor devils who may
+have killed a man and licenses creatures who despatch, medically
+speaking, a dozen young folks in a season. Morality is powerless
+against a dozen vices which destroy society and which nothing can
+punish.--Another cup!--Upon my word of honor! man is a jester dancing
+upon a precipice. They talk to us about the immorality of the
+_Liaisons Dangereuses_, and any other book you like with a vulgar
+reputation; but there exists a book, horrible, filthy, fearful,
+corrupting, which is always open and will never be shut, the great
+book of the world; not to mention another book, a thousand times more
+dangerous, which is composed of all that men whisper into each other's
+ears, or women murmur behind their fans, of an evening in society."
+
+"Henri, there is certainly something extraordinary the matter with
+you; that is obvious in spite of your active discretion."
+
+"Yes! . . . Come, I must kill the time until this evening. Let's to
+the tables. . . . Perhaps I shall have the good luck to lose."
+
+De Marsay rose, took a handful of banknotes and folded them into his
+cigar-case, dressed himself, and took advantage of Paul's carriage to
+repair to the Salon des Etrangers, where until dinner he consumed the
+time in those exciting alternations of loss and gain which are the
+last resource of powerful organizations when they are compelled to
+exercise themselves in the void. In the evening he repaired to the
+trysting-place and submitted complacently to having his eyes bandaged.
+Then, with that firm will which only really strong men have the
+faculty of concentrating, he devoted his attention and applied his
+intelligence to the task of divining through what streets the carriage
+passed. He had a sort of certitude of being taken to the Rue
+Saint-Lazare, and being brought to a halt at the little gate in the
+garden of the Hotel San-Real. When he passed, as on the first occasion,
+through this gate, and was put in a litter, carried, doubtless by the
+mulatto and the coachman, he understood, as he heard the gravel grate
+beneath their feet, why they took such minute precautions. He would
+have been able, had he been free, or if he had walked, to pluck a twig
+of laurel, to observe the nature of the soil which clung to his boots;
+whereas, transported, so to speak, ethereally into an inaccessible
+mansion, his good fortune must remain what it had been hitherto, a
+dream. But it is man's despair that all his work, whether for good or
+evil, is imperfect. All his labors, physical or intellectual, are
+sealed with the mark of destruction. There had been a gentle rain, the
+earth was moist. At night-time certain vegetable perfumes are far
+stronger than during the day; Henri could smell, therefore, the scent
+of the mignonette which lined the avenue along which he was conveyed.
+This indication was enough to light him in the researches which he
+promised himself to make in order to recognize the hotel which
+contained Paquita's boudoir. He studied in the same way the turnings
+which his bearers took within the house, and believed himself able to
+recall them.
+
+As on the previous night, he found himself on the ottoman before
+Paquita, who was undoing his bandage; but he saw her pale and altered.
+She had wept. On her knees like an angel in prayer, but like an angel
+profoundly sad and melancholy, the poor girl no longer resembled the
+curious, impatient, and impetuous creature who had carried De Marsay
+on her wings to transport him to the seventh heaven of love. There was
+something so true in this despair veiled by pleasure, that the
+terrible De Marsay felt within him an admiration for this new
+masterpiece of nature, and forgot, for the moment, the chief interest
+of his assignation.
+
+"What is the matter with thee, my Paquita?"
+
+"My friend," she said, "carry me away this very night. Bear me to some
+place where no one can answer: 'There is a girl with a golden gaze
+here, who has long hair.' Yonder I will give thee as many pleasures as
+thou wouldst have of me. Then when you love me no longer, you shall
+leave me, I shall not complain, I shall say nothing; and your
+desertion need cause you no remorse, for one day passed with you, only
+one day, in which I have had you before my eyes, will be worth all my
+life to me. But if I stay here, I am lost."
+
+"I cannot leave Paris, little one!" replied Henri. "I do not belong to
+myself, I am bound by a vow to the fortune of several persons who
+stand to me, as I do to them. But I can place you in a refuge in
+Paris, where no human power can reach you."
+
+"No," she said, "you forget the power of woman."
+
+Never did phrase uttered by human voice express terror more
+absolutely.
+
+"What could reach you, then, if I put myself between you and the
+world?"
+
+"Poison!" she said. "Dona Concha suspects you already . . . and," she
+resumed, letting the tears fall and glisten on her cheeks, "it is easy
+enough to see I am no longer the same. Well, if you abandon me to the
+fury of the monster who will destroy me, your holy will be done! But
+come, let there be all the pleasures of life in our love. Besides, I
+will implore, I will weep and cry out and defend myself; perhaps I
+shall be saved."
+
+"Whom will your implore?" he asked.
+
+"Silence!" said Paquita. "If I obtain mercy it will perhaps be on
+account of my discretion."
+
+"Give me my robe," said Henri, insidiously.
+
+"No, no!" she answered quickly, "be what you are, one of those angels
+whom I have been taught to hate, and in whom I only saw ogres, whilst
+you are what is fairest under the skies," she said, caressing Henri's
+hair. "You do not know how silly I am. I have learned nothing. Since I
+was twelve years old I have been shut up without ever seeing any one.
+I can neither read nor write, I can only speak English and Spanish."
+
+"How is it, then, that you receive letters from London?"
+
+"My letters? . . . See, here they are!" she said, proceeding to take
+some papers out of a tall Japanese vase.
+
+She offered De Marsay some letters, in which the young man saw, with
+surprise, strange figures, similar to those of a rebus, traced in
+blood, and illustrating phrases full of passion.
+
+"But," he cried, marveling at these hieroglyphics created by the
+alertness of jealousy, "you are in the power of an infernal genius?"
+
+"Infernal," she repeated.
+
+"But how, then, were you able to get out?"
+
+"Ah!" she said, "that was my ruin. I drove Dona Concha to choose
+between the fear of immediate death and anger to be. I had the
+curiosity of a demon, I wished to break the bronze circle which they
+had described between creation and me, I wished to see what young
+people were like, for I knew nothing of man except the Marquis and
+Cristemio. Our coachman and the lackey who accompanies us are old
+men. . . ."
+
+"But you were not always thus shut up? Your health . . . ?"
+
+"Ah," she answered, "we used to walk, but it was at night and in the
+country, by the side of the Seine, away from people."
+
+"Are you not proud of being loved like that?"
+
+"No," she said, "no longer. However full it be, this hidden life is
+but darkness in comparison with the light."
+
+"What do you call the light?"
+
+"Thee, my lovely Adolphe! Thee, for whom I would give my life. All the
+passionate things that have been told me, and that I have inspired, I
+feel for thee! For a certain time I understood nothing of existence,
+but now I know what love is, and hitherto I have been the loved one
+only; for myself, I did not love. I would give up everything for you,
+take me away. If you like, take me as a toy, but let me be near you
+until you break me."
+
+"You will have no regrets?"
+
+"Not one"! she said, letting him read her eyes, whose golden tint was
+pure and clear.
+
+"Am I the favored one?" said Henri to himself. If he suspected the
+truth, he was ready at that time to pardon the offence in view of a
+love so single minded. "I shall soon see," he thought.
+
+If Paquita owed him no account of the past, yet the least recollection
+of it became in his eyes a crime. He had therefore the sombre strength
+to withhold a portion of his thought, to study her, even while
+abandoning himself to the most enticing pleasures that ever peri
+descended from the skies had devised for her beloved.
+
+Paquita seemed to have been created for love by a particular effort of
+nature. In a night her feminine genius had made the most rapid
+progress. Whatever might be the power of this young man, and his
+indifference in the matter of pleasures, in spite of his satiety of
+the previous night, he found in the girl with the golden eyes that
+seraglio which a loving woman knows how to create and which a man
+never refuses. Paquita responded to that passion which is felt by all
+really great men for the infinite--that mysterious passion so
+dramatically expressed in Faust, so poetically translated in Manfred,
+and which urged Don Juan to search the heart of women, in his hope to
+find there that limitless thought in pursuit of which so many hunters
+after spectres have started, which wise men think to discover in
+science, and which mystics find in God alone. The hope of possessing
+at last the ideal being with whom the struggle could be constant and
+tireless ravished De Marsay, who, for the first time for long, opened
+his heart. His nerves expanded, his coldness was dissipated in the
+atmosphere of that ardent soul, his hard and fast theories melted
+away, and happiness colored his existence to the tint of the rose and
+white boudoir. Experiencing the sting of a higher pleasure, he was
+carried beyond the limits within which he had hitherto confined
+passion. He would not be surpassed by this girl, whom a somewhat
+artificial love had formed all ready for the needs of his soul, and
+then he found in that vanity which urges a man to be in all things a
+victor, strength enough to tame the girl; but, at the same time, urged
+beyond that line where the soul is mistress over herself, he lost
+himself in these delicious limboes, which the vulgar call so foolishly
+"the imaginary regions." He was tender, kind, and confidential. He
+affected Paquita almost to madness.
+
+"Why should we not go to Sorrento, to Nice, to Chiavari, and pass all
+our life so? Will you?" he asked of Paquita, in a penetrating voice.
+
+"Was there need to say to me: 'Will you'?" she cried. "Have I a will?
+I am nothing apart from you, except in so far as I am a pleasure for
+you. If you would choose a retreat worthy of us, Asia is the only
+country where love can unfold his wings. . . ."
+
+"You are right," answered Henri. "Let us go to the Indies, there where
+spring is eternal, where the earth grows only flowers, where man can
+display the magnificence of kings and none shall say him nay, as in
+the foolish lands where they would realize the dull chimera of
+equality. Let us go to the country where one lives in the midst of a
+nation of slaves, where the sun shines ever on a palace which is
+always white, where the air sheds perfumes, the birds sing of love and
+where, when one can love no more, one dies. . . ."
+
+"And where one dies together!" said Paquita. "But do not let us start
+to-morrow, let us start this moment . . . take Cristemio."
+
+"Faith! pleasure is the fairest climax of life. Let us go to Asia; but
+to start, my child, one needs much gold, and to have gold one must set
+one's affairs in order."
+
+She understood no part of these ideas.
+
+"Gold! There is a pile of it here--as high as that," she said holding
+up her hand.
+
+"It is not mine."
+
+"What does that matter?" she went on; "if we have need of it let us
+take it."
+
+"It does not belong to you."
+
+"Belong!" she repeated. "Have you not taken me? When we have taken it,
+it will belong to us."
+
+He gave a laugh.
+
+"Poor innocent! You know nothing of the world."
+
+"Nay, but this is what I know," she cried, clasping Henri to her.
+
+At the very moment when De Marsay was forgetting all, and conceiving
+the desire to appropriate this creature forever, he received in the
+midst of his joy a dagger-thrust, which Paquita, who had lifted him
+vigorously in the air, as though to contemplate him, exclaimed: "Oh,
+Margarita!"
+
+"Margarita!" cried the young man, with a roar; "now I know all that I
+still tried to disbelieve."
+
+He leaped upon the cabinet in which the long poniard was kept. Happily
+for Paquita and for himself, the cupboard was shut. His fury waxed at
+this impediment, but he recovered his tranquillity, went and found his
+cravat, and advanced towards her with an air of such ferocious meaning
+that, without knowing of what crime she had been guilty, Paquita
+understood, none the less, that her life was in question. With one
+bound she rushed to the other end of the room to escape the fatal knot
+which De Marsay tried to pass round her neck. There was a struggle. On
+either side there was an equality of strength, agility, and
+suppleness. To end the combat Paquita threw between the legs of her
+lover a cushion which made him fall, and profited by the respite which
+this advantage gave to her, to push the button of the spring which
+caused the bell to ring. Promptly the mulatto arrived. In a second
+Cristemio leaped on De Marsay and held him down with one foot on his
+chest, his heel turned towards the throat. De Marsay realized that, if
+he struggled, at a single sign from Paquita he would be instantly
+crushed.
+
+"Why did you want to kill me, my beloved?" she said. De Marsay made no
+reply.
+
+"In what have I angered you?" she asked. "Speak, let us understand
+each other."
+
+Henri maintained the phlegmatic attitude of a strong man who feels
+himself vanquished; his countenance, cold, silent, entirely English,
+revealed the consciousness of his dignity in a momentary resignation.
+Moreover, he had already thought, in spite of the vehemence of his
+anger, that it was scarcely prudent to compromise himself with the law
+by killing this girl on the spur of the moment, before he had arranged
+the murder in such a manner as should insure his impunity.
+
+"My beloved," went on Paquita, "speak to me; do not leave me without
+one loving farewell! I would not keep in my heart the terror which you
+have just inspired in it. . . . Will you speak?" she said, stamping
+her foot with anger.
+
+De Marsay, for all reply, gave her a glance, which signified so
+plainly, "_You must die!_" that Paquita threw herself upon him.
+
+"Ah, well, you want to kill me! . . . If my death can give you any
+pleasure--kill me!"
+
+She made a sign to Cristemio, who withdrew his foot from the body of
+the young man, and retired without letting his face show that he had
+formed any opinion, good or bad, with regard to Paquita.
+
+"That is a man," said De Marsay, pointing to the mulatto, with a
+sombre gesture. "There is no devotion like the devotion which obeys in
+friendship, and does not stop to weigh motives. In that man you
+possess a true friend."
+
+"I will give him you, if you like," she answered; "he will serve you
+with the same devotion that he has for me, if I so instruct him."
+
+She waited for a word of recognition, and went on with an accent
+replete with tenderness:
+
+"Adolphe, give me then one kind word! . . . It is nearly day."
+
+Henri did not answer. The young man had one sorry quality, for one
+considers as something great everything which resembles strength, and
+often men invent extravagances. Henri knew not how to pardon. That
+_returning upon itself_ which is one of the soul's graces, was a
+non-existent sense for him. The ferocity of the Northern man, with
+which the English blood is deeply tainted, had been transmitted to
+him by his father. He was inexorable both in his good and evil
+impulses. Paquita's exclamation had been all the more horrible to him,
+in that it had dethroned him from the sweetest triumph which had ever
+flattered his man's vanity. Hope, love, and every emotion had been
+exalted with him, all had lit up within his heart and his
+intelligence, then these torches illuminating his life had been
+extinguished by a cold wind. Paquita, in her stupefaction of grief,
+had only strength enough to give the signal for departure.
+
+"What is the use of that!" she said, throwing away the bandage. "If he
+does not love me, if he hates me, it is all over."
+
+She waited for one look, did not obtain it, and fell, half dead. The
+mulatto cast a glance at Henri, so horribly significant, that, for the
+first time in his life, the young man, to whom no one denied the gift
+of rare courage, trembled. "_If you do not love her well, if you give
+her the least pain, I will kill you_." such was the sense of that
+brief gaze. De Marsay was escorted, with a care almost obsequious,
+along the dimly lit corridor, at the end of which he issued by a
+secret door into the garden of the Hotel San-Real. The mulatto made
+him walk cautiously through an avenue of lime trees, which led to a
+little gate opening upon a street which was at that hour deserted. De
+Marsay took a keen notice of everything. The carriage awaited him.
+This time the mulatto did not accompany him, and at the moment when
+Henri put his head out of the window to look once more at the gardens
+of the hotel, he encountered the white eyes of Cristemio, with whom he
+exchanged a glance. On either side there was a provocation, a
+challenge, the declaration of a savage war, of a duel in which
+ordinary laws were invalid, where treason and treachery were admitted
+means. Cristemio knew that Henri had sworn Paquita's death. Henri knew
+that Cristemio would like to kill him before he killed Paquita. Both
+understood each other to perfection.
+
+"The adventure is growing complicated in a most interesting way," said
+Henri.
+
+"Where is the gentleman going to?" asked the coachman.
+
+De Marsay was driven to the house of Paul de Manerville. For more than
+a week Henri was away from home, and no one could discover either what
+he did during this period, nor where he stayed. This retreat saved him
+from the fury of the mulatto and caused the ruin of the charming
+creature who had placed all her hope in him whom she loved as never
+human heart had loved on this earth before. On the last day of the
+week, about eleven o'clock at night, Henri drove up in a carriage to
+the little gate in the garden of the Hotel San-Real. Four men
+accompanied him. The driver was evidently one of his friends, for he
+stood up on his box, like a man who was to listen, an attentive
+sentinel, for the least sound. One of the other three took his stand
+outside the gate in the street; the second waited in the garden,
+leaning against the wall; the last, who carried in his hand a bunch of
+keys, accompanied De Marsay.
+
+"Henri," said his companion to him, "we are betrayed."
+
+"By whom, my good Ferragus?"
+
+"They are not all asleep," replied the chief of the Devourers; "it is
+absolutely certain that some one in the house has neither eaten nor
+drunk. . . . Look! see that light!"
+
+"We have a plan of the house; from where does it come?"
+
+"I need no plan to know," replied Ferragus; "it comes from the room of
+the Marquise."
+
+"Ah," cried De Marsay, "no doubt she arrived from London to-day. The
+woman has robbed me even of my revenge! But if she has anticipated me,
+my good Gratien, we will give her up to the law."
+
+"Listen, listen! . . . The thing is settled," said Ferragus to Henri.
+
+The two friends listened intently, and heard some feeble cries which
+might have aroused pity in the breast of a tiger.
+
+"Your marquise did not think the sound would escape by the chimney,"
+said the chief of the Devourers, with the laugh of a critic, enchanted
+to detect a fault in a work of merit.
+
+"We alone, we know how to provide for every contingency," said Henri.
+"Wait for me. I want to see what is going on upstairs--I want to know
+how their domestic quarrels are managed. By God! I believe she is
+roasting her at a slow fire."
+
+De Marsay lightly scaled the stairs, with which he was familiar, and
+recognized the passage leading to the boudoir. When he opened the door
+he experienced the involuntary shudder which the sight of bloodshed
+gives to the most determined of men. The spectacle which was offered
+to his view was, moreover, in more than one respect astonishing to
+him. The Marquise was a woman; she had calculated her vengeance with
+that perfection of perfidy which distinguishes the weaker animals. She
+had dissimulated her anger in order to assure herself of the crime
+before she punished it.
+
+"Too late, my beloved!" said Paquita, in her death agony, casting her
+pale eyes upon De Marsay.
+
+The girl of the golden eyes expired in a bath of blood. The great
+illumination of candles, a delicate perfume which was perceptible, a
+certain disorder, in which the eye of a man accustomed to amorous
+adventures could not but discern the madness which is common to all
+the passions, revealed how cunningly the Marquise had interrogated the
+guilty one. The white room, where the blood showed so well, betrayed a
+long struggle. The prints of Paquita's hands were on the cushions.
+Here she had clung to her life, here she had defended herself, here
+she had been struck. Long strips of the tapestry had been torn down by
+her bleeding hands, which, without a doubt, had struggled long.
+Paquita must have tried to reach the window; her bare feet had left
+their imprints on the edge of the divan, along which she must have
+run. Her body, mutilated by the dagger-thrusts of her executioner,
+told of the fury with which she had disputed a life which Henri had
+made precious to her. She lay stretched on the floor, and in her
+death-throes had bitten the ankles of Madame de San-Real, who still
+held in her hand her dagger, dripping blood. The hair of the Marquise
+had been torn out, she was covered with bites, many of which were
+bleeding, and her torn dress revealed her in a state of semi-nudity,
+with the scratches on her breasts. She was sublime so. Her head, eager
+and maddened, exhaled the odor of blood. Her panting mouth was open,
+and her nostrils were not sufficient for her breath. There are certain
+animals who fall upon their enemy in their rage, do it to death, and
+seem in the tranquillity of victory to have forgotten it. There are
+others who prowl around their victim, who guard it in fear lest it
+should be taken away from them, and who, like the Achilles of Homer,
+drag their enemy by the feet nine times round the walls of Troy. The
+Marquise was like that. She did not see Henri. In the first place, she
+was too secure of her solitude to be afraid of witnesses; and,
+secondly, she was too intoxicated with warm blood, too excited with
+the fray, too exalted, to take notice of the whole of Paris, if Paris
+had formed a circle round her. A thunderbolt would not have disturbed
+her. She had not even heard Paquita's last sigh, and believed that the
+dead girl could still hear her.
+
+"Die without confessing!" she said. "Go down to hell, monster of
+ingratitude; belong to no one but the fiend. For the blood you gave
+him you owe me all your own! Die, die, suffer a thousand deaths! I
+have been too kind--I was only a moment killing you. I should have
+made you experience all the tortures that you have bequeathed to me. I
+--I shall live! I shall live in misery. I have no one left to love but
+God!"
+
+She gazed at her.
+
+"She is dead!" she said to herself, after a pause, in a violent
+reaction. "Dead! Oh, I shall die of grief!"
+
+The Marquise was throwing herself upon the divan, stricken with a
+despair which deprived her of speech, when this movement brought her
+in view of Henri de Marsay.
+
+"Who are you?" she asked, rushing at him with her dagger raised.
+
+Henri caught her arm, and thus they could contemplate each other face
+to face. A horrible surprise froze the blood in their veins, and their
+limbs quivered like those of frightened horses. In effect, the two
+Menoechmi had not been more alike. With one accord they uttered the
+same phrase:
+
+"Lord Dudley must have been your father!"
+
+The head of each was drooped in affirmation.
+
+"She was true to the blood," said Henri, pointing to Paquita.
+
+"She was as little guilty as it is possible to be," replied Margarita
+Euphemia Porraberil, and she threw herself upon the body of Paquita,
+giving vent to a cry of despair. "Poor child! Oh, if I could bring
+thee to life again! I was wrong--forgive me, Paquita! Dead! and I
+live! I--I am the most unhappy."
+
+At that moment the horrible face of the mother of Paquita appeared.
+
+"You are come to tell me that you never sold her to me to kill," cried
+the Marquise. "I know why you have left your lair. I will pay you
+twice over. Hold your peace."
+
+She took a bag of gold from the ebony cabinet, and threw it
+contemptuously at the old woman's feet. The chink of the gold was
+potent enough to excite a smile on the Georgian's impassive face.
+
+"I come at the right moment for you, my sister," said Henri. "The law
+will ask of you----"
+
+"Nothing," replied the Marquise. "One person alone might ask for a
+reckoning for the death of this girl. Cristemio is dead."
+
+"And the mother," said Henri, pointing to the old woman. "Will you not
+always be in her power?"
+
+"She comes from a country where women are not beings, but things
+--chattels, with which one does as one wills, which one buys, sells,
+and slays; in short, which one uses for one's caprices as you, here,
+use a piece of furniture. Besides, she has one passion which dominates
+all the others, and which would have stifled her maternal love, even
+if she had loved her daughter, a passion----"
+
+"What?" Henri asked quickly, interrupting his sister.
+
+"Play! God keep you from it," answered the Marquise.
+
+"But whom have you," said Henri, looking at the girl of the golden
+eyes, "who will help you to remove the traces of this fantasy which
+the law would not overlook?"
+
+"I have her mother," replied the Marquise, designating the Georgian,
+to whom she made a sign to remain.
+
+"We shall meet again," said Henri, who was thinking anxiously of his
+friends and felt that it was time to leave.
+
+"No, brother," she said, "we shall not meet again. I am going back to
+Spain to enter the Convent of _los Dolores_."
+
+"You are too young yet, too lovely," said Henri, taking her in his
+arms and giving her a kiss.
+
+"Good-bye," she said; "there is no consolation when you have lost that
+which has seemed to you the infinite."
+
+A week later Paul de Manerville met De Marsay in the Tuileries, on the
+Terrasse de Feuillants.
+
+"Well, what has become of our beautiful girl of the golden eyes, you
+rascal?"
+
+"She is dead."
+
+"What of?"
+
+"Consumption."
+
+
+
+PARIS, March 1834-April 1835.
+
+
+
+
+ADDENDUM
+
+ Note: The Girl with the Golden Eyes is the third part of a trilogy.
+ Part one is entitled Ferragus and part two is The Duchesse de
+ Langeais. In other addendum references all three stories are usually
+ combined under the title The Thirteen.
+
+The following personages appear in other stories of the Human Comedy.
+
+Bourignard, Gratien-Henri-Victor-Jean-Joseph
+ Ferragus
+
+Dudley, Lord
+ The Lily of the Valley
+ A Man of Business
+ Another Study of Woman
+ A Daughter of Eve
+
+Manerville, Paul Francois-Joseph, Comte de
+ The Ball at Sceaux
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Marriage Settlement
+
+Marsay, Henri de
+ Ferragus
+ The Duchesse of Langeais
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+Ronquerolles, Marquis de
+ The Imaginary Mistress
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ Ferragus
+ The Duchesse of Langeais
+ The Member for Arcis
+
+
+
+
+
+
+End of the Project Gutenberg EBook of The Thirteen, by Honore de Balzac
+
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+The Project Gutenberg EBook of The Thirteen, by Honore de Balzac
+
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+
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+Title: The Thirteen
+
+Author: Honore de Balzac
+
+Release Date: February, 2005 [EBook #7416]
+[This file was first posted on April 26, 2003]
+
+Edition: 10
+
+Language: English
+
+Character set encoding: US-ASCII
+
+*** START OF THE PROJECT GUTENBERG EBOOK, THE THIRTEEN ***
+
+
+
+
+Etext prepared by Dagny <dagnypg@yahoo.com>, Bonnie Sala, and John Bickers
+<jbickers@ihug.co.nz>
+
+
+
+THE THIRTEEN
+
+By Honore de Balzac
+
+
+
+
+ THE THIRTEEN
+
+ BY
+
+ HONORE DE BALZAC
+
+
+
+ INTRODUCTION
+
+The /Histoire des Treize/ consists--or rather is built up--of three
+stories: /Ferragus/ or the /Rue Soly/, /La Duchesse de Langeais/ or
+/Ne touchez-paz a la hache/, and /La Fille aux Yeux d'Or/.
+
+
+
+To tell the truth, there is more power than taste throughout the
+/Histoire des Treize/, and perhaps not very much less unreality than
+power. Balzac is very much better than Eugene Sue, though Eugene Sue
+also is better than it is the fashion to think him just now. But he is
+here, to a certain extent competing with Sue on the latter's own
+ground. The notion of the "Devorants"--of a secret society of men
+devoted to each other's interests, entirely free from any moral or
+legal scruple, possessed of considerable means in wealth, ability, and
+position, all working together, by fair means or foul, for good ends
+or bad--is, no doubt, rather seducing to the imagination at all times;
+and it so happened that it was particularly seducing to the
+imagination of that time. And its example has been powerful since; it
+gave us Mr. Stevenson's /New Arabian Nights/ only, as it were, the
+other day.
+
+But there is something a little schoolboyish in it; and I do not know
+that Balzac has succeeded entirely in eliminating this something. The
+pathos of the death, under persecution, of the innocent Clemence does
+not entirely make up for the unreasonableness of the whole situation.
+Nobody can say that the abominable misconduct of Maulincour--who is a
+hopeless "cad"--is too much punished, though an Englishman may think
+that Dr. Johnson's receipt of three or four footmen with cudgels,
+applied repeatedly and unsparingly, would have been better than
+elaborately prepared accidents and duels, which were too honorable for
+a Peeping Tom of this kind; and poisonings, which reduced the avengers
+to the level of their victim. But the imbroglio is of itself stupid;
+these fathers who cannot be made known to husbands are mere stage
+properties, and should never be fetched out of the theatrical lumber-
+room by literature.
+
+/La Duchesse de Langeais/ is, I think, a better story, with more
+romantic attraction, free from the objections just made to /Ferragus/,
+and furnished with a powerful, if slightly theatrical catastrophe. It
+is as good as anything that its author has done of the kind, subject
+to those general considerations of probability and otherwise which
+have been already hinted at. For those who are not troubled by any
+such critical reflections, both, no doubt, will be highly
+satisfactory.
+
+The third of the series, /La Fille aux Yeux d'Or/, in some respects
+one of Balzac's most brilliant effects, has been looked at askance by
+many of his English readers. At one time he had the audacity to think
+of calling it /La Femme aux Yeux Rouges/. To those who consider the
+story morbid or, one may say, /bizarre/, one word of justification,
+hardly of apology, may be offered. It was in the scheme of the
+/Comedie Humaine/ to survey social life in its entirety by a minute
+analysis of its most diverse constituents. It included all the
+pursuits and passions, was large and patient, and unafraid. And the
+patience, the curiosity, of the artist which made Cesar Birotteau and
+his bankrupt ledgers matters of high import to us, which did not
+shrink from creating a Vautrin and a Lucien de Rubempre, would have
+been incomplete had it stopped short of a Marquise de San-Real, of a
+Paquita Valdes. And in the great mass of the /Comedie Humaine/, with
+its largeness and reality of life, as in life itself; the figure of
+Paquita justifies its presence.
+
+Considering the /Histoire des Treize/ as a whole, it is of engrossing
+interest. And I must confess I should not think much of any boy who,
+beginning Balzac with this series, failed to go rather mad over it. I
+know there was a time when I used to like it best of all, and thought
+not merely /Eugenie Grandet/, but /Le Pere Goriot/ (though not the
+/Peau de Chagrin/), dull in comparison. Some attention, however, must
+be paid to two remarkable characters, on whom it is quite clear that
+Balzac expended a great deal of pains, and one of whom he seems to
+have "caressed," as the French say, with a curious admixture of
+dislike and admiration.
+
+The first, Bourignard or Ferragus, is, of course, another, though a
+somewhat minor example--Collin or Vautrin being the chief--of that
+strange tendency to take intense interest in criminals, which seems to
+be a pretty constant eccentricity of many human minds, and which laid
+an extraordinary grasp on the great French writers of Balzac's time. I
+must confess, though it may sink me very low in some eyes, that I have
+never been able to fully appreciate the attractions of crime and
+criminals, fictitious or real. Certain pleasant and profitable things,
+no doubt, retain their pleasure and their profit, to some extent, when
+they are done in the manner which is technically called criminal; but
+they seem to me to acquire no additional interest by being so. As the
+criminal of fact is, in the vast majority of cases, an exceedingly
+commonplace and dull person, the criminal of fiction seems to me only,
+or usually, to escape these curses by being absolutely improbable and
+unreal. But I know this is a terrible heresy.
+
+Henri de Marsay is a much more ambitious and a much more interesting
+figure. In him are combined the attractions of criminality, beauty,
+brains, success, and, last of all, dandyism. It is a well-known and
+delightful fact that the most Anglophobe Frenchmen--and Balzac might
+fairly be classed among them--have always regarded the English dandy
+with half-jealous, half-awful admiration. Indeed, our novelist, it
+will be seen, found it necessary to give Marsay English blood. But
+there is a tradition that this young Don Juan--not such a good fellow
+as Byron's, nor such a /grand seigneur/ as Moliere's--was partly
+intended to represent Charles de Remusat, who is best known to this
+generation by very sober and serious philosophical works, and by his
+part in his mother's correspondence. I do not know that there ever
+were any imputation on M. de Remusat's morals; but in memoirs of the
+time, he is, I think, accused of a certain selfishness and /hauteur/,
+and he certainly made his way, partly by journalism, partly by
+society, to power very much as Marsay did. But Marsay would certainly
+not have written /Abelard/ and the rest, or have returned to
+Ministerial rank in our own time. Marsay, in fact, more fortunate than
+Rubempre, and of a higher stamp and flight than Rastignac, makes with
+them Balzac's trinity of sketches of the kind of personage whose part,
+in his day and since, every young Frenchman has aspired to play, and
+some have played. It cannot be said that "a moral man is Marsay"; it
+cannot be said that he has the element of good-nature which redeems
+Rastignac. But he bears a blame and a burden for which we Britons are
+responsible in part--the Byronic ideal of the guilty hero coming to
+cross and blacken the old French model of unscrupulous good humor. It
+is not a very pretty mixture or a very worthy ideal; but I am not so
+sure that it is not still a pretty common one.
+
+The association of the three stories forming the /Histoire des Treize/
+is, in book form, original, inasmuch as they filled three out of the
+four volumes of /Etudes des Moeurs/ published in 1834-35, and
+themselves forming part of the first collection of /Scenes de la Vie
+Parisienne/. But /Ferragus/ had appeared in parts (with titles to
+each) in the /Revue de Paris/ for March and April 1833, and part of
+/La Duchesse de Langeais/ in the /Echo de la Jeune France/ almost
+contemporaneously. There are divisions in this also. /Ferragus/ and
+/La Duchesse/ also appeared without /La Fille aux Yeux d'Or/ in 1839,
+published in one volume by Charpentier, before their absorption at the
+usual time in the /Comedie/.
+
+ George Saintsbury
+
+
+
+
+
+ THE THIRTEEN
+
+
+
+ AUTHOR'S PREFACE
+
+In the Paris of the Empire there were found Thirteen men equally
+impressed with the same idea, equally endowed with energy enough to
+keep them true to it, while among themselves they were loyal enough to
+keep faith even when their interests seemed to clash. They were strong
+enough to set themselves above all laws; bold enough to shrink from no
+enterprise; and lucky enough to succeed in nearly everything that they
+undertook. So profoundly politic were they, that they could dissemble
+the tie which bound them together. They ran the greatest risks, and
+kept their failures to themselves. Fear never entered into their
+calculations; not one of them had trembled before princes, before the
+executioner's axe, before innocence. They had taken each other as they
+were, regardless of social prejudices. Criminals they doubtless were,
+yet none the less were they all remarkable for some one of the virtues
+which go to the making of great men, and their numbers were filled up
+only from among picked recruits. Finally, that nothing should be
+lacking to complete the dark, mysterious romance of their history,
+nobody to this day knows who they were. The Thirteen once realized all
+the wildest ideas conjured up by tales of the occult powers of a
+Manfred, a Faust, or a Melmoth; and to-day the band is broken up or,
+at any rate, dispersed. Its members have quietly returned beneath the
+yoke of the Civil Code; much as Morgan, the Achilles of piracy, gave
+up buccaneering to be a peaceable planter; and, untroubled by qualms
+of conscience, sat himself down by the fireside to dispose of blood-
+stained booty acquired by the red light of blazing towns.
+
+After Napoleon's death, the band was dissolved by a chance event which
+the author is bound for the present to pass over in silence, and its
+mysterious existence, as curious, it may be, as the darkest novel by
+Mrs. Radcliffe, came to an end.
+
+It was only lately that the present writer, detecting, as he fancied,
+a faint desire for celebrity in one of the anonymous heroes to whom
+the whole band once owed an occult allegiance, received the somewhat
+singular permission to make public certain of the adventures which
+befell that band, provided that, while telling the story in his own
+fashion, he observed certain limits.
+
+The aforesaid leader was still an apparently young man with fair hair
+and blue eyes, and a soft, thin voice which might seem to indicate a
+feminine temperament. His face was pale, his ways mysterious. He
+chatted pleasantly, and told me that he was only just turned of forty.
+He might have belonged to any one of the upper classes. The name which
+he gave was probably assumed, and no one answering to his description
+was known in society. Who is he, do you ask? No one knows.
+
+Perhaps when he made his extraordinary disclosures to the present
+writer, he wished to see them in some sort reproduced; to enjoy the
+effect of the sensation on the multitude; to feel as Macpherson might
+have felt when the name of Ossian, his creation, passed into all
+languages. And, in truth, that Scottish advocate knew one of the
+keenest, or, at any rate, one of the rarest sensations in human
+experience. What was this but the incognito of genius? To write an
+/Itineraire de Paris a Jerusalem/ is to take one's share in the glory
+of a century, but to give a Homer to one's country--this surely is a
+usurpation of the rights of God.
+
+The writer is too well acquainted with the laws of narration to be
+unaware of the nature of the pledge given by this brief preface; but,
+at the same time, he knows enough of the history of the Thirteen to
+feel confident that he shall not disappoint any expectations raised by
+the programme. Tragedies dripping with gore, comedies piled up with
+horrors, tales of heads taken off in secret have been confided to him.
+If any reader has not had enough of the ghastly tales served up to the
+public for some time past, he has only to express his wish; the author
+is in a position to reveal cold-blooded atrocities and family secrets
+of a gloomy and astonishing nature. But in preference he has chosen
+those pleasanter stories in which stormy passions are succeeded by
+purer scenes, where the beauty and goodness of woman shine out the
+brighter for the darkness. And, to the honor of the Thirteen, such
+episodes as these are not wanting. Some day perhaps it may be thought
+worth while to give their whole history to the world; in which case it
+might form a pendant to the history of the buccaneers--that race apart
+so curiously energetic, so attractive in spite of their crimes.
+
+When a writer has a true story to tell, he should scorn to turn it
+into a sort of puzzle toy, after the manner of those novelists who
+take their reader for a walk through one cavern after another to show
+him a dried-up corpse at the end of the fourth volume, and inform him,
+by way of conclusion, that he has been frightened all along by a door
+hidden somewhere or other behind some tapestry; or a dead body, left
+by inadvertence, under the floor. So the present chronicler, in spite
+of his objection to prefaces, felt bound to introduce his fragment by
+a few remarks.
+
+/Ferragus/, the first episode, is connected by invisible links with
+the history of the Thirteen, for the power which they acquired in a
+natural manner provides the apparently supernatural machinery.
+
+Again, although a certain literary coquetry may be permissible to
+retailers of the marvelous, the sober chronicler is bound to forego
+such advantage as he may reap from an odd-sounding name, on which many
+ephemeral successes are founded in these days. Wherefore the present
+writer gives the following succinct statement of the reasons which
+induced him to adopt the unlikely sounding title and sub-title.
+
+In accordance with old-established custom, /Ferragus/ is a name taken
+by the head of a guild of /Devorants/, /id est Devoirants/ or
+journeymen. Every chief on the day of his election chooses a pseudonym
+and continues a dynasty of /Devorants/ precisely as a pope changes his
+name on his accession to the triple tiara; and as the Church has its
+Clement XIV., Gregory XII., Julius II., or Alexander VI., so the
+workmen have their Trempe-la-Soupe IX., Ferragus XXII., Tutanus XIII.,
+or Masche-Fer IV. Who are the /Devorants/, do you ask?
+
+The /Devorants/ are one among many tribes of /compagnons/ whose origin
+can be traced to a great mystical association formed among the workmen
+of Christendom for the rebuilding of the Temple at Jerusalem.
+/Compagnonnage/ is still a popular institution in France. Its
+traditions still exert a power over little enlightened minds, over men
+so uneducated that they have not learned to break their oaths; and the
+various organizations might be turned to formidable account even yet
+if any rough-hewn man of genius arose to make use of them, for his
+instruments would be, for the most part, almost blind.
+
+Wherever journeymen travel, they find a hostel for /compagnons/ which
+has been in existence in the town from time immemorial. The /obade/,
+as they call it, is a kind of lodge with a "Mother" in charge, an old,
+half-gypsy wife who has nothing to lose. She hears all that goes on in
+the countryside; and, either from fear or from long habit, is devoted
+to the interests of the tribe boarded and lodged by her. And as a
+result, this shifting population, subject as it is to an unalterable
+law of custom, has eyes in every place, and will carry out an order
+anywhere without asking questions; for the oldest journeyman is still
+at an age when a man has some beliefs left. What is more, the whole
+fraternity professes doctrines which, if unfolded never so little, are
+both true enough and mysterious enough to electrify all the adepts
+with patriotism; and the /compagnons/ are so attached to their rules,
+that there have been bloody battles between different fraternities on
+a question of principle. Fortunately, however, for peace and public
+order; if a /Devorant/ is ambitious, he takes to building houses,
+makes a fortune, and leaves the guild.
+
+A great many curious things might be told of their rivals, the
+/Compagnons du Devior/, of all the different sects of workmen, their
+manners and customs and brotherhoods, and of the resemblances between
+them and the Freemasons; but there, these particulars would be out of
+place. The author will merely add, that before the Revolution a
+Trempe-la-Soupe had been known in the King's service, which is to say,
+that he had the tenure of a place in His Majesty's galleys for one
+hundred and one years; but even thence he ruled his guild, and was
+religiously consulted on all matters, and if he escaped from the hulks
+he met with help, succor, and respect wherever he went. To have a
+chief in the hulks is one of those misfortunes for which Providence is
+responsible; but a faithful lodge of /devorants/ is bound, as before,
+to obey a power created by and set above themselves. Their lawful
+sovereign is in exile for the time being, but none the less is he
+their king. And now any romantic mystery hanging about the words
+/Ferragus/ and the /devorants/ is completely dispelled.
+
+As for the Thirteen, the author feels that, on the strength of the
+details of this almost fantastic story, he can afford to give away yet
+another prerogative, though it is one of the greatest on record, and
+would possibly fetch a high price if brought into a literary auction
+mart; for the owner might inflict as many volumes on the public as La
+Contemporaine.[*]
+
+[*] A long series of so-called Memoirs, which appeared about 1830.
+
+The Thirteen were all of them men tempered like Byron's friend
+Trelawney, the original (so it is said) of /The Corsair/. All of them
+were fatalists, men of spirit and poetic temperament; all of them were
+tired of the commonplace life which they led; all felt attracted
+towards Asiatic pleasures by all the vehement strength of newly
+awakened and long dormant forces. One of these, chancing to take up
+/Venice Preserved/ for the second time, admired the sublime friendship
+between Pierre and Jaffir, and fell to musing on the virtues of
+outlaws, the loyalty of the hulks, the honor of thieves, and the
+immense power that a few men can wield if they bring their whole minds
+to bear upon the carrying out of a single will. It struck him that the
+individual man rose higher than men. Then he began to think that if a
+few picked men should band themselves together; and if, to natural
+wit, and education, and money, they could join a fanaticism hot enough
+to fuse, as it were, all those separate forces into a single one, then
+the whole world would be at their feet. From that time forth, with a
+tremendous power of concentration, they could wield an occult power
+against which the organization of society would be helpless; a power
+which would push obstacles aside and defeat the will of others; and
+the diabolical power of all would be at the service of each. A hostile
+world apart within the world, admitting none of the ideas, recognizing
+none of the laws of the world; submitting only to the sense of
+necessity, obedient only from devotion; acting all as one man in the
+interests of the comrade who should claim the aid of the rest; a band
+of buccaneers with carriages and yellow kid gloves; a close
+confederacy of men of extraordinary power, of amused and cool
+spectators of an artificial and petty world which they cursed with
+smiling lips; conscious as they were that they could make all things
+bend to their caprice, weave ingenious schemes of revenge, and live
+with the life in thirteen hearts, to say nothing of the unfailing
+pleasure of facing the world of men with a hidden misanthropy, a sense
+that they were armed against their kind, and could retire into
+themselves with one idea which the most remarkable men had not,--all
+this constituted a religion of pleasure and egoism which made fanatics
+of the Thirteen. The history of the Society of Jesus was repeated for
+the Devil's benefit. It was hideous and sublime.
+
+The pact was made; and it lasted, precisely because it seemed
+impossible. And so it came to pass that in Paris there was a
+fraternity of thirteen men, each one bound, body and soul, to the
+rest, and all of them strangers to each other in the sight of the
+world. But evening found them gathered together like conspirators, and
+then they had no thoughts apart; riches, like the wealth of the Old
+Man of the Mountain, they possessed in common; they had their feet in
+every salon, their hands in every strong box, their elbows in the
+streets, their heads upon all pillows, they did not scruple to help
+themselves at their pleasure. No chief commanded them, nobody was
+strong enough. The liveliest passion, the most urgent need took
+precedence--that was all. They were thirteen unknown kings; unknown,
+but with all the power and more than the power of kings; for they were
+both judges and executioners, they had taken wings that they might
+traverse the heights and depths of society, scorning to take any place
+in it, since all was theirs. If the author learns the reason of their
+abdication, he will communicate it.
+
+And now the author is free to give those episodes in the History of
+the Thirteen which, by reason of the Parisian flavor of the details or
+the strangeness of the contrasts, possessed a peculiar attraction for
+him.
+
+ Paris
+
+
+
+
+
+ THE THIRTEEN
+
+
+
+ I.
+
+
+
+ FERRAGUS,
+ CHIEF OF THE DEVORANTS
+
+ By HONORE DE BALZAC
+
+
+ Translated By
+ Katharine Prescott Wormeley
+
+
+
+ DEDICATION
+
+ To Hector Berlioz.
+
+
+
+ CHAPTER I
+
+ MADAME JULES
+
+Certain streets in Paris are as degraded as a man covered with infamy;
+also, there are noble streets, streets simply respectable, young
+streets on the morality of which the public has not yet formed an
+opinion; also cut-throat streets, streets older than the age of the
+oldest dowagers, estimable streets, streets always clean, streets
+always dirty, working, laboring, and mercantile streets. In short, the
+streets of Paris have every human quality, and impress us, by what we
+must call their physiognomy, with certain ideas against which we are
+defenceless. There are, for instance, streets of a bad neighborhood in
+which you could not be induced to live, and streets where you would
+willingly take up your abode. Some streets, like the rue Montmartre,
+have a charming head, and end in a fish's tail. The rue de la Paix is
+a wide street, a fine street, yet it wakens none of those gracefully
+noble thoughts which come to an impressible mind in the middle of the
+rue Royale, and it certainly lacks the majesty which reigns in the
+Place Vendome.
+
+If you walk the streets of the Ile Saint-Louis, do not seek the reason
+of the nervous sadness that lays hold upon you save in the solitude of
+the spot, the gloomy look of the houses, and the great deserted
+mansions. This island, the ghost of /fermiers-generaux/, is the Venice
+of Paris. The Place de la Bourse is voluble, busy, degraded; it is
+never fine except by moonlight at two in the morning. By day it is
+Paris epitomized; by night it is a dream of Greece. The rue
+Traversiere-Saint-Honore--is not that a villainous street? Look at the
+wretched little houses with two windows on a floor, where vice, crime,
+and misery abound. The narrow streets exposed to the north, where the
+sun never comes more than three or four times a year, are the
+cut-throat streets which murder with impunity; the authorities of the
+present day do not meddle with them; but in former times the
+Parliament might perhaps have summoned the lieutenant of police and
+reprimanded him for the state of things; and it would, at least, have
+issued some decree against such streets, as it once did against the
+wigs of the Chapter of Beauvais. And yet Monsieur Benoiston de
+Chateauneuf has proved that the mortality of these streets is double
+that of others! To sum up such theories by a single example: is not
+the rue Fromentin both murderous and profligate!
+
+These observations, incomprehensible out of Paris, will doubtless be
+understood by musing men of thought and poesy and pleasure, who know,
+while rambling about Paris, how to harvest the mass of floating
+interests which may be gathered at all hours within her walls; to them
+Paris is the most delightful and varied of monsters: here, a pretty
+woman; farther on, a haggard pauper; here, new as the coinage of a new
+reign; there, in this corner, elegant as a fashionable woman. A
+monster, moreover, complete! Its garrets, as it were, a head full of
+knowledge and genius; its first storeys stomachs repleted; its shops,
+actual feet, where the busy ambulating crowds are moving. Ah! what an
+ever-active life the monster leads! Hardly has the last vibration of
+the last carriage coming from a ball ceased at its heart before its
+arms are moving at the barriers and it shakes itself slowly into
+motion. Doors open; turning on their hinges like the membrane of some
+huge lobster, invisibly manipulated by thirty thousand men or women,
+of whom each individual occupies a space of six square feet, but has a
+kitchen, a workshop, a bed, children, a garden, little light to see
+by, but must see all. Imperceptibly, the articulations begin to crack;
+motion communicates itself; the street speaks. By mid-day, all is
+alive; the chimneys smoke, the monster eats; then he roars, and his
+thousand paws begin to ramp. Splendid spectacle! But, O Paris! he who
+has not admired your gloomy passages, your gleams and flashes of
+light, your deep and silent /cul-de-sacs/, who has not listened to
+your murmurings between midnight and two in the morning, knows nothing
+as yet of your true poesy, nor of your broad and fantastic contrasts.
+
+There are a few amateurs who never go their way heedlessly; who savor
+their Paris, so to speak; who know its physiognomy so well that they
+see every wart, and pimple, and redness. To others, Paris is always
+that monstrous marvel, that amazing assemblage of activities, of
+schemes, of thoughts; the city of a hundred thousand tales, the head
+of the universe. But to those few, Paris is sad or gay, ugly or
+beautiful, living or dead; to them Paris is a creature; every man,
+every fraction of a house is a lobe of the cellular tissue of that
+great courtesan whose head and heart and fantastic customs they know
+so well. These men are lovers of Paris; they lift their noses at such
+or such a corner of a street, certain that they can see the face of a
+clock; they tell a friend whose tobacco-pouch is empty, "Go down that
+passage and turn to the left; there's a tobacconist next door to a
+confectioner, where there's a pretty girl." Rambling about Paris is,
+to these poets, a costly luxury. How can they help spending precious
+minutes before the dramas, disasters, faces, and picturesque events
+which meet us everywhere amid this heaving queen of cities, clothed in
+posters,--who has, nevertheless, not a single clean corner, so
+complying is she to the vices of the French nation! Who has not
+chanced to leave his home early in the morning, intending to go to
+some extremity of Paris, and found himself unable to get away from the
+centre of it by the dinner-hour? Such a man will know how to excuse
+this vagabondizing start upon our tale; which, however, we here sum up
+in an observation both useful and novel, as far as any observation can
+be novel in Paris, where there is nothing new,--not even the statue
+erected yesterday, on which some young gamin has already scribbled his
+name.
+
+Well, then! there are streets, or ends of streets, there are houses,
+unknown for the most part to persons of social distinction, to which a
+woman of that class cannot go without causing cruel and very wounding
+things to be thought of her. Whether the woman be rich and has a
+carriage, whether she is on foot, or is disguised, if she enters one
+of these Parisian defiles at any hour of the day, she compromises her
+reputation as a virtuous woman. If, by chance, she is there at nine in
+the evening the conjectures that an observer permits himself to make
+upon her may prove fearful in their consequences. But if the woman is
+young and pretty, if she enters a house in one of those streets, if
+the house has a long, dark, damp, and evil-smelling passage-way, at
+the end of which flickers the pallid gleam of an oil lamp, and if
+beneath that gleam appears the horrid face of a withered old woman
+with fleshless fingers, ah, then! and we say it in the interests of
+young and pretty women, that woman is lost. She is at the mercy of the
+first man of her acquaintance who sees her in that Parisian slough.
+There is more than one street in Paris where such a meeting may lead
+to a frightful drama, a bloody drama of death and love, a drama of the
+modern school.
+
+Unhappily, this scene, this modern drama itself, will be comprehended
+by only a small number of persons; and it is a pity to tell the tale
+to a public which cannot enter into its local merit. But who can
+flatter himself that he will ever be understood? We all die unknown--
+'tis the saying of women and of authors.
+
+At half-past eight o'clock one evening, in the rue Pagevin, in the
+days when that street had no wall which did not echo some infamous
+word, and was, in the direction of the rue Soly, the narrowest and
+most impassable street in Paris (not excepting the least frequented
+corner of the most deserted street),--at the beginning of the month of
+February about thirteen years ago, a young man, by one of those
+chances which come but once in life, turned the corner of the rue
+Pagevin to enter the rue des Vieux-Augustins, close to the rue Soly.
+There, this young man, who lived himself in the rue de Bourbon, saw in
+a woman near whom he had been unconsciously walking, a vague
+resemblance to the prettiest woman in Paris; a chaste and delightful
+person, with whom he was secretly and passionately in love,--a love
+without hope; she was married. In a moment his heart leaped, an
+intolerable heat surged from his centre and flowed through all his
+veins; his back turned cold, the skin of his head crept. He loved, he
+was young, he knew Paris; and his knowledge did not permit him to be
+ignorant of all there was of possible infamy in an elegant, rich,
+young, and beautiful woman walking there, alone, with a furtively
+criminal step. /She/ in that mud! at that hour!
+
+The love that this young man felt for that woman may seem romantic,
+and all the more so because he was an officer in the Royal Guard. If
+he had been in the infantry, the affair might have seemed more likely;
+but, as an officer of rank in the cavalry, he belonged to that French
+arm which demands rapidity in its conquests and derives as much vanity
+from its amorous exploits as from its dashing uniform. But the passion
+of this officer was a true love, and many young hearts will think it
+noble. He loved this woman because she was virtuous; he loved her
+virtue, her modest grace, her imposing saintliness, as the dearest
+treasures of his hidden passion. This woman was indeed worthy to
+inspire one of those platonic loves which are found, like flowers amid
+bloody ruins, in the history of the middle-ages; worthy to be the
+hidden principle of all the actions of a young man's life; a love as
+high, as pure as the skies when blue; a love without hope and to which
+men bind themselves because it can never deceive; a love that is
+prodigal of unchecked enjoyment, especially at an age when the heart
+is ardent, the imagination keen, and the eyes of a man see very
+clearly.
+
+Strange, weird, inconceivable effects may be met with at night in
+Paris. Only those who have amused themselves by watching those effects
+have any idea how fantastic a woman may appear there at dusk. At times
+the creature whom you are following, by accident or design, seems to
+you light and slender; the stockings, if they are white, make you
+fancy that the legs must be slim and elegant; the figure though
+wrapped in a shawl, or concealed by a pelisse, defines itself
+gracefully and seductively among the shadows; anon, the uncertain
+gleam thrown from a shop-window or a street lamp bestows a fleeting
+lustre, nearly always deceptive, on the unknown woman, and fires the
+imagination, carrying it far beyond the truth. The senses then bestir
+themselves; everything takes color and animation; the woman appears in
+an altogether novel aspect; her person becomes beautiful. Behold! she
+is not a woman, she is a demon, a siren, who is drawing you by
+magnetic attraction to some respectable house, where the worthy
+/bourgeoise/, frightened by your threatening step and the clack of
+your boots, shuts the door in your face without looking at you.
+
+A vacillating gleam, thrown from the shop-window of a shoemaker,
+suddenly illuminated from the waist down the figure of the woman who
+was before the young man. Ah! surely, /she/ alone had that swaying
+figure; she alone knew the secret of that chaste gait which innocently
+set into relief the many beauties of that attractive form. Yes, that
+was the shawl, and that the velvet bonnet which she wore in the
+mornings. On her gray silk stockings not a spot, on her shoes not a
+splash. The shawl held tightly round the bust disclosed, vaguely, its
+charming lines; and the young man, who had often seen those shoulders
+at a ball, knew well the treasures that the shawl concealed. By the
+way a Parisian woman wraps a shawl around her, and the way she lifts
+her feet in the street, a man of intelligence in such studies can
+divine the secret of her mysterious errand. There is something, I know
+not what, of quivering buoyancy in the person, in the gait; the woman
+seems to weigh less; she steps, or rather, she glides like a star, and
+floats onward led by a thought which exhales from the folds and motion
+of her dress. The young man hastened his step, passed the woman, and
+then turned back to look at her. Pst! she had disappeared into a
+passage-way, the grated door of which and its bell still rattled and
+sounded. The young man walked back to the alley and saw the woman
+reach the farther end, where she began to mount--not without receiving
+the obsequious bow of an old portress--a winding staircase, the lower
+steps of which were strongly lighted; she went up buoyantly, eagerly,
+as though impatient.
+
+"Impatient for what?" said the young man to himself, drawing back to
+lean against a wooden railing on the other side of the street. He
+gazed, unhappy man, at the different storeys of the house, with the
+keen attention of a detective searching for a conspirator.
+
+It was one of those houses of which there are thousands in Paris,
+ignoble, vulgar, narrow, yellowish in tone, with four storeys and
+three windows on each floor. The outer blinds of the first floor were
+closed. Where was she going? The young man fancied he heard the tinkle
+of a bell on the second floor. As if in answer to it, a light began to
+move in a room with two windows strongly illuminated, which presently
+lit up the third window, evidently that of a first room, either the
+salon or the dining-room of the apartment. Instantly the outline of a
+woman's bonnet showed vaguely on the window, and a door between the
+two rooms must have closed, for the first was dark again, while the
+two other windows resumed their ruddy glow. At this moment a voice
+said, "Hi, there!" and the young man was conscious of a blow on his
+shoulder.
+
+"Why don't you pay attention?" said the rough voice of a workman,
+carrying a plank on his shoulder. The man passed on. He was the voice
+of Providence saying to the watcher: "What are you meddling with?
+Think of your own duty; and leave these Parisians to their own
+affairs."
+
+The young man crossed his arms; then, as no one beheld him, he
+suffered tears of rage to flow down his cheeks unchecked. At last the
+sight of the shadows moving behind the lighted windows gave him such
+pain that he looked elsewhere and noticed a hackney-coach, standing
+against a wall in the upper part of the rue des Vieux-Augustins, at a
+place where there was neither the door of a house, nor the light of a
+shop-window.
+
+Was it she? Was it not she? Life or death to a lover! This lover
+waited. He stood there during a century of twenty minutes. After that
+the woman came down, and he then recognized her as the one whom he
+secretly loved. Nevertheless, he wanted still to doubt. She went to
+the hackney-coach, and got into it.
+
+"The house will always be there and I can search it later," thought
+the young man, following the carriage at a run, to solve his last
+doubts; and soon he did so.
+
+The carriage stopped in the rue de Richelieu before a shop for
+artificial flowers, close to the rue de Menars. The lady got out,
+entered the shop, sent out the money to pay the coachman, and
+presently left the shop herself, on foot, after buying a bunch of
+marabouts. Marabouts for her black hair! The officer beheld her,
+through the window-panes, placing the feathers to her head to see the
+effect, and he fancied he could hear the conversation between herself
+and the shop-woman.
+
+"Oh! madame, nothing is more suitable for brunettes: brunettes have
+something a little too strongly marked in their lines, and marabouts
+give them just that /flow/ which they lack. Madame la Duchesse de
+Langeais says they give a woman something vague, Ossianic, and very
+high-bred."
+
+"Very good; send them to me at once."
+
+Then the lady turned quickly toward the rue de Menars, and entered her
+own house. When the door closed on her, the young lover, having lost
+his hopes, and worse, far worse, his dearest beliefs, walked through
+the streets like a drunken man, and presently found himself in his own
+room without knowing how he came there. He flung himself into an arm-
+chair, put his head in his hands and his feet on the andirons, drying
+his boots until he burned them. It was an awful moment,--one of those
+moments in human life when the character is moulded, and the future
+conduct of the best of men depends on the good or evil fortune of his
+first action. Providence or fatality?--choose which you will.
+
+This young man belonged to a good family, whose nobility was not very
+ancient; but there are so few really old families in these days, that
+all men of rank are ancient without dispute. His grandfather had
+bought the office of counsellor to the Parliament of Paris, where he
+afterwards became president. His sons, each provided with a handsome
+fortune, entered the army, and through their marriages became attached
+to the court. The Revolution swept the family away; but one old
+dowager, too obstinate to emigrate, was left; she was put in prison,
+threatened with death, but was saved by the 9th Thermidor and
+recovered her property. When the proper time came, about the year
+1804, she recalled her grandson to France. Auguste de Maulincour, the
+only scion of the Carbonnon de Maulincour, was brought up by the good
+dowager with the triple care of a mother, a woman of rank, and an
+obstinate dowager. When the Restoration came, the young man, then
+eighteen years of age, entered the Maison-Rouge, followed the princes
+to Ghent, was made an officer in the body-guard, left it to serve in
+the line, but was recalled later to the Royal Guard, where, at twenty-
+three years of age, he found himself major of a cavalry regiment,--a
+splendid position, due to his grandmother, who had played her cards
+well to obtain it, in spite of his youth. This double biography is a
+compendium of the general and special history, barring variations, of
+all the noble families who emigrated having debts and property,
+dowagers and tact.
+
+Madame la Baronne de Maulincour had a friend in the old Vidame de
+Pamiers, formerly a commander of the Knights of Malta. This was one of
+those undying friendships founded on sexagenary ties which nothing can
+weaken, because at the bottom of such intimacies there are certain
+secrets of the human heart, delightful to guess at when we have the
+time, insipid to explain in twenty words, and which might make the
+text of a work in four volumes as amusing as the Doyen de Killerine,--
+a work about which young men talk and judge without having read it.
+
+Auguste de Maulincour belonged therefore to the faubourg Saint-Germain
+through his grandmother and the vidame, and it sufficed him to date
+back two centuries to take the tone and opinions of those who assume
+to go back to Clovis. This young man, pale, slender, and delicate in
+appearance, a man of honor and true courage, who would fight a duel
+for a yes or a no, had never yet fought upon a battle-field, though he
+wore in his button-hole the cross of the Legion of honor. He was, as
+you perceive, one of the blunders of the Restoration, perhaps the most
+excusable of them. The youth of those days was the youth of no epoch.
+It came between the memories of the Empire and those of the
+Emigration, between the old traditions of the court and the
+conscientious education of the /bourgeoisie/; between religion and
+fancy-balls; between two political faiths, between Louis XVIII., who
+saw only the present, and Charles X., who looked too far into the
+future; it was moreover bound to accept the will of the king, though
+the king was deceiving and tricking it. This unfortunate youth, blind
+and yet clear-sighted, was counted as nothing by old men jealously
+keeping the reins of the State in their feeble hands, while the
+monarchy could have been saved by their retirement and the accession
+of this Young France, which the old doctrinaires, the /emigres/ of the
+Restoration, still speak of slightingly. Auguste de Maulincour was a
+victim to the ideas which weighed in those days upon French youth, and
+we must here explain why.
+
+The Vidame de Pamiers was still, at sixty-seven years of age, a very
+brilliant man, having seen much and lived much; a good talker, a man
+of honor and a gallant man, but who held as to women the most
+detestable opinions; he loved them, and he despised them. /Their/
+honor! /their/ feelings! Ta-ra-ra, rubbish and shams! When he was with
+them, he believed in them, the ci-devant "monstre"; he never
+contradicted them, and he made them shine. But among his male friends,
+when the topic of the sex came up, he laid down the principle that to
+deceive women, and to carry on several intrigues at once, should be
+the occupation of those young men who were so misguided as to wish to
+meddle in the affairs of the State. It is sad to have to sketch so
+hackneyed a portrait, for has it not figured everywhere and become,
+literally, as threadbare as that of a grenadier of the Empire? But the
+vidame had an influence on Monsieur de Maulincour's destiny which
+obliges us to preserve his portrait; he lectured the young man after
+his fashion, and did his best to convert him to the doctrines of the
+great age of gallantry.
+
+The dowager, a tender-hearted, pious woman, sitting between God and
+her vidame, a model of grace and sweetness, but gifted with that
+well-bred persistency which triumphs in the long run, had longed to
+preserve for her grandson the beautiful illusions of life, and had
+therefore brought him up in the highest principles; she instilled into
+him her own delicacy of feeling and made him, to outward appearance, a
+timid man, if not a fool. The sensibilities of the young fellow,
+preserved pure, were not worn by contact without; he remained so
+chaste, so scrupulous, that he was keenly offended by actions and
+maxims to which the world attached no consequence. Ashamed of this
+susceptibility, he forced himself to conceal it under a false
+hardihood; but he suffered in secret, all the while scoffing with
+others at the things he reverenced.
+
+It came to pass that he was deceived; because, in accordance with a
+not uncommon whim of destiny, he, a man of gentle melancholy, and
+spiritual in love, encountered in the object of his first passion a
+woman who held in horror all German sentimentalism. The young man, in
+consequence, distrusted himself, became dreamy, absorbed in his
+griefs, complaining of not being understood. Then, as we desire all
+the more violently the things we find difficult to obtain, he
+continued to adore women with that ingenuous tenderness and feline
+delicacy the secret of which belongs to women themselves, who may,
+perhaps, prefer to keep the monopoly of it. In point of fact, though
+women of the world complain of the way men love them, they have little
+liking themselves for those whose soul is half feminine. Their own
+superiority consists in making men believe they are their inferiors in
+love; therefore they will readily leave a lover if he is inexperienced
+enough to rob them of those fears with which they seek to deck
+themselves, those delightful tortures of feigned jealousy, those
+troubles of hope betrayed, those futile expectations,--in short, the
+whole procession of their feminine miseries. They hold Sir Charles
+Grandison in horror. What can be more contrary to their nature than a
+tranquil, perfect love? They want emotions; happiness without storms
+is not happiness to them. Women with souls that are strong enough to
+bring infinitude into love are angelic exceptions; they are among
+women what noble geniuses are among men. Their great passions are rare
+as masterpieces. Below the level of such love come compromises,
+conventions, passing and contemptible irritations, as in all things
+petty and perishable.
+
+Amid the hidden disasters of his heart, and while he was still seeking
+the woman who could comprehend him (a search which, let us remark in
+passing, is one of the amorous follies of our epoch), Auguste met, in
+the rank of society that was farthest from his own, in the secondary
+sphere of money, where banking holds the first place, a perfect being,
+one of those women who have I know not what about them that is saintly
+and sacred,--women who inspire such reverence that love has need of
+the help of a long familiarity to declare itself.
+
+Auguste then gave himself up wholly to the delights of the deepest and
+most moving of passions, to a love that was purely adoring.
+Innumerable repressed desires there were, shadows of passion so vague
+yet so profound, so fugitive and yet so actual, that one scarcely
+knows to what we may compare them. They are like perfumes, or clouds,
+or rays of the sun, or shadows, or whatever there is in nature that
+shines for a moment and disappears, that springs to life and dies,
+leaving in the heart long echoes of emotion. When the soul is young
+enough to nurture melancholy and far-off hope, to find in woman more
+than a woman, is it not the greatest happiness that can befall a man
+when he loves enough to feel more joy in touching a gloved hand, or a
+lock of hair, in listening to a word, in casting a single look, than
+in all the ardor of possession given by happy love? Thus it is that
+rejected persons, those rebuffed by fate, the ugly and unfortunate,
+lovers unrevealed, women and timid men, alone know the treasures
+contained in the voice of the beloved. Taking their source and their
+element from the soul itself, the vibrations of the air, charged with
+passion, put our hearts so powerfully into communion, carrying thought
+between them so lucidly, and being, above all, so incapable of
+falsehood, that a single inflection of a voice is often a revelation.
+What enchantments the intonations of a tender voice can bestow upon
+the heart of a poet! What ideas they awaken! What freshness they shed
+there! Love is in the voice before the glance avows it. Auguste, poet
+after the manner of lovers (there are poets who feel, and poets who
+express; the first are the happiest), Auguste had tasted all these
+early joys, so vast, so fecund. SHE possessed the most winning organ
+that the most artful woman of the world could have desired in order to
+deceive at her ease; /she/ had that silvery voice which is soft to the
+ear, and ringing only for the heart which it stirs and troubles,
+caresses and subjugates.
+
+And this woman went by night to the rue Soly through the rue Pagevin!
+and her furtive apparition in an infamous house had just destroyed the
+grandest of passions! The vidame's logic triumphed.
+
+"If she is betraying her husband we will avenge ourselves," said
+Auguste.
+
+There was still faith in that "if." The philosophic doubt of Descartes
+is a politeness with which we should always honor virtue. Ten o'clock
+sounded. The Baron de Maulincour remembered that this woman was going
+to a ball that evening at a house to which he had access. He dressed,
+went there, and searched for her through all the salons. The mistress
+of the house, Madame de Nucingen, seeing him thus occupied, said:--
+
+"You are looking for Madame Jules; but she has not yet come."
+
+"Good evening, dear," said a voice.
+
+Auguste and Madame de Nucingen turned round. Madame Jules had arrived,
+dressed in white, looking simple and noble, wearing in her hair the
+marabouts the young baron had seen her choose in the flower-shop. That
+voice of love now pierced his heart. Had he won the slightest right to
+be jealous of her he would have petrified her then and there by saying
+the words, "Rue Soly!" But if he, an alien to her life, had said those
+words in her ear a thousand times, Madame Jules would have asked him
+in astonishment what he meant. He looked at her stupidly.
+
+For those sarcastic persons who scoff at all things it may be a great
+amusement to detect the secret of a woman, to know that her chastity
+is a lie, that her calm face hides some anxious thought, that under
+that pure brow is a dreadful drama. But there are other souls to whom
+the sight is saddening; and many of those who laugh in public, when
+withdrawn into themselves and alone with their conscience, curse the
+world while they despise the woman. Such was the case with Auguste de
+Maulincour, as he stood there in presence of Madame Jules. Singular
+situation! There was no other relation between them than that which
+social life establishes between persons who exchange a few words seven
+or eight times in the course of a winter, and yet he was calling her
+to account on behalf of a happiness unknown to her; he was judging
+her, without letting her know of his accusation.
+
+Many young men find themselves thus in despair at having broken
+forever with a woman adored in secret, condemned and despised in
+secret. There are many hidden monologues told to the walls of some
+solitary lodging; storms roused and calmed without ever leaving the
+depths of hearts; amazing scenes of the moral world, for which a
+painter is wanted. Madame Jules sat down, leaving her husband to make
+a turn around the salon. After she was seated she seemed uneasy, and,
+while talking with her neighbor, she kept a furtive eye on Monsieur
+Jules Desmarets, her husband, a broker chiefly employed by the Baron
+de Nucingen. The following is the history of their home life.
+
+Monsieur Desmarets was, five years before his marriage, in a broker's
+office, with no other means than the meagre salary of a clerk. But he
+was a man to whom misfortune had early taught the truths of life, and
+he followed the strait path with the tenacity of an insect making for
+its nest; he was one of those dogged young men who feign death before
+an obstacle and wear out everybody's patience with their own beetle-
+like perseverance. Thus, young as he was, he had all the republican
+virtue of poor peoples; he was sober, saving of his time, an enemy to
+pleasure. He waited. Nature had given him the immense advantage of an
+agreeable exterior. His calm, pure brow, the shape of his placid, but
+expressive face, his simple manners,--all revealed in him a laborious
+and resigned existence, that lofty personal dignity which is imposing
+to others, and the secret nobility of heart which can meet all events.
+His modesty inspired a sort of respect in those who knew him. Solitary
+in the midst of Paris, he knew the social world only by glimpses
+during the brief moments which he spent in his patron's salon on
+holidays.
+
+There were passions in this young man, as in most of the men who live
+in that way, of amazing profundity,--passions too vast to be drawn
+into petty incidents. His want of means compelled him to lead an
+ascetic life, and he conquered his fancies by hard work. After paling
+all day over figures, he found his recreation in striving obstinately
+to acquire that wide general knowledge so necessary in these days to
+every man who wants to make his mark, whether in society, or in
+commerce, at the bar, or in politics or literature. The only peril
+these fine souls have to fear comes from their own uprightness. They
+see some poor girl; they love her; they marry her, and wear out their
+lives in a struggle between poverty and love. The noblest ambition is
+quenched perforce by the household account-book. Jules Desmarets went
+headlong into this peril.
+
+He met one evening at his patron's house a girl of the rarest beauty.
+Unfortunate men who are deprived of affection, and who consume the
+finest hours of youth in work and study, alone know the rapid ravages
+that passion makes in their lonely, misconceived hearts. They are so
+certain of loving truly, all their forces are concentrated so quickly
+on the object of their love, that they receive, while beside her, the
+most delightful sensations, when, as often happens, they inspire none
+at all. Nothing is more flattering to a woman's egotism than to divine
+this passion, apparently immovable, and these emotions so deep that
+they have needed a great length of time to reach the human surface.
+These poor men, anchorites in the midst of Paris, have all the
+enjoyments of anchorites; and may sometimes succumb to temptations.
+But, more often deceived, betrayed, and misunderstood, they are rarely
+able to gather the sweet fruits of a love which, to them, is like a
+flower dropped from heaven.
+
+One smile from his wife, a single inflection of her voice sufficed to
+make Jules Desmarets conceive a passion which was boundless. Happily,
+the concentrated fire of that secret passion revealed itself artlessly
+to the woman who inspired it. These two beings then loved each other
+religiously. To express all in a word, they clasped hands without
+shame before the eyes of the world and went their way like two
+children, brother and sister, passing serenely through a crowd where
+all made way for them and admired them.
+
+The young girl was in one of those unfortunate positions which human
+selfishness entails upon children. She had no civil status; her name
+of "Clemence" and her age were recorded only by a notary public. As
+for her fortune, that was small indeed. Jules Desmarets was a happy
+man on hearing these particulars. If Clemence had belonged to an
+opulent family, he might have despaired of obtaining her; but she was
+only the poor child of love, the fruit of some terrible adulterous
+passion; and they were married. Then began for Jules Desmarets a
+series of fortunate events. Every one envied his happiness; and
+henceforth talked only of his luck, without recalling either his
+virtues or his courage.
+
+Some days after their marriage, the mother of Clemence, who passed in
+society for her godmother, told Jules Desmarets to buy the office and
+good-will of a broker, promising to provide him with the necessary
+capital. In those days, such offices could still be bought at a modest
+price. That evening, in the salon as it happened of his patron, a
+wealthy capitalist proposed, on the recommendation of the mother, a
+very advantageous transaction for Jules Desmarets, and the next day
+the happy clerk was able to buy out his patron. In four years
+Desmarets became one of the most prosperous men in his business; new
+clients increased the number his predecessor had left to him; he
+inspired confidence in all; and it was impossible for him not to feel,
+by the way business came to him, that some hidden influence, due to
+his mother-in-law, or to Providence, was secretly protecting him.
+
+At the end of the third year Clemence lost her godmother. By that time
+Monsieur Jules (so called to distinguish him from an elder brother,
+whom he had set up as a notary in Paris) possessed an income from
+invested property of two hundred thousand francs. There was not in all
+Paris another instance of the domestic happiness enjoyed by this
+couple. For five years their exceptional love had been troubled by
+only one event,--a calumny for which Monsieur Jules exacted vengeance.
+One of his former comrades attributed to Madame Jules the fortune of
+her husband, explaining that it came from a high protection dearly
+paid for. The man who uttered the calumny was killed in the duel that
+followed it.
+
+The profound passion of this couple, which survived marriage, obtained
+a great success in society, though some women were annoyed by it. The
+charming household was respected; everybody feted it. Monsieur and
+Madame Jules were sincerely liked, perhaps because there is nothing
+more delightful to see than happy people; but they never stayed long
+at any festivity. They slipped away early, as impatient to regain
+their nest as wandering pigeons. This nest was a large and beautiful
+mansion in the rue de Menars, where a true feeling for art tempered
+the luxury which the financial world continues, traditionally, to
+display. Here the happy pair received their society magnificently,
+although the obligations of social life suited them but little.
+
+Nevertheless, Jules submitted to the demands of the world, knowing
+that, sooner or later, a family has need of it; but he and his wife
+felt themselves, in its midst, like green-house plants in a tempest.
+With a delicacy that was very natural, Jules had concealed from his
+wife the calumny and the death of the calumniator. Madame Jules,
+herself, was inclined, through her sensitive and artistic nature, to
+desire luxury. In spite of the terrible lesson of the duel, some
+imprudent women whispered to each other that Madame Jules must
+sometimes be pressed for money. They often found her more elegantly
+dressed in her own home than when she went into society. She loved to
+adorn herself to please her husband, wishing to show him that to her
+he was more than any social life. A true love, a pure love, above all,
+a happy love! Jules, always a lover, and more in love as time went by,
+was happy in all things beside his wife, even in her caprices; in
+fact, he would have been uneasy if she had none, thinking it a symptom
+of some illness.
+
+Auguste de Maulincour had the personal misfortune of running against
+this passion, and falling in love with the wife beyond recovery.
+Nevertheless, though he carried in his heart so intense a love, he was
+not ridiculous; he complied with all the demands of society, and of
+military manners and customs. And yet his face wore constantly, even
+though he might be drinking a glass of champagne, that dreamy look,
+that air of silently despising life, that nebulous expression which
+belongs, though for other reasons, to /blases/ men,--men dissatisfied
+with hollow lives. To love without hope, to be disgusted with life,
+constitute, in these days, a social position. The enterprise of
+winning the heart of a sovereign might give, perhaps, more hope than a
+love rashly conceived for a happy woman. Therefore Maulincour had
+sufficient reason to be grave and gloomy. A queen has the vanity of
+her power; the height of her elevation protects her. But a pious
+/bourgeoise/ is like a hedgehog, or an oyster, in its rough wrappings.
+
+At this moment the young officer was beside his unconscious mistress,
+who certainly was unaware that she was doubly faithless. Madame Jules
+was seated, in a naive attitude, like the least artful woman in
+existence, soft and gentle, full of a majestic serenity. What an abyss
+is human nature! Before beginning a conversation, the baron looked
+alternately at the wife and at the husband. How many were the
+reflections he made! He recomposed the "Night Thoughts" of Young in a
+second. And yet the music was sounding through the salons, the light
+was pouring from a thousand candles. It was a banker's ball,--one of
+those insolent festivals by means of which the world of solid gold
+endeavored to sneer at the gold-embossed salons where the faubourg
+Saint-Germain met and laughed, not foreseeing the day when the bank
+would invade the Luxembourg and take its seat upon the throne. The
+conspirators were now dancing, indifferent to coming bankruptcies,
+whether of Power or of the Bank. The gilded salons of the Baron de
+Nucingen were gay with that peculiar animation that the world of
+Paris, apparently joyous at any rate, gives to its fetes. There, men
+of talent communicate their wit to fools, and fools communicate that
+air of enjoyment that characterizes them. By means of this exchange
+all is liveliness. But a ball in Paris always resembles fireworks to a
+certain extent; wit, coquetry, and pleasure sparkle and go out like
+rockets. The next day all present have forgotten their wit, their
+coquetry, their pleasure.
+
+"Ah!" thought Auguste, by way of conclusion, "women are what the
+vidame says they are. Certainly all those dancing here are less
+irreproachable actually than Madame Jules appears to be, and yet
+Madame Jules went to the rue Soly!"
+
+The rue Soly was like an illness to him; the very word shrivelled his
+heart.
+
+"Madame, do you ever dance?" he said to her.
+
+"This is the third time you have asked me that question this winter,"
+she answered, smiling.
+
+"But perhaps you have never answered it."
+
+"That is true."
+
+"I knew very well that you were false, like other women."
+
+Madame Jules continued to smile.
+
+"Listen, monsieur," she said; "if I told you the real reason, you
+would think it ridiculous. I do not think it false to abstain from
+telling things that the world would laugh at."
+
+"All secrets demand, in order to be told, a friendship of which I am
+no doubt unworthy, madame. But you cannot have any but noble secrets;
+do you think me capable of jesting on noble things?"
+
+"Yes," she said, "you, like all the rest, laugh at our purest
+sentiments; you calumniate them. Besides, I have no secrets. I have
+the right to love my husband in the face of all the world, and I say
+so,--I am proud of it; and if you laugh at me when I tell you that I
+dance only with him, I shall have a bad opinion of your heart."
+
+"Have you never danced since your marriage with any one but your
+husband?"
+
+"Never. His arm is the only one on which I have leaned; I have never
+felt the touch of another man."
+
+"Has your physician never felt your pulse?"
+
+"Now you are laughing at me."
+
+"No, madame, I admire you, because I comprehend you. But you let a man
+hear your voice, you let yourself be seen, you--in short, you permit
+our eyes to admire you--"
+
+"Ah!" she said, interrupting him, "that is one of my griefs. Yes, I
+wish it were possible for a married woman to live secluded with her
+husband, as a mistress lives with her lover, for then--"
+
+"Then why were you, two hours ago, on foot, disguised, in the rue
+Soly?"
+
+"The rue Soly, where is that?"
+
+And her pure voice gave no sign of any emotion; no feature of her face
+quivered; she did not blush; she remained calm.
+
+"What! you did not go up to the second floor of a house in the rue des
+Vieux-Augustins at the corner of the rue Soly? You did not have a
+hackney-coach waiting near by? You did not return in it to the flower-
+shop in the rue Richelieu, where you bought the feathers that are now
+in your hair?"
+
+"I did not leave my house this evening."
+
+As she uttered that lie she was smiling and imperturbable; she played
+with her fan; but if any one had passed a hand down her back they
+would, perhaps, have found it moist. At that instant Auguste
+remembered the instructions of the vidame.
+
+"Then it was some one who strangely resembled you," he said, with a
+credulous air.
+
+"Monsieur," she replied, "if you are capable of following a woman and
+detecting her secrets, you will allow me to say that it is a wrong, a
+very wrong thing, and I do you the honor to say that I disbelieve
+you."
+
+The baron turned away, placed himself before the fireplace and seemed
+thoughtful. He bent his head; but his eyes were covertly fixed on
+Madame Jules, who, not remembering the reflections in the mirror, cast
+two or three glances at him that were full of terror. Presently she
+made a sign to her husband and rising took his arm to walk about the
+salon. As she passed before Monsieur de Maulincour, who at that moment
+was speaking to a friend, he said in a loud voice, as if in reply to a
+remark: "That woman will certainly not sleep quietly this night."
+Madame Jules stopped, gave him an imposing look which expressed
+contempt, and continued her way, unaware that another look, if
+surprised by her husband, might endanger not only her happiness but
+the lives of two men. Auguste, frantic with anger, which he tried to
+smother in the depths of his soul, presently left the house, swearing
+to penetrate to the heart of the mystery. Before leaving, he sought
+Madame Jules, to look at her again; but she had disappeared.
+
+What a drama cast into that young head so eminently romantic, like all
+who have not known love in the wide extent which they give to it. He
+adored Madame Jules under a new aspect; he loved her now with the fury
+of jealousy and the frenzied anguish of hope. Unfaithful to her
+husband, the woman became common. Auguste could now give himself up to
+the joys of successful love, and his imagination opened to him a
+career of pleasures. Yes, he had lost the angel, but he had found the
+most delightful of demons. He went to bed, building castles in the
+air, excusing Madame Jules by some romantic fiction in which he did
+not believe. He resolved to devote himself wholly, from that day
+forth, to a search for the causes, motives, and keynote of this
+mystery. It was a tale to read, or better still, a drama to be played,
+in which he had a part.
+
+
+
+ CHAPTER II
+
+ FERRAGUS
+
+A fine thing is the task of a spy, when performed for one's own
+benefit and in the interests of a passion. Is it not giving ourselves
+the pleasure of a thief and a rascal while continuing honest men? But
+there is another side to it; we must resign ourselves to boil with
+anger, to roar with impatience, to freeze our feet in the mud, to be
+numbed, and roasted, and torn by false hopes. We must go, on the faith
+of a mere indication, to a vague object, miss our end, curse our luck,
+improvise to ourselves elegies, dithyrambics, exclaim idiotically
+before inoffensive pedestrians who observe us, knock over old apple-
+women and their baskets, run hither and thither, stand on guard
+beneath a window, make a thousand suppositions. But, after all, it is
+a chase, a hunt; a hunt in Paris, a hunt with all its chances, minus
+dogs and guns and the tally-ho! Nothing compares with it but the life
+of gamblers. But it needs a heart big with love and vengeance to
+ambush itself in Paris, like a tiger waiting to spring upon its prey,
+and to enjoy the chances and contingencies of Paris, by adding one
+special interest to the many that abound there. But for this we need a
+many-sided soul--for must we not live in a thousand passions, a
+thousand sentiments?
+
+Auguste de Maulincour flung himself into this ardent existence
+passionately, for he felt all its pleasures and all its misery. He
+went disguised about Paris, watching at the corners of the rue Pagevin
+and the rue des Vieux-Augustins. He hurried like a hunter from the rue
+de Menars to the rue Soly, and back from the rue Soly to the rue de
+Menars, without obtaining either the vengeance or the knowledge which
+would punish or reward such cares, such efforts, such wiles. But he
+had not yet reached that impatience which wrings our very entrails and
+makes us sweat; he roamed in hope, believing that Madame Jules would
+only refrain for a few days from revisiting the place where she knew
+she had been detected. He devoted the first days therefore, to a
+careful study of the secrets of the street. A novice at such work, he
+dared not question either the porter or the shoemaker of the house to
+which Madame Jules had gone; but he managed to obtain a post of
+observation in a house directly opposite to the mysterious apartment.
+He studied the ground, trying to reconcile the conflicting demands of
+prudence, impatience, love, and secrecy.
+
+Early in the month of March, while busy with plans by which he
+expected to strike a decisive blow, he left his post about four in the
+afternoon, after one of those patient watches from which he had
+learned nothing. He was on his way to his own house whither a matter
+relating to his military service called him, when he was overtaken in
+the rue Coquilliere by one of those heavy showers which instantly
+flood the gutters, while each drop of rain rings loudly in the puddles
+of the roadway. A pedestrian under these circumstances is forced to
+stop short and take refuge in a shop or cafe if he is rich enough to
+pay for the forced hospitality, or, if in poorer circumstances, under
+a /porte-cochere/, that haven of paupers or shabbily dressed persons.
+Why have none of our painters ever attempted to reproduce the
+physiognomies of a swarm of Parisians, grouped, under stress of
+weather, in the damp /porte-cochere/ of a building? First, there's the
+musing philosophical pedestrian, who observes with interest all he
+sees,--whether it be the stripes made by the rain on the gray
+background of the atmosphere (a species of chasing not unlike the
+capricious threads of spun glass), or the whirl of white water which
+the wind is driving like a luminous dust along the roofs, or the
+fitful disgorgements of the gutter-pipes, sparkling and foaming; in
+short, the thousand nothings to be admired and studied with delight by
+loungers, in spite of the porter's broom which pretends to be sweeping
+out the gateway. Then there's the talkative refugee, who complains and
+converses with the porter while he rests on his broom like a grenadier
+on his musket; or the pauper wayfarer, curled against the wall
+indifferent to the condition of his rags, long used, alas, to contact
+with the streets; or the learned pedestrian who studies, spells, and
+reads the posters on the walls without finishing them; or the smiling
+pedestrian who makes fun of others to whom some street fatality has
+happened, who laughs at the muddy women, and makes grimaces at those
+of either sex who are looking from the windows; and the silent being
+who gazes from floor to floor; and the working-man, armed with a
+satchel or a paper bundle, who is estimating the rain as a profit or
+loss; and the good-natured fugitive, who arrives like a shot
+exclaiming, "Ah! what weather, messieurs, what weather!" and bows to
+every one; and, finally, the true /bourgeois/ of Paris, with his
+unfailing umbrella, an expert in showers, who foresaw this particular
+one, but would come out in spite of his wife; this one takes a seat in
+the porter's chair. According to individual character, each member of
+this fortuitous society contemplates the skies, and departs, skipping
+to avoid the mud,--because he is in a hurry, or because he sees other
+citizens walking along in spite of wind and slush, or because, the
+archway being damp and mortally catarrhal, the bed's edge, as the
+proverb says, is better than the sheets. Each one has his motive. No
+one is left but the prudent pedestrian, the man who, before he sets
+forth, makes sure of a scrap of blue sky through the rifting clouds.
+
+Monsieur de Maulincour took refuge, as we have said, with a whole
+family of fugitives, under the porch of an old house, the court-yard
+of which looked like the flue of a chimney. The sides of its
+plastered, nitrified, and mouldy walls were so covered with pipes and
+conduits from all the many floors of its four elevations, that it
+might have been said to resemble at that moment the /cascatelles/ of
+Saint-Cloud. Water flowed everywhere; it boiled, it leaped, it
+murmured; it was black, white, blue, and green; it shrieked, it
+bubbled under the broom of the portress, a toothless old woman used to
+storms, who seemed to bless them as she swept into the street a mass
+of scraps an intelligent inventory of which would have revealed the
+lives and habits of every dweller in the house,--bits of printed
+cottons, tea-leaves, artificial flower-petals faded and worthless,
+vegetable parings, papers, scraps of metal. At every sweep of her
+broom the old woman bared the soul of the gutter, that black fissure
+on which a porter's mind is ever bent. The poor lover examined this
+scene, like a thousand others which our heaving Paris presents daily;
+but he examined it mechanically, as a man absorbed in thought, when,
+happening to look up, he found himself all but nose to nose with a man
+who had just entered the gateway.
+
+In appearance this man was a beggar, but not the Parisian beggar,--
+that creation without a name in human language; no, this man formed
+another type, while presenting on the outside all the ideas suggested
+by the word "beggar." He was not marked by those original Parisian
+characteristics which strike us so forcibly in the paupers whom
+Charlet was fond of representing, with his rare luck in observation,--
+coarse faces reeking of mud, hoarse voices, reddened and bulbous
+noses, mouths devoid of teeth but menacing; humble yet terrible
+beings, in whom a profound intelligence shining in their eyes seems
+like a contradiction. Some of these bold vagabonds have blotched,
+cracked, veiny skins; their foreheads are covered with wrinkles, their
+hair scanty and dirty, like a wig thrown on a dust-heap. All are gay
+in their degradation, and degraded in their joys; all are marked with
+the stamp of debauchery, casting their silence as a reproach; their
+very attitude revealing fearful thoughts. Placed between crime and
+beggary they have no compunctions, and circle prudently around the
+scaffold without mounting it, innocent in the midst of crime, and
+vicious in their innocence. They often cause a laugh, but they always
+cause reflection. One represents to you civilization stunted,
+repressed; he comprehends everything, the honor of the galleys,
+patriotism, virtue, the malice of a vulgar crime, or the fine
+astuteness of elegant wickedness. Another is resigned, a perfect
+mimer, but stupid. All have slight yearnings after order and work, but
+they are pushed back into their mire by society, which makes no
+inquiry as to what there may be of great men, poets, intrepid souls,
+and splendid organizations among these vagrants, these gypsies of
+Paris; a people eminently good and eminently evil--like all the masses
+who suffer--accustomed to endure unspeakable woes, and whom a fatal
+power holds ever down to the level of the mire. They all have a dream,
+a hope, a happiness,--cards, lottery, or wine.
+
+There was nothing of all this in the personage who now leaned
+carelessly against the wall in front of Monsieur de Maulincour, like
+some fantastic idea drawn by an artist on the back of a canvas the
+front of which is turned to the wall. This tall, spare man, whose
+leaden visage expressed some deep but chilling thought, dried up all
+pity in the hearts of those who looked at him by the scowling look and
+the sarcastic attitude which announced an intention of treating every
+man as an equal. His face was of a dirty white, and his wrinkled
+skull, denuded of hair, bore a vague resemblance to a block of
+granite. A few gray locks on either side of his head fell straight to
+the collar of his greasy coat, which was buttoned to the chin. He
+resembled both Voltaire and Don Quixote; he was, apparently, scoffing
+but melancholy, full of disdain and philosophy, but half-crazy. He
+seemed to have no shirt. His beard was long. A rusty black cravat,
+much worn and ragged, exposed a protuberant neck deeply furrowed, with
+veins as thick as cords. A large brown circle like a bruise was
+strongly marked beneath his eyes, He seemed to be at least sixty years
+old. His hands were white and clean. His boots were trodden down at
+the heels, and full of holes. A pair of blue trousers, mended in
+various places, were covered with a species of fluff which made them
+offensive to the eye. Whether it was that his damp clothes exhaled a
+fetid odor, or that he had in his normal condition the "poor smell"
+which belongs to Parisian tenements, just as offices, sacristies, and
+hospitals have their own peculiar and rancid fetidness, of which no
+words can give the least idea, or whether some other reason affected
+them, those in the vicinity of this man immediately moved away and
+left him alone. He cast upon them and also upon the officer a calm,
+expressionless look, the celebrated look of Monsieur de Talleyrand, a
+dull, wan glance, without warmth, a species of impenetrable veil,
+beneath which a strong soul hides profound emotions and close
+estimation of men and things and events. Not a fold of his face
+quivered. His mouth and forehead were impassible; but his eyes moved
+and lowered themselves with a noble, almost tragic slowness. There
+was, in fact, a whole drama in the motion of those withered eyelids.
+
+The aspect of this stoical figure gave rise in Monsieur de Maulincour
+to one of those vagabond reveries which begin with a common question
+and end by comprising a world of thought. The storm was past. Monsieur
+de Maulincour presently saw no more of the man than the tail of his
+coat as it brushed the gate-post, but as he turned to leave his own
+place he noticed at his feet a letter which must have fallen from the
+unknown beggar when he took, as the baron had seen him take, a
+handkerchief from his pocket. The young man picked it up, and read,
+involuntarily, the address: "To Monsieur Ferragusse, Rue des Grands-
+Augustains, corner of rue Soly."
+
+The letter bore no postmark, and the address prevented Monsieur de
+Maulincour from following the beggar and returning it; for there are
+few passions that will not fail in rectitude in the long run. The
+baron had a presentiment of the opportunity afforded by this windfall.
+He determined to keep the letter, which would give him the right to
+enter the mysterious house to return it to the strange man, not
+doubting that he lived there. Suspicions, vague as the first faint
+gleams of daylight, made him fancy relations between this man and
+Madame Jules. A jealous lover supposes everything; and it is by
+supposing everything and selecting the most probable of their
+conjectures that judges, spies, lovers, and observers get at the truth
+they are looking for.
+
+"Is the letter for him? Is it from Madame Jules?"
+
+His restless imagination tossed a thousand such questions to him; but
+when he read the first words of the letter he smiled. Here it is,
+textually, in all the simplicity of its artless phrases and its
+miserable orthography,--a letter to which it would be impossible to
+add anything, or to take anything away, unless it were the letter
+itself. But we have yielded to the necessity of punctuating it. In the
+original there were neither commas nor stops of any kind, not even
+notes of exclamation,--a fact which tends to undervalue the system of
+notes and dashes by which modern authors have endeavored to depict the
+great disasters of all the passions:--
+
+ Henry,--Among the manny sacrifisis I imposed upon myself for your
+ sake was that of not giving you anny news of me; but an
+ iresistible voise now compells me to let you know the wrong you
+ have done me. I know beforehand that your soul hardened in vise
+ will not pitty me. Your heart is deaf to feeling. Is it deaf to
+ the cries of nature? But what matter? I must tell you to what a
+ dredful point you are gilty, and the horror of the position to
+ which you have brought me. Henry, you knew what I sufered from my
+ first wrong-doing, and yet you plunged me into the same misery,
+ and then abbandoned me to my dispair and sufering. Yes, I will say
+ it, the belif I had that you loved me and esteemed me gave me
+ corage to bare my fate. But now, what have I left? Have you not
+ made me loose all that was dear to me, all that held me to life;
+ parents, frends, onor, reputation,--all, I have sacrifised all to
+ you, and nothing is left me but shame, oprobrum, and--I say this
+ without blushing--poverty. Nothing was wanting to my misfortunes
+ but the sertainty of your contempt and hatred; and now I have them
+ I find the corage that my project requires. My decision is made;
+ the onor of my famly commands it. I must put an end to my
+ suferins. Make no remarks upon my conduct, Henry; it is orful, I
+ know, but my condition obliges me. Without help, without suport,
+ without one frend to comfort me, can I live? No. Fate has desided
+ for me. So in two days, Henry, two days, Ida will have seased to
+ be worthy of your regard. Oh, Henry! oh, my frend! for I can never
+ change to you, promise me to forgive me for what I am going to do.
+ Do not forget that you have driven me to it; it is your work, and
+ you must judge it. May heven not punish you for all your crimes. I
+ ask your pardon on my knees, for I feel nothing is wanting to my
+ misery but the sorow of knowing you unhappy. In spite of the
+ poverty I am in I shall refuse all help from you. If you had loved
+ me I would have taken all from your friendship; but a benfit given
+ by pitty /my soul refussis/. I would be baser to take it than he
+ who offered it. I have one favor to ask of you. I don't know how
+ long I must stay at Madame Meynardie's; be genrous enough not to
+ come there. Your last two vissits did me a harm I cannot get ofer.
+ I cannot enter into particlers about that conduct of yours. You
+ hate me,--you said so; that word is writen on my heart, and
+ freeses it with fear. Alas! it is now, when I need all my corage,
+ all my strength, that my faculties abandon me. Henry, my frend,
+ before I put a barrier forever between us, give me a last pruf of
+ your esteem. Write me, answer me, say you respect me still, though
+ you have seased to love me. My eyes are worthy still to look into
+ yours, but I do not ask an interfew; I fear my weakness and my
+ love. But for pitty's sake write me a line at once; it will give
+ me the corage I need to meet my trubbles. Farewell, orther of all
+ my woes, but the only frend my heart has chosen and will never
+ forget.
+
+Ida.
+
+
+This life of a young girl, with its love betrayed, its fatal joys, its
+pangs, its miseries, and its horrible resignation, summed up in a few
+words, this humble poem, essentially Parisian, written on dirty paper,
+influenced for a passing moment Monsieur de Maulincour. He asked
+himself whether this Ida might not be some poor relation of Madame
+Jules, and that strange rendezvous, which he had witnessed by chance,
+the mere necessity of a charitable effort. But could that old pauper
+have seduced this Ida? There was something impossible in the very
+idea. Wandering in this labyrinth of reflections, which crossed,
+recrossed, and obliterated one another, the baron reached the rue
+Pagevin, and saw a hackney-coach standing at the end of the rue des
+Vieux-Augustins where it enters the rue Montmartre. All waiting
+hackney-coaches now had an interest for him.
+
+"Can she be there?" he thought to himself, and his heart beat fast
+with a hot and feverish throbbing.
+
+He pushed the little door with the bell, but he lowered his head as he
+did so, obeying a sense of shame, for a voice said to him secretly:--
+
+"Why are you putting your foot into this mystery?"
+
+He went up a few steps, and found himself face to face with the old
+portress.
+
+"Monsieur Ferragus?" he said.
+
+"Don't know him."
+
+"Doesn't Monsieur Ferragus live here?"
+
+"Haven't such a name in the house."
+
+"But, my good woman--"
+
+"I'm not your good woman, monsieur, I'm the portress."
+
+"But, madame," persisted the baron, "I have a letter for Monsieur
+Ferragus."
+
+"Ah! if monsieur has a letter," she said, changing her tone, "that's
+another matter. Will you let me see it--that letter?"
+
+Auguste showed the folded letter. The old woman shook her head with a
+doubtful air, hesitated, seemed to wish to leave the lodge and inform
+the mysterious Ferragus of his unexpected visitor, but finally said:--
+
+"Very good; go up, monsieur. I suppose you know the way?"
+
+Without replying to this remark, which he thought might be a trap, the
+young officer ran lightly up the stairway, and rang loudly at the door
+of the second floor. His lover's instinct told him, "She is there."
+
+The beggar of the porch, Ferragus, the "orther" of Ida's woes, opened
+the door himself. He appeared in a flowered dressing-gown, white
+flannel trousers, his feet in embroidered slippers, and his face
+washed clean of stains. Madame Jules, whose head projected beyond the
+casing of the door in the next room, turned pale and dropped into a
+chair.
+
+"What is the matter, madame?" cried the officer, springing toward her.
+
+But Ferragus stretched forth an arm and flung the intruder back with
+so sharp a thrust that Auguste fancied he had received a blow with an
+iron bar full on his chest.
+
+"Back! monsieur," said the man. "What do you want there? For five or
+six days you have been roaming about the neighborhood. Are you a spy?"
+
+"Are you Monsieur Ferragus?" said the baron.
+
+"No, monsieur."
+
+"Nevertheless," continued Auguste, "it is to you that I must return
+this paper which you dropped in the gateway beneath which we both took
+refuge from the rain."
+
+While speaking and offering the letter to the man, Auguste did not
+refrain from casting an eye around the room where Ferragus received
+him. It was very well arranged, though simply. A fire burned on the
+hearth; and near it was a table with food upon it, which was served
+more sumptuously than agreed with the apparent conditions of the man
+and the poorness of his lodging. On a sofa in the next room, which he
+could see through the doorway, lay a heap of gold, and he heard a
+sound which could be no other than that of a woman weeping.
+
+"The paper belongs to me; I am much obliged to you," said the
+mysterious man, turning away as if to make the baron understand that
+he must go.
+
+Too curious himself to take much note of the deep examination of which
+he was himself the object, Auguste did not see the half-magnetic
+glance with which this strange being seemed to pierce him; had he
+encountered that basilisk eye he might have felt the danger that
+encompassed him. Too passionately excited to think of himself, Auguste
+bowed, went down the stairs, and returned home, striving to find a
+meaning in the connection of these three persons,--Ida, Ferragus, and
+Madame Jules; an occupation equivalent to that of trying to arrange
+the many-cornered bits of a Chinese puzzle without possessing the key
+to the game. But Madame Jules had seen him, Madame Jules went there,
+Madame Jules had lied to him. Maulincour determined to go and see her
+the next day. She could not refuse his visit, for he was now her
+accomplice; he was hands and feet in the mysterious affair, and she
+knew it. Already he felt himself a sultan, and thought of demanding
+from Madame Jules, imperiously, all her secrets.
+
+In those days Paris was seized with a building-fever. If Paris is a
+monster, it is certainly a most mania-ridden monster. It becomes
+enamored of a thousand fancies: sometimes it has a mania for building,
+like a great seigneur who loves a trowel; soon it abandons the trowel
+and becomes all military; it arrays itself from head to foot as a
+national guard, and drills and smokes; suddenly, it abandons military
+manoeuvres and flings away cigars; it is commercial, care-worn, falls
+into bankruptcy, sells its furniture on the place de Chatelet, files
+its schedule; but a few days later, lo! it has arranged its affairs
+and is giving fetes and dances. One day it eats barley-sugar by the
+mouthful, by the handful; yesterday it bought "papier Weymen"; to-day
+the monster's teeth ache, and it applies to its walls an
+alexipharmatic to mitigate their dampness; to-morrow it will lay in a
+provision of pectoral paste. It has its manias for the month, for the
+season, for the year, like its manias of a day.
+
+So, at the moment of which we speak, all the world was building or
+pulling down something,--people hardly knew what as yet. There were
+very few streets in which high scaffoldings on long poles could not be
+seen, fastened from floor to floor with transverse blocks inserted
+into holes in the walls on which the planks were laid,--a frail
+construction, shaken by the brick-layers, but held together by ropes,
+white with plaster, and insecurely protected from the wheels of
+carriages by the breastwork of planks which the law requires round all
+such buildings. There is something maritime in these masts, and
+ladders, and cordage, even in the shouts of the masons. About a dozen
+yards from the hotel Maulincour, one of these ephemeral barriers was
+erected before a house which was then being built of blocks of free-
+stone. The day after the event we have just related, at the moment
+when the Baron de Maulincour was passing this scaffolding in his
+cabriolet on his way to see Madame Jules, a stone, two feet square,
+which was being raised to the upper storey of this building, got loose
+from the ropes and fell, crushing the baron's servant who was behind
+the cabriolet. A cry of horror shook both the scaffold and the masons;
+one of them, apparently unable to keep his grasp on a pole, was in
+danger of death, and seemed to have been touched by the stone as it
+passed him.
+
+A crowd collected rapidly; the masons came down the ladders swearing
+and insisting that Monsieur de Maulincour's cabriolet had been driven
+against the boarding and so had shaken their crane. Two inches more
+and the stone would have fallen on the baron's head. The groom was
+dead, the carriage shattered. 'Twas an event for the whole
+neighborhood, the newspapers told of it. Monsieur de Maulincour,
+certain that he had not touched the boarding, complained; the case
+went to court. Inquiry being made, it was shown that a small boy,
+armed with a lath, had mounted guard and called to all foot-passengers
+to keep away. The affair ended there. Monsieur de Maulincour obtained
+no redress. He had lost his servant, and was confined to his bed for
+some days, for the back of the carriage when shattered had bruised him
+severely, and the nervous shock of the sudden surprise gave him a
+fever. He did not, therefore, go to see Madame Jules.
+
+Ten days after this event, he left the house for the first time, in
+his repaired cabriolet, when, as he drove down the rue de Bourgogne
+and was close to the sewer opposite to the Chamber of Deputies, the
+axle-tree broke in two, and the baron was driving so rapidly that the
+breakage would have caused the two wheels to come together with force
+enough to break his head, had it not been for the resistance of the
+leather hood. Nevertheless, he was badly wounded in the side. For the
+second time in ten days he was carried home in a fainting condition to
+his terrified grandmother. This second accident gave him a feeling of
+distrust; he thought, though vaguely, of Ferragus and Madame Jules. To
+throw light on these suspicions he had the broken axle brought to his
+room and sent for his carriage-maker. The man examined the axle and
+the fracture, and proved two things: First, the axle was not made in
+his workshop; he furnished none that did not bear the initials of his
+name on the iron. But he could not explain by what means this axle had
+been substituted for the other. Secondly, the breakage of the
+suspicious axle was caused by a hollow space having been blown in it
+and a straw very cleverly inserted.
+
+"Eh! Monsieur le baron, whoever did that was malicious!" he said; "any
+one would swear, to look at it, that the axle was sound."
+
+Monsieur de Maulincour begged the carriage-maker to say nothing of the
+affair; but he felt himself warned. These two attempts at murder were
+planned with an ability which denoted the enmity of intelligent minds.
+
+"It is war to the death," he said to himself, as he tossed in his bed,
+--"a war of savages, skulking in ambush, of trickery and treachery,
+declared in the name of Madame Jules. What sort of man is this to whom
+she belongs? What species of power does this Ferragus wield?"
+
+Monsieur de Maulincour, though a soldier and brave man, could not
+repress a shudder. In the midst of many thoughts that now assailed
+him, there was one against which he felt he had neither defence nor
+courage: might not poison be employed ere long by his secret enemies?
+Under the influence of fears, which his momentary weakness and fever
+and low diet increased, he sent for an old woman long attached to the
+service of his grandmother, whose affection for himself was one of
+those semi-maternal sentiments which are the sublime of the
+commonplace. Without confiding in her wholly, he charged her to buy
+secretly and daily, in different localities, the food he needed;
+telling her to keep it under lock and key and bring it to him herself,
+not allowing any one, no matter who, to approach her while preparing
+it. He took the most minute precautions to protect himself against
+that form of death. He was ill in his bed and alone, and he had
+therefore the leisure to think of his own security,--the one necessity
+clear-sighted enough to enable human egotism to forget nothing!
+
+But the unfortunate man had poisoned his own life by this dread, and,
+in spite of himself, suspicion dyed all his hours with its gloomy
+tints. These two lessons of attempted assassination did teach him,
+however, the value of one of the virtues most necessary to a public
+man; he saw the wise dissimulation that must be practised in dealing
+with the great interests of life. To be silent about our own secret is
+nothing; but to be silent from the start, to forget a fact as Ali
+Pacha did for thirty years in order to be sure of a vengeance waited
+for for thirty years, is a fine study in a land where there are few
+men who can keep their own counsel for thirty days. Monsieur de
+Maulincour literally lived only through Madame Jules. He was
+perpetually absorbed in a sober examination into the means he ought to
+employ to triumph in this mysterious struggle with these mysterious
+persons. His secret passion for that woman grew by reason of all these
+obstacles. Madame Jules was ever there, erect, in the midst of his
+thoughts, in the centre of his heart, more seductive by her presumable
+vices than by the positive virtues for which he had made her his idol.
+
+At last, anxious to reconnoitre the position of the enemy, he thought
+he might without danger initiate the vidame into the secrets of his
+situation. The old commander loved Auguste as a father loves his
+wife's children; he was shrewd, dexterous, and very diplomatic. He
+listened to the baron, shook his head, and they both held counsel. The
+worthy vidame did not share his young friend's confidence when Auguste
+declared that in the time in which they now lived, the police and the
+government were able to lay bare all mysteries, and that if it were
+absolutely necessary to have recourse to those powers, he should find
+them most powerful auxiliaries.
+
+The old man replied, gravely: "The police, my dear boy, is the most
+incompetent thing on this earth, and government the feeblest in all
+matters concerning individuals. Neither the police nor the government
+can read hearts. What we might reasonably ask of them is to search for
+the causes of an act. But the police and the government are both
+eminently unfitted for that; they lack, essentially, the personal
+interest which reveals all to him who wants to know all. No human
+power can prevent an assassin or a poisoner from reaching the heart of
+a prince or the stomach of an honest man. Passions are the best
+police."
+
+The vidame strongly advised the baron to go to Italy, and from Italy
+to Greece, from Greece to Syria, from Syria to Asia, and not to return
+until his secret enemies were convinced of his repentance, and would
+so make tacit peace with him. But if he did not take that course, then
+the vidame advised him to stay in the house, and even in his own room,
+where he would be safe from the attempts of this man Ferragus, and not
+to leave it until he could be certain of crushing him.
+
+"We should never touch an enemy until we can be sure of taking his
+head off," he said, gravely.
+
+The old man, however, promised his favorite to employ all the
+astuteness with which Heaven had provided him (without compromising
+any one) in reconnoitring the enemy's ground, and laying his plans for
+future victory. The Commander had in his service a retired Figaro, the
+wiliest monkey that ever walked in human form; in earlier days as
+clever as a devil, working his body like a galley-slave, alert as a
+thief, sly as a woman, but now fallen into the decadence of genius for
+want of practice since the new constitution of Parisian society, which
+has reformed even the valets of comedy. This Scapin emeritus was
+attached to his master as to a superior being; but the shrewd old
+vidame added a good round sum yearly to the wages of his former
+provost of gallantry, which strengthened the ties of natural affection
+by the bonds of self-interest, and obtained for the old gentleman as
+much care as the most loving mistress could bestow on a sick friend.
+It was this pearl of the old-fashioned comedy-valets, relic of the
+last century, auxiliary incorruptible from lack of passions to
+satisfy, on whom the old vidame and Monsieur de Maulincour now relied.
+
+"Monsieur le baron will spoil all," said the great man in livery, when
+called into counsel. "Monsieur should eat, drink, and sleep in peace.
+I take the whole matter upon myself."
+
+Accordingly, eight days after the conference, when Monsieur de
+Maulincour, perfectly restored to health, was breakfasting with his
+grandmother and the vidame, Justin entered to make his report. As soon
+as the dowager had returned to her own apartments he said, with that
+mock modesty which men of talent are so apt to affect:--
+
+"Ferragus is not the name of the enemy who is pursuing Monsieur le
+baron. This man--this devil, rather--is called Gratien, Henri, Victor,
+Jean-Joseph Bourignard. The Sieur Gratien Bourignard is a former ship-
+builder, once very rich, and, above all, one of the handsomest men of
+his day in Paris,--a Lovelace, capable of seducing Grandison. My
+information stops short there. He has been a simple workman; and the
+Companions of the Order of the Devorants did, at one time, elect him
+as their chief, under the title of Ferragus XXIII. The police ought to
+know that, if the police were instituted to know anything. The man has
+moved from the rue des Vieux-Augustins, and now roosts rue Joquelet,
+where Madame Jules Desmarets goes frequently to see him; sometimes her
+husband, on his way to the Bourse, drives her as far as the rue
+Vivienne, or she drives her husband to the Bourse. Monsieur le vidame
+knows about these things too well to want me to tell him if it is the
+husband who takes the wife, or the wife who takes the husband; but
+Madame Jules is so pretty, I'd bet on her. All that I have told you is
+positive. Bourignard often plays at number 129. Saving your presence,
+monsieur, he's a rogue who loves women, and he has his little ways
+like a man of condition. As for the rest, he wins sometimes, disguises
+himself like an actor, paints his face to look like anything he
+chooses, and lives, I may say, the most original life in the world. I
+don't doubt he has a good many lodgings, for most of the time he
+manages to evade what Monsieur le vidame calls 'parliamentary
+investigations.' If monsieur wishes, he could be disposed of
+honorably, seeing what his habits are. It is always easy to get rid of
+a man who loves women. However, this capitalist talks about moving
+again. Have Monsieur le vidame and Monsieur le baron any other
+commands to give me?"
+
+"Justin, I am satisfied with you; don't go any farther in the matter
+without my orders, but keep a close watch here, so that Monsieur le
+baron may have nothing to fear."
+
+"My dear boy," continued the vidame, when they were alone, "go back to
+your old life, and forget Madame Jules."
+
+"No, no," said Auguste; "I will never yield to Gratien Bourignard. I
+will have him bound hand and foot, and Madame Jules also."
+
+That evening the Baron Auguste de Maulincour, recently promoted to
+higher rank in the company of the Body-Guard of the king, went to a
+ball given by Madame la Duchesse de Berry at the Elysee-Bourbon.
+There, certainly, no danger could lurk for him; and yet, before he
+left the palace, he had an affair of honor on his hands,--an affair it
+was impossible to settle except by a duel.
+
+His adversary, the Marquis de Ronquerolles, considered that he had
+strong reasons to complain of Monsieur de Maulincour, who had given
+some ground for it during his former intimacy with Monsieur de
+Ronquerolles' sister, the Comtesse de Serizy. That lady, the one who
+detested German sentimentality, was all the more exacting in the
+matter of prudery. By one of those inexplicable fatalities, Auguste
+now uttered a harmless jest which Madame de Serizy took amiss, and her
+brother resented it. The discussion took place in the corner of a
+room, in a low voice. In good society, adversaries never raise their
+voices. The next day the faubourg Saint-Germain and the Chateau talked
+over the affair. Madame de Serizy was warmly defended, and all the
+blame was laid on Maulincour. August personages interfered. Seconds of
+the highest distinction were imposed on Messieurs de Maulincour and de
+Ronquerolles and every precaution was taken on the ground that no one
+should be killed.
+
+When Auguste found himself face to face with his antagonist, a man of
+pleasure, to whom no one could possibly deny sentiments of the highest
+honor, he felt it was impossible to believe him the instrument of
+Ferragus, chief of the Devorants; and yet he was compelled, as it
+were, by an inexplicable presentiment, to question the marquis.
+
+"Messieurs," he said to the seconds, "I certainly do not refuse to
+meet the fire of Monsieur de Ronquerolles; but before doing so, I here
+declare that I was to blame, and I offer him whatever excuses he may
+desire, and publicly if he wishes it; because when the matter concerns
+a woman, nothing, I think, can degrade a man of honor. I therefore
+appeal to his generosity and good sense; is there not something rather
+silly in fighting without a cause?"
+
+Monsieur de Ronquerolles would not allow of this way of ending the
+affair, and then the baron, his suspicions revived, walked up to him.
+
+"Well, then! Monsieur le marquis," he said, "pledge me, in presence of
+these gentlemen, your word as a gentleman that you have no other
+reason for vengeance than that you have chosen to put forward."
+
+"Monsieur, that is a question you have no right to ask."
+
+So saying, Monsieur de Ronquerolles took his place. It was agreed, in
+advance, that the adversaries were to be satisfied with one exchange
+of shots. Monsieur de Ronquerolles, in spite of the great distance
+determined by the seconds, which seemed to make the death of either
+party problematical, if not impossible, brought down the baron. The
+ball went through the latter's body just below the heart, but
+fortunately without doing vital injury.
+
+"You aimed too well, monsieur," said the baron, "to be avenging only a
+paltry quarrel."
+
+And he fainted. Monsieur de Ronquerolles, who believed him to be a
+dead man, smiled sardonically as he heard those words.
+
+After a fortnight, during which time the dowager and the vidame gave
+him those cares of old age the secret of which is in the hands of long
+experience only, the baron began to return to life. But one morning
+his grandmother dealt him a crushing blow, by revealing anxieties to
+which, in her last days, she was now subjected. She showed him a
+letter signed F, in which the history of her grandson's secret
+espionage was recounted step by step. The letter accused Monsieur de
+Maulincour of actions that were unworthy of a man of honor. He had, it
+said, placed an old woman at the stand of hackney-coaches in the rue
+de Menars; an old spy, who pretended to sell water from her cask to
+the coachmen, but who was really there to watch the actions of Madame
+Jules Desmarets. He had spied upon the daily life of a most
+inoffensive man, in order to detect his secrets,--secrets on which
+depended the lives of three persons. He had brought upon himself a
+relentless struggle, in which, although he had escaped with life three
+times, he must inevitably succumb, because his death had been sworn
+and would be compassed if all human means were employed upon it.
+Monsieur de Maulincour could no longer escape his fate by even
+promising to respect the mysterious life of these three persons,
+because it was impossible to believe the word of a gentleman who had
+fallen to the level of a police-spy; and for what reason? Merely to
+trouble the respectable life of an innocent woman and a harmless old
+man.
+
+The letter itself was nothing to Auguste in comparison to the tender
+reproaches of his grandmother. To lack respect to a woman! to spy upon
+her actions without a right to do so! Ought a man ever to spy upon a
+woman whom he loved?--in short, she poured out a torrent of those
+excellent reasons which prove nothing; and they put the young baron,
+for the first time in his life, into one of those great human furies
+in which are born, and from which issue the most vital actions of a
+man's life.
+
+"Since it is war to the knife," he said in conclusion, "I shall kill
+my enemy by any means that I can lay hold of."
+
+The vidame went immediately, at Auguste's request, to the chief of the
+private police of Paris, and without bringing Madame Jules' name or
+person into the narrative, although they were really the gist of it,
+he made the official aware of the fears of the family of Maulincour
+about this mysterious person who was bold enough to swear the death of
+an officer of the Guards, in defiance of the law and the police. The
+chief pushed up his green spectacles in amazement, blew his nose
+several times, and offered snuff to the vidame, who, to save his
+dignity, pretended not to use tobacco, although his own nose was
+discolored with it. Then the chief took notes and promised, Vidocq and
+his spies aiding, to send in a report within a few days to the
+Maulincour family, assuring them meantime that there were no secrets
+for the police of Paris.
+
+A few days after this the police official called to see the vidame at
+the Hotel de Maulincour, where he found the young baron quite
+recovered from his last wound. He gave them in bureaucratic style his
+thanks for the indications they had afforded him, and told them that
+Bourignard was a convict, condemned to twenty years' hard labor, who
+had miraculously escaped from a gang which was being transported from
+Bicetre to Toulon. For thirteen years the police had been endeavoring
+to recapture him, knowing that he had boldly returned to Paris; but so
+far this convict had escaped the most active search, although he was
+known to be mixed up in many nefarious deeds. However, the man, whose
+life was full of very curious incidents, would certainly be captured
+now in one or other of his several domiciles and delivered up to
+justice. The bureaucrat ended his report by saying to Monsieur de
+Maulincour that if he attached enough importance to the matter to wish
+to witness the capture of Bourignard, he might come the next day at
+eight in the morning to a house in the rue Sainte-Foi, of which he
+gave him the number. Monsieur de Maulincour excused himself from going
+personally in search of certainty,--trusting, with the sacred respect
+inspired by the police of Paris, in the capability of the authorities.
+
+Three days later, hearing nothing, and seeing nothing in the
+newspapers about the projected arrest, which was certainly of enough
+importance to have furnished an article, Monsieur de Maulincour was
+beginning to feel anxieties which were presently allayed by the
+following letter:--
+
+ Monsieur le Baron,--I have the honor to announce to you that you
+ need have no further uneasiness touching the affair in question.
+ The man named Gratien Bourignard, otherwise called Ferragus, died
+ yesterday, at his lodgings, rue Joquelet No. 7. The suspicions we
+ naturally conceived as to the identity of the dead body have been
+ completely set at rest by the facts. The physician of the
+ Prefecture of police was despatched by us to assist the physician
+ of the arrondissement, and the chief of the detective police made
+ all the necessary verifications to obtain absolute certainty.
+ Moreover, the character of the persons who signed the certificate
+ of death, and the affidavits of those who took care of the said
+ Bourignard in his last illness, among others that of the worthy
+ vicar of the church of the Bonne-Nouvelle (to whom he made his
+ last confession, for he died a Christian), do not permit us to
+ entertain any sort of doubt.
+
+Accept, Monsieur le baron, etc., etc.
+
+
+Monsieur de Maulincour, the dowager, and the vidame breathed again
+with joy unspeakable. The good old woman kissed her grandson leaving a
+tear upon his cheek, and went away to thank God in prayer. The dear
+soul, who was making a novena for Auguste's safety, believed her
+prayers were answered.
+
+"Well," said the vidame, "now you had better show yourself at the ball
+you were speaking of. I oppose no further objections."
+
+
+
+ CHAPTER III
+
+ THE WIFE ACCUSED
+
+Monsieur de Maulincour was all the more anxious to go to this ball
+because he knew that Madame Jules would be present. The fete was given
+by the Prefect of the Seine, in whose salons the two social worlds of
+Paris met as on neutral ground. Auguste passed through the rooms
+without finding the woman who now exercised so mighty an influence on
+his fate. He entered an empty boudoir where card-tables were placed
+awaiting players; and sitting down on a divan he gave himself up to
+the most contradictory thoughts about her. A man presently took the
+young officer by the arm, and looking up the baron was stupefied to
+behold the pauper of the rue Coquilliere, the Ferragus of Ida, the
+lodger in the rue Soly, the Bourignard of Justin, the convict of the
+police, and the dead man of the day before.
+
+"Monsieur, not a sound, not a word," said Bourignard, whose voice he
+recognized. The man was elegantly dressed; he wore the order of the
+Golden-Fleece, and a medal on his coat. "Monsieur," he continued, and
+his voice was sibilant like that of a hyena, "you increase my efforts
+against you by having recourse to the police. You will perish,
+monsieur; it has now become necessary. Do you love Madame Jules? Are
+you beloved by her? By what right do you trouble her peaceful life,
+and blacken her virtue?"
+
+Some one entered the card-room. Ferragus rose to go.
+
+"Do you know this man?" asked Monsieur de Maulincour of the new-comer,
+seizing Ferragus by the collar. But Ferragus quickly disengaged
+himself, took Monsieur de Maulincour by the hair, and shook his head
+rapidly.
+
+"Must you have lead in it to make it steady?" he said.
+
+"I do not know him personally," replied Henri de Marsay, the spectator
+of this scene, "but I know that he is Monsieur de Funcal, a rich
+Portuguese."
+
+Monsieur de Funcal had disappeared. The baron followed but without
+being able to overtake him until he reached the peristyle, where he
+saw Ferragus, who looked at him with a jeering laugh from a brilliant
+equipage which was driven away at high speed.
+
+"Monsieur," said Auguste, re-entering the salon and addressing de
+Marsay, whom he knew, "I entreat you to tell me where Monsieur de
+Funcal lives."
+
+"I do not know; but some one here can no doubt tell you."
+
+The baron, having questioned the prefect, ascertained that the Comte
+de Funcal lived at the Portuguese embassy. At this moment, while he
+still felt the icy fingers of that strange man in his hair, he saw
+Madame Jules in all her dazzling beauty, fresh, gracious, artless,
+resplendent with the sanctity of womanhood which had won his love.
+This creature, now infernal to him, excited no emotion in his soul but
+that of hatred; and this hatred shone in a savage, terrible look from
+his eyes. He watched for a moment when he could speak to her unheard,
+and then he said:--
+
+"Madame, your /bravi/ have missed me three times."
+
+"What do you mean, monsieur?" she said, flushing. "I know that you
+have had several unfortunate accidents lately, which I have greatly
+regretted; but how could I have had anything to do with them?"
+
+"You knew that /bravi/ were employed against me by that man of the rue
+Soly?"
+
+"Monsieur!"
+
+"Madame, I now call you to account, not for my happiness only, but for
+my blood--"
+
+At this instant Jules Desmarets approached them.
+
+"What are you saying to my wife, monsieur?"
+
+"Make that inquiry at my own house, monsieur, if you are curious,"
+said Maulincour, moving away, and leaving Madame Jules in an almost
+fainting condition.
+
+There are few women who have not found themselves, once at least in
+their lives, /a propos/ of some undeniable fact, confronted with a
+direct, sharp, uncompromising question,--one of those questions
+pitilessly asked by husbands, the mere apprehension of which gives a
+chill, while the actual words enter the heart like the blade of a
+dagger. It is from such crises that the maxim has come, "All women
+lie." Falsehood, kindly falsehood, venial falsehood, sublime
+falsehood, horrible falsehood,--but always the necessity to lie. This
+necessity admitted, ought they not to know how to lie well? French
+women do it admirably. Our manners and customs teach them deception!
+Besides, women are so naively saucy, so pretty, graceful, and withal
+so true in lying,--they recognize so fully the utility of doing so in
+order to avoid in social life the violent shocks which happiness might
+not resist,--that lying is seen to be as necessary to their lives as
+the cotton-wool in which they put away their jewels. Falsehood becomes
+to them the foundation of speech; truth is exceptional; they tell it,
+if they are virtuous, by caprice or by calculation. According to
+individual character, some women laugh when they lie; others weep;
+others are grave; some grow angry. After beginning life by feigning
+indifference to the homage that deeply flatters them, they often end
+by lying to themselves. Who has not admired their apparent superiority
+to everything at the very moment when they are trembling for the
+secret treasures of their love? Who has never studied their ease,
+their readiness, their freedom of mind in the greatest embarrassments
+of life? In them, nothing is put on. Deception comes as the snow from
+heaven. And then, with what art they discover the truth in others!
+With what shrewdness they employ a direct logic in answer to some
+passionate question which has revealed to them the secret of the heart
+of a man who was guileless enough to proceed by questioning! To
+question a woman! why, that is delivering one's self up to her; does
+she not learn in that way all that we seek to hide from her? Does she
+not know also how to be dumb, through speaking? What men are daring
+enough to struggle with the Parisian woman?--a woman who knows how to
+hold herself above all dagger thrusts, saying: "You are very
+inquisitive; what is it to you? Why do you wish to know? Ah! you are
+jealous! And suppose I do not choose to answer you?"--in short, a
+woman who possesses the hundred and thirty-seven methods of saying
+/No/, and incommensurable variations of the word /Yes/. Is not a
+treatise on the words /yes/ and /no/, a fine diplomatic, philosophic,
+logographic, and moral work, still waiting to be written? But to
+accomplish this work, which we may also call diabolic, isn't an
+androgynous genius necessary? For that reason, probably, it will never
+be attempted. And besides, of all unpublished works isn't it the best
+known and the best practised among women? Have you studied the
+behavior, the pose, the /disinvoltura/ of a falsehood? Examine it.
+
+Madame Desmarets was seated in the right-hand corner of her carriage,
+her husband in the left. Having forced herself to recover from her
+emotion in the ballroom, she now affected a calm demeanor. Her husband
+had then said nothing to her, and he still said nothing. Jules looked
+out of the carriage window at the black walls of the silent houses
+before which they passed; but suddenly, as if driven by a determining
+thought, when turning the corner of a street he examined his wife, who
+appeared to be cold in spite of the fur-lined pelisse in which she was
+wrapped. He thought she seemed pensive, and perhaps she really was so.
+Of all communicable things, reflection and gravity are the most
+contagious.
+
+"What could Monsieur de Maulincour have said to affect you so keenly?"
+said Jules; "and why does he wish me to go to his house and find out?"
+
+"He can tell you nothing in his house that I cannot tell you here,"
+she replied.
+
+Then, with that feminine craft which always slightly degrades virtue,
+Madame Jules waited for another question. Her husband turned his face
+back to the houses, and continued his study of their walls. Another
+question would imply suspicion, distrust. To suspect a woman is a
+crime in love. Jules had already killed a man for doubting his wife.
+Clemence did not know all there was of true passion, of loyal
+reflection, in her husband's silence; just as Jules was ignorant of
+the generous drama that was wringing the heart of his Clemence.
+
+The carriage rolled on through a silent Paris, bearing the couple,--
+two lovers who adored each other, and who, gently leaning on the same
+silken cushion, were being parted by an abyss. In these elegant coupes
+returning from a ball between midnight and two in the morning, how
+many curious and singular scenes must pass,--meaning those coupes with
+lanterns, which light both the street and the carriage, those with
+their windows unshaded; in short, legitimate coupes, in which couples
+can quarrel without caring for the eyes of pedestrians, because the
+civil code gives a right to provoke, or beat, or kiss, a wife in a
+carriage or elsewhere, anywhere, everywhere! How many secrets must be
+revealed in this way to nocturnal pedestrians,--to those young fellows
+who have gone to a ball in a carriage, but are obliged, for whatever
+cause it may be, to return on foot. It was the first time that Jules
+and Clemence had been together thus,--each in a corner; usually the
+husband pressed close to his wife.
+
+"It is very cold," remarked Madame Jules.
+
+But her husband did not hear her; he was studying the signs above the
+shop windows.
+
+"Clemence," he said at last, "forgive me the question I am about to
+ask you."
+
+He came closer, took her by the waist, and drew her to him.
+
+"My God, it is coming!" thought the poor woman. "Well," she said
+aloud, anticipating the question, "you want to know what Monsieur de
+Maulincour said to me. I will tell you, Jules; but not without fear.
+Good God! how is it possible that you and I should have secrets from
+one another? For the last few moments I have seen you struggling
+between a conviction of our love and vague fears. But that conviction
+is clear within us, is it not? And these doubts and fears, do they not
+seem to you dark and unnatural? Why not stay in that clear light of
+love you cannot doubt? When I have told you all, you will still desire
+to know more; and yet I myself do not know what the extraordinary
+words of that man meant. What I fear is that this may lead to some
+fatal affair between you. I would rather that we both forget this
+unpleasant moment. But, in any case, swear to me that you will let
+this singular adventure explain itself naturally. Here are the facts.
+Monsieur de Maulincour declared to me that the three accidents you
+have heard mentioned--the falling of a stone on his servant, the
+breaking down of his cabriolet, and his duel about Madame de Serizy--
+were the result of some plot I had laid against him. He also
+threatened to reveal to you the cause of my desire to destroy him. Can
+you imagine what all this means? My emotion came from the sight of his
+face convulsed with madness, his haggard eyes, and also his words,
+broken by some violent inward emotion. I thought him mad. That is all
+that took place. Now, I should be less than a woman if I had not
+perceived that for over a year I have become, as they call it, the
+passion of Monsieur de Maulincour. He has never seen me except at a
+ball; and our intercourse has been most insignificant,--merely that
+which every one shares at a ball. Perhaps he wants to disunite us, so
+that he may find me at some future time alone and unprotected. There,
+see! already you are frowning! Oh, how cordially I hate society! We
+were so happy without him; why take any notice of him? Jules, I
+entreat you, forget all this! To-morrow we shall, no doubt, hear that
+Monsieur de Maulincour has gone mad."
+
+"What a singular affair!" thought Jules, as the carriage stopped under
+the peristyle of their house. He gave his arm to his wife and together
+they went up to their apartments.
+
+To develop this history in all its truth of detail, and to follow its
+course through many windings, it is necessary here to divulge some of
+love's secrets, to glide beneath the ceilings of a marriage chamber,
+not shamelessly, but like Trilby, frightening neither Dougal nor
+Jeannie, alarming no one,--being as chaste as our noble French
+language requires, and as bold as the pencil of Gerard in his picture
+of Daphnis and Chloe.
+
+The bedroom of Madame Jules was a sacred plot. Herself, her husband,
+and her maid alone entered it. Opulence has glorious privileges, and
+the most enviable are those which enable the development of sentiments
+to their fullest extent,--fertilizing them by the accomplishment of
+even their caprices, and surrounding them with a brilliancy that
+enlarges them, with refinements that purify them, with a thousand
+delicacies that make them still more alluring. If you hate dinners on
+the grass, and meals ill-served, if you feel a pleasure in seeing a
+damask cloth that is dazzlingly white, a silver-gilt dinner service,
+and porcelain of exquisite purity, lighted by transparent candles,
+where miracles of cookery are served under silver covers bearing coats
+of arms, you must, to be consistent, leave the garrets at the tops of
+the houses, and the grisettes in the streets, abandon garrets,
+grisettes, umbrellas, and overshoes to men who pay for their dinners
+with tickets; and you must also comprehend Love to be a principle
+which develops in all its grace only on Savonnerie carpets, beneath
+the opal gleams of an alabaster lamp, between guarded walls silk-hung,
+before gilded hearths in chambers deadened to all outward sounds by
+shutters and billowy curtains. Mirrors must be there to show the play
+of form and repeat the woman we would multiply as love itself
+multiplies and magnifies her; next low divans, and a bed which, like a
+secret, is divined, not shown. In this coquettish chamber are fur-
+lined slippers for pretty feet, wax-candles under glass with muslin
+draperies, by which to read at all hours of the night, and flowers,
+not those oppressive to the head, and linen, the fineness of which
+might have satisfied Anne of Austria.
+
+Madame Jules had realized this charming programme, but that was
+nothing. All women of taste can do as much, though there is always in
+the arrangement of these details a stamp of personality which gives to
+this decoration or that detail a character that cannot be imitated.
+To-day, more than ever, reigns the fanaticism of individuality. The
+more our laws tend to an impossible equality, the more we shall get
+away from it in our manners and customs. Thus, rich people are
+beginning, in France, to become more exclusive in their tastes and
+their belongings, than they have been for the last thirty years.
+Madame Jules knew very well how to carry out this programme; and
+everything about her was arranged in harmony with a luxury that suits
+so well with love. Love in a cottage, or "Fifteen hundred francs and
+my Sophy," is the dream of starvelings to whom black bread suffices in
+their present state; but when love really comes, they grow fastidious
+and end by craving the luxuries of gastronomy. Love holds toil and
+poverty in horror. It would rather die than merely live on from hand
+to mouth.
+
+Many women, returning from a ball, impatient for their beds, throw off
+their gowns, their faded flowers, their bouquets, the fragrance of
+which has now departed. They leave their little shoes beneath a chair,
+the white strings trailing; they take out their combs and let their
+hair roll down as it will. Little they care if their husbands see the
+puffs, the hairpins, the artful props which supported the elegant
+edifices of the hair, and the garlands or the jewels that adorned it.
+No more mysteries! all is over for the husband; no more painting or
+decoration for him. The corset--half the time it is a corset of a
+reparative kind--lies where it is thrown, if the maid is too sleepy to
+take it away with her. The whalebone bustle, the oiled-silk
+protections round the sleeves, the pads, the hair bought from a
+coiffeur, all the false woman is there, scattered about in open sight.
+/Disjecta membra poetae/, the artificial poesy, so much admired by
+those for whom it is conceived and elaborated, the fragments of a
+pretty woman, litter every corner of the room. To the love of a
+yawning husband, the actual presents herself, also yawning, in a
+dishabille without elegance, and a tumbled night-cap, that of last
+night and that of to-morrow night also,--"For really, monsieur, if you
+want a pretty cap to rumple every night, increase my pin-money."
+
+There's life as it is! A woman makes herself old and unpleasing to her
+husband; but dainty and elegant and adorned for others, for the rival
+of all husbands,--for that world which calumniates and tears to shreds
+her sex.
+
+Inspired by true love, for Love has, like other creations, its
+instinct of preservation, Madame Jules did very differently; she found
+in the constant blessing of her love the necessary impulse to fulfil
+all those minute personal cares which ought never to be relaxed,
+because they perpetuate love. Besides, such personal cares and duties
+proceed from a personal dignity which becomes all women, and are among
+the sweetest of flatteries, for is it not respecting in themselves the
+man they love?
+
+So Madame Jules denied to her husband all access to her dressing-room,
+where she left the accessories of her toilet, and whence she issued
+mysteriously adorned for the mysterious fetes of her heart. Entering
+their chamber, which was always graceful and elegant, Jules found a
+woman coquettishly wrapped in a charming /peignoir/, her hair simply
+wound in heavy coils around her head; a woman always more simple, more
+beautiful there than she was before the world; a woman just refreshed
+in water, whose only artifice consisted in being whiter than her
+muslins, sweeter than all perfumes, more seductive than any siren,
+always loving and therefore always loved. This admirable understanding
+of a wife's business was the secret of Josephine's charm for Napoleon,
+as in former times it was that of Caesonia for Caius Caligula, of
+Diane de Poitiers for Henri II. If it was largely productive to women
+of seven or eight lustres what a weapon is it in the hands of young
+women! A husband gathers with delight the rewards of his fidelity.
+
+Returning home after the conversation which had chilled her with fear,
+and still gave her the keenest anxiety, Madame Jules took particular
+pains with her toilet for the night. She wanted to make herself, and
+she did make herself enchanting. She belted the cambric of her
+dressing-gown round her waist, defining the lines of her bust; she
+allowed her hair to fall upon her beautifully modelled shoulders. A
+perfumed bath had given her a delightful fragrance, and her little
+bare feet were in velvet slippers. Strong in a sense of her advantages
+she came in stepping softly, and put her hands over her husband's
+eyes. She thought him pensive; he was standing in his dressing-gown
+before the fire, his elbow on the mantel and one foot on the fender.
+She said in his ear, warming it with her breath, and nibbling the tip
+of it with her teeth:--
+
+"What are you thinking about, monsieur?"
+
+Then she pressed him in her arms as if to tear him away from all evil
+thoughts. The woman who loves has a full knowledge of her power; the
+more virtuous she is, the more effectual her coquetry.
+
+"About you," he answered.
+
+"Only about me?"
+
+"Yes."
+
+"Ah! that's a very doubtful 'yes.'"
+
+They went to bed. As she fell asleep, Madame Jules said to herself:--
+
+"Monsieur de Maulincour will certainly cause some evil. Jules' mind is
+preoccupied, disturbed; he is nursing thoughts he does not tell me."
+
+It was three in the morning when Madame Jules was awakened by a
+presentiment which struck her heart as she slept. She had a sense both
+physical and moral of her husband's absence. She did not feel the arm
+Jules passed beneath her head,--that arm in which she had slept,
+peacefully and happy, for five years; an arm she had never wearied. A
+voice said to her, "Jules suffers, Jules is weeping." She raised her
+head, and then sat up; felt that her husband's place was cold, and saw
+him sitting before the fire, his feet on the fender, his head resting
+against the back of an arm-chair. Tears were on his cheeks. The poor
+woman threw herself hastily from her bed and sprang at a bound to her
+husband's knees.
+
+"Jules! what is it? Are you ill? Speak, tell me! Speak to me, if you
+love me!" and she poured out a hundred words expressing the deepest
+tenderness.
+
+Jules knelt at her feet, kissed her hands and knees, and answered with
+fresh tears:--
+
+"Dear Clemence, I am most unhappy! It is not loving to distrust the
+one we love. I adore you and suspect you. The words that man said to
+me to-night have struck to my heart; they stay there in spite of
+myself, and confound me. There is some mystery here. In short, and I
+blush to say it, your explanations do not satisfy me. My reason casts
+gleams into my soul which my love rejects. It is an awful combat.
+Could I stay there, holding your head, and suspecting thoughts within
+it to me unknown? Oh! I believe in you, I believe in you!" he cried,
+seeing her smile sadly and open her mouth as if to speak. "Say
+nothing; do not reproach me. Besides, could you say anything I have
+not said myself for the last three hours? Yes, for three hours, I have
+been here, watching you as you slept, so beautiful! admiring that
+pure, peaceful brow. Yes, yes! you have always told me your thoughts,
+have you not? I alone am in that soul. While I look at you, while my
+eyes can plunge into yours I see all plainly. Your life is as pure as
+your glance is clear. No, there is no secret behind those transparent
+eyes." He rose and kissed their lids. "Let me avow to you, dearest
+soul," he said, "that for the last five years each day has increased
+my happiness, through the knowledge that you are all mine, and that no
+natural affection even can take any of your love. Having no sister, no
+father, no mother, no companion, I am neither above nor below any
+living being in your heart; I am alone there. Clemence, repeat to me
+those sweet things of the spirit you have so often said to me; do not
+blame me; comfort me, I am so unhappy. I have an odious suspicion on
+my conscience, and you have nothing in your heart to sear it. My
+beloved, tell me, could I stay there beside you? Could two heads
+united as ours have been lie on the same pillow when one was suffering
+and the other tranquil? What are you thinking of?" he cried abruptly,
+observing that Clemence was anxious, confused, and seemed unable to
+restrain her tears.
+
+"I am thinking of my mother," she answered, in a grave voice. "You
+will never know, Jules, what I suffer in remembering my mother's dying
+farewell, said in a voice sweeter than all music, and in feeling the
+solemn touch of her icy hand at a moment when you overwhelm me with
+those assurances of your precious love."
+
+She raised her husband, strained him to her with a nervous force
+greater than that of men, and kissed his hair, covering it with tears.
+
+"Ah! I would be hacked in pieces for you! Tell me that I make you
+happy; that I am to you the most beautiful of women--a thousand women
+to you. Oh! you are loved as no other man ever was or will be. I don't
+know the meaning of those words 'duty,' 'virtue.' Jules, I love you
+for yourself; I am happy in loving you; I shall love you more and more
+to my dying day. I have pride in my love; I feel it is my destiny to
+have one sole emotion in my life. What I shall tell you now is
+dreadful, I know--but I am glad to have no child; I do not wish for
+any. I feel I am more wife than mother. Well, then, can you fear?
+Listen to me, my own beloved, promise to forget, not this hour of
+mingled tenderness and doubt, but the words of that madman. Jules, you
+/must/. Promise me not to see him, not to go to him. I have a deep
+conviction that if you set one foot in that maze we shall both roll
+down a precipice where I shall perish--but with your name upon my
+lips, your heart in my heart. Why hold me so high in that heart and
+yet so low in reality? What! you who give credit to so many as to
+money, can you not give me the charity of faith? And on the first
+occasion in our lives when you might prove to me your boundless trust,
+do you cast me from my throne in your heart? Between a madman and me,
+it is the madman whom you choose to believe? oh, Jules!" She stopped,
+threw back the hair that fell about her brow and neck, and then, in a
+heart-rending tone, she added: "I have said too much; one word should
+suffice. If your soul and your forehead still keep this cloud, however
+light it be, I tell you now that I shall die of it."
+
+She could not repress a shudder, and turned pale.
+
+"Oh! I will kill that man," thought Jules, as he lifted his wife in
+his arms and carried her to her bed.
+
+"Let us sleep in peace, my angel," he said. "I have forgotten all, I
+swear it!"
+
+Clemence fell asleep to the music of those sweet words, softly
+repeated. Jules, as he watched her sleeping, said in his heart:--
+
+"She is right; when love is so pure, suspicion blights it. To that
+young soul, that tender flower, a blight--yes, a blight means death."
+
+When a cloud comes between two beings filled with affection for each
+other and whose lives are in absolute unison, that cloud, though it
+may disperse, leaves in those souls a trace of its passage. Either
+love gains a stronger life, as the earth after rain, or the shock
+still echoes like distant thunder through a cloudless sky. It is
+impossible to recover absolutely the former life; love will either
+increase or diminish.
+
+At breakfast, Monsieur and Madame Jules showed to each other those
+particular attentions in which there is always something of
+affectation. There were glances of forced gaiety, which seemed the
+efforts of persons endeavoring to deceive themselves. Jules had
+involuntary doubts, his wife had positive fears. Still, sure of each
+other, they had slept. Was this strained condition the effect of a
+want of faith, or was it only a memory of their nocturnal scene? They
+did not know themselves. But they loved each other so purely that the
+impression of that scene, both cruel and beneficent, could not fail to
+leave its traces in their souls; both were eager to make those traces
+disappear, each striving to be the first to return to the other, and
+thus they could not fail to think of the cause of their first
+variance. To loving souls, this is not grief; pain is still far-off;
+but it is a sort of mourning, which is difficult to depict. If there
+are, indeed, relations between colors and the emotions of the soul,
+if, as Locke's blind man said, scarlet produces on the sight the
+effect produced upon the hearing by a blast of trumpets, it is
+permissible to compare this reaction of melancholy to mourning tones
+of gray.
+
+But even so, love saddened, love in which remains a true sentiment of
+its happiness, momentarily troubled though it be, gives enjoyments
+derived from pain and pleasure both, which are all novel. Jules
+studied his wife's voice; he watched her glances with the freshness of
+feeling that inspired him in the earliest days of his passion for her.
+The memory of five absolutely happy years, her beauty, the candor of
+her love, quickly effaced in her husband's mind the last vestiges of
+an intolerable pain.
+
+The day was Sunday,--a day on which there was no Bourse and no
+business to be done. The reunited pair passed the whole day together,
+getting farther into each other's hearts than they ever yet had done,
+like two children who in a moment of fear, hold each other closely and
+cling together, united by an instinct. There are in this life of two-
+in-one completely happy days, the gift of chance, ephemeral flowers,
+born neither of yesterday nor belonging to the morrow. Jules and
+Clemence now enjoyed this day as though they forboded it to be the
+last of their loving life. What name shall we give to that mysterious
+power which hastens the steps of travellers before the storm is
+visible; which makes the life and beauty of the dying so resplendent,
+and fills the parting soul with joyous projects for days before death
+comes; which tells the midnight student to fill his lamp when it
+shines brightest; and makes the mother fear the thoughtful look cast
+upon her infant by an observing man? We all are affected by this
+influence in the great catastrophes of life; but it has never yet been
+named or studied; it is something more than presentiment, but not as
+yet clear vision.
+
+All went well till the following day. On Monday, Jules Desmarets,
+obliged to go to the Bourse on his usual business, asked his wife, as
+usual, if she would take advantage of his carriage and let him drive
+her anywhere.
+
+"No," she said, "the day is too unpleasant to go out."
+
+It was raining in torrents. At half-past two o'clock Monsieur
+Desmarets reached the Treasury. At four o'clock, as he left the
+Bourse, he came face to face with Monsieur de Maulincour, who was
+waiting for him with the nervous pertinacity of hatred and vengeance.
+
+"Monsieur," he said, taking Monsieur Desmarets by the arm, "I have
+important information to give you. Listen to me. I am too loyal a man
+to have recourse to anonymous letters with which to trouble your peace
+of mind; I prefer to speak to you in person. Believe me, if my very
+life were not concerned, I should not meddle with the private affairs
+of any household, even if I thought I had the right to do so."
+
+"If what you have to say to me concerns Madame Desmarets," replied
+Jules, "I request you to be silent, monsieur."
+
+"If I am silent, monsieur, you may before long see Madame Jules on the
+prisoner's bench at the court of assizes beside a convict. Now, do you
+wish me to be silent?"
+
+Jules turned pale; but his noble face instantly resumed its calmness,
+though it was now a false calmness. Drawing the baron under one of the
+temporary sheds of the Bourse, near which they were standing, he said
+to him in a voice which concealed his intense inward emotion:--
+
+"Monsieur, I will listen to you; but there will be a duel to the death
+between us if--"
+
+"Oh, to that I consent!" cried Monsieur de Maulincour. "I have the
+greatest esteem for your character. You speak of death. You are
+unaware that your wife may have assisted in poisoning me last Saturday
+night. Yes, monsieur, since then some extraordinary evil has developed
+in me. My hair appears to distil an inward fever and a deadly languor
+through my skull; I know who clutched my hair at that ball."
+
+Monsieur de Maulincour then related, without omitting a single fact,
+his platonic love for Madame Jules, and the details of the affair in
+the rue Soly which began this narrative. Any one would have listened
+to him with attention; but Madame Jules' husband had good reason to be
+more amazed than any other human being. Here his character displayed
+itself; he was more amazed than overcome. Made a judge, and the judge
+of an adored woman, he found in his soul the equity of a judge as well
+as the inflexibility. A lover still, he thought less of his own
+shattered life than of his wife's life; he listened, not to his own
+anguish, but to some far-off voice that cried to him, "Clemence cannot
+lie! Why should she betray you?"
+
+"Monsieur," said the baron, as he ended, "being absolutely certain of
+having recognized in Monsieur de Funcal the same Ferragus whom the
+police declared dead, I have put upon his traces an intelligent man.
+As I returned that night I remembered, by a fortunate chance, the name
+of Madame Meynardie, mentioned in that letter of Ida, the presumed
+mistress of my persecutor. Supplied with this clue, my emissary will
+soon get to the bottom of this horrible affair; for he is far more
+able to discover the truth than the police themselves."
+
+"Monsieur," replied Desmarets, "I know not how to thank you for this
+confidence. You say that you can obtain proofs and witnesses; I shall
+await them. I shall seek the truth of this strange affair
+courageously; but you must permit me to doubt everything until the
+evidence of the facts you state is proved to me. In any case you shall
+have satisfaction, for, as you will certainly understand, we both
+require it."
+
+Jules returned home.
+
+"What is the matter, Jules?" asked his wife, when she saw him. "You
+look so pale you frighten me!"
+
+"The day is cold," he answered, walking with slow steps across the
+room where all things spoke to him of love and happiness,--that room
+so calm and peaceful where a deadly storm was gathering.
+
+"Did you go out to-day?" he asked, as though mechanically.
+
+He was impelled to ask the question by the last of a myriad of
+thoughts which had gathered themselves together into a lucid
+meditation, though jealousy was actively prompting them.
+
+"No," she answered, in a tone that was falsely candid.
+
+At that instant Jules saw through the open door of the dressing-room
+the velvet bonnet which his wife wore in the mornings; on it were
+drops of rain. Jules was a passionate man, but he was also full of
+delicacy. It was repugnant to him to bring his wife face to face with
+a lie. When such a situation occurs, all has come to an end forever
+between certain beings. And yet those drops of rain were like a flash
+tearing through his brain.
+
+He left the room, went down to the porter's lodge, and said to the
+porter, after making sure that they were alone:--
+
+"Fouguereau, a hundred crowns if you tell me the truth; dismissal if
+you deceive me; and nothing at all if you ever speak of my question
+and your answer."
+
+He stopped to examine the man's face, leading him under the window.
+Then he continued:--
+
+"Did madame go out this morning?"
+
+"Madame went out at a quarter to three, and I think I saw her come in
+about half an hour ago."
+
+"That is true, upon your honor?"
+
+"Yes, monsieur."
+
+"You will have the money; but if you speak of this, remember, you will
+lose all."
+
+Jules returned to his wife.
+
+"Clemence," he said, "I find I must put my accounts in order. Do not
+be offended at the inquiry I am going to make. Have I not given you
+forty thousand francs since the beginning of the year?"
+
+"More," she said,--"forty-seven."
+
+"Have you spent them?"
+
+"Nearly," she replied. "In the first place, I had to pay several of
+our last year's bills--"
+
+"I shall never find out anything in this way," thought Jules. "I am
+not taking the best course."
+
+At this moment Jules' own valet entered the room with a letter for his
+master, who opened it indifferently, but as soon as his eyes had
+lighted on the signature he read it eagerly. The letter was as
+follows:--
+
+ Monsieur,--For the sake of your peace of mind as well as ours, I
+ take the course of writing you this letter without possessing the
+ advantage of being known to you; but my position, my age, and the
+ fear of some misfortune compel me to entreat you to show
+ indulgence in the trying circumstances under which our afflicted
+ family is placed. Monsieur Auguste de Maulincour has for the last
+ few days shown signs of mental derangement, and we fear that he
+ may trouble your happiness by fancies which he confided to
+ Monsieur le Vidame de Pamiers and myself during his first attack
+ of frenzy. We think it right, therefore, to warn you of his
+ malady, which is, we hope, curable; but it will have such serious
+ and important effects on the honor of our family and the career of
+ my grandson that we must rely, monsieur, on your entire
+ discretion.
+
+ If Monsieur le Vidame or I could have gone to see you we would not
+ have written. But I make no doubt that you will regard this prayer
+ of a mother, who begs you to destroy this letter.
+
+ Accept the assurance of my perfect consideration.
+
+Baronne de Maulincour, /nee/ de Rieux.
+
+
+"Oh! what torture!" cried Jules.
+
+"What is it? what is in your mind?" asked his wife, exhibiting the
+deepest anxiety.
+
+"I have come," he answered, slowly, as he threw her the letter, "to
+ask myself whether it can be you who have sent me that to avert my
+suspicions. Judge, therefore, what I suffer."
+
+"Unhappy man!" said Madame Jules, letting fall the paper. "I pity him;
+though he has done me great harm."
+
+"Are you aware that he has spoken to me?"
+
+"Oh! have you been to see him, in spite of your promise?" she cried in
+terror.
+
+"Clemence, our love is in danger of perishing; we stand outside of the
+ordinary rules of life; let us lay aside all petty considerations in
+presence of this great peril. Explain to me why you went out this
+morning. Women think they have the right to tell us little falsehoods.
+Sometimes they like to hide a pleasure they are preparing for us. Just
+now you said a word to me, by mistake, no doubt, a no for a yes."
+
+He went into the dressing-room and brought out the bonnet.
+
+"See," he said, "your bonnet has betrayed you; these spots are
+raindrops. You must, therefore, have gone out in a street cab, and
+these drops fell upon it as you went to find one, or as you entered or
+left the house where you went. But a woman can leave her own home for
+many innocent purposes, even after she has told her husband that she
+did not mean to go out. There are so many reasons for changing our
+plans! Caprices, whims, are they not your right? Women are not
+required to be consistent with themselves. You had forgotten
+something,--a service to render, a visit, some kind action. But
+nothing hinders a woman from telling her husband what she does. Can we
+ever blush on the breast of a friend? It is not a jealous husband who
+speaks to you, my Clemence; it is your lover, your friend, your
+brother." He flung himself passionately at her feet. "Speak, not to
+justify yourself, but to calm my horrible sufferings. I know that you
+went out. Well--what did you do? where did you go?"
+
+"Yes, I went out, Jules," she answered in a strained voice, though her
+face was calm. "But ask me nothing more. Wait; have confidence;
+without which you will lay up for yourself terrible remorse. Jules, my
+Jules, trust is the virtue of love. I owe to you that I am at this
+moment too troubled to answer you: but I am not a false woman; I love
+you, and you know it."
+
+"In the midst of all that can shake the faith of man and rouse his
+jealousy, for I see I am not first in your heart, I am no longer thine
+own self--well, Clemence, even so, I prefer to believe you, to believe
+that voice, to believe those eyes. If you deceive me, you deserve--"
+
+"Ten thousand deaths!" she cried, interrupting him.
+
+"I have never hidden a thought from you, but you--"
+
+"Hush!" she said, "our happiness depends upon our mutual silence."
+
+"Ha! I /will/ know all!" he exclaimed, with sudden violence.
+
+At that moment the cries of a woman were heard,--the yelping of a
+shrill little voice came from the antechamber.
+
+"I tell you I will go in!" it cried. "Yes, I shall go in; I will see
+her! I shall see her!"
+
+Jules and Clemence both ran to the salon as the door from the
+antechamber was violently burst open. A young woman entered hastily,
+followed by two servants, who said to their master:--
+
+"Monsieur, this person would come in in spite of us. We told her that
+madame was not at home. She answered that she knew very well madame
+had been out, but she saw her come in. She threatened to stay at the
+door of the house till she could speak to madame."
+
+"You can go," said Monsieur Desmarets to the two men. "What do you
+want, mademoiselle?" he added, turning to the strange woman.
+
+This "demoiselle" was the type of a woman who is never to be met with
+except in Paris. She is made in Paris, like the mud, like the
+pavement, like the water of the Seine, such as it becomes in Paris
+before human industry filters it ten times ere it enters the cut-glass
+decanters and sparkles pure and bright from the filth it has been. She
+is therefore a being who is truly original. Depicted scores of times
+by the painter's brush, the pencil of the caricaturist, the charcoal
+of the etcher, she still escapes analysis, because she cannot be
+caught and rendered in all her moods, like Nature, like this fantastic
+Paris itself. She holds to vice by one thread only, and she breaks
+away from it at a thousand other points of the social circumference.
+Besides, she lets only one trait of her character be known, and that
+the only one which renders her blamable; her noble virtues are hidden;
+she prefers to glory in her naive libertinism. Most incompletely
+rendered in dramas and tales where she is put upon the scene with all
+her poesy, she is nowhere really true but in her garret; elsewhere she
+is invariably calumniated or over-praised. Rich, she deteriorates;
+poor, she is misunderstood. She has too many vices, and too many good
+qualities; she is too near to pathetic asphyxiation or to a dissolute
+laugh; too beautiful and too hideous. She personifies Paris, to which,
+in the long run, she supplies the toothless portresses, washerwomen,
+street-sweepers, beggars, occasionally insolent countesses, admired
+actresses, applauded singers; she has even given, in the olden time,
+two quasi-queens to the monarchy. Who can grasp such a Proteus? She is
+all woman, less than woman, more than woman. From this vast portrait
+the painter of manners and morals can take but a feature here and
+there; the /ensemble/ is infinite.
+
+She was a grisette of Paris; a grisette in all her glory; a grisette
+in a hackney-coach,--happy, young, handsome, fresh, but a grisette; a
+grisette with claws, scissors, impudent as a Spanish woman, snarling
+as a prudish English woman proclaiming her conjugal rights, coquettish
+as a great lady, though more frank, and ready for everything; a
+perfect /lionne/ in her way; issuing from the little apartment of
+which she had dreamed so often, with its red-calico curtains, its
+Utrecht velvet furniture, its tea-table, the cabinet of china with
+painted designs, the sofa, the little moquette carpet, the alabaster
+clock and candlesticks (under glass cases), the yellow bedroom, the
+eider-down quilt,--in short, all the domestic joys of a grisette's
+life; and in addition, the woman-of-all-work (a former grisette
+herself, now the owner of a moustache), theatre-parties, unlimited
+bonbons, silk dresses, bonnets to spoil,--in fact, all the felicities
+coveted by the grisette heart except a carriage, which only enters her
+imagination as a marshal's baton into the dreams of a soldier. Yes,
+this grisette had all these things in return for a true affection, or
+in spite of a true affection, as some others obtain it for an hour a
+day,--a sort of tax carelessly paid under the claws of an old man.
+
+The young woman who now entered the presence of Monsieur and Madame
+Jules had a pair of feet so little covered by her shoes that only a
+slim black line was visible between the carpet and her white
+stockings. This peculiar foot-gear, which Parisian caricaturists have
+well-rendered, is a special attribute of the grisette of Paris; but
+she is even more distinctive to the eyes of an observer by the care
+with which her garments are made to adhere to her form, which they
+clearly define. On this occasion she was trigly dressed in a green
+gown, with a white chemisette, which allowed the beauty of her bust to
+be seen; her shawl, of Ternaux cashmere, had fallen from her
+shoulders, and was held by its two corners, which were twisted round
+her wrists. She had a delicate face, rosy cheeks, a white skin,
+sparkling gray eyes, a round, very promising forehead, hair carefully
+smoothed beneath her little bonnet, and heavy curls upon her neck.
+
+"My name is Ida," she said, "and if that's Madame Jules to whom I have
+the advantage of speaking, I've come to tell her all I have in my
+heart against her. It is very wrong, when a woman is set up and in her
+furniture, as you are here, to come and take from a poor girl a man
+with whom I'm as good as married, morally, and who did talk of making
+it right by marrying me before the municipality. There's plenty of
+handsome young men in the world--ain't there, monsieur?--to take your
+fancy, without going after a man of middle age, who makes my
+happiness. Yah! I haven't got a fine hotel like this, but I've got my
+love, I have. I hate handsome men and money; I'm all heart, and--"
+
+Madame Jules turned to her husband.
+
+"You will allow me, monsieur, to hear no more of all this," she said,
+retreating to her bedroom.
+
+"If the lady lives with you, I've made a mess of it; but I can't help
+that," resumed Ida. "Why does she come after Monsieur Ferragus every
+day?"
+
+"You are mistaken, mademoiselle," said Jules, stupefied; "my wife is
+incapable--"
+
+"Ha! so you're married, you two," said the grisette showing some
+surprise. "Then it's very wrong, monsieur,--isn't it?--for a woman who
+has the happiness of being married in legal marriage to have relations
+with a man like Henri--"
+
+"Henri! who is Henri?" said Jules, taking Ida by the arm and pulling
+her into an adjoining room that his wife might hear no more.
+
+"Why, Monsieur Ferragus."
+
+"But he is dead," said Jules.
+
+"Nonsense; I went to Franconi's with him last night, and he brought me
+home--as he ought. Besides, your wife can tell you about him; didn't
+she go there this very afternoon at three o'clock? I know she did, for
+I waited in the street, and saw her,--all because that good-natured
+fellow, Monsieur Justin, whom you know perhaps,--a little old man with
+jewelry who wears corsets,--told me that Madame Jules was my rival.
+That name, monsieur, sounds mighty like a feigned one; but if it is
+yours, excuse me. But this I say, if Madame Jules was a court duchess,
+Henri is rich enough to satisfy all her fancies, and it is my business
+to protect my property; I've a right to, for I love him, that I do. He
+is my /first/ inclination; my happiness and all my future fate depends
+on it. I fear nothing, monsieur; I am honest; I never lied, or stole
+the property of any living soul, no matter who. If an empress was my
+rival, I'd go straight to her, empress as she was; because all pretty
+women are equals, monsieur--"
+
+"Enough! enough!" said Jules. "Where do you live?"
+
+"Rue de la Corderie-du-Temple, number 14, monsieur,--Ida Gruget,
+corset-maker, at your service,--for we make lots of corsets for men."
+
+"Where does the man whom you call Ferragus live?"
+
+"Monsieur," she said, pursing up her lips, "in the first place, he's
+not a man; he is a rich monsieur, much richer, perhaps, than you are.
+But why do you ask me his address when your wife knows it? He told me
+not to give it. Am I obliged to answer you? I'm not, thank God, in a
+confessional or a police-court; I'm responsible only to myself."
+
+"If I were to offer you ten thousand francs to tell me where Monsieur
+Ferragus lives, how then?"
+
+"Ha! n, o, /no/, my little friend, and that ends the matter," she
+said, emphasizing this singular reply with a popular gesture. "There's
+no sum in the world could make me tell you. I have the honor to bid
+you good-day. How do I get out of here?"
+
+Jules, horror-struck, allowed her to go without further notice. The
+whole world seemed to crumble beneath his feet, and above him the
+heavens were falling with a crash.
+
+"Monsieur is served," said his valet.
+
+The valet and the footman waited in the dining-room a quarter of an
+hour without seeing master or mistress.
+
+"Madame will not dine to-day," said the waiting-maid, coming in.
+
+"What's the matter, Josephine?" asked the valet.
+
+"I don't know," she answered. "Madame is crying, and is going to bed.
+Monsieur has no doubt got some love-affair on hand, and it has been
+discovered at a very bad time. I wouldn't answer for madame's life.
+Men are so clumsy; they'll make you scenes without any precaution."
+
+"That's not so," said the valet, in a low voice. "On the contrary,
+madame is the one who--you understand? What times does monsieur have
+to go after pleasures, he, who hasn't slept out of madame's room for
+five years, who goes to his study at ten and never leaves it till
+breakfast, at twelve. His life is all known, it is regular; whereas
+madame goes out nearly every day at three o'clock, Heaven knows
+where."
+
+"And monsieur too," said the maid, taking her mistress's part.
+
+"Yes, but he goes straight to the Bourse. I told him three times that
+dinner was ready," continued the valet, after a pause. "You might as
+well talk to a post."
+
+Monsieur Jules entered the dining-room.
+
+"Where is madame?" he said.
+
+"Madame is going to bed; her head aches," replied the maid, assuming
+an air of importance.
+
+Monsieur Jules then said to the footmen composedly: "You can take
+away; I shall go and sit with madame."
+
+He went to his wife's room and found her weeping, but endeavoring to
+smother her sobs with her handkerchief.
+
+"Why do you weep?" said Jules; "you need expect no violence and no
+reproaches from me. Why should I avenge myself? If you have not been
+faithful to my love, it is that you were never worthy of it."
+
+"Not worthy?" The words were repeated amid her sobs and the accent in
+which they were said would have moved any other man than Jules.
+
+"To kill you, I must love more than perhaps I do love you," he
+continued. "But I should never have the courage; I would rather kill
+myself, leaving you to your--happiness, and with--whom!--"
+
+He did not end his sentence.
+
+"Kill yourself!" she cried, flinging herself at his feet and clasping
+them.
+
+But he, wishing to escape the embrace, tried to shake her off,
+dragging her in so doing toward the bed.
+
+"Let me alone," he said.
+
+"No, no, Jules!" she cried. "If you love me no longer I shall die. Do
+you wish to know all?"
+
+"Yes."
+
+He took her, grasped her violently, and sat down on the edge of the
+bed, holding her between his legs. Then, looking at that beautiful
+face now red as fire and furrowed with tears,--
+
+"Speak," he said.
+
+Her sobs began again.
+
+"No; it is a secret of life and death. If I tell it, I--No, I cannot.
+Have mercy, Jules!"
+
+"You have betrayed me--"
+
+"Ah! Jules, you think so now, but soon you will know all."
+
+"But this Ferragus, this convict whom you go to see, a man enriched by
+crime, if he does not belong to you, if you do not belong to him--"
+
+"Oh, Jules!"
+
+"Speak! Is he your mysterious benefactor?--the man to whom we owe our
+fortune, as persons have said already?"
+
+"Who said that?"
+
+"A man whom I killed in a duel."
+
+"Oh, God! one death already!"
+
+"If he is not your protector, if he does not give you money, if it is
+you, on the contrary, who carry money to him, tell me, is he your
+brother?"
+
+"What if he were?" she said.
+
+Monsieur Desmarets crossed his arms.
+
+"Why should that have been concealed from me?" he said. "Then you and
+your mother have both deceived me? Besides, does a woman go to see her
+brother every day, or nearly every day?"
+
+His wife had fainted at his feet.
+
+"Dead," he said. "And suppose I am mistaken?"
+
+He sprang to the bell-rope; called Josephine, and lifted Clemence to
+the bed.
+
+"I shall die of this," said Madame Jules, recovering consciousness.
+
+"Josephine," cried Monsieur Desmarets. "Send for Monsieur Desplein;
+send also to my brother and ask him to come here immediately."
+
+"Why your brother?" asked Clemence.
+
+But Jules had already left the room.
+
+
+
+ CHAPTER IV
+
+ WHERE GO TO DIE?
+
+For the first time in five years Madame Jules slept alone in her bed,
+and was compelled to admit a physician into that sacred chamber. These
+in themselves were two keen pangs. Desplein found Madame Jules very
+ill. Never was a violent emotion more untimely. He would say nothing
+definite, and postponed till the morrow giving any opinion, after
+leaving a few directions, which were not executed, the emotions of the
+heart causing all bodily cares to be forgotten.
+
+When morning dawned, Clemence had not yet slept. Her mind was absorbed
+in the low murmur of a conversation which lasted several hours between
+the brothers; but the thickness of the walls allowed no word which
+could betray the object of this long conference to reach her ears.
+Monsieur Desmarets, the notary, went away at last. The stillness of
+the night, and the singular activity of the senses given by powerful
+emotion, enabled Clemence to distinguish the scratching of a pen and
+the involuntary movements of a person engaged in writing. Those who
+are habitually up at night, and who observe the different acoustic
+effects produced in absolute silence, know that a slight echo can be
+readily perceived in the very places where louder but more equable and
+continued murmurs are not distinct. At four o'clock the sound ceased.
+Clemence rose, anxious and trembling. Then, with bare feet and without
+a wrapper, forgetting her illness and her moist condition, the poor
+woman opened the door softly without noise and looked into the next
+room. She saw her husband sitting, with a pen in his hand, asleep in
+his arm-chair. The candles had burned to the sockets. She slowly
+advanced and read on an envelope, already sealed, the words, "This is
+my will."
+
+She knelt down as if before an open grave and kissed her husband's
+hand. He woke instantly.
+
+"Jules, my friend, they grant some days to criminals condemned to
+death," she said, looking at him with eyes that blazed with fever and
+with love. "Your innocent wife asks only two. Leave me free for two
+days, and--wait! After that, I shall die happy--at least, you will
+regret me."
+
+"Clemence, I grant them."
+
+Then, as she kissed her husband's hands in the tender transport of her
+heart, Jules, under the spell of that cry of innocence, took her in
+his arms and kissed her forehead, though ashamed to feel himself still
+under subjection to the power of that noble beauty.
+
+On the morrow, after taking a few hours' rest, Jules entered his
+wife's room, obeying mechanically his invariable custom of not leaving
+the house without a word to her. Clemence was sleeping. A ray of light
+passing through a chink in the upper blind of a window fell across the
+face of the dejected woman. Already suffering had impaired her
+forehead and the freshness of her lips. A lover's eye could not fail
+to notice the appearance of dark blotches, and a sickly pallor in
+place of the uniform tone of the cheeks and the pure ivory whiteness
+of the skin,--two points at which the sentiments of her noble soul
+were artlessly wont to show themselves.
+
+"She suffers," thought Jules. "Poor Clemence! May God protect us!"
+
+He kissed her very softly on the forehead. She woke, saw her husband,
+and remembered all. Unable to speak, she took his hand, her eyes
+filling with tears.
+
+"I am innocent," she said, ending her dream.
+
+"You will not go out to-day, will you?" asked Jules.
+
+"No, I feel too weak to leave my bed."
+
+"If you should change your mind, wait till I return," said Jules.
+
+Then he went down to the porter's lodge.
+
+"Fouguereau, you will watch the door yourself to-day. I wish to know
+exactly who comes to the house, and who leaves it."
+
+Then he threw himself into a hackney-coach, and was driven to the
+hotel de Maulincour, where he asked for the baron.
+
+"Monsieur is ill," they told him.
+
+Jules insisted on entering, and gave his name. If he could not see the
+baron, he wished to see the vidame or the dowager. He waited some time
+in the salon, where Madame de Maulincour finally came to him and told
+him that her grandson was much too ill to receive him.
+
+"I know, madame, the nature of his illness from the letter you did me
+the honor to write, and I beg you to believe--"
+
+"A letter to you, monsieur, written by me!" cried the dowager,
+interrupting him. "I have written you no letter. What was I made to
+say in that letter, monsieur?"
+
+"Madame," replied Jules, "intending to see Monsieur de Maulincour
+to-day, I thought it best to preserve the letter in spite of its
+injunction to destroy it. There it is."
+
+Madame de Maulincour put on her spectacles, and the moment she cast
+her eyes on the paper she showed the utmost surprise.
+
+"Monsieur," she said, "my writing is so perfectly imitated that, if
+the matter were not so recent, I might be deceived myself. My grandson
+is ill, it is true; but his reason has never for a moment been
+affected. We are the puppets of some evil-minded person or persons;
+and yet I cannot imagine the object of a trick like this. You shall
+see my grandson, monsieur, and you will at once perceive that he is
+perfectly sound in mind."
+
+She rang the bell, and sent to ask if the baron felt able to receive
+Monsieur Desmarets. The servant returned with an affirmative answer.
+Jules went to the baron's room, where he found him in an arm-chair
+near the fire. Too feeble to move, the unfortunate man merely bowed
+his head with a melancholy gesture. The Vidame de Pamiers was sitting
+with him.
+
+"Monsieur le baron," said Jules, "I have something to say which makes
+it desirable that I should see you alone."
+
+"Monsieur," replied Auguste, "Monsieur le vidame knows about this
+affair; you can speak fearlessly before him."
+
+"Monsieur le baron," said Jules, in a grave voice, "you have troubled
+and well-nigh destroyed my happiness without having any right to do
+so. Until the moment when we can see clearly which of us should
+demand, or grant, reparation to the other, you are bound to help me in
+following the dark and mysterious path into which you have flung me. I
+have now come to ascertain from you the present residence of the
+extraordinary being who exercises such a baneful effect on your life
+and mine. On my return home yesterday, after listening to your
+avowals, I received that letter."
+
+Jules gave him the forged letter.
+
+"This Ferragus, this Bourignard, or this Monsieur de Funcal, is a
+demon!" cried Maulincour, after having read it. "Oh, what a frightful
+maze I put my foot into when I meddled in this matter! Where am I
+going? I did wrong, monsieur," he continued, looking at Jules; "but
+death is the greatest of all expiations, and my death is now
+approaching. You can ask me whatever you like; I am at your orders."
+
+"Monsieur, you know, of course, where this man is living, and I must
+know it if it costs me all my fortune to penetrate this mystery. In
+presence of so cruel an enemy every moment is precious."
+
+"Justin shall tell you all," replied the baron.
+
+At these words the vidame fidgeted on his chair. Auguste rang the
+bell.
+
+"Justin is not in the house!" cried the vidame, in a hasty manner that
+told much.
+
+"Well, then," said Auguste, excitedly, "the other servants must know
+where he is; send a man on horseback to fetch him. Your valet is in
+Paris, isn't he? He can be found."
+
+The vidame was visibly distressed.
+
+"Justin can't come, my dear boy," said the old man; "he is dead. I
+wanted to conceal the accident from you, but--"
+
+"Dead!" cried Monsieur de Maulincour,--"dead! When and how?"
+
+"Last night. He had been supping with some old friends, and, I dare
+say, was drunk; his friends--no doubt they were drunk, too--left him
+lying in the street, and a heavy vehicle ran over him."
+
+"The convict did not miss /him/; at the first stroke he killed," said
+Auguste. "He has had less luck with me; it has taken four blows to put
+me out of the way."
+
+Jules was gloomy and thoughtful.
+
+"Am I to know nothing, then?" he cried, after a long pause. "Your
+valet seems to have been justly punished. Did he not exceed your
+orders in calumniating Madame Desmarets to a person named Ida, whose
+jealousy he roused in order to turn her vindictiveness upon us?"
+
+"Ah, monsieur! in my anger I informed him about Madame Jules," said
+Auguste.
+
+"Monsieur!" cried the husband, keenly irritated.
+
+"Oh, monsieur!" replied the baron, claiming silence by a gesture, "I
+am prepared for all. You cannot tell me anything my own conscience has
+not already told me. I am now expecting the most celebrated of all
+professors of toxicology, in order to learn my fate. If I am destined
+to intolerable suffering, my resolution is taken. I shall blow my
+brains out."
+
+"You talk like a child!" cried the vidame, horrified by the coolness
+with which the baron said these words. "Your grandmother would die of
+grief."
+
+"Then, monsieur," said Jules, "am I to understand that there exist no
+means of discovering in what part of Paris this extraordinary man
+resides?"
+
+"I think, monsieur," said the old vidame, "from what I have heard poor
+Justin say, that Monsieur de Funcal lives at either the Portuguese or
+the Brazilian embassy. Monsieur de Funcal is a nobleman belonging to
+both those countries. As for the convict, he is dead and buried. Your
+persecutor, whoever he is, seems to me so powerful that it would be
+well to take no decisive measures until you are sure of some way of
+confounding and crushing him. Act prudently and with caution, my dear
+monsieur. Had Monsieur de Maulincour followed my advice, nothing of
+all this would have happened."
+
+Jules coldly but politely withdrew. He was now at a total loss to know
+how to reach Ferragus. As he passed into his own house, the porter
+told him that Madame had just been out to throw a letter into the post
+box at the head of the rue de Menars. Jules felt humiliated by this
+proof of the insight with which the porter espoused his cause, and the
+cleverness by which he guessed the way to serve him. The eagerness of
+servants, and their shrewdness in compromising masters who compromised
+themselves, was known to him, and he fully appreciated the danger of
+having them as accomplices, no matter for what purpose. But he could
+not think of his personal dignity until the moment when he found
+himself thus suddenly degraded. What a triumph for the slave who could
+not raise himself to his master, to compel his master to come down to
+his level! Jules was harsh and hard to him. Another fault. But he
+suffered so deeply! His life till then so upright, so pure, was
+becoming crafty; he was to scheme and lie. Clemence was scheming and
+lying. This to him was a moment of horrible disgust. Lost in a flood
+of bitter feelings, Jules stood motionless at the door of his house.
+Yielding to despair, he thought of fleeing, of leaving France forever,
+carrying with him the illusions of uncertainty. Then, again, not
+doubting that the letter Clemence had just posted was addressed to
+Ferragus, his mind searched for a means of obtaining the answer that
+mysterious being was certain to send. Then his thoughts began to
+analyze the singular good fortune of his life since his marriage, and
+he asked himself whether the calumny for which he had taken such
+signal vengeance was not a truth. Finally, reverting to the coming
+answer, he said to himself:--
+
+"But this man, so profoundly capable, so logical in his every act, who
+sees and foresees, who calculates, and even divines, our very
+thoughts, is he likely to make an answer? Will he not employ some
+other means more in keeping with his power? He may send his answer by
+some beggar; or in a carton brought by an honest man, who does not
+suspect what he brings; or in some parcel of shoes, which a shop-girl
+may innocently deliver to my wife. If Clemence and he have agreed upon
+such means--"
+
+He distrusted all things; his mind ran over vast tracts and shoreless
+oceans of conjecture. Then, after floating for a time among a thousand
+contradictory ideas, he felt he was strongest in his own house, and he
+resolved to watch it as the ant-lion watches his sandy labyrinth.
+
+"Fouguereau," he said to the porter, "I am not at home to any one who
+comes to see me. If any one calls to see madame, or brings her
+anything, ring twice. Bring all letters addressed here to me, no
+matter for whom they are intended."
+
+"Thus," thought he, as he entered his study, which was in the
+entresol, "I forestall the schemes of this Ferragus. If he sends some
+one to ask for me so as to find out if Clemence is alone, at least I
+shall not be tricked like a fool."
+
+He stood by the window of his study, which looked upon the street, and
+then a final scheme, inspired by jealousy, came into his mind. He
+resolved to send his head-clerk in his own carriage to the Bourse with
+a letter to another broker, explaining his sales and purchases and
+requesting him to do his business for that day. He postponed his more
+delicate transactions till the morrow, indifferent to the fall or rise
+of stocks or the debts of all Europe. High privilege of love!--it
+crushes all things, all interests fall before it: altar, throne,
+consols!
+
+At half-past three, just the hour at which the Bourse is in full blast
+of reports, monthly settlements, premiums, etc., Fouguereau entered
+the study, quite radiant with his news.
+
+"Monsieur, an old woman has come, but very cautiously; I think she's a
+sly one. She asked for monsieur, and seemed much annoyed when I told
+her he was out; then she gave me a letter for madame, and here it is."
+
+Fevered with anxiety, Jules opened the letter; then he dropped into a
+chair, exhausted. The letter was mere nonsense throughout, and needed
+a key. It was virtually in cipher.
+
+"Go away, Fouguereau." The porter left him. "It is a mystery deeper
+than the sea below the plummet line! Ah! it must be love; love only is
+so sagacious, so inventive as this. Ah! I shall kill her."
+
+At this moment an idea flashed through his brain with such force that
+he felt almost physically illuminated by it. In the days of his
+toilsome poverty before his marriage, Jules had made for himself a
+true friend. The extreme delicacy with which he had managed the
+susceptibilities of a man both poor and modest; the respect with which
+he had surrounded him; the ingenious cleverness he had employed to
+nobly compel him to share his opulence without permitting it to make
+him blush, increased their friendship. Jacquet continued faithful to
+Desmarets in spite of his wealth.
+
+Jacquet, a nobly upright man, a toiler, austere in his morals, had
+slowly made his way in that particular ministry which develops both
+honesty and knavery at the same time. A clerk in the ministry of
+Foreign Affairs, he had charge of the most delicate division of its
+archives. Jacquet in that office was like a glow-worm, casting his
+light upon those secret correspondences, deciphering and classifying
+despatches. Ranking higher than a mere /bourgeois/, his position at
+the ministry was superior to that of the other subalterns. He lived
+obscurely, glad to feel that such obscurity sheltered him from
+reverses and disappointments, and was satisfied to humbly pay in the
+lowest coin his debt to the country. Thanks to Jules, his position had
+been much ameliorated by a worthy marriage. An unrecognized patriot, a
+minister in actual fact, he contented himself with groaning in his
+chimney-corner at the course of the government. In his own home,
+Jacquet was an easy-going king,--an umbrella-man, as they say, who
+hired a carriage for his wife which he never entered himself. In
+short, to end this sketch of a philosopher unknown to himself, he had
+never suspected and never in all his life would suspect the advantages
+he might have drawn from his position,--that of having for his
+intimate friend a broker, and of knowing every morning all the secrets
+of the State. This man, sublime after the manner of that nameless
+soldier who died in saving Napoleon by a "qui vive," lived at the
+ministry.
+
+In ten minutes Jules was in his friend's office. Jacquet gave him a
+chair, laid aside methodically his green silk eye-shade, rubbed his
+hands, picked up his snuff-box, rose, stretched himself till his
+shoulder-blades cracked, swelled out his chest, and said:--
+
+"What brings you here, Monsieur Desmarets? What do you want with me?"
+
+"Jacquet, I want you to decipher a secret,--a secret of life and
+death."
+
+"It doesn't concern politics?"
+
+"If it did, I shouldn't come to you for information," said Jules. "No,
+it is a family matter, about which I require you to be absolutely
+silent."
+
+"Claude-Joseph Jacquet, dumb by profession. Don't you know me by this
+time?" he said, laughing. "Discretion is my lot."
+
+Jules showed him the letter.
+
+"You must read me this letter, addressed to my wife."
+
+"The deuce! the deuce! a bad business!" said Jacquet, examining the
+letter as a usurer examines a note to be negotiated. "Ha! that's a
+gridiron letter! Wait a minute."
+
+He left Jules alone for a moment, but returned immediately.
+
+"Easy enough to read, my friend! It is written on the gridiron plan,
+used by the Portuguese minister under Monsieur de Choiseul, at the
+time of the dismissal of the Jesuits. Here, see!"
+
+Jacquet placed upon the writing a piece of paper cut out in regular
+squares, like the paper laces which confectioners wrap round their
+sugarplums; and Jules then read with perfect ease the words that were
+visible in the interstices. They were as follows:--
+
+ "Don't be uneasy, my dear Clemence; our happiness cannot again be
+ troubled; and your husband will soon lay aside his suspicions.
+ However ill you may be, you must have the courage to come here
+ to-morrow; find strength in your love for me. Mine for you has
+ induced me to submit to a cruel operation, and I cannot leave my
+ bed. I have had the actual cautery applied to my back, and it was
+ necessary to burn it in a long time; you understand me? But I
+ thought of you, and I did not suffer.
+
+ "To baffle Maulincour (who will not persecute us much longer), I
+ have left the protecting roof of the embassy, and am now safe from
+ all inquiry in the rue des Enfants-Rouges, number 12, with an old
+ woman, Madame Etienne Gruget, mother of that Ida, who shall pay
+ dear for her folly. Come to-morrow, at nine in the morning. I am
+ in a room which is reached only by an interior staircase. Ask for
+ Monsieur Camuset. Adieu; I kiss your forehead, my darling."
+
+Jacquet looked at Jules with a sort of honest terror, the sign of a
+true compassion, as he made his favorite exclamation in two separate
+and distinct tones,--
+
+"The deuce! the deuce!"
+
+"That seems clear to you, doesn't it?" said Jules. "Well, in the
+depths of my heart there is a voice that pleads for my wife, and makes
+itself heard above the pangs of jealousy. I must endure the worst of
+all agony until to-morrow; but to-morrow, between nine and ten I shall
+know all; I shall be happy or wretched for all my life. Think of me
+then, Jacquet."
+
+"I shall be at your house to-morrow at eight o'clock. We will go
+together; I'll wait for you, if you like, in the street. You may run
+some danger, and you ought to have near you some devoted person who'll
+understand a mere sign, and whom you can safely trust. Count on me."
+
+"Even to help me in killing some one?"
+
+"The deuce! the deuce!" said Jacquet, repeating, as it were, the same
+musical note. "I have two children and a wife."
+
+Jules pressed his friend's hand and went away; but returned
+immediately.
+
+"I forgot the letter," he said. "But that's not all, I must reseal
+it."
+
+"The deuce! the deuce! you opened it without saving the seal; however,
+it is still possible to restore it. Leave it with me and I'll bring it
+to you /secundum scripturam/."
+
+"At what time?"
+
+"Half-past five."
+
+"If I am not yet in, give it to the porter and tell him to send it up
+to madame."
+
+"Do you want me to-morrow?"
+
+"No. Adieu."
+
+Jules drove at once to the place de la Rotonde du Temple, where he
+left his cabriolet and went on foot to the rue des Enfants-Rouges. He
+found the house of Madame Etienne Gruget and examined it. There, the
+mystery on which depended the fate of so many persons would be cleared
+up; there, at this moment, was Ferragus, and to Ferragus all the
+threads of this strange plot led. The Gordian knot of the drama,
+already so bloody, was surely in a meeting between Madame Jules, her
+husband, and that man; and a blade able to cut the closest of such
+knots would not be wanting.
+
+The house was one of those which belong to the class called
+/cabajoutis/. This significant name is given by the populace of Paris
+to houses which are built, as it were, piecemeal. They are nearly
+always composed of buildings originally separate but afterwards united
+according to the fancy of the various proprietors who successively
+enlarge them; or else they are houses begun, left unfinished, again
+built upon, and completed,--unfortunate structures which have passed,
+like certain peoples, under many dynasties of capricious masters.
+Neither the floors nor the windows have an /ensemble/,--to borrow one
+of the most picturesque terms of the art of painting; all is discord,
+even the external decoration. The /cabajoutis/ is to Parisian
+architecture what the /capharnaum/ is to the apartment,--a poke-hole,
+where the most heterogeneous articles are flung pell-mell.
+
+"Madame Etienne?" asked Jules of the portress.
+
+This portress had her lodge under the main entrance, in a sort of
+chicken coop, or wooden house on rollers, not unlike those sentry-
+boxes which the police have lately set up by the stands of hackney-
+coaches.
+
+"Hein?" said the portress, without laying down the stocking she was
+knitting.
+
+In Paris the various component parts which make up the physiognomy of
+any given portion of the monstrous city, are admirably in keeping with
+its general character. Thus porter, concierge, or Suisse, whatever
+name may be given to that essential muscle of the Parisian monster, is
+always in conformity with the neighborhood of which he is a part; in
+fact, he is often an epitome of it. The lazy porter of the faubourg
+Saint-Germain, with lace on every seam of his coat, dabbles in stocks;
+he of the Chaussee d'Antin takes his ease, reads the money-articles in
+the newspapers, and has a business of his own in the faubourg
+Montmartre. The portress in the quarter of prostitution was formerly a
+prostitute; in the Marais, she has morals, is cross-grained, and full
+of crotchets.
+
+On seeing Monsieur Jules this particular portress, holding her
+knitting in one hand, took a knife and stirred the half-extinguished
+peat in her foot-warmer; then she said:--
+
+"You want Madame Etienne; do you mean Madame Etienne Gruget?"
+
+"Yes," said Jules, assuming a vexed air.
+
+"Who makes trimmings?"
+
+"Yes."
+
+"Well, then, monsieur," she said, issuing from her cage, and laying
+her hand on Jules' arm and leading him to the end of a long passage-
+way, vaulted like a cellar, "go up the second staircase at the end of
+the court-yard--where you will see the windows with the pots of pinks;
+that's where Madame Etienne lives."
+
+"Thank you, madame. Do you think she is alone?"
+
+"Why shouldn't she be alone? she's a widow."
+
+Jules hastened up a dark stairway, the steps of which were knobby with
+hardened mud left by the feet of those who came and went. On the
+second floor he saw three doors but no signs of pinks. Fortunately, on
+one of the doors, the oiliest and darkest of the three, he read these
+words, chalked on a panel: "Ida will come to-night at nine o'clock."
+
+"This is the place," thought Jules.
+
+He pulled an old bellrope, black with age, and heard the smothered
+sound of a cracked bell and the barking of an asthmatic little dog. By
+the way the sounds echoed from the interior he knew that the rooms
+were encumbered with articles which left no space for reverberation,--
+a characteristic feature of the homes of workmen and humble
+households, where space and air are always lacking.
+
+Jules looked out mechanically for the pinks, and found them on the
+outer sill of a sash window between two filthy drain-pipes. So here
+were flowers; here, a garden, two yards long and six inches wide;
+here, a wheat-ear; here, a whole life epitomized; but here, too, all
+the miseries of that life. A ray of light falling from heaven as if by
+special favor on those puny flowers and the vigorous wheat-ear brought
+out in full relief the dust, the grease, and that nameless color,
+peculiar to Parisian squalor, made of dirt, which crusted and spotted
+the damp walls, the worm-eaten balusters, the disjointed window-
+casings, and the door originally red. Presently the cough of an old
+woman, and a heavy female step, shuffling painfully in list slippers,
+announced the coming of the mother of Ida Gruget. The creature opened
+the door and came out upon the landing, looked up, and said:--
+
+"Ah! is this Monsieur Bocquillon? Why, no? But perhaps you're his
+brother. What can I do for you? Come in, monsieur."
+
+Jules followed her into the first room, where he saw, huddled
+together, cages, household utensils, ovens, furniture, little
+earthenware dishes full of food or water for the dog and the cats, a
+wooden clock, bed-quilts, engravings of Eisen, heaps of old iron, all
+these things mingled and massed together in a way that produced a most
+grotesque effect,--a true Parisian dusthole, in which were not lacking
+a few old numbers of the "Constitutionel."
+
+Jules, impelled by a sense of prudence, paid no attention to the
+widow's invitation when she said civilly, showing him an inner room:--
+
+"Come in here, monsieur, and warm yourself."
+
+Fearing to be overheard by Ferragus, Jules asked himself whether it
+were not wisest to conclude the arrangement he had come to make with
+the old woman in the crowded antechamber. A hen, which descended
+cackling from a loft, roused him from this inward meditation. He came
+to a resolution, and followed Ida's mother into the inner room,
+whither they were accompanied by the wheezy pug, a personage otherwise
+mute, who jumped upon a stool. Madame Gruget showed the assumption of
+semi-pauperism when she invited her visitor to warm himself. Her fire-
+pot contained, or rather concealed two bits of sticks, which lay
+apart: the grating was on the ground, its handle in the ashes. The
+mantel-shelf, adorned with a little wax Jesus under a shade of squares
+of glass held together with blue paper, was piled with wools, bobbins,
+and tools used in the making of gimps and trimmings. Jules examined
+everything in the room with a curiosity that was full of interest, and
+showed, in spite of himself, an inward satisfaction.
+
+"Well, monsieur, tell me, do you want to buy any of my things?" said
+the old woman, seating herself in a cane arm-chair, which appeared to
+be her headquarters. In it she kept her handkerchief, snuffbox,
+knitting, half-peeled vegetables, spectacles, calendar, a bit of
+livery gold lace just begun, a greasy pack of cards, and two volumes
+of novels, all stuck into the hollow of the back. This article of
+furniture, in which the old creature was floating down the river of
+life, was not unlike the encyclopedic bag which a woman carries with
+her when she travels; in which may be found a compendium of her
+household belongings, from the portrait of her husband to /eau de
+Melisse/ for faintness, sugarplums for the children, and English
+court-plaster in case of cuts.
+
+Jules studied all. He looked attentively at Madame Gruget's yellow
+visage, at her gray eyes without either brows or lashes, her toothless
+mouth, her wrinkles marked in black, her rusty cap, her still more
+rusty ruffles, her cotton petticoat full of holes, her worn-out
+slippers, her disabled fire-pot, her table heaped with dishes and
+silks and work begun or finished, in wool or cotton, in the midst of
+which stood a bottle of wine. Then he said to himself: "This old woman
+has some passion, some strong liking or vice; I can make her do my
+will."
+
+"Madame," he said aloud, with a private sign of intelligence, "I have
+come to order some livery trimmings." Then he lowered his voice. "I
+know," he continued, "that you have a lodger who has taken the name of
+Camuset." The old woman looked at him suddenly, but without any sign
+of astonishment. "Now, tell me, can we come to an understanding? This
+is a question which means fortune for you."
+
+"Monsieur," she replied, "speak out, and don't be afraid. There's no
+one here. But if I had any one above, it would be impossible for him
+to hear you."
+
+"Ha! the sly old creature, she answers like a Norman," thought Jules,
+"We shall agree. Do not give yourself the trouble to tell falsehoods,
+madame," he resumed, "In the first place, let me tell you that I mean
+no harm either to you or to your lodger who is suffering from cautery,
+or to your daughter Ida, a stay-maker, the friend of Ferragus. You
+see, I know all your affairs. Do not be uneasy; I am not a detective
+policeman, nor do I desire anything that can hurt your conscience. A
+young lady will come here to-morrow-morning at half-past nine o'clock,
+to talk with this lover of your daughter. I want to be where I can see
+all and hear all, without being seen or heard by them. If you will
+furnish me with the means of doing so, I will reward that service with
+the gift of two thousand francs and a yearly stipend of six hundred.
+My notary shall prepare a deed before you this evening, and I will
+give him the money to hold; he will pay the two thousand to you
+to-morrow after the conference at which I desire to be present, as you
+will then have given proofs of your good faith."
+
+"Will it injure my daughter, my good monsieur?" she asked, casting a
+cat-like glance of doubt and uneasiness upon him.
+
+"In no way, madame. But, in any case, it seems to me that your
+daughter does not treat you well. A girl who is loved by so rich a man
+as Ferragus ought to make you more comfortable than you seem to be."
+
+"Ah, my dear monsieur, just think, not so much as one poor ticket to
+the Ambigu, or the Gaiete, where she can go as much as she likes. It's
+shameful! A girl for whom I sold my silver forks and spoons! and now I
+eat, at my age, with German metal,--and all to pay for her
+apprenticeship, and give her a trade, where she could coin money if
+she chose. As for that, she's like me, clever as a witch; I must do
+her that justice. But, I will say, she might give me her old silk
+gowns,--I, who am so fond of wearing silk. But no! Monsieur, she dines
+at the Cadran-Bleu at fifty francs a head, and rolls in her carriage
+as if she were a princess, and despises her mother for a Colin-Lampon.
+Heavens and earth! what heedless young ones we've brought into the
+world; we have nothing to boast of there. A mother, monsieur, can't be
+anything else but a good mother; and I've concealed that girl's ways,
+and kept her in my bosom, to take the bread out of my mouth and cram
+everything into her own. Well, well! and now she comes and fondles one
+a little, and says, 'How d'ye do, mother?' And that's all the duty she
+thinks of paying. But she'll have children one of these days, and then
+she'll find out what it is to have such baggage,--which one can't help
+loving all the same."
+
+"Do you mean that she does nothing for you?"
+
+"Ah, nothing? No, monsieur, I didn't say that; if she did nothing,
+that would be a little too much. She gives me my rent and thirty-six
+francs a month. But, monsieur, at my age,--and I'm fifty-two years
+old, with eyes that feel the strain at night,--ought I to be working
+in this way? Besides, why won't she have me to live with her? I should
+shame her, should I? Then let her say so. Faith, one ought to be
+buried out of the way of such dogs of children, who forget you before
+they've even shut the door."
+
+She pulled her handkerchief from her pocket, and with it a lottery
+ticket that dropped on the floor; but she hastily picked it up,
+saying, "Hi! that's the receipt for my taxes."
+
+Jules at once perceived the reason of the sagacious parsimony of which
+the mother complained; and he was the more certain that the widow
+Gruget would agree to the proposed bargain.
+
+"Well, then, madame," he said, "accept what I offer you."
+
+"Did you say two thousand francs in ready money, and six hundred
+annuity, monsieur?"
+
+"Madame, I've changed my mind; I will promise you only three hundred
+annuity. This way seems more to my own interests. But I will give you
+five thousand francs in ready money. Wouldn't you like that as well?"
+
+"Bless me, yes, monsieur!"
+
+"You'll get more comfort out of it; and you can go to the Ambigu and
+Franconi's at your ease in a coach."
+
+"As for Franconi, I don't like that, for they don't talk there.
+Monsieur, if I accept, it is because it will be very advantageous for
+my child. I sha'n't be a drag on her any longer. Poor little thing!
+I'm glad she has her pleasures, after all. Ah, monsieur, youth must be
+amused! And so, if you assure me that no harm will come to anybody--"
+
+"Not to anybody," replied Jules. "But now, how will you manage it?"
+
+"Well, monsieur, if I give Monsieur Ferragus a little tea made of
+poppy-heads to-night, he'll sleep sound, the dear man; and he needs
+it, too, because of his sufferings, for he does suffer, I can tell
+you, and more's the pity. But I'd like to know what a healthy man like
+him wants to burn his back for, just to get rid of a tic douleureux
+which troubles him once in two years. However, to come back to our
+business. I have my neighbor's key; her lodging is just above mine,
+and in it there's a room adjoining the one where Monsieur Ferragus is,
+with only a partition between them. My neighbor is away in the country
+for ten days. Therefore, if I make a hole to-night while Monsieur
+Ferragus is sound asleep, you can see and hear them to-morrow at your
+ease. I'm on good terms with a locksmith,--a very friendly man, who
+talks like an angel, and he'll do the work for me and say nothing
+about it."
+
+"Then here's a hundred francs for him. Come to-night to Monsieur
+Desmaret's office; he's a notary, and here's his address. At nine
+o'clock the deed will be ready, but--silence!"
+
+"Enough, monsieur; as you say--silence! Au revoir, monsieur."
+
+Jules went home, almost calmed by the certainty that he should know
+the truth on the morrow. As he entered the house, the porter gave him
+the letter properly resealed.
+
+"How do you feel now?" he said to his wife, in spite of the coldness
+that separated them.
+
+"Pretty well, Jules," she answered in a coaxing voice, "do come and
+dine beside me."
+
+"Very good," he said, giving her the letter. "Here is something
+Fouguereau gave me for you."
+
+Clemence, who was very pale, colored high when she saw the letter, and
+that sudden redness was a fresh blow to her husband.
+
+"Is that joy," he said, laughing, "or the effect of expectation?"
+
+"Oh, of many things!" she said, examining the seal.
+
+"I leave you now for a few moments."
+
+He went down to his study, and wrote to his brother, giving him
+directions about the payment to the widow Gruget. When he returned, he
+found his dinner served on a little table by his wife's bedside, and
+Josephine ready to wait on him.
+
+"If I were up how I should like to serve you myself," said Clemence,
+when Josephine had left them. "Oh, yes, on my knees!" she added,
+passing her white hands through her husband's hair. "Dear, noble
+heart, you were very kind and gracious to me just now. You did me more
+good by showing me such confidence than all the doctors on earth could
+do me with their prescriptions. That feminine delicacy of yours--for
+you do know how to love like a woman--well, it has shed a balm into my
+heart which has almost cured me. There's truce between us, Jules;
+lower your head, that I may kiss it."
+
+Jules could not deny himself the pleasure of that embrace. But it was
+not without a feeling of remorse in his heart; he felt himself small
+before this woman whom he was still tempted to think innocent. A sort
+of melancholy joy possessed him. A tender hope shone on her features
+in spite of their grieved expression. They both were equally unhappy
+in deceiving each other; another caress, and, unable to resist their
+suffering, all would then have been avowed.
+
+"To-morrow evening, Clemence."
+
+"No, no; to-morrow morning, by twelve o'clock, you will know all, and
+you'll kneel down before your wife--Oh, no! you shall not be
+humiliated; you are all forgiven now; you have done no wrong. Listen,
+Jules; yesterday you did crush me--harshly; but perhaps my life would
+not have been complete without that agony; it may be a shadow that
+will make our coming days celestial."
+
+"You lay a spell upon me," cried Jules; "you fill me with remorse."
+
+"Poor love! destiny is stronger than we, and I am not the accomplice
+of mine. I shall go out to-morrow."
+
+"At what hour?" asked Jules.
+
+"At half-past nine."
+
+"Clemence," he said, "take every precaution; consult Doctor Desplein
+and old Haudry."
+
+"I shall consult nothing but my heart and my courage."
+
+"I shall leave you free; you will not see me till twelve o'clock."
+
+"Won't you keep me company this evening? I feel so much better."
+
+After attending to some business, Jules returned to his wife,--
+recalled by her invincible attraction. His passion was stronger than
+his anguish.
+
+The next day, at nine o'clock Jules left home, hurried to the rue des
+Enfants-Rouges, went upstairs, and rang the bell of the widow Gruget's
+lodgings.
+
+"Ah! you've kept your word, as true as the dawn. Come in, monsieur,"
+said the old woman when she saw him. "I've made you a cup of coffee
+with cream," she added, when the door was closed. "Oh! real cream; I
+saw it milked myself at the dairy we have in this very street."
+
+"Thank you, no, madame, nothing. Take me at once--"
+
+"Very good, monsieur. Follow me, this way."
+
+She led him up into the room above her own, where she showed him,
+triumphantly, an opening about the size of a two-franc piece, made
+during the night, in a place, which, in each room, was above a
+wardrobe. In order to look through it, Jules was forced to maintain
+himself in rather a fatiguing attitude, by standing on a step-ladder
+which the widow had been careful to place there.
+
+"There's a gentleman with him," she whispered, as she retired.
+
+Jules then beheld a man employed in dressing a number of wounds on the
+shoulders of Ferragus, whose head he recognized from the description
+given to him by Monsieur de Maulincour.
+
+"When do you think those wounds will heal?" asked Ferragus.
+
+"I don't know," said the other man. "The doctors say those wounds will
+require seven or eight more dressings."
+
+"Well, then, good-bye until to-night," said Ferragus, holding out his
+hand to the man, who had just replaced the bandage.
+
+"Yes, to-night," said the other, pressing his hand cordially. "I wish
+I could see you past your sufferings."
+
+"To-morrow Monsieur de Funcal's papers will be delivered to us, and
+Henri Bourignard will be dead forever," said Ferragus. "Those fatal
+marks which have cost us so dear no longer exist. I shall become once
+more a social being, a man among men, and more of a man than the
+sailor whom the fishes are eating. God knows it is not for my own sake
+I have made myself a Portuguese count!"
+
+"Poor Gratien!--you, the wisest of us all, our beloved brother, the
+Benjamin of the band; as you very well know."
+
+"Adieu; keep an eye on Maulincour."
+
+"You can rest easy on that score."
+
+"Ho! stay, marquis," cried the convict.
+
+"What is it?"
+
+"Ida is capable of everything after the scene of last night. If she
+should throw herself into the river, I would not fish her out. She
+knows the secret of my name, and she'll keep it better there. But
+still, look after her; for she is, in her way, a good girl."
+
+"Very well."
+
+The stranger departed. Ten minutes later Jules heard, with a feverish
+shudder, the rustle of a silk gown, and almost recognized by their
+sound the steps of his wife.
+
+"Well, father," said Clemence, "my poor father, are you better? What
+courage you have shown!"
+
+"Come here, my child," replied Ferragus, holding out his hand to her.
+
+Clemence held her forehead to him and he kissed it.
+
+"Now tell me, what is the matter, my little girl? What are these new
+troubles?"
+
+"Troubles, father! it concerns the life or death of the daughter you
+have loved so much. Indeed you must, as I wrote you yesterday, you
+/must/ find a way to see my poor Jules to-day. If you knew how good he
+has been to me, in spite of all suspicions apparently so legitimate.
+Father, my love is my very life. Would you see me die? Ah! I have
+suffered so much that my life, I feel it! is in danger."
+
+"And all because of the curiosity of that miserable Parisian?" cried
+Ferragus. "I'd burn Paris down if I lost you, my daughter. Ha! you may
+know what a lover is, but you don't yet know what a father can do."
+
+"Father, you frighten me when you look at me in that way. Don't weigh
+such different feelings in the same scales. I had a husband before I
+knew that my father was living--"
+
+"If your husband was the first to lay kisses on your forehead, I was
+the first to drop tears upon it," replied Ferragus. "But don't feel
+frightened, Clemence, speak to me frankly. I love you enough to
+rejoice in the knowledge that you are happy, though I, your father,
+may have little place in your heart, while you fill the whole of
+mine."
+
+"Ah! what good such words do me! You make me love you more and more,
+though I seem to rob something from my Jules. But, my kind father,
+think what his sufferings are. What may I tell him to-day?"
+
+"My child, do you think I waited for your letter to save you from this
+threatened danger? Do you know what will become of those who venture
+to touch your happiness, or come between us? Have you never been aware
+that a second providence was guarding your life? Twelve men of power
+and intellect form a phalanx round your love and your existence,--
+ready to do all things to protect you. Think of your father, who has
+risked death to meet you in the public promenades, or see you asleep
+in your little bed in your mother's home, during the night-time. Could
+such a father, to whom your innocent caresses give strength to live
+when a man of honor ought to have died to escape his infamy, could
+/I/, in short, I who breathe through your lips, and see with your
+eyes, and feel with your heart, could I fail to defend with the claws
+of a lion and the soul of a father, my only blessing, my life, my
+daughter? Since the death of that angel, your mother, I have dreamed
+but of one thing,--the happiness of pressing you to my heart in the
+face of the whole earth, of burying the convict,--" He paused a
+moment, and then added: "--of giving you a father, a father who could
+press without shame your husband's hand, who could live without fear
+in both your hearts, who could say to all the world, 'This is my
+daughter,'--in short, to be a happy father."
+
+"Oh, father! father!"
+
+"After infinite difficulty, after searching the whole globe,"
+continued Ferragus, "my friends have found me the skin of a dead man
+in which to take my place once more in social life. A few days hence,
+I shall be Monsieur de Funcal, a Portuguese count. Ah! my dear child,
+there are few men of my age who would have had the patience to learn
+Portuguese and English, which were spoken fluently by that devil of a
+sailor, who was drowned at sea."
+
+"But, my dear father--"
+
+"All has been foreseen, and prepared. A few days hence, his Majesty
+John VI., King of Portugal will be my accomplice. My child, you must
+have a little patience where your father has had so much. But ah! what
+would I not do to reward your devotion for the last three years,--
+coming religiously to comfort your old father, at the risk of your own
+peace!"
+
+"Father!" cried Clemence, taking his hands and kissing them.
+
+"Come, my child, have courage still; keep my fatal secret a few days
+longer, till the end is reached. Jules is not an ordinary man, I know;
+but are we sure that his lofty character and his noble love may not
+impel him to dislike the daughter of a--"
+
+"Oh!" cried Clemence, "you have read my heart; I have no other fear
+than that. The very thought turns me to ice," she added, in a heart-
+rending tone. "But, father, think that I have promised him the truth
+in two hours."
+
+"If so, my daughter, tell him to go to the Portuguese embassy and see
+the Comte de Funcal, your father. I will be there."
+
+"But Monsieur de Maulincour has told him of Ferragus. Oh, father, what
+torture, to deceive, deceive, deceive!"
+
+"Need you say that to me? But only a few days more, and no living man
+will be able to expose me. Besides, Monsieur de Maulincour is beyond
+the faculty of remembering. Come, dry your tears, my silly child, and
+think--"
+
+At this instant a terrible cry rang from the room in which Jules
+Desmarets was stationed.
+
+The clamor was heard by Madame Jules and Ferragus through the opening
+of the wall, and struck them with terror.
+
+"Go and see what it means, Clemence," said her father.
+
+Clemence ran rapidly down the little staircase, found the door into
+Madame Gruget's apartment wide open, heard the cries which echoed from
+the upper floor, went up the stairs, guided by the noise of sobs, and
+caught these words before she entered the fatal chamber:--
+
+"You, monsieur, you, with your horrid inventions,--you are the cause
+of her death!"
+
+"Hush, miserable woman!" replied Jules, putting his handkerchief on
+the mouth of the old woman, who began at once to cry out, "Murder!
+help!"
+
+At this instant Clemence entered, saw her husband, uttered a cry, and
+fled away.
+
+"Who will save my child?" cried the widow Gruget. "You have murdered
+her."
+
+"How?" asked Jules, mechanically, for he was horror-struck at being
+seen by his wife.
+
+"Read that," said the old woman, giving him a letter. "Can money or
+annuities console me for that?"
+
+ Farewell, mother! I bequeeth you what I have. I beg your pardon
+ for my forlts, and the last greef to which I put you by ending my
+ life in the river. Henry, who I love more than myself, says I have
+ made his misfortune, and as he has drifen me away, and I have lost
+ all my hops of merrying him, I am going to droun myself. I shall
+ go abov Neuilly, so that they can't put me in the Morg. If Henry
+ does not hate me anny more after I am ded, ask him to berry a pore
+ girl whose hart beet for him only, and to forgif me, for I did
+ rong to meddle in what didn't consern me. Tak care of his wounds.
+ How much he sufered, pore fellow! I shall have as much corage to
+ kill myself as he had to burn his bak. Carry home the corsets I
+ have finished. And pray God for your daughter.
+
+Ida.
+
+
+"Take this letter to Monsieur de Funcal, who is upstairs," said Jules.
+"He alone can save your daughter, if there is still time."
+
+So saying he disappeared, running like a man who has committed a
+crime. His legs trembled. The hot blood poured into his swelling heart
+in torrents greater than at any other moment of his life, and left it
+again with untold violence. Conflicting thoughts struggled in his
+mind, and yet one thought predominated,--he had not been loyal to the
+being he loved most. It was impossible for him to argue with his
+conscience, whose voice, rising high with conviction, came like an
+echo of those inward cries of his love during the cruel hours of doubt
+he had lately lived through.
+
+He spent the greater part of the day wandering about Paris, for he
+dared not go home. This man of integrity and honor feared to meet the
+spotless brow of the woman he had misjudged. We estimate wrongdoing in
+proportion to the purity of our conscience; the deed which is scarcely
+a fault in some hearts, takes the proportions of a crime in certain
+unsullied souls. The slightest stain on the white garment of a virgin
+makes it a thing ignoble as the rags of a mendicant. Between the two
+the difference lies in the misfortune of the one, the wrong-doing of
+the other. God never measures repentance; he never apportions it. As
+much is needed to efface a spot as to obliterate the crimes of a
+lifetime. These reflections fell with all their weight on Jules;
+passions, like human laws, will not pardon, and their reasoning is
+more just; for are they not based upon a conscience of their own as
+infallible as an instinct?
+
+Jules finally came home pale, despondent, crushed beneath a sense of
+his wrong-doing, and yet expressing in spite of himself the joy his
+wife's innocence had given him. He entered her room all throbbing with
+emotion; she was in bed with a high fever. He took her hand, kissed
+it, and covered it with tears.
+
+"Dear angel," he said, when they were alone, "it is repentance."
+
+"And for what?" she answered.
+
+As she made that reply, she laid her head back upon the pillow, closed
+her eyes, and remained motionless, keeping the secret of her
+sufferings that she might not frighten her husband,--the tenderness of
+a mother, the delicacy of an angel! All the woman was in her answer.
+
+The silence lasted long. Jules, thinking her asleep, went to question
+Josephine as to her mistress's condition.
+
+"Madame came home half-dead, monsieur. We sent at once for Monsieur
+Haudry."
+
+"Did he come? What did he say?"
+
+"He said nothing, monsieur. He did not seem satisfied; gave orders
+that no one should go near madame except the nurse, and said he should
+come back this evening."
+
+Jules returned softly to his wife's room and sat down in a chair
+before the bed. There he remained, motionless, with his eyes fixed on
+those of Clemence. When she raised her eyelids she saw him, and
+through those lids passed a tender glance, full of passionate love,
+free from reproach and bitterness,--a look which fell like a flame of
+fire upon the heart of that husband, nobly absolved and forever loved
+by the being whom he had killed. The presentiment of death struck both
+their minds with equal force. Their looks were blended in one anguish,
+as their hearts had long been blended in one love, felt equally by
+both, and shared equally. No questions were uttered; a horrible
+certainty was there,--in the wife an absolute generosity; in the
+husband an awful remorse; then, in both souls the same vision of the
+end, the same conviction of fatality.
+
+There came a moment when, thinking his wife asleep, Jules kissed her
+softly on the forehead; then after long contemplation of that
+cherished face, he said:--
+
+"Oh God! leave me this angel still a little while that I may blot out
+my wrong by love and adoration. As a daughter, she is sublime; as a
+wife, what word can express her?"
+
+Clemence raised her eyes; they were full of tears.
+
+"You pain me," she said, in a feeble voice.
+
+It was getting late; Doctor Haudry came, and requested the husband to
+withdraw during his visit. When the doctor left the sick-room Jules
+asked him no question; one gesture was enough.
+
+"Call in consultation any physician in whom you place confidence; I
+may be wrong."
+
+"Doctor, tell me the truth. I am a man, and I can bear it. Besides, I
+have the deepest interest in knowing it; I have certain affairs to
+settle."
+
+"Madame Jules is dying," said the physician. "There is some moral
+malady which has made great progress, and it has complicated her
+physical condition, which was already dangerous, and made still more
+so by her great imprudence. To walk about barefooted at night! to go
+out when I forbade it! on foot yesterday in the rain, to-day in a
+carriage! She must have meant to kill herself. But still, my judgment
+is not final; she has youth, and a most amazing nervous strength. It
+may be best to risk all to win all by employing some violent reagent.
+But I will not take upon myself to order it; nor will I advise it; in
+consultation I shall oppose it."
+
+Jules returned to his wife. For eleven days and eleven nights he
+remained beside her bed, taking no sleep during the day when he laid
+his head upon the foot of the bed. No man ever pushed the jealousy of
+care and the craving for devotion to such an extreme as he. He could
+not endure that the slightest service should be done by others for his
+wife. There were days of uncertainty, false hopes, now a little
+better, then a crisis,--in short, all the horrible mutations of death
+as it wavers, hesitates, and finally strikes. Madame Jules always
+found strength to smile at her husband. She pitied him, knowing that
+soon he would be alone. It was a double death,--that of life, that of
+love; but life grew feebler, and love grew mightier. One frightful
+night there was, when Clemence passed through that delirium which
+precedes the death of youth. She talked of her happy love, she talked
+of her father; she related her mother's revelations on her death-bed,
+and the obligations that mother had laid upon her. She struggled, not
+for life, but for her love which she could not leave.
+
+"Grant, O God!" she said, "that he may not know I want him to die with
+me."
+
+Jules, unable to bear the scene, was at that moment in the adjoining
+room, and did not hear the prayer, which he would doubtless have
+fulfilled.
+
+When this crisis was over, Madame Jules recovered some strength. The
+next day she was beautiful and tranquil; hope seemed to come to her;
+she adorned herself, as the dying often do. Then she asked to be alone
+all day, and sent away her husband with one of those entreaties made
+so earnestly that they are granted as we grant the prayer of a little
+child.
+
+Jules, indeed, had need of this day. He went to Monsieur de Maulincour
+to demand the satisfaction agreed upon between them. It was not
+without great difficulty that he succeeded in reaching the presence of
+the author of these misfortunes; but the vidame, when he learned that
+the visit related to an affair of honor, obeyed the precepts of his
+whole life, and himself took Jules into the baron's chamber.
+
+Monsieur Desmarets looked about him in search of his antagonist.
+
+"Yes! that is really he," said the vidame, motioning to a man who was
+sitting in an arm-chair beside the fire.
+
+"Who is it? Jules?" said the dying man in a broken voice.
+
+Auguste had lost the only faculty that makes us live--memory. Jules
+Desmarets recoiled with horror at this sight. He could not even
+recognize the elegant young man in that thing without--as Bossuet
+said--a name in any language. It was, in truth, a corpse with whitened
+hair, its bones scarce covered with a wrinkled, blighted, withered
+skin,--a corpse with white eyes motionless, mouth hideously gaping,
+like those of idiots or vicious men killed by excesses. No trace of
+intelligence remained upon that brow, nor in any feature; nor was
+there in that flabby flesh either color or the faintest appearance of
+circulating blood. Here was a shrunken, withered creature brought to
+the state of those monsters we see preserved in museums, floating in
+alchohol. Jules fancied that he saw above that face the terrible head
+of Ferragus, and his own anger was silenced by such a vengeance. The
+husband found pity in his heart for the vacant wreck of what was once
+a man.
+
+"The duel has taken place," said the vidame.
+
+"But he has killed many," answered Jules, sorrowfully.
+
+"And many dear ones," added the old man. "His grandmother is dying;
+and I shall follow her soon into the grave."
+
+On the morrow of this day, Madame Jules grew worse from hour to hour.
+She used a moment's strength to take a letter from beneath her pillow,
+and gave it eagerly to her husband with a sign that was easy to
+understand,--she wished to give him, in a kiss, her last breath. He
+took it, and she died. Jules fell half-dead himself and was taken to
+his brother's house. There, as he deplored in tears his absence of the
+day before, his brother told him that this separation was eagerly
+desired by Clemence, who wished to spare him the sight of the
+religious paraphernalia, so terrible to tender imaginations, which the
+Church displays when conferring the last sacraments upon the dying.
+
+"You could not have borne it," said his brother. "I could hardly bear
+the sight myself, and all the servants wept. Clemence was like a
+saint. She gathered strength to bid us all good-bye, and that voice,
+heard for the last time, rent our hearts. When she asked pardon for
+the pain she might unwillingly have caused her servants, there were
+cries and sobs and--"
+
+"Enough! enough!" said Jules.
+
+He wanted to be alone, that he might read the last words of the woman
+whom all had loved, and who had passed away like a flower.
+
+ "My beloved, this is my last will. Why should we not make wills
+ for the treasures of our hearts, as for our worldly property? Was
+ not my love my property, my all? I mean here to dispose of my
+ love: it was the only fortune of your Clemence, and it is all that
+ she can leave you in dying. Jules, you love me still, and I die
+ happy. The doctors may explain my death as they think best; I
+ alone know the true cause. I shall tell it to you, whatever pain
+ it may cause you. I cannot carry with me, in a heart all yours, a
+ secret which you do not share, although I die the victim of an
+ enforced silence.
+
+ "Jules, I was nurtured and brought up in the deepest solitude, far
+ from the vices and the falsehoods of the world, by the loving
+ woman whom you knew. Society did justice to her conventional
+ charm, for that is what pleases society; but I knew secretly her
+ precious soul, I could cherish the mother who made my childhood a
+ joy without bitterness, and I knew why I cherished her. Was not
+ that to love doubly? Yes, I loved her, I feared her, I respected
+ her; yet nothing oppressed my heart, neither fear nor respect. I
+ was all in all to her; she was all in all to me. For nineteen
+ happy years, without a care, my soul, solitary amid the world
+ which muttered round me, reflected only her pure image; my heart
+ beat for her and through her. I was scrupulously pious; I found
+ pleasure in being innocent before God. My mother cultivated all
+ noble and self-respecting sentiments in me. Ah! it gives me
+ happiness to tell you, Jules, that I now know I was indeed a young
+ girl, and that I came to you virgin in heart.
+
+ "When I left that absolute solitude, when, for the first time, I
+ braided my hair and crowned it with almond blossoms, when I added,
+ with delight, a few satin knots to my white dress, thinking of the
+ world I was to see, and which I was curious to see--Jules, that
+ innocent and modest coquetry was done for you! Yes, as I entered
+ the world, I saw /you/ first of all. Your face, I remarked it; it
+ stood out from the rest; your person pleased me; your voice, your
+ manners all inspired me with pleasant presentiments. When you came
+ up, when you spoke to me, the color on your forehead, the tremble
+ in your voice,--that moment gave me memories with which I throb as
+ I now write to you, as I now, for the last time, think of them.
+ Our love was at first the keenest of sympathies, but it was soon
+ discovered by each of us and then, as speedily, shared; just as,
+ in after times, we have both equally felt and shared innumerable
+ happinesses. From that moment my mother was only second in my
+ heart. Next, I was yours, all yours. There is my life, and all my
+ life, dear husband.
+
+ "And here is what remains for me to tell you. One evening, a few
+ days before my mother's death, she revealed to me the secret of
+ her life,--not without burning tears. I have loved you better
+ since the day I learned from the priest as he absolved my mother
+ that there are passions condemned by the world and by the Church.
+ But surely God will not be severe when they are the sins of souls
+ as tender as that of my mother; only, that dear woman could never
+ bring herself to repent. She loved much, Jules; she was all love.
+ So I have prayed daily for her, but never judged her.
+
+ "That night I learned the cause of her deep maternal tenderness;
+ then I also learned that there was in Paris a man whose life and
+ whose love centred on me; that your fortune was his doing, and
+ that he loved you. I learned also that he was exiled from society
+ and bore a tarnished name; but that he was more unhappy for me,
+ for us, than for himself. My mother was all his comfort; she was
+ dying, and I promised to take her place. With all the ardor of a
+ soul whose feelings had never been perverted, I saw only the
+ happiness of softening the bitterness of my mother's last moments,
+ and I pledged myself to continue her work of secret charity,--the
+ charity of the heart. The first time that I saw my father was
+ beside the bed where my mother had just expired. When he raised
+ his tearful eyes, it was to see in me a revival of his dead hopes.
+ I had sworn, not to tell a lie, but to keep silence; and that
+ silence what woman could have broken it?
+
+ "There is my fault, Jules,--a fault which I expiate by death. I
+ doubted you. But fear is so natural to a woman; above all, a woman
+ who knows what it is that she may lose. I trembled for our love.
+ My father's secret seemed to me the death of my happiness; and the
+ more I loved, the more I feared. I dared not avow this feeling to
+ my father; it would have wounded him, and in his situation a wound
+ was agony. But, without a word from me, he shared my fears. That
+ fatherly heart trembled for my happiness as much as I trembled for
+ myself; but it dared not speak, obeying the same delicacy that
+ kept me mute. Yes, Jules, I believed that you could not love the
+ daughter of Gratien Bourignard as you loved your Clemence. Without
+ that terror could I have kept back anything from you,--you who
+ live in every fold of my heart?
+
+ "The day when that odious, unfortunate young officer spoke to you,
+ I was forced to lie. That day, for the second time in my life, I
+ knew what pain was; that pain has steadily increased until this
+ moment, when I speak with you for the last time. What matters now
+ my father's position? You know all. I could, by the help of my
+ love, have conquered my illness and borne its sufferings; but I
+ cannot stifle the voice of doubt. Is it not probable that my
+ origin would affect the purity of your love and weaken it,
+ diminish it? That fear nothing has been able to quench in me.
+ There, Jules, is the cause of my death. I cannot live fearing a
+ word, a look,--a word you may never say, a look you may never
+ give; but, I cannot help it, I fear them. I die beloved; there is
+ my consolation.
+
+ "I have known, for the last three years, that my father and his
+ friends have well-nigh moved the world to deceive the world. That
+ I might have a station in life, they have bought a dead man, a
+ reputation, a fortune, so that a living man might live again,
+ restored; and all this for you, for us. We were never to have
+ known of it. Well, my death will save my father from that
+ falsehood, for he will not survive me.
+
+ "Farewell, Jules, my heart is all here. To show you my love in its
+ agony of fear, is not that bequeathing my whole soul to you? I
+ could never have the strength to speak to you; I have only enough
+ to write. I have just confessed to God the sins of my life. I have
+ promised to fill my mind with the King of Heaven only; but I must
+ confess to him who is, for me, the whole of earth. Alas! shall I
+ not be pardoned for this last sigh between the life that was and
+ the life that shall be? Farewell, my Jules, my loved one! I go to
+ God, with whom is Love without a cloud, to whom you will follow
+ me. There, before his throne, united forever, we may love each
+ other throughout the ages. This hope alone can comfort me. If I am
+ worthy of being there at once, I will follow you through life. My
+ soul shall bear your company; it will wrap you about, for /you/
+ must stay here still,--ah! here below. Lead a holy life that you
+ may the more surely come to me. You can do such good upon this
+ earth! Is it not an angel's mission for the suffering soul to shed
+ happiness about him,--to give to others that which he has not? I
+ bequeath you to the Unhappy. Their smiles, their tears, are the
+ only ones of which I cannot be jealous. We shall find a charm in
+ sweet beneficence. Can we not live together still if you would
+ join my name--your Clemence--in these good works?
+
+ "After loving as we have loved, there is naught but God, Jules.
+ God does not lie; God never betrays. Adore him only, I charge you!
+ Lead those who suffer up to him; comfort the sorrowing members of
+ his Church. Farewell, dear soul that I have filled! I know you;
+ you will never love again. I may die happy in the thought that
+ makes all women happy. Yes, my grave will be your heart. After
+ this childhood I have just related, has not my life flowed on
+ within that heart? Dead, you will never drive me forth. I am proud
+ of that rare life! You will know me only in the flower of my
+ youth; I leave you regrets without disillusions. Jules, it is a
+ happy death.
+
+ "You, who have so fully understood me, may I ask one thing more of
+ you,--superfluous request, perhaps, the fulfilment of a woman's
+ fancy, the prayer of a jealousy we all must feel,--I pray you to
+ burn all that especially belonged to /us/, destroy our chamber,
+ annihilate all that is a memory of our happiness.
+
+ "Once more, farewell,--the last farewell! It is all love, and so
+ will be my parting thought, my parting breath."
+
+When Jules had read that letter there came into his heart one of those
+wild frenzies of which it is impossible to describe the awful anguish.
+All sorrows are individual; their effects are not subjected to any
+fixed rule. Certain men will stop their ears to hear nothing; some
+women close their eyes hoping never to see again; great and splendid
+souls are met with who fling themselves into sorrow as into an abyss.
+In the matter of despair, all is true.
+
+
+
+ CHAPTER V
+
+ CONCLUSION
+
+
+Jules escaped from his brother's house and returned home, wishing to
+pass the night beside his wife, and see till the last moment that
+celestial creature. As he walked along with an indifference to life
+known only to those who have reached the last degree of wretchedness,
+he thought of how, in India, the law ordained that widows should die;
+he longed to die. He was not yet crushed; the fever of his grief was
+still upon him. He reached his home and went up into the sacred
+chamber; he saw his Clemence on the bed of death, beautiful, like a
+saint, her hair smoothly laid upon her forehead, her hands joined, her
+body wrapped already in its shroud. Tapers were lighted, a priest was
+praying, Josephine kneeling in a corner, wept, and, near the bed, were
+two men. One was Ferragus. He stood erect, motionless, gazing at his
+daughter with dry eyes; his head you might have taken for bronze: he
+did not see Jules.
+
+The other man was Jacquet,--Jacquet, to whom Madame Jules had been
+ever kind. Jacquet felt for her one of those respectful friendships
+which rejoice the untroubled heart; a gentle passion; love without its
+desires and its storms. He had come to pay his debt of tears, to bid a
+long adieu to the wife of his friend, to kiss, for the first time, the
+icy brow of the woman he had tacitly made his sister.
+
+All was silence. Here death was neither terrible as in the churches,
+nor pompous as it makes its way along the streets; no, it was death in
+the home, a tender death; here were pomps of the heart, tears drawn
+from the eyes of all. Jules sat down beside Jacquet and pressed his
+hand; then, without uttering a word, all these persons remained as
+they were till morning.
+
+When daylight paled the tapers, Jacquet, foreseeing the painful scenes
+which would then take place, drew Jules away into another room. At
+this moment the husband looked at the father, and Ferragus looked at
+Jules. The two sorrows arraigned each other, measured each other, and
+comprehended each other in that look. A flash of fury shone for an
+instant in the eyes of Ferragus.
+
+"You killed her," thought he.
+
+"Why was I distrusted?" seemed the answer of the husband.
+
+The scene was one that might have passed between two tigers
+recognizing the futility of a struggle and, after a moment's
+hesitation, turning away, without even a roar.
+
+"Jacquet," said Jules, "have you attended to everything?"
+
+"Yes, to everything," replied his friend, "but a man had forestalled
+me who had ordered and paid for all."
+
+"He tears his daughter from me!" cried the husband, with the violence
+of despair.
+
+Jules rushed back to his wife's room; but the father was there no
+longer. Clemence had now been placed in a leaden coffin, and workmen
+were employed in soldering the cover. Jules returned, horrified by the
+sight; the sound of the hammers the men were using made him
+mechanically burst into tears.
+
+"Jacquet," he said, "out of this dreadful night one idea has come to
+me, only one, but one I must make a reality at any price. I cannot let
+Clemence stay in any cemetery in Paris. I wish to burn her,--to gather
+her ashes and keep her with me. Say nothing of this, but manage on my
+behalf to have it done. I am going to /her/ chamber, where I shall
+stay until the time has come to go. You alone may come in there to
+tell me what you have done. Go, and spare nothing."
+
+During the morning, Madame Jules, after lying in a mortuary chapel at
+the door of her house, was taken to Saint-Roch. The church was hung
+with black throughout. The sort of luxury thus displayed had drawn a
+crowd; for in Paris all things are sights, even true grief. There are
+people who stand at their windows to see how a son deplores a mother
+as he follows her body; there are others who hire commodious seats to
+see how a head is made to fall. No people in the world have such
+insatiate eyes as the Parisians. On this occasion, inquisitive minds
+were particularly surprised to see the six lateral chapels at Saint-
+Roch also hung in black. Two men in mourning were listening to a
+mortuary mass said in each chapel. In the chancel no other persons but
+Monsieur Desmarets, the notary, and Jacquet were present; the servants
+of the household were outside the screen. To church loungers there was
+something inexplicable in so much pomp and so few mourners. But Jules
+had been determined that no indifferent persons should be present at
+the ceremony.
+
+High mass was celebrated with the sombre magnificence of funeral
+services. Beside the ministers in ordinary of Saint-Roch, thirteen
+priests from other parishes were present. Perhaps never did the /Dies
+irae/ produce upon Christians, assembled by chance, by curiosity, and
+thirsting for emotions, an effect so profound, so nervously glacial as
+that now caused by this hymn when the eight voices of the precentors,
+accompanied by the voices of the priests and the choir-boys, intoned
+it alternately. From the six lateral chapels twelve other childish
+voices rose shrilly in grief, mingling with the choir voices
+lamentably. From all parts of the church this mourning issued; cries
+of anguish responded to the cries of fear. That terrible music was the
+voice of sorrows hidden from the world, of secret friendships weeping
+for the dead. Never, in any human religion, have the terrors of the
+soul, violently torn from the body and stormily shaken in presence of
+the fulminating majesty of God, been rendered with such force. Before
+that clamor of clamors all artists and their most passionate
+compositions must bow humiliated. No, nothing can stand beside that
+hymn, which sums all human passions, gives them a galvanic life beyond
+the coffin, and leaves them, palpitating still, before the living and
+avenging God. These cries of childhood, mingling with the tones of
+older voices, including thus in the Song of Death all human life and
+its developments, recalling the sufferings of the cradle, swelling to
+the griefs of other ages in the stronger male voices and the quavering
+of the priests,--all this strident harmony, big with lightning and
+thunderbolts, does it not speak with equal force to the daring
+imagination, the coldest heart, nay, to philosophers themselves? As we
+hear it, we think God speaks; the vaulted arches of no church are mere
+material; they have a voice, they tremble, they scatter fear by the
+might of their echoes. We think we see unnumbered dead arising and
+holding out their hands. It is no more a father, a wife, a child,--
+humanity itself is rising from its dust.
+
+It is impossible to judge of the catholic, apostolic, and Roman faith,
+unless the soul has known that deepest grief of mourning for a loved
+one lying beneath the pall; unless it has felt the emotions that fill
+the heart, uttered by that Hymn of Despair, by those cries that crush
+the mind, by that sacred fear augmenting strophe by strophe, ascending
+heavenward, which terrifies, belittles, and elevates the soul, and
+leaves within our minds, as the last sound ceases, a consciousness of
+immortality. We have met and struggled with the vast idea of the
+Infinite. After that, all is silent in the church. No word is said;
+sceptics themselves /know not what they are feeling/. Spanish genius
+alone was able to bring this untold majesty to untold griefs.
+
+When the solemn ceremony was over, twelve men came from the six
+chapels and stood around the coffin to hear the song of hope which the
+Church intones for the Christian soul before the human form is buried.
+Then, each man entered alone a mourning-coach; Jacquet and Monsieur
+Desmarets took the thirteenth; the servants followed on foot. An hour
+later, they were at the summit of that cemetery popularly called Pere-
+Lachaise. The unknown twelve men stood in a circle round the grave,
+where the coffin had been laid in presence of a crowd of loiterers
+gathered from all parts of this public garden. After a few short
+prayers the priest threw a handful of earth on the remains of this
+woman, and the grave-diggers, having asked for their fee, made haste
+to fill the grave in order to dig another.
+
+Here this history seems to end; but perhaps it would be incomplete if,
+after giving a rapid sketch of Parisian life, and following certain of
+its capricious undulations, the effects of death were omitted. Death
+in Paris is unlike death in any other capital; few persons know the
+trials of true grief in its struggle with civilization, and the
+government of Paris. Perhaps, also, Monsieur Jules and Ferragus XXIII.
+may have proved sufficiently interesting to make a few words on their
+after life not entirely out of place. Besides, some persons like to be
+told all, and wish, as one of our cleverest critics has remarked, to
+know by what chemical process oil was made to burn in Aladdin's lamp.
+
+Jacquet, being a government employee, naturally applied to the
+authorities for permission to exhume the body of Madame Jules and burn
+it. He went to see the prefect of police, under whose protection the
+dead sleep. That functionary demanded a petition. The blank was
+brought that gives to sorrow its proper administrative form; it was
+necessary to employ the bureaucratic jargon to express the wishes of a
+man so crushed that words, perhaps, were lacking to him, and it was
+also necessary to coldly and briefly repeat on the margin the nature
+of the request, which was done in these words: "The petitioner
+respectfully asks for the incineration of his wife."
+
+When the official charged with making the report to the Councillor of
+State and prefect of police read that marginal note, explaining the
+object of the petition, and couched, as requested, in the plainest
+terms, he said:--
+
+"This is a serious matter! my report cannot be ready under eight
+days."
+
+Jules, to whom Jacquet was obliged to speak of this delay,
+comprehended the words that Ferragus had said in his hearing, "I'll
+burn Paris!" Nothing seemed to him now more natural than to annihilate
+that receptacle of monstrous things.
+
+"But," he said to Jacquet, "you must go to the minister of the
+Interior, and get your minister to speak to him."
+
+Jacquet went to the minister of the Interior, and asked an audience;
+it was granted, but the time appointed was two weeks later. Jacquet
+was a persistent man. He travelled from bureau to bureau, and finally
+reached the private secretary of the minister of the Interior, to whom
+he had made the private secretary of his own minister say a word.
+These high protectors aiding, he obtained for the morrow a second
+interview, in which, being armed with a line from the autocrat of
+Foreign affairs to the pacha of the Interior, Jacquet hoped to carry
+the matter by assault. He was ready with reasons, and answers to
+peremptory questions,--in short, he was armed at all points; but he
+failed.
+
+"This matter does not concern me," said the minister; "it belongs to
+the prefect of police. Besides, there is no law giving a husband any
+legal right to the body of his wife, nor to fathers those of their
+children. The matter is serious. There are questions of public utility
+involved which will have to be examined. The interests of the city of
+Paris might suffer. Therefore if the matter depended on me, which it
+does not, I could not decide /hic et nunc/; I should require a
+report."
+
+A /report/ is to the present system of administration what limbo or
+hades is to Christianity. Jacquet knew very well the mania for
+"reports"; he had not waited until this occasion to groan at that
+bureaucratic absurdity. He knew that since the invasion into public
+business of the /Report/ (an administrative revolution consummated in
+1804) there was never known a single minister who would take upon
+himself to have an opinion or to decide the slightest matter, unless
+that opinion or matter had been winnowed, sifted, and plucked to bits
+by the paper-spoilers, quill-drivers, and splendid intellects of his
+particular bureau. Jacquet--he was one of those who are worthy of
+Plutarch as biographer--saw that he had made a mistake in his
+management of the affair, and had, in fact, rendered it impossible by
+trying to proceed legally. The thing he should have done was to have
+taken Madame Jules to one of Desmaret's estates in the country; and
+there, under the good-natured authority of some village mayor to have
+gratified the sorrowful longing of his friend. Law, constitutional and
+administrative, begets nothing; it is a barren monster for peoples,
+for kings, and for private interests. But the peoples decipher no
+principles but those that are writ in blood, and the evils of legality
+will always be pacific; it flattens a nation down, that is all.
+Jacquet, a man of modern liberty, returned home reflecting on the
+benefits of arbitrary power.
+
+When he went with his report to Jules, he found it necessary to
+deceive him, for the unhappy man was in a high fever, unable to leave
+his bed. The minister of the Interior mentioned, at a ministerial
+dinner that same evening, the singular fancy of a Parisian in wishing
+to burn his wife after the manner of the Romans. The clubs of Paris
+took up the subject, and talked for a while of the burials of
+antiquity. Ancient things were just then becoming a fashion, and some
+persons declared that it would be a fine thing to re-establish, for
+distinguished persons, the funeral pyre. This opinion had its
+defenders and its detractors. Some said that there were too many such
+personages, and the price of wood would be enormously increased by
+such a custom; moreover, it would be absurd to see our ancestors in
+their urns in the procession at Longchamps. And if the urns were
+valuable, they were likely some day to be sold at auction, full of
+respectable ashes, or seized by creditors,--a race of men who
+respected nothing. The other side made answer that our ancestors were
+much safer in urns than at Pere-Lachaise, for before very long the
+city of Paris would be compelled to order a Saint-Bartholomew against
+its dead, who were invading the neighboring country, and threatening
+to invade the territory of Brie. It was, in short, one of those futile
+but witty discussions which sometimes cause deep and painful wounds.
+Happily for Jules, he knew nothing of the conversations, the witty
+speeches, and arguments which his sorrow had furnished to the tongues
+of Paris.
+
+The prefect of police was indignant that Monsieur Jacquet had appealed
+to a minister to avoid the wise delays of the commissioners of the
+public highways; for the exhumation of Madame Jules was a question
+belonging to that department. The police bureau was doing its best to
+reply promptly to the petition; one appeal was quite sufficient to set
+the office in motion, and once in motion matters would go far. But as
+for the administration, that might take the case before the Council of
+state,--a machine very difficult indeed to move.
+
+After the second day Jacquet was obliged to tell his friend that he
+must renounce his desire, because, in a city where the number of tears
+shed on black draperies is tariffed, where the laws recognize seven
+classes of funerals, where the scrap of ground to hold the dead is
+sold at its weight in silver, where grief is worked for what it is
+worth, where the prayers of the Church are costly, and the vestry
+claim payment for extra voices in the /Dies irae/,--all attempt to get
+out of the rut prescribed by the authorities for sorrow is useless and
+impossible.
+
+"It would have been to me," said Jules, "a comfort in my misery. I
+meant to have died away from here, and I hoped to hold her in my arms
+in a distant grave. I did not know that bureaucracy could send its
+claws into our very coffins."
+
+He now wished to see if room had been left for him beside his wife.
+The two friends went to the cemetery. When they reached it they found
+(as at the doors of museums, galleries, and coach-offices) /ciceroni/,
+who proposed to guide them through the labyrinth of Pere-Lachaise.
+Neither Jules nor Jacquet could have found the spot where Clemence
+lay. Ah, frightful anguish! They went to the lodge to consult the
+porter of the cemetery. The dead have a porter, and there are hours
+when the dead are "not receiving." It is necessary to upset all the
+rules and regulations of the upper and lower police to obtain
+permission to weep at night, in silence and solitude, over the grave
+where a loved one lies. There's a rule for summer and a rule for
+winter about this.
+
+Certainly, of all the porters in Paris, the porter of Pere-Lachaise is
+the luckiest. In the first place, he has no gate-cord to pull; then,
+instead of a lodge, he has a house,--an establishment which is not
+quite ministerial, although a vast number of persons come under his
+administration, and a good many employees. And this governor of the
+dead has a salary, with emoluments, and acts under powers of which
+none complain; he plays despot at his ease. His lodge is not a place
+of business, though it has departments where the book-keeping of
+receipts, expenses, and profits, is carried on. The man is not a
+/suisse/, nor a concierge, nor actually a porter. The gate which
+admits the dead stands wide open; and though there are monuments and
+buildings to be cared for, he is not a care-taker. In short, he is an
+indefinable anomaly, an authority which participates in all, and yet
+is nothing,--an authority placed, like the dead on whom it is based,
+outside of all. Nevertheless, this exceptional man grows out of the
+city of Paris,--that chimerical creation like the ship which is its
+emblem, that creature of reason moving on a thousand paws which are
+seldom unanimous in motion.
+
+This guardian of the cemetery may be called a concierge who has
+reached the condition of a functionary, not soluble by dissolution!
+His place is far from being a sinecure. He does not allow any one to
+be buried without a permit; he must count his dead. He points out to
+you in this vast field the six feet square of earth where you will one
+day put all you love, or all you hate, a mistress, or a cousin. Yes,
+remember this: all the feelings and emotions of Paris come to end
+here, at this porter's lodge, where they are administrationized. This
+man has registers in which his dead are booked; they are in their
+graves, and also on his records. He has under him keepers, gardeners,
+grave-diggers, and their assistants. He is a personage. Mourning
+hearts do not speak to him at first. He does not appear at all except
+in serious cases, such as one corpse mistaken for another, a murdered
+body, an exhumation, a dead man coming to life. The bust of the
+reigning king is in his hall; possibly he keeps the late royal,
+imperial, and quasi-royal busts in some cupboard,--a sort of little
+Pere-Lachaise all ready for revolutions. In short, he is a public man,
+an excellent man, good husband and good father,--epitaph apart. But so
+many diverse sentiments have passed before him on biers; he has seen
+so many tears, true and false; he has beheld sorrow under so many
+aspects and on so many faces; he has heard such endless thousands of
+eternal woes,--that to him sorrow has come to be nothing more than a
+stone an inch thick, four feet long, and twenty-four inches wide. As
+for regrets, they are the annoyances of his office; he neither
+breakfasts nor dines without first wiping off the rain of an
+inconsolable affliction. He is kind and tender to other feelings; he
+will weep over a stage-hero, over Monsieur Germeuil in the "Auberge
+des Adrets," the man with the butter-colored breeches, murdered by
+Macaire; but his heart is ossified in the matter of real dead men.
+Dead men are ciphers, numbers, to him; it is his business to organize
+death. Yet he does meet, three times in a century, perhaps, with an
+occasion when his part becomes sublime, and then he /is/ sublime
+through every hour of his day,--in times of pestilence.
+
+When Jacquet approached him this absolute monarch was evidently out of
+temper.
+
+"I told you," he was saying, "to water the flowers from the rue
+Massena to the place Regnault de Saint-Jean-d'Angely. You paid no
+attention to me! /Sac-a-papier/! suppose the relations should take it
+into their heads to come here to-day because the weather is fine, what
+would they say to me? They'd shriek as if they were burned; they'd say
+horrid things of us, and calumniate us--"
+
+"Monsieur," said Jacquet, "we want to know where Madame Jules is
+buried."
+
+"Madame Jules /who/?" he asked. "We've had three Madame Jules within
+the last week. Ah," he said, interrupting himself, "here comes the
+funeral of Monsieur le Baron de Maulincour! A fine procession, that!
+He has soon followed his grandmother. Some families, when they begin
+to go, rattle down like a wager. Lots of bad blood in Parisians."
+
+"Monsieur," said Jacquet, touching him on the arm, "the person I spoke
+of is Madame Jules Desmarets, the wife of the broker of that name."
+
+"Ah, I know!" he replied, looking at Jacquet. "Wasn't it a funeral
+with thirteen mourning coaches, and only one mourner in the twelve
+first? It was so droll we all noticed it--"
+
+"Monsieur, take care, Monsieur Desmarets is with me; he might hear
+you, and what you say is not seemly."
+
+"I beg pardon, monsieur! you are quite right. Excuse me, I took you
+for heirs. Monsieur," he continued, after consulting a plan of the
+cemetery, "Madame Jules is in the rue Marechal Lefebre, alley No. 4,
+between Mademoiselle Raucourt, of the Comedie-Francaise, and Monsieur
+Moreau-Malvin, a butcher, for whom a handsome tomb in white marble has
+been ordered, which will be one of the finest in the cemetery--"
+
+"Monsieur," said Jacquet, interrupting him, "that does not help us."
+
+"True," said the official, looking round him. "Jean," he cried, to a
+man whom he saw at a little distance, "conduct these gentlemen to the
+grave of Madame Jules Desmarets, the broker's wife. You know where it
+is,--near to Mademoiselle Raucourt, the tomb where there's a bust."
+
+The two friends followed the guide; but they did not reach the steep
+path which leads to the upper part of the cemetery without having to
+pass through a score of proposals and requests, made, with honied
+softness, by the touts of marble-workers, iron-founders, and
+monumental sculptors.
+
+"If monsieur would like to order /something/, we would do it on the
+most reasonable terms."
+
+Jacquet was fortunate enough to be able to spare his friend the
+hearing of these proposals so agonizing to bleeding hearts; and
+presently they reached the resting-place. When Jules beheld the earth
+so recently dug, into which the masons had stuck stakes to mark the
+place for the stone posts required to support the iron railing, he
+turned, and leaned upon Jacquet's shoulder, raising himself now and
+again to cast long glances at the clay mound where he was forced to
+leave the remains of the being in and by whom he still lived.
+
+"How miserably she lies there!" he said.
+
+"But she is not there," said Jacquet, "she is in your memory. Come,
+let us go; let us leave this odious cemetery, where the dead are
+adorned like women for a ball."
+
+"Suppose we take her away?"
+
+"Can it be done?"
+
+"All things can be done!" cried Jules. "So, I shall lie there," he
+added, after a pause. "There is room enough."
+
+Jacquet finally succeeded in getting him to leave the great enclosure,
+divided like a chessboard by iron railings and elegant compartments,
+in which were tombs decorated with palms, inscriptions, and tears as
+cold as the stones on which sorrowing hearts had caused to be carved
+their regrets and coats of arms. Many good words are there engraved in
+black letters, epigrams reproving the curious, /concetti/, wittily
+turned farewells, rendezvous given at which only one side appears,
+pretentious biographies, glitter, rubbish and tinsel. Here the
+floriated thyrsus, there a lance-head, farther on Egyptian urns, now
+and then a few cannon; on all sides the emblems of professions, and
+every style of art,--Moorish, Greek, Gothic,--friezes, ovules,
+paintings, vases, guardian-angels, temples, together with innumerable
+/immortelles/, and dead rose-bushes. It is a forlorn comedy! It is
+another Paris, with its streets, its signs, its industries, and its
+lodgings; but a Paris seen through the diminishing end of an opera-
+glass, a microscopic Paris reduced to the littleness of shadows,
+spectres, dead men, a human race which no longer has anything great
+about it, except its vanity. There Jules saw at his feet, in the long
+valley of the Seine, between the slopes of Vaugirard and Meudon and
+those of Belleville and Montmartre, the real Paris, wrapped in a misty
+blue veil produced by smoke, which the sunlight tendered at that
+moment diaphanous. He glanced with a constrained eye at those forty
+thousand houses, and said, pointing to the space comprised between the
+column of the Place Vendome and the gilded cupola of the Invalides:--
+
+"She was wrenched from me there by the fatal curiosity of that world
+which excites itself and meddles solely for excitement and
+occupation."
+
+Twelve miles from where they were, on the banks of the Seine, in a
+modest village lying on the slope of a hill of that long hilly basin
+the middle of which great Paris stirs like a child in its cradle, a
+death scene was taking place, far indeed removed from Parisian pomps,
+with no accompaniment of torches or tapers or mourning-coaches,
+without prayers of the Church, in short, a death in all simplicity.
+Here are the facts: The body of a young girl was found early in the
+morning, stranded on the river-bank in the slime and reeds of the
+Seine. Men employed in dredging sand saw it as they were getting into
+their frail boat on their way to their work.
+
+"/Tiens/! fifty francs earned!" said one of them.
+
+"True," said the other.
+
+They approached the body.
+
+"A handsome girl! We had better go and make our statement."
+
+And the two dredgers, after covering the body with their jackets, went
+to the house of the village mayor, who was much embarrassed at having
+to make out the legal papers necessitated by this discovery.
+
+The news of this event spread with the telegraphic rapidity peculiar
+to regions where social communications have no distractions, where
+gossip, scandal, calumny, in short, the social tale which feasts the
+world has no break of continuity from one boundary to another. Before
+long, persons arriving at the mayor's office released him from all
+embarrassment. They were able to convert the /proces-verbal/ into a
+mere certificate of death, by recognizing the body as that of the
+Demoiselle Ida Gruget, corset-maker, living rue de la Corderie-du-
+Temple, number 14. The judiciary police of Paris arrived, and the
+mother, bearing her daughter's last letter. Amid the mother's moans, a
+doctor certified to death by asphyxia, through the injection of black
+blood into the pulmonary system,--which settled the matter. The
+inquest over, and the certificates signed, by six o'clock the same
+evening authority was given to bury the grisette. The rector of the
+parish, however, refused to receive her into the church or to pray for
+her. Ida Gruget was therefore wrapped in a shroud by an old peasant-
+woman, put into a common pine-coffin, and carried to the village
+cemetery by four men, followed by a few inquisitive peasant-women, who
+talked about the death with wonder mingled with some pity.
+
+The widow Gruget was charitably taken in by an old lady who prevented
+her from following the sad procession of her daughter's funeral. A man
+of triple functions, the bell-ringer, beadle, and grave-digger of the
+parish, had dug a grave in the half-acre cemetery behind the church,--
+a church well known, a classic church, with a square tower and pointed
+roof covered with slate, supported on the outside by strong corner
+buttresses. Behind the apse of the chancel, lay the cemetery, enclosed
+with a dilapidated wall,--a little field full of hillocks; no marble
+monuments, no visitors, but surely in every furrow, tears and true
+regrets, which were lacking to Ida Gruget. She was cast into a corner
+full of tall grass and brambles. After the coffin had been laid in
+this field, so poetic in its simplicity, the grave-digger found
+himself alone, for night was coming on. While filling the grave, he
+stopped now and then to gaze over the wall along the road. He was
+standing thus, resting on his spade, and looking at the Seine, which
+had brought him the body.
+
+"Poor girl!" cried the voice of a man who suddenly appeared.
+
+"How you made me jump, monsieur," said the grave-digger.
+
+"Was any service held over the body you are burying?"
+
+"No, monsieur. Monsieur le cure wasn't willing. This is the first
+person buried here who didn't belong to the parish. Everybody knows
+everybody else in this place. Does monsieur--Why, he's gone!"
+
+Some days had elapsed when a man dressed in black called at the house
+of Monsieur Jules Desmarets, and without asking to see him carried up
+to the chamber of his wife a large porphyry vase, on which were
+inscribed the words:--
+
+
+ INVITA LEGE
+ CONJUGI MOERENTI
+ FILIOLAE CINERES
+ RESTITUIT
+ AMICIS XII. JUVANTIBUS
+ MORIBUNDUS PATER.
+
+
+"What a man!" cried Jules, bursting into tears.
+
+Eight days sufficed the husband to obey all the wishes of his wife,
+and to arrange his own affairs. He sold his practice to a brother of
+Martin Falleix, and left Paris while the authorities were still
+discussing whether it was lawful for a citizen to dispose of the body
+of his wife.
+
+*****
+
+Who has not encountered on the boulevards of Paris, at the turn of a
+street, or beneath the arcades of the Palais-Royal, or in any part of
+the world where chance may offer him the sight, a being, man or woman,
+at whose aspect a thousand confused thoughts spring into his mind? At
+that sight we are suddenly interested, either by features of some
+fantastic conformation which reveal an agitated life, or by a singular
+effect of the whole person, produced by gestures, air, gait, clothes;
+or by some deep, intense look; or by other inexpressible signs which
+seize our minds suddenly and forcibly without our being able to
+explain even to ourselves the cause of our emotion. The next day other
+thoughts and other images have carried out of sight that passing
+dream. But if we meet the same personage again, either passing at some
+fixed hour, like the clerk of a mayor's office, or wandering about the
+public promenades, like those individuals who seem to be a sort of
+furniture of the streets of Paris, and who are always to be found in
+public places, at first representations or noted restaurants,--then
+this being fastens himself or herself on our memory, and remains there
+like the first volume of a novel the end of which is lost. We are
+tempted to question this unknown person, and say, "Who are you?" "Why
+are you lounging here?" "By what right do you wear that pleated
+ruffle, that faded waistcoat, and carry that cane with an ivory top;
+why those blue spectacles; for what reason do you cling to that cravat
+of a dead and gone fashion?" Among these wandering creations some
+belong to the species of the Greek Hermae; they say nothing to the
+soul; /they are there/, and that is all. Why? is known to none. Such
+figure are a type of those used by sculptors for the four Seasons, for
+Commerce, for Plenty, etc. Some others--former lawyers, old merchants,
+elderly generals--move and walk, and yet seem stationary. Like old
+trees that are half uprooted by the current of a river, they seem
+never to take part in the torrent of Paris, with its youthful, active
+crowd. It is impossible to know if their friends have forgotten to
+bury them, or whether they have escaped out of their coffins. At any
+rate, they have reached the condition of semi-fossils.
+
+One of these Parisian Melmoths had come within a few days into a
+neighborhood of sober, quiet people, who, when the weather is fine,
+are invariably to be found in the space which lies between the south
+entrance of the Luxembourg and the north entrance of the Observatoire,
+--a space without a name, the neutral space of Paris. There, Paris is
+no longer; and there, Paris still lingers. The spot is a mingling of
+street, square, boulevard, fortification, garden, avenue, high-road,
+province, and metropolis; certainly, all of that is to be found there,
+and yet the place is nothing of all that,--it is a desert. Around this
+spot without a name stand the Foundling hospital, the Bourbe, the
+Cochin hospital, the Capucines, the hospital La Rochefoucauld, the
+Deaf and Dumb Asylum, the hospital of the Val-de-Grace; in short, all
+the vices and all the misfortunes of Paris find their asylum there.
+And (that nothing may lack in this philanthropic centre) Science there
+studies the tides and longitudes, Monsieur de Chateaubriand has
+erected the Marie-Therese Infirmary, and the Carmelites have founded a
+convent. The great events of life are represented by bells which ring
+incessantly through this desert,--for the mother giving birth, for the
+babe that is born, for the vice that succumbs, for the toiler who
+dies, for the virgin who prays, for the old man shaking with cold, for
+genius self-deluded. And a few steps off is the cemetery of Mont-
+Parnasse, where, hour after hour, the sorry funerals of the faubourg
+Saint-Marceau wend their way. This esplanade, which commands a view of
+Paris, has been taken possession of by bowl-players; it is, in fact, a
+sort of bowling green frequented by old gray faces, belonging to
+kindly, worthy men, who seem to continue the race of our ancestors,
+whose countenances must only be compared with those of their
+surroundings.
+
+The man who had become, during the last few days, an inhabitant of
+this desert region, proved an assiduous attendant at these games of
+bowls; and must, undoubtedly, be considered the most striking creature
+of these various groups, who (if it is permissible to liken Parisians
+to the different orders of zoology) belonged to the genus mollusk. The
+new-comer kept sympathetic step with the /cochonnet/,--the little bowl
+which serves as a goal and on which the interest of the game must
+centre. He leaned against a tree when the /cochonnet/ stopped; then,
+with the same attention that a dog gives to his master's gestures, he
+looked at the other bowls flying through the air, or rolling along the
+ground. You might have taken him for the weird and watchful genii of
+the /cochonnet/. He said nothing; and the bowl-players--the most
+fanatic men that can be encountered among the sectarians of any faith
+--had never asked the reason of his dogged silence; in fact, the most
+observing of them thought him deaf and dumb.
+
+When it happened that the distances between the bowls and the
+/cochonnet/ had to be measured, the cane of this silent being was used
+as a measure, the players coming up and taking it from the icy hands
+of the old man and returning it without a word or even a sign of
+friendliness. The loan of his cane seemed a servitude to which he had
+negatively consented. When a shower fell, he stayed near the
+/cochonnet/, the slave of the bowls, and the guardian of the
+unfinished game. Rain affected him no more than the fine weather did;
+he was, like the players themselves, an intermediary species between a
+Parisian who has the lowest intellect of his kind and an animal which
+has the highest.
+
+In other respects, pallid and shrunken, indifferent to his own person,
+vacant in mind, he often came bareheaded, showing his sparse white
+hair, and his square, yellow, bald skull, like the knee of a beggar
+seen through his tattered trousers. His mouth was half-open, no ideas
+were in his glance, no precise object appeared in his movements; he
+never smiled; he never raised his eyes to heaven, but kept them
+habitually on the ground, where he seemed to be looking for something.
+At four o'clock an old woman arrived, to take him Heaven knows where;
+which she did by towing him along by the arm, as a young girl drags a
+wilful goat which still wants to browse by the wayside. This old man
+was a horrible thing to see.
+
+In the afternoon of the day when Jules Desmarets left Paris, his
+travelling-carriage, in which he was alone, passed rapidly through the
+rue de l'Est, and came out upon the esplanade of the Observatoire at
+the moment when the old man, leaning against a tree, had allowed his
+cane to be taken from his hand amid the noisy vociferations of the
+players, pacifically irritated. Jules, thinking that he recognized
+that face, felt an impulse to stop, and at the same instant the
+carriage came to a standstill; for the postilion, hemmed in by some
+handcarts, had too much respect for the game to call upon the players
+to make way for him.
+
+"It is he!" said Jules, beholding in that human wreck, Ferragus
+XXIII., chief of the Devorants. Then, after a pause, he added, "How he
+loved her!--Go on, postilion."
+
+
+
+PARIS, February, 1833.
+
+
+
+ADDENDUM
+
+ Note: Ferragus is the first part of a trilogy. Part two is
+ entitled The Duchesse de Langeais and part three is The Girl with
+ the Golden Eyes. In other addendum references all three stories
+ are usually combined under the title The Thirteen.
+
+The following personages appear in other stories of the Human Comedy.
+
+Bourignard, Gratien-Henri-Victor-Jean-Joseph
+ The Girl with the Golden Eyes
+
+Desmartes, Jules
+ Cesar Birotteau
+
+Desmartes, Madame Jules
+ Cesar Birotteau
+
+Desplein
+ The Atheist's Mass
+ Cousin Pons
+ Lost Illusions
+ The Government Clerks
+ Pierrette
+ A Bachelor's Establishment
+ The Seamy Side of History
+ Modeste Mignon
+ Scenes from a Courtesan's Life
+ Honorine
+
+Gruget, Madame Etienne
+ The Government Clerks
+ A Bachelor's Establishment
+
+Haudry (doctor)
+ Cesar Birotteau
+ A Bachelor's Establishment
+ The Seamy Side of History
+ Cousin Pons
+
+Langeais, Duchesse Antoinette de
+ Father Goriot
+ The Duchesse of Langeais
+
+Marsay, Henri de
+ The Duchesse of Langeais
+ The Girl with the Golden Eyes
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+Maulincour, Baronne de
+ A Marriage Settlement
+
+Meynardie, Madame
+ Scenes from a Courtesan's Life
+
+Nucingen, Baronne Delphine de
+ Father Goriot
+ Eugenie Grandet
+ Cesar Birotteau
+ Melmoth Reconciled
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ The Commission in Lunacy
+ Scenes from a Courtesan's Life
+ Modeste Mignon
+ The Firm of Nucingen
+ Another Study of Woman
+ A Daughter of Eve
+ The Member for Arcis
+
+Pamiers, Vidame de
+ The Duchesse of Langeais
+ Jealousies of a Country Town
+
+Ronquerolles, Marquis de
+ The Imaginary Mistress
+ The Duchess of Langeais
+ The Girl with the Golden Eyes
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ The Member for Arcis
+
+Serizy, Comtesse de
+ A Start in Life
+ The Duchesse of Langeais
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan's Life
+ Another Study of Woman
+ The Imaginary Mistress
+
+
+
+ II.
+
+
+
+ THE DUCHESSE DE LANGEAIS
+
+ By HONORE DE BALZAC
+
+
+ Translated by Ellen Marriage
+
+
+
+ DEDICATION
+
+ To Franz Liszt.
+
+
+
+In a Spanish city on an island in the Mediterranean, there stands
+a convent of the Order of Barefoot Carmelites, where the rule
+instituted by St. Theresa is still preserved with all the first
+rigour of the reformation brought about by that illustrious
+woman. Extraordinary as this may seem, it is none the less true.
+
+Almost every religious house in the Peninsula, or in Europe for
+that matter, was either destroyed or disorganised by the outbreak
+of the French Revolution and the Napoleonic wars; but as this
+island was protected through those times by the English fleet,
+its wealthy convent and peaceable inhabitants were secure from
+the general trouble and spoliation. The storms of many kinds
+which shook the first fifteen years of the nineteenth century
+spent their force before they reached those cliffs at so short a
+distance from the coast of Andalusia.
+
+If the rumour of the Emperor's name so much as reached the shore
+of the island, it is doubtful whether the holy women kneeling in
+the cloisters grasped the reality of his dream-like progress of
+glory, or the majesty that blazed in flame across kingdom after
+kingdom during his meteor life.
+
+In the minds of the Roman Catholic world, the convent stood out
+pre-eminent for a stern discipline which nothing had changed; the
+purity of its rule had attracted unhappy women from the furthest
+parts of Europe, women deprived of all human ties, sighing after
+the long suicide accomplished in the breast of God. No convent,
+indeed, was so well fitted for that complete detachment of the
+soul from all earthly things, which is demanded by the religious
+life, albeit on the continent of Europe there are many convents
+magnificently adapted to the purpose of their existence. Buried
+away in the loneliest valleys, hanging in mid-air on the steepest
+mountainsides, set down on the brink of precipices, in every
+place man has sought for the poetry of the Infinite, the solemn
+awe of Silence; in every place man has striven to draw closer to
+God, seeking Him on mountain peaks, in the depths below the
+crags, at the cliff's edge; and everywhere man has found God.
+But nowhere, save on this half-European, half-African ledge of
+rock could you find so many different harmonies, combining so to
+raise the soul, that the sharpest pain comes to be like other
+memories; the strongest impressions are dulled, till the sorrows
+of life are laid to rest in the depths.
+
+The convent stands on the highest point of the crags at the
+uttermost end of the island. On the side towards the sea the
+rock was once rent sheer away in some globe-cataclysm; it rises
+up a straight wall from the base where the waves gnaw at the
+stone below high-water mark. Any assault is made impossible by
+the dangerous reefs that stretch far out to sea, with the
+sparkling waves of the Mediterranean playing over them. So, only
+from the sea can you discern the square mass of the convent built
+conformably to the minute rules laid down as to the shape,
+height, doors, and windows of monastic buildings. From the side
+of the town, the church completely hides the solid structure of
+the cloisters and their roofs, covered with broad slabs of stone
+impervious to sun or storm or gales of wind.
+
+The church itself, built by the munificence of a Spanish family,
+is the crowning edifice of the town. Its fine, bold front gives
+an imposing and picturesque look to the little city in the sea.
+The sight of such a city, with its close-huddled roofs, arranged
+for the most part amphitheatre-wise above a picturesque harbour,
+and crowned by a glorious cathedral front with triple-arched
+Gothic doorways, belfry towers, and filigree spires, is a
+spectacle surely in every way the sublimest on earth. Religion
+towering above daily life, to put men continually in mind of the
+End and the way, is in truth a thoroughly Spanish conception.
+But now surround this picture by the Mediterranean, and a burning
+sky, imagine a few palms here and there, a few stunted evergreen
+trees mingling their waving leaves with the motionless flowers
+and foliage of carved stone; look out over the reef with its
+white fringes of foam in contrast to the sapphire sea; and then
+turn to the city, with its galleries and terraces whither the
+townsfolk come to take the air among their flowers of an evening,
+above the houses and the tops of the trees in their little
+gardens; add a few sails down in the harbour; and lastly, in the
+stillness of falling night, listen to the organ music, the
+chanting of the services, the wonderful sound of bells pealing
+out over the open sea. There is sound and silence everywhere;
+oftener still there is silence over all.
+
+The church is divided within into a sombre mysterious nave and
+narrow aisles. For some reason, probably because the winds are
+so high, the architect was unable to build the flying buttresses
+and intervening chapels which adorn almost all cathedrals, nor
+are there openings of any kind in the walls which support the
+weight of the roof. Outside there is simply the heavy wall
+structure, a solid mass of grey stone further strengthened by
+huge piers placed at intervals. Inside, the nave and its little
+side galleries are lighted entirely by the great stained-glass
+rose-window suspended by a miracle of art above the centre
+doorway; for upon that side the exposure permits of the display
+of lacework in stone and of other beauties peculiar to the style
+improperly called Gothic.
+
+The larger part of the nave and aisles was left for the
+townsfolk, who came and went and heard mass there. The choir was
+shut off from the rest of the church by a grating and thick folds
+of brown curtain, left slightly apart in the middle in such a way
+that nothing of the choir could be seen from the church except
+the high altar and the officiating priest. The grating itself
+was divided up by the pillars which supported the organ loft; and
+this part of the structure, with its carved wooden columns,
+completed the line of the arcading in the gallery carried by the
+shafts in the nave. If any inquisitive person, therefore, had
+been bold enough to climb upon the narrow balustrade in the
+gallery to look down into the choir, he could have seen nothing
+but the tall eight-sided windows of stained glass beyond the high
+altar.
+
+At the time of the French expedition into Spain to establish
+Ferdinand VII once more on the throne, a French general came to
+the island after the taking of Cadiz, ostensibly to require the
+recognition of the King's Government, really to see the convent
+and to find some means of entering it. The undertaking was
+certainly a delicate one; but a man of passionate temper, whose
+life had been, as it were, but one series of poems in action, a
+man who all his life long had lived romances instead of writing
+them, a man pre-eminently a Doer, was sure to be tempted by a
+deed which seemed to be impossible.
+
+To open the doors of a convent of nuns by lawful means! The
+metropolitan or the Pope would scarcely have permitted it! And
+as for force or strategem--might not any indiscretion cost him
+his position, his whole career as a soldier, and the end in view
+to boot? The Duc d'Angouleme was still in Spain; and of all the
+crimes which a man in favour with the Commander-in-Chief might
+commit, this one alone was certain to find him inexorable. The
+General had asked for the mission to gratify private motives of
+curiosity, though never was curiosity more hopeless. This final
+attempt was a matter of conscience. The Carmelite convent on the
+island was the only nunnery in Spain which had baffled his
+search.
+
+As he crossed from the mainland, scarcely an hour's distance, he
+felt a presentiment that his hopes were to be fulfilled; and
+afterwards, when as yet he had seen nothing of the convent but
+its walls, and of the nuns not so much as their robes; while he
+had merely heard the chanting of the service, there were dim
+auguries under the walls and in the sound of the voices to
+justify his frail hope. And, indeed, however faint those so
+unaccountable presentiments might be, never was human passion
+more vehemently excited than the General's curiosity at that
+moment. There are no small events for the heart; the heart
+exaggerates everything; the heart weighs the fall of a
+fourteen-year-old Empire and the dropping of a woman's glove in
+the same scales, and the glove is nearly always the heavier of
+the two. So here are the facts in all their prosaic simplicity.
+The facts first, the emotions will follow.
+
+An hour after the General landed on the island, the royal
+authority was re-established there. Some few Constitutional
+Spaniards who had found their way thither after the fall of Cadiz
+were allowed to charter a vessel and sail for London. So there
+was neither resistance nor reaction. But the change of
+government could not be effected in the little town without a
+mass, at which the two divisions under the General's command were
+obliged to be present. Now, it was upon this mass that the
+General had built his hopes of gaining some information as to the
+sisters in the convent; he was quite unaware how absolutely the
+Carmelites were cut off from the world; but he knew that there
+might be among them one whom he held dearer than life, dearer
+than honour.
+
+His hopes were cruelly dashed at once. Mass, it is true, was
+celebrated in state. In honour of such a solemnity, the curtains
+which always hid the choir were drawn back to display its riches,
+its valuable paintings and shrines so bright with gems that they
+eclipsed the glories of the ex-votos of gold and silver hung up
+by sailors of the port on the columns in the nave. But all the
+nuns had taken refuge in the organ-loft. And yet, in spite of
+this first check, during this very mass of thanksgiving, the most
+intimately thrilling drama that ever set a man's heart beating
+opened out widely before him.
+
+The sister who played the organ aroused such intense enthusiasm,
+that not a single man regretted that he had come to the service.
+Even the men in the ranks were delighted, and the officers were
+in ecstasy. As for the General, he was seemingly calm and
+indifferent. The sensations stirred in him as the sister played
+one piece after another belong to the small number of things
+which it is not lawful to utter; words are powerless to express
+them; like death, God, eternity, they can only be realised
+through their one point of contact with humanity. Strangely
+enough, the organ music seemed to belong to the school of
+Rossini, the musician who brings most human passion into his art.
+
+Some day his works, by their number and extent, will receive the
+reverence due to the Homer of music. From among all the scores
+that we owe to his great genius, the nun seemed to have chosen
+Moses in Egypt for special study, doubtless because the spirit of
+sacred music finds therein its supreme expression. Perhaps the
+soul of the great musician, so gloriously known to Europe, and
+the soul of this unknown executant had met in the intuitive
+apprehension of the same poetry. So at least thought two
+dilettanti officers who must have missed the Theatre Favart in
+Spain.
+
+At last in the Te Deum no one could fail to discern a French soul
+in the sudden change that came over the music. Joy for the
+victory of the Most Christian King evidently stirred this nun's
+heart to the depths. She was a Frenchwoman beyond mistake. Soon
+the love of country shone out, breaking forth like shafts of
+light from the fugue, as the sister introduced variations with
+all a Parisienne's fastidious taste, and blended vague
+suggestions of our grandest national airs with her music. A
+Spaniard's fingers would not have brought this warmth into a
+graceful tribute paid to the victorious arms of France. The
+musician's nationality was revealed.
+
+"We find France everywhere, it seems," said one of the men.
+
+The General had left the church during the Te Deum; he could not
+listen any longer. The nun's music had been a revelation of a
+woman loved to frenzy; a woman so carefully hidden from the
+world's eyes, so deeply buried in the bosom of the Church, that
+hitherto the most ingenious and persistent efforts made by men
+who brought great influence and unusual powers to bear upon the
+search had failed to find her. The suspicion aroused in the
+General's heart became all but a certainty with the vague
+reminiscence of a sad, delicious melody, the air of Fleuve du
+Tage. The woman he loved had played the prelude to the ballad in
+a boudoir in Paris, how often! and now this nun had chosen the
+song to express an exile's longing, amid the joy of those that
+triumphed. Terrible sensation! To hope for the resurrection of
+a lost love, to find her only to know that she was lost, to catch
+a mysterious glimpse of her after five years--five years, in
+which the pent-up passion, chafing in an empty life, had grown
+the mightier for every fruitless effort to satisfy it!
+
+Who has not known, at least once in his life, what it is to lose
+some precious thing; and after hunting through his papers,
+ransacking his memory, and turning his house upside down; after
+one or two days spent in vain search, and hope, and despair;
+after a prodigious expenditure of the liveliest irritation of
+soul, who has not known the ineffable pleasure of finding that
+all-important nothing which had come to be a king of monomania?
+Very good. Now, spread that fury of search over five years; put
+a woman, put a heart, put love in the place of the trifle;
+transpose the monomania into the key of high passion; and,
+furthermore, let the seeker be a man of ardent temper, with a
+lion's heart and a leonine head and mane, a man to inspire awe
+and fear in those who come in contact with him--realise this, and
+you may, perhaps, understand why the General walked abruptly out
+of the church when the first notes of a ballad, which he used to
+hear with a rapture of delight in a gilt-panelled boudoir, began
+to vibrate along the aisles of the church in the sea.
+
+The General walked away down the steep street which led to the
+port, and only stopped when he could not hear the deep notes of
+the organ. Unable to think of anything but the love which broke
+out in volcanic eruption, filling his heart with fire, he only
+knew that the Te Deum was over when the Spanish congregation came
+pouring out of the church. Feeling that his behaviour and
+attitude might seem ridiculous, he went back to head the
+procession, telling the alcalde and the governor that, feeling
+suddenly faint, he had gone out into the air. Casting about for
+a plea for prolonging his stay, it at once occurred to him to
+make the most of this excuse, framed on the spur of the moment.
+He declined, on a plea of increasing indisposition, to preside at
+the banquet given by the town to the French officers, betook
+himself to his bed, and sent a message to the Major-General, to
+the effect that temporary illness obliged him to leave the
+Colonel in command of the troops for the time being. This
+commonplace but very plausible stratagem relieved him of all
+responsibility for the time necessary to carry out his plans.
+The General, nothing if not "catholic and monarchical," took
+occasion to inform himself of the hours of the services, and
+manifested the greatest zeal for the performance of his religious
+duties, piety which caused no remark in Spain.
+
+The very next day, while the division was marching out of the
+town, the General went to the convent to be present at vespers.
+He found an empty church. The townsfolk, devout though they
+were, had all gone down to the quay to watch the embarkation of
+the troops. He felt glad to be the only man there. He tramped
+noisily up the nave, clanking his spurs till the vaulted roof
+rang with the sound; he coughed, he talked aloud to himself to
+let the nuns know, and more particularly to let the organist know
+that if the troops were gone, one Frenchman was left behind. Was
+this singular warning heard and understood? He thought so. It
+seemed to him that in the Magnificat the organ made response
+which was borne to him on the vibrating air. The nun's spirit
+found wings in music and fled towards him, throbbing with the
+rhythmical pulse of the sounds. Then, in all its might, the
+music burst forth and filled the church with warmth. The Song of
+Joy set apart in the sublime liturgy of Latin Christianity to
+express the exaltation of the soul in the presence of the glory
+of the ever-living God, became the utterance of a heart almost
+terrified by its gladness in the presence of the glory of a
+mortal love; a love that yet lived, a love that had risen to
+trouble her even beyond the grave in which the nun is laid, that
+she may rise again as the bride of Christ.
+
+The organ is in truth the grandest, the most daring, the most
+magnificent of all instruments invented by human genius. It is a
+whole orchestra in itself. It can express anything in response
+to a skilled touch. Surely it is in some sort a pedestal on
+which the soul poises for a flight forth into space, essaying on
+her course to draw picture after picture in an endless series, to
+paint human life, to cross the Infinite that separates heaven
+from earth? And the longer a dreamer listens to those giant
+harmonies, the better he realises that nothing save this
+hundred-voiced choir on earth can fill all the space between
+kneeling men, and a God hidden by the blinding light of the
+Sanctuary. The music is the one interpreter strong enough to
+bear up the prayers of humanity to heaven, prayer in its
+omnipotent moods, prayer tinged by the melancholy of many
+different natures, coloured by meditative ecstasy, upspringing
+with the impulse of repentance--blended with the myriad fancies
+of every creed. Yes. In those long vaulted aisles the melodies
+inspired by the sense of things divine are blent with a grandeur
+unknown before, are decked with new glory and might. Out of the
+dim daylight, and the deep silence broken by the chanting of the
+choir in response to the thunder of the organ, a veil is woven
+for God, and the brightness of His attributes shines through it.
+
+And this wealth of holy things seemed to be flung down like a
+grain of incense upon the fragile altar raised to Love beneath
+the eternal throne of a jealous and avenging God. Indeed, in the
+joy of the nun there was little of that awe and gravity which
+should harmonise with the solemnities of the Magnificat. She had
+enriched the music with graceful variations, earthly gladness
+throbbing through the rhythm of each. In such brilliant
+quivering notes some great singer might strive to find a voice
+for her love, her melodies fluttered as a bird flutters about her
+mate. There were moments when she seemed to leap back into the
+past, to dally there now with laughter, now with tears. Her
+changing moods, as it were, ran riot. She was like a woman
+excited and happy over her lover's return.
+
+But at length, after the swaying fugues of delirium, after the
+marvellous rendering of a vision of the past, a revulsion swept
+over the soul that thus found utterance for itself. With a swift
+transition from the major to the minor, the organist told her
+hearer of her present lot. She gave the story of long melancholy
+broodings, of the slow course of her moral malady. How day by
+day she deadened the senses, how every night cut off one more
+thought, how her heart was slowly reduced to ashes. The sadness
+deepened shade after shade through languid modulations, and in a
+little while the echoes were pouring out a torrent of grief.
+Then on a sudden, high notes rang out like the voices of angels
+singing together, as if to tell the lost but not forgotten lover
+that their spirits now could only meet in heaven. Pathetic hope!
+
+Then followed the Amen. No more Joy, no more tears in the air,
+no sadness, no regrets. The Amen was the return to God. The
+final chord was deep, solemn, even terrible; for the last
+rumblings of the bass sent a shiver through the audience that
+raised the hair on their heads; the nun shook out her veiling of
+crepe, and seemed to sink again into the grave from which she had
+risen for a moment. Slowly the reverberations died away; it
+seemed as if the church, but now so full of light, had returned
+to thick darkness.
+
+The General had been caught up and borne swiftly away by this
+strong-winged spirit; he had followed the course of its flight
+from beginning to end. He understood to the fullest extent the
+imagery of that burning symphony; for him the chords reached deep
+and far. For him, as for the sister, the poem meant future,
+present, and past. Is not music, and even opera music, a sort of
+text, which a susceptible or poetic temper, or a sore and
+stricken heart, may expand as memories shall determine? If a
+musician must needs have the heart of a poet, must not the
+listener too be in a manner a poet and a lover to hear all that
+lies in great music? Religion, love, and music--what are they
+but a threefold expression of the same fact, of that craving for
+expansion which stirs in every noble soul. And these three forms
+of poetry ascend to God, in whom all passion on earth finds its
+end. Wherefore the holy human trinity finds a place amid the
+infinite glories of God; of God, whom we always represent
+surrounded with the fires of love and seistrons of gold--music
+and light and harmony. Is not He the Cause and the End of all
+our strivings?
+
+The French General guessed rightly that here in the desert, on
+this bare rock in the sea, the nun had seized upon music as an
+outpouring of the passion that still consumed her. Was this her
+manner of offering up her love as a sacrifice to God? Or was it
+Love exultant in triumph over God? The questions were hard to
+answer. But one thing at least the General could not mistake--in
+this heart, dead to the world, the fire of passion burned as
+fiercely as in his own.
+
+Vespers over, he went back to the alcalde with whom he was
+staying. In the all-absorbing joy which comes in such full
+measure when a satisfaction sought long and painfully is attained
+at last, he could see nothing beyond this--he was still loved!
+In her heart love had grown in loneliness, even as his love had
+grown stronger as he surmounted one barrier after another which
+this woman had set between them! The glow of soul came to its
+natural end. There followed a longing to see her again, to
+contend with God for her, to snatch her away--a rash scheme,
+which appealed to a daring nature. He went to bed, when the meal
+was over, to avoid questions; to be alone and think at his ease;
+and he lay absorbed by deep thought till day broke.
+
+He rose only to go to mass. He went to the church and knelt
+close to the screen, with his forehead touching the curtain; he
+would have torn a hole in it if he had been alone, but his host
+had come with him out of politeness, and the least imprudence
+might compromise the whole future of his love, and ruin the new
+hopes.
+
+The organ sounded, but it was another player, and not the nun of
+the last two days whose hands touched the keys. It was all
+colourless and cold for the General. Was the woman he loved
+prostrated by emotion which wellnigh overcame a strong man's
+heart? Had she so fully realised and shared an unchanged,
+longed-for love, that now she lay dying on her bed in her cell?
+While innumerable thoughts of this kind perplexed his mind, the
+voice of the woman he worshipped rang out close beside him; he
+knew its clear resonant soprano. It was her voice, with that
+faint tremor in it which gave it all the charm that shyness and
+diffidence gives to a young girl; her voice, distinct from the
+mass of singing as a prima donna's in the chorus of a finale. It
+was like a golden or silver thread in dark frieze.
+
+It was she! There could be no mistake. Parisienne now as ever,
+she had not laid coquetry aside when she threw off worldly
+adornments for the veil and the Carmelite's coarse serge. She
+who had affirmed her love last evening in the praise sent up to
+God, seemed now to say to her lover, "Yes, it is I. I am here.
+My love is unchanged, but I am beyond the reach of love. You
+will hear my voice, my soul shall enfold you, and I shall abide
+here under the brown shroud in the choir from which no power on
+earth can tear me. You shall never see me more!"
+
+"It is she indeed!" the General said to himself, raising his
+head. He had leant his face on his hands, unable at first to
+bear the intolerable emotion that surged like a whirlpool in his
+heart, when that well-known voice vibrated under the arcading,
+with the sound of the sea for accompaniment.
+
+Storm was without, and calm within the sanctuary. Still that
+rich voice poured out all its caressing notes; it fell like balm
+on the lover's burning heart; it blossomed upon the air--the air
+that a man would fain breathe more deeply to receive the
+effluence of a soul breathed forth with love in the words of the
+prayer. The alcalde coming to join his guest found him in tears
+during the elevation, while the nun was singing, and brought him
+back to his house. Surprised to find so much piety in a French
+military man, the worthy magistrate invited the confessor of the
+convent to meet his guest. Never had news given the General more
+pleasure; he paid the ecclesiastic a good deal of attention at
+supper, and confirmed his Spanish hosts in the high opinion they
+had formed of his piety by a not wholly disinterested respect.
+He enquired with gravity how many sisters there were in the
+convent, and asked for particulars of its endowment and revenues,
+as if from courtesy he wished to hear the good priest discourse
+on the subject most interesting to him. He informed himself as
+to the manner of life led by the holy women. Were they allowed
+to go out of the convent, or to see visitors?
+
+"Senor," replied the venerable churchman, "the rule is strict.
+A woman cannot enter a monastery of the order of St. Bruno
+without a special permission from His Holiness, and the rule here
+is equally stringent. No man may enter a convent of Barefoot
+Carmelites unless he is a priest specially attached to the
+services of the house by the Archbishop. None of the nuns may
+leave the convent; though the great Saint, St. Theresa, often
+left her cell. The Visitor or the Mothers Superior can alone
+give permission, subject to an authorisation from the Archbishop,
+for a nun to see a visitor, and then especially in a case of
+illness. Now we are one of the principal houses, and
+consequently we have a Mother Superior here. Among other foreign
+sisters there is one Frenchwoman, Sister Theresa; she it is who
+directs the music in the chapel."
+
+"Oh!" said the General, with feigned surprise. "She must have
+rejoiced over the victory of the House of Bourbon."
+
+"I told them the reason of the mass; they are always a little
+bit inquisitive."
+
+"But Sister Theresa may have interests in France. Perhaps she
+would like to send some message or to hear news."
+
+"I do not think so. She would have come to ask me."
+
+"As a fellow-countryman, I should be quite curious to see her,"
+said the General. "If it is possible, if the Lady Superior
+consents, if----"
+
+"Even at the grating and in the Reverend Mother's presence, an
+interview would be quite impossible for anybody whatsoever; but,
+strict as the Mother is, for a deliverer of our holy religion and
+the throne of his Catholic Majesty, the rule might be relaxed for
+a moment," said the confessor, blinking. "I will speak about
+it."
+
+"How old is Sister Theresa?" enquired the lover. He dared not
+ask any questions of the priest as to the nun's beauty.
+
+"She does not reckon years now," the good man answered, with a
+simplicity that made the General shudder.
+
+Next day before siesta, the confessor came to inform the French
+General that Sister Theresa and the Mother consented to receive
+him at the grating in the parlour before vespers. The General
+spent the siesta in pacing to and fro along the quay in the
+noonday heat. Thither the priest came to find him, and brought
+him to the convent by way of the gallery round the cemetery.
+Fountains, green trees, and rows of arcading maintained a cool
+freshness in keeping with the place.
+
+At the further end of the long gallery the priest led the way
+into a large room divided in two by a grating covered with a
+brown curtain. In the first, and in some sort of public half of
+the apartment, where the confessor left the newcomer, a wooden
+bench ran round the wall, and two or three chairs, also of wood,
+were placed near the grating. The ceiling consisted of bare
+unornamented joists and cross-beams of ilex wood. As the two
+windows were both on the inner side of the grating, and the dark
+surface of the wood was a bad reflector, the light in the place
+was so dim that you could scarcely see the great black crucifix,
+the portrait of Saint Theresa, and a picture of the Madonna which
+adorned the grey parlour walls. Tumultuous as the General's
+feelings were, they took something of the melancholy of the
+place. He grew calm in that homely quiet. A sense of something
+vast as the tomb took possession of him beneath the chill
+unceiled roof. Here, as in the grave, was there not eternal
+silence, deep peace--the sense of the Infinite? And besides this
+there was the quiet and the fixed thought of the cloister--a
+thought which you felt like a subtle presence in the air, and in
+the dim dusk of the room; an all-pervasive thought nowhere
+definitely expressed, and looming the larger in the imagination;
+for in the cloister the great saying, "Peace in the Lord,"
+enters the least religious soul as a living force.
+
+The monk's life is scarcely comprehensible. A man seems
+confessed a weakling in a monastery; he was born to act, to live
+out a life of work; he is evading a man's destiny in his cell.
+But what man's strength, blended with pathetic weakness, is
+implied by a woman's choice of the convent life! A man may have
+any number of motives for burying himself in a monastery; for him
+it is the leap over the precipice. A woman has but one
+motive--she is a woman still; she betrothes herself to a Heavenly
+Bridegroom. Of the monk you may ask, "Why did you not fight
+your battle?" But if a woman immures herself in the cloister,
+is there not always a sublime battle fought first?
+
+At length it seemed to the General that that still room, and the
+lonely convent in the sea, were full of thoughts of him. Love
+seldom attains to solemnity; yet surely a love still faithful in
+the breast of God was something solemn, something more than a man
+had a right to look for as things are in this nineteenth century?
+
+The infinite grandeur of the situation might well produce an
+effect upon the General's mind; he had precisely enough elevation
+of soul to forget politics, honours, Spain, and society in Paris,
+and to rise to the height of this lofty climax. And what in
+truth could be more tragic? How much must pass in the souls of
+these two lovers, brought together in a place of strangers, on a
+ledge of granite in the sea; yet held apart by an intangible,
+unsurmountable barrier! Try to imagine the man saying within
+himself, "Shall I triumph over God in her heart?" when a faint
+rustling sound made him quiver, and the curtain was drawn aside.
+
+Between him and the light stood a woman. Her face was hidden by
+the veil that drooped from the folds upon her head; she was
+dressed according to the rule of the order in a gown of the
+colour become proverbial. Her bare feet were hidden; if the
+General could have seen them, he would have known how appallingly
+thin she had grown; and yet in spite of the thick folds of her
+coarse gown, a mere covering and no ornament, he could guess how
+tears, and prayer, and passion, and loneliness had wasted the
+woman before him.
+
+An ice-cold hand, belonging, no doubt, to the Mother Superior,
+held back the curtain. The General gave the enforced witness of
+their interview a searching glance, and met the dark, inscrutable
+gaze of an aged recluse. The Mother might have been a century
+old, but the bright, youthful eyes belied the wrinkles that
+furrowed her pale face.
+
+"Mme la Duchesse," he began, his voice shaken with emotion,
+"does your companion understand French?" The veiled figure
+bowed her head at the sound of his voice.
+
+"There is no duchess here," she replied. "It is Sister
+Theresa whom you see before you. She whom you call my companion
+is my mother in God, my superior here on earth."
+
+The words were so meekly spoken by the voice that sounded in
+other years amid harmonious surroundings of refined luxury, the
+voice of a queen of fashion in Paris. Such words from the lips
+that once spoke so lightly and flippantly struck the General dumb
+with amazement.
+
+"The Holy Mother only speaks Latin and Spanish," she added.
+
+"I understand neither. Dear Antoinette, make my excuses to
+her."
+
+The light fell full upon the nun's figure; a thrill of deep
+emotion betrayed itself in a faint quiver of her veil as she
+heard her name softly spoken by the man who had been so hard in
+the past.
+
+"My brother," she said, drawing her sleeve under her veil,
+perhaps to brush tears away, "I am Sister Theresa."
+
+Then, turning to the Superior, she spoke in Spanish; the General
+knew enough of the language to understand what she said perfectly
+well; possibly he could have spoken it had he chosen to do so.
+
+"Dear Mother, the gentleman presents his respects to you, and
+begs you to pardon him if he cannot pay them himself, but he
+knows neither of the languages which you speak----"
+
+The aged nun bent her head slowly, with an expression of angelic
+sweetness, enhanced at the same time by the consciousness of her
+power and dignity.
+
+"Do you know this gentleman?" she asked, with a keen glance.
+
+"Yes, Mother."
+
+"Go back to your cell, my daughter!" said the Mother
+imperiously. The General slipped aside behind the curtain lest
+the dreadful tumult within him should appear in his face; even in
+the shadow it seemed to him that he could still see the
+Superior's piercing eyes. He was afraid of her; she held his
+little, frail, hardly-won happiness in her hands; and he, who had
+never quailed under a triple row of guns, now trembled before
+this nun. The Duchess went towards the door, but she turned
+back.
+
+"Mother," she said, with dreadful calmness, "the Frenchman is
+one of my brothers."
+
+"Then stay, my daughter," said the Superior, after a pause.
+
+The piece of admirable Jesuitry told of such love and regret,
+that a man less strongly constituted might have broken down under
+the keen delight in the midst of a great and, for him, an
+entirely novel peril. Oh! how precious words, looks, and
+gestures became when love must baffle lynx eyes and tiger's
+claws! Sister Theresa came back.
+
+"You see, my brother, what I have dared to do only to speak to
+you for a moment of your salvation and of the prayers that my
+soul puts up for your soul daily. I am committing mortal sin. I
+have told a lie. How many days of penance must expiate that lie!
+But I shall endure it for your sake. My brother, you do not know
+what happiness it is to love in heaven; to feel that you can
+confess love purified by religion, love transported into the
+highest heights of all, so that we are permitted to lose sight of
+all but the soul. If the doctrine and the spirit of the Saint to
+whom we owe this refuge had not raised me above earth's anguish,
+and caught me up and set me, far indeed beneath the Sphere
+wherein she dwells, yet truly above this world, I should not have
+seen you again. But now I can see you, and hear your voice, and
+remain calm----"
+
+The General broke in, "But, Antoinette, let me see you, you whom
+I love passionately, desperately, as you could have wished me to
+love you."
+
+"Do not call me Antoinette, I implore you. Memories of the past
+hurt me. You must see no one here but Sister Theresa, a creature
+who trusts in the Divine mercy." She paused for a little, and
+then added, "You must control yourself, my brother. Our Mother
+would separate us without pity if there is any worldly passion in
+your face, or if you allow the tears to fall from your eyes."
+
+The General bowed his head to regain self-control; when he looked
+up again he saw her face beyond the grating--the thin, white, but
+still impassioned face of the nun. All the magic charm of youth
+that once bloomed there, all the fair contrast of velvet
+whiteness and the colour of the Bengal rose, had given place to a
+burning glow, as of a porcelain jar with a faint light shining
+through it. The wonderful hair in which she took such pride had
+been shaven; there was a bandage round her forehead and about her
+face. An ascetic life had left dark traces about the eyes, which
+still sometimes shot out fevered glances; their ordinary calm
+expression was but a veil. In a few words, she was but the ghost
+of her former self.
+
+"Ah! you that have come to be my life, you must come out of this
+tomb! You were mine; you had no right to give yourself, even to
+God. Did you not promise me to give up all at the least command
+from me? You may perhaps think me worthy of that promise now
+when you hear what I have done for you. I have sought you all
+through the world. You have been in my thoughts at every moment
+for five years; my life has been given to you. My friends, very
+powerful friends, as you know, have helped with all their might
+to search every convent in France, Italy, Spain, Sicily, and
+America. Love burned more brightly for every vain search. Again
+and again I made long journeys with a false hope; I have wasted
+my life and the heaviest throbbings of my heart in vain under
+many a dark convent wall. I am not speaking of a faithfulness
+that knows no bounds, for what is it?--nothing compared with the
+infinite longings of my love. If your remorse long ago was
+sincere, you ought not to hesitate to follow me today."
+
+"You forget that I am not free."
+
+"The Duke is dead," he answered quickly.
+
+Sister Theresa flushed red.
+
+"May heaven be open to him!" she cried with a quick rush of
+feeling. "He was generous to me.--But I did not mean such ties;
+it was one of my sins that I was ready to break them all without
+scruple--for you."
+
+"Are you speaking of your vows?" the General asked, frowning.
+"I did not think that anything weighed heavier with your heart
+than love. But do not think twice of it, Antoinette; the Holy
+Father himself shall absolve you of your oath. I will surely go
+to Rome, I will entreat all the powers of earth; if God could
+come down from heaven, I would----"
+
+"Do not blaspheme."
+
+"So do not fear the anger of God. Ah! I would far rather hear
+that you would leave your prison for me; that this very night you
+would let yourself down into a boat at the foot of the cliffs.
+And we would go away to be happy somewhere at the world's end, I
+know not where. And with me at your side, you should come back
+to life and health under the wings of love."
+
+"You must not talk like this," said Sister Theresa; "you do
+not know what you are to me now. I love you far better than I
+ever loved you before. Every day I pray for you; I see you with
+other eyes. Armand, if you but knew the happiness of giving
+yourself up, without shame, to a pure friendship which God
+watches over! You do not know what joy it is to me to pray for
+heaven's blessing on you. I never pray for myself: God will do
+with me according to His will; but, at the price of my soul, I
+wish I could be sure that you are happy here on earth, and that
+you will be happy hereafter throughout all ages. My eternal life
+is all that trouble has left me to offer up to you. I am old now
+with weeping; I am neither young nor fair; and in any case, you
+could not respect the nun who became a wife; no love, not even
+motherhood, could give me absolution. . . . What can you say to
+outweigh the uncounted thoughts that have gathered in my heart
+during the past five years, thoughts that have changed, and worn,
+and blighted it? I ought to have given a heart less sorrowful to
+God."
+
+"What can I say? Dear Antoinette, I will say this, that I love
+you; that affection, love, a great love, the joy of living in
+another heart that is ours, utterly and wholly ours, is so rare a
+thing and so hard to find, that I doubted you, and put you to
+sharp proof; but now, today, I love you, Antoinette, with all my
+soul's strength. . . . If you will follow me into solitude, I
+will hear no voice but yours, I will see no other face."
+
+"Hush, Armand! You are shortening the little time that we may
+be together here on earth."
+
+"Antoinette, will you come with me?"
+
+"I am never away from you. My life is in your heart, not
+through the selfish ties of earthly happiness, or vanity, or
+enjoyment; pale and withered as I am, I live here for you, in the
+breast of God. As God is just, you shall be happy----"
+
+"Words, words all of it! Pale and withered? How if I want you?
+How if I cannot be happy without you? Do you still think of
+nothing but duty with your lover before you? Is he never to come
+first and above all things else in your heart? In time past you
+put social success, yourself, heaven knows what, before him; now
+it is God, it is the welfare of my soul! In Sister Theresa I
+find the Duchess over again, ignorant of the happiness of love,
+insensible as ever, beneath the semblance of sensibility. You do
+not love me; you have never loved me----"
+
+"Oh, my brother----!"
+
+"You do not wish to leave this tomb. You love my soul, do you
+say? Very well, through you it will be lost forever. I shall
+make away with myself----"
+
+"Mother!" Sister Theresa called aloud in Spanish, "I have lied
+to you; this man is my lover!"
+
+The curtain fell at once. The General, in his stupor, scarcely
+heard the doors within as they clanged.
+
+"Ah! she loves me still!" he cried, understanding all the
+sublimity of that cry of hers. "She loves me still. She must
+be carried off. . . ."
+
+
+The General left the island, returned to headquarters, pleaded
+ill-health, asked for leave of absence, and forthwith took his
+departure for France.
+
+And now for the incidents which brought the two personages in
+this Scene into their present relation to each other.
+
+
+The thing known in France as the Faubourg Saint-Germain is
+neither a Quarter, nor a sect, nor an institution, nor anything
+else that admits of a precise definition. There are great houses
+in the Place Royale, the Faubourg Saint-Honore, and the Chaussee
+d'Antin, in any one of which you may breathe the same atmosphere
+of Faubourg Saint-Germain. So, to begin with, the whole Faubourg
+is not within the Faubourg. There are men and women born far
+enough away from its influences who respond to them and take
+their place in the circle; and again there are others, born
+within its limits, who may yet be driven forth forever. For the
+last forty years the manners, and customs, and speech, in a word,
+the tradition of the Faubourg Saint-Germain, has been to Paris
+what the Court used to be in other times; it is what the Hotel
+Saint-Paul was to the fourteenth century; the Louvre to the
+fifteenth; the Palais, the Hotel Rambouillet, and the Place
+Royale to the sixteenth; and lastly, as Versailles was to the
+seventeenth and the eighteenth.
+
+Just as the ordinary workaday Paris will always centre about some
+point; so, through all periods of history, the Paris of the
+nobles and the upper classes converges towards some particular
+spot. It is a periodically recurrent phenomenon which presents
+ample matter for reflection to those who are fain to observe or
+describe the various social zones; and possibly an enquiry into
+the causes that bring about this centralisation may do more than
+merely justify the probability of this episode; it may be of
+service to serious interests which some day will be more deeply
+rooted in the commonwealth, unless, indeed, experience is as
+meaningless for political parties as it is for youth.
+
+In every age the great nobles, and the rich who always ape the
+great nobles, build their houses as far as possible from crowded
+streets. When the Duc d'Uzes built his splendid hotel in the Rue
+Montmartre in the reign of Louis XIV, and set the fountain at his
+gates--for which beneficent action, to say nothing of his other
+virtues, he was held in such veneration that the whole quarter
+turned out in a body to follow his funeral--when the Duke, I say,
+chose this site for his house, he did so because that part of
+Paris was almost deserted in those days. But when the
+fortifications were pulled down, and the market gardens beyond
+the line of the boulevards began to fill with houses, then the
+d'Uzes family left their fine mansion, and in our time it was
+occupied by a banker. Later still, the noblesse began to find
+themselves out of their element among shopkeepers, left the Place
+Royale and the centre of Paris for good, and crossed the river to
+breathe freely in the Faubourg Saint-Germain, where palaces were
+reared already about the great hotel built by Louis XIV for the
+Duc de Maine--the Benjamin among his legitimated offspring. And
+indeed, for people accustomed to a stately life, can there be
+more unseemly surroundings than the bustle, the mud, the street
+cries, the bad smells, and narrow thoroughfares of a populous
+quarter? The very habits of life in a mercantile or
+manufacturing district are completely at variance with the lives
+of nobles. The shopkeeper and artisan are just going to bed when
+the great world is thinking of dinner; and the noisy stir of life
+begins among the former when the latter have gone to rest. Their
+day's calculations never coincide; the one class represents the
+expenditure, the other the receipts. Consequently their manners
+and customs are diametrically opposed.
+
+Nothing contemptuous is intended by this statement. An
+aristocracy is in a manner the intellect of the social system, as
+the middle classes and the proletariat may be said to be its
+organising and working power. It naturally follows that these
+forces are differently situated; and of their antagonism there is
+bred a seeming antipathy produced by the performance of different
+functions, all of them, however, existing for one common end.
+
+Such social dissonances are so inevitably the outcome of any
+charter of the constitution, that however much a Liberal may be
+disposed to complain of them, as of treason against those sublime
+ideas with which the ambitious plebeian is apt to cover his
+designs, he would none the less think it a preposterous notion
+that M. le Prince de Montmorency, for instance, should continue
+to live in the Rue Saint-Martin at the corner of the street which
+bears that nobleman's name; or that M. le Duc de Fitz-James,
+descendant of the royal house of Scotland, should have his hotel
+at the angle of the Rue Marie Stuart and the Rue Montorgueil.
+Sint ut sunt, aut non sint, the grand words of the Jesuit, might
+be taken as a motto by the great in all countries. These social
+differences are patent in all ages; the fact is always accepted
+by the people; its "reasons of state" are self-evident; it is
+at once cause and effect, a principle and a law. The common
+sense of the masses never deserts them until demagogues stir them
+up to gain ends of their own; that common sense is based on the
+verities of social order; and the social order is the same
+everywhere, in Moscow as in London, in Geneva as in Calcutta.
+Given a certain number of families of unequal fortune in any
+given space, you will see an aristocracy forming under your eyes;
+there will be the patricians, the upper classes, and yet other
+ranks below them. Equality may be a RIGHT, but no power on earth
+can convert it into FACT. It would be a good thing for France if
+this idea could be popularised. The benefits of political
+harmony are obvious to the least intelligent classes. Harmony
+is, as it were, the poetry of order, and order is a matter of
+vital importance to the working population. And what is order,
+reduced to its simplest expression, but the agreement of things
+among themselves--unity, in short? Architecture, music, and
+poetry, everything in France, and in France more than in any
+other country, is based upon this principle; it is written upon
+the very foundations of her clear accurate language, and a
+language must always be the most infallible index of national
+character. In the same way you may note that the French popular
+airs are those most calculated to strike the imagination, the
+best-modulated melodies are taken over by the people; clearness
+of thought, the intellectual simplicity of an idea attracts them;
+they like the incisive sayings that hold the greatest number of
+ideas.
+
+France is the one country in the world where a little phrase may
+bring about a great revolution. Whenever the masses have risen,
+it has been to bring men, affairs, and principles into agreement.
+
+No nation has a clearer conception of that idea of unity which
+should permeate the life of an aristocracy; possibly no other
+nation has so intelligent a comprehension of a political
+necessity; history will never find her behind the time. France
+has been led astray many a time, but she is deluded, woman-like,
+by generous ideas, by a glow of enthusiasm which at first
+outstrips sober reason.
+
+So, to begin with, the most striking characteristic of the
+Faubourg is the splendour of its great mansions, its great
+gardens, and a surrounding quiet in keeping with princely
+revenues drawn from great estates.
+
+And what is this distance set between a class and a whole
+metropolis but visible and outward expression of the widely
+different attitude of mind which must inevitably keep them apart?
+
+The position of the head is well defined in every organism. If
+by any chance a nation allows its head to fall at its feet, it is
+pretty sure sooner or later to discover that this is a suicidal
+measure; and since nations have no desire to perish, they set to
+work at once to grow a new head. If they lack the strength for
+this, they perish as Rome perished, and Venice, and so many other
+states.
+
+This distinction between the upper and lower spheres of social
+activity, emphasised by differences in their manner of living,
+necessarily implies that in the highest aristocracy there is real
+worth and some distinguishing merit. In any state, no matter
+what form of "government" is affected, so soon as the patrician
+class fails to maintain that complete superiority which is the
+condition of its existence, it ceases to be a force, and is
+pulled down at once by the populace. The people always wish to
+see money, power, and initiative in their leaders, hands, hearts,
+and heads; they must be the spokesmen, they must represent the
+intelligence and the glory of the nation. Nations, like women,
+love strength in those who rule them; they cannot give love
+without respect; they refuse utterly to obey those of whom they
+do not stand in awe. An aristocracy fallen into contempt is a
+roi faineant, a husband in petticoats; first it ceases to be
+itself, and then it ceases to be.
+
+And in this way the isolation of the great, the sharply marked
+distinction in their manner of life, or in a word, the general
+custom of the patrician caste is at once the sign of a real
+power, and their destruction so soon as that power is lost. The
+Faubourg Saint-Germain failed to recognise the conditions of its
+being, while it would still have been easy to perpetuate its
+existence, and therefore was brought low for a time. The
+Faubourg should have looked the facts fairly in the face, as the
+English aristocracy did before them; they should have seen that
+every institution has its climacteric periods, when words lose
+their old meanings, and ideas reappear in a new guise, and the
+whole conditions of politics wear a changed aspect, while the
+underlying realities undergo no essential alteration.
+
+These ideas demand further development which form an essential
+part of this episode; they are given here both as a succinct
+statement of the causes, and an explanation of the things which
+happen in the course of the story.
+
+The stateliness of the castles and palaces where nobles dwell;
+the luxury of the details; the constantly maintained
+sumptuousness of the furniture; the "atmosphere" in which the
+fortunate owner of landed estates (a rich man before he was born)
+lives and moves easily and without friction; the habit of mind
+which never descends to calculate the petty workaday gains of
+existence; the leisure; the higher education attainable at a much
+earlier age; and lastly, the aristocratic tradition that makes of
+him a social force, for which his opponents, by dint of study and
+a strong will and tenacity of vocation, are scarcely a match-all
+these things should contribute to form a lofty spirit in a man,
+possessed of such privileges from his youth up; they should stamp
+his character with that high self-respect, of which the least
+consequence is a nobleness of heart in harmony with the noble
+name that he bears. And in some few families all this is
+realised. There are noble characters here and there in the
+Faubourg, but they are marked exceptions to a general rule of
+egoism which has been the ruin of this world within a world. The
+privileges above enumerated are the birthright of the French
+noblesse, as of every patrician efflorescence ever formed on the
+surface of a nation; and will continue to be theirs so long as
+their existence is based upon real estate, or money; domaine-sol
+and domaine-argent alike, the only solid bases of an organised
+society; but such privileges are held upon the understanding that
+the patricians must continue to justify their existence. There
+is a sort of moral fief held on a tenure of service rendered to
+the sovereign, and here in France the people are undoubtedly the
+sovereigns nowadays. The times are changed, and so are the
+weapons. The knight-banneret of old wore a coat of chain armour
+and a hauberk; he could handle a lance well and display his
+pennon, and no more was required of him; today he is bound to
+give proof of his intelligence. A stout heart was enough in the
+days of old; in our days he is required to have a capacious
+brain-pan. Skill and knowledge and capital--these three points
+mark out a social triangle on which the scutcheon of power is
+blazoned; our modern aristocracy must take its stand on these.
+
+A fine theorem is as good as a great name. The Rothschilds, the
+Fuggers of the nineteenth century, are princes de facto. A great
+artist is in reality an oligarch; he represents a whole century,
+and almost always he is a law to others. And the art of words,
+the high pressure machinery of the writer, the poet's genius, the
+merchant's steady endurance, the strong will of the statesman who
+concentrates a thousand dazzling qualities in himself, the
+general's sword--all these victories, in short, which a single
+individual will win, that he may tower above the rest of the
+world, the patrician class is now bound to win and keep
+exclusively. They must head the new forces as they once headed
+the material forces; how should they keep the position unless
+they are worthy of it? How, unless they are the soul and brain
+of a nation, shall they set its hands moving? How lead a people
+without the power of command? And what is the marshal's baton
+without the innate power of the captain in the man who wields it?
+
+The Faubourg Saint-Germain took to playing with batons, and
+fancied that all the power was in its hands. It inverted the
+terms of the proposition which called it into existence. And
+instead of flinging away the insignia which offended the people,
+and quietly grasping the power, it allowed the bourgeoisie to
+seize the authority, clung with fatal obstinacy to its shadow,
+and over and over again forgot the laws which a minority must
+observe if it would live. When an aristocracy is scarce a
+thousandth part of the body social, it is bound today, as of old,
+to multiply its points of action, so as to counterbalance the
+weight of the masses in a great crisis. And in our days those
+means of action must be living forces, and not historical
+memories.
+
+In France, unluckily, the noblesse were still so puffed up with
+the notion of their vanished power, that it was difficult to
+contend against a kind of innate presumption in themselves.
+Perhaps this is a national defect. The Frenchman is less given
+than anyone else to undervalue himself; it comes natural to him
+to go from his degree to the one above it; and while it is a rare
+thing for him to pity the unfortunates over whose heads he rises,
+he always groans in spirit to see so many fortunate people above
+him. He is very far from heartless, but too often he prefers to
+listen to his intellect. The national instinct which brings the
+Frenchman to the front, the vanity that wastes his substance, is
+as much a dominant passion as thrift in the Dutch. For three
+centuries it swayed the noblesse, who, in this respect, were
+certainly pre-eminently French. The scion of the Faubourg
+Saint-Germain, beholding his material superiority, was fully
+persuaded of his intellectual superiority. And everything
+contributed to confirm him in his belief; for ever since the
+Faubourg Saint-Germain existed at all--which is to say, ever
+since Versailles ceased to be the royal residence--the Faubourg,
+with some few gaps in continuity, was always backed up by the
+central power, which in France seldom fails to support that side.
+
+Thence its downfall in 1830.
+
+At that time the party of the Faubourg Saint-Germain was rather
+like an army without a base of operation. It had utterly failed
+to take advantage of the peace to plant itself in the heart of
+the nation. It sinned for want of learning its lesson, and
+through an utter incapability of regarding its interests as a
+whole. A future certainty was sacrificed to a doubtful present
+gain. This blunder in policy may perhaps be attributed to the
+following cause.
+
+The class-isolation so strenuously kept up by the noblesse
+brought about fatal results during the last forty years; even
+caste-patriotism was extinguished by it, and rivalry fostered
+among themselves. When the French noblesse of other times were
+rich and powerful, the nobles (gentilhommes) could choose their
+chiefs and obey them in the hour of danger. As their power
+diminished, they grew less amenable to discipline; and as in the
+last days of the Byzantine Empire, everyone wished to be emperor.
+
+They mistook their uniform weakness for uniform strength.
+
+Each family ruined by the Revolution and the abolition of the law
+of primogeniture thought only of itself, and not at all of the
+great family of the noblesse. It seemed to them that as each
+individual grew rich, the party as a whole would gain in
+strength. And herein lay their mistake. Money, likewise, is
+only the outward and visible sign of power. All these families
+were made up of persons who preserved a high tradition of
+courtesy, of true graciousness of life, of refined speech, with a
+family pride, and a squeamish sense of noblesse oblige which
+suited well with the kind of life they led; a life wholly filled
+with occupations which become contemptible so soon as they cease
+to be accessories and take the chief place in existence. There
+was a certain intrinsic merit in all these people, but the merit
+was on the surface, and none of them were worth their face-value.
+
+Not a single one among those families had courage to ask itself
+the question, "Are we strong enough for the responsibility of
+power?" They were cast on the top, like the lawyers of 1830;
+and instead of taking the patron's place, like a great man, the
+Faubourg Saint-Germain showed itself greedy as an upstart. The
+most intelligent nation in the world perceived clearly that the
+restored nobles were organising everything for their own
+particular benefit. From that day the noblesse was doomed. The
+Faubourg Saint-Germain tried to be an aristocracy when it could
+only be an oligarchy--two very different systems, as any man may
+see for himself if he gives an intelligent perusal to the list of
+the patronymics of the House of Peers.
+
+The King's Government certainly meant well; but the maxim that
+the people must be made to WILL everything, even their own
+welfare, was pretty constantly forgotten, nor did they bear in
+mind that La France is a woman and capricious, and must be happy
+or chastised at her own good pleasure. If there had been many
+dukes like the Duc de Laval, whose modesty made him worthy of the
+name he bore, the elder branch would have been as securely seated
+on the throne as the House of Hanover at this day.
+
+In 1814 the noblesse of France were called upon to assert their
+superiority over the most aristocratic bourgeoisie in the most
+feminine of all countries, to take the lead in the most highly
+educated epoch the world had yet seen. And this was even more
+notably the case in 1820. The Faubourg Saint-Germain might very
+easily have led and amused the middle classes in days when
+people's heads were turned with distinctions, and art and science
+were all the rage. But the narrow-minded leaders of a time of
+great intellectual progress all of them detested art and science.
+
+They had not even the wit to present religion in attractive
+colours, though they needed its support. While Lamartine,
+Lamennais, Montalembert, and other writers were putting new life
+and elevation into men's ideas of religion, and gilding it with
+poetry, these bunglers in the Government chose to make the
+harshness of their creed felt all over the country. Never was
+nation in a more tractable humour; La France, like a tired woman,
+was ready to agree to anything; never was mismanagement so
+clumsy; and La France, like a woman, would have forgiven wrongs
+more easily than bungling.
+
+If the noblesse meant to reinstate themselves, the better to
+found a strong oligarchy, they should have honestly and
+diligently searched their Houses for men of the stamp that
+Napoleon used; they should have turned themselves inside out to
+see if peradventure there was a Constitutionalist Richelieu
+lurking in the entrails of the Faubourg; and if that genius was
+not forthcoming from among them, they should have set out to find
+him, even in the fireless garret where he might happen to be
+perishing of cold; they should have assimilated him, as the
+English House of Lords continually assimilates aristocrats made
+by chance; and finally ordered him to be ruthless, to lop away
+the old wood, and cut the tree down to the living shoots. But,
+in the first place, the great system of English Toryism was far
+too large for narrow minds; the importation required time, and in
+France a tardy success is no better than a fiasco. So far,
+moreover, from adopting a policy of redemption, and looking for
+new forces where God puts them, these petty great folk took a
+dislike to any capacity that did not issue from their midst; and,
+lastly, instead of growing young again, the Faubourg
+Saint-Germain grew positively older.
+
+Etiquette, not an institution of primary necessity, might have
+been maintained if it had appeared only on state occasions, but
+as it was, there was a daily wrangle over precedence; it ceased
+to be a matter of art or court ceremonial, it became a question
+of power. And if from the outset the Crown lacked an adviser
+equal to so great a crisis, the aristocracy was still more
+lacking in a sense of its wider interests, an instinct which
+might have supplied the deficiency. They stood nice about M. de
+Talleyrand's marriage, when M. de Talleyrand was the one man
+among them with the steel-encompassed brains that can forge a new
+political system and begin a new career of glory for a nation.
+The Faubourg scoffed at a minister if he was not gently born, and
+produced no one of gentle birth that was fit to be a minister.
+There were plenty of nobles fitted to serve their country by
+raising the dignity of justices of the peace, by improving the
+land, by opening out roads and canals, and taking an active and
+leading part as country gentlemen; but these had sold their
+estates to gamble on the Stock Exchange. Again the Faubourg
+might have absorbed the energetic men among the bourgeoisie, and
+opened their ranks to the ambition which was undermining
+authority; they preferred instead to fight, and to fight unarmed,
+for of all that they once possessed there was nothing left but
+tradition. For their misfortune there was just precisely enough
+of their former wealth left them as a class to keep up their
+bitter pride. They were content with their past. Not one of
+them seriously thought of bidding the son of the house take up
+arms from the pile of weapons which the nineteenth century flings
+down in the market-place. Young men, shut out from office, were
+dancing at Madame's balls, while they should have been doing the
+work done under the Republic and the Empire by young,
+conscientious, harmlessly employed energies. It was their place
+to carry out at Paris the programme which their seniors should
+have been following in the country. The heads of houses might
+have won back recognition of their titles by unremitting
+attention to local interests, by falling in with the spirit of
+the age, by recasting their order to suit the taste of the times.
+
+But, pent up together in the Faubourg Saint-Germain, where the
+spirit of the ancient court and traditions of bygone feuds
+between the nobles and the Crown still lingered on, the
+aristocracy was not whole-hearted in its allegiance to the
+Tuileries, and so much the more easily defeated because it was
+concentrated in the Chamber of Peers, and badly organised even
+there. If the noblesse had woven themselves into a network over
+the country, they could have held their own; but cooped up in
+their Faubourg, with their backs against the Chateau, or spread
+at full length over the Budget, a single blow cut the thread of a
+fast-expiring life, and a petty, smug-faced lawyer came forward
+with the axe. In spite of M. Royer-Collard's admirable
+discourse, the hereditary peerage and law of entail fell before
+the lampoons of a man who made it a boast that he had adroitly
+argued some few heads out of the executioner's clutches, and now
+forsooth must clumsily proceed to the slaying of old
+institutions.
+
+There are examples and lessons for the future in all this. For
+if there were not still a future before the French aristocracy,
+there would be no need to do more than find a suitable
+sarcophagus; it were something pitilessly cruel to burn the dead
+body of it with fire of Tophet.
+
+But though the surgeon's scalpel is ruthless, it sometimes gives
+back life to a dying man; and the Faubourg Saint-Germain may wax
+more powerful under persecution than in its day of triumph, if it
+but chooses to organise itself under a leader.
+
+And now it is easy to give a summary of this semi-political
+survey. The wish to re-establish a large fortune was uppermost
+in everyone's mind; a lack of broad views, and a mass of small
+defects, a real need of religion as a political factor, combined
+with a thirst for pleasure which damaged the cause of religion
+and necessitated a good deal of hypocrisy; a certain attitude of
+protest on the part of loftier and clearer-sighted men who set
+their faces against Court jealousies; and the disaffection of the
+provincial families, who often came of purer descent than the
+nobles of the Court which alienated them from itself--all these
+things combined to bring about a most discordant state of things
+in the Faubourg Saint-Germain. It was neither compact in its
+organisation, nor consequent in its action; neither completely
+moral, nor frankly dissolute; it did not corrupt, nor was it
+corrupted; it would neither wholly abandon the disputed points
+which damaged its cause, nor yet adopt the policy that might have
+saved it. In short, however effete individuals might be, the
+party as a whole was none the less armed with all the great
+principles which lie at the roots of national existence. What
+was there in the Faubourg that it should perish in its strength?
+
+It was very hard to please in the choice of candidates; the
+Faubourg had good taste, it was scornfully fastidious, yet there
+was nothing very glorious nor chivalrous truly about its fall.
+
+In the Emigration of 1789 there were some traces of a loftier
+feeling; but in the Emigration of 1830 from Paris into the
+country there was nothing discernible but self-interest. A few
+famous men of letters, a few oratorical triumphs in the Chambers,
+M. de Talleyrand's attitude in the Congress, the taking of
+Algiers, and not a few names that found their way from the
+battlefield into the pages of history--all these things were so
+many examples set before the French noblesse to show that it was
+still open to them to take their part in the national existence,
+and to win recognition of their claims, if, indeed, they could
+condescend thus far. In every living organism the work of
+bringing the whole into harmony within itself is always going on.
+
+If a man is indolent, the indolence shows itself in everything
+that he does; and, in the same manner, the general spirit of a
+class is pretty plainly manifested in the face it turns on the
+world, and the soul informs the body.
+
+The women of the Restoration displayed neither the proud
+disregard of public opinion shown by the court ladies of olden
+time in their wantonness, nor yet the simple grandeur of the
+tardy virtues by which they expiated their sins and shed so
+bright a glory about their names. There was nothing either very
+frivolous or very serious about the woman of the Restoration.
+She was hypocritical as a rule in her passion, and compounded, so
+to speak, with its pleasures. Some few families led the domestic
+life of the Duchesse d'Orleans, whose connubial couch was
+exhibited so absurdly to visitors at the Palais Royal. Two or
+three kept up the traditions of the Regency, filling cleverer
+women with something like disgust. The great lady of the new
+school exercised no influence at all over the manners of the
+time; and yet she might have done much. She might, at worst,
+have presented as dignified a spectacle as English-women of the
+same rank. But she hesitated feebly among old precedents, became
+a bigot by force of circumstances, and allowed nothing of herself
+to appear, not even her better qualities.
+
+Not one among the Frenchwomen of that day had the ability to
+create a salon whither leaders of fashion might come to take
+lessons in taste and elegance. Their voices, which once laid
+down the law to literature, that living expression of a time, now
+counted absolutely for nought. Now when a literature lacks a
+general system, it fails to shape a body for itself, and dies out
+with its period.
+
+When in a nation at any time there is a people apart thus
+constituted, the historian is pretty certain to find some
+representative figure, some central personage who embodies the
+qualities and the defects of the whole party to which he belongs;
+there is Coligny, for instance, among the Huguenots, the
+Coadjuteur in the time of the Fronde, the Marechal de Richelieu
+under Louis XV, Danton during the Terror. It is in the nature of
+things that the man should be identified with the company in
+which history finds him. How is it possible to lead a party
+without conforming to its ideas? or to shine in any epoch unless
+a man represents the ideas of his time? The wise and prudent
+head of a party is continually obliged to bow to the prejudices
+and follies of its rear; and this is the cause of actions for
+which he is afterwards criticised by this or that historian
+sitting at a safer distance from terrific popular explosions,
+coolly judging the passion and ferment without which the great
+struggles of the world could not be carried on at all. And if
+this is true of the Historical Comedy of the Centuries, it is
+equally true in a more restricted sphere in the detached scenes
+of the national drama known as the Manners of the Age.
+
+
+At the beginning of that ephemeral life led by the Faubourg
+Saint-Germain under the Restoration, to which, if there is any
+truth in the above reflections, they failed to give stability,
+the most perfect type of the aristocratic caste in its weakness
+and strength, its greatness and littleness, might have been found
+for a brief space in a young married woman who belonged to it.
+This was a woman artificially educated, but in reality ignorant;
+a woman whose instincts and feelings were lofty while the thought
+which should have controlled them was wanting. She squandered
+the wealth of her nature in obedience to social conventions; she
+was ready to brave society, yet she hesitated till her scruples
+degenerated into artifice. With more wilfulness than real force
+of character, impressionable rather than enthusiastic, gifted
+with more brain than heart; she was supremely a woman, supremely
+a coquette, and above all things a Parisienne, loving a brilliant
+life and gaiety, reflecting never, or too late; imprudent to the
+verge of poetry, and humble in the depths of her heart, in spite
+of her charming insolence. Like some straight-growing reed, she
+made a show of independence; yet, like the reed, she was ready to
+bend to a strong hand. She talked much of religion, and had it
+not at heart, though she was prepared to find in it a solution of
+her life. How explain a creature so complex? Capable of
+heroism, yet sinking unconsciously from heroic heights to utter a
+spiteful word; young and sweet-natured, not so much old at heart
+as aged by the maxims of those about her; versed in a selfish
+philosophy in which she was all unpractised, she had all the
+vices of a courtier, all the nobleness of developing womanhood.
+She trusted nothing and no one, yet there were times when she
+quitted her sceptical attitude for a submissive credulity.
+
+How should any portrait be anything but incomplete of her, in
+whom the play of swiftly-changing colour made discord only to
+produce a poetic confusion? For in her there shone a divine
+brightness, a radiance of youth that blended all her bewildering
+characteristics in a certain completeness and unity informed by
+her charm. Nothing was feigned. The passion or semi-passion,
+the ineffectual high aspirations, the actual pettiness, the
+coolness of sentiment and warmth of impulse, were all spontaneous
+and unaffected, and as much the outcome of her own position as of
+the position of the aristocracy to which she belonged. She was
+wholly self-contained; she put herself proudly above the world
+and beneath the shelter of her name. There was something of the
+egoism of Medea in her life, as in the life of the aristocracy
+that lay a-dying, and would not so much as raise itself or
+stretch out a hand to any political physician; so well aware of
+its feebleness, or so conscious that it was already dust, that it
+refused to touch or be touched.
+
+The Duchesse de Langeais (for that was her name) had been married
+for about four years when the Restoration was finally
+consummated, which is to say, in 1816. By that time the
+revolution of the Hundred Days had let in the light on the mind
+of Louis XVIII. In spite of his surroundings, he comprehended
+the situation and the age in which he was living; and it was only
+later, when this Louis XI, without the axe, lay stricken down by
+disease, that those about him got the upper hand. The Duchesse
+de Langeais, a Navarreins by birth, came of a ducal house which
+had made a point of never marrying below its rank since the reign
+of Louis XIV. Every daughter of the house must sooner or later
+take a tabouret at Court. So, Antoinette de Navarreins, at the
+age of eighteen, came out of the profound solitude in which her
+girlhood had been spent to marry the Duc de Langeais's eldest
+son. The two families at that time were living quite out of the
+world; but after the invasion of France, the return of the
+Bourbons seemed to every Royalist mind the only possible way of
+putting an end to the miseries of the war.
+
+The Ducs de Navarreins and de Langeais had been faithful
+throughout to the exiled Princes, nobly resisting all the
+temptations of glory under the Empire. Under the circumstances
+they naturally followed out the old family policy; and Mlle
+Antoinette, a beautiful and portionless girl, was married to M.
+le Marquis de Langeais only a few months before the death of the
+Duke his father.
+
+After the return of the Bourbons, the families resumed their
+rank, offices, and dignity at Court; once more they entered
+public life, from which hitherto they held aloof, and took their
+place high on the sunlit summits of the new political world. In
+that time of general baseness and sham political conversions, the
+public conscience was glad to recognise the unstained loyalty of
+the two houses, and a consistency in political and private life
+for which all parties involuntarily respected them. But,
+unfortunately, as so often happens in a time of transition, the
+most disinterested persons, the men whose loftiness of view and
+wise principles would have gained the confidence of the French
+nation and led them to believe in the generosity of a novel and
+spirited policy--these men, to repeat, were taken out of affairs,
+and public business was allowed to fall into the hands of others,
+who found it to their interest to push principles to their
+extreme consequences by way of proving their devotion.
+
+The families of Langeais and Navarreins remained about the Court,
+condemned to perform the duties required by Court ceremonial amid
+the reproaches and sneers of the Liberal party. They were
+accused of gorging themselves with riches and honours, and all
+the while their family estates were no larger than before, and
+liberal allowances from the civil list were wholly expended in
+keeping up the state necessary for any European government, even
+if it be a Republic.
+
+In 1818, M. le Duc de Langeais commanded a division of the army,
+and the Duchess held a post about one of the Princesses, in
+virtue of which she was free to live in Paris and apart from her
+husband without scandal. The Duke, moreover, besides his
+military duties, had a place at Court, to which he came during
+his term of waiting, leaving his major-general in command. The
+Duke and Duchess were leading lives entirely apart, the world
+none the wiser. Their marriage of convention shared the fate of
+nearly all family arrangements of the kind. Two more
+antipathetic dispositions could not well have been found; they
+were brought together; they jarred upon each other; there was
+soreness on either side; then they were divided once for all.
+Then they went their separate ways, with a due regard for
+appearances. The Duc de Langeais, by nature as methodical as the
+Chevalier de Folard himself, gave himself up methodically to his
+own tastes and amusements, and left his wife at liberty to do as
+she pleased so soon as he felt sure of her character. He
+recognised in her a spirit pre-eminently proud, a cold heart, a
+profound submissiveness to the usages of the world, and a
+youthful loyalty. Under the eyes of great relations, with the
+light of a prudish and bigoted Court turned full upon the
+Duchess, his honour was safe.
+
+So the Duke calmly did as the grands seigneurs of the eighteenth
+century did before him, and left a young wife of two-and-twenty
+to her own devices. He had deeply offended that wife, and in her
+nature there was one appalling characteristic--she would never
+forgive an offence when woman's vanity and self-love, with all
+that was best in her nature perhaps, had been slighted, wounded
+in secret. Insult and injury in the face of the world a woman
+loves to forget; there is a way open to her of showing herself
+great; she is a woman in her forgiveness; but a secret offence
+women never pardon; for secret baseness, as for hidden virtues
+and hidden love, they have no kindness.
+
+This was Mme la Duchesse de Langeais's real position, unknown to
+the world. She herself did not reflect upon it. It was the time
+of the rejoicings over the Duc de Berri's marriage. The Court
+and the Faubourg roused itself from its listlessness and reserve.
+
+This was the real beginning of that unheard-of splendour which
+the Government of the Restoration carried too far. At that time
+the Duchess, whether for reasons of her own, or from vanity,
+never appeared in public without a following of women equally
+distinguished by name and fortune. As queen of fashion she had
+her dames d'atours, her ladies, who modelled their manner and
+their wit on hers. They had been cleverly chosen. None of her
+satellites belonged to the inmost Court circle, nor to the
+highest level of the Faubourg Saint-Germain; but they had set
+their minds upon admission to those inner sanctuaries. Being as
+yet simple dominations, they wished to rise to the neighbourhood
+of the throne, and mingle with the seraphic powers in the high
+sphere known as le petit chateau. Thus surrounded, the Duchess's
+position was stronger and more commanding and secure. Her
+"ladies" defended her character and helped her to play her
+detestable part of a woman of fashion. She could laugh at men at
+her ease, play with fire, receive the homage on which the
+feminine nature is nourished, and remain mistress of herself.
+
+At Paris, in the highest society of all, a woman is a woman
+still; she lives on incense, adulation, and honours. No beauty,
+however undoubted, no face, however fair, is anything without
+admiration. Flattery and a lover are proofs of power. And what
+is power without recognition? Nothing. If the prettiest of
+women were left alone in a corner of a drawing-room, she would
+droop. Put her in the very centre and summit of social grandeur,
+she will at once aspire to reign over all hearts--often because
+it is out of her power to be the happy queen of one. Dress and
+manner and coquetry are all meant to please one of the poorest
+creatures extant--the brainless coxcomb, whose handsome face is
+his sole merit; it was for such as these that women threw
+themselves away. The gilded wooden idols of the Restoration, for
+they were neither more nor less, had neither the antecedents of
+the petits maitres of the time of the Fronde, nor the rough
+sterling worth of Napoleon's heroes, not the wit and fine manners
+of their grandsires; but something of all three they meant to be
+without any trouble to themselves. Brave they were, like all
+young Frenchmen; ability they possessed, no doubt, if they had
+had a chance of proving it, but their places were filled up by
+the old worn-out men, who kept them in leading strings. It was a
+day of small things, a cold prosaic era. Perhaps it takes a long
+time for a Restoration to become a Monarchy.
+
+For the past eighteen months the Duchesse de Langeais had been
+leading this empty life, filled with balls and subsequent visits,
+objectless triumphs, and the transient loves that spring up and
+die in an evening's space. All eyes were turned on her when she
+entered a room; she reaped her harvest of flatteries and some few
+words of warmer admiration, which she encouraged by a gesture or
+a glance, but never suffered to penetrate deeper than the skin.
+Her tone and bearing and everything else about her imposed her
+will upon others. Her life was a sort of fever of vanity and
+perpetual enjoyment, which turned her head. She was daring
+enough in conversation; she would listen to anything, corrupting
+the surface, as it were, of her heart. Yet when she returned
+home, she often blushed at the story that had made her laugh; at
+the scandalous tale that supplied the details, on the strength of
+which she analysed the love that she had never known, and marked
+the subtle distinctions of modern passion, not with comment on
+the part of complacent hypocrites. For women know how to say
+everything among themselves, and more of them are ruined by each
+other than corrupted by men.
+
+There came a moment when she discerned that not until a woman is
+loved will the world fully recognise her beauty and her wit.
+What does a husband prove? Simply that a girl or woman was
+endowed with wealth, or well brought up; that her mother managed
+cleverly that in some way she satisfied a man's ambitions. A
+lover constantly bears witness to her personal perfections. Then
+followed the discovery still in Mme de Langeais's early
+womanhood, that it was possible to be loved without committing
+herself, without permission, without vouchsafing any satisfaction
+beyond the most meagre dues. There was more than one demure
+feminine hypocrite to instruct her in the art of playing such
+dangerous comedies.
+
+So the Duchess had her court, and the number of her adorers and
+courtiers guaranteed her virtue. She was amiable and
+fascinating; she flirted till the ball or the evening's gaiety
+was at an end. Then the curtain dropped. She was cold,
+indifferent, self-contained again till the next day brought its
+renewed sensations, superficial as before. Two or three men were
+completely deceived, and fell in love in earnest. She laughed at
+them, she was utterly insensible. "I am loved!" she told
+herself. "He loves me!" The certainty sufficed her. It is
+enough for the miser to know that his every whim might be
+fulfilled if he chose; so it was with the Duchess, and perhaps
+she did not even go so far as to form a wish.
+
+One evening she chanced to be at the house of an intimate friend
+Mme la Vicomtesse de Fontaine, one of the humble rivals who
+cordially detested her, and went with her everywhere. In a
+"friendship" of this sort both sides are on their guard, and
+never lay their armour aside; confidences are ingeniously
+indiscreet, and not unfrequently treacherous. Mme de Langeais
+had distributed her little patronising, friendly, or freezing
+bows, with the air natural to a woman who knows the worth of her
+smiles, when her eyes fell upon a total stranger. Something in
+the man's large gravity of aspect startled her, and, with a
+feeling almost like dread, she turned to Mme de Maufrigneuse
+with, "Who is the newcomer, dear?"
+
+"Someone that you have heard of, no doubt. The Marquis de
+Montriveau."
+
+"Oh! is it he?"
+
+She took up her eyeglass and submitted him to a very insolent
+scrutiny, as if he had been a picture meant to receive glances,
+not to return them.
+
+"Do introduce him; he ought to be interesting."
+
+"Nobody more tiresome and dull, dear. But he is the fashion."
+
+M. Armand de Montriveau, at that moment all unwittingly the
+object of general curiosity, better deserved attention than any
+of the idols that Paris needs must set up to worship for a brief
+space, for the city is vexed by periodical fits of craving, a
+passion for engouement and sham enthusiasm, which must be
+satisfied. The Marquis was the only son of General de
+Montriveau, one of the ci-devants who served the Republic nobly,
+and fell by Joubert's side at Novi. Bonaparte had placed his son
+at the school at Chalons, with the orphans of other generals who
+fell on the battlefield, leaving their children under the
+protection of the Republic. Armand de Montriveau left school
+with his way to make, entered the artillery, and had only reached
+a major's rank at the time of the Fontainebleau disaster. In his
+section of the service the chances of advancement were not many.
+There are fewer officers, in the first place, among the gunners
+than in any other corps; and in the second place, the feeling in
+the artillery was decidedly Liberal, not to say Republican; and
+the Emperor, feeling little confidence in a body of highly
+educated men who were apt to think for themselves, gave promotion
+grudgingly in the service. In the artillery, accordingly, the
+general rule of the army did not apply; the commanding officers
+were not invariably the most remarkable men in their department,
+because there was less to be feared from mediocrities. The
+artillery was a separate corps in those days, and only came under
+Napoleon in action.
+
+Besides these general causes, other reasons, inherent in Armand
+de Montriveau's character, were sufficient in themselves to
+account for his tardy promotion. He was alone in the world. He
+had been thrown at the age of twenty into the whirlwind of men
+directed by Napoleon; his interests were bounded by himself, any
+day he might lose his life; it became a habit of mind with him to
+live by his own self-respect and the consciousness that he had
+done his duty. Like all shy men, he was habitually silent; but
+his shyness sprang by no means from timidity; it was a kind of
+modesty in him; he found any demonstration of vanity intolerable.
+
+There was no sort of swagger about his fearlessness in action;
+nothing escaped his eyes; he could give sensible advice to his
+chums with unshaken coolness; he could go under fire, and duck
+upon occasion to avoid bullets. He was kindly; but his
+expression was haughty and stern, and his face gained him this
+character. In everything he was rigorous as arithmetic; he never
+permitted the slightest deviation from duty on any plausible
+pretext, nor blinked the consequences of a fact. He would lend
+himself to nothing of which he was ashamed; he never asked
+anything for himself; in short, Armand de Montriveau was one of
+many great men unknown to fame, and philosophical enough to
+despise it; living without attaching themselves to life, because
+they have not found their opportunity of developing to the full
+their power to do and feel.
+
+People were afraid of Montriveau; they respected him, but he was
+not very popular. Men may indeed allow you to rise above them,
+but to decline to descend as low as they can do is the one
+unpardonable sin. In their feeling towards loftier natures,
+there is a trace of hate and fear. Too much honour with them
+implies censure of themselves, a thing forgiven neither to the
+living nor to the dead.
+
+After the Emperor's farewells at Fontainebleau, Montriveau, noble
+though he was, was put on half-pay. Perhaps the heads of the War
+Office took fright at uncompromising uprightness worthy of
+antiquity, or perhaps it was known that he felt bound by his oath
+to the Imperial Eagle. During the Hundred Days he was made a
+Colonel of the Guard, and left on the field of Waterloo. His
+wounds kept him in Belgium he was not present at the disbanding
+of the Army of the Loire, but the King's government declined to
+recognise promotion made during the Hundred Days, and Armand de
+Montriveau left France.
+
+An adventurous spirit, a loftiness of thought hitherto satisfied
+by the hazards of war, drove him on an exploring expedition
+through Upper Egypt; his sanity or impulse directed his
+enthusiasm to a project of great importance, he turned his
+attention to that unexplored Central Africa which occupies the
+learned of today. The scientific expedition was long and
+unfortunate. He had made a valuable collection of notes bearing
+on various geographical and commercial problems, of which
+solutions are still eagerly sought; and succeeded, after
+surmounting many obstacles, in reaching the heart of the
+continent, when he was betrayed into the hands of a hostile
+native tribe. Then, stripped of all that he had, for two years
+he led a wandering life in the desert, the slave of savages,
+threatened with death at every moment, and more cruelly treated
+than a dumb animal in the power of pitiless children. Physical
+strength, and a mind braced to endurance, enabled him to survive
+the horrors of that captivity; but his miraculous escape
+well-nigh exhausted his energies. When he reached the French
+colony at Senegal, a half-dead fugitive covered with rags, his
+memories of his former life were dim and shapeless. The great
+sacrifices made in his travels were all forgotten like his
+studies of African dialects, his discoveries, and observations.
+One story will give an idea of all that he passed through. Once
+for several days the children of the sheikh of the tribe amused
+themselves by putting him up for a mark and flinging horses'
+knuckle-bones at his head.
+
+Montriveau came back to Paris in 1818 a ruined man. He had no
+interest, and wished for none. He would have died twenty times
+over sooner than ask a favour of anyone; he would not even press
+the recognition of his claims. Adversity and hardship had
+developed his energy even in trifles, while the habit of
+preserving his self-respect before that spiritual self which we
+call conscience led him to attach consequence to the most
+apparently trivial actions. His merits and adventures became
+known, however, through his acquaintances, among the principal
+men of science in Paris, and some few well-read military men.
+The incidents of his slavery and subsequent escape bore witness
+to a courage, intelligence, and coolness which won him celebrity
+without his knowledge, and that transient fame of which Paris
+salons are lavish, though the artist that fain would keep it must
+make untold efforts.
+
+Montriveau's position suddenly changed towards the end of that
+year. He had been a poor man, he was now rich; or, externally at
+any rate, he had all the advantages of wealth. The King's
+government, trying to attach capable men to itself and to
+strengthen the army, made concessions about that time to
+Napoleon's old officers if their known loyalty and character
+offered guarantees of fidelity. M. de Montriveau's name once
+more appeared in the army list with the rank of colonel; he
+received his arrears of pay and passed into the Guards. All
+these favours, one after another, came to seek the Marquis de
+Montriveau; he had asked for nothing however small. Friends had
+taken the steps for him which he would have refused to take for
+himself.
+
+After this, his habits were modified all at once; contrary to his
+custom, he went into society. He was well received, everywhere
+he met with great deference and respect. He seemed to have found
+some end in life; but everything passed within the man, there
+were no external signs; in society he was silent and cold, and
+wore a grave, reserved face. His social success was great,
+precisely because he stood out in such strong contrast to the
+conventional faces which line the walls of Paris salons. He was,
+indeed, something quite new there. Terse of speech, like a
+hermit or a savage, his shyness was thought to be haughtiness,
+and people were greatly taken with it. He was something strange
+and great. Women generally were so much the more smitten with
+this original person because he was not to be caught by their
+flatteries, however adroit, nor by the wiles with which they
+circumvent the strongest men and corrode the steel temper. Their
+Parisian's grimaces were lost upon M. de Montriveau; his nature
+only responded to the sonorous vibration of lofty thought and
+feeling. And he would very promptly have been dropped but for
+the romance that hung about his adventures and his life; but for
+the men who cried him up behind his back; but for a woman who
+looked for a triumph for her vanity, the woman who was to fill
+his thoughts.
+
+For these reasons the Duchesse de Langeais's curiosity was no
+less lively than natural. Chance had so ordered it that her
+interest in the man before her had been aroused only the day
+before, when she heard the story of one of M. de Montriveau's
+adventures, a story calculated to make the strongest impression
+upon a woman's ever-changing fancy.
+
+During M. de Montriveau's voyage of discovery to the sources of
+the Nile, he had had an argument with one of his guides, surely
+the most extraordinary debate in the annals of travel. The
+district that he wished to explore could only be reached on foot
+across a tract of desert. Only one of his guides knew the way;
+no traveller had penetrated before into that part of the country,
+where the undaunted officer hoped to find a solution of several
+scientific problems. In spite of the representations made to him
+by the guide and the older men of the place, he started upon the
+formidable journey. Summoning up courage, already highly strung
+by the prospect of dreadful difficulties, he set out in the
+morning.
+
+The loose sand shifted under his feet at every step; and when, at
+the end of a long day's march, he lay down to sleep on the
+ground, he had never been so tired in his life. He knew,
+however, that he must be up and on his way before dawn next day,
+and his guide assured him that they should reach the end of their
+journey towards noon. That promise kept up his courage and gave
+him new strength. In spite of his sufferings, he continued his
+march, with some blasphemings against science; he was ashamed to
+complain to his guide, and kept his pain to himself. After
+marching for a third of the day, he felt his strength failing,
+his feet were bleeding, he asked if they should reach the place
+soon.
+
+"In an hour's time," said the guide. Armand braced himself for
+another hour's march, and they went on.
+
+The hour slipped by; he could not so much as see against the sky
+the palm-trees and crests of hill that should tell of the end of
+the journey near at hand; the horizon line of sand was vast as
+the circle of the open sea.
+
+He came to a stand, refused to go farther, and threatened the
+guide--he had deceived him, murdered him; tears of rage and
+weariness flowed over his fevered cheeks; he was bowed down with
+fatigue upon fatigue, his throat seemed to be glued by the desert
+thirst. The guide meanwhile stood motionless, listening to these
+complaints with an ironical expression, studying the while, with
+the apparent indifference of an Oriental, the scarcely
+perceptible indications in the lie of the sands, which looked
+almost black, like burnished gold.
+
+"I have made a mistake," he remarked coolly. "I could not
+make out the track, it is so long since I came this way; we are
+surely on it now, but we must push on for two hours."
+
+"The man is right," thought M. de Montriveau.
+
+So he went on again, struggling to follow the pitiless native.
+It seemed as if he were bound to his guide by some thread like
+the invisible tie between the condemned man and the headsman.
+But the two hours went by, Montriveau had spent his last drops of
+energy, and the skyline was a blank, there were no palm-trees, no
+hills. He could neither cry out nor groan, he lay down on the
+sand to die, but his eyes would have frightened the boldest;
+something in his face seemed to say that he would not die alone.
+His guide, like a very fiend, gave him back a cool glance like a
+man that knows his power, left him to lie there, and kept at a
+safe distance out of reach of his desperate victim. At last M.
+Montriveau recovered strength enough for a last curse.
+
+The guide came nearer, silenced him with a steady look, and said,
+"Was it not your own will to go where I am taking you, in spite
+of us all? You say that I have lied to you. If I had not, you
+would not be even here. Do you want the truth? Here it is. WE
+HAVE STILL ANOTHER FIVE HOURS' MARCH BEFORE US, AND WE CANNOT GO
+BACK. Sound yourself; if you have not courage enough, here is my
+dagger."
+
+Startled by this dreadful knowledge of pain and human strength,
+M. de Montriveau would not be behind a savage; he drew a fresh
+stock of courage from his pride as a European, rose to his feet,
+and followed his guide. The five hours were at an end, and still
+M. de Montriveau saw nothing, he turned his failing eyes upon his
+guide; but the Nubian hoisted him on his shoulders, and showed
+him a wide pool of water with greenness all about it, and a noble
+forest lighted up by the sunset. It lay only a hundred paces
+away; a vast ledge of granite hid the glorious landscape. It
+seemed to Armand that he had taken a new lease of life. His
+guide, that giant in courage and intelligence, finished his work
+of devotion by carrying him across the hot, slippery, scarcely
+discernible track on the granite. Behind him lay the hell of
+burning sand, before him the earthly paradise of the most
+beautiful oasis in the desert.
+
+The Duchess, struck from the first by the appearance of this
+romantic figure, was even more impressed when she learned that
+this was that Marquis de Montriveau of whom she had dreamed
+during the night. She had been with him among the hot desert
+sands, he had been the companion of her nightmare wanderings; for
+such a woman was not this a delightful presage of a new interest
+in her life? And never was a man's exterior a better exponent of
+his character; never were curious glances so well justified. The
+principal characteristic of his great, square-hewn head was the
+thick, luxuriant black hair which framed his face, and gave him a
+strikingly close resemblance to General Kleber; and the likeness
+still held good in the vigorous forehead, in the outlines of his
+face, the quiet fearlessness of his eyes, and a kind of fiery
+vehemence expressed by strongly marked features. He was short,
+deep-chested, and muscular as a lion. There was something of the
+despot about him, and an indescribable suggestion of the security
+of strength in his gait, bearing, and slightest movements. He
+seemed to know that his will was irresistible, perhaps because he
+wished for nothing unjust. And yet, like all really strong men,
+he was mild of speech, simple in his manners, and kindly natured;
+although it seemed as if, in the stress of a great crisis, all
+these finer qualities must disappear, and the man would show
+himself implacable, unshaken in his resolve, terrific in action.
+There was a certain drawing in of the inner line of the lips
+which, to a close observer, indicated an ironical bent.
+
+The Duchesse de Langeais, realising that a fleeting glory was to
+be won by such a conquest, made up her mind to gain a lover in
+Armand de Montriveau during the brief interval before the
+Duchesse de Maufrigneuse brought him to be introduced. She would
+prefer him above the others; she would attach him to herself,
+display all her powers of coquetry for him. It was a fancy, such
+a merest Duchess's whim as furnished a Lope or a Calderon with
+the plot of the Dog in the Manger. She would not suffer another
+woman to engross him; but she had not the remotest intention of
+being his.
+
+Nature had given the Duchess every qualification for the part of
+coquette, and education had perfected her. Women envied her, and
+men fell in love with her, not without reason. Nothing that can
+inspire love, justify it, and give it lasting empire was wanting
+in her. Her style of beauty, her manner, her voice, her bearing,
+all combined to give her that instinctive coquetry which seems to
+be the consciousness of power. Her shape was graceful; perhaps
+there was a trace of self-consciousness in her changes of
+movement, the one affectation that could be laid to her charge;
+but everything about her was a part of her personality, from her
+least little gesture to the peculiar turn of her phrases, the
+demure glance of her eyes. Her great lady's grace, her most
+striking characteristic, had not destroyed the very French quick
+mobility of her person. There was an extraordinary fascination
+in her swift, incessant changes of attitude. She seemed as if
+she surely would be a most delicious mistress when her corset and
+the encumbering costume of her part were laid aside. All the
+rapture of love surely was latent in the freedom of her
+expressive glances, in her caressing tones, in the charm of her
+words. She gave glimpses of the high-born courtesan within her,
+vainly protesting against the creeds of the duchess.
+
+You might sit near her through an evening, she would be gay and
+melancholy in turn, and her gaiety, like her sadness, seemed
+spontaneous. She could be gracious, disdainful, insolent, or
+confiding at will. Her apparent good nature was real; she had no
+temptation to descend to malignity. But at each moment her mood
+changed; she was full of confidence or craft; her moving
+tenderness would give place to a heart-breaking hardness and
+insensibility. Yet how paint her as she was, without bringing
+together all the extremes of feminine nature? In a word, the
+Duchess was anything that she wished to be or to seem. Her face
+was slightly too long. There was a grace in it, and a certain
+thinness and fineness that recalled the portraits of the Middle
+Ages. Her skin was white, with a faint rose tint. Everything
+about her erred, as it were, by an excess of delicacy.
+
+M. de Montriveau willingly consented to be introduced to the
+Duchesse de Langeais; and she, after the manner of persons whose
+sensitive taste leads them to avoid banalities, refrained from
+overwhelming him with questions and compliments. She received
+him with a gracious deference which could not fail to flatter a
+man of more than ordinary powers, for the fact that a man rises
+above the ordinary level implies that he possesses something of
+that tact which makes women quick to read feeling. If the
+Duchess showed any curiosity, it was by her glances; her
+compliments were conveyed in her manner; there was a winning
+grace displayed in her words, a subtle suggestion of a desire to
+please which she of all women knew the art of manifesting. Yet
+her whole conversation was but, in a manner, the body of the
+letter; the postscript with the principal thought in it was still
+to come. After half an hour spent in ordinary talk, in which the
+words gained all their value from her tone and smiles, M. de
+Montriveau was about to retire discreetly, when the Duchess
+stopped him with an expressive gesture.
+
+"I do not know, monsieur, whether these few minutes during which
+I have had the pleasure of talking to you proved so sufficiently
+attractive, that I may venture to ask you to call upon me; I am
+afraid that it may be very selfish of me to wish to have you all
+to myself. If I should be so fortunate as to find that my house
+is agreeable to you, you will always find me at home in the
+evening until ten o'clock."
+
+The invitation was given with such irresistible grace, that M. de
+Montriveau could not refuse to accept it. When he fell back
+again among the groups of men gathered at a distance from the
+women, his friends congratulated him, half laughingly, half in
+earnest, on the extraordinary reception vouchsafed him by the
+Duchesse de Langeais. The difficult and brilliant conquest had
+been made beyond a doubt, and the glory of it was reserved for
+the Artillery of the Guard. It is easy to imagine the jests,
+good and bad, when this topic had once been started; the world of
+Paris salons is so eager for amusement, and a joke lasts for such
+a short time, that everyone is eager to make the most of it while
+it is fresh.
+
+All unconsciously, the General felt flattered by this nonsense.
+From his place where he had taken his stand, his eyes were drawn
+again and again to the Duchess by countless wavering reflections.
+
+He could not help admitting to himself that of all the women
+whose beauty had captivated his eyes, not one had seemed to be a
+more exquisite embodiment of faults and fair qualities blended in
+a completeness that might realise the dreams of earliest manhood.
+
+Is there a man in any rank of life that has not felt indefinable
+rapture in his secret soul over the woman singled out (if only in
+his dreams) to be his own; when she, in body, soul, and social
+aspects, satisfies his every requirement, a thrice perfect woman?
+
+And if this threefold perfection that flatters his pride is no
+argument for loving her, it is beyond cavil one of the great
+inducements to the sentiment. Love would soon be convalescent,
+as the eighteenth century moralist remarked, were it not for
+vanity. And it is certainly true that for everyone, man or
+woman, there is a wealth of pleasure in the superiority of the
+beloved. Is she set so high by birth that a contemptuous glance
+can never wound her? is she wealthy enough to surround herself
+with state which falls nothing short of royalty, of kings, of
+finance during their short reign of splendour? is she so
+ready-witted that a keen-edged jest never brings her into
+confusion? beautiful enough to rival any woman?--Is it such a
+small thing to know that your self-love will never suffer through
+her? A man makes these reflections in the twinkling of an eye.
+And how if, in the future opened out by early ripened passion, he
+catches glimpses of the changeful delight of her charm, the frank
+innocence of a maiden soul, the perils of love's voyage, the
+thousand folds of the veil of coquetry? Is not this enough to
+move the coldest man's heart?
+
+This, therefore, was M. de Montriveau's position with regard to
+woman; his past life in some measure explaining the extraordinary
+fact. He had been thrown, when little more than a boy, into the
+hurricane of Napoleon's wars; his life had been spent on fields
+of battle. Of women he knew just so much as a traveller knows of
+a country when he travels across it in haste from one inn to
+another. The verdict which Voltaire passed upon his eighty years
+of life might, perhaps, have been applied by Montriveau to his
+own thirty-seven years of existence; had he not thirty-seven
+follies with which to reproach himself? At his age he was as
+much a novice in love as the lad that has just been furtively
+reading Faublas. Of women he had nothing to learn; of love he
+knew nothing; and thus, desires, quite unknown before, sprang
+from this virginity of feeling.
+
+There are men here and there as much engrossed in the work
+demanded of them by poverty or ambition, art or science, as M. de
+Montriveau by war and a life of adventure--these know what it is
+to be in this unusual position if they very seldom confess to it.
+
+Every man in Paris is supposed to have been in love. No woman in
+Paris cares to take what other women have passed over. The dread
+of being taken for a fool is the source of the coxcomb's bragging
+so common in France; for in France to have the reputation of a
+fool is to be a foreigner in one's own country. Vehement desire
+seized on M. de Montriveau, desire that had gathered strength
+from the heat of the desert and the first stirrings of a heart
+unknown as yet in its suppressed turbulence.
+
+A strong man, and violent as he was strong, he could keep mastery
+over himself; but as he talked of indifferent things, he retired
+within himself, and swore to possess this woman, for through that
+thought lay the only way to love for him. Desire became a solemn
+compact made with himself, an oath after the manner of the Arabs
+among whom he had lived; for among them a vow is a kind of
+contract made with Destiny a man's whole future is solemnly
+pledged to fulfil it, and everything even his own death, is
+regarded simply as a means to the one end.
+
+A younger man would have said to himself, "I should very much
+like to have the Duchess for my mistress!" or, "If the Duchesse
+de Langeais cared for a man, he would be a very lucky rascal!"
+But the General said, "I will have Mme de Langeais for my
+mistress." And if a man takes such an idea into his head when
+his heart has never been touched before, and love begins to be a
+kind of religion with him, he little knows in what a hell he has
+set his foot.
+
+Armand de Montriveau suddenly took flight and went home in the
+first hot fever-fit of the first love that he had known. When a
+man has kept all his boyish beliefs, illusions, frankness, and
+impetuosity into middle age, his first impulse is, as it were, to
+stretch out a hand to take the thing that he desires; a little
+later he realises that there is a gulf set between them, and that
+it is all but impossible to cross it. A sort of childish
+impatience seizes him, he wants the thing the more, and trembles
+or cries. Wherefore, the next day, after the stormiest
+reflections that had yet perturbed his mind, Armand de Montriveau
+discovered that he was under the yoke of the senses, and his
+bondage made the heavier by his love.
+
+The woman so cavalierly treated in his thoughts of yesterday had
+become a most sacred and dreadful power. She was to be his
+world, his life, from this time forth. The greatest joy, the
+keenest anguish, that he had yet known grew colourless before the
+bare recollection of the least sensation stirred in him by her.
+The swiftest revolutions in a man's outward life only touch his
+interests, while passion brings a complete revulsion of feeling.
+And so in those who live by feeling, rather than by
+self-interest, the doers rather than the reasoners, the sanguine
+rather than the lymphatic temperaments, love works a complete
+revolution. In a flash, with one single reflection, Armand de
+Montriveau wiped out his whole past life.
+
+A score of times he asked himself, like a boy, "Shall I go, or
+shall I not?" and then at last he dressed, came to the Hotel de
+Langeais towards eight o'clock that evening, and was admitted.
+He was to see the woman--ah! not the woman--the idol that he had
+seen yesterday, among lights, a fresh innocent girl in gauze and
+silken lace and veiling. He burst in upon her to declare his
+love, as if it were a question of firing the first shot on a
+field of battle.
+
+Poor novice! He found his ethereal sylphide shrouded in a brown
+cashmere dressing-gown ingeniously befrilled, lying languidly
+stretched out upon a sofa in a dimly lighted boudoir. Mme de
+Langeais did not so much as rise, nothing was visible of her but
+her face, her hair was loose but confined by a scarf. A hand
+indicated a seat, a hand that seemed white as marble to
+Montriveau by the flickering light of a single candle at the
+further side of the room, and a voice as soft as the light said--
+
+"If it had been anyone else, M. le Marquis, a friend with whom I
+could dispense with ceremony, or a mere acquaintance in whom I
+felt but slight interest, I should have closed my door. I am
+exceedingly unwell."
+
+"I will go," Armand said to himself.
+
+"But I do not know how it is," she continued (and the simple
+warrior attributed the shining of her eyes to fever), "perhaps
+it was a presentiment of your kind visit (and no one can be more
+sensible of the prompt attention than I), but the vapours have
+left my head."
+
+"Then may I stay?"
+
+"Oh, I should be very sorry to allow you to go. I told myself
+this morning that it was impossible that I should have made the
+slightest impression on your mind, and that in all probability
+you took my request for one of the commonplaces of which
+Parisians are lavish on every occasion. And I forgave your
+ingratitude in advance. An explorer from the deserts is not
+supposed to know how exclusive we are in our friendships in the
+Faubourg."
+
+The gracious, half-murmured words dropped one by one, as if they
+had been weighted with the gladness that apparently brought them
+to her lips. The Duchess meant to have the full benefit of her
+headache, and her speculation was fully successful. The General,
+poor man, was really distressed by the lady's simulated distress.
+
+Like Crillon listening to the story of the Crucifixion, he was
+ready to draw his sword against the vapours. How could a man
+dare to speak just then to this suffering woman of the love that
+she inspired? Armand had already felt that it would be absurd to
+fire off a declaration of love point-blank at one so far above
+other women. With a single thought came understanding of the
+delicacies of feeling, of the soul's requirements. To love: what
+was that but to know how to plead, to beg for alms, to wait? And
+as for the love that he felt, must he not prove it? His tongue
+was mute, it was frozen by the conventions of the noble Faubourg,
+the majesty of a sick headache, the bashfulness of love. But no
+power on earth could veil his glances; the heat and the Infinite
+of the desert blazed in eyes calm as a panther's, beneath the
+lids that fell so seldom. The Duchess enjoyed the steady gaze
+that enveloped her in light and warmth.
+
+"Mme la Duchesse," he answered, "I am afraid I express my
+gratitude for your goodness very badly. At this moment I have
+but one desire--I wish it were in my power to cure the pain."
+
+"Permit me to throw this off, I feel too warm now," she said,
+gracefully tossing aside a cushion that covered her feet.
+
+"Madame, in Asia your feet would be worth some ten thousand
+sequins.
+
+"A traveller's compliment!" smiled she.
+
+It pleased the sprightly lady to involve a rough soldier in a
+labyrinth of nonsense, commonplaces, and meaningless talk, in
+which he manoeuvred, in military language, as Prince Charles
+might have done at close quarters with Napoleon. She took a
+mischievous amusement in reconnoitring the extent of his
+infatuation by the number of foolish speeches extracted from a
+novice whom she led step by step into a hopeless maze, meaning to
+leave him there in confusion. She began by laughing at him, but
+nevertheless it pleased her to make him forget how time went.
+
+The length of a first visit is frequently a compliment, but
+Armand was innocent of any such intent. The famous explorer
+spent an hour in chat on all sorts of subjects, said nothing that
+he meant to say, and was feeling that he was only an instrument
+on whom this woman played, when she rose, sat upright, drew the
+scarf from her hair, and wrapped it about her throat, leant her
+elbow on the cushions, did him the honour of a complete cure, and
+rang for lights. The most graceful movement succeeded to
+complete repose. She turned to M. de Montriveau, from whom she
+had just extracted a confidence which seemed to interest her
+deeply, and said--
+
+"You wish to make game of me by trying to make me believe that
+you have never loved. It is a man's great pretension with us.
+And we always believe it! Out of pure politeness. Do we not
+know what to expect from it for ourselves? Where is the man that
+has found but a single opportunity of losing his heart? But you
+love to deceive us, and we submit to be deceived, poor foolish
+creatures that we are; for your hypocrisy is, after all, a homage
+paid to the superiority of our sentiments, which are all
+purity."
+
+The last words were spoken with a disdainful pride that made the
+novice in love feel like a worthless bale flung into the deep,
+while the Duchess was an angel soaring back to her particular
+heaven.
+
+"Confound it!" thought Armand de Montriveau, "how am I to tell
+this wild thing that I love her?"
+
+He had told her already a score of times; or rather, the Duchess
+had a score of times read his secret in his eyes; and the passion
+in this unmistakably great man promised her amusement, and an
+interest in her empty life. So she prepared with no little
+dexterity to raise a certain number of redoubts for him to carry
+by storm before he should gain an entrance into her heart.
+Montriveau should overleap one difficulty after another; he
+should be a plaything for her caprice, just as an insect teased
+by children is made to jump from one finger to another, and in
+spite of all its pains is kept in the same place by its
+mischievous tormentor. And yet it gave the Duchess inexpressible
+happiness to see that this strong man had told her the truth.
+Armand had never loved, as he had said. He was about to go, in a
+bad humour with himself, and still more out of humour with her;
+but it delighted her to see a sullenness that she could conjure
+away with a word, a glance, or a gesture.
+
+"Will you come tomorrow evening?" she asked. "I am going to a
+ball, but I shall stay at home for you until ten o'clock."
+
+Montriveau spent most of the next day in smoking an indeterminate
+quantity of cigars in his study window, and so got through the
+hours till he could dress and go to the Hotel de Langeais. To
+anyone who had known the magnificent worth of the man, it would
+have been grievous to see him grown so small, so distrustful of
+himself; the mind that might have shed light over undiscovered
+worlds shrunk to the proportions of a she-coxcomb's boudoir.
+Even he himself felt that he had fallen so low already in his
+happiness that to save his life he could not have told his love
+to one of his closest friends. Is there not always a trace of
+shame in the lover's bashfulness, and perhaps in woman a certain
+exultation over diminished masculine stature? Indeed, but for a
+host of motives of this kind, how explain why women are nearly
+always the first to betray the secret?--a secret of which,
+perhaps, they soon weary.
+
+"Mme la Duchesse cannot see visitors, monsieur," said the man;
+"she is dressing, she begs you to wait for her here."
+
+Armand walked up and down the drawing-room, studying her taste in
+the least details. He admired Mme de Langeais herself in the
+objects of her choosing; they revealed her life before he could
+grasp her personality and ideas. About an hour later the Duchess
+came noiselessly out of her chamber. Montriveau turned, saw her
+flit like a shadow across the room, and trembled. She came up to
+him, not with a bourgeoise's enquiry, "How do I look?" She was
+sure of herself; her steady eyes said plainly, "I am adorned to
+please you."
+
+No one surely, save the old fairy godmother of some princess in
+disguise, could have wound a cloud of gauze about the dainty
+throat, so that the dazzling satin skin beneath should gleam
+through the gleaming folds. The Duchess was dazzling. The pale
+blue colour of her gown, repeated in the flowers in her hair,
+appeared by the richness of its hue to lend substance to a
+fragile form grown too wholly ethereal; for as she glided towards
+Armand, the loose ends of her scarf floated about her, putting
+that valiant warrior in mind of the bright damosel flies that
+hover now over water, now over the flowers with which they seem
+to mingle and blend.
+
+"I have kept you waiting," she said, with the tone that a woman
+can always bring into her voice for the man whom she wishes to
+please.
+
+"I would wait patiently through an eternity," said he, "if I
+were sure of finding a divinity so fair; but it is no compliment
+to speak of your beauty to you; nothing save worship could touch
+you. Suffer me only to kiss your scarf."
+
+"Oh, fie!" she said, with a commanding gesture, "I esteem you
+enough to give you my hand."
+
+She held it out for his kiss. A woman's hand, still moist from
+the scented bath, has a soft freshness, a velvet smoothness that
+sends a tingling thrill from the lips to the soul. And if a man
+is attracted to a woman, and his senses are as quick to feel
+pleasure as his heart is full of love, such a kiss, though chaste
+in appearance, may conjure up a terrific storm.
+
+"Will you always give it me like this?" the General asked
+humbly when he had pressed that dangerous hand respectfully to
+his lips.
+
+"Yes, but there we must stop," she said, smiling. She sat
+down, and seemed very slow over putting on her gloves, trying to
+slip the unstretched kid over all her fingers at once, while she
+watched M. de Montriveau; and he was lost in admiration of the
+Duchess and those repeated graceful movements of hers.
+
+"Ah! you were punctual," she said; "that is right. I like
+punctuality. It is the courtesy of kings, His Majesty says; but
+to my thinking, from you men it is the most respectful flattery
+of all. Now, is it not? Just tell me."
+
+Again she gave him a side glance to express her insidious
+friendship, for he was dumb with happiness sheer happiness
+through such nothings as these! Oh, the Duchess understood son
+metier de femme--the art and mystery of being a woman--most
+marvellously well; she knew, to admiration, how to raise a man in
+his own esteem as he humbled himself to her; how to reward every
+step of the descent to sentimental folly with hollow flatteries.
+
+"You will never forget to come at nine o'clock."
+
+"No; but are you going to a ball every night?"
+
+"Do I know?" she answered, with a little childlike shrug of the
+shoulders; the gesture was meant to say that she was nothing if
+not capricious, and that a lover must take her as she
+was.--"Besides," she added, "what is that to you? You shall
+be my escort."
+
+"That would be difficult tonight," he objected; "I am not
+properly dressed."
+
+"It seems to me," she returned loftily, "that if anyone has a
+right to complain of your costume, it is I. Know, therefore,
+monsieur le voyageur, that if I accept a man's arm, he is
+forthwith above the laws of fashion, nobody would venture to
+criticise him. You do not know the world, I see; I like you the
+better for it."
+
+And even as she spoke she swept him into the pettiness of that
+world by the attempt to initiate him into the vanities of a woman
+of fashion.
+
+"If she chooses to do a foolish thing for me, I should be a
+simpleton to prevent her," said Armand to himself. "She has a
+liking for me beyond a doubt; and as for the world, she cannot
+despise it more than I do. So, now for the ball if she likes."
+
+The Duchess probably thought that if the General came with her
+and appeared in a ballroom in boots and a black tie, nobody would
+hesitate to believe that he was violently in love with her. And
+the General was well pleased that the queen of fashion should
+think of compromising herself for him; hope gave him wit. He had
+gained confidence, he brought out his thoughts and views; he felt
+nothing of the restraint that weighed on his spirits yesterday.
+His talk was interesting and animated, and full of those first
+confidences so sweet to make and to receive.
+
+Was Mme de Langeais really carried away by his talk, or had she
+devised this charming piece of coquetry? At any rate, she looked
+up mischievously as the clock struck twelve.
+
+"Ah! you have made me too late for the ball!" she exclaimed,
+surprised and vexed that she had forgotten how time was going.
+
+The next moment she approved the exchange of pleasures with a
+smile that made Armand's heart give a sudden leap.
+
+"I certainly promised Mme de Beauseant," she added. "They are
+all expecting me."
+
+"Very well--go."
+
+"No--go on. I will stay. Your Eastern adventures fascinate me.
+Tell me the whole story of your life. I love to share in a brave
+man's hardships, and I feel them all, indeed I do!"
+
+She was playing with her scarf, twisting it and pulling it to
+pieces, with jerky, impatient movements that seemed to tell of
+inward dissatisfaction and deep reflection.
+
+"WE are fit for nothing," she went on. "Ah! we are
+contemptible, selfish, frivolous creatures. We can bore
+ourselves with amusements, and that is all we can do. Not one of
+us that understands that she has a part to play in life. In old
+days in France, women were beneficent lights; they lived to
+comfort those that mourned, to encourage high virtues, to reward
+artists and stir new life with noble thoughts. If the world has
+grown so petty, ours is the fault. You make me loathe the ball
+and this world in which I live. No, I am not giving up much for
+you."
+
+She had plucked her scarf to pieces, as a child plays with a
+flower, pulling away all the petals one by one; and now she
+crushed it into a ball, and flung it away. She could show her
+swan's neck.
+
+She rang the bell. "I shall not go out tonight," she told the
+footman. Her long, blue eyes turned timidly to Armand; and by
+the look of misgiving in them, he knew that he was meant to take
+the order for a confession, for a first and great favour. There
+was a pause, filled with many thoughts, before she spoke with
+that tenderness which is often in women's voices, and not so
+often in their hearts. "You have had a hard life," she said.
+
+"No," returned Armand. "Until today I did not know what
+happiness was."
+
+"Then you know it now?" she asked, looking at him with a
+demure, keen glance.
+
+"What is happiness for me henceforth but this--to see you, to
+hear you? . . . Until now I have only known privation; now I
+know that I can be unhappy----"
+
+"That will do, that will do," she said. "You must go; it is
+past midnight. Let us regard appearances. People must not talk
+about us. I do not know quite what I shall say; but the headache
+is a good-natured friend, and tells no tales."
+
+"Is there to be a ball tomorrow night?"
+
+"You would grow accustomed to the life, I think. Very well.
+Yes, we will go again tomorrow night."
+
+There was not a happier man in the world than Armand when he went
+out from her. Every evening he came to Mme de Langeais's at the
+hour kept for him by a tacit understanding.
+
+It would be tedious, and, for the many young men who carry a
+redundance of such sweet memories in their hearts, it were
+superfluous to follow the story step by step--the progress of a
+romance growing in those hours spent together, a romance
+controlled entirely by a woman's will. If sentiment went too
+fast, she would raise a quarrel over a word, or when words
+flagged behind her thoughts, she appealed to the feelings.
+Perhaps the only way of following such Penelope's progress is by
+marking its outward and visible signs.
+
+As, for instance, within a few days of their first meeting, the
+assiduous General had won and kept the right to kiss his lady's
+insatiable hands. Wherever Mme de Langeais went, M. de
+Montriveau was certain to be seen, till people jokingly called
+him "Her Grace's orderly." And already he had made enemies;
+others were jealous, and envied him his position. Mme de
+Langeais had attained her end. The Marquis de Montriveau was
+among her numerous train of adorers, and a means of humiliating
+those who boasted of their progress in her good graces, for she
+publicly gave him preference over them all.
+
+"Decidedly, M. de Montriveau is the man for whom the Duchess
+shows a preference," pronounced Mme de Serizy.
+
+And who in Paris does not know what it means when a woman "shows
+a preference?" All went on therefore according to prescribed
+rule. The anecdotes which people were pleased to circulate
+concerning the General put that warrior in so formidable a light,
+that the more adroit quietly dropped their pretensions to the
+Duchess, and remained in her train merely to turn the position to
+account, and to use her name and personality to make better terms
+for themselves with certain stars of the second magnitude. And
+those lesser powers were delighted to take a lover away from Mme
+de Langeais. The Duchess was keen-sighted enough to see these
+desertions and treaties with the enemy; and her pride would not
+suffer her to be the dupe of them. As M. de Talleyrand, one of
+her great admirers, said, she knew how to take a second edition
+of revenge, laying the two-edged blade of a sarcasm between the
+pairs in these "morganatic" unions. Her mocking disdain
+contributed not a little to increase her reputation as an
+extremely clever woman and a person to be feared. Her character
+for virtue was consolidated while she amused herself with other
+people's secrets, and kept her own to herself. Yet, after two
+months of assiduities, she saw with a vague dread in the depths
+of her soul that M. de Montriveau understood nothing of the
+subtleties of flirtation after the manner of the Faubourg
+Saint-Germain; he was taking a Parisienne's coquetry in earnest.
+
+"You will not tame HIM, dear Duchess," the old Vidame de
+Pamiers had said. "'Tis a first cousin to the eagle; he will
+carry you off to his eyrie if you do not take care."
+
+Then Mme de Langeais felt afraid. The shrewd old noble's words
+sounded like a prophecy. The next day she tried to turn love to
+hate. She was harsh, exacting, irritable, unbearable; Montriveau
+disarmed her with angelic sweetness. She so little knew the
+great generosity of a large nature, that the kindly jests with
+which her first complaints were met went to her heart. She
+sought a quarrel, and found proofs of affection. She persisted.
+
+"When a man idolises you, how can he have vexed you?" asked
+Armand.
+
+"You do not vex me," she answered, suddenly grown gentle and
+submissive. "But why do you wish to compromise me? For me you
+ought to be nothing but a FRIEND. Do you not know it? I wish I
+could see that you had the instincts, the delicacy of real
+friendship, so that I might lose neither your respect nor the
+pleasure that your presence gives me."
+
+"Nothing but your FRIEND!" he cried out. The terrible word
+sent an electric shock through his brain. "On the faith of
+these happy hours that you grant me, I sleep and wake in your
+heart. And now today, for no reason, you are pleased to destroy
+all the secret hopes by which I live. You have required promises
+of such constancy in me, you have said so much of your horror of
+women made up of nothing but caprice; and now do you wish me to
+understand that, like other women here in Paris, you have
+passions, and know nothing of love? If so, why did you ask my
+life of me? why did you accept it?"
+
+"I was wrong, my friend. Oh, it is wrong of a woman to yield to
+such intoxication when she must not and cannot make any return."
+
+"I understand. You have merely been coquetting with me,
+and----"
+
+"Coquetting?" she repeated. "I detest coquetry. A coquette
+Armand, makes promises to many, and gives herself to none; and a
+woman who keeps such promises is a libertine. This much I
+believed I had grasped of our code. But to be melancholy with
+humorists, gay with the frivolous, and politic with ambitious
+souls; to listen to a babbler with every appearance of
+admiration, to talk of war with a soldier, wax enthusiastic with
+philanthropists over the good of the nation, and to give to each
+one his little dole of flattery--it seems to me that this is as
+much a matter of necessity as dress, diamonds, and gloves, or
+flowers in one's hair. Such talk is the moral counterpart of the
+toilette. You take it up and lay it aside with the plumed
+head-dress. Do you call this coquetry? Why, I have never
+treated you as I treat everyone else. With you, my friend, I am
+sincere. Have I not always shared your views, and when you
+convinced me after a discussion, was I not always perfectly glad?
+In short, I love you, but only as a devout and pure woman may
+love. I have thought it over. I am a married woman, Armand. My
+way of life with M. de Langeais gives me liberty to bestow my
+heart; but law and custom leave me no right to dispose of my
+person. If a woman loses her honour, she is an outcast in any
+rank of life; and I have yet to meet with a single example of a
+man that realises all that our sacrifices demand of him in such a
+case. Quite otherwise. Anyone can foresee the rupture between
+Mme de Beauseant and M. d'Ajuda (for he is going to marry Mlle de
+Rochefide, it seems), that affair made it clear to my mind that
+these very sacrifices on the woman's part are almost always the
+cause of the man's desertion. If you had loved me sincerely, you
+would have kept away for a time.--Now, I will lay aside all
+vanity for you; is not that something? What will not people say
+of a woman to whom no man attaches himself? Oh, she is
+heartless, brainless, soulless; and what is more, devoid of
+charm! Coquettes will not spare me. They will rob me of the
+very qualities that mortify them. So long as my reputation is
+safe, what do I care if my rivals deny my merits? They certainly
+will not inherit them. Come, my friend; give up something for
+her who sacrifices so much for you. Do not come quite so often;
+I shall love you none the less."
+
+"Ah!" said Armand, with the profound irony of a wounded heart
+in his words and tone. "Love, so the scribblers say, only feeds
+on illusions. Nothing could be truer, I see; I am expected to
+imagine that I am loved. But, there!--there are some thoughts
+like wounds, from which there is no recovery. My belief in you
+was one of the last left to me, and now I see that there is
+nothing left to believe in this earth."
+
+She began to smile.
+
+"Yes," Montriveau went on in an unsteady voice, "this Catholic
+faith to which you wish to convert me is a lie that men make for
+themselves; hope is a lie at the expense of the future; pride, a
+lie between us and our fellows; and pity, and prudence, and
+terror are cunning lies. And now my happiness is to be one more
+lying delusion; I am expected to delude myself, to be willing to
+give gold coin for silver to the end. If you can so easily
+dispense with my visits; if you can confess me neither as your
+friend nor your lover, you do not care for me! And I, poor fool
+that I am, tell myself this, and know it, and love you!"
+
+"But, dear me, poor Armand, you are flying into a passion!"
+
+"I flying into a passion?"
+
+"Yes. You think that the whole question is opened because I ask
+you to be careful."
+
+In her heart of hearts she was delighted with the anger that
+leapt out in her lover's eyes. Even as she tortured him, she was
+criticising him, watching every slightest change that passed over
+his face. If the General had been so unluckily inspired as to
+show himself generous without discussion (as happens occasionally
+with some artless souls), he would have been a banished man
+forever, accused and convicted of not knowing how to love. Most
+women are not displeased to have their code of right and wrong
+broken through. Do they not flatter themselves that they never
+yield except to force? But Armand was not learned enough in this
+kind of lore to see the snare ingeniously spread for him by the
+Duchess. So much of the child was there in the strong man in
+love.
+
+"If all you want is to preserve appearances," he began in his
+simplicity, "I am willing to----"
+
+"Simply to preserve appearances!" the lady broke in; "why,
+what idea can you have of me? Have I given you the slightest
+reason to suppose that I can be yours?"
+
+"Why, what else are we talking about?" demanded Montriveau.
+
+"Monsieur, you frighten me ! . . . No, pardon me. Thank you,"
+she added, coldly; "thank you, Armand. You have given me timely
+warning of imprudence; committed quite unconsciously, believe it,
+my friend. You know how to endure, you say. I also know how to
+endure. We will not see each other for a time; and then, when
+both of us have contrived to recover calmness to some extent, we
+will think about arrangements for a happiness sanctioned by the
+world. I am young, Armand; a man with no delicacy might tempt a
+woman of four-and-twenty to do many foolish, wild things for his
+sake. But YOU! You will be my friend, promise me that you
+will?"
+
+"The woman of four-and-twenty," returned he, "knows what she
+is about."
+
+He sat down on the sofa in the boudoir, and leant his head on his
+hands.
+
+"Do you love me, madame?" he asked at length, raising his head,
+and turning a face full of resolution upon her. "Say it
+straight out; Yes or No!"
+
+His direct question dismayed the Duchess more than a threat of
+suicide could have done; indeed, the woman of the nineteenth
+century is not to be frightened by that stale stratagem, the
+sword has ceased to be part of the masculine costume. But in the
+effect of eyelids and lashes, in the contraction of the gaze, in
+the twitching of the lips, is there not some influence that
+communicates the terror which they express with such vivid
+magnetic power?
+
+"Ah, if I were free, if----"
+
+"Oh! is it only your husband that stands in the way?" the
+General exclaimed joyfully, as he strode to and fro in the
+boudoir. "Dear Antoinette, I wield a more absolute power than
+the Autocrat of all the Russias. I have a compact with Fate; I
+can advance or retard destiny, so far as men are concerned, at my
+fancy, as you alter the hands of a watch. If you can direct the
+course of fate in our political machinery, it simply means (does
+it not?) that you understand the ins and outs of it. You shall
+be free before very long, and then you must remember your
+promise."
+
+"Armand!" she cried. "What do you mean? Great heavens! Can
+you imagine that I am to be the prize of a crime? Do you want to
+kill me? Why! you cannot have any religion in you! For my own
+part, I fear God. M. de Langeais may have given me reason to
+hate him, but I wish him no manner of harm."
+
+M. de Montriveau beat a tattoo on the marble chimneypiece, and
+only looked composedly at the lady.
+
+"Dear," continued she, "respect him. He does not love me, he
+is not kind to me, but I have duties to fulfil with regard to
+him. What would I not do to avert the calamities with which you
+threaten him?--Listen," she continued after a pause, "I will
+not say another word about separation; you shall come here as in
+the past, and I will still give you my forehead to kiss. If I
+refused once or twice, it was pure coquetry, indeed it was. But
+let us understand each other," she added as he came closer.
+"You will permit me to add to the number of my satellites; to
+receive even more visitors in the morning than heretofore; I mean
+to be twice as frivolous; I mean to use you to all appearance
+very badly; to feign a rupture; you must come not quite so often,
+and then, afterwards----"
+
+While she spoke, she had allowed him to put an arm about her
+waist, Montriveau was holding her tightly to him, and she seemed
+to feel the exceeding pleasure that women usually feel in that
+close contact, an earnest of the bliss of a closer union. And
+then, doubtless she meant to elicit some confidence, for she
+raised herself on tiptoe, and laid her forehead against Armand's
+burning lips.
+
+"And then," Montriveau finished her sentence for her, "you
+shall not speak to me of your husband. You ought not to think of
+him again."
+
+Mme de Langeais was silent awhile.
+
+"At least," she said, after a significant pause, "at least you
+will do all that I wish without grumbling, you will not be
+naughty; tell me so, my friend? You wanted to frighten me, did
+you not? Come, now, confess it ? . . . You are too good ever to
+think of crimes. But is it possible that you can have secrets
+that I do not know? How can you control Fate?"
+
+"Now, when you confirm the gift of the heart that you have
+already given me, I am far too happy to know exactly how to
+answer you. I can trust you, Antoinette; I shall have no
+suspicion, no unfounded jealousy of you. But if accident should
+set you free, we shall be one----"
+
+"Accident, Armand?" (With that little dainty turn of the head
+that seems to say so many things, a gesture that such women as
+the Duchess can use on light occasions, as a great singer can act
+with her voice.) "Pure accident," she repeated. "Mind that.
+If anything should happen to M. de Langeais by your fault, I
+should never be yours."
+
+And so they parted, mutually content. The Duchess had made a
+pact that left her free to prove to the world by words and deeds
+that M. de Montriveau was no lover of hers. And as for him, the
+wily Duchess vowed to tire him out. He should have nothing of
+her beyond the little concessions snatched in the course of
+contests that she could stop at her pleasure. She had so pretty
+an art of revoking the grant of yesterday, she was so much in
+earnest in her purpose to remain technically virtuous, that she
+felt that there was not the slightest danger for her in
+preliminaries fraught with peril for a woman less sure of her
+self-command. After all, the Duchess was practically separated
+from her husband; a marriage long since annulled was no great
+sacrifice to make to her love.
+
+Montriveau on his side was quite happy to win the vaguest
+promise, glad once for all to sweep aside, with all scruples of
+conjugal fidelity, her stock of excuses for refusing herself to
+his love. He had gained ground a little, and congratulated
+himself. And so for a time he took unfair advantage of the
+rights so hardly won. More a boy than he had ever been in his
+life, he gave himself up to all the childishness that makes first
+love the flower of life. He was a child again as he poured out
+all his soul, all the thwarted forces that passion had given him,
+upon her hands, upon the dazzling forehead that looked so pure to
+his eyes; upon her fair hair; on the tufted curls where his lips
+were pressed. And the Duchess, on whom his love was poured like
+a flood, was vanquished by the magnetic influence of her lover's
+warmth; she hesitated to begin the quarrel that must part them
+forever. She was more a woman than she thought, this slight
+creature, in her effort to reconcile the demands of religion with
+the ever-new sensations of vanity, the semblance of pleasure
+which turns a Parisienne's head. Every Sunday she went to Mass;
+she never missed a service; then, when evening came, she was
+steeped in the intoxicating bliss of repressed desire. Armand
+and Mme de Langeais, like Hindoo fakirs, found the reward of
+their continence in the temptations to which it gave rise.
+Possibly, the Duchess had ended by resolving love into fraternal
+caresses, harmless enough, as it might have seemed to the rest of
+the world, while they borrowed extremes of degradation from the
+licence of her thoughts. How else explain the incomprehensible
+mystery of her continual fluctuations? Every morning she
+proposed to herself to shut her door on the Marquis de
+Montriveau; every evening, at the appointed hour, she fell under
+the charm of his presence. There was a languid defence; then she
+grew less unkind. Her words were sweet and soothing. They were
+lovers--lovers only could have been thus. For him the Duchess
+would display her most sparkling wit, her most captivating wiles;
+and when at last she had wrought upon his senses and his soul,
+she might submit herself passively to his fierce caresses, but
+she had her nec plus ultra of passion; and when once it was
+reached, she grew angry if he lost the mastery of himself and
+made as though he would pass beyond. No woman on earth can brave
+the consequences of refusal without some motive; nothing is more
+natural than to yield to love; wherefore Mme de Langeais promptly
+raised a second line of fortification, a stronghold less easy to
+carry than the first. She evoked the terrors of religion. Never
+did Father of the Church, however eloquent, plead the cause of
+God better than the Duchess. Never was the wrath of the Most
+High better justified than by her voice. She used no preacher's
+commonplaces, no rhetorical amplifications. No. She had a
+"pulpit-tremor" of her own. To Armand's most passionate
+entreaty, she replied with a tearful gaze, and a gesture in which
+a terrible plenitude of emotion found expression. She stopped
+his mouth with an appeal for mercy. She would not hear another
+word; if she did, she must succumb; and better death than
+criminal happiness.
+
+"Is it nothing to disobey God?" she asked him, recovering a
+voice grown faint in the crises of inward struggles, through
+which the fair actress appeared to find it hard to preserve her
+self-control. "I would sacrifice society, I would give up the
+whole world for you, gladly; but it is very selfish of you to ask
+my whole after-life of me for a moment of pleasure. Come, now!
+are you not happy?" she added, holding out her hand; and
+certainly in her careless toilette the sight of her afforded
+consolations to her lover, who made the most of them.
+
+Sometimes from policy, to keep her hold on a man whose ardent
+passion gave her emotions unknown before, sometimes in weakness,
+she suffered him to snatch a swift kiss; and immediately, in
+feigned terror, she flushed red and exiled Armand from the sofa
+so soon as the sofa became dangerous ground.
+
+"Your joys are sins for me to expiate, Armand; they are paid for
+by penitence and remorse," she cried.
+
+And Montriveau, now at two chairs' distance from that
+aristocratic petticoat, betook himself to blasphemy and railed
+against Providence. The Duchess grew angry at such times.
+
+"My friend," she said drily, "I do not understand why you
+decline to believe in God, for it is impossible to believe in
+man. Hush, do not talk like that. You have too great a nature
+to take up their Liberal nonsense with its pretension to abolish
+God."
+
+Theological and political disputes acted like a cold douche on
+Montriveau; he calmed down; he could not return to love when the
+Duchess stirred up his wrath by suddenly setting him down a
+thousand miles away from the boudoir, discussing theories of
+absolute monarchy, which she defended to admiration. Few women
+venture to be democrats; the attitude of democratic champion is
+scarcely compatible with tyrannous feminine sway. But often, on
+the other hand, the General shook out his mane, dropped politics
+with a leonine growling and lashing of the flanks, and sprang
+upon his prey; he was no longer capable of carrying a heart and
+brain at such variance for very far; he came back, terrible with
+love, to his mistress. And she, if she felt the prick of fancy
+stimulated to a dangerous point, knew that it was time to leave
+her boudoir; she came out of the atmosphere surcharged with
+desires that she drew in with her breath, sat down to the piano,
+and sang the most exquisite songs of modern music, and so baffled
+the physical attraction which at times showed her no mercy,
+though she was strong enough to fight it down.
+
+At such times she was something sublime in Armand's eyes; she was
+not acting, she was genuine; the unhappy lover was convinced that
+she loved him. Her egoistic resistance deluded him into a belief
+that she was a pure and sainted woman; he resigned himself; he
+talked of Platonic love, did this artillery officer!
+
+When Mme de Langeais had played with religion sufficiently to
+suit her own purposes, she played with it again for Armand's
+benefit. She wanted to bring him back to a Christian frame of
+mind; she brought out her edition of Le Genie du Christianisme,
+adapted for the use of military men. Montriveau chafed; his yoke
+was heavy. Oh! at that, possessed by the spirit of
+contradiction, she dinned religion into his ears, to see whether
+God might not rid her of this suitor, for the man's persistence
+was beginning to frighten her. And in any case she was glad to
+prolong any quarrel, if it bade fair to keep the dispute on moral
+grounds for an indefinite period; the material struggle which
+followed it was more dangerous.
+
+But if the time of her opposition on the ground of the marriage
+law might be said to be the epoque civile of this sentimental
+warfare, the ensuing phase which might be taken to constitute the
+epoque religieuse had also its crisis and consequent decline of
+severity.
+
+Armand happening to come in very early one evening, found M.
+l'Abbe Gondrand, the Duchess's spiritual director, established in
+an armchair by the fireside, looking as a spiritual director
+might be expected to look while digesting his dinner and the
+charming sins of his penitent. In the ecclesiastic's bearing
+there was a stateliness befitting a dignitary of the Church; and
+the episcopal violet hue already appeared in his dress. At sight
+of his fresh, well-preserved complexion, smooth forehead, and
+ascetic's mouth, Montriveau's countenance grew uncommonly dark;
+he said not a word under the malicious scrutiny of the other's
+gaze, and greeted neither the lady nor the priest. The lover
+apart, Montriveau was not wanting in tact; so a few glances
+exchanged with the bishop-designate told him that here was the
+real forger of the Duchess's armoury of scruples.
+
+That an ambitious abbe should control the happiness of a man of
+Montriveau's temper, and by underhand ways! The thought burst in
+a furious tide over his face, clenched his fists, and set him
+chafing and pacing to and fro; but when he came back to his place
+intending to make a scene, a single look from the Duchess was
+enough. He was quiet.
+
+Any other woman would have been put out by her lover's gloomy
+silence; it was quite otherwise with Mme de Langeais. She
+continued her conversation with M. de Gondrand on the necessity
+of re-establishing the Church in its ancient splendour. And she
+talked brilliantly.
+
+The Church, she maintained, ought to be a temporal as well as a
+spiritual power, stating her case better than the Abbe had done,
+and regretting that the Chamber of Peers, unlike the English
+House of Lords, had no bench of bishops. Nevertheless, the Abbe
+rose, yielded his place to the General, and took his leave,
+knowing that in Lent he could play a return game. As for the
+Duchess, Montriveau's behaviour had excited her curiosity to such
+a pitch that she scarcely rose to return her director's low bow.
+
+"What is the matter with you, my friend?"
+
+"Why, I cannot stomach that Abbe of yours."
+
+"Why did you not take a book?" she asked, careless whether the
+Abbe, then closing the door, heard her or no.
+
+The General paused, for the gesture which accompanied the
+Duchess's speech further increased the exceeding insolence of her
+words.
+
+"My dear Antoinette, thank you for giving love precedence of the
+Church; but, for pity's sake, allow me to ask one question."
+
+"Oh! you are questioning me! I am quite willing. You are my
+friend, are you not? I certainly can open the bottom of my heart
+to you; you will see only one image there."
+
+"Do you talk about our love to that man?"
+
+"He is my confessor."
+
+"Does he know that I love you?"
+
+"M. de Montriveau, you cannot claim, I think, to penetrate the
+secrets of the confessional?"
+
+"Does that man know all about our quarrels and my love for
+you?"
+
+"That man, monsieur; say God!"
+
+"God again! /I/ ought to be alone in your heart. But leave God
+alone where He is, for the love of God and me. Madame, you SHALL
+NOT go to confession again, or----"
+
+"Or?" she repeated sweetly.
+
+"Or I will never come back here."
+
+"Then go, Armand. Good-bye, good-bye forever."
+
+She rose and went to her boudoir without so much as a glance at
+Armand, as he stood with his hand on the back of a chair. How
+long he stood there motionless he himself never knew. The soul
+within has the mysterious power of expanding as of contracting
+space.
+
+He opened the door of the boudoir. It was dark within. A faint
+voice was raised to say sharply--
+
+"I did not ring. What made you come in without orders? Go
+away, Suzette."
+
+"Then you are ill," exclaimed Montriveau.
+
+"Stand up, monsieur, and go out of the room for a minute at any
+rate," she said, ringing the bell.
+
+"Mme la Duchesse rang for lights?" said the footman, coming in
+with the candles. When the lovers were alone together, Mme de
+Langeais still lay on her couch; she was just as silent and
+motionless as if Montriveau had not been there.
+
+"Dear, I was wrong," he began, a note of pain and a sublime
+kindness in his voice. "Indeed, I would not have you without
+religion----"
+
+"It is fortunate that you can recognise the necessity of a
+conscience," she said in a hard voice, without looking at him.
+"I thank you in God's name."
+
+The General was broken down by her harshness; this woman seemed
+as if she could be at will a sister or a stranger to him. He
+made one despairing stride towards the door. He would leave her
+forever without another word. He was wretched; and the Duchess
+was laughing within herself over mental anguish far more cruel
+than the old judicial torture. But as for going away, it was not
+in his power to do it. In any sort of crisis, a woman is, as it
+were, bursting with a certain quantity of things to say; so long
+as she has not delivered herself of them, she experiences the
+sensation which we are apt to feel at the sight of something
+incomplete. Mme de Langeais had not said all that was in her
+mind. She took up her parable and said--
+
+"We have not the same convictions, General, I am pained to
+think. It would be dreadful if a woman could not believe in a
+religion which permits us to love beyond the grave. I set
+Christian sentiments aside; you cannot understand them. Let me
+simply speak to you of expediency. Would you forbid a woman at
+court the table of the Lord when it is customary to take the
+sacrament at Easter? People must certainly do something for
+their party. The Liberals, whatever they may wish to do, will
+never destroy the religious instinct. Religion will always be a
+political necessity. Would you undertake to govern a nation of
+logic-choppers? Napoleon was afraid to try; he persecuted
+ideologists. If you want to keep people from reasoning, you must
+give them something to feel. So let us accept the Roman Catholic
+Church with all its consequences. And if we would have France go
+to mass, ought we not to begin by going ourselves? Religion, you
+see, Armand, is a bond uniting all the conservative principles
+which enable the rich to live in tranquillity. Religion and the
+rights of property are intimately connected. It is certainly a
+finer thing to lead a nation by ideas of morality than by fear of
+the scaffold, as in the time of the Terror--the one method by
+which your odious Revolution could enforce obedience. The priest
+and the king--that means you, and me, and the Princess my
+neighbour; and, in a word, the interests of all honest people
+personified. There, my friend, just be so good as to belong to
+your party, you that might be its Sylla if you had the slightest
+ambition that way. I know nothing about politics myself; I argue
+from my own feelings; but still I know enough to guess that
+society would be overturned if people were always calling its
+foundations in question----"
+
+"If that is how your Court and your Government think, I am sorry
+for you," broke in Montriveau. "The Restoration, madam, ought
+to say, like Catherine de Medici, when she heard that the battle
+of Dreux was lost, `Very well; now we will go to the
+meeting-house.' Now 1815 was your battle of Dreux. Like the
+royal power of those days, you won in fact, while you lost in
+right. Political Protestantism has gained an ascendancy over
+people's minds. If you have no mind to issue your Edict of
+Nantes; or if, when it is issued, you publish a Revocation; if
+you should one day be accused and convicted of repudiating the
+Charter, which is simply a pledge given to maintain the interests
+established under the Republic, then the Revolution will rise
+again, terrible in her strength, and strike but a single blow.
+It will not be the Revolution that will go into exile; she is the
+very soil of France. Men die, but people's interests do not die.
+. . . Eh, great Heavens! what are France and the crown and
+rightful sovereigns, and the whole world besides, to us? Idle
+words compared with my happiness. Let them reign or be hurled
+from the throne, little do I care. Where am I now?"
+
+"In the Duchesse de Langeais's boudoir, my friend."
+
+"No, no. No more of the Duchess, no more of Langeais; I am with
+my dear Antoinette."
+
+"Will you do me the pleasure to stay where you are," she said,
+laughing and pushing him back, gently however.
+
+"So you have never loved me," he retorted, and anger flashed in
+lightning from his eyes.
+
+"No, dear"; but the "No" was equivalent to "Yes."
+
+"I am a great ass," he said, kissing her hands. The terrible
+queen was a woman once more.--"Antoinette," he went on, laying
+his head on her feet, "you are too chastely tender to speak of
+our happiness to anyone in this world."
+
+"Oh!" she cried, rising to her feet with a swift, graceful
+spring, "you are a great simpleton." And without another word
+she fled into the drawing-room.
+
+"What is it now?" wondered the General, little knowing that the
+touch of his burning forehead had sent a swift electric thrill
+through her from foot to head.
+
+In hot wrath he followed her to the drawing-room, only to hear
+divinely sweet chords. The Duchess was at the piano. If the man
+of science or the poet can at once enjoy and comprehend, bringing
+his intelligence to bear upon his enjoyment without loss of
+delight, he is conscious that the alphabet and phraseology of
+music are but cunning instruments for the composer, like the wood
+and copper wire under the hands of the executant. For the poet
+and the man of science there is a music existing apart,
+underlying the double expression of this language of the spirit
+and senses. Andiamo mio ben can draw tears of joy or pitying
+laughter at the will of the singer; and not unfrequently one here
+and there in the world, some girl unable to live and bear the
+heavy burden of an unguessed pain, some man whose soul vibrates
+with the throb of passion, may take up a musical theme, and lo!
+heaven is opened for them, or they find a language for themselves
+in some sublime melody, some song lost to the world.
+
+The General was listening now to such a song; a mysterious music
+unknown to all other ears, as the solitary plaint of some
+mateless bird dying alone in a virgin forest.
+
+"Great Heavens! what are you playing there?" he asked in an
+unsteady voice.
+
+"The prelude of a ballad, called, I believe, Fleuve du Tage."
+
+"I did not know that there was such music in a piano," he
+returned.
+
+"Ah!" she said, and for the first time she looked at him as a
+woman looks at the man she loves, "nor do you know, my friend,
+that I love you, and that you cause me horrible suffering; and
+that I feel that I must utter my cry of pain without putting it
+too plainly into words. If I did not, I should yield----But you
+see nothing."
+
+"And you will not make me happy!"
+
+"Armand, I should die of sorrow the next day."
+
+The General turned abruptly from her and went. But out in the
+street he brushed away the tears that he would not let fall.
+
+The religious phase lasted for three months. At the end of that
+time the Duchess grew weary of vain repetitions; the Deity, bound
+hand and foot, was delivered up to her lover. Possibly she may
+have feared that by sheer dint of talking of eternity she might
+perpetuate his love in this world and the next. For her own
+sake, it must be believed that no man had touched her heart, or
+her conduct would be inexcusable. She was young; the time when
+men and women feel that they cannot afford to lose time or to
+quibble over their joys was still far off. She, no doubt, was on
+the verge not of first love, but of her first experience of the
+bliss of love. And from inexperience, for want of the painful
+lessons which would have taught her to value the treasure poured
+out at her feet, she was playing with it. Knowing nothing of the
+glory and rapture of the light, she was fain to stay in the
+shadow.
+
+Armand was just beginning to understand this strange situation;
+he put his hope in the first word spoken by nature. Every
+evening, as he came away from Mme de Langeais's, he told himself
+that no woman would accept the tenderest, most delicate proofs of
+a man's love during seven months, nor yield passively to the
+slighter demands of passion, only to cheat love at the last. He
+was waiting patiently for the sun to gain power, not doubting but
+that he should receive the earliest fruits. The married woman's
+hesitations and the religious scruples he could quite well
+understand. He even rejoiced over those battles. He mistook the
+Duchess's heartless coquetry for modesty; and he would not have
+had her otherwise. So he had loved to see her devising
+obstacles; was he not gradually triumphing over them? Did not
+every victory won swell the meagre sum of lovers' intimacies long
+denied, and at last conceded with every sign of love? Still, he
+had had such leisure to taste the full sweetness of every small
+successive conquest on which a lover feeds his love, that these
+had come to be matters of use and wont. So far as obstacles
+went, there were none now save his own awe of her; nothing else
+left between him and his desire save the whims of her who allowed
+him to call her Antoinette. So he made up his mind to demand
+more, to demand all. Embarrassed like a young lover who cannot
+dare to believe that his idol can stoop so low, he hesitated for
+a long time. He passed through the experience of terrible
+reactions within himself. A set purpose was annihilated by a
+word, and definite resolves died within him on the threshold. He
+despised himself for his weakness, and still his desire remained
+unuttered.
+
+Nevertheless, one evening, after sitting in gloomy melancholy, he
+brought out a fierce demand for his illegally legitimate rights.
+The Duchess had not to wait for her bond-slave's request to guess
+his desire. When was a man's desire a secret? And have not
+women an intuitive knowledge of the meaning of certain changes of
+countenance?
+
+"What! you wish to be my friend no longer?" she broke in at the
+first words, and a divine red surging like new blood under the
+transparent skin, lent brightness to her eyes. "As a reward for
+my generosity, you would dishonour me? Just reflect a little. I
+myself have thought much over this; and I think always for us
+BOTH. There is such a thing as a woman's loyalty, and we can no
+more fail in it than you can fail in honour. /I/ cannot blind
+myself. If I am yours, how, in any sense, can I be M. de
+Langeais's wife? Can you require the sacrifice of my position,
+my rank, my whole life in return for a doubtful love that could
+not wait patiently for seven months? What! already you would rob
+me of my right to dispose of myself? No, no; you must not talk
+like this again. No, not another word. I will not, I cannot
+listen to you."
+
+Mme de Langeais raised both hands to her head to push back the
+tufted curls from her hot forehead; she seemed very much excited.
+
+"You come to a weak woman with your purpose definitely planned
+out. You say--`For a certain length of time she will talk to me
+of her husband, then of God, and then of the inevitable
+consequences. But I will use and abuse the ascendancy I shall
+gain over her; I will make myself indispensable; all the bonds of
+habit, all the misconstructions of outsiders, will make for me;
+and at length, when our liaison is taken for granted by all the
+world, I shall be this woman's master.'--Now, be frank; these are
+your thoughts! Oh! you calculate, and you say that you love.
+Shame on you! You are enamoured? Ah! that I well believe! You
+wish to possess me, to have me for your mistress, that is all!
+Very well then, No! The DUCHESSE DE LANGEAIS will not descend so
+far. Simple bourgeoises may be the victims of your treachery--I,
+never! Nothing gives me assurance of your love. You speak of my
+beauty; I may lose every trace of it in six months, like the dear
+Princess, my neighbour. You are captivated by my wit, my grace.
+Great Heavens! you would soon grow used to them and to the
+pleasures of possession. Have not the little concessions that I
+was weak enough to make come to be a matter of course in the last
+few months? Some day, when ruin comes, you will give me no
+reason for the change in you beyond a curt, `I have ceased to
+care for you.'--Then, rank and fortune and honour and all that
+was the Duchesse de Langeais will be swallowed up in one
+disappointed hope. I shall have children to bear witness to my
+shame, and----" With an involuntary gesture she interrupted
+herself, and continued: "But I am too good-natured to explain
+all this to you when you know it better than I. Come! let us
+stay as we are. I am only too fortunate in that I can still
+break these bonds which you think so strong. Is there anything
+so very heroic in coming to the Hotel de Langeais to spend an
+evening with a woman whose prattle amuses you?--a woman whom you
+take for a plaything? Why, half a dozen young coxcombs come here
+just as regularly every afternoon between three and five. They,
+too, are very generous, I am to suppose? I make fun of them;
+they stand my petulance and insolence pretty quietly, and make me
+laugh; but as for you, I give all the treasures of my soul to
+you, and you wish to ruin me, you try my patience in endless
+ways. Hush, that will do, that will do," she continued, seeing
+that he was about to speak, "you have no heart, no soul, no
+delicacy. I know what you want to tell me. Very well,
+then--yes. I would rather you should take me for a cold,
+insensible woman, with no devotion in her composition, no heart
+even, than be taken by everybody else for a vulgar person, and be
+condemned to your so-called pleasures, of which you would most
+certainly tire, and to everlasting punishment for it afterwards.
+Your selfish love is not worth so many sacrifices. . . ."
+
+The words give but a very inadequate idea of the discourse which
+the Duchess trilled out with the quick volubility of a
+bird-organ. Nor, truly, was there anything to prevent her from
+talking on for some time to come, for poor Armand's only reply to
+the torrent of flute notes was a silence filled with cruelly
+painful thoughts. He was just beginning to see that this woman
+was playing with him; he divined instinctively that a devoted
+love, a responsive love, does not reason and count the
+consequences in this way. Then, as he heard her reproach him
+with detestable motives, he felt something like shame as he
+remembered that unconsciously he had made those very
+calculations. With angelic honesty of purpose, he looked within,
+and self-examination found nothing but selfishness in all his
+thoughts and motives, in the answers which he framed and could
+not utter. He was self-convicted. In his despair he longed to
+fling himself from the window. The egoism of it was intolerable.
+
+What indeed can a man say when a woman will not believe in love?
+Let me prove how much I love you.--The /I/ is always there.
+
+The heroes of the boudoir, in such circumstances, can follow the
+example of the primitive logician who preceded the Pyrrhonists
+and denied movement. Montriveau was not equal to this feat.
+With all his audacity, he lacked this precise kind which never
+deserts an adept in the formulas of feminine algebra. If so many
+women, and even the best of women, fall a prey to a kind of
+expert to whom the vulgar give a grosser name, it is perhaps
+because the said experts are great PROVERS, and love, in spite of
+its delicious poetry of sentiment, requires a little more
+geometry than people are wont to think.
+
+Now the Duchess and Montriveau were alike in this--they were both
+equally unversed in love lore. The lady's knowledge of theory
+was but scanty; in practice she knew nothing whatever; she felt
+nothing, and reflected over everything. Montriveau had had but
+little experience, was absolutely ignorant of theory, and felt
+too much to reflect at all. Both therefore were enduring the
+consequences of the singular situation. At that supreme moment
+the myriad thoughts in his mind might have been reduced to the
+formula--"Submit to be mine ----' words which seem horribly
+selfish to a woman for whom they awaken no memories, recall no
+ideas. Something nevertheless he must say. And what was more,
+though her barbed shafts had set his blood tingling, though the
+short phrases that she discharged at him one by one were very
+keen and sharp and cold, he must control himself lest he should
+lose all by an outbreak of anger.
+
+"Mme la Duchesse, I am in despair that God should have invented
+no way for a woman to confirm the gift of her heart save by
+adding the gift of her person. The high value which you yourself
+put upon the gift teaches me that I cannot attach less importance
+to it. If you have given me your inmost self and your whole
+heart, as you tell me, what can the rest matter? And besides, if
+my happiness means so painful a sacrifice, let us say no more
+about it. But you must pardon a man of spirit if he feels
+humiliated at being taken for a spaniel."
+
+The tone in which the last remark was uttered might perhaps have
+frightened another woman; but when the wearer of a petticoat has
+allowed herself to be addressed as a Divinity, and thereby set
+herself above all other mortals, no power on earth can be so
+haughty.
+
+"M. le Marquis, I am in despair that God should not have
+invented some nobler way for a man to confirm the gift of his
+heart than by the manifestation of prodigiously vulgar desires.
+We become bond-slaves when we give ourselves body and soul, but a
+man is bound to nothing by accepting the gift. Who will assure
+me that love will last? The very love that I might show for you
+at every moment, the better to keep your love, might serve you as
+a reason for deserting me. I have no wish to be a second edition
+of Mme de Beauseant. Who can ever know what it is that keeps you
+beside us? Our persistent coldness of heart is the cause of an
+unfailing passion in some of you; other men ask for an untiring
+devotion, to be idolised at every moment; some for gentleness,
+others for tyranny. No woman in this world as yet has really
+read the riddle of man's heart."
+
+There was a pause. When she spoke again it was in a different
+tone.
+
+"After all, my friend, you cannot prevent a woman from trembling
+at the question, `Will this love last always?' Hard though my
+words may be, the dread of losing you puts them into my mouth.
+Oh, me! it is not I who speaks, dear, it is reason; and how
+should anyone so mad as I be reasonable? In truth, I am nothing
+of the sort."
+
+The poignant irony of her answer had changed before the end into
+the most musical accents in which a woman could find utterance
+for ingenuous love. To listen to her words was to pass in a
+moment from martyrdom to heaven. Montriveau grew pale; and for
+the first time in his life, he fell on his knees before a woman.
+He kissed the Duchess's skirt hem, her knees, her feet; but for
+the credit of the Faubourg Saint-Germain it is necessary to
+respect the mysteries of its boudoirs, where many are fain to
+take the utmost that Love can give without giving proof of love
+in return.
+
+The Duchess thought herself generous when she suffered herself to
+be adored. But Montriveau was in a wild frenzy of joy over her
+complete surrender of the position.
+
+"Dear Antoinette," he cried. "Yes, you are right; I will not
+have you doubt any longer. I too am trembling at this
+moment--lest the angel of my life should leave me; I wish I could
+invent some tie that might bind us to each other irrevocably."
+
+"Ah!" she said, under her breath, "so I was right, you see."
+
+"Let me say all that I have to say; I will scatter all your
+fears with a word. Listen! if I deserted you, I should deserve
+to die a thousand deaths. Be wholly mine, and I will give you
+the right to kill me if I am false. I myself will write a letter
+explaining certain reasons for taking my own life; I will make my
+final arrangements, in short. You shall have the letter in your
+keeping; in the eye of the law it will be a sufficient
+explanation of my death. You can avenge yourself, and fear
+nothing from God or men."
+
+"What good would the letter be to me? What would life be if I
+had lost your love? If I wished to kill you, should I not be
+ready to follow? No; thank you for the thought, but I do not
+want the letter. Should I not begin to dread that you were
+faithful to me through fear? And if a man knows that he must
+risk his life for a stolen pleasure, might it not seem more
+tempting? Armand, the thing I ask of you is the one hard thing
+to do."
+
+"Then what is it that you wish?"
+
+"Your obedience and my liberty."
+
+"Ah, God!" cried he, "I am a child."
+
+"A wayward, much spoilt child," she said, stroking the thick
+hair, for his head still lay on her knee. "Ah! and loved far
+more than he believes, and yet he is very disobedient. Why not
+stay as we are? Why not sacrifice to me the desires that hurt
+me? Why not take what I can give, when it is all that I can
+honestly grant? Are you not happy?"
+
+"Oh yes, I am happy when I have not a doubt left. Antoinette,
+doubt in love is a kind of death, is it not?"
+
+In a moment he showed himself as he was, as all men are under the
+influence of that hot fever; he grew eloquent, insinuating. And
+the Duchess tasted the pleasures which she reconciled with her
+conscience by some private, Jesuitical ukase of her own; Armand's
+love gave her a thrill of cerebral excitement which custom made
+as necessary to her as society, or the Opera. To feel that she
+was adored by this man, who rose above other men, whose character
+frightened her; to treat him like a child; to play with him as
+Poppaea played with Nero--many women, like the wives of King
+Henry VIII, have paid for such a perilous delight with all the
+blood in their veins. Grim presentiment! Even as she
+surrendered the delicate, pale, gold curls to his touch, and felt
+the close pressure of his hand, the little hand of a man whose
+greatness she could not mistake; even as she herself played with
+his dark, thick locks, in that boudoir where she reigned a queen,
+the Duchess would say to herself--
+
+"This man is capable of killing me if he once finds out that I
+am playing with him."
+
+Armand de Montriveau stayed with her till two o'clock in the
+morning. From that moment this woman, whom he loved, was neither
+a duchess nor a Navarreins; Antoinette, in her disguises, had
+gone so far as to appear to be a woman. On that most blissful
+evening, the sweetest prelude ever played by a Parisienne to what
+the world calls "a slip"; in spite of all her affectations of a
+coyness which she did not feel, the General saw all maidenly
+beauty in her. He had some excuse for believing that so many
+storms of caprice had been but clouds covering a heavenly soul;
+that these must be lifted one by one like the veils that hid her
+divine loveliness. The Duchess became, for him, the most simple
+and girlish mistress; she was the one woman in the world for him;
+and he went away quite happy in that at last he had brought her
+to give him such pledges of love, that it seemed to him
+impossible but that he should be but her husband henceforth in
+secret, her choice sanctioned by Heaven.
+
+Armand went slowly home, turning this thought in his mind with
+the impartiality of a man who is conscious of all the
+responsibilities that love lays on him while he tastes the
+sweetness of its joys. He went along the Quais to see the widest
+possible space of sky; his heart had grown in him; he would fain
+have had the bounds of the firmament and of earth enlarged. It
+seemed to him that his lungs drew an ampler breath.
+
+In the course of his self-examination, as he walked, he vowed to
+love this woman so devoutly, that every day of her life she
+should find absolution for her sins against society in unfailing
+happiness. Sweet stirrings of life when life is at the full!
+The man that is strong enough to steep his soul in the colour of
+one emotion, feels infinite joy as glimpses open out for him of
+an ardent lifetime that knows no diminution of passion to the
+end; even so it is permitted to certain mystics, in ecstasy, to
+behold the Light of God. Love would be naught without the belief
+that it would last forever; love grows great through constancy.
+It was thus that, wholly absorbed by his happiness, Montriveau
+understood passion.
+
+"We belong to each other forever!"
+
+The thought was like a talisman fulfilling the wishes of his
+life. He did not ask whether the Duchess might not change,
+whether her love might not last. No, for he had faith. Without
+that virtue there is no future for Christianity, and perhaps it
+is even more necessary to society. A conception of life as
+feeling occurred to him for the first time; hitherto he had lived
+by action, the most strenuous exertion of human energies, the
+physical devotion, as it may be called, of the soldier.
+
+Next day M. de Montriveau went early in the direction of the
+Faubourg Saint-Germain. He had made an appointment at a house
+not far from the Hotel de Langeais; and the business over, he
+went thither as if to his own home. The General's companion
+chanced to be a man for whom he felt a kind of repulsion whenever
+he met him in other houses. This was the Marquis de
+Ronquerolles, whose reputation had grown so great in Paris
+boudoirs. He was witty, clever, and what was more--courageous;
+he set the fashion to all the young men in Paris. As a man of
+gallantry, his success and experience were equally matters of
+envy; and neither fortune nor birth was wanting in his case,
+qualifications which add such lustre in Paris to a reputation as
+a leader of fashion.
+
+"Where are you going?" asked M. de Ronquerolles.
+
+"To Mme de Langeais's."
+
+"Ah, true. I forgot that you had allowed her to lime you. You
+are wasting your affections on her when they might be much better
+employed elsewhere. I could have told you of half a score of
+women in the financial world, any one of them a thousand times
+better worth your while than that titled courtesan, who does with
+her brains what less artificial women do with----"
+
+"What is this, my dear fellow?" Armand broke in. "The Duchess
+is an angel of innocence."
+
+Ronquerolles began to laugh.
+
+"Things being thus, dear boy," said he, "it is my duty to
+enlighten you. Just a word; there is no harm in it between
+ourselves. Has the Duchess surrendered? If so, I have nothing
+more to say. Come, give me your confidence. There is no
+occasion to waste your time in grafting your great nature on that
+unthankful stock, when all your hopes and cultivation will come
+to nothing."
+
+Armand ingenuously made a kind of general report of his position,
+enumerating with much minuteness the slender rights so hardly
+won. Ronquerolles burst into a peal of laughter so heartless,
+that it would have cost any other man his life. But from their
+manner of speaking and looking at each other during that colloquy
+beneath the wall, in a corner almost as remote from intrusion as
+the desert itself, it was easy to imagine the friendship between
+the two men knew no bounds, and that no power on earth could
+estrange them.
+
+"My dear Armand, why did you not tell me that the Duchess was a
+puzzle to you? I would have given you a little advice which
+might have brought your flirtation properly through. You must
+know, to begin with, that the women of our Faubourg, like any
+other women, love to steep themselves in love; but they have a
+mind to possess and not to be possessed. They have made a sort
+of compromise with human nature. The code of their parish gives
+them a pretty wide latitude short of the last transgression. The
+sweets enjoyed by this fair Duchess of yours are so many venial
+sins to be washed away in the waters of penitence. But if you
+had the impertinence to ask in earnest for the moral sin to which
+naturally you are sure to attach the highest importance, you
+would see the deep disdain with which the door of the boudoir and
+the house would be incontinently shut upon you. The tender
+Antoinette would dismiss everything from her memory; you would be
+less than a cipher for her. She would wipe away your kisses, my
+dear friend, as indifferently as she would perform her ablutions.
+She would sponge love from her cheeks as she washes off rouge.
+We know women of that sort--the thorough-bred Parisienne. Have
+you ever noticed a grisette tripping along the street? Her face
+is as good as a picture. A pretty cap, fresh cheeks, trim hair,
+a guileful smile, and the rest of her almost neglected. Is not
+this true to the life? Well, that is the Parisienne. She knows
+that her face is all that will be seen, so she devotes all her
+care, finery, and vanity to her head. The Duchess is the same;
+the head is everything with her. She can only feel through her
+intellect, her heart lies in her brain, she is a sort of
+intellectual epicure, she has a head-voice. We call that kind of
+poor creature a Lais of the intellect. You have been taken in
+like a boy. If you doubt it, you can have proof of it tonight,
+this morning, this instant. Go up to her, try the demand as an
+experiment, insist peremptorily if it is refused. You might set
+about it like the late Marechal de Richelieu, and get nothing for
+your pains."
+
+Armand was dumb with amazement.
+
+"Has your desire reached the point of infatuation?"
+
+"I want her at any cost!" Montriveau cried out despairingly.
+
+"Very well. Now, look here. Be as inexorable as she is
+herself. Try to humiliate her, to sting her vanity. Do NOT try
+to move her heart, nor her soul, but the woman's nerves and
+temperament, for she is both nervous and lymphatic. If you can
+once awaken desire in her, you are safe. But you must drop these
+romantic boyish notions of yours. If when once you have her in
+your eagle's talons you yield a point or draw back, if you so
+much as stir an eyelid, if she thinks that she can regain her
+ascendancy over you, she will slip out of your clutches like a
+fish, and you will never catch her again. Be as inflexible as
+law. Show no more charity than the headsman. Hit hard, and then
+hit again. Strike and keep on striking as if you were giving her
+the knout. Duchesses are made of hard stuff, my dear Armand;
+there is a sort of feminine nature that is only softened by
+repeated blows; and as suffering develops a heart in women of
+that sort, so it is a work of charity not to spare the rod. Do
+you persevere. Ah! when pain has thoroughly relaxed those nerves
+and softened the fibres that you take to be so pliant and
+yielding; when a shrivelled heart has learned to expand and
+contract and to beat under this discipline; when the brain has
+capitulated--then, perhaps, passion may enter among the steel
+springs of this machinery that turns out tears and affectations
+and languors and melting phrases; then you shall see a most
+magnificent conflagration (always supposing that the chimney
+takes fire). The steel feminine system will glow red-hot like
+iron in the forge; that kind of heat lasts longer than any other,
+and the glow of it may possibly turn to love.
+
+"Still," he continued, "I have my doubts. And, after all, is
+it worth while to take so much trouble with the Duchess? Between
+ourselves a man of my stamp ought first to take her in hand and
+break her in; I would make a charming woman of her; she is a
+thoroughbred; whereas, you two left to yourselves will never get
+beyond the A B C. But you are in love with her, and just now you
+might not perhaps share my views on this subject----. A pleasant
+time to you, my children," added Ronquerolles, after a pause.
+Then with a laugh: "I have decided myself for facile beauties;
+they are tender, at any rate, the natural woman appears in their
+love without any of your social seasonings. A woman that haggles
+over herself, my poor boy, and only means to inspire love! Well,
+have her like an extra horse--for show. The match between the
+sofa and confessional, black and white, queen and knight,
+conscientious scruples and pleasure, is an uncommonly amusing
+game of chess. And if a man knows the game, let him be never so
+little of a rake, he wins in three moves. Now, if I undertook a
+woman of that sort, I should start with the deliberate purpose
+of----" His voice sank to a whisper over the last words in
+Armand's ear, and he went before there was time to reply.
+
+As for Montriveau, he sprang at a bound across the courtyard of
+the Hotel de Langeais, went unannounced up the stairs straight to
+the Duchess's bedroom.
+
+"This is an unheard-of thing," she said, hastily wrapping her
+dressing-gown about her. "Armand! this is abominable of you!
+Come, leave the room, I beg. Just go out of the room, and go at
+once. Wait for me in the drawing-room.--Come now!"
+
+"Dear angel, has a plighted lover no privilege whatsoever?"
+
+"But, monsieur, it is in the worst possible taste of a plighted
+lover or a wedded husband to break in like this upon his wife."
+
+He came up to the Duchess, took her in his arms, and held her
+tightly to him.
+
+"Forgive, dear Antoinette; but a host of horrid doubts are
+fermenting in my heart."
+
+"DOUBTS? Fie!--Oh, fie on you!"
+
+"Doubts all but justified. If you loved me, would you make this
+quarrel? Would you not be glad to see me? Would you not have
+felt a something stir in your heart? For I, that am not a woman,
+feel a thrill in my inmost self at the mere sound of your voice.
+Often in a ballroom a longing has come upon me to spring to your
+side and put my arms about your neck."
+
+"Oh! if you have doubts of me so long as I am not ready to
+spring to your arms before all the world, I shall be doubted all
+my life long, I suppose. Why, Othello was a mere child compared
+with you!"
+
+"Ah!" he cried despairingly, "you have no love for me----"
+
+"Admit, at any rate, that at this moment you are not lovable."
+Then I have still to find favour in your sight?"
+
+"Oh, I should think so. Come," added she, "with a little
+imperious air, go out of the room, leave me. I am not like you;
+I wish always to find favour in your eyes."
+
+Never woman better understood the art of putting charm into
+insolence, and does not the charm double the effect? is it not
+enough to infuriate the coolest of men? There was a sort of
+untrammelled freedom about Mme de Langeais; a something in her
+eyes, her voice, her attitude, which is never seen in a woman who
+loves when she stands face to face with him at the mere sight of
+whom her heart must needs begin to beat. The Marquis de
+Ronquerolles's counsels had cured Armand of sheepishness; and
+further, there came to his aid that rapid power of intuition
+which passion will develop at moments in the least wise among
+mortals, while a great man at such a time possesses it to the
+full. He guessed the terrible truth revealed by the Duchess's
+nonchalance, and his heart swelled with the storm like a lake
+rising in flood.
+
+"If you told me the truth yesterday, be mine, dear Antoinette,"
+he cried; "you shall----"
+
+"In the first place," said she composedly, thrusting him back
+as he came nearer--"in the first place, you are not to
+compromise me. My woman might overhear you. Respect me, I beg
+of you. Your familiarity is all very well in my boudoir in an
+evening; here it is quite different. Besides, what may your `you
+shall' mean? `You shall.' No one as yet has ever used that word
+to me. It is quite ridiculous, it seems to me, absolutely
+ridiculous.
+
+"Will you surrender nothing to me on this point?"
+
+"Oh! do you call a woman's right to dispose of herself a
+`point?' A capital point indeed; you will permit me to be
+entirely my own mistress on that `point.'"
+
+"And how if, believing in your promises to me, I should
+absolutely require it?"
+
+"Oh! then you would prove that I made the greatest possible
+mistake when I made you a promise of any kind; and I should beg
+you to leave me in peace."
+
+The General's face grew white; he was about to spring to her
+side, when Mme de Langeais rang the bell, the maid appeared, and,
+smiling with a mocking grace, the Duchess added, "Be so good as
+to return when I am visible."
+
+Then Montriveau felt the hardness of a woman as cold and keen as
+a steel blade; she was crushing in her scorn. In one moment she
+had snapped the bonds which held firm only for her lover. She
+had read Armand's intention in his face, and held that the moment
+had come for teaching the Imperial soldier his lesson. He was to
+be made to feel that though duchesses may lend themselves to
+love, they do not give themselves, and that the conquest of one
+of them would prove a harder matter than the conquest of Europe.
+
+"Madame," returned Armand, "I have not time to wait. I am a
+spoilt child, as you told me yourself. When I seriously resolve
+to have that of which we have been speaking, I shall have it."
+
+"You will have it?" queried she, and there was a trace of
+surprise in her loftiness.
+
+"I shall have it."
+
+"Oh! you would do me a great pleasure by `resolving' to have it.
+For curiosity's sake, I should be delighted to know how you would
+set about it----"
+
+"I am delighted to put a new interest into your life,"
+interrupted Montriveau, breaking into a laugh which dismayed the
+Duchess. "Will you permit me to take you to the ball tonight?"
+
+"A thousand thanks. M. de Marsay has been beforehand with you.
+I gave him my promise."
+
+Montriveau bowed gravely and went.
+
+"So Ronquerolles was right," thought he, "and now for a game
+of chess."
+
+Thenceforward he hid his agitation by complete composure. No man
+is strong enough to bear such sudden alternations from the height
+of happiness to the depths of wretchedness. So he had caught a
+glimpse of happy life the better to feel the emptiness of his
+previous existence? There was a terrible storm within him; but
+he had learned to endure, and bore the shock of tumultuous
+thoughts as a granite cliff stands out against the surge of an
+angry sea.
+
+"I could say nothing. When I am with her my wits desert me.
+She does not know how vile and contemptible she is. Nobody has
+ventured to bring her face to face with herself. She has played
+with many a man, no doubt; I will avenge them all."
+
+For the first time, it may be, in a man's heart, revenge and love
+were blended so equally that Montriveau himself could not know
+whether love or revenge would carry all before it. That very
+evening he went to the ball at which he was sure of seeing the
+Duchesse de Langeais, and almost despaired of reaching her heart.
+
+He inclined to think that there was something diabolical about
+this woman, who was gracious to him and radiant with charming
+smiles; probably because she had no wish to allow the world to
+think that she had compromised herself with M. de Montriveau.
+Coolness on both sides is a sign of love; but so long as the
+Duchess was the same as ever, while the Marquis looked sullen and
+morose, was it not plain that she had conceded nothing?
+Onlookers know the rejected lover by various signs and tokens;
+they never mistake the genuine symptoms for a coolness such as
+some women command their adorers to feign, in the hope of
+concealing their love. Everyone laughed at Montriveau; and he,
+having omitted to consult his cornac, was abstracted and ill at
+ease. M. de Ronquerolles would very likely have bidden him
+compromise the Duchess by responding to her show of friendliness
+by passionate demonstrations; but as it was, Armand de Montriveau
+came away from the ball, loathing human nature, and even then
+scarcely ready to believe in such complete depravity.
+
+"If there is no executioner for such crimes," he said, as he
+looked up at the lighted windows of the ballroom where the most
+enchanting women in Paris were dancing, laughing, and chatting,
+"I will take you by the nape of the neck, Mme la Duchesse, and
+make you feel something that bites more deeply than the knife in
+the Place de la Greve. Steel against steel; we shall see which
+heart will leave the deeper mark."
+
+For a week or so Mme de Langeais hoped to see the Marquis de
+Montriveau again; but he contented himself with sending his card
+every morning to the Hotel de Langeais. The Duchess could not
+help shuddering each time that the card was brought in, and a dim
+foreboding crossed her mind, but the thought was vague as a
+presentiment of disaster. When her eyes fell on the name, it
+seemed to her that she felt the touch of the implacable man's
+strong hand in her hair; sometimes the words seemed like a
+prognostication of a vengeance which her lively intellect
+invented in the most shocking forms. She had studied him too
+well not to dread him. Would he murder her, she wondered? Would
+that bull-necked man dash out her vitals by flinging her over his
+head? Would he trample her body under his feet? When, where,
+and how would he get her into his power? Would he make her
+suffer very much, and what kind of pain would he inflict? She
+repented of her conduct. There were hours when, if he had come,
+she would have gone to his arms in complete self-surrender.
+
+Every night before she slept she saw Montriveau's face; every
+night it wore a different aspect. Sometimes she saw his bitter
+smile, sometimes the Jovelike knitting of the brows; or his
+leonine look, or some disdainful movement of the shoulders made
+him terrible for her. Next day the card seemed stained with
+blood. The name of Montriveau stirred her now as the presence of
+the fiery, stubborn, exacting lover had never done. Her
+apprehensions gathered strength in the silence. She was forced,
+without aid from without, to face the thought of a hideous duel
+of which she could not speak. Her proud hard nature was more
+responsive to thrills of hate than it had ever been to the
+caresses of love. Ah! if the General could but have seen her, as
+she sat with her forehead drawn into folds between her brows;
+immersed in bitter thoughts in that boudoir where he had enjoyed
+such happy moments, he might perhaps have conceived high hopes.
+Of all human passions, is not pride alone incapable of
+engendering anything base? Mme de Langeais kept her thoughts to
+herself, but is it not permissible to suppose that M. de
+Montriveau was no longer indifferent to her? And has not a man
+gained ground immensely when a woman thinks about him? He is
+bound to make progress with her either one way or the other
+afterwards.
+
+Put any feminine creature under the feet of a furious horse or
+other fearsome beast; she will certainly drop on her knees and
+look for death; but if the brute shows a milder mood and does not
+utterly slay her, she will love the horse, lion, bull, or what
+not, and will speak of him quite at her ease. The Duchess felt
+that she was under the lion's paws; she quaked, but she did not
+hate him.
+
+The man and woman thus singularly placed with regard to each
+other met three times in society during the course of that week.
+Each time, in reply to coquettish questioning glances, the
+Duchess received a respectful bow, and smiles tinged with such
+savage irony, that all her apprehensions over the card in the
+morning were revived at night. Our lives are simply such as our
+feelings shape them for us; and the feelings of these two had
+hollowed out a great gulf between them.
+
+The Comtesse de Serizy, the Marquis de Ronquerolles's sister,
+gave a great ball at the beginning of the following week, and Mme
+de Langeais was sure to go to it. Armand was the first person
+whom the Duchess saw when she came into the room, and this time
+Armand was looking out for her, or so she thought at least. The
+two exchanged a look, and suddenly the woman felt a cold
+perspiration break from every pore. She had thought all along
+that Montriveau was capable of taking reprisals in some
+unheard-of way proportioned to their condition, and now the
+revenge had been discovered, it was ready, heated, and boiling.
+Lightnings flashed from the foiled lover's eyes, his face was
+radiant with exultant vengeance. And the Duchess? Her eyes were
+haggard in spite of her resolution to be cool and insolent. She
+went to take her place beside the Comtesse de Serizy, who could
+not help exclaiming, "Dear Antoinette! what is the matter with
+you? You are enough to frighten one."
+
+"I shall be all right after a quadrille," she answered, giving
+a hand to a young man who came up at that moment.
+
+Mme de Langeais waltzed that evening with a sort of excitement
+and transport which redoubled Montriveau's lowering looks. He
+stood in front of the line of spectators, who were amusing
+themselves by looking on. Every time that SHE came past him, his
+eyes darted down upon her eddying face; he might have been a
+tiger with the prey in his grasp. The waltz came to an end, Mme
+de Langeais went back to her place beside the Countess, and
+Montriveau never took his eyes off her, talking all the while
+with a stranger.
+
+"One of the things that struck me most on the journey," he was
+saying (and the Duchess listened with all her ears), "was the
+remark which the man makes at Westminster when you are shown the
+axe with which a man in a mask cut off Charles the First's head,
+so they tell you. The King made it first of all to some
+inquisitive person, and they repeat it still in memory of him."
+
+"What does the man say?" asked Mme de Serizy.
+
+"Do not touch the axe!'" replied Montriveau, and there was
+menace in the sound of his voice.
+
+"Really, my Lord Marquis," said Mme de Langeais, "you tell
+this old story that everybody knows if they have been to London,
+and look at my neck in such a melodramatic way that you seem to
+me to have an axe in your hand."
+
+The Duchess was in a cold sweat, but nevertheless she laughed as
+she spoke the last words.
+
+"But circumstances give the story a quite new application,"
+returned he.
+
+"How so; pray tell me, for pity's sake?"
+
+"In this way, madame--you have touched the axe," said
+Montriveau, lowering his voice.
+
+"What an enchanting prophecy!" returned she, smiling with
+assumed grace. "And when is my head to fall?"
+
+"I have no wish to see that pretty head of yours cut off. I
+only fear some great misfortune for you. If your head were
+clipped close, would you feel no regrets for the dainty golden
+hair that you turn to such good account?"
+
+"There are those for whom a woman would love to make such a
+sacrifice; even if, as often happens, it is for the sake of a man
+who cannot make allowances for an outbreak of temper."
+
+"Quite so. Well, and if some wag were to spoil your beauty on a
+sudden by some chemical process, and you, who are but eighteen
+for us, were to be a hundred years old?"
+
+"Why, the smallpox is our Battle of Waterloo, monsieur," she
+interrupted. "After it is over we find out those who love us
+sincerely."
+
+"Would you not regret the lovely face that?"
+
+"Oh! indeed I should, but less for my own sake than for the sake
+of someone else whose delight it might have been. And, after
+all, if I were loved, always loved, and truly loved, what would
+my beauty matter to me?--What do you say, Clara?"
+
+"It is a dangerous speculation," replied Mme de Serizy.
+
+"Is it permissible to ask His Majesty the King of Sorcerers when
+I made the mistake of touching the axe, since I have not been to
+London as yet?----"
+
+"NOT SO," he answered in English, with a burst of ironical
+laughter.
+
+"And when will the punishment begin?"
+
+At this Montriveau coolly took out his watch, and ascertained the
+hour with a truly appalling air of conviction.
+
+"A dreadful misfortune will befall you before this day is out."
+
+"I am not a child to be easily frightened, or rather, I am a
+child ignorant of danger," said the Duchess. "I shall dance
+now without fear on the edge of the precipice."
+
+"I am delighted to know that you have so much strength of
+character," he answered, as he watched her go to take her place
+in a square dance.
+
+But the Duchess, in spite of her apparent contempt for Armand's
+dark prophecies, was really frightened. Her late lover's
+presence weighed upon her morally and physically with a sense of
+oppression that scarcely ceased when he left the ballroom. And
+yet when she had drawn freer breath, and enjoyed the relief for a
+moment, she found herself regretting the sensation of dread, so
+greedy of extreme sensations is the feminine nature. The regret
+was not love, but it was certainly akin to other feelings which
+prepare the way for love. And then--as if the impression which
+Montriveau had made upon her were suddenly revived--she
+recollected his air of conviction as he took out his watch, and
+in a sudden spasm of dread she went out.
+
+By this time it was about midnight. One of her servants, waiting
+with her pelisse, went down to order her carriage. On her way
+home she fell naturally enough to musing over M. de Montriveau's
+prediction. Arrived in her own courtyard, as she supposed, she
+entered a vestibule almost like that of her own hotel, and
+suddenly saw that the staircase was different. She was in a
+strange house. Turning to call her servants, she was attacked by
+several men, who rapidly flung a handkerchief over her mouth,
+bound her hand and foot, and carried her off. She shrieked
+aloud.
+
+"Madame, our orders are to kill you if you scream," a voice
+said in her ear.
+
+So great was the Duchess's terror, that she could never recollect
+how nor by whom she was transported. When she came to herself,
+she was lying on a couch in a bachelor's lodging, her hands and
+feet tied with silken cords. In spite of herself, she shrieked
+aloud as she looked round and met Armand de Montriveau's eyes.
+He was sitting in his dressing-gown, quietly smoking a cigar in
+his armchair.
+
+"Do not cry out, Mme la Duchesse," he said, coolly taking the
+cigar out of his mouth; "I have a headache. Besides, I will
+untie you. But listen attentively to what I have the honour to
+say to you."
+
+Very carefully he untied the knots that bound her feet.
+
+"What would be the use of calling out? Nobody can hear your
+cries. You are too well bred to make any unnecessary fuss. If
+you do not stay quietly, if you insist upon a struggle with me, I
+shall tie your hands and feet again. All things considered, I
+think that you have self-respect enough to stay on this sofa as
+if you were lying on your own at home; cold as ever, if you will.
+You have made me shed many tears on this couch, tears that I hid
+from all other eyes."
+
+While Montriveau was speaking, the Duchess glanced about her; it
+was a woman's glance, a stolen look that saw all things and
+seemed to see nothing. She was much pleased with the room. It
+was rather like a monk's cell. The man's character and thoughts
+seemed to pervade it. No decoration of any kind broke the grey
+painted surface of the walls. A green carpet covered the floor.
+A black sofa, a table littered with papers, two big easy-chairs,
+a chest of drawers with an alarum clock by way of ornament, a
+very low bedstead with a coverlet flung over it--a red cloth with
+a black key border--all these things made part of a whole that
+told of a life reduced to its simplest terms. A triple
+candle-sconce of Egyptian design on the chimney-piece recalled
+the vast spaces of the desert and Montriveau's long wanderings; a
+huge sphinx-claw stood out beneath the folds of stuff at the
+bed-foot; and just beyond, a green curtain with a black and
+scarlet border was suspended by large rings from a spear handle
+above a door near one corner of the room. The other door by
+which the band had entered was likewise curtained, but the
+drapery hung from an ordinary curtain-rod. As the Duchess
+finally noted that the pattern was the same on both, she saw that
+the door at the bed-foot stood open; gleams of ruddy light from
+the room beyond flickered below the fringed border. Naturally,
+the ominous light roused her curiosity; she fancied she could
+distinguish strange shapes in the shadows; but as it did not
+occur to her at the time that danger could come from that
+quarter, she tried to gratify a more ardent curiosity.
+
+"Monsieur, if it is not indiscreet, may I ask what you mean to
+do with me?" The insolence and irony of the tone stung through
+the words. The Duchess quite believed that she read extravagant
+love in Montriveau's speech. He had carried her off; was not
+that in itself an acknowledgment of her power?
+
+"Nothing whatever, madame," he returned, gracefully puffing the
+last whiff of cigar smoke. "You will remain here for a short
+time. First of all, I should like to explain to you what you
+are, and what I am. I cannot put my thoughts into words whilst
+you are twisting on the sofa in your boudoir; and besides, in
+your own house you take offence at the slightest hint, you ring
+the bell, make an outcry, and turn your lover out at the door as
+if he were the basest of wretches. Here my mind is unfettered.
+Here nobody can turn me out. Here you shall be my victim for a
+few seconds, and you are going to be so exceedingly kind as to
+listen to me. You need fear nothing. I did not carry you off to
+insult you, nor yet to take by force what you refused to grant of
+your own will to my unworthiness. I could not stoop so low. You
+possibly think of outrage; for myself, I have no such thoughts."
+
+He flung his cigar coolly into the fire.
+
+"The smoke is unpleasant to you, no doubt, madame?" he said,
+and rising at once, he took a chafing-dish from the hearth, burnt
+perfumes, and purified the air. The Duchess's astonishment was
+only equalled by her humiliation. She was in this man's power;
+and he would not abuse his power. The eyes in which love had
+once blazed like flame were now quiet and steady as stars. She
+trembled. Her dread of Armand was increased by a nightmare
+sensation of restlessness and utter inability to move; she felt
+as if she were turned to stone. She lay passive in the grip of
+fear. She thought she saw the light behind the curtains grow to
+a blaze, as if blown up by a pair of bellows; in another moment
+the gleams of flame grew brighter, and she fancied that three
+masked figures suddenly flashed out; but the terrible vision
+disappeared so swiftly that she took it for an optical delusion.
+
+"Madame," Armand continued with cold contempt, "one minute,
+just one minute is enough for me, and you shall feel it
+afterwards at every moment throughout your lifetime, the one
+eternity over which I have power. I am not God. Listen
+carefully to me," he continued, pausing to add solemnity to his
+words. "Love will always come at your call. You have boundless
+power over men: but remember that once you called love, and love
+came to you; love as pure and true-hearted as may be on earth,
+and as reverent as it was passionate; fond as a devoted woman's,
+as a mother's love; a love so great indeed, that it was past the
+bounds of reason. You played with it, and you committed a crime.
+Every woman has a right to refuse herself to love which she feels
+she cannot share; and if a man loves and cannot win love in
+return, he is not to be pitied, he has no right to complain. But
+with a semblance of love to attract an unfortunate creature cut
+off from all affection; to teach him to understand happiness to
+the full, only to snatch it from him; to rob him of his future of
+felicity; to slay his happiness not merely today, but as long as
+his life lasts, by poisoning every hour of it and every
+thought--this I call a fearful crime!"
+
+"Monsieur----"
+
+"I cannot allow you to answer me yet. So listen to me still.
+In any case I have rights over you; but I only choose to exercise
+one--the right of the judge over the criminal, so that I may
+arouse your conscience. If you had no conscience left, I should
+not reproach you at all; but you are so young! You must feel
+some life still in your heart; or so I like to believe. While I
+think of you as depraved enough to do a wrong which the law does
+not punish, I do not think you so degraded that you cannot
+comprehend the full meaning of my words. I resume."
+
+As he spoke the Duchess heard the smothered sound of a pair of
+bellows. Those mysterious figures which she had just seen were
+blowing up the fire, no doubt; the glow shone through the
+curtain. But Montriveau's lurid face was turned upon her; she
+could not choose but wait with a fast-beating heart and eyes
+fixed in a stare. However curious she felt, the heat in Armand's
+words interested her even more than the crackling of the
+mysterious flames.
+
+"Madame," he went on after a pause, "if some poor wretch
+commits a murder in Paris, it is the executioner's duty, you
+know, to lay hands on him and stretch him on the plank, where
+murderers pay for their crimes with their heads. Then the
+newspapers inform everyone, rich and poor, so that the former are
+assured that they may sleep in peace, and the latter are warned
+that they must be on the watch if they would live. Well, you
+that are religious, and even a little of a bigot, may have masses
+said for such a man's soul. You both belong to the same family,
+but yours is the elder branch; and the elder branch may occupy
+high places in peace and live happily and without cares. Want or
+anger may drive your brother the convict to take a man's life;
+you have taken more, you have taken the joy out of a man's life,
+you have killed all that was best in his life--his dearest
+beliefs. The murderer simply lay in wait for his victim, and
+killed him reluctantly, and in fear of the scaffold; but
+YOU . . . ! You heaped up every sin that weakness can commit against
+strength that suspected no evil; you tamed a passive victim, the
+better to gnaw his heart out; you lured him with caresses; you
+left nothing undone that could set him dreaming, imagining,
+longing for the bliss of love. You asked innumerable sacrifices
+of him, only to refuse to make any in return. He should see the
+light indeed before you put out his eyes! It is wonderful how
+you found the heart to do it! Such villainies demand a display
+of resource quite above the comprehension of those bourgeoises
+whom you laugh at and despise. They can give and forgive; they
+know how to love and suffer. The grandeur of their devotion
+dwarfs us. Rising higher in the social scale, one finds just as
+much mud as at the lower end; but with this difference, at the
+upper end it is hard and gilded over.
+
+"Yes, to find baseness in perfection, you must look for a noble
+bringing up, a great name, a fair woman, a duchess. You cannot
+fall lower than the lowest unless you are set high above the rest
+of the world.--I express my thoughts badly; the wounds you dealt
+me are too painful as yet, but do not think that I complain. My
+words are not the expression of any hope for myself; there is no
+trace of bitterness in them. Know this, madame, for a
+certainty--I forgive you. My forgiveness is so complete that you
+need not feel in the least sorry that you came hither to find it
+against your will. . . . But you might take advantage of other
+hearts as child-like as my own, and it is my duty to spare them
+anguish. So you have inspired the thought of justice. Expiate
+your sin here on earth; God may perhaps forgive you; I wish that
+He may, but He is inexorable, and will strike."
+
+The broken-spirited, broken-hearted woman looked up, her eyes
+filled with tears.
+
+"Why do you cry? Be true to your nature. You could look on
+indifferently at the torture of a heart as you broke it. That
+will do, madame, do not cry. I cannot bear it any longer. Other
+men will tell you that you have given them life; as for myself, I
+tell you, with rapture, that you have given me blank extinction.
+Perhaps you guess that I am not my own, that I am bound to live
+for my friends, that from this time forth I must endure the cold
+chill of death, as well as the burden of life? Is it possible
+that there can be so much kindness in you? Are you like the
+desert tigress that licks the wounds she has inflicted?"
+
+The Duchess burst out sobbing.
+
+"Pray spare your tears, madame. If I believed in them at all,
+it would merely set me on my guard. Is this another of your
+artifices? or is it not? You have used so many with me; how can
+one think that there is any truth in you? Nothing that you do or
+say has any power now to move me. That is all I have to say."
+
+Mme de Langeais rose to her feet, with a great dignity and
+humility in her bearing.
+
+"You are right to treat me very hardly," she said, holding out
+a hand to the man who did not take it; "you have not spoken
+hardly enough; and I deserve this punishment."
+
+"/I/ punish you, madame! A man must love still, to punish, must
+he not? From me you must expect no feeling, nothing resembling
+it. If I chose, I might be accuser and judge in my cause, and
+pronounce and carry out the sentence. But I am about to fulfil a
+duty, not a desire of vengeance of any kind. The cruellest
+revenge of all, I think, is scorn of revenge when it is in our
+power to take it. Perhaps I shall be the minister of your
+pleasures; who knows? Perhaps from this time forth, as you
+gracefully wear the tokens of disgrace by which society marks out
+the criminal, you may perforce learn something of the convict's
+sense of honour. And then, you will love!"
+
+The Duchess sat listening; her meekness was unfeigned; it was no
+coquettish device. When she spoke at last, it was after a
+silence.
+
+"Armand," she began, "it seems to me that when I resisted
+love, I was obeying all the instincts of woman's modesty; I
+should not have looked for such reproaches from YOU. I was weak;
+you have turned all my weaknesses against me, and made so many
+crimes of them. How could you fail to understand that the
+curiosity of love might have carried me further than I ought to
+go; and that next morning I might be angry with myself, and
+wretched because I had gone too far? Alas! I sinned in
+ignorance. I was as sincere in my wrongdoing, I swear to you, as
+in my remorse. There was far more love for you in my severity
+than in my concessions. And besides, of what do you complain? I
+gave you my heart; that was not enough; you demanded, brutally,
+that I should give my person----"
+
+"Brutally?" repeated Montriveau. But to himself he said, "If
+I once allow her to dispute over words, I am lost."
+
+"Yes. You came to me as if I were one of those women. You
+showed none of the respect, none of the attentions of love. Had
+I not reason to reflect? Very well, I reflected. The
+unseemliness of your conduct is not inexcusable; love lay at the
+source of it; let me think so, and justify you to myself.--Well,
+Armand, this evening, even while you were prophesying evil, I
+felt convinced that there was happiness in store for us both.
+Yes, I put my faith in the noble, proud nature so often tested
+and proved." She bent lower. "And I was yours wholly," she
+murmured in his ear. "I felt a longing that I cannot express to
+give happiness to a man so violently tried by adversity. If I
+must have a master, my master should be a great man. As I felt
+conscious of my height, the less I cared to descend. I felt I
+could trust you, I saw a whole lifetime of love, while you were
+pointing to death. . . . Strength and kindness always go
+together. My friend, you are so strong, you will not be unkind
+to a helpless woman who loves you. If I was wrong, is there no
+way of obtaining forgiveness? No way of making reparation?
+Repentance is the charm of love; I should like to be very
+charming for you. How could I, alone among women, fail to know a
+woman's doubts and fears, the timidity that it is so natural to
+feel when you bind yourself for life, and know how easily a man
+snaps such ties? The bourgeoises, with whom you compared me just
+now, give themselves, but they struggle first. Very well--I
+struggled; but here I am!--Ah! God, he does not hear me!" she
+broke off, and wringing her hands, she cried out "But I love
+you! I am yours!" and fell at Armand's feet.
+
+"Yours! yours! my one and only master!"
+
+Armand tried to raise her.
+
+"Madame, it is too late! Antoinette cannot save the Duchesse de
+Langeais. I cannot believe in either. Today you may give
+yourself; tomorrow, you may refuse. No power in earth or heaven
+can insure me the sweet constancy of love. All love's pledges
+lay in the past; and now nothing of that past exists."
+
+The light behind the curtain blazed up so brightly, that the
+Duchess could not help turning her head; this time she distinctly
+saw the three masked figures.
+
+"Armand," she said, "I would not wish to think ill of you.
+Why are those men there? What are you going to do to me?"
+
+"Those men will be as silent as I myself with regard to the
+thing which is about to be done. Think of them simply as my
+hands and my heart. One of them is a surgeon----"
+
+"A surgeon! Armand, my friend, of all things, suspense is the
+hardest to bear. Just speak; tell me if you wish for my life; I
+will give it to you, you shall not take it----"
+
+"Then you did not understand me? Did I not speak just now of
+justice? To put an end to your misapprehensions," continued he,
+taking up a small steel object from the table, "I will now
+explain what I have decided with regard to you."
+
+He held out a Lorraine cross, fastened to the tip of a steel rod.
+
+"Two of my friends at this very moment are heating another
+cross, made on this pattern, red-hot. We are going to stamp it
+upon your forehead, here between the eyes, so that there will be
+no possibility of hiding the mark with diamonds, and so avoiding
+people's questions. In short, you shall bear on your forehead
+the brand of infamy which your brothers the convicts wear on
+their shoulders. The pain is a mere trifle, but I feared a
+nervous crisis of some kind, of resistance----"
+
+"Resistance?" she cried, clapping her hands for joy. "Oh no,
+no! I would have the whole world here to see. Ah, my Armand,
+brand her quickly, this creature of yours; brand her with your
+mark as a poor little trifle belonging to you. You asked for
+pledges of my love; here they are all in one. Ah! for me there
+is nothing but mercy and forgiveness and eternal happiness in
+this revenge of yours. When you have marked this woman with your
+mark, when you set your crimson brand on her, your slave in soul,
+you can never afterwards abandon her, you will be mine for
+evermore? When you cut me off from my kind, you make yourself
+responsible for my happiness, or you prove yourself base; and I
+know that you are noble and great! Why, when a woman loves, the
+brand of love is burnt into her soul by her own will.--Come in,
+gentlemen! come in and brand her, this Duchesse de Langeais. She
+is M. de Montriveau's forever! Ah! come quickly, all of you, my
+forehead burns hotter than your fire!"
+
+Armand turned his head sharply away lest he should see the
+Duchess kneeling, quivering with the throbbings of her heart. He
+said some word, and his three friends vanished.
+
+The women of Paris salons know how one mirror reflects another.
+The Duchess, with every motive for reading the depths of Armand's
+heart, was all eyes; and Armand, all unsuspicious of the mirror,
+brushed away two tears as they fell. Her whole future lay in
+those two tears. When he turned round again to help her to rise,
+she was standing before him, sure of love. Her pulses must have
+throbbed fast when he spoke with the firmness she had known so
+well how to use of old while she played with him.
+
+"I spare you, madame. All that has taken place shall be as if
+it had never been, you may believe me. But now, let us bid each
+other goodbye. I like to think that you were sincere in your
+coquetries on your sofa, sincere again in this outpouring of your
+heart. Good-bye. I feel that there is no faith in you left in
+me. You would torment me again; you would always be the Duchess,
+and---- But there, good-bye, we shall never understand each
+other.
+
+"Now, what do you wish?" he continued, taking the tone of a
+master of the ceremonies--"to return home, or to go back to Mme
+de Serizy's ball? I have done all in my power to prevent any
+scandal. Neither your servants nor anyone else can possibly know
+what has passed between us in the last quarter of an hour. Your
+servants have no idea that you have left the ballroom; your
+carriage never left Mme de Serizy's courtyard; your brougham may
+likewise be found in the court of your own hotel. Where do you
+wish to be?"
+
+"What do you counsel, Armand?"
+
+"There is no Armand now, Mme la Duchesse. We are strangers to
+each other."
+
+"Then take me to the ball," she said, still curious to put
+Armand's power to the test. "Thrust a soul that suffered in the
+world, and must always suffer there, if there is no happiness for
+her now, down into hell again. And yet, oh my friend, I love you
+as your bourgeoises love; I love you so that I could come to you
+and fling my arms about your neck before all the world if you
+asked it off me. The hateful world has not corrupted me. I am
+young at least, and I have grown younger still. I am a child,
+yes, your child, your new creature. Ah! do not drive me forth
+out of my Eden!"
+
+Armand shook his head.
+
+"Ah! let me take something with me, if I go, some little thing
+to wear tonight on my heart," she said, taking possession of
+Armand's glove, which she twisted into her handkerchief.
+
+"No, I am NOT like all those depraved women. You do not know
+the world, and so you cannot know my worth. You shall know it
+now! There are women who sell themselves for money; there are
+others to be gained by gifts, it is a vile world! Oh, I wish I
+were a simple bourgeoise, a working girl, if you would rather
+have a woman beneath you than a woman whose devotion is
+accompanied by high rank, as men count it. Oh, my Armand, there
+are noble, high, and chaste and pure natures among us; and then
+they are lovely indeed. I would have all nobleness that I might
+offer it all up to you. Misfortune willed that I should be a
+duchess; I would I were a royal princess, that my offering might
+be complete. I would be a grisette for you, and a queen for
+everyone besides."
+
+He listened, damping his cigars with his lips.
+
+"You will let me know when you wish to go," he said.
+
+"But I should like to stay----"
+
+"That is another matter!"
+
+"Stay, that was badly rolled," she cried, seizing on a cigar
+and devouring all that Armand's lips had touched.
+
+"Do you smoke?"
+
+"Oh, what would I not do to please you?"
+
+"Very well. Go, madame."
+
+"I will obey you," she answered, with tears in her eyes.
+
+"You must be blindfolded; you must not see a glimpse of the
+way."
+
+"I am ready, Armand," she said, bandaging her eyes.
+
+"Can you see?"
+
+"No."
+
+Noiselessly he knelt before her.
+
+"Ah! I can hear you!" she cried, with a little fond gesture,
+thinking that the pretence of harshness was over.
+
+He made as if he would kiss her lips; she held up her face.
+
+"You can see, madame."
+
+"I am just a little bit curious."
+
+"So you always deceive me?"
+
+"Ah! take off this handkerchief, sir," she cried out, with the
+passion of a great generosity repelled with scorn, "lead me; I
+will not open my eyes."
+
+Armand felt sure of her after that cry. He led the way; the
+Duchess nobly true to her word, was blind. But while Montriveau
+held her hand as a father might, and led her up and down flights
+of stairs, he was studying the throbbing pulses of this woman's
+heart so suddenly invaded by Love. Mme de Langeais, rejoicing in
+this power of speech, was glad to let him know all; but he was
+inflexible; his hand was passive in reply to the questionings of
+her hand.
+
+At length, after some journey made together, Armand bade her go
+forward; the opening was doubtless narrow, for as she went she
+felt that his hand protected her dress. His care touched her; it
+was a revelation surely that there was a little love still left;
+yet it was in some sort a farewell, for Montriveau left her
+without a word. The air was warm; the Duchess, feeling the heat,
+opened her eyes, and found herself standing by the fire in the
+Comtesse de Serizy's boudoir.
+
+She was alone. Her first thought was for her disordered
+toilette; in a moment she had adjusted her dress and restored her
+picturesque coiffure.
+
+"Well, dear Antoinette, we have been looking for you
+everywhere." It was the Comtesse de Serizy who spoke as she
+opened the door.
+
+"I came here to breathe," said the Duchess; "it is unbearably
+hot in the rooms."
+
+"People thought that you had gone; but my brother Ronquerolles
+told me that your servants were waiting for you."
+
+"I am tired out, dear, let me stay and rest here for a minute,"
+and the Duchess sat down on the sofa.
+
+"Why, what is the matter with you? You are shaking from head to
+foot!"
+
+The Marquis de Ronquerolles came in.
+
+"Mme la Duchesse, I was afraid that something might have
+happened. I have just come across your coachman, the man is as
+tipsy as all the Swiss in Switzerland."
+
+The Duchess made no answer; she was looking round the room, at
+the chimney-piece and the tall mirrors, seeking the trace of an
+opening. Then with an extraordinary sensation she recollected
+that she was again in the midst of the gaiety of the ballroom
+after that terrific scene which had changed the whole course of
+her life. She began to shiver violently.
+
+"M. de Montriveau's prophecy has shaken my nerves," she said.
+"It was a joke, but still I will see whether his axe from London
+will haunt me even in my sleep. So good-bye, dear.--Good-bye, M.
+le Marquis."
+
+As she went through the rooms she was beset with enquiries and
+regrets. Her world seemed to have dwindled now that she, its
+queen, had fallen so low, was so diminished. And what, moreover,
+were these men compared with him whom she loved with all her
+heart; with the man grown great by all that she had lost in
+stature? The giant had regained the height that he had lost for
+a while, and she exaggerated it perhaps beyond measure. She
+looked, in spite of herself, at the servant who had attended her
+to the ball. He was fast asleep.
+
+"Have you been here all the time?" she asked.
+
+"Yes, madame."
+
+As she took her seat in her carriage she saw, in fact, that her
+coachman was drunk--so drunk, that at any other time she would
+have been afraid; but after a great crisis in life, fear loses
+its appetite for common food. She reached home, at any rate,
+without accident; but even there she felt a change in herself, a
+new feeling that she could not shake off. For her, there was now
+but one man in the world; which is to say that henceforth she
+cared to shine for his sake alone.
+
+While the physiologist can define love promptly by following out
+natural laws, the moralist finds a far more perplexing problem
+before him if he attempts to consider love in all its
+developments due to social conditions. Still, in spite of the
+heresies of the endless sects that divide the church of Love,
+there is one broad and trenchant line of difference in doctrine,
+a line that all the discussion in the world can never deflect. A
+rigid application of this line explains the nature of the crisis
+through which the Duchess, like most women, was to pass. Passion
+she knew, but she did not love as yet.
+
+Love and passion are two different conditions which poets and men
+of the world, philosophers and fools, alike continually confound.
+
+Love implies a give and take, a certainty of bliss that nothing
+can change; it means so close a clinging of the heart, and an
+exchange of happiness so constant, that there is no room left for
+jealousy. Then possession is a means and not an end;
+unfaithfulness may give pain, but the bond is not less close; the
+soul is neither more nor less ardent or troubled, but happy at
+every moment; in short, the divine breath of desire spreading
+from end to end of the immensity of Time steeps it all for us in
+the selfsame hue; life takes the tint of the unclouded heaven.
+But Passion is the foreshadowing of Love, and of that Infinite to
+which all suffering souls aspire. Passion is a hope that may be
+cheated. Passion means both suffering and transition. Passion
+dies out when hope is dead. Men and women may pass through this
+experience many times without dishonour, for it is so natural to
+spring towards happiness; but there is only one love in a
+lifetime. All discussions of sentiment ever conducted on paper
+or by word of mouth may therefore be resumed by two
+questions--"Is it passion? Is it love?" So, since love comes
+into existence only through the intimate experience of the bliss
+which gives it lasting life, the Duchess was beneath the yoke of
+passion as yet; and as she knew the fierce tumult, the
+unconscious calculations, the fevered cravings, and all that is
+meant by that word PASSION--she suffered. Through all the
+trouble of her soul there rose eddying gusts of tempest, raised
+by vanity or self-love, or pride or a high spirit; for all these
+forms of egoism make common cause together.
+
+She had said to this man, "I love you; I am yours!" Was it
+possible that the Duchesse de Langeais should have uttered those
+words--in vain? She must either be loved now or play her part of
+queen no longer. And then she felt the loneliness of the
+luxurious couch where pleasure had never yet set his glowing
+feet; and over and over again, while she tossed and writhed
+there, she said, "I want to be loved."
+
+But the belief that she still had in herself gave her hope of
+success. The Duchess might be piqued, the vain Parisienne might
+be humiliated; but the woman saw glimpses of wedded happiness,
+and imagination, avenging the time lost for nature, took a
+delight in kindling the inextinguishable fire in her veins. She
+all but attained to the sensations of love; for amid her poignant
+doubt whether she was loved in return, she felt glad at heart to
+say to herself, "I love him!" As for her scruples, religion,
+and the world she could trample them under foot! Montriveau was
+her religion now. She spent the next day in a state of moral
+torpor, troubled by a physical unrest, which no words could
+express. She wrote letters and tore them all up, and invented a
+thousand impossible fancies.
+
+When M. de Montriveau's usual hour arrived, she tried to think
+that he would come, and enjoyed the feeling of expectation. Her
+whole life was concentrated in the single sense of hearing.
+Sometimes she shut her eyes, straining her ears to listen through
+space, wishing that she could annihilate everything that lay
+between her and her lover, and so establish that perfect silence
+which sounds may traverse from afar. In her tense
+self-concentration, the ticking of the clock grew hateful to her;
+she stopped its ill-omened garrulity. The twelve strokes of
+midnight sounded from the drawing-room.
+
+"Ah, God!" she cried, "to see him here would be happiness.
+And yet, it is not so very long since he came here, brought by
+desire, and the tones of his voice filled this boudoir. And now
+there is nothing."
+
+She remembered the times that she had played the coquette with
+him, and how that her coquetry had cost her her lover, and the
+despairing tears flowed for long.
+
+Her woman came at length with, "Mme la Duchesse does not know,
+perhaps, that it is two o'clock in the morning; I thought that
+madame was not feeling well."
+
+"Yes, I am going to bed," said the Duchess, drying her eyes.
+"But remember, Suzanne, never to come in again without orders; I
+tell you this for the last time."
+
+For a week, Mme de Langeais went to every house where there was a
+hope of meeting M. de Montriveau. Contrary to her usual habits,
+she came early and went late; gave up dancing, and went to the
+card-tables. Her experiments were fruitless. She did not
+succeed in getting a glimpse of Armand. She did not dare to
+utter his name now. One evening, however, in a fit of despair,
+she spoke to Mme de Serizy, and asked as carelessly as she could,
+"You must have quarrelled with M. de Montriveau? He is not to
+be seen at your house now."
+
+The Countess laughed. "So he does not come here either?" she
+returned. "He is not to be seen anywhere, for that matter. He
+is interested in some woman, no doubt."
+
+"I used to think that the Marquis de Ronquerolles was one of his
+friends----" the Duchess began sweetly.
+
+"I have never heard my brother say that he was acquainted with
+him."
+
+Mme de Langeais did not reply. Mme de Serizy concluded from the
+Duchess's silence that she might apply the scourge with impunity
+to a discreet friendship which she had seen, with bitterness of
+soul, for a long time past.
+
+"So you miss that melancholy personage, do you? I have heard
+most extraordinary things of him. Wound his feelings, he never
+comes back, he forgives nothing; and, if you love him, he keeps
+you in chains. To everything that I said of him, one of those
+that praise him sky-high would always answer, `He knows how to
+love!' People are always telling me that Montriveau would give
+up all for his friend; that his is a great nature. Pooh! society
+does not want such tremendous natures. Men of that stamp are all
+very well at home; let them stay there and leave us to our
+pleasant littlenesses. What do you say, Antoinette?"
+
+Woman of the world though she was, the Duchess seemed agitated,
+yet she replied in a natural voice that deceived her fair
+friend--
+
+"I am sorry to miss him. I took a great interest in him, and
+promised to myself to be his sincere friend. I like great
+natures, dear friend, ridiculous though you may think it. To
+give oneself to a fool is a clear confession, is it not, that one
+is governed wholly by one's senses?"
+
+Mme de Serizy's "preferences" had always been for commonplace
+men; her lover at the moment, the Marquis d'Aiglemont, was a
+fine, tall man.
+
+After this, the Countess soon took her departure, you may be sure
+Mme de Langeais saw hope in Armand's withdrawal from the world;
+she wrote to him at once; it was a humble, gentle letter, surely
+it would bring him if he loved her still. She sent her footman
+with it next day. On the servant's return, she asked whether he
+had given the letter to M. de Montriveau himself, and could not
+restrain the movement of joy at the affirmative answer. Armand
+was in Paris! He stayed alone in his house; he did not go out
+into society! So she was loved! All day long she waited for an
+answer that never came. Again and again, when impatience grew
+unbearable, Antoinette found reasons for his delay. Armand felt
+embarrassed; the reply would come by post; but night came, and
+she could not deceive herself any longer. It was a dreadful day,
+a day of pain grown sweet, of intolerable heart-throbs, a day
+when the heart squanders the very forces of life in riot.
+
+Next day she sent for an answer.
+
+"M. le Marquis sent word that he would call on Mme la
+Duchesse," reported Julien.
+
+She fled lest her happiness should be seen in her face, and flung
+herself on her couch to devour her first sensations.
+
+"He is coming!"
+
+The thought rent her soul. And, in truth, woe unto those for
+whom suspense is not the most horrible time of tempest, while it
+increases and multiplies the sweetest joys; for they have nothing
+in them of that flame which quickens the images of things, giving
+to them a second existence, so that we cling as closely to the
+pure essence as to its outward and visible manifestation. What
+is suspense in love but a constant drawing upon an unfailing
+hope?--a submission to the terrible scourging of passion, while
+passion is yet happy, and the disenchantment of reality has not
+set in. The constant putting forth of strength and longing,
+called suspense, is surely, to the human soul, as fragrance to
+the flower that breathes it forth. We soon leave the brilliant,
+unsatisfying colours of tulips and coreopsis, but we turn again
+and again to drink in the sweetness of orange-blossoms or
+volkameria-flowers compared separately, each in its own land, to
+a betrothed bride, full of love, made fair by the past and
+future.
+
+The Duchess learned the joys of this new life of hers through the
+rapture with which she received the scourgings of love. As this
+change wrought in her, she saw other destinies before her, and a
+better meaning in the things of life. As she hurried to her
+dressing-room, she understood what studied adornment and the most
+minute attention to her toilet mean when these are undertaken for
+love's sake and not for vanity. Even now this making ready
+helped her to bear the long time of waiting. A relapse of
+intense agitation set in when she was dressed; she passed through
+nervous paroxysms brought on by the dreadful power which sets the
+whole mind in ferment. Perhaps that power is only a disease,
+though the pain of it is sweet. The Duchess was dressed and
+waiting at two o clock in the afternoon. At half-past eleven
+that night M. de Montriveau had not arrived. To try to give an
+idea of the anguish endured by a woman who might be said to be
+the spoilt child of civilisation, would be to attempt to say how
+many imaginings the heart can condense into one thought. As well
+endeavour to measure the forces expended by the soul in a sigh
+whenever the bell rang; to estimate the drain of life when a
+carriage rolled past without stopping, and left her prostrate.
+
+"Can he be playing with me?" she said, as the clocks struck
+midnight.
+
+She grew white; her teeth chattered; she struck her hands
+together and leapt up and crossed the boudoir, recollecting as
+she did so how often he had come thither without a summons. But
+she resigned herself. Had she not seen him grow pale, and start
+up under the stinging barbs of irony? Then Mme de Langeais felt
+the horror of the woman's appointed lot; a man's is the active
+part, a woman must wait passively when she loves. If a woman
+goes beyond her beloved, she makes a mistake which few men can
+forgive; almost every man would feel that a woman lowers herself
+by this piece of angelic flattery. But Armand's was a great
+nature; he surely must be one of the very few who can repay such
+exceeding love by love that lasts forever.
+
+"Well, I will make the advance," she told herself, as she
+tossed on her bed and found no sleep there; "I will go to him.
+I will not weary myself with holding out a hand to him, but I
+will hold it out. A man of a thousand will see a promise of love
+and constancy in every step that a woman takes towards him. Yes,
+the angels must come down from heaven to reach men; and I wish to
+be an angel for him."
+
+Next day she wrote. It was a billet of the kind in which the
+intellects of the ten thousand Sevignes that Paris now can number
+particularly excel. And yet only a Duchesse de Langeais, brought
+up by Mme la Princesse de Blamont-Chauvry, could have written
+that delicious note; no other woman could complain without
+lowering herself; could spread wings in such a flight without
+draggling her pinions in humiliation; rise gracefully in revolt;
+scold without giving offence; and pardon without compromising her
+personal dignity.
+
+Julien went with the note. Julien, like his kind, was the victim
+of love's marches and countermarches.
+
+"What did M. de Montriveau reply?" she asked, as indifferently
+as she could, when the man came back to report himself.
+
+"M. le Marquis requested me to tell Mme la Duchesse that it was
+all right."
+
+Oh the dreadful reaction of the soul upon herself! To have her
+heart stretched on the rack before curious witnesses; yet not to
+utter a sound, to be forced to keep silence! One of the
+countless miseries of the rich!
+
+More than three weeks went by. Mme de Langeais wrote again and
+again, and no answer came from Montriveau. At last she gave out
+that she was ill, to gain a dispensation from attendance on the
+Princess and from social duties. She was only at home to her
+father the Duc de Navarreins, her aunt the Princesse de
+Blamont-Chauvry, the old Vidame de Pamiers (her maternal
+great-uncle), and to her husband's uncle, the Duc de Grandlieu.
+These persons found no difficulty in believing that the Duchess
+was ill, seeing that she grew thinner and paler and more dejected
+every day. The vague ardour of love, the smart of wounded pride,
+the continual prick of the only scorn that could touch her, the
+yearnings towards joys that she craved with a vain continual
+longing--all these things told upon her, mind and body; all the
+forces of her nature were stimulated to no purpose. She was
+paying the arrears of her life of make-believe.
+
+She went out at last to a review. M. de Montriveau was to be
+there. For the Duchess, on the balcony of the Tuileries with the
+Royal Family, it was one of those festival days that are long
+remembered. She looked supremely beautiful in her languor; she
+was greeted with admiration in all eyes. It was Montriveau's
+presence that made her so fair.
+
+Once or twice they exchanged glances. The General came almost to
+her feet in all the glory of that soldier's uniform, which
+produces an effect upon the feminine imagination to which the
+most prudish will confess. When a woman is very much in love,
+and has not seen her lover for two months, such a swift moment
+must be something like the phase of a dream when the eyes embrace
+a world that stretches away forever. Only women or young men can
+imagine the dull, frenzied hunger in the Duchess's eyes. As for
+older men, if during the paroxysms of early passion in youth they
+had experience of such phenomena of nervous power; at a later day
+it is so completely forgotten that they deny the very existence
+of the luxuriant ecstasy--the only name that can be given to
+these wonderful intuitions. Religious ecstasy is the aberration
+of a soul that has shaken off its bonds of flesh; whereas in
+amorous ecstasy all the forces of soul and body are embraced and
+blended in one. If a woman falls a victim to the tyrannous
+frenzy before which Mme de Langeais was forced to bend, she will
+take one decisive resolution after another so swiftly that it is
+impossible to give account of them. Thought after thought rises
+and flits across her brain, as clouds are whirled by the wind
+across the grey veil of mist that shuts out the sun. Thenceforth
+the facts reveal all. And the facts are these.
+
+The day after the review, Mme de Langeais sent her carriage and
+liveried servants to wait at the Marquis de Montriveau's door
+from eight o'clock in the morning till three in the afternoon.
+Armand lived in the Rue de Tournon, a few steps away from the
+Chamber of Peers, and that very day the House was sitting; but
+long before the peers returned to their palaces, several people
+had recognised the Duchess's carriage and liveries. The first of
+these was the Baron de Maulincour. That young officer had met
+with disdain from Mme de Langeais and a better reception from Mme
+de Serizy; he betook himself at once therefore to his mistress,
+and under seal of secrecy told her of this strange freak.
+
+In a moment the news was spread with telegraphic speed through
+all the coteries in the Faubourg Saint-Germain; it reached the
+Tuileries and the Elysee-Bourbon; it was the sensation of the
+day, the matter of all the talk from noon till night. Almost
+everywhere the women denied the facts, but in such a manner that
+the report was confirmed; the men one and all believed it, and
+manifested a most indulgent interest in Mme de Langeais. Some
+among them threw the blame on Armand.
+
+"That savage of a Montriveau is a man of bronze," said they;
+"he insisted on making this scandal, no doubt."
+
+"Very well, then," others replied, "Mme de Langeais has been
+guilty of a most generous piece of imprudence. To renounce the
+world and rank, and fortune, and consideration for her lover's
+sake, and that in the face of all Paris, is as fine a coup d'etat
+for a woman as that barber's knife-thrust, which so affected
+Canning in a court of assize. Not one of the women who blame the
+Duchess would make a declaration worthy of ancient times. It is
+heroic of Mme de Langeais to proclaim herself so frankly. Now
+there is nothing left to her but to love Montriveau. There must
+be something great about a woman if she says, `I will have but
+one passion.'"
+
+"But what is to become of society, monsieur, if you honour vice
+in this way without respect for virtue?" asked the Comtesse de
+Granville, the attorney-general's wife.
+
+While the Chateau, the Faubourg, and the Chaussee d'Antin were
+discussing the shipwreck of aristocratic virtue; while excited
+young men rushed about on horseback to make sure that the
+carriage was standing in the Rue de Tournon, and the Duchess in
+consequence was beyond a doubt in M. de Montriveau's rooms, Mme
+de Langeais, with heavy throbbing pulses, was lying hidden away
+in her boudoir. And Armand?--he had been out all night, and at
+that moment was walking with M. de Marsay in the Gardens of the
+Tuileries. The elder members, of Mme de Langeais's family were
+engaged in calling upon one another, arranging to read her a
+homily and to hold a consultation as to the best way of putting a
+stop to the scandal.
+
+At three o'clock, therefore, M. le Duc de Navarreins, the Vidame
+de Pamiers, the old Princesse de Blamont-Chauvry, and the Duc de
+Grandlieu were assembled in Mme la Duchesse de Langeais's
+drawing-room. To them, as to all curious enquirers, the servants
+said that their mistress was not at home; the Duchess had made no
+exceptions to her orders. But these four personages shone
+conspicuous in that lofty sphere, of which the revolutions and
+hereditary pretensions are solemnly recorded year by year in the
+Almanach de Gotha, wherefore without some slight sketch of each
+of them this picture of society were incomplete.
+
+The Princesse de Blamont-Chauvry, in the feminine world, was a
+most poetic wreck of the reign of Louis Quinze. In her beautiful
+prime, so it was said, she had done her part to win for that
+monarch his appellation of le Bien-aime. Of her past charms of
+feature, little remained save a remarkably prominent slender
+nose, curved like a Turkish scimitar, now the principal ornament
+of a countenance that put you in mind of an old white glove. Add
+a few powdered curls, high-heeled pantoufles, a cap with
+upstanding loops of lace, black mittens, and a decided taste for
+ombre. But to do full justice to the lady, it must be said that
+she appeared in low-necked gowns of an evening (so high an
+opinion of her ruins had she), wore long gloves, and raddled her
+cheeks with Martin's classic rouge. An appalling amiability in
+her wrinkles, a prodigious brightness in the old lady's eyes, a
+profound dignity in her whole person, together with the triple
+barbed wit of her tongue, and an infallible memory in her head,
+made of her a real power in the land. The whole Cabinet des
+Chartes was entered in duplicate on the parchment of her brain.
+She knew all the genealogies of every noble house in
+Europe--princes, dukes, and counts--and could put her hand on the
+last descendants of Charlemagne in the direct line. No
+usurpation of title could escape the Princesse de
+Blamont-Chauvry.
+
+Young men who wished to stand well at Court, ambitious men, and
+young married women paid her assiduous homage. Her salon set the
+tone of the Faubourg Saint-Germain. The words of this Talleyrand
+in petticoats were taken as final decrees. People came to
+consult her on questions of etiquette or usages, or to take
+lessons in good taste. And, in truth, no other old woman could
+put back her snuff-box in her pocket as the Princess could; while
+there was a precision and a grace about the movements of her
+skirts, when she sat down or crossed her feet, which drove the
+finest ladies of the young generation to despair. Her voice had
+remained in her head during one-third of her lifetime; but she
+could not prevent a descent into the membranes of the nose, which
+lent to it a peculiar expressiveness. She still retained a
+hundred and fifty thousand livres of her great fortune, for
+Napoleon had generously returned her woods to her; so that
+personally and in the matter of possessions she was a woman of no
+little consequence.
+
+This curious antique, seated in a low chair by the fireside, was
+chatting with the Vidame de Pamiers, a contemporary ruin. The
+Vidame was a big, tall, and spare man, a seigneur of the old
+school, and had been a Commander of the Order of Malta. His neck
+had always been so tightly compressed by a strangulation stock,
+that his cheeks pouched over it a little, and he held his head
+high; to many people this would have given an air of
+self-sufficiency, but in the Vidame it was justified by a
+Voltairean wit. His wide prominent eyes seemed to see
+everything, and as a matter of fact there was not much that they
+had not seen. Altogether, his person was a perfect model of
+aristocratic outline, slim and slender, supple and agreeable. He
+seemed as if he could be pliant or rigid at will, and twist and
+bend, or rear his head like a snake.
+
+The Duc de Navarreins was pacing up and down the room with the
+Duc de Grandlieu. Both were men of fifty-six or thereabouts, and
+still hale; both were short, corpulent, flourishing, somewhat
+florid-complexioned men with jaded eyes, and lower lips that had
+begun to hang already. But for an exquisite refinement of
+accent, an urbane courtesy, and an ease of manner that could
+change in a moment to insolence, a superficial observer might
+have taken them for a couple of bankers. Any such mistake would
+have been impossible, however, if the listener could have heard
+them converse, and seen them on their guard with men whom they
+feared, vapid and commonplace with their equals, slippery with
+the inferiors whom courtiers and statesmen know how to tame by a
+tactful word, or to humiliate with an unexpected phrase.
+
+Such were the representatives of the great noblesse that
+determined to perish rather than submit to any change. It was a
+noblesse that deserved praise and blame in equal measure; a
+noblesse that will never be judged impartially until some poet
+shall arise to tell how joyfully the nobles obeyed the King
+though their heads fell under a Richelieu's axe, and how deeply
+they scorned the guillotine of '89 as a foul revenge.
+
+Another noticeable trait in all the four was a thin voice that
+agreed peculiarly well with their ideas and bearing. Among
+themselves, at any rate, they were on terms of perfect equality.
+None of them betrayed any sign of annoyance over the Duchess's
+escapade, but all of them had learned at Court to hide their
+feelings.
+
+And here, lest critics should condemn the puerility of the
+opening of the forthcoming scene, it is perhaps as well to remind
+the reader that Locke, once happening to be in the company of
+several great lords, renowned no less for their wit than for
+their breeding and political consistency, wickedly amused himself
+by taking down their conversation by some shorthand process of
+his own; and afterwards, when he read it over to them to see what
+they could make of it, they all burst out laughing. And, in
+truth, the tinsel jargon which circulates among the upper ranks
+in every country yields mighty little gold to the crucible when
+washed in the ashes of literature or philosophy. In every rank
+of society (some few Parisian salons excepted) the curious
+observer finds folly a constant quantity beneath a more or less
+transparent varnish. Conversation with any substance in it is a
+rare exception, and boeotianism is current coin in every zone.
+In the higher regions they must perforce talk more, but to make
+up for it they think the less. Thinking is a tiring exercise,
+and the rich like their lives to flow by easily and without
+effort. It is by comparing the fundamental matter of jests, as
+you rise in the social scale from the street-boy to the peer of
+France, that the observer arrives at a true comprehension of M.
+de Talleyrand's maxim, "The manner is everything"; an elegant
+rendering of the legal axiom, "The form is of more consequence
+than the matter." In the eyes of the poet the advantage rests
+with the lower classes, for they seldom fail to give a certain
+character of rude poetry to their thoughts. Perhaps also this
+same observation may explain the sterility of the salons, their
+emptiness, their shallowness, and the repugnance felt by men of
+ability for bartering their ideas for such pitiful small change.
+
+The Duke suddenly stopped as if some bright idea occurred to him,
+and remarked to his neighbour--
+
+"So you have sold Tornthon?"
+
+"No, he is ill. I am very much afraid I shall lose him, and I
+should be uncommonly sorry. He is a very good hunter. Do you
+know how the Duchesse de Marigny is?"
+
+"No. I did not go this morning. I was just going out to call
+when you came in to speak about Antoinette. But yesterday she
+was very ill indeed; they had given her up, she took the
+sacrament."
+
+"Her death will make a change in your cousin's position."
+
+"Not at all. She gave away her property in her lifetime, only
+keeping an annuity. She made over the Guebriant estate to her
+niece, Mme de Soulanges, subject to a yearly charge."
+
+"It will be a great loss for society. She was a kind woman.
+Her family will miss her; her experience and advice carried
+weight. Her son Marigny is an amiable man; he has a sharp wit,
+he can talk. He is pleasant, very pleasant. Pleasant? oh, that
+no one can deny, but--ill regulated to the last degree. Well,
+and yet it is an extraordinary thing, he is very acute. He was
+dining at the club the other day with that moneyed
+Chaussee-d'Antin set. Your uncle (he always goes there for his
+game of cards) found him there to his astonishment, and asked if
+he was a member. `Yes,' said he, `I don't go into society now; I
+am living among the bankers.'--You know why?" added the Marquis,
+with a meaning smile.
+
+"No," said the Duke.
+
+"He is smitten with that little Mme Keller, Gondreville's
+daughter; she is only lately married, and has a great vogue, they
+say, in that set."
+
+"Well, Antoinette does not find time heavy on her hands, it
+seems," remarked the Vidame.
+
+"My affection for that little woman has driven me to find a
+singular pastime," replied the Princess, as she returned her
+snuff-box to her pocket.
+
+"Dear aunt, I am extremely vexed," said the Duke, stopping
+short in his walk. "Nobody but one of Buonaparte's men could
+ask such an indecorous thing of a woman of fashion. Between
+ourselves, Antoinette might have made a better choice."
+
+"The Montriveaus are a very old family and very well connected,
+my dear," replied the Princess; "they are related to all the
+noblest houses of Burgundy. If the Dulmen branch of the Arschoot
+Rivaudoults should come to an end in Galicia, the Montriveaus
+would succeed to the Arschoot title and estates. They inherit
+through their great-grandfather.
+
+"Are you sure?"
+
+"I know it better than this Montriveau's father did. I told him
+about it, I used to see a good deal of him; and, Chevalier of
+several orders though he was, he only laughed; he was an
+encyclopaedist. But his brother turned the relationship to good
+account during the emigration. I have heard it said that his
+northern kinsfolk were most kind in every way----"
+
+"Yes, to be sure. The Comte de Montriveau died at St.
+Petersburg," said the Vidame. "I met him there. He was a big
+man with an incredible passion for oysters."
+
+"However many did he eat?" asked the Duc de Grandlieu.
+
+"Ten dozen every day."
+
+"And did they not disagree with him?"
+
+"Not the least bit in the world."
+
+"Why, that is extraordinary! Had he neither the stone nor gout,
+nor any other complaint, in consequence?"
+
+"No; his health was perfectly good, and he died through an
+accident."
+
+"By accident! Nature prompted him to eat oysters, so probably
+he required them; for up to a certain point our predominant
+tastes are conditions of our existence."
+
+"I am of your opinion," said the Princess, with a smile.
+
+"Madame, you always put a malicious construction on things,"
+returned the Marquis.
+
+"I only want you to understand that these remarks might leave a
+wrong impression on a young woman's mind," said she, and
+interrupted herself to exclaim, "But this niece, this niece of
+mine!"
+
+"Dear aunt, I still refuse to believe that she can have gone to
+M. de Montriveau," said the Duc de Navarreins.
+
+"Bah!" returned the Princess.
+
+"What do you think, Vidame?" asked the Marquis.
+
+"If the Duchess were an artless simpleton, I should think
+that----"
+
+"But when a woman is in love she becomes an artless simpleton,"
+retorted the Princess. "Really, my poor Vidame, you must be
+getting older."
+
+"After all, what is to be done?" asked the Duke.
+
+"If my dear niece is wise," said the Princess, "she will go to
+Court this evening--fortunately, today is Monday, and reception
+day--and you must see that we all rally round her and give the
+lie to this absurd rumour. There are hundreds of ways of
+explaining things; and if the Marquis de Montriveau is a
+gentleman, he will come to our assistance. We will bring these
+children to listen to reason----"
+
+"But, dear aunt, it is not easy to tell M. de Montriveau the
+truth to his face. He is one of Buonaparte's pupils, and he has
+a position. Why, he is one of the great men of the day; he is
+high up in the Guards, and very useful there. He has not a spark
+of ambition. He is just the man to say, `Here is my commission,
+leave me in peace,' if the King should say a word that he did not
+like."
+
+"Then, pray, what are his opinions?"
+
+"Very unsound."
+
+"Really," sighed the Princess, "the King is, as he always has
+been, a Jacobin under the Lilies of France."
+
+"Oh! not quite so bad," said the Vidame.
+
+"Yes; I have known him for a long while. The man that pointed
+out the Court to his wife on the occasion of her first state
+dinner in public with, `These are our people,' could only be a
+black-hearted scoundrel. I can see Monsieur exactly the same as
+ever in the King. The bad brother who voted so wrongly in his
+department of the Constituent Assembly was sure to compound with
+the Liberals and allow them to argue and talk. This
+philosophical cant will be just as dangerous now for the younger
+brother as it used to be for the elder; this fat man with the
+little mind is amusing himself by creating difficulties, and how
+his successor is to get out of them I do not know; he holds his
+younger brother in abhorrence; he would be glad to think as he
+lay dying, `He will not reign very long----'"
+
+"Aunt, he is the King, and I have the honour to be in his
+service----"
+
+"But does your post take away your right of free speech, my
+dear? You come of quite as good a house as the Bourbons. If the
+Guises had shown a little more resolution, His Majesty would be a
+nobody at this day. It is time I went out of this world, the
+noblesse is dead. Yes, it is all over with you, my children,"
+she continued, looking as she spoke at the Vidame. "What has my
+niece done that the whole town should be talking about her? She
+is in the wrong; I disapprove of her conduct, a useless scandal
+is a blunder; that is why I still have my doubts about this want
+of regard for appearances; I brought her up, and I know
+that----"
+
+Just at that moment the Duchess came out of her boudoir. She had
+recognised her aunt's voice and heard the name of Montriveau.
+She was still in her loose morning-gown; and even as she came in,
+M. de Grandlieu, looking carelessly out of the window, saw his
+niece's carriage driving back along the street. The Duke took
+his daughter's face in both hands and kissed her on the forehead.
+
+"So, dear girl," he said, "you do not know what is going on?"
+
+"Has anything extraordinary happened, father dear?"
+
+"Why, all Paris believes that you are with M. de Montriveau."
+
+"My dear Antoinette, you were at home all the time, were you
+not?" said the Princess, holding out a hand, which the Duchess
+kissed with affectionate respect.
+
+"Yes, dear mother; I was at home all the time. And," she
+added, as she turned to greet the Vidame and the Marquis, "I
+wished that all Paris should think that I was with M. de
+Montriveau."
+
+The Duke flung up his hands, struck them together in despair, and
+folded his arms.
+
+"Then, cannot you see what will come of this mad freak?" he
+asked at last.
+
+But the aged Princess had suddenly risen, and stood looking
+steadily at the Duchess, the younger woman flushed, and her eyes
+fell. Mme de Chauvry gently drew her closer, and said, "My
+little angel, let me kiss you!"
+
+She kissed her niece very affectionately on the forehead, and
+continued smiling, while she held her hand in a tight clasp.
+
+"We are not under the Valois now, dear child. You have
+compromised your husband and your position. Still, we will
+arrange to make everything right."
+
+"But, dear aunt, I do not wish to make it right at all. It is
+my wish that all Paris should say that I was with M. de
+Montriveau this morning. If you destroy that belief, however ill
+grounded it may be, you will do me a singular disservice."
+
+"Do you really wish to ruin yourself, child, and to grieve your
+family?"
+
+"My family, father, unintentionally condemned me to irreparable
+misfortune when they sacrificed me to family considerations. You
+may, perhaps, blame me for seeking alleviations, but you will
+certainly feel for me."
+
+"After all the endless pains you take to settle your daughters
+suitably!" muttered M. de Navarreins, addressing the Vidame.
+
+The Princess shook a stray grain of snuff from her skirts. "My
+dear little girl," she said, "be happy, if you can. We are not
+talking of troubling your felicity, but of reconciling it with
+social usages. We all of us here assembled know that marriage is
+a defective institution tempered by love. But when you take a
+lover, is there any need to make your bed in the Place du
+Carrousel? See now, just be a bit reasonable, and hear what we
+have to say."
+
+"I am listening."
+
+"Mme la Duchesse," began the Duc de Grandlieu, "if it were any
+part of an uncle's duty to look after his nieces, he ought to
+have a position; society would owe him honours and rewards and a
+salary, exactly as if he were in the King's service. So I am not
+here to talk about my nephew, but of your own interests. Let us
+look ahead a little. If you persist in making a scandal--I have
+seen the animal before, and I own that I have no great liking for
+him--Langeais is stingy enough, and he does not care a rap for
+anyone but himself; he will have a separation; he will stick to
+your money, and leave you poor, and consequently you will be a
+nobody. The income of a hundred thousand livres that you have
+just inherited from your maternal great-aunt will go to pay for
+his mistresses' amusements. You will be bound and gagged by the
+law; you will have to say Amen to all these arrangements.
+Suppose M. de Montriveau leaves you----dear me! do not let us put
+ourselves in a passion, my dear niece; a man does not leave a
+woman while she is young and pretty; still, we have seen so many
+pretty women left disconsolate, even among princesses, that you
+will permit the supposition, an all but impossible supposition I
+quite wish to believe.----Well, suppose that he goes, what will
+become of you without a husband? Keep well with your husband as
+you take care of your beauty; for beauty, after all, is a woman's
+parachute, and a husband also stands between you and worse. I am
+supposing that you are happy and loved to the end, and I am
+leaving unpleasant or unfortunate events altogether out of the
+reckoning. This being so, fortunately or unfortunately, you may
+have children. What are they to be? Montriveaus? Very well;
+they certainly will not succeed to their father's whole fortune.
+You will want to give them all that you have; he will wish to do
+the same. Nothing more natural, dear me! And you will find the
+law against you. How many times have we seen heirs-at-law
+bringing a law-suit to recover the property from illegitimate
+children? Every court of law rings with such actions all over
+the world. You will create a fidei commissum perhaps; and if the
+trustee betrays your confidence, your children have no remedy
+against him; and they are ruined. So choose carefully. You see
+the perplexities of the position. In every possible way your
+children will be sacrificed of necessity to the fancies of your
+heart; they will have no recognised status. While they are
+little they will be charming; but, Lord! some day they will
+reproach you for thinking of no one but your two selves. We old
+gentlemen know all about it. Little boys grow up into men, and
+men are ungrateful beings. When I was in Germany, did I not hear
+young de Horn say, after supper, `If my mother had been an honest
+woman, I should be prince-regnant!' `IF?' We have spent our
+lives in hearing plebeians say IF. IF brought about the
+Revolution. When a man cannot lay the blame on his father or
+mother, he holds God responsible for his hard lot. In short,
+dear child, we are here to open your eyes. I will say all I have
+to say in a few words, on which you had better meditate: A woman
+ought never to put her husband in the right."
+
+"Uncle, so long as I cared for nobody, I could calculate; I
+looked at interests then, as you do; now, I can only feel."
+
+"But, my dear little girl," remonstrated the Vidame, "life is
+simply a complication of interests and feelings; to be happy,
+more particularly in your position, one must try to reconcile
+one's feelings with one's interests. A grisette may love
+according to her fancy, that is intelligible enough, but you have
+a pretty fortune, a family, a name and a place at Court, and you
+ought not to fling them out of the window. And what have we been
+asking you to do to keep them all?--To manoeuvre carefully
+instead of falling foul of social conventions. Lord! I shall
+very soon be eighty years old, and I cannot recollect, under any
+regime, a love worth the price that you are willing to pay for
+the love of this lucky young man."
+
+The Duchess silenced the Vidame with a look; if Montriveau could
+have seen that glance, he would have forgiven all.
+
+"It would be very effective on the stage," remarked the Duc de
+Grandlieu, "but it all amounts to nothing when your jointure and
+position and independence is concerned. You are not grateful, my
+dear niece. You will not find many families where the relatives
+have courage enough to teach the wisdom gained by experience, and
+to make rash young heads listen to reason. Renounce your
+salvation in two minutes, if it pleases you to damn yourself;
+well and good; but reflect well beforehand when it comes to
+renouncing your income. I know of no confessor who remits the
+pains of poverty. I have a right, I think, to speak in this way
+to you; for if you are ruined, I am the one person who can offer
+you a refuge. I am almost an uncle to Langeais, and I alone have
+a right to put him in the wrong."
+
+The Duc de Navarreins roused himself from painful reflections.
+
+"Since you speak of feeling, my child," he said, "let me
+remind you that a woman who bears your name ought to be moved by
+sentiments which do not touch ordinary people. Can you wish to
+give an advantage to the Liberals, to those Jesuits of
+Robespierre's that are doing all they can to vilify the noblesse?
+Some things a Navarreins cannot do without failing in duty to his
+house. You would not be alone in your dishonour----"
+
+"Come, come!" said the Princess. "Dishonour? Do not make
+such a fuss about the journey of an empty carriage, children, and
+leave me alone with Antoinette. Ail three of you come and dine
+with me. I will undertake to arrange matters suitably. You men
+understand nothing; you are beginning to talk sourly already, and
+I have no wish to see a quarrel between you and my dear child.
+Do me the pleasure to go."
+
+The three gentlemen probably guessed the Princess's intentions;
+they took their leave. M. de Navarreins kissed his daughter on
+the forehead with, "Come, be good, dear child. It is not too
+late yet if you choose."
+
+"Couldn't we find some good fellow in the family to pick a
+quarrel with this Montriveau?" said the Vidame, as they went
+downstairs.
+
+When the two women were alone, the Princess beckoned her niece to
+a little low chair by her side.
+
+"My pearl," said she, "in this world below, I know nothing
+worse calumniated than God and the eighteenth century; for as I
+look back over my own young days, I do not recollect that a
+single duchess trampled the proprieties underfoot as you have
+just done. Novelists and scribblers brought the reign of Louis
+XV into disrepute. Do not believe them. The du Barry, my dear,
+was quite as good as the Widow Scarron, and the more agreeable
+woman of the two. In my time a woman could keep her dignity
+among her gallantries. Indiscretion was the ruin of us, and the
+beginning of all the mischief. The philosophists--the nobodies
+whom we admitted into our salons--had no more gratitude or sense
+of decency than to make an inventory of our hearts, to traduce us
+one and all, and to rail against the age by way of a return for
+our kindness. The people are not in a position to judge of
+anything whatsoever; they looked at the facts, not at the form.
+But the men and women of those times, my heart, were quite as
+remarkable as at any other period of the Monarchy. Not one of
+your Werthers, none of your notabilities, as they are called,
+never a one of your men in yellow kid gloves and trousers that
+disguise the poverty of their legs, would cross Europe in the
+dress of a travelling hawker to brave the daggers of a Duke of
+Modena, and to shut himself up in the dressing-room of the
+Regent's daughter at the risk of his life. Not one of your
+little consumptive patients with their tortoiseshell eyeglasses
+would hide himself in a closet for six weeks, like Lauzun, to
+keep up his mistress's courage while she was lying in of her
+child. There was more passion in M. de Jaucourt's little finger
+than in your whole race of higglers that leave a woman to better
+themselves elsewhere! Just tell me where to find the page that
+would be cut in pieces and buried under the floorboards for one
+kiss on the Konigsmark's gloved finger!
+
+"Really, it would seem today that the roles are exchanged, and
+women are expected to show their devotion for men. These modern
+gentlemen are worth less, and think more of themselves. Believe
+me, my dear, all these adventures that have been made public, and
+now are turned against our good Louis XV, were kept quite secret
+at first. If it had not been for a pack of poetasters,
+scribblers, and moralists, who hung about our waiting-women, and
+took down their slanders, our epoch would have appeared in
+literature as a well-conducted age. I am justifying the century
+and not its fringe. Perhaps a hundred women of quality were
+lost; but for every one, the rogues set down ten, like the
+gazettes after a battle when they count up the losses of the
+beaten side. And in any case I do not know that the Revolution
+and the Empire can reproach us; they were coarse, dull,
+licentious times. Faugh! it is revolting. Those are the
+brothels of French history.
+
+"This preamble, my dear child," she continued after a pause,
+"brings me to the thing that I have to say. If you care for
+Montriveau, you are quite at liberty to love him at your ease,
+and as much as you can. I know by experience that, unless you
+are locked up (but locking people up is out of fashion now), you
+will do as you please; I should have done the same at your age.
+Only, sweetheart, I should not have given up my right to be the
+mother of future Ducs de Langeais. So mind appearances. The
+Vidame is right. No man is worth a single one of the sacrifices
+which we are foolish enough to make for their love. Put yourself
+in such a position that you may still be M. de Langeais's wife,
+in case you should have the misfortune to repent. When you are
+an old woman, you will be very glad to hear mass said at Court,
+and not in some provincial convent. Therein lies the whole
+question. A single imprudence means an allowance and a wandering
+life; it means that you are at the mercy of your lover; it means
+that you must put up with insolence from women that are not so
+honest, precisely because they have been very vulgarly
+sharp-witted. It would be a hundred times better to go to
+Montriveau's at night in a cab, and disguised, instead of sending
+your carriage in broad daylight. You are a little fool, my dear
+child! Your carriage flattered his vanity; your person would
+have ensnared his heart. All this that I have said is just and
+true; but, for my own part, I do not blame you. You are two
+centuries behind the times with your false ideas of greatness.
+There, leave us to arrange your affairs, and say that Montriveau
+made your servants drunk to gratify his vanity and to compromise
+you----"
+
+The Duchess rose to her feet with a spring. "In Heaven's name,
+aunt, do not slander him!"
+
+The old Princess's eyes flashed.
+
+"Dear child," she said, "I should have liked to spare such of
+your illusions as were not fatal. But there must be an end of
+all illusions now. You would soften me if I were not so old.
+Come, now, do not vex him, or us, or anyone else. I will
+undertake to satisfy everybody; but promise me not to permit
+yourself a single step henceforth until you have consulted me.
+Tell me all, and perhaps I may bring it all right again."
+
+"Aunt, I promise----"
+
+"To tell me everything?"
+
+"Yes, everything. Everything that can be told."
+
+"But, my sweetheart, it is precisely what cannot be told that I
+want to know. Let us understand each other thoroughly. Come,
+let me put my withered old lips on your beautiful forehead. No;
+let me do as I wish. I forbid you to kiss my bones. Old people
+have a courtesy of their own. . . . There, take me down to my
+carriage," she added, when she had kissed her niece.
+
+"Then may I go to him in disguise, dear aunt?"
+
+"Why--yes. The story can always be denied," said the old
+Princess.
+
+This was the one idea which the Duchess had clearly grasped in
+the sermon. When Mme de Chauvry was seated in the corner of her
+carriage, Mme de Langeais bade her a graceful adieu and went up
+to her room. She was quite happy again.
+
+"My person would have snared his heart; my aunt is right; a man
+cannot surely refuse a pretty woman when she understands how to
+offer herself."
+
+That evening, at the Elysee-Bourbon, the Duc de Navarreins, M. de
+Pamiers, M. de Marsay, M. de Grandlieu, and the Duc de
+Maufrigneuse triumphantly refuted the scandals that were
+circulating with regard to the Duchesse de Langeais. So many
+officers and other persons had seen Montriveau walking in the
+Tuileries that morning, that the silly story was set down to
+chance, which takes all that is offered. And so, in spite of the
+fact that the Duchess's carriage had waited before Montriveau's
+door, her character became as clear and as spotless as Mambrino's
+sword after Sancho had polished it up.
+
+But, at two o'clock, M. de Ronquerolles passed Montriveau in a
+deserted alley, and said with a smile, "She is coming on, is
+your Duchess. Go on, keep it up!" he added, and gave a
+significant cut of the riding whip to his mare, who sped off like
+a bullet down the avenue.
+
+Two days after the fruitless scandal, Mme de Langeais wrote to M.
+de Montriveau. That letter, like the preceding ones, remained
+unanswered. This time she took her own measures, and bribed M.
+de Montriveau's man, Auguste. And so at eight o'clock that
+evening she was introduced into Armand's apartment. It was not
+the room in which that secret scene had passed; it was entirely
+different. The Duchess was told that the General would not be at
+home that night. Had he two houses? The man would give no
+answer. Mme de Langeais had bought the key of the room, but not
+the man's whole loyalty.
+
+When she was left alone she saw her fourteen letters lying on an
+old-fashioned stand, all of them uncreased and unopened. He had
+not read them. She sank into an easy-chair, and for a while she
+lost consciousness. When she came to herself, Auguste was
+holding vinegar for her to inhale.
+
+"A carriage; quick!" she ordered.
+
+The carriage came. She hastened downstairs with convulsive
+speed, and left orders that no one was to be admitted. For
+twenty-four hours she lay in bed, and would have no one near her
+but her woman, who brought her a cup of orange-flower water from
+time to time. Suzette heard her mistress moan once or twice, and
+caught a glimpse of tears in the brilliant eyes, now circled with
+dark shadows.
+
+The next day, amid despairing tears, Mme de Langeais took her
+resolution. Her man of business came for an interview, and no
+doubt received instructions of some kind. Afterwards she sent
+for the Vidame de Pamiers; and while she waited, she wrote a
+letter to M. de Montriveau. The Vidame punctually came towards
+two o'clock that afternoon, to find his young cousin looking
+white and worn, but resigned; never had her divine loveliness
+been more poetic than now in the languor of her agony.
+
+"You owe this assignation to your eighty-four years, dear
+cousin," she said. "Ah! do not smile, I beg of you, when an
+unhappy woman has reached the lowest depths of wretchedness. You
+are a gentleman, and after the adventures of your youth you must
+feel some indulgence for women."
+
+"None whatever," said he.
+
+"Indeed!"
+
+"Everything is in their favour."
+
+"Ah! Well, you are one of the inner family circle; possibly you
+will be the last relative, the last friend whose hand I shall
+press, so I can ask your good offices. Will you, dear Vidame, do
+me a service which I could not ask of my own father, nor of my
+uncle Grandlieu, nor of any woman? You cannot fail to
+understand. I beg of you to do my bidding, and then to forget
+what you have done, whatever may come of it. It is this: Will
+you take this letter and go to M. de Montriveau? will you see him
+yourself, give it into his hands, and ask him, as you men can ask
+things between yourselves--for you have a code of honour between
+man and man which you do not use with us, and a different way of
+regarding things between yourselves--ask him if he will read this
+letter? Not in your presence. Certain feelings men hide from
+each other. I give you authority to say, if you think it
+necessary to bring him, that it is a question of life or death
+for me. If he deigns----"
+
+"DEIGNS!" repeated the Vidame.
+
+"If he deigns to read it," the Duchess continued with dignity,
+"say one thing more. You will go to see him about five o'clock,
+for I know that he will dine at home today at that time. Very
+good. By way of answer he must come to see me. If, three hours
+afterwards, by eight o'clock, he does not leave his house, all
+will be over. The Duchesse de Langeais will have vanished from
+the world. I shall not be dead, dear friend, no, but no human
+power will ever find me again on this earth. Come and dine with
+me; I shall at least have one friend with me in the last agony.
+Yes, dear cousin, tonight will decide my fate; and whatever
+happens to me, I pass through an ordeal by fire. There! not a
+word. I will hear nothing of the nature of comment or
+advice----Let us chat and laugh together," she added, holding
+out a hand, which he kissed. "We will be like two grey-headed
+philosophers who have learned how to enjoy life to the last
+moment. I will look my best; I will be very enchanting for you.
+You perhaps will be the last man to set eyes on the Duchesse de
+Langeais."
+
+The Vicomte bowed, took the letter, and went without a word. At
+five o'clock he returned. His cousin had studied to please him,
+and she looked lovely indeed. The room was gay with flowers as
+if for a festivity; the dinner was exquisite. For the
+grey-headed Vidame the Duchess displayed all the brilliancy of
+her wit; she was more charming than she had ever been before. At
+first the Vidame tried to look on all these preparations as a
+young woman's jest; but now and again the attempted illusion
+faded, the spell of his fair cousin's charm was broken. He
+detected a shudder caused by some kind of sudden dread, and once
+she seemed to listen during a pause.
+
+"What is the matter?" he asked.
+
+"Hush!" she said.
+
+At seven o'clock the Duchess left him for a few minutes. When
+she came back again she was dressed as her maid might have
+dressed for a journey. She asked her guest to be her escort,
+took his arm, sprang into a hackney coach, and by a quarter to
+eight they stood outside M. de Montriveau's door.
+
+Armand meantime had been reading the following letter:--
+
+
+"MY FRIEND,--I went to your rooms for a few minutes without your
+knowledge; I found my letters there, and took them away. This
+cannot be indifference, Armand, between us; and hatred would show
+itself quite differently. If you love me, make an end of this
+cruel play, or you will kill me, and afterwards, learning how
+much you were loved, you might be in despair. If I have not
+rightly understood you, if you have no feeling towards me but
+aversion, which implies both contempt and disgust, then I give up
+all hope. A man never recovers from those feelings. You will
+have no regrets. Dreadful though that thought may be, it will
+comfort me in my long sorrow. Regrets? Oh, my Armand, may I
+never know of them; if I thought that I had caused you a single
+regret----But, no, I will not tell you what desolation I should
+feel. I should be living still, and I could not be your wife; it
+would be too late!
+
+"Now that I have given myself wholly to you in thought, to whom
+else should I give myself?--to God. The eyes that you loved for
+a little while shall never look on another man's face; and may
+the glory of God blind them to all besides. I shall never hear
+human voices more since I heard yours--so gentle at the first, so
+terrible yesterday; for it seems to me that I am still only on
+the morrow of your vengeance. And now may the will of God
+consume me. Between His wrath and yours, my friend, there will
+be nothing left for me but a little space for tears and prayers.
+
+"Perhaps you wonder why I write to you? Ah! do not think ill of
+me if I keep a gleam of hope, and give one last sigh to happy
+life before I take leave of it forever. I am in a hideous
+position. I feel all the inward serenity that comes when a great
+resolution has been taken, even while I hear the last growlings
+of the storm. When you went out on that terrible adventure which
+so drew me to you, Armand, you went from the desert to the oasis
+with a good guide to show you the way. Well, I am going out of
+the oasis into the desert, and you are a pitiless guide to me.
+And yet you only, my friend, can understand how melancholy it is
+to look back for the last time on happiness--to you, and you
+only, I can make moan without a blush. If you grant my entreaty,
+I shall be happy; if you are inexorable, I shall expiate the
+wrong that I have done. After all, it is natural, is it not,
+that a woman should wish to live, invested with all noble
+feelings, in her friend's memory? Oh! my one and only love, let
+her to whom you gave life go down into the tomb in the belief
+that she is great in your eyes. Your harshness led me to
+reflect; and now that I love you so, it seems to me that I am
+less guilty than you think. Listen to my justification, I owe it
+to you; and you that are all the world to me, owe me at least a
+moment's justice.
+
+"I have learned by my own anguish all that I made you suffer by
+my coquetry; but in those days I was utterly ignorant of love.
+YOU know what the torture is, and you mete it out to me! During
+those first eight months that you gave me you never roused any
+feeling of love in me. Do you ask why this was so, my friend? I
+can no more explain it than I can tell you why I love you now.
+Oh! certainly it flattered my vanity that I should be the subject
+of your passionate talk, and receive those burning glances of
+yours; but you left me cold. No, I was not a woman; I had no
+conception of womanly devotion and happiness. Who was to blame?
+You would have despised me, would you not, if I had given myself
+without the impulse of passion? Perhaps it is the highest height
+to which we can rise--to give all and receive no joy; perhaps
+there is no merit in yielding oneself to bliss that is foreseen
+and ardently desired. Alas, my friend, I can say this now; these
+thoughts came to me when I played with you; and you seemed to me
+so great even then that I would not have you owe the gift to
+pity----What is this that I have written?
+
+"I have taken back all my letters; I am flinging them one by one
+on the fire; they are burning. You will never know what they
+confessed--all the love and the passion and the madness----
+
+"I will say no more, Armand; I will stop. I will not say
+another word of my feelings. If my prayers have not echoed from
+my soul through yours, I also, woman that I am, decline to owe
+your love to your pity. It is my wish to be loved, because you
+cannot choose but love me, or else to be left without mercy. If
+you refuse to read this letter, it shall be burnt. If, after you
+have read it, you do not come to me within three hours, to be
+henceforth forever my husband, the one man in the world for me;
+then I shall never blush to know that this letter is in your
+hands, the pride of my despair will protect my memory from all
+insult, and my end shall be worthy of my love. When you see me
+no more on earth, albeit I shall still be alive, you yourself
+will not think without a shudder of the woman who, in three
+hours' time, will live only to overwhelm you with her tenderness;
+a woman consumed by a hopeless love, and faithful--not to
+memories of past joys--but to a love that was slighted.
+
+"The Duchesse de la Valliere wept for lost happiness and
+vanished power; but the Duchesse de Langeais will be happy that
+she may weep and be a power for you still. Yes, you will regret
+me. I see clearly that I was not of this world, and I thank you
+for making it clear to me.
+
+"Farewell; you will never touch MY axe. Yours was the
+executioner's axe, mine is God's; yours kills, mine saves. Your
+love was but mortal, it could not endure disdain or ridicule;
+mine can endure all things without growing weaker, it will last
+eternally. Ah! I feel a sombre joy in crushing you that believe
+yourself so great; in humbling you with the calm, indulgent smile
+of one of the least among the angels that lie at the feet of God,
+for to them is given the right and the power to protect and watch
+over men in His name. You have but felt fleeting desires, while
+the poor nun will shed the light of her ceaseless and ardent
+prayer about you, she will shelter you all your life long beneath
+the wings of a love that has nothing of earth in it.
+
+"I have a presentiment of your answer; our trysting place shall
+be--in heaven. Strength and weakness can both enter there, dear
+Armand; the strong and the weak are bound to suffer. This
+thought soothes the anguish of my final ordeal. So calm am I
+that I should fear that I had ceased to love you if I were not
+about to leave the world for your sake.
+
+"ANTOINETTE."
+
+
+"Dear Vidame," said the Duchess as they reached Montriveau's
+house, "do me the kindness to ask at the door whether he is at
+home." The Vidame, obedient after the manner of the eighteenth
+century to a woman's wish, got out, and came back to bring his
+cousin an affirmative answer that sent a shudder through her.
+She grasped his hand tightly in hers, suffered him to kiss her on
+either cheek, and begged him to go at once. He must not watch
+her movements nor try to protect her. "But the people passing
+in the street," he objected.
+
+"No one can fail in respect to me," she said. It was the last
+word spoken by the Duchess and the woman of fashion.
+
+The Vidame went. Mme de Langeais wrapped herself about in her
+cloak, and stood on the doorstep until the clocks struck eight.
+The last stroke died away. The unhappy woman waited ten, fifteen
+minutes; to the last she tried to see a fresh humiliation in the
+delay, then her faith ebbed. She turned to leave the fatal
+threshold.
+
+"Oh, God!" the cry broke from her in spite of herself; it was
+the first word spoken by the Carmelite.
+
+
+Montriveau and some of his friends were talking together. He
+tried to hasten them to a conclusion, but his clock was slow, and
+by the time he started out for the Hotel de Langeais the Duchess
+was hurrying on foot through the streets of Paris, goaded by the
+dull rage in her heart. She reached the Boulevard d'Enfer, and
+looked out for the last time through falling tears on the noisy,
+smoky city that lay below in a red mist, lighted up by its own
+lamps. Then she hailed a cab, and drove away, never to return.
+When the Marquis de Montriveau reached the Hotel de Langeais, and
+found no trace of his mistress, he thought that he had been
+duped. He hurried away at once to the Vidame, and found that
+worthy gentleman in the act of slipping on his flowered
+dressing-gown, thinking the while of his fair cousin's happiness.
+
+Montriveau gave him one of the terrific glances that produced the
+effect of an electric shock on men and women alike.
+
+"Is it possible that you have lent yourself to some cruel hoax,
+monsieur?" Montriveau exclaimed. "I have just come from Mme de
+Langeais's house; the servants say that she is out."
+
+"Then a great misfortune has happened, no doubt," returned the
+Vidame, "and through your fault. I left the Duchess at your
+door----"
+
+"When?"
+
+"At a quarter to eight."
+
+"Good evening," returned Montriveau, and he hurried home to ask
+the porter whether he had seen a lady standing on the doorstep
+that evening.
+
+"Yes, my Lord Marquis, a handsome woman, who seemed very much
+put out. She was crying like a Magdalen, but she never made a
+sound, and stood as upright as a post. Then at last she went,
+and my wife and I that were watching her while she could not see
+us, heard her say, `Oh, God!' so that it went to our hearts,
+asking your pardon, to hear her say it."
+
+Montriveau, in spite of all his firmness, turned pale at those
+few words. He wrote a few lines to Ronquerolles, sent off the
+message at once, and went up to his rooms. Ronquerolles came
+just about midnight.
+
+Armand gave him the Duchess's letter to read.
+
+"Well?" asked Ronquerolles.
+
+"She was here at my door at eight o'clock; at a quarter-past
+eight she had gone. I have lost her, and I love her. Oh! if my
+life were my own, I could blow my brains out."
+
+"Pooh, pooh! Keep cool," said Ronquerolles. "Duchesses do
+not fly off like wagtails. She cannot travel faster than three
+leagues an hour, and tomorrow we will ride six.--Confound it!
+Mme de Langeais is no ordinary woman," he continued. "Tomorrow
+we will all of us mount and ride. The police will put us on her
+track during the day. She must have a carriage; angels of that
+sort have no wings. We shall find her whether she is on the road
+or hidden in Paris. There is the semaphore. We can stop her.
+You shall be happy. But, my dear fellow, you have made a
+blunder, of which men of your energy are very often guilty. They
+judge others by themselves, and do not know the point when human
+nature gives way if you strain the cords too tightly. Why did
+you not say a word to me sooner? I would have told you to be
+punctual. Good-bye till tomorrow," he added, as Montriveau said
+nothing. "Sleep if you can," he added, with a grasp of the
+hand.
+
+But the greatest resources which society has ever placed at the
+disposal of statesmen, kings, ministers, bankers, or any human
+power, in fact, were all exhausted in vain. Neither Montriveau
+nor his friends could find any trace of the Duchess. It was
+clear that she had entered a convent. Montriveau determined to
+search, or to institute a search, for her through every convent
+in the world. He must have her, even at the cost of all the
+lives in a town. And in justice to this extraordinary man, it
+must be said that his frenzied passion awoke to the same ardour
+daily and lasted through five years. Only in 1829 did the Duc de
+Navarreins hear by chance that his daughter had travelled to
+Spain as Lady Julia Hopwood's maid, that she had left her service
+at Cadiz, and that Lady Julia never discovered that Mlle Caroline
+was the illustrious duchess whose sudden disappearance filled the
+minds of the highest society of Paris.
+
+
+The feelings of the two lovers when they met again on either side
+of the grating in the Carmelite convent should now be
+comprehended to the full, and the violence of the passion
+awakened in either soul will doubtless explain the catastrophe of
+the story.
+
+In 1823 the Duc de Langeais was dead, and his wife was free.
+Antoinette de Navarreins was living, consumed by love, on a ledge
+of rock in the Mediterranean; but it was in the Pope's power to
+dissolve Sister Theresa's vows. The happiness bought by so much
+love might yet bloom for the two lovers. These thoughts sent
+Montriveau flying from Cadiz to Marseilles, and from Marseilles
+to Paris.
+
+A few months after his return to France, a merchant brig, fitted
+out and munitioned for active service, set sail from the port of
+Marseilles for Spain. The vessel had been chartered by several
+distinguished men, most of them Frenchmen, who, smitten with a
+romantic passion for the East, wished to make a journey to those
+lands. Montriveau's familiar knowledge of Eastern customs made
+him an invaluable travelling companion, and at the entreaty of
+the rest he had joined the expedition; the Minister of War
+appointed him lieutenant-general, and put him on the Artillery
+Commission to facilitate his departure.
+
+Twenty-fours hours later the brig lay to off the north-west shore
+of an island within sight of the Spanish coast. She had been
+specially chosen for her shallow keel and light mastage, so that
+she might lie at anchor in safety half a league away from the
+reefs that secure the island from approach in this direction. If
+fishing vessels or the people on the island caught sight of the
+brig, they were scarcely likely to feel suspicious of her at
+once; and besides, it was easy to give a reason for her presence
+without delay. Montriveau hoisted the flag of the United States
+before they came in sight of the island, and the crew of the
+vessel were all American sailors, who spoke nothing but English.
+One of M. de Montriveau's companions took the men ashore in the
+ship's longboat, and made them so drunk at an inn in the little
+town that they could not talk. Then he gave out that the brig
+was manned by treasure-seekers, a gang of men whose hobby was
+well known in the United States; indeed, some Spanish writer had
+written a history of them. The presence of the brig among the
+reefs was now sufficiently explained. The owners of the vessel,
+according to the self-styled boatswain's mate, were looking for
+the wreck of a galleon which foundered thereabouts in 1778 with a
+cargo of treasure from Mexico. The people at the inn and the
+authorities asked no more questions.
+
+Armand, and the devoted friends who were helping him in his
+difficult enterprise, were all from the first of the opinion that
+there was no hope of rescuing or carrying off Sister Theresa by
+force or stratagem from the side of the little town. Wherefore
+these bold spirits, with one accord, determined to take the bull
+by the horns. They would make a way to the convent at the most
+seemingly inaccessible point; like General Lamarque, at the
+storming of Capri, they would conquer Nature. The cliff at the
+end of the island, a sheer block of granite, afforded even less
+hold than the rock of Capri. So it seemed at least to
+Montriveau, who had taken part in that incredible exploit, while
+the nuns in his eyes were much more redoubtable than Sir Hudson
+Lowe. To raise a hubbub over carrying off the Duchess would
+cover them with confusion. They might as well set siege to the
+town and convent, like pirates, and leave not a single soul to
+tell of their victory. So for them their expedition wore but two
+aspects. There should be a conflagration and a feat of arms that
+should dismay all Europe, while the motives of the crime remained
+unknown; or, on the other hand, a mysterious, aerial descent
+which should persuade the nuns that the Devil himself had paid
+them a visit. They had decided upon the latter course in the
+secret council held before they left Paris, and subsequently
+everything had been done to insure the success of an expedition
+which promised some real excitement to jaded spirits weary of
+Paris and its pleasures.
+
+An extremely light pirogue, made at Marseilles on a Malayan
+model, enabled them to cross the reef, until the rocks rose from
+out of the water. Then two cables of iron wire were fastened
+several feet apart between one rock and another. These wire
+ropes slanted upwards and downwards in opposite directions, so
+that baskets of iron wire could travel to and fro along them; and
+in this manner the rocks were covered with a system of baskets
+and wire-cables, not unlike the filaments which a certain species
+of spider weaves about a tree. The Chinese, an essentially
+imitative people, were the first to take a lesson from the work
+of instinct. Fragile as these bridges were, they were always
+ready for use; high waves and the caprices of the sea could not
+throw them out of working order; the ropes hung just sufficiently
+slack, so as to present to the breakers that particular curve
+discovered by Cachin, the immortal creator of the harbour at
+Cherbourg. Against this cunningly devised line the angry surge
+is powerless; the law of that curve was a secret wrested from
+Nature by that faculty of observation in which nearly all human
+genius consists.
+
+M. de Montriveau's companions were alone on board the vessel, and
+out of sight of every human eye. No one from the deck of a
+passing vessel could have discovered either the brig hidden among
+the reefs, or the men at work among the rocks; they lay below the
+ordinary range of the most powerful telescope. Eleven days were
+spent in preparation, before the Thirteen, with all their
+infernal power, could reach the foot of the cliffs. The body of
+the rock rose up straight from the sea to a height of thirty
+fathoms. Any attempt to climb the sheer wall of granite seemed
+impossible; a mouse might as well try to creep up the slippery
+sides of a plain china vase. Still there was a cleft, a straight
+line of fissure so fortunately placed that large blocks of wood
+could be wedged firmly into it at a distance of about a foot
+apart. Into these blocks the daring workers drove iron cramps,
+specially made for the purpose, with a broad iron bracket at the
+outer end, through which a hole had been drilled. Each bracket
+carried a light deal board which corresponded with a notch made
+in a pole that reached to the top of the cliffs, and was firmly
+planted in the beach at their feet. With ingenuity worthy of
+these men who found nothing impossible, one of their number, a
+skilled mathematician, had calculated the angle from which the
+steps must start; so that from the middle they rose gradually,
+like the sticks of a fan, to the top of the cliff, and descended
+in the same fashion to its base. That miraculously light, yet
+perfectly firm, staircase cost them twenty-two days of toil. A
+little tinder and the surf of the sea would destroy all trace of
+it forever in a single night. A betrayal of the secret was
+impossible; and all search for the violators of the convent was
+doomed to failure.
+
+At the top of the rock there was a platform with sheer precipice
+on all sides. The Thirteen, reconnoitring the ground with their
+glasses from the masthead, made certain that though the ascent
+was steep and rough, there would be no difficulty in gaining the
+convent garden, where the trees were thick enough for a
+hiding-place. After such great efforts they would not risk the
+success of their enterprise, and were compelled to wait till the
+moon passed out of her last quarter.
+
+For two nights Montriveau, wrapped in his cloak, lay out on the
+rock platform. The singing at vespers and matins filled him with
+unutterable joy. He stood under the wall to hear the music of
+the organ, listening intently for one voice among the rest. But
+in spite of the silence, the confused effect of music was all
+that reached his ears. In those sweet harmonies defects of
+execution are lost; the pure spirit of art comes into direct
+communication with the spirit of the hearer, making no demand on
+the attention, no strain on the power of listening. Intolerable
+memories awoke. All the love within him seemed to break into
+blossom again at the breath of that music; he tried to find
+auguries of happiness in the air. During the last night he sat
+with his eyes fixed upon an ungrated window, for bars were not
+needed on the side of the precipice. A light shone there all
+through the hours; and that instinct of the heart, which is
+sometimes true, and as often false, cried within him, "She is
+there!"
+
+"She is certainly there! Tomorrow she will be mine," he said
+to himself, and joy blended with the slow tinkling of a bell that
+began to ring.
+
+Strange unaccountable workings of the heart! The nun, wasted by
+yearning love, worn out with tears and fasting, prayer and
+vigils; the woman of nine-and-twenty, who had passed through
+heavy trials, was loved more passionately than the lighthearted
+girl, the woman of four-and-twenty, the sylphide, had ever been.
+But is there not, for men of vigorous character, something
+attractive in the sublime expression engraven on women's faces by
+the impetuous stirrings of thought and misfortunes of no ignoble
+kind? Is there not a beauty of suffering which is the most
+interesting of all beauty to those men who feel that within them
+there is an inexhaustible wealth of tenderness and consoling pity
+for a creature so gracious in weakness, so strong with love? It
+is the ordinary nature that is attracted by young, smooth,
+pink-and-white beauty, or, in one word, by prettiness. In some
+faces love awakens amid the wrinkles carved by sorrow and the
+ruin made by melancholy; Montriveau could not but feel drawn to
+these. For cannot a lover, with the voice of a great longing,
+call forth a wholly new creature? a creature athrob with the life
+but just begun breaks forth for him alone, from the outward form
+that is fair for him, and faded for all the world besides. Does
+he not love two women?--One of them, as others see her, is pale
+and wan and sad; but the other, the unseen love that his heart
+knows, is an angel who understands life through feeling, and is
+adorned in all her glory only for love's high festivals.
+
+The General left his post before sunrise, but not before he had
+heard voices singing together, sweet voices full of tenderness
+sounding faintly from the cell. When he came down to the foot of
+the cliffs where his friends were waiting, he told them that
+never in his life had he felt such enthralling bliss, and in the
+few words there was that unmistakable thrill of repressed strong
+feeling, that magnificent utterance which all men respect.
+
+That night eleven of his devoted comrades made the ascent in the
+darkness. Each man carried a poniard, a provision of chocolate,
+and a set of house-breaking tools. They climbed the outer walls
+with scaling-ladders, and crossed the cemetery of the convent.
+Montriveau recognised the long, vaulted gallery through which he
+went to the parlour, and remembered the windows of the room. His
+plans were made and adopted in a moment. They would effect an
+entrance through one of the windows in the Carmelite's half of
+the parlour, find their way along the corridors, ascertain
+whether the sister's names were written on the doors, find Sister
+Theresa's cell, surprise her as she slept, and carry her off,
+bound and gagged. The programme presented no difficulties to men
+who combined boldness and a convict's dexterity with the
+knowledge peculiar to men of the world, especially as they would
+not scruple to give a stab to ensure silence.
+
+In two hours the bars were sawn through. Three men stood on
+guard outside, and two inside the parlour. The rest, barefooted,
+took up their posts along the corridor. Young Henri de Marsay,
+the most dexterous man among them, disguised by way of precaution
+in a Carmelite's robe, exactly like the costume of the convent,
+led the way, and Montriveau came immediately behind him. The
+clock struck three just as the two men reached the dormitory
+cells. They soon saw the position. Everything was perfectly
+quiet. With the help of a dark lantern they read the names
+luckily written on every door, together with the picture of a
+saint or saints and the mystical words which every nun takes as a
+kind of motto for the beginning of her new life and the
+revelation of her last thought. Montriveau reached Sister
+Theresa's door and read the inscription, Sub invocatione sanctae
+matris Theresae, and her motto, Adoremus in aeternum. Suddenly
+his companion laid a hand on his shoulder. A bright light was
+streaming through the chinks of the door. M. de Ronquerolles
+came up at that moment.
+
+"All the nuns are in the church," he said; "they are beginning
+the Office for the Dead."
+
+"I will stay here," said Montriveau. "Go back into the
+parlour, and shut the door at the end of the passage."
+
+He threw open the door and rushed in, preceded by his disguised
+companion, who let down the veil over his face.
+
+There before them lay the dead Duchess; her plank bed had been
+laid on the floor of the outer room of her cell, between two
+lighted candles. Neither Montriveau nor de Marsay spoke a word
+or uttered a cry; but they looked into each other's faces. The
+General's dumb gesture tried to say, "Let us carry her away!"
+
+"Quickly" shouted Ronquerolles, "the procession of nuns is
+leaving the church. You will be caught!"
+
+With magical swiftness of movement, prompted by an intense
+desire, the dead woman was carried into the convent parlour,
+passed through the window, and lowered from the walls before the
+Abbess, followed by the nuns, returned to take up Sister
+Theresa's body. The sister left in charge had imprudently left
+her post; there were secrets that she longed to know; and so busy
+was she ransacking the inner room, that she heard nothing, and
+was horrified when she came back to find that the body was gone.
+Before the women, in their blank amazement, could think of making
+a search, the Duchess had been lowered by a cord to the foot of
+the crags, and Montriveau's companions had destroyed all traces
+of their work. By nine o'clock that morning there was not a sign
+to show that either staircase or wire-cables had ever existed,
+and Sister Theresa's body had been taken on board. The brig came
+into the port to ship her crew, and sailed that day.
+
+Montriveau, down in the cabin, was left alone with Antoinette de
+Navarreins. For some hours it seemed as if her dead face was
+transfigured for him by that unearthly beauty which the calm of
+death gives to the body before it perishes.
+
+"Look here," said Ronquerolles when Montriveau reappeared on
+deck, "THAT was a woman once, now it is nothing. Let us tie a
+cannon ball to both feet and throw the body overboard; and if
+ever you think of her again, think of her as of some book that
+you read as a boy."
+
+"Yes," assented Montriveau, "it is nothing now but a dream."
+
+"That is sensible of you. Now, after this, have passions; but
+as for love, a man ought to know how to place it wisely; it is
+only a woman's last love that can satisfy a man's first love."
+
+
+
+ADDENDUM
+
+ The Duchesse de Langeais is the second part of the trilogy. Part
+ one is entitled Ferragus and part three is The Girl with the
+ Golden Eyes. In other addendum references all three stories
+ are usually combined under the title The Thirteen.
+
+The following personages appear in other stories of the Human Comedy.
+
+Blamont-Chauvry, Princesse de
+ Madame Firmiani
+ The Lily of the Valley
+
+Grandlieu, Duc Ferdinand de
+ The Gondreville Mystery
+ A Bachelor's Establishment
+ Modeste Mignon
+ Scenes from a Courtesan's Life
+
+Keller, Madame Francois
+ Domestic Peace
+ The Member for Arcis
+
+Langeais, Duc de
+ An Episode under the Terror
+
+Langeais, Duchesse Antoinette de
+ Father Goriot
+ Ferragus
+
+Marsay, Henri de
+ Ferragus
+ The Girl with the Golden Eyes
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+Montriveau, General Marquis Armand de
+ Father Goriot
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Another Study of Woman
+ Pierrette
+ The Member for Arcis
+
+Navarreins, Duc de
+ A Bachelor's Establishment
+ Colonel Chabert
+ The Muse of the Department
+ Jealousies of a Country Town
+ The Peasantry
+ Scenes from a Courtesan's Life
+ The Country Parson
+ The Magic Skin
+ The Gondreville Mystery
+ The Secrets of a Princess
+ Cousin Betty
+
+Nucingen, Baronne Delphine de
+ Father Goriot
+ Eugenie Grandet
+ Cesar Birotteau
+ Melmoth Reconciled
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ The Commission in Lunacy
+ Scenes from a Courtesan's Life
+ Modeste Mignon
+ The Firm of Nucingen
+ Another Study of Woman
+ A Daughter of Eve
+ The Member for Arcis
+
+Pamiers, Vidame de
+ Ferragus
+ Jealousies of a Country Town
+
+Ronquerolles, Marquis de
+ The Imaginary Mistress
+ Ferragus
+ The Girl with the Golden Eyes
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ The Member for Arcis
+
+Serizy, Comtesse de
+ A Start in Life
+ Ferragus
+ Ursule Mirouet
+ A Woman of Thirty
+ Scenes from a Courtesan's Life
+ Another Study of Woman
+ The Imaginary Mistress
+
+Soulanges, Comtesse Hortense de
+ Domestic Peace
+ The Peasantry
+
+
+
+ III.
+
+
+
+ THE GIRL WITH THE GOLDEN EYES
+
+ By HONORE DE BALZAC
+
+
+ Translated by Ellen Marriage
+
+
+
+ DEDICATION
+
+ To Eugene Delacroix, Painter.
+
+
+
+One of those sights in which most horror is to be encountered is,
+surely, the general aspect of the Parisian populace--a people fearful
+to behold, gaunt, yellow, tawny. Is not Paris a vast field in
+perpetual turmoil from a storm of interests beneath which are whirled
+along a crop of human beings, who are, more often than not, reaped by
+death, only to be born again as pinched as ever, men whose twisted and
+contorted faces give out at every pore the instinct, the desire, the
+poisons with which their brains are pregnant; not faces so much as
+masks; masks of weakness, masks of strength, masks of misery, masks of
+joy, masks of hypocrisy; all alike worn and stamped with the indelible
+signs of a panting cupidity? What is it they want? Gold or pleasure? A
+few observations upon the soul of Paris may explain the causes of its
+cadaverous physiognomy, which has but two ages--youth and decay:
+youth, wan and colorless; decay, painted to seem young. In looking at
+this excavated people, foreigners, who are not prone to reflection,
+experience at first a movement of disgust towards the capital, that
+vast workshop of delights, from which, in a short time, they cannot
+even extricate themselves, and where they stay willingly to be
+corrupted. A few words will suffice to justify physiologically the
+almost infernal hue of Parisian faces, for it is not in mere sport
+that Paris has been called a hell. Take the phrase for truth. There
+all is smoke and fire, everything gleams, crackles, flames,
+evaporates, dies out, then lights up again, with shooting sparks, and
+is consumed. In no other country has life ever been more ardent or
+acute. The social nature, even in fusion, seems to say after each
+completed work: "Pass on to another!" just as Nature says herself.
+Like Nature herself, this social nature is busied with insects and
+flowers of a day--ephemeral trifles; and so, too, it throws up fire
+and flame from its eternal crater. Perhaps, before analyzing the
+causes which lend a special physiognomy to each tribe of this
+intelligent and mobile nation, the general cause should be pointed out
+which bleaches and discolors, tints with blue or brown individuals in
+more or less degree.
+
+By dint of taking interest in everything, the Parisian ends by being
+interested in nothing. No emotion dominating his face, which friction
+has rubbed away, it turns gray like the faces of those houses upon
+which all kinds of dust and smoke have blown. In effect, the Parisian,
+with his indifference on the day for what the morrow will bring forth,
+lives like a child, whatever may be his age. He grumbles at
+everything, consoles himself for everything, jests at everything,
+forgets, desires, and tastes everything, seizes all with passion,
+quits all with indifference--his kings, his conquests, his glory, his
+idols of bronze or glass--as he throws away his stockings, his hats,
+and his fortune. In Paris no sentiment can withstand the drift of
+things, and their current compels a struggle in which the passions are
+relaxed: there love is a desire, and hatred a whim; there's no true
+kinsman but the thousand-franc note, no better friend than the
+pawnbroker. This universal toleration bears its fruits, and in the
+salon, as in the street, there is no one /de trop/, there is no one
+absolutely useful, or absolutely harmful--knaves or fools, men of wit
+or integrity. There everything is tolerated: the government and the
+guillotine, religion and the cholera. You are always acceptable to
+this world, you will never be missed by it. What, then, is the
+dominating impulse in this country without morals, without faith,
+without any sentiment, wherein, however, every sentiment, belief, and
+moral has its origin and end? It is gold and pleasure. Take those two
+words for a lantern, and explore that great stucco cage, that hive
+with its black gutters, and follow the windings of that thought which
+agitates, sustains, and occupies it! Consider! And, in the first
+place, examine the world which possesses nothing.
+
+The artisan, the man of the proletariat, who uses his hands, his
+tongue, his back, his right arm, his five fingers, to live--well, this
+very man, who should be the first to economize his vital principle,
+outruns his strength, yokes his wife to some machine, wears out his
+child, and ties him to the wheel. The manufacturer--or I know not what
+secondary thread which sets in motion all these folk who with their
+foul hands mould and gild porcelain, sew coats and dresses, beat out
+iron, turn wood and steel, weave hemp, festoon crystal, imitate
+flowers, work woolen things, break in horses, dress harness, carve in
+copper, paint carriages, blow glass, corrode the diamond, polish
+metals, turn marble into leaves, labor on pebbles, deck out thought,
+tinge, bleach, or blacken everything--well, this middleman has come to
+that world of sweat and good-will, of study and patience, with
+promises of lavish wages, either in the name of the town's caprices or
+with the voice of the monster dubbed speculation. Thus, these
+/quadrumanes/ set themselves to watch, work, and suffer, to fast,
+sweat, and bestir them. Then, careless of the future, greedy of
+pleasure, counting on their right arm as the painter on his palette,
+lords for one day, they throw their money on Mondays to the /cabarets/
+which gird the town like a belt of mud, haunts of the most shameless
+of the daughters of Venus, in which the periodical money of this
+people, as ferocious in their pleasures as they are calm at work, is
+squandered as it had been at play. For five days, then, there is no
+repose for this laborious portion of Paris! It is given up to actions
+which make it warped and rough, lean and pale, gush forth with a
+thousand fits of creative energy. And then its pleasure, its repose,
+are an exhausting debauch, swarthy and black with blows, white with
+intoxication, or yellow with indigestion. It lasts but two days, but
+it steals to-morrow's bread, the week's soup, the wife's dress, the
+child's wretched rags. Men, born doubtless to be beautiful--for all
+creatures have a relative beauty--are enrolled from their childhood
+beneath the yoke of force, beneath the rule of the hammer, the chisel,
+the loom, and have been promptly vulcanized. Is not Vulcan, with his
+hideousness and his strength, the emblem of this strong and hideous
+nation--sublime in its mechanical intelligence, patient in its season,
+and once in a century terrible, inflammable as gunpowder, and ripe
+with brandy for the madness of revolution, with wits enough, in fine,
+to take fire at a captious word, which signifies to it always: Gold
+and Pleasure! If we comprise in it all those who hold out their hands
+for an alms, for lawful wages, or the five francs that are granted to
+every kind of Parisian prostitution, in short, for all the money well
+or ill earned, this people numbers three hundred thousand individuals.
+Were it not for the /cabarets/, would not the Government be overturned
+every Tuesday? Happily, by Tuesday, this people is glutted, sleeps off
+its pleasure, is penniless, and returns to its labor, to dry bread,
+stimulated by a need of material procreation, which has become a habit
+to it. None the less, this people has its phenomenal virtues, its
+complete men, unknown Napoleons, who are the type of its strength
+carried to its highest expression, and sum up its social capacity in
+an existence wherein thought and movement combine less to bring joy
+into it than to neutralize the action of sorrow.
+
+Chance has made an artisan economical, chance has favored him with
+forethought, he has been able to look forward, has met with a wife and
+found himself a father, and, after some years of hard privation, he
+embarks in some little draper's business, hires a shop. If neither
+sickness nor vice blocks his way--if he has prospered--there is the
+sketch of this normal life.
+
+And, in the first place, hail to that king of Parisian activity, to
+whom time and space give way. Yes, hail to that being, composed of
+saltpetre and gas, who makes children for France during his laborious
+nights, and in the day multiplies his personality for the service,
+glory, and pleasure of his fellow-citizens. This man solves the
+problem of sufficing at once to his amiable wife, to his hearth, to
+the /Constitutionnel/, to his office, to the National Guard, to the
+opera, and to God; but, only in order that the /Constitutionnel/, his
+office, the National Guard, the opera, his wife, and God may be
+changed into coin. In fine, hail to an irreproachable pluralist. Up
+every day at five o'clock, he traverses like a bird the space which
+separates his dwelling from the Rue Montmartre. Let it blow or
+thunder, rain or snow, he is at the /Constitutionnel/, and waits there
+for the load of newspapers which he has undertaken to distribute. He
+receives this political bread with eagerness, takes it, bears it away.
+At nine o'clock he is in the bosom of his family, flings a jest to his
+wife, snatches a loud kiss from her, gulps down a cup of coffee, or
+scolds his children. At a quarter to ten he puts in an appearance at
+the /Mairie/. There, stuck upon a stool, like a parrot on its perch,
+warmed by Paris town, he registers until four o'clock, with never a
+tear or a smile, the deaths and births of an entire district. The
+sorrow, the happiness, of the parish flow beneath his pen--as the
+essence of the /Constitutionnel/ traveled before upon his shoulders.
+Nothing weighs upon him! He goes always straight before him, takes his
+patriotism ready made from the newspaper, contradicts no one, shouts
+or applauds with the world, and lives like a bird. Two yards from his
+parish, in the event of an important ceremony, he can yield his place
+to an assistant, and betake himself to chant a requiem from a stall in
+the church of which on Sundays he is the fairest ornament, where his
+is the most imposing voice, where he distorts his huge mouth with
+energy to thunder out a joyous /Amen/. So is he chorister. At four
+o'clock, freed from his official servitude, he reappears to shed joy
+and gaiety upon the most famous shop in the city. Happy is his wife,
+he has no time to be jealous: he is a man of action rather than of
+sentiment. His mere arrival spurs the young ladies at the counter;
+their bright eyes storm the customers; he expands in the midst of all
+the finery, the lace and muslin kerchiefs, that their cunning hands
+have wrought. Or, again, more often still, before his dinner he waits
+on a client, copies the page of a newspaper, or carries to the
+doorkeeper some goods that have been delayed. Every other day, at six,
+he is faithful to his post. A permanent bass for the chorus, he
+betakes himself to the opera, prepared to become a soldier or an arab,
+prisoner, savage, peasant, spirit, camel's leg or lion, a devil or a
+genie, a slave or a eunuch, black or white; always ready to feign joy
+or sorrow, pity or astonishment, to utter cries that never vary, to
+hold his tongue, to hunt, or fight for Rome or Egypt, but always at
+heart--a huckster still.
+
+At midnight he returns--a man, the good husband, the tender father; he
+slips into the conjugal bed, his imagination still afire with the
+illusive forms of the operatic nymphs, and so turns to the profit of
+conjugal love the world's depravities, the voluptuous curves of
+Taglioni's leg. And finally, if he sleeps, he sleeps apace, and
+hurries through his slumber as he does his life.
+
+This man sums up all things--history, literature, politics,
+government, religion, military science. Is he not a living
+encyclopaedia, a grotesque Atlas; ceaselessly in motion, like Paris
+itself, and knowing not repose? He is all legs. No physiognomy could
+preserve its purity amid such toils. Perhaps the artisan who dies at
+thirty, an old man, his stomach tanned by repeated doses of brandy,
+will be held, according to certain leisured philosophers, to be
+happier than the huckster is. The one perishes in a breath, and the
+other by degrees. From his eight industries, from the labor of his
+shoulders, his throat, his hands, from his wife and his business, the
+one derives--as from so many farms--children, some thousands of
+francs, and the most laborious happiness that has ever diverted the
+heart of man. This fortune and these children, or the children who sum
+up everything for him, become the prey of the world above, to which he
+brings his ducats and his daughter or his son, reared at college, who,
+with more education than his father, raises higher his ambitious gaze.
+Often the son of a retail tradesman would fain be something in the
+State.
+
+Ambition of that sort carries on our thought to the second Parisian
+sphere. Go up one story, then, and descend to the /entresol/: or climb
+down from the attic and remain on the fourth floor; in fine, penetrate
+into the world which has possessions: the same result! Wholesale
+merchants, and their men--people with small banking accounts and much
+integrity--rogues and catspaws, clerks old and young, sheriffs'
+clerks, barristers' clerks, solicitors' clerks; in fine, all the
+working, thinking, and speculating members of that lower middle class
+which honeycombs the interests of Paris and watches over its granary,
+accumulates the coin, stores the products that the proletariat have
+made, preserves the fruits of the South, the fishes, the wine from
+every sun-favored hill; which stretches its hands over the Orient, and
+takes from it the shawls that the Russ and the Turk despise; which
+harvests even from the Indies; crouches down in expectation of a sale,
+greedy of profit; which discounts bills, turns over and collects all
+kinds of securities, holds all Paris in its hand, watches over the
+fantasies of children, spies out the caprices and the vices of mature
+age, sucks money out of disease. Even so, if they drink no brandy,
+like the artisan, nor wallow in the mire of debauch, all equally abuse
+their strength, immeasurably strain their bodies and their minds
+alike, are burned away with desires, devastated with the swiftness of
+the pace. In their case the physical distortion is accomplished
+beneath the whip of interests, beneath the scourge of ambitions which
+torture the educated portion of this monstrous city, just as in the
+case of the proletariat it is brought about by the cruel see-saw of
+the material elaborations perpetually required from the despotism of
+the aristocratic "/I will/." Here, too, then, in order to obey that
+universal master, pleasure or gold, they must devour time, hasten
+time, find more than four-and-twenty hours in the day and night, waste
+themselves, slay themselves, and purchase two years of unhealthy
+repose with thirty years of old age. Only, the working-man dies in
+hospital when the last term of his stunted growth expires; whereas the
+man of the middle class is set upon living, and lives on, but in a
+state of idiocy. You will meet him, with his worn, flat old face, with
+no light in his eyes, with no strength in his limbs, dragging himself
+with a dazed air along the boulevard--the belt of his Venus, of his
+beloved city. What was his want? The sabre of the National Guard, a
+permanent stock-pot, a decent plot in Pere Lachaise, and, for his old
+age, a little gold honestly earned. /HIS/ Monday is on Sunday, his
+rest a drive in a hired carriage--a country excursion during which his
+wife and children glut themselves merrily with dust or bask in the
+sun; his dissipation is at the restaurateur's, whose poisonous dinner
+has won renown, or at some family ball, where he suffocates till
+midnight. Some fools are surprised at the phantasmagoria of the monads
+which they see with the aid of the microscope in a drop of water; but
+what would Rabelais' Gargantua,--that misunderstood figure of an
+audacity so sublime,--what would that giant say, fallen from the
+celestial spheres, if he amused himself by contemplating the motions
+of this secondary life of Paris, of which here is one of the formulae?
+Have you seen one of those little constructions--cold in summer, and
+with no other warmth than a small stove in winter--placed beneath the
+vast copper dome which crowns the Halle-auble? Madame is there by
+morning. She is engaged at the markets, and makes by this occupation
+twelve thousand francs a year, people say. Monsieur, when Madame is
+up, passes into a gloomy office, where he lends money till the week-
+end to the tradesmen of his district. By nine o'clock he is at the
+passport office, of which he is one of the minor officials. By evening
+he is at the box-office of the Theatre Italien, or of any other
+theatre you like. The children are put out to nurse, and only return
+to be sent to college or to boarding-school. Monsieur and Madame live
+on the third floor, have but one cook, give dances in a salon twelve
+foot by eight, lit by argand lamps; but they give a hundred and fifty
+thousand francs to their daughter, and retire at the age of fifty, an
+age when they begin to show themselves on the balcony of the opera, in
+a /fiacre/ at Longchamps; or, on sunny days, in faded clothes on the
+boulevards--the fruit of all this sowing. Respected by their
+neighbors, in good odor with the government, connected with the upper
+middle classes, Monsieur obtains at sixty-five the Cross of the Legion
+of Honor, and his daughter's father-in-law, a parochial mayor, invites
+him to his evenings. These life-long labors, then, are for the good of
+the children, whom these lower middle classes are inevitably driven to
+exalt. Thus each sphere directs all its efforts towards the sphere
+above it. The son of the rich grocer becomes a notary, the son of the
+timber merchant becomes a magistrate. No link is wanting in the chain,
+and everything stimulates the upward march of money.
+
+Thus we are brought to the third circle of this hell, which, perhaps,
+will some day find its Dante. In this third social circle, a sort of
+Parisian belly, in which the interests of the town are digested, and
+where they are condensed into the form known as /business/, there
+moves and agitates, as by some acrid and bitter intestinal process,
+the crowd of lawyers, doctors, notaries, councillors, business men,
+bankers, big merchants, speculators, and magistrates. Here are to be
+found even more causes of moral and physical destruction than
+elsewhere. These people--almost all of them--live in unhealthy
+offices, in fetid ante-chambers, in little barred dens, and spend
+their days bowed down beneath the weight of affairs; they rise at dawn
+to be in time, not to be left behind, to gain all or not to lose, to
+overreach a man or his money, to open or wind up some business, to
+take advantage of some fleeting opportunity, to get a man hanged or
+set him free. They infect their horses, they overdrive and age and
+break them, like their own legs, before their time. Time is their
+tyrant: it fails them, it escapes them; they can neither expand it nor
+cut it short. What soul can remain great, pure, moral, and generous,
+and, consequently, what face retain its beauty in this depraving
+practice of a calling which compels one to bear the weight of the
+public sorrows, to analyze them, to weigh them, estimate them, and
+mark them out by rule? Where do these folk put aside their
+hearts? . . . I do not know; but they leave them somewhere or other,
+when they have any, before they descend each morning into the abyss of
+the misery which puts families on the rack. For them there is no such
+thing as mystery; they see the reverse side of society, whose
+confessors they are, and despise it. Then, whatever they do, owing to
+their contact with corruption, they either are horrified at it and
+grow gloomy, or else, out of lassitude, or some secret compromise,
+espouse it. In fine, they necessarily become callous to every
+sentiment, since man, his laws and his institutions, make them steal,
+like jackals, from corpses that are still warm. At all hours the
+financier is trampling on the living, the attorney on the dead, the
+pleader on the conscience. Forced to be speaking without a rest, they
+all substitute words for ideas, phrases for feelings, and their soul
+becomes a larynx. Neither the great merchant, nor the judge, nor the
+pleader preserves his sense of right; they feel no more, they apply
+set rules that leave cases out of count. Borne along by their headlong
+course, they are neither husbands nor fathers nor lovers; they glide
+on sledges over the facts of life, and live at all times at the high
+pressure conduced by business and the vast city. When they return to
+their homes they are required to go to a ball, to the opera, into
+society, where they can make clients, acquaintances, protectors. They
+all eat to excess, play and keep vigil, and their faces become
+bloated, flushed, and emaciated.
+
+To this terrific expenditure of intellectual strength, to such
+multifold moral contradictions, they oppose--not, indeed pleasure, it
+would be too pale a contrast--but debauchery, a debauchery both secret
+and alarming, for they have all means at their disposal, and fix the
+morality of society. Their genuine stupidity lies hid beneath their
+specialism. They know their business, but are ignorant of everything
+which is outside it. So that to preserve their self-conceit they
+question everything, are crudely and crookedly critical. They appear
+to be sceptics and are in reality simpletons; they swamp their wits in
+interminable arguments. Almost all conveniently adopt social,
+literary, or political prejudices, to do away with the need of having
+opinions, just as they adapt their conscience to the standard of the
+Code or the Tribunal of Commerce. Having started early to become men
+of note, they turn into mediocrities, and crawl over the high places
+of the world. So, too, their faces present the harsh pallor, the
+deceitful coloring, those dull, tarnished eyes, and garrulous, sensual
+mouths, in which the observer recognizes the symptoms of the
+degeneracy of the thought and its rotation in the circle of a special
+idea which destroys the creative faculties of the brain and the gift
+of seeing in large, of generalizing and deducing. No man who has
+allowed himself to be caught in the revolutions of the gear of these
+huge machines can ever become great. If he is a doctor, either he has
+practised little or he is an exception--a Bichat who dies young. If a
+great merchant, something remains--he is almost Jacques Coeur. Did
+Robespierre practise? Danton was an idler who waited. But who,
+moreover has ever felt envious of the figures of Danton and
+Robespierre, however lofty they were? These men of affairs, /par
+excellence/, attract money to them, and hoard it in order to ally
+themselves with aristocratic families. If the ambition of the working-
+man is that of the small tradesman, here, too, are the same passions.
+The type of this class might be either an ambitious bourgeois, who,
+after a life of privation and continual scheming, passes into the
+Council of State as an ant passes through a chink; or some newspaper
+editor, jaded with intrigue, whom the king makes a peer of France--
+perhaps to revenge himself on the nobility; or some notary become
+mayor of his parish: all people crushed with business, who, if they
+attain their end, are literally /killed/ in its attainment. In France
+the usage is to glorify wigs. Napoleon, Louis XVI., the great rulers,
+alone have always wished for young men to fulfil their projects.
+
+Above this sphere the artist world exists. But here, too, the faces
+stamped with the seal of originality are worn, nobly indeed, but worn,
+fatigued, nervous. Harassed by a need of production, outrun by their
+costly fantasies, worn out by devouring genius, hungry for pleasure,
+the artists of Paris would all regain by excessive labor what they
+have lost by idleness, and vainly seek to reconcile the world and
+glory, money and art. To begin with, the artist is ceaselessly panting
+under his creditors; his necessities beget his debts, and his debts
+require of him his nights. After his labor, his pleasure. The comedian
+plays till midnight, studies in the morning, rehearses at noon; the
+sculptor is bent before his statue; the journalist is a marching
+thought, like the soldier when at war; the painter who is the fashion
+is crushed with work, the painter with no occupation, if he feels
+himself to be a man of genius, gnaws his entrails. Competition,
+rivalry, calumny assail talent. Some, in desperation, plunge into the
+abyss of vice, others die young and unknown because they have
+discounted their future too soon. Few of these figures, originally
+sublime, remain beautiful. On the other hand, the flagrant beauty of
+their heads is not understood. An artist's face is always exorbitant,
+it is always above or below the conventional lines of what fools call
+the /beau-ideal/. What power is it that destroys them? Passion. Every
+passion in Paris resolves into two terms: gold and pleasure. Now, do
+you not breathe again? Do you not feel air and space purified? Here is
+neither labor nor suffering. The soaring arch of gold has reached the
+summit. From the lowest gutters, where its stream commences, from the
+little shops where it is stopped by puny coffer-dams, from the heart
+of the counting-houses and great workshops, where its volume is that
+of ingots--gold, in the shape of dowries and inheritances, guided by
+the hands of young girls or the bony fingers of age, courses towards
+the aristocracy, where it will become a blazing, expansive stream.
+But, before leaving the four territories upon which the utmost wealth
+of Paris is based, it is fitting, having cited the moral causes, to
+deduce those which are physical, and to call attention to a
+pestilence, latent, as it were, which incessantly acts upon the faces
+of the porter, the artisan, the small shopkeeper; to point out a
+deleterious influence the corruption of which equals that of the
+Parisian administrators who allow it so complacently to exist!
+
+If the air of the houses in which the greater proportion of the middle
+classes live is noxious, if the atmosphere of the streets belches out
+cruel miasmas into stuffy back-kitchens where there is little air,
+realize that, apart from this pestilence, the forty thousand houses of
+this great city have their foundations in filth, which the powers that
+be have not yet seriously attempted to enclose with mortar walls solid
+enough to prevent even the most fetid mud from filtering through the
+soil, poisoning the wells, and maintaining subterraneously to Lutetia
+the tradition of her celebrated name. Half of Paris sleeps amidst the
+putrid exhalations of courts and streets and sewers. But let us turn
+to the vast saloons, gilded and airy; the hotels in their gardens, the
+rich, indolent, happy moneyed world. There the faces are lined and
+scarred with vanity. There nothing is real. To seek for pleasure is it
+not to find /ennui/? People in society have at an early age warped
+their nature. Having no occupation other than to wallow in pleasure,
+they have speedily misused their sense, as the artisan has misused
+brandy. Pleasure is of the nature of certain medical substances: in
+order to obtain constantly the same effects the doses must be doubled,
+and death or degradation is contained in the last. All the lower
+classes are on their knees before the wealthy, and watch their tastes
+in order to turn them into vices and exploit them. Thus you see in
+these folk at an early age tastes instead of passions, romantic
+fantasies and lukewarm loves. There impotence reigns; there ideas have
+ceased--they have evaporated together with energy amongst the
+affectations of the boudoir and the cajolements of women. There are
+fledglings of forty, old doctors of sixty years. The wealthy obtain in
+Paris ready-made wit and science--formulated opinions which save them
+the need of having wit, science, or opinion of their own. The
+irrationality of this world is equaled by its weakness and its
+licentiousness. It is greedy of time to the point of wasting it. Seek
+in it for affection as little as for ideas. Its kisses conceal a
+profound indifference, its urbanity a perpetual contempt. It has no
+other fashion of love. Flashes of wit without profundity, a wealth of
+indiscretion, scandal, and above all, commonplace. Such is the sum of
+its speech; but these happy fortunates pretend that they do not meet
+to make and repeat maxims in the manner of La Rochefoucauld as though
+there did not exist a mean, invented by the eighteenth century,
+between a superfluity and absolute blank. If a few men of character
+indulge in witticism, at once subtle and refined, they are
+misunderstood; soon, tired of giving without receiving, they remain at
+home, and leave fools to reign over their territory. This hollow life,
+this perpetual expectation of a pleasure which never comes, this
+permanent /ennui/ and emptiness of soul, heart, and mind, the
+lassitude of the upper Parisian world, is reproduced on its features,
+and stamps its parchment faces, its premature wrinkles, that
+physiognomy of the wealthy upon which impotence has set its grimace,
+in which gold is mirrored, and whence intelligence has fled.
+
+Such a view of moral Paris proves that physical Paris could not be
+other than it is. This coroneted town is like a queen, who, being
+always with child, has desires of irresistible fury. Paris is the
+crown of the world, a brain which perishes of genius and leads human
+civilization; it is a great man, a perpetually creative artist, a
+politician with second-sight who must of necessity have wrinkles on
+his forehead, the vices of a great man, the fantasies of the artist,
+and the politician's disillusions. Its physiognomy suggests the
+evolution of good and evil, battle and victory; the moral combat of
+'89, the clarion calls of which still re-echo in every corner of the
+world; and also the downfall of 1814. Thus this city can no more be
+moral, or cordial, or clean, than the engines which impel those proud
+leviathans which you admire when they cleave the waves! Is not Paris a
+sublime vessel laden with intelligence? Yes, her arms are one of those
+oracles which fatality sometimes allows. The /City of Paris/ has her
+great mast, all of bronze, carved with victories, and for watchman--
+Napoleon. The barque may roll and pitch, but she cleaves the world,
+illuminates it through the hundred mouths of her tribunes, ploughs the
+seas of science, rides with full sail, cries from the height of her
+tops, with the voice of her scientists and artists: "Onward, advance!
+Follow me!" She carries a huge crew, which delights in adorning her
+with fresh streamers. Boys and urchins laughing in the rigging;
+ballast of heavy /bourgeoisie/; working-men and sailor-men touched
+with tar; in her cabins the lucky passengers; elegant midshipmen smoke
+their cigars leaning over the bulwarks; then, on the deck, her
+soldiers, innovators or ambitious, would accost every fresh shore, and
+shooting out their bright lights upon it, ask for glory which is
+pleasure, or for love which needs gold.
+
+Thus the exorbitant movement of the proletariat, the corrupting
+influence of the interests which consume the two middle classes, the
+cruelties of the artist's thought, and the excessive pleasure which is
+sought for incessantly by the great, explain the normal ugliness of
+the Parisian physiognomy. It is only in the Orient that the human race
+presents a magnificent figure, but that is an effect of the constant
+calm affected by those profound philosophers with their long pipes,
+their short legs, their square contour, who despise and hold activity
+in horror, whilst in Paris the little and the great and the mediocre
+run and leap and drive, whipped on by an inexorable goddess, Necessity
+--the necessity for money, glory, and amusement. Thus, any face which
+is fresh and graceful and reposeful, any really young face, is in
+Paris the most extraordinary of exceptions; it is met with rarely.
+Should you see one there, be sure it belongs either to a young and
+ardent ecclesiastic or to some good abbe of forty with three chins; to
+a young girl of pure life such as is brought up in certain middle-
+class families; to a mother of twenty, still full of illusions, as she
+suckles her first-born; to a young man newly embarked from the
+provinces, and intrusted to the care of some devout dowager who keeps
+him without a sou; or, perhaps, to some shop assistant who goes to bed
+at midnight wearied out with folding and unfolding calico, and rises
+at seven o'clock to arrange the window; often again to some man of
+science or poetry, who lives monastically in the embrace of a fine
+idea, who remains sober, patient, and chaste; else to some self-
+contented fool, feeding himself on folly, reeking of health, in a
+perpetual state of absorption with his own smile; or to the soft and
+happy race of loungers, the only folk really happy in Paris, which
+unfolds for them hour by hour its moving poetry.
+
+Nevertheless, there is in Paris a proportion of privileged beings to
+whom this excessive movement of industries, interests, affairs, arts,
+and gold is profitable. These beings are women. Although they also
+have a thousand secret causes which, here more than elsewhere, destroy
+their physiognomy, there are to be found in the feminine world little
+happy colonies, who live in Oriental fashion and can preserve their
+beauty; but these women rarely show themselves on foot in the streets,
+they lie hid like rare plants who only unfold their petals at certain
+hours, and constitute veritable exotic exceptions. However, Paris is
+essentially the country of contrasts. If true sentiments are rare
+there, there also are to be found, as elsewhere, noble friendships and
+unlimited devotion. On this battlefield of interests and passions,
+just as in the midst of those marching societies where egoism
+triumphs, where every one is obliged to defend himself, and which we
+call /armies/, it seems as though sentiments liked to be complete when
+they showed themselves, and are sublime by juxtaposition. So it is
+with faces. In Paris one sometimes sees in the aristocracy, set like
+stars, the ravishing faces of young people, the fruit of quite
+exceptional manners and education. To the youthful beauty of the
+English stock they unite the firmness of Southern traits. The fire of
+their eyes, a delicious bloom on their lips, the lustrous black of
+their soft locks, a white complexion, a distinguished caste of
+features, render them the flowers of the human race, magnificent to
+behold against the mass of other faces, worn, old, wrinkled, and
+grimacing. So women, too, admire such young people with that eager
+pleasure which men take in watching a pretty girl, elegant, gracious,
+and embellished with all the virginal charms with which our
+imagination pleases to adorn the perfect woman. If this hurried glance
+at the population of Paris has enabled us to conceive the rarity of a
+Raphaelesque face, and the passionate admiration which such an one
+must inspire at the first sight, the prime interest of our history
+will have been justified. /Quod erat demonstrandum/--if one may be
+permitted to apply scholastic formulae to the science of manners.
+
+Upon one of those fine spring mornings, when the leaves, although
+unfolded, are not yet green, when the sun begins to gild the roofs,
+and the sky is blue, when the population of Paris issues from its
+cells to swarm along the boulevards, glides like a serpent of a
+thousand coils through the Rue de la Paix towards the Tuileries,
+saluting the hymeneal magnificence which the country puts on; on one
+of these joyous days, then, a young man as beautiful as the day
+itself, dressed with taste, easy of manner--to let out the secret he
+was a love-child, the natural son of Lord Dudley and the famous
+Marquise de Vordac--was walking in the great avenue of the Tuileries.
+This Adonis, by name Henri de Marsay, was born in France, when Lord
+Dudley had just married the young lady, already Henri's mother, to an
+old gentleman called M. de Marsay. This faded and almost extinguished
+butterfly recognized the child as his own in consideration of the life
+interest in a fund of a hundred thousand francs definitively assigned
+to his putative son; a generosity which did not cost Lord Dudley too
+dear. French funds were worth at that time seventeen francs, fifty
+centimes. The old gentleman died without having ever known his wife.
+Madame de Marsay subsequently married the Marquis de Vordac, but
+before becoming a marquise she showed very little anxiety as to her
+son and Lord Dudley. To begin with, the declaration of war between
+France and England had separated the two lovers, and fidelity at all
+costs was not, and never will be, the fashion of Paris. Then the
+successes of the woman, elegant, pretty, universally adored, crushed
+in the Parisienne the maternal sentiment. Lord Dudley was no more
+troubled about his offspring than was the mother,--the speedy
+infidelity of a young girl he had ardently loved gave him, perhaps, a
+sort of aversion for all that issued from her. Moreover, fathers can,
+perhaps, only love the children with whom they are fully acquainted, a
+social belief of the utmost importance for the peace of families,
+which should be held by all the celibate, proving as it does that
+paternity is a sentiment nourished artificially by woman, custom, and
+the law.
+
+Poor Henri de Marsay knew no other father than that one of the two who
+was not compelled to be one. The paternity of M. de Marsay was
+naturally most incomplete. In the natural order, it is but for a few
+fleeting instants that children have a father, and M. de Marsay
+imitated nature. The worthy man would not have sold his name had he
+been free from vices. Thus he squandered without remorse in gambling
+hells, and drank elsewhere, the few dividends which the National
+Treasury paid to its bondholders. Then he handed over the child to an
+aged sister, a Demoiselle de Marsay, who took much care of him, and
+provided him, out of the meagre sum allowed by her brother, with a
+tutor, an abbe without a farthing, who took the measure of the youth's
+future, and determined to pay himself out of the hundred thousand
+livres for the care given to his pupil, for whom he conceived an
+affection. As chance had it, this tutor was a true priest, one of
+those ecclesiastics cut out to become cardinals in France, or Borgias
+beneath the tiara. He taught the child in three years what he might
+have learned at college in ten. Then the great man, by name the Abbe
+de Maronis, completed the education of his pupil by making him study
+civilization under all its aspects: he nourished him on his
+experience, led him little into churches, which at that time were
+closed; introduced him sometimes behind the scenes of theatres, more
+often into the houses of courtesans; he exhibited human emotions to
+him one by one; taught him politics in the drawing-rooms, where they
+simmered at the time, explained to him the machinery of government,
+and endeavored out of attraction towards a fine nature, deserted, yet
+rich in promise, virilely to replace a mother: is not the Church the
+mother of orphans? The pupil was responsive to so much care. The
+worthy priest died in 1812, a bishop, with the satisfaction of having
+left in this world a child whose heart and mind were so well moulded
+that he could outwit a man of forty. Who would have expected to have
+found a heart of bronze, a brain of steel, beneath external traits as
+seductive as ever the old painters, those naive artists, had given to
+the serpent in the terrestrial paradise? Nor was that all. In
+addition, the good-natured prelate had procured for the child of his
+choice certain acquaintances in the best Parisian society, which might
+equal in value, in the young man's hand, another hundred thousand
+invested livres. In fine, this priest, vicious but politic, sceptical
+yet learned, treacherous yet amiable, weak in appearance yet as
+vigorous physically as intellectually, was so genuinely useful to his
+pupil, so complacent to his vices, so fine a calculator of all kinds
+of strength, so profound when it was needful to make some human
+reckoning, so youthful at table, at Frascati, at--I know not where,
+that the grateful Henri de Marsay was hardly moved at aught in 1814,
+except when he looked at the portrait of his beloved bishop, the only
+personal possession which the prelate had been able to bequeath him
+(admirable type of the men whose genius will preserve the Catholic,
+Apostolic, and Roman Church, compromised for the moment by the
+feebleness of its recruits and the decrepit age of its pontiffs; but
+if the church likes!).
+
+The continental war prevented young De Marsay from knowing his real
+father. It is doubtful whether he was aware of his name. A deserted
+child, he was equally ignorant of Madame de Marsay. Naturally, he had
+little regret for his putative father. As for Mademoiselle de Marsay,
+his only mother, he built for her a handsome little monument in Pere
+Lachaise when she died. Monseigneur de Maronis had guaranteed to this
+old lady one of the best places in the skies, so that when he saw her
+die happy, Henri gave her some egotistical tears; he began to weep on
+his own account. Observing this grief, the abbe dried his pupil's
+tears, bidding him observe that the good woman took her snuff most
+offensively, and was becoming so ugly and deaf and tedious that he
+ought to return thanks for her death. The bishop had emancipated his
+pupil in 1811. Then, when the mother of M. de Marsay remarried, the
+priest chose, in a family council, one of those honest dullards,
+picked out by him through the windows of his confessional, and charged
+him with the administration of the fortune, the revenues of which he
+was willing to apply to the needs of the community, but of which he
+wished to preserve the capital.
+
+Towards the end of 1814, then, Henri de Marsay had no sentiment of
+obligation in the world, and was as free as an unmated bird. Although
+he had lived twenty-two years he appeared to be barely seventeen. As a
+rule the most fastidious of his rivals considered him to be the
+prettiest youth in Paris. From his father, Lord Dudley, he had derived
+a pair of the most amorously deceiving blue eyes; from his mother the
+bushiest of black hair, from both pure blood, the skin of a young
+girl, a gentle and modest expression, a refined and aristocratic
+figure, and beautiful hands. For a woman, to see him was to lose her
+head for him; do you understand? to conceive one of those desires
+which eat the heart, which are forgotten because of the impossibility
+of satisfying them, because women in Paris are commonly without
+tenacity. Few of them say to themselves, after the fashion of men, the
+"/Je Maintiendrai/," of the House of Orange.
+
+Underneath this fresh young life, and in spite of the limpid springs
+in his eyes, Henri had a lion's courage, a monkey's agility. He could
+cut a ball in half at ten paces on the blade of a knife; he rode his
+horse in a way that made you realize the fable of the Centaur; drove a
+four-in-hand with grace; was as light as a cherub and quiet as a lamb,
+but knew how to beat a townsman at the terrible game of /savate/ or
+cudgels; moreover, he played the piano in a fashion which would have
+enabled him to become an artist should he fall on calamity, and owned
+a voice which would have been worth to Barbaja fifty thousand francs a
+season. Alas, that all these fine qualities, these pretty faults, were
+tarnished by one abominable vice: he believed neither in man nor
+woman, God nor Devil. Capricious nature had commenced by endowing him,
+a priest had completed the work.
+
+To render this adventure comprehensible, it is necessary to add here
+that Lord Dudley naturally found many women disposed to reproduce
+samples of such a delicious pattern. His second masterpiece of this
+kind was a young girl named Euphemie, born of a Spanish lady, reared
+in Havana, and brought to Madrid with a young Creole woman of the
+Antilles, and with all the ruinous tastes of the Colonies, but
+fortunately married to an old and extremely rich Spanish noble, Don
+Hijos, Marquis de San-Real, who, since the occupation of Spain by
+French troops, had taken up his abode in Paris, and lived in the Rue
+St. Lazare. As much from indifference as from any respect for the
+innocence of youth, Lord Dudley was not in the habit of keeping his
+children informed of the relations he created for them in all parts.
+That is a slightly inconvenient form of civilization; it has so many
+advantages that we must overlook its drawbacks in consideration of its
+benefits. Lord Dudley, to make no more words of it, came to Paris in
+1816 to take refuge from the pursuit of English justice, which
+protects nothing Oriental except commerce. The exiled lord, when he
+saw Henri, asked who that handsome young man might be. Then, upon
+hearing the name, "Ah, it is my son. . . . What a pity!" he said.
+
+Such was the story of the young man who, about the middle of the month
+of April, 1815, was walking indolently up the broad avenue of the
+Tuileries, after the fashion of all those animals who, knowing their
+strength, pass along in majesty and peace. Middle-class matrons turned
+back naively to look at him again; other women, without turning round,
+waited for him to pass again, and engraved him in their minds that
+they might remember in due season that fragrant face, which would not
+have disadorned the body of the fairest among themselves.
+
+"What are you doing here on Sunday?" said the Marquis de Ronquerolles
+to Henri, as he passed.
+
+"There's a fish in the net," answered the young man.
+
+This exchange of thoughts was accomplished by means of two significant
+glances, without it appearing that either De Ronquerolles or De Marsay
+had any knowledge of the other. The young man was taking note of the
+passers-by with that promptitude of eye and ear which is peculiar to
+the Parisian who seems, at first, to see and hear nothing, but who
+sees and hears all.
+
+At that moment a young man came up to him and took him familiarly by
+the arm, saying to him: "How are you, my dear De Marsay?"
+
+"Extremely well," De Marsay answered, with that air of apparent
+affection which amongst the young men of Paris proves nothing, either
+for the present or the future.
+
+In effect, the youth of Paris resemble the youth of no other town.
+They may be divided into two classes: the young man who has something,
+and the young man who has nothing; or the young man who thinks and he
+who spends. But, be it well understood this applies only to those
+natives of the soil who maintain in Paris the delicious course of the
+elegant life. There exist, as well, plenty of other young men, but
+they are children who are late in conceiving Parisian life, and who
+remain its dupes. They do not speculate, they study; they /fag/, as
+the others say. Finally there are to be found, besides, certain young
+people, rich or poor, who embrace careers and follow them with a
+single heart; they are somewhat like the Emile of Rousseau, of the
+flesh of citizens, and they never appear in society. The diplomatic
+impolitely dub them fools. Be they that or no, they augment the number
+of those mediocrities beneath the yoke of which France is bowed down.
+They are always there, always ready to bungle public or private
+concerns with the dull trowel of their mediocrity, bragging of their
+impotence, which they count for conduct and integrity. This sort of
+social /prizemen/ infests the administration, the army, the
+magistracy, the chambers, the courts. They diminish and level down the
+country and constitute, in some manner, in the body politic, a lymph
+which infects it and renders it flabby. These honest folk call men of
+talent immoral or rogues. If such rogues require to be paid for their
+services, at least their services are there; whereas the other sort do
+harm and are respected by the mob; but, happily for France, elegant
+youth stigmatizes them ceaselessly under the name of louts.
+
+At the first glance, then, it is natural to consider as very distinct
+the two sorts of young men who lead the life of elegance, the amiable
+corporation to which Henri de Marsay belonged. But the observer, who
+goes beyond the superficial aspect of things, is soon convinced that
+the difference is purely moral, and that nothing is so deceptive as
+this pretty outside. Nevertheless, all alike take precedence over
+everybody else; speak rightly or wrongly of things, of men,
+literature, and the fine arts; have ever in their mouth the Pitt and
+Coburg of each year; interrupt a conversation with a pun, turn into
+ridicule science and the /savant/; despise all things which they do
+not know or which they fear; set themselves above all by constituting
+themselves the supreme judges of all. They would all hoax their
+fathers, and be ready to shed crocodile tears upon their mothers'
+breasts; but generally they believe in nothing, blaspheme women, or
+play at modesty, and in reality are led by some old woman or an evil
+courtesan. They are all equally eaten to the bone with calculation,
+with depravity, with a brutal lust to succeed, and if you plumbed for
+their hearts you would find in all a stone. In their normal state they
+have the prettiest exterior, stake their friendship at every turn, are
+captivating alike. The same badinage dominates their ever-changing
+jargon; they seek for oddity in their toilette, glory in repeating the
+stupidities of such and such actor who is in fashion, and commence
+operations, it matters not with whom, with contempt and impertinence,
+in order to have, as it were, the first move in the game; but, woe
+betide him who does not know how to take a blow on one cheek for the
+sake of rendering two. They resemble, in fine, that pretty white spray
+which crests the stormy waves. They dress and dance, dine and take
+their pleasure, on the day of Waterloo, in the time of cholera or
+revolution. Finally, their expenses are all the same, but here the
+contrast comes in. Of this fluctuating fortune, so agreeably flung
+away, some possess the capital for which the others wait; they have
+the same tailors, but the bills of the latter are still to pay. Next,
+if the first, like sieves, take in ideas of all kinds without
+retaining any, the latter compare them and assimilate all the good. If
+the first believe they know something, know nothing and understand
+everything, lend all to those who need nothing and offer nothing to
+those who are in need; the latter study secretly others' thoughts and
+place out their money, like their follies, at big interest. The one
+class have no more faithful impressions, because their soul, like a
+mirror, worn from use, no longer reflects any image; the others
+economize their senses and life, even while they seem, like the first,
+to be flinging them away broadcast. The first, on the faith of a hope,
+devote themselves without conviction to a system which has wind and
+tide against it, but they leap upon another political craft when the
+first goes adrift; the second take the measure of the future, sound
+it, and see in political fidelity what the English see in commercial
+integrity, an element of success. Where the young man of possessions
+makes a pun or an epigram upon the restoration of the throne, he who
+has nothing makes a public calculation or a secret reservation, and
+obtains everything by giving a handshake to his friends. The one deny
+every faculty to others, look upon all their ideas as new, as though
+the world had been made yesterday, they have unlimited confidence in
+themselves, and no crueler enemy than those same selves. But the
+others are armed with an incessant distrust of men, whom they estimate
+at their value, and are sufficiently profound to have one thought
+beyond their friends, whom they exploit; then of evenings, when they
+lay their heads on their pillows, they weigh men as a miser weighs his
+gold pieces. The one are vexed at an aimless impertinence, and allow
+themselves to be ridiculed by the diplomatic, who make them dance for
+them by pulling what is the main string of these puppets--their
+vanity. Thus, a day comes when those who had nothing have something,
+and those who had something have nothing. The latter look at their
+comrades who have achieved positions as cunning fellows; their hearts
+may be bad, but their heads are strong. "He is very strong!" is the
+supreme praise accorded to those who have attained /quibuscumque
+viis/, political rank, a woman, or a fortune. Amongst them are to be
+found certain young men who play this /role/ by commencing with having
+debts. Naturally, these are more dangerous than those who play it
+without a farthing.
+
+The young man who called himself a friend of Henri de Marsay was a
+rattle-head who had come from the provinces, and whom the young men
+then in fashion were teaching the art of running through an
+inheritance; but he had one last leg to stand on in his province, in
+the shape of a secure establishment. He was simply an heir who had
+passed without any transition from his pittance of a hundred francs a
+month to the entire paternal fortune, and who, if he had not wit
+enough to perceive that he was laughed at, was sufficiently cautious
+to stop short at two-thirds of his capital. He had learned at Paris,
+for a consideration of some thousands of francs, the exact value of
+harness, the art of not being too respectful to his gloves, learned to
+make skilful meditations upon the right wages to give people, and to
+seek out what bargain was the best to close with them. He set store on
+his capacity to speak in good terms of his horses, of his Pyrenean
+hound; to tell by her dress, her walk, her shoes, to what class a
+woman belonged; to study /ecarte/, remember a few fashionable
+catchwords, and win by his sojourn in Parisian society the necessary
+authority to import later into his province a taste for tea and silver
+of an English fashion, and to obtain the right of despising everything
+around him for the rest of his days.
+
+De Marsay had admitted him to his society in order to make use of him
+in the world, just as a bold speculator employs a confidential clerk.
+The friendship, real or feigned, of De Marsay was a social position
+for Paul de Manerville, who, on his side, thought himself astute in
+exploiting, after his fashion, his intimate friend. He lived in the
+reflecting lustre of his friend, walked constantly under his umbrella,
+wore his boots, gilded himself with his rays. When he posed in Henri's
+company or walked at his side, he had the air of saying: "Don't insult
+us, we are real dogs." He often permitted himself to remark fatuously:
+"If I were to ask Henri for such and such a thing, he is a good enough
+friend of mine to do it." But he was careful never to ask anything of
+him. He feared him, and his fear, although imperceptible, reacted upon
+the others, and was of use to De Marsay.
+
+"De Marsay is a man of a thousand," said Paul. "Ah, you will see, he
+will be what he likes. I should not be surprised to find him one of
+these days Minister of Foreign Affairs. Nothing can withstand him."
+
+He made of De Marsay what Corporal Trim made of his cap, a perpetual
+instance.
+
+"Ask De Marsay and you will see!"
+
+Or again:
+
+"The other day we were hunting, De Marsay and I, He would not believe
+me, but I jumped a hedge without moving on my horse!"
+
+Or again:
+
+"We were with some women, De Marsay and I, and upon my word of honor,
+I was----" etc.
+
+Thus Paul de Manerville could not be classed amongst the great,
+illustrious, and powerful family of fools who succeed. He would one
+day be a deputy. For the time he was not even a young man. His friend,
+De Marsay, defined him thus: "You ask me what is Paul? Paul? Why, Paul
+de Manerville!"
+
+"I am surprised, my dear fellow," he said to De Marsay, "to see you
+here on a Sunday."
+
+"I was going to ask you the same question."
+
+"Is it an intrigue?"
+
+"An intrigue."
+
+"Bah!"
+
+"I can mention it to you without compromising my passion. Besides, a
+woman who comes to the Tuileries on Sundays is of no account,
+aristocratically speaking."
+
+"Ah! ah!"
+
+"Hold your tongue then, or I shall tell you nothing. Your laugh is too
+loud, you will make people think that we have lunched too well. Last
+Thursday, here on the Terrasse des Feuillants, I was walking along,
+thinking of nothing at all, but when I got to the gate of the Rue de
+Castiglione, by which I intended to leave, I came face to face with a
+woman, or rather a young girl; who, if she did not throw herself at my
+head, stopped short, less I think, from human respect, than from one
+of those movements of profound surprise which affect the limbs, creep
+down the length of the spine, and cease only in the sole of the feet,
+to nail you to the ground. I have often produced effects of this
+nature, a sort of animal magnetism which becomes enormously powerful
+when the relations are reciprocally precise. But, my dear fellow, this
+was not stupefaction, nor was she a common girl. Morally speaking, her
+face seemed to say: 'What, is it you, my ideal! The creation of my
+thoughts, of my morning and evening dreams! What, are you there? Why
+this morning? Why not yesterday? Take me, I am thine, /et cetera/!'
+Good, I said to myself, another one! Then I scrutinize her. Ah, my
+dear fellow, speaking physically, my incognita is the most adorable
+feminine person whom I ever met. She belongs to that feminine variety
+which the Romans call /fulva, flava/--the woman of fire. And in chief,
+what struck me the most, what I am still taken with, are her two
+yellow eyes, like a tiger's, a golden yellow that gleams, living gold,
+gold which thinks, gold which loves, and is determined to take refuge
+in your pocket."
+
+"My dear fellow, we are full of her!" cried Paul. "She comes here
+sometimes--/the girl with the golden eyes/! That is the name we have
+given her. She is a young creature--not more than twenty-two, and I
+have seen her here in the time of the Bourbons, but with a woman who
+was worth a hundred thousand of her."
+
+"Silence, Paul! It is impossible for any woman to surpass this girl;
+she is like the cat who rubs herself against your legs; a white girl
+with ash-colored hair, delicate in appearance, but who must have downy
+threads on the third phalanx of her fingers, and all along her cheeks
+a white down whose line, luminous on fine days, begins at her ears and
+loses itself on her neck."
+
+"Ah, the other, my dear De Marsay! She has black eyes which have never
+wept, but which burn; black eyebrows which meet and give her an air of
+hardness contradicted by the compact curve of her lips, on which the
+kisses do not stay, lips burning and fresh; a Moorish color that warms
+a man like the sun. But--upon my word of honor, she is like you!"
+
+"You flatter her!"
+
+"A firm figure, the tapering figure of a corvette built for speed,
+which rushes down upon the merchant vessel with French impetuosity,
+which grapples with her and sinks her at the same time."
+
+"After all, my dear fellow," answered De Marsay, "what has that got to
+do with me, since I have never seen her? Ever since I have studied
+women, my incognita is the only one whose virginal bosom, whose ardent
+and voluptuous forms, have realized for me the only woman of my dreams
+--of my dreams! She is the original of that ravishing picture called
+/La Femme Caressant sa Chimere/, the warmest, the most infernal
+inspiration of the genius of antiquity; a holy poem prostituted by
+those who have copied it for frescoes and mosiacs; for a heap of
+bourgeois who see in this gem nothing more than a gew-gaw and hang it
+on their watch-chains--whereas, it is the whole woman, an abyss of
+pleasure into which one plunges and finds no end; whereas, it is the
+ideal woman, to be seen sometimes in reality in Spain or Italy, almost
+never in France. Well, I have again seen this girl of the gold eyes,
+this woman caressing her chimera. I saw her on Friday. I had a
+presentiment that on the following day she would be here at the same
+hour; I was not mistaken. I have taken a pleasure in following her
+without being observed, in studying her indolent walk, the walk of the
+woman without occupation, but in the movements of which one devines
+all the pleasure that lies asleep. Well, she turned back again, she
+saw me, once more she adored me, once more trembled, shivered. It was
+then I noticed the genuine Spanish duenna who looked after her, a
+hyena upon whom some jealous man has put a dress, a she-devil well
+paid, no doubt, to guard this delicious creature. . . . Ah, then the
+duenna made me deeper in love. I grew curious. On Saturday, nobody.
+And here I am to-day waiting for this girl whose chimera I am, asking
+nothing better than to pose as the monster in the fresco."
+
+"There she is," said Paul. "Every one is turning round to look at
+her."
+
+The unknown blushed, her eyes shone; she saw Henri, she shut them and
+passed by.
+
+"You say that she notices you?" cried Paul, facetiously.
+
+The duenna looked fixedly and attentively at the two young men. When
+the unknown and Henri passed each other again, the young girl touched
+him, and with her hand pressed the hand of the young man. Then she
+turned her head and smiled with passion, but the duenna led her away
+very quickly to the gate of the Rue de Castiglione.
+
+The two friends followed the young girl, admiring the magnificent
+grace of the neck which met her head in a harmony of vigorous lines,
+and upon which a few coils of hair were tightly wound. The girl with
+the golden eyes had that well-knitted, arched, slender foot which
+presents so many attractions to the dainty imagination. Moreover, she
+was shod with elegance, and wore a short skirt. During her course she
+turned from time to time to look at Henri, and appeared to follow the
+old woman regretfully, seeming to be at once her mistress and her
+slave; she could break her with blows, but could not dismiss her. All
+that was perceptible. The two friends reached the gate. Two men in
+livery let down the step of a tasteful /coupe/ emblazoned with
+armorial bearings. The girl with the golden eyes was the first to
+enter it, took her seat at the side where she could be best seen when
+the carriage turned, put her hand on the door, and waved her
+handkerchief in the duennna's despite. In contempt of what might be
+said by the curious, her handkerchief cried to Henri openly: "Follow
+me!"
+
+"Have you ever seen a handkerchief better thrown?" said Henri to Paul
+de Manerville.
+
+Then, observing a fiacre on the point of departure, having just set
+down a fare, he made a sign to the driver to wait.
+
+"Follow that carriage, notice the house and the street where it stops
+--you shall have ten francs. . . . Paul, adieu."
+
+The cab followed the /coupe/. The /coupe/ stopped in the Rue Saint
+Lazare before one of the finest houses of the neighborhood.
+
+De Marsay was not impulsive. Any other young man would have obeyed his
+impulse to obtain at once some information about a girl who realized
+so fully the most luminous ideas ever expressed upon women in the
+poetry of the East; but, too experienced to compromise his good
+fortune, he had told his coachman to continue along the Rue Saint
+Lazare and carry him back to his house. The next day, his confidential
+valet, Laurent by name, as cunning a fellow as the Frontin of the old
+comedy, waited in the vicinity of the house inhabited by the unknown
+for the hour at which letters were distributed. In order to be able to
+spy at his ease and hang about the house, he had followed the example
+of those police officers who seek a good disguise, and bought up cast-
+off clothes of an Auvergnat, the appearance of whom he sought to
+imitate. When the postman, who went the round of the Rue Saint Lazare
+that morning, passed by, Laurent feigned to be a porter unable to
+remember the name of a person to whom he had to deliver a parcel, and
+consulted the postman. Deceived at first by appearances, this
+personage, so picturesque in the midst of Parisian civilization,
+informed him that the house in which the girl with the golden eyes
+dwelt belonged to Don Hijos, Marquis de San-Real, grandee of Spain.
+Naturally, it was not with the Marquis that the Auvergnat was
+concerned.
+
+"My parcel," he said, "is for the marquise."
+
+"She is away," replied the postman. "Her letters are forwarded to
+London."
+
+"Then the marquise is not a young girl who . . . ?"
+
+"Ah!" said the postman, interrupting the /valet de chambre/ and
+observing him attentively, "you are as much a porter as I'm . . ."
+
+Laurent chinked some pieces of gold before the functionary, who began
+to smile.
+
+"Come, here's the name of your quarry," he said, taking from his
+leather wallet a letter bearing a London stamp, upon which the
+address, "To Mademoiselle Paquita Valdes, Rue Saint Lazare, Hotel San-
+Real, Paris," was written in long, fine characters, which spoke of a
+woman's hand.
+
+"Could you tap a bottle of Chablis, with a few dozen oysters, and a
+/filet saute/ with mushrooms to follow it?" said Laurent, who wished
+to win the postman's valuable friendship.
+
+"At half-past nine, when my round is finished---- Where?"
+
+"At the corner of the Rue de la Chaussee-d'Antin and the Rue Neuve-
+des-Mathurins, at the /Puits sans Vin/," said Laurent.
+
+"Hark ye, my friend," said the postman, when he rejoined the valet an
+hour after this encounter, "if your master is in love with the girl,
+he is in for a famous task. I doubt you'll not succeed in seeing her.
+In the ten years that I've been postman in Paris, I have seen plenty
+of different kinds of doors! But I can tell you, and no fear of being
+called a liar by any of my comrades, there never was a door so
+mysterious as M. de San-Real's. No one can get into the house without
+the Lord knows what counter-word; and, notice, it has been selected on
+purpose between a courtyard and a garden to avoid any communication
+with other houses. The porter is an old Spaniard, who never speaks a
+word of French, but peers at people as Vidocq might, to see if they
+are not thieves. If a lover, a thief, or you--I make no comparisons--
+could get the better of this first wicket, well, in the first hall,
+which is shut by a glazed door, you would run across a butler
+surrounded by lackeys, an old joker more savage and surly even than
+the porter. If any one gets past the porter's lodge, my butler comes
+out, waits for you at the entrance, and puts you through a cross-
+examination like a criminal. That has happened to me, a mere postman.
+He took me for an eavesdropper in disguise, he said, laughing at his
+nonsense. As for the servants, don't hope to get aught out of them; I
+think they are mutes, no one in the neighborhood knows the color of
+their speech; I don't know what wages they can pay them to keep them
+from talk and drink; the fact is, they are not to be got at, whether
+because they are afraid of being shot, or that they have some enormous
+sum to lose in the case of an indiscretion. If your master is fond
+enough of Mademoiselle Paquita Valdes to surmount all these obstacles,
+he certainly won't triumph over Dona Concha Marialva, the duenna who
+accompanies her and would put her under her petticoats sooner than
+leave her. The two women look as if they were sewn to one another."
+
+"All that you say, worthy postman," went on Laurent, after having
+drunk off his wine, "confirms me in what I have learned before. Upon
+my word, I thought they were making fun of me! The fruiterer opposite
+told me that of nights they let loose dogs whose food is hung up on
+stakes just out of their reach. These cursed animals think, therefore,
+that any one likely to come in has designs on their victuals, and
+would tear one to pieces. You will tell me one might throw them down
+pieces, but it seems they have been trained to touch nothing except
+from the hand of the porter."
+
+"The porter of the Baron de Nucingen, whose garden joins at the top
+that of the Hotel San-Real, told me the same thing," replied the
+postman.
+
+"Good! my master knows him," said Laurent, to himself. "Do you know,"
+he went on, leering at the postman, "I serve a master who is a rare
+man, and if he took it into his head to kiss the sole of the foot of
+an empress, she would have to give in to him. If he had need of you,
+which is what I wish for you, for he is generous, could one count on
+you?"
+
+"Lord, Monsieur Laurent, my name is Moinot. My name is written exactly
+like /Moineau/, magpie: M-o-i-n-o-t, Moinot."
+
+"Exactly," said Laurent.
+
+"I live at No. 11, Rue des Trois Freres, on the fifth floor," went on
+Moinot; "I have a wife and four children. If what you want of me
+doesn't transgress the limits of my conscience and my official duties,
+you understand! I am your man."
+
+"You are an honest fellow," said Laurent, shaking his hand. . . .
+
+"Paquita Valdes is, no doubt, the mistress of the Marquis de San-Real,
+the friend of King Ferdinand. Only an old Spanish mummy of eighty
+years is capable of taking such precautions," said Henri, when his
+/valet de chambre/ had related the result of his researches.
+
+"Monsieur," said Laurent, "unless he takes a balloon no one can get
+into that hotel."
+
+"You are a fool! Is it necessary to get into the hotel to have
+Paquita, when Paquita can get out of it?"
+
+"But, sir, the duenna?"
+
+"We will shut her up for a day or two, your duenna."
+
+"So, we shall have Paquita!" said Laurent, rubbing his hands.
+
+"Rascal!" answered Henri, "I shall condemn you to the Concha, if you
+carry your impudence so far as to speak so of a woman before she has
+become mine. . . . Turn your thoughts to dressing me, I am going out."
+
+Henri remained for a moment plunged in joyous reflections. Let us say
+it to the praise of women, he obtained all those whom he deigned to
+desire. And what could one think of a woman, having no lover, who
+should have known how to resist a young man armed with beauty which is
+the intelligence of the body, with intelligence which is a grace of
+the soul, armed with moral force and fortune, which are the only two
+real powers? Yet, in triumphing with such ease, De Marsay was bound to
+grow weary of his triumphs; thus, for about two years he had grown
+very weary indeed. And diving deep into the sea of pleasures he
+brought back more grit than pearls. Thus had he come, like potentates,
+to implore of Chance some obstacle to surmount, some enterprise which
+should ask the employment of his dormant moral and physical strength.
+Although Paquita Valdes presented him with a marvelous concentration
+of perfections which he had only yet enjoyed in detail, the attraction
+of passion was almost /nil/ with him. Constant satiety had weakened in
+his heart the sentiment of love. Like old men and people
+disillusioned, he had no longer anything but extravagant caprices,
+ruinous tastes, fantasies, which, once satisfied, left no pleasant
+memory in his heart. Amongst young people love is the finest of the
+emotions, it makes the life of the soul blossom, it nourishes by its
+solar power the finest inspirations and their great thoughts; the
+first fruits in all things have a delicious savor. Amongst men love
+becomes a passion; strength leads to abuse. Amongst old men it turns
+to vice; impotence tends to extremes. Henri was at once an old man, a
+man, and a youth. To afford him the feelings of a real love, he needed
+like Lovelace, a Clarissa Harlowe. Without the magic lustre of that
+unattainable pearl he could only have either passions rendered acute
+by some Parisian vanity, or set determinations with himself to bring
+such and such a woman to such and such a point of corruption, or else
+adventures which stimulated his curiosity.
+
+The report of Laurent, his /valet de chambre/ had just given an
+enormous value to the girl with the golden eyes. It was a question of
+doing battle with some secret enemy who seemed as dangerous as he was
+cunning; and to carry off the victory, all the forces which Henri
+could dispose of would be useful. He was about to play in that eternal
+old comedy which will be always fresh, and the characters in which are
+an old man, a young girl, and a lover: Don Hijos, Paquita, De Marsay.
+If Laurent was the equal of Figaro, the duenna seemed incorruptible.
+Thus, the living play was supplied by Chance with a stronger plot than
+it had ever been by dramatic author! But then is not Chance too, a man
+of genius?
+
+"It must be a cautious game," said Henri, to himself.
+
+"Well," said Paul de Manerville, as he entered the room. "How are we
+getting on? I have come to breakfast with you."
+
+"So be it," said Henri. "You won't be shocked if I make my toilette
+before you?"
+
+"How absurd!"
+
+"We take so many things from the English just now that we might well
+become as great prudes and hypocrites as themselves," said Henri.
+
+Laurent had set before his master such a quantity of utensils, so many
+different articles of such elegance, that Paul could not refrain from
+saying:
+
+"But you will take a couple of hours over that?"
+
+"No!" said Henri, "two hours and a half."
+
+"Well, then, since we are by ourselves, and can say what we like,
+explain to me why a man as superior as yourself--for you are superior
+--should affect to exaggerate a foppery which cannot be natural. Why
+spend two hours and a half in adorning yourself, when it is sufficient
+to spend a quarter of an hour in your bath, to do your hair in two
+minutes, and to dress! There, tell me your system."
+
+"I must be very fond of you, my good dunce, to confide such high
+thoughts to you," said the young man, who was at that moment having
+his feet rubbed with a soft brush lathered with English soap.
+
+"Have I not the most devoted attachment to you," replied Paul de
+Manerville, "and do I not like you because I know your
+superiority? . . ."
+
+"You must have noticed, if you are in the least capable of observing
+any moral fact, that women love fops," went on De Marsay, without
+replying in any way to Paul's declaration except by a look. "Do you
+know why women love fops? My friend, fops are the only men who take
+care of themselves. Now, to take excessive care of oneself, does it
+not imply that one takes care in oneself of what belongs to another?
+The man who does not belong to himself is precisely the man on whom
+women are keen. Love is essentially a thief. I say nothing about that
+excess of niceness to which they are so devoted. Do you know of any
+woman who has had a passion for a sloven, even if he were a remarkable
+man? If such a fact has occurred, we must put it to the account of
+those morbid affections of the breeding woman, mad fancies which float
+through the minds of everybody. On the other hand, I have seen most
+remarkable people left in the lurch because of their carelessness. A
+fop, who is concerned about his person, is concerned with folly, with
+petty things. And what is a woman? A petty thing, a bundle of follies.
+With two words said to the winds, can you not make her busy for four
+hours? She is sure that the fop will be occupied with her, seeing that
+he has no mind for great things. She will never be neglected for
+glory, ambition, politics, art--those prostitutes who for her are
+rivals. Then fops have the courage to cover themselves with ridicule
+in order to please a woman, and her heart is full of gratitude towards
+the man who is ridiculous for love. In fine, a fop can be no fop
+unless he is right in being one. It is women who bestow that rank. The
+fop is love's colonel; he has his victories, his regiment of women at
+his command. My dear fellow, in Paris everything is known, and a man
+cannot be a fop there /gratis/. You, who have only one woman, and who,
+perhaps, are right to have but one, try to act the fop! . . . You will
+not even become ridiculous, you will be dead. You will become a
+foregone conclusion, one of those men condemned inevitably to do one
+and the same thing. You will come to signify /folly/ as inseparably as
+M. de La Fayette signifies /America/; M. de Talleyrand, /diplomacy/;
+Desaugiers, /song/; M. de Segur, /romance/. If they once forsake their
+own line people no longer attach any value to what they do. So,
+foppery, my friend Paul, is the sign of an incontestable power over
+the female folk. A man who is loved by many women passes for having
+superior qualities, and then, poor fellow, it is a question who shall
+have him! But do you think it is nothing to have the right of going
+into a drawing-room, of looking down at people from over your cravat,
+or through your eye-glass, and of despising the most superior of men
+should he wear an old-fashioned waistcoat? . . . Laurent, you are
+hurting me! After breakfast, Paul, we will go to the Tuileries and see
+the adorable girl with the golden eyes."
+
+When, after making an excellent meal, the two young men had traversed
+the Terrasse de Feuillants and the broad walk of the Tuileries, they
+nowhere discovered the sublime Paquita Valdes, on whose account some
+fifty of the most elegant young men in Paris where to be seen, all
+scented, with their high scarfs, spurred and booted, riding, walking,
+talking, laughing, and damning themselves mightily.
+
+"It's a white Mass," said Henri; "but I have the most excellent idea
+in the world. This girl receives letters from London. The postman must
+be bought or made drunk, a letter opened, read of course, and a love-
+letter slipped in before it is sealed up again. The old tyrant,
+/crudel tirano/, is certain to know the person who writes the letters
+from London, and has ceased to be suspicious of them."
+
+The day after, De Marsay came again to walk on the Terrasse des
+Feuillants, and saw Paquita Valdes; already passion had embellished
+her for him. Seriously, he was wild for those eyes, whose rays seemed
+akin to those which the sun emits, and whose ardor set the seal upon
+that of her perfect body, in which all was delight. De Marsay was on
+fire to brush the dress of this enchanting girl as they passed one
+another in their walk; but his attempts were always vain. But at one
+moment, when he had repassed Paquita and the duenna, in order to find
+himself on the same side as the girl of the golden eyes, when he
+returned, Paquita, no less impatient, came forward hurriedly, and De
+Marsay felt his hand pressed by her in a fashion at once so swift and
+so passionately significant that it was as though he had received the
+emotions surged up in his heart. When the two lovers glanced at one
+another, Paquita seemed ashamed, she dropped her eyes lest she should
+meet the eyes of Henri, but her gaze sank lower to fasten on the feet
+and form of him whom women, before the Revolution, called /their
+conqueror/.
+
+"I am determined to make this girl my mistress," said Henri to
+himself.
+
+As he followed her along the terrace, in the direction of the Place
+Louis XV., he caught sight of the aged Marquis de San-Real, who was
+walking on the arm of his valet, stepping with all the precautions due
+to gout and decrepitude. Dona Concha, who distrusted Henri, made
+Paquita pass between herself and the old man.
+
+"Oh, for you," said De Marsay to himself, casting a glance of disdain
+upon the duenna, "if one cannot make you capitulate, with a little
+opium one can make you sleep. We know mythology and the fable of
+Argus."
+
+Before entering the carriage, the golden-eyed girl exchanged certain
+glances with her lover, of which the meaning was unmistakable and
+which enchanted Henri, but one of them was surprised by the duenna;
+she said a few rapid words to Paquita, who threw herself into the
+/coupe/ with an air of desperation. For some days Paquita did not
+appear in the Tuileries. Laurent, who by his master's orders was on
+watch by the hotel, learned from the neighbors that neither the two
+women nor the aged marquis had been abroad since the day upon which
+the duenna had surprised a glance between the young girl in her charge
+and Henri. The bond, so flimsy withal, which united the two lovers was
+already severed.
+
+Some days later, none knew by what means, De Marsay had attained his
+end; he had a seal and wax, exactly resembling the seal and wax
+affixed to the letters sent to Mademoiselle Valdes from London; paper
+similar to that which her correspondent used; moreover, all the
+implements and stamps necessary to affix the French and English
+postmarks.
+
+He wrote the following letter, to which he gave all the appearances of
+a letter sent from London:--
+
+ "MY DEAR PAQUITA,--I shall not try to paint to you in words the
+ passion with which you have inspired me. If, to my happiness, you
+ reciprocate it, understand that I have found a means of
+ corresponding with you. My name is Adolphe de Gouges, and I live
+ at No. 54 Rue de l'Universite. If you are too closely watched to
+ be able to write to me, if you have neither pen nor paper, I shall
+ understand it by your silence. If then, to-morrow, you have not,
+ between eight o'clock in the morning and ten o'clock in the
+ evening, thrown a letter over the wall of your garden into that of
+ the Baron de Nucingen, where it will be waited for during the
+ whole of the day, a man, who is entirely devoted to me, will let
+ down two flasks by a string over your wall at ten o'clock the next
+ morning. Be walking there at that hour. One of the two flasks will
+ contain opium to send your Argus to sleep; it will be sufficient
+ to employ six drops; the other will contain ink. The flask of ink
+ is of cut glass; the other is plain. Both are of such a size as
+ can easily be concealed within your bosom. All that I have already
+ done, in order to be able to correspond with you, should tell you
+ how greatly I love you. Should you have any doubt of it, I will
+ confess to you, that to obtain an interview of one hour with you I
+ would give my life."
+
+"At least they believe that, poor creatures!" said De Marsay; "but
+they are right. What should we think of a woman who refused to be
+beguiled by a love-letter accompanied by such convincing accessories?"
+
+This letter was delivered by Master Moinot, postman, on the following
+day, about eight o'clock in the morning, to the porter of the Hotel
+San-Real.
+
+In order to be nearer to the field of action, De Marsay went and
+breakfasted with Paul, who lived in the Rue de la Pepiniere. At two
+o'clock, just as the two friends were laughingly discussing the
+discomfiture of a young man who had attempted to lead the life of
+fashion without a settled income, and were devising an end for him,
+Henri's coachman came to seek his master at Paul's house, and
+presented to him a mysterious personage who insisted on speaking
+himself with his master.
+
+This individual was a mulatto, who would assuredly have given Talma a
+model for the part of Othello, if he had come across him. Never did
+any African face better express the grand vengefulness, the ready
+suspicion, the promptitude in the execution of a thought, the strength
+of the Moor, and his childish lack of reflection. His black eyes had
+the fixity of the eyes of a bird of prey, and they were framed, like a
+vulture's, by a bluish membrane devoid of lashes. His forehead, low
+and narrow, had something menacing. Evidently, this man was under the
+yoke of some single and unique thought. His sinewy arm did not belong
+to him.
+
+He was followed by a man whom the imaginations of all folk, from those
+who shiver in Greenland to those who sweat in the tropics, would paint
+in the single phrase: /He was an unfortunate man/. From this phrase,
+everybody will conceive him according to the special ideas of each
+country. But who can best imagine his face--white and wrinkled, red at
+the extremities, and his long beard. Who will see his lean and yellow
+scarf, his greasy shirt-collar, his battered hat, his green frock
+coat, his deplorable trousers, his dilapidated waistcoat, his
+imitation gold pin, and battered shoes, the strings of which were
+plastered in mud? Who will see all that but the Parisian? The
+unfortunate man of Paris is the unfortunate man /in toto/, for he has
+still enough mirth to know the extent of his misfortune. The mulatto
+was like an executioner of Louis XI. leading a man to the gallows.
+
+"Who has hunted us out these two extraordinary creatures?" said Henri.
+
+"Faith! there is one of them who makes me shudder," replied Paul.
+
+"Who are you--you fellow who look the most like a Christian of the
+two?" said Henri, looking at the unfortunate man.
+
+The mulatto stood with his eyes fixed upon the two young men, like a
+man who understood nothing, and who sought no less to divine something
+from the gestures and movements of the lips.
+
+"I am a public scribe and interpreter; I live at the Palais de
+Justice, and am named Poincet."
+
+"Good! . . . and this one?" said Henri to Poincet, looking towards the
+mulatto.
+
+"I do not know; he only speaks a sort of Spanish /patois/, and he has
+brought me here to make himself understood by you."
+
+The mulatto drew from his pocket the letter which Henri had written to
+Paquita and handed it to him. Henri threw it in the fire.
+
+"Ah--so--the game is beginning," said Henri to himself. "Paul, leave
+us alone for a moment."
+
+"I translated this letter for him," went on the interpreter, when they
+were alone. "When it was translated, he was in some place which I
+don't remember. Then he came back to look for me, and promised me two
+/louis/ to fetch him here."
+
+"What have you to say to me, nigger?" asked Henri.
+
+"I did not translate /nigger/," said the interpreter, waiting for the
+mulatto's reply. . . .
+
+"He said, sir," went on the interpreter, after having listened to the
+unknown, "that you must be at half-past ten to-morrow night on the
+boulevard Montmartre, near the cafe. You will see a carriage there, in
+which you must take your place, saying to the man, who will wait to
+open the door for you, the word /cortejo/--a Spanish word, which means
+/lover/," added Poincet, casting a glance of congratulation upon
+Henri.
+
+"Good."
+
+The mulatto was about to bestow the two /louis/, but De Marsay would
+not permit it, and himself rewarded the interpreter. As he was paying
+him, the mulatto began to speak.
+
+"What is he saying?"
+
+"He is warning me," replied the unfortunate, "that if I commit a
+single indiscretion he will strangle me. He speaks fair and he looks
+remarkably as if he were capable of carrying out his threat."
+
+"I am sure of it," answered Henri; "he would keep his word."
+
+"He says, as well," replied the interpreter, "that the person from
+whom he is sent implores you, for your sake and for hers, to act with
+the greatest prudence, because the daggers which are raised above your
+head would strike your heart before any human power could save you
+from them."
+
+"He said that? So much the better, it will be more amusing. You can
+come in now, Paul," he cried to his friend.
+
+The mulatto, who had not ceased to gaze at the lover of Paquita Valdes
+with magnetic attention, went away, followed by the interpreter.
+
+"Well, at last I have an adventure which is entirely romantic," said
+Henri, when Paul returned. "After having shared in a certain number I
+have finished by finding in Paris an intrigue accompanied by serious
+accidents, by grave perils. The deuce! what courage danger gives a
+woman! To torment a woman, to try and contradict her--doesn't it give
+her the right and the courage to scale in one moment obstacles which
+it would take her years to surmount of herself? Pretty creature, jump
+then! To die? Poor child! Daggers? Oh, imagination of women! They
+cannot help trying to find authority for their little jests. Besides,
+can one think of it, Paquita? Can one think of it, my child? The devil
+take me, now that I know this beautiful girl, this masterpiece of
+nature, is mine, the adventure has lost its charm."
+
+For all his light words, the youth in Henri had reappeared. In order
+to live until the morrow without too much pain, he had recourse to
+exorbitant pleasure; he played, dined, supped with his friends; he
+drank like a fish, ate like a German, and won ten or twelve thousand
+francs. He left the Rocher de Cancale at two o'clock in the morning,
+slept like a child, awoke the next morning fresh and rosy, and dressed
+to go to the Tuileries, with the intention of taking a ride, after
+having seen Paquita, in order to get himself an appetite and dine the
+better, and so kill the time.
+
+At the hour mentioned Henri was on the boulevard, saw the carriage,
+and gave the counter-word to a man who looked to him like the mulatto.
+Hearing the word, the man opened the door and quickly let down the
+step. Henri was so rapidly carried through Paris, and his thoughts
+left him so little capacity to pay attention to the streets through
+which he passed, that he did not know where the carriage stopped. The
+mulatto let him into a house, the staircase of which was quite close
+to the entrance. This staircase was dark, as was also the landing upon
+which Henri was obliged to wait while the mulatto was opening the door
+of a damp apartment, fetid and unlit, the chambers of which, barely
+illuminated by the candle which his guide found in the ante-chamber,
+seemed to him empty and ill furnished, like those of a house the
+inhabitants of which are away. He recognized the sensation which he
+had experienced from the perusal of one of those romances of Anne
+Radcliffe, in which the hero traverses the cold, sombre, and
+uninhabited saloons of some sad and desert spot.
+
+At last the mulatto opened the door of a /salon/. The condition of the
+old furniture and the dilapidated curtains with which the room was
+adorned gave it the air of the reception-room of a house of ill fame.
+There was the same pretension to elegance, and the same collection of
+things in bad taste, of dust and dirt. Upon a sofa covered with red
+Utrecht velvet, by the side of a smoking hearth, the fire of which was
+buried in ashes, sat an old, poorly dressed woman, her head capped by
+one of those turbans which English women of a certain age have
+invented and which would have a mighty success in China, where the
+artist's ideal is the monstrous.
+
+The room, the old woman, the cold hearth, all would have chilled love
+to death had not Paquita been there, upon an ottoman, in a loose
+voluptuous wrapper, free to scatter her gaze of gold and flame, free
+to show her arched foot, free of her luminous movements. This first
+interview was what every /rendezvous/ must be between persons of
+passionate disposition, who have stepped over a wide distance quickly,
+who desire each other ardently, and who, nevertheless, do not know
+each other. It is impossible that at first there should not occur
+certain discordant notes in the situation, which is embarrassing until
+the moment when two souls find themselves in unison.
+
+If desire gives a man boldness and disposes him to lay restraint
+aside, the mistress, under pain of ceasing to be woman, however great
+may be her love, is afraid of arriving at the end so promptly, and
+face to face with the necessity of giving herself, which to many women
+is equivalent to a fall into an abyss, at the bottom of which they
+know not what they shall find. The involuntary coldness of the woman
+contrasts with her confessed passion, and necessarily reacts upon the
+most passionate lover. Thus ideas, which often float around souls like
+vapors, determine in them a sort of temporary malady. In the sweet
+journey which two beings undertake through the fair domains of love,
+this moment is like a waste land to be traversed, a land without a
+tree, alternatively damp and warm, full of scorching sand, traversed
+by marshes, which leads to smiling groves clad with roses, where Love
+and his retinue of pleasures disport themselves on carpets of soft
+verdure. Often the witty man finds himself afflicted with a foolish
+laugh which is his only answer to everything; his wit is, as it were,
+suffocated beneath the icy pressure of his desires. It would not be
+impossible for two beings of equal beauty, intelligence, and passion
+to utter at first nothing but the most silly commonplaces, until
+chance, a word, the tremor of a certain glance, the communication of a
+spark, should have brought them to the happy transition which leads to
+that flowery way in which one does not walk, but where one sways and
+at the same time does not lapse.
+
+Such a state of mind is always in proportion with the violence of the
+feeling. Two creatures who love one another weakly feel nothing
+similar. The effect of this crisis can even be compared with that
+which is produced by the glow of a clear sky. Nature, at the first
+view, appears to be covered with a gauze veil, the azure of the
+firmament seems black, the intensity of light is like darkness. With
+Henri, as with the Spanish girl, there was an equal intensity of
+feeling; and that law of statics, in virtue of which two identical
+forces cancel each other, might have been true also in the moral
+order. And the embarrassment of the moment was singularly increased by
+the presence of the old hag. Love takes pleasure or fright at all, all
+has meaning for it, everything is an omen of happiness or sorrow for
+it.
+
+This decrepit woman was there like a suggestion of catastrophe, and
+represented the horrid fish's tail with which the allegorical geniuses
+of Greece have terminated their chimeras and sirens, whose figures,
+like all passions, are so seductive, so deceptive.
+
+Although Henri was not a free-thinker--the phrase is always a mockery
+--but a man of extraordinary power, a man as great as a man can be
+without faith, the conjunction struck him. Moreover, the strongest men
+are naturally the most impressionable, and consequently the most
+superstitious, if, indeed, one may call superstition the prejudice of
+the first thoughts, which, without doubt, is the appreciation of the
+result in causes hidden to other eyes but perceptible to their own.
+
+The Spanish girl profited by this moment of stupefaction to let
+herself fall into the ecstasy of that infinite adoration which seizes
+the heart of a woman, when she truly loves and finds herself in the
+presence of an idol for whom she has vainly longed. Her eyes were all
+joy, all happiness, and sparks flew from them. She was under the
+charm, and fearlessly intoxicated herself with a felicity of which she
+had dreamed long. She seemed then so marvelously beautiful to Henri,
+that all this phantasmagoria of rags and old age, of worn red drapery
+and of the green mats in front of the armchairs, the ill-washed red
+tiles, all this sick and dilapidated luxury, disappeared.
+
+The room seemed lit up; and it was only through a cloud that one could
+see the fearful harpy fixed and dumb on her red sofa, her yellow eyes
+betraying the servile sentiments, inspired by misfortune, or caused by
+some vice beneath whose servitude one has fallen as beneath a tyrant
+who brutalizes one with the flagellations of his despotism. Her eyes
+had the cold glitter of a caged tiger, knowing his impotence and being
+compelled to swallow his rage of destruction.
+
+"Who is that woman?" said Henri to Paquita.
+
+But Paquita did not answer. She made a sign that she understood no
+French, and asked Henri if he spoke English.
+
+De Marsay repeated his question in English.
+
+"She is the only woman in whom I can confide, although she has sold me
+already," said Paquita, tranquilly. "My dear Adolphe, she is my
+mother, a slave bought in Georgia for her rare beauty, little enough
+of which remains to-day. She only speaks her native tongue."
+
+The attitude of this woman and her eagerness to guess from the
+gestures of her daughter and Henri what was passing between them, were
+suddenly explained to the young man; and this explanation put him at
+his ease.
+
+"Paquita," he said, "are we never to be free then?"
+
+"Never," she said, with an air of sadness. "Even now we have but a few
+days before us."
+
+She lowered her eyes, looked at and counted with her right hand on the
+fingers of her left, revealing so the most beautiful hands which Henri
+had ever seen.
+
+"One, two, three----"
+
+She counted up to twelve.
+
+"Yes," she said, "we have twelve days."
+
+"And after?"
+
+"After," she said, showing the absorption of a weak woman before the
+executioner's axe, and slain in advance, as it were, by a fear which
+stripped her of that magnificent energy which Nature seemed to have
+bestowed upon her only to aggrandize pleasure and convert the most
+vulgar delights into endless poems. "After----" she repeated. Her eyes
+took a fixed stare; she seemed to contemplate a threatening object far
+away.
+
+"I do not know," she said.
+
+"This girl is mad," said Henri to himself, falling into strange
+reflections.
+
+Paquita appeared to him occupied by something which was not himself,
+like a woman constrained equally by remorse and passion. Perhaps she
+had in her heart another love which she alternately remembered and
+forgot. In a moment Henri was assailed by a thousand contradictory
+thoughts. This girl became a mystery for him; but as he contemplated
+her with the scientific attention of the /blase/ man, famished for new
+pleasures, like that Eastern king who asked that a pleasure should be
+created for him,--a horrible thirst with which great souls are seized,
+--Henri recognized in Paquita the richest organization that Nature had
+ever deigned to compose for love. The presumptive play of this
+machinery, setting aside the soul, would have frightened any other man
+than Henri; but he was fascinated by that rich harvest of promised
+pleasures, by that constant variety in happiness, the dream of every
+man, and the desire of every loving woman too. He was infuriated by
+the infinite rendered palpable, and transported into the most
+excessive raptures of which the creature is capable. All that he saw
+in this girl more distinctly than he had yet seen it, for she let
+herself be viewed complacently, happy to be admired. The admiration of
+De Marsay became a secret fury, and he unveiled her completely,
+throwing a glance at her which the Spaniard understood as though she
+had been used to receive such.
+
+"If you are not to be mine, mine only, I will kill you!" he cried.
+
+Hearing this speech, Paquita covered her face in her hands, and cried
+naively:
+
+"Holy Virgin! What have I brought upon myself?"
+
+She rose, flung herself down upon the red sofa, and buried her head in
+the rags which covered the bosom of her mother, and wept there. The
+old woman received her daughter without issuing from her state of
+immobility, or displaying any emotion. The mother possessed in the
+highest degree that gravity of savage races, the impassiveness of a
+statue upon which all remarks are lost. Did she or did she not love
+her daughter? Beneath that mask every human emotion might brood--good
+and evil; and from this creature all might be expected. Her gaze
+passed slowly from her daughter's beautiful hair, which covered her
+like a mantle, to the face of Henri, which she considered with an
+indescribable curiosity.
+
+She seemed to ask by what fatality he was there, from what caprice
+Nature had made so seductive a man.
+
+"These women are making sport of me," said Henri to himself.
+
+At that moment Paquita raised her head, cast at him one of those looks
+which reach the very soul and consume it. So beautiful seemed she that
+he swore he would possess such a treasure of beauty.
+
+"My Paquita! Be mine!"
+
+"Wouldst thou kill me?" she said fearfully, palpitating and anxious,
+but drawn towards him by an inexplicable force.
+
+"Kill thee--I!" he said, smiling.
+
+Paquita uttered a cry of alarm, said a word to the old woman, who
+authoritatively seized Henri's hand and that of her daughter. She
+gazed at them for a long time, and then released them, wagging her
+head in a fashion horribly significant.
+
+"Be mine--this evening, this moment; follow me, do not leave me! It
+must be, Paquita! Dost thou love me? Come!"
+
+In a moment he had poured out a thousand foolish words to her, with
+the rapidity of a torrent coursing between the rocks, and repeating
+the same sound in a thousand different forms.
+
+"It is the same voice!" said Paquita, in a melancholy voice, which De
+Marsay could not overhear, "and the same ardor," she added. "So be
+it--yes," she said, with an abandonment of passion which no words can
+describe. "Yes; but not to-night. To-night Adolphe, I gave too little
+opium to La Concha. She might wake up, and I should be lost. At this
+moment the whole household believes me to be asleep in my room. In two
+days be at the same spot, say the same word to the same man. That man
+is my foster-father. Cristemio worships me, and would die in torments
+for me before they could extract one word against me from him.
+Farewell," she said seizing Henri by the waist and twining round him
+like a serpent.
+
+She pressed him on every side at once, lifted her head to his, and
+offered him her lips, then snatched a kiss which filled them both with
+such a dizziness that it seemed to Henri as though the earth opened;
+and Paquita cried: "Enough, depart!" in a voice which told how little
+she was mistress of herself. But she clung to him still, still crying
+"Depart!" and brought him slowly to the staircase. There the mulatto,
+whose white eyes lit up at the sight of Paquita, took the torch from
+the hands of his idol, and conducted Henri to the street. He left the
+light under the arch, opened the door, put Henri into the carriage,
+and set him down on the Boulevard des Italiens with marvelous
+rapidity. It was as though the horses had hell-fire in their veins.
+
+The scene was like a dream to De Marsay, but one of those dreams
+which, even when they fade away, leave a feeling of supernatural
+voluptuousness, which a man runs after for the remainder of his life.
+A single kiss had been enough. Never had /rendezvous/ been spent in a
+manner more decorous or chaste, or, perhaps, more coldly, in a spot of
+which the surroundings were more gruesome, in presence of a more
+hideous divinity; for the mother had remained in Henri's imagination
+like some infernal, cowering thing, cadaverous, monstrous, savagely
+ferocious, which the imagination of poets and painters had not yet
+conceived. In effect, no /rendezvous/ had ever irritated his senses
+more, revealed more audacious pleasures, or better aroused love from
+its centre to shed itself round him like an atmosphere. There was
+something sombre, mysterious, sweet, tender, constrained, and
+expansive, an intermingling of the awful and the celestial, of
+paradise and hell, which made De Marsay like a drunken man.
+
+He was no longer himself, and he was, withal, great enough to be able
+to resist the intoxication of pleasure.
+
+In order to render his conduct intelligible in the catastrophe of this
+story, it is needful to explain how his soul had broadened at an age
+when young men generally belittle themselves in their relations with
+women, or in too much occupation with them. Its growth was due to a
+concurrence of secret circumstances, which invested him with a vast
+and unsuspected power.
+
+This young man held in his hand a sceptre more powerful than that of
+modern kings, almost all of whom are curbed in their least wishes by
+the laws. De Marsay exercised the autocratic power of an Oriental
+despot. But this power, so stupidly put into execution in Asia by
+brutish men, was increased tenfold by its conjunction with European
+intelligence, with French wit--the most subtle, the keenest of all
+intellectual instruments. Henri could do what he would in the interest
+of his pleasures and vanities. This invisible action upon the social
+world had invested him with a real, but secret, majesty, without
+emphasis and deriving from himself. He had not the opinion which Louis
+XIV. could have of himself, but that which the proudest of the
+Caliphs, the Pharoahs, the Xerxes, who held themselves to be of divine
+origin, had of themselves when they imitated God, and veiled
+themselves from their subjects under the pretext that their looks
+dealt forth death. Thus, without any remorse at being at once the
+judge and the accuser, De Marsay coldly condemned to death the man or
+the woman who had seriously offended him. Although often pronounced
+almost lightly, the verdict was irrevocable. An error was a misfortune
+similar to that which a thunderbolt causes when it falls upon a
+smiling Parisienne in some hackney coach, instead of crushing the old
+coachman who is driving her to a /rendezvous/. Thus the bitter and
+profound sarcasm which distinguished the young man's conversation
+usually tended to frighten people; no one was anxious to put him out.
+Women are prodigiously fond of those persons who call themselves
+pashas, and who are, as it were accompanied by lions and executioners,
+and who walk in a panoply of terror. The result, in the case of such
+men, is a security of action, a certitude of power, a pride of gaze, a
+leonine consciousness, which makes women realize the type of strength
+of which they all dream. Such was De Marsay.
+
+Happy, for the moment, with his future, he grew young and pliable, and
+thought of nothing but love as he went to bed. He dreamed of the girl
+with the golden eyes, as the young and passionate can dream. His
+dreams were monstrous images, unattainable extravagances--full of
+light, revealing invisible worlds, yet in a manner always incomplete,
+for an intervening veil changes the conditions of vision.
+
+For the next and succeeding day Henri disappeared and no one knew what
+had become of him. His power only belonged to him under certain
+conditions, and, happily for him, during those two days he was a
+private soldier in the service of the demon to whom he owed his
+talismanic existence. But at the appointed time, in the evening, he
+was waiting--and he had not long to wait--for the carriage. The
+mulatto approached Henri, in order to repeat to him in French a phrase
+which he seemed to have learned by heart.
+
+"If you wish to come, she told me, you must consent to have your eyes
+bandaged."
+
+And Cristemio produced a white silk handkerchief.
+
+"No!" said Henri, whose omnipotence revolted suddenly.
+
+He tried to leap in. The mulatto made a sign, and the carriage drove
+off.
+
+"Yes!" cried De Marsay, furious at the thought of losing a piece of
+good fortune which had been promised him.
+
+He saw, moreover, the impossibility of making terms with a slave whose
+obedience was as blind as the hangman's. Nor was it this passive
+instrument upon whom his anger could fall.
+
+The mulatto whistled, the carriage returned. Henri got in hastily.
+Already a few curious onlookers had assembled like sheep on the
+boulevard. Henri was strong; he tried to play the mulatto. When the
+carriage started at a gallop he seized his hands, in order to master
+him, and retain, by subduing his attendant, the possession of his
+faculties, so that he might know whither he was going. It was a vain
+attempt. The eyes of the mulatto flashed from the darkness. The fellow
+uttered a cry which his fury stifled in his throat, released himself,
+threw back De Marsay with a hand like iron, and nailed him, so to
+speak, to the bottom of the carriage; then with his free hand, he drew
+a triangular dagger, and whistled. The coachman heard the whistle and
+stopped. Henri was unarmed, he was forced to yield. He moved his head
+towards the handkerchief. The gesture of submission calmed Cristemio,
+and he bound his eyes with a respect and care which manifested a sort
+of veneration for the person of the man whom his idol loved. But,
+before taking this course, he had placed his dagger distrustfully in
+his side pocket, and buttoned himself up to the chin.
+
+"That nigger would have killed me!" said De Marsay to himself.
+
+Once more the carriage moved on rapidly. There was one resource still
+open to a young man who knew Paris as well as Henri. To know whither
+he was going, he had but to collect himself and count, by the number
+of gutters crossed, the streets leading from the boulevards by which
+the carriage passed, so long as it continued straight along. He could
+thus discover into which lateral street it would turn, either towards
+the Seine or towards the heights of Montmartre, and guess the name or
+position of the street in which his guide should bring him to a halt.
+But the violent emotion which his struggle had caused him, the rage
+into which his compromised dignity had thrown him, the ideas of
+vengeance to which he abandoned himself, the suppositions suggested to
+him by the circumstantial care which this girl had taken in order to
+bring him to her, all hindered him from the attention, which the blind
+have, necessary for the concentration of his intelligence and the
+perfect lucidity of his recollection. The journey lasted half an hour.
+When the carriage stopped, it was no longer on the street. The mulatto
+and the coachman took Henri in their arms, lifted him out, and,
+putting him into a sort of litter, conveyed him across a garden. He
+could smell its flowers and the perfume peculiar to trees and grass.
+
+The silence which reigned there was so profound that he could
+distinguish the noise made by the drops of water falling from the
+moist leaves. The two men took him to a staircase, set him on his
+feet, led him by his hands through several apartments, and left him in
+a room whose atmosphere was perfumed, and the thick carpet of which he
+could feel beneath his feet.
+
+A woman's hand pushed him on to a divan, and untied the handkerchief
+for him. Henri saw Paquita before him, but Paquita in all her womanly
+and voluptuous glory. The section of the boudoir in which Henri found
+himself described a circular line, softly gracious, which was faced
+opposite by the other perfectly square half, in the midst of which a
+chimney-piece shone of gold and white marble. He had entered by a door
+on one side, hidden by a rich tapestried screen, opposite which was a
+window. The semicircular portion was adorned with a real Turkish
+divan, that is to say, a mattress thrown on the ground, but a mattress
+as broad as a bed, a divan fifty feet in circumference, made of white
+cashmere, relieved by bows of black and scarlet silk, arranged in
+panels. The top of this huge bed was raised several inches by numerous
+cushions, which further enriched it by their tasteful comfort. The
+boudoir was lined with some red stuff, over which an Indian muslin was
+stretched, fluted after the fashion of Corinthian columns, in plaits
+going in and out, and bound at the top and bottom by bands of poppy-
+colored stuff, on which were designs in black arabesque.
+
+Below the muslin the poppy turned to rose, that amorous color, which
+was matched by window-curtains, which were of Indian muslin lined with
+rose-colored taffeta, and set off with a fringe of poppy-color and
+black. Six silver-gilt arms, each supporting two candles, were
+attached to the tapestry at an equal distance, to illuminate the
+divan. The ceiling, from the middle of which a lustre of unpolished
+silver hung, was of a brilliant whiteness, and the cornice was gilded.
+The carpet was like an Oriental shawl; it had the designs and recalled
+the poetry of Persia, where the hands of slaves had worked on it. The
+furniture was covered in white cashmere, relieved by black and poppy-
+colored ornaments. The clock, the candelabra, all were in white marble
+and gold. The only table there had a cloth of cashmere. Elegant
+flower-pots held roses of every kind, flowers white or red. In fine,
+the least detail seemed to have been the object of loving thought.
+Never had richness hidden itself more coquettishly to become elegance,
+to express grace, to inspire pleasure. Everything there would have
+warmed the coldest of beings. The caresses of the tapestry, of which
+the color changed according to the direction of one's gaze, becoming
+either all white or all rose, harmonized with the effects of the light
+shed upon the diaphanous tissues of the muslin, which produced an
+appearance of mistiness. The soul has I know not what attraction
+towards white, love delights in red, and the passions are flattered by
+gold, which has the power of realizing their caprices. Thus all that
+man possesses within him of vague and mysterious, all his inexplicable
+affinities, were caressed in their involuntary sympathies. There was
+in this perfect harmony a concert of color to which the soul responded
+with vague and voluptuous and fluctuating ideas.
+
+It was out of a misty atmosphere, laden with exquisite perfumes, that
+Paquita, clad in a white wrapper, her feet bare, orange blossoms in
+her black hair, appeared to Henri, knelt before him, adoring him as
+the god of this temple, whither he had deigned to come. Although De
+Marsay was accustomed to seeing the utmost efforts of Parisian luxury,
+he was surprised at the aspect of this shell, like that from which
+Venus rose out of the sea. Whether from an effect of contrast between
+the darkness from which he issued and the light which bathed his soul,
+whether from a comparison which he swiftly made between this scene and
+that of their first interview, he experienced one of those delicate
+sensations which true poetry gives. Perceiving in the midst of this
+retreat, which had been opened to him as by a fairy's magic wand, the
+masterpiece of creation, this girl, whose warmly colored tints, whose
+soft skin--soft, but slightly gilded by the shadows, by I know not
+what vaporous effusion of love--gleamed as though it reflected the
+rays of color and light, his anger, his desire for vengeance, his
+wounded vanity, all were lost.
+
+Like an eagle darting on his prey, he took her utterly to him, set her
+on his knees, and felt with an indescribable intoxication the
+voluptuous pressure of this girl, whose richly developed beauties
+softly enveloped him.
+
+"Come to me, Paquita!" he said, in a low voice.
+
+"Speak, speak without fear!" she said. "This retreat was built for
+love. No sound can escape from it, so greatly was it desired to guard
+avariciously the accents and music of the beloved voice. However loud
+should be the cries, they would not be heard without these walls. A
+person might be murdered, and his moans would be as vain as if he were
+in the midst of the great desert."
+
+"Who has understood jealousy and its needs so well?"
+
+"Never question me as to that," she answered, untying with a gesture
+of wonderful sweetness the young man's scarf, doubtless in order the
+better to behold his neck.
+
+"Yes, there is the neck I love so well!" she said. "Wouldst thou
+please me?"
+
+This interrogation, rendered by the accent almost lascivious, drew De
+Marsay from the reverie in which he had been plunged by Paquita's
+authoritative refusal to allow him any research as to the unknown
+being who hovered like a shadow about them.
+
+"And if I wished to know who reigns here?"
+
+Paquita looked at him trembling.
+
+"It is not I, then?" he said, rising and freeing himself from the
+girl, whose head fell backwards. "Where I am, I would be alone."
+
+"Strike, strike! . . ." said the poor slave, a prey to terror.
+
+"For what do you take me, then? . . . Will you answer?"
+
+Paquita got up gently, her eyes full of tears, took a poniard from one
+of the two ebony pieces of furniture, and presented it to Henri with a
+gesture of submission which would have moved a tiger.
+
+"Give me a feast such as men give when they love," she said, "and
+whilst I sleep, slay me, for I know not how to answer thee. Hearken! I
+am bound like some poor beast to a stake; I am amazed that I have been
+able to throw a bridge over the abyss which divides us. Intoxicate me,
+then kill me! Ah, no, no!" she cried, joining her hands, "do not kill
+me! I love life! Life is fair to me! If I am a slave, I am a queen
+too. I could beguile you with words, tell you that I love you alone,
+prove it to you, profit by my momentary empire to say to you: 'Take me
+as one tastes the perfume of a flower when one passes it in a king's
+garden.' Then, after having used the cunning eloquence of woman and
+soared on the wings of pleasure, after having quenched my thirst, I
+could have you cast into a pit, where none could find you, which has
+been made to gratify vengeance without having to fear that of the law,
+a pit full of lime which would kindle and consume you, until no
+particle of you were left. You would stay in my heart, mine forever."
+
+Henri looked at the girl without trembling, and this fearless gaze
+filled her with joy.
+
+"No, I shall not do it! You have fallen into no trap here, but upon
+the heart of a woman who adores you, and it is I who will be cast into
+the pit."
+
+"All this appears to me prodigiously strange," said De Marsay,
+considering her. "But you seem to me a good girl, a strange nature;
+you are, upon my word of honor, a living riddle, the answer to which
+is very difficult to find."
+
+Paquita understood nothing of what the young man said; she looked at
+him gently, opening wide eyes which could never be stupid, so much was
+pleasure written in them.
+
+"Come, then, my love," she said, returning to her first idea, "wouldst
+thou please me?"
+
+"I would do all that thou wouldst, and even that thou wouldst not,"
+answered De Marsay, with a laugh. He had recovered his foppish ease,
+as he took the resolve to let himself go to the climax of his good
+fortune, looking neither before nor after. Perhaps he counted,
+moreover, on his power and his capacity of a man used to adventures,
+to dominate this girl a few hours later and learn all her secrets.
+
+"Well," said she, "let me arrange you as I would like."
+
+Paquita went joyously and took from one of the two chests a robe of
+red velvet, in which she dressed De Marsay, then adorned his head with
+a woman's bonnet and wrapped a shawl round him. Abandoning herself to
+these follies with a child's innocence, she laughed a convulsive
+laugh, and resembled some bird flapping its wings; but he saw nothing
+beyond.
+
+If it be impossible to paint the unheard-of delights which these two
+creatures--made by heaven in a joyous moment--found, it is perhaps
+necessary to translate metaphysically the extraordinary and almost
+fantastic impressions of the young man. That which persons in the
+social position of De Marsay, living as he lived, are best able to
+recognize is a girl's innocence. But, strange phenomenon! The girl of
+the golden eyes might be virgin, but innocent she was certainly not.
+The fantastic union of the mysterious and the real, of darkness and
+light, horror and beauty, pleasure and danger, paradise and hell,
+which had already been met with in this adventure, was resumed in the
+capricious and sublime being with which De Marsay dallied. All the
+utmost science or the most refined pleasure, all that Henri could know
+of that poetry of the senses which is called love, was excelled by the
+treasures poured forth by this girl, whose radiant eyes gave the lie
+to none of the promises which they made.
+
+She was an Oriental poem, in which shone the sun that Saadi, that
+Hafiz, have set in their pulsing strophes. Only, neither the rhythm of
+Saadi, nor that of Pindar, could have expressed the ecstasy--full of
+confusion and stupefaction--which seized the delicious girl when the
+error in which an iron hand had caused her to live was at an end.
+
+"Dead!" she said, "I am dead, Adolphe! Take me away to the world's
+end, to an island where no one knows us. Let there be no traces of our
+flight! We should be followed to the gates of hell. God! here is the
+day! Escape! Shall I ever see you again? Yes, to-morrow I will see
+you, if I have to deal death to all my warders to have that joy. Till
+to-morrow."
+
+She pressed him in her arms with an embrace in which the terror of
+death mingled. Then she touched a spring, which must have been in
+connection with a bell, and implored De Marsay to permit his eyes to
+be bandaged.
+
+"And if I would not--and if I wished to stay here?"
+
+"You would be the death of me more speedily," she said, "for now I
+know I am certain to die on your account."
+
+Henri submitted. In the man who had just gorged himself with pleasure
+there occurs a propensity to forgetfulness, I know not what
+ingratitude, a desire for liberty, a whim to go elsewhere, a tinge of
+contempt and, perhaps, of disgust for his idol; in fine, indescribable
+sentiments which render him ignoble and ashamed. The certainty of this
+confused, but real, feeling in souls who are not illuminated by that
+celestial light, nor perfumed with that holy essence from which the
+performance of sentiment springs, doubtless suggested to Rousseau the
+adventures of Lord Edward, which conclude the letters of the /Nouvelle
+Heloise/. If Rousseau is obviously inspired by the work of Richardson,
+he departs from it in a thousand details, which leave his achievement
+magnificently original; he has recommended it to posterity by great
+ideas which it is difficult to liberate by analysis, when, in one's
+youth, one reads this work with the object of finding in it the lurid
+representation of the most physical of our feelings, whereas serious
+and philosophical writers never employ its images except as the
+consequence or the corollary of a vast thought; and the adventures of
+Lord Edward are one of the most Europeanly delicate ideas of the whole
+work.
+
+Henri, therefore, found himself beneath the domination of that
+confused sentiment which is unknown to true love. There was needful,
+in some sort, the persuasive grip of comparisons, and the irresistible
+attraction of memories to lead him back to a woman. True love rules
+above all through recollection. A woman who is not engraven upon the
+soul by excess of pleasure or by strength of emotion, how can she ever
+be loved? In Henri's case, Paquita had established herself by both of
+these reasons. But at this moment, seized as he was by the satiety of
+his happiness, that delicious melancholy of the body, he could hardly
+analyze his heart, even by recalling to his lips the taste of the
+liveliest gratifications that he had ever grasped.
+
+He found himself on the Boulevard Montmartre at the break of day,
+gazed stupidly at the retreating carriage, produced two cigars from
+his pocket, lit one from the lantern of a good woman who sold brandy
+and coffee to workmen and street arabs and chestnut venders--to all
+the Parisian populace which begins its work before daybreak; then he
+went off, smoking his cigar, and putting his hands in his trousers'
+pockets with a devil-may-care air which did him small honor.
+
+"What a good thing a cigar is! That's one thing a man will never tire
+of," he said to himself.
+
+Of the girl with the golden eyes, over whom at that time all the
+elegant youth of Paris was mad, he hardly thought. The idea of death,
+expressed in the midst of their pleasure, and the fear of which had
+more than once darkened the brow of that beautiful creature, who held
+to the houris of Asia by her mother, to Europe by her education, to
+the tropics by her birth, seemed to him merely one of those deceptions
+by which women seek to make themselves interesting.
+
+"She is from Havana--the most Spanish region to be found in the New
+World. So she preferred to feign terror rather than cast in my teeth
+indisposition or difficulty, coquetry or duty, like a Parisian woman.
+By her golden eyes, how glad I shall be to sleep."
+
+He saw a hackney coach standing at the corner of Frascati's waiting
+for some gambler; he awoke the driver, was driven home, went to bed,
+and slept the sleep of the dissipated, which for some queer reason--of
+which no rhymer has yet taken advantage--is as profound as that of
+innocence. Perhaps it is an instance of the proverbial axiom,
+/extremes meet/.
+
+About noon De Marsay awoke and stretched himself; he felt the grip of
+that sort of voracious hunger which old soldiers can remember having
+experienced on the morrow of victory. He was delighted, therefore, to
+see Paul de Manerville standing in front of him, for at such a time
+nothing is more agreeable than to eat in company.
+
+"Well," his friend remarked, "we all imagined that you had been shut
+up for the last ten days with the girl of the golden eyes."
+
+"The girl of the golden eyes! I have forgotten her. Faith! I have
+other fish to fry!"
+
+"Ah! you are playing at discretion."
+
+"Why not?" asked De Marsay, with a laugh. "My dear fellow, discretion
+is the best form of calculation. Listen--however, no! I will not say a
+word. You never teach me anything; I am not disposed to make you a
+gratuitous present of the treasures of my policy. Life is a river
+which is of use for the promotion of commerce. In the name of all that
+is most sacred in life--of cigars! I am no professor of social economy
+for the instruction of fools. Let us breakfast! It costs less to give
+you a tunny omelette than to lavish the resources of my brain on you."
+
+"Do you bargain with your friends?"
+
+"My dear fellow," said Henri, who rarely denied himself a sarcasm,
+"since all the same, you may some day need, like anybody else, to use
+discretion, and since I have much love for you--yes, I like you! Upon
+my word, if you only wanted a thousand-franc note to keep you from
+blowing your brains out, you would find it here, for we haven't yet
+done any business of that sort, eh, Paul? If you had to fight
+to-morrow, I would measure the ground and load the pistols, so that
+you might be killed according to rule. In short, if anybody besides
+myself took it into his head to say ill of you in your absence, he
+would have to deal with the somewhat nasty gentleman who walks in my
+shoes--there's what I call a friendship beyond question. Well, my good
+fellow, if you should ever have need of discretion, understand that
+there are two sorts of discretion--the active and the negative.
+Negative discretion is that of fools who make use of silence,
+negation, an air of refusal, the discretion of locked doors--mere
+impotence! Active discretion proceeds by affirmation. Suppose at the
+club this evening I were to say: 'Upon my word of honor the golden-
+eyed was not worth all she cost me!' Everybody would exclaim when I
+was gone: 'Did you hear that fop De Marsay, who tried to make us
+believe that he has already had the girl of the golden eyes? It's his
+way of trying to disembarrass himself of his rivals: he's no
+simpleton.' But such a ruse is vulgar and dangerous. However gross a
+folly one utters, there are always idiots to be found who will believe
+it. The best form of discretion is that of women when they want to
+take the change out of their husbands. It consists in compromising a
+woman with whom we are not concerned, or whom we do not love, in order
+to save the honor of the one whom we love well enough to respect. It
+is what is called the /woman-screen/. . . . Ah! here is Laurent. What
+have you got for us?"
+
+"Some Ostend oysters, Monsieur le Comte."
+
+"You will know some day, Paul, how amusing it is to make a fool of the
+world by depriving it of the secret of one's affections. I derive an
+immense pleasure in escaping from the stupid jurisdiction of the
+crowd, which knows neither what it wants, nor what one wants of it,
+which takes the means for the end, and by turns curses and adores,
+elevates and destroys! What a delight to impose emotions on it and
+receive none from it, to tame it, never to obey it. If one may ever be
+proud of anything, is it not a self-acquired power, of which one is at
+once the cause and effect, the principle and the result? Well, no man
+knows what I love, nor what I wish. Perhaps what I have loved, or what
+I may have wished will be known, as a drama which is accomplished is
+known; but to let my game be seen--weakness, mistake! I know nothing
+more despicable than strength outwitted by cunning. Can I initiate
+myself with a laugh into the ambassador's part, if indeed diplomacy is
+as difficult as life? I doubt it. Have you any ambition? Would you
+like to become something?"
+
+"But, Henri, you are laughing at me--as though I were not sufficiently
+mediocre to arrive at anything."
+
+"Good Paul! If you go on laughing at yourself, you will soon be able
+to laugh at everybody else."
+
+At breakfast, by the time he had started his cigars, De Marsay began
+to see the events of the night in a singular light. Like many men of
+great intelligence, his perspicuity was not spontaneous, as it did not
+at once penetrate to the heart of things. As with all natures endowed
+with the faculty of living greatly in the present, of extracting, so
+to speak, the essence of it and assimilating it, his second-sight had
+need of a sort of slumber before it could identify itself with causes.
+Cardinal de Richelieu was so constituted, and it did not debar in him
+the gift of foresight necessary to the conception of great designs.
+
+De Marsay's conditions were alike, but at first he only used his
+weapons for the benefit of his pleasures, and only became one of the
+most profound politicians of his day when he had saturated himself
+with those pleasures to which a young man's thoughts--when he has
+money and power--are primarily directed. Man hardens himself thus: he
+uses woman in order that she may not make use of him.
+
+At this moment, then, De Marsay perceived that he had been fooled by
+the girl of the golden eyes, seeing, as he did, in perspective, all
+that night of which the delights had been poured upon him by degrees
+until they had ended by flooding him in torrents. He could read, at
+last, that page in effect so brilliant, divine its hidden meaning. The
+purely physical innocence of Paquita, the bewilderment of her joy,
+certain words, obscure at first, but now clear, which had escaped her
+in the midst of that joy, all proved to him that he had posed for
+another person. As no social corruption was unknown to him, as he
+professed a complete indifference towards all perversities, and
+believed them to be justified on the simple ground that they were
+capable of satisfaction, he was not startled at vice, he knew it as
+one knows a friend, but he was wounded at having served as sustenance
+for it. If his presumption was right, he had been outraged in the most
+sensitive part of him. The mere suspicion filled him with fury, he
+broke out with the roar of a tiger who has been the sport of a deer,
+the cry of a tiger which united a brute's strength with the
+intelligence of the demon.
+
+"I say, what is the matter with you?" asked Paul.
+
+"Nothing!"
+
+"I should be sorry, if you were to be asked whether you had anything
+against me and were to reply with a /nothing/ like that! It would be a
+sure case of fighting the next day."
+
+"I fight no more duels," said De Marsay.
+
+"That seems to me even more tragical. Do you assassinate, then?"
+
+"You travesty words. I execute."
+
+"My dear friend," said Paul, "your jokes are of a very sombre color
+this morning."
+
+"What would you have? Pleasure ends in cruelty. Why? I don't know, and
+am not sufficiently curious to try and find out. . . . These cigars
+are excellent. Give your friend some tea. Do you know, Paul, I live a
+brute's life? It should be time to choose oneself a destiny, to employ
+one's powers on something which makes life worth living. Life is a
+singular comedy. I am frightened, I laugh at the inconsequence of our
+social order. The Government cuts off the heads of poor devils who may
+have killed a man and licenses creatures who despatch, medically
+speaking, a dozen young folks in a season. Morality is powerless
+against a dozen vices which destroy society and which nothing can
+punish.--Another cup!--Upon my word of honor! man is a jester dancing
+upon a precipice. They talk to us about the immorality of the
+/Liaisons Dangereuses/, and any other book you like with a vulgar
+reputation; but there exists a book, horrible, filthy, fearful,
+corrupting, which is always open and will never be shut, the great
+book of the world; not to mention another book, a thousand times more
+dangerous, which is composed of all that men whisper into each other's
+ears, or women murmur behind their fans, of an evening in society."
+
+"Henri, there is certainly something extraordinary the matter with
+you; that is obvious in spite of your active discretion."
+
+"Yes! . . . Come, I must kill the time until this evening. Let's to
+the tables. . . . Perhaps I shall have the good luck to lose."
+
+De Marsay rose, took a handful of banknotes and folded them into his
+cigar-case, dressed himself, and took advantage of Paul's carriage to
+repair to the Salon des Etrangers, where until dinner he consumed the
+time in those exciting alternations of loss and gain which are the
+last resource of powerful organizations when they are compelled to
+exercise themselves in the void. In the evening he repaired to the
+trysting-place and submitted complacently to having his eyes bandaged.
+Then, with that firm will which only really strong men have the
+faculty of concentrating, he devoted his attention and applied his
+intelligence to the task of divining through what streets the carriage
+passed. He had a sort of certitude of being taken to the Rue Saint-
+Lazare, and being brought to a halt at the little gate in the garden
+of the Hotel San-Real. When he passed, as on the first occasion,
+through this gate, and was put in a litter, carried, doubtless by the
+mulatto and the coachman, he understood, as he heard the gravel grate
+beneath their feet, why they took such minute precautions. He would
+have been able, had he been free, or if he had walked, to pluck a twig
+of laurel, to observe the nature of the soil which clung to his boots;
+whereas, transported, so to speak, ethereally into an inaccessible
+mansion, his good fortune must remain what it had been hitherto, a
+dream. But it is man's despair that all his work, whether for good or
+evil, is imperfect. All his labors, physical or intellectual, are
+sealed with the mark of destruction. There had been a gentle rain, the
+earth was moist. At night-time certain vegetable perfumes are far
+stronger than during the day; Henri could smell, therefore, the scent
+of the mignonette which lined the avenue along which he was conveyed.
+This indication was enough to light him in the researches which he
+promised himself to make in order to recognize the hotel which
+contained Paquita's boudoir. He studied in the same way the turnings
+which his bearers took within the house, and believed himself able to
+recall them.
+
+As on the previous night, he found himself on the ottoman before
+Paquita, who was undoing his bandage; but he saw her pale and altered.
+She had wept. On her knees like an angel in prayer, but like an angel
+profoundly sad and melancholy, the poor girl no longer resembled the
+curious, impatient, and impetuous creature who had carried De Marsay
+on her wings to transport him to the seventh heaven of love. There was
+something so true in this despair veiled by pleasure, that the
+terrible De Marsay felt within him an admiration for this new
+masterpiece of nature, and forgot, for the moment, the chief interest
+of his assignation.
+
+"What is the matter with thee, my Paquita?"
+
+"My friend," she said, "carry me away this very night. Bear me to some
+place where no one can answer: 'There is a girl with a golden gaze
+here, who has long hair.' Yonder I will give thee as many pleasures as
+thou wouldst have of me. Then when you love me no longer, you shall
+leave me, I shall not complain, I shall say nothing; and your
+desertion need cause you no remorse, for one day passed with you, only
+one day, in which I have had you before my eyes, will be worth all my
+life to me. But if I stay here, I am lost."
+
+"I cannot leave Paris, little one!" replied Henri. "I do not belong to
+myself, I am bound by a vow to the fortune of several persons who
+stand to me, as I do to them. But I can place you in a refuge in
+Paris, where no human power can reach you."
+
+"No," she said, "you forget the power of woman."
+
+Never did phrase uttered by human voice express terror more
+absolutely.
+
+"What could reach you, then, if I put myself between you and the
+world?"
+
+"Poison!" she said. "Dona Concha suspects you already . . . and," she
+resumed, letting the tears fall and glisten on her cheeks, "it is easy
+enough to see I am no longer the same. Well, if you abandon me to the
+fury of the monster who will destroy me, your holy will be done! But
+come, let there be all the pleasures of life in our love. Besides, I
+will implore, I will weep and cry out and defend myself; perhaps I
+shall be saved."
+
+"Whom will your implore?" he asked.
+
+"Silence!" said Paquita. "If I obtain mercy it will perhaps be on
+account of my discretion."
+
+"Give me my robe," said Henri, insidiously.
+
+"No, no!" she answered quickly, "be what you are, one of those angels
+whom I have been taught to hate, and in whom I only saw ogres, whilst
+you are what is fairest under the skies," she said, caressing Henri's
+hair. "You do not know how silly I am. I have learned nothing. Since I
+was twelve years old I have been shut up without ever seeing any one.
+I can neither read nor write, I can only speak English and Spanish."
+
+"How is it, then, that you receive letters from London?"
+
+"My letters? . . . See, here they are!" she said, proceeding to take
+some papers out of a tall Japanese vase.
+
+She offered De Marsay some letters, in which the young man saw, with
+surprise, strange figures, similar to those of a rebus, traced in
+blood, and illustrating phrases full of passion.
+
+"But," he cried, marveling at these hieroglyphics created by the
+alertness of jealousy, "you are in the power of an infernal genius?"
+
+"Infernal," she repeated.
+
+"But how, then, were you able to get out?"
+
+"Ah!" she said, "that was my ruin. I drove Dona Concha to choose
+between the fear of immediate death and anger to be. I had the
+curiosity of a demon, I wished to break the bronze circle which they
+had described between creation and me, I wished to see what young
+people were like, for I knew nothing of man except the Marquis and
+Cristemio. Our coachman and the lackey who accompanies us are old
+men. . . ."
+
+"But you were not always thus shut up? Your health . . . ?"
+
+"Ah," she answered, "we used to walk, but it was at night and in the
+country, by the side of the Seine, away from people."
+
+"Are you not proud of being loved like that?"
+
+"No," she said, "no longer. However full it be, this hidden life is
+but darkness in comparison with the light."
+
+"What do you call the light?"
+
+"Thee, my lovely Adolphe! Thee, for whom I would give my life. All the
+passionate things that have been told me, and that I have inspired, I
+feel for thee! For a certain time I understood nothing of existence,
+but now I know what love is, and hitherto I have been the loved one
+only; for myself, I did not love. I would give up everything for you,
+take me away. If you like, take me as a toy, but let me be near you
+until you break me."
+
+"You will have no regrets?"
+
+"Not one"! she said, letting him read her eyes, whose golden tint was
+pure and clear.
+
+"Am I the favored one?" said Henri to himself. If he suspected the
+truth, he was ready at that time to pardon the offence in view of a
+love so single minded. "I shall soon see," he thought.
+
+If Paquita owed him no account of the past, yet the least recollection
+of it became in his eyes a crime. He had therefore the sombre strength
+to withhold a portion of his thought, to study her, even while
+abandoning himself to the most enticing pleasures that ever peri
+descended from the skies had devised for her beloved.
+
+Paquita seemed to have been created for love by a particular effort of
+nature. In a night her feminine genius had made the most rapid
+progress. Whatever might be the power of this young man, and his
+indifference in the matter of pleasures, in spite of his satiety of
+the previous night, he found in the girl with the golden eyes that
+seraglio which a loving woman knows how to create and which a man
+never refuses. Paquita responded to that passion which is felt by all
+really great men for the infinite--that mysterious passion so
+dramatically expressed in Faust, so poetically translated in Manfred,
+and which urged Don Juan to search the heart of women, in his hope to
+find there that limitless thought in pursuit of which so many hunters
+after spectres have started, which wise men think to discover in
+science, and which mystics find in God alone. The hope of possessing
+at last the ideal being with whom the struggle could be constant and
+tireless ravished De Marsay, who, for the first time for long, opened
+his heart. His nerves expanded, his coldness was dissipated in the
+atmosphere of that ardent soul, his hard and fast theories melted
+away, and happiness colored his existence to the tint of the rose and
+white boudoir. Experiencing the sting of a higher pleasure, he was
+carried beyond the limits within which he had hitherto confined
+passion. He would not be surpassed by this girl, whom a somewhat
+artificial love had formed all ready for the needs of his soul, and
+then he found in that vanity which urges a man to be in all things a
+victor, strength enough to tame the girl; but, at the same time, urged
+beyond that line where the soul is mistress over herself, he lost
+himself in these delicious limboes, which the vulgar call so foolishly
+"the imaginary regions." He was tender, kind, and confidential. He
+affected Paquita almost to madness.
+
+"Why should we not go to Sorrento, to Nice, to Chiavari, and pass all
+our life so? Will you?" he asked of Paquita, in a penetrating voice.
+
+"Was there need to say to me: 'Will you'?" she cried. "Have I a will?
+I am nothing apart from you, except in so far as I am a pleasure for
+you. If you would choose a retreat worthy of us, Asia is the only
+country where love can unfold his wings. . . ."
+
+"You are right," answered Henri. "Let us go to the Indies, there where
+spring is eternal, where the earth grows only flowers, where man can
+display the magnificence of kings and none shall say him nay, as in
+the foolish lands where they would realize the dull chimera of
+equality. Let us go to the country where one lives in the midst of a
+nation of slaves, where the sun shines ever on a palace which is
+always white, where the air sheds perfumes, the birds sing of love and
+where, when one can love no more, one dies. . . ."
+
+"And where one dies together!" said Paquita. "But do not let us start
+to-morrow, let us start this moment . . . take Cristemio."
+
+"Faith! pleasure is the fairest climax of life. Let us go to Asia; but
+to start, my child, one needs much gold, and to have gold one must set
+one's affairs in order."
+
+She understood no part of these ideas.
+
+"Gold! There is a pile of it here--as high as that," she said holding
+up her hand.
+
+"It is not mine."
+
+"What does that matter?" she went on; "if we have need of it let us
+take it."
+
+"It does not belong to you."
+
+"Belong!" she repeated. "Have you not taken me? When we have taken it,
+it will belong to us."
+
+He gave a laugh.
+
+"Poor innocent! You know nothing of the world."
+
+"Nay, but this is what I know," she cried, clasping Henri to her.
+
+At the very moment when De Marsay was forgetting all, and conceiving
+the desire to appropriate this creature forever, he received in the
+midst of his joy a dagger-thrust, which Paquita, who had lifted him
+vigorously in the air, as though to contemplate him, exclaimed: "Oh,
+Margarita!"
+
+"Margarita!" cried the young man, with a roar; "now I know all that I
+still tried to disbelieve."
+
+He leaped upon the cabinet in which the long poniard was kept. Happily
+for Paquita and for himself, the cupboard was shut. His fury waxed at
+this impediment, but he recovered his tranquillity, went and found his
+cravat, and advanced towards her with an air of such ferocious meaning
+that, without knowing of what crime she had been guilty, Paquita
+understood, none the less, that her life was in question. With one
+bound she rushed to the other end of the room to escape the fatal knot
+which De Marsay tried to pass round her neck. There was a struggle. On
+either side there was an equality of strength, agility, and
+suppleness. To end the combat Paquita threw between the legs of her
+lover a cushion which made him fall, and profited by the respite which
+this advantage gave to her, to push the button of the spring which
+caused the bell to ring. Promptly the mulatto arrived. In a second
+Cristemio leaped on De Marsay and held him down with one foot on his
+chest, his heel turned towards the throat. De Marsay realized that, if
+he struggled, at a single sign from Paquita he would be instantly
+crushed.
+
+"Why did you want to kill me, my beloved?" she said. De Marsay made no
+reply.
+
+"In what have I angered you?" she asked. "Speak, let us understand
+each other."
+
+Henri maintained the phlegmatic attitude of a strong man who feels
+himself vanquished; his countenance, cold, silent, entirely English,
+revealed the consciousness of his dignity in a momentary resignation.
+Moreover, he had already thought, in spite of the vehemence of his
+anger, that it was scarcely prudent to compromise himself with the law
+by killing this girl on the spur of the moment, before he had arranged
+the murder in such a manner as should insure his impunity.
+
+"My beloved," went on Paquita, "speak to me; do not leave me without
+one loving farewell! I would not keep in my heart the terror which you
+have just inspired in it. . . . Will you speak?" she said, stamping
+her foot with anger.
+
+De Marsay, for all reply, gave her a glance, which signified so
+plainly, "/You must die!/" that Paquita threw herself upon him.
+
+"Ah, well, you want to kill me! . . . If my death can give you any
+pleasure--kill me!"
+
+She made a sign to Cristemio, who withdrew his foot from the body of
+the young man, and retired without letting his face show that he had
+formed any opinion, good or bad, with regard to Paquita.
+
+"That is a man," said De Marsay, pointing to the mulatto, with a
+sombre gesture. "There is no devotion like the devotion which obeys in
+friendship, and does not stop to weigh motives. In that man you
+possess a true friend."
+
+"I will give him you, if you like," she answered; "he will serve you
+with the same devotion that he has for me, if I so instruct him."
+
+She waited for a word of recognition, and went on with an accent
+replete with tenderness:
+
+"Adolphe, give me then one kind word! . . . It is nearly day."
+
+Henri did not answer. The young man had one sorry quality, for one
+considers as something great everything which resembles strength, and
+often men invent extravagances. Henri knew not how to pardon. That
+/returning upon itself/ which is one of the soul's graces, was a non-
+existent sense for him. The ferocity of the Northern man, with which
+the English blood is deeply tainted, had been transmitted to him by
+his father. He was inexorable both in his good and evil impulses.
+Paquita's exclamation had been all the more horrible to him, in that
+it had dethroned him from the sweetest triumph which had ever
+flattered his man's vanity. Hope, love, and every emotion had been
+exalted with him, all had lit up within his heart and his
+intelligence, then these torches illuminating his life had been
+extinguished by a cold wind. Paquita, in her stupefaction of grief,
+had only strength enough to give the signal for departure.
+
+"What is the use of that!" she said, throwing away the bandage. "If he
+does not love me, if he hates me, it is all over."
+
+She waited for one look, did not obtain it, and fell, half dead. The
+mulatto cast a glance at Henri, so horribly significant, that, for the
+first time in his life, the young man, to whom no one denied the gift
+of rare courage, trembled. "/If you do not love her well, if you give
+her the least pain, I will kill you/." such was the sense of that
+brief gaze. De Marsay was escorted, with a care almost obsequious,
+along the dimly lit corridor, at the end of which he issued by a
+secret door into the garden of the Hotel San-Real. The mulatto made
+him walk cautiously through an avenue of lime trees, which led to a
+little gate opening upon a street which was at that hour deserted. De
+Marsay took a keen notice of everything. The carriage awaited him.
+This time the mulatto did not accompany him, and at the moment when
+Henri put his head out of the window to look once more at the gardens
+of the hotel, he encountered the white eyes of Cristemio, with whom he
+exchanged a glance. On either side there was a provocation, a
+challenge, the declaration of a savage war, of a duel in which
+ordinary laws were invalid, where treason and treachery were admitted
+means. Cristemio knew that Henri had sworn Paquita's death. Henri knew
+that Cristemio would like to kill him before he killed Paquita. Both
+understood each other to perfection.
+
+"The adventure is growing complicated in a most interesting way," said
+Henri.
+
+"Where is the gentleman going to?" asked the coachman.
+
+De Marsay was driven to the house of Paul de Manerville. For more than
+a week Henri was away from home, and no one could discover either what
+he did during this period, nor where he stayed. This retreat saved him
+from the fury of the mulatto and caused the ruin of the charming
+creature who had placed all her hope in him whom she loved as never
+human heart had loved on this earth before. On the last day of the
+week, about eleven o'clock at night, Henri drove up in a carriage to
+the little gate in the garden of the Hotel San-Real. Four men
+accompanied him. The driver was evidently one of his friends, for he
+stood up on his box, like a man who was to listen, an attentive
+sentinel, for the least sound. One of the other three took his stand
+outside the gate in the street; the second waited in the garden,
+leaning against the wall; the last, who carried in his hand a bunch of
+keys, accompanied De Marsay.
+
+"Henri," said his companion to him, "we are betrayed."
+
+"By whom, my good Ferragus?"
+
+"They are not all asleep," replied the chief of the Devourers; "it is
+absolutely certain that some one in the house has neither eaten nor
+drunk. . . . Look! see that light!"
+
+"We have a plan of the house; from where does it come?"
+
+"I need no plan to know," replied Ferragus; "it comes from the room of
+the Marquise."
+
+"Ah," cried De Marsay, "no doubt she arrived from London to-day. The
+woman has robbed me even of my revenge! But if she has anticipated me,
+my good Gratien, we will give her up to the law."
+
+"Listen, listen! . . . The thing is settled," said Ferragus to Henri.
+
+The two friends listened intently, and heard some feeble cries which
+might have aroused pity in the breast of a tiger.
+
+"Your marquise did not think the sound would escape by the chimney,"
+said the chief of the Devourers, with the laugh of a critic, enchanted
+to detect a fault in a work of merit.
+
+"We alone, we know how to provide for every contingency," said Henri.
+"Wait for me. I want to see what is going on upstairs--I want to know
+how their domestic quarrels are managed. By God! I believe she is
+roasting her at a slow fire."
+
+De Marsay lightly scaled the stairs, with which he was familiar, and
+recognized the passage leading to the boudoir. When he opened the door
+he experienced the involuntary shudder which the sight of bloodshed
+gives to the most determined of men. The spectacle which was offered
+to his view was, moreover, in more than one respect astonishing to
+him. The Marquise was a woman; she had calculated her vengeance with
+that perfection of perfidy which distinguishes the weaker animals. She
+had dissimulated her anger in order to assure herself of the crime
+before she punished it.
+
+"Too late, my beloved!" said Paquita, in her death agony, casting her
+pale eyes upon De Marsay.
+
+The girl of the golden eyes expired in a bath of blood. The great
+illumination of candles, a delicate perfume which was perceptible, a
+certain disorder, in which the eye of a man accustomed to amorous
+adventures could not but discern the madness which is common to all
+the passions, revealed how cunningly the Marquise had interrogated the
+guilty one. The white room, where the blood showed so well, betrayed a
+long struggle. The prints of Paquita's hands were on the cushions.
+Here she had clung to her life, here she had defended herself, here
+she had been struck. Long strips of the tapestry had been torn down by
+her bleeding hands, which, without a doubt, had struggled long.
+Paquita must have tried to reach the window; her bare feet had left
+their imprints on the edge of the divan, along which she must have
+run. Her body, mutilated by the dagger-thrusts of her executioner,
+told of the fury with which she had disputed a life which Henri had
+made precious to her. She lay stretched on the floor, and in her
+death-throes had bitten the ankles of Madame de San-Real, who still
+held in her hand her dagger, dripping blood. The hair of the Marquise
+had been torn out, she was covered with bites, many of which were
+bleeding, and her torn dress revealed her in a state of semi-nudity,
+with the scratches on her breasts. She was sublime so. Her head, eager
+and maddened, exhaled the odor of blood. Her panting mouth was open,
+and her nostrils were not sufficient for her breath. There are certain
+animals who fall upon their enemy in their rage, do it to death, and
+seem in the tranquillity of victory to have forgotten it. There are
+others who prowl around their victim, who guard it in fear lest it
+should be taken away from them, and who, like the Achilles of Homer,
+drag their enemy by the feet nine times round the walls of Troy. The
+Marquise was like that. She did not see Henri. In the first place, she
+was too secure of her solitude to be afraid of witnesses; and,
+secondly, she was too intoxicated with warm blood, too excited with
+the fray, too exalted, to take notice of the whole of Paris, if Paris
+had formed a circle round her. A thunderbolt would not have disturbed
+her. She had not even heard Paquita's last sigh, and believed that the
+dead girl could still hear her.
+
+"Die without confessing!" she said. "Go down to hell, monster of
+ingratitude; belong to no one but the fiend. For the blood you gave
+him you owe me all your own! Die, die, suffer a thousand deaths! I
+have been too kind--I was only a moment killing you. I should have
+made you experience all the tortures that you have bequeathed to me. I
+--I shall live! I shall live in misery. I have no one left to love but
+God!"
+
+She gazed at her.
+
+"She is dead!" she said to herself, after a pause, in a violent
+reaction. "Dead! Oh, I shall die of grief!"
+
+The Marquise was throwing herself upon the divan, stricken with a
+despair which deprived her of speech, when this movement brought her
+in view of Henri de Marsay.
+
+"Who are you?" she asked, rushing at him with her dagger raised.
+
+Henri caught her arm, and thus they could contemplate each other face
+to face. A horrible surprise froze the blood in their veins, and their
+limbs quivered like those of frightened horses. In effect, the two
+Menoechmi had not been more alike. With one accord they uttered the
+same phrase:
+
+"Lord Dudley must have been your father!"
+
+The head of each was drooped in affirmation.
+
+"She was true to the blood," said Henri, pointing to Paquita.
+
+"She was as little guilty as it is possible to be," replied Margarita
+Euphemia Porraberil, and she threw herself upon the body of Paquita,
+giving vent to a cry of despair. "Poor child! Oh, if I could bring
+thee to life again! I was wrong--forgive me, Paquita! Dead! and I
+live! I--I am the most unhappy."
+
+At that moment the horrible face of the mother of Paquita appeared.
+
+"You are come to tell me that you never sold her to me to kill," cried
+the Marquise. "I know why you have left your lair. I will pay you
+twice over. Hold your peace."
+
+She took a bag of gold from the ebony cabinet, and threw it
+contemptuously at the old woman's feet. The chink of the gold was
+potent enough to excite a smile on the Georgian's impassive face.
+
+"I come at the right moment for you, my sister," said Henri. "The law
+will ask of you----"
+
+"Nothing," replied the Marquise. "One person alone might ask for a
+reckoning for the death of this girl. Cristemio is dead."
+
+"And the mother," said Henri, pointing to the old woman. "Will you not
+always be in her power?"
+
+"She comes from a country where women are not beings, but things--
+chattels, with which one does as one wills, which one buys, sells, and
+slays; in short, which one uses for one's caprices as you, here, use a
+piece of furniture. Besides, she has one passion which dominates all
+the others, and which would have stifled her maternal love, even if
+she had loved her daughter, a passion----"
+
+"What?" Henri asked quickly, interrupting his sister.
+
+"Play! God keep you from it," answered the Marquise.
+
+"But whom have you," said Henri, looking at the girl of the golden
+eyes, "who will help you to remove the traces of this fantasy which
+the law would not overlook?"
+
+"I have her mother," replied the Marquise, designating the Georgian,
+to whom she made a sign to remain.
+
+"We shall meet again," said Henri, who was thinking anxiously of his
+friends and felt that it was time to leave.
+
+"No, brother," she said, "we shall not meet again. I am going back to
+Spain to enter the Convent of /los Dolores/."
+
+"You are too young yet, too lovely," said Henri, taking her in his
+arms and giving her a kiss.
+
+"Good-bye," she said; "there is no consolation when you have lost that
+which has seemed to you the infinite."
+
+A week later Paul de Manerville met De Marsay in the Tuileries, on the
+Terrasse de Feuillants.
+
+"Well, what has become of our beautiful girl of the golden eyes, you
+rascal?"
+
+"She is dead."
+
+"What of?"
+
+"Consumption."
+
+
+
+PARIS, March 1834-April 1835.
+
+
+
+
+ADDENDUM
+
+ The Girl with the Golden Eyes is the third part of the trilogy. Part
+ one is entitled Ferragus and part two is The Duchesse de Langeais.
+ The three stories are frequently combined under the title The
+ Thirteen.
+
+The following personages appear in other stories of the Human Comedy.
+
+Bourignard, Gratien-Henri-Victor-Jean-Joseph
+ Ferragus
+
+Dudley, Lord
+ The Lily of the Valley
+ A Man of Business
+ Another Study of Woman
+ A Daughter of Eve
+
+Manerville, Paul Francois-Joseph, Comte de
+ The Ball at Sceaux
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ A Marriage Settlement
+
+Marsay, Henri de
+ Ferragus
+ The Duchesse of Langeais
+ The Unconscious Humorists
+ Another Study of Woman
+ The Lily of the Valley
+ Father Goriot
+ Jealousies of a Country Town
+ Ursule Mirouet
+ A Marriage Settlement
+ Lost Illusions
+ A Distinguished Provincial at Paris
+ Letters of Two Brides
+ The Ball at Sceaux
+ Modeste Mignon
+ The Secrets of a Princess
+ The Gondreville Mystery
+ A Daughter of Eve
+
+Ronquerolles, Marquis de
+ The Imaginary Mistress
+ The Peasantry
+ Ursule Mirouet
+ A Woman of Thirty
+ Another Study of Woman
+ Ferragus
+ The Duchesse of Langeais
+ The Member for Arcis
+
+
+
+
+*** END OF THE PROJECT GUTENBERG EBOOK, THE THIRTEEN ***
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+This file should be named thrtn10.txt or thrtn10.zip
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