diff options
| author | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:29:37 -0700 |
|---|---|---|
| committer | Roger Frank <rfrank@pglaf.org> | 2025-10-15 05:29:37 -0700 |
| commit | 67b93f2ed461b718245907cee5aabd682082199b (patch) | |
| tree | 5329d301f3b08cce6023bdb0cf5383e20cc5ebf9 /old | |
Diffstat (limited to 'old')
| -rw-r--r-- | old/2005-02-egpt210.txt | 2323 | ||||
| -rw-r--r-- | old/2005-02-egpt210.zip | bin | 0 -> 49915 bytes | |||
| -rw-r--r-- | old/2005-02-egpt210h.zip | bin | 0 -> 334635 bytes |
3 files changed, 2323 insertions, 0 deletions
diff --git a/old/2005-02-egpt210.txt b/old/2005-02-egpt210.txt new file mode 100644 index 0000000..037abe1 --- /dev/null +++ b/old/2005-02-egpt210.txt @@ -0,0 +1,2323 @@ +Project Gutenberg's Egyptian Tales, Second Series, by W. M. Flinders Petrie +#2 in our series by W. M. Flinders Petrie + +Copyright laws are changing all over the world. Be sure to check the +copyright laws for your country before downloading or redistributing +this or any other Project Gutenberg eBook. + +This header should be the first thing seen when viewing this Project +Gutenberg file. Please do not remove it. Do not change or edit the +header without written permission. + +Please read the "legal small print," and other information about the +eBook and Project Gutenberg at the bottom of this file. Included is +important information about your specific rights and restrictions in +how the file may be used. You can also find out about how to make a +donation to Project Gutenberg, and how to get involved. + + +**Welcome To The World of Free Plain Vanilla Electronic Texts** + +**eBooks Readable By Both Humans and By Computers, Since 1971** + +*****These eBooks Were Prepared By Thousands of Volunteers!***** + + +Title: Egyptian Tales, Second Series + Translated from the Papyri + +Author: W. M. Flinders Petrie + +Release Date: February, 2005 [EBook #7413] +[Yes, we are more than one year ahead of schedule] +[This file was first posted on April 26, 2003] + +Edition: 10 + +Language: English + +Character set encoding: ASCII + +*** START OF THE PROJECT GUTENBERG EBOOK EGYPTIAN TALES, SECOND SERIES *** + + + + +Produced by Eric Eldred + + + + + +EGYPTIAN TALES + +TRANSLATED FROM THE PAPYRI + +SECOND SERIES + +XVIIIth TO XIXth DYNASTY + +EDITED BY + +W. M. FLINDERS PETRIE, + +HON. D.C.L., LL.D. + +EDWARDS PROFESSOR OF EGYPTOLOGY, UNIVERSITY COLLEGE, LONDON + +ILLUSTRATED BY TRISTRAM ELLIS + +SECOND EDITION + + +_First Published . . . September 1895 +Second Edition . . . February 1913_ + + + + +PREFACE + + +As the scope of the first series of these Tales seems to have been +somewhat overlooked, a few words of introduction may not be out of place +before this second volume. + +It seems that any simple form of fiction is supposed to be a "fairy +tale:" which implies that it has to do with an impossible world of +imaginary beings. Now the Egyptian Tales are exactly the opposite of +this, they relate the doings and the thoughts of men and women who are +human--sometimes "very human," as Mr. Balfour said. Whatever there is of +supernatural elements is a very part of the beliefs and motives of the +people whose lives are here pictured. But most of what is here might +happen in some corner of our own country to-day, where ancient beliefs +may have a home. So far, then, from being fairy tales there is not a +single being that could be termed a fairy in the whole of them. + +Another notion that seems to be about is that the only possible object +of reading any form of fiction is for pure amusement, to fill an idle +hour and be forgotten and if these tales are not as amusing as some +jester of to-day, then the idler says, Away with them as a failure! For +such a person, who only looks to have the tedium of a vacuous mind +relieved, these tales are not in the least intended. But the real and +genuine charm of all fiction is that of enabling the reader to place +himself in the mental position of, another, to see with the eyes, to +feel with the thoughts, to reason with the mind, of a wholly different +being. All the greatest work has this charm. It may be to place the reader +in new mental positions, or in a different level of the society that he +already knows, either higher or lower; or it may be to make alive to him +a society of a different land or age. Whether he read "Treasure Island" +or "Plain Tales from the Hills," "The Scarlet Letter," "Old Mortality," +or "Hypatia," it is the transplanting of the reader into a new life, the +doubling of his mental experience, that is the very power of fiction. +The same interest attaches to these tales. In place of regarding +Egyptians only as the builders of pyramids and the makers of mummies, we +here see the men and women as they lived, their passions, their foibles, +their beliefs, and their follies. The old refugee Sanehat craving to be +buried with his ancestors in the blessed land, the enterprise and +success of the Doomed Prince, the sweetness of Bata, the misfortunes of +Ahura, these all live before us, and we can for a brief half hour share +the feelings and see with the eyes of those who ruled the world when it +was young. This is the real value of these tales, and the power which +still belongs to the oldest literature in the world. + +Erratum in First Edition, 1st Series. Page 31, line 6 from below, _for_ +no It _read_ not I. + + + + +CONTENTS + + +THE TAKING OF JOPPA + +REMARKS + +THE DOOMED PRINCE + +REMARKS + +ANPU AND BATA + +REMARKS + +SETNA AND THE MAGIC BOOK + +REMARKS + +INDEX + + + + + +XVIIITH DYNASTY + +THE TAKING OF JOPPA + + +There was once in the time of King Men-kheper-ra a revolt of the +servants of his majesty who were in Joppa; and his majesty said, "Let +Tahutia go with his footmen and destroy this wicked Foe in Joppa." And +he called one of his followers, and said moreover, "Hide thou my great +cane, which works wonders, in the baggage of Tahutia that my power may +go with him." + +Now when Tahutia came near to Joppa, with all the footmen of Pharaoh, he +sent unto the Foe in Joppa, and said, "Behold now his majesty, King +Men-kheper-ra, has sent all this great army against thee; but what is +that if my heart is as thy heart? Do thou come, and let us talk in the +field, and see each other face to face." So Tahutia came with certain of +his men; and the Foe in Joppa came likewise, but his charioteer that was +with him was true of heart unto the king of Egypt. And they spoke with +one another in his great tent, which Tahutia had placed far off from the +soldiers. But Tahutia had made ready two hundred sacks, with cords and +fetters, and had made a great sack of skins with bronze fetters, and +many baskets: and they were in his tent, the sacks and the baskets, and +he had placed them as the forage for the horses is put in baskets. For +whilst the Foe in Joppa drank with Tahutia, the people who were with him +drank with the footmen of Pharaoh, and made merry with them. And when +their bout of drinking was past, Tahutia said to the Foe in Joppa, "If +it please thee, while I remain with the women and children of thy own +city, let one bring of my people with their horses, that they may give +them provender, or let one of the Apuro run to fetch them." So they +came, and hobbled their horses, and gave them provender, and one found +the great cane of Men-kheper-ra (Tahutmes III.), and came to tell of it +to Tahutia. And thereupon the Foe in Joppa said to Tahutia, "My heart is +set on examining the great cane of Men-kheper-ra, which is named '. . . +tautnefer.' By the _ka_ of the King Men-kheper-ra it will be in thy +hands to-day; now do thou well and bring thou it to me." And Tahutia did +thus, and he brought the cane of King Men-kheper-ra. And he laid hold on +the Foe in Joppa by his garment, and he arose and stood up, and said, +"Look on me, O Foe in Joppa; here is the great cane of King +Men-kheper-ra, the terrible lion, the son of Sekhet, to whom Amen his +father gives power and strength." And he raised his hand and struck the +forehead of the Foe in Joppa, and he fell helpless before him. He put +him in the sack of skins and he bound with gyves the hands of the Foe in +Joppa, and put on his feet the fetters with four rings. And he made them +bring the two hundred sacks which he had cleaned, and made to enter into +them two hundred soldiers, and filled the hollows with cords and fetters +of wood, he sealed them with a seal, and added to them their rope-nets +and the poles to bear them. And he put every strong footman to bear +them, in all six hundred men, and said to them, "When you come +into the town you shall open your burdens, you shall seize on all the +inhabitants of the town, and you shall quickly put fetters upon them," + +Then one went out and said unto the charioteer of the Foe in Joppa, "Thy +master is fallen; go, say to thy mistress, 'A pleasant message! For +Sutekh has given Tahutia to us, with his wife and his children; behold +the beginning of their tribute,' that she may comprehend the two hundred +sacks, which are full of men and cords and fetters." So he went before +them to please the heart of his mistress, saying, "We have laid hands on +Tahutia." Then the gates of the city were opened before the footmen: +they entered the city, they opened their burdens, they laid hands on +them of the city, both small and great, they put on them the cords and +fetters quickly; the power of Pharaoh seized upon that city. After he +had rested Tahutia sent a message to Egypt to the King Men-kheper-ra his +lord, saying, "Be pleased, for Amen thy good father has given to thee +the Foe in Joppa, together with all his people, likewise also his city. +Send, therefore, people to take them as captives that thou mayest fill +the house of thy father Amen Ra, king of the gods, with men-servants and +maid-servants, and that they may be overthrown beneath thy feet for ever +and ever." + + + + +REMARKS + + +This tale of the taking of Joppa appears to be probably on an historical +basis. Tahutia was a well-known officer of Tahutmes III.; and the +splendid embossed dish of weighty gold which the king presented to him +is one of the principal treasures of the Louvre museum. It is ornamented +with groups of fish in the flat bottom, and a long inscription around +the side. + +Unfortunately the earlier part of this tale has been lost; but in order +to render it intelligible I have restored an opening to it, without +introducing any details but what are alluded to, or necessitated, by the +existing story. The original text begins at the star. + +It is evident that the basis of the tale is the stratagem of the +Egyptian general, offering to make friends with the rebel of Joppa, +while he sought to trap him. To a Western soldier such an unblushing +offer of being treacherous to his master the king would be enough to +make the good faith of his proposals to the enemy very doubtful. But in +the East offers of wholesale desertion are not rare. In Greek history it +was quite an open question whether Athens or Persia would retain a +general's service; in Byzantine history a commander might be in favour +with the Khalif one year and with the Autokrator the next; and in the +present century the entire transfer of the Turkish fleet to Mohammed Ali +in 1840 is a grand instance of such a case. + +The scheme of taking a fortress by means of smuggling in soldiers hidden +in packages has often recurred in history; but this taking of Joppa is +the oldest tale of the kind yet known. Following this we have the wooden +horse of Troy. Then comes in mediaeval times the Arab scheme for taking +Edessa, in 1038 A.D., by a train of five hundred camels bearing presents +for the Autokrator at Constantinople. The governor of Edessa declined to +admit such travellers, and a bystander, hearing some talking in the +baskets slung on the camels, soon gave the alarm, which led to the +destruction of the whole party; the chief alone, less hands, ears, and +nose, being left to take the tale back to Bagdad. And in fiction there +are the stories of a lady avenging her husband by introducing men hidden +in skins, and the best known version of all in the "Arabian Nights," of +Ali Baba and the thieves. + +It appears from the tale that the conference of Tahutia with the rebel +took place between the town and the Egyptian army, but near the town. +Then Tahutia proposes to go into the town as a pledge of his sincerity, +while the men of the town were to supply his troops with fodder. But he +appears to have remained talking with the rebel in the tent, until the +lucky chance of the stick turned up. This cleared the way for a neater +management of his plan, by enabling him to quietly make away with the +chief, without exciting his suspicions beforehand. + +The name of the cane of the king is partly illegible; but we know how +many actual sticks and personal objects have their own names inscribed +on them. Nothing had a real entity to the Egyptian mind without an +individual name belonging to it. + +The message sent by the charioteer presupposes that he was in the +secret; and he must therefore have been an Egyptian who had not heartily +joined in the rebellion. From the conclusion we see that the captives +taken as slaves to Egypt were by no means only prisoners of war, but +were the ordinary civil inhabitants of the conquered cities, "them of +the city, both small and great." + +The gold dish which the king gave to the tomb of Tahuti is so splendid +that it deserves some notice, especially as it has never been published +in England. It is circular, about seven inches across, with vertical +sides an inch high. The inside of the bottom bears a boss and rosette in +the centre, a line of swimming fish around that, and beyond all a chain +of lotus flowers. On the upright edge is an incised inscription, "Given +in praise by the king of Upper and Lower Egypt, _Ra-men-kheper,_ to the +hereditary chief, the divine father, the beloved by God, filling the +heart of the king in all foreign lands and in the isles in the midst of +the great sea, filling stores with lazuli, electrum, and gold, keeper of +all foreign lands, keeper of the troops, praised by the good gold lord +of both lands and his _ka,--_the royal scribe Tahuti deceased." This +splendid piece of gold work was therefore given in honour of Tahuti at +his funeral, to be placed in his tomb for the use of his _ka._ The +weight of it is very nearly a troy pound, being 5,729 grains or four +utens. The allusion on it to the Mediterranean wars of Tahuti, +"satisfying the king in all foreign lands and in the isles in the midst +of the great sea," is just in accord with this tale of the conquest of +Joppa. + +Beside this golden bowl there are many other objects from Tahuti's tomb +which must have been very rich, and have escaped plundering until this +century. A silver dish, broken, and a canopic jar of alabaster, are in +Paris; another canopic jar, a palette, a kohl vase, and a heart scarab +set in gold, are in Leyden; while in Darmstadt is the dagger of this +great general. This piece of a popular tale founded on an incident of +his Syrian wars has curiously survived, while the more solid official +records of his conquests has perished in the wreck of history. His tomb +even is unknown, although it has been plundered; perhaps his active life +of foreign service did not give him that leisure to carve and decorate +it, which was so laboriously spent by the home-living dignitaries of +Thebes, + + + + +CLOSE OF THE XVIIIth DYNASTY + +THE DOOMED PRINCE + + +There once was a king to whom no son was born; and his heart was +grieved, and he prayed for himself unto the gods around him for a child. +They decreed that one should be born to him. And his wife, after her +time was fulfilled, brought forth a son. Then came the Hathors to decree +for him a destiny; they said, "His death is to be by the crocodile, or +by the serpent, or by the dog." Then the people who stood by heard this, +and they went to tell it to his majesty. Then his majesty's heart +sickened very greatly. And his majesty caused a house to be built upon +the desert; it was furnished with people and with all good things of the +royal house, that the child should not go abroad. And when the child was +grown, he went up upon the roof, and he saw a dog; it was following a +man who was walking on the road. He spoke to his page, who was with him, +"What is this that walks behind the man who is coming along the road?" +He answered him, "This is a dog." The child said to him, "Let there be +brought to me one like it." The page went to repeat it to his majesty. +And his majesty said, "Let there be brought to him a little pet dog, +lest his heart be sad." And behold they brought to him the dog. + +Then when the days increased after this, and when the child became grown +in all his limbs, he sent a message to his father saying, "Come, +wherefore am I kept here? Inasmuch as I am fated to three evil fates, +let me follow my desire. Let God do what is in His heart." They agreed +to all he said, and gave him all sorts of arms, and also his dog to +follow him, and they took him to the east country, and said to him, +"Behold, go thou whither thou wilt." His dog was with him, and he went +northward, following his heart in the desert, while he lived on all the +best of the game of the desert. He went to the chief of Naha-raina. + +And behold there had not been any born to the chief of Naharaina, except +one daughter. Behold, there had been built for her a house; its seventy +windows were seventy cubits from the ground. And the chief caused to be +brought all the sons of the chiefs of the land of Khalu, and said to +them, "He who reaches the window of my daughter, she shall be to him for +a wife." + +And many days after these things, as they were in their daily task, the +youth rode by the place where they were. They took the youth to their +house, they bathed him, they gave provender to his horses, they brought +all kinds of things for the youth, they perfumed him, they anointed his +feet, they gave him portions of their own food; and they spake to him, +"Whence comest thou, goodly youth?" He said to them, "I am son of an +officer of the land of Egypt; my mother is dead, and my father has taken +another wife. And when she bore children, she grew to hate me, and I +have come as a fugitive from before her." And they embraced him, and +kissed him. + +And after many days were passed, he said to the youths, "What is it that +ye do here?" And they said to him, "We spend our time in this: we climb +up, and he who shall reach the window of the daughter of the chief of +Naharaina, to him will he given her to wife." He said to them, "If it +please you, let me behold the matter, that I may come to climb with +you." They went to climb, as was their daily wont: and the youth stood +afar off to behold; and the face of the daughter of the chief of +Naharaina was turned to them. And another day the sons came to climb, +and the youth came to climb with the sons of the chiefs. He climbed, and +he reached the window of the daughter of the chief of Naharaina. She +kissed him, she embraced him in all his limbs. + +And one went to rejoice the heart of her father, and said to him, "One +of the people has reached the window of thy daughter." And the prince +inquired of the messenger, saying, "The son of which of the princes is +it?" And he replied to him, "It is the son of an officer, who has come +as a fugitive from the land of Egypt, fleeing from before his stepmother +when she had children." Then the chief of Naharaina was exceeding angry; +and he said, "Shall I indeed give my daughter to the Egyptian fugitive? +Let him go back whence he came." And one came to tell the youth, "Go +back to the place thou earnest from." But the maiden seized his hand; +she swore an oath by God, saying, "By the being of Ra Harakhti, if one +takes him from me, I will not eat, I will not drink, I shall die in that +same hour." The messenger went to tell unto her father all that she +said. Then the prince sent men to slay the youth, while he was in his +house. But the maiden said, "By the being of Ra, if one slay him I shall +be dead ere the sun goeth down. I will not pass an hour of life if I am +parted from him." And one went to tell her father. Then the prince made +them bring the youth with the maiden. The youth was seized with fear +when he came before the prince. But he embraced him, he kissed him all +over, and said, "Oh! tell me who thou art; behold, thou art to me as a +son." He said to him, "I am a son of an officer of the land of Egypt; my +mother died, my father took to him a second wife; she came to hate me, +and I fled a fugitive from before her." He then gave to him his daughter +to wife; he gave also to him a house, and serfs, and fields, also cattle +and all manner of good things. + +But after the days of these things were passed, the youth said to his +wife, "I am doomed to three fates--a crocodile, a serpent, and a dog." +She said to him, "Let one kill the dog which belongs to thee." He +replied to her, "I am not going to kill my dog, which I have brought up +from when it was small." And she feared greatly for her husband, and +would not let him go alone abroad. + +And one went with the youth toward the land of Egypt, to travel in that +country. Behold the crocodile of the river, he came out by the town in +which the youth was. And in that town was a mighty man. And the mighty +man would not suffer the crocodile to escape. And when the crocodile was +bound, the mighty man went out and walked abroad. And when the sun rose +the mighty man went back to the house; and he did so every day, during +two months of days. + +Now when the days passed after this, the youth sat making a good day in +his house. + +And when the evening came he lay down on his bed, sleep seized upon his +limbs; and his wife filled a bowl of milk, and placed it by his side. +Then came out a serpent from his hole, to bite the youth; behold his wife +was sitting by him, she lay not down. Thereupon the servants gave milk +to the serpent, and he drank, and was drunk, and lay upside down. Then +his wife made it to perish with the blows of her dagger. And they woke +her husband, who was astonished; and she said unto him, "Behold thy God +has given one of thy dooms into thy hand; He will also give thee the +others." And he sacrificed to God, adoring Him, and praising His spirits +from day to day. + +And when the days were passed after these things, the youth went to walk +in the fields of his domain. He went not alone, behold his dog was +following him. And his dog ran aside after the wild game, and he +followed the dog. He came to the river, and entered the river behind +his dog. Then came out the crocodile, and took him to the place where +the mighty man was. And the crocodile said to the youth, "I am thy doom, +following after thee. ..." + +[Here the papyrus breaks off.] + + + + + +REMARKS + + +This tale is preserved in one of the Harris papyri (No. 500) in the +British Museum. It has been translated by Goodwin, Chabas, Maspero, and +Ebers. The present version is adapted from that of Maspero, with +frequent reference by Mr. Griffith to the original. + +The marvellous parentage of a fated or gifted hero is familiar in +Eastern tales, and he is often described as a divine reward to a +long-childless king. This element of fate or destiny is, however, not +seen before this age in Egyptian ideas; nor, indeed, would it seem at +all in place with the simple, easygoing, joyous life of the early days. +It belongs to an age when ideals possess the mind, when man struggles +against his circumstances, when he wills to be different from what he +is. Dedi or the shipwrecked sailor think nothing about fate, but live +day by day as life comes to them. There is here, then, a new element, +that of striving and of unrest, quite foreign to the old Egyptian mind. +The age of this tale is shown plainly in the incidents. The prince goes +to the chief of Naharaina, a land probably unknown to the Egyptians +until the Asiatic conquests of the XVIIIth Dynasty had led them to the +upper waters of the Euphrates. In earlier days Sanehat fled to the +frontier at the Wady Tumilat, and was quite lost to Egypt when he +settled in the south of Palestine. But when the Doomed Prince goes out +of Egypt he goes to the chief of Naharaina, as the frontier State. This +stamps the tale as subsequent to the wars of the Tahutimes family, and +reflects rather the peaceful intercourse of the great monarch Amenhotep +the Third. If it belonged to the Ramessides we should not hear of +Naharaina, which was quite lost to them, but rather of Dapur (Tabor) and +Kadesh, and of the Hittites as the familiar frontier power. + +The Hathors here appear as the Fates, instead of the goddesses Isis, +Nebhat, Mes-khent, and Hakt, of the old tale in the IVth Dynasty (see +first series, p. 33); and we find in the next tale of Anpu and Bata, in +the XIXth Dynasty, that the seven Hathors decree the fate of the wife of +Bata. That Hathor should be a name given to seven deities is not strange +when we see that Hathor was a generic name for a goddess. There was the +Hathor of foreign lands, such as Punt or Sinai; there was the Hathor of +home towns, as Dendera or Atfih; and Hathor was as widely known, and yet +as local, as the Madonna. In short, to one of the races which composed +the Egyptian people Hathor was the term for any goddess, or for a +universal goddess to whom all others were assimilated. Why and how this +title "house of Horus" should be so general is not obvious. + +The variety of fate here predicted is like the vagueness of the fate of +Bata's wife, by "a sharp death." It points to the Hathors predicting as +seers, rather than to their having the control of the future. It bears +the stamp of the oracle of Delphi, rather than that of a divine decree. +In this these goddesses differ greatly from the Parcae, whose ordinances +not even Zeus could withstand, as Lucian lets us know in one of the most +audacious and philosophical of the dialogues. The Hathors seem rather to +deal with what we should call luck than with fate: they see the nature +of the close of life from its beginning, without either knowing or +controlling its details. + +In this tale we meet for the first time the idea of inaccessible and +mysterious buildings; and from the resort to this element or curiosity +in describing both the prince and the princess, it appears as if it were +then a new motive in story-telling, and had not lost its power. To +modern ears it is, of course, done to death since the "Castle of +Otranto"; though as a minor element it can still be gently used by the +poet and novelist in a moated grange, a house in a marsh or a maze. +Another point of wonder, so well known in later times, is the large and +mystic number of windows, like the 365 windows attributed to great +buildings of the present age. It would not be difficult from these +papyrus tales to start an historical dictionary of the elements of +fiction: a kind of analysis that should be the death of much of the +venerable stock-in-trade. + +We see coming in here, more strongly than before, the use of emotions +and the force of character. The generous friendship of the sons of the +Syrian chiefs; then the burst of passionate love from the chiefs +daughter, which saves the prince's life twice over from her father, and +guards him afterwards from his fates; again, the devotion of the prince +to his favourite dog, in spite of all warnings--these show a reliance on +personal emotion and feeling in creating the interest of the tale, quite +different from the mere interest of incident which was employed earlier. +The reason which the prince alleges for his leaving Egypt is also a +touch of nature, the wish of a mother to oust her stepson in order to +make way for her own children, one of the deepest and most elemental +feelings of feminine nature. + +The mighty man and the crocodile are difficult to understand, the more +so as the tale breaks off in the midst of that part. It appears also as +if there had been some inversion of the paragraphs; for, first, we read +that the wife would not let the prince go alone, and one goes with him +toward Egypt, and the crocodile of the Nile (apparently) is mentioned; +then he is said to be sitting in his house with his wife; then he goes +in the fields of his domain and meets the crocodile. It may be that a +passage has dropped out, describing his wife's accompanying him to +settle in Egypt. But the mighty man--that is another puzzle. He binds a +crocodile, and goes out while he is bound, but by night. The point of +this is not clear. It may have been, however, that the mighty man went +back to the house when the sun was high, that he might not lose his +shadow. In Arabia there was a belief that a hyasna could deprive a man +of speech and motion by stepping on his shadow--analogous to the belief +in many other lands of the importance of preserving the shadow, and +avoiding the shadowless hour of high noon (Frazer, "Golden Bough," p. +143). Hence the strength of the mighty man, and his magic power over the +crocodile, would perhaps depend on his not allowing his shadow to +disappear. And though Egypt is not quite tropical, yet shadows do +practically vanish in the summer, the shadow of the thin branches of a +tall palm appearing to radiate round its root without the stem casting +any shade. + +The use of milk to entice serpents is still well known in Egypt; and +when a serpent appeared in some of my excavations in a pit, the men +proposed to me to let down a saucer of milk to entice it out, that they +might kill it. + +The close of the tale would have explained much that is now lost to us. +The crocodile boasts of being the fate of the prince; but his dog is +with him, and one can hardly doubt that the dog attacks the crocodile. +There is also the mighty man to come in and manage the crocodile. Then +the dog is left to bring about the catastrophe. Or does the faithful +wife rescue him from all the fates? Hardly so, as the prediction of the +Hathors comes strictly to pass in the tale of Anpu and Bata. Let us hope +that another copy may be found to give us the clue to the working of the +Egyptian mind in this situation. + + + + +XIXTH DYNASTY + +ANPU AND BATA. + + +Once there were two brethren, of one mother and one father; Anpu was the +name of the elder, and Bata was the name of the younger. Now, as for +Anpu he had a house, and he had a wife. But his little brother was to +him as it were a son; he it was who made for him his clothes; he it was +who followed behind his oxen to the fields; he it was who did the +ploughing; he it was who harvested the corn; he it was who did for him +all the matters that were in the field. Behold, his younger brother grew +to be an excellent worker, there was not his equal in the whole land; +behold, the spirit of a god was in him. + +Now after this the younger brother followed his oxen in his daily +manner; and every evening he turned again to the house, laden with all +the herbs of the field, with milk and with wood, and with all things of +the field. And he put them down before his elder brother, who was +sitting with his wife; and he drank and ate, and he lay down in his +stable with the cattle. And at the dawn of day he took bread which he +had baked, and laid it before his elder brother; and he took with him +his bread to the field, and he drave his cattle to pasture in the +fields. And as he walked behind his cattle, they said to him, "Good is +the herbage which is in that place;" and he listened to all that they +said, and he took them to the good place which they desired. And the +cattle which were before him became exceeding excellent, and they +multiplied greatly. + +Now at the time of ploughing his elder brother said unto him, "Let us +make ready for ourselves a goodly yoke of oxen for ploughing, for the +land has come out from the water, it is fit for ploughing. Moreover, do +thou come to the field with corn, for we will begin the ploughing in the +morrow morning." Thus said he to him; and his younger brother did all +things as his elder brother had spoken unto him to do them. + +And when the morn was come, they went to the fields with their things; +and their hearts were pleased exceedingly with their task in the +beginning of their work. And it came to pass after this that as they +were in the field they stopped for corn, and he sent his younger +brother, saying, "Haste thou, bring to us corn from the farm." And the +younger brother found the wife of his elder brother, as she was sitting +tiring her hair. He said to her, "Get up, and give to me corn, that I +may run to the field, for my elder brother hastened me; do not delay." +She said to him, "Go, open the bin, and thou shalt take to thyself +according to thy will, that I may not drop my locks of hair while I +dress them." + +The youth went into the stable; he took a large measure, for he desired +to take much corn; he loaded it with wheat and barley; and he went out +carrying it. She said to him, "How much of the corn that is wanted, is +that which is on thy shoulder?" He said to her, "Three bushels of +barley, and two of wheat, in all five; these are what are upon my +shoulder:" thus said he to her. And she conversed with him, saying, +"There is great strength in thee, for I see thy might every day." And +her heart knew him with the knowledge of youth. And she arose and came +to him, and conversed with him, saying, "Come, stay with me, and it +shall be well for thee, and I will make for thee beautiful garments." +Then the youth became like a panther of the south with fury at the evil +speech which she had made to him; and she feared greatly. And he spake +unto her, saying, "Behold thou art to me as a mother, thy husband is to +me as a father, for he who is elder than I has brought me up. What is +this wickedness that thou hast said to me? Say it not to me again. For I +will not tell it to any man, for I will not let it be uttered by the +mouth of any man." He lifted up his burden, and he went to the field and +came to his elder brother; and they took up their work, to labour at +their task. + +Now afterward, at eventime, his elder brother was returning to his +house; and the younger brother was following after his oxen, and he +loaded himself with all the things of the field; and he brought his oxen +before him, to make them lie down in their stable which was in the farm. +And behold the wife of the elder brother was afraid for the words which +she had said. She took a parcel of fat, she became like one who is +evilly beaten, desiring to say to her husband, "It is thy younger +brother who has done this wrong." Her husband returned in the even, as +was his wont of every day; he came unto his house; he found his wife ill +of violence; she did not give him water upon his hands as he used to +have, she did not make a light before him, his house was in darkness, +and she was lying very sick. Her husband said to her, "Who has spoken +with thee?" + +Behold she said, "No one has spoken with me except thy younger brother. +When he came to take for thee corn he found me sitting alone; he said to +me, 'Come, let us stay together, tie up thy hair:' thus spake he to me. +I did not listen to him, but thus spake I to him: 'Behold, am I not thy +mother, is not thy elder brother to thee as a father?' And he feared, +and he beat me to stop me from making report to thee, and if thou +lettest him live I shall die. Now behold he is coming in the evening; +and I complain of these wicked words, for he would have done this even +in daylight." + +And the elder brother became as a panther of the south; he sharpened his +knife; he took it in his hand; he stood behind the door of his stable to +slay his younger brother as he came in the evening to bring his cattle +into the stable. + +Now the sun went down, and he loaded himself with herbs in his daily +manner. He came, and his foremost cow entered the stable, and she said +to her keeper, "Behold thou thy elder brother standing before thee with +his knife to slay thee; flee from before him." He heard what his first +cow had said; and the next entering, she also said likewise. He looked +beneath the door of the stable; he saw the feet of his elder brother; he +was standing behind the door, and his knife was in his hand. He cast +down his load to the ground, and betook himself to flee swiftly; and his +elder brother pursued after him with his knife. Then the younger brother +cried out unto Ra Harakhti, saying, "My good Lord! Thou art he who +divides the evil from the good." And Ra stood and heard all his cry; and +Ra made a wide water between him and his elder brother, and it was full +of crocodiles; and the one brother was on one bank, and the other on the +other bank; and the elder brother smote twice on his hands at not +slaying him. Thus did he. And the younger brother called to the elder on +the bank, saying, "Stand still until the dawn of day; and when Ra +ariseth, I shall judge with thee before Him, and He discerneth between +the good and the evil. For I shall not be with thee any more for ever; I +shall not be in the place in which thou art; I shall go to the valley of +the acacia." + +Now when the land was lightened, and the next day appeared, Ra Harakhti +arose, and one looked unto the other. And the youth spake with his elder +brother, saying, "Wherefore earnest thou after me to slay me in +craftiness, when thou didst not hear the words of my mouth? For I am thy +brother in truth, and thou art to me as a father, and thy wife even as a +mother: is it not so? Verily, when I was sent to bring for us corn, thy +wife said to me, 'Come, stay with me;' for behold this has been turned +over unto thee into another wise." And he caused him to understand of +all that happened with him and his wife. And he swore an oath by Ra +Har-akhti, saying, "Thy coming to slay me by deceit with thy knife was +an abomination." Then the youth took a knife, and cut off of his flesh, +and cast it into the water, and the fish swallowed it. He failed; he +became faint; and his elder brother cursed his own heart greatly; he +stood weeping for him afar off; he knew not how to pass over to where +his younger brother was, because of the crocodiles. And the younger +brother called unto him, saying, "Whereas thou hast devised +an evil thing, wilt thou not also devise a good thing, even like that +which I would do unto thee? When thou goest to thy house thou must look +to thy cattle, for I shall not stay in the place where thou art; I am +going to the valley of the acacia. And now as to what thou shalt do for +me; it is even that thou shalt come to seek after me, if thou perceivest +a matter, namely, that there are things happening unto me. And this is +what shall come to pass, that I shall draw out my soul, and I shall put +it upon the top of the flowers of the acacia, and when the acacia is cut +down, and it falls to the ground, and thou comest to seek for it, if +thou searchest for it seven years do not let thy heart be wearied. For +thou wilt find it, and thou must put it in a cup of cold water, and +expect that I shall live again, that I may make answer to what has been +done wrong.. And thou shalt know of this, that is to say, that things +are happening to me, when one shall give to thee a cup of beer in thy hand, +and it shall be troubled; stay not then, for verily it shall come to +pass with thee." + +And the youth went to the valley of the acacia; and his elder brother +went unto his house; his hand was laid on his head, and he cast dust on +his head; he came to his house, and he slew his wife, he cast her to the +dogs, and he sat in mourning for his younger brother. + +Now many days after these things, the younger brother was in the valley +of the acacia; there was none with him; he spent his time in hunting the +beasts of the desert, and he came back in the even to lie down under the +acacia, which bore his soul upon the topmost flower. And after this he +built himself a tower with his own hands, in the valley of the acacia; +it was full of all good things, that he might provide for himself a home. + +And he went out from his tower, and he met the Nine Gods, who were +walking forth to look upon the whole land. The Nine Gods talked one +with another, and they said unto him, "Ho! Bata, bull of the Nine Gods, +art thou remaining alone? Thou hast left thy village for the wife of +Anpu, thy elder brother. Behold his wife is slain. Thou hast given him +an answer to all that was transgressed against thee." And their hearts +were vexed for him exceedingly. And Ra Harakhti said to Khnumu, "Behold, +frame thou a woman for Bata, that he may not remain alive alone." And +Khnumu made for him a mate to dwell with him. + +She was more beautiful in her limbs than any woman who is in the whole +land. The essence of every god was in her. The seven Hathors came to see +her: they said with one mouth, "She will die a sharp death." + +And Bata loved her very exceedingly, and she dwelt in his house; he +passed his time in hunting the beasts of the desert, and brought and +laid them before her. He said, "Go not outside, lest the sea seize thee; +for I cannot rescue thee from it, for I am a woman like thee; my soul is +placed on the head of the flower of the acacia; and if another find it, +I must fight with him." And he opened unto her his heart in all its nature. + +Now after these things Bata went to hunt in his daily manner. And the +young girl went to walk under the acacia which was by the side of her +house. Then the sea saw her, and cast its waves up after her. She betook +herself to flee from before it. She entered her house. And the sea +called unto the acacia, saying, "Oh, would that I could seize her!" And +the acacia brought a lock from her hair, and the sea carried it to +Egypt, and dropped it in the place of the fullers of Pharaoh's linen. +The smell of the lock of hair entered into the clothes of Pharaoh; and +they were wroth with the fullers of Pharaoh, saying, "The smell of +ointment is in the clothes of Pharaoh." And the people were rebuked +every day, they knew not what they should do. And the chief fuller of +Pharaoh walked by the bank, and his heart was very evil within him after +the daily quarrel with him. He stood still, he stood upon the sand +opposite to the lock of hair, which was in the water, and he made one +enter into the water and bring it to him; and there was found in it a +smell, exceeding sweet. He took it to Pharaoh; and they brought the +scribes and the wise men, and they said unto Pharaoh, "This lock of hair +belongs to a daughter of Ra Harakhti: the essence of every god is in +her, and it is a tribute to thee from another land. Let messengers go to +every strange land to seek her: and as for the messenger who shall go to +the valley of the acacia, let many men go with him to bring her." Then +said his majesty, "Excellent exceedingly is what has been said to us;" +and they sent them. And many days after these things the people who were +sent to strange lands came to give report unto the king: but there came +not those who went to the valley of the acacia, for Bata had slain them, +but let one of them return to give a report to the king. His majesty +sent many men and soldiers, as well as horsemen, to bring her back. And +there was a woman amongst them, and to her had been given in her hand +beautiful ornaments of a woman. And the girl came back with her, and +they rejoiced over her in the whole land. + +And his majesty loved her exceedingly, and raised her to high estate; +and he spake unto her that she should tell him concerning her husband. +And she said, "Let the acacia be cut down, and let one chop it up." And +they sent men and soldiers with their weapons to cut down the acacia; +and they came to the acacia, and they cut the flower upon which was the +soul of Bata, and he fell dead suddenly. + +And when the next day came, and the earth was lightened, the acacia was +cut down. And Anpu, the elder brother of Bata, entered his house, and +washed his hands; and one gave him a cup of beer, and it became +troubled; and one gave him another of wine, and the smell of it was +evil. Then he took his staff, and his sandals, and likewise his clothes, +with his weapons of war; and .he betook himself forth to the valley of +the acacia. He entered the tower of his younger brother, and he found +him lying upon his mat; he was dead. And he wept when he saw his younger +brother verily lying dead. And he went out to seek the soul of his +younger brother under the acacia tree, under which his younger brother +lay in the evening. + +He spent three years in seeking for it, but found it not. And when he +began the fourth year, he desired in his heart to return into Egypt; he +said "I will go to-morrow morn:" thus spake he in his heart. + +Now when the land lightened, and the next day appeared, he was walking +under the acacia; he was spending his time in seeking it. And he +returned in the evening, and laboured at seeking it again. He found a +seed. He returned with it. Behold this was the soul of his younger +brother. He brought a cup of cold water, and he cast the seed into it: +and he sat down, as he was wont. Now when the night came his soul sucked +up the water; Bata shuddered in all his limbs, and he looked on his +elder brother; his soul was in the cup. Then Anpu took the cup of cold +water, in which the soul of his younger brother was; Bata drank it, his +soul stood again in its place, and he became as he had been. They +embraced each other, and they conversed together. + +And Bata said to his elder brother, "Behold I am to become as a great +bull, which bears every good mark; no one knoweth its history, and thou +must sit upon my back. When the sun arises I shall be in the place where +my wife is, that I may return answer to her; and thou must take me to +the place where the king is. For all good things shall be done for thee; +for one shall lade thee with silver and gold, because thou bringest me +to Pharaoh, for I become a great marvel, and they shall rejoice for me +in all the land. And thou shalt go to thy village." + +And when the land was lightened, and the next day appeared, Bata became +in the form which he had told to his elder brother. And Anpu sat upon +his back until the dawn. He came to the place where the king was, and +they made his majesty to know of him; he saw him, and he was exceeding +joyful with him. He made for him great offerings, saying, + +"This is a great wonder which has come to pass." There were rejoicings +over him in the whole land. They presented unto him silver and gold for +his elder brother, who went and stayed in his village. They gave to the +bull many men and many things, and Pharaoh loved him exceedingly above +all that is in this land. + +And after many days after these things, the bull entered the purified +place; he stood in the place where the princess was; he began to speak +with her, saying, "Behold, I am alive indeed." And she said to him, +"And, pray, who art thou?" He said to her, "I am Bata. I perceived when +thou causedst that they should destroy the acacia of Pharaoh, which was +my abode, that I might not be suffered to live. Behold, I am alive +indeed, I am as an ox." Then the princess feared exceedingly for the +words that her husband had spoken to her. And he went out from the +purified place. + +And his majesty was sitting, making a good day with her: she was at the +table of his majesty, and the king was exceeding pleased with her. And +she said to his majesty, "Swear to me by God, saying, 'What thou shalt +say, I will obey it for thy sake.'" He hearkened unto all that she said, +even this. "Let me eat of the liver of the ox, because he is fit for +nought:" thus spake she to him. And the king was exceeding sad at her +words, the heart of Pharaoh grieved him greatly. And after the land was +lightened, and the next day appeared, they proclaimed a great feast with +offerings to the ox. And the king sent one of the chief butchers of his +majesty, to cause the ox to be sacrificed. And when he was sacrificed, +as he was upon the shoulders of the people, he shook his neck, and he +threw two drops of blood over against the two doors of his majesty. The +one fell upon the one side, on the great door of Pharaoh, and the other +upon the other door. They grew as two great Persea trees, and each of +them was excellent. + +And one went to tell unto his majesty, "Two great Persea trees have +grown, as a great marvel of his majesty, in the night by the side of the +great gate of his majesty." And there was rejoicing for them in all the +land, and there were offerings made to them. + +And when the days were multiplied after these things, his majesty was +adorned with the blue crown, with garlands of flowers on his neck, and +he was upon the chariot of pale gold, and he went out from the palace to +behold the Persea trees: the princess also was going out with horses +behind his majesty. And his majesty sat beneath one of the Persea trees, +and it spake thus with his wife: "Oh thou deceitful one, I am Bata, I am +alive, though I have been evilly entreated. I knew who caused the acacia +to be cut down by Pharaoh at my dwelling. I then became an ox, and thou +causedst that I should be killed." + +And many days after these things the princess stood at the table of +Pharaoh, and the king was pleased with her. And she said to his majesty, +"Swear to me by God, saying, 'That which the princess shall say to me I +will obey it for her.'" And he hearkened unto all she said. And he +commanded, "Let these two Persea trees be cut down, and let them be made +into goodly planks." And he hearkened unto all she said. And after this +his majesty sent skilful craftsmen, and they cut down the Persea trees +of Pharaoh; and the princess, the royal wife, was standing looking on, +and they did all that was in her heart unto the trees. But a chip flew +up, and it entered into the mouth of the princess; she swallowed it, and +after many days she bore a son. And one went to tell his majesty, "There +is born to thee a son." And they brought him, and gave to him a nurse +and servants; and there were rejoicings in the whole land. And the king +sat making a merry day, as they were about the naming of him, and his +majesty loved him exceedingly at that moment, and the king raised him to +be the royal son of Kush. + +Now after the days had multiplied after these things, his majesty made +him heir of all the land. And many days after that, when he had +fulfilled many years as heir, his majesty flew up to heaven. And the +heir said, "Let my great nobles of his majesty be brought before me, +that I may make them to know all that has happened to me." And they +brought also before him his wife, and he judged with her before him, and +they agreed with him. They brought to him his elder brother; he made him +hereditary prince in all his land. He was thirty years king of Egypt, +and he died, and his elder brother stood in his place on the day of +burial. + +_Excellently finished in peace, for the_ ka _of the scribe of the +treasury Kagabu, of the treasury of Pharaoh, and for the scribe Hora, +and the scribe Meremapt. Written by the scribe Anena, the owner of this +roll. He who speaks against this roll, may Tahuti smite him._ + + + + +REMARKS + + +This tale, which is perhaps, of all this series, the best known in +modern times, has often been published. It exists only in one papyrus, +that of Madame d'Orbiney, purchased by the British Museum in 1857. The +papyrus had belonged to Sety II. when crown prince, and hence is of the +XIXth Dynasty. Most of the great scholars of this age have worked at it: +__De Rouge, Goodwin, Renouf, Chabas, Brugsch, Ebers, Maspero, and Groff +have all made original studies on it. The present translation is, +however, a fresh one made by Mr. Griffith word for word, and shaped as +little as possible by myself in editing it. The copy followed is the +publication by Birch in "Select Papyri," part ii. pls. ix. to xix. +Before considering the details of the story, we should notice an +important question about its age and composition. That it is as old as +the XIXth Dynasty in its present form is certain from the papyrus; but +probably parts of it are older. The idyllic beauty of the opening of it, +with the simplicity and directness of the ideas, and the absence of any +impossible or marvellous feature, is in the strongest opposition to the +latter part, where marvel is piled on marvel in pointless profusion. In +the first few pages there is not a word superfluous or an idea out of +place in drawing the picture. That we have to do with an older story +lengthened out by some inartistic compiler, seems only too probable. And +this is borne out by the colophon. In the tales of the Shipwrecked +Sailor, and of Sanehat, the colophon runs--"This is finished from +beginning to end, even as it was found in the writing," and the earlier +of these two tales follows this with a blessing on the transcriber. But, +apparently conscious of his meddling, the author of Anpu and Bata ends +with a curse: "Written by the scribe Anena, the owner of this roll. He +who speaks against this roll, may Tahuti smite him." This points to a +part of it at least being newly composed in Ramesside times; while the +delicate beauty of the opening is not only far better than the latter +part, but is out of harmony with the forced and artificial taste of the +XIXth Dynasty. At the same time, the careful drawing of character is +hardly akin to the simple, matter-of-fact style of Sanehat, and seems +more in keeping with the emotional style of the Doomed Prince. If we +attribute the earlier part to the opening of the XVIIIth Dynasty--the +age of the pastoral scenes of the tombs of El Kab, which are the latest +instances of such sculptures in Egypt--we shall probably be nearest to +the truth. + +The description of Bata is one of the most beautiful character-drawings +in the past. The self-denial and sweet innocence of the lad, his +sympathy with his cattle, "listening to all that they said," and +allowing them their natural wishes and ways, is touchingly expressed. +And those who know Egypt will know that Bata still lives there--several +Batas I have known myself. His sweetness of manner, his devotion, his +untiringly earnest work, his modesty, his quietness, makes Bata to be +one of the most charming friends. Bata I have met in many places, Bata I +have loved as one of the flowers of human nature, and Bata I hope often +to meet again in divers forms and varied incarnations among the _fellah_ +lads of Egypt. + +The touches of description of Bata are slight, and yet so pointed. His +growing to be an excellent worker; his return at evening laden with all +the produce, just as may be seen now any evening as the lads come in +bearing on their backs large bundles of vegetables for the house, and of +fodder for the home-driven cattle; his sleeping with his cattle in the +stable; his zeal in rising before dawn to make the daily bread for his +brother, ready to give him when he arose; and then his driving out the +cattle to pasture--all contrasts with his elder brother's life of ease. +The making of the bread was rightly the duty of Anpu's wife; she ought +to have risen to grind the corn long before dawn, as the millstones may +now be heard grinding in the dark, morning by morning; she ought to have +baked the bread ready for the toiler who spent his whole day in the +field. But it was the ever-willing Bata who did the work of the house as +well as the work of the farm. "Behold the spirit of a god was in him." + +The driving in of the cattle at night is still a particular feature of +Egyptian life. About an hour before sunset the tether ropes are drawn in +the fields, and the cattle file off, with a little child for a +leader--if any; the master gathers up the produce that is required, some +buffalo is laden with a heap of clover, or a lad carries it on his back, +for the evening feed of the cattle, and all troop along the path through +the fields and by the canal. For two or three miles the road becomes +more and more crowded with the flocks driven into it from every field, a +long haze of dust lies glowing in the crimson glory of sunset over the +stream of cows and buffaloes, sheep and goats, that pour into the +village. Each beast well knows his master and his crib, and turns in at +the familiar gate to the stable under the house, or by the side of the +hut; and there all spend the night. Not a hoof is left out in the field; +the last belated stragglers come in while the gleam of amber still edges +the night-blue sky behind the black horizon. Then the silent fields lie +under the brightening moon, glittering with dew, untrodden and deserted. +It is not cold or climate that leads men to this custom, but the +unsafety of a country bordered by unseen deserts, whence untold men may +suddenly appear and ravage all the plain. + +The ploughing scene next follows, on "the land coming out from the +water"; as the inundation goes down the well-known banks and ridges +appear, "the back-bones of the land," as they were so naturally called; +and when the surface is firm enough to walk on--with many a pool and +ditch still full--the ploughing begins on the soft dark clay. + +The catastrophe of the story--the black gulf of deceit that suddenly +opens under Bata's feet--has always been seen to be strikingly like the +story of Joseph. And--as we have noticed--there is good reason for the +early part of this tale belonging to about the beginning of the XVIIIth +Dynasty, so it is very closely allied in time as well as character to +the account of Joseph. In this part again is one of those pointed +touches, which show the power of the poet--for a poem in prose this +is--"her heart knew him with the knowledge of youth." + +On reaching the mistaken revenge of Anpu, we see the sympathy of Bata +with his cattle, and his way of reading their feelings, returned to him +most fittingly by the cows perceiving the presence of the treachery. "He +heard what his first cow had said; and the next entering she also said +likewise." + +After this we find a change; instead of the simple and natural +narrative, full of human feeling, and without a touch of impossibility, +every subsequent episode involves the supernatural; Ra creating a wide +water, the extraction of the soul of Bata, his miraculous wife, and all +the transformations--these have nothing in common with the style or +ideas of the earlier tale. + +Whence this later tangle came, and how much of it is drawn from other +sources, we can hardly hope to explain from the fragments of literature +that we have. But strangely there is a parallel which is close enough to +suggest that the patchwork is due to popular mythology. In the myths of +Phrygia we meet with Atys or Attis, of whom varying legends are told. +Among these we glean that he was a shepherd, beautiful and chaste; that +he fled from corruption; that he mutilated himself; lastly he died under +a tree, and afterwards was revived. All this is a duplicate of the story +of Bata. And looking further, we see parallels to the three subsequent +transformations. Drops of blood were shed from the Atys-priest; and +Bata, in his first transformation as a bull, sprinkles two drops of +blood by the doors of the palace. Again, Atys is identified with a tree, +which was cut down and taken into a sanctuary; and Bata in his second +transformation is a Persea tree which is cut down and used in building. +Lastly, the mother of Atys is said to have been a virgin, who bore him +from placing in her bosom a ripe almond or pomegranate; and in his third +transformation Bata is born from a chip of a tree being swallowed by the +princess. These resemblances in nearly all the main points are too close +and continuous to be a mere chance, especially as such incidents are not +found in any other Egyptian tale, nor in few--if any--other classical +myths. It is not impossible that the names even may have been the same; +for Bata, as we write it, was pronounced Vata (or Vatiu or Vitiou, as +others would vocalise it), and the digamma would disappear in the later +Greek form in which we have Atys. + +The most likely course seems to have been that, starting with a simple +Egyptian tale, the resemblance to the shepherd of the Asiatic myth, led +to a Ramesside author improving the story by tacking on the branches of +the myth one after another, and borrowing the name. If this be granted, +we have here in Bata the earliest indications of the elements of the +Atys mysteries, a thousand years before the Greek versions. + +Returning now from the general structure to the separate incidents, we +note the expression of annoyance where the elder brother "smote twice on +his hands." This gesture is very common in Egypt now, the two hands +being rapidly slid one past the other, palm to palm, vertically, grating +the fingers of one hand over the other; the right hand moving downwards, +and the left a little up. This implies that there is nothing, that a +thing is worthless, that a desired result has not been attained, or +annoyance at want of success; but the latter meanings are now rare, and +more latent than otherwise, and this tale points to the gesture being +originally one of positive anger, though it has been transferred +gradually to express mere negative results. + +The valley of the acacia would appear from the indications to have been +by the sea, and probably in Syria; perhaps one of the half-desert wadis +toward Gaza was in the writer's mind. The idea of Bata taking out his +heart, and placing it on the flower of a tree, has seemed hopelessly +unintelligible. But it depends on what we are to understand by the heart +in Egyptian. Two words are well known for it, _hati_ and _ah;_ and as it +is unlikely that these should be mere synonyms, we have a presumption +that one of them does not mean the physical heart, but rather the mental +heart. We are accustomed to the same mixture of thought; and far the +more common usage in English is not to employ the name to express the +physical heart, but for the will, as when we say "good-hearted";--for +the spring of action, "broken-hearted ";--for the feelings, +"hard-hearted";--for the passions, "an affair of the heart";--or for the +vigour, as when a man in nature or in act is "hearty" The Egyptian, with +his metaphysical mind, took two different words where we only use one; +and when we read of placing the heart _(hati)_ out of a man, we are led +at once by the analogy of beliefs in other races to understand this as +the vitality or soul. In the "Golden Bough" Mr. Frazer has explained +this part of natural metaphysics; and in this, and the following points, +I freely quote from that work as a convenient text-book. The soul or +vitality of a man is thought of as separable from the body at will, and +therefore communicable to other objects or positions. In those positions +it cannot be harmed by what happens to the body, which is therefore +deathless for the time. But if the external seat of the soul be attacked +or destroyed, the man immediately dies. This is illustrated from the +Norse, Saxons, Celts, Italians, Greeks, Kabyles, Arabs, Hindus, Malays, +Mongolians, Tartars, Magyars, and Slavonians. It may well, then, be +considered as a piece of inherent psychology: and following this +interpretation, I have rendered "heart" in this sense "soul" in the +translation. + +The Nine Gods who meet Bata are one of the great cycles of divinities, +which were differently reckoned in various places. Khnumu is always the +formative god, who makes man upon the potter's wheel, as in the scene in +the temple of Luqsor. And even in natural birth it was Khnumu who "gave +strength to the limbs," as in the earlier "Tales of the Magicians." The +character of the wife of Bata is a very curious study. The total absence +of the affections in her was probably designed as in accord with her +non-natural formation, as she could not inherit aught from human +parents. Ambition appears as the only emotion of this being; her attacks +on the transformations of Bata are not due to dislike, but only to fear +that he should claim her removal from her high station; she "feared +exceedingly for the words that her husband had spoken to her." Her +Lilith nature is incapable of any craving but that for power. + +The action here of the seven Hathors we have noticed in the remarks on +the previous tale of the Doomed Prince. The episode of the sea is very +strange; and if we need find some rationalising account of it, we might +suppose it to be a mythical form of a raid of pirates, who, not catching +the woman, carried off something of hers, which proved an object of +contention in Egypt. But such renderings are unlikely, and we may the +rather expect to find some explanation in a mythological parallel. + +The carrying of the lock of hair to Pharaoh, and his proclaiming a +search for the owner, is plainly an early form of the story of the +little slipper, whose owner is sought by the king. The point that she +could not be caught except by setting another woman to tempt her with +ornaments, anticipates the modern novelist's saying, "Set a woman to +catch a woman." + +The sudden death of Bata, so soon as the depository of his soul was +destroyed, is a usual feature in such tales about souls. But it is only +in the Indian forms quoted by Mr. Frazer that there is any revival of +the dead; and in no case is there any transformation like that of Bata. +Perhaps none but an Egyptian or a Chinese would have credited Anpu with +wandering up and down for four years seeking the lost soul. But the idea +of returning the soul in water to the man is found as a magic process in +North America ("Golden Bough," i. 141). + +The first transformation of Bata, into a bull, is clearly drawn from the +Apis bull of Memphis. The rejoicings at discovering a real successor of +Apis are here, the rejoicings over Bata, who is the Apis bull, +distinguished as he says by "bearing every good mark." These marks on +the back and other parts were the tokens of the true Apis, who was +sought for anxiously through the country on the death of the sacred +animal who had lived in the sanctuary. The man who, like Anpu, brought +up a true Apis to the temple would receive great rewards and honours. + +The scene where the princess demands the grant of a favour is repeated +over again by Esther at her banquet, and by the daughter of Herodias. It +is the Oriental way of doing business. But the curious incongruity of +making a great feast with offerings to the ox before sacrificing it, +appears inexplicable until we note the habits of other peoples in +slaying their sacred animals at certain intervals. This tale shows us +what is stated by Greek authors, that the Egyptians slew the sacred Apis +at stated times, or when a new one was discovered with the right marks. +The annual sacrifice of a sacred ram at Thebes shows that the Egyptians +were familiar with such an idea. And though it was considered by the +writer of this tale as a monstrous act, yet the offerings and festivity +which accompanied it are in accordance with the strange fact found by +Mariette, that in the three undisturbed Apis burials which he discovered +there were only fragments of bone, and in one case a head, carefully +embalmed with bitumen and magnificent offerings of jewellery. The divine +Apis was eaten as a sacred feast. + +The reason that the princess desires the liver is strangely explained by +a present belief on the Upper Nile. The Darfuris think that the liver is +the seat of the soul ("Golden Bough," ii. 88); and hence if she ate the +liver she would destroy the soul of Bata, or prevent it entering any +other incarnation. + +The next detail is also curiously significant. If a bull was being +sacrificed we should naturally suppose the blood would flow, and that a +few drops would not be noticed. Here, however, two drops are said to +fall, and this was when the bull "was upon the shoulders of the people." +Now it is a very general idea that blood must not be allowed to fall +upon the ground; the eastern and southern Africans will not shed the +blood of cattle ("Golden Bough," i. 182); and strangely the Australians +avoid the falling of blood to the ground by placing the bleeding persons +upon the shoulders of other men. This parallel is so close to the +Egyptian tale that it seems as if the bull was borne "on the shoulders +of the people," that his blood should not fall to the ground; yet in +spite of this precaution "he shook his neck, and he threw two drops of +blood over against the doors of his majesty." In these drops of blood +was the soul of Bata, in spite of the princess having eaten his liver; +and we know how among Jews, Arabs, and other peoples, the blood is +regarded as the vehicle of the soul or life. + +The evidence of tree worship is plainer here than perhaps in any other +passage of Egyptian literature. The people rejoice for the two Persea +trees, "and there were offerings made to them." + +The blue crown worn by the king was the war cap of leather covered with +scales of copper: it is often found made in dark blue glaze for +statuettes, and it seems probable that the copper was superficially +sulphurised to tint it. Such head-dress was usually worn by kings when +riding in their chariots. The pale gold or electrum here mentioned was +the general material for decorating the royal chariot. + +The miraculous birth of Bata in his third transformation is, as we have +noticed, closely paralleled by the birth of Atys from the almond. The +idea at the root of this is that of self-creation or self-existence, as +in the usual Egyptian phrase, "bull of his mother." + +The king flying up to heaven is a regular expression for his death: "the +hawk has soared," "the follower of the god has met his maker," so +Sanehat describes it (see ist series, pp. 97, 98). + +This hawk-form of the king may be connected with the hawk bearing the +double crown which is perched on the top of the _ka_ name of each king. +That hawk is not Horus, nor even the king deified as Horus, because the +emblem of life is given to it by other gods (as by Set on a lintel of +XVIIIth Dynasty from Nubt), and therefore the hawk is the human king who +could perish, and not an immortal divinity. Further, this hawk-king is +always perched on the top of the drawing of the doorway to the sepulchre +which bears the _ka_ name of the king; and when we see the drawings of +the _ba_ bird or soul flying down the well to the sepulchre, it appears +as if the hawk were the royal _ba_ bird (ordinary men having a _ba_ bird +with a human head); and that the well-known first title of each king +represents the royal soul or _ba_ bird perched on the door of the +sepulchre, resting on his way to and from the visit to the corpse below. +The soul or _ba_ of the king at his death thus flew away as a hawk to +meet the sun. + +The veil drawn over the fate of the inhuman princess is well conceived. +That she should die a sharp death has been foretold; but how Bata should +slay the divine creation--his wife--his mother--is a matter that the +scribe reserves in silence; we only read that "he judged with her before +him, and the great nobles agreed with him." That judgment is best left +among the things unwritten, + +The strange manner in which we can see incident after incident in the +latter part of the tale, each to refer to some ceremony or belief, even +imperfect as our knowledge of such must be, and the evidence that the +whole being of Bata is a transference of the myth of Atys, must lead us +to look on this, the marvellous portion, as woven out of a group of +myths, ceremonies, and beliefs which were joined and explained by the +formation of such a tale. How far it is due to purely Egyptian ideas, +indicated by the Apis bull and the analogies in present African beliefs, +and how far it is Asiatic and belonging to Atys, it would be premature +to decide. But from the weird confusion and mystery of these +transformations, we turn back with renewed pleasure to the simple and +sweet picture of peasant life, and the beauty of Bata, and we see how +true a poet the Egyptian was in feeling and in expression. + + + + +XIXth DYNASTY, PTOLEMAIC WRITING + +SETNA AND THE MAGIC BOOK + + +The mighty King User.maat.ra (Ra-meses the Great) had a son named Setna +Kha.em.uast who was a great scribe, and very learned in all the ancient +writings. And he heard that the magic book of Thoth, by which a man may +enchant heaven and earth, and know the language of all birds and beasts, +was buried in the cemetery of Memphis. And he went to search for it with +his brother An.he.hor.eru; and when they found the tomb of the king's +son, Na.nefer.ka.ptah, son of the king of Upper and Lower Egypt, +Mer.neb.ptah, Setna opened it and went in. + +Now in the tomb was Na.nefer.ka.ptah, and with him was the _ka_ of his +wife Ahura; for though she was buried at Koptos, her _ka_ dwelt at +Memphis with her husband, whom she loved. And Setna saw them seated +before their offerings, and the book lay between them. And +Na.nefer.ka.ptah said to Setna, "Who are you that break into my tomb in +this way?" He said, "I am Setna, son of the great King User.maat.ra, +living for ever, and I come for that book which I see between you." And +Na.nefer.ka.ptah said, "It cannot be given to you." Then said Setna, +"But I will carry it away by force." + +Then Ahura said to Setna, "Do not take this book; for it will bring +trouble on you, as it has upon us. Listen to what we have suffered for it." + +"We were the two children of the King Mer.neb.ptah, and he loved us very +much, for he had no others; and Na.nefer.ka.ptah was in his palace as +heir over all the land. And when we were grown, the king said to the +queen, 'I will marry Na.nefer.ka.ptah to the daughter of a general, and +Ahura to the son of another general.' And the queen said, 'No, he is the +heir, let him marry his sister, like the heir of a king, none other is +fit for him.' And the king said, 'That is not fair; they had better be +married to the children of the general.' + +"And the queen said, 'It is you who are not dealing rightly with me.' +And the king answered, 'If I have no more than these two children, is it +right that they should marry one another? I will marry Na.nefer.ka.ptah +to the daughter of an officer, and Ahura to the son of another officer. +It has often been done so in our family.' + +"And at a time when there was a great feast before the king, they came +to fetch me to the feast. And I was very troubled, and did not behave as +I used to do. And the king said to me, 'Ahura, have you sent some one to +me about this sorry matter, saying, "Let me be married to my elder +brother"? 'I said to him, 'Well, let me marry the son of an officer, and +he marry the daughter of another officer, as it often happens so in our +family.' I laughed, and the king laughed. And the king told the steward +of the palace, 'Let them take Ahura to the house of Na.nefer.ka.ptah +to-night, and all kinds of good things with her.' So they brought me as +a wife to the house of Na.nefer.ka.ptah; and the king ordered them to +give me presents of silver and gold, and things from the palace. + +"And Na.nefer.ka.ptah passed a happy time with me, and received all the +presents from the palace; and we loved one another. And when I expected +a child, they told the king, and he was most heartily glad; and he sent +me many things, and a present of the best silver and gold and linen. And +when the time came, I bore this little child that is before you. And +they gave him the name of Mer-ab, and registered him in the book of the +'House of life.' + +"And when my brother Na.nefer.ka.ptah went to the cemetery of Memphis, +he did nothing on earth but read the writings that are in the catacombs +of the kings, and the tablets of the 'House of life,' and the +inscriptions that are seen on the monuments, and he worked hard on the +writings. And there was a priest there called Nesi-ptah; and as +Na.nefer.ka.ptah went into a temple to pray, it happened that he went +behind this priest, and was reading the inscriptions that were on the +chapels of the gods. And the priest mocked him and laughed. So +Na.nefer.ka.ptah said to him, 'Why are you laughing at me?' And he +replied, 'I was not laughing at you, or if I happened to do so, it was +at your reading writings that are worthless. If you wish so much to +read writings, come to me, and I will bring you to the place where the +book is which Thoth himself wrote with his own hand, and which will +bring you to the gods. When you read but two pages in this you will +enchant the heaven, the earth, the abyss, the mountains, and the sea; +you shall know what the birds of the sky and the crawling things are +saying; you shall see the fishes of the deep, for a divine power is +there to bring them up out of the depth. And when you read the second +page, if you are in the world of ghosts, you will become again in the +shape you were in on earth. You will see the sun shining in the sky, +with all the gods, and the full moon.' + +"And Na.nefer.ka.ptah said, 'By the life of the king! Tell me of +anything you want done and I'll do it for you, if you will only send me +where this book is.' And the priest answered Na.nefer.ka.ptah, 'If you +want to go to the place where the book is, you must give me a hundred +pieces of silver for my funeral, and provide that they shall bury me as +a rich priest.' So Na.nefer.ka.ptah called his lad and told him to give +the priest a hundred pieces of silver; and he made them do as he wished, +even everything that he asked for. Then the priest said to +Na.nefer.ka.ptah, 'This book is in the middle of the river at Koptos, in +an iron box; in the iron box is a bronze box; in the bronze box is a +sycamore box; in the sycamore box is an ivory and ebony box; in the +ivory and ebony box is a silver box; in the silver box is a golden box, +and in that is the book. It is twisted all round with snakes and +scorpions and all the other crawling things around the box in which the +book is; and there is a deathless snake by the box.' And when the priest +told Na.nefer.ka.ptah, he did not know where on earth he was, he was so +much delighted. + +"And when he came from the temple he told me all that had happened to +him. And he said, 'I shall go to Koptos, for I must fetch this book; I +will not stay any longer in the north.' And I said, 'Let me dissuade +you, for you prepare sorrow and you will bring me into trouble in the +Thebaid.' And I laid my hand on Na.nefer.ka.ptah, to keep him from going +to Koptos, but he would not listen to me; and he went to the king, and +told the king all that the priest had said. The king asked him, 'What is +it that you want?' and he replied, 'Let them give me the royal boat with +its belongings, for I will go to the south with Ahura and her little boy +Mer-ab, and fetch this book without delay.' So they gave him the royal +boat with its belongings, and we went with him to the haven, and sailed +from there up to Koptos. + +"Then the priests of Isis of Koptos, and the high priest of Isis, came +down to us without waiting, to meet Na.nefer.ka.ptah, and their wives +also came to me. We went into the temple of Isis and Harpokrates; and +Na.nefer.ka.ptah brought an ox, a goose, and some wine, and made a +burnt-offering and a drink-offering before Isis of Koptos and +Harpokrates. They brought us to a very fine house, with all good things; +and Na.nefer.ka.ptah spent four days there and feasted with the priests +of Isis of Koptos, and the wives of the priests of Isis also made +holiday with me. + +"And the morning of the fifth day came; and Na.nefer.ka.ptah called a +priest to him, and made a magic cabin that was full of men and tackle. +He put the spell upon it, and put life in it, and gave them breath, and +sank it in the water. He filled the royal boat with sand, and took leave +of me, and sailed from the haven: and I sat by the river at Koptos that +I might see what would become of him. And he said, 'Workmen, work for +me, even at the place where the book is.' And they toiled by night and +by day; and when they had reached it in three days, he threw the sand +out, and made a shoal in the river. And then he found on it entwined +serpents and scorpions and all kinds of crawling things around the box +in which the book was; and by it he found a deathless snake around the +box. And he laid the spell upon the entwined serpents and scorpions and +all kinds of crawling things which were around the box, that they should +not come out. And he went to the deathless snake, and fought with +him, and killed him; but he came to life again, and took a new form. He +then fought again with him a second time; but he came to life again, and +took a third form. He then cut him in two parts, and put sand +between the parts, that he should not appear again. + +"Na.nefer.ka.ptah then went to the place where he found the box. He +uncovered a box of iron, and opened it; he found then a box of bronze, +and opened that; then he found a box of sycamore wood, and opened that; +again, he found a box of ivory and ebony, and opened that; yet, he found +a box of silver, and opened that; and then he found a box of gold; he +opened that, and found the book in it. He took the book from the golden +box, and read a page of spells from it. He enchanted the heaven and the +earth, the abyss, the mountains, and the sea; he knew what the birds of +the sky, the fish of the deep, and the beasts of the hills all said. He +read another page of the spells, and saw the sun shining in the sky, +with all the gods, the full moon, and the stars in their shapes; he saw +the fishes of the deep, for a divine power was present that brought them +up from the water. He then read the spell upon the workmen that he had +made, and taken from the haven, and said to them, 'Work for me, back to +the place from which I came.' And they toiled night and day, and so he +came back to the place where I sat by the river of Koptos; I had not +drunk nor eaten anything, and had done nothing on earth, but sat like +one who is gone to the grave. + +"I then told Na.nefer.ka.ptah that I wished to see this book, for which +we had taken so much trouble. He gave the book into my hands; and when I +read a page of the spells in it I also enchanted heaven and earth, the +abyss, the mountains, and the sea; I also knew what the birds of the +sky, the fishes of the deep, and the beasts of the hills all said. I +read another page of the spells, and I saw the sun shining in the sky +with all the gods, the full moon, and the stars in their shapes; I saw +the fishes of the deep, for a divine power was present that brought them +up from the water. As I could not write, I asked Na.nefer.ka.ptah, who +was a good writer, and a very learned one; he called for a new piece of +papyrus, and wrote on it all that was in the book before him. He dipped +it in beer, and washed it off in the liquid; for he knew that if it were +washed off, and he drank it, he would know all that there was in the +writing. + +"We returned back to Koptos the same day, and made a feast before Isis +of Koptos and Harpokrates. We then went to the haven and sailed, and +went northward of Koptos. And as we went on Thoth discovered all that +Na.nefer.ka.ptah had done with the book; and Thoth hastened to tell Ra, +and said, 'Now know that my book and my revelation are with +Na.nefer.ka.ptah, son of the King Mer.neb.ptah. He has forced himself +into my place, and robbed it, and seized my box with the writings, and +killed my guards who protected it.' And Ra replied to him, 'He is before +you, take him and all his kin.'He sent a power from heaven with the +command, 'Do not let Na.nefer.ka.ptah return safe to Memphis with all +his kin.' And after this hour, the little boy Mer-ab, going out from the +awning of the royal boat, fell into the river: he called on Ra, and +everybody who was on the bank raised a cry. Na.nefer.ka.ptah went out of +the cabin, and read the spell over him; he brought his body up because a +divine power brought him to the surface. He read another spell over him, +and made him tell of all what happened to him, and of what Thoth had +said before Ra. + +"We turned back with him to Koptos. We brought him to the Good House, we +fetched the people to him, and made one embalm him; and we buried him in +his coffin in the cemetery of Koptos like a great and noble person. + +"And Na.nefer.ka.ptah, my brother, said, 'Let us go down, let us not +delay, for the king has not yet heard of what has happened to him, and +his heart will be sad about it.' So we went to the haven, we sailed, and +did not stay to the north of Koptos. When we were come to the place +where the little boy Mer-ab had fallen in the water, I went out from the +awning of the royal boat, and I fell into the river. They called +Na.nefer.ka.ptah, and he came out from the cabin of the royal boat; he +read a spell over me, and brought my body up, because a divine power +brought me to the surface. He drew me out, and read the spell over me, +and made me tell him of all that had happened to me, and of what Thoth +had said before Ra. Then he turned back with me to Koptos, he brought +me to the Good House, he fetched the people to me, and made one embalm +me, as great and noble people are buried, and laid me in the tomb where +Mer-ab my young child was. + +"He turned to the haven, and sailed down, and delayed not in the north +of Koptos. When he was come to the place where we fell into the river, +he said to his heart, 'Shall I not better turn back again to Koptos, +that I may lie by them? For, if not, when I go down to Memphis, and the +king asks after his children, what shall I say to him? Can I tell him, +"I have taken your children to the Thebaid, and killed them, while I +remained alive, and I have come to Memphis still alive"?' Then he made +them bring him a linen cloth of striped byssus; he made a band, and +bound the book firmly, and tied it upon him. Na.nefer.ka.ptah then went +out of the awning of the royal boat and fell into the river. He cried on +Ra; and all those who were on the bank made an outcry, saying, 'Great +woe! Sad woe! Is he lost, that good scribe and able man that has no +equal?' + +"The royal boat went on, without any one on earth knowing where +Na.nefer.ka.ptah was. It went on to Memphis, and they told all this to +the king. Then the king went down to the royal boat in mourning, and all +the soldiers and high priests and priests of Ptah were in mourning, and +all the officials and courtiers. And when he saw Na.nefer.ka.ptah, who +was in the inner cabin of the royal boat--from his rank of high +scribe--he lifted him up. And they saw the book by him; and the king +said, 'Let one hide this book that is with him.' And the officers of the +king, the priests of Ptah, and the high priest of Ptah, said to the +king, 'Our Lord, may the king live as long as the sun! Na.nefer.ka.ptah +was a good scribe, and a very skilful man.' And the king had him laid in +his Good House to the sixteenth day, and then had him wrapped to the +thirty-fifth day, and laid him out to the seventieth day, and then had +him put in his grave in his resting-place. + +"I have now told you the sorrow which has come upon us because of this +book for which you ask, saying, 'Let it be given to me.' You have no +claim to it; and, indeed, for the sake of it, we have given up our life +on earth." + +And Setna said to Ahura, "Give me the book which I see between you and +Na.nefer.ka.ptah; for if you do not I will take it by force." Then +Na.nefer.ka.ptah rose from his seat and said, "Are you Setna, to whom +my wife has told of all these blows of fate, which you have not +suffered? Can you take this book by your skill as a good scribe? If, +indeed, you can play games with me, let us play a game, then, of 52 +points." And Setna said, "I am ready," and the board and its pieces were +put before him. And Na.nefer.ka.ptah won a game from Setna; and he put +the spell upon him, and defended himself with the game board that was +before him, and sunk him into the ground above his feet. He did the same +at the second game, and won it from Setna, and sunk him into the ground +to his waist. + +He did the same at the third game, and made him sink into the ground up +to his ears. Then Setna struck Na.nefer.ka.ptah a great blow with his +hand. And Setna called his brother An.he.hor.eru and said to him, + +"Make haste and go up upon earth, and tell the king all that has +happened to me, and bring me the talisman of my father Ptah, and my +magic books." + +And he hurried up upon earth, and told the king all that had happened to +Setna. The king said, "Bring him the talisman of his father Ptah, and +his magic books." And An.he.hor.eru hurried down into the tomb; he laid +the talisman on Setna, and he sprang up again immediately. And then +Setna reached out his hand for the book, and took it. Then--as Setna +went out from the tomb--there went a Light before him, and Darkness +behind him. And Ahura wept at him, and she said, "Glory to the King of +Darkness! Hail to the King of Light! all power is gone from the tomb." +But Na.nefer.ka.ptah said to Ahura, "Do not let your heart be sad; I +will make him bring back this book, with a forked stick in his hand, and +a fire-pan on his head." And Setna went out from the tomb, and it closed +behind him as it was before. + +Then Setna went to the king, and told him everything that had happened +to him with the book. And the king said to Setna, "Take back the book to +the grave of Na.nefer.ka.ptah, like a prudent man, or else he will make +you bring it with a forked stick in your hand, and a fire-pan on your +head." But Setna would not listen to him; and when Setna had unrolled +the book he did nothing on earth but read it to everybody. + +[Here follows a story of how Setna, walking in the court of the temple +of Ptah, met Tabubua, a fascinating girl, daughter of a priest of Bast, +of Ankhtaui; how she repelled his advances, until she had beguiled him +into giving up all his possessions, and slaying his children. At the +last she gives a fearful cry and vanishes, leaving Setna bereft of even +his clothes. This would seem to be merely a dream, by the disappearance +of Tabubua, and by Setna finding his children alive after it all; but on +the other hand he comes to his senses in an unknown place, and is so +terrified as to be quite ready to make restitution to Na.nefer.ka.ptah. +The episode, which is not creditable to Egyptian society, seems to be +intended for one of the vivid dreams which the credulous readily accept +as half realities.] + +So Setna went to Memphis, and embraced his children for that they were +alive. And the king said to him, "Were you not drunk to do so?" Then +Setna told all things that had happened with Tabubua and +Na.nefer.ka.ptah. And the king said, "Setna, I have already lifted up my +hand against you before, and said, 'He will kill you if you do not take +back the book to the place you took it from.' But you have never +listened to me till this hour. Now, then, take the book to +Na.nefer.ka.ptah, with a forked stick in your hand, and a fire-pan on +your head." + +So Setna went out from before the king, with a forked stick in his hand, +and a fire-pan on his head. He went down to the tomb in which was +Na.nefer.ka.ptah. And Ahura said to him, "It is Ptah, the great god, +that has brought you back safe." Na.nefer.ka.ptah laughed, and he said, +"This is the business that I told you before." And when Setna had +praised Na.nefer.ka.ptah, he found it as the proverb says, "The sun was +in the whole tomb." And Ahura and Na.nefer.ka.ptah besought Setna +greatly. And Setna said, "Na.nefer.ka.ptah, is it aught disgraceful +(that you lay on me to do)?" And Na.nefer.ka.ptah said, "Setna, you know +this, that Ahura and Mer-ab, her child, behold! they are in Koptos; +bring them here into this tomb, by the skill of a good scribe. Let it be +impressed upon you to take pains, and to go to Koptos to bring them +here." Setna then went out from the tomb to the king, and told the king +all that Na.nefer.ka.ptah had told him. + +The king said, "Setna, go to Koptos and bring back Ahura and Mer-ab." He +answered the king, "Let one give me the royal boat and its belongings." +And they gave him the royal boat and its belongings, and he left the +haven, and sailed without stopping till he came to Koptos. + +And they made this known to the priests of Isis at Koptos and to the +high priest of Isis; and behold they came down to him, and gave him +their hand to the shore. He went up with them and entered into the +temple of Isis of Koptos and of Harpo-krates. He ordered one to offer +for him an ox, a goose, and some wine, and he made a burnt-offering and +a drink-offering before Isis of Koptos and Harpokrates. He went to the +cemetery of Koptos with the priests of Isis and the high priest of Isis. +They dug about for three days and three nights, for they searched even +in all the catacombs which were in the cemetery of Koptos; they turned +over the steles of the scribes of the "double house of life," and read +the inscriptions that they found on them. But they could not find the +resting-place of Ahura and Mer-ab. + +Now Na.nefer.ka.ptah perceived that they could not find the +resting-place of Ahura and her child Mer-ab. So he raised himself up as +a venerable, very old, ancient, and came before Setna. And Setna saw +him, and Setna said to the ancient, "You look like a very old man, do +you know where is the resting-place of Ahura and her child Mer-ab?" +The ancient said to Setna, "It was told by the father of the father of +my father to the father of my father, and the father of my father has +told it to my father; the resting-place of Ahura and of her child Mer-ab +is in a mound south of the town of Pehemato (?)" And Setna said to the +ancient, "Perhaps we may do damage to Pehemato, and you are ready to +lead one to the town for the sake of that." The ancient replied to +Setna, "If one listens to me, shall he therefore destroy the town of +Pehemato! If they do not find Ahura and her child Mer-ab under the south +corner of their town may I be disgraced." They attended to the ancient, +and found the resting-place of Ahura and her child Mer-ab under the +south corner of the town of Pehemato. Setna laid them in the royal boat +to bring them as honoured persons, and restored the town of Pehemato as +it originally was. And Na.nefer.ka.ptah made Setna to know that it was +he who had come to Koptos, to enable them to find out where the +resting-place was of Ahura and her child Mer-ab. + +So Setna left the haven in the royal boat, and sailed without stopping, +and reached Memphis with all the soldiers who were with him. And when +they told the king he came down to the royal boat. He took them as +honoured persons escorted to the catacombs, in which Na.nefer.ka.ptah +was, and smoothed down the ground over them. + +_This is the completed writing of the tale of Setna Kha.em.uast, and +Na.nefer.ka.ptah, and his wife Ahura, and their Mid Mer-ab. It was +written in the 35th year, the month Tybi._ + + + + +REMARKS + + +This tale of Setna only exists in one copy, a demotic papyrus in the +Ghizeh Museum. The demotic was published in facsimile by Mariette in +1871, among "Les Papyrus du Musee de Boulaq;" and it has been +translated by Brugsch, Revillout, Maspero, and Hess. The last +version--"Der Demotische Roman von Stne Ha-m-us, von J. J. Hess"--being +a full study of the text with discussion and glossary, has been followed +here; while the interpretation of Maspero has also been kept in view in +the rendering of obscure passages. + +Unhappily the opening of this tale is lost, and I have therefore +restored it by a recital of the circumstances which are referred to in +what remains. Nothing has been introduced which is not necessarily +involved or stated in the existing text. The limit of this restoration +is marked by ]; the papyrus beginning with the words, "It is you who are +not dealing rightly with me." + +The construction is complicated by the mixture of times and persons; and +we must remember that it was written in the Ptolemaic period concerning +an age long past. It stood to the author much as Tennyson's "Harold" +stands to us, referring to an historical age, without too strict a tie +to facts and details. Five different acts, as we may call them, succeed +one another. In the first act--which is entirely lost, and here only +outlined--the circumstances which led Setna of the XIXth Dynasty to +search for the magic book must have been related. In the second act +Ahura recites the long history of herself and family, to deter Setna +from his purpose. This act is a complete tale by itself, and belongs to +a time some generations before Setna; it is here supposed to belong to +the time of Amenhotep III., in the details of costume adopted for +illustration. The third act is Setna's struggle as a rival magician to +Na.nefer.ka.ptah, from which he finally comes off victorious by his +brother's use of a talisman, and so secures possession of the coveted +magic book. The fourth act--which I have here only summarised--shows how +Na.nefer.ka.ptah resorts to a bewitchment of Setna by a sprite, by +subjection to whom he loses his magic power. The fifth act shows Setna +as subjected to Na.nefer.ka.ptah, and ordered by him to bring the bodies +of his wife and child to Memphis into his tomb. + +While, therefore, the sentimental climax of the tale--the restoration of +the unity of the family in one tomb--belongs to persons of the XVIIIth +Dynasty, the action of the tale is entirely of the XIXth Dynasty, for +what happened in the XVIIIth Dynasty (second act) is all related in the +XIXth. And the actual composition of it belongs to Ptolemaic times, not +only on the evidence of the manuscript, but also of the language; this +being certified by the importance of Isis and Horus at Koptos, which is +essentially a late worship there. + +Turning now to the details, we may note that the statement that Setna +Kha.em.uast was a son of User.maat.ra (or Ramessu II.) occurs in the +fourth act which is here only summarised. Among the sons of Ramessu +historically known, the Prince Kha.em.uast (or "Glory-in-Thebes") was +the most important; he appears to have been the eldest son, exercising +the highest offices during his father's life. That the succession fell +on the thirteenth son, Mer.en.ptah, was doubtless due to the elder sons +having died during the preternaturally long reign of Ramessu. + +The other main personage here is Na.nefer.ka.ptah (or "Excellent is the +_ka_ of Ptah"), who is said to be the son of a King Mer.neb.ptah. No +such name is known among historical kings; and it is probably a popular +corruption or abbreviation. It was pronounced Minibptah, the r being +dropped in early times. It would seem most like Mine-ptah or +Mer.en.ptah, the son and successor of Ramessu II.; but as the date of +Mer.neb.ptah is supposed to be some generations before that, such a +supposition would involve a great confusion on the scribes' part. +Another possibility is that it represents Amenhotep III., +Neb.maat.ra.mer.ptah, pronounced as Nimu-rimiptah, which might be +shortened to Neb. mer.ptah or Mer.neb.ptah. Such a time would well suit +the tale, and that reign has been adopted here in fixing the style of +the dress of Ahura and her family. + +This tale shows how far the _ka_ or double might wander from its body or +tomb. Here Ahura and her child lie buried at Koptos, while her husband's +tomb is at Memphis. But that does not separate them in death; her _ka_ +left her tomb and went down to Memphis to live with the _ka_ of her +husband in his tomb. Thus, when Setna forces the tomb of +Na.nefer.ka.ptah, he finds Ahura seated by him with the precious magic +roll between them and the child Mer-ab; and the voluble Ahura recounts +all their history, and weeps when the roll is carried away by Setna. Yet +all the time her body is at Koptos, and the penalty imposed on Setna is +that of bringing her body to the tomb where her _ka_ already was +dwelling. If a _ka_ could thus wander so many hundred miles from its +body to gratify its affections, it would doubtless run some risks of +starving, or having to put up with impure food; or might even lose its +way, and rather than intrude on the wrong tomb, have to roam as a +vagabond _ka._ It was to guard against these misfortunes that a supply +of formulas were provided for it, by which it should obtain a guarantee +against such misfortunes--a kind of spiritual directory or guide to the +unprotected; and such formulas, when once accepted as valid, were +copied, repeated, enlarged, and added to, until they became the complex +and elaborate work--The Book of the Dead, Perhaps nothing else +gives such a view of the action of the _ka_ as this tale of Setna. + +There is here also an insight into the arrangement of marriages in +Egypt. It does not seem that anything was determined about a marriage +during childhood; it is only when the children are full-grown that a +dispute arises between the king and queen as to their disposal. But the +parents decide the whole question. It is, of course, well known that the +Egyptians had no laws against consanguinity in marriages; on the +contrary, it was with them, as with the Persians, essential for a king +to marry in the royal family, and also usual for private persons to +marry in their family. Even to the present day in Egypt, although +sister-marriage has disappeared, yet it is the duty of a man to marry +his first cousin or some one in the family. The very idea of +relationship being any possible impediment to marriage was un-thought of +by the Egyptian; his favourite concrete expression for a self-existent +or self-created being--"husband of his mother "--shows this unmistakably. + +The objection made by the king to the marriage of Na.nefer.ka.ptah and +Ahura turns on the point that he has only these two children, and hence, +if they marry the children of the generals, there will be two families +instead of only one to ensure future posterity. The queen, however, +talks the king over on the matter. The cause of Ahura's being troubled +at the feast is not certain, but the king evidently supposes that she +has been pleading to be allowed to marry her beloved brother, and when +taxed with it she only expresses her willingness to give way to his +exogamic views. The brief sentence, "I laughed and the king laughed," +seems to mean that she pleased and amused her father so that he gave +way, and immediately told the steward to arrange for her marriage as she +desired. I have here abbreviated a few needlessly precise details. We +also learn, by the way, that there was a regular registry of births, in +which Mer-ab was entered. + +It appears that the court was considered to be at Memphis, and not at +Thebes. This would not have been so arranged had this been written in +the Ramesside times, but under the Ptolemies Memphis was the seat of the +court--when not at Alexandria. The name of the priest, Nesi-ptah, also +shows another anachronism. Such a name was not usual till some time +after the XIXth Dynasty. Another touch of late times is in the +antiquarian curiosity of Na.nefer.ka.ptah about ancient writings, "He +did nothing on earth but read the writings that are in the catacombs of +the kings, and the tablets of the House of Life." In the XIXth Dynasty +there is no sign of interest in such records, but in the Renascence +ancient things came into fashion, all the old titles were revived, the +old style was copied, and very long genealogies were worked up and +carved in the inscriptions. In such an age many a _dilettante_ rich +young man would amuse himself, as in this tale, with reading inscriptions +and hunting up his family genealogy from the tombstones and the registers. + +The firm belief in magic which underlies all this tale might perhaps be +thought to be inappropriate to the enlightenment of Greek times. We have +seen how in the earliest tales magic is a mainspring of the action, and +it is at first sight surprising that its sway should last through so +many thousands of years. But there may well have been a recrudescence of +such beliefs, along with the revival of interest in the earlier history. +The enormous spread and popularity of Gnosticism--the belief in the +efficacy of words and formulas to control spirits and their actions--in +the centuries immediately after this, shows how ingrained magic ideas +were, and how ready to sprout up when the counterbalancing interests of +the old mythology were gone, and their place taken by the intangible +spirituality of Platonism and the early Christian atmosphere. + +A most Egyptian turn is given where the priest bargains for a large +payment for his funeral, and to be buried as a rich priest. The +enclosing of the magic roll in a series of boxes has many parallels. In +an Indian tale we read: "Round the tree are tigers and bears and +scorpions and snakes; on the top of the tree is a very fat great snake; +on his head is a little cage; in the cage is a bird; and my soul is in +that bird" ("Golden Bough," ii. 300). In Celtic tales the series-idea +also occurs. The soul of a giant is in an egg, the egg is in a dove, the +dove is in a hare, the hare is in a wolf, and the wolf is in an iron +chest at the bottom of the sea ("Golden Bough," ii. 314). The Tartars +have stories of a golden casket containing the soul, inside a copper or +silver casket ("Golden Bough," ii. 324). And the Arabs tell of a soul +put in the crop of a sparrow, and the sparrow in a little box, and this +in another small box, and this put into seven other boxes, and these in +seven chests, and the chest in a coffer of marble ("Golden 10 +Bough," ii. 318). The notion, therefore, of a series of boxes, one +enclosing another, and the whole guarded by dangerous animals, is well +known as an element in tales. The late date is here shown by the largest +and least precious of the boxes being of iron, which was rarely, if +ever, used in Ramesside times, and was not common till the Greek age. + +The magic engineering of Na.nefer.ka. ptah is very curious. The cabin or +air-chamber of men in model, who are let down to work for him, suggests +that Egyptians may have used the principle of a diving-bell or +air-chamber for reaching parts under water. Certainly the device of +raising things by dropping down sand to be put under them is still +practised. An immense sarcophagus at Gizeh was raised from a deep well +by natives who thrust sand under it rammed tight by a stick, and by this +simple kind of hydraulic press raised it a hundred feet to the surface. +In this way the magic men of Na.nefer.ka.ptah raised up the chest when +they had discovered it by means of the sand which he poured over from +the boat. + +There is some picturesqueness in this tale, though it has not the charm +of the earlier compositions. The scene of Ahura sitting for three days +and nights, during the combat, watching by the side of the river, where +she "had not drunk or eaten anything, and had done nothing on earth but +sat like one who is gone to the grave," is a touching detail. + +The light on the education of women is curious. Ahura can read the roll, +but she cannot write. We are so accustomed to regard reading and writing +as all one subject that the distinction is rare; but with a writing +comprising so many hundred signs as the Egyptian, the art of writing or +draw-Ing all the forms, and knowing which to use, is far more complex +than that of reading. There are now ten students who can read an +inscription for one who could compose it correctly. Here a woman of the +highest rank is supposed to be able to read, but not to write; that is +reserved for the skill of "a good writer, and a very learned one." + +The writing of spells and then washing the ink off and drinking it is a +familiar idea in the East. Modern Egyptian bowls have charms engraved on +them to be imparted to the drink, and ancient Babylonian bowls are +inscribed with the like purpose. + +An insight into the powers of the gods is here given us. The Egyptian +did not attribute to them omniscience. Thoth only discovered what +Na.nefer.ka.ptah had done as they were sailing away, some days after the +seizure of the book. And even Ra is informed by the complaint of Thoth. +If Ra were the physical sun it would be obvious that he would see all +that was being done on earth; it would rather be he who would inform +Thoth. The conception of the gods must therefore have been not +pantheistic or materialist, but solely as spiritual powers who needed to +obtain information, and who only could act through intermediaries. +Further, nothing can be done without the consent of Ra; Thoth is +powerless over men, and can only ask Ra, as a sort of universal +magistrate, to take notice of the offence. Neither god acts directly, +but by means of a power or angel, who takes the commission to work on +men. How far this police-court conception of the gods is due to Greek or +foreign influence can hardly be estimated yet. It certainly does not +seem in accord with the earlier appeals to Ra, and direct action of Ra, +in "Anpu and Bata." + +The power of spells is limited, as we have just seen the abilities of +the gods were limited. The most powerful of spells, the magic book of +Thoth himself, cannot restore life to a person just drowned. All that +Na. nefer.ka.ptah can do with the spell is to cause the body to float +and to speak, but it remains so truly dead that it is buried as if no +spell had been used. Now it was recognised that the _ka_ could move +about and speak to living persons, as Ahura does to Setna. Hence all +that the spells do is not to alter the course of nature, but only to put +the person into touch and communication with the ever-present +supernatural, to enable him to know what the birds, the fishes, and the +beasts all said, and to see the unseen. + +Modern conceptions of the spiritual are so bound up with the sense of +omnipresence and omniscience that we are apt to read those ideas into +the gods and the magic of the ancients. Here we have to deal with gods +who have to obtain information, and who order powers to act for them, +with spells which extend the senses to the unseen, but which do not +affect natural results and changes. + +The inexorable fate in this tale which brings one after another of the +family to die in the same spot is not due to Greek influence, though it +seems akin to that. In the irrepressible transmigrations of Bata, and +the successive risks of the Doomed Prince, the same ideas are seen +working in the Egyptian mind. The remorse of Na.nefer.ka.ptah is a +stronger touch of conscience and of shame than is seen in early times. + +There is an unexplained point in the action as to how Na.nefer.ka.ptah, +with the book upon him, comes up from the water, after he is drowned, +into the cabin of the royal boat. The narrator had a difficulty to +account for the recovery of the body without the use of the magic book, +and so that stage is left unnoticed. The successive stages of embalming +and mourning are detailed. The sixteen days in the Good House is +probably the period of treatment of the body, the time up to the +thirty-fifth day that of wrapping and decoration of the mummy +cartonnage, and then the thirty-five days more of lying in state until +the burial. + +We now reach the third act, of Setna's struggle to get the magic roll. +Here the strange episode comes in of the rival magicians gambling; it +recalls the old tale of Rampsinitus descending into Hades and playing at +dice with Ceres, and the frequent presence of draught-boards in the +tombs, shows how much the _ka_ was supposed to relish such pleasures. +The regular Egyptian game-board had three rows of ten squares, or thirty +in all. Such are found from the XIIth Dynasty down to Greek times; but +this form has now entirely disappeared, and the _man-galah_ of two rows +of six holes, or the _tab_ of four rows of nine holes, have taken its +place. Both of these are side games, where different sides belong to +opposite players. The commoner _siga_ is a square game, five rows of +five, or seven rows of seven holes, and has no personal sides. The +ancient game was played with two, or perhaps three, different kinds of +men, and the squares were counted from one end along the outer edge; but +what the rules were, or how a game of fifty-two points was managed, has +not yet been explained. + +The strange scene of Setna being sunk into the ground portion by +portion, as he loses successive games, is parallel to a mysterious story +among the dervishes in Palestine. They tell how the three holy shekhs of +the Dervish orders, Bedawi, Erfa'i, and Desuki, went in succession to +Baghdad to ask for a jar of water of Paradise from the Derwisha Bint +Bari, who seems to be a sky-genius, controlling the meteors. The last +applicant, Desuki, was refused like the others; so he said, "Earth! +swallow her," and the earth swallowed her to her knees; still she gave +not the water, so he commanded the earth, and she was swallowed to her +waist; a third time she refused, and she was swallowed to her breasts; +she then asked him to marry her, which he would not; a fourth time she +refused the water and was swallowed to her neck. She then ordered a +servant to bring the water ("Palestine Exploration Statement, 1894," p. +32). The resemblance is most remarkable in two tales two thousand years +apart; and the incident of Bint Bari asking the dervish to marry her has +its connection with this tale. Had the dervish done so he +would--according to Eastern beliefs--have lost his magic power over her, +just as Setna loses his magic power by his alliance with Tabubua, to +which he is tempted by Na.nefer.ka.ptah, in order to subdue him. The +talisman here is a means of subduing magic powers, and is of more force +than that of Thoth, as Ptah is greater than he. + +The fourth act recounts the overcoming of the power of Setna by +Na.nefer.ka.ptah, who causes Tabubua to lead to the loss of his superior +magic, and thus to subdue him to the magic of his rival. Ankhtaui, here +named as the place of Tabubua, was a quarter of Memphis, which is also +named as the place of the wife of Uba-aner in the first tale. + +The fifth act describes the victory of Na.nefer.ka.ptah, and his +requiring Setna to reunite the family in his tomb at Memphis. The +contrast between Ahura's pious ascription to Ptah, and her husband's +chuckle at seeing his magic successful, is remarkable. Setna at once +takes the position of an inferior by addressing praises to +Na.nefer.ka.ptah: after which the tomb became bright as it was before he +took away the magic roll. Setna then having made restitution, is +required to give some compensation as well. + +The search for the tomb of Ahura and Mer-ab is a most tantalising +passage. The great cemetery of Koptos is the scene, and the search +occupies three days and nights in the catacombs and on the steles. +Further, the tomb was at the south corner of the town of Pehemato, as +Maspero doubtfully reads it. Yet this cemetery is now quite unknown, and +in spite of all the searching of the native dealers, and the examination +which I have made on the desert of both sides of the Nile, it is a +mystery where the cemetery can be. The statement that the tomb was at +the south corner of a town pretty well excludes it from the desert, +which runs north and south there. And it seems as if it might have been +in some raised land in the plain, like the spur or shoal on which the +town of Koptos was built. If so it would have been covered by the ten to +twenty feet rise of the Nile deposits since the time of its former use. + +The appearance of the ancient to guide Setna gives some idea of the time +that elapsed between then and the death of Ahura. The ancient, who must +be allowed to represent two or three generations, says that his +great-grandfather knew of the burial, which would take it back to five +or six generations. This would place the death of Ahura about 150 years +before the latter part of the reign of Ramessu II., say 1225 B.C.: thus, +being taken back to about 1375 B.C., would make her belong to the +generation after Amenhotep III., agreeing well with Mer.neb. ptah, being +a corruption of the name of that king. No argument could be founded on +so slight a basis; but at least there is no contradiction in the slight +indications which we can glean. + +The fear of Setna is that this apparition may have come to bring him +into trouble by leading him to attack some property in this town; and +Setna is particularly said to have restored the ground as it was before, +after removing the bodies. + +The colophon at the end is unhappily rather illegible. But the +thirty-fifth year precludes its belonging to the reign of any Ptolemy, +except the IInd or the VIIIth; and by the writing Maspero attributes it +to the earlier of these reigns. + + + + + +End of the Project Gutenberg EBook of Egyptian Tales, Second Series +by W. M. Flinders Petrie + +*** END OF THE PROJECT GUTENBERG EBOOK EGYPTIAN TALES, SECOND SERIES *** + +This file should be named egpt210.txt or egpt210.zip +Corrected EDITIONS of our eBooks get a new NUMBER, egpt211.txt +VERSIONS based on separate sources get new LETTER, egpt210a.txt + +Produced by Eric Eldred + +Project Gutenberg eBooks are often created from several printed +editions, all of which are confirmed as Public Domain in the US +unless a copyright notice is included. Thus, we usually do not +keep eBooks in compliance with any particular paper edition. + +We are now trying to release all our eBooks one year in advance +of the official release dates, leaving time for better editing. +Please be encouraged to tell us about any error or corrections, +even years after the official publication date. + +Please note neither this listing nor its contents are final til +midnight of the last day of the month of any such announcement. +The official release date of all Project Gutenberg eBooks is at +Midnight, Central Time, of the last day of the stated month. A +preliminary version may often be posted for suggestion, comment +and editing by those who wish to do so. + +Most people start at our Web sites at: +http://gutenberg.net or +http://promo.net/pg + +These Web sites include award-winning information about Project +Gutenberg, including how to donate, how to help produce our new +eBooks, and how to subscribe to our email newsletter (free!). + + +Those of you who want to download any eBook before announcement +can get to them as follows, and just download by date. This is +also a good way to get them instantly upon announcement, as the +indexes our cataloguers produce obviously take a while after an +announcement goes out in the Project Gutenberg Newsletter. + +http://www.ibiblio.org/gutenberg/etext03 or +ftp://ftp.ibiblio.org/pub/docs/books/gutenberg/etext03 + +Or /etext02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90 + +Just search by the first five letters of the filename you want, +as it appears in our Newsletters. + + +Information about Project Gutenberg (one page) + +We produce about two million dollars for each hour we work. The +time it takes us, a rather conservative estimate, is fifty hours +to get any eBook selected, entered, proofread, edited, copyright +searched and analyzed, the copyright letters written, etc. Our +projected audience is one hundred million readers. If the value +per text is nominally estimated at one dollar then we produce $2 +million dollars per hour in 2002 as we release over 100 new text +files per month: 1240 more eBooks in 2001 for a total of 4000+ +We are already on our way to trying for 2000 more eBooks in 2002 +If they reach just 1-2% of the world's population then the total +will reach over half a trillion eBooks given away by year's end. + +The Goal of Project Gutenberg is to Give Away 1 Trillion eBooks! +This is ten thousand titles each to one hundred million readers, +which is only about 4% of the present number of computer users. + +Here is the briefest record of our progress (* means estimated): + +eBooks Year Month + + 1 1971 July + 10 1991 January + 100 1994 January + 1000 1997 August + 1500 1998 October + 2000 1999 December + 2500 2000 December + 3000 2001 November + 4000 2001 October/November + 6000 2002 December* + 9000 2003 November* +10000 2004 January* + + +The Project Gutenberg Literary Archive Foundation has been created +to secure a future for Project Gutenberg into the next millennium. + +We need your donations more than ever! + +As of February, 2002, contributions are being solicited from people +and organizations in: Alabama, Alaska, Arkansas, Connecticut, +Delaware, District of Columbia, Florida, Georgia, Hawaii, Illinois, +Indiana, Iowa, Kansas, Kentucky, Louisiana, Maine, Massachusetts, +Michigan, Mississippi, Missouri, Montana, Nebraska, Nevada, New +Hampshire, New Jersey, New Mexico, New York, North Carolina, Ohio, +Oklahoma, Oregon, Pennsylvania, Rhode Island, South Carolina, South +Dakota, Tennessee, Texas, Utah, Vermont, Virginia, Washington, West +Virginia, Wisconsin, and Wyoming. + +We have filed in all 50 states now, but these are the only ones +that have responded. + +As the requirements for other states are met, additions to this list +will be made and fund raising will begin in the additional states. +Please feel free to ask to check the status of your state. + +In answer to various questions we have received on this: + +We are constantly working on finishing the paperwork to legally +request donations in all 50 states. If your state is not listed and +you would like to know if we have added it since the list you have, +just ask. + +While we cannot solicit donations from people in states where we are +not yet registered, we know of no prohibition against accepting +donations from donors in these states who approach us with an offer to +donate. + +International donations are accepted, but we don't know ANYTHING about +how to make them tax-deductible, or even if they CAN be made +deductible, and don't have the staff to handle it even if there are +ways. + +Donations by check or money order may be sent to: + +Project Gutenberg Literary Archive Foundation +PMB 113 +1739 University Ave. +Oxford, MS 38655-4109 + +Contact us if you want to arrange for a wire transfer or payment +method other than by check or money order. + +The Project Gutenberg Literary Archive Foundation has been approved by +the US Internal Revenue Service as a 501(c)(3) organization with EIN +[Employee Identification Number] 64-622154. Donations are +tax-deductible to the maximum extent permitted by law. As fund-raising +requirements for other states are met, additions to this list will be +made and fund-raising will begin in the additional states. + +We need your donations more than ever! + +You can get up to date donation information online at: + +http://www.gutenberg.net/donation.html + + +*** + +If you can't reach Project Gutenberg, +you can always email directly to: + +Michael S. Hart <hart@pobox.com> + +Prof. Hart will answer or forward your message. + +We would prefer to send you information by email. + + +**The Legal Small Print** + + +(Three Pages) + +***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN EBOOKS**START*** +Why is this "Small Print!" statement here? You know: lawyers. +They tell us you might sue us if there is something wrong with +your copy of this eBook, even if you got it for free from +someone other than us, and even if what's wrong is not our +fault. So, among other things, this "Small Print!" statement +disclaims most of our liability to you. It also tells you how +you may distribute copies of this eBook if you want to. + +*BEFORE!* YOU USE OR READ THIS EBOOK +By using or reading any part of this PROJECT GUTENBERG-tm +eBook, you indicate that you understand, agree to and accept +this "Small Print!" statement. If you do not, you can receive +a refund of the money (if any) you paid for this eBook by +sending a request within 30 days of receiving it to the person +you got it from. If you received this eBook on a physical +medium (such as a disk), you must return it with your request. + +ABOUT PROJECT GUTENBERG-TM EBOOKS +This PROJECT GUTENBERG-tm eBook, like most PROJECT GUTENBERG-tm eBooks, +is a "public domain" work distributed by Professor Michael S. Hart +through the Project Gutenberg Association (the "Project"). +Among other things, this means that no one owns a United States copyright +on or for this work, so the Project (and you!) can copy and +distribute it in the United States without permission and +without paying copyright royalties. Special rules, set forth +below, apply if you wish to copy and distribute this eBook +under the "PROJECT GUTENBERG" trademark. + +Please do not use the "PROJECT GUTENBERG" trademark to market +any commercial products without permission. + +To create these eBooks, the Project expends considerable +efforts to identify, transcribe and proofread public domain +works. Despite these efforts, the Project's eBooks and any +medium they may be on may contain "Defects". Among other +things, Defects may take the form of incomplete, inaccurate or +corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged +disk or other eBook medium, a computer virus, or computer +codes that damage or cannot be read by your equipment. + +LIMITED WARRANTY; DISCLAIMER OF DAMAGES +But for the "Right of Replacement or Refund" described below, +[1] Michael Hart and the Foundation (and any other party you may +receive this eBook from as a PROJECT GUTENBERG-tm eBook) disclaims +all liability to you for damages, costs and expenses, including +legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR +UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT, +INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE +OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE +POSSIBILITY OF SUCH DAMAGES. + +If you discover a Defect in this eBook within 90 days of +receiving it, you can receive a refund of the money (if any) +you paid for it by sending an explanatory note within that +time to the person you received it from. If you received it +on a physical medium, you must return it with your note, and +such person may choose to alternatively give you a replacement +copy. If you received it electronically, such person may +choose to alternatively give you a second opportunity to +receive it electronically. + +THIS EBOOK IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER +WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS +TO THE EBOOK OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A +PARTICULAR PURPOSE. + +Some states do not allow disclaimers of implied warranties or +the exclusion or limitation of consequential damages, so the +above disclaimers and exclusions may not apply to you, and you +may have other legal rights. + +INDEMNITY +You will indemnify and hold Michael Hart, the Foundation, +and its trustees and agents, and any volunteers associated +with the production and distribution of Project Gutenberg-tm +texts harmless, from all liability, cost and expense, including +legal fees, that arise directly or indirectly from any of the +following that you do or cause: [1] distribution of this eBook, +[2] alteration, modification, or addition to the eBook, +or [3] any Defect. + +DISTRIBUTION UNDER "PROJECT GUTENBERG-tm" +You may distribute copies of this eBook electronically, or by +disk, book or any other medium if you either delete this +"Small Print!" and all other references to Project Gutenberg, +or: + +[1] Only give exact copies of it. Among other things, this + requires that you do not remove, alter or modify the + eBook or this "small print!" statement. You may however, + if you wish, distribute this eBook in machine readable + binary, compressed, mark-up, or proprietary form, + including any form resulting from conversion by word + processing or hypertext software, but only so long as + *EITHER*: + + [*] The eBook, when displayed, is clearly readable, and + does *not* contain characters other than those + intended by the author of the work, although tilde + (~), asterisk (*) and underline (_) characters may + be used to convey punctuation intended by the + author, and additional characters may be used to + indicate hypertext links; OR + + [*] The eBook may be readily converted by the reader at + no expense into plain ASCII, EBCDIC or equivalent + form by the program that displays the eBook (as is + the case, for instance, with most word processors); + OR + + [*] You provide, or agree to also provide on request at + no additional cost, fee or expense, a copy of the + eBook in its original plain ASCII form (or in EBCDIC + or other equivalent proprietary form). + +[2] Honor the eBook refund and replacement provisions of this + "Small Print!" statement. + +[3] Pay a trademark license fee to the Foundation of 20% of the + gross profits you derive calculated using the method you + already use to calculate your applicable taxes. If you + don't derive profits, no royalty is due. Royalties are + payable to "Project Gutenberg Literary Archive Foundation" + the 60 days following each date you prepare (or were + legally required to prepare) your annual (or equivalent + periodic) tax return. Please contact us beforehand to + let us know your plans and to work out the details. + +WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO? +Project Gutenberg is dedicated to increasing the number of +public domain and licensed works that can be freely distributed +in machine readable form. + +The Project gratefully accepts contributions of money, time, +public domain materials, or royalty free copyright licenses. +Money should be paid to the: +"Project Gutenberg Literary Archive Foundation." + +If you are interested in contributing scanning equipment or +software or other items, please contact Michael Hart at: +hart@pobox.com + +[Portions of this eBook's header and trailer may be reprinted only +when distributed free of all fees. Copyright (C) 2001, 2002 by +Michael S. Hart. Project Gutenberg is a TradeMark and may not be +used in any sales of Project Gutenberg eBooks or other materials be +they hardware or software or any other related product without +express permission.] + +*END THE SMALL PRINT! FOR PUBLIC DOMAIN EBOOKS*Ver.02/11/02*END* + diff --git a/old/2005-02-egpt210.zip b/old/2005-02-egpt210.zip Binary files differnew file mode 100644 index 0000000..324e66f --- /dev/null +++ b/old/2005-02-egpt210.zip diff --git a/old/2005-02-egpt210h.zip b/old/2005-02-egpt210h.zip Binary files differnew file mode 100644 index 0000000..bdf2470 --- /dev/null +++ b/old/2005-02-egpt210h.zip |
