summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authorRoger Frank <rfrank@pglaf.org>2025-10-15 05:15:38 -0700
committerRoger Frank <rfrank@pglaf.org>2025-10-15 05:15:38 -0700
commit9008224d6ba2716a9261195a6da02120f37c971e (patch)
tree3e0b7aff06bea18206c587313bb9aa7138a07c40
initial commit of ebook 723HEADmain
-rw-r--r--.gitattributes3
-rw-r--r--723-h.zipbin0 -> 17684 bytes
-rw-r--r--723-h/723-h.htm821
-rw-r--r--723.txt744
-rw-r--r--723.zipbin0 -> 16356 bytes
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/jimjr10.txt634
-rw-r--r--old/jimjr10.zipbin0 -> 14255 bytes
9 files changed, 2215 insertions, 0 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..6833f05
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,3 @@
+* text=auto
+*.txt text
+*.md text
diff --git a/723-h.zip b/723-h.zip
new file mode 100644
index 0000000..ea00a23
--- /dev/null
+++ b/723-h.zip
Binary files differ
diff --git a/723-h/723-h.htm b/723-h/723-h.htm
new file mode 100644
index 0000000..f697933
--- /dev/null
+++ b/723-h/723-h.htm
@@ -0,0 +1,821 @@
+<?xml version="1.0" encoding="us-ascii"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml">
+ <head>
+ <meta content="pg2html (binary v0.17)" name="linklinkgenerator" />
+ <title>
+ Henry James, Jr., by William Dean Howells
+ </title>
+ <style type="text/css" xml:space="preserve">
+ body { margin:15%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .75em; margin-bottom: .75em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 5%; margin-right: 5%; text-align: justify; font-size: 80%; font-style: italic;}
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ .xx-small {font-size: 60%;}
+ .x-small {font-size: 75%;}
+ .small {font-size: 85%;}
+ .large {font-size: 115%;}
+ .x-large {font-size: 130%;}
+ .indent5 { margin-left: 5%;}
+ .indent10 { margin-left: 10%;}
+ .indent15 { margin-left: 15%;}
+ .indent20 { margin-left: 20%;}
+ .indent25 { margin-left: 25%;}
+ .indent30 { margin-left: 30%;}
+ .indent35 { margin-left: 35%;}
+ .indent40 { margin-left: 40%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {position: absolute; right: 1%; font-size: 0.6em;
+ font-variant: normal; font-style: normal;
+ text-align: right; background-color: #FFFACD;
+ border: 1px solid; padding: 0.3em;text-indent: 0em;}
+ .side { float: left; font-size: 75%; width: 15%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: left;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ .head { float: left; font-size: 90%; width: 98%; padding-left: 0.8em;
+ border-left: dashed thin; text-align: center;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ p.pfirst, p.noindent {text-indent: 0}
+ span.dropcap { float: left; margin: 0 0.1em 0 0; line-height: 0.8 }
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+</style>
+ </head>
+ <body>
+<pre xml:space="preserve">
+The Project Gutenberg EBook of Henry James, Jr., by William Dean Howells
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Henry James, Jr.
+
+Author: William Dean Howells
+
+Posting Date: July 23, 2008 [EBook #723]
+Release Date: November, 1996
+Last Updated: August 26, 2018
+
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK HENRY JAMES, JR. ***
+
+
+
+
+Etext produced by Anthony J. Adam.
+
+HTML file produced by David Widger
+
+
+
+
+
+
+</pre>
+ <div style="height: 8em;">
+ <br /><br /><br /><br />
+ </div>
+ <h1>
+ HENRY JAMES, JR.
+ </h1>
+ <h2>
+ By William Dean Howells
+ </h2>
+ <div style="height: 8em;">
+ <br />
+ <hr />
+ <br />
+ </div>
+ <p>
+ The events of Mr. James's life&mdash;as we agree to understand events&mdash;may
+ be told in a very few words. His race is Irish on his father's side and
+ Scotch on his mother's, to which mingled strains the generalizer may
+ attribute, if he likes, that union of vivid expression and dispassionate
+ analysis which has characterized his work from the first. There are none
+ of those early struggles with poverty, which render the lives of so many
+ distinguished Americans monotonous reading, to record in his case: the
+ cabin hearth-fire did not light him to the youthful pursuit of literature;
+ he had from the start all those advantages which, when they go too far,
+ become limitations.
+ </p>
+ <p>
+ He was born in New York city in the year 1843, and his first lessons in
+ life and letters were the best which the metropolis&mdash;so small in the
+ perspective diminishing to that date&mdash;could afford. In his twelfth
+ year his family went abroad, and after some stay in England made a long
+ sojourn in France and Switzerland. They returned to America in 1860,
+ placing themselves at Newport, and for a year or two Mr. James was at the
+ Harvard Law School, where, perhaps, he did not study a great deal of law.
+ His father removed from Newport to Cambridge in 1866, and there Mr. James
+ remained till he went abroad, three years later, for the residence in
+ England and Italy which, with infrequent visits home, has continued ever
+ since.
+ </p>
+ <p>
+ It was during these three years of his Cambridge life that I became
+ acquainted with his work. He had already printed a tale&mdash;"The Story
+ of a Year"&mdash;in the "Atlantic Monthly," when I was asked to be Mr.
+ Fields's assistant in the management, and it was my fortune to read Mr.
+ James's second contribution in manuscript. "Would you take it?" asked my
+ chief. "Yes, and all the stories you can get from the writer." One is much
+ securer of one's judgment at twenty-nine than, say, at forty-five; but if
+ this was a mistake of mine I am not yet old enough to regret it. The story
+ was called "Poor Richard," and it dealt with the conscience of a man very
+ much in love with a woman who loved his rival. He told this rival a lie,
+ which sent him away to his death on the field,&mdash;in that day nearly
+ every fictitious personage had something to do with the war,&mdash;but
+ Poor Richard's lie did not win him his love. It still seems to me that the
+ situation was strongly and finely felt. One's pity went, as it should,
+ with the liar; but the whole story had a pathos which lingers in my mind
+ equally with a sense of the new literary qualities which gave me such
+ delight in it. I admired, as we must in all that Mr. James has written,
+ the finished workmanship in which there is no loss of vigor; the luminous
+ and uncommon use of words, the originality of phrase, the whole clear and
+ beautiful style, which I confess I weakly liked the better for the
+ occasional gallicisms remaining from an inveterate habit of French. Those
+ who know the writings of Mr. Henry James will recognize the inherited
+ felicity of diction which is so striking in the writings of Mr. Henry
+ James, Jr. The son's diction is not so racy as the father's; it lacks its
+ daring, but it is as fortunate and graphic; and I cannot give it greater
+ praise than this, though it has, when he will, a splendor and state which
+ is wholly its own.
+ </p>
+ <p>
+ Mr. James is now so universally recognized that I shall seem to be making
+ an unwarrantable claim when I express my belief that the popularity of his
+ stories was once largely confined to Mr. Field's assistant. They had
+ characteristics which forbade any editor to refuse them; and there are no
+ anecdotes of thrice-rejected manuscripts finally printed to tell of him;
+ his work was at once successful with all the magazines. But with the
+ readers of "The Atlantic," of "Harper's," of "Lippincott's," of "The
+ Galaxy," of "The Century," it was another affair. The flavor was so
+ strange, that, with rare exceptions, they had to "learn to like" it.
+ Probably few writers have in the same degree compelled the liking of their
+ readers. He was reluctantly accepted, partly through a mistake as to his
+ attitude&mdash;through the confusion of his point of view with his private
+ opinion&mdash;in the reader's mind. This confusion caused the tears of
+ rage which bedewed our continent in behalf of the "average American girl"
+ supposed to be satirized in Daisy Miller, and prevented the perception of
+ the fact that, so far as the average American girl was studied at all in
+ Daisy Miller, her indestructible innocence, her invulnerable
+ new-worldliness, had never been so delicately appreciated. It was so plain
+ that Mr. James disliked her vulgar conditions, that the very people to
+ whom he revealed her essential sweetness and light were furious that he
+ should have seemed not to see what existed through him. In other words,
+ they would have liked him better if he had been a worse artist&mdash;if he
+ had been a little more confidential.
+ </p>
+ <p>
+ But that artistic impartiality which puzzled so many in the treatment of
+ Daisy Miller is one of the qualities most valuable in the eyes of those
+ who care how things are done, and I am not sure that it is not Mr. James's
+ most characteristic quality. As "frost performs the effect of fire," this
+ impartiality comes at last to the same result as sympathy. We may be quite
+ sure that Mr. James does not like the peculiar phase of our civilization
+ typified in Henrietta Stackpole; but he treats her with such exquisite
+ justice that he lets US like her. It is an extreme case, but I confidently
+ allege it in proof.
+ </p>
+ <p>
+ His impartiality is part of the reserve with which he works in most
+ respects, and which at first glance makes us say that he is wanting in
+ humor. But I feel pretty certain that Mr. James has not been able to
+ disinherit himself to this degree. We Americans are terribly in earnest
+ about making ourselves, individually and collectively; but I fancy that
+ our prevailing mood in the face of all problems is that of an abiding
+ faith which can afford to be funny. He has himself indicated that we have,
+ as a nation, as a people, our joke, and every one of us is in the joke
+ more or less. We may, some of us, dislike it extremely, disapprove it
+ wholly, and even abhor it, but we are in the joke all the same, and no one
+ of us is safe from becoming the great American humorist at any given
+ moment. The danger is not apparent in Mr. James's case, and I confess that
+ I read him with a relief in the comparative immunity that he affords from
+ the national facetiousness. Many of his people are humorously imagined, or
+ rather humorously SEEN, like Daisy Miller's mother, but these do not give
+ a dominant color; the business in hand is commonly serious, and the droll
+ people are subordinated. They abound, nevertheless, and many of them are
+ perfectly new finds, like Mr. Tristram in "The American," the bill-paying
+ father in the "Pension Beaurepas," the anxiously Europeanizing mother in
+ the same story, the amusing little Madame de Belgarde, Henrietta
+ Stackpole, and even Newman himself. But though Mr. James portrays the
+ humorous in character, he is decidedly not on humorous terms with his
+ reader; he ignores rather than recognizes the fact that they are both in
+ the joke.
+ </p>
+ <p>
+ If we take him at all we must take him on his own ground, for clearly he
+ will not come to ours. We must make concessions to him, not in this
+ respect only, but in several others, chief among which is the motive for
+ reading fiction. By example, at least, he teaches that it is the pursuit
+ and not the end which should give us pleasure; for he often prefers to
+ leave us to our own conjectures in regard to the fate of the people in
+ whom he has interested us. There is no question, of course, but he could
+ tell the story of Isabel in "The Portrait of a Lady" to the end, yet he
+ does not tell it. We must agree, then, to take what seems a fragment
+ instead of a whole, and to find, when we can, a name for this new kind in
+ fiction. Evidently it is the character, not the fate, of his people which
+ occupies him; when he has fully developed their character he leaves them
+ to what destiny the reader pleases.
+ </p>
+ <p>
+ The analytic tendency seems to have increased with him as his work has
+ gone on. Some of the earlier tales were very dramatic: "A Passionate
+ Pilgrim," which I should rank above all his other short stories, and for
+ certain rich poetical qualities, above everything else that he has done,
+ is eminently dramatic. But I do not find much that I should call dramatic
+ in "The Portrait of a Lady," while I do find in it an amount of analysis
+ which I should call superabundance if it were not all such good
+ literature. The novelist's main business is to possess his reader with a
+ due conception of his characters and the situations in which they find
+ themselves. If he does more or less than this he equally fails. I have
+ sometimes thought that Mr. James's danger was to do more, but when I have
+ been ready to declare this excess an error of his method I have hesitated.
+ Could anything be superfluous that had given me so much pleasure as I
+ read? Certainly from only one point of view, and this a rather narrow,
+ technical one. It seems to me that an enlightened criticism will recognize
+ in Mr. James's fiction a metaphysical genius working to aesthetic results,
+ and will not be disposed to deny it any method it chooses to employ. No
+ other novelist, except George Eliot, has dealt so largely in analysis of
+ motive, has so fully explained and commented upon the springs of action in
+ the persons of the drama, both before and after the facts. These novelists
+ are more alike than any others in their processes, but with George Eliot
+ an ethical purpose is dominant, and with Mr. James an artistic purpose. I
+ do not know just how it should be stated of two such noble and generous
+ types of character as Dorothea and Isabel Archer, but I think that we
+ sympathize with the former in grand aims that chiefly concern others, and
+ with the latter in beautiful dreams that primarily concern herself. Both
+ are unselfish and devoted women, sublimely true to a mistaken ideal in
+ their marriages; but, though they come to this common martyrdom, the
+ original difference in them remains. Isabel has her great weaknesses, as
+ Dorothea had, but these seem to me, on the whole, the most nobly imagined
+ and the most nobly intentioned women in modern fiction; and I think Isabel
+ is the more subtly divined of the two. If we speak of mere
+ characterization, we must not fail to acknowledge the perfection of
+ Gilbert Osmond. It was a profound stroke to make him an American by birth.
+ No European could realize so fully in his own life the ideal of a European
+ dilettante in all the meaning of that cheapened word; as no European could
+ so deeply and tenderly feel the sweetness and loveliness of the English
+ past as the sick American, Searle, in "The Passionate Pilgrim."
+ </p>
+ <p>
+ What is called the international novel is popularly dated from the
+ publication of "Daisy Miller," though "Roderick Hudson" and "The American"
+ had gone before; but it really began in the beautiful story which I have
+ just named. Mr. James, who invented this species in fiction, first
+ contrasted in the "Passionate Pilgrim" the New World and Old World moods,
+ ideals, and prejudices, and he did it there with a richness of poetic
+ effect which he has since never equalled. I own that I regret the loss of
+ the poetry, but you cannot ask a man to keep on being a poet for you; it
+ is hardly for him to choose; yet I compare rather discontentedly in my own
+ mind such impassioned creations as Searle and the painter in "The Madonna
+ of the Future" with "Daisy Miller," of whose slight, thin personality I
+ also feel the indefinable charm, and of the tragedy of whose innocence I
+ recognize the delicate pathos. Looking back to those early stories, where
+ Mr. James stood at the dividing ways of the novel and the romance, I am
+ sometimes sorry that he declared even superficially for the former. His
+ best efforts seem to me those of romance; his best types have an ideal
+ development, like Isabel and Claire Belgarde and Bessy Alden and poor
+ Daisy and even Newman. But, doubtless, he has chosen wisely; perhaps the
+ romance is an outworn form, and would not lend itself to the reproduction
+ of even the ideality of modern life. I myself waver somewhat in my
+ preference&mdash;if it is a preference&mdash;when I think of such people
+ as Lord Warburton and the Touchetts, whom I take to be all decidedly of
+ this world. The first of these especially interested me as a probable type
+ of the English nobleman, who amiably accepts the existing situation with
+ all its possibilities of political and social change, and insists not at
+ all upon the surviving feudalities, but means to be a manly and simple
+ gentleman in any event. An American is not able to pronounce as to the
+ verity of the type; I only know that it seems probable and that it is
+ charming. It makes one wish that it were in Mr. James's way to paint in
+ some story the present phase of change in England. A titled personage is
+ still mainly an inconceivable being to us; he is like a goblin or a fairy
+ in a storybook. How does he comport himself in the face of all the changes
+ and modifications that have taken place and that still impend? We can
+ hardly imagine a lord taking his nobility seriously; it is some hint of
+ the conditional frame of Lord Warburton's mind that makes him imaginable
+ and delightful to us.
+ </p>
+ <p>
+ It is not my purpose here to review any of Mr. James's books; I like
+ better to speak of his people than of the conduct of his novels, and I
+ wish to recognize the fineness with which he has touched-in the pretty
+ primness of Osmond's daughter and the mild devotedness of Mr. Rosier. A
+ masterly hand is as often manifest in the treatment of such subordinate
+ figures as in that of the principal persons, and Mr. James does them
+ unerringly. This is felt in the more important character of Valentin
+ Belgarde, a fascinating character in spite of its defects,&mdash;perhaps
+ on account of them&mdash;and a sort of French Lord Warburton, but wittier,
+ and not so good. "These are my ideas," says his sister-in-law, at the end
+ of a number of inanities. "Ah, you call them ideas!" he returns, which is
+ delicious and makes you love him. He, too, has his moments of misgiving,
+ apparently in regard to his nobility, and his acceptance of Newman on the
+ basis of something like "manhood suffrage" is very charming. It is of
+ course difficult for a remote plebeian to verify the pictures of
+ legitimist society in "The American," but there is the probable suggestion
+ in them of conditions and principles, and want of principles, of which we
+ get glimpses in our travels abroad; at any rate, they reveal another and
+ not impossible world, and it is fine to have Newman discover that the
+ opinions and criticisms of our world are so absolutely valueless in that
+ sphere that his knowledge of the infamous crime of the mother and brother
+ of his betrothed will have no effect whatever upon them in their own
+ circle if he explodes it there. This seems like aristocracy indeed! and
+ one admires, almost respects, its survival in our day. But I always
+ regretted that Newman's discovery seemed the precursor of his magnanimous
+ resolution not to avenge himself; it weakened the effect of this, with
+ which it had really nothing to do. Upon the whole, however, Newman is an
+ adequate and satisfying representative of Americanism, with his generous
+ matrimonial ambition, his vast good-nature, and his thorough good sense
+ and right feeling. We must be very hard to please if we are not pleased
+ with him. He is not the "cultivated American" who redeems us from time to
+ time in the eyes of Europe; but he is unquestionably more national, and it
+ is observable that his unaffected fellow-countrymen and women fare very
+ well at Mr. James's hand always; it is the Europeanizing sort like the
+ critical little Bostonian in the "Bundle of Letters," the ladies shocked
+ at Daisy Miller, the mother in the "Pension Beaurepas" who goes about
+ trying to be of the "native" world everywhere, Madame Merle and Gilbert
+ Osmond, Miss Light and her mother, who have reason to complain, if any one
+ has. Doubtless Mr. James does not mean to satirize such Americans, but it
+ is interesting to note how they strike such a keen observer. We are
+ certainly not allowed to like them, and the other sort find somehow a
+ place in our affections along with his good Europeans. It is a little odd,
+ by the way, that in all the printed talk about Mr. James&mdash;and there
+ has been no end of it&mdash;his power of engaging your preference for
+ certain of his people has been so little commented on. Perhaps it is
+ because he makes no obvious appeal for them; but one likes such men as
+ Lord Warburton, Newman, Valentin, the artistic brother in "The Europeans,"
+ and Ralph Touchett, and such women as Isabel, Claire Belgarde, Mrs.
+ Tristram, and certain others, with a thoroughness that is one of the best
+ testimonies to their vitality. This comes about through their own
+ qualities, and is not affected by insinuation or by downright petting,
+ such as we find in Dickens nearly always and in Thackeray too often.
+ </p>
+ <p>
+ The art of fiction has, in fact, become a finer art in our day than it was
+ with Dickens and Thackeray. We could not suffer the confidential attitude
+ of the latter now, nor the mannerism of the former, any more than we could
+ endure the prolixity of Richardson or the coarseness of Fielding. These
+ great men are of the past&mdash;they and their methods and interests; even
+ Trollope and Reade are not of the present. The new school derives from
+ Hawthorne and George Eliot rather than any others; but it studies human
+ nature much more in its wonted aspects, and finds its ethical and dramatic
+ examples in the operation of lighter but not really less vital motives.
+ The moving accident is certainly not its trade; and it prefers to avoid
+ all manner of dire catastrophes. It is largely influenced by French
+ fiction in form; but it is the realism of Daudet rather than the realism
+ of Zola that prevails with it, and it has a soul of its own which is above
+ the business of recording the rather brutish pursuit of a woman by a man,
+ which seems to be the chief end of the French novelist. This school, which
+ is so largely of the future as well as the present, finds its chief
+ exemplar in Mr. James; it is he who is shaping and directing American
+ fiction, at least. It is the ambition of the younger contributors to write
+ like him; he has his following more distinctly recognizable than that of
+ any other English-writing novelist. Whether he will so far control this
+ following as to decide the nature of the novel with us remains to be seen.
+ Will the reader be content to accept a novel which is an analytic study
+ rather than a story, which is apt to leave him arbiter of the destiny of
+ the author's creations? Will he find his account in the unflagging
+ interest of their development? Mr. James's growing popularity seems to
+ suggest that this may be the case; but the work of Mr. James's imitators
+ will have much to do with the final result.
+ </p>
+ <p>
+ In the meantime it is not surprising that he has his imitators. Whatever
+ exceptions we take to his methods or his results, we cannot deny him a
+ very great literary genius. To me there is a perpetual delight in his way
+ of saying things, and I cannot wonder that younger men try to catch the
+ trick of it. The disappointing thing for them is that it is not a trick,
+ but an inherent virtue. His style is, upon the whole, better than that of
+ any other novelist I know; it is always easy, without being trivial, and
+ it is often stately, without being stiff; it gives a charm to everything
+ he writes; and he has written so much and in such various directions, that
+ we should be judging him very incompletely if we considered him only as a
+ novelist. His book of European sketches must rank him with the most
+ enlightened and agreeable travelers; and it might be fitly supplemented
+ from his uncollected papers with a volume of American sketches. In his
+ essays on modern French writers he indicates his critical range and grasp;
+ but he scarcely does more, as his criticisms in "The Atlantic" and "The
+ Nation" and elsewhere could abundantly testify.
+ </p>
+ <p>
+ There are indeed those who insist that criticism is his true vocation, and
+ are impatient of his devotion to fiction; but I suspect that these
+ admirers are mistaken. A novelists he is not, after the old fashion, or
+ after any fashion but his own; yet since he has finally made his public in
+ his own way of story-telling&mdash;or call it character-painting if you
+ prefer,&mdash;it must be conceded that he has chosen best for himself and
+ his readers in choosing the form of fiction for what he has to say. It is,
+ after all, what a writer has to say rather than what he has to tell that
+ we care for nowadays. In one manner or other the stories were all told
+ long ago; and now we want merely to know what the novelist thinks about
+ persons and situations. Mr. James gratifies this philosophic desire. If he
+ sometimes forbears to tell us what he thinks of the last state of his
+ people, it is perhaps because that does not interest him, and a
+ large-minded criticism might well insist that it was childish to demand
+ that it must interest him.
+ </p>
+ <p>
+ I am not sure that any criticism is sufficiently large-minded for this. I
+ own that I like a finished story; but then also I like those which Mr.
+ James seems not to finish. This is probably the position of most of his
+ readers, who cannot very logically account for either preference. We can
+ only make sure that we have here an annalist, or analyst, as we choose,
+ who fascinates us from his first page to his last, whose narrative or
+ whose comment may enter into any minuteness of detail without fatiguing
+ us, and can only truly grieve us when it ceases.
+ </p>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+<pre xml:space="preserve">
+
+
+
+
+End of Project Gutenberg's Henry James, Jr., by William Dean Howells
+
+*** END OF THIS PROJECT GUTENBERG EBOOK HENRY JAMES, JR. ***
+
+***** This file should be named 723-h.htm or 723-h.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/7/2/723/
+
+Etext produced by Anthony J. Adam.
+
+HTML file produced by David Widger
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+</pre>
+ </body>
+</html>
diff --git a/723.txt b/723.txt
new file mode 100644
index 0000000..897e08b
--- /dev/null
+++ b/723.txt
@@ -0,0 +1,744 @@
+The Project Gutenberg EBook of Henry James, Jr., by William Dean Howells
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Henry James, Jr.
+
+Author: William Dean Howells
+
+Posting Date: July 23, 2008 [EBook #723]
+Release Date: November, 1996
+
+Language: English
+
+Character set encoding: ASCII
+
+*** START OF THIS PROJECT GUTENBERG EBOOK HENRY JAMES, JR. ***
+
+
+
+
+Produced by Anthony J. Adam.
+
+
+
+
+
+
+
+
+HENRY JAMES, JR.
+
+by
+
+William Dean Howells
+
+
+
+The events of Mr. James's life--as we agree to understand events--may
+be told in a very few words. His race is Irish on his father's side
+and Scotch on his mother's, to which mingled strains the generalizer
+may attribute, if he likes, that union of vivid expression and
+dispassionate analysis which has characterized his work from the first.
+There are none of those early struggles with poverty, which render the
+lives of so many distinguished Americans monotonous reading, to record
+in his case: the cabin hearth-fire did not light him to the youthful
+pursuit of literature; he had from the start all those advantages
+which, when they go too far, become limitations.
+
+He was born in New York city in the year 1843, and his first lessons in
+life and letters were the best which the metropolis--so small in the
+perspective diminishing to that date--could afford. In his twelfth
+year his family went abroad, and after some stay in England made a long
+sojourn in France and Switzerland. They returned to America in 1860,
+placing themselves at Newport, and for a year or two Mr. James was at
+the Harvard Law School, where, perhaps, he did not study a great deal
+of law. His father removed from Newport to Cambridge in 1866, and
+there Mr. James remained till he went abroad, three years later, for
+the residence in England and Italy which, with infrequent visits home,
+has continued ever since.
+
+It was during these three years of his Cambridge life that I became
+acquainted with his work. He had already printed a tale--"The Story of
+a Year"--in the "Atlantic Monthly," when I was asked to be Mr. Fields's
+assistant in the management, and it was my fortune to read Mr. James's
+second contribution in manuscript. "Would you take it?" asked my
+chief. "Yes, and all the stories you can get from the writer." One is
+much securer of one's judgment at twenty-nine than, say, at forty-five;
+but if this was a mistake of mine I am not yet old enough to regret it.
+The story was called "Poor Richard," and it dealt with the conscience
+of a man very much in love with a woman who loved his rival. He told
+this rival a lie, which sent him away to his death on the field,--in
+that day nearly every fictitious personage had something to do with the
+war,--but Poor Richard's lie did not win him his love. It still seems
+to me that the situation was strongly and finely felt. One's pity
+went, as it should, with the liar; but the whole story had a pathos
+which lingers in my mind equally with a sense of the new literary
+qualities which gave me such delight in it. I admired, as we must in
+all that Mr. James has written, the finished workmanship in which there
+is no loss of vigor; the luminous and uncommon use of words, the
+originality of phrase, the whole clear and beautiful style, which I
+confess I weakly liked the better for the occasional gallicisms
+remaining from an inveterate habit of French. Those who know the
+writings of Mr. Henry James will recognize the inherited felicity of
+diction which is so striking in the writings of Mr. Henry James, Jr.
+The son's diction is not so racy as the father's; it lacks its daring,
+but it is as fortunate and graphic; and I cannot give it greater praise
+than this, though it has, when he will, a splendor and state which is
+wholly its own.
+
+Mr. James is now so universally recognized that I shall seem to be
+making an unwarrantable claim when I express my belief that the
+popularity of his stories was once largely confined to Mr. Field's
+assistant. They had characteristics which forbade any editor to refuse
+them; and there are no anecdotes of thrice-rejected manuscripts finally
+printed to tell of him; his work was at once successful with all the
+magazines. But with the readers of "The Atlantic," of "Harper's," of
+"Lippincott's," of "The Galaxy," of "The Century," it was another
+affair. The flavor was so strange, that, with rare exceptions, they
+had to "learn to like" it. Probably few writers have in the same
+degree compelled the liking of their readers. He was reluctantly
+accepted, partly through a mistake as to his attitude--through the
+confusion of his point of view with his private opinion--in the
+reader's mind. This confusion caused the tears of rage which bedewed
+our continent in behalf of the "average American girl" supposed to be
+satirized in Daisy Miller, and prevented the perception of the fact
+that, so far as the average American girl was studied at all in Daisy
+Miller, her indestructible innocence, her invulnerable new-worldliness,
+had never been so delicately appreciated. It was so plain that Mr.
+James disliked her vulgar conditions, that the very people to whom he
+revealed her essential sweetness and light were furious that he should
+have seemed not to see what existed through him. In other words, they
+would have liked him better if he had been a worse artist--if he had
+been a little more confidential.
+
+But that artistic impartiality which puzzled so many in the treatment
+of Daisy Miller is one of the qualities most valuable in the eyes of
+those who care how things are done, and I am not sure that it is not
+Mr. James's most characteristic quality. As "frost performs the effect
+of fire," this impartiality comes at last to the same result as
+sympathy. We may be quite sure that Mr. James does not like the
+peculiar phase of our civilization typified in Henrietta Stackpole; but
+he treats her with such exquisite justice that he lets US like her. It
+is an extreme case, but I confidently allege it in proof.
+
+His impartiality is part of the reserve with which he works in most
+respects, and which at first glance makes us say that he is wanting in
+humor. But I feel pretty certain that Mr. James has not been able to
+disinherit himself to this degree. We Americans are terribly in
+earnest about making ourselves, individually and collectively; but I
+fancy that our prevailing mood in the face of all problems is that of
+an abiding faith which can afford to be funny. He has himself
+indicated that we have, as a nation, as a people, our joke, and every
+one of us is in the joke more or less. We may, some of us, dislike it
+extremely, disapprove it wholly, and even abhor it, but we are in the
+joke all the same, and no one of us is safe from becoming the great
+American humorist at any given moment. The danger is not apparent in
+Mr. James's case, and I confess that I read him with a relief in the
+comparative immunity that he affords from the national facetiousness.
+Many of his people are humorously imagined, or rather humorously SEEN,
+like Daisy Miller's mother, but these do not give a dominant color; the
+business in hand is commonly serious, and the droll people are
+subordinated. They abound, nevertheless, and many of them are
+perfectly new finds, like Mr. Tristram in "The American," the
+bill-paying father in the "Pension Beaurepas," the anxiously
+Europeanizing mother in the same story, the amusing little Madame de
+Belgarde, Henrietta Stackpole, and even Newman himself. But though Mr.
+James portrays the humorous in character, he is decidedly not on
+humorous terms with his reader; he ignores rather than recognizes the
+fact that they are both in the joke.
+
+If we take him at all we must take him on his own ground, for clearly
+he will not come to ours. We must make concessions to him, not in this
+respect only, but in several others, chief among which is the motive
+for reading fiction. By example, at least, he teaches that it is the
+pursuit and not the end which should give us pleasure; for he often
+prefers to leave us to our own conjectures in regard to the fate of the
+people in whom he has interested us. There is no question, of course,
+but he could tell the story of Isabel in "The Portrait of a Lady" to
+the end, yet he does not tell it. We must agree, then, to take what
+seems a fragment instead of a whole, and to find, when we can, a name
+for this new kind in fiction. Evidently it is the character, not the
+fate, of his people which occupies him; when he has fully developed
+their character he leaves them to what destiny the reader pleases.
+
+The analytic tendency seems to have increased with him as his work has
+gone on. Some of the earlier tales were very dramatic: "A Passionate
+Pilgrim," which I should rank above all his other short stories, and
+for certain rich poetical qualities, above everything else that he has
+done, is eminently dramatic. But I do not find much that I should call
+dramatic in "The Portrait of a Lady," while I do find in it an amount
+of analysis which I should call superabundance if it were not all such
+good literature. The novelist's main business is to possess his reader
+with a due conception of his characters and the situations in which
+they find themselves. If he does more or less than this he equally
+fails. I have sometimes thought that Mr. James's danger was to do
+more, but when I have been ready to declare this excess an error of his
+method I have hesitated. Could anything be superfluous that had given
+me so much pleasure as I read? Certainly from only one point of view,
+and this a rather narrow, technical one. It seems to me that an
+enlightened criticism will recognize in Mr. James's fiction a
+metaphysical genius working to aesthetic results, and will not be
+disposed to deny it any method it chooses to employ. No other
+novelist, except George Eliot, has dealt so largely in analysis of
+motive, has so fully explained and commented upon the springs of action
+in the persons of the drama, both before and after the facts. These
+novelists are more alike than any others in their processes, but with
+George Eliot an ethical purpose is dominant, and with Mr. James an
+artistic purpose. I do not know just how it should be stated of two
+such noble and generous types of character as Dorothea and Isabel
+Archer, but I think that we sympathize with the former in grand aims
+that chiefly concern others, and with the latter in beautiful dreams
+that primarily concern herself. Both are unselfish and devoted women,
+sublimely true to a mistaken ideal in their marriages; but, though they
+come to this common martyrdom, the original difference in them remains.
+Isabel has her great weaknesses, as Dorothea had, but these seem to me,
+on the whole, the most nobly imagined and the most nobly intentioned
+women in modern fiction; and I think Isabel is the more subtly divined
+of the two. If we speak of mere characterization, we must not fail to
+acknowledge the perfection of Gilbert Osmond. It was a profound stroke
+to make him an American by birth. No European could realize so fully
+in his own life the ideal of a European dilettante in all the meaning
+of that cheapened word; as no European could so deeply and tenderly
+feel the sweetness and loveliness of the English past as the sick
+American, Searle, in "The Passionate Pilgrim."
+
+What is called the international novel is popularly dated from the
+publication of "Daisy Miller," though "Roderick Hudson" and "The
+American" had gone before; but it really began in the beautiful story
+which I have just named. Mr. James, who invented this species in
+fiction, first contrasted in the "Passionate Pilgrim" the New World and
+Old World moods, ideals, and prejudices, and he did it there with a
+richness of poetic effect which he has since never equalled. I own
+that I regret the loss of the poetry, but you cannot ask a man to keep
+on being a poet for you; it is hardly for him to choose; yet I compare
+rather discontentedly in my own mind such impassioned creations as
+Searle and the painter in "The Madonna of the Future" with "Daisy
+Miller," of whose slight, thin personality I also feel the indefinable
+charm, and of the tragedy of whose innocence I recognize the delicate
+pathos. Looking back to those early stories, where Mr. James stood at
+the dividing ways of the novel and the romance, I am sometimes sorry
+that he declared even superficially for the former. His best efforts
+seem to me those of romance; his best types have an ideal development,
+like Isabel and Claire Belgarde and Bessy Alden and poor Daisy and even
+Newman. But, doubtless, he has chosen wisely; perhaps the romance is
+an outworn form, and would not lend itself to the reproduction of even
+the ideality of modern life. I myself waver somewhat in my
+preference--if it is a preference--when I think of such people as Lord
+Warburton and the Touchetts, whom I take to be all decidedly of this
+world. The first of these especially interested me as a probable type
+of the English nobleman, who amiably accepts the existing situation
+with all its possibilities of political and social change, and insists
+not at all upon the surviving feudalities, but means to be a manly and
+simple gentleman in any event. An American is not able to pronounce as
+to the verity of the type; I only know that it seems probable and that
+it is charming. It makes one wish that it were in Mr. James's way to
+paint in some story the present phase of change in England. A titled
+personage is still mainly an inconceivable being to us; he is like a
+goblin or a fairy in a storybook. How does he comport himself in the
+face of all the changes and modifications that have taken place and
+that still impend? We can hardly imagine a lord taking his nobility
+seriously; it is some hint of the conditional frame of Lord Warburton's
+mind that makes him imaginable and delightful to us.
+
+It is not my purpose here to review any of Mr. James's books; I like
+better to speak of his people than of the conduct of his novels, and I
+wish to recognize the fineness with which he has touched-in the pretty
+primness of Osmond's daughter and the mild devotedness of Mr. Rosier.
+A masterly hand is as often manifest in the treatment of such
+subordinate figures as in that of the principal persons, and Mr. James
+does them unerringly. This is felt in the more important character of
+Valentin Belgarde, a fascinating character in spite of its
+defects,--perhaps on account of them--and a sort of French Lord
+Warburton, but wittier, and not so good. "These are my ideas," says
+his sister-in-law, at the end of a number of inanities. "Ah, you call
+them ideas!" he returns, which is delicious and makes you love him.
+He, too, has his moments of misgiving, apparently in regard to his
+nobility, and his acceptance of Newman on the basis of something like
+"manhood suffrage" is very charming. It is of course difficult for a
+remote plebeian to verify the pictures of legitimist society in "The
+American," but there is the probable suggestion in them of conditions
+and principles, and want of principles, of which we get glimpses in our
+travels abroad; at any rate, they reveal another and not impossible
+world, and it is fine to have Newman discover that the opinions and
+criticisms of our world are so absolutely valueless in that sphere that
+his knowledge of the infamous crime of the mother and brother of his
+betrothed will have no effect whatever upon them in their own circle if
+he explodes it there. This seems like aristocracy indeed! and one
+admires, almost respects, its survival in our day. But I always
+regretted that Newman's discovery seemed the precursor of his
+magnanimous resolution not to avenge himself; it weakened the effect of
+this, with which it had really nothing to do. Upon the whole, however,
+Newman is an adequate and satisfying representative of Americanism,
+with his generous matrimonial ambition, his vast good-nature, and his
+thorough good sense and right feeling. We must be very hard to please
+if we are not pleased with him. He is not the "cultivated American"
+who redeems us from time to time in the eyes of Europe; but he is
+unquestionably more national, and it is observable that his unaffected
+fellow-countrymen and women fare very well at Mr. James's hand always;
+it is the Europeanizing sort like the critical little Bostonian in the
+"Bundle of Letters," the ladies shocked at Daisy Miller, the mother in
+the "Pension Beaurepas" who goes about trying to be of the "native"
+world everywhere, Madame Merle and Gilbert Osmond, Miss Light and her
+mother, who have reason to complain, if any one has. Doubtless Mr.
+James does not mean to satirize such Americans, but it is interesting
+to note how they strike such a keen observer. We are certainly not
+allowed to like them, and the other sort find somehow a place in our
+affections along with his good Europeans. It is a little odd, by the
+way, that in all the printed talk about Mr. James--and there has been
+no end of it--his power of engaging your preference for certain of his
+people has been so little commented on. Perhaps it is because he makes
+no obvious appeal for them; but one likes such men as Lord Warburton,
+Newman, Valentin, the artistic brother in "The Europeans," and Ralph
+Touchett, and such women as Isabel, Claire Belgarde, Mrs. Tristram, and
+certain others, with a thoroughness that is one of the best testimonies
+to their vitality. This comes about through their own qualities, and
+is not affected by insinuation or by downright petting, such as we find
+in Dickens nearly always and in Thackeray too often.
+
+The art of fiction has, in fact, become a finer art in our day than it
+was with Dickens and Thackeray. We could not suffer the confidential
+attitude of the latter now, nor the mannerism of the former, any more
+than we could endure the prolixity of Richardson or the coarseness of
+Fielding. These great men are of the past--they and their methods and
+interests; even Trollope and Reade are not of the present. The new
+school derives from Hawthorne and George Eliot rather than any others;
+but it studies human nature much more in its wonted aspects, and finds
+its ethical and dramatic examples in the operation of lighter but not
+really less vital motives. The moving accident is certainly not its
+trade; and it prefers to avoid all manner of dire catastrophes. It is
+largely influenced by French fiction in form; but it is the realism of
+Daudet rather than the realism of Zola that prevails with it, and it
+has a soul of its own which is above the business of recording the
+rather brutish pursuit of a woman by a man, which seems to be the chief
+end of the French novelist. This school, which is so largely of the
+future as well as the present, finds its chief exemplar in Mr. James;
+it is he who is shaping and directing American fiction, at least. It
+is the ambition of the younger contributors to write like him; he has
+his following more distinctly recognizable than that of any other
+English-writing novelist. Whether he will so far control this
+following as to decide the nature of the novel with us remains to be
+seen. Will the reader be content to accept a novel which is an
+analytic study rather than a story, which is apt to leave him arbiter
+of the destiny of the author's creations? Will he find his account in
+the unflagging interest of their development? Mr. James's growing
+popularity seems to suggest that this may be the case; but the work of
+Mr. James's imitators will have much to do with the final result.
+
+In the meantime it is not surprising that he has his imitators.
+Whatever exceptions we take to his methods or his results, we cannot
+deny him a very great literary genius. To me there is a perpetual
+delight in his way of saying things, and I cannot wonder that younger
+men try to catch the trick of it. The disappointing thing for them is
+that it is not a trick, but an inherent virtue. His style is, upon the
+whole, better than that of any other novelist I know; it is always
+easy, without being trivial, and it is often stately, without being
+stiff; it gives a charm to everything he writes; and he has written so
+much and in such various directions, that we should be judging him very
+incompletely if we considered him only as a novelist. His book of
+European sketches must rank him with the most enlightened and agreeable
+travelers; and it might be fitly supplemented from his uncollected
+papers with a volume of American sketches. In his essays on modern
+French writers he indicates his critical range and grasp; but he
+scarcely does more, as his criticisms in "The Atlantic" and "The
+Nation" and elsewhere could abundantly testify.
+
+There are indeed those who insist that criticism is his true vocation,
+and are impatient of his devotion to fiction; but I suspect that these
+admirers are mistaken. A novelists he is not, after the old fashion,
+or after any fashion but his own; yet since he has finally made his
+public in his own way of story-telling--or call it character-painting
+if you prefer,--it must be conceded that he has chosen best for himself
+and his readers in choosing the form of fiction for what he has to say.
+It is, after all, what a writer has to say rather than what he has to
+tell that we care for nowadays. In one manner or other the stories
+were all told long ago; and now we want merely to know what the
+novelist thinks about persons and situations. Mr. James gratifies this
+philosophic desire. If he sometimes forbears to tell us what he thinks
+of the last state of his people, it is perhaps because that does not
+interest him, and a large-minded criticism might well insist that it
+was childish to demand that it must interest him.
+
+I am not sure that any criticism is sufficiently large-minded for this.
+I own that I like a finished story; but then also I like those which
+Mr. James seems not to finish. This is probably the position of most
+of his readers, who cannot very logically account for either
+preference. We can only make sure that we have here an annalist, or
+analyst, as we choose, who fascinates us from his first page to his
+last, whose narrative or whose comment may enter into any minuteness of
+detail without fatiguing us, and can only truly grieve us when it
+ceases.
+
+
+
+
+
+
+
+
+
+End of Project Gutenberg's Henry James, Jr., by William Dean Howells
+
+*** END OF THIS PROJECT GUTENBERG EBOOK HENRY JAMES, JR. ***
+
+***** This file should be named 723.txt or 723.zip *****
+This and all associated files of various formats will be found in:
+ https://www.gutenberg.org/7/2/723/
+
+Produced by Anthony J. Adam.
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase "Project
+Gutenberg"), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License (available with this file or online at
+https://gutenberg.org/license).
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. "Project Gutenberg" is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
+or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase "Project Gutenberg" appears, or with which the phrase "Project
+Gutenberg" is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase "Project Gutenberg" associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+"Plain Vanilla ASCII" or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original "Plain Vanilla ASCII" or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, "Information about donations to
+ the Project Gutenberg Literary Archive Foundation."
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+"Defects," such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
+of Replacement or Refund" described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need, is critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation web page at https://www.pglaf.org.
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Its 501(c)(3) letter is posted at
+https://pglaf.org/fundraising. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at
+809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
+business@pglaf.org. Email contact links and up to date contact
+information can be found at the Foundation's web site and official
+page at https://pglaf.org
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit https://pglaf.org
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including including checks, online payments and credit card
+donations. To donate, please visit: https://pglaf.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For thirty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+
+Most people start at our Web site which has the main PG search facility:
+
+ https://www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
diff --git a/723.zip b/723.zip
new file mode 100644
index 0000000..1fc9f42
--- /dev/null
+++ b/723.zip
Binary files differ
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..1380287
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #723 (https://www.gutenberg.org/ebooks/723)
diff --git a/old/jimjr10.txt b/old/jimjr10.txt
new file mode 100644
index 0000000..efdcbb5
--- /dev/null
+++ b/old/jimjr10.txt
@@ -0,0 +1,634 @@
+********The Project Gutenberg Etext of Henry James, Jr.********
+#2 in our series by William Dean Howells
+
+
+Copyright laws are changing all over the world, be sure to check
+the copyright laws for your country before posting these files!
+
+Please take a look at the important information in this header.
+We encourage you to keep this file on your own disk, keeping an
+electronic path open for the next readers. Do not remove this.
+
+**Welcome To The World of Free Plain Vanilla Electronic Texts**
+
+**Etexts Readable By Both Humans and By Computers, Since 1971**
+
+*These Etexts Prepared By Hundreds of Volunteers and Donations*
+
+Information on contacting Project Gutenberg to get Etexts, and
+further information is included below. We need your donations.
+
+
+Henry James, Jr.
+
+by William Dean Howells
+
+November, 1996 [Etext #723]
+
+
+********The Project Gutenberg Etext of Henry James, Jr.********
+*****This file should be named jimjr10.txt or jimjr10.zip******
+
+Corrected EDITIONS of our etexts get a new NUMBER, jimjr11.txt.
+VERSIONS based on separate sources get new LETTER, jimjr10a.txt.
+
+
+This etext was created by Anthony J. Adam of Houston, Texas.
+
+
+We are now trying to release all our books one month in advance
+of the official release dates, for time for better editing.
+
+Please note: neither this list nor its contents are final till
+midnight of the last day of the month of any such announcement.
+The official release date of all Project Gutenberg Etexts is at
+Midnight, Central Time, of the last day of the stated month. A
+preliminary version may often be posted for suggestion, comment
+and editing by those who wish to do so. To be sure you have an
+up to date first edition [xxxxx10x.xxx] please check file sizes
+in the first week of the next month. Since our ftp program has
+a bug in it that scrambles the date [tried to fix and failed] a
+look at the file size will have to do, but we will try to see a
+new copy has at least one byte more or less.
+
+
+Information about Project Gutenberg (one page)
+
+We produce about two million dollars for each hour we work. The
+fifty hours is one conservative estimate for how long it we take
+to get any etext selected, entered, proofread, edited, copyright
+searched and analyzed, the copyright letters written, etc. This
+projected audience is one hundred million readers. If our value
+per text is nominally estimated at one dollar then we produce $2
+million dollars per hour this year as we release thirty-two text
+files per month: or 400 more Etexts in 1996 for a total of 800.
+If these reach just 10% of the computerized population, then the
+total should reach 80 billion Etexts.
+
+The Goal of Project Gutenberg is to Give Away One Trillion Etext
+Files by the December 31, 2001. [10,000 x 100,000,000=Trillion]
+This is ten thousand titles each to one hundred million readers,
+which is only 10% of the present number of computer users. 2001
+should have at least twice as many computer users as that, so it
+will require us reaching less than 5% of the users in 2001.
+
+
+We need your donations more than ever!
+
+
+All donations should be made to "Project Gutenberg/BU": and are
+tax deductible to the extent allowable by law. (BU = Benedictine
+University). (Subscriptions to our paper newsletter go to BU.)
+
+For these and other matters, please mail to:
+
+Project Gutenberg
+P. O. Box 2782
+Champaign, IL 61825
+
+When all other email fails try our Executive Director:
+Michael S. Hart <hart@pobox.com>
+
+We would prefer to send you this information by email
+(Internet, Bitnet, Compuserve, ATTMAIL or MCImail).
+
+******
+If you have an FTP program (or emulator), please
+FTP directly to the Project Gutenberg archives:
+[Mac users, do NOT point and click. . .type]
+
+ftp uiarchive.cso.uiuc.edu
+login: anonymous
+password: your@login
+cd etext/etext90 through /etext96
+or cd etext/articles [get suggest gut for more information]
+dir [to see files]
+get or mget [to get files. . .set bin for zip files]
+GET INDEX?00.GUT
+for a list of books
+and
+GET NEW GUT for general information
+and
+MGET GUT* for newsletters.
+
+**Information prepared by the Project Gutenberg legal advisor**
+(Three Pages)
+
+
+***START**THE SMALL PRINT!**FOR PUBLIC DOMAIN ETEXTS**START***
+Why is this "Small Print!" statement here? You know: lawyers.
+They tell us you might sue us if there is something wrong with
+your copy of this etext, even if you got it for free from
+someone other than us, and even if what's wrong is not our
+fault. So, among other things, this "Small Print!" statement
+disclaims most of our liability to you. It also tells you how
+you can distribute copies of this etext if you want to.
+
+*BEFORE!* YOU USE OR READ THIS ETEXT
+By using or reading any part of this PROJECT GUTENBERG-tm
+etext, you indicate that you understand, agree to and accept
+this "Small Print!" statement. If you do not, you can receive
+a refund of the money (if any) you paid for this etext by
+sending a request within 30 days of receiving it to the person
+you got it from. If you received this etext on a physical
+medium (such as a disk), you must return it with your request.
+
+ABOUT PROJECT GUTENBERG-TM ETEXTS
+This PROJECT GUTENBERG-tm etext, like most PROJECT GUTENBERG-
+tm etexts, is a "public domain" work distributed by Professor
+Michael S. Hart through the Project Gutenberg Association at
+Benedictine University (the "Project"). Among other
+things, this means that no one owns a United States copyright
+on or for this work, so the Project (and you!) can copy and
+distribute it in the United States without permission and
+without paying copyright royalties. Special rules, set forth
+below, apply if you wish to copy and distribute this etext
+under the Project's "PROJECT GUTENBERG" trademark.
+
+To create these etexts, the Project expends considerable
+efforts to identify, transcribe and proofread public domain
+works. Despite these efforts, the Project's etexts and any
+medium they may be on may contain "Defects". Among other
+things, Defects may take the form of incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other
+intellectual property infringement, a defective or damaged
+disk or other etext medium, a computer virus, or computer
+codes that damage or cannot be read by your equipment.
+
+LIMITED WARRANTY; DISCLAIMER OF DAMAGES
+But for the "Right of Replacement or Refund" described below,
+[1] the Project (and any other party you may receive this
+etext from as a PROJECT GUTENBERG-tm etext) disclaims all
+liability to you for damages, costs and expenses, including
+legal fees, and [2] YOU HAVE NO REMEDIES FOR NEGLIGENCE OR
+UNDER STRICT LIABILITY, OR FOR BREACH OF WARRANTY OR CONTRACT,
+INCLUDING BUT NOT LIMITED TO INDIRECT, CONSEQUENTIAL, PUNITIVE
+OR INCIDENTAL DAMAGES, EVEN IF YOU GIVE NOTICE OF THE
+POSSIBILITY OF SUCH DAMAGES.
+
+If you discover a Defect in this etext within 90 days of
+receiving it, you can receive a refund of the money (if any)
+you paid for it by sending an explanatory note within that
+time to the person you received it from. If you received it
+on a physical medium, you must return it with your note, and
+such person may choose to alternatively give you a replacement
+copy. If you received it electronically, such person may
+choose to alternatively give you a second opportunity to
+receive it electronically.
+
+THIS ETEXT IS OTHERWISE PROVIDED TO YOU "AS-IS". NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, ARE MADE TO YOU AS
+TO THE ETEXT OR ANY MEDIUM IT MAY BE ON, INCLUDING BUT NOT
+LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A
+PARTICULAR PURPOSE.
+
+Some states do not allow disclaimers of implied warranties or
+the exclusion or limitation of consequential damages, so the
+above disclaimers and exclusions may not apply to you, and you
+may have other legal rights.
+
+INDEMNITY
+You will indemnify and hold the Project, its directors,
+officers, members and agents harmless from all liability, cost
+and expense, including legal fees, that arise directly or
+indirectly from any of the following that you do or cause:
+[1] distribution of this etext, [2] alteration, modification,
+or addition to the etext, or [3] any Defect.
+
+DISTRIBUTION UNDER "PROJECT GUTENBERG-tm"
+You may distribute copies of this etext electronically, or by
+disk, book or any other medium if you either delete this
+"Small Print!" and all other references to Project Gutenberg,
+or:
+
+[1] Only give exact copies of it. Among other things, this
+ requires that you do not remove, alter or modify the
+ etext or this "small print!" statement. You may however,
+ if you wish, distribute this etext in machine readable
+ binary, compressed, mark-up, or proprietary form,
+ including any form resulting from conversion by word pro-
+ cessing or hypertext software, but only so long as
+ *EITHER*:
+
+ [*] The etext, when displayed, is clearly readable, and
+ does *not* contain characters other than those
+ intended by the author of the work, although tilde
+ (~), asterisk (*) and underline (_) characters may
+ be used to convey punctuation intended by the
+ author, and additional characters may be used to
+ indicate hypertext links; OR
+
+ [*] The etext may be readily converted by the reader at
+ no expense into plain ASCII, EBCDIC or equivalent
+ form by the program that displays the etext (as is
+ the case, for instance, with most word processors);
+ OR
+
+ [*] You provide, or agree to also provide on request at
+ no additional cost, fee or expense, a copy of the
+ etext in its original plain ASCII form (or in EBCDIC
+ or other equivalent proprietary form).
+
+[2] Honor the etext refund and replacement provisions of this
+ "Small Print!" statement.
+
+[3] Pay a trademark license fee to the Project of 20% of the
+ net profits you derive calculated using the method you
+ already use to calculate your applicable taxes. If you
+ don't derive profits, no royalty is due. Royalties are
+ payable to "Project Gutenberg Association / Benedictine
+ University" within the 60 days following each
+ date you prepare (or were legally required to prepare)
+ your annual (or equivalent periodic) tax return.
+
+WHAT IF YOU *WANT* TO SEND MONEY EVEN IF YOU DON'T HAVE TO?
+The Project gratefully accepts contributions in money, time,
+scanning machines, OCR software, public domain etexts, royalty
+free copyright licenses, and every other sort of contribution
+you can think of. Money should be paid to "Project Gutenberg
+Association / Benedictine University".
+
+*END*THE SMALL PRINT! FOR PUBLIC DOMAIN ETEXTS*Ver.04.29.93*END*
+
+
+
+
+
+HENRY JAMES, JR.
+
+by William Dean Howells
+
+
+
+The events of Mr. James's life--as we agree to understand
+events--may be told in a very few words. His race is Irish on
+his father's side and Scotch on his mother's, to which mingled
+strains the generalizer may attribute, if he likes, that union of
+vivid expression and dispassionate analysis which has
+characterized his work from the first. There are none of those
+early struggles with poverty, which render the lives of so many
+distinguished Americans monotonous reading, to record in his
+case: the cabin hearth-fire did not light him to the youthful
+pursuit of literature; he had from the start all those advantages
+which, when they go too far, become limitations.
+
+He was born in New York city in the year 1843, and his first
+lessons in life and letters were the best which the
+metropolis--so small in the perspective diminishing to that
+date--could afford. In his twelfth year his family went abroad,
+and after some stay in England made a long sojourn in France and
+Switzerland. They returned to America in 1860, placing
+themselves at Newport, and for a year or two Mr. James was at the
+Harvard Law School, where, perhaps, he did not study a great deal
+of law. His father removed from Newport to Cambridge in 1866,
+and there Mr. James remained till he went abroad, three years
+later, for the residence in England and Italy which, with
+infrequent visits home, has continued ever since.
+
+It was during these three years of his Cambridge life that I
+became acquainted with his work. He had already printed a
+tale--"The Story of a Year"--in the "Atlantic Monthly," when I
+was asked to be Mr. Fields's assistant in the management, and it
+was my fortune to read Mr. James's second contribution in
+manuscript. "Would you take it?" asked my chief. "Yes, and all
+the stories you can get from the writer." One is much securer of
+one's judgment at twenty-nine than, say, at forty-five; but if
+this was a mistake of mine I am not yet old enough to regret it.
+The story was called "Poor Richard," and it dealt with the
+conscience of a man very much in love with a woman who loved his
+rival. He told this rival a lie, which sent him away to his
+death on the field,--in that day nearly every fictitious
+personage had something to do with the war,--but Poor Richard's
+lie did not win him his love. It still seems to me that the
+situation was strongly and finely felt. One's pity went, as it
+should, with the liar; but the whole story had a pathos which
+lingers in my mind equally with a sense of the new literary
+qualities which gave me such delight in it. I admired, as we
+must in all that Mr. James has written, the finished workmanship
+in which there is no loss of vigor; the luminous and uncommon use
+of words, the originality of phrase, the whole clear and
+beautiful style, which I confess I weakly liked the better for
+the occasional gallicisms remaining from an inveterate habit of
+French. Those who know the writings of Mr. Henry James will
+recognize the inherited felicity of diction which is so striking
+in the writings of Mr. Henry James, Jr. The son's diction is not
+so racy as the father's; it lacks its daring, but it is as
+fortunate and graphic; and I cannot give it greater praise than
+this, though it has, when he will, a splendor and state which is
+wholly its own.
+
+Mr. James is now so universally recognized that I shall seem to
+be making an unwarrantable claim when I express my belief that
+the popularity of his stories was once largely confined to Mr.
+Field's assistant. They had characteristics which forbade any
+editor to refuse them; and there are no anecdotes of
+thrice-rejected manuscripts finally printed to tell of him; his
+work was at once successful with all the magazines. But with the
+readers of "The Atlantic," of "Harper's," of "Lippincott's," of
+"The Galaxy," of "The Century," it was another affair. The
+flavor was so strange, that, with rare exceptions, they had to
+"learn to like" it. Probably few writers have in the same degree
+compelled the liking of their readers. He was reluctantly
+accepted, partly through a mistake as to his attitude--through
+the confusion of his point of view with his private opinion--in
+the reader's mind. This confusion caused the tears of rage which
+bedewed our continent in behalf of the "average American girl"
+supposed to be satirized in Daisy Miller, and prevented the
+perception of the fact that, so far as the average American girl
+was studied at all in Daisy Miller, her indestructible innocence,
+her invulnerable new-worldliness, had never been so delicately
+appreciated. It was so plain that Mr. James disliked her vulgar
+conditions, that the very people to whom he revealed her
+essential sweetness and light were furious that he should have
+seemed not to see what existed through him. In other words, they
+would have liked him better if he had been a worse artist--if he
+had been a little more confidential.
+
+But that artistic impartiality which puzzled so many in the
+treatment of Daisy Miller is one of the qualities most valuable
+in the eyes of those who care how things are done, and I am not
+sure that it is not Mr. James's most characteristic quality. As
+"frost performs the effect of fire," this impartiality comes at
+last to the same result as sympathy. We may be quite sure that
+Mr. James does not like the peculiar phase of our civilization
+typified in Henrietta Stackpole; but he treats her with such
+exquisite justice that he lets US like her. It is an extreme
+case, but I confidently allege it in proof.
+
+His impartiality is part of the reserve with which he works in
+most respects, and which at first glance makes us say that he is
+wanting in humor. But I feel pretty certain that Mr. James has
+not been able to disinherit himself to this degree. We Americans
+are terribly in earnest about making ourselves, individually and
+collectively; but I fancy that our prevailing mood in the face of
+all problems is that of an abiding faith which can afford to be
+funny. He has himself indicated that we have, as a nation, as a
+people, our joke, and every one of us is in the joke more or
+less. We may, some of us, dislike it extremely, disapprove it
+wholly, and even abhor it, but we are in the joke all the same,
+and no one of us is safe from becoming the great American
+humorist at any given moment. The danger is not apparent in Mr.
+James's case, and I confess that I read him with a relief in the
+comparative immunity that he affords from the national
+facetiousness. Many of his people are humorously imagined, or
+rather humorously SEEN, like Daisy Miller's mother, but these do
+not give a dominant color; the business in hand is commonly
+serious, and the droll people are subordinated. They abound,
+nevertheless, and many of them are perfectly new finds, like Mr.
+Tristram in "The American," the bill-paying father in the
+"Pension Beaurepas," the anxiously Europeanizing mother in the
+same story, the amusing little Madame de Belgarde, Henrietta
+Stackpole, and even Newman himself. But though Mr. James
+portrays the humorous in character, he is decidedly not on
+humorous terms with his reader; he ignores rather than recognizes
+the fact that they are both in the joke.
+
+If we take him at all we must take him on his own ground, for
+clearly he will not come to ours. We must make concessions to
+him, not in this respect only, but in several others, chief among
+which is the motive for reading fiction. By example, at least,
+he teaches that it is the pursuit and not the end which should
+give us pleasure; for he often prefers to leave us to our own
+conjectures in regard to the fate of the people in whom he has
+interested us. There is no question, of course, but he could
+tell the story of Isabel in "The Portrait of a Lady" to the end,
+yet he does not tell it. We must agree, then, to take what seems
+a fragment instead of a whole, and to find, when we can, a name
+for this new kind in fiction. Evidently it is the character, not
+the fate, of his people which occupies him; when he has fully
+developed their character he leaves them to what destiny the
+reader pleases.
+
+The analytic tendency seems to have increased with him as his
+work has gone on. Some of the earlier tales were very dramatic:
+"A Passionate Pilgrim," which I should rank above all his other
+short stories, and for certain rich poetical qualities, above
+everything else that he has done, is eminently dramatic. But I
+do not find much that I should call dramatic in "The Portrait of
+a Lady," while I do find in it an amount of analysis which I
+should call superabundance if it were not all such good
+literature. The novelist's main business is to possess his
+reader with a due conception of his characters and the situations
+in which they find themselves. If he does more or less than this
+he equally fails. I have sometimes thought that Mr. James's
+danger was to do more, but when I have been ready to declare this
+excess an error of his method I have hesitated. Could anything
+be superfluous that had given me so much pleasure as I read?
+Certainly from only one point of view, and this a rather narrow,
+technical one. It seems to me that an enlightened criticism will
+recognize in Mr. James's fiction a metaphysical genius working to
+aesthetic results, and will not be disposed to deny it any method
+it chooses to employ. No other novelist, except George Eliot,
+has dealt so largely in analysis of motive, has so fully
+explained and commented upon the springs of action in the persons
+of the drama, both before and after the facts. These novelists
+are more alike than any others in their processes, but with
+George Eliot an ethical purpose is dominant, and with Mr. James
+an artistic purpose. I do not know just how it should be stated
+of two such noble and generous types of character as Dorothea and
+Isabel Archer, but I think that we sympathize with the former in
+grand aims that chiefly concern others, and with the latter in
+beautiful dreams that primarily concern herself. Both are
+unselfish and devoted women, sublimely true to a mistaken ideal
+in their marriages; but, though they come to this common
+martyrdom, the original difference in them remains. Isabel has
+her great weaknesses, as Dorothea had, but these seem to me, on
+the whole, the most nobly imagined and the most nobly intentioned
+women in modern fiction; and I think Isabel is the more subtly
+divined of the two. If we speak of mere characterization, we
+must not fail to acknowledge the perfection of Gilbert Osmond.
+It was a profound stroke to make him an American by birth. No
+European could realize so fully in his own life the ideal of a
+European dilettante in all the meaning of that cheapened word; as
+no European could so deeply and tenderly feel the sweetness and
+loveliness of the English past as the sick American, Searle, in
+"The Passionate Pilgrim."
+
+What is called the international novel is popularly dated from
+the publication of "Daisy Miller," though "Roderick Hudson" and
+"The American" had gone before; but it really began in the
+beautiful story which I have just named. Mr. James, who invented
+this species in fiction, first contrasted in the "Passionate
+Pilgrim" the New World and Old World moods, ideals, and
+prejudices, and he did it there with a richness of poetic effect
+which he has since never equalled. I own that I regret the loss
+of the poetry, but you cannot ask a man to keep on being a poet
+for you; it is hardly for him to choose; yet I compare rather
+discontentedly in my own mind such impassioned creations as
+Searle and the painter in "The Madonna of the Future" with "Daisy
+Miller," of whose slight, thin personality I also feel the
+indefinable charm, and of the tragedy of whose innocence I
+recognize the delicate pathos. Looking back to those early
+stories, where Mr. James stood at the dividing ways of the novel
+and the romance, I am sometimes sorry that he declared even
+superficially for the former. His best efforts seem to me those
+of romance; his best types have an ideal development, like Isabel
+and Claire Belgarde and Bessy Alden and poor Daisy and even
+Newman. But, doubtless, he has chosen wisely; perhaps the
+romance is an outworn form, and would not lend itself to the
+reproduction of even the ideality of modern life. I myself waver
+somewhat in my preference--if it is a preference--when I think of
+such people as Lord Warburton and the Touchetts, whom I take to
+be all decidedly of this world. The first of these especially
+interested me as a probable type of the English nobleman, who
+amiably accepts the existing situation with all its possibilities
+of political and social change, and insists not at all upon the
+surviving feudalities, but means to be a manly and simple
+gentleman in any event. An American is not able to pronounce as
+to the verity of the type; I only know that it seems probable and
+that it is charming. It makes one wish that it were in Mr.
+James's way to paint in some story the present phase of change in
+England. A titled personage is still mainly an inconceivable
+being to us; he is like a goblin or a fairy in a storybook. How
+does he comport himself in the face of all the changes and
+modifications that have taken place and that still impend? We
+can hardly imagine a lord taking his nobility seriously; it is
+some hint of the conditional frame of Lord Warburton's mind that
+makes him imaginable and delightful to us.
+
+It is not my purpose here to review any of Mr. James's books; I
+like better to speak of his people than of the conduct of his
+novels, and I wish to recognize the fineness with which he has
+touched-in the pretty primness of Osmond's daughter and the mild
+devotedness of Mr. Rosier. A masterly hand is as often manifest
+in the treatment of such subordinate figures as in that of the
+principal persons, and Mr. James does them unerringly. This is
+felt in the more important character of Valentin Belgarde, a
+fascinating character in spite of its defects,--perhaps on
+account of them--and a sort of French Lord Warburton, but
+wittier, and not so good. "These are my ideas," says his
+sister-in-law, at the end of a number of inanities. "Ah, you
+call them ideas!" he returns, which is delicious and makes you
+love him. He, too, has his moments of misgiving, apparently in
+regard to his nobility, and his acceptance of Newman on the basis
+of something like "manhood suffrage" is very charming. It is of
+course difficult for a remote plebeian to verify the pictures of
+legitimist society in "The American," but there is the probable
+suggestion in them of conditions and principles, and want of
+principles, of which we get glimpses in our travels abroad; at
+any rate, they reveal another and not impossible world, and it is
+fine to have Newman discover that the opinions and criticisms of
+our world are so absolutely valueless in that sphere that his
+knowledge of the infamous crime of the mother and brother of his
+betrothed will have no effect whatever upon them in their own
+circle if he explodes it there. This seems like aristocracy
+indeed! and one admires, almost respects, its survival in our
+day. But I always regretted that Newman's discovery seemed the
+precursor of his magnanimous resolution not to avenge himself; it
+weakened the effect of this, with which it had really nothing to
+do. Upon the whole, however, Newman is an adequate and
+satisfying representative of Americanism, with his generous
+matrimonial ambition, his vast good-nature, and his thorough good
+sense and right feeling. We must be very hard to please if we
+are not pleased with him. He is not the "cultivated American"
+who redeems us from time to time in the eyes of Europe; but he is
+unquestionably more national, and it is observable that his
+unaffected fellow-countrymen and women fare very well at Mr.
+James's hand always; it is the Europeanizing sort like the
+critical little Bostonian in the "Bundle of Letters," the ladies
+shocked at Daisy Miller, the mother in the "Pension Beaurepas"
+who goes about trying to be of the "native" world everywhere,
+Madame Merle and Gilbert Osmond, Miss Light and her mother, who
+have reason to complain, if any one has. Doubtless Mr. James
+does not mean to satirize such Americans, but it is interesting
+to note how they strike such a keen observer. We are certainly
+not allowed to like them, and the other sort find somehow a place
+in our affections along with his good Europeans. It is a little
+odd, by the way, that in all the printed talk about Mr.
+James--and there has been no end of it--his power of engaging
+your preference for certain of his people has been so little
+commented on. Perhaps it is because he makes no obvious appeal
+for them; but one likes such men as Lord Warburton, Newman,
+Valentin, the artistic brother in "The Europeans," and Ralph
+Touchett, and such women as Isabel, Claire Belgarde, Mrs.
+Tristram, and certain others, with a thoroughness that is one of
+the best testimonies to their vitality. This comes about through
+their own qualities, and is not affected by insinuation or by
+downright petting, such as we find in Dickens nearly always and
+in Thackeray too often.
+
+The art of fiction has, in fact, become a finer art in our day
+than it was with Dickens and Thackeray. We could not suffer the
+confidential attitude of the latter now, nor the mannerism of the
+former, any more than we could endure the prolixity of Richardson
+or the coarseness of Fielding. These great men are of the
+past--they and their methods and interests; even Trollope and
+Reade are not of the present. The new school derives from
+Hawthorne and George Eliot rather than any others; but it studies
+human nature much more in its wonted aspects, and finds its
+ethical and dramatic examples in the operation of lighter but not
+really less vital motives. The moving accident is certainly not
+its trade; and it prefers to avoid all manner of dire
+catastrophes. it is largely influenced by French fiction in
+form; but it is the realism of Daudet rather than the realism of
+Zola that prevails with it, and it has a soul of its own which is
+above the business of recording the rather brutish pursuit of a
+woman by a man, which seems to be the chief end of the French
+novelist. This school, which is so largely of the future as well
+as the present, finds its chief exemplar in Mr. James; it is he
+who is shaping and directing American fiction, at least. It is
+the ambition of the younger contributors to write like him; he
+has his following more distinctly recognizable than that of any
+other English-writing novelist. Whether he will so far control
+this following as to decide the nature of the novel with us
+remains to be seen. Will the reader be content to accept a novel
+which is an analytic study rather than a story, which is apt to
+leave him arbiter of the destiny of the author's creations? Will
+he find his account in the unflagging interest of their
+development? Mr. James's growing popularity seems to suggest
+that this may be the case; but the work of Mr. James's imitators
+will have much to do with the final result.
+
+In the meantime it is not surprising that he has his imitators.
+Whatever exceptions we take to his methods or his results, we
+cannot deny him a very great literary genius. To me there is a
+perpetual delight in his way of saying things, and I cannot
+wonder that younger men try to catch the trick of it. The
+disappointing thing for them is that it is not a trick, but an
+inherent virtue. His style is, upon the whole, better than that
+of any other novelist I know; it is always easy, without being
+trivial, and it is often stately, without being stiff; it gives a
+charm to everything he writes; and he has written so much and in
+such various directions, that we should be judging him very
+incompletely if we considered him only as a novelist. His book
+of European sketches must rank him with the most enlightened and
+agreeable travelers; and it might be fitly supplemented from his
+uncollected papers with a volume of American sketches. In his
+essays on modern French writers he indicates his critical range
+and grasp; but he scarcely does more, as his criticisms in "The
+Atlantic" and "The Nation" and elsewhere could abundantly
+testify.
+
+There are indeed those who insist that criticism is his true
+vocation, and are impatient of his devotion to fiction; but I
+suspect that these admirers are mistaken. A novelists he is not,
+after the old fashion, or after any fashion but his own; yet
+since he has finally made his public in his own way of
+story-telling--or call it character-painting if you prefer,--it
+must be conceded that he has chosen best for himself and his
+readers in choosing the form of fiction for what he has to say.
+It is, after all, what a writer has to say rather than what he
+has to tell that we care for nowadays. In one manner or other
+the stories were all told long ago; and now we want merely to
+know what the novelist thinks about persons and situations. Mr.
+James gratifies this philosophic desire. If he sometimes
+forbears to tell us what he thinks of the last state of his
+people, it is perhaps because that does not interest him, and a
+large-minded criticism might well insist that it was childish to
+demand that it must interest him.
+
+I am not sure that any criticism is sufficiently large-minded for
+this. I own that I like a finished story; but then also I like
+those which Mr. James seems not to finish. This is probably the
+position of most of his readers, who cannot very logically
+account for either preference. We can only make sure that we
+have here an annalist, or analyst, as we choose, who fascinates
+us from his first page to his last, whose narrative or whose
+comment may enter into any minuteness of detail without fatiguing
+us, and can only truly grieve us when it ceases.
+
+
+
+
+
+End of Project Gutenberg's Etext of Henry James, Jr., by Howells
diff --git a/old/jimjr10.zip b/old/jimjr10.zip
new file mode 100644
index 0000000..126cfb1
--- /dev/null
+++ b/old/jimjr10.zip
Binary files differ