summaryrefslogtreecommitdiff
path: root/7214-h/7214-h.htm
diff options
context:
space:
mode:
Diffstat (limited to '7214-h/7214-h.htm')
-rw-r--r--7214-h/7214-h.htm7360
1 files changed, 7360 insertions, 0 deletions
diff --git a/7214-h/7214-h.htm b/7214-h/7214-h.htm
new file mode 100644
index 0000000..4be6e9a
--- /dev/null
+++ b/7214-h/7214-h.htm
@@ -0,0 +1,7360 @@
+<?xml version="1.0" encoding="utf-8"?>
+
+<!DOCTYPE html
+ PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
+ "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd" >
+
+<html xmlns="http://www.w3.org/1999/xhtml" lang="en">
+ <head>
+ <meta http-equiv="Content-Type" content="text/html;charset=UTF-8" />
+ <title>
+ Pan, by Knut Hamsun
+ </title>
+ <style type="text/css" xml:space="preserve">
+
+ body { margin:5%; background:#faebd0; text-align:justify}
+ P { text-indent: 1em; margin-top: .25em; margin-bottom: .25em; }
+ H1,H2,H3,H4,H5,H6 { text-align: center; margin-left: 15%; margin-right: 15%; }
+ hr { width: 50%; text-align: center;}
+ .foot { margin-left: 20%; margin-right: 20%; text-align: justify; text-indent: -3em; font-size: 90%; }
+ blockquote {font-size: 97%; font-style: italic; margin-left: 10%; margin-right: 10%;}
+ .mynote {background-color: #DDE; color: #000; padding: .5em; margin-left: 10%; margin-right: 10%; font-family: sans-serif; font-size: 95%;}
+ .toc { margin-left: 10%; margin-bottom: .75em;}
+ .toc2 { margin-left: 20%;}
+ div.fig { display:block; margin:0 auto; text-align:center; }
+ div.middle { margin-left: 20%; margin-right: 20%; text-align: justify; }
+ .figleft {float: left; margin-left: 0%; margin-right: 1%;}
+ .figright {float: right; margin-right: 0%; margin-left: 1%;}
+ .pagenum {display:inline; font-size: 70%; font-style:normal;
+ margin: 0; padding: 0; position: absolute; right: 1%;
+ text-align: right;}
+ .side { float: right; font-size: 75%; width: 25%; padding-left: 0.8em;
+ border-left: dashed thin; margin-left: 0.8em; text-align: left;
+ text-indent: 0; font-weight: bold; font-style: italic;
+ font-weight: bold; color: black; background: #eeeeee; border: solid 1px;}
+ pre { font-style: italic; font-size: 90%; margin-left: 10%;}
+
+</style>
+ </head>
+ <body>
+
+
+<pre>
+
+The Project Gutenberg EBook of Pan, by Knut Hamsun
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+
+Title: Pan
+
+Author: Knut Hamsun
+
+Commentator: Edwin Björkman
+
+Translator: W. W. Worster
+
+
+Release Date: January, 2005 [EBook #7214]
+This file was first posted on March 27, 2003
+Last Updated: March 15, 2018
+
+Language: English
+
+Character set encoding: UTF-8
+
+*** START OF THIS PROJECT GUTENBERG EBOOK PAN ***
+
+
+
+
+Text file produced by Tim Becker, Eric Eldred, Charles Franks, and
+the Online Distributed Team
+
+HTML file produced by David Widger
+
+
+
+
+</pre>
+
+ <div style="height: 8em;">
+ <br /><br /><br /><br /><br /><br /><br /><br />
+ </div>
+ <h1>
+ PAN
+ </h1>
+ <h2>
+ By Knut Hamsun
+ </h2>
+ <p>
+ <br />
+ </p>
+ <h4>
+ Translated from the Norwegian of Knut Hamsun By W. W. Worster <br /> <br />
+ With an Introduction by Edwin Björkman <br /> <br /> New York
+ </h4>
+ <h5>
+ Alfred A. Knopf <br /> <br /> 1927
+ </h5>
+ <h6>
+ Published July, 1921<br /> Second printing August, 1921<br /> Third printing
+ September, 1921<br /> Fourth printing February, 1922<br /> Fifth printing
+ January, 1927
+ </h6>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ <b>CONTENTS</b>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0001"> KNUT HAMSUN: FROM HUNGER TO HARVEST </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0002"> <b>PAN</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0003"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0004"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0005"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0006"> IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0007"> V </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0008"> VI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0009"> VII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0010"> VIII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0011"> IX </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0012"> X </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0013"> XI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0014"> XII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0015"> XIII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0016"> XIV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0017"> XV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0018"> XVI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0019"> XVII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0020"> XVIII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0021"> XIX </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0022"> XX </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0023"> XXI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0024"> XXII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0025"> XXIII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0026"> XXIV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0027"> XXV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0028"> XXVI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0029"> XXVII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0030"> XXVIII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0031"> XXIX </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0032"> XXX </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0033"> XXXI </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0034"> XXXII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0035"> XXXIII </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0036"> XXXIV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0037"> XXXV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0038"> XXXVI </a>
+ </p>
+ <p>
+ <br />
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0039"> <b>GLAHN'S DEATH</b> </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0040"> I </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0041"> II </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0042"> III </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0043"> IV </a>
+ </p>
+ <p class="toc">
+ <a href="#link2H_4_0044"> V </a>
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0001" id="link2H_4_0001"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ KNUT HAMSUN: FROM HUNGER TO HARVEST
+ </h2>
+ <p>
+ Between &ldquo;Hunger&rdquo; and &ldquo;Growth of the Soil&rdquo; lies the time generally allotted
+ to a generation, but at first glance the two books seem much farther
+ apart. One expresses the passionate revolt of a homeless wanderer against
+ the conventional routine of modern life. The other celebrates a root-fast
+ existence bounded in every direction by monotonous chores. The issuance of
+ two such books from the same pen suggests to the superficial view a
+ complete reversal of position. The truth, however, is that Hamsun stands
+ today where he has always stood. His objective is the same. If he has
+ changed, it is only in the intensity of his feeling and the mode of his
+ attack. What, above all, he hates and combats is the artificial
+ uselessness of existence which to him has become embodied in the life of
+ the city as opposed to that of the country.
+ </p>
+ <p>
+ Problems do not enter into the novels of Hamsun in the same manner as they
+ did into the plays of Ibsen. Hamsun would seem to take life as it is, not
+ with any pretense at its complete acceptability, but without hope or
+ avowed intention of making it over. If his tolerance be never free from
+ satire, his satire is on the other hand always easily tolerant. One might
+ almost suspect him of viewing life as something static against which all
+ fight would be futile. Even life's worst brutalities are related with an
+ offhandedness of manner that makes you look for the joke that must be at
+ the bottom of them. The word <i>reform</i> would seem to be strangely
+ eliminated from his dictionary, or, if present, it might be found defined
+ as a humorous conception of something intrinsically unachievable.
+ </p>
+ <p>
+ Hamsun would not be the artist he is if he were less deceptive. He has his
+ problems no less than Ibsen had, and he is much preoccupied with them even
+ when he appears lost in ribald laughter. They are different from Ibsen's,
+ however, and in that difference lies one of the chief explanations of
+ Hamsun's position as an artist. All of Ibsen's problems became in the last
+ instance reducible to a single relationship&mdash;that between the
+ individual and his own self. To be himself was his cry and his task. With
+ this consummation in view, he plumbed every depth of human nature. This
+ one thing achieved, all else became insignificant.
+ </p>
+ <p>
+ Hamsun begins where Ibsen ended, one might say. The one problem never
+ consciously raised by him as a problem is that of man's duty or ability to
+ express his own nature. That is taken for granted. The figures populating
+ the works of Hamsun, whether centrally placed or moving shadowlike in the
+ periphery, are first of all themselves&mdash;agressively, inevitably,
+ unconsciously so, In other words, they are like their creator. They may
+ perish tragically or ridiculously as a result of their common inability to
+ lay violent hand on their own natures. They may go through life warped and
+ dwarfed for lack of an adjustment that to most of us might seem both easy
+ and natural. Their own selves may become more clearly revealed to them by
+ harsh or happy contacts with life, and they may change their surfaces
+ accordingly. The one thing never occurring to them is that they might, for
+ the sake of something or some one outside of themselves, be anything but
+ what they are.
+ </p>
+ <p>
+ There are interferences, however, and it is from these that Hamsun's
+ problems spring. A man may prosper or suffer by being himself, and in
+ neither case is the fault his own. There are factors that more or less
+ fatally influence and circumscribe the supremely important factor that is
+ his own self. Roughly these fall into three groups suggestive of three
+ classes of relationships: (1) between man and his general environment; (2)
+ between man and that ever-present force of life which we call love; and
+ (3) between man and life in its entirety, as an omnipotence that some of
+ us call God and others leave unnamed. Hamsun's deceptive preference for
+ indirectness is shown by the fact that, while he tries to make us believe
+ that his work is chiefly preoccupied with problems of the second class,
+ his mind is really busy with those of the first class. The explanation is
+ simple. Nothing helps like love to bring out the unique qualities of a
+ man's nature. On the other hand, there is nothing that does more to
+ prevent a man from being himself than the ruts of habit into which his
+ environment always tends to drive him. There are two kinds of environment,
+ natural and human. Hamsun appears to think that the less you have of one
+ and the more of the other, the better for yourself and for humanity as a
+ whole. The city to him is primarily concentrated human environment, and as
+ such bad. This phase of his attitude toward life almost amounts to a
+ phobia. It must be connected with personal experiences of unusual depth
+ and intensity. Perhaps it offers a key that may be well worth searching
+ for. Hamsun was born in the country, of and among peasants. In such
+ surroundings he grew up. The removal of his parents from the central
+ inland part of Norway to the rocky northern coast meant a change of
+ natural setting, but not a human contact. The sea must have come into his
+ life as a revelation, and yet it plays an astonishingly small part in his
+ work. It is always present, but always in the distance. You hear of it,
+ but you are never taken to it.
+ </p>
+ <p>
+ At about fifteen, Hamsun had an experience which is rarely mentioned as
+ part of the scant biographical material made available by his reserve
+ concerning his own personality. He returned to the old home of his parents
+ in the Gudbrand Valley and worked for a few months as clerk in a country
+ store&mdash;a store just like any one of those that figure so
+ conspicuously in almost every one of his novels. The place and the work
+ must have made a revolutionary impression on him. It apparently aroused
+ longings, and it probably laid the basis for resistances and resentments
+ that later blossomed into weedlike abundance as he came in contact with
+ real city life. There runs through his work a strange sense of sympathy
+ for the little store on the border of the wilderness, but it is also
+ stamped as the forerunner and panderer of the lures of the city.
+ </p>
+ <p>
+ As a boy of eighteen, when working in a tiny coast town as a cobbler's
+ apprentice, he ventured upon his first literary endeavors and actually
+ managed to get two volumes printed at his own cost. The art of writing was
+ in his blood, exercising a call and a command that must have been felt as
+ a pain at times, and as a consecration at other times. Books and writing
+ were connected with the city. Perhaps the hatred that later days
+ developed, had its roots in a thwarted passion. Even in the little
+ community where his first scribblings reached print he must have felt
+ himself in urban surroundings, and perhaps those first crude volumes drew
+ upon him laughter and scorn that his sensitive soul never forgot. If
+ something of the kind happened, the seed thus sown was nourished
+ plentifully afterwards, when, as a young man, Hamsun pitted his ambitions
+ against the indifference first of Christiania and then of Chicago. The
+ result was a defeat that seemed the more bitter because it looked like
+ punishment incurred by straying after false gods.
+ </p>
+ <p>
+ Others have suffered in the same way, although, being less rigidly
+ themselves, they may not, like Hamsun, have taken a perverse pleasure in
+ driving home the point of the agony. Others have thought and said harsh
+ things of the cities. But no one that I can recall has equalled Hamsun in
+ his merciless denunciation of the very principle of urbanity. The truth of
+ it seems to be that Hamsun's pilgrimage to the bee hives where modern
+ humanity clusters typically, was an essential violation of something
+ within himself that mattered even more than his literary ambition to his
+ soul's integrity. Perhaps, if I am right, he is the first genuine peasant
+ who has risen to such artistic mastery, reaching its ultimate heights
+ through a belated recognition of his own proper settings. Hamsun was sixty
+ when he wrote &ldquo;Growth of the Soil.&rdquo; It is the first work in which he
+ celebrates the life of the open country for its own sake, and not merely
+ as a contrast to the artificiality and selfishness of the cities. It was
+ written, too, after he had definitely withdrawn himself from the gathering
+ places of the writers and the artists to give an equal share of his time
+ and attention to the tilling of the soil that was at last his own. It is
+ the harvest of his ultimate self-discovery.
+ </p>
+ <p>
+ The various phases of his campaign against city life are also interesting
+ and illuminating. Early in his career as a writer he tried an open attack
+ in full force by a couple of novels, &ldquo;Shallow Soil&rdquo; and &ldquo;Editor Lynge&rdquo;,
+ dealing sarcastically with the literary Bohemia of the Norwegian capital.
+ They were, on the whole, failures&mdash;artistically rather than
+ commercially. They are among his poorest books. The attack was never
+ repeated in that form. He retired to the country, so to speak, and tried
+ from there to strike at what he could reach of the ever expanding, ever
+ devouring city. After that the city, like the sea, is always found in the
+ distance. One feels it without ever seeing it. There is fear as well as
+ hatred in his treatment of it.
+ </p>
+ <p>
+ In the country it is represented not so much by the store, which, after
+ all, fills an unmistakable need on the part of the rural population, as by
+ the representatives of the various professions. For these Hamsun
+ entertains a hostile feeling hardly less marked than that bestowed on
+ their place of origin, whither, to his openly declared disgust, they are
+ always longing. It does not matter whether they are ministers or actors,
+ lawyers or doctors&mdash;they are all tarred with the same brush. Their
+ common characteristic is their rootlessness. They have no real home,
+ because to Hamsun a home is unthinkable apart from a space of soil
+ possessed in continuity by successive generations. They are always
+ despising the surroundings in which they find themselves temporarily, and
+ their chief claim to distinction is a genuine or pretended knowledge of
+ life on a large scale. Greatness is to them inseparably connected with
+ crowdedness, and what they call sophistication is at bottom nothing but a
+ wallowing in that herd instinct which takes the place of mankind's ancient
+ antagonist in Hamsun's books. Above all, their standards of judgment are
+ not their own.
+ </p>
+ <p>
+ From what has just been said one might conclude that the spirit of Hamsun
+ is fundamentally unsocial. So it is, in a way, but only in so far as we
+ have come to think of social and urban as more or less interchangeable
+ terms. He has a social consciousness and a social passion of his own, but
+ it is decentralized, one might say. He knows of no greater man than his
+ own Isak of &ldquo;Growth of the Soil&rdquo;&mdash;a simple pioneer in whose wake new
+ homes spring up, an inarticulate and uncouth personification of man's
+ mastery of nature. When Hamsun speaks of Isak passing across the yearning,
+ spring-stirred fields, &ldquo;with the grain flung in fructifying waves from his
+ reverent hands,&rdquo; he pictures it deliberately in the light of a religious
+ rite&mdash;the oldest and most significant known to man. It is as if the
+ man who starved in Christiania and the western cities of the United States&mdash;not
+ figuratively, but literally&mdash;had once for all conceived a respect for
+ man's principal food that has colored all subsequent life for him and
+ determined his own attitude toward everything by a reference to its
+ connection or lack of connection with that substance.
+ </p>
+ <p>
+ Taking it all in all, one may well call Hamsun old-fashioned. The virtues
+ winning his praise and the conditions that stir his longings are not of
+ the present day. There is in him something primitive that forms a sharp
+ contrast to the modernity of his own style. Even in his most romantic
+ exaggerations, as in &ldquo;Hunger&rdquo; and &ldquo;Mysteries,&rdquo; he is a realist, dealing
+ unrelentingly with life as it appears to us. It would hardly be too much
+ to call his method scientific. But he uses it to aim tremendous explosive
+ charges at those human concentrations that made possible the forging of
+ the weapons he wields so skilfully. Nor does he stop at a wish to see
+ those concentrations scattered. The very ambitions and Utopias bred within
+ them are anathema to his soul, that places simplicity above cleanliness in
+ divine proximity. Characteristically we find that the one art treated with
+ constant sympathy in his writings is that of music, which probably is the
+ earliest and certainly the one least dependent on the herding of men in
+ barracks. In place of what he wishes to take away he offers nothing but
+ peace and the sense of genuine creation that comes to the man who has just
+ garnered the harvests of his own fields into his bulging barns. He is a
+ prophet of plenty, but he has no answer ready when we ask him what we are
+ going to do with it after we have got it. Like a true son of the brooding
+ North, he wishes to set us thinking, but he has no final solutions to
+ offer.
+ </p>
+ <h3>
+ EDWIN BJÖRKMAN.
+ </h3>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0002" id="link2H_4_0002"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ PAN
+ </h2>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0003" id="link2H_4_0003"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <p>
+ These last few days I have been thinking and thinking of the Nordland
+ summer, with its endless day. Sitting here thinking of that, and of a hut
+ I lived in, and of the woods behind the hut. And writing things down, by
+ way of passing the time; to amuse myself, no more. The time goes very
+ slowly; I cannot get it to pass as quickly as I would, though I have
+ nothing to sorrow for, and live as pleasantly as could be. I am well
+ content withal, and my thirty years are no age to speak of.
+ </p>
+ <p>
+ A few days back someone sent me two feathers. Two bird's feathers in a
+ sheet of note-paper with a coronet, and fastened with a seal. Sent from a
+ place a long way off; from one who need not have sent them back at all.
+ That amused me too, those devilish green feathers.
+ </p>
+ <p>
+ And for the rest I have no troubles, unless for a touch of gout now and
+ again in my left foot, from an old bullet-wound, healed long since.
+ </p>
+ <p>
+ Two years ago, I remember, the time passed quickly&mdash;beyond all
+ comparison more quickly than time now. A summer was gone before I knew.
+ Two years ago it was, in 1855. I will write of it just to amuse myself&mdash;of
+ something that happened to me, or something I dreamed. Now, I have
+ forgotten many things belonging to that time, by having scarcely thought
+ of them since. But I remember that the nights were very light. And many
+ things seemed curious and unnatural. Twelve months to the year&mdash;but
+ night was like day, and never a star to be seen in the sky. And the people
+ I met were strange, and of a different nature from those I had known
+ before; sometimes a single night was enough to make them blossom out from
+ childhood into the full of their glory, ripe and fully grown. No witchery
+ in this; only I had never seen the like before. No.
+ </p>
+ <p>
+ In a white, roomy home down by the sea I met with one who busied my
+ thoughts for a little time. I do not always think of her now; not any
+ more. No; I have forgotten her. But I think of all the other things: the
+ cry of the sea-birds, my hunting in the woods, my nights, and all the warm
+ hours of that summer. After all, it was only by the merest accident I
+ happened to meet her; save for that, she would never have been in my
+ thoughts for a day.
+ </p>
+ <p>
+ From the hut where I lived, I could see a confusion of rocks and reefs and
+ islets, and a little of the sea, and a bluish mountain peak or so; behind
+ the hut was the forest. A huge forest it was; and I was glad and grateful
+ beyond measure for the scent of roots and leaves, the thick smell of the
+ fir-sap, that is like the smell of marrow. Only the forest could bring all
+ things to calm within me; my mind was strong and at ease. Day after day I
+ tramped over the wooded hills with Æsop at my side, and asked no more than
+ leave to keep on going there day after day, though most of the ground was
+ covered still with snow and soft slush. I had no company but Æsop; now it
+ is Cora, but at that time it was Æsop, my dog that I afterwards shot.
+ </p>
+ <p>
+ Often in the evening, when I came back to the hut after being out shooting
+ all day, I could feel that kindly, homely feeling trickling through me
+ from head to foot&mdash;a pleasant little inward shivering. And I would
+ talk to Æsop about it, saying how comfortable we were. &ldquo;There, now we'll
+ get a fire going, and roast a bird on the hearth,&rdquo; I would say; &ldquo;what do
+ you say to that?&rdquo; And when it was done, and we had both fed, Æsop would
+ slip away to his place behind the hearth, while I lit a pipe and lay down
+ on the bench for a while, listening to the dead soughing of the trees.
+ There was a slight breeze bearing down towards the hut, and I could hear
+ quite clearly the clutter of a grouse far away on the ridge behind. Save
+ for that, all was still.
+ </p>
+ <p>
+ And many a time I fell asleep there as I lay, just as I was, fully dressed
+ and all, and did not wake till the seabirds began calling. And then,
+ looking out of the window, I could see the big white buildings of the
+ trading station, the landing stage at Girilund, the store where I used to
+ get my bread. And I would lie there a while, wondering how I came to be
+ there, in a hut on the fringe of a forest, away up in Nordland.
+ </p>
+ <p>
+ Then Æsop over by the hearth would shake out his long, slender body,
+ rattling his collar, and yawning and wagging his tail, and I would jump
+ up, after those three or four hours of sleep, fully rested and full of joy
+ in everything ... everything.
+ </p>
+ <p>
+ Many a night passed just that way.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0004" id="link2H_4_0004"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <p>
+ Rain and storm&mdash;'tis not such things that count. Many a time some
+ little joy can come along on a rainy day, and make a man turn off
+ somewhere to be alone with his happiness&mdash;stand up somewhere and look
+ out straight ahead, laughing quietly now and again, and looking round.
+ What is there to think of? One clear pane in a window, a ray of sunlight
+ in the pane, the sight of a little brook, or maybe a blue strip of sky
+ between the clouds. It needs no more than that.
+ </p>
+ <p>
+ At other times, even quite unusual happenings cannot avail to lift a man
+ from dulness and poverty of mind; one can sit in the middle of a ballroom
+ and be cool, indifferent, unaffected by anything. Sorrow and joy are from
+ within oneself.
+ </p>
+ <p>
+ One day I remember now. I had gone down to the coast. The rain came on
+ suddenly, and I slipped into an open boathouse to sit down for a while. I
+ was humming a little, but not for any joy or pleasure, only to pass the
+ time. Æsop was with me; he sat up listening, and I stopped humming and
+ listened as well. Voices outside; people coming nearer. A mere chance&mdash;nothing
+ more natural. A little party, two men and a girl, came tumbling in
+ suddenly to where I sat, calling to one another and laughing:
+ </p>
+ <p>
+ &ldquo;Quick! Get in here till it stops!&rdquo;
+ </p>
+ <p>
+ I got up.
+ </p>
+ <p>
+ One of the men had a white shirt front, soft, and now soaked with rain
+ into the bargain, and all bagging down; and in that wet shirt front a
+ diamond clasp. Long, pointed shoes he wore, too, that looked somewhat
+ affected. I gave him good-day. It was Mack, the trader; I knew him because
+ he was from the store where I used to get my bread. He had asked me to
+ look in at the house any time, but I had not been there yet.
+ </p>
+ <p>
+ &ldquo;Aha, it's you, is it?&rdquo; said Mack at sight of me. &ldquo;We were going up to the
+ mill, but had to turn back. Ever see such weather&mdash;what? And when are
+ you coming up to see us at Sirilund, Lieutenant?&rdquo;
+ </p>
+ <p>
+ He introduced the little black-bearded man who was with him; a doctor,
+ staying down near the church.
+ </p>
+ <p>
+ The girl lifted her veil the least little bit, to her nose, and started
+ talking to Æsop in a whisper. I noticed her jacket; I could see from the
+ lining and the buttonholes that it had been dyed. Mack introduced me to
+ her as well; his daughter, Edwarda.
+ </p>
+ <p>
+ Edwarda gave me one glance through her veil, and went on whispering to the
+ dog, and reading on its collar:
+ </p>
+ <p>
+ &ldquo;So you're called Æsop, are you? Doctor, who was Æsop? All I can remember
+ is that he wrote fables. Wasn't he a Phrygian? I can't remember.&rdquo;
+ </p>
+ <p>
+ A child, a schoolgirl. I looked at her&mdash;she was tall, but with no
+ figure to speak of, about fifteen or sixteen, with long, dark hands and no
+ gloves. Like as not she had looked up Æsop in the dictionary that
+ afternoon, to have it ready.
+ </p>
+ <p>
+ Mack asked me what sport I was having. What did I shoot mostly? I could
+ have one of his boats at any time if I wanted&mdash;only let him know. The
+ Doctor said nothing at all. When they went off again, I noticed that the
+ Doctor limped a little, and walked with a stick.
+ </p>
+ <p>
+ I walked home as empty in mind as before, humming all indifferently. That
+ meeting in the boathouse had made no difference either way to me; the one
+ thing I remembered best of all was Mack's wet shirt front, with a diamond
+ clasp&mdash;the diamond all wet, too, and no great brilliance about it,
+ either.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0005" id="link2H_4_0005"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <p>
+ There was a stone outside my hut, a tall grey stone. It looked as if it
+ had a sort of friendly feeling towards me; as if it noticed me when I came
+ by, and knew me again. I liked to go round that way past the stone, when I
+ went out in the morning; it was like leaving a good friend there, who I
+ knew would be still waiting for me when I came back.
+ </p>
+ <p>
+ Then up in the woods hunting, sometimes finding game, sometimes none...
+ </p>
+ <p>
+ Out beyond the islands, the sea lay heavily calm. Many a time I have stood
+ and looked at it from the hills, far up above. On a calm day, the ships
+ seemed hardly to move at all; I could see the same sail for three days,
+ small and white, like a gull on the water. Then, perhaps, if the wind
+ veered round, the peaks in the distance would almost disappear, and there
+ came a storm, the south-westerly gale; a play for me to stand and watch.
+ All things in a seething mist. Earth and sky mingled together, the sea
+ flung up into fantastic dancing figures of men and horses and fluttering
+ banners on the air. I stood in the shelter of an overhanging rock,
+ thinking many things; my soul was tense. Heaven knows, I thought to
+ myself, what it is I am watching here, and why the sea should open before
+ my eyes. Maybe I am seeing now the inner brain of earth, how things are at
+ work there, boiling and foaming. Æsop was restless; now and again he would
+ thrust up his muzzle and sniff, in a troubled way, with legs quivering
+ uneasily; when I took no notice, he lay down between my feet and stared
+ out to sea as I was doing. And never a cry, never a word of human voice to
+ be heard anywhere; nothing; only the heavy rush of the wind about my head.
+ There was a reef of rocks far out, lying all apart; when the sea raged up
+ over it the water towered like a crazy screw; nay, like a sea-god rising
+ wet in the air, and snorting, till hair and beard stood out like a wheel
+ about his head. Then he plunged down into the breakers once more.
+ </p>
+ <p>
+ And in the midst of the storm, a little coal-black steamer fighting its
+ way in...
+ </p>
+ <p>
+ When I went down to the quay in the afternoon, the little coal-black
+ steamer had come in; it was the mail-packet. Many people had gathered on
+ the quayside to see the rare visitor; I noticed that all without exception
+ had blue eyes, however different they might be in other ways. A young girl
+ with a white woolen kerchief over her head stood a little apart; she had
+ very dark hair, and the white kerchief showed up strangely against it. She
+ looked at me curiously, at my leather suit, my gun; when I spoke to her,
+ she was embarrassed, and turned her head away. I said:
+ </p>
+ <p>
+ &ldquo;You should always wear a white kerchief like that; it suits you well.&rdquo;
+ </p>
+ <p>
+ Just then a burly man in an Iceland jersey came up and joined her; he
+ called her Eva. Evidently she was his daughter. I knew the burly man; he
+ was the local smith, the blacksmith. Only a few days back he had mended
+ the nipple of one of my guns...
+ </p>
+ <p>
+ And rain and wind did their work, and thawed away the snow. For some days
+ a cheerless cold hovered over the earth; rotten branches snapped, and the
+ crows gathered in flocks, complaining. But it was not for long; the sun
+ was near, and one day it rose up behind the forest.
+ </p>
+ <p>
+ It sends a strip of sweetness through me from head to foot when the sun
+ comes up; I shoulder my gun with quiet delight.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0006" id="link2H_4_0006"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <p>
+ I was never short of game those days, but shot all I cared to&mdash;a
+ hare, a grouse, a ptarmigan&mdash;and when I happened to be down near the
+ shore and came within range of some seabird or other, I shot it too. It
+ was a pleasant time; the days grew longer and the air clearer; I packed up
+ things for a couple of days and set off up into the hills, up to the
+ mountain peaks. I met reindeer Lapps, and they gave me cheese&mdash;rich
+ little cheeses tasting of herbs. I went up that way more than once. Then,
+ going home again, I always shot some bird or other to put in my bag. I sat
+ down and put Æsop on the lead. Miles below me was the sea; the
+ mountainsides were wet and black with the water running down them,
+ dripping and trickling always with the same little sound. That little
+ sound of the water far up on the hills has shortened many an hour for me
+ when I sat looking about. Here, I thought to myself, is a little endless
+ song trickling away all to itself, and no one ever hears it, and no one
+ ever thinks of it, and still it trickles on nevertheless, to itself, all
+ the time, all the time! And I felt that the mountains were no longer quite
+ deserted, as long as I could hear that little trickling song. Now and
+ again something would happen: a clap of thunder shaking the earth, a mass
+ of rock slipping loose and rushing down towards the sea, leaving a trail
+ of smoking dust behind. Æsop turned his nose to the wind at once, sniffing
+ in surprise at the smell of burning that he could not understand. When the
+ melting of the snow had made rifts in the hillside, a shot, or even a
+ sharp cry, was enough to loosen a great block and send it tumbling down...
+ </p>
+ <p>
+ An hour might pass, or perhaps more&mdash;the time went so quickly. I let
+ Æsop loose, slung my bag over the other shoulder, and set off towards
+ home. It was getting late. Lower down in the forest, I came unfailingly
+ upon my old, well-known path, a narrow ribbon of a path, with the
+ strangest bends and turns. I followed each one of them, taking my time&mdash;there
+ was no hurry. No one waiting for me at home. Free as a lord, a ruler, I
+ could ramble about there in the peaceful woods, just as idly as I pleased.
+ All the birds were silent; only the grouse was calling far away&mdash;it
+ was always calling.
+ </p>
+ <p>
+ I came out of the wood and saw two figures ahead, two persons moving. I
+ came up with them. One was Edwarda, and I recognized her, and gave a
+ greeting; the Doctor was with her. I had to show them my gun; they looked
+ at my compass, my bag; I invited them to my hut, and they promised to come
+ some day.
+ </p>
+ <p>
+ It was evening now. I went home and lit a fire, roasted a bird, and had a
+ meal. To-morrow there would be another day...
+ </p>
+ <p>
+ All things quiet and still. I lay that evening looking out the window.
+ There was a fairy glimmer at that hour over wood and field; the sun had
+ gone down, and dyed the horizon with a rich red light that stood there
+ still as oil. The sky all open and clean; I stared into that clear sea,
+ and it seemed as if I were lying face to face with the uttermost depth of
+ the world; my heart beating tensely against it, and at home there. God
+ knows, I thought to myself, God knows why the sky is dressed in gold and
+ mauve to-night, if there is not some festival going on up there in the
+ world, some great feast with music from the stars, and boats gliding along
+ river ways. It looks so!&mdash;And I closed my eyes, and followed the
+ boats, and thoughts and thoughts floated through my mind...
+ </p>
+ <p>
+ So more than one day passed.
+ </p>
+ <p>
+ I wandered about, noting how the snow turned to water, how the ice loosed
+ its hold. Many a day I did not even fire a shot, when I had food enough in
+ the hut&mdash;only wandered about in my freedom, and let the time pass.
+ Whichever way I turned, there was always just as much to see and hear&mdash;all
+ things changing a little every day. Even the osier thickets and the
+ juniper stood waiting for the spring. One day I went out to the mill; it
+ was still icebound, but the earth around it had been trampled through many
+ and many a year, showing how men and more men had come that way with sacks
+ of corn on their shoulders, to be ground. It was like walking among human
+ beings to go there; and there were many dates and letters cut in the
+ walls.
+ </p>
+ <p>
+ Well, well...
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0007" id="link2H_4_0007"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ V
+ </h2>
+ <p>
+ Shall I write more? No, no. Only a little for my own amusement's sake, and
+ because it passes the time for me to tell of how the spring came two years
+ back, and how everything looked then. Earth and sea began to smell a
+ little; there was a sweetish, rotting smell from the dead leaves in the
+ wood, and the magpies flew with twigs in their beaks, building their
+ nests. A couple of days more, and the brooks began to swell and foam; here
+ and there a butterfly was to be seen, and the fishermen came home from
+ their stations. The trader's two boats came in laden deep with fish, and
+ anchored off the drying grounds; there was life and commotion all of a
+ sudden out on the biggest of the islands, where the fish were to be spread
+ on the rocks to dry. I could see it all from my window.
+ </p>
+ <p>
+ But no noise reached the hut; I was alone, and remained so. Now and again
+ someone would pass. I saw Eva, the blacksmith's girl; she had got a couple
+ of freckles on her nose.
+ </p>
+ <p>
+ &ldquo;Where are you going?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;Out for firewood,&rdquo; she answered quietly. She had a rope in her hand to
+ carry the wood, and her white kerchief on her head. I stood watching her,
+ but she did not turn round.
+ </p>
+ <p>
+ After that I saw no one for days.
+ </p>
+ <p>
+ The spring was urging, and the forest listened; it was a great delight to
+ watch the thrushes sitting in the tree-tops staring at the sun and crying;
+ sometimes I would get up as early as two in the morning, just for a share
+ of the joy that went out from bird and beast at sunrise.
+ </p>
+ <p>
+ The spring had reached me too, maybe, and my blood beat at times as if it
+ were footsteps. I sat in the hut, and thought of overhauling my fishing
+ rods and lines and gear, but moved never a finger to any work at all, for
+ a glad, mysterious restlessness that was in and out of my heart all the
+ while. Then suddenly Æsop sprang up, stood and stiffened, and gave a short
+ bark. Someone coming to the hut! I pulled off my cap quickly, and heard
+ Edwarda's voice already at the door. Kindly and without ceremony she and
+ the Doctor had come to pay me a visit, as they had said.
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; I heard her say, &ldquo;he is at home.&rdquo; And she stepped forward, and gave
+ me her hand in her simple girlish way. &ldquo;We were here yesterday, but you
+ were out,&rdquo; she said.
+ </p>
+ <p>
+ She sat down on the rug over my wooden bedstead and looked round the hut;
+ the Doctor sat down beside me on the long bench. We talked, chatted away
+ at ease; I told them things, such as what kinds of animals there were in
+ the woods, and what game I could not shoot because of the closed season.
+ It was the closed season for grouse just now.
+ </p>
+ <p>
+ The Doctor did not say much this time either, but catching sight of my
+ powder-horn, with a figure of Pan carved on it, he started to explain the
+ myth of Pan.
+ </p>
+ <p>
+ &ldquo;But,&rdquo; said Edwarda suddenly, &ldquo;what do you live on when it's closed season
+ for all game?&rdquo;
+ </p>
+ <p>
+ &ldquo;Fish,&rdquo; I said. &ldquo;Fish mostly. But there's always something to eat.&rdquo;
+ </p>
+ <p>
+ &ldquo;But you might come up to us for your meals,&rdquo; she said. &ldquo;There was an
+ Englishman here last year&mdash;he had taken the hut&mdash;and he often
+ came to us for meals.&rdquo;
+ </p>
+ <p>
+ Edwarda looked at me and I at her. I felt at the moment something touching
+ my heart like a little fleeting welcome. It must have been the spring, and
+ the bright day; I have thought it over since. Also, I admired the curve of
+ her eyebrows.
+ </p>
+ <p>
+ She said something about my place; how I had arranged things in the hut. I
+ had hung up skins of several sorts on the walls, and birds' wings; it
+ looked like a shaggy den on the inside. She liked it. &ldquo;Yes, a den,&rdquo; she
+ said.
+ </p>
+ <p>
+ I had nothing to offer my visitors that they would care about; I thought
+ of it, and would have roasted a bird for them, just for amusement&mdash;let
+ them eat it hunter's fashion, with their fingers. It might amuse them.
+ </p>
+ <p>
+ And I cooked the bird.
+ </p>
+ <p>
+ Edwarda told about the Englishman. An old man, an eccentric, who talked
+ aloud to himself. He was a Roman Catholic, and always carried a little
+ prayer-book, with red and black letters, about with him wherever he went.
+ </p>
+ <p>
+ &ldquo;Was he an Irishman then?&rdquo; asked the Doctor.
+ </p>
+ <p>
+ &ldquo;An Irishman...?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes&mdash;since he was a Roman Catholic.&rdquo;
+ </p>
+ <p>
+ Edwarda blushed, and stammered and looked away.
+ </p>
+ <p>
+ &ldquo;Well, yes, perhaps he was an Irishman.&rdquo;
+ </p>
+ <p>
+ After that she lost her liveliness. I felt sorry for her, and tried to put
+ matters straight again. I said:
+ </p>
+ <p>
+ &ldquo;No, of course you are right: he was an Englishman. Irishmen don't go
+ travelling about in Norway.&rdquo;
+ </p>
+ <p>
+ We agreed to row over one day and see the fish-drying grounds...
+ </p>
+ <p>
+ When I had seen my visitors a few steps on their way, I walked home again
+ and sat down to work at my fishing gear. My hand-net had been hung from a
+ nail by the door, and several of the meshes were damaged by rust; I
+ sharpened up some hooks, knotted them to lengths of line, and looked to
+ the other nets. How hard it seemed to do any work at all to-day! Thoughts
+ that had nothing to do with the business in hand kept coming and going; it
+ occurred to me that I had done wrong in letting Edwarda sit on the bed all
+ the time, instead of offering her a seat on the bench. I saw before me
+ suddenly her brown face and neck; she had fastened her apron a little low
+ down in front, to be long-waisted, as was the fashion; the girlish contour
+ of her thumb affected me tenderly, and the little wrinkles above the
+ knuckle were full of kindliness. Her mouth was large and rich.
+ </p>
+ <p>
+ I rose up and opened the door and looked out. I could hear nothing, and
+ indeed there was nothing to listen for. I closed the door again; Æsop came
+ up from his resting-place and noticed that I was restless about something.
+ Then it struck me that I might run after Edwarda and ask her for a little
+ silk thread to mend my net with. It would not be any pretence&mdash;I
+ could take down the net and show her where the meshes were spoiled by
+ rust. I was already outside the door when I remembered that I had silk
+ thread myself in my fly-book; more indeed than I wanted. And I went back
+ slowly, discouraged&mdash;to think that I had silk thread myself.
+ </p>
+ <p>
+ A breath of something strange met me as I entered the hut again; it seemed
+ as if I were no longer alone there.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0008" id="link2H_4_0008"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VI
+ </h2>
+ <p>
+ A man asked me if I had given up shooting; he had not heard me fire a shot
+ up in the hills, though he had been out fishing for two days. No, I had
+ shot nothing; I had stayed at home in the hut until I had no more food in
+ the place.
+ </p>
+ <p>
+ On the third day I went out with my gun. The woods were getting green;
+ there was a smell of earth and trees. The young grass was already
+ springing up from the frozen moss. I was in a thoughtful mood, and sat
+ down several times. For three days I had not seen a soul except the one
+ fisherman I had met the day before. I thought to myself, &ldquo;Perhaps I may
+ meet someone this evening on the way home, at the edge of the wood, where
+ I met the Doctor and Edwarda before. Perhaps they may be going for a walk
+ that way again&mdash;perhaps, perhaps not.&rdquo; But why should I think of
+ those two in particular? I shot a couple of ptarmigan, and cooked one of
+ them at once; then I tied up the dog.
+ </p>
+ <p>
+ I lay down on the dry ground to eat. The earth was quiet&mdash;only a
+ little breath of wind and the sound of a bird here and there. I lay and
+ watched the branches waving gently in the breeze; the little wind was at
+ its work, carrying pollen from branch to branch and filling every innocent
+ bloom; all the forest seemed filled with delight. A green worm thing, a
+ caterpillar, dragged itself end by end along a branch, dragging along
+ unceasingly, as if it could not rest. It saw hardly anything, for all it
+ had eyes; often it stood straight up in the air, feeling about for
+ something to take hold of; it looked like a stump of green thread sewing a
+ seam with long stitches along the branch. By evening, perhaps, it would
+ have reached its goal.
+ </p>
+ <p>
+ Quiet as ever. I get up and move on, sit down and get up again. It is
+ about four o'clock; about six I can start for home, and see if I happen to
+ meet anyone. Two hours to wait; a little restless already, I brush the
+ dust and heather from my clothes. I know the places I pass by, trees and
+ stones stand there as before in their solitude; the leaves rustle
+ underfoot as I walk. The monotonous breathing and the familiar trees and
+ stones mean much to me; I am filled with a strange thankfulness;
+ everything seems well disposed towards me, mingles with my being; I love
+ it all. I pick up a little dry twig and hold it in my hand and sit looking
+ at it, and think my own thoughts; the twig is almost rotten, its poor bark
+ touches me, pity fills my heart. And when I get up again, I do not throw
+ the twig far away, but lay it down, and stand liking it; at last I look at
+ it once more with wet eyes before I go away and leave it there.
+ </p>
+ <p>
+ Five o'clock. The sun tells me false time today; I have been walking
+ westward the whole day, and come perhaps half an hour ahead of my sun
+ marks at the hut. I am quite aware of all this, but none the less there is
+ an hour yet before six o'clock, so I get up again and go on a little. And
+ the leaves rustle under foot. An hour goes that way.
+ </p>
+ <p>
+ I look down at the little stream and the little mill that has been
+ icebound all the winter, and I stop. The mill is working; the noise of it
+ wakes me, and I stop suddenly, there and then. &ldquo;I have stayed out too
+ long,&rdquo; I say aloud. A pang goes through me; I turn at once and begin
+ walking homewards, but all the time I know I have stayed out too long. I
+ walk faster, then run; Æsop understands there is something the matter, and
+ pulls at the leash, drags me along, sniffs at the ground, and is all
+ haste. The dry leaves crackle about us.
+ </p>
+ <p>
+ But when we come to the edge of the wood there was no one there. No, all
+ was quiet; there was no one there.
+ </p>
+ <p>
+ &ldquo;There is no one here,&rdquo; I said to myself. And yet it was no worse than I
+ had expected.
+ </p>
+ <p>
+ I did not stay long, but walked on, drawn by all my thoughts, passed by my
+ hut, and went down to Sirilund with Æsop and my bag and gun&mdash;with all
+ my belongings.
+ </p>
+ <p>
+ Herr Mack received me with the greatest friendliness, and asked me to stay
+ to supper.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0009" id="link2H_4_0009"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VII
+ </h2>
+ <p>
+ I fancy I can read a little in the souls of those about me&mdash;but
+ perhaps it is not so. Oh, when my good days come, I feel as if I could see
+ far into others' souls, though I am no great or clever head. We sit in a
+ room, some men, some women, and I, and I seem to see what is passing
+ within them, and what they think of me. I find something in every swift
+ little change of light in their eyes; sometimes the blood rises to their
+ cheeks and reddens them; at other times they pretend to be looking another
+ way, and yet they watch me covertly from the side. There I sit, marking
+ all this, and no one dreams that I see through every soul. For years past
+ I have felt that I could read the souls of all I met. But perhaps it is
+ not so...
+ </p>
+ <p>
+ I stayed at Herr Mack's house all that evening. I might have gone off
+ again at once&mdash;it did not interest me to stay sitting there&mdash;but
+ had I not come because all my thoughts were drawing me that way? And how
+ could I go again at once? We played whist and drank toddy after supper; I
+ sat with my back turned to the rest of the room, and my head bent down;
+ behind me Edwarda went in and out. The Doctor had gone home.
+ </p>
+ <p>
+ Herr Mack showed me the design of his new lamps&mdash;the first paraffin
+ lamps to be seen so far north. They were splendid things, with a heavy
+ leaden base, and he lit them himself every evening&mdash;to prevent any
+ accident. He spoke once or twice of his grandfather, the Consul.
+ </p>
+ <p>
+ &ldquo;This brooch was given to my grandfather, Consul Mack, by Carl Johan with
+ his own hands,&rdquo; he said, pointing one finger at the diamond in his shirt.
+ His wife was dead; he showed me a painted portrait of her in one of the
+ other rooms&mdash;a distinguished looking woman with a lace cap and a
+ winsome smile. In the same room, also, there was a bookcase, and some old
+ French books, no less, that might have been an heirloom. The bindings were
+ rich and gilded, and many owners had marked their names in them. Among the
+ books were several educational works; Herr Mack was a man of some
+ intelligence.
+ </p>
+ <p>
+ His two assistants from the store were called in to make up the party at
+ whist. They played slowly and doubtfully, counted carefully, and made
+ mistakes all the same. Edwarda helped one of them with his hand.
+ </p>
+ <p>
+ I upset my glass, and felt ashamed, and stood up.
+ </p>
+ <p>
+ &ldquo;There&mdash;I have upset my glass,&rdquo; I said.
+ </p>
+ <p>
+ Edwarda burst out laughing, and answered:
+ </p>
+ <p>
+ &ldquo;Well, we can see that.&rdquo;
+ </p>
+ <p>
+ Everyone assured me laughingly that it did not matter. They gave me a
+ towel to wipe myself with, and we went on with the game. Soon it was
+ eleven o'clock.
+ </p>
+ <p>
+ I felt a vague displeasure at Edwarda's laugh. I looked at her, and found
+ that her face had become insignificant, hardly even pretty. At last Herr
+ Mack broke off the game, saying that his assistants must go to bed; then
+ he leaned back on the sofa and began talking about putting up a sign in
+ front of his place. He asked my advice about it. What colour did I think
+ would be best? I was not interested, and answered &ldquo;black,&rdquo; without
+ thinking at all. And Herr Mack at once agreed:
+ </p>
+ <p>
+ &ldquo;Black, yes&mdash;exactly what I had been thinking myself. 'Salt and
+ barrels' in heavy black letters&mdash;that ought to look as nice as
+ anything... Edwarda, isn't it time you were going to bed?&rdquo;
+ </p>
+ <p>
+ Edwarda rose, shook hands with us both, said good-night, and left the
+ room. We sat on. We talked of the railway that had been finished last
+ year, and of the first telegraph line. &ldquo;Wonder when we shall have the
+ telegraph up here.&rdquo;
+ </p>
+ <p>
+ Pause.
+ </p>
+ <p>
+ &ldquo;It's like this,&rdquo; said Herr Mack. &ldquo;Time goes on, and here am I,
+ six-and-forty, and hair and beard gone grey. You might see me in the
+ daytime and say I was a young man, but when the evening comes along, and
+ I'm all alone, I feel it a good deal. I sit here mostly playing patience.
+ It works out all right as a rule, if you fudge a little. Haha!&rdquo;
+ </p>
+ <p>
+ &ldquo;If you fudge a little?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ I felt as if I could read in his eyes...
+ </p>
+ <p>
+ He got up from his seat, walked over to the window, and looked out; he
+ stooped a little, and the back of his neck was hairy. I rose in my turn.
+ He looked round and walked towards me in his long, pointed shoes, stuck
+ both thumbs in his waistcoat pockets, waved his arms a little, as if they
+ were wings, and smiled. Then he offered me his boat again if ever I wanted
+ one, and held out his hand.
+ </p>
+ <p>
+ &ldquo;Wait a minute&mdash;I'll go with you,&rdquo; he said, and blew out the lamps.
+ &ldquo;Yes, yes, I feel like a little walk. It's not so late.&rdquo;
+ </p>
+ <p>
+ We went out.
+ </p>
+ <p>
+ He pointed up the road towards the blacksmith's and said:
+ </p>
+ <p>
+ &ldquo;This way&mdash;it's the shortest.&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; I said. &ldquo;Round by the quay is the shortest way.&rdquo;
+ </p>
+ <p>
+ We argued the point a little, and did not agree. I was convinced that I
+ was right, and could not understand why he insisted. At last he suggested
+ that we should each go his own way; the one who got there first could wait
+ at the hut.
+ </p>
+ <p>
+ We set off, and he was soon lost to sight in the wood.
+ </p>
+ <p>
+ I walked at my usual pace, and reckoned to be there a good five minutes
+ ahead. But when I got to the hut he was there already. He called out as I
+ came up:
+ </p>
+ <p>
+ &ldquo;What did I say? I always go this way&mdash;it <i>is</i> the shortest.&rdquo;
+ </p>
+ <p>
+ I looked at him in surprise; he was not heated, and did not appear to have
+ been running. He did not stay now, but said good-night in a friendly way,
+ and went back the way he had come.
+ </p>
+ <p>
+ I stood there and thought to myself: This is strange! I ought to be some
+ judge of distance, and I've walked both those ways several times. My good
+ man, you've been fudging again. Was the whole thing a pretence?
+ </p>
+ <p>
+ I saw his back as he disappeared into the wood again.
+ </p>
+ <p>
+ Next moment I started off in track of him, going quickly and cautiously; I
+ could see him wiping his face all the way, and I was not so sure now that
+ he had not been running before. I walked very slowly now, and watched him
+ carefully; he stopped at the blacksmith's. I stepped into hiding, and saw
+ the door open, and Herr Mack enter the house.
+ </p>
+ <p>
+ It was one o'clock; I could tell by the look of the sea and the grass.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0010" id="link2H_4_0010"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ VIII
+ </h2>
+ <p>
+ A few days passed as best they could; my only friend was the forest and
+ the great loneliness. Dear God! I had never before known what it was to be
+ so alone as on the first of those days. It was full spring now; I had
+ found wintergreen and milfoil already, and the chaffinches had come (I
+ knew all the birds). Now and again I took a couple of coins from my pocket
+ and rattled them, to break the loneliness. I thought to myself: &ldquo;What if
+ Diderik and Iselin were to appear!&rdquo;
+ </p>
+ <p>
+ Night was coming on again; the sun just dipped into the sea and rose
+ again, red, refreshed, as if it had been down to drink. I could feel more
+ strangely on those nights than anyone would believe. Was Pan himself
+ there, sitting in a tree, watching me to see what I might do? Was his
+ belly open, and he sitting there bent over as if drinking from his own
+ belly? But all that he did only that he might look up under his brows and
+ watch me; and the whole tree shook with his silent laughter when he saw
+ how all my thoughts were running away with me. There was a rustling
+ everywhere in the woods, beasts sniffing, birds calling one to another;
+ their signals filled the air. And it was flying year for the Maybug; its
+ humming mingled with the buzz of the night moths, sounded like a
+ whispering here and a whispering there, all about in the woods. So much
+ there was to hear! For three nights I did not sleep; I thought of Diderik
+ and Iselin.
+ </p>
+ <p>
+ &ldquo;See now,&rdquo; I thought, &ldquo;they might come.&rdquo; And Iselin would lead Diderik
+ away to a tree and say:
+ </p>
+ <p>
+ &ldquo;Stand here, Diderik, and keep guard; keep watch; I will let this huntsman
+ tie my shoestring.&rdquo;
+ </p>
+ <p>
+ And the huntsman is myself, and she will give me a glance of her eyes that
+ I may understand. And when she comes, my heart knows all, and no longer
+ beats like a heart, but rings as a bell. I lay my hand on her.
+ </p>
+ <p>
+ &ldquo;Tie my shoe-string,&rdquo; she says, with flushed cheeks. ...
+ </p>
+ <p>
+ The sun dips down into the sea and rises again, red and refreshed, as if
+ it had been to drink. And the air is full of whisperings.
+ </p>
+ <p>
+ An hour after, she speaks, close to my mouth:
+ </p>
+ <p>
+ &ldquo;Now I must leave you.&rdquo;
+ </p>
+ <p>
+ And she turns and waves her hand to me as she goes, and her face is
+ flushed still; her face is tender and full of delight. And again she turns
+ and waves to me.
+ </p>
+ <p>
+ But Diderik steps out from under the tree and says:
+ </p>
+ <p>
+ &ldquo;Iselin, what have you done? I saw you.&rdquo;
+ </p>
+ <p>
+ She answers:
+ </p>
+ <p>
+ &ldquo;Diderik, what did you see? I have done nothing.&rdquo;
+ </p>
+ <p>
+ &ldquo;Iselin, I saw what you did,&rdquo; he says again; &ldquo;I saw you.&rdquo;
+ </p>
+ <p>
+ And then her rich, glad laughter rings through the wood, and she goes off
+ with him, full of rejoicing from top to toe. And whither does she go? To
+ the next mortal man; to a huntsman in the woods.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ It was midnight. Æsop had broken loose and been out hunting by himself; I
+ heard him baying up in the hills, and when at last I got him back it was
+ one o'clock. A girl came from herding goats; she fastened her stocking and
+ hummed a tune and looked around. But where was her flock? And what was she
+ doing in the woods at midnight? Ah, nothing, nothing. Walking there for
+ restlessness, perhaps, for joy; 'twas her affair. I thought to myself, she
+ had heard Æsop in the woods, and knew that I was out.
+ </p>
+ <p>
+ As she came up I rose and stood and looked at her, and I saw how slight
+ and young she was. Æsop, too, stood looking at her.
+ </p>
+ <p>
+ &ldquo;Where do you come from?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;From the mill,&rdquo; she answered.
+ </p>
+ <p>
+ But what could she have been doing at the mill so late at night?
+ </p>
+ <p>
+ &ldquo;How can you venture into the woods so late?&rdquo; I said&mdash;&ldquo;you so slight
+ and young?&rdquo;
+ </p>
+ <p>
+ She laughed, and said:
+ </p>
+ <p>
+ &ldquo;I am not so young&mdash;I am nineteen.&rdquo;
+ </p>
+ <p>
+ But she could not be nineteen; I am certain she was lying by at least two
+ years, and was only seventeen. But why should she lie to seem older?
+ </p>
+ <p>
+ &ldquo;Sit down,&rdquo; I said, &ldquo;and tell me your name.&rdquo;
+ </p>
+ <p>
+ And she sat down, blushing, by my side, and told me her name was
+ Henriette.
+ </p>
+ <p>
+ Then I asked her:
+ </p>
+ <p>
+ &ldquo;Have you a lover, Henriette, and has he ever taken you in his arms?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she said, smiling shyly.
+ </p>
+ <p>
+ &ldquo;How many times?&rdquo;
+ </p>
+ <p>
+ She was silent.
+ </p>
+ <p>
+ &ldquo;How many times?&rdquo; I asked her again.
+ </p>
+ <p>
+ &ldquo;Twice,&rdquo; she answered softly.
+ </p>
+ <p>
+ I drew her to me and said:
+ </p>
+ <p>
+ &ldquo;How did he do it? Was it like this?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she whispered, trembling.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0011" id="link2H_4_0011"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IX
+ </h2>
+ <p>
+ I had some talk with Edwarda.
+ </p>
+ <p>
+ &ldquo;We shall have rain before long,&rdquo; I said.
+ </p>
+ <p>
+ &ldquo;What time is it?&rdquo; she asked.
+ </p>
+ <p>
+ I looked at the sun and answered:
+ </p>
+ <p>
+ &ldquo;About five.&rdquo;
+ </p>
+ <p>
+ She asked:
+ </p>
+ <p>
+ &ldquo;Can you tell so nearly by the sun?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; I answered; &ldquo;I can.&rdquo;
+ </p>
+ <p>
+ Pause.
+ </p>
+ <p>
+ &ldquo;But when you can't see the sun, how do you tell the time then?&rdquo;
+ </p>
+ <p>
+ &ldquo;Then I can tell by other things. There's high tide and low tide, and the
+ grass that lies over at certain hours, and the song of the birds that
+ changes; some birds begin to sing when others leave off. Then, I can tell
+ the time by flowers that close in the afternoon, and leaves that are
+ bright green at some times and dull green at others&mdash;and then,
+ besides, I can feel it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I see.&rdquo;
+ </p>
+ <p>
+ Now I was expecting rain, and for Edwarda's sake I would not keep her
+ there any longer on the road; I raised my cap. But she stopped me suddenly
+ with a new question, and I stayed. She blushed, and asked me why I had
+ come to the place at all? Why I went out shooting, and why this and why
+ that? For I never shot more than I needed for food, and left my dog
+ idle...
+ </p>
+ <p>
+ She looked flushed and humble. I understood that someone had been talking
+ about me, and she had heard it; she was not speaking for herself. And
+ something about her called up a feeling of tenderness in me; she looked so
+ helpless, I remembered that she had no mother; her thin arms gave her an
+ ill-cared-for appearance. I could not help feeling it so.
+ </p>
+ <p>
+ Well, I did not go out shooting just to murder things, but to live. I had
+ need of one grouse to-day, and so I did not shoot two, but would shoot the
+ other to-morrow. Why kill more? I lived in the woods, as a son of the
+ woods. And from the first of June it was closed time for hare and
+ ptarmigan; there was but little left for me to shoot at all now. Well and
+ good: then I could go fishing, and live on fish. I would borrow her
+ father's boat and row out in that. No, indeed, I did no go out shooting
+ for the lust of killing things, but only to live in the woods. It was a
+ good place for me; I could lie down on the ground at meals, instead of
+ sitting upright on a chair; I did not upset my glass there. In the woods I
+ could do as I pleased; I could lie down flat on my back and close my eyes
+ if I pleased, and I could say whatever I liked to say. Often one might
+ feel a wish to say something, to speak aloud, and in the woods it sounded
+ like speech from the very heart...
+ </p>
+ <p>
+ When I asked her if she understood all this, she said, &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ And I went on, and told her more, because her eyes were on me. &ldquo;If you
+ only knew all that I see out in the wilds!&rdquo; I said. &ldquo;In winter, I come
+ walking along, and see, perhaps, the tracks of ptarmigan in the snow.
+ Suddenly the track disappears; the bird has taken wing. But from the marks
+ of the wings I can see which way the game has flown, and before long I
+ have tracked it down again. There is always a touch of newness in that for
+ me. In autumn, many a time there are shooting stars to watch. Then I think
+ to myself, being all alone, What was that? A world seized with convulsions
+ all of a sudden? A world going all to pieces before my eyes? To think that
+ I&mdash;that <i>I</i> should be granted the sight of shooting stars in my
+ life! And when summer comes, then perhaps there may be a little living
+ creature on every leaf; I can see that some of them have no wings; they
+ can make no great way in the world, but must live and die on that one
+ little leaf where they came into the world.
+ </p>
+ <p>
+ &ldquo;Then sometimes I see the blue flies. But it all seems such a little thing
+ to talk about&mdash;I don't know if you understand?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes, I understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good. Well, then sometimes I look at the grass, and perhaps the grass is
+ looking at me again&mdash;who can say? I look at a single blade of grass;
+ it quivers a little, maybe, and thinks me something. And I think to
+ myself: Here is a little blade of grass all a-quivering. Or if it happens
+ to be a fir tree I look at, then maybe the tree has one branch that makes
+ me think of it a little, too. And sometimes I meet people up on the moors;
+ it happens at times.&rdquo;
+ </p>
+ <p>
+ I looked at her; she stood bending forward, listening. I hardly knew her.
+ So lost in attention she was that she took no heed of herself, but was
+ ugly, foolish looking; her underlip hung far down.
+ </p>
+ <p>
+ &ldquo;Yes, yes,&rdquo; she said, and drew herself up.
+ </p>
+ <p>
+ The first drops of rain began to fall.
+ </p>
+ <p>
+ &ldquo;It is raining,&rdquo; said I.
+ </p>
+ <p>
+ &ldquo;Oh! Yes, it is raining,&rdquo; she said, and went away on the instant.
+ </p>
+ <p>
+ I did not see her home; she went on her way alone; I hurried up to the
+ hut. A few minutes passed. It began to rain heavily. Suddenly I heard
+ someone running after me. I stopped short, and there was Edwarda.
+ </p>
+ <p>
+ &ldquo;I forgot,&rdquo; she said breathlessly. &ldquo;We were going over to the islands&mdash;the
+ drying grounds, you know. The Doctor is coming to-morrow; will you have
+ time then?&rdquo;
+ </p>
+ <p>
+ &ldquo;To-morrow? Yes, indeed. I shall have time enough.&rdquo;
+ </p>
+ <p>
+ &ldquo;I forgot it,&rdquo; she said again, and smiled.
+ </p>
+ <p>
+ As she went, I noticed her thin, pretty calves; they were wet far above
+ the ankle. Her shoes were worn through.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0012" id="link2H_4_0012"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ X
+ </h2>
+ <p>
+ There was another day which I remember well. It was the day my summer
+ came. The sun began shining while it was still night, and dried up the wet
+ ground for the morning. The air was soft and fine after the last rain.
+ </p>
+ <p>
+ In the afternoon I went down to the quay. The water was perfectly still;
+ we could hear talking and laughter away over at the island, where men and
+ girls were at work on the fish. It was a happy afternoon.
+ </p>
+ <p>
+ Ay, was it not a happy afternoon? We took hampers of food and wine with
+ us; a big party we were, in two boats, with young women in light dresses.
+ I was so happy that I hummed a tune.
+ </p>
+ <p>
+ And when we were in the boat, I fell to thinking where all these young
+ people came from. There were the daughters of the Lensmand and the
+ district surgeon, a governess or so, and the ladies from the vicarage. I
+ had not seen them before; they were strangers to me; and yet, for all
+ that, they were as friendly as if we had known each other for years. I
+ made some mistakes! I had grown unaccustomed to being in society, and
+ often said &ldquo;Du&rdquo; [Footnote: &ldquo;Du"=thou, the familiar form of address
+ (tutoyer), instead of &ldquo;De"=you.] to the young ladies, but they did not
+ seem offended. And once I said &ldquo;dear,&rdquo; or &ldquo;my dear,&rdquo; but they forgave me
+ that as well, and took no notice of it.
+ </p>
+ <p>
+ Herr Mack had his unstarched shirt front on as usual, with the diamond
+ stud. He seemed in excellent spirits, and called across to the other boat:
+ </p>
+ <p>
+ &ldquo;Hi, look after the hamper with the bottles, you madcaps there. Doctor, I
+ shall hold you responsible for the wine.&rdquo;
+ </p>
+ <p>
+ &ldquo;Right!&rdquo; cried the Doctor. And just those few words from one boat to
+ another seemed to me pleasant and merry to hear.
+ </p>
+ <p>
+ Edwarda was wearing the same dress she had, worn the day before, as if she
+ had no other or did not care to put on another. Her shoes, too, were the
+ same. I fancied her hands were not quite clean; but she wore a brand new
+ hat, with feathers. She had taken her dyed jacket with her, and used it to
+ sit on.
+ </p>
+ <p>
+ At Herr Mack's request I fired a shot just as we were about to land, in
+ fact, two shots, both barrels&mdash;and they cheered. We rambled up over
+ the island, the workers greeted us all, and Herr Mack stopped to speak to
+ his folk. We found daisies and corn marigolds and put them in our
+ button-holes; some found harebells.
+ </p>
+ <p>
+ And there was a host of seabirds chattering and screaming, in the air and
+ on the shore.
+ </p>
+ <p>
+ We camped out on a patch of grass where there were a few stunted birches
+ with white stems. The hampers were opened, and Herr Mack saw to the
+ bottles. Light dresses, blue eyes, the ring of glasses, the sea, the white
+ sails. And we sang a little.
+ </p>
+ <p>
+ And cheeks were flushed.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ An hour later, my whole being was joy; even little things affected me. A
+ veil fluttering from a hat, a girl's hair coming down, a pair of eyes
+ closing in a laugh&mdash;and it touched me. That day, that day!
+ </p>
+ <p>
+ &ldquo;I've heard you've such a queer little hut up there, Lieutenant?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, a nest. And the very thing for me. Come and see me there one day;
+ there's no such hut anywhere else. And the great forest behind it.&rdquo;
+ </p>
+ <p>
+ Another came up and said kindly:
+ </p>
+ <p>
+ &ldquo;You have not been up here in the north before?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; I answered. &ldquo;But I know all about it already, ladies. At night I am
+ face to face with the mountains, the earth, and the sun. But I will not
+ try to use fine words. What a summer you have here! It bursts forth one
+ night when everyone is asleep, and in the morning there it is. I looked
+ out of my window and saw it myself. I have two little windows.&rdquo;
+ </p>
+ <p>
+ A third came up. She was charming by reason of her voice and her small
+ hands. How charming they all were! This one said:
+ </p>
+ <p>
+ &ldquo;Shall we change flowers? It brings luck, they say.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; I answered, holding out my hand, &ldquo;let us change flowers, and I
+ thank you for it. How pretty you are! You have a lovely voice; I have been
+ listening to it all the time.&rdquo;
+ </p>
+ <p>
+ But she drew back her harebells and said curtly:
+ </p>
+ <p>
+ &ldquo;What are you thinking about? It was not you I meant.&rdquo;
+ </p>
+ <p>
+ It was not me she meant! It hurt me to feel that I had been mistaken; I
+ wished myself at home again, far away in my hut, where only the wind could
+ speak to me. &ldquo;I beg your pardon,&rdquo; I said; &ldquo;forgive me.&rdquo; The other ladies
+ looked at one another and moved away, so as not to humiliate me.
+ </p>
+ <p>
+ Just at that moment someone came quickly over towards us. All could see
+ her&mdash;it was Edwarda. She came straight to me. She said something, and
+ threw her arms round my neck; clasped her arms round my neck and kissed me
+ again and again on the lips. Each time she said something, but I did not
+ hear what it was. I could not understand it all; my heart stood still; I
+ had only a feeling of her burning look. Then she slipped away from me; her
+ little breast beat up and down. She stood there still, with her brown face
+ and brown neck, tall and slender, with flashing eyes, altogether heedless.
+ They were all looking at her. For the second time I was fascinated by her
+ dark eyebrows, that curved high up into her forehead.
+ </p>
+ <p>
+ But, Heavens&mdash;the girl had kissed me openly in sight of them all!
+ </p>
+ <p>
+ &ldquo;What is it, Edwarda?&rdquo; I asked, and I could hear my blood beating; hear it
+ as it were from down in my throat, so that I could not speak distinctly.
+ </p>
+ <p>
+ &ldquo;Nothing,&rdquo; she answered. &ldquo;Only&mdash;that I wanted to. It doesn't matter.&rdquo;
+ </p>
+ <p>
+ I took off my cap and brushed back my hair mechanically as I stood looking
+ at her. &ldquo;Doesn't matter...?&rdquo;
+ </p>
+ <p>
+ Herr Mack was saying something, a good way off; we could not hear his
+ words from where we were. But I was glad to think that Herr Mack had seen
+ nothing, that he knew nothing of this. It was well indeed that he had been
+ away from the party just then. I felt relieved at that, and I stepped over
+ to the others and said with a laugh, and seeming quite indifferent:
+ </p>
+ <p>
+ &ldquo;I would ask you all to forgive my unseemly behavior a moment ago; I am
+ myself extremely sorry about it. Edwarda kindly offered to change flowers
+ with me, and I forgot myself. I beg her pardon and yours. Put yourself in
+ my place; I live all alone, and am not accustomed to the society of
+ ladies; besides which, I have been drinking wine, and am not used to that
+ either. You must make allowances for that.&rdquo;
+ </p>
+ <p>
+ And I laughed, and showed great indifference to such a trifle, that it
+ might be forgotten; but, inwardly, I was serious. Moreover, what I had
+ said made no impression on Edwarda. She did not try to hide anything, to
+ smooth over the effect of her hasty action: on the contrary, she sat down
+ close to me and kept looking at me fixedly. Now and again she spoke to me.
+ And afterwards, when we were playing &ldquo;<i>Enke</i>,&rdquo; she said:
+ </p>
+ <p>
+ &ldquo;I shall have Lieutenant Glahn. I don't care to run after anyone else.&rdquo;
+ </p>
+ <p>
+ &ldquo;<i>Saa for Satan</i>, [Footnote: Expletive, equivalent to &ldquo;The Devil!&rdquo; or
+ &ldquo;Damnation!&rdquo;] girl, be quiet!&rdquo; I whispered, stamping my foot.
+ </p>
+ <p>
+ She gave me a look of surprise, made a wry face as if it hurt, and then
+ smiled bashfully. I was deeply moved at that; the helpless look in her
+ eyes and her little thin figure were more than I could resist; I was drawn
+ to her in that moment, and I took her long, slight hand in mine.
+ </p>
+ <p>
+ &ldquo;Afterwards,&rdquo; I said, &ldquo;No more now. We can meet again to-morrow.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0013" id="link2H_4_0013"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XI
+ </h2>
+ <p>
+ In the night I heard Æsop get up from his corner and growl; I heard it
+ through my sleep, but I was dreaming just then of shooting, the growl of
+ the dog fitted into the dream, and it did not wake me, quite. When I
+ stepped out of the hut next morning there were tracks in the grass of a
+ pair of human feet; someone had been there&mdash;had gone first to one of
+ my windows, then to the other. The tracks were lost again down on the
+ road.
+ </p>
+ <p>
+ She came towards me with hot cheeks, with a face all beaming.
+ </p>
+ <p>
+ &ldquo;Have you been waiting?&rdquo; she said. &ldquo;I was afraid you would have to wait.&rdquo;
+ </p>
+ <p>
+ I had not been waiting; she was on the way before me.
+ </p>
+ <p>
+ &ldquo;Have you slept well?&rdquo; I asked. I hardly knew what to say.
+ </p>
+ <p>
+ &ldquo;No, I haven't. I have been awake,&rdquo; she answered. And she told me she had
+ not slept that night, but had sat in a chair with her eyes closed. And she
+ had been out of the house for a little walk.
+ </p>
+ <p>
+ &ldquo;Someone was outside my hut last night,&rdquo; I said. &ldquo;I saw tracks in the
+ grass this morning.&rdquo;
+ </p>
+ <p>
+ And her face colored; she took my hand there, on the road, and made no
+ answer. I looked at her, and said:
+ </p>
+ <p>
+ &ldquo;Was it you, I wonder?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she answered, pressing close to me. &ldquo;It was I. I hope I didn't wake
+ you&mdash;I stepped as quietly as I could. Yes, it was I. I was near you
+ again. I am fond of you!&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0014" id="link2H_4_0014"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XII
+ </h2>
+ <p>
+ Every day, every day I met her. I will tell the truth: I was glad to meet
+ her; aye, my heart flew. It is two years ago this year; now, I think of it
+ only when I please, the whole story just amuses and distracts me. And as
+ for the two green feathers, I will tell about them in good time.
+ </p>
+ <p>
+ There were several places where we could meet&mdash;at the mill, on the
+ road, even in my hut. She came wherever I would. <i>&ldquo;Goddag!&rdquo;</i> she
+ cried, always first, and I answered <i>&ldquo;Goddag!&rdquo;</i>
+ </p>
+ <p>
+ &ldquo;You are happy to-day,&rdquo; she says, and her eyes sparkle.
+ </p>
+ <p>
+ &ldquo;Yes, I am happy,&rdquo; I answer. &ldquo;There is a speck there on your shoulder; it
+ is dust, perhaps, a speck of mud from the road; I must kiss that little
+ spot. No&mdash;let me&mdash;I will. Everything about you stirs me so! I am
+ half out of my senses. I did not sleep last night.&rdquo;
+ </p>
+ <p>
+ And that was true. Many a night I lay and could not sleep.
+ </p>
+ <p>
+ We walk side by side along the road.
+ </p>
+ <p>
+ &ldquo;What do you think&mdash;am I as you like me to be?&rdquo; she asks. &ldquo;Perhaps I
+ talk too much. No? Oh, but you must say what you really think. Sometimes I
+ think to myself this can never come to any good...&rdquo;
+ </p>
+ <p>
+ &ldquo;What can never come to any good?&rdquo; I ask.
+ </p>
+ <p>
+ &ldquo;This between us. That it cannot come to any good. You may believe it or
+ not, but I am shivering now with cold; I feel icy cold the moment I come
+ to you. Just out of happiness.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is the same with me,&rdquo; I answer. &ldquo;I feel a shiver, too, when I see you.
+ But it will come to some good all the same. And, anyhow, let me pat you on
+ the back, to warm you.&rdquo;
+ </p>
+ <p>
+ And she lets me, half unwillingly, and then I hit a little harder, for a
+ jest, and laugh, and ask if that doesn't make her feel better.
+ </p>
+ <p>
+ &ldquo;Oh, please, don't when I ask you; <i>please</i>,&rdquo; says she.
+ </p>
+ <p>
+ Those few words! There was something so helpless about her saying it so,
+ the wrong way round: &ldquo;Please don't when I ask you.&rdquo;...
+ </p>
+ <p>
+ Then we went on along the road again. Was she displeased with me for my
+ jest, I wondered? And thought to myself: Well, let us see. And I said:
+ </p>
+ <p>
+ &ldquo;I just happened to think of something. Once when I was out on a sledge
+ party, there was a young lady who took a silk kerchief from her neck and
+ fastened it round mine. In the evening, I said to her: 'You shall have
+ your kerchief again to-morrow; I will have it washed.' 'No,' she said,
+ 'give it to me now; I will keep it just as it is, after you have worn it.'
+ And I gave it to her. Three years after, I met the same young lady again.
+ 'The kerchief,' I said. And she brought it out. It lay in a paper, just as
+ before; I saw it myself.&rdquo;
+ </p>
+ <p>
+ Edwarda glanced up at me.
+ </p>
+ <p>
+ &ldquo;Yes? And what then?&rdquo;
+ </p>
+ <p>
+ &ldquo;That is all,&rdquo; I said. &ldquo;There was nothing more. But I thought it was nice
+ of her.&rdquo;
+ </p>
+ <p>
+ Pause.
+ </p>
+ <p>
+ &ldquo;Where is that lady now?&rdquo;
+ </p>
+ <p>
+ &ldquo;Abroad.&rdquo;
+ </p>
+ <p>
+ We spoke no more of that. But when it was time for her to go home, she
+ said:
+ </p>
+ <p>
+ &ldquo;Well, good-night. But you won't go thinking of that lady any more, will
+ you? I don't think of anyone but you.&rdquo;
+ </p>
+ <p>
+ I believed her. I saw that she meant what she said, and it was more than
+ enough for me that she thought of no one else. I walked after her.
+ </p>
+ <p>
+ &ldquo;Thank you, Edwarda,&rdquo; I said. And then I added with all my heart: &ldquo;You are
+ all too good for me, but I am thankful that you will have me; God will
+ reward you for that. I'm not so fine as many you could have, no doubt, but
+ I am all yours&mdash;so endlessly yours, by my eternal soul.&mdash;&mdash;What
+ are you thinking of now, to bring tears to your eyes?&rdquo;
+ </p>
+ <p>
+ &ldquo;It was nothing,&rdquo; she answered. &ldquo;It sounded so strange&mdash;that God
+ would reward me for that. You say things that I ... Oh, I love you so!&rdquo;
+ </p>
+ <p>
+ And all at once she threw her arms round my neck, there in the middle of
+ the road, and kissed me.
+ </p>
+ <p>
+ When she had gone, I stepped aside into the woods to hide, to be alone
+ with my happiness. And then I hurried eagerly back to the road to see if
+ anyone had noticed that I had gone in there. But I saw no one.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0015" id="link2H_4_0015"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XIII
+ </h2>
+ <p>
+ Summer nights and still water, and the woods endlessly still. No cry, no
+ footsteps from the road. My heart seemed full as with dark wine.
+ </p>
+ <p>
+ Moths and night-flies came flying noiselessly in through my window, lured
+ by the glow from the hearth and the smell of the bird I had just cooked.
+ They dashed against the roof with a dull sound, fluttered past my ears,
+ sending a cold shiver through me, and settled on my white powder-horn on
+ the wall. I watched them; they sat trembling and looked at me&mdash;moths
+ and spinners and burrowing things. Some of them looked like pansies on the
+ wing.
+ </p>
+ <p>
+ I stepped outside the hut and listened. Nothing, no noise; all was asleep.
+ The air was alight with flying insects, myriads of buzzing wings. Out at
+ the edge of the wood were ferns and aconite, the trailing arbutus was in
+ bloom, and I loved its tiny flowers... Thanks, my God, for every heather
+ bloom I have ever seen; they have been like small roses on my way, and I
+ weep for love of them... Somewhere near were wild carnations; I could not
+ see them, but I could mark their scent.
+ </p>
+ <p>
+ But now, in the night hours, great white flowers have opened suddenly;
+ their chalices are spread wide; they are breathing. And furry twilight
+ moths slip down into their petals, making the whole plant quiver. I go
+ from one flower to another. They are drunken flowers. I mark the stages of
+ their intoxication.
+ </p>
+ <p>
+ Light footsteps, a human breathing, a happy &ldquo;<i>Godaften</i>.&rdquo;
+ </p>
+ <p>
+ And I answer, and throw myself down on the road.
+ </p>
+ <p>
+ &ldquo;<i>Godaften</i>, Edwarda,&rdquo; I say again, worn out with joy.
+ </p>
+ <p>
+ &ldquo;That you should care for me so!&rdquo; she whispers.
+ </p>
+ <p>
+ And I answered her: &ldquo;If you knew how grateful I can be! You are mine, and
+ my heart lies still within me all the day, thinking of you. You are the
+ loveliest girl on earth, and I have kissed you. Often I go red with joy,
+ only to think that I have kissed you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why are you so fond of me this evening?&rdquo; she asks.
+ </p>
+ <p>
+ I was that for endless reasons; I needed only to think of her to feel so.
+ That look of hers, from under the high-arched brows, and her rich, dark
+ skin!
+ </p>
+ <p>
+ &ldquo;Should I not be fond of you?&rdquo; I say again. &ldquo;I thank every tree in my path
+ because you are well and strong. Once at a dance there was a young lady
+ who sat out dance after dance, and they let her sit there alone. I didn't
+ know her, but her face touched me, and I bowed to her. Well? But no, she
+ shook her head. Would she not dance, I asked her? 'Can you imagine it?'
+ she said. 'My father was a handsome man, and my mother a perfect beauty,
+ and my father won her by storm. But I was born lame.'&rdquo;
+ </p>
+ <p>
+ Edwarda looked at me.
+ </p>
+ <p>
+ &ldquo;Let us sit down,&rdquo; she said.
+ </p>
+ <p>
+ And we sat down in the heather.
+ </p>
+ <p>
+ &ldquo;Do you know what my friend says about you?&rdquo; she began. &ldquo;Your eyes are
+ like an animal's, she says, and when you look at her, it makes her mad. It
+ is just as if you touched her, she says.&rdquo;
+ </p>
+ <p>
+ A strange joy thrilled me when I heard that, not for my own sake, but for
+ Edwarda's, and I thought to myself: There is only one whom I care for:
+ what does that one say of the look in my eyes? And I asked her:
+ </p>
+ <p>
+ &ldquo;Who was that, your friend?&rdquo;
+ </p>
+ <p>
+ &ldquo;I will not tell you,&rdquo; she said. &ldquo;But it was one of those that were out on
+ the island that day.&rdquo;
+ </p>
+ <p>
+ &ldquo;Very well, then.&rdquo;
+ </p>
+ <p>
+ And then we spoke of other things.
+ </p>
+ <p>
+ &ldquo;My father is going to Russia in a few days,&rdquo; she said. &ldquo;And I am going to
+ have a party. Have you been out to Korholmerne? We must have two hampers
+ of wine; the ladies from the vicarage are coming again, and father has
+ already given me the wine. And you won't look at her again, will you? My
+ friend, I mean. Please, you won't, <i>will</i> you? Or I shall not ask her
+ at all.&rdquo;
+ </p>
+ <p>
+ And with no more words she threw herself passionately about my neck, and
+ looked at me, gazing into my face and breathing heavily. Her glance was
+ sheer blackness.
+ </p>
+ <p>
+ I got up abruptly, and, in my confusion, could only say:
+ </p>
+ <p>
+ &ldquo;So your father is going to Russia?&rdquo;
+ </p>
+ <p>
+ &ldquo;What did you get up like that for, so quickly?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Because it is late, Edwarda,&rdquo; I said. &ldquo;Now the white flowers are closing
+ again. The sun is getting up; it will soon be day.&rdquo;
+ </p>
+ <p>
+ I went with her through the woodland and stood watching her as long as I
+ could; far down, she turned round and softly called good-night. Then she
+ disappeared.
+ </p>
+ <p>
+ At the same moment the door of the blacksmith's house opened. A man with a
+ white shirt front came out, looked round, pulled his hat down farther over
+ his forehead, and took the road down to Sirilund.
+ </p>
+ <p>
+ Edwarda's good-night was still in my ears.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0016" id="link2H_4_0016"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XIV
+ </h2>
+ <p>
+ A man can be drunk with joy. I fire off my gun, and an unforgettable echo
+ answers from hill to hill, floats out over the sea and rings in some
+ sleepy helmsman's ears. And what have I to be joyful about? A thought that
+ came to me, a memory; a sound in the woods, a human being. I think of her,
+ I close my eyes and stand still there on the road, and think of her; I
+ count the minutes.
+ </p>
+ <p>
+ Now I am thirsty, and drink from the stream; now I walk a hundred paces
+ forward and a hundred paces back; it must be late by now, I say to myself.
+ </p>
+ <p>
+ Can there be anything wrong? A month has passed, and a month is no long
+ time; there is nothing wrong. Heaven knows this month has been short. But
+ the nights are often long, and I am driven to wet my cap in the stream and
+ let it dry, only to pass the time, while I am waiting.
+ </p>
+ <p>
+ I reckoned my time by nights. Sometimes there would be an evening when
+ Edwarda did not come&mdash;once she stayed away two evenings. Nothing
+ wrong, no. But I felt then that perhaps my happiness had reached and
+ passed its height.
+ </p>
+ <p>
+ And had it not?
+ </p>
+ <p>
+ &ldquo;Can you hear, Edwarda, how restless it is in the woods to-night? Rustling
+ incessantly in the undergrowth, and the big leaves trembling. Something
+ brewing, maybe&mdash;but it was not that I had in mind to say. I hear a
+ bird away up on the hill&mdash;only a tomtit, but it has sat there calling
+ in the same place two nights now. Can you hear&mdash;the same, same note
+ again?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I hear it. Why do you ask me that?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, for no reason at all. It has been there two nights now. That was
+ all... Thanks, thanks for coming this evening, love. I sat here, expecting
+ you this evening, or the next, looking forward to it, when you came.&rdquo;
+ </p>
+ <p>
+ &ldquo;And I have been waiting too. I think of you, and I have picked up the
+ pieces of the glass you upset once, and kept them&mdash;do you remember?
+ Father went away last night. I could not come, there was so much to do
+ with the packing, and reminding him of things. I knew you were waiting
+ here in the woods, and I cried, and went on packing.&rdquo;
+ </p>
+ <p>
+ But it is two evenings, I thought to myself. What was she doing the first
+ evening? And why is there less joy in her eyes now than before?
+ </p>
+ <p>
+ An hour passed. The bird up in the hills was silent, the woods lay dead.
+ No, no, nothing wrong; all as before; she gave me her hand to say
+ good-night, and looked at me with love in her eyes.
+ </p>
+ <p>
+ &ldquo;To-morrow?&rdquo; I said.
+ </p>
+ <p>
+ &ldquo;No, not to-morrow,&rdquo; she answered.
+ </p>
+ <p>
+ I did not ask her why.
+ </p>
+ <p>
+ &ldquo;To-morrow is our party,&rdquo; she said with a laugh. &ldquo;I was only going to
+ surprise you, but you looked so miserable, I had to tell you at once. I
+ was going to send you an invitation all on paper.&rdquo;
+ </p>
+ <p>
+ And my heart was lightened unspeakably.
+ </p>
+ <p>
+ She went off, nodding farewell.
+ </p>
+ <p>
+ &ldquo;One thing more,&rdquo; said I, standing where I was. &ldquo;How long is it since you
+ gathered up the pieces of that glass and put them away?&rdquo;
+ </p>
+ <p>
+ &ldquo;Why&mdash;a week ago, perhaps, or a fortnight. Yes, perhaps a fortnight.
+ But why do you ask? Well, I will tell you the truth&mdash;it was
+ yesterday.&rdquo;
+ </p>
+ <p>
+ Yesterday! No longer ago than yesterday she had thought of me. All was
+ well again now.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0017" id="link2H_4_0017"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XV
+ </h2>
+ <p>
+ The two boats lay ready, and we stepped on board. Talking and singing. The
+ place, Korholmerne, lay out beyond the islands; it took a good while to
+ row across, and on the way we talked, one party with another, from boat to
+ boat. The Doctor wore light things, as the ladies did; I had never seen
+ him so pleased before; he talked with the rest, instead of listening in
+ silence. I had an idea he had been drinking a little, and so was in good
+ humor to-day. When we landed, he craved the attention of the party for a
+ moment, and bade us welcome. I thought to myself: This means that Edwarda
+ has asked him to act as host.
+ </p>
+ <p>
+ He fell to entertaining the ladies in the most amiable manner. To Edwarda
+ he was polite and kind, often fatherly, and pedantically instructive, as
+ he had been so many times before. She spoke of some date or other, saying:
+ &ldquo;I was born in '38,&rdquo; and he asked, &ldquo;Eighteen hundred and thirty-eight, I
+ suppose you mean?&rdquo; And if she had answered, &ldquo;No, in nineteen hundred and
+ thirty-eight,&rdquo; he would have shown no embarrassment, but only corrected
+ her again, and said, &ldquo;I think you must be mistaken.&rdquo; When I said anything
+ myself, he listened politely and attentively, and did not ignore me.
+ </p>
+ <p>
+ A young girl came up to me with a greeting. I did not recognize her; I
+ could not remember her at all, and I said a few words in surprise, and she
+ laughed. It was one of the Dean's daughters. I had met her the day we went
+ to the island before, and had invited her to my hut. We talked together a
+ little.
+ </p>
+ <p>
+ An hour or so passed by. I was feeling dull, and drank from the wine
+ poured out for me, and mixed with the others, chatting with them all.
+ Again I made a mistake here and there: I was on doubtful ground, and could
+ not tell at the moment how to answer any little civility; now and then I
+ talked incoherently, or even found nothing at all to say, and this
+ troubled me. Over by the big rock which we were using as a table sat the
+ Doctor, gesticulating.
+ </p>
+ <p>
+ &ldquo;Soul&mdash;what is the soul?&rdquo; he was saying. The Dean's daughter had
+ accused him of being a free-thinker&mdash;well, and should not a man think
+ freely? People imagined hell as a sort of house down under the ground,
+ with the devil as host&mdash;or rather as sovereign lord. Then he spoke of
+ the altar picture in the chapel, a figure of the Christ, with a few Jews
+ and Jewesses; water into wine&mdash;well and good. But Christ had a halo
+ round His head. And what was a halo? Simply a yellow hoop fixed on three
+ hairs.
+ </p>
+ <p>
+ Two of the ladies clasped their hands aghast, but the Doctor extricated
+ himself, and said jestingly:
+ </p>
+ <p>
+ &ldquo;Sounds horrible, doesn't it? I admit it. But if you repeat it and repeat
+ it again to yourself seven or eight times, and then think it over a
+ little, it soon sounds easier... Ladies, your very good health!&rdquo;
+ </p>
+ <p>
+ And he knelt on the grass before the two ladies, and instead of taking his
+ hat off and laying it before him he held it straight up in the air with
+ one hand, and emptied his glass with his head bent back. I was altogether
+ carried away by his wonderful ease of manner, and would have drunk with
+ him myself but that his glass was empty.
+ </p>
+ <p>
+ Edwarda was following him with her eyes. I placed myself near her, and
+ said:
+ </p>
+ <p>
+ &ldquo;Shall we play '<i>Enke</i>' to-day?&rdquo;
+ </p>
+ <p>
+ She started slightly, and got up.
+ </p>
+ <p>
+ &ldquo;Be careful not to say '<i>Du</i>' to each other now,&rdquo; she whispered.
+ </p>
+ <p>
+ Now I had not said &ldquo;<i>Du</i>&rdquo; at all. I walked away.
+ </p>
+ <p>
+ Another hour passed. The day was getting long; I would have rowed home
+ alone long before if there had been a third boat; Æsop lay tied up in the
+ hut, and perhaps he was thinking of me. Edwarda's thoughts must surely be
+ far away from me; she talked of how lovely it would be to travel, and see
+ strange places; her cheeks flushed at the thought, and she even stumbled
+ in her speech:
+ </p>
+ <p>
+ &ldquo;No one could be more happier than I the day ...&rdquo;
+ </p>
+ <p>
+ &ldquo;'More happier'...?&rdquo; said the Doctor.
+ </p>
+ <p>
+ &ldquo;What?&rdquo; said she.
+ </p>
+ <p>
+ &ldquo;'More happier.'&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't understand.&rdquo;
+ </p>
+ <p>
+ &ldquo;You said 'more happier,' I think.&rdquo;
+ </p>
+ <p>
+ &ldquo;Did I? I'm sorry. No one could be happier than I the day I stood on board
+ the ship. Sometimes I long for places I do not know myself.&rdquo;
+ </p>
+ <p>
+ She longed to be away; she did not think of me. I stood there, and read in
+ her face that she had forgotten me. Well, there was nothing to be said&mdash;but
+ I stood there myself and saw it in her face. And the minutes dragged so
+ miserably slowly by! I asked several of the others if we ought not to row
+ back now; it was getting late, I said, and Æsop was tied up in the hut.
+ But none of them wanted to go back.
+ </p>
+ <p>
+ I went over again to the Dean's daughter, for the third time; I thought
+ she must be the one that had said I had eyes like an animal's. We drank
+ together; she had quivering eyes, they were never still; she kept looking
+ at me and then looking away, all the time.
+ </p>
+ <p>
+ &ldquo;Fröken,&rdquo; I said, &ldquo;do you not think people here in these parts are like
+ the short summer itself? In their feeling, I mean? Beautiful, but lasting
+ only a little while?&rdquo;
+ </p>
+ <p>
+ I spoke loudly, very loudly, and I did so on purpose. And I went on
+ speaking loudly, and asked that young lady once more if she would not like
+ to come up one day and see my hut. &ldquo;Heaven bless you for it,&rdquo; I said in my
+ distress, and I was already thinking to myself how, perhaps, I might find
+ something to give her as a present if she came. Perhaps I had nothing to
+ give her but my powder-horn, I thought.
+ </p>
+ <p>
+ And she promised to come.
+ </p>
+ <p>
+ Edwarda sat with her face turned away and let me talk as much as I
+ pleased. She listened to what the others said, putting in a word herself
+ now and again. The Doctor told the young ladies' fortunes by their hands,
+ and talked a lot; he himself had small, delicate hands, with a ring on one
+ finger. I felt myself unwanted, and sat down by myself awhile on a stone.
+ It was getting late in the afternoon. Here I am, I said to myself, sitting
+ all alone on a stone, and the only creature that could make me move, she
+ lets me sit. Well, then, I care no more than she.
+ </p>
+ <p>
+ A great feeling of forsakenness came over me. I could hear them talking
+ behind me, and I heard how Edwarda laughed; and at that I got up suddenly
+ and went over to the party. My excitement ran away with me.
+ </p>
+ <p>
+ &ldquo;Just a moment,&rdquo; I said. &ldquo;It occurred to me while I was sitting there that
+ perhaps you might like to see my fly-book.&rdquo; And I took it out. &ldquo;I am sorry
+ I did not think of it before. Just look through it, if you please; I
+ should be only too delighted. You must all see it; there are both red and
+ yellow flies in it.&rdquo; And I held my cap in my hand as I spoke. I was myself
+ aware that I had taken off my cap, and I knew that this was wrong, so I
+ put it on again at once.
+ </p>
+ <p>
+ There was deep silence for a moment, and no one offered to take the book.
+ At last the Doctor reached out his hand for it and said politely:
+ </p>
+ <p>
+ &ldquo;Thanks very much; let us look at the things. It's always been a marvel to
+ me how those flies were put together.&rdquo;
+ </p>
+ <p>
+ &ldquo;I make them myself,&rdquo; I said, full of gratitude. And I went on at once to
+ explain how it was done. It was simple enough: I bought the feathers and
+ the hooks. They were not well made, but they were only for my own use. One
+ could get ready-made flies in the shops, and they were beautiful things.
+ </p>
+ <p>
+ Edwarda cast one careless glance at me and my book, and went on talking
+ with her girl friends.
+ </p>
+ <p>
+ &ldquo;Ah, here are some of the feathers,&rdquo; said the Doctor. &ldquo;Look, these are
+ really fine.&rdquo;
+ </p>
+ <p>
+ Edwarda looked up.
+ </p>
+ <p>
+ &ldquo;The green ones are pretty,&rdquo; she said; &ldquo;let me look, Doctor.&rdquo;
+ </p>
+ <p>
+ &ldquo;Keep them,&rdquo; I cried. &ldquo;Yes, do, I beg you, now. Two green feathers. Do, as
+ a kindness, let them be a keepsake.&rdquo;
+ </p>
+ <p>
+ She looked at them and said:
+ </p>
+ <p>
+ &ldquo;They are green and gold, as you turn them in the sun. Thank you, if you
+ will give me them.&rdquo;
+ </p>
+ <p>
+ &ldquo;I should be glad to,&rdquo; I said.
+ </p>
+ <p>
+ And she took the feathers.
+ </p>
+ <p>
+ A little later the Doctor handed me the book and thanked me. Then he got
+ up and asked if it were not nearly time to be getting back.
+ </p>
+ <p>
+ I said: &ldquo;Yes, for Heaven's sake. I have a dog tied up at home; look you, I
+ have a dog, and he is my friend; he lies there thinking of me, and when I
+ come home he stands with his forepaws at the window to greet me. It has
+ been a lovely day, and now it is nearly over; let us go back. I am
+ grateful to you all.&rdquo;
+ </p>
+ <p>
+ I waited on the shore to see which boat Edwarda chose, and made up my mind
+ to go in the other one myself. Suddenly she called me. I looked at her in
+ surprise; her face was flushed. Then she came up to me, held out her hand,
+ and said tenderly:
+ </p>
+ <p>
+ &ldquo;Thank you for the feathers. You will come in the boat with me, won't
+ you?&rdquo;
+ </p>
+ <p>
+ &ldquo;If you wish it,&rdquo; I said.
+ </p>
+ <p>
+ We got into the boat, and she sat down beside me on the same seat, her
+ knee touching mine. I looked at her, and she glanced at me for a moment in
+ return. I began to feel myself repaid for that bitter day, and was growing
+ happy again, when she suddenly changed her position, turned her back to
+ me, and began talking to the Doctor, who was sitting at the rudder.
+ </p>
+ <p>
+ For a full quarter of an hour I did not exist for her. Then I did
+ something I repent of, and have not yet forgotten. Her shoe fell off: I
+ snatched it up and flung it far out into the water, for pure joy that she
+ was near, or from some impulse to make myself remarked, to remind her of
+ my existence&mdash;I do not know. It all happened so suddenly I did not
+ think, only felt that impulse.
+ </p>
+ <p>
+ The ladies set up a cry. I myself was as if paralyzed by what I had done,
+ but what was the good of that? It was done. The Doctor came to my help; he
+ cried &ldquo;Row,&rdquo; and steered towards the shoe. And the next moment the boatman
+ had caught hold of the shoe just as it had filled with water and was
+ sinking; the man's arm was wet up to the elbow. Then there was a shout of
+ &ldquo;Hurra&rdquo; from many in the boats, because the shoe was saved.
+ </p>
+ <p>
+ I was deeply ashamed, and felt that my face changed color and winced, as I
+ wiped the shoe with my handkerchief. Edwarda took it without a word. Not
+ till a little while after did she say:
+ </p>
+ <p>
+ &ldquo;I never saw such a thing!&rdquo;
+ </p>
+ <p>
+ &ldquo;No, did you ever?&rdquo; I said. And I smiled and pulled myself together,
+ making as if I had played that trick for some particular reason&mdash;as
+ if there were something behind it. But what could there be? The Doctor
+ looked at me, for the first time, contemptuously.
+ </p>
+ <p>
+ A little time passed; the boats glided homeward; the feeling of
+ awkwardness among the party disappeared; we sang; we were nearing the
+ land. Edwarda said:
+ </p>
+ <p>
+ &ldquo;Oh, we haven't finished the wine: there is ever so much left. We must
+ have another party, a new party later on; we must have a dance, a ball in
+ the big room.&rdquo;
+ </p>
+ <p>
+ When we went ashore I made an apology to Edwarda.
+ </p>
+ <p>
+ &ldquo;If you knew how I wished myself back in my hut!&rdquo; I said. &ldquo;This has been a
+ long and painful day.&rdquo;
+ </p>
+ <p>
+ &ldquo;Has it been a painful day for you, Lieutenant?&rdquo;
+ </p>
+ <p>
+ &ldquo;I mean,&rdquo; said I, trying to pass it off, &ldquo;I mean, I have caused
+ unpleasantness both to myself and others. I threw your shoe into the
+ water.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes&mdash;an extraordinary thing to do.&rdquo;
+ </p>
+ <p>
+ &ldquo;Forgive me,&rdquo; I said.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0018" id="link2H_4_0018"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XVI
+ </h2>
+ <p>
+ What worse things might still happen? I resolved to keep calm, whatever
+ might come; Heaven is my witness. Was it I who had forced myself on her
+ from the first? No, no; never! I was but standing in her way one week-day
+ as she passed. What a summer it was here in the north! Already the
+ cockchafers had ceased to fly, and people were grown more and more
+ difficult to understand, for all that the sun shone on them day and night.
+ What were their blue eyes looking for, and what were they thinking behind
+ their mysterious lashes? Well, after all, they were all equally
+ indifferent to me. I took out my lines and went fishing for two days, four
+ days; but at night I lay with open eyes in the hut...
+ </p>
+ <p>
+ &ldquo;Edwarda, I have not seen you for four days.&rdquo;
+ </p>
+ <p>
+ &ldquo;Four days, yes&mdash;so it is. Oh, but I have been so busy. Come and
+ look.&rdquo;
+ </p>
+ <p>
+ She led me into the big room. The tables had been moved out, the chairs
+ set round the walls, everything shifted; the chandelier, the stove, and
+ the walls were fantastically decorated with heather and black stuff from
+ the store. The piano stood in one corner.
+ </p>
+ <p>
+ These were her preparations for &ldquo;the ball.&rdquo;
+ </p>
+ <p>
+ &ldquo;What do you think of it?&rdquo; she asked.
+ </p>
+ <p>
+ &ldquo;Wonderful,&rdquo; I said.
+ </p>
+ <p>
+ We went out of the room.
+ </p>
+ <p>
+ I said: &ldquo;Listen, Edwarda&mdash;have you quite forgotten me?&rdquo;
+ </p>
+ <p>
+ &ldquo;I can't understand you,&rdquo; she answered in surprise. &ldquo;You saw all I had
+ been doing&mdash;how could I come and see you at the same time?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; I agreed; &ldquo;perhaps you couldn't.&rdquo; I was sick and exhausted with want
+ of sleep, my speech grew meaningless and uncontrolled; I had been
+ miserable the whole day. &ldquo;No, of course you could not come. But I was
+ going to say ... in a word, something has changed; there is something
+ wrong. Yes. But I cannot read in your face what it is. There is something
+ very strange about your brow, Edwarda. Yes, I can see it now.&rdquo;
+ </p>
+ <p>
+ &ldquo;But I have not forgotten you,&rdquo; she cried, blushing, and slipped her arm
+ suddenly into mine.
+ </p>
+ <p>
+ &ldquo;No? Well, perhaps you have not forgotten me. But if so, then I do not
+ know what I am saying. One or the other.&rdquo;
+ </p>
+ <p>
+ &ldquo;You shall have an invitation to-morrow. You must dance with me. Oh, how
+ we will dance!&rdquo;
+ </p>
+ <p>
+ &ldquo;Will you go a little way with me?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;Now? No, I can't,&rdquo; she answered. &ldquo;The Doctor will be here presently. He's
+ going to help me with something; there is a good deal still to be done.
+ And you think the room will look all right as it is? But don't you
+ think...?&rdquo;
+ </p>
+ <p>
+ A carriage stops outside.
+ </p>
+ <p>
+ &ldquo;Is the Doctor driving to-day?&rdquo; I ask.
+ </p>
+ <p>
+ &ldquo;Yes, I sent a horse for him. I wanted to ...&rdquo;
+ </p>
+ <p>
+ &ldquo;Spare his bad foot, yes. Well, I must be off. <i>Goddag, Goddag</i>,
+ Doctor. Pleased to see you again. Well and fit, I hope? Excuse my running
+ off...&rdquo;
+ </p>
+ <p>
+ Once down the steps outside, I turned round. Edwarda was standing at the
+ window watching me; she stood holding the curtains aside with both hands,
+ to see; and her look was thoughtful. A foolish joy thrilled me; I hurried
+ away from the house light-footed, with a darkness shading my eyes; my gun
+ was light as a walking-stick in my hand. If I could win her, I should
+ become a good man, I thought. I reached the woods and thought again: If I
+ might win her, I would serve her more untiringly than any other; and even
+ if she proved unworthy, if she took a fancy to demand impossibilities, I
+ would yet do all that I could, and be glad that she was mine... I stopped,
+ fell on my knees, and in humility and hope licked a few blades of grass by
+ the roadside, and then got up again.
+ </p>
+ <p>
+ At last I began to feel almost sure. Her altered behavior of late&mdash;it
+ was only her manner. She had stood looking after me when I went; stood at
+ the window following with her eyes till I disappeared. What more could she
+ do? My delight upset me altogether; I was hungry, and no longer felt it.
+ </p>
+ <p>
+ Æsop ran on ahead; a moment afterward he began to bark. I looked up; a
+ woman with a white kerchief on her head was standing by the corner of the
+ hut. It was Eva, the blacksmith's daughter.
+ </p>
+ <p>
+ &ldquo;<i>Goddag</i>, Eva!&rdquo; I called to her.
+ </p>
+ <p>
+ She stood by the big grey stone, her face all red, sucking one finger.
+ </p>
+ <p>
+ &ldquo;Is it you, Eva? What is the matter?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;Æsop has bitten me,&rdquo; she answered, with some awkwardness, and cast down
+ her eyes.
+ </p>
+ <p>
+ I looked at her finger. She had bitten it herself. A thought flashed into
+ my mind, and I asked her:
+ </p>
+ <p>
+ &ldquo;Have you been waiting here long?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, not very long,&rdquo; she answered.
+ </p>
+ <p>
+ And without a word more from either of us, I took her by the hand and let
+ her into the hut.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0019" id="link2H_4_0019"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XVII
+ </h2>
+ <p>
+ I came from my fishing as usual, and appeared at the &ldquo;ball&rdquo; with the gun
+ and bag&mdash;only I had put on my best leather suit. It was late when I
+ got to Sirilund; I heard them dancing inside. Someone called out: &ldquo;Here's
+ the hunter, the Lieutenant.&rdquo; A few of the young people crowded round me
+ and wanted to see my catch; I had shot a brace of seabirds and caught a
+ few haddock. Edwarda bade me welcome with a smile; she had been dancing,
+ and was flushed.
+ </p>
+ <p>
+ &ldquo;The first dance with me,&rdquo; she said.
+ </p>
+ <p>
+ And we danced. Nothing awkward happened; I turned giddy, but did not fall.
+ My heavy boots made a certain amount of noise; I could hear it myself, the
+ noise, and resolved not to dance any more; I had even scratched their
+ painted floor. But how glad I was that I had done nothing worse!
+ </p>
+ <p>
+ Herr Mack's two assistants from the store were there, laboriously and with
+ a solemn concentration. The Doctor took part eagerly in the set dances.
+ Besides these gentlemen, there were four other youngish men, sons of
+ families belonging to the parish, the Dean, and the district surgeons. A
+ stranger, a commercial traveller, was there too; he made himself remarked
+ by his fine voice, and tralala'ed to the music; now and again he relieved
+ the ladies at the piano.
+ </p>
+ <p>
+ I cannot remember now what happened the first few hours, but I remember
+ everything from the latter part of the night. The sun shone redly in
+ through the windows all the time, and the seabirds slept. We had wine and
+ cakes, we talked loud and sang, Edwarda's laugh sounded fresh and careless
+ through the room. But why had she never a word for me now? I went towards
+ where she was sitting, and would have said something polite to her, as
+ best I could; she was wearing a black dress, her confirmation dress,
+ perhaps, and it was grown too short for her, but it suited her when she
+ danced, and I thought to tell her so.
+ </p>
+ <p>
+ &ldquo;That black dress...&rdquo; I began.
+ </p>
+ <p>
+ But she stood up, put her arm round one of her girl friends, and walked
+ off with her. This happened two or three times. Well, I thought to myself,
+ if it's like that... But then why should she stand looking sorrowfully
+ after me from the window when I go? Well, 'tis her affair!
+ </p>
+ <p>
+ A lady asked me to dance. Edwarda was sitting near, and I answered loudly:
+ </p>
+ <p>
+ &ldquo;No; I am going home directly.&rdquo;
+ </p>
+ <p>
+ Edwarda threw a questioning glance at me, and said: &ldquo;Going? Oh, no, you
+ mustn't go.&rdquo;
+ </p>
+ <p>
+ I started, and felt that I was biting my lip. I got up.
+ </p>
+ <p>
+ &ldquo;What you said then seemed very significant to me, Edwarda,&rdquo; I said
+ darkly, and made a few steps towards the door.
+ </p>
+ <p>
+ The Doctor put himself in my way, and Edwarda herself came hurrying up.
+ </p>
+ <p>
+ &ldquo;Don't misunderstand me,&rdquo; she said warmly. &ldquo;I meant to say I hoped you
+ would be the last to go, the very last. And besides, it's only one
+ o'clock... Listen,&rdquo; she went on with sparkling eyes, &ldquo;you gave our boatmen
+ five <i>daler</i> for saving my shoe. It was too much.&rdquo; And she laughed
+ heartily and turned round to the rest.
+ </p>
+ <p>
+ I stood with open mouth, disarmed and confused.
+ </p>
+ <p>
+ &ldquo;You are pleased to be witty,&rdquo; I said. &ldquo;I never gave your boatman five <i>daler</i>
+ at all.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, didn't you?&rdquo; She opened the door to the kitchen, and called the
+ boatmen in. &ldquo;Jakob, you remember the day you rowed us out to Korholmerne,
+ and you picked up my shoe when it fell into the water?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; answered Jakob.
+ </p>
+ <p>
+ &ldquo;And you were given five <i>daler</i> for saving it?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, you gave me...&rdquo;
+ </p>
+ <p>
+ &ldquo;Thanks, that will do, you can go.&rdquo;
+ </p>
+ <p>
+ Now what did she mean by that trick? I thought she was trying to shame me.
+ She should not succeed; I was not going to have that to blush for. And I
+ said loudly and distinctly:
+ </p>
+ <p>
+ &ldquo;I must point out to all here that this is either a mistake or a lie. I
+ have never so much as thought of giving the boatman five <i>daler</i> for
+ your shoe. I ought to have done so, perhaps, but up to now it has not been
+ done.&rdquo;
+ </p>
+ <p>
+ &ldquo;Whereupon we shall continue the dance,&rdquo; she said, frowning. &ldquo;Why aren't
+ we dancing?&rdquo;
+ </p>
+ <p>
+ &ldquo;She owes me an explanation of this,&rdquo; I said to myself, and watched for an
+ opportunity to speak with her. She went into a side room, and I followed
+ her.
+ </p>
+ <p>
+ &ldquo;<i>Skaal</i>,&rdquo; I said, and lifted a glass to drink with her.
+ </p>
+ <p>
+ &ldquo;I have nothing in my glass,&rdquo; she answered shortly.
+ </p>
+ <p>
+ But her glass was standing in front of her, quite full.
+ </p>
+ <p>
+ &ldquo;I thought that was your glass.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, it is not mine,&rdquo; she answered, and turned away, and was in deep
+ conversation with someone else.
+ </p>
+ <p>
+ &ldquo;I beg your pardon then,&rdquo; said I.
+ </p>
+ <p>
+ Several of the guests had noticed this little scene.
+ </p>
+ <p>
+ My heart was hissing within me. I said offendedly: &ldquo;But at least you owe
+ me an explanation...&rdquo;
+ </p>
+ <p>
+ She rose, took both my hands, and said earnestly:
+ </p>
+ <p>
+ &ldquo;But not to-day; not now. I am so miserable. Heavens, how you look at me.
+ We were friends once...&rdquo;
+ </p>
+ <p>
+ Overwhelmed, I turned right about, and went in to the dancers again.
+ </p>
+ <p>
+ A little after, Edwarda herself came in and took up her place by the
+ piano, at which the travelling man was seated, playing a dance; her face
+ at that moment was full of inward pain.
+ </p>
+ <p>
+ &ldquo;I have never learned to play,&rdquo; she said, looking at me with dark eyes.
+ &ldquo;If I only could!&rdquo;
+ </p>
+ <p>
+ I could make no answer to this. But my heart flew out towards her once
+ more, and I asked:
+ </p>
+ <p>
+ &ldquo;Why are you so unhappy all at once, Edwarda? If you knew how it hurts me
+ to see&mdash;&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't know what it is,&rdquo; she said. &ldquo;Everything, perhaps. I wish all
+ these people would go away at once, all of them. No, not you&mdash;remember,
+ you must stay till the last.&rdquo;
+ </p>
+ <p>
+ And again her words revived me, and my eyes saw the light in the
+ sun-filled room. The Dean's daughter came over, and began talking to me; I
+ wished her ever so far away, and gave her short answers. And I purposely
+ kept from looking at her, for she had said that about my eyes being like
+ an animal's. She turned to Edwarda and told her that once, somewhere
+ abroad&mdash;in Riga I think it was&mdash;a man had followed her along the
+ street.
+ </p>
+ <p>
+ &ldquo;Kept walking after me, street after street, and smiling across at me,&rdquo;
+ she said.
+ </p>
+ <p>
+ &ldquo;Why, was he blind, then?&rdquo; I broke in, thinking to please Edwarda. And I
+ shrugged my shoulders as well.
+ </p>
+ <p>
+ The young lady understood my coarseness at once, and answered:
+ </p>
+ <p>
+ &ldquo;He must have been blind indeed, to run after any one so old and ugly as I
+ am.&rdquo;
+ </p>
+ <p>
+ But I gained no thanks from Edwarda for that: she drew her friend away;
+ they whispered together and shook their heads. After that, I was left
+ altogether to myself.
+ </p>
+ <p>
+ Another hour passed. The seabirds began to wake out on the reefs; their
+ cries sounded in through the open windows. A spasm of joy went through me
+ at this first calling of the birds, and I longed to be out there on the
+ islands myself...
+ </p>
+ <p>
+ The Doctor, once more in good humor, drew the attention of all present.
+ The ladies were never tired of his society. Is that thing there my rival?
+ I thought, noting his lame leg and miserable figure. He had taken to a new
+ and amusing oath: he said <i>Död og Pinsel</i>, [Footnote: A slight
+ variation of the usual Död og Pine (death and torture).] and every time he
+ used that comical expression I laughed aloud. In my misery I wished to
+ give the fellow every advantage I could, since he was my rival. I let it
+ be &ldquo;Doctor&rdquo; here and &ldquo;Doctor&rdquo; there, and called out myself: &ldquo;Listen to the
+ Doctor!&rdquo; and laughed aloud at the things he said.
+ </p>
+ <p>
+ &ldquo;I love this world,&rdquo; said the Doctor. &ldquo;I cling to life tooth and nail. And
+ when I come to die, then I hope to find a corner somewhere straight up
+ over London and Paris, where I can hear the rumble of the human cancan all
+ the time, all the time.&rdquo;
+ </p>
+ <p>
+ &ldquo;Splendid!&rdquo; I cried, and choked with laughter, though I was not in the
+ least bit drunk.
+ </p>
+ <p>
+ Edwarda too seemed delighted.
+ </p>
+ <p>
+ When the guests began to go, I slipped away into the little room at the
+ side and sat down to wait. I heard one after another saying good-bye on
+ the stairs; the Doctor also took his leave and went. Soon all the voices
+ had died away. My heart beat violently as I waited.
+ </p>
+ <p>
+ Edwarda came in again. At sight of me she stood a moment in surprise; then
+ she said with a smile:
+ </p>
+ <p>
+ &ldquo;Oh, are you there? It was kind of you to wait till the last. I am tired
+ out now.&rdquo;
+ </p>
+ <p>
+ She remained standing.
+ </p>
+ <p>
+ I got up then, and said: &ldquo;You will be wanting rest now. I hope you are not
+ displeased any more, Edwarda. You were so unhappy a while back, and it
+ hurt me.&rdquo;
+ </p>
+ <p>
+ &ldquo;It will be all right when I have slept.&rdquo;
+ </p>
+ <p>
+ I had no more to add. I went towards the door.
+ </p>
+ <p>
+ &ldquo;Thank you,&rdquo; she said, offering her hand. &ldquo;It was a pleasant evening.&rdquo; She
+ would have seen me to the door, but I tried to prevent her.
+ </p>
+ <p>
+ &ldquo;No need,&rdquo; I said; &ldquo;do not trouble, I can find my way...&rdquo;
+ </p>
+ <p>
+ But she went with me all the same. She stood in the passage waiting
+ patiently while I found my cap, my gun, and my bag. There was a
+ walking-stick in the corner; I saw it well enough; I stared at it, and
+ recognized it&mdash;it was the Doctor's. When she marked what I was
+ looking at, she blushed in confusion; it was plain to see from her face
+ that she was innocent, that she knew nothing of the stick. A whole minute
+ passed. At last she turned, furiously impatient, and said tremblingly:
+ </p>
+ <p>
+ &ldquo;Your stick&mdash;do not forget your stick.&rdquo;
+ </p>
+ <p>
+ And there before my eyes she handed me the Doctor's stick.
+ </p>
+ <p>
+ I looked at her. She was still holding out the stick; her hand trembled.
+ To make an end of it, I took the thing, and set it back in the corner. I
+ said:
+ </p>
+ <p>
+ &ldquo;It is the Doctor's stick. I cannot understand how a lame man could forget
+ his stick.&rdquo; &ldquo;You and your lame man!&rdquo; she cried bitterly, and took a step
+ forward towards me. &ldquo;You are not lame&mdash;no; but even if you were, you
+ could not compare with him; no, you could never compare with him. There!&rdquo;
+ </p>
+ <p>
+ I sought for some answer, but my mind was suddenly empty; I was silent.
+ With a deep bow, I stepped backwards out of the door, and down on to the
+ steps. There I stood a moment looking straight before me; then I moved
+ off.
+ </p>
+ <p>
+ &ldquo;So, he has forgotten his stick,&rdquo; I thought to myself. &ldquo;And he will come
+ back this way to fetch it. He would not let <i>me</i> be the last man to
+ leave the house...&rdquo; I walked up the road very slowly, keeping a lookout
+ either way, and stopped at the edge of the wood. At last, after half an
+ hour's waiting, the Doctor came walking towards me; he had seen me, and
+ was walking quickly. Before he had time to speak I lifted my cap, to try
+ him. He raised his hat in return. I went straight up to him and said:
+ </p>
+ <p>
+ &ldquo;I gave you no greeting.&rdquo;
+ </p>
+ <p>
+ He came a step nearer and stared at me.
+ </p>
+ <p>
+ &ldquo;You gave me no greeting...?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said I.
+ </p>
+ <p>
+ Pause.
+ </p>
+ <p>
+ &ldquo;Why, it is all the same to me what you did,&rdquo; he said, turning pale. &ldquo;I
+ was going to fetch my stick; I left it behind.&rdquo; I could say nothing in
+ answer to this, but I took my revenge another way; I stretched out my gun
+ before him, as if he were a dog, and said:
+ </p>
+ <p>
+ &ldquo;Over!&rdquo;
+ </p>
+ <p>
+ And I whistled, as if coaxing him to jump over.
+ </p>
+ <p>
+ For a moment he struggled with himself; his face took on the strangest
+ play of expression as he pressed his lips together and held his eyes fixed
+ on the ground. Suddenly he looked at me sharply; a half smile lit up his
+ features, and he said:
+ </p>
+ <p>
+ &ldquo;What do you really mean by all this?&rdquo;
+ </p>
+ <p>
+ I did not answer, but his words affected me.
+ </p>
+ <p>
+ Suddenly he held out his hand to me, and said gently:
+ </p>
+ <p>
+ &ldquo;There is something wrong with you. If you will tell me what it is, then
+ perhaps...&rdquo;
+ </p>
+ <p>
+ I was overwhelmed now with shame and despair; his calm words made me lose
+ my balance. I wished to show him some kindness in return, and I put my arm
+ round him, and said:
+ </p>
+ <p>
+ &ldquo;Forgive me this! No, what could be wrong with me? There is nothing wrong;
+ I have no need of your help. You are looking for Edwarda, perhaps? You
+ will find her at home. But make haste, or she will have gone to bed before
+ you come; she was very tired, I could see it myself. I tell you the best
+ news I can, now; it is true. You will find her at home&mdash;go, then!&rdquo;
+ And I turned and hurried away from him, striking out with a long stride up
+ through the woods and back to the hut.
+ </p>
+ <p>
+ For a while I sat there on the bed just as I had come in, with my bag over
+ my shoulder and my gun in my hand. Strange thoughts passed through my
+ mind. Why ever had I given myself away so to that Doctor? The thought that
+ I had put my arm round him and looked at him with wet eyes angered me; he
+ would chuckle over it, I thought; perhaps at that very moment he might be
+ sitting laughing over it, with Edwarda. He had set his stick aside in the
+ hall. Yes, even if I were lame, I could not compare with the Doctor. I
+ could never compare with him&mdash;those were her words...
+ </p>
+ <p>
+ I stepped out into the middle of the floor, cocked my gun, set the muzzle
+ against my left instep, and pulled the trigger. The shot passed through
+ the middle of the foot and pierced the floor. Æsop gave a short terrified
+ bark.
+ </p>
+ <p>
+ A little after there came a knock at the door.
+ </p>
+ <p>
+ It was the Doctor.
+ </p>
+ <p>
+ &ldquo;Sorry to disturb you,&rdquo; he began. &ldquo;You went off so suddenly, I thought it
+ might do no harm if we had a little talk together. Smell of powder, isn't
+ there...?&rdquo;
+ </p>
+ <p>
+ He was perfectly sober. &ldquo;Did you see Edwarda? Did you get your stick?&rdquo; I
+ asked.
+ </p>
+ <p>
+ &ldquo;I found my stick. But Edwarda had gone to bed... What's that? Heavens,
+ man, you're bleeding!&rdquo;
+ </p>
+ <p>
+ &ldquo;No, nothing to speak of. I was just putting the gun away, and it went
+ off; it's nothing. Devil take you, am I obliged to sit here and give you
+ all sorts of information about that...? You found your stick?&rdquo;
+ </p>
+ <p>
+ But he did not heed my words; he was staring at my torn boot and the
+ trickle of blood. With a quick movement he laid down his stick and took
+ off his gloves.
+ </p>
+ <p>
+ &ldquo;Sit still&mdash;I must get that boot off. I <i>thought</i> it was a shot
+ I heard.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0020" id="link2H_4_0020"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XVIII
+ </h2>
+ <p>
+ How I repented of it afterward&mdash;that business with the gun. It was a
+ mad thing to do. It was not worth while any way, and it served no purpose,
+ only kept me tied down to the hut for weeks. I remember distinctly even
+ now all the discomfort and annoyance it caused; my washerwoman had to come
+ every day and stay there nearly all the time, making purchases of food,
+ looking after my housekeeping, for several weeks. Well, and then...
+ </p>
+ <p>
+ One day the Doctor began talking about Edwarda. I heard her name, heard
+ what she had said and done, and it was no longer of any great importance
+ to me; it was as if he spoke of some distant, irrelevant thing. So quickly
+ one can forget, I thought to myself, and wondered at it.
+ </p>
+ <p>
+ &ldquo;Well, and what do you think of Edwarda yourself, since you ask? I have
+ not thought of her for weeks, to tell the truth. Wait a bit&mdash;it seems
+ to me there must have been something between you and her, you were so
+ often together. You acted host one day at a picnic on the island, and she
+ was hostess. Don't deny it, Doctor, there was something&mdash;a sort of
+ understanding. No, for Heaven's sake don't answer me. You owe me no
+ explanation, I am not asking to be told anything at all&mdash;let us talk
+ of something else if you like. How long before I can get about again?&rdquo;
+ </p>
+ <p>
+ I sat there thinking of what I had said. Why was I inwardly afraid lest
+ the Doctor should speak out? What was Edwarda to me? I had forgotten her.
+ </p>
+ <p>
+ And later the talk turned on her again, and I interrupted him once more&mdash;God
+ knows what it was I dreaded to hear.
+ </p>
+ <p>
+ &ldquo;What do you break off like that for?&rdquo; he asked. &ldquo;Is it that you can't
+ bear to hear me speak her name?&rdquo;
+ </p>
+ <p>
+ &ldquo;Tell me,&rdquo; I said, &ldquo;what is your honest opinion of Edwarda? I should be
+ interested to know.&rdquo;
+ </p>
+ <p>
+ He looked at me suspiciously.
+ </p>
+ <p>
+ &ldquo;My honest opinion?&rdquo;
+ </p>
+ <p>
+ &ldquo;Perhaps you may have something new to tell me to-day. Perhaps you have
+ proposed, and been accepted. May I congratulate you? No? Ah, the devil
+ trust you&mdash;haha!&rdquo;
+ </p>
+ <p>
+ &ldquo;So that was what you were afraid of?&rdquo;
+ </p>
+ <p>
+ &ldquo;Afraid of? My dear Doctor!&rdquo;
+ </p>
+ <p>
+ Pause.
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he said, &ldquo;I have not proposed and been accepted. But you have,
+ perhaps. There's no proposing to Edwarda&mdash;she will take whomever she
+ has a fancy for. Did you take her for a peasant girl? You have met her,
+ and seen for yourself. She is a child that's had too little whipping in
+ her time, and a woman of many moods. Cold? No fear of that! Warm? Ice, I
+ say. What is she, then? A slip of a girl, sixteen or seventeen&mdash;exactly.
+ But try to make an impression on that slip of a girl, and she will laugh
+ you to scorn for your trouble. Even her father can do nothing with her;
+ she obeys him outwardly, but, in point of fact, 'tis she herself that
+ rules. She says you have eyes like an animal...&rdquo;
+ </p>
+ <p>
+ &ldquo;You're wrong there&mdash;it was someone else said I had eyes like an
+ animal.&rdquo;
+ </p>
+ <p>
+ &ldquo;Someone else? Who?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't know. One of her girl friends. No, it was not Edwarda said that.
+ Wait a bit though; perhaps, after all, it was Edwarda...&rdquo;
+ </p>
+ <p>
+ &ldquo;When you look at her, it makes her feel so and so, she says. But do you
+ think that brings you a hairbreadth nearer? Hardly. Look at her, use your
+ eyes as much as you please&mdash;but as soon as she marks what you are
+ doing, she will say to herself&mdash;'Ho, here's this man looking at me
+ with his eyes, and thinks to win me that way.' And with a single glance,
+ or a word, she'll have you ten leagues away. Do you think I don't know
+ her? How old do you reckon her to be?&rdquo; &ldquo;She was born in '38, she said.&rdquo;
+ </p>
+ <p>
+ &ldquo;A lie. I looked it up, out of curiosity. She's twenty, though she might
+ well pass for fifteen. She is not happy; there's a deal of conflict in
+ that little head of hers. When she stands looking out at the hills and the
+ sea, and her mouth gives that little twitch, that little spasm of pain,
+ then she is suffering; but she is too proud, too obstinate for tears. She
+ is more than a bit romantic; a powerful imagination; she is waiting for a
+ prince. What was that about a certain five-<i>daler</i> note you were
+ supposed to have given someone?&rdquo;
+ </p>
+ <p>
+ &ldquo;A jest. It was nothing...&rdquo;
+ </p>
+ <p>
+ &ldquo;It was something all the same. She did something of the same sort with me
+ once. It's a year ago now. We were on board the mail-packet while it was
+ lying here in the harbour. It was raining, and very cold. A woman with a
+ child in her arms was sitting on deck, shivering. Edwarda asked her:
+ 'Don't you feel cold?' Yes, she did. 'And the little one too?' Yes, the
+ little one was cold as well. 'Why don't you go into the cabin?' asks
+ Edwarda. 'I've only a steerage ticket,' says the woman. Edwarda looks at
+ me. 'The woman here has only a steerage ticket,' she says. 'Well, and what
+ then?' I say to myself. But I understand her look. I'm not a rich man;
+ what I have I've worked to earn, and I think twice before I spend it; so I
+ move away. If Edwarda wants someone to pay for the woman, let her do it
+ herself; she and her father can better afford it than I. And sure enough,
+ Edwarda paid. She's splendid in that way&mdash;no one can say she hasn't a
+ heart. But as true as I'm sitting here she expected me to pay for a saloon
+ passage for the woman and child; I could see it in her eyes. And what
+ then, do you think? The woman gets up and thanks her for her kindness.
+ 'Don't thank me&mdash;it was that gentleman there,' says Edwarda, pointing
+ to me as calmly as could be. What do you think of that? The woman thanks
+ me too; and what can I say? Simply had to leave it as it was. That's just
+ one thing about her. But I could tell you many more. And as for the five
+ <i>daler</i> to the boatman&mdash;she gave him the money herself. If you
+ had done it, she would have flung her arms round you and kissed you on the
+ spot. You should have been the lordly cavalier that paid an extravagant
+ sum for a worn-out shoe&mdash;that would have suited her ideas; she
+ expected it. And as you didn't&mdash;she did it herself in your name.
+ That's her way&mdash;reckless and calculating at the same time.&rdquo;
+ </p>
+ <p>
+ &ldquo;Is there no one, then, that can win her?&rdquo; I asked.
+ </p>
+ <p>
+ &ldquo;Severity's what she wants,&rdquo; said the Doctor, evading the question.
+ &ldquo;There's something wrong about it all; she has too free a hand; she can do
+ as she pleases, and have her own way all the time. People take notice of
+ her; no one ever disregards her; there is always something at hand for her
+ to work on with effect. Have you noticed the way I treat her myself? Like
+ a schoolgirl, a child; I order her about, criticise her way of speaking,
+ watch her carefully, and show her up now and again. Do you think she
+ doesn't understand it? Oh, she's stiff and proud, it hurts her every time;
+ but then again she is too proud to show it. But that's the way she should
+ be handled. When you came up here I had been at her for a year like that,
+ and it was beginning to tell; she cried with pain and vexation; she was
+ growing more reasonable. Then you came along and upset it all. That's the
+ way it goes&mdash;one lets go of her and another takes her up again. After
+ you, there'll be a third, I suppose&mdash;you never know.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oho,&rdquo; thought I to myself, &ldquo;the Doctor has something to revenge.&rdquo; And I
+ said:
+ </p>
+ <p>
+ &ldquo;Doctor, what made you trouble to tell me all that long story? What was it
+ for? Am I to help you with her upbringing?&rdquo;
+ </p>
+ <p>
+ &ldquo;And then she's fiery as a volcano,&rdquo; he went on, never heeding my
+ question. &ldquo;You asked if no one could ever win her? I don't see why not.
+ She is waiting for her prince, and he hasn't come yet. Again and again she
+ thinks she's found him, and finds out she's wrong; she thought you were
+ the one, especially because you had eyes like an animal. Haha! I say,
+ though, Herr Lieutenant, you ought at least to have brought your uniform
+ with you. It would have been useful now. Why shouldn't she be won? I have
+ seen her wringing her hands with longing for someone to come and take her,
+ carry her away, rule over her, body and soul. Yes ... but he must come
+ from somewhere&mdash;turn up suddenly one day, and be something out of the
+ ordinary. I have an idea that Herr Mack is out on an expedition; there's
+ something behind this journey of his. He went off like that once before,
+ and brought a man back with him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Brought a man back with him?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but he was no good,&rdquo; said the Doctor, with a wry laugh. &ldquo;He was a man
+ about my own age, and lame, too, like myself. He wouldn't do for the
+ prince.&rdquo;
+ </p>
+ <p>
+ &ldquo;And he went away again? Where did he go?&rdquo; I asked, looking fixedly at
+ him.
+ </p>
+ <p>
+ &ldquo;Where? Went away? Oh, I don't know,&rdquo; he answered confusedly. &ldquo;Well, well,
+ we've been talking too long about this already. That foot of yours&mdash;oh,
+ you can begin to walk in a week's time. <i>Au revoir.</i>&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0021" id="link2H_4_0021"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XIX
+ </h2>
+ <p>
+ A woman's voice outside the hut. The blood rushed to my head&mdash;it was
+ Edwarda. &ldquo;Glahn&mdash;Glahn is ill, so I have heard.&rdquo;
+ </p>
+ <p>
+ And my washerwoman answered outside the door:
+ </p>
+ <p>
+ &ldquo;He's nearly well again now.&rdquo;
+ </p>
+ <p>
+ That &ldquo;Glahn&mdash;Glahn&rdquo; went through me to the marrow of my bones; she
+ said my name twice, and it touched me; her voice was clear and ringing.
+ </p>
+ <p>
+ She opened my door without knocking, stepped hastily in, and looked at me.
+ And suddenly all seemed as in the old days. There she was in her dyed
+ jacket and her apron tied low in front, to give a longer waist. I saw it
+ all at once; and her look, her brown face with the eyebrows high-arched
+ into the forehead, the strangely tender expression of her hands, all came
+ on me so strongly that my brain was in a whirl. I have kissed <i>her</i>!
+ I thought to myself.
+ </p>
+ <p>
+ I got up and remained standing.
+ </p>
+ <p>
+ &ldquo;And you get up, you stand, when I come?&rdquo; she said. &ldquo;Oh, but sit down.
+ Your foot is bad, you shot yourself. Heavens, how did it happen? I did not
+ know of it till just now. And I was thinking all the time: What can have
+ happened to Glahn? He never comes now. I knew nothing of it all. And you
+ had shot yourself, and it was weeks ago, they tell me, and I knew never a
+ word. How are you now? You are very pale: I should hardly recognize you.
+ And your foot&mdash;will you be lame now? The Doctor says you will not be
+ lame. Oh, I am so fond of you because you are not going to be lame! I
+ thank God for that. I hope you will forgive me for coming up like this
+ without letting you know; I ran nearly all the way...&rdquo;
+ </p>
+ <p>
+ She bent over me, she was close to me, I felt her breath on my face; I
+ reached out my hands to hold her. Then she moved away a little. Her eyes
+ were still dewy.
+ </p>
+ <p>
+ &ldquo;It happened this way,&rdquo; I stammered out. &ldquo;I was putting the gun away in
+ the corner, but I held it awkwardly&mdash;up and down, like that; then
+ suddenly I heard the shot. It was an accident.&rdquo;
+ </p>
+ <p>
+ &ldquo;An accident,&rdquo; she said thoughtfully, nodding her head. &ldquo;Let me see&mdash;it
+ is the left foot&mdash;but why the left more than the right? Yes, of
+ course, an accident...&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, an accident,&rdquo; I broke in. &ldquo;How should I know why it just happened to
+ be the left foot? You can see for yourself&mdash;that's how I was holding
+ the gun&mdash;it couldn't be the right foot that way. It was a nuisance,
+ of course.&rdquo; She looked at me curiously.
+ </p>
+ <p>
+ &ldquo;Well, and so you are getting on nicely,&rdquo; she said, looking around the
+ hut. &ldquo;Why didn't you send the woman down to us for food? What have you
+ been living on?&rdquo;
+ </p>
+ <p>
+ We went on talking for a few minutes. I asked her:
+ </p>
+ <p>
+ &ldquo;When you came in, your face was moved, and your eyes sparkled; you gave
+ me your hand. But now your eyes are cold again. Am I wrong?&rdquo;
+ </p>
+ <p>
+ Pause.
+ </p>
+ <p>
+ &ldquo;One cannot always be the same...&rdquo;
+ </p>
+ <p>
+ &ldquo;Tell me this one thing,&rdquo; I said. &ldquo;What is it this time that I have said
+ or done to displease you? Then, perhaps, I might manage better in future.&rdquo;
+ </p>
+ <p>
+ She looked out the window, towards the far horizon; stood looking out
+ thoughtfully and answered me as I sat there behind her:
+ </p>
+ <p>
+ &ldquo;Nothing, Glahn. Just thoughts that come at times. Are you angry now?
+ Remember, some give a little, but it is much for them to give; others can
+ give much, and it costs them nothing&mdash;and which has given more? You
+ have grown melancholy in your illness. How did we come to talk of all
+ this?&rdquo; And suddenly she looked at me, her face flushed with joy. &ldquo;But you
+ must get well soon, now. We shall meet again.&rdquo;
+ </p>
+ <p>
+ And she held out her hand. Then it came into my head not to take her hand.
+ I stood up, put my hands behind my back, and bowed deeply; that was to
+ thank her for her kindness in coming to pay me a visit.
+ </p>
+ <p>
+ &ldquo;You must excuse me if I cannot see you home,&rdquo; I said.
+ </p>
+ <p>
+ When she had gone, I sat down again to think it all over. I wrote a
+ letter, and asked to have my uniform sent.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0022" id="link2H_4_0022"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XX
+ </h2>
+ <p>
+ The first day in the woods.
+ </p>
+ <p>
+ I was happy and weary; all the creatures came up close and looked at me;
+ there were insects on the trees and oil-beetles crawling on the road. Well
+ met! I said to myself. The feeling of the woods went through and through
+ my senses; I cried for love of it all, and was utterly happy; I was
+ dissolved in thanksgiving. Dear woods, my home, God's peace with you from
+ my heart... I stopped and turned all ways, named the things with tears.
+ Birds and trees and stones and grass and ants, I called them all by name,
+ looked round and called them all in their order. I looked up to the hills
+ and thought: Now, now I am coming, as if in answer to their calling. Far
+ above, the dwarf falcon was hacking away&mdash;I knew where its nests
+ were. But the sound of those falcons up in the hills sent my thoughts far
+ away.
+ </p>
+ <p>
+ About noon I rowed out and landed on a little island, an islet outside the
+ harbour. There were mauve-coloured flowers with long stalks reaching to my
+ knees; I waded in strange growths, raspberry and coarse grass; there were
+ no animals, and perhaps there had never been any human being there. The
+ sea foamed gently against the rocks and wrapped me in a veil of murmuring;
+ far up on the egg-cliffs, all the birds of the coast were flying and
+ screaming. But the sea wrapped me round on all sides as in an embrace.
+ Blessed be life and earth and sky, blessed be my enemies; in this hour I
+ will be gracious to my bitterest enemy, and bind the latchet of his
+ shoe...
+ </p>
+ <p>
+ &ldquo;<i>Hiv ... ohoi...</i>&rdquo; Sounds from one of Herr Mack's craft. My heart
+ was filled with sunshine at the well-known song. I rowed to the quay,
+ walked up past the fishers' huts and home. The day was at an end. I had my
+ meal, sharing it with Æsop, and set out into the woods once more. Soft
+ winds breathed silently in my face. And I blessed the winds because they
+ touched my face; I told them that I blessed them; my very blood sang in my
+ veins for thankfulness. Æsop laid one paw on my knee.
+ </p>
+ <p>
+ Weariness came over me; I fell asleep.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ <i>Lul! lul!</i> Bells ringing! Some leagues out at sea rose a mountain. I
+ said two prayers, one for my dog and one for myself, and we entered into
+ the mountain there. The gate closed behind us; I started at its clang, and
+ woke.
+ </p>
+ <p>
+ Flaming red sky, the sun there stamping before my eyes; the night, the
+ horizon, echoing with light. Æsop and I moved into the shade. All quiet
+ around us. &ldquo;No, we will not sleep now,&rdquo; I said to the dog, &ldquo;we will go out
+ hunting tomorrow; the red sun is shining on us, we will not go into the
+ mountain.&rdquo; ... And strange thoughts woke to life in me, and the blood rose
+ to my head.
+ </p>
+ <p>
+ Excited, yet still weak, I felt someone kissing me, and the kiss lay on my
+ lips. I looked round: there was nothing visible. &ldquo;Iselin!&rdquo; A sound in the
+ grass&mdash;it might be a leaf falling to the ground, or it might be
+ footsteps. A shiver through the woods&mdash;and I told myself it might be
+ Iselin's breathing. Here in these woods she has moved, Iselin; here she
+ has listened to the prayers of yellow-booted, green-cloaked huntsmen. She
+ lived out on my farm, two miles away; four generations ago she sat at her
+ window, and heard the echo of horns in the forest. There were reindeer and
+ wolf and bear, and the hunters were many, and all of them had seen her
+ grow up from a child, and each and all of them had waited for her. One had
+ seen her eyes, another heard her voice. When she was twelve years old came
+ Dundas. He was a Scotsman, and traded in fish, and had many ships. He had
+ a son. When she was sixteen, she saw young Dundas for the first time. He
+ was her first love...
+ </p>
+ <p>
+ And such strange fancies flowed through me, and my head grew very heavy as
+ I sat there; I closed my eyes and felt for Iselin's kiss. Iselin, are you
+ here, lover of life? And have you Diderik there? ... But my head grew
+ heavier still, and I floated off on the waves of sleep.
+ </p>
+ <p>
+ <i>Lul! lul!</i> A voice speaking, as if the Seven Stars themselves were
+ singing through my blood; Iselin's voice:
+ </p>
+ <p>
+ &ldquo;Sleep, sleep! I will tell you of my love while you sleep. I was sixteen,
+ and it was springtime, with warm winds; Dundas came. It was like the
+ rushing of an eagle's flight. I met him one morning before the hunt set
+ out; he was twenty-five, and came from far lands; he walked by my side in
+ the garden, and when he touched me with his arm I began to love him. Two
+ red spots showed in his forehead, and I could have kissed those two red
+ spots.
+ </p>
+ <p>
+ &ldquo;In the evening after the hunt I went to seek him in the garden, and I was
+ afraid lest I should find him. I spoke his name softly to myself, and
+ feared lest he should hear. Then he came out from the bushes and
+ whispered: 'An hour after midnight!' And then he was gone.
+ </p>
+ <p>
+ &ldquo;'An hour after midnight,' I said to myself&mdash;'what did he mean by
+ that? I cannot understand. He must have meant he was going away to far
+ lands again; an hour after midnight he was going away&mdash;but what was
+ it to me?'
+ </p>
+ <p>
+ &ldquo;An hour after midnight he came back.&rdquo;
+ </p>
+ <p>
+ &ldquo;'May I sit there by you?' he said.
+ </p>
+ <p>
+ &ldquo;'Yes,' I told him. 'Yes.'
+ </p>
+ <p>
+ &ldquo;We sat there on the sofa; I moved away. I looked down.
+ </p>
+ <p>
+ &ldquo;'You are cold,' he said, and took my hand. A little after he said: 'How
+ cold you are!' and put his arm round me.
+ </p>
+ <p>
+ &ldquo;And I was warmed with his arm. So we sat a little while. Then a cock
+ crew.
+ </p>
+ <p>
+ &ldquo;'Did you hear,' he said, 'a cock crow? It is nearly dawn.'
+ </p>
+ <p>
+ &ldquo;'Are you quite sure it was the cock crow?' I stammered.
+ </p>
+ <p>
+ &ldquo;Then the day came&mdash;already it was morning. Something was thrilling
+ all through me. What hour was it that struck just now?
+ </p>
+ <p>
+ &ldquo;My maid came in.
+ </p>
+ <p>
+ &ldquo;'Your flowers have not been watered,' she said.
+ </p>
+ <p>
+ &ldquo;I had forgotten my flowers.
+ </p>
+ <p>
+ &ldquo;A carriage drove up to the gate.
+ </p>
+ <p>
+ &ldquo;'Your cat has had no milk,' said the maid.
+ </p>
+ <p>
+ &ldquo;But I had no thought for my flowers, or my cat; I asked:
+ </p>
+ <p>
+ &ldquo;'Is that Dundas outside there? Ask him to come in here to me at once; I
+ am expecting him; there was something...'
+ </p>
+ <p>
+ &ldquo;He knocked. I opened the door.
+ </p>
+ <p>
+ &ldquo;'Iselin!' he cried, and kissed my lips a whole minute long.
+ </p>
+ <p>
+ &ldquo;'I did not send for you,' I whispered to him.
+ </p>
+ <p>
+ &ldquo;'Did you not?' he asked.
+ </p>
+ <p>
+ &ldquo;Then I answered:
+ </p>
+ <p>
+ &ldquo;'Yes, I did&mdash;I sent for you. I was longing so unspeakably for you
+ again. Stay here with me a little.'
+ </p>
+ <p>
+ &ldquo;And I covered my eyes for love of him. He did not loose me; I sank
+ forward and hid myself close to him.
+ </p>
+ <p>
+ &ldquo;'Surely that was something crowing again,' he said, listening.
+ </p>
+ <p>
+ &ldquo;But when I heard what he said, I cut off his words as swiftly as I could,
+ and answered:
+ </p>
+ <p>
+ &ldquo;'No, how can you imagine it? There was nothing crowing then.'
+ </p>
+ <p>
+ &ldquo;He kissed me.
+ </p>
+ <p>
+ &ldquo;Then it was evening again, and Dundas was gone. Something golden
+ thrilling through me. I stood before the glass, and two eyes all alight
+ with love looked out at me; I felt something moving in me at my own
+ glance, and always that something thrilling and thrilling round my heart.
+ Dear God! I had never seen myself with those eyes before, and I kissed my
+ own lips, all love and desire, in the glass...
+ </p>
+ <p>
+ &ldquo;And now I have told you. Another time I will tell you of Svend Herlufsen.
+ I loved him too; he lived a league away, on the island you can see out
+ there, and I rowed out to him myself on calm summer evenings, because I
+ loved him. And I will tell you of Stamer. He was a priest, and I loved
+ him. I love all...&rdquo;
+ </p>
+ <p>
+ Through my helf-sleep I heard a cock crowing down at Sirilund.
+ </p>
+ <p>
+ &ldquo;Iselin, hear! A cock is crowing for us too!&rdquo; I cried joyfully, and
+ reached out my arms. I woke. Æsop was already moving. &ldquo;Gone!&rdquo; I said in
+ burning sorrow, and looked round. There was no one&mdash;no one there. It
+ was morning now; the cock was still crowing down at Sirilund.
+ </p>
+ <p>
+ By the hut stood a woman&mdash;Eva. She had a rope in her hand; she was
+ going to fetch wood. There was the morning of life in the young girl's
+ figure as she stood there, all golden in the sun.
+ </p>
+ <p>
+ &ldquo;You must not think...&rdquo; she stammered out.
+ </p>
+ <p>
+ &ldquo;What is it I must not think, Eva?&rdquo;
+ </p>
+ <p>
+ &ldquo;I&mdash;I did not come this way to meet you; I was just passing...&rdquo;
+ </p>
+ <p>
+ And her face darkened in a blush.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0023" id="link2H_4_0023"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXI
+ </h2>
+ <p>
+ My foot continued to trouble me a good deal. It often itched at nights,
+ and kept me awake; a sudden spasm would shoot through it, and in
+ changeable weather it was full of gout. It was like that for many days.
+ But it did not make me lame, after all.
+ </p>
+ <p>
+ The days went on.
+ </p>
+ <p>
+ Herr Mack had returned, and I knew it soon enough. He took my boat away
+ from me, and left me in difficulties, for it was still the closed season,
+ and there was nothing I could shoot. But why did he take the boat away
+ from me like that? Two of Herr Mack's folk from the quay had rowed out
+ with a stranger in the morning.
+ </p>
+ <p>
+ I met the Doctor.
+ </p>
+ <p>
+ &ldquo;They have taken my boat away,&rdquo; I said.
+ </p>
+ <p>
+ &ldquo;There's a new man come,&rdquo; he said. &ldquo;They have to row him out every day and
+ back in the evening. He's investigating the sea-floor.&rdquo;
+ </p>
+ <p>
+ The newcomer was a Finn. Herr Mack had met him accidentally on board the
+ steamer; he had come from Spitzbergen with some collections of scales and
+ small sea-creatures; they called him Baron. He had been given a big room
+ and another smaller one in Herr Mack's house. He caused quite a stir in
+ the place.
+ </p>
+ <p>
+ &ldquo;I am in difficulties about meat; I might ask Edwarda for something for
+ this evening,&rdquo; I thought. I walked down to Sirilund. I noticed at once
+ that Edwarda was wearing a new dress. She seemed to have grown; her dress
+ was much longer now.
+ </p>
+ <p>
+ &ldquo;Excuse my not getting up,&rdquo; she said, quite shortly, and offered her hand.
+ </p>
+ <p>
+ &ldquo;My daughter is not very well, I'm sorry to say,&rdquo; said Herr Mack. &ldquo;A chill&mdash;she
+ has not been taking care of herself... You came to ask about your boat, I
+ suppose? I shall have to lend you another one instead. It's not a new one,
+ but as long as you bail it out every now and then ... We've a scientist
+ come to stay with us, you see, and with a man like that, of course, you
+ understand... He has no time to spare; works all day and comes home in the
+ evening. Don't go now till he comes; you will be interested in meeting
+ him. Here's his card, with coronet and all; he's a Baron. A very nice man.
+ I met him quite by accident.&rdquo;
+ </p>
+ <p>
+ Aha, I thought, so they don't ask you to supper. Well, thank Heaven, I
+ only came down by way of a trial; I can go home again&mdash;I've still
+ some fish left in the hut. Enough for a meal, I daresay. <i>Basta!</i>
+ </p>
+ <p>
+ The Baron came in. A little man, about forty, with a long, narrow face,
+ prominent cheek bones, and a thinnish black beard. His glance was sharp
+ and penetrating, but he wore strong glasses. His shirt studs, too, were
+ ornamented with a little five-pointed coronet, like the one on his card.
+ He stooped a little, and his thin hands were blue-veined, but the nails
+ were like yellow metal.
+ </p>
+ <p>
+ &ldquo;Delighted, Herr Lieutenant. Have you been here long, may I ask?&rdquo;
+ </p>
+ <p>
+ &ldquo;A few months.&rdquo;
+ </p>
+ <p>
+ A pleasant man. Herr Mack asked him to tell us about his scales and
+ sea-things, and he did so willingly&mdash;told us what kind of clay there
+ was round Korholmerne&mdash;went into his room and fetched a sample of
+ weed from the White Sea. He was constantly lifting up his right forefinger
+ and shifting his thick gold spectacles back and forward on his nose. Herr
+ Mack was most interested. An hour passed.
+ </p>
+ <p>
+ The Baron spoke of my accident&mdash;that unfortunate shot. Was I well
+ again now? Pleased to hear it.
+ </p>
+ <p>
+ Now who had told him of that? I asked:
+ </p>
+ <p>
+ &ldquo;And how did you hear of that, Baron?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, who was it, now? Fröken Mack, I think. Was it not you, Fröken Mack?&rdquo;
+ </p>
+ <p>
+ Edwarda flushed hotly.
+ </p>
+ <p>
+ I had come so poor! for days past, a dark misery had weighed me down. But
+ at the stranger's last words a joy fluttered through me on the instant. I
+ did not look at Edwarda, but in my mind I thanked her: Thanks, for having
+ spoken of me, named my name with your tongue, though it be all valueless
+ to you. <i>Godnat.</i>
+ </p>
+ <p>
+ I took my leave. Edwarda still kept her seat, excusing herself, for
+ politeness' sake, by saying she was unwell. Indifferently she gave me her
+ hand.
+ </p>
+ <p>
+ And Herr Mack stood chatting eagerly with the Baron. He was talking of his
+ grandfather, Consul Mack:
+ </p>
+ <p>
+ &ldquo;I don't know if I told you before, Baron; this diamond here was a gift
+ from King Carl Johan, who pinned it to my grandfather's breast with his
+ own hands.&rdquo;
+ </p>
+ <p>
+ I went out to the front steps; no one saw me to the door. I glanced in
+ passing through the windows of the sitting-room; and there stood Edwarda,
+ tall, upright, holding the curtains apart with both hands, looking out. I
+ did not bow to her: I forgot everything; a swirl of confusion overwhelmed
+ me and drew me hurriedly away.
+ </p>
+ <p>
+ &ldquo;Halt! Stop a moment!&rdquo; I said to myself, when I reached the woods. God in
+ Heaven, but there must be an end of this! I felt all hot within on a
+ sudden, and I groaned. Alas, I had no longer any pride in my heart; I had
+ enjoyed Edwarda's favour for a week, at the outside, but that was over
+ long since, and I had not ordered my ways accordingly. From now on, my
+ heart should cry to her: Dust, air, earth on my way; God in Heaven, yes...
+ </p>
+ <p>
+ I reached the hut, found my fish, and had a meal.
+ </p>
+ <p>
+ Here are you burning out your life for the sake of a worthless schoolgirl,
+ and your nights are full of desolate dreams. And a hot wind stands still
+ about your head, a close, foul wind of last year's breath. Yet the sky is
+ quivering with the most wonderful blue, and the hills are calling. Come,
+ Æsop, <i>Hei</i>...
+ </p>
+ <p>
+ A week passed. I hired the blacksmith's boat and fished for my meals.
+ Edwarda and the Baron were always together in the evening when he came
+ home from his sea trips. I saw them once at the mill. One evening they
+ both came by my hut; I drew away from the window and barred the door. It
+ made no impression on me whatever to see them together; I shrugged my
+ shoulders. Another evening I met them on the road, and exchanged
+ greetings; I left it to the Baron to notice me first, and merely put up
+ two fingers to my cap, to be discourteous. I walked slowly past them, and
+ looked carelessly at them as I did so.
+ </p>
+ <p>
+ Another day passed.
+ </p>
+ <p>
+ How many long days had not passed already? I was downcast, dispirited; my
+ heart pondered idly over things; even the kindly grey stone by the hut
+ seemed to wear an expression of sorrow and despair when I went by. There
+ was rain in the air; the heat seemed gasping before me wherever I went,
+ and I felt the gout in my left foot; I had seen one of Herr Mack's horses
+ shivering in its harness in the morning; all these things were significant
+ to me as signs of the weather. Best to furnish the house well with food
+ while the weather holds, I thought.
+ </p>
+ <p>
+ I tied up Æsop, took my fishing tackle and my gun, and went down to the
+ quay. I was quite unusually troubled in mind.
+ </p>
+ <p>
+ &ldquo;When will the mail-packet be in?&rdquo; I asked a fisherman there.
+ </p>
+ <p>
+ &ldquo;The mail-packet? In three weeks' time,&rdquo; he answered.
+ </p>
+ <p>
+ &ldquo;I am expecting my uniform,&rdquo; I said.
+ </p>
+ <p>
+ Then I met one of Herr Mack's assistants from the store. I shook hands
+ with him, and said:
+ </p>
+ <p>
+ &ldquo;Tell me, do you never play whist now at Sirilund?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, often,&rdquo; he answered.
+ </p>
+ <p>
+ Pause.
+ </p>
+ <p>
+ &ldquo;I have not been there lately,&rdquo; I said.
+ </p>
+ <p>
+ I rowed out to my fishing grounds. The weather was mild, but oppressive.
+ The gnats gathered in swarms, and I had to smoke all the time to keep them
+ off. The haddock were biting; I fished with two hooks and made a good
+ haul. On the way back I shot a brace of guillemots.
+ </p>
+ <p>
+ When I came in to the quay the blacksmith was there at work. A thought
+ occurred to me; I asked him:
+ </p>
+ <p>
+ &ldquo;Going up my way?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; said he, &ldquo;Herr Mack's given me a bit of work to do here that'll keep
+ me till midnight.&rdquo;
+ </p>
+ <p>
+ I nodded, and thought to myself that it was well.
+ </p>
+ <p>
+ I took my fish and went off, going round by way of the blacksmith's house.
+ Eva was there alone.
+ </p>
+ <p>
+ &ldquo;I have been longing for you with all my heart,&rdquo; I told her. And I was
+ moved at the sight of her. She could hardly look me in the face for
+ wonder. &ldquo;I love your youth and your good eyes,&rdquo; I said. &ldquo;Punish me to-day
+ because I have thought more of another than of you. I tell you, I have
+ come here only to see you; you make me happy, I am fond of you. Did you
+ hear me calling for you last night?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; she answered, frightened.
+ </p>
+ <p>
+ &ldquo;I called Edwarda, but it was you I meant. I woke up and heard myself.
+ Yes, it was you I meant; it was only a mistake; I said 'Edwarda,' but it
+ was only by accident. By Heaven, you are my dearest, Eva! Your lips are so
+ red to-day. Your feet are prettier than Edwarda's&mdash;just look yourself
+ and see.&rdquo;
+ </p>
+ <p>
+ Joy such as I had never seen in her lit up her face; she made as if to
+ turn away, but hesitated, and put one arm round my neck.
+ </p>
+ <p>
+ We talked together, sitting all the time on a long bench, talking to each
+ other of many things. I said:
+ </p>
+ <p>
+ &ldquo;Would you believe it? Edwarda has not learnt to speak properly yet; she
+ talks like a child, and says 'more happier.' I heard her myself. Would you
+ say she had a lovely forehead? I do not think so. She has a devilish
+ forehead. And she does not wash her hands.&rdquo;
+ </p>
+ <p>
+ &ldquo;But we weren't going to talk of her any more.&rdquo;
+ </p>
+ <p>
+ &ldquo;Quite right. I forgot.&rdquo;
+ </p>
+ <p>
+ A little pause. I was thinking of something, and fell silent.
+ </p>
+ <p>
+ &ldquo;Why are your eyes wet?&rdquo; asked Eva.
+ </p>
+ <p>
+ &ldquo;She has a lovely forehead, though,&rdquo; I said, &ldquo;and her hands are always
+ clean. It was only an accident that they were dirty once. I did not mean
+ to say what I did.&rdquo; But then I went on angrily, with clenched teeth: &ldquo;I
+ sit thinking of you all the time, Eva; but it occurs to me that perhaps
+ you have not heard what I am going to tell you now. The first time Edwarda
+ saw Æsop, she said: 'Æsop&mdash;that was the name of a wise man&mdash;a
+ Phrygian, he was.' Now wasn't that simply silly? She had read it in a book
+ the same day, I'm sure of it.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; says Eva; &ldquo;but what of it?&rdquo;
+ </p>
+ <p>
+ &ldquo;And as far as I remember, she said, too, that Æsop had Xanthus for his
+ teacher. Hahaha!&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes?&rdquo;
+ </p>
+ <p>
+ &ldquo;Well, what the devil is the sense of telling a crowd of people that Æsop
+ had Xanthus for his teacher? I ask you. Oh, you are not in the mood
+ to-day, Eva, or you would laugh till your sides ached at that.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I think it is funny,&rdquo; said Eva, and began laughing forcedly and in
+ wonder. &ldquo;But I don't understand it as well as you do.&rdquo;
+ </p>
+ <p>
+ I sit silent and thoughtful, silent and thoughtful.
+ </p>
+ <p>
+ &ldquo;Do you like best to sit still and not talk?&rdquo; asked Eva softly. Goodness
+ shone in her eyes; she passed her hand over my hair.
+ </p>
+ <p>
+ &ldquo;You good, good soul,&rdquo; I broke out, and pressed her close to me. &ldquo;I know
+ for certain I am perishing for love of you; I love you more and more; the
+ end of it will be that you must go with me when I go away. You shall see.
+ Could you go with me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she answered.
+ </p>
+ <p>
+ I hardly heard that yes, but I felt it in her breath and all through her.
+ We held each other fiercely.
+ </p>
+ <p>
+ An hour later I kissed Eva good-bye and went away. At the door I meet Herr
+ Mack.
+ </p>
+ <p>
+ Herr Mack himself.
+ </p>
+ <p>
+ He started&mdash;stared into the house&mdash;stopped there on the
+ doorstep, staring in. &ldquo;Ho!&rdquo; said he, and could say no more; he seemed
+ thrown altogether off his balance.
+ </p>
+ <p>
+ &ldquo;You did not expect to find me here,&rdquo; I said, raising my cap.
+ </p>
+ <p>
+ Eva did not move.
+ </p>
+ <p>
+ Herr Mack regained his composure; a curious confidence appeared in his
+ manner, and he answered:
+ </p>
+ <p>
+ &ldquo;You are mistaken: I came on purpose to find you. I wish to point out to
+ you that from the 1st of April it is forbidden to fire a shot within half
+ a mile of the bird-cliffs. You shot two birds out at the island to-day;
+ you were seen doing so.&rdquo;
+ </p>
+ <p>
+ &ldquo;I shot two guillemots,&rdquo; I said helplessly. I saw at once that the man was
+ in the right.
+ </p>
+ <p>
+ &ldquo;Two guillemots or two eiderducks&mdash;it is all the same. You were
+ within the prohibited limit.&rdquo;
+ </p>
+ <p>
+ &ldquo;I admit it,&rdquo; I said. &ldquo;It had not occurred to me before.&rdquo;
+ </p>
+ <p>
+ &ldquo;But it ought to have occurred to you.&rdquo;
+ </p>
+ <p>
+ &ldquo;I also fired off both barrels once in May, at very nearly the same spot.
+ It was on a picnic one day. And it was done at your own request.&rdquo;
+ </p>
+ <p>
+ &ldquo;That is another matter,&rdquo; answered Herr Mack shortly.
+ </p>
+ <p>
+ &ldquo;Well, then, devil take it, you know what you have to do, I suppose?&rdquo;
+ </p>
+ <p>
+ &ldquo;Perfectly well,&rdquo; he answered.
+ </p>
+ <p>
+ Eva held herself in readiness; when I went out, she followed me; she had
+ put on a kerchief, and walked away from the house; I saw her going down
+ towards the quay. Herr Mack walked back home.
+ </p>
+ <p>
+ I thought it over. What a mind, to hit on that all at once, and save
+ himself! And those piercing eyes of his. A shot, two shots, a brace of
+ guillemots&mdash;a fine, a payment. And then everything, <i>everything</i>,
+ would be settled with Herr Mack and his house. After all, it was going off
+ so beautifully quickly and neatly...
+ </p>
+ <p>
+ The rain was coming down already, in great soft drops. The magpies flew
+ low along the ground, and when I came home and turned Æsop loose he began
+ eating the grass. The wind was beginning to rustle.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0024" id="link2H_4_0024"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXII
+ </h2>
+ <p>
+ A league below me is the sea. It is raining, and I am up in the hills. An
+ overhanging rock shelters me from the rain. I smoke my pipe, smoke one
+ pipe after another; and every time I light it, the tobacco curls up like
+ little worms crawling from the ash. So also with the thoughts that twirl
+ in my head. Before me, on the ground, lies a bundle of dry twigs, from the
+ ruin of a bird's nest. And as with that nest, so also with my soul.
+ </p>
+ <p>
+ I remember every trifle of that day and the next. Hoho! I was hard put to
+ it then! ...
+ </p>
+ <p>
+ I sit here up in the hills and the sea and the air are voiceful, a
+ seething and moaning of the wind and weather, cruel to listen to. Fishing
+ boats and small craft show far out with reefed sails, human beings on
+ board&mdash;making for somewhere, no doubt, and Heaven knows where all
+ those lives are making for, think I. The sea flings itself up in foam, and
+ rolls and rolls, as if inhabited by great fierce figures that fling their
+ limbs about and roar at one another; nay, a festival of ten thousand
+ piping devils that duck their heads down between their shoulders and
+ circle about, lashing the sea white with the tips of their wings. Far, far
+ out lies a hidden reef, and from that hidden reef rises a white merman,
+ shaking his head after a leaky sailboat making out to sea before the wind.
+ Hoho! out to sea, out to the desolate sea...
+ </p>
+ <p>
+ I am glad to be alone, that none may see my eyes. I lean securely against
+ the wall of rock, knowing that no one can observe me from behind. A bird
+ swoops over the crest with a broken cry; at the same moment a boulder
+ close by breaks loose and rolls down towards the sea. And I sit there
+ still for a while, I sink into restfulness; a warm sense of comfort
+ quivers in me because I can sit so pleasantly under shelter while the rain
+ pours down outside. I button up my jacket, thanking God for the warmth of
+ it. A little while more. And I fall asleep.
+ </p>
+ <p>
+ It was afternoon. I went home; it was still raining. Then&mdash;an
+ unexpected encounter. Edwarda stood there before me on the path. She was
+ wet through, as if she had been out in the rain a long time, but she
+ smiled. Ho! I thought to myself, and my anger rose; I gripped my gun and
+ walked fiercely although she herself was smiling.
+ </p>
+ <p>
+ &ldquo;<i>Goddag!</i>&rdquo; she called, speaking first.
+ </p>
+ <p>
+ I waited till I had come some paces nearer, and said:
+ </p>
+ <p>
+ &ldquo;Fair one, I give you greeting.&rdquo;
+ </p>
+ <p>
+ She started in surprise at my jesting tone. Alas, I knew not what I was
+ saying. She smiled timidly, and looked at me.
+ </p>
+ <p>
+ &ldquo;Have you been up in the hills to-day?&rdquo; she asked. &ldquo;Then you must be wet.
+ I have a kerchief here, if you care for it; I can spare it... Oh, you
+ don't know me.&rdquo; And she cast down her eyes and shook her head when I did
+ not take her kerchief.
+ </p>
+ <p>
+ &ldquo;A kerchief?&rdquo; I answer, grinning in anger and surprise. &ldquo;But I have a
+ jacket here&mdash;won't you borrow it? I can spare it&mdash;I would have
+ lent it to anyone. You need not be afraid to take it. I would have lent it
+ to a fishwife, and gladly.&rdquo;
+ </p>
+ <p>
+ I could see that she was eager to hear what I would say. She listened with
+ such attention that it made her look ugly; she forgot to hold her lips
+ together. There she stood with the kerchief in her hand&mdash;a white silk
+ kerchief which she had taken from her neck. I tore off my jacket in turn.
+ </p>
+ <p>
+ &ldquo;For Heaven's sake put it on again,&rdquo; she cried. &ldquo;Don't do that! Are you so
+ angry with me? <i>Herregud!</i> put your jacket on, do, before you get wet
+ through.&rdquo;
+ </p>
+ <p>
+ I put on my jacket again.
+ </p>
+ <p>
+ &ldquo;Where are you going?&rdquo; I asked sullenly.
+ </p>
+ <p>
+ &ldquo;No&mdash;nowhere ... I can't understand what made you take off your
+ jacket like that ...&rdquo;
+ </p>
+ <p>
+ &ldquo;What have you done with the Baron to-day?&rdquo; I went on. &ldquo;The Count can't be
+ out at sea on a day like this.&rdquo;
+ </p>
+ <p>
+ &ldquo;Glahn, I just wanted to tell you something ...&rdquo;
+ </p>
+ <p>
+ I interrupted her:
+ </p>
+ <p>
+ &ldquo;May I beg you to convey my respects to the Duke?&rdquo;
+ </p>
+ <p>
+ We looked at each other. I was ready to break in with further
+ interruptions as soon as she opened her mouth. At last a twinge of pain
+ passed over her face; I turned away and said:
+ </p>
+ <p>
+ &ldquo;Seriously, you should send His Highness packing, Edwarda. He is not the
+ man for you. I assure you, he has been wondering these last few days
+ whether to make you his wife or not&mdash;and that is not good enough for
+ you.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, don't let us talk about that, please. Glahn, I have been thinking of
+ you; you could take off your jacket and get wet through for another's
+ sake; I come to you ...&rdquo;
+ </p>
+ <p>
+ I shrugged my shoulders and went on:
+ </p>
+ <p>
+ &ldquo;I should advise you to take the Doctor instead. What have you against
+ him? A man in the prime of life, and a clever head&mdash;you should think
+ it over.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but do listen a minute ...&rdquo;
+ </p>
+ <p>
+ Æsop, my dog, was waiting for me in the hut. I took off my cap, bowed to
+ her again, and said:
+ </p>
+ <p>
+ &ldquo;Fair one, I give you farewell.&rdquo;
+ </p>
+ <p>
+ And I started off.
+ </p>
+ <p>
+ She gave a cry:
+ </p>
+ <p>
+ &ldquo;Oh, you are tearing my heart out. I came to you to-day; I waited for you
+ here, and I smiled when you came. I was nearly out of my mind yesterday,
+ because of something I had been thinking of all the time; my head was in a
+ whirl, and I thought of you all the time. To-day I was sitting at home,
+ and someone came in; I did not look up, but I knew who it was. 'I rowed
+ half a mile to-day,' he said. 'Weren't you tired?' I asked. 'Oh yes, very
+ tired, and it blistered my hands,' he said, and was very concerned about
+ it. And I thought: Fancy being concerned about that! A little after he
+ said: 'I heard someone whispering outside my window last night; it was
+ your maid and one of the store men talking very intimately indeed.' 'Yes,
+ they are to be married,' I said. 'But this was at two o'clock in the
+ morning!' 'Well, what of it?' said I, and, after a little: 'The night is
+ their own.' Then he shifted his gold spectacles a little up his nose, and
+ observed: 'But don't you think, at that hour of night, it doesn't look
+ well?' Still I didn't look up, and we sat like that for ten minutes.
+ 'Shall I bring you a shawl to put over your shoulders?' he asked. 'No,
+ thank you,' I answered. 'If only I dared take your little hand,' he said.
+ I did not answer&mdash;I was thinking of something else. He laid a little
+ box in my lap. I opened the box, and found a brooch in it. There was a
+ coronet on the brooch, and I counted ten stones in it... Glahn, I have
+ that brooch with me now; will you look at it? It is trampled to bits&mdash;come,
+ come and see how it is trampled to bits... 'Well, and what am I to do with
+ this brooch?' I asked. 'Wear it,' he answered. But I gave him back the
+ brooch, and said, 'Let me alone&mdash;it is another I care for.' 'What
+ other?' he asked. 'A hunter in the woods,' I said. 'He gave me two lovely
+ feathers once, for a keepsake. Take back your brooch.' But he would not.
+ Then I looked at him for the first time; his eyes were piercing. 'I will
+ not take back the brooch. You may do with it as you please; tread on it,'
+ he said. I stood up and put the brooch under my heel and trod on it. That
+ was this morning... For four hours I waited and waited; after dinner I
+ went out. He came to meet me on the road. 'Where are you going?' he asked.
+ 'To Glahn,' I answered, 'to ask him not to forget me...' Since one o'clock
+ I have been waiting here. I stood by a tree and saw you coming&mdash;you
+ were like a god. I loved your figure, your beard, and your shoulders,
+ loved everything about you... Now you are impatient; you want to go, only
+ to go; I am nothing to you, you will not look at me ...&rdquo; I had stopped.
+ When she had finished speaking I began walking on again. I was worn out
+ with despair, and I smiled; my heart was hard.
+ </p>
+ <p>
+ &ldquo;Yes?&rdquo; I said, and stopped again. &ldquo;You had something to say to me?&rdquo;
+ </p>
+ <p>
+ But at this scorn of mine she wearied of me.
+ </p>
+ <p>
+ &ldquo;Something to say to you? But I have told you&mdash;did you not hear? No,
+ nothing&mdash;I have nothing to tell you any more...&rdquo;
+ </p>
+ <p>
+ Her voice trembled strangely, but that did not move me.
+ </p>
+ <p>
+ Next morning Edwarda was standing outside the hut when I went out.
+ </p>
+ <p>
+ I had thought it all over during the night, and taken my resolve. Why
+ should I let myself be dazzled any longer by this creature of moods, a
+ fisher-girl, a thing of no culture? Had not her name fastened for long
+ enough on my heart, sucking it dry? Enough of that!&mdash;though it struck
+ me that, perhaps, I had come nearer to her by treating her with
+ indifference and scorn. Oh, how grandly I had scorned her&mdash;after she
+ had made a long speech of several minutes, to say calmly: &ldquo;Yes? You had
+ something to say to me...?&rdquo;
+ </p>
+ <p>
+ She was standing by the big stone. She was in great excitement, and would
+ have run towards me; her arms were already opened. But she stopped, and
+ stood there wringing her hands. I took off my cap and bowed to her without
+ a word.
+ </p>
+ <p>
+ &ldquo;Just one thing I wanted to say to you to-day, Glahn,&rdquo; she said
+ entreatingly. And I did not move, but waited, just to hear what she would
+ say next. &ldquo;I hear you have been down at the blacksmith's. One evening it
+ was. Eva was alone in the house.&rdquo;
+ </p>
+ <p>
+ I started at that, and answered:
+ </p>
+ <p>
+ &ldquo;Who told you that?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't go about spying,&rdquo; she cried. &ldquo;I heard it last evening; my father
+ told me. When I got home all wet through last night, my father said: 'You
+ were rude to the Baron to-day.' 'No,' I answered. 'Where have you been
+ now?' he asked again. I answered: 'With Glahn.'
+ </p>
+ <p>
+ &ldquo;And then my father told me.&rdquo;
+ </p>
+ <p>
+ I struggled with my despair; I said:
+ </p>
+ <p>
+ &ldquo;What is more, Eva has been here.&rdquo;
+ </p>
+ <p>
+ &ldquo;Has she been here? In the hut?&rdquo;
+ </p>
+ <p>
+ &ldquo;More than once. I made her go in. We talked together.&rdquo;
+ </p>
+ <p>
+ &ldquo;Here too?&rdquo;
+ </p>
+ <p>
+ Pause. &ldquo;Be firm!&rdquo; I said to myself; and then, aloud:
+ </p>
+ <p>
+ &ldquo;Since you are so kind as to mix yourself up in my affairs, I will not be
+ behindhand. I suggested yesterday that you should take the Doctor; have
+ you thought it over? For really, you know, the prince is simply
+ impossible.&rdquo;
+ </p>
+ <p>
+ Her eyes lit with anger. &ldquo;He is not, I tell you,&rdquo; she cried passionately.
+ &ldquo;No, he is better than you; he can move about in a house without breaking
+ cups and glasses; he leaves my shoes alone. Yes! He knows how to move in
+ society; but you are ridiculous&mdash;I am ashamed of you&mdash;you are
+ unendurable&mdash;do you understand that?&rdquo;
+ </p>
+ <p>
+ Her words struck deep; I bowed my head and said:
+ </p>
+ <p>
+ &ldquo;You are right; I am not good at moving in society. Be merciful. You do
+ not understand me; I live in the woods by choice&mdash;that is my
+ happiness. Here, where I am all alone, it can hurt no one that I am as I
+ am; but when I go among others, I have to use all my will power to be as I
+ should. For two years now I have been so little among people at all...&rdquo;
+ </p>
+ <p>
+ &ldquo;There's no saying what mad thing you will do next,&rdquo; she went on. &ldquo;And it
+ is intolerable to be constantly looking after you.&rdquo;
+ </p>
+ <p>
+ How mercilessly she said it! A very bitter pain passed through me. I
+ almost toppled before her violence. Edwarda had not yet done; she went on:
+ </p>
+ <p>
+ &ldquo;You might get Eva to look after you, perhaps. It's a pity though, that
+ she's married.&rdquo;
+ </p>
+ <p>
+ &ldquo;Eva! Eva married, did you say?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, married!&rdquo;
+ </p>
+ <p>
+ &ldquo;Why, who is her husband?&rdquo;
+ </p>
+ <p>
+ &ldquo;Surely you know that. She is the blacksmith's wife.&rdquo;
+ </p>
+ <p>
+ &ldquo;I thought she was his daughter.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, she is his wife. Do you think I am lying to you?&rdquo;
+ </p>
+ <p>
+ I had not thought about it at all; I was simply astonished. I just stood
+ there thinking: Is Eva married?
+ </p>
+ <p>
+ &ldquo;So you have made a happy choice,&rdquo; says Edwarda.
+ </p>
+ <p>
+ Well, there seemed no end to the business. I was trembling with
+ indignation, and I said:
+ </p>
+ <p>
+ &ldquo;But you had better take the Doctor, as I said. Take a friend's advice;
+ that prince of yours is an old fool.&rdquo; And in my excitement I lied about
+ him, exaggerated his age, declared he was bald, that he was almost totally
+ blind; I asserted, moreover, that he wore that coronet thing in his shirt
+ front wholly and solely to show off his nobility. &ldquo;As for me, I have not
+ cared to make his acquaintance, there is nothing in him of mark at all; he
+ lacks the first principles; he is nothing.&rdquo;
+ </p>
+ <p>
+ &ldquo;But he is something, he is something,&rdquo; she cried, and her voice broke
+ with anger. &ldquo;He is far more than you think, you thing of the woods. You
+ wait. Oh, he shall talk to you&mdash;I will ask him myself. You don't
+ believe I love him, but you shall see you are mistaken. I will marry him;
+ I will think of him night and day. Mark what I say: I love him. Let Eva
+ come if she likes&mdash;hahaha! Heavens, let her come&mdash;it is less
+ than nothing to me. And now let me get away from here...&rdquo;
+ </p>
+ <p>
+ She began walking down the path from the hut; she took a few small hurried
+ steps, turned round, her face still pale as death, and moaned: &ldquo;And let me
+ never see your face again.&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0025" id="link2H_4_0025"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXIII
+ </h2>
+ <p>
+ Leaves were yellowing; the potato-plants had grown to full height and
+ stood in flower; the shooting season came round again; I shot hare and
+ ptarmigan and grouse; one day I shot an eagle. Calm, open sky, cool
+ nights, many clear, clear tones and dear sounds in the woods and fields.
+ The earth was resting, vast and peaceful...
+ </p>
+ <p>
+ &ldquo;I have not heard anything from Herr Mack about the two guillemots I
+ shot,&rdquo; I said to the Doctor.
+ </p>
+ <p>
+ &ldquo;You can thank Edwarda for that,&rdquo; he said. &ldquo;I know. I heard that she set
+ herself against it.&rdquo;
+ </p>
+ <p>
+ &ldquo;I do not thank her for it,&rdquo; said I...
+ </p>
+ <p>
+ Indian summer&mdash;Indian summer. The stars lay like belts in through the
+ yellowing woods; a new star came every day. The moon showed like a shadow;
+ a shadow of gold dipped in silver...
+ </p>
+ <p>
+ &ldquo;Heaven help you, Eva, are you married?&rdquo;
+ </p>
+ <p>
+ &ldquo;Didn't you know that?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, I didn't know.&rdquo;
+ </p>
+ <p>
+ She pressed my hand silently.
+ </p>
+ <p>
+ &ldquo;God help you, child, what are we to do now?&rdquo; &ldquo;What <i>you</i> will.
+ Perhaps you are not going away just yet; I will be happy as long as you
+ are here.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, Eva.&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, yes&mdash;only as long as you are here.&rdquo;
+ </p>
+ <p>
+ She looked forsaken, kept pressing my hand.
+ </p>
+ <p>
+ &ldquo;No, Eva. Go&mdash;never any more!&rdquo;
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ Nights pass and days come&mdash;three days already since this last talk.
+ Eva comes by with a load. How much wood has that child carried home from
+ the forest this summer alone?
+ </p>
+ <p>
+ &ldquo;Set the load down, Eva, and let me see if your eyes are as blue as ever.&rdquo;
+ </p>
+ <p>
+ Her eyes were red.
+ </p>
+ <p>
+ &ldquo;No&mdash;smile again, Eva! I can resist no more; I am your, I am
+ yours...&rdquo;
+ </p>
+ <p>
+ Evening. Eva sings, I hear her singing, and a warmth goes through me.
+ </p>
+ <p>
+ &ldquo;You are singing this evening, child?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I am happy.&rdquo;
+ </p>
+ <p>
+ And being smaller than I, she jumps up a little to put her arms round my
+ neck.
+ </p>
+ <p>
+ &ldquo;But, Eva, you have scratched your hands. <i>Herregud</i>! oh, if you had
+ not scratched them so!&rdquo;
+ </p>
+ <p>
+ &ldquo;It doesn't matter.&rdquo;
+ </p>
+ <p>
+ Her face beams wonderfully.
+ </p>
+ <p>
+ &ldquo;Eva, have you spoken to Herr Mack?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, once.&rdquo;
+ </p>
+ <p>
+ &ldquo;What did he say, and what did you?&rdquo;
+ </p>
+ <p>
+ &ldquo;He is so hard with us now; he makes my husband work day and night down at
+ the quay, and keeps me at all sorts of jobs as well. He has ordered me to
+ do man's work now.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why does he do that?&rdquo;
+ </p>
+ <p>
+ Eva looks down.
+ </p>
+ <p>
+ &ldquo;Why does he do that, Eva?&rdquo;
+ </p>
+ <p>
+ &ldquo;Because I love you.&rdquo;
+ </p>
+ <p>
+ &ldquo;But how could he know?&rdquo;
+ </p>
+ <p>
+ &ldquo;I told him.&rdquo;
+ </p>
+ <p>
+ Pause.
+ </p>
+ <p>
+ &ldquo;Would to Heaven he were not so harsh with you, Eva.&rdquo;
+ </p>
+ <p>
+ &ldquo;But it doesn't matter. It doesn't matter at all now.&rdquo;
+ </p>
+ <p>
+ And her voice is like a little tremulous song in the woods.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ The woods more yellow still. It is drawing towards autumn now; a few more
+ stars have come in the sky, and from now on the moon looks like a shadow
+ of silver dipped in gold. There is no cold; nothing, only a cool stillness
+ and a flow of life in the woods. Every tree stands in silent thought. The
+ berries are ripe.
+ </p>
+ <p>
+ Then&mdash;the twenty-second of August and the three iron nights.
+ [Footnote: <i>Joernnætter</i>. Used of the nights in August when the first
+ frosts appear.]
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0026" id="link2H_4_0026"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXIV
+ </h2>
+ <p>
+ The first iron night.
+ </p>
+ <p>
+ At nine the sun sets. A dull darkness settles over the earth, a star or so
+ can be seen; two hours later there is a glow of the moon. I wander up in
+ the woods with my gun and my dog. I light a fire, and the light of the
+ flames shines in between the fir-trunks. There is no frost.
+ </p>
+ <p>
+ &ldquo;The first iron night!&rdquo; I say. And a confused, passionate delight in the
+ time and the place sends a strange shiver through me...
+ </p>
+ <p>
+ &ldquo;Hail, men and beasts and birds, to the lonely night in the woods, in the
+ woods! Hail to the darkness and God's murmuring between the trees, to the
+ sweet, simple melody of silence in my ears, to green leaves and yellow!
+ Hail to the life-sound I hear; a snout against the grass, a dog sniffing
+ over the ground! A wild hail to the wildcat lying crouched, sighting and
+ ready to spring on a sparrow in the dark, in the dark! Hail to the
+ merciful silence upon earth, to the stars and the half moon; ay, to them
+ and to it!&rdquo; ...
+ </p>
+ <p>
+ I rise and listen. No one has heard me. I sit down again.
+ </p>
+ <p>
+ &ldquo;Thanks for the lonely night, for the hills, the rush of the darkness and
+ the sea through my heart! Thanks for my life, for my breath, for the boon
+ of being alive to-night; thanks from my heart for these! Hear, east and
+ west, oh, hear. It is the eternal God. This silence murmuring in my ears
+ is the blood of all Nature seething; it is God weaving through the world
+ and me. I see a glistening gossamer thread in the light of my fire; I hear
+ a boat rowing across the harbour; the northern lights flare over the
+ heavens to the north. By my immortal soul, I am full of thanks that it is
+ I who am sitting here!&rdquo;
+ </p>
+ <p>
+ Silence. A fir cone falls dully to the ground. A fir cone fell! I think to
+ myself. The moon is high, the fire flickers over the half-burned brands
+ and is dying. And in the late night I wander home.
+ </p>
+ <p>
+ The second iron night; the same stillness and mild weather. My soul is
+ pondering. I walk mechanically over to a tree, pull my cap deep down over
+ my eyes, and lean against that tree, with hands clasped behind my neck. I
+ gazed and think; the flame from my fire dazzles my eyes, and I do not feel
+ it. I stand in that stupor for a while, looking at the fire; my legs fail
+ me first, and grow tired; thoroughly stiff, I sit down. Not till then do I
+ think of what I have been doing. Why should I stare so long at the fire?
+ </p>
+ <p>
+ Æsop lifts his head and listens; he hears footsteps; Eva appears among the
+ trees.
+ </p>
+ <p>
+ &ldquo;I am very thoughtful and sad this evening,&rdquo; I say.
+ </p>
+ <p>
+ And in sympathy she makes no answer.
+ </p>
+ <p>
+ &ldquo;I love three things,&rdquo; I go on. &ldquo;I love a dream of love I once had; I love
+ you; and I love this spot of ground.&rdquo;
+ </p>
+ <p>
+ &ldquo;And which do you love most?&rdquo;
+ </p>
+ <p>
+ &ldquo;The dream.&rdquo;
+ </p>
+ <p>
+ All still again. Æsop knows Eva; he lays his head on one side and looks at
+ her. I murmur:
+ </p>
+ <p>
+ &ldquo;I saw a girl on the road to-day; she walked arm in arm with her lover.
+ The girl looked towards me, and could scarcely keep from laughing as I
+ passed.&rdquo;
+ </p>
+ <p>
+ &ldquo;What was she laughing at?&rdquo;
+ </p>
+ <p>
+ &ldquo;I don't know. At me, I suppose. Why do you ask?&rdquo;
+ </p>
+ <p>
+ &ldquo;Did you know her?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes. I bowed.&rdquo;
+ </p>
+ <p>
+ &ldquo;And didn't she know you?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, she acted as if she didn't know me... But why do you sit there
+ worming things out of me? It is not a nice thing to do. You will not get
+ me to tell you her name.&rdquo;
+ </p>
+ <p>
+ Pause.
+ </p>
+ <p>
+ I murmur again:
+ </p>
+ <p>
+ &ldquo;What was she laughing at? She is a flirt; but what was she laughing at?
+ What had I done to harm her?&rdquo;
+ </p>
+ <p>
+ Eva answers:
+ </p>
+ <p>
+ &ldquo;It was cruel of her to laugh at you.&rdquo;
+ </p>
+ <p>
+ &ldquo;No, it was not cruel of her,&rdquo; I cry. &ldquo;How dare you sit there speaking ill
+ of her? She never did an unkind thing; it was only right that she should
+ laugh at me. Be quiet, devil take you, and leave me in peace&mdash;do you
+ hear?&rdquo;
+ </p>
+ <p>
+ And Eva, terrified, leaves me in peace. I look at her, and repent my harsh
+ words at once; I fall down before her; wringing my hands.
+ </p>
+ <p>
+ &ldquo;Go home, Eva. It is you I love most; how could I love a dream? It was
+ only a jest; it is you I love. But go home now; I will come to you
+ to-morrow; remember, I am yours; yes, do not forget it. Good-night.&rdquo;
+ </p>
+ <p>
+ And Eva goes home.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ The third iron night, a night of extremes! tension. If only there were a
+ little frost! Instead, still heat after the sun of the day; the night is
+ like a lukewarm marsh. I light my fire...
+ </p>
+ <p>
+ &ldquo;Eva, it can be a delight at times to be dragged by the hair. So strangely
+ can the mind of a man be warped. He can be dragged by the hair over hill
+ and dale, and if asked what is happening, can answer in ecstasy: 'I am
+ being dragged by the hair!' And if anyone asks: 'But shall I not help you,
+ release you?' he answers: 'No.' And if they ask: 'But how can you endure
+ it?' he answers: 'I can endure it, for I love the hand that drags me.'
+ Eva, do you know what it is to hope?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, I think so.&rdquo;
+ </p>
+ <p>
+ &ldquo;Look you, Eva, hope is a strange thing, a very strange thing. You can go
+ out one morning along the road, hoping to meet one whom you are fond of.
+ And do you? No. Why not? Because that one is busy that morning&mdash;is
+ somewhere else, perhaps... Once I got to know an old blind Lapp up in the
+ hills. For fifty-eight years he had seen nothing, and now he was over
+ seventy. It seemed to him that his sight was getting better little by
+ little; getting on gradually, he thought. If all went well he would be
+ able to make out the sun in a few years' time. His hair was still black,
+ but his eyes were quite white. When we sat in his hut, smoking, he would
+ tell of all the things he had seen before he went blind. He was hardy and
+ strong; without feeling, indestructible; and he kept his hope. When I was
+ going, he came out with me, and began pointing in different ways. 'There's
+ the south,' he said, 'and there's north. Now you go that way first, and
+ when you get a little way down, turn off that way.' 'Quite right,' I said.
+ And at that the Lapp laughed contentedly, and said: 'There! I did not know
+ that forty or fifty years back, so I must see better now than I used to&mdash;yes,
+ it is improving all the time.' And then he crouched down and crept into
+ his hut again&mdash;the same old hut, his home on earth. And he sat down
+ by the fire as before, full of hope that in some few years he would be
+ able to make out the sun... Eva, 'tis strange about hope. Here am I, for
+ instance, hoping all the time that I may forget the one I did not meet on
+ the road this morning...&rdquo;
+ </p>
+ <p>
+ &ldquo;You talk so strangely.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is the third of the iron nights. I promise you, Eva, to be a different
+ man to-morrow. Let me be alone now. You will not know me again to-morrow,
+ I shall laugh and kiss you, my own sweet girl. Just think&mdash;only this
+ one night more, a few hours&mdash;and then I shall be a different man. <i>Godnat</i>,
+ Eva.&rdquo;
+ </p>
+ <p>
+ <i>&ldquo;Godnat.&rdquo;</i>
+ </p>
+ <p>
+ I lie down closer to the fire, and look at the flames. A pine cone falls
+ from the branch; a dry twig or so falls too. The night is like a boundless
+ depth. I close my eyes.
+ </p>
+ <p>
+ After an hour, my senses begin swinging in a certain rhythm. I am ringing
+ in tune with the great stillness&mdash;ringing with it. I look at the
+ half-moon; it stands in the sky like a white scale, and I have a feeling
+ of love for it; I can feel myself blushing. &ldquo;It is the moon!&rdquo; I say softly
+ and passionately; &ldquo;it is the moon!&rdquo; and my heart strikes toward it in a
+ soft throbbing. So for some minutes. It is blowing a little; a stranger
+ wind comes to me a mysterious current of air. What is it? I look round,
+ but see no one. The wind calls me, and my soul bows acknowledging the
+ call; and I feel myself lifted into the air, pressed to an invisible
+ breast; my eyes are dewed, I tremble&mdash;God is standing near, watching
+ me. Again several minutes pass. I turn my head round; the stranger wind is
+ gone, and I see something like the back of a spirit wandering silently in
+ through the woods...
+ </p>
+ <p>
+ I struggle a short while with a heavy melancholy; I was worn out with
+ emotions; I am deathly tired, and I sleep.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ When I awoke the night was past. Alas, I had been going about for a long
+ time in a sad state, full of fever, on the verge of falling down stricken
+ with some sickness or other. Often things had seemed upside down. I had
+ been looking at everything through inflamed eyes. A deep misery had
+ possessed me.
+ </p>
+ <p>
+ It was over now.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0027" id="link2H_4_0027"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXV
+ </h2>
+ <p>
+ It was autumn. The summer was gone. It passed as quickly as it had come;
+ ah, how quickly it was gone! The days were cold now. I went out shooting
+ and fishing&mdash;sang songs in the woods. And there were days with a
+ thick mist that came floating in from the sea, damming up everything
+ behind a wall of murk.
+ </p>
+ <p>
+ One such day something happened. I lost my way, blundered through into the
+ woods of the annexe, and came to the Doctor's house. There were visitors
+ there&mdash;the young ladies I had met before&mdash;young people dancing,
+ just like madcap foals.
+ </p>
+ <p>
+ A carriage came rolling up and stopped outside the gate; Edwarda was in
+ it. She started at sight of me. &ldquo;Good-bye,&rdquo; I said quietly. But the Doctor
+ held me back. Edwarda was troubled by my presence at first, and looked
+ down when I spoke; afterwards, she bore with me, and even went so far as
+ to ask me a question about something or other. She was strikingly pale;
+ the mist lay grey and cold upon her face. She did not get out of the
+ carriage.
+ </p>
+ <p>
+ &ldquo;I have come on an errand,&rdquo; she said. &ldquo;I come from the parish church, and
+ none of you were there to-day; they said you were here. I have been
+ driving for hours to find you. We are having a little party to-morrow&mdash;the
+ Baron is going away next week&mdash;and I have been told to invite you
+ all. There will be dancing too. To-morrow evening.&rdquo;
+ </p>
+ <p>
+ They all bowed and thanked her.
+ </p>
+ <p>
+ To me, she went on:
+ </p>
+ <p>
+ &ldquo;Now, don't stay away, will you? Don't send a note at the last minute
+ making some excuse.&rdquo; She did not say that to any of the others. A little
+ after she drove away.
+ </p>
+ <p>
+ I was so moved by this unexpected meeting that for a little while I was
+ secretly mad with joy. Then I took leave of the Doctor and his guests and
+ set off for home. How gracious she was to me, how gracious she was to me!
+ What could I do for her in return? My hands felt helpless; a sweet cold
+ went through my wrists. <i>Herregud!</i> I thought to myself, here am I
+ with my limbs hanging helpless for joy; I cannot even clench my hands; I
+ can only find tears in my eyes for my own helplessness. What is to be done
+ about it?
+ </p>
+ <p>
+ It was late in the evening when I reached home. I went round by the quay
+ and asked a fisherman if the post-packet would not be in by to-morrow
+ evening. Alas, no, the post-packet would not be in till some time next
+ week. I hurried up to the hut and began looking over my best suit. I
+ cleaned it up and made it look decent; there were holes in it here and
+ there, and I wept and darned them.
+ </p>
+ <p>
+ When I had finished, I lay down on the bed. This rest lasted only a
+ moment. Then a thought struck me, and I sprang up and stood in the middle
+ of the floor, dazed. The whole thing was just another trick! I should not
+ have been invited if I had not happened to be there when the others were
+ asked. And, moreover, she had given me the plainest possible hint to stay
+ away&mdash;to send a note at the last moment, making some excuse...
+ </p>
+ <p>
+ I did not sleep all that night, and when morning came I went to the woods
+ cold, sleepless, and feverish. Ho, having a party at Sirilund! What then?
+ I would neither go nor send any excuse. Herr Mack was a very thoughtful
+ man; he was giving this party for the Baron; but I was not going&mdash;let
+ them understand that! ...
+ </p>
+ <p>
+ The mist lay thick over valley and hills; a clammy rime gathered on my
+ clothes and made them heavy, my face was cold and wet. Only now and then
+ came a breath of wind to make the sleeping mists rise and fall, rise and
+ fall.
+ </p>
+ <p>
+ It was late in the afternoon, and getting dark; the mist hid everything
+ from my eyes, and I had no sun to show the way. I drifted about for hours
+ on the way home, but there was no hurry. I took the wrong road with the
+ greatest calmness, and came upon unknown places in the woods. At last I
+ stood my gun against a tree and consulted my compass. I marked out my way
+ carefully and started off. It would be about eight or nine o'clock.
+ </p>
+ <p>
+ Then something happened.
+ </p>
+ <p>
+ After half an hour, I heard music through the fog, and a few minutes later
+ I knew where I was: quite close to the main building at Sirilund. Had my
+ compass misled me to the very place I was trying to avoid? A well-known
+ voice called me&mdash;the Doctor's. A minute later I was being led in.
+ </p>
+ <p>
+ My gun-barrel had perhaps affected the compass and, alas, set it wrong.
+ The same thing has happened to me since&mdash;one day this year. I do not
+ know what to think. Then, too, it may have been fate.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0028" id="link2H_4_0028"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXVI
+ </h2>
+ <p>
+ All the evening I had a bitter feeling that I should not have come to that
+ party. My coming was hardly noticed at all, they were all so occupied with
+ one another; Edwarda hardly bade me welcome. I began drinking hard because
+ I knew I was unwelcome; and yet I did not go away.
+ </p>
+ <p>
+ Herr Mack smiled a great deal and put on his most amiable expression; he
+ was in evening dress, and looked well. He was now here, now there,
+ mingling with his half a hundred guests, dancing one dance now and then,
+ joking and laughing. There were secrets lurking in his eyes.
+ </p>
+ <p>
+ A whirl of music and voices sounded through the house. Five of the rooms
+ were occupied by the guests, besides the big room where they were dancing.
+ Supper was over when I arrived. Busy maids were running to and fro with
+ glasses and wines, brightly polished coffee-pots, cigars and pipes, cakes
+ and fruit. There was no sparing of anything. The chandeliers in the rooms
+ were filled with extra-thick candles that had been made for the occasion;
+ the new oil lamps were lit as well. Eva was helping in the kitchen; I
+ caught a glimpse of her. To think that Eva should be here too!
+ </p>
+ <p>
+ The Baron received a great deal of attention, though he was quiet and
+ modest and did not put himself forward. He, too, was in evening dress; the
+ tails of his coat were miserably crushed from the packing. He talked a
+ good deal with Edwarda, followed her with his eyes, drank with her, and
+ called her Fröken, as he did the daughters of the Dean and of the district
+ surgeon. I felt the same dislike of him as before, and could hardly look
+ at him without turning my eyes away with a wretched silly grimace. When he
+ spoke to me, I answered shortly and pressed my lips together after.
+ </p>
+ <p>
+ I happen to remember one detail of that evening. I stood talking to a
+ young lady, a fair-haired girl; and I said something or told some story
+ that made her laugh. It can hardly have been anything remarkable, but
+ perhaps, in my excited state, I told it more amusingly than I remember now&mdash;at
+ any rate, I have forgotten it. But when I turned round, there was Edwarda
+ standing behind me. She gave me a glance of recognition.
+ </p>
+ <p>
+ Afterwards I noticed that she drew the fair girl aside to find out what I
+ had said. I cannot say how that look of Edwarda's cheered me, after I had
+ been going about from room to room like a sort of outcast all the evening;
+ I felt better at once, and spoke to several people, and was entertaining.
+ As far as I am aware, I did nothing awkward or wrong...
+ </p>
+ <p>
+ I was standing outside on the steps. Eva came carrying some things from
+ one of the rooms. She saw me, came out, and touched my hands swiftly with
+ one of hers; then she smiled and went in again. Neither of us had spoken.
+ When I turned to go in after her, there was Edwarda in the passage,
+ watching me. She also said nothing. I went into the room.
+ </p>
+ <p>
+ &ldquo;Fancy&mdash;Lieutenant Glahn amuses himself having meetings with the
+ servants on the steps!&rdquo; said Edwarda suddenly, out loud. She was standing
+ in the doorway. Several heard what she said. She laughed, as if speaking
+ in jest, but her face was very pale.
+ </p>
+ <p>
+ I made no answer to this; I only murmured:
+ </p>
+ <p>
+ &ldquo;It was accidental; she just came out, and we met in the passage...&rdquo;
+ </p>
+ <p>
+ Some time passed&mdash;an hour, perhaps. A glass was upset over a lady's
+ dress. As soon as Edwarda saw it, she cried:
+ </p>
+ <p>
+ &ldquo;What has happened? That was Glahn, of course.&rdquo;
+ </p>
+ <p>
+ I had not done it: I was standing at the other end of the room when it
+ happened. After that I drank pretty hard again, and kept near the door, to
+ be out of the way of the dancers.
+ </p>
+ <p>
+ The Baron still had the ladies constantly round him. He regretted that his
+ collections were packed away, so that he could not show them&mdash;that
+ bunch of weed from the White Sea, the clay from Korholmerne, highly
+ interesting stone formations from the bottom of the sea. The ladies peeped
+ curiously at his shirt studs, the five-pointed coronets&mdash;they meant
+ that he was a Baron, of course. All this time the Doctor created no
+ sensation; even his witty oath, <i>Död og Pinsel</i>, no longer had any
+ effect. But when Edwarda was speaking, he was always on the spot,
+ correcting her language, embarrassing her with little shades of meaning,
+ keeping her down with calm superiority.
+ </p>
+ <p>
+ She said:
+ </p>
+ <p>
+ &ldquo;... until I go over the valley of death.&rdquo;
+ </p>
+ <p>
+ And the Doctor asked:
+ </p>
+ <p>
+ &ldquo;Over what?&rdquo;
+ </p>
+ <p>
+ &ldquo;The valley of death. Isn't that what it's called&mdash;the valley of
+ death?&rdquo;
+ </p>
+ <p>
+ &ldquo;I have heard of the river of death. I presume that is what you mean.&rdquo;
+ </p>
+ <p>
+ Later on, she talked of having something guarded like a ...
+ </p>
+ <p>
+ &ldquo;Dragon,&rdquo; put in the Doctor.
+ </p>
+ <p>
+ &ldquo;Yes, like a dragon,&rdquo; she answered.
+ </p>
+ <p>
+ But the Doctor said:
+ </p>
+ <p>
+ &ldquo;You can thank me for saving you there. I am sure you were going to say
+ Argus.&rdquo;
+ </p>
+ <p>
+ The Baron raised his eyebrows and looked at the Doctor in surprise through
+ his thick glasses, as if he had never heard such ridiculous things. But
+ the Doctor paid no heed. What did he care for the Baron?
+ </p>
+ <p>
+ I still lurked by the door. The dancers swept through the room. I managed
+ to start a conversation with the governess from the vicarage. We talked
+ about the war, the state of affairs in the Crimea, the happenings in
+ France, Napoleon as Emperor, his protection of the Turks; the young lady
+ had read the papers that summer, and could tell me the news. At last we
+ sat down on a sofa and went on talking.
+ </p>
+ <p>
+ Edwarda, passing, stopped in front of us. Suddenly she said:
+ </p>
+ <p>
+ &ldquo;You must forgive me, Lieutenant, for surprising you outside like that. I
+ will never do it again.&rdquo;
+ </p>
+ <p>
+ And she laughed again, and did not look at me.
+ </p>
+ <p>
+ &ldquo;Edwarda,&rdquo; I said, &ldquo;do stop.&rdquo;
+ </p>
+ <p>
+ She had spoken very formally, which meant no good, and her look was
+ malicious. I thought of the Doctor, and shrugged my shoulders carelessly,
+ as he would have done. She said:
+ </p>
+ <p>
+ &ldquo;But why don't you go out in the kitchen? Eva is there. I think you ought
+ to stay there.&rdquo;
+ </p>
+ <p>
+ And there was hate in her eyes.
+ </p>
+ <p>
+ I had not been to parties often; certainly I had never before heard such a
+ tone at any of the few I had been to. I said:
+ </p>
+ <p>
+ &ldquo;Aren't you afraid of being misunderstood, Edwarda?&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, but how? Possibly, of course, but how?&rdquo;
+ </p>
+ <p>
+ &ldquo;You sometimes speak without thinking. Just now, for instance, it <i>seemed</i>
+ to me as if you were actually telling me to go to the kitchen and stay
+ there; and that, of course, must be a misunderstanding&mdash;I know quite
+ well that you did not intend to be so rude.&rdquo;
+ </p>
+ <p>
+ She walked a few paces away from us. I could see by her manner that she
+ was thinking all the time of what I had said. She turned round, came back,
+ and said breathlessly:
+ </p>
+ <p>
+ &ldquo;It was no misunderstanding, Lieutenant; you heard correctly&mdash;I did
+ tell you to go to the kitchen.&rdquo;
+ </p>
+ <p>
+ &ldquo;Oh, Edwarda!&rdquo; broke out the terrified governess.
+ </p>
+ <p>
+ And I began talking again about the war and the state of affairs in the
+ Crimea; but my thoughts were far distant. I was no longer intoxicated,
+ only hopelessly confused. The earth seemed fading from under my feet, and
+ I lost my composure, as at so many unfortunate times before. I got up from
+ the sofa and made as if to go out. The Doctor stopped me.
+ </p>
+ <p>
+ &ldquo;I have just been hearing your praises,&rdquo; he said.
+ </p>
+ <p>
+ &ldquo;Praises! From whom?&rdquo;
+ </p>
+ <p>
+ &ldquo;From Edwarda. She is still standing away off there in the corner, looking
+ at you with glowing eyes. I shall never forget it; her eyes were
+ absolutely in love, and she said out loud that she admired you.&rdquo;
+ </p>
+ <p>
+ &ldquo;Good,&rdquo; I said with a laugh. Alas, there was not a clear thought in my
+ head.
+ </p>
+ <p>
+ I went up to the Baron, bent over him as if to whisper something&mdash;and
+ when I was close enough, I spat in his ear. He sprang up and stared
+ idiotically at me. Afterwards I saw him telling Edwarda what had occurred;
+ I saw how disgusted she was. She thought, perhaps, of her shoe that I had
+ thrown into the water, of the cups and glasses I had so unfortunately
+ managed to break, and of all the other breaches of good taste I had
+ committed; doubtless all those things flashed into her mind again. I was
+ ashamed. It was all over with me; whichever way I turned, I met frightened
+ and astonished looks. And I stole away from Sirilund, without a word of
+ leave-taking or of thanks.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0029" id="link2H_4_0029"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXVII
+ </h2>
+ <p>
+ The Baron is going away. Well and good: I will load my gun, go up into the
+ hills, and fire a salvo in his honour and Edwarda's. I will bore a deep
+ hole in a rock and blow up a mountain in his honour and Edwarda's. And a
+ great boulder shall roll down the hillside and dash mightily into the sea
+ just as his ship is passing by. I know a spot&mdash;a channel down the
+ hillside&mdash;where rocks have rolled before and made a clean road to the
+ sea. Far below there is a little boat-house.
+ </p>
+ <p>
+ &ldquo;Two mining drills,&rdquo; I say to the smith.
+ </p>
+ <p>
+ And the smith whets two drills...
+ </p>
+ <p>
+ Eva has been put to driving back and forth between the mill and the quay,
+ with one of Herr Mack's horses. She has to do a man's work, transporting
+ sacks of corn and flour. I meet her; her face is wonderfully fresh and
+ glowing. Dear God, how tender and warm is her smile! Every evening I meet
+ her.
+ </p>
+ <p>
+ &ldquo;You look as if you had no troubles, Eva, my love.&rdquo;
+ </p>
+ <p>
+ &ldquo;You call me your love! I am an ignorant woman, but I will be true to you.
+ I will be true to you if I should die for it. Herr Mack grows harsher and
+ harsher every day, but I do not mind it; he is furious, but I do not
+ answer him. He took hold of my arm and went grey with fury. One thing
+ troubles me.&rdquo;
+ </p>
+ <p>
+ &ldquo;And what is it that troubles you?&rdquo; &ldquo;Herr Mack threatens you. He says to
+ me: 'Aha, it's that lieutenant you've got in your head all the time!' I
+ answer: 'Yes, I am his.' Then he says: 'Ah, you wait. I'll soon get rid of
+ him.' He said that yesterday.&rdquo;
+ </p>
+ <p>
+ &ldquo;It doesn't matter; let him threaten...&rdquo; And with closed eyes she throws
+ her arms about my neck. A quiver passes through her. The horse stands
+ waiting.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0030" id="link2H_4_0030"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXVIII
+ </h2>
+ <p>
+ I sit up in the hills, mining. The autumn air is crystal about me. The
+ strokes of my drill ring steady and even. Æsop looks at me with wondering
+ eyes. Wave after wave of content swells through my breast. No one knows
+ that I am here among the lonely hills.
+ </p>
+ <p>
+ The birds of passage have gone; a happy journey and welcome back again!
+ Titmouse and blackcap and a hedge-sparrow or so live now alone in the bush
+ and undergrowth: tuitui! All is so curiously changed&mdash;the dwarf birch
+ bleeds redly against the grey stones, a harebell here and there shows
+ among the heather, swaying and whispering a little song: sh! But high
+ above all hovers an eagle with outstretched neck, on his way to the inland
+ ridges.
+ </p>
+ <p>
+ And the evening comes; I lay my drill and my hammer in under the rock and
+ stop to rest. All things are glooming now. The moon glides up in the
+ north; the rocks cast gigantic shadows. The moon is full; it looks like a
+ glowing island, like a round riddle of brass that I pass by and wonder at.
+ Æsop gets up and is restless.
+ </p>
+ <p>
+ &ldquo;What is it, Æsop? As for me, I am tired of my sorrow; I will forget it,
+ drown it. Lie still, Æsop, I tell you; I will not be pestered. Eva asks:
+ 'Do you think of me sometimes?' I answer: 'Always.' Eva asks again: 'And
+ is it any joy to you, to think of me?' I answer: 'Always a joy, never
+ anything but a joy.' Then says Eva: 'Your hair is turning grey.' I answer:
+ 'Yes, it is beginning to turn grey.' But Eva says: 'Is it something you
+ think about, that is turning it grey?' And to that I answer: 'Maybe.' At
+ last Eva says: 'Then you do not think only of me...' Æsop, lie still; I
+ will tell you about something else instead...&rdquo;
+ </p>
+ <p>
+ But Æsop stands sniffing excitedly down towards the valley, pointing, and
+ dragging at my clothes. When at last I get up and follow, he cannot get
+ along fast enough. A flush of red shows in the sky above the woods. I go
+ on faster; and there before my eyes is a glow, a huge fire. I stop and
+ stare at it, go on a few steps and stare again.
+ </p>
+ <p>
+ My hut is ablaze.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0031" id="link2H_4_0031"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXIX
+ </h2>
+ <p>
+ The fire was Herr Mack's doing. I saw through it from the first. I lost my
+ skins and my birds' wings, I lost my stuffed eagle; everything was
+ destroyed. What now? I lay out for two nights under the open sky, without
+ going to Sirilund to ask for shelter. At last I rented a deserted
+ fisher-hut by the quay. I stopped the cracks with dried moss, and slept on
+ a load of red horseberry ling from the hills. Once more my needs were
+ filled.
+ </p>
+ <p>
+ Edwarda sent me a message to say she had heard of my misfortune and that
+ she offered me, on her father's behalf, a room at Sirilund. Edwarda
+ touched! Edwarda generous! I sent no answer. Thank Heaven, I was no longer
+ without shelter, and it gave me a proud joy to make no answer to Edwarda's
+ offer. I met her on the road, with the Baron; they were walking arm in
+ arm. I looked them both in the face and bowed as I passed. She stopped,
+ and asked:
+ </p>
+ <p>
+ &ldquo;So you will not come and stay with us, Lieutenant?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am already settled in my new place,&rdquo; I said, and stopped also.
+ </p>
+ <p>
+ She looked at me; her bosom was heaving. &ldquo;You would have lost nothing by
+ coming to us,&rdquo; she said.
+ </p>
+ <p>
+ Thankfulness moved in my heart, but I could not speak.
+ </p>
+ <p>
+ The Baron walked on slowly.
+ </p>
+ <p>
+ &ldquo;Perhaps you do not want to see me any more,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;I thank you, Edwarda, for offering me shelter when my house was burned,&rdquo;
+ I said. &ldquo;It was the kinder of you, since your father was hardly willing.&rdquo;
+ And with bared head I thanked her for her offer.
+ </p>
+ <p>
+ &ldquo;In God's name, will you not see me again, Glahn?&rdquo; she said suddenly.
+ </p>
+ <p>
+ The Baron was calling.
+ </p>
+ <p>
+ &ldquo;The Baron is calling,&rdquo; I said, and took off my hat again respectfully.
+ </p>
+ <p>
+ And I went up into the hills, to my mining. Nothing, nothing should make
+ me lose my self-possession any more. I met Eva. &ldquo;There, what did I say?&rdquo; I
+ cried. &ldquo;Herr Mack cannot drive me away. He has burned my hut, and I
+ already have another hut...&rdquo; She was carrying a tar-bucket and brush.
+ &ldquo;What now, Eva?&rdquo;
+ </p>
+ <p>
+ Herr Mack had a boat in a shed under the cliff, and had ordered her to tar
+ it. He watched her every step&mdash;she had to obey.
+ </p>
+ <p>
+ &ldquo;But why in the shed there? Why not at the quay?&rdquo;
+ </p>
+ <p>
+ &ldquo;Herr Mack ordered it so..
+ </p>
+ <p>
+ &ldquo;Eva, Eva, my love, they make a slave of you and you do not complain. See!
+ now you are smiling again, and life streams through your smile, for all
+ that you are a slave.&rdquo;
+ </p>
+ <p>
+ When I got up to my mining work, I found a surprise. I could see that
+ someone had been on the spot. I examined the tracks and recognised the
+ print of Herr Mack's long, pointed shoes. What could he be ferreting about
+ here for? I thought to myself, and looked round. No one to be seen&mdash;I
+ had no suspicion.
+ </p>
+ <p>
+ And I fell to hammering with my drill, never dreaming what harm I did.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0032" id="link2H_4_0032"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXX
+ </h2>
+ <p>
+ The mail-packet came; it brought my uniform; it was to take the Baron and
+ all his cases of scales and seaweeds on board. Now it was loading up
+ barrels of herrings and oil at the quay; towards evening it would be off
+ again.
+ </p>
+ <p>
+ I took my gun and put a heavy load of powder in each barrel. When I had
+ done that, I nodded to myself. I went up into the hills and filled my mine
+ with powder as well; I nodded again. Now everything was ready. I lay down
+ to wait.
+ </p>
+ <p>
+ I waited for hours. All the time I could hear the steamer's winches at
+ work hoisting and lowering. It was already growing dusk. At last the
+ whistle sounded: the cargo was on board, the ship was putting off. I still
+ had some minutes to wait. The moon was not up, and I stared like a madman
+ through the gloom of the evening.
+ </p>
+ <p>
+ When the first point of the bow thrust out past the islet, I lit my slow
+ match and stepped hurriedly away. A minute passed. Suddenly there was a
+ roar&mdash;a spurt of stone fragments in the air&mdash;the hillside
+ trembled, and the rock hurtled crashing down the abyss. The hills all
+ round gave echo. I picked up my gun and fired off one barrel; the echo
+ answered time and time again. After a moment I fired the second barrel
+ too; the air trembled at the salute, and the echo flung the noise out into
+ the wide world; it was as if all the hills had united in a shout for the
+ vessel sailing away.
+ </p>
+ <p>
+ A little time passed; the air grew still, the echoes died away in all the
+ hills, and earth lay silent again. The ship disappeared in the gloom.
+ </p>
+ <p>
+ I was still trembling with a strange excitement. I took my drills and my
+ gun under my arm and set off with slack knees down the hillside. I took
+ the shortest way, marking the smoking track left by my avalanche. Æsop
+ followed me, shaking his head all the time and sneezing at the smell of
+ burning.
+ </p>
+ <p>
+ When I came down to the shed, I found a sight that filled me with violent
+ emotion. A boat lay there, crushed by the falling rock. And Eva&mdash;Eva
+ lay beside it, mangled and broken, dashed to pieces by the shock&mdash;torn
+ beyond recognition. Eva&mdash;lying there, dead.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0033" id="link2H_4_0033"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXXI
+ </h2>
+ <p>
+ What more have I to write? I fired no shot for many days; I had no food,
+ and did not eat at all; I sat in my shed. Eva was carried to the church in
+ Herr Mack's white-painted house-boat. I went there overland on foot...
+ </p>
+ <p>
+ Eva is dead. Do you remember her little girlish head, with hair like a
+ nun's? She came so quietly, laid down her head and smiled. And did you see
+ how full of life that smile was? Be still, Æsop; I remember a strange saga
+ story, of four generations ago, of Iselin's time, when Stamer was a
+ priest.
+ </p>
+ <p>
+ A girl sat captive in a stone tower. She loved a lord. Why? Ask the winds
+ and the stars, ask the God of life, for there is none that knows such
+ things. The lord was her friend and lover; but time went on, and one fine
+ day he saw another and his liking changed.
+ </p>
+ <p>
+ Like a youth he loved his maid. Often he called her his blessing and his
+ dove, and said: &ldquo;Give me your heart!&rdquo; And she did so. He said: &ldquo;May I ask
+ for something, love?&rdquo; And, wild with joy, she answered &ldquo;Yes.&rdquo; And she gave
+ him all, and yet he did not thank her.
+ </p>
+ <p>
+ The other he loved as a slave, as a madman and a beggar. Why? Ask the dust
+ of the road and the leaves that fall, ask the mysterious God of life, for
+ there is no other that knows such things. She gave him nothing&mdash;no,
+ nothing did she give him&mdash;and yet he thanked her. She said, &ldquo;Give me
+ your peace and your understanding!&rdquo; and he was only sorry that she did not
+ ask his life.
+ </p>
+ <p>
+ And his maid was set in the tower...
+ </p>
+ <p>
+ &ldquo;What do you there, maiden, sitting and smiling?&rdquo;
+ </p>
+ <p>
+ &ldquo;I think of something ten years back. It was then I met him.&rdquo;
+ </p>
+ <p>
+ &ldquo;You remember him still?&rdquo;
+ </p>
+ <p>
+ &ldquo;I remember him still.&rdquo;
+ </p>
+ <p>
+ And time goes on.
+ </p>
+ <p>
+ &ldquo;What do you there, maiden? And why do you sit and smile?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am embroidering his name on a cloth.&rdquo;
+ </p>
+ <p>
+ &ldquo;Whose name? His who shut you up here?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes, the one I met twenty years ago.&rdquo;
+ </p>
+ <p>
+ &ldquo;You remember him still?&rdquo;
+ </p>
+ <p>
+ &ldquo;I remember him as I did before.&rdquo;
+ </p>
+ <p>
+ And time goes on...
+ </p>
+ <p>
+ &ldquo;What do you there, prisoner?&rdquo;
+ </p>
+ <p>
+ &ldquo;I grow old, and can no longer see to sew; I scrape the plaster from the
+ walls. And of that I am making an urn to be a little gift for him.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of whom are you speaking?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of my lover, who shut me in the tower.&rdquo;
+ </p>
+ <p>
+ &ldquo;And do you smile at that, because he locked you in the tower?&rdquo;
+ </p>
+ <p>
+ &ldquo;I am thinking of what he will say now. 'Look, look,' he will say, 'my
+ maiden has sent me a little urn; she has not forgotten me in thirty
+ years.'&rdquo;
+ </p>
+ <p>
+ And time goes on...
+ </p>
+ <p>
+ &ldquo;What, prisoner! sit you there idle, and smile?&rdquo;
+ </p>
+ <p>
+ &ldquo;I grow old, I grow old, my eyes are blind, I am only thinking.&rdquo;
+ </p>
+ <p>
+ &ldquo;Of him that you met forty years ago?&rdquo;
+ </p>
+ <p>
+ &ldquo;Of him whom I met when I was young. Maybe it was forty years ago.&rdquo;
+ </p>
+ <p>
+ &ldquo;But do you not know, then, that he is dead? ... Pale beldam, you do not
+ answer; your lips are white, you breathe no more...&rdquo;
+ </p>
+ <p>
+ There! That was the strange tale of the girl in the tower. Wait, Æsop,
+ wait a little: there was something I forgot. One day she heard her lover's
+ voice in the courtyard, and she fell on her knees and blushed. And that
+ was when she was forty years...
+ </p>
+ <p>
+ I bury you, Eva, and in humility kiss the sand above your grave. A
+ luxuriant, rose-red memory flowers in me when I think of you; I am as if
+ drenched in blessing at the memory of your smile. You gave all; all did
+ you give, and it cost you nothing, for you were the wild child of life
+ itself. But others, the miserly ones who begrudge even a glance, can have
+ all my thoughts. Why? Ask the twelve months and the ships on the sea; ask
+ the mysterious God of the heart...
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0034" id="link2H_4_0034"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXXII
+ </h2>
+ <p>
+ A man said:
+ </p>
+ <p>
+ &ldquo;You never go out shooting now? Æsop is running loose in the woods; he is
+ after a hare.&rdquo;
+ </p>
+ <p>
+ I said:
+ </p>
+ <p>
+ &ldquo;Go and shoot it for me.&rdquo;
+ </p>
+ <p>
+ Some days passed. Herr Mack looked me up. He was hollow-eyed; his face was
+ grey. I thought: Is it true that I can see through my fellows, or is it
+ not? I do not know, myself.
+ </p>
+ <p>
+ Herr Mack spoke of the landslip, the catastrophe. It was a misfortune, a
+ sad accident; I was in no way to blame.
+ </p>
+ <p>
+ I said:
+ </p>
+ <p>
+ &ldquo;If it was someone who wished to separate Eva and me at any price, he has
+ gained his end. God's curse be on him!&rdquo;
+ </p>
+ <p>
+ Herr Mack looked at me suspiciously. He murmured something about the fine
+ funeral. Nothing had been spared.
+ </p>
+ <p>
+ I sat admiring the alertness of his mind. He would have no compensation
+ for the boat that my landslide had crushed.
+ </p>
+ <p>
+ &ldquo;Oh, but surely,&rdquo; I said, &ldquo;will you not have some payment for the boat and
+ the tar-bucket and the brush?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, my dear Lieutenant,&rdquo; he answered. &ldquo;How could you think of such a
+ thing?&rdquo; And he looked at me with hatred in his eyes.
+ </p>
+ <p>
+ For three weeks I saw nothing of Edwarda. Yes, once I met her at the
+ store: when I went to buy some bread, she stood inside the counter looking
+ over some different sorts of cloth stuff. Only the two assistants were
+ there besides.
+ </p>
+ <p>
+ I greeted her aloud, and she looked up, but did not answer. It occurred to
+ me that I could not ask for bread while she was there; I turned to the
+ assistants and asked for powder and shot. While they were weighing it out,
+ I watched her.
+ </p>
+ <p>
+ A grey dress, much too small for her, with the buttonholes worn; her flat
+ breast heaved restlessly. How she had grown that summer! Her brow was knit
+ in thought; those strangely curved eyebrows stood in her face like two
+ riddles; all her movements were grown more mature. I looked at her hands;
+ the contour of her long, delicate fingers moved me violently, made me
+ tremble. She was still turning over the stuffs.
+ </p>
+ <p>
+ I stood wishing that Æsop would run to her behind the counter&mdash;then I
+ could call him back at once and apologise. What would she say then?
+ </p>
+ <p>
+ &ldquo;Here you are,&rdquo; said the storekeeper.
+ </p>
+ <p>
+ I paid for the things, took up my parcels, and took my leave of her. She
+ looked up, but again without speaking. Good, I thought to myself. She is
+ the Baron's bride already, as like as not. And I went, without my bread.
+ </p>
+ <p>
+ When I got outside, I looked up at the window. No one was watching me.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0035" id="link2H_4_0035"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXXIII
+ </h2>
+ <p>
+ Then one night the snow came, and it began to be cold in my hut. There was
+ a fireplace where I cooked my food, but the wood burned poorly and it was
+ very draughty, though I had caulked the walls as well as I could. The
+ autumn was past, and the days were growing shorter. The first snow was
+ still melting under the rays of the sun. Presently the ground was bare
+ again, but the nights were cold, and the water froze. And all the grass
+ and all the insects died.
+ </p>
+ <p>
+ A secret stillness fell upon people; they pondered and were silent; their
+ eyes awaited the winter. No more calling from the drying grounds: the
+ harbour lay quiet. Everything was moving towards the eternal winter of the
+ northern lights, when the sun sleeps in the sea. Dull came the sound of
+ the oars from a lonely boat.
+ </p>
+ <p>
+ A girl came rowing.
+ </p>
+ <p>
+ &ldquo;Where have you been, my girl?&rdquo;
+ </p>
+ <p>
+ &ldquo;Nowhere.&rdquo;
+ </p>
+ <p>
+ &ldquo;Nowhere? Look, I recognize you: I met you last summer.&rdquo;
+ </p>
+ <p>
+ She brought the boat in, stepped ashore, made fast.
+ </p>
+ <p>
+ &ldquo;You were herding goats. You stopped to fasten your stocking. I met you
+ one night.&rdquo;
+ </p>
+ <p>
+ A little flush rose to her cheeks, and she laughed shyly.
+ </p>
+ <p>
+ &ldquo;Little goat-girl, come into the hut and let me look at you. I knew your
+ name, too&mdash;it is Henriette.&rdquo;
+ </p>
+ <p>
+ But she walked past me without speaking. The autumn, the winter, had laid
+ hold of her too; her senses drowsed.
+ </p>
+ <p>
+ Already the sun had gone to sea.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0036" id="link2H_4_0036"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXXIV
+ </h2>
+ <p>
+ And I put on my uniform for the first time, and went down to Sirilund. My
+ heart was beating.
+ </p>
+ <p>
+ I remembered everything from the day when Edwarda had come hurrying to me
+ and embraced me before them all. Now she had thrown me hither and thither
+ for many months, and made my hair turn grey. My own fault? Yes, my star
+ had led me astray. I thought: How she would chuckle if I were to throw
+ myself at her feet and tell her the secret of my heart to-day! She would
+ offer me a chair and have wine brought in, and just as she was raising the
+ glass to her lips to drink with me, she would say: &ldquo;Lieutenant, I thank
+ you for the time we have been together. I shall never forget it!&rdquo; But when
+ I grew glad and felt a little hope, she'd pretend to drink, and set down
+ the glass untouched. And she wouldn't hide from me that she'd only been
+ pretending to drink; she'd be careful to let me see it. That was her way.
+ </p>
+ <p>
+ Good&mdash;it was nearing the last hour now.
+ </p>
+ <p>
+ And as I walked down the road I thought further: My uniform will impress
+ her; the trappings are new and handsome. The sword will rattle against the
+ floor. A nervous joy thrilled me, and I whispered to myself: Who knows
+ what may happen yet? I raised my head and threw out a hand. No more
+ humility now&mdash;a man's honour and pride! Whatever came of it, I would
+ make no more advances now. Pardon me, my fair one, for not asking your
+ hand...
+ </p>
+ <p>
+ Herr Mack met me in the courtyard, greyer still, more hollow-eyed.
+ </p>
+ <p>
+ &ldquo;Going away? So? I suppose you've not been very comfortable lately, eh?
+ Your hut burned down...&rdquo; And Herr Mack smiled.
+ </p>
+ <p>
+ In a moment it seemed as if the wisest man in the world stood before my
+ eyes.
+ </p>
+ <p>
+ &ldquo;Go indoors, Lieutenant; Edwarda is there. Well, I will say good-bye. See
+ you on the quay, I suppose, when the vessel sails.&rdquo; He walked off, with
+ head bowed in thought, whistling.
+ </p>
+ <p>
+ Edwarda was sitting indoors, reading. At the instant of my entering, she
+ started at my uniform; she looked at me sideways like a bird, and even
+ blushed. She opened her mouth.
+ </p>
+ <p>
+ &ldquo;I have come to say good-bye,&rdquo; I managed to get out at last.
+ </p>
+ <p>
+ She rose quickly to her feet, and I saw that my words had had some effect.
+ </p>
+ <p>
+ &ldquo;Glahn, are you going away? Now?&rdquo;
+ </p>
+ <p>
+ &ldquo;As soon as the boat comes.&rdquo; I grasped her hand&mdash;both her hands&mdash;a
+ senseless delight took possession of me&mdash;I burst out, &ldquo;Edwarda!&rdquo; and
+ stared at her.
+ </p>
+ <p>
+ And in a moment she was cold&mdash;cold and defiant. Her whole being
+ resisted me; she drew herself up. I found myself standing like a beggar
+ before her. I loosed her hand and let her go. I remember that from that
+ moment I stood repeating mechanically: &ldquo;Edwarda, Edwarda!&rdquo; again and again
+ without thinking, and when she asked: &ldquo;Yes? What were you going to say?&rdquo; I
+ explained nothing.
+ </p>
+ <p>
+ &ldquo;To think you are going already,&rdquo; she said again. &ldquo;Who will come next
+ year, I wonder?&rdquo;
+ </p>
+ <p>
+ &ldquo;Another,&rdquo; I answered. &ldquo;The hut will be built up again, no doubt.&rdquo;
+ </p>
+ <p>
+ Pause. She was already reaching for her book.
+ </p>
+ <p>
+ &ldquo;I am sorry my father is not in,&rdquo; she said. &ldquo;But I will tell him you were
+ here.&rdquo;
+ </p>
+ <p>
+ I made no answer to this. I stepped forward, took her hand once more, and
+ said:
+ </p>
+ <p>
+ <i>&ldquo;Farvel,</i> Edwarda.&rdquo;
+ </p>
+ <p>
+ <i>&ldquo;Farvel,&rdquo;</i> she answered.
+ </p>
+ <p>
+ I opened the door as if to go. Already she was sitting with the book in
+ her hand, reading&mdash;actually reading and turning the page. Nothing
+ affected, not the least in the world affected by my saying good-bye.
+ </p>
+ <p>
+ I coughed.
+ </p>
+ <p>
+ She turned and said in surprise:
+ </p>
+ <p>
+ &ldquo;Oh, are you not gone? I thought you were.&rdquo;
+ </p>
+ <p>
+ Heaven alone knows, but it struck me that her surprise was too great; that
+ she was not careful, that she overdid it. And it came into my head that
+ perhaps she had known all the time that I was standing behind her.
+ </p>
+ <p>
+ &ldquo;I am going now,&rdquo; I said.
+ </p>
+ <p>
+ Then she rose and came over to me.
+ </p>
+ <p>
+ &ldquo;I should like to have something to remember you by when you go,&rdquo; she
+ said. &ldquo;I thought of asking you for something, but perhaps it is too much.
+ Will you give me Æsop?&rdquo;
+ </p>
+ <p>
+ I did not hesitate. I answered &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ &ldquo;Then, perhaps, you would come and bring him to-morrow,&rdquo; she said.
+ </p>
+ <p>
+ I went.
+ </p>
+ <p>
+ I looked up at the window. No one there.
+ </p>
+ <p>
+ It was all over now...
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <br /><br />
+ </p>
+ <p>
+ The last night in the hut. I sat in thought, I counted the hours; when the
+ morning came I made ready my last meal. It was a cold day.
+ </p>
+ <p>
+ Why had she asked me to come myself and bring the dog? Would she tell me
+ something, speak to me, for the last time? I had nothing more to hope for.
+ And how would she treat Æsop? Æsop, Æsop, she will torture you! For my
+ sake she will whip you, caress you too, perhaps, but certainly whip you,
+ with and without reason; ruin you altogether...
+ </p>
+ <p>
+ I called Æsop to me, patted him, put our two heads together, and picked up
+ my gun. He was already whining with pleasure, thinking we were going out
+ after game. I put our heads together once more; I laid the muzzle of the
+ gun against Æsop's neck and fired...
+ </p>
+ <p>
+ I hired a man to carry Æsop's body to Edwarda.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0037" id="link2H_4_0037"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXXV
+ </h2>
+ <p>
+ The mail-packet was to sail in the afternoon.
+ </p>
+ <p>
+ I went down to the quay. My things were already on board. Herr Mack
+ pressed my hand, and said encouragingly that it would be nice weather,
+ pleasant weather; he would not mind making the trip himself in such
+ weather. The Doctor came walking down. Edwarda was with him; I felt my
+ knees beginning to tremble.
+ </p>
+ <p>
+ &ldquo;Came to see you safely off,&rdquo; said the Doctor.
+ </p>
+ <p>
+ I thanked him.
+ </p>
+ <p>
+ Edwarda looked me straight in the face and said:
+ </p>
+ <p>
+ &ldquo;I must thank you for your dog.&rdquo; She pressed her lips together; they were
+ quite white. Again she had called me &ldquo;<i>Eder</i>.&rdquo; [Footnote: The most
+ formal mode of address.]
+ </p>
+ <p>
+ &ldquo;When does the boat go?&rdquo; the Doctor asked a man.
+ </p>
+ <p>
+ &ldquo;In half an hour.&rdquo;
+ </p>
+ <p>
+ I said nothing.
+ </p>
+ <p>
+ Edwarda was turning restlessly this way and that.
+ </p>
+ <p>
+ &ldquo;Doctor, don't you think we may as well go home again?&rdquo; she said. &ldquo;I have
+ done what I came for to do.&rdquo;
+ </p>
+ <p>
+ &ldquo;You have done what you came <i>to do</i>,&rdquo; said the Doctor.
+ </p>
+ <p>
+ She laughed, humiliated by his everlasting correction, and answered:
+ </p>
+ <p>
+ &ldquo;Wasn't that almost what I said?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; he answered shortly.
+ </p>
+ <p>
+ I looked at him. The little man stood there cold and firm; he had made a
+ plan, and he carried it out to the last. And if he lost after all? In any
+ case, he would never show it; his face never betrayed him.
+ </p>
+ <p>
+ It was getting dusk.
+ </p>
+ <p>
+ &ldquo;Well, good-bye,&rdquo; I said. &ldquo;And thanks for&mdash;everything.&rdquo;
+ </p>
+ <p>
+ Edwarda looked at me dumbly. Then she turned her head and stood looking
+ out at the ship.
+ </p>
+ <p>
+ I got into the boat. Edwarda was still standing on the quay. When I got on
+ board, the Doctor called out &ldquo;Good-bye!&rdquo; I looked over to the shore.
+ Edwarda turned at the same time and walked hurriedly away from the quay,
+ the Doctor far behind. That was the last I saw of her.
+ </p>
+ <p>
+ A wave of sadness went through my heart...
+ </p>
+ <p>
+ The vessel began to move; I could still see Herr Mack's sign: &ldquo;Salt and
+ Barrels.&rdquo; But soon it disappeared. The moon and the stars came out; the
+ hills towered round about, and I saw the endless woods. There is the mill;
+ there, there stood my hut, that was burned; the big grey stone stands
+ there all alone on the site of the fire. Iselin, Eva...
+ </p>
+ <p>
+ The night of the northern lights spreads over valley and hill.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0038" id="link2H_4_0038"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ XXXVI
+ </h2>
+ <p>
+ I have written this to pass the time. It has amused me to look back to
+ that summer in Nordland, when I often counted the hours, but when time
+ flew nevertheless. All is changed. The days will no longer pass.
+ </p>
+ <p>
+ I have many a merry hour even yet. But time&mdash;it stands still, and I
+ cannot understand how it can stand so still. I am out of the service, and
+ free as a prince; all is well; I meet people, drive in carriages; now and
+ again I shut one eye and write with one finger up in the sky; I tickle the
+ moon under the chin, and fancy that it laughs&mdash;laughs broadly at
+ being tickled under the chin. All things smile. I pop a cork and call gay
+ people to me.
+ </p>
+ <p>
+ As for Edwarda, I do not think of her. Why should I not have forgotten her
+ altogether, after all this time? I have some pride. And if anyone asks
+ whether I have any sorrows, then I answer straight out, &ldquo;No&mdash;none.&rdquo;
+ </p>
+ <p>
+ Cora lies looking at me. Æsop, it used to be, but now it is Cora that lies
+ looking at me. The clock ticks on the mantel; outside my open window
+ sounds the roar of the city. A knock at the door, and the postman hands me
+ a letter. A letter with a coronet. I know who sent it; I understand it at
+ once, or maybe I dreamed it one sleepless night. But in the envelope there
+ is no letter at all&mdash;only two green bird's feathers.
+ </p>
+ <p>
+ An icy horror thrills me; I turn cold. Two green feathers! I say to
+ myself: Well, and what of it? But why should I turn cold? Why, there is a
+ cursed draught from those windows.
+ </p>
+ <p>
+ And I shut the windows.
+ </p>
+ <p>
+ There lie two bird's feathers, I think to myself again. I seem to know
+ them; they remind me of a little jest up in Nordland, just a little
+ episode among a host of others. It is amusing to see those two feathers
+ again. And suddenly I seem to see a face and hear a voice, and the voice
+ says: &ldquo;Her, Herr Lieutenant: here are your feathers.&rdquo;
+ </p>
+ <p>
+ &ldquo;Your feathers.&rdquo;...
+ </p>
+ <p>
+ Cora, lie still&mdash;do you hear? I will kill you if you move!
+ </p>
+ <p>
+ The weather is hot, an intolerable heat is in the room; what was I
+ thinking of to close the windows? Open them again&mdash;open the door too;
+ open it wide&mdash;this way, merry souls, come in! Hey, messenger, an
+ errand&mdash;go out and fetch me a host of people...
+ </p>
+ <p>
+ And the day passes; but time stands still.
+ </p>
+ <p>
+ Now I have written this for my own pleasure only, and amused myself with
+ it as best I could. No sorrow weighs on me, but I long to be away&mdash;where,
+ I do not know, but far away, perhaps in Africa or India. For my place is
+ in the woods, in solitude...
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0039" id="link2H_4_0039"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ GLAHN'S DEATH
+ </h2>
+ <h3>
+ A DOCUMENT OF 1861
+ </h3>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0040" id="link2H_4_0040"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ I
+ </h2>
+ <p>
+ The Glahn family can go on advertising as long as they please for
+ Lieutenant Thomas Glahn, who disappeared; but he will never come back. He
+ is dead, and, what is more, I know how he died.
+ </p>
+ <p>
+ To tell the truth, I am not surprised that his people should still keep on
+ seeking information; for Thomas Glahn was in many ways an uncommon and
+ likable man. I admit this, for fairness' sake, and despite the fact that
+ Glahn is still repellant to my soul, so that the bare memory of him
+ arouses hatred. He was a splendidly handsome man, full of youth, and with
+ an irresistible manner. When he looked at you with his hot animal eyes,
+ you could not but feel his power; even I felt it so. A woman, they say,
+ said: &ldquo;When he looks at me, I am lost; I feel a sensation as if he were
+ touching me.&rdquo;
+ </p>
+ <p>
+ But Thomas Glahn had his faults, and I have no intention of hiding them,
+ seeing that I hate him. He could at times be full of nonsense like a
+ child, so kindly natured was he; and perhaps it was that which made him so
+ irresistible to women. God knows! He could chat with them and laugh at
+ their senseless twaddle; and so he made an impression. Once, speaking of a
+ very corpulent man in the place, he said that he looked as if he went
+ about with his breeches full of lard. And he laughed at that joke himself,
+ though I should have been ashamed of it. Another time, after we had come
+ to live in the same house together, he showed his foolishness in an
+ unmistakable way. My landlady came in one morning and asked what I would
+ have for breakfast, and in my hurry I happened to answer: &ldquo;A bread and a
+ slice of egg.&rdquo; Thomas Glahn was sitting in my room at the time&mdash;he
+ lived in the attic up above, just under the roof&mdash;and he began to
+ chuckle and laugh childishly over my little slip of the tongue. &ldquo;A bread
+ and a slice of egg!&rdquo; he repeated time over and over, until I looked at him
+ in surprise and made him stop.
+ </p>
+ <p>
+ Maybe I shall call to mind other ridiculous traits of his later on. If so,
+ I will write them down too, and not spare him, seeing that he is still my
+ enemy. Why should I be generous? But I will admit that he talked nonsense
+ only when he was drunk. But is it not a great mistake to be drunk at all?
+ </p>
+ <p>
+ When I first met him, in the autumn of 1859, he was a man of
+ two-and-thirty&mdash;we were of an age. He wore a full beard at that time,
+ and affected woolen sports shirts with an exaggerated lowness of neck; not
+ content with that, he sometimes left the top button undone. His neck
+ appeared to me at first to be remarkably handsome; but little by little he
+ made me his deadly enemy, and then I did not consider his neck handsomer
+ than mine, though I did not show off mine so openly. I met him first on a
+ river boat, and we were going to the same place, on a hunting trip; we
+ agreed to go together up-country by ox-wagon when we came to the end of
+ the railway. I purposely refrained from stating the place we were going
+ to, not wishing to set anyone on the track. But the Glahns can safely stop
+ advertising for their relative; for he died at the place we went to, which
+ I will not name.
+ </p>
+ <p>
+ I had heard of Thomas Glahn, by the way, before I met him; his name was
+ not unknown to me. I had heard of some affair of his with a young girl
+ from Nordland, from a big house there, and that he had compromised her in
+ some way, after which she broke it off. This he had sworn, in his foolish
+ obstinacy, to revenge upon himself, and the lady calmly let him do as he
+ pleased in that respect, considering it no business of hers. From that
+ time onwards, Thomas Glahn's name began to be well known; he turned wild,
+ mad; he drank, created scandal after scandal, and resigned his commission
+ in the army. A queer way of taking vengeance for a girl's refusal!
+ </p>
+ <p>
+ There was also another story of his relations with that young lady, to the
+ effect that he had not compromised her in any way, but that her people had
+ showed him the door, and that she herself had helped in it, after a
+ Swedish Count, whose name I will not mention, had proposed to her. But
+ this account I am less inclined to trust; I regard the first as true, for
+ after all I hate Thomas Glahn and believe him capable of the worst. But,
+ however it may have been, he never spoke himself of the affair with that
+ noble lady, and I did not ask him about it. What business was it of mine?
+ </p>
+ <p>
+ As we sat there on the boat, I remember we talked about the little village
+ we were making for, to which neither of us had been before.
+ </p>
+ <p>
+ &ldquo;There's a sort of hotel there, I believe,&rdquo; said Glahn, looking at the
+ map. &ldquo;Kept by an old half-caste woman, so they say. The chief lives in the
+ next village, and has a heap of wives, by all accounts&mdash;some of them
+ only ten years old.&rdquo;
+ </p>
+ <p>
+ Well, I knew nothing about the chief and his wives, or whether there was a
+ hotel in the place, so I said nothing. But Glahn smiled, and I thought his
+ smile was beautiful.
+ </p>
+ <p>
+ I forgot, by the way, that he could not by any means be called a perfect
+ man, handsome though he was. He told me himself that he had an old gunshot
+ wound in his left foot, and that it was full of gout whenever the weather
+ changed.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0041" id="link2H_4_0041"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ II
+ </h2>
+ <p>
+ A week later we were lodged in the big hut that went by the name of hotel,
+ with the old English half-caste woman. What a hotel it was! The walls were
+ of clay, with a little wood, and the wood was eaten through by the white
+ ants that crawled about everywhere. I lived in a room next the main
+ parlor, with a green glass window looking on to the street&mdash;a single
+ pane, not very clear at that&mdash;and Glahn had chosen a little bit of a
+ hole up in the attic, much darker, and a poor place to live in. The sun
+ heated the thatched roof and made his room almost insufferably hot at
+ night and day; besides which, it was not a stair at all that led up to it,
+ but a wretched bit of a ladder with four steps. What could I do? I let him
+ take his choice, and said:
+ </p>
+ <p>
+ &ldquo;Here are two rooms, one upstairs and one down; take your choice.&rdquo;
+ </p>
+ <p>
+ And Glahn looked at the two rooms and took the upper one, possibly to give
+ me the better of the two&mdash;but was I not grateful for it? I owe him
+ nothing.
+ </p>
+ <p>
+ As long as the worst of the heat lasted, we left the hunting alone and
+ stayed quietly in the hut, for the heat was extremely uncomfortable. We
+ lay at night with a mosquito net over the bedplace, to keep off the
+ insects; but even then it happened sometimes that blind bats would come
+ flying silently against our nets and tear them. This happened too often to
+ Glahn, because he was obliged to have a trap in the roof open all the
+ time, on account of the heat; but it did not happen to me. In the daytime
+ we lay on mats outside the hut, and smoked and watched the life about the
+ other huts. The natives were brown, thick-lipped folk, all with rings in
+ their ears and dead, brown eyes; they were almost naked, with just a strip
+ of cotton cloth or plaited leaves round the middle, and the women had also
+ a short petticoat of cotton stuff to cover them. All the children went
+ about stark naked night and day, with great big prominent bellies simply
+ glistening with oil.
+ </p>
+ <p>
+ &ldquo;The women are too fat,&rdquo; said Glahn.
+ </p>
+ <p>
+ And I too thought the women were too fat. Perhaps it was not Glahn at all,
+ but myself, who thought so first; but I will not dispute his claim&mdash;I
+ am willing to give him the credit. As a matter of fact, not all the women
+ were ugly, though their faces were fat and swollen. I had met a girl in
+ the village, a young half-Tamil with long hair and snow-white teeth; she
+ was the prettiest of them all. I came upon her one evening at the edge of
+ a rice field. She lay flat on her face in the high grass, kicking her legs
+ in the air. She could talk to me, and we did talk, too, as long as I
+ pleased. Glahn sat that evening in the middle of our village outside a hut
+ with two other girls, very young&mdash;not more than ten years old,
+ perhaps. He sat there talking nonsense to them, and drinking rice beer;
+ that was the sort of thing he liked.
+ </p>
+ <p>
+ A couple of days later, we went out shooting. We passed by tea gardens,
+ rice fields, and grass plains; we left the village behind us and went in
+ the direction of the river, and came into forests of strange foreign
+ trees, bamboo and mango, tamarind, teak and salt trees, oil&mdash;and
+ gum-bearing plants&mdash;Heaven knows what they all were; we had, between
+ us, but little knowledge of the things. But there was very little water in
+ the river, and so it remained until the rainy season. We shot wild pigeons
+ and partridges, and saw a couple of panthers one afternoon; parrots, too,
+ flew over our heads. Glahn was a terribly accurate shot; he never missed.
+ But that was merely because his gun was better than mine; many times I too
+ shot terribly accurately. I never boasted of it, but Glahn would often
+ say: &ldquo;I'll get that fellow in the tail,&rdquo; or &ldquo;that one in the head.&rdquo; He
+ would say that before he fired; and when the bird fell, sure enough, it
+ was hit in the tail or the head as he had said. When we came upon the two
+ panthers, Glahn was all for attacking them too with his shot-gun, but I
+ persuaded him to give it up, as it was getting dusk, and we had no more
+ than two or three cartridges left. He boasted of that too&mdash;of having
+ had the courage to attack panthers with a shot-gun.
+ </p>
+ <p>
+ &ldquo;I am sorry I did not fire at them after all,&rdquo; he said to me. &ldquo;What do you
+ want to be so infernally cautious for? Do you want to go on living?&rdquo; &ldquo;I'm
+ glad you consider me wiser than yourself,&rdquo; I answered.
+ </p>
+ <p>
+ &ldquo;Well, don't let us quarrel over a trifle,&rdquo; he said.
+ </p>
+ <p>
+ Those were his words, not mine; if he had wished to quarrel, I for my part
+ had no wish to prevent him. I was beginning to feel some dislike for him
+ for his incautious behavior, and for his manner with women. Only the night
+ before, I had been walking quietly along with Maggie, the Tamil girl that
+ was my friend, and we were both as happy as could be. Glahn sits outside
+ his hut, and nods and smiles to us as we pass. It was then that Maggie saw
+ him for the first time, and she was very inquisitive about him. So great
+ an impression had he made on her that, when it was time to go, we went
+ each our own way; she did not go back home with me.
+ </p>
+ <p>
+ Glahn would have put this by as of no importance when I spoke to him about
+ it. But I did not forget it. And it was not to me that he nodded and
+ smiled as we passed by the hut! it was to Maggie.
+ </p>
+ <p>
+ &ldquo;What's that she chews?&rdquo; he asked me.
+ </p>
+ <p>
+ &ldquo;I don't know,&rdquo; I answered. &ldquo;She chews&mdash;I suppose that's what her
+ teeth are for.&rdquo;
+ </p>
+ <p>
+ And it was no news to me either that Maggie was always chewing something;
+ I had noticed it long before. But it was not betel she was chewing, for
+ her teeth were quite white; she had, however, a habit of chewing all sorts
+ of other things&mdash;putting them in her mouth and chewing as if they
+ were something nice. Anything would do&mdash;a piece of money, a scrap of
+ paper, feathers&mdash;she would chew it all the same. Still, it was
+ nothing to reproach her for, seeing that she was the prettiest girl in the
+ village, anyway. Glahn was jealous of me, that was all.
+ </p>
+ <p>
+ I was friends again with Maggie, though, next evening, and we saw nothing
+ of Glahn.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0042" id="link2H_4_0042"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ III
+ </h2>
+ <p>
+ A week passed, and we went out shooting every day, and shot a heap of
+ game. One morning, just as we were entering the forest, Glahn gripped me
+ by the arm and whispered: &ldquo;Stop!&rdquo; At the same moment he threw up his rifle
+ and fired. It was a young leopard he had shot, I might have fired myself,
+ but Glahn kept the honour to himself and fired first. Now he'll boast of
+ that later on, I said to myself. We went up to the dead beast. It was
+ stone dead, the left flank all torn up and the bullet in its back.
+ </p>
+ <p>
+ Now I do not like being gripped by the arm, so I said:
+ </p>
+ <p>
+ &ldquo;I could have managed that shot myself.&rdquo;
+ </p>
+ <p>
+ Glahn looked at me.
+ </p>
+ <p>
+ I said: &ldquo;You think perhaps I couldn't have done it?&rdquo;
+ </p>
+ <p>
+ Still Glahn made no answer. Instead, he showed his childishness once more,
+ shooting the dead leopard again, this time through the head. I looked at
+ him in utter astonishment.
+ </p>
+ <p>
+ &ldquo;Well, you know,&rdquo; he explains, &ldquo;I shouldn't like to have it said that I
+ shot a leopard in the flank.&rdquo;
+ </p>
+ <p>
+ &ldquo;You are very amiable this evening,&rdquo; I said.
+ </p>
+ <p>
+ It was too much for his vanity to have made such a poor shot; he must
+ always be first. What a fool he was! But it was no business of mine,
+ anyway. I was not going to show him up.
+ </p>
+ <p>
+ In the evening, when we came back to the village with the dead leopard, a
+ lot of the natives came out to look at it. Glahn simply said we had shot
+ it that morning, and made no sort of fuss about it himself at the time.
+ Maggie came up too.
+ </p>
+ <p>
+ &ldquo;Who shot it?&rdquo; she asked.
+ </p>
+ <p>
+ And Glahn answered:
+ </p>
+ <p>
+ &ldquo;You can see for yourself&mdash;twice hit. We shot it this morning when we
+ went out.&rdquo; And he turned the beast over and showed her the two bullet
+ wounds, both that in the flank and that in the head. &ldquo;That's where mine
+ went,&rdquo; he said, pointing to the side&mdash;in his idiotic fashion he
+ wanted me to have the credit of having shot it in the head. I did not
+ trouble to correct him; I said nothing. After that, Glahn began treating
+ the natives with rice beer&mdash;gave them any amount of it, as many as
+ cared to drink.
+ </p>
+ <p>
+ &ldquo;Both shot it,&rdquo; said Maggie to herself; but she was looking at Glahn all
+ the time.
+ </p>
+ <p>
+ I drew her aside with me and said:
+ </p>
+ <p>
+ &ldquo;What are you looking at him all the time for? I am here too, I suppose?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes,&rdquo; she said. &ldquo;And listen: I am coming this evening.&rdquo;
+ </p>
+ <p>
+ It was the day after this that Glahn got the letter. There came a letter
+ for him, sent up by express messenger from the river station, and it had
+ made a detour of a hundred and eighty miles. The letter was in a woman's
+ hand, and I thought to my self that perhaps it was from that former friend
+ of his, the noble lady. Glahn laughed nervously when he had read it, and
+ gave the messenger extra money for bringing it. But it was not long before
+ he turned silent and gloomy, and did nothing but sit staring straight
+ before him. That evening he got drunk&mdash;sat drinking with an old dwarf
+ of a native and his son, and clung hold of me too, and did all he could to
+ make me drink as well.
+ </p>
+ <p>
+ Then he laughed out loud and said:
+ </p>
+ <p>
+ &ldquo;Here we are, the two of us, miles away in the middle of all India
+ shooting game&mdash;what? Desperately funny, isn't it? And hurrah for all
+ the lands and kingdoms of the earth, and hurrah for all the pretty women,
+ married or unmarried, far and near. Hoho! Nice thing for a man when a
+ married woman proposes to him, isn't it&mdash;a married woman?&rdquo;
+ </p>
+ <p>
+ &ldquo;A countess,&rdquo; I said ironically. I said it very scornfully, and that cut
+ him. He grinned like a dog because it hurt him. Then suddenly he wrinkled
+ his forehead and began blinking his eyes, and thinking hard if he hadn't
+ said too much&mdash;so mighty serious was he about his bit of a secret.
+ But just then a lot of children came running over to our hut and crying
+ out: &ldquo;Tigers, ohoi, the tigers!&rdquo; A child had been snapped up by a tiger
+ quite close to the village, in a thicket between it and the river.
+ </p>
+ <p>
+ That was enough for Glahn, drunk as he was, and cut up about something
+ into the bargain. He picked up his rifle and raced off at once to the
+ thicket&mdash;didn't even put on his hat. But why did he take his rifle
+ instead of a shot-gun, if he was really as plucky as all that? He had to
+ wade across the river, and that was rather a risky thing in itself&mdash;but
+ then, the river was nearly dry now, till the rains. A little later I heard
+ two shots, and then, close on them, a third. Three shots at a single
+ beast, I thought; why, a lion would have fallen for two, and this was only
+ a tiger! But even those three shots were no use: the child was torn to
+ bits and half eaten by the time Glahn come up. If he hadn't been drunk he
+ wouldn't have made the attempt to save it.
+ </p>
+ <p>
+ He spent the night drinking and rioting in the hut next door. For two days
+ he was never sober for a minute, and he had found a lot of companions,
+ too, to drink with him. He begged me in vain to take part in the orgy. He
+ was no longer careful of what he said, and taunted me with being jealous
+ of him.
+ </p>
+ <p>
+ &ldquo;Your jealousy makes you blind,&rdquo; he said.
+ </p>
+ <p>
+ My jealousy? I, jealous of him?
+ </p>
+ <p>
+ &ldquo;Good Lord!&rdquo; I said, &ldquo;I jealous of you? What's there for me to be jealous
+ about?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no, of course you're not jealous of me,&rdquo; he answered. &ldquo;I saw Maggie
+ this evening, by the way. She was chewing something, as usual.&rdquo;
+ </p>
+ <p>
+ I made no answer; I simply walked off.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0043" id="link2H_4_0043"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ IV
+ </h2>
+ <p>
+ We began going out shooting again. Glahn felt he had wronged me, and
+ begged my pardon.
+ </p>
+ <p>
+ &ldquo;And I'm dead sick of the whole thing,&rdquo; he said. &ldquo;I only wish you'd make a
+ slip one day and put a bullet in my throat.&rdquo; It was that letter from the
+ Countess again, perhaps, that was smouldering in his mind. I answered:
+ </p>
+ <p>
+ &ldquo;As a man soweth, so shall he also reap.&rdquo;
+ </p>
+ <p>
+ Day by day he grew more silent and gloomy. He had given up drinking now,
+ and didn't say a word, either; his cheeks grew hollow.
+ </p>
+ <p>
+ One day I heard talking and laughter outside my window; Glahn had turned
+ cheerful again, and he stood there talking out loud to Maggie. He was
+ getting in all his fascinating tricks. Maggie must have come straight from
+ her hut, and Glahn had been watching and waiting for her. They even had
+ the nerve to stand there making up together right outside my glass window.
+ </p>
+ <p>
+ I felt a trembling in all my limbs. I cocked my gun; then I let the hammer
+ down again. I went outside and took Maggie by the arm; we walked out of
+ the village in silence; Glahn went back into the hut again at once.
+ </p>
+ <p>
+ &ldquo;What were you talking with him again for?&rdquo; I asked Maggie.
+ </p>
+ <p>
+ She made no answer.
+ </p>
+ <p>
+ I was thoroughly desperate. My heart beat so I could hardly breathe. I had
+ never seen Maggie look so lovely as she did then&mdash;never seen a real
+ white girl so beautiful. And I forgot she was a Tamil&mdash;forgot
+ everything for her sake.
+ </p>
+ <p>
+ &ldquo;Answer me,&rdquo; I said. &ldquo;What were you talking to him for?&rdquo;
+ </p>
+ <p>
+ &ldquo;I like him best,&rdquo; she said.
+ </p>
+ <p>
+ &ldquo;You like him better than me?&rdquo;
+ </p>
+ <p>
+ &ldquo;Yes.&rdquo;
+ </p>
+ <p>
+ Oh, indeed! She liked him better than me, though I was at least as good a
+ man! Hadn't I always been kind to her, and given her money and presents?
+ And what had he done?
+ </p>
+ <p>
+ &ldquo;He makes fun of you; he says you're always chewing things,&rdquo; I said.
+ </p>
+ <p>
+ She did not understand that, and I explained it better; how she had a
+ habit of putting everything in her mouth and chewing it, and how Glahn
+ laughed at her for it. That made more impression on her than all the rest
+ I said.
+ </p>
+ <p>
+ &ldquo;Look here, Maggie,&rdquo; I went on, &ldquo;you shall be mine for always. Wouldn't
+ you like that? I've been thinking it over. You shall go with me when I
+ leave here; I will marry you, do you hear? and we'll go to our own country
+ and live there. You'd like that, wouldn't you?&rdquo;
+ </p>
+ <p>
+ And that impressed her too. Maggie grew lively and talked a lot as we
+ walked. She only mentioned Glahn once; she asked:
+ </p>
+ <p>
+ &ldquo;And will Glahn go with us when we go away?&rdquo;
+ </p>
+ <p>
+ &ldquo;No,&rdquo; I said. &ldquo;He won't. Are you sorry about that?&rdquo;
+ </p>
+ <p>
+ &ldquo;No, no,&rdquo; she said quickly. &ldquo;I am glad.&rdquo;
+ </p>
+ <p>
+ She said no more about him, and I felt easier. And Maggie went home with
+ me, too, when I asked her.
+ </p>
+ <p>
+ When she went, a couple of hours later, I climbed up the ladder to Glahn's
+ room and knocked at the thin reed door. He was in. I said:
+ </p>
+ <p>
+ &ldquo;I came to tell you that perhaps we'd better not go out shooting
+ to-morrow.&rdquo;
+ </p>
+ <p>
+ &ldquo;Why not?&rdquo; said Glahn.
+ </p>
+ <p>
+ &ldquo;Because I'm not so sure but I might make a little mistake and put a
+ bullet in your throat.&rdquo;
+ </p>
+ <p>
+ Glahn did not answer, and I went down again. After that warning he would
+ hardly dare to go out to-morrow&mdash;but what did he want to get Maggie
+ out under my window for, and fool with her there at the top of his voice?
+ Why didn't he go back home again, if the letter really asked him, instead
+ of going about as he often did, clenching his teeth and shouting at the
+ empty air: &ldquo;Never, never! I'll be drawn and quartered first?&rdquo;
+ </p>
+ <p>
+ But the morning after I had warned him, as I said, there was Glahn the
+ same as ever, standing by my bed, calling out:
+ </p>
+ <p>
+ &ldquo;Up with you, comrade! It's a lovely day; we must go out and shoot
+ something. That was all nonsense you said yesterday.&rdquo;
+ </p>
+ <p>
+ It was no more than four o'clock, but I got up at once and got ready to go
+ with him, in spite of my warning. I loaded my gun before starting out, and
+ I let him see that I did. And it was not at all a lovely day, as he had
+ said; it was raining, which showed that he was only trying to irritate me
+ the more. But I took no notice, and went with him, saying nothing.
+ </p>
+ <p>
+ All that day we wandered round through the forest, each lost in his own
+ thoughts. We shot nothing&mdash;lost one chance after another, through
+ thinking of other things than sport. About noon, Glahn began walking a bit
+ ahead of me, as if to give me a better chance of doing what I liked with
+ him. He walked right across the muzzle of my gun; but I bore with that
+ too. We came back that evening. Nothing had happened. I thought to myself:
+ &ldquo;Perhaps he'll be more careful now, and leave Maggie alone.&rdquo;
+ </p>
+ <p>
+ &ldquo;This has been the longest day of my life,&rdquo; said Glahn when we got back to
+ the hut.
+ </p>
+ <p>
+ Nothing more was said on either side.
+ </p>
+ <p>
+ The next few days he was in the blackest humor, seemingly all about the
+ same letter. &ldquo;I can't stand it; no, it's more than I can bear,&rdquo; he would
+ say sometimes in the night; we could hear it all through the hut. His ill
+ temper carried him so far that he would not even answer the most friendly
+ questions when our landlady spoke to him; and he used to groan in his
+ sleep. He must have a deal on his conscience, I thought&mdash;but why in
+ the name of goodness didn't he go home? Just pride, no doubt; he would not
+ go back when he had been turned off once.
+ </p>
+ <p>
+ I met Maggie every evening, and Glahn talked with her no more. I noticed
+ that she had given up chewing things altogether; she never chewed now. I
+ was pleased at that, and thought: She's given up chewing things; that is
+ one failing the less, and I love her twice as much as I did before!
+ </p>
+ <p>
+ One day she asked about Glahn&mdash;asked very cautiously. Was he not
+ well? Had he gone away?
+ </p>
+ <p>
+ &ldquo;If he's not dead, or gone away,&rdquo; I said, &ldquo;he's lying at home, no doubt.
+ It's all one to me. He's beyond all bearing now.&rdquo;
+ </p>
+ <p>
+ But just then, coming up to the hut, we saw Glahn lying on a mat on the
+ ground, hands at the back of his neck, staring up at the sky.
+ </p>
+ <p>
+ &ldquo;There he is,&rdquo; I said.
+ </p>
+ <p>
+ Maggie went straight up to him, before I could stop her, and said in a
+ pleased sort of voice:
+ </p>
+ <p>
+ &ldquo;I don't chew things now&mdash;nothing at all. No feathers or money or
+ bits of paper&mdash;you can see for yourself.&rdquo;
+ </p>
+ <p>
+ Glahn scarcely looked at her. He lay still. Maggie and I went on. When I
+ reproached her with having broken her promise and spoken to Glahn again,
+ she answered that she had only meant to show him he was wrong.
+ </p>
+ <p>
+ &ldquo;That's right&mdash;show him he's wrong,&rdquo; I said. &ldquo;But do you mean it was
+ for his sake you stopped chewing things?&rdquo;
+ </p>
+ <p>
+ She didn't answer. What, wouldn't she answer?
+ </p>
+ <p>
+ &ldquo;Do you hear? Tell me, was it for his sake?&rdquo;
+ </p>
+ <p>
+ And I could not think otherwise. Why should she do anything for Glahn's
+ sake?
+ </p>
+ <p>
+ That evening Maggie promised to come to me, and she did.
+ </p>
+ <p>
+ <br /><br />
+ </p>
+ <hr />
+ <p>
+ <a name="link2H_4_0044" id="link2H_4_0044"> </a>
+ </p>
+ <div style="height: 4em;">
+ <br /><br /><br /><br />
+ </div>
+ <h2>
+ V
+ </h2>
+ <p>
+ She came at ten o'clock. I heard her voice outside; she was talking loud
+ to a child whom she led by the hand. Why did she not come in, and what had
+ she brought the child for? I watched her, and it struck me that she was
+ giving a signal by talking out loud to the child; I noticed, too, that she
+ kept her eyes fixed on the attic&mdash;on Glahn's window up there. Had he
+ nodded to her, I wondered, or beckoned to her from inside when he heard
+ her talking outside? Anyhow, I had sense enough myself to know there was
+ no need to look up aloft when talking to a child on the ground.
+ </p>
+ <p>
+ I was going out to take her by the arm. But just then she let go the
+ child's hand, left the child standing there, and came in herself, through
+ the door to the hut. She stepped into the passage. Well, there she was at
+ last; I would take care to give her a good talking to when she came!
+ </p>
+ <p>
+ Well, I stood there and heard Maggie step into the passage. There was no
+ mistake: she was close outside my door. But instead of coming in to me, I
+ heard her step up the ladder&mdash;up to the attic&mdash;to Glahn's hole
+ up there. I heard it only too well. I threw my door open wide, but Maggie
+ had gone up already. That was ten o'clock.
+ </p>
+ <p>
+ I went in, sat down in my room, and took my gun and loaded it. At twelve
+ o'clock I went up the ladder and listened at Glahn's door. I could hear
+ Maggie in there; I went down again. At one I went up again; all was quiet
+ this time. I waited outside the door. Three o'clock, four o'clock, five.
+ Good, I thought to myself. But a little after, I heard a noise and
+ movement below in the hut, in my landlady's room; and I had to go down
+ again quickly, so as not to let her find me there. I might have listened
+ much more, but I had to go.
+ </p>
+ <p>
+ In the passage I said to myself: &ldquo;See, here she went: she must have
+ touched my door with her arm as she passed, but she did not open the door:
+ she went up the ladder, and here is the ladder itself&mdash;those four
+ steps, she has trodden them.&rdquo;
+ </p>
+ <p>
+ My bed still lay untouched, and I did not lie down now, but sat by the
+ window, fingering my rifle now and again. My heart was not beating&mdash;it
+ was trembling.
+ </p>
+ <p>
+ Half an hour later I heard Maggie's footstep on the ladder again. I lay
+ close up to the window and saw her walk out of the hut. She was wearing
+ her little short cotton petticoat, that did not even reach to her knees,
+ and over her shoulders a woolen scarf borrowed from Glahn. She walked
+ slowly, as she always did, and did not so much as glance towards my
+ window. Then she disappeared behind the huts.
+ </p>
+ <p>
+ A little after came Glahn, with his rifle under his arm, all ready to go
+ out. He looked gloomy, and did not even say good-morning. I noticed,
+ though, that he had got himself up and taken special care about his dress.
+ </p>
+ <p>
+ I got ready at once and went with him. Neither of us said a word. The
+ first two birds we shot were mangled horribly, through shooting them with
+ the rifle; but we cooked them under a tree as best we could, and ate in
+ silence. So the day wore on till noon.
+ </p>
+ <p>
+ Glahn called out to me:
+ </p>
+ <p>
+ &ldquo;Sure your gun is loaded? We might come across something unexpectedly.
+ Load it, anyhow.&rdquo;
+ </p>
+ <p>
+ &ldquo;It is loaded,&rdquo; I answered.
+ </p>
+ <p>
+ Then he disappeared a moment into the bush. I felt it would be a pleasure
+ to shoot him then&mdash;pick him off and shoot him down like a dog. There
+ was no hurry; he could still enjoy the thought of it for a bit. He knew
+ well enough what I had in mind: that was why he had asked if my gun were
+ loaded. Even to-day he could not refrain from giving way to his beastly
+ pride. He had dressed himself up and put on a new shirt; his manner was,
+ lordly beyond all bounds.
+ </p>
+ <p>
+ About one o'clock he stopped, pale and angry, in front of me, and said:
+ </p>
+ <p>
+ &ldquo;I can't stand this! Look and see if you're loaded, man&mdash;if you've
+ anything in your gun.&rdquo;
+ </p>
+ <p>
+ &ldquo;Kindly look after your own gun,&rdquo; I answered. But I knew well enough why
+ he kept asking about mine.
+ </p>
+ <p>
+ And he turned away again. My answer had so effectively put him in his
+ place that he actually seemed cowed: he even hung his head as he walked
+ off.
+ </p>
+ <p>
+ After a while I shot a pigeon, and loaded again. While I was doing so, I
+ caught sight of Glahn standing half hidden behind a tree, watching me to
+ see if I really loaded. A little later he started singing a hymn&mdash;and
+ a wedding hymn into the bargain. Singing wedding hymns, and putting on his
+ best clothes, I thought to myself&mdash;that's his way of being extra
+ fascinating to-day. Even before he had finished the hymn he began walking
+ softly in front of me, hanging his head, and still singing as he walked.
+ He was keeping right in front of the muzzle of my gun again, as if
+ thinking to himself: Now it is coming, and that is why I am singing this
+ wedding hymn! But it did not come yet, and when he had finished his
+ singing he had to look back at me.
+ </p>
+ <p>
+ &ldquo;We shan't get much to-day anyhow, by the look of it,&rdquo; he said, with a
+ smile, as if excusing himself, and asking pardon of me for singing while
+ we were out after game. But even at that moment his smile was beautiful.
+ It was as if he were weeping inwardly, and his lips trembled, too, for all
+ that he boasted of being able to smile at such a solemn moment.
+ </p>
+ <p>
+ I was no woman, and he saw well enough that he made no impression on me.
+ He grew impatient, his face paled, he circled round me with hasty steps,
+ showing up now to the left, now to the right of me, and stopping every now
+ and then to wait for me to come up.
+ </p>
+ <p>
+ About five, I heard a shot all of a sudden, and a bullet sang past my left
+ ear. I looked up. There was Glahn standing motionless a few paces off,
+ staring at me; his smoking rifle lay along his arm. Had he tried to shoot
+ me? I said:
+ </p>
+ <p>
+ &ldquo;You missed that time. You've been shooting badly of late.&rdquo;
+ </p>
+ <p>
+ But he had not been shooting badly. He never missed. He had only been
+ trying to irritate me.
+ </p>
+ <p>
+ &ldquo;Then take your revenge, damn you!&rdquo; he shouted back.
+ </p>
+ <p>
+ &ldquo;All in good time,&rdquo; I said, clenching my teeth.
+ </p>
+ <p>
+ We stood there looking at each other. And suddenly Glahn shrugged his
+ shoulders and called out &ldquo;Coward&rdquo; to me. And why should he call me a
+ coward? I threw my rifle to my shoulder&mdash;aimed full in his face&mdash;fired.
+ </p>
+ <p>
+ As a man soweth...
+ </p>
+ <p>
+ Now, there is no need, I insist, for the Glahns to make further inquiry
+ about this man. It annoys me to be constantly seeing their advertisements
+ offering such and such reward for information about a dead man. Thomas
+ Glahn was killed by accident&mdash;shot by accident when out on a hunting
+ trip in India. The court entered his name, with the particulars of his
+ end, in a register with pierced and threaded leaves. And in that register
+ it says that he is dead&mdash;<i>dead</i>, I tell you&mdash;and what is
+ more, that he was killed by accident.
+ </p>
+ <h3>
+ THE END
+ </h3>
+ <div style="height: 6em;">
+ <br /><br /><br /><br /><br /><br />
+ </div>
+
+
+
+
+
+
+
+<pre>
+
+
+
+
+
+End of the Project Gutenberg EBook of Pan, by Knut Hamsun
+
+*** END OF THIS PROJECT GUTENBERG EBOOK PAN ***
+
+***** This file should be named 7214-h.htm or 7214-h.zip *****
+This and all associated files of various formats will be found in:
+ http://www.gutenberg.org/7/2/1/7214/
+
+
+Text file produced by Tim Becker, Eric Eldred, Charles Franks, and
+the Online Distributed Team
+
+HTML file produced by David Widger
+
+
+Updated editions will replace the previous one--the old editions
+will be renamed.
+
+Creating the works from public domain print editions means that no
+one owns a United States copyright in these works, so the Foundation
+(and you!) can copy and distribute it in the United States without
+permission and without paying copyright royalties. Special rules,
+set forth in the General Terms of Use part of this license, apply to
+copying and distributing Project Gutenberg-tm electronic works to
+protect the PROJECT GUTENBERG-tm concept and trademark. Project
+Gutenberg is a registered trademark, and may not be used if you
+charge for the eBooks, unless you receive specific permission. If you
+do not charge anything for copies of this eBook, complying with the
+rules is very easy. You may use this eBook for nearly any purpose
+such as creation of derivative works, reports, performances and
+research. They may be modified and printed and given away--you may do
+practically ANYTHING with public domain eBooks. Redistribution is
+subject to the trademark license, especially commercial
+redistribution.
+
+
+
+*** START: FULL LICENSE ***
+
+THE FULL PROJECT GUTENBERG LICENSE
+PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
+
+To protect the Project Gutenberg-tm mission of promoting the free
+distribution of electronic works, by using or distributing this work
+(or any other work associated in any way with the phrase &ldquo;Project
+Gutenberg&rdquo;), you agree to comply with all the terms of the Full Project
+Gutenberg-tm License available with this file or online at
+ www.gutenberg.org/license.
+
+
+Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
+electronic works
+
+1.A. By reading or using any part of this Project Gutenberg-tm
+electronic work, you indicate that you have read, understand, agree to
+and accept all the terms of this license and intellectual property
+(trademark/copyright) agreement. If you do not agree to abide by all
+the terms of this agreement, you must cease using and return or destroy
+all copies of Project Gutenberg-tm electronic works in your possession.
+If you paid a fee for obtaining a copy of or access to a Project
+Gutenberg-tm electronic work and you do not agree to be bound by the
+terms of this agreement, you may obtain a refund from the person or
+entity to whom you paid the fee as set forth in paragraph 1.E.8.
+
+1.B. &ldquo;Project Gutenberg&rdquo; is a registered trademark. It may only be
+used on or associated in any way with an electronic work by people who
+agree to be bound by the terms of this agreement. There are a few
+things that you can do with most Project Gutenberg-tm electronic works
+even without complying with the full terms of this agreement. See
+paragraph 1.C below. There are a lot of things you can do with Project
+Gutenberg-tm electronic works if you follow the terms of this agreement
+and help preserve free future access to Project Gutenberg-tm electronic
+works. See paragraph 1.E below.
+
+1.C. The Project Gutenberg Literary Archive Foundation (&ldquo;the Foundation&rdquo;
+ or PGLAF), owns a compilation copyright in the collection of Project
+Gutenberg-tm electronic works. Nearly all the individual works in the
+collection are in the public domain in the United States. If an
+individual work is in the public domain in the United States and you are
+located in the United States, we do not claim a right to prevent you from
+copying, distributing, performing, displaying or creating derivative
+works based on the work as long as all references to Project Gutenberg
+are removed. Of course, we hope that you will support the Project
+Gutenberg-tm mission of promoting free access to electronic works by
+freely sharing Project Gutenberg-tm works in compliance with the terms of
+this agreement for keeping the Project Gutenberg-tm name associated with
+the work. You can easily comply with the terms of this agreement by
+keeping this work in the same format with its attached full Project
+Gutenberg-tm License when you share it without charge with others.
+
+1.D. The copyright laws of the place where you are located also govern
+what you can do with this work. Copyright laws in most countries are in
+a constant state of change. If you are outside the United States, check
+the laws of your country in addition to the terms of this agreement
+before downloading, copying, displaying, performing, distributing or
+creating derivative works based on this work or any other Project
+Gutenberg-tm work. The Foundation makes no representations concerning
+the copyright status of any work in any country outside the United
+States.
+
+1.E. Unless you have removed all references to Project Gutenberg:
+
+1.E.1. The following sentence, with active links to, or other immediate
+access to, the full Project Gutenberg-tm License must appear prominently
+whenever any copy of a Project Gutenberg-tm work (any work on which the
+phrase &ldquo;Project Gutenberg&rdquo; appears, or with which the phrase &ldquo;Project
+Gutenberg&rdquo; is associated) is accessed, displayed, performed, viewed,
+copied or distributed:
+
+This eBook is for the use of anyone anywhere at no cost and with
+almost no restrictions whatsoever. You may copy it, give it away or
+re-use it under the terms of the Project Gutenberg License included
+with this eBook or online at www.gutenberg.org
+
+1.E.2. If an individual Project Gutenberg-tm electronic work is derived
+from the public domain (does not contain a notice indicating that it is
+posted with permission of the copyright holder), the work can be copied
+and distributed to anyone in the United States without paying any fees
+or charges. If you are redistributing or providing access to a work
+with the phrase &ldquo;Project Gutenberg&rdquo; associated with or appearing on the
+work, you must comply either with the requirements of paragraphs 1.E.1
+through 1.E.7 or obtain permission for the use of the work and the
+Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
+1.E.9.
+
+1.E.3. If an individual Project Gutenberg-tm electronic work is posted
+with the permission of the copyright holder, your use and distribution
+must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
+terms imposed by the copyright holder. Additional terms will be linked
+to the Project Gutenberg-tm License for all works posted with the
+permission of the copyright holder found at the beginning of this work.
+
+1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
+License terms from this work, or any files containing a part of this
+work or any other work associated with Project Gutenberg-tm.
+
+1.E.5. Do not copy, display, perform, distribute or redistribute this
+electronic work, or any part of this electronic work, without
+prominently displaying the sentence set forth in paragraph 1.E.1 with
+active links or immediate access to the full terms of the Project
+Gutenberg-tm License.
+
+1.E.6. You may convert to and distribute this work in any binary,
+compressed, marked up, nonproprietary or proprietary form, including any
+word processing or hypertext form. However, if you provide access to or
+distribute copies of a Project Gutenberg-tm work in a format other than
+&ldquo;Plain Vanilla ASCII&rdquo; or other format used in the official version
+posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
+you must, at no additional cost, fee or expense to the user, provide a
+copy, a means of exporting a copy, or a means of obtaining a copy upon
+request, of the work in its original &ldquo;Plain Vanilla ASCII&rdquo; or other
+form. Any alternate format must include the full Project Gutenberg-tm
+License as specified in paragraph 1.E.1.
+
+1.E.7. Do not charge a fee for access to, viewing, displaying,
+performing, copying or distributing any Project Gutenberg-tm works
+unless you comply with paragraph 1.E.8 or 1.E.9.
+
+1.E.8. You may charge a reasonable fee for copies of or providing
+access to or distributing Project Gutenberg-tm electronic works provided
+that
+
+- You pay a royalty fee of 20% of the gross profits you derive from
+ the use of Project Gutenberg-tm works calculated using the method
+ you already use to calculate your applicable taxes. The fee is
+ owed to the owner of the Project Gutenberg-tm trademark, but he
+ has agreed to donate royalties under this paragraph to the
+ Project Gutenberg Literary Archive Foundation. Royalty payments
+ must be paid within 60 days following each date on which you
+ prepare (or are legally required to prepare) your periodic tax
+ returns. Royalty payments should be clearly marked as such and
+ sent to the Project Gutenberg Literary Archive Foundation at the
+ address specified in Section 4, &ldquo;Information about donations to
+ the Project Gutenberg Literary Archive Foundation.&rdquo;
+
+- You provide a full refund of any money paid by a user who notifies
+ you in writing (or by e-mail) within 30 days of receipt that s/he
+ does not agree to the terms of the full Project Gutenberg-tm
+ License. You must require such a user to return or
+ destroy all copies of the works possessed in a physical medium
+ and discontinue all use of and all access to other copies of
+ Project Gutenberg-tm works.
+
+- You provide, in accordance with paragraph 1.F.3, a full refund of any
+ money paid for a work or a replacement copy, if a defect in the
+ electronic work is discovered and reported to you within 90 days
+ of receipt of the work.
+
+- You comply with all other terms of this agreement for free
+ distribution of Project Gutenberg-tm works.
+
+1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
+electronic work or group of works on different terms than are set
+forth in this agreement, you must obtain permission in writing from
+both the Project Gutenberg Literary Archive Foundation and Michael
+Hart, the owner of the Project Gutenberg-tm trademark. Contact the
+Foundation as set forth in Section 3 below.
+
+1.F.
+
+1.F.1. Project Gutenberg volunteers and employees expend considerable
+effort to identify, do copyright research on, transcribe and proofread
+public domain works in creating the Project Gutenberg-tm
+collection. Despite these efforts, Project Gutenberg-tm electronic
+works, and the medium on which they may be stored, may contain
+&ldquo;Defects,&rdquo; such as, but not limited to, incomplete, inaccurate or
+corrupt data, transcription errors, a copyright or other intellectual
+property infringement, a defective or damaged disk or other medium, a
+computer virus, or computer codes that damage or cannot be read by
+your equipment.
+
+1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &ldquo;Right
+of Replacement or Refund&rdquo; described in paragraph 1.F.3, the Project
+Gutenberg Literary Archive Foundation, the owner of the Project
+Gutenberg-tm trademark, and any other party distributing a Project
+Gutenberg-tm electronic work under this agreement, disclaim all
+liability to you for damages, costs and expenses, including legal
+fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
+LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
+PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
+TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
+LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
+INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
+DAMAGE.
+
+1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
+defect in this electronic work within 90 days of receiving it, you can
+receive a refund of the money (if any) you paid for it by sending a
+written explanation to the person you received the work from. If you
+received the work on a physical medium, you must return the medium with
+your written explanation. The person or entity that provided you with
+the defective work may elect to provide a replacement copy in lieu of a
+refund. If you received the work electronically, the person or entity
+providing it to you may choose to give you a second opportunity to
+receive the work electronically in lieu of a refund. If the second copy
+is also defective, you may demand a refund in writing without further
+opportunities to fix the problem.
+
+1.F.4. Except for the limited right of replacement or refund set forth
+in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
+WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
+WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
+
+1.F.5. Some states do not allow disclaimers of certain implied
+warranties or the exclusion or limitation of certain types of damages.
+If any disclaimer or limitation set forth in this agreement violates the
+law of the state applicable to this agreement, the agreement shall be
+interpreted to make the maximum disclaimer or limitation permitted by
+the applicable state law. The invalidity or unenforceability of any
+provision of this agreement shall not void the remaining provisions.
+
+1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
+trademark owner, any agent or employee of the Foundation, anyone
+providing copies of Project Gutenberg-tm electronic works in accordance
+with this agreement, and any volunteers associated with the production,
+promotion and distribution of Project Gutenberg-tm electronic works,
+harmless from all liability, costs and expenses, including legal fees,
+that arise directly or indirectly from any of the following which you do
+or cause to occur: (a) distribution of this or any Project Gutenberg-tm
+work, (b) alteration, modification, or additions or deletions to any
+Project Gutenberg-tm work, and (c) any Defect you cause.
+
+
+Section 2. Information about the Mission of Project Gutenberg-tm
+
+Project Gutenberg-tm is synonymous with the free distribution of
+electronic works in formats readable by the widest variety of computers
+including obsolete, old, middle-aged and new computers. It exists
+because of the efforts of hundreds of volunteers and donations from
+people in all walks of life.
+
+Volunteers and financial support to provide volunteers with the
+assistance they need are critical to reaching Project Gutenberg-tm's
+goals and ensuring that the Project Gutenberg-tm collection will
+remain freely available for generations to come. In 2001, the Project
+Gutenberg Literary Archive Foundation was created to provide a secure
+and permanent future for Project Gutenberg-tm and future generations.
+To learn more about the Project Gutenberg Literary Archive Foundation
+and how your efforts and donations can help, see Sections 3 and 4
+and the Foundation information page at www.gutenberg.org
+
+
+Section 3. Information about the Project Gutenberg Literary Archive
+Foundation
+
+The Project Gutenberg Literary Archive Foundation is a non profit
+501(c)(3) educational corporation organized under the laws of the
+state of Mississippi and granted tax exempt status by the Internal
+Revenue Service. The Foundation's EIN or federal tax identification
+number is 64-6221541. Contributions to the Project Gutenberg
+Literary Archive Foundation are tax deductible to the full extent
+permitted by U.S. federal laws and your state's laws.
+
+The Foundation's principal office is located at 4557 Melan Dr. S.
+Fairbanks, AK, 99712., but its volunteers and employees are scattered
+throughout numerous locations. Its business office is located at 809
+North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email
+contact links and up to date contact information can be found at the
+Foundation's web site and official page at www.gutenberg.org/contact
+
+For additional contact information:
+ Dr. Gregory B. Newby
+ Chief Executive and Director
+ gbnewby@pglaf.org
+
+Section 4. Information about Donations to the Project Gutenberg
+Literary Archive Foundation
+
+Project Gutenberg-tm depends upon and cannot survive without wide
+spread public support and donations to carry out its mission of
+increasing the number of public domain and licensed works that can be
+freely distributed in machine readable form accessible by the widest
+array of equipment including outdated equipment. Many small donations
+($1 to $5,000) are particularly important to maintaining tax exempt
+status with the IRS.
+
+The Foundation is committed to complying with the laws regulating
+charities and charitable donations in all 50 states of the United
+States. Compliance requirements are not uniform and it takes a
+considerable effort, much paperwork and many fees to meet and keep up
+with these requirements. We do not solicit donations in locations
+where we have not received written confirmation of compliance. To
+SEND DONATIONS or determine the status of compliance for any
+particular state visit www.gutenberg.org/donate
+
+While we cannot and do not solicit contributions from states where we
+have not met the solicitation requirements, we know of no prohibition
+against accepting unsolicited donations from donors in such states who
+approach us with offers to donate.
+
+International donations are gratefully accepted, but we cannot make
+any statements concerning tax treatment of donations received from
+outside the United States. U.S. laws alone swamp our small staff.
+
+Please check the Project Gutenberg Web pages for current donation
+methods and addresses. Donations are accepted in a number of other
+ways including checks, online payments and credit card donations.
+To donate, please visit: www.gutenberg.org/donate
+
+
+Section 5. General Information About Project Gutenberg-tm electronic
+works.
+
+Professor Michael S. Hart was the originator of the Project Gutenberg-tm
+concept of a library of electronic works that could be freely shared
+with anyone. For forty years, he produced and distributed Project
+Gutenberg-tm eBooks with only a loose network of volunteer support.
+
+Project Gutenberg-tm eBooks are often created from several printed
+editions, all of which are confirmed as Public Domain in the U.S.
+unless a copyright notice is included. Thus, we do not necessarily
+keep eBooks in compliance with any particular paper edition.
+
+Most people start at our Web site which has the main PG search facility:
+
+ www.gutenberg.org
+
+This Web site includes information about Project Gutenberg-tm,
+including how to make donations to the Project Gutenberg Literary
+Archive Foundation, how to help produce our new eBooks, and how to
+subscribe to our email newsletter to hear about new eBooks.
+
+
+
+</pre>
+
+ </body>
+</html>