path: root/7110.txt

The Project Gutenberg EBook of Rose and Roof-Tree, by George Parsons Lathrop

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Rose and Roof-Tree
       Poems

Author: George Parsons Lathrop

Posting Date: November 7, 2012 [EBook #7110]
Release Date: December, 2004
First Posted: March 11, 2003

Language: English

Character set encoding: ASCII

*** START OF THIS PROJECT GUTENBERG EBOOK ROSE AND ROOF-TREE ***




Produced by Michelle Shephard, Eric Eldred, Charles Franks
and the Online Distributed Proofreading Team.










ROSE AND ROOF-TREE:

POEMS



by

GEORGE PARSONS LATHROP




[Illustration: JESSAMINE]




  Upon the enchanted ladder of his rhymes,
      Round after round and patiently
      The poet ever upward climbs.




_DEDICATION_.

_I need give my verse no hint as to whom it sings for. The rose,
knowing her own right, makes servitors of the light-rays to carry her
color. So every line here shall in some sense breathe of thee, and in
its very face bear record of her whom, however unworthily, it seeks to
serve and honor._




  CONTENTS.


  WINDFALLS.

  ROSE AND ROOF-TREE
  MUSIC OF GROWTH
  A SONG LONG AGO
  MELANCHOLY
  CONTENTMENT


  PART FIRST.

  AN APRIL ARIA
  THE BOBOLINK
  THE SUN-SHOWER
  JUNE LONGINGS
  A RUNE OF THE RAIN
  THE SONG-SPARROW
  FAIRHAVEN BAY
  CHANT FOR AUTUMN
  BEFORE THE SNOW
  THE GHOSTS OF GROWTH
  THE LILY-POND


  PART SECOND.

  FIRST GLANCE
  "THE SUNSHINE OF THINE EYES"
  "WHEN, LOOKING DEEPLY IN THY FACE"
  WITHIN A YEAR
  THE SINGING WIRE
  MOODS OF LOVE:
            I. In Absence
           II. Heart's Fountain
          III. South-Wind Song
           IV. The Lover's Year
            V. New Worlds
           VI. Wedding-Night
  LOVE'S DEFEAT
  MAY AND MARRIAGE
  THE FISHER OF THE CAPE
  SAILOR'S SONG
  JESSAMINE
  GRIEF'S HERO
  A FACE IN THE STREET
  THE BATHER
  HELEN AT THE LOOM
  "O WHOLESOME DEATH"
  BURIAL-SONG FOR SUMNER
  ARISE, AMERICAN!
  THE SILENT TIDE




  WINDFALLS.


  ROSE AND ROOF-TREE.

   O wayward rose, why dost thou wreathe so high,
   Wasting thyself in sweet-breath'd ecstasy?

  "The pulses of the wind my life uplift,
   And through my sprays I feel the sunlight sift;

  "And all my fibres, in a quick consent
   Entwined, aspire to fill their heavenward bent.

  "I feel the shaking of the far-off sea,
   And all things growing blend their life with me:

  "When men and women on me look, there glows
   Within my veins a life not of the rose.

  "Then let me grow, until I touch the sky,
   And let me grow and grow until I die!"

   So, every year, the sweet rose shooteth higher,
   And scales the roof upon its wings of fire,

   And pricks the air, in lovely discontent,
   With thorns that question still of its intent.

   But when it reached the roof-tree, there it clung,
   Nor ever farther up its blossoms flung.

   O wayward rose, why hast thou ceased to climb?
   Hast thou forgot the ardor of thy prime?

  "O hearken!"--thus the rose-spray, listening,--
  "With what weird music sweet these full hearts ring!

  "What mazy ripples of deep, eddying sound,
   Rise, touch the roof-tree old, and drift around,

  "Bearing aloft the burden musical
   Of joys and griefs from human hearts that fall!

  "Green stem and fair, flush'd circle I will lay
   Along the roof, and listen here alway;

  "For rose and tree, and every leafy growth
   That toward the sky unfolds with spiry blowth,

  "No purpose hath save this, to breathe a grace
   O'er men, and in men's hearts to seek a place.

  "Therefore, O poet, thou who gav'st to me
   The homage of thy humble sympathy,

  "No longer vest thy verse in rose-leaves frail:--
   Let the heart's voice loud through thy paean wail!"

         *       *       *       *       *

   Lo, at my feet the wind of autumn throws
   A hundred turbulent blossoms of the rose,

   Full of the voices of the sea and grove
   And air, and full of hidden, murmured love,

   And warm with passion through the roof-tree sent;
   Dew-drenched with tears;--all in one wild gush spent!



  MUSIC OF GROWTH.

  Music is in all growing things;
  And underneath the silky wings
    Of smallest insects there is stirred
    A pulse of air that must be heard.
  Earth's silence lives, and throbs, and sings.

  If poet from the vibrant strings
  Of his poor heart a measure flings,
    Laugh not, that he no trumpet blows:
    It may be that Heaven hears and knows
  His language of low listenings.



  A SONG LONG AGO.

  Through the pauses of thy fervid singing
          Fell crystal sound
  That thy fingers from the keys were flinging
          Lightly around:
  I felt the vine-like harmonies close clinging
          About my soul;
  And to my eyes, as fruit of their sweet bringing,
          The full tear stole!



  MELANCHOLY.


  Daughter of my nobler hope
    That dying gave thee birth,
       Sweet Melancholy!
    For memory of the dead,
    In her dear stead,
      'Bide thou with me,
      Sweet Melancholy!
  As purple shadows to the tree,
  When the last sun-rays sadly slope
  Athwart the bare and darkening earth,
      Art thou to me,
      Sweet Melancholy!



  CONTENTMENT.

    Glad hours have been when I have seen
       Life's scope and each dry day's intent
    United; so that I could stand
    In silence, covering with my hand
    The circle of the universe,
    Balance the blessing and the curse,
    And trust in deeds without chagrin,
  Free from to-morrow and yesterday--content.




  PART FIRST.


  AN APRIL ARIA.

  When the mornings dankly fall
    With a dim forethought of rain,
  And the robins richly call
  To their mates mercurial,
    And the tree-boughs creak and strain
      In the wind;
  When the river's rough with foam,
    And the new-made clearings smoke,
  And the clouds that go and come
  Shine and darken frolicsome,
    And the frogs at evening croak
      Undefined
  Mysteries of monotone,
    And by melting beds of snow
  Wind-flowers blossom all alone;
      Then I know
  That the bitter winter's dead.
      Over his head
  The damp sod breaks so mellow,--
  Its mosses tipped with points of yellow,--
    I cannot but be glad;
  Yet this sweet mood will borrow
  Something of a sweeter sorrow,
    To touch and turn me sad.



  THE BOBOLINK.

  How sweetly sang the bobolink,
    When thou, my Love, wast nigh!
  His liquid music from the brink
  Of some cloud-fountain seemed to sink,
    Built in the blue-domed sky.

  How sadly sings the bobolink!
    No more my Love is nigh:
  Yet rise, my spirit, rise, and drink
  Once more from that cloud-fountain's brink,--
    Once more before I die!



  THE SUN-SHOWER.

  A penciled shade the sky doth sweep,
  And transient glooms creep in to sleep
      Amid the orchard;
  Fantastic breezes pull the trees
  Hither and yon, to vagaries
      Of aspect tortured.

  Then, like the downcast dreamy fringe
  Of eyelids, when dim gates unhinge
      That locked their tears,
  Falls on the hills a mist of rain,--
  So faint, it seems to fade again;
      Yet swiftly nears.

  Now sparkles the air, all steely-bright,
  With drops swept down in arrow-flight,
      Keen, quivering lines.
  Ceased in a breath the showery sound;
  And teasingly, now, as I look around,
      Sweet sunlight shines!



  JUNE LONGINGS.

  Lo, all about the lofty blue are blown
  Light vapors white, like thistle-down,
  That from their softened silver heaps opaque
  Scatter delicate flake by flake,
  Upon the wide loom of the heavens weaving
  Forms of fancies past believing,
  And, with fantastic show of mute despair,
  As for some sweet hope hurt beyond repair,
  Melt in the silent voids of sunny air.

  All day the cooing brooklet runs in tune:
  Half sunk i' th' blue, the powdery moon
  Shows whitely. Hark, the bobolink's note! I hear it,
  Far and faint as a fairy spirit!
  Yet all these pass, and as some blithe bird, winging,
  Leaves a heart-ache for his singing,
  A frustrate passion haunts me evermore
  For that which closest dwells to beauty's core.
  O Love, canst thou this heart of hope restore?



  A RUNE OF THE RAIN.

  I.

  O many-toned rain!
  O myriad sweet voices of the rain!
  How welcome is its delicate overture
  At evening, when the glowing-moistur'd west
  Seals all things with cool promise of night's rest!

  At first it would allure
  The earth to kinder mood,
  With dainty flattering
  Of soft, sweet pattering:
  Faintly now you hear the tramp
  Of the fine drops falling damp
  On the dry, sun-seasoned ground
  And the thirsty leaves around.
  But anon, imbued
  With a sudden, bounding access
  Of passion, it relaxes
  All timider persuasion,
  And, with nor pretext nor occasion,
  Its wooing redoubles;
  And pounds the ground, and bubbles
  In sputtering spray,
  Flinging itself in a fury
  Of flashing white away;
  Till the dusty road
  Flings a perfume dank abroad,
  And the grass, and the wide-hung trees,
  The vines, the flowers in their beds,
  The vivid corn that to the breeze
  Rustles along the garden-rows,
  Visibly lift their heads,--
  And, as the shower wilder grows,
  Upleap with answering kisses to the rain.

  Then, the slow and pleasant murmur
  Of its subsiding,
  As the pulse of the storm beats firmer,
  And the steady rain
  Drops into a cadenced chiding.
  Deep-breathing rain,
  The sad and ghostly noise
  Wherewith thou dost complain,--
  Thy plaintive, spiritual voice,
  Heard thus at close of day
  Through vaults of twilight-gray,--
  Doth vex me with sweet pain!
  And still my soul is fain
  To know the secret of that yearning
  Which in thine utterance I hear returning.

  Hush, oh hush!
  Break not the dreamy rush
  Of the rain:
  Touch not the marring doubt
  Words bring, to the certainty
  Of its soft refrain,
  But let the flying fringes flout
  Their gouts against the pane,
  And the gurgling throat of the water-spout
  Groan in the eaves amain.

  The earth is wedded to the shower.
  Darkness and awe, gird round the bridal-hour!


  II.

  O many-toned rain!
  It hath caught the strain
  Of a wilder tune,
  Ere the same night's noon,
  When dreams and sleep forsake me,
  And sudden dread doth wake me,
  To hear the booming drums of heaven beat
  The long roll to battle; when the knotted cloud,
  With an echoing loud,
  Bursts asunder
  At the sudden resurrection of the thunder;
  And the fountains of the air,
  Unsealed again sweep, ruining, everywhere,
  To wrap the world in a watery winding-sheet.


  III.

  O myriad sweet voices of the rain!
  When the airy war doth wane,
  And the storm to the east hath flown,
  Cloaked close in the whirling wind,
  There's a voice still left behind
  In each heavy-hearted tree,
  Charged with tearful memory
  Of the vanished rain:
  From their leafy lashes wet
  Drip the dews of fresh regret
  For the lover that's gone!
  All else is still.
  But the stars are listening;
  And low o'er the wooded hill
  Hangs, upon listless wing
  Outspread, a shape of damp, blue cloud,
  Watching, like a bird of evil
  That knows no mercy nor reprieval,
  The slow and silent death of the pallid moon.


  IV.

  But soon, returning duly,
  Dawn whitens the wet hill-tops bluely.
  To her vision pure and cold
  The night's wild tale is told
  On the glistening leaf, in the mid-road pool,
  The garden mold turned dark and cool,
  And the meadow's trampled acres.
  But hark, how fresh the song of the winged music-makers!
  For now the moanings bitter,
  Left by the rain, make harmony
  With the swallow's matin-twitter,
  And the robin's note, like the wind's in a tree:
  The infant morning breathes sweet breath,
  And with it is blent
  The wistful, wild, moist scent
  Of the grass in the marsh which the sea nourisheth:
  And behold!
  The last reluctant drop of the storm,
  Wrung from the roof, is smitten warm
  And turned to gold;
  For in its veins doth run
  The very blood of the bold, unsullied sun!



  THE SONG-SPARROW.

  Glimmers gray the leafless thicket
    Close beside my garden gate,
  Where, so light, from post to picket
    Hops the sparrow, blithe, sedate;
      Who, with meekly folded wing,
      Comes to sun himself and sing.

  It was there, perhaps, last year,
    That his little house he built;
  For he seems to perk and peer,
    And to twitter, too, and tilt
      The bare branches in between,
      With a fond, familiar mien.

  Once, I know, there was a nest,
    Held there by the sideward thrust
  Of those twigs that touch his breast;
    Though 'tis gone now. Some rude gust
      Caught it, over-full of snow,--
      Bent the bush,--and robbed it so

  Thus our highest holds are lost,
    By the ruthless winter's wind,
  When, with swift-dismantling frost,
    The green woods we dwelt in, thinn'd
      Of their leafage, grow too cold
      For frail hopes of summer's mold.

  But if we, with spring-days mellow,
    Wake to woeful wrecks of change,
  And the sparrow's ritornello
    Scaling still its old sweet range;
      Can we do a better thing
      Than, with him, still build and sing?

  Oh, my sparrow, thou dost breed
    Thought in me beyond all telling;
  Shootest through me sunlight, seed,
    And fruitful blessing, with that welling
      Ripple of ecstatic rest,
      Gurgling ever from thy breast!

  And thy breezy carol spurs
    Vital motion in my blood,
  Such as in the sapwood stirs,
    Swells and shapes the pointed bud
        Of the lilac; and besets
        The hollows thick with violets.

  Yet I know not any charm
    That can make the fleeting time
  Of thy sylvan, faint alarm
    Suit itself to human rhyme:
      And my yearning rhythmic word,
      Does thee grievous wrong, dear bird.

  So, however thou hast wrought
    This wild joy on heart and brain,
  It is better left untaught.
    Take thou up the song again:
      There is nothing sad afloat
      On the tide that swells thy throat!


  FAIRHAVEN BAY.

  I push on through the shaggy wood,
  I round the hill: 't is here it stood;
  And there, beyond the crumbled walls,
  The shining Concord slowly crawls,

  Yet seems to make a passing stay,
  And gently spreads its lilied bay,
  Curbed by this green and reedy shore,
  Up toward the ancient homestead's door.

  But dumbly sits the shattered house,
  And makes no answer: man and mouse
  Long since forsook it, and decay
  Chokes its deep heart with ashes gray.

  On what was once a garden-ground
  Dull red-bloomed sorrels now abound;
  And boldly whistles the shy quail
  Within the vacant pasture's pale.

  Ah, strange and savage, where he shines,
  The sun seems staring through those pines
  That once the vanished home could bless
  With intimate, sweet loneliness.

  The ignorant, elastic sod
  The feet of them that daily trod
  Its roods hath utterly forgot:
  The very fire-place knows them not.

  For, in the weedy cellar, thick
  The ruined chimney's mass of brick
  Lies strown. Wide heaven, with such an ease
  Dost thou, too, lose the thought of these?

  Yet I, although I know not who
  Lived here, in years that voiceless grew
  Ere I was born,--and never can,--
  Am moved, because I am a man.

  Oh glorious gift of brotherhood!
  Oh sweet elixir in the blood,
  That makes us live with those long dead,
  Or hope for those that shall be bred

  Hereafter! No regret can rob
  My heart of this delicious throb;
  No thought of fortunes haply wrecked,
  Nor pang for nature's wild neglect.

  And, though the hearth be cracked and cold,
  Though ruin all the place enfold,
  These ashes that have lost their name
  Shall warm my life with lasting flame!


  CHANT FOR AUTUMN.

    Veiled in visionary haze,
    Behold, the ethereal autumn days
      Draw near again!
      In broad array,
    With a low, laborious hum
    These ministers of plenty come,
  That seem to linger, while they steal away.

      O strange, sweet charm
      Of peaceful pain,
  When yonder mountain's bended arm
  Seems wafting o'er the harvest-plain
  A message to the heart that grieves,
  And round us, here, a sad-hued rain
  Of leaves that loosen without number
  Showering falls in yellow, umber,
  Red, or russet, 'thwart the stream!
  Now pale Sorrow shall encumber
  All too soon these lands, I deem;
      Yet who at heart believes
      The autumn, a false friend,
      Can bring us fatal harm?
  Ah, mist-hung avenues in dream
  Not more uncertainly extend
      Than the season that receives
      A summer's latest gleam!

  But the days of death advance:
    They tarry not, nor turn!
  I will gather the ashes of summer
    In my heart, as an urn.

      Oh draw thou nearer,
        Thou
  Spirit of the distant height,
  Whither now that slender flight
  Of swallows, winging, guides my sight!
      The hill cloth seem to me
      A fading memory
            Of long delight,
      And in its distant blue
      Half hideth from my view
  This shrinking season that must now retire;
  And so shall hold it, hopeful, a desire
  And knowledge old as night and always new.
    Draw nigher! And, with bended brow,
      I will be thy reverer
      Through the long winter's term!

  So, when the snows hold firm,
      And the brook is dumb;
      When sharp winds come
    To flay the hill-tops bleak,
    And whistle down the creek;
      While the unhappy worm
  Crawls deeper down into the ground,
  To 'scape Frost's jailer on his round;
      Thy form to me shall speak
      From the wide valley's bound,
  Recall the waving of the last bird's wing,
      And help me hope for spring.



  BEFORE THE SNOW.

  Autumn is gone: through the blue woodlands bare
    Shatters the windy rain. A thousand leaves,
  Like birds that fly the mournful Northern air,
    Flutter away from the old forest's eaves.

  Autumn is gone: as yonder silent rill,
    Slow eddying o'er thick leaf-heaps lately shed,
  My spirit, as I walk, moves awed and still,
    By thronging fancies wild and wistful led.

  Autumn is gone: alas, how long ago
    The grapes were plucked, and garnered was the grain!
  How soon death settles on us, and the snow
    Wraps with its white alike our graves, our gain!

  Yea, autumn's gone! Yet it robs not my mood
    Of that which makes moods dear,--some shoot of spring
  Still sweet within me; or thoughts of yonder wood
    We walked in,--memory's rare environing.

  And, though they die, the seasons only take
    A ruined substance. All that's best remains
  In the essential vision that can make
    One light for life, love, death, their joys, their pains.



  THE GHOSTS OF GROWTH.

  Last night it snowed; and Nature fell asleep.
    Forest and field lie tranced in gracious dreams
    Of growth, for ghosts of leaves long dead, me-seems,
  Hover about the boughs; and wild winds sweep
  O'er whitened fields full many a hoary heap
    From the storm-harvest mown by ice-bound streams!
    With beauty of crushed clouds the cold earth teems,
  And winter a tranquil-seeming truce would keep.

  But such ethereal slumber may not bide
    The ascending sun's bright scorn--not long, I fear;
  And all its visions on the golden tide
    Of mid-noon gliding off, must disappear.
  Fair dreams, farewell! So in life's stir and pride
    You fade, and leave the treasure of a tear!



  THE LILY-POND.

  Some fairy spirit with his wand,
    I think, has hovered o'er the dell,
  And spread this film upon the pond,
    And touched it with this drowsy spell.

  For here the musing soul is merged
    In moods no other scene can bring,
  And sweeter seems the air when scourged
    With wandering wild-bees' murmuring.

  One ripple streaks the little lake,
    Sharp purple-blue; the birches, thin
  And silvery, crowd the edge, yet break
    To let a straying sunbeam in.

  How came we through the yielding wood,
    That day, to this sweet-rustling shore?
  Oh, there together while we stood,
    A butterfly was wafted o'er,

  In sleepy light; and even now
    His glimmering beauty doth return
  Upon me, when the soft winds blow,
    And lilies toward the sunlight yearn.

  The yielding wood? And yet 't was both
    To yield unto our happy march;
  Doubtful it seemed, at times, if both
    Could pass its green, elastic arch.

  Yet there, at last, upon the marge
    We found ourselves, and there, behold,
  In hosts the lilies, white and large,
    Lay close, with hearts of downy gold!

  Deep in the weedy waters spread
    The rootlets of the placid bloom:
  So sprung my love's flower, that was bred
    In deep, still waters of heart's-gloom.

  So sprung; and so that morn was nursed
    To live in light, and on the pool
  Wherein its roots were deep immersed
    Burst into beauty broad and cool.

  Few words were said; a moment passed;
    I know not how it came--that awe
  And ardor of a glance that cast
    Our love in universal law!

  But all at once a bird sang loud,
    From dead twigs of the gleamy beech;
  His notes dropped dewy, as out of a cloud,
    A blessing on our married speech.

  Ah, Love! how fresh and rare, even now,
    That moment and that mood return
  Upon me, when the soft winds blow,
    And lilies toward the sunlight yearn!




  PART SECOND.


  FIRST GLANCE.

  A budding mouth and warm blue eyes;
  A laughing face;--and laughing hair,
      So ruddy does it rise
      From off that forehead fair;

  Frank fervor in whate'er she said,
  And a shy grace when she was still;
      A bright, elastic tread;
      Enthusiastic will;

  These wrought the magic of a maid
  As sweet and sad as the sun in spring,
      Joyous, yet half-afraid
      Her joyousness to sing.

  What weighs the unworthiness of earth
  When beauty such as this finds birth?
      Rare maid, to look on thee
      Gives all things harmony!



  "THE SUNSHINE OF THINE EYES."

  The sunshine of thine eyes,
    (Oh still, celestial beam!)
  Whatever it touches it fills
    With the life of its lambent gleam.

  The sunshine of thine eyes,
    Oh let it fall on me!
  Though I be but a mote of the air,
    I could turn to gold for thee!



  "WHEN, LOOKING DEEPLY IN THY FACE."

  When, looking deeply in thy face,
  I catch the undergleam of grace
  That grows beneath the outward glance,
  Long looking, lost as in a trance
  Of long desires that fleet and meet
  Around me like the fresh and sweet
  White showers of rain which, vanishing,
  'Neath heaven's blue arches whirl, in spring;
  Suddenly then I seem to know
  Of some new fountain's overflow
  In grassy basins, with a sound
  That leads my fancy, past all bound,
  Into a region of retreat
  From this my life's bewildered heat.
  Oh if my soul might always draw
  From those deep fountains full of awe,
  The current of my days should rise
  Unto the level of thine eyes!



  WITHIN A YEAR

  I.

      Lips that are met in love's
        Devotion sweet,
  While parting lovers passionately greet,
  And earth through heaven's arc more swiftly moves--
      Oh, will they be less dear
      Within a year?


  II.

      Eyes in whose shadow-spell
        Far off I read
  That which to lovers taking loving heed
  Dear women's eyes full soon and plainly tell--
      Oh, will you give such cheer
      This time a year?


  III.

      Behold! the dark year goes,
        Nor will reveal
  Aught of its purpose, if for woe or weal,
  Swift as a stream that o'er the mill-weir flows:
      Mayhap the end draws near
      Within the year!


  IV.

      Yet, darling, once more touch
        Those lips to mine.
  Set on my life that talisman divine;
  Absence, new friends, I fear not overmuch----
      Even Death, should he appear
      Within the year!



  THE SINGING WIRE.

  Hark to that faint, ethereal twang
    That from the bosom of the breeze
  Has caught its rise and fall: there rang
    AEolian harmonies!

  I looked; again the mournful, chords,
    In random rhythm lightly flung
  From off the wire, came shaped in words;
    And thus, meseemed, they sung.

  "I, messenger of many fates,
    Strung to the tones of woe or weal,
  Fine nerve that thrills and palpitates
    With all men know or feel,--

  "Oh, is it strange that I should wail?
    Leave me my tearless, sad refrain,
  When in the pine-top wakes the gale
   That breathes of coming rain.

  "There is a spirit in the post;
    It, too, was once a murmuring tree;
  Its sapless, sad, and withered ghost
    Echoes my melody.

  "Come close, and lay your listening ear
    Against the bare and branchless wood.
  Say, croons it not, so low and clear,
    As if it understood?"

  I listened to the branchless pole
    That held aloft the singing wire;
  I heard its muffled music roll,
    And stirred with sweet desire:

  "O wire more soft than seasoned lute,
    Hast thou no sunlit word for me?
  Though long to me so coyly mute,
    Sure she may speak through thee!"

  I listened; but it was in vain.
    At first, the wind's old, wayward will
  Drew forth the tearless, sad refrain:
    That ceased, and all was still.

  But suddenly some kindling shock
    Struck flashing through the wire: a bird,
  Poised on it, screamed and flew; the flock
    Rose with him, wheeled, and whirred.

  Then to my soul there came this sense:
    "Her heart has answered unto thine;
  She comes, to-night. Go, hie thee hence!
    Meet her: no more repine!"

  Mayhap the fancy was far-fetched;
    And yet, mayhap, it hinted true.
  Ere moonrise, Love, a hand was stretched
    In mine, that gave me--you!

  And so more dear to me has grown,
    Than rarest tones swept from the lyre,
  The minor-movement of that moan
    In yonder singing wire.

  Nor care I for the will of states.
    Or aught besides, that smites that string,
  Since then so close it knit our fates,
    What time the bird took wing!



  MOODS OF LOVE.


  I.

  IN ABSENCE.

  My love for thee is like a winged seed
    Blown from the heart of thy rare beauty's flower,
    And deftly guided by some breezy power
  To fall and rest, where I should never heed,
  In deepest caves of memory. There, indeed,
    With virtue rife of many a sunny hoar,--
    Ev'n making cold neglect and darkness dower
  Its roots with life,--swiftly it 'gan to breed,
  Till now wide-branching tendrils it outspreads
    Like circling arms, to prison its own prison,
  Fretting the walls with blooms by myriads,
    And blazoning in my brain full summer-season:
  Thy face, whose dearness presence had not taught.
  In absence multiplies, and fills all thought.


  II.

  HEART'S FOUNTAIN.

  Her moods are like the fountain's, changing ever,
    That spouts aloft a sudden, watery dome,
    Only to fall again in shattering foam,
  Just where the wedded jets themselves dissever,
  And palpitating downward, downward quiver,
    Unfolded like a swift ethereal flower,
    That sheds white petals in a blinding shower,
  And straightway soars anew with blithe endeavor.

  The sun may kindle it with healthful fire;
    Upon it falls the cloud-gray's leaden load;
  At night the stars shall haunt the whirling spire:
    Yet these have but a transient garb bestowed.
  So her glad life, whate'er the hours impart,
  Plays still 'twixt heaven's cope and her own clear heart.


  III.

  SOUTH-WIND SONG.

  Soft-throated South, breathing of summer's ease
    (Sweet breath, whereof the violet's life is made!)
    Through lips moist-warm, as thou hadst lately stayed
  'Mong rosebuds, wooing to the cheeks of these
  Loth blushes faint and maidenly--rich Breeze,
    Still doth thy honeyed blowing bring a shade
    Of sad foreboding. In thy hand is laid
  The power to build or blight rich fruit of trees,
  The deep, cool grass, and field of thick-combed grain.

  Even so my Love may bring me joy or woe,
    Both measureless, but either counted gain
  Since given by her. For pain and pleasure flow
    Like tides upon us of the self-same sea.
    Tears are the gems of joy and misery!


  IV.

  THE LOVER'S YEAR

  Thou art my morning, twilight, noon, and eve,
    My Summer and my Winter, Spring and Fall;
    For Nature left on thee a touch of all
  The moods that come to gladden or to grieve
  The heart of Time, with purpose to relieve
    From lagging sameness. So do these forestall
    In thee such o'erheaped sweetnesses as pall
  Too swiftly, and the taster tasteless leave.

  Scenes that I love to me always remain
    Beautiful, whether under summer's sun
  Beheld, or, storm-dark, stricken across with rain.
    So, through all humors, thou 'rt the same sweet one:
  Doubt not I love thee well in each, who see
  Thy constant change is changeful constancy.


  V.

  NEW WORLDS.

  With my beloved I lingered late one night.
    At last the hour when I must leave her came:
    But, as I turned, a fear I could not name
  Possessed me that the long sweet evening might
  Prelude some sudden storm, whereby delight
    Should perish. What if Death, ere dawn, should claim
    One of us? What, though living, not the same
  Each should appear to each in morning-light?

  Changed did I find her, truly, the next day:
    Ne'er could I see her as of old again.
  That strange mood seemed to draw a cloud away,
    And let her beauty pour through every vein
  Sunlight and life, part of me. Thus the lover
  With each new morn a new world may discover.


  VI.

  WEDDING-NIGHT.

  At night, with shaded eyes, the summer moon
    In tender meditation downward glances
    At the dark earth, far-set in dim expanses,
  And, welcomer than blazoned gold of noon,
  Down through the air her steady lights are strewn.
    The breezy forests sigh in moonlit trances,
    And the full-hearted poet, waking, fancies
  The smiling hills will break in laughter soon.

  Oh thus, thou gentle Nature, dost thou shine
    On me to-night. My very limbs would melt,
  Like rugged earth beneath yon ray divine,
    Into faint semblance of what they have felt:
  Thine eye doth color me, O wife, O mine,
  With peace that in thy spirit long hath dwelt!



  LOVE'S DEFEAT.

  A thousand times I would have hoped,
    A thousand times protested;
  But still, as through the night I groped,
    My torch from me was wrested,
        and wrested.

  How often with a succoring cup
    Unto the hurt I hasted!
  The wounded died ere I came up;
    My cup was still untasted,--
        Untasted.

  Of darkness, wounds, and harsh disdain
    Endured, I ne'er repented.
  'T is not of these I would complain:
    With these I were contented,--
        Contented.

  Here lies the misery, to feel
    No work of love completed;
  In prayerless passion still to kneel,
    And mourn, and cry: "Defeated
        Defeated!"




  MAY AND MARRIAGE.


  THE LOVER WHO THINKS.

  Dost thou remember, Love, those hours
  Shot o'er with random rainy showers,
  When the bold sun would woo coy May?
  She smiled, then wept--and looked another way.

  We, learning from the sun and season,
  Together plotted joyous treason
  'Gainst maiden majesty, to give
  Each other troth, and henceforth wedded live.

  But love, ah, love we know is blind!
  Not always what they seek they find
  When, groping through dim-lighted natures,
  Fond lovers look for old, ideal statures.

  What then? Is all our purpose lost?
  The balance broken, since Fate tossed
  Uneven weights? Oh well beware
  That thought, my sweet: 't were neither fit nor fair!

  Seek not for any grafted fruits
  From souls so wedded at the roots;
  But whatsoe'er our fibres hold,
  Let that grow forth in mutual, ample mold!

  No sap can circle without flaw
  Into the perfect sphere we saw
  Hanging before our happy eyes
  Amid the shade of marriage-mysteries;

  But all that in the heart doth lurk
  Must toward the mystic shaping work:
  Sweet fruit and bitter both must fall
  When the boughs bend, at each year's autumn-call.

  Ah, dear defect! that aye shall lift
  Us higher, not through craven shift
  Of fault on common frailty;--nay,
  But twofold hope to help with generous stay!

  I shall be nearer, understood:
  More prized art thou than perfect good.
  And since thou lov'st me, I shall grow
  Thy other self--thy Life, thy Joy, thy Woe!



  THE FISHER OF THE CAPE.

  At morn his bark like a bird
  Slips lightly oceanward--
  Sail feathering smooth o'er the bay
  And beak that drinks the wild spray.
  In his eyes beams cheerily
  A light like the sun's on the sea,
  As he watches the waning strand,
  Where the foam, like a waving hand
  Of one who mutely would tell
  Her love, flutters faintly, "Farewell."

  But at night, when the winds arise
  And pipe to driving skies,
  And the moon peers, half afraid,
  Through the storm-cloud's ragged shade,
  He hears her voice in the blast
  That sighs about the mast,
  He sees her face in the clouds
  As he climbs the whistling shrouds;
  And a power nerves his hand,
  Shall bring the bark to land.



  SAILOR'S SONG.

  The sea goes up; the sky comes down.
  Oh, can you spy the ancient town,--
  The granite hills so hard and gray,
  That rib the land behind the bay?
    O ye ho, boys! Spread her wings!
    Fair winds, boys: send her home!
      O ye ho!

  Three years? Is it so long that we
  Have lived upon the lonely sea?
  Oh, often I thought we'd see the town,
  When the sea went up, and the sky came down.
    O ye ho, boys! Spread her wings!
    Fair winds, boys: send her home!
      O ye ho!

  Even the winter winds would rouse
  A memory of my father's house;
  For round his windows and his door
  They made the same deep, mouthless roar.
    O ye ho, boys! Spread her wings!
    Fair winds, boys: send her home!
      O ye ho!

  And when the summer's breezes beat,
  Methought I saw the sunny street
  Where stood my Kate. Beneath her hand
  She gazed far out, far out from land.
    O ye ho, boys! Spread her wings!
    Fair winds, boys: send her home!
      O ye ho!

  Farthest away, I oftenest dreamed
  That I was with her. Then, it seemed
  A single stride the ocean wide
  Had bridged, and brought me to her side.
    O ye ho, boys! Spread her wings!
    Fair winds, boys: send her home.
      O ye ho!

  But though so near we're drawing, now,
  'T is farther off----I know not how.
  We sail and sail: we see no home.
  Would we into the port were come!
    O ye ho, boys! Spread her wings!
    Fair winds, boys: send her home!
      O ye ho!

  At night, the same stars o'er the mast:
  The mast sways round--however fast
  We fly--still sways and swings around
  One scanty circle's starry bound.
    O ye ho, boys! Spread her wings!
    Fair winds, boys: send her home!
      O ye ho!

  Ah, many a month those stars have shone,
  And many a golden morn has flown,
  Since that so solemn, happy morn,
  When, I away, my babe was born.
    O ye ho, boys! Spread her wings!
    Fair winds, boys: send her home!
      O ye ho!

  And, though so near we're drawing, now,
  'T is farther off--I know not how--
  I would not aught amiss had come
  To babe or mother there, at home!
    O ye ho, boys! Spread her wings!
    Fair winds, boys: send her home!
      O ye ho!

  'T is but a seeming: swiftly rush
  The seas, beneath. I hear the crush
  Of foamy ridges 'gainst the prow.
  Longing outspeeds the breeze, I know.
    O ye ho, boys! Spread her wings!
    Fair winds, boys: send her home!
      O ye ho!

  Patience, my mates! Though not this eve
  We cast our anchor, yet believe,
  If but the wind holds, short the run:
  We 'll sail in with to-morrow's sun.
    O ye ho, boys! Spread her wings!
    Fair winds, boys: send her home!
      O ye ho!



  JESSAMINE.

  Here stands the great tree still, with broad, bent head,
  And wide arms grown aweary, yet outspread
  With their old blessing. But wan memory weaves
  Strange garlands now amongst the darkening leaves.
        _And the moon hangs low in the elm_.

  Beneath these glimmering arches Jessamine
  Walked with her lover long ago, and in
  This moon-made shade he questioned; and she spoke:
  Then on them both love's rarer radiance broke.
        _And the moon hangs low in the elm_.

  Sweet Jessamine we called her; for she shone
  Like blossoms that in sun and shade have grown,
  Gathering from each alike a perfect white,
  Whose rich bloom breaks opaque through darkest night.
        _And the moon hangs low in the elm_.

  And for this sweetness Walt, her lover, sought
  To win her; wooed her here, his heart full-fraught
  With fragrance of her being, and gained his plea.
  So "We will wed," they said, "beneath this tree."
        _And the moon hangs low in the elm_.

  Was it unfaith, or faith more full to her,
  Made him, for fame and fortune longing, spur
  Into the world? Far from his home he sailed:
  And life paused; while she watched joy vanish, vailed.
        _And the moon hangs low in the elm_.

  Oh, better at the elm tree's sun-browned feet
  If he had been content to let life fleet
  Its wonted way!--there rearing his small house;
  Mowing and milking, lord of corn and cows!
        _And the moon hangs low in the elm_.

  For as against a snarling sea one steers,
  Ever he battled with the beetling years;
  And ever Jessamine must watch and pine,
  Her vision bounded by the bleak sea-line.
        _And the moon hangs low in the elm_.

  At last she heard no more. The neighbors said
  That Walt had married, faithless, or was dead.
  Yet naught her trust could move; the tryst she kept
  Each night still, 'neath this tree, before she slept.
        _And the moon hangs low in the elm._

  So, circling years went by; and in her face
  Slow melancholy wrought a tempered grace
  Of early joy with sorrow's rich alloy--
  Refined, rare, no doom should e'er destroy.
        _And the moon hangs low in the elm._

  Sometimes at twilight, when sweet Jessamine,
  Slow-footed, weary-eyed, passed by to win
  The elm, we smiled for pity of her, and mused
  On love that so could live with love refused.
        _And the moon hangs low in the elm._

  Nor none could hope for her. But she had grown
  Too high in love for hope, and bloomed alone,
  Aloft in pure sincerity secure;
  For fortune's failures, in her faith too sure.
        _And the moon hangs low in the elm._

  Oh, well for Walt, if he had known her soul!
  Discouraged on disaster's changeful shoal
  Wrecking, he rested; starved on selfish pride
  Long years; nor would obey love's homeward tide.
        _And the moon hangs low in the elm._

  But, bitterly repenting of his sin,
  Oh, bitterly he learned to look within
  Sweet Jessamine's clear depth--when the past, dead,
  Mocked him, and wild, waste years forever fled!
        _And the moon hangs low in the elm._

  Late, late, oh, late beneath the tree stood two!
  In awe and anguish wondering: "Is it true?"
  Two that were each most like to some wan wraith:
  Yet each on each looked with a living faith.
        _And the moon hangs low in the elm._

  Even to the tree-top sang the wedding-bell;
  Even to the tree-top tolled the passing knell.
  Beneath it Walt and Jessamine were wed;
  Beneath it many a year she lieth dead!
        _And the moon hangs low in the elm._

  Here stands the great tree still. But age has crept
  Through every coil, while Walt each night has kept
  The tryst alone. Hark! with what windy might
  The boughs chant o'er her grave their burial-rite!
        _And the moon hangs low in the elm. _



  GRIEF'S HERO.

  A youth unto herself Grief took,
  Whom everything of joy forsook,
  And men passed with denying head,
  Saying: "'T were better he were dead."

  Grief took him, and with master-touch
  Molded his being. I marveled much
  To see her magic with the clay,
  So much she gave--and took away.
  Daily she wrought, and her design
  Grew daily clearer and more fine,
  To make the beauty of his shape
  Serve for the spirit's free escape.
  With liquid fire she filled his eyes.
  She graced his lips with swift surmise
  Of sympathy for others' woe,
  And made his every fibre flow
  In fairer curves. On brow and chin
  And tinted cheek, drawn clean and thin,
  She sculptured records rich, great Grief!
  She made him loving, made him lief.

  I marveled; for, where others saw
  A failing frame with many a flaw,
  Meseemed a figure I beheld
  Fairer than anything of eld
  Fashioned from sunny marble. Here
  Nature was artist with no peer.
  No chisel's purpose could have caught
  These lines, nor brush their secret wrought.
  Not so the world weighed, busily
  Pursuing drossy industry;
  But, saturated with success,
  Well-guarded by a soft excess
  Of bodily ease, gave little heed
  To him that held not by their creed,
  Save o'er the beauteous youth to moan:
  "A pity that he is not grown
  To our good stature and heavier weight,
  To bear his share of our full freight."
  Meanwhile, thus to himself he spoke:
  "Oh, noble is the knotted oak,
  And sweet the gush of sylvan streams,
  And good the great sun's gladding beams,
  The blush of life upon the field,
  The silent might that mountains wield.
  Still more I love to mix with men,
  Meeting the kindly human ken;
  To feel the force of faithful friends--
  The thirst for smiles that never ends.

  "Yet precious more than all of these
  I hold great Sorrow's mysteries,
  Whereby Gehenna's sultry gale
  Is made to lift the golden veil
  'Twixt heaven's starry-sphered light
  Of truth and our dim, sun-blent sight.
  Joy comes to ripen; but 'tis Grief
  That garners in the grainy sheaf.
  Time was I feared to know or feel
  The spur of aught but gilded weal;
  To bear aloft the victor, Fame,
  Would ev'n have champed a stately shame
  Of bit and bridle. But my fears
  Fell off in the pure bath of tears.
  And now with sinews fresh and strong
  I stride, to summon with a song
  The deep, invigorating truth
  That makes me younger than my youth.
  "O Sorrow, deathless thy delight!
  Deathless it were but for our slight
  Endurance! Truth like thine, too rare,
  We dare but take in scantiest share."

  He died: the creatures of his kind
  Fared on. Not one had known his mind.

  But the unnamed yearnings of the air,
  The eternal sky's wide-searching stare,
  The undertone of brawling floods,
  And the old moaning of the woods
  Grew full of memory.

                            The sun
  Many a brave heart has shone upon
  Since then, of men who walked abroad
  For joy and gladness praising God.
  But widowed Grief lives on alone:
  She hath not chosen, of them, one.



  A FACE IN THE STREET.

  Poor, withered face, that yet was once so fair,
    Grown ashen-old in the wild fires of lust--
    Thy star-like beauty, dimm'd with earthly dust,
    Yet breathing of a purer native air;--
  They who whilom, cursed vultures, sought a share
    Of thy dead womanhood, their greed unjust
    Have satisfied, have stripped and left thee bare.
    Still, like a leaf warped by the autumn gust,
  And driving to the end, thou wrapp'st in flame
    And perfume all thy hollow-eyed decay,
  Feigning on those gray cheeks the blush that Shame
    Took with her when she fled long since away.
      Ah God! rain fire upon this foul-souled city
      That gives such death, and spares its men,--for pity!



  THE BATHER.

  Standing here alone,
  Let me pause awhile,
  Drinking in the light
  Ere, with plunge of white limbs prone,
  I raise the sparkling flight
  Of foam-flakes volatile.

  Now, in natural guise,
  I woo the deathless breeze,
  Through me rushing fleet
  The joy of life, in swift surprise:
  I grow with growing wheat,
  And burgeon with the trees.

  Lo! I fetter Time,
  So he cannot run;
  And in Eden again--
  Flash of memory sublime!--
  Dwell naked, without stain,
  Beneath the dazed sun.

  All yields brotherhood;
  Each least thing that lives,
  Wrought of primal spores,
  Deepens this wild sense of good
  That, on these shaggy shores,
  Return to nature gives.

  Oh, that some solitude
  Were ours, in woodlands deep,
  Where, with lucent eyes,
  Living lithe and limber-thewed,
  Our life's shape might arise
  Like mountains fresh from sleep!

  To sounds of water falling,
  Hosts of delicate dreams
  Should lull us and allure
  With a dim, enchanted calling,
  Blameless to live and pure
  Like these sweet springs and streams.

  But in a wilderness
  Alone may such life be?
  Why of all things framed,
  In my human form confessed
  Should I be ashamed,
  And blush for honesty?

  Rounded, strengthy limbs
  That knit me to my kind--
  Your glory turns to grief!
  Shall I for my soul sing hymns,
  Yet for my body find
  No clear, divine belief?

  Let me rather die,
  Than by faith uphold
  Dogmas weak that dare
  The form that once Christ wore deny
  Afraid with him to share
  A purity twofold;

  Yet, while sin remains
  On this saddened earth,
  Humbly walk my ways!
  For my garments are as chains;
  And I fear to praise
  My frame with careless mirth.

  Joy and penance go
  Hand in hand, I see!
  Would I could live so well,
  Soul of me should never know
  When my coverings fell,
  Nor feel this nudity!



  HELEN AT THE LOOM.

  Helen, in her silent room,
  Weaves upon the upright loom,
  Weaves a mantle rich and dark,
  Purpled over-deep. But mark
  How she scatters o'er the wool
  Woven shapes, till it is full
  Of men that struggle close, complex;
  Short-clipp'd steeds with wrinkled necks
  Arching high; spear, shield, and all
  The panoply that doth recall
  Mighty war, such war as e'en
  For Helen's sake is waged, I ween.
  Purple is the groundwork: good!
  All the field is stained with blood.
  Blood poured out for Helen's sake;
  (Thread, run on; and, shuttle, shake!)
  But the shapes of men that pass
  Are as ghosts within a glass,
  Woven with whiteness of the swan,
  Pale, sad memories, gleaming wan
  From the garment's purple fold
  Where Troy's tale is twined and told.
  Well may Helen, as with tender
  Touch of rosy fingers slender
  She doth knit the story in
  Of Troy's sorrow and her sin,
  Feel sharp filaments of pain
  Reeled off with the well-spun skein,
  And faint blood-stains on her hands
  From the shifting sanguine strands.
  Gently, sweetly she doth sorrow:
  What has been must be to-morrow;
  Meekly to her fate she bows.
  Heavenly beauties still will rouse
  Strife and savagery in men:
  Shall the lucid heavens, then,
  Lose their high serenity,
  Sorrowing over what must be?
  If she taketh to her shame,
  Lo, they give her not the blame,--
  Priam's wisest counselors,
  Aged men, not loving wars:
  When she goes forth, clad in white,
  Day-cloud touched by first moonlight,
  With her fair hair, amber-hued
  As vapor by the moon imbued
  With burning brown, that round her clings,
  See, she sudden silence brings
  On the gloomy whisperers
  Who would make the wrong all hers.

  So, Helen, in thy silent room,
  Labor at the storied loom;
  (Thread, run on; and, shuttle, shake!)
  Let thy aching sorrow make
  Something strangely beautiful
  Of this fabric, since the wool
  Comes so tinted from the Fates,
  Dyed with loves, hopes, fears, and hates.
  Thou shalt work with subtle force
  All thy deep shade of remorse
  In the texture of the weft,
  That no stain on thee be left;--
  Ay, false queen, shalt fashion grief,
  Grief and wrong, to soft relief.
  Speed the garment! It may chance.
  Long hereafter, meet the glance
  Of OEnone; when her lord,
  Now thy Paris, shall go t'ward
  Ida, at his last sad end,
  Seeking her, his early friend,
  Who alone can cure his ill
  Of all who love him, if she will.
  It were fitting she should see
  In that hour thine artistry,
  And her husband's speechless corse
  In the garment of remorse!
  But take heed that in thy work
  Naught unbeautiful may lurk.
  Ah, how little signifies
  Unto thee what fortunes rise,
  What others fall! Thou still shalt rule,
  Still shalt work the colored crewl.
  Though thy yearning woman's eyes
  Burn with glorious agonies,
  Pitying the waste and woe,
  And the heroes falling low
  In the war around thee, here,
  Yet that exquisitest tear
  'Twixt thy lids shall dearer be
  Than life, to friend or enemy.

  There are people on the earth
  Doomed with doom of too great worth.
  Look on Helen not with hate,
  Therefore, but compassionate.
  If she suffer not too much,
  Seldom does she feel the touch
  Of that fresh, auroral joy
  Lighter spirits may decoy
  To their pure and sunny lives.
  Heavy honey 't is, she hives.
  To her sweet but burdened soul
  All that here she doth control--
  What of bitter memories,
  What of coming fate's surmise,
  Paris' passion, distant din
  Of the war now drifting in
  To her quiet--idle seems;
  Idle as the lazy gleams
  Of some stilly water's reach,
  Seen from where broad vine-leaves pleach
  A heavy arch, and, looking through,
  Far away the doubtful blue
  Glimmers, on a drowsy day,
  Crowded with the sun's rich gray,
  As she stands within her room,
  Weaving, weaving at the loom.



  "O WHOLESOME DEATH."

  O Wholesome Death, thy sombre funeral-car
    Looms ever dimly on the lengthening way
    Of life; while, lengthening still, in sad array,
  My deeds in long procession go, that are
  As mourners of the man they helped to mar.
    I see it all in dreams, such as waylay
    The wandering fancy when the solid day
  Has fallen in smoldering ruins, and night's star,
  Aloft there, with its steady point of light
    Mastering the eye, has wrapped the brain in sleep.
  Ah, when I die, and planets take their flight
    Above my grave, still let my spirit keep
  Sometimes its vigil of divine remorse,
  'Midst pity, praise, or blame heaped o'er my corse!



  BURIAL-SONG FOR SUMNER.

        Now the last wreath of snow
        That melts, in mist exhales
  White aspiration, and our deep-voiced gales
  In chorus chant the measured march of spring,
        Whom griefs of life and death
          Are burdening!
            Slow, slow--
          With half-held breath--
  Tread slow, O mourners, that all men may know
        What hero here lies low!

          O music, sweep
        From some deep cave, and bear
  To us that gasp in this so meagre air
          Sweet ministerings
  And consolations of contorted sound,
        With agonies profound
  Of nobly warring and enduring chords
          That lie, close-bound,
  Unstirred as yet 'neath thy wide, wakening wings;
  So that our hearts break not in broken words.
        O music, that hast power
        This darkness to devour
  In vivid light; that from the dusk of grief
  Canst cause to grow divergent flower and leaf,
        And from death's darkest roots
        Bring forth the fairest fruits;--
        Come thou, to quicken this hour
            Of loss, and keep
  Thy spell on all, that none may dare to weep!

        For he whom now we mourn,
        As if from giants born,
  Was strong in limb and strong in brain,
  And nobly with a giant scorn
        Withstood the direst pain
        That healing science knows,
        When, by the dastard blows
        Of his brute enemy
  Laid low, he sought to rise again
        Through help of knife and fire,--
        The awful enginery
        Wherewith men dare aspire
  To wrest from Death his victims. Yea,
  Though he who healed him shrank and throbbed
        With horror of the wound,
        Brave Sumner gave no sound,
        Nor flinched, nor sobbed,
        But as though within the man
        Instant premonition ran
            Of his high fate,
  Imperishable, sculptured state
        Enthroned in death to hold,
        He stood, a statued form
        Of veiled and voiceless storm,
        Inwardly quivering
        Like the swift-smitten string
        Of unheard music, yet
        As massively and firmly set
  As if he had been marble or wrought gold!

        Built in so brave a shape,
        How could he hope escape
        The blundering people's wrath?
            Who, seeing him strong,
  Supposed it right to cast on him their wrong,
        Since he could bear it all!
        Lo, now, the sombre pall
    Sweeps their dull errors from the path,
            And leaves it free
  For him, whose hushed heart no reproaches hath,
        Unto his grave to fare,
        In shrouded majesty!
        His triumph fills the air:
  Behold, the streets are bordered with vain breath
  Of those who reverent watch the train of death;
        But he has done with breathing!

        Wise Death, still choosing near and far,
        Thou couldst not strike a higher star
        From out our heaven, and yet its light
        In falling glorifies the night!

        Leader in life, his lips, though dumb,
  Still rule us by their restfulness, their smile
  Of far-off meanings; and the people come
  In tributary hosts for many a mile,
        Drawn by an eloquence
        More solemn and intense
        Than that wherewith he shook
        The Senate, while his look
  Of sober lightning cleft the knotty growth
  Of error, that within the riven root
  Uplifted, lit with peace, truth's buds might shoot,
  And blow sweet breath o'er all, however loth!

  Unspeaking, though his eyes forget
    The light that late forsook
    Their chambers, there doth rise
      Mysteriously yet
    A radiance thence that glows
  On brows of them, the great and wise,
  Poets and men of prophecies,
  Who, with looks of strange repose,
  Calm, exalted, here have met
  Him to follow to his grave.
  Well they know he's crossed their bound,
  Yet, with baffled longing brave,
  Seek with him the depths to sound
  That gulf our lonely life around.
  Oh, on these mortal faces frail
    What immortality
    Falls from the death-light pale!

  Ev'n thus the path unto thy tomb,
  Sumner, all our brave and good
  Still shall pace through time to come,
  For in distant Auburn wood
  Seeing the glimmer of thy stone,
  They a shaft shall deem it, thrown
  From a dawn beyond the deep,
      And so haste with thee to keep
        Angelic brotherhood!
        O herald, gone before,
        For these throw wide the door,
        Make room, make room!

        Now, music, cease,
  And bitter brazen trumpets hold your peace!
      Now, while the dumb, white air
      Draws from our still despair
        A purer prayer.
        Then must the sod
      Fulfill its humble share,
      Meek-folded o'er his breast,
  Here where he lies amongst the waiting trees:
  They shall break bud when warm winds from the west
  And southern breezes come to touch the place
      Made precious by this grace
      Of memory dear to God.

  We leave him where the granite Lion lies
  And gazes toward the East, with woman's eyes
  That read the riddle of the undying sun,
  Bearing within her breast the stony germ
  Of continents, but--lasting no less firm--
      The memory of those marvels done,
      The battles fought, the words that wrought
      To free a race, and chasten one.
  We leave him where the river slowly winds,
          A broken chain;
  The river that so late its hero finds,
          Without a stain,
  Whose name so long expectantly it bore;
      And, echoing now a people's thought,
  The Charles shall murmur by this reedy shore
        His fame forevermore.



  ARISE, AMERICAN!

  The soul of a nation awaking,--
    High visions of daybreak I saw,
  And the stir of a state, the forsaking
    Of sin, and the worship of law.

  O pine-tree, shout! And hoarser
    Rush, river, unto the sea,
  Foam-fettered and sun-flushed, a courser
    That feels the prairie, free!

  Our birth-star beckons to trial
    All faith of the far-fled years,
  Ere scorn was our share, and denial,
    Or laughter for patriot's tears.

  And lo, Faith comes forth the finer
    From trampled thickets of fire,
  And the orient opens diviner
    Before her; the heaven lifts higher.

  O deep, sweet eyes, and severer
    Than steel! he knoweth who comes,
  Thy hero: bend thine eyes nearer!
    Now wilder than battle-drums

  Thy glance in his blood is stirring!
    His heart is alive like the main
  When the roweled winds are spurring,
    And the broad tides shoreward strain.

  O hero, art thou among us?
    O helper, hidest thou still?
  Why hath he no anthem sung us,
    Why waiteth, nor worketh our will?

  For still a smirk or a favor
    Can hide the face of the false;
  And the old-time Faith seeks braver
    Upholders, and sacreder walls.

  Yea, cunning is Christian evil,
    And subtle the conscience' snare;
  But virtue's volcanic upheaval
    Shall cast fine device to the air!

  Too long has the land's soul slumbered,
    And triumph bred dangerous ease,--
  Our victories all unnumbered,
    Our feet on the down-bowed seas.

  Come, then, simple and stalwart
    Life of the earlier days!
  Come! Far better than all were it--
    Our precepts, our prayers, and our lays--

  That the heart of the people should tremble
    Accord to some mighty one's voice,
  The helpless atoms assemble
    In music, their valor to poise.

  Come to us, mountain-dweller,
    Leader, wherever thou art,
  Skilled from thy cradle, a queller
    Of serpents, and sound to the heart!

  Modest, and mighty, and tender,
    Man of an iron mold,
  Learned or unlearned, our defender,
    American-souled!



  THE SILENT TIDE

  A tangled orchard round the farm-house spreads,
  Wherein it stands home-like, but desolate,
  'Midst crowded and uneven-statured sheds,
  Alike by rain and sunshine sadly stained.
  A quiet country-road before the door
  Runs, gathering close its ruts to scale the hill--
  A sudden bluff on the New Hampshire coast,
  That rises rough against the sea, and hangs
  Crested above the bowlder-sprinkled beach.
  And on the road white houses small are strung
  Like threaded beads, with intervals. The church
  Tops the rough hill; then comes the wheelwright's shop.

  From orchard, church, and shop you hear the sea,
  And from the farm-house windows see it strike
  Sharp gleams through slender arching apple-boughs.

  Sea-like, too, echoing round me here there rolls
  A surging sorrow; and even so there breaks
  A smitten light of woe upon me, now,
  Seeing this place, and telling o'er again
  The tale of those who dwelt here once. Long since
  It was, and they were two--two brothers, bound
  By early orphanage and solitude
  The closer, cleaving strongly each to each,
  Till love, that held them many years in gage,
  Itself swept them asunder. I have heard
  The story from old Deacon Snow, their friend,
  He who was boy and man with them. A boy!
  What, he? How strange it seems! who now is stiff
  And warped with life's fierce heat and cold: his brows
  Are hoary white, and on his head the hairs
  Stand sparse as wheat-stalks on the bare field's edge!

  Reuben and Jerry they were named; but two
  Of common blood and nurture scarce were found
  More sharply different. For the first was bold,
  Breeze-like and bold to come or go; not rash,
  But shrewdly generous, popular, and boon:
  And Jerry, dark and sad-faced. Whether least
  He loved himself or neighbor none could tell,
  So cold he seemed in wonted sympathy.
  Yet he would ponder an hour at a time
  Upon a bird found dead; and much he loved
  To brood i' th' shade of yon wind-wavered pines.
  Often at night, too, he would wander forth,
  Lured by the hollow rumbling of the sea
  In moonlight breaking, there to learn wild things,
  Such as these dreamers pluck out of the dusk
  While other men lie sleeping. But a star,
  Rose on his sight, at last, with power to rule
  Majestically mild that deep-domed sky,
  High as youth's hopes, that stood above his soul;
  And, ruling, led him dayward. That was Grace,
  I mean Grace Brierly, daughter of the squire,
  Rivaling the wheelwright Hungerford's shy Ruth
  For beauty. Therefore, in the sunny field,
  Mowing the clover-purpled grass, or, waked
  In keen December dawns,--while creeping light
  And winter-tides beneath the pallid stars
  Stole o'er the marsh together,--a thought of her
  Would turn him cool or warm, like the south breeze,
  And make him blithe or bitter. Alas for him!
  Eagerly storing golden thoughts of her,
  He locked a phantom treasure in his breast.

  He sought to chain the breezes, and to lift
  A perfume as a pearl before his eyes--
  Intangible delight! A time drew on
  When from these twilight musings on his hopes
  He woke, and found the morning of his love
  Blasted, and all its rays shorn suddenly.
  For Reuben, too, had turned his eye on Grace,
  And she with favoring face the suit had met,
  Known in the village; this dream-fettered youth
  Perceiving not what passed, until too late.

  One holiday the young folks all had gone
  Strawberrying, with the village Sabbath-school;
  Reuben and Grace and Jerry, Ruth, Rob Snow,
  And all their friends, youth-mates that buoyantly
  Bore out 'gainst Time's armadas, like a fleet
  Of fair ships, sunlit, braced by buffeting winds,
  Indomitably brave; but, soon or late,
  Battle and hurricane or whirl them deep
  Below to death, or send them homeward, seared
  By shot and storm: so went they forth, that day.

  Two wagons full of rosy children rolled
  Along the rutty track, 'twixt swamp and slope,
  Through deep, green-glimmering woods, and out at last
  On grassy table-land, warm with the sun
  And yielding tributary odors wild
  Of strawberry, late June-rose, juniper,
  Where sea and land breeze mingled. There a brook
  Through a bare hollow flashing, spurted, purled,
  And shot away, yet stayed--a light and grace
  Unconscious and unceasing. And thick pines,
  Hard by, drew darkly far away their dim
  And sheltering, cool arcades. So all dismount,
  And fields and forest gladden with their shout;
  Ball, swing, and see-saw sending the light hearts
  Of the children high o'er earth and everything.
  While some staid, kindly women draw and spread
  In pine-shade the long whiteness of a cloth,
  The rest, a busy legion, o'er the grass
  Kneeling, must rifle the meadow of its fruit.

  O laughing Fate! O treachery of truth
  To royal hopes youth bows before! That day,
  Ev'n there where life in such glad measure beat
  Its round, with winds and waters, tunefully,
  And birds made music in the matted wood,
  The shaft of death reached Jerry's heart: he saw
  The sweet conspiracy of those two lives,
  In looks and gestures read his doom, and heard
  Their laughter ring to the grave all mirth of his.

  So Reuben's life in full leaf stood, its fruit
  Hidden in a green expectancy; but all
  His days were rounded with ripe consciousness:
  While Jerry felt the winter's whitening blight,
  As when that frosty fern-work and those palms
  Of visionary leaf, and trailing vines,
  Quaint-chased by night-winds on the pane, melt off,
  And naked earth, stone-stiff, with bristling trees,
  Stares in the winter sunlight coldly through.
  But yet he rose, and clothed himself amain
  With misery, and once more put on life
  As a stained garment. Highly he resolved
  To make his deedless days henceforward strike
  Pure harmony--a psalm of silences.

  But on the Sunday, coming from the church,
  He saw those happy, plighted lovers walk
  Before proud Grace's father, and of friends
  Heard comment and congratulation given.
  Then with Rob Snow he hurried to the beach,
  To a rough heap of stones they two had reared
  In boyhood. There the two held sad debate
  Of life's swift losses, Bob inspiriting still,
  Jerry rejecting hope, ev'n though his friend,
  Self-wounding (for he loved Ruth Hungerford),
  Told how the wheelwright's daughter longed for him,
  And yet might make him glad, though Grace was lost.

  The season deepened, and in Jerry's heart
  Ripened a thought charged with grave consequence.
  His grief he would have stifled at its birth,
  Sad child of frustrate longing! But anon--
  Knowledge of Ruth's affection being revealed,
  Which, if he stayed to let it feed on him,
  Vine-like might wreathe and wind about his life,
  Lifting all shade and sweetness out of reach
  Of Robert, so long his friend--honor, and hopes
  He would not name, kindled a torch for war
  Of various impulse in him. Reuben wedded;
  Yet Jerry lingered. Then, swift whisperings
  Along reverberant walls of gossips' ears
  Hummed loud and louder a love for Ruth. Grace, too,
  Involved him in a web of soft surmise
  With Ruth; and Reuben questioned him thereof.
  But a white, sudden anger struck like a bolt
  O'er Jerry's face, that blackened under it:
  He strode away, and left his brother dazed,
  With red rush of offended self-conceit
  Staining his forehead to the hair. This flash
  Of anger--first since boyhood's wholesome strifes--
  On Jerry's path gleamed lurid; by its light
  He shaped a life's course out.

                             There came a storm
  One night. He bade farewell to Ruth; and when
  Above the seas the bare-browed dawn arose,
  While the last laggard drops ran off the eaves,
  He dressed, but took some customary garb
  On his arm; stole swiftly to the sands; and there
  Cast clown his garments by the ancient heap
  Of stones. At first brief pause he made, and thought:
  "And thus I play, to win perchance a tear
  From her whom, first, to save the smallest care,
  I thought I could have died!" But then at once
  Within the sweep of swirling water-planes
  That from the great waves circled up and slid
  Instantly back, passing far down the shore,
  Southward he made his way. Next day he shipped
  Upon a whaler outward bound. She spread
  Her mighty wings, and bore him far away--
  So far, Death seemed across her wake to stalk,
  Withering her swift shape from the empty air,
  Until her memory grew a faded dream.

  Ah, what a desolate brightness that young day
  Flung o'er the impassive strand and dull green marsh
  And green-arched orchard, ere it struck the farm!
  Storm-strengthened, clear, and cool the morning rose
  To gaze down on that frighted home, where dawned
  Pale Ruth's discovery of her loss, who late,
  Guessing some ill in Jerry's last-night words
  Of vague farewell, woke now to certainty
  Of strange disaster. So, when Reuben and Rob,
  Hither and thither searching, with locked lips
  And eyes grown suddenly cold in eager dread,
  On those still sands beside the untamed sea,
  Came to the garments Jerry had thrown there, dumb
  They stood, and knew he'd perished. If by chance
  Borne out with undertow and rolled beneath
  The gaping surge, or rushing on his death
  Free-willed, they would not guess; but straight they set
  Themselves to watch the changes of the sea--
  The watchful sea that would not be betrayed,
  The surly flood that echoed their suspense
  With hollow-sounding horror. Thus three tides
  Hurled on the beach their empty spray, and brought
  Nor doubt-dispelling death, nor new-born hope.
  But with the fourth slow turn at length there came
  A naked, drifting body impelled to shore,
  An unknown sailor by the late storm swept
  Out of the rigging of some laboring ship.
  And him, disfigured by the water's wear,
  The watching friends supposed their dead; and so,
  Mourning, took up this outcast of the deep,
  And buried him, with church-rite and with pall
  Trailing, and train of sad-eyed mourners, there
  In the old orchard-lot by Reuben's door.

  Observed among the mourners walked slight Ruth.
  Her grief had dropped a veil of finer light
  Around her, hedging her with sanctity
  Peculiar; all stood shy about her save
  Rob Snow, he venturing from time to time
  Some small, uncertain act of kindliness.
  Long seemed she vowed from joy, but when the birds
  Began to mate, and quiet violets blow
  Along the brook-side, lo! she smiled again;
  Again the wind-flower color in her cheeks
  Blanch'd in a breath, and bloomed once more; then stayed;
  Till, like the breeze that rumors ripening buds,
  A delicate sense crept through the air that soon
  These two would scale the church-crowned hill, and wed.

  The seasons faced the world, and fled, and came.
  In summer nights, the soft roll of the sea
  Was shattered, resonant, beneath a moon
  That, silent, seemed to hearken. And every hour
  In autumn, night or day, large apples fell
  Without rebound to earth, upon the sod
  There mounded greenly by the large slate slab
  In the old orchard-lot near Reuben's door.
  But there were changes: after some long years
  Reuben and Grace beheld a brave young boy
  Bearing their double life abroad in one--
  Beginning new the world, and bringing hopes
  That in their path fell flower-like. Not at ease
  They dwelt, though; for a slow discordancy
  Of temper--weak-willed waste of life in bursts
  Of petulance--had marred their happiness.
  And so the boy, young Reuben, as he grew,
  Was chafed and vexed by this ill-fitting mode
  Of life forced on him, and rebelled. Too oft
  Brooding alone, he shaped loose schemes of flight
  Into the joyous outer world, to break
  From the unwholesome wranglings of his home.
  Then once, when at some slight demur he made,
  Dispute ensued between the man and wife,
  He burst forth, goaded, "Some day I will leave--
  Leave you forever!" And his father stared,
  Lifted and clenched his hand, but let it unloose,
  Nerveless. The blow, unstruck, yet quivered through
  The boy's whole body.

                        Waiting for the night,
  Reuben made ready, lifted latch, went forth;
  Then, with his little bundle in his hand,
  Took the bleak road that led him to the world.
  When Jerry eighteen years had sailed, had bared
  His hurt soul to the pitiless sun and drunk
  The rainy brew of storms on all seas, tired
  Of wreck and fever and renewed mischance
  That would not end in death, a longing stirred
  Within him to revisit that gray coast
  Where he was born. He landed at the port
  Whence first he sailed; and, as in fervid youth,
  Set forth upon the highway, to walk home.
  Some hoarding he had made, wherewith to enrich
  His brother's brood for spendthrift purposes;
  And as he walked he wondered how they looked,
  How tall they were, how many there might be.
  At noon he set himself beside the way,
  Under a clump of willows sprouting dense
  O'er the weed-woven margin of a brook;
  While in the fine green branches overhead
  Song-sparrows lightly perched, for whom he threw
  From his scant bread some crumbs, remembering well
  Old days when he had played with birds like these--
  The same, perhaps, or grandfathers of theirs,
  Or earlier still progenitors: whereat
  They chirped and chattered louder than before.
  But, as he sat, a boy came down the road,
  Stirring the noontide dust with laggard feet.
  Young Reuben 't was, who seaward made his way.
  And Jerry hailed him, carelessly, his mood
  Moving to salutation, and the boy,
  From under his torn hat-brim looking, answered.
  Then, seeing that he eyed his scrap of bread,
  The sailor bade him come and share it. So
  They fell to talk; and Jerry, with a rough,
  Quick-touching kindness, the boy's heart so moved
  That unto him he all his wrong confessed.
  Gravely the sailor looked at him, and told
  His own tale of mad flight and wandering; how,
  Wasted he had come back, his life a husk
  Of withered seeds, a raveled purse, though once
  With golden years well stocked, all squandered now.
  At ending, he prevailed, and Reub was won
  To turn and follow. Jerry, though he knew
  Not yet the father's name, said he that way
  Was going, too, and he would intercede
  Between the truant and his father. Back
  Together then they went. But on the way,
  As now they passed from pines to farming-land,
  The boy asked more. "'T is queer you should have come
  From these same parts, and run away like me!
  You did not tell me how it happened."


  JERRY.

                                           Foolish,
  All of it! But I thought it weightier
  Than the world's history, once. I could not stay
  And see my brother married to the girl
  I loved; and so I went.


  THE BOY.

                                      I had an uncle
  That was in love. But he--he drowned himself.
  Why do men do so?


  JERRY.

                          Drowned himself? And when?


  THE BOY.

  I don't know. Long ago; it's like a dream
  To me. I was not born then. Deacon Snow
  Has told me something of it. Mother cries
  Even now, beside his grave. Poor uncle!


  JERRY.

                                          His grave!
  (_That_ could not be, then.) Yet if it should be,
  How can I think Grace cried--


  THE BOY.

                                    How did you know
  My mother's name was Grace?


  JERRY.

                                       I am confused
  By what you say. But is your mother's name
  Grace? How! Grace, too?

                                A strange uneasiness
  In Jerry's breast had waked. They walked awhile
  In silence. This he could not well believe,
  That Grace and Reuben unhappy were, nor that
  One son alone was theirs. Therefore aside
  He thrust that hidden, sharp foreboding: still
  He trusted, still sustained a calm suspense,
  And ranged among his memories. "Tell me, son,"
  He said, "about this Deacon Snow--Rob Snow
  It must be, I suppose."


  THE BOY.

                                Oh, do you know him?


  JERRY.

  A deacon now! Ay, once I knew Rob Snow--
  A jolly blade, if ever any was,
  And merry as the full moon.


  THE BOY.

                                       He has failed
  A good deal now, though, since his wife died.


  JERRY.

                                               What!
  (Of course; of course; all's changed.) He married!


  THE BOY.

                                                Why,
  How long you must have been away! For since
  I can remember he has had a wife
  And children. She was Gran'ther Hungerford's--


  JERRY.

  Her name was Ruth?


  THE BOY.

                           Yes, Ruth! 'T is after her
  The deacon's nicest daughter's named; _she's_ Ruth.

  Then sadly Jerry pondered, and no more
  Found speech. They tramped on sternly. To the brow
  Of a long hill they came, whence they could see
  The village and blue ocean; then they sank
  Into a region of low-lying fields
  Half-naked from the scythe, and others veined
  With vines that 'midst dismantled, fallen corn
  Dragged all athwart a weight of tawny gourds,
  Sun-mellowed, sound. And now the level way
  Stretched forward eagerly, for hard ahead
  It made the turn that rounded Reuben's house.
  Between the still road and the tossing sea
  Lay the wide swamp, with all its hundred pools
  Reflecting leaden light; anon they passed
  A farm-yard where the noisy chanticleer
  Strutted and ruled, as one long since had done;
  And then the wayside trough with jutting spout
  Of ancient, mossy wood, that still poured forth
  Its liquid largess to all comers. Soon
  A slow cart met them, filled with gathered kelp:
  The salt scent seemed a breath of younger days.
  They reached the road-bend, and the evening shone
  Upon them, calmly. Jerry paused, o'erwhelmed.
  Reuben, surprised, glanced at him, and then said,
  "Yonder's the house." Old Jerry gazed on him,
  And trembled; for before him slowly grew
  Through the boy's face the mingled features there
  Of father and of mother--Grace's mouth,
  Ripe, pouting lips, and Reuben's square-framed eyes.
  But, mastering well his voice, he bade the boy
  Wait by the wall, till he a little while
  Went forward, and prepared. So Reuben stayed;
  And Jerry with uncertain step advanced,
  As dreaming of his youth and this his home.
  Slowly he passed between the gateless posts
  Before the unused front door, slowly too
  Beyond the side porch with its woodbine thick
  Draping autumnal splendor. Thus he came
  Before the kitchen window, where he saw
  A gray-haired woman bent o'er needle-work
  In gathering twilight. And without a voice,
  Rooted, he stood. He stirred not, but his glance
  Burned through the pane; uneasily she turned,
  And seeing that shaggy stranger standing there
  Expectant, shook her head, as though to warn
  Some chance, wayfaring beggar. He, though, stood
  And looked at her immovably. Then, quick
  The sash upthrowing, she made as if to speak
  Harshly; but still he held his quiet eyes
  Upon her. Now she paused; her throat throbbed full;
  Her lips paled suddenly, her wan face flamed,
  A fertile stir of memory strove to work
  Renewal in those features wintry cold.
  And so she hung, while Jerry by a step
  Drawn nearer, coming just beneath her, said,
  "Grace!" And she murmured, "Jerry!" Then she bent
  Over him, clasping his great matted head
  With those worn arms, all joyless; and the tears
  Fell hot upon his forehead from her eyes.
  For now in this dim gloaming their two souls
  Unfruited, by an instant insight wild,
  Delicious, found the full, mysterious clew
  Of individual being, each in each.
  But, tremulously, soon they drew themselves
  Away from that so sweet, so sad embrace,
  The first, the last that could be theirs. Then he,
  Summing his story in a word, a glance,
  Added, "But though you see me broken down
  And poor enough, not empty-handed quite
  I come. For God set in my way a gift,
  The best I could have sought. I bring it you
  In memory of the love I bore. Not now
  Must that again be thought of! Waste and black
  My life's fields lie behind me, and a frost
  Has stilled the music of my hopes, but here
  If I may dwell, nor trouble you, such a joy
  Were mine, I dare not ask it. Oh forgive
  The weakness! Come and see my gift!"

                                               Ah, tears
  Flowed fast, that night, from springs of love unsealed
  Once more within the ancient house--rare tears
  Of reconciliation, grief, and joy!
  A miracle, it seemed, had here been wrought,
  The dead brought back to life. And with him came
  The prodigal, repenting.

                                        So, thenceforth,
  A spirit of peace within the household dwelt.
  In Jerry a swift-sent age these years had brought,
  To soften him, wrought with all the woe at home
  Such open, gracious dignity, that all
  For cheer and guidance learned to look to him.
  But chiefly th' younger Reuben sought his aid,
  And he with homely wisdom shaped the lad
  To a life's loving duty. Yet not long,
  Alas! the kind sea-farer with them stayed.
  After some years his storm-racked body drooped.
  The season came when crickets cease to sing
  And flame-curled leaves fly fast; and Jerry sank
  Softly toward death. Then, on a boisterous morn
  That beat the wrecked woods with incessant gusts
  To wrest some last leaf from them, he arose
  And passed away. But those who loved him watched
  His fading, half in doubt, and half afraid,
  As if he must return again; for now
  Entering the past he seemed, and not a life
  Beyond; and some who thought of that old grave
  In the orchard, dreamed a breath's space that the man
  Long buried had come back, and could not die.
  But so he died, and, ceasing, made request
  Beside that outcast of the deep to lie.
  None other mark desired he but the stone
  Set there long since, though at a stranger's grave,
  In heavy memory of him thought dead.

  They marked the earth with one more mound beside
  The other, near a gap in the low wall
  That looked out seaward. There you ever hear
  The deep, remorseful requiem of the sea;
  And there, in autumn, windfalls, showering thick
  Upon the grave, score the slow, voiceless hours
  With unrebounding stroke. All round about
  Green milkweed rankly thrives, and golden-rod
  Sprouts from his prostrate heart in fine-poised grace
  Of haughty curve, with every crest in flower.










End of Project Gutenberg's Rose and Roof-Tree, by George Parsons Lathrop

*** END OF THIS PROJECT GUTENBERG EBOOK ROSE AND ROOF-TREE ***

***** This file should be named 7110.txt or 7110.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/7/1/1/7110/

Produced by Michelle Shephard, Eric Eldred, Charles Franks
and the Online Distributed Proofreading Team.


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.