summaryrefslogtreecommitdiff
path: root/old/69957-h/69957-h.htm
diff options
context:
space:
mode:
Diffstat (limited to 'old/69957-h/69957-h.htm')
-rw-r--r--old/69957-h/69957-h.htm2396
1 files changed, 0 insertions, 2396 deletions
diff --git a/old/69957-h/69957-h.htm b/old/69957-h/69957-h.htm
deleted file mode 100644
index 9d398a1..0000000
--- a/old/69957-h/69957-h.htm
+++ /dev/null
@@ -1,2396 +0,0 @@
-<!DOCTYPE html>
-<html lang="en">
-<head>
- <meta charset="UTF-8">
- <title>
- Finding Youth | Project Gutenberg
- </title>
- <link rel="icon" href="images/cover.jpg" type="image/x-cover">
- <style>
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2 {
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- text-indent: 1em;
- margin-bottom: .49em;
-}
-
-hr {
- width: 33%;
- margin-top: 2em;
- margin-bottom: 2em;
- margin-left: 33.5%;
- margin-right: 33.5%;
- clear: both;
-}
-
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-
-div.chapter {page-break-before: always;}
-h2.nobreak {page-break-before: avoid;}
-
-.fs80 {font-size: 80%}
-.fs150 {font-size: 150%}
-.fs200 {font-size: 200%}
-
-.pagenum { /* uncomment the next line for invisible page numbers */
- /* visibility: hidden; */
- position: absolute;
- left: 92%;
- font-size: small;
- text-align: right;
- font-style: normal;
- font-weight: normal;
- font-variant: normal;
- text-indent: 0;
- color: #A9A9A9;
-} /* page numbers */
-
-
-.center {text-align: center;}
-
-
-.wsp {word-spacing: 0.3em;}
-
-.smcap {font-variant: small-caps;}
-
-/* Images */
-
-img {
- max-width: 100%;
- height: auto;
-}
-
-
-.figcenter {
- margin: auto;
- text-align: center;
- page-break-inside: avoid;
- max-width: 100%;
-}
-
-/* Transcriber's notes */
-.transnote {background-color: #E6E6FA;
- color: black;
- font-size:small;
- padding:0.5em;
- margin-bottom:5em;
- font-family:sans-serif, serif;
-}
-
-div.centered_image {
- width: 20%;
- margin: 1em 40%;
-}
-div.centered_image img {
- width: 100%;
-}
-
-p.drop-cap {
- text-indent: 0em;
-}
-p.drop-cap:first-letter
-{
- float: left;
- margin: 0em 0.1em 0em 0em;
- font-size: 250%;
- line-height:0.85em;
-}
-
-.no-indent {text-indent: 0em;}
-
-.blockquot {
- margin-left: 5%;
- margin-right: 10%;
-}
-
- </style>
-</head>
-<body>
-<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Finding Youth, by Nelson Andrews</p>
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Title: Finding Youth</p>
-<p style='display:block; margin-left:2em; text-indent:0; margin-top:0; margin-bottom:1em;'>A human experience</p>
-<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: Nelson Andrews</p>
-<p style='display:block; text-indent:0; margin:1em 0'>Release Date: February 4, 2023 [eBook #69957]</p>
-<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p>
- <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Bob Taylor, hekula03 and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)</p>
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK FINDING YOUTH ***</div>
-
-<div class="figcenter" style="width: 65%">
-<img src="images/cover.jpg" alt="Cover">
-</div>
-<hr class="chap x-ebookmaker-drop">
-
-<div class="chapter"></div>
-
-<h1>FINDING YOUTH</h1>
-<hr class="chap x-ebookmaker-drop">
-
-<div class="chapter">
-<p class="center fs200">FINDING YOUTH</p>
-<br>
-<p class="center fs150"><em>A Human Experience</em></p>
-<br>
-<p class="center fs80">BY</p>
-<p class="center fs150"><span class="smcap">Nelson Andrews</span></p>
-<br>
-<div class="centered_image">
- <img src="images/decoration.jpg" alt="decoration">
-</div>
-<br>
-<br>
-<p class="center wsp">THE ATLANTIC MONTHLY PRESS<br>
-BOSTON</p>
-</div>
-<hr class="chap x-ebookmaker-drop">
-
-
-<div class="chapter">
-<p class="center no-indent">
-Copyright 1921, 1922<br>
-by<br>
-FRED G. ANDREWS<br>
-Santa Barbara<br>
-California<br>
-</p>
-</div>
-
-<hr class="chap x-ebookmaker-drop">
-
-<div class="chapter">
-
-<div class="blockquot">
-<p><em>The reader of these pages need scarcely be told that
-there is truth in them, and a deeper truth in the lesson
-that they teach. For this chronicle, in its essentials,
-might have been written of many a life other than his
-whose simple story is here set down.</em></p>
-</div></div>
-
-<hr class="chap x-ebookmaker-drop">
-
-<p><span class="pagenum" id="Page_1">[Pg 1]</span></p>
-
-<div class="chapter">
-<p class="center fs200">FINDING YOUTH</p>
-</div>
-
-<h2 class="nobreak" id="I">I</h2>
-
-<p class="drop-cap">This story is told because others
-need to know it. They need to
-know it now, when all the world is making
-a blind struggle to find youth-a
-new creative spirit.</p>
-
-<p>It is the experience of just a common,
-everyday man-myself. But thousands
-of others have gone through my
-same experience. They are not finding
-the help, though, that I found. It is
-because I found this help-found something
-that man has always been seeking-that
-I feel impelled to tell my story.</p>
-
-<p>My name is Harvey Allen. I was born
-in New York City and had lived there
-all my life. When the Big Thing happened,
-I was sixty years old. My wife
-and I had two sons, both married. We
-had six grandchildren.</p>
-
-<p>We had lived in the same Harlem
-apartment for twenty years-with front<span class="pagenum" id="Page_2">[Pg 2]</span>
-windows looking out on the street, side
-air-shafts, and a rear view of clotheslines
-and fire-escapes. I never see a
-clothesline now that I don’t think of
-that day in October.</p>
-
-<p>The neighborhood had changed since
-our coming. The Ghetto had expanded
-and taken us in. The color-line was
-drawn just a block away, in the next
-street. But the place was home, and we
-had stuck there.</p>
-
-<p>One of our sons, Walter, lived in Yonkers.
-The younger son, George, lived
-over in Brooklyn. We didn’t see either
-of them often. They both worked hard
-to support their families. Evenings and
-Sundays they had their different family
-interests; and their wives had their own
-relatives to visit.</p>
-
-<p>My wife, however, made frequent
-trips to their homes. She helped our
-daughters-in-law by doing most of the
-sewing for the grandchildren. But she
-always returned in time to have my dinner
-ready at night, when I got home
-tired from my day’s work. She has<span class="pagenum" id="Page_3">[Pg 3]</span>
-never neglected me. Our youthful love
-affair was a good deal romantic, and we
-have always been real pals. She is a
-descendant of one of the old New York
-families of the best American pioneer
-blood.</p>
-
-<p>Sometimes of an evening we went to a
-picture-show. But we had dropped into
-the habit of spending most of our evenings
-at home. Occasionally some old
-friend would call; or Miss Marsh, who
-had a small room in the apartment across
-the hall, would drop in for a few minutes.
-But I usually read aloud, and my wife
-sewed. We both have always been great
-book-lovers.</p>
-
-<p>I have never lost my youthful satisfaction
-in just being with my wife. I
-liked to look and see her seated there by
-the table, her white head bent above her
-sewing, and the rays from the droplight
-falling across her hands. Her slight
-figure always carried an air about it; and
-her hands were shapely and delicate, in
-spite of all the hard work she had done.
-Her hair still kept its girlish curl, and she<span class="pagenum" id="Page_4">[Pg 4]</span>
-wore it in a loose Grecian knot at the
-back of her head. She wore her cheap
-clothes, too, with the distinction of a
-New Yorker.</p>
-
-<p>Whenever she felt my gaze, she would
-lift her eyes and smile at me across the
-table. I waited for this smile. A certain
-light in her soft brown eyes has
-never failed to fascinate me.</p>
-
-<p>Whenever Miss Marsh dropped in, I
-would let my wife entertain her. I
-would smoke my pipe and read to myself.
-Miss Marsh got on my nerves. She was
-from the South; had seen better days,
-but was now clerking in a dry-goods
-store on One Hundred and Twenty-Fifth
-Street. She was a thin, little old
-maid, who tried to be girlish. She
-laughed and gushed a good deal, and
-dyed her hair and painted her face.
-But my wife, who is kind to everyone,
-always defended her.</p>
-
-<p>“Poor little thing! If she didn’t try
-to keep up her spirits and look as young
-as possible, she’d lose her position in the
-store. And she does say some sharp,<span class="pagenum" id="Page_5">[Pg 5]</span>
-bright things. She leads a lonely life.
-And I don’t believe she has enough to
-eat.”</p>
-
-<p>I can tell these things now about Miss
-Marsh; for later she and I came to understand
-each other better.</p>
-
-<p>I worked in a downtown printing-plant.
-It was an old established concern,
-and I had worked there for years. I had
-been foreman in one of the departments
-until they put in a younger man. When
-the old proprietor died, and his son
-stepped into the father’s shoes, a good
-many changes were made. The son was
-a modern efficiency man.</p>
-
-<p>It cut pretty deeply into my pride to
-be shifted around from one job to
-another-each a little inferior to the
-former and commanding less pay-and
-then being always finally misplaced by a
-younger man. But I swallowed it all and
-stayed on. I knew that jobs were not
-lying around loose for men of my years.
-My long experience mended a good many
-blunders made by the younger chaps in
-the plant. They acknowledged it, too,<span class="pagenum" id="Page_6">[Pg 6]</span>
-whenever I jokingly told them. But at
-the same time they smiled indulgence of
-“old Pop,” as they all called me.</p>
-
-<p>I took this title goodnaturedly, but
-something in me always shrank from it a
-little. It was from the patronage of
-youth that I shrank-a patronage just
-tinged with contempt for my years. But
-I shrank more from their pity the day
-that I finally got my discharge. And
-they did pity me, for they all liked me.
-I know that my sense of humor made
-me popular with them.</p>
-
-<p>The discharge came unexpectedly,
-though I had been fearing and dreading
-it for a long time. This fear and dread
-had begun to look out of my eyes. I
-caught it sometimes in the mirror, and
-felt a pride of resentment against it, as
-something that hurt my self-respect.
-But what hurt me worse was the knowledge
-that my wife saw it, too. I shrank
-sensitively from any depreciation of myself
-in her feelings. My masculine pride
-wanted to keep her always impressed
-with my strength.</p>
-
-<p><span class="pagenum" id="Page_7">[Pg 7]</span></p>
-
-<p>She never said anything; but at times
-I could feel her anxiously watching me.
-There was a sympathetic encouragement
-in her smile, and in the press of her hand
-on my arm after she had kissed me good-bye
-when I was starting to work in the
-morning. I always met this smile with
-one of whimsical reassurance. But we
-both had the feeling of bluffing some
-menacing calamity. And when I walked
-away, my shoulders drooped under this
-cringing new self-consciousness, and
-my feet shuffled heavily. I had always
-walked upright and with a spring. I realized
-these changes in myself and resented
-them. But somehow I didn’t seem to
-have the power to throw them off.</p>
-
-<p>The boss who discharged me hated to
-do it, and was as kind about it as he possibly
-could be. He assured me that it
-was not because I wasn’t doing my work
-well. Then, realizing that this was an
-unnecessary thing to say, he cleared his
-throat, embarrassed. They all knew
-there was no part of a printer’s work that
-I didn’t understand and couldn’t do.<span class="pagenum" id="Page_8">[Pg 8]</span>
-But the new management’s policy was
-for young men. My only fault was accumulated
-years.</p>
-
-<p>“You’ve done your share of work,
-anyhow, Pop,” he said; “now it’s up to
-your two boys to take care of you. You
-worked hard for ’em, and fitted ’em with
-the best kind of training to make their
-own way.”</p>
-
-<p>That’s the conventional balm always
-put on this kind of hurt. Guess I smiled
-a little ironically. My two boys were
-having a pretty hard struggle to take
-care of the responsibilities they already
-had. George had had a good deal of
-sickness in his family, and Walter was
-supporting his wife’s parents. I had
-been letting them both have money.</p>
-
-<p>It wouldn’t have been quite so hard if
-they had waited until Saturday night to
-discharge me. But they didn’t. It was
-Tuesday morning. And they were going
-to give me a full week’s pay because of
-my long service. They meant to be kind,
-of course, in their way-trying to let
-me down easy. But the offer of the full<span class="pagenum" id="Page_9">[Pg 9]</span>
-week’s pay added to my humiliation and
-stirred in me a lot of bitterness. My
-head went hot for a minute and the
-blood drummed in my ears. But I managed
-to speak quietly, and smiled when
-I said,-</p>
-
-<p>“I only want what’s owing me. I’ve
-always worked for all I got.”</p>
-
-<p>In going over this scene so many times
-since, I know that I felt something
-deeper than just my own bitter resentment.
-I had a vague sort of feeling that
-it was up to me to stand for the justice
-due to other men of my years, in my same
-fix. These fraternal bonds are in our
-blood.</p>
-
-<p>The boss tried to expostulate. I stood
-firm. And they finally made out my
-time. I took what was due me, and the
-boss and I shook hands. I could feel him
-watching me until I got out of the office.
-I knew the kind of look that was in his
-face, but I didn’t turn around to see.</p>
-<hr class="chap x-ebookmaker-drop">
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_10">[Pg 10]</span></p>
-
-<h2 class="nobreak" id="II">II</h2>
-</div>
-
-
-<p class="drop-cap">Leaving the plant that day was
-the hardest thing I have ever done.
-My first impulse was to get my coat and
-hat and just slip away. But my pride
-would not let me do that. So I braced
-and went back to the room where I had
-been working. I told some of the fellows
-with whom I was the best acquainted
-that I had been fired; and shook hands
-with them in farewell.</p>
-
-<p>There was a pretty tight feeling in my
-throat. But they helped me to try and
-carry the thing off as something of a
-joke. I could see the pity, though, in
-their eyes.</p>
-
-<p>It was raining-a cold, drizzling,
-late-October rain. But I did not notice
-it. I took the same old route I had taken
-for years, to the Sixth Avenue Elevated
-station.</p>
-
-<p>I did not remember, however, until I
-started up the station steps, that it was<span class="pagenum" id="Page_11">[Pg 11]</span>
-forenoon and not my usual time for
-going home. Then I halted and moved
-back again to the sidewalk, and stood
-there in the rain. I understood later why
-I had done this. I had been suddenly
-jerked out of a deep rut of habit, and
-was dazed at finding myself in new conditions.
-Then, too, I was weighted,
-groggy, with the aching depression that
-I was done for, out of the game-old.</p>
-
-<p>I dreaded to go home and tell my wife.
-If I had been a drinking man, I should
-have gone off on a drunk.</p>
-
-<p>People jostled by me on their way up
-the stairs to the Elevated. Dripping umbrellas
-swished against me. My overcoat
-was wet, and the rain trickled from
-my hat-brim. But I stood there lost,
-dead-like one just sent out of life.</p>
-
-<p>Then my gaze was suddenly caught by
-an old chap who sold newspapers in this
-district. I often bought my evening
-paper from him. He was a little old fellow,
-with watery eyes, a stubby beard,
-and straight gray hair that grew a little
-long. He had one incongruous feature,<span class="pagenum" id="Page_12">[Pg 12]</span>
-though-good teeth that were kept
-clean. I had always noticed them. My
-vague interest in him had tabulated him
-a boozer. But to-day I watched him
-with a new and curious fascination.</p>
-
-<p>He had halted in a doorway, and stood
-there, hunched up, with his newspapers
-under his arm. He still wore a summer’s
-stained and battered straw hat, and a
-dirty bandana handkerchief was tied
-about his neck. He was wet and pinched
-with the cold. He had turned up the collar
-of his old coat, and stood with one
-hand in his trousers pocket, as with the
-effort to coax a little warmth. For the
-minute, he had forgotten everything but
-his own discomfort. The hopeless misery
-of the man looked out of his watery eyes.</p>
-
-<p>A dull sympathy of understanding
-stirred in me. The next instant I resented
-this feeling. I resented it because
-it put me in this old chap’s class. Then
-the man’s necessity to live pushed him
-on again to work. He started in my direction,
-calling out his papers in a
-cracked and wheezy voice.</p>
-
-<p><span class="pagenum" id="Page_13">[Pg 13]</span></p>
-
-<p>I bought a paper from him and started
-across the street. I had the feeling of
-hurrying away from something that was
-clutching at me-as a man, using his
-last spurt of strength to swim for his own
-life, tries to keep away from the reach of
-another who is drowning. But I couldn’t
-get away from this old fellow. The picture
-of him filled my inner vision. The
-feeling of him pulsed through my blood.
-We truly <em>were</em> in the same class-both
-old, and both on the edge of life making
-our struggle.</p>
-
-<p>It was noon. I went into a Child’s
-restaurant and bought a cup of coffee.
-That brought me back nearer to normal.
-I decided to look for another job. Having
-secured that, I could face my wife
-with more of encouragement.</p>
-
-<p>All that afternoon I went from one
-printing-office to another. But they all
-turned me down. Of course, my rain-soaked
-appearance did not inspire much
-confidence. Had I waited, and gone the
-rounds looking a little less down-and-out,
-I might have met with success. But<span class="pagenum" id="Page_14">[Pg 14]</span>
-later experience has made me feel that it
-would have made small difference.</p>
-
-<p>After each refusal I grew a few years
-older. I tried to make my sense of
-humor work a little. But it wouldn’t.
-That and every other part of my being
-was caught in the grip of a shrinking
-fear. By the time I turned into the doorway
-of my own Harlem apartment house
-I was a shuffling old man.</p>
-
-<p>The halls of the house, as usual, were
-filled with the odors of Kosher cooking.
-I dragged up the one flight of stairs and
-fumbled the key into the lock of my own
-door. Downstairs the front door opened
-and closed. Someone had come in. A
-quick panic seized me that it might be
-Miss Marsh. I hurried into my own
-apartment to escape her. I was feeling
-now a new shrinking from Miss
-Marsh.</p>
-
-<p>My wife was not at home. I remembered
-that she had said at breakfast that
-she was going over to Brooklyn to see the
-two grandchildren who had been sick.
-She might have been held up in the subway.<span class="pagenum" id="Page_15">[Pg 15]</span>
-But I was home more than an
-hour earlier than my usual time.</p>
-
-<p>My first feeling was one of relief, not
-to find her there. It gave me the chance
-to change my wet clothing before she
-came. The rooms smelled of the newly
-generated steam hissing up in the pipes.
-The heat felt good. I took off my wet
-clothes and hung them on two chairs
-by the front-room radiator.</p>
-
-<p>When I had finished dressing, my
-wife had not yet come. I filled the teakettle
-and put it on the gas-range in the
-kitchen. Then I turned on the light in
-the dining-room, and sat down by the
-table to read the want advertisements in
-the evening paper.</p>
-
-<p>But my thoughts were not on the advertisements:
-they were seething with
-other things. Here, in the seclusion and
-comfort of my own home, they began to
-work more clearly. I finally threw the
-newspaper on the table, rose, dropped
-into the old rocker by the window, and
-let myself think. I have always been
-something of a philosopher; and I faced<span class="pagenum" id="Page_16">[Pg 16]</span>
-my situation now with more of that
-spirit.</p>
-
-<p>I, Harvey Allen, was sound and well,
-with fair intelligence, and a thorough
-knowledge of my work, gained by long
-experience. I had never been a drinking
-man, but had worked steadily, and had
-always been reliable. Yet, because I was
-sixty years of age, I was being thrown on
-the dump-heap. My father had lived to
-be eighty-four. In all probability I
-should live to be as old. That would
-mean twenty-four years on the dump-heap.
-Twenty-four years!-over a
-fourth of my existence. It was not
-good social business. Something was
-wrong. We don’t allow that waste with
-a horse or cow.</p>
-
-<p>I had worked steadily for wages ever
-since I was seventeen years old. Most
-folks would say that I ought to have
-laid up enough to take care of myself and
-wife during our old age. Perhaps I
-ought. But I hadn’t. My present bank-account
-was about a hundred dollars.</p>
-
-<p>During the twenty years in which we<span class="pagenum" id="Page_17">[Pg 17]</span>
-had lived in this little dark New York
-apartment I had paid between ten and
-eleven thousand dollars in rent. Then
-there had been the expense of educating
-our two boys. It had been a big expense.
-For both my wife and I had wanted them
-to have the best. We had given them
-both technical educations at Cornell.
-Of course, they themselves had helped
-some. Then they had married young.
-Babies had come fast. I had had to help
-tide them over some financial rocks. And
-of late years my wages had been steadily
-decreasing.</p>
-
-<p>Perhaps I had not been as provident
-as I should. But we had never spent
-money very wildly. I sent a look around
-the apartment. Everything we had was
-old. No new thing had been bought in
-the home for years. The only real extravagance
-had been the piano. But
-that had seemed almost a necessity to my
-wife, who loved music, and tried to keep
-up a little in her playing. And I had
-paid my debts; had always taken pride
-in never owing any man a cent. In fact,<span class="pagenum" id="Page_18">[Pg 18]</span>
-nothing had ever worried me more than
-indebtedness. But now-I cringed.</p>
-
-<p>The boss had said that it was up to my
-two boys to take care of me. Why
-should it be? They had their children to
-care for and educate, just as I had had
-mine. Their first duty was that of
-fathers. Besides, even though they
-could, I didn’t want them to take care of
-me. All I asked was the opportunity to
-work and take care of myself and my
-wife, who was dependent upon me.</p>
-
-<p>Then my gaze turned out of the window.
-It was still raining. The woman
-in the apartment up above had left some
-washing hanging on the line-some
-suits of men’s underwear. The lights
-from the back windows shone upon them.
-They flopped about weakly in the drizzling
-storm. Somehow they brought
-back to my mind the picture of the old
-chap standing that morning in the downtown
-doorway, his newspapers tucked
-under his arm, a helpless victim of the
-storm. It stirred, too, a vague, uneasy
-sense of affinity in me.</p>
-
-<p><span class="pagenum" id="Page_19">[Pg 19]</span></p>
-
-<p>The clock struck. I roused from my
-thoughts and began to feel a little
-anxious about my wife. It was most unusual
-for her to be as late as this. I
-decided to telephone over to George’s
-and learn if she had started. I was just
-taking down the receiver, when I heard
-her key scrape in the lock. I went
-quickly and opened the door for her. She
-came in breathless from having hurried.
-I followed her into the dining-room, and
-saw that she was looking white and
-anxious. George was sick. Had pneumonia.
-He had been sitting up nights
-with his sick children, was all worn out,
-and had taken cold. George, who is the
-younger, has always been the less robust
-of our two boys.</p>
-
-<p>“I should have gone over and relieved
-him of the care of the children,”
-my wife said, with the pain of self-censure
-in her face. “But I’m going back
-now to take care of him. I’ve come
-home to get some things that I need.”</p>
-
-<p>“Why didn’t you telephone,” I reprimanded,
-“and have me bring over what<span class="pagenum" id="Page_20">[Pg 20]</span>
-you wanted, instead of making this long
-trip in the rain?”</p>
-
-<p>But she had thought that I wouldn’t
-know where to find the things. And she
-wanted to see, too, that I was fixed all
-right, as she might be gone for several
-days.</p>
-
-<p>“You must have something to eat,” I
-said, “then I’ll go back with you.”</p>
-
-<p>I carried her wet umbrella into the
-kitchen, and she went into the bedroom
-to gather up her things.</p>
-
-<p>I decided not to add to her worry by
-telling her now about my day’s experience.
-But she herself made the discovery.
-I have never been able to conceal
-anything from her for long. She
-went into the front room, and saw my
-wet clothes hanging on the chair by the
-radiator. Then she came out to the
-kitchen, where I was making a clumsy
-effort to brew her a cup of tea.</p>
-
-<p>“How did you happen to get so wet
-to-day?” she asked.</p>
-
-<p>The question took me unawares, and I
-hesitated before making the excuse that<span class="pagenum" id="Page_21">[Pg 21]</span>
-I had had no umbrella. She did not
-speak again, but stood there watching
-me. My hands trembled so that I
-spilled the hot water when I tried to
-pour it into the teapot.</p>
-
-<p>Finally, I turned and met her gaze.
-Then there was no need of further words
-between us. When her eyes looked into
-mine, she seemed to know the whole
-story as fully as if I had told it to her. I
-could never describe the look that came
-into her face. It was something like the
-mother-look that I had seen there when
-she was nursing one of her babies. But
-it was intensified. She moved toward me,
-put her arms around my neck, and
-gazed up into my face.</p>
-
-<p>“Don’t worry, Harve; you’ll find
-something else soon.”</p>
-
-<p>I think it was the fine instinct of the
-thoroughbred in my wife that made her
-now call me “Harve.” It had been a
-long time since she had called me that.
-We had grown to be to each other just
-“Dad” and “Mother.” But the
-“Harve” brought with it a certain reassurance<span class="pagenum" id="Page_22">[Pg 22]</span>
-of youth-an encouragement
-to the personality that was mine irrespective
-of my fatherhood; to the <em>me</em> who
-had been her lover, husband, pal. It
-sent a thrill through me that braced my
-spine. I put my arms around her, drew
-her to me, and laid my face down against
-hers.</p>
-
-<p>Since then I have learned that the
-lover always is young.</p>
-
-<p>From this time on my wife and I fell
-back into the old habit of calling each
-other “Harve” and “Mattie.”</p>
-
-<p>During the days that followed I missed
-her more than I could ever tell. But we
-were both a good deal worried about
-George, who was pretty sick. I went
-over to Brooklyn each evening, to see how
-he was, and to do what things I could
-to help. The days I put in looking for
-work. George’s sickness, which was
-going to be a big expense, added to my
-feeling that I must find an immediate
-job.</p>
-
-<p>It happened that Walter was not at
-home just at this time. He is an electrical<span class="pagenum" id="Page_23">[Pg 23]</span>
-engineer, and his company had
-sent him out in the state to do some work.</p>
-
-<p>I trailed around to printing-offices,
-little and big. As yet I had made no attempt
-to find work outside of my own
-trade, in which I had had a lifetime
-of training. But nothing offered. A good
-many printers happened to be looking
-for jobs at this same time; and the
-younger man was always given the preference.
-I had two or three promises
-from bosses-men whom I had known.
-But these promises all turned out disappointments.</p>
-
-<p>Then, one night, I was going home
-after having traveled the rounds all day
-in Harlem. I was tired and pretty well
-discouraged. After having paid my next
-month’s rent and some other small bills,
-and taken money over to Brooklyn to
-help out with the expenses of George’s
-sickness, I had only about ten dollars
-left in the bank.</p>
-
-<p>By this time I had come to understand
-that I must look for some kind of
-work aside from a printing-office. So<span class="pagenum" id="Page_24">[Pg 24]</span>
-this day I had made the try for a job in
-several stores, and other places. But
-with no success. They had no jobs for
-men of my years. If I had been a cook,
-I might have got a place in a Third Avenue
-restaurant. There seemed to be
-more demands for cooks than for any
-other kind of labor.</p>
-
-<p>As I walked along now, I saw a “Janitor
-Wanted” sign on the area railing of
-an apartment house. I halted and
-looked at it. After having lived all my
-life in New York apartments, I knew
-what a janitor’s job was like. It would
-mean taking my wife to live in a dark
-garbage-smelling basement. But I had
-come to a state of desperation-of
-almost panic. I hesitated, then swallowed
-my pride, braced myself, and went
-down the area-steps to the basement.
-This janitor’s job might tide over until I
-could find something else.</p>
-
-<p>The wiry little Yiddish superintendent
-of the building was there, just inside the
-basement door, talking to two other applicants-a
-big negro and an Italian.<span class="pagenum" id="Page_25">[Pg 25]</span>
-When I arrived, the superintendent
-turned to me.</p>
-
-<p>“How about this janitor’s job?” I
-asked; and my manner might have
-shown a little something of patronage.</p>
-
-<p>He looked me over critically. The
-negro and Italian watched anxiously.
-Then the superintendent gave a Jew
-shrug, shook his head, and dismissed me
-with a belittling smile.</p>
-
-<p>“I vant a man dat could lif’ de garbage
-cans und big tings. You vas too
-old.”</p>
-
-<p>The last drop of gall was added to the
-bitterness of my humiliation. I was too
-old to be the janitor of even a third-rate
-Harlem apartment house. As I stumbled
-back up the area-steps, I heard him
-hire the big negro for the job. Every
-atom of me tingled so with humiliation
-that I forgot to take a street car, but
-walked the rest of the long distance
-home. By the time I reached there, I
-was trembling and pretty well all in.</p>
-<hr class="chap x-ebookmaker-drop">
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_26">[Pg 26]</span></p>
-
-<h2 class="nobreak" id="III">III</h2>
-</div>
-
-
-<p class="drop-cap">And then came the happening which
-led to the final big experience of
-my life.</p>
-
-<p>I had halted in the lower hall, to rest a
-minute before climbing the stairs to my
-own apartment. I stood with my foot on
-the lower step, leaning heavily against
-the banisters. The outside door opened
-and Miss Marsh came in. I was too
-tired to try and escape her. She stopped
-beside me and asked anxiously:-</p>
-
-<p>“What’s the matter, Mr. Allen?”</p>
-
-<p>“Nothing. Just a little tired,” I answered,
-and started on up the stairs.</p>
-
-<p>She followed. In the hall above I
-stopped at the door of my apartment,
-and she moved on toward hers. Then she
-turned suddenly, and came back to me.</p>
-
-<p>“I sure would like to do something
-for you if I could, Mr. Allen,” she said,
-in her Southern way of speaking.</p>
-
-<p>I turned and looked at her. In her<span class="pagenum" id="Page_27">[Pg 27]</span>
-face was an expression different from any
-that I had ever seen there-more sincere
-and earnest. It commanded a respect
-that I had never felt for her. I
-mumbled something or other in the way
-of thanks, to which she paid no attention,
-but went on to say:-</p>
-
-<p>“I know it must be mighty hard to
-have to look for a new job after you have
-worked for so many years in the same
-place.”</p>
-
-<p>I cringed, and I think I must have
-scowled. For I was wondering how she
-had found out that I was looking for another
-job. I thought that I had kept the
-fact pretty carefully concealed. But I
-guess the most of us are ostriches,
-stretching our heads down in the sands
-of our own secret conceits. While I stood
-there, wondering, she kept on talking.
-The next thing that I caught was:-</p>
-
-<p>“Don’t reckon you’ll want to take
-any advice from me, but you can’t
-afford to let yourself grow old like this,
-Mr. Allen. Nobody wants us if we’re
-old.”</p>
-
-<p><span class="pagenum" id="Page_28">[Pg 28]</span></p>
-
-<p>I tried to laugh. It was a sickly attempt.
-What she had said hit me in so
-many sore spots that I squirmed to get
-away. But inside my own apartment,
-the thing that she had said repeated itself
-in my thoughts.</p>
-
-<p>“You can’t afford to let yourself grow
-old.”</p>
-
-<p>I smiled satirically. How folks can
-fool themselves. That little old maid,
-with her dyed hair and painted face,
-thinking that she was hiding the fact of
-her age!</p>
-
-<p>But still the thing kept repeating itself-“You
-mustn’t let yourself grow
-old.”</p>
-
-<p>“<em>Let! Let! Let!</em>”</p>
-
-<p>That word finally got to hammering
-itself in my tired brain. I tried to get
-away from it, but I couldn’t. There
-was something accusing about it, like the
-gesture of a pointed finger. It seemed to
-put the blame of all my failure up to me-some
-wrong understanding in myself.</p>
-
-<p><em>And then came my first experience with
-the Voice!</em></p>
-
-<p><span class="pagenum" id="Page_29">[Pg 29]</span></p>
-
-<p>I call it the Voice, for I don’t know
-what else to call it. But I know that
-some Power outside a man’s own being
-can speak to him in the time of his need;
-when his ego is weakened by the discouragement
-of defeat. When he listens,
-he learns and is helped. For this Voice
-teaches <em>Life</em>! Our schools and churches
-have taught us systems and creeds.</p>
-
-<p>I had pulled up a chair to the kitchen
-table, on which I had set out a scrambled
-sort of supper. I was going over to
-Brooklyn as soon as I had finished eating.
-The “<em>Let! Let! Let!</em>” was still
-pounding away in my thoughts. Finally
-I halted in my supper, set down my
-coffee-cup and asked:-</p>
-
-<p>“Have I let myself grow old?”</p>
-
-<p>And the Voice replied quickly:-</p>
-
-<p>“Yes. You should be now right in
-your prime, knowing how to use and enjoy
-life. If you are thrown on the dump-heap,
-it is because you have put your
-own self there.”</p>
-
-<p>You may laugh. You may say that I
-was tired and a little woozy in the head.<span class="pagenum" id="Page_30">[Pg 30]</span>
-But I <em>know</em> the Voice did speak. It
-spoke to my inner consciousness, but the
-thoughts were not my own. I even
-winced from some of the things it said.</p>
-
-<p>It makes no difference whether or not
-you believe in the Voice, you must be impressed
-by the results of its teachings as
-applied in my own life. For I followed
-its teachings and learned the Great
-Lesson.</p>
-
-<p>This first night only the glimmering
-light of a new understanding came to me.
-But that light grew. I saw that, up to
-now, I had been putting upon others all
-the blame for my own weaknesses-and
-thought of myself as a helpless victim of
-an unenlightened social order. I was
-slumping into a slough of self-pity.
-Worst of all, <em>I was losing my sense of
-humor</em>. I know that this is the big calamity.
-As long as a man can laugh
-humorously-laugh with his mind as
-well as with his mouth-he has the
-vitality to create new brain-cells.</p>
-
-<p>And, after this first talk with the
-Voice, <em>I smiled at myself!</em>-a thing of<span class="pagenum" id="Page_31">[Pg 31]</span>
-big encouragement! One has caught at
-a strong life-saver when he can rise
-above the swamping power of self-pity
-long enough to laugh at his own weaknesses.</p>
-
-<p>When I was putting on my overcoat,
-getting ready to go over to Brooklyn, I
-took a critical survey of myself in the
-bedroom mirror. I had been considered
-a pretty good-looking man-was tall
-and broad-shouldered, and had been
-quite athletic in my day. But I could
-see now that in many ways I had let myself
-grow old. There was no necessity
-for me to be so stooped, with such a
-caved-in chest and protruding abdomen.
-I pulled myself up and saw that I could
-stand straight. And I realized at once
-more command of myself when I stood
-right, with my chest up and my abdomen
-pulled in. Yes, I could stand straight
-when I made the effort.</p>
-
-<p>Then, in quick response to this
-thought, the Voice again spoke:-</p>
-
-<p>“<em>When you make the effort!</em> It is the
-<em>you</em> inside that must make the effort.”</p>
-
-<p><span class="pagenum" id="Page_32">[Pg 32]</span></p>
-
-<p>And I finally came into this understanding.</p>
-
-<p>I want to impress the fact that I did
-not learn at once all the things I am now
-telling. This knowledge grew. But I’m
-going to state some things before I go on
-to tell of how I found my life’s big opportunity.</p>
-
-<p>I gained the understanding that old
-age is a matter of the <em>ignorance</em> of Life.
-New laws of Nature are continually being
-discovered. In the last century
-science discovered electricity. This
-century will see the discovery of Life.</p>
-
-<p>Man has both the mental and physical
-power to keep young, <em>if he will use that
-power</em>. Instead of being a thing on the
-dump-heap, <em>man may grow in power as
-he grows in years</em>. His body is made by
-food, drink, air, and <em>thoughts</em>. Its cells
-are constantly rebuilding. By understanding
-his own power, he can direct
-this rebuilding to an increased Life-capacity.</p>
-
-<p>His power to do so has been limited by
-his own ignorance. Once men said that<span class="pagenum" id="Page_33">[Pg 33]</span>
-there could never be a steam-engine.
-Later they scoffed at the possibility of
-building a flying machine. In his discovery
-of new laws, man is learning that he
-has hindered his own growth through his
-lack of understanding. A man can never
-<em>grow</em> old. He may <em>stop</em> growing, and
-stagnate. That is what I had done.</p>
-
-<p>The first lesson that I had to learn was
-the difference between youth and old
-age. Both are really matters of the
-spirit, rather than of years. One may be
-aged at twenty, and a youth at eighty.</p>
-
-<p>The spirit of youth has courage, is venturesome,
-progressive, optimistic, <em>creative</em>.
-The spirit of old age is afraid, reactionary,
-pessimistic, and stagnant.
-Youth laughs. Old age sighs. Youth is
-eager to discover new paths. Old age
-wants to stay in the prison of habit and
-travel the same old ruts.</p>
-
-<p>I had been traveling in ruts. And I
-had worn them <em>deep</em>. For twenty years
-I had <em>let</em> myself live in the same old dark
-apartment, and take the same old route
-to the same old printing-plant. And I<span class="pagenum" id="Page_34">[Pg 34]</span>
-had wanted to cling to the same old ways
-of doing work. The time came when I
-realized that I must have been something
-of a proposition to the printing-plant’s
-young management. For I had stubbornly
-opposed the new efficiency
-system.</p>
-
-<p>Because I felt tired at night, I had <em>let</em>
-my wife give up all other associations to
-keep me company. I had <em>let</em> myself lose
-interest in my old friends, and I had
-shunned making new ones. I selfishly
-clung to just my own immediate family.
-That meant heart-stagnation. The man
-is old who has let himself lose his heart-interest
-in <em>people</em>.</p>
-
-<p>The man who loves most, lives most.
-Youth loves.</p>
-
-<p>I had <em>let</em> myself drop out of touch with
-all the big public issues. I felt no interest
-in any country but the United States,
-and that meant very little to me outside
-of New York City. And here in New
-York, where every opportunity offered,
-I never went to a lecture, or to a concert.
-I had stopped going to see the new<span class="pagenum" id="Page_35">[Pg 35]</span>
-plays; I talked about the superior old
-days of the theatre, when Daly’s was in
-its prime. I didn’t even read the new
-books, but prided myself on sticking to
-the old ones. All of which made for
-brain-stagnation.</p>
-
-<p><em>I had grown afraid of adventure.</em></p>
-
-<p>This revelation came to me suddenly,
-the next day after my first experience
-with the Voice. It sent a tingle of protest
-through me, and I cringed with
-something like shame. But I halted on
-the sidewalk and faced the fact squarely.
-Then I rebelliously pulled myself together,
-quit my hunt for a job, forgot
-my poverty-stricken bank-account, and
-went for a trip through Central Park and
-the Metropolitan Museum. I had not
-been there for years. It all seemed like a
-new world to me. It stirred my stagnant
-emotions and filled me with new interests.</p>
-
-<p>We are continually losing these life-building
-values that lie right at our elbow.
-A man will travel the same old route
-day after day to his business. If, once
-in a while, he would go even a block out<span class="pagenum" id="Page_36">[Pg 36]</span>
-of his way, he might have the feeling of
-new adventure-get a new view, or some
-experience to stimulate new cell-activity
-in his stagnating heart and brain.</p>
-
-<p>When I got home that night, I was several
-years younger.</p>
-<hr class="chap x-ebookmaker-drop">
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_37">[Pg 37]</span></p>
-
-<h2 class="nobreak" id="IV">IV</h2>
-</div>
-
-
-<p class="drop-cap">Having conquered my fears and
-tasted adventure, I was hungry now
-for more. My wife felt the change in me
-when I saw her that evening in Brooklyn.
-In fact, she has always declared
-that it was the influence which I brought
-into the house that night-the feeling
-of new vigor and of new hope-that
-made George take a turn for the better
-and get well.</p>
-
-<p>As usual, on my Brooklyn subway
-trip, I read the want advertisements in
-the evening papers. An office over in a
-small New Jersey town was advertising
-for a printer! I read it two or three
-times. But if I had not taken that Central
-Park adventure trip, I don’t believe
-I should have answered this advertisement.
-I had never thought of going to
-New Jersey to look for a job. I felt all
-the self-centred New Yorker’s prejudices
-against New Jersey. But I did go.<span class="pagenum" id="Page_38">[Pg 38]</span>
-I was up and on my way early the next
-morning.</p>
-
-<p>And that was how I happened to meet
-Ben Hutchins and find my life’s big opportunity.</p>
-
-<p>The first time I saw Ben Hutchins, I
-laughed. I knew at once that he was a
-crank. He was an old-school printer,
-like myself. For years he had run this
-little job office and published a weekly
-newspaper. Afterwards, I learned that
-he had plenty of money-was, in fact,
-rich-and that the only reason he kept
-on publishing his paper was that he
-didn’t quite know how to get out of the
-habit.</p>
-
-<p>His little old one-story building stood
-off by itself, in the business section of
-this small New Jersey town. To get to
-it, you had to cross a bridge and follow a
-narrow dirt path. The path this morning
-was muddy, after a short flurry of
-wet snow. The paint was worn off the
-building. One of the old-fashioned shutters
-was loose and flapped in the November
-wind. On the roof was a rooster<span class="pagenum" id="Page_39">[Pg 39]</span>
-weather-vane that looked as if it might
-have been crowing into the teeth of a
-half-century of storms.</p>
-
-<p>I opened the door and went in. It was
-one large room-a typical, old-fashioned,
-country-newspaper office. Its
-assortment of junk looked as if it might
-have been accumulating there since the
-American Revolution. An antiquated
-roll-topped desk stood in the corner, by
-one of the front windows. A tipsy old
-swivel-chair stood in front of it. Near
-it, a lop-sided old waste-basket spilled
-its overload of newspapers on the floor.
-In the centre of the room a rusty base-burner
-stove glowed with a red-hot coal
-fire.</p>
-
-<p>Ben Hutchins, in his shirt-sleeves, and
-wearing a printer’s dirty apron, stood in
-front of one of the cases, setting type.
-He was a stockily built man of about
-seventy, with a belligerent shock of gray
-hair that stood up straight on his head.</p>
-
-<p>When I entered, he waited to space out
-a line before recognizing my presence.
-Then he turned and glowered at me over<span class="pagenum" id="Page_40">[Pg 40]</span>
-his glasses, which hung on the tip of his
-bulbous nose.</p>
-
-<p>“Well-?” he said, finally, after a
-critical sniff.</p>
-
-<p>Then, as I said, I laughed-a laugh
-born of my feeling of new confidence,
-gained from the teachings of the Voice.
-It caught Ben Hutchins’s interest and
-made him take a liking to me from the
-start. I have learned that he is very
-quick and very decided in his likes and
-dislikes. In fact, he never does anything
-half-way. He is either stubbornly
-for a thing or against it. No argument
-can ever convince him either way. And
-down under all his surface peculiarities
-he has a keen and most original sense of
-humor. It was the liking that he conceived
-for me from the start which made
-him let me do the things that I have done.</p>
-
-<p>He gave me again the once-over; then
-he, too, indulged in a faint grin.</p>
-
-<p>“I’ve come for that job,” I informed
-him, with all my new courage of adventure.
-“And I’m just the man you’re
-looking for.”</p>
-
-<p><span class="pagenum" id="Page_41">[Pg 41]</span></p>
-
-<p>“Oh, are you?” and he gave another
-of his critical sniffs, which I soon discovered
-to be habitual. “Well, come
-and sit down, and we’ll see. I may not
-be of your opinion.”</p>
-
-<p>With his composing-stick still in his
-hand, he led the way to the corner where
-stood the ancient roll-top desk. He
-seated himself heavily in the creaking
-swivel-chair, and I pulled up another old
-chair that stood near. All this time he
-was studying me closely over his glasses.</p>
-
-<p>“I’ve got the reputation,” he told
-me, after I was seated, “of never keeping
-a man very long.”</p>
-
-<p>He waited to see if this was going to
-discourage me any. But it didn’t, and
-so he went on to say:-</p>
-
-<p>“But the ones that come out here for
-a job are generally no good. Or, if they
-are, they get discouraged and don’t want
-to stay.”</p>
-
-<p>“Well, I’m going to stay,” I said,
-“you can’t get rid of me. And I’m all
-to the good.”</p>
-
-<p>Again he met my laughing gaze, and<span class="pagenum" id="Page_42">[Pg 42]</span>
-again he grinned. Then after studying
-me once more, he came to a decision. He
-rheumatically pulled himself to his feet
-and said:-</p>
-
-<p>“Well, take off your coat and go to
-work.”</p>
-
-<p>And that ended our conference. We
-made no sort of bargain, said nothing
-whatever about the pay I was to get, or
-what I was expected to do. It was like
-Ben Hutchins-that snap sort of conclusion.
-But once he has made up his
-mind, you may be sure that he will carry
-his part of the bargain to the end. Of
-course, I had to learn this about him. I
-thought then that he was just going to
-try me out, give me a chance to make
-good if I could.</p>
-
-<p>I took off my overcoat and other coat,
-and hung them up with my hat. Then I
-found another printer’s dirty apron, and
-started in to work.</p>
-
-<p>It may be hard to understand how a
-man, after having been employed for
-years in one of New York’s big printing-plants,
-should have finally found his<span class="pagenum" id="Page_43">[Pg 43]</span>
-life’s opportunity in that little country
-junk-shop of a printing-office. But that
-is what I did. I could not have done so,
-however, without having had the experience
-of the previous few days, as well as
-the new lessons I was learning all the
-time from the Voice.</p>
-
-<p><em>It was because I was finding youth that
-I found my opportunity.</em> Youth, which
-is courageous, venturesome, progressive,
-optimistic, and <em>creative</em>! Cowardly old
-age, pessimistic, stagnant, and traveling
-in ruts, never finds a big life-opportunity.</p>
-<hr class="chap x-ebookmaker-drop">
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_44">[Pg 44]</span></p>
-
-<h2 class="nobreak" id="V">V</h2>
-</div>
-
-
-<p class="drop-cap">I had been at my new job two weeks.
-We had issued two editions of the
-weekly paper. I had done the work of
-editor, reporter, compositor, proof-reader,
-pressman, and mailing clerk. Every day
-I was growing more and more in love
-with my job. I whistled again like a boy,
-at my work-this, in spite of the fact
-that I was taking that long trip each
-night and morning to and from New York.
-It is not work-the kind that is made
-creative-but stagnation, which wearies.</p>
-
-<p>New demands were stirring every part
-of my being into new activities. My faculties
-were all alert. So were my emotions,
-my imaginations, <em>and my sense of
-humor</em>. Values were being aroused in me
-that, for lack of something to call them
-into use, had all my life been lying dormant.
-I had never known that I could
-do some of the things which I now did.
-I had begun to take an interest in<span class="pagenum" id="Page_45">[Pg 45]</span>
-national and world affairs, about which I
-had to furnish copy. I also had begun
-to take more interest in people.</p>
-
-<p>For years, when making my daily
-trips on the Elevated, I had most of the
-time kept my eyes glued to the latest
-criminal sensation in the newspapers.
-When I was not reading a newspaper, my
-thoughts were occupied with my own
-small interests.</p>
-
-<p>The thing always of big importance
-was that I should beat someone else to a
-seat in the car. But now I began to
-watch and study that mass of humanity
-packed into the car with me. The mass
-resolved itself into individual beings. I
-picked out those having the old-age
-spirit from the ones who had the spirit of
-youth. By far the larger number-regardless
-of the years they had lived-were
-caught in the grip of the old-age
-fear, and were traveling in the old-age
-ruts. A good many, like little Miss
-Marsh, were trying to camouflage their
-old age by artificial means.</p>
-
-<p>A new sympathy began to warm in<span class="pagenum" id="Page_46">[Pg 46]</span>
-my heart for mankind-so pitiably ignorant
-of Life and of the ways to gain
-its <em>real</em> joys. My New Yorker’s reserve
-began to relax, and I let myself do little
-helpful things for my fellow travelers.
-One night I helped an old East-Side Jew
-struggling under a load of second-hand
-clothing. The poor old chap’s surprised
-smile of appreciation brought a quick
-lump into my throat; and a kindlier feeling
-for the whole Jewish race warmed in
-my heart. I was growing tensely interested,
-too, in all the doings of our little
-New Jersey town. Each day I was making
-new friends. All of which meant a
-vitalizing of my heart’s stagnation.</p>
-
-<p>My son George was well again, and
-had gone back to his work. Mattie-my
-wife-had come home. I had rented
-a small house not far from the printing-office,
-and we were getting ready to
-move to New Jersey.</p>
-
-<p>Then, after I had been working for
-him two weeks, Ben Hutchins was seized
-with a bad attack of lumbago, and was
-laid up at home for a month. At the end<span class="pagenum" id="Page_47">[Pg 47]</span>
-of that time his daughter had persuaded
-him to go to California and spend the
-rest of the winter.</p>
-
-<p>When he reached a final decision relative
-to this California trip, he sent for
-me to come and see him. I had been
-several times, during his sickness, to the
-big, old-fashioned house, where he lived
-with his widowed daughter. His wife
-was dead. When I went now we had
-another of our brief talks. He was going
-to leave the printing-plant entirely up
-to me.</p>
-
-<p>“Run it as well as you can, and keep
-me posted how you’re coming on.”</p>
-
-<p>He gave no further instructions. But
-by this time I had learned that he liked
-to be met in his own brief way of doing
-business-never wanted any fuss of
-words; when he felt justified in trusting
-a man, he trusted him absolutely. And
-I knew now that he felt this trust in me.
-When, on leaving, I shook hands with
-him, I gave him a tight grip of appreciation,
-and we exchanged a look of mutual
-understanding.</p>
-
-<p><span class="pagenum" id="Page_48">[Pg 48]</span></p>
-
-<p>I had already hired another printer.
-And Mattie, now that we had moved
-over to our new home, came every day
-to the office and helped. I made a number
-of changes in the old plant. I even
-put into operation some of the modern
-efficiency methods which I had scorned
-in the New York plant. Our job printing
-was growing; and we were getting
-new subscribers and more advertising
-for the newspaper.</p>
-
-<p>One day a peculiar thing happened. I
-had run over to New York, to get some
-new parts for our old press. This errand
-took me down town, in the neighborhood
-of the Sixth Avenue Elevated station,
-which had been a part of my daily rut
-for so many years. The sight of it now
-took me back to the day when I got my
-discharge. I smiled when I thought of
-how helpless I had stood there in the
-rain. It made me realize how far from
-the old rut I had traveled.</p>
-
-<p>Then I thought of the old chap who
-had sold newspapers, and wondered if
-he was still working on his beat. I<span class="pagenum" id="Page_49">[Pg 49]</span>
-looked about for him and, sure enough,
-there he was, wearing the same ancient
-discolored straw hat. I followed and
-spoke to him. I had lost all fear now of
-being submerged in his old-age class. It
-was noon, and I asked him to go to lunch
-with me. He gazed in a daze of questioning
-surprise, then accepted the invitation.</p>
-
-<p>I took him to a quiet little place, where
-we might have a table to ourselves.
-During the meal I learned more about
-him. His name was James Shaw, and he
-was alone in the world. He talked well-used
-good English. I had always felt
-that there must be something of intelligence
-back of his good clean teeth. And
-he, too, <em>was an old printer</em>. Probably that
-was why he had drifted naturally to the
-selling of newspapers. It is hard for a
-printer to keep away from the smell of
-printer’s ink.</p>
-
-<p>Well, the upshot of it was that I hired
-Jimmy Shaw, and took him back with me
-to New Jersey. And Jimmy has made
-good. After he was barbered and had<span class="pagenum" id="Page_50">[Pg 50]</span>
-put on a new suit of clothes, and had his
-first lessons in Finding Youth, he was
-as spry and dudish as anything on Broadway.</p>
-
-<p>Then, the final Big Adventure was
-brought about by my articles in our
-weekly newspaper.</p>
-
-<p>I had been running a series of articles
-on my Finding-Youth revelations. Some
-of them were copied in other newspapers.
-Ben Hutchins, out in California, read
-them in our own paper, which we sent
-him each week. Afterwards, his daughter
-told me that he showed them to the
-different guests in the hotel where they
-were stopping.</p>
-
-<p>Then I wrote an article on the old-age
-problem. I headed it, “Why the Dump-Heap?”
-Among other things, I said
-that one of the biggest social wastes was
-the waste of the latter years of the lives
-of men and women. Instead of being a
-waste product at eighty, a man should
-be a Life masterpiece-<em>still creative</em>.
-But we cling-theoretically, at least-to
-the savage belief that man possesses<span class="pagenum" id="Page_51">[Pg 51]</span>
-no other creative power than the sex-function;
-and that, after they have
-passed the age of race-propagation, men
-and women are of no further social use.
-Savages, not knowing what else to do
-with their people of years, kill them.
-We let them stagnate.</p>
-
-<p>By this time we should have learned
-that Life here, and always, is a thing
-creative. We are incidentally parents.
-We are creators always. For if God
-made us in His own image, then He made
-us all creators. As creators, we grow.
-And growth is the law of life. Stagnation
-is decay and death. We must have
-new educational methods. We must
-have new ideals-a new heaven. And
-this new heaven will be a place filled
-with creators, instead of with stagnant
-resters.</p>
-
-<p>Then I went on to suggest that society
-might organize Youthland colonies, instead
-of relegating each year so many
-thousands of men and women to the fate
-of dependence and stagnation. These
-colonies might be made centres of big<span class="pagenum" id="Page_52">[Pg 52]</span>
-usefulness, of broad education and creative
-growth.</p>
-
-<p>I outlined my scheme of a Youthland
-colony. It should be a place of individual
-homes, with certain coöperative
-community buildings-an auditorium
-and recreation centre, a hotel and
-laundry, and other things, to make living
-easier and cheaper. The members of
-the colony themselves would support all
-these institutions. For there would be different
-light industries for the ones who
-wished to work and earn their own living.</p>
-
-<p>There would be lectures, music, dancing,
-and classes in science, sociology, politics,
-psychology, literature, languages,
-and the arts. Everyone would be given
-the chance and encouraged to take up
-any kind of creative work in which he
-might feel himself capable of qualifying.</p>
-
-<p>Well, Ben Hutchins read this article,
-and it struck instant fire in him. He
-didn’t even wait to write. Instead he
-telegraphed:-</p>
-
-<p>“Youthland colony good scheme.
-California right place to start one. Am<span class="pagenum" id="Page_53">[Pg 53]</span>
-writing my lawyer to sell printing-plant.
-You come out here.”</p>
-
-<p>I laughed. Of course I had no idea
-that he really meant this. I had believed
-everything that I had written
-about my colony, but I had painted it
-with my own imagination. Then I worried.
-He might be taking this way of
-selling his plant and letting me out. I
-lay awake nights, trying to figure some
-scheme whereby I myself might make a
-small payment and get hold of the plant.</p>
-
-<p>I had a proposition all framed, when I
-received a letter from Hutchins. It was-for
-him-a long letter, dictated to a
-stenographer. In it he gave me to understand
-that he was in earnest about the
-Youthland colony scheme. Indeed, he
-had already bought a tract of land and
-was setting to work on the project. He
-wrote a lot of instructions: informed me
-that, if he could not sell the newspaper
-to advantage, he meant to have the
-plant shipped to California. It would be
-a necessary adjunct to the colony. He
-was enthusiastic. His health had greatly<span class="pagenum" id="Page_54">[Pg 54]</span>
-improved; he was in love with California,
-and both he and his daughter wanted
-to stay there. But he must have something
-with which to busy himself; and
-this colony scheme had made a big hit
-with him.</p>
-
-<hr class="tb">
-
-<p>Well, that is how our California
-Youthland Colony came into existence.
-It is another story, but I must tell you a
-few things about it. It is located in a
-beautiful spot-where “the ocean and
-the mountains meet.”</p>
-
-<p>We are now a group of five hundred,
-all owning our own homes. Some of
-these homes are larger and more pretentious
-than others; for some of our colony
-members have good big incomes.
-Others are poor. But we are all inspired
-by the same ideals. The poorer ones are
-given the opportunity to pay for their
-homes on easy monthly installments.</p>
-
-<p>We have a small canning factory; and
-we make a fine grade of candied California
-fruits. We do some rug-weaving
-and pottery work. We have a dairy and<span class="pagenum" id="Page_55">[Pg 55]</span>
-poultry yards. All of these industries are
-coöperative in character-owned in common.
-The same is true of our small inn
-and laundry. They give employment to
-the ones who want to make their living.
-But we have no drones. Every Youthlander
-works. He also plays. Some
-devote themselves to raising small-fruits
-and English walnuts on their individual
-land tracts. Some teach in our school.</p>
-
-<p>We have all kinds of classes in our
-school. We have expert instruction in
-diet, exercise, rest, and the things which
-make for the best physical condition. It
-is my intention to incorporate some of
-these lessons in another book-the
-methods which we have worked out to
-our own advantage. We have almost no
-sickness. Our members are a vigorous,
-useful, busy lot of folks. They live out-of-door
-lives twelve months of the year.
-They are filled with all sorts of progressive
-interests. <em>They think right thoughts.</em>
-In connection with our physical work, we
-have dancing classes, also a hiking club
-that makes interesting trips.</p>
-
-<p><span class="pagenum" id="Page_56">[Pg 56]</span></p>
-
-<p>An ex-college president has charge of
-our educational work. A retired manufacturer
-is general director of our industries.
-And these two men are not using
-any back-number methods. Both are
-inspired by the spirit of youth. They
-combine with the modern the best values
-brought out of their long experience.</p>
-
-<p>Some of our members have been encouraged
-to write. A number are studying
-music. Mattie, my wife, is enjoying
-that privilege. One woman of seventy,
-who never before had the time or chance
-to study the piano, has displayed considerable
-musical ability. In a good-sized
-French class, no member is under
-sixty. And there are two art classes.</p>
-
-<p>Ben Hutchins is the colony’s shrewd
-buyer. He drives his own car out through
-the country, and contracts for the fruit
-that is put up in our cannery. They
-made me the first colony president, and
-each year have insisted on reëlecting me.
-Next year I am going to decline. I don’t
-want to get into the presidential rut.
-Jimmy Shaw is foreman of the job department<span class="pagenum" id="Page_57">[Pg 57]</span>
-in our printery. Jimmy has
-had a romance which he has given me
-permission to tell some time.</p>
-
-<p>My son George and his family are with
-us. This year we are expecting Walter
-and his family for a visit. I was able
-also to bring Miss Marsh out to our colony.
-I feel that I owe her a very big debt.</p>
-
-<p>Miss Marsh has let her hair grow gray;
-and the color now in her cheeks has been
-put there by the Californian sunshine.
-But she looks years younger than when
-she was trying to live an artificial youth.
-She is, in fact, quite radiant. For she is
-satisfying a big heart-hunger. My wife
-always contended that she was a lonely
-little creature. But even Mattie was
-surprised to discover that Miss Marsh’s
-loneliness was due to a craving motherhood.
-She is now one of the nurses who
-have the care of the colony’s children.
-For we have about thirty children-orphans
-who would have been sent to state
-institutions. We have adopted them,
-and are bringing them up and educating
-them. We father and mother, uncle<span class="pagenum" id="Page_58">[Pg 58]</span>
-and aunt, and grandfather and grandmother
-them. Happy little Miss Marsh
-is seldom seen without one of our colony
-babies in her arms.</p>
-<hr class="chap x-ebookmaker-drop">
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_59">[Pg 59]</span></p>
-
-<h2 class="nobreak" id="VI">VI</h2>
-</div>
-
-
-<p class="drop-cap">It is Christmas Eve. I have seated
-myself by my typewriter in my cozy
-study, to write the last lines of this story.
-Mattie is down at the Auditorium, helping
-to trim the Christmas tree for the
-children. I just came up from there.
-Our picturesque little vine-covered bungalow
-is on the hill. The Christmas tree
-had so many helpers that I was not
-needed. Miss Marsh is joyously superintending
-the whole thing. Our different
-members are coming and going. Each
-brings an armful of presents.</p>
-
-<p>I stood a while and watched their
-beaming, happy faces. Most of them
-have known a good many Christmas
-Eves. One-a hearty old Pacific sea-captain
-of eighty-showed me some
-toy ships he had whittled out with his
-knife. He called my attention to all the
-proper nautical detail. No builder of big
-ocean liners could have felt more pride<span class="pagenum" id="Page_60">[Pg 60]</span>
-in his accomplishment. I watched him
-carefully place the toy ships with the
-other presents underneath the Christmas
-tree; and the fact was impressed upon me
-that he had caught the <em>real</em> Christmas
-spirit. He had <em>created</em> something, which
-would carry his own creative joy into the
-lives of others. And is not this-<em>the
-carrying of one’s own creative joy into the
-lives of others</em>-the very essence of the
-thing which we vaguely call “service”?</p>
-
-<p>When I reached the brow of the hill on
-my way home from the Auditorium, I
-halted and looked back at our little
-Youthland Colony, lying there in the
-moonlight. Out beyond, the moonbeams
-made a glistening pathway to it
-across the dusky waters of the old Pacific.
-At the back, rose the dim shapes of
-the mountains. The sweet odor of
-orange-blossoms filled the air. In this
-beautiful spot our little group was trying
-to realize the creative life-the life
-of continued growth and usefulness.
-Deep emotion stirred within me.</p>
-
-<p>My gaze traveled out over the moonlighted<span class="pagenum" id="Page_61">[Pg 61]</span>
-ocean, and I thought of the many
-peoples of the globe celebrating this
-Christmas Eve. Gratitude for my own
-wonderful opportunity made me want to
-help these others. For I knew that nations,
-like individuals, were suffering in
-the grip of the old-age spirit-that effort
-of fear to strangle growth and progress.
-If only mankind might learn that
-the value of a nation depends upon the
-<em>usefulness</em> of all of its men and women,
-upon the youth-spirit, which is courageous,
-venturesome, and optimistic
-enough to make the whole human race
-one great world-family.</p>
-
-<p>Off in the distance the old mission bell
-began to ring. It was sending out its
-mediæval understanding of the Christmas
-message, which the Voice spoke to
-the Shepherds of old. But we, in our
-Youthland Colony, have learned that
-the Voice, all down through the years,
-has been trying to make man understand
-that he must follow the guiding star and
-find the tidings of great joy in the birth
-of <em>his own creative self</em>-the God Power<span class="pagenum" id="Page_62">[Pg 62]</span>
-within his own being. When a man gains
-this interpretation of the Voice’s message
-he becomes an influence for growth and
-progress in the Great Life-Adventure-</p>
-
-
-<p class="center">HE FINDS YOUTH!</p>
-<hr class="chap x-ebookmaker-drop">
-
-
-<div class="transnote">
-
-<h2>Transcriber’s Notes</h2>
-
-<ul>
-<li>pg 13 Added period after: printing-office to another</li>
-</ul>
-
-</div>
-
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK FINDING YOUTH ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away&#8212;you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin-top:1em; font-size:1.1em; text-align:center'>START: FULL LICENSE</div>
-<div style='text-align:center;font-size:0.9em'>THE FULL PROJECT GUTENBERG LICENSE</div>
-<div style='text-align:center;font-size:0.9em'>PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &#8226; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&#8217;s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
-</body>
-</html>