diff options
| -rw-r--r-- | .gitattributes | 4 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/69866-0.txt | 1860 | ||||
| -rw-r--r-- | old/69866-0.zip | bin | 20668 -> 0 bytes | |||
| -rw-r--r-- | old/69866-h.zip | bin | 280680 -> 0 bytes | |||
| -rw-r--r-- | old/69866-h/69866-h.htm | 2918 | ||||
| -rw-r--r-- | old/69866-h/images/cover.jpg | bin | 260309 -> 0 bytes |
8 files changed, 17 insertions, 4778 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..599ada0 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #69866 (https://www.gutenberg.org/ebooks/69866) diff --git a/old/69866-0.txt b/old/69866-0.txt deleted file mode 100644 index 96844ce..0000000 --- a/old/69866-0.txt +++ /dev/null @@ -1,1860 +0,0 @@ -The Project Gutenberg eBook of Dark of the Moon, by Sara Teasdale - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: Dark of the Moon - -Author: Sara Teasdale - -Release Date: January 24, 2023 [eBook #69866] - -Language: English - -Produced by: Tim Lindell, Charlie Howard, and the Online Distributed - Proofreading Team at https://www.pgdp.net (This file was - produced from images generously made available by The - Internet Archive/American Libraries.) - -*** START OF THE PROJECT GUTENBERG EBOOK DARK OF THE MOON *** - - - - - - DARK - OF - THE - MOON - - - - -_BOOKS BY SARA TEASDALE_ - - - SONNETS TO DUSE (out of print) - HELEN OF TROY AND OTHER POEMS - RIVERS TO THE SEA - LOVE SONGS - FLAME AND SHADOW - - -_ANTHOLOGIES_: - - THE ANSWERING VOICE: ONE HUNDRED LOVE LYRICS BY WOMEN - RAINBOW GOLD: POEMS OLD AND NEW, SELECTED FOR BOYS AND GIRLS - - - - - DARK OF THE MOON - - BY - SARA TEASDALE - - - NEW YORK - THE MACMILLAN COMPANY - 1926 - - - - - _Copyright, 1921, by Harper Brothers, Charles - Scribner’s Sons, The Century Company, Harcourt - Brace and Company, George H. Doran Company, The - New Republic, Inc., and The Yale Publishing - Association._ - - _Copyright, 1922, by The Century Company, Harcourt - Brace and Company, Vanity Fair Publishing - Company, Inc., and George H. Doran Company._ - - _Copyright, 1923, by Charles Scribner’s Sons, The - Century Company, The New Republic, Inc., Gene - Derwood and The Atlantic Monthly Company._ - - _Copyright, 1924, by The Dial Publishing Company, - Inc., The Century Company, George H. Doran Co., - and Harriet Monroe._ - - _Copyright, 1925, by Harcourt Brace and Company, and - The Yale Publishing Association._ - - _Copyright, 1926, by The Atlantic Monthly Company, - The Yale Publishing Association, The New - Republic, Inc., The Saturday Review Co., Inc., - Charles Scribner’s Sons, and The New York - Herald-Tribune, Inc._ - - - COPYRIGHT, 1926, - BY THE MACMILLAN COMPANY. - - - - - _to_ E. - - - - - _Thanks are due to the editors of Scribner’s - Magazine, The New Republic, The Yale Review, - Poetry, The Dial, The Atlantic Monthly, The - London Mercury and other publications for their - permission to reprint certain of the following - poems._ - - _For permission to set any of the poems to - music, application should be made to the - author._ - - - - -_Contents_ - - - I - - _THERE WILL BE STARS_ PAGE - ON THE SUSSEX DOWNS 15 - - AUGUST NIGHT 16 - - TWO MINDS 17 - - WORDS FOR AN OLD AIR 18 - - MOUNTAIN WATER 19 - - AT TINTAGIL 20 - - “THERE WILL BE STARS” 21 - - - II - - _PICTURES OF AUTUMN_ - AUTUMN 25 - - SEPTEMBER DAY 26 - - FONTAINEBLEAU 27 - - LATE OCTOBER 28 - - - III - - _SAND DRIFT_ - “BEAUTIFUL, PROUD SEA” 31 - - LAND’S END 32 - - SAND DRIFT 33 - - BLUE STARGRASS 34 - - SEPTEMBER NIGHT 35 - - LOW TIDE 36 - - - IV - - _PORTRAITS_ - EFFIGY OF A NUN 39 - - THOSE WHO LOVE 41 - - EPITAPH 42 - - APPRAISAL 43 - - THE WISE WOMAN 44 - - “SHE WHO COULD BIND YOU” 45 - - “SO THIS WAS ALL” 46 - - - V - - _MIDSUMMER NIGHTS_ - TWILIGHT 49 - - FULL MOON 50 - - THE FOUNTAIN 51 - - CLEAR EVENING 52 - - NOT BY THE SEA 53 - - MIDSUMMER NIGHT 54 - - - VI - - _THE CRYSTAL GAZER_ - THE CRYSTAL GAZER 57 - - THE SOLITARY 58 - - DAY’S ENDING 59 - - A REPLY 60 - - LEISURE 61 - - “I SHALL LIVE TO BE OLD” 62 - - WISDOM 63 - - THE OLD ENEMY 64 - - - VII - - _BERKSHIRE NOTES_ - WINTER SUN 67 - - A DECEMBER DAY 68 - - FEBRUARY TWILIGHT 69 - - “I HAVE SEEN THE SPRING” 70 - - WIND ELEGY 71 - - IN THE WOOD 72 - - AUTUMN DUSK 73 - - - VIII - - _ARCTURUS IN AUTUMN_ - ARCTURUS IN AUTUMN 77 - - “I COULD SNATCH A DAY” 78 - - AN END 79 - - FOREKNOWN 80 - - WINTER 81 - - WINTER NIGHT SONG 82 - - NEVER AGAIN 83 - - THE TUNE 84 - - - IX - - _THE FLIGHT_ - THE BELOVED 87 - - “WHEN I AM NOT WITH YOU” 88 - - DEDICATION 89 - - ON A MARCH DAY 90 - - LET IT BE YOU 91 - - THE FLIGHT 92 - - - - - I - - THERE - WILL - BE - STARS - - - - -_On the Sussex Downs_ - - - Over the downs there were birds flying, - Far off glittered the sea, - And toward the north the weald of Sussex - Lay like a kingdom under me. - - I was happier than the larks - That nest on the downs and sing to the sky, - Over the downs the birds flying - Were not so happy as I. - - It was not you, though you were near, - Though you were good to hear and see, - It was not earth, it was not heaven - It was myself that sang in me. - - - - -_August Night_ - - - On a midsummer night, on a night that was eerie with stars, - In a wood too deep for a single star to look through, - You led down a path whose turnings you knew in the darkness, - But the scent of the dew-dripping cedars was all that I knew. - - I drank of the darkness, I was fed with the honey of fragrance, - I was glad of my life, the drawing of breath was sweet; - I heard your voice, you said, “Look down, see the glow-worm!” - It was there before me, a small star white at my feet. - - We watched while it brightened as though it were breathed on and - burning, - This tiny creature moving over earth’s floor-- - “‘_L’amor che move il sole e l’altre stelle_,’” - You said, and no more. - - - - -_Two Minds_ - - - Your mind and mine are such great lovers they - Have freed themselves from cautious human clay, - And on wild clouds of thought, naked together - They ride above us in extreme delight; - We see them, we look up with a lone envy - And watch them in their zone of crystal weather - That changes not for winter or the night. - - - - -_Words for An Old Air_ - - - Your heart is bound tightly, let - Beauty beware, - It is not hers to set - Free from the snare. - - Tell her a bleeding hand - Bound it and tied it, - Tell her the knot will stand - Though she deride it; - - One who withheld so long - All that you yearned to take, - Has made a snare too strong - For Beauty’s self to break. - - - - -_Mountain Water_ - - - You have taken a drink from a wild fountain - Early in the year; - There is nowhere to go from the top of a mountain - But down, my dear; - And the springs that flow on the floor of the valley - Will never seem fresh or clear - For thinking of the glitter of the mountain water - In the feathery green of the year. - - - - -_At Tintagil_ - - - Iseult, Iseult, by the long waterways - Watching the wintry moon, white as a flower, - I have remembered how once in Tintagil - You heard the tread of Time hour after hour. - - By casements hung with night, while all your women slept - You turned toward Brittany, awake, alone, - In the high chamber hushed, save where the candle dripped - With the slow patient sound of blood on stone. - - The ache of empty arms was an old tale to you, - And all the tragic tunes that love can play, - Yet with no woman born would you have changed your lot, - Though there were greater queens who had been gay. - - - - -“_There Will Be Stars_” - - - There will be stars over the place forever; - Though the house we loved and the street we loved are lost, - Every time the earth circles her orbit - On the night the autumn equinox is crossed, - Two stars we knew, poised on the peak of midnight - Will reach their zenith; stillness will be deep; - There will be stars over the place forever, - There will be stars forever, while we sleep. - - - - - II - - PICTURES - OF - AUTUMN - - - - -_Autumn_ - -(Parc Monceau) - - - I shall remember only these leaves falling - Small and incessant in the still air, - Yellow leaves on the dark green water resting - And the marble Venus there-- - Is she pointing to her breasts or trying to hide them? - There is no god to care. - - The colonnade curves close to the leaf-strewn water - And its reflection seems - Lost in the mass of leaves and unavailing - As a dream lost among dreams; - The colonnade curves close to the leaf-strewn water - A dream lost among dreams. - - - - -_September Day_ - -(Pont de Neuilly) - - - The Seine flows out of the mist - And into the mist again; - The trees lean over the water, - The small leaves fall like rain. - - The leaves fall patiently, - Nothing remembers or grieves; - The river takes to the sea - The yellow drift of the leaves. - - Milky and cold is the air, - The leaves float with the stream, - The river comes out of a sleep - And goes away in a dream. - - - - -_Fontainebleau_ - - - Interminable palaces front on the green parterres, - And ghosts of ladies lovely and immoral - Glide down the gilded stairs, - The high cold corridors are clicking with the heel taps - That long ago were theirs. - - But in the sunshine, in the vague autumn sunshine, - The geometric gardens are desolately gay; - The crimson and scarlet and rose-red dahlias - Are painted like the ladies who used to pass this way - With a ringletted monarch, a Henry or a Louis - On a lost October day. - - The aisles of the garden lead into the forest, - The aisles lead into autumn, a damp wind grieves, - Ghostly kings are hunting, the boar breaks cover, - But the sounds of horse and horn are hushed in falling leaves, - Four centuries of autumns, four centuries of leaves. - - - - -_Late October_ - -(Bois de Boulogne) - - - Listen, the damp leaves on the walks are blowing - With a ghost of sound; - Is it a fog or is it a rain dripping - From the low trees to the ground? - - If I had gone before, I could have remembered - Lilacs and green after-noons of May; - I chose to wait, I chose to hear from autumn - Whatever she has to say. - - - - - III - - SAND - DRIFT - - - - -“_Beautiful, Proud Sea_” - - - Careless forever, beautiful proud sea, - You laugh in happy thunder all alone, - You fold upon yourself, you dance your dance - Impartially on drift-weed, sand or stone. - - You make us believe that we can outlive death, - You make us for an instant, for your sake, - Burn, like stretched silver of a wave, - Not breaking, but about to break. - - - - -_Land’s End_ - - - The shores of the world are ours, the solitary - Beaches that bear no fruit, nor any flowers, - Only the harsh sea-grass that the wind harries - Hours on unbroken hours. - - No one will envy us these empty reaches - At the world’s end, and none will care that we - Leave our lost footprints where the sand forever - Takes the unchanging passion of the sea. - - - - -_Sand Drift_ - - - I thought I should not walk these dunes again, - Nor feel the sting of this wind-bitten sand, - Where the coarse grasses always blow one way, - Bent, as my thoughts are, by an unseen hand. - - I have returned; where the last wave rushed up - The wet sand is a mirror for the sky - A bright blue instant, and along its sheen - The nimble sandpipers run twinkling by. - - Nothing has changed; with the same hollow thunder - The waves die in their everlasting snow-- - Only the place we sat is drifted over, - Lost in the blowing sand, long, long ago. - - - - -_Blue Stargrass_ - - - If we took the old path - In the old field - The same gate would stand there - That will never yield. - - Where the sun warmed us - With a cloak made of gold, - The rain would be falling - And the wind would be cold; - - And we would stop to search - In the wind and the rain, - But we would not find the stargrass - By the path again. - - - - -_September Night_ - - - We walked in the dew, in the drowsy starlight - To the sleepless, sleepy sound - Of insects singing in the low sea-meadows - For miles and miles around; - With a wheel and a whirr the resistless rhythm - Trembled incessantly; - Antares was red in the sky before us, - And behind us, the blackness of the sea. - - - - -_Low Tide_ - - - The birds are gathering over the dunes, - Swerving and wheeling in shifting flight, - A thousand wings sweep darkly by - Over the dunes and out of sight. - - Why did you bring me down to the sea - With the gathering birds and the fish-hawk flying, - The tide is low and the wind is hard, - Nothing is left but the old year dying. - - I wish I were one of the gathering birds, - Two sharp black wings would be good for me-- - When nothing is left but the old year dying, - Why did you bring me down to the sea? - - - - -IV - -PORTRAITS - - - - -_Effigy of a Nun_ - -(Sixteenth Century) - - - Infinite gentleness, infinite irony - Are in this face with fast-sealed eyes, - And round this mouth that learned in loneliness - How useless their wisdom is to the wise. - - In her nun’s habit carved, patiently, lovingly, - By one who knew the ways of womankind, - This woman’s face still keeps, in its cold wistful calm, - All of the subtle pride of her mind. - - These long patrician hands, clasping the crucifix, - Show she had weighed the world, her will was set; - These pale curved lips of hers, holding their hidden smile, - Once having made their choice, knew no regret. - - She was of those who hoard their own thoughts carefully, - Feeling them far too dear to give away, - Content to look at life with the high, insolent - Air of an audience watching a play. - - If she was curious, if she was passionate - She must have told herself that love was great, - But that the lacking it might be as great a thing - If she held fast to it, challenging fate. - - She who so loved herself and her own warring thoughts, - Watching their humorous, tragic rebound, - In her thick habit’s fold, sleeping, sleeping, - Is she amused at dreams she has found? - - Infinite tenderness, infinite irony - Are hidden forever in her closed eyes, - Who must have learned too well in her long loneliness - How empty wisdom is, even to the wise. - - - - -_Those Who Love_ - - - Those who love the most, - Do not talk of their love, - Francesca, Guinevere, - Deirdre, Iseult, Heloise, - In the fragrant gardens of heaven - Are silent, or speak if at all - Of fragile, inconsequent things. - - And a woman I used to know - Who loved one man from her youth, - Against the strength of the fates - Fighting in somber pride, - Never spoke of this thing, - But hearing his name by chance, - A light would pass over her face. - - - - -_Epitaph_ - - - Serene descent, as a red leaf’s descending - When there is neither wind nor noise of rain, - But only autumn air and the unending - Drawing of all things to the earth again: - - So be it; let the snow sift deep and cover - All that was drunken once with light and air; - The earth will not regret her tireless lover, - Nor he awake to know she does not care. - - - - -_Appraisal_ - - - Never think she loves him wholly, - Never believe her love is blind, - All his faults are locked securely - In a closet of her mind; - All his indecisions folded - Like old flags that time has faded, - Limp and streaked with rain, - And his cautiousness like garments - Frayed and thin, with many a stain-- - Let them be, oh let them be, - There is treasure to outweigh them, - His proud will that sharply stirred, - Climbs as surely as the tide, - Senses strained too taut to sleep, - Gentleness to beast and bird, - Humor flickering hushed and wide - As the moon on moving water, - And a tenderness too deep - To be gathered in a word. - - - - -_The Wise Woman_ - - - She must be rich who can forego - An hour so jewelled with delight, - She must have treasuries of joy - That she can draw on day and night, - She must be very sure of heaven-- - Or is it only that she feels - How much more safe it is to lack - A thing that time so often steals. - - - - -“_She Who Could Bind You_” - - - She who could bind you - Could bind fire to a wall; - She who could hold you - Could hold a waterfall; - She who could keep you - Could keep the wind from blowing - On a warm spring night - With a low moon glowing. - - - - -“_So This Was All_” - - - So this was all there was to the great play - She came so far to act in, this was all-- - Except the short last scene and the slow fall - Of the final curtain, that might catch half-way, - As final curtains do, and leave the grey - Lorn end of things too long exposed. The hall - Clapped faintly, and she took her curtain call, - Knowing how little she had left to say. - And in the pause before the last act started, - Slowly unpinning the roses she had worn, - She reconsidered lines that had been said, - And found them hardly worthy the high-hearted - Ardor that she had brought, nor the bright, torn, - Roses that shattered round her, dripping red. - - - - - V - - MIDSUMMER - NIGHTS - - - - -_Twilight_ - -(Nahant) - - - There was an evening when the sky was clear, - Ineffably translucent in its blue; - The tide was falling and the sea withdrew - In hushed and happy music from the sheer - Shadowy granite of the cliffs; and fear - Of what life may be, and what death can do, - Fell from us like steel armor, and we knew - The wisdom of the Law that holds us here. - It was as though we saw the Secret Will, - It was as though we floated and were free; - In the south-west a planet shone serenely, - And the high moon, most reticent and queenly, - Seeing the earth had darkened and grown still, - Misted with light the meadows of the sea. - - - - -_Full Moon_ - -(Santa Barbara) - - - I listened, there was not a sound to hear - In the great rain of moonlight pouring down, - The eucalyptus trees were carved in silver, - And a light mist of silver lulled the town. - - I saw far off the grey Pacific bearing - A broad white disk of flame, - And on the garden-walk a snail beside me - Tracing in crystal the slow way he came. - - - - -_The Fountain_ - - - Fountain, fountain, what do you say - Singing at night alone? - “It is enough to rise and fall - Here in my basin of stone.” - - But are you content as you seem to be - So near the freedom and rush of the sea? - “I have listened all night to its laboring sound, - It heaves and sags, as the moon runs round; - Ocean and fountain, shadow and tree, - Nothing escapes, nothing is free.” - - - - -_Clear Evening_ - - - The crescent moon is large enough to linger - A little while after the twilight goes, - This moist midsummer night the garden perfumes - Are earth and apple, dewy pine and rose. - - Over my head four new-cut stars are glinting - And the inevitable night draws on; - I am alone, the old terror takes me, - Evenings will come like this when I am gone; - - Evenings on evenings, years on years forever-- - Be taut, my spirit, close upon and keep - The scent, the brooding chill, the gliding fire-fly, - A poem learned before I fall asleep. - - - - -_Not by the Sea_ - - - Not by the sea, but somewhere in the hills, - Not by the sea, but in the uplands surely - There must be rest where a dim pool demurely - Watches all night the stern slow-moving skies; - - Not by the sea, that never was appeased, - Not by the sea, whose immemorial longing - Shames the tired earth where even longing dies, - Not by the sea that bore Iseult and Helen, - But in a dark green hollow of the hills - There must be sleep, even for sleepless eyes. - - - - -_Midsummer Night_ - - - Midsummer night without a moon, but the stars - In a serene bright multitude were there, - Even the shyest ones, even the faint motes shining - Low in the north, under the Little Bear. - - When I have said, “This tragic farce I play in - Has neither dignity, delight nor end,” - The holy night draws all its stars around me, - I am ashamed, I have betrayed my Friend. - - - - - VI - - THE - CRYSTAL - GAZER - - - - -_The Crystal Gazer_ - - - I shall gather myself into myself again, - I shall take my scattered selves and make them one, - Fusing them into a polished crystal ball - Where I can see the moon and the flashing sun. - - I shall sit like a sibyl, hour after hour intent, - Watching the future come and the present go, - And the little shifting pictures of people rushing - In restless self-importance to and fro. - - - - -_The Solitary_ - - - My heart has grown rich with the passing of years, - I have less need now than when I was young - To share myself with every comer - Or shape my thoughts into words with my tongue. - - It is one to me that they come or go - If I have myself and the drive of my will, - And strength to climb on a summer night - And watch the stars swarm over the hill. - - Let them think I love them more than I do, - Let them think I care, though I go alone; - If it lifts their pride, what is it to me - Who am self-complete as a flower or a stone. - - - - -_Day’s Ending_ - -(Tucson) - - - Aloof as aged kings, - Wearing like them the purple, - The mountains ring the mesa - Crowned with a dusky light; - Many a time I watched - That coming-on of darkness - Till stars burned through the heavens - Intolerably bright. - - It was not long I lived there - But I became a woman - Under those vehement stars. - For it was there I heard - For the first time my spirit - Forging an iron rule for me, - As though with slow cold hammers - Beating out word by word: - - “Only yourself can heal you, - Only yourself can lead you, - The road is heavy going - And ends where no man knows; - Take love when love is given, - But never think to find it - A sure escape from sorrow - Or a complete repose.” - - - - -_A Reply_ - - - Four people knew the very me, - Four is enough, so let it be; - For the rest I make no chart, - There are no highroads to my heart; - The gates are locked, they will not stir - For any ardent traveller. - I have not been misunderstood, - And on the whole, I think life good-- - So waste no sympathy on me - Or any well-meant gallantry; - I have enough to do to muse - On memories I would not lose. - - - - -_Leisure_ - - - If I should make no poems any more - There would be rest at least, so let it be; - Time to read books in other tongues and listen - To the long mellow thunder of the sea. - - The year will turn for me, I shall delight in - All animals, and some of my own kind, - Sharing with no one but myself the frosty - And half ironic musings of my mind. - - - - -“_I Shall Live to be Old_” - - - I shall live to be old, who feared I should die young, - I shall live to be old, - I shall cling to life as the leaves to the creaking oak - In the rustle of falling snow and the cold. - - The other trees let loose their leaves on the air - In their russet and red, - I have lived long enough to wonder which is the best, - And to envy sometimes the way of the early dead. - - - - -_Wisdom_ - - - It was a night of early spring, - The winter-sleep was scarcely broken; - Around us shadows and the wind - Listened for what was never spoken. - - Though half a score of years are gone, - Spring comes as sharply now as then-- - But if we had it all to do - It would be done the same again. - - It was a spring that never came, - But we have lived enough to know - What we have never had, remains; - It is the things we have that go. - - - - -_The Old Enemy_ - - - Rebellion against death, the old rebellion - Is over; I have nothing left to fight; - Battles have always had their meed of music - But peace is quiet as a windless night. - - Therefore I make no songs--I have grown certain - Save when he comes too late, death is a friend, - A shepherd leading home his flock serenely - Under the planet at the evening’s end. - - - - - VII - - BERKSHIRE - NOTES - - - - -_Winter Sun_ - -(Lenox) - - - There was a bush with scarlet berries - And there were hemlocks heaped with snow; - With a sound like surf on long sea-beaches - They took the wind and let it go. - - The hills were shining in their samite, - Fold after fold they flowed away-- - “Let come what may,” your eyes were saying, - “At least we two have had to-day.” - - - - -_A December Day_ - - - Dawn turned on her purple pillow - And late, late came the winter day, - Snow was curved to the boughs of the willow, - The sunless world was white and grey. - - At noon we heard a blue-jay scolding, - At five the last thin light was lost - From snow-banked windows faintly holding - The feathery filigree of frost. - - - - -_February Twilight_ - - - I stood beside a hill - Smooth with new-laid snow, - A single star looked out - From the cold evening glow. - - There was no other creature - That saw what I could see-- - I stood and watched the evening star - As long as it watched me. - - - - -“_I Have Seen the Spring_” - - - Nothing is new, I have seen the spring too often; - There have been other plum-trees white as this one - Like a silvery cloud tethered beside the road, - I have been waked from sleep too many times - By birds at dawn boasting their love is beautiful. - The grass-blades gleam in the wind, nothing is changed. - Nothing is lost, it is all as it used to be, - Unopened lilacs are still as deep a purple, - The boughs of the elm are dancing still in a veil of tiny leaves, - Nothing is lost but a few years from my life. - - - - -_Wind Elegy_ - -(W. E. W.) - - - Only the wind knows he is gone, - Only the wind grieves, - The sun shines, the fields are sown, - Sparrows mate in the eaves; - - But I heard the wind in the pines he planted - And the hemlocks overhead, - “His acres wake, for the year turns, - But he is asleep,” it said. - - - - -_In the Wood_ - - - I heard the water-fall rejoice - Singing like a choir, - I saw the sun flash out of it - Azure and amber fire. - - The earth was like an open flower - Enamelled and arrayed, - The path I took to find its heart - Fluttered with sun and shade. - - And while earth lured me, gently, gently, - Happy and all alone, - Suddenly a heavy snake - Reared black upon a stone. - - - - -_Autumn Dusk_ - - - I saw above a sea of hills - A solitary planet shine, - And there was no one near or far - To keep the world from being mine. - - - - - VIII - - ARCTURUS - IN - AUTUMN - - - - -_Arcturus in Autumn_ - - - When, in the gold October dusk, I saw you near to setting, - Arcturus, bringer of spring, - Lord of the summer nights, leaving us now in autumn, - Having no pity on our withering; - - Oh then I knew at last that my own autumn was upon me, - I felt it in my blood, - Restless as dwindling streams that still remember - The music of their flood. - - There in the thickening dark a wind-bent tree above me - Loosed its last leaves in flight-- - I saw you sink and vanish, pitiless Arcturus, - You will not stay to share our lengthening night. - - - - -“_I Could Snatch a Day_” - - - I could snatch a day out of the late autumn - And set it trembling like forgotten springs, - There would be sharp blue skies with new leaves shining - And flying shadows cast by flying wings. - - I could take the heavy wheel of the world and break it, - But we sit brooding while the ashes fall, - Cowering over an old fire that dwindles, - Waiting for nothing at all. - - - - -_An End_ - - - I have no heart for any other joy, - The drenched September day turns to depart, - And I have said good-bye to what I love; - With my own will I vanquished my own heart. - - On the long wind I hear the winter coming, - The window panes are cold and blind with rain; - With my own will I turned the summer from me - And summer will not come to me again. - - - - -_Foreknown_ - - - They brought me with a secret glee - The news I knew before they spoke, - And though they hoped to see me riven, - They found me light as dry leaves driven - Before the storm that splits an oak. - - For I had learned from many an autumn - The way a leaf can drift and go, - Lightly, lightly, almost gay - Taking the unreturning way - To mix with winter and the snow. - - - - -_Winter_ - - - I shall have winter now and lessening days, - Lit by a smoky sun with slanting rays, - And after falling leaves, the first determined frost. - The colors of the world will all be lost. - So be it; the faint buzzing of the snow - Will fill the empty boughs, - And after sleet storms I shall wake to see - A glittering glassy plume of every tree. - Nothing shall tempt me from my fire-lit house, - And I shall find at night a friendly ember - And make my life of what I can remember. - - - - -_Winter Night Song_ - - - Will you come as of old with singing, - And shall I hear as of old? - Shall I rush to open the window - In spite of the arrowy cold? - - Ah no, my dear, ah no, - I shall sit by the fire reading, - Though you sing half the night in the snow - I shall not be heeding. - - Though your voice remembers the forest, - The warm green light and the birds, - Though you gather the sea in your singing - And pour its sound into words, - - Even so, my dear, even so, - I shall not heed you at all; - Though your shoulders are white with snow, - Though you strain your voice to a call, - I shall drowse and the fire will drowse, - The draught will be cold on the floor, - The clock running down, - Snow banking the door. - - - - -_Never Again_ - - - Never again the music blown as brightly - Off of my heart as foam blown off a wave; - Never again the melody that lightly - Caressed my grief and healed the wounds it gave. - - Never again--I hear my dark thoughts clashing - Sullen and blind as waves that beat a wall-- - Age that is coming, summer that is going, - All I have lost or never found at all. - - - - -_The Tune_ - - - I know a certain tune that my life plays; - Over and over I have heard it start - With all the wavering loveliness of viols - And gain in swiftness like a runner’s heart. - - It climbs and climbs; I watch it sway in climbing - High over time, high even over doubt, - It has all heaven to itself--it pauses - And faltering blindly down the air, goes out. - - - - - IX - - THE - FLIGHT - - - - -_The Beloved_ - - - It is enough of honor for one lifetime - To have known you better than the rest have known, - The shadows and the colors of your voice, - Your will, immutable and still as stone. - - The shy heart, so lonely and so gay, - The sad laughter and the pride of pride, - The tenderness, the depth of tenderness - Rich as the earth, and wide as heaven is wide. - - - - -“_When I Am Not With You_” - - - When I am not with you - I am alone, - For there is no one else - And there is nothing - That comforts me but you. - When you are gone - Suddenly I am sick, - Blackness is round me, - There is nothing left. - I have tried many things, - Music and cities, - Stars in their constellations - And the sea, - But there is nothing - That comforts me but you; - And my poor pride bows down - Like grass in a rain-storm - Drenched with my longing. - The night is unbearable, - Oh let me go to you - For there is no one, - There is nothing - To comfort me but you. - - - - -_Dedication_ - - - At least I have loved you; - Though much went wrong, - This was good, - This was strong. - - Unshaken - In spite of the going of years, - Too sure to retract, - Too proud for tears. - - Let my love be the pillow - Under your head, - On your lips like a song, - To your hunger, bread. - - - - -_On a March Day_ - - - Here in the teeth of this triumphant wind - That shakes the naked shadows on the ground, - Making a key-board of the earth to strike - From clattering tree and hedge a separate sound, - - Bear witness for me that I loved my life, - All things that hurt me and all things that healed, - And that I swore to it this day in March, - Here at the edge of this new-broken field. - - You only knew me, tell them I was glad - For every hour since my hour of birth, - And that I ceased to fear, as once I feared, - The last complete reunion with the earth. - - - - -_Let It Be You_ - - - Let it be you who lean above me - On my last day, - Let it be you who shut my eyelids - Forever and aye. - - Say a “Good-night” as you have said it - All of these years, - With the old look, with the old whisper - And without tears. - - You will know then all that in silence - You always knew, - Though I have loved, I loved no other - As I love you. - - - - -_The Flight_ - - - We are two eagles - Flying together - Under the heavens, - Over the mountains, - Stretched on the wind. - Sunlight heartens us, - Blind snow baffles us, - Clouds wheel after us - Ravelled and thinned. - - We are like eagles, - But when Death harries us, - Human and humbled - When one of us goes, - Let the other follow, - Let the flight be ended, - Let the fire blacken, - Let the book close. - -*** END OF THE PROJECT GUTENBERG EBOOK DARK OF THE MOON *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg™ electronic works - -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you will have to check the laws of the country where - you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: - -• You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - -• You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - -• You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -• You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you “AS-IS”, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg™ - -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™'s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - -Section 3. Information about the Project Gutenberg Literary -Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation's website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg™ depends upon and cannot survive without -widespread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg™ electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. - -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/old/69866-0.zip b/old/69866-0.zip Binary files differdeleted file mode 100644 index 1f5804f..0000000 --- a/old/69866-0.zip +++ /dev/null diff --git a/old/69866-h.zip b/old/69866-h.zip Binary files differdeleted file mode 100644 index 0721890..0000000 --- a/old/69866-h.zip +++ /dev/null diff --git a/old/69866-h/69866-h.htm b/old/69866-h/69866-h.htm deleted file mode 100644 index 6beb50a..0000000 --- a/old/69866-h/69866-h.htm +++ /dev/null @@ -1,2918 +0,0 @@ -<!DOCTYPE html> -<html lang="en"> -<head> - <meta charset="UTF-8"> - <title> - Dark Of The Moon, by Sara Teasdale—A Project Gutenberg eBook - </title> - <link rel="icon" href="images/cover.jpg" type="image/x-cover"> - <style> /* <![CDATA[ */ - -body { - margin-left: 2.5em; - margin-right: 2.5em; -} -.x-ebookmaker body {margin: 0;} -.x-ebookmaker-drop {color: inherit;} - -h1, h2 { - text-align: center; - clear: both; - margin-top: 2.5em; - margin-bottom: 1em; -} - -h1 {line-height: 1.5; font-size: 1.1em;} - -h2.chap {margin-bottom: 0;} -h2+p {margin-top: 1.5em;} -h2 .subhead {display: block; margin-top: .25em; margin-bottom: 1em;} -.x-ebookmaker h1, .x-ebookmaker .chapter {page-break-before: always;} -.x-ebookmaker h1.nobreak, .x-ebookmaker h2.nobreak, .x-ebookmaker .nobreak {page-break-before: avoid; padding-top: 0;} - -.transnote h2 { - margin-top: .5em; - margin-bottom: 1em; -} - -.subhead { - text-indent: 0; - text-align: center; - font-size: smaller; -} -.section h2 {font-size: 1.5em; line-height: 1.4;} -.section h2 .subhead {margin-top: 1em;} - -p { - text-indent: 1.75em; - margin-top: .51em; - margin-bottom: .24em; - text-align: justify; -} -p.center, .center p {text-indent: 0;} -.x-ebookmaker p { - margin-top: .5em; - margin-bottom: .25em; -} - -.p1 {margin-top: 1em;} -.p2 {margin-top: 2em;} -.p4 {margin-top: 4em;} -.vspace {line-height: 1.5;} - -.in0 {text-indent: 0;} -.in3 {padding-left: 3.5em;} -.l2 {padding-right: 2em;} -.l4 {padding-right: 4em;} - -.smaller {font-size: 85%;} -.larger {font-size: 125%;} -.large {font-size: 150%;} - -p.drop-cap {text-indent: 0;} -p.drop-cap:first-letter { - float: left; - margin: .3em .2em 0 0; - font-size: 150%; - line-height:0.7em; - text-indent: 0; - clear: both; -} -p.drop-cap .smcap1 {margin-left: -.2em;} -p .smcap1 {font-size: 125%;} -.smcap1 {font-variant: small-caps;} - -.x-ebookmaker p.drop-cap {text-indent: 1.75em; margin-bottom: .24em;} -.x-ebookmaker p.drop-cap:first-letter { - float: none; - font-size: 100%; - margin-left: 0; - margin-right: 0; - text-indent: 1.75em; -} - -.x-ebookmaker p.drop-cap .smcap1 {margin-left: 0;} -.x-ebookmaker p .smcap1 {font-size: 100%;} -.x-ebookmaker .smcap1 {font-variant: normal;} - -.verse.drop-cap.indent0 {text-indent: 0; padding-left: 0;} -.verse.drop-cap.indent0:first-letter { - float: left; - margin: 0; - font-size: 3.25em; - line-height: .7em; - text-indent: 0; - clear: both; -} -.x-ebookmaker .verse.drop-cap.indent0:first-letter { - float: none; - margin: 0 0 0 0; - font-size: 1.25em; - text-indent: 0; -} - -.verse.drop-cap .firstword {letter-spacing: .1em;} -.verse.drop-cap.indent0+.indent0 {padding-left: 4.5em; text-indent: -2em;} -.verse.drop-cap.indent0.wide+.indent0 {padding-left: 5.5em; text-indent: -2em;} -.verse.drop-cap.indent0+.indent2 {padding-left: 5.5em; text-indent: -2em;} -.verse.drop-cap.indent0.i .firstword {padding-left: .5em;} -.verse.drop-cap.indent0.al:first-letter {margin-right: -.2em;} - -.x-ebookmaker .drop-cap.indent0+.indent0, - .x-ebookmaker .verse.drop-cap.indent0+.indent0, - .x-ebookmaker .verse.drop-cap.indent0.wide+.indent0, - .x-ebookmaker .verse.drop-cap.indent0.i .firstword {text-indent: 0; padding-left: 0;} -.x-ebookmaker .verse.drop-cap.indent0.al:first-letter {text-indent: 0; padding-left: 0; margin: 0;} -.x-ebookmaker .verse.drop-cap.indent0+.indent2 {text-indent: -2em; padding-left: 3em;} - -.verse.pr2 {padding-right: 2em;} -.verse.pr3 {padding-right: 3em;} -.verse.pr4 {padding-right: 4em;} -.verse.pr6 {padding-right: 6em;} -.verse.pr8 {padding-right: 8em;} - - -.x-ebookmaker .verse.pr2, - .x-ebookmaker .verse.pr3, - .x-ebookmaker .verse.pr4, - .x-ebookmaker .verse.pr6, - .x-ebookmaker .verse.pr8 { - margin-right: 0;} - -.center {text-align: center;} - -.smcap {font-variant: small-caps;} -.allsmcap {font-variant: small-caps; text-transform: lowercase;} -.firstword {font-variant: small-caps;} - -hr { - width: 50%; - margin: 4em auto 4em auto; - clear: both; -} -hr.sec {width: 75%;} -hr.sec2 {width: 75%;} -.x-ebookmaker hr { - margin-top: .1em; - margin-bottom: .1em; - visibility: hidden; - color: white; - width: .01em; - display: none; -} - -table { - margin-left: auto; - margin-right: auto; - max-width: 80%; - border-collapse: collapse; -} -.x-ebookmaker table {width: auto; max-width: 90%; margin: 1em auto 1em auto;} - -.tdl { - text-align: left; - vertical-align: top; - padding-right: 1em; - padding-left: 3.5em; - text-indent: -1.5em; -} -.tdl.chapsub {padding-left: 1.5em; font-size: 1.2em;} - -.x-ebookmaker .tdl { - padding-left: 1em; - text-indent: -1em; - padding-right: 0; -} - -.tdc {text-align: center;} -.tdc.chap { - font-size: .9em; - padding-top: 1.5em; - padding-bottom: .5em; -} - -.tdr { - text-align: right; - vertical-align: bottom; - padding-left: .3em; - white-space: nowrap; -} - -#toc .tdl, #toc .tdc {word-spacing: .15em;} - -.pagenum { - position: absolute; - right: .25em; - text-indent: 0; - text-align: right; - font-size: 70%; - font-weight: normal; - font-variant: normal; - font-style: normal; - letter-spacing: normal; - line-height: normal; - color: #acacac; - border: .0625em solid #acacac; - background: #ffffff; - padding: .0625em .125em; -} - -ul {margin-left: 0; padding-left: 0;} -li {list-style-type: none; padding-left: 2em; text-indent: -2em; text-align: left;} - -.blockquot { - margin: 1.5em 5% 1.5em 5%; - font-size: 95%; -} - -.blockquot.inhead p {padding-left: 1.5em; text-indent: -1.5em;} -.blockquot.inhead.center p {padding-left: 0; text-indent: 0; text-align: center;} -.x-ebookmaker .blockquot {margin: 1.5em 3% 1.5em 3%;} - -.hang p { - text-align: justify; - padding-left: 2.5em; - text-indent: -2.5em; -} -.x-ebookmaker .hang {margin: .5em 3% 2em 3%;} - -.poetry-container { - margin: 1.5em auto 1.5em auto; - text-align: center; - font-size: 98%; - display: flex; - justify-content: center; -} - -.poetry {display: block; text-align: left; margin-left: 0;} -.poetry .stanza {padding: 0.5em 0; page-break-inside: avoid;} -.poetry .verse {text-indent: -3em; padding-left: 3em;} - -.poetry .indent0 {text-indent: -3em;} -.poetry .indent1 {text-indent: -2.5em;} -.poetry .indent2 {text-indent: -2em;} -.poetry .indent4 {text-indent: -1em;} -.poetry .indent6 {text-indent: 0em;} - -.x-ebookmaker-2 .poetry {margin-left: 5%; margin-right: 5%;} - -.gesperrt { - letter-spacing: 0.2em; - margin-right: -0.2em; -} -.wspace {word-spacing: .3em;} - -.pagenum br {display: none; visibility: hidden;} -.bbox {border: .3em double black; padding: 1em .5em; margin: 4em auto 4em auto; max-width: 25em; page-break-before: always; page-break-after: always;} - - /* ]]> */ </style> -</head> - -<body> -<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Dark of the Moon, by Sara Teasdale</p> -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Dark of the Moon</p> -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: Sara Teasdale</p> -<p style='display:block; text-indent:0; margin:1em 0'>Release Date: January 24, 2023 [eBook #69866]</p> -<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p> - <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Tim Lindell, Charlie Howard, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)</p> -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK DARK OF THE MOON ***</div> - -<h1><span class="gesperrt">DARK</span><br> -OF<br> -THE<br> -MOON</h1> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p class="p4 large in0"><i>BOOKS BY SARA TEASDALE</i></p> - -<ul> -<li>SONNETS TO DUSE (out of print)</li> -<li>HELEN OF TROY AND OTHER POEMS</li> -<li>RIVERS TO THE SEA</li> -<li>LOVE SONGS</li> -<li>FLAME AND SHADOW</li> -</ul> - -<p class="p2 larger in0"><i>ANTHOLOGIES</i>:</p> - -<ul> -<li>THE ANSWERING VOICE: ONE HUNDRED LOVE LYRICS BY WOMEN</li> -<li>RAINBOW GOLD: POEMS OLD AND NEW, SELECTED FOR BOYS AND GIRLS</li> -</ul> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter bbox center"> -<p class="center large gesperrt"> -DARK OF THE MOON</p> - -<p class="p1 center wspace"><span class="smcap">By</span><br> -SARA TEASDALE</p> - -<p class="p2 center vspace wspace">NEW YORK<br> -THE MACMILLAN COMPANY<br> -<span class="gesperrt">1926</span> -</p> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> - -<div class="blockquot hang"> - -<p><i>Copyright, 1921, by Harper Brothers, Charles Scribner’s -Sons, The Century Company, Harcourt Brace -and Company, George H. Doran Company, The -New Republic, Inc., and The Yale Publishing -Association.</i></p> - -<p><i>Copyright, 1922, by The Century Company, Harcourt -Brace and Company, Vanity Fair Publishing -Company, Inc., and George H. Doran Company.</i></p> - -<p><i>Copyright, 1923, by Charles Scribner’s Sons, The Century -Company, The New Republic, Inc., Gene Derwood -and The Atlantic Monthly Company.</i></p> - -<p><i>Copyright, 1924, by The Dial Publishing Company, Inc., -The Century Company, George H. Doran Co., and -Harriet Monroe.</i></p> - -<p><i>Copyright, 1925, by Harcourt Brace and Company, and -The Yale Publishing Association.</i></p> - -<p><i>Copyright, 1926, by The Atlantic Monthly Company, The -Yale Publishing Association, The New Republic, -Inc., The Saturday Review Co., Inc., Charles -Scribner’s Sons, and The New York Herald-Tribune, -Inc.</i></p> -</div> - -<p class="p2 in0 in3 smaller"> -COPYRIGHT, 1926,<br> -BY THE MACMILLAN COMPANY. -</p> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p class="center larger wspace"> -<i>to</i> E. -</p> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> - -<div class="blockquot"> - -<p class="drop-cap"><i><span class="smcap1">Thanks</span> are due to the editors of -Scribner’s Magazine, The New -Republic, The Yale Review, Poetry, -The Dial, The Atlantic Monthly, -The London Mercury and other -publications for their permission to -reprint certain of the following -poems.</i></p> - -<p><i>For permission to set any of the -poems to music, application should -be made to the author.</i></p> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_9">9</span></p> - -<h2 class="nobreak" id="Contents"><i>Contents</i></h2> -</div> - -<table id="toc"> -<tr> - <td class="tdc chap" colspan="2"><a href="#sec_1">I</a></td> -</tr> -<tr> - <td class="tdl chapsub"><i>THERE WILL BE STARS</i></td> - <td class="tdr"><span class="allsmcap">PAGE</span></td> -</tr> -<tr> - <td class="tdl">ON THE SUSSEX DOWNS</td> - <td class="tdr"><a href="#Page_15">15</a></td> -</tr> -<tr> - <td class="tdl">AUGUST NIGHT</td> - <td class="tdr"><a href="#Page_16">16</a></td> -</tr> -<tr> - <td class="tdl">TWO MINDS</td> - <td class="tdr"><a href="#Page_17">17</a></td> -</tr> -<tr> - <td class="tdl">WORDS FOR AN OLD AIR</td> - <td class="tdr"><a href="#Page_18">18</a></td> -</tr> -<tr> - <td class="tdl">MOUNTAIN WATER</td> - <td class="tdr"><a href="#Page_19">19</a></td> -</tr> -<tr> - <td class="tdl">AT TINTAGIL</td> - <td class="tdr"><a href="#Page_20">20</a></td> -</tr> -<tr> - <td class="tdl">“THERE WILL BE STARS”</td> - <td class="tdr"><a href="#Page_21">21</a></td> -</tr> -<tr> - <td class="tdc chap" colspan="2"><a href="#sec_2">II</a></td> -</tr> -<tr> - <td class="tdl chapsub" colspan="2"><i>PICTURES OF AUTUMN</i></td> -</tr> -<tr> - <td class="tdl">AUTUMN</td> - <td class="tdr"><a href="#Page_25">25</a></td> -</tr> -<tr> - <td class="tdl">SEPTEMBER DAY</td> - <td class="tdr"><a href="#Page_26">26</a></td> -</tr> -<tr> - <td class="tdl">FONTAINEBLEAU</td> - <td class="tdr"><a href="#Page_27">27</a></td> -</tr> -<tr> - <td class="tdl">LATE OCTOBER</td> - <td class="tdr"><a href="#Page_28">28</a></td> -</tr> -<tr> - <td class="tdc chap" colspan="2"><a href="#sec_3">III</a></td> -</tr> -<tr> - <td class="tdl chapsub" colspan="2"><i>SAND DRIFT</i></td> -</tr> -<tr> - <td class="tdl">“BEAUTIFUL, PROUD SEA”</td> - <td class="tdr"><a href="#Page_31">31</a></td> -</tr> -<tr> - <td class="tdl">LAND’S END</td> - <td class="tdr"><a href="#Page_32">32</a></td> -</tr> -<tr> - <td class="tdl">SAND DRIFT</td> - <td class="tdr"><a href="#Page_33">33</a></td> -</tr> -<tr> - <td class="tdl">BLUE STARGRASS</td> - <td class="tdr"><a href="#Page_34">34</a></td> -</tr> -<tr> - <td class="tdl">SEPTEMBER NIGHT</td> - <td class="tdr"><a href="#Page_35">35</a></td> -</tr> -<tr> - <td class="tdl">LOW TIDE</td> - <td class="tdr"><a href="#Page_36">36</a></td> -</tr> -<tr> - <td class="tdc chap" colspan="2"><a href="#sec_4">IV</a></td> -</tr> -<tr> - <td class="tdl chapsub" colspan="2"><i>PORTRAITS</i></td> -</tr> -<tr> - <td class="tdl">EFFIGY OF A NUN</td> - <td class="tdr"><a href="#Page_39">39</a><span class="pagenum" id="Page_10">10</span></td> -</tr> -<tr> - <td class="tdl">THOSE WHO LOVE</td> - <td class="tdr"><a href="#Page_41">41</a></td> -</tr> -<tr> - <td class="tdl">EPITAPH</td> - <td class="tdr"><a href="#Page_42">42</a></td> -</tr> -<tr> - <td class="tdl">APPRAISAL</td> - <td class="tdr"><a href="#Page_43">43</a></td> -</tr> -<tr> - <td class="tdl">THE WISE WOMAN</td> - <td class="tdr"><a href="#Page_44">44</a></td> -</tr> -<tr> - <td class="tdl">“SHE WHO COULD BIND YOU”</td> - <td class="tdr"><a href="#Page_45">45</a></td> -</tr> -<tr> - <td class="tdl">“SO THIS WAS ALL”</td> - <td class="tdr"><a href="#Page_46">46</a></td> -</tr> -<tr> - <td class="tdc chap" colspan="2"><a href="#sec_5">V</a></td> -</tr> -<tr> - <td class="tdl chapsub" colspan="2"><i>MIDSUMMER NIGHTS</i></td> -</tr> -<tr> - <td class="tdl">TWILIGHT</td> - <td class="tdr"><a href="#Page_49">49</a></td> -</tr> -<tr> - <td class="tdl">FULL MOON</td> - <td class="tdr"><a href="#Page_50">50</a></td> -</tr> -<tr> - <td class="tdl">THE FOUNTAIN</td> - <td class="tdr"><a href="#Page_51">51</a></td> -</tr> -<tr> - <td class="tdl">CLEAR EVENING</td> - <td class="tdr"><a href="#Page_52">52</a></td> -</tr> -<tr> - <td class="tdl">NOT BY THE SEA</td> - <td class="tdr"><a href="#Page_53">53</a></td> -</tr> -<tr> - <td class="tdl">MIDSUMMER NIGHT</td> - <td class="tdr"><a href="#Page_54">54</a></td> -</tr> -<tr> - <td class="tdc chap" colspan="2"><a href="#sec_6">VI</a></td> -</tr> -<tr> - <td class="tdl chapsub" colspan="2"><i>THE CRYSTAL GAZER</i></td> -</tr> -<tr> - <td class="tdl">THE CRYSTAL GAZER</td> - <td class="tdr"><a href="#Page_57">57</a></td> -</tr> -<tr> - <td class="tdl">THE SOLITARY</td> - <td class="tdr"><a href="#Page_58">58</a></td> -</tr> -<tr> - <td class="tdl">DAY’S ENDING</td> - <td class="tdr"><a href="#Page_59">59</a></td> -</tr> -<tr> - <td class="tdl">A REPLY</td> - <td class="tdr"><a href="#Page_60">60</a></td> -</tr> -<tr> - <td class="tdl">LEISURE</td> - <td class="tdr"><a href="#Page_61">61</a></td> -</tr> -<tr> - <td class="tdl">“I SHALL LIVE TO BE OLD”</td> - <td class="tdr"><a href="#Page_62">62</a></td> -</tr> -<tr> - <td class="tdl">WISDOM</td> - <td class="tdr"><a href="#Page_63">63</a></td> -</tr> -<tr> - <td class="tdl">THE OLD ENEMY</td> - <td class="tdr"><a href="#Page_64">64</a></td> -</tr> -<tr> - <td class="tdc chap" colspan="2"><a href="#sec_7">VII</a></td> -</tr> -<tr> - <td class="tdl chapsub" colspan="2"><i>BERKSHIRE NOTES</i></td> -</tr> -<tr> - <td class="tdl">WINTER SUN</td> - <td class="tdr"><a href="#Page_67">67</a></td> -</tr> -<tr> - <td class="tdl">A DECEMBER DAY</td> - <td class="tdr"><a href="#Page_68">68</a><span class="pagenum" id="Page_11">11</span></td> -</tr> -<tr> - <td class="tdl">FEBRUARY TWILIGHT</td> - <td class="tdr"><a href="#Page_69">69</a></td> -</tr> -<tr> - <td class="tdl">“I HAVE SEEN THE SPRING”</td> - <td class="tdr"><a href="#Page_70">70</a></td> -</tr> -<tr> - <td class="tdl">WIND ELEGY</td> - <td class="tdr"><a href="#Page_71">71</a></td> -</tr> -<tr> - <td class="tdl">IN THE WOOD</td> - <td class="tdr"><a href="#Page_72">72</a></td> -</tr> -<tr> - <td class="tdl">AUTUMN DUSK</td> - <td class="tdr"><a href="#Page_73">73</a></td> -</tr> -<tr> - <td class="tdc chap" colspan="2"><a href="#sec_8">VIII</a></td> -</tr> -<tr> - <td class="tdl chapsub" colspan="2"><i>ARCTURUS IN AUTUMN</i></td> -</tr> -<tr> - <td class="tdl">ARCTURUS IN AUTUMN</td> - <td class="tdr"><a href="#Page_77">77</a></td> -</tr> -<tr> - <td class="tdl">“I COULD SNATCH A DAY”</td> - <td class="tdr"><a href="#Page_78">78</a></td> -</tr> -<tr> - <td class="tdl">AN END</td> - <td class="tdr"><a href="#Page_79">79</a></td> -</tr> -<tr> - <td class="tdl">FOREKNOWN</td> - <td class="tdr"><a href="#Page_80">80</a></td> -</tr> -<tr> - <td class="tdl">WINTER</td> - <td class="tdr"><a href="#Page_81">81</a></td> -</tr> -<tr> - <td class="tdl">WINTER NIGHT SONG</td> - <td class="tdr"><a href="#Page_82">82</a></td> -</tr> -<tr> - <td class="tdl">NEVER AGAIN</td> - <td class="tdr"><a href="#Page_83">83</a></td> -</tr> -<tr> - <td class="tdl">THE TUNE</td> - <td class="tdr"><a href="#Page_84">84</a></td> -</tr> -<tr> - <td class="tdc chap" colspan="2"><a href="#sec_9">IX</a></td> -</tr> -<tr> - <td class="tdl chapsub" colspan="2"><i>THE FLIGHT</i></td> -</tr> -<tr> - <td class="tdl">THE BELOVED</td> - <td class="tdr"><a href="#Page_87">87</a></td> -</tr> -<tr> - <td class="tdl">“WHEN I AM NOT WITH YOU”</td> - <td class="tdr"><a href="#Page_88">88</a></td> -</tr> -<tr> - <td class="tdl">DEDICATION</td> - <td class="tdr"><a href="#Page_89">89</a></td> -</tr> -<tr> - <td class="tdl">ON A MARCH DAY</td> - <td class="tdr"><a href="#Page_90">90</a></td> -</tr> -<tr> - <td class="tdl">LET IT BE YOU</td> - <td class="tdr"><a href="#Page_91">91</a></td> -</tr> -<tr> - <td class="tdl">THE FLIGHT</td> - <td class="tdr"><a href="#Page_92">92</a></td> -</tr> -</table> - -<p><span class="pagenum" id="Page_12">12</span></p> - -<p><span class="pagenum" id="Page_13">13</span></p> -<hr class="chap sec x-ebookmaker-drop"> - -<div class="chapter section" id="sec_1"> -<h2> -I<br> - -<span class="subhead">THERE<br> -WILL<br> -BE<br> -STARS</span> -</h2> -</div> - -<hr class="sec2"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_15">15</span></p> - -<h2 class="nobreak" id="On_the_Sussex_Downs"><i>On the Sussex Downs</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Over</span> the downs there were birds flying,</div> - <div class="verse indent2">Far off glittered the sea,</div> - <div class="verse indent0">And toward the north the weald of Sussex</div> - <div class="verse indent2">Lay like a kingdom under me.</div> - </div> - <div class="stanza"> - <div class="verse indent0">I was happier than the larks</div> - <div class="verse indent2">That nest on the downs and sing to the sky,</div> - <div class="verse indent0">Over the downs the birds flying</div> - <div class="verse indent2">Were not so happy as I.</div> - </div> - <div class="stanza"> - <div class="verse indent0">It was not you, though you were near,</div> - <div class="verse indent2">Though you were good to hear and see,</div> - <div class="verse indent0">It was not earth, it was not heaven</div> - <div class="verse indent2">It was myself that sang in me.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_16">16</span></p> -<h2 class="nobreak" id="August_Night"><i>August Night</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">On</span> a midsummer night, on a night that was eerie with stars,</div> - <div class="verse indent2">In a wood too deep for a single star to look through,</div> - <div class="verse indent0">You led down a path whose turnings you knew in the darkness,</div> - <div class="verse indent2">But the scent of the dew-dripping cedars was all that I knew.</div> - </div> - <div class="stanza"> - <div class="verse indent0">I drank of the darkness, I was fed with the honey of fragrance,</div> - <div class="verse indent2">I was glad of my life, the drawing of breath was sweet;</div> - <div class="verse indent0">I heard your voice, you said, “Look down, see the glow-worm!”</div> - <div class="verse indent2">It was there before me, a small star white at my feet.</div> - </div> - <div class="stanza"> - <div class="verse indent0">We watched while it brightened as though it were breathed on and burning,</div> - <div class="verse indent2">This tiny creature moving over earth’s floor—</div> - <div class="verse indent0">“‘<i lang="fr">L’amor che move il sole e l’altre stelle</i>,’”</div> - <div class="verse indent2">You said, and no more.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_17">17</span></p> -<h2 class="nobreak" id="Two_Minds"><i>Two Minds</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Your</span> mind and mine are such great lovers they</div> - <div class="verse indent0">Have freed themselves from cautious human clay,</div> - <div class="verse indent0">And on wild clouds of thought, naked together</div> - <div class="verse indent0">They ride above us in extreme delight;</div> - <div class="verse indent0">We see them, we look up with a lone envy</div> - <div class="verse indent0 pr4">And watch them in their zone of crystal weather</div> - <div class="verse indent0">That changes not for winter or the night.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_18">18</span></p> -<h2 class="nobreak" id="Words_for_An_Old_Air"><i>Words for An Old Air</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Your</span> heart is bound tightly, let</div> - <div class="verse indent2">Beauty beware,</div> - <div class="verse indent0">It is not hers to set</div> - <div class="verse indent2">Free from the snare.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Tell her a bleeding hand</div> - <div class="verse indent2">Bound it and tied it,</div> - <div class="verse indent0">Tell her the knot will stand</div> - <div class="verse indent2">Though she deride it;</div> - </div> - <div class="stanza"> - <div class="verse indent0">One who withheld so long</div> - <div class="verse indent2 pr3">All that you yearned to take,</div> - <div class="verse indent0">Has made a snare too strong</div> - <div class="verse indent2">For Beauty’s self to break.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_19">19</span></p> -<h2 class="nobreak" id="Mountain_Water"><i>Mountain Water</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">You</span> have taken a drink from a wild fountain</div> - <div class="verse indent2">Early in the year;</div> - <div class="verse indent0">There is nowhere to go from the top of a mountain</div> - <div class="verse indent2">But down, my dear;</div> - <div class="verse indent0">And the springs that flow on the floor of the valley</div> - <div class="verse indent2">Will never seem fresh or clear</div> - <div class="verse indent0">For thinking of the glitter of the mountain water</div> - <div class="verse indent2">In the feathery green of the year.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_20">20</span></p> -<h2 class="nobreak" id="At_Tintagil"><i>At Tintagil</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Iseult,</span> Iseult, by the long waterways</div> - <div class="verse indent2">Watching the wintry moon, white as a flower,</div> - <div class="verse indent0">I have remembered how once in Tintagil</div> - <div class="verse indent2">You heard the tread of Time hour after hour.</div> - </div> - <div class="stanza"> - <div class="verse indent0">By casements hung with night, while all your women slept</div> - <div class="verse indent2">You turned toward Brittany, awake, alone,</div> - <div class="verse indent0">In the high chamber hushed, save where the candle dripped</div> - <div class="verse indent2">With the slow patient sound of blood on stone.</div> - </div> - <div class="stanza"> - <div class="verse indent0">The ache of empty arms was an old tale to you,</div> - <div class="verse indent2">And all the tragic tunes that love can play,</div> - <div class="verse indent0">Yet with no woman born would you have changed your lot,</div> - <div class="verse indent2">Though there were greater queens who had been gay.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_21">21</span></p> -<h2 class="nobreak" id="There_Will_Be_Stars">“<i>There Will Be Stars</i>”</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">There</span> will be stars over the place forever;</div> - <div class="verse indent2">Though the house we loved and the street we loved are lost,</div> - <div class="verse indent0">Every time the earth circles her orbit</div> - <div class="verse indent2">On the night the autumn equinox is crossed,</div> - <div class="verse indent0 pr8">Two stars we knew, poised on the peak of midnight</div> - <div class="verse indent2">Will reach their zenith; stillness will be deep;</div> - <div class="verse indent0">There will be stars over the place forever,</div> - <div class="verse indent2">There will be stars forever, while we sleep.</div> - </div> -</div> -</div> -<p><span class="pagenum" id="Page_22">22</span></p> - -<hr class="chap sec x-ebookmaker-drop"> - -<div class="chapter section" id="sec_2"> -<h2> -II<br> - -<span class="subhead"> -PICTURES<br> -OF<br> -AUTUMN</span> -</h2> -</div> -<hr class="sec2"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_25">25</span></p> - -<h2 class="nobreak" id="Autumn"><i>Autumn</i><br> - -<span class="subhead">(Parc Monceau)</span> -</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap i"><span class="firstword">I shall</span> remember only these leaves falling</div> - <div class="verse indent2">Small and incessant in the still air,</div> - <div class="verse indent0">Yellow leaves on the dark green water resting</div> - <div class="verse indent2">And the marble Venus there—</div> - <div class="verse indent0">Is she pointing to her breasts or trying to hide them?</div> - <div class="verse indent1">There is no god to care.</div> - </div> - <div class="stanza"> - <div class="verse indent0">The colonnade curves close to the leaf-strewn water</div> - <div class="verse indent2">And its reflection seems</div> - <div class="verse indent0">Lost in the mass of leaves and unavailing</div> - <div class="verse indent2">As a dream lost among dreams;</div> - <div class="verse indent0">The colonnade curves close to the leaf-strewn water</div> - <div class="verse indent2">A dream lost among dreams.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_26">26</span></p> -<h2 class="nobreak" id="September_Day"><i>September Day</i><br> - -<span class="subhead">(Pont de Neuilly)</span> -</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">The</span> Seine flows out of the mist</div> - <div class="verse indent2">And into the mist again;</div> - <div class="verse indent0">The trees lean over the water,</div> - <div class="verse indent2">The small leaves fall like rain.</div> - </div> - <div class="stanza"> - <div class="verse indent0">The leaves fall patiently,</div> - <div class="verse indent2">Nothing remembers or grieves;</div> - <div class="verse indent0">The river takes to the sea</div> - <div class="verse indent2">The yellow drift of the leaves.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Milky and cold is the air,</div> - <div class="verse indent2 pr2">The leaves float with the stream,</div> - <div class="verse indent0">The river comes out of a sleep</div> - <div class="verse indent2">And goes away in a dream.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_27">27</span></p> -<h2 class="nobreak" id="Fontainebleau"><i>Fontainebleau</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Interminable</span> palaces front on the green parterres,</div> - <div class="verse indent2">And ghosts of ladies lovely and immoral</div> - <div class="verse indent0">Glide down the gilded stairs,</div> - <div class="verse indent2">The high cold corridors are clicking with the heel taps</div> - <div class="verse indent0">That long ago were theirs.</div> - </div> - <div class="stanza"> - <div class="verse indent0">But in the sunshine, in the vague autumn sunshine,</div> - <div class="verse indent2">The geometric gardens are desolately gay;</div> - <div class="verse indent0">The crimson and scarlet and rose-red dahlias</div> - <div class="verse indent2">Are painted like the ladies who used to pass this way</div> - <div class="verse indent0">With a ringletted monarch, a Henry or a Louis</div> - <div class="verse indent2">On a lost October day.</div> - </div> - <div class="stanza"> - <div class="verse indent0">The aisles of the garden lead into the forest,</div> - <div class="verse indent2">The aisles lead into autumn, a damp wind grieves,</div> - <div class="verse indent0">Ghostly kings are hunting, the boar breaks cover,</div> - <div class="verse indent2">But the sounds of horse and horn are hushed in falling leaves,</div> - <div class="verse indent2">Four centuries of autumns, four centuries of leaves.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_28">28</span></p> -<h2 class="nobreak" id="Late_October"><i>Late October</i><br> - -<span class="subhead">(Bois de Boulogne)</span> -</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap al"><span class="firstword">Listen,</span> the damp leaves on the walks are blowing</div> - <div class="verse indent2">With a ghost of sound;</div> - <div class="verse indent0">Is it a fog or is it a rain dripping</div> - <div class="verse indent2">From the low trees to the ground?</div> - </div> - <div class="stanza"> - <div class="verse indent0 pr3">If I had gone before, I could have remembered</div> - <div class="verse indent2">Lilacs and green after-noons of May;</div> - <div class="verse indent0">I chose to wait, I chose to hear from autumn</div> - <div class="verse indent2">Whatever she has to say.</div> - </div> -</div> -</div> -<p><span class="pagenum" id="Page_29">29</span></p> - -<hr class="chap sec x-ebookmaker-drop"> - -<div class="chapter section" id="sec_3"> -<h2> -III<br> - -<span class="subhead"> -SAND<br> -DRIFT</span> -</h2> -</div> -<hr class="sec2"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_31">31</span></p> - -<h2 class="nobreak" id="Beautiful_Proud_Sea">“<i>Beautiful, Proud Sea</i>”</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Careless</span> forever, beautiful proud sea,</div> - <div class="verse indent2">You laugh in happy thunder all alone,</div> - <div class="verse indent0">You fold upon yourself, you dance your dance</div> - <div class="verse indent2">Impartially on drift-weed, sand or stone.</div> - </div> - <div class="stanza"> - <div class="verse indent0">You make us believe that we can outlive death,</div> - <div class="verse indent2 pr2">You make us for an instant, for your sake,</div> - <div class="verse indent0">Burn, like stretched silver of a wave,</div> - <div class="verse indent2">Not breaking, but about to break.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_32">32</span></p> -<h2 class="nobreak" id="Lands_End"><i>Land’s End</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">The</span> shores of the world are ours, the solitary</div> - <div class="verse indent2">Beaches that bear no fruit, nor any flowers,</div> - <div class="verse indent0">Only the harsh sea-grass that the wind harries</div> - <div class="verse indent2">Hours on unbroken hours.</div> - </div> - <div class="stanza"> - <div class="verse indent0">No one will envy us these empty reaches</div> - <div class="verse indent2">At the world’s end, and none will care that we</div> - <div class="verse indent0">Leave our lost footprints where the sand forever</div> - <div class="verse indent2">Takes the unchanging passion of the sea.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_33">33</span></p> -<h2 class="nobreak" id="Sand_Drift"><i>Sand Drift</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap i"><span class="firstword">I thought</span> I should not walk these dunes again,</div> - <div class="verse indent2">Nor feel the sting of this wind-bitten sand,</div> - <div class="verse indent0">Where the coarse grasses always blow one way,</div> - <div class="verse indent2">Bent, as my thoughts are, by an unseen hand.</div> - </div> - <div class="stanza"> - <div class="verse indent0">I have returned; where the last wave rushed up</div> - <div class="verse indent2">The wet sand is a mirror for the sky</div> - <div class="verse indent0">A bright blue instant, and along its sheen</div> - <div class="verse indent2">The nimble sandpipers run twinkling by.</div> - </div> - <div class="stanza"> - <div class="verse indent0 pr2">Nothing has changed; with the same hollow thunder</div> - <div class="verse indent2">The waves die in their everlasting snow—</div> - <div class="verse indent0">Only the place we sat is drifted over,</div> - <div class="verse indent2">Lost in the blowing sand, long, long ago.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_34">34</span></p> -<h2 class="nobreak" id="Blue_Stargrass"><i>Blue Stargrass</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">If</span> we took the old path</div> - <div class="verse indent2">In the old field</div> - <div class="verse indent0">The same gate would stand there</div> - <div class="verse indent2">That will never yield.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Where the sun warmed us</div> - <div class="verse indent2">With a cloak made of gold,</div> - <div class="verse indent0">The rain would be falling</div> - <div class="verse indent2">And the wind would be cold;</div> - </div> - <div class="stanza"> - <div class="verse indent0">And we would stop to search</div> - <div class="verse indent2">In the wind and the rain,</div> - <div class="verse indent0">But we would not find the stargrass</div> - <div class="verse indent2">By the path again.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_35">35</span></p> -<h2 class="nobreak" id="September_Night"><i>September Night</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">We</span> walked in the dew, in the drowsy starlight</div> - <div class="verse indent2">To the sleepless, sleepy sound</div> - <div class="verse indent0">Of insects singing in the low sea-meadows</div> - <div class="verse indent2">For miles and miles around;</div> - <div class="verse indent0 pr3">With a wheel and a whirr the resistless rhythm</div> - <div class="verse indent2">Trembled incessantly;</div> - <div class="verse indent0">Antares was red in the sky before us,</div> - <div class="verse indent2">And behind us, the blackness of the sea.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_36">36</span></p> -<h2 class="nobreak" id="Low_Tide"><i>Low Tide</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">The</span> birds are gathering over the dunes,</div> - <div class="verse indent2">Swerving and wheeling in shifting flight,</div> - <div class="verse indent0">A thousand wings sweep darkly by</div> - <div class="verse indent2">Over the dunes and out of sight.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Why did you bring me down to the sea</div> - <div class="verse indent2">With the gathering birds and the fish-hawk flying,</div> - <div class="verse indent0">The tide is low and the wind is hard,</div> - <div class="verse indent2">Nothing is left but the old year dying.</div> - </div> - <div class="stanza"> - <div class="verse indent0">I wish I were one of the gathering birds,</div> - <div class="verse indent2">Two sharp black wings would be good for me—</div> - <div class="verse indent0">When nothing is left but the old year dying,</div> - <div class="verse indent2">Why did you bring me down to the sea?</div> - </div> -</div> -</div> - -<hr class="chap sec x-ebookmaker-drop"> - -<div class="chapter section" id="sec_4"> -<p><span class="pagenum" id="Page_37">37</span></p> -<h2 class="nobreak" id="IV">IV<br> - -<span class="subhead"> -PORTRAITS</span> -</h2> -</div> -<hr class="sec2"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_39">39</span></p> - -<h2 class="nobreak" id="Effigy_of_a_Nun"><i>Effigy of a Nun</i><br> - -<span class="subhead">(Sixteenth Century)</span> -</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Infinite</span> gentleness, infinite irony</div> - <div class="verse indent2">Are in this face with fast-sealed eyes,</div> - <div class="verse indent0">And round this mouth that learned in loneliness</div> - <div class="verse indent2">How useless their wisdom is to the wise.</div> - </div> - <div class="stanza"> - <div class="verse indent0">In her nun’s habit carved, patiently, lovingly,</div> - <div class="verse indent2">By one who knew the ways of womankind,</div> - <div class="verse indent0">This woman’s face still keeps, in its cold wistful calm,</div> - <div class="verse indent2">All of the subtle pride of her mind.</div> - </div> - <div class="stanza"> - <div class="verse indent0">These long patrician hands, clasping the crucifix,</div> - <div class="verse indent2">Show she had weighed the world, her will was set;</div> - <div class="verse indent0">These pale curved lips of hers, holding their hidden smile,</div> - <div class="verse indent2">Once having made their choice, knew no regret.</div> - </div> - <div class="stanza"> - <div class="verse indent0">She was of those who hoard their own thoughts carefully,</div> - <div class="verse indent2">Feeling them far too dear to give away,</div> - <div class="verse indent0">Content to look at life with the high, insolent</div> - <div class="verse indent2">Air of an audience watching a play.</div> - </div> - <div class="stanza"> - <div class="verse indent0">If she was curious, if she was passionate</div> - <div class="verse indent2">She must have told herself that love was great,</div> - <div class="verse indent0">But that the lacking it might be as great a thing</div> - <div class="verse indent2">If she held fast to it, challenging fate.</div><span class="pagenum" id="Page_40">40</span> - </div> - <div class="stanza"> - <div class="verse indent0">She who so loved herself and her own warring thoughts,</div> - <div class="verse indent2">Watching their humorous, tragic rebound,</div> - <div class="verse indent0">In her thick habit’s fold, sleeping, sleeping,</div> - <div class="verse indent2">Is she amused at dreams she has found?</div> - </div> - <div class="stanza"> - <div class="verse indent0">Infinite tenderness, infinite irony</div> - <div class="verse indent2">Are hidden forever in her closed eyes,</div> - <div class="verse indent0">Who must have learned too well in her long loneliness</div> - <div class="verse indent2">How empty wisdom is, even to the wise.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_41">41</span></p> -<h2 class="nobreak" id="Those_Who_Love"><i>Those Who Love</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Those</span> who love the most,</div> - <div class="verse indent0">Do not talk of their love,</div> - <div class="verse indent0">Francesca, Guinevere,</div> - <div class="verse indent0">Deirdre, Iseult, Heloise,</div> - <div class="verse indent0">In the fragrant gardens of heaven</div> - <div class="verse indent0">Are silent, or speak if at all</div> - <div class="verse indent0">Of fragile, inconsequent things.</div> - </div> - <div class="stanza"> - <div class="verse indent0">And a woman I used to know</div> - <div class="verse indent0">Who loved one man from her youth,</div> - <div class="verse indent0">Against the strength of the fates</div> - <div class="verse indent0">Fighting in somber pride,</div> - <div class="verse indent0">Never spoke of this thing,</div> - <div class="verse indent0">But hearing his name by chance,</div> - <div class="verse indent0">A light would pass over her face.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_42">42</span></p> -<h2 class="nobreak" id="Epitaph"><i>Epitaph</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Serene</span> descent, as a red leaf’s descending</div> - <div class="verse indent2">When there is neither wind nor noise of rain,</div> - <div class="verse indent0">But only autumn air and the unending</div> - <div class="verse indent2">Drawing of all things to the earth again:</div> - </div> - <div class="stanza"> - <div class="verse indent0">So be it; let the snow sift deep and cover</div> - <div class="verse indent2 pr3">All that was drunken once with light and air;</div> - <div class="verse indent0">The earth will not regret her tireless lover,</div> - <div class="verse indent2">Nor he awake to know she does not care.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_43">43</span></p> -<h2 class="nobreak" id="Appraisal"><i>Appraisal</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Never</span> think she loves him wholly,</div> - <div class="verse indent0">Never believe her love is blind,</div> - <div class="verse indent0">All his faults are locked securely</div> - <div class="verse indent0">In a closet of her mind;</div> - <div class="verse indent0">All his indecisions folded</div> - <div class="verse indent0">Like old flags that time has faded,</div> - <div class="verse indent0">Limp and streaked with rain,</div> - <div class="verse indent0">And his cautiousness like garments</div> - <div class="verse indent0">Frayed and thin, with many a stain—</div> - <div class="verse indent0">Let them be, oh let them be,</div> - <div class="verse indent0">There is treasure to outweigh them,</div> - <div class="verse indent0 pr3">His proud will that sharply stirred,</div> - <div class="verse indent0">Climbs as surely as the tide,</div> - <div class="verse indent0">Senses strained too taut to sleep,</div> - <div class="verse indent0">Gentleness to beast and bird,</div> - <div class="verse indent0">Humor flickering hushed and wide</div> - <div class="verse indent0">As the moon on moving water,</div> - <div class="verse indent0">And a tenderness too deep</div> - <div class="verse indent0">To be gathered in a word.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_44">44</span></p> -<h2 class="nobreak" id="The_Wise_Woman"><i>The Wise Woman</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">She</span> must be rich who can forego</div> - <div class="verse indent2">An hour so jewelled with delight,</div> - <div class="verse indent0">She must have treasuries of joy</div> - <div class="verse indent2 pr2">That she can draw on day and night,</div> - <div class="verse indent0">She must be very sure of heaven—</div> - <div class="verse indent2">Or is it only that she feels</div> - <div class="verse indent0">How much more safe it is to lack</div> - <div class="verse indent2">A thing that time so often steals.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_45">45</span></p> -<h2 class="nobreak" id="She_Who_Could_Bind_You">“<i>She Who Could Bind You</i>”</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">She</span> who could bind you</div> - <div class="verse indent2">Could bind fire to a wall;</div> - <div class="verse indent0">She who could hold you</div> - <div class="verse indent2">Could hold a waterfall;</div> - <div class="verse indent0">She who could keep you</div> - <div class="verse indent2">Could keep the wind from blowing</div> - <div class="verse indent0">On a warm spring night</div> - <div class="verse indent2">With a low moon glowing.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_46">46</span></p> -<h2 class="nobreak" id="So_This_Was_All">“<i>So This Was All</i>”</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">So</span> this was all there was to the great play</div> - <div class="verse indent2">She came so far to act in, this was all—</div> - <div class="verse indent2">Except the short last scene and the slow fall</div> - <div class="verse indent0">Of the final curtain, that might catch half-way,</div> - <div class="verse indent0">As final curtains do, and leave the grey</div> - <div class="verse indent2">Lorn end of things too long exposed. The hall</div> - <div class="verse indent2">Clapped faintly, and she took her curtain call,</div> - <div class="verse indent0">Knowing how little she had left to say.</div> - <div class="verse indent0">And in the pause before the last act started,</div> - <div class="verse indent2">Slowly unpinning the roses she had worn,</div> - <div class="verse indent4">She reconsidered lines that had been said,</div> - <div class="verse indent0">And found them hardly worthy the high-hearted</div> - <div class="verse indent2">Ardor that she had brought, nor the bright, torn,</div> - <div class="verse indent4">Roses that shattered round her, dripping red.</div> - </div> -</div> -</div> -<p><span class="pagenum" id="Page_47">47</span></p> - -<hr class="chap sec x-ebookmaker-drop"> - -<div class="chapter section" id="sec_5"> -<h2> -V<br> - -<span class="subhead"> -MIDSUMMER<br> -NIGHTS</span> -</h2> -</div> -<hr class="sec2"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_49">49</span></p> - -<h2 class="nobreak" id="Twilight"><i>Twilight</i><br> - -<span class="subhead">(Nahant)</span> -</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">There</span> was an evening when the sky was clear,</div> - <div class="verse indent2">Ineffably translucent in its blue;</div> - <div class="verse indent2">The tide was falling and the sea withdrew</div> - <div class="verse indent0">In hushed and happy music from the sheer</div> - <div class="verse indent0">Shadowy granite of the cliffs; and fear</div> - <div class="verse indent2">Of what life may be, and what death can do,</div> - <div class="verse indent2">Fell from us like steel armor, and we knew</div> - <div class="verse indent0">The wisdom of the Law that holds us here.</div> - <div class="verse indent0">It was as though we saw the Secret Will,</div> - <div class="verse indent2">It was as though we floated and were free;</div> - <div class="verse indent4">In the south-west a planet shone serenely,</div> - <div class="verse indent4">And the high moon, most reticent and queenly,</div> - <div class="verse indent0">Seeing the earth had darkened and grown still,</div> - <div class="verse indent2">Misted with light the meadows of the sea.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_50">50</span></p> -<h2 class="nobreak" id="Full_Moon"><i>Full Moon</i><br> - -<span class="subhead">(Santa Barbara)</span> -</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap i"><span class="firstword">I listened,</span> there was not a sound to hear</div> - <div class="verse indent2">In the great rain of moonlight pouring down,</div> - <div class="verse indent0">The eucalyptus trees were carved in silver,</div> - <div class="verse indent2">And a light mist of silver lulled the town.</div> - </div> - <div class="stanza"> - <div class="verse indent0">I saw far off the grey Pacific bearing</div> - <div class="verse indent2">A broad white disk of flame,</div> - <div class="verse indent0">And on the garden-walk a snail beside me</div> - <div class="verse indent2">Tracing in crystal the slow way he came.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_51">51</span></p> -<h2 class="nobreak" id="The_Fountain"><i>The Fountain</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Fountain,</span> fountain, what do you say</div> - <div class="verse indent2">Singing at night alone?</div> - <div class="verse indent0">“It is enough to rise and fall</div> - <div class="verse indent2">Here in my basin of stone.”</div> - </div> - <div class="stanza"> - <div class="verse indent0">But are you content as you seem to be</div> - <div class="verse indent0">So near the freedom and rush of the sea?</div> - <div class="verse indent2">“I have listened all night to its laboring sound,</div> - <div class="verse indent2">It heaves and sags, as the moon runs round;</div> - <div class="verse indent0">Ocean and fountain, shadow and tree,</div> - <div class="verse indent0">Nothing escapes, nothing is free.”</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_52">52</span></p> -<h2 class="nobreak" id="Clear_Evening"><i>Clear Evening</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">The</span> crescent moon is large enough to linger</div> - <div class="verse indent2">A little while after the twilight goes,</div> - <div class="verse indent0">This moist midsummer night the garden perfumes</div> - <div class="verse indent2">Are earth and apple, dewy pine and rose.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Over my head four new-cut stars are glinting</div> - <div class="verse indent2">And the inevitable night draws on;</div> - <div class="verse indent0">I am alone, the old terror takes me,</div> - <div class="verse indent2">Evenings will come like this when I am gone;</div> - </div> - <div class="stanza"> - <div class="verse indent0">Evenings on evenings, years on years forever—</div> - <div class="verse indent2">Be taut, my spirit, close upon and keep</div> - <div class="verse indent0">The scent, the brooding chill, the gliding fire-fly,</div> - <div class="verse indent2">A poem learned before I fall asleep.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_53">53</span></p> -<h2 class="nobreak" id="Not_by_the_Sea"><i>Not by the Sea</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Not</span> by the sea, but somewhere in the hills,</div> - <div class="verse indent0">Not by the sea, but in the uplands surely</div> - <div class="verse indent0">There must be rest where a dim pool demurely</div> - <div class="verse indent0">Watches all night the stern slow-moving skies;</div> - </div> - <div class="stanza"> - <div class="verse indent0">Not by the sea, that never was appeased,</div> - <div class="verse indent0">Not by the sea, whose immemorial longing</div> - <div class="verse indent0 pr2">Shames the tired earth where even longing dies,</div> - <div class="verse indent0">Not by the sea that bore Iseult and Helen,</div> - <div class="verse indent0">But in a dark green hollow of the hills</div> - <div class="verse indent0">There must be sleep, even for sleepless eyes.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_54">54</span></p> -<h2 class="nobreak" id="Midsummer_Night"><i>Midsummer Night</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Midsummer</span> night without a moon, but the stars</div> - <div class="verse indent2">In a serene bright multitude were there,</div> - <div class="verse indent0 pr2">Even the shyest ones, even the faint motes shining</div> - <div class="verse indent2">Low in the north, under the Little Bear.</div> - </div> - <div class="stanza"> - <div class="verse indent0">When I have said, “This tragic farce I play in</div> - <div class="verse indent2">Has neither dignity, delight nor end,”</div> - <div class="verse indent0">The holy night draws all its stars around me,</div> - <div class="verse indent2">I am ashamed, I have betrayed my Friend.</div> - </div> -</div> -</div> -<p><span class="pagenum" id="Page_55">55</span></p> - -<hr class="chap sec x-ebookmaker-drop"> - -<div class="chapter section" id="sec_6"> -<h2> -VI<br> - -<span class="subhead"> -THE<br> -CRYSTAL<br> -GAZER</span> -</h2> -</div> -<hr class="sec2"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_57">57</span></p> - -<h2 class="nobreak" id="The_Crystal_Gazer"><i>The Crystal Gazer</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap i"><span class="firstword">I shall</span> gather myself into myself again,</div> - <div class="verse indent2">I shall take my scattered selves and make them one,</div> - <div class="verse indent0">Fusing them into a polished crystal ball</div> - <div class="verse indent2 pr8">Where I can see the moon and the flashing sun.</div> - </div> - <div class="stanza"> - <div class="verse indent0">I shall sit like a sibyl, hour after hour intent,</div> - <div class="verse indent2">Watching the future come and the present go,</div> - <div class="verse indent0">And the little shifting pictures of people rushing</div> - <div class="verse indent2">In restless self-importance to and fro.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_58">58</span></p> -<h2 class="nobreak" id="The_Solitary"><i>The Solitary</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">My</span> heart has grown rich with the passing of years,</div> - <div class="verse indent2">I have less need now than when I was young</div> - <div class="verse indent0">To share myself with every comer</div> - <div class="verse indent2 pr2">Or shape my thoughts into words with my tongue.</div> - </div> - <div class="stanza"> - <div class="verse indent0">It is one to me that they come or go</div> - <div class="verse indent2">If I have myself and the drive of my will,</div> - <div class="verse indent0">And strength to climb on a summer night</div> - <div class="verse indent2">And watch the stars swarm over the hill.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Let them think I love them more than I do,</div> - <div class="verse indent2">Let them think I care, though I go alone;</div> - <div class="verse indent0">If it lifts their pride, what is it to me</div> - <div class="verse indent2">Who am self-complete as a flower or a stone.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_59">59</span></p> -<h2 class="nobreak" id="Days_Ending"><i>Day’s Ending</i><br> - -<span class="subhead">(Tucson)</span> -</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap al"><span class="firstword">Aloof</span> as aged kings,</div> - <div class="verse indent0">Wearing like them the purple,</div> - <div class="verse indent0">The mountains ring the mesa</div> - <div class="verse indent0">Crowned with a dusky light;</div> - <div class="verse indent0">Many a time I watched</div> - <div class="verse indent0">That coming-on of darkness</div> - <div class="verse indent0">Till stars burned through the heavens</div> - <div class="verse indent0">Intolerably bright.</div> - </div> - <div class="stanza"> - <div class="verse indent0">It was not long I lived there</div> - <div class="verse indent0">But I became a woman</div> - <div class="verse indent0">Under those vehement stars.</div> - <div class="verse indent0">For it was there I heard</div> - <div class="verse indent0">For the first time my spirit</div> - <div class="verse indent0">Forging an iron rule for me,</div> - <div class="verse indent0">As though with slow cold hammers</div> - <div class="verse indent0">Beating out word by word:</div> - </div> - <div class="stanza"> - <div class="verse indent0">“Only yourself can heal you,</div> - <div class="verse indent0">Only yourself can lead you,</div> - <div class="verse indent0">The road is heavy going</div> - <div class="verse indent0">And ends where no man knows;</div> - <div class="verse indent0">Take love when love is given,</div> - <div class="verse indent0">But never think to find it</div> - <div class="verse indent0">A sure escape from sorrow</div> - <div class="verse indent0">Or a complete repose.”</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_60">60</span></p> -<h2 class="nobreak" id="A_Reply"><i>A Reply</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Four</span> people knew the very me,</div> - <div class="verse indent0">Four is enough, so let it be;</div> - <div class="verse indent0">For the rest I make no chart,</div> - <div class="verse indent0">There are no highroads to my heart;</div> - <div class="verse indent0">The gates are locked, they will not stir</div> - <div class="verse indent0">For any ardent traveller.</div> - <div class="verse indent0">I have not been misunderstood,</div> - <div class="verse indent0">And on the whole, I think life good—</div> - <div class="verse indent0">So waste no sympathy on me</div> - <div class="verse indent0">Or any well-meant gallantry;</div> - <div class="verse indent0">I have enough to do to muse</div> - <div class="verse indent0">On memories I would not lose.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_61">61</span></p> -<h2 class="nobreak" id="Leisure"><i>Leisure</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">If</span> I should make no poems any more</div> - <div class="verse indent2">There would be rest at least, so let it be;</div> - <div class="verse indent0 pr2">Time to read books in other tongues and listen</div> - <div class="verse indent2">To the long mellow thunder of the sea.</div> - </div> - <div class="stanza"> - <div class="verse indent0">The year will turn for me, I shall delight in</div> - <div class="verse indent2">All animals, and some of my own kind,</div> - <div class="verse indent0">Sharing with no one but myself the frosty</div> - <div class="verse indent2">And half ironic musings of my mind.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_62">62</span></p> -<h2 class="nobreak" id="I_Shall_Live_to_be_Old">“<i>I Shall Live to be Old</i>”</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap i"><span class="firstword">I shall</span> live to be old, who feared I should die young,</div> - <div class="verse indent2">I shall live to be old,</div> - <div class="verse indent0">I shall cling to life as the leaves to the creaking oak</div> - <div class="verse indent2">In the rustle of falling snow and the cold.</div> - </div> - <div class="stanza"> - <div class="verse indent0">The other trees let loose their leaves on the air</div> - <div class="verse indent2">In their russet and red,</div> - <div class="verse indent0 pr2">I have lived long enough to wonder which is the best,</div> - <div class="verse indent2">And to envy sometimes the way of the early dead.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_63">63</span></p> -<h2 class="nobreak" id="Wisdom"><i>Wisdom</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">It</span> was a night of early spring,</div> - <div class="verse indent2">The winter-sleep was scarcely broken;</div> - <div class="verse indent0">Around us shadows and the wind</div> - <div class="verse indent2">Listened for what was never spoken.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Though half a score of years are gone,</div> - <div class="verse indent2 pr4">Spring comes as sharply now as then—</div> - <div class="verse indent0">But if we had it all to do</div> - <div class="verse indent2">It would be done the same again.</div> - </div> - <div class="stanza"> - <div class="verse indent0">It was a spring that never came,</div> - <div class="verse indent2">But we have lived enough to know</div> - <div class="verse indent0">What we have never had, remains;</div> - <div class="verse indent2">It is the things we have that go.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_64">64</span></p> -<h2 class="nobreak" id="The_Old_Enemy"><i>The Old Enemy</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Rebellion</span> against death, the old rebellion</div> - <div class="verse indent2">Is over; I have nothing left to fight;</div> - <div class="verse indent0">Battles have always had their meed of music</div> - <div class="verse indent2">But peace is quiet as a windless night.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Therefore I make no songs—I have grown certain</div> - <div class="verse indent2">Save when he comes too late, death is a friend,</div> - <div class="verse indent0">A shepherd leading home his flock serenely</div> - <div class="verse indent2">Under the planet at the evening’s end.</div> - </div> -</div> -</div> -<p><span class="pagenum" id="Page_65">65</span></p> - -<hr class="chap sec x-ebookmaker-drop"> - -<div class="chapter section" id="sec_7"> -<h2> -VII<br> - -<span class="subhead"> -BERKSHIRE<br> -NOTES</span> -</h2> -</div> -<hr class="sec2"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_67">67</span></p> - -<h2 class="nobreak" id="Winter_Sun"><i>Winter Sun</i><br> - -<span class="subhead">(Lenox)</span> -</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">There</span> was a bush with scarlet berries</div> - <div class="verse indent2">And there were hemlocks heaped with snow;</div> - <div class="verse indent0">With a sound like surf on long sea-beaches</div> - <div class="verse indent2">They took the wind and let it go.</div> - </div> - <div class="stanza"> - <div class="verse indent0">The hills were shining in their samite,</div> - <div class="verse indent2">Fold after fold they flowed away—</div> - <div class="verse indent0 pr4">“Let come what may,” your eyes were saying,</div> - <div class="verse indent2">“At least we two have had to-day.”</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_68">68</span></p> -<h2 class="nobreak" id="A_December_Day"><i>A December Day</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Dawn</span> turned on her purple pillow</div> - <div class="verse indent2">And late, late came the winter day,</div> - <div class="verse indent0">Snow was curved to the boughs of the willow,</div> - <div class="verse indent2">The sunless world was white and grey.</div> - </div> - <div class="stanza"> - <div class="verse indent0">At noon we heard a blue-jay scolding,</div> - <div class="verse indent2">At five the last thin light was lost</div> - <div class="verse indent0">From snow-banked windows faintly holding</div> - <div class="verse indent2">The feathery filigree of frost.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_69">69</span></p> -<h2 class="nobreak" id="February_Twilight"><i>February Twilight</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap i"><span class="firstword">I stood</span> beside a hill</div> - <div class="verse indent2">Smooth with new-laid snow,</div> - <div class="verse indent0">A single star looked out</div> - <div class="verse indent2">From the cold evening glow.</div> - </div> - <div class="stanza"> - <div class="verse indent0">There was no other creature</div> - <div class="verse indent2">That saw what I could see—</div> - <div class="verse indent0 pr2">I stood and watched the evening star</div> - <div class="verse indent2">As long as it watched me.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_70">70</span></p> -<h2 class="nobreak" id="I_Have_Seen_the_Spring">“<i>I Have Seen the Spring</i>”</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Nothing</span> is new, I have seen the spring too often;</div> - <div class="verse indent0">There have been other plum-trees white as this one</div> - <div class="verse indent0">Like a silvery cloud tethered beside the road,</div> - <div class="verse indent0">I have been waked from sleep too many times</div> - <div class="verse indent0">By birds at dawn boasting their love is beautiful.</div> - <div class="verse indent0">The grass-blades gleam in the wind, nothing is changed.</div> - <div class="verse indent0">Nothing is lost, it is all as it used to be,</div> - <div class="verse indent0">Unopened lilacs are still as deep a purple,</div> - <div class="verse indent0">The boughs of the elm are dancing still in a veil of tiny leaves,</div> - <div class="verse indent0">Nothing is lost but a few years from my life.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_71">71</span></p> -<h2 class="nobreak" id="Wind_Elegy"><i>Wind Elegy</i><br> - -<span class="subhead">(W. E. W.)</span> -</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Only</span> the wind knows he is gone,</div> - <div class="verse indent2">Only the wind grieves,</div> - <div class="verse indent0">The sun shines, the fields are sown,</div> - <div class="verse indent2">Sparrows mate in the eaves;</div> - </div> - <div class="stanza"> - <div class="verse indent0">But I heard the wind in the pines he planted</div> - <div class="verse indent2">And the hemlocks overhead,</div> - <div class="verse indent0">“His acres wake, for the year turns,</div> - <div class="verse indent2">But he is asleep,” it said.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_72">72</span></p> -<h2 class="nobreak" id="In_the_Wood"><i>In the Wood</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap i"><span class="firstword">I heard</span> the water-fall rejoice</div> - <div class="verse indent2">Singing like a choir,</div> - <div class="verse indent0">I saw the sun flash out of it</div> - <div class="verse indent2">Azure and amber fire.</div> - </div> - <div class="stanza"> - <div class="verse indent0">The earth was like an open flower</div> - <div class="verse indent2">Enamelled and arrayed,</div> - <div class="verse indent0">The path I took to find its heart</div> - <div class="verse indent2">Fluttered with sun and shade.</div> - </div> - <div class="stanza"> - <div class="verse indent0">And while earth lured me, gently, gently,</div> - <div class="verse indent2">Happy and all alone,</div> - <div class="verse indent0">Suddenly a heavy snake</div> - <div class="verse indent2">Reared black upon a stone.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_73">73</span></p> -<h2 class="nobreak" id="Autumn_Dusk"><i>Autumn Dusk</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap i"><span class="firstword">I saw</span> above a sea of hills</div> - <div class="verse indent2">A solitary planet shine,</div> - <div class="verse indent0">And there was no one near or far</div> - <div class="verse indent2">To keep the world from being mine.</div> - </div> -</div> -</div> -<p><span class="pagenum" id="Page_74">74</span></p> - -<hr class="chap sec x-ebookmaker-drop"> - -<div class="chapter section" id="sec_8"> -<h2> -VIII<br> - -<span class="subhead"> -ARCTURUS<br> -IN<br> -AUTUMN</span> -</h2> -</div> -<hr class="sec2"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_77">77</span></p> - -<h2 class="nobreak" id="Arcturus_in_Autumn"><i>Arcturus in Autumn</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">When,</span> in the gold October dusk, I saw you near to setting,</div> - <div class="verse indent2">Arcturus, bringer of spring,</div> - <div class="verse indent0">Lord of the summer nights, leaving us now in autumn,</div> - <div class="verse indent2">Having no pity on our withering;</div> - </div> - <div class="stanza"> - <div class="verse indent0 pr4">Oh then I knew at last that my own autumn was upon me,</div> - <div class="verse indent2">I felt it in my blood,</div> - <div class="verse indent0">Restless as dwindling streams that still remember</div> - <div class="verse indent2">The music of their flood.</div> - </div> - <div class="stanza"> - <div class="verse indent0">There in the thickening dark a wind-bent tree above me</div> - <div class="verse indent2">Loosed its last leaves in flight—</div> - <div class="verse indent0">I saw you sink and vanish, pitiless Arcturus,</div> - <div class="verse indent2">You will not stay to share our lengthening night.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_78">78</span></p> -<h2 class="nobreak" id="I_Could_Snatch_a_Day">“<i>I Could Snatch a Day</i>”</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap i"><span class="firstword">I could</span> snatch a day out of the late autumn</div> - <div class="verse indent2">And set it trembling like forgotten springs,</div> - <div class="verse indent0">There would be sharp blue skies with new leaves shining</div> - <div class="verse indent2">And flying shadows cast by flying wings.</div> - </div> - <div class="stanza"> - <div class="verse indent0">I could take the heavy wheel of the world and break it,</div> - <div class="verse indent2">But we sit brooding while the ashes fall,</div> - <div class="verse indent0">Cowering over an old fire that dwindles,</div> - <div class="verse indent2">Waiting for nothing at all.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_79">79</span></p> -<h2 class="nobreak" id="An_End"><i>An End</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap i"><span class="firstword">I have</span> no heart for any other joy,</div> - <div class="verse indent2">The drenched September day turns to depart,</div> - <div class="verse indent0">And I have said good-bye to what I love;</div> - <div class="verse indent2">With my own will I vanquished my own heart.</div> - </div> - <div class="stanza"> - <div class="verse indent0">On the long wind I hear the winter coming,</div> - <div class="verse indent2 pr2">The window panes are cold and blind with rain;</div> - <div class="verse indent0">With my own will I turned the summer from me</div> - <div class="verse indent2">And summer will not come to me again.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_80">80</span></p> -<h2 class="nobreak" id="Foreknown"><i>Foreknown</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">They</span> brought me with a secret glee</div> - <div class="verse indent2">The news I knew before they spoke,</div> - <div class="verse indent4">And though they hoped to see me riven,</div> - <div class="verse indent4">They found me light as dry leaves driven</div> - <div class="verse indent2">Before the storm that splits an oak.</div> - </div> - <div class="stanza"> - <div class="verse indent0">For I had learned from many an autumn</div> - <div class="verse indent2">The way a leaf can drift and go,</div> - <div class="verse indent4">Lightly, lightly, almost gay</div> - <div class="verse indent4">Taking the unreturning way</div> - <div class="verse indent2">To mix with winter and the snow.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_81">81</span></p> -<h2 class="nobreak" id="Winter"><i>Winter</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap i"><span class="firstword">I shall</span> have winter now and lessening days,</div> - <div class="verse indent0">Lit by a smoky sun with slanting rays,</div> - <div class="verse indent0">And after falling leaves, the first determined frost.</div> - <div class="verse indent0">The colors of the world will all be lost.</div> - <div class="verse indent0">So be it; the faint buzzing of the snow</div> - <div class="verse indent0">Will fill the empty boughs,</div> - <div class="verse indent0">And after sleet storms I shall wake to see</div> - <div class="verse indent0">A glittering glassy plume of every tree.</div> - <div class="verse indent0">Nothing shall tempt me from my fire-lit house,</div> - <div class="verse indent0">And I shall find at night a friendly ember</div> - <div class="verse indent0">And make my life of what I can remember.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_82">82</span></p> -<h2 class="nobreak" id="Winter_Night_Song"><i>Winter Night Song</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Will</span> you come as of old with singing,</div> - <div class="verse indent2">And shall I hear as of old?</div> - <div class="verse indent0">Shall I rush to open the window</div> - <div class="verse indent2">In spite of the arrowy cold?</div> - </div> - <div class="stanza"> - <div class="verse indent4">Ah no, my dear, ah no,</div> - <div class="verse indent6">I shall sit by the fire reading,</div> - <div class="verse indent4">Though you sing half the night in the snow</div> - <div class="verse indent6">I shall not be heeding.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Though your voice remembers the forest,</div> - <div class="verse indent2">The warm green light and the birds,</div> - <div class="verse indent0">Though you gather the sea in your singing</div> - <div class="verse indent2">And pour its sound into words,</div> - </div> - <div class="stanza"> - <div class="verse indent4">Even so, my dear, even so,</div> - <div class="verse indent6">I shall not heed you at all;</div> - <div class="verse indent4">Though your shoulders are white with snow,</div> - <div class="verse indent6">Though you strain your voice to a call,</div> - <div class="verse indent4">I shall drowse and the fire will drowse,</div> - <div class="verse indent6">The draught will be cold on the floor,</div> - <div class="verse indent4">The clock running down,</div> - <div class="verse indent6">Snow banking the door.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_83">83</span></p> -<h2 class="nobreak" id="Never_Again"><i>Never Again</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Never</span> again the music blown as brightly</div> - <div class="verse indent2">Off of my heart as foam blown off a wave;</div> - <div class="verse indent0">Never again the melody that lightly</div> - <div class="verse indent2 pr2">Caressed my grief and healed the wounds it gave.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Never again—I hear my dark thoughts clashing</div> - <div class="verse indent2">Sullen and blind as waves that beat a wall—</div> - <div class="verse indent0">Age that is coming, summer that is going,</div> - <div class="verse indent2">All I have lost or never found at all.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_84">84</span></p> -<h2 class="nobreak" id="The_Tune"><i>The Tune</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap i"><span class="firstword">I know</span> a certain tune that my life plays;</div> - <div class="verse indent2">Over and over I have heard it start</div> - <div class="verse indent0">With all the wavering loveliness of viols</div> - <div class="verse indent2">And gain in swiftness like a runner’s heart.</div> - </div> - <div class="stanza"> - <div class="verse indent0">It climbs and climbs; I watch it sway in climbing</div> - <div class="verse indent2">High over time, high even over doubt,</div> - <div class="verse indent0">It has all heaven to itself—it pauses</div> - <div class="verse indent2">And faltering blindly down the air, goes out.</div> - </div> -</div> -</div> -<p><span class="pagenum" id="Page_85">85</span></p> - -<hr class="chap sec x-ebookmaker-drop"> - -<div class="chapter section" id="sec_9"> -<h2> -IX<br> - -<span class="subhead"> -THE<br> -FLIGHT</span> -</h2> -</div> -<hr class="sec2"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_87">87</span></p> - -<h2 class="nobreak" id="The_Beloved"><i>The Beloved</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">It</span> is enough of honor for one lifetime</div> - <div class="verse indent2">To have known you better than the rest have known,</div> - <div class="verse indent0">The shadows and the colors of your voice,</div> - <div class="verse indent2">Your will, immutable and still as stone.</div> - </div> - <div class="stanza"> - <div class="verse indent0">The shy heart, so lonely and so gay,</div> - <div class="verse indent2">The sad laughter and the pride of pride,</div> - <div class="verse indent0">The tenderness, the depth of tenderness</div> - <div class="verse indent2 pr6">Rich as the earth, and wide as heaven is wide.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_88">88</span></p> -<h2 class="nobreak" id="When_I_Am_Not_With_You">“<i>When I Am Not With You</i>”</h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap wide"><span class="firstword">When</span> I am not with you</div> - <div class="verse indent0">I am alone,</div> - <div class="verse indent0">For there is no one else</div> - <div class="verse indent0">And there is nothing</div> - <div class="verse indent0">That comforts me but you.</div> - <div class="verse indent0">When you are gone</div> - <div class="verse indent0">Suddenly I am sick,</div> - <div class="verse indent0">Blackness is round me,</div> - <div class="verse indent0">There is nothing left.</div> - <div class="verse indent0">I have tried many things,</div> - <div class="verse indent0">Music and cities,</div> - <div class="verse indent0">Stars in their constellations</div> - <div class="verse indent0">And the sea,</div> - <div class="verse indent0">But there is nothing</div> - <div class="verse indent0">That comforts me but you;</div> - <div class="verse indent0">And my poor pride bows down</div> - <div class="verse indent0">Like grass in a rain-storm</div> - <div class="verse indent0">Drenched with my longing.</div> - <div class="verse indent0">The night is unbearable,</div> - <div class="verse indent0">Oh let me go to you</div> - <div class="verse indent0">For there is no one,</div> - <div class="verse indent0">There is nothing</div> - <div class="verse indent0">To comfort me but you.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_89">89</span></p> -<h2 class="nobreak" id="Dedication"><i>Dedication</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap al"><span class="firstword">At</span> least I have loved you;</div> - <div class="verse indent2">Though much went wrong,</div> - <div class="verse indent0">This was good,</div> - <div class="verse indent2">This was strong.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Unshaken</div> - <div class="verse indent2 pr3">In spite of the going of years,</div> - <div class="verse indent0">Too sure to retract,</div> - <div class="verse indent2">Too proud for tears.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Let my love be the pillow</div> - <div class="verse indent2">Under your head,</div> - <div class="verse indent0">On your lips like a song,</div> - <div class="verse indent2">To your hunger, bread.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_90">90</span></p> -<h2 class="nobreak" id="On_a_March_Day"><i>On a March Day</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap"><span class="firstword">Here</span> in the teeth of this triumphant wind</div> - <div class="verse indent2">That shakes the naked shadows on the ground,</div> - <div class="verse indent0">Making a key-board of the earth to strike</div> - <div class="verse indent2">From clattering tree and hedge a separate sound,</div> - </div> - <div class="stanza"> - <div class="verse indent0">Bear witness for me that I loved my life,</div> - <div class="verse indent2 pr2">All things that hurt me and all things that healed,</div> - <div class="verse indent0">And that I swore to it this day in March,</div> - <div class="verse indent2">Here at the edge of this new-broken field.</div> - </div> - <div class="stanza"> - <div class="verse indent0">You only knew me, tell them I was glad</div> - <div class="verse indent2">For every hour since my hour of birth,</div> - <div class="verse indent0">And that I ceased to fear, as once I feared,</div> - <div class="verse indent2">The last complete reunion with the earth.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_91">91</span></p> -<h2 class="nobreak" id="Let_It_Be_You"><i>Let It Be You</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap al"><span class="firstword">Let</span> it be you who lean above me</div> - <div class="verse indent2">On my last day,</div> - <div class="verse indent0">Let it be you who shut my eyelids</div> - <div class="verse indent2">Forever and aye.</div> - </div> - <div class="stanza"> - <div class="verse indent0">Say a “Good-night” as you have said it</div> - <div class="verse indent2">All of these years,</div> - <div class="verse indent0">With the old look, with the old whisper</div> - <div class="verse indent2">And without tears.</div> - </div> - <div class="stanza"> - <div class="verse indent0">You will know then all that in silence</div> - <div class="verse indent2">You always knew,</div> - <div class="verse indent0">Though I have loved, I loved no other</div> - <div class="verse indent2">As I love you.</div> - </div> -</div> -</div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_92">92</span></p> -<h2 class="nobreak" id="The_Flight"><i>The Flight</i></h2> -</div> - -<div class="poetry-container"> -<div class="poetry"> - <div class="stanza"> - <div class="verse indent0 drop-cap wide"><span class="firstword">We</span> are two eagles</div> - <div class="verse indent0">Flying together</div> - <div class="verse indent0">Under the heavens,</div> - <div class="verse indent0">Over the mountains,</div> - <div class="verse indent0">Stretched on the wind.</div> - <div class="verse indent0">Sunlight heartens us,</div> - <div class="verse indent0">Blind snow baffles us,</div> - <div class="verse indent0">Clouds wheel after us</div> - <div class="verse indent0">Ravelled and thinned.</div> - </div> - <div class="stanza"> - <div class="verse indent0">We are like eagles,</div> - <div class="verse indent0">But when Death harries us,</div> - <div class="verse indent0">Human and humbled</div> - <div class="verse indent0">When one of us goes,</div> - <div class="verse indent0">Let the other follow,</div> - <div class="verse indent0">Let the flight be ended,</div> - <div class="verse indent0">Let the fire blacken,</div> - <div class="verse indent0">Let the book close.</div> - </div> -</div> -</div> - -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK DARK OF THE MOON ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away—you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. -</div> - -<div style='margin-top:1em; font-size:1.1em; text-align:center'>START: FULL LICENSE</div> -<div style='text-align:center;font-size:0.9em'>THE FULL PROJECT GUTENBERG LICENSE</div> -<div style='text-align:center;font-size:0.9em'>PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</div> - -<div style='display:block; margin:1em 0'> -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the person -or entity to whom you paid the fee as set forth in paragraph 1.E.8. -</div> - -<div style='display:block; margin:1em 0'> -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. -</div> - -<div style='display:block; margin:1em 0'> -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. -</div> - -<div style='display:block; margin:1em 0'> -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. -</div> - -<div style='display:block; margin:1em 0'> -1.E. Unless you have removed all references to Project Gutenberg: -</div> - -<div style='display:block; margin:1em 0'> -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: -</div> - -<blockquote> - <div style='display:block; margin:1em 0'> - This eBook is for the use of anyone anywhere in the United States and most - other parts of the world at no cost and with almost no restrictions - whatsoever. You may copy it, give it away or re-use it under the terms - of the Project Gutenberg License included with this eBook or online - at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you - are not located in the United States, you will have to check the laws - of the country where you are located before using this eBook. - </div> -</blockquote> - -<div style='display:block; margin:1em 0'> -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. -</div> - -<div style='display:block; margin:1em 0'> -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. -</div> - -<div style='display:block; margin:1em 0'> -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. -</div> - -<div style='display:block; margin:1em 0'> -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. -</div> - -<div style='display:block; margin:1em 0'> -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: -</div> - -<div style='margin-left:0.7em;'> - <div style='text-indent:-0.7em'> - • You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - </div> - - <div style='text-indent:-0.7em'> - • You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - </div> - - <div style='text-indent:-0.7em'> - • You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - </div> - - <div style='text-indent:-0.7em'> - • You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - </div> -</div> - -<div style='display:block; margin:1em 0'> -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. -</div> - -<div style='display:block; margin:1em 0'> -1.F. -</div> - -<div style='display:block; margin:1em 0'> -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. -</div> - -<div style='display:block; margin:1em 0'> -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. -</div> - -<div style='display:block; margin:1em 0'> -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. -</div> - -<div style='display:block; margin:1em 0'> -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 2. Information about the Mission of Project Gutenberg™ -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. -</div> - -<div style='display:block; margin:1em 0'> -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™’s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at www.gutenberg.org. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 3. Information about the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation’s EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state’s laws. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation’s business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation’s website -and official page at www.gutenberg.org/contact -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ depends upon and cannot survive without widespread -public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>. -</div> - -<div style='display:block; margin:1em 0'> -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. -</div> - -<div style='display:block; margin:1em 0'> -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. -</div> - -<div style='display:block; margin:1em 0'> -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 5. General Information About Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. -</div> - -<div style='display:block; margin:1em 0'> -Most people start at our website which has the main PG search -facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>. -</div> - -<div style='display:block; margin:1em 0'> -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. -</div> - -</div> -</body> -</html> diff --git a/old/69866-h/images/cover.jpg b/old/69866-h/images/cover.jpg Binary files differdeleted file mode 100644 index 2eb382e..0000000 --- a/old/69866-h/images/cover.jpg +++ /dev/null |
