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| author | nfenwick <nfenwick@pglaf.org> | 2025-01-25 06:21:33 -0800 |
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| committer | nfenwick <nfenwick@pglaf.org> | 2025-01-25 06:21:33 -0800 |
| commit | 6a8690942833b91cf6fc564139ddc6d1015f1670 (patch) | |
| tree | e3aa71f851db586943c34f59de84bab0937752e5 | |
| parent | 99b9d19ec3cf0296ca09524cb387bd78d3477ef6 (diff) | |
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diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..6fb66a7 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #69543 (https://www.gutenberg.org/ebooks/69543) diff --git a/old/69543-0.txt b/old/69543-0.txt deleted file mode 100644 index a289313..0000000 --- a/old/69543-0.txt +++ /dev/null @@ -1,2678 +0,0 @@ -The Project Gutenberg eBook of Around the world in eighty minutes, by -William S. Walsh - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: Around the world in eighty minutes - Photographic reproductions of the most magnificent edifices, the - most interesting remains and the most beautiful scenes on the - earth's surface - -Author: William S. Walsh - -Release Date: December 14, 2022 [eBook #69543] - -Language: English - -Produced by: Tim Lindell, Charlie Howard, and the Online Distributed - Proofreading Team at https://www.pgdp.net (This file was - produced from images generously made available by The - Internet Archive/American Libraries.) - -*** START OF THE PROJECT GUTENBERG EBOOK AROUND THE WORLD IN EIGHTY -MINUTES *** - - - - - - AROUND THE WORLD - - IN - - EIGHTY MINUTES - - PHOTOGRAPHIC REPRODUCTIONS OF THE MOST MAGNIFICENT EDIFICES, - THE MOST INTERESTING REMAINS AND THE MOST BEAUTIFUL - SCENES ON THE EARTH’S SURFACE - - WITH DESCRIPTIVE TEXT - - BY - - WM. S. WALSH - - PHILADELPHIA - - HENRY ALTEMUS - - 1894 - - - - - Copyrighted, 1894, by HENRY ALTEMUS - - ALTEMUS’ BOOKBINDERY, PHILADELPHIA - - - - -INTRODUCTION - - -Travel is the greatest of educators, the greatest of civilizers. To -come in contact with men and manners different from those to which -we have been accustomed by birth is to broaden the mind; to teach it -forbearance, sympathy, wisdom; to rob it of its philistinism; to make -it cosmopolitan and not provincial. To come face to face with the great -monuments of the past and of the present, to see what man has done -and is doing, is to get a new idea of the vastness, the imaginative -strength, the creative power of the human mind, to renew your respect -for your kind and for yourself, because you belong to that kind. It -may teach you your own littleness, indeed, in itself a useful lesson. -But it also teaches you the greatness of that aggregate of little -individuals to which we give the generic name of man. And to learn this -lesson of reverence for man is to kin yourself with what is best and -holiest in man. - -Horse-power, sails, steam, electricity are all at your bidding to-day, -ready harnessed to transport you where you will. If you wish to travel, -the world is yours to command. Fictitious heroes have circled it in -eighty days; real men and women have accomplished the feat in less -time. A little leisure and a little money will enable you to do what a -century or so ago would have been impossible to the greatest potentate -on earth, with twenty-four hours of leisure every day, and the wealth -of Indies at his beck and call. - -But if you have not the little leisure, if you have not the little -money, you can travel without them. You can travel without passing out -of your room, without quitting your chair. The resources of modern -science are inexhaustible. Mahomet, though a prophet, had to go to the -mountain because the mountain would not come to him. But you need not -go to the mountain; modern science will make it come to you. You have -but to say the word. - -Here, in this book, for example, are one hundred photographs of one -hundred of the most famous sights, scenes and monuments in the whole -world. To see these sights, these scenes, these monuments, is to attain -a liberal education. Now what is seeing? Seeing, the philosopher will -tell you, is to have certain waves of light strike your eye and create -an impression on your retina of the objects that are in front of you. -The retina, in other words, is nothing but a natural camera obscura. -And what is a photograph? A photograph is a modern invention whereby, -by means of an artificial camera obscura, the sun, the author of all -light, is cunningly induced to bind upon paper forever the impression -made by the actual waves of light set in motion by certain objects. -Remember it is not a picture of that object formed by some individual -man and blurred by the personality of the individual who made it. It is -the actual sight, the actual scene, the actual monument, or what not, -just as it would have met your natural retina if you had been there, -and simply reflected from the artificial retina into your natural one. -The sun is the true realist--faithful, literal, exact. Would we not -cheerfully exchange Giotto’s portrait of Dante for a photograph by -Sarony, had Sarony and his camera existed in Dante’s day; or Wagner’s -Chariot Race for an instantaneous photograph of the great Colosseum, -with its surging crowds of humanity? The men and women in Wagner’s -masterpiece are vivid and life-like; as types they are faithful and -exact, but the instantaneous photograph would give you the very outer -form and semblance, the body and almost the soul, of individuals who -had once lived, who are now once again living before you. Savages -are said to shrink from being photographed, deeming that a part of -themselves passes into the picture, and the superstitions of savages -are metaphors in which civilized men read a poetical hint of the truth. - -Here, then, are one hundred of the greatest of human monuments and the -most magnificent of earthly scenes brought into your very presence by -the witchery of modern science. The selection has been made with the -greatest care so as to be truly representative of all ages, people and -climes. Each photograph is accompanied by a pains-taking and accurate -description which briefly but succinctly sums up the information that -the reader needs for his guidance. Here, therefore, is a trip round -the world with the services of a guide thrown in, and that trip can be -accomplished pleasantly and without fatigue at an expense which is too -ridiculously small to mention. - -Well may the modern laugh at Mahomet and his mountain, and snap his -fingers at Phineas Fogg and Nelly Bly. Eighty days quotha! Seventy? -Sixty? Nay, eighty minutes will suffice. - - - - -CONTENTS - - - PAGE - The Statue of Liberty 12 - - The Tower of London 14 - - Westminster Abbey 16 - - St. Paul’s Cathedral 18 - - Houses of Parliament, London 20 - - Bank of England, London 22 - - Mansion House, London 24 - - London Bridge 26 - - Trafalgar Square, London 28 - - Thames Embankment, London 30 - - Kenilworth Castle, England 32 - - Warwick Castle, England 34 - - Windsor Castle, England 36 - - Shakespeare’s House 38 - - Osborne House, Isle of Wight 40 - - Blarney Castle, Ireland 42 - - The Lakes of Killarney, Ireland 44 - - Giant’s Causeway, Ireland 46 - - Edinburgh Castle, Scotland 48 - - Holyrood Palace, Edinburgh 50 - - Melrose Abbey, Scotland 52 - - Abbotsford, Scotland 54 - - Fingal’s Cave, Scotland 56 - - Forth Bridge, Scotland 58 - - Balmoral Castle, Scotland 60 - - Loch Katrine, Scotland 62 - - North Cape, Norway 64 - - The Kremlin, Moscow, Russia 66 - - The Church of St. Basil, Moscow 68 - - Royal Museum, Berlin, Germany 70 - - Brandenburg Gate, Berlin 72 - - Cologne Cathedral, Germany 74 - - Heidelberg Castle, Germany 76 - - Ehrenbreitstein, Germany 78 - - The Cathedral, Antwerp, Belgium 80 - - Palais de Justice, Brussels, Belgium 82 - - Field of Waterloo, Belgium 84 - - Notre Dame Cathedral, Paris 86 - - Place de la Bastille, Paris 88 - - Place de la Concorde, Paris 90 - - Place Vendome, Paris 92 - - Garden of the Tuileries, Paris 94 - - Arc de Triomphe, Paris 96 - - Napoleon’s Tomb, Paris 98 - - Chamber of Deputies, Paris 100 - - Grand Opera House, Paris 102 - - Eiffel Tower, Paris 104 - - The Trocadero, Paris 106 - - Chateau de Fontainebleau, France 108 - - Garden and Fountains, Versailles, France 110 - - Grand Trianon, Versailles 112 - - A Bull Fight, Seville, Spain 114 - - The Alhambra 116 - - Cordova, Spain 118 - - Rock of Gibraltar 120 - - Monte Carlo 122 - - Lake Lucerne, Switzerland 124 - - Mont Blanc, Switzerland 126 - - Mer de Glace, Switzerland 128 - - The Matterhorn, Switzerland 130 - - Rigi-Kulm, Switzerland 132 - - Thun, Switzerland 134 - - Jungfrau from Interlaken 136 - - Cursalon, Vienna, Austria 138 - - Cathedral, Milan, Italy 140 - - Panorama of Venice, Italy 142 - - St. Mark’s, Venice 144 - - Grand Canal, Venice 146 - - Doge’s Palace, Venice 148 - - Cathedral and Leaning Tower, Pisa, Italy 150 - - Ponte Vecchio, Florence, Italy 152 - - Palazzo Vecchio, Florence 154 - - Cathedral of Florence 156 - - The Capitol, Rome, Italy 158 - - Castle of St. Angelo, Rome 160 - - St. Peter’s, Rome 162 - - The Colosseum, Rome 164 - - The Pantheon, Rome 166 - - Tomb of Cecilia Metella, Rome 168 - - The Forum, Rome 170 - - The Bay of Naples, Italy 172 - - Pompeii, Italy 174 - - The Acropolis, Athens, Greece 176 - - The Bosphorus, Constantinople, Turkey 178 - - The Mosque of St. Sophia, Constantinople 180 - - The Sphinx, Egypt 182 - - The Pyramids of Gizeh, Egypt 184 - - Ruins of the Temple of Amenophis, Karnak 186 - - Church of the Holy Sepulchre, Jerusalem 188 - - Garden of Gethsemane, Jerusalem 190 - - Ruins of Baalbek, Syria 192 - - Taj Mahal, Agra, Hindostan 194 - - The Pearl Mosque, Hindostan 196 - - Yosemite Valley, California 198 - - Big Trees, Mariposa Grove, California 200 - - Geysers, Yellowstone Park, Wyoming 202 - - Grand Canon, Yellowstone Park 204 - - Cliff Dwellings, New Mexico 206 - - Masonic Temple, Chicago 208 - - Niagara Falls 210 - - The Thousand Islands 212 - - Victoria Bridge, Montreal 214 - - The Capitol, Washington, D. C. 216 - - The White House, Washington, D. C. 218 - - Independence Hall, Philadelphia 220 - - The Brooklyn Bridge 222 - - - - -THE STATUE OF LIBERTY. This colossal statue, by Auguste Bartholdi, -stands on Bedloe’s Island in New York harbor. It is distinguished, not -only by its immense height (three hundred and five feet six inches -from foundation to torch), but by the elegance of its proportions and -its imposing dignity. At night, especially, when the torch is lighted -by electricity, its effect is unique and commanding. The statue was -presented to the American people by France, the cost being defrayed by -public subscription. The sculptor himself took no remuneration. Public -subscription here put up the pedestal. The statue was formally handed -over to the President of the United States by the French delegates on -October 28th, 1886. - -[Illustration] - - -THE TOWER OF LONDON, ENGLAND. In all the world there is no more famous -fortress than this ancient citadel of London. Situate in the oldest -portion of the city, on the north bank of the Thames, it at once -arrests the attention of every stranger in the English metropolis. -Tradition ascribes its erection to Julius Cæsar, but tradition is -unsupported by historical evidence, and at the most it is only -conjectured that the Romans had a fortress on this site. It may be -stated authoritatively, however, that the Keep or White Tower (so named -because it was formerly whitewashed), which is now the oldest extant -portion of the citadel, was built by William the Conqueror. As the -council chamber of the ancient kings of England, and subsequently as a -prison of state for political offenders, its glory and its shame are -part and parcel of the glory and the shame of all England. Some of the -most momentous events in the history of the country were enacted within -its walls. From an early period it has been the depository of the -ornaments and jewels of the crown. - -[Illustration] - - -WESTMINSTER ABBEY, LONDON. This is the supremely interesting spot in -all London. Its exquisite architecture would alone ennoble it. But as -the sepulchre of sovereigns, heroes, statesmen, authors and poets, as -the scene of some of the most hallowed events in English history, it -makes an even more serious appeal to the imagination. Its very history -is involved in becoming mystery. Tradition asserts that on this site -Sebert, King of the Saxons, built a church and dedicated it to St. -Peter. More authentic history ascribes its inception to Edward the -Confessor, who designed it for his own burial place. Hence, other royal -interments followed. William the Conqueror was crowned here within -a few yards of the Confessor’s tomb, and every succeeding sovereign -of England has followed his example. It also has continued to be the -favorite spot for royal weddings and funerals. As it now stands the -Abbey was for the most part rebuilt by Henry III. Henry VII added the -famous chapel which bears his name, and the two towers on the front -were placed there by Christopher Wren. The Poet’s Corner in the south -transept contains tombs or monuments in honor of many of the most -famous of English literary worthies. - -[Illustration] - - -ST. PAUL’S CATHEDRAL, LONDON. This, the metropolitan church of London, -is one of the largest and, without exception, the most conspicuous of -its edifices. Built on a slight eminence, which is said to have been -anciently occupied by a temple to Diana, it is the last of a series -of Christian churches that succeeded to the Pagan temple. The first, -founded about 610, was destroyed by fire in 1087. The second succumbed -to the Great Fire of 1666. The present church was begun June 21st, -1675, and was finished in thirty-five years, under one architect, Sir -Christopher Wren. The whole cost, £747,954 2_s._ 9_d._, was paid by -a tax on every chaldron of coal brought into London. The structure -is five hundred and fifty feet from east to west by one hundred and -twenty-five feet in width; the front is one hundred and eighty feet -wide, and the top of the cross is four hundred feet from the crypt -floor. Carlyle said of it that it was the only edifice that struck him -with a proper sense of grandeur. - -[Illustration] - - -HOUSES OF PARLIAMENT, LONDON, ENGLAND. This is the largest, and -in some respects the most imposing, of all the public edifices in -England. Gothic in style, in size, at least, it surpasses any other -Gothic building in the world. And in respect to its equipments and -the excellent adaptation of every part to the purposes for which it -was erected and for the transaction of the business to which it is -consecrated it is absolutely unrivaled. Both Houses, Lords and Commons, -meet within its walls. Yet it is a comparatively modern structure. -Occupying the site of the Royal Palace, dwelt in by every English -monarch from the time of Edward the Confessor to Queen Elizabeth, the -corner-stone of the present building was not laid until April 27th, -1840. It covers about eight acres of ground, and has four fronts, the -longest and most effective of which, facing the river Thames, is nine -hundred and forty feet long. The Victoria Tower at the south-west -angle, which is about three hundred and forty feet high and admirably -proportioned, is one of its most effective features. - -[Illustration] - - -BANK OF ENGLAND, LONDON. This, the most celebrated moneyed institution -in the world, is situated on Threadneedle Street. Hence, it is -sometimes facetiously alluded to as “The Old Lady of Threadneedle -Street.” It has a branch in the West End of London and nine branches -in the provinces. It was founded July 27th, 1694, as a joint stock -association, with a capital of £1,200,000, which was lent at eight per -cent. interest to the government of William and Mary. And as it began -as a servant of the government so it has continued. At the present -moment it has the management of the public debt and the paying of -interest thereon, it holds the deposits belonging to government and -aids in the collection of the public revenue. It is the bank of all the -other banks in England. Its notes are legal tender, and are convertible -into coin. Its credit and reputation have been absolutely unequaled by -any other establishment of the sort. Hence, the recent discovery of a -deficit of £5,000,000 shook the financial world to its centre. But the -bank has been able to meet the emergency. - -[Illustration] - - -MANSION HOUSE, LONDON, ENGLAND. The Lord-Mayor of London has his -official residence at the Mansion House. It is situated nearly opposite -the Royal Exchange, on the site of the ancient Stock’s Market; was -begun in 1739 and finished in 1741. In its great banqueting hall, -known as the Egyptian Hall, are given the state banquets. Formerly it -was the ambition of every great London merchant and banker to become -Lord-Mayor, but since the district actually under his jurisdiction has -come to be a very small part of what is known as London, the importance -of this functionary has greatly diminished in the eyes of all save -foreigners. As the dispenser of civic hospitality he receives £8000 a -year, with the use of the Mansion House, furniture, carriages, &c. - -[Illustration] - - -LONDON BRIDGE, LONDON, ENGLAND. This is not the London bridge of -Shakespeare’s time, for that was a wooden structure, lined with houses -on either side. The present London bridge is substantially built of -granite on the site of the older one. It cost £2,566,268, and was -opened to the public on August 1st, 1831, by King William IV. There are -five arches, the central one having a span of one hundred and fifty-two -feet. The entire length is nine hundred and twenty-eight feet and the -width fifty-four. A curious interest attaches to the lamp posts along -the side, which are cast from the metal of French cannon captured in -the Peninsular War. The constant stream of traffic that pours across -this bridge is prodigious. It is estimated that every twenty-four -hours no less than twenty thousand vehicles and one hundred and seven -thousand pedestrians are borne along in the opposing currents. - -[Illustration] - - -TRAFALGAR SQUARE, LONDON. The battle of Trafalgar (22d October, 1805) -was won over the combined French and Spanish fleet by the English, -under Lord Nelson, who lost his life at the very moment of victory. -One of the finest open places in London is named after the conflict. -In the centre a massive granite column, one hundred and forty-five -feet in height, rises to the memory of the great admiral, whose statue -surmounts it. The pedestal is adorned with reliefs in bronze, cast -with the metal of French captured cannon, and representing scenes in -the career of Nelson. Four colossal bronze lions, modeled by Sir Edwin -Landseer, in 1867, crouch upon pedestals running out from the column -in the form of a cross. The square is paved with asphalt. Statues -of Sir Henry Havelock, of Sir Charles James Napier and of George IV -are distributed around it. Towards the north side are two fountains, -and on the terrace to the north rises the National Gallery, with the -interesting old church of St. Martin in the Fields by its side. - -[Illustration] - - -THAMES EMBANKMENT, LONDON, ENGLAND. At an early period the banks of the -Thames River had many wide stretches of marsh land, covered by shallow -lagoons. From time to time embankments have been erected, some of them -dating from the time of the Romans. The greatest of all these works is -the new Victoria Embankment, leading from Blackfriars Bridge towards -the west, along the north bank of the Thames as far as Westminster. -Built in 1864–70, under the direction of Sir Joseph W. Bazalgette, it -cost nearly $10,000,000. It consists of a macadamized carriageway about -two thousand three hundred yards in length and sixty-four feet wide. -The foot pavement on the land side is sixteen feet broad and on the -river side twenty feet. This entire area was formerly covered by the -tide twice a day. A granite wall eight feet thick protects it on the -side next the Thames. Rows of trees have been planted along the sides -of the Embankment, which will eventually make it a shady and delightful -promenade. At intervals are large openings, with stairs leading to the -floating steamboat piers. It is illuminated at night by electricity. - -[Illustration] - - -KENILWORTH CASTLE, ENGLAND. One of the stateliest of feudal remains -in all England is this ruined castle, situated on rising ground to -the west of the village of Kenilworth. Picturesque in itself, famous -as it is in history, it yet derives its chief charm from the glamour -thrown over it by Walter Scott in the novel which he has named after -it. Kenilworth Castle first takes a prominent position in history as -one of the strongholds of Simon de Montfort, Earl of Leicester, in his -rebellion against Henry III. Subsequently it passed into the possession -of John of Gaunt, who enlarged and beautified it. But its highest -fame results from the fact that Queen Elizabeth bestowed it upon her -favorite, Robert Leicester, Earl of Dudley, and it was here that Amy -Robsart ended her unhappy life. Cromwell dismantled the castle. Since -his day it has suffered much from the ravages of time, but even in -ruins it retains a potency to delight and to impress. - -[Illustration] - - -WARWICK CASTLE, ENGLAND. Beautiful in itself, famous as the residence -of the Earls of Warwick, and especially of him who went by the title -of the King-maker, Warwick Castle is one of the most notable edifices -in England. Nothing could be more picturesque than its situation on a -rock washed by the Avon. Its two towers are surpassingly beautiful. The -one known as the Clock Tower is here represented. Its battlements and -turrets are full of quaint interest. The grounds which surround it are -a triumph of landscape gardening. And the castle itself is almost a -thousand years old. Legend declares that it was founded in 915 by the -daughter of King Alfred, Ethelfleda. In the war with the barons in the -reign of Henry III it was partially destroyed. In the reign of Edward -III it was restored and strengthened. Additions and improvements have -successively been made. In the reign of James II it passed into the -hands of the Grevilles, and has remained their property ever since. - -[Illustration] - - -WINDSOR CASTLE, ENGLAND. The favorite residence of the English -sovereigns, which distinction it merits through its own beauty, the -beauty of its surroundings and its opulence of historical and legendary -associations. Long before the Normans landed in England it was the -seat of the Saxon Kings. But William the Conqueror founded the present -castle; it was rebuilt by Edward III, was extended by successive -sovereigns, and, finally, in the reign of Queen Victoria, was brought -to its present perfection. The town of Windsor is some twenty miles -from London. On a promontory, overlooking the Valley of the Thames, -stands the castle. Its chapels and its terrace are among the noblest -in Europe. The interior is lavishly decorated, and contains valuable -paintings, statuary, furniture, tapestries and plate. In its vaults lie -the bodies of the Kings and Queens of England. - -[Illustration] - - -SHAKESPEARE’S HOUSE, STRATFORD-ON-AVON, ENGLAND. The birth-place of -genius must always be full of interest to his fellow-men. How great -then must be the interest in the birth-place of the greatest of -geniuses! That interest is attested by the fact that the walls of the -small, mean-looking edifice in which Shakespeare was born are scrawled -all over with the names of potentates, princes, statesmen, poets and -other great and little men. These, indeed, form a not insignificant -part of the curiosities of the place. The house became the property -of the English nation in 1847, and has been carefully restored. The -actual room which witnessed the birth of the poet is shown, and is in -substantially the same condition as when that event took place. In -another room there is a small museum of Shakespearean relics. - -[Illustration] - - -OSBORNE HOUSE, ISLE OF WIGHT, ENGLAND. This is the seaside residence -of Queen Victoria. Even in the Isle of Wight, a place famous for its -magnificent private residences, it occupies a pre-eminent position. -Situated in the immediate neighborhood of East Cowes, almost opposite -to the mouth of Southampton Water, no place could be more favored by -nature in its surroundings, and art has come to the assistance of -nature. The grounds, though not large, are exquisite specimens of that -princely art of landscape gardening in which the English have achieved -the highest success. The palace itself is in excellent taste. A high -tower in one corner is a conspicuous object for miles around. From its -summit a magnificent view of the surrounding country may be obtained. - -[Illustration] - - -BLARNEY CASTLE, IRELAND. This imposing ruin of an ancient fortress is -situated in the village of Blarney, about four miles from Cork. It was -built in the early part of the fifteenth century by Cormac McCarthy, -Prince of Desmond. Little now remains of it but the massive donjon -tower, one hundred and twenty feet high. Its main celebrity arises -from the famous Blarney stone, which endows whoever kisses it with the -gift of flattery, palavering rhodomontade or wheedling eloquence. No -one exactly knows the origin of the stone, nor whence it derived its -mysterious powers. The date 1703 is carved upon it. It is preserved and -held in place by two iron girders between huge mertons of the northern -projecting parapet nearly one hundred feet above the ground. To kiss it -has been the ambition of many generations who laboriously climb up to -its dangerous eminence. But the lip service of so great a multitude is -gradually wearing it away. - -[Illustration] - - -LAKES OF KILLARNEY, IRELAND. These are three connected lakes in County -Kerry, of extraordinary beauty and interest. The largest, known as -Lough Leane, is fifteen miles long by three broad. It contains some -thirty islands, the chief of which is Innisfallen, celebrated in -history and story. On the sides of these lakes rise the loftiest -mountains in Ireland, intersected by the wildest ravines, and full of -the boldest cascades. The beauty of the scenery is enhanced by the -varied coloring of the thickly-wooded shores, the gray rock forming -an effective contrast to the dark firs, the brown mountain heath, -the light green arbutus and other features in an infinite variety of -foliage and verdure. In the immediate neighborhood of Lough Leane -is Muckross Abbey, founded by Franciscan monks in 1340, now a most -picturesque ruin. - -[Illustration] - - -GIANT’S CAUSEWAY, IRELAND. A singular mass of basaltic columns, -situated on the coast of Antrim, Ireland, has obtained this name from -the legend that it was the commencement of a road planned by the giants -of old to project across the channel from Ireland to Scotland. And, -indeed, it looks almost like a deliberate work of mightier men than we -rather than a frolic of nature. It resembles an immense pier jutting -out into the sea from the base of a stratified cliff about four hundred -feet high, to the length of about seven hundred feet. The pillars -composing it are close-fitting, dark-colored and somewhat irregular -hexagons, varying in diameter from fifteen to twenty inches and -sometimes reaching the height of twenty or even thirty feet. Whinstone -dikes separate it into three divisions, known as the Little Causeway, -the Middle or “Honeycomb” Causeway and the Larger or Grand Causeway. -Altogether, it comprises about forty thousand columns, each consisting -of several pieces. - -[Illustration] - - -EDINBURGH CASTLE, EDINBURGH, SCOTLAND. Picturesquely situated on a -rocky eminence, three hundred and eighty-three feet high, in the very -heart of the old portion of Edinburgh, is this ancient fortress. The -rock is perpendicular on three sides. On the fourth it slopes away -gradually so that it can be ascended with ease. The fort is supposed to -have been erected in the seventh century, the city gradually growing up -around it. In early Scottish history it was frequently captured by and -recaptured from the English. In the twelfth century it became a royal -residence. By the articles of union it is one of the four fortresses -which are to be kept constantly fortified. It contains accommodations -for two thousand soldiers, and its armory affords space for thirty -thousand stands of arms. The Scottish Regalia are preserved here, and -one of the chief objects of interest is the room where Mary, Queen -of Scots, gave birth to James VI, in whom the crowns of England and -Scotland were united. The picture is taken from the Parade Ground. - -[Illustration] - - -HOLYROOD PALACE, EDINBURGH, SCOTLAND. This spacious building occupies -the site of an Abbey, founded in A. D. 1128 by King David I, of -Scotland. The palace itself was begun in the reign of James IV, was -nearly destroyed by Cromwell in 1650, and was rebuilt by Charles II. -But the chief interest of the place centres upon its associations with -Mary, Queen of Scots. Luckily her apartments are preserved in almost -their original condition. The royal chapel, where she celebrated mass -to the indignation of the Protestants, is almost intact. So is the -audience chamber in which she disputed with John Knox. And even to this -day is pointed out a deep stain at the foot of the private stairway to -her apartments which is said to be the blood of the murdered Rizzio. In -recent times the palace has been seldom used as a place of residence. -It stands on the top of a huge rock four hundred and forty-three feet -above the sea, and is built in the shape of a quadrangle with a court -in the centre. - -[Illustration] - - -MELROSE ABBEY, MELROSE, SCOTLAND. This is the most famous and the most -picturesque ruin in Scotland--indeed in all Great Britain. Originally -founded for the Cistercian monks by David I, of Scotland, in the -twelfth century, it was nearly destroyed by the English--Edward II--in -1322, and shortly after was rebuilt by Robert Bruce, whose heart is -fabled to be buried under the east window. The abbey was again burned -by Richard II in 1385, and though again restored it was considerably -altered after the Reformation to suit the demands of Presbyterian -worship. Later it was plundered by builders to secure ornaments for -houses, and is now in utter ruin. As it stands, therefore, it belongs -mainly to the middle of the fourteenth century and the first half of -the fifteenth, with a good many portions of much later date. Even in -ruins it is one of the noblest exemplars of the Middle-pointed style of -Gothic architecture. Sir Walter Scott made it the scene of his novel -of “The Monastery,” and also celebrated it in some well-known lines in -“Marmion.” - -[Illustration] - - -ABBOTSFORD, SCOTLAND. As the residence of Sir Walter Scott, who erected -it in the days of his greatest financial success, and as the scene and -the cause of his eventual ruin, the castle of Abbotsford must ever -retain a picturesque and pathetic hold upon the lover of literature. -It is situated on the south bank of the Tweed, near Melrose Abbey, -and about twenty-eight miles southeast of Edinburgh. Scott’s aim was -to erect a great mansion on something like feudal principles, where -he would dispense a lordly hospitality akin to that of the ancient -nobles whom he loved to celebrate. The scheme was too grand to -succeed. The kindly baronet was involved in ruin, and spent his last -days in a courageous and almost successful effort to battle against -terrible odds. At present Abbotsford has passed out of the hands of -his descendants and become a boarding-school for young ladies. But -it is still a museum of interesting relics, and on account of its -associations is much visited by tourists. - -[Illustration] - - -FINGAL’S CAVE, SCOTLAND, one of the most remarkable of all cave -formations. It is situated on the Island of Staffa, seven miles off -the west coast of Mull. The entire island is almost entirely encircled -by cliffs of columnar basalt, hollowed out here and there into caves. -Fingal’s, known also as the Great Cave, is the greatest of these. -The entrance is almost like that of a huge Gothic Cathedral. A lofty -arch, sixty feet high by thirty wide, is supported by columnar ranges -of basaltic rock, whose native blackness is whitened with calcareous -stalagmite. The cave is two hundred and thirty-two feet deep. Its floor -is the sea, which flashes many colored lights upon the ceiling with its -pendant clusters of columns, and on the great cavernous sides, with -their countless complicated ranges of gigantic columns, beautifully -jointed and of the most symmetrical though varied forms. - -[Illustration] - - -FORTH BRIDGE, SCOTLAND. The largest and, in many respects, the most -magnificent bridge in the world, is that across the Firth of Forth, at -Queensbury. Here the estuary of the Forth is divided by the island of -Inchgarvie into two channels, whose depth--two hundred feet--precluded -the construction of intermediate piers. A design for a gigantic -suspension bridge, by Sir Thomas Bouch, had almost been adopted, when -the collapse of the Tay bridge, in 1879, led to the abandonment of -the project. A new plan was accepted from Benjamin Baker. This was a -cantilever bridge of steel. A cantilever is a structure overhung from -a fixed base. Work was begun in 1882 and completed in 1889. There -are three granite piers, the central one being on the island; and on -those piers three double lattice-work cantilevers are poised in line, -reaching towards each other, and connected at their extremities by -ordinary girders three hundred and fifty feet long, by which the two -main spans are completed. These main spans are each seventeen hundred -feet long, and the total length of the bridge is eighty-two hundred and -ninety-six feet, or a little over one and one-half miles. The under -side of the bridge is one hundred and fifty-two feet above high water. - -[Illustration] - - -BALMORAL CASTLE, SCOTLAND, the Highland residence of the Queen of -England, situated in Braemer, Aberdeenshire. Its situation is of great -beauty. It stands on a natural platform nine hundred and twenty-six -feet above sea level, which slopes gently and gradually down to the -margin of the River Dee. The castle is in the Scottish Baronial style -of architecture. It is entirely of granite, and consists of two -separate blocks of buildings united by wings. A tower eighty feet -high is surmounted by a turret twenty feet higher. The entire estate, -including a deer forest, comprises over twenty-five thousand acres. It -was purchased by Prince Albert in 1832 from the Earl of Fife. He pulled -down the older castle, finding it not exactly suited to the needs of -the royal family, and put up the present imposing structure in its -place. - -[Illustration] - - -LOCH KATRINE (ELLEN’S ISLE), SCOTLAND. The Scotch lakes are famous -the world over for their beauty. Loch Katrine is the most famous of -them all. It lies in Perthshire; is eight miles in length, and has -an average breadth of three quarters of a mile. Ben Venue and Ben -An are celebrated mountains on its banks, and it contains a number -of exquisite islands. Among the latter is Ellen’s Island, chosen by -Sir Walter Scott as the scene of “The Lady of the Lake.” Wordsworth -and other poets have thrown the glamour of their genius around Loch -Katrine. But it has a more practical use. Its waters, which are -remarkably pure, supply the city of Glasgow, twenty-five miles off; -being conveyed thither by a series of tunnels, aqueducts and pipes. - -[Illustration] - - -NORTH CAPE, NORWAY. A promontory, situated on the north extremity of -the Island of Mageroe, which is divided by a narrow channel from the -mainland of Norway. It is celebrated, not only for the sombre grandeur -of its scenery, but as the northernmost point of Europe. It consists of -a precipitous slate rock, fissured with many clefts, which rise to a -height of some twelve hundred feet above the sea. - -[Illustration] - - -KREMLIN AND GREAT BELL, MOSCOW, RUSSIA. The Kremlin is the name given -to an inner enclosure or citadel in Moscow crowded with palaces, -churches and towers, surrounded by a wall sixty feet in height and -two miles in circuit. The Tartar style of architecture, with gilded -domes and cupolas, forms the predominant feature. The palace of the -Kremlin is the residence of the czars. It suffered much damage in the -conflagration of 1812, which drove Napoleon out of the city, and was -rebuilt in the reign of Nicholas I in 1838–49. In its restored shape it -is rather a mass of buildings, old and new, than a single, harmonious -structure. But it is full of historical and immediate interest. The -tower of Ivan the Great, whose five stories rise to a height of three -hundred and twenty-five feet, is close to the palace. At its foot lies -the Great Bell, the largest in the world--cast in 1730. It was broken a -few years afterwards by the burning of the wooden tower in which it was -suspended. Its height is twenty-six feet four inches, its circumference -sixty-seven feet eleven inches. - -[Illustration] - - -CHURCH OF ST. BASIL, MOSCOW, RUSSIA. This remarkable edifice, standing -on the site of an ancient church and cemetery where St. Basil was -buried, was built in 1554 by Ivan IV. He is said to have been so much -delighted with it that he put out the eyes of its Italian architect, -so that it might never be surpassed. It is a bewildering medley of -great and little domes and towers, not only of different shapes and -sizes, but gilded and painted in all possible varieties of color. There -is no main chapel or church, but each dome surmounts its own chapel, -dedicated to some particular saint, and services are carried on in -each without disturbing the worshipers in any other. Bayard Taylor -appropriately styles this church the “apotheosis of chimneys,” and -describes it as the product of some architectural kaleidoscope, in -which the most incongruous things assume a certain order and system. -Relics of St. Basil and of St. John the Idiot are shown to visitors. - -[Illustration] - - -ROYAL MUSEUM, BERLIN, PRUSSIA. Architecturally, this is the finest -building in Berlin. It is an admirable specimen of the Greek style, -with its Ionic portico of eighteen columns and its broad flight of -steps leading up to the entrance. The central part of the structure, -rising above the rest of the building and corresponding with the -rotunda in the interior, is adorned at the corners with four colossal -groups in bronze. Two other bronze groups are on the steps. This -building is usually known as the Old Museum to distinguish it from -its annex, the New Museum, by which it is connected with a short -passage, crossing the street at the back. The two buildings contain -a magnificent collection of antiquities and of ancient and modern -sculptures, paintings, etc. - -[Illustration] - - -BRANDENBURG GATE, BERLIN, PRUSSIA. This gate, at the west end of the -famous Unter der Linden, the principal street in Berlin, forms the -entrance to the city from the Thier-garten. Next to the Arc de l’Etoile -in Paris, this is the most magnificent triumphal arch in the world. It -even eclipses the ancient monuments of this kind in Rome. Yet it is -not entirely original. It was erected in 1789–93 by C. G. Langhans in -imitation, or rather as a glorification, of the model presented by the -Propylacum at Athens. The height is eighty-five feet, the width two -hundred and five. There are five passages (that in the centre reserved -for royal carriages), separated by massive Doric columns. The material -is sandstone. A notable feature is the triumphal car on the summit, the -Quadriga of Victoria, done in copper. Napoleon carried this to Paris -in 1807, but it was recovered in 1814. Adjoining the gate on the side -next the town are two wings resembling Grecian temples, of which that -on the right or north side contains a telegraph office and a pneumatic -post-office, while that on the left is the guard-house. - -[Illustration] - - -THE CATHEDRAL OF COLOGNE, GERMANY. This church, known officially as the -Cathedral of St. Peter’s, is, next to St. Peter’s at Rome, the largest -church edifice in the world, and is, without any exception, the most -magnificent specimen of Gothic architecture extant. Begun in 1248, the -work went on very slowly. In 1322 the choir was consecrated. Then the -work lagged still more, and at the beginning of the sixteenth century -came to a sudden close, not being resumed till 1816, since which -time more than two millions of dollars have been expended to bring -the edifice to its present state of completion. The spires are five -hundred and twenty-one feet high, and before the building of the Eiffel -Tower this church was the highest edifice in the world. The height -of the roof inside is one hundred and forty-five feet, the length -of the building is four hundred and forty-four feet and the breadth -two hundred and one. The choir is rich in statues, frescoes and fine -carvings. A chapel, known as the chapel of the Three Kings, contains a -gorgeous shrine, in which are exhibited the skulls of the three wise -men who came from the East with presents for the infant Saviour. - -[Illustration] - - -HEIDELBERG CASTLE, GERMANY. On a height above the city of Heidelberg -are the ruins of this old-time palace and fortress. Founded by the -Elector Rudolph in the fourteenth century, and altered and added to -by his successors, it partakes of the architectural style of all the -three centuries. The French sacked and partially burned it in 1693; it -was subsequently restored, but being struck by lightning in 1764, it -has since been suffered to remain in ruins. As such it is one of the -most magnificent remains of the Middle Ages--a square massive building, -roofless, with a round tower at one end and an octagonal one at the -other. Some idea of its strength may be gained from the fact that the -walls of the round tower are twenty-two feet thick. In one of the -cellars is the famous Tun of Heidelberg, a huge copper reservoir, bound -with iron hoops, whose capacity is forty-nine thousand gallons. - -[Illustration] - - -EHRENBREITSTEIN, GERMANY. This fortress, whose name signifies the Broad -Stone of Honor, is situated on a precipitous rock three hundred and -seventy-seven feet above the Rhine, just opposite Coblentz. The rock -is known as the Gibraltar of the Rhine. The ancient Romans recognized -its commanding position and erected here a castrum or camp. In 1018 the -Franconian king, Dagobert, presented it to the bishops of Treves, who -made it their stronghold. It has successfully resisted many sieges, -but was twice captured by the French, first in 1631 and again in 1798. -After the Peace of Luneville in 1801 they blew it up. Restored to -Prussia with the Peace of Paris, the French were forced to contribute -15,000,000 of francs to place it in its former condition. At present -it is defended by four hundred cannon, and fifty thousand stands of -needle guns are stored in its armory. It is capable of accommodating -one hundred thousand men, but five thousand are sufficient to man -it properly. The summit of the rock commands a magnificent view of -the surrounding country. A bridge of boats connects the village of -Ehrenbreitstein with Coblentz. - -[Illustration] - - -THE CATHEDRAL OF ANTWERP, BELGIUM. Though inferior to the great minster -at Cologne, the cathedral at Antwerp is an exquisite and notable -specimen of Gothic architecture. It is unfortunately situated in a -narrow street, just away from the Place St. Antoine, and is hedged in -by shops, which are backed up against its very walls. It is unfinished, -only one of the towers being complete. The other is but half-way up, -where it has been capped over, and has remained so for centuries. -Nevertheless, nothing can detract from the majesty of the church -itself. Out from the littleness of its surroundings it calmly rears -its splendid front. Its solitary tower soars upward to the height of -four hundred and three feet, with delicate open arches that look like -fretted work, so that Napoleon said: “It looked as if made of Mechlin -lace.” The chimes of ninety-nine bells are deservedly famous. The -interior is glorified by the presence of Rubens’ two greatest pictures, -“The Elevation of the Cross” and “The Descent from the Cross.” Begun -about the middle of the thirteenth century, it suffered seriously from -fire in the sixteenth century, and the greater part of the present -edifice dates from that period. In the foreground of the picture is the -monument to Rubens. - -[Illustration] - - -PALAIS DE JUSTICE, BRUSSELS, BELGIUM. The new Palace of Justice, or -Court-house, in Brussels, is the largest architectural work of the -present century, and one of the most magnificent. It was begun in 1866 -and completed in 1883 at a total cost of $10,000,000. It is splendidly -situated on a height commanding a view of the whole city. This massive -pile covers an area of two hundred and seventy thousand square feet, -considerably more than St. Peter’s, at Rome, and is five hundred and -ninety feet long by five hundred and sixty wide. The avowed aim of the -artist was to accommodate Assyrian form to modern requirements. Above -the main body of the building rises another rectangular structure, -surrounded with columns, this, in turn, supporting a columned rotunda, -the whole crowned by a dome which is four hundred feet above the -pavement. In details the Græco-Roman style has been generally adhered -to, with an admixture of rococo treatment. - -[Illustration] - - -FIELD OF WATERLOO, BELGIUM. The scene of the greatest battle of modern -times, if not of all times, is necessarily of perennial interest to -the world. It is a matter for rejoicing, therefore, that the field of -Waterloo is retained in much the same condition in which it was left -on the fateful day of June 18th, 1815, when the power of Napoleon was -crushed by Wellington and Blucher. To be sure, Wellington is reported -to have said: “You have spoilt my battlefield,” when he saw the -artificial mound surmounted by a Belgic lion of cast-iron, which has -been raised in the centre of the field. But at least its one hundred -and fifty feet of height afford the opportunity for an excellent -bird’s-eye view of the entire field. And the old house of Hougemont, -whose building and orchard were occupied by the British Guards, and -where some of the fiercest fighting of the day was carried on, remains -as it was, with the bullet holes in the walls and other damages -unrepaired. The monument represented in the foreground is dedicated to -the soldiers who fell in the battle. - -[Illustration] - - -NOTRE DAME, PARIS. The cathedral of Notre Dame, one of the great -historical churches of the world and one of the most beautiful -specimens of mediæval architecture, was founded in 1163 on the site -of an earlier church, was consecrated in 1182 and was completed in -1420. It suffered sadly during the Revolution, when it was made a -Temple of Reason; was restored in 1845, and during the time of the -commune narrowly escaped destruction by fire. The form is that of a -Latin cross, with a nave and double aisles, which are continued around -the choir, the earliest example known. The façade is one of the most -admired pieces of early Gothic. The triple portal is ornamented by -rich bas-reliefs. In the second story is a great rose window, flanked -by double windows, enclosed in wide-spreading Gothic arches. The third -story is an open gallery of slender arches and columns. In one of the -towers is a famous bell, weighing thirty-two thousand pounds, which is -only rung on state occasions. The interior of the church is adorned -with sculptures, bas-reliefs and paintings and magnificent rose windows -of stained glass. - -[Illustration] - - -PLACE DE LA BASTILLE, PARIS, FRANCE. This square ends the line of -the original boulevards, and marks the beginning of the Faubourg St. -Antoine. It is historically interesting as the site of the Bastille, -the former state prison of France, whose destruction by the Parisian -mob on July 14th, 1789, marked the real beginning of the French -Revolution. The column in the middle, known as the Colonne de Juillet, -was reared in 1831 in honor of the citizens who fell in the revolution -of July, 1830, which drove Charles X from the throne and put Louis -Philippe in his place. The names of six hundred and fifteen of these -are inscribed upon the sides of the column, and their ashes, together -with those of combatants in the revolution of 1848, repose in two vast -sarcophagi in the vaults below. The column is of bronze, one hundred -and fifty-four feet high, and is divided by four collars into five -divisions. Bas-reliefs, by Barye, adorn the exterior. Inside there -is a spiral stair-case, also of bronze. The top is surmounted by an -emblematic figure of Liberty, in gold bronze, the work of Dumont. - -[Illustration] - - -PLACE DE LA CONCORDE, PARIS, FRANCE. This square, situated between the -Rue Royale and the Pont de la Concorde, is perhaps the most beautiful -and effective in all Paris. It dates from the year 1748. Originally it -was adorned with a statue of Louis XV, which was pulled down in 1792 to -make way for a colossal figure of Liberty. The place was then called -Place de la Revolution. It was here that next year the guillotine was -erected, upon which perished Louis XVI, Marie Antoinette and nearly -three thousand of their adherents. Under the Directory the Statue -of Liberty was removed and the great place became the Place de la -Concorde. Since then it has undergone many alterations. It was laid out -as it now stands by Napoleon III. In the middle is the great Obelisk -of Luxor, presented to Louis Philippe by Mehemet Ali, and on each side -are two large fountains. At the different corners of the square there -are seated figures, representing eight different towns, formerly the -chief towns of France. But one of them, Strasbourg, is now a portion of -Germany. - -[Illustration] - - -PLACE VENDOME, PARIS. A handsome octagonal square, between the -Boulevard des Capucines and the Tuileries Gardens. It was designed by -Louis XIV, in 1686, to contain public buildings, such as the Mint, the -Royal Library, the various academies, &c. This plan was subsequently -much modified. The buildings, which are of Corinthian architecture of -a severely uniform appearance, are mainly occupied by banks and other -fiscal institutions. A grand equestrian statue of Louis XIV once stood -in the centre of the square, but it was destroyed in 1792, and in 1806 -its place was taken by the famous Vendome column, a stone shaft one -hundred and forty-three feet high, covered with the metal of cannon -taken from the Prussians and Austrians. It is surmounted by a statue of -Napoleon, and is ornamented by bas-reliefs commemorative of that hero’s -campaign in 1805. In 1871 column and statue were both pulled down by -the Commune, but the Republic under Thiers repaired and replaced them. - -[Illustration] - - -THE GARDEN OF THE TUILERIES. The Tuileries is but the remains of its -former glory. The main front of the building was burned by the Commune -in 1871, and after remaining a picturesque ruin for some years was at -length removed. The wing nearest the Rue de Rivoli shared the fate of -the front, but was rebuilt, together with the Pavillon de Marsan, which -formed the angle. The Pavillon de Flore, at the other end, suffered -much less, and had only to be restored. Both wings, and, indeed, the -entire building, are a marvel of exterior ornamentation. Before the -Revolution the Tuileries was only the occasional residence of the -French sovereign, but Napoleon made it his principal abode, and his -example was followed by his successors. The picture is taken from the -exquisite gardens of the Tuileries facing the Place de la Concorde. - -[Illustration] - - -ARC DE TRIOMPHE, PARIS, FRANCE. This, the distinctive triumphal arch -of Paris, is more specifically known as l’ Arc de l’ Étoile, to -differentiate it from three other triumphal arches of less celebrity. -It stands at the west end of the Avenue des Champs Elysées on the -summit of a slope, which makes it visible from all parts of Paris -and the environs. It is not only the largest arch in existence, but -the most magnificent ever erected. Begun by Napoleon in 1806, to -commemorate the wars of the Revolution and of the Empire, it was -completed thirty years later by Louis Philippe. The total cost was -about $2,000,000. The height of the arch above the ground is one -hundred and fifty-two feet, its width one hundred and thirty-eight -feet, its thickness sixty-eight feet. The main archway measures ninety -feet in height and forty-five in width; the smaller lateral archways -are each fifty-seven feet by twenty-five. The bas-reliefs represent the -most famous events of 1792–1815. Finest of all are the two colossal -groups on each side of the central arch facing the Champs Elysées, cut -in full relief and representing the “Departure of the Troops in 1792” -and “The Triumph of Napoleon after the Austrian Campaign.” - -[Illustration] - - -NAPOLEON’S TOMB, PARIS, FRANCE. Under the splendid dome of the Church -of the Invalides, in a huge circular crypt below the level of the -floor, is the tomb of the Great Napoleon I. The sarcophagus, hewn out -of a single block of granite brought from Finland, was the gift of the -Emperor Nicholas, when in 1841 the remains of the Emperor were brought -back from St. Helena by the Prince de Joinville. The crypt is adorned -with marble reliefs symbolical of Napoleon’s reforms and with twelve -colossal figures of victory and sixty mouldering banners captured from -the enemy. There are also monuments to Vauban and Turenne, Napoleon’s -most illustrious predecessors in the field. At the entrance to the -crypt lie the bodies of Bertrand and Duroc, the near friends and -companions of Napoleon. The monuments or the remains of various members -of the Bonaparte family are in the upper part of the church. - -[Illustration] - - -CHAMBER OF DEPUTIES, PARIS, FRANCE. This is sometimes called the -Palais Bourbon. It is the seat of the French parliament. It is a large -classical building on the left bank of the Seine, facing the Pont de la -Concorde. The old façade was in the Rue de l’ Université at the back; -the new one, with its Corinthian colonnade, was erected in 1804. The -hall is a semi-circular room, with the President’s chair facing the -extremity of the half circle. Here sat the Council of Five Hundred, -Louis Philippe’s Chamber and Napoleon III’s Corps Legislatif, and here -at present sit the deputies elected from the various districts of the -French republic. Orators address the Chamber from the tribune, which is -placed immediately under the President’s chair. Voting is done by means -of white or blue cards, placed in tin receptacles that are handed round -by the ushers; the white being an “aye,” the blue “nay.” - -[Illustration] - - -THÉÂTRE DE L’OPERA, PARIS. The new Opera House, in Paris, is the -handsomest, though not the largest, temple of amusement in the world. -It will hold twenty-one hundred people, while La Scala, in Milan, holds -three thousand. The stage, however, in cubic and superficial area, is -the largest known. It is equaled by others in depth, but surpasses -them all in breadth. The exterior is bewildering in the richness of -its decorations. The grand staircase and the foyer are in magnificent -keeping with the exterior. This building is one of the creations of the -Second Empire. More than one hundred houses were torn down to clear the -square on which it stands. It was inaugurated on January 1st, 1875. -The total cost is estimated at $8,000,000. The opera is managed by a -director, who receives from the State an allowance of eight hundred -thousand francs a year. He has to supply what is necessary and run all -risks. - -[Illustration] - - -EIFFEL TOWER, PARIS. This is the highest structure in the world, being -three hundred metres or nine hundred and eighty-four feet in height, as -against the five hundred and fifty-five feet five and one-eighth inches -of the Washington Monument, which comes next in altitude among all -the edifices of man. The tower was constructed by Alexander G. Eiffel -for the Paris Exhibition of 1878. Its foundations are sunk to a depth -of fifty feet in the sandy soil of the Champs de Mars, and the four -massive piers, which form the first stage of the tower, are so planted -as to distribute the enormous weight of the structure (sixty-five -hundred tons) in the best way possible. In spite of this weight the -general impression is one of grace and lightness. The summit is crowned -by a cupola with an exterior balcony, whence a magnificent panorama of -Paris and its surroundings is unveiled. Elevators carry passengers up -to the summit, the time consumed by the ascension being from six to -seven minutes. - -[Illustration] - - -TROCADERO, PARIS, FRANCE. The Eiffel Tower is not the sole remaining -monument of the French Exposition of 1878. Overlooking the Champs de -Mars is the Trocadero, which was begun in 1876 for the same exhibition. -It is a fantastic structure in the Byzantine style. The central portion -consists of a circular edifice one hundred and eighty feet high and -one hundred and eighty-nine feet in diameter, crowned by a dome, and -flanked with two minarets two hundred and seventy feet high. On each -side extends a wing in the form of a curve, six hundred and sixty feet -in length, giving the entire edifice the appearance of an imposing -crescent. On a level with the spring of the dome is a terrace adorned -with thirty statues. The view of Paris from the terrace or the towers -is superb. Below the balcony, in front of the central building, gushes -a large cascade, which descends to a huge basin one hundred and -ninety-six feet in diameter. Afternoon concerts are often given in -the elaborately decorated Salle des Fetes, which seats six thousand -persons. There are also collections of sculptures and antiquities. - -[Illustration] - - -CHATEAU DE FONTAINEBLEAU, FRANCE. Fontainebleau is a small town -thirty-five miles south-east of Paris. It is famous for the royal -palace, which is situated in a magnificent park or forest, fifty miles -in circumference, and covering an area of forty-two thousand five -hundred acres. The building itself is said to occupy the site of a -fortified chateau, built by Louis VII in 1162. But it was Francis I who -transformed the mediæval fortress into a palace of almost unparalleled -extent and magnificence. Henry IV did much towards its embellishment. -Here his successor, Louis XIV, revoked the Edict of Nantes. It was -a favorite residence of Napoleon I, whose sentence of divorce from -Josephine was pronounced here. Louis Philippe and Napoleon III spent -large sums in restoring it. The exterior of the building, with the -exception of several pavilions, is only two stories in height. The -interior is a splendid example of decorative work. Some of the greatest -French and Italian artists of the epoch of its creation were employed -upon it. Especially beautiful is the chamber of Anne of Austria, -the mother of Louis XIV, and Queen-regent in his minority, who made -Fontainebleau her favorite residence, and spent money lavishly in the -decoration of her chamber. - -[Illustration] - - -GARDEN AND FOUNTAINS, VERSAILLES, FRANCE. The Palace of Versailles is -in the town of the same name, ten miles from Paris, was built by Louis -XIV in 1661, and became a royal residence in 1681. As such it has held -a great place in the history of France. It is now used as a historical -museum. The garden which surrounds it is justly celebrated for its -extreme beauty. Among its chief marvels are the fountains, richly -adorned with bronze statues, and from the centre of each rises a column -of water to the height of forty feet, encircled by sixteen inclined -jets of water, the whole forming a sort of basket. The water which -feeds the fountains is brought from the Seine by the machine of Marly, -constructed at enormous expense after the failure of the plan to turn -the River d’ Eure from its course. - -[Illustration] - - -GRAND TRIANON, VERSAILLES, FRANCE. A charming residence near the palace -of Versailles, built by Louis XIV in 1688 for Madame de Maintenon, but -chiefly interesting for its associations with Marie Antoinette, whose -favorite residence it was. Here she amused herself with her Swiss -village, and here, as well as in the adjacent Petit Trianon, she and -her court played at shepherds and shepherdesses. The Grand Trianon -is built in the Italian style, with the rooms all on one floor. The -interior is exquisitely furnished and adorned. In the surrounding -gardens are cottages and artificial “mountains” (some nearly ten feet -high) and glens and grottoes and pebbly-bottomed brooks. - -[Illustration] - - -BULL FIGHT, SEVILLE, SPAIN. The bull fight is the national sport of -Spain. The sport has been described as a tragedy in three acts. First, -the bull is let out and goaded to fury by the lances of the mounted -picadores. If a picador is thrown or his horse is wounded the chulos -rush in and attract the bull by waving their cloaks in front of him, -saving themselves, if need be, by leaping over the palisade which -encloses the circus. When the bull begins to flag the chulos attack -him with barbed darts, called banderillas, which they stick into his -neck. The third act introduces the matador, who enters alone. He holds -in his right hand a naked sword, in his left a muleta or small stick -with a piece of scarlet silk attached. The bull rushes blindly at the -muleta. The matador, if he be skillful, plunges the sword into the left -shoulder and the animal drops dead. Sometimes, however, he misses his -first aim and then he has to try again. Sometimes he is wounded or even -killed and then a new matador appears on the scene. - -[Illustration] - - -THE ALHAMBRA, GRANADA, SPAIN. Alhambra means the “Red Castle.” This -fortress and palace of the ancient Moorish kings--“the pride of -Granada and the boast of Spain”--is a vast and irregular collection of -buildings built of bricks slightly reddened. The principal building -was begun in 1248 and finished in 1314. Here the Moorish kings lived, -surrounded by their court and nobility, a total population of some -forty thousand souls. Its degradation dates from the day of the -Castilian conquest, for the alterations and restorations made by the -Spanish kings were without judgment. Philip V, early in the eighteenth -century, was its last royal occupant. After his desertion the place -was allowed to fall into decay until 1862, when the Spanish government -took it in charge. Happily, the most important portions still exist, -and present a bewildering array of pavilions, courts, colonnades, -fountains, baths, gilded ceilings and every kind of Oriental -decoration. - -[Illustration] - - -CORDOVA, SPAIN. This is one of the most ancient and picturesque of -Spanish towns. Its walls, built on a Roman foundation with Moorish -superstructure, inclose a large area, dotted with Roman and Moorish -remains. Chief among the latter is the cathedral, which looms up almost -in the centre of our picture. It dates from the eighth century, and -was formerly a mosque. Authorities generally agree that it is the -finest specimen of a Moorish mosque in all Europe. The southern suburb -communicates with the town by means of an ancient bridge across the -River Guadalquiver, whose sixteen arches exhibit the usual combination -of Moorish and Roman architecture. At one end of the bridge is an -elevated statue of the patron saint, St. Raphael, whose effigy abounds -all through the city. Our picture is taken from the southern suburb. - -[Illustration] - - -ROCK OF GIBRALTAR, SPAIN. An inaccessible rock, buttressed by an -impregnable fortress, which juts out from the southern extremity of -Spain, in Andulasia, gives to the English, who hold it, the virtual -command of the Mediterranean. The rock is fourteen hundred and thirty -feet high at its highest point; its length, from north to south, -about three miles; its circumference about six. It is mainly composed -of compact limestone and dense gray marble, varied by beds of red -sandstone and tissues of osseous breccia. The north face is almost -perpendicular, but the east side is full of tremendous precipices. -It came into possession of the English by conquest during the war of -the succession in 1704. Since then they have spent immense sums in -its fortification, with so much success that they have retained it -against the combined efforts of France and Spain. From the sea the -rock presents a grim enough aspect with its immense cannon, its piles -of balls and bombs, and its apparent lack of vegetation. But a closer -view shows patches of fruit trees, together with a great variety of -odoriferous shrubs. - -[Illustration] - - -MONTE CARLO, MONACO--THE CASINO. Monaco is a small principality on the -Mediterranean, ruled by Prince Albert, of Monaco. It is chiefly famous -for the notorious Casino at the small town of Monte Carlo, where alone -in Europe public gaming is authorized by law. The first stone of the -Casino was laid in 1858, and gambling tables had existed in Monaco two -years previous to that date, but it was not till 1860, when M. Blanc, -expelled from Homburg, took possession of the place, that Monte Carlo -began to be famous. The gaming establishment is now in the hands of a -joint stock company, with a capital of 15,000,000 francs, who leased -the ground from the prince. It employs nearly one thousand people -and is annually visited by about four hundred thousand visitors. The -inhabitants of Monaco are not allowed at the tables. Their good will, -however, is secured by their exemption from taxation and by the flood -of paying visitors who are attracted hither. Monte Carlo is in itself a -place of exquisite beauty, natural and artificial. - -[Illustration] - - -LAKE LUCERNE, SWITZERLAND. Not only in wild and picturesque scenery, -but in its legendary and historical associations, this is one of the -most interesting lakes in the world. In Switzerland it is alternatively -known as the Lake of the Four Forest Cantons, because bounded by the -cantons of Uri, Schwyz, Unterwalden and Lucerne. The mountain peaks -surrounding it give it the form of a St. Andrew’s cross, whence comes -that cross on the Swiss flag. Mounts Pilatus and Rigi stand at the -north like sentinel outposts of the Alps. The beginning of the St. -Gothard Pass over the Alps is at Fluelen to the south. The lake is -intimately connected with the Tell legends, and at one of its most -enchanting spots a small chapel, attributed to the fourteenth century, -is said to mark the spot where he sprang out of Gessler’s boat as he -was being carried away a prisoner. - -[Illustration] - - -MONT BLANC FROM CHAMOUNI, SWITZERLAND. This, the highest mountain in -Europe, and, by common consent, the most magnificent in its scenery, -rises at the southern end of the valley of Chamouni, fifteen thousand -seven hundred and eighty-one feet above sea level. During the last -century and a half it has been a favorite resort of tourists, and -especially of scientists, as its glaciers and other marvelous -features are full of interest and instruction. But it was not till -1786 that Balmat and Paccard made the first ascension, followed in -1787 by Saussure. Many accidents have happened here in the past. In -1870 a party of eleven, two of them Americans, all perished in the -snow-crowned heights. Nowadays the ascensions are more numerous, -and, with proper precautions, are considered absolutely safe, though -very fatiguing, and occupying three days. The view from the valley -of Chamouni is of extraordinary beauty. It has been celebrated by -Coleridge in one of his most famous poems, and has been the theme of -countless other pens. Not always is the “monarch of mountains” visible -from Chamouni, as his imperial front is frequently hidden from the -sight of his worshipers. But the photograph here presented is taken on -a fortunate day, when there was no cloud about the throne. - -[Illustration] - - -MER DE GLACE, MONT BLANC, SWITZERLAND. This immense glacier fills the -highest gorges of the chain of Mont Blanc, and extends over a distance -of twelve miles into the Valley of Chamouni. It is formed by the masses -of snow and ice which collect during the long winters. In appearance -it is just what its name implies, a Sea of Ice, whose tumultuous -waves seem to have been suddenly frozen, not while they were being -lashed to fury by a tempest, but at the very moment when the wind had -subsided and left them high indeed, but rounded and blunted in outline. -Slowly--so slowly that the motion is imperceptible--it flows down the -inclined plane between two mountains cracking, groaning and melting -until it resolves itself into a torrent, known as the Arveiron. There -are other seas of ice among the Alps, but this by pre-eminence is known -as the Mer de Glace. It was in the study of this region that Agassiz -conceived his glacial theory. - -[Illustration] - - -THE MATTERHORN, SWITZERLAND. This famous Alpine height is situated in -the canton of Valais, in Switzerland, overhanging the little village -of Zermatt. It is fourteen thousand seven hundred and five feet high, -and its peak is the sharpest and most acute in all the Alpine region, -rising like a sort of triangular obelisk into the clouds. Its sides -are so precipitous that the snow itself can hardly find a lodgment. -For a long period it was deemed inaccessible to man. On the 14th of -July, 1865, a party, consisting of Messrs. Hudson, Whymper and Hadow, -with Lord Francis Douglas and three guides, succeeded in reaching -the summit, but in the descent Mr. Hudson lost his footing, and all -save Mr. Whymper and two guides, who escaped by the breaking of the -rope, were precipitated to a depth of four thousand feet towards the -Matterhorn Glacier. The ascent is now made several times annually. The -rock has been blasted at the most difficult points and a rope attached -to it. - -[Illustration] - - -RIGI-KULM, SWITZERLAND. The Rigi Mountain, five thousand nine hundred -and five feet above sea level, or four thousand four hundred and -seventy-two feet above Lake Lucerne, is not one of the highest -mountains of Switzerland, but the beautiful and extensive view -commanded from the Kulm, or summit, makes it one of the most popular. -The famous Riggenbach cog-wheel railway brings travellers up to the -Kulm, a small, bare space, whence the eye takes in a panorama of three -hundred miles in circuit. Immediately below lie the lakes of Lucerne -and Zug, their shores lined with picturesque little towns. Eight other -lakes, including a bit of Zurich, may be counted in the distance. -Snow-capped mountains--the Jungfrau, the Wetterhorn, the Schreckhorn, -the grand snow-covered peaks of the Bernese Alps and countless other -peaks of lesser note--stretch away on every side to the horizon. The -railway up the mountain is of ordinary gauge. Along the centre runs -a cogged track, into which a cog-wheel on the locomotive works, thus -giving the power for the ascent. In going down the brakes are worked -by atmospheric pressure. The construction of this five miles of line, -which in its ascent overcomes about one mile of altitude, cost about -$300,000. - -[Illustration] - - -THUN, SWITZERLAND. One of the most picturesque of Swiss towns is -Thun, which is charmingly situated on the banks of the river Aar, -three-quarters of a mile below its efflux from the lake. Many of the -town’s buildings are very old. The Castle of Zahringen-Kyburg, whose -large square tower forms a noted feature of the landscape, dates from -1182. The principal street is curious. In front of the houses projects -a row of warehouses and cellars, on the flat roofs of which is the -pavement for foot passengers, flanked with the shops. The view here -presented is taken from the pavilion in the Bellevue Grounds, which -overlooks the city, and commands the old-fashioned town, the lake, the -Alps and the Valley of the Aar. - -[Illustration] - - -JUNGFRAU FROM INTERLAKEN, SWITZERLAND. The town of Interlaken, as its -name indicates, is situated between two lakes (Brienz and Thun), in a -valley about three miles wide, on either side of which rises a ridge -of precipitous mountains six thousand feet high. The great attraction -of the place is not the scenery either way along the valley, but a -view that is caught through a depression in the mountains on the -southern side, revealing the Jungfrau (“Young Maiden”) Mountain and -her attendant galaxy of noble Alpine peaks, rearing their snow-crowned -heads far above the horizon. The Jungfrau is the most imposing -eminence in all the Bernese Alps. Surrounded by stupendous precipices, -her surface is broken by valleys, ravines and glaciers, which from -a distance look like creases in the mantle of snow that covers her -enormous flanks. The first ascent of this mountain was made on August -3d, 1811. - -[Illustration] - - -CURSALON, VIENNA, AUSTRIA. This handsome structure, in the Italian -renaissance style, was put up in 1865–67. With its surrounding gardens, -it forms one of the most attractive spots in the city. Concerts are -given here on Sundays and Thursdays, when large crowds are always sure -to attend. - -[Illustration] - - -CATHEDRAL, MILAN, ITALY. The Milanese look upon this church as the -eighth wonder of the world. In truth, it is a marvelous edifice. -“Gothic art,” as Taine says, “here attains its triumph and its -extravagance.” Nowhere else is it so pointed, so complex, so highly -embroidered, so full of delicate detail. It differs from most Gothic -cathedrals in being built, not of dark stone, but of beautiful, -lustrous white Italian marble. Begun in 1386, it was not fully -completed until 1805, at the direction of Napoleon. The design is said -to be taken from Monte Rosa, one of the loftiest peaks of the Alps. Its -ninety-eight sculptured pinnacles, rising from every part of the body -of the church, certainly bear a striking resemblance to the splintered -ice crags of Savoy. Next to St. Peter’s, at Rome, and the Cathedral at -Seville, this is the largest church in Europe, covering, as it does, an -area of fourteen thousand square yards. - -[Illustration] - - -PANORAMA OF VENICE, ITALY. No city in the world is more fascinating -than Venice. Its very situation makes it unique, built as it is on a -cluster of small islands, a hundred or more in number, in the lagoon -of the same name. A long, narrow sand-bank, divided by several inlets, -separates the lagoon from the Adriatic. The largest of the islands is -the Isola di Rialto, which gives its name to the famous bridge. The -Grand Canal winds through the city in a double curve, like the letter -S, and divides it into two unequal parts. The one hundred and forty-six -smaller canals and a perfect network of small streets and bridges form -the other thoroughfares. The splendid churches, the vast treasures of -art and the magnificent palaces, remind one of the glories of the past, -and fill the present with a surpassing beauty. By the fifteenth century -Venice had become the greatest republic in Europe and the focus of its -commerce. The immense wealth of its merchant princes enabled them to -gratify their artistic sense in the superb monuments still extant. - -[Illustration] - - -ST. MARK’S, VENICE, ITALY. This famous cathedral church is a strange -jumble of all styles of architecture, Christian as well as Saracenic, -yet both without and within breathing a rich and wonderful harmony. The -present building, dedicated in 1085, takes the place of an older and -simpler structure, that was destroyed by fire in 976. In front of the -church, to the southwest, rises the Square Campanile, surmounted with -the figure of an angel. To the east of the church the famous Piazzetta, -or “Little Square,” extends to the Grand Canal, glorified by the Palace -of the Doges, or ancient rulers of the city, which some architects look -upon as the finest building in the world. It is from this Piazzetta -that the picture is taken. The square in front of St. Mark’s is the -grand focus of attraction in Venice, and in summer nearly the entire -population congregate here. - -[Illustration] - - -GRAND CANAL, VENICE, ITALY. This is the main thoroughfare of the city -of the sea. On either side of its serpentine length it is lined by -marble-fronted palaces, whose very names awaken a thrill of historic -or romantic recollection. Gondolas dart up and down among the waters, -and, alas! the disillusionizing modern steamboat puffs its vicious -way through the complaining waters. About half-way in its course the -canal is crossed by the famous Rialto bridge, a single arch of unique -and elegant construction, seventy-four feet in length, resting on -twelve thousand piles. This was built in 1588, subsequent therefore -to the period of Venice’s greatest glory. The ancient Rialto, which -Shakespeare speaks of as the meeting place of the merchants, was not -this bridge, but the Exchange which used to go by the same name, and -was long the centre of trade and commercial life in this city. - -[Illustration] - - -THE DOGE’S PALACE, VENICE, ITALY. At right angles to the Piazza San -Marco, at the south-east end, runs the Piazzetta or little square, -whereon is situated the former residence of the Doges, an ancient -seat of government. Ruskin calls this “the principal work of Venice.” -Originally built in 800, five times destroyed and as many times rebuilt -in a style of greater magnificence, the present structure dates from -the fourteenth century. It is in the Moorish-Gothic style. The form is -an irregular square; the west side, facing the Piazzetta (two hundred -and thirty feet in length), and the south side, facing the sea (two -hundred and twenty feet in length), are flanked by two colonnades, one -above the other, with exquisite traceries. The mouldings of the upper -colonnade are especially rich. The interior court of the building -presents a wilderness of elegant columns, cornices, arches, carvings, -sculptures and bas-reliefs. A magnificent collection of Venetian -paintings is housed within these walls. On the east side the palace is -connected with the prisons by the so-called Bridge of Sighs, which owes -most of its fame to Byron’s sentimentality. - -[Illustration] - - -CATHEDRAL AND LEANING TOWER OF PISA, ITALY. The Cathedral of Pisa, -begun in 1063, and consecrated in 1118, forms, with its Baptistery and -Campanile, the most singular group of buildings in the world. Their -beauty is equal to their singularity. The church itself is constructed -entirely of white marble, with black and colored ornamentation. An -elliptical dome covers the centre. The façade, adorned in the lower -story with columns and arches, and in the upper story with four open -galleries, is of exquisite and dainty beauty. So, likewise, is the -Baptistery, a circular structure, surrounded by half columns below -and a gallery of small, detached columns above, the whole crowned by -a conical dome. But the strangest effect of all is produced by the -Campanile, better known as the Leaning Tower, from the fact that it -is thirteen feet out of the perpendicular. That this obliquity was -accidental and due to the sagging of the foundations is now generally -agreed. Aside from this peculiarity the Campanile would arrest -attention by its winsome grace. - -[Illustration] - - -PONTE VECCHIO, FLORENCE, ITALY. There is no more picturesque bridge in -the world than this. It spans the river Arno at a point where tradition -asserts that a Roman predecessor used to exist. Certain it is, that -bridges were built here and repeatedly demolished before Taddeo Gaddi -erected the present structure of three arches. It is flanked by shops, -which have belonged to the goldsmiths and jewelers since the fourteenth -century, and is still the centre of their trade. Above the roofs of -these shops runs the gallery of the Grand Duke, built as a secret -passage between the Uffizi and the Pitti Palaces. The bridge itself -might easily be mistaken for a continuous street by the stranger, -except for the vacant space over the central arch, which gives a -glimpse of the city and the river on each side. - -[Illustration] - - -PALAZZO VECCHIO, FLORENCE, ITALY. The ancient capitol of the Republic -of Florence, and subsequently the residence of Cosmo de’ Medici, is -known as the Palazzo Vecchio, or Old Palace. Begun in 1298, it is a -striking example of the Florentine castles of the Middle Ages, with -its enormous projecting battlements and its disproportionate bell -tower, defiantly stuck upon the walls without regard to symmetry, and -almost overhanging the battlements. It is situated in the Piazza della -Signoria, the historic, as well as the commercial, centre of Florence. -The court is adorned with a fountain and sculptured columns. In front -of the entrance is Bandinelli’s group of Hercules and Cacus. At right -angles to the left is the Loggia dei Lanzi, an open arcade, famous for -its own beauty and for the sculptured master-pieces which it enshrines. -A large and elegant fountain is on the right. - -[Illustration] - - -CATHEDRAL OF FLORENCE, ITALY. This is generally known as the Duomo or -Dome, though its official designation is Santa Maria del Fiore. Arnolfo -di Cambio began it in 1298; he was succeeded by Giotto, and the dome -was added by Brunelleschi. The latter is not only beautiful in itself, -but is interesting as the first of the great domes of the modern world. -A half-finished façade was destroyed by fire, and the deficiency was -not supplied until 1875–1884. The interior is impressive, though -almost entirely devoid of ornamentation. Outside the church, to the -left, is the Campanile, an exquisite work by Giotto; so exquisite that -Charles V declared it ought to be kept in a glass case. In front is the -Baptistery, an octagonal building, surmounted by a dome. It was begun -in 1352 and finished in 1358. Its chief attraction lies in the bronze -doors, especially those by Lorenzo Ghiberti, which Michael Angelo -eulogized as worthy to be the gates of Paradise. - -[Illustration] - - -THE CAPITOL, ROME, ITALY. Anciently, the Capitoline Hill, in Rome, was -surmounted by the Temple of Jupiter Capitolinus and the citadel of the -city. Hence, here was the head of the Roman state and the shrine of -their religion. But temple and citadel have vanished and in their place -is a group of buildings erected by Paul III from the designs of Michael -Angelo. On the right is the Palace of the Conservatori, on the left the -Museum of the Capitol and between the two, occupying the third side of -the square, is the Palace of the Senator, a modern Roman patrician with -that title. The photograph shows the best approach to the square up the -grand stair-case, known as La Cordonnata, which in its present form -dates from 1736. At the foot of the stairs are two Egyptian lions, and -at the summit, on the angles of the balustrades, two ancient colossal -statues of Castor and Pollux, standing by the sides of their horses. -These were found in the sixteenth century. In the centre of the square -is the bronze equestrian statue of Marcus Aurelius. - -[Illustration] - - -CASTLE OF ST. ANGELO, ROME. Originally this famous structure was -built by the Emperor Hadrian as a mausoleum for himself and his -family. The same emperor also erected the bridge now known as St. -Angelo--anciently as the Pons Ælius--which crosses the Tiber opposite -the castle. Tradition affirms that Gregory the Great in 589 changed the -name in memory of a vision of the Archangel Michael, who appeared to -him standing on the summit of the mausoleum. He built a chapel on the -summit, but subsequently this was replaced by the statue still extant. -During the Middle Ages this was the fortress of Papal Rome, and its -history at that period is bound up in the history of the city itself. -It has also served as a prison, and part of it was up to recent times -still used for that purpose. It has suffered much from sieges and the -ravages of time, and is now but the skeleton of the magnificent pile -erected by Hadrian. No vestige remains of the shell of Parian marble -which encircled it, while the statues were torn off to be used as -missiles against the Goths, and later as cannon balls. - -[Illustration] - - -ST. PETER’S, ROME, ITALY. This is the largest and most magnificent -of all Christian temples. It is built on the supposed site of the -burial-place of St. Peter. As early as A. D. 90 an oratory was raised -on the spot; in 306 this was followed by a basilica. The present -edifice was begun in 1506, and after employing the talents of Bramante, -Michel Angelo and other architects, was dedicated by Urban III in 1626. -The magnificent dome was mainly the work of Michael Angelo, though -his plan was somewhat modified by Giacomo della Porta. The impressive -colonnades, which almost encircle the square and lead up to the front, -were added in 1667. The façade is confessedly a failure. But nothing -can mar the beauty of this extraordinary edifice. Although it occupies -some two hundred and forty thousand square feet, the interior, from -its exquisite proportions, does not at once impress the beholder with -a sense of its vastness. That grows upon one by degrees. The Vatican, -which adjoins St. Peter’s, is an equally enormous and beautiful -building, which comprises the residence of the popes, an astounding -museum of pictures and statues and a library of unexampled historic -interest. - -[Illustration] - - -THE COLOSSEUM, ROME. This mammoth ruin, originally known as the Flavian -amphitheatre, is the most magnificent relic of ancient Rome. Begun -by Vespasian in A. D. 72, it was dedicated by Titus in A. D. 80 and -was subsequently added to by Domitian. As the circus of the public -games for nearly four hundred years, it was the scene of gladiatorial -conflicts and of the persecution of the Christian martyrs. After the -triumph of Christianity it fell into neglect, and suffered continuous -spoliation as a quarry for the material of new buildings. Finally, in -1750, Benedict XIV rescued it in its present condition by dedicating -it to the memory of the Christian martyrs who had suffered therein. -A cross in the middle of the amphitheatre is continually visited by -the pious. “As it now stands,” says Forsyth, “the Colosseum is a -striking image of Rome itself, decayed, vacant, serious, yet grand, -half gray and half green, exact on one side and fallen on another, with -consecrated ground in its bosom.” Hillard calls it “a great tragedy -in stone.” It was originally built to seat ten thousand spectators. -There were three orders of architecture used in the four stories; the -first, Doric; second, Ionic; third and fourth, Corinthian. In each of -the lower tiers there were eighty arches. The height of the outer wall -was one hundred and fifty-seven feet, the circumference one thousand -six hundred and forty-one feet, the entire superficial area being six -acres. - -[Illustration] - - -THE PANTHEON, ROME. This is one of the grandest, as it is the most -perfectly preserved, of all the ancient monuments of Rome. Except for -the ridiculous belfries superimposed by Bernini on the outside, it is -to-day substantially in the same condition as when Marcus Agrippa in -B. C. 27, after the establishment of universal peace, consecrated it -to all the gods. In A. D. 608 it was dedicated as a Christian church -by Pope Boniface IV, under the name of Santa Maria ad Martyres. The -portico is of faultless beauty, and the interior, as the picture shows, -is a perfect rotunda, impressive in its grand simplicity. The domed -ceiling is lighted solely by an aperture twenty-three feet in diameter, -the wall being supported by a huge bronze ring. An additional interest -for moderns lies in the tombs of Raphael, Caracci and other painters -who are buried therein, and more recently the remains of Victor -Emmanuel have been added to those of the artistic brotherhood. - -[Illustration] - - -TOMB OF CECILIA METELLA, ROME, ITALY. The Via Appia of ancient Rome was -one of the great avenues leading out from the city, and the principal -line of communication with the South. It is named after Appius Claudius -Caecus, the censor, who began its construction in B. C. 312. Under -Pius IX the ancient road was once more laid open. To-day it presents -the appearance of an avenue, eleven Roman miles in length, lined on -each side by ruins, mostly of magnificent tombs, which were built by -the patrician families of ancient Rome to the memory of their dead. -The best preserved of these is the tomb of Cecilia Metella, the wife -of Crassus, a circular tower seventy feet in diameter, resting upon a -quadrangular base. The battlements upon it are mediæval additions, made -for the purpose of defense by the Caetanis. - -[Illustration] - - -FORUM ROMANUM, ROME, ITALY. The ancient Forum of Rome exists only in -ruins. That it lay at the foot of the Capitoline and Palatine Hills -in Rome is certain from the remnants that survive. But the exact area -it occupied and the true situation of the various buildings which -once covered it are matters of dispute and uncertainty. Conspicuous -among the ruins are three beautiful Corinthian columns of white marble -belonging to the temple raised to Vespasian by Domitian; eight granite -columns belonging to the Temple of Saturn, a beautiful fragment, -consisting of three Corinthian columns with a rich entablature, a -solitary column which Byron calls, - - The nameless column with a buried base, - -but whose now excavated base reveals that it was erected to the Emperor -Phocas, the arches of Septimus Severus and of Titus, and a profusion of -columns, pavements, foundations and walls of other structures. - -[Illustration] - - -BAY OF NAPLES AND MOUNT VESUVIUS, ITALY. Naples, in itself one of the -least interesting of Italian cities, attracts the attention of the -tourist by its transcendent beauty of situation and by the historical -and picturesque interest of its surroundings. The Bay of Naples is -the most glorious spot in the Mediterranean. Its circuit is more than -fifty-two miles, including the islands of Ischia, at the north-west, -and of Capri, at the south entrance. At its opening, between these two -islands, it is fourteen miles broad, and from the opening to its head, -at Portici, the distance is fifteen miles. On the north-east shore, -east of Naples, is an extensive flat, whence rises Vesuvius, the most -famous of European volcanoes, at the base of which are several villages -and the classic sites of Herculaneum and Pompeii. The Italian proverb, -“See Naples and die,” is a tribute to the beauty of the city and its -environment. - -[Illustration] - - -POMPEII, ITALY. The volcanic eruption which overwhelmed Pompeii on -August 24th, A. D. 79, has afforded us our most important, indeed, -almost our only source of acquaintance with the domestic life of -the ancient Romans. To be sure it represents one definite epoch of -antiquity only, that of the glories of the early empire when Pompeii -became the favorite retreat of Romans of the wealthier classes. But the -study of the various phases of life at this epoch forms a pursuit of -inexhaustible interest. The ashes from Vesuvius completely covered over -the town to the depth of about twenty feet until the year 1748, when -the accidental discovery of some statues led to the excavations. They -have been continued up to the present time, and will not be completed -for half a century more. - -[Illustration] - - -ACROPOLIS, ATHENS, GREECE. This famous building, at once the citadel, -the sanctuary, the treasury and the museum of art of the ancient -Athenian people, crowns the summit of the rocky height which abruptly -rises three hundred and fifty feet out of the plain in the midst of -the city, inaccessible on all save the western side. The walls, built -on the edge of the perpendicular rock, form a circuit of nearly seven -thousand feet. These are of immense antiquity. They were founded by the -Pelagians, and the work was continued by Themistocles, Cymon, Valerian, -and later, by the Venetians and the Turks. Here are the remains of -three temples, the Temple of Victory, the Erechtheum and the Parthenon, -the latter the architectural glory of Athens, the only octastyle Doric -temple in Greece, and in its own class the most beautiful building in -the world. It was built in the time of Pericles, and was once adorned -with masterpieces of sculpture of which it was long ago plundered. - -[Illustration] - - -THE BOSPHORUS, FROM CONSTANTINOPLE, TURKEY. No city in the world -occupies a more magnificent natural position than the capital of -Turkey. It is made up of three cities, each distinct and different -from the others. Stamboul, the old city, lies upon a tongue of land of -triangular shape, having the sea of Marmora on the south, the Bosphorus -on its eastern apex and the Golden Horn on the north. Its seven hills -are crowned with domes and minarets and fantastic houses, backed by -the dark foliage of the cypress and other trees in the cemeteries -beyond the walls. To the north is the European quarter, Galata being -the business centre, while Pera is studded all over with the splendid -residences of the foreign ambassadors, &c., and lined along its shores -with the palaces and gardens of the Sultan and the adjoining mosques. -Skutari, the Asiatic quarter of Constantinople, is on the eastern side -of the Bosphorus. Nowhere else is there a picture so bright, so varied -in outline, so gorgeous in color, so heterogeneous in its component -parts. - -[Illustration] - - -THE MOSQUE OF ST. SOPHIA, CONSTANTINOPLE, TURKEY. This is the principal -place of Mahommedan worship in the world. Anciently a Christian temple, -built in 532 by Justinian, it was converted into a Moslem mosque in -1453 by Mohammed II, the conqueror of Constantinople. The building is -in the form of a Greek cross, two hundred and seventy feet long by -two hundred and forty-three wide, surmounted by a flattened dome one -hundred and eighty feet high, with several smaller domes and minarets. -The style of architecture is Byzantine. The exterior is not as imposing -as the interior, which even now is rivaled by few Christian churches, -and at the time of its erection made this masterpiece of Byzantine -architecture the greatest temple in the world. Well may Justinian have -exclaimed: “I have surpassed thee, O Solomon!” The changes made by the -Moslems are greater inside than out. In the interior the mosaics have -been partially covered up and replaced by inscriptions from the Koran, -but there is no structural change. Outside most of the older annexes -have been swept away and replaced by Turkish buildings, lofty minarets -rise at each corner, and the crescent replaces the cross on the dome. - -[Illustration] - - -THE SPHINX, EGYPT. This unique monument, situated near Cairo, in the -neighborhood of the Pyramids, is one of the most characteristic and -probably the oldest of Egyptian remains. As such it is the oldest -monument in the world. Recent researches show that it is more ancient -than even the Pyramid of Cheops. Originally it was a recumbent figure, -representing an andro-sphinx, or man-headed lion, one hundred and -eighty-eight feet nine and one-half inches in length, hewn out of the -solid rock. Steps led down to its front, where there was a sanctuary -and tablets. But the sands covered all save the head, shoulders and -back, which rose from the surrounding desert with a startling and -almost fearsome abruptness. In this condition the monument was allowed -to remain for centuries. But more recently excavations have been -started to restore it to its pristine state, and before long the entire -colossal figure will be bared to view. - -[Illustration] - - -PYRAMIDS OF GIZEH, EGYPT. Gizeh is about twelve miles from Cairo. It -contains the largest and most famous of those mysterious sepulchral -monuments known as Pyramids, which the ancient Egyptians were fond of -raising. Three of these are especially famous--the Great Pyramid called -the “Splendid,” which is the mausoleum of Cheops, and is four hundred -and fifty feet nine inches high; the scarcely inferior Pyramid of -Chepheren, and the Pyramid of Mycerinus, which is much smaller. These -mountains of masonry, built of stones whose huge size perplexes modern -engineers to account for the method of their handling, were designed by -the kings of the early Egyptian dynasties as their tombs. Their leading -idea was durability, and by concealment of the entrance, and tortuous -and complicated passages, they strove to baffle the vandal. Yet all -these tombs have been shamefully profaned. - -[Illustration] - - -RUINS OF KARNAK, EGYPT. Most guide-books advise the traveller in Egypt -to leave Karnak to the last, as the crown of his explorations. It is, -indeed, the most marvelous ruin along the Nile. Yet, though in ruins, -it preserves all its original character. It lies amid the ruins of -Thebes. It was intended for a temple. But it is not so much a temple as -a city of temples, of palaces, courts, columns and obelisks enclosed by -a great wall of circuit about a mile and a half in circumference. The -Great Hall alone, which is the largest of all the monuments, measures -three hundred and forty feet by one hundred and seventy. The Temple -of Amenophis, here represented, is one of the finest of the smaller -remains. - -[Illustration] - - -CHURCH OF THE HOLY SEPULCHRE, JERUSALEM. This church, situated on a -hill called Acra, purports to be built over the site of Calvary and -the actual tomb of Jesus. Not only that tomb itself, but the tombs -of Joseph and Nicodemus, the places where the Saviour appeared after -His resurrection to Mary Magdalene and to Mary, His mother; where -Constantine’s mother found the true cross, &c., &c., are pointed out -to visitors. Not everybody accepts the genuineness of the site. But, -at least, it was for the reconquest of the Holy Sepulchre that the -Crusades were instituted, and for fifteen hundred years kings and -queens, knights and pilgrims have knelt and prayed here. The church is -a Byzantine structure, which was commenced in 1103 A. D., was partly -destroyed by fire in 1808, and has since been restored. Some parts of -it, however, are said to date back to the Empress Helena. - -[Illustration] - - -GARDEN OF GETHSEMANE, JERUSALEM. No spot in the whole world could have -more interest for the Christian traveler than the Garden of Gethsemane, -the scene of our Lord’s agony on the eve of His crucifixion. It is -known that it was a garden or orchard belonging to a small estate at -the foot of Mount Olivet, somewhere on the east slope of the Kedron -Valley and about half a mile from Jerusalem. But whether the present -enclosure which is pointed out as the identical garden be so or not -is a matter which archæologists have not yet settled. Certainly, the -garden is very old and very venerable; its few olive trees date back to -an unknown antiquity, and it may very well have been extant in almost -its present condition in the time of Christ. - -[Illustration] - - -RUINS OF BAALBEK, SYRIA. Baalbek,--the city of Baal or the Sun, the -Heliopolis of the Greeks, once famous as the most magnificent of Syrian -cities, which passed successively under the rule of the Persians, -Greeks and Romans, was plundered by the Arabs in A. D. 639, by the -Christians and others during the Crusades, and was finally sacked and -dismantled by the Tartars, under Tamerlane.--Baalbek to-day exists only -as a mass of ruins; but its very ruins are of the utmost magnificence. -The most imposing are the remains of the Great Temple. But the most -beautiful is the Circular Temple--a semi-circular cella surrounded on -the outside by eight Corinthian columns. Within there is a double tier -of smaller pillars, the lower row being Ionic and the upper Corinthian. -In modern times, and, indeed, up to the present century, this was used -as a Greek church, but it is now deserted and choked with débris. - -[Illustration] - - -TAJ MAHAL, AGRA, HINDOSTAN. This magnificent mausoleum is the glory of -Indo-Mussulman architecture. It was built by the Emperor Shah Jehan -for himself and his favorite wife, Nourmahal, who died in child-birth -in 1629. For twenty-two years twenty thousand men were employed in -its construction, the total cost reaching $16,000,000. Built of white -marble, it forms a quadrangle of one hundred and ninety square yards, -surmounted by a lofty dome, with smaller domes at each corner and four -graceful minarets one hundred and thirty-three feet high. The great -central hall is paved with squares of various-colored marbles, while -the walls, tombs and screens are ornamented by exquisite mosaic work. -The elegance and delicacy of the design and the elaborate perfection in -every detail of the workmanship are alike marvelous. It seems almost -like a castle built in a dream, a fabric of mist and sunbeams, which -would dissolve at a touch. Yet it has resisted the encroachments of -time and the barbarian despoiler, and has come down to our day almost -perfect. - -[Illustration] - - -PEARL MOSQUE, AGRA, HINDOSTAN. The very name of the building is a -tribute to its beauty. It is undoubtedly the most elegant mosque of -Indian-Mahometan architecture. Although it gives the general impression -of lightness, grace, delicacy, it is by no means a small building. -Externally it is two hundred and thirty-five feet east and west by one -hundred and ninety feet north and south. The court yard is one hundred -and fifty-five feet square. The mass is also considerable, as the whole -is raised on a terrace of artificial construction, by the aid of which -it stands well out from the surrounding buildings. Its chief beauty -consists in its court yard, which is wholly of white marble from the -pavement to the summit of its domes. The interior is a bewildering maze -of columns of exquisite proportions. - -[Illustration] - - -EL CAPITAN, YOSEMITE VALLEY, CALIFORNIA. The Yosemite Valley is one -of the most marvelous natural parks in the world. About nine miles in -length and from three-quarters of a mile to a mile and a quarter in -width, it is sunk almost a mile below the level of the surrounding -country. High granite walls rise sheer and inaccessible on each side. -Cataracts of the wildest and strangest beauty abound. Flowers of every -hue cover the ground. Where all is wonderful it might seem hard to -select. Yet by common consent the surpassing feature of the valley -scenery is the great cliff, known as El Capitan or The Captain. “It -is doubtful,” says Professor J. D. Whitney, “if anywhere in the world -there is presented so squarely cut, so lofty and so imposing a face of -rock.” Not indeed that it is the highest of the gigantic brotherhood. -Its three thousand three hundred feet are exceeded in its own vicinity -by over thousands of feet. But no other rock, here or elsewhere, has so -majestic and awe-compelling a presence. - -[Illustration] - - -BIG TREES, CALIFORNIA. Rigid scientists call these trees _Sequoia -gigantea_. In England they are sometimes known as Wellingtonia, in -America as Washingtonia. But the pride of science and of patriotism -have had to bow to the will of the populace, which has been satisfied -with the simpler and therefore more energetic title of Big Trees. They -are confined to the western portion of the California range, occurring -in detached groups or groves at an altitude of from four thousand to -five thousand feet above the sea. Some of these vast vegetable columns -are upwards of thirty feet in diameter, and from three to four hundred -feet in height. One of the trees in the Mariposa Grove, represented in -the accompanying engraving--some twenty-five feet in diameter--stands -directly arching the roadway, and a miniature tunnel has been cut -through it which admits of the passage of a four-horse stage coach. - -[Illustration] - - -GEYSERS, YELLOWSTONE PARK, WYOMING. The Geyser region in the -Yellowstone occupies some thirty square miles. Within this -comparatively limited area is a most stupendous exhibition of hot -springs, water geysers, mud geysers and steaming caldrons of boiling -water. No two of the geysers are alike. The Grotto simply churns and -makes a great noise. The others go off at various intervals; some every -hour, some all the time and some once a month; some on alternate days, -yet the day they are active going over ninety minutes. Nor is their -style of action the same. Some play with labored pumping, others throw -an unbroken stream; some wear themselves out in a continuous effort, -others subside only to recommence again repeatedly. An eruption may -extend from two to twenty minutes, the approximate time occupied by the -Grand, or even to one hour and twenty minutes, a period that the Giant -has been timed to play. The Grand is the largest geyser in the world, -shooting a vast column of water over two hundred feet into the air. - -[Illustration] - - -GRAND CANON, YELLOWSTONE PARK. The Yellowstone Park is one of the great -natural marvels of the world. Within a compass of one hundred square -miles there are here gathered the loveliest valleys, the grandest -canons, the most marvelous mountains, lakes, rivers, springs and -cascades. In addition there are all sorts of natural phenomena: Sulphur -mountains, a mud volcano, petrified forests and over ten thousand -active geysers, hot springs, salfataras and boiling pools. Greatest of -all the sights is the Grand Canon, a ravine varying in depth from one -thousand to two thousand feet. The shelving sides of precipitous crags -slope down, presenting an endless variety of form and color, until -they meet at the bed of the Yellowstone River, which flings itself -impetuously along to meet the lake. “A great gulch let down into the -eternities,” such is the opinion of De Witt Talmage on this miracle of -nature. - -[Illustration] - - -CLIFF-DWELLINGS, NEW MEXICO. Cliff-dwellers is the name given to more -or less savage people in the past who inhabited dwellings built on -projections from the face of cliffs, or cut out of the solid rock. -Sometimes the houses are four stories high, and divided into many -rooms. Often they are not to be distinguished from the rest of the -cliff. Such dwellings are found in various parts of the world, but -nowhere are they so abundant and so interesting as in Arizona, New -Mexico and California. It is generally supposed that the American -cliff-dwellers were the ancestors of the Pueblo Indians. In some -respects the cliff-dweller appears to have been better off than his -modern descendants; the canon walls sheltered him from cyclones and -the overhanging shelves of rock protected him from attack from above. -A series of cliff villages, lining the walls of Walnut Canon, in -Northeastern Arizona, for a length of five miles, was discovered in -1884. - -[Illustration] - - -MASONIC TEMPLE, CHICAGO. For a long time it was held that Philadelphia -had the finest Masonic Temple in the world. Now that honor belongs to -Chicago. But it has only belonged to it since 1890, when the gorgeous -new building was begun at the corner of State and Randolph Streets. The -site measures one hundred and seventy feet on State Street and by one -hundred and fourteen on Randolph. Every inch of this space is covered -by the building, whose twenty stories tower up to the height of two -hundred and sixty-five feet. It rests on cement and iron foundations, -and its superstructure is of steel. The first three stories are faced -with red granite from Wisconsin, the remainder with gray brick that -is indistinguishable from the granite. An immense granite arch in the -centre of the State Street front forms the entrance, and opens into an -interior court, faced from bottom to top with different colored marble. -The first eleven stories are fitted up for shops, from the eleventh to -the sixteenth inclusive are business offices, while above the sixteenth -floor everything is devoted to Masonry. - -[Illustration] - - -NIAGARA FALLS. The most stupendous cataract in the world is that formed -in the Niagara River, four miles below Grand Island. Here the current -begins to grow narrow and develops into rapids, which continue for -about a mile, with a descent of fifty-two feet, until the river plunges -over a mighty chasm. Goat Island, at the very verge of the cataract, -divides it into two sheets of water--the Horse-shoe, or Canadian fall, -with a descent of one hundred and fifty-eight feet, and a width of -about twenty-six hundred and forty; and the American fall, one hundred -and sixty-two to one hundred and sixty-nine feet deep, and about one -thousand wide. The volume of water thus precipitated is about fifteen -million cubic feet a minute. Nearly nine-tenths of this passes over -the Canadian fall. For some distance below the Falls there is still -water, the mass which has hurled itself into the abyss sinking and only -reappearing two miles below, where the whirlpool rapids begin. - -[Illustration] - - -THE THOUSAND ISLANDS, CANADA. This, the largest group of river islands -in the world, lies in an expansion of the River St. Lawrence at -its emergence from Lake Ontario. New York State is on one side and -the Province of Ontario, Canada, on the other. The name is not an -exaggeration. On the contrary, the group consists of about fifteen -hundred rocky islands, remarkable for their great and varied beauty. -They are of all shapes and sizes, some just peeping above the surface -of the waters, others extending several miles in length, some wild and -bare and rocky, others covered with the most luxuriant foliage. Hence, -a trip through the St. Lawrence River at this point is full of the most -bewildering yet enchanting surprises. - -[Illustration] - - -VICTORIA BRIDGE, MONTREAL, CANADA. Montreal is situated on the south -side of the island of the same name, at the confluence of the Ottawa -and the St. Lawrence Rivers. To connect it with the mainland the -Victoria Bridge was thrown across the St. Lawrence. Work was begun in -1854. In 1860 the bridge was formally opened by the Prince of Wales -during his tour through Canada and the United States. This is one of -the greatest triumphs of engineering and architectural skill. The total -length is nearly two miles, or, to be exact, nine thousand one hundred -and ninety-four feet. It rests upon twenty-four piers and two abutments -of solid masonry. The central span is three hundred and thirty feet -long. - -[Illustration] - - -THE CAPITOL, WASHINGTON, D. C. A stately and magnificent building -devoted to both branches of Congress--the Senate and the House of -Representatives--as well as to the United States Supreme Court and the -Library of Congress. It stands upon an eminence commanding a beautiful -view of the city, and itself forms the most impressive feature in the -landscape. The centre building of freestone is flanked by two wings, -mainly of marble, and crowned by an iron dome, painted white. From -the ground to the top of the nineteen-foot Statue of Liberty, which -surmounts the dome, is three hundred and seven and a half feet; the -diameter of the dome is one hundred and thirty-five and a half feet. -Thus only four domes in Europe can surpass it: St. Peter’s at Rome, -St. Paul’s in London, St. Isaac’s in St. Petersburg, and the Invalides -in Paris. The building covers an area of about three and a half acres. -Its total cost has been over $13,000,000. The corner-stone was laid by -Washington in 1792. The marble extensions were begun in 1851. - -[Illustration] - - -THE WHITE HOUSE, WASHINGTON, D. C. As the official residence of the -President of the United States, this mansion has a unique interest. -It is not in itself, however, a pretentious or imposing structure. -Yet it has some elegance in its very democratic simplicity. Built of -freestone, like the original Capitol, and painted white like that, its -color has given it its name. The model which the architect had in view -was the Palace of the Duke of Leinster in London, and he has followed -his prototype very closely. The corner-stone was laid in 1792; the -building was first occupied by President John Adams in 1800; it was -burned by the British in 1814, and restored and re-occupied in 1818. -Since that time there have been staccato clamors for a more magnificent -entourage for the chief executive officer of the United States, but -nothing further has been accomplished. - -[Illustration] - - -INDEPENDENCE HALL, PHILADELPHIA. This plain, but substantial brick -building, which stands on Chestnut Street, Philadelphia, is ever -memorable as the birthplace of the American republic. Here the General -Assembly of Pennsylvania gave way to the Continental Congress. Here -George Washington was elected commander of the American forces (June, -1775). And here, on July 4th, 1776, the Declaration of Independence -was adopted by Congress. Four days later it was read from before the -building to an excited and exultant multitude. The halls have been -restored as far as possible to their original condition; the east room, -where the Declaration was signed, is ornamented with portraits of -the signers and the west room is a museum of revolutionary and other -relics. The famous Liberty Bell, which was rung as a signal to the -people that the Declaration had been adopted, is now suspended under -the tower in full view of the public. The building dates from 1729–34. - -[Illustration] - - -THE EAST RIVER BRIDGE, between New York City and Brooklyn, more -familiarly known as the Brooklyn Bridge, is a massive suspension -bridge, the largest in the world, which connects New York with -Brooklyn. Its colossal towers and ponderous cables loom up -conspicuously before the stranger who approaches New York from the -riverside. Begun in 1870, it was opened for traffic May 24th, 1883, at -a total cost of $15,000,000. The whole length of the bridge is five -thousand nine hundred and eighty-nine feet. From high water mark to the -floor of the bridge is one hundred and thirty-five feet. The central -span (itself measuring one thousand five hundred and ninety-five and -a half feet) is suspended to four cables of steel wire, each fifteen -and three-quarter inches in diameter. The width of the structure is -eighty-five feet, which includes a promenade for foot passengers, two -roadways for vehicles, and two railway tracks on which run passenger -cars propelled by a stationary engine from the Brooklyn side. - -[Illustration] - - - - -Transcriber’s Notes - - -Punctuation, hyphenation, and spelling were made consistent when a -predominant preference was found in the original book; otherwise they -were not changed. - -A few very simple typographical errors were corrected. - -This book always uses “Canon,” never “Canyon.” It contains several -likely typographical errors or misspellings, most of which have not -been changed by the Transcribers. Some are noted below. - -Page 42: “mertons” was printed that way. - -Page 72: “Propylacum” was printed that way. - -Page 120: “Andulasia” was printed that way. - -Page 162: “Michel Angelo” was printed that way. - -Page 178: “sea of Marmora” was printed that way. - -*** END OF THE PROJECT GUTENBERG EBOOK AROUND THE WORLD IN EIGHTY -MINUTES *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. 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S. Walsh—A Project Gutenberg eBook - </title> - <link rel="icon" href="images/cover.jpg" type="image/x-cover"> - <style> /* <![CDATA[ */ - -body { - margin-left: 2.5em; - margin-right: 2.5em; -} -.x-ebookmaker body {margin: 0;} -.x-ebookmaker-drop {color: inherit;} - -h1, h2 { - text-align: center; - clear: both; - margin-top: 2.5em; - margin-bottom: 1em; -} - -h1 {line-height: 1.5;} - -h2.chap {margin-bottom: 0;} -h2+p {margin-top: 1.5em;} -.x-ebookmaker h1, .x-ebookmaker .chapter, .x-ebookmaker .newpage {page-break-before: always;} -.x-ebookmaker h1.nobreak, .x-ebookmaker h2.nobreak, .x-ebookmaker .nobreak {page-break-before: avoid; padding-top: 0;} - -.transnote h2 { - margin-top: .5em; - margin-bottom: 1em; -} - -p { - text-indent: 1.75em; - margin-top: .51em; - margin-bottom: .24em; - text-align: justify; -} -.x-ebookmaker p { - margin-top: .5em; - margin-bottom: .25em; -} - -.caption p, .center p, p.center {text-align: center; text-indent: 0;} - -.p1 {margin-top: 1em;} -.p2 {margin-top: 2em;} -.p4 {margin-top: 4em;} -.b1 {margin-bottom: 1em;} -.vspace {line-height: 1.5;} - -.in0 {text-indent: 0;} - -.xsmall {font-size: 60%;} -.small {font-size: 70%;} -.smaller {font-size: 85%;} -.larger {font-size: 125%;} - -p.drop-cap {text-indent: 0;} -p.drop-cap:first-letter { - float: left; - margin: .05em .4em 0 0; - font-size: 300%; - line-height:0.7em; - text-indent: 0; - clear: both; -} -.x-ebookmaker p.drop-cap {margin-top: 2em; page-break-before: always;} - -.drop-cap .firstword {margin-left: -1.1em;} -.drop-cap .firstword.a {margin-left: -1.6em;} -.drop-cap .firstword.al {margin-left: -1.8em;} -.drop-cap .firstword.b {margin-left: -1.2em;} - -.x-ebookmaker p.drop-cap {text-indent: 1.75em; margin-bottom: .24em;} -.x-ebookmaker p.drop-cap:first-letter { - float: none; - font-size: 100%; - margin-left: 0; - margin-right: 0; - text-indent: 1.75em; -} - -.x-ebookmaker p.drop-cap.a .firstword, - .x-ebookmaker p.drop-cap .firstword, - .x-ebookmaker p.drop-cap.b .firstword, - .x-ebookmaker p.drop-cap.al .firstword {margin-left: 0;} -.x-ebookmaker p .firstword {font-size: 100%;} - -.center {text-align: center;} - -.smcap {font-variant: small-caps;} - -hr { - width: 33%; - margin: 4em auto 4em auto; - clear: both; -} -.x-ebookmaker hr { - margin-top: .1em; - margin-bottom: .1em; - visibility: hidden; - color: white; - width: .01em; - display: none; -} - -table { - margin-left: auto; - margin-right: auto; - max-width: 80%; - border-collapse: collapse; -} -.x-ebookmaker table {width: auto; max-width: 100%; margin: 1em auto 1em auto;} - -.tdl { - text-align: left; - vertical-align: top; - padding-right: 1em; - padding-left: 1.5em; - text-indent: -1.5em; -} -.x-ebookmaker .tdl { - padding-left: 1em; - text-indent: -1em; - padding-right: 0; -} - -.tdr { - text-align: right; - vertical-align: bottom; - padding-left: .3em; - white-space: nowrap; -} - -.pagenum { - position: absolute; - right: .25em; - text-indent: 0; - text-align: right; - font-size: 70%; - font-weight: normal; - font-variant: normal; - font-style: normal; - letter-spacing: normal; - line-height: normal; - color: #acacac; - border: .0625em solid #acacac; - background: #ffffff; - padding: .0625em .125em; -} - -.figcenter { - margin: 0 auto 8em auto; - text-align: center; - page-break-inside: avoid; -} -.x-ebookmaker .figcenter {margin: 0 auto 0 auto; page-break-after: always;} -.figcenter.port {max-width: 26em;} -.figcenter.land {max-width: 36em;} - -img { - padding: .5em 0 0 0; - max-width: 100%; - height: auto; -} -.x-ebookmaker img {max-height: 80%;} - -a.ref {text-decoration: none;} - -.transnote { - border: .3em double gray; - font-family: sans-serif, serif; - margin-left: 5%; - margin-right: 5%; - margin-top: 8em; - margin-bottom: 2em; - padding: 1em; -} -.x-ebookmaker .transnote { - page-break-before: always; - page-break-after: always; - margin-left: 2%; - margin-right: 2%; - margin-top: 1em; - margin-bottom: 1em; - padding: .5em; -} - -.wspace {word-spacing: .3em;} - -.pagenum br {display: none; visibility: hidden;} - - /* ]]> */ </style> -</head> - -<body> -<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Around the world in eighty minutes, by William S. Walsh</p> -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Title: Around the world in eighty minutes</p> -<p style='display:block; margin-left:2em; text-indent:0; margin-top:0; margin-bottom:1em;'>Photographic reproductions of the most magnificent edifices, the most interesting remains and the most beautiful scenes on the earth's surface</p> -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: William S. Walsh</p> -<p style='display:block; text-indent:0; margin:1em 0'>Release Date: December 14, 2022 [eBook #69543]</p> -<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p> - <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Tim Lindell, Charlie Howard, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)</p> -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK AROUND THE WORLD IN EIGHTY MINUTES ***</div> - -<div id="coversmall" class="figcenter land"><img src="images/coversmall.jpg" width="1018" height="853" alt=""></div> - -<div class="transnote"> -<p class="center larger">Transcriber’s Note</p> - -<p>The photographs in this ebook always follow their descriptions, even if -the reading device places a photograph at the top of a page, above the -description of the next photograph.</p> - -<p>Larger, higher-resolution versions of the illustrations may be seen by right-clicking them -and selecting an option to view them separately, or by double-tapping and/or -stretching them.</p> -</div> - -<div class="newpage p2 center wspace"> -<h1>AROUND THE WORLD<br> -<span class="xsmall">IN</span><br> -EIGHTY MINUTES</h1> - -<p class="p1 larger"><span class="smcap">Photographic Reproductions of the Most Magnificent Edifices, -the Most Interesting Remains and the Most Beautiful -Scenes on the Earth’s Surface</span></p> - -<p class="p2">WITH DESCRIPTIVE TEXT<br> -BY<br> -WM. S. WALSH</p> - -<p class="p2"><span class="smaller">PHILADELPHIA</span><br> -HENRY ALTEMUS<br> -1894</p> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p class="p4 vspace"> -Copyrighted, 1894, by <span class="smcap">Henry Altemus</span><br> -<span class="smcap">Altemus’ Bookbindery, Philadelphia</span> -</p> -</div></div> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_3">3</span></p> - -<h2 class="nobreak" id="INTRODUCTION">INTRODUCTION</h2> -</div> - -<p class="drop-cap p2"><span class="firstword">TRAVEL</span> is the greatest of educators, the greatest of civilizers. To come -in contact with men and manners different from those to which we have -been accustomed by birth is to broaden the mind; to teach it forbearance, -sympathy, wisdom; to rob it of its philistinism; to make it cosmopolitan -and not provincial. To come face to face with the great monuments of the -past and of the present, to see what man has done and is doing, is to get a new -idea of the vastness, the imaginative strength, the creative power of the human -mind, to renew your respect for your kind and for yourself, because you belong -to that kind. It may teach you your own littleness, indeed, in itself a -useful lesson. But it also teaches you the greatness of that aggregate of little -individuals to which we give the generic name of man. And to learn this -lesson of reverence for man is to kin yourself with what is best and holiest -in man.</p> - -<p><span class="pagenum" id="Page_4">4</span></p> - -<p>Horse-power, sails, steam, electricity are all at your bidding to-day, ready -harnessed to transport you where you will. If you wish to travel, the world -is yours to command. Fictitious heroes have circled it in eighty days; real -men and women have accomplished the feat in less time. A little leisure and -a little money will enable you to do what a century or so ago would have been -impossible to the greatest potentate on earth, with twenty-four hours of leisure -every day, and the wealth of Indies at his beck and call.</p> - -<p>But if you have not the little leisure, if you have not the little money, you -can travel without them. You can travel without passing out of your room, -without quitting your chair. The resources of modern science are inexhaustible. -Mahomet, though a prophet, had to go to the mountain because the -mountain would not come to him. But you need not go to the mountain; -modern science will make it come to you. You have but to say the word.</p> - -<p>Here, in this book, for example, are one hundred photographs of one hundred -of the most famous sights, scenes and monuments in the whole world. -To see these sights, these scenes, these monuments, is to attain a liberal education. -Now what is seeing? Seeing, the philosopher will tell you, is to have -certain waves of light strike your eye and create an impression on your retina -of the objects that are in front of you. The retina, in other words, is nothing -but a natural camera obscura. And what is a photograph? A photograph -is a modern invention whereby, by means of an artificial camera obscura, the -sun, the author of all light, is cunningly induced to bind upon paper forever<span class="pagenum" id="Page_5">5</span> -the impression made by the actual waves of light set in motion by certain -objects. Remember it is not a picture of that object formed by some individual -man and blurred by the personality of the individual who made it. It -is the actual sight, the actual scene, the actual monument, or what not, just as -it would have met your natural retina if you had been there, and simply -reflected from the artificial retina into your natural one. The sun is the true -realist—faithful, literal, exact. Would we not cheerfully exchange Giotto’s -portrait of Dante for a photograph by Sarony, had Sarony and his camera -existed in Dante’s day; or Wagner’s Chariot Race for an instantaneous photograph -of the great Colosseum, with its surging crowds of humanity? The -men and women in Wagner’s masterpiece are vivid and life-like; as types -they are faithful and exact, but the instantaneous photograph would give you -the very outer form and semblance, the body and almost the soul, of individuals -who had once lived, who are now once again living before you. Savages -are said to shrink from being photographed, deeming that a part of -themselves passes into the picture, and the superstitions of savages are metaphors -in which civilized men read a poetical hint of the truth.</p> - -<p>Here, then, are one hundred of the greatest of human monuments and the -most magnificent of earthly scenes brought into your very presence by the -witchery of modern science. The selection has been made with the greatest -care so as to be truly representative of all ages, people and climes. Each -photograph is accompanied by a pains-taking and accurate description which<span class="pagenum" id="Page_6">6</span> -briefly but succinctly sums up the information that the reader needs for his -guidance. Here, therefore, is a trip round the world with the services of a -guide thrown in, and that trip can be accomplished pleasantly and without -fatigue at an expense which is too ridiculously small to mention.</p> - -<p>Well may the modern laugh at Mahomet and his mountain, and snap his -fingers at Phineas Fogg and Nelly Bly. Eighty days quotha! Seventy? -Sixty? Nay, eighty minutes will suffice.</p> -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"> -<p><span class="pagenum" id="Page_7">7</span></p> - -<h2 class="nobreak" id="CONTENTS">CONTENTS</h2> -</div> - -<table id="toc"> -<tr class="small"> - <td></td> - <td class="tdr">PAGE</td> -</tr> -<tr> - <td class="tdl">The Statue of Liberty</td> - <td class="tdr"><a href="#t_12">12</a></td> -</tr> -<tr> - <td class="tdl">The Tower of London</td> - <td class="tdr"><a href="#t_14">14</a></td> -</tr> -<tr> - <td class="tdl">Westminster Abbey</td> - <td class="tdr"><a href="#t_16">16</a></td> -</tr> -<tr> - <td class="tdl">St. Paul’s Cathedral</td> - <td class="tdr"><a href="#t_18">18</a></td> -</tr> -<tr> - <td class="tdl">Houses of Parliament, London</td> - <td class="tdr"><a href="#t_20">20</a></td> -</tr> -<tr> - <td class="tdl">Bank of England, London</td> - <td class="tdr"><a href="#t_22">22</a></td> -</tr> -<tr> - <td class="tdl">Mansion House, London</td> - <td class="tdr"><a href="#t_24">24</a></td> -</tr> -<tr> - <td class="tdl">London Bridge</td> - <td class="tdr"><a href="#t_26">26</a></td> -</tr> -<tr> - <td class="tdl">Trafalgar Square, London</td> - <td class="tdr"><a href="#t_28">28</a></td> -</tr> -<tr> - <td class="tdl">Thames Embankment, London</td> - <td class="tdr"><a href="#t_30">30</a></td> -</tr> -<tr> - <td class="tdl">Kenilworth Castle, England</td> - <td class="tdr"><a href="#t_32">32</a></td> -</tr> -<tr> - <td class="tdl">Warwick Castle, England</td> - <td class="tdr"><a href="#t_34">34</a></td> -</tr> -<tr> - <td class="tdl">Windsor Castle, England</td> - <td class="tdr"><a href="#t_36">36</a></td> -</tr> -<tr> - <td class="tdl">Shakespeare’s House</td> - <td class="tdr"><a href="#t_38">38</a></td> -</tr> -<tr> - <td class="tdl">Osborne House, Isle of Wight</td> - <td class="tdr"><a href="#t_40">40</a></td> -</tr> -<tr> - <td class="tdl">Blarney Castle, Ireland</td> - <td class="tdr"><a href="#t_42">42</a></td> -</tr> -<tr> - <td class="tdl">The Lakes of Killarney, Ireland</td> - <td class="tdr"><a href="#t_44">44</a></td> -</tr> -<tr> - <td class="tdl">Giant’s Causeway, Ireland</td> - <td class="tdr"><a href="#t_46">46</a><span class="pagenum" id="Page_8">8</span></td> -</tr> -<tr> - <td class="tdl">Edinburgh Castle, Scotland</td> - <td class="tdr"><a href="#t_48">48</a></td> -</tr> -<tr> - <td class="tdl">Holyrood Palace, Edinburgh</td> - <td class="tdr"><a href="#t_50">50</a></td> -</tr> -<tr> - <td class="tdl">Melrose Abbey, Scotland</td> - <td class="tdr"><a href="#t_52">52</a></td> -</tr> -<tr> - <td class="tdl">Abbotsford, Scotland</td> - <td class="tdr"><a href="#t_54">54</a></td> -</tr> -<tr> - <td class="tdl">Fingal’s Cave, Scotland</td> - <td class="tdr"><a href="#t_56">56</a></td> -</tr> -<tr> - <td class="tdl">Forth Bridge, Scotland</td> - <td class="tdr"><a href="#t_58">58</a></td> -</tr> -<tr> - <td class="tdl">Balmoral Castle, Scotland</td> - <td class="tdr"><a href="#t_60">60</a></td> -</tr> -<tr> - <td class="tdl">Loch Katrine, Scotland</td> - <td class="tdr"><a href="#t_62">62</a></td> -</tr> -<tr> - <td class="tdl">North Cape, Norway</td> - <td class="tdr"><a href="#t_64">64</a></td> -</tr> -<tr> - <td class="tdl">The Kremlin, Moscow, Russia</td> - <td class="tdr"><a href="#t_66">66</a></td> -</tr> -<tr> - <td class="tdl">The Church of St. Basil, Moscow</td> - <td class="tdr"><a href="#t_68">68</a></td> -</tr> -<tr> - <td class="tdl">Royal Museum, Berlin, Germany</td> - <td class="tdr"><a href="#t_70">70</a></td> -</tr> -<tr> - <td class="tdl">Brandenburg Gate, Berlin</td> - <td class="tdr"><a href="#t_72">72</a></td> -</tr> -<tr> - <td class="tdl">Cologne Cathedral, Germany</td> - <td class="tdr"><a href="#t_74">74</a></td> -</tr> -<tr> - <td class="tdl">Heidelberg Castle, Germany</td> - <td class="tdr"><a href="#t_76">76</a></td> -</tr> -<tr> - <td class="tdl">Ehrenbreitstein, Germany</td> - <td class="tdr"><a href="#t_78">78</a></td> -</tr> -<tr> - <td class="tdl">The Cathedral, Antwerp, Belgium</td> - <td class="tdr"><a href="#t_80">80</a></td> -</tr> -<tr> - <td class="tdl">Palais de Justice, Brussels, Belgium</td> - <td class="tdr"><a href="#t_82">82</a></td> -</tr> -<tr> - <td class="tdl">Field of Waterloo, Belgium</td> - <td class="tdr"><a href="#t_84">84</a></td> -</tr> -<tr> - <td class="tdl">Notre Dame Cathedral, Paris</td> - <td class="tdr"><a href="#t_86">86</a></td> -</tr> -<tr> - <td class="tdl">Place de la Bastille, Paris</td> - <td class="tdr"><a href="#t_88">88</a></td> -</tr> -<tr> - <td class="tdl">Place de la Concorde, Paris</td> - <td class="tdr"><a href="#t_90">90</a><span class="pagenum" id="Page_9">9</span></td> -</tr> -<tr> - <td class="tdl">Place Vendome, Paris</td> - <td class="tdr"><a href="#t_92">92</a></td> -</tr> -<tr> - <td class="tdl">Garden of the Tuileries, Paris</td> - <td class="tdr"><a href="#t_94">94</a></td> -</tr> -<tr> - <td class="tdl">Arc de Triomphe, Paris</td> - <td class="tdr"><a href="#t_96">96</a></td> -</tr> -<tr> - <td class="tdl">Napoleon’s Tomb, Paris</td> - <td class="tdr"><a href="#t_98">98</a></td> -</tr> -<tr> - <td class="tdl">Chamber of Deputies, Paris</td> - <td class="tdr"><a href="#t_100">100</a></td> -</tr> -<tr> - <td class="tdl">Grand Opera House, Paris</td> - <td class="tdr"><a href="#t_102">102</a></td> -</tr> -<tr> - <td class="tdl">Eiffel Tower, Paris</td> - <td class="tdr"><a href="#t_104">104</a></td> -</tr> -<tr> - <td class="tdl">The Trocadero, Paris</td> - <td class="tdr"><a href="#t_106">106</a></td> -</tr> -<tr> - <td class="tdl">Chateau de Fontainebleau, France</td> - <td class="tdr"><a href="#t_108">108</a></td> -</tr> -<tr> - <td class="tdl">Garden and Fountains, Versailles, France</td> - <td class="tdr"><a href="#t_110">110</a></td> -</tr> -<tr> - <td class="tdl">Grand Trianon, Versailles</td> - <td class="tdr"><a href="#t_112">112</a></td> -</tr> -<tr> - <td class="tdl">A Bull Fight, Seville, Spain</td> - <td class="tdr"><a href="#t_114">114</a></td> -</tr> -<tr> - <td class="tdl">The Alhambra</td> - <td class="tdr"><a href="#t_116">116</a></td> -</tr> -<tr> - <td class="tdl">Cordova, Spain</td> - <td class="tdr"><a href="#t_118">118</a></td> -</tr> -<tr> - <td class="tdl">Rock of Gibraltar</td> - <td class="tdr"><a href="#t_120">120</a></td> -</tr> -<tr> - <td class="tdl">Monte Carlo</td> - <td class="tdr"><a href="#t_122">122</a></td> -</tr> -<tr> - <td class="tdl">Lake Lucerne, Switzerland</td> - <td class="tdr"><a href="#t_124">124</a></td> -</tr> -<tr> - <td class="tdl">Mont Blanc, Switzerland</td> - <td class="tdr"><a href="#t_126">126</a></td> -</tr> -<tr> - <td class="tdl">Mer de Glace, Switzerland</td> - <td class="tdr"><a href="#t_128">128</a></td> -</tr> -<tr> - <td class="tdl">The Matterhorn, Switzerland</td> - <td class="tdr"><a href="#t_130">130</a></td> -</tr> -<tr> - <td class="tdl">Rigi-Kulm, Switzerland</td> - <td class="tdr"><a href="#t_132">132</a></td> -</tr> -<tr> - <td class="tdl">Thun, Switzerland</td> - <td class="tdr"><a href="#t_134">134</a><span class="pagenum" id="Page_10">10</span></td> -</tr> -<tr> - <td class="tdl">Jungfrau from Interlaken</td> - <td class="tdr"><a href="#t_136">136</a></td> -</tr> -<tr> - <td class="tdl">Cursalon, Vienna, Austria</td> - <td class="tdr"><a href="#t_138">138</a></td> -</tr> -<tr> - <td class="tdl">Cathedral, Milan, Italy</td> - <td class="tdr"><a href="#t_140">140</a></td> -</tr> -<tr> - <td class="tdl">Panorama of Venice, Italy</td> - <td class="tdr"><a href="#t_142">142</a></td> -</tr> -<tr> - <td class="tdl">St. Mark’s, Venice</td> - <td class="tdr"><a href="#t_144">144</a></td> -</tr> -<tr> - <td class="tdl">Grand Canal, Venice</td> - <td class="tdr"><a href="#t_146">146</a></td> -</tr> -<tr> - <td class="tdl">Doge’s Palace, Venice</td> - <td class="tdr"><a href="#t_148">148</a></td> -</tr> -<tr> - <td class="tdl">Cathedral and Leaning Tower, Pisa, Italy</td> - <td class="tdr"><a href="#t_150">150</a></td> -</tr> -<tr> - <td class="tdl">Ponte Vecchio, Florence, Italy</td> - <td class="tdr"><a href="#t_152">152</a></td> -</tr> -<tr> - <td class="tdl">Palazzo Vecchio, Florence</td> - <td class="tdr"><a href="#t_154">154</a></td> -</tr> -<tr> - <td class="tdl">Cathedral of Florence</td> - <td class="tdr"><a href="#t_156">156</a></td> -</tr> -<tr> - <td class="tdl">The Capitol, Rome, Italy</td> - <td class="tdr"><a href="#t_158">158</a></td> -</tr> -<tr> - <td class="tdl">Castle of St. Angelo, Rome</td> - <td class="tdr"><a href="#t_160">160</a></td> -</tr> -<tr> - <td class="tdl">St. Peter’s, Rome</td> - <td class="tdr"><a href="#t_162">162</a></td> -</tr> -<tr> - <td class="tdl">The Colosseum, Rome</td> - <td class="tdr"><a href="#t_164">164</a></td> -</tr> -<tr> - <td class="tdl">The Pantheon, Rome</td> - <td class="tdr"><a href="#t_166">166</a></td> -</tr> -<tr> - <td class="tdl">Tomb of Cecilia Metella, Rome</td> - <td class="tdr"><a href="#t_168">168</a></td> -</tr> -<tr> - <td class="tdl">The Forum, Rome</td> - <td class="tdr"><a href="#t_170">170</a></td> -</tr> -<tr> - <td class="tdl">The Bay of Naples, Italy</td> - <td class="tdr"><a href="#t_172">172</a></td> -</tr> -<tr> - <td class="tdl">Pompeii, Italy</td> - <td class="tdr"><a href="#t_174">174</a></td> -</tr> -<tr> - <td class="tdl">The Acropolis, Athens, Greece</td> - <td class="tdr"><a href="#t_176">176</a></td> -</tr> -<tr> - <td class="tdl">The Bosphorus, Constantinople, Turkey</td> - <td class="tdr"><a href="#t_178">178</a><span class="pagenum" id="Page_11">11</span></td> -</tr> -<tr> - <td class="tdl">The Mosque of St. Sophia, Constantinople</td> - <td class="tdr"><a href="#t_180">180</a></td> -</tr> -<tr> - <td class="tdl">The Sphinx, Egypt</td> - <td class="tdr"><a href="#t_182">182</a></td> -</tr> -<tr> - <td class="tdl">The Pyramids of Gizeh, Egypt</td> - <td class="tdr"><a href="#t_184">184</a></td> -</tr> -<tr> - <td class="tdl">Ruins of the Temple of Amenophis, Karnak</td> - <td class="tdr"><a href="#t_186">186</a></td> -</tr> -<tr> - <td class="tdl">Church of the Holy Sepulchre, Jerusalem</td> - <td class="tdr"><a href="#t_188">188</a></td> -</tr> -<tr> - <td class="tdl">Garden of Gethsemane, Jerusalem</td> - <td class="tdr"><a href="#t_190">190</a></td> -</tr> -<tr> - <td class="tdl">Ruins of Baalbek, Syria</td> - <td class="tdr"><a href="#t_192">192</a></td> -</tr> -<tr> - <td class="tdl">Taj Mahal, Agra, Hindostan</td> - <td class="tdr"><a href="#t_194">194</a></td> -</tr> -<tr> - <td class="tdl">The Pearl Mosque, Hindostan</td> - <td class="tdr"><a href="#t_196">196</a></td> -</tr> -<tr> - <td class="tdl">Yosemite Valley, California</td> - <td class="tdr"><a href="#t_198">198</a></td> -</tr> -<tr> - <td class="tdl">Big Trees, Mariposa Grove, California</td> - <td class="tdr"><a href="#t_200">200</a></td> -</tr> -<tr> - <td class="tdl">Geysers, Yellowstone Park, Wyoming</td> - <td class="tdr"><a href="#t_202">202</a></td> -</tr> -<tr> - <td class="tdl">Grand Canon, Yellowstone Park</td> - <td class="tdr"><a href="#t_204">204</a></td> -</tr> -<tr> - <td class="tdl">Cliff Dwellings, New Mexico</td> - <td class="tdr"><a href="#t_206">206</a></td> -</tr> -<tr> - <td class="tdl">Masonic Temple, Chicago</td> - <td class="tdr"><a href="#t_208">208</a></td> -</tr> -<tr> - <td class="tdl">Niagara Falls</td> - <td class="tdr"><a href="#t_210">210</a></td> -</tr> -<tr> - <td class="tdl">The Thousand Islands</td> - <td class="tdr"><a href="#t_212">212</a></td> -</tr> -<tr> - <td class="tdl">Victoria Bridge, Montreal</td> - <td class="tdr"><a href="#t_214">214</a></td> -</tr> -<tr> - <td class="tdl">The Capitol, Washington, D. C.</td> - <td class="tdr"><a href="#t_216">216</a></td> -</tr> -<tr> - <td class="tdl">The White House, Washington, D. C.</td> - <td class="tdr"><a href="#t_218">218</a></td> -</tr> -<tr> - <td class="tdl">Independence Hall, Philadelphia</td> - <td class="tdr"><a href="#t_220">220</a></td> -</tr> -<tr> - <td class="tdl">The Brooklyn Bridge</td> - <td class="tdr"><a href="#t_222">222</a></td> -</tr> -</table> - -<hr class="chap x-ebookmaker-drop"> - -<div class="chapter"></div> - -<p><span class="pagenum" id="Page_12">12</span></p> - -<p id="t_12" class="drop-cap"><span class="firstword">THE</span> STATUE OF LIBERTY. This colossal statue, by Auguste Bartholdi, -stands on Bedloe’s Island in New York harbor. It is distinguished, -not only by its immense height (three hundred and five feet -six inches from foundation to torch), but by the elegance of its proportions -and its imposing dignity. At night, especially, when the torch is lighted by -electricity, its effect is unique and commanding. The statue was presented -to the American people by France, the cost being defrayed by public subscription. -The sculptor himself took no remuneration. Public subscription here -put up the pedestal. The statue was formally handed over to the President of -the United States by the French delegates on October 28th, 1886. -</p> - -<div id="ip_12" class="figcenter port"><img src="images/i_013.jpg" width="1227" height="1672" alt=""></div> - -<p><span class="pagenum" id="Page_14">14</span></p> - -<p id="t_14" class="drop-cap"><span class="firstword">THE</span> TOWER OF LONDON, ENGLAND. In all the world there is no -more famous fortress than this ancient citadel of London. Situate in -the oldest portion of the city, on the north bank of the Thames, it at -once arrests the attention of every stranger in the English metropolis. Tradition -ascribes its erection to Julius Cæsar, but tradition is unsupported by historical -evidence, and at the most it is only conjectured that the Romans had a -fortress on this site. It may be stated authoritatively, however, that the Keep -or White Tower (so named because it was formerly whitewashed), which is -now the oldest extant portion of the citadel, was built by William the Conqueror. -As the council chamber of the ancient kings of England, and subsequently -as a prison of state for political offenders, its glory and its shame -are part and parcel of the glory and the shame of all England. Some of the -most momentous events in the history of the country were enacted within its -walls. From an early period it has been the depository of the ornaments and -jewels of the crown.</p> - -<div id="ip_14" class="figcenter land"><img src="images/i_015.jpg" width="1684" height="1218" alt=""></div> - -<p><span class="pagenum" id="Page_16">16</span></p> - -<p id="t_16" class="drop-cap"><span class="firstword">WESTMINSTER</span> ABBEY, LONDON. This is the supremely interesting -spot in all London. Its exquisite architecture would alone ennoble -it. But as the sepulchre of sovereigns, heroes, statesmen, authors and -poets, as the scene of some of the most hallowed events in English history, it -makes an even more serious appeal to the imagination. Its very history is involved -in becoming mystery. Tradition asserts that on this site Sebert, King -of the Saxons, built a church and dedicated it to St. Peter. More authentic -history ascribes its inception to Edward the Confessor, who designed it for his -own burial place. Hence, other royal interments followed. William the -Conqueror was crowned here within a few yards of the Confessor’s tomb, and -every succeeding sovereign of England has followed his example. It also has -continued to be the favorite spot for royal weddings and funerals. As it now -stands the Abbey was for the most part rebuilt by Henry III. Henry VII -added the famous chapel which bears his name, and the two towers on the -front were placed there by Christopher Wren. The Poet’s Corner in the south -transept contains tombs or monuments in honor of many of the most famous -of English literary worthies.</p> - -<div id="ip_16" class="figcenter port"><img src="images/i_017.jpg" width="1232" height="1675" alt=""></div> - -<p><span class="pagenum" id="Page_18">18</span></p> - -<p id="t_18" class="drop-cap"><span class="firstword b">ST.</span> PAUL’S CATHEDRAL, LONDON. This, the metropolitan church of -London, is one of the largest and, without exception, the most conspicuous -of its edifices. Built on a slight eminence, which is said to have been -anciently occupied by a temple to Diana, it is the last of a series of Christian -churches that succeeded to the Pagan temple. The first, founded about 610, was -destroyed by fire in 1087. The second succumbed to the Great Fire of 1666. -The present church was begun June 21st, 1675, and was finished in thirty-five -years, under one architect, Sir Christopher Wren. The whole cost, £747,954 -2<i>s.</i> 9<i>d.</i>, was paid by a tax on every chaldron of coal brought into London. -The structure is five hundred and fifty feet from east to west by one hundred -and twenty-five feet in width; the front is one hundred and eighty feet wide, -and the top of the cross is four hundred feet from the crypt floor. Carlyle -said of it that it was the only edifice that struck him with a proper sense of -grandeur.</p> - -<div id="ip_18" class="figcenter land"><img src="images/i_019.jpg" width="1673" height="1216" alt=""></div> - -<p><span class="pagenum" id="Page_20">20</span></p> - -<p id="t_20" class="drop-cap"><span class="firstword">HOUSES</span> OF PARLIAMENT, LONDON, ENGLAND. This is the -largest, and in some respects the most imposing, of all the public edifices -in England. Gothic in style, in size, at least, it surpasses any -other Gothic building in the world. And in respect to its equipments and the -excellent adaptation of every part to the purposes for which it was erected -and for the transaction of the business to which it is consecrated it is absolutely -unrivaled. Both Houses, Lords and Commons, meet within its walls. -Yet it is a comparatively modern structure. Occupying the site of the Royal -Palace, dwelt in by every English monarch from the time of Edward the Confessor -to Queen Elizabeth, the corner-stone of the present building was not -laid until April 27th, 1840. It covers about eight acres of ground, and has -four fronts, the longest and most effective of which, facing the river Thames, -is nine hundred and forty feet long. The Victoria Tower at the south-west -angle, which is about three hundred and forty feet high and admirably proportioned, -is one of its most effective features.</p> - -<div id="ip_20" class="figcenter land"><img src="images/i_021.jpg" width="1677" height="1220" alt=""></div> - -<p><span class="pagenum" id="Page_22">22</span></p> - -<p id="t_22" class="drop-cap"><span class="firstword b">BANK</span> OF ENGLAND, LONDON. This, the most celebrated moneyed -institution in the world, is situated on Threadneedle Street. Hence, it -is sometimes facetiously alluded to as “The Old Lady of Threadneedle -Street.” It has a branch in the West End of London and nine branches in -the provinces. It was founded July 27th, 1694, as a joint stock association, -with a capital of £1,200,000, which was lent at eight per cent. interest to the -government of William and Mary. And as it began as a servant of the -government so it has continued. At the present moment it has the management -of the public debt and the paying of interest thereon, it holds the deposits -belonging to government and aids in the collection of the public -revenue. It is the bank of all the other banks in England. Its notes are -legal tender, and are convertible into coin. Its credit and reputation have -been absolutely unequaled by any other establishment of the sort. Hence, -the recent discovery of a deficit of £5,000,000 shook the financial world to its -centre. But the bank has been able to meet the emergency.</p> - -<div id="ip_22" class="figcenter land"><img src="images/i_023.jpg" width="1678" height="1223" alt=""></div> - -<p><span class="pagenum" id="Page_24">24</span></p> - -<p id="t_24" class="drop-cap"><span class="firstword">MANSION</span> HOUSE, LONDON, ENGLAND. The Lord-Mayor of -London has his official residence at the Mansion House. It is situated -nearly opposite the Royal Exchange, on the site of the ancient Stock’s -Market; was begun in 1739 and finished in 1741. In its great banqueting hall, -known as the Egyptian Hall, are given the state banquets. Formerly it was -the ambition of every great London merchant and banker to become Lord-Mayor, -but since the district actually under his jurisdiction has come to be a -very small part of what is known as London, the importance of this functionary -has greatly diminished in the eyes of all save foreigners. As the dispenser of -civic hospitality he receives £8000 a year, with the use of the Mansion House, -furniture, carriages, &c.</p> - -<div id="ip_24" class="figcenter land"><img src="images/i_025.jpg" width="1678" height="1225" alt=""></div> - -<p><span class="pagenum" id="Page_26">26</span></p> - -<p id="t_26" class="drop-cap"><span class="firstword al">LONDON</span> BRIDGE, LONDON, ENGLAND. This is not the London -bridge of Shakespeare’s time, for that was a wooden structure, lined with -houses on either side. The present London bridge is substantially built -of granite on the site of the older one. It cost £2,566,268, and was opened -to the public on August 1st, 1831, by King William IV. There are five -arches, the central one having a span of one hundred and fifty-two feet. The -entire length is nine hundred and twenty-eight feet and the width fifty-four. -A curious interest attaches to the lamp posts along the side, which are cast -from the metal of French cannon captured in the Peninsular War. The constant -stream of traffic that pours across this bridge is prodigious. It is estimated -that every twenty-four hours no less than twenty thousand vehicles and -one hundred and seven thousand pedestrians are borne along in the opposing -currents.</p> - -<div id="ip_26" class="figcenter land"><img src="images/i_027.jpg" width="1674" height="1210" alt=""></div> - -<p><span class="pagenum" id="Page_28">28</span></p> - -<p id="t_28" class="drop-cap"><span class="firstword">TRAFALGAR</span> SQUARE, LONDON. The battle of Trafalgar (22d -October, 1805) was won over the combined French and Spanish fleet -by the English, under Lord Nelson, who lost his life at the very moment -of victory. One of the finest open places in London is named after the conflict. -In the centre a massive granite column, one hundred and forty-five feet -in height, rises to the memory of the great admiral, whose statue surmounts it. -The pedestal is adorned with reliefs in bronze, cast with the metal of French -captured cannon, and representing scenes in the career of Nelson. Four colossal -bronze lions, modeled by Sir Edwin Landseer, in 1867, crouch upon pedestals -running out from the column in the form of a cross. The square is paved -with asphalt. Statues of Sir Henry Havelock, of Sir Charles James Napier -and of George IV are distributed around it. Towards the north side are two -fountains, and on the terrace to the north rises the National Gallery, with the -interesting old church of St. Martin in the Fields by its side.</p> - -<div id="ip_28" class="figcenter land"><img src="images/i_029.jpg" width="1576" height="1196" alt=""></div> - -<p><span class="pagenum" id="Page_30">30</span></p> - -<p id="t_30" class="drop-cap"><span class="firstword">THAMES</span> EMBANKMENT, LONDON, ENGLAND. At an early -period the banks of the Thames River had many wide stretches of -marsh land, covered by shallow lagoons. From time to time embankments -have been erected, some of them dating from the time of the Romans. -The greatest of all these works is the new Victoria Embankment, leading from -Blackfriars Bridge towards the west, along the north bank of the Thames as -far as Westminster. Built in 1864–70, under the direction of Sir Joseph W. -Bazalgette, it cost nearly $10,000,000. It consists of a macadamized carriageway -about two thousand three hundred yards in length and sixty-four feet -wide. The foot pavement on the land side is sixteen feet broad and on the -river side twenty feet. This entire area was formerly covered by the tide -twice a day. A granite wall eight feet thick protects it on the side next the -Thames. Rows of trees have been planted along the sides of the Embankment, -which will eventually make it a shady and delightful promenade. At -intervals are large openings, with stairs leading to the floating steamboat piers. -It is illuminated at night by electricity.</p> - -<div id="ip_30" class="figcenter land"><img src="images/i_031.jpg" width="1674" height="1230" alt=""></div> - -<p><span class="pagenum" id="Page_32">32</span></p> - -<p id="t_32" class="drop-cap"><span class="firstword b">KENILWORTH</span> CASTLE, ENGLAND. One of the stateliest of feudal -remains in all England is this ruined castle, situated on rising ground -to the west of the village of Kenilworth. Picturesque in itself, famous -as it is in history, it yet derives its chief charm from the glamour thrown over -it by Walter Scott in the novel which he has named after it. Kenilworth Castle -first takes a prominent position in history as one of the strongholds of Simon -de Montfort, Earl of Leicester, in his rebellion against Henry III. Subsequently -it passed into the possession of John of Gaunt, who enlarged and -beautified it. But its highest fame results from the fact that Queen Elizabeth -bestowed it upon her favorite, Robert Leicester, Earl of Dudley, and it was -here that Amy Robsart ended her unhappy life. Cromwell dismantled the -castle. Since his day it has suffered much from the ravages of time, but even -in ruins it retains a potency to delight and to impress.</p> - -<div id="ip_32" class="figcenter land"><img src="images/i_033.jpg" width="1677" height="1228" alt=""></div> - -<p><span class="pagenum" id="Page_34">34</span></p> - -<p id="t_34" class="drop-cap"><span class="firstword">WARWICK</span> CASTLE, ENGLAND. Beautiful in itself, famous as the -residence of the Earls of Warwick, and especially of him who went -by the title of the King-maker, Warwick Castle is one of the most -notable edifices in England. Nothing could be more picturesque than its -situation on a rock washed by the Avon. Its two towers are surpassingly -beautiful. The one known as the Clock Tower is here represented. Its -battlements and turrets are full of quaint interest. The grounds which -surround it are a triumph of landscape gardening. And the castle itself -is almost a thousand years old. Legend declares that it was founded -in 915 by the daughter of King Alfred, Ethelfleda. In the war with the -barons in the reign of Henry III it was partially destroyed. In the reign -of Edward III it was restored and strengthened. Additions and improvements -have successively been made. In the reign of James II it passed into -the hands of the Grevilles, and has remained their property ever since.</p> - -<div id="ip_34" class="figcenter port"><img src="images/i_035.jpg" width="1222" height="1677" alt=""></div> - -<p><span class="pagenum" id="Page_36">36</span></p> - -<p id="t_36" class="drop-cap"><span class="firstword">WINDSOR</span> CASTLE, ENGLAND. The favorite residence of the English -sovereigns, which distinction it merits through its own beauty, the -beauty of its surroundings and its opulence of historical and legendary -associations. Long before the Normans landed in England it was the seat of -the Saxon Kings. But William the Conqueror founded the present castle; it -was rebuilt by Edward III, was extended by successive sovereigns, and, -finally, in the reign of Queen Victoria, was brought to its present perfection. -The town of Windsor is some twenty miles from London. On a promontory, -overlooking the Valley of the Thames, stands the castle. Its chapels and its -terrace are among the noblest in Europe. The interior is lavishly decorated, -and contains valuable paintings, statuary, furniture, tapestries and plate. In -its vaults lie the bodies of the Kings and Queens of England.</p> - -<div id="ip_36" class="figcenter land"><img src="images/i_037.jpg" width="1686" height="1192" alt=""></div> - -<p><span class="pagenum" id="Page_38">38</span></p> - -<p id="t_38" class="drop-cap"><span class="firstword b">SHAKESPEARE’S</span> HOUSE, STRATFORD-ON-AVON, ENGLAND. -The birth-place of genius must always be full of interest to his fellow-men. -How great then must be the interest in the birth-place of the -greatest of geniuses! That interest is attested by the fact that the walls of the -small, mean-looking edifice in which Shakespeare was born are scrawled all over -with the names of potentates, princes, statesmen, poets and other great and -little men. These, indeed, form a not insignificant part of the curiosities of -the place. The house became the property of the English nation in 1847, and -has been carefully restored. The actual room which witnessed the birth of the -poet is shown, and is in substantially the same condition as when that event -took place. In another room there is a small museum of Shakespearean relics.</p> - -<div id="ip_38" class="figcenter land"><img src="images/i_039.jpg" width="1675" height="1219" alt=""></div> - -<p><span class="pagenum" id="Page_40">40</span></p> - -<p id="t_40" class="drop-cap"><span class="firstword">OSBORNE</span> HOUSE, ISLE OF WIGHT, ENGLAND. This is the -seaside residence of Queen Victoria. Even in the Isle of Wight, a -place famous for its magnificent private residences, it occupies a pre-eminent -position. Situated in the immediate neighborhood of East Cowes, almost -opposite to the mouth of Southampton Water, no place could be more favored -by nature in its surroundings, and art has come to the assistance of nature. -The grounds, though not large, are exquisite specimens of that princely art of -landscape gardening in which the English have achieved the highest success. -The palace itself is in excellent taste. A high tower in one corner is a conspicuous -object for miles around. From its summit a magnificent view of the -surrounding country may be obtained.</p> - -<div id="ip_40" class="figcenter land"><img src="images/i_041.jpg" width="1679" height="1209" alt=""></div> - -<p><span class="pagenum" id="Page_42">42</span></p> - -<p id="t_42" class="drop-cap"><span class="firstword b">BLARNEY</span> CASTLE, IRELAND. This imposing ruin of an ancient -fortress is situated in the village of Blarney, about four miles from -Cork. It was built in the early part of the fifteenth century by Cormac -McCarthy, Prince of Desmond. Little now remains of it but the massive -donjon tower, one hundred and twenty feet high. Its main celebrity arises -from the famous Blarney stone, which endows whoever kisses it with the gift -of flattery, palavering rhodomontade or wheedling eloquence. No one exactly -knows the origin of the stone, nor whence it derived its mysterious powers. -The date 1703 is carved upon it. It is preserved and held in place by two -iron girders between huge mertons of the northern projecting parapet nearly -one hundred feet above the ground. To kiss it has been the ambition of many -generations who laboriously climb up to its dangerous eminence. But the lip -service of so great a multitude is gradually wearing it away.</p> - -<div id="ip_42" class="figcenter land"><img src="images/i_043.jpg" width="1673" height="1221" alt=""></div> - -<p><span class="pagenum" id="Page_44">44</span></p> - -<p id="t_44" class="drop-cap"><span class="firstword al">LAKES</span> OF KILLARNEY, IRELAND. These are three connected -lakes in County Kerry, of extraordinary beauty and interest. The -largest, known as Lough Leane, is fifteen miles long by three broad. It -contains some thirty islands, the chief of which is Innisfallen, celebrated in -history and story. On the sides of these lakes rise the loftiest mountains in -Ireland, intersected by the wildest ravines, and full of the boldest cascades. -The beauty of the scenery is enhanced by the varied coloring of the thickly-wooded -shores, the gray rock forming an effective contrast to the dark firs, the -brown mountain heath, the light green arbutus and other features in an infinite -variety of foliage and verdure. In the immediate neighborhood of Lough -Leane is Muckross Abbey, founded by Franciscan monks in 1340, now a most -picturesque ruin.</p> - -<div id="ip_44" class="figcenter land"><img src="images/i_045.jpg" width="1680" height="1226" alt=""></div> - -<p><span class="pagenum" id="Page_46">46</span></p> - -<p id="t_46" class="drop-cap"><span class="firstword">GIANT’S</span> CAUSEWAY, IRELAND. A singular mass of basaltic -columns, situated on the coast of Antrim, Ireland, has obtained this -name from the legend that it was the commencement of a road planned -by the giants of old to project across the channel from Ireland to Scotland. -And, indeed, it looks almost like a deliberate work of mightier men than we -rather than a frolic of nature. It resembles an immense pier jutting out into -the sea from the base of a stratified cliff about four hundred feet high, to the -length of about seven hundred feet. The pillars composing it are close-fitting, -dark-colored and somewhat irregular hexagons, varying in diameter from -fifteen to twenty inches and sometimes reaching the height of twenty or even -thirty feet. Whinstone dikes separate it into three divisions, known as the -Little Causeway, the Middle or “Honeycomb” Causeway and the Larger -or Grand Causeway. Altogether, it comprises about forty thousand columns, -each consisting of several pieces.</p> - -<div id="ip_46" class="figcenter land"><img src="images/i_047.jpg" width="1670" height="1225" alt=""></div> - -<p><span class="pagenum" id="Page_48">48</span></p> - -<p id="t_48" class="drop-cap"><span class="firstword">EDINBURGH</span> CASTLE, EDINBURGH, SCOTLAND. Picturesquely -situated on a rocky eminence, three hundred and eighty-three feet high, -in the very heart of the old portion of Edinburgh, is this ancient fortress. -The rock is perpendicular on three sides. On the fourth it slopes away gradually -so that it can be ascended with ease. The fort is supposed to have been -erected in the seventh century, the city gradually growing up around it. In -early Scottish history it was frequently captured by and recaptured from the -English. In the twelfth century it became a royal residence. By the articles -of union it is one of the four fortresses which are to be kept constantly fortified. -It contains accommodations for two thousand soldiers, and its armory -affords space for thirty thousand stands of arms. The Scottish Regalia are -preserved here, and one of the chief objects of interest is the room where -Mary, Queen of Scots, gave birth to James VI, in whom the crowns of England -and Scotland were united. The picture is taken from the Parade Ground.</p> - -<div id="ip_48" class="figcenter land"><img src="images/i_049.jpg" width="1567" height="1077" alt=""></div> - -<p><span class="pagenum" id="Page_50">50</span></p> - -<p id="t_50" class="drop-cap"><span class="firstword">HOLYROOD</span> PALACE, EDINBURGH, SCOTLAND. This spacious -building occupies the site of an Abbey, founded in A. D. 1128 by King -David I, of Scotland. The palace itself was begun in the reign of James -IV, was nearly destroyed by Cromwell in 1650, and was rebuilt by Charles II. -But the chief interest of the place centres upon its associations with Mary, -Queen of Scots. Luckily her apartments are preserved in almost their original -condition. The royal chapel, where she celebrated mass to the indignation -of the Protestants, is almost intact. So is the audience chamber in which she -disputed with John Knox. And even to this day is pointed out a deep stain -at the foot of the private stairway to her apartments which is said to be the -blood of the murdered Rizzio. In recent times the palace has been seldom -used as a place of residence. It stands on the top of a huge rock four hundred -and forty-three feet above the sea, and is built in the shape of a quadrangle -with a court in the centre.</p> - -<div id="ip_50" class="figcenter land"><img src="images/i_051.jpg" width="1678" height="1220" alt=""></div> - -<p><span class="pagenum" id="Page_52">52</span></p> - -<p id="t_52" class="drop-cap"><span class="firstword">MELROSE</span> ABBEY, MELROSE, SCOTLAND. This is the most -famous and the most picturesque ruin in Scotland—indeed in all -Great Britain. Originally founded for the Cistercian monks by David -I, of Scotland, in the twelfth century, it was nearly destroyed by the English—Edward -II—in 1322, and shortly after was rebuilt by Robert Bruce, whose -heart is fabled to be buried under the east window. The abbey was again -burned by Richard II in 1385, and though again restored it was considerably -altered after the Reformation to suit the demands of Presbyterian worship. -Later it was plundered by builders to secure ornaments for houses, and is now -in utter ruin. As it stands, therefore, it belongs mainly to the middle of the -fourteenth century and the first half of the fifteenth, with a good many portions -of much later date. Even in ruins it is one of the noblest exemplars -of the Middle-pointed style of Gothic architecture. Sir Walter Scott made it -the scene of his novel of “The Monastery,” and also celebrated it in some well-known -lines in “Marmion.”</p> - -<div id="ip_52" class="figcenter land"><img src="images/i_053.jpg" width="1680" height="1227" alt=""></div> - -<p><span class="pagenum" id="Page_54">54</span></p> - -<p id="t_54" class="drop-cap"><span class="firstword a">ABBOTSFORD,</span> SCOTLAND. As the residence of Sir Walter Scott, who -erected it in the days of his greatest financial success, and as the scene -and the cause of his eventual ruin, the castle of Abbotsford must ever -retain a picturesque and pathetic hold upon the lover of literature. It is -situated on the south bank of the Tweed, near Melrose Abbey, and about -twenty-eight miles southeast of Edinburgh. Scott’s aim was to erect a great -mansion on something like feudal principles, where he would dispense a lordly -hospitality akin to that of the ancient nobles whom he loved to celebrate. The -scheme was too grand to succeed. The kindly baronet was involved in ruin, -and spent his last days in a courageous and almost successful effort to battle -against terrible odds. At present Abbotsford has passed out of the hands of -his descendants and become a boarding-school for young ladies. But it is still -a museum of interesting relics, and on account of its associations is much -visited by tourists.</p> - -<div id="ip_54" class="figcenter land"><img src="images/i_055.jpg" width="1675" height="1226" alt=""></div> - -<p><span class="pagenum" id="Page_56">56</span></p> - -<p id="t_56" class="drop-cap"><span class="firstword">FINGAL’S</span> CAVE, SCOTLAND, one of the most remarkable of all cave -formations. It is situated on the Island of Staffa, seven miles off the -west coast of Mull. The entire island is almost entirely encircled by -cliffs of columnar basalt, hollowed out here and there into caves. Fingal’s, -known also as the Great Cave, is the greatest of these. The entrance is -almost like that of a huge Gothic Cathedral. A lofty arch, sixty feet high by -thirty wide, is supported by columnar ranges of basaltic rock, whose native -blackness is whitened with calcareous stalagmite. The cave is two hundred -and thirty-two feet deep. Its floor is the sea, which flashes many colored -lights upon the ceiling with its pendant clusters of columns, and on the great -cavernous sides, with their countless complicated ranges of gigantic columns, -beautifully jointed and of the most symmetrical though varied forms.</p> - -<div id="ip_56" class="figcenter land"><img src="images/i_057.jpg" width="1680" height="1225" alt=""></div> - -<p><span class="pagenum" id="Page_58">58</span></p> - -<p id="t_58" class="drop-cap"><span class="firstword">FORTH</span> BRIDGE, SCOTLAND. The largest and, in many respects, the -most magnificent bridge in the world, is that across the Firth of Forth, -at Queensbury. Here the estuary of the Forth is divided by the island -of Inchgarvie into two channels, whose depth—two hundred feet—precluded -the construction of intermediate piers. A design for a gigantic suspension -bridge, by Sir Thomas Bouch, had almost been adopted, when the collapse of -the Tay bridge, in 1879, led to the abandonment of the project. A new plan -was accepted from Benjamin Baker. This was a cantilever bridge of steel. -A cantilever is a structure overhung from a fixed base. Work was begun in -1882 and completed in 1889. There are three granite piers, the central one -being on the island; and on those piers three double lattice-work cantilevers -are poised in line, reaching towards each other, and connected at their extremities -by ordinary girders three hundred and fifty feet long, by which the two -main spans are completed. These main spans are each seventeen hundred -feet long, and the total length of the bridge is eighty-two hundred and ninety-six -feet, or a little over one and one-half miles. The under side of the bridge -is one hundred and fifty-two feet above high water.</p> - -<div id="ip_58" class="figcenter land"><img src="images/i_059.jpg" width="1690" height="1218" alt=""></div> - -<p><span class="pagenum" id="Page_60">60</span></p> - -<p id="t_60" class="drop-cap"><span class="firstword b">BALMORAL</span> CASTLE, SCOTLAND, the Highland residence of the -Queen of England, situated in Braemer, Aberdeenshire. Its situation -is of great beauty. It stands on a natural platform nine hundred and -twenty-six feet above sea level, which slopes gently and gradually down to -the margin of the River Dee. The castle is in the Scottish Baronial style of -architecture. It is entirely of granite, and consists of two separate blocks of -buildings united by wings. A tower eighty feet high is surmounted by a -turret twenty feet higher. The entire estate, including a deer forest, comprises -over twenty-five thousand acres. It was purchased by Prince Albert in 1832 -from the Earl of Fife. He pulled down the older castle, finding it not exactly -suited to the needs of the royal family, and put up the present imposing -structure in its place.</p> - -<div id="ip_60" class="figcenter land"><img src="images/i_061.jpg" width="1675" height="1225" alt=""></div> - -<p><span class="pagenum" id="Page_62">62</span></p> - -<p id="t_62" class="drop-cap"><span class="firstword al">LOCH</span> KATRINE (ELLEN’S ISLE), SCOTLAND. The Scotch lakes -are famous the world over for their beauty. Loch Katrine is the most -famous of them all. It lies in Perthshire; is eight miles in length, and -has an average breadth of three quarters of a mile. Ben Venue and Ben An -are celebrated mountains on its banks, and it contains a number of exquisite -islands. Among the latter is Ellen’s Island, chosen by Sir Walter Scott as the -scene of “The Lady of the Lake.” Wordsworth and other poets have thrown -the glamour of their genius around Loch Katrine. But it has a more practical -use. Its waters, which are remarkably pure, supply the city of Glasgow, -twenty-five miles off; being conveyed thither by a series of tunnels, aqueducts -and pipes.</p> - -<div id="ip_62" class="figcenter land"><img src="images/i_063.jpg" width="1681" height="1230" alt=""></div> - -<p><span class="pagenum" id="Page_64">64</span></p> - -<p id="t_64" class="drop-cap"><span class="firstword">NORTH</span> CAPE, NORWAY. A promontory, situated on the north extremity -of the Island of Mageroe, which is divided by a narrow channel -from the mainland of Norway. It is celebrated, not only for the -sombre grandeur of its scenery, but as the northernmost point of Europe. It -consists of a precipitous slate rock, fissured with many clefts, which rise to a -height of some twelve hundred feet above the sea.</p> - -<div id="ip_64" class="figcenter land"><img src="images/i_065.jpg" width="1677" height="1224" alt=""></div> - -<p><span class="pagenum" id="Page_66">66</span></p> - -<p id="t_66" class="drop-cap"><span class="firstword b">KREMLIN</span> AND GREAT BELL, MOSCOW, RUSSIA. The Kremlin -is the name given to an inner enclosure or citadel in Moscow crowded -with palaces, churches and towers, surrounded by a wall sixty feet in -height and two miles in circuit. The Tartar style of architecture, with gilded -domes and cupolas, forms the predominant feature. The palace of the Kremlin -is the residence of the czars. It suffered much damage in the conflagration of -1812, which drove Napoleon out of the city, and was rebuilt in the reign of -Nicholas I in 1838–49. In its restored shape it is rather a mass of buildings, -old and new, than a single, harmonious structure. But it is full of historical -and immediate interest. The tower of Ivan the Great, whose five stories rise -to a height of three hundred and twenty-five feet, is close to the palace. At -its foot lies the Great Bell, the largest in the world—cast in 1730. It was -broken a few years afterwards by the burning of the wooden tower in which -it was suspended. Its height is twenty-six feet four inches, its circumference -sixty-seven feet eleven inches.</p> - -<div id="ip_66" class="figcenter port"><img src="images/i_067.jpg" width="1200" height="1669" alt=""></div> - -<p><span class="pagenum" id="Page_68">68</span></p> - -<p id="t_68" class="drop-cap"><span class="firstword">CHURCH</span> OF ST. BASIL, MOSCOW, RUSSIA. This remarkable edifice, -standing on the site of an ancient church and cemetery where St. -Basil was buried, was built in 1554 by Ivan IV. He is said to have -been so much delighted with it that he put out the eyes of its Italian architect, -so that it might never be surpassed. It is a bewildering medley of great and -little domes and towers, not only of different shapes and sizes, but gilded and -painted in all possible varieties of color. There is no main chapel or church, -but each dome surmounts its own chapel, dedicated to some particular saint, -and services are carried on in each without disturbing the worshipers in any -other. Bayard Taylor appropriately styles this church the “apotheosis of -chimneys,” and describes it as the product of some architectural kaleidoscope, -in which the most incongruous things assume a certain order and system. -Relics of St. Basil and of St. John the Idiot are shown to visitors.</p> - -<div id="ip_68" class="figcenter port"><img src="images/i_069.jpg" width="1221" height="1669" alt=""></div> - -<p><span class="pagenum" id="Page_70">70</span></p> - -<p id="t_70" class="drop-cap"><span class="firstword b">ROYAL</span> MUSEUM, BERLIN, PRUSSIA. Architecturally, this is the -finest building in Berlin. It is an admirable specimen of the Greek -style, with its Ionic portico of eighteen columns and its broad flight of -steps leading up to the entrance. The central part of the structure, rising above -the rest of the building and corresponding with the rotunda in the interior, is -adorned at the corners with four colossal groups in bronze. Two other bronze -groups are on the steps. This building is usually known as the Old Museum -to distinguish it from its annex, the New Museum, by which it is connected -with a short passage, crossing the street at the back. The two buildings contain -a magnificent collection of antiquities and of ancient and modern sculptures, -paintings, etc.</p> - -<div id="ip_70" class="figcenter land"><img src="images/i_071.jpg" width="1674" height="1219" alt=""></div> - -<p><span class="pagenum" id="Page_72">72</span></p> - -<p id="t_72" class="drop-cap"><span class="firstword b">BRANDENBURG</span> GATE, BERLIN, PRUSSIA. This gate, at the west -end of the famous Unter der Linden, the principal street in Berlin, -forms the entrance to the city from the Thier-garten. Next to the Arc -de l’Etoile in Paris, this is the most magnificent triumphal arch in the world. -It even eclipses the ancient monuments of this kind in Rome. Yet it is not -entirely original. It was erected in 1789–93 by C. G. Langhans in imitation, -or rather as a glorification, of the model presented by the Propylacum at -Athens. The height is eighty-five feet, the width two hundred and five. There -are five passages (that in the centre reserved for royal carriages), separated by -massive Doric columns. The material is sandstone. A notable feature is the -triumphal car on the summit, the Quadriga of Victoria, done in copper. -Napoleon carried this to Paris in 1807, but it was recovered in 1814. Adjoining -the gate on the side next the town are two wings resembling Grecian -temples, of which that on the right or north side contains a telegraph office -and a pneumatic post-office, while that on the left is the guard-house.</p> - -<div id="ip_72" class="figcenter land"><img src="images/i_073.jpg" width="1670" height="1207" alt=""></div> - -<p><span class="pagenum" id="Page_74">74</span></p> - -<p id="t_74" class="drop-cap"><span class="firstword">THE</span> CATHEDRAL OF COLOGNE, GERMANY. This church, known -officially as the Cathedral of St. Peter’s, is, next to St. Peter’s at Rome, -the largest church edifice in the world, and is, without any exception, the -most magnificent specimen of Gothic architecture extant. Begun in 1248, the -work went on very slowly. In 1322 the choir was consecrated. Then the -work lagged still more, and at the beginning of the sixteenth century came to -a sudden close, not being resumed till 1816, since which time more than two -millions of dollars have been expended to bring the edifice to its present state -of completion. The spires are five hundred and twenty-one feet high, and -before the building of the Eiffel Tower this church was the highest edifice in -the world. The height of the roof inside is one hundred and forty-five feet, -the length of the building is four hundred and forty-four feet and the breadth -two hundred and one. The choir is rich in statues, frescoes and fine carvings. -A chapel, known as the chapel of the Three Kings, contains a gorgeous shrine, -in which are exhibited the skulls of the three wise men who came from the -East with presents for the infant Saviour.</p> - -<div id="ip_74" class="figcenter port"><img src="images/i_075.jpg" width="1168" height="1506" alt=""></div> - -<p><span class="pagenum" id="Page_76">76</span></p> - -<p id="t_76" class="drop-cap"><span class="firstword">HEIDELBERG</span> CASTLE, GERMANY. On a height above the city of -Heidelberg are the ruins of this old-time palace and fortress. Founded -by the Elector Rudolph in the fourteenth century, and altered and -added to by his successors, it partakes of the architectural style of all the three -centuries. The French sacked and partially burned it in 1693; it was subsequently -restored, but being struck by lightning in 1764, it has since been -suffered to remain in ruins. As such it is one of the most magnificent remains -of the Middle Ages—a square massive building, roofless, with a round tower -at one end and an octagonal one at the other. Some idea of its strength may -be gained from the fact that the walls of the round tower are twenty-two feet -thick. In one of the cellars is the famous Tun of Heidelberg, a huge copper -reservoir, bound with iron hoops, whose capacity is forty-nine thousand gallons.</p> - -<div id="ip_76" class="figcenter land"><img src="images/i_077.jpg" width="1680" height="1226" alt=""></div> - -<p><span class="pagenum" id="Page_78">78</span></p> - -<p id="t_78" class="drop-cap"><span class="firstword">EHRENBREITSTEIN,</span> GERMANY. This fortress, whose name signifies -the Broad Stone of Honor, is situated on a precipitous rock three hundred -and seventy-seven feet above the Rhine, just opposite Coblentz. -The rock is known as the Gibraltar of the Rhine. The ancient Romans -recognized its commanding position and erected here a castrum or camp. In -1018 the Franconian king, Dagobert, presented it to the bishops of Treves, -who made it their stronghold. It has successfully resisted many sieges, but -was twice captured by the French, first in 1631 and again in 1798. After the -Peace of Luneville in 1801 they blew it up. Restored to Prussia with the -Peace of Paris, the French were forced to contribute 15,000,000 of francs to -place it in its former condition. At present it is defended by four hundred -cannon, and fifty thousand stands of needle guns are stored in its armory. It -is capable of accommodating one hundred thousand men, but five thousand -are sufficient to man it properly. The summit of the rock commands a magnificent -view of the surrounding country. A bridge of boats connects the -village of Ehrenbreitstein with Coblentz.</p> - -<div id="ip_78" class="figcenter land"><img src="images/i_079.jpg" width="1679" height="1226" alt=""></div> - -<p><span class="pagenum" id="Page_80">80</span></p> - -<p id="t_80" class="drop-cap"><span class="firstword">THE</span> CATHEDRAL OF ANTWERP, BELGIUM. Though inferior to -the great minster at Cologne, the cathedral at Antwerp is an exquisite and -notable specimen of Gothic architecture. It is unfortunately situated in -a narrow street, just away from the Place St. Antoine, and is hedged in by -shops, which are backed up against its very walls. It is unfinished, only one of -the towers being complete. The other is but half-way up, where it has been -capped over, and has remained so for centuries. Nevertheless, nothing can -detract from the majesty of the church itself. Out from the littleness of its -surroundings it calmly rears its splendid front. Its solitary tower soars upward -to the height of four hundred and three feet, with delicate open arches that -look like fretted work, so that Napoleon said: “It looked as if made of -Mechlin lace.” The chimes of ninety-nine bells are deservedly famous. The -interior is glorified by the presence of Rubens’ two greatest pictures, “The -Elevation of the Cross” and “The Descent from the Cross.” Begun about -the middle of the thirteenth century, it suffered seriously from fire in the sixteenth -century, and the greater part of the present edifice dates from that -period. In the foreground of the picture is the monument to Rubens.</p> - -<div id="ip_80" class="figcenter land"><img src="images/i_081.jpg" width="1675" height="1225" alt=""></div> - -<p><span class="pagenum" id="Page_82">82</span></p> - -<p id="t_82" class="drop-cap"><span class="firstword">PALAIS</span> DE JUSTICE, BRUSSELS, BELGIUM. The new Palace of -Justice, or Court-house, in Brussels, is the largest architectural work of -the present century, and one of the most magnificent. It was begun in -1866 and completed in 1883 at a total cost of $10,000,000. It is splendidly -situated on a height commanding a view of the whole city. This massive pile -covers an area of two hundred and seventy thousand square feet, considerably -more than St. Peter’s, at Rome, and is five hundred and ninety feet long by -five hundred and sixty wide. The avowed aim of the artist was to accommodate -Assyrian form to modern requirements. Above the main body of the -building rises another rectangular structure, surrounded with columns, this, in -turn, supporting a columned rotunda, the whole crowned by a dome which is -four hundred feet above the pavement. In details the Græco-Roman style has -been generally adhered to, with an admixture of rococo treatment.</p> - -<div id="ip_82" class="figcenter land"><img src="images/i_083.jpg" width="1690" height="1227" alt=""></div> - -<p><span class="pagenum" id="Page_84">84</span></p> - -<p id="t_84" class="drop-cap"><span class="firstword">FIELD</span> OF WATERLOO, BELGIUM. The scene of the greatest battle -of modern times, if not of all times, is necessarily of perennial interest -to the world. It is a matter for rejoicing, therefore, that the field of -Waterloo is retained in much the same condition in which it was left on the -fateful day of June 18th, 1815, when the power of Napoleon was crushed by -Wellington and Blucher. To be sure, Wellington is reported to have said: -“You have spoilt my battlefield,” when he saw the artificial mound surmounted -by a Belgic lion of cast-iron, which has been raised in the centre of the field. -But at least its one hundred and fifty feet of height afford the opportunity for -an excellent bird’s-eye view of the entire field. And the old house of Hougemont, -whose building and orchard were occupied by the British Guards, and where -some of the fiercest fighting of the day was carried on, remains as it was, with -the bullet holes in the walls and other damages unrepaired. The monument -represented in the foreground is dedicated to the soldiers who fell in the battle.</p> - -<div id="ip_84" class="figcenter land"><img src="images/i_085.jpg" width="1677" height="1233" alt=""></div> - -<p><span class="pagenum" id="Page_86">86</span></p> - -<p id="t_86" class="drop-cap"><span class="firstword">NOTRE</span> DAME, PARIS. The cathedral of Notre Dame, one of the -great historical churches of the world and one of the most beautiful -specimens of mediæval architecture, was founded in 1163 on the site of -an earlier church, was consecrated in 1182 and was completed in 1420. It -suffered sadly during the Revolution, when it was made a Temple of Reason; -was restored in 1845, and during the time of the commune narrowly escaped -destruction by fire. The form is that of a Latin cross, with a nave and double -aisles, which are continued around the choir, the earliest example known. -The façade is one of the most admired pieces of early Gothic. The triple -portal is ornamented by rich bas-reliefs. In the second story is a great rose -window, flanked by double windows, enclosed in wide-spreading Gothic arches. -The third story is an open gallery of slender arches and columns. In one of -the towers is a famous bell, weighing thirty-two thousand pounds, which is -only rung on state occasions. The interior of the church is adorned with sculptures, -bas-reliefs and paintings and magnificent rose windows of stained glass.</p> - -<div id="ip_86" class="figcenter port"><img src="images/i_087.jpg" width="1215" height="1671" alt=""></div> - -<p><span class="pagenum" id="Page_88">88</span></p> - -<p id="t_88" class="drop-cap"><span class="firstword">PLACE</span> DE LA BASTILLE, PARIS, FRANCE. This square ends the -line of the original boulevards, and marks the beginning of the Faubourg -St. Antoine. It is historically interesting as the site of the Bastille, -the former state prison of France, whose destruction by the Parisian mob -on July 14th, 1789, marked the real beginning of the French Revolution. -The column in the middle, known as the Colonne de Juillet, was reared in -1831 in honor of the citizens who fell in the revolution of July, 1830, which -drove Charles X from the throne and put Louis Philippe in his place. The -names of six hundred and fifteen of these are inscribed upon the sides of the -column, and their ashes, together with those of combatants in the revolution of -1848, repose in two vast sarcophagi in the vaults below. The column is of -bronze, one hundred and fifty-four feet high, and is divided by four collars into -five divisions. Bas-reliefs, by Barye, adorn the exterior. Inside there is a -spiral stair-case, also of bronze. The top is surmounted by an emblematic -figure of Liberty, in gold bronze, the work of Dumont.</p> - -<div id="ip_88" class="figcenter port"><img src="images/i_089.jpg" width="1226" height="1676" alt=""></div> - -<p><span class="pagenum" id="Page_90">90</span></p> - -<p id="t_90" class="drop-cap"><span class="firstword">PLACE</span> DE LA CONCORDE, PARIS, FRANCE. This square, situated -between the Rue Royale and the Pont de la Concorde, is perhaps the -most beautiful and effective in all Paris. It dates from the year 1748. -Originally it was adorned with a statue of Louis XV, which was pulled down -in 1792 to make way for a colossal figure of Liberty. The place was then -called Place de la Revolution. It was here that next year the guillotine was -erected, upon which perished Louis XVI, Marie Antoinette and nearly three -thousand of their adherents. Under the Directory the Statue of Liberty was -removed and the great place became the Place de la Concorde. Since then it -has undergone many alterations. It was laid out as it now stands by Napoleon -III. In the middle is the great Obelisk of Luxor, presented to Louis -Philippe by Mehemet Ali, and on each side are two large fountains. At the -different corners of the square there are seated figures, representing eight -different towns, formerly the chief towns of France. But one of them, Strasbourg, -is now a portion of Germany.</p> - -<div id="ip_90" class="figcenter land"><img src="images/i_091.jpg" width="1680" height="1226" alt=""></div> - -<p><span class="pagenum" id="Page_92">92</span></p> - -<p id="t_92" class="drop-cap"><span class="firstword">PLACE</span> VENDOME, PARIS. A handsome octagonal square, between -the Boulevard des Capucines and the Tuileries Gardens. It was designed -by Louis XIV, in 1686, to contain public buildings, such as the Mint, -the Royal Library, the various academies, &c. This plan was subsequently -much modified. The buildings, which are of Corinthian architecture of a -severely uniform appearance, are mainly occupied by banks and other fiscal -institutions. A grand equestrian statue of Louis XIV once stood in the centre -of the square, but it was destroyed in 1792, and in 1806 its place was taken by -the famous Vendome column, a stone shaft one hundred and forty-three feet -high, covered with the metal of cannon taken from the Prussians and Austrians. -It is surmounted by a statue of Napoleon, and is ornamented by bas-reliefs -commemorative of that hero’s campaign in 1805. In 1871 column and statue -were both pulled down by the Commune, but the Republic under Thiers -repaired and replaced them.</p> - -<div id="ip_92" class="figcenter port"><img src="images/i_093.jpg" width="1228" height="1679" alt=""></div> - -<p><span class="pagenum" id="Page_94">94</span></p> - -<p id="t_94" class="drop-cap"><span class="firstword">THE</span> GARDEN OF THE TUILERIES. The Tuileries is but the remains -of its former glory. The main front of the building was burned -by the Commune in 1871, and after remaining a picturesque ruin for -some years was at length removed. The wing nearest the Rue de Rivoli -shared the fate of the front, but was rebuilt, together with the Pavillon de -Marsan, which formed the angle. The Pavillon de Flore, at the other end, -suffered much less, and had only to be restored. Both wings, and, indeed, the -entire building, are a marvel of exterior ornamentation. Before the Revolution -the Tuileries was only the occasional residence of the French sovereign, -but Napoleon made it his principal abode, and his example was followed by -his successors. The picture is taken from the exquisite gardens of the Tuileries -facing the Place de la Concorde.</p> - -<div id="ip_94" class="figcenter land"><img src="images/i_095.jpg" width="1674" height="1228" alt=""></div> - -<p><span class="pagenum" id="Page_96">96</span></p> - -<p id="t_96" class="drop-cap"><span class="firstword a">ARC</span> DE TRIOMPHE, PARIS, FRANCE. This, the distinctive -triumphal arch of Paris, is more specifically known as l’ Arc de l’ Étoile, -to differentiate it from three other triumphal arches of less celebrity. -It stands at the west end of the Avenue des Champs Elysées on the -summit of a slope, which makes it visible from all parts of Paris and the -environs. It is not only the largest arch in existence, but the most magnificent -ever erected. Begun by Napoleon in 1806, to commemorate the wars of -the Revolution and of the Empire, it was completed thirty years later by -Louis Philippe. The total cost was about $2,000,000. The height of the -arch above the ground is one hundred and fifty-two feet, its width one hundred -and thirty-eight feet, its thickness sixty-eight feet. The main archway -measures ninety feet in height and forty-five in width; the smaller lateral -archways are each fifty-seven feet by twenty-five. The bas-reliefs represent the -most famous events of 1792–1815. Finest of all are the two colossal groups -on each side of the central arch facing the Champs Elysées, cut in full relief -and representing the “Departure of the Troops in 1792” and “The Triumph -of Napoleon after the Austrian Campaign.”</p> - -<div id="ip_96" class="figcenter port"><img src="images/i_097.jpg" width="1216" height="1678" alt=""></div> - -<p><span class="pagenum" id="Page_98">98</span></p> - -<p id="t_98" class="drop-cap"><span class="firstword">NAPOLEON’S</span> TOMB, PARIS, FRANCE. Under the splendid dome -of the Church of the Invalides, in a huge circular crypt below the -level of the floor, is the tomb of the Great Napoleon I. The sarcophagus, -hewn out of a single block of granite brought from Finland, was the -gift of the Emperor Nicholas, when in 1841 the remains of the Emperor were -brought back from St. Helena by the Prince de Joinville. The crypt is -adorned with marble reliefs symbolical of Napoleon’s reforms and with twelve -colossal figures of victory and sixty mouldering banners captured from the -enemy. There are also monuments to Vauban and Turenne, Napoleon’s most -illustrious predecessors in the field. At the entrance to the crypt lie the -bodies of Bertrand and Duroc, the near friends and companions of Napoleon. -The monuments or the remains of various members of the Bonaparte family -are in the upper part of the church.</p> - -<div id="ip_98" class="figcenter land"><img src="images/i_099.jpg" width="1684" height="1224" alt=""></div> - -<p><span class="pagenum" id="Page_100">100</span></p> - -<p id="t_100" class="drop-cap"><span class="firstword">CHAMBER</span> OF DEPUTIES, PARIS, FRANCE. This is sometimes -called the Palais Bourbon. It is the seat of the French parliament. It -is a large classical building on the left bank of the Seine, facing the -Pont de la Concorde. The old façade was in the Rue de l’ Université at the -back; the new one, with its Corinthian colonnade, was erected in 1804. The -hall is a semi-circular room, with the President’s chair facing the extremity of -the half circle. Here sat the Council of Five Hundred, Louis Philippe’s -Chamber and Napoleon III’s Corps Legislatif, and here at present sit the -deputies elected from the various districts of the French republic. Orators -address the Chamber from the tribune, which is placed immediately under the -President’s chair. Voting is done by means of white or blue cards, placed in -tin receptacles that are handed round by the ushers; the white being an -“aye,” the blue “nay.”</p> - -<div id="ip_100" class="figcenter land"><img src="images/i_101.jpg" width="1671" height="1224" alt=""></div> - -<p><span class="pagenum" id="Page_102">102</span></p> - -<p id="t_102" class="drop-cap"><span class="firstword">THÉÂTRE</span> DE L’OPERA, PARIS. The new Opera House, in Paris, is -the handsomest, though not the largest, temple of amusement in the -world. It will hold twenty-one hundred people, while La Scala, in -Milan, holds three thousand. The stage, however, in cubic and superficial -area, is the largest known. It is equaled by others in depth, but surpasses -them all in breadth. The exterior is bewildering in the richness of its decorations. -The grand staircase and the foyer are in magnificent keeping with the -exterior. This building is one of the creations of the Second Empire. More -than one hundred houses were torn down to clear the square on which it -stands. It was inaugurated on January 1st, 1875. The total cost is estimated -at $8,000,000. The opera is managed by a director, who receives from the -State an allowance of eight hundred thousand francs a year. He has to -supply what is necessary and run all risks.</p> - -<div id="ip_102" class="figcenter land"><img src="images/i_103.jpg" width="1681" height="1225" alt=""></div> - -<p><span class="pagenum" id="Page_104">104</span></p> - -<p id="t_104" class="drop-cap"><span class="firstword">EIFFEL</span> TOWER, PARIS. This is the highest structure in the world, -being three hundred metres or nine hundred and eighty-four feet in -height, as against the five hundred and fifty-five feet five and one-eighth -inches of the Washington Monument, which comes next in altitude among all -the edifices of man. The tower was constructed by Alexander G. Eiffel for the -Paris Exhibition of 1878. Its foundations are sunk to a depth of fifty feet in -the sandy soil of the Champs de Mars, and the four massive piers, which form -the first stage of the tower, are so planted as to distribute the enormous weight -of the structure (sixty-five hundred tons) in the best way possible. In spite of -this weight the general impression is one of grace and lightness. The summit -is crowned by a cupola with an exterior balcony, whence a magnificent panorama -of Paris and its surroundings is unveiled. Elevators carry passengers -up to the summit, the time consumed by the ascension being from six to seven -minutes.</p> - -<div id="ip_104" class="figcenter port"><img src="images/i_105.jpg" width="1223" height="1681" alt=""></div> - -<p><span class="pagenum" id="Page_106">106</span></p> - -<p id="t_106" class="drop-cap"><span class="firstword">TROCADERO,</span> PARIS, FRANCE. The Eiffel Tower is not the sole -remaining monument of the French Exposition of 1878. Overlooking -the Champs de Mars is the Trocadero, which was begun in 1876 for the -same exhibition. It is a fantastic structure in the Byzantine style. The central -portion consists of a circular edifice one hundred and eighty feet high and -one hundred and eighty-nine feet in diameter, crowned by a dome, and flanked -with two minarets two hundred and seventy feet high. On each side extends -a wing in the form of a curve, six hundred and sixty feet in length, giving the -entire edifice the appearance of an imposing crescent. On a level with the -spring of the dome is a terrace adorned with thirty statues. The view of Paris -from the terrace or the towers is superb. Below the balcony, in front of the -central building, gushes a large cascade, which descends to a huge basin one -hundred and ninety-six feet in diameter. Afternoon concerts are often given -in the elaborately decorated Salle des Fetes, which seats six thousand persons. -There are also collections of sculptures and antiquities.</p> - -<div id="ip_106" class="figcenter land"><img src="images/i_107.jpg" width="1676" height="1211" alt=""></div> - -<p><span class="pagenum" id="Page_108">108</span></p> - -<p id="t_108" class="drop-cap"><span class="firstword">CHATEAU</span> DE FONTAINEBLEAU, FRANCE. Fontainebleau is a -small town thirty-five miles south-east of Paris. It is famous for the -royal palace, which is situated in a magnificent park or forest, fifty miles -in circumference, and covering an area of forty-two thousand five hundred -acres. The building itself is said to occupy the site of a fortified chateau, built -by Louis VII in 1162. But it was Francis I who transformed the mediæval -fortress into a palace of almost unparalleled extent and magnificence. Henry -IV did much towards its embellishment. Here his successor, Louis XIV, revoked -the Edict of Nantes. It was a favorite residence of Napoleon I, whose -sentence of divorce from Josephine was pronounced here. Louis Philippe -and Napoleon III spent large sums in restoring it. The exterior of the building, -with the exception of several pavilions, is only two stories in height. -The interior is a splendid example of decorative work. Some of the greatest -French and Italian artists of the epoch of its creation were employed upon it. -Especially beautiful is the chamber of Anne of Austria, the mother of Louis -XIV, and Queen-regent in his minority, who made Fontainebleau her favorite -residence, and spent money lavishly in the decoration of her chamber.</p> - -<div id="ip_108" class="figcenter land"><img src="images/i_109.jpg" width="1681" height="1200" alt=""></div> - -<p><span class="pagenum" id="Page_110">110</span></p> - -<p id="t_110" class="drop-cap"><span class="firstword">GARDEN</span> AND FOUNTAINS, VERSAILLES, FRANCE. The Palace -of Versailles is in the town of the same name, ten miles from Paris, was -built by Louis XIV in 1661, and became a royal residence in 1681. As -such it has held a great place in the history of France. It is now used as a -historical museum. The garden which surrounds it is justly celebrated for its -extreme beauty. Among its chief marvels are the fountains, richly adorned -with bronze statues, and from the centre of each rises a column of water to -the height of forty feet, encircled by sixteen inclined jets of water, the whole -forming a sort of basket. The water which feeds the fountains is brought -from the Seine by the machine of Marly, constructed at enormous expense -after the failure of the plan to turn the River d’ Eure from its course.</p> - -<div id="ip_110" class="figcenter land"><img src="images/i_111.jpg" width="1681" height="1225" alt=""></div> - -<p><span class="pagenum" id="Page_112">112</span></p> - -<p id="t_112" class="drop-cap"><span class="firstword">GRAND</span> TRIANON, VERSAILLES, FRANCE. A charming residence -near the palace of Versailles, built by Louis XIV in 1688 for Madame -de Maintenon, but chiefly interesting for its associations with Marie -Antoinette, whose favorite residence it was. Here she amused herself with -her Swiss village, and here, as well as in the adjacent Petit Trianon, she and -her court played at shepherds and shepherdesses. The Grand Trianon is built -in the Italian style, with the rooms all on one floor. The interior is exquisitely -furnished and adorned. In the surrounding gardens are cottages and -artificial “mountains” (some nearly ten feet high) and glens and grottoes and -pebbly-bottomed brooks.</p> - -<div id="ip_112" class="figcenter land"><img src="images/i_113.jpg" width="1674" height="1228" alt=""></div> - -<p><span class="pagenum" id="Page_114">114</span></p> - -<p id="t_114" class="drop-cap"><span class="firstword b">BULL</span> FIGHT, SEVILLE, SPAIN. The bull fight is the national sport -of Spain. The sport has been described as a tragedy in three acts. -First, the bull is let out and goaded to fury by the lances of the mounted -picadores. If a picador is thrown or his horse is wounded the chulos rush in -and attract the bull by waving their cloaks in front of him, saving themselves, -if need be, by leaping over the palisade which encloses the circus. When the -bull begins to flag the chulos attack him with barbed darts, called banderillas, -which they stick into his neck. The third act introduces the matador, who -enters alone. He holds in his right hand a naked sword, in his left a muleta -or small stick with a piece of scarlet silk attached. The bull rushes blindly -at the muleta. The matador, if he be skillful, plunges the sword into the left -shoulder and the animal drops dead. Sometimes, however, he misses his first -aim and then he has to try again. Sometimes he is wounded or even killed and -then a new matador appears on the scene.</p> - -<div id="ip_114" class="figcenter land"><img src="images/i_115.jpg" width="1675" height="1224" alt=""></div> - -<p><span class="pagenum" id="Page_116">116</span></p> - -<p id="t_116" class="drop-cap"><span class="firstword">THE</span> ALHAMBRA, GRANADA, SPAIN. Alhambra means the “Red -Castle.” This fortress and palace of the ancient Moorish kings—“the -pride of Granada and the boast of Spain”—is a vast and irregular collection -of buildings built of bricks slightly reddened. The principal building was -begun in 1248 and finished in 1314. Here the Moorish kings lived, surrounded -by their court and nobility, a total population of some forty thousand souls. Its -degradation dates from the day of the Castilian conquest, for the alterations -and restorations made by the Spanish kings were without judgment. Philip V, -early in the eighteenth century, was its last royal occupant. After his desertion -the place was allowed to fall into decay until 1862, when the Spanish -government took it in charge. Happily, the most important portions still -exist, and present a bewildering array of pavilions, courts, colonnades, fountains, -baths, gilded ceilings and every kind of Oriental decoration.</p> - -<div id="ip_116" class="figcenter land"><img src="images/i_117.jpg" width="1614" height="1087" alt=""></div> - -<p><span class="pagenum" id="Page_118">118</span></p> - -<p id="t_118" class="drop-cap"><span class="firstword">CORDOVA,</span> SPAIN. This is one of the most ancient and picturesque of -Spanish towns. Its walls, built on a Roman foundation with Moorish -superstructure, inclose a large area, dotted with Roman and Moorish -remains. Chief among the latter is the cathedral, which looms up almost in -the centre of our picture. It dates from the eighth century, and was formerly -a mosque. Authorities generally agree that it is the finest specimen of a -Moorish mosque in all Europe. The southern suburb communicates with the -town by means of an ancient bridge across the River Guadalquiver, whose -sixteen arches exhibit the usual combination of Moorish and Roman architecture. -At one end of the bridge is an elevated statue of the patron saint, -St. Raphael, whose effigy abounds all through the city. Our picture is taken -from the southern suburb.</p> - -<div id="ip_118" class="figcenter land"><img src="images/i_119.jpg" width="1665" height="1206" alt=""></div> - -<p><span class="pagenum" id="Page_120">120</span></p> - -<p id="t_120" class="drop-cap"><span class="firstword b">ROCK</span> OF GIBRALTAR, SPAIN. An inaccessible rock, buttressed by -an impregnable fortress, which juts out from the southern extremity of -Spain, in Andulasia, gives to the English, who hold it, the virtual command -of the Mediterranean. The rock is fourteen hundred and thirty feet -high at its highest point; its length, from north to south, about three miles; -its circumference about six. It is mainly composed of compact limestone and -dense gray marble, varied by beds of red sandstone and tissues of osseous -breccia. The north face is almost perpendicular, but the east side is full of -tremendous precipices. It came into possession of the English by conquest -during the war of the succession in 1704. Since then they have spent immense -sums in its fortification, with so much success that they have retained it against -the combined efforts of France and Spain. From the sea the rock presents a -grim enough aspect with its immense cannon, its piles of balls and bombs, and -its apparent lack of vegetation. But a closer view shows patches of fruit -trees, together with a great variety of odoriferous shrubs.</p> - -<div id="ip_120" class="figcenter land"><img src="images/i_121.jpg" width="1668" height="1222" alt=""></div> - -<p><span class="pagenum" id="Page_122">122</span></p> - -<p id="t_122" class="drop-cap"><span class="firstword">MONTE</span> CARLO, MONACO—THE CASINO. Monaco is a small principality -on the Mediterranean, ruled by Prince Albert, of Monaco. It -is chiefly famous for the notorious Casino at the small town of Monte -Carlo, where alone in Europe public gaming is authorized by law. The first -stone of the Casino was laid in 1858, and gambling tables had existed in -Monaco two years previous to that date, but it was not till 1860, when M. Blanc, -expelled from Homburg, took possession of the place, that Monte Carlo began -to be famous. The gaming establishment is now in the hands of a joint stock -company, with a capital of 15,000,000 francs, who leased the ground from the -prince. It employs nearly one thousand people and is annually visited by -about four hundred thousand visitors. The inhabitants of Monaco are not -allowed at the tables. Their good will, however, is secured by their exemption -from taxation and by the flood of paying visitors who are attracted -hither. Monte Carlo is in itself a place of exquisite beauty, natural and artificial.</p> - -<div id="ip_122" class="figcenter land"><img src="images/i_123.jpg" width="1680" height="1230" alt=""></div> - -<p><span class="pagenum" id="Page_124">124</span></p> - -<p id="t_124" class="drop-cap"><span class="firstword al">LAKE</span> LUCERNE, SWITZERLAND. Not only in wild and picturesque -scenery, but in its legendary and historical associations, this is one of -the most interesting lakes in the world. In Switzerland it is alternatively -known as the Lake of the Four Forest Cantons, because bounded by -the cantons of Uri, Schwyz, Unterwalden and Lucerne. The mountain peaks -surrounding it give it the form of a St. Andrew’s cross, whence comes that -cross on the Swiss flag. Mounts Pilatus and Rigi stand at the north like -sentinel outposts of the Alps. The beginning of the St. Gothard Pass over -the Alps is at Fluelen to the south. The lake is intimately connected with -the Tell legends, and at one of its most enchanting spots a small chapel, -attributed to the fourteenth century, is said to mark the spot where he sprang -out of Gessler’s boat as he was being carried away a prisoner.</p> - -<div id="ip_124" class="figcenter land"><img src="images/i_125.jpg" width="1681" height="1222" alt=""></div> - -<p><span class="pagenum" id="Page_126">126</span></p> - -<p id="t_126" class="drop-cap"><span class="firstword">MONT</span> BLANC FROM CHAMOUNI, SWITZERLAND. This, the -highest mountain in Europe, and, by common consent, the most magnificent -in its scenery, rises at the southern end of the valley of Chamouni, -fifteen thousand seven hundred and eighty-one feet above sea level. -During the last century and a half it has been a favorite resort of tourists, -and especially of scientists, as its glaciers and other marvelous features are full -of interest and instruction. But it was not till 1786 that Balmat and Paccard -made the first ascension, followed in 1787 by Saussure. Many accidents have -happened here in the past. In 1870 a party of eleven, two of them Americans, -all perished in the snow-crowned heights. Nowadays the ascensions -are more numerous, and, with proper precautions, are considered absolutely -safe, though very fatiguing, and occupying three days. The view from the -valley of Chamouni is of extraordinary beauty. It has been celebrated by -Coleridge in one of his most famous poems, and has been the theme of countless -other pens. Not always is the “monarch of mountains” visible from Chamouni, -as his imperial front is frequently hidden from the sight of his worshipers. -But the photograph here presented is taken on a fortunate day, -when there was no cloud about the throne.</p> - -<div id="ip_126" class="figcenter port"><img src="images/i_127.jpg" width="1220" height="1661" alt=""></div> - -<p><span class="pagenum" id="Page_128">128</span></p> - -<p id="t_128" class="drop-cap"><span class="firstword">MER</span> DE GLACE, MONT BLANC, SWITZERLAND. This immense -glacier fills the highest gorges of the chain of Mont Blanc, and extends -over a distance of twelve miles into the Valley of Chamouni. -It is formed by the masses of snow and ice which collect during the long -winters. In appearance it is just what its name implies, a Sea of Ice, whose -tumultuous waves seem to have been suddenly frozen, not while they were -being lashed to fury by a tempest, but at the very moment when the wind -had subsided and left them high indeed, but rounded and blunted in outline. -Slowly—so slowly that the motion is imperceptible—it flows down the inclined -plane between two mountains cracking, groaning and melting until it resolves -itself into a torrent, known as the Arveiron. There are other seas of ice among -the Alps, but this by pre-eminence is known as the Mer de Glace. It was in -the study of this region that Agassiz conceived his glacial theory.</p> - -<div id="ip_128" class="figcenter land"><img src="images/i_129.jpg" width="1672" height="1231" alt=""></div> - -<p><span class="pagenum" id="Page_130">130</span></p> - -<p id="t_130" class="drop-cap"><span class="firstword">THE</span> MATTERHORN, SWITZERLAND. This famous Alpine height -is situated in the canton of Valais, in Switzerland, overhanging the -little village of Zermatt. It is fourteen thousand seven hundred and -five feet high, and its peak is the sharpest and most acute in all the Alpine -region, rising like a sort of triangular obelisk into the clouds. Its sides are -so precipitous that the snow itself can hardly find a lodgment. For a long -period it was deemed inaccessible to man. On the 14th of July, 1865, a party, -consisting of Messrs. Hudson, Whymper and Hadow, with Lord Francis -Douglas and three guides, succeeded in reaching the summit, but in the descent -Mr. Hudson lost his footing, and all save Mr. Whymper and two guides, who -escaped by the breaking of the rope, were precipitated to a depth of four -thousand feet towards the Matterhorn Glacier. The ascent is now made -several times annually. The rock has been blasted at the most difficult points -and a rope attached to it.</p> - -<div id="ip_130" class="figcenter land"><img src="images/i_131.jpg" width="1684" height="1226" alt=""></div> - -<p><span class="pagenum" id="Page_132">132</span></p> - -<p id="t_132" class="drop-cap"><span class="firstword b">RIGI-KULM,</span> SWITZERLAND. The Rigi Mountain, five thousand nine -hundred and five feet above sea level, or four thousand four hundred -and seventy-two feet above Lake Lucerne, is not one of the highest -mountains of Switzerland, but the beautiful and extensive view commanded -from the Kulm, or summit, makes it one of the most popular. The famous -Riggenbach cog-wheel railway brings travellers up to the Kulm, a small, bare -space, whence the eye takes in a panorama of three hundred miles in circuit. -Immediately below lie the lakes of Lucerne and Zug, their shores lined with -picturesque little towns. Eight other lakes, including a bit of Zurich, may be -counted in the distance. Snow-capped mountains—the Jungfrau, the Wetterhorn, -the Schreckhorn, the grand snow-covered peaks of the Bernese Alps and -countless other peaks of lesser note—stretch away on every side to the horizon. -The railway up the mountain is of ordinary gauge. Along the centre runs a -cogged track, into which a cog-wheel on the locomotive works, thus giving the -power for the ascent. In going down the brakes are worked by atmospheric -pressure. The construction of this five miles of line, which in its ascent overcomes -about one mile of altitude, cost about $300,000.</p> - -<div id="ip_132" class="figcenter land"><img src="images/i_133.jpg" width="1688" height="1223" alt=""></div> - -<p><span class="pagenum" id="Page_134">134</span></p> - -<p id="t_134" class="drop-cap"><span class="firstword">THUN,</span> SWITZERLAND. One of the most picturesque of Swiss towns is -Thun, which is charmingly situated on the banks of the river Aar, three-quarters -of a mile below its efflux from the lake. Many of the town’s -buildings are very old. The Castle of Zahringen-Kyburg, whose large square -tower forms a noted feature of the landscape, dates from 1182. The principal -street is curious. In front of the houses projects a row of warehouses and -cellars, on the flat roofs of which is the pavement for foot passengers, flanked -with the shops. The view here presented is taken from the pavilion in the -Bellevue Grounds, which overlooks the city, and commands the old-fashioned -town, the lake, the Alps and the Valley of the Aar.</p> - -<div id="ip_134" class="figcenter land"><img src="images/i_135.jpg" width="1681" height="1227" alt=""></div> - -<p><span class="pagenum" id="Page_136">136</span></p> - -<p id="t_136" class="drop-cap"><span class="firstword">JUNGFRAU</span> FROM INTERLAKEN, SWITZERLAND. The town of -Interlaken, as its name indicates, is situated between two lakes (Brienz -and Thun), in a valley about three miles wide, on either side of which -rises a ridge of precipitous mountains six thousand feet high. The great -attraction of the place is not the scenery either way along the valley, but a -view that is caught through a depression in the mountains on the southern -side, revealing the Jungfrau (“Young Maiden”) Mountain and her attendant -galaxy of noble Alpine peaks, rearing their snow-crowned heads far above the -horizon. The Jungfrau is the most imposing eminence in all the Bernese Alps. -Surrounded by stupendous precipices, her surface is broken by valleys, ravines -and glaciers, which from a distance look like creases in the mantle of snow -that covers her enormous flanks. The first ascent of this mountain was made -on August 3d, 1811.</p> - -<div id="ip_136" class="figcenter land"><img src="images/i_137.jpg" width="1675" height="1219" alt=""></div> - -<p><span class="pagenum" id="Page_138">138</span></p> - -<p id="t_138" class="drop-cap"><span class="firstword">CURSALON,</span> VIENNA, AUSTRIA. This handsome structure, in the -Italian renaissance style, was put up in 1865–67. With its surrounding -gardens, it forms one of the most attractive spots in the city. Concerts -are given here on Sundays and Thursdays, when large crowds are always sure -to attend.</p> - -<div id="ip_138" class="figcenter land"><img src="images/i_139.jpg" width="1677" height="1226" alt=""></div> - -<p><span class="pagenum" id="Page_140">140</span></p> - -<p id="t_140" class="drop-cap"><span class="firstword">CATHEDRAL,</span> MILAN, ITALY. The Milanese look upon this church -as the eighth wonder of the world. In truth, it is a marvelous edifice. -“Gothic art,” as Taine says, “here attains its triumph and its extravagance.” -Nowhere else is it so pointed, so complex, so highly embroidered, -so full of delicate detail. It differs from most Gothic cathedrals in being -built, not of dark stone, but of beautiful, lustrous white Italian marble. -Begun in 1386, it was not fully completed until 1805, at the direction of Napoleon. -The design is said to be taken from Monte Rosa, one of the loftiest -peaks of the Alps. Its ninety-eight sculptured pinnacles, rising from every -part of the body of the church, certainly bear a striking resemblance to the -splintered ice crags of Savoy. Next to St. Peter’s, at Rome, and the Cathedral -at Seville, this is the largest church in Europe, covering, as it does, an -area of fourteen thousand square yards.</p> - -<div id="ip_140" class="figcenter land"><img src="images/i_141.jpg" width="1675" height="1218" alt=""></div> - -<p><span class="pagenum" id="Page_142">142</span></p> - -<p id="t_142" class="drop-cap"><span class="firstword">PANORAMA</span> OF VENICE, ITALY. No city in the world is more fascinating -than Venice. Its very situation makes it unique, built as it is -on a cluster of small islands, a hundred or more in number, in the lagoon -of the same name. A long, narrow sand-bank, divided by several inlets, separates -the lagoon from the Adriatic. The largest of the islands is the Isola di -Rialto, which gives its name to the famous bridge. The Grand Canal winds -through the city in a double curve, like the letter S, and divides it into two -unequal parts. The one hundred and forty-six smaller canals and a perfect -network of small streets and bridges form the other thoroughfares. The -splendid churches, the vast treasures of art and the magnificent palaces, remind -one of the glories of the past, and fill the present with a surpassing beauty. -By the fifteenth century Venice had become the greatest republic in Europe -and the focus of its commerce. The immense wealth of its merchant princes -enabled them to gratify their artistic sense in the superb monuments still -extant.</p> - -<div id="ip_142" class="figcenter land"><img src="images/i_143.jpg" width="1678" height="1229" alt=""></div> - -<p><span class="pagenum" id="Page_144">144</span></p> - -<p id="t_144" class="drop-cap"><span class="firstword b">ST.</span> MARK’S, VENICE, ITALY. This famous cathedral church is a -strange jumble of all styles of architecture, Christian as well as Saracenic, -yet both without and within breathing a rich and wonderful -harmony. The present building, dedicated in 1085, takes the place of an -older and simpler structure, that was destroyed by fire in 976. In front of -the church, to the southwest, rises the Square Campanile, surmounted with the -figure of an angel. To the east of the church the famous Piazzetta, or “Little -Square,” extends to the Grand Canal, glorified by the Palace of the Doges, or -ancient rulers of the city, which some architects look upon as the finest building -in the world. It is from this Piazzetta that the picture is taken. The -square in front of St. Mark’s is the grand focus of attraction in Venice, and -in summer nearly the entire population congregate here.</p> - -<div id="ip_144" class="figcenter land"><img src="images/i_145.jpg" width="1671" height="1215" alt=""></div> - -<p><span class="pagenum" id="Page_146">146</span></p> - -<p id="t_146" class="drop-cap"><span class="firstword">GRAND</span> CANAL, VENICE, ITALY. This is the main thoroughfare of -the city of the sea. On either side of its serpentine length it is lined by -marble-fronted palaces, whose very names awaken a thrill of historic -or romantic recollection. Gondolas dart up and down among the waters, and, -alas! the disillusionizing modern steamboat puffs its vicious way through the -complaining waters. About half-way in its course the canal is crossed by the -famous Rialto bridge, a single arch of unique and elegant construction, -seventy-four feet in length, resting on twelve thousand piles. This was built -in 1588, subsequent therefore to the period of Venice’s greatest glory. The -ancient Rialto, which Shakespeare speaks of as the meeting place of the merchants, -was not this bridge, but the Exchange which used to go by the same -name, and was long the centre of trade and commercial life in this city.</p> - -<div id="ip_146" class="figcenter land"><img src="images/i_147.jpg" width="1678" height="1222" alt=""></div> - -<p><span class="pagenum" id="Page_148">148</span></p> - -<p id="t_148" class="drop-cap"><span class="firstword">THE</span> DOGE’S PALACE, VENICE, ITALY. At right angles to the Piazza -San Marco, at the south-east end, runs the Piazzetta or little square, -whereon is situated the former residence of the Doges, an ancient seat of -government. Ruskin calls this “the principal work of Venice.” Originally -built in 800, five times destroyed and as many times rebuilt in a style of greater -magnificence, the present structure dates from the fourteenth century. It is -in the Moorish-Gothic style. The form is an irregular square; the west side, -facing the Piazzetta (two hundred and thirty feet in length), and the south -side, facing the sea (two hundred and twenty feet in length), are flanked by -two colonnades, one above the other, with exquisite traceries. The mouldings -of the upper colonnade are especially rich. The interior court of the building -presents a wilderness of elegant columns, cornices, arches, carvings, sculptures -and bas-reliefs. A magnificent collection of Venetian paintings is housed -within these walls. On the east side the palace is connected with the prisons -by the so-called Bridge of Sighs, which owes most of its fame to Byron’s sentimentality.</p> - -<div id="ip_148" class="figcenter land"><img src="images/i_149.jpg" width="1516" height="1134" alt=""></div> - -<p><span class="pagenum" id="Page_150">150</span></p> - -<p id="t_150" class="drop-cap"><span class="firstword">CATHEDRAL</span> AND LEANING TOWER OF PISA, ITALY. The -Cathedral of Pisa, begun in 1063, and consecrated in 1118, forms, with -its Baptistery and Campanile, the most singular group of buildings -in the world. Their beauty is equal to their singularity. The church itself -is constructed entirely of white marble, with black and colored ornamentation. -An elliptical dome covers the centre. The façade, adorned in the lower story -with columns and arches, and in the upper story with four open galleries, is -of exquisite and dainty beauty. So, likewise, is the Baptistery, a circular -structure, surrounded by half columns below and a gallery of small, detached -columns above, the whole crowned by a conical dome. But the strangest -effect of all is produced by the Campanile, better known as the Leaning Tower, -from the fact that it is thirteen feet out of the perpendicular. That this obliquity -was accidental and due to the sagging of the foundations is now generally -agreed. Aside from this peculiarity the Campanile would arrest attention by -its winsome grace.</p> - -<div id="ip_150" class="figcenter port"><img src="images/i_151.jpg" width="1212" height="1641" alt=""></div> - -<p><span class="pagenum" id="Page_152">152</span></p> - -<p id="t_152" class="drop-cap"><span class="firstword">PONTE</span> VECCHIO, FLORENCE, ITALY. There is no more picturesque -bridge in the world than this. It spans the river Arno at a point -where tradition asserts that a Roman predecessor used to exist. Certain -it is, that bridges were built here and repeatedly demolished before Taddeo -Gaddi erected the present structure of three arches. It is flanked by shops, -which have belonged to the goldsmiths and jewelers since the fourteenth century, -and is still the centre of their trade. Above the roofs of these shops -runs the gallery of the Grand Duke, built as a secret passage between the -Uffizi and the Pitti Palaces. The bridge itself might easily be mistaken for -a continuous street by the stranger, except for the vacant space over the central -arch, which gives a glimpse of the city and the river on each side.</p> - -<div id="ip_152" class="figcenter land"><img src="images/i_153.jpg" width="1672" height="1225" alt=""></div> - -<p><span class="pagenum" id="Page_154">154</span></p> - -<p id="t_154" class="drop-cap"><span class="firstword">PALAZZO</span> VECCHIO, FLORENCE, ITALY. The ancient capitol of the -Republic of Florence, and subsequently the residence of Cosmo de’ Medici, -is known as the Palazzo Vecchio, or Old Palace. Begun in 1298, it is -a striking example of the Florentine castles of the Middle Ages, with its enormous -projecting battlements and its disproportionate bell tower, defiantly stuck -upon the walls without regard to symmetry, and almost overhanging the battlements. -It is situated in the Piazza della Signoria, the historic, as well as -the commercial, centre of Florence. The court is adorned with a fountain -and sculptured columns. In front of the entrance is Bandinelli’s group of -Hercules and Cacus. At right angles to the left is the Loggia dei Lanzi, an -open arcade, famous for its own beauty and for the sculptured master-pieces -which it enshrines. A large and elegant fountain is on the right.</p> - -<div id="ip_154" class="figcenter port"><img src="images/i_155.jpg" width="1236" height="1671" alt=""></div> - -<p><span class="pagenum" id="Page_156">156</span></p> - -<p id="t_156" class="drop-cap"><span class="firstword">CATHEDRAL</span> OF FLORENCE, ITALY. This is generally known as -the Duomo or Dome, though its official designation is Santa Maria del -Fiore. Arnolfo di Cambio began it in 1298; he was succeeded by -Giotto, and the dome was added by Brunelleschi. The latter is not only beautiful -in itself, but is interesting as the first of the great domes of the modern -world. A half-finished façade was destroyed by fire, and the deficiency was -not supplied until 1875–1884. The interior is impressive, though almost entirely -devoid of ornamentation. Outside the church, to the left, is the Campanile, -an exquisite work by Giotto; so exquisite that Charles V declared it -ought to be kept in a glass case. In front is the Baptistery, an octagonal -building, surmounted by a dome. It was begun in 1352 and finished in 1358. -Its chief attraction lies in the bronze doors, especially those by Lorenzo -Ghiberti, which Michael Angelo eulogized as worthy to be the gates of -Paradise.</p> - -<div id="ip_156" class="figcenter land"><img src="images/i_157.jpg" width="1677" height="1222" alt=""></div> - -<p><span class="pagenum" id="Page_158">158</span></p> - -<p id="t_158" class="drop-cap"><span class="firstword">THE</span> CAPITOL, ROME, ITALY. Anciently, the Capitoline Hill, in Rome, -was surmounted by the Temple of Jupiter Capitolinus and the citadel -of the city. Hence, here was the head of the Roman state and the -shrine of their religion. But temple and citadel have vanished and in their -place is a group of buildings erected by Paul III from the designs of Michael -Angelo. On the right is the Palace of the Conservatori, on the left the -Museum of the Capitol and between the two, occupying the third side of the -square, is the Palace of the Senator, a modern Roman patrician with that title. -The photograph shows the best approach to the square up the grand stair-case, -known as La Cordonnata, which in its present form dates from 1736. At the -foot of the stairs are two Egyptian lions, and at the summit, on the angles of -the balustrades, two ancient colossal statues of Castor and Pollux, standing by -the sides of their horses. These were found in the sixteenth century. In the -centre of the square is the bronze equestrian statue of Marcus Aurelius.</p> - -<div id="ip_158" class="figcenter land"><img src="images/i_159.jpg" width="1672" height="1221" alt=""></div> - -<p><span class="pagenum" id="Page_160">160</span></p> - -<p id="t_160" class="drop-cap"><span class="firstword">CASTLE</span> OF ST. ANGELO, ROME. Originally this famous structure -was built by the Emperor Hadrian as a mausoleum for himself and his -family. The same emperor also erected the bridge now known as St. -Angelo—anciently as the Pons Ælius—which crosses the Tiber opposite the -castle. Tradition affirms that Gregory the Great in 589 changed the name in -memory of a vision of the Archangel Michael, who appeared to him standing -on the summit of the mausoleum. He built a chapel on the summit, but subsequently -this was replaced by the statue still extant. During the Middle -Ages this was the fortress of Papal Rome, and its history at that period is -bound up in the history of the city itself. It has also served as a prison, and -part of it was up to recent times still used for that purpose. It has suffered -much from sieges and the ravages of time, and is now but the skeleton of the -magnificent pile erected by Hadrian. No vestige remains of the shell of -Parian marble which encircled it, while the statues were torn off to be used as -missiles against the Goths, and later as cannon balls.</p> - -<div id="ip_160" class="figcenter land"><img src="images/i_161.jpg" width="1679" height="1225" alt=""></div> - -<p><span class="pagenum" id="Page_162">162</span></p> - -<p id="t_162" class="drop-cap"><span class="firstword b">ST.</span> PETER’S, ROME, ITALY. This is the largest and most magnificent -of all Christian temples. It is built on the supposed site of the burial-place -of St. Peter. As early as A. D. 90 an oratory was raised on the -spot; in 306 this was followed by a basilica. The present edifice was begun -in 1506, and after employing the talents of Bramante, Michel Angelo and other -architects, was dedicated by Urban III in 1626. The magnificent dome was -mainly the work of Michael Angelo, though his plan was somewhat modified -by Giacomo della Porta. The impressive colonnades, which almost encircle -the square and lead up to the front, were added in 1667. The façade is confessedly -a failure. But nothing can mar the beauty of this extraordinary -edifice. Although it occupies some two hundred and forty thousand square -feet, the interior, from its exquisite proportions, does not at once impress the -beholder with a sense of its vastness. That grows upon one by degrees. The -Vatican, which adjoins St. Peter’s, is an equally enormous and beautiful building, -which comprises the residence of the popes, an astounding museum of -pictures and statues and a library of unexampled historic interest.</p> - -<div id="ip_162" class="figcenter land"><img src="images/i_163.jpg" width="1671" height="1222" alt=""></div> - -<p><span class="pagenum" id="Page_164">164</span></p> - -<p id="t_164" class="drop-cap"><span class="firstword">THE</span> COLOSSEUM, ROME. This mammoth ruin, originally known as -the Flavian amphitheatre, is the most magnificent relic of ancient Rome. -Begun by Vespasian in A. D. 72, it was dedicated by Titus in A. D. 80 -and was subsequently added to by Domitian. As the circus of the public -games for nearly four hundred years, it was the scene of gladiatorial conflicts -and of the persecution of the Christian martyrs. After the triumph of -Christianity it fell into neglect, and suffered continuous spoliation as a quarry -for the material of new buildings. Finally, in 1750, Benedict XIV rescued it -in its present condition by dedicating it to the memory of the Christian -martyrs who had suffered therein. A cross in the middle of the amphitheatre -is continually visited by the pious. “As it now stands,” says Forsyth, “the -Colosseum is a striking image of Rome itself, decayed, vacant, serious, yet -grand, half gray and half green, exact on one side and fallen on another, -with consecrated ground in its bosom.” Hillard calls it “a great tragedy in -stone.” It was originally built to seat ten thousand spectators. There were -three orders of architecture used in the four stories; the first, Doric; second, -Ionic; third and fourth, Corinthian. In each of the lower tiers there were -eighty arches. The height of the outer wall was one hundred and fifty-seven -feet, the circumference one thousand six hundred and forty-one feet, the entire -superficial area being six acres.</p> - -<div id="ip_164" class="figcenter land"><img src="images/i_165.jpg" width="1674" height="1225" alt=""></div> - -<p><span class="pagenum" id="Page_166">166</span></p> - -<p id="t_166" class="drop-cap"><span class="firstword">THE</span> PANTHEON, ROME. This is one of the grandest, as it is the most -perfectly preserved, of all the ancient monuments of Rome. Except for -the ridiculous belfries superimposed by Bernini on the outside, it is to-day -substantially in the same condition as when Marcus Agrippa in B. C. 27, -after the establishment of universal peace, consecrated it to all the gods. In -A. D. 608 it was dedicated as a Christian church by Pope Boniface IV, under -the name of Santa Maria ad Martyres. The portico is of faultless beauty, -and the interior, as the picture shows, is a perfect rotunda, impressive in its -grand simplicity. The domed ceiling is lighted solely by an aperture twenty-three -feet in diameter, the wall being supported by a huge bronze ring. An -additional interest for moderns lies in the tombs of Raphael, Caracci and -other painters who are buried therein, and more recently the remains of -Victor Emmanuel have been added to those of the artistic brotherhood.</p> - -<div id="ip_166" class="figcenter land"><img src="images/i_167.jpg" width="1677" height="1229" alt=""></div> - -<p><span class="pagenum" id="Page_168">168</span></p> - -<p id="t_168" class="drop-cap"><span class="firstword">TOMB</span> OF CECILIA METELLA, ROME, ITALY. The Via Appia of -ancient Rome was one of the great avenues leading out from the city, -and the principal line of communication with the South. It is named -after Appius Claudius Caecus, the censor, who began its construction in B. C. -312. Under Pius IX the ancient road was once more laid open. To-day it -presents the appearance of an avenue, eleven Roman miles in length, lined on -each side by ruins, mostly of magnificent tombs, which were built by the patrician -families of ancient Rome to the memory of their dead. The best preserved -of these is the tomb of Cecilia Metella, the wife of Crassus, a circular tower -seventy feet in diameter, resting upon a quadrangular base. The battlements -upon it are mediæval additions, made for the purpose of defense by the Caetanis.</p> - -<div id="ip_168" class="figcenter land"><img src="images/i_169.jpg" width="1673" height="1224" alt=""></div> - -<p><span class="pagenum" id="Page_170">170</span></p> - -<p id="t_170" class="drop-cap"><span class="firstword">FORUM</span> ROMANUM, ROME, ITALY. The ancient Forum of Rome -exists only in ruins. That it lay at the foot of the Capitoline and Palatine -Hills in Rome is certain from the remnants that survive. But the -exact area it occupied and the true situation of the various buildings which -once covered it are matters of dispute and uncertainty. Conspicuous among -the ruins are three beautiful Corinthian columns of white marble belonging -to the temple raised to Vespasian by Domitian; eight granite columns belonging -to the Temple of Saturn, a beautiful fragment, consisting of three Corinthian -columns with a rich entablature, a solitary column which Byron calls,</p> - -<p class="p1 b1 center"> -The nameless column with a buried base, -</p> - -<p class="in0">but whose now excavated base reveals that it was erected to the Emperor -Phocas, the arches of Septimus Severus and of Titus, and a profusion of -columns, pavements, foundations and walls of other structures.</p> - -<div id="ip_170" class="figcenter land"><img src="images/i_171.jpg" width="1670" height="1216" alt=""></div> - -<p><span class="pagenum" id="Page_172">172</span></p> - -<p id="t_172" class="drop-cap"><span class="firstword b">BAY</span> OF NAPLES AND MOUNT VESUVIUS, ITALY. Naples, in -itself one of the least interesting of Italian cities, attracts the attention -of the tourist by its transcendent beauty of situation and by the historical -and picturesque interest of its surroundings. The Bay of Naples is the most -glorious spot in the Mediterranean. Its circuit is more than fifty-two miles, -including the islands of Ischia, at the north-west, and of Capri, at the south -entrance. At its opening, between these two islands, it is fourteen miles broad, -and from the opening to its head, at Portici, the distance is fifteen miles. On -the north-east shore, east of Naples, is an extensive flat, whence rises Vesuvius, -the most famous of European volcanoes, at the base of which are several villages -and the classic sites of Herculaneum and Pompeii. The Italian proverb, “See -Naples and die,” is a tribute to the beauty of the city and its environment.</p> - -<div id="ip_172" class="figcenter land"><img src="images/i_173.jpg" width="1675" height="1230" alt=""></div> - -<p><span class="pagenum" id="Page_174">174</span></p> - -<p id="t_174" class="drop-cap"><span class="firstword">POMPEII,</span> ITALY. The volcanic eruption which overwhelmed Pompeii -on August 24th, A. D. 79, has afforded us our most important, indeed, -almost our only source of acquaintance with the domestic life of the -ancient Romans. To be sure it represents one definite epoch of antiquity only, -that of the glories of the early empire when Pompeii became the favorite -retreat of Romans of the wealthier classes. But the study of the various -phases of life at this epoch forms a pursuit of inexhaustible interest. The -ashes from Vesuvius completely covered over the town to the depth of about -twenty feet until the year 1748, when the accidental discovery of some statues -led to the excavations. They have been continued up to the present time, -and will not be completed for half a century more.</p> - -<div id="ip_174" class="figcenter land"><img src="images/i_175.jpg" width="1660" height="1219" alt=""></div> - -<p><span class="pagenum" id="Page_176">176</span></p> - -<p id="t_176" class="drop-cap"><span class="firstword a">ACROPOLIS,</span> ATHENS, GREECE. This famous building, at once the -citadel, the sanctuary, the treasury and the museum of art of the -ancient Athenian people, crowns the summit of the rocky height which -abruptly rises three hundred and fifty feet out of the plain in the midst of the -city, inaccessible on all save the western side. The walls, built on the edge -of the perpendicular rock, form a circuit of nearly seven thousand feet. -These are of immense antiquity. They were founded by the Pelagians, and -the work was continued by Themistocles, Cymon, Valerian, and later, by the -Venetians and the Turks. Here are the remains of three temples, the Temple -of Victory, the Erechtheum and the Parthenon, the latter the architectural -glory of Athens, the only octastyle Doric temple in Greece, and in its own -class the most beautiful building in the world. It was built in the time of -Pericles, and was once adorned with masterpieces of sculpture of which it was -long ago plundered.</p> - -<div id="ip_176" class="figcenter land"><img src="images/i_177.jpg" width="1672" height="1216" alt=""></div> - -<p><span class="pagenum" id="Page_178">178</span></p> - -<p id="t_178" class="drop-cap"><span class="firstword">THE</span> BOSPHORUS, FROM CONSTANTINOPLE, TURKEY. No city -in the world occupies a more magnificent natural position than the -capital of Turkey. It is made up of three cities, each distinct and different -from the others. Stamboul, the old city, lies upon a tongue of land of -triangular shape, having the sea of Marmora on the south, the Bosphorus on -its eastern apex and the Golden Horn on the north. Its seven hills are -crowned with domes and minarets and fantastic houses, backed by the dark -foliage of the cypress and other trees in the cemeteries beyond the walls. To -the north is the European quarter, Galata being the business centre, while -Pera is studded all over with the splendid residences of the foreign ambassadors, -&c., and lined along its shores with the palaces and gardens of the -Sultan and the adjoining mosques. Skutari, the Asiatic quarter of Constantinople, -is on the eastern side of the Bosphorus. Nowhere else is there a -picture so bright, so varied in outline, so gorgeous in color, so heterogeneous -in its component parts.</p> - -<div id="ip_178" class="figcenter land"><img src="images/i_179.jpg" width="1665" height="1219" alt=""></div> - -<p><span class="pagenum" id="Page_180">180</span></p> - -<p id="t_180" class="drop-cap"><span class="firstword">THE</span> MOSQUE OF ST. SOPHIA, CONSTANTINOPLE, TURKEY. -This is the principal place of Mahommedan worship in the world. -Anciently a Christian temple, built in 532 by Justinian, it was converted -into a Moslem mosque in 1453 by Mohammed II, the conqueror of Constantinople. -The building is in the form of a Greek cross, two hundred and seventy -feet long by two hundred and forty-three wide, surmounted by a flattened -dome one hundred and eighty feet high, with several smaller domes and minarets. -The style of architecture is Byzantine. The exterior is not as imposing -as the interior, which even now is rivaled by few Christian churches, and at -the time of its erection made this masterpiece of Byzantine architecture the -greatest temple in the world. Well may Justinian have exclaimed: “I have -surpassed thee, O Solomon!” The changes made by the Moslems are greater -inside than out. In the interior the mosaics have been partially covered up -and replaced by inscriptions from the Koran, but there is no structural change. -Outside most of the older annexes have been swept away and replaced by -Turkish buildings, lofty minarets rise at each corner, and the crescent replaces -the cross on the dome.</p> - -<div id="ip_180" class="figcenter land"><img src="images/i_181.jpg" width="1675" height="1227" alt=""></div> - -<p><span class="pagenum" id="Page_182">182</span></p> - -<p id="t_182" class="drop-cap"><span class="firstword">THE</span> SPHINX, EGYPT. This unique monument, situated near Cairo, in -the neighborhood of the Pyramids, is one of the most characteristic and -probably the oldest of Egyptian remains. As such it is the oldest -monument in the world. Recent researches show that it is more ancient than -even the Pyramid of Cheops. Originally it was a recumbent figure, representing -an andro-sphinx, or man-headed lion, one hundred and eighty-eight feet -nine and one-half inches in length, hewn out of the solid rock. Steps led -down to its front, where there was a sanctuary and tablets. But the sands -covered all save the head, shoulders and back, which rose from the surrounding -desert with a startling and almost fearsome abruptness. In this condition the -monument was allowed to remain for centuries. But more recently excavations -have been started to restore it to its pristine state, and before long the entire -colossal figure will be bared to view.</p> - -<div id="ip_182" class="figcenter land"><img src="images/i_183.jpg" width="1675" height="1221" alt=""></div> - -<p><span class="pagenum" id="Page_184">184</span></p> - -<p id="t_184" class="drop-cap"><span class="firstword">PYRAMIDS</span> OF GIZEH, EGYPT. Gizeh is about twelve miles from -Cairo. It contains the largest and most famous of those mysterious -sepulchral monuments known as Pyramids, which the ancient Egyptians -were fond of raising. Three of these are especially famous—the Great Pyramid -called the “Splendid,” which is the mausoleum of Cheops, and is four hundred -and fifty feet nine inches high; the scarcely inferior Pyramid of Chepheren, -and the Pyramid of Mycerinus, which is much smaller. These mountains of -masonry, built of stones whose huge size perplexes modern engineers to -account for the method of their handling, were designed by the kings of the -early Egyptian dynasties as their tombs. Their leading idea was durability, -and by concealment of the entrance, and tortuous and complicated passages, -they strove to baffle the vandal. Yet all these tombs have been shamefully -profaned.</p> - -<div id="ip_184" class="figcenter land"><img src="images/i_185.jpg" width="1680" height="1221" alt=""></div> - -<p><span class="pagenum" id="Page_186">186</span></p> - -<p id="t_186" class="drop-cap"><span class="firstword b">RUINS</span> OF KARNAK, EGYPT. Most guide-books advise the traveller -in Egypt to leave Karnak to the last, as the crown of his explorations. -It is, indeed, the most marvelous ruin along the Nile. Yet, though in -ruins, it preserves all its original character. It lies amid the ruins of Thebes. -It was intended for a temple. But it is not so much a temple as a city of -temples, of palaces, courts, columns and obelisks enclosed by a great wall of -circuit about a mile and a half in circumference. The Great Hall alone, -which is the largest of all the monuments, measures three hundred and -forty feet by one hundred and seventy. The Temple of Amenophis, here represented, -is one of the finest of the smaller remains.</p> - -<div id="ip_186" class="figcenter land"><img src="images/i_187.jpg" width="1670" height="1225" alt=""></div> - -<p><span class="pagenum" id="Page_188">188</span></p> - -<p id="t_188" class="drop-cap"><span class="firstword">CHURCH</span> OF THE HOLY SEPULCHRE, JERUSALEM. This church, -situated on a hill called Acra, purports to be built over the site of -Calvary and the actual tomb of Jesus. Not only that tomb itself, but -the tombs of Joseph and Nicodemus, the places where the Saviour appeared -after His resurrection to Mary Magdalene and to Mary, His mother; where -Constantine’s mother found the true cross, &c., &c., are pointed out to visitors. -Not everybody accepts the genuineness of the site. But, at least, it was for -the reconquest of the Holy Sepulchre that the Crusades were instituted, and -for fifteen hundred years kings and queens, knights and pilgrims have knelt -and prayed here. The church is a Byzantine structure, which was commenced -in 1103 A. D., was partly destroyed by fire in 1808, and has since been -restored. Some parts of it, however, are said to date back to the Empress -Helena.</p> - -<div id="ip_188" class="figcenter port"><img src="images/i_189.jpg" width="1223" height="1669" alt=""></div> - -<p><span class="pagenum" id="Page_190">190</span></p> - -<p id="t_190" class="drop-cap"><span class="firstword">GARDEN</span> OF GETHSEMANE, JERUSALEM. No spot in the whole -world could have more interest for the Christian traveler than the -Garden of Gethsemane, the scene of our Lord’s agony on the eve of -His crucifixion. It is known that it was a garden or orchard belonging to a -small estate at the foot of Mount Olivet, somewhere on the east slope of the -Kedron Valley and about half a mile from Jerusalem. But whether the -present enclosure which is pointed out as the identical garden be so or not is -a matter which archæologists have not yet settled. Certainly, the garden is -very old and very venerable; its few olive trees date back to an unknown -antiquity, and it may very well have been extant in almost its present condition -in the time of Christ.</p> - -<div id="ip_190" class="figcenter land"><img src="images/i_191.jpg" width="1670" height="1220" alt=""></div> - -<p><span class="pagenum" id="Page_192">192</span></p> - -<p id="t_192" class="drop-cap"><span class="firstword b">RUINS</span> OF BAALBEK, SYRIA. Baalbek,—the city of Baal or the Sun, -the Heliopolis of the Greeks, once famous as the most magnificent of -Syrian cities, which passed successively under the rule of the Persians, -Greeks and Romans, was plundered by the Arabs in A. D. 639, by the -Christians and others during the Crusades, and was finally sacked and dismantled -by the Tartars, under Tamerlane.—Baalbek to-day exists only as a -mass of ruins; but its very ruins are of the utmost magnificence. The most -imposing are the remains of the Great Temple. But the most beautiful is the -Circular Temple—a semi-circular cella surrounded on the outside by eight -Corinthian columns. Within there is a double tier of smaller pillars, the -lower row being Ionic and the upper Corinthian. In modern times, and, -indeed, up to the present century, this was used as a Greek church, but it is -now deserted and choked with débris.</p> - -<div id="ip_192" class="figcenter land"><img src="images/i_193.jpg" width="1676" height="1226" alt=""></div> - -<p><span class="pagenum" id="Page_194">194</span></p> - -<p id="t_194" class="drop-cap"><span class="firstword">TAJ</span> MAHAL, AGRA, HINDOSTAN. This magnificent mausoleum is -the glory of Indo-Mussulman architecture. It was built by the Emperor -Shah Jehan for himself and his favorite wife, Nourmahal, who died in -child-birth in 1629. For twenty-two years twenty thousand men were employed -in its construction, the total cost reaching $16,000,000. Built of white -marble, it forms a quadrangle of one hundred and ninety square yards, surmounted -by a lofty dome, with smaller domes at each corner and four graceful -minarets one hundred and thirty-three feet high. The great central hall is -paved with squares of various-colored marbles, while the walls, tombs and -screens are ornamented by exquisite mosaic work. The elegance and delicacy -of the design and the elaborate perfection in every detail of the workmanship -are alike marvelous. It seems almost like a castle built in a dream, a fabric -of mist and sunbeams, which would dissolve at a touch. Yet it has resisted -the encroachments of time and the barbarian despoiler, and has come down to -our day almost perfect.</p> - -<div id="ip_194" class="figcenter land"><img src="images/i_195.jpg" width="1677" height="1219" alt=""></div> - -<p><span class="pagenum" id="Page_196">196</span></p> - -<p id="t_196" class="drop-cap"><span class="firstword">PEARL</span> MOSQUE, AGRA, HINDOSTAN. The very name of the building -is a tribute to its beauty. It is undoubtedly the most elegant mosque -of Indian-Mahometan architecture. Although it gives the general impression -of lightness, grace, delicacy, it is by no means a small building. Externally -it is two hundred and thirty-five feet east and west by one hundred -and ninety feet north and south. The court yard is one hundred and fifty-five -feet square. The mass is also considerable, as the whole is raised on a -terrace of artificial construction, by the aid of which it stands well out from -the surrounding buildings. Its chief beauty consists in its court yard, which -is wholly of white marble from the pavement to the summit of its domes. The -interior is a bewildering maze of columns of exquisite proportions.</p> - -<div id="ip_196" class="figcenter land"><img src="images/i_197.jpg" width="1675" height="1230" alt=""></div> - -<p><span class="pagenum" id="Page_198">198</span></p> - -<p id="t_198" class="drop-cap"><span class="firstword">EL</span> CAPITAN, YOSEMITE VALLEY, CALIFORNIA. The Yosemite -Valley is one of the most marvelous natural parks in the world. -About nine miles in length and from three-quarters of a mile to a mile -and a quarter in width, it is sunk almost a mile below the level of the surrounding -country. High granite walls rise sheer and inaccessible on each side. -Cataracts of the wildest and strangest beauty abound. Flowers of every hue -cover the ground. Where all is wonderful it might seem hard to select. Yet -by common consent the surpassing feature of the valley scenery is the great -cliff, known as El Capitan or The Captain. “It is doubtful,” says Professor -J. D. Whitney, “if anywhere in the world there is presented so squarely cut, -so lofty and so imposing a face of rock.” Not indeed that it is the highest of -the gigantic brotherhood. Its three thousand three hundred feet are exceeded -in its own vicinity by over thousands of feet. But no other rock, here or elsewhere, -has so majestic and awe-compelling a presence.</p> - -<div id="ip_198" class="figcenter land"><img src="images/i_199.jpg" width="1680" height="1219" alt=""></div> - -<p><span class="pagenum" id="Page_200">200</span></p> - -<p id="t_200" class="drop-cap"><span class="firstword b">BIG</span> TREES, CALIFORNIA. Rigid scientists call these trees <i>Sequoia -gigantea</i>. In England they are sometimes known as Wellingtonia, in -America as Washingtonia. But the pride of science and of patriotism -have had to bow to the will of the populace, which has been satisfied with the -simpler and therefore more energetic title of Big Trees. They are confined to -the western portion of the California range, occurring in detached groups or -groves at an altitude of from four thousand to five thousand feet above the -sea. Some of these vast vegetable columns are upwards of thirty feet in -diameter, and from three to four hundred feet in height. One of the trees in -the Mariposa Grove, represented in the accompanying engraving—some -twenty-five feet in diameter—stands directly arching the roadway, and a miniature -tunnel has been cut through it which admits of the passage of a four-horse -stage coach.</p> - -<div id="ip_200" class="figcenter land"><img src="images/i_201.jpg" width="1679" height="1217" alt=""></div> - -<p><span class="pagenum" id="Page_202">202</span></p> - -<p id="t_202" class="drop-cap"><span class="firstword">GEYSERS,</span> YELLOWSTONE PARK, WYOMING. The Geyser region -in the Yellowstone occupies some thirty square miles. Within this comparatively -limited area is a most stupendous exhibition of hot springs, -water geysers, mud geysers and steaming caldrons of boiling water. No two -of the geysers are alike. The Grotto simply churns and makes a great noise. -The others go off at various intervals; some every hour, some all the time -and some once a month; some on alternate days, yet the day they are active -going over ninety minutes. Nor is their style of action the same. Some play -with labored pumping, others throw an unbroken stream; some wear themselves -out in a continuous effort, others subside only to recommence again -repeatedly. An eruption may extend from two to twenty minutes, the approximate -time occupied by the Grand, or even to one hour and twenty minutes, a -period that the Giant has been timed to play. The Grand is the largest -geyser in the world, shooting a vast column of water over two hundred feet -into the air.</p> - -<div id="ip_202" class="figcenter land"><img src="images/i_203.jpg" width="1675" height="1219" alt=""></div> - -<p><span class="pagenum" id="Page_204">204</span></p> - -<p id="t_204" class="drop-cap"><span class="firstword">GRAND</span> CANON, YELLOWSTONE PARK. The Yellowstone Park -is one of the great natural marvels of the world. Within a compass of -one hundred square miles there are here gathered the loveliest valleys, -the grandest canons, the most marvelous mountains, lakes, rivers, springs and -cascades. In addition there are all sorts of natural phenomena: Sulphur -mountains, a mud volcano, petrified forests and over ten thousand active -geysers, hot springs, salfataras and boiling pools. Greatest of all the sights is -the Grand Canon, a ravine varying in depth from one thousand to two thousand -feet. The shelving sides of precipitous crags slope down, presenting an -endless variety of form and color, until they meet at the bed of the Yellowstone -River, which flings itself impetuously along to meet the lake. “A great gulch -let down into the eternities,” such is the opinion of De Witt Talmage on this -miracle of nature.</p> - -<div id="ip_204" class="figcenter land"><img src="images/i_205.jpg" width="1677" height="1217" alt=""></div> - -<p><span class="pagenum" id="Page_206">206</span></p> - -<p id="t_206" class="drop-cap"><span class="firstword">CLIFF-DWELLINGS,</span> NEW MEXICO. Cliff-dwellers is the name given -to more or less savage people in the past who inhabited dwellings built -on projections from the face of cliffs, or cut out of the solid rock. Sometimes -the houses are four stories high, and divided into many rooms. Often -they are not to be distinguished from the rest of the cliff. Such dwellings are -found in various parts of the world, but nowhere are they so abundant and so -interesting as in Arizona, New Mexico and California. It is generally supposed -that the American cliff-dwellers were the ancestors of the Pueblo Indians. -In some respects the cliff-dweller appears to have been better off than his -modern descendants; the canon walls sheltered him from cyclones and the -overhanging shelves of rock protected him from attack from above. A series -of cliff villages, lining the walls of Walnut Canon, in Northeastern Arizona, -for a length of five miles, was discovered in 1884.</p> - -<div id="ip_206" class="figcenter land"><img src="images/i_207.jpg" width="1546" height="945" alt=""></div> - -<p><span class="pagenum" id="Page_208">208</span></p> - -<p id="t_208" class="drop-cap"><span class="firstword">MASONIC</span> TEMPLE, CHICAGO. For a long time it was held that -Philadelphia had the finest Masonic Temple in the world. Now that -honor belongs to Chicago. But it has only belonged to it since 1890, -when the gorgeous new building was begun at the corner of State and Randolph -Streets. The site measures one hundred and seventy feet on State Street -and by one hundred and fourteen on Randolph. Every inch of this space is -covered by the building, whose twenty stories tower up to the height of two -hundred and sixty-five feet. It rests on cement and iron foundations, and its -superstructure is of steel. The first three stories are faced with red granite -from Wisconsin, the remainder with gray brick that is indistinguishable from -the granite. An immense granite arch in the centre of the State Street front -forms the entrance, and opens into an interior court, faced from bottom to top -with different colored marble. The first eleven stories are fitted up for shops, -from the eleventh to the sixteenth inclusive are business offices, while above the -sixteenth floor everything is devoted to Masonry.</p> - -<div id="ip_208" class="figcenter port"><img src="images/i_209.jpg" width="1213" height="1673" alt=""></div> - -<p><span class="pagenum" id="Page_210">210</span></p> - -<p id="t_210" class="drop-cap"><span class="firstword">NIAGARA</span> FALLS. The most stupendous cataract in the world is that -formed in the Niagara River, four miles below Grand Island. Here -the current begins to grow narrow and develops into rapids, which -continue for about a mile, with a descent of fifty-two feet, until the river -plunges over a mighty chasm. Goat Island, at the very verge of the cataract, -divides it into two sheets of water—the Horse-shoe, or Canadian fall, with a -descent of one hundred and fifty-eight feet, and a width of about twenty-six -hundred and forty; and the American fall, one hundred and sixty-two to one -hundred and sixty-nine feet deep, and about one thousand wide. The volume -of water thus precipitated is about fifteen million cubic feet a minute. Nearly -nine-tenths of this passes over the Canadian fall. For some distance below -the Falls there is still water, the mass which has hurled itself into the abyss -sinking and only reappearing two miles below, where the whirlpool rapids -begin.</p> - -<div id="ip_210" class="figcenter port"><img src="images/i_211.jpg" width="1221" height="1650" alt=""></div> - -<p><span class="pagenum" id="Page_212">212</span></p> - -<p id="t_212" class="drop-cap"><span class="firstword">THE</span> THOUSAND ISLANDS, CANADA. This, the largest group of -river islands in the world, lies in an expansion of the River St. Lawrence -at its emergence from Lake Ontario. New York State is on one -side and the Province of Ontario, Canada, on the other. The name is not an -exaggeration. On the contrary, the group consists of about fifteen hundred -rocky islands, remarkable for their great and varied beauty. They are of all -shapes and sizes, some just peeping above the surface of the waters, others extending -several miles in length, some wild and bare and rocky, others covered -with the most luxuriant foliage. Hence, a trip through the St. Lawrence -River at this point is full of the most bewildering yet enchanting surprises.</p> - -<div id="ip_212" class="figcenter land"><img src="images/i_213.jpg" width="1669" height="1220" alt=""></div> - -<p><span class="pagenum" id="Page_214">214</span></p> - -<p id="t_214" class="drop-cap"><span class="firstword">VICTORIA</span> BRIDGE, MONTREAL, CANADA. Montreal is situated -on the south side of the island of the same name, at the confluence of -the Ottawa and the St. Lawrence Rivers. To connect it with the mainland -the Victoria Bridge was thrown across the St. Lawrence. Work was -begun in 1854. In 1860 the bridge was formally opened by the Prince of -Wales during his tour through Canada and the United States. This is one of -the greatest triumphs of engineering and architectural skill. The total length -is nearly two miles, or, to be exact, nine thousand one hundred and ninety-four -feet. It rests upon twenty-four piers and two abutments of solid masonry. -The central span is three hundred and thirty feet long.</p> - -<div id="ip_214" class="figcenter land"><img src="images/i_215.jpg" width="1671" height="1194" alt=""></div> - -<p><span class="pagenum" id="Page_216">216</span></p> - -<p id="t_216" class="drop-cap"><span class="firstword">THE</span> CAPITOL, WASHINGTON, D. C. A stately and magnificent -building devoted to both branches of Congress—the Senate and the -House of Representatives—as well as to the United States Supreme -Court and the Library of Congress. It stands upon an eminence commanding -a beautiful view of the city, and itself forms the most impressive feature in -the landscape. The centre building of freestone is flanked by two wings, -mainly of marble, and crowned by an iron dome, painted white. From the -ground to the top of the nineteen-foot Statue of Liberty, which surmounts the -dome, is three hundred and seven and a half feet; the diameter of the dome -is one hundred and thirty-five and a half feet. Thus only four domes in Europe -can surpass it: St. Peter’s at Rome, St. Paul’s in London, St. Isaac’s in St. -Petersburg, and the Invalides in Paris. The building covers an area of about -three and a half acres. Its total cost has been over $13,000,000. The corner-stone -was laid by Washington in 1792. The marble extensions were begun in -1851.</p> - -<div id="ip_216" class="figcenter land"><img src="images/i_217.jpg" width="1655" height="1220" alt=""></div> - -<p><span class="pagenum" id="Page_218">218</span></p> - -<p id="t_218" class="drop-cap"><span class="firstword">THE</span> WHITE HOUSE, WASHINGTON, D. C. As the official residence -of the President of the United States, this mansion has a unique interest. -It is not in itself, however, a pretentious or imposing structure. Yet it -has some elegance in its very democratic simplicity. Built of freestone, like -the original Capitol, and painted white like that, its color has given it its name. -The model which the architect had in view was the Palace of the Duke of -Leinster in London, and he has followed his prototype very closely. The -corner-stone was laid in 1792; the building was first occupied by President -John Adams in 1800; it was burned by the British in 1814, and restored and -re-occupied in 1818. Since that time there have been staccato clamors for a -more magnificent entourage for the chief executive officer of the United States, -but nothing further has been accomplished.</p> - -<div id="ip_218" class="figcenter land"><img src="images/i_219.jpg" width="1665" height="1222" alt=""></div> - -<p><span class="pagenum" id="Page_220">220</span></p> - -<p id="t_220" class="drop-cap"><span class="firstword">INDEPENDENCE</span> HALL, PHILADELPHIA. This plain, but substantial -brick building, which stands on Chestnut Street, Philadelphia, is -ever memorable as the birthplace of the American republic. Here the -General Assembly of Pennsylvania gave way to the Continental Congress. -Here George Washington was elected commander of the American forces -(June, 1775). And here, on July 4th, 1776, the Declaration of Independence -was adopted by Congress. Four days later it was read from before the building -to an excited and exultant multitude. The halls have been restored as -far as possible to their original condition; the east room, where the Declaration -was signed, is ornamented with portraits of the signers and the west room is a -museum of revolutionary and other relics. The famous Liberty Bell, which -was rung as a signal to the people that the Declaration had been adopted, -is now suspended under the tower in full view of the public. The building -dates from 1729–34.</p> - -<div id="ip_220" class="figcenter land"><img src="images/i_221.jpg" width="1669" height="1212" alt=""></div> - -<p><span class="pagenum" id="Page_222">222</span></p> - -<p id="t_222" class="drop-cap"><span class="firstword">THE</span> EAST RIVER BRIDGE, between New York City and Brooklyn, -more familiarly known as the Brooklyn Bridge, is a massive suspension -bridge, the largest in the world, which connects New York with Brooklyn. -Its colossal towers and ponderous cables loom up conspicuously before -the stranger who approaches New York from the riverside. Begun in 1870, it -was opened for traffic May 24th, 1883, at a total cost of $15,000,000. The -whole length of the bridge is five thousand nine hundred and eighty-nine -feet. From high water mark to the floor of the bridge is one hundred and -thirty-five feet. The central span (itself measuring one thousand five hundred -and ninety-five and a half feet) is suspended to four cables of steel wire, -each fifteen and three-quarter inches in diameter. The width of the structure -is eighty-five feet, which includes a promenade for foot passengers, two -roadways for vehicles, and two railway tracks on which run passenger cars -propelled by a stationary engine from the Brooklyn side.</p> - -<div id="ip_222" class="figcenter land"><img src="images/i_223.jpg" width="1666" height="1221" alt=""></div> - -<div class="chapter"><div class="transnote"> -<h2 class="nobreak" id="Transcribers_Notes">Transcriber’s Notes</h2> - -<p>Punctuation, hyphenation, and spelling were made -consistent when a predominant preference was found -in the original book; otherwise they were not changed.</p> - -<p>A few very simple typographical errors were corrected.</p> - -<p>This book always uses “Canon,” never “Canyon.” It -contains several likely typographical errors or -misspellings, most of which have not been changed -by the Transcribers. Some are noted below.</p> - -<p><a href="#Page_42">Page 42</a>: “mertons” was printed that way.</p> - -<p><a href="#Page_72">Page 72</a>: “Propylacum” was printed that way.</p> - -<p><a href="#Page_120">Page 120</a>: “Andulasia” was printed that way.</p> - -<p><a href="#Page_162">Page 162</a>: “Michel Angelo” was printed that way.</p> - -<p><a href="#Page_178">Page 178</a>: “sea of Marmora” was printed that way.</p> -</div></div> - -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK AROUND THE WORLD IN EIGHTY MINUTES ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. 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