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} -.x-ebookmaker div.hrtp1, .x-ebookmaker div.hrtp2 {margin-left: 40.625%; margin-right: 40.625%; width: 18.75%; } - -@media screen { - /* restore auto margins for Kindle */ - div.titlepage { - max-width: 100%; - } - div.hrdbl, div.hrtpdbla, div.hrtpdblc, div.hrtp1, - div.hrtp2 {margin-left: auto; margin-right: auto; } - div.hrdbl {width: 6em; } - div.hrtpdbla, div.hrtpdblc {width: 8em; } -} - -</style> -</head> -<body> -<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Grotesque architecture, by William Wrighte</p> -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Title: Grotesque architecture</p> -<p style='display:block; margin-left:2em; text-indent:0; margin-top:0; margin-bottom:1em;'>or, rural amusement</p> -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: William Wrighte</p> -<p style='display:block; text-indent:0; margin:1em 0'>Release Date: November 24, 2022 [eBook #69417]</p> -<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p> - <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Chris Curnow, David Wilson and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)</p> -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK GROTESQUE ARCHITECTURE ***</div> - - -<hr class="ww" > - -<div class="plate"> -<h2 class="platedesc" title=""><a id="frontis" href="#frontis"><span class="pagenum"><span - class="ns">[</span>frontispiece<span class="ns">]<br - ></span></span></a><span class="big">Frontispiece.</span></h2> -<img src="images/frontis.jpg" id="pl0" alt="extravagant landscaping under construction" > -<p><small class="floatleft"><i>A. Thornthwaite inv<sup>t</sup>.<!-- TN: abbreviation for latin "invenit" he designed --></i></small> - <small><i>Isaac Taylor ſculp.</i></small></p> - -</div> - -<div class="poetry-container"> -<div class="poetry"> -<div class="stanza"> -<div><i>Where Severn, Trent, or Thames’s Ouzy side</i></div> -<div><i>Pours the smooth Current of their easy Tide,</i></div> -<div><i>Each will require a sameneſs to the Spot,</i></div> -<div><i>For this a Cell, a Cascade or a Grot;</i></div> -<div><i>The Moſs, or gliding Streams productive Store,</i></div> -<div><i>To grace the Building on the Verdant Shore,</i></div> -<div><i>There the rough Tuscan, or the Rustic fix,</i></div> -<div><i>Or Pebbles, Shells, or calcin’d Matter mix,</i></div> -<div><i>The frozen Isicles resembled form,</i></div> -<div><i>Or Sea-green Weed your Grotto must adorn.</i></div> -</div> -<div class="right"> -<small>Art of Architecture, <i>a Poem</i>.</small> -</div><br class="ns" > -</div> -</div> - -<div class="titlepage"> - -<h1 title="Grotesque Architecture"><a id="titlepg" href="#titlepg"><span class="pagenum"><span - class="ns">[</span>title page<span class="ns">]<br - ></span></span></a><span class="big">GROTESQUE ARCHITECTURE;</span><br - ><small><small>OR,</small></small><br - ><span class="big"><i>RURAL AMUSEMENT:</i></span></h1> - -<div class="titlepagespread"><small><small>CONSISTING OF</small></small><br - ><span class="big"><b>PLANS, ELEVATIONS, AND SECTIONS,</b></span><br - ><small><small>FOR</small></small><br - >HUTS, RETREATS, SUMMER AND WINTER HERMITAGES,<br - >TERMINARIES,<br - ><small><i>CHINESE, GOTHIC, AND NATURAL GROTTOS,</i></small><br - >CASCADES, BATHS, MOSQUES, MORESQUE PAVILIONS,<br - ><small>GROTESQUE AND RUSTIC SEATS, GREEN-HOUSES, &c.</small></div> - -<p><small><small><i>Many of which may be executed with</i></small></small><br - ><span class="big"><b>Flints, Irregular Stones, Rude Branches, and<br - >Roots of Trees.</b></span></p> - -<p><small><small>THE WHOLE CONTAINING</small></small><br - ><span class="big"><b>TWENTY-EIGHT NEW DESIGNS,</b></span><br - >WITH SCALES TO EACH.</p> - -<div class="titlepagespread"><small><small>TO WHICH IS ADDED,</small></small><br - ><i>AN EXPLANATION</i>,<br - ><small>WITH THE METHOD OF EXECUTING THEM.</small></div> - -<div class="hrtpdbla"> -<div class="hrtpdblb"> - <hr > -</div> -</div> -<p><span class="big"><span class="smcap">By WILLIAM WRIGHTE, Architect.</span></span></p> -<div class="hrtpdblc"> -<div class="hrtpdbld"> -<hr > -</div> -</div> - -<p>A NEW EDITION.</p> - -<div class="hrtp1"><hr ></div> - -<div class="titlepagesmaller"> -<p>LONDON:<br - ><small><i>Printed by W. Stratford, Crown-Court, Temple-Bar; for</i></small><br - ><span class="big">J. TAYLOR,</span><br - ><small>AT THE ARCHITECTURAL LIBRARY, NO. 59, HIGH HOLBORN.</small></p> -</div> -<div class="hrtp2"><hr ></div> - -<span class="big">1815.</span> - -</div> - - -<div class="maintext"> - -<div class="h1-bookproper" title=""><a id="p3" href="#p3"><span class="pagenum"><span - class="ns"><br >[p</span>3<span class="ns">]<br - ></span></span></a><span class="big">GROTESQUE ARCHITECTURE.</span> -<div class="hrdbl"> - <hr ></div> -</div> - - -<h2 class="platedesc" title="Plate I."><a href="#plI" id="pltI">PLATE I</a>.</h2> - -<p class="newchap"><span class="dropcap">Plan</span> and elevation of a hut, to be built with trunks of -trees and irregular timber. The inside walls may be -lined with moss, and covered on the top with thatch. It is -intended to represent the primitive state of the Doric Order, -and is proper to be placed at the entrance of a wood, or on -the top of a small eminence. The dimensions are figured -on the plan.</p> - - -<h2 class="platedesc" title="Plate II."><a href="#plII" id="pltII">PLATE II</a>.</h2> - -<p>Plan and elevation of an hermetic retreat, to be composed -of roots and irregular branches of trees, cemented together -with a strong binding clay, and may be thatched or covered -with branches of trees twined round with ivy. The dimensions -are figured on the plan.</p> - - -<h2 class="platedesc" title="Plate III."><a href="#plIII" id="pltIII">PLATE III</a>.</h2> - -<p>Elevation of an hermit’s cell, with rustic seats attached, -eight feet square in the inside, which should be situated in -a rising wood near some running water, to be built partly of -large stones and trunks of trees, set round with ivy, and -lined with rushes, &c. The roof should be covered with -thatch, and the floor paved with small pebble stones or -cockle shells. The seats attached are intended to be composed -of large irregular stones, roots of <span class="nw">trees, &c.</span></p> - - -<h2 class="platedesc" title="Plate IV."><a href="#plIV" id="pltIV">PLATE IV</a>.</h2> - -<p>Plan and elevation for an hermitage, in the eastern style, -supposed to be built round a tree which supports its roof; -over the door is a tablet, with an Arabic inscription; the -roof is covered with thatch, in the Chinese taste; the inside -to be lined with billet wood and moss. It is lighted from -the lanterns above. A. should be a couch; B. C. are seats -of retirement. The dimensions are figured in the plan. The -rustic seats on the side are intended to be composed of large -rough stones and roots of pollard trees cemented together.</p> - - -<h2 class="platedesc" title="Plate V."><a id="p4" href="#p4"><span class="pagenum"><span - class="ns">[p</span>4<span class="ns">]<br - ></span></span></a><a href="#plV" id="pltV">PLATE V</a>.</h2> - -<p>Plan and elevation of a winter hermitage, intended as a -retirement from hunting, fowling, or any other winter amusement; -the walls to be built of flints or rough stones, and -lined with wood or other warm substance intermixed with -moss, and should be situated on a rising ground planted -with evergreens.</p> - - -<h2 class="platedesc" title="Plate VI."><a href="#plVI" id="pltVI">PLATE VI</a>.</h2> - -<p>Plan and elevation of a summer hermitage, designed to be -in a wilderness or thick wood; the walls to be composed of -large stones, and the ends faced with flints; the roof covered -with thatch, and an owl carved on the top; the floor should -be paved with sheeps<!-- TN: sic --> marrow-bones placed upright, or any -other pretty devices intermixed with them. A. is for a couch; -B. C. are seats of retirement.</p> - - -<h2 class="platedesc" title="Plate VII."><a href="#plVII" id="pltVII">PLATE VII</a>.</h2> - -<p>Plan and elevation of an hermitage in the Augustine style; -the front is ornamented with a portico of palm trees; in the -pediment is a scull, and a tablet with an inscription. A. A. -are passages of evergreens leading to the two circular retreats, -one of which is intended as a library, and the other -a bath; the tops of them are intended to be thatched; -b b b. are niches for seats cut in the evergreens. This design -is calculated to be built on a small verdant amphitheatre, -near a murmuring stream, and as a proper retreat from -the fatigues of a sultry day.</p> - - -<h2 class="platedesc" title="Plate VIII."><a href="#plVIII" id="pltVIII">PLATE VIII</a>.</h2> - -<p>A plan, half an elevation, and half a section, of a rural -circular hermitage, designed for an open situation near some -rivulet, planted with weeping willows, &c. The inside is -lighted by a gazebo, supported by eight trunks of trees -twined about with ivy. The dimensions are figured on the -plan.</p> - - -<h2 class="platedesc" title="Plate IX."><a href="#plIX" id="pltIX">PLATE IX</a>.</h2> - -<p>Plan, elevation, and section, of a grotto in a modern -architectonic style, ornamented with jet d’eaux, sea weeds, -looking-glass, fountains, and other grotesque decorations. -The dimensions may be known by the scale and the figures -on the plan.</p> - - -<h2 class="platedesc" title="Plate X."><a href="#plX" id="pltX">PLATE X</a>.</h2> - -<p>Plan and elevation of a Gothic grotto, with four closets -five feet square; the outside to be composed of flints and -irregular stones, and studded with small pebbles; the inside -to be ornamented with shells, ores, &c. and if built upon an -eminence, it would have a very pleasing appearance.</p> - - -<h2 class="platedesc" title="Plate XI."><a id="p5" href="#p5"><span class="pagenum"><span - class="ns">[p</span>5<span class="ns">]<br - ></span></span></a><a href="#plXI" id="pltXI">PLATE XI</a>.</h2> - -<p>Plan and elevation of an open Chinese grotto, to be placed -at the head of a grand canal, with a bath (A), and a Chinese -temple (B), attached; the arcades to be ice or frosted work; -the outside of the bath and temple to be ornamented with -beautiful shells in the Mosaic taste; the inside to be groined -over, as on the plan, and ornamented with shell-work and -other beautiful incrustations. The whole extent is <span class="nw">75 feet.</span></p> - - -<h2 class="platedesc" title="Plate XII."><a href="#plXII" id="pltXII">PLATE XII</a>.</h2> - -<p>Plan and measures to plate <a href="#plXIII">xiii</a>. and <a href="#plXIV">xiv</a>.</p> - - -<h2 class="platedesc" title="Plate XIII."><a href="#plXIII" id="pltXIII">PLATE XIII</a>.</h2> - -<p>Elevation of a Gothic grotto, with cascades and wings -attached (<i>see the plan, plate</i> <a href="#plXII">xii</a>.) The entrance is a saloon -of 20 feet square; the angles are couped with off niches, -where grotesque statues or vases should be placed. It is -intended to have a fountain in the centre, with antique figures -spouting out water; the walls should be lined with flints, -decorated with ice-work; the whole is lighted from a gazebo -on the top. A. B. are the plans of the two wings or repositories, -which are each descended to by a flight of four steps. -A. is intended to be ornamented with curious shells, gems, -coral, &c. with statues in the niches. B. is to be groined -over in the Gothic manner, with a pier in the centre to be -lined with flints, intermixed with shells, looking-glass, &c. -The groins should be incrusted with frosted work, in the -manner of dropping icicles. Both these wings are lighted -from the rose arches, as appears in the elevation; the outside -to be composed of rough stones incrusted and studded with -pebbles, shells, &c. There are placed in the recesses Gothic -figures. The situation should be in some retired copse, -shaded by an adjacent hill, near some murmuring rivulet, -where the cascades, or rather fountains, as in the design, -may be easily effected. The measures are marked on the -plan.</p> - - -<h2 class="platedesc" title="Plate XIV."><a href="#plXIV" id="pltXIV">PLATE XIV</a>.</h2> - -<p>Elevation of a rural grotto (<i>see the plan, plate</i> <a href="#plXII">xii</a>.) which -should be built of large rough stones rudely put together, so -that the building may as near as possible imitate the beautiful -appearance of nature. If the dome was to be richly ornamented -with pendentive shell and frosted work, it would -look very elegant. In the middle niche is Neptune on a -rock, pouring out water, which descends under the pavement -through an arch, and forms a running stream. The side -niches are ornamented with satyrs and other grotesque figures. -The situation should be in a morass, near some water.</p> - - -<h2 class="platedesc" title="Plate XV."><a id="p6" href="#p6"><span class="pagenum"><span - class="ns">[p</span>6<span class="ns">]<br - ></span></span></a><a href="#plXV" id="pltXV">PLATE XV</a>.</h2> - -<p>A design for a cascade or cataract of a great fall of -water, decorated with rock-work, sea lions pouring out -fountains of water; and a triton by way of embellishment, -in the centre.</p> - - -<h2 class="platedesc" title="Plate XVI."><a href="#plXVI" id="pltXVI">PLATE XVI</a>.</h2> - -<p>A design for a triumphal cascade of four falls of water. If -care is taken to erect this arch with rude and irregular flints, -&c. at the same time paying a due observance to nature, it -will have a very magnificent appearance, and look extremely -elegant; and would be a superb ornament in a -nobleman’s park where there is a great supply of water.</p> - - -<h2 class="platedesc" title="Plate XVII."><a href="#plXVII" id="pltXVII">PLATE XVII</a>.</h2> - -<p>A grotto, canal, and cascade, decorated with rock-work, -tritons, sybils, &c. pouring forth fountains of water. The -author hopes he may be indulged with observing, that he -hath with great pleasure seen a fine piece of water in the -park of the Earl of <i>Essex</i>, at <i>Cashiobury</i>, near <i>Watford</i>, -<i>Herts</i>, and flatters himself, that if the arch in this design, -on which the triton is placed, was to be executed there in -the nature of a bridge, it would have a very magnificent -and pleasing appearance.</p> - - -<h2 class="platedesc" title="Plate XVIII."><a href="#plXVIII" id="pltXVIII">PLATE XVIII</a>.</h2> - -<p>A romantic bridge, or a cascade of three sheets of water, -descending through arches of artificial rock-work, incrusted -with shells, corals, sea-weed, moss, &c. and two sea gods -lying on their oozy couch, pouring out water.</p> - - -<h2 class="platedesc" title="Plate XIX."><a href="#plXIX" id="pltXIX">PLATE XIX</a>.</h2> - -<p>Plan and elevation of a rustic seat for a garden or park, -intended to terminate a view. It would look very pretty if -it was built with flints, or irregular rude branches and roots -of trees.</p> - - -<h2 class="platedesc" title="Plate XX."><a href="#plXX" id="pltXX">PLATE XX</a>.</h2> - -<p>Plan and elevation for a grotesque or rural bath, very -proper to be built in gardens, &c. for the benefit of bathing. -It is intended to have three seats within, by way of closets, -for the convenience of dressing and undressing. If the water -in the plan be left out, it will look very pleasing as a rural -hut.</p> - - -<h2 class="platedesc" title="Plate XXI."><a href="#plXXI" id="pltXXI">PLATE XXI</a>.</h2> - -<p>Plan and elevation of a rural mosque with minarets. It -is divided into an octagon saloon, supported by eight columns, -lighted from the dome. The other apartments are four regular -small rooms or closets, which will serve for various -<a id="p7" href="#p7"><span class="pagenum"><span - class="ns">[p</span>7<span class="ns">] </span></span></a>purposes. The minarets are placed in the plan by way of -ornament, to shew the true taste of the Turkish buildings; -and the singularity of the style of architecture is such, that -will render it a very pleasing ornament, if executed in a -pleasure ground, or upon an elevated verdant amphitheatre. -It may be built of wood, and stuccoed; the inside should be -painted with various rich colours, which would have a pleasing -and elegant appearance. The dome is supported by -irregular branches of trees, well connected and cramped together. -The minarets should be solid, and the pedestals -(A. B.) should be decorated with Arabic inscriptions. For -a more intelligible and historical account of these buildings, -I must refer the reader to Dr. <i>Shaw’s</i> Account of <i>Barbary</i>, -<i>Le Brun</i> and <i>Tournefort’s</i> Voyage to the <span class="nw"><i>Levant</i>, &c.</span></p> - - -<h2 class="platedesc" title="Plate XXII."><a href="#plXXII" id="pltXXII">PLATE XXII</a>.</h2> - -<p>Plan and elevation of a circular mosque twenty feet diameter, -with four cabinets attached, eight feet square; two -of which may serve for entrances, having each a small fountain, -five feet diameter; the other two may be for the purposes -of study or use. The four minarets at the angles bring -the plan upon the square of forty feet. The cabinets, as well -as the mosque, are crowned with domes, which should be -gilt on the outside. The great dome is supported by eight -columns, over which are groined arches; an iron balustrade -runs round the outside, which may be painted blue, and -gilt; on the top of the great dome is a light cupola, supported -by eight small columns, from whence hangs a chandelier -to light the inside when required. The other decorations -may be seen in the section, plate <a href="#plXXIV">xxiv</a>.</p> - - -<h2 class="platedesc" title="Plate XXIII."><a href="#plXXIII" id="pltXXIII">PLATE XXIII</a>.</h2> - -<p>Plan and elevation for another mosque, with two minarets -attached to the body of the building, which may be executed -in brick of 14 inches thickness. The front is a portico of -four columns, in the oriental style, in the centre of which -is a fountain for sabateons; which may be seen in the section, -plate <a href="#plXXIV">xxiv</a>. The niches in the front should have Arabic -inscriptions in gold letters. The portico is covered with -three little domes, in the Turkish manner, ornamented with -crescents, &c. The inside is lighted from the circular windows -and little arches above, which support the dome. For -the interior decoration, see the section, plate <a href="#plXXIV">xxiv</a>. It -would look very beautiful if built on an open lawn, planted -round with a few cypress or other exotic trees. The dimensions -are figured on the plan.</p> - - -<h2 class="platedesc" title="Plate XXIV."><a id="p8" href="#p8"><span class="pagenum"><span - class="ns">[p</span>8<span class="ns">]<br - ></span></span></a><a href="#plXXIV" id="pltXXIV">PLATE XXIV</a>.</h2> - -<p>Sections and scales to plates <a href="#plXXII">xxii</a>. and <a href="#plXXIII">xxiii</a>.</p> - - -<h2 class="platedesc" title="Plate XXV."><a href="#plXXV" id="pltXXV">PLATE XXV</a>.</h2> - -<p>Two plans of moresque temples to plates <a href="#plXXVI">xxvi</a>. and <a href="#plXXVII">xxvii</a>. -with their proper measures.</p> - - -<h2 class="platedesc" title="Plate XXVI."><a href="#plXXVI" id="pltXXVI">PLATE XXVI</a>.</h2> - -<p>Elevation of a beautiful moresque temple (<i>see the plan, -plate</i> <a href="#plXXV">xxv</a>.) The coupled columns support an arcade of intersecting -semi-ellipses, which goes quite round the temple. -In the spandrells are Moors heads, with crescents, roses, -and stars, over which is a parapet balustrade of net or lattice-work. -The body of the temple is 20 feet diameter, -crowned with an open lantern, from whence it is lighted; -the outside of which is adorned with stars of glass of an -azure ground. On the top is a pine, which should be double -gilt; and if the outside was covered with a glossy substance, -it would have a very pleasing and magnificent appearance. -The style of architecture is a medium between the Chinese -and Gothic, having neither the levity of the former nor the -gravity of the latter. The particularities of both this and -the following design are taken from those famous remains of -barbarian antiquity, the palace of <i>Alhambra</i>, at <i>Granada</i>, -the ancient moresque mosque at <i>Cordova</i>, the old cassavee -or palace of the <i>Moorish</i> kings at <i>Mæquanez</i>; for the accounts -of which the reader is referred to <i>Willughbuy’s</i> Travels -into <i>Spain</i>, <i>Ockley’s</i> Account of South or West <i>Barbary</i>, -and <i>Shaw’s</i> Travels to the <i>Levant</i>.</p> - - -<h2 class="platedesc" title="Plate XXVII."><a href="#plXXVII" id="pltXXVII">PLATE XXVII</a>.</h2> - -<p>Elevation of a moresque pavilion (<i>see the plan, plate</i> <a href="#plXXV">xxv</a>.) -in the style of the ancient <i>Moors</i>, raised on three steps. -Over the arches are <i>Moors</i> heads and festoons. In the middle -is a circular or geometrical staircase, leading to the top, or -balustrade. It is crowned with a square cupola, mounted -with a moresque standard; and is very proper to be built on -an eminence to command an extensive view.</p> - - -<h2 class="platedesc" title="Plate XXVIII."><a href="#plXXVIII" id="pltXXVIII">PLATE XXVIII</a>.</h2> - -<p>Plan and elevation for a green-house of the grotesque -kind, faced with flints and irregular stones. The dimensions -may be found by the scale.</p> - -<div class="printer1"> -<hr > -<div class="printer2"> -<small>W. Stratford, Printer, Crown-Court, Temple-Bar.</small> -</div> -<hr > -</div> - -</div> - - - -<div class="plate"> -<p id="plI"><i>Plate 1.</i></p> -<img id="pl1" src="images/plate1.jpg" alt="A Primitive Hut." > -<p class="nopr"><small><a href="#pltI">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plII"><i>Pl. 2.</i></p> -<img id="pl2" src="images/plate2.jpg" alt="Hermetic Retreat." > -<p class="nopr"><small><a href="#pltII">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plIII"><i>Pl. 3.</i></p> -<img id="pl3" src="images/plate3.jpg" alt="Hermit’s Cell." > -<p class="nopr"><small><a href="#pltIII">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plIV"><i>Pl. 4.</i></p> -<img id="pl4" src="images/plate4.jpg" alt="Oriental Hermitage." > -<p class="nopr"><small><a href="#pltIV">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plV"><i>Pl. 5.</i></p> -<img id="pl5" src="images/plate5.jpg" alt="Winter Hermitage" > -<p class="nopr"><small><a href="#pltV">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plVI"><i>Pl. 6.</i></p> -<img id="pl6" src="images/plate6.jpg" alt="Summer Hermitage" > -<p class="nopr"><small><a href="#pltVI">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plVII"><i>Pl. 7.</i></p> -<img id="pl7" src="images/plate7.jpg" alt="Augustine Hermitage." > -<p class="nopr"><small><a href="#pltVII">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plVIII"><i>Pl. 8.</i></p> -<img id="pl8" src="images/plate8.jpg" alt="Rural Hermitage." > -<p class="nopr"><small><a href="#pltVIII">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plIX"><i>Pl. 9.</i></p> -<img id="pl9" src="images/plate9.jpg" alt="Modern Grotto." > -<p class="nopr"><small><a href="#pltIX">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plX"><i>Pl. 10.</i></p> -<img id="pl10" src="images/plate10.jpg" alt="Gothic Grotto." > -<p class="nopr"><small><a href="#pltX">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plXI"><i>Pl. 11.</i></p> -<img id="pl11" src="images/plate11.jpg" alt="Chinese Grotto." > -<p class="nopr"><small><a href="#pltXI">Description</a></small></p> -</div> - - -<div class="plate"> -<p id="plXII"><i>Pl. 12.</i></p> -<img id="pl12" src="images/plate12.jpg" alt="Plan to Plate 13. - Plan to Plate 14." > -<p class="nopr"><small><a href="#pltXII">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plXIII"><i>Pl. 13.</i></p> -<img id="pl13" src="images/plate13.jpg" alt="Gothic Grotto, with Cascades & Wings Attached." > -<p class="nopr"><small><a href="#pltXIII">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plXIV"><i>Pl. 14.</i></p> -<img id="pl14" src="images/plate14.jpg" alt="Rural Grotto." > -<p class="nopr"><small><a href="#pltXIV">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plXV"><i>Pl. 15.</i></p> -<img id="pl15" src="images/plate15.jpg" alt="A Cascade with Fountains" > -<p class="nopr"><small><a href="#pltXV">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plXVI"><i>Pl. 16.</i></p> -<img id="pl16" src="images/plate16.jpg" alt="Triumphal Cascade." > -<p class="nopr"><small><a href="#pltXVI">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plXVII"><i>Pl. 17.</i></p> -<img id="pl17" src="images/plate17.jpg" alt="Grotto, Canal, & Cascade." > -<p class="nopr"><small><a href="#pltXVII">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plXVIII"><i>Pl. 18.</i></p> -<img id="pl18" src="images/plate18.jpg" alt="Romantic Arches, with Cascades." > -<p class="nopr"><small><a href="#pltXVIII">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plXIX"><i>Pl. 19.</i></p> -<img id="pl19" src="images/plate19.jpg" alt="Rustic Seat to Terminate a View." > -<p class="nopr"><small><a href="#pltXIX">Description</a></small></p> -</div> - - - -<div class="plate"> -<p id="plXX"><i>Pl. 20.</i></p> -<img id="pl20" src="images/plate20.jpg" alt="Grotesque, or Rural Bath." > -<p class="nopr"><small><a href="#pltXX">Description</a></small></p> -</div> - - -<div class="plate"> -<p id="plXXI"><i>Pl. 21.</i></p> -<img id="pl21" src="images/plate21.jpg" alt="Rural Mosque with Minarets." > -<p class="nopr"><small><a href="#pltXXI">Description</a></small></p> -</div> - - -<div class="plate"> -<p id="plXXII"><i>Pl. 22.</i></p> -<img id="pl22" src="images/plate22.jpg" alt="Circular Mosque with Cabinets Attached." > -<p class="nopr"><small><a href="#pltXXII">Description</a></small></p> -</div> - - -<div class="plate"> -<p id="plXXIII"><i>Pl. 23.</i></p> -<img id="pl23" src="images/plate23.jpg" alt="Turkish Mosque with Minarets Attached." > -<p class="nopr"><small><a href="#pltXXIII">Description</a></small></p> -</div> - -<div class="plate"> -<p id="plXXIV"><i>Pl. 24.</i></p> -<img id="pl24" src="images/plate24.jpg" alt="Section to Plate 22. - Section to Plate 23." > -<p class="nopr"><small><a href="#pltXXIV">Description</a></small></p> -</div> - - -<div class="plate"> -<p id="plXXV"><i>Pl. 25.<!-- TN: period invisible in scan --></i></p> -<img id="pl25" src="images/plate25.jpg" alt="Plan to Plate 27. - Plan to Plate 26." > -<p class="nopr"><small><a href="#pltXXV">Description</a></small></p> -</div> - - -<div class="plate"> -<p id="plXXVI"><i>Pl. 26.</i></p> -<img id="pl26" src="images/plate26.jpg" alt="Moresque Temple." > -<p class="nopr"><small><a href="#pltXXVI">Description</a></small></p> -</div> - -<div class="plate"> -<p id="plXXVII"><i>Pl. 27.</i></p> -<img id="pl27" src="images/plate27.jpg" alt="Moresque Pavillion." > -<p class="nopr"><small><a href="#pltXXVII">Description</a></small></p> -</div> - -<div class="plate"> -<p id="plXXVIII"><i>Pl. 28.</i></p> -<img id="pl28" src="images/plate28.jpg" alt="Green-house." > -<p class="nopr"><small><a href="#pltXXVIII">Description</a></small></p> -</div> - - - -<div class="tnote"> -<h2>Transcriber’s Note</h2> - -<p>Inconsistent spelling (icicles/isicles, pavilion/pavillion) and -hyphenation (sea-weed/sea weed) retained.</p> -</div> - -<hr class="ww" > - - - - -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK GROTESQUE ARCHITECTURE ***</div> -<div style='text-align:left'> - 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