summaryrefslogtreecommitdiff
path: root/old/69177-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/69177-0.txt')
-rw-r--r--old/69177-0.txt4172
1 files changed, 0 insertions, 4172 deletions
diff --git a/old/69177-0.txt b/old/69177-0.txt
deleted file mode 100644
index 91ac18a..0000000
--- a/old/69177-0.txt
+++ /dev/null
@@ -1,4172 +0,0 @@
-The Project Gutenberg eBook of Mirth and metre, by Frank E. Smedley
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Mirth and metre
-
-Authors: Frank E. Smedley
- Edmund H. Yates
-
-Illustrator: M'Connell
-
-Release Date: October 18, 2022 [eBook #69177]
-
-Language: English
-
-Produced by: Mark C. Orton and the Online Distributed Proofreading Team
- at https://www.pgdp.net (This file was produced from images
- generously made available by The Internet Archive)
-
-*** START OF THE PROJECT GUTENBERG EBOOK MIRTH AND METRE ***
-
-
-
-
-
-
-MIRTH AND METRE.
-
-[Illustration: MAUDE ALLINGHAME.—p. 19.
-
-_Front._]
-
-[Illustration: MIRTH AND METRE—p. 80.]
-
- LONDON AND NEW YORK:
- GEORGE ROUTLEDGE & CO.
- 1855.
-
-
-
-
- MIRTH AND METRE.
-
- BY
- TWO MERRY MEN.
-
- Frank E. Smedley,
- AND
- Edmund H. Yates.
-
- “I’D RATHER HAVE A FOOL TO MAKE ME MERRY, THAN EXPERIENCE
- TO MAKE ME SAD.”—SHAKSPEARE.
-
- With Illustrations by M’Connell.
-
- LONDON:
- GEO. ROUTLEDGE & CO., FARRINGDON STREET.
- NEW YORK: 18, BEEKMAN STREET.
- 1855.
-
-
-
-
-PREFACE.
-
-
-If any one of those mysterious autocrats who “do” the reviews “on” some
-newspaper or serial shall, in his condescension, deign to inform public
-opinion what he may think about MIRTH AND METRE, that autocrat, unless
-he be in an unhoped-for state of benignity, will, doubtless, commence
-with the agreeable remark that “the work before us consists of certain
-Lays and Legends, written in paltry imitation of the productions of the
-_in_imitable Thomas Ingoldsby.”
-
-Admitting the imputation without cavil, (except at the word “paltry,”
-which _really_ is too bad, don’t you think so, dear reader?) the authors
-would inquire whether such an admission legitimately exposes them to
-hostile criticism? When the late Mr. Barham produced the “Ingoldsby
-Legends,” he, as it were, founded a new school of comic versification.
-That this is not a mere _ipse dixit_ of our own is evinced by the fact
-that, in common parlance, a man who adopts this style of composition is
-said to have written an “Ingoldsby,” as he might be said to have written
-an Epic, had he chosen that form instead.
-
-To assert that only a very small shred of Mr. Barham’s mantle has fallen
-upon any of his imitators (a fact to which none will more readily assent
-than the present writers), is simply to state that the standard we have
-proposed to ourselves is a high one, and proportionately difficult to
-attain.
-
- “_Vixere fortes ante Agamemnona_”
-
-is a fact which does not appear to have checked the energies or paralysed
-the ambition of the “king of men;” nor was Waterloo the less a great
-victory because Julius Cæsar had a few centuries before successfully
-invaded Gaul.
-
-To our thinking, however, the common sense of the matter lies (after the
-usual fashion of that inestimable quality) in a nutshell. A servile copy
-of any particular style—a hash of old ideas, or want of ideas, served up
-after the manner of some popular writer—is a bad thing, against which
-all true lovers of literature are bound to raise their voices whenever
-they meet with it; but if a young author, imbued with admiration of,
-and respect for, some man of genius who has lived before him, sees fit
-to embody his own thoughts and feelings in a form which experience has
-approved, rather than confuse himself and his readers, in his frantic
-strivings after originality, by torturing words out of their natural
-meaning, and marshalling them in a metre against which the ear rebels, we
-conceive no just canon of criticism can forbid his doing so. To which of
-these categories the Lays and Legends in this Volume are to be assigned,
-we leave it to our readers to determine.
-
- Frank E. Smedley.
- Edmund H. Yates.
-
-
-
-
-CONTENTS.
-
-
- PAGE
-
- MAUDE ALLINGHAME; A LEGEND OF HERTFORDSHIRE. BY FRANK E. SMEDLEY 1
-
- “YE RIGHT ANCIENT BALLAD OF YE COMBAT OF KING TIDRICH WITH YE
- DRAGON.” BY FRANK E. SMEDLEY 23
-
- ST. MICHAEL’S EVE. BY EDMUND H. YATES 31
-
- THE KING OF THE CATS; A RHINE LEGEND. BY EDMUND H. YATES 38
-
- THE LAPWING. BY EDMUND H. YATES 43
-
- THE ENCHANTED NET. BY FRANK E. SMEDLEY 45
-
- A FYTTE OF THE BLUES. BY FRANK E. SMEDLEY 53
-
- THE FORFEIT HAND; A LEGEND OF BRABANT. BY FRANK E. SMEDLEY 55
-
- SIR RUPERT THE RED. BY EDMUND H. YATES 71
-
- COUNT LOUIS OF TOULOUSE. BY EDMUND H. YATES 82
-
- ANNIE LYLE. BY EDMUND H. YATES 84
-
- JACK RASPER’S WAGER; OR, “NE SUTOR ULTRA CREPIDAM.” BY EDMUND
- H. YATES 86
-
- THE OVERFLOWINGS OF THE LATE PELLUCID RIVERS, ESQ. BY EDMUND
- H. YATES 94
-
-
-
-
-MIRTH AND METRE.
-
-
-
-
-MAUDE ALLINGHAME; A LEGEND OF HERTFORDSHIRE.[1]
-
-
-Part the First.
-
- There is weeping and wailing in Allinghame Hall,
- From many an eye does the tear-drop fall,
- Swollen with sorrow is many a lip,
- Many a nose is red at the tip;
- All the shutters are shut very tight,
- To keep out the wind and to keep out the light;
- While a couple of mutes,
- With very black suits,
- And extremely long faces,
- Have taken their places
- With an air of professional _esprit de corps_,
- One on each side of the great hall door.
- On the gravel beyond, in a wonderful state
- Of black velvet and feathers, a grand hearse, and eight
- Magnificent horses, the orders await
- Of a spruce undertaker,
- Who’s come from Long Acre,
- To furnish a coffin, and do the polite
- To the corpse of Sir Reginald Allinghame, Knight.
-
- The lamented deceased whose funeral arrangement
- I’ve just been describing, resembled that strange gent
- Who ventured to falsely imprison a great man,
- Viz. the Ottoman captor of noble Lord Bateman;
- For we’re told in that ballad, which makes our eyes water,
- That this terrible Turk had got one only daughter;
- And although our good knight had twice seen twins arrive, a
- Young lady named Maude was the only survivor.
- So there being no entail
- On some horrid heir-male,
- And no far-away cousin or distant relation
- To lay claim to the lands and commence litigation,
- ’Tis well known through the county, by each one and all,
- That fair Maude is the heiress of Allinghame Hall.
-
- Yes! she was very fair to view;
- Mark well that forehead’s ivory hue,
- That speaking eye, whose glance of pride
- The silken lashes scarce can hide,
- E’en when, as now, its wonted fire
- Is paled with weeping o’er her sire;
- Those scornful lips that part to show
- The pearl-like teeth in even row,
- That dimpled chin, so round and fair,
- The clusters of her raven hair,
- Whose glossy curls their shadow throw
- O’er her smooth brow and neck of snow;
- The faultless hand, the ankle small,
- The figure more than woman tall,
- And yet so graceful, sculptor’s art
- Such symmetry could ne’er impart.
- Observe her well, and then confess
- The power of female loveliness,
- And say, “Except a touch of vice
- One may descry
- About the eye,
- Rousing a Caudle-ish recollection,
- Which might perchance upon reflection
- Turn out a serious objection,
- That gal would make “a heavenly splice.”
-
- From far and wide
- On every side
- The county did many a suitor ride,
- Who, wishing to marry, determined to call
- And propose for the heiress of Allinghame Hall.
- Knights who’d gathered great fame in
- Stabbing, cutting, and maiming
- The French and their families
- At Blenheim and Ramilies,
- In promiscuous manslaughter
- T’other side of the water,
- Very eagerly sought her;
- Yet, though presents they brought her,
- And fain would have taught her
- To fancy they loved her, not one of them caught her.
- Maude received them all civilly, asked them to dine,
- Gave them capital venison, and excellent wine,
- But declared, when they popp’d, that she’d really no notion
- They’d had serious intentions—she owned their devotion
- Was excessively flattering—quite touching—in fact
- She was grieved at the part duty forced her to act;
- Still her recent bereavement—her excellent father—
- (Here she took out her handkerchief) yes, she had rather—
- Rather not (here she sobbed) say a thing so unpleasant,
- But she’d made up her mind not to marry at present.
- Might she venture to hope that she still should retain
- Their friendship?—to lose that would cause her _such_ pain.
- Would they like to take supper?—she feared etiquette,
- A thing not to be set
- At defiance by one in her sad situation,
- Having no “Maiden Aunt,” or old moral relation
- Of orthodox station,
- Whose high reputation,
- And prim notoriety,
- Should inspire society
- With a very deep sense of the strictest propriety;
- Such a relative wanting, she feared, so she said,
- Etiquette must prevent her from offering a bed;
- But the night was so fine—just the thing for a ride—
- Must they go? Well, good-bye,—and here once more she sighed;
- Then a last parting smile on the suitor she threw,
- And thus, having “let him down easy,” withdrew,
- While the lover rode home with an indistinct notion
- That somehow he’d not taken much by his motion.
-
- Young Lord Dandelion,
- An illustrious scion,
- A green sprig of nobility,
- Whose excessive gentility
- I fain would describe if I had but ability,—
- This amiable lordling, being much in the state
- I’ve described, _i. e._ going home at night rather late,
- Having got his _congé_
- (As a Frenchman would say)
- From the heiress, with whom he’d been anxious to mate,
- Is jogging along, in a low state of mind,
- When a horseman comes rapidly up from behind,
- And a voice in his ear
- Shouts in tones round and clear,
- “Ho, there! stand and deliver! your money or life!”
- While some murderous weapon, a pistol or knife,
- Held close to his head,
- As these words are being said,
- Glitters cold in the moonlight, and fills him with dread.
-
- Now I think you will own,
- That when riding alone
- On the back of a horse, be it black, white, or roan,
- Or chestnut, or bay,
- Or piebald, or grey,
- Or dun-brown (though a notion my memory crosses
- That ’tis asses are usually done brown, not horses),
- When on horseback, I say, in the dead of the night,
- Nearly dark, if not quite,
- In despite of the light
- Of the moon shining bright-
- ish—yes, not more than -ish, for the planet’s cold rays I
- ’ve been told on this night were unusually hazy—
- With no one in sight,
- To the left or the right,
- Save a well-mounted highwayman fully intent
- On obtaining your money, as Dan did his rent,
- By bullying, an odd sort of annual pleasantry
- That “Repaler” played off on the finest of peasantry;
- In so awkward a fix I should certainly say,
- By far the best way
- Is to take matters easy, and quietly pay;
- The alternative being that the robber may treat us
- To a couple of bullets by way of _quietus_;
- Thus applying our brains, if perchance we have got any,
- In this summary mode to the study of botany,
- By besprinkling the leaves, and the grass, and the flowers,
- With the source of our best intellectual powers,
- And, regardless of _habeas corpus_, creating
- A feast for the worms, which are greedily waiting
- Till such time as any gent
- Quits this frail tenement,
- And adopting a shroud as his sole outer garment,
- Becomes food for worms, slugs, and all such-like varmint.
-
- My Lord Dandelion,
- That illustrious scion,
- Not possessing the pluck of the bold hero Brian,
- (Of whom Irishmen rave till one murmurs “how true
- Is the brute’s patronymic of Brian _Bore you_”),
- Neither feeling inclined,
- Nor having a mind
- To be shot by a highwayman, merely said “Eh?
- Aw—extwemely unpleasant—aw—take it, sir, pway;”
- And without further parley his money resigned.
-
- Away! away!
- With a joyous neigh,
- Bounds the highwayman’s steed, like a colt at play;
- And a merry laugh rings loud and clear,
- On the terrified drum of his trembling ear,
- While the following words doth his lordship hear:—
- “Unlucky, my lord; unlucky, I know,
- For the money to go
- And the heiress say ‘No,’
- On the self-same day, is a terrible blow.
- When next you visit her, good my lord,
- Give THE HIGHWAYMAN’S love to fair Mistress Maude!”
- Away! away!
- On his gallant grey
- My Lord Dandelion,
- That unfortunate scion,
- Gallops as best he may;
- And as he rides he mutters low,
- “Insolent fellar, how did _he_ know?”
-
- In the stable department of Allinghame Hall
- There’s the devil to pay,
- As a body may say,
- And no assets forthcoming to answer the call;
- For the head groom, Roger,
- A knowing old codger,
- In a thundering rage,
- Which nought can assuage,
- Most excessively cross is
- With the whole stud of horses,
- While he viciously swears
- At the fillies and mares;
- He bullies the helpers, he kicks all the boys,
- Upsets innocent pails with superfluous noise;
- Very loudly doth fret and incessantly fume,
- And behaves, in a word,
- In a way most absurd,
- More befitting a madman, by far, than a groom,
- Till at length he finds vent
- For his deep discontent
- In the following soliloquy:—“I’m blest if this is
- To be stood any longer; I’ll go and tell Missis;
- If she don’t know some dodge as’ll stop this here rig,
- Vy then, dash my vig,
- This here werry morning
- I jest gives her warning,
- If I don’t I’m a Dutchman, or summut as worse is.”
- Then, after a short obligato of curses,
- Just to let off the steam, Roger dons his best clothes,
- And seeks his young mistress his griefs to disclose.
-
- “Please your Ladyship’s Honour,
- I’ve come here upon a
- Purtiklar rum business going on in the stable,
- Vich, avake as I am, I ain’t no how been able
- To get at the truth on:—the last thing each night
- I goes round all the ’orses to see as they’re right,—
- And they alvays _is_ right too, as far as I see,
- Cool, k’viet, and clean, just as ’orses should be,—
- Then, furst thing ev’ry morning agen I goes round,
- To see as the cattle is all safe and sound.
- ’Twas nigh three veeks ago, or perhaps rather more,
- Ven vun morning, as usual, I unlocks the door,—
- (Tho’ I ought to ha’ mentioned I alvays does lock it,
- And buttons the key in my right breeches pocket)—
- I opens the door, Marm, and there vas Brown Bess,
- Your ladyship’s mare, in a horribul mess;
- Reg’lar kivered all over vith sveat, foam, and lather,
- Laying down in her stall—sich a sight for a father!
- Vhile a saddle and bridle, as hung there kvite clean
- Over night, was all mud and not fit to be seen;
- And, to dock a long tale, since that day thrice a-week,
- Or four times, perhaps, more or less, so to speak,
- I’ve diskivered that thare,
- Identical mare,
- Or else the black Barb, vich, perhaps you’ll remember
- Vas brought here from over the seas last September,
- In the state I describes, as if fairies or vitches
- Had rode ’em all night over hedges and ditches;
- If this here’s to go on (and I’m sure I don’t know
- How to stop it), I tells you at vunce, I must go;
- Yes, although I’ve lived here
- A good twenty-five year,
- I am sorry to say (for I knows what your loss is)
- You must get some vun else to look arter your ’orses.”
-
- Roger’s wonderful tale
- Seemed of little avail,
- For Maude neither fainted, nor screamed, nor turned pale,
- But she signed with her finger to bid him draw near;
- And cried, “Roger, come here,
- I’ve a word for your ear;”
- Then she whispered so low
- That I really don’t know
- What it was that she said, but it seemed _apropos_
- And germane to the matter;
- For though Roger stared at her,
- With mouth wide asunder,
- Extended by wonder,
- Ere she ended, his rage appeared wholly brought under,
- Insomuch that the groom,
- When he quitted the room,
- Louted low, and exclaimed, with a grin of delight,
- “Your Ladyship’s Honour’s a gentleman quite!”
- ’Tis reported, that night, at the sign of “The Goat,”
- Roger the groom changed a £20 note.
-
-
-Part the Second.
-
- There’s a stir and confusion in Redburn town,
- And all the way up and all the way down
- The principal street,
- When the neighbours meet,
- They do nothing but chafe, and grumble, and frown,
- And sputter and mutter,
- And sentences utter,
- Such as these—“Have you heard,
- The thing that’s occurred?
- His worship the Mayor?
- Shocking affair!
- Much too bad, I declare!
- Fifty pounds, I’ve been told!
- And as much more in gold.
- Well, the villain is bold!
- Two horse pistols!—No more?
- I thought they said four.
- And so close to the town!
- I say, Gaffer Brown,
- Do tell us about it.”
- “Thus the matter fell out—it
- Was only last night that his worship the Mayor,
- Master Zachary Blair,
- Having been at St. Alban’s and sold in the fair
- Some fifteen head of cattle, a horse and a mare,
- Jogging home on his nag
- With the cash in a bag,
- Was met by a highwayman armed to the teeth,
- With a belt full of pistols and sword in its sheath,
- A murderous villain, six feet high,
- With spur on heel and boot on thigh,
- And a great black beard and a wicked eye;
- And he said to his Worship, ‘My fat little friend,
- I will thank you to lend
- Me that nice bag of gold, which no doubt you intend
- Before long to expend
- In some awfully slow way,
- Or possibly low way,
- Which I should not approve. Come, old fellow, be quick!’
- And then Master Blair heard an ominous click,
- Betokening the cocking
- Of a pistol, a shocking
- Sound, which caused him to quake,
- And shiver and shake,
- From the crown of his head to the sole of his stocking.
- So yielding himself with a touching submission
- To what he considered a vile imposition,
- He handed the bag with the tin to the highwayman,
- who took it, and saying, in rather a dry way,
- ‘Many thanks, gallant sir,’ galloped off down a bye way.”
-
- The town council has met, and his worship the Mayor,
- Master Zachary Blair,
- Having taken the chair,
- And sat in it too, which was nothing but fair,
- Did at once, then and there,
- Relate and declare,
- With a dignified air,
- And a presence most rare,
- The tale we’ve just heard, which made all men to stare,
- And indignantly swear,
- It was too bad to bear.
- Then after they’d fully discussed the affair,
- To find out the best method of setting things square,
- They agreed one and all the next night to repair,
- Upon horseback, or mare,
- To the highwayman’s lair,
- And, if he appeared, hunt him down like a hare.
-
- Over No-Man’s-Land[2] the moon shines bright,
- And the furze and the fern in its liquid light
- Glitter and gleam of a silvery white;
- The lengthened track which the cart-wheels make,
- Winds o’er the heath like a mighty snake,
- And silence o’er that lonely wold
- Doth undisputed empire hold,
- Save where the night-breeze fitfully
- Mourns like some troubled spirit’s cry;
- At the cross roads the old sign-post
- Shows dimly forth, like sheeted ghost,
- As with weird arm, extended still,
- It points the road to Leamsford Mill;
- In fact it is not
- At all a sweet spot,
- A nice situation,
- Or charming location;
- The late Robins himself, in despite his vocation,
- Would have deemed this a station
- Unworthy laudation,
- And have probably termed it “a blot on the nation.”
-
- In a lane hard by,
- Where the hedge-rows high,
- Veil with their leafy boughs the sky,
- Biding their time, sits his worship the Mayor,
- Master Zachary Blair,
- And my Lord Dandelion,
- That illustrious scion,
- And Oxley the butcher, and Doughy the baker,
- And Chisel the joiner and cabinet-maker,
- And good farmer Dacre,
- Who holds many an acre,
- And, _insuper omnes_, bold Jonathan Blaker,
- The famous thief-taker,
- Who’s been sent for from town as being more wide awaker,
- (Excuse that comparative, sure ’tis no crime
- To sacrifice grammar to such a nice rhyme,)
- And up to the dodges of fellows who take a
- Delight in being born in “stone jugs,” and then fake a-
- way all their lives long in a manner would make a
- Live Archbishop to swear, let alone any Quaker,
- Wet or dry, you can name, or a Jumper or Shaker;
- And, to add to this list, Hobbs was there, so was Dobbs,
- With several others, all more or less snobs,
- Low partys, quite willing to peril their nobs
- In highwayman catching, and such-like odd jobs,
- To obtain a few shillings, which they would term bobs.
-
- ’Tisn’t pleasant to wait
- In a fidgety state
- Of mind, at an hour we deem very late,
- When our fancies have fled
- Home to supper and bed,
- And we feel we are catching a cold in the head;
- (By the way, if this ailment should ever make you ill,
- Drop some neat sal-volatile into your gruel,
- You’ll be all right next day,
- And will probably say,
- This, by way of receipt, is a regular jewel;)
- To wait, I repeat,
- For a robber or cheat,
- On a spot he’s supposed to select for his beat,
- When said robber wont come’s the reverse of a treat.
-
- So thought the butcher, and so thought the baker,
- And so thought the joiner and cabinet-maker,
- And so thought all the rest except Jonathan Blaker;
- To him catching a thief in the dead of the night
- Presented a source of unfailing delight;
- And now as he sat
- Peering under his hat,
- He looked much like a terrier watching a rat.
-
- Hark! he hears a muffled sound;
- He slips from the saddle, his ear’s to the ground.
- Louder and clearer,
- Nearer and nearer,
- ’Tis a horse’s tramp on the soft green sward!
- He is mounted again: “Now, good my Lord,
- Now, master Mayor, mark well, if you can,
- A rider approaches, is this your man?”
-
- Ay, mark that coal-black barb that skims,
- With flowing mane and graceful limbs,
- As lightly onward o’er the lea
- As greyhound from the leash set free;
- Observe the rider’s flashing eye,
- His gallant front and bearing high;
- His slender form, which scarce appears
- Fitted to manhood’s riper years;
- The easy grace with which at need
- He checks or urges on his steed;
- Can this be one whose fame is spread
- For deeds of rapine and of dread?
-
- My Lord Dandelion
- Placed his spy-glass his eye on,
- Stared hard at the rider, and then exclaimed, “Well—ar—
- ’Tis weally _so_ dark! but I think ’tis the fellar.”
- While his worship the Mayor
- Whispered, “O, look ye there!
- That purse in his girdle, d’ye see it?—I twigged it;
- ’Tis my purse as was prigged, and the willin what prigged it!”
-
- Hurrah! hurrah!
- He’s off and away,
- Follow who can, follow who may.
- There’s hunting and chasing
- And going the pace in
- Despite of the light, which is not good for racing.
- “Hold hard! hold hard! there’s somebody spilt,
- And entirely kilt!”
- “Well, never mind,
- Leave him behind,”—
- The pace is a great deal too good to be kind.
- Follow, follow,
- O’er hill and hollow,—
- Faster, faster,
- Another disaster!
- His worship the Mayor has got stuck in a bog.
- And there let us leave him to spur and to flog,
- He’ll know better the next time,—a stupid old dog!
- “Where’s Hobbs?”
- “I don’t know.”
- “And Dobbs and the snobs?”
- “All used-up long ago.”
- “My nag’s almost blown!”
- “And mine’s got a stone
- In his shoe—I’m afraid it’s no go. Why, I say!
- That rascally highwayman’s getting away!”
-
- ’Tis true. Swift as the trackless wind,
- The gallant barb leaves all behind;
- Hackney and hunter still in vain
- Exert each nerve, each sinew strain;
- And all in vain that motley-crew
- Of horsemen still the chase pursue.
- Two by two, and one by one,
- They lag behind—’tis nearly done,
- That desperate game, that eager strife,
- That fearful race for death or life.
- Those dark trees gained that skirt the moor,
- All danger of pursuit is o’er;
- Screened by their shade from every eye,
- Escape becomes a certainty.
- Haste! for with stern, relentless will
- ONE RIDER’S ON THY TRACES STILL!
-
- ’Tis bold Jonathan Blaker who sticks to his prey
- In this somewhat unfeeling, though business-like way.
- But even he, too, is beginning to find
- That the pace is so good he’ll be soon left behind.
- He presses his horse on with hand and with heel,
- He rams in the persuaders too hard a great deal;
- ’Tis but labour in vain,
- Though he starts from the pain,
- Nought can give that stout roadster his wind back again.
- Now Jonathan Blaker had formerly been
- A soldier, and fought for his country and queen,
- Over seas, the Low Countries to wit, and while there, in
- Despite of good teaching,
- And praying and preaching,
- Had acquired a shocking bad habit of swearing;
- Thus, whenever, as now,
- The red spot on his brow
- Proved him “wrathy and riled,”
- He would not draw it mild,
- But would, sans apology, let out on such
- Occasions a torrent of very low Dutch.
- One can scarce feel surprise, then, considering the urgency
- Of the case, that he cried in the present emergency,
- “_Ach donner und blitzen_” (a taste of his lingo),
- “He’ll escape, by—” (I don’t know the German for “jingo”).
- “_Tausend teufel! sturmwetter!_
- To think I should let a
- Scamp like that get away; don’t I wish now that I’d ha’
- Drove a brace of lead pills through the horse or the rider;
- Pr’aps there’s time for it still—_Mein auge_ (my eye),
- ’Tis the only chance left, so here goes for a try.”
-
- Oh, faster spur thy flagging steed,
- Still faster,—fearful is thy need.
- Oh, heed not now his failing breath,
- Life lies before, behind thee death!
- Warning all vainly given! too late
- To shield thee from the stroke of fate.
- One glance the fierce pursuer threw,
- A pistol from his holster drew,
- Levelled and fired, the echoes still
- Prolong the sound from wood to hill;
- But ere the last vibrations die,
- A WOMAN’S shriek of agony
- Rings out beneath that midnight sky!
-
- The household sleep soundly in Allinghame Hall,
- Groom, butler, and coachman, cook, footboy, and all;
- The fat old housekeeper
- (Never was such a sleeper),
- After giving a snore,
- Which was almost a roar,
- Has just turned in her bed and begun a fresh score;
- The butler (a shocking old wine-bibbing sinner),
- Having made some mistake after yesterday’s dinner,
- As to where he should put a decanter of sherry,
- Went to bed rather merry,
- But perplexed in his mind,
- Not being able to find
- A legitimate reason
- Why at that time and season
- His _eight_-post bed chooses, whichever way he stirs,
- To present to his vision a _couple_ of testers!
- Since which, still more completely his spirits to damp,
- He’s been roused twice by nightmare and three times by cramp!
- And now he dreams some old church-bell
- Is mournfully tolling a dead man’s knell,
- And he starts in his sleep, and mutters, “Alas!
- Man’s life’s brittle as glass!
- There’s another cork flown, and the spirit escaped;
- Heigh ho!” (here he gaped),
- Then, scratching his head,
- He sat up in bed,
- For that bell goes on ringing more loud than before,
- And he knows ’tis the bell of the great hall door.
- Footman tall,
- Footboy small,
- Housekeeper, butler, coachman, and all,
- In a singular state of extreme dishabille,
- Which they each of them feel
- Disinclined to reveal,
- And yet know not very well how to conceal,
- With one accord rush to the old oak hall;
- To unfasten the door
- Takes a minute or more;
- It opens at length and discloses a sight
- Which fills them with wonder, and sorrow, and fright.
-
- The ruddy light of early dawn
- Gilds with its rays that velvet lawn;
- From every shrub and painted flower
- Dew-drops distill in silvery shower;
- Sweet perfumes load the air; the song
- Of waking birds is borne along
- Upon the bosom of the breeze
- That murmurs through the waving trees;
- The crystal brook that dances by
- Gleams in the sunlight merrily;
- All tells of joy, and love, and life—
- _All?_—Said I everything was rife
- With happiness?—Behold that form,
- Like lily broken by the storm,
- Fall’n prostrate on the steps before
- The marble threshold of the door!
- The well-turned limbs, the noble mien,
- The riding-coat of Lincoln green;
- The hat, whose plume of sable hue
- Its shadow o’er his features threw;
- Yon coal-black barb, too, panting near,
- All show some youthful cavalier;
- While, fatal evidence of strife,
- From a deep hurt the flood of life
- Proves, as its current stains the sod,
- How man defiles the work of God.
- With eager haste the servants raise
- The head, and on the features gaze,
- Then backward start in sad surprise
- As that pale face they recognise.
- Good reason theirs, although, in sooth,
- They knew but half the fatal truth;
- For, strange as doth the tale appear,
- One startling fact is all too clear,
- The robber, who on No-Man’s-Land
- Was shot by Blaker’s ruthless hand,—
- That highwayman of evil fame
- Is beauteous Maude of Allinghame!
-
-
-L’ENVOI.
-
- “Well, but that’s not the end?”
- “Yes it is, my good friend.”
- “Oh, I say!
- That wont pay;
- ’Tis a shocking bad way
- To leave off so abruptly. I wanted to hear
- A great many particulars: first, I’m not clear,
- Is the young woman killed?” “Be at rest on that head,
- She’s completely defunct, most excessively dead.
- Blaker’s shot did the business; she’d just strength to fly,
- Reached her home, rang the bell, and then sank down to die.”
- “Poor girl! really it’s horrid! However I knew it
- Could come to no good—I felt certain she’d rue it—
- But pray, why in the world did the jade go to do it?”
- “’Tis not easy to say; but at first, I suppose,
- Just by way of a freak she rode out in man’s clothes.”
- “Then her taking the money?” “A mere idiosyncrasy,
- As when, some years since, a young gent, being with drink crazy,
- Set off straight on end to the British Museum,
- And, having arrived there, transgressed all the laws
- Of good breeding, by smashing the famed Portland Vase;
- Or the shop-lifting ladies, by dozens you see ’em,
- For despising the diff’rence ’twixt tuum and meum,
- Brought before the Lord Mayor every week, in the papers.
- Why, the chief linen-drapers
- Have a man in their shops solely paid for revealing
- When they can’t keep their fair hands from picking and stealing.
- ’Twas a mere woman’s fancy, a female caprice,
- And you know at that time they’d no rural police.”
- “Hum! it _may_ have been so. Well, is that all about it?”
- “No; there’s more to be told, though I dare say you’ll doubt it-
- s being true; but the story goes on to relate,
- That, after Maude’s death, the old Hall and estate
- Were put up to auction, and Master Blair thought it
- Seemed a famous investment, bid for it and bought it,
- And fitted it up in extremely bad taste;
- But scarce had he placed
- His foot o’er the threshold,—the very first night,
- He woke up in a fright,
- Being roused from his sleep by a terrible cry
- Of ‘Fire!’—had only a minute to fly
- In his shirt, Mrs. Blair in her⸺Well, never mind,
- In the dress she had on at the time; while behind
- Followed ten little blessings, who looked very winning
- In ten little nightgowns of Irish linen;
- They’d just time to escape, when the flames, with a roar
- Like thunder, burst forth from each window and door;
- And there, with affright,
- They perceive by the light
- Maude Allinghame’s sprite—
- Her real positive ghost—no fantastic illusion
- Conceived by their brains from the smoke and confusion—
- With a hot flaming brand
- In each shadowy hand,
- Flaring up, like a fiend, in the midst of the fire,
- And exciting the flames to burn fiercer and higher.
- From what follows we learn that ghosts, spirits, and elves,
- Are the creatures of habit as well as ourselves;
- For Maude (that is, ghost Maude), when once she had done
- The trick, seemed to think it was capital fun;
- And whenever the house is rebuilt, and prepared
- For a tenant, the rooms being all well scrubbed and aired,
- The very first night the new owner arrives
- Maude’s implacable spirit still ever contrives
- Many various ways in
- To set it a blazing;
- In this way she’s done
- Both the Phœnix and Sun
- So especially brown by the fires she’s lighted,
- That now, being invited
- To grant an insurance, they always say when a nice
- Offer is made them,
- ’Tis no use to persuade them,
- If a ghost’s in the case, they wont do it at any price.”
-
-
-MORAL.
-
- And now for the moral! _Imprimis_, young heiresses,
- Don’t go riding o’ nights, and don’t rob mayors or mayoresses;
- As to robbing your suitors, allow me to say,
- On the face of the thing ’tis a scheme that won’t pay;
- Though they sigh and protest, and are dabs at love-making,
- You’ll not find one in ten
- Of these charming young men
- Can produce on occasion a purse worth your taking.
- Don’t refuse a good offer, but think ere you let a
- Chance like that slip away, _that you mayn’t get a better_.
- One more hint and I’ve done—
- If by pistol or gun
- It should e’er be your lot
- (Which I hope it may not),
- In a row to get shot,
- And the doctor’s assistance should all prove in vain,
- “When you give up the ghost, don’t resume it again.”
- If you _do_ choose to “walk” and revisit this earth
- To play tricks, let some method be mixed with your mirth.
- As to burning down houses and ruining folks,
- And flaring about like a Fire-king’s daughter,—
- Allow me to say there’s no fun in such jokes,
- ’Twould far better have been
- To have copied Undine,—
- There’s no harm in a mixture of _spirits and water_!
-
- Frank E. S.
-
-
-FOOTNOTES
-
-[1] The following legend is founded on a story current in the part of
-Herts where the scene is laid; the house was actually burnt down about
-ten years ago, having just been rendered habitable.
-
-[2] The name of a lonely common near Harpenden, formerly a favourite site
-for prize-fights.
-
-
-
-
-“YE RIGHT ANCIENT BALLAD OF YE COMBAT OF KING TIDRICH WITH YE DRAGON.”
-
-
-Ye Peroration.
-
- Hey for the march of intellect,
- The schoolmaster’s abroad,
- And still the cry is raised on high,
- Obey his mighty word!
- Where’er we go, both high and low,
- Bow down before his nod;
- And the sceptre may hide its jewelled pride,
- For our sceptre’s the birchen rod.
-
- And all “enlightened citizens” and “learned brothers” say,
- That the world was never
- One half so clever
- As it is in the present day.
- Now I deny
- This general cry;
- And will proceed to tell you why
- I’ve long since come to the conclusion,
- ’Tis all a popular delusion.
-
- I have seen many a wild-beast show,
- From the day when Messrs. Pidcock and Co.
- Were what vulgar people call all-the-go,
- To the time when society mourned for the loss
- (All felt it, but no one like poor Mr. Cross)
- Of the elephant “Chuney,” who went mad, ’tis said,
- With the pressure and pain
- He felt in his brain
- From constantly bearing a _trunk_ on his head.
-
- And I have set eye on
- That magnanimous lion,
- Brave Wallace—oh, fye on
- The brutes who could hie on
- Fierce bull-dogs to fly on
- His monarchical mane! I declare I could cry on
- The bare thought, as one weeps when one goes to see “Ion.”
-
- And lately I’ve been
- Down to Astley’s, and seen
- His wonderful elephants act; what they mean
- By their actions, I’ve not the most distant idea,
- Why they stand on their heads, why they wag their fat tails,
- Are to me hidden mysteries, “very like whales,”
- As Hamlet remarks of some cloud he is certain
- He perceives up aloft, whence they let down the curtain,
- And whither they draw up the fairies and goddesses,
- With their pretty pink legs and inadequate bodices.
-
- But of all the beasts I ever did see,
- Whether of low or of high degree,
- Despite the “schoolmaster,”
- And “going a-head faster,”
- The arts and the sciences,
- And all their appliances,
- Never an animal, chained or loose,
- As yet have I heard
- Utter one single word,
- Or so much as attempt to say “Bo!” to a goose.
- But you’ll see, if you read the next two or three pages,
- That in what people now-a-days term the dark ages,
- When the world was some thousand years younger or so,
- Beasts could talk very well; and it wasn’t thought low
- For a real live monarch his prowess to brag on,
- And bandy high words with an insolent dragon.
-
-
-Ye Right Ancient Ballad.
-
- The good King Tidrich rode from Bern[3]
- (And a funny name had he),
- His charger was bay, and he took his way
- Under the greenwood-tree;
- And ever he sang, as he rode along,
- “’Tis a very fine thing
- To be a crowned king,
- And to feel one’s right arm strong.”
-
- King Tidrich was clad in armour of proof
- (Whatever that may be)
- And his helmet shone with many a stone,
- Inserted cunningly;
- While on his shield one might behold
- A lion trying
- To set off flying,
- Emblazoned in burnished gold.
-
- King Tidrich was counting his money o’er,
- As he rode the greenwood through,
- When he was aware of a “shocking affair,”
- And a terrible “to-do;”
- Then loudly he shouted with pure delight,
- “A glorious row,
- I make mine avow;
- I’ll on, and view the fight.”
-
- And a fearful sight it was, I ween,
- As ever a king did see,
- For a dragon old, and a lion bold,
- Were striving wrathfully;
- But the monarch perceived from the very first—
- And it made him sad,
- For “a reason he had,”—
- That the lion would get the worst.
-
- When the lion saw the royal Knight,
- These were the words he said:
- “O mighty King, assistance bring,
- Or I am fairly sped;
- For the battle has been both fierce and long;
- Two days and a night
- Have I urged the fight,
- But the dragon’s unpleasantly strong.”
-
- In a kind of Low Dutch did the lion speak,
- Nor his stops did he neglect,
- But e’en in his hurry, for Lindley Murray
- Preserved a marked respect;
- And he managed his H’s according to rule:
- Full well I ween
- Must the beast have been
- Taught at some Public School.
-
- Long paused the royal hero then,
- Grave thoughts passed through his brain;
- Of his queen thought he, and his fair countrie[4]
- He never might see again;
- He thought of his warriors, that princely band,
- Of Eckhart true,
- And Helmschrot too,
- And Wolfort’s red right hand.[5]
-
- But he thought of the lion he bore on his shield,
- And he manned his noble breast,—
- “’Twixt the lion and me there is sympathy,
- And a dragon I detest;
- I must not see the lion slain;
- Both kings are we,
- In our degree,
- I of the city and he of the plain.”
-
- The first stroke that the monarch made,
- His weapon tasted blood;
- From many a scale of the dragon’s mail
- Poured forth the crimson flood.
- But when the hero struck again,
- The treacherous sword
- Forsook its lord,
- And brake in pieces twain.
-
- The dragon laid him on her back
- With a triumphant air,
- And flung the horse her jaws across,
- As a greyhound would seize a hare.
- At a fearful pace to her rocky den,
- To serve as food
- For her young brood
- Away she bore them then.
-
- They were a charming family,
- Eleven little frights,
- With deep surprise in their light-green eyes,
- And fearful appetites;
- And they wagged their tails with extreme delight,
- For to dine on King
- Is a dainty thing
- When one usually dines on Knight.
-
- Before them then the steed she threw,
- Saddle, and bridle, and crupper,
- And bade them crunch its bones for lunch,
- While they saved the king for supper;
- Saying, she must sleep ere she could sup,
- For after the fight
- With the lion and knight,
- She was thoroughly used up.
-
- A lucky chance for Tidrich:
- He sought the dark cave over,
- And soon the King did Adelring,[6]
- That famous sword, discover:
- “And was it here that Siegfried died?[7]
- That champion brave,
- Was this his grave?”
- In grief the monarch cried.
-
- “I have ridden with him in princely hosts,
- I have feasted with him in hall;
- Sword, you and I will do or die,
- But we’ll avenge his fall.”
- Against the cavern’s rocky side
- The king essayed
- The trusty blade,
- Till the flames gleamed far and wide.
-
- Up rose a youthful dragon then,
- Right pallid was his hue;
- For with fear and ire he viewed the fire
- From out the rock that flew.
- These words he to the king did say:
- “If the noise thou dost make
- Should our mother awake,
- It is thou wilt rue the day.”
-
- “Be silent, thou young viper,”
- ’Twas thus the king replied,
- “Thy mother slew Siegfried the true,
- A hero brave and tried;
- And vengeance have I vowed to take
- Upon ye all,
- Both great and small,
- For that dear warrior’s sake.”
-
- Then he aroused the dragon old,
- Attacked her with his sword,
- And a fearful fight, with strength and might
- Fought he, that noble lord.
- The dragon’s fiery breath, I ween,
- Made his cuirass stout
- Red hot throughout:
- Such a sight was never seen.
-
- Despair lent strength to the monarch then;
- A mighty stroke he made,
- Through the dragon’s neck, without a check,
- He passed his trenchant blade.
- At their mother’s fall, each little fright
- Began to yell
- Like an imp of hell,
- And nearly stunned the knight.
-
- He struck right and left with Adelring,
- That trusty sword and good,
- And in pieces small chopped each and all
- Of the dragon’s hateful brood.
- King Tidrich thus at honour’s call,
- On German land,
- With his strong right hand,
- Avenged bold Siegfried’s fall.
-
- Now ye whose spirits thrill to hear
- The trumpet-voice of fame,
- Or love to read of warrior deed,
- Remember Tidrich’s name;
- And mourn that the days of chivalry
- Are past and o’er,
- And live no more,
- Save in their glorious memory.
-
- Yet when Prince Albert rides abroad,
- Our gracious Queen may feel
- As well content, as if he went,
- Encased in plates of steel;
- Relying on the new Police,
- Those bulwarks of the State,
- That on their beat, no dragons eat
- The Prince off his own plate!
-
- Frank E. S.
-
-[Should any reader wish to learn more of the various personages here
-mentioned, we refer him to the “Illustrations of Northern Antiquities,
-from the earlier Teutonic and Scandinavian Romances,” to which we are
-indebted for our information on the subject.]
-
-
-FOOTNOTES
-
-[3] King Tidrich, Dietrich, or Theoderic, the son of Thietmar, king of
-Bern, and the fair Odilia, daughter of Essung Jarl, was, as it were,
-the central hero of that well-known, popular, and interesting work the
-“Book of Heroes,” which relates the deeds of the champions who attached
-themselves to him, and the manner in which they joined his fellowship.
-
-[4] Tidrich of Bern was also king of Aumlungaland (Italy); he espoused
-Herraud, daughter of King Drusiad, a relation of Attila.
-
-[5] These three champions were among the eleven heroes who accompanied
-Tidrich in his memorable expedition to contend against the twelve
-guardians of the Garden of Roses at Worms.
-
-[6] They had a weakness for naming swords in those days, just as in the
-nineteenth century we delight in bestowing euphonious titles on “villa
-residences,” puppy dogs, and men-of-war!
-
-[7] Sigurd, or Siegfried, son of Sigmond, king of Netherland, is the
-chief hero of the Nibelungen Lay. There are various accounts of his
-death, one of the least improbable supposes him to have been destroyed by
-a dragon.
-
-
-
-
-ST. MICHAEL’S EVE.
-
-
- I will tell to you a story, for in winter time we bore ye
- With many an ancient legend and tale of by-gone time;
- And methinks that there is in it enough to pass a minute,
- So, to add to my vain-glory, I have put it into rhyme.
-
- As I heard it you shall hear it,—by one whom I revere, it
- Was told me, as in childhood upon his knee I sat.
- It treats of days long vanished,—of the times of James the Banished,
- Of periwig and rapier, and quaint three-cornered hat.
-
- Sir Walter Ralph de Guyon, of a noble house the scion,
- Though his monarch was defeated, still held bravely to his cause,
- And foremost in the slaughter by the Boyne’s ill-fated water
- Was seen his knightly cognizance,—a bear with bloody paws.
-
- But when the fight was over, escaping under cover
- Of the darkness and confusion, to England he returned,
- As well might be expected, dispirited, dejected,
- But his rage within him smouldered, nor ever brightly burned.
-
- Save when his daughter Alice would say in playful malice,
- That she loved the gallant Orange much better than the Green;
- And that as a maid she’d tarry, till she found a chance to marry
- With one true to William, her bold king, and Mary, her good queen.
-
- Then Sir Walter’s brow would darken, and he’d mutter, “Alice, hearken!
- By _my_ child no such treason shall be spoken e’en in jest;
- And bethink you, oh, my daughter! there is one across the water
- Who shall one day have his own again, though now he’s sore distressed.”
-
- Little knew he that each even, ’twixt the hours of six and seven,
- Just below his daughter’s casement a whistle low was blown;
- And that soon as e’er it sounded through the wicket-gate she bounded,
- And was clasped in the embrace of one of bold “King William’s Own.”
-
- Ay! De Ruyter was a gentleman, and high-bred were his people;
- No chapel-going folks were they, but loved a church and steeple!
- His blood, of every good Dutch race contained a little sprinkle—
- A Knickerbocker was his sire, his aunt a Rip van Winkle;
- And so well he danced and sang, and kissed and talked so wondrous clever,
- He gave this maiden’s heart a twist, and conquered it for ever!
- And being thus a captain gay, “condemned to country quarters,”
- A favourite of his royal lord, adorned with stars and garters,
- He saw this young maid,
- As one day on parade
- He was gaily attired, all jackboots and braid.
- He stared, she but glanced,
- Her charms it enhanced;
- She passed by him quickly, he rested entranced!
- No orders he utters,
- But vacantly mutters
- (Though clamouring round him his underlings gabble hard),
- “She’s to me Eloisa; to her I’ll be Abelard!”
-
- And ever since that hour, whene’er he had the power,
- Across to bold Sir Walter’s the captain bent his path;
- At the garden-gate he met her—upon his knee he set her—
- And, vanquished by the daughter’s love, forgot the father’s wrath:
-
- Till when on the day in question, with a view to aid digestion,
- Some retainers of Sir Walter, who with their lord had dined,
- Bethought of promenading, what by Gamp is called the “garding,”
- And, during their researches, what think ye they should find?
-
- But a gallant captain kneeling, and apparently appealing,
- To a dame who to all seeming, was encouraging his suit;
- All dishevelled were her tresses by the warmth of his caresses,
- And her eye with love was _liquid_, although her voice was _mute_!
-
- “A prize! a prize!” quoth these Papist spies,—
- “A prize for our gallant lord!”
- And before poor De Ruyter awoke from surprise
- They had pinioned his arms, they had bandaged his eyes;
- And when he recovered, his first surmise
- Was “At length I am thoroughly floored!”
- For assistance he calls, but they gag him,
- And off to Sir Walter they drag him;
- While Abraham Cooper,
- A stalwart old trooper,
- Expresses a hope that they’ll “scrag” him.
- He conceives it “a pretty idea, as
- To think that these Dutch furrineerers
- Should come here a-courtin’,
- On our manors sportin’;
- A set of young winkers and leerers!”
-
- Sir Walter’s brow grew black as night,
- He doubted if he heard aright;
- “What, to _my_ daughter kneeling _here_!
- Methinks thou’rt daring, cavalier,
- To venture ’neath the gripe of one
- Whose ancient race, from sire to son,
- Has ever, e’en in face of death,
- Upheld that pure and holy faith
- By thee and thine denied!
- Or think’st thou that, to bow the knee
- And whisper words of gallantry
- To one of English blood and birth
- Were pastime meet for hour of mirth?
- God’s life! before to-morrow’s sun
- Gilds yonder wood, thy race is run;
- Nought care I for thy foreign king,
- From yon tall oak thy corpse shall swing,
- Let good or ill betide!”
-
- Away he is hurried,
- All worried and flurried,
- And locked in a chamber, dark, dirty, and small,—
- Huge barriers of iron
- The windows environ,
- And the door leads but into the banqueting-hall.
- The banqueting-hall is soon gaily lit up,
- For Sir Walter loved dearly a well-filled cup,
- And sent to invite
- Each guest that night,
- With “where you have dined, boys, why there you shall sup.”
-
- In the banqueting-hall,
- Both great and small,
- The cavalier knights, the retainers tall,
- Together are gathered—one and all.
- The red wine has flowed and taken effect
- On all, save poor Alice, who, _distraite_, deject,
- Has refused to take part in this riotous revel,
- And wished those who did with the—Father of Evil.
-
- The mirth was at its loudest, the humblest and the proudest
- Were hobnobbing together, as though the dearest friends;
- While some for wine were bawling, there were others loudly calling
- For a song,—that ancient fiction which e’er to misery tends;
-
- When Sir Walter grasped the table—rose, as well as he was able—
- And entreated for a moment that his guests would give him heed:
- “’Tis St. Michael’s Eve,—a time accursèd by a crime
- Committed by my ancestor—a ruthless, bloody deed!
-
- “For during times of danger, a sable-armoured stranger
- One night had roused the castle, and shelter had implored;
- Much gold, he said, he carried, and now too late had tarried,
- To risk the chance of robbers, or to cross the neighbouring ford.
-
- “He was shown into a bedroom, since that period called the Red Room,
- (You can see it,” said Sir Walter, “for yonder is the door;
- And there, in our safe keeping, the Dutchman now is sleeping);
- And from that room the stranger never, never issued more.
-
- “But throughout this ancient castle, each terror-stricken vassal
- Heard shriek on shriek resounding in the middle of the night;
- And with the dawn of morning would each have ‘given warning,’
- But for one little obstacle yclept the ‘feudal right.’
-
- “So no murm’ring e’er was uttered, and old Sir Brandreth muttered
- That his visitor had left him as soon as break of day;
- But one thing worth attention Sir Brandreth _didn’t_ mention,—
- He didn’t take his armour; there in the room it lay,
-
- “And there it lies at present; but each credulous old peasant
- Will tell you that upon this night the spectre walks abroad;
- ’Tis just about his hour, if he really have the power,
- We now shall see him. Heavens! he enters, by the Lord!”
-
- Bang! clash!
- With a terrible crash,
- Flies open the bedroom door,
- And out stalks a figure,
- To their eyes much bigger
- Than great Gog or Magog, more black than a nigger,
- In armour accoutred from head to heel,—
- Black rusty old armour, not polished steel.
- His vizor is down, but he takes a sight,
- Though he moves not his eyes to the left or right;
- He says not a word, but he walks straight on,
- The hall door opes at his step! he’s gone!
- He clanks ’cross the court-yard, and enters the stable;
- His footsteps are heard by the guests ’neath the table,
- For there they have hidden them every one.
-
- There, shivering and shaking, they waited till the breaking
- Of the daylight showed the power of all ghosts was at an end;
- Then one by one uprising, declared it was surprising
- That, overcome by liquor, each had dropped down by his friend;
-
- Till the heart of each was lightened by finding that as frightened
- As he himself were all by the spiritual sight;
- But their courage and their strength coming back to them at length,
- They hasten to the prisoner’s room, and find it—vacant quite!
-
- Yes! De Ruyter had departed! for while lying all downhearted,
- And thinking of poor Alice, he remembered just in time
- The spectre-walking legend—he had heard it from a “peagant”
- (Excuse the Gampism, reader, but I use it for the rhyme);
-
- And on the instant bright’ning, he proceeded, quick as lightning,
- To dress him in the armour which the sable knight had left;
- And he listened to the host, till, at mention of the ghost,
- He burst upon the drinkers, of their senses nigh bereft.
-
- He called Alice to the stable; then, as fast as he was able,
- Galloped off towards his quarters; thence to London hastened on;
- There was married to his charmer, thence sent back the sable armour,
- And asked Sir Walter’s sanction to the good deed he had done.
-
- My tale is nearly ended. Sir Walter, much offended
- At the hoax played off upon him, would not listen for awhile;
- But regretting much his daughter, came at length to town and sought her,
- For he missed her childish prattle and her fond endearing smile.
-
- And then on this occasion a grand reconciliation
- He had with young De Ruyter—ever after they were friends.
- So having now related the tale to me as stated,
- I take my humble leave of you, and here my story ends.
-
- E. H. Y.
-
-[Illustration: ST. MICHAEL’S EVE.—p. 36.]
-
-
-
-
-THE KING OF THE CATS. A RHINE LEGEND.
-
-
- Time, midnight; scene, Rheinland; a castle of course,
- A castle of bloodshed and slaughter,
- Such a castle as barons oppressed with remorse
- Inhabit, and nightly are seen in such force
- With boots so brickdusted and voices so hoarse
- On the Surrey side o’ the water.
-
- Adolf von Lebenwurst sits in his chair,
- The firelight flickers o’er him,
- It lights up the curls of his chesnut hair,
- It plays o’er his beard and mustachios rare,
- For the sake of which latter the sex called “fair”
- Is reported to adore him.
-
- And close by his side sits his great Tom cat,
- So indolent, lazy, so sleek and fat,
- That marauding mouse and rebellious rat
- In safety keep up their revels,
- ’Neath tapestry, arras, and wainscot board,
- Till the servants declare their departed lord
- From his warm berth below must have wandered abroad
- To play hide-and-seek with the devils.
-
- And bitter blows the wind without, and fiercely drifts the rain,
- And beats, as though it entrance sought, against the window pane;
- ’Twas such a night as witches love, when on the blasted heath,
- Beneath the tree where swings the corpse, they lead the dance of death;
- ’Twas such a night as women dread, and kneeling ere they sleep,
- Implore God’s grace for husbands, sons, and brothers on the deep;
- ’Twas such a night as trav’llers hate, and seek the nearest roof,
- Distrusting Cording’s overcoats and capes of waterproof.
- And one of this last-mentioned class now gains the castle door,
- And rings the bell more loudly than it e’er was rung before,
- And passing by the warder grim, the wond’ring vassals all,
- Pursues his course with staggering step across the noble hall;
- He climbs the winding turret-stair, he reaches Adolf’s room,
- And pale as any ghost or ghoule that ever left the tomb,
- He sinks into a chair,
- With a vacant stare,
- Examines by turns all the furniture there;
- He gasps and he groans,
- And he bellows and moans,
- And he mutters of devils, Old Nick, Davey Jones,
- Till his host, who of flying begins to think,
- Is relieved by his asking for “something to drink.”
-
- “The glasses sparkle on the board,
- The wine is ruby bright,”
- The guest to sense at length restored,
- Declares himself “all right.”
- The red blood paints his cheek again, his breast no longer heaves,
- And he and Adolf o’er their wine are soon as thick as thieves.
- Together they’re laughing,
- And talking, and chaffing,
- And after each shout comes a fresh bout of quaffing,
- Till Adolf asks Kraus, so the stranger is hight,
- To give an account of the terrible fright
- From which he with him had sought refuge that night.
-
- Oh, Mr. Tennyson!
- Grant me your benison,
- You, who are fed on sack, turtle, and venison!
- Pity a rhymer,
- Child of a mimer,
- Who, of Parnassus, can scarce be called any son!
- Help me! inspire me!
- With fine thoughts fire me!
- Let me please those who so graciously hire me!
- As I try to describe the funeral rite
- Which was witnessed by Kraus on that stormy night,
- And mainly occasioned his terrible fright!
- Thus spake he, in metre sometimes used by you,
- Which is always successful, let me try it, too!
-
- “Many a morning have I wandered, strolling o’er the barren plain
- Which surrounds this noble castle, and is part of your domain;
- Many an evening have I staggered homeward o’er the blasted heath,
- Singing, ‘wont go home till morning,’ with a spirit-tainted breath;
- Many a time I’ve passed the ruined abbey hidden in the trees,
- Covered with a mouldy mantle like an ancient Schweitzer cheese,
- Joyous thoughts I always nourished! now what misery lurks beneath!
- Oh, the horrid, horrid abbey, oh, the blasted, blasted heath!
- Listen, comrade, and believe me, as I passed the spot this night,
- Suddenly the ruined abbey shone revealed one blaze of light;
- And before each sep’rate entrance stood, in either hand a torch,
- Two huge cats in mourning garments, placed as sentries in the porch!
- As I halted, half entrancéd, senses going, eye-balls dim,
- Sudden o’er my ear came wafted echoes of a mournful hymn!
- Nearer pressed I, to a window, climbed, and looking down below,
- Saw a funeral procession, marching solemnly and slow.
- Eight great cats a bier supported, on the which a dead cat lay,
- Scores of others followed after, tabbies, brindles, black, and grey;
- On the breast of the departed was there placed a regal crown,
- And his features were all placid, undisturbed by smile or frown.
- Thrice around the aisle they bore him, thrice arose a caterwaul,
- Then they covered o’er the body with a gilt-edged ratskin pall;
- Thrice arose the mournful requiem, by the echoes borne afar,
- _Ci-git notre roi Grimalkin, brave et noble roi des châts_.
- From the abbey then I hastened, flying off in dread and fear,
- Not an instant stopped or stayed I, till I found a refuge here,
- Ne’er again to cross that heather after nightfall have I vowed—
- Heavens! look! with superhuman sense another cat endowed!”
-
- ’Twas so, for scarcely had he spoke
- Than a cry of grief from the Tom cat broke,
- He wept and shrieked aloud—
- “Oh, Grimalkin, my father! my own loved sire!
- To think I should leave thee alone to expire,
- Surrounded by a hireling crowd,
- While I was slumb’ring here!
- From strangers I learn thy lamented death,
- To strangers thou yieldedst thy latest breath,
- And strangers watched thy bier!
- If repentance yet serves, behold me now
- In grief and affliction—mol row! mol row!”
-
- Thus mourned Tom his sire, when nearer and nigher
- A tramp on the stairs resounded,
- And into the room through the deep’ning gloom
- A mourning-clad tabby bounded.
- And after him there comes a train of pussies black and grey,
- From Lady Tab who acts the prude to Misses Kit at play,
- And down before great Tom they kneel,
- With many a caterwaul and squeal
- They greet him Lord and King,
- They hail him King of Tabby Land,
- They deck him with a ratskin grand,
- And a golden crown they bring—
- At once a procession is started,
- Through the great castle gate it departed,
- Not so much as a tail
- Was e’er seen, I’ll go bail,
- By Adolf, who after it darted—
-
- Such was the tale that last winter I heard
- From a beery old German, who stoutly averred
- Each word of it was veracious;
- For myself, I believe it strictly true,
- The blame of discredit I leave to you,
- If your faith be less capacious.
-
- E. H. D.
-
-
-
-
-THE LAPWING.
-
- “Far from her nest the lapwing cries away.”—SHAKESPEARE.
-
-
- “Come, write me some lines,” said my own darling Annie,
- “You say that you love me, my beauty you praise;
- And you make them by dozens for Laura or Fanny,
- While I’m deemed unworthy to shine in your lays.
-
- “From the land of the grape, to the hill of the heather,
- Each troubadour poured forth his verses of yore,
- While you, with the power to string rhyme together,
- Have ne’er penned a stanza to her you adore.”
-
- So spoke mine own Annie, and hurriedly hiding
- Her head in my bosom, the tears ’gan to flow:
- So I hastened to soothe her, her anger deriding,
- And pressed with my lips her fair forehead of snow.
-
- But no peace could be made, e’en by dint of embraces,
- Till I owned my sad error again and again;
- And when I’d dispelled sorrow’s lingering traces,
- I made my defence in the following strain:—
-
- “The lapwing, my love, is a sweet little bird,
- Well known for the care that it takes of its young;
- And if where the voice of this lapwing is heard
- You seek for its nest, you are sure to be wrong.
-
- “For by twitt’ring and screaming it seeks to beguile
- The pursuer from where its heart’s treasure is laid;
- And, were you a sage, you would see with a smile
- How the smallest of creatures call guile to their aid!
-
- “So I, full courageously, pour forth the praises
- Of Laura or Fanny, those moths of an hour,
- But you, my heart’s darling, I hide amidst mazes
- More subtle than those of Fair Rosamond’s bower.
-
- “For I own that I fear lest, by praising your charms,
- I should e’er to the smallest suspicion give rise,
- And some daring pursuer should tear from my arms
- My own darling Annie, the light of my eyes!”
-
- E. H. D.
-
-
-
-
-THE ENCHANTED NET.
-
-
- Could we only give credit to half we are told,
- There were sundry strange monsters existing of old;
- As evinced (on the _ex pede_ Herculean plan,
- Which from merely a footstep presumes the whole man)
- By our _Savans_ disturbing those very large bones,
- Which have turned (for the rhyme’s sake, perhaps) into stones,
- And have chosen to wait a
- Long while hid in _strata_,
- While old Time has been dining on empires and thrones.
- Old bones and dry bones,
- Leg-bones and thigh-bones,
- Bones of the vertebræ, bones of the tail,—
- Very like, only more so, the bones of a whale;
- Bones that were very long, bones that were very short
- (They have never as yet found a real fossil merry-thought;
- Perchance because mastodons, burly and big,
- Considered all funny-bones quite _infra dig_.)
- Skulls have they found in strange places imbedded,
- Which, at least, prove their owners were very long-headed;
- And other queer things,—which ’tis not my intention,
- Lest I weary your patience, at present to mention,—
- As I think I can prove, without further apology,
- What I said to be true, sans appeal to geology,
- That there lived in the good old days gone by
- Things unknown to our modern philosophy,
- And a giant was then no more out of the way
- Than a dwarf is now in the present day.
- Sir Eppo of Epstein was young, brave, and fair;
- Dark were the curls of his clustering hair,
- Dark the moustache that o’ershadowed his lip,
- And his glance was as keen as the sword at his hip;
- Though the enemy’s charge was like lightning’s fierce shock,
- His seat was as firm as the wave-beaten rock;
- And woe to the foeman, whom pride or mischance
- Opposed to the stroke of his conquering lance.
- He carved at the board, and he danced in the hall,
- And the ladies admired him, each one and all.
- In a word, I should say, he appears to have been
- As nice a young “ritter” as ever was seen.
-
- He could not read nor write,
- He could not spell his name,
- Towards being a clerk, Sir Eppo, his (†) mark,
- Was as near as he ever came.
- He had felt no vexation
- From multiplication;
- Never puzzled was he
- By the rule of three;
- The practice he’d had
- Did not drive him mad,
- Because it all lay
- Quite a different way.
- The Asses’ Bridge, that Bridge of Sighs,
- Had (lucky dog!) ne’er met his eyes.
- In a very few words he expressed his intention
- Once for all to decline every Latin declension,
- When persuaded to add, by the good Father Herman,
- That most classical tongue to his own native German.
- And no doubt he was right in
- Point of fact, for a knight in
- Those days was supposed to like nothing but fighting;
- And one who had learned any language that is hard
- Would have stood a good chance of being burned for a wizard.
- Education being then never pushed to the verge ye
- Now see it, was chiefly confined to the clergy.
-
- ’Twas a southerly wind and a cloudy sky,
- For aught that I know to the contrary;
- If it wasn’t, it ought to have been proper_ly_,
- As it’s certain Sir Eppo, his feather bed scorning,
- Thought that _something_ proclaimed it a fine hunting morning;
- So, pronouncing his benison
- O’er a cold haunch of venison,
- He floored the best half, drank a gallon of beer,
- And set out on the Taurus to chase the wild deer.
-
- Sir Eppo he rode through the good greenwood,
- And his bolts flew fast and free;
- He knocked over a hare, and he passed the lair
- (The tenant was out) of a grisly bear;
- He started a wolf, and he got a snap shot
- At a bounding roe, but he touched it not,
- Which caused him to mutter a naughty word
- In German, which luckily nobody heard,
- For he said it right viciously;
- And he struck his steed with his armèd heel,
- As though horse-flesh were tougher than iron or steel,
- Or anything else that’s unable to feel.
-
- What is the sound that meets his ear?
- Is it the plaint of some wounded deer?
- Is it the wild-fowl’s mournful cry,
- Or the scream of yon eagle soaring high?
- Or is it only the southern breeze
- As it sighs through the boughs of the dark pine trees?
- No Sir Eppo, be sure ’tis not any of these:
- And hark, again!
- It comes more plain—
- ’Tis a woman’s voice in grief or pain.
-
- Like an arrow from the string,
- Like a stone that leaves the sling,
- Like a railroad-train with a queen inside,
- With directors to poke and directors to guide,
- Like the rush upon deck when a vessel is sinking,
- Like (I vow I’m hard up for a simile) winking!
- In less time than by name you Jack Robinson can call,
- Sir Eppo dashed forward o’er hedge, ditch, and hollow,
- In a steeple-chase style I’d be sorry to follow,
- And found a young lady chained up by the ankle—
- Yes, chained up in a cool and business-like way,
- As if she’d been only the little dog Tray;
- While, the more to secure any knight-errant’s pity,
- She was really and truly excessively pretty.
-
- Here was a terrible state of things!
- Down from his saddle Sir Eppo springs,
- As lightly as if he were furnished with wings,
- While every plate in his armour rings.
- The words that he uttered were short and few,
- But pretty much to the purpose too,
- As sternly he asked, with lowering brow,
- “Who’s been and done it, and where is he now?”
-
- ’Twere long to tell
- Each word that fell
- From the coral lips of that demoiselle;
- However, as far as I’m able to see,
- The pith of the matter appeared to be
- That a horrible giant, twelve feet high,
- Having gazed on her charms with a covetous eye,
- Had stormed their castle, murdered papa,
- Behaved very rudely to poor dear mamma,
- Walked off with the family jewels and plate,
- And the tin and herself at a terrible rate;
- Then by way of conclusion
- To all this confusion,
- Tied her up like a dog
- To a nasty great log,
- To induce her (the brute) to become Mrs. Gog;
- That ’twas not the least use for Sir Eppo to try
- To chop off his head, or to poke out his eye,
- As he’d early in life done a bit of Achilles
- (Which, far better than taking an “Old Parr’s life-pill” is,)
- Had been dipped in the Styx, or some equally old stream,
- And might now face unharmed a battalion of Coldstream.
-
- But she’d thought of a scheme
- Which did certainly seem
- Very likely to pay—no mere vision or dream:—
- It appears that the giant each day took a nap
- For an hour (the wretch!) with his head in her lap:
- Oh, she hated it so! but then what could she do?
- Here she paused, and Sir Eppo remarked, “Very true;”
- And that during this time one might pinch, punch, or shake him,
- Or do just what one pleased, but that nothing could wake him,
- While each horse and each man in the emperor’s pay
- Would not be sufficient to move him away,
- Without magical aid, from the spot where he lay.
- In an old oak chest, in an up-stairs room
- Of poor papa’s castle, was kept an heir-loom,
- An enchanted net, made of iron links,
- Which was brought from Palestine, she thinks,
- By her great grandpapa, who had been a Crusader;
- If she had but got that, she was sure it would aid her.
- Sir Eppo, kind man,
- Approves of the plan;
- Says he’ll do all she wishes as quick as he can;
- Begs she wont fret if the time should seem long;
- Snatches a kiss, which was “pleasant but wrong;”
- Mounts, and taking a fence in good fox-hunting style,
- Sets off for her family-seat on the Weil.
- The sun went down,
- The bright stars burned,
- The morning came,
- And the knight returned;
- The net he spread
- O’er the giant’s bed,
- While Eglantine, and Hare-bell blue,
- And some nice green moss on the spot he threw;
- Lest perchance the monster alarm should take,
- And not choose to sleep from being too _wide awake_.
- Hark to that sound!
- The rocks around
- Tremble—it shakes the very ground;
- While Irmengard cries,
- As tears stream from her eyes,—
- A lady-like weakness we must not despise
- (And here, let me add, I have been much to blame,
- As I long ago ought to have mentioned her name):
- “Here he comes! now do hide yourself, dear Eppo, pray;
- For _my_ sake, I entreat you, keep out of his way.”
- Scarce had the knight
- Time to get out of sight
- Among some thick bushes, which covered him quite,
- Ere the giant appeared. Oh! he was such a fright!
- He was very square built, a good twelve feet in height,
- And his waistcoat (three yards round the waist) seemed too tight;
- While, to add even yet to all this singularity,
- He had but one eye, and his whiskers were carroty.
-
- What an anxious moment! Will he lie down?
- Ah, how their hearts beat! he seems to frown,—
- No, ’tis only an impudent fly that’s been teasing
- His _snub_lime proboscis, and set him a sneezing.
- Attish hu! attish hu!
- You brute, how I wish you
- Were but as genteel as the Irish lady,
- Dear Mrs. O’Grady,
- Who, chancing to sneeze in a noble duke’s face,
- Hoped she hadn’t been guilty of splashing his Grace.
- Now, look out. Yes, he will! No, he wont! By the powers!
- I thought he was taking alarm at the flowers;
- But it luckily seems, his gigantic invention
- Has at once set them down as a little attention
- On Irmengard’s part,—done by way of suggestion
- That she means to say “Yes,” when he next pops the question.
-
- There! he’s down! now he yawns, and in one minute more—
- I thought so, he’s safe—he’s beginning to snore;
- He is wrapped in that sleep he shall wake from no more.
- From his girdle the knight take a ponderous key;
- It fits—and once more is fair Irmengard free.
-
- From heel to head, and from head to heel,
- They wrap their prey in that net of steel,
- And they _croché_ the edges together with care,
- As you finish a purse for a fancy-fair,
- Till the last knot is tied by the diligent pair.
- At length they have ended their business laborious,
- And Eppo shouts “Bagged him, by all that is glorious!”
- No billing and cooing,
- You must up and be doing.
- Depend on’t, Sir Knight, this is no time for wooing;
- You’ll discover, unless you progress rather smarter,
- That catching a giant’s like catching a Tartar:
- He still has some thirty-five minutes to sleep.
- Close to this spot hangs a precipice steep,
- Like Shakspeare’s tall cliff which they show one at Dover;
- Drag him down to the brink, and then let him roll over;
- As they scarce make a capital crime of infanticide,
- There can’t be any harm in a little giganticide.
-
- “Pull him, and haul him! take care of his head!
- Oh, how my arms ache—he’s as heavy as lead!
- That’ll do, love—I’m sure I can move him alone,
- Though I’m certain the brute weighs a good forty stone.
- Yo! heave ho! roll him along
- (It’s exceedingly lucky the net’s pretty strong);
- Once more—that’s it—there, now, I think
- He’s done to a turn, he rests on the brink;
- At it again, and over he goes
- To furnish a feast for the hooded crows;
- Each vulture that makes the Taurus his home
- May dine upon giant for months to come.”
-
- Lives there a man so thick of head
- To whom it must in words be said,
- How Eppo did the lady wed,
- And built upon the giant’s bed
- A castle, walled and turreted?
- We will hope not; or, if there be,
- Defend us from his company!
-
- Frank E. S.
-
-[Illustration: THE ENCHANTED NET.—p. 51.]
-
-
-
-
-A FYTTE OF THE BLUES.
-
-(_Air_—“THE OLD ENGLISH GENTLEMAN.”)
-
-
- Of Woman’s rights and Woman’s wrongs we’ve heard much talk of late,
- The first seem most extensive, and the latter very great;
- And Mrs. Ellis warns men, not themselves to agitate,
- For ’neath petticoats and pinafores is hid the future fate
- Of this wondrous nineteenth century, the youngest child of Time!
-
- The Turks they had a notion, fit alone for Turks and fools,
- That womankind has no more mind than horses or than mules;
- But this idea’s exploded quite, as to your cost you’ll find
- If you intend to change or bend some stalwart female mind,
- In this Amazonian century, precocious child of Time.
-
- If by external signs you seek this strength of mind to trace,
- You’ll observe a very “powerful” expression in her face;
- The lady’s stockings will be blue, and inky be her hand,
- And her head quite full of something hard she doesn’t understand,
- Like a puzzle-pated Bluestocking, one of the modern time.
-
- And her dress will be peculiar, both in fabric and in make,
- An artistic classic tragic highly-talented mistake;
- Which is what she calls “effective,” though I’d rather not express
- The effect produced on thoughtless minds by such a style of dress,
- When worn by some awful Bluestocking, one of the modern time.
-
- She’ll talk about statistics, and ask if you’re inclined
- To join the progress movement for development of mind.
- If you inquire what that means, she’ll frown and say ’tis best
- Such matter should be understood, but never be expressed,
- By a stern suggestive Bluestocking, in this mystic modern time.
-
- She’ll converse upon æsthetics, and then refer to figures,
- And turn from Angels bright and fair, to sympathise with Niggers,
- Whom she’ll style “our sable brethren,” and pretend are martyrs quite;
- And, with Mrs. H—t B—r St—e, she’ll swear that black is white,
- Like a trans-Atlantic Bluestocking, one of the modern time.
-
- She never makes a pudding, and she never makes a shirt,
- And if she’s got some little Blues, they’re black and blue with dirt;
- When the wretched man her husband comes, though tired he may be,
- She’ll regenerate society, instead of making tea,
- Like a real strong-minded Bluestocking, the plague of the modern time.
-
-
-MORAL.
-
- The moral of my song is this, just leave all “ics” and “ologies”
- For men to exercise their brains, on platforms and in colleges;
- Let woman’s proud and honoured place be still the fireside,
- And still man’s household deities, his mother and his bride,
- In this our nineteenth century, the favoured child of Time.
-
- Frank E. S.
-
-
-
-
-THE FORFEIT HAND; A LEGEND OF BRABANT.[8]
-
-
-Fytte ye First.
-
- Geraldus the Abbot sat bolt upright,
- Bolt upright, in his great arm-chair,
- He ground his teeth, and his beard beneath
- Seemed _crêpé_ with anger every hair;
- And every hair, whether grizzled or white,
- On his head stood erect (as so often the case is,
- Whene’er fury or fear better feeling effaces).
- Thus encircling his tonsure, which same a smooth space is,
- In the desert of scalp a monastic oasis!
-
- Geraldus the Abbot his temper had lost,
- Insult had fall’n on the Prelate proud—
- Heretic hands in a blanket had tost
- Lay Brother Ludwig, one of the crowd
- Of the Abbot’s dependents, a useful and able man,
- Neither fish, flesh, nor fowl, half a friar, half stable-man.
- But this shaking his brain so completely had addled,
- That the next time Geraldus’s palfrey he saddled,
- He forgot both the girths, an important omission,
- Which occasioned a sudden and rude imposition
- On our general Mamma: (we allude to the Earth,
- Who most kindly supports us, who gave our race birth,
- And will give, when breath fails, and we cannot replace it,
- Furnished lodgings, a stone, and the motto, “_Hic jacet_.”)
- “_Hic_” did “_jacet_” Geraldus, when rashly he tried,
- Foot in stirrup, to climb to his saddle and ride;
- For the saddle turned round,
- And he came to the ground,
- With a hollow and pectoral “_woughf_” kind of sound.
- (Printing cannot express it,
- But ’twill help you to guess it,
- If you’ve ever remarked the peculiar behaviour,
- When he rams a large stone, of an Irish pavier.)
- Well, he wasn’t much hurt,
- But appeared from the dirt,
- Which adhered to his mitre and robes, to be rather
- A ghastly and horrible sight for a Father
- Confessor, who ere he thus rudely was tost
- In the mire, was got up regardless of cost.
- For this fall he vowed vengeance, and straightway on that theme a
- Writ was prepared which wound up with “Anathema!”
-
- Yolenta of Corteryke sat in her bower,
- Which was not an arbour
- Where earwigs might harbour,
- And availing themselves of some _al fresco_ tea-table,
- Lie and kick on their backs amidst everything eatable,
- But the very best room in the very best tower.
- Yolenta was young and Yolenta was fair,
- She’d extremely pink cheeks and extremely smooth hair,
- And a pair of bright eyes with so roguish a glance in ’em,
- That the spirit of mischief and fun seemed to dance in ’em;
- And a sweet little foot and a dear little hand,
- And a thorough-bred air, and a look of command,
- As noble a lady as one in the land.
-
- Yet Yolenta had “suffered;”—her little affairs
- Of the heart had gone roughly, a custom of theirs
- From time immemorial, since Helen lost Troy,
- And pious Æneas made Dido a toy
- Of the moment, then left her, a striking variety,
- In the uniform course of his orthodox piety.
- A young gent was her first love, of birth and condition,
- Whose very name, Loridon, seemed an admission
- He was formed to adore, but then what’s in a name?
- Had they christened him Jack, she’d have “loved him the same,”
- Because—mark the reason—her Pa had been rude
- To his Guv’nor, which led to a family feud.
- So the Lord Lettelhausen called up his son Loridon,
- And exclaimed, “Of all girls, to have fixed on that horrid one!
- The daughter, you scamp, of the man I detest!
- But I’ll never consent! if I do, I’ll be—blest!
- Miss Yolenta, indeed! why, my garters and stars!
- This is worse than your tricks with latch-keys and cigars!
- Now, be off to the wars, nor on any pretences,
- Show your face here again till you’ve come to your senses.”
- So _Malbrook se va-t-en guerre_,
- In a state of deep despair.
-
- Then Yolenta’s papa thought he’d best take a part in it,
- By performing the _rôle_ of the tyrant and Martinet,
- And proposed as a suitor,
- An old co-adjutor
- In many a dark deed, which no one but a brute or
- Barbarian would perpetrate, one Baron Corteryke,
- Whom he coolly informed her she certainly ought to like,
- But, whether or no, in a week’s time must marry—
- And his will being the law,
- This medieval Bashaw
- Pooh-pooh’d Ma’mselle’s suggestion of wishing to tarry,
- And so, sending to Gunter, got up, like John Parry,
- A first-rate entertainment, and vast charivari;
- But yet, after all, was unable to carry
- Out his cruel intentions, for ’twixt cup and lip
- There occurred in this case a most notable slip;
- To describe it, our metre we’ve stol’n, ’twill be seen,
- From the song of one “Jock,” who’s sirnamed Hazeldean.
-
- “The kirk was deckt at even-tide,
- The tapers glimmered fair,
- The Baron Cort’ryke sought his bride,
- And this time she _was_ there!
- She said, ‘I will,’ as if a pill
- Had stuck within her throat,
- But fortune kind was still inclined
- To grant an antidote;
-
- “For scarce beside the altar stone,
- The nuptial knot was tied,
- When some vile party, name unknown,
- Stabbed Cort’ryke in the side!
- His anguish sore, not long he bore,
- Physicians wor in vain,
- Death did consider, him and his widder,
- And eased him of his pain.”
-
- So the lovely Yolenta was “quit for the fright”
- Took the name, tin, and castle (a rare widow’s mite)
- And wondered how Loridon fared in the fight.
-
- “It was Geraldus’ serving man,
- Ludwigus he was hight,
- For fair Bettye, that damsel free,
- He sighed both day and night;
- Fair Bettye at the tapestry wrought,
- In Dame Yolenta’s bower;
- To ease the pain of this her swain,
- She lacked both will and power.
-
- “Dan Cupid, that misch_ie_vous boy,
- Ludwig to sorrow brought;
- For ogling of the fair Bettye,
- Him, Dame Yolenta caught;
- And as in true love men are still
- (As well as oysters) crossed,
- Ludwig, to cure his fantasy,
- Was in a blanket tossed.”
-
- “_Hinc illæ lachrymæ_,” thence all these woes!
- From this pitching and tossing the shindy arose!
-
- ’Tis the voice of a Herald! I heard him proclaim,
- That he carries a summons for Corteryke’s dame,
- Which sets forth how that same
- Fair lady’s to blame,
- For the high misdemeanour, the sin, and the shame,
- Of tossing a lay brother, Ludwig by name,
- In a blanket, whereby she did cut, wound, and maim,
- And maliciously injure, and wilfully lame,
- And despitefully maltreat, deride, and make game,
- And confuse, and abuse, and misuse, and defame!
- A monk of Saint Benedict,
- Which by a then edict
- Was a legal offence; so Yolenta was cited
- To appear, and show cause
- Why she’d broken the laws,
- At the next petty sessions, where she was invited
- To plead in her own proper person, and wait a
- Decree from my Lord Lettelhausen, the pater
- Of poor banished Loridon, likewise the frater
- Of the plaintiff Geraldus, an excellent hater
- Of all who opposed him, a reg’lar first-rater,
- Full of envy and malice, a real aggravator,
- Who’d have charmed Doctor Johnson, that learn’d commentator,
- Had he chanced but to live a few centuries later.
-
- The Herald he stood in the castle hall,
- Seneschal, warder, and page, were there;
- And he read his citation fair and free,
- In a baritone voice that went up to G,
- As loudly as he could bawl.
- And he cleared his throat, and he pushed back his hair
- With a negligent, nonchalant, jaunty air;
- As though he would ask of the bystanding “parties,”—
- “Pri’thee what do ye think of _me_, my hearties?”
-
- Yolenta she smiled, and Yolenta she frowned,
- And her delicate foot in a pet tapped the ground;
- And when she turned to the herald to greet him,
- The flash of her eye seemed to say she could eat him;
- Though their points curled up to the knees of his trews,
- I’d have been sorry to stand in his shoes.
- Then she answered him shortly and sweetly,—
- “Ye’re a bold man, Sir Herald, I trow—
- A bold and an insolent man, I ween;
- A scurrilous knave, I make mine avow;
- But perhaps you may find that I’m not quite so green
- As your masters imagine. You’ve done it most featly
- This time I’ll allow;
- But it struck me just now,
- When you entered my castle to kick up this row,
- You’d have fared quite as well if you’d journey’d on farther;
- I’m afraid you’ve, young man, put your foot in it—_rather!_”
- Then she signed with her hand, and six mutes in black armour,
- As by magic appeared, laid their lances in rest,
- And directed their points to the herald’s bare breast,—
- A sight which it must be confessed might alarm a
- Brave man in those very unscrupulous days,
- When a life more or less, was a mere bagatelle;
- And when sticking a porker, or stabbing a swell,
- Were alike household duties—a singular phase
- In those “sweet” Middle Ages, on which such dependence is
- Placed by young ladies with “Puseyite” tendencies.
- Howe’er this may be,
- Our herald felt he
- Had no “call” to assist in this _felo de se_;
- So straight fell on his knee,
- And exclaimed, “Don’t you see,
- Noble Countess Yolenta, this good jest at present
- Is a great deal too pointed and sharp to be pleasant?
- I humbly beg pardon,
- So pray don’t be hard on
- A penitent cove, whose name’s printed this card on.”
- Then he handed his pasteboard, gilt type, and a border,
- Stamped,
-
- +-----------------------------------+
- | DE RODON. |
- | Heraldic work furnished to order. |
- +-----------------------------------+
-
- Yolenta she smiled, and Yolenta she frowned,
- Then light rang her laugh with its silvery sound.
- “Rise, valiant De Rodon,” she mockingly cried,
- “And behold by what foemen your mettle’s been tried.”
- Then each sable spearsman his vizor unclasps,
- And six laughing girls with bright mischievous eyes,
- Poke their fun at De Rodon, who’s mute with surprise
- And disgust, while Yolenta her riding wand grasps,
- Sharply switches the recreant kneeling before her,
- And turns to depart,—
- When up with a start
- Springs De Rodon, and pallid with anger leans o’er her.
- Then hisses these words in her ear,—“Ere you smile
- Or rejoice in your stratagem, listen awhile,
- And learn that a herald discharging his duty
- Is sacred; despite of your wealth, rank, and beauty,
- For the stroke you have dealt me YOUR FAIR HAND IS FORFEIT;
- By the axe of the headsman, ere many days, off it
- Shall be hewn, and when next men to fury you goad on,
- Bear in mind the revenge of the herald De Rodon!”
-
-
-Fytte ye Second
-
- When the weather is hazy, and not the least sign in
- The clouds of their showing a silvery lining;
- When a bill’s coming due, and you’ve no chance of meeting it;
- When old Harry’s to pay, and the pitch has no heat in it;
- When you’re thinking of popping, and suddenly find
- That your inamorata’s not that way inclined;
- When you’ve published a novel, and find it don’t sell;
- When you rise from the wine cup, and don’t feel quite well;
- When some six-feet-six monster, by jealousy led,
- Suggests “satisfaction” or “punching your head;”
- When your wife’s taken cross, or the “olive-branch” sick;
- When your wardrobe’s worn out, and your tailor wont “tick;”
- When your money’s all gone, and your creditors dun for it;
- I think you’ll agree,
- That the best plan will be
- To (I speak in the language of slang) “cut and run for it.”
-
- Thus, then, reason’d Yolenta of Corteryke, but
- With this difference, she “ran” to avoid the “cut”
- Of all cuts “most unkindest” (bad grammar, you know,
- When it’s written by Shakespeare no longer is so),
- Which De Rodon had promised her, _axe_-ing her hand,
- In a manner no woman of feeling could stand
- With composure; so straightway Yolenta resolved
- To make herself scarce, which manœuvre involved
- Much domestic confusion; each man and each maid
- Requiring their wages, and board-wages, paid
- For a month in advance; while the butler grew crusty
- As his oldest port wine; and fair Bettye cried “Must I
- Be the cause of this woe—from my dear mistress sever—
- Lose my place and my perquisites! which my endeavour
- Has still been to draw mild. Well, I never did—never!”
- (Then addressing the public at large) “Did _you_ ever?”
- These arrangements concluded, Yolenta began
- Packing up—the last duty of travelling man—
- But the business of life
- To maid, widow, or wife,
- Except Ida Pfeiffer, that wonder, who can
- With umbrella and tooth-brush, reach far Yucatan,
- And, like Ariel, span
- The earth with a girdle, which some commentator
- On Shakespeare imagines must mean the Equator.
- Well, she packed up her traps in a leathern valise,
- Which contained sundry stockings, a nice new ⸺, but he’s
- No gentleman, clearly, who’d Hobbs-like, the locks
- Endeavour to pick of _so_ private a box.
- Then, by way of disguise, Dame Yolenta decided
- (Don’t be horrified, dear lady-readers, though I did
- Myself think it strange that my heroine chose
- To set out on her rambles attired in _such_ clothes),
- For convenience of trav’lling, perhaps, to assume a
- Man’s dress—not the epicene compromise, Bloomer,
- But the regular masculine _propria quæ maribus_,
- A male coat, a male waistcoat, _et ceteris paribus_,
- A gay cap and feather,
- Unfit for bad weather,—
- A sword by her side, and a fine prancing horse,
- Which she sat, I’m afraid, not “aside” but “across;”
- With one groom to attend her—
- Nought else to defend her—
- Like a “Young Lochinvar” of the feminine gender,
- The ill-fated Yolenta rode off at a canter,
- And became what the stockbrokers term “a levanter.”
-
- Now you’ll please to suppose,
- That she follow’d her nose,
- A fine aquiline organ that proudly arose,
- Filling just the right space
- On her bright sparkling face,
- Excelling, as butterfly’s better than grub,
- Those unlucky _“retroussés_” in _plain_ English, “snub,”
- Which men always pretend to, and often desire,
- But never can really and truly admire;
- She followed her nose
- To (I blush to disclose
- For it does seem so forward; but then no one knows
- The whys and the wherefores, the _cons_ and the _pros_,
- Which decide other folks; in the fair sex our trust is
- Extreme; so we’ll strive not to do her injustice.)
- For some reason unknown, then, she followed her nose
- To the camp of King Charles, in which Loridon chose
- To wear out his exile, and solace his woes,
- By assisting that monarch to conquer his foes.
-
- It were long to relate
- All the evils that Fate
- Seemed resolved to pour down on our heroine’s pate;
- How, on reaching the camp,
- She was told that a scamp
- Of a _Do_uanier, at the last town she quitted,
- Had, as usual, omitted
- To see that her passport was legally _visé’d_;
- Although, when she handed his fees to him, he said
- It was all right and proper,
- And no one would stop her;
- Which was false, for it quickly appeared by the law
- Of the strong, she was somebody’s prisoner of war;
- Next, for fear in her wrath she a breach of the peace
- Should commit, or attempt to assault the police,
- They disarmed her—laid hands on her watch, chain, and seal
- (All the very best gold, and the watch not much thicker
- Than a mod’rate sized turnip—no end of a ticker,)
- And hurried her off to the then Pentonville
- Model Prison, to wait, all forlorn and alone,
- And to “carve her name on the Newgate stone,”
- Till this terrible somebody’s pleasure was known.
-
- The unpleasant unknown was one Giles de Laval,
- A marshal of France, and a very great “pal”
- (Or paladin rather), of King Charles _le Beau_,
- (Or “_le Gros_,” or “_le Sot_,”
- Which, I really don’t know;
- But ’twas one of the three, for there’s no nation showers
- Such peculiar nicknames on its “governing powers”
- As our trusty ally Monsieur Johnny Crapaud,)
- This same Giles de Laval, then, who ruled the French host,
- And the roast, and the coast, made the most of his post;
- Dealt just as he chose
- With his friends and his foes,
- And was as autocratic, and nearly as fickle as,
- That bugbear of Europe, a certain Czar Nicholas—
- This identical Giles, for some reason he had,
- Seemed resolved that Yolenta should “go to the bad:”
- (He possessed such sharp eyes
- They pierced through her disguise
- At first sight, to her terror, and shame, and surprise),
- So he scolded her well, wouldn’t hear her confessions,
- But returned her, to answer for all her transgressions,
- To Geraldus, in time for the next quarter sessions.
-
- Unhappy Yolenta! Geraldus confined her
- In a dungeon, deep, damp, and unpleasant; behind her
- Was a ring in the wall, and some rusty old chains,
- And there lay in one corner a skull void of brains,
- And a horrid leg-bone stood upright in another,
- Which must once have belonged to “a man and a brother;”
- Then a sturdy support, now a most “unreal mockery,”
- A relic suggestively placed there to shock her eye,
- And bid her prepare for the doom that awaited her,—
- For her dinner they brought her,
- Dry bread and cold water,
- Wretched food, and by no means enlivening drink,
- (Whatever hydraulic George Cruikshank may think
- To the contrary,) then, lest they’d not aggravated her
- By this treatment, enough, the brutes next dissipated her
- Last agreeable illusion, a letter was given her,
- Signed and sealed by some friendly (?) anonymous scrivener,
- Short, not sweet, for the missive consisted of one
- Line, “_The Lord Lettelhausen’s no longer a son_,”—
- From which pleasant allusion,
- She reached the conclusion,
- That, by some vicious dodge, which she could not discover,
- De Laval had “used up” and expended her lover.
-
- Unhappy Yolenta! forsaken, heart-broken,
- She drew from her bosom a cherished love-token;
- A dark curling lock of her Loridon’s hair,
- Fix’d her eyes on it, shed o’er it tears of despair,
- Then devoured it with kisses, and dropp’d on her knees,
- To implore with deep fervour that Heaven would please
- Pardon Loridon’s sins, forgive hers, and so let her
- Rejoin, and remain with, one whom she loved better
- Far than life; then o’ercome by conflicting emotions,
- A fainting fit ended her tears and devotions.
-
- Alas! it is a cruel thing to die,
- To leave these hopes and fears, these loves and hates,
- For other, though it may be happier, fates;
- To go we know not where, we know not why!
-
- To cease to be the thing that we have been,
- To be perchance a higher, but a new,
- To leave the few we love, the chosen few,
- To quit for ever each familiar scene.
-
- To be perchance a lower, to be curst,
- For God, who’s great and merciful, is just,
- And we, alas! what are we, that we must
- By right partake the best, escape the worst?
-
- It _is_ a very bitter thing to die!
- To some it is a bitter thing to live!
- Patience and faith alone can comfort give,
- Patience and faith—the rainbows in the sky.
-
-
-Ye Last Scene of All.
-
- Gaping and yawning,
- Their feather-beds scorning,
- All the burghers of Ghent rose betimes in the morning,
- For a “shocking event”
- Was to take place in Ghent,
- And the public delighted in hangings and quarterings,
- Mutilations and tortures, and such kind of slaughterings,
- Just as much as an Anglican crowd in the present day,
- Think attending the “Manning” _finale_ a pleasant day;
- So extremely they bustled,
- Pushed, jostled, and hustled,
- Climbed up lamp-posts, (there were none!) on each rising ground
- Stood to view the procession, as slowly it wound
- Its way to the cathedral, where, at the high altar
- The condemned was “_pro se_”
- To appear, or else be
- Declared recusant, most contumacious, defaulter,
- Et cetera, et cetera, in fact, all the “bosh”
- That the law could devise, horrid stuff which wont wash,
- And yet seems to last pretty well through all ages,
- Keeps solicitors going, and provides their clerks wages.
- ’Twas a splendid and beautiful pageant, that same;
- First a body of archers and shield-bearers came;
- Then some dear little choristers, dressed all in white,
- Who each carried a _chandelle bénie_, or “child’s light,”
- Which, being blessed by the Pope, it appears to my thick head,
- Must, in spite of its wick, have no longer been _wick_ed;
- Next came Abbot Geraldus, profusely ornate
- With mitre, and crosier, and garments of state;
- Then the Herald de Rodon, in great exultation,
- Highly pleased with himself, and the whole “situation;”
- Then a servitor, bearing
- A big candle, flaring
- Up like mad, and creating a vast cloud of vapour,
- Or smoke, (which affair was a “penitent taper,”)
- On a silver “_Lavabo_,” a word which they say,
- In middle-age Latin, means simply a tray;
- And after this penitent candle there came
- Our penitent heroine, looking the same,
- And feeling—however, I’ll leave you to guess
- How the poor thing would feel in so cruel a mess.
- Then came something of which the description we’d best give
- Is, like Tennyson’s rhymes, it was “sweetly suggestive”—
- A large shield, in the centre whereof was depicted
- A hand lately severed,—the artist, addicted
- (’Twas De Rodon himself) to pre-Raphaelite rules,
- Had made the wrist “_sanglant_” with drops from it “_gules_.”
- Then directly behind this agreeable affair
- Came the city “Jack Ketch” with his horrid axe bare!
- Then more spearmen; and then rushed the crowd out of breath,
- With their eagerness all to be in at the death.
-
- Her eyes dim with despair,
- All dishevelled her hair,
- And the fair “FORFEIT HAND” with its rounded arm bare,
- With brow madly throbbing, and footsteps that falter,—
- The wretched Yolenta is led to the altar;
- While De Rodon proclaims,
- By his titles and names,
- That the Lord Lettelhausen, Grand Seigneur, and Knight
- Of some half-dozen orders, demands as his right
- The forfeited hand of the culprit Yolenta.
- Then Geraldus replies, “By the general consent, a
- Demand thus in accordance with justice and law
- Is granted. Let Lord Lettelhausen now draw
- Near the altar, and take, by the Church’s command,
- As his right and possession, the FORFEITED HAND!”
-
- A stalwart arm is round her thrown,
- Fondly the forfeit hand is pressed;
- No more forsaken and alone,
- She sinks upon a manly breast.
-
- At length the evil days are past—
- Her griefs, her trials, all are over,
- Long wept, long sought, regained at last,
- ’Tis Loridon, her own true lover.
- Whose Papa having very obligingly done
- The genteel thing, in dying exactly when one
- Would have wished him, by that means enabled his son
- To step into his shoes, just in time to disk_i_ver a
- Mode of enacting the gallant deliverer;
- As we’ve tried to rehearse
- For your pleasure in verse,
- If we’ve happened to fail,—and too clearly you know it,—
- Bear in mind that we never set up for a Poet.
-
- Frank E. S.
-
-
-FOOTNOTES
-
-[8] The facts (?) of this Legend are taken, by poetical licence, from
-“Legends of the Rhine,” by the author of “Highways and Byways.”
-
-[Illustration: THE FORFEIT HAND.—p. 60.]
-
-
-
-
-SIR RUPERT THE RED.
-
-
- Sir Rupert the Red was as gallant a knight
- As ever did battle for wrong or for right,
- As ever resented the slightest slight,
- Or broke an antagonist’s head.
- Full tall was his stature, full stalwart his frame,
- Full red was his hair, his beard was the same,
- Mustachios and whiskers—whence his name,
- His name of Sir Rupert the Red.
-
- Sir Rupert he lived in a castle old,
- Residence meet for a baron bold:
- Thick were its walls, and dark and cold
- The swift Rhine ran below them.
- Full handy to Rupert the Red was the Rhine:
- Rich travellers passing were asked to dine,
- And when he’d sufficiently hocussed their wine,
- Why—into its waters he’d throw them!
-
- But stories will spread, howe’er you may try
- To stifle Dame Rumour—and so, by-and-bye,
- He found himself shunned by all far and nigh;
- And when asked to dinner, each neighbour fought shy.
- The bell ne’er was rung, and no stranger implored
- The porter to run up, and question his lord
- If he kindly would grant a night’s shelter and board?
- No priest on Sir Rupert’s head called down a benison,
- No acquaintance sent presents of black-cock and venison.
- While his former bad temper began to grow worse,
- He would mutter and fidget—nay, stamp, foam, and curse;
- But his feelings I’ll try to describe in the verse
- Most used by our Alfred—not Bunn though, but Tennyson.
-
- Very early in the morning would he, tumbling out of bed,
- Mow his chin with wretched razor, mow and hack it till it bled;
- Then he’d curse the harmless cutler, heap upon him curses deep—
- Curse him in his hour of waking, doubly curse him in his sleep—
- Saying, “Mechi! O my Mechi! O my Mechi, mine no more,
- Whither’s fled that brilliant sharpness which thy razors had of yore,
- Ere thou quittedst Leadenhall-street, quittedst it with many a qualm—
- Ere thou soughtest rustic Tiptree, Tiptree and its model farm?
- Many a morning, by the mirror, did I pass thee o’er my beard,
- And my chin grew smooth beneath thee, of its hairy harvest cleared;
- Many an evening have I drawn thee ’cross the throats of wretched Jews,
- When they, trembling, showed their purses, stuffed for safety in their
- shoes.
- But, like mine, thy day is over—thou art blunt and I’m disgraced!
- Curses on thy maker’s projects, curses on his ‘magic paste.’”
-
- Thus he grumbled all day, from morning till night—
- No person could please him, no conduct was right—
- Till his very retainers grew furious quite,
- And determined to quit his service.
- For much afflicted was Seneschal Hans;
- While the groom from York told the cook from France
- “He warn’t going to be led such a precious dance
- In a house turned topsy-turvies.”
-
- Oh, “the castled crag of Drachenfels,”
- With its slippery sides and flowery dells,
- Is a very romantic sight for “swells”
- Who leave the squares of Belgravia,
- And during the autumn visit the Rhine,
- With courier hirsute and footman fine,
- Who are both eternally drinking wine,
- Though the last “don’t like the flaviour.”
-
- But Drachenfels was a different sight
- On a dark, tempestuous winter’s night;
- Then below it the river was foaming white,
- And above it the storm-fiend strode:
- On such a night, from his own red room,
- Sir Rupert looked out athwart the gloom
- To see what might “in the future loom,”
- Or be coming up the road.
-
- He strained his weary eye-balls, but well was he repaid
- To see a troop of travellers advancing up the glade.
- Flanked round with equerries and guards, a wealthy host they seemed,
- And Sir Rupert’s heart grew lighter, and his eye more brightly beamed;
- For many a day had passed away since he a prize had won,
- And no hand had touched his bell save that of poursuivant or dun.
-
- “Now haste ye,” he cried, “throw open the gate,
- And let the drawbridge fall;”
- Then three little pages, with hair combed straight,
- Who ever upon Sir Rupert wait,
- Ran off to the warden tall.
-
- The drawbridge falls, and the company cross,
- In number say fifty, _i. e._, man and horse.
- First comes a gay herald, all silver and blue,
- And then men in armour, who ride two and two;
- Not such Guys as are seen on the ninth of November,
- But your regular middle-age troopers, remember.
- By the way, this last rhyme
- Appertains to a time
- Much thought of in childhood, by schoolboys called “prime,”
- When young Hopeful’s small pockets
- Are emptied for rockets,
- And eyebrows are burnt, and arms torn out of sockets—
- When you’re begged (and the tyrants take care you do not)
- Ne’er to cease to remember the Gunpowder-plot.
- The herald stept forth, and he made a low bow—
- If you’ve seen Mr. Payne
- At old Drury Lane,
- In the opening part of a grand Christmas pantomime,
- Do tricks, to describe which my Muse fails for want o’ rhyme—
- Please to fancy my herald does just the same now;
- And his trumpet he blows, and his throat well he clears,
- And he twists his mustachios right up to his ears,
- Looks, as usual with speakers, in dreadful distress,
- And thus to Sir Rupert begins his address.
-
- “Sir Rupert the Red,
- To you I have sped
- From a dame with whose brother you’ve conquered and bled,
- Who, benighted by chance in this dismal locality,
- Has ventured to ask for a night’s hospitality.
- No refusal I fear
- When her name you once hear;
- Therefore learn that the dame for whom shelter I crave,
- Is Margaret, the sister of Blutwurst the Brave!”
-
- Thus spake the gay herald. Sir Rupert replied,
- “’Tis well known that my castle is never denied
- To pilgrims of all countries, nations, and hues,
- From swaggering English to gold-lending Jews;
- How great, then, my joy ’neath my roof to receive
- The sister of one
- Whom I loved as a son,
- For whose tragical end I have ne’er ceased to grieve.”
-
- Thus much to the herald. Then, turning, he said,
- “Off, Wilhelm, at once, let the banquet be spread;
- Bring up some Moselles and some red Assmanshausers.
- Fritz, lay out my doublet and new Paris trousers,
- Tell Gretchen to hasten and clear out the bedroom
- The lady will sleep in—let’s see—_not_ the red room.
- To put her in there
- Is more than I dare;
- So where shall she go, in the purple or blue?
- Oh, give her the next room to mine, number two—
- Tell Eugéne to serve his best sauces and stews,
- And take care that, as soon as the cloth is removed,
- Old Max, of whose singing I oft have approved,
- Comes up with his harp—he will serve to amuse.”
-
- The banquet is spread—
- At his table’s head,
- Decked out in gay garments, sits Rupert the Red;
- And close on his right
- Is the queen of the night,
- Fair Marg’ret, whose beauty’s completely a sight
- For a father,—aye, even for “Pater-familias,”—
- “Who of all slow papas is the veriest silly ass;
- Blue are her eyes as the clear vault of heaven,
- Pale her smooth brow, though some rose-bud has given
- Its loveliest tint to that soft cheek and lip,
- Which ’twere worth a king’s ransom once only to sip;
- While the net-work of curls in her bonny brown hair
- Has entangled a sun-beam and prisoned it there.
- And Sir Rupert admired her, and flattered, and laughed,
- And his ardour grew warmer the deeper he quaffed;
- He touched her fair fingers whene’er he was able,
- And in error pressed warmly the leg of the table;
- Till Rudolf von Gansen, a merry young spark
- (Who was given to hoaxing and “having a lark,”
- Addicted to laughing,
- And humour called “chaffing,”
- And dining, and wine-ing, and e’en half-and-half-ing,
- And gambling, and vices called “having your fling”),
- Exclaimed to Hans König (in English, Jack King),
- “By Jove, Hans, the gov’nor’s hit under the wing!”
-
- “Now come hither, old Max,” Sir Rupert cried,
- “And sing us a merry song,
- Or tell us of Siegfried’s blooming bride,
- Or the priest who was plunged in the Rhine’s cold tide
- For indulging his wishes wrong.”
-
- The old man sung a sentimental strain,
- A song of love, its wishes, hopes, and fears;
- And while he sung his colour came again,
- His eye blazed brightly as in former years,
- When it was quickly kindled by disdain,
- Nor dimmed, as often now, by bitter tears.
- These very words, with true poetic fire,
- He once for glory sung, but now for hire!
-
- And, while he sings, they vanish from his sight,
- The knights, the ladies gay, the very room!
- Once more a youth, with eyes and prospects bright,
- He sings to her, now mould’ring in the tomb,
- Ere Age and Poverty’s overwhelming blight
- From Life’s first blushing flowers had robbed the bloom.
- Sweet season, long expected, quickly past,
- In youth Love’s fire too fiercely burns to last!
-
- The minstrel’s song was no sooner done,
- Than ’twas plain that his lay had extinguished the fun,
- And yawning fearfully, one by one,
- They vanished knights and ladies.
- The lights were put out, not a single “glim”
- Shed its ray o’er the walls of that castle grim;
- And the banqueting hall was soon as dim
- As ’tis said to be in Hades.
-
- My story thus forward, I now must relate
- Some previous details concerning the fate
- Of that famous young hero, Sir Blutwurst the Great,
- Of whom I’ve just made mention—
- And so, to prevent the smallest mystery,
- Or the thread of my story from getting a twist awry,
- To his death, which took place ere the date of my history,
- I must call my readers’ attention.
-
- Blutwurst and Rupert were two pretty men
- As ever were sketched by pencil or pen—
- Together they’d hunt, shoot, fish, frolic, and gamble,
- In short, to dispense with a longer preamble,
- They so loved each other,
- That Corsican Brother,
- Or Damon, or Pythias, or Siamese twin,
- Ne’er cared for his friend, or his kith or his kin,
- As did Blutwurst for Rupert: they ne’er knew division,
- But were like Box and Cox in a German edition.
- Mr. Coleridge says, “Truth, that exists in the young,
- Too often is killed by a whispering tongue;”
- And this proved the case between Blutwurst and Rupert.
- The former, perhaps, in his language was too pert;
- For having committed some irregularities,
- Which _he_ called “peccadilloes,” but others “barbarities,”
- Sir Rupert declined to subscribe to some charities
- Which Blutwurst advised as a species of “hedge.”
- Then the latter blazed out;—the “thin end of the wedge”
- Being thus once inserted, the matter grew serious.
- Each spake words of high disdain
- And insult to his heart’s best brother—
- “Just repeat those words again!”
- “You’re a scoundrel!” “You’re another!”
- With curses and oaths, to repeat which would weary us,
- Till from furious words they proceeded to blows.
- Who first drew his rapier nobody knows;
- But Hans, the old seneschal, sitting down stairs,
- Heard a shriek, then a plunge in the river, he swears;
- And going up found Rupert, all haggard and wan,
- Who stated that Blutwurst had started for Bonn,
- And requested that thither his bag be sent on.
- This story gained ground,
- Till the body was found
- A great distance off—in fact, down at Dusseldorf,
- Whence the horrified finder all hurriedly bustled off
- To tell Blutwurst’s parents the terrible news.
- A coroner’s inquest was held on the body,
- Where, after much talking and more Hollands toddy,
- Much anger, much squabbling, and dreadful abuse,
- They found that, “returning home, muddled with wine,
- The deceased had been murdered and flung in the Rhine,
- By some persons unknown, with malicious design!”
- To Rupert no blame e’er attached in the matter;
- Poor Blutwurst was called mad, “as mad as a hatter,”
- For drinking so much as to fall from his perch.
- And now, if you please, we’ll return to the castle,
- Where I think we shall find that, fatigued by the wassail,
- With two small exceptions, each master and vassal
- May safely be reckoned as “fast as a church.”
- Fair Margaret sits at her toilette-glass,
- And rests her head on her snow-white hand;
- Through her throbbing brain what visions pass,
- As over her shoulders there falls a mass
- Of curls, ne’er touched by the crimping brand;
- She thinks of Sir Rupert’s attentions that night,
- And of them, too, she thinks less with pleasure than fright;
- For his great leering eyes
- Seem before her to rise,
- And she looks o’er her shoulder, and shivers and sighs,
- For the room is so large, and the pictures so grim,
- And the wind howls so loud, and her light burns so dim,
- And she sees in the mirror, not herself, but _him_.
- Yes! he kneels at her side;
- Says he wont be denied;
- And calls her “his dear little duck of a bride!”
- His utt’rance is thick, his cravat is untied,
- And his face is as red as a new Murray’s Guide;
- His gait is unsteady, his manner so rude,
- It’s plain to perceive that Sir Rupert is “screwed.”
- But he touches his heart, and he turns up his eyes,
- And by language and gesture most earnestly tries
- To convince her that ne’er from his knees will he rise,
- Till to wed on the morrow she freely complies.
-
- If you’ve seen Mrs. Kean
- In that excellent scene
- Which she with Mr. Wigan so forcibly plays,
- In Bourcicault’s comedy, “Love in a Maze,”
- When her scorn for her tempter, her love for her spouse,
- In language theatrical, “bring down the house,”
- You can fancy how Margaret, deeply enraged,
- And backed up by the feeling that she was engaged
- To Otto Von Rosen, the dearest of men,
- Rejected Sir Rupert at once, there and then.
- In vain he implored,
- Declared himself “floored.”
- Wept by turns and entreated, then ranted and roared;
- She still was disdainful,
- And said “it was painful
- To witness the friend of her brother so lowered.”
- Till, maddened with fury, he seized her, and said—
- “Be mine, or thou’rt numbered this night with the dead.
- No maiden has yet refused Rupert the Red!”
-
- That instant there rang through the castle a shriek—
- Compared with which e’en Madame Celeste’s are weak—
- The chamber-doors fell with a terrible crash,
- And with, under his left arm, a yet gory gash—
- Come forth from his grave,
- Stood Blutwurst the brave,
- Who’d arrived just in time his poor sister to save.
- Sir Rupert gazed at him a second or more,
- Made one strong exclamation, then sunk on the floor.
-
- From every side a swarming tide of vassals pour amain,
- And, struggling with each other, the fatal room they gain,
- And quickly entering, they find fair Margaret in a swoon,
- They cut the lace that holds her ⸺, base must be the man who’d own
- That such a garment now exists; with water from Cologne
- They sprinkle her, and she revives, and sweetly smiles once more,
- And points to what appears a heap of ashes on the floor!
-
- Alas! ’twas so; the gallant knight, the former “man of mark,”
- Is fitted now for nought but dust for Stapleton or Darke;
- All shrivelled into nothingness, a horrid mass he lay,
- His projects vanished into smoke, himself a yard of clay!
-
- And never from that hour has anything been seen,
- Except the ruin pointed out to Robinson or Green,
- That e’er pertained to him of all the Rhenish clans the head,
- To him, the hero of my song, Sir Rupert called the Red.
-
- E. H. Y.
-
-[Illustration: SIR RUPERT THE RED—p. 79.]
-
-
-
-
-COUNT LOUIS OF TOULOUSE.
-
-
- When Henri Quatre ruled in France there was a gay young knight,
- The loudest in the banquet-hall, the foremost in the fight.
- No dame, howe’er fatigued, to tread a measure could refuse
- When she heard the silver accents of Count Louis of Toulouse.
-
- But not only to a dance would these gentle tones invite,
- But to “measures” of more dangerous kind, confounding wrong with right.
- Won over by his sophistry, what conscience could accuse?
- But the dread of every husband was Count Louis of Toulouse.
-
- The man above all others who the direst hate did feel
- Was the husband of fair Eleanor, the Marquis de St. Lille;
- And he vowed the deepest vengeance when he heard the dreadful news
- That his wife had found a lover in Count Louis of Toulouse.
-
- He called his spies around him, caused her movements to be tracked,
- And, listening, heard sufficient to convince him of the fact.
- Then he quietly retired, and determined to infuse
- Some poison in the claret of Count Louis of Toulouse.
-
- Next evening, as the Marchioness was waiting in her bower,
- The clocks of all the churches round pealed forth the usual hour.
- She began to grow impatient, murmur, and at length abuse
- The extreme unpunctuality of Louis of Toulouse.
-
- But when two servants entered, who between them bore a box,
- She was half afraid that something else had struck besides the clocks;
- And when the men retired, she still thinking it a _ruse_,
- Raised up the lid and found the corpse of Louis of Toulouse.
-
- Without a word, without a shriek, she fell upon the ground,
- The maidens hast’ning to her aid, a lifeless body found.
- So, young gentlemen, take warning, and ne’er yourselves amuse
- By attempting fascinations like Count Louis of Toulouse.
-
- E. H. Y.
-
-
-
-
-ANNIE LYLE.
-
-
- Annie Lyle, Annie Lyle,
- No longer you smile
- At my jokes, which a month since enjoyed such prosperity;
- Howe’er I behave,
- Your face is quite grave,
- And your darling red lips speak unwonted severity.
-
- Annie Lyle, Annie Lyle,
- It may do for a while,
- This on-ing and off-ing, repulsing and wooing:
- But beware of the hour
- When, escaped from your power,
- No longer I seek you, beseeching and suing.
-
- With your glance _espiègle_,
- You quickly inveigle
- A freshman from Oxford, a youth in the Guards;
- But enough of Love’s strife
- I have seen in my life
- To furnish good subjects for hundreds of bards.
-
- You take a great pride
- To see at your side
- A lord, and upon him how sweetly you smile;
- Now I set forth no riddle,
- I _will_ play “first fiddle,”
- So take warning at once, Annie Lyle, Annie Lyle.
-
- How stately and grand
- You parade by the band
- Which each Friday in Kensington Gardens entrances!
- Dressed in _mousseline-de-laine_,
- What transports you feign,
- And how skilfully use you your battery of glances!
-
- Then how pleased are the “swells,”
- How jealous the belles,
- At least, so your vanity prompts you to reckon;
- And ogling and smiling,
- Poor victims beguiling,
- You whisper and conquer, flirt, flatter, and beckon.
-
- Annie Lyle, Annie Lyle,
- It rouses my bile
- To see one so lovely descend to such tricks:
- Such flirting’s below you—
- To people who know you
- All feeling it beats, or what Yankees call “licks.”
-
- What! tears in those eyes!
- Are those genuine sighs?
- Then once more I’m your slave—change that sob to a smile;
- My lecture is o’er,
- I’m your own, as before,
- So come to my arms, Annie Lyle, Annie Lyle.
-
- E. H. Y.
-
-
-
-
-JACK RASPER’S WAGER; OR, “NE SUTOR ULTRA CREPIDAM.”
-
-
-Introduction.
-
- If I have dared again to wake the lyre
- Of him whose hand shall sweep no more the strings—
- That great enchanter, at whose funeral pyre
- Laughter and Grief stood each with drooping wings
- And head dejected (him, whose “Bridge of Sighs”
- And “Number One” drew teardrops from the eyes
- Of Mirth and Sadness), I trust you’ll have mercy,
- And that, kind Reader, you will not ejaculate
- “Oh, ah!” or “Pooh!”
- “This never _will_ do!”
- “_Je trouve que ces vers soient bien ennuyeux!_”
- “Dull, flat, quite a failure!” “Contemptible stuff!”
- “What’s the name of the author? I pity the muff!”
- And such-like expressions upon my poor versicles,
- which even I don’t consider immaculate!
- No! like any poor cousin who lives with a rich one
- As companion or governess, awful condition!
- I think I may say that, “I know my position.”
- And since I can’t hope to be first in the race
- I must e’en be content to put up with the place
- Which Report to the “little boat” says was assigned,
- In some nameless aquatics, _i. e._ “far behind.”
-
-
-Ye Storye.
-
- Mr. and Mrs. Theophilus Browne
- Had a house in a newly-built suburb of town,
- “Twelve good rooms and an attic.”
- Mr. Browne had a share in a City bank,
- But when at home “the shop” he sank,
- And assuming the airs of a person of rank,
- Was quite aristocratic.
-
- Invitations to dinner he oft obtained,
- Showers of cards upon him rained,
- For party and picnic pleasant;
- Indeed, ’twas his constant pride and boast
- That his name once appeared in the “Morning Post,”
- (Which he took each day with his tea and toast,)
- As “amongst the company present.”
-
- But as never was rose without a thorn,
- So surely was mortal never born
- To a life without vexation;
- And some bachelor chums of our friend Mr. B.
- Had a habit of “dropping in to tea,”
- And merely saying, “We’ve made so free,”
- Would create quite a consternation.
-
- For they reeked of tobacco, that dreadful herb,
- Which will ever a lady’s nerves disturb,
- E’en the mildest of mild Havannah;
- And when with their cabman they came to arrange,
- They never appeared to have any change
- To settle his fare, but in language strange
- They borrowed “two bob and a tanner.”
-
- We need not say that poor Mrs. Browne
- Had a hate of these rollicking men about town,
- Of which she made no mystery;
- But surely her bitterness and spite
- Were never wrought up to such a height
- As upon the very eventful night
- When we commence our history.
-
- The servants had all retired to rest,
- The worthy couple, in _deshabille_ dressed,
- Had just finished their nightly refection,
- When a thundering double knock at the door,
- Caused Mrs. Browne to exclaim, “Oh Lor!”
- While her husband added to “what a bore”
- An ungodly interjection.
-
- Then, seizing a light, he ran down stairs,
- Growling like one of the grisly bears
- In the Gardens Zoological
- (That lately were cured with such skill and tact,
- Of an overflowing cataract,
- Under chloroform, an astonishing fact,
- Which a very artful dodge-I-call).
-
- He opened the door in a furious rage,
- Nor did it his passion at all assuage
- To see his old friend, Jack Rasper,—
- Jack Rasper, the fastest man in town,
- Who never would go when he once sat down,
- Who mimicked all actors of renown,
- And could row with Coombes or Clasper.
-
- His intimates called him “an out-and-out brick,
- A fellow who at nothing would stick,
- And a first-rate judge of malt, sir.”
- Nay, the ladies themselves, who are clearly the best
- To decide on such matters, had often confessed.—
- “Mr. Rasper, besides being very well dressed,
- Was an excellent _deux-temps_ waltzer.”
-
- Darting past the unhappy Browne,
- At the foot of the stairs he sat himself down,
- And laughed like the clown in a pantomime;
- Then jumping up, he made a grimace
- Might have rivalled e’en Mr. Grimaldi’s face,
- To describe the which with sufficient grace
- Quite baffles my Muse for want-o’-rhyme.
-
- “Browne,” he began, “I’m come to sup.
- I suppose I may. Walk up, walk up,
- And observe the living lions;
- The thickly-coated armadillo,
- Brought from furrin’ parts beyond the billow
- By Don Alphonso de Padrillo,
- That ornament of science!
-
- “But, joking apart, Browne, how’s your wife?
- Not annoyed, I hope; to cause any strife
- Would give me infinite sorrow.”
- Then springing up stairs with a loud “Ha! ha!”
- He thrust his head through the door ajar,
- And greeted the lady with “Here we are,”
- And “How d’ye do to-morrow.”
-
- Mrs. Browne received him with looks so black
- That he felt himself quite taken aback,
- And received what he called “a staggerer.”
- Indeed, as he told his friends next night,
- “He soon saw that fowl would never fight,
- So he instantly came the dodge polite,
- And entirely dropped the swaggerer!”
-
- Then changing his tone, “Mrs. Browne, to you
- I am sure,” said he, “I ought to sue
- In terms most apologetic.”
- But not a whit the angry dame
- Was soothed, her expression remained the same,
- And Jack thought he’d best go, the way he came,
- Like a well-bred dog, prophetic.
-
- He tried again, “If you remember,
- We went together, last September,
- To see the Hippopotamus,
- And how, in the crowd, when you dropped those loves
- Of delicate tinted primrose gloves,
- As I hunted about with kicks and shoves,
- Do you recollect who brought ’em us?
-
- “Lord Augustus Aype, that _cheválièr preûx_,
- Who was evidently struck with you,
- For he said, in a whisper audible,
- ‘Rasper, who is that splendid creature?’”
- Mrs. Browne relaxed in every feature,
- For she thought—alas! poor human nature!—
- Each act of a Lord was _laud-able_.
-
- Jack continued, “’Twas only yesterday,
- At dinner, I heard his lordship say
- He should ne’er forget the circumstance;
- He has met you since, at a public ball,
- Or at Albert Smith’s—the Egyptian Hall!
- You shake your head! what! not at all?
- Yes, yes! ’twas at the Kirkham’s dance!”
-
- Here Browne come frowningly in, but smiled,
- When he found his wife seemed nothing riled,
- And begged his guest to be seated:
- And looking at Mrs. Browne askance,
- Received in return a conjugal glance,
- Which showed, “_sans doûte_,” as they say in France,
- She wished Jack civilly treated.
-
- So he bustled about, and soon laid out
- A cold chicken, some ham, a bottle of stout,
- With ale of Bass’s brewing.
- And when these were dispatched by the modest youth,
- Placed a flask on the board, which, to tell the truth,
- Had on it the name of “Sir Felix Booth,”
- But which Jack pronounced “blue ruin.”
-
- Jack plied at the spirit, and soon began
- To play so well the agreeable man,
- The retailer of jokes and scandal,
- That good Mrs. Browne grew quite elate;
- And Browne, though he muttered, “It’s rather late,”
- Replenished the fire, and swept up the grate,
- And trimmed the Palmer’s candle.
-
- Thus went the talk,—“Poor Lady Flashe
- Has eloped with Captain Sabretasche;
- They bolted from Baden-Baden,
- While Sir Anthony Flashe their flight ne’er checked,
- As it on his rheumatics had no effect;
- Like the Jews of old, since he’s grown ‘stiffnecked,’
- His heart has begun to harden.
-
- “But I heard last night from Lord De Vere,
- From Boulogne who has just come over here,
- The most wonderful adventure;
- For his Lordship last season received a ‘call,’—
- Not such as those folks who at Exeter Hall
- About Popery wrangle, his was all
- About railway scrip and debenture.
-
- “He said, one night that, homeward walking,
- There were two men before him, talking,
- Whose words caught his instant attention,
- For he heard one say, as he drew more near,
- ‘I’ll cut his throat from ear to ear
- And send his soul to ⸺’ a place which here
- I really don’t like to mention.
-
- “Shocked at these words, though somewhat alarmed,
- His Lordship his noble heart soon calmed,
- And set his nerves firm as rockstone,
- Then followed the men up a street so lone
- And dark that,”—here Mrs. Browne gave a groan,
- While Browne looked the picture of fright, as shown
- So well by Keeley and Buckstone.
-
- Narrowly eyeing them, Jack continued,—
- “The hands of these men so iron-sinewed,
- Were red as the cover of ‘Murray,’
- And in these hands they carried sticks
- Of the pattern and size with which Mr. Hicks
- All at once, single-handed, so easily licks
- Ten land-sharks at the Surrey.
-
- “These horrible ruffians, as more near
- They approached, caught sight of Lord De Vere,
- And seized him, pale and shrinking,
- And as him on the ground they threw
- Yelled out⸺
- By Jove! it’s half-past two,
- I’ve kept you up till all is blue,
- I’ll run away like winkin’.”
-
- Then, while with open mouth and eyes
- The pair sat speechless with surprise,
- Jack vanished quick as thought is,
- And as the stairs he darted down,
- Called out, “My wager, Browne, I’ve won,—
- ’Twas that here I’d sup; and you’re fairly done
- Of ham, chicken, and aquafortis!
-
- “My boasted acquaintance with Lord De Vere,
- The tale of the street so dark and drear,
- Was all improvisatoré!
- You would _pardon_ a lord, though a church he should rob,
- Yet _hang_ what T. P. Cooke would call ‘a poor swab,’
- And you’re nothing at best but a tuft-hunting snob,
- So I’ll ‘leave you alone in your glory.’”
-
-
-Ye Moralle.
-
- When once you are wed, bid a friendly adieu
- To all bachelor chums, or keep just one or two,
- And be sure they’re not fast men, but moral and true;
- And in order that Rasper-like insults you may shun,
- Don’t talk about lords upon every occasion,
- But, like clerks at a terminus, _keep in your station_.
-
- E. H. Y.
-
-[Illustration: JACK RASPER’S WAGER.—p. 92.]
-
-
-
-
-THE OVERFLOWINGS OF THE LATE PELLUCID RIVERS, ESQ.
-
-Edited by Edmund H. Yates.
-
-
-In submitting to the public some of the productions of my lamented friend
-Rivers, I think it right to endeavour to sketch some faint outline of
-the career of their illustrious author. “The world knows nothing of its
-greatest men,” says Philip Van Artevelde, and its general ignorance of
-Rivers clearly proves the truth of the remark.
-
-Born of poor but respectable parents, in the parish of St. Pancras, at an
-early age Rivers evinced symptoms of that poetic talent which, in later
-life, made him so renowned—I mean, which would have made him so renowned,
-had he not been crushed by the wretched blindness and illiberality of
-the publishers of the metropolis. He could not have been more than five
-years of age when he first burst forth in metrical numbers; it was at the
-family dinner-table, when, pointing first to the smoking joint, then to
-the domestic implement by which he was conveying a portion of it to his
-mouth, he exclaimed—
-
- “Pork!
- Fork!”
-
-A moment after, indicating the beer jug, his juvenile “poet’s eye, in a
-fine frenzy rolling,” he continued, “chalk!” His meaning on this point
-was vague, but it is generally considered he implied that the liquid
-was not paid for at the time, but was chalked up behind the door to the
-family account—a custom prevalent, I have ascertained, in many parts of
-the United Kingdom. From that period until his death he was constantly
-engaged in writing;—though his name never appeared to any of his
-productions, they were most extensively read; indeed, one of his minor
-poems—
-
- “Dearest maid, I thee do love;
- This my tender vows shall prove—
- Little Cupid’s thrilling dart
- Has found refuge in my heart,”
-
-has been considered so successful, that the publication of it is annually
-revived, and the fourteenth of February, sacred to St. Valentine, is the
-day usually chosen for its reappearance.
-
-For the last twenty years of his life, poor Rivers laboured under
-severe fits of melancholy and depression, the cause of which he long
-held secret. Shortly before his decease, however, he confided to me the
-source of his grief. It was, that manuscripts which he had forwarded on
-approval to various publishers, had been returned as worthless, while a
-few months afterwards the same publishers would send forth books of poems
-in which the most direct plagiarisms from my poor friend’s productions
-would appear. He made me solemnly pledge myself to see him righted in the
-opinion of the world, and hence the publication of these papers.
-
-I regret exceedingly to be obliged to hold up to public odium names
-which have hitherto stood so highly as those of Mr. A—f—d T—ys—n and
-his publisher, Mr. M—x—n, but I defy any candid reader to peruse the
-following vigorous and striking stanzas of my poor friend’s, and then
-turn to that weak and rambling production, “L—cks—y H—ll,” without
-perceiving which is the grand original, which the mean and despicable
-parody!
-
-
-VAUXHALL.
-
- Cabman, stop thy jaded knacker; cabman, draw thy slackened rein;
- Take this sixpence—do not grumble, swear not at Sir Richard Mayne!
-
- ’Tis the place, and all around it, as of old, the cadgers bawl—
- Sparkling rockets, squibs and crackers, whizzing over gay Vauxhall.
-
- Gay Vauxhall! that in the summer all the youth of town attracts,
- Glittering with its lamps and fireworks, and its flashing cataracts.
-
- Many a night in yonder gilded temple, ere I went to rest,
- Did I look on great Von Joel, mimicking the feathered nest;
-
- Many a night I saw Hernandez in a tinsel garb arrayed,
- With his odorif’rous ringlets tangled in a silver braid;
-
- Here about the paths I wandered, chaffing, laughing all the time,
- Laughing at the piebald clown, or listening to the minstrel’s rhyme;
-
- When beneath the business-counter linendraper’s men reposed,
- When in calm and peaceful slumber, sharp maternal eyes are closed;
-
- When I dipt into the pewter pot that held the foaming stout,
- When I quaffed the burning punch, or wildly sipped the “cold without.”
-
- In the spring a finer cambric’s wrapped around the lordling’s breast;
- In the spring the gent at Redmayne’s gets himself a Moses’ “vest;”
-
- In the spring we make investment in a white or lilac glove;
- In the spring my youthful fancy prompted me to fall in love.
-
- Then she danced through all the _ballet_, as a fairy blithe and young,
- Stood a tiptoe on a flow’ret or from clouds of pasteboard swung—
-
- And I said, “Miss Julia Belmont, speak, and speak the truth to me,
- Wilt thou from this fairy region with a heart congenial flee?”
-
- On her lovely cheek and forehead came a blushing through her paint,
- And she sank upon my bosom in the semblance of a faint;
-
- Then she turned, her voice was broken (so, if I must tell the truth,
- Was her English—all I pardoned in the generous warmth of youth),
-
- Saying, “Pray excuse my feelings, nothing wrong, indeed, is meant,”
- Saying, “Will you be my loveyer?” weeping, “You are quite the gent.”
-
- Love took up the glass before me, filled it foaming to the brim,
- Love changed every comic ballad to a sweet euphonious hymn!
-
- Many a morning in the railway did we run to Richmond, Kew,
- And her hunger cleared my pockets oft of shillings not a few!
-
- Many an evening down at Greenwich did we eat the pleasant “bait,”
- Till I found my earnings going at a rather rapid rate.—
-
- Oh! Miss Belmont, fickle-hearted! Oh, Miss Belmont, known too late!
- Oh, that horrid, horrid Richmond, oh, the cursed, cursed “bait.”
-
- Falser far than Lola Montes, falser e’en than Alice Gray,
- Scorner of a faithful press-man, sharer of a tumbler’s pay!—
-
- Is it well to wish thee happy? having once loved _me_—to wed
- With a fool who gains his living by his heels and not his head!
-
- As the husband is, the wife is: thou art mated with a clown,
- And, pursuing his profession, he will strive to drag thee down.
-
- He will hold thee, in the winter, when his fooleries begin,
- Something better than his wig, a little dearer than his gin.
-
- What is this? his legs are bending! think’st thou he is weary, faint?
- Go to him, it is thy duty; kiss him, how he tastes of paint!
-
- Am I mad, that I should cherish memories of the by-gone time?
- Think of loving one whose husband fools it in a pantomime!
-
- Never, though my mortal summers should be lengthened to the sum
- Granted to the aged Parr, or more illustrious Widdicomb—
-
- Comfort!—talk to me of comfort!—what is comfort here below?
- Lies it in iced drinks in summer, aquascutum coats in snow?
-
- Think not thou wilt know its meaning, wait of all his vows the proof,
- Till the manager is sulky, and the rain pours through the roof:
-
- See, his life he acts in dreams, while thou art staring in his face,
- Listen to his hollow laughter, mark his effort at grimace!
-
- Thou shalt hear “Hot Codlins” muttered in his vision-haunted sleep,
- Thou shalt hear his feigned ecstatics, thou shalt hear his curses deep:
-
- Let them fall on gay Vauxhall, that scene to me of deepest woe,
- But—the waiters are departing, and perhaps I’d better go!
-
-Such is the noble ballad of Vauxhall! but Rivers was master of all
-styles. The following exquisite picture of the joys and sorrows of
-modern domestic life presents an example of that happy blending of the
-real and the romantic with which the head of Rivers overflowed. The
-ballad of “Boreäna” has been kindly communicated by my literary friend
-Frank Fairleigh, who knew, loved, and admired Rivers as much as myself.
-After pointing out some of the more subtle and mysterious beauties of
-this matchless lyric, Fairleigh adds, “and yet after this, A—f—d T—ny—n
-had the face to publish that bombastic, trashy ballad of “Oriana,” and
-pretend it was original; where does that misguided man expect to go to?”
-
-
-THE BALLAD OF BOREÄNA.
-
- My brain is wearied with thy prate,
- Boreäna,
- I sit and curse my hapless fate,
- Boreäna,
- What time the rain pours down the gutter,
- Still your platitudes you utter,
- Boreäna,
- I unholy wishes mutter,
- Boreäna.
-
- Ere the night-light’s flame was fading,
- Boreäna,
- While the cats were serenading,
- Boreäna,
- Sheep were bleating, oxen lowing,
- We heard the beasts to Smithfield going,
- Boreäna,
- You said the butcher’s bill was owing,
- Boreäna.
-
- At Cremorne, we two alone,
- Boreäna,
- Ere my wisdom teeth were grown,
- Boreäna,
- While the dancers gaily hopped,
- And the brass band never stopped,
- Boreäna,
- I to thee the question popped,
- Boreäna.
-
- She stood behind the area gate,
- Boreäna,
- She did it just to aggravate,
- Boreäna,
- She saw me wink, she heard me swear,
- She recognized the scoundrel there,
- Boreäna,
- She knows a bailiff I can’t bear,
- Boreäna.
-
- The cursed writ he pushed it through,
- Boreäna,
- The area rails, and gave it you,
- Boreäna,
- The infernal summons me un-nerved,
- He from his duty never swerved,
- Boreäna,
- On thee, my bride, the writ he served,
- Boreäna.
-
- Oh! narrow-minded County Court,
- Boreäna,
- ’Tis death to me, to them ’tis sport,
- Boreäna,
- Oh! stab in my most tender place,
- My pocket! oh! the deep disgrace,
- Boreäna,
- I fell down flat upon my face,
- Boreäna.
-
- They fined me at the next court day,
- Boreäna,
- Locked up, how can I get away,
- Boreäna?
- I don’t perceive of hope a ray,
- ’Tis a true bill, but, oh! I say,
- Boreäna,
- How without tin am I to pay,
- Boreäna?
-
- When turns the never-pausing mill,
- Boreäna,
- I tread, I do not dare stand still,
- Boreäna:
- At home, of beer thou drink’st thy fill,
- I may not come to thee and swill,
- Boreäna,
- I hear the rolling of the mill,
- Boreäna.
-
-
-Chapter II.
-
-My poor friend had always within him a certain classical fondness
-of the ancient style of poetry; none of your vulgar Alcaics and
-Sapphics—“These,” he used to remark, “Horace, Tibullus, or any fellow of
-that calibre could manage; but the glorious hexameters and pentameters
-of Homer, Virgil, and Ovid,—they’re the things, my boy!” His delight in
-this species of composition was so great that at school we used to call
-him, as a nickname, “Professor Long-and-short-fellow.” It curdles my
-blood to think that some obscure person in America, who has latterly been
-indulging in dactyllic and spondaic metre, has dared to name himself
-partly in imitation of the _sobriquét_ by which we designated our friend.
-
-Recollecting poor Pellucid’s warm admiration of the hexameter then, I
-have made strict search among his papers, on the chance of finding some
-classical Latin or Greek poem of his composition, but without success.
-At one time a ray of hope darted through me, as I came upon a paper
-carefully folded, and docketted, “Notions for a Fight between Hector and
-Achilles;” I unfolded it eagerly, but, alas! it was only a fragment, the
-words “Arma virumque cano” were legibly inscribed in my friend’s neat
-hand, but it was evident that he had either been called away, or that the
-Muse had deserted him at the critical moment, as he had left it without
-another word. At length I chanced to find the following poem, descriptive
-of a picnic at Cliefden and its consequences, in the true classical
-verse, but, before submitting it to the world, I must remark that on
-the outside cover of the MS. is written, in pencil, and in a hand very
-similar to that of Mr. B⸺, the publisher, of F⸺ Street, “Query? Evang’⸺;”
-the rest of the word is illegible, and I could never comprehend the
-meaning of the comment.
-
-
-PICNIC-ALINE.
-
- These are the green woods of Cliefden. The glorious oaks and the
- chestnuts
- All appertain to the Duke, whose residence stands in the distance—
- Stands like a toyhouse of childhood, besprinkled all over with windows—
- Stands like a pudding at Christmas, a white surface dotted with black
- things.
- Loud from the neighbouring river, the deep-voiced clamorous bargée
- Roars, and in accents opprobrious hollas to have the lock opened.
-
- These are the green woods of Cliefden. But where are the people who in
- them
- Laughed like a man when he lists to the breath-catching accents of
- Buckstone?
- Where are the wondrous white waistcoats, the flimsy baréges and muslins,
- Worn by the swells and the ladies who came here on pleasant excursions?
- Gone are those light-hearted people, flirtations, perhaps love, even
- marriage,
- All have had woeful effect since Mrs. Merillian’s picnic;
- And of that great merrymaking, some bottles in tinfoil enveloped,
- And a glove dropped by Jane Page, are the vestiges only remaining!
-
- Ye who take pleasure in picnics and doat on excursions aquatic,
- Flying the smoke of the city, vexations and troubles of business,
- List to a joyous tradition of one which was held once at Cliefden—
- List to a tale of cold chicken, champagne, bitter beer, lobster salad!
-
- Brilliantly burst forth the sun o’er the pleasant meadows of Cliefden,
- Bathed in his beautiful light, the daisies and daffydowndillies
- Shone like those fanciful gems made by Beverly, at the Lyceum:
- Calmly the whole of the morning untrodden, unseen, and unnoticed,
- Lay all the valley around; but when from Maidenhead’s steeple
- Clashed the four quarters of noon, then come the first batch of the
- rev’llers,
- Come in a large open boat, broad-bottomed, and decked with tarpaulin,
- Which from the sun’s scorching rays formed a needful and pleasant
- protection.
- Here were seated the belles of the _fête_, Kate and Ellen Merillian,
- Fairest of all _demoiselles_ who dwell in Belgravia’s quarters.
- With them came Margaret Stewart, their pretty cousin from Scotland,
- Marian Vernon, and eke, to give proper tone to the party,
- Old Mrs. Blinder, who’s deaf, and so chaperoned most discreetly.
- Nor did they lack cavaliers—Jack Wilson, the fast and the funny,
- Pride of the Board of Control, delight of his club and his office,
- Sat at the stern of the boat, alternately singing and smoking;
- There, too, was Captain De Boots, of Her Majesty’s Household Brigade, he
- Sat by the side of Miss Vernon, and talked in so earnest a whisper,
- That the rest called it “a case,” and begged to have “cake and gloves”
- sent them.
- Scarce was the party on shore when several ran up to meet them,
- Chattering, laughing young girls, and matrons more serious and sober,
- Men from the City, resplendent in whiskers and large-patterned trousers—
- Men from the West, who relied on their manners much more than their
- costume—
- Marvellous were the shirt-collars encircling the necks of the young ones,
- Seemed it as though they were made of a cross between buckram and
- mill-board;
- Marvellous, too, was their conduct, a mixture of insult and folly,
- Gods! how absurd were their airs, how silly, insane, and precocious.
-
- Now began frolic and mirth, pleasant pastimes and games in which all
- joined,
- And where e’en fathers and mothers partook of the fun with their
- children,
- “Hunting the Slipper,” (“by Jove! what fun can be had at that same,
- sir!”)
- “How, when, and where!” “Prisoner’s Base!” but not until dinner was
- over
- Played they at Blindman’s Buff, the climax of riot and revel.
- Gathering their dresses close round them, the ladies sat down on the
- herbage,
- Laughing at every speech, and screaming at popping champagne corks,
- While their attentive gallants were constantly hovering near them,
- Handing the wings of cold fowls and trembling blancmanges and jellies.
-
- More can I not write at present. I’ve striven to laugh on this subject,
- But ’neath my placid external beats sadly a heart crushed and blighted!
- Shall I confess to ye the reason? Know then, that at this said picnic,
- Fired by the fumes of champagne and strong deleterious potions,
- Placed I my fortune and hand at the feet of Emily Robins!
- Know then, that losing my balance I sprawled on the greensward before
- her,
- And, ere the evening was o’er, got outrageously thrashed by her brother!
-
-_Note by the Editor._—In transcribing this poem from my friend’s MS.,
-I feel it my duty to state that his touching description of his love
-was not without foundation. The “knock-down blow” he received did not
-entirely floor him; he sought to see the lady again, and, on being
-repulsed, commenced a very pretty little poem, beginning—
-
- “When he who adores thee has left but the name
- Of his faults and his follies behind.”
-
-Here he stopped, which, I think, was a pity, as he evidently possessed
-the feeling and talents essential to an amatory poet.
-
-[Illustration: PELLUCID RIVERS.—p. 105.]
-
-
-Chapter III.
-
-It is a melancholy pleasure to me to wander among these vestiges of the
-departed great man; to trace his various thoughts from his earliest
-infancy to the time when death robbed the world of what should have been
-its brightest ornament, and left to it merely the paste and tinsel, the
-gewgaw and tomfoolery of literature.
-
-Of his father he has left many records. This person, upon whom the honour
-of being Pellucid’s progenitor devolved, appears to have been a worthy
-undertaker; an unprofitable one, however, for he never _undertook_
-anything well, nor carried it out successfully. Nevertheless, his
-failings or shortcomings in life, served but to increase the love his
-son bore him, and which is manifested in many poetical scraps, evidently
-written in early life, one of which, commencing—
-
- “My father, my dear father, if a name
- Dearer and holier were, it should be thine,”
-
-is worthy of comparison with anything of Byron’s; it is, however, too
-long for extract. To his schooldays also, I find many pleasing allusions
-scattered through his manuscripts. In a letter to his sister (which, from
-family reasons, I am precluded from publishing) he draws a wonderful
-sketch of his pedagogue, whom he describes as being a man severe and
-stern to view, but who often relaxed to a joke with his scholars, and was
-the best hand at argument in the village, using words of such learned
-length and wondrous sound, that the amazed rustics stood gaping at his
-knowledge. His “Ode on a Distant Prospect of Islington Free-school,” is
-also full of pleasing reminiscences of his younger days.
-
-Late in life Rivers began to take a great interest in theatrical matters,
-and I find among his MSS. the following poem, evidently written shortly
-before his decease. One curious fact connected with these verses is,
-that as executor of poor Pellucid, I am at present at loggerheads with
-one Mr. McAuley, a Scotch gentleman, who, absurdly enough, claims their
-authorship:—
-
-
-GUSTAVUS.
-
-A LAY OF DRURY LANE.
-
- Great Smithius of Drury Lane,
- By cape and truncheon swore
- That Bold Gustavus Brookius
- Should _perdu_ lie no more.
- By staff and cape he swore it,
- And named his opening night,
- And sent his messengers abroad,
- Each with a pile of orders stored,
- To summon all they might.
-
- East and west, and south and north,
- The messengers repair;
- Some hie them to the Regal Oak,
- Some to the Arms of Eyre.
- Shame on the false theatrical
- Who would refuse to come,
- When bold Gustavus Brookius
- Enters the “Drama’s Home!”
-
- The gallery-boys and pittites
- Are pouring in amain,
- And struggling in a turbid mass,
- The theatre doors they gain.
- From many a noisome alley,
- From many a crowded court,
- Great G. V. B.’s supporters
- Have hastened to the sport.
-
- From Kingsland’s leafy quarters,
- From Camden’s noble town,
- From where Belgravia’s daughters
- On humble men look down;
- From Islington the merry,
- From Kensington the slow,
- To meet the great Gustavus
- The many-headed go.
-
- The patrons of the Surrey,
- Who e’er in shirt-sleeves sit,
- While the refreshing foaming stout
- Is handed round the pit,
- Yield up their old allegiance,
- And join the swelling train,
- Crossing the Bridge of Waterloo,
- To meet at Drury Lane.
-
- Ho! fiddlers, scrape your catgut!
- Ho! drummers, use your strength!
- _HE_ comes, whose name on every wall
- Measures six feet in length!
- Who, though perchance he cannot
- With Shakespeare move your souls,
- Will gain your heartiest plaudits
- By gifts of soup and coals!
-
- Come, Phelps, come crouch unto him;
- Come, Kean, and do the same;
- You, famous by your own good deeds,
- You by your father’s name!
- Crouch to the great Gustavus,
- Who has become the rage,
- And proved himself, by feats of alms,
- King of the British stage.
-
-
-Chapter IV.
-
-“_Poeta nascitur non fit_,” is a trite but wise aphorism. Few men have
-selected such varied subjects as my friend Rivers, and few have dealt
-with their choice so successfully. Unlike your modern writers, who put on
-one suit of similes and wear it threadbare (such as Alessandro Smiffini,
-for instance, who is never tired of gazing at the moon or dipping in
-the sea), Pellucid’s kindly nature immortalises even the most trivial
-occurrences of his life. The following extract from his works will show
-what I mean. Unblessed with riches, he had incurred a small bill at a
-_restaurant_, in the neighbourhood of his lodgings, and one night the
-proprietor of the hostelry effected an entrance into his apartment, and
-refused to quit until the claim was settled. This circumstance, which
-would have discomposed a less happy mind, gave him the idea for a set of
-verses, which he named “The Tankard,” and which he calls, “A Domestic
-Scene turned into Poetry.” Again, on this manuscript is a pencilled query
-(in the same writing to which I have before alluded), “Does he mean Edgar
-Poe—try?” I confess this joke is beyond my poor powers of brain. Perhaps
-my readers will be able to interpret it, when they read the verses, which
-run thus:—
-
-
-THE TANKARD.
-
- Sitting in my lonely chamber, in this dreary, dark December,
- Gazing on the whitening ashes of my fastly-fading fire,
- Pond’ring o’er my misspent chances with that grief which time enhances—
- Misdirected application, wanting aims and objects higher,—
- Aims to which I should aspire.
-
- As I sat thus wond’ring, thinking, fancy unto fancy linking,
- In the half-expiring embers many a scene and form I traced—
- Many a by-gone scene of gladness, yielding now but care and sadness,—
- Many a form once fondly cherished, now by misery’s hand effaced,—
- Forms which Venus’ self had graced.
-
- Suddenly, my system shocking, at my door there came a knocking,
- Loud and furious,—such a rat-tat never had I heard before;
- Through the keyhole I stood peeping, heart into my mouth up-leaping,
- Till at length, my teeth unclenching, faintly said I, “What a bore!”
- Gently, calmly, teeth unclenching, faintly said I, “What a bore!”
- Said the echo, “Pay your score!”
-
- At this solemn warning trembling, some short time I stood dissembling,
- Till again the iron knocker beat its summons ’gainst the door,
- Then, the oak wide open throwing, stood I on the threshold bowing—
- Bows such as, save motley tumbler, mortal never bowed before,—
- Bows which even Mr. Flexmore never yet had tried before:
- Said the echo, “Pay your score!”
-
- Grasping then the light, upstanding, looked I round the dreary landing,
- Looked at every wall, the ceiling, looked upon the very floor,
- Nought I saw there but a Tankard, from the which that night I’d drank
- hard,—
- Drank as drank our good forefathers in the merry days of yore,—
- In the corner stood the Tankard, where it oft had stood before,—
- Stood and muttered, “Pay your score!”
-
- Much I marvelled at this pewter, surely ne’er in past or future
- Has been, will be, such a wonder, such a Tankard learned in lore!
- Gazing at it more intensely, stared I more and more immensely
- When it added, “Come, old boy, you’ve many a promise made before,—
- False they were as John O’Connell’s, who would ‘die upon the floor!’
- Now for once—come, pay your score!”
-
- From my placid temper starting, and upon the Tankard darting,
- With one furious hurl I flung it down before the porter’s door;
- But as I my oak was locking, heard I then the self-same knocking,
- And on looking out I saw the Tankard sitting as before,—
- Sitting, squatting in the self-same corner as it sat before,—
- Sitting, crying “Pay your score!”
-
- And the Tankard, never flitting, still is sitting, still is sitting,
- In the very self-same corner where it sat in days of yore:
- And its pewter still is shining, and it bears the frothy lining,
- Which the night when first I drained its cooling beverage it bore,
- But my mouth that frothy lining never, never tasted more,
- Since it muttered, “Pay your score!”
-
-I have concluded my extracts; the remaining poems are principally of a
-private and personal nature, which renders them unfitted for publication.
-
-After a perusal of his verses there will, I trust, be very few persons
-who will not at once appreciate the powers of my lamented friend, and
-grieve over the illiberal treatment he experienced. Should I find that
-tardy justice is done to his productions, and that they meet with that
-posthumous popularity which is undoubtedly their due, the effort which I
-have made to bring him into notice, and to shake the _dii majores_ of the
-literary world on their unstable thrones, will not have been unrewarded.
-
- Edmund H. Yates.
-
- LONDON:
- SAVILL AND EDWARDS, PRINTERS, CHANDOS STREET
- COVENT GARDEN.
-
-*** END OF THE PROJECT GUTENBERG EBOOK MIRTH AND METRE ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.