summaryrefslogtreecommitdiff
path: root/old/68656-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/68656-0.txt')
-rw-r--r--old/68656-0.txt733
1 files changed, 0 insertions, 733 deletions
diff --git a/old/68656-0.txt b/old/68656-0.txt
deleted file mode 100644
index 6e8fd1b..0000000
--- a/old/68656-0.txt
+++ /dev/null
@@ -1,733 +0,0 @@
-The Project Gutenberg eBook of The new book of Niagara, by Anonymous
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: The new book of Niagara
- Scenes in summer and winter
-
-Author: Anonymous
-
-Release Date: July 31, 2022 [eBook #68656]
-
-Language: English
-
-Produced by: Juliet Sutherland, Charlie Howard, and the Online
- Distributed Proofreading Team at https://www.pgdp.net
-
-*** START OF THE PROJECT GUTENBERG EBOOK THE NEW BOOK OF NIAGARA ***
-
-
-
-
-
-Transcriber’s Note
-
-
-This picture book has no Table of Contents.
-
-
-
-
-[Illustration: (cover)
-
- THE NEW BOOK OF
- NIAGARA
-
-_Scenes in Summer and Winter_]
-
-
-
-
-[Illustration:
-
- THE NEW BOOK OF
- NIAGARA
-
- _Scenes in Summer and Winter_]
-
- ❦
-
- “_Niagara is an awful symbol of Infinite power--a version of Infinite
- beauty--a shrine, a temple erected by the hand of the Almighty for all
- the children of men._”--_Oration by Jas. C. Carter._
-
- ❦
-
- BUFFALO, N. Y.
- ROBERT ALLAN REID, PUBLISHER,
- 253–257 ELLICOTT STREET.
-
- Copyrighted, 1901, by Robert Allan Reid. All rights reserved.
-
-
-
-
-[Illustration: GENERAL VIEW OF THE FALLS.
-
-Favorite positions for this view are Hennepin View in Prospect Park and
-the New Steel Bridge. At the left is the American Fall with Luna Island
-and Goat Island dividing it from the Horseshoe Fall. The Maid of the
-Mist, near her landing, and the inclined railway are minor objects of
-interest.]
-
-
-[Illustration: CANADIAN FALL, AND MAID OF THE MIST.
-
-A trip on the “Maid of the Mist” past the Falls is one of the most
-fascinating of the experiences to be had at Niagara. The views of the
-descending floods, the swirling water below and the rainbow through the
-mist all lend enchantment to the trip.]
-
-
-[Illustration: AMERICAN FALL FROM PROSPECT POINT.
-
-It is while standing at or near Prospect Point that the very large
-majority of people who visit Niagara get their first view of the
-wondrous cataract. At one wide sweep of vision Niagara is before you
-and you see the water pour over the edge of the precipice, falling with
-stupendous power on the rocks below.]
-
-
-[Illustration: AMERICAN FALL FROM BELOW.
-
-Standing on the rocks at the foot of the Inclined Railway in Prospect
-Park and looking at the down-pour of water over the American Fall, a
-new impression of Niagara’s greatness comes over you, and you marvel at
-the beauty of the mighty flood.]
-
-
-[Illustration: THE FALLS BY MOONLIGHT.
-
-Under the light of the full moon of summer time, when Nature has done
-her best to make the locality all about delightful, the mind is made
-receptive of the moonlight softness, and the beauty of the scene
-impresses all with its magnificence.]
-
-
-[Illustration: PROSPECT POINT IN WINTER.
-
-In winter and summer alike Prospect Point is one of the main vantage
-spots from which to view Niagara. Immediately below the Point the
-mountain grows to an unlimited size as the spray freezes, and builds it
-by night and by day. In the ice bridge season there is no better place
-to view it than Prospect Point.]
-
-
-[Illustration: TERRAPIN ROCK AND HORSESHOE FALL FROM GOAT ISLAND.
-
-The Horseshoe or Canadian Fall, as a single object, is regarded as
-the sublimest thing in Nature. The Canadian Rapids have a fall of 55
-feet in three-quarters of a mile before reaching the Falls, while it
-is estimated that the volume of water is ten times greater than that
-passing over the American Fall.]
-
-
-[Illustration: HORSESHOE FALL FROM BELOW.
-
-The height of the Horseshoe Fall is 165 feet and the stupendous nature
-of the Fall is more impressive when the visitor stands at the water’s
-edge in the gorge and looks upward at the flood descending in such
-graceful lines.]
-
-
-[Illustration: TERRAPIN POINT IN WINTER.
-
-The scene at Terrapin Point in winter is one of brilliancy and
-splendor. The spray-cloud of the Horseshoe Fall is wafted to the
-shores of Goat Island where King Winter’s breadth congeals it all to
-a marble-like formation, and the snowy whiteness of the spectacle is
-dazzling in the bright sunlight.]
-
-
-[Illustration: ICE MOUNTAIN AND ICE BRIDGE.
-
-The beauty of this scene varies yearly, for the wind and weather have
-all to do with the magnitude of the formations. When the weather is
-exceedingly cold the ice mountain, between the American Fall and the
-Inclined Railway, attains a magnificent height. The ice also forms from
-shore to shore, enabling people to pass at will to the Canadian side,
-and forming what is popularly called the ice bridge.]
-
-
-[Illustration: OBSERVATION TOWER VIEW OF GOAT ISLAND AND RAPIDS.
-
-This view shows “the dividing of the waters” of Niagara River, and in
-the immediate front the American Rapids are seen flowing tumultuously
-onward towards the towering cataract. Far across beyond Goat Island are
-the Canadian Rapids. The greater grandeurs and immense boundaries of
-which are best seen from Victoria Park on the Canadian side.]
-
-
-[Illustration: BRINK OF THE AMERICAN FALL.
-
-Probably there is no one sight which impresses itself more strongly
-upon the great majority of beholders than this view of the brink of
-the American Fall. Such mighty on-rushing torrents, so powerful, yet
-so smoothly and alluringly moving on over the precipice, and so near
-is the visitor to what seems an abyss of destruction that the scene is
-never forgotten.]
-
-
-[Illustration: THE AMERICAN FALL FROM GOAT ISLAND.
-
-This view across American Fall is one never to be forgotten. Here the
-brink of the Fall is seen in all its beauty, while far across the Fall,
-Prospect Park, with its constant crowds, forms part of the picture. A
-fine view of the Upper Steel Bridge is also here enjoyed.]
-
-
-[Illustration: HORSESHOE FALL BY SEARCHLIGHT.
-
-This photographic masterpiece, the crest of the Horseshoe Fall by
-searchlight, taken from Falls View, is the only one of its kind ever
-made. “The scene is entrancing as the searchlight kisses the water into
-new beauty.”
-
-ON THE BRIDGE AT MIDNIGHT. This is a night scene, the Upper Steel
-Bridge, made possible by the recent advancement in photography.]
-
-
-[Illustration: WHIRLPOOL RAPIDS.
-
-The Whirlpool Rapids begin within sight of the Falls. The gorge narrows
-to 300 feet and the current rushes onward at a speed of 40 miles an
-hour and the foam-crested waters are entrancingly beautiful.]
-
-
-[Illustration: THE WHIRLPOOL.
-
-The Whirlpool is about two miles below the Falls and is the greatest
-known river pocket. Into it the Rapids plunge in all their fury, and a
-gyrating motion is given the entire body of water. Here the river turns
-at right angles, causing one of the most mysterious and fascinating
-features of this mighty stream of water.]
-
-
-[Illustration:
-
- INCLINED RAILWAY.
- AMERICAN FALL.
- LUNA ISLAND.
- CAVE OF THE WINDS.
- GOAT ISLAND.
- HORSESHOE FALL.
- TABLE ROCK.
- VICTORIA PARK.
-
-PANORAMIC VIEW OF NIAGARA FALLS FROM THE CANADIAN SIDE.]
-
-
-[Illustration: THE CANADIAN RAPIDS AND HORSESHOE FALL, FROM FALLS VIEW
-STATION.
-
-This is one of the grand views to be had from the Canadian side of
-the river. The rapids, by their great descent and vastness, convey
-an impressive effect to the mind, and, together with the Falls and
-scenery of Victoria Park, combines to make one of the most pleasing
-pictures about Niagara. The entire length of the park is traversed by
-the electric cars, which are so great a convenience about Niagara, for
-tourists.]
-
-
-[Illustration: AMERICAN FALL FROM CANADIAN SIDE.
-
-Standing in Victoria Park, one gets a full front view of the American
-Fall, while at the right of the scene is Center Fall, flowing between
-Luna and Goat Islands. The American Fall has a width of 1,000 feet, a
-height of 158 feet, while the Rapids above descend forty feet in a half
-mile. All visitors should go to the Canadian side for the Canadian Fall
-and Rapids, the most imposing features of the Falls, are there best
-seen with their wonderful rainbow and mist effects, while the beauties
-of Victoria Park itself well repay a visit.]
-
-
-[Illustration: THE GORGE.
-
-The life work of Niagara River has been and continues to be the digging
-of the Niagara Gorge through which it flows. Those who have studied the
-subject thoroughly have reached the conclusion that the great trench
-was excavated by the running of the river itself. In its length, the
-gorge is in one sense a measure of the age of the river.]
-
-
-[Illustration: SCENE ON THE “GORGE ROUTE.”
-
-This Electric road runs along the New York Shore, for much of the way,
-about twenty feet up from the water, and affords unequaled views of the
-Whirlpool Rapids, the great bridge and cliffs, the Whirlpool and all
-scenic features. The objects of interest along the Gorge Route are only
-second to the two great cataracts themselves.]
-
-
-[Illustration: HORSESHOE OR CANADIAN FALL IN WINTER.
-
-The intensity of the mighty grasp of winter is at no point better
-portrayed than in its effects on the Horseshoe Fall. Gradually the
-waters are chilled and frozen until where yesterday the river plunged
-over the precipice in gleeful, laughing manner, huge stalactites of ice
-are hung reaching from the cliff-top to the slope below.]
-
-
-[Illustration: ICE FORMATION AT CAVE OF THE WINDS.
-
-In February, 1896, for a period of four days, the Cave of the Winds
-was dry, the water of the Fall being kept back by the ice formation.
-Visitors sought the cavern and roamed about admiring the icy scenes on
-every side. The photograph for the picture above was then made, and it
-may never be possible to obtain the same again.]
-
-
-[Illustration: UPPER STEEL ARCH BRIDGE.
-
-This wonderful example of man’s handiwork connects the extreme lower
-points of Prospect Park on the American side, with Victoria Park on the
-Canadian side. It has a single deck, is 1,268 feet long, 49 feet wide
-and 190 feet above the water, and was built in 1898. Splendid views are
-had from this bridge.]
-
-
-[Illustration: THE ICE PALACE.
-
-The Ice Palace, a thing of beauty in the production of which man
-essayed to supplement Nature, was erected in the State Reservation in
-the winter of 1898. “An area of 120 by 160 feet was covered by its
-gleaming walls of crystal. The entire structure was gay with bunting
-and flags by day and brilliant with electrical illumination by night.”]
-
-
-[Illustration: BRIDGES AT NIAGARA.
-
- LUNA ISLAND BRIDGE. BRIDGE TO THIRD SISTER ISLAND.
-
- BRIDGE TO SECOND SISTER ISLAND. RUSTIC BRIDGE TO WILLOW ISLAND.]
-
-
-[Illustration: LOWER STEEL ARCH BRIDGE.
-
-This bridge spans the river at its narrowest part. It was built in 1897
-by the Grand Trunk Railroad Company. It has two decks, the upper for
-railway trains and the lower for carriages and pedestrians. The arch
-has a span of 550 feet.]
-
-
-[Illustration: TABLE ROCK AND THE DEVIL’S PULPIT.
-
-This rocky plateau is located over the Devil’s Hole, on the American
-side, 300 feet above the wild waters of the Gorge. It has been
-the scene of many recorded and traditional battles and sanguinary
-struggles. Grand sweeps of scenery are to be witnessed from this
-commanding site.]
-
-
-[Illustration: DEVIL’S HOLE.
-
-The Devil’s Hole is a dark and gloomy chasm in the high bank, and has a
-depth of 150 feet. It is said to have been a store house for ammunition
-in early times. It is reached by the City trolley line and by the Gorge
-Road.]
-
-
-[Illustration: BROCK’S MONUMENT
-
-Stands on Queenston Heights, about four miles below the Whirlpool. It
-was erected to commemorate the memory of Sir Isaac Brock who fell in
-battle in the war of 1812. It is a noble shaft, 100 feet high, capped
-with a statue of Brock. It is seen for many miles in all directions.]
-
-
-[Illustration: SUSPENSION BRIDGE AT LEWISTON.
-
-This Suspension Bridge is now the only one which spans Niagara River.
-It links Queenston on the Canadian side with Lewiston on the American
-side, seven miles below the Falls, and is crossed by the Belt Line
-trolley route about the Gorge. The suspended span is 800 feet, and it
-has a cable span of 1040 feet.]
-
-
-[Illustration: A FAMILIAR WINTER SCENE IN PROSPECT PARK.
-
-In winter the high winds which prevail, sometimes for days at a time,
-catch the spray from the American Fall and carry it far back into the
-forest growth, the trees become ice-laden, and the transformation that
-takes place is beautiful in the extreme.]
-
-
-[Illustration:
-
- THE RED MAN’S FACT THE WHITE MAN’S FANCY
-
-FROM THE FAMOUS PAINTINGS BY JAMES FRANCIS BROWN.
-
-To the Indians the thundering of the water was the voice of the Great
-Spirit; the spray-cloud his habitation. A portion of the crops and
-spoils of the chase were annually offered as tokens, and the fairest
-maiden of a tribe was sacrificed by being sent over the falls in a
-canoe laden with fruits and flowers.
-
-No less than the Red Man, is his successor, the White Man, impressed
-with the majesty of the Creator’s power as displayed in the grandeurs
-of Niagara. “Between falling flood and rising cloud, you imagine a
-mystical meaning in the passage of body to soul, of matter to spirit,
-of human to divine.”]
-
-
-[Illustration: ROCK OF AGES, AT CAVE OF THE WINDS.
-
-Surrounded with an atmosphere of sentiment is this view at Niagara. It
-forms an artistic and pleasing picture. Evidently at some remote time
-in the past the rock has fallen from the cliff above. The famous cave
-of the winds lies back of the Center Fall. It is 100 feet high, 100
-feet wide and 60 feet deep.]
-
-*** END OF THE PROJECT GUTENBERG EBOOK THE NEW BOOK OF NIAGARA ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.