summaryrefslogtreecommitdiff
path: root/old/68539-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/68539-0.txt')
-rw-r--r--old/68539-0.txt869
1 files changed, 0 insertions, 869 deletions
diff --git a/old/68539-0.txt b/old/68539-0.txt
deleted file mode 100644
index c738fbf..0000000
--- a/old/68539-0.txt
+++ /dev/null
@@ -1,869 +0,0 @@
-The Project Gutenberg eBook of The Shakespeare garden club, by Mabel
-M. Moran
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: The Shakespeare garden club
- A fantasy
-
-Author: Mabel M. Moran
-
-Release Date: July 16, 2022 [eBook #68539]
-
-Language: English
-
-Produced by: Charlene Taylor, David E. Brown, and the Online Distributed
- Proofreading Team at https://www.pgdp.net (This file was
- produced from images generously made available by The
- Internet Archive/American Libraries.)
-
-*** START OF THE PROJECT GUTENBERG EBOOK THE SHAKESPEARE GARDEN
-CLUB ***
-
-
-
-
-
- The Shakespeare Garden Club
-
- A FANTASY
-
- --by--
-
- Mabel M. Moran
- of the
- Larchmont Garden Club
- Larchmont, N. Y.
-
- [Illustration]
-
- Copyright 1919. By Mabel M. Moran.
-
-
-
-
-CAST
-
-
- Ann Hathaway
- Mistress Page
- Mistress Ford
- Lady Macbeth
- Perdita
- Cordelia
- Desdemona
- Katherine
- Jessica
- Portia
- Rosalind
- Juliet
- Titania
- Ophelia
- Rosaline
- Cleopatra
-
-
-
-
-The Shakespeare Garden Club
-
-A FANTASY
-
-By MABEL M. MORAN.
-
-
-SCENE: A room in Ann Hathaway’s cottage at Stratford-on-Avon.
-Furnishing in keeping with the period.
-
-(As curtain rises Ann is in the act of placing chairs, benches etc., in
-a semi-circle around the room; in center of circle is a long chest to
-be used as desk for the presiding officer.
-
-Noise is heard at door. Ann runs and opens same. Enter Mistress Page
-and Mistress Ford,--with animated flutter).
-
- ANN: Mistress Page (kisses) and Mistress Ford (more kisses). No finer
- sight ere greeted eye than you two dear ladies--nor never did I need
- you more.
-
- PAGE: How now?
-
- FORD: And why is this?
-
- ANN: Forsooth, ’tis a meeting here to-day of the Shakespeare Garden
- Club--and like to be grave and solemn, so none better than you Merry
- Wives of Windsor to cheer me up.
-
- PAGE: A meeting--a-lack-a-day--may we stay? We are not members.
-
- ANN: Oh, you are my guests--and most welcome.
-
- FORD: Do we know the ladies?
-
- ANN: Nearly all, I trow, there’s the President, Lady Macbeth.
-
- PAGE: She was ever all dignity--and ambition.
-
- ANN: And the Secretary is Portia, the attorney-at-law.
-
- FORD: A-la-la, she’ll make you toe the mark.
-
- ANN: Jessica, Shylock’s daughter, is Treasurer.
-
- PAGE: No one dares owe dues to her, I’ll warrant.
-
- ANN: But sit you down, and have a merry gossip together. Methinks the
- ladies do arrive.
-
- (Knock on door. Perdita enters, greeting and handshaking)
-
- ANN: (Aside to wives as Perdita crosses stage and takes chair at
- end) You remember the Winters’ Tale they told of her? (Wives nod
- energetically)
-
- ANN: And here comes Desdemona, wife of Othello.
-
- Enter Desdemona. (sits by Perdita)
-
- PAGE: (aside) How could she ever have married that horrid black man?
-
- Enter Cordelia.
-
- FORD: I have never met her, she’s daughter to King Lear, a cranky
- father and hard to please, but she’s a lovely religious woman.
-
- Enter Katherine.
-
- PAGE: Why that’s Petrucio’s wife, the one they called the Shrew, she
- hath an untamed twinkle in her eye.
-
- Enter Jessica.
- (sits at table)
-
- FORD: Shylock’s daughter, she keeps him guessing I’ll warrant.
-
- Enter Rosalind.
- (in man’s attire)
-
- PAGE: That must be Rosalind, she always did love the doublet and
- hose, but--as you like it--so do it, say I.
-
- Enter Portia.
- (Mortar-board and gown)
- (Sits at center table.)
-
- FORD: ’Tis Portia, the lawyer, and most successful. She’ll win a case
- tho it be for the Queen or only for a pound of flesh.
-
- Enter Juliet.
-
- PAGE: That’s Romeo’s wife, Juliet Capulet that was; for a run-away
- match I hear they’re very happy.
-
- Enter Titania.
-
- FORD: There’s a woman I cannot understand. She seems ever to dwell in
- a sort of Midsummer Night’s Dream.
-
- Enter Ophelia.
-
- PAGE: That girl gives me the shivers, tho some say she makes a fine
- wife to that melancholy Dane named Hamlet.
-
- Enter Cleopatra.
- (Regally attired in Egyptian draperies)
-
- FORD: My word! ’Tis well our husbands are not here, that woman is a
- vampire.
-
- (Enter in numbers minor characters and take seats, much chatting,
- laughing, etc., until)
- Enter Lady Macbeth.
- (All rise and bow, she takes seat at center of table and raps)
- The meeting comes to order.
-
- LADY MACBETH: (rising and speaking with much dignity) Ladies of the
- Shakespeare Garden Club: We have a long and arduous meeting before
- us. Do I impose too much upon the milk of human kindness when I beg
- that the minutes of the previous meeting be omitted?
-
- PORTIA: (Jumping to her feet) I do protest, Madam, there is no power
- in Stratford that can alter a decree established.
-
- KATHERINE: How now! Must we listen to the law again to-day, Portia?
- Go to--let’s get on!
-
- LADY MACBETH: Oh well, what were done, when ’tis done then ’twere
- well it were done quickly. Madam Secretary--the minutes.
-
- PORTIA: (reading) The 12th meeting of the Shakespeare Garden Club
- was held on March 15th (interruption from a member) Oh the Ides of
- March! The Ides of March. (grows faint and is fanned by companions.)
-
- MISTRESS PAGE: Poor soul, that is Caesar’s wife.
-
- PORTIA: (continues) The meeting was at the home of Juliet Montague
- and was addressed by Will Shakespeare himself, who hath told us in
- strong words of the unsightly condition of the banks of the River
- Avon. Willow trees uprooted, old rushes strewn about; broken
- flagons, and stray odds and ends of all unsavory things, even unto
- defunct felines, lie on the edge of our lovely waterway, and it was
- urged by our most beloved leader that this Club take the matter in
- hand and clear away the filth and grow Plants, Flowers and Fruits
- along the river’s banks. ’Twas moved by Desdemona, seconded by
- Rosalind, and carried that our Garden Club should attend unto this
- work.
-
- LADY MACBETH: (rising) Enough! Thus thou must do, if thou’d have it,
- let us hear what our members have in mind.
-
- PORTIA: Madam President, there is more to read.
-
- JESSICA: Sit you down, Portia, and let me read my report upon the
- ducats in our treasury.
-
- PORTIA: Jessica, thou art indeed thy father’s child. Shylock ever
- thought upon the ducats.
-
- LADY MACBETH: Ladies, enough of this. Ambition for our Club is our
- dear wish. Let’s on with business. Who hath considered this matter
- and can name some fair flowers to carpet Avon’s banks?
-
- (looks about questioningly, a member rises)
-
- Ah Titania!
-
- TITANIA: Madam President, my suggestions come from realms of fairy
- land as I dream, half-waking, on a bank where the wild thyme blows;
- where oxlips and the nodding violet grows. Quite over canopied with
- luscious woodbine, with sweet musk roses, and with eglantine. I
- dream of pease blossoms and mustard seed and canker roses (tho some
- call them wild) and honeysuckle and ivy--(which I trow is feminine
- because it requires support). I give you dewberries and apricots,
- and love-in-idleness, and there is cupid’s flower and Dian’s bud,
- which is but an herb, but brewed will keep men and women chaste.
-
- MISTRESS FORD: (aside) Best brew some for Cleopatra.
-
- TITANIA: (continues) These, Madam President, are what I would grow on
- Avon’s marshy banks. (sits down)
-
- LADY MACBETH: Titania hath named a worthy list, let all in favor
- signify in the usual way.
-
- (Members applaud and murmur “aye, aye”)
-
- LADY MACBETH: (looking about) Juliet, do I see you wish to speak?
-
- JULIET: Madam President, Romeo says the plaintain leaf is most
- excellent for healing bruises, why not grow that? And Friar Lawrence
- knows many precious juic-ed flowers that kill the poisons of baleful
- weeds. Such weeds as the mandrake that shrieks like living mortals
- when torn from the earth. And surely we must have a pomegranate tree,
- for Romeo and I both know that the nightingale loves to sing in the
- branches, and the nightingale sings far sweeter than the lark.
-
- JESSICA: Oh you romantic child, still thinking of your honeymoon.
-
- LADY MACBETH: Ladies, your approval? (Applause and “ayes”)
-
- OPHELIA: (very timidly) Madam President?
-
- KATHERINE: (aside) Have we to listen to Ophelia? Everyone knows she
- hath bats in her belfry.
-
- ROSALIND: Hush, Kate, Hamlet hath changed her mind since they were
- wed, she’s sane enough now.
-
- KATHERINE: Hamlet and Petrucio must be of the same kin, Petrucio made
- me change some, forsooth.
-
- OPHELIA: (in louder tones) Madam President.
-
- LADY MACBETH: Ah Ophelia, speak up my child.
-
- OPHELIA: Madam, I move we plant rosemary, that’s for remembrance
- and a chosen emblem for weddings and funerals. And pansies, they’re
- for thought, tho Madam Titania called them “love-in-idleness.”
- Fennel, too, we should have, that’s for flatterers, tho some say the
- gladiators mixed it with their daily food, to make them fierce and
- rude. Columbine is pretty, but it means unfaithfulness--and forsaken
- lovers--let’s not plant that. Then we must have rue, for its other
- name is herb of grace--we all need that. And daisies, shall we plant
- those? They mean to “dissemble.” But oh dear Madam, I pray you let
- us have violets--and violets and violets, for they mean
- faithfulness. (sits down)
-
- KATHERINE: Madam President, I move we cheer Ophelia, she hath told us
- useful things. (Members--“Aye, aye, aye!”)
-
- LADY MACBETH: (Raps for quiet) Peace ladies, time passes, we must
- hasten, are there more suggestions?
-
- PERDITA: Madam President--Now Jove give me courage, I do so tremble
- when I speak--we should plant lavender and mint, and savory, and
- marjoram, and pale primroses--fairest flowers of their season would
- show star-like on Avon’s banks, while the flower-de-luce and crown
- imperial would rear their lily heads in majesty gainst the foliage
- of willows. We could also have carnations and gillyvors, tho I like
- them not.
-
- (sits down hastily)
-
- KATHERINE: Madam President. Perdita is so shy she will not tell
- why she likes not the carnation and the gillyvors, but I know ’tis
- because they both are streaked with red and white and look like
- painted women.
-
- MISTRESS FORD: (aside) Let’s call Cleopatra “gilly” for short.
-
- CORDELIA: Madam President.
-
- LADY MACBETH: Cordelia has the floor.
-
- CORDELIA: Ladies, I ask your indulgence while I tell you a short but
- sweet tale of the Crown Imperial. This flower, which we sometimes
- call the Canterbury Bells, was first made white and erect and grew
- to its full beauty in the Garden of Gethsemane where it was oft
- noted and admired by our Lord, but on the night of the Agony, as he
- passed through the Garden, all the other flowers bowed their heads
- in sorrowful adoration, save the Crown Imperial, which alone
- remained with its head unbowed, but not for long. Sorrow and shame
- soon took the place of pride, and tears and painful blushes
- followed, and so hath she ever remained with bent blossoms unto this
- very day. (Murmurs and nods from members)
-
- MISTRESS FORD: (aside) Did I not say Cordelia was a fine religious
- woman?
-
- ROSALINE: Madam President?
-
- LADY MACBETH: Rosaline, my dear, I rejoice to hear you speak.
-
- ROSALINE: Dear Madam, I recall a sweet song of my childhood, learned
- before I knew that sometimes Love’s Labor’s Lost. It paints a
- picture of springtime. (Sings)
-
- When daisies pied and violets blue
- And lady-smocks all silver white
- And cuckoo-buds of yellow hue
- Do paint the meadows with delight.
-
- Surely this would apply to Avon’s banks as well.
-
- LADY MACBETH: Quite likely, child, ’tis a pretty chant, we thank you.
- (looks slowly around circle) Ah, Cleopatra, have you no suggestions?
-
- (Cleopatra rises languidly and poses)
-
- CLEOPATRA: Madam President, age cannot wither, nor custom stale the
- infinite variety of my memories of Egypt’s bounteous blooms; but
- alas! They would shrivel and die in your cold clime. Would that you
- might see green figs grow, and ripe luscious olives. And Oh for a
- glimpse of the date trees on the Nile, or a whiff of the orange
- blossoms’ perfume. Could you but imagine the beauty of the lemon
- tree heavy with golden fruit, or the loveliness of the lime. The
- dusky purple of Egypt’s wine-like grapes lies ever in mine eye, and
- I dream of the wondrous green of the Aspic vine. Yet perchance that
- which I love most is the polished sheen of laurel leaves, for
- Anthony and I wore laurel chaplets on our brows throughout the year.
- (Sinks back into seat)
-
- MISTRESS PAGE: My word, she treats us English like 30 farthings.
-
- LADY MACBETH: My lady Cleopatra hath told us what we may not have.
-
- OPHELIA: (rising hastily) Dear lady, let me tell you what we must not
- have, ’tis aconite, bracken, bramble and brier, burs, burdock and
- cockle, duckweed and hemlock, insane-root, nettles and opium. All
- these are evil things. Let’s none of them.
-
- (Members murmur and shiver)
-
- PORTIA: The law would call this a process of elimination.
-
- ROSALIND: Madam President, I speak for the greenwood tree, for trees
- are my delight. ’Twas but a while ago that I found a man haunting
- the forest and abusing our young plants with carving “Rosalind” on
- their bark. Hanging odes on Hawthornes, and elegies on
- brambles--forsooth deifying the name of Rosalind. I soon stopped
- that.
-
- KATHERINE: Brave girl, what did you do?
-
- ROSALIND: (laughing) I married him.
-
- LADY MACBETH: Mistress Ford, have you a thought to add to our growing
- list?
-
- MISTRESS FORD: (rising and bowing low) My lady, I thank you for your
- courtesy to one outside your club, and being a good housewife I
- would speak for grains. You should plant barley, corn and oats, rye
- and wheat. Then too, there’s spices, ginger, nutmeg and mace--oh
- yes, and mustard, thyme and savory.
-
- MISTRESS PAGE: (rising quickly) Dear Madam, I, too, am a good
- housewife, pray let me speak for what we can never neglect, good
- vegetables. There’s cabbage and carrots, beans and peas, lettuce and
- mushrooms, and onions, garlic and leeks.
-
- LADY MACBETH: Ladies! Mine ears are weighted with sounds of food.
- Pray let us not consider onions--garlic and leeks--or all the
- perfume of Arabia will not sweeten this little land.
-
- CORDELIA: Dear Madam, I fear to annoy, but would the name of
- berries fall heavy on thine ear? We should grow some of these
- along the bank; say blueberries and blackberries, currants, and
- dewberries, gooseberries, mulberries and strawberries, and if we
- grow strawberries we must remember that our own King Henry the
- Fifth hath said: “The strawberry grows underneath the nettle, and
- wholesome berries thrive and ripen best, neighbored by fruit of
- baser quality.” Are we humans like that, I wonder?
-
- LADY MACBETH: (Turning to Portia) Madam Secretary, are you able to
- make notes--these thoughts come in thick and fast.
-
- PORTIA: Aye, Madam, and I crave your mercy, and beg that the quality
- of mercy is not strained, for Ann Hathaway has asked that we leave
- not out of our discussion the trees that Master Shakespeare loves
- so well. If a suggestion from me comes not amiss, it would seem wise
- that our members now sitting in this half circle should try, as in
- our childhood games, to name the trees in order, alphabetical, each
- taking her turn according to the letter, what say you, Madam?
-
- LADY MACBETH: Most admirable. Shall we begin at this end with
- Mistress Page?
-
- MISTRESS PAGE: Do I understand that I am to name all trees I canst
- remember beginning with the letter ‘A?’
-
- PORTIA: That is my thought, and when you have finished just tap your
- neighbor and she will start with ‘B.’
-
- MISTRESS PAGE: (Thoughtfully) Almond, ash, aspen, apple, that’s all.
- (taps Mistress Ford)
-
- MISTRESS FORD: Balsam, bay, birch, box.
-
- (much excitement among members, all trying to think, etc.) (Much
- original business)
-
- NEXT: Cherry, chestnut, crabapple, cypress.
-
- NEXT: Elm and elder.
-
- NEXT: Fig, filbert and fir.
-
- NEXT: Hazlenut and holly.
-
- NEXT: Lemon, lime and linden.
-
- NEXT: Oak, olive, orange.
-
- NEXT: Mistletoe and mulberry.
-
- NEXT: Palm, peach, pear, pine, plum, pomegranate.
-
- NEXT: Quince.
-
- NEXT: Sycamore.
-
- NEXT: Walnut and willow.
-
- NEXT: Yew-tree.
-
- ANN HATHAWAY: Will Shakespeare would love that game, and thank the
- players, ’tis a goodly list of trees to cast welcome shade on Avon’s
- banks.
-
- LADY MACBETH: Ladies, we may rest content, our meeting hath
- accomplished much, is there further discussion for our Garden Club?
-
- DESDEMONA: Madam, my husband’s friend, Iago, (tho I like nor trust him
- not) hath a pretty wit and hath likened us to gardens in these
- words: “Our bodies are our gardens, to which our wills are
- gardeners, so that if we will plant nettles or sow lettuce, set
- hyssop, and weed up thyme, supply it with one gender of herbs, or
- distract it with many, either to have it sterile with idleness or
- manured with industry, why the power and corrigible authority of
- this lies in our wills.” (sits down)
-
- LADY MACBETH: True, child, very true. Ladies, let me prophesy, that
- when our members have died, and worms have eaten them and Master
- Shakespeare himself hath become but ancient history--garden clubs in
- times to come will remember fair Avon’s shores made lovely by your
- sweet suggestions.
-
- CLEOPATRA: (languidly) Madam, I move we adjourn.
-
-
- Curtain.
-
-
-
-
-TRANSCRIBER’S NOTES:
-
-
- Obvious typographical errors have been corrected.
-
- Inconsistencies in hyphenation have been standardized.
-
- Archaic or variant spelling has been retained.
-
- The cover image for this eBook was created by the transcriber and is
- entered into the public domain.
-
-*** END OF THE PROJECT GUTENBERG EBOOK THE SHAKESPEARE GARDEN
-CLUB ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.