summaryrefslogtreecommitdiff
path: root/old/68519-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/68519-0.txt')
-rw-r--r--old/68519-0.txt584
1 files changed, 0 insertions, 584 deletions
diff --git a/old/68519-0.txt b/old/68519-0.txt
deleted file mode 100644
index abf7c57..0000000
--- a/old/68519-0.txt
+++ /dev/null
@@ -1,584 +0,0 @@
-The Project Gutenberg eBook of The urine dance of the Zuni Indians of
-New Mexico, by John G. Bourke
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: The urine dance of the Zuni Indians of New Mexico
-
-Author: John G. Bourke
-
-Compiler: P. H. Sheridan
-
-Release Date: July 13, 2022 [eBook #68519]
-
-Language: English
-
-Produced by: Charlene Taylor, Donald Cummings and the Online Distributed
- Proofreading Team at https://www.pgdp.net (This file was
- produced from images generously made available by The
- Internet Archive)
-
-*** START OF THE PROJECT GUTENBERG EBOOK THE URINE DANCE OF THE ZUNI
-INDIANS OF NEW MEXICO ***
-
-
-
-
-
- THE URINE DANCE
-
- OF THE
-
- ZUNI INDIANS OF NEW MEXICO
-
-
-
-
- NOT FOR GENERAL PERUSAL
-
- THE URINE DANCE
- OF THE
- ZUNI INDIANS OF NEW MEXICO
-
- BY
-
- CAPTAIN JOHN G. BOURKE
- THIRD CAVALRY, U. S. ARMY
-
- FROM THE ETHNOLOGICAL NOTES COLLECTED BY HIM
-
- UNDER THE DIRECTION OF
-
- LIEUTENANT GENERAL P. H. SHERIDAN, U. S. ARMY
-
- IN 1881.
-
- PRIVATELY PRINTED
- 1920
-
-
-
-
- THE URINE DANCE OF THE ZUNIS
- by
- JOHN G. BOURKE, Captain, Third Cavalry, U. S. Army
-
-
-On the evening of November 17, 1881, during my stay in the village of
-Zuni, New Mexico, the _Nehue-Cue_, one of secret orders of the Zunis,
-sent word to Mr. F. Cushing (whose guest I was) that they would do
-us the unusual honor of coming to our house to give us one of their
-characteristic dances, which, Cushing said, was unprecedented.
-
-The squaws of the Governor’s family put the long “living room” to
-rights, sweeping the floor and sprinkling it with water to lay the
-dust. Soon after dark the dancers entered; they were twelve in number,
-two being boys. The center men were naked with the exception of black
-breech-clouts of archaic style. The hair was worn naturally with a
-bunch of wild turkey feathers tied in front, and one of corn-husks
-over each ear. White bands were painted across the face at eyes and
-mouth. Each wore a collar or neckcloth of black woolen stuff. Broad
-white bands, one inch wide, were painted around the body at the navel,
-around the arms, the legs at mid-thighs and knees. Tortoise-shell
-rattles hung from the right knee. Blue woolen footless leggins were
-worn with low-cut moccasins, and in the right hand each waved a wand
-made of an ear of corn, trimmed with the plumage of the wild turkey and
-macaw. The others were arrayed in old cast-off American army clothing,
-and all wore white cotton night-caps, with corn-husks twisted into
-the hair at top of head and ears. Several wore, in addition to the
-tortoise-shell rattles, strings of brass sleigh-bells at knees. One was
-more grotesquely attired than the rest in a long India-rubber gossamer
-“over all” and a pair of goggles, painted white, over his eyes. His
-general “get-up” was a spirited take-off upon a Mexican priest. Another
-was a very good counterfeit of a young woman.
-
-To the accompaniment of an oblong drum, and of the rattles and bells
-spoken of, they shuffled into the long room, crammed with spectators
-of both sexes, and of all sizes and ages. Their song was apparently
-a ludicrous reference to everything and everybody in sight, Cushing,
-Mendeleff, and myself receiving special attention, to the uncontrolled
-merriment of the red-skinned listeners. I had taken my station at one
-side of the room, seated upon the banquette, and having in front of me
-a rude bench or table upon which was a small coal-oil lamp. I suppose
-that in the halo diffused by the feeble light and in my “stained-glass
-attitude” I must have borne some resemblance to the pictures of saints
-hanging upon the walls of old Mexican churches; to such a fancied
-resemblance I at least attribute the performance which followed.
-
-The dancers suddenly wheeled into line, threw themselves on their knees
-before my table, and with extravagant beatings of breast began an
-outlandish but faithful mockery of a Mexican Catholic congregation at
-vespers. One bawled out a parody upon the Pater Noster, another mumbled
-along in the manner of an old man reciting the rosary, while the fellow
-with the India-rubber coat jumped up and began a passionate exhortation
-or sermon, which for mimetic fidelity was inimitable. This kept the
-audience laughing with sore sides for some moments, until at a signal
-from the leader the dancers suddenly countermarched out of the room, in
-single file, as they had entered.
-
-An interlude followed of ten minutes, during which the dusty floor
-was sprinkled by men who spat water forcibly from their mouths. The
-_Nehue-Cue_ re-entered; this time two of their number were stark
-naked. Their singing was very peculiar and sounded like a chorus of
-chimney-sweeps, and their dance became a stiff-legged jump, with heels
-kept twelve inches apart. After they had ambled around the room two
-or three times, Cushing announced in the Zuni language that a “feast”
-was ready for them, at which they loudly roared their approbation and
-advanced to strike hands with the munificent “Americanos,” addressing
-us in a funny gibberish of broken Spanish, English, and Zuni. They then
-squatted upon the ground and consumed with zest large “ollas” full of
-tea, and dishes of hard tack and sugar. As they were about finishing
-this a squaw entered, carrying an “olla” of urine, of which the filthy
-brutes drank heartily.
-
-I refused to believe the evidence of my senses, and asked Cushing if
-that were really human urine. “Why, certainly,” replied he, “and here
-comes more of it.” This time, it was a large tin pail-full, not less
-than two gallons. I was standing by the squaw as she offered this
-strange and abominable refreshment. She made a motion with her hand to
-indicate to me that it was urine, and one of the old men repeated the
-Spanish word _mear_ (to urinate), while my sense of smell demonstrated
-the truth of their statements.
-
-The dancers swallowed great draughts, smacked their lips, and, amid the
-roaring merriment of the spectators, remarked that it was very, very
-good. The clowns were now upon their mettle, each trying to surpass his
-neighbors in feats of nastiness. One swallowed a fragment of corn-husk,
-saying he thought it very good and better than bread; his _vis-à-vis_
-attempted to chew and gulp down a piece of filthy rag. Another
-expressed regret that the dance had not been held out of doors, in one
-of the plazas; there they could show what they could do. There they
-always made it a point of honor to eat the excrement of men and dogs.
-
-For my own part I felt satisfied with the omission, particularly as the
-room, stuffed with one hundred Zunis, had become so foul and filthy as
-to be almost unbearable. The dance, as good luck would have it, did not
-last many minutes, and we soon had a chance to run into the refreshing
-night air.
-
-To this outline description of a disgusting rite I have little to add.
-The Zunis, in explanation, stated that the _Nehue-Cue_ were a Medicine
-Order which held these dances from time to time to inure the stomachs
-of members to any kind of food, no matter how revolting. This statement
-may seem plausible enough when we understand that religion and medicine
-among primitive races are almost always one and the same thing, or,
-at least, so closely intertwined that it is a matter of difficulty to
-decide where one begins and the other ends.
-
-Religion in its dramatic ceremonial preserves, to some extent, the
-history of the particular race in which it dwells. Among nations of
-high development, miracles, moralities, and passion plays have taught,
-down to our own day, in object lessons, the sacred history in which
-the spectators believed. Some analogous purpose may have been held
-in view by the first organizers of the urine dance. In their early
-history, the Zunis and other Pueblos suffered from constant warfare
-with savage antagonists and with each other. From the position of their
-villages, long sieges must of necessity have been sustained, in which
-sieges famine and disease, no doubt, were the allies counted upon by
-the investing forces. We may have in this abominable dance a tradition
-of the extremity to which the Zunis of the long ago were reduced at
-some unknown period. A similar catastrophe in the history of the Jews
-is intimated in II Kings, xviii, 27: “But Rab-shakeh said unto them:
-hath my master sent me to thy master, and to thee to speak these words?
-hath he not sent me to the men which sit on the wall, that they may
-_eat their own dung and drink their own piss with you_?” In the course
-of my studies, I came across a reference to a very similar dance,
-occurring among one of the fanatical sects of the Arabian Bedouins, but
-the journal in which it was recorded, the _London Lancet_, I think, was
-unfortunately mislaid.
-
-As illustrative of the tenacity with which such vile ceremonial, once
-adopted by a sect, will adhere to it and become ingrafted upon its
-life, long after the motives which have suggested or commended it
-have vanished in oblivion, let me quote a few lines from Max Muller’s
-“Chips from a German Workshop,” “Essay upon the Parsees,” pp. 163, 164,
-Scribner’s edition, 1869:
-
-“The _Nirang_ is the urine of cow, ox, or she-goat, and the rubbing
-of it over the face and hands is the second thing a Parsee does after
-getting out of bed. Either before applying the _Nirang_ to the face
-and hands, or while it remains on the hands after being applied, he
-should not touch anything directly with his hands; but, in order to
-wash out the _Nirang_, he either asks somebody else to pour water on
-his hands, or resorts to the device of taking hold of the pot through
-the intervention of a piece of cloth, such as a handkerchief, or his
-_sudra_, _i. e._, his blouse. He first pours water on his hand, then
-takes the pot in that hand and washes his other hand, face, and feet.”
-(Quoting from _Dadabhai-Nadrosi’s_ Description of the Parsees.)
-
-Continuing, Max Muller says: “Strange as this process of purification
-may appear, it becomes perfectly disgusting when we are told that
-women, after childbirth, have not only to undergo this sacred ablution,
-but actually to drink a little of the _Nirang_, and that the same
-rite is imposed on children at the time of their investiture with the
-_Sudra_ and _Koshti_, the badges of the Zoroastrian faith.”
-
-
- _One hundred copies printed strictly for private circulation_
-
-
- * * * * *
-
-
-
-
- Transcriber’s Note:
-
- ――Text in italics is enclosed by underscores (_italics_).
-
- ――Archaic and variable spelling has been preserved.
-
-
-*** END OF THE PROJECT GUTENBERG EBOOK THE URINE DANCE OF THE ZUNI
-INDIANS OF NEW MEXICO ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.