diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-01-21 18:18:13 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-01-21 18:18:13 -0800 |
| commit | fa370b8b858f93bd2042d68d2a180cc73532c897 (patch) | |
| tree | 577a63267379cc9383f70618e993ae20257837a7 | |
| parent | 807d728956ee9546514dca74c6bcedf26d1f324f (diff) | |
As captured January 22, 2025
| -rw-r--r-- | 68416-0.txt | 7693 | ||||
| -rw-r--r-- | 68416-h/68416-h.htm | 8920 | ||||
| -rw-r--r-- | old/68416-0.txt | 4032 | ||||
| -rw-r--r-- | old/68416-0.zip (renamed from 68416-0.zip) | bin | 82085 -> 82085 bytes | |||
| -rw-r--r-- | old/68416-h.zip (renamed from 68416-h.zip) | bin | 4607882 -> 4607882 bytes | |||
| -rw-r--r-- | old/68416-h/68416-h.htm | 4688 | ||||
| -rw-r--r-- | old/68416-h/images/cover.jpg | bin | 0 -> 656982 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-004.jpg | bin | 0 -> 16509 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-005.jpg | bin | 0 -> 53211 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-006.jpg | bin | 0 -> 49068 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-007.jpg | bin | 0 -> 148589 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-013.jpg | bin | 0 -> 60022 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-015.jpg | bin | 0 -> 111783 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-022.jpg | bin | 0 -> 65235 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-025.jpg | bin | 0 -> 114590 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-029.jpg | bin | 0 -> 10857 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-031.jpg | bin | 0 -> 115964 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-037.jpg | bin | 0 -> 22349 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-039.jpg | bin | 0 -> 116136 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-046.jpg | bin | 0 -> 51671 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-049.jpg | bin | 0 -> 112270 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-052.jpg | bin | 0 -> 57207 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-057.jpg | bin | 0 -> 134624 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-063.jpg | bin | 0 -> 97375 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-069.jpg | bin | 0 -> 116523 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-072.jpg | bin | 0 -> 15132 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-075.jpg | bin | 0 -> 109449 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-079.jpg | bin | 0 -> 69789 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-081.jpg | bin | 0 -> 108850 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-091.jpg | bin | 0 -> 69981 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-093.jpg | bin | 0 -> 105785 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-097.jpg | bin | 0 -> 62005 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-099.jpg | bin | 0 -> 123981 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-104.jpg | bin | 0 -> 65996 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-107.jpg | bin | 0 -> 113905 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-112.jpg | bin | 0 -> 49945 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-115.jpg | bin | 0 -> 103952 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-119.jpg | bin | 0 -> 40684 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-121.jpg | bin | 0 -> 110163 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-126.jpg | bin | 0 -> 56066 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-129.jpg | bin | 0 -> 106313 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-134.jpg | bin | 0 -> 63907 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-137.jpg | bin | 0 -> 118366 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-143.jpg | bin | 0 -> 119297 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-147.jpg | bin | 0 -> 53283 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-149.jpg | bin | 0 -> 116402 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-154.jpg | bin | 0 -> 55326 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-157.jpg | bin | 0 -> 124364 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-160.jpg | bin | 0 -> 61635 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-163.jpg | bin | 0 -> 107207 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-169.jpg | bin | 0 -> 105198 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-174.jpg | bin | 0 -> 32939 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-frontis.jpg | bin | 0 -> 108319 bytes | |||
| -rw-r--r-- | old/68416-h/images/i-title.jpg | bin | 0 -> 36056 bytes |
54 files changed, 16613 insertions, 8720 deletions
diff --git a/68416-0.txt b/68416-0.txt index a489cf2..d3f33e2 100644 --- a/68416-0.txt +++ b/68416-0.txt @@ -1,4032 +1,3661 @@ -The Project Gutenberg eBook of Birds and their nests, by Mary Howitt
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Birds and their nests
-
-Author: Mary Howitt
-
-Release Date: June 28, 2022 [eBook #68416]
-
-Language: English
-
-Produced by: Fiona Holmes and the Online Distributed Proofreading Team
- at http://www.pgdp.net (This file was produced from images
- generously made available by The Internet Archive/American
- Libraries.)
-
-*** START OF THE PROJECT GUTENBERG EBOOK BIRDS AND THEIR NESTS ***
-
-
-
-
-Transcriber’s Notes
-
-Hyphenation has been standardised.
-
-For the CONTENTS on page v, Chapter IX—Peewits 51 was missed from
-print in the original, and has been added.
-
-The layout of the Contents continuation page on page vi, has been
-changed to replicate the layout of the previous Contents page.
-
-Page 41—changed cemetries to cemeteries.
-
-Page 55—changed artifical to artificial.
-
-
-
-
-BIRDS AND THEIR NESTS.
-
-[Illustration: ROBIN AND NEST.]
-
-
-
-
- BIRDS AND THEIR NESTS,
-
- BY
-
- MARY HOWITT.
-
- [Illustration]
-
- _With Twenty-three Full-page Illustrations by Harrison Weir._
-
- NEW YORK:
- GEORGE ROUTLEDGE AND SONS, 416, BROOME STREET.
- London: S. W. Partridge & Co., 9, Paternoster Row.
-
- _All rights reserved._
-
-[Illustration: WATSON AND HAZELL,
-
-_Printers_,
-
-London and Aylesbury.]
-
-
-
-
-[Illustration]
-
-
-
-
-CONTENTS.
-
-
- PAGE
-
- Introductory Chapter 1
-
- Chapter I.—THE WREN 8
-
- ” II.—THE GOLDFINCH 15
-
- ” III.—THE SONG THRUSH 20
-
- ” IV.—THE BLACKBIRD 26
-
- ” V.—THE DIPPER, OR WATER-OUSEL 33
-
- ” VI.—THE NIGHTINGALE 37
-
- ” VII.—THE SKYLARK 42
-
- ” VIII.—THE LINNET 47
-
- ” IX.—THE PEEWIT 51
-
- ” X.—HOUSE-MARTINS, OR WINDOW-SWALLOWS, AND NESTS 56
-
- ” XI.—CHIFF-CHAFFS, OR OVEN-BUILDERS, AND NEST 66
-
- ” XII.—GOLDEN-CRESTED WRENS AND NEST 70
-
- ” XIII.—WAGTAIL AND NEST 76
-
- ” XIV.—JACKDAW AND NESTLINGS 82
-
- ” XV.—SPOTTED FLY-CATCHERS AND NEST 86
-
- ” XVI.—WOOD-PIGEONS AND NEST 92
-
- ” XVII.—WHITE-THROAT AND NEST 98
-
- ” XVIII.—BULL-FINCH AND NESTLINGS 102
-
- ” XIX.—MISSEL-THRUSHES AND NEST 106
-
- ” XX.—YELLOW-HAMMER, OR YELLOW-HEAD, AND NEST 112
-
- ” XXI.—MAGPIE AND NEST 116
-
- ” XXII.—NUTHATCH AND NEST 120
-
-[Illustration]
-
-
-
-
-[Illustration]
-
-
-
-
-_Birds and their Nests._
-
-
-
-
-INTRODUCTORY CHAPTER.
-
-
-The birds in these pictures of ours have all nests, which is as it
-should be; for how could the bird rear its young without its little
-home and soft little bed, any more than children could be comfortably
-brought up without either a bed to lie upon, or a home in which to be
-happy.
-
-Birds-nests, though you may find them in every bush, are wonderful
-things. Let us talk about them. They are all alike in the purpose for
-which they are intended, but no two families of birds build exactly
-alike; all the wrens, for instance, have their kind of nest; the
-thrushes have theirs; so has the swallow tribe; so has the sparrow,
-or the rook. They do not imitate one another, but each adheres to its
-own plan, as God, the great builder and artist, as well as Creator,
-taught them from the very beginning. The first nightingale, that sang
-its hymn of joyful thanksgiving in the Garden of Paradise, built
-its nest just the same as the bird you listened to last year in the
-coppice. The materials were there, and the bird knew how to make use
-of them; and that is perhaps the most wonderful part of it, for she
-has no implements to work with: no needle and thread, no scissors, no
-hammer and nails; nothing but her own little feet and bill, and her
-round little breast, upon which to mould it; for it is generally the
-mother-bird which is the chief builder.
-
-No sooner is the nest wanted for the eggs which she is about to lay,
-than the hitherto slumbering faculty of constructiveness is awakened,
-and she selects the angle of the branch, or the hollow in the bank or
-in the wall, or the tangle of reeds, or the platform of twigs on the
-tree-top, exactly the right place for her, the selection being always
-the same according to her tribe, and true to the instinct which was
-implanted in her at the first.
-
-So the building begins: dry grass or leaves, little twigs and
-root-fibres, hair or down, whether of feather or winged seed, spangled
-outside with silvery lichen, or embroidered with green mosses, less
-for beauty, perhaps—though it is so beautiful—than for the birds’
-safety, because it so exactly imitates the bank or the tree-trunk in
-which it is built. Or it may be that her tenement is clay-built, like
-that of the swallow; or lath and plaster, so to speak, like an old
-country house, as is the fashion of the magpie; or a platform of rude
-sticks, like the first rudiment of a basket up in the tree-branches, as
-that of the wood-pigeon: she may be a carpenter like the woodpecker,
-a tunneller like the sand-martin; or she may knead and glue together
-the materials of her nest, till they resemble thick felt; but in all
-this she is exactly what the great Creator made her at first, equally
-perfect in skill, and equally undeviating year after year. This is very
-wonderful, so that we may be quite sure that the sparrow’s nest, which
-David remarked in the house of God, was exactly the same as the sparrow
-built in the days of the blessed Saviour, when He, pointing to that
-bird, made it a proof to man that God’s Providence ever watches over
-him.
-
-[Sidenote: _Jules Michelet on Birds._]
-
-Nevertheless, with this unaltered and unalterable working after one
-pattern, in every species of bird, there is a choice or an adaptation
-of material allowed: thus the bird will, within certain limits, select
-that which is fittest for its purpose, producing, however, in the end,
-precisely the same effect. I will tell you what Jules Michelet, a
-French writer, who loves birds as we do, writes on this subject:—“The
-bird in building its nest,” he says, “makes it of that beautiful
-cup-like or cradle form by pressing it down, kneading it and shaping
-it upon her own breast.” He says, as I have just told you, that the
-mother-bird builds, and that the he-bird is her purveyor. He fetches in
-the materials: grasses, mosses, roots, or twigs, singing many a song
-between whiles; and she arranges all with loving reference; first,
-to the delicate egg which must be bedded in soft material; then to
-the little one which, coming from the egg naked, must not only be
-cradled in soft comfort, but kept alive by her warmth. So the he-bird,
-supposing it to be a linnet, brings her some horse-hair: it is stiff
-and hard; nevertheless, it is proper for the purpose, and serves as a
-lower stratum of the nest—a sort of elastic mattress: he brings her
-hemp; it is cold, but it serves for the same purpose. Then comes the
-covering and the lining; and for this nothing but the soft silky fibre
-of certain plants, wool or cotton, or, better still, the down from her
-own breast, will satisfy her. It is interesting, he says, to watch the
-he-bird’s skilful and furtive search for materials; he is afraid if he
-see you watching, that you may discover the track to his nest; and, in
-order to mislead you, he takes a different road back to it. You may see
-him following the sheep to get a little lock of wool, or alighting in
-the poultry yard on the search for dropped feathers. If the farmer’s
-wife chance to leave her wheel, whilst spinning in the porch, he steals
-in for a morsel of flax from the distaff. He knows what is the right
-kind of thing; and let him be in whatever country he may, he selects
-that which answers the purpose; and the nest which is built is that of
-the linnet all the world over.
-
-Again he tells us, that there are other birds which, instead of
-building, bring up their young underground, in little earth cradles
-which they have prepared for them. Of building-birds, he thinks the
-queerest must be the flamingo, which lays her eggs on a pile of mud
-which she has raised above the flooded earth, and, standing erect all
-the time, hatches them under her long legs. It does seem a queer,
-uncomfortable way; but if it answer its end, we need not object to it.
-Of carpenter-birds, he thinks the thrush is the most remarkable; other
-writers say the woodpecker. The shore-birds plait their nests, not very
-skilfully it is true, but sufficiently well for their purpose. They
-are clothed by nature with such an oily, impermeable coat of plumage,
-that they have little need to care about climate; they have enough to
-do to look after their fishing, and to feed themselves and their young;
-for all these sea-side families have immense appetites.
-
-[Sidenote: _How various Birds Build._]
-
-Herons and storks build in a sort of basket-making fashion; so do the
-jays and the mocking birds, only in a much better way; but as they
-have all large families they are obliged to do so. They lay down, in
-the first place, a sort of rude platform, upon which they erect a
-basket-like nest of more or less elegant design, a web of roots and dry
-twigs strongly woven together. The little golden-crested wren hangs her
-purse-like nest to a bough, and, as in the nursery song, “When the wind
-blows the cradle rocks.” An Australian bird, a kind of fly-catcher,
-called there the razor-grinder, from its note resembling the sound of
-a razor-grinder at work, builds her nest on the slightest twig hanging
-over the water, in order to protect it from snakes which climb after
-them. She chooses for her purpose a twig so slender that it would not
-bear the weight of the snake, and thus she is perfectly safe from her
-enemy. The same, probably, is the cause why in tropical countries,
-where snakes and monkeys, and such bird-enemies abound, nests are so
-frequently suspended by threads or little cords from slender boughs.
-
-The canary, the goldfinch, and chaffinch, are skilful cloth-weavers
-or felt makers; the latter, restless and suspicious, speckles the
-outside of her nest with a quantity of white lichen, so that it
-exactly imitates the tree branch on which it is placed, and can hardly
-be detected by the most accustomed eye. Glueing and felting play an
-important part in the work of the bird-weavers. The humming-bird, for
-instance, consolidates her little house with the gum of trees. The
-American starling sews the leaves together with her bill; other birds
-use not only their bills, but their feet. Having woven a cord, they fix
-it as a web with their feet, and insert the weft, as the weaver would
-throw his shuttle, with their bill. These are genuine weavers. In fine,
-their skill never fails them. The truth is, that the great Creator
-never gives any creature work to do without giving him at the same time
-an inclination to do it—which, in the animal, is instinct—and tools
-sufficient for the work, though they may be only the delicate feet and
-bill of the bird.
-
-And now, in conclusion, let me describe to you the nest of the little
-English long-tailed titmouse as I saw it many years ago, and which I
-give from “Sketches of Natural History”:—
-
-[Sidenote: _The Titmouse’s Nest._]
-
- There, where those boughs of blackthorn cross,
- Behold that oval ball of moss;
- Observe it near, all knit together,
- Moss, willow-down, and many a feather,
- And filled within, as you may see,
- As full of feathers as can be;
- Whence it is called by country folk,
- A fitting name, the feather-poke;
- But learned people, I have heard,
- _Parus caudatus_ call the bird.
- Yes, here’s a nest! a nest indeed,
- That doth all other nests exceed,
- Propped with the blackthorn twigs beneath,
- And festooned with a woodbine wreath!
- Look at it close, all knit together,
- Moss, willow-down, and many a feather;
- So soft, so light, so wrought with grace,
- So suited to this green-wood place,
- And spangled o’er, as with the intent
- Of giving fitting ornament,
- With silvery flakes of lichen bright,
- That shine like opals, dazzling white.
- Think only of the creature small,
- That wrought this soft and silvery ball,
- Without a tool to aid her skill,
- Nought but her little feet and bill—
- Without a pattern whence to trace
- This little roofed-in dwelling place—
- And does not in your bosom spring
- Love for this skilful little thing?
- See, there’s a window in the wall;
- Peep in, the house is not so small,
- But snug and cosy you shall see
- A very numerous family!
- Now count them: one, two, three, four, five—
- Nay, _sixteen_ merry things alive—
- Sixteen young, chirping things all sit,
- Where you, your wee hand, could not get!
- I’m glad you’ve seen it, for you never
- Saw ought before so soft and clever.
-
-[Illustration]
-
-
-
-
-CHAPTER I.
-
-THE WREN.
-
-
-Truly the little Wren, so beautifully depicted by Mr. Harrison Weir,
-with her tiny body, her pretty, lively, and conceited ways, her short,
-little turned-up tail, and delicate plumage, is worthy of our tender
-regard and love.
-
-The colouring of the wren is soft and subdued—a reddish-brown colour;
-the breast of a light greyish-brown; and all the hinder parts, both
-above and below, marked with wavy lines of dusky-brown, with two bands
-of white dots across the wings.
-
-Its habits are remarkably lively and attractive. “I know no pleasanter
-object,” says the agreeable author of “British Birds,” “than the wren;
-it is always so smart and cheerful. In gloomy weather other birds
-often seem melancholy, and in rain the sparrows and finches stand
-silent on the twigs, with drooping wings and disarranged plumage; but
-to the merry little wren all weathers are alike. The big drops of the
-thunder-shower no more wet it than the drizzle of a Scotch mist; and as
-it peeps from beneath the bramble, or glances from a hole in the wall,
-it seems as snug as a kitten frisking on the parlour rug.”
-
-[Illustration:
-
- WRENS AND NEST. [Page 8.
-]
-
-[Sidenote: _A Builder of Many Nests._]
-
-“It is amusing,” he continues, “to watch the motions of a young family
-of wrens just come abroad. Walking among furze, broom, or juniper, you
-are attracted to some bush by hearing issue from it the frequent
-repetition of a sound resembling the syllable _chit_. On going up you
-perceive an old wren flitting about the twigs, and presently a young
-one flies off, uttering a stifled _chirr_, to conceal itself among the
-bushes. Several follow, whilst the parents continue to flutter about
-in great alarm, uttering their _chit, chit_, with various degrees of
-excitement.”
-
-The nest of the wren is a wonderful structure, of which I shall have a
-good deal to say. It begins building in April, and is not by any means
-particular in situation. Sometimes it builds in the hole of a wall
-or tree; sometimes, as in this lovely little picture of ours, in the
-mossy hollow of a primrose-covered bank; and because it was formerly
-supposed to live only in holes or little caves, it received the name of
-_Troglodytes_, or cave-dweller. But it builds equally willingly in the
-thatch of out-buildings, in barn-lofts, or tree-branches, either when
-growing apart or nailed against a wall, amongst ivy or other climbing
-plants; in fact, it seems to be of such a happy disposition as to adapt
-itself to a great variety of situations. It is a singular fact that it
-will often build several nests in one season—not that it needs so many
-separate dwellings, or that it finishes them when built; but it builds
-as if for the very pleasure of the work. Our naturalist says, speaking
-of this odd propensity, “that, whilst the hen is sitting, the he-bird,
-as if from a desire to be doing something, will construct as many as
-half-a-dozen nests near the first, none of which, however, are lined
-with feathers; and that whilst the true nest, on which the mother-bird
-is sitting, will be carefully concealed, these sham nests are open
-to view. Some say that as the wrens, during the cold weather, sleep
-in some snug, warm hole, they frequently occupy these extra nests as
-winter-bedchambers, four or five, or even more, huddling together, to
-keep one another warm.”
-
-Mr. Weir, a friend of the author I have just quoted, says this was the
-case in his own garden; and that, during the winter, when the ground
-was covered with snow, two of the extra nests were occupied at night by
-a little family of seven, which had hatched in the garden. He was very
-observant of their ways, and says it was amusing to see one of the old
-wrens, coming a little before sunset and standing a few inches from the
-nest, utter his little cry till the whole number of them had arrived.
-Nor were they long about it; they very soon answered the call, flying
-from all quarters—the seven young ones and the other parent-bird—and
-then at once nestled into their snug little dormitory. It was also
-remarkable that when the wind blew from the east they occupied a nest
-which had its opening to the west, and when it blew from the west, then
-one that opened to the east, so that it was evident they knew how to
-make themselves comfortable.
-
-And now as regards the building of these little homes. I will, as far
-as I am able, give you the details of the whole business from the diary
-of the same gentleman, which is as accurate as if the little wren had
-kept it himself, and which will just as well refer to the little nest
-in the primrose bank as to the nest in the Spanish juniper-tree, where,
-in fact, it was built.
-
-[Sidenote: _How a Nest was built._]
-
-“On the 30th of May, therefore, you must imagine a little pair of
-wrens, having, after a great deal of consultation, made up their minds
-to build themselves a home in the branches of a Spanish juniper. The
-female, at about seven o’clock in the morning, laid the foundation
-with the decayed leaf of a lime-tree. Some men were at work cutting
-a drain not far off, but she took no notice of them, and worked away
-industriously, carrying to her work bundles of dead leaves as big
-as herself, her mate, seeming the while to be delighted with her
-industry, seated not far off in a Portugal laurel, where he watched
-her, singing to her, and so doing, making her labour, no doubt, light
-and pleasant. From eight o’clock to nine she worked like a little
-slave, carrying in leaves, and then selecting from them such as suited
-her purpose and putting aside the rest. This was the foundation of the
-nest, which she rendered compact by pressing it down with her breast,
-and turning herself round in it: then she began to rear the sides.
-And now the delicate and difficult part of the work began, and she
-was often away for eight or ten minutes together. From the inside she
-built the underpart of the aperture with the stalks of leaves, which
-she fitted together very ingeniously with moss. The upper part of it
-was constructed solely with the last-mentioned material. To round it
-and give it the requisite solidity, she pressed it with her breast and
-wings, turning the body round in various directions. Most wonderful to
-tell, about seven o’clock in the evening the whole outside workmanship
-of this snug little erection was almost complete.
-
-“Being very anxious to examine the interior of it, I went out for that
-purpose at half-past two the next morning. I introduced my finger,
-the birds not being there, and found its structure so close, that
-though it had rained in the night, yet that it was quite dry. The
-birds at this early hour were singing as if in ecstasy, and at about
-three o’clock the little he-wren came and surveyed his domicile with
-evident satisfaction; then, flying to the top of a tree, began singing
-most merrily. In half-an-hour’s time the hen-bird made her appearance,
-and, going into the nest, remained there about five minutes, rounding
-the entrance by pressing it with her breast and the shoulders of her
-wings. For the next hour she went out and came back five times with
-fine moss in her bill, with which she adjusted a small depression in
-the fore-part of it; then, after twenty minutes’ absence, returned
-with a bundle of leaves to fill up a vacancy which she had discovered
-in the back of the structure. Although it was a cold morning, with
-wind and rain, the male bird sang delightfully; but between seven and
-eight o’clock, either having received a reproof from his wife for his
-indolence, or being himself seized with an impulse to work, he began
-to help her, and for the next ten minutes brought in moss, and worked
-at the inside of the nest. At eleven o’clock both of them flew off,
-either for a little recreation, or for their dinners, and were away
-till a little after one. From this time till four o’clock both worked
-industriously, bringing in fine moss; then, during another hour, the
-hen-bird brought in a feather three times. So that day came to an end.
-
-“The next morning, June 1st, they did not begin their work early, as
-was evident to Mr. Weir, because having placed a slender leaf-stalk
-at the entrance, there it remained till half-past eight o’clock, when
-the two began to work as the day before with fine moss, the he-bird
-leaving off, however, every now and then to express his satisfaction on
-a near tree-top. Again, this day, they went off either for dinner or
-amusement; then came back and worked for another hour, bringing in fine
-moss and feathers.
-
-[Sidenote: _The Patient Industry of this Bird._]
-
-“The next morning the little he-wren seemed in a regular ecstasy,
-and sang incessantly till half-past nine, when they both brought in
-moss and feathers, working on for about two hours, and again they
-went off, remaining away an hour later than usual. Their work was now
-nearly over, and they seemed to be taking their leisure, when all at
-once the hen-bird, who was sitting in her nest and looking out at her
-door, espied a man half-hidden by an arbor vitæ. It was no other than
-her good friend, but that she did not know; all men were terrible,
-as enemies to her race, and at once she set up her cry of alarm. The
-he-bird, on hearing this, appeared in a great state of agitation, and
-though the frightful monster immediately ran off, the little creatures
-pursued him, scolding vehemently.
-
-“The next day they worked again with feathers and fine moss, and again
-went off after having brought in a few more feathers. So they did for
-the next five days; working leisurely, and latterly only with feathers.
-On the tenth day the nest was finished, and the little mother-bird laid
-her first egg in it.”
-
-Where is the boy, let him be as ruthless a bird-nester as he may, who
-could have the heart to take a wren’s nest, only to tear it to pieces,
-after reading the history of this patient labour of love?
-
-The wren, like various other small birds, cannot bear that their nests
-or eggs should be touched; they are always disturbed and distressed by
-it, and sometimes even will desert their nest and eggs in consequence.
-On one occasion, therefore, this good, kind-hearted friend of every
-bird that builds, carefully put his finger into a wren’s nest, during
-the mother’s absence, to ascertain whether the young were hatched; on
-her return, perceiving that the entrance had been touched, she set up
-a doleful lamentation, carefully rounded it again with her breast and
-wings, so as to bring everything into proper order, after which she and
-her mate attended to their young. These particular young ones, only six
-in number, were fed by their parents 278 times in the course of a day.
-This was a small wren-family; and if there had been twelve, or even
-sixteen, as is often the case, what an amount of labour and care the
-birds must have had! But they would have been equal to it, and merry
-all the time.
-
- For all these little creatures, which so lightly we regard,
- They love to do their duty, and they never think it hard.
-
-[Illustration]
-
-
-
-
-CHAPTER II.
-
-THE GOLDFINCH.
-
-
-The Goldfinch, which is cousin to the Linnet, is wonderfully clever and
-docile, as I shall show you presently. In the first place, however, let
-me say a word or two about bird cleverness in general, which I copy
-from Jules Michelet’s interesting work, “The Bird.” Speaking of the
-great, cruel, and rapacious family of the _Raptores_, or Birds of Prey,
-he expresses satisfaction in the idea that this race of destroyers is
-decreasing, and that there may come a time when they no longer exist
-on the earth. He has no admiration for them, though they may be the
-swiftest of the swift, and the strongest of the strong, because they
-put forth none of the higher qualities of courage, address, or patient
-endurance in taking their prey, which are all weak and powerless in
-comparison with themselves; their poor unoffending victims. “All these
-cruel tyrants of the air,” he says, “like the serpents, have flattened
-skulls, which show the want of intellect and intelligence. These birds
-of prey, with their small brains, offer a striking contrast to the
-amiable and intelligent species which we find amongst the smaller
-birds. The head of the former is only a beak, that of the latter is a
-face.” Afterwards, to prove this more strongly, he gives a table to
-show the proportion of brain to the size of the body in these different
-species of birds. Thus the chaffinch, the sparrow, and the goldfinch,
-have more than six times as much brain as the eagle in proportion to
-the size of the body. We may look, therefore, for no less than six
-times his intelligence and docile ability. Whilst in the case of the
-little tomtit it is thirteen times as much.
-
-But now for the goldfinch, of which our cut—which is both faithful
-and beautiful—shows us a pair, evidently contemplating with much
-satisfaction the nest which they have just finished on one of the
-topmost boughs of a blossomy apple-tree. This nest is a wonderful
-little fabric, built of moss, dry grass, and slender roots, lined with
-hair, wool, and thistle-down; but the true wonder of the nest is the
-exact manner in which the outside is made to imitate the bough upon
-which it is placed. All its little ruggednesses and lichen growths
-are represented, whilst the colouring is so exactly that of the old
-apple-tree that it is almost impossible to know it from the branch
-itself. Wonderful ingenuity of instinct, which human skill would find
-it almost impossible to imitate!
-
-The bird lays mostly five eggs, which are of a bluish-grey, spotted
-with greyish-purple or brown, and sometimes with a dark streak or two.
-
-The goldfinch is one of the most beautiful of our English birds, with
-its scarlet forehead, and quaint little black velvet-like cap brought
-down over its white cheeks; its back is cinnamon brown, and its breast
-white; its wings are beautifully varied in black and white, as are also
-its tail feathers. In the midland counties it is known as “The Proud
-Tailor,” probably because its attire looks so bright and fresh, and it
-has a lively air as if conscious of being well dressed.
-
-[Illustration:
-
- GOLDFINCHES AND NEST. [Page 16.
-]
-
-[Sidenote: _Daily Life of this Bird._]
-
-Like its relation, the linnet, it congregates in flocks as soon as
-its young can take wing, when they may be seen wheeling round in
-the pleasant late summer and autumn fields, full of life, and in
-the enjoyment of the plenty that surrounds them, in the ripened
-thistle-down, and all such winged seeds as are then floating in the air.
-
-How often have I said it is worth while to go out into the woods and
-fields, and, bringing yourself into a state of quietness, watch the
-little birds in their life’s employment, building their nests, feeding
-their young, or pursuing their innocent diversions! So now, on this
-pleasant, still autumn afternoon, if you will go into the old pasture
-fields where the thistles have not been stubbed up for generations, or
-on the margin of the old lane where ragwort, and groundsel, and burdock
-flourish abundantly, “let us,” as the author of “British Birds” says,
-“stand still to observe a flock of goldfinches. They flutter over the
-plants, cling to the stalks, bend in various attitudes, disperse the
-down, already dry and winged, like themselves, for flight, pick them
-out one by one and swallow them. Then comes a stray cow followed by a
-herd boy. At once the birds cease their labour, pause for a moment,
-and fly off in succession. You observe how lightly and buoyantly
-they cleave the air, each fluttering its little wings, descending in
-a curved line, mounting again, and speeding along. Anon they alight
-in a little thicket of dried weeds, and, in settling, display to the
-delighted eye the beautiful tints of their plumage, as with fluttering
-wings and expanded tail, they hover for a moment to select a landing
-place amid the prickly points of the stout thistles whose heads are now
-bursting with downy-winged seeds.”
-
-[Sidenote: _The Goldfinch._]
-
-The song of the goldfinch, which begins about the end of March, is
-very sweet, unassuming, and low—similar to that of the linnet, but
-singularly varied and pleasant.
-
-Now, however, we must give a few instances of this bird’s teachable
-sagacity, which, indeed, are so numerous that it is difficult to make a
-selection.
-
-Mr. Syme, in his “British Song Birds,” says, “The goldfinch is easily
-tamed and taught, and its capacity for learning the notes of other
-birds is well known. A few years ago the Sieur Roman exhibited a number
-of trained birds: they were goldfinches, linnets, and canaries. One
-appeared dead, and was held up by the tail or claw without exhibiting
-any signs of life; a second stood on its head with its claws in the
-air; a third imitated a Dutch milkmaid going to market with pails on
-its shoulders; a fourth mimicked a Venetian girl looking out at a
-window; a fifth appeared as a soldier, and mounted guard as a sentinel;
-whilst a sixth acted as a cannonier, with a cap on its head, a firelock
-on its shoulder, and a match in its claw, and discharged a small
-cannon. The same bird also acted as if it had been wounded. It was
-wheeled in a barrow as if to convey it to the hospital, after which
-it flew away before the whole company. The seventh turned a kind of
-windmill; and the last bird stood in the midst of some fireworks which
-were discharged all round it, and this without showing the least sign
-of fear.”
-
-Others, as I have said, may be taught to draw up their food and water,
-as from a well, in little buckets. All this is very wonderful, and
-shows great docility in the bird; but I cannot greatly admire it, from
-the secret fear that cruelty or harshness may have been used to teach
-them these arts so contrary to their nature. At all events it proves
-what teachable and clever little creatures they are, how readily they
-may be made to understand the will of their master, and how obediently
-and faithfully they act according to it.
-
-Man, however, should always stand as a human Providence to the
-animal world. In him the creatures should ever find their friend and
-protector; and were it so we should then see many an astonishing
-faculty displayed; and birds would then, instead of being the most
-timid of animals, gladden and beautify our daily life by their sweet
-songs, their affectionate regard, and their amusing and imitative
-little arts.
-
-[Sidenote: _Introduced into Pictures._]
-
-The early Italian and German painters introduce a goldfinch into their
-beautiful sacred pictures—generally on the ground—hopping at the feet
-of some martyred saint or love-commissioned angel, perhaps from an old
-legend of the bird’s sympathy with the suffering Saviour, or from an
-intuitive sense that the divine spirit of Christianity extends to bird
-and beast as well as to man.
-
-[Illustration]
-
-
-
-
-CHAPTER III.
-
-THE SONG THRUSH.
-
-
-We have here a charming picture of one of the finest and noblest of
-our song-birds—the thrush, throstle, or mavis. The trees are yet
-leafless, but the bird is in the act of building, whilst her mate, on
-the tree-top, pours forth his exquisite melody. The almost completed
-nest, like a richly ornamented bowl, is before us.
-
-This bird belongs to a grandly musical family, being own cousin to the
-missel-thrush and the blackbird, each one having a kindred song, but
-all, at the same time, distinctly characteristic.
-
-The colouring of the thrush is soft and very pleasing; the upper parts
-of a yellowish-brown; the chin, white; the under part of the body,
-grayish white; the throat, breast, and sides of the neck, yellowish,
-thickly spotted with dark brown.
-
-[Illustration:
-
- SONG THRUSH AND NEST. [Page 20.
-]
-
-The thrush remains with us the whole year, and may occasionally be
-heard singing even in the winter, though April, May, and June are the
-months when he is in fullest song. They pair in March, and by the end
-of that month, or early in April, begin to build. They have several
-broods in the year. The nest, which, as we see, is commodious, is
-placed at no great height from the ground, in a thick bush or hedge,
-and sometimes, also, in a rough bank, amongst bushes and undergrowth.
-They are particularly fond of spruce-fir plantations, building on
-one of the low, spreading branches, close to the stem. Though the
-structure is so solid and substantial, yet it is built very rapidly;
-indeed, the thrush seems to be wide awake in all its movements; he
-is no loiterer, and does his work well. As a proof of his expedition
-I will mention that a pair of these birds began to build a second,
-perhaps, indeed, it might be a third nest, on a Thursday, June 15; on
-Friday afternoon the nest was finished, and on Saturday morning the
-first egg was laid, though the interior plastering was not then dry. On
-the 21st the hen began to sit, and on the 17th of July the young birds
-were hatched.
-
-The frame-work, so to speak, of the nest is composed of twigs, roots,
-grasses, and moss, the two latter being brought to the outside. Inside
-it is lined with a thin plastering of mud, cow-dung, and rotten wood,
-which is laid on quite smoothly, almost like the glaze on earthenware;
-nor is there an internal covering between this and the eggs. The
-circular form of the nest is as perfect as a bowl shaped upon a
-lathe, and often contracts inwards at the top. The eggs, which are
-generally five in number, are of a bright blue-green, spotted over with
-brownish-black, these spots being more numerous at the larger end.
-
-The food of the thrush is mostly of an animal character, as worms,
-slugs, and snails; and, by seasides, small molluscs, as whelks and
-periwinkles. On all such as are enclosed in shells he exercises his
-ingenuity in a remarkable way. We ourselves lived at one time in an
-old house standing in an old garden where were many ancient trees and
-out-buildings, in the old ivied roots and walls of which congregated
-great quantities of shell-snails. One portion of this garden, which
-enclosed an old, disused dairy, was a great resort of thrushes, where
-they had, so to speak, their stones of sacrifice, around which lay
-heaps of the broken shells of snails, their victims. I have repeatedly
-watched them at work: hither they brought their snails, and, taking
-their stand by the stone with the snail in their beak, struck it
-repeatedly against the stone, till, the shell being smashed, they
-picked it out as easily as the oyster is taken from its opened shell.
-This may seem easy work with the slender-shelled snail, but the labour
-is considerably greater with hard shell-fish. On this subject the
-intelligent author of “British Birds” says, that many years ago, when
-in the Isle of Harris, he frequently heard a sharp sound as of one
-small stone being struck upon another, the cause of which he, for a
-considerable time, sought for in vain. At length, one day, being in
-search of birds when the tide was out, he heard the well-known click,
-and saw a bird standing between two flat stones, moving its head and
-body alternately up and down, each downward motion being accompanied
-by the sound which had hitherto been so mysterious. Running up to the
-spot, he found a thrush, which, flying off, left a whelk, newly-broken,
-lying amongst fragments of shells lying around the stone.
-
-Thrushes are remarkably clean and neat with regard to their nests,
-suffering no litter or impurity to lie about, and in this way are a
-great example to many untidy people. Their domestic character, too,
-is excellent, the he-bird now and then taking the place of the hen on
-the eggs, and, when not doing so, feeding her as she sits. When the
-young are hatched, the parents may be seen, by those who will watch
-them silently and patiently, frequently stretching out the wings of
-the young as if to exercise them, and pruning and trimming their
-feathers. To put their love of cleanliness to the proof, a gentleman,
-a great friend of all birds, had some sticky mud rubbed upon the backs
-of two of the young ones whilst the parents were absent. On their
-return, either by their own keen sense of propriety, or, perhaps, the
-complaint of the young ones, they saw what had happened, and were not
-only greatly disconcerted, but very angry, and instantly set to work to
-clean the little unfortunates, which, strange to say, they managed to
-do by making use of dry earth, which they brought to the nest for that
-purpose. Human intellect could not have suggested a better mode.
-
-[Sidenote: _How a Day was spent._]
-
-This same gentleman determined to spend a whole day in discovering how
-the thrushes spent it. Hiding himself, therefore, in a little hut of
-fir boughs, he began his observations in the early morning of the 8th
-of June. At half-past two o’clock, the birds began to feed their brood,
-and in two hours had fed them thirty-six times. It was now half-past
-five, the little birds were all wide awake, and one of them, whilst
-pruning its feathers, lost its balance and fell out of the nest to the
-ground. On this the old ones set up the most doleful lamentations, and
-the gentleman, coming out of his retreat, put the little one back into
-the nest. This kind action, however, wholly disconcerted the parents,
-nor did they again venture to feed their young till an artifice
-of the gentleman led them to suppose that he was gone from their
-neighbourhood. No other event happened to them through the day, and by
-half-past nine o’clock at night, when all went to rest, the young ones
-had been fed two hundred and six times.
-
-Thrushes, however, become occasionally so extremely tame that the
-female will remain upon her eggs and feed her young, without any
-symptom of alarm, in the close neighbourhood of man. Of this I will
-give an instance from Bishop Stanley’s “History of Birds”—
-
-“A short time ago, in Scotland, some carpenters working in a shed
-adjacent to the house observed a thrush flying in and out, which
-induced them to direct their attention to the cause, when, to their
-surprise, they found a nest commenced amongst the teeth of a harrow,
-which, with other farming tools and implements, was placed upon the
-joists of the shed, just over their heads. The carpenters had arrived
-soon after six o’clock, and at seven, when they found the nest, it was
-in a great state of forwardness, and had evidently been the morning’s
-work of a pair of these indefatigable birds. Their activity throughout
-the day was incessant; and, when the workmen came the next morning,
-they found the female seated in her half-finished mansion, and, when
-she flew off for a short time, it was found that she had laid an egg.
-When all was finished, the he-bird took his share of the labour, and,
-in thirteen days, the young birds were out of their shells, the refuse
-of which the old ones carried away from the spot. All this seems to
-have been carefully observed by the workmen; and it is much to their
-credit that they were so quiet and friendly as to win the confidence of
-the birds.”
-
-The song of the thrush is remarkable for its rich, mellow intonation,
-and for the great variety of its notes.
-
-[Sidenote: _Wordsworth’s Verses on the Thrush._]
-
-Unfortunately for the thrush, its exquisite power as a songster makes
-it by no means an unusual prisoner. You are often startled by hearing,
-from the doleful upper window of some dreary court or alley of London,
-or some other large town, an outpouring of joyous, full-souled melody
-from an imprisoned thrush, which, perfect as it is, saddens you, as
-being so wholly out of place. Yet who can say how the song of that bird
-may speak to the soul of many a town-imprisoned passer-by? Wordsworth
-thus touchingly describes an incident of this kind:—
-
- At the corner of Wood Street, when daylight appears,
- Hangs a thrush that sings loud; it has sung for three years:
- Poor Susan has passed by the spot, and has heard,
- In the silence of morning, the song of the bird.
-
- Green pastures she views in the midst of the dale,
- Down which she so often has tripped with her pail,
- And a single small cottage, a nest like a dove’s,
- The one only dwelling on earth which she loves.
-
- ’Tis a note of enchantment; what ails her? she sees
- A mountain ascending, a vision of trees;
- Bright volumes of vapour through Lothbury glide,
- And a river flows on through the vale of Cheapside.
-
- She looks, and her heart is in heaven: but they fade—
- The mist and the river, the hill, sun, and shade;
- The stream will not flow, and the hill will not rise,
- And the colours have all passed away from her eyes.
-
-[Illustration]
-
-
-
-
-CHAPTER IV.
-
-THE BLACKBIRD.
-
-
-The Blackbird is familiar to us all. It is a thoroughly English bird,
-and, with its cousin the thrush, is not only one of the pleasantest
-features in our English spring and summer landscape, but both figure
-in our old poetry and ballads, as the “merle and the mavis,” “the
-blackbird and the throstle-cock;” for those old poets loved the
-country, and could not speak of the greenwood without the bird.
-
- When shaws are sheen and fields are fair,
- And leaves both large and long,
- ’Tis merry walk’ng in the green forest
- To hear the wild birds’ song;
-
- The wood merle sings, and will not cease,
- Sitting upon a spray;
- The merle and the mavis shout their fill,
- From morn till the set of day.
-
-[Illustration:
-
- BLACKBIRD AND NEST. [Page 26.
-]
-
-The blackbird takes its name from a very intelligible cause—its
-perfectly black plumage, which, however, is agreeably relieved by the
-bright orange of its bill, the orange circles round its eyes, and its
-yellow feet; though this is peculiar only to the male, nor does he
-assume this distinguishing colour till his second year. The female is
-of a dusky-brown colour.
-
-[Sidenote: _The Notes of the Blackbird._]
-
-Sometimes the singular variety of a _white_ blackbird occurs, which
-seems to astonish even its fellow birds; the same phenomenon also
-occurs amongst sparrows; a fatal distinction to the poor birds, who are
-in consequence very soon shot.
-
-This bird is one of our finest singers. His notes are solemn and
-flowing, unlike those of the thrush, which are short, quick, and
-extremely varied. The one bird is more lyrical, the other sings in
-a grand epic strain. A friend of ours, deeply versed in bird-lore,
-maintains that the blackbird is oratorical, and sings as if delivering
-an eloquent rhythmical oration.
-
-This bird begins to sing early in the year, and continues his song
-during the whole time that the hen is sitting. Like his relatives, the
-thrush and the missel-thrush, he takes his post on the highest branch
-of a tree, near his nest, so that his song is heard far and wide; and
-in fact, through the whole pleasant spring you hear the voices of these
-three feathered kings of English song constantly filling the woods and
-fields with their melody. The blackbird sings deliciously in rain, even
-during a thunderstorm, with the lightning flashing round him. Indeed,
-both he and the thrush seem to take great delight in summer showers.
-
-The blackbird has a peculiar call, to give notice to his brood of the
-approach of danger; probably, however, it belongs both to male and
-female. Again, there is a third note, very peculiar also, heard only
-in the dusk of evening, and which seems pleasingly in harmony with the
-approaching shadows of night. By this note they call each other to
-roost, in the same way as partridges call each other to assemble at
-night, however far they may be asunder.
-
-The nest of the blackbird is situated variously; most frequently in
-the thicker parts of hedges; sometimes in the hollow of a stump or
-amongst the curled and twisted roots of old trees, which, projecting
-from the banks of woods or woodland lanes, wreathed with their trails
-of ivy, afford the most picturesque little hollows for the purpose.
-Again, it may be found under the roof of out-houses or cart-sheds,
-laid on the wall-plate; and very frequently in copses, in the stumps
-of pollard trees, partly concealed by their branches; and is often
-begun before the leaves are on the trees. The nest is composed of dry
-bents, and lined with fine dry grass. The hen generally lays five eggs,
-which are of a dusky bluish-green, thickly covered with black spots;
-altogether very much resembling those of crows, rooks, magpies, and
-that class of birds.
-
-Universal favourite as the blackbird deservedly is, yet, in common with
-the thrush, all gardeners are their enemies from the great liking they
-have for his fruit, especially currants, raspberries, and cherries.
-There is, however, something very amusing, though, at the same time,
-annoying, in the sly way by which they approach these fruits, quite
-aware that they are on a mischievous errand. They steal along, flying
-low and silently, and, if observed, will hide themselves in the nearest
-growth of garden plants, scarlet runners, or Jerusalem artichokes,
-where they remain as still as mice, till they think the human enemy has
-moved off. If, however, instead of letting them skulk quietly in their
-hiding-place, he drives them away, they fly off with a curious note,
-very like a little chuckling laugh of defiance, as if they would say,
-“Ha! ha! we shall soon be back again!” which they very soon are.
-
-But we must not begrudge them their share, though they neither have
-dug the ground nor sowed the seed, for very dull and joyless indeed
-would be the garden and the gardener’s toil, and the whole country in
-short, if there were no birds—no blackbirds and thrushes—to gladden
-our hearts, and make the gardens, as well as the woods and fields,
-joyous with their melody. Like all good singers, these birds expect,
-and deserve, good payment.
-
-The blackbird, though naturally unsocial and keeping much to itself,
-is very bold in defence of its young, should they be in danger, or
-attacked by any of the numerous bird-enemies, which abound everywhere,
-especially to those which are in immediate association with man. The
-Rev. J. G. Wood tells us, for instance, that on one occasion a prowling
-cat was forced to make an ignominious retreat before the united onset
-of a pair of blackbirds, on whose young she was about to make an attack.
-
-[Sidenote: _Macgillivray’s Account._]
-
-Let me now, in conclusion, give a day with a family of blackbirds,
-which I somewhat curtail from Macgillivray.
-
-“On Saturday morning, June 10th, I went into a little hut made of green
-branches, at half-past two in the morning, to see how the blackbirds
-spend the day at home. They lived close by, in a hole in an old wall,
-which one or other of them had occupied for a number of years.
-
-“At a quarter-past three they began to feed their young, which were
-four in number. She was the most industrious in doing so; and when he
-was not feeding, he was singing most deliciously. Towards seven o’clock
-the father-bird induced one of the young ones to fly out after him.
-But this was a little mistake, and, the bird falling, I was obliged to
-help it into its nest again, which made a little family commotion. They
-were exceedingly tidy about their nest, and when a little rubbish fell
-out they instantly carried it away. At ten o’clock the feeding began
-again vigorously, and continued till two, both parent-birds supplying
-their young almost equally.
-
-“The hut in which I sat was very closely covered; but a little wren
-having alighted on the ground in pursuit of a fly, and seeing one of
-my legs moving, set up a cry of alarm, on which, in the course of a
-few seconds, all the birds in the neighbourhood collected to know what
-was the matter. The blackbird hopped round the hut again and again,
-making every effort to peep in, even alighting on the top within a few
-inches of my head, but not being able to make any discovery, the tumult
-subsided. It was probably considered a false alarm, and the blackbirds
-went on feeding their young till almost four o’clock: and now came the
-great event of the day.
-
-“At about half-past three the mother brought a large worm, four inches
-in length probably, which she gave to one of the young ones, and flew
-away. Shortly afterwards returning, she had the horror of perceiving
-that the worm, instead of being swallowed was sticking in its throat;
-on this she uttered a perfect moan of distress, which immediately
-brought the he-bird, who also saw at a glance what a terrible
-catastrophe was to be feared. Both parents made several efforts to push
-the worm down the throat, but to no purpose, when, strange to say, the
-father discovered the cause of the accident. The outer end of the worm
-had got entangled in the feathers of the breast, and, being held fast,
-could not be swallowed. He carefully disengaged it, and, holding it up
-with his beak, the poor little thing, with a great effort, managed to
-get it down, but was by this time so exhausted that it lay with its
-eyes shut and without moving for the next three hours. The male bird in
-the meantime took his stand upon a tree, a few yards from the nest, and
-poured forth some of his most enchanting notes—a song of rejoicing no
-doubt for the narrow escape from death of one of his family.
-
-[Sidenote: _Macgillivray’s Day with this Bird._]
-
-“From four till seven o’clock both birds again fed their young, after
-which the male bird left these family duties to his mate, and gave
-himself up to incessant singing. At twenty minutes to nine their
-labours ceased, they having then fed their young one hundred and
-thirteen times during the day.
-
-“I observed that before feeding their young they always alighted upon
-a tree and looked round them for a few seconds. Sometimes they brought
-in a quantity of worms and fed their brood alternately; at other times
-they brought one which they gave to only one of them.
-
-“The young birds often trimmed their feathers, and stretched out their
-wings; they also appeared to sleep now and then.
-
-“With the note of alarm which the feathered tribes set up on the
-discovery of their enemies all the different species of the little
-birds seem to be intimately acquainted; for no sooner did a beast or
-bird of prey make its appearance, than they seemed to be anxiously
-concerned about the safety of their families. They would hop from tree
-to tree uttering their doleful lamentations. At one time the blackbirds
-were in an unusual state of excitement and terror, and were attended
-by crowds of their woodland friends. A man and boy, who were working
-in my garden, having heard the noise, ran to see what was the cause of
-it, and on looking into some branches which were lying on the ground,
-observed a large weasel stealing slyly along in pursuit of its prey. It
-was, however, driven effectually from the place without doing any harm.
-It is astonishing how soon the young know this intimation of danger;
-for I observed that no sooner did the old ones utter the alarm-cry,
-than they cowered in their nest, and appeared to be in a state of great
-uneasiness.”
-
-[Illustration]
-
-
-
-
-CHAPTER V.
-
-THE DIPPER, OR WATER-OUSEL.
-
-
-The Dipper, or Water-ousel, of which Mr. Weir has given us a charming
-and faithful portrait, is very like a wren in form and action, with
-its round body and lively little tail. Its mode of flight, however,
-so nearly resembles the kingfisher that, in some places, the country
-people mistake it for the female of that bird. But it is neither wren
-nor kingfisher, nor yet related to either of them. It is the nice
-little water-ousel, with ways of its own, and a cheerful life of its
-own, and the power of giving pleasure to all lovers of the free country
-which is enriched with an infinite variety of happy, innocent creatures.
-
-The upper part of the head and neck, and the whole back and wings of
-this bird, are of a rusty-brown; but, as each individual feather is
-edged with gray, there is no deadness of colouring. The throat and
-breast are snowy white, which, contrasting so strongly with the rest of
-the body, makes it seem to flash about like a point of light through
-the dark shadows of the scenes it loves to haunt.
-
-I said above that this bird gave pleasure to all lovers of nature. So
-it does, for it is only met with in scenes which are especially beloved
-by poets and painters. Like them, it delights in mountain regions,
-where rocky streams rush along with an unceasing murmur, leaping over
-huge stones, slumbering in deep, shadowy pools, or lying low between
-rocky walls, in the moist crevices and on the edges of which the wild
-rose flings out its pale green branches, gemmed with flowers, or the
-hardy polypody nods, like a feathery plume. On these streams, with
-their foamy waters and graceful vegetation, you may look for the
-cheerful little water-ousel. He is perfectly in character with the
-scenes.
-
-[Illustration:
-
- DIPPERS AND NEST. [Page 34.
-]
-
-[Sidenote: _The Home of the Dipper._]
-
-And now, supposing that you are happily located for a few weeks in
-summer, either in Scotland or Wales, let me repeat my constant advice
-as regards the study and truest enjoyment of country life and things.
-Go out for several hours; do not be in a hurry; take your book, or
-your sketching, or whatever your favourite occupation may be, if it be
-only a quiet one, and seat yourself by some rocky stream amongst the
-mountains; choose the pleasantest place you know, where the sun can
-reach you, if you need his warmth, and if you do not, where you can yet
-witness the beautiful effects of light and shade. There seat yourself
-quite at your ease, silent and still as though you were a piece of
-rock itself, half screened by that lovely wild rose bush, or tangle of
-bramble, and before long you will most likely see this merry, lively
-little dipper come with his quick, jerking flight, now alighting on
-this stone, now on that, peeping here, and peeping there, as quick as
-light, and snapping up, now a water-beetle, now a tiny fish, and now
-diving down into the stream for a worm that he espies below, or walking
-into the shallows, and there flapping his wings, more for the sheer
-delight of doing so than for anything else. Now he is off and away,
-and, in a moment or two, he is on yonder gray mass of stone, which
-rises up in that dark chasm of waters like a rock in a stormy sea,
-with the rush and roar of the water full above him. Yet there he is
-quite at home, flirting his little tail like a jenny wren, and hopping
-about on his rocky point, as if he could not for the life of him be
-still for a moment. Now listen! That is his song, and a merry little
-song it is, just such a one as you would fancy coming out of his jocund
-little heart; and, see now, he begins his antics. He must be a queer
-little soul! If we could be little dippers like him, and understand
-what his song and all his grimaces are about, we should not so often
-find the time tedious for want of something to do.
-
-We may be sure he is happy, and that he has, in the round of his small
-experience, all that his heart desires. He has this lonely mountain
-stream to hunt in, these leaping, chattering, laughing waters to bear
-him company, all these fantastically heaped-up stones, brought hither
-by furious winter torrents of long ago—that dashing, ever roaring,
-ever foaming waterfall, in the spray of which the summer sunshine
-weaves rainbows. All these wild roses and honeysuckles, all this maiden
-hair, and this broad polypody, which grows golden in autumn, make up
-his little kingdom, in the very heart of which, under a ledge of rock,
-and within sound, almost within the spray of the waterfall, is built
-the curious little nest, very like that of a wren, in which sits the
-hen-bird, the little wife of the dipper, brooding with most unwearied
-love on four or five white eggs, lightly touched with red.
-
-This nest is extremely soft and elastic, sometimes of large size, the
-reason for which one cannot understand. It is generally near to the
-water, and, being kept damp by its situation, is always so fresh,
-looking so like the mass of its immediate surroundings as scarcely to
-be discoverable by the quickest eye. When the young are hatched they
-soon go abroad with the parents, and then, instead of the one solitary
-bird, you may see them in little parties of from five to seven going on
-in the same sort of way, only all the merrier because there are more of
-them.
-
-[Illustration]
-
-
-
-
-CHAPTER VI.
-
-THE NIGHTINGALE.
-
-
-Philomela, or the Nightingale, is the head of the somewhat large
-bird-family of Warblers, and is the most renowned of all feathered
-songsters, though some judges think the garden-ousel exceeds it in
-mellowness, and the thrush in compass of voice, but that, in every
-other respect, it excels them all. For my part, however, I think no
-singing-bird is equal to it; and listening to it when in full song, in
-the stillness of a summer’s night, am ready to say with good old Izaak
-Walton:—
-
-“The nightingale, another of my airy creatures, breathes such sweet
-music out of her little instrumental throat, that it might make mankind
-to think that miracles had not ceased. He that at midnight, when the
-weary labourer sleeps securely, should hear, as I have very often
-heard, the clear airs, the sweet descants, the natural rising and
-falling, the doubling and redoubling of her voice, might well be lifted
-above earth and say, ‘Lord, what music hast Thou provided for the
-saints in heaven, when Thou affordest bad men such music on earth!’”
-
-In colour, the upper parts of the nightingale are of a rich brown;
-the tail of a reddish tint; the throat and underparts of the body,
-greyish-white; the neck and breast, grey; the bill and legs, light
-brown. Its size is about that of the garden warblers, which it
-resembles in form—being, in fact, one of that family. Thus, the most
-admired of all singers—the subject of poets’ songs and eulogies, the
-bird that people walk far and wide to listen to, of which they talk for
-weeks before it comes, noting down the day of its arrival as if it were
-the Queen or the Queen’s son—is yet nothing but a little insignificant
-brown bird, not to be named with the parrot for plumage, nor with
-our little goldfinch, who always looks as if he had his Sunday suit
-on. But this is a good lesson for us. The little brown nightingale,
-with his little brown wife in the thickety copse, with their simple
-unpretending nest, not built up aloft on the tree branch, but humbly
-at the tree’s root, or even on the very ground itself, may teach us
-that the world’s external show or costliness is not true greatness. The
-world’s best bird-singer might have been as big as an eagle, attired
-in colours of blue and scarlet and orange like the grandest macaw. But
-the great Creator willed that it should not be so—his strength, and
-his furiousness, and his cruel capacity were sufficient for the eagle,
-and his shining vestments for the macaw; whilst the bird to which was
-given the divinest gift of song must be humble and unobtrusive, small
-of size, with no surpassing beauty of plumage, and loving best to hide
-itself in the thick seclusion of the copse in which broods the little
-mother-bird, the very counterpart of himself, upon her olive-coloured
-eggs.
-
-[Sidenote: _The Philomela of Surrey._]
-
-Mr. Harrison Weir has given us a sweet little picture of the
-nightingale at home. Somewhere, not far off, runs the highroad, or it
-may be a pleasant woodland lane leading from one village to another,
-and probably known as “Nightingale-lane,” and traversed night after
-night by rich and poor, learned and unlearned, to listen to the
-bird. In our own neighbourhood we have a “Nightingale-lane,” with its
-thickety copses on either hand, its young oaks and Spanish chestnuts
-shooting upwards, and tangles of wild roses and thick masses of
-brambles throwing their long sprays over old, mossy, and ivied stumps
-of trees, cut or blown down in the last generation—little pools
-and water courses here and there, with their many-coloured mosses
-and springing rushes—a very paradise for birds. This is in Surrey,
-and Surrey nightingales, it is said, are the finest that sing. With
-this comes the saddest part of the story. Bird-catchers follow the
-nightingale, and, once in his hands, farewell to the pleasant copse
-with the young oaks and Spanish chestnuts, the wild rose tangles, the
-little bosky hollow at the old tree root, in one of which the little
-nest is built and the little wife broods on her eggs!
-
-Generally, however, the unhappy bird, if he be caught, is taken soon
-after his arrival in this country; for nightingales are migratory, and
-arrive with us about the middle of April. The male bird comes about
-a fortnight before the female, and begins to sing in his loneliness
-a song of salutation—a sweet song, which expresses, with a tender
-yearning, his desire for her companionship. Birds taken at this time,
-before the mate has arrived, and whilst he is only singing to call and
-welcome her, are said still to sing on through the summer in the hope,
-long-deferred, that she may yet come. He will not give her up though
-he is no longer in the freedom of the wood, so he sings and sings, and
-if he live over the winter, he will sing the same song the following
-spring, for the want is again in his heart. He cannot believe but that
-she will still come. The cruel bird-catchers, therefore, try all their
-arts to take him in this early stage of his visit to us. Should he be
-taken later, when he is mated, and, as we see him in our picture, with
-all the wealth of his little life around him, he cannot sing long. How
-should he—in a narrow cage and dingy street of London or some other
-great town—perhaps with his eyes put out—for his cruel captor fancies
-he sings best if blind? He may sing, perhaps, for a while, thinking
-that he can wake himself out of this dreadful dream of captivity,
-darkness, and solitude. But it is no dream; the terrible reality at
-length comes upon him, and before the summer is over he dies of a
-broken heart.
-
-It is a curious fact that the nightingale confines itself, without
-apparent reason, to certain countries and to certain parts of England.
-For instance, though it visits Sweden, and even the temperate parts
-of Russia, it is not met with in Scotland, North Wales, nor Ireland,
-neither is it found in any of our northern counties excepting
-Yorkshire, and there only in the neighbourhood of Doncaster. Neither
-is it known in the south-western counties, as Cornwall and Devonshire.
-It is supposed to migrate during the winter into Egypt and Syria. It
-has been seen amongst the willows of Jordan and the olive trees of
-Judea, but we have not, to our knowledge, any direct mention of it in
-the Scriptures, though Solomon no doubt had it in his thoughts, in his
-sweet description of the spring—“Lo, the winter is past, the rain is
-over and gone; the flowers appear on the earth; the time of the singing
-of birds is come, and the voice of the turtle is heard in our land.” A
-recent traveller in Syria tells me that she heard nightingales singing
-at four o’clock one morning in April of last year in the lofty regions
-of the Lebanon.
-
-
-[Illustration:
-
- NIGHTINGALES AND NEST. [Page 40.
-]
-
-
-[Sidenote: _Sir John Sinclair’s Attempt._]
-
-There have been various attempts to introduce the nightingale into such
-parts of this country as it has not yet frequented; for instance, a
-gentleman of Gower, a sea-side district of Glamorganshire, the climate
-of which is remarkably mild, procured a number of young birds from
-Norfolk and Surrey, hoping that they would find themselves so much at
-home in the beautiful woods there as to return the following year. But
-none came. Again, as regards Scotland, Sir John Sinclair purchased a
-large number of nightingales’ eggs, at a shilling each, and employed
-several men to place them carefully in robins’ nests to be hatched. So
-far all succeeded well. The foster-mothers reared the nightingales,
-which, when full-fledged, flew about as if quite at home. But when
-September came, the usual month for the migration of the nightingale,
-the mysterious impulse awoke in the hearts of the young strangers, and,
-obeying it, they suddenly disappeared and never after returned.
-
-Mr. Harrison Weir has given us a very accurate drawing of the
-nightingale’s nest, which is slight and somewhat fragile in
-construction, made of withered leaves—mostly of oak—and lined
-with dry grass. The author of “British Birds” describes one in his
-possession as composed of slips of the inner bark of willow, mixed with
-the leaves of the lime and the elm, lined with fibrous roots, grass,
-and a few hairs; but whatever the materials used may be, the effect
-produced is exactly the same.
-
-In concluding our little chapter on this bird, I would mention that
-in the Turkish cemeteries, which, from the old custom of planting a
-cypress at the head and foot of every grave, have now become cypress
-woods, nightingales abound, it having been also an old custom of love
-to keep these birds on every grave.
-
-
-
-
-CHAPTER VII.
-
-THE SKYLARK.
-
-
-The Skylark, that beautiful singer, which carries its joy up to the
-very gates of heaven, as it were, has inspired more poets to sing about
-it than any other bird living.
-
-Wordsworth says, as in an ecstasy of delight:—
-
- Up with me! up with me into the clouds!
- For thy song, lark, is strong;
- Up with me! up with me into the clouds!
- Singing, singing.
- With clouds and sky about me ringing,
- Lift me, guide me till I find
- That spot that seems so to my mind.
-
-Shelley, in an ode which expresses the bird’s ecstasy of song, also
-thus addresses it, in a strain of sadness peculiar to himself:—
-
- Hail to thee, blithe spirit!
- Bird, thou never wert—
- That from heaven, or near it,
- Pourest thy full heart
- In profuse strains of unpremeditated art!
-
- Higher, still, and higher
- From the earth thou springest,
- Like a cloud of fire;
- The deep blue thou wingest,
- And singing still doth soar, and soaring ever singest!
-
- * * * * *
-
- Better than all measures
- Of delightful sound,
- Better than all treasures
- That in books are found,
- Thy skill to poet were, thou scorner of the ground.
-
- Teach me half the gladness
- That thy brain must know,
- Such harmonious madness
- From my lips should flow;
- The world should listen then, as I am listening now.
-
-[Sidenote: _James Hogg’s Verses._]
-
-James Hogg, the Ettrick shepherd, who had listened to the bird with
-delight on the Scottish hills, thus sings of it:—
-
- Bird of the wilderness,
- Blithesome and cumberless,
- Sweet is thy matin o’er moorland and lea!
- Emblem of happiness,
- Blest is thy dwelling-place—
- Oh, to abide in the desert with thee!
-
- Wild is thy lay, and loud;
- Far in the downy cloud
- Love gives it energy, love gave it birth.
- Where on thy dewy wing,
- Where art thou journeying?
- Thy lay is in heaven, thy love is on earth.
-
- O’er fell and fountain sheen,
- O’er moor and mountain green,
- O’er the red streamer that heralds the day;
- Over the cloudlet dim,
- Over the rainbow’s rim,
- Musical cherub, soar, singing away!
-
- Then when the gloaming comes,
- Low in the heather blooms,
- Sweet will thy welcome and bed of love be!
- Emblem of happiness,
- Blest is thy dwelling-place—
- Oh, to abide in the desert with thee!
-
-But we must not forget the earthly life of the bird in all these sweet
-songs about him.
-
-The plumage of the skylark is brown, in various shades; the fore-part
-of the neck, reddish-white, spotted with brown; the breast and under
-part of the body, yellowish-white. Its feet are peculiar, being
-furnished with an extraordinarily long hind claw, the purpose of which
-has puzzled many naturalists. But whatever nature intended it for, the
-bird has been known to make use of it for a purpose which cannot fail
-to interest us and call forth our admiration. This shall be presently
-explained. The nest is built on the ground, either between two clods
-of earth, in the deep foot-print of cattle, or some other small hollow
-suitable for the purpose, and is composed of dry grass, hair, and
-leaves; the hair is mostly used for the lining. Here the mother-bird
-lays four or five eggs of pale sepia colour, with spots and markings
-of darker hue. She has generally two broods in the year, and commences
-sitting in May. The he-lark begins to sing early in the spring.
-Bewick says, “He rises from the neighbourhood of the nest almost
-perpendicularly in the air, by successive springs, and hovers at a
-vast height. His descent, on the contrary, is in an oblique direction,
-unless he is threatened by birds of prey, or attracted by his mate, and
-on these occasions he drops like a stone.”
-
-[Illustration:
-
- SKYLARKS AND NEST. [Page 44.
-]
-
-With regard to his ascent, I must, however, add that it is in a spiral
-direction, and that what Bewick represents as springs are his sudden
-spiral flights after pausing to sing. Another peculiarity must be
-mentioned: all his bones are hollow, and he can inflate them with air
-from his lungs, so that he becomes, as it were, a little balloon, which
-accounts for the buoyancy with which he ascends, and the length of
-time he can support himself in the air: often for an hour at a time.
-Still more extraordinary is the wonderful power and reach of his voice,
-for while, probably, the seven hundred or a thousand voices of the
-grand chorus of an oratorio would fail to fill the vast spaces of the
-atmosphere, it can be done by this glorious little songster, which,
-mounting upwards, makes itself heard, without effort, when it can be
-seen no longer.
-
-[Sidenote: _Its Solicitude for its Young._]
-
-The attachment of the parents to their young is very great, and has
-been seen to exhibit itself in a remarkable manner.
-
-The nest being placed on the open-ground—often pasture, or in a field
-of mowing grass—it is very liable to be disturbed; many, therefore,
-are the instances of the bird’s tender solicitude either for the young
-or for its eggs, one of which I will give from Mr. Jesse. “In case of
-alarm,” he says, “either by cattle grazing near the nest, or by the
-approach of the mower, the parent-birds remove their eggs, by means
-of their long claws, to a place of greater security, and this I have
-observed to be affected in a very short space of time.” He says that
-when one of his mowers first told him of this fact he could scarcely
-believe it, but that he afterwards saw it himself, and that he regarded
-it only as another proof of the affection which these birds show their
-offspring. Instances are also on record of larks removing their young
-by carrying them on their backs: in one case the young were thus
-removed from a place of danger into a field of standing corn. But
-however successful the poor birds may be in removing their eggs, they
-are not always so with regard to their young, as Mr. Yarrell relates.
-An instance came under his notice, in which the little fledgeling
-proved too heavy for the parent to carry, and, being dropped from an
-height of about thirty feet, was killed in the fall.
-
-Of all captive birds, none grieves me more than the skylark. Its
-impulse is to soar, which is impossible in the narrow spaces of a cage;
-and in this unhappy condition, when seized by the impulse of song, he
-flings himself upwards, and is dashed down again by its cruel barriers.
-For this reason the top of the lark’s cage is always bedded with green
-baize to prevent his injuring himself. In the freedom of nature he is
-the joyous minstrel of liberty and love, carrying upwards, and sending
-down from above, his buoyant song, which seems to fall down through the
-golden sunshine like a flood of sparkling melody.
-
-I am not aware of the height to which the lark soars, but it must be
-very great, as he becomes diminished to a mere speck, almost invisible
-in the blaze of light. Yet, high as he may soar, he never loses the
-consciousness of the little mate and the nestlings below: but their
-first cry of danger or anxiety, though the cry may be scarce audible
-to the human ear, thrills up aloft to the singer, and he comes down
-with a direct arrow-like flight, whilst otherwise his descent is more
-leisurely, and said by some to be in the direct spiral line of his
-ascent.
-
-Larks, unfortunately for themselves, are considered very fine eating.
-Immense numbers of them are killed for the table, not only on the
-continent, but in England. People cry shame on the Roman epicure,
-Lucullus, dining on a stew of nightingales’ tongue, nearly two thousand
-years ago, and no more can I reconcile to myself the daily feasting on
-these lovely little songsters, which may be delicate eating, but are no
-less God’s gifts to gladden and beautify the earth.
-
-
-
-
-CHAPTER VIII.
-
-THE LINNET.
-
-
-Linnets are a branch of a larger family of finches, all very familiar
-to us. They are cousins, also, to the dear, impudent sparrows, and the
-pretty siskin or aberdevines.
-
-The linnets are all compactly and stoutly built, with short necks and
-good sized heads, with short, strong, pointed bills, made for the ready
-picking up of seed and grain, on which they live. Most of them have two
-broods in the season, and they build a bulky, deep, and compact nest,
-just in accordance with their character and figure; but, though all
-linnet-nests have a general resemblance of form, they vary more or less
-in the material used.
-
-Linnets change their plumage once a year, and have a much more spruce
-and brilliant appearance when they have their new summer suits on. They
-are numerous in all parts of the country, and, excepting in the season
-when they have young, congregate in flocks, and in winter are attracted
-to the neighbourhood of man, finding much of their food in farm-yards,
-and amongst stacks.
-
-The linnet of our picture is the greater red-pole—one of four brothers
-of the linnet family—and is the largest of the four; the others
-are the twit or mountain-linnet, the mealy-linnet, and the lesser
-red-pole—the smallest of the four—all very much alike, and easily
-mistaken for each other. The name red-pole is given from the bright
-crimson spot on their heads—_pole_ or _poll_ being the old Saxon word
-for head. The back of our linnet’s head and the sides of his neck are
-of dingy ash-colour, his back of a warm brown tint, his wings black,
-his throat of a dull white, spotted with brown, his breast a brilliant
-red, and the under part of his body a dingy white.
-
-The linnet, amongst singing birds, is what a song writer is amongst
-poets. He is not a grand singer, like the blackbird or the thrush,
-the missel-thrush or the wood-lark, all of which seem to have an epic
-story in their songs, nor, of course, like the skylark, singing up to
-the gates of heaven, or the nightingale, that chief psalmist of all
-bird singers. But, though much humbler than any of these, he is a sweet
-and pleasant melodist; a singer of charming little songs, full of the
-delight of summer, the freshness of open heaths, with their fragrant
-gorse, or of the Scottish brae, with its “bonnie broom,” also in golden
-blossom. His are unpretending little songs of intense enjoyment, simple
-thanksgivings for the pleasures of life, for the little brown hen-bird,
-who has not a bit of scarlet in her plumage, and who sits in her snug
-nest on her fine little white eggs, with their circle of freckles and
-brown spots at the thicker end, always alike, a sweet, patient mother,
-waiting for the time when the young ones will come into life from that
-delicate shell-covering, blind at first, though slightly clothed in
-greyish-brown—five little linnets gaping for food.
-
-[Illustration:
-
- LINNETS AND NEST. [Page 48.
-]
-
-The linnet mostly builds its nest in low bushes, the furze being its
-favourite resort; it is constructed outside of dry grass, roots, and
-moss, and lined with hair and wool. We have it here in our picture;
-for our friend, Mr. Harrison Weir, always faithful in his transcripts
-of nature, has an eye, also, for beauty.
-
-Round the nest, as you see, blossoms the yellow furze, and round it
-too rises a _chevaux de frise_ of furze spines, green and tender to
-look at, but sharp as needles. Yes, here on this furzy common, and on
-hundreds of others all over this happy land, and on hill sides, with
-the snowy hawthorn and the pink-blossomed crab-tree above them, and,
-below, the mossy banks gemmed with pale-yellow primroses, are thousands
-of linnet nests and father-linnets, singing for very joy of life and
-spring, and for the summer which is before them. And as they sing, the
-man ploughing in the fields hard-by, and the little lad leading the
-horses, hear the song, and though he may say nothing about it, the man
-thinks, and wonders that the birds sing just as sweetly now as when
-he was young; and the lad thinks how pleasant it is, forgetting the
-while that he is tired, and, whistling something like a linnet-tune,
-impresses it on his memory, to be recalled with a tender sentiment
-years hence when he is a man, toiling perhaps in Australia or Canada;
-or, it may be, to speak to him like a guardian angel in some time of
-trial or temptation, and bring him back to the innocence of boyhood and
-to his God.
-
-[Sidenote: _Bishop Huntley’s Anecdote._]
-
-Our picture shows us the fledgeling brood of the linnet, and the
-parent-bird feeding them. The attachment of this bird to its young is
-very great. Bishop Huntley, in his “History of Birds,” gives us the
-following anecdote in proof of it:—
-
-“A linnet’s nest, containing four young ones, was found by some
-children, and carried home with the intention of rearing and taming
-them. The old ones, attracted by their chirping, fluttered round the
-children till they reached home, when the nest was carried up stairs
-and placed in the nursery-window. The old birds soon approached the
-nest and fed the young. This being observed, the nest was afterwards
-placed on a table in the middle of the room, the window being left
-open, when the parents came in and fed their young as before. Still
-farther to try their attachment, the nest was then placed in a cage,
-but still the old birds returned with food, and towards evening
-actually perched on the cage, regardless of the noise made by several
-children. So it went on for several days, when, unfortunately, the
-cage, having been set outside the window, was exposed to a violent
-shower of rain, and the little brood was drowned in the nest. The poor
-parent-birds continued hovering round the house, and looking wistfully
-in at the window for several days, and then disappeared altogether.”
-
-[Illustration]
-
-
-
-
-CHAPTER IX.
-
-THE PEEWIT.
-
-
-The Peewit, lapwing, or plover, belongs to the naturalist family of
-_Gallatores_ or Waders, all of which are furnished with strong legs and
-feet for walking, whilst all which inhabit watery places, or feed their
-young amongst the waves, have legs sufficiently long to enable them to
-wade; whence comes the family name.
-
-The peewit, or lapwing, is a very interesting bird, from its peculiar
-character and habits. Its plumage is handsome; the upper part of the
-body of a rich green, with metallic reflections; the sides of the neck
-and base of the tail of a pure white; the tail is black; so is the
-top of the head, which is furnished with a long, painted crest, lying
-backwards, but which can be raised at pleasure. In length the bird is
-about a foot.
-
-The peewit lives in all parts of this country, and furnishes one of
-the pleasantly peculiar features of open sea-shores and wide moorland
-wastes, in the solitudes of which, its incessant, plaintive cry has an
-especially befitting sound, like the very spirit of the scene, moaning
-in unison with the waves, and wailing over the wide melancholy of the
-waste. Nevertheless, the peewit is not in itself mournful, for it is
-a particularly lively and active bird, sporting and frolicking in the
-air with its fellows, now whirling round and round, and now ascending
-to a great height on untiring wing; then down again, running along the
-ground, and leaping about from spot to spot as if for very amusement.
-
-It is, however, with all its agility, a very untidy nest-maker; in
-fact it makes no better nest than a few dry bents scraped together in
-a shallow hole, like a rude saucer or dish, in which she can lay her
-eggs—always four in number. But though taking so little trouble about
-her nest, she is always careful to lay the narrow ends of her eggs in
-the centre, as is shown in the picture, though as yet there are but
-three. A fourth, however, will soon come to complete the cross-like
-figure, after which she will begin to sit.
-
-These eggs, under the name of plovers’ eggs, are in great request as
-luxuries for the breakfast-table, and it may be thought that laid thus
-openly on the bare earth they are very easily found. It is not so,
-however, for they look so much like the ground itself, so like little
-bits of moorland earth or old sea-side stone, that it is difficult to
-distinguish them. But in proportion as the bird makes so insufficient
-and unguarded a nest, so all the greater is the anxiety, both of
-herself and her mate, about the eggs. Hence, whilst she is sitting, he
-exercises all kinds of little arts to entice away every intruder from
-the nest, wheeling round and round in the air near him, so as to fix
-his attention, screaming mournfully his incessant _peewit_ till he has
-drawn him ever further and further from the point of his anxiety and
-love.
-
-[Illustration:
-
- PEEWITS AND NEST. [Page 52.
-]
-
-[Sidenote: _Stratagems of the Bird._]
-
-The little quartette brood, which are covered with down when hatched,
-begin to run almost as soon as they leave the shell, and then the poor
-mother-bird has to exercise all her little arts also—and indeed the
-care and solicitude of both parents is wonderful. Suppose, now, the
-little helpless group is out running here and there as merry as life
-can make them, and a man, a boy, or a dog, or perhaps all three, are
-seen approaching. At once the little birds squat close to the earth,
-so that they become almost invisible, and the parent-birds are on the
-alert, whirling round and round the disturber, angry and troubled,
-wailing and crying their doleful _peewit_ cry, drawing them ever
-further and further away from the brood. Should, however, the artifice
-not succeed, and the terrible intruder still obstinately advance in the
-direction of the young, they try a new artifice; drop to the ground,
-and, running along in the opposite course, pretend lameness, tumbling
-feebly along in the most artful manner, thus apparently offering the
-easiest and most tempting prey, till, having safely lured away the
-enemy, they rise at once into the air, screaming again their _peewit_,
-but now as if laughing over their accomplished scheme.
-
-The young, which are hatched in April, are in full plumage by the end
-of July, when the birds assemble in flocks, and, leaving the sea-shore,
-or the marshy moorland, betake themselves to downs and sheep-walks,
-where they soon become fat, and are said to be excellent eating.
-Happily, however, for them, they are not in as much request for the
-table as they were in former times. Thus we find in an ancient book
-of housekeeping expenses, called “The Northumberland Household-book,”
-that they are entered under the name of _Wypes_, and charged one penny
-each; and that they were then considered a first-rate dish is proved by
-their being entered as forming a part of “his lordship’s own mess,” or
-portion of food; _mess_ being so used in those days—about the time,
-probably, when the Bible was translated into English. Thus we find in
-the beautiful history of Joseph and his brethren, “He sent messes to
-them, but Benjamin’s mess was five times as much as any of theirs.”
-
-Here I would remark, on the old name of _Wypes_ for this bird, that
-country-people in the midland counties still call them _pie-wypes_.
-
-But now again to our birds. The peewit, like the gull, may easily be
-tamed to live in gardens, where it is not only useful by ridding them
-of worms, slugs, and other troublesome creatures, but is very amusing,
-from its quaint, odd ways. Bewick tells us of one so kept by the Rev.
-J. Carlisle, Vicar of Newcastle, which I am sure will interest my
-readers.
-
-[Sidenote: _A Winter Visitor._]
-
-He says two of these birds were given to Mr. Carlisle, and placed
-in his garden, where one soon died; the other continued to pick up
-such food as the place afforded, till winter deprived it of its usual
-supply. Necessity then compelled it to come nearer the house, by
-which it gradually became accustomed to what went forward, as well as
-to the various members of the family. At length a servant, when she
-had occasion to go into the back-kitchen with a light, observed that
-the lapwing always uttered his cry of _peewit_ to gain admittance.
-He soon grew familiar; as the winter advanced, he approached as far
-as the kitchen, but with much caution, as that part of the house was
-generally inhabited by a dog and a cat, whose friendship the lapwing
-at length gained so entirely, that it was his regular custom to resort
-to the fireside as soon as it grew dark, and spend the evening and
-night with his two associates, sitting close to them, and partaking
-of the comforts of a warm fireside. As soon as spring appeared he
-betook himself to the garden, but again, at the approach of winter,
-had recourse to his old shelter and his old friends, who received him
-very cordially. But his being favoured by them did not prevent his
-taking great liberties with them; he would frequently amuse himself
-with washing in the bowl which was set for the dog to drink out of, and
-whilst he was thus employed he showed marks of the greatest indignation
-if either of his companions presumed to interrupt him. He died, poor
-fellow, in the asylum he had chosen, by being choked with something
-which he had picked up from the floor. During his confinement he
-acquired an artificial taste as regarded his food, and preferred crumbs
-of bread to anything else.
-
-[Illustration]
-
-
-
-
-CHAPTER X.
-
-THE HOUSE-MARTIN, OR WINDOW-SWALLOW.
-
-
-During our winter, swallows inhabit warm tropical countries, migrating
-northwards with the first approaches of summer. They are usually seen
-with us from the 13th to the 20th of April, and are useful from the
-first day of their arrival, by clearing the air of insects, which they
-take on the wing; indeed, they may be said to live almost wholly on the
-wing, and, except when collecting mud for their nests, are seldom seen
-to alight, and, in drinking, dip down to the water as they skim over it
-on rapid wing.
-
-[Illustration:
-
- HOUSE-MARTINS AND NESTS. [Page 56.
-]
-
-We have three kinds of swallows in England: the chimney-swallow, the
-house-martin, and the sand-martin, of which I shall have something to
-say in due course. The chimney-swallow and house-martin are especially
-worthy of the affectionate regard of man; for they love his society,
-build around his dwelling, destroy nothing that he values, have no
-appetite for his fruits; they live harmoniously amongst themselves,
-and have no other disposition than that of cheerfulness, unwearying
-industry and perseverance, and the most devoted parental affection.
-
-Mr. Weir has given us a lively picture of swallow-life—four nests
-grouped together on a house-side: more there probably are; but there
-are as many as we can manage with; indeed we will presently confine
-our attention to one single nest, and, by so doing, I flatter myself
-that I shall win your admiration for these birds, and that you will
-agree with me in thinking that if we all, men and women, boys and
-girls, had only their persevering spirit, and their courage under
-adversity, there would not be so much unsuccess, either at school or in
-life, as is now, too often, the case.
-
-[Sidenote: _The Nests on Traquair House._]
-
-Some people are very fond of having martins about their houses, under
-their eaves, and even in the corners of their windows. The Earl of
-Traquair was one of these; he was, indeed, a great lover of all kinds
-of birds, and all were protected on his premises. In the autumn of
-1839, there were no less than one hundred and three martins’ nests on
-Traquair House—which is a very fine old place—besides several which
-had been deserted, injured, or taken possession of by sparrows, which
-is a very unwarrantable liberty taken by these birds.
-
-From six to twenty days are required to build a martin’s nest. If all
-goes on well it may be finished in the shorter time.
-
-Let us now see how the birds set about building. Here are several
-nests in our picture; and turning to the pages of Macgillivray’s
-“British Birds,” I shall find exactly the information we need. I will,
-therefore, extract freely from this interesting writer, that my young
-readers may be as grateful to him as I am myself.
-
-[Sidenote: _The Domestic Life of a Pair._]
-
-Again turning to our picture, we find four nests. “A party of eight
-martins arrived here on the 1st of May. As this was quite a new
-location, they spent the whole day in examining the eaves of the house,
-the corners of the windows, and the out-buildings. By the following
-morning the question was settled, and they had, as you see, fixed
-upon a high wall with a slate coping, and an eastern aspect, and at
-once commenced making a general foundation for their nests. Suitable
-materials are procured from the banks of an adjoining pond, or a puddle
-in the lane. Let us go down and see them. Here they come, sailing
-placidly over the tree-tops; now they descend so as almost to sweep the
-surface of the pond; some of them alight at once, others skim round, as
-if borne away by a brisk wind. Those that have alighted walk about with
-short steps, looking round for materials. Some seem not to find the mud
-suitable, but seize on a piece of straw, or grass, which, tempering
-in the mud, they then fly off with. Returning now to the building, we
-see one using its tail planted against the wall, or against the nest,
-if sufficiently advanced, as a support, deposit the material it has
-brought by giving its head a wriggling motion, so that the mud slides
-gently into the crevices of yesterday’s work; then he retouches the
-whole. See, one has now arrived with his supply before the other has
-finished: he is impatient to disburden himself, and wants to drive
-off the worker, who rather snappishly retorts, and he, poor fellow,
-goes off for a while with the mud sticking to his bill. Now she has
-finished; there is room for him, and he goes back again and works hard
-in his turn. They never alight on the nest without twittering. At noon,
-if the weather be hot, they betake themselves to the fields, or, after
-a dip in the pond, sun themselves on the house-top for half-an-hour or
-so. Then they will hawk about for food, and after awhile one of them
-may, perhaps, return and give another touch or two to the work, or seat
-herself in the nest to consolidate the materials. But if cold, wet, or
-windy, they keep away. What they do with themselves I know not; but
-as soon as it clears up, they are at work again. At the beginning of
-their building, they seem to have no objection to leave it for a whole
-day; but as it advances, they become more interested or anxious, and
-one or both will sit in it all night, even though the weather be bad.”
-
-So much for the building of these four nests of our picture; and now
-I will bespeak your attention to a little narrative of the joys and
-sorrows of the domestic life of a pair of martins, which, we will
-suppose, belong also to our group.
-
-“The building began on the 1st of May, at daybreak. But the weather was
-very much against them, being cold and stormy, and it was the 18th of
-the month before it was finished.
-
-“Seeing their labours thus brought to a close, one could not help
-wishing, considering how much it had cost, that the nest might last
-them for many years. But on the 23rd of June, during a heavy fall of
-thunder rain, almost the entire nest was washed to the ground, together
-with the young birds which it contained. A short time before the
-catastrophe, the old birds were observed hovering about, and expressing
-great uneasiness. Almost immediately after it happened they left the
-place, but returned the following day, and spent it in flying about and
-examining the angle of the wall.
-
-“Next morning they commenced repairing the nest. In three days they had
-made great progress; but again rain fell, and their work was stayed.
-On the 30th, they advanced rapidly, and both remained sitting on the
-nest all night. The next day it was finished; and now they began to
-rejoice: they twittered all the evening till it was dark, now and then
-pruning each other’s heads, as, seated side by side, they prepared to
-spend the dark hours in the nest. Eggs were soon laid again, but,
-sad to say, on the morning of the 18th of July, again, during a great
-storm of wind and rain, the upper wall fell, carrying with it one
-of the eggs. The old birds again fluttered about, uttering the most
-plaintive cries, and early the next morning began to repair the damage,
-though it rained heavily all day. Part of the lining hanging over the
-side was incorporated with the new layers of mud. The urgency of the
-case was such, that they were obliged to work during the bad weather.
-Throughout the day one bird sat on the nest, whilst the other laboured
-assiduously. Kindly was he welcomed by his mate, who sometimes, during
-his absence, nibbled and retouched the materials which he had just
-deposited. In a few days it was finished, the weather became settled,
-the young were hatched, and all went well with them.
-
-“Sometimes when the nests are destroyed, the birds, instead of
-attempting to repair the damage, forsake the neighbourhood, as if
-wholly disheartened. Nothing can be more distressing to them than to
-lose their young. In the storm of which I have just spoken, another
-martin’s nest was washed down with unfledged young in it. These were
-placed on some cotton wool in a basket, covered with a sheet of
-brown paper, in an open window, facing the wall. During that day and
-the following, the parents took no notice of them, and their kind
-human protector fed them with house-flies. That evening he tried an
-experiment. He gently placed the young ones in a nest of that same
-window, where were other young. It was then about eight o’clock in the
-evening; the rain was falling heavily, and no sound was heard save
-the _cheep, cheep_, of the young birds, and the dashing of the storm
-against the window-glass. A minute elapsed, when forth rushed the
-parents shrieking their alarm notes, and, again and again wheeled up to
-the nest, until at last they drifted away in the storm. He watched them
-till they disappeared about half-past-nine. During all this time they
-only twice summoned courage to look into the nest. Next morning I was
-rejoiced to see them attending assiduously to the young ones.”
-
-[Sidenote: _The Feeding of the Young._]
-
-And now, turning again to our group of four nests on the walls,
-supposing it be the month of July, every one of them with its
-fledgeling brood sitting with gaping mouths, ever ready for food, you
-may, perhaps, like to know how many meals are carried up to them in the
-course of the day. If, then, the parents began to feed them at about
-five in the morning, and left a little before eight at night, they
-would feed them, at the lowest calculation, about a thousand times.
-
-With all this feeding and care-taking, the young ones, as the summer
-goes on, are full-fledged, and have grown so plump and large that the
-nest is quite too small for them; therefore, they must turn out into
-the world, and begin life for themselves.
-
-It is now a fine, brisk, August morning, and at about eight o’clock,
-you can see, if you look up at the nests, how the old birds come
-dashing up to them quite in an excited way, making short curves in the
-air, and repeating a note which says, as plain as a bird can speak,
-
- This is the day
- You must away!
- What are wings made for, if not to fly?
- Cheep, cheep,
- Now for a leap!—
- Father and mother and neighbours are by!
-
-This flying away from the nest is a great event in swallow-life, as you
-may well believe. Let us therefore now direct our attention to one nest
-in particular, in which are only two young ones—a very small family;
-but what happens here is occurring all round us.
-
-One of these little ones balances itself at the entrance, looking
-timidly into the void, and, having considered the risk for awhile,
-allows its fellow to take its place.
-
-During all this time, the parents keep driving about, within a few feet
-of the entrance, and endeavour, by many winning gestures, to induce
-their charge to follow them. The second bird also, after sitting for
-some time, as if distrustful of its powers, retires, and the first
-again appears. Opening and shutting his wings, and often half inclined
-again to retire, he, at length, summons up all his resolution, springs
-from the nest, and, with his self-taught pinions, cleaves the air. He
-and his parents, who are in ecstasies, return to the nest, and the
-second young one presently musters courage and joins them. And now
-begins a day of real enjoyment; they sport chiefly about the tree-tops
-till seven in the evening, when all re-enter the nest.
-
-In several instances I have seen the neighbours add their inducements
-to those of the parents, when the young were too timid to leave their
-home. If the happy day prove fine, they seldom return to the nest
-till sunset; if otherwise, they will come back two or three times. On
-one occasion, when the young were ready to fly, but unwilling to take
-the first leap, the parents had recourse to a little stratagem, both
-ingenious and natural. The he-bird held out a fly at about four inches
-from the entrance to the nest. In attempting to take hold of it, they
-again and again nearly lost their balance. On another occasion, the
-mother bird, trying this plan to no purpose, seemed to lose patience,
-and seizing one of them by the lower mandible, with the claw of her
-right foot, whilst it was gaping for food, tried to pull it out of the
-nest, to which, however, it clung like a squirrel. But the young, every
-one of them, fly in time, and a right joyous holiday they all have
-together.
-
-[Sidenote: _The Autumn Migration._]
-
-So the summer comes to an end; and towards the middle of September,
-the great family cares being over, and the young having attained
-to an age capable of undertaking the fatigues of migration, that
-mysterious impulse, strong as life itself, and probably affecting
-them like some sickness—the necessity to exchange one country and
-climate for another—comes upon them. Under this influence, they
-congregate together in immense numbers, every neighbourhood seeming
-to have its place of assembly—the roofs of lofty buildings, or the
-leafless boughs of old trees: here they meet, not only to discuss the
-great undertaking, but to have a right merry time together—a time
-of luxurious idleness, lively chatterings, singing in chorus their
-everlasting and musical _cheep, cheep_, eating and drinking, and making
-ready for the journey before them.
-
-At length the moment of departure is come, and at a given signal the
-whole party rises. Twittering and singing, and bidding a long farewell
-to the scenes of their summer life, they fly off in a body, perhaps, if
-coming from Scotland, or the north of England, to rest yet a few weeks
-in the warmer southern counties; after which, a general departure takes
-place to the sunny lands of Africa.
-
-Though gifted with wings wonderfully constructed for prolonged flight,
-and though having passed every day of so many successive months almost
-wholly on the wing, the swallow frequently suffers great fatigue and
-exhaustion in its long migration. Sometimes, probably driven out of
-its course by adverse winds, it is known to alight by hundreds on the
-rigging of vessels, when worn out by hunger and fatigue it is too
-often shot or cruelly treated. Nevertheless the swallow, protected
-by Him who cares for the sparrow, generally braves the hardships of
-migration, and the following spring, guided by the same mysterious
-instinct, finds his way across continents and seas to his old home,
-where, identified by some little mark which has been put upon him—a
-silken thread as a garter, or a light silver ring—he is recognised as
-the old familiar friend, and appears to be no less happy to be once
-more with them than are they to welcome him. Sometimes swallows coming
-back as ordinary strangers, prove their identity, even though the scene
-of their last year’s home may have been pulled down, together with the
-human habitation. In this case, he has been known to fly about in a
-distracted way, lamenting the change that had taken place, and seeming
-as if nothing would comfort him.
-
-Though the fact of swallows coming back to their old haunts does not
-need proving, yet I will close my chapter with an incident which
-occurred in our own family. During a summer storm, a martin’s nest,
-with young, was washed from the eaves of my husband’s paternal
-home. His mother, a great friend to all birds, placed the nest with
-the young, which happily were uninjured, in a window, which, being
-generally open, allowed the parent-birds access to their young. They
-very soon began to feed them, making no attempt to build any other
-nest; so that the young were successfully reared, and took their flight
-full-fledged from the window-sill.
-
-[Sidenote: _A Welcomed Return to Old Haunts._]
-
-The next spring, when the time for the arrival of the swallows came,
-great was the surprise and pleasure of their kind hostess, to see,
-one day, a number of swallows twittering about the window, as if
-impatient for entrance. On its being opened, in they flew, and,
-twittering joyfully and circling round the room, as if recognising the
-old hospitable asylum of the former year, flew out and soon settled
-themselves under the eaves with the greatest satisfaction. There could
-be no doubt but that these were the birds that had been reared there.
-
-[Illustration]
-
-
-
-
-CHAPTER XI.
-
-THE CHIFF-CHAFF, OR OVEN-BUILDER.
-
-
-The Chiff-chaff, chill-chall, lesser pettichaps, or oven-builder, is
-one of the great bird-family of warblers, and the smallest of them in
-size; indeed, it is not much larger than the little willow-wren. Like
-all its family it is a bird of passage, and makes its appearance here,
-in favourable seasons, as early as the 12th of March—earlier than
-the warblers in general—and also remains later, having been known to
-remain here to the middle of October.
-
-[Illustration:
-
- CHIFF-CHAFFS AND NEST. [Page 66.
-]
-
-It is a remarkably cheerful little bird, and is warmly welcomed by all
-lovers of the country as being one of the first visitants of spring,
-sending its pleasant little voice, with an incessant “chiff-chaff,”
-“chery-charry,” through the yet leafless trees.
-
-Its plumage is dark olive-green; the breast and under part of the body,
-white, with a slight tinge of yellow; the tail, brown, edged with pale
-green; legs, yellowish-brown.
-
-The nest is not unlike that of a wren, built in a low bush, and,
-sometimes, even on the ground. The one so beautifully and faithfully
-depicted by Mr. Harrison Weir, seems to be amongst the tallest grasses
-and picturesque growths of some delicious woodland lane. It is a
-lovely little structure; a hollow ball wonderfully put together, of
-dry leaves and stems of grass, and a circular hole for entrance at
-the side; lined with soft feathers—a little downy bed of comfort. The
-mother-bird, as we now see her, sits here in delicious ease on five or
-six white eggs, beautifully spotted with rich red-brown.
-
-[Sidenote: _Mr. Howitt’s Account of this Bird._]
-
-This dainty little bird, which seems made alone for pleasure, is
-very useful to man, and should be made kindly welcome everywhere,
-living entirely on caterpillars and other troublesome and destructive
-creatures. The Rev. J. G. Wood says that it saves many a good oak from
-destruction by devouring, on its first arrival, the caterpillars of
-the well-known green oak-moth, which roll up the leaves in so curious
-a manner, and come tumbling out of their green houses at the slightest
-alarm.
-
-He says, also, that a little chiff-chaff, which had been caught and
-tamed, was accustomed to dash to the ceiling of the room in which it
-was kept, and to snatch thence the flies which settled on the white
-surface.
-
-My husband, writing of this bird, says:—
-
-“Gilbert White gave, I believe, the name of chiff-chaff to this
-little bird from its note. In the midland counties it is called the
-chill-chall from the same cause; and, indeed, this name is, to my ear,
-more accordant with its continuous ditty. Its cheery little voice is
-one of the pleasantest recognitions of returning spring. It is sure to
-be heard, just as in former years, in the copse, the dell, the belt
-of trees bordering a wayside; we catch its simple note with pleasure,
-for it brings with it many a memory of happy scenes and days gone
-by. We see the little creature hopping along the boughs of the yet
-only budding oak, and know that it is as usefully employed for man
-as agreeably for itself. It tells us, in effect, that sunny days,
-flowers, and sweet airs, and the music of a thousand other birds, are
-coming. We revert to the time when, tracing the wood-side or the bosky
-dingle in boyhood, we caught sight of its rounded nest amongst the
-screening twigs of the low bush, and the bleached bents of last year’s
-grapes. We remember the pleasure with which we examined its little
-circular entrance, and discovered, in its downy interior, its store
-of delicate eggs, or the living mass of feathery inmates, with their
-heads ranged side by side and one behind another, with their twinkling
-eyes and yellow-edged mouths. Many a time, as we have heard the ever
-blithe note of chill-chall, as it stuck to its unambitious part of the
-obscure woodland glade, we have wished that we could maintain the same
-buoyant humour, the same thorough acceptance of the order of Providence
-for us. As Luther, in a moment of despondency, when enemies were rife
-around him, and calumny and wrong pursued him, heard the glad song of a
-bird that came and sang on a bough before his window, we have thanked
-God for the lesson of the never-drooping chill-chall. The great world
-around never damps its joy with a sense of its own insignificance; the
-active and often showy life of man, the active and varied existence of
-even birds, which sweep through the air in gay companies, never disturb
-its pleasure in its little accustomed nook. It seems to express, in its
-two or three simple notes, all the sentiment of indestructible content,
-like the old woman’s bird in the German story by Ludwig Tieck—
-
- Alone in wood so gay,
- ’Tis good to stay,
- Morrow like to-day
- For ever and aye;
- Oh, I do love to stay
- Alone in wood so gay!
-
-[Sidenote: _The Bird’s Ditty._]
-
-“This little bird appears to feel all that strength of heart, and to
-put it into its little ditty, which seems to me to say—
-
-“Here I continue ‘cheery cheery, and still shall, and still shall!’”
-
-[Illustration]
-
-
-
-
-CHAPTER XII.
-
-THE GOLDEN-CRESTED WREN.
-
-
-We have here the Golden-crested Wren—the _Regulus cristatus_
-of naturalists—the tiniest of our British birds, “the pleasing
-fairy-bird,” as Bewick calls it, one of the large family of warblers,
-and a near relation to Jenny Wren. It is a very charming little bird,
-with a sweet melodious song of its own, and so many curious little ways
-that it is well worth everybody’s notice and everybody’s love.
-
-It is very active and lively, always in motion, fluttering from branch
-to branch, and running up and down the trunks and limbs of trees, in
-search of insects on which it lives. It may as often be seen on the
-under as on the upper side of a branch, with its back downwards, like
-a fly on a ceiling, and so running along, all alert, as merry and busy
-as possible. In size it is about three inches, that is with all its
-feathers on, but its little body alone is not above an inch long; yet
-in this little body, and in this little brain, lives an amazing amount
-of character, as I shall show you, as well as a great deal of amusing
-conceit and pertness which you would hardly believe unless you were
-told.
-
-[Illustration:
-
- GOLDEN-CRESTED WRENS AND NEST. [Page 70.
-]
-
-The colour of the bird is a sort of yellowish olive-green, the under
-part of pale, reddish-white, tinged with green on the sides; the quill
-feathers of the wing are dusky, edged with pale green, as are also
-the tail feathers. Thus attired by nature, that is, by the great
-Creator who cares for all His creatures, this little bird, creeping
-and fluttering about the branches and bole of the leafy summer tree,
-can scarcely be distinguished from the tree itself: hence it is that
-the bird is so unfamiliar to most people. The he-bird, however, has
-a little distinguishing glory of his own—a crest of golden-coloured
-feathers, bordered on each side with black, like a sort of eye-brow to
-his bright hazel eyes. This crest, which gives him his distinguished
-name, can be erected at pleasure, when he is full of life and
-enjoyment, or when he chooses to lord it over birds ten times as big as
-himself.
-
-[Sidenote: _The Lively Gambols of this Bird._]
-
-It is worth anybody’s while, who has a love for the innocent denizens
-of nature, and no desire to do them harm, to go into a wood on a
-summer’s day on purpose to watch the doings of this lively little bird
-amongst the tree-branches. Fir-woods are the best for this purpose, as
-this bird has an especial liking for these trees, and ten to one, if
-you will only be patient and quite still, you may soon see him at work
-busily looking after his dinner, running along the branches, up one and
-down another, then like a little arrow off to the next tree, scudding
-along its branches, then back again, up and down, round and round
-the bole, going like a little fire, so rapid are his movements; now
-running up aloft, now hanging head downward, now off again in another
-direction. What a wonderful activity there is in that little body! He
-must devour hundreds of insects, as well as their eggs, which he thus
-seeks for under the scaly roughnesses of the bark, and finding, devours.
-
-Pretty as he is, his nest, of which Mr. Harrison Weir has given a most
-accurate drawing, is quite worthy of him. It is always the same, swung
-like a little hammock from a branch, and always hidden, it may be by
-leaves or a bunch of fir-cones. The cordage by which it is suspended
-is of his own weaving, and is made of the same materials as the nest,
-which are moss and slender thread-like roots. In form it is oval, as
-you see, with a hole for entrance at the side, and is lined with the
-softest down and fibrous roots. It is a lovely little structure, like
-a soft ball of moss, within which the mother-bird lays from six to a
-dozen tiny eggs, scarcely bigger than peas, the delicate shell of which
-will hardly bear handling. The colour of the egg is white, sprinkled
-over with the smallest of dull-coloured spots.
-
-Mr. Jesse describes one of these lovely nests which was taken from the
-slender branches of a fir-tree where it had been suspended, as usual,
-by means of delicate cordage, secured to the branch by being twisted
-round and round, and then fastened to the edge or rim of the nest,
-so that one may be sure that the making and securing of these tiny
-ropes must be the first work of the clever little artizan. The nest
-thus suspended sways lightly to and fro with the movement of the bird.
-We cannot see in our cut the slender ropes that suspend it; they are
-concealed under the thick foliage; but we can easily see what a dainty
-little structure it is.
-
-[Sidenote: _The Jackdaw and Mischievous Wrens._]
-
-Delicate and lovely as is this bird, and pleasing and harmless as is
-his life, he yet possesses some curious traits of character, as I
-said. For instance, though so small, with a body only an inch long,
-he has, apparently, a wonderful conceit of himself, and loves to be
-lord and master of creatures that will not dispute with him, as not
-worth their while, or perhaps because there really is some inherent
-mastership in him by which he contrives, under certain circumstances,
-to rule over them. In proof of this, I will tell you what the Rev. J.
-G. Wood relates from the experience of a lady, a friend of his. One
-severe winter, when she had housed and fed a number of birds, amongst
-which were a jackdaw, a magpie, two skylarks, a goldfinch, and a robin,
-in a warm aviary, feeding them regularly and abundantly, other birds
-came, of course, to partake of the plentiful feast, and amongst them
-two golden-crested wrens. These little things made themselves not
-only quite at home, but lorded it over the other birds in the most
-extraordinary way possible. For instance, if the jackdaw had possessed
-himself of a nice morsel which he was holding down with his foot to
-eat comfortably, and the golden-crested wren had also set his mind on
-it, he hopped on the jackdaw’s head and pecked in his eye, on the side
-where his foot held the delicacy. On this the poor jackdaw instantly
-lifted his foot to his head where he thought something was amiss, and
-the mischievous little fellow snatched up the treasure and was off. At
-first the jackdaw would pursue him in great wrath, but he soon learned
-that it was no use, for the creature would only jump upon his back
-where he could not reach him, and so was safe from punishment. “Before
-the winter was over,” continues the lady, “the little gold-crests were
-masters of all the birds, and even roosted at night on their backs;
-finding, no doubt, that in this way they could keep their little feet
-much warmer than on a perch.”
-
-Conceited and dominant, however, as these little birds may be, they are
-yet either extremely timid, or their nervous system is so delicately
-constituted, that a sudden fright kills them. Thus if, when they are
-all alert and busy on the tree-branch, seeking for insects and fearing
-no evil, the branch be suddenly struck with a stick, the poor bird
-falls dead to the ground. The shock has killed it. It has received no
-apparent injury—not a feather is ruffled—but its joyous, innocent
-life is gone for ever. This fact is asserted by Gilbert White, and was
-proved by my husband, who brought me home the bird which had thus died.
-
-[Illustration]
-
-
-
-
-CHAPTER XIII.
-
-THE WAGTAIL.
-
-
-This elegant little bird belongs to the Motacilla, or Wagtail family.
-There are three brothers of them in this country—the pied, the grey,
-and the yellow. The pied is the most familiar, and our friend Mr.
-Harrison Weir has given us a lovely picture of it at home in a cleft of
-the rock, with fleshy-leaved lichens above, and green springing fronds
-of the great fern, which will presently overshadow it. Around are the
-solemn mountains, and the never silent water is foaming and rushing
-below.
-
-This bird has many names besides his Latin one of Motacilla. In Surrey
-he is called washer, or dish-washer, by the common people, from his
-peculiar motions in walking, which are thought to resemble those of a
-washer-woman at her tub. The colours of the pied wagtail are simply
-black and white, but so boldly and clearly marked as to produce a very
-pleasing and elegant effect.
-
-We have, every year, several wagtails in our garden, to which they add
-a very cheerful feature, walking about, nodding their heads and tails
-as if perfectly at home, afraid neither of dog nor cat, much less of
-any human being about the place. A little running brook as one boundary
-of the garden is, no doubt, one of the attractions; but here they are
-seen less frequently than on the smoothly-mown lawn, where they pick up
-tiny insects, gliding along with a smooth motion, accompanied by the
-quick movement of head and tail.
-
-It is bitterly cold wintry weather as I write this, and they now visit
-the kitchen door, where, no doubt, little delicacies of various kinds
-attract them. They are more fearless and familiar than either sparrows,
-robins, or blackbirds; yet all of these are our daily pensioners,
-having their breakfast of crumbs as regularly before the parlour window
-as we have our own meal. Yet they fly away at the slightest sound,
-and the appearance of the cat disperses them altogether. They have,
-evidently, the old ancestral fear of man, stamped, as powerfully as
-life itself, upon their being. They are suspicious, and always in
-a flutter: nothing equals the calm self-possession of the wagtail,
-excepting it be the state of mind into which the robin gets when the
-gardener is turning up the fresh soil, just on purpose, as he supposes,
-to find worms for him.
-
-[Illustration:
-
- WAGTAIL AND NEST. [Page 76.
-]
-
-[Sidenote: _Its Quest for Food._]
-
-And now let me give you a wagtail picture, drawn by a faithful hand.[A]
-It is the end of July, the young wagtails are abroad with their
-parents, like human families, a month or two later, gone out or abroad
-to take their holiday. “Often,” he says, “one may see them wading in
-shallow places, in quest of insects and worms, carefully holding up
-their tails to prevent them being draggled. If you watch the motions
-of an individual just coming up to join the party, you see it alight
-abruptly, twittering its shrill notes, and, perching on a small stone,
-incessantly vibrate its body, and jerk out its tail.” This of course
-is the polite way in which a stranger wagtail introduces itself
-amongst its friends. There they are; now walking out into the water,
-and looking round for food. Now they are on the shore again, running
-rapidly along, picking up, now and then, a dainty morsel, and every
-moment spreading out the ever-vibrating tail. Now they are in the
-adjoining meadow, each one in pursuit of a fly, which it has no sooner
-caught, than it spies another. The lazy geese, which have nibbled
-the grass bare, allow the wagtail to pass in their midst without
-molestation. When the cows are grazing in the midst of a swarm of
-gnats and other insects, as Gilbert White says, as they tread amongst
-the bush herbage they rouse up multitudes of insects which settle on
-their legs, their stomachs, and even their noses, and the wagtails are
-welcomed by the cows as benefactors. Watch them, for they are worth the
-trouble; see, one comes forward and catches a small fly, bends to one
-side to seize another, darts to the right after a third, and springs
-some feet in the air before it secures a fourth, and all this time
-others are running about after other flies, passing close to the cows’
-noses or amongst their feet. With all this running to and fro, and
-hither and thither, they every now and then run in each other’s way;
-but they do not quarrel, aware, no doubt, that there is room enough for
-them in the world, nay, even in the meadow, though it now seems to be
-full of wagtails, all busily occupied, some walking, others running, a
-few flying off and many arriving. You may walk in amongst them; they
-are not very shy, for they will allow you to come within a few yards of
-them. They may always be met with on the shore when the tide is out, as
-well as in the meadow; you will meet with them by the river-side, or by
-the mill-dam. Occasionally you may see them perched on a roof, a wall,
-or a large stone, but very rarely on a tree or bush.
-
-[Footnote A: “British Birds.”]
-
-[Sidenote: _The Taunton Pair._]
-
-They pair about the middle of April, and build by the side of rivers
-in crevices of rock—as in our picture, on a heap of stones, in faggot
-or wood stacks, or in a hole in a wall, but always near water and
-carefully hidden from sight. The nest is made of dry grass, moss, and
-small roots, thickly lined with wool and hair. The eggs are five or six
-in number, of a greyish white, spotted all over with grey and brown.
-As a proof of the confiding nature of this bird, I must mention that
-occasionally it builds in most unimaginable places, directly under the
-human eye—as, for instance, “a pair of them last summer,” says Mr.
-Jesse, “built their nest in a hollow under a sleeper of the Brighton
-Railway, near the terminus at that place. Trains at all times of the
-day were passing close to the nest, but in this situation the young
-were hatched and reared.” Mr. Macgillivray also mentions that a pair
-of these birds built their nest in an old wall near a quarry, within a
-few yards of four men who worked most part of the day in getting the
-stone, which they occasionally blasted. The hen-bird laid four eggs,
-and reared her brood, she and her mate becoming so familiar with the
-quarry-men as to fly in and out without showing the least sign of fear;
-but if a stranger approached they would immediately fly off, nor return
-till they saw him clear off from the place. Another nest was built
-beneath a wooden platform at a coal-pit, where the noisy business of
-unloading the hutches brought up from the pit, was continually going
-forward. But soon the wagtails were quite at home, becoming familiar
-with the colliers and other people connected with the work, and flew
-in and out of their nest without showing the slightest sign of fear.
-Again, another pair built close to the wheel of a lathe in a workshop
-at a brass manufactory at Taunton amid the incessant din of the
-braziers; yet here the young were hatched, and the mother-bird became
-perfectly familiar with the faces of the workmen; but if a stranger
-entered, or any one belonging to the factory, though not to what might
-be called her shop, she quitted her nest instantly, nor would return
-till they were gone. The male, however, had much less confidence, and
-would not come into the room, but brought the usual supplies of food to
-a certain spot on the roof whence she fetched it. All these anecdotes
-prove how interesting would be the relationship between the animal
-creation and man, if man ceased to be their tyrant or destroyer.
-
-As regards this particular bird, it is not only elegant in its
-appearance, but amiable and attractive in all its ways. “They are,”
-says Bewick, “very attentive to their young, and continue to feed and
-train them for three or four weeks after they can fly; they defend them
-with great courage when in danger, or endeavour to draw aside the enemy
-by various little arts. They are very attentive also to the cleanliness
-of their nests, and so orderly as to have been known to remove light
-substances, such as paper or straw, which have been placed to mark the
-spot.” As regards this proof of their love of order, however, I would
-rather suggest that it may be a proof of their sagacity and sense of
-danger: they suspected that some human visitor, of whose friendly
-character they were not convinced, was intending to look in upon them,
-and they thought it best, therefore, to decline the honour of his
-visit.
-
-The ordinary note of this bird, uttered rapidly if alarmed, is a sort
-of _cheep, cheep_. In the summer morning, however, it may be heard
-singing a pleasant, mellow and modulated little song. Like the swallow,
-for which it is a match in elegance, it lives entirely on insects. If
-you would only stand silently for a few minutes by a water-side, where
-it haunts, you would be delighted with the grace and activity of its
-movements. “There it stands,” says one of its friends, “on the top of
-a stone, gently vibrating its tail, as if balancing itself. An insect
-flies near; it darts off, flutters a moment in the air, seizes its
-prey, and settles on another stone, spreading and vibrating its tail.
-Presently it makes another sally, flutters around for a while, seizes
-two or three insects, glides over the ground, swerving to either side,
-then again takes its stand on a pinnacle.” Not unfrequently too it
-may be seen on the roof of a house, or in a village street, still in
-pursuit of insects.
-
-[Illustration]
-
-
-
-
-CHAPTER XIV.
-
-THE JACKDAW.
-
-
-We have called the Rook and Jackdaw first cousins. They are so, and
-are greatly attached to each other. There is a difference, however, in
-their character; the rook is grave and dignified, the jackdaw is active
-and full of fun. But they are fond of each other’s society, and agree
-to associate for nine months in the year: during the other three they
-are both occupied with their respective family cares.
-
-[Illustration:
-
- JACKDAWS AND NESTLINGS. [Page 82.
-]
-
-Rooks build in trees in the open air, the nests of the young being
-exposed to all the influences of wind and weather. The jackdaw does not
-approve of this mode. He likes to live under cover, and, therefore,
-makes his nest in holes and crannies, amongst rocks, as in our picture;
-in old and tall buildings, as church towers and steeples, old ruinous
-castles, or old hollow trees. The traditional structure of the family
-nest is certainly that of the rook; a strong frame-work of sticks upon
-which the eggs can be laid, and the clamorous young jackdaws be brought
-up. This our friend Mr. Weir has shown us plainly. But, after all, it
-does not appear that the jackdaw, with all his sharpness, has much
-scientific knowledge, the getting the sticks into the hole being often
-a very difficult piece of work. Mr. Waterton amused himself by watching
-the endless labour and pains which the jackdaw takes in trying to do
-impossibilities. Thinking it absolutely necessary that a frame-work
-of sticks should be laid in the hole or cavity as the foundation of
-the nest, he brings to the opening just such sticks as the rook would
-use in open spaces, and may be seen trying for a quarter of an hour
-together to get a stick into a hole, holding it by the middle all the
-time, so that the ends prop against each side, and make the endeavour
-impossible. He cannot understand how it is; he knows that sticks ought
-to go into holes, but here is one that will not; and, tired out at
-length, and thinking perhaps that it is in the nature of some sticks
-not to be got into a hole by any means, he drops it down and fetches
-another, probably to have no better result, and this may happen several
-times. But jackdaws have perseverance, and so, with trying and trying
-again, he meets with sticks that are not so self-willed, and that can
-be put into holes, either by being short enough or held the right way,
-and so the foundation is laid, and the easier part of the work goes on
-merrily; for the jackdaw is at no loss for sheets and blankets for his
-children’s bed, though we cannot see them in our picture, the clamorous
-children lying at the very edge of their bed. But if we could examine
-it, we should most likely be amused by what we should find. The jackdaw
-takes for this purpose anything soft that comes readily—we cannot say
-to _hand_—but to _bill_. In this respect he resembles the sparrow,
-and being, like him, fond of human society, gleans up out of his
-neighbourhood all that he needs for the comfort of his nestlings. Thus
-we hear of a nest, built in the ruins of Holyrood Chapel, in which,
-on its being looked into for a piece of lace which was supposed to be
-there, it was found also to be lined with part of a worsted stocking,
-a silk handkerchief, a child’s cap, a muslin frill, and several
-other things which the busy jackdaw had picked up in various ways; for
-it must be borne in mind that he is own cousin to the magpie, whose
-thievish propensities are well known.
-
-The call of the jackdaw is much quicker and more lively than the rook,
-somewhat resembling the syllable _yak_, variously modulated, and
-repeated somewhat leisurely, but at the same time cheerfully. Its food
-is similar to that of the rook, and going forth at early dawn it may be
-seen in pastures or ploughed fields, busily searching for larvæ, worms,
-and insects. They walk gracefully, with none of the solemn gravity
-either of the rook or raven, and may occasionally be seen running along
-and sometimes quarrelling amongst themselves.
-
-Like the rook, the jackdaw stows away food in its mouth or throat-bag
-to feed its young. Its plumage is black, with shining silvery grey
-behind the head. Occasionally they are found with streaks or patches of
-white, as are also rooks, but these are mere sports of nature.
-
-[Sidenote: _Mr. Waterton’s Opinion._]
-
-Mr. Waterton was of opinion that jackdaws lived in pairs all the year
-round, as he had seen them sitting in November on the leafless branches
-of a sycamore, side by side, pruning each other’s heads, and apparently
-full of mutual affection; and as they mostly left the trees in pairs,
-and so returned, he was inclined to think that it was their custom
-always to remain paired.
-
-I will now give you his _carte de visite_ from Macgillivray’s “British
-Birds.” “He is a remarkably active, pert, and talkative little fellow,
-ever cheerful, always on the alert, and ready either for business or
-frolic. If not so respectable as the grave and sagacious raven, he
-is, at least, the most agreeable of the family, and withal extremely
-fond of society, for, not content with having a flock of his own folk
-about him, he often thrusts himself into a gang of rooks, and in winter
-sometimes takes up his abode entirely with them.”
-
-As to _thrusting_ himself into a gang of rooks, I am, however, of
-opinion that the rooks make him heartily welcome. How do we know what
-amusement they, with their stolid gravity and solemn dignity, find in
-him with all his fun and loquacity? That rooks are really fond of the
-society of jackdaws is proved by an observation of Mr. Mudie. He says
-that “in the latter part of the season, when the rooks from one of the
-most extensive rookeries in Britain made daily excursions of about six
-miles to the warm grounds by the sea-side, and in their flight passed
-over a deep ravine, in the sunny side of which were many jackdaws, he
-observed that when the cawing of the rooks in their morning flight was
-heard at the ravine, the jackdaws, who had previously been still and
-quiet, instantly raised their shriller notes, and flew up to join the
-rooks, both parties clamouring loudly as if welcoming each other; and
-that on the return, the daws accompanied the rooks a little past the
-ravine as if for good fellowship; then both cawed their farewell: the
-daws returned to their home and the rooks proceeded on their way.”
-
-Jackdaws, like rooks, are said to be excellent weather-prophets.
-If they fly back to their roost in the forenoon, or early in the
-afternoon, a storm may be expected that evening, or early in the
-morning.
-
-[Sidenote: _The Rev. J. G. Wood’s Anecdote._]
-
-The anecdotes of tame jackdaws are numerous. The Rev. J. G. Wood
-speaks of one which had learnt the art of kindling lucifer matches,
-and thus became a very dangerous inmate, busying himself in this way
-when the family was in bed, though, fortunately, he seems to have done
-nothing worse than light the kitchen fire which had been laid ready
-for kindling over night. Clever as he was, however, he could not learn
-to distinguish the proper ignitable end of the match, and so rubbed
-on till he happened to get it right. He frightened himself terribly
-at first by the explosion and the sulphur fumes, and burned himself
-into the bargain. But I do not find that, like the burnt child, he
-afterwards feared the fire and so discontinued the dangerous trick.
-
-The jackdaw is easily domesticated, and makes himself very happy in
-captivity, learns to articulate words and sentences, and is most
-amusing by his mimicry and comic humour.
-
-[Illustration]
-
-
-
-
-CHAPTER XV.
-
-THE SPOTTED FLY-CATCHER.
-
-
-This pretty little bird is also called the Beam or Pillar-Bird from the
-position which it chooses for its nest. Building mostly in gardens,
-it selects the projecting stone of a wall, the end of a beam or piece
-of wood, under a low roof, or by a door or gateway, the nest being,
-however, generally screened, and often made a perfect little bit
-of picturesque beauty, by the leaves of some lovely creeping rose,
-woodbine, or passionflower, which grows there.
-
-This last summer, one of these familiar little birds, which, though
-always seeming as if in a flutter of terror, must be fond of human
-society, built in a rustic verandah, overrun with Virginian creeper, at
-the back of our house.
-
-[Illustration:
-
- SPOTTED FLY-CATCHERS AND NEST. [Page 86.
-]
-
-According to her peculiar fancy she built exactly in the doorway,
-though there were some yards of verandah on either hand; but here was
-the convenient ledge, forming an angle with the upright support; and
-here was placed, as in our picture, the small, somewhat flat nest,
-beautifully, though slightly, put together, of dried grass and moss,
-lined with wool and hair. Here the mother-bird laid her four or five
-greyish-white eggs, with their spots of rusty red, and here she reared
-her young. She had, however, it seemed to us, an uncomfortable time of
-it, for, though we carefully avoided giving her needless disturbance
-that we almost ceased to use the door, yet there was an unavoidable
-passing to and fro to which she never seemed to get accustomed,
-starting off her nest with a little flutter whenever we came in sight;
-nor—although before she had finished sitting the quick-growing shoots
-of the Virginian creeper, with its broadly-expanding leaves, hid her
-nest so completely that, had it not been for her own timidity, we need
-not have known of her presence—she never lost this peculiar trait of
-character.
-
-The nest which Mr. Harrison Weir has drawn is, doubtless, taken from
-life. I wish, however, he could have seen ours, only about ten feet
-from the ground, a little dome of love, embowered amongst young shoots,
-vine-like leaves and tendrils—a perfectly ideal nest, in which our
-friend, who has as keen a sense of natural beauty as any artist living,
-would have delighted himself.
-
-The colours of this bird are very unobtrusive: the upper parts
-brownish-grey, the head spotted with brown, the neck and breast
-streaked or spotted with greyish-brown. It is a migratory bird, and
-arrives in this country about the middle or end of May, remaining with
-us till about the middle of October, by which time the flies on which
-it lives have generally disappeared.
-
-[Sidenote: _How it takes its Prey._]
-
-Its mode of taking its winged prey is curious. Seated, stock-still,
-in a twig, it darts or glides off at the sight of an insect, like the
-bird of our picture, and seizes it with a little snapping noise; then
-returns to its perch ready for more, and so on; incessantly darting out
-and returning to the same spot, till it has satisfied its hunger, or
-moves off to another twig to commence the same pursuit.
-
-When they have young, the number of flies consumed only by one little
-family must be amazing. It is recorded[B] in one instance that a pair
-of fly-catchers, beginning to feed their nestlings at five-and-twenty
-minutes before seven in the morning, and continuing their labour till
-ten minutes before nine at night, supplied them with food, that is to
-say with flies, no less than five hundred and thirty-seven times. The
-gentleman who made these observations says:—“Before they fed their
-young they alighted upon a tree for a few seconds, and looked round
-about them. By short jerks they usually caught the winged insects.
-Sometimes they ascended into the air and dropped like an arrow; at
-other times they hovered like a hawk when set on its prey. They drove
-off most vigorously all kinds of small birds that approached their
-nest, as if bidding them to go and hunt in their own grounds, where
-there were plenty of flies for them. Sometimes they brought only one
-fly in their bills, sometimes several, and flies of various sizes.”
-
-[Footnote B: See Macgillivray’s “_British Birds_.”]
-
-This bird seems to become attached to particular localities, where
-he finds himself conveniently situated and undisturbed. Mr. Mudie
-mentions, in his “Feathered Tribes,” “that a pair of these birds had
-nested in his garden for twelve successive years.” What is the length
-of life of a fly-catcher I cannot say; but probably if they were
-not the same birds, they would be their descendants—birds hatched
-there, and consequently at home. The Rev. J. G. Wood also speaks of
-the same locality having been used by this bird for twenty successive
-years; and he supposes that the young had succeeded to their ancestral
-home. He gives also an interesting account of the commencement of a
-nest-building by this bird. He says that the female, who seems to be
-generally the active builder, placed, in the first instance, a bundle
-of fine grass in some conveniently-forked branches, and after having
-picked it about for some time, as if regularly shaking it up, she
-seated herself in the middle of it, and there, spinning herself round
-and round, gave it its cup-like form. She then fetched more grasses,
-and after arranging them partly round the edge, and partly on the
-bottom, repeated the spinning process. A few hairs and some moss were
-then stuck about the nest and neatly woven in, the hair and slender
-vegetable fibres being the thread, so to speak, with which the moss was
-fastened to the nest.
-
-[Sidenote: _Mr. Mudie on Nest-building._]
-
-Mr. Mudie, also speaking of their nest-building, says that, in one
-instance which came under his notice, “the bird began at seven o’clock
-on a Tuesday morning, and the nest was finished in good time on Friday
-afternoon.” This was certainly rapid work. Mr. Yarrell says that the
-he-bird brings the materials to the hen, who makes use of them—which
-is stated as a general fact by Michelet—and that in constructing her
-nest the little fly-catcher, after she had rounded it into its first
-form, moves backwards as she weaves into it long hairs and grasses with
-her bill, continually walking round and round her nest. This, however,
-can only be when the situation of the nest will allow of her passing
-round it. Our fly-catcher’s nest, and the nest of our picture, are
-placed as a little bed close to the wall, and in such situations the
-nest has sometimes no back, but simply the lining. A very favourite
-place with the fly-catcher for her nest is the hole in a wall, the
-size of a half brick, in which the builder fixed the spar of his
-scaffolding, and omitted to fill up when he had finished. In these
-convenient little nooks the fly-catcher’s nest fills the whole front
-of the opening, but has seldom any back to it. From all this, I think
-it is clear that the fly-catcher is, in her arrangements, guided by
-circumstances: only, in every case, her little home is as snug as it
-can be.
-
-[Illustration]
-
-
-
-
-CHAPTER XVI.
-
-THE WOOD-PIGEON.
-
-
-The wood-pigeon, ring-dove, or cushat is one of the most familiar and
-poetical of our birds. Its low, plaintive coo-goo-roo-o-o is one of the
-pleasantest sounds of our summer woods.
-
- “Tell me, tell me, cushat, why thou moanest ever,
- Thrilling all the greenwood with thy secret woe?
- ‘I moan not,’ says the cushat, ‘I praise life’s gracious Giver
- By murmuring out my love in the best way that I know.’”
-
-The wood-pigeon belongs to a large family of birds—_columbinæ_ or
-doves. The earliest mention of them in the world is in Genesis,
-when Noah, wearied with the confinement of the ark, and seeing
-that the mountain tops were visible, selected from the imprisoned
-creatures—first the raven, then the dove, to go forth and report to
-him of the state of the earth. The raven, however, came not back, no
-doubt finding food which tempted him to stay; whilst the dove, finding
-no rest for the sole of her foot, returned, and Noah, putting forth his
-hand, took her in. Again he sent her forth, and she came back in the
-evening, and, lo, in her mouth was an olive leaf plucked off. A third
-time she was sent forth, but now she returned no more. So Noah looked
-out, and behold the face of the earth was dry. And he and his family,
-and all the creatures, again went forth and possessed all things.
-
-This dove might probably be of the carrier-pigeon tribe, which is more
-nearly related to the rock-pigeon, also a native of this country,
-or rather, of the northern parts of Scotland. These carrier-pigeons
-were, in the old times, long enough before the invention of electric
-telegraphs, or even before post-offices were established, used instead
-of both. Anacreon, the Greek poet, speaks of them as being used to
-convey letters; the pigeon, having, as it were, two homes, being fed in
-each; thus, a letter from a friend in one home was tied to the wing,
-and the bird turned into the air, probably without his breakfast, when
-he immediately flew off to his distant home, where the letter was
-joyfully received, and he fed for his pains. Whilst the answer was
-prepared he would rest, and it, perhaps, taking some little time, he
-grew hungry again; but they gave him nothing more, and, again securing
-the letter on his little person, he was sent back, making good speed,
-because he would now be thinking of his supper. Thus, the answer flew
-through the air.
-
- “Come hither, my dove,
- And I’ll write to my love,
- And I’ll send him a letter by thee!”
-
-[Illustration:
-
- WOOD-PIGEONS AND NEST. [Page 92.
-]
-
-So says the old song. And we are told that a young man named
-Taurosthenes, one of the victors in the great Olympian games of Greece,
-sent to his father, who resided at a considerable distance, the tidings
-of his success, on the same day, by one of these birds. Pliny, the
-Roman historian, speaks of them being used in case of siege; when the
-besieged sent out these winged messengers, who, cleaving the air at
-a secure height above the surrounding army, conveyed the important
-intelligence of their need to their friends afar off. The crusaders
-are said to have made use of them at the siege of Jerusalem, and the
-old traveller, Sir John Maundeville—“knight, warrior, and pilgrim,” as
-he is styled—who, in the reign of our second and third Edwards, made
-a journey as far as the borders of China, relates that, “in that and
-other countries beyond, pigeons were sent out from one to another to
-ask succour in time of need, and these letters were tied to the neck of
-the bird.”
-
-But enough of carrier-pigeons. Let us come back to our ring-dove or
-cushat, brooding on her eggs in the sweet summer woods, as Mr. Harrison
-Weir has so truthfully represented her. She is not much of a nest-maker.
-
- “A few sticks across,
- Without a bit of moss,
- Laid in the fork of an old oak-tree;
- Coo-goo-roo-o-o,
- She says it will do,
- And there she’s as happy as a bird can be.”
-
-The nest, however, is not at all insufficient for her needs. You see
-her sitting brooding over her two white eggs in every possible bird
-comfort; and whether her mate help her in the building of the nest
-or not, I cannot say, but he is certainly a very good domesticated
-husband, and sits upon the eggs alternately with her, so that the
-hatching, whatever the building may be, is an equally divided labour.
-
-[Sidenote: _Wordsworth’s Tribute of Praise._]
-
-Wordsworth sees in this bird an example of unobtrusive home affection.
-He says:—
-
- “I heard a stock-dove sing or say
- His homely tale this very day:
- His voice was buried among the trees,
- Yet to be come at by the breeze;
-
- He did not cease, but cooed and cooed,
- And somewhat pensively he wooed;
- He sung of love with quiet blending,
- Slow to begin, and never ending;
- Of serious faith and inward glee;
- That was the song—the song for me.”
-
-Wood-pigeons have immense appetites, and, being fond of all kinds of
-grain, as well as peas and beans, are looked upon by the farmer with
-great disfavour. They are, however, fond of some of those very weeds
-which are his greatest annoyance—for instance, charlock and wild
-mustard; so that they do him some good in return for the tribute which
-they take of his crops. They are fond, also, both of young clover and
-the young green leaves of the turnip, as well as of the turnip itself.
-Either by instinct or experience, they have learned that, feeding
-thus in cultivated fields, they are doing that which will bring down
-upon them the displeasure of man. “They keep,” says the intelligent
-author of “Wild Sports in the Highlands,” “when feeding in the fields,
-in the most open and exposed places, so as to allow no enemy to come
-near them. It is amusing to watch a large flock of these birds whilst
-searching the ground for grain. They walk in a compact body; and in
-order that all may fare alike—which is certainly a good trait in their
-character—the hindermost rank, every now and then, fly over the heads
-of their companions to the front, where they keep the best place for
-a minute or two, till those now in the rear take their place. They
-keep up this kind of fair play during the whole time of feeding. They
-feed, also, on wild fruit and all kinds of wild berries, such as the
-mountain-ash, and ivy; and where acorns abound, seem to prefer them to
-anything else. At the same time, I must confess that they are great
-enemies to my cherry-trees, and swallow as many cherries as they can
-hold. Nor are strawberries safe from them, and the quantity of food
-they manage to stow away in their crops is perfectly astonishing.”
-
-[Sidenote: _Its Necessary Watchfulness._]
-
-Besides man, the wood-pigeon has its own bird-enemies. “In districts
-where the hooded crow abounds,” says the author whom I have just
-quoted, “he is always on the look-out for its eggs, which, shining out
-white from the shallow, unsubstantial nest, are easily seen by him.
-The sparrow-hawk seizes the young when they are half-grown and plump;
-he having been carefully noticed watching the nest day by day as if
-waiting for the time when they should be fit for his eating. The larger
-hawks, however, prey upon the poor wood-pigeon himself.”
-
-With all his pleasant cooings in the wood, therefore, and all
-his complacent strutting about with elevated head and protruded
-breast—with all his gambols and graces, his striking the points of
-his wings together as he rises into the air, to express a pleasure to
-his mate beyond his cooing, he has not such a care free life of it. He
-is always kept on the alert, therefore, and, being always on the watch
-against danger, is not at all a sound sleeper. The least disturbance at
-night rouses him. “I have frequently,” continues our author, “attempted
-to approach the trees when the wood-pigeons were roosting, but even
-on the darkest nights they would take alarm. The poor wood-pigeon
-has no other defence against its enemies than its ever watchful and
-never sleeping timidity; not being able to do battle against even the
-smallest of its many persecutors.”
-
-Gilbert White says that the wood-pigeons were greatly decreasing, in
-his time, in Hampshire, and there were then only about a hundred in the
-woods at Selborne, but in former times the flocks had been so vast, not
-only there, but in the surrounding districts, that they had traversed
-the air morning and evening like rooks, reaching for a mile together,
-and that, when they thus came to rendezvous there by thousands, the
-sound of their wings, suddenly roused from their roosting-trees in an
-evening, rising all at once into the air, was like a sudden rolling of
-distant thunder.
-
-Although the wood-pigeon is considered to be the original parent of
-the tame pigeon, yet it does not seem possible to tame the young of
-this bird, though taken from the nest quite young. It is a bird which
-appears to hate confinement, and, as soon as it has the opportunity,
-spite of all kindness and attention, it flies away to the freedom of
-the woods.
-
-[Illustration]
-
-
-
-
-CHAPTER XVII.
-
-THE WHITE-THROAT.
-
-
-With none of our migratory birds, our spring visitants from southern
-lands, is the lover of the country more familiar than with the
-White-throat, which, with its nest, is here so beautifully and livingly
-depicted by Mr. Harrison Weir.
-
-This bird, with its many names—White-throat, Peggy-white-throat,
-Peggy-chaw, Charlie-mufty, Nettle-creeper, Whishey-whey-beard or
-Pettichaps—comes to us in April, about the same time as the cuckoo and
-the swallow; the male bird, like his cousin the nightingale, coming
-before the female, but he does not make himself very conspicuous till
-the hedges and bushes are well covered with leaves; then he may be
-found in almost every lane and hedge the whole country over.
-
-As soon as the female is here, and the birds have paired, the business
-of nest-building begins, and they may then be seen flying in and out
-of the bushes with great alertness, the he-bird carolling his light
-and airy song, and often hurling himself, as it were, up into the air,
-some twenty or thirty feet, in a wild, tipsy sort of way, as if he
-were fuller of life than he could hold, and coming down again with a
-warble into the hedge, where the little hen-wife is already arranging
-her dwelling in the very spot probably where she was herself hatched,
-and her ancestors before her, for ages. For I must here remark that
-one of the most remarkable properties of birds is, that facility by
-which they so regularly disperse themselves over the whole country on
-their arrival after their far migration, each one, in all probability,
-attracted by some attachment of the past, stopping short at, or
-proceeding onward to, the exact spot where he himself first came into
-the consciousness of life. This is one of the wonderful arrangements of
-nature, otherwise of God, by which the great balance is so beautifully
-kept in creation. If the migratory bird arrives ever so weary at Dover,
-and its true home be some sweet low-lying lane of Devonshire, a thick
-hedgerow of the midland counties, or a thickety glen of Westmoreland,
-it will not delay its flight nor be tempted to tarry short of that
-glen, hedgerow, or lane with which the experience of its own life and
-affection is united.
-
-At this charming time of the year none of the various performers in
-nature’s great concert bring back to those who have passed their youth
-in the country a more delicious recollection of vernal fields and lanes
-than this bird of ours, the little white-throat.
-
-[Illustration:
-
- WHITE-THROAT AND NEST. [Page 98.
-]
-
-Yes, along those hedges, fresh and fragrant with their young leaves,
-along those banks studded with primroses, campions, blue-bells and
-white starwort, and through the thick growth of the wild rose bushes,
-all of which have a beauty especially their own, the white-throat
-salutes you as you pass, as if to recognise an old acquaintance. He
-is brimful of fun; out he starts and performs his series of eccentric
-frolics in the air, accompanied by his mad-cap sort of warble; or,
-almost as if laughing at you, he repeats from the interior of the
-bushes his deep grave note, _chaw! chaw!_ whence comes the name
-of peggy-chaw. This, however, is to tell you—and to those who
-understand bird-language it is intelligible enough—that he has now a
-family to attend to, and he begs, very respectfully, that you will not
-trouble yourself about it.
-
-[Sidenote: _Description of the Bird._]
-
-A Scotch naturalist says that “the peasant boys in East Lothian imagine
-that the bird is mocking or laughing at them, as it tumbles over the
-hedge and bushes in the lane, and, therefore, they persecute it at all
-times, even more mercilessly than they do sparrows.”
-
-The white-throat is an excitable little bird, rapid in all its
-movements; and though it will apparently allow a person to come near,
-it incessantly flits on, gets to the other side of the hedge, warbles
-its quaint little song, flies to a short distance, sings again, and so
-on, for a long time, returning in the same way. It erects the feathers
-of its head when excited, and swells its throat so much when singing,
-that the feathers stand out like a ruff, whence it has obtained the
-name of _Muffety_, or Charlie-mufty, in Scotland.
-
-Its colour, on the upper parts of the body, is reddish-brown,
-brownish-white below, with a purely white throat. Its food is
-principally insects and larvæ of various kinds, for which it is always
-on the search amongst the thick undergrowth of the plants and bushes
-where it builds. One of its many names is Nettle-creeper, from this
-plant growing so generally in the localities which it haunts.
-
-Its nest—one of the most light and elegant of these little abodes—may
-truly be called “gauze-like,” for being constructed wholly of fine
-grasses, and very much of the brittle stems of the Galnim aparine, or
-cleavers, which, though slender, are not pliant, and bend only with an
-angle; they prevent the whole fabric from being closely woven, so that
-it maintains a gauzy texture; the inside, however, is put together more
-closely of finer and more pliant materials, delicate root-filaments,
-and various kinds of hair. The eggs, four or five in number, are of a
-greenish-gray colour, often with a tawny hue, blotched and spotted over
-with dark tints of the same colour.
-
-A correspondent of the author of “British Birds” says that, one morning
-in June, when walking in his shrubbery within about eighty yards of a
-White-throat’s nest, which he was taking great interest in, he found a
-portion of the shell of one of the eggs of this bird, and, fearing that
-a magpie had been plundering it, hastened to the spot, but found to his
-satisfaction that the nest was then full of newly-hatched birds. “The
-shell had,” he says, “been instinctively taken away by the mother in
-order to prevent the discovery of the place of her retreat.” He adds
-that the mother-bird was very shy, and usually dropped from her nest
-with the most astonishing rapidity, and, treading her way through the
-grasses and other entanglements, disappeared in a moment. The young,
-too, seemed greatly to dislike observation, and on his taking one into
-his hand to examine it, it uttered a cry, no doubt of alarm, on which
-all the other little things leapt out of their abode, although not more
-than half-fledged, and hopped amongst the grass. It is a singular fact
-that almost every kind of young bird, if they be caused to leave their
-nest through alarm, or by being handled, can never be induced to stay
-in the nest again, though they may be put back into it time after time.
-
-
-
-
-CHAPTER XVIII.
-
-THE BULL-FINCH.
-
-
-This bird, which is common to all parts of the country, is very shy,
-and for the greater part of the year haunts the woods and thickets.
-In spring, however, its fondness for tender fruit-buds tempts it into
-gardens and orchards, where, being considered an enemy, it is destroyed
-without mercy. It is a question, however, whether it devours these
-young buds as favourite food, or whether it may not be the equally
-distinctive grub or insect which is the temptation; and thus, that
-it ought rather to be regarded as the friend than the enemy of the
-gardener and fruit-grower. At all events, the general opinion is
-against the poor bull-finch. He is declared to be a devourer of the
-embryo fruit, and no mercy is shown to him. The Rev. J. G. Wood, always
-a merciful judge where birds are concerned, thinks that public opinion
-is unfairly against him. He says that a gooseberry tree, from which it
-was supposed that the bull-finches had picked away every blossom-bud,
-yet bore the same year an abundant crop of fruit, which certainly
-proved that they had picked away only the already infected buds, and so
-left the tree in an additionally healthy state, doubly able to mature
-and perfect its fruit.
-
-Bull-finches seldom associate with other birds, but keep together in
-small flocks as of single families. Its flight, though quick, is
-somewhat undulating or wavering; and in the winter it may sometimes
-be seen in large numbers flitting along the roadsides and hedges,
-being probably forced out of some of its shyness by the stress of
-hunger. Its ordinary note is a soft and plaintive whistle; its song,
-short and mellow. It is, in its native state, no way distinguished as
-a singing-bird, but at the same time it is possessed of a remarkable
-faculty for learning tunes artificially, of which I may have more to
-say presently.
-
-The bull-finch begins to build about the beginning of May. She places
-her nest, as we see in our illustration, in a bush, frequently a
-hawthorn, at no great distance from the ground. The nest is not very
-solidly put together; the foundation, so to speak, being composed of
-small dry twigs, then finished off with fibrous roots and moss, which
-also form the lining. The eggs, five or six in number, are of a dull
-bluish-white, marked at the larger end with dark spots.
-
-Although there is so little to say about the bull-finch in his natural
-state—excepting that he is a handsome bird, with bright black eyes,
-a sort of rich black hood on his head; his back, ash-grey; his breast
-and underparts, red; wings and tail, black, with the upper tail-coverts
-white—yet when he has gone through his musical education, he is not
-only one of the most accomplished of song-birds, but one of the most
-loving and faithfully attached little creatures that can come under
-human care. These trained birds are known as piping bull-finches.
-
-[Illustration:
-
- BULL-FINCH AND NESTLINGS. [Page 102.
-]
-
-[Sidenote: _How it is taught to pipe._]
-
-Bishop Stanley, in his “History of Birds,” thus describes the method by
-which they are taught:—
-
-“In the month of June, the young ones, which are taken from the nest
-for that purpose, are brought up by a person, who, by care and
-attention, so completely tames them that they become perfectly docile
-and obedient. At the expiration of about a couple of months, they first
-begin to whistle, from which time their education begins, and no school
-can be more diligently superintended by its master, and no scholars
-more effectually trained to their own calling, than a seminary of
-bull-finches. They are formed first into classes of about six in each,
-and, after having been kept a longer time than usual without food, and
-confined to a dark room, the tune they are to learn is played over
-and over again, on a little instrument called a bird-organ, the notes
-of which resemble, as nearly as possible, those of the bull-finch;
-sometimes, also, a flageolet is used for this purpose, and birds so
-taught are said to have the finer notes. For awhile the little moping
-creatures will sit in silence, not knowing what all this can mean; but
-after awhile one by one will begin to imitate the notes they hear, for
-they have great power of imitation as well as remarkably good memories.
-As soon as they have said their lesson all round, light is admitted
-into the room, and they are fed.
-
-“By degrees the sound of the musical instrument—be it flageolet or
-bird-organ—and the circumstance of being fed, become so associated in
-the mind of the hungry bird, that it is sure to begin piping the tune
-as soon as it hears it begin to play. When the little scholars have
-advanced so far they are put into a higher class, that is to say, are
-turned over each to his private tutor; in other words, each bird is put
-under the care of a boy who must carry on its education, and who plays
-on the little instrument from morning to night, or as long as the bird
-can pay attention, during which time the head-master or feeder goes
-his regular rounds, scolding or rewarding the little feathered scholars
-by signs and modes of making them understand, till they have learned
-their lessons so perfectly, and the tune is so impressed on their
-memories, that they will pipe it to the end of their days; and let us
-hope, as I believe is the fact, that they find in it a never-ending
-delight.
-
-“Just as in human schools and colleges, it is only the few out of the
-great number who take the highest honours or degrees, or become senior
-wranglers, so it is not above five birds in every hundred who can
-attain to the highest perfection in their art! but all such are valued
-at a very high price.”
-
-It is allowable to hope that the poor bull-finch, which has thus
-industriously applied himself to learn, and has thus become
-artificially gifted with the power of pleasing, takes great
-satisfaction in his accomplishment. Perhaps also the association with
-his human teacher calls forth his affection as well as his power of
-song, for it is a fact that the piping bull-finch is, of all birds,
-given to attach itself to some one individual of the family where it
-is kept, expressing, at their approach, the most vehement delight,
-greeting them with its piping melody, hopping towards them, and
-practising all its little winning ways to show its love, and to court a
-return of caresses.
-
-“An interesting story,” says the bishop, “was told by Sir William
-Parsons, who was himself a great musician, and who, when a young man,
-possessed a piping bull-finch, which he had taught to sing, ‘God save
-the king.’ On his once going abroad, he gave his favourite in charge
-to his sister, with a strict injunction to take the greatest care of
-it. On his return, one of his first visits was to her, when she told
-him that the poor little bird had been long in declining health, and
-was, at that moment, very ill. Sir William, full of sorrow, went into
-the room where the cage was, and, opening the door, put in his hand,
-and spoke to the bird. The poor little creature recognised his voice,
-opened his eyes, shook his feathers, staggered on to his finger, piped
-‘God save the king,’ and fell down dead.”
-
-[Sidenote: _The Devoted Affection of Birds._]
-
-We see in the piping bull-finch—a bird which in its education is
-closely associated with man—the deep and devoted affection of which
-it is capable; and if we could only live with the animal creation as
-their friends and benefactors, we should no longer be surprised by such
-instances of their intelligence and love.
-
-[Illustration]
-
-
-
-
-CHAPTER XIX.
-
-THE MISSEL-THRUSH.
-
-
-This is the largest of our British song birds. It remains with us
-through the whole year, not being migratory, excepting in so far as it
-moves off in considerable flocks into Herefordshire and Monmouthshire
-for the sake of the mistletoe which abounds in the orchards there,
-on the viscous berries of which it delights to feed, and whence it
-has obtained its familiar name of missel, or mistletoe thrush. It is
-generally believed that this curious parasitic plant was propagated or
-planted upon the branches of trees, by this bird rubbing its bill upon
-the rough bark to clean it from the sticky substance of the berry, and
-thus introducing the seeds into the interstices of the bark.
-
-[Illustration:
-
- MISSEL-THRUSHES AND NEST. [Page 106.
-]
-
-The Missel-thrush is a handsome bird; the head, back, and upper coverts
-of the wings olive-brown, the latter tipped with brownish-white,
-spotted with brown; the breasts and under parts pale yellow, covered
-with black spots; the legs are yellow and the claws black.
-
-It is a welcome bird, being the earliest harbinger of spring, the first
-singer of the year. Long before the swallow is thought of, before even
-the hardy familiar robin has begun his song, its clear rich voice
-may be heard on Christmas or New Year’s day, often amidst wild winds
-and winterly storms, whence its also familiar name, the storm-cock.
-It is known by different names in different parts of the country.
-The origin of its more general appellation—the missel-thrush—I have
-already mentioned. In the midland counties it is called the thrice
-cock, but why I know not. In Wales it is known as _Pen-y-llwyn_, which
-means the head or master of the coppice. Why it is so called I will
-mention presently.
-
-[Sidenote: _A Description of the Nest._]
-
-The nest of the missel-thrush is large and well constructed, being
-made of almost every material ordinarily used for nest-making
-purposes—moss, and hay, and straw, and dry leaves, and little twigs,
-and locks of wool, with occasional odds and ends of every possible
-kind. All these are woven and wrought together very compactly; not,
-however, without loose straws and little tangles of wool hanging about.
-Within is a smooth casing of mud, as in the nest of the throstle, and
-within that a second coating of dry grass. Our picture represents all
-as being now complete. The busy labours of the year are now over; the
-eggs, four or five in number, of a greenish-blue, marked with reddish
-spots, are laid, and the mother-bird has taken her patient seat upon
-them, whilst her mate, from the branch above, sings as if he never
-meant to leave off again.
-
-The song of this bird is loud, clear, and melodious—a cheering,
-hopeful song; and when heard amidst the yet prevailing winter-storms,
-as if in anticipation of better times, it well deserves our admiration.
-It resembles, to a certain degree, the song of the blackbird and the
-thrush, and is often mistaken for them; but it has not the short,
-quick, and varied notes of the one, nor the sober, prolonged, and
-eloquent melody of the other. On the contrary it is of an eager,
-hurrying character, as if it could not sufficiently express its
-emotion, and yet was trying to do so.
-
-The missel-thrush is a bird of very marked character, and is both bold
-and chivalrous. Its harsh, jarring note of anger and defiance is the
-first to be heard when a bird-enemy is at hand. If a cuckoo or hawk is
-anywhere near meditating mischief, the missel-thrush is vehement in his
-expression of displeasure. In our own neighbourhood, where the jays in
-summer come from the wood to carry the young of the sparrows from their
-nests in the ivied boles of the trees round our garden, the outcry of
-the parent sparrows instantly arouses the sympathetic missel-thrushes,
-who, with a scolding defiance, rush to the rescue. Of course these
-birds, which are of so militant a character, and so loud in protesting
-against a wrong done to another, will be equally alive to their own
-rights, and active in defending their own nests and young. Some
-naturalists have suggested that this combatant temper and extraordinary
-courage are but the natural consequence of the bird finding its nest
-open to common attack; for, being of a large size, and built early in
-the year whilst the trees are yet leafless, it is visible to every
-enemy and depredator.
-
-Mr. Thompson says: “Often have I seen a pair of these birds driving off
-magpies, and occasionally fighting against four of them. One pair which
-I knew attacked a kestrel which appeared in their neighbourhood when
-the young were out. One of them struck the hawk several times, and made
-as many more fruitless attempts, as the enemy, by suddenly rising in
-the air, escaped the cunning blow. They then followed the kestrel for a
-long way, until they were lost to our sight in the distance.”
-
-The old Welsh name of “master, or head of the coppice,” refers to the
-same warlike spirit. “The missel-thrush,” says Gilbert White, “suffers
-no magpie, jay, or blackbird to enter the garden where he haunts, and
-is, for the time, a good guardian of the new-sown crops. In general, he
-is very successful in defence of his family. Once, however, I observed
-in my garden that several magpies came determined to storm the nest of
-the missel-thrush. The parent-birds defended their mansion with great
-vigour, and fought resolutely. But numbers at last prevailed, and the
-poor missel-thrushes had the pain of seeing their nest torn to pieces,
-and their young carried off.”
-
-[Sidenote: _The Gardeners’ Enemy._]
-
-The missel-thrushes, however, as the year goes on, make for themselves
-enemies even more formidable than hawks or magpies; these are the
-gardeners. Towards the end of summer, when the young have flown,
-and they and the parent-birds congregate in large flocks, having
-then nothing to do but to enjoy themselves, like human families when
-children are all home for the holidays, they too go abroad on their
-excursions of pleasure; not, however, to sea-side watering places, but
-into gardens where the cherries and raspberries are ripe. Poor birds!
-Little aware of their danger, or if they be so, defiant of it in the
-greatness of the temptation, they make sad havoc amongst the fruit,
-and many unfortunates are shot or snared, and then hung up amidst the
-cherry-boughs or the raspberry-canes as a terror to their associates.
-It is a pity we cannot make them welcome to some and yet have enough
-left for ourselves.
-
-The berries of the mountain-ash and the arbutus, and later on in the
-year those of the holly and ivy, supply them with food, as do also
-in the spring and summer insects of various kinds—caterpillars and
-spiders—so that in this respect they are good friends to the gardener,
-and might, one thinks, be made welcome to a little fruit in return.
-
-[Illustration]
-
-
-
-
-CHAPTER XX.
-
-THE YELLOW-HAMMER, OR YELLOW-HEAD.
-
-
-This, though an extremely pretty bird, is so common that very
-little notice is taken of it. Its colours are varied and beautiful:
-the back and wings, bright red; the central part of each feather,
-brownish-black; the head and throat, bright yellow; the feathers of the
-upper part tipped with black; the breast, brownish-red. The colours of
-the female are much duller.
-
-The yellow-hammer resembles linnets, finches, and sparrows in character
-and habits, and often associates with them, resorting to the fields in
-open weather, and often perching in hedges and bushes as well as in
-trees. In the winter, when the weather is severe, it congregates, with
-other birds, about houses, farm-buildings, and stack-yards.
-
-One of the most pleasing features of autumn is, to my mind, these
-flocks of kindred birds, which are at that time all abroad and yet
-together, circling in their flight, all rising as you approach, and
-wheeling away into the stubble-field, or into the distant hedges, now
-rich with their wild fruits—the blackberry, the wild rose hip, and the
-bunches of black-privet berries—and then away again, as you approach,
-with their variously modulated notes, through the clear air into the
-yet more distant stubble or bean-field.
-
-The flight of the yellow-hammer is wavy and graceful, and, alighting
-abruptly, he has a curious way of jerking out his tail feathers like
-a little fan. All at once a whole flock of them will descend from a
-considerable height and settle on the twigs of a tree, clothing it as
-with living leaves. Whatever number the flock may consist of, there
-is no impatient hurry or jostling among them to get the best perch,
-every individual settling as if on its own appointed place. As I have
-already observed, nothing is more charming at this season than these
-congregated companies of small birds. All the cares of life are now
-over, their young broods are around them, and now, with nothing to
-do but to enjoy themselves in the freedom of nature, where—on every
-hand, on every bush and tree, and in every outlying field—though the
-crops are now carried, all except, perhaps, here and there a solitary
-field in which the bean-shocks stand up black in the golden autumnal
-sunshine; but here, and there, and everywhere, a full table is spread,
-and they are welcome to enjoy.
-
-In spring and summer, the yellow-hammer sings a peculiar but
-mournful sort of little ditty, composed of a few short, sonorous
-notes, concluding with one long drawn out. In the midland
-counties, where stocking-weaving is the business of the people,
-the note of the bird is said to resemble the working of the
-machine—ch-ch-ch-ch-ch-e-e-chay—the prolonged latter syllable being
-what the stockinger calls, in the machine movement, “pressing over the
-arch.” In other parts of the country this bird’s song is interpreted as
-“A little bit of bread, and—no-cheese!” which may just as well be “A
-little bird am I, and—no thief!”
-
-[Illustration:
-
- YELLOW-HAMMER AND NEST. [Page 112.
-]
-
-The food of this bird consists of the seeds of all kinds of grasses,
-chickweeds, polygonums, and other such weeds; also, in summer, when
-food is needed for the young, insects and larvæ.
-
-[Sidenote: _Its Picturesque Nest._]
-
-The winter congregations break up in April, and then the yellow-hammer
-begins to think of family joys and cares. But, unlike their relations
-the sparrows and finches, the he-birds take everything quietly, without
-having their little skirmishes to show their spirit and prowess, like
-the knights of old, at the tournament, before the admiring ladies. The
-yellow-hammer does everything quietly, choosing his mate in an orderly
-way; and now that the buds are swelling on the trees, the primroses
-gemming the hedge-banks, and the golden catkins hanging on the willows
-by the watersides, hither come the little yellow-hammers, and, having
-selected some sweet, hidden spot, under a bush, or on the fieldy banks
-amongst the thick herbage—we see it a month later in our picture,
-when the buds have expanded into leaves, in a wild growth of beautiful
-grasses and herbage—begin to make their nest. How picturesque it is!
-William Hunt never painted anything more beautiful. The nest itself
-is somewhat large, and of simple construction, woven externally of
-coarse bents and small pliant twigs, and lined with hair and wool. Here
-the hen lays four or five eggs of a purplish white, marked with dark,
-irregular streaks, often resembling musical notes.
-
-These poor little birds are extremely attached to their home and their
-young, so much so, that if these be taken by the pitiless bird-nester,
-they will continue for some days about the place uttering the most
-melancholy plaint, which, though still to the same old tune as the song
-of their spring rejoicing, has now the expression of the deepest woe.
-
-The author of “British Birds” thus sums up their various characteristic
-actions:—“When perched on a tree, especially in windy weather, they
-crouch close to the twigs, draw in their necks, and keep their tails
-declined. After pairing, the male is generally seen on a bush or tree,
-raising his tail by sudden jerks, and slightly expanding it. His notes
-are then usually two chirps, followed by a harsher note—cit, chit,
-chirr—with considerable intervals. When feeding in the stubble-fields,
-they advance by very short leaps, with their breasts nearly touching
-the ground; when apprehensive of danger they crouch motionless, and
-when alarmed give information to each other by means of their ordinary
-short note.”
-
-[Illustration]
-
-
-
-
-CHAPTER XXI.
-
-THE MAGPIE.
-
-
-You have here a living portrait of the Magpie, sitting, so to speak, on
-his own door-sill, and contemplating it with rather a sentimental air,
-perhaps rather with tender admiration; and as to his dwelling, it is,
-we must confess, a wonderful structure—a half-timbered edifice, so to
-speak, walled-round and roofed-in, with its front-door and all complete.
-
-The magpie is one of our most beautiful as well as most amusing and
-characteristic birds. He is cousin to the jackdaw, and has, like him,
-odd ways of his own. In all countries where he is found, he is just the
-same. An old Greek poet, who lived two thousand years ago, speaks of
-him as a great mimic, and such an inordinate talker, that, in his own
-satirical humour, he pretends to believe that magpies were originally a
-family of young ladies, in Macedonia, who were noted for the volubility
-of their tongues. Handsome he is, as well as talkative, and very droll
-and mischievous.
-
-Being such, we need not wonder that his nest is very original. He likes
-to place it in a secure angle of branches, on some lofty tree, as we
-see it here, fifty feet or so from the ground; and prefers to have it
-on a tree bare of branches to a considerable height, knowing that it
-is then more inaccessible. He is wise in all this, for its bulk being
-so large it is discernible to a great distance. As magpies, however,
-are found almost everywhere, and in some parts of the country, the
-north of Scotland for instance, where there are no trees, the poor
-magpie is then obliged to build in a bush, and do the best he can. In
-such a case, in Norway, he was known to barricade his nest with thorny
-branches, brought thither by himself for that purpose, till it was next
-to impossible for the domicile to be invaded. A cat could not get to
-it, and a man only with hedging-mittens on his hands, and by help of a
-bill-hook.
-
-Like the rook, the magpie inhabits the same nest for several years,
-perhaps for the whole of his life, putting it into repair every year
-before he again needs it for family use—like a wealthy country family
-taking possession of their ancestral mansion in the spring.
-
-And now, turning to our picture, we find our magpie in excellent
-circumstances. Every thing has gone well with him. Here he is, and I
-will have the pleasure of giving you a bit of every-day magpie life,
-as sketched by that true pen-and-ink artist, the author of “British
-Birds.” Our scene opens a few minutes before the time indicated in our
-picture:—
-
-[Illustration:
-
- MAGPIE AND NEST. [Page 116.
-]
-
-[Sidenote: _A Search for Food._]
-
-“There, on the old ash-tree, you may see a pair, one perched on the
-topmost twig, the other hopping on the branches below, keeping up an
-incessant chatter. How gracefully she, on the topmost twig, swings in
-the breeze! Off she starts, and directs her flight to the fir-woods
-opposite, chattering all the way, seemingly to call her mate after her.
-But he prefers remaining behind. He is in a brown study, or something
-of that kind, as we can plainly see. Now, having spied something
-below, he hops downwards from twig to branch, and descends to the
-ground. His ash-tree, you must understand, grows close to, and in part
-overshadows, a farmyard; so now he is on ground which, as is customary
-in such places, is not over clean; therefore, lifting up his tail to
-prevent it being soiled or wet, as the farmer’s wife might hold up her
-Sunday gown, and raising his body as high as possible, he walks a few
-paces, and, spying an earth-worm half out of his hole, drags it forth
-by a sudden jerk, breaks it in pieces, and swallows it. Now, under the
-hedge, he has found a snail, which he will presently pick out of its
-shell, as an old woman would a periwinkle. But now something among the
-bushes has startled him, and he springs lightly upwards, chattering
-the while, to regain his favourite tree. It is a cat, which, not less
-frightened than himself, for both are intent on mischief, runs off
-towards the barn. The magpie again descends, steps slowly over the
-grassy margin of the yard, looking from side to side, stops, listens,
-advances rapidly by a succession of leaps, and encounters a whole brood
-of chickens, with their mother at their heels. If she had not been
-there he would have had a delicious feast of one of those chickens;
-but he dare not think of such a thing now, for, with fury in her eye,
-bristled plumage, and loud clamour, the hen rushes forward at him,
-overturning two of her younglings, and the enemy, suddenly wheeling
-round to avoid the encounter, flies off to his mate.
-
-“There again you perceive them in the meadow, as they walk about with
-their elevated tails, looking for something eatable. By the hedge, afar
-off, are two boys, with a gun, endeavouring to creep up to a flock of
-plovers on the other side. But the magpies see them, for there are not
-many things which escape their sharp eyes, and presently rising, they
-fly directly over the field, chattering vehemently, and the flock of
-plovers on this take wing, and the disappointed young sportsmen sheer
-off in another direction.”
-
-Magpies always make a great chattering when they are disturbed, or
-when they apprehend that danger is near. Waterton says that they
-are vociferous at the approach of night, and that they are in truth
-valuable watchmen on that account. “Whoever enters the wood,” he
-says, “is sure to attract their notice, and then their challenge is
-incessant. When I hear them during the night, or even during the
-day, I know that mischief is on the stir. Three years ago, at eleven
-o’clock in the day, I was at the capture of one of the most expert
-and desperate poachers, to whose hiding-place we were directed by the
-chatter of the magpies.”
-
-The poor magpie has many enemies, and, knowing this, is always on the
-watch, and easily alarmed.
-
-Its mode of walking is like that of the rook, but not having any
-dignity to maintain, it every now and then leaps in a sidelong
-direction. When alarmed itself, or wishing to announce danger to other
-birds, it utters a sort of chuckling cry or chatter. If a fox or cat,
-or any other unfriendly animal, approaches, it hovers about it, and
-alarms the whole neighbourhood by its cries till the enemy is out of
-sight.
-
-Like the jackdaw, it generally keeps in pairs the whole year round;
-and, indeed, when birds continue to inhabit the same nest, season after
-season, it is quite natural that they should do so. It is a curious
-fact, however, that if by any accident the hen-magpie is killed, whilst
-sitting on her eggs, her mate sets off at once and brings home another
-wife, who takes to the nest and eggs, just as if she had laid them; and
-if by another mischance she too should come to an untimely end, the
-widower again goes off, and, without any loss of time, brings back a
-third wife, and she takes to her duties quite as naturally and lovingly
-as the other did; but where all these surplus mothers come from is a
-question which no naturalist has yet answered, and the magpie, with all
-his chattering, is not clever enough to explain the wonder.
-
-[Sidenote: _Its Beautiful Plumage._]
-
-The beauty of this bird’s plumage is familiar to all; and although it
-is simply black and white, yet the exquisitely-coloured gloss of green,
-blue, and purple, with their varying and intermingling tints, produce
-such a charming effect that one cannot sufficiently admire them.
-
-With the external structure of the magpie’s nest we are acquainted: the
-lower part, inside, is neatly plastered with mud, “and is furnished,”
-says Bewick, “with a sort of mattress, formed of wool or fibrous roots,
-on which from three to six eggs are laid.” The eggs frequently vary,
-both in size and colour; sometimes they are of a pale green, freckled
-over with amber-brown and light purple; sometimes pale blue, with
-smaller spots of the same dark colours.
-
-The nest is, so to speak, a sort of little domed chamber, of a good
-size for its purpose; but then comes the question—What does the magpie
-do with her long tail as she sits on her eggs? It would certainly
-poke a hole through the wall if left to its full extent; she must,
-therefore, lift it up, as she does when walking amongst the wet grass,
-and sit with it laid flat against the wall, which probably is not
-inconvenient to her.
-
-
-
-
-CHAPTER XXII.
-
-THE NUTHATCH.
-
-
-This bird is almost an entire stranger to most people. It belongs to
-the rather large family of creepers; birds which, like the woodpecker
-and the little golden-crested wren, run up the holes and branches of
-trees in search of food. The nuthatch, however, has an advantage over
-all its other creeping relatives, by being gifted with the power of
-coming down the tree head foremost, which none of them have. It can
-also sleep with its head downwards; neither in its rapid ascent has it
-occasion to press its tail against the tree for help; so that it is the
-most accomplished little acrobat of the whole race of creepers.
-
-[Illustration:
-
- NUTHATCH AND NEST. [Page 120.
-]
-
-The nuthatch cannot be called a rare bird, and yet it is not often
-seen, being of a shy and retiring disposition, though naturally lively
-and active. The plumage is very pleasing in colour; the upper parts
-of the body are bluish-grey; a black line passes from the corners of
-the mouth to the back of the neck; the breast and under parts light
-reddish-yellow, and the sides reddish-brown.
-
-It delights in woods and trees; nor need it be looked for elsewhere,
-as it derives its food entirely amongst them, either of insects and
-larvæ, hidden in the bark, or of fruits and nuts, as kernels of
-fir-cones, beech, and other nuts, the shells of which it breaks in
-a very ingenious manner, as I shall presently describe. Now and then
-it alights on the ground, and then advances by short leaps. It has no
-song; but in winter, when living in small companies, perhaps the whole
-summer-family associating together, it has a little piping note, which,
-however, is supposed to be simply the call to each other. It is said to
-be sensitive to the cold, and always feeds on the side of the wood or
-of the tree which is defended from the wind. In spring, however, when
-all nature is renovated with a quicker pulse of life—for, as Tennyson
-says:—
-
- In the spring a fuller crimson comes upon the robin’s breast;
- In the spring the wanton lapwing gets himself another crest;
- In the spring a livelier iris changes on the burnished dove—
-
-then, also, the silent nuthatch sends forth through the awakening
-solitude of the woods his two little notes, one short and twittering,
-the other a low, mellow, flute-like whistle, which is so clear that it
-may be heard to a considerable distance.
-
-[Sidenote: _Its Favourite Food._]
-
-The graphic author of the “British Birds” says, “It is, at all times,
-a busy and cheerful bird, particularly at nesting-time. Its favourite
-food is nuts of any kind. It builds and roosts in hollow trees, and
-is seldom seen in the open fields, unless when in quest of the stones
-of the white-thorn or sloe. It may, therefore, be properly called a
-forester. Its dexterity in opening nuts and the stones of fruit is
-curious. It fixes the nut in a crack, on the top of a post, or in the
-bark of a tree, and, placing itself above it, head downwards, striking
-with great force and rapidity, with its strong, wedge-shaped bill on
-the edge of the shell, splits it open. When their food is plentiful,
-they have a favourite crack for unshelling the kernels, as sometimes a
-peck of broken shells may be seen under this crack.”
-
-The Rev. W. T. Bree tells us that “the tapping of the bird on the hard
-shell may be heard at a considerable distance, and that during the
-operation it sometimes happens that the nut swerves from its fixture
-and falls towards the ground. It has not descended, however, for the
-space of more than a few yards, when the nuthatch, with admirable
-adroitness, recovers it in the fall, and, replacing it in its former
-position, commences the attack afresh. The fall of the nut in the air,
-and the recovery by the bird on the wing, I have seen repeated several
-times in the space of a few minutes.”
-
-This is a little act of skill in the bird which it would be charming to
-observe; and here again I would remark, as I have so often done before,
-that this is but a single instance of what many of us, living in the
-country, might witness in some woodland nook near at hand, if we would
-only be lovingly still and patient, and interest ourselves in the ways
-and means of the innocent animal-life around us.
-
-The nest of the bird also deserves our notice; and let me here call
-your attention to the beautiful and living little portrait of the bird
-at home, given us by Mr. Harrison Weir, than which we have nothing more
-truthful from his pencil. The home of the nuthatch is nothing more, to
-begin with, than the hole in an old tree, which, probably, has been
-deserted by the woodpecker. As, however, the woodpecker either requires
-a more enlarged entrance to her nursery, or considers it more seemly,
-the nuthatch, who merely likes a snug little hole to creep in at, and
-nothing more, walls up the opening with a plastering of clay or mud,
-leaving only just room enough for herself to enter. Perhaps she may be
-afraid of the old tenants returning and again taking possession, so
-builds up a little defence in front; but of that I cannot say; certain
-it is she makes herself comfortably at home in rather an untidy nest,
-composed mostly of dead oak-leaves, and here she lays six or seven
-white eggs, with ruddy spots on them.
-
-[Sidenote: _Her Defence of her Young._]
-
-If the plaster wall be by any chance removed, the poor bird loses not
-a moment in replacing it; and though she has apparently great dread
-of any enemy—the woodpecker, snake, man, or whatever else he may be,
-disturbing her—yet so faithfully devoted is she to her duties, that
-scarcely anything will induce her to leave the eggs or young. She
-fights vigorously in defence of her home and its treasures, striking
-out with her bill and wings, and making a hissing, angry noise. Nay,
-timid and shy as she naturally is, she will suffer herself to be
-carried off captive rather than desert her charge.
-
-Let me conclude with one of Bechstein’s anecdotes of the nuthatch:—
-
-“A lady amused herself in the winter by throwing seeds on the terrace,
-below the window, to feed the birds in the neighbourhood. She put some
-hemp-seed and cracked nuts even on the window-sill, and on a board, for
-her particular favourites, the blue-tits. Two nuthatches came one day
-to have their share of this repast, and were so well pleased that they
-became quite familiar, and did not even go away in the following spring
-to get their natural food and to build their nest in the wood. They
-settled themselves in the hollow of an old tree near the house.
-
-“As soon as the two young ones which were reared here were ready to
-fly, they brought them to the hospitable window, where they were to be
-nourished, and soon after disappeared entirely. It was amusing to see
-these two new visitors hang or climb on the walls or blinds, whilst
-their benefactress put their food on the board. These pretty creatures
-as well as the tits, knew her so well, that when she drove away the
-sparrows, which came to steal what was not intended for them, they did
-not fly away also, but seemed to know what was done was only to protect
-and defend them. They remained near the house for the whole summer,
-rarely wandering, till one fatal day, at the beginning of the sporting
-season, in autumn, on hearing the report of a gun, they disappeared and
-were never seen again.”
-
-[Illustration]
-
-
-Watson & Hazell, Printers, 28, Charles Street, Hatton Garden.
-
-*** END OF THE PROJECT GUTENBERG EBOOK BIRDS AND THEIR NESTS ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
+*** START OF THE PROJECT GUTENBERG EBOOK 68416 *** + +Transcriber’s Notes + +Hyphenation has been standardised. + +For the CONTENTS on page v, Chapter IX—Peewits 51 was missed from +print in the original, and has been added. + +The layout of the Contents continuation page on page vi, has been +changed to replicate the layout of the previous Contents page. + +Page 41—changed cemetries to cemeteries. + +Page 55—changed artifical to artificial. + + + + +BIRDS AND THEIR NESTS. + +[Illustration: ROBIN AND NEST.] + + + + + BIRDS AND THEIR NESTS, + + BY + + MARY HOWITT. + + [Illustration] + + _With Twenty-three Full-page Illustrations by Harrison Weir._ + + NEW YORK: + GEORGE ROUTLEDGE AND SONS, 416, BROOME STREET. + London: S. W. Partridge & Co., 9, Paternoster Row. + + _All rights reserved._ + +[Illustration: WATSON AND HAZELL, + +_Printers_, + +London and Aylesbury.] + + + + +[Illustration] + + + + +CONTENTS. + + + PAGE + + Introductory Chapter 1 + + Chapter I.—THE WREN 8 + + ” II.—THE GOLDFINCH 15 + + ” III.—THE SONG THRUSH 20 + + ” IV.—THE BLACKBIRD 26 + + ” V.—THE DIPPER, OR WATER-OUSEL 33 + + ” VI.—THE NIGHTINGALE 37 + + ” VII.—THE SKYLARK 42 + + ” VIII.—THE LINNET 47 + + ” IX.—THE PEEWIT 51 + + ” X.—HOUSE-MARTINS, OR WINDOW-SWALLOWS, AND NESTS 56 + + ” XI.—CHIFF-CHAFFS, OR OVEN-BUILDERS, AND NEST 66 + + ” XII.—GOLDEN-CRESTED WRENS AND NEST 70 + + ” XIII.—WAGTAIL AND NEST 76 + + ” XIV.—JACKDAW AND NESTLINGS 82 + + ” XV.—SPOTTED FLY-CATCHERS AND NEST 86 + + ” XVI.—WOOD-PIGEONS AND NEST 92 + + ” XVII.—WHITE-THROAT AND NEST 98 + + ” XVIII.—BULL-FINCH AND NESTLINGS 102 + + ” XIX.—MISSEL-THRUSHES AND NEST 106 + + ” XX.—YELLOW-HAMMER, OR YELLOW-HEAD, AND NEST 112 + + ” XXI.—MAGPIE AND NEST 116 + + ” XXII.—NUTHATCH AND NEST 120 + +[Illustration] + + + + +[Illustration] + + + + +_Birds and their Nests._ + + + + +INTRODUCTORY CHAPTER. + + +The birds in these pictures of ours have all nests, which is as it +should be; for how could the bird rear its young without its little +home and soft little bed, any more than children could be comfortably +brought up without either a bed to lie upon, or a home in which to be +happy. + +Birds-nests, though you may find them in every bush, are wonderful +things. Let us talk about them. They are all alike in the purpose for +which they are intended, but no two families of birds build exactly +alike; all the wrens, for instance, have their kind of nest; the +thrushes have theirs; so has the swallow tribe; so has the sparrow, +or the rook. They do not imitate one another, but each adheres to its +own plan, as God, the great builder and artist, as well as Creator, +taught them from the very beginning. The first nightingale, that sang +its hymn of joyful thanksgiving in the Garden of Paradise, built +its nest just the same as the bird you listened to last year in the +coppice. The materials were there, and the bird knew how to make use +of them; and that is perhaps the most wonderful part of it, for she +has no implements to work with: no needle and thread, no scissors, no +hammer and nails; nothing but her own little feet and bill, and her +round little breast, upon which to mould it; for it is generally the +mother-bird which is the chief builder. + +No sooner is the nest wanted for the eggs which she is about to lay, +than the hitherto slumbering faculty of constructiveness is awakened, +and she selects the angle of the branch, or the hollow in the bank or +in the wall, or the tangle of reeds, or the platform of twigs on the +tree-top, exactly the right place for her, the selection being always +the same according to her tribe, and true to the instinct which was +implanted in her at the first. + +So the building begins: dry grass or leaves, little twigs and +root-fibres, hair or down, whether of feather or winged seed, spangled +outside with silvery lichen, or embroidered with green mosses, less +for beauty, perhaps—though it is so beautiful—than for the birds’ +safety, because it so exactly imitates the bank or the tree-trunk in +which it is built. Or it may be that her tenement is clay-built, like +that of the swallow; or lath and plaster, so to speak, like an old +country house, as is the fashion of the magpie; or a platform of rude +sticks, like the first rudiment of a basket up in the tree-branches, as +that of the wood-pigeon: she may be a carpenter like the woodpecker, +a tunneller like the sand-martin; or she may knead and glue together +the materials of her nest, till they resemble thick felt; but in all +this she is exactly what the great Creator made her at first, equally +perfect in skill, and equally undeviating year after year. This is very +wonderful, so that we may be quite sure that the sparrow’s nest, which +David remarked in the house of God, was exactly the same as the sparrow +built in the days of the blessed Saviour, when He, pointing to that +bird, made it a proof to man that God’s Providence ever watches over +him. + +[Sidenote: _Jules Michelet on Birds._] + +Nevertheless, with this unaltered and unalterable working after one +pattern, in every species of bird, there is a choice or an adaptation +of material allowed: thus the bird will, within certain limits, select +that which is fittest for its purpose, producing, however, in the end, +precisely the same effect. I will tell you what Jules Michelet, a +French writer, who loves birds as we do, writes on this subject:—“The +bird in building its nest,” he says, “makes it of that beautiful +cup-like or cradle form by pressing it down, kneading it and shaping +it upon her own breast.” He says, as I have just told you, that the +mother-bird builds, and that the he-bird is her purveyor. He fetches in +the materials: grasses, mosses, roots, or twigs, singing many a song +between whiles; and she arranges all with loving reference; first, +to the delicate egg which must be bedded in soft material; then to +the little one which, coming from the egg naked, must not only be +cradled in soft comfort, but kept alive by her warmth. So the he-bird, +supposing it to be a linnet, brings her some horse-hair: it is stiff +and hard; nevertheless, it is proper for the purpose, and serves as a +lower stratum of the nest—a sort of elastic mattress: he brings her +hemp; it is cold, but it serves for the same purpose. Then comes the +covering and the lining; and for this nothing but the soft silky fibre +of certain plants, wool or cotton, or, better still, the down from her +own breast, will satisfy her. It is interesting, he says, to watch the +he-bird’s skilful and furtive search for materials; he is afraid if he +see you watching, that you may discover the track to his nest; and, in +order to mislead you, he takes a different road back to it. You may see +him following the sheep to get a little lock of wool, or alighting in +the poultry yard on the search for dropped feathers. If the farmer’s +wife chance to leave her wheel, whilst spinning in the porch, he steals +in for a morsel of flax from the distaff. He knows what is the right +kind of thing; and let him be in whatever country he may, he selects +that which answers the purpose; and the nest which is built is that of +the linnet all the world over. + +Again he tells us, that there are other birds which, instead of +building, bring up their young underground, in little earth cradles +which they have prepared for them. Of building-birds, he thinks the +queerest must be the flamingo, which lays her eggs on a pile of mud +which she has raised above the flooded earth, and, standing erect all +the time, hatches them under her long legs. It does seem a queer, +uncomfortable way; but if it answer its end, we need not object to it. +Of carpenter-birds, he thinks the thrush is the most remarkable; other +writers say the woodpecker. The shore-birds plait their nests, not very +skilfully it is true, but sufficiently well for their purpose. They +are clothed by nature with such an oily, impermeable coat of plumage, +that they have little need to care about climate; they have enough to +do to look after their fishing, and to feed themselves and their young; +for all these sea-side families have immense appetites. + +[Sidenote: _How various Birds Build._] + +Herons and storks build in a sort of basket-making fashion; so do the +jays and the mocking birds, only in a much better way; but as they +have all large families they are obliged to do so. They lay down, in +the first place, a sort of rude platform, upon which they erect a +basket-like nest of more or less elegant design, a web of roots and dry +twigs strongly woven together. The little golden-crested wren hangs her +purse-like nest to a bough, and, as in the nursery song, “When the wind +blows the cradle rocks.” An Australian bird, a kind of fly-catcher, +called there the razor-grinder, from its note resembling the sound of +a razor-grinder at work, builds her nest on the slightest twig hanging +over the water, in order to protect it from snakes which climb after +them. She chooses for her purpose a twig so slender that it would not +bear the weight of the snake, and thus she is perfectly safe from her +enemy. The same, probably, is the cause why in tropical countries, +where snakes and monkeys, and such bird-enemies abound, nests are so +frequently suspended by threads or little cords from slender boughs. + +The canary, the goldfinch, and chaffinch, are skilful cloth-weavers +or felt makers; the latter, restless and suspicious, speckles the +outside of her nest with a quantity of white lichen, so that it +exactly imitates the tree branch on which it is placed, and can hardly +be detected by the most accustomed eye. Glueing and felting play an +important part in the work of the bird-weavers. The humming-bird, for +instance, consolidates her little house with the gum of trees. The +American starling sews the leaves together with her bill; other birds +use not only their bills, but their feet. Having woven a cord, they fix +it as a web with their feet, and insert the weft, as the weaver would +throw his shuttle, with their bill. These are genuine weavers. In fine, +their skill never fails them. The truth is, that the great Creator +never gives any creature work to do without giving him at the same time +an inclination to do it—which, in the animal, is instinct—and tools +sufficient for the work, though they may be only the delicate feet and +bill of the bird. + +And now, in conclusion, let me describe to you the nest of the little +English long-tailed titmouse as I saw it many years ago, and which I +give from “Sketches of Natural History”:— + +[Sidenote: _The Titmouse’s Nest._] + + There, where those boughs of blackthorn cross, + Behold that oval ball of moss; + Observe it near, all knit together, + Moss, willow-down, and many a feather, + And filled within, as you may see, + As full of feathers as can be; + Whence it is called by country folk, + A fitting name, the feather-poke; + But learned people, I have heard, + _Parus caudatus_ call the bird. + Yes, here’s a nest! a nest indeed, + That doth all other nests exceed, + Propped with the blackthorn twigs beneath, + And festooned with a woodbine wreath! + Look at it close, all knit together, + Moss, willow-down, and many a feather; + So soft, so light, so wrought with grace, + So suited to this green-wood place, + And spangled o’er, as with the intent + Of giving fitting ornament, + With silvery flakes of lichen bright, + That shine like opals, dazzling white. + Think only of the creature small, + That wrought this soft and silvery ball, + Without a tool to aid her skill, + Nought but her little feet and bill— + Without a pattern whence to trace + This little roofed-in dwelling place— + And does not in your bosom spring + Love for this skilful little thing? + See, there’s a window in the wall; + Peep in, the house is not so small, + But snug and cosy you shall see + A very numerous family! + Now count them: one, two, three, four, five— + Nay, _sixteen_ merry things alive— + Sixteen young, chirping things all sit, + Where you, your wee hand, could not get! + I’m glad you’ve seen it, for you never + Saw ought before so soft and clever. + +[Illustration] + + + + +CHAPTER I. + +THE WREN. + + +Truly the little Wren, so beautifully depicted by Mr. Harrison Weir, +with her tiny body, her pretty, lively, and conceited ways, her short, +little turned-up tail, and delicate plumage, is worthy of our tender +regard and love. + +The colouring of the wren is soft and subdued—a reddish-brown colour; +the breast of a light greyish-brown; and all the hinder parts, both +above and below, marked with wavy lines of dusky-brown, with two bands +of white dots across the wings. + +Its habits are remarkably lively and attractive. “I know no pleasanter +object,” says the agreeable author of “British Birds,” “than the wren; +it is always so smart and cheerful. In gloomy weather other birds +often seem melancholy, and in rain the sparrows and finches stand +silent on the twigs, with drooping wings and disarranged plumage; but +to the merry little wren all weathers are alike. The big drops of the +thunder-shower no more wet it than the drizzle of a Scotch mist; and as +it peeps from beneath the bramble, or glances from a hole in the wall, +it seems as snug as a kitten frisking on the parlour rug.” + +[Illustration: + + WRENS AND NEST. [Page 8. +] + +[Sidenote: _A Builder of Many Nests._] + +“It is amusing,” he continues, “to watch the motions of a young family +of wrens just come abroad. Walking among furze, broom, or juniper, you +are attracted to some bush by hearing issue from it the frequent +repetition of a sound resembling the syllable _chit_. On going up you +perceive an old wren flitting about the twigs, and presently a young +one flies off, uttering a stifled _chirr_, to conceal itself among the +bushes. Several follow, whilst the parents continue to flutter about +in great alarm, uttering their _chit, chit_, with various degrees of +excitement.” + +The nest of the wren is a wonderful structure, of which I shall have a +good deal to say. It begins building in April, and is not by any means +particular in situation. Sometimes it builds in the hole of a wall +or tree; sometimes, as in this lovely little picture of ours, in the +mossy hollow of a primrose-covered bank; and because it was formerly +supposed to live only in holes or little caves, it received the name of +_Troglodytes_, or cave-dweller. But it builds equally willingly in the +thatch of out-buildings, in barn-lofts, or tree-branches, either when +growing apart or nailed against a wall, amongst ivy or other climbing +plants; in fact, it seems to be of such a happy disposition as to adapt +itself to a great variety of situations. It is a singular fact that it +will often build several nests in one season—not that it needs so many +separate dwellings, or that it finishes them when built; but it builds +as if for the very pleasure of the work. Our naturalist says, speaking +of this odd propensity, “that, whilst the hen is sitting, the he-bird, +as if from a desire to be doing something, will construct as many as +half-a-dozen nests near the first, none of which, however, are lined +with feathers; and that whilst the true nest, on which the mother-bird +is sitting, will be carefully concealed, these sham nests are open +to view. Some say that as the wrens, during the cold weather, sleep +in some snug, warm hole, they frequently occupy these extra nests as +winter-bedchambers, four or five, or even more, huddling together, to +keep one another warm.” + +Mr. Weir, a friend of the author I have just quoted, says this was the +case in his own garden; and that, during the winter, when the ground +was covered with snow, two of the extra nests were occupied at night by +a little family of seven, which had hatched in the garden. He was very +observant of their ways, and says it was amusing to see one of the old +wrens, coming a little before sunset and standing a few inches from the +nest, utter his little cry till the whole number of them had arrived. +Nor were they long about it; they very soon answered the call, flying +from all quarters—the seven young ones and the other parent-bird—and +then at once nestled into their snug little dormitory. It was also +remarkable that when the wind blew from the east they occupied a nest +which had its opening to the west, and when it blew from the west, then +one that opened to the east, so that it was evident they knew how to +make themselves comfortable. + +And now as regards the building of these little homes. I will, as far +as I am able, give you the details of the whole business from the diary +of the same gentleman, which is as accurate as if the little wren had +kept it himself, and which will just as well refer to the little nest +in the primrose bank as to the nest in the Spanish juniper-tree, where, +in fact, it was built. + +[Sidenote: _How a Nest was built._] + +“On the 30th of May, therefore, you must imagine a little pair of +wrens, having, after a great deal of consultation, made up their minds +to build themselves a home in the branches of a Spanish juniper. The +female, at about seven o’clock in the morning, laid the foundation +with the decayed leaf of a lime-tree. Some men were at work cutting +a drain not far off, but she took no notice of them, and worked away +industriously, carrying to her work bundles of dead leaves as big +as herself, her mate, seeming the while to be delighted with her +industry, seated not far off in a Portugal laurel, where he watched +her, singing to her, and so doing, making her labour, no doubt, light +and pleasant. From eight o’clock to nine she worked like a little +slave, carrying in leaves, and then selecting from them such as suited +her purpose and putting aside the rest. This was the foundation of the +nest, which she rendered compact by pressing it down with her breast, +and turning herself round in it: then she began to rear the sides. +And now the delicate and difficult part of the work began, and she +was often away for eight or ten minutes together. From the inside she +built the underpart of the aperture with the stalks of leaves, which +she fitted together very ingeniously with moss. The upper part of it +was constructed solely with the last-mentioned material. To round it +and give it the requisite solidity, she pressed it with her breast and +wings, turning the body round in various directions. Most wonderful to +tell, about seven o’clock in the evening the whole outside workmanship +of this snug little erection was almost complete. + +“Being very anxious to examine the interior of it, I went out for that +purpose at half-past two the next morning. I introduced my finger, +the birds not being there, and found its structure so close, that +though it had rained in the night, yet that it was quite dry. The +birds at this early hour were singing as if in ecstasy, and at about +three o’clock the little he-wren came and surveyed his domicile with +evident satisfaction; then, flying to the top of a tree, began singing +most merrily. In half-an-hour’s time the hen-bird made her appearance, +and, going into the nest, remained there about five minutes, rounding +the entrance by pressing it with her breast and the shoulders of her +wings. For the next hour she went out and came back five times with +fine moss in her bill, with which she adjusted a small depression in +the fore-part of it; then, after twenty minutes’ absence, returned +with a bundle of leaves to fill up a vacancy which she had discovered +in the back of the structure. Although it was a cold morning, with +wind and rain, the male bird sang delightfully; but between seven and +eight o’clock, either having received a reproof from his wife for his +indolence, or being himself seized with an impulse to work, he began +to help her, and for the next ten minutes brought in moss, and worked +at the inside of the nest. At eleven o’clock both of them flew off, +either for a little recreation, or for their dinners, and were away +till a little after one. From this time till four o’clock both worked +industriously, bringing in fine moss; then, during another hour, the +hen-bird brought in a feather three times. So that day came to an end. + +“The next morning, June 1st, they did not begin their work early, as +was evident to Mr. Weir, because having placed a slender leaf-stalk +at the entrance, there it remained till half-past eight o’clock, when +the two began to work as the day before with fine moss, the he-bird +leaving off, however, every now and then to express his satisfaction on +a near tree-top. Again, this day, they went off either for dinner or +amusement; then came back and worked for another hour, bringing in fine +moss and feathers. + +[Sidenote: _The Patient Industry of this Bird._] + +“The next morning the little he-wren seemed in a regular ecstasy, +and sang incessantly till half-past nine, when they both brought in +moss and feathers, working on for about two hours, and again they +went off, remaining away an hour later than usual. Their work was now +nearly over, and they seemed to be taking their leisure, when all at +once the hen-bird, who was sitting in her nest and looking out at her +door, espied a man half-hidden by an arbor vitæ. It was no other than +her good friend, but that she did not know; all men were terrible, +as enemies to her race, and at once she set up her cry of alarm. The +he-bird, on hearing this, appeared in a great state of agitation, and +though the frightful monster immediately ran off, the little creatures +pursued him, scolding vehemently. + +“The next day they worked again with feathers and fine moss, and again +went off after having brought in a few more feathers. So they did for +the next five days; working leisurely, and latterly only with feathers. +On the tenth day the nest was finished, and the little mother-bird laid +her first egg in it.” + +Where is the boy, let him be as ruthless a bird-nester as he may, who +could have the heart to take a wren’s nest, only to tear it to pieces, +after reading the history of this patient labour of love? + +The wren, like various other small birds, cannot bear that their nests +or eggs should be touched; they are always disturbed and distressed by +it, and sometimes even will desert their nest and eggs in consequence. +On one occasion, therefore, this good, kind-hearted friend of every +bird that builds, carefully put his finger into a wren’s nest, during +the mother’s absence, to ascertain whether the young were hatched; on +her return, perceiving that the entrance had been touched, she set up +a doleful lamentation, carefully rounded it again with her breast and +wings, so as to bring everything into proper order, after which she and +her mate attended to their young. These particular young ones, only six +in number, were fed by their parents 278 times in the course of a day. +This was a small wren-family; and if there had been twelve, or even +sixteen, as is often the case, what an amount of labour and care the +birds must have had! But they would have been equal to it, and merry +all the time. + + For all these little creatures, which so lightly we regard, + They love to do their duty, and they never think it hard. + +[Illustration] + + + + +CHAPTER II. + +THE GOLDFINCH. + + +The Goldfinch, which is cousin to the Linnet, is wonderfully clever and +docile, as I shall show you presently. In the first place, however, let +me say a word or two about bird cleverness in general, which I copy +from Jules Michelet’s interesting work, “The Bird.” Speaking of the +great, cruel, and rapacious family of the _Raptores_, or Birds of Prey, +he expresses satisfaction in the idea that this race of destroyers is +decreasing, and that there may come a time when they no longer exist +on the earth. He has no admiration for them, though they may be the +swiftest of the swift, and the strongest of the strong, because they +put forth none of the higher qualities of courage, address, or patient +endurance in taking their prey, which are all weak and powerless in +comparison with themselves; their poor unoffending victims. “All these +cruel tyrants of the air,” he says, “like the serpents, have flattened +skulls, which show the want of intellect and intelligence. These birds +of prey, with their small brains, offer a striking contrast to the +amiable and intelligent species which we find amongst the smaller +birds. The head of the former is only a beak, that of the latter is a +face.” Afterwards, to prove this more strongly, he gives a table to +show the proportion of brain to the size of the body in these different +species of birds. Thus the chaffinch, the sparrow, and the goldfinch, +have more than six times as much brain as the eagle in proportion to +the size of the body. We may look, therefore, for no less than six +times his intelligence and docile ability. Whilst in the case of the +little tomtit it is thirteen times as much. + +But now for the goldfinch, of which our cut—which is both faithful +and beautiful—shows us a pair, evidently contemplating with much +satisfaction the nest which they have just finished on one of the +topmost boughs of a blossomy apple-tree. This nest is a wonderful +little fabric, built of moss, dry grass, and slender roots, lined with +hair, wool, and thistle-down; but the true wonder of the nest is the +exact manner in which the outside is made to imitate the bough upon +which it is placed. All its little ruggednesses and lichen growths +are represented, whilst the colouring is so exactly that of the old +apple-tree that it is almost impossible to know it from the branch +itself. Wonderful ingenuity of instinct, which human skill would find +it almost impossible to imitate! + +The bird lays mostly five eggs, which are of a bluish-grey, spotted +with greyish-purple or brown, and sometimes with a dark streak or two. + +The goldfinch is one of the most beautiful of our English birds, with +its scarlet forehead, and quaint little black velvet-like cap brought +down over its white cheeks; its back is cinnamon brown, and its breast +white; its wings are beautifully varied in black and white, as are also +its tail feathers. In the midland counties it is known as “The Proud +Tailor,” probably because its attire looks so bright and fresh, and it +has a lively air as if conscious of being well dressed. + +[Illustration: + + GOLDFINCHES AND NEST. [Page 16. +] + +[Sidenote: _Daily Life of this Bird._] + +Like its relation, the linnet, it congregates in flocks as soon as +its young can take wing, when they may be seen wheeling round in +the pleasant late summer and autumn fields, full of life, and in +the enjoyment of the plenty that surrounds them, in the ripened +thistle-down, and all such winged seeds as are then floating in the air. + +How often have I said it is worth while to go out into the woods and +fields, and, bringing yourself into a state of quietness, watch the +little birds in their life’s employment, building their nests, feeding +their young, or pursuing their innocent diversions! So now, on this +pleasant, still autumn afternoon, if you will go into the old pasture +fields where the thistles have not been stubbed up for generations, or +on the margin of the old lane where ragwort, and groundsel, and burdock +flourish abundantly, “let us,” as the author of “British Birds” says, +“stand still to observe a flock of goldfinches. They flutter over the +plants, cling to the stalks, bend in various attitudes, disperse the +down, already dry and winged, like themselves, for flight, pick them +out one by one and swallow them. Then comes a stray cow followed by a +herd boy. At once the birds cease their labour, pause for a moment, +and fly off in succession. You observe how lightly and buoyantly +they cleave the air, each fluttering its little wings, descending in +a curved line, mounting again, and speeding along. Anon they alight +in a little thicket of dried weeds, and, in settling, display to the +delighted eye the beautiful tints of their plumage, as with fluttering +wings and expanded tail, they hover for a moment to select a landing +place amid the prickly points of the stout thistles whose heads are now +bursting with downy-winged seeds.” + +[Sidenote: _The Goldfinch._] + +The song of the goldfinch, which begins about the end of March, is +very sweet, unassuming, and low—similar to that of the linnet, but +singularly varied and pleasant. + +Now, however, we must give a few instances of this bird’s teachable +sagacity, which, indeed, are so numerous that it is difficult to make a +selection. + +Mr. Syme, in his “British Song Birds,” says, “The goldfinch is easily +tamed and taught, and its capacity for learning the notes of other +birds is well known. A few years ago the Sieur Roman exhibited a number +of trained birds: they were goldfinches, linnets, and canaries. One +appeared dead, and was held up by the tail or claw without exhibiting +any signs of life; a second stood on its head with its claws in the +air; a third imitated a Dutch milkmaid going to market with pails on +its shoulders; a fourth mimicked a Venetian girl looking out at a +window; a fifth appeared as a soldier, and mounted guard as a sentinel; +whilst a sixth acted as a cannonier, with a cap on its head, a firelock +on its shoulder, and a match in its claw, and discharged a small +cannon. The same bird also acted as if it had been wounded. It was +wheeled in a barrow as if to convey it to the hospital, after which +it flew away before the whole company. The seventh turned a kind of +windmill; and the last bird stood in the midst of some fireworks which +were discharged all round it, and this without showing the least sign +of fear.” + +Others, as I have said, may be taught to draw up their food and water, +as from a well, in little buckets. All this is very wonderful, and +shows great docility in the bird; but I cannot greatly admire it, from +the secret fear that cruelty or harshness may have been used to teach +them these arts so contrary to their nature. At all events it proves +what teachable and clever little creatures they are, how readily they +may be made to understand the will of their master, and how obediently +and faithfully they act according to it. + +Man, however, should always stand as a human Providence to the +animal world. In him the creatures should ever find their friend and +protector; and were it so we should then see many an astonishing +faculty displayed; and birds would then, instead of being the most +timid of animals, gladden and beautify our daily life by their sweet +songs, their affectionate regard, and their amusing and imitative +little arts. + +[Sidenote: _Introduced into Pictures._] + +The early Italian and German painters introduce a goldfinch into their +beautiful sacred pictures—generally on the ground—hopping at the feet +of some martyred saint or love-commissioned angel, perhaps from an old +legend of the bird’s sympathy with the suffering Saviour, or from an +intuitive sense that the divine spirit of Christianity extends to bird +and beast as well as to man. + +[Illustration] + + + + +CHAPTER III. + +THE SONG THRUSH. + + +We have here a charming picture of one of the finest and noblest of +our song-birds—the thrush, throstle, or mavis. The trees are yet +leafless, but the bird is in the act of building, whilst her mate, on +the tree-top, pours forth his exquisite melody. The almost completed +nest, like a richly ornamented bowl, is before us. + +This bird belongs to a grandly musical family, being own cousin to the +missel-thrush and the blackbird, each one having a kindred song, but +all, at the same time, distinctly characteristic. + +The colouring of the thrush is soft and very pleasing; the upper parts +of a yellowish-brown; the chin, white; the under part of the body, +grayish white; the throat, breast, and sides of the neck, yellowish, +thickly spotted with dark brown. + +[Illustration: + + SONG THRUSH AND NEST. [Page 20. +] + +The thrush remains with us the whole year, and may occasionally be +heard singing even in the winter, though April, May, and June are the +months when he is in fullest song. They pair in March, and by the end +of that month, or early in April, begin to build. They have several +broods in the year. The nest, which, as we see, is commodious, is +placed at no great height from the ground, in a thick bush or hedge, +and sometimes, also, in a rough bank, amongst bushes and undergrowth. +They are particularly fond of spruce-fir plantations, building on +one of the low, spreading branches, close to the stem. Though the +structure is so solid and substantial, yet it is built very rapidly; +indeed, the thrush seems to be wide awake in all its movements; he +is no loiterer, and does his work well. As a proof of his expedition +I will mention that a pair of these birds began to build a second, +perhaps, indeed, it might be a third nest, on a Thursday, June 15; on +Friday afternoon the nest was finished, and on Saturday morning the +first egg was laid, though the interior plastering was not then dry. On +the 21st the hen began to sit, and on the 17th of July the young birds +were hatched. + +The frame-work, so to speak, of the nest is composed of twigs, roots, +grasses, and moss, the two latter being brought to the outside. Inside +it is lined with a thin plastering of mud, cow-dung, and rotten wood, +which is laid on quite smoothly, almost like the glaze on earthenware; +nor is there an internal covering between this and the eggs. The +circular form of the nest is as perfect as a bowl shaped upon a +lathe, and often contracts inwards at the top. The eggs, which are +generally five in number, are of a bright blue-green, spotted over with +brownish-black, these spots being more numerous at the larger end. + +The food of the thrush is mostly of an animal character, as worms, +slugs, and snails; and, by seasides, small molluscs, as whelks and +periwinkles. On all such as are enclosed in shells he exercises his +ingenuity in a remarkable way. We ourselves lived at one time in an +old house standing in an old garden where were many ancient trees and +out-buildings, in the old ivied roots and walls of which congregated +great quantities of shell-snails. One portion of this garden, which +enclosed an old, disused dairy, was a great resort of thrushes, where +they had, so to speak, their stones of sacrifice, around which lay +heaps of the broken shells of snails, their victims. I have repeatedly +watched them at work: hither they brought their snails, and, taking +their stand by the stone with the snail in their beak, struck it +repeatedly against the stone, till, the shell being smashed, they +picked it out as easily as the oyster is taken from its opened shell. +This may seem easy work with the slender-shelled snail, but the labour +is considerably greater with hard shell-fish. On this subject the +intelligent author of “British Birds” says, that many years ago, when +in the Isle of Harris, he frequently heard a sharp sound as of one +small stone being struck upon another, the cause of which he, for a +considerable time, sought for in vain. At length, one day, being in +search of birds when the tide was out, he heard the well-known click, +and saw a bird standing between two flat stones, moving its head and +body alternately up and down, each downward motion being accompanied +by the sound which had hitherto been so mysterious. Running up to the +spot, he found a thrush, which, flying off, left a whelk, newly-broken, +lying amongst fragments of shells lying around the stone. + +Thrushes are remarkably clean and neat with regard to their nests, +suffering no litter or impurity to lie about, and in this way are a +great example to many untidy people. Their domestic character, too, +is excellent, the he-bird now and then taking the place of the hen on +the eggs, and, when not doing so, feeding her as she sits. When the +young are hatched, the parents may be seen, by those who will watch +them silently and patiently, frequently stretching out the wings of +the young as if to exercise them, and pruning and trimming their +feathers. To put their love of cleanliness to the proof, a gentleman, +a great friend of all birds, had some sticky mud rubbed upon the backs +of two of the young ones whilst the parents were absent. On their +return, either by their own keen sense of propriety, or, perhaps, the +complaint of the young ones, they saw what had happened, and were not +only greatly disconcerted, but very angry, and instantly set to work to +clean the little unfortunates, which, strange to say, they managed to +do by making use of dry earth, which they brought to the nest for that +purpose. Human intellect could not have suggested a better mode. + +[Sidenote: _How a Day was spent._] + +This same gentleman determined to spend a whole day in discovering how +the thrushes spent it. Hiding himself, therefore, in a little hut of +fir boughs, he began his observations in the early morning of the 8th +of June. At half-past two o’clock, the birds began to feed their brood, +and in two hours had fed them thirty-six times. It was now half-past +five, the little birds were all wide awake, and one of them, whilst +pruning its feathers, lost its balance and fell out of the nest to the +ground. On this the old ones set up the most doleful lamentations, and +the gentleman, coming out of his retreat, put the little one back into +the nest. This kind action, however, wholly disconcerted the parents, +nor did they again venture to feed their young till an artifice +of the gentleman led them to suppose that he was gone from their +neighbourhood. No other event happened to them through the day, and by +half-past nine o’clock at night, when all went to rest, the young ones +had been fed two hundred and six times. + +Thrushes, however, become occasionally so extremely tame that the +female will remain upon her eggs and feed her young, without any +symptom of alarm, in the close neighbourhood of man. Of this I will +give an instance from Bishop Stanley’s “History of Birds”— + +“A short time ago, in Scotland, some carpenters working in a shed +adjacent to the house observed a thrush flying in and out, which +induced them to direct their attention to the cause, when, to their +surprise, they found a nest commenced amongst the teeth of a harrow, +which, with other farming tools and implements, was placed upon the +joists of the shed, just over their heads. The carpenters had arrived +soon after six o’clock, and at seven, when they found the nest, it was +in a great state of forwardness, and had evidently been the morning’s +work of a pair of these indefatigable birds. Their activity throughout +the day was incessant; and, when the workmen came the next morning, +they found the female seated in her half-finished mansion, and, when +she flew off for a short time, it was found that she had laid an egg. +When all was finished, the he-bird took his share of the labour, and, +in thirteen days, the young birds were out of their shells, the refuse +of which the old ones carried away from the spot. All this seems to +have been carefully observed by the workmen; and it is much to their +credit that they were so quiet and friendly as to win the confidence of +the birds.” + +The song of the thrush is remarkable for its rich, mellow intonation, +and for the great variety of its notes. + +[Sidenote: _Wordsworth’s Verses on the Thrush._] + +Unfortunately for the thrush, its exquisite power as a songster makes +it by no means an unusual prisoner. You are often startled by hearing, +from the doleful upper window of some dreary court or alley of London, +or some other large town, an outpouring of joyous, full-souled melody +from an imprisoned thrush, which, perfect as it is, saddens you, as +being so wholly out of place. Yet who can say how the song of that bird +may speak to the soul of many a town-imprisoned passer-by? Wordsworth +thus touchingly describes an incident of this kind:— + + At the corner of Wood Street, when daylight appears, + Hangs a thrush that sings loud; it has sung for three years: + Poor Susan has passed by the spot, and has heard, + In the silence of morning, the song of the bird. + + Green pastures she views in the midst of the dale, + Down which she so often has tripped with her pail, + And a single small cottage, a nest like a dove’s, + The one only dwelling on earth which she loves. + + ’Tis a note of enchantment; what ails her? she sees + A mountain ascending, a vision of trees; + Bright volumes of vapour through Lothbury glide, + And a river flows on through the vale of Cheapside. + + She looks, and her heart is in heaven: but they fade— + The mist and the river, the hill, sun, and shade; + The stream will not flow, and the hill will not rise, + And the colours have all passed away from her eyes. + +[Illustration] + + + + +CHAPTER IV. + +THE BLACKBIRD. + + +The Blackbird is familiar to us all. It is a thoroughly English bird, +and, with its cousin the thrush, is not only one of the pleasantest +features in our English spring and summer landscape, but both figure +in our old poetry and ballads, as the “merle and the mavis,” “the +blackbird and the throstle-cock;” for those old poets loved the +country, and could not speak of the greenwood without the bird. + + When shaws are sheen and fields are fair, + And leaves both large and long, + ’Tis merry walk’ng in the green forest + To hear the wild birds’ song; + + The wood merle sings, and will not cease, + Sitting upon a spray; + The merle and the mavis shout their fill, + From morn till the set of day. + +[Illustration: + + BLACKBIRD AND NEST. [Page 26. +] + +The blackbird takes its name from a very intelligible cause—its +perfectly black plumage, which, however, is agreeably relieved by the +bright orange of its bill, the orange circles round its eyes, and its +yellow feet; though this is peculiar only to the male, nor does he +assume this distinguishing colour till his second year. The female is +of a dusky-brown colour. + +[Sidenote: _The Notes of the Blackbird._] + +Sometimes the singular variety of a _white_ blackbird occurs, which +seems to astonish even its fellow birds; the same phenomenon also +occurs amongst sparrows; a fatal distinction to the poor birds, who are +in consequence very soon shot. + +This bird is one of our finest singers. His notes are solemn and +flowing, unlike those of the thrush, which are short, quick, and +extremely varied. The one bird is more lyrical, the other sings in +a grand epic strain. A friend of ours, deeply versed in bird-lore, +maintains that the blackbird is oratorical, and sings as if delivering +an eloquent rhythmical oration. + +This bird begins to sing early in the year, and continues his song +during the whole time that the hen is sitting. Like his relatives, the +thrush and the missel-thrush, he takes his post on the highest branch +of a tree, near his nest, so that his song is heard far and wide; and +in fact, through the whole pleasant spring you hear the voices of these +three feathered kings of English song constantly filling the woods and +fields with their melody. The blackbird sings deliciously in rain, even +during a thunderstorm, with the lightning flashing round him. Indeed, +both he and the thrush seem to take great delight in summer showers. + +The blackbird has a peculiar call, to give notice to his brood of the +approach of danger; probably, however, it belongs both to male and +female. Again, there is a third note, very peculiar also, heard only +in the dusk of evening, and which seems pleasingly in harmony with the +approaching shadows of night. By this note they call each other to +roost, in the same way as partridges call each other to assemble at +night, however far they may be asunder. + +The nest of the blackbird is situated variously; most frequently in +the thicker parts of hedges; sometimes in the hollow of a stump or +amongst the curled and twisted roots of old trees, which, projecting +from the banks of woods or woodland lanes, wreathed with their trails +of ivy, afford the most picturesque little hollows for the purpose. +Again, it may be found under the roof of out-houses or cart-sheds, +laid on the wall-plate; and very frequently in copses, in the stumps +of pollard trees, partly concealed by their branches; and is often +begun before the leaves are on the trees. The nest is composed of dry +bents, and lined with fine dry grass. The hen generally lays five eggs, +which are of a dusky bluish-green, thickly covered with black spots; +altogether very much resembling those of crows, rooks, magpies, and +that class of birds. + +Universal favourite as the blackbird deservedly is, yet, in common with +the thrush, all gardeners are their enemies from the great liking they +have for his fruit, especially currants, raspberries, and cherries. +There is, however, something very amusing, though, at the same time, +annoying, in the sly way by which they approach these fruits, quite +aware that they are on a mischievous errand. They steal along, flying +low and silently, and, if observed, will hide themselves in the nearest +growth of garden plants, scarlet runners, or Jerusalem artichokes, +where they remain as still as mice, till they think the human enemy has +moved off. If, however, instead of letting them skulk quietly in their +hiding-place, he drives them away, they fly off with a curious note, +very like a little chuckling laugh of defiance, as if they would say, +“Ha! ha! we shall soon be back again!” which they very soon are. + +But we must not begrudge them their share, though they neither have +dug the ground nor sowed the seed, for very dull and joyless indeed +would be the garden and the gardener’s toil, and the whole country in +short, if there were no birds—no blackbirds and thrushes—to gladden +our hearts, and make the gardens, as well as the woods and fields, +joyous with their melody. Like all good singers, these birds expect, +and deserve, good payment. + +The blackbird, though naturally unsocial and keeping much to itself, +is very bold in defence of its young, should they be in danger, or +attacked by any of the numerous bird-enemies, which abound everywhere, +especially to those which are in immediate association with man. The +Rev. J. G. Wood tells us, for instance, that on one occasion a prowling +cat was forced to make an ignominious retreat before the united onset +of a pair of blackbirds, on whose young she was about to make an attack. + +[Sidenote: _Macgillivray’s Account._] + +Let me now, in conclusion, give a day with a family of blackbirds, +which I somewhat curtail from Macgillivray. + +“On Saturday morning, June 10th, I went into a little hut made of green +branches, at half-past two in the morning, to see how the blackbirds +spend the day at home. They lived close by, in a hole in an old wall, +which one or other of them had occupied for a number of years. + +“At a quarter-past three they began to feed their young, which were +four in number. She was the most industrious in doing so; and when he +was not feeding, he was singing most deliciously. Towards seven o’clock +the father-bird induced one of the young ones to fly out after him. +But this was a little mistake, and, the bird falling, I was obliged to +help it into its nest again, which made a little family commotion. They +were exceedingly tidy about their nest, and when a little rubbish fell +out they instantly carried it away. At ten o’clock the feeding began +again vigorously, and continued till two, both parent-birds supplying +their young almost equally. + +“The hut in which I sat was very closely covered; but a little wren +having alighted on the ground in pursuit of a fly, and seeing one of +my legs moving, set up a cry of alarm, on which, in the course of a +few seconds, all the birds in the neighbourhood collected to know what +was the matter. The blackbird hopped round the hut again and again, +making every effort to peep in, even alighting on the top within a few +inches of my head, but not being able to make any discovery, the tumult +subsided. It was probably considered a false alarm, and the blackbirds +went on feeding their young till almost four o’clock: and now came the +great event of the day. + +“At about half-past three the mother brought a large worm, four inches +in length probably, which she gave to one of the young ones, and flew +away. Shortly afterwards returning, she had the horror of perceiving +that the worm, instead of being swallowed was sticking in its throat; +on this she uttered a perfect moan of distress, which immediately +brought the he-bird, who also saw at a glance what a terrible +catastrophe was to be feared. Both parents made several efforts to push +the worm down the throat, but to no purpose, when, strange to say, the +father discovered the cause of the accident. The outer end of the worm +had got entangled in the feathers of the breast, and, being held fast, +could not be swallowed. He carefully disengaged it, and, holding it up +with his beak, the poor little thing, with a great effort, managed to +get it down, but was by this time so exhausted that it lay with its +eyes shut and without moving for the next three hours. The male bird in +the meantime took his stand upon a tree, a few yards from the nest, and +poured forth some of his most enchanting notes—a song of rejoicing no +doubt for the narrow escape from death of one of his family. + +[Sidenote: _Macgillivray’s Day with this Bird._] + +“From four till seven o’clock both birds again fed their young, after +which the male bird left these family duties to his mate, and gave +himself up to incessant singing. At twenty minutes to nine their +labours ceased, they having then fed their young one hundred and +thirteen times during the day. + +“I observed that before feeding their young they always alighted upon +a tree and looked round them for a few seconds. Sometimes they brought +in a quantity of worms and fed their brood alternately; at other times +they brought one which they gave to only one of them. + +“The young birds often trimmed their feathers, and stretched out their +wings; they also appeared to sleep now and then. + +“With the note of alarm which the feathered tribes set up on the +discovery of their enemies all the different species of the little +birds seem to be intimately acquainted; for no sooner did a beast or +bird of prey make its appearance, than they seemed to be anxiously +concerned about the safety of their families. They would hop from tree +to tree uttering their doleful lamentations. At one time the blackbirds +were in an unusual state of excitement and terror, and were attended +by crowds of their woodland friends. A man and boy, who were working +in my garden, having heard the noise, ran to see what was the cause of +it, and on looking into some branches which were lying on the ground, +observed a large weasel stealing slyly along in pursuit of its prey. It +was, however, driven effectually from the place without doing any harm. +It is astonishing how soon the young know this intimation of danger; +for I observed that no sooner did the old ones utter the alarm-cry, +than they cowered in their nest, and appeared to be in a state of great +uneasiness.” + +[Illustration] + + + + +CHAPTER V. + +THE DIPPER, OR WATER-OUSEL. + + +The Dipper, or Water-ousel, of which Mr. Weir has given us a charming +and faithful portrait, is very like a wren in form and action, with +its round body and lively little tail. Its mode of flight, however, +so nearly resembles the kingfisher that, in some places, the country +people mistake it for the female of that bird. But it is neither wren +nor kingfisher, nor yet related to either of them. It is the nice +little water-ousel, with ways of its own, and a cheerful life of its +own, and the power of giving pleasure to all lovers of the free country +which is enriched with an infinite variety of happy, innocent creatures. + +The upper part of the head and neck, and the whole back and wings of +this bird, are of a rusty-brown; but, as each individual feather is +edged with gray, there is no deadness of colouring. The throat and +breast are snowy white, which, contrasting so strongly with the rest of +the body, makes it seem to flash about like a point of light through +the dark shadows of the scenes it loves to haunt. + +I said above that this bird gave pleasure to all lovers of nature. So +it does, for it is only met with in scenes which are especially beloved +by poets and painters. Like them, it delights in mountain regions, +where rocky streams rush along with an unceasing murmur, leaping over +huge stones, slumbering in deep, shadowy pools, or lying low between +rocky walls, in the moist crevices and on the edges of which the wild +rose flings out its pale green branches, gemmed with flowers, or the +hardy polypody nods, like a feathery plume. On these streams, with +their foamy waters and graceful vegetation, you may look for the +cheerful little water-ousel. He is perfectly in character with the +scenes. + +[Illustration: + + DIPPERS AND NEST. [Page 34. +] + +[Sidenote: _The Home of the Dipper._] + +And now, supposing that you are happily located for a few weeks in +summer, either in Scotland or Wales, let me repeat my constant advice +as regards the study and truest enjoyment of country life and things. +Go out for several hours; do not be in a hurry; take your book, or +your sketching, or whatever your favourite occupation may be, if it be +only a quiet one, and seat yourself by some rocky stream amongst the +mountains; choose the pleasantest place you know, where the sun can +reach you, if you need his warmth, and if you do not, where you can yet +witness the beautiful effects of light and shade. There seat yourself +quite at your ease, silent and still as though you were a piece of +rock itself, half screened by that lovely wild rose bush, or tangle of +bramble, and before long you will most likely see this merry, lively +little dipper come with his quick, jerking flight, now alighting on +this stone, now on that, peeping here, and peeping there, as quick as +light, and snapping up, now a water-beetle, now a tiny fish, and now +diving down into the stream for a worm that he espies below, or walking +into the shallows, and there flapping his wings, more for the sheer +delight of doing so than for anything else. Now he is off and away, +and, in a moment or two, he is on yonder gray mass of stone, which +rises up in that dark chasm of waters like a rock in a stormy sea, +with the rush and roar of the water full above him. Yet there he is +quite at home, flirting his little tail like a jenny wren, and hopping +about on his rocky point, as if he could not for the life of him be +still for a moment. Now listen! That is his song, and a merry little +song it is, just such a one as you would fancy coming out of his jocund +little heart; and, see now, he begins his antics. He must be a queer +little soul! If we could be little dippers like him, and understand +what his song and all his grimaces are about, we should not so often +find the time tedious for want of something to do. + +We may be sure he is happy, and that he has, in the round of his small +experience, all that his heart desires. He has this lonely mountain +stream to hunt in, these leaping, chattering, laughing waters to bear +him company, all these fantastically heaped-up stones, brought hither +by furious winter torrents of long ago—that dashing, ever roaring, +ever foaming waterfall, in the spray of which the summer sunshine +weaves rainbows. All these wild roses and honeysuckles, all this maiden +hair, and this broad polypody, which grows golden in autumn, make up +his little kingdom, in the very heart of which, under a ledge of rock, +and within sound, almost within the spray of the waterfall, is built +the curious little nest, very like that of a wren, in which sits the +hen-bird, the little wife of the dipper, brooding with most unwearied +love on four or five white eggs, lightly touched with red. + +This nest is extremely soft and elastic, sometimes of large size, the +reason for which one cannot understand. It is generally near to the +water, and, being kept damp by its situation, is always so fresh, +looking so like the mass of its immediate surroundings as scarcely to +be discoverable by the quickest eye. When the young are hatched they +soon go abroad with the parents, and then, instead of the one solitary +bird, you may see them in little parties of from five to seven going on +in the same sort of way, only all the merrier because there are more of +them. + +[Illustration] + + + + +CHAPTER VI. + +THE NIGHTINGALE. + + +Philomela, or the Nightingale, is the head of the somewhat large +bird-family of Warblers, and is the most renowned of all feathered +songsters, though some judges think the garden-ousel exceeds it in +mellowness, and the thrush in compass of voice, but that, in every +other respect, it excels them all. For my part, however, I think no +singing-bird is equal to it; and listening to it when in full song, in +the stillness of a summer’s night, am ready to say with good old Izaak +Walton:— + +“The nightingale, another of my airy creatures, breathes such sweet +music out of her little instrumental throat, that it might make mankind +to think that miracles had not ceased. He that at midnight, when the +weary labourer sleeps securely, should hear, as I have very often +heard, the clear airs, the sweet descants, the natural rising and +falling, the doubling and redoubling of her voice, might well be lifted +above earth and say, ‘Lord, what music hast Thou provided for the +saints in heaven, when Thou affordest bad men such music on earth!’” + +In colour, the upper parts of the nightingale are of a rich brown; +the tail of a reddish tint; the throat and underparts of the body, +greyish-white; the neck and breast, grey; the bill and legs, light +brown. Its size is about that of the garden warblers, which it +resembles in form—being, in fact, one of that family. Thus, the most +admired of all singers—the subject of poets’ songs and eulogies, the +bird that people walk far and wide to listen to, of which they talk for +weeks before it comes, noting down the day of its arrival as if it were +the Queen or the Queen’s son—is yet nothing but a little insignificant +brown bird, not to be named with the parrot for plumage, nor with +our little goldfinch, who always looks as if he had his Sunday suit +on. But this is a good lesson for us. The little brown nightingale, +with his little brown wife in the thickety copse, with their simple +unpretending nest, not built up aloft on the tree branch, but humbly +at the tree’s root, or even on the very ground itself, may teach us +that the world’s external show or costliness is not true greatness. The +world’s best bird-singer might have been as big as an eagle, attired +in colours of blue and scarlet and orange like the grandest macaw. But +the great Creator willed that it should not be so—his strength, and +his furiousness, and his cruel capacity were sufficient for the eagle, +and his shining vestments for the macaw; whilst the bird to which was +given the divinest gift of song must be humble and unobtrusive, small +of size, with no surpassing beauty of plumage, and loving best to hide +itself in the thick seclusion of the copse in which broods the little +mother-bird, the very counterpart of himself, upon her olive-coloured +eggs. + +[Sidenote: _The Philomela of Surrey._] + +Mr. Harrison Weir has given us a sweet little picture of the +nightingale at home. Somewhere, not far off, runs the highroad, or it +may be a pleasant woodland lane leading from one village to another, +and probably known as “Nightingale-lane,” and traversed night after +night by rich and poor, learned and unlearned, to listen to the +bird. In our own neighbourhood we have a “Nightingale-lane,” with its +thickety copses on either hand, its young oaks and Spanish chestnuts +shooting upwards, and tangles of wild roses and thick masses of +brambles throwing their long sprays over old, mossy, and ivied stumps +of trees, cut or blown down in the last generation—little pools +and water courses here and there, with their many-coloured mosses +and springing rushes—a very paradise for birds. This is in Surrey, +and Surrey nightingales, it is said, are the finest that sing. With +this comes the saddest part of the story. Bird-catchers follow the +nightingale, and, once in his hands, farewell to the pleasant copse +with the young oaks and Spanish chestnuts, the wild rose tangles, the +little bosky hollow at the old tree root, in one of which the little +nest is built and the little wife broods on her eggs! + +Generally, however, the unhappy bird, if he be caught, is taken soon +after his arrival in this country; for nightingales are migratory, and +arrive with us about the middle of April. The male bird comes about +a fortnight before the female, and begins to sing in his loneliness +a song of salutation—a sweet song, which expresses, with a tender +yearning, his desire for her companionship. Birds taken at this time, +before the mate has arrived, and whilst he is only singing to call and +welcome her, are said still to sing on through the summer in the hope, +long-deferred, that she may yet come. He will not give her up though +he is no longer in the freedom of the wood, so he sings and sings, and +if he live over the winter, he will sing the same song the following +spring, for the want is again in his heart. He cannot believe but that +she will still come. The cruel bird-catchers, therefore, try all their +arts to take him in this early stage of his visit to us. Should he be +taken later, when he is mated, and, as we see him in our picture, with +all the wealth of his little life around him, he cannot sing long. How +should he—in a narrow cage and dingy street of London or some other +great town—perhaps with his eyes put out—for his cruel captor fancies +he sings best if blind? He may sing, perhaps, for a while, thinking +that he can wake himself out of this dreadful dream of captivity, +darkness, and solitude. But it is no dream; the terrible reality at +length comes upon him, and before the summer is over he dies of a +broken heart. + +It is a curious fact that the nightingale confines itself, without +apparent reason, to certain countries and to certain parts of England. +For instance, though it visits Sweden, and even the temperate parts +of Russia, it is not met with in Scotland, North Wales, nor Ireland, +neither is it found in any of our northern counties excepting +Yorkshire, and there only in the neighbourhood of Doncaster. Neither +is it known in the south-western counties, as Cornwall and Devonshire. +It is supposed to migrate during the winter into Egypt and Syria. It +has been seen amongst the willows of Jordan and the olive trees of +Judea, but we have not, to our knowledge, any direct mention of it in +the Scriptures, though Solomon no doubt had it in his thoughts, in his +sweet description of the spring—“Lo, the winter is past, the rain is +over and gone; the flowers appear on the earth; the time of the singing +of birds is come, and the voice of the turtle is heard in our land.” A +recent traveller in Syria tells me that she heard nightingales singing +at four o’clock one morning in April of last year in the lofty regions +of the Lebanon. + + +[Illustration: + + NIGHTINGALES AND NEST. [Page 40. +] + + +[Sidenote: _Sir John Sinclair’s Attempt._] + +There have been various attempts to introduce the nightingale into such +parts of this country as it has not yet frequented; for instance, a +gentleman of Gower, a sea-side district of Glamorganshire, the climate +of which is remarkably mild, procured a number of young birds from +Norfolk and Surrey, hoping that they would find themselves so much at +home in the beautiful woods there as to return the following year. But +none came. Again, as regards Scotland, Sir John Sinclair purchased a +large number of nightingales’ eggs, at a shilling each, and employed +several men to place them carefully in robins’ nests to be hatched. So +far all succeeded well. The foster-mothers reared the nightingales, +which, when full-fledged, flew about as if quite at home. But when +September came, the usual month for the migration of the nightingale, +the mysterious impulse awoke in the hearts of the young strangers, and, +obeying it, they suddenly disappeared and never after returned. + +Mr. Harrison Weir has given us a very accurate drawing of the +nightingale’s nest, which is slight and somewhat fragile in +construction, made of withered leaves—mostly of oak—and lined +with dry grass. The author of “British Birds” describes one in his +possession as composed of slips of the inner bark of willow, mixed with +the leaves of the lime and the elm, lined with fibrous roots, grass, +and a few hairs; but whatever the materials used may be, the effect +produced is exactly the same. + +In concluding our little chapter on this bird, I would mention that +in the Turkish cemeteries, which, from the old custom of planting a +cypress at the head and foot of every grave, have now become cypress +woods, nightingales abound, it having been also an old custom of love +to keep these birds on every grave. + + + + +CHAPTER VII. + +THE SKYLARK. + + +The Skylark, that beautiful singer, which carries its joy up to the +very gates of heaven, as it were, has inspired more poets to sing about +it than any other bird living. + +Wordsworth says, as in an ecstasy of delight:— + + Up with me! up with me into the clouds! + For thy song, lark, is strong; + Up with me! up with me into the clouds! + Singing, singing. + With clouds and sky about me ringing, + Lift me, guide me till I find + That spot that seems so to my mind. + +Shelley, in an ode which expresses the bird’s ecstasy of song, also +thus addresses it, in a strain of sadness peculiar to himself:— + + Hail to thee, blithe spirit! + Bird, thou never wert— + That from heaven, or near it, + Pourest thy full heart + In profuse strains of unpremeditated art! + + Higher, still, and higher + From the earth thou springest, + Like a cloud of fire; + The deep blue thou wingest, + And singing still doth soar, and soaring ever singest! + + * * * * * + + Better than all measures + Of delightful sound, + Better than all treasures + That in books are found, + Thy skill to poet were, thou scorner of the ground. + + Teach me half the gladness + That thy brain must know, + Such harmonious madness + From my lips should flow; + The world should listen then, as I am listening now. + +[Sidenote: _James Hogg’s Verses._] + +James Hogg, the Ettrick shepherd, who had listened to the bird with +delight on the Scottish hills, thus sings of it:— + + Bird of the wilderness, + Blithesome and cumberless, + Sweet is thy matin o’er moorland and lea! + Emblem of happiness, + Blest is thy dwelling-place— + Oh, to abide in the desert with thee! + + Wild is thy lay, and loud; + Far in the downy cloud + Love gives it energy, love gave it birth. + Where on thy dewy wing, + Where art thou journeying? + Thy lay is in heaven, thy love is on earth. + + O’er fell and fountain sheen, + O’er moor and mountain green, + O’er the red streamer that heralds the day; + Over the cloudlet dim, + Over the rainbow’s rim, + Musical cherub, soar, singing away! + + Then when the gloaming comes, + Low in the heather blooms, + Sweet will thy welcome and bed of love be! + Emblem of happiness, + Blest is thy dwelling-place— + Oh, to abide in the desert with thee! + +But we must not forget the earthly life of the bird in all these sweet +songs about him. + +The plumage of the skylark is brown, in various shades; the fore-part +of the neck, reddish-white, spotted with brown; the breast and under +part of the body, yellowish-white. Its feet are peculiar, being +furnished with an extraordinarily long hind claw, the purpose of which +has puzzled many naturalists. But whatever nature intended it for, the +bird has been known to make use of it for a purpose which cannot fail +to interest us and call forth our admiration. This shall be presently +explained. The nest is built on the ground, either between two clods +of earth, in the deep foot-print of cattle, or some other small hollow +suitable for the purpose, and is composed of dry grass, hair, and +leaves; the hair is mostly used for the lining. Here the mother-bird +lays four or five eggs of pale sepia colour, with spots and markings +of darker hue. She has generally two broods in the year, and commences +sitting in May. The he-lark begins to sing early in the spring. +Bewick says, “He rises from the neighbourhood of the nest almost +perpendicularly in the air, by successive springs, and hovers at a +vast height. His descent, on the contrary, is in an oblique direction, +unless he is threatened by birds of prey, or attracted by his mate, and +on these occasions he drops like a stone.” + +[Illustration: + + SKYLARKS AND NEST. [Page 44. +] + +With regard to his ascent, I must, however, add that it is in a spiral +direction, and that what Bewick represents as springs are his sudden +spiral flights after pausing to sing. Another peculiarity must be +mentioned: all his bones are hollow, and he can inflate them with air +from his lungs, so that he becomes, as it were, a little balloon, which +accounts for the buoyancy with which he ascends, and the length of +time he can support himself in the air: often for an hour at a time. +Still more extraordinary is the wonderful power and reach of his voice, +for while, probably, the seven hundred or a thousand voices of the +grand chorus of an oratorio would fail to fill the vast spaces of the +atmosphere, it can be done by this glorious little songster, which, +mounting upwards, makes itself heard, without effort, when it can be +seen no longer. + +[Sidenote: _Its Solicitude for its Young._] + +The attachment of the parents to their young is very great, and has +been seen to exhibit itself in a remarkable manner. + +The nest being placed on the open-ground—often pasture, or in a field +of mowing grass—it is very liable to be disturbed; many, therefore, +are the instances of the bird’s tender solicitude either for the young +or for its eggs, one of which I will give from Mr. Jesse. “In case of +alarm,” he says, “either by cattle grazing near the nest, or by the +approach of the mower, the parent-birds remove their eggs, by means +of their long claws, to a place of greater security, and this I have +observed to be affected in a very short space of time.” He says that +when one of his mowers first told him of this fact he could scarcely +believe it, but that he afterwards saw it himself, and that he regarded +it only as another proof of the affection which these birds show their +offspring. Instances are also on record of larks removing their young +by carrying them on their backs: in one case the young were thus +removed from a place of danger into a field of standing corn. But +however successful the poor birds may be in removing their eggs, they +are not always so with regard to their young, as Mr. Yarrell relates. +An instance came under his notice, in which the little fledgeling +proved too heavy for the parent to carry, and, being dropped from an +height of about thirty feet, was killed in the fall. + +Of all captive birds, none grieves me more than the skylark. Its +impulse is to soar, which is impossible in the narrow spaces of a cage; +and in this unhappy condition, when seized by the impulse of song, he +flings himself upwards, and is dashed down again by its cruel barriers. +For this reason the top of the lark’s cage is always bedded with green +baize to prevent his injuring himself. In the freedom of nature he is +the joyous minstrel of liberty and love, carrying upwards, and sending +down from above, his buoyant song, which seems to fall down through the +golden sunshine like a flood of sparkling melody. + +I am not aware of the height to which the lark soars, but it must be +very great, as he becomes diminished to a mere speck, almost invisible +in the blaze of light. Yet, high as he may soar, he never loses the +consciousness of the little mate and the nestlings below: but their +first cry of danger or anxiety, though the cry may be scarce audible +to the human ear, thrills up aloft to the singer, and he comes down +with a direct arrow-like flight, whilst otherwise his descent is more +leisurely, and said by some to be in the direct spiral line of his +ascent. + +Larks, unfortunately for themselves, are considered very fine eating. +Immense numbers of them are killed for the table, not only on the +continent, but in England. People cry shame on the Roman epicure, +Lucullus, dining on a stew of nightingales’ tongue, nearly two thousand +years ago, and no more can I reconcile to myself the daily feasting on +these lovely little songsters, which may be delicate eating, but are no +less God’s gifts to gladden and beautify the earth. + + + + +CHAPTER VIII. + +THE LINNET. + + +Linnets are a branch of a larger family of finches, all very familiar +to us. They are cousins, also, to the dear, impudent sparrows, and the +pretty siskin or aberdevines. + +The linnets are all compactly and stoutly built, with short necks and +good sized heads, with short, strong, pointed bills, made for the ready +picking up of seed and grain, on which they live. Most of them have two +broods in the season, and they build a bulky, deep, and compact nest, +just in accordance with their character and figure; but, though all +linnet-nests have a general resemblance of form, they vary more or less +in the material used. + +Linnets change their plumage once a year, and have a much more spruce +and brilliant appearance when they have their new summer suits on. They +are numerous in all parts of the country, and, excepting in the season +when they have young, congregate in flocks, and in winter are attracted +to the neighbourhood of man, finding much of their food in farm-yards, +and amongst stacks. + +The linnet of our picture is the greater red-pole—one of four brothers +of the linnet family—and is the largest of the four; the others +are the twit or mountain-linnet, the mealy-linnet, and the lesser +red-pole—the smallest of the four—all very much alike, and easily +mistaken for each other. The name red-pole is given from the bright +crimson spot on their heads—_pole_ or _poll_ being the old Saxon word +for head. The back of our linnet’s head and the sides of his neck are +of dingy ash-colour, his back of a warm brown tint, his wings black, +his throat of a dull white, spotted with brown, his breast a brilliant +red, and the under part of his body a dingy white. + +The linnet, amongst singing birds, is what a song writer is amongst +poets. He is not a grand singer, like the blackbird or the thrush, +the missel-thrush or the wood-lark, all of which seem to have an epic +story in their songs, nor, of course, like the skylark, singing up to +the gates of heaven, or the nightingale, that chief psalmist of all +bird singers. But, though much humbler than any of these, he is a sweet +and pleasant melodist; a singer of charming little songs, full of the +delight of summer, the freshness of open heaths, with their fragrant +gorse, or of the Scottish brae, with its “bonnie broom,” also in golden +blossom. His are unpretending little songs of intense enjoyment, simple +thanksgivings for the pleasures of life, for the little brown hen-bird, +who has not a bit of scarlet in her plumage, and who sits in her snug +nest on her fine little white eggs, with their circle of freckles and +brown spots at the thicker end, always alike, a sweet, patient mother, +waiting for the time when the young ones will come into life from that +delicate shell-covering, blind at first, though slightly clothed in +greyish-brown—five little linnets gaping for food. + +[Illustration: + + LINNETS AND NEST. [Page 48. +] + +The linnet mostly builds its nest in low bushes, the furze being its +favourite resort; it is constructed outside of dry grass, roots, and +moss, and lined with hair and wool. We have it here in our picture; +for our friend, Mr. Harrison Weir, always faithful in his transcripts +of nature, has an eye, also, for beauty. + +Round the nest, as you see, blossoms the yellow furze, and round it +too rises a _chevaux de frise_ of furze spines, green and tender to +look at, but sharp as needles. Yes, here on this furzy common, and on +hundreds of others all over this happy land, and on hill sides, with +the snowy hawthorn and the pink-blossomed crab-tree above them, and, +below, the mossy banks gemmed with pale-yellow primroses, are thousands +of linnet nests and father-linnets, singing for very joy of life and +spring, and for the summer which is before them. And as they sing, the +man ploughing in the fields hard-by, and the little lad leading the +horses, hear the song, and though he may say nothing about it, the man +thinks, and wonders that the birds sing just as sweetly now as when +he was young; and the lad thinks how pleasant it is, forgetting the +while that he is tired, and, whistling something like a linnet-tune, +impresses it on his memory, to be recalled with a tender sentiment +years hence when he is a man, toiling perhaps in Australia or Canada; +or, it may be, to speak to him like a guardian angel in some time of +trial or temptation, and bring him back to the innocence of boyhood and +to his God. + +[Sidenote: _Bishop Huntley’s Anecdote._] + +Our picture shows us the fledgeling brood of the linnet, and the +parent-bird feeding them. The attachment of this bird to its young is +very great. Bishop Huntley, in his “History of Birds,” gives us the +following anecdote in proof of it:— + +“A linnet’s nest, containing four young ones, was found by some +children, and carried home with the intention of rearing and taming +them. The old ones, attracted by their chirping, fluttered round the +children till they reached home, when the nest was carried up stairs +and placed in the nursery-window. The old birds soon approached the +nest and fed the young. This being observed, the nest was afterwards +placed on a table in the middle of the room, the window being left +open, when the parents came in and fed their young as before. Still +farther to try their attachment, the nest was then placed in a cage, +but still the old birds returned with food, and towards evening +actually perched on the cage, regardless of the noise made by several +children. So it went on for several days, when, unfortunately, the +cage, having been set outside the window, was exposed to a violent +shower of rain, and the little brood was drowned in the nest. The poor +parent-birds continued hovering round the house, and looking wistfully +in at the window for several days, and then disappeared altogether.” + +[Illustration] + + + + +CHAPTER IX. + +THE PEEWIT. + + +The Peewit, lapwing, or plover, belongs to the naturalist family of +_Gallatores_ or Waders, all of which are furnished with strong legs and +feet for walking, whilst all which inhabit watery places, or feed their +young amongst the waves, have legs sufficiently long to enable them to +wade; whence comes the family name. + +The peewit, or lapwing, is a very interesting bird, from its peculiar +character and habits. Its plumage is handsome; the upper part of the +body of a rich green, with metallic reflections; the sides of the neck +and base of the tail of a pure white; the tail is black; so is the +top of the head, which is furnished with a long, painted crest, lying +backwards, but which can be raised at pleasure. In length the bird is +about a foot. + +The peewit lives in all parts of this country, and furnishes one of +the pleasantly peculiar features of open sea-shores and wide moorland +wastes, in the solitudes of which, its incessant, plaintive cry has an +especially befitting sound, like the very spirit of the scene, moaning +in unison with the waves, and wailing over the wide melancholy of the +waste. Nevertheless, the peewit is not in itself mournful, for it is +a particularly lively and active bird, sporting and frolicking in the +air with its fellows, now whirling round and round, and now ascending +to a great height on untiring wing; then down again, running along the +ground, and leaping about from spot to spot as if for very amusement. + +It is, however, with all its agility, a very untidy nest-maker; in +fact it makes no better nest than a few dry bents scraped together in +a shallow hole, like a rude saucer or dish, in which she can lay her +eggs—always four in number. But though taking so little trouble about +her nest, she is always careful to lay the narrow ends of her eggs in +the centre, as is shown in the picture, though as yet there are but +three. A fourth, however, will soon come to complete the cross-like +figure, after which she will begin to sit. + +These eggs, under the name of plovers’ eggs, are in great request as +luxuries for the breakfast-table, and it may be thought that laid thus +openly on the bare earth they are very easily found. It is not so, +however, for they look so much like the ground itself, so like little +bits of moorland earth or old sea-side stone, that it is difficult to +distinguish them. But in proportion as the bird makes so insufficient +and unguarded a nest, so all the greater is the anxiety, both of +herself and her mate, about the eggs. Hence, whilst she is sitting, he +exercises all kinds of little arts to entice away every intruder from +the nest, wheeling round and round in the air near him, so as to fix +his attention, screaming mournfully his incessant _peewit_ till he has +drawn him ever further and further from the point of his anxiety and +love. + +[Illustration: + + PEEWITS AND NEST. [Page 52. +] + +[Sidenote: _Stratagems of the Bird._] + +The little quartette brood, which are covered with down when hatched, +begin to run almost as soon as they leave the shell, and then the poor +mother-bird has to exercise all her little arts also—and indeed the +care and solicitude of both parents is wonderful. Suppose, now, the +little helpless group is out running here and there as merry as life +can make them, and a man, a boy, or a dog, or perhaps all three, are +seen approaching. At once the little birds squat close to the earth, +so that they become almost invisible, and the parent-birds are on the +alert, whirling round and round the disturber, angry and troubled, +wailing and crying their doleful _peewit_ cry, drawing them ever +further and further away from the brood. Should, however, the artifice +not succeed, and the terrible intruder still obstinately advance in the +direction of the young, they try a new artifice; drop to the ground, +and, running along in the opposite course, pretend lameness, tumbling +feebly along in the most artful manner, thus apparently offering the +easiest and most tempting prey, till, having safely lured away the +enemy, they rise at once into the air, screaming again their _peewit_, +but now as if laughing over their accomplished scheme. + +The young, which are hatched in April, are in full plumage by the end +of July, when the birds assemble in flocks, and, leaving the sea-shore, +or the marshy moorland, betake themselves to downs and sheep-walks, +where they soon become fat, and are said to be excellent eating. +Happily, however, for them, they are not in as much request for the +table as they were in former times. Thus we find in an ancient book +of housekeeping expenses, called “The Northumberland Household-book,” +that they are entered under the name of _Wypes_, and charged one penny +each; and that they were then considered a first-rate dish is proved by +their being entered as forming a part of “his lordship’s own mess,” or +portion of food; _mess_ being so used in those days—about the time, +probably, when the Bible was translated into English. Thus we find in +the beautiful history of Joseph and his brethren, “He sent messes to +them, but Benjamin’s mess was five times as much as any of theirs.” + +Here I would remark, on the old name of _Wypes_ for this bird, that +country-people in the midland counties still call them _pie-wypes_. + +But now again to our birds. The peewit, like the gull, may easily be +tamed to live in gardens, where it is not only useful by ridding them +of worms, slugs, and other troublesome creatures, but is very amusing, +from its quaint, odd ways. Bewick tells us of one so kept by the Rev. +J. Carlisle, Vicar of Newcastle, which I am sure will interest my +readers. + +[Sidenote: _A Winter Visitor._] + +He says two of these birds were given to Mr. Carlisle, and placed +in his garden, where one soon died; the other continued to pick up +such food as the place afforded, till winter deprived it of its usual +supply. Necessity then compelled it to come nearer the house, by +which it gradually became accustomed to what went forward, as well as +to the various members of the family. At length a servant, when she +had occasion to go into the back-kitchen with a light, observed that +the lapwing always uttered his cry of _peewit_ to gain admittance. +He soon grew familiar; as the winter advanced, he approached as far +as the kitchen, but with much caution, as that part of the house was +generally inhabited by a dog and a cat, whose friendship the lapwing +at length gained so entirely, that it was his regular custom to resort +to the fireside as soon as it grew dark, and spend the evening and +night with his two associates, sitting close to them, and partaking +of the comforts of a warm fireside. As soon as spring appeared he +betook himself to the garden, but again, at the approach of winter, +had recourse to his old shelter and his old friends, who received him +very cordially. But his being favoured by them did not prevent his +taking great liberties with them; he would frequently amuse himself +with washing in the bowl which was set for the dog to drink out of, and +whilst he was thus employed he showed marks of the greatest indignation +if either of his companions presumed to interrupt him. He died, poor +fellow, in the asylum he had chosen, by being choked with something +which he had picked up from the floor. During his confinement he +acquired an artificial taste as regarded his food, and preferred crumbs +of bread to anything else. + +[Illustration] + + + + +CHAPTER X. + +THE HOUSE-MARTIN, OR WINDOW-SWALLOW. + + +During our winter, swallows inhabit warm tropical countries, migrating +northwards with the first approaches of summer. They are usually seen +with us from the 13th to the 20th of April, and are useful from the +first day of their arrival, by clearing the air of insects, which they +take on the wing; indeed, they may be said to live almost wholly on the +wing, and, except when collecting mud for their nests, are seldom seen +to alight, and, in drinking, dip down to the water as they skim over it +on rapid wing. + +[Illustration: + + HOUSE-MARTINS AND NESTS. [Page 56. +] + +We have three kinds of swallows in England: the chimney-swallow, the +house-martin, and the sand-martin, of which I shall have something to +say in due course. The chimney-swallow and house-martin are especially +worthy of the affectionate regard of man; for they love his society, +build around his dwelling, destroy nothing that he values, have no +appetite for his fruits; they live harmoniously amongst themselves, +and have no other disposition than that of cheerfulness, unwearying +industry and perseverance, and the most devoted parental affection. + +Mr. Weir has given us a lively picture of swallow-life—four nests +grouped together on a house-side: more there probably are; but there +are as many as we can manage with; indeed we will presently confine +our attention to one single nest, and, by so doing, I flatter myself +that I shall win your admiration for these birds, and that you will +agree with me in thinking that if we all, men and women, boys and +girls, had only their persevering spirit, and their courage under +adversity, there would not be so much unsuccess, either at school or in +life, as is now, too often, the case. + +[Sidenote: _The Nests on Traquair House._] + +Some people are very fond of having martins about their houses, under +their eaves, and even in the corners of their windows. The Earl of +Traquair was one of these; he was, indeed, a great lover of all kinds +of birds, and all were protected on his premises. In the autumn of +1839, there were no less than one hundred and three martins’ nests on +Traquair House—which is a very fine old place—besides several which +had been deserted, injured, or taken possession of by sparrows, which +is a very unwarrantable liberty taken by these birds. + +From six to twenty days are required to build a martin’s nest. If all +goes on well it may be finished in the shorter time. + +Let us now see how the birds set about building. Here are several +nests in our picture; and turning to the pages of Macgillivray’s +“British Birds,” I shall find exactly the information we need. I will, +therefore, extract freely from this interesting writer, that my young +readers may be as grateful to him as I am myself. + +[Sidenote: _The Domestic Life of a Pair._] + +Again turning to our picture, we find four nests. “A party of eight +martins arrived here on the 1st of May. As this was quite a new +location, they spent the whole day in examining the eaves of the house, +the corners of the windows, and the out-buildings. By the following +morning the question was settled, and they had, as you see, fixed +upon a high wall with a slate coping, and an eastern aspect, and at +once commenced making a general foundation for their nests. Suitable +materials are procured from the banks of an adjoining pond, or a puddle +in the lane. Let us go down and see them. Here they come, sailing +placidly over the tree-tops; now they descend so as almost to sweep the +surface of the pond; some of them alight at once, others skim round, as +if borne away by a brisk wind. Those that have alighted walk about with +short steps, looking round for materials. Some seem not to find the mud +suitable, but seize on a piece of straw, or grass, which, tempering +in the mud, they then fly off with. Returning now to the building, we +see one using its tail planted against the wall, or against the nest, +if sufficiently advanced, as a support, deposit the material it has +brought by giving its head a wriggling motion, so that the mud slides +gently into the crevices of yesterday’s work; then he retouches the +whole. See, one has now arrived with his supply before the other has +finished: he is impatient to disburden himself, and wants to drive +off the worker, who rather snappishly retorts, and he, poor fellow, +goes off for a while with the mud sticking to his bill. Now she has +finished; there is room for him, and he goes back again and works hard +in his turn. They never alight on the nest without twittering. At noon, +if the weather be hot, they betake themselves to the fields, or, after +a dip in the pond, sun themselves on the house-top for half-an-hour or +so. Then they will hawk about for food, and after awhile one of them +may, perhaps, return and give another touch or two to the work, or seat +herself in the nest to consolidate the materials. But if cold, wet, or +windy, they keep away. What they do with themselves I know not; but +as soon as it clears up, they are at work again. At the beginning of +their building, they seem to have no objection to leave it for a whole +day; but as it advances, they become more interested or anxious, and +one or both will sit in it all night, even though the weather be bad.” + +So much for the building of these four nests of our picture; and now +I will bespeak your attention to a little narrative of the joys and +sorrows of the domestic life of a pair of martins, which, we will +suppose, belong also to our group. + +“The building began on the 1st of May, at daybreak. But the weather was +very much against them, being cold and stormy, and it was the 18th of +the month before it was finished. + +“Seeing their labours thus brought to a close, one could not help +wishing, considering how much it had cost, that the nest might last +them for many years. But on the 23rd of June, during a heavy fall of +thunder rain, almost the entire nest was washed to the ground, together +with the young birds which it contained. A short time before the +catastrophe, the old birds were observed hovering about, and expressing +great uneasiness. Almost immediately after it happened they left the +place, but returned the following day, and spent it in flying about and +examining the angle of the wall. + +“Next morning they commenced repairing the nest. In three days they had +made great progress; but again rain fell, and their work was stayed. +On the 30th, they advanced rapidly, and both remained sitting on the +nest all night. The next day it was finished; and now they began to +rejoice: they twittered all the evening till it was dark, now and then +pruning each other’s heads, as, seated side by side, they prepared to +spend the dark hours in the nest. Eggs were soon laid again, but, +sad to say, on the morning of the 18th of July, again, during a great +storm of wind and rain, the upper wall fell, carrying with it one +of the eggs. The old birds again fluttered about, uttering the most +plaintive cries, and early the next morning began to repair the damage, +though it rained heavily all day. Part of the lining hanging over the +side was incorporated with the new layers of mud. The urgency of the +case was such, that they were obliged to work during the bad weather. +Throughout the day one bird sat on the nest, whilst the other laboured +assiduously. Kindly was he welcomed by his mate, who sometimes, during +his absence, nibbled and retouched the materials which he had just +deposited. In a few days it was finished, the weather became settled, +the young were hatched, and all went well with them. + +“Sometimes when the nests are destroyed, the birds, instead of +attempting to repair the damage, forsake the neighbourhood, as if +wholly disheartened. Nothing can be more distressing to them than to +lose their young. In the storm of which I have just spoken, another +martin’s nest was washed down with unfledged young in it. These were +placed on some cotton wool in a basket, covered with a sheet of +brown paper, in an open window, facing the wall. During that day and +the following, the parents took no notice of them, and their kind +human protector fed them with house-flies. That evening he tried an +experiment. He gently placed the young ones in a nest of that same +window, where were other young. It was then about eight o’clock in the +evening; the rain was falling heavily, and no sound was heard save +the _cheep, cheep_, of the young birds, and the dashing of the storm +against the window-glass. A minute elapsed, when forth rushed the +parents shrieking their alarm notes, and, again and again wheeled up to +the nest, until at last they drifted away in the storm. He watched them +till they disappeared about half-past-nine. During all this time they +only twice summoned courage to look into the nest. Next morning I was +rejoiced to see them attending assiduously to the young ones.” + +[Sidenote: _The Feeding of the Young._] + +And now, turning again to our group of four nests on the walls, +supposing it be the month of July, every one of them with its +fledgeling brood sitting with gaping mouths, ever ready for food, you +may, perhaps, like to know how many meals are carried up to them in the +course of the day. If, then, the parents began to feed them at about +five in the morning, and left a little before eight at night, they +would feed them, at the lowest calculation, about a thousand times. + +With all this feeding and care-taking, the young ones, as the summer +goes on, are full-fledged, and have grown so plump and large that the +nest is quite too small for them; therefore, they must turn out into +the world, and begin life for themselves. + +It is now a fine, brisk, August morning, and at about eight o’clock, +you can see, if you look up at the nests, how the old birds come +dashing up to them quite in an excited way, making short curves in the +air, and repeating a note which says, as plain as a bird can speak, + + This is the day + You must away! + What are wings made for, if not to fly? + Cheep, cheep, + Now for a leap!— + Father and mother and neighbours are by! + +This flying away from the nest is a great event in swallow-life, as you +may well believe. Let us therefore now direct our attention to one nest +in particular, in which are only two young ones—a very small family; +but what happens here is occurring all round us. + +One of these little ones balances itself at the entrance, looking +timidly into the void, and, having considered the risk for awhile, +allows its fellow to take its place. + +During all this time, the parents keep driving about, within a few feet +of the entrance, and endeavour, by many winning gestures, to induce +their charge to follow them. The second bird also, after sitting for +some time, as if distrustful of its powers, retires, and the first +again appears. Opening and shutting his wings, and often half inclined +again to retire, he, at length, summons up all his resolution, springs +from the nest, and, with his self-taught pinions, cleaves the air. He +and his parents, who are in ecstasies, return to the nest, and the +second young one presently musters courage and joins them. And now +begins a day of real enjoyment; they sport chiefly about the tree-tops +till seven in the evening, when all re-enter the nest. + +In several instances I have seen the neighbours add their inducements +to those of the parents, when the young were too timid to leave their +home. If the happy day prove fine, they seldom return to the nest +till sunset; if otherwise, they will come back two or three times. On +one occasion, when the young were ready to fly, but unwilling to take +the first leap, the parents had recourse to a little stratagem, both +ingenious and natural. The he-bird held out a fly at about four inches +from the entrance to the nest. In attempting to take hold of it, they +again and again nearly lost their balance. On another occasion, the +mother bird, trying this plan to no purpose, seemed to lose patience, +and seizing one of them by the lower mandible, with the claw of her +right foot, whilst it was gaping for food, tried to pull it out of the +nest, to which, however, it clung like a squirrel. But the young, every +one of them, fly in time, and a right joyous holiday they all have +together. + +[Sidenote: _The Autumn Migration._] + +So the summer comes to an end; and towards the middle of September, +the great family cares being over, and the young having attained +to an age capable of undertaking the fatigues of migration, that +mysterious impulse, strong as life itself, and probably affecting +them like some sickness—the necessity to exchange one country and +climate for another—comes upon them. Under this influence, they +congregate together in immense numbers, every neighbourhood seeming +to have its place of assembly—the roofs of lofty buildings, or the +leafless boughs of old trees: here they meet, not only to discuss the +great undertaking, but to have a right merry time together—a time +of luxurious idleness, lively chatterings, singing in chorus their +everlasting and musical _cheep, cheep_, eating and drinking, and making +ready for the journey before them. + +At length the moment of departure is come, and at a given signal the +whole party rises. Twittering and singing, and bidding a long farewell +to the scenes of their summer life, they fly off in a body, perhaps, if +coming from Scotland, or the north of England, to rest yet a few weeks +in the warmer southern counties; after which, a general departure takes +place to the sunny lands of Africa. + +Though gifted with wings wonderfully constructed for prolonged flight, +and though having passed every day of so many successive months almost +wholly on the wing, the swallow frequently suffers great fatigue and +exhaustion in its long migration. Sometimes, probably driven out of +its course by adverse winds, it is known to alight by hundreds on the +rigging of vessels, when worn out by hunger and fatigue it is too +often shot or cruelly treated. Nevertheless the swallow, protected +by Him who cares for the sparrow, generally braves the hardships of +migration, and the following spring, guided by the same mysterious +instinct, finds his way across continents and seas to his old home, +where, identified by some little mark which has been put upon him—a +silken thread as a garter, or a light silver ring—he is recognised as +the old familiar friend, and appears to be no less happy to be once +more with them than are they to welcome him. Sometimes swallows coming +back as ordinary strangers, prove their identity, even though the scene +of their last year’s home may have been pulled down, together with the +human habitation. In this case, he has been known to fly about in a +distracted way, lamenting the change that had taken place, and seeming +as if nothing would comfort him. + +Though the fact of swallows coming back to their old haunts does not +need proving, yet I will close my chapter with an incident which +occurred in our own family. During a summer storm, a martin’s nest, +with young, was washed from the eaves of my husband’s paternal +home. His mother, a great friend to all birds, placed the nest with +the young, which happily were uninjured, in a window, which, being +generally open, allowed the parent-birds access to their young. They +very soon began to feed them, making no attempt to build any other +nest; so that the young were successfully reared, and took their flight +full-fledged from the window-sill. + +[Sidenote: _A Welcomed Return to Old Haunts._] + +The next spring, when the time for the arrival of the swallows came, +great was the surprise and pleasure of their kind hostess, to see, +one day, a number of swallows twittering about the window, as if +impatient for entrance. On its being opened, in they flew, and, +twittering joyfully and circling round the room, as if recognising the +old hospitable asylum of the former year, flew out and soon settled +themselves under the eaves with the greatest satisfaction. There could +be no doubt but that these were the birds that had been reared there. + +[Illustration] + + + + +CHAPTER XI. + +THE CHIFF-CHAFF, OR OVEN-BUILDER. + + +The Chiff-chaff, chill-chall, lesser pettichaps, or oven-builder, is +one of the great bird-family of warblers, and the smallest of them in +size; indeed, it is not much larger than the little willow-wren. Like +all its family it is a bird of passage, and makes its appearance here, +in favourable seasons, as early as the 12th of March—earlier than +the warblers in general—and also remains later, having been known to +remain here to the middle of October. + +[Illustration: + + CHIFF-CHAFFS AND NEST. [Page 66. +] + +It is a remarkably cheerful little bird, and is warmly welcomed by all +lovers of the country as being one of the first visitants of spring, +sending its pleasant little voice, with an incessant “chiff-chaff,” +“chery-charry,” through the yet leafless trees. + +Its plumage is dark olive-green; the breast and under part of the body, +white, with a slight tinge of yellow; the tail, brown, edged with pale +green; legs, yellowish-brown. + +The nest is not unlike that of a wren, built in a low bush, and, +sometimes, even on the ground. The one so beautifully and faithfully +depicted by Mr. Harrison Weir, seems to be amongst the tallest grasses +and picturesque growths of some delicious woodland lane. It is a +lovely little structure; a hollow ball wonderfully put together, of +dry leaves and stems of grass, and a circular hole for entrance at +the side; lined with soft feathers—a little downy bed of comfort. The +mother-bird, as we now see her, sits here in delicious ease on five or +six white eggs, beautifully spotted with rich red-brown. + +[Sidenote: _Mr. Howitt’s Account of this Bird._] + +This dainty little bird, which seems made alone for pleasure, is +very useful to man, and should be made kindly welcome everywhere, +living entirely on caterpillars and other troublesome and destructive +creatures. The Rev. J. G. Wood says that it saves many a good oak from +destruction by devouring, on its first arrival, the caterpillars of +the well-known green oak-moth, which roll up the leaves in so curious +a manner, and come tumbling out of their green houses at the slightest +alarm. + +He says, also, that a little chiff-chaff, which had been caught and +tamed, was accustomed to dash to the ceiling of the room in which it +was kept, and to snatch thence the flies which settled on the white +surface. + +My husband, writing of this bird, says:— + +“Gilbert White gave, I believe, the name of chiff-chaff to this +little bird from its note. In the midland counties it is called the +chill-chall from the same cause; and, indeed, this name is, to my ear, +more accordant with its continuous ditty. Its cheery little voice is +one of the pleasantest recognitions of returning spring. It is sure to +be heard, just as in former years, in the copse, the dell, the belt +of trees bordering a wayside; we catch its simple note with pleasure, +for it brings with it many a memory of happy scenes and days gone +by. We see the little creature hopping along the boughs of the yet +only budding oak, and know that it is as usefully employed for man +as agreeably for itself. It tells us, in effect, that sunny days, +flowers, and sweet airs, and the music of a thousand other birds, are +coming. We revert to the time when, tracing the wood-side or the bosky +dingle in boyhood, we caught sight of its rounded nest amongst the +screening twigs of the low bush, and the bleached bents of last year’s +grapes. We remember the pleasure with which we examined its little +circular entrance, and discovered, in its downy interior, its store +of delicate eggs, or the living mass of feathery inmates, with their +heads ranged side by side and one behind another, with their twinkling +eyes and yellow-edged mouths. Many a time, as we have heard the ever +blithe note of chill-chall, as it stuck to its unambitious part of the +obscure woodland glade, we have wished that we could maintain the same +buoyant humour, the same thorough acceptance of the order of Providence +for us. As Luther, in a moment of despondency, when enemies were rife +around him, and calumny and wrong pursued him, heard the glad song of a +bird that came and sang on a bough before his window, we have thanked +God for the lesson of the never-drooping chill-chall. The great world +around never damps its joy with a sense of its own insignificance; the +active and often showy life of man, the active and varied existence of +even birds, which sweep through the air in gay companies, never disturb +its pleasure in its little accustomed nook. It seems to express, in its +two or three simple notes, all the sentiment of indestructible content, +like the old woman’s bird in the German story by Ludwig Tieck— + + Alone in wood so gay, + ’Tis good to stay, + Morrow like to-day + For ever and aye; + Oh, I do love to stay + Alone in wood so gay! + +[Sidenote: _The Bird’s Ditty._] + +“This little bird appears to feel all that strength of heart, and to +put it into its little ditty, which seems to me to say— + +“Here I continue ‘cheery cheery, and still shall, and still shall!’” + +[Illustration] + + + + +CHAPTER XII. + +THE GOLDEN-CRESTED WREN. + + +We have here the Golden-crested Wren—the _Regulus cristatus_ +of naturalists—the tiniest of our British birds, “the pleasing +fairy-bird,” as Bewick calls it, one of the large family of warblers, +and a near relation to Jenny Wren. It is a very charming little bird, +with a sweet melodious song of its own, and so many curious little ways +that it is well worth everybody’s notice and everybody’s love. + +It is very active and lively, always in motion, fluttering from branch +to branch, and running up and down the trunks and limbs of trees, in +search of insects on which it lives. It may as often be seen on the +under as on the upper side of a branch, with its back downwards, like +a fly on a ceiling, and so running along, all alert, as merry and busy +as possible. In size it is about three inches, that is with all its +feathers on, but its little body alone is not above an inch long; yet +in this little body, and in this little brain, lives an amazing amount +of character, as I shall show you, as well as a great deal of amusing +conceit and pertness which you would hardly believe unless you were +told. + +[Illustration: + + GOLDEN-CRESTED WRENS AND NEST. [Page 70. +] + +The colour of the bird is a sort of yellowish olive-green, the under +part of pale, reddish-white, tinged with green on the sides; the quill +feathers of the wing are dusky, edged with pale green, as are also +the tail feathers. Thus attired by nature, that is, by the great +Creator who cares for all His creatures, this little bird, creeping +and fluttering about the branches and bole of the leafy summer tree, +can scarcely be distinguished from the tree itself: hence it is that +the bird is so unfamiliar to most people. The he-bird, however, has +a little distinguishing glory of his own—a crest of golden-coloured +feathers, bordered on each side with black, like a sort of eye-brow to +his bright hazel eyes. This crest, which gives him his distinguished +name, can be erected at pleasure, when he is full of life and +enjoyment, or when he chooses to lord it over birds ten times as big as +himself. + +[Sidenote: _The Lively Gambols of this Bird._] + +It is worth anybody’s while, who has a love for the innocent denizens +of nature, and no desire to do them harm, to go into a wood on a +summer’s day on purpose to watch the doings of this lively little bird +amongst the tree-branches. Fir-woods are the best for this purpose, as +this bird has an especial liking for these trees, and ten to one, if +you will only be patient and quite still, you may soon see him at work +busily looking after his dinner, running along the branches, up one and +down another, then like a little arrow off to the next tree, scudding +along its branches, then back again, up and down, round and round +the bole, going like a little fire, so rapid are his movements; now +running up aloft, now hanging head downward, now off again in another +direction. What a wonderful activity there is in that little body! He +must devour hundreds of insects, as well as their eggs, which he thus +seeks for under the scaly roughnesses of the bark, and finding, devours. + +Pretty as he is, his nest, of which Mr. Harrison Weir has given a most +accurate drawing, is quite worthy of him. It is always the same, swung +like a little hammock from a branch, and always hidden, it may be by +leaves or a bunch of fir-cones. The cordage by which it is suspended +is of his own weaving, and is made of the same materials as the nest, +which are moss and slender thread-like roots. In form it is oval, as +you see, with a hole for entrance at the side, and is lined with the +softest down and fibrous roots. It is a lovely little structure, like +a soft ball of moss, within which the mother-bird lays from six to a +dozen tiny eggs, scarcely bigger than peas, the delicate shell of which +will hardly bear handling. The colour of the egg is white, sprinkled +over with the smallest of dull-coloured spots. + +Mr. Jesse describes one of these lovely nests which was taken from the +slender branches of a fir-tree where it had been suspended, as usual, +by means of delicate cordage, secured to the branch by being twisted +round and round, and then fastened to the edge or rim of the nest, +so that one may be sure that the making and securing of these tiny +ropes must be the first work of the clever little artizan. The nest +thus suspended sways lightly to and fro with the movement of the bird. +We cannot see in our cut the slender ropes that suspend it; they are +concealed under the thick foliage; but we can easily see what a dainty +little structure it is. + +[Sidenote: _The Jackdaw and Mischievous Wrens._] + +Delicate and lovely as is this bird, and pleasing and harmless as is +his life, he yet possesses some curious traits of character, as I +said. For instance, though so small, with a body only an inch long, +he has, apparently, a wonderful conceit of himself, and loves to be +lord and master of creatures that will not dispute with him, as not +worth their while, or perhaps because there really is some inherent +mastership in him by which he contrives, under certain circumstances, +to rule over them. In proof of this, I will tell you what the Rev. J. +G. Wood relates from the experience of a lady, a friend of his. One +severe winter, when she had housed and fed a number of birds, amongst +which were a jackdaw, a magpie, two skylarks, a goldfinch, and a robin, +in a warm aviary, feeding them regularly and abundantly, other birds +came, of course, to partake of the plentiful feast, and amongst them +two golden-crested wrens. These little things made themselves not +only quite at home, but lorded it over the other birds in the most +extraordinary way possible. For instance, if the jackdaw had possessed +himself of a nice morsel which he was holding down with his foot to +eat comfortably, and the golden-crested wren had also set his mind on +it, he hopped on the jackdaw’s head and pecked in his eye, on the side +where his foot held the delicacy. On this the poor jackdaw instantly +lifted his foot to his head where he thought something was amiss, and +the mischievous little fellow snatched up the treasure and was off. At +first the jackdaw would pursue him in great wrath, but he soon learned +that it was no use, for the creature would only jump upon his back +where he could not reach him, and so was safe from punishment. “Before +the winter was over,” continues the lady, “the little gold-crests were +masters of all the birds, and even roosted at night on their backs; +finding, no doubt, that in this way they could keep their little feet +much warmer than on a perch.” + +Conceited and dominant, however, as these little birds may be, they are +yet either extremely timid, or their nervous system is so delicately +constituted, that a sudden fright kills them. Thus if, when they are +all alert and busy on the tree-branch, seeking for insects and fearing +no evil, the branch be suddenly struck with a stick, the poor bird +falls dead to the ground. The shock has killed it. It has received no +apparent injury—not a feather is ruffled—but its joyous, innocent +life is gone for ever. This fact is asserted by Gilbert White, and was +proved by my husband, who brought me home the bird which had thus died. + +[Illustration] + + + + +CHAPTER XIII. + +THE WAGTAIL. + + +This elegant little bird belongs to the Motacilla, or Wagtail family. +There are three brothers of them in this country—the pied, the grey, +and the yellow. The pied is the most familiar, and our friend Mr. +Harrison Weir has given us a lovely picture of it at home in a cleft of +the rock, with fleshy-leaved lichens above, and green springing fronds +of the great fern, which will presently overshadow it. Around are the +solemn mountains, and the never silent water is foaming and rushing +below. + +This bird has many names besides his Latin one of Motacilla. In Surrey +he is called washer, or dish-washer, by the common people, from his +peculiar motions in walking, which are thought to resemble those of a +washer-woman at her tub. The colours of the pied wagtail are simply +black and white, but so boldly and clearly marked as to produce a very +pleasing and elegant effect. + +We have, every year, several wagtails in our garden, to which they add +a very cheerful feature, walking about, nodding their heads and tails +as if perfectly at home, afraid neither of dog nor cat, much less of +any human being about the place. A little running brook as one boundary +of the garden is, no doubt, one of the attractions; but here they are +seen less frequently than on the smoothly-mown lawn, where they pick up +tiny insects, gliding along with a smooth motion, accompanied by the +quick movement of head and tail. + +It is bitterly cold wintry weather as I write this, and they now visit +the kitchen door, where, no doubt, little delicacies of various kinds +attract them. They are more fearless and familiar than either sparrows, +robins, or blackbirds; yet all of these are our daily pensioners, +having their breakfast of crumbs as regularly before the parlour window +as we have our own meal. Yet they fly away at the slightest sound, +and the appearance of the cat disperses them altogether. They have, +evidently, the old ancestral fear of man, stamped, as powerfully as +life itself, upon their being. They are suspicious, and always in +a flutter: nothing equals the calm self-possession of the wagtail, +excepting it be the state of mind into which the robin gets when the +gardener is turning up the fresh soil, just on purpose, as he supposes, +to find worms for him. + +[Illustration: + + WAGTAIL AND NEST. [Page 76. +] + +[Sidenote: _Its Quest for Food._] + +And now let me give you a wagtail picture, drawn by a faithful hand.[A] +It is the end of July, the young wagtails are abroad with their +parents, like human families, a month or two later, gone out or abroad +to take their holiday. “Often,” he says, “one may see them wading in +shallow places, in quest of insects and worms, carefully holding up +their tails to prevent them being draggled. If you watch the motions +of an individual just coming up to join the party, you see it alight +abruptly, twittering its shrill notes, and, perching on a small stone, +incessantly vibrate its body, and jerk out its tail.” This of course +is the polite way in which a stranger wagtail introduces itself +amongst its friends. There they are; now walking out into the water, +and looking round for food. Now they are on the shore again, running +rapidly along, picking up, now and then, a dainty morsel, and every +moment spreading out the ever-vibrating tail. Now they are in the +adjoining meadow, each one in pursuit of a fly, which it has no sooner +caught, than it spies another. The lazy geese, which have nibbled +the grass bare, allow the wagtail to pass in their midst without +molestation. When the cows are grazing in the midst of a swarm of +gnats and other insects, as Gilbert White says, as they tread amongst +the bush herbage they rouse up multitudes of insects which settle on +their legs, their stomachs, and even their noses, and the wagtails are +welcomed by the cows as benefactors. Watch them, for they are worth the +trouble; see, one comes forward and catches a small fly, bends to one +side to seize another, darts to the right after a third, and springs +some feet in the air before it secures a fourth, and all this time +others are running about after other flies, passing close to the cows’ +noses or amongst their feet. With all this running to and fro, and +hither and thither, they every now and then run in each other’s way; +but they do not quarrel, aware, no doubt, that there is room enough for +them in the world, nay, even in the meadow, though it now seems to be +full of wagtails, all busily occupied, some walking, others running, a +few flying off and many arriving. You may walk in amongst them; they +are not very shy, for they will allow you to come within a few yards of +them. They may always be met with on the shore when the tide is out, as +well as in the meadow; you will meet with them by the river-side, or by +the mill-dam. Occasionally you may see them perched on a roof, a wall, +or a large stone, but very rarely on a tree or bush. + +[Footnote A: “British Birds.”] + +[Sidenote: _The Taunton Pair._] + +They pair about the middle of April, and build by the side of rivers +in crevices of rock—as in our picture, on a heap of stones, in faggot +or wood stacks, or in a hole in a wall, but always near water and +carefully hidden from sight. The nest is made of dry grass, moss, and +small roots, thickly lined with wool and hair. The eggs are five or six +in number, of a greyish white, spotted all over with grey and brown. +As a proof of the confiding nature of this bird, I must mention that +occasionally it builds in most unimaginable places, directly under the +human eye—as, for instance, “a pair of them last summer,” says Mr. +Jesse, “built their nest in a hollow under a sleeper of the Brighton +Railway, near the terminus at that place. Trains at all times of the +day were passing close to the nest, but in this situation the young +were hatched and reared.” Mr. Macgillivray also mentions that a pair +of these birds built their nest in an old wall near a quarry, within a +few yards of four men who worked most part of the day in getting the +stone, which they occasionally blasted. The hen-bird laid four eggs, +and reared her brood, she and her mate becoming so familiar with the +quarry-men as to fly in and out without showing the least sign of fear; +but if a stranger approached they would immediately fly off, nor return +till they saw him clear off from the place. Another nest was built +beneath a wooden platform at a coal-pit, where the noisy business of +unloading the hutches brought up from the pit, was continually going +forward. But soon the wagtails were quite at home, becoming familiar +with the colliers and other people connected with the work, and flew +in and out of their nest without showing the slightest sign of fear. +Again, another pair built close to the wheel of a lathe in a workshop +at a brass manufactory at Taunton amid the incessant din of the +braziers; yet here the young were hatched, and the mother-bird became +perfectly familiar with the faces of the workmen; but if a stranger +entered, or any one belonging to the factory, though not to what might +be called her shop, she quitted her nest instantly, nor would return +till they were gone. The male, however, had much less confidence, and +would not come into the room, but brought the usual supplies of food to +a certain spot on the roof whence she fetched it. All these anecdotes +prove how interesting would be the relationship between the animal +creation and man, if man ceased to be their tyrant or destroyer. + +As regards this particular bird, it is not only elegant in its +appearance, but amiable and attractive in all its ways. “They are,” +says Bewick, “very attentive to their young, and continue to feed and +train them for three or four weeks after they can fly; they defend them +with great courage when in danger, or endeavour to draw aside the enemy +by various little arts. They are very attentive also to the cleanliness +of their nests, and so orderly as to have been known to remove light +substances, such as paper or straw, which have been placed to mark the +spot.” As regards this proof of their love of order, however, I would +rather suggest that it may be a proof of their sagacity and sense of +danger: they suspected that some human visitor, of whose friendly +character they were not convinced, was intending to look in upon them, +and they thought it best, therefore, to decline the honour of his +visit. + +The ordinary note of this bird, uttered rapidly if alarmed, is a sort +of _cheep, cheep_. In the summer morning, however, it may be heard +singing a pleasant, mellow and modulated little song. Like the swallow, +for which it is a match in elegance, it lives entirely on insects. If +you would only stand silently for a few minutes by a water-side, where +it haunts, you would be delighted with the grace and activity of its +movements. “There it stands,” says one of its friends, “on the top of +a stone, gently vibrating its tail, as if balancing itself. An insect +flies near; it darts off, flutters a moment in the air, seizes its +prey, and settles on another stone, spreading and vibrating its tail. +Presently it makes another sally, flutters around for a while, seizes +two or three insects, glides over the ground, swerving to either side, +then again takes its stand on a pinnacle.” Not unfrequently too it +may be seen on the roof of a house, or in a village street, still in +pursuit of insects. + +[Illustration] + + + + +CHAPTER XIV. + +THE JACKDAW. + + +We have called the Rook and Jackdaw first cousins. They are so, and +are greatly attached to each other. There is a difference, however, in +their character; the rook is grave and dignified, the jackdaw is active +and full of fun. But they are fond of each other’s society, and agree +to associate for nine months in the year: during the other three they +are both occupied with their respective family cares. + +[Illustration: + + JACKDAWS AND NESTLINGS. [Page 82. +] + +Rooks build in trees in the open air, the nests of the young being +exposed to all the influences of wind and weather. The jackdaw does not +approve of this mode. He likes to live under cover, and, therefore, +makes his nest in holes and crannies, amongst rocks, as in our picture; +in old and tall buildings, as church towers and steeples, old ruinous +castles, or old hollow trees. The traditional structure of the family +nest is certainly that of the rook; a strong frame-work of sticks upon +which the eggs can be laid, and the clamorous young jackdaws be brought +up. This our friend Mr. Weir has shown us plainly. But, after all, it +does not appear that the jackdaw, with all his sharpness, has much +scientific knowledge, the getting the sticks into the hole being often +a very difficult piece of work. Mr. Waterton amused himself by watching +the endless labour and pains which the jackdaw takes in trying to do +impossibilities. Thinking it absolutely necessary that a frame-work +of sticks should be laid in the hole or cavity as the foundation of +the nest, he brings to the opening just such sticks as the rook would +use in open spaces, and may be seen trying for a quarter of an hour +together to get a stick into a hole, holding it by the middle all the +time, so that the ends prop against each side, and make the endeavour +impossible. He cannot understand how it is; he knows that sticks ought +to go into holes, but here is one that will not; and, tired out at +length, and thinking perhaps that it is in the nature of some sticks +not to be got into a hole by any means, he drops it down and fetches +another, probably to have no better result, and this may happen several +times. But jackdaws have perseverance, and so, with trying and trying +again, he meets with sticks that are not so self-willed, and that can +be put into holes, either by being short enough or held the right way, +and so the foundation is laid, and the easier part of the work goes on +merrily; for the jackdaw is at no loss for sheets and blankets for his +children’s bed, though we cannot see them in our picture, the clamorous +children lying at the very edge of their bed. But if we could examine +it, we should most likely be amused by what we should find. The jackdaw +takes for this purpose anything soft that comes readily—we cannot say +to _hand_—but to _bill_. In this respect he resembles the sparrow, +and being, like him, fond of human society, gleans up out of his +neighbourhood all that he needs for the comfort of his nestlings. Thus +we hear of a nest, built in the ruins of Holyrood Chapel, in which, +on its being looked into for a piece of lace which was supposed to be +there, it was found also to be lined with part of a worsted stocking, +a silk handkerchief, a child’s cap, a muslin frill, and several +other things which the busy jackdaw had picked up in various ways; for +it must be borne in mind that he is own cousin to the magpie, whose +thievish propensities are well known. + +The call of the jackdaw is much quicker and more lively than the rook, +somewhat resembling the syllable _yak_, variously modulated, and +repeated somewhat leisurely, but at the same time cheerfully. Its food +is similar to that of the rook, and going forth at early dawn it may be +seen in pastures or ploughed fields, busily searching for larvæ, worms, +and insects. They walk gracefully, with none of the solemn gravity +either of the rook or raven, and may occasionally be seen running along +and sometimes quarrelling amongst themselves. + +Like the rook, the jackdaw stows away food in its mouth or throat-bag +to feed its young. Its plumage is black, with shining silvery grey +behind the head. Occasionally they are found with streaks or patches of +white, as are also rooks, but these are mere sports of nature. + +[Sidenote: _Mr. Waterton’s Opinion._] + +Mr. Waterton was of opinion that jackdaws lived in pairs all the year +round, as he had seen them sitting in November on the leafless branches +of a sycamore, side by side, pruning each other’s heads, and apparently +full of mutual affection; and as they mostly left the trees in pairs, +and so returned, he was inclined to think that it was their custom +always to remain paired. + +I will now give you his _carte de visite_ from Macgillivray’s “British +Birds.” “He is a remarkably active, pert, and talkative little fellow, +ever cheerful, always on the alert, and ready either for business or +frolic. If not so respectable as the grave and sagacious raven, he +is, at least, the most agreeable of the family, and withal extremely +fond of society, for, not content with having a flock of his own folk +about him, he often thrusts himself into a gang of rooks, and in winter +sometimes takes up his abode entirely with them.” + +As to _thrusting_ himself into a gang of rooks, I am, however, of +opinion that the rooks make him heartily welcome. How do we know what +amusement they, with their stolid gravity and solemn dignity, find in +him with all his fun and loquacity? That rooks are really fond of the +society of jackdaws is proved by an observation of Mr. Mudie. He says +that “in the latter part of the season, when the rooks from one of the +most extensive rookeries in Britain made daily excursions of about six +miles to the warm grounds by the sea-side, and in their flight passed +over a deep ravine, in the sunny side of which were many jackdaws, he +observed that when the cawing of the rooks in their morning flight was +heard at the ravine, the jackdaws, who had previously been still and +quiet, instantly raised their shriller notes, and flew up to join the +rooks, both parties clamouring loudly as if welcoming each other; and +that on the return, the daws accompanied the rooks a little past the +ravine as if for good fellowship; then both cawed their farewell: the +daws returned to their home and the rooks proceeded on their way.” + +Jackdaws, like rooks, are said to be excellent weather-prophets. +If they fly back to their roost in the forenoon, or early in the +afternoon, a storm may be expected that evening, or early in the +morning. + +[Sidenote: _The Rev. J. G. Wood’s Anecdote._] + +The anecdotes of tame jackdaws are numerous. The Rev. J. G. Wood +speaks of one which had learnt the art of kindling lucifer matches, +and thus became a very dangerous inmate, busying himself in this way +when the family was in bed, though, fortunately, he seems to have done +nothing worse than light the kitchen fire which had been laid ready +for kindling over night. Clever as he was, however, he could not learn +to distinguish the proper ignitable end of the match, and so rubbed +on till he happened to get it right. He frightened himself terribly +at first by the explosion and the sulphur fumes, and burned himself +into the bargain. But I do not find that, like the burnt child, he +afterwards feared the fire and so discontinued the dangerous trick. + +The jackdaw is easily domesticated, and makes himself very happy in +captivity, learns to articulate words and sentences, and is most +amusing by his mimicry and comic humour. + +[Illustration] + + + + +CHAPTER XV. + +THE SPOTTED FLY-CATCHER. + + +This pretty little bird is also called the Beam or Pillar-Bird from the +position which it chooses for its nest. Building mostly in gardens, +it selects the projecting stone of a wall, the end of a beam or piece +of wood, under a low roof, or by a door or gateway, the nest being, +however, generally screened, and often made a perfect little bit +of picturesque beauty, by the leaves of some lovely creeping rose, +woodbine, or passionflower, which grows there. + +This last summer, one of these familiar little birds, which, though +always seeming as if in a flutter of terror, must be fond of human +society, built in a rustic verandah, overrun with Virginian creeper, at +the back of our house. + +[Illustration: + + SPOTTED FLY-CATCHERS AND NEST. [Page 86. +] + +According to her peculiar fancy she built exactly in the doorway, +though there were some yards of verandah on either hand; but here was +the convenient ledge, forming an angle with the upright support; and +here was placed, as in our picture, the small, somewhat flat nest, +beautifully, though slightly, put together, of dried grass and moss, +lined with wool and hair. Here the mother-bird laid her four or five +greyish-white eggs, with their spots of rusty red, and here she reared +her young. She had, however, it seemed to us, an uncomfortable time of +it, for, though we carefully avoided giving her needless disturbance +that we almost ceased to use the door, yet there was an unavoidable +passing to and fro to which she never seemed to get accustomed, +starting off her nest with a little flutter whenever we came in sight; +nor—although before she had finished sitting the quick-growing shoots +of the Virginian creeper, with its broadly-expanding leaves, hid her +nest so completely that, had it not been for her own timidity, we need +not have known of her presence—she never lost this peculiar trait of +character. + +The nest which Mr. Harrison Weir has drawn is, doubtless, taken from +life. I wish, however, he could have seen ours, only about ten feet +from the ground, a little dome of love, embowered amongst young shoots, +vine-like leaves and tendrils—a perfectly ideal nest, in which our +friend, who has as keen a sense of natural beauty as any artist living, +would have delighted himself. + +The colours of this bird are very unobtrusive: the upper parts +brownish-grey, the head spotted with brown, the neck and breast +streaked or spotted with greyish-brown. It is a migratory bird, and +arrives in this country about the middle or end of May, remaining with +us till about the middle of October, by which time the flies on which +it lives have generally disappeared. + +[Sidenote: _How it takes its Prey._] + +Its mode of taking its winged prey is curious. Seated, stock-still, +in a twig, it darts or glides off at the sight of an insect, like the +bird of our picture, and seizes it with a little snapping noise; then +returns to its perch ready for more, and so on; incessantly darting out +and returning to the same spot, till it has satisfied its hunger, or +moves off to another twig to commence the same pursuit. + +When they have young, the number of flies consumed only by one little +family must be amazing. It is recorded[B] in one instance that a pair +of fly-catchers, beginning to feed their nestlings at five-and-twenty +minutes before seven in the morning, and continuing their labour till +ten minutes before nine at night, supplied them with food, that is to +say with flies, no less than five hundred and thirty-seven times. The +gentleman who made these observations says:—“Before they fed their +young they alighted upon a tree for a few seconds, and looked round +about them. By short jerks they usually caught the winged insects. +Sometimes they ascended into the air and dropped like an arrow; at +other times they hovered like a hawk when set on its prey. They drove +off most vigorously all kinds of small birds that approached their +nest, as if bidding them to go and hunt in their own grounds, where +there were plenty of flies for them. Sometimes they brought only one +fly in their bills, sometimes several, and flies of various sizes.” + +[Footnote B: See Macgillivray’s “_British Birds_.”] + +This bird seems to become attached to particular localities, where +he finds himself conveniently situated and undisturbed. Mr. Mudie +mentions, in his “Feathered Tribes,” “that a pair of these birds had +nested in his garden for twelve successive years.” What is the length +of life of a fly-catcher I cannot say; but probably if they were +not the same birds, they would be their descendants—birds hatched +there, and consequently at home. The Rev. J. G. Wood also speaks of +the same locality having been used by this bird for twenty successive +years; and he supposes that the young had succeeded to their ancestral +home. He gives also an interesting account of the commencement of a +nest-building by this bird. He says that the female, who seems to be +generally the active builder, placed, in the first instance, a bundle +of fine grass in some conveniently-forked branches, and after having +picked it about for some time, as if regularly shaking it up, she +seated herself in the middle of it, and there, spinning herself round +and round, gave it its cup-like form. She then fetched more grasses, +and after arranging them partly round the edge, and partly on the +bottom, repeated the spinning process. A few hairs and some moss were +then stuck about the nest and neatly woven in, the hair and slender +vegetable fibres being the thread, so to speak, with which the moss was +fastened to the nest. + +[Sidenote: _Mr. Mudie on Nest-building._] + +Mr. Mudie, also speaking of their nest-building, says that, in one +instance which came under his notice, “the bird began at seven o’clock +on a Tuesday morning, and the nest was finished in good time on Friday +afternoon.” This was certainly rapid work. Mr. Yarrell says that the +he-bird brings the materials to the hen, who makes use of them—which +is stated as a general fact by Michelet—and that in constructing her +nest the little fly-catcher, after she had rounded it into its first +form, moves backwards as she weaves into it long hairs and grasses with +her bill, continually walking round and round her nest. This, however, +can only be when the situation of the nest will allow of her passing +round it. Our fly-catcher’s nest, and the nest of our picture, are +placed as a little bed close to the wall, and in such situations the +nest has sometimes no back, but simply the lining. A very favourite +place with the fly-catcher for her nest is the hole in a wall, the +size of a half brick, in which the builder fixed the spar of his +scaffolding, and omitted to fill up when he had finished. In these +convenient little nooks the fly-catcher’s nest fills the whole front +of the opening, but has seldom any back to it. From all this, I think +it is clear that the fly-catcher is, in her arrangements, guided by +circumstances: only, in every case, her little home is as snug as it +can be. + +[Illustration] + + + + +CHAPTER XVI. + +THE WOOD-PIGEON. + + +The wood-pigeon, ring-dove, or cushat is one of the most familiar and +poetical of our birds. Its low, plaintive coo-goo-roo-o-o is one of the +pleasantest sounds of our summer woods. + + “Tell me, tell me, cushat, why thou moanest ever, + Thrilling all the greenwood with thy secret woe? + ‘I moan not,’ says the cushat, ‘I praise life’s gracious Giver + By murmuring out my love in the best way that I know.’” + +The wood-pigeon belongs to a large family of birds—_columbinæ_ or +doves. The earliest mention of them in the world is in Genesis, +when Noah, wearied with the confinement of the ark, and seeing +that the mountain tops were visible, selected from the imprisoned +creatures—first the raven, then the dove, to go forth and report to +him of the state of the earth. The raven, however, came not back, no +doubt finding food which tempted him to stay; whilst the dove, finding +no rest for the sole of her foot, returned, and Noah, putting forth his +hand, took her in. Again he sent her forth, and she came back in the +evening, and, lo, in her mouth was an olive leaf plucked off. A third +time she was sent forth, but now she returned no more. So Noah looked +out, and behold the face of the earth was dry. And he and his family, +and all the creatures, again went forth and possessed all things. + +This dove might probably be of the carrier-pigeon tribe, which is more +nearly related to the rock-pigeon, also a native of this country, +or rather, of the northern parts of Scotland. These carrier-pigeons +were, in the old times, long enough before the invention of electric +telegraphs, or even before post-offices were established, used instead +of both. Anacreon, the Greek poet, speaks of them as being used to +convey letters; the pigeon, having, as it were, two homes, being fed in +each; thus, a letter from a friend in one home was tied to the wing, +and the bird turned into the air, probably without his breakfast, when +he immediately flew off to his distant home, where the letter was +joyfully received, and he fed for his pains. Whilst the answer was +prepared he would rest, and it, perhaps, taking some little time, he +grew hungry again; but they gave him nothing more, and, again securing +the letter on his little person, he was sent back, making good speed, +because he would now be thinking of his supper. Thus, the answer flew +through the air. + + “Come hither, my dove, + And I’ll write to my love, + And I’ll send him a letter by thee!” + +[Illustration: + + WOOD-PIGEONS AND NEST. [Page 92. +] + +So says the old song. And we are told that a young man named +Taurosthenes, one of the victors in the great Olympian games of Greece, +sent to his father, who resided at a considerable distance, the tidings +of his success, on the same day, by one of these birds. Pliny, the +Roman historian, speaks of them being used in case of siege; when the +besieged sent out these winged messengers, who, cleaving the air at +a secure height above the surrounding army, conveyed the important +intelligence of their need to their friends afar off. The crusaders +are said to have made use of them at the siege of Jerusalem, and the +old traveller, Sir John Maundeville—“knight, warrior, and pilgrim,” as +he is styled—who, in the reign of our second and third Edwards, made +a journey as far as the borders of China, relates that, “in that and +other countries beyond, pigeons were sent out from one to another to +ask succour in time of need, and these letters were tied to the neck of +the bird.” + +But enough of carrier-pigeons. Let us come back to our ring-dove or +cushat, brooding on her eggs in the sweet summer woods, as Mr. Harrison +Weir has so truthfully represented her. She is not much of a nest-maker. + + “A few sticks across, + Without a bit of moss, + Laid in the fork of an old oak-tree; + Coo-goo-roo-o-o, + She says it will do, + And there she’s as happy as a bird can be.” + +The nest, however, is not at all insufficient for her needs. You see +her sitting brooding over her two white eggs in every possible bird +comfort; and whether her mate help her in the building of the nest +or not, I cannot say, but he is certainly a very good domesticated +husband, and sits upon the eggs alternately with her, so that the +hatching, whatever the building may be, is an equally divided labour. + +[Sidenote: _Wordsworth’s Tribute of Praise._] + +Wordsworth sees in this bird an example of unobtrusive home affection. +He says:— + + “I heard a stock-dove sing or say + His homely tale this very day: + His voice was buried among the trees, + Yet to be come at by the breeze; + + He did not cease, but cooed and cooed, + And somewhat pensively he wooed; + He sung of love with quiet blending, + Slow to begin, and never ending; + Of serious faith and inward glee; + That was the song—the song for me.” + +Wood-pigeons have immense appetites, and, being fond of all kinds of +grain, as well as peas and beans, are looked upon by the farmer with +great disfavour. They are, however, fond of some of those very weeds +which are his greatest annoyance—for instance, charlock and wild +mustard; so that they do him some good in return for the tribute which +they take of his crops. They are fond, also, both of young clover and +the young green leaves of the turnip, as well as of the turnip itself. +Either by instinct or experience, they have learned that, feeding +thus in cultivated fields, they are doing that which will bring down +upon them the displeasure of man. “They keep,” says the intelligent +author of “Wild Sports in the Highlands,” “when feeding in the fields, +in the most open and exposed places, so as to allow no enemy to come +near them. It is amusing to watch a large flock of these birds whilst +searching the ground for grain. They walk in a compact body; and in +order that all may fare alike—which is certainly a good trait in their +character—the hindermost rank, every now and then, fly over the heads +of their companions to the front, where they keep the best place for +a minute or two, till those now in the rear take their place. They +keep up this kind of fair play during the whole time of feeding. They +feed, also, on wild fruit and all kinds of wild berries, such as the +mountain-ash, and ivy; and where acorns abound, seem to prefer them to +anything else. At the same time, I must confess that they are great +enemies to my cherry-trees, and swallow as many cherries as they can +hold. Nor are strawberries safe from them, and the quantity of food +they manage to stow away in their crops is perfectly astonishing.” + +[Sidenote: _Its Necessary Watchfulness._] + +Besides man, the wood-pigeon has its own bird-enemies. “In districts +where the hooded crow abounds,” says the author whom I have just +quoted, “he is always on the look-out for its eggs, which, shining out +white from the shallow, unsubstantial nest, are easily seen by him. +The sparrow-hawk seizes the young when they are half-grown and plump; +he having been carefully noticed watching the nest day by day as if +waiting for the time when they should be fit for his eating. The larger +hawks, however, prey upon the poor wood-pigeon himself.” + +With all his pleasant cooings in the wood, therefore, and all +his complacent strutting about with elevated head and protruded +breast—with all his gambols and graces, his striking the points of +his wings together as he rises into the air, to express a pleasure to +his mate beyond his cooing, he has not such a care free life of it. He +is always kept on the alert, therefore, and, being always on the watch +against danger, is not at all a sound sleeper. The least disturbance at +night rouses him. “I have frequently,” continues our author, “attempted +to approach the trees when the wood-pigeons were roosting, but even +on the darkest nights they would take alarm. The poor wood-pigeon +has no other defence against its enemies than its ever watchful and +never sleeping timidity; not being able to do battle against even the +smallest of its many persecutors.” + +Gilbert White says that the wood-pigeons were greatly decreasing, in +his time, in Hampshire, and there were then only about a hundred in the +woods at Selborne, but in former times the flocks had been so vast, not +only there, but in the surrounding districts, that they had traversed +the air morning and evening like rooks, reaching for a mile together, +and that, when they thus came to rendezvous there by thousands, the +sound of their wings, suddenly roused from their roosting-trees in an +evening, rising all at once into the air, was like a sudden rolling of +distant thunder. + +Although the wood-pigeon is considered to be the original parent of +the tame pigeon, yet it does not seem possible to tame the young of +this bird, though taken from the nest quite young. It is a bird which +appears to hate confinement, and, as soon as it has the opportunity, +spite of all kindness and attention, it flies away to the freedom of +the woods. + +[Illustration] + + + + +CHAPTER XVII. + +THE WHITE-THROAT. + + +With none of our migratory birds, our spring visitants from southern +lands, is the lover of the country more familiar than with the +White-throat, which, with its nest, is here so beautifully and livingly +depicted by Mr. Harrison Weir. + +This bird, with its many names—White-throat, Peggy-white-throat, +Peggy-chaw, Charlie-mufty, Nettle-creeper, Whishey-whey-beard or +Pettichaps—comes to us in April, about the same time as the cuckoo and +the swallow; the male bird, like his cousin the nightingale, coming +before the female, but he does not make himself very conspicuous till +the hedges and bushes are well covered with leaves; then he may be +found in almost every lane and hedge the whole country over. + +As soon as the female is here, and the birds have paired, the business +of nest-building begins, and they may then be seen flying in and out +of the bushes with great alertness, the he-bird carolling his light +and airy song, and often hurling himself, as it were, up into the air, +some twenty or thirty feet, in a wild, tipsy sort of way, as if he +were fuller of life than he could hold, and coming down again with a +warble into the hedge, where the little hen-wife is already arranging +her dwelling in the very spot probably where she was herself hatched, +and her ancestors before her, for ages. For I must here remark that +one of the most remarkable properties of birds is, that facility by +which they so regularly disperse themselves over the whole country on +their arrival after their far migration, each one, in all probability, +attracted by some attachment of the past, stopping short at, or +proceeding onward to, the exact spot where he himself first came into +the consciousness of life. This is one of the wonderful arrangements of +nature, otherwise of God, by which the great balance is so beautifully +kept in creation. If the migratory bird arrives ever so weary at Dover, +and its true home be some sweet low-lying lane of Devonshire, a thick +hedgerow of the midland counties, or a thickety glen of Westmoreland, +it will not delay its flight nor be tempted to tarry short of that +glen, hedgerow, or lane with which the experience of its own life and +affection is united. + +At this charming time of the year none of the various performers in +nature’s great concert bring back to those who have passed their youth +in the country a more delicious recollection of vernal fields and lanes +than this bird of ours, the little white-throat. + +[Illustration: + + WHITE-THROAT AND NEST. [Page 98. +] + +Yes, along those hedges, fresh and fragrant with their young leaves, +along those banks studded with primroses, campions, blue-bells and +white starwort, and through the thick growth of the wild rose bushes, +all of which have a beauty especially their own, the white-throat +salutes you as you pass, as if to recognise an old acquaintance. He +is brimful of fun; out he starts and performs his series of eccentric +frolics in the air, accompanied by his mad-cap sort of warble; or, +almost as if laughing at you, he repeats from the interior of the +bushes his deep grave note, _chaw! chaw!_ whence comes the name +of peggy-chaw. This, however, is to tell you—and to those who +understand bird-language it is intelligible enough—that he has now a +family to attend to, and he begs, very respectfully, that you will not +trouble yourself about it. + +[Sidenote: _Description of the Bird._] + +A Scotch naturalist says that “the peasant boys in East Lothian imagine +that the bird is mocking or laughing at them, as it tumbles over the +hedge and bushes in the lane, and, therefore, they persecute it at all +times, even more mercilessly than they do sparrows.” + +The white-throat is an excitable little bird, rapid in all its +movements; and though it will apparently allow a person to come near, +it incessantly flits on, gets to the other side of the hedge, warbles +its quaint little song, flies to a short distance, sings again, and so +on, for a long time, returning in the same way. It erects the feathers +of its head when excited, and swells its throat so much when singing, +that the feathers stand out like a ruff, whence it has obtained the +name of _Muffety_, or Charlie-mufty, in Scotland. + +Its colour, on the upper parts of the body, is reddish-brown, +brownish-white below, with a purely white throat. Its food is +principally insects and larvæ of various kinds, for which it is always +on the search amongst the thick undergrowth of the plants and bushes +where it builds. One of its many names is Nettle-creeper, from this +plant growing so generally in the localities which it haunts. + +Its nest—one of the most light and elegant of these little abodes—may +truly be called “gauze-like,” for being constructed wholly of fine +grasses, and very much of the brittle stems of the Galnim aparine, or +cleavers, which, though slender, are not pliant, and bend only with an +angle; they prevent the whole fabric from being closely woven, so that +it maintains a gauzy texture; the inside, however, is put together more +closely of finer and more pliant materials, delicate root-filaments, +and various kinds of hair. The eggs, four or five in number, are of a +greenish-gray colour, often with a tawny hue, blotched and spotted over +with dark tints of the same colour. + +A correspondent of the author of “British Birds” says that, one morning +in June, when walking in his shrubbery within about eighty yards of a +White-throat’s nest, which he was taking great interest in, he found a +portion of the shell of one of the eggs of this bird, and, fearing that +a magpie had been plundering it, hastened to the spot, but found to his +satisfaction that the nest was then full of newly-hatched birds. “The +shell had,” he says, “been instinctively taken away by the mother in +order to prevent the discovery of the place of her retreat.” He adds +that the mother-bird was very shy, and usually dropped from her nest +with the most astonishing rapidity, and, treading her way through the +grasses and other entanglements, disappeared in a moment. The young, +too, seemed greatly to dislike observation, and on his taking one into +his hand to examine it, it uttered a cry, no doubt of alarm, on which +all the other little things leapt out of their abode, although not more +than half-fledged, and hopped amongst the grass. It is a singular fact +that almost every kind of young bird, if they be caused to leave their +nest through alarm, or by being handled, can never be induced to stay +in the nest again, though they may be put back into it time after time. + + + + +CHAPTER XVIII. + +THE BULL-FINCH. + + +This bird, which is common to all parts of the country, is very shy, +and for the greater part of the year haunts the woods and thickets. +In spring, however, its fondness for tender fruit-buds tempts it into +gardens and orchards, where, being considered an enemy, it is destroyed +without mercy. It is a question, however, whether it devours these +young buds as favourite food, or whether it may not be the equally +distinctive grub or insect which is the temptation; and thus, that +it ought rather to be regarded as the friend than the enemy of the +gardener and fruit-grower. At all events, the general opinion is +against the poor bull-finch. He is declared to be a devourer of the +embryo fruit, and no mercy is shown to him. The Rev. J. G. Wood, always +a merciful judge where birds are concerned, thinks that public opinion +is unfairly against him. He says that a gooseberry tree, from which it +was supposed that the bull-finches had picked away every blossom-bud, +yet bore the same year an abundant crop of fruit, which certainly +proved that they had picked away only the already infected buds, and so +left the tree in an additionally healthy state, doubly able to mature +and perfect its fruit. + +Bull-finches seldom associate with other birds, but keep together in +small flocks as of single families. Its flight, though quick, is +somewhat undulating or wavering; and in the winter it may sometimes +be seen in large numbers flitting along the roadsides and hedges, +being probably forced out of some of its shyness by the stress of +hunger. Its ordinary note is a soft and plaintive whistle; its song, +short and mellow. It is, in its native state, no way distinguished as +a singing-bird, but at the same time it is possessed of a remarkable +faculty for learning tunes artificially, of which I may have more to +say presently. + +The bull-finch begins to build about the beginning of May. She places +her nest, as we see in our illustration, in a bush, frequently a +hawthorn, at no great distance from the ground. The nest is not very +solidly put together; the foundation, so to speak, being composed of +small dry twigs, then finished off with fibrous roots and moss, which +also form the lining. The eggs, five or six in number, are of a dull +bluish-white, marked at the larger end with dark spots. + +Although there is so little to say about the bull-finch in his natural +state—excepting that he is a handsome bird, with bright black eyes, +a sort of rich black hood on his head; his back, ash-grey; his breast +and underparts, red; wings and tail, black, with the upper tail-coverts +white—yet when he has gone through his musical education, he is not +only one of the most accomplished of song-birds, but one of the most +loving and faithfully attached little creatures that can come under +human care. These trained birds are known as piping bull-finches. + +[Illustration: + + BULL-FINCH AND NESTLINGS. [Page 102. +] + +[Sidenote: _How it is taught to pipe._] + +Bishop Stanley, in his “History of Birds,” thus describes the method by +which they are taught:— + +“In the month of June, the young ones, which are taken from the nest +for that purpose, are brought up by a person, who, by care and +attention, so completely tames them that they become perfectly docile +and obedient. At the expiration of about a couple of months, they first +begin to whistle, from which time their education begins, and no school +can be more diligently superintended by its master, and no scholars +more effectually trained to their own calling, than a seminary of +bull-finches. They are formed first into classes of about six in each, +and, after having been kept a longer time than usual without food, and +confined to a dark room, the tune they are to learn is played over +and over again, on a little instrument called a bird-organ, the notes +of which resemble, as nearly as possible, those of the bull-finch; +sometimes, also, a flageolet is used for this purpose, and birds so +taught are said to have the finer notes. For awhile the little moping +creatures will sit in silence, not knowing what all this can mean; but +after awhile one by one will begin to imitate the notes they hear, for +they have great power of imitation as well as remarkably good memories. +As soon as they have said their lesson all round, light is admitted +into the room, and they are fed. + +“By degrees the sound of the musical instrument—be it flageolet or +bird-organ—and the circumstance of being fed, become so associated in +the mind of the hungry bird, that it is sure to begin piping the tune +as soon as it hears it begin to play. When the little scholars have +advanced so far they are put into a higher class, that is to say, are +turned over each to his private tutor; in other words, each bird is put +under the care of a boy who must carry on its education, and who plays +on the little instrument from morning to night, or as long as the bird +can pay attention, during which time the head-master or feeder goes +his regular rounds, scolding or rewarding the little feathered scholars +by signs and modes of making them understand, till they have learned +their lessons so perfectly, and the tune is so impressed on their +memories, that they will pipe it to the end of their days; and let us +hope, as I believe is the fact, that they find in it a never-ending +delight. + +“Just as in human schools and colleges, it is only the few out of the +great number who take the highest honours or degrees, or become senior +wranglers, so it is not above five birds in every hundred who can +attain to the highest perfection in their art! but all such are valued +at a very high price.” + +It is allowable to hope that the poor bull-finch, which has thus +industriously applied himself to learn, and has thus become +artificially gifted with the power of pleasing, takes great +satisfaction in his accomplishment. Perhaps also the association with +his human teacher calls forth his affection as well as his power of +song, for it is a fact that the piping bull-finch is, of all birds, +given to attach itself to some one individual of the family where it +is kept, expressing, at their approach, the most vehement delight, +greeting them with its piping melody, hopping towards them, and +practising all its little winning ways to show its love, and to court a +return of caresses. + +“An interesting story,” says the bishop, “was told by Sir William +Parsons, who was himself a great musician, and who, when a young man, +possessed a piping bull-finch, which he had taught to sing, ‘God save +the king.’ On his once going abroad, he gave his favourite in charge +to his sister, with a strict injunction to take the greatest care of +it. On his return, one of his first visits was to her, when she told +him that the poor little bird had been long in declining health, and +was, at that moment, very ill. Sir William, full of sorrow, went into +the room where the cage was, and, opening the door, put in his hand, +and spoke to the bird. The poor little creature recognised his voice, +opened his eyes, shook his feathers, staggered on to his finger, piped +‘God save the king,’ and fell down dead.” + +[Sidenote: _The Devoted Affection of Birds._] + +We see in the piping bull-finch—a bird which in its education is +closely associated with man—the deep and devoted affection of which +it is capable; and if we could only live with the animal creation as +their friends and benefactors, we should no longer be surprised by such +instances of their intelligence and love. + +[Illustration] + + + + +CHAPTER XIX. + +THE MISSEL-THRUSH. + + +This is the largest of our British song birds. It remains with us +through the whole year, not being migratory, excepting in so far as it +moves off in considerable flocks into Herefordshire and Monmouthshire +for the sake of the mistletoe which abounds in the orchards there, +on the viscous berries of which it delights to feed, and whence it +has obtained its familiar name of missel, or mistletoe thrush. It is +generally believed that this curious parasitic plant was propagated or +planted upon the branches of trees, by this bird rubbing its bill upon +the rough bark to clean it from the sticky substance of the berry, and +thus introducing the seeds into the interstices of the bark. + +[Illustration: + + MISSEL-THRUSHES AND NEST. [Page 106. +] + +The Missel-thrush is a handsome bird; the head, back, and upper coverts +of the wings olive-brown, the latter tipped with brownish-white, +spotted with brown; the breasts and under parts pale yellow, covered +with black spots; the legs are yellow and the claws black. + +It is a welcome bird, being the earliest harbinger of spring, the first +singer of the year. Long before the swallow is thought of, before even +the hardy familiar robin has begun his song, its clear rich voice +may be heard on Christmas or New Year’s day, often amidst wild winds +and winterly storms, whence its also familiar name, the storm-cock. +It is known by different names in different parts of the country. +The origin of its more general appellation—the missel-thrush—I have +already mentioned. In the midland counties it is called the thrice +cock, but why I know not. In Wales it is known as _Pen-y-llwyn_, which +means the head or master of the coppice. Why it is so called I will +mention presently. + +[Sidenote: _A Description of the Nest._] + +The nest of the missel-thrush is large and well constructed, being +made of almost every material ordinarily used for nest-making +purposes—moss, and hay, and straw, and dry leaves, and little twigs, +and locks of wool, with occasional odds and ends of every possible +kind. All these are woven and wrought together very compactly; not, +however, without loose straws and little tangles of wool hanging about. +Within is a smooth casing of mud, as in the nest of the throstle, and +within that a second coating of dry grass. Our picture represents all +as being now complete. The busy labours of the year are now over; the +eggs, four or five in number, of a greenish-blue, marked with reddish +spots, are laid, and the mother-bird has taken her patient seat upon +them, whilst her mate, from the branch above, sings as if he never +meant to leave off again. + +The song of this bird is loud, clear, and melodious—a cheering, +hopeful song; and when heard amidst the yet prevailing winter-storms, +as if in anticipation of better times, it well deserves our admiration. +It resembles, to a certain degree, the song of the blackbird and the +thrush, and is often mistaken for them; but it has not the short, +quick, and varied notes of the one, nor the sober, prolonged, and +eloquent melody of the other. On the contrary it is of an eager, +hurrying character, as if it could not sufficiently express its +emotion, and yet was trying to do so. + +The missel-thrush is a bird of very marked character, and is both bold +and chivalrous. Its harsh, jarring note of anger and defiance is the +first to be heard when a bird-enemy is at hand. If a cuckoo or hawk is +anywhere near meditating mischief, the missel-thrush is vehement in his +expression of displeasure. In our own neighbourhood, where the jays in +summer come from the wood to carry the young of the sparrows from their +nests in the ivied boles of the trees round our garden, the outcry of +the parent sparrows instantly arouses the sympathetic missel-thrushes, +who, with a scolding defiance, rush to the rescue. Of course these +birds, which are of so militant a character, and so loud in protesting +against a wrong done to another, will be equally alive to their own +rights, and active in defending their own nests and young. Some +naturalists have suggested that this combatant temper and extraordinary +courage are but the natural consequence of the bird finding its nest +open to common attack; for, being of a large size, and built early in +the year whilst the trees are yet leafless, it is visible to every +enemy and depredator. + +Mr. Thompson says: “Often have I seen a pair of these birds driving off +magpies, and occasionally fighting against four of them. One pair which +I knew attacked a kestrel which appeared in their neighbourhood when +the young were out. One of them struck the hawk several times, and made +as many more fruitless attempts, as the enemy, by suddenly rising in +the air, escaped the cunning blow. They then followed the kestrel for a +long way, until they were lost to our sight in the distance.” + +The old Welsh name of “master, or head of the coppice,” refers to the +same warlike spirit. “The missel-thrush,” says Gilbert White, “suffers +no magpie, jay, or blackbird to enter the garden where he haunts, and +is, for the time, a good guardian of the new-sown crops. In general, he +is very successful in defence of his family. Once, however, I observed +in my garden that several magpies came determined to storm the nest of +the missel-thrush. The parent-birds defended their mansion with great +vigour, and fought resolutely. But numbers at last prevailed, and the +poor missel-thrushes had the pain of seeing their nest torn to pieces, +and their young carried off.” + +[Sidenote: _The Gardeners’ Enemy._] + +The missel-thrushes, however, as the year goes on, make for themselves +enemies even more formidable than hawks or magpies; these are the +gardeners. Towards the end of summer, when the young have flown, +and they and the parent-birds congregate in large flocks, having +then nothing to do but to enjoy themselves, like human families when +children are all home for the holidays, they too go abroad on their +excursions of pleasure; not, however, to sea-side watering places, but +into gardens where the cherries and raspberries are ripe. Poor birds! +Little aware of their danger, or if they be so, defiant of it in the +greatness of the temptation, they make sad havoc amongst the fruit, +and many unfortunates are shot or snared, and then hung up amidst the +cherry-boughs or the raspberry-canes as a terror to their associates. +It is a pity we cannot make them welcome to some and yet have enough +left for ourselves. + +The berries of the mountain-ash and the arbutus, and later on in the +year those of the holly and ivy, supply them with food, as do also +in the spring and summer insects of various kinds—caterpillars and +spiders—so that in this respect they are good friends to the gardener, +and might, one thinks, be made welcome to a little fruit in return. + +[Illustration] + + + + +CHAPTER XX. + +THE YELLOW-HAMMER, OR YELLOW-HEAD. + + +This, though an extremely pretty bird, is so common that very +little notice is taken of it. Its colours are varied and beautiful: +the back and wings, bright red; the central part of each feather, +brownish-black; the head and throat, bright yellow; the feathers of the +upper part tipped with black; the breast, brownish-red. The colours of +the female are much duller. + +The yellow-hammer resembles linnets, finches, and sparrows in character +and habits, and often associates with them, resorting to the fields in +open weather, and often perching in hedges and bushes as well as in +trees. In the winter, when the weather is severe, it congregates, with +other birds, about houses, farm-buildings, and stack-yards. + +One of the most pleasing features of autumn is, to my mind, these +flocks of kindred birds, which are at that time all abroad and yet +together, circling in their flight, all rising as you approach, and +wheeling away into the stubble-field, or into the distant hedges, now +rich with their wild fruits—the blackberry, the wild rose hip, and the +bunches of black-privet berries—and then away again, as you approach, +with their variously modulated notes, through the clear air into the +yet more distant stubble or bean-field. + +The flight of the yellow-hammer is wavy and graceful, and, alighting +abruptly, he has a curious way of jerking out his tail feathers like +a little fan. All at once a whole flock of them will descend from a +considerable height and settle on the twigs of a tree, clothing it as +with living leaves. Whatever number the flock may consist of, there +is no impatient hurry or jostling among them to get the best perch, +every individual settling as if on its own appointed place. As I have +already observed, nothing is more charming at this season than these +congregated companies of small birds. All the cares of life are now +over, their young broods are around them, and now, with nothing to +do but to enjoy themselves in the freedom of nature, where—on every +hand, on every bush and tree, and in every outlying field—though the +crops are now carried, all except, perhaps, here and there a solitary +field in which the bean-shocks stand up black in the golden autumnal +sunshine; but here, and there, and everywhere, a full table is spread, +and they are welcome to enjoy. + +In spring and summer, the yellow-hammer sings a peculiar but +mournful sort of little ditty, composed of a few short, sonorous +notes, concluding with one long drawn out. In the midland +counties, where stocking-weaving is the business of the people, +the note of the bird is said to resemble the working of the +machine—ch-ch-ch-ch-ch-e-e-chay—the prolonged latter syllable being +what the stockinger calls, in the machine movement, “pressing over the +arch.” In other parts of the country this bird’s song is interpreted as +“A little bit of bread, and—no-cheese!” which may just as well be “A +little bird am I, and—no thief!” + +[Illustration: + + YELLOW-HAMMER AND NEST. [Page 112. +] + +The food of this bird consists of the seeds of all kinds of grasses, +chickweeds, polygonums, and other such weeds; also, in summer, when +food is needed for the young, insects and larvæ. + +[Sidenote: _Its Picturesque Nest._] + +The winter congregations break up in April, and then the yellow-hammer +begins to think of family joys and cares. But, unlike their relations +the sparrows and finches, the he-birds take everything quietly, without +having their little skirmishes to show their spirit and prowess, like +the knights of old, at the tournament, before the admiring ladies. The +yellow-hammer does everything quietly, choosing his mate in an orderly +way; and now that the buds are swelling on the trees, the primroses +gemming the hedge-banks, and the golden catkins hanging on the willows +by the watersides, hither come the little yellow-hammers, and, having +selected some sweet, hidden spot, under a bush, or on the fieldy banks +amongst the thick herbage—we see it a month later in our picture, +when the buds have expanded into leaves, in a wild growth of beautiful +grasses and herbage—begin to make their nest. How picturesque it is! +William Hunt never painted anything more beautiful. The nest itself +is somewhat large, and of simple construction, woven externally of +coarse bents and small pliant twigs, and lined with hair and wool. Here +the hen lays four or five eggs of a purplish white, marked with dark, +irregular streaks, often resembling musical notes. + +These poor little birds are extremely attached to their home and their +young, so much so, that if these be taken by the pitiless bird-nester, +they will continue for some days about the place uttering the most +melancholy plaint, which, though still to the same old tune as the song +of their spring rejoicing, has now the expression of the deepest woe. + +The author of “British Birds” thus sums up their various characteristic +actions:—“When perched on a tree, especially in windy weather, they +crouch close to the twigs, draw in their necks, and keep their tails +declined. After pairing, the male is generally seen on a bush or tree, +raising his tail by sudden jerks, and slightly expanding it. His notes +are then usually two chirps, followed by a harsher note—cit, chit, +chirr—with considerable intervals. When feeding in the stubble-fields, +they advance by very short leaps, with their breasts nearly touching +the ground; when apprehensive of danger they crouch motionless, and +when alarmed give information to each other by means of their ordinary +short note.” + +[Illustration] + + + + +CHAPTER XXI. + +THE MAGPIE. + + +You have here a living portrait of the Magpie, sitting, so to speak, on +his own door-sill, and contemplating it with rather a sentimental air, +perhaps rather with tender admiration; and as to his dwelling, it is, +we must confess, a wonderful structure—a half-timbered edifice, so to +speak, walled-round and roofed-in, with its front-door and all complete. + +The magpie is one of our most beautiful as well as most amusing and +characteristic birds. He is cousin to the jackdaw, and has, like him, +odd ways of his own. In all countries where he is found, he is just the +same. An old Greek poet, who lived two thousand years ago, speaks of +him as a great mimic, and such an inordinate talker, that, in his own +satirical humour, he pretends to believe that magpies were originally a +family of young ladies, in Macedonia, who were noted for the volubility +of their tongues. Handsome he is, as well as talkative, and very droll +and mischievous. + +Being such, we need not wonder that his nest is very original. He likes +to place it in a secure angle of branches, on some lofty tree, as we +see it here, fifty feet or so from the ground; and prefers to have it +on a tree bare of branches to a considerable height, knowing that it +is then more inaccessible. He is wise in all this, for its bulk being +so large it is discernible to a great distance. As magpies, however, +are found almost everywhere, and in some parts of the country, the +north of Scotland for instance, where there are no trees, the poor +magpie is then obliged to build in a bush, and do the best he can. In +such a case, in Norway, he was known to barricade his nest with thorny +branches, brought thither by himself for that purpose, till it was next +to impossible for the domicile to be invaded. A cat could not get to +it, and a man only with hedging-mittens on his hands, and by help of a +bill-hook. + +Like the rook, the magpie inhabits the same nest for several years, +perhaps for the whole of his life, putting it into repair every year +before he again needs it for family use—like a wealthy country family +taking possession of their ancestral mansion in the spring. + +And now, turning to our picture, we find our magpie in excellent +circumstances. Every thing has gone well with him. Here he is, and I +will have the pleasure of giving you a bit of every-day magpie life, +as sketched by that true pen-and-ink artist, the author of “British +Birds.” Our scene opens a few minutes before the time indicated in our +picture:— + +[Illustration: + + MAGPIE AND NEST. [Page 116. +] + +[Sidenote: _A Search for Food._] + +“There, on the old ash-tree, you may see a pair, one perched on the +topmost twig, the other hopping on the branches below, keeping up an +incessant chatter. How gracefully she, on the topmost twig, swings in +the breeze! Off she starts, and directs her flight to the fir-woods +opposite, chattering all the way, seemingly to call her mate after her. +But he prefers remaining behind. He is in a brown study, or something +of that kind, as we can plainly see. Now, having spied something +below, he hops downwards from twig to branch, and descends to the +ground. His ash-tree, you must understand, grows close to, and in part +overshadows, a farmyard; so now he is on ground which, as is customary +in such places, is not over clean; therefore, lifting up his tail to +prevent it being soiled or wet, as the farmer’s wife might hold up her +Sunday gown, and raising his body as high as possible, he walks a few +paces, and, spying an earth-worm half out of his hole, drags it forth +by a sudden jerk, breaks it in pieces, and swallows it. Now, under the +hedge, he has found a snail, which he will presently pick out of its +shell, as an old woman would a periwinkle. But now something among the +bushes has startled him, and he springs lightly upwards, chattering +the while, to regain his favourite tree. It is a cat, which, not less +frightened than himself, for both are intent on mischief, runs off +towards the barn. The magpie again descends, steps slowly over the +grassy margin of the yard, looking from side to side, stops, listens, +advances rapidly by a succession of leaps, and encounters a whole brood +of chickens, with their mother at their heels. If she had not been +there he would have had a delicious feast of one of those chickens; +but he dare not think of such a thing now, for, with fury in her eye, +bristled plumage, and loud clamour, the hen rushes forward at him, +overturning two of her younglings, and the enemy, suddenly wheeling +round to avoid the encounter, flies off to his mate. + +“There again you perceive them in the meadow, as they walk about with +their elevated tails, looking for something eatable. By the hedge, afar +off, are two boys, with a gun, endeavouring to creep up to a flock of +plovers on the other side. But the magpies see them, for there are not +many things which escape their sharp eyes, and presently rising, they +fly directly over the field, chattering vehemently, and the flock of +plovers on this take wing, and the disappointed young sportsmen sheer +off in another direction.” + +Magpies always make a great chattering when they are disturbed, or +when they apprehend that danger is near. Waterton says that they +are vociferous at the approach of night, and that they are in truth +valuable watchmen on that account. “Whoever enters the wood,” he +says, “is sure to attract their notice, and then their challenge is +incessant. When I hear them during the night, or even during the +day, I know that mischief is on the stir. Three years ago, at eleven +o’clock in the day, I was at the capture of one of the most expert +and desperate poachers, to whose hiding-place we were directed by the +chatter of the magpies.” + +The poor magpie has many enemies, and, knowing this, is always on the +watch, and easily alarmed. + +Its mode of walking is like that of the rook, but not having any +dignity to maintain, it every now and then leaps in a sidelong +direction. When alarmed itself, or wishing to announce danger to other +birds, it utters a sort of chuckling cry or chatter. If a fox or cat, +or any other unfriendly animal, approaches, it hovers about it, and +alarms the whole neighbourhood by its cries till the enemy is out of +sight. + +Like the jackdaw, it generally keeps in pairs the whole year round; +and, indeed, when birds continue to inhabit the same nest, season after +season, it is quite natural that they should do so. It is a curious +fact, however, that if by any accident the hen-magpie is killed, whilst +sitting on her eggs, her mate sets off at once and brings home another +wife, who takes to the nest and eggs, just as if she had laid them; and +if by another mischance she too should come to an untimely end, the +widower again goes off, and, without any loss of time, brings back a +third wife, and she takes to her duties quite as naturally and lovingly +as the other did; but where all these surplus mothers come from is a +question which no naturalist has yet answered, and the magpie, with all +his chattering, is not clever enough to explain the wonder. + +[Sidenote: _Its Beautiful Plumage._] + +The beauty of this bird’s plumage is familiar to all; and although it +is simply black and white, yet the exquisitely-coloured gloss of green, +blue, and purple, with their varying and intermingling tints, produce +such a charming effect that one cannot sufficiently admire them. + +With the external structure of the magpie’s nest we are acquainted: the +lower part, inside, is neatly plastered with mud, “and is furnished,” +says Bewick, “with a sort of mattress, formed of wool or fibrous roots, +on which from three to six eggs are laid.” The eggs frequently vary, +both in size and colour; sometimes they are of a pale green, freckled +over with amber-brown and light purple; sometimes pale blue, with +smaller spots of the same dark colours. + +The nest is, so to speak, a sort of little domed chamber, of a good +size for its purpose; but then comes the question—What does the magpie +do with her long tail as she sits on her eggs? It would certainly +poke a hole through the wall if left to its full extent; she must, +therefore, lift it up, as she does when walking amongst the wet grass, +and sit with it laid flat against the wall, which probably is not +inconvenient to her. + + + + +CHAPTER XXII. + +THE NUTHATCH. + + +This bird is almost an entire stranger to most people. It belongs to +the rather large family of creepers; birds which, like the woodpecker +and the little golden-crested wren, run up the holes and branches of +trees in search of food. The nuthatch, however, has an advantage over +all its other creeping relatives, by being gifted with the power of +coming down the tree head foremost, which none of them have. It can +also sleep with its head downwards; neither in its rapid ascent has it +occasion to press its tail against the tree for help; so that it is the +most accomplished little acrobat of the whole race of creepers. + +[Illustration: + + NUTHATCH AND NEST. [Page 120. +] + +The nuthatch cannot be called a rare bird, and yet it is not often +seen, being of a shy and retiring disposition, though naturally lively +and active. The plumage is very pleasing in colour; the upper parts +of the body are bluish-grey; a black line passes from the corners of +the mouth to the back of the neck; the breast and under parts light +reddish-yellow, and the sides reddish-brown. + +It delights in woods and trees; nor need it be looked for elsewhere, +as it derives its food entirely amongst them, either of insects and +larvæ, hidden in the bark, or of fruits and nuts, as kernels of +fir-cones, beech, and other nuts, the shells of which it breaks in +a very ingenious manner, as I shall presently describe. Now and then +it alights on the ground, and then advances by short leaps. It has no +song; but in winter, when living in small companies, perhaps the whole +summer-family associating together, it has a little piping note, which, +however, is supposed to be simply the call to each other. It is said to +be sensitive to the cold, and always feeds on the side of the wood or +of the tree which is defended from the wind. In spring, however, when +all nature is renovated with a quicker pulse of life—for, as Tennyson +says:— + + In the spring a fuller crimson comes upon the robin’s breast; + In the spring the wanton lapwing gets himself another crest; + In the spring a livelier iris changes on the burnished dove— + +then, also, the silent nuthatch sends forth through the awakening +solitude of the woods his two little notes, one short and twittering, +the other a low, mellow, flute-like whistle, which is so clear that it +may be heard to a considerable distance. + +[Sidenote: _Its Favourite Food._] + +The graphic author of the “British Birds” says, “It is, at all times, +a busy and cheerful bird, particularly at nesting-time. Its favourite +food is nuts of any kind. It builds and roosts in hollow trees, and +is seldom seen in the open fields, unless when in quest of the stones +of the white-thorn or sloe. It may, therefore, be properly called a +forester. Its dexterity in opening nuts and the stones of fruit is +curious. It fixes the nut in a crack, on the top of a post, or in the +bark of a tree, and, placing itself above it, head downwards, striking +with great force and rapidity, with its strong, wedge-shaped bill on +the edge of the shell, splits it open. When their food is plentiful, +they have a favourite crack for unshelling the kernels, as sometimes a +peck of broken shells may be seen under this crack.” + +The Rev. W. T. Bree tells us that “the tapping of the bird on the hard +shell may be heard at a considerable distance, and that during the +operation it sometimes happens that the nut swerves from its fixture +and falls towards the ground. It has not descended, however, for the +space of more than a few yards, when the nuthatch, with admirable +adroitness, recovers it in the fall, and, replacing it in its former +position, commences the attack afresh. The fall of the nut in the air, +and the recovery by the bird on the wing, I have seen repeated several +times in the space of a few minutes.” + +This is a little act of skill in the bird which it would be charming to +observe; and here again I would remark, as I have so often done before, +that this is but a single instance of what many of us, living in the +country, might witness in some woodland nook near at hand, if we would +only be lovingly still and patient, and interest ourselves in the ways +and means of the innocent animal-life around us. + +The nest of the bird also deserves our notice; and let me here call +your attention to the beautiful and living little portrait of the bird +at home, given us by Mr. Harrison Weir, than which we have nothing more +truthful from his pencil. The home of the nuthatch is nothing more, to +begin with, than the hole in an old tree, which, probably, has been +deserted by the woodpecker. As, however, the woodpecker either requires +a more enlarged entrance to her nursery, or considers it more seemly, +the nuthatch, who merely likes a snug little hole to creep in at, and +nothing more, walls up the opening with a plastering of clay or mud, +leaving only just room enough for herself to enter. Perhaps she may be +afraid of the old tenants returning and again taking possession, so +builds up a little defence in front; but of that I cannot say; certain +it is she makes herself comfortably at home in rather an untidy nest, +composed mostly of dead oak-leaves, and here she lays six or seven +white eggs, with ruddy spots on them. + +[Sidenote: _Her Defence of her Young._] + +If the plaster wall be by any chance removed, the poor bird loses not +a moment in replacing it; and though she has apparently great dread +of any enemy—the woodpecker, snake, man, or whatever else he may be, +disturbing her—yet so faithfully devoted is she to her duties, that +scarcely anything will induce her to leave the eggs or young. She +fights vigorously in defence of her home and its treasures, striking +out with her bill and wings, and making a hissing, angry noise. Nay, +timid and shy as she naturally is, she will suffer herself to be +carried off captive rather than desert her charge. + +Let me conclude with one of Bechstein’s anecdotes of the nuthatch:— + +“A lady amused herself in the winter by throwing seeds on the terrace, +below the window, to feed the birds in the neighbourhood. She put some +hemp-seed and cracked nuts even on the window-sill, and on a board, for +her particular favourites, the blue-tits. Two nuthatches came one day +to have their share of this repast, and were so well pleased that they +became quite familiar, and did not even go away in the following spring +to get their natural food and to build their nest in the wood. They +settled themselves in the hollow of an old tree near the house. + +“As soon as the two young ones which were reared here were ready to +fly, they brought them to the hospitable window, where they were to be +nourished, and soon after disappeared entirely. It was amusing to see +these two new visitors hang or climb on the walls or blinds, whilst +their benefactress put their food on the board. These pretty creatures +as well as the tits, knew her so well, that when she drove away the +sparrows, which came to steal what was not intended for them, they did +not fly away also, but seemed to know what was done was only to protect +and defend them. They remained near the house for the whole summer, +rarely wandering, till one fatal day, at the beginning of the sporting +season, in autumn, on hearing the report of a gun, they disappeared and +were never seen again.” + +[Illustration] + + +Watson & Hazell, Printers, 28, Charles Street, Hatton Garden. + +*** END OF THE PROJECT GUTENBERG EBOOK 68416 *** diff --git a/68416-h/68416-h.htm b/68416-h/68416-h.htm index 10811f2..73164f5 100644 --- a/68416-h/68416-h.htm +++ b/68416-h/68416-h.htm @@ -1,4688 +1,4232 @@ -<!DOCTYPE html>
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
-<head>
- <meta charset="UTF-8" />
- <title>
- Birds and Their Nests, by Mary Howitt—A Project Gutenberg eBook
- </title>
- <link rel="icon" href="images/cover.jpg" type="image/x-cover" />
- <style> /* <![CDATA[ */
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2{
- text-align: center; /* all headings centered */
- clear: both;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-.p80 {
- font-size: 0.80em;
- text-align: center;}
-
-.p140 {
- font-size: 1.40em;
- text-align: center;
- font-weight: bold;}
-
-abbr[title] {
- border-bottom: thin dotted #dcdcdc;
- text-decoration: none;
-}
-
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;}
-@media print { hr.chap {display: none; visibility: hidden;} }
-hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%;}
-
-.space-above2 {
- margin-top: 2em;}
-
-.space-above4 {
- margin-top: 4em;}
-
-div.chapter {page-break-before: always;}
-h2.nobreak {page-break-before: avoid;}
-
-div.title-page {
- text-align: center;
- margin-left: auto;
- margin-right: auto;
- padding-left: 1.0em;
- padding-right: 1.0em;
- max-width: 25em;
- page-break-before: always;
- page-break-after: always;
- border: 6px double black;
- }
-
-table {
- margin-left: auto;
- margin-right: auto;
-}
-
-table.autotable td,
-
-td.cont1 {
- vertical-align: top;
- font-variant: small-caps;
-}
-
-td.cont1a {
- vertical-align: top;
- font-variant: small-caps;
- padding-left: 2em;
-}
-
-td.cont2 {
- text-align: right;
- vertical-align: top;
- padding-left: 2em;
-}
-
-td.cont3 {
- padding-left: 1.8em;
- text-indent: -1.8em;
- text-align: left;
- vertical-align: top;
- font-variant: small-caps;
-}
-
-td.chn {
- text-align: left;
- vertical-align: top;
- padding-left: 4em;
-}
-
-td.chapnum
-{
- text-align: right;
- padding-right: 0.5em;
-}
-
-.tdr {
- text-align: right;
- vertical-align: bottom;
- min-width: 2em;}
-
-.pagenum { /* uncomment the next line for invisible page numbers */
- /* visibility: hidden; */
- position: absolute;
- left: 92%;
- font-size: smaller;
- text-align: right;
- font-style: normal;
- font-weight: normal;
- font-variant: normal;
- text-indent: 0;
-} /* page numbers */
-
-.sidenote {
- width: 20%;
- padding-bottom: .5em;
- padding-top: .5em;
- padding-left: .5em;
- padding-right: .5em;
- margin-left: 1em;
- float: right;
- clear: right;
- margin-top: 1em;
- font-size: smaller;
- color: black;
- background: #eeeeee;
- border: 1px dashed;
-}
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-.smcap {font-variant: small-caps;}
-
-.allsmcap {font-variant: small-caps; text-transform: lowercase;}
-
-.caption {font-weight: bold;}
-
-/* Images */
-
-img {
- max-width: 100%;
- height: auto;
-}
-img.w100 {width: 100%;}
-
-
-.figcenter {
- margin: auto;
- text-align: center;
- page-break-inside: avoid;
- max-width: 100%;
-}
-
-/* Footnotes */
-
-.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;}
-
-.footnote .label {position: absolute; right: 84%; text-align: right;}
-
-.fnanchor {
- vertical-align: super;
- font-size: .8em;
- text-decoration:
- none;
-}
-
-/* Poetry */
-.poetry-container {
- text-align: center;
- margin: -1em 0;}
-
-.poetry {
- text-align: left;
- display: inline-block;}
-
-/* uncomment the next line for centered poetry in browsers */
-/* .poetry {display: inline-block;} */
-.poetry .stanza {margin: 1em auto;}
-.poetry .verse {text-indent: -3em; padding-left: 3em;}
-/* large inline blocks don't split well on paged devices */
-@media print { .poetry {display: block;} }
-.x-ebookmaker .poetry {display: block;}
-
-/* Transcriber's notes */
-.transnote {background-color: #E6E6FA;
- color: black;
- font-size:smaller;
- padding:0.5em;
- margin-bottom:5em;
- font-family:sans-serif, serif; }
-
-/* Poetry indents */
-.poetry .indent0 {text-indent: -3em;}
-.poetry .indent10 {text-indent: 2em;}
-.poetry .indent2 {text-indent: -2em;}
-.poetry .indent4 {text-indent: -1em;}
-.poetry .indent6 {text-indent: 0em;}
-.poetry .indent8 {text-indent: 1em;}
-
-
- /* ]]> */ </style>
-</head>
-<body>
-<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Birds and their nests, by Mary Howitt</p>
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Birds and their nests</p>
-<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: Mary Howitt</p>
-<p style='display:block; text-indent:0; margin:1em 0'>Release Date: June 28, 2022 [eBook #68416]</p>
-<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p>
- <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Fiona Holmes and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)</p>
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK BIRDS AND THEIR NESTS ***</div>
-
-<div class="transnote">
-<h2>Transcriber’s Notes</h2>
-
-<p>Hyphenation has been standardised.</p>
-
-<p>For the CONTENTS on <a href="#Page_v" title="">Page v</a>, Chapter IX—Peewits 51 was missed from print
-in the original, and has been added.</p>
-
-<p>The layout of the Contents continuation page on <a href="#Page_vi" title="">Page vi</a>, has been
-changed to replicate the layout of the previous Contents page.</p>
-
-<p class="noindent"><a href="#Page_41" title="">Page 41</a>—changed cemetries to <b>cemeteries</b>.</p>
-
-<p class="noindent"><a href="#Page_55" title="">Page 55</a>—changed artifical to <b>artificial</b>.</p>
-</div>
-
-
-
-
-<div class="figcenter">
-<a id="image_cover"><img src="images/cover.jpg" alt="" width="1986" height="2560" /></a>
-</div>
-
-<p class="space-above4"></p>
-
-<h1>BIRDS AND THEIR NESTS.</h1>
-
-<p class="space-above4"></p>
-
-<div class="figcenter">
-<a id="image_frontis"><img src="images/i-frontis.jpg" alt="" width="486" height="650" /></a>
-<p class="caption center">ROBIN AND NEST.</p>
-</div>
-
-<p class="space-above4"></p>
-
-<div class="title-page">
-<p class="p140"> BIRDS AND THEIR NESTS,</p>
-
-<p class="center"> BY</p>
-
-<p class="center"> MARY HOWITT.</p>
-
-<div class="figcenter">
-<a id="image_title"><img src="images/i-title.jpg" alt="" width="327" height="300" /></a>
-</div>
-
-<p class="center"> <em>With Twenty-three Full-page Illustrations by Harrison Weir.</em></p>
-
-<p class="space-above2"></p>
-
-<p class="p80">NEW YORK:</p>
-<p class="p80">GEORGE ROUTLEDGE AND SONS, 416, BROOME STREET.</p>
-<p class="p80"><span class="smcap">London: S. W. Partridge & Co., 9, Paternoster Row.</span></p>
-
-<p class="center"> <em>All rights reserved.</em></p>
-</div>
-
-<p class="space-above2"></p>
-
-<div class="figcenter">
-<a id="image_004"><img src="images/i-004.jpg" alt="" width="366" height="200" /></a>
-</div>
-
-<p class="center">WATSON AND HAZELL,<br />
-<em>Printers</em>,<br />
-
-<span class="smcap">London and Aylesbury</span>.</p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_v">[v]</span></p>
-
-<div class="figcenter">
-<a id="image_005"><img src="images/i-005.jpg" alt="" width="405" height="400" /></a>
-</div>
-</div>
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak">CONTENTS.</h2>
-</div>
-<table>
-<tr>
- <td> </td>
- <td> </td>
- <td> </td>
- <td class="right"><span class="smcap">PAGE</span></td>
-</tr><tr>
- <td class="cont1" colspan="2">Introductory Chapter</td>
- <td class="cont3"> </td>
- <td class="tdr"><a href="#INTRODUCTORY_CHAPTER" title="Page 1">1</a></td>
-</tr><tr>
- <td class="cont1a"><span class="allsmcap">CHAPTER</span></td>
- <td class="cont2"><abbr title="1">I.</abbr></td>
- <td class="cont3">—<span class="allsmcap">THE WREN</span></td>
- <td class="tdr"><a href="#Page_8" title="Page 8">8</a></td>
-</tr>
-<tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="2">II.</abbr></td>
- <td class="cont3">—<span class="allsmcap">THE GOLDFINCH</span></td>
- <td class="tdr"><a href="#Page_15" title="Page 15">15</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="3">III.</abbr></td>
- <td class="cont3">—<span class="allsmcap">THE SONG THRUSH</span></td>
- <td class="tdr"><a href="#Page_20" title="Page 20">20</a></td>
-</tr>
-<tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="4">IV.</abbr></td>
- <td class="cont3">—<span class="allsmcap">THE BLACKBIRD</span></td>
- <td class="tdr"><a href="#Page_26" title="Page 26">26</a></td>
-</tr>
-<tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="5">V.</abbr></td>
- <td class="cont3">—<span class="allsmcap">THE DIPPER, OR WATER-OUSEL</span></td>
- <td class="tdr"><a href="#Page_33" title="Page 33">33</a></td>
-</tr><tr>
- <td class="chn">” </td>
- <td class="cont2"><abbr title="6">VI.</abbr> </td>
- <td class="cont3">—<span class="allsmcap">THE NIGHTINGALE</span></td>
- <td class="tdr"><a href="#Page_37">37</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="7">VII.</abbr></td>
- <td class="cont3">—<span class="allsmcap">THE SKYLARK</span> </td>
- <td class="tdr"><a href="#Page_42" title="Page 42">42</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="8">VIII.</abbr></td>
- <td class="cont3">—<span class="allsmcap">THE LINNET</span></td>
- <td class="tdr"><a href="#Page_47" title="Page 47">47</a><span class="pagenum" id="Page_vi">[vi]</span></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="9">IX.</abbr></td>
- <td class="cont3">—<span class="allsmcap">THE PEEWIT</span></td>
- <td class="tdr"><a href="#Page_51" title="Page 51">51</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="10">X.</abbr></td>
- <td class="cont3">—<span class="allsmcap">HOUSE-MARTINS, OR WINDOW-SWALLOWS, AND NESTS</span></td>
- <td class="tdr"><a href="#Page_56" title="Page 56">56</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="11">XI.</abbr></td>
- <td class="cont3">—<span class="allsmcap">CHIFF-CHAFFS, OR OVEN-BUILDERS, AND NEST</span></td>
- <td class="tdr"><a href="#Page_66" title="Page 66">66</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="12">XII.</abbr></td>
- <td class="cont3">—<span class="allsmcap">GOLDEN-CRESTED WRENS AND NEST</span></td>
- <td class="tdr"><a href="#Page_70" title="Page 70">70</a></td>
-</tr>
-<tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="13">XIII.</abbr></td>
- <td class="cont3">—<span class="allsmcap">WAGTAIL AND NEST</span></td>
- <td class="tdr"><a href="#Page_75" title="Page 75">76</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="14">XIV.</abbr></td>
- <td class="cont3">—<span class="allsmcap">JACKDAW AND NESTLINGS</span></td>
- <td class="tdr"><a href="#Page_81" title="Page 81">82</a></td>
-</tr>
-<tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="15">XV.</abbr></td>
- <td class="cont3">—<span class="allsmcap">SPOTTED FLY-CATCHERS AND NEST</span></td>
- <td class="tdr"><a href="#Page_86" title="Page 86">86</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="16">XVI.</abbr></td>
- <td class="cont3">—<span class="allsmcap">WOOD-PIGEONS AND NEST</span></td>
- <td class="tdr"><a href="#Page_91" title="Page 91">92</a></td>
-</tr>
-<tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="17">XVII.</abbr></td>
- <td class="cont3">—<span class="allsmcap">WHITE-THROAT AND NEST</span></td>
- <td class="tdr"><a href="#Page_97" title="Page 97">98</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="18">XVIII.</abbr></td>
- <td class="cont3">—<span class="allsmcap">BULL-FINCH AND NESTLINGS</span></td>
- <td class="tdr"><a href="#Page_101" title="Page 101">102</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="19">XIX.</abbr></td>
- <td class="cont3">—<span class="allsmcap">MISSEL-THRUSHES AND NEST</span></td>
- <td class="tdr"><a href="#Page_106" title="Page106">106</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="206">XX.</abbr></td>
- <td class="cont3">—<span class="allsmcap">YELLOW-HAMMER, OR YELLOW-HEAD, AND NEST</span></td>
- <td class="tdr"><a href="#Page_111" title="Page 111">112</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="21">XXI.</abbr></td>
- <td class="cont3">—<span class="allsmcap">MAGPIE AND NEST</span></td>
- <td class="tdr"><a href="#Page_115" title="Page 115">116</a></td>
-</tr><tr>
- <td class="chn">”</td>
- <td class="cont2"><abbr title="22">XXII.</abbr></td>
- <td class="cont3">—<span class="allsmcap">NUTHATCH AND NEST</span></td>
- <td class="tdr"><a href="#Page_120" title="Page120">120</a></td>
-</tr>
-</table>
-
-
-<div class="figcenter">
-<a id="image_006"><img src="images/i-006.jpg" alt="four eggs in a nest" width="458" height="400" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_1">[1]</span></p>
-
-<div class="figcenter">
-<a id="image_007"><img src="images/i-007.jpg" alt="two birds on tree branch" width="796" height="650" /></a>
-</div>
-
-
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="Birds_and_their_Nests"><em>Birds and their Nests.</em></h2>
- </div>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<h2 class="nobreak" id="INTRODUCTORY_CHAPTER">INTRODUCTORY CHAPTER.</h2>
-</div>
-
-
-<p><span class="smcap">The</span> birds in these pictures of ours have all nests, which is as it
-should be; for how could the bird rear its young without its little
-home and soft little bed, any more than children could be comfortably
-brought up without either a bed to lie upon, or a home in which to be
-happy.</p>
-
-<p>Birds-nests, though you may find them in every bush, are<span class="pagenum" id="Page_2">[2]</span> wonderful
-things. Let us talk about them. They are all alike in the purpose for
-which they are intended, but no two families of birds build exactly
-alike; all the wrens, for instance, have their kind of nest; the
-thrushes have theirs; so has the swallow tribe; so has the sparrow,
-or the rook. They do not imitate one another, but each adheres to its
-own plan, as God, the great builder and artist, as well as Creator,
-taught them from the very beginning. The first nightingale, that sang
-its hymn of joyful thanksgiving in the Garden of Paradise, built
-its nest just the same as the bird you listened to last year in the
-coppice. The materials were there, and the bird knew how to make use
-of them; and that is perhaps the most wonderful part of it, for she
-has no implements to work with: no needle and thread, no scissors, no
-hammer and nails; nothing but her own little feet and bill, and her
-round little breast, upon which to mould it; for it is generally the
-mother-bird which is the chief builder.</p>
-
-<p>No sooner is the nest wanted for the eggs which she is about to lay,
-than the hitherto slumbering faculty of constructiveness is awakened,
-and she selects the angle of the branch, or the hollow in the bank or
-in the wall, or the tangle of reeds, or the platform of twigs on the
-tree-top, exactly the right place for her, the selection being always
-the same according to her tribe, and true to the instinct which was
-implanted in her at the first.</p>
-
-<p>So the building begins: dry grass or leaves, little twigs and
-root-fibres, hair or down, whether of feather or winged seed, spangled
-outside with silvery lichen, or embroidered with green mosses, less
-for beauty, perhaps—though it is so beautiful—than for the birds’
-safety, because it so exactly imitates the bank or the tree-trunk in
-which it is built. Or it may be that her tenement<span class="pagenum" id="Page_3">[3]</span> is clay-built, like
-that of the swallow; or lath and plaster, so to speak, like an old
-country house, as is the fashion of the magpie; or a platform of rude
-sticks, like the first rudiment of a basket up in the tree-branches, as
-that of the wood-pigeon: she may be a carpenter like the woodpecker,
-a tunneller like the sand-martin; or she may knead and glue together
-the materials of her nest, till they resemble thick felt; but in all
-this she is exactly what the great Creator made her at first, equally
-perfect in skill, and equally undeviating year after year. This is very
-wonderful, so that we may be quite sure that the sparrow’s nest, which
-David remarked in the house of God, was exactly the same as the sparrow
-built in the days of the blessed Saviour, when He, pointing to that
-bird, made it a proof to man that God’s Providence ever watches over
-him.</p>
-
-<div class="sidenote"><em>Jules Michelet on Birds.</em></div>
-
-<p>Nevertheless, with this unaltered and unalterable working after one
-pattern, in every species of bird, there is a choice or an adaptation
-of material allowed: thus the bird will, within certain limits, select
-that which is fittest for its purpose, producing, however, in the end,
-precisely the same effect. I will tell you what Jules Michelet, a
-French writer, who loves birds as we do, writes on this subject:—“The
-bird in building its nest,” he says, “makes it of that beautiful
-cup-like or cradle form by pressing it down, kneading it and shaping
-it upon her own breast.” He says, as I have just told you, that the
-mother-bird builds, and that the he-bird is her purveyor. He fetches in
-the materials: grasses, mosses, roots, or twigs, singing many a song
-between whiles; and she arranges all with loving reference; first,
-to the delicate egg which must be bedded in soft material; then to
-the little one which, coming from the egg naked, must<span class="pagenum" id="Page_4">[4]</span> not only be
-cradled in soft comfort, but kept alive by her warmth. So the he-bird,
-supposing it to be a linnet, brings her some horse-hair: it is stiff
-and hard; nevertheless, it is proper for the purpose, and serves as a
-lower stratum of the nest—a sort of elastic mattress: he brings her
-hemp; it is cold, but it serves for the same purpose. Then comes the
-covering and the lining; and for this nothing but the soft silky fibre
-of certain plants, wool or cotton, or, better still, the down from her
-own breast, will satisfy her. It is interesting, he says, to watch the
-he-bird’s skilful and furtive search for materials; he is afraid if he
-see you watching, that you may discover the track to his nest; and, in
-order to mislead you, he takes a different road back to it. You may see
-him following the sheep to get a little lock of wool, or alighting in
-the poultry yard on the search for dropped feathers. If the farmer’s
-wife chance to leave her wheel, whilst spinning in the porch, he steals
-in for a morsel of flax from the distaff. He knows what is the right
-kind of thing; and let him be in whatever country he may, he selects
-that which answers the purpose; and the nest which is built is that of
-the linnet all the world over.</p>
-
-<p>Again he tells us, that there are other birds which, instead of
-building, bring up their young underground, in little earth cradles
-which they have prepared for them. Of building-birds, he thinks the
-queerest must be the flamingo, which lays her eggs on a pile of mud
-which she has raised above the flooded earth, and, standing erect all
-the time, hatches them under her long legs. It does seem a queer,
-uncomfortable way; but if it answer its end, we need not object to it.
-Of carpenter-birds, he thinks the thrush is the most remarkable; other
-writers say the woodpecker. The shore-birds plait their nests, not very
-skilfully it is true, but<span class="pagenum" id="Page_5">[5]</span> sufficiently well for their purpose. They
-are clothed by nature with such an oily, impermeable coat of plumage,
-that they have little need to care about climate; they have enough to
-do to look after their fishing, and to feed themselves and their young;
-for all these sea-side families have immense appetites.</p>
-
-<div class="sidenote"><em>How various Birds Build.</em></div>
-
-<p>Herons and storks build in a sort of basket-making fashion; so do the
-jays and the mocking birds, only in a much better way; but as they
-have all large families they are obliged to do so. They lay down, in
-the first place, a sort of rude platform, upon which they erect a
-basket-like nest of more or less elegant design, a web of roots and dry
-twigs strongly woven together. The little golden-crested wren hangs her
-purse-like nest to a bough, and, as in the nursery song, “When the wind
-blows the cradle rocks.” An Australian bird, a kind of fly-catcher,
-called there the razor-grinder, from its note resembling the sound of
-a razor-grinder at work, builds her nest on the slightest twig hanging
-over the water, in order to protect it from snakes which climb after
-them. She chooses for her purpose a twig so slender that it would not
-bear the weight of the snake, and thus she is perfectly safe from her
-enemy. The same, probably, is the cause why in tropical countries,
-where snakes and monkeys, and such bird-enemies abound, nests are so
-frequently suspended by threads or little cords from slender boughs.</p>
-
-<p>The canary, the goldfinch, and chaffinch, are skilful cloth-weavers
-or felt makers; the latter, restless and suspicious, speckles the
-outside of her nest with a quantity of white lichen, so that it
-exactly imitates the tree branch on which it is placed, and can hardly
-be detected by the most accustomed eye. Glueing and felting play an
-important part in the work of the bird-weavers.<span class="pagenum" id="Page_6">[6]</span> The humming-bird, for
-instance, consolidates her little house with the gum of trees. The
-American starling sews the leaves together with her bill; other birds
-use not only their bills, but their feet. Having woven a cord, they fix
-it as a web with their feet, and insert the weft, as the weaver would
-throw his shuttle, with their bill. These are genuine weavers. In fine,
-their skill never fails them. The truth is, that the great Creator
-never gives any creature work to do without giving him at the same time
-an inclination to do it—which, in the animal, is instinct—and tools
-sufficient for the work, though they may be only the delicate feet and
-bill of the bird.</p>
-
-<p>And now, in conclusion, let me describe to you the nest of the little
-English long-tailed titmouse as I saw it many years ago, and which I
-give from “Sketches of Natural History”:—</p>
-
-<div class="sidenote"><em>The Titmouse’s Nest.</em></div>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent4">There, where those boughs of blackthorn cross,</div>
- <div class="verse indent4">Behold that oval ball of moss;</div>
- <div class="verse indent4">Observe it near, all knit together,</div>
- <div class="verse indent4">Moss, willow-down, and many a feather,</div>
- <div class="verse indent4">And filled within, as you may see,</div>
- <div class="verse indent4">As full of feathers as can be;</div>
- <div class="verse indent4">Whence it is called by country folk,</div>
- <div class="verse indent4">A fitting name, the feather-poke;</div>
- <div class="verse indent4">But learned people, I have heard,</div>
- <div class="verse indent4"><em>Parus caudatus</em> call the bird.</div>
- <div class="verse indent4">Yes, here’s a nest! a nest indeed,</div>
- <div class="verse indent4">That doth all other nests exceed,</div>
- <div class="verse indent4">Propped with the blackthorn twigs beneath,</div>
- <div class="verse indent4">And festooned with a woodbine wreath!</div>
- <div class="verse indent4">Look at it close, all knit together,</div>
- <div class="verse indent4">Moss, willow-down, and many a feather;</div>
- <div class="verse indent4">So soft, so light, so wrought with grace,</div>
- <div class="verse indent4">So suited to this green-wood place,</div>
- <div class="verse indent4">And spangled o’er, as with the intent</div>
-
-<p><span class="pagenum" id="Page_7">[7]</span></p>
- <div class="verse indent4">Of giving fitting ornament,</div>
- <div class="verse indent4">With silvery flakes of lichen bright,</div>
- <div class="verse indent4">That shine like opals, dazzling white.</div>
- <div class="verse indent4">Think only of the creature small,</div>
- <div class="verse indent4">That wrought this soft and silvery ball,</div>
- <div class="verse indent4">Without a tool to aid her skill,</div>
- <div class="verse indent4">Nought but her little feet and bill—</div>
- <div class="verse indent4">Without a pattern whence to trace</div>
- <div class="verse indent4">This little roofed-in dwelling place—</div>
- <div class="verse indent4">And does not in your bosom spring</div>
- <div class="verse indent4">Love for this skilful little thing?</div>
- <div class="verse indent4">See, there’s a window in the wall;</div>
- <div class="verse indent4">Peep in, the house is not so small,</div>
- <div class="verse indent4">But snug and cosy you shall see</div>
- <div class="verse indent4">A very numerous family!</div>
- <div class="verse indent4">Now count them: one, two, three, four, five—</div>
- <div class="verse indent4">Nay, <em>sixteen</em> merry things alive—</div>
- <div class="verse indent4">Sixteen young, chirping things all sit,</div>
- <div class="verse indent4">Where you, your wee hand, could not get!</div>
- <div class="verse indent4">I’m glad you’ve seen it, for you never</div>
- <div class="verse indent4">Saw ought before so soft and clever.</div>
- </div>
-</div>
-</div>
-
-<div class="figcenter">
-<a id="image_013"><img src="images/i-013.jpg" alt="bird on branch" width="497" height="500" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_8">[8]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_I">CHAPTER I.</h2>
-</div>
-
-<p class="center">THE WREN.</p>
-
-
-<p><span class="smcap">Truly</span> the little Wren, so beautifully depicted by Mr. Harrison Weir,
-with her tiny body, her pretty, lively, and conceited ways, her short,
-little turned-up tail, and delicate plumage, is worthy of our tender
-regard and love.</p>
-
-<p>The colouring of the wren is soft and subdued—a reddish-brown colour;
-the breast of a light greyish-brown; and all the hinder parts, both
-above and below, marked with wavy lines of dusky-brown, with two bands
-of white dots across the wings.</p>
-
-<p>Its habits are remarkably lively and attractive. “I know no pleasanter
-object,” says the agreeable author of “British Birds,” “than the wren;
-it is always so smart and cheerful. In gloomy weather other birds
-often seem melancholy, and in rain the sparrows and finches stand
-silent on the twigs, with drooping wings and disarranged plumage; but
-to the merry little wren all weathers are alike. The big drops of the
-thunder-shower no more wet it than the drizzle of a Scotch mist; and as
-it peeps from beneath the bramble, or glances from a hole in the wall,
-it seems as snug as a kitten frisking on the parlour rug.”</p>
-
-<div class="figcenter">
-<a id="image_015"><img src="images/i-015.jpg" alt="" width="473" height="650" /></a>
-<p class="caption center">WRENS AND NEST.      [<a href="#Page_8" title="Page 8">Page 8.</a></p>
-</div>
-
-<div class="sidenote"><em>A Builder of Many Nests.</em></div>
-
-<p>“It is amusing,” he continues, “to watch the motions of a young family
-of wrens just come abroad. Walking among furze, broom, or juniper, you
-are attracted to some bush by <span class="pagenum" id="Page_9">[9]</span>hearing issue from it the frequent
-repetition of a sound resembling the syllable <em>chit</em>. On going
-up you perceive an old wren flitting about the twigs, and presently
-a young one flies off, uttering a stifled <em>chirr</em>, to conceal
-itself among the bushes. Several follow, whilst the parents continue to
-flutter about in great alarm, uttering their <em>chit, chit</em>, with
-various degrees of excitement.”</p>
-
-<p>The nest of the wren is a wonderful structure, of which I shall have a
-good deal to say. It begins building in April, and is not by any means
-particular in situation. Sometimes it builds in the hole of a wall
-or tree; sometimes, as in this lovely little picture of ours, in the
-mossy hollow of a primrose-covered bank; and because it was formerly
-supposed to live only in holes or little caves, it received the name of
-<em>Troglodytes</em>, or cave-dweller. But it builds equally willingly in
-the thatch of out-buildings, in barn-lofts, or tree-branches, either
-when growing apart or nailed against a wall, amongst ivy or other
-climbing plants; in fact, it seems to be of such a happy disposition as
-to adapt itself to a great variety of situations. It is a singular fact
-that it will often build several nests in one season—not that it needs
-so many separate dwellings, or that it finishes them when built; but it
-builds as if for the very pleasure of the work. Our naturalist says,
-speaking of this odd propensity, “that, whilst the hen is sitting, the
-he-bird, as if from a desire to be doing something, will construct as
-many as half-a-dozen nests near the first, none of which, however,
-are lined with feathers; and that whilst the true nest, on which the
-mother-bird is sitting, will be carefully concealed, these sham nests
-are open to view. Some say that as the wrens, during the cold weather,
-sleep in<span class="pagenum" id="Page_10">[10]</span> some snug, warm hole, they frequently occupy these extra
-nests as winter-bedchambers, four or five, or even more, huddling
-together, to keep one another warm.”</p>
-
-<p>Mr. Weir, a friend of the author I have just quoted, says this was the
-case in his own garden; and that, during the winter, when the ground
-was covered with snow, two of the extra nests were occupied at night by
-a little family of seven, which had hatched in the garden. He was very
-observant of their ways, and says it was amusing to see one of the old
-wrens, coming a little before sunset and standing a few inches from the
-nest, utter his little cry till the whole number of them had arrived.
-Nor were they long about it; they very soon answered the call, flying
-from all quarters—the seven young ones and the other parent-bird—and
-then at once nestled into their snug little dormitory. It was also
-remarkable that when the wind blew from the east they occupied a nest
-which had its opening to the west, and when it blew from the west, then
-one that opened to the east, so that it was evident they knew how to
-make themselves comfortable.</p>
-
-<p>And now as regards the building of these little homes. I will, as far
-as I am able, give you the details of the whole business from the diary
-of the same gentleman, which is as accurate as if the little wren had
-kept it himself, and which will just as well refer to the little nest
-in the primrose bank as to the nest in the Spanish juniper-tree, where,
-in fact, it was built.</p>
-
-<div class="sidenote"><em>How a Nest was built.</em></div>
-
-<p>“On the 30th of May, therefore, you must imagine a little pair of
-wrens, having, after a great deal of consultation, made up their minds
-to build themselves a home in the branches of a Spanish juniper. The
-female, at about seven o’clock in the<span class="pagenum" id="Page_11">[11]</span> morning, laid the foundation
-with the decayed leaf of a lime-tree. Some men were at work cutting
-a drain not far off, but she took no notice of them, and worked away
-industriously, carrying to her work bundles of dead leaves as big
-as herself, her mate, seeming the while to be delighted with her
-industry, seated not far off in a Portugal laurel, where he watched
-her, singing to her, and so doing, making her labour, no doubt, light
-and pleasant. From eight o’clock to nine she worked like a little
-slave, carrying in leaves, and then selecting from them such as suited
-her purpose and putting aside the rest. This was the foundation of the
-nest, which she rendered compact by pressing it down with her breast,
-and turning herself round in it: then she began to rear the sides.
-And now the delicate and difficult part of the work began, and she
-was often away for eight or ten minutes together. From the inside she
-built the underpart of the aperture with the stalks of leaves, which
-she fitted together very ingeniously with moss. The upper part of it
-was constructed solely with the last-mentioned material. To round it
-and give it the requisite solidity, she pressed it with her breast and
-wings, turning the body round in various directions. Most wonderful to
-tell, about seven o’clock in the evening the whole outside workmanship
-of this snug little erection was almost complete.</p>
-
-<p>“Being very anxious to examine the interior of it, I went out for that
-purpose at half-past two the next morning. I introduced my finger,
-the birds not being there, and found its structure so close, that
-though it had rained in the night, yet that it was quite dry. The
-birds at this early hour were singing as if in ecstasy, and at about
-three o’clock the little he-wren came<span class="pagenum" id="Page_12">[12]</span> and surveyed his domicile with
-evident satisfaction; then, flying to the top of a tree, began singing
-most merrily. In half-an-hour’s time the hen-bird made her appearance,
-and, going into the nest, remained there about five minutes, rounding
-the entrance by pressing it with her breast and the shoulders of her
-wings. For the next hour she went out and came back five times with
-fine moss in her bill, with which she adjusted a small depression in
-the fore-part of it; then, after twenty minutes’ absence, returned
-with a bundle of leaves to fill up a vacancy which she had discovered
-in the back of the structure. Although it was a cold morning, with
-wind and rain, the male bird sang delightfully; but between seven and
-eight o’clock, either having received a reproof from his wife for his
-indolence, or being himself seized with an impulse to work, he began
-to help her, and for the next ten minutes brought in moss, and worked
-at the inside of the nest. At eleven o’clock both of them flew off,
-either for a little recreation, or for their dinners, and were away
-till a little after one. From this time till four o’clock both worked
-industriously, bringing in fine moss; then, during another hour, the
-hen-bird brought in a feather three times. So that day came to an end.</p>
-
-<p>“The next morning, June 1st, they did not begin their work early, as
-was evident to Mr. Weir, because having placed a slender leaf-stalk
-at the entrance, there it remained till half-past eight o’clock, when
-the two began to work as the day before with fine moss, the he-bird
-leaving off, however, every now and then to express his satisfaction on
-a near tree-top. Again, this day, they went off either for dinner or
-amusement; then came back and worked for another hour, bringing in fine
-moss and feathers.</p>
-
-<p><span class="pagenum" id="Page_13">[13]</span></p>
-
-<div class="sidenote"><em>The Patient Industry of this Bird.</em></div>
-
-<p>“The next morning the little he-wren seemed in a regular ecstasy,
-and sang incessantly till half-past nine, when they both brought in
-moss and feathers, working on for about two hours, and again they
-went off, remaining away an hour later than usual. Their work was now
-nearly over, and they seemed to be taking their leisure, when all at
-once the hen-bird, who was sitting in her nest and looking out at her
-door, espied a man half-hidden by an arbor vitæ. It was no other than
-her good friend, but that she did not know; all men were terrible,
-as enemies to her race, and at once she set up her cry of alarm. The
-he-bird, on hearing this, appeared in a great state of agitation, and
-though the frightful monster immediately ran off, the little creatures
-pursued him, scolding vehemently.</p>
-
-<p>“The next day they worked again with feathers and fine moss, and again
-went off after having brought in a few more feathers. So they did for
-the next five days; working leisurely, and latterly only with feathers.
-On the tenth day the nest was finished, and the little mother-bird laid
-her first egg in it.”</p>
-
-<p>Where is the boy, let him be as ruthless a bird-nester as he may, who
-could have the heart to take a wren’s nest, only to tear it to pieces,
-after reading the history of this patient labour of love?</p>
-
-<p>The wren, like various other small birds, cannot bear that their nests
-or eggs should be touched; they are always disturbed and distressed by
-it, and sometimes even will desert their nest and eggs in consequence.
-On one occasion, therefore, this good, kind-hearted friend of every
-bird that builds, carefully put his finger into a wren’s nest, during
-the mother’s absence, to ascertain whether the young were hatched; on
-her return,<span class="pagenum" id="Page_14">[14]</span> perceiving that the entrance had been touched, she set up
-a doleful lamentation, carefully rounded it again with her breast and
-wings, so as to bring everything into proper order, after which she and
-her mate attended to their young. These particular young ones, only six
-in number, were fed by their parents 278 times in the course of a day.
-This was a small wren-family; and if there had been twelve, or even
-sixteen, as is often the case, what an amount of labour and care the
-birds must have had! But they would have been equal to it, and merry
-all the time.</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent0">For all these little creatures, which so lightly we regard,</div>
- <div class="verse indent0">They love to do their duty, and they never think it hard.</div>
- </div>
-</div>
-</div>
-
-<div class="figcenter">
-<a id="image_022"><img src="images/i-022.jpg" alt="a bee flying around a nest" width="441" height="500" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_15">[15]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_II">CHAPTER II.</h2>
-</div>
-
-<p class="center">THE GOLDFINCH.</p>
-
-
-<p><span class="smcap">The</span> Goldfinch, which is cousin to the Linnet, is wonderfully clever and
-docile, as I shall show you presently. In the first place, however,
-let me say a word or two about bird cleverness in general, which I
-copy from Jules Michelet’s interesting work, “The Bird.” Speaking of
-the great, cruel, and rapacious family of the <em>Raptores</em>, or
-Birds of Prey, he expresses satisfaction in the idea that this race of
-destroyers is decreasing, and that there may come a time when they no
-longer exist on the earth. He has no admiration for them, though they
-may be the swiftest of the swift, and the strongest of the strong,
-because they put forth none of the higher qualities of courage,
-address, or patient endurance in taking their prey, which are all weak
-and powerless in comparison with themselves; their poor unoffending
-victims. “All these cruel tyrants of the air,” he says, “like the
-serpents, have flattened skulls, which show the want of intellect and
-intelligence. These birds of prey, with their small brains, offer a
-striking contrast to the amiable and intelligent species which we find
-amongst the smaller birds. The head of the former is only a beak, that
-of the latter is a face.” Afterwards, to prove this more strongly, he
-gives a table to show the proportion of brain to the size of the body
-in these different species of birds. Thus the chaffinch, the sparrow,<span class="pagenum" id="Page_16">[16]</span>
-and the goldfinch, have more than six times as much brain as the eagle
-in proportion to the size of the body. We may look, therefore, for no
-less than six times his intelligence and docile ability. Whilst in the
-case of the little tomtit it is thirteen times as much.</p>
-
-<p>But now for the goldfinch, of which our cut—which is both faithful
-and beautiful—shows us a pair, evidently contemplating with much
-satisfaction the nest which they have just finished on one of the
-topmost boughs of a blossomy apple-tree. This nest is a wonderful
-little fabric, built of moss, dry grass, and slender roots, lined with
-hair, wool, and thistle-down; but the true wonder of the nest is the
-exact manner in which the outside is made to imitate the bough upon
-which it is placed. All its little ruggednesses and lichen growths
-are represented, whilst the colouring is so exactly that of the old
-apple-tree that it is almost impossible to know it from the branch
-itself. Wonderful ingenuity of instinct, which human skill would find
-it almost impossible to imitate!</p>
-
-<p>The bird lays mostly five eggs, which are of a bluish-grey, spotted
-with greyish-purple or brown, and sometimes with a dark streak or two.</p>
-
-<p>The goldfinch is one of the most beautiful of our English birds, with
-its scarlet forehead, and quaint little black velvet-like cap brought
-down over its white cheeks; its back is cinnamon brown, and its breast
-white; its wings are beautifully varied in black and white, as are also
-its tail feathers. In the midland counties it is known as “The Proud
-Tailor,” probably because its attire looks so bright and fresh, and it
-has a lively air as if conscious of being well dressed.</p>
-
-<div class="figcenter">
-<a id="image_025"><img src="images/i-025.jpg" alt="" width="494" height="650" /></a>
-<p class="caption center">GOLDFINCHES AND NEST.      [<a href="#Page_16" title="Page 16">Page 16.</a></p>
-</div>
-
-<p><span class="pagenum" id="Page_17">[17]</span></p>
-
-<div class="sidenote"><em>Daily Life of this Bird.</em></div>
-
-<p>Like its relation, the linnet, it congregates in flocks as soon as
-its young can take wing, when they may be seen wheeling round in
-the pleasant late summer and autumn fields, full of life, and in
-the enjoyment of the plenty that surrounds them, in the ripened
-thistle-down, and all such winged seeds as are then floating in the air.</p>
-
-<p>How often have I said it is worth while to go out into the woods and
-fields, and, bringing yourself into a state of quietness, watch the
-little birds in their life’s employment, building their nests, feeding
-their young, or pursuing their innocent diversions! So now, on this
-pleasant, still autumn afternoon, if you will go into the old pasture
-fields where the thistles have not been stubbed up for generations, or
-on the margin of the old lane where ragwort, and groundsel, and burdock
-flourish abundantly, “let us,” as the author of “British Birds” says,
-“stand still to observe a flock of goldfinches. They flutter over the
-plants, cling to the stalks, bend in various attitudes, disperse the
-down, already dry and winged, like themselves, for flight, pick them
-out one by one and swallow them. Then comes a stray cow followed by a
-herd boy. At once the birds cease their labour, pause for a moment,
-and fly off in succession. You observe how lightly and buoyantly
-they cleave the air, each fluttering its little wings, descending in
-a curved line, mounting again, and speeding along. Anon they alight
-in a little thicket of dried weeds, and, in settling, display to the
-delighted eye the beautiful tints of their plumage, as with fluttering
-wings and expanded tail, they hover for a moment to select a landing
-place amid the prickly points of the stout thistles whose heads are now
-bursting with downy-winged seeds.”</p>
-
-<p><span class="pagenum" id="Page_18">[18]</span></p>
-
-<div class="sidenote"><em>The Goldfinch.</em></div>
-
-<p>The song of the goldfinch, which begins about the end of March, is
-very sweet, unassuming, and low—similar to that of the linnet, but
-singularly varied and pleasant.</p>
-
-<p>Now, however, we must give a few instances of this bird’s teachable
-sagacity, which, indeed, are so numerous that it is difficult to make a
-selection.</p>
-
-<p>Mr. Syme, in his “British Song Birds,” says, “The goldfinch is easily
-tamed and taught, and its capacity for learning the notes of other
-birds is well known. A few years ago the Sieur Roman exhibited a number
-of trained birds: they were goldfinches, linnets, and canaries. One
-appeared dead, and was held up by the tail or claw without exhibiting
-any signs of life; a second stood on its head with its claws in the
-air; a third imitated a Dutch milkmaid going to market with pails on
-its shoulders; a fourth mimicked a Venetian girl looking out at a
-window; a fifth appeared as a soldier, and mounted guard as a sentinel;
-whilst a sixth acted as a cannonier, with a cap on its head, a firelock
-on its shoulder, and a match in its claw, and discharged a small
-cannon. The same bird also acted as if it had been wounded. It was
-wheeled in a barrow as if to convey it to the hospital, after which
-it flew away before the whole company. The seventh turned a kind of
-windmill; and the last bird stood in the midst of some fireworks which
-were discharged all round it, and this without showing the least sign
-of fear.”</p>
-
-<p>Others, as I have said, may be taught to draw up their food and water,
-as from a well, in little buckets. All this is very wonderful, and
-shows great docility in the bird; but I cannot greatly admire it, from
-the secret fear that cruelty or harshness<span class="pagenum" id="Page_19">[19]</span> may have been used to teach
-them these arts so contrary to their nature. At all events it proves
-what teachable and clever little creatures they are, how readily they
-may be made to understand the will of their master, and how obediently
-and faithfully they act according to it.</p>
-
-<p>Man, however, should always stand as a human Providence to the
-animal world. In him the creatures should ever find their friend and
-protector; and were it so we should then see many an astonishing
-faculty displayed; and birds would then, instead of being the most
-timid of animals, gladden and beautify our daily life by their sweet
-songs, their affectionate regard, and their amusing and imitative
-little arts.</p>
-
-<div class="sidenote"><em>Introduced into Pictures.</em></div>
-
-<p>The early Italian and German painters introduce a goldfinch into their
-beautiful sacred pictures—generally on the ground—hopping at the feet
-of some martyred saint or love-commissioned angel, perhaps from an old
-legend of the bird’s sympathy with the suffering Saviour, or from an
-intuitive sense that the divine spirit of Christianity extends to bird
-and beast as well as to man.</p>
-
-<div class="figcenter">
-<a id="image_029"><img src="images/i-029.jpg" alt="bird's nest" width="190" height="200" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_20">[20]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_III">CHAPTER III.</h2>
-</div>
-
-<p class="center">THE SONG THRUSH.</p>
-
-
-<p><span class="smcap">We</span> have here a charming picture of one of the finest and noblest of
-our song-birds—the thrush, throstle, or mavis. The trees are yet
-leafless, but the bird is in the act of building, whilst her mate, on
-the tree-top, pours forth his exquisite melody. The almost completed
-nest, like a richly ornamented bowl, is before us.</p>
-
-<p>This bird belongs to a grandly musical family, being own cousin to the
-missel-thrush and the blackbird, each one having a kindred song, but
-all, at the same time, distinctly characteristic.</p>
-
-<p>The colouring of the thrush is soft and very pleasing; the upper parts
-of a yellowish-brown; the chin, white; the under part of the body,
-grayish white; the throat, breast, and sides of the neck, yellowish,
-thickly spotted with dark brown.</p>
-
-<div class="figcenter">
-<a id="image_031"><img src="images/i-031.jpg" alt="" width="478" height="650" /></a>
-<p class="caption center">SONG THRUSH AND NEST.      [<a href="#Page_20" title="Page 20">Page 20.</a></p>
-</div>
-
-<p>The thrush remains with us the whole year, and may occasionally be
-heard singing even in the winter, though April, May, and June are the
-months when he is in fullest song. They pair in March, and by the end
-of that month, or early in April, begin to build. They have several
-broods in the year. The nest, which, as we see, is commodious, is
-placed at no great height from the ground, in a thick bush or hedge,
-and sometimes, also, in a rough bank, amongst bushes and undergrowth.
-They are particularly fond of spruce-fir plantations, building on
-one of <span class="pagenum" id="Page_21">[21]</span>the low, spreading branches, close to the stem. Though the
-structure is so solid and substantial, yet it is built very rapidly;
-indeed, the thrush seems to be wide awake in all its movements; he
-is no loiterer, and does his work well. As a proof of his expedition
-I will mention that a pair of these birds began to build a second,
-perhaps, indeed, it might be a third nest, on a Thursday, June 15; on
-Friday afternoon the nest was finished, and on Saturday morning the
-first egg was laid, though the interior plastering was not then dry. On
-the 21st the hen began to sit, and on the 17th of July the young birds
-were hatched.</p>
-
-<p>The frame-work, so to speak, of the nest is composed of twigs, roots,
-grasses, and moss, the two latter being brought to the outside. Inside
-it is lined with a thin plastering of mud, cow-dung, and rotten wood,
-which is laid on quite smoothly, almost like the glaze on earthenware;
-nor is there an internal covering between this and the eggs. The
-circular form of the nest is as perfect as a bowl shaped upon a
-lathe, and often contracts inwards at the top. The eggs, which are
-generally five in number, are of a bright blue-green, spotted over with
-brownish-black, these spots being more numerous at the larger end.</p>
-
-<p>The food of the thrush is mostly of an animal character, as worms,
-slugs, and snails; and, by seasides, small molluscs, as whelks and
-periwinkles. On all such as are enclosed in shells he exercises his
-ingenuity in a remarkable way. We ourselves lived at one time in an
-old house standing in an old garden where were many ancient trees and
-out-buildings, in the old ivied roots and walls of which congregated
-great quantities of shell-snails. One portion of this garden, which
-enclosed an old,<span class="pagenum" id="Page_22">[22]</span> disused dairy, was a great resort of thrushes, where
-they had, so to speak, their stones of sacrifice, around which lay
-heaps of the broken shells of snails, their victims. I have repeatedly
-watched them at work: hither they brought their snails, and, taking
-their stand by the stone with the snail in their beak, struck it
-repeatedly against the stone, till, the shell being smashed, they
-picked it out as easily as the oyster is taken from its opened shell.
-This may seem easy work with the slender-shelled snail, but the labour
-is considerably greater with hard shell-fish. On this subject the
-intelligent author of “British Birds” says, that many years ago, when
-in the Isle of Harris, he frequently heard a sharp sound as of one
-small stone being struck upon another, the cause of which he, for a
-considerable time, sought for in vain. At length, one day, being in
-search of birds when the tide was out, he heard the well-known click,
-and saw a bird standing between two flat stones, moving its head and
-body alternately up and down, each downward motion being accompanied
-by the sound which had hitherto been so mysterious. Running up to the
-spot, he found a thrush, which, flying off, left a whelk, newly-broken,
-lying amongst fragments of shells lying around the stone.</p>
-
-<p>Thrushes are remarkably clean and neat with regard to their nests,
-suffering no litter or impurity to lie about, and in this way are a
-great example to many untidy people. Their domestic character, too,
-is excellent, the he-bird now and then taking the place of the hen on
-the eggs, and, when not doing so, feeding her as she sits. When the
-young are hatched, the parents may be seen, by those who will watch
-them silently and patiently, frequently stretching out the wings of
-the young as if to<span class="pagenum" id="Page_23">[23]</span> exercise them, and pruning and trimming their
-feathers. To put their love of cleanliness to the proof, a gentleman,
-a great friend of all birds, had some sticky mud rubbed upon the backs
-of two of the young ones whilst the parents were absent. On their
-return, either by their own keen sense of propriety, or, perhaps, the
-complaint of the young ones, they saw what had happened, and were not
-only greatly disconcerted, but very angry, and instantly set to work to
-clean the little unfortunates, which, strange to say, they managed to
-do by making use of dry earth, which they brought to the nest for that
-purpose. Human intellect could not have suggested a better mode.</p>
-
-<div class="sidenote"><em>How a Day was spent.</em></div>
-
-<p>This same gentleman determined to spend a whole day in discovering how
-the thrushes spent it. Hiding himself, therefore, in a little hut of
-fir boughs, he began his observations in the early morning of the 8th
-of June. At half-past two o’clock, the birds began to feed their brood,
-and in two hours had fed them thirty-six times. It was now half-past
-five, the little birds were all wide awake, and one of them, whilst
-pruning its feathers, lost its balance and fell out of the nest to the
-ground. On this the old ones set up the most doleful lamentations, and
-the gentleman, coming out of his retreat, put the little one back into
-the nest. This kind action, however, wholly disconcerted the parents,
-nor did they again venture to feed their young till an artifice
-of the gentleman led them to suppose that he was gone from their
-neighbourhood. No other event happened to them through the day, and by
-half-past nine o’clock at night, when all went to rest, the young ones
-had been fed two hundred and six times.</p>
-
-<p>Thrushes, however, become occasionally so extremely tame that the
-female will remain upon her eggs and feed her young,<span class="pagenum" id="Page_24">[24]</span> without any
-symptom of alarm, in the close neighbourhood of man. Of this I will
-give an instance from Bishop Stanley’s “History of Birds”—</p>
-
-<p>“A short time ago, in Scotland, some carpenters working in a shed
-adjacent to the house observed a thrush flying in and out, which
-induced them to direct their attention to the cause, when, to their
-surprise, they found a nest commenced amongst the teeth of a harrow,
-which, with other farming tools and implements, was placed upon the
-joists of the shed, just over their heads. The carpenters had arrived
-soon after six o’clock, and at seven, when they found the nest, it was
-in a great state of forwardness, and had evidently been the morning’s
-work of a pair of these indefatigable birds. Their activity throughout
-the day was incessant; and, when the workmen came the next morning,
-they found the female seated in her half-finished mansion, and, when
-she flew off for a short time, it was found that she had laid an egg.
-When all was finished, the he-bird took his share of the labour, and,
-in thirteen days, the young birds were out of their shells, the refuse
-of which the old ones carried away from the spot. All this seems to
-have been carefully observed by the workmen; and it is much to their
-credit that they were so quiet and friendly as to win the confidence of
-the birds.”</p>
-
-<p>The song of the thrush is remarkable for its rich, mellow intonation,
-and for the great variety of its notes.</p>
-
-<div class="sidenote"><em>Wordsworth’s Verses on the Thrush.</em></div>
-
-<p>Unfortunately for the thrush, its exquisite power as a songster makes
-it by no means an unusual prisoner. You are often startled by hearing,
-from the doleful upper window of some dreary court or alley of London,
-or some other large town, an outpouring of joyous, full-souled melody
-from an imprisoned<span class="pagenum" id="Page_25">[25]</span> thrush, which, perfect as it is, saddens you, as
-being so wholly out of place. Yet who can say how the song of that bird
-may speak to the soul of many a town-imprisoned passer-by? Wordsworth
-thus touchingly describes an incident of this kind:—</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent0">At the corner of Wood Street, when daylight appears,</div>
- <div class="verse indent0">Hangs a thrush that sings loud; it has sung for three years:</div>
- <div class="verse indent0">Poor Susan has passed by the spot, and has heard,</div>
- <div class="verse indent0">In the silence of morning, the song of the bird.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">Green pastures she views in the midst of the dale,</div>
- <div class="verse indent0">Down which she so often has tripped with her pail,</div>
- <div class="verse indent0">And a single small cottage, a nest like a dove’s,</div>
- <div class="verse indent0">The one only dwelling on earth which she loves.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">’Tis a note of enchantment; what ails her? she sees</div>
- <div class="verse indent0">A mountain ascending, a vision of trees;</div>
- <div class="verse indent0">Bright volumes of vapour through Lothbury glide,</div>
- <div class="verse indent0">And a river flows on through the vale of Cheapside.</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">She looks, and her heart is in heaven: but they fade—</div>
- <div class="verse indent0">The mist and the river, the hill, sun, and shade;</div>
- <div class="verse indent0">The stream will not flow, and the hill will not rise,</div>
- <div class="verse indent0">And the colours have all passed away from her eyes.</div>
- </div>
-</div>
-</div>
-
-<div class="figcenter">
-<a id="image_037"><img src="images/i-037.jpg" alt="" width="480" height="137" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_26">[26]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_IV">CHAPTER IV.</h2>
-</div>
-
-<p class="center">THE BLACKBIRD.</p>
-
-
-<p><span class="smcap">The</span> Blackbird is familiar to us all. It is a thoroughly English bird,
-and, with its cousin the thrush, is not only one of the pleasantest
-features in our English spring and summer landscape, but both figure
-in our old poetry and ballads, as the “merle and the mavis,” “the
-blackbird and the throstle-cock;” for those old poets loved the
-country, and could not speak of the greenwood without the bird.</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent0">When shaws are sheen and fields are fair,</div>
- <div class="verse indent2">And leaves both large and long,</div>
- <div class="verse indent0">’Tis merry walk’ng in the green forest</div>
- <div class="verse indent2">To hear the wild birds’ song;</div>
- </div>
- <div class="stanza">
- <div class="verse indent0">The wood merle sings, and will not cease,</div>
- <div class="verse indent2">Sitting upon a spray;</div>
- <div class="verse indent0">The merle and the mavis shout their fill,</div>
- <div class="verse indent2">From morn till the set of day.</div>
- </div>
-</div>
-</div>
-
-<div class="figcenter">
-<a id="image_039"><img src="images/i-039.jpg" alt="" width="474" height="650" /></a>
-<p class="caption center">BLACKBIRD AND NEST.      [<a href="#Page_26" title="Page 26">Page 26.</a></p>
-</div>
-
-<p>The blackbird takes its name from a very intelligible cause—its
-perfectly black plumage, which, however, is agreeably relieved by the
-bright orange of its bill, the orange circles round its eyes, and its
-yellow feet; though this is peculiar only to the male, nor does he
-assume this distinguishing colour till his second year. The female is
-of a dusky-brown colour.</p>
-
-<div class="sidenote"><em>The Notes of the Blackbird.</em></div>
-
-<p>Sometimes the singular variety of a <em>white</em> blackbird occurs,
-<span class="pagenum" id="Page_27">[27]</span>which seems to astonish even its fellow birds; the same phenomenon
-also occurs amongst sparrows; a fatal distinction to the poor birds,
-who are in consequence very soon shot.</p>
-
-<p>This bird is one of our finest singers. His notes are solemn and
-flowing, unlike those of the thrush, which are short, quick, and
-extremely varied. The one bird is more lyrical, the other sings in
-a grand epic strain. A friend of ours, deeply versed in bird-lore,
-maintains that the blackbird is oratorical, and sings as if delivering
-an eloquent rhythmical oration.</p>
-
-<p>This bird begins to sing early in the year, and continues his song
-during the whole time that the hen is sitting. Like his relatives, the
-thrush and the missel-thrush, he takes his post on the highest branch
-of a tree, near his nest, so that his song is heard far and wide; and
-in fact, through the whole pleasant spring you hear the voices of these
-three feathered kings of English song constantly filling the woods and
-fields with their melody. The blackbird sings deliciously in rain, even
-during a thunderstorm, with the lightning flashing round him. Indeed,
-both he and the thrush seem to take great delight in summer showers.</p>
-
-<p>The blackbird has a peculiar call, to give notice to his brood of the
-approach of danger; probably, however, it belongs both to male and
-female. Again, there is a third note, very peculiar also, heard only
-in the dusk of evening, and which seems pleasingly in harmony with the
-approaching shadows of night. By this note they call each other to
-roost, in the same way as partridges call each other to assemble at
-night, however far they may be asunder.</p>
-
-<p>The nest of the blackbird is situated variously; most frequently<span class="pagenum" id="Page_28">[28]</span> in
-the thicker parts of hedges; sometimes in the hollow of a stump or
-amongst the curled and twisted roots of old trees, which, projecting
-from the banks of woods or woodland lanes, wreathed with their trails
-of ivy, afford the most picturesque little hollows for the purpose.
-Again, it may be found under the roof of out-houses or cart-sheds,
-laid on the wall-plate; and very frequently in copses, in the stumps
-of pollard trees, partly concealed by their branches; and is often
-begun before the leaves are on the trees. The nest is composed of dry
-bents, and lined with fine dry grass. The hen generally lays five eggs,
-which are of a dusky bluish-green, thickly covered with black spots;
-altogether very much resembling those of crows, rooks, magpies, and
-that class of birds.</p>
-
-<p>Universal favourite as the blackbird deservedly is, yet, in common with
-the thrush, all gardeners are their enemies from the great liking they
-have for his fruit, especially currants, raspberries, and cherries.
-There is, however, something very amusing, though, at the same time,
-annoying, in the sly way by which they approach these fruits, quite
-aware that they are on a mischievous errand. They steal along, flying
-low and silently, and, if observed, will hide themselves in the nearest
-growth of garden plants, scarlet runners, or Jerusalem artichokes,
-where they remain as still as mice, till they think the human enemy has
-moved off. If, however, instead of letting them skulk quietly in their
-hiding-place, he drives them away, they fly off with a curious note,
-very like a little chuckling laugh of defiance, as if they would say,
-“Ha! ha! we shall soon be back again!” which they very soon are.</p>
-
-<p>But we must not begrudge them their share, though they<span class="pagenum" id="Page_29">[29]</span> neither have
-dug the ground nor sowed the seed, for very dull and joyless indeed
-would be the garden and the gardener’s toil, and the whole country in
-short, if there were no birds—no blackbirds and thrushes—to gladden
-our hearts, and make the gardens, as well as the woods and fields,
-joyous with their melody. Like all good singers, these birds expect,
-and deserve, good payment.</p>
-
-<p>The blackbird, though naturally unsocial and keeping much to itself,
-is very bold in defence of its young, should they be in danger, or
-attacked by any of the numerous bird-enemies, which abound everywhere,
-especially to those which are in immediate association with man. The
-Rev. J. G. Wood tells us, for instance, that on one occasion a prowling
-cat was forced to make an ignominious retreat before the united onset
-of a pair of blackbirds, on whose young she was about to make an attack.</p>
-
-<div class="sidenote"><cite>Macgillivray’s Account.</cite></div>
-
-<p>Let me now, in conclusion, give a day with a family of blackbirds,
-which I somewhat curtail from Macgillivray.</p>
-
-<p>“On Saturday morning, June 10th, I went into a little hut made of green
-branches, at half-past two in the morning, to see how the blackbirds
-spend the day at home. They lived close by, in a hole in an old wall,
-which one or other of them had occupied for a number of years.</p>
-
-<p>“At a quarter-past three they began to feed their young, which were
-four in number. She was the most industrious in doing so; and when he
-was not feeding, he was singing most deliciously. Towards seven o’clock
-the father-bird induced one of the young ones to fly out after him.
-But this was a little mistake, and, the bird falling, I was obliged to
-help it into its nest again, which made a little family commotion. They
-were<span class="pagenum" id="Page_30">[30]</span> exceedingly tidy about their nest, and when a little rubbish fell
-out they instantly carried it away. At ten o’clock the feeding began
-again vigorously, and continued till two, both parent-birds supplying
-their young almost equally.</p>
-
-<p>“The hut in which I sat was very closely covered; but a little wren
-having alighted on the ground in pursuit of a fly, and seeing one of
-my legs moving, set up a cry of alarm, on which, in the course of a
-few seconds, all the birds in the neighbourhood collected to know what
-was the matter. The blackbird hopped round the hut again and again,
-making every effort to peep in, even alighting on the top within a few
-inches of my head, but not being able to make any discovery, the tumult
-subsided. It was probably considered a false alarm, and the blackbirds
-went on feeding their young till almost four o’clock: and now came the
-great event of the day.</p>
-
-<p>“At about half-past three the mother brought a large worm, four inches
-in length probably, which she gave to one of the young ones, and flew
-away. Shortly afterwards returning, she had the horror of perceiving
-that the worm, instead of being swallowed was sticking in its throat;
-on this she uttered a perfect moan of distress, which immediately
-brought the he-bird, who also saw at a glance what a terrible
-catastrophe was to be feared. Both parents made several efforts to push
-the worm down the throat, but to no purpose, when, strange to say, the
-father discovered the cause of the accident. The outer end of the worm
-had got entangled in the feathers of the breast, and, being held fast,
-could not be swallowed. He carefully disengaged it, and, holding it up
-with his beak, the poor little thing, with a great effort, managed to
-get it down, but was by<span class="pagenum" id="Page_31">[31]</span> this time so exhausted that it lay with its
-eyes shut and without moving for the next three hours. The male bird in
-the meantime took his stand upon a tree, a few yards from the nest, and
-poured forth some of his most enchanting notes—a song of rejoicing no
-doubt for the narrow escape from death of one of his family.</p>
-
-<div class="sidenote"><em>Macgillivray’s Day with this Bird.</em></div>
-
-<p>“From four till seven o’clock both birds again fed their young, after
-which the male bird left these family duties to his mate, and gave
-himself up to incessant singing. At twenty minutes to nine their
-labours ceased, they having then fed their young one hundred and
-thirteen times during the day.</p>
-
-<p>“I observed that before feeding their young they always alighted upon
-a tree and looked round them for a few seconds. Sometimes they brought
-in a quantity of worms and fed their brood alternately; at other times
-they brought one which they gave to only one of them.</p>
-
-<p>“The young birds often trimmed their feathers, and stretched out their
-wings; they also appeared to sleep now and then.</p>
-
-<p>“With the note of alarm which the feathered tribes set up on the
-discovery of their enemies all the different species of the little
-birds seem to be intimately acquainted; for no sooner did a beast or
-bird of prey make its appearance, than they seemed to be anxiously
-concerned about the safety of their families. They would hop from tree
-to tree uttering their doleful lamentations. At one time the blackbirds
-were in an unusual state of excitement and terror, and were attended
-by crowds of their woodland friends. A man and boy, who were working
-in my garden, having heard the noise, ran to see what was the cause of
-it, and on looking into some branches which were lying on<span class="pagenum" id="Page_32">[32]</span> the ground,
-observed a large weasel stealing slyly along in pursuit of its prey. It
-was, however, driven effectually from the place without doing any harm.
-It is astonishing how soon the young know this intimation of danger;
-for I observed that no sooner did the old ones utter the alarm-cry,
-than they cowered in their nest, and appeared to be in a state of great
-uneasiness.”</p>
-
-<div class="figcenter">
-<a id="image_046"><img src="images/i-046.jpg" alt="bird singing" width="408" height="400" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_33">[33]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_V">CHAPTER V.</h2>
-</div>
-
-<p class="center">THE DIPPER, OR WATER-OUSEL.</p>
-
-
-<p><span class="smcap">The</span> Dipper, or Water-ousel, of which Mr. Weir has given us a charming
-and faithful portrait, is very like a wren in form and action, with
-its round body and lively little tail. Its mode of flight, however,
-so nearly resembles the kingfisher that, in some places, the country
-people mistake it for the female of that bird. But it is neither wren
-nor kingfisher, nor yet related to either of them. It is the nice
-little water-ousel, with ways of its own, and a cheerful life of its
-own, and the power of giving pleasure to all lovers of the free country
-which is enriched with an infinite variety of happy, innocent creatures.</p>
-
-<p>The upper part of the head and neck, and the whole back and wings of
-this bird, are of a rusty-brown; but, as each individual feather is
-edged with gray, there is no deadness of colouring. The throat and
-breast are snowy white, which, contrasting so strongly with the rest of
-the body, makes it seem to flash about like a point of light through
-the dark shadows of the scenes it loves to haunt.</p>
-
-<p>I said above that this bird gave pleasure to all lovers of nature. So
-it does, for it is only met with in scenes which are especially beloved
-by poets and painters. Like them, it delights in mountain regions,
-where rocky streams rush along with an unceasing murmur, leaping over
-huge stones, slumbering in<span class="pagenum" id="Page_34">[34]</span> deep, shadowy pools, or lying low between
-rocky walls, in the moist crevices and on the edges of which the wild
-rose flings out its pale green branches, gemmed with flowers, or the
-hardy polypody nods, like a feathery plume. On these streams, with
-their foamy waters and graceful vegetation, you may look for the
-cheerful little water-ousel. He is perfectly in character with the
-scenes.</p>
-
-<div class="figcenter">
-<a id="image-049"><img src="images/i-049.jpg" alt="" width="473" height="650" /></a>
-<p class="caption center">DIPPERS AND NEST.      [<a href="#Page_34" title="Page 34">Page 34.</a></p>
-</div>
-
-<div class="sidenote"><em>The Home of the Dipper.</em></div>
-
-<p>And now, supposing that you are happily located for a few weeks in
-summer, either in Scotland or Wales, let me repeat my constant advice
-as regards the study and truest enjoyment of country life and things.
-Go out for several hours; do not be in a hurry; take your book, or
-your sketching, or whatever your favourite occupation may be, if it be
-only a quiet one, and seat yourself by some rocky stream amongst the
-mountains; choose the pleasantest place you know, where the sun can
-reach you, if you need his warmth, and if you do not, where you can yet
-witness the beautiful effects of light and shade. There seat yourself
-quite at your ease, silent and still as though you were a piece of
-rock itself, half screened by that lovely wild rose bush, or tangle of
-bramble, and before long you will most likely see this merry, lively
-little dipper come with his quick, jerking flight, now alighting on
-this stone, now on that, peeping here, and peeping there, as quick as
-light, and snapping up, now a water-beetle, now a tiny fish, and now
-diving down into the stream for a worm that he espies below, or walking
-into the shallows, and there flapping his wings, more for the sheer
-delight of doing so than for anything else. Now he is off and away,
-and, in a moment or two, he is on yonder gray mass of stone, which
-rises up in that dark chasm of waters like a rock in <span class="pagenum" id="Page_35">[35]</span>a stormy sea,
-with the rush and roar of the water full above him. Yet there he is
-quite at home, flirting his little tail like a jenny wren, and hopping
-about on his rocky point, as if he could not for the life of him be
-still for a moment. Now listen! That is his song, and a merry little
-song it is, just such a one as you would fancy coming out of his jocund
-little heart; and, see now, he begins his antics. He must be a queer
-little soul! If we could be little dippers like him, and understand
-what his song and all his grimaces are about, we should not so often
-find the time tedious for want of something to do.</p>
-
-<p>We may be sure he is happy, and that he has, in the round of his small
-experience, all that his heart desires. He has this lonely mountain
-stream to hunt in, these leaping, chattering, laughing waters to bear
-him company, all these fantastically heaped-up stones, brought hither
-by furious winter torrents of long ago—that dashing, ever roaring,
-ever foaming waterfall, in the spray of which the summer sunshine
-weaves rainbows. All these wild roses and honeysuckles, all this maiden
-hair, and this broad polypody, which grows golden in autumn, make up
-his little kingdom, in the very heart of which, under a ledge of rock,
-and within sound, almost within the spray of the waterfall, is built
-the curious little nest, very like that of a wren, in which sits the
-hen-bird, the little wife of the dipper, brooding with most unwearied
-love on four or five white eggs, lightly touched with red.</p>
-
-<p>This nest is extremely soft and elastic, sometimes of large size, the
-reason for which one cannot understand. It is generally near to the
-water, and, being kept damp by its situation, is always so fresh,
-looking so like the mass of its immediate surroundings<span class="pagenum" id="Page_36">[36]</span> as scarcely to
-be discoverable by the quickest eye. When the young are hatched they
-soon go abroad with the parents, and then, instead of the one solitary
-bird, you may see them in little parties of from five to seven going on
-in the same sort of way, only all the merrier because there are more of
-them.</p>
-
-<div class="figcenter">
-<a id="image-052"><img src="images/i-052.jpg" alt="bird's nest on the ground" width="468" height="400" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_37">[37]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_VI">CHAPTER VI.</h2>
-</div>
-
-<p class="center">THE NIGHTINGALE.</p>
-
-
-<p><span class="smcap">Philomela</span>, or the Nightingale, is the head of the somewhat large
-bird-family of Warblers, and is the most renowned of all feathered
-songsters, though some judges think the garden-ousel exceeds it in
-mellowness, and the thrush in compass of voice, but that, in every
-other respect, it excels them all. For my part, however, I think no
-singing-bird is equal to it; and listening to it when in full song, in
-the stillness of a summer’s night, am ready to say with good old Izaak
-Walton:—</p>
-
-<p>“The nightingale, another of my airy creatures, breathes such sweet
-music out of her little instrumental throat, that it might make mankind
-to think that miracles had not ceased. He that at midnight, when the
-weary labourer sleeps securely, should hear, as I have very often
-heard, the clear airs, the sweet descants, the natural rising and
-falling, the doubling and redoubling of her voice, might well be lifted
-above earth and say, ‘Lord, what music hast Thou provided for the
-saints in heaven, when Thou affordest bad men such music on earth!’”</p>
-
-<p>In colour, the upper parts of the nightingale are of a rich brown;
-the tail of a reddish tint; the throat and underparts of the body,
-greyish-white; the neck and breast, grey; the bill and legs, light
-brown. Its size is about that of the garden warblers,<span class="pagenum" id="Page_38">[38]</span> which it
-resembles in form—being, in fact, one of that family. Thus, the most
-admired of all singers—the subject of poets’ songs and eulogies, the
-bird that people walk far and wide to listen to, of which they talk for
-weeks before it comes, noting down the day of its arrival as if it were
-the Queen or the Queen’s son—is yet nothing but a little insignificant
-brown bird, not to be named with the parrot for plumage, nor with
-our little goldfinch, who always looks as if he had his Sunday suit
-on. But this is a good lesson for us. The little brown nightingale,
-with his little brown wife in the thickety copse, with their simple
-unpretending nest, not built up aloft on the tree branch, but humbly
-at the tree’s root, or even on the very ground itself, may teach us
-that the world’s external show or costliness is not true greatness. The
-world’s best bird-singer might have been as big as an eagle, attired
-in colours of blue and scarlet and orange like the grandest macaw. But
-the great Creator willed that it should not be so—his strength, and
-his furiousness, and his cruel capacity were sufficient for the eagle,
-and his shining vestments for the macaw; whilst the bird to which was
-given the divinest gift of song must be humble and unobtrusive, small
-of size, with no surpassing beauty of plumage, and loving best to hide
-itself in the thick seclusion of the copse in which broods the little
-mother-bird, the very counterpart of himself, upon her olive-coloured
-eggs.</p>
-
-<div class="sidenote"><em>The Philomela of Surrey.</em></div>
-
-<p>Mr. Harrison Weir has given us a sweet little picture of the
-nightingale at home. Somewhere, not far off, runs the highroad, or it
-may be a pleasant woodland lane leading from one village to another,
-and probably known as “Nightingale-lane,” and traversed night after
-night by rich and poor, learned and<span class="pagenum" id="Page_39">[39]</span> unlearned, to listen to the
-bird. In our own neighbourhood we have a “Nightingale-lane,” with its
-thickety copses on either hand, its young oaks and Spanish chestnuts
-shooting upwards, and tangles of wild roses and thick masses of
-brambles throwing their long sprays over old, mossy, and ivied stumps
-of trees, cut or blown down in the last generation—little pools
-and water courses here and there, with their many-coloured mosses
-and springing rushes—a very paradise for birds. This is in Surrey,
-and Surrey nightingales, it is said, are the finest that sing. With
-this comes the saddest part of the story. Bird-catchers follow the
-nightingale, and, once in his hands, farewell to the pleasant copse
-with the young oaks and Spanish chestnuts, the wild rose tangles, the
-little bosky hollow at the old tree root, in one of which the little
-nest is built and the little wife broods on her eggs!</p>
-
-<p>Generally, however, the unhappy bird, if he be caught, is taken soon
-after his arrival in this country; for nightingales are migratory, and
-arrive with us about the middle of April. The male bird comes about
-a fortnight before the female, and begins to sing in his loneliness
-a song of salutation—a sweet song, which expresses, with a tender
-yearning, his desire for her companionship. Birds taken at this time,
-before the mate has arrived, and whilst he is only singing to call and
-welcome her, are said still to sing on through the summer in the hope,
-long-deferred, that she may yet come. He will not give her up though
-he is no longer in the freedom of the wood, so he sings and sings, and
-if he live over the winter, he will sing the same song the following
-spring, for the want is again in his heart. He cannot believe but that
-she will still come. The cruel bird-catchers,<span class="pagenum" id="Page_40">[40]</span> therefore, try all their
-arts to take him in this early stage of his visit to us. Should he be
-taken later, when he is mated, and, as we see him in our picture, with
-all the wealth of his little life around him, he cannot sing long. How
-should he—in a narrow cage and dingy street of London or some other
-great town—perhaps with his eyes put out—for his cruel captor fancies
-he sings best if blind? He may sing, perhaps, for a while, thinking
-that he can wake himself out of this dreadful dream of captivity,
-darkness, and solitude. But it is no dream; the terrible reality at
-length comes upon him, and before the summer is over he dies of a
-broken heart.</p>
-
-<p>It is a curious fact that the nightingale confines itself, without
-apparent reason, to certain countries and to certain parts of England.
-For instance, though it visits Sweden, and even the temperate parts
-of Russia, it is not met with in Scotland, North Wales, nor Ireland,
-neither is it found in any of our northern counties excepting
-Yorkshire, and there only in the neighbourhood of Doncaster. Neither
-is it known in the south-western counties, as Cornwall and Devonshire.
-It is supposed to migrate during the winter into Egypt and Syria. It
-has been seen amongst the willows of Jordan and the olive trees of
-Judea, but we have not, to our knowledge, any direct mention of it in
-the Scriptures, though Solomon no doubt had it in his thoughts, in his
-sweet description of the spring—“Lo, the winter is past, the rain is
-over and gone; the flowers appear on the earth; the time of the singing
-of birds is come, and the voice of the turtle is heard in our land.” A
-recent traveller in Syria tells me that she heard nightingales singing
-at four o’clock one morning in April of last year in the lofty regions
-of the Lebanon.</p>
-
-
-<div class="figcenter">
-<a id="image-057"><img src="images/i-057.jpg" alt="" width="503" height="650" /></a>
-<p class="caption center">NIGHTINGALES AND NEST.      [<a href="#Page_40" title="Page 40">Page 40.</a></p>
-</div>
-
-<p><span class="pagenum" id="Page_41">[41]</span></p>
-<div class="sidenote"><em>Sir John Sinclair’s Attempt.</em></div>
-
-<p>There have been various attempts to introduce the nightingale into such
-parts of this country as it has not yet frequented; for instance, a
-gentleman of Gower, a sea-side district of Glamorganshire, the climate
-of which is remarkably mild, procured a number of young birds from
-Norfolk and Surrey, hoping that they would find themselves so much at
-home in the beautiful woods there as to return the following year. But
-none came. Again, as regards Scotland, Sir John Sinclair purchased a
-large number of nightingales’ eggs, at a shilling each, and employed
-several men to place them carefully in robins’ nests to be hatched. So
-far all succeeded well. The foster-mothers reared the nightingales,
-which, when full-fledged, flew about as if quite at home. But when
-September came, the usual month for the migration of the nightingale,
-the mysterious impulse awoke in the hearts of the young strangers, and,
-obeying it, they suddenly disappeared and never after returned.</p>
-
-<p>Mr. Harrison Weir has given us a very accurate drawing of the
-nightingale’s nest, which is slight and somewhat fragile in
-construction, made of withered leaves—mostly of oak—and lined
-with dry grass. The author of “British Birds” describes one in his
-possession as composed of slips of the inner bark of willow, mixed with
-the leaves of the lime and the elm, lined with fibrous roots, grass,
-and a few hairs; but whatever the materials used may be, the effect
-produced is exactly the same.</p>
-
-<p>In concluding our little chapter on this bird, I would mention that
-in the Turkish cemeteries, which, from the old custom of planting a
-cypress at the head and foot of every grave, have now become cypress
-woods, nightingales abound, it having been also an old custom of love
-to keep these birds on every grave.</p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_42">[42]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_VII">CHAPTER VII.</h2>
-</div>
-
-<p class="center">THE SKYLARK.</p>
-
-
-<p><span class="smcap">The</span> Skylark, that beautiful singer, which carries its joy up to the
-very gates of heaven, as it were, has inspired more poets to sing about
-it than any other bird living.</p>
-
-<p>Wordsworth says, as in an ecstasy of delight:—</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent0">Up with me! up with me into the clouds!</div>
- <div class="verse indent2">For thy song, lark, is strong;</div>
- <div class="verse indent0">Up with me! up with me into the clouds!</div>
- <div class="verse indent2">Singing, singing.</div>
- <div class="verse indent2">With clouds and sky about me ringing,</div>
- <div class="verse indent0">Lift me, guide me till I find</div>
- <div class="verse indent0">That spot that seems so to my mind.</div>
- </div>
-</div>
-</div>
-
-<p>Shelley, in an ode which expresses the bird’s ecstasy of song, also
-thus addresses it, in a strain of sadness peculiar to himself:—</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent8">Hail to thee, blithe spirit!</div>
- <div class="verse indent10">Bird, thou never wert—</div>
- <div class="verse indent8">That from heaven, or near it,</div>
- <div class="verse indent10">Pourest thy full heart</div>
- <div class="verse indent4">In profuse strains of unpremeditated art!</div>
- </div>
- <div class="stanza">
- <div class="verse indent8">Higher, still, and higher</div>
- <div class="verse indent10">From the earth thou springest,</div>
- <div class="verse indent8">Like a cloud of fire;</div>
- <div class="verse indent10">The deep blue thou wingest,</div>
- <div class="verse indent4">And singing still doth soar, and soaring ever singest!</div>
- </div>
- <div class="stanza">
- <div class="verse indent4">
-
-<hr class="tb" /></div>
-<p><span class="pagenum" id="Page_43">[43]</span></p> </div>
- <div class="stanza">
- <div class="verse indent8">Better than all measures</div>
- <div class="verse indent10">Of delightful sound,</div>
- <div class="verse indent8">Better than all treasures</div>
- <div class="verse indent10">That in books are found,</div>
- <div class="verse indent4">Thy skill to poet were, thou scorner of the ground.</div>
- </div>
- <div class="stanza">
- <div class="verse indent8">Teach me half the gladness</div>
- <div class="verse indent10">That thy brain must know,</div>
- <div class="verse indent8">Such harmonious madness</div>
- <div class="verse indent10">From my lips should flow;</div>
- <div class="verse indent4">The world should listen then, as I am listening now.</div>
- </div>
-</div>
-</div>
-
-<div class="sidenote"><em>James Hogg’s Verses.</em></div>
-
-<p>James Hogg, the Ettrick shepherd, who had listened to the bird with
-delight on the Scottish hills, thus sings of it:—</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent8">Bird of the wilderness,</div>
- <div class="verse indent8">Blithesome and cumberless,</div>
- <div class="verse indent0">Sweet is thy matin o’er moorland and lea!</div>
- <div class="verse indent8">Emblem of happiness,</div>
- <div class="verse indent8">Blest is thy dwelling-place—</div>
- <div class="verse indent0">Oh, to abide in the desert with thee!</div>
- </div>
- <div class="stanza">
- <div class="verse indent8">Wild is thy lay, and loud;</div>
- <div class="verse indent8">Far in the downy cloud</div>
- <div class="verse indent0">Love gives it energy, love gave it birth.</div>
- <div class="verse indent8">Where on thy dewy wing,</div>
- <div class="verse indent8">Where art thou journeying?</div>
- <div class="verse indent0">Thy lay is in heaven, thy love is on earth.</div>
- </div>
- <div class="stanza">
- <div class="verse indent8">O’er fell and fountain sheen,</div>
- <div class="verse indent8">O’er moor and mountain green,</div>
- <div class="verse indent0">O’er the red streamer that heralds the day;</div>
- <div class="verse indent8">Over the cloudlet dim,</div>
- <div class="verse indent8">Over the rainbow’s rim,</div>
- <div class="verse indent0">Musical cherub, soar, singing away!</div>
- </div>
- <div class="stanza">
- <div class="verse indent8">Then when the gloaming comes,</div>
- <div class="verse indent8">Low in the heather blooms,</div>
- <div class="verse indent0">Sweet will thy welcome and bed of love be!</div>
- <div class="verse indent8">Emblem of happiness,</div>
- <div class="verse indent8">Blest is thy dwelling-place—</div>
- <div class="verse indent8">Oh, to abide in the desert with thee!</div>
- </div>
-</div>
-</div>
-<p><span class="pagenum" id="Page_44">[44]</span></p>
-<p>But we must not forget the earthly life of the bird in all these sweet
-songs about him.</p>
-
-<p>The plumage of the skylark is brown, in various shades; the fore-part
-of the neck, reddish-white, spotted with brown; the breast and under
-part of the body, yellowish-white. Its feet are peculiar, being
-furnished with an extraordinarily long hind claw, the purpose of which
-has puzzled many naturalists. But whatever nature intended it for, the
-bird has been known to make use of it for a purpose which cannot fail
-to interest us and call forth our admiration. This shall be presently
-explained. The nest is built on the ground, either between two clods
-of earth, in the deep foot-print of cattle, or some other small hollow
-suitable for the purpose, and is composed of dry grass, hair, and
-leaves; the hair is mostly used for the lining. Here the mother-bird
-lays four or five eggs of pale sepia colour, with spots and markings
-of darker hue. She has generally two broods in the year, and commences
-sitting in May. The he-lark begins to sing early in the spring.
-Bewick says, “He rises from the neighbourhood of the nest almost
-perpendicularly in the air, by successive springs, and hovers at a
-vast height. His descent, on the contrary, is in an oblique direction,
-unless he is threatened by birds of prey, or attracted by his mate, and
-on these occasions he drops like a stone.”</p>
-
-<div class="figcenter">
-<a id="image-063"><img src="images/i-063.jpg" alt="" width="479" height="650" /></a>
-<p class="caption center">SKYLARKS AND NEST.      [<a href="#Page_44" title="Page 44">Page 44.</a></p>
-</div>
-
-<p>With regard to his ascent, I must, however, add that it is in a spiral
-direction, and that what Bewick represents as springs are his sudden
-spiral flights after pausing to sing. Another peculiarity must be
-mentioned: all his bones are hollow, and he can inflate them with air
-from his lungs, so that he becomes, as it were, a little balloon, which
-accounts for the buoyancy <span class="pagenum" id="Page_45">[45]</span>with which he ascends, and the length of
-time he can support himself in the air: often for an hour at a time.
-Still more extraordinary is the wonderful power and reach of his voice,
-for while, probably, the seven hundred or a thousand voices of the
-grand chorus of an oratorio would fail to fill the vast spaces of the
-atmosphere, it can be done by this glorious little songster, which,
-mounting upwards, makes itself heard, without effort, when it can be
-seen no longer.</p>
-
-<div class="sidenote"><em>Its Solicitude for its Young.</em></div>
-
-<p>The attachment of the parents to their young is very great, and has
-been seen to exhibit itself in a remarkable manner.</p>
-
-<p>The nest being placed on the open-ground—often pasture, or in a field
-of mowing grass—it is very liable to be disturbed; many, therefore,
-are the instances of the bird’s tender solicitude either for the young
-or for its eggs, one of which I will give from Mr. Jesse. “In case of
-alarm,” he says, “either by cattle grazing near the nest, or by the
-approach of the mower, the parent-birds remove their eggs, by means
-of their long claws, to a place of greater security, and this I have
-observed to be affected in a very short space of time.” He says that
-when one of his mowers first told him of this fact he could scarcely
-believe it, but that he afterwards saw it himself, and that he regarded
-it only as another proof of the affection which these birds show their
-offspring. Instances are also on record of larks removing their young
-by carrying them on their backs: in one case the young were thus
-removed from a place of danger into a field of standing corn. But
-however successful the poor birds may be in removing their eggs, they
-are not always so with regard to their young, as Mr. Yarrell relates.
-An instance came under his notice, in which the little fledgeling
-proved too<span class="pagenum" id="Page_46">[46]</span> heavy for the parent to carry, and, being dropped from an
-height of about thirty feet, was killed in the fall.</p>
-
-<p>Of all captive birds, none grieves me more than the skylark. Its
-impulse is to soar, which is impossible in the narrow spaces of a cage;
-and in this unhappy condition, when seized by the impulse of song, he
-flings himself upwards, and is dashed down again by its cruel barriers.
-For this reason the top of the lark’s cage is always bedded with green
-baize to prevent his injuring himself. In the freedom of nature he is
-the joyous minstrel of liberty and love, carrying upwards, and sending
-down from above, his buoyant song, which seems to fall down through the
-golden sunshine like a flood of sparkling melody.</p>
-
-<p>I am not aware of the height to which the lark soars, but it must be
-very great, as he becomes diminished to a mere speck, almost invisible
-in the blaze of light. Yet, high as he may soar, he never loses the
-consciousness of the little mate and the nestlings below: but their
-first cry of danger or anxiety, though the cry may be scarce audible
-to the human ear, thrills up aloft to the singer, and he comes down
-with a direct arrow-like flight, whilst otherwise his descent is more
-leisurely, and said by some to be in the direct spiral line of his
-ascent.</p>
-
-<p>Larks, unfortunately for themselves, are considered very fine eating.
-Immense numbers of them are killed for the table, not only on the
-continent, but in England. People cry shame on the Roman epicure,
-Lucullus, dining on a stew of nightingales’ tongue, nearly two thousand
-years ago, and no more can I reconcile to myself the daily feasting on
-these lovely little songsters, which may be delicate eating, but are no
-less God’s gifts to gladden and beautify the earth.</p>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_47">[47]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_VIII">CHAPTER VIII.</h2>
-</div>
-
-<p class="center">THE LINNET.</p>
-
-
-<p><span class="smcap">Linnets</span> are a branch of a larger family of finches, all very familiar
-to us. They are cousins, also, to the dear, impudent sparrows, and the
-pretty siskin or aberdevines.</p>
-
-<p>The linnets are all compactly and stoutly built, with short necks and
-good sized heads, with short, strong, pointed bills, made for the ready
-picking up of seed and grain, on which they live. Most of them have two
-broods in the season, and they build a bulky, deep, and compact nest,
-just in accordance with their character and figure; but, though all
-linnet-nests have a general resemblance of form, they vary more or less
-in the material used.</p>
-
-<p>Linnets change their plumage once a year, and have a much more spruce
-and brilliant appearance when they have their new summer suits on. They
-are numerous in all parts of the country, and, excepting in the season
-when they have young, congregate in flocks, and in winter are attracted
-to the neighbourhood of man, finding much of their food in farm-yards,
-and amongst stacks.</p>
-
-<p>The linnet of our picture is the greater red-pole—one of four brothers
-of the linnet family—and is the largest of the four; the others
-are the twit or mountain-linnet, the mealy-linnet, and the lesser
-red-pole—the smallest of the four—all<span class="pagenum" id="Page_48">[48]</span> very much alike, and easily
-mistaken for each other. The name red-pole is given from the bright
-crimson spot on their heads—<em>pole</em> or <em>poll</em> being the old
-Saxon word for head. The back of our linnet’s head and the sides of his
-neck are of dingy ash-colour, his back of a warm brown tint, his wings
-black, his throat of a dull white, spotted with brown, his breast a
-brilliant red, and the under part of his body a dingy white.</p>
-
-<p>The linnet, amongst singing birds, is what a song writer is amongst
-poets. He is not a grand singer, like the blackbird or the thrush,
-the missel-thrush or the wood-lark, all of which seem to have an epic
-story in their songs, nor, of course, like the skylark, singing up to
-the gates of heaven, or the nightingale, that chief psalmist of all
-bird singers. But, though much humbler than any of these, he is a sweet
-and pleasant melodist; a singer of charming little songs, full of the
-delight of summer, the freshness of open heaths, with their fragrant
-gorse, or of the Scottish brae, with its “bonnie broom,” also in golden
-blossom. His are unpretending little songs of intense enjoyment, simple
-thanksgivings for the pleasures of life, for the little brown hen-bird,
-who has not a bit of scarlet in her plumage, and who sits in her snug
-nest on her fine little white eggs, with their circle of freckles and
-brown spots at the thicker end, always alike, a sweet, patient mother,
-waiting for the time when the young ones will come into life from that
-delicate shell-covering, blind at first, though slightly clothed in
-greyish-brown—five little linnets gaping for food.</p>
-
-<div class="figcenter">
-<a id="image-069"><img src="images/i-069.jpg" alt="" width="479" height="650" /></a>
-<p class="caption center">LINNETS AND NEST.      [<a href="#Page_48" title="Page 48">Page 48.</a></p>
-</div>
-
-<p>The linnet mostly builds its nest in low bushes, the furze being its
-favourite resort; it is constructed outside of dry grass, roots, and
-moss, and lined with hair and wool. We have it <span class="pagenum" id="Page_49">[49]</span>here in our picture;
-for our friend, Mr. Harrison Weir, always faithful in his transcripts
-of nature, has an eye, also, for beauty.</p>
-
-<p>Round the nest, as you see, blossoms the yellow furze, and round it too
-rises a <i lang="fr" xml:lang="fr">chevaux de frise</i> of furze spines, green and tender to
-look at, but sharp as needles. Yes, here on this furzy common, and on
-hundreds of others all over this happy land, and on hill sides, with
-the snowy hawthorn and the pink-blossomed crab-tree above them, and,
-below, the mossy banks gemmed with pale-yellow primroses, are thousands
-of linnet nests and father-linnets, singing for very joy of life and
-spring, and for the summer which is before them. And as they sing, the
-man ploughing in the fields hard-by, and the little lad leading the
-horses, hear the song, and though he may say nothing about it, the man
-thinks, and wonders that the birds sing just as sweetly now as when
-he was young; and the lad thinks how pleasant it is, forgetting the
-while that he is tired, and, whistling something like a linnet-tune,
-impresses it on his memory, to be recalled with a tender sentiment
-years hence when he is a man, toiling perhaps in Australia or Canada;
-or, it may be, to speak to him like a guardian angel in some time of
-trial or temptation, and bring him back to the innocence of boyhood and
-to his God.</p>
-
-<div class="sidenote"><em>Bishop Huntley’s Anecdote.</em></div>
-
-<p>Our picture shows us the fledgeling brood of the linnet, and the
-parent-bird feeding them. The attachment of this bird to its young is
-very great. Bishop Huntley, in his “History of Birds,” gives us the
-following anecdote in proof of it:—</p>
-
-<p>“A linnet’s nest, containing four young ones, was found by some
-children, and carried home with the intention of rearing and taming
-them. The old ones, attracted by their chirping,<span class="pagenum" id="Page_50">[50]</span> fluttered round the
-children till they reached home, when the nest was carried up stairs
-and placed in the nursery-window. The old birds soon approached the
-nest and fed the young. This being observed, the nest was afterwards
-placed on a table in the middle of the room, the window being left
-open, when the parents came in and fed their young as before. Still
-farther to try their attachment, the nest was then placed in a cage,
-but still the old birds returned with food, and towards evening
-actually perched on the cage, regardless of the noise made by several
-children. So it went on for several days, when, unfortunately, the
-cage, having been set outside the window, was exposed to a violent
-shower of rain, and the little brood was drowned in the nest. The poor
-parent-birds continued hovering round the house, and looking wistfully
-in at the window for several days, and then disappeared altogether.”</p>
-
-<div class="figcenter">
-<a id="image-072"><img src="images/i-072.jpg" alt="A Linnet on a branch" width="233" height="200" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_51">[51]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_IX">CHAPTER IX.</h2>
-</div>
-
-<p class="center">THE PEEWIT.</p>
-
-
-<p><span class="smcap">The</span> Peewit, lapwing, or plover, belongs to the naturalist family of
-<em>Gallatores</em> or Waders, all of which are furnished with strong
-legs and feet for walking, whilst all which inhabit watery places, or
-feed their young amongst the waves, have legs sufficiently long to
-enable them to wade; whence comes the family name.</p>
-
-<p>The peewit, or lapwing, is a very interesting bird, from its peculiar
-character and habits. Its plumage is handsome; the upper part of the
-body of a rich green, with metallic reflections; the sides of the neck
-and base of the tail of a pure white; the tail is black; so is the
-top of the head, which is furnished with a long, painted crest, lying
-backwards, but which can be raised at pleasure. In length the bird is
-about a foot.</p>
-
-<p>The peewit lives in all parts of this country, and furnishes one of
-the pleasantly peculiar features of open sea-shores and wide moorland
-wastes, in the solitudes of which, its incessant, plaintive cry has an
-especially befitting sound, like the very spirit of the scene, moaning
-in unison with the waves, and wailing over the wide melancholy of the
-waste. Nevertheless, the peewit is not in itself mournful, for it is
-a particularly lively and active bird, sporting and frolicking in the
-air with its fellows, now whirling round and round, and now ascending
-to a great<span class="pagenum" id="Page_52">[52]</span> height on untiring wing; then down again, running along the
-ground, and leaping about from spot to spot as if for very amusement.</p>
-
-<p>It is, however, with all its agility, a very untidy nest-maker; in
-fact it makes no better nest than a few dry bents scraped together in
-a shallow hole, like a rude saucer or dish, in which she can lay her
-eggs—always four in number. But though taking so little trouble about
-her nest, she is always careful to lay the narrow ends of her eggs in
-the centre, as is shown in the picture, though as yet there are but
-three. A fourth, however, will soon come to complete the cross-like
-figure, after which she will begin to sit.</p>
-
-<p>These eggs, under the name of plovers’ eggs, are in great request as
-luxuries for the breakfast-table, and it may be thought that laid thus
-openly on the bare earth they are very easily found. It is not so,
-however, for they look so much like the ground itself, so like little
-bits of moorland earth or old sea-side stone, that it is difficult to
-distinguish them. But in proportion as the bird makes so insufficient
-and unguarded a nest, so all the greater is the anxiety, both of
-herself and her mate, about the eggs. Hence, whilst she is sitting, he
-exercises all kinds of little arts to entice away every intruder from
-the nest, wheeling round and round in the air near him, so as to fix
-his attention, screaming mournfully his incessant <em>peewit</em> till he
-has drawn him ever further and further from the point of his anxiety
-and love.</p>
-
-<div class="figcenter">
-<a id="image-075"><img src="images/i-075.jpg" alt="" width="481" height="650" /></a>
-<p class="caption center">PEEWITS AND NEST.      [<a href="#Page_52" title="Page 52">Page 52.</a></p>
-</div>
-
-<div class="sidenote"><em>Stratagems of the Bird.</em></div>
-
-<p>The little quartette brood, which are covered with down when hatched,
-begin to run almost as soon as they leave the shell, and then the poor
-mother-bird has to exercise all her little <span class="pagenum" id="Page_53">[53]</span>arts also—and indeed the
-care and solicitude of both parents is wonderful. Suppose, now, the
-little helpless group is out running here and there as merry as life
-can make them, and a man, a boy, or a dog, or perhaps all three, are
-seen approaching. At once the little birds squat close to the earth,
-so that they become almost invisible, and the parent-birds are on the
-alert, whirling round and round the disturber, angry and troubled,
-wailing and crying their doleful <em>peewit</em> cry, drawing them ever
-further and further away from the brood. Should, however, the artifice
-not succeed, and the terrible intruder still obstinately advance in
-the direction of the young, they try a new artifice; drop to the
-ground, and, running along in the opposite course, pretend lameness,
-tumbling feebly along in the most artful manner, thus apparently
-offering the easiest and most tempting prey, till, having safely lured
-away the enemy, they rise at once into the air, screaming again their
-<em>peewit</em>, but now as if laughing over their accomplished scheme.</p>
-
-<p>The young, which are hatched in April, are in full plumage by the end
-of July, when the birds assemble in flocks, and, leaving the sea-shore,
-or the marshy moorland, betake themselves to downs and sheep-walks,
-where they soon become fat, and are said to be excellent eating.
-Happily, however, for them, they are not in as much request for the
-table as they were in former times. Thus we find in an ancient book of
-housekeeping expenses, called “The Northumberland Household-book,” that
-they are entered under the name of <em>Wypes</em>, and charged one penny
-each; and that they were then considered a first-rate dish is proved
-by their being entered as forming a part of “his lordship’s own mess,”
-or portion of food; <em>mess</em><span class="pagenum" id="Page_54">[54]</span> being so used in those days—about
-the time, probably, when the Bible was translated into English. Thus
-we find in the beautiful history of Joseph and his brethren, “He sent
-messes to them, but Benjamin’s mess was five times as much as any of
-theirs.”</p>
-
-<p>Here I would remark, on the old name of <em>Wypes</em> for this
-bird, that country-people in the midland counties still call them
-<em>pie-wypes</em>.</p>
-
-<p>But now again to our birds. The peewit, like the gull, may easily be
-tamed to live in gardens, where it is not only useful by ridding them
-of worms, slugs, and other troublesome creatures, but is very amusing,
-from its quaint, odd ways. Bewick tells us of one so kept by the Rev.
-J. Carlisle, Vicar of Newcastle, which I am sure will interest my
-readers.</p>
-
-<div class="sidenote"><em>A Winter Visitor.</em></div>
-
-<p>He says two of these birds were given to Mr. Carlisle, and placed
-in his garden, where one soon died; the other continued to pick up
-such food as the place afforded, till winter deprived it of its usual
-supply. Necessity then compelled it to come nearer the house, by which
-it gradually became accustomed to what went forward, as well as to
-the various members of the family. At length a servant, when she had
-occasion to go into the back-kitchen with a light, observed that the
-lapwing always uttered his cry of <em>peewit</em> to gain admittance.
-He soon grew familiar; as the winter advanced, he approached as far
-as the kitchen, but with much caution, as that part of the house was
-generally inhabited by a dog and a cat, whose friendship the lapwing
-at length gained so entirely, that it was his regular custom to resort
-to the fireside as soon as it grew dark, and spend the evening and
-night with his two associates, sitting<span class="pagenum" id="Page_55">[55]</span> close to them, and partaking
-of the comforts of a warm fireside. As soon as spring appeared he
-betook himself to the garden, but again, at the approach of winter,
-had recourse to his old shelter and his old friends, who received him
-very cordially. But his being favoured by them did not prevent his
-taking great liberties with them; he would frequently amuse himself
-with washing in the bowl which was set for the dog to drink out of, and
-whilst he was thus employed he showed marks of the greatest indignation
-if either of his companions presumed to interrupt him. He died, poor
-fellow, in the asylum he had chosen, by being choked with something
-which he had picked up from the floor. During his confinement he
-acquired an artificial taste as regarded his food, and preferred crumbs
-of bread to anything else.</p>
-
-<div class="figcenter">
-<a id="image-079"><img src="images/i-079.jpg" alt="Peewit standing on a rock." width="565" height="500" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_56">[56]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_X">CHAPTER X.</h2>
-</div>
-
-<p class="center">THE HOUSE-MARTIN, OR WINDOW-SWALLOW.</p>
-
-
-<p><span class="smcap">During</span> our winter, swallows inhabit warm tropical countries, migrating
-northwards with the first approaches of summer. They are usually seen
-with us from the 13th to the 20th of April, and are useful from the
-first day of their arrival, by clearing the air of insects, which they
-take on the wing; indeed, they may be said to live almost wholly on the
-wing, and, except when collecting mud for their nests, are seldom seen
-to alight, and, in drinking, dip down to the water as they skim over it
-on rapid wing.</p>
-
-<div class="figcenter">
-<a id="image-081"><img src="images/i-081.jpg" alt="" width="485" height="650" /></a>
-<p class="caption center">HOUSE-MARTINS AND NESTS.      [<a href="#Page_56" title="Page 56">Page 56.</a></p>
-</div>
-
-<p>We have three kinds of swallows in England: the chimney-swallow, the
-house-martin, and the sand-martin, of which I shall have something to
-say in due course. The chimney-swallow and house-martin are especially
-worthy of the affectionate regard of man; for they love his society,
-build around his dwelling, destroy nothing that he values, have no
-appetite for his fruits; they live harmoniously amongst themselves,
-and have no other disposition than that of cheerfulness, unwearying
-industry and perseverance, and the most devoted parental affection.</p>
-
-<p>Mr. Weir has given us a lively picture of swallow-life—four nests
-grouped together on a house-side: more there probably are; but there
-are as many as we can manage with; indeed we <span class="pagenum" id="Page_57">[57]</span>will presently confine
-our attention to one single nest, and, by so doing, I flatter myself
-that I shall win your admiration for these birds, and that you will
-agree with me in thinking that if we all, men and women, boys and
-girls, had only their persevering spirit, and their courage under
-adversity, there would not be so much unsuccess, either at school or in
-life, as is now, too often, the case.</p>
-
-<div class="sidenote"><em>The Nests on Traquair House.</em></div>
-
-<p>Some people are very fond of having martins about their houses, under
-their eaves, and even in the corners of their windows. The Earl of
-Traquair was one of these; he was, indeed, a great lover of all kinds
-of birds, and all were protected on his premises. In the autumn of
-1839, there were no less than one hundred and three martins’ nests on
-Traquair House—which is a very fine old place—besides several which
-had been deserted, injured, or taken possession of by sparrows, which
-is a very unwarrantable liberty taken by these birds.</p>
-
-<p>From six to twenty days are required to build a martin’s nest. If all
-goes on well it may be finished in the shorter time.</p>
-
-<p>Let us now see how the birds set about building. Here are several
-nests in our picture; and turning to the pages of Macgillivray’s
-“British Birds,” I shall find exactly the information we need. I will,
-therefore, extract freely from this interesting writer, that my young
-readers may be as grateful to him as I am myself.</p>
-
-<div class="sidenote"><em>The Domestic Life of a Pair.</em></div>
-
-<p>Again turning to our picture, we find four nests. “A party of eight
-martins arrived here on the 1st of May. As this was quite a new
-location, they spent the whole day in examining the eaves of the house,
-the corners of the windows, and the out-buildings. By the following
-morning the question was settled, and they had, as you see, fixed
-upon a high wall with a slate<span class="pagenum" id="Page_58">[58]</span> coping, and an eastern aspect, and at
-once commenced making a general foundation for their nests. Suitable
-materials are procured from the banks of an adjoining pond, or a puddle
-in the lane. Let us go down and see them. Here they come, sailing
-placidly over the tree-tops; now they descend so as almost to sweep the
-surface of the pond; some of them alight at once, others skim round, as
-if borne away by a brisk wind. Those that have alighted walk about with
-short steps, looking round for materials. Some seem not to find the mud
-suitable, but seize on a piece of straw, or grass, which, tempering
-in the mud, they then fly off with. Returning now to the building, we
-see one using its tail planted against the wall, or against the nest,
-if sufficiently advanced, as a support, deposit the material it has
-brought by giving its head a wriggling motion, so that the mud slides
-gently into the crevices of yesterday’s work; then he retouches the
-whole. See, one has now arrived with his supply before the other has
-finished: he is impatient to disburden himself, and wants to drive
-off the worker, who rather snappishly retorts, and he, poor fellow,
-goes off for a while with the mud sticking to his bill. Now she has
-finished; there is room for him, and he goes back again and works hard
-in his turn. They never alight on the nest without twittering. At noon,
-if the weather be hot, they betake themselves to the fields, or, after
-a dip in the pond, sun themselves on the house-top for half-an-hour or
-so. Then they will hawk about for food, and after awhile one of them
-may, perhaps, return and give another touch or two to the work, or seat
-herself in the nest to consolidate the materials. But if cold, wet, or
-windy, they keep away. What they do with themselves I know not; but
-as soon as it clears<span class="pagenum" id="Page_59">[59]</span> up, they are at work again. At the beginning of
-their building, they seem to have no objection to leave it for a whole
-day; but as it advances, they become more interested or anxious, and
-one or both will sit in it all night, even though the weather be bad.”</p>
-
-<p>So much for the building of these four nests of our picture; and now
-I will bespeak your attention to a little narrative of the joys and
-sorrows of the domestic life of a pair of martins, which, we will
-suppose, belong also to our group.</p>
-
-<p>“The building began on the 1st of May, at daybreak. But the weather was
-very much against them, being cold and stormy, and it was the 18th of
-the month before it was finished.</p>
-
-<p>“Seeing their labours thus brought to a close, one could not help
-wishing, considering how much it had cost, that the nest might last
-them for many years. But on the 23rd of June, during a heavy fall of
-thunder rain, almost the entire nest was washed to the ground, together
-with the young birds which it contained. A short time before the
-catastrophe, the old birds were observed hovering about, and expressing
-great uneasiness. Almost immediately after it happened they left the
-place, but returned the following day, and spent it in flying about and
-examining the angle of the wall.</p>
-
-<p>“Next morning they commenced repairing the nest. In three days they had
-made great progress; but again rain fell, and their work was stayed.
-On the 30th, they advanced rapidly, and both remained sitting on the
-nest all night. The next day it was finished; and now they began to
-rejoice: they twittered all the evening till it was dark, now and then
-pruning each other’s heads, as, seated side by side, they prepared to
-spend the dark hours in the nest. Eggs were soon laid again, but,<span class="pagenum" id="Page_60">[60]</span>
-sad to say, on the morning of the 18th of July, again, during a great
-storm of wind and rain, the upper wall fell, carrying with it one
-of the eggs. The old birds again fluttered about, uttering the most
-plaintive cries, and early the next morning began to repair the damage,
-though it rained heavily all day. Part of the lining hanging over the
-side was incorporated with the new layers of mud. The urgency of the
-case was such, that they were obliged to work during the bad weather.
-Throughout the day one bird sat on the nest, whilst the other laboured
-assiduously. Kindly was he welcomed by his mate, who sometimes, during
-his absence, nibbled and retouched the materials which he had just
-deposited. In a few days it was finished, the weather became settled,
-the young were hatched, and all went well with them.</p>
-
-<p>“Sometimes when the nests are destroyed, the birds, instead of
-attempting to repair the damage, forsake the neighbourhood, as if
-wholly disheartened. Nothing can be more distressing to them than to
-lose their young. In the storm of which I have just spoken, another
-martin’s nest was washed down with unfledged young in it. These were
-placed on some cotton wool in a basket, covered with a sheet of
-brown paper, in an open window, facing the wall. During that day and
-the following, the parents took no notice of them, and their kind
-human protector fed them with house-flies. That evening he tried an
-experiment. He gently placed the young ones in a nest of that same
-window, where were other young. It was then about eight o’clock in the
-evening; the rain was falling heavily, and no sound was heard save the
-<em>cheep, cheep</em>, of the young birds, and the dashing of the storm
-against the window-glass. A minute elapsed,<span class="pagenum" id="Page_61">[61]</span> when forth rushed the
-parents shrieking their alarm notes, and, again and again wheeled up to
-the nest, until at last they drifted away in the storm. He watched them
-till they disappeared about half-past-nine. During all this time they
-only twice summoned courage to look into the nest. Next morning I was
-rejoiced to see them attending assiduously to the young ones.”</p>
-
-<div class="sidenote"><em>The Feeding of the Young.</em></div>
-
-<p>And now, turning again to our group of four nests on the walls,
-supposing it be the month of July, every one of them with its
-fledgeling brood sitting with gaping mouths, ever ready for food, you
-may, perhaps, like to know how many meals are carried up to them in the
-course of the day. If, then, the parents began to feed them at about
-five in the morning, and left a little before eight at night, they
-would feed them, at the lowest calculation, about a thousand times.</p>
-
-<p>With all this feeding and care-taking, the young ones, as the summer
-goes on, are full-fledged, and have grown so plump and large that the
-nest is quite too small for them; therefore, they must turn out into
-the world, and begin life for themselves.</p>
-
-<p>It is now a fine, brisk, August morning, and at about eight o’clock,
-you can see, if you look up at the nests, how the old birds come
-dashing up to them quite in an excited way, making short curves in the
-air, and repeating a note which says, as plain as a bird can speak,</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent6">This is the day</div>
- <div class="verse indent6">You must away!</div>
- <div class="verse indent0">What are wings made for, if not to fly?</div>
- <div class="verse indent6">Cheep, cheep,</div>
- <div class="verse indent6">Now for a leap!—</div>
- <div class="verse indent0">Father and mother and neighbours are by!</div>
- </div>
-</div>
-</div>
-<p><span class="pagenum" id="Page_62">[62]</span></p>
-<p>This flying away from the nest is a great event in swallow-life, as you
-may well believe. Let us therefore now direct our attention to one nest
-in particular, in which are only two young ones—a very small family;
-but what happens here is occurring all round us.</p>
-
-<p>One of these little ones balances itself at the entrance, looking
-timidly into the void, and, having considered the risk for awhile,
-allows its fellow to take its place.</p>
-
-<p>During all this time, the parents keep driving about, within a few feet
-of the entrance, and endeavour, by many winning gestures, to induce
-their charge to follow them. The second bird also, after sitting for
-some time, as if distrustful of its powers, retires, and the first
-again appears. Opening and shutting his wings, and often half inclined
-again to retire, he, at length, summons up all his resolution, springs
-from the nest, and, with his self-taught pinions, cleaves the air. He
-and his parents, who are in ecstasies, return to the nest, and the
-second young one presently musters courage and joins them. And now
-begins a day of real enjoyment; they sport chiefly about the tree-tops
-till seven in the evening, when all re-enter the nest.</p>
-
-<p>In several instances I have seen the neighbours add their inducements
-to those of the parents, when the young were too timid to leave their
-home. If the happy day prove fine, they seldom return to the nest
-till sunset; if otherwise, they will come back two or three times. On
-one occasion, when the young were ready to fly, but unwilling to take
-the first leap, the parents had recourse to a little stratagem, both
-ingenious and natural. The he-bird held out a fly at about four inches
-from the entrance<span class="pagenum" id="Page_63">[63]</span> to the nest. In attempting to take hold of it, they
-again and again nearly lost their balance. On another occasion, the
-mother bird, trying this plan to no purpose, seemed to lose patience,
-and seizing one of them by the lower mandible, with the claw of her
-right foot, whilst it was gaping for food, tried to pull it out of the
-nest, to which, however, it clung like a squirrel. But the young, every
-one of them, fly in time, and a right joyous holiday they all have
-together.</p>
-
-<div class="sidenote"><em>The Autumn Migration.</em></div>
-
-<p>So the summer comes to an end; and towards the middle of September,
-the great family cares being over, and the young having attained
-to an age capable of undertaking the fatigues of migration, that
-mysterious impulse, strong as life itself, and probably affecting
-them like some sickness—the necessity to exchange one country and
-climate for another—comes upon them. Under this influence, they
-congregate together in immense numbers, every neighbourhood seeming
-to have its place of assembly—the roofs of lofty buildings, or the
-leafless boughs of old trees: here they meet, not only to discuss the
-great undertaking, but to have a right merry time together—a time
-of luxurious idleness, lively chatterings, singing in chorus their
-everlasting and musical <em>cheep, cheep</em>, eating and drinking, and
-making ready for the journey before them.</p>
-
-<p>At length the moment of departure is come, and at a given signal the
-whole party rises. Twittering and singing, and bidding a long farewell
-to the scenes of their summer life, they fly off in a body, perhaps, if
-coming from Scotland, or the north of England, to rest yet a few weeks
-in the warmer southern counties; after which, a general departure takes
-place to the sunny lands of Africa.</p>
-
-<p><span class="pagenum" id="Page_64">[64]</span></p>
-
-<p>Though gifted with wings wonderfully constructed for prolonged flight,
-and though having passed every day of so many successive months almost
-wholly on the wing, the swallow frequently suffers great fatigue and
-exhaustion in its long migration. Sometimes, probably driven out of
-its course by adverse winds, it is known to alight by hundreds on the
-rigging of vessels, when worn out by hunger and fatigue it is too
-often shot or cruelly treated. Nevertheless the swallow, protected
-by Him who cares for the sparrow, generally braves the hardships of
-migration, and the following spring, guided by the same mysterious
-instinct, finds his way across continents and seas to his old home,
-where, identified by some little mark which has been put upon him—a
-silken thread as a garter, or a light silver ring—he is recognised as
-the old familiar friend, and appears to be no less happy to be once
-more with them than are they to welcome him. Sometimes swallows coming
-back as ordinary strangers, prove their identity, even though the scene
-of their last year’s home may have been pulled down, together with the
-human habitation. In this case, he has been known to fly about in a
-distracted way, lamenting the change that had taken place, and seeming
-as if nothing would comfort him.</p>
-
-<p>Though the fact of swallows coming back to their old haunts does not
-need proving, yet I will close my chapter with an incident which
-occurred in our own family. During a summer storm, a martin’s nest,
-with young, was washed from the eaves of my husband’s paternal
-home. His mother, a great friend to all birds, placed the nest with
-the young, which happily were uninjured, in a window, which, being
-generally open, allowed<span class="pagenum" id="Page_65">[65]</span> the parent-birds access to their young. They
-very soon began to feed them, making no attempt to build any other
-nest; so that the young were successfully reared, and took their flight
-full-fledged from the window-sill.</p>
-
-<div class="sidenote"><em>A Welcomed Return to Old Haunts.</em></div>
-
-<p>The next spring, when the time for the arrival of the swallows came,
-great was the surprise and pleasure of their kind hostess, to see,
-one day, a number of swallows twittering about the window, as if
-impatient for entrance. On its being opened, in they flew, and,
-twittering joyfully and circling round the room, as if recognising the
-old hospitable asylum of the former year, flew out and soon settled
-themselves under the eaves with the greatest satisfaction. There could
-be no doubt but that these were the birds that had been reared there.</p>
-
-<div class="figcenter">
-<a id="image-091"><img src="images/i-091.jpg" alt="" width="530" height="427" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_66">[66]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_XI">CHAPTER XI.</h2>
-</div>
-
-<p class="center">THE CHIFF-CHAFF, OR OVEN-BUILDER.</p>
-
-
-<p><span class="smcap">The</span> Chiff-chaff, chill-chall, lesser pettichaps, or oven-builder, is
-one of the great bird-family of warblers, and the smallest of them in
-size; indeed, it is not much larger than the little willow-wren. Like
-all its family it is a bird of passage, and makes its appearance here,
-in favourable seasons, as early as the 12th of March—earlier than
-the warblers in general—and also remains later, having been known to
-remain here to the middle of October.</p>
-
-<div class="figcenter">
-<a id="image-093"><img src="images/i-093.jpg" alt="" width="462" height="650" /></a>
-<p class="caption center">CHIFF-CHAFFS AND NEST.      [<a href="#Page_66" title="Page 66">Page 66.</a></p>
-</div>
-
-<p>It is a remarkably cheerful little bird, and is warmly welcomed by all
-lovers of the country as being one of the first visitants of spring,
-sending its pleasant little voice, with an incessant “chiff-chaff,”
-“chery-charry,” through the yet leafless trees.</p>
-
-<p>Its plumage is dark olive-green; the breast and under part of the body,
-white, with a slight tinge of yellow; the tail, brown, edged with pale
-green; legs, yellowish-brown.</p>
-
-<p>The nest is not unlike that of a wren, built in a low bush, and,
-sometimes, even on the ground. The one so beautifully and faithfully
-depicted by Mr. Harrison Weir, seems to be amongst the tallest grasses
-and picturesque growths of some delicious woodland lane. It is a
-lovely little structure; a hollow ball wonderfully put together, of
-dry leaves and stems of <span class="pagenum" id="Page_67">[67]</span>grass, and a circular hole for entrance at
-the side; lined with soft feathers—a little downy bed of comfort. The
-mother-bird, as we now see her, sits here in delicious ease on five or
-six white eggs, beautifully spotted with rich red-brown.</p>
-
-<div class="sidenote"><em>Mr. Howitt’s Account of this Bird.</em></div>
-
-<p>This dainty little bird, which seems made alone for pleasure, is
-very useful to man, and should be made kindly welcome everywhere,
-living entirely on caterpillars and other troublesome and destructive
-creatures. The Rev. J. G. Wood says that it saves many a good oak from
-destruction by devouring, on its first arrival, the caterpillars of
-the well-known green oak-moth, which roll up the leaves in so curious
-a manner, and come tumbling out of their green houses at the slightest
-alarm.</p>
-
-<p>He says, also, that a little chiff-chaff, which had been caught and
-tamed, was accustomed to dash to the ceiling of the room in which it
-was kept, and to snatch thence the flies which settled on the white
-surface.</p>
-
-<p>My husband, writing of this bird, says:—</p>
-
-<p>“Gilbert White gave, I believe, the name of chiff-chaff to this
-little bird from its note. In the midland counties it is called the
-chill-chall from the same cause; and, indeed, this name is, to my ear,
-more accordant with its continuous ditty. Its cheery little voice is
-one of the pleasantest recognitions of returning spring. It is sure to
-be heard, just as in former years, in the copse, the dell, the belt
-of trees bordering a wayside; we catch its simple note with pleasure,
-for it brings with it many a memory of happy scenes and days gone
-by. We see the little creature hopping along the boughs of the yet
-only budding oak, and know that it is as usefully employed for man
-as agreeably for itself. It tells us, in effect, that sunny days,<span class="pagenum" id="Page_68">[68]</span>
-flowers, and sweet airs, and the music of a thousand other birds, are
-coming. We revert to the time when, tracing the wood-side or the bosky
-dingle in boyhood, we caught sight of its rounded nest amongst the
-screening twigs of the low bush, and the bleached bents of last year’s
-grapes. We remember the pleasure with which we examined its little
-circular entrance, and discovered, in its downy interior, its store
-of delicate eggs, or the living mass of feathery inmates, with their
-heads ranged side by side and one behind another, with their twinkling
-eyes and yellow-edged mouths. Many a time, as we have heard the ever
-blithe note of chill-chall, as it stuck to its unambitious part of the
-obscure woodland glade, we have wished that we could maintain the same
-buoyant humour, the same thorough acceptance of the order of Providence
-for us. As Luther, in a moment of despondency, when enemies were rife
-around him, and calumny and wrong pursued him, heard the glad song of a
-bird that came and sang on a bough before his window, we have thanked
-God for the lesson of the never-drooping chill-chall. The great world
-around never damps its joy with a sense of its own insignificance; the
-active and often showy life of man, the active and varied existence of
-even birds, which sweep through the air in gay companies, never disturb
-its pleasure in its little accustomed nook. It seems to express, in its
-two or three simple notes, all the sentiment of indestructible content,
-like the old woman’s bird in the German story by Ludwig Tieck—</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent0">Alone in wood so gay,</div>
- <div class="verse indent0">’Tis good to stay,</div>
- <div class="verse indent0">Morrow like to-day</div>
- <div class="verse indent0">For ever and aye;</div>
- <div class="verse indent0">Oh, I do love to stay</div>
- <div class="verse indent0">Alone in wood so gay!</div>
- </div>
-</div>
-</div>
-<p><span class="pagenum" id="Page_69">[69]</span></p>
-<div class="sidenote"><em>The Bird’s Ditty.</em></div>
-
-<p>“This little bird appears to feel all that strength of heart, and to
-put it into its little ditty, which seems to me to say—</p>
-
-<p>“Here I continue ‘cheery cheery, and still shall, and still shall!’”</p>
-
-<div class="figcenter">
-<a id="image-097"><img src="images/i-097.jpg" alt="" width="435" height="500" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_70">[70]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_XII">CHAPTER XII.</h2>
-</div>
-
-<p class="center">THE GOLDEN-CRESTED WREN.</p>
-
-
-<p><span class="smcap">We</span> have here the Golden-crested Wren—the <i lang="la" xml:lang="la">Regulus cristatus</i>
-of naturalists—the tiniest of our British birds, “the pleasing
-fairy-bird,” as Bewick calls it, one of the large family of warblers,
-and a near relation to Jenny Wren. It is a very charming little bird,
-with a sweet melodious song of its own, and so many curious little ways
-that it is well worth everybody’s notice and everybody’s love.</p>
-
-<p>It is very active and lively, always in motion, fluttering from branch
-to branch, and running up and down the trunks and limbs of trees, in
-search of insects on which it lives. It may as often be seen on the
-under as on the upper side of a branch, with its back downwards, like
-a fly on a ceiling, and so running along, all alert, as merry and busy
-as possible. In size it is about three inches, that is with all its
-feathers on, but its little body alone is not above an inch long; yet
-in this little body, and in this little brain, lives an amazing amount
-of character, as I shall show you, as well as a great deal of amusing
-conceit and pertness which you would hardly believe unless you were
-told.</p>
-
-<div class="figcenter">
-<a id="image-099"><img src="images/i-099.jpg" alt="Golden-crested wrens" width="480" height="650" /></a>
-<p class="caption center">GOLDEN-CRESTED WRENS AND NEST.      [<a href="#Page_70" title="Page 70">Page 70.</a></p>
-</div>
-
-<p>The colour of the bird is a sort of yellowish olive-green, the under
-part of pale, reddish-white, tinged with green on the sides; the quill
-feathers of the wing are dusky, edged with pale <span class="pagenum" id="Page_71">[71]</span>green, as are also
-the tail feathers. Thus attired by nature, that is, by the great
-Creator who cares for all His creatures, this little bird, creeping
-and fluttering about the branches and bole of the leafy summer tree,
-can scarcely be distinguished from the tree itself: hence it is that
-the bird is so unfamiliar to most people. The he-bird, however, has
-a little distinguishing glory of his own—a crest of golden-coloured
-feathers, bordered on each side with black, like a sort of eye-brow to
-his bright hazel eyes. This crest, which gives him his distinguished
-name, can be erected at pleasure, when he is full of life and
-enjoyment, or when he chooses to lord it over birds ten times as big as
-himself.</p>
-
-<div class="sidenote"><em>The Lively Gambols of this Bird.</em></div>
-
-<p>It is worth anybody’s while, who has a love for the innocent denizens
-of nature, and no desire to do them harm, to go into a wood on a
-summer’s day on purpose to watch the doings of this lively little bird
-amongst the tree-branches. Fir-woods are the best for this purpose, as
-this bird has an especial liking for these trees, and ten to one, if
-you will only be patient and quite still, you may soon see him at work
-busily looking after his dinner, running along the branches, up one and
-down another, then like a little arrow off to the next tree, scudding
-along its branches, then back again, up and down, round and round
-the bole, going like a little fire, so rapid are his movements; now
-running up aloft, now hanging head downward, now off again in another
-direction. What a wonderful activity there is in that little body! He
-must devour hundreds of insects, as well as their eggs, which he thus
-seeks for under the scaly roughnesses of the bark, and finding, devours.</p>
-
-<p>Pretty as he is, his nest, of which Mr. Harrison Weir has<span class="pagenum" id="Page_72">[72]</span> given a most
-accurate drawing, is quite worthy of him. It is always the same, swung
-like a little hammock from a branch, and always hidden, it may be by
-leaves or a bunch of fir-cones. The cordage by which it is suspended
-is of his own weaving, and is made of the same materials as the nest,
-which are moss and slender thread-like roots. In form it is oval, as
-you see, with a hole for entrance at the side, and is lined with the
-softest down and fibrous roots. It is a lovely little structure, like
-a soft ball of moss, within which the mother-bird lays from six to a
-dozen tiny eggs, scarcely bigger than peas, the delicate shell of which
-will hardly bear handling. The colour of the egg is white, sprinkled
-over with the smallest of dull-coloured spots.</p>
-
-<p>Mr. Jesse describes one of these lovely nests which was taken from the
-slender branches of a fir-tree where it had been suspended, as usual,
-by means of delicate cordage, secured to the branch by being twisted
-round and round, and then fastened to the edge or rim of the nest,
-so that one may be sure that the making and securing of these tiny
-ropes must be the first work of the clever little artizan. The nest
-thus suspended sways lightly to and fro with the movement of the bird.
-We cannot see in our cut the slender ropes that suspend it; they are
-concealed under the thick foliage; but we can easily see what a dainty
-little structure it is.</p>
-
-<div class="sidenote"><em>The Jackdaw and Mischievous Wrens.</em></div>
-
-<p>Delicate and lovely as is this bird, and pleasing and harmless as is
-his life, he yet possesses some curious traits of character, as I
-said. For instance, though so small, with a body only an inch long,
-he has, apparently, a wonderful conceit of himself, and loves to be
-lord and master of creatures that will not dispute with him, as not
-worth their while, or perhaps because there<span class="pagenum" id="Page_73">[73]</span> really is some inherent
-mastership in him by which he contrives, under certain circumstances,
-to rule over them. In proof of this, I will tell you what the Rev. J.
-G. Wood relates from the experience of a lady, a friend of his. One
-severe winter, when she had housed and fed a number of birds, amongst
-which were a jackdaw, a magpie, two skylarks, a goldfinch, and a robin,
-in a warm aviary, feeding them regularly and abundantly, other birds
-came, of course, to partake of the plentiful feast, and amongst them
-two golden-crested wrens. These little things made themselves not
-only quite at home, but lorded it over the other birds in the most
-extraordinary way possible. For instance, if the jackdaw had possessed
-himself of a nice morsel which he was holding down with his foot to
-eat comfortably, and the golden-crested wren had also set his mind on
-it, he hopped on the jackdaw’s head and pecked in his eye, on the side
-where his foot held the delicacy. On this the poor jackdaw instantly
-lifted his foot to his head where he thought something was amiss, and
-the mischievous little fellow snatched up the treasure and was off. At
-first the jackdaw would pursue him in great wrath, but he soon learned
-that it was no use, for the creature would only jump upon his back
-where he could not reach him, and so was safe from punishment. “Before
-the winter was over,” continues the lady, “the little gold-crests were
-masters of all the birds, and even roosted at night on their backs;
-finding, no doubt, that in this way they could keep their little feet
-much warmer than on a perch.”</p>
-
-<p>Conceited and dominant, however, as these little birds may be, they are
-yet either extremely timid, or their nervous system is so delicately
-constituted, that a sudden fright kills them.<span class="pagenum" id="Page_74">[74]</span> Thus if, when they are
-all alert and busy on the tree-branch, seeking for insects and fearing
-no evil, the branch be suddenly struck with a stick, the poor bird
-falls dead to the ground. The shock has killed it. It has received no
-apparent injury—not a feather is ruffled—but its joyous, innocent
-life is gone for ever. This fact is asserted by Gilbert White, and was
-proved by my husband, who brought me home the bird which had thus died.</p>
-
-<div class="figcenter">
-<a id="image-104"><img src="images/i-104.jpg" alt="bird's nest with eggs" width="461" height="491" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_75">[75]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_XIII">CHAPTER XIII.</h2>
-</div>
-
-<p class="center">THE WAGTAIL.</p>
-
-
-<p><span class="smcap">This</span> elegant little bird belongs to the Motacilla, or Wagtail family.
-There are three brothers of them in this country—the pied, the grey,
-and the yellow. The pied is the most familiar, and our friend Mr.
-Harrison Weir has given us a lovely picture of it at home in a cleft of
-the rock, with fleshy-leaved lichens above, and green springing fronds
-of the great fern, which will presently overshadow it. Around are the
-solemn mountains, and the never silent water is foaming and rushing
-below.</p>
-
-<p>This bird has many names besides his Latin one of Motacilla. In Surrey
-he is called washer, or dish-washer, by the common people, from his
-peculiar motions in walking, which are thought to resemble those of a
-washer-woman at her tub. The colours of the pied wagtail are simply
-black and white, but so boldly and clearly marked as to produce a very
-pleasing and elegant effect.</p>
-
-<p>We have, every year, several wagtails in our garden, to which they add
-a very cheerful feature, walking about, nodding their heads and tails
-as if perfectly at home, afraid neither of dog nor cat, much less of
-any human being about the place. A little running brook as one boundary
-of the garden is, no doubt, one of the attractions; but here they are
-seen less frequently than on the smoothly-mown lawn, where they pick up
-tiny<span class="pagenum" id="Page_76">[76]</span> insects, gliding along with a smooth motion, accompanied by the
-quick movement of head and tail.</p>
-
-<p>It is bitterly cold wintry weather as I write this, and they now visit
-the kitchen door, where, no doubt, little delicacies of various kinds
-attract them. They are more fearless and familiar than either sparrows,
-robins, or blackbirds; yet all of these are our daily pensioners,
-having their breakfast of crumbs as regularly before the parlour window
-as we have our own meal. Yet they fly away at the slightest sound,
-and the appearance of the cat disperses them altogether. They have,
-evidently, the old ancestral fear of man, stamped, as powerfully as
-life itself, upon their being. They are suspicious, and always in
-a flutter: nothing equals the calm self-possession of the wagtail,
-excepting it be the state of mind into which the robin gets when the
-gardener is turning up the fresh soil, just on purpose, as he supposes,
-to find worms for him.</p>
-
-<div class="figcenter">
-<a id="image-107"><img src="images/i-107.jpg" alt="" width="474" height="650" /></a>
-<p class="caption center">WAGTAIL AND NEST.      [<a href="#Page_76" title="Page 76">Page 76.</a></p>
-</div>
-
-<div class="sidenote"><em>Its Quest for Food.</em></div>
-
-<p>And now let me give you a wagtail picture, drawn by a faithful hand.<a id="FNanchor_1" href="#Footnote_1" class="fnanchor">[A]</a>
-It is the end of July, the young wagtails are abroad with their
-parents, like human families, a month or two later, gone out or abroad
-to take their holiday. “Often,” he says, “one may see them wading in
-shallow places, in quest of insects and worms, carefully holding up
-their tails to prevent them being draggled. If you watch the motions
-of an individual just coming up to join the party, you see it alight
-abruptly, twittering its shrill notes, and, perching on a small stone,
-incessantly vibrate its body, and jerk out its tail.” This of course
-is the polite way in which a stranger wagtail introduces itself
-amongst its friends. There they are; now walking out into the water,
-and looking round for food. Now they are on the shore again, running
-rapidly along, picking up, now and then, a dainty morsel, and every
-moment spreading out the ever-vibrating tail. Now they are in the
-adjoining meadow, each one in pursuit of a fly, which it has no sooner
-caught, than it spies another. The lazy geese, which have nibbled
-the grass bare, allow the wagtail to pass in their midst without
-molestation. When the cows are grazing in the midst of a swarm of
-gnats and other insects, as Gilbert White says, as they tread amongst
-the bush herbage they rouse up multitudes of insects which settle on
-their legs, their stomachs, and even their noses, and the wagtails are
-welcomed by the cows as benefactors. Watch them, for they are worth the
-trouble; see, one comes forward and catches a small fly, bends to one
-side to seize another, darts to the right after a third, and springs
-some feet in the air before it secures a fourth, and all this time
-others are running about after other flies, passing close to the cows’
-noses or amongst their feet. With all this running to and fro, and
-hither and thither, they every now and then run in each other’s way;
-but they do not quarrel, aware, no doubt, that there is room enough for
-them in the world, nay, even in the meadow, though it now seems to be
-full of wagtails, all busily occupied, some walking, others running, a
-few flying off and many arriving. You may walk in amongst them; they
-are not very shy, for they will allow you to come within a few yards of
-them. They may always be met with on the shore when the tide is out, as
-well as in the meadow; you will meet with them by the river-side, or by
-the mill-dam. Occasionally you may see<span class="pagenum" id="Page_78">[78]</span> them perched on a roof, a wall,
-or a large stone, but very rarely on a tree or bush.</p>
-
-<div class="footnote">
-
-<p><a id="Footnote_1" href="#FNanchor_1" class="label">[A]</a> “British Birds.”</p>
-
-</div>
-
-<div class="sidenote"><em>The Taunton Pair.</em></div>
-
-<p>They pair about the middle of April, and build by the side of rivers
-in crevices of rock—as in our picture, on a heap of stones, in faggot
-or wood stacks, or in a hole in a wall, but always near water and
-carefully hidden from sight. The nest is made of dry grass, moss, and
-small roots, thickly lined with wool and hair. The eggs are five or six
-in number, of a greyish white, spotted all over with grey and brown.
-As a proof of the confiding nature of this bird, I must mention that
-occasionally it builds in most unimaginable places, directly under the
-human eye—as, for instance, “a pair of them last summer,” says Mr.
-Jesse, “built their nest in a hollow under a sleeper of the Brighton
-Railway, near the terminus at that place. Trains at all times of the
-day were passing close to the nest, but in this situation the young
-were hatched and reared.” Mr. Macgillivray also mentions that a pair
-of these birds built their nest in an old wall near a quarry, within a
-few yards of four men who worked most part of the day in getting the
-stone, which they occasionally blasted. The hen-bird laid four eggs,
-and reared her brood, she and her mate becoming so familiar with the
-quarry-men as to fly in and out without showing the least sign of fear;
-but if a stranger approached they would immediately fly off, nor return
-till they saw him clear off from the place. Another nest was built
-beneath a wooden platform at a coal-pit, where the noisy business of
-unloading the hutches brought up from the pit, was continually going
-forward. But soon the wagtails were quite at home, becoming familiar
-with the colliers and other people connected with the work, and flew
-in<span class="pagenum" id="Page_79">[79]</span> and out of their nest without showing the slightest sign of fear.
-Again, another pair built close to the wheel of a lathe in a workshop
-at a brass manufactory at Taunton amid the incessant din of the
-braziers; yet here the young were hatched, and the mother-bird became
-perfectly familiar with the faces of the workmen; but if a stranger
-entered, or any one belonging to the factory, though not to what might
-be called her shop, she quitted her nest instantly, nor would return
-till they were gone. The male, however, had much less confidence, and
-would not come into the room, but brought the usual supplies of food to
-a certain spot on the roof whence she fetched it. All these anecdotes
-prove how interesting would be the relationship between the animal
-creation and man, if man ceased to be their tyrant or destroyer.</p>
-
-<p>As regards this particular bird, it is not only elegant in its
-appearance, but amiable and attractive in all its ways. “They are,”
-says Bewick, “very attentive to their young, and continue to feed and
-train them for three or four weeks after they can fly; they defend them
-with great courage when in danger, or endeavour to draw aside the enemy
-by various little arts. They are very attentive also to the cleanliness
-of their nests, and so orderly as to have been known to remove light
-substances, such as paper or straw, which have been placed to mark the
-spot.” As regards this proof of their love of order, however, I would
-rather suggest that it may be a proof of their sagacity and sense of
-danger: they suspected that some human visitor, of whose friendly
-character they were not convinced, was intending to look in upon them,
-and they thought it best, therefore, to decline the honour of his
-visit.</p>
-
-<p><span class="pagenum" id="Page_80">[80]</span></p>
-
-<p>The ordinary note of this bird, uttered rapidly if alarmed, is a sort
-of <em>cheep, cheep</em>. In the summer morning, however, it may be heard
-singing a pleasant, mellow and modulated little song. Like the swallow,
-for which it is a match in elegance, it lives entirely on insects. If
-you would only stand silently for a few minutes by a water-side, where
-it haunts, you would be delighted with the grace and activity of its
-movements. “There it stands,” says one of its friends, “on the top of
-a stone, gently vibrating its tail, as if balancing itself. An insect
-flies near; it darts off, flutters a moment in the air, seizes its
-prey, and settles on another stone, spreading and vibrating its tail.
-Presently it makes another sally, flutters around for a while, seizes
-two or three insects, glides over the ground, swerving to either side,
-then again takes its stand on a pinnacle.” Not unfrequently too it
-may be seen on the roof of a house, or in a village street, still in
-pursuit of insects.</p>
-
-<div class="figcenter">
-<a id="image-112"><img src="images/i-112.jpg" alt="" width="402" height="450" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_81">[81]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_XIV">CHAPTER XIV.</h2>
-</div>
-
-<p class="center">THE JACKDAW.</p>
-
-
-<p><span class="smcap">We</span> have called the Rook and Jackdaw first cousins. They are so, and
-are greatly attached to each other. There is a difference, however, in
-their character; the rook is grave and dignified, the jackdaw is active
-and full of fun. But they are fond of each other’s society, and agree
-to associate for nine months in the year: during the other three they
-are both occupied with their respective family cares.</p>
-
-<div class="figcenter">
-<a id="image-115"><img src="images/i-115.jpg" alt="" width="478" height="650" /></a>
-<p class="caption center">JACKDAWS AND NESTLINGS.      [<a href="#Page_82" title="Page 82">Page 82.</a></p>
-</div>
-
-<p>Rooks build in trees in the open air, the nests of the young being
-exposed to all the influences of wind and weather. The jackdaw does not
-approve of this mode. He likes to live under cover, and, therefore,
-makes his nest in holes and crannies, amongst rocks, as in our picture;
-in old and tall buildings, as church towers and steeples, old ruinous
-castles, or old hollow trees. The traditional structure of the family
-nest is certainly that of the rook; a strong frame-work of sticks upon
-which the eggs can be laid, and the clamorous young jackdaws be brought
-up. This our friend Mr. Weir has shown us plainly. But, after all, it
-does not appear that the jackdaw, with all his sharpness, has much
-scientific knowledge, the getting the sticks into the hole being often
-a very difficult piece of work. Mr. Waterton amused himself by watching
-the endless labour and pains which the jackdaw takes in trying to do<span class="pagenum" id="Page_82">[82]</span>
-impossibilities. Thinking it absolutely necessary that a frame-work
-of sticks should be laid in the hole or cavity as the foundation of
-the nest, he brings to the opening just such sticks as the rook would
-use in open spaces, and may be seen trying for a quarter of an hour
-together to get a stick into a hole, holding it by the middle all the
-time, so that the ends prop against each side, and make the endeavour
-impossible. He cannot understand how it is; he knows that sticks ought
-to go into holes, but here is one that will not; and, tired out at
-length, and thinking perhaps that it is in the nature of some sticks
-not to be got into a hole by any means, he drops it down and fetches
-another, probably to have no better result, and this may happen several
-times. But jackdaws have perseverance, and so, with trying and trying
-again, he meets with sticks that are not so self-willed, and that can
-be put into holes, either by being short enough or held the right way,
-and so the foundation is laid, and the easier part of the work goes on
-merrily; for the jackdaw is at no loss for sheets and blankets for his
-children’s bed, though we cannot see them in our picture, the clamorous
-children lying at the very edge of their bed. But if we could examine
-it, we should most likely be amused by what we should find. The jackdaw
-takes for this purpose anything soft that comes readily—we cannot say
-to <em>hand</em>—but to <em>bill</em>. In this respect he resembles the
-sparrow, and being, like him, fond of human society, gleans up out of
-his neighbourhood all that he needs for the comfort of his nestlings.
-Thus we hear of a nest, built in the ruins of Holyrood Chapel, in
-which, on its being looked into for a piece of lace which was supposed
-to be there, it was found also to be lined with part of a worsted
-stocking, a silk <span class="pagenum" id="Page_83">[83]</span>handkerchief, a child’s cap, a muslin frill, and
-several other things which the busy jackdaw had picked up in various
-ways; for it must be borne in mind that he is own cousin to the magpie,
-whose thievish propensities are well known.</p>
-
-<p>The call of the jackdaw is much quicker and more lively than the rook,
-somewhat resembling the syllable <em>yak</em>, variously modulated, and
-repeated somewhat leisurely, but at the same time cheerfully. Its food
-is similar to that of the rook, and going forth at early dawn it may be
-seen in pastures or ploughed fields, busily searching for larvæ, worms,
-and insects. They walk gracefully, with none of the solemn gravity
-either of the rook or raven, and may occasionally be seen running along
-and sometimes quarrelling amongst themselves.</p>
-
-<p>Like the rook, the jackdaw stows away food in its mouth or throat-bag
-to feed its young. Its plumage is black, with shining silvery grey
-behind the head. Occasionally they are found with streaks or patches of
-white, as are also rooks, but these are mere sports of nature.</p>
-
-<div class="sidenote"><em>Mr. Waterton’s Opinion.</em></div>
-
-<p>Mr. Waterton was of opinion that jackdaws lived in pairs all the year
-round, as he had seen them sitting in November on the leafless branches
-of a sycamore, side by side, pruning each other’s heads, and apparently
-full of mutual affection; and as they mostly left the trees in pairs,
-and so returned, he was inclined to think that it was their custom
-always to remain paired.</p>
-
-<p>I will now give you his <em>carte de visite</em> from Macgillivray’s
-“British Birds.” “He is a remarkably active, pert, and talkative little
-fellow, ever cheerful, always on the alert, and ready either for
-business or frolic. If not so respectable as the grave and sagacious
-raven, he is, at least, the most agreeable of the<span class="pagenum" id="Page_84">[84]</span> family, and withal
-extremely fond of society, for, not content with having a flock of his
-own folk about him, he often thrusts himself into a gang of rooks, and
-in winter sometimes takes up his abode entirely with them.”</p>
-
-<p>As to <em>thrusting</em> himself into a gang of rooks, I am, however, of
-opinion that the rooks make him heartily welcome. How do we know what
-amusement they, with their stolid gravity and solemn dignity, find in
-him with all his fun and loquacity? That rooks are really fond of the
-society of jackdaws is proved by an observation of Mr. Mudie. He says
-that “in the latter part of the season, when the rooks from one of the
-most extensive rookeries in Britain made daily excursions of about six
-miles to the warm grounds by the sea-side, and in their flight passed
-over a deep ravine, in the sunny side of which were many jackdaws, he
-observed that when the cawing of the rooks in their morning flight was
-heard at the ravine, the jackdaws, who had previously been still and
-quiet, instantly raised their shriller notes, and flew up to join the
-rooks, both parties clamouring loudly as if welcoming each other; and
-that on the return, the daws accompanied the rooks a little past the
-ravine as if for good fellowship; then both cawed their farewell: the
-daws returned to their home and the rooks proceeded on their way.”</p>
-
-<p>Jackdaws, like rooks, are said to be excellent weather-prophets.
-If they fly back to their roost in the forenoon, or early in the
-afternoon, a storm may be expected that evening, or early in the
-morning.</p>
-
-<div class="sidenote"><em>The Rev. J. G. Wood’s Anecdote.</em></div>
-
-<p>The anecdotes of tame jackdaws are numerous. The Rev. J. G. Wood
-speaks of one which had learnt the art of kindling lucifer matches,
-and thus became a very dangerous inmate,<span class="pagenum" id="Page_85">[85]</span> busying himself in this way
-when the family was in bed, though, fortunately, he seems to have done
-nothing worse than light the kitchen fire which had been laid ready
-for kindling over night. Clever as he was, however, he could not learn
-to distinguish the proper ignitable end of the match, and so rubbed
-on till he happened to get it right. He frightened himself terribly
-at first by the explosion and the sulphur fumes, and burned himself
-into the bargain. But I do not find that, like the burnt child, he
-afterwards feared the fire and so discontinued the dangerous trick.</p>
-
-<p>The jackdaw is easily domesticated, and makes himself very happy in
-captivity, learns to articulate words and sentences, and is most
-amusing by his mimicry and comic humour.</p>
-
-<div class="figcenter">
-<a id="image-119"><img src="images/i-119.jpg" alt="Castle tower" width="354" height="420" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_86">[86]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_XV">CHAPTER XV.</h2>
-</div>
-
-<p class="center">THE SPOTTED FLY-CATCHER.</p>
-
-
-<p><span class="smcap">This</span> pretty little bird is also called the Beam or Pillar-Bird from the
-position which it chooses for its nest. Building mostly in gardens,
-it selects the projecting stone of a wall, the end of a beam or piece
-of wood, under a low roof, or by a door or gateway, the nest being,
-however, generally screened, and often made a perfect little bit
-of picturesque beauty, by the leaves of some lovely creeping rose,
-woodbine, or passionflower, which grows there.</p>
-
-<p>This last summer, one of these familiar little birds, which, though
-always seeming as if in a flutter of terror, must be fond of human
-society, built in a rustic verandah, overrun with Virginian creeper, at
-the back of our house.</p>
-
-<div class="figcenter">
-<a id="image-121"><img src="images/i-121.jpg" alt="" width="476" height="650" /></a>
-<p class="caption center">SPOTTED FLY-CATCHERS AND NEST.      [<a href="#Page_86" title="Page 86">Page 86.</a></p>
-</div>
-
-<p>According to her peculiar fancy she built exactly in the doorway,
-though there were some yards of verandah on either hand; but here was
-the convenient ledge, forming an angle with the upright support; and
-here was placed, as in our picture, the small, somewhat flat nest,
-beautifully, though slightly, put together, of dried grass and moss,
-lined with wool and hair. Here the mother-bird laid her four or five
-greyish-white eggs, with their spots of rusty red, and here she reared
-her young. She had, however, it seemed to us, an uncomfortable time of
-it, <span class="pagenum" id="Page_87">[87]</span>for, though we carefully avoided giving her needless disturbance
-that we almost ceased to use the door, yet there was an unavoidable
-passing to and fro to which she never seemed to get accustomed,
-starting off her nest with a little flutter whenever we came in sight;
-nor—although before she had finished sitting the quick-growing shoots
-of the Virginian creeper, with its broadly-expanding leaves, hid her
-nest so completely that, had it not been for her own timidity, we need
-not have known of her presence—she never lost this peculiar trait of
-character.</p>
-
-<p>The nest which Mr. Harrison Weir has drawn is, doubtless, taken from
-life. I wish, however, he could have seen ours, only about ten feet
-from the ground, a little dome of love, embowered amongst young shoots,
-vine-like leaves and tendrils—a perfectly ideal nest, in which our
-friend, who has as keen a sense of natural beauty as any artist living,
-would have delighted himself.</p>
-
-<p>The colours of this bird are very unobtrusive: the upper parts
-brownish-grey, the head spotted with brown, the neck and breast
-streaked or spotted with greyish-brown. It is a migratory bird, and
-arrives in this country about the middle or end of May, remaining with
-us till about the middle of October, by which time the flies on which
-it lives have generally disappeared.</p>
-
-<div class="sidenote"><em>How it takes its Prey.</em></div>
-
-<p>Its mode of taking its winged prey is curious. Seated, stock-still,
-in a twig, it darts or glides off at the sight of an insect, like the
-bird of our picture, and seizes it with a little snapping noise; then
-returns to its perch ready for more, and so on; incessantly darting out
-and returning to the same spot, till it has satisfied its hunger, or
-moves off to another twig to commence the same pursuit.</p>
-
-<p><span class="pagenum" id="Page_88">[88]</span></p>
-
-<p>When they have young, the number of flies consumed only by one little
-family must be amazing. It is recorded<a id="FNanchor_2" href="#Footnote_2" class="fnanchor">[B]</a> in one instance that a pair
-of fly-catchers, beginning to feed their nestlings at five-and-twenty
-minutes before seven in the morning, and continuing their labour till
-ten minutes before nine at night, supplied them with food, that is to
-say with flies, no less than five hundred and thirty-seven times. The
-gentleman who made these observations says:—“Before they fed their
-young they alighted upon a tree for a few seconds, and looked round
-about them. By short jerks they usually caught the winged insects.
-Sometimes they ascended into the air and dropped like an arrow; at
-other times they hovered like a hawk when set on its prey. They drove
-off most vigorously all kinds of small birds that approached their
-nest, as if bidding them to go and hunt in their own grounds, where
-there were plenty of flies for them. Sometimes they brought only one
-fly in their bills, sometimes several, and flies of various sizes.”</p>
-
-<div class="footnote">
-
-<p><a id="Footnote_2" href="#FNanchor_2" class="label">[B]</a> See Macgillivray’s “<cite>British Birds</cite>.”</p>
-
-</div>
-
-<p>This bird seems to become attached to particular localities, where
-he finds himself conveniently situated and undisturbed. Mr. Mudie
-mentions, in his “Feathered Tribes,” “that a pair of these birds had
-nested in his garden for twelve successive years.” What is the length
-of life of a fly-catcher I cannot say; but probably if they were
-not the same birds, they would be their descendants—birds hatched
-there, and consequently at home. The Rev. J. G. Wood also speaks of
-the same locality having been used by this bird for twenty successive
-years; and he supposes that the young had succeeded to their ancestral
-home. He gives also an interesting account of the commencement<span class="pagenum" id="Page_89">[89]</span> of a
-nest-building by this bird. He says that the female, who seems to be
-generally the active builder, placed, in the first instance, a bundle
-of fine grass in some conveniently-forked branches, and after having
-picked it about for some time, as if regularly shaking it up, she
-seated herself in the middle of it, and there, spinning herself round
-and round, gave it its cup-like form. She then fetched more grasses,
-and after arranging them partly round the edge, and partly on the
-bottom, repeated the spinning process. A few hairs and some moss were
-then stuck about the nest and neatly woven in, the hair and slender
-vegetable fibres being the thread, so to speak, with which the moss was
-fastened to the nest.</p>
-
-<div class="sidenote"><em>Mr. Mudie on Nest-building.</em></div>
-
-<p>Mr. Mudie, also speaking of their nest-building, says that, in one
-instance which came under his notice, “the bird began at seven o’clock
-on a Tuesday morning, and the nest was finished in good time on Friday
-afternoon.” This was certainly rapid work. Mr. Yarrell says that the
-he-bird brings the materials to the hen, who makes use of them—which
-is stated as a general fact by Michelet—and that in constructing her
-nest the little fly-catcher, after she had rounded it into its first
-form, moves backwards as she weaves into it long hairs and grasses with
-her bill, continually walking round and round her nest. This, however,
-can only be when the situation of the nest will allow of her passing
-round it. Our fly-catcher’s nest, and the nest of our picture, are
-placed as a little bed close to the wall, and in such situations the
-nest has sometimes no back, but simply the lining. A very favourite
-place with the fly-catcher for her nest is the hole in a wall, the
-size of a half brick, in which the builder fixed the spar of his
-scaffolding, and<span class="pagenum" id="Page_90">[90]</span> omitted to fill up when he had finished. In these
-convenient little nooks the fly-catcher’s nest fills the whole front
-of the opening, but has seldom any back to it. From all this, I think
-it is clear that the fly-catcher is, in her arrangements, guided by
-circumstances: only, in every case, her little home is as snug as it
-can be.</p>
-
-<div class="figcenter">
-<a id="image-126"><img src="images/i-126.jpg" alt="children looking out a window" width="438" height="550" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_91">[91]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_XVI">CHAPTER XVI.</h2>
-</div>
-
-<p class="center">THE WOOD-PIGEON.</p>
-
-
-<p><span class="smcap">The</span> wood-pigeon, ring-dove, or cushat is one of the most familiar and
-poetical of our birds. Its low, plaintive coo-goo-roo-o-o is one of the
-pleasantest sounds of our summer woods.</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent0">“Tell me, tell me, cushat, why thou moanest ever,</div>
- <div class="verse indent0">Thrilling all the greenwood with thy secret woe?</div>
- <div class="verse indent0">‘I moan not,’ says the cushat, ‘I praise life’s gracious Giver</div>
- <div class="verse indent0">By murmuring out my love in the best way that I know.’”</div>
- </div>
-</div>
-</div>
-
-<p>The wood-pigeon belongs to a large family of birds—<em>columbinæ</em>
-or doves. The earliest mention of them in the world is in Genesis,
-when Noah, wearied with the confinement of the ark, and seeing
-that the mountain tops were visible, selected from the imprisoned
-creatures—first the raven, then the dove, to go forth and report to
-him of the state of the earth. The raven, however, came not back, no
-doubt finding food which tempted him to stay; whilst the dove, finding
-no rest for the sole of her foot, returned, and Noah, putting forth his
-hand, took her in. Again he sent her forth, and she came back in the
-evening, and, lo, in her mouth was an olive leaf plucked off. A third
-time she was sent forth, but now she returned no more. So Noah looked
-out, and behold the face of the earth was dry. And he and his family,
-and all the creatures, again went forth and possessed all things.</p>
-
-<p><span class="pagenum" id="Page_92">[92]</span></p>
-
-<p>This dove might probably be of the carrier-pigeon tribe, which is more
-nearly related to the rock-pigeon, also a native of this country,
-or rather, of the northern parts of Scotland. These carrier-pigeons
-were, in the old times, long enough before the invention of electric
-telegraphs, or even before post-offices were established, used instead
-of both. Anacreon, the Greek poet, speaks of them as being used to
-convey letters; the pigeon, having, as it were, two homes, being fed in
-each; thus, a letter from a friend in one home was tied to the wing,
-and the bird turned into the air, probably without his breakfast, when
-he immediately flew off to his distant home, where the letter was
-joyfully received, and he fed for his pains. Whilst the answer was
-prepared he would rest, and it, perhaps, taking some little time, he
-grew hungry again; but they gave him nothing more, and, again securing
-the letter on his little person, he was sent back, making good speed,
-because he would now be thinking of his supper. Thus, the answer flew
-through the air.</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent2">“Come hither, my dove,</div>
- <div class="verse indent4">And I’ll write to my love,</div>
- <div class="verse indent0">And I’ll send him a letter by thee!”</div>
- </div>
-</div>
-</div>
-
-<div class="figcenter">
-<a id="image-129"><img src="images/i-129.jpg" alt="" width="476" height="650" /></a>
-<p class="caption center">WOOD-PIGEONS AND NEST.      [<a href="#Page_92" title="Page 92">Page 92.</a></p>
-</div>
-
-<p>So says the old song. And we are told that a young man named
-Taurosthenes, one of the victors in the great Olympian games of Greece,
-sent to his father, who resided at a considerable distance, the tidings
-of his success, on the same day, by one of these birds. Pliny, the
-Roman historian, speaks of them being used in case of siege; when the
-besieged sent out these winged messengers, who, cleaving the air at
-a secure height above the surrounding army, conveyed the important
-intelligence of their need to their friends afar off. The crusaders
-are <span class="pagenum" id="Page_93">[93]</span>said to have made use of them at the siege of Jerusalem, and the
-old traveller, Sir John Maundeville—“knight, warrior, and pilgrim,” as
-he is styled—who, in the reign of our second and third Edwards, made
-a journey as far as the borders of China, relates that, “in that and
-other countries beyond, pigeons were sent out from one to another to
-ask succour in time of need, and these letters were tied to the neck of
-the bird.”</p>
-
-<p>But enough of carrier-pigeons. Let us come back to our ring-dove or
-cushat, brooding on her eggs in the sweet summer woods, as Mr. Harrison
-Weir has so truthfully represented her. She is not much of a nest-maker.</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent6">“A few sticks across,</div>
- <div class="verse indent6">Without a bit of moss,</div>
- <div class="verse indent0">Laid in the fork of an old oak-tree;</div>
- <div class="verse indent6">Coo-goo-roo-o-o,</div>
- <div class="verse indent6">She says it will do,</div>
- <div class="verse indent0">And there she’s as happy as a bird can be.”</div>
- </div>
-</div>
-</div>
-
-<p>The nest, however, is not at all insufficient for her needs. You see
-her sitting brooding over her two white eggs in every possible bird
-comfort; and whether her mate help her in the building of the nest
-or not, I cannot say, but he is certainly a very good domesticated
-husband, and sits upon the eggs alternately with her, so that the
-hatching, whatever the building may be, is an equally divided labour.</p>
-
-<div class="sidenote"><cite>Wordsworth’s Tribute of Praise.</cite></div>
-
-<p>Wordsworth sees in this bird an example of unobtrusive home affection.
-He says:—</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent4">“I heard a stock-dove sing or say</div>
- <div class="verse indent4">His homely tale this very day:</div>
- <div class="verse indent4">His voice was buried among the trees,</div>
- <div class="verse indent4">Yet to be come at by the breeze;</div>
-<p><span class="pagenum" id="Page_94">[94]</span></p> </div>
- <div class="stanza">
- <div class="verse indent4">He did not cease, but cooed and cooed,</div>
- <div class="verse indent4">And somewhat pensively he wooed;</div>
- <div class="verse indent4">He sung of love with quiet blending,</div>
- <div class="verse indent4">Slow to begin, and never ending;</div>
- <div class="verse indent4">Of serious faith and inward glee;</div>
- <div class="verse indent4">That was the song—the song for me.”</div>
- </div>
-</div>
-</div>
-
-<p>Wood-pigeons have immense appetites, and, being fond of all kinds of
-grain, as well as peas and beans, are looked upon by the farmer with
-great disfavour. They are, however, fond of some of those very weeds
-which are his greatest annoyance—for instance, charlock and wild
-mustard; so that they do him some good in return for the tribute which
-they take of his crops. They are fond, also, both of young clover and
-the young green leaves of the turnip, as well as of the turnip itself.
-Either by instinct or experience, they have learned that, feeding
-thus in cultivated fields, they are doing that which will bring down
-upon them the displeasure of man. “They keep,” says the intelligent
-author of “Wild Sports in the Highlands,” “when feeding in the fields,
-in the most open and exposed places, so as to allow no enemy to come
-near them. It is amusing to watch a large flock of these birds whilst
-searching the ground for grain. They walk in a compact body; and in
-order that all may fare alike—which is certainly a good trait in their
-character—the hindermost rank, every now and then, fly over the heads
-of their companions to the front, where they keep the best place for
-a minute or two, till those now in the rear take their place. They
-keep up this kind of fair play during the whole time of feeding. They
-feed, also, on wild fruit and all kinds of wild berries, such as the
-mountain-ash, and ivy; and where acorns abound, seem to prefer them to
-anything<span class="pagenum" id="Page_95">[95]</span> else. At the same time, I must confess that they are great
-enemies to my cherry-trees, and swallow as many cherries as they can
-hold. Nor are strawberries safe from them, and the quantity of food
-they manage to stow away in their crops is perfectly astonishing.”</p>
-
-<div class="sidenote"><em>Its Necessary Watchfulness.</em></div>
-
-<p>Besides man, the wood-pigeon has its own bird-enemies. “In districts
-where the hooded crow abounds,” says the author whom I have just
-quoted, “he is always on the look-out for its eggs, which, shining out
-white from the shallow, unsubstantial nest, are easily seen by him.
-The sparrow-hawk seizes the young when they are half-grown and plump;
-he having been carefully noticed watching the nest day by day as if
-waiting for the time when they should be fit for his eating. The larger
-hawks, however, prey upon the poor wood-pigeon himself.”</p>
-
-<p>With all his pleasant cooings in the wood, therefore, and all
-his complacent strutting about with elevated head and protruded
-breast—with all his gambols and graces, his striking the points of
-his wings together as he rises into the air, to express a pleasure to
-his mate beyond his cooing, he has not such a care free life of it. He
-is always kept on the alert, therefore, and, being always on the watch
-against danger, is not at all a sound sleeper. The least disturbance at
-night rouses him. “I have frequently,” continues our author, “attempted
-to approach the trees when the wood-pigeons were roosting, but even
-on the darkest nights they would take alarm. The poor wood-pigeon
-has no other defence against its enemies than its ever watchful and
-never sleeping timidity; not being able to do battle against even the
-smallest of its many persecutors.”</p>
-
-<p>Gilbert White says that the wood-pigeons were greatly<span class="pagenum" id="Page_96">[96]</span> decreasing, in
-his time, in Hampshire, and there were then only about a hundred in the
-woods at Selborne, but in former times the flocks had been so vast, not
-only there, but in the surrounding districts, that they had traversed
-the air morning and evening like rooks, reaching for a mile together,
-and that, when they thus came to rendezvous there by thousands, the
-sound of their wings, suddenly roused from their roosting-trees in an
-evening, rising all at once into the air, was like a sudden rolling of
-distant thunder.</p>
-
-<p>Although the wood-pigeon is considered to be the original parent of
-the tame pigeon, yet it does not seem possible to tame the young of
-this bird, though taken from the nest quite young. It is a bird which
-appears to hate confinement, and, as soon as it has the opportunity,
-spite of all kindness and attention, it flies away to the freedom of
-the woods.</p>
-
-<div class="figcenter">
-<a id="image-134"><img src="images/i-134.jpg" alt="" width="500" height="404" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_97">[97]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_XVII">CHAPTER XVII.</h2>
-</div>
-
-<p class="center">THE WHITE-THROAT.</p>
-
-
-<p><span class="smcap">With</span> none of our migratory birds, our spring visitants from southern
-lands, is the lover of the country more familiar than with the
-White-throat, which, with its nest, is here so beautifully and livingly
-depicted by Mr. Harrison Weir.</p>
-
-<p>This bird, with its many names—White-throat, Peggy-white-throat,
-Peggy-chaw, Charlie-mufty, Nettle-creeper, Whishey-whey-beard or
-Pettichaps—comes to us in April, about the same time as the cuckoo and
-the swallow; the male bird, like his cousin the nightingale, coming
-before the female, but he does not make himself very conspicuous till
-the hedges and bushes are well covered with leaves; then he may be
-found in almost every lane and hedge the whole country over.</p>
-
-<p>As soon as the female is here, and the birds have paired, the business
-of nest-building begins, and they may then be seen flying in and out
-of the bushes with great alertness, the he-bird carolling his light
-and airy song, and often hurling himself, as it were, up into the air,
-some twenty or thirty feet, in a wild, tipsy sort of way, as if he
-were fuller of life than he could hold, and coming down again with a
-warble into the hedge, where the little hen-wife is already arranging
-her dwelling in the very spot probably where she was herself hatched,
-and her ancestors before her, for ages. For I must here remark that
-one of the<span class="pagenum" id="Page_98">[98]</span> most remarkable properties of birds is, that facility by
-which they so regularly disperse themselves over the whole country on
-their arrival after their far migration, each one, in all probability,
-attracted by some attachment of the past, stopping short at, or
-proceeding onward to, the exact spot where he himself first came into
-the consciousness of life. This is one of the wonderful arrangements of
-nature, otherwise of God, by which the great balance is so beautifully
-kept in creation. If the migratory bird arrives ever so weary at Dover,
-and its true home be some sweet low-lying lane of Devonshire, a thick
-hedgerow of the midland counties, or a thickety glen of Westmoreland,
-it will not delay its flight nor be tempted to tarry short of that
-glen, hedgerow, or lane with which the experience of its own life and
-affection is united.</p>
-
-<p>At this charming time of the year none of the various performers in
-nature’s great concert bring back to those who have passed their youth
-in the country a more delicious recollection of vernal fields and lanes
-than this bird of ours, the little white-throat.</p>
-
-<div class="figcenter">
-<a id="image-137"><img src="images/i-137.jpg" alt="" width="470" height="650" /></a>
-<p class="caption center">WHITE-THROAT AND NEST.      [<a href="#Page_98" title="Page 98">Page 98.</a></p>
-</div>
-
-<p>Yes, along those hedges, fresh and fragrant with their young leaves,
-along those banks studded with primroses, campions, blue-bells and
-white starwort, and through the thick growth of the wild rose bushes,
-all of which have a beauty especially their own, the white-throat
-salutes you as you pass, as if to recognise an old acquaintance. He
-is brimful of fun; out he starts and performs his series of eccentric
-frolics in the air, accompanied by his mad-cap sort of warble; or,
-almost as if laughing at you, he repeats from the interior of the
-bushes his deep grave note, <em>chaw! chaw!</em> whence comes the name
-of <span class="pagenum" id="Page_99">[99]</span>peggy-chaw. This, however, is to tell you—and to those who
-understand bird-language it is intelligible enough—that he has now a
-family to attend to, and he begs, very respectfully, that you will not
-trouble yourself about it.</p>
-
-<div class="sidenote"><em>Description of the Bird.</em></div>
-
-<p>A Scotch naturalist says that “the peasant boys in East Lothian imagine
-that the bird is mocking or laughing at them, as it tumbles over the
-hedge and bushes in the lane, and, therefore, they persecute it at all
-times, even more mercilessly than they do sparrows.”</p>
-
-<p>The white-throat is an excitable little bird, rapid in all its
-movements; and though it will apparently allow a person to come near,
-it incessantly flits on, gets to the other side of the hedge, warbles
-its quaint little song, flies to a short distance, sings again, and so
-on, for a long time, returning in the same way. It erects the feathers
-of its head when excited, and swells its throat so much when singing,
-that the feathers stand out like a ruff, whence it has obtained the
-name of <em>Muffety</em>, or Charlie-mufty, in Scotland.</p>
-
-<p>Its colour, on the upper parts of the body, is reddish-brown,
-brownish-white below, with a purely white throat. Its food is
-principally insects and larvæ of various kinds, for which it is always
-on the search amongst the thick undergrowth of the plants and bushes
-where it builds. One of its many names is Nettle-creeper, from this
-plant growing so generally in the localities which it haunts.</p>
-
-<p>Its nest—one of the most light and elegant of these little abodes—may
-truly be called “gauze-like,” for being constructed wholly of fine
-grasses, and very much of the brittle stems of the Galnim aparine, or
-cleavers, which, though slender, are not<span class="pagenum" id="Page_100">[100]</span> pliant, and bend only with an
-angle; they prevent the whole fabric from being closely woven, so that
-it maintains a gauzy texture; the inside, however, is put together more
-closely of finer and more pliant materials, delicate root-filaments,
-and various kinds of hair. The eggs, four or five in number, are of a
-greenish-gray colour, often with a tawny hue, blotched and spotted over
-with dark tints of the same colour.</p>
-
-<p>A correspondent of the author of “British Birds” says that, one morning
-in June, when walking in his shrubbery within about eighty yards of a
-White-throat’s nest, which he was taking great interest in, he found a
-portion of the shell of one of the eggs of this bird, and, fearing that
-a magpie had been plundering it, hastened to the spot, but found to his
-satisfaction that the nest was then full of newly-hatched birds. “The
-shell had,” he says, “been instinctively taken away by the mother in
-order to prevent the discovery of the place of her retreat.” He adds
-that the mother-bird was very shy, and usually dropped from her nest
-with the most astonishing rapidity, and, treading her way through the
-grasses and other entanglements, disappeared in a moment. The young,
-too, seemed greatly to dislike observation, and on his taking one into
-his hand to examine it, it uttered a cry, no doubt of alarm, on which
-all the other little things leapt out of their abode, although not more
-than half-fledged, and hopped amongst the grass. It is a singular fact
-that almost every kind of young bird, if they be caused to leave their
-nest through alarm, or by being handled, can never be induced to stay
-in the nest again, though they may be put back into it time after time.</p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_101">[101]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_XVIII">CHAPTER XVIII.</h2>
-</div>
-
-<p class="center">THE BULL-FINCH.</p>
-
-
-<p><span class="smcap">This</span> bird, which is common to all parts of the country, is very shy,
-and for the greater part of the year haunts the woods and thickets.
-In spring, however, its fondness for tender fruit-buds tempts it into
-gardens and orchards, where, being considered an enemy, it is destroyed
-without mercy. It is a question, however, whether it devours these
-young buds as favourite food, or whether it may not be the equally
-distinctive grub or insect which is the temptation; and thus, that
-it ought rather to be regarded as the friend than the enemy of the
-gardener and fruit-grower. At all events, the general opinion is
-against the poor bull-finch. He is declared to be a devourer of the
-embryo fruit, and no mercy is shown to him. The Rev. J. G. Wood, always
-a merciful judge where birds are concerned, thinks that public opinion
-is unfairly against him. He says that a gooseberry tree, from which it
-was supposed that the bull-finches had picked away every blossom-bud,
-yet bore the same year an abundant crop of fruit, which certainly
-proved that they had picked away only the already infected buds, and so
-left the tree in an additionally healthy state, doubly able to mature
-and perfect its fruit.</p>
-
-<p>Bull-finches seldom associate with other birds, but keep together in
-small flocks as of single families. Its flight, though<span class="pagenum" id="Page_102">[102]</span> quick, is
-somewhat undulating or wavering; and in the winter it may sometimes
-be seen in large numbers flitting along the roadsides and hedges,
-being probably forced out of some of its shyness by the stress of
-hunger. Its ordinary note is a soft and plaintive whistle; its song,
-short and mellow. It is, in its native state, no way distinguished as
-a singing-bird, but at the same time it is possessed of a remarkable
-faculty for learning tunes artificially, of which I may have more to
-say presently.</p>
-
-<p>The bull-finch begins to build about the beginning of May. She places
-her nest, as we see in our illustration, in a bush, frequently a
-hawthorn, at no great distance from the ground. The nest is not very
-solidly put together; the foundation, so to speak, being composed of
-small dry twigs, then finished off with fibrous roots and moss, which
-also form the lining. The eggs, five or six in number, are of a dull
-bluish-white, marked at the larger end with dark spots.</p>
-
-<p>Although there is so little to say about the bull-finch in his natural
-state—excepting that he is a handsome bird, with bright black eyes,
-a sort of rich black hood on his head; his back, ash-grey; his breast
-and underparts, red; wings and tail, black, with the upper tail-coverts
-white—yet when he has gone through his musical education, he is not
-only one of the most accomplished of song-birds, but one of the most
-loving and faithfully attached little creatures that can come under
-human care. These trained birds are known as piping bull-finches.</p>
-
-<div class="figcenter">
-<a id="image-143"><img src="images/i-143.jpg" alt="" width="482" height="650" /></a>
-<p class="caption center">BULL-FINCH AND NESTLINGS.      [<a href="#Page_102" title="Page 102">Page 102.</a></p>
-</div>
-
-<div class="sidenote"><em>How it is taught to pipe.</em></div>
-
-<p>Bishop Stanley, in his “History of Birds,” thus describes the method by
-which they are taught:—</p>
-
-<p>“In the month of June, the young ones, which are taken from the nest
-for that purpose, are brought up by a person, <span class="pagenum" id="Page_103">[103]</span>who, by care and
-attention, so completely tames them that they become perfectly docile
-and obedient. At the expiration of about a couple of months, they first
-begin to whistle, from which time their education begins, and no school
-can be more diligently superintended by its master, and no scholars
-more effectually trained to their own calling, than a seminary of
-bull-finches. They are formed first into classes of about six in each,
-and, after having been kept a longer time than usual without food, and
-confined to a dark room, the tune they are to learn is played over
-and over again, on a little instrument called a bird-organ, the notes
-of which resemble, as nearly as possible, those of the bull-finch;
-sometimes, also, a flageolet is used for this purpose, and birds so
-taught are said to have the finer notes. For awhile the little moping
-creatures will sit in silence, not knowing what all this can mean; but
-after awhile one by one will begin to imitate the notes they hear, for
-they have great power of imitation as well as remarkably good memories.
-As soon as they have said their lesson all round, light is admitted
-into the room, and they are fed.</p>
-
-<p>“By degrees the sound of the musical instrument—be it flageolet or
-bird-organ—and the circumstance of being fed, become so associated in
-the mind of the hungry bird, that it is sure to begin piping the tune
-as soon as it hears it begin to play. When the little scholars have
-advanced so far they are put into a higher class, that is to say, are
-turned over each to his private tutor; in other words, each bird is put
-under the care of a boy who must carry on its education, and who plays
-on the little instrument from morning to night, or as long as the bird
-can pay attention, during which time the head-master<span class="pagenum" id="Page_104">[104]</span> or feeder goes
-his regular rounds, scolding or rewarding the little feathered scholars
-by signs and modes of making them understand, till they have learned
-their lessons so perfectly, and the tune is so impressed on their
-memories, that they will pipe it to the end of their days; and let us
-hope, as I believe is the fact, that they find in it a never-ending
-delight.</p>
-
-<p>“Just as in human schools and colleges, it is only the few out of the
-great number who take the highest honours or degrees, or become senior
-wranglers, so it is not above five birds in every hundred who can
-attain to the highest perfection in their art! but all such are valued
-at a very high price.”</p>
-
-<p>It is allowable to hope that the poor bull-finch, which has thus
-industriously applied himself to learn, and has thus become
-artificially gifted with the power of pleasing, takes great
-satisfaction in his accomplishment. Perhaps also the association with
-his human teacher calls forth his affection as well as his power of
-song, for it is a fact that the piping bull-finch is, of all birds,
-given to attach itself to some one individual of the family where it
-is kept, expressing, at their approach, the most vehement delight,
-greeting them with its piping melody, hopping towards them, and
-practising all its little winning ways to show its love, and to court a
-return of caresses.</p>
-
-<p>“An interesting story,” says the bishop, “was told by Sir William
-Parsons, who was himself a great musician, and who, when a young man,
-possessed a piping bull-finch, which he had taught to sing, ‘God save
-the king.’ On his once going abroad, he gave his favourite in charge
-to his sister, with a strict injunction to take the greatest care of
-it. On his return, one of his first visits was to her, when she told
-him that the<span class="pagenum" id="Page_105">[105]</span> poor little bird had been long in declining health, and
-was, at that moment, very ill. Sir William, full of sorrow, went into
-the room where the cage was, and, opening the door, put in his hand,
-and spoke to the bird. The poor little creature recognised his voice,
-opened his eyes, shook his feathers, staggered on to his finger, piped
-‘God save the king,’ and fell down dead.”</p>
-
-<div class="sidenote"><em>The Devoted Affection of Birds.</em></div>
-
-<p>We see in the piping bull-finch—a bird which in its education is
-closely associated with man—the deep and devoted affection of which
-it is capable; and if we could only live with the animal creation as
-their friends and benefactors, we should no longer be surprised by such
-instances of their intelligence and love.</p>
-
-<div class="figcenter">
-<a id="image-147"><img src="images/i-147.jpg" alt="a nest among the leaves" width="403" height="450" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_106">[106]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_XIX">CHAPTER XIX.</h2>
-</div>
-
-<p class="center">THE MISSEL-THRUSH.</p>
-
-
-<p><span class="smcap">This</span> is the largest of our British song birds. It remains with us
-through the whole year, not being migratory, excepting in so far as it
-moves off in considerable flocks into Herefordshire and Monmouthshire
-for the sake of the mistletoe which abounds in the orchards there,
-on the viscous berries of which it delights to feed, and whence it
-has obtained its familiar name of missel, or mistletoe thrush. It is
-generally believed that this curious parasitic plant was propagated or
-planted upon the branches of trees, by this bird rubbing its bill upon
-the rough bark to clean it from the sticky substance of the berry, and
-thus introducing the seeds into the interstices of the bark.</p>
-
-<div class="figcenter">
-<a id="image-149"><img src="images/i-149.jpg" alt="" width="477" height="650" /></a>
-<p class="caption center">MISSEL-THRUSHES AND NEST.      [<a href="#Page_106" title="Page 106">Page 106.</a></p>
-</div>
-
-<p>The Missel-thrush is a handsome bird; the head, back, and upper coverts
-of the wings olive-brown, the latter tipped with brownish-white,
-spotted with brown; the breasts and under parts pale yellow, covered
-with black spots; the legs are yellow and the claws black.</p>
-
-<p>It is a welcome bird, being the earliest harbinger of spring, the first
-singer of the year. Long before the swallow is thought of, before even
-the hardy familiar robin has begun his song, its clear rich voice
-may be heard on Christmas or New Year’s day, often amidst wild winds
-and winterly storms, whence its also familiar name, the storm-cock.
-It is known by different names <span class="pagenum" id="Page_107">[107]</span>in different parts of the country.
-The origin of its more general appellation—the missel-thrush—I have
-already mentioned. In the midland counties it is called the thrice
-cock, but why I know not. In Wales it is known as <em>Pen-y-llwyn</em>,
-which means the head or master of the coppice. Why it is so called I
-will mention presently.</p>
-
-<div class="sidenote"><em>A Description of the Nest.</em></div>
-
-<p>The nest of the missel-thrush is large and well constructed, being
-made of almost every material ordinarily used for nest-making
-purposes—moss, and hay, and straw, and dry leaves, and little twigs,
-and locks of wool, with occasional odds and ends of every possible
-kind. All these are woven and wrought together very compactly; not,
-however, without loose straws and little tangles of wool hanging about.
-Within is a smooth casing of mud, as in the nest of the throstle, and
-within that a second coating of dry grass. Our picture represents all
-as being now complete. The busy labours of the year are now over; the
-eggs, four or five in number, of a greenish-blue, marked with reddish
-spots, are laid, and the mother-bird has taken her patient seat upon
-them, whilst her mate, from the branch above, sings as if he never
-meant to leave off again.</p>
-
-<p>The song of this bird is loud, clear, and melodious—a cheering,
-hopeful song; and when heard amidst the yet prevailing winter-storms,
-as if in anticipation of better times, it well deserves our admiration.
-It resembles, to a certain degree, the song of the blackbird and the
-thrush, and is often mistaken for them; but it has not the short,
-quick, and varied notes of the one, nor the sober, prolonged, and
-eloquent melody of the other. On the contrary it is of an eager,
-hurrying character,<span class="pagenum" id="Page_108">[108]</span> as if it could not sufficiently express its
-emotion, and yet was trying to do so.</p>
-
-<p>The missel-thrush is a bird of very marked character, and is both bold
-and chivalrous. Its harsh, jarring note of anger and defiance is the
-first to be heard when a bird-enemy is at hand. If a cuckoo or hawk is
-anywhere near meditating mischief, the missel-thrush is vehement in his
-expression of displeasure. In our own neighbourhood, where the jays in
-summer come from the wood to carry the young of the sparrows from their
-nests in the ivied boles of the trees round our garden, the outcry of
-the parent sparrows instantly arouses the sympathetic missel-thrushes,
-who, with a scolding defiance, rush to the rescue. Of course these
-birds, which are of so militant a character, and so loud in protesting
-against a wrong done to another, will be equally alive to their own
-rights, and active in defending their own nests and young. Some
-naturalists have suggested that this combatant temper and extraordinary
-courage are but the natural consequence of the bird finding its nest
-open to common attack; for, being of a large size, and built early in
-the year whilst the trees are yet leafless, it is visible to every
-enemy and depredator.</p>
-
-<p>Mr. Thompson says: “Often have I seen a pair of these birds driving off
-magpies, and occasionally fighting against four of them. One pair which
-I knew attacked a kestrel which appeared in their neighbourhood when
-the young were out. One of them struck the hawk several times, and made
-as many more fruitless attempts, as the enemy, by suddenly rising in
-the air, escaped the cunning blow. They then followed the kestrel for a
-long way, until they were lost to our sight in the distance.”</p>
-
-<p><span class="pagenum" id="Page_109">[109]</span></p>
-
-<p>The old Welsh name of “master, or head of the coppice,” refers to the
-same warlike spirit. “The missel-thrush,” says Gilbert White, “suffers
-no magpie, jay, or blackbird to enter the garden where he haunts, and
-is, for the time, a good guardian of the new-sown crops. In general, he
-is very successful in defence of his family. Once, however, I observed
-in my garden that several magpies came determined to storm the nest of
-the missel-thrush. The parent-birds defended their mansion with great
-vigour, and fought resolutely. But numbers at last prevailed, and the
-poor missel-thrushes had the pain of seeing their nest torn to pieces,
-and their young carried off.”</p>
-
-<div class="sidenote"><em>The Gardeners’ Enemy.</em></div>
-
-<p>The missel-thrushes, however, as the year goes on, make for themselves
-enemies even more formidable than hawks or magpies; these are the
-gardeners. Towards the end of summer, when the young have flown,
-and they and the parent-birds congregate in large flocks, having
-then nothing to do but to enjoy themselves, like human families when
-children are all home for the holidays, they too go abroad on their
-excursions of pleasure; not, however, to sea-side watering places, but
-into gardens where the cherries and raspberries are ripe. Poor birds!
-Little aware of their danger, or if they be so, defiant of it in the
-greatness of the temptation, they make sad havoc amongst the fruit,
-and many unfortunates are shot or snared, and then hung up amidst the
-cherry-boughs or the raspberry-canes as a terror to their associates.
-It is a pity we cannot make them welcome to some and yet have enough
-left for ourselves.</p>
-
-<p>The berries of the mountain-ash and the arbutus, and later<span class="pagenum" id="Page_110">[110]</span> on in the
-year those of the holly and ivy, supply them with food, as do also
-in the spring and summer insects of various kinds—caterpillars and
-spiders—so that in this respect they are good friends to the gardener,
-and might, one thinks, be made welcome to a little fruit in return.</p>
-
-<div class="figcenter">
-<a id="image-154"><img src="images/i-154.jpg" alt="nest in a tree" width="389" height="450" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_111">[111]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_XX">CHAPTER XX.</h2>
-</div>
-
-<p class="center">THE YELLOW-HAMMER, OR YELLOW-HEAD.</p>
-
-
-<p><span class="smcap">This</span>, though an extremely pretty bird, is so common that very
-little notice is taken of it. Its colours are varied and beautiful:
-the back and wings, bright red; the central part of each feather,
-brownish-black; the head and throat, bright yellow; the feathers of the
-upper part tipped with black; the breast, brownish-red. The colours of
-the female are much duller.</p>
-
-<p>The yellow-hammer resembles linnets, finches, and sparrows in character
-and habits, and often associates with them, resorting to the fields in
-open weather, and often perching in hedges and bushes as well as in
-trees. In the winter, when the weather is severe, it congregates, with
-other birds, about houses, farm-buildings, and stack-yards.</p>
-
-<p>One of the most pleasing features of autumn is, to my mind, these
-flocks of kindred birds, which are at that time all abroad and yet
-together, circling in their flight, all rising as you approach, and
-wheeling away into the stubble-field, or into the distant hedges, now
-rich with their wild fruits—the blackberry, the wild rose hip, and the
-bunches of black-privet berries—and then away again, as you approach,
-with their variously modulated notes, through the clear air into the
-yet more distant stubble or bean-field.</p>
-
-<p>The flight of the yellow-hammer is wavy and graceful, and,<span class="pagenum" id="Page_112">[112]</span> alighting
-abruptly, he has a curious way of jerking out his tail feathers like
-a little fan. All at once a whole flock of them will descend from a
-considerable height and settle on the twigs of a tree, clothing it as
-with living leaves. Whatever number the flock may consist of, there
-is no impatient hurry or jostling among them to get the best perch,
-every individual settling as if on its own appointed place. As I have
-already observed, nothing is more charming at this season than these
-congregated companies of small birds. All the cares of life are now
-over, their young broods are around them, and now, with nothing to
-do but to enjoy themselves in the freedom of nature, where—on every
-hand, on every bush and tree, and in every outlying field—though the
-crops are now carried, all except, perhaps, here and there a solitary
-field in which the bean-shocks stand up black in the golden autumnal
-sunshine; but here, and there, and everywhere, a full table is spread,
-and they are welcome to enjoy.</p>
-
-<p>In spring and summer, the yellow-hammer sings a peculiar but
-mournful sort of little ditty, composed of a few short, sonorous
-notes, concluding with one long drawn out. In the midland
-counties, where stocking-weaving is the business of the people,
-the note of the bird is said to resemble the working of the
-machine—ch-ch-ch-ch-ch-e-e-chay—the prolonged latter syllable being
-what the stockinger calls, in the machine movement, “pressing over the
-arch.” In other parts of the country this bird’s song is interpreted as
-“A little bit of bread, and—no-cheese!” which may just as well be “A
-little bird am I, and—no thief!”</p>
-
-<div class="figcenter">
-<a id="image-157"><img src="images/i-157.jpg" alt="" width="477" height="650" /></a>
-<p class="caption center">YELLOW-HAMMER AND NEST.      [<a href="#Page_112" title="Page 112">Page 112.</a></p>
-</div>
-
-<p>The food of this bird consists of the seeds of all kinds of <span class="pagenum" id="Page_113">[113]</span>grasses,
-chickweeds, polygonums, and other such weeds; also, in summer, when
-food is needed for the young, insects and larvæ.</p>
-
-<div class="sidenote"><em>Its Picturesque Nest.</em></div>
-
-<p>The winter congregations break up in April, and then the yellow-hammer
-begins to think of family joys and cares. But, unlike their relations
-the sparrows and finches, the he-birds take everything quietly, without
-having their little skirmishes to show their spirit and prowess, like
-the knights of old, at the tournament, before the admiring ladies. The
-yellow-hammer does everything quietly, choosing his mate in an orderly
-way; and now that the buds are swelling on the trees, the primroses
-gemming the hedge-banks, and the golden catkins hanging on the willows
-by the watersides, hither come the little yellow-hammers, and, having
-selected some sweet, hidden spot, under a bush, or on the fieldy banks
-amongst the thick herbage—we see it a month later in our picture,
-when the buds have expanded into leaves, in a wild growth of beautiful
-grasses and herbage—begin to make their nest. How picturesque it is!
-William Hunt never painted anything more beautiful. The nest itself
-is somewhat large, and of simple construction, woven externally of
-coarse bents and small pliant twigs, and lined with hair and wool. Here
-the hen lays four or five eggs of a purplish white, marked with dark,
-irregular streaks, often resembling musical notes.</p>
-
-<p>These poor little birds are extremely attached to their home and their
-young, so much so, that if these be taken by the pitiless bird-nester,
-they will continue for some days about the place uttering the most
-melancholy plaint, which, though still to the same old tune as the song
-of their spring rejoicing, has now the expression of the deepest woe.</p>
-
-<p><span class="pagenum" id="Page_114">[114]</span></p>
-
-<p>The author of “British Birds” thus sums up their various characteristic
-actions:—“When perched on a tree, especially in windy weather, they
-crouch close to the twigs, draw in their necks, and keep their tails
-declined. After pairing, the male is generally seen on a bush or tree,
-raising his tail by sudden jerks, and slightly expanding it. His notes
-are then usually two chirps, followed by a harsher note—cit, chit,
-chirr—with considerable intervals. When feeding in the stubble-fields,
-they advance by very short leaps, with their breasts nearly touching
-the ground; when apprehensive of danger they crouch motionless, and
-when alarmed give information to each other by means of their ordinary
-short note.”</p>
-
-<div class="figcenter">
-<a id="image-160"><img src="images/i-160.jpg" alt="nest of eggs" width="440" height="450" /></a>
-</div>
-
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_115">[115]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_XXI">CHAPTER XXI.</h2>
-</div>
-
-<p class="center">THE MAGPIE.</p>
-
-
-<p><span class="smcap">You</span> have here a living portrait of the Magpie, sitting, so to speak, on
-his own door-sill, and contemplating it with rather a sentimental air,
-perhaps rather with tender admiration; and as to his dwelling, it is,
-we must confess, a wonderful structure—a half-timbered edifice, so to
-speak, walled-round and roofed-in, with its front-door and all complete.</p>
-
-<p>The magpie is one of our most beautiful as well as most amusing and
-characteristic birds. He is cousin to the jackdaw, and has, like him,
-odd ways of his own. In all countries where he is found, he is just the
-same. An old Greek poet, who lived two thousand years ago, speaks of
-him as a great mimic, and such an inordinate talker, that, in his own
-satirical humour, he pretends to believe that magpies were originally a
-family of young ladies, in Macedonia, who were noted for the volubility
-of their tongues. Handsome he is, as well as talkative, and very droll
-and mischievous.</p>
-
-<p>Being such, we need not wonder that his nest is very original. He likes
-to place it in a secure angle of branches, on some lofty tree, as we
-see it here, fifty feet or so from the ground; and prefers to have it
-on a tree bare of branches to a considerable height, knowing that it
-is then more inaccessible. He is wise in all this, for its bulk being
-so large it is discernible to a great<span class="pagenum" id="Page_116">[116]</span> distance. As magpies, however,
-are found almost everywhere, and in some parts of the country, the
-north of Scotland for instance, where there are no trees, the poor
-magpie is then obliged to build in a bush, and do the best he can. In
-such a case, in Norway, he was known to barricade his nest with thorny
-branches, brought thither by himself for that purpose, till it was next
-to impossible for the domicile to be invaded. A cat could not get to
-it, and a man only with hedging-mittens on his hands, and by help of a
-bill-hook.</p>
-
-<p>Like the rook, the magpie inhabits the same nest for several years,
-perhaps for the whole of his life, putting it into repair every year
-before he again needs it for family use—like a wealthy country family
-taking possession of their ancestral mansion in the spring.</p>
-
-<p>And now, turning to our picture, we find our magpie in excellent
-circumstances. Every thing has gone well with him. Here he is, and I
-will have the pleasure of giving you a bit of every-day magpie life,
-as sketched by that true pen-and-ink artist, the author of “British
-Birds.” Our scene opens a few minutes before the time indicated in our
-picture:—</p>
-
-<div class="figcenter">
-<a id="image-163"><img src="images/i-163.jpg" alt="" width="477" height="650" /></a>
-<p class="caption center">MAGPIE AND NEST.      [<a href="#Page_116" title="Page 116">Page 116.</a></p>
-</div>
-
-<div class="sidenote"><em>A Search for Food.</em></div>
-
-<p>“There, on the old ash-tree, you may see a pair, one perched on the
-topmost twig, the other hopping on the branches below, keeping up an
-incessant chatter. How gracefully she, on the topmost twig, swings in
-the breeze! Off she starts, and directs her flight to the fir-woods
-opposite, chattering all the way, seemingly to call her mate after her.
-But he prefers remaining behind. He is in a brown study, or something
-of that kind, as we can plainly see. Now, having spied something
-below, he hops downwards from twig to branch, and <span class="pagenum" id="Page_117">[117]</span>descends to the
-ground. His ash-tree, you must understand, grows close to, and in part
-overshadows, a farmyard; so now he is on ground which, as is customary
-in such places, is not over clean; therefore, lifting up his tail to
-prevent it being soiled or wet, as the farmer’s wife might hold up her
-Sunday gown, and raising his body as high as possible, he walks a few
-paces, and, spying an earth-worm half out of his hole, drags it forth
-by a sudden jerk, breaks it in pieces, and swallows it. Now, under the
-hedge, he has found a snail, which he will presently pick out of its
-shell, as an old woman would a periwinkle. But now something among the
-bushes has startled him, and he springs lightly upwards, chattering
-the while, to regain his favourite tree. It is a cat, which, not less
-frightened than himself, for both are intent on mischief, runs off
-towards the barn. The magpie again descends, steps slowly over the
-grassy margin of the yard, looking from side to side, stops, listens,
-advances rapidly by a succession of leaps, and encounters a whole brood
-of chickens, with their mother at their heels. If she had not been
-there he would have had a delicious feast of one of those chickens;
-but he dare not think of such a thing now, for, with fury in her eye,
-bristled plumage, and loud clamour, the hen rushes forward at him,
-overturning two of her younglings, and the enemy, suddenly wheeling
-round to avoid the encounter, flies off to his mate.</p>
-
-<p>“There again you perceive them in the meadow, as they walk about with
-their elevated tails, looking for something eatable. By the hedge, afar
-off, are two boys, with a gun, endeavouring to creep up to a flock of
-plovers on the other side. But the magpies see them, for there are not
-many things which<span class="pagenum" id="Page_118">[118]</span> escape their sharp eyes, and presently rising, they
-fly directly over the field, chattering vehemently, and the flock of
-plovers on this take wing, and the disappointed young sportsmen sheer
-off in another direction.”</p>
-
-<p>Magpies always make a great chattering when they are disturbed, or
-when they apprehend that danger is near. Waterton says that they
-are vociferous at the approach of night, and that they are in truth
-valuable watchmen on that account. “Whoever enters the wood,” he
-says, “is sure to attract their notice, and then their challenge is
-incessant. When I hear them during the night, or even during the
-day, I know that mischief is on the stir. Three years ago, at eleven
-o’clock in the day, I was at the capture of one of the most expert
-and desperate poachers, to whose hiding-place we were directed by the
-chatter of the magpies.”</p>
-
-<p>The poor magpie has many enemies, and, knowing this, is always on the
-watch, and easily alarmed.</p>
-
-<p>Its mode of walking is like that of the rook, but not having any
-dignity to maintain, it every now and then leaps in a sidelong
-direction. When alarmed itself, or wishing to announce danger to other
-birds, it utters a sort of chuckling cry or chatter. If a fox or cat,
-or any other unfriendly animal, approaches, it hovers about it, and
-alarms the whole neighbourhood by its cries till the enemy is out of
-sight.</p>
-
-<p>Like the jackdaw, it generally keeps in pairs the whole year round;
-and, indeed, when birds continue to inhabit the same nest, season after
-season, it is quite natural that they should do so. It is a curious
-fact, however, that if by any accident the hen-magpie is killed, whilst
-sitting on her eggs, her mate sets<span class="pagenum" id="Page_119">[119]</span> off at once and brings home another
-wife, who takes to the nest and eggs, just as if she had laid them; and
-if by another mischance she too should come to an untimely end, the
-widower again goes off, and, without any loss of time, brings back a
-third wife, and she takes to her duties quite as naturally and lovingly
-as the other did; but where all these surplus mothers come from is a
-question which no naturalist has yet answered, and the magpie, with all
-his chattering, is not clever enough to explain the wonder.</p>
-
-<div class="sidenote"><em>Its Beautiful Plumage.</em></div>
-
-<p>The beauty of this bird’s plumage is familiar to all; and although it
-is simply black and white, yet the exquisitely-coloured gloss of green,
-blue, and purple, with their varying and intermingling tints, produce
-such a charming effect that one cannot sufficiently admire them.</p>
-
-<p>With the external structure of the magpie’s nest we are acquainted: the
-lower part, inside, is neatly plastered with mud, “and is furnished,”
-says Bewick, “with a sort of mattress, formed of wool or fibrous roots,
-on which from three to six eggs are laid.” The eggs frequently vary,
-both in size and colour; sometimes they are of a pale green, freckled
-over with amber-brown and light purple; sometimes pale blue, with
-smaller spots of the same dark colours.</p>
-
-<p>The nest is, so to speak, a sort of little domed chamber, of a good
-size for its purpose; but then comes the question—What does the magpie
-do with her long tail as she sits on her eggs? It would certainly
-poke a hole through the wall if left to its full extent; she must,
-therefore, lift it up, as she does when walking amongst the wet grass,
-and sit with it laid flat against the wall, which probably is not
-inconvenient to her.</p>
-<hr class="chap x-ebookmaker-drop" />
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_120">[120]</span></p>
-
-<h2 class="nobreak" id="CHAPTER_XXII">CHAPTER XXII.</h2>
-</div>
-
-<p class="center">THE NUTHATCH.</p>
-
-
-<p><span class="smcap">This</span> bird is almost an entire stranger to most people. It belongs to
-the rather large family of creepers; birds which, like the woodpecker
-and the little golden-crested wren, run up the holes and branches of
-trees in search of food. The nuthatch, however, has an advantage over
-all its other creeping relatives, by being gifted with the power of
-coming down the tree head foremost, which none of them have. It can
-also sleep with its head downwards; neither in its rapid ascent has it
-occasion to press its tail against the tree for help; so that it is the
-most accomplished little acrobat of the whole race of creepers.</p>
-
-<div class="figcenter">
-<a id="image-169"><img src="images/i-169.jpg" alt="" width="482" height="650" /></a>
-<p class="caption center">NUTHATCH AND NEST.      [<a href="#Page_120" title="Page 120">Page 120.</a></p>
-</div>
-
-<p>The nuthatch cannot be called a rare bird, and yet it is not often
-seen, being of a shy and retiring disposition, though naturally lively
-and active. The plumage is very pleasing in colour; the upper parts
-of the body are bluish-grey; a black line passes from the corners of
-the mouth to the back of the neck; the breast and under parts light
-reddish-yellow, and the sides reddish-brown.</p>
-
-<p>It delights in woods and trees; nor need it be looked for elsewhere,
-as it derives its food entirely amongst them, either of insects and
-larvæ, hidden in the bark, or of fruits and nuts, as kernels of
-fir-cones, beech, and other nuts, the shells of which it <span class="pagenum" id="Page_121">[121]</span>breaks in
-a very ingenious manner, as I shall presently describe. Now and then
-it alights on the ground, and then advances by short leaps. It has no
-song; but in winter, when living in small companies, perhaps the whole
-summer-family associating together, it has a little piping note, which,
-however, is supposed to be simply the call to each other. It is said to
-be sensitive to the cold, and always feeds on the side of the wood or
-of the tree which is defended from the wind. In spring, however, when
-all nature is renovated with a quicker pulse of life—for, as Tennyson
-says:—</p>
-
-<div class="poetry-container">
-<div class="poetry">
- <div class="stanza">
- <div class="verse indent0">In the spring a fuller crimson comes upon the robin’s breast;</div>
- <div class="verse indent0">In the spring the wanton lapwing gets himself another crest;</div>
- <div class="verse indent0">In the spring a livelier iris changes on the burnished dove—</div>
- </div>
-</div>
-</div>
-
-<p>then, also, the silent nuthatch sends forth through the awakening
-solitude of the woods his two little notes, one short and twittering,
-the other a low, mellow, flute-like whistle, which is so clear that it
-may be heard to a considerable distance.</p>
-
-<div class="sidenote"><em>Its Favourite Food.</em></div>
-
-<p>The graphic author of the “British Birds” says, “It is, at all times,
-a busy and cheerful bird, particularly at nesting-time. Its favourite
-food is nuts of any kind. It builds and roosts in hollow trees, and
-is seldom seen in the open fields, unless when in quest of the stones
-of the white-thorn or sloe. It may, therefore, be properly called a
-forester. Its dexterity in opening nuts and the stones of fruit is
-curious. It fixes the nut in a crack, on the top of a post, or in the
-bark of a tree, and, placing itself above it, head downwards, striking
-with great force and rapidity, with its strong, wedge-shaped bill on
-the edge of the shell, splits it open. When their food is plentiful,<span class="pagenum" id="Page_122">[122]</span>
-they have a favourite crack for unshelling the kernels, as sometimes a
-peck of broken shells may be seen under this crack.”</p>
-
-<p>The Rev. W. T. Bree tells us that “the tapping of the bird on the hard
-shell may be heard at a considerable distance, and that during the
-operation it sometimes happens that the nut swerves from its fixture
-and falls towards the ground. It has not descended, however, for the
-space of more than a few yards, when the nuthatch, with admirable
-adroitness, recovers it in the fall, and, replacing it in its former
-position, commences the attack afresh. The fall of the nut in the air,
-and the recovery by the bird on the wing, I have seen repeated several
-times in the space of a few minutes.”</p>
-
-<p>This is a little act of skill in the bird which it would be charming to
-observe; and here again I would remark, as I have so often done before,
-that this is but a single instance of what many of us, living in the
-country, might witness in some woodland nook near at hand, if we would
-only be lovingly still and patient, and interest ourselves in the ways
-and means of the innocent animal-life around us.</p>
-
-<p>The nest of the bird also deserves our notice; and let me here call
-your attention to the beautiful and living little portrait of the bird
-at home, given us by Mr. Harrison Weir, than which we have nothing more
-truthful from his pencil. The home of the nuthatch is nothing more, to
-begin with, than the hole in an old tree, which, probably, has been
-deserted by the woodpecker. As, however, the woodpecker either requires
-a more enlarged entrance to her nursery, or considers it more seemly,
-the nuthatch, who merely likes a snug little hole to creep in at, and
-nothing more, walls up the opening with a plastering of<span class="pagenum" id="Page_123">[123]</span> clay or mud,
-leaving only just room enough for herself to enter. Perhaps she may be
-afraid of the old tenants returning and again taking possession, so
-builds up a little defence in front; but of that I cannot say; certain
-it is she makes herself comfortably at home in rather an untidy nest,
-composed mostly of dead oak-leaves, and here she lays six or seven
-white eggs, with ruddy spots on them.</p>
-
-<div class="sidenote"><em>Her Defence of her Young.</em></div>
-
-<p>If the plaster wall be by any chance removed, the poor bird loses not
-a moment in replacing it; and though she has apparently great dread
-of any enemy—the woodpecker, snake, man, or whatever else he may be,
-disturbing her—yet so faithfully devoted is she to her duties, that
-scarcely anything will induce her to leave the eggs or young. She
-fights vigorously in defence of her home and its treasures, striking
-out with her bill and wings, and making a hissing, angry noise. Nay,
-timid and shy as she naturally is, she will suffer herself to be
-carried off captive rather than desert her charge.</p>
-
-<p>Let me conclude with one of Bechstein’s anecdotes of the nuthatch:—</p>
-
-<p>“A lady amused herself in the winter by throwing seeds on the terrace,
-below the window, to feed the birds in the neighbourhood. She put some
-hemp-seed and cracked nuts even on the window-sill, and on a board, for
-her particular favourites, the blue-tits. Two nuthatches came one day
-to have their share of this repast, and were so well pleased that they
-became quite familiar, and did not even go away in the following spring
-to get their natural food and to build their nest in the wood. They
-settled themselves in the hollow of an old tree near the house.</p>
-
-<p>“As soon as the two young ones which were reared here were<span class="pagenum" id="Page_124">[124]</span> ready to
-fly, they brought them to the hospitable window, where they were to be
-nourished, and soon after disappeared entirely. It was amusing to see
-these two new visitors hang or climb on the walls or blinds, whilst
-their benefactress put their food on the board. These pretty creatures
-as well as the tits, knew her so well, that when she drove away the
-sparrows, which came to steal what was not intended for them, they did
-not fly away also, but seemed to know what was done was only to protect
-and defend them. They remained near the house for the whole summer,
-rarely wandering, till one fatal day, at the beginning of the sporting
-season, in autumn, on hearing the report of a gun, they disappeared and
-were never seen again.”</p>
-
-<div class="figcenter">
-<a id="image-174"><img src="images/i-174.jpg" alt="" width="313" height="350" /></a>
-</div>
-
-<hr class="full x-ebookmaker-drop" />
-
-<p class="center"><span class="smcap">Watson & Hazell</span>, Printers, 28, Charles Street, Hatton Garden.</p>
-
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK BIRDS AND THEIR NESTS ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one—the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away—you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin-top:1em; font-size:1.1em; text-align:center'>START: FULL LICENSE</div>
-<div style='text-align:center;font-size:0.9em'>THE FULL PROJECT GUTENBERG LICENSE</div>
-<div style='text-align:center;font-size:0.9em'>PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg™ mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase “Project
-Gutenberg”), you agree to comply with all the terms of the Full
-Project Gutenberg™ License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg™
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg™ electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg™ electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. “Project Gutenberg” is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg™ electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg™ electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg™
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (“the
-Foundation” or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg™ electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg™ mission of promoting
-free access to electronic works by freely sharing Project Gutenberg™
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg™ name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg™ License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg™ work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg™ License must appear
-prominently whenever any copy of a Project Gutenberg™ work (any work
-on which the phrase “Project Gutenberg” appears, or with which the
-phrase “Project Gutenberg” is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg™ electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase “Project
-Gutenberg” associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg™
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg™ electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg™ License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg™.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg™ License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg™ work in a format
-other than “Plain Vanilla ASCII” or other format used in the official
-version posted on the official Project Gutenberg™ website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original “Plain
-Vanilla ASCII” or other form. Any alternate format must include the
-full Project Gutenberg™ License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg™ works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg™ electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- • You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg™ works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg™ trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, “Information about donations to the Project Gutenberg
- Literary Archive Foundation.”
- </div>
-
- <div style='text-indent:-0.7em'>
- • You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg™
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg™
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- • You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- • You comply with all other terms of this agreement for free
- distribution of Project Gutenberg™ works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg™ electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg™ trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg™ collection. Despite these efforts, Project Gutenberg™
-electronic works, and the medium on which they may be stored, may
-contain “Defects,” such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
-of Replacement or Refund” described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg™ trademark, and any other party distributing a Project
-Gutenberg™ electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg™ electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg™
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg™ work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg™ work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg™
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg™ is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg™’s
-goals and ensuring that the Project Gutenberg™ collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg™ and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation’s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state’s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation’s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation’s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg™ depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg™ electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg™ concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg™ eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg™ eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg™,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
-</body>
-</html>
+<!DOCTYPE html> +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<head> + <meta charset="UTF-8" /> + <title> + Birds and Their Nests, by Mary Howitt—A Project Gutenberg eBook + </title> + <link rel="icon" href="images/cover.jpg" type="image/x-cover" /> + <style> /* <![CDATA[ */ + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1,h2{ + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .51em; + text-align: justify; + margin-bottom: .49em; +} + +.p80 { + font-size: 0.80em; + text-align: center;} + +.p140 { + font-size: 1.40em; + text-align: center; + font-weight: bold;} + +abbr[title] { + border-bottom: thin dotted #dcdcdc; + text-decoration: none; +} + +hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} +hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} +@media print { hr.chap {display: none; visibility: hidden;} } +hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%;} + +.space-above2 { + margin-top: 2em;} + +.space-above4 { + margin-top: 4em;} + +div.chapter {page-break-before: always;} +h2.nobreak {page-break-before: avoid;} + +div.title-page { + text-align: center; + margin-left: auto; + margin-right: auto; + padding-left: 1.0em; + padding-right: 1.0em; + max-width: 25em; + page-break-before: always; + page-break-after: always; + border: 6px double black; + } + +table { + margin-left: auto; + margin-right: auto; +} + +table.autotable td, + +td.cont1 { + vertical-align: top; + font-variant: small-caps; +} + +td.cont1a { + vertical-align: top; + font-variant: small-caps; + padding-left: 2em; +} + +td.cont2 { + text-align: right; + vertical-align: top; + padding-left: 2em; +} + +td.cont3 { + padding-left: 1.8em; + text-indent: -1.8em; + text-align: left; + vertical-align: top; + font-variant: small-caps; +} + +td.chn { + text-align: left; + vertical-align: top; + padding-left: 4em; +} + +td.chapnum +{ + text-align: right; + padding-right: 0.5em; +} + +.tdr { + text-align: right; + vertical-align: bottom; + min-width: 2em;} + +.pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + font-style: normal; + font-weight: normal; + font-variant: normal; + text-indent: 0; +} /* page numbers */ + +.sidenote { + width: 20%; + padding-bottom: .5em; + padding-top: .5em; + padding-left: .5em; + padding-right: .5em; + margin-left: 1em; + float: right; + clear: right; + margin-top: 1em; + font-size: smaller; + color: black; + background: #eeeeee; + border: 1px dashed; +} + +.center {text-align: center;} + +.right {text-align: right;} + +.smcap {font-variant: small-caps;} + +.allsmcap {font-variant: small-caps; text-transform: lowercase;} + +.caption {font-weight: bold;} + +/* Images */ + +img { + max-width: 100%; + height: auto; +} +img.w100 {width: 100%;} + + +.figcenter { + margin: auto; + text-align: center; + page-break-inside: avoid; + max-width: 100%; +} + +/* Footnotes */ + +.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + +.footnote .label {position: absolute; right: 84%; text-align: right;} + +.fnanchor { + vertical-align: super; + font-size: .8em; + text-decoration: + none; +} + +/* Poetry */ +.poetry-container { + text-align: center; + margin: -1em 0;} + +.poetry { + text-align: left; + display: inline-block;} + +/* uncomment the next line for centered poetry in browsers */ +/* .poetry {display: inline-block;} */ +.poetry .stanza {margin: 1em auto;} +.poetry .verse {text-indent: -3em; padding-left: 3em;} +/* large inline blocks don't split well on paged devices */ +@media print { .poetry {display: block;} } +.x-ebookmaker .poetry {display: block;} + +/* Transcriber's notes */ +.transnote {background-color: #E6E6FA; + color: black; + font-size:smaller; + padding:0.5em; + margin-bottom:5em; + font-family:sans-serif, serif; } + +/* Poetry indents */ +.poetry .indent0 {text-indent: -3em;} +.poetry .indent10 {text-indent: 2em;} +.poetry .indent2 {text-indent: -2em;} +.poetry .indent4 {text-indent: -1em;} +.poetry .indent6 {text-indent: 0em;} +.poetry .indent8 {text-indent: 1em;} + + + /* ]]> */ </style> +</head> +<body> +<div>*** START OF THE PROJECT GUTENBERG EBOOK 68416 ***</div> + +<div class="transnote"> +<h2>Transcriber’s Notes</h2> + +<p>Hyphenation has been standardised.</p> + +<p>For the CONTENTS on <a href="#Page_v" title="">Page v</a>, Chapter IX—Peewits 51 was missed from print +in the original, and has been added.</p> + +<p>The layout of the Contents continuation page on <a href="#Page_vi" title="">Page vi</a>, has been +changed to replicate the layout of the previous Contents page.</p> + +<p class="noindent"><a href="#Page_41" title="">Page 41</a>—changed cemetries to <b>cemeteries</b>.</p> + +<p class="noindent"><a href="#Page_55" title="">Page 55</a>—changed artifical to <b>artificial</b>.</p> +</div> + + + + +<div class="figcenter"> +<a id="image_cover"><img src="images/cover.jpg" alt="" width="1986" height="2560" /></a> +</div> + +<p class="space-above4"></p> + +<h1>BIRDS AND THEIR NESTS.</h1> + +<p class="space-above4"></p> + +<div class="figcenter"> +<a id="image_frontis"><img src="images/i-frontis.jpg" alt="" width="486" height="650" /></a> +<p class="caption center">ROBIN AND NEST.</p> +</div> + +<p class="space-above4"></p> + +<div class="title-page"> +<p class="p140"> BIRDS AND THEIR NESTS,</p> + +<p class="center"> BY</p> + +<p class="center"> MARY HOWITT.</p> + +<div class="figcenter"> +<a id="image_title"><img src="images/i-title.jpg" alt="" width="327" height="300" /></a> +</div> + +<p class="center"> <em>With Twenty-three Full-page Illustrations by Harrison Weir.</em></p> + +<p class="space-above2"></p> + +<p class="p80">NEW YORK:</p> +<p class="p80">GEORGE ROUTLEDGE AND SONS, 416, BROOME STREET.</p> +<p class="p80"><span class="smcap">London: S. W. Partridge & Co., 9, Paternoster Row.</span></p> + +<p class="center"> <em>All rights reserved.</em></p> +</div> + +<p class="space-above2"></p> + +<div class="figcenter"> +<a id="image_004"><img src="images/i-004.jpg" alt="" width="366" height="200" /></a> +</div> + +<p class="center">WATSON AND HAZELL,<br /> +<em>Printers</em>,<br /> + +<span class="smcap">London and Aylesbury</span>.</p> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_v">[v]</span></p> + +<div class="figcenter"> +<a id="image_005"><img src="images/i-005.jpg" alt="" width="405" height="400" /></a> +</div> +</div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<h2 class="nobreak">CONTENTS.</h2> +</div> +<table> +<tr> + <td> </td> + <td> </td> + <td> </td> + <td class="right"><span class="smcap">PAGE</span></td> +</tr><tr> + <td class="cont1" colspan="2">Introductory Chapter</td> + <td class="cont3"> </td> + <td class="tdr"><a href="#INTRODUCTORY_CHAPTER" title="Page 1">1</a></td> +</tr><tr> + <td class="cont1a"><span class="allsmcap">CHAPTER</span></td> + <td class="cont2"><abbr title="1">I.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE WREN</span></td> + <td class="tdr"><a href="#Page_8" title="Page 8">8</a></td> +</tr> +<tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="2">II.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE GOLDFINCH</span></td> + <td class="tdr"><a href="#Page_15" title="Page 15">15</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="3">III.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE SONG THRUSH</span></td> + <td class="tdr"><a href="#Page_20" title="Page 20">20</a></td> +</tr> +<tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="4">IV.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE BLACKBIRD</span></td> + <td class="tdr"><a href="#Page_26" title="Page 26">26</a></td> +</tr> +<tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="5">V.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE DIPPER, OR WATER-OUSEL</span></td> + <td class="tdr"><a href="#Page_33" title="Page 33">33</a></td> +</tr><tr> + <td class="chn">” </td> + <td class="cont2"><abbr title="6">VI.</abbr> </td> + <td class="cont3">—<span class="allsmcap">THE NIGHTINGALE</span></td> + <td class="tdr"><a href="#Page_37">37</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="7">VII.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE SKYLARK</span> </td> + <td class="tdr"><a href="#Page_42" title="Page 42">42</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="8">VIII.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE LINNET</span></td> + <td class="tdr"><a href="#Page_47" title="Page 47">47</a><span class="pagenum" id="Page_vi">[vi]</span></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="9">IX.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE PEEWIT</span></td> + <td class="tdr"><a href="#Page_51" title="Page 51">51</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="10">X.</abbr></td> + <td class="cont3">—<span class="allsmcap">HOUSE-MARTINS, OR WINDOW-SWALLOWS, AND NESTS</span></td> + <td class="tdr"><a href="#Page_56" title="Page 56">56</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="11">XI.</abbr></td> + <td class="cont3">—<span class="allsmcap">CHIFF-CHAFFS, OR OVEN-BUILDERS, AND NEST</span></td> + <td class="tdr"><a href="#Page_66" title="Page 66">66</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="12">XII.</abbr></td> + <td class="cont3">—<span class="allsmcap">GOLDEN-CRESTED WRENS AND NEST</span></td> + <td class="tdr"><a href="#Page_70" title="Page 70">70</a></td> +</tr> +<tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="13">XIII.</abbr></td> + <td class="cont3">—<span class="allsmcap">WAGTAIL AND NEST</span></td> + <td class="tdr"><a href="#Page_75" title="Page 75">76</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="14">XIV.</abbr></td> + <td class="cont3">—<span class="allsmcap">JACKDAW AND NESTLINGS</span></td> + <td class="tdr"><a href="#Page_81" title="Page 81">82</a></td> +</tr> +<tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="15">XV.</abbr></td> + <td class="cont3">—<span class="allsmcap">SPOTTED FLY-CATCHERS AND NEST</span></td> + <td class="tdr"><a href="#Page_86" title="Page 86">86</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="16">XVI.</abbr></td> + <td class="cont3">—<span class="allsmcap">WOOD-PIGEONS AND NEST</span></td> + <td class="tdr"><a href="#Page_91" title="Page 91">92</a></td> +</tr> +<tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="17">XVII.</abbr></td> + <td class="cont3">—<span class="allsmcap">WHITE-THROAT AND NEST</span></td> + <td class="tdr"><a href="#Page_97" title="Page 97">98</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="18">XVIII.</abbr></td> + <td class="cont3">—<span class="allsmcap">BULL-FINCH AND NESTLINGS</span></td> + <td class="tdr"><a href="#Page_101" title="Page 101">102</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="19">XIX.</abbr></td> + <td class="cont3">—<span class="allsmcap">MISSEL-THRUSHES AND NEST</span></td> + <td class="tdr"><a href="#Page_106" title="Page106">106</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="206">XX.</abbr></td> + <td class="cont3">—<span class="allsmcap">YELLOW-HAMMER, OR YELLOW-HEAD, AND NEST</span></td> + <td class="tdr"><a href="#Page_111" title="Page 111">112</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="21">XXI.</abbr></td> + <td class="cont3">—<span class="allsmcap">MAGPIE AND NEST</span></td> + <td class="tdr"><a href="#Page_115" title="Page 115">116</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="22">XXII.</abbr></td> + <td class="cont3">—<span class="allsmcap">NUTHATCH AND NEST</span></td> + <td class="tdr"><a href="#Page_120" title="Page120">120</a></td> +</tr> +</table> + + +<div class="figcenter"> +<a id="image_006"><img src="images/i-006.jpg" alt="four eggs in a nest" width="458" height="400" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_1">[1]</span></p> + +<div class="figcenter"> +<a id="image_007"><img src="images/i-007.jpg" alt="two birds on tree branch" width="796" height="650" /></a> +</div> + + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<h2 class="nobreak" id="Birds_and_their_Nests"><em>Birds and their Nests.</em></h2> + </div> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<h2 class="nobreak" id="INTRODUCTORY_CHAPTER">INTRODUCTORY CHAPTER.</h2> +</div> + + +<p><span class="smcap">The</span> birds in these pictures of ours have all nests, which is as it +should be; for how could the bird rear its young without its little +home and soft little bed, any more than children could be comfortably +brought up without either a bed to lie upon, or a home in which to be +happy.</p> + +<p>Birds-nests, though you may find them in every bush, are<span class="pagenum" id="Page_2">[2]</span> wonderful +things. Let us talk about them. They are all alike in the purpose for +which they are intended, but no two families of birds build exactly +alike; all the wrens, for instance, have their kind of nest; the +thrushes have theirs; so has the swallow tribe; so has the sparrow, +or the rook. They do not imitate one another, but each adheres to its +own plan, as God, the great builder and artist, as well as Creator, +taught them from the very beginning. The first nightingale, that sang +its hymn of joyful thanksgiving in the Garden of Paradise, built +its nest just the same as the bird you listened to last year in the +coppice. The materials were there, and the bird knew how to make use +of them; and that is perhaps the most wonderful part of it, for she +has no implements to work with: no needle and thread, no scissors, no +hammer and nails; nothing but her own little feet and bill, and her +round little breast, upon which to mould it; for it is generally the +mother-bird which is the chief builder.</p> + +<p>No sooner is the nest wanted for the eggs which she is about to lay, +than the hitherto slumbering faculty of constructiveness is awakened, +and she selects the angle of the branch, or the hollow in the bank or +in the wall, or the tangle of reeds, or the platform of twigs on the +tree-top, exactly the right place for her, the selection being always +the same according to her tribe, and true to the instinct which was +implanted in her at the first.</p> + +<p>So the building begins: dry grass or leaves, little twigs and +root-fibres, hair or down, whether of feather or winged seed, spangled +outside with silvery lichen, or embroidered with green mosses, less +for beauty, perhaps—though it is so beautiful—than for the birds’ +safety, because it so exactly imitates the bank or the tree-trunk in +which it is built. Or it may be that her tenement<span class="pagenum" id="Page_3">[3]</span> is clay-built, like +that of the swallow; or lath and plaster, so to speak, like an old +country house, as is the fashion of the magpie; or a platform of rude +sticks, like the first rudiment of a basket up in the tree-branches, as +that of the wood-pigeon: she may be a carpenter like the woodpecker, +a tunneller like the sand-martin; or she may knead and glue together +the materials of her nest, till they resemble thick felt; but in all +this she is exactly what the great Creator made her at first, equally +perfect in skill, and equally undeviating year after year. This is very +wonderful, so that we may be quite sure that the sparrow’s nest, which +David remarked in the house of God, was exactly the same as the sparrow +built in the days of the blessed Saviour, when He, pointing to that +bird, made it a proof to man that God’s Providence ever watches over +him.</p> + +<div class="sidenote"><em>Jules Michelet on Birds.</em></div> + +<p>Nevertheless, with this unaltered and unalterable working after one +pattern, in every species of bird, there is a choice or an adaptation +of material allowed: thus the bird will, within certain limits, select +that which is fittest for its purpose, producing, however, in the end, +precisely the same effect. I will tell you what Jules Michelet, a +French writer, who loves birds as we do, writes on this subject:—“The +bird in building its nest,” he says, “makes it of that beautiful +cup-like or cradle form by pressing it down, kneading it and shaping +it upon her own breast.” He says, as I have just told you, that the +mother-bird builds, and that the he-bird is her purveyor. He fetches in +the materials: grasses, mosses, roots, or twigs, singing many a song +between whiles; and she arranges all with loving reference; first, +to the delicate egg which must be bedded in soft material; then to +the little one which, coming from the egg naked, must<span class="pagenum" id="Page_4">[4]</span> not only be +cradled in soft comfort, but kept alive by her warmth. So the he-bird, +supposing it to be a linnet, brings her some horse-hair: it is stiff +and hard; nevertheless, it is proper for the purpose, and serves as a +lower stratum of the nest—a sort of elastic mattress: he brings her +hemp; it is cold, but it serves for the same purpose. Then comes the +covering and the lining; and for this nothing but the soft silky fibre +of certain plants, wool or cotton, or, better still, the down from her +own breast, will satisfy her. It is interesting, he says, to watch the +he-bird’s skilful and furtive search for materials; he is afraid if he +see you watching, that you may discover the track to his nest; and, in +order to mislead you, he takes a different road back to it. You may see +him following the sheep to get a little lock of wool, or alighting in +the poultry yard on the search for dropped feathers. If the farmer’s +wife chance to leave her wheel, whilst spinning in the porch, he steals +in for a morsel of flax from the distaff. He knows what is the right +kind of thing; and let him be in whatever country he may, he selects +that which answers the purpose; and the nest which is built is that of +the linnet all the world over.</p> + +<p>Again he tells us, that there are other birds which, instead of +building, bring up their young underground, in little earth cradles +which they have prepared for them. Of building-birds, he thinks the +queerest must be the flamingo, which lays her eggs on a pile of mud +which she has raised above the flooded earth, and, standing erect all +the time, hatches them under her long legs. It does seem a queer, +uncomfortable way; but if it answer its end, we need not object to it. +Of carpenter-birds, he thinks the thrush is the most remarkable; other +writers say the woodpecker. The shore-birds plait their nests, not very +skilfully it is true, but<span class="pagenum" id="Page_5">[5]</span> sufficiently well for their purpose. They +are clothed by nature with such an oily, impermeable coat of plumage, +that they have little need to care about climate; they have enough to +do to look after their fishing, and to feed themselves and their young; +for all these sea-side families have immense appetites.</p> + +<div class="sidenote"><em>How various Birds Build.</em></div> + +<p>Herons and storks build in a sort of basket-making fashion; so do the +jays and the mocking birds, only in a much better way; but as they +have all large families they are obliged to do so. They lay down, in +the first place, a sort of rude platform, upon which they erect a +basket-like nest of more or less elegant design, a web of roots and dry +twigs strongly woven together. The little golden-crested wren hangs her +purse-like nest to a bough, and, as in the nursery song, “When the wind +blows the cradle rocks.” An Australian bird, a kind of fly-catcher, +called there the razor-grinder, from its note resembling the sound of +a razor-grinder at work, builds her nest on the slightest twig hanging +over the water, in order to protect it from snakes which climb after +them. She chooses for her purpose a twig so slender that it would not +bear the weight of the snake, and thus she is perfectly safe from her +enemy. The same, probably, is the cause why in tropical countries, +where snakes and monkeys, and such bird-enemies abound, nests are so +frequently suspended by threads or little cords from slender boughs.</p> + +<p>The canary, the goldfinch, and chaffinch, are skilful cloth-weavers +or felt makers; the latter, restless and suspicious, speckles the +outside of her nest with a quantity of white lichen, so that it +exactly imitates the tree branch on which it is placed, and can hardly +be detected by the most accustomed eye. Glueing and felting play an +important part in the work of the bird-weavers.<span class="pagenum" id="Page_6">[6]</span> The humming-bird, for +instance, consolidates her little house with the gum of trees. The +American starling sews the leaves together with her bill; other birds +use not only their bills, but their feet. Having woven a cord, they fix +it as a web with their feet, and insert the weft, as the weaver would +throw his shuttle, with their bill. These are genuine weavers. In fine, +their skill never fails them. The truth is, that the great Creator +never gives any creature work to do without giving him at the same time +an inclination to do it—which, in the animal, is instinct—and tools +sufficient for the work, though they may be only the delicate feet and +bill of the bird.</p> + +<p>And now, in conclusion, let me describe to you the nest of the little +English long-tailed titmouse as I saw it many years ago, and which I +give from “Sketches of Natural History”:—</p> + +<div class="sidenote"><em>The Titmouse’s Nest.</em></div> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent4">There, where those boughs of blackthorn cross,</div> + <div class="verse indent4">Behold that oval ball of moss;</div> + <div class="verse indent4">Observe it near, all knit together,</div> + <div class="verse indent4">Moss, willow-down, and many a feather,</div> + <div class="verse indent4">And filled within, as you may see,</div> + <div class="verse indent4">As full of feathers as can be;</div> + <div class="verse indent4">Whence it is called by country folk,</div> + <div class="verse indent4">A fitting name, the feather-poke;</div> + <div class="verse indent4">But learned people, I have heard,</div> + <div class="verse indent4"><em>Parus caudatus</em> call the bird.</div> + <div class="verse indent4">Yes, here’s a nest! a nest indeed,</div> + <div class="verse indent4">That doth all other nests exceed,</div> + <div class="verse indent4">Propped with the blackthorn twigs beneath,</div> + <div class="verse indent4">And festooned with a woodbine wreath!</div> + <div class="verse indent4">Look at it close, all knit together,</div> + <div class="verse indent4">Moss, willow-down, and many a feather;</div> + <div class="verse indent4">So soft, so light, so wrought with grace,</div> + <div class="verse indent4">So suited to this green-wood place,</div> + <div class="verse indent4">And spangled o’er, as with the intent</div> + +<p><span class="pagenum" id="Page_7">[7]</span></p> + <div class="verse indent4">Of giving fitting ornament,</div> + <div class="verse indent4">With silvery flakes of lichen bright,</div> + <div class="verse indent4">That shine like opals, dazzling white.</div> + <div class="verse indent4">Think only of the creature small,</div> + <div class="verse indent4">That wrought this soft and silvery ball,</div> + <div class="verse indent4">Without a tool to aid her skill,</div> + <div class="verse indent4">Nought but her little feet and bill—</div> + <div class="verse indent4">Without a pattern whence to trace</div> + <div class="verse indent4">This little roofed-in dwelling place—</div> + <div class="verse indent4">And does not in your bosom spring</div> + <div class="verse indent4">Love for this skilful little thing?</div> + <div class="verse indent4">See, there’s a window in the wall;</div> + <div class="verse indent4">Peep in, the house is not so small,</div> + <div class="verse indent4">But snug and cosy you shall see</div> + <div class="verse indent4">A very numerous family!</div> + <div class="verse indent4">Now count them: one, two, three, four, five—</div> + <div class="verse indent4">Nay, <em>sixteen</em> merry things alive—</div> + <div class="verse indent4">Sixteen young, chirping things all sit,</div> + <div class="verse indent4">Where you, your wee hand, could not get!</div> + <div class="verse indent4">I’m glad you’ve seen it, for you never</div> + <div class="verse indent4">Saw ought before so soft and clever.</div> + </div> +</div> +</div> + +<div class="figcenter"> +<a id="image_013"><img src="images/i-013.jpg" alt="bird on branch" width="497" height="500" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_8">[8]</span></p> + +<h2 class="nobreak" id="CHAPTER_I">CHAPTER I.</h2> +</div> + +<p class="center">THE WREN.</p> + + +<p><span class="smcap">Truly</span> the little Wren, so beautifully depicted by Mr. Harrison Weir, +with her tiny body, her pretty, lively, and conceited ways, her short, +little turned-up tail, and delicate plumage, is worthy of our tender +regard and love.</p> + +<p>The colouring of the wren is soft and subdued—a reddish-brown colour; +the breast of a light greyish-brown; and all the hinder parts, both +above and below, marked with wavy lines of dusky-brown, with two bands +of white dots across the wings.</p> + +<p>Its habits are remarkably lively and attractive. “I know no pleasanter +object,” says the agreeable author of “British Birds,” “than the wren; +it is always so smart and cheerful. In gloomy weather other birds +often seem melancholy, and in rain the sparrows and finches stand +silent on the twigs, with drooping wings and disarranged plumage; but +to the merry little wren all weathers are alike. The big drops of the +thunder-shower no more wet it than the drizzle of a Scotch mist; and as +it peeps from beneath the bramble, or glances from a hole in the wall, +it seems as snug as a kitten frisking on the parlour rug.”</p> + +<div class="figcenter"> +<a id="image_015"><img src="images/i-015.jpg" alt="" width="473" height="650" /></a> +<p class="caption center">WRENS AND NEST.      [<a href="#Page_8" title="Page 8">Page 8.</a></p> +</div> + +<div class="sidenote"><em>A Builder of Many Nests.</em></div> + +<p>“It is amusing,” he continues, “to watch the motions of a young family +of wrens just come abroad. Walking among furze, broom, or juniper, you +are attracted to some bush by <span class="pagenum" id="Page_9">[9]</span>hearing issue from it the frequent +repetition of a sound resembling the syllable <em>chit</em>. On going +up you perceive an old wren flitting about the twigs, and presently +a young one flies off, uttering a stifled <em>chirr</em>, to conceal +itself among the bushes. Several follow, whilst the parents continue to +flutter about in great alarm, uttering their <em>chit, chit</em>, with +various degrees of excitement.”</p> + +<p>The nest of the wren is a wonderful structure, of which I shall have a +good deal to say. It begins building in April, and is not by any means +particular in situation. Sometimes it builds in the hole of a wall +or tree; sometimes, as in this lovely little picture of ours, in the +mossy hollow of a primrose-covered bank; and because it was formerly +supposed to live only in holes or little caves, it received the name of +<em>Troglodytes</em>, or cave-dweller. But it builds equally willingly in +the thatch of out-buildings, in barn-lofts, or tree-branches, either +when growing apart or nailed against a wall, amongst ivy or other +climbing plants; in fact, it seems to be of such a happy disposition as +to adapt itself to a great variety of situations. It is a singular fact +that it will often build several nests in one season—not that it needs +so many separate dwellings, or that it finishes them when built; but it +builds as if for the very pleasure of the work. Our naturalist says, +speaking of this odd propensity, “that, whilst the hen is sitting, the +he-bird, as if from a desire to be doing something, will construct as +many as half-a-dozen nests near the first, none of which, however, +are lined with feathers; and that whilst the true nest, on which the +mother-bird is sitting, will be carefully concealed, these sham nests +are open to view. Some say that as the wrens, during the cold weather, +sleep in<span class="pagenum" id="Page_10">[10]</span> some snug, warm hole, they frequently occupy these extra +nests as winter-bedchambers, four or five, or even more, huddling +together, to keep one another warm.”</p> + +<p>Mr. Weir, a friend of the author I have just quoted, says this was the +case in his own garden; and that, during the winter, when the ground +was covered with snow, two of the extra nests were occupied at night by +a little family of seven, which had hatched in the garden. He was very +observant of their ways, and says it was amusing to see one of the old +wrens, coming a little before sunset and standing a few inches from the +nest, utter his little cry till the whole number of them had arrived. +Nor were they long about it; they very soon answered the call, flying +from all quarters—the seven young ones and the other parent-bird—and +then at once nestled into their snug little dormitory. It was also +remarkable that when the wind blew from the east they occupied a nest +which had its opening to the west, and when it blew from the west, then +one that opened to the east, so that it was evident they knew how to +make themselves comfortable.</p> + +<p>And now as regards the building of these little homes. I will, as far +as I am able, give you the details of the whole business from the diary +of the same gentleman, which is as accurate as if the little wren had +kept it himself, and which will just as well refer to the little nest +in the primrose bank as to the nest in the Spanish juniper-tree, where, +in fact, it was built.</p> + +<div class="sidenote"><em>How a Nest was built.</em></div> + +<p>“On the 30th of May, therefore, you must imagine a little pair of +wrens, having, after a great deal of consultation, made up their minds +to build themselves a home in the branches of a Spanish juniper. The +female, at about seven o’clock in the<span class="pagenum" id="Page_11">[11]</span> morning, laid the foundation +with the decayed leaf of a lime-tree. Some men were at work cutting +a drain not far off, but she took no notice of them, and worked away +industriously, carrying to her work bundles of dead leaves as big +as herself, her mate, seeming the while to be delighted with her +industry, seated not far off in a Portugal laurel, where he watched +her, singing to her, and so doing, making her labour, no doubt, light +and pleasant. From eight o’clock to nine she worked like a little +slave, carrying in leaves, and then selecting from them such as suited +her purpose and putting aside the rest. This was the foundation of the +nest, which she rendered compact by pressing it down with her breast, +and turning herself round in it: then she began to rear the sides. +And now the delicate and difficult part of the work began, and she +was often away for eight or ten minutes together. From the inside she +built the underpart of the aperture with the stalks of leaves, which +she fitted together very ingeniously with moss. The upper part of it +was constructed solely with the last-mentioned material. To round it +and give it the requisite solidity, she pressed it with her breast and +wings, turning the body round in various directions. Most wonderful to +tell, about seven o’clock in the evening the whole outside workmanship +of this snug little erection was almost complete.</p> + +<p>“Being very anxious to examine the interior of it, I went out for that +purpose at half-past two the next morning. I introduced my finger, +the birds not being there, and found its structure so close, that +though it had rained in the night, yet that it was quite dry. The +birds at this early hour were singing as if in ecstasy, and at about +three o’clock the little he-wren came<span class="pagenum" id="Page_12">[12]</span> and surveyed his domicile with +evident satisfaction; then, flying to the top of a tree, began singing +most merrily. In half-an-hour’s time the hen-bird made her appearance, +and, going into the nest, remained there about five minutes, rounding +the entrance by pressing it with her breast and the shoulders of her +wings. For the next hour she went out and came back five times with +fine moss in her bill, with which she adjusted a small depression in +the fore-part of it; then, after twenty minutes’ absence, returned +with a bundle of leaves to fill up a vacancy which she had discovered +in the back of the structure. Although it was a cold morning, with +wind and rain, the male bird sang delightfully; but between seven and +eight o’clock, either having received a reproof from his wife for his +indolence, or being himself seized with an impulse to work, he began +to help her, and for the next ten minutes brought in moss, and worked +at the inside of the nest. At eleven o’clock both of them flew off, +either for a little recreation, or for their dinners, and were away +till a little after one. From this time till four o’clock both worked +industriously, bringing in fine moss; then, during another hour, the +hen-bird brought in a feather three times. So that day came to an end.</p> + +<p>“The next morning, June 1st, they did not begin their work early, as +was evident to Mr. Weir, because having placed a slender leaf-stalk +at the entrance, there it remained till half-past eight o’clock, when +the two began to work as the day before with fine moss, the he-bird +leaving off, however, every now and then to express his satisfaction on +a near tree-top. Again, this day, they went off either for dinner or +amusement; then came back and worked for another hour, bringing in fine +moss and feathers.</p> + +<p><span class="pagenum" id="Page_13">[13]</span></p> + +<div class="sidenote"><em>The Patient Industry of this Bird.</em></div> + +<p>“The next morning the little he-wren seemed in a regular ecstasy, +and sang incessantly till half-past nine, when they both brought in +moss and feathers, working on for about two hours, and again they +went off, remaining away an hour later than usual. Their work was now +nearly over, and they seemed to be taking their leisure, when all at +once the hen-bird, who was sitting in her nest and looking out at her +door, espied a man half-hidden by an arbor vitæ. It was no other than +her good friend, but that she did not know; all men were terrible, +as enemies to her race, and at once she set up her cry of alarm. The +he-bird, on hearing this, appeared in a great state of agitation, and +though the frightful monster immediately ran off, the little creatures +pursued him, scolding vehemently.</p> + +<p>“The next day they worked again with feathers and fine moss, and again +went off after having brought in a few more feathers. So they did for +the next five days; working leisurely, and latterly only with feathers. +On the tenth day the nest was finished, and the little mother-bird laid +her first egg in it.”</p> + +<p>Where is the boy, let him be as ruthless a bird-nester as he may, who +could have the heart to take a wren’s nest, only to tear it to pieces, +after reading the history of this patient labour of love?</p> + +<p>The wren, like various other small birds, cannot bear that their nests +or eggs should be touched; they are always disturbed and distressed by +it, and sometimes even will desert their nest and eggs in consequence. +On one occasion, therefore, this good, kind-hearted friend of every +bird that builds, carefully put his finger into a wren’s nest, during +the mother’s absence, to ascertain whether the young were hatched; on +her return,<span class="pagenum" id="Page_14">[14]</span> perceiving that the entrance had been touched, she set up +a doleful lamentation, carefully rounded it again with her breast and +wings, so as to bring everything into proper order, after which she and +her mate attended to their young. These particular young ones, only six +in number, were fed by their parents 278 times in the course of a day. +This was a small wren-family; and if there had been twelve, or even +sixteen, as is often the case, what an amount of labour and care the +birds must have had! But they would have been equal to it, and merry +all the time.</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">For all these little creatures, which so lightly we regard,</div> + <div class="verse indent0">They love to do their duty, and they never think it hard.</div> + </div> +</div> +</div> + +<div class="figcenter"> +<a id="image_022"><img src="images/i-022.jpg" alt="a bee flying around a nest" width="441" height="500" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_15">[15]</span></p> + +<h2 class="nobreak" id="CHAPTER_II">CHAPTER II.</h2> +</div> + +<p class="center">THE GOLDFINCH.</p> + + +<p><span class="smcap">The</span> Goldfinch, which is cousin to the Linnet, is wonderfully clever and +docile, as I shall show you presently. In the first place, however, +let me say a word or two about bird cleverness in general, which I +copy from Jules Michelet’s interesting work, “The Bird.” Speaking of +the great, cruel, and rapacious family of the <em>Raptores</em>, or +Birds of Prey, he expresses satisfaction in the idea that this race of +destroyers is decreasing, and that there may come a time when they no +longer exist on the earth. He has no admiration for them, though they +may be the swiftest of the swift, and the strongest of the strong, +because they put forth none of the higher qualities of courage, +address, or patient endurance in taking their prey, which are all weak +and powerless in comparison with themselves; their poor unoffending +victims. “All these cruel tyrants of the air,” he says, “like the +serpents, have flattened skulls, which show the want of intellect and +intelligence. These birds of prey, with their small brains, offer a +striking contrast to the amiable and intelligent species which we find +amongst the smaller birds. The head of the former is only a beak, that +of the latter is a face.” Afterwards, to prove this more strongly, he +gives a table to show the proportion of brain to the size of the body +in these different species of birds. Thus the chaffinch, the sparrow,<span class="pagenum" id="Page_16">[16]</span> +and the goldfinch, have more than six times as much brain as the eagle +in proportion to the size of the body. We may look, therefore, for no +less than six times his intelligence and docile ability. Whilst in the +case of the little tomtit it is thirteen times as much.</p> + +<p>But now for the goldfinch, of which our cut—which is both faithful +and beautiful—shows us a pair, evidently contemplating with much +satisfaction the nest which they have just finished on one of the +topmost boughs of a blossomy apple-tree. This nest is a wonderful +little fabric, built of moss, dry grass, and slender roots, lined with +hair, wool, and thistle-down; but the true wonder of the nest is the +exact manner in which the outside is made to imitate the bough upon +which it is placed. All its little ruggednesses and lichen growths +are represented, whilst the colouring is so exactly that of the old +apple-tree that it is almost impossible to know it from the branch +itself. Wonderful ingenuity of instinct, which human skill would find +it almost impossible to imitate!</p> + +<p>The bird lays mostly five eggs, which are of a bluish-grey, spotted +with greyish-purple or brown, and sometimes with a dark streak or two.</p> + +<p>The goldfinch is one of the most beautiful of our English birds, with +its scarlet forehead, and quaint little black velvet-like cap brought +down over its white cheeks; its back is cinnamon brown, and its breast +white; its wings are beautifully varied in black and white, as are also +its tail feathers. In the midland counties it is known as “The Proud +Tailor,” probably because its attire looks so bright and fresh, and it +has a lively air as if conscious of being well dressed.</p> + +<div class="figcenter"> +<a id="image_025"><img src="images/i-025.jpg" alt="" width="494" height="650" /></a> +<p class="caption center">GOLDFINCHES AND NEST.      [<a href="#Page_16" title="Page 16">Page 16.</a></p> +</div> + +<p><span class="pagenum" id="Page_17">[17]</span></p> + +<div class="sidenote"><em>Daily Life of this Bird.</em></div> + +<p>Like its relation, the linnet, it congregates in flocks as soon as +its young can take wing, when they may be seen wheeling round in +the pleasant late summer and autumn fields, full of life, and in +the enjoyment of the plenty that surrounds them, in the ripened +thistle-down, and all such winged seeds as are then floating in the air.</p> + +<p>How often have I said it is worth while to go out into the woods and +fields, and, bringing yourself into a state of quietness, watch the +little birds in their life’s employment, building their nests, feeding +their young, or pursuing their innocent diversions! So now, on this +pleasant, still autumn afternoon, if you will go into the old pasture +fields where the thistles have not been stubbed up for generations, or +on the margin of the old lane where ragwort, and groundsel, and burdock +flourish abundantly, “let us,” as the author of “British Birds” says, +“stand still to observe a flock of goldfinches. They flutter over the +plants, cling to the stalks, bend in various attitudes, disperse the +down, already dry and winged, like themselves, for flight, pick them +out one by one and swallow them. Then comes a stray cow followed by a +herd boy. At once the birds cease their labour, pause for a moment, +and fly off in succession. You observe how lightly and buoyantly +they cleave the air, each fluttering its little wings, descending in +a curved line, mounting again, and speeding along. Anon they alight +in a little thicket of dried weeds, and, in settling, display to the +delighted eye the beautiful tints of their plumage, as with fluttering +wings and expanded tail, they hover for a moment to select a landing +place amid the prickly points of the stout thistles whose heads are now +bursting with downy-winged seeds.”</p> + +<p><span class="pagenum" id="Page_18">[18]</span></p> + +<div class="sidenote"><em>The Goldfinch.</em></div> + +<p>The song of the goldfinch, which begins about the end of March, is +very sweet, unassuming, and low—similar to that of the linnet, but +singularly varied and pleasant.</p> + +<p>Now, however, we must give a few instances of this bird’s teachable +sagacity, which, indeed, are so numerous that it is difficult to make a +selection.</p> + +<p>Mr. Syme, in his “British Song Birds,” says, “The goldfinch is easily +tamed and taught, and its capacity for learning the notes of other +birds is well known. A few years ago the Sieur Roman exhibited a number +of trained birds: they were goldfinches, linnets, and canaries. One +appeared dead, and was held up by the tail or claw without exhibiting +any signs of life; a second stood on its head with its claws in the +air; a third imitated a Dutch milkmaid going to market with pails on +its shoulders; a fourth mimicked a Venetian girl looking out at a +window; a fifth appeared as a soldier, and mounted guard as a sentinel; +whilst a sixth acted as a cannonier, with a cap on its head, a firelock +on its shoulder, and a match in its claw, and discharged a small +cannon. The same bird also acted as if it had been wounded. It was +wheeled in a barrow as if to convey it to the hospital, after which +it flew away before the whole company. The seventh turned a kind of +windmill; and the last bird stood in the midst of some fireworks which +were discharged all round it, and this without showing the least sign +of fear.”</p> + +<p>Others, as I have said, may be taught to draw up their food and water, +as from a well, in little buckets. All this is very wonderful, and +shows great docility in the bird; but I cannot greatly admire it, from +the secret fear that cruelty or harshness<span class="pagenum" id="Page_19">[19]</span> may have been used to teach +them these arts so contrary to their nature. At all events it proves +what teachable and clever little creatures they are, how readily they +may be made to understand the will of their master, and how obediently +and faithfully they act according to it.</p> + +<p>Man, however, should always stand as a human Providence to the +animal world. In him the creatures should ever find their friend and +protector; and were it so we should then see many an astonishing +faculty displayed; and birds would then, instead of being the most +timid of animals, gladden and beautify our daily life by their sweet +songs, their affectionate regard, and their amusing and imitative +little arts.</p> + +<div class="sidenote"><em>Introduced into Pictures.</em></div> + +<p>The early Italian and German painters introduce a goldfinch into their +beautiful sacred pictures—generally on the ground—hopping at the feet +of some martyred saint or love-commissioned angel, perhaps from an old +legend of the bird’s sympathy with the suffering Saviour, or from an +intuitive sense that the divine spirit of Christianity extends to bird +and beast as well as to man.</p> + +<div class="figcenter"> +<a id="image_029"><img src="images/i-029.jpg" alt="bird's nest" width="190" height="200" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_20">[20]</span></p> + +<h2 class="nobreak" id="CHAPTER_III">CHAPTER III.</h2> +</div> + +<p class="center">THE SONG THRUSH.</p> + + +<p><span class="smcap">We</span> have here a charming picture of one of the finest and noblest of +our song-birds—the thrush, throstle, or mavis. The trees are yet +leafless, but the bird is in the act of building, whilst her mate, on +the tree-top, pours forth his exquisite melody. The almost completed +nest, like a richly ornamented bowl, is before us.</p> + +<p>This bird belongs to a grandly musical family, being own cousin to the +missel-thrush and the blackbird, each one having a kindred song, but +all, at the same time, distinctly characteristic.</p> + +<p>The colouring of the thrush is soft and very pleasing; the upper parts +of a yellowish-brown; the chin, white; the under part of the body, +grayish white; the throat, breast, and sides of the neck, yellowish, +thickly spotted with dark brown.</p> + +<div class="figcenter"> +<a id="image_031"><img src="images/i-031.jpg" alt="" width="478" height="650" /></a> +<p class="caption center">SONG THRUSH AND NEST.      [<a href="#Page_20" title="Page 20">Page 20.</a></p> +</div> + +<p>The thrush remains with us the whole year, and may occasionally be +heard singing even in the winter, though April, May, and June are the +months when he is in fullest song. They pair in March, and by the end +of that month, or early in April, begin to build. They have several +broods in the year. The nest, which, as we see, is commodious, is +placed at no great height from the ground, in a thick bush or hedge, +and sometimes, also, in a rough bank, amongst bushes and undergrowth. +They are particularly fond of spruce-fir plantations, building on +one of <span class="pagenum" id="Page_21">[21]</span>the low, spreading branches, close to the stem. Though the +structure is so solid and substantial, yet it is built very rapidly; +indeed, the thrush seems to be wide awake in all its movements; he +is no loiterer, and does his work well. As a proof of his expedition +I will mention that a pair of these birds began to build a second, +perhaps, indeed, it might be a third nest, on a Thursday, June 15; on +Friday afternoon the nest was finished, and on Saturday morning the +first egg was laid, though the interior plastering was not then dry. On +the 21st the hen began to sit, and on the 17th of July the young birds +were hatched.</p> + +<p>The frame-work, so to speak, of the nest is composed of twigs, roots, +grasses, and moss, the two latter being brought to the outside. Inside +it is lined with a thin plastering of mud, cow-dung, and rotten wood, +which is laid on quite smoothly, almost like the glaze on earthenware; +nor is there an internal covering between this and the eggs. The +circular form of the nest is as perfect as a bowl shaped upon a +lathe, and often contracts inwards at the top. The eggs, which are +generally five in number, are of a bright blue-green, spotted over with +brownish-black, these spots being more numerous at the larger end.</p> + +<p>The food of the thrush is mostly of an animal character, as worms, +slugs, and snails; and, by seasides, small molluscs, as whelks and +periwinkles. On all such as are enclosed in shells he exercises his +ingenuity in a remarkable way. We ourselves lived at one time in an +old house standing in an old garden where were many ancient trees and +out-buildings, in the old ivied roots and walls of which congregated +great quantities of shell-snails. One portion of this garden, which +enclosed an old,<span class="pagenum" id="Page_22">[22]</span> disused dairy, was a great resort of thrushes, where +they had, so to speak, their stones of sacrifice, around which lay +heaps of the broken shells of snails, their victims. I have repeatedly +watched them at work: hither they brought their snails, and, taking +their stand by the stone with the snail in their beak, struck it +repeatedly against the stone, till, the shell being smashed, they +picked it out as easily as the oyster is taken from its opened shell. +This may seem easy work with the slender-shelled snail, but the labour +is considerably greater with hard shell-fish. On this subject the +intelligent author of “British Birds” says, that many years ago, when +in the Isle of Harris, he frequently heard a sharp sound as of one +small stone being struck upon another, the cause of which he, for a +considerable time, sought for in vain. At length, one day, being in +search of birds when the tide was out, he heard the well-known click, +and saw a bird standing between two flat stones, moving its head and +body alternately up and down, each downward motion being accompanied +by the sound which had hitherto been so mysterious. Running up to the +spot, he found a thrush, which, flying off, left a whelk, newly-broken, +lying amongst fragments of shells lying around the stone.</p> + +<p>Thrushes are remarkably clean and neat with regard to their nests, +suffering no litter or impurity to lie about, and in this way are a +great example to many untidy people. Their domestic character, too, +is excellent, the he-bird now and then taking the place of the hen on +the eggs, and, when not doing so, feeding her as she sits. When the +young are hatched, the parents may be seen, by those who will watch +them silently and patiently, frequently stretching out the wings of +the young as if to<span class="pagenum" id="Page_23">[23]</span> exercise them, and pruning and trimming their +feathers. To put their love of cleanliness to the proof, a gentleman, +a great friend of all birds, had some sticky mud rubbed upon the backs +of two of the young ones whilst the parents were absent. On their +return, either by their own keen sense of propriety, or, perhaps, the +complaint of the young ones, they saw what had happened, and were not +only greatly disconcerted, but very angry, and instantly set to work to +clean the little unfortunates, which, strange to say, they managed to +do by making use of dry earth, which they brought to the nest for that +purpose. Human intellect could not have suggested a better mode.</p> + +<div class="sidenote"><em>How a Day was spent.</em></div> + +<p>This same gentleman determined to spend a whole day in discovering how +the thrushes spent it. Hiding himself, therefore, in a little hut of +fir boughs, he began his observations in the early morning of the 8th +of June. At half-past two o’clock, the birds began to feed their brood, +and in two hours had fed them thirty-six times. It was now half-past +five, the little birds were all wide awake, and one of them, whilst +pruning its feathers, lost its balance and fell out of the nest to the +ground. On this the old ones set up the most doleful lamentations, and +the gentleman, coming out of his retreat, put the little one back into +the nest. This kind action, however, wholly disconcerted the parents, +nor did they again venture to feed their young till an artifice +of the gentleman led them to suppose that he was gone from their +neighbourhood. No other event happened to them through the day, and by +half-past nine o’clock at night, when all went to rest, the young ones +had been fed two hundred and six times.</p> + +<p>Thrushes, however, become occasionally so extremely tame that the +female will remain upon her eggs and feed her young,<span class="pagenum" id="Page_24">[24]</span> without any +symptom of alarm, in the close neighbourhood of man. Of this I will +give an instance from Bishop Stanley’s “History of Birds”—</p> + +<p>“A short time ago, in Scotland, some carpenters working in a shed +adjacent to the house observed a thrush flying in and out, which +induced them to direct their attention to the cause, when, to their +surprise, they found a nest commenced amongst the teeth of a harrow, +which, with other farming tools and implements, was placed upon the +joists of the shed, just over their heads. The carpenters had arrived +soon after six o’clock, and at seven, when they found the nest, it was +in a great state of forwardness, and had evidently been the morning’s +work of a pair of these indefatigable birds. Their activity throughout +the day was incessant; and, when the workmen came the next morning, +they found the female seated in her half-finished mansion, and, when +she flew off for a short time, it was found that she had laid an egg. +When all was finished, the he-bird took his share of the labour, and, +in thirteen days, the young birds were out of their shells, the refuse +of which the old ones carried away from the spot. All this seems to +have been carefully observed by the workmen; and it is much to their +credit that they were so quiet and friendly as to win the confidence of +the birds.”</p> + +<p>The song of the thrush is remarkable for its rich, mellow intonation, +and for the great variety of its notes.</p> + +<div class="sidenote"><em>Wordsworth’s Verses on the Thrush.</em></div> + +<p>Unfortunately for the thrush, its exquisite power as a songster makes +it by no means an unusual prisoner. You are often startled by hearing, +from the doleful upper window of some dreary court or alley of London, +or some other large town, an outpouring of joyous, full-souled melody +from an imprisoned<span class="pagenum" id="Page_25">[25]</span> thrush, which, perfect as it is, saddens you, as +being so wholly out of place. Yet who can say how the song of that bird +may speak to the soul of many a town-imprisoned passer-by? Wordsworth +thus touchingly describes an incident of this kind:—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">At the corner of Wood Street, when daylight appears,</div> + <div class="verse indent0">Hangs a thrush that sings loud; it has sung for three years:</div> + <div class="verse indent0">Poor Susan has passed by the spot, and has heard,</div> + <div class="verse indent0">In the silence of morning, the song of the bird.</div> + </div> + <div class="stanza"> + <div class="verse indent0">Green pastures she views in the midst of the dale,</div> + <div class="verse indent0">Down which she so often has tripped with her pail,</div> + <div class="verse indent0">And a single small cottage, a nest like a dove’s,</div> + <div class="verse indent0">The one only dwelling on earth which she loves.</div> + </div> + <div class="stanza"> + <div class="verse indent0">’Tis a note of enchantment; what ails her? she sees</div> + <div class="verse indent0">A mountain ascending, a vision of trees;</div> + <div class="verse indent0">Bright volumes of vapour through Lothbury glide,</div> + <div class="verse indent0">And a river flows on through the vale of Cheapside.</div> + </div> + <div class="stanza"> + <div class="verse indent0">She looks, and her heart is in heaven: but they fade—</div> + <div class="verse indent0">The mist and the river, the hill, sun, and shade;</div> + <div class="verse indent0">The stream will not flow, and the hill will not rise,</div> + <div class="verse indent0">And the colours have all passed away from her eyes.</div> + </div> +</div> +</div> + +<div class="figcenter"> +<a id="image_037"><img src="images/i-037.jpg" alt="" width="480" height="137" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_26">[26]</span></p> + +<h2 class="nobreak" id="CHAPTER_IV">CHAPTER IV.</h2> +</div> + +<p class="center">THE BLACKBIRD.</p> + + +<p><span class="smcap">The</span> Blackbird is familiar to us all. It is a thoroughly English bird, +and, with its cousin the thrush, is not only one of the pleasantest +features in our English spring and summer landscape, but both figure +in our old poetry and ballads, as the “merle and the mavis,” “the +blackbird and the throstle-cock;” for those old poets loved the +country, and could not speak of the greenwood without the bird.</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">When shaws are sheen and fields are fair,</div> + <div class="verse indent2">And leaves both large and long,</div> + <div class="verse indent0">’Tis merry walk’ng in the green forest</div> + <div class="verse indent2">To hear the wild birds’ song;</div> + </div> + <div class="stanza"> + <div class="verse indent0">The wood merle sings, and will not cease,</div> + <div class="verse indent2">Sitting upon a spray;</div> + <div class="verse indent0">The merle and the mavis shout their fill,</div> + <div class="verse indent2">From morn till the set of day.</div> + </div> +</div> +</div> + +<div class="figcenter"> +<a id="image_039"><img src="images/i-039.jpg" alt="" width="474" height="650" /></a> +<p class="caption center">BLACKBIRD AND NEST.      [<a href="#Page_26" title="Page 26">Page 26.</a></p> +</div> + +<p>The blackbird takes its name from a very intelligible cause—its +perfectly black plumage, which, however, is agreeably relieved by the +bright orange of its bill, the orange circles round its eyes, and its +yellow feet; though this is peculiar only to the male, nor does he +assume this distinguishing colour till his second year. The female is +of a dusky-brown colour.</p> + +<div class="sidenote"><em>The Notes of the Blackbird.</em></div> + +<p>Sometimes the singular variety of a <em>white</em> blackbird occurs, +<span class="pagenum" id="Page_27">[27]</span>which seems to astonish even its fellow birds; the same phenomenon +also occurs amongst sparrows; a fatal distinction to the poor birds, +who are in consequence very soon shot.</p> + +<p>This bird is one of our finest singers. His notes are solemn and +flowing, unlike those of the thrush, which are short, quick, and +extremely varied. The one bird is more lyrical, the other sings in +a grand epic strain. A friend of ours, deeply versed in bird-lore, +maintains that the blackbird is oratorical, and sings as if delivering +an eloquent rhythmical oration.</p> + +<p>This bird begins to sing early in the year, and continues his song +during the whole time that the hen is sitting. Like his relatives, the +thrush and the missel-thrush, he takes his post on the highest branch +of a tree, near his nest, so that his song is heard far and wide; and +in fact, through the whole pleasant spring you hear the voices of these +three feathered kings of English song constantly filling the woods and +fields with their melody. The blackbird sings deliciously in rain, even +during a thunderstorm, with the lightning flashing round him. Indeed, +both he and the thrush seem to take great delight in summer showers.</p> + +<p>The blackbird has a peculiar call, to give notice to his brood of the +approach of danger; probably, however, it belongs both to male and +female. Again, there is a third note, very peculiar also, heard only +in the dusk of evening, and which seems pleasingly in harmony with the +approaching shadows of night. By this note they call each other to +roost, in the same way as partridges call each other to assemble at +night, however far they may be asunder.</p> + +<p>The nest of the blackbird is situated variously; most frequently<span class="pagenum" id="Page_28">[28]</span> in +the thicker parts of hedges; sometimes in the hollow of a stump or +amongst the curled and twisted roots of old trees, which, projecting +from the banks of woods or woodland lanes, wreathed with their trails +of ivy, afford the most picturesque little hollows for the purpose. +Again, it may be found under the roof of out-houses or cart-sheds, +laid on the wall-plate; and very frequently in copses, in the stumps +of pollard trees, partly concealed by their branches; and is often +begun before the leaves are on the trees. The nest is composed of dry +bents, and lined with fine dry grass. The hen generally lays five eggs, +which are of a dusky bluish-green, thickly covered with black spots; +altogether very much resembling those of crows, rooks, magpies, and +that class of birds.</p> + +<p>Universal favourite as the blackbird deservedly is, yet, in common with +the thrush, all gardeners are their enemies from the great liking they +have for his fruit, especially currants, raspberries, and cherries. +There is, however, something very amusing, though, at the same time, +annoying, in the sly way by which they approach these fruits, quite +aware that they are on a mischievous errand. They steal along, flying +low and silently, and, if observed, will hide themselves in the nearest +growth of garden plants, scarlet runners, or Jerusalem artichokes, +where they remain as still as mice, till they think the human enemy has +moved off. If, however, instead of letting them skulk quietly in their +hiding-place, he drives them away, they fly off with a curious note, +very like a little chuckling laugh of defiance, as if they would say, +“Ha! ha! we shall soon be back again!” which they very soon are.</p> + +<p>But we must not begrudge them their share, though they<span class="pagenum" id="Page_29">[29]</span> neither have +dug the ground nor sowed the seed, for very dull and joyless indeed +would be the garden and the gardener’s toil, and the whole country in +short, if there were no birds—no blackbirds and thrushes—to gladden +our hearts, and make the gardens, as well as the woods and fields, +joyous with their melody. Like all good singers, these birds expect, +and deserve, good payment.</p> + +<p>The blackbird, though naturally unsocial and keeping much to itself, +is very bold in defence of its young, should they be in danger, or +attacked by any of the numerous bird-enemies, which abound everywhere, +especially to those which are in immediate association with man. The +Rev. J. G. Wood tells us, for instance, that on one occasion a prowling +cat was forced to make an ignominious retreat before the united onset +of a pair of blackbirds, on whose young she was about to make an attack.</p> + +<div class="sidenote"><cite>Macgillivray’s Account.</cite></div> + +<p>Let me now, in conclusion, give a day with a family of blackbirds, +which I somewhat curtail from Macgillivray.</p> + +<p>“On Saturday morning, June 10th, I went into a little hut made of green +branches, at half-past two in the morning, to see how the blackbirds +spend the day at home. They lived close by, in a hole in an old wall, +which one or other of them had occupied for a number of years.</p> + +<p>“At a quarter-past three they began to feed their young, which were +four in number. She was the most industrious in doing so; and when he +was not feeding, he was singing most deliciously. Towards seven o’clock +the father-bird induced one of the young ones to fly out after him. +But this was a little mistake, and, the bird falling, I was obliged to +help it into its nest again, which made a little family commotion. They +were<span class="pagenum" id="Page_30">[30]</span> exceedingly tidy about their nest, and when a little rubbish fell +out they instantly carried it away. At ten o’clock the feeding began +again vigorously, and continued till two, both parent-birds supplying +their young almost equally.</p> + +<p>“The hut in which I sat was very closely covered; but a little wren +having alighted on the ground in pursuit of a fly, and seeing one of +my legs moving, set up a cry of alarm, on which, in the course of a +few seconds, all the birds in the neighbourhood collected to know what +was the matter. The blackbird hopped round the hut again and again, +making every effort to peep in, even alighting on the top within a few +inches of my head, but not being able to make any discovery, the tumult +subsided. It was probably considered a false alarm, and the blackbirds +went on feeding their young till almost four o’clock: and now came the +great event of the day.</p> + +<p>“At about half-past three the mother brought a large worm, four inches +in length probably, which she gave to one of the young ones, and flew +away. Shortly afterwards returning, she had the horror of perceiving +that the worm, instead of being swallowed was sticking in its throat; +on this she uttered a perfect moan of distress, which immediately +brought the he-bird, who also saw at a glance what a terrible +catastrophe was to be feared. Both parents made several efforts to push +the worm down the throat, but to no purpose, when, strange to say, the +father discovered the cause of the accident. The outer end of the worm +had got entangled in the feathers of the breast, and, being held fast, +could not be swallowed. He carefully disengaged it, and, holding it up +with his beak, the poor little thing, with a great effort, managed to +get it down, but was by<span class="pagenum" id="Page_31">[31]</span> this time so exhausted that it lay with its +eyes shut and without moving for the next three hours. The male bird in +the meantime took his stand upon a tree, a few yards from the nest, and +poured forth some of his most enchanting notes—a song of rejoicing no +doubt for the narrow escape from death of one of his family.</p> + +<div class="sidenote"><em>Macgillivray’s Day with this Bird.</em></div> + +<p>“From four till seven o’clock both birds again fed their young, after +which the male bird left these family duties to his mate, and gave +himself up to incessant singing. At twenty minutes to nine their +labours ceased, they having then fed their young one hundred and +thirteen times during the day.</p> + +<p>“I observed that before feeding their young they always alighted upon +a tree and looked round them for a few seconds. Sometimes they brought +in a quantity of worms and fed their brood alternately; at other times +they brought one which they gave to only one of them.</p> + +<p>“The young birds often trimmed their feathers, and stretched out their +wings; they also appeared to sleep now and then.</p> + +<p>“With the note of alarm which the feathered tribes set up on the +discovery of their enemies all the different species of the little +birds seem to be intimately acquainted; for no sooner did a beast or +bird of prey make its appearance, than they seemed to be anxiously +concerned about the safety of their families. They would hop from tree +to tree uttering their doleful lamentations. At one time the blackbirds +were in an unusual state of excitement and terror, and were attended +by crowds of their woodland friends. A man and boy, who were working +in my garden, having heard the noise, ran to see what was the cause of +it, and on looking into some branches which were lying on<span class="pagenum" id="Page_32">[32]</span> the ground, +observed a large weasel stealing slyly along in pursuit of its prey. It +was, however, driven effectually from the place without doing any harm. +It is astonishing how soon the young know this intimation of danger; +for I observed that no sooner did the old ones utter the alarm-cry, +than they cowered in their nest, and appeared to be in a state of great +uneasiness.”</p> + +<div class="figcenter"> +<a id="image_046"><img src="images/i-046.jpg" alt="bird singing" width="408" height="400" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_33">[33]</span></p> + +<h2 class="nobreak" id="CHAPTER_V">CHAPTER V.</h2> +</div> + +<p class="center">THE DIPPER, OR WATER-OUSEL.</p> + + +<p><span class="smcap">The</span> Dipper, or Water-ousel, of which Mr. Weir has given us a charming +and faithful portrait, is very like a wren in form and action, with +its round body and lively little tail. Its mode of flight, however, +so nearly resembles the kingfisher that, in some places, the country +people mistake it for the female of that bird. But it is neither wren +nor kingfisher, nor yet related to either of them. It is the nice +little water-ousel, with ways of its own, and a cheerful life of its +own, and the power of giving pleasure to all lovers of the free country +which is enriched with an infinite variety of happy, innocent creatures.</p> + +<p>The upper part of the head and neck, and the whole back and wings of +this bird, are of a rusty-brown; but, as each individual feather is +edged with gray, there is no deadness of colouring. The throat and +breast are snowy white, which, contrasting so strongly with the rest of +the body, makes it seem to flash about like a point of light through +the dark shadows of the scenes it loves to haunt.</p> + +<p>I said above that this bird gave pleasure to all lovers of nature. So +it does, for it is only met with in scenes which are especially beloved +by poets and painters. Like them, it delights in mountain regions, +where rocky streams rush along with an unceasing murmur, leaping over +huge stones, slumbering in<span class="pagenum" id="Page_34">[34]</span> deep, shadowy pools, or lying low between +rocky walls, in the moist crevices and on the edges of which the wild +rose flings out its pale green branches, gemmed with flowers, or the +hardy polypody nods, like a feathery plume. On these streams, with +their foamy waters and graceful vegetation, you may look for the +cheerful little water-ousel. He is perfectly in character with the +scenes.</p> + +<div class="figcenter"> +<a id="image-049"><img src="images/i-049.jpg" alt="" width="473" height="650" /></a> +<p class="caption center">DIPPERS AND NEST.      [<a href="#Page_34" title="Page 34">Page 34.</a></p> +</div> + +<div class="sidenote"><em>The Home of the Dipper.</em></div> + +<p>And now, supposing that you are happily located for a few weeks in +summer, either in Scotland or Wales, let me repeat my constant advice +as regards the study and truest enjoyment of country life and things. +Go out for several hours; do not be in a hurry; take your book, or +your sketching, or whatever your favourite occupation may be, if it be +only a quiet one, and seat yourself by some rocky stream amongst the +mountains; choose the pleasantest place you know, where the sun can +reach you, if you need his warmth, and if you do not, where you can yet +witness the beautiful effects of light and shade. There seat yourself +quite at your ease, silent and still as though you were a piece of +rock itself, half screened by that lovely wild rose bush, or tangle of +bramble, and before long you will most likely see this merry, lively +little dipper come with his quick, jerking flight, now alighting on +this stone, now on that, peeping here, and peeping there, as quick as +light, and snapping up, now a water-beetle, now a tiny fish, and now +diving down into the stream for a worm that he espies below, or walking +into the shallows, and there flapping his wings, more for the sheer +delight of doing so than for anything else. Now he is off and away, +and, in a moment or two, he is on yonder gray mass of stone, which +rises up in that dark chasm of waters like a rock in <span class="pagenum" id="Page_35">[35]</span>a stormy sea, +with the rush and roar of the water full above him. Yet there he is +quite at home, flirting his little tail like a jenny wren, and hopping +about on his rocky point, as if he could not for the life of him be +still for a moment. Now listen! That is his song, and a merry little +song it is, just such a one as you would fancy coming out of his jocund +little heart; and, see now, he begins his antics. He must be a queer +little soul! If we could be little dippers like him, and understand +what his song and all his grimaces are about, we should not so often +find the time tedious for want of something to do.</p> + +<p>We may be sure he is happy, and that he has, in the round of his small +experience, all that his heart desires. He has this lonely mountain +stream to hunt in, these leaping, chattering, laughing waters to bear +him company, all these fantastically heaped-up stones, brought hither +by furious winter torrents of long ago—that dashing, ever roaring, +ever foaming waterfall, in the spray of which the summer sunshine +weaves rainbows. All these wild roses and honeysuckles, all this maiden +hair, and this broad polypody, which grows golden in autumn, make up +his little kingdom, in the very heart of which, under a ledge of rock, +and within sound, almost within the spray of the waterfall, is built +the curious little nest, very like that of a wren, in which sits the +hen-bird, the little wife of the dipper, brooding with most unwearied +love on four or five white eggs, lightly touched with red.</p> + +<p>This nest is extremely soft and elastic, sometimes of large size, the +reason for which one cannot understand. It is generally near to the +water, and, being kept damp by its situation, is always so fresh, +looking so like the mass of its immediate surroundings<span class="pagenum" id="Page_36">[36]</span> as scarcely to +be discoverable by the quickest eye. When the young are hatched they +soon go abroad with the parents, and then, instead of the one solitary +bird, you may see them in little parties of from five to seven going on +in the same sort of way, only all the merrier because there are more of +them.</p> + +<div class="figcenter"> +<a id="image-052"><img src="images/i-052.jpg" alt="bird's nest on the ground" width="468" height="400" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_37">[37]</span></p> + +<h2 class="nobreak" id="CHAPTER_VI">CHAPTER VI.</h2> +</div> + +<p class="center">THE NIGHTINGALE.</p> + + +<p><span class="smcap">Philomela</span>, or the Nightingale, is the head of the somewhat large +bird-family of Warblers, and is the most renowned of all feathered +songsters, though some judges think the garden-ousel exceeds it in +mellowness, and the thrush in compass of voice, but that, in every +other respect, it excels them all. For my part, however, I think no +singing-bird is equal to it; and listening to it when in full song, in +the stillness of a summer’s night, am ready to say with good old Izaak +Walton:—</p> + +<p>“The nightingale, another of my airy creatures, breathes such sweet +music out of her little instrumental throat, that it might make mankind +to think that miracles had not ceased. He that at midnight, when the +weary labourer sleeps securely, should hear, as I have very often +heard, the clear airs, the sweet descants, the natural rising and +falling, the doubling and redoubling of her voice, might well be lifted +above earth and say, ‘Lord, what music hast Thou provided for the +saints in heaven, when Thou affordest bad men such music on earth!’”</p> + +<p>In colour, the upper parts of the nightingale are of a rich brown; +the tail of a reddish tint; the throat and underparts of the body, +greyish-white; the neck and breast, grey; the bill and legs, light +brown. Its size is about that of the garden warblers,<span class="pagenum" id="Page_38">[38]</span> which it +resembles in form—being, in fact, one of that family. Thus, the most +admired of all singers—the subject of poets’ songs and eulogies, the +bird that people walk far and wide to listen to, of which they talk for +weeks before it comes, noting down the day of its arrival as if it were +the Queen or the Queen’s son—is yet nothing but a little insignificant +brown bird, not to be named with the parrot for plumage, nor with +our little goldfinch, who always looks as if he had his Sunday suit +on. But this is a good lesson for us. The little brown nightingale, +with his little brown wife in the thickety copse, with their simple +unpretending nest, not built up aloft on the tree branch, but humbly +at the tree’s root, or even on the very ground itself, may teach us +that the world’s external show or costliness is not true greatness. The +world’s best bird-singer might have been as big as an eagle, attired +in colours of blue and scarlet and orange like the grandest macaw. But +the great Creator willed that it should not be so—his strength, and +his furiousness, and his cruel capacity were sufficient for the eagle, +and his shining vestments for the macaw; whilst the bird to which was +given the divinest gift of song must be humble and unobtrusive, small +of size, with no surpassing beauty of plumage, and loving best to hide +itself in the thick seclusion of the copse in which broods the little +mother-bird, the very counterpart of himself, upon her olive-coloured +eggs.</p> + +<div class="sidenote"><em>The Philomela of Surrey.</em></div> + +<p>Mr. Harrison Weir has given us a sweet little picture of the +nightingale at home. Somewhere, not far off, runs the highroad, or it +may be a pleasant woodland lane leading from one village to another, +and probably known as “Nightingale-lane,” and traversed night after +night by rich and poor, learned and<span class="pagenum" id="Page_39">[39]</span> unlearned, to listen to the +bird. In our own neighbourhood we have a “Nightingale-lane,” with its +thickety copses on either hand, its young oaks and Spanish chestnuts +shooting upwards, and tangles of wild roses and thick masses of +brambles throwing their long sprays over old, mossy, and ivied stumps +of trees, cut or blown down in the last generation—little pools +and water courses here and there, with their many-coloured mosses +and springing rushes—a very paradise for birds. This is in Surrey, +and Surrey nightingales, it is said, are the finest that sing. With +this comes the saddest part of the story. Bird-catchers follow the +nightingale, and, once in his hands, farewell to the pleasant copse +with the young oaks and Spanish chestnuts, the wild rose tangles, the +little bosky hollow at the old tree root, in one of which the little +nest is built and the little wife broods on her eggs!</p> + +<p>Generally, however, the unhappy bird, if he be caught, is taken soon +after his arrival in this country; for nightingales are migratory, and +arrive with us about the middle of April. The male bird comes about +a fortnight before the female, and begins to sing in his loneliness +a song of salutation—a sweet song, which expresses, with a tender +yearning, his desire for her companionship. Birds taken at this time, +before the mate has arrived, and whilst he is only singing to call and +welcome her, are said still to sing on through the summer in the hope, +long-deferred, that she may yet come. He will not give her up though +he is no longer in the freedom of the wood, so he sings and sings, and +if he live over the winter, he will sing the same song the following +spring, for the want is again in his heart. He cannot believe but that +she will still come. The cruel bird-catchers,<span class="pagenum" id="Page_40">[40]</span> therefore, try all their +arts to take him in this early stage of his visit to us. Should he be +taken later, when he is mated, and, as we see him in our picture, with +all the wealth of his little life around him, he cannot sing long. How +should he—in a narrow cage and dingy street of London or some other +great town—perhaps with his eyes put out—for his cruel captor fancies +he sings best if blind? He may sing, perhaps, for a while, thinking +that he can wake himself out of this dreadful dream of captivity, +darkness, and solitude. But it is no dream; the terrible reality at +length comes upon him, and before the summer is over he dies of a +broken heart.</p> + +<p>It is a curious fact that the nightingale confines itself, without +apparent reason, to certain countries and to certain parts of England. +For instance, though it visits Sweden, and even the temperate parts +of Russia, it is not met with in Scotland, North Wales, nor Ireland, +neither is it found in any of our northern counties excepting +Yorkshire, and there only in the neighbourhood of Doncaster. Neither +is it known in the south-western counties, as Cornwall and Devonshire. +It is supposed to migrate during the winter into Egypt and Syria. It +has been seen amongst the willows of Jordan and the olive trees of +Judea, but we have not, to our knowledge, any direct mention of it in +the Scriptures, though Solomon no doubt had it in his thoughts, in his +sweet description of the spring—“Lo, the winter is past, the rain is +over and gone; the flowers appear on the earth; the time of the singing +of birds is come, and the voice of the turtle is heard in our land.” A +recent traveller in Syria tells me that she heard nightingales singing +at four o’clock one morning in April of last year in the lofty regions +of the Lebanon.</p> + + +<div class="figcenter"> +<a id="image-057"><img src="images/i-057.jpg" alt="" width="503" height="650" /></a> +<p class="caption center">NIGHTINGALES AND NEST.      [<a href="#Page_40" title="Page 40">Page 40.</a></p> +</div> + +<p><span class="pagenum" id="Page_41">[41]</span></p> +<div class="sidenote"><em>Sir John Sinclair’s Attempt.</em></div> + +<p>There have been various attempts to introduce the nightingale into such +parts of this country as it has not yet frequented; for instance, a +gentleman of Gower, a sea-side district of Glamorganshire, the climate +of which is remarkably mild, procured a number of young birds from +Norfolk and Surrey, hoping that they would find themselves so much at +home in the beautiful woods there as to return the following year. But +none came. Again, as regards Scotland, Sir John Sinclair purchased a +large number of nightingales’ eggs, at a shilling each, and employed +several men to place them carefully in robins’ nests to be hatched. So +far all succeeded well. The foster-mothers reared the nightingales, +which, when full-fledged, flew about as if quite at home. But when +September came, the usual month for the migration of the nightingale, +the mysterious impulse awoke in the hearts of the young strangers, and, +obeying it, they suddenly disappeared and never after returned.</p> + +<p>Mr. Harrison Weir has given us a very accurate drawing of the +nightingale’s nest, which is slight and somewhat fragile in +construction, made of withered leaves—mostly of oak—and lined +with dry grass. The author of “British Birds” describes one in his +possession as composed of slips of the inner bark of willow, mixed with +the leaves of the lime and the elm, lined with fibrous roots, grass, +and a few hairs; but whatever the materials used may be, the effect +produced is exactly the same.</p> + +<p>In concluding our little chapter on this bird, I would mention that +in the Turkish cemeteries, which, from the old custom of planting a +cypress at the head and foot of every grave, have now become cypress +woods, nightingales abound, it having been also an old custom of love +to keep these birds on every grave.</p> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_42">[42]</span></p> + +<h2 class="nobreak" id="CHAPTER_VII">CHAPTER VII.</h2> +</div> + +<p class="center">THE SKYLARK.</p> + + +<p><span class="smcap">The</span> Skylark, that beautiful singer, which carries its joy up to the +very gates of heaven, as it were, has inspired more poets to sing about +it than any other bird living.</p> + +<p>Wordsworth says, as in an ecstasy of delight:—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">Up with me! up with me into the clouds!</div> + <div class="verse indent2">For thy song, lark, is strong;</div> + <div class="verse indent0">Up with me! up with me into the clouds!</div> + <div class="verse indent2">Singing, singing.</div> + <div class="verse indent2">With clouds and sky about me ringing,</div> + <div class="verse indent0">Lift me, guide me till I find</div> + <div class="verse indent0">That spot that seems so to my mind.</div> + </div> +</div> +</div> + +<p>Shelley, in an ode which expresses the bird’s ecstasy of song, also +thus addresses it, in a strain of sadness peculiar to himself:—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent8">Hail to thee, blithe spirit!</div> + <div class="verse indent10">Bird, thou never wert—</div> + <div class="verse indent8">That from heaven, or near it,</div> + <div class="verse indent10">Pourest thy full heart</div> + <div class="verse indent4">In profuse strains of unpremeditated art!</div> + </div> + <div class="stanza"> + <div class="verse indent8">Higher, still, and higher</div> + <div class="verse indent10">From the earth thou springest,</div> + <div class="verse indent8">Like a cloud of fire;</div> + <div class="verse indent10">The deep blue thou wingest,</div> + <div class="verse indent4">And singing still doth soar, and soaring ever singest!</div> + </div> + <div class="stanza"> + <div class="verse indent4"> + +<hr class="tb" /></div> +<p><span class="pagenum" id="Page_43">[43]</span></p> </div> + <div class="stanza"> + <div class="verse indent8">Better than all measures</div> + <div class="verse indent10">Of delightful sound,</div> + <div class="verse indent8">Better than all treasures</div> + <div class="verse indent10">That in books are found,</div> + <div class="verse indent4">Thy skill to poet were, thou scorner of the ground.</div> + </div> + <div class="stanza"> + <div class="verse indent8">Teach me half the gladness</div> + <div class="verse indent10">That thy brain must know,</div> + <div class="verse indent8">Such harmonious madness</div> + <div class="verse indent10">From my lips should flow;</div> + <div class="verse indent4">The world should listen then, as I am listening now.</div> + </div> +</div> +</div> + +<div class="sidenote"><em>James Hogg’s Verses.</em></div> + +<p>James Hogg, the Ettrick shepherd, who had listened to the bird with +delight on the Scottish hills, thus sings of it:—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent8">Bird of the wilderness,</div> + <div class="verse indent8">Blithesome and cumberless,</div> + <div class="verse indent0">Sweet is thy matin o’er moorland and lea!</div> + <div class="verse indent8">Emblem of happiness,</div> + <div class="verse indent8">Blest is thy dwelling-place—</div> + <div class="verse indent0">Oh, to abide in the desert with thee!</div> + </div> + <div class="stanza"> + <div class="verse indent8">Wild is thy lay, and loud;</div> + <div class="verse indent8">Far in the downy cloud</div> + <div class="verse indent0">Love gives it energy, love gave it birth.</div> + <div class="verse indent8">Where on thy dewy wing,</div> + <div class="verse indent8">Where art thou journeying?</div> + <div class="verse indent0">Thy lay is in heaven, thy love is on earth.</div> + </div> + <div class="stanza"> + <div class="verse indent8">O’er fell and fountain sheen,</div> + <div class="verse indent8">O’er moor and mountain green,</div> + <div class="verse indent0">O’er the red streamer that heralds the day;</div> + <div class="verse indent8">Over the cloudlet dim,</div> + <div class="verse indent8">Over the rainbow’s rim,</div> + <div class="verse indent0">Musical cherub, soar, singing away!</div> + </div> + <div class="stanza"> + <div class="verse indent8">Then when the gloaming comes,</div> + <div class="verse indent8">Low in the heather blooms,</div> + <div class="verse indent0">Sweet will thy welcome and bed of love be!</div> + <div class="verse indent8">Emblem of happiness,</div> + <div class="verse indent8">Blest is thy dwelling-place—</div> + <div class="verse indent8">Oh, to abide in the desert with thee!</div> + </div> +</div> +</div> +<p><span class="pagenum" id="Page_44">[44]</span></p> +<p>But we must not forget the earthly life of the bird in all these sweet +songs about him.</p> + +<p>The plumage of the skylark is brown, in various shades; the fore-part +of the neck, reddish-white, spotted with brown; the breast and under +part of the body, yellowish-white. Its feet are peculiar, being +furnished with an extraordinarily long hind claw, the purpose of which +has puzzled many naturalists. But whatever nature intended it for, the +bird has been known to make use of it for a purpose which cannot fail +to interest us and call forth our admiration. This shall be presently +explained. The nest is built on the ground, either between two clods +of earth, in the deep foot-print of cattle, or some other small hollow +suitable for the purpose, and is composed of dry grass, hair, and +leaves; the hair is mostly used for the lining. Here the mother-bird +lays four or five eggs of pale sepia colour, with spots and markings +of darker hue. She has generally two broods in the year, and commences +sitting in May. The he-lark begins to sing early in the spring. +Bewick says, “He rises from the neighbourhood of the nest almost +perpendicularly in the air, by successive springs, and hovers at a +vast height. His descent, on the contrary, is in an oblique direction, +unless he is threatened by birds of prey, or attracted by his mate, and +on these occasions he drops like a stone.”</p> + +<div class="figcenter"> +<a id="image-063"><img src="images/i-063.jpg" alt="" width="479" height="650" /></a> +<p class="caption center">SKYLARKS AND NEST.      [<a href="#Page_44" title="Page 44">Page 44.</a></p> +</div> + +<p>With regard to his ascent, I must, however, add that it is in a spiral +direction, and that what Bewick represents as springs are his sudden +spiral flights after pausing to sing. Another peculiarity must be +mentioned: all his bones are hollow, and he can inflate them with air +from his lungs, so that he becomes, as it were, a little balloon, which +accounts for the buoyancy <span class="pagenum" id="Page_45">[45]</span>with which he ascends, and the length of +time he can support himself in the air: often for an hour at a time. +Still more extraordinary is the wonderful power and reach of his voice, +for while, probably, the seven hundred or a thousand voices of the +grand chorus of an oratorio would fail to fill the vast spaces of the +atmosphere, it can be done by this glorious little songster, which, +mounting upwards, makes itself heard, without effort, when it can be +seen no longer.</p> + +<div class="sidenote"><em>Its Solicitude for its Young.</em></div> + +<p>The attachment of the parents to their young is very great, and has +been seen to exhibit itself in a remarkable manner.</p> + +<p>The nest being placed on the open-ground—often pasture, or in a field +of mowing grass—it is very liable to be disturbed; many, therefore, +are the instances of the bird’s tender solicitude either for the young +or for its eggs, one of which I will give from Mr. Jesse. “In case of +alarm,” he says, “either by cattle grazing near the nest, or by the +approach of the mower, the parent-birds remove their eggs, by means +of their long claws, to a place of greater security, and this I have +observed to be affected in a very short space of time.” He says that +when one of his mowers first told him of this fact he could scarcely +believe it, but that he afterwards saw it himself, and that he regarded +it only as another proof of the affection which these birds show their +offspring. Instances are also on record of larks removing their young +by carrying them on their backs: in one case the young were thus +removed from a place of danger into a field of standing corn. But +however successful the poor birds may be in removing their eggs, they +are not always so with regard to their young, as Mr. Yarrell relates. +An instance came under his notice, in which the little fledgeling +proved too<span class="pagenum" id="Page_46">[46]</span> heavy for the parent to carry, and, being dropped from an +height of about thirty feet, was killed in the fall.</p> + +<p>Of all captive birds, none grieves me more than the skylark. Its +impulse is to soar, which is impossible in the narrow spaces of a cage; +and in this unhappy condition, when seized by the impulse of song, he +flings himself upwards, and is dashed down again by its cruel barriers. +For this reason the top of the lark’s cage is always bedded with green +baize to prevent his injuring himself. In the freedom of nature he is +the joyous minstrel of liberty and love, carrying upwards, and sending +down from above, his buoyant song, which seems to fall down through the +golden sunshine like a flood of sparkling melody.</p> + +<p>I am not aware of the height to which the lark soars, but it must be +very great, as he becomes diminished to a mere speck, almost invisible +in the blaze of light. Yet, high as he may soar, he never loses the +consciousness of the little mate and the nestlings below: but their +first cry of danger or anxiety, though the cry may be scarce audible +to the human ear, thrills up aloft to the singer, and he comes down +with a direct arrow-like flight, whilst otherwise his descent is more +leisurely, and said by some to be in the direct spiral line of his +ascent.</p> + +<p>Larks, unfortunately for themselves, are considered very fine eating. +Immense numbers of them are killed for the table, not only on the +continent, but in England. People cry shame on the Roman epicure, +Lucullus, dining on a stew of nightingales’ tongue, nearly two thousand +years ago, and no more can I reconcile to myself the daily feasting on +these lovely little songsters, which may be delicate eating, but are no +less God’s gifts to gladden and beautify the earth.</p> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_47">[47]</span></p> + +<h2 class="nobreak" id="CHAPTER_VIII">CHAPTER VIII.</h2> +</div> + +<p class="center">THE LINNET.</p> + + +<p><span class="smcap">Linnets</span> are a branch of a larger family of finches, all very familiar +to us. They are cousins, also, to the dear, impudent sparrows, and the +pretty siskin or aberdevines.</p> + +<p>The linnets are all compactly and stoutly built, with short necks and +good sized heads, with short, strong, pointed bills, made for the ready +picking up of seed and grain, on which they live. Most of them have two +broods in the season, and they build a bulky, deep, and compact nest, +just in accordance with their character and figure; but, though all +linnet-nests have a general resemblance of form, they vary more or less +in the material used.</p> + +<p>Linnets change their plumage once a year, and have a much more spruce +and brilliant appearance when they have their new summer suits on. They +are numerous in all parts of the country, and, excepting in the season +when they have young, congregate in flocks, and in winter are attracted +to the neighbourhood of man, finding much of their food in farm-yards, +and amongst stacks.</p> + +<p>The linnet of our picture is the greater red-pole—one of four brothers +of the linnet family—and is the largest of the four; the others +are the twit or mountain-linnet, the mealy-linnet, and the lesser +red-pole—the smallest of the four—all<span class="pagenum" id="Page_48">[48]</span> very much alike, and easily +mistaken for each other. The name red-pole is given from the bright +crimson spot on their heads—<em>pole</em> or <em>poll</em> being the old +Saxon word for head. The back of our linnet’s head and the sides of his +neck are of dingy ash-colour, his back of a warm brown tint, his wings +black, his throat of a dull white, spotted with brown, his breast a +brilliant red, and the under part of his body a dingy white.</p> + +<p>The linnet, amongst singing birds, is what a song writer is amongst +poets. He is not a grand singer, like the blackbird or the thrush, +the missel-thrush or the wood-lark, all of which seem to have an epic +story in their songs, nor, of course, like the skylark, singing up to +the gates of heaven, or the nightingale, that chief psalmist of all +bird singers. But, though much humbler than any of these, he is a sweet +and pleasant melodist; a singer of charming little songs, full of the +delight of summer, the freshness of open heaths, with their fragrant +gorse, or of the Scottish brae, with its “bonnie broom,” also in golden +blossom. His are unpretending little songs of intense enjoyment, simple +thanksgivings for the pleasures of life, for the little brown hen-bird, +who has not a bit of scarlet in her plumage, and who sits in her snug +nest on her fine little white eggs, with their circle of freckles and +brown spots at the thicker end, always alike, a sweet, patient mother, +waiting for the time when the young ones will come into life from that +delicate shell-covering, blind at first, though slightly clothed in +greyish-brown—five little linnets gaping for food.</p> + +<div class="figcenter"> +<a id="image-069"><img src="images/i-069.jpg" alt="" width="479" height="650" /></a> +<p class="caption center">LINNETS AND NEST.      [<a href="#Page_48" title="Page 48">Page 48.</a></p> +</div> + +<p>The linnet mostly builds its nest in low bushes, the furze being its +favourite resort; it is constructed outside of dry grass, roots, and +moss, and lined with hair and wool. We have it <span class="pagenum" id="Page_49">[49]</span>here in our picture; +for our friend, Mr. Harrison Weir, always faithful in his transcripts +of nature, has an eye, also, for beauty.</p> + +<p>Round the nest, as you see, blossoms the yellow furze, and round it too +rises a <i lang="fr" xml:lang="fr">chevaux de frise</i> of furze spines, green and tender to +look at, but sharp as needles. Yes, here on this furzy common, and on +hundreds of others all over this happy land, and on hill sides, with +the snowy hawthorn and the pink-blossomed crab-tree above them, and, +below, the mossy banks gemmed with pale-yellow primroses, are thousands +of linnet nests and father-linnets, singing for very joy of life and +spring, and for the summer which is before them. And as they sing, the +man ploughing in the fields hard-by, and the little lad leading the +horses, hear the song, and though he may say nothing about it, the man +thinks, and wonders that the birds sing just as sweetly now as when +he was young; and the lad thinks how pleasant it is, forgetting the +while that he is tired, and, whistling something like a linnet-tune, +impresses it on his memory, to be recalled with a tender sentiment +years hence when he is a man, toiling perhaps in Australia or Canada; +or, it may be, to speak to him like a guardian angel in some time of +trial or temptation, and bring him back to the innocence of boyhood and +to his God.</p> + +<div class="sidenote"><em>Bishop Huntley’s Anecdote.</em></div> + +<p>Our picture shows us the fledgeling brood of the linnet, and the +parent-bird feeding them. The attachment of this bird to its young is +very great. Bishop Huntley, in his “History of Birds,” gives us the +following anecdote in proof of it:—</p> + +<p>“A linnet’s nest, containing four young ones, was found by some +children, and carried home with the intention of rearing and taming +them. The old ones, attracted by their chirping,<span class="pagenum" id="Page_50">[50]</span> fluttered round the +children till they reached home, when the nest was carried up stairs +and placed in the nursery-window. The old birds soon approached the +nest and fed the young. This being observed, the nest was afterwards +placed on a table in the middle of the room, the window being left +open, when the parents came in and fed their young as before. Still +farther to try their attachment, the nest was then placed in a cage, +but still the old birds returned with food, and towards evening +actually perched on the cage, regardless of the noise made by several +children. So it went on for several days, when, unfortunately, the +cage, having been set outside the window, was exposed to a violent +shower of rain, and the little brood was drowned in the nest. The poor +parent-birds continued hovering round the house, and looking wistfully +in at the window for several days, and then disappeared altogether.”</p> + +<div class="figcenter"> +<a id="image-072"><img src="images/i-072.jpg" alt="A Linnet on a branch" width="233" height="200" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_51">[51]</span></p> + +<h2 class="nobreak" id="CHAPTER_IX">CHAPTER IX.</h2> +</div> + +<p class="center">THE PEEWIT.</p> + + +<p><span class="smcap">The</span> Peewit, lapwing, or plover, belongs to the naturalist family of +<em>Gallatores</em> or Waders, all of which are furnished with strong +legs and feet for walking, whilst all which inhabit watery places, or +feed their young amongst the waves, have legs sufficiently long to +enable them to wade; whence comes the family name.</p> + +<p>The peewit, or lapwing, is a very interesting bird, from its peculiar +character and habits. Its plumage is handsome; the upper part of the +body of a rich green, with metallic reflections; the sides of the neck +and base of the tail of a pure white; the tail is black; so is the +top of the head, which is furnished with a long, painted crest, lying +backwards, but which can be raised at pleasure. In length the bird is +about a foot.</p> + +<p>The peewit lives in all parts of this country, and furnishes one of +the pleasantly peculiar features of open sea-shores and wide moorland +wastes, in the solitudes of which, its incessant, plaintive cry has an +especially befitting sound, like the very spirit of the scene, moaning +in unison with the waves, and wailing over the wide melancholy of the +waste. Nevertheless, the peewit is not in itself mournful, for it is +a particularly lively and active bird, sporting and frolicking in the +air with its fellows, now whirling round and round, and now ascending +to a great<span class="pagenum" id="Page_52">[52]</span> height on untiring wing; then down again, running along the +ground, and leaping about from spot to spot as if for very amusement.</p> + +<p>It is, however, with all its agility, a very untidy nest-maker; in +fact it makes no better nest than a few dry bents scraped together in +a shallow hole, like a rude saucer or dish, in which she can lay her +eggs—always four in number. But though taking so little trouble about +her nest, she is always careful to lay the narrow ends of her eggs in +the centre, as is shown in the picture, though as yet there are but +three. A fourth, however, will soon come to complete the cross-like +figure, after which she will begin to sit.</p> + +<p>These eggs, under the name of plovers’ eggs, are in great request as +luxuries for the breakfast-table, and it may be thought that laid thus +openly on the bare earth they are very easily found. It is not so, +however, for they look so much like the ground itself, so like little +bits of moorland earth or old sea-side stone, that it is difficult to +distinguish them. But in proportion as the bird makes so insufficient +and unguarded a nest, so all the greater is the anxiety, both of +herself and her mate, about the eggs. Hence, whilst she is sitting, he +exercises all kinds of little arts to entice away every intruder from +the nest, wheeling round and round in the air near him, so as to fix +his attention, screaming mournfully his incessant <em>peewit</em> till he +has drawn him ever further and further from the point of his anxiety +and love.</p> + +<div class="figcenter"> +<a id="image-075"><img src="images/i-075.jpg" alt="" width="481" height="650" /></a> +<p class="caption center">PEEWITS AND NEST.      [<a href="#Page_52" title="Page 52">Page 52.</a></p> +</div> + +<div class="sidenote"><em>Stratagems of the Bird.</em></div> + +<p>The little quartette brood, which are covered with down when hatched, +begin to run almost as soon as they leave the shell, and then the poor +mother-bird has to exercise all her little <span class="pagenum" id="Page_53">[53]</span>arts also—and indeed the +care and solicitude of both parents is wonderful. Suppose, now, the +little helpless group is out running here and there as merry as life +can make them, and a man, a boy, or a dog, or perhaps all three, are +seen approaching. At once the little birds squat close to the earth, +so that they become almost invisible, and the parent-birds are on the +alert, whirling round and round the disturber, angry and troubled, +wailing and crying their doleful <em>peewit</em> cry, drawing them ever +further and further away from the brood. Should, however, the artifice +not succeed, and the terrible intruder still obstinately advance in +the direction of the young, they try a new artifice; drop to the +ground, and, running along in the opposite course, pretend lameness, +tumbling feebly along in the most artful manner, thus apparently +offering the easiest and most tempting prey, till, having safely lured +away the enemy, they rise at once into the air, screaming again their +<em>peewit</em>, but now as if laughing over their accomplished scheme.</p> + +<p>The young, which are hatched in April, are in full plumage by the end +of July, when the birds assemble in flocks, and, leaving the sea-shore, +or the marshy moorland, betake themselves to downs and sheep-walks, +where they soon become fat, and are said to be excellent eating. +Happily, however, for them, they are not in as much request for the +table as they were in former times. Thus we find in an ancient book of +housekeeping expenses, called “The Northumberland Household-book,” that +they are entered under the name of <em>Wypes</em>, and charged one penny +each; and that they were then considered a first-rate dish is proved +by their being entered as forming a part of “his lordship’s own mess,” +or portion of food; <em>mess</em><span class="pagenum" id="Page_54">[54]</span> being so used in those days—about +the time, probably, when the Bible was translated into English. Thus +we find in the beautiful history of Joseph and his brethren, “He sent +messes to them, but Benjamin’s mess was five times as much as any of +theirs.”</p> + +<p>Here I would remark, on the old name of <em>Wypes</em> for this +bird, that country-people in the midland counties still call them +<em>pie-wypes</em>.</p> + +<p>But now again to our birds. The peewit, like the gull, may easily be +tamed to live in gardens, where it is not only useful by ridding them +of worms, slugs, and other troublesome creatures, but is very amusing, +from its quaint, odd ways. Bewick tells us of one so kept by the Rev. +J. Carlisle, Vicar of Newcastle, which I am sure will interest my +readers.</p> + +<div class="sidenote"><em>A Winter Visitor.</em></div> + +<p>He says two of these birds were given to Mr. Carlisle, and placed +in his garden, where one soon died; the other continued to pick up +such food as the place afforded, till winter deprived it of its usual +supply. Necessity then compelled it to come nearer the house, by which +it gradually became accustomed to what went forward, as well as to +the various members of the family. At length a servant, when she had +occasion to go into the back-kitchen with a light, observed that the +lapwing always uttered his cry of <em>peewit</em> to gain admittance. +He soon grew familiar; as the winter advanced, he approached as far +as the kitchen, but with much caution, as that part of the house was +generally inhabited by a dog and a cat, whose friendship the lapwing +at length gained so entirely, that it was his regular custom to resort +to the fireside as soon as it grew dark, and spend the evening and +night with his two associates, sitting<span class="pagenum" id="Page_55">[55]</span> close to them, and partaking +of the comforts of a warm fireside. As soon as spring appeared he +betook himself to the garden, but again, at the approach of winter, +had recourse to his old shelter and his old friends, who received him +very cordially. But his being favoured by them did not prevent his +taking great liberties with them; he would frequently amuse himself +with washing in the bowl which was set for the dog to drink out of, and +whilst he was thus employed he showed marks of the greatest indignation +if either of his companions presumed to interrupt him. He died, poor +fellow, in the asylum he had chosen, by being choked with something +which he had picked up from the floor. During his confinement he +acquired an artificial taste as regarded his food, and preferred crumbs +of bread to anything else.</p> + +<div class="figcenter"> +<a id="image-079"><img src="images/i-079.jpg" alt="Peewit standing on a rock." width="565" height="500" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_56">[56]</span></p> + +<h2 class="nobreak" id="CHAPTER_X">CHAPTER X.</h2> +</div> + +<p class="center">THE HOUSE-MARTIN, OR WINDOW-SWALLOW.</p> + + +<p><span class="smcap">During</span> our winter, swallows inhabit warm tropical countries, migrating +northwards with the first approaches of summer. They are usually seen +with us from the 13th to the 20th of April, and are useful from the +first day of their arrival, by clearing the air of insects, which they +take on the wing; indeed, they may be said to live almost wholly on the +wing, and, except when collecting mud for their nests, are seldom seen +to alight, and, in drinking, dip down to the water as they skim over it +on rapid wing.</p> + +<div class="figcenter"> +<a id="image-081"><img src="images/i-081.jpg" alt="" width="485" height="650" /></a> +<p class="caption center">HOUSE-MARTINS AND NESTS.      [<a href="#Page_56" title="Page 56">Page 56.</a></p> +</div> + +<p>We have three kinds of swallows in England: the chimney-swallow, the +house-martin, and the sand-martin, of which I shall have something to +say in due course. The chimney-swallow and house-martin are especially +worthy of the affectionate regard of man; for they love his society, +build around his dwelling, destroy nothing that he values, have no +appetite for his fruits; they live harmoniously amongst themselves, +and have no other disposition than that of cheerfulness, unwearying +industry and perseverance, and the most devoted parental affection.</p> + +<p>Mr. Weir has given us a lively picture of swallow-life—four nests +grouped together on a house-side: more there probably are; but there +are as many as we can manage with; indeed we <span class="pagenum" id="Page_57">[57]</span>will presently confine +our attention to one single nest, and, by so doing, I flatter myself +that I shall win your admiration for these birds, and that you will +agree with me in thinking that if we all, men and women, boys and +girls, had only their persevering spirit, and their courage under +adversity, there would not be so much unsuccess, either at school or in +life, as is now, too often, the case.</p> + +<div class="sidenote"><em>The Nests on Traquair House.</em></div> + +<p>Some people are very fond of having martins about their houses, under +their eaves, and even in the corners of their windows. The Earl of +Traquair was one of these; he was, indeed, a great lover of all kinds +of birds, and all were protected on his premises. In the autumn of +1839, there were no less than one hundred and three martins’ nests on +Traquair House—which is a very fine old place—besides several which +had been deserted, injured, or taken possession of by sparrows, which +is a very unwarrantable liberty taken by these birds.</p> + +<p>From six to twenty days are required to build a martin’s nest. If all +goes on well it may be finished in the shorter time.</p> + +<p>Let us now see how the birds set about building. Here are several +nests in our picture; and turning to the pages of Macgillivray’s +“British Birds,” I shall find exactly the information we need. I will, +therefore, extract freely from this interesting writer, that my young +readers may be as grateful to him as I am myself.</p> + +<div class="sidenote"><em>The Domestic Life of a Pair.</em></div> + +<p>Again turning to our picture, we find four nests. “A party of eight +martins arrived here on the 1st of May. As this was quite a new +location, they spent the whole day in examining the eaves of the house, +the corners of the windows, and the out-buildings. By the following +morning the question was settled, and they had, as you see, fixed +upon a high wall with a slate<span class="pagenum" id="Page_58">[58]</span> coping, and an eastern aspect, and at +once commenced making a general foundation for their nests. Suitable +materials are procured from the banks of an adjoining pond, or a puddle +in the lane. Let us go down and see them. Here they come, sailing +placidly over the tree-tops; now they descend so as almost to sweep the +surface of the pond; some of them alight at once, others skim round, as +if borne away by a brisk wind. Those that have alighted walk about with +short steps, looking round for materials. Some seem not to find the mud +suitable, but seize on a piece of straw, or grass, which, tempering +in the mud, they then fly off with. Returning now to the building, we +see one using its tail planted against the wall, or against the nest, +if sufficiently advanced, as a support, deposit the material it has +brought by giving its head a wriggling motion, so that the mud slides +gently into the crevices of yesterday’s work; then he retouches the +whole. See, one has now arrived with his supply before the other has +finished: he is impatient to disburden himself, and wants to drive +off the worker, who rather snappishly retorts, and he, poor fellow, +goes off for a while with the mud sticking to his bill. Now she has +finished; there is room for him, and he goes back again and works hard +in his turn. They never alight on the nest without twittering. At noon, +if the weather be hot, they betake themselves to the fields, or, after +a dip in the pond, sun themselves on the house-top for half-an-hour or +so. Then they will hawk about for food, and after awhile one of them +may, perhaps, return and give another touch or two to the work, or seat +herself in the nest to consolidate the materials. But if cold, wet, or +windy, they keep away. What they do with themselves I know not; but +as soon as it clears<span class="pagenum" id="Page_59">[59]</span> up, they are at work again. At the beginning of +their building, they seem to have no objection to leave it for a whole +day; but as it advances, they become more interested or anxious, and +one or both will sit in it all night, even though the weather be bad.”</p> + +<p>So much for the building of these four nests of our picture; and now +I will bespeak your attention to a little narrative of the joys and +sorrows of the domestic life of a pair of martins, which, we will +suppose, belong also to our group.</p> + +<p>“The building began on the 1st of May, at daybreak. But the weather was +very much against them, being cold and stormy, and it was the 18th of +the month before it was finished.</p> + +<p>“Seeing their labours thus brought to a close, one could not help +wishing, considering how much it had cost, that the nest might last +them for many years. But on the 23rd of June, during a heavy fall of +thunder rain, almost the entire nest was washed to the ground, together +with the young birds which it contained. A short time before the +catastrophe, the old birds were observed hovering about, and expressing +great uneasiness. Almost immediately after it happened they left the +place, but returned the following day, and spent it in flying about and +examining the angle of the wall.</p> + +<p>“Next morning they commenced repairing the nest. In three days they had +made great progress; but again rain fell, and their work was stayed. +On the 30th, they advanced rapidly, and both remained sitting on the +nest all night. The next day it was finished; and now they began to +rejoice: they twittered all the evening till it was dark, now and then +pruning each other’s heads, as, seated side by side, they prepared to +spend the dark hours in the nest. Eggs were soon laid again, but,<span class="pagenum" id="Page_60">[60]</span> +sad to say, on the morning of the 18th of July, again, during a great +storm of wind and rain, the upper wall fell, carrying with it one +of the eggs. The old birds again fluttered about, uttering the most +plaintive cries, and early the next morning began to repair the damage, +though it rained heavily all day. Part of the lining hanging over the +side was incorporated with the new layers of mud. The urgency of the +case was such, that they were obliged to work during the bad weather. +Throughout the day one bird sat on the nest, whilst the other laboured +assiduously. Kindly was he welcomed by his mate, who sometimes, during +his absence, nibbled and retouched the materials which he had just +deposited. In a few days it was finished, the weather became settled, +the young were hatched, and all went well with them.</p> + +<p>“Sometimes when the nests are destroyed, the birds, instead of +attempting to repair the damage, forsake the neighbourhood, as if +wholly disheartened. Nothing can be more distressing to them than to +lose their young. In the storm of which I have just spoken, another +martin’s nest was washed down with unfledged young in it. These were +placed on some cotton wool in a basket, covered with a sheet of +brown paper, in an open window, facing the wall. During that day and +the following, the parents took no notice of them, and their kind +human protector fed them with house-flies. That evening he tried an +experiment. He gently placed the young ones in a nest of that same +window, where were other young. It was then about eight o’clock in the +evening; the rain was falling heavily, and no sound was heard save the +<em>cheep, cheep</em>, of the young birds, and the dashing of the storm +against the window-glass. A minute elapsed,<span class="pagenum" id="Page_61">[61]</span> when forth rushed the +parents shrieking their alarm notes, and, again and again wheeled up to +the nest, until at last they drifted away in the storm. He watched them +till they disappeared about half-past-nine. During all this time they +only twice summoned courage to look into the nest. Next morning I was +rejoiced to see them attending assiduously to the young ones.”</p> + +<div class="sidenote"><em>The Feeding of the Young.</em></div> + +<p>And now, turning again to our group of four nests on the walls, +supposing it be the month of July, every one of them with its +fledgeling brood sitting with gaping mouths, ever ready for food, you +may, perhaps, like to know how many meals are carried up to them in the +course of the day. If, then, the parents began to feed them at about +five in the morning, and left a little before eight at night, they +would feed them, at the lowest calculation, about a thousand times.</p> + +<p>With all this feeding and care-taking, the young ones, as the summer +goes on, are full-fledged, and have grown so plump and large that the +nest is quite too small for them; therefore, they must turn out into +the world, and begin life for themselves.</p> + +<p>It is now a fine, brisk, August morning, and at about eight o’clock, +you can see, if you look up at the nests, how the old birds come +dashing up to them quite in an excited way, making short curves in the +air, and repeating a note which says, as plain as a bird can speak,</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent6">This is the day</div> + <div class="verse indent6">You must away!</div> + <div class="verse indent0">What are wings made for, if not to fly?</div> + <div class="verse indent6">Cheep, cheep,</div> + <div class="verse indent6">Now for a leap!—</div> + <div class="verse indent0">Father and mother and neighbours are by!</div> + </div> +</div> +</div> +<p><span class="pagenum" id="Page_62">[62]</span></p> +<p>This flying away from the nest is a great event in swallow-life, as you +may well believe. Let us therefore now direct our attention to one nest +in particular, in which are only two young ones—a very small family; +but what happens here is occurring all round us.</p> + +<p>One of these little ones balances itself at the entrance, looking +timidly into the void, and, having considered the risk for awhile, +allows its fellow to take its place.</p> + +<p>During all this time, the parents keep driving about, within a few feet +of the entrance, and endeavour, by many winning gestures, to induce +their charge to follow them. The second bird also, after sitting for +some time, as if distrustful of its powers, retires, and the first +again appears. Opening and shutting his wings, and often half inclined +again to retire, he, at length, summons up all his resolution, springs +from the nest, and, with his self-taught pinions, cleaves the air. He +and his parents, who are in ecstasies, return to the nest, and the +second young one presently musters courage and joins them. And now +begins a day of real enjoyment; they sport chiefly about the tree-tops +till seven in the evening, when all re-enter the nest.</p> + +<p>In several instances I have seen the neighbours add their inducements +to those of the parents, when the young were too timid to leave their +home. If the happy day prove fine, they seldom return to the nest +till sunset; if otherwise, they will come back two or three times. On +one occasion, when the young were ready to fly, but unwilling to take +the first leap, the parents had recourse to a little stratagem, both +ingenious and natural. The he-bird held out a fly at about four inches +from the entrance<span class="pagenum" id="Page_63">[63]</span> to the nest. In attempting to take hold of it, they +again and again nearly lost their balance. On another occasion, the +mother bird, trying this plan to no purpose, seemed to lose patience, +and seizing one of them by the lower mandible, with the claw of her +right foot, whilst it was gaping for food, tried to pull it out of the +nest, to which, however, it clung like a squirrel. But the young, every +one of them, fly in time, and a right joyous holiday they all have +together.</p> + +<div class="sidenote"><em>The Autumn Migration.</em></div> + +<p>So the summer comes to an end; and towards the middle of September, +the great family cares being over, and the young having attained +to an age capable of undertaking the fatigues of migration, that +mysterious impulse, strong as life itself, and probably affecting +them like some sickness—the necessity to exchange one country and +climate for another—comes upon them. Under this influence, they +congregate together in immense numbers, every neighbourhood seeming +to have its place of assembly—the roofs of lofty buildings, or the +leafless boughs of old trees: here they meet, not only to discuss the +great undertaking, but to have a right merry time together—a time +of luxurious idleness, lively chatterings, singing in chorus their +everlasting and musical <em>cheep, cheep</em>, eating and drinking, and +making ready for the journey before them.</p> + +<p>At length the moment of departure is come, and at a given signal the +whole party rises. Twittering and singing, and bidding a long farewell +to the scenes of their summer life, they fly off in a body, perhaps, if +coming from Scotland, or the north of England, to rest yet a few weeks +in the warmer southern counties; after which, a general departure takes +place to the sunny lands of Africa.</p> + +<p><span class="pagenum" id="Page_64">[64]</span></p> + +<p>Though gifted with wings wonderfully constructed for prolonged flight, +and though having passed every day of so many successive months almost +wholly on the wing, the swallow frequently suffers great fatigue and +exhaustion in its long migration. Sometimes, probably driven out of +its course by adverse winds, it is known to alight by hundreds on the +rigging of vessels, when worn out by hunger and fatigue it is too +often shot or cruelly treated. Nevertheless the swallow, protected +by Him who cares for the sparrow, generally braves the hardships of +migration, and the following spring, guided by the same mysterious +instinct, finds his way across continents and seas to his old home, +where, identified by some little mark which has been put upon him—a +silken thread as a garter, or a light silver ring—he is recognised as +the old familiar friend, and appears to be no less happy to be once +more with them than are they to welcome him. Sometimes swallows coming +back as ordinary strangers, prove their identity, even though the scene +of their last year’s home may have been pulled down, together with the +human habitation. In this case, he has been known to fly about in a +distracted way, lamenting the change that had taken place, and seeming +as if nothing would comfort him.</p> + +<p>Though the fact of swallows coming back to their old haunts does not +need proving, yet I will close my chapter with an incident which +occurred in our own family. During a summer storm, a martin’s nest, +with young, was washed from the eaves of my husband’s paternal +home. His mother, a great friend to all birds, placed the nest with +the young, which happily were uninjured, in a window, which, being +generally open, allowed<span class="pagenum" id="Page_65">[65]</span> the parent-birds access to their young. They +very soon began to feed them, making no attempt to build any other +nest; so that the young were successfully reared, and took their flight +full-fledged from the window-sill.</p> + +<div class="sidenote"><em>A Welcomed Return to Old Haunts.</em></div> + +<p>The next spring, when the time for the arrival of the swallows came, +great was the surprise and pleasure of their kind hostess, to see, +one day, a number of swallows twittering about the window, as if +impatient for entrance. On its being opened, in they flew, and, +twittering joyfully and circling round the room, as if recognising the +old hospitable asylum of the former year, flew out and soon settled +themselves under the eaves with the greatest satisfaction. There could +be no doubt but that these were the birds that had been reared there.</p> + +<div class="figcenter"> +<a id="image-091"><img src="images/i-091.jpg" alt="" width="530" height="427" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_66">[66]</span></p> + +<h2 class="nobreak" id="CHAPTER_XI">CHAPTER XI.</h2> +</div> + +<p class="center">THE CHIFF-CHAFF, OR OVEN-BUILDER.</p> + + +<p><span class="smcap">The</span> Chiff-chaff, chill-chall, lesser pettichaps, or oven-builder, is +one of the great bird-family of warblers, and the smallest of them in +size; indeed, it is not much larger than the little willow-wren. Like +all its family it is a bird of passage, and makes its appearance here, +in favourable seasons, as early as the 12th of March—earlier than +the warblers in general—and also remains later, having been known to +remain here to the middle of October.</p> + +<div class="figcenter"> +<a id="image-093"><img src="images/i-093.jpg" alt="" width="462" height="650" /></a> +<p class="caption center">CHIFF-CHAFFS AND NEST.      [<a href="#Page_66" title="Page 66">Page 66.</a></p> +</div> + +<p>It is a remarkably cheerful little bird, and is warmly welcomed by all +lovers of the country as being one of the first visitants of spring, +sending its pleasant little voice, with an incessant “chiff-chaff,” +“chery-charry,” through the yet leafless trees.</p> + +<p>Its plumage is dark olive-green; the breast and under part of the body, +white, with a slight tinge of yellow; the tail, brown, edged with pale +green; legs, yellowish-brown.</p> + +<p>The nest is not unlike that of a wren, built in a low bush, and, +sometimes, even on the ground. The one so beautifully and faithfully +depicted by Mr. Harrison Weir, seems to be amongst the tallest grasses +and picturesque growths of some delicious woodland lane. It is a +lovely little structure; a hollow ball wonderfully put together, of +dry leaves and stems of <span class="pagenum" id="Page_67">[67]</span>grass, and a circular hole for entrance at +the side; lined with soft feathers—a little downy bed of comfort. The +mother-bird, as we now see her, sits here in delicious ease on five or +six white eggs, beautifully spotted with rich red-brown.</p> + +<div class="sidenote"><em>Mr. Howitt’s Account of this Bird.</em></div> + +<p>This dainty little bird, which seems made alone for pleasure, is +very useful to man, and should be made kindly welcome everywhere, +living entirely on caterpillars and other troublesome and destructive +creatures. The Rev. J. G. Wood says that it saves many a good oak from +destruction by devouring, on its first arrival, the caterpillars of +the well-known green oak-moth, which roll up the leaves in so curious +a manner, and come tumbling out of their green houses at the slightest +alarm.</p> + +<p>He says, also, that a little chiff-chaff, which had been caught and +tamed, was accustomed to dash to the ceiling of the room in which it +was kept, and to snatch thence the flies which settled on the white +surface.</p> + +<p>My husband, writing of this bird, says:—</p> + +<p>“Gilbert White gave, I believe, the name of chiff-chaff to this +little bird from its note. In the midland counties it is called the +chill-chall from the same cause; and, indeed, this name is, to my ear, +more accordant with its continuous ditty. Its cheery little voice is +one of the pleasantest recognitions of returning spring. It is sure to +be heard, just as in former years, in the copse, the dell, the belt +of trees bordering a wayside; we catch its simple note with pleasure, +for it brings with it many a memory of happy scenes and days gone +by. We see the little creature hopping along the boughs of the yet +only budding oak, and know that it is as usefully employed for man +as agreeably for itself. It tells us, in effect, that sunny days,<span class="pagenum" id="Page_68">[68]</span> +flowers, and sweet airs, and the music of a thousand other birds, are +coming. We revert to the time when, tracing the wood-side or the bosky +dingle in boyhood, we caught sight of its rounded nest amongst the +screening twigs of the low bush, and the bleached bents of last year’s +grapes. We remember the pleasure with which we examined its little +circular entrance, and discovered, in its downy interior, its store +of delicate eggs, or the living mass of feathery inmates, with their +heads ranged side by side and one behind another, with their twinkling +eyes and yellow-edged mouths. Many a time, as we have heard the ever +blithe note of chill-chall, as it stuck to its unambitious part of the +obscure woodland glade, we have wished that we could maintain the same +buoyant humour, the same thorough acceptance of the order of Providence +for us. As Luther, in a moment of despondency, when enemies were rife +around him, and calumny and wrong pursued him, heard the glad song of a +bird that came and sang on a bough before his window, we have thanked +God for the lesson of the never-drooping chill-chall. The great world +around never damps its joy with a sense of its own insignificance; the +active and often showy life of man, the active and varied existence of +even birds, which sweep through the air in gay companies, never disturb +its pleasure in its little accustomed nook. It seems to express, in its +two or three simple notes, all the sentiment of indestructible content, +like the old woman’s bird in the German story by Ludwig Tieck—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">Alone in wood so gay,</div> + <div class="verse indent0">’Tis good to stay,</div> + <div class="verse indent0">Morrow like to-day</div> + <div class="verse indent0">For ever and aye;</div> + <div class="verse indent0">Oh, I do love to stay</div> + <div class="verse indent0">Alone in wood so gay!</div> + </div> +</div> +</div> +<p><span class="pagenum" id="Page_69">[69]</span></p> +<div class="sidenote"><em>The Bird’s Ditty.</em></div> + +<p>“This little bird appears to feel all that strength of heart, and to +put it into its little ditty, which seems to me to say—</p> + +<p>“Here I continue ‘cheery cheery, and still shall, and still shall!’”</p> + +<div class="figcenter"> +<a id="image-097"><img src="images/i-097.jpg" alt="" width="435" height="500" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_70">[70]</span></p> + +<h2 class="nobreak" id="CHAPTER_XII">CHAPTER XII.</h2> +</div> + +<p class="center">THE GOLDEN-CRESTED WREN.</p> + + +<p><span class="smcap">We</span> have here the Golden-crested Wren—the <i lang="la" xml:lang="la">Regulus cristatus</i> +of naturalists—the tiniest of our British birds, “the pleasing +fairy-bird,” as Bewick calls it, one of the large family of warblers, +and a near relation to Jenny Wren. It is a very charming little bird, +with a sweet melodious song of its own, and so many curious little ways +that it is well worth everybody’s notice and everybody’s love.</p> + +<p>It is very active and lively, always in motion, fluttering from branch +to branch, and running up and down the trunks and limbs of trees, in +search of insects on which it lives. It may as often be seen on the +under as on the upper side of a branch, with its back downwards, like +a fly on a ceiling, and so running along, all alert, as merry and busy +as possible. In size it is about three inches, that is with all its +feathers on, but its little body alone is not above an inch long; yet +in this little body, and in this little brain, lives an amazing amount +of character, as I shall show you, as well as a great deal of amusing +conceit and pertness which you would hardly believe unless you were +told.</p> + +<div class="figcenter"> +<a id="image-099"><img src="images/i-099.jpg" alt="Golden-crested wrens" width="480" height="650" /></a> +<p class="caption center">GOLDEN-CRESTED WRENS AND NEST.      [<a href="#Page_70" title="Page 70">Page 70.</a></p> +</div> + +<p>The colour of the bird is a sort of yellowish olive-green, the under +part of pale, reddish-white, tinged with green on the sides; the quill +feathers of the wing are dusky, edged with pale <span class="pagenum" id="Page_71">[71]</span>green, as are also +the tail feathers. Thus attired by nature, that is, by the great +Creator who cares for all His creatures, this little bird, creeping +and fluttering about the branches and bole of the leafy summer tree, +can scarcely be distinguished from the tree itself: hence it is that +the bird is so unfamiliar to most people. The he-bird, however, has +a little distinguishing glory of his own—a crest of golden-coloured +feathers, bordered on each side with black, like a sort of eye-brow to +his bright hazel eyes. This crest, which gives him his distinguished +name, can be erected at pleasure, when he is full of life and +enjoyment, or when he chooses to lord it over birds ten times as big as +himself.</p> + +<div class="sidenote"><em>The Lively Gambols of this Bird.</em></div> + +<p>It is worth anybody’s while, who has a love for the innocent denizens +of nature, and no desire to do them harm, to go into a wood on a +summer’s day on purpose to watch the doings of this lively little bird +amongst the tree-branches. Fir-woods are the best for this purpose, as +this bird has an especial liking for these trees, and ten to one, if +you will only be patient and quite still, you may soon see him at work +busily looking after his dinner, running along the branches, up one and +down another, then like a little arrow off to the next tree, scudding +along its branches, then back again, up and down, round and round +the bole, going like a little fire, so rapid are his movements; now +running up aloft, now hanging head downward, now off again in another +direction. What a wonderful activity there is in that little body! He +must devour hundreds of insects, as well as their eggs, which he thus +seeks for under the scaly roughnesses of the bark, and finding, devours.</p> + +<p>Pretty as he is, his nest, of which Mr. Harrison Weir has<span class="pagenum" id="Page_72">[72]</span> given a most +accurate drawing, is quite worthy of him. It is always the same, swung +like a little hammock from a branch, and always hidden, it may be by +leaves or a bunch of fir-cones. The cordage by which it is suspended +is of his own weaving, and is made of the same materials as the nest, +which are moss and slender thread-like roots. In form it is oval, as +you see, with a hole for entrance at the side, and is lined with the +softest down and fibrous roots. It is a lovely little structure, like +a soft ball of moss, within which the mother-bird lays from six to a +dozen tiny eggs, scarcely bigger than peas, the delicate shell of which +will hardly bear handling. The colour of the egg is white, sprinkled +over with the smallest of dull-coloured spots.</p> + +<p>Mr. Jesse describes one of these lovely nests which was taken from the +slender branches of a fir-tree where it had been suspended, as usual, +by means of delicate cordage, secured to the branch by being twisted +round and round, and then fastened to the edge or rim of the nest, +so that one may be sure that the making and securing of these tiny +ropes must be the first work of the clever little artizan. The nest +thus suspended sways lightly to and fro with the movement of the bird. +We cannot see in our cut the slender ropes that suspend it; they are +concealed under the thick foliage; but we can easily see what a dainty +little structure it is.</p> + +<div class="sidenote"><em>The Jackdaw and Mischievous Wrens.</em></div> + +<p>Delicate and lovely as is this bird, and pleasing and harmless as is +his life, he yet possesses some curious traits of character, as I +said. For instance, though so small, with a body only an inch long, +he has, apparently, a wonderful conceit of himself, and loves to be +lord and master of creatures that will not dispute with him, as not +worth their while, or perhaps because there<span class="pagenum" id="Page_73">[73]</span> really is some inherent +mastership in him by which he contrives, under certain circumstances, +to rule over them. In proof of this, I will tell you what the Rev. J. +G. Wood relates from the experience of a lady, a friend of his. One +severe winter, when she had housed and fed a number of birds, amongst +which were a jackdaw, a magpie, two skylarks, a goldfinch, and a robin, +in a warm aviary, feeding them regularly and abundantly, other birds +came, of course, to partake of the plentiful feast, and amongst them +two golden-crested wrens. These little things made themselves not +only quite at home, but lorded it over the other birds in the most +extraordinary way possible. For instance, if the jackdaw had possessed +himself of a nice morsel which he was holding down with his foot to +eat comfortably, and the golden-crested wren had also set his mind on +it, he hopped on the jackdaw’s head and pecked in his eye, on the side +where his foot held the delicacy. On this the poor jackdaw instantly +lifted his foot to his head where he thought something was amiss, and +the mischievous little fellow snatched up the treasure and was off. At +first the jackdaw would pursue him in great wrath, but he soon learned +that it was no use, for the creature would only jump upon his back +where he could not reach him, and so was safe from punishment. “Before +the winter was over,” continues the lady, “the little gold-crests were +masters of all the birds, and even roosted at night on their backs; +finding, no doubt, that in this way they could keep their little feet +much warmer than on a perch.”</p> + +<p>Conceited and dominant, however, as these little birds may be, they are +yet either extremely timid, or their nervous system is so delicately +constituted, that a sudden fright kills them.<span class="pagenum" id="Page_74">[74]</span> Thus if, when they are +all alert and busy on the tree-branch, seeking for insects and fearing +no evil, the branch be suddenly struck with a stick, the poor bird +falls dead to the ground. The shock has killed it. It has received no +apparent injury—not a feather is ruffled—but its joyous, innocent +life is gone for ever. This fact is asserted by Gilbert White, and was +proved by my husband, who brought me home the bird which had thus died.</p> + +<div class="figcenter"> +<a id="image-104"><img src="images/i-104.jpg" alt="bird's nest with eggs" width="461" height="491" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_75">[75]</span></p> + +<h2 class="nobreak" id="CHAPTER_XIII">CHAPTER XIII.</h2> +</div> + +<p class="center">THE WAGTAIL.</p> + + +<p><span class="smcap">This</span> elegant little bird belongs to the Motacilla, or Wagtail family. +There are three brothers of them in this country—the pied, the grey, +and the yellow. The pied is the most familiar, and our friend Mr. +Harrison Weir has given us a lovely picture of it at home in a cleft of +the rock, with fleshy-leaved lichens above, and green springing fronds +of the great fern, which will presently overshadow it. Around are the +solemn mountains, and the never silent water is foaming and rushing +below.</p> + +<p>This bird has many names besides his Latin one of Motacilla. In Surrey +he is called washer, or dish-washer, by the common people, from his +peculiar motions in walking, which are thought to resemble those of a +washer-woman at her tub. The colours of the pied wagtail are simply +black and white, but so boldly and clearly marked as to produce a very +pleasing and elegant effect.</p> + +<p>We have, every year, several wagtails in our garden, to which they add +a very cheerful feature, walking about, nodding their heads and tails +as if perfectly at home, afraid neither of dog nor cat, much less of +any human being about the place. A little running brook as one boundary +of the garden is, no doubt, one of the attractions; but here they are +seen less frequently than on the smoothly-mown lawn, where they pick up +tiny<span class="pagenum" id="Page_76">[76]</span> insects, gliding along with a smooth motion, accompanied by the +quick movement of head and tail.</p> + +<p>It is bitterly cold wintry weather as I write this, and they now visit +the kitchen door, where, no doubt, little delicacies of various kinds +attract them. They are more fearless and familiar than either sparrows, +robins, or blackbirds; yet all of these are our daily pensioners, +having their breakfast of crumbs as regularly before the parlour window +as we have our own meal. Yet they fly away at the slightest sound, +and the appearance of the cat disperses them altogether. They have, +evidently, the old ancestral fear of man, stamped, as powerfully as +life itself, upon their being. They are suspicious, and always in +a flutter: nothing equals the calm self-possession of the wagtail, +excepting it be the state of mind into which the robin gets when the +gardener is turning up the fresh soil, just on purpose, as he supposes, +to find worms for him.</p> + +<div class="figcenter"> +<a id="image-107"><img src="images/i-107.jpg" alt="" width="474" height="650" /></a> +<p class="caption center">WAGTAIL AND NEST.      [<a href="#Page_76" title="Page 76">Page 76.</a></p> +</div> + +<div class="sidenote"><em>Its Quest for Food.</em></div> + +<p>And now let me give you a wagtail picture, drawn by a faithful hand.<a id="FNanchor_1" href="#Footnote_1" class="fnanchor">[A]</a> +It is the end of July, the young wagtails are abroad with their +parents, like human families, a month or two later, gone out or abroad +to take their holiday. “Often,” he says, “one may see them wading in +shallow places, in quest of insects and worms, carefully holding up +their tails to prevent them being draggled. If you watch the motions +of an individual just coming up to join the party, you see it alight +abruptly, twittering its shrill notes, and, perching on a small stone, +incessantly vibrate its body, and jerk out its tail.” This of course +is the polite way in which a stranger wagtail introduces itself +amongst its friends. There they are; now walking out into the water, +and looking round for food. Now they are on the shore again, running +rapidly along, picking up, now and then, a dainty morsel, and every +moment spreading out the ever-vibrating tail. Now they are in the +adjoining meadow, each one in pursuit of a fly, which it has no sooner +caught, than it spies another. The lazy geese, which have nibbled +the grass bare, allow the wagtail to pass in their midst without +molestation. When the cows are grazing in the midst of a swarm of +gnats and other insects, as Gilbert White says, as they tread amongst +the bush herbage they rouse up multitudes of insects which settle on +their legs, their stomachs, and even their noses, and the wagtails are +welcomed by the cows as benefactors. Watch them, for they are worth the +trouble; see, one comes forward and catches a small fly, bends to one +side to seize another, darts to the right after a third, and springs +some feet in the air before it secures a fourth, and all this time +others are running about after other flies, passing close to the cows’ +noses or amongst their feet. With all this running to and fro, and +hither and thither, they every now and then run in each other’s way; +but they do not quarrel, aware, no doubt, that there is room enough for +them in the world, nay, even in the meadow, though it now seems to be +full of wagtails, all busily occupied, some walking, others running, a +few flying off and many arriving. You may walk in amongst them; they +are not very shy, for they will allow you to come within a few yards of +them. They may always be met with on the shore when the tide is out, as +well as in the meadow; you will meet with them by the river-side, or by +the mill-dam. Occasionally you may see<span class="pagenum" id="Page_78">[78]</span> them perched on a roof, a wall, +or a large stone, but very rarely on a tree or bush.</p> + +<div class="footnote"> + +<p><a id="Footnote_1" href="#FNanchor_1" class="label">[A]</a> “British Birds.”</p> + +</div> + +<div class="sidenote"><em>The Taunton Pair.</em></div> + +<p>They pair about the middle of April, and build by the side of rivers +in crevices of rock—as in our picture, on a heap of stones, in faggot +or wood stacks, or in a hole in a wall, but always near water and +carefully hidden from sight. The nest is made of dry grass, moss, and +small roots, thickly lined with wool and hair. The eggs are five or six +in number, of a greyish white, spotted all over with grey and brown. +As a proof of the confiding nature of this bird, I must mention that +occasionally it builds in most unimaginable places, directly under the +human eye—as, for instance, “a pair of them last summer,” says Mr. +Jesse, “built their nest in a hollow under a sleeper of the Brighton +Railway, near the terminus at that place. Trains at all times of the +day were passing close to the nest, but in this situation the young +were hatched and reared.” Mr. Macgillivray also mentions that a pair +of these birds built their nest in an old wall near a quarry, within a +few yards of four men who worked most part of the day in getting the +stone, which they occasionally blasted. The hen-bird laid four eggs, +and reared her brood, she and her mate becoming so familiar with the +quarry-men as to fly in and out without showing the least sign of fear; +but if a stranger approached they would immediately fly off, nor return +till they saw him clear off from the place. Another nest was built +beneath a wooden platform at a coal-pit, where the noisy business of +unloading the hutches brought up from the pit, was continually going +forward. But soon the wagtails were quite at home, becoming familiar +with the colliers and other people connected with the work, and flew +in<span class="pagenum" id="Page_79">[79]</span> and out of their nest without showing the slightest sign of fear. +Again, another pair built close to the wheel of a lathe in a workshop +at a brass manufactory at Taunton amid the incessant din of the +braziers; yet here the young were hatched, and the mother-bird became +perfectly familiar with the faces of the workmen; but if a stranger +entered, or any one belonging to the factory, though not to what might +be called her shop, she quitted her nest instantly, nor would return +till they were gone. The male, however, had much less confidence, and +would not come into the room, but brought the usual supplies of food to +a certain spot on the roof whence she fetched it. All these anecdotes +prove how interesting would be the relationship between the animal +creation and man, if man ceased to be their tyrant or destroyer.</p> + +<p>As regards this particular bird, it is not only elegant in its +appearance, but amiable and attractive in all its ways. “They are,” +says Bewick, “very attentive to their young, and continue to feed and +train them for three or four weeks after they can fly; they defend them +with great courage when in danger, or endeavour to draw aside the enemy +by various little arts. They are very attentive also to the cleanliness +of their nests, and so orderly as to have been known to remove light +substances, such as paper or straw, which have been placed to mark the +spot.” As regards this proof of their love of order, however, I would +rather suggest that it may be a proof of their sagacity and sense of +danger: they suspected that some human visitor, of whose friendly +character they were not convinced, was intending to look in upon them, +and they thought it best, therefore, to decline the honour of his +visit.</p> + +<p><span class="pagenum" id="Page_80">[80]</span></p> + +<p>The ordinary note of this bird, uttered rapidly if alarmed, is a sort +of <em>cheep, cheep</em>. In the summer morning, however, it may be heard +singing a pleasant, mellow and modulated little song. Like the swallow, +for which it is a match in elegance, it lives entirely on insects. If +you would only stand silently for a few minutes by a water-side, where +it haunts, you would be delighted with the grace and activity of its +movements. “There it stands,” says one of its friends, “on the top of +a stone, gently vibrating its tail, as if balancing itself. An insect +flies near; it darts off, flutters a moment in the air, seizes its +prey, and settles on another stone, spreading and vibrating its tail. +Presently it makes another sally, flutters around for a while, seizes +two or three insects, glides over the ground, swerving to either side, +then again takes its stand on a pinnacle.” Not unfrequently too it +may be seen on the roof of a house, or in a village street, still in +pursuit of insects.</p> + +<div class="figcenter"> +<a id="image-112"><img src="images/i-112.jpg" alt="" width="402" height="450" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_81">[81]</span></p> + +<h2 class="nobreak" id="CHAPTER_XIV">CHAPTER XIV.</h2> +</div> + +<p class="center">THE JACKDAW.</p> + + +<p><span class="smcap">We</span> have called the Rook and Jackdaw first cousins. They are so, and +are greatly attached to each other. There is a difference, however, in +their character; the rook is grave and dignified, the jackdaw is active +and full of fun. But they are fond of each other’s society, and agree +to associate for nine months in the year: during the other three they +are both occupied with their respective family cares.</p> + +<div class="figcenter"> +<a id="image-115"><img src="images/i-115.jpg" alt="" width="478" height="650" /></a> +<p class="caption center">JACKDAWS AND NESTLINGS.      [<a href="#Page_82" title="Page 82">Page 82.</a></p> +</div> + +<p>Rooks build in trees in the open air, the nests of the young being +exposed to all the influences of wind and weather. The jackdaw does not +approve of this mode. He likes to live under cover, and, therefore, +makes his nest in holes and crannies, amongst rocks, as in our picture; +in old and tall buildings, as church towers and steeples, old ruinous +castles, or old hollow trees. The traditional structure of the family +nest is certainly that of the rook; a strong frame-work of sticks upon +which the eggs can be laid, and the clamorous young jackdaws be brought +up. This our friend Mr. Weir has shown us plainly. But, after all, it +does not appear that the jackdaw, with all his sharpness, has much +scientific knowledge, the getting the sticks into the hole being often +a very difficult piece of work. Mr. Waterton amused himself by watching +the endless labour and pains which the jackdaw takes in trying to do<span class="pagenum" id="Page_82">[82]</span> +impossibilities. Thinking it absolutely necessary that a frame-work +of sticks should be laid in the hole or cavity as the foundation of +the nest, he brings to the opening just such sticks as the rook would +use in open spaces, and may be seen trying for a quarter of an hour +together to get a stick into a hole, holding it by the middle all the +time, so that the ends prop against each side, and make the endeavour +impossible. He cannot understand how it is; he knows that sticks ought +to go into holes, but here is one that will not; and, tired out at +length, and thinking perhaps that it is in the nature of some sticks +not to be got into a hole by any means, he drops it down and fetches +another, probably to have no better result, and this may happen several +times. But jackdaws have perseverance, and so, with trying and trying +again, he meets with sticks that are not so self-willed, and that can +be put into holes, either by being short enough or held the right way, +and so the foundation is laid, and the easier part of the work goes on +merrily; for the jackdaw is at no loss for sheets and blankets for his +children’s bed, though we cannot see them in our picture, the clamorous +children lying at the very edge of their bed. But if we could examine +it, we should most likely be amused by what we should find. The jackdaw +takes for this purpose anything soft that comes readily—we cannot say +to <em>hand</em>—but to <em>bill</em>. In this respect he resembles the +sparrow, and being, like him, fond of human society, gleans up out of +his neighbourhood all that he needs for the comfort of his nestlings. +Thus we hear of a nest, built in the ruins of Holyrood Chapel, in +which, on its being looked into for a piece of lace which was supposed +to be there, it was found also to be lined with part of a worsted +stocking, a silk <span class="pagenum" id="Page_83">[83]</span>handkerchief, a child’s cap, a muslin frill, and +several other things which the busy jackdaw had picked up in various +ways; for it must be borne in mind that he is own cousin to the magpie, +whose thievish propensities are well known.</p> + +<p>The call of the jackdaw is much quicker and more lively than the rook, +somewhat resembling the syllable <em>yak</em>, variously modulated, and +repeated somewhat leisurely, but at the same time cheerfully. Its food +is similar to that of the rook, and going forth at early dawn it may be +seen in pastures or ploughed fields, busily searching for larvæ, worms, +and insects. They walk gracefully, with none of the solemn gravity +either of the rook or raven, and may occasionally be seen running along +and sometimes quarrelling amongst themselves.</p> + +<p>Like the rook, the jackdaw stows away food in its mouth or throat-bag +to feed its young. Its plumage is black, with shining silvery grey +behind the head. Occasionally they are found with streaks or patches of +white, as are also rooks, but these are mere sports of nature.</p> + +<div class="sidenote"><em>Mr. Waterton’s Opinion.</em></div> + +<p>Mr. Waterton was of opinion that jackdaws lived in pairs all the year +round, as he had seen them sitting in November on the leafless branches +of a sycamore, side by side, pruning each other’s heads, and apparently +full of mutual affection; and as they mostly left the trees in pairs, +and so returned, he was inclined to think that it was their custom +always to remain paired.</p> + +<p>I will now give you his <em>carte de visite</em> from Macgillivray’s +“British Birds.” “He is a remarkably active, pert, and talkative little +fellow, ever cheerful, always on the alert, and ready either for +business or frolic. If not so respectable as the grave and sagacious +raven, he is, at least, the most agreeable of the<span class="pagenum" id="Page_84">[84]</span> family, and withal +extremely fond of society, for, not content with having a flock of his +own folk about him, he often thrusts himself into a gang of rooks, and +in winter sometimes takes up his abode entirely with them.”</p> + +<p>As to <em>thrusting</em> himself into a gang of rooks, I am, however, of +opinion that the rooks make him heartily welcome. How do we know what +amusement they, with their stolid gravity and solemn dignity, find in +him with all his fun and loquacity? That rooks are really fond of the +society of jackdaws is proved by an observation of Mr. Mudie. He says +that “in the latter part of the season, when the rooks from one of the +most extensive rookeries in Britain made daily excursions of about six +miles to the warm grounds by the sea-side, and in their flight passed +over a deep ravine, in the sunny side of which were many jackdaws, he +observed that when the cawing of the rooks in their morning flight was +heard at the ravine, the jackdaws, who had previously been still and +quiet, instantly raised their shriller notes, and flew up to join the +rooks, both parties clamouring loudly as if welcoming each other; and +that on the return, the daws accompanied the rooks a little past the +ravine as if for good fellowship; then both cawed their farewell: the +daws returned to their home and the rooks proceeded on their way.”</p> + +<p>Jackdaws, like rooks, are said to be excellent weather-prophets. +If they fly back to their roost in the forenoon, or early in the +afternoon, a storm may be expected that evening, or early in the +morning.</p> + +<div class="sidenote"><em>The Rev. J. G. Wood’s Anecdote.</em></div> + +<p>The anecdotes of tame jackdaws are numerous. The Rev. J. G. Wood +speaks of one which had learnt the art of kindling lucifer matches, +and thus became a very dangerous inmate,<span class="pagenum" id="Page_85">[85]</span> busying himself in this way +when the family was in bed, though, fortunately, he seems to have done +nothing worse than light the kitchen fire which had been laid ready +for kindling over night. Clever as he was, however, he could not learn +to distinguish the proper ignitable end of the match, and so rubbed +on till he happened to get it right. He frightened himself terribly +at first by the explosion and the sulphur fumes, and burned himself +into the bargain. But I do not find that, like the burnt child, he +afterwards feared the fire and so discontinued the dangerous trick.</p> + +<p>The jackdaw is easily domesticated, and makes himself very happy in +captivity, learns to articulate words and sentences, and is most +amusing by his mimicry and comic humour.</p> + +<div class="figcenter"> +<a id="image-119"><img src="images/i-119.jpg" alt="Castle tower" width="354" height="420" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_86">[86]</span></p> + +<h2 class="nobreak" id="CHAPTER_XV">CHAPTER XV.</h2> +</div> + +<p class="center">THE SPOTTED FLY-CATCHER.</p> + + +<p><span class="smcap">This</span> pretty little bird is also called the Beam or Pillar-Bird from the +position which it chooses for its nest. Building mostly in gardens, +it selects the projecting stone of a wall, the end of a beam or piece +of wood, under a low roof, or by a door or gateway, the nest being, +however, generally screened, and often made a perfect little bit +of picturesque beauty, by the leaves of some lovely creeping rose, +woodbine, or passionflower, which grows there.</p> + +<p>This last summer, one of these familiar little birds, which, though +always seeming as if in a flutter of terror, must be fond of human +society, built in a rustic verandah, overrun with Virginian creeper, at +the back of our house.</p> + +<div class="figcenter"> +<a id="image-121"><img src="images/i-121.jpg" alt="" width="476" height="650" /></a> +<p class="caption center">SPOTTED FLY-CATCHERS AND NEST.      [<a href="#Page_86" title="Page 86">Page 86.</a></p> +</div> + +<p>According to her peculiar fancy she built exactly in the doorway, +though there were some yards of verandah on either hand; but here was +the convenient ledge, forming an angle with the upright support; and +here was placed, as in our picture, the small, somewhat flat nest, +beautifully, though slightly, put together, of dried grass and moss, +lined with wool and hair. Here the mother-bird laid her four or five +greyish-white eggs, with their spots of rusty red, and here she reared +her young. She had, however, it seemed to us, an uncomfortable time of +it, <span class="pagenum" id="Page_87">[87]</span>for, though we carefully avoided giving her needless disturbance +that we almost ceased to use the door, yet there was an unavoidable +passing to and fro to which she never seemed to get accustomed, +starting off her nest with a little flutter whenever we came in sight; +nor—although before she had finished sitting the quick-growing shoots +of the Virginian creeper, with its broadly-expanding leaves, hid her +nest so completely that, had it not been for her own timidity, we need +not have known of her presence—she never lost this peculiar trait of +character.</p> + +<p>The nest which Mr. Harrison Weir has drawn is, doubtless, taken from +life. I wish, however, he could have seen ours, only about ten feet +from the ground, a little dome of love, embowered amongst young shoots, +vine-like leaves and tendrils—a perfectly ideal nest, in which our +friend, who has as keen a sense of natural beauty as any artist living, +would have delighted himself.</p> + +<p>The colours of this bird are very unobtrusive: the upper parts +brownish-grey, the head spotted with brown, the neck and breast +streaked or spotted with greyish-brown. It is a migratory bird, and +arrives in this country about the middle or end of May, remaining with +us till about the middle of October, by which time the flies on which +it lives have generally disappeared.</p> + +<div class="sidenote"><em>How it takes its Prey.</em></div> + +<p>Its mode of taking its winged prey is curious. Seated, stock-still, +in a twig, it darts or glides off at the sight of an insect, like the +bird of our picture, and seizes it with a little snapping noise; then +returns to its perch ready for more, and so on; incessantly darting out +and returning to the same spot, till it has satisfied its hunger, or +moves off to another twig to commence the same pursuit.</p> + +<p><span class="pagenum" id="Page_88">[88]</span></p> + +<p>When they have young, the number of flies consumed only by one little +family must be amazing. It is recorded<a id="FNanchor_2" href="#Footnote_2" class="fnanchor">[B]</a> in one instance that a pair +of fly-catchers, beginning to feed their nestlings at five-and-twenty +minutes before seven in the morning, and continuing their labour till +ten minutes before nine at night, supplied them with food, that is to +say with flies, no less than five hundred and thirty-seven times. The +gentleman who made these observations says:—“Before they fed their +young they alighted upon a tree for a few seconds, and looked round +about them. By short jerks they usually caught the winged insects. +Sometimes they ascended into the air and dropped like an arrow; at +other times they hovered like a hawk when set on its prey. They drove +off most vigorously all kinds of small birds that approached their +nest, as if bidding them to go and hunt in their own grounds, where +there were plenty of flies for them. Sometimes they brought only one +fly in their bills, sometimes several, and flies of various sizes.”</p> + +<div class="footnote"> + +<p><a id="Footnote_2" href="#FNanchor_2" class="label">[B]</a> See Macgillivray’s “<cite>British Birds</cite>.”</p> + +</div> + +<p>This bird seems to become attached to particular localities, where +he finds himself conveniently situated and undisturbed. Mr. Mudie +mentions, in his “Feathered Tribes,” “that a pair of these birds had +nested in his garden for twelve successive years.” What is the length +of life of a fly-catcher I cannot say; but probably if they were +not the same birds, they would be their descendants—birds hatched +there, and consequently at home. The Rev. J. G. Wood also speaks of +the same locality having been used by this bird for twenty successive +years; and he supposes that the young had succeeded to their ancestral +home. He gives also an interesting account of the commencement<span class="pagenum" id="Page_89">[89]</span> of a +nest-building by this bird. He says that the female, who seems to be +generally the active builder, placed, in the first instance, a bundle +of fine grass in some conveniently-forked branches, and after having +picked it about for some time, as if regularly shaking it up, she +seated herself in the middle of it, and there, spinning herself round +and round, gave it its cup-like form. She then fetched more grasses, +and after arranging them partly round the edge, and partly on the +bottom, repeated the spinning process. A few hairs and some moss were +then stuck about the nest and neatly woven in, the hair and slender +vegetable fibres being the thread, so to speak, with which the moss was +fastened to the nest.</p> + +<div class="sidenote"><em>Mr. Mudie on Nest-building.</em></div> + +<p>Mr. Mudie, also speaking of their nest-building, says that, in one +instance which came under his notice, “the bird began at seven o’clock +on a Tuesday morning, and the nest was finished in good time on Friday +afternoon.” This was certainly rapid work. Mr. Yarrell says that the +he-bird brings the materials to the hen, who makes use of them—which +is stated as a general fact by Michelet—and that in constructing her +nest the little fly-catcher, after she had rounded it into its first +form, moves backwards as she weaves into it long hairs and grasses with +her bill, continually walking round and round her nest. This, however, +can only be when the situation of the nest will allow of her passing +round it. Our fly-catcher’s nest, and the nest of our picture, are +placed as a little bed close to the wall, and in such situations the +nest has sometimes no back, but simply the lining. A very favourite +place with the fly-catcher for her nest is the hole in a wall, the +size of a half brick, in which the builder fixed the spar of his +scaffolding, and<span class="pagenum" id="Page_90">[90]</span> omitted to fill up when he had finished. In these +convenient little nooks the fly-catcher’s nest fills the whole front +of the opening, but has seldom any back to it. From all this, I think +it is clear that the fly-catcher is, in her arrangements, guided by +circumstances: only, in every case, her little home is as snug as it +can be.</p> + +<div class="figcenter"> +<a id="image-126"><img src="images/i-126.jpg" alt="children looking out a window" width="438" height="550" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_91">[91]</span></p> + +<h2 class="nobreak" id="CHAPTER_XVI">CHAPTER XVI.</h2> +</div> + +<p class="center">THE WOOD-PIGEON.</p> + + +<p><span class="smcap">The</span> wood-pigeon, ring-dove, or cushat is one of the most familiar and +poetical of our birds. Its low, plaintive coo-goo-roo-o-o is one of the +pleasantest sounds of our summer woods.</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“Tell me, tell me, cushat, why thou moanest ever,</div> + <div class="verse indent0">Thrilling all the greenwood with thy secret woe?</div> + <div class="verse indent0">‘I moan not,’ says the cushat, ‘I praise life’s gracious Giver</div> + <div class="verse indent0">By murmuring out my love in the best way that I know.’”</div> + </div> +</div> +</div> + +<p>The wood-pigeon belongs to a large family of birds—<em>columbinæ</em> +or doves. The earliest mention of them in the world is in Genesis, +when Noah, wearied with the confinement of the ark, and seeing +that the mountain tops were visible, selected from the imprisoned +creatures—first the raven, then the dove, to go forth and report to +him of the state of the earth. The raven, however, came not back, no +doubt finding food which tempted him to stay; whilst the dove, finding +no rest for the sole of her foot, returned, and Noah, putting forth his +hand, took her in. Again he sent her forth, and she came back in the +evening, and, lo, in her mouth was an olive leaf plucked off. A third +time she was sent forth, but now she returned no more. So Noah looked +out, and behold the face of the earth was dry. And he and his family, +and all the creatures, again went forth and possessed all things.</p> + +<p><span class="pagenum" id="Page_92">[92]</span></p> + +<p>This dove might probably be of the carrier-pigeon tribe, which is more +nearly related to the rock-pigeon, also a native of this country, +or rather, of the northern parts of Scotland. These carrier-pigeons +were, in the old times, long enough before the invention of electric +telegraphs, or even before post-offices were established, used instead +of both. Anacreon, the Greek poet, speaks of them as being used to +convey letters; the pigeon, having, as it were, two homes, being fed in +each; thus, a letter from a friend in one home was tied to the wing, +and the bird turned into the air, probably without his breakfast, when +he immediately flew off to his distant home, where the letter was +joyfully received, and he fed for his pains. Whilst the answer was +prepared he would rest, and it, perhaps, taking some little time, he +grew hungry again; but they gave him nothing more, and, again securing +the letter on his little person, he was sent back, making good speed, +because he would now be thinking of his supper. Thus, the answer flew +through the air.</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent2">“Come hither, my dove,</div> + <div class="verse indent4">And I’ll write to my love,</div> + <div class="verse indent0">And I’ll send him a letter by thee!”</div> + </div> +</div> +</div> + +<div class="figcenter"> +<a id="image-129"><img src="images/i-129.jpg" alt="" width="476" height="650" /></a> +<p class="caption center">WOOD-PIGEONS AND NEST.      [<a href="#Page_92" title="Page 92">Page 92.</a></p> +</div> + +<p>So says the old song. And we are told that a young man named +Taurosthenes, one of the victors in the great Olympian games of Greece, +sent to his father, who resided at a considerable distance, the tidings +of his success, on the same day, by one of these birds. Pliny, the +Roman historian, speaks of them being used in case of siege; when the +besieged sent out these winged messengers, who, cleaving the air at +a secure height above the surrounding army, conveyed the important +intelligence of their need to their friends afar off. The crusaders +are <span class="pagenum" id="Page_93">[93]</span>said to have made use of them at the siege of Jerusalem, and the +old traveller, Sir John Maundeville—“knight, warrior, and pilgrim,” as +he is styled—who, in the reign of our second and third Edwards, made +a journey as far as the borders of China, relates that, “in that and +other countries beyond, pigeons were sent out from one to another to +ask succour in time of need, and these letters were tied to the neck of +the bird.”</p> + +<p>But enough of carrier-pigeons. Let us come back to our ring-dove or +cushat, brooding on her eggs in the sweet summer woods, as Mr. Harrison +Weir has so truthfully represented her. She is not much of a nest-maker.</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent6">“A few sticks across,</div> + <div class="verse indent6">Without a bit of moss,</div> + <div class="verse indent0">Laid in the fork of an old oak-tree;</div> + <div class="verse indent6">Coo-goo-roo-o-o,</div> + <div class="verse indent6">She says it will do,</div> + <div class="verse indent0">And there she’s as happy as a bird can be.”</div> + </div> +</div> +</div> + +<p>The nest, however, is not at all insufficient for her needs. You see +her sitting brooding over her two white eggs in every possible bird +comfort; and whether her mate help her in the building of the nest +or not, I cannot say, but he is certainly a very good domesticated +husband, and sits upon the eggs alternately with her, so that the +hatching, whatever the building may be, is an equally divided labour.</p> + +<div class="sidenote"><cite>Wordsworth’s Tribute of Praise.</cite></div> + +<p>Wordsworth sees in this bird an example of unobtrusive home affection. +He says:—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent4">“I heard a stock-dove sing or say</div> + <div class="verse indent4">His homely tale this very day:</div> + <div class="verse indent4">His voice was buried among the trees,</div> + <div class="verse indent4">Yet to be come at by the breeze;</div> +<p><span class="pagenum" id="Page_94">[94]</span></p> </div> + <div class="stanza"> + <div class="verse indent4">He did not cease, but cooed and cooed,</div> + <div class="verse indent4">And somewhat pensively he wooed;</div> + <div class="verse indent4">He sung of love with quiet blending,</div> + <div class="verse indent4">Slow to begin, and never ending;</div> + <div class="verse indent4">Of serious faith and inward glee;</div> + <div class="verse indent4">That was the song—the song for me.”</div> + </div> +</div> +</div> + +<p>Wood-pigeons have immense appetites, and, being fond of all kinds of +grain, as well as peas and beans, are looked upon by the farmer with +great disfavour. They are, however, fond of some of those very weeds +which are his greatest annoyance—for instance, charlock and wild +mustard; so that they do him some good in return for the tribute which +they take of his crops. They are fond, also, both of young clover and +the young green leaves of the turnip, as well as of the turnip itself. +Either by instinct or experience, they have learned that, feeding +thus in cultivated fields, they are doing that which will bring down +upon them the displeasure of man. “They keep,” says the intelligent +author of “Wild Sports in the Highlands,” “when feeding in the fields, +in the most open and exposed places, so as to allow no enemy to come +near them. It is amusing to watch a large flock of these birds whilst +searching the ground for grain. They walk in a compact body; and in +order that all may fare alike—which is certainly a good trait in their +character—the hindermost rank, every now and then, fly over the heads +of their companions to the front, where they keep the best place for +a minute or two, till those now in the rear take their place. They +keep up this kind of fair play during the whole time of feeding. They +feed, also, on wild fruit and all kinds of wild berries, such as the +mountain-ash, and ivy; and where acorns abound, seem to prefer them to +anything<span class="pagenum" id="Page_95">[95]</span> else. At the same time, I must confess that they are great +enemies to my cherry-trees, and swallow as many cherries as they can +hold. Nor are strawberries safe from them, and the quantity of food +they manage to stow away in their crops is perfectly astonishing.”</p> + +<div class="sidenote"><em>Its Necessary Watchfulness.</em></div> + +<p>Besides man, the wood-pigeon has its own bird-enemies. “In districts +where the hooded crow abounds,” says the author whom I have just +quoted, “he is always on the look-out for its eggs, which, shining out +white from the shallow, unsubstantial nest, are easily seen by him. +The sparrow-hawk seizes the young when they are half-grown and plump; +he having been carefully noticed watching the nest day by day as if +waiting for the time when they should be fit for his eating. The larger +hawks, however, prey upon the poor wood-pigeon himself.”</p> + +<p>With all his pleasant cooings in the wood, therefore, and all +his complacent strutting about with elevated head and protruded +breast—with all his gambols and graces, his striking the points of +his wings together as he rises into the air, to express a pleasure to +his mate beyond his cooing, he has not such a care free life of it. He +is always kept on the alert, therefore, and, being always on the watch +against danger, is not at all a sound sleeper. The least disturbance at +night rouses him. “I have frequently,” continues our author, “attempted +to approach the trees when the wood-pigeons were roosting, but even +on the darkest nights they would take alarm. The poor wood-pigeon +has no other defence against its enemies than its ever watchful and +never sleeping timidity; not being able to do battle against even the +smallest of its many persecutors.”</p> + +<p>Gilbert White says that the wood-pigeons were greatly<span class="pagenum" id="Page_96">[96]</span> decreasing, in +his time, in Hampshire, and there were then only about a hundred in the +woods at Selborne, but in former times the flocks had been so vast, not +only there, but in the surrounding districts, that they had traversed +the air morning and evening like rooks, reaching for a mile together, +and that, when they thus came to rendezvous there by thousands, the +sound of their wings, suddenly roused from their roosting-trees in an +evening, rising all at once into the air, was like a sudden rolling of +distant thunder.</p> + +<p>Although the wood-pigeon is considered to be the original parent of +the tame pigeon, yet it does not seem possible to tame the young of +this bird, though taken from the nest quite young. It is a bird which +appears to hate confinement, and, as soon as it has the opportunity, +spite of all kindness and attention, it flies away to the freedom of +the woods.</p> + +<div class="figcenter"> +<a id="image-134"><img src="images/i-134.jpg" alt="" width="500" height="404" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_97">[97]</span></p> + +<h2 class="nobreak" id="CHAPTER_XVII">CHAPTER XVII.</h2> +</div> + +<p class="center">THE WHITE-THROAT.</p> + + +<p><span class="smcap">With</span> none of our migratory birds, our spring visitants from southern +lands, is the lover of the country more familiar than with the +White-throat, which, with its nest, is here so beautifully and livingly +depicted by Mr. Harrison Weir.</p> + +<p>This bird, with its many names—White-throat, Peggy-white-throat, +Peggy-chaw, Charlie-mufty, Nettle-creeper, Whishey-whey-beard or +Pettichaps—comes to us in April, about the same time as the cuckoo and +the swallow; the male bird, like his cousin the nightingale, coming +before the female, but he does not make himself very conspicuous till +the hedges and bushes are well covered with leaves; then he may be +found in almost every lane and hedge the whole country over.</p> + +<p>As soon as the female is here, and the birds have paired, the business +of nest-building begins, and they may then be seen flying in and out +of the bushes with great alertness, the he-bird carolling his light +and airy song, and often hurling himself, as it were, up into the air, +some twenty or thirty feet, in a wild, tipsy sort of way, as if he +were fuller of life than he could hold, and coming down again with a +warble into the hedge, where the little hen-wife is already arranging +her dwelling in the very spot probably where she was herself hatched, +and her ancestors before her, for ages. For I must here remark that +one of the<span class="pagenum" id="Page_98">[98]</span> most remarkable properties of birds is, that facility by +which they so regularly disperse themselves over the whole country on +their arrival after their far migration, each one, in all probability, +attracted by some attachment of the past, stopping short at, or +proceeding onward to, the exact spot where he himself first came into +the consciousness of life. This is one of the wonderful arrangements of +nature, otherwise of God, by which the great balance is so beautifully +kept in creation. If the migratory bird arrives ever so weary at Dover, +and its true home be some sweet low-lying lane of Devonshire, a thick +hedgerow of the midland counties, or a thickety glen of Westmoreland, +it will not delay its flight nor be tempted to tarry short of that +glen, hedgerow, or lane with which the experience of its own life and +affection is united.</p> + +<p>At this charming time of the year none of the various performers in +nature’s great concert bring back to those who have passed their youth +in the country a more delicious recollection of vernal fields and lanes +than this bird of ours, the little white-throat.</p> + +<div class="figcenter"> +<a id="image-137"><img src="images/i-137.jpg" alt="" width="470" height="650" /></a> +<p class="caption center">WHITE-THROAT AND NEST.      [<a href="#Page_98" title="Page 98">Page 98.</a></p> +</div> + +<p>Yes, along those hedges, fresh and fragrant with their young leaves, +along those banks studded with primroses, campions, blue-bells and +white starwort, and through the thick growth of the wild rose bushes, +all of which have a beauty especially their own, the white-throat +salutes you as you pass, as if to recognise an old acquaintance. He +is brimful of fun; out he starts and performs his series of eccentric +frolics in the air, accompanied by his mad-cap sort of warble; or, +almost as if laughing at you, he repeats from the interior of the +bushes his deep grave note, <em>chaw! chaw!</em> whence comes the name +of <span class="pagenum" id="Page_99">[99]</span>peggy-chaw. This, however, is to tell you—and to those who +understand bird-language it is intelligible enough—that he has now a +family to attend to, and he begs, very respectfully, that you will not +trouble yourself about it.</p> + +<div class="sidenote"><em>Description of the Bird.</em></div> + +<p>A Scotch naturalist says that “the peasant boys in East Lothian imagine +that the bird is mocking or laughing at them, as it tumbles over the +hedge and bushes in the lane, and, therefore, they persecute it at all +times, even more mercilessly than they do sparrows.”</p> + +<p>The white-throat is an excitable little bird, rapid in all its +movements; and though it will apparently allow a person to come near, +it incessantly flits on, gets to the other side of the hedge, warbles +its quaint little song, flies to a short distance, sings again, and so +on, for a long time, returning in the same way. It erects the feathers +of its head when excited, and swells its throat so much when singing, +that the feathers stand out like a ruff, whence it has obtained the +name of <em>Muffety</em>, or Charlie-mufty, in Scotland.</p> + +<p>Its colour, on the upper parts of the body, is reddish-brown, +brownish-white below, with a purely white throat. Its food is +principally insects and larvæ of various kinds, for which it is always +on the search amongst the thick undergrowth of the plants and bushes +where it builds. One of its many names is Nettle-creeper, from this +plant growing so generally in the localities which it haunts.</p> + +<p>Its nest—one of the most light and elegant of these little abodes—may +truly be called “gauze-like,” for being constructed wholly of fine +grasses, and very much of the brittle stems of the Galnim aparine, or +cleavers, which, though slender, are not<span class="pagenum" id="Page_100">[100]</span> pliant, and bend only with an +angle; they prevent the whole fabric from being closely woven, so that +it maintains a gauzy texture; the inside, however, is put together more +closely of finer and more pliant materials, delicate root-filaments, +and various kinds of hair. The eggs, four or five in number, are of a +greenish-gray colour, often with a tawny hue, blotched and spotted over +with dark tints of the same colour.</p> + +<p>A correspondent of the author of “British Birds” says that, one morning +in June, when walking in his shrubbery within about eighty yards of a +White-throat’s nest, which he was taking great interest in, he found a +portion of the shell of one of the eggs of this bird, and, fearing that +a magpie had been plundering it, hastened to the spot, but found to his +satisfaction that the nest was then full of newly-hatched birds. “The +shell had,” he says, “been instinctively taken away by the mother in +order to prevent the discovery of the place of her retreat.” He adds +that the mother-bird was very shy, and usually dropped from her nest +with the most astonishing rapidity, and, treading her way through the +grasses and other entanglements, disappeared in a moment. The young, +too, seemed greatly to dislike observation, and on his taking one into +his hand to examine it, it uttered a cry, no doubt of alarm, on which +all the other little things leapt out of their abode, although not more +than half-fledged, and hopped amongst the grass. It is a singular fact +that almost every kind of young bird, if they be caused to leave their +nest through alarm, or by being handled, can never be induced to stay +in the nest again, though they may be put back into it time after time.</p> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_101">[101]</span></p> + +<h2 class="nobreak" id="CHAPTER_XVIII">CHAPTER XVIII.</h2> +</div> + +<p class="center">THE BULL-FINCH.</p> + + +<p><span class="smcap">This</span> bird, which is common to all parts of the country, is very shy, +and for the greater part of the year haunts the woods and thickets. +In spring, however, its fondness for tender fruit-buds tempts it into +gardens and orchards, where, being considered an enemy, it is destroyed +without mercy. It is a question, however, whether it devours these +young buds as favourite food, or whether it may not be the equally +distinctive grub or insect which is the temptation; and thus, that +it ought rather to be regarded as the friend than the enemy of the +gardener and fruit-grower. At all events, the general opinion is +against the poor bull-finch. He is declared to be a devourer of the +embryo fruit, and no mercy is shown to him. The Rev. J. G. Wood, always +a merciful judge where birds are concerned, thinks that public opinion +is unfairly against him. He says that a gooseberry tree, from which it +was supposed that the bull-finches had picked away every blossom-bud, +yet bore the same year an abundant crop of fruit, which certainly +proved that they had picked away only the already infected buds, and so +left the tree in an additionally healthy state, doubly able to mature +and perfect its fruit.</p> + +<p>Bull-finches seldom associate with other birds, but keep together in +small flocks as of single families. Its flight, though<span class="pagenum" id="Page_102">[102]</span> quick, is +somewhat undulating or wavering; and in the winter it may sometimes +be seen in large numbers flitting along the roadsides and hedges, +being probably forced out of some of its shyness by the stress of +hunger. Its ordinary note is a soft and plaintive whistle; its song, +short and mellow. It is, in its native state, no way distinguished as +a singing-bird, but at the same time it is possessed of a remarkable +faculty for learning tunes artificially, of which I may have more to +say presently.</p> + +<p>The bull-finch begins to build about the beginning of May. She places +her nest, as we see in our illustration, in a bush, frequently a +hawthorn, at no great distance from the ground. The nest is not very +solidly put together; the foundation, so to speak, being composed of +small dry twigs, then finished off with fibrous roots and moss, which +also form the lining. The eggs, five or six in number, are of a dull +bluish-white, marked at the larger end with dark spots.</p> + +<p>Although there is so little to say about the bull-finch in his natural +state—excepting that he is a handsome bird, with bright black eyes, +a sort of rich black hood on his head; his back, ash-grey; his breast +and underparts, red; wings and tail, black, with the upper tail-coverts +white—yet when he has gone through his musical education, he is not +only one of the most accomplished of song-birds, but one of the most +loving and faithfully attached little creatures that can come under +human care. These trained birds are known as piping bull-finches.</p> + +<div class="figcenter"> +<a id="image-143"><img src="images/i-143.jpg" alt="" width="482" height="650" /></a> +<p class="caption center">BULL-FINCH AND NESTLINGS.      [<a href="#Page_102" title="Page 102">Page 102.</a></p> +</div> + +<div class="sidenote"><em>How it is taught to pipe.</em></div> + +<p>Bishop Stanley, in his “History of Birds,” thus describes the method by +which they are taught:—</p> + +<p>“In the month of June, the young ones, which are taken from the nest +for that purpose, are brought up by a person, <span class="pagenum" id="Page_103">[103]</span>who, by care and +attention, so completely tames them that they become perfectly docile +and obedient. At the expiration of about a couple of months, they first +begin to whistle, from which time their education begins, and no school +can be more diligently superintended by its master, and no scholars +more effectually trained to their own calling, than a seminary of +bull-finches. They are formed first into classes of about six in each, +and, after having been kept a longer time than usual without food, and +confined to a dark room, the tune they are to learn is played over +and over again, on a little instrument called a bird-organ, the notes +of which resemble, as nearly as possible, those of the bull-finch; +sometimes, also, a flageolet is used for this purpose, and birds so +taught are said to have the finer notes. For awhile the little moping +creatures will sit in silence, not knowing what all this can mean; but +after awhile one by one will begin to imitate the notes they hear, for +they have great power of imitation as well as remarkably good memories. +As soon as they have said their lesson all round, light is admitted +into the room, and they are fed.</p> + +<p>“By degrees the sound of the musical instrument—be it flageolet or +bird-organ—and the circumstance of being fed, become so associated in +the mind of the hungry bird, that it is sure to begin piping the tune +as soon as it hears it begin to play. When the little scholars have +advanced so far they are put into a higher class, that is to say, are +turned over each to his private tutor; in other words, each bird is put +under the care of a boy who must carry on its education, and who plays +on the little instrument from morning to night, or as long as the bird +can pay attention, during which time the head-master<span class="pagenum" id="Page_104">[104]</span> or feeder goes +his regular rounds, scolding or rewarding the little feathered scholars +by signs and modes of making them understand, till they have learned +their lessons so perfectly, and the tune is so impressed on their +memories, that they will pipe it to the end of their days; and let us +hope, as I believe is the fact, that they find in it a never-ending +delight.</p> + +<p>“Just as in human schools and colleges, it is only the few out of the +great number who take the highest honours or degrees, or become senior +wranglers, so it is not above five birds in every hundred who can +attain to the highest perfection in their art! but all such are valued +at a very high price.”</p> + +<p>It is allowable to hope that the poor bull-finch, which has thus +industriously applied himself to learn, and has thus become +artificially gifted with the power of pleasing, takes great +satisfaction in his accomplishment. Perhaps also the association with +his human teacher calls forth his affection as well as his power of +song, for it is a fact that the piping bull-finch is, of all birds, +given to attach itself to some one individual of the family where it +is kept, expressing, at their approach, the most vehement delight, +greeting them with its piping melody, hopping towards them, and +practising all its little winning ways to show its love, and to court a +return of caresses.</p> + +<p>“An interesting story,” says the bishop, “was told by Sir William +Parsons, who was himself a great musician, and who, when a young man, +possessed a piping bull-finch, which he had taught to sing, ‘God save +the king.’ On his once going abroad, he gave his favourite in charge +to his sister, with a strict injunction to take the greatest care of +it. On his return, one of his first visits was to her, when she told +him that the<span class="pagenum" id="Page_105">[105]</span> poor little bird had been long in declining health, and +was, at that moment, very ill. Sir William, full of sorrow, went into +the room where the cage was, and, opening the door, put in his hand, +and spoke to the bird. The poor little creature recognised his voice, +opened his eyes, shook his feathers, staggered on to his finger, piped +‘God save the king,’ and fell down dead.”</p> + +<div class="sidenote"><em>The Devoted Affection of Birds.</em></div> + +<p>We see in the piping bull-finch—a bird which in its education is +closely associated with man—the deep and devoted affection of which +it is capable; and if we could only live with the animal creation as +their friends and benefactors, we should no longer be surprised by such +instances of their intelligence and love.</p> + +<div class="figcenter"> +<a id="image-147"><img src="images/i-147.jpg" alt="a nest among the leaves" width="403" height="450" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_106">[106]</span></p> + +<h2 class="nobreak" id="CHAPTER_XIX">CHAPTER XIX.</h2> +</div> + +<p class="center">THE MISSEL-THRUSH.</p> + + +<p><span class="smcap">This</span> is the largest of our British song birds. It remains with us +through the whole year, not being migratory, excepting in so far as it +moves off in considerable flocks into Herefordshire and Monmouthshire +for the sake of the mistletoe which abounds in the orchards there, +on the viscous berries of which it delights to feed, and whence it +has obtained its familiar name of missel, or mistletoe thrush. It is +generally believed that this curious parasitic plant was propagated or +planted upon the branches of trees, by this bird rubbing its bill upon +the rough bark to clean it from the sticky substance of the berry, and +thus introducing the seeds into the interstices of the bark.</p> + +<div class="figcenter"> +<a id="image-149"><img src="images/i-149.jpg" alt="" width="477" height="650" /></a> +<p class="caption center">MISSEL-THRUSHES AND NEST.      [<a href="#Page_106" title="Page 106">Page 106.</a></p> +</div> + +<p>The Missel-thrush is a handsome bird; the head, back, and upper coverts +of the wings olive-brown, the latter tipped with brownish-white, +spotted with brown; the breasts and under parts pale yellow, covered +with black spots; the legs are yellow and the claws black.</p> + +<p>It is a welcome bird, being the earliest harbinger of spring, the first +singer of the year. Long before the swallow is thought of, before even +the hardy familiar robin has begun his song, its clear rich voice +may be heard on Christmas or New Year’s day, often amidst wild winds +and winterly storms, whence its also familiar name, the storm-cock. +It is known by different names <span class="pagenum" id="Page_107">[107]</span>in different parts of the country. +The origin of its more general appellation—the missel-thrush—I have +already mentioned. In the midland counties it is called the thrice +cock, but why I know not. In Wales it is known as <em>Pen-y-llwyn</em>, +which means the head or master of the coppice. Why it is so called I +will mention presently.</p> + +<div class="sidenote"><em>A Description of the Nest.</em></div> + +<p>The nest of the missel-thrush is large and well constructed, being +made of almost every material ordinarily used for nest-making +purposes—moss, and hay, and straw, and dry leaves, and little twigs, +and locks of wool, with occasional odds and ends of every possible +kind. All these are woven and wrought together very compactly; not, +however, without loose straws and little tangles of wool hanging about. +Within is a smooth casing of mud, as in the nest of the throstle, and +within that a second coating of dry grass. Our picture represents all +as being now complete. The busy labours of the year are now over; the +eggs, four or five in number, of a greenish-blue, marked with reddish +spots, are laid, and the mother-bird has taken her patient seat upon +them, whilst her mate, from the branch above, sings as if he never +meant to leave off again.</p> + +<p>The song of this bird is loud, clear, and melodious—a cheering, +hopeful song; and when heard amidst the yet prevailing winter-storms, +as if in anticipation of better times, it well deserves our admiration. +It resembles, to a certain degree, the song of the blackbird and the +thrush, and is often mistaken for them; but it has not the short, +quick, and varied notes of the one, nor the sober, prolonged, and +eloquent melody of the other. On the contrary it is of an eager, +hurrying character,<span class="pagenum" id="Page_108">[108]</span> as if it could not sufficiently express its +emotion, and yet was trying to do so.</p> + +<p>The missel-thrush is a bird of very marked character, and is both bold +and chivalrous. Its harsh, jarring note of anger and defiance is the +first to be heard when a bird-enemy is at hand. If a cuckoo or hawk is +anywhere near meditating mischief, the missel-thrush is vehement in his +expression of displeasure. In our own neighbourhood, where the jays in +summer come from the wood to carry the young of the sparrows from their +nests in the ivied boles of the trees round our garden, the outcry of +the parent sparrows instantly arouses the sympathetic missel-thrushes, +who, with a scolding defiance, rush to the rescue. Of course these +birds, which are of so militant a character, and so loud in protesting +against a wrong done to another, will be equally alive to their own +rights, and active in defending their own nests and young. Some +naturalists have suggested that this combatant temper and extraordinary +courage are but the natural consequence of the bird finding its nest +open to common attack; for, being of a large size, and built early in +the year whilst the trees are yet leafless, it is visible to every +enemy and depredator.</p> + +<p>Mr. Thompson says: “Often have I seen a pair of these birds driving off +magpies, and occasionally fighting against four of them. One pair which +I knew attacked a kestrel which appeared in their neighbourhood when +the young were out. One of them struck the hawk several times, and made +as many more fruitless attempts, as the enemy, by suddenly rising in +the air, escaped the cunning blow. They then followed the kestrel for a +long way, until they were lost to our sight in the distance.”</p> + +<p><span class="pagenum" id="Page_109">[109]</span></p> + +<p>The old Welsh name of “master, or head of the coppice,” refers to the +same warlike spirit. “The missel-thrush,” says Gilbert White, “suffers +no magpie, jay, or blackbird to enter the garden where he haunts, and +is, for the time, a good guardian of the new-sown crops. In general, he +is very successful in defence of his family. Once, however, I observed +in my garden that several magpies came determined to storm the nest of +the missel-thrush. The parent-birds defended their mansion with great +vigour, and fought resolutely. But numbers at last prevailed, and the +poor missel-thrushes had the pain of seeing their nest torn to pieces, +and their young carried off.”</p> + +<div class="sidenote"><em>The Gardeners’ Enemy.</em></div> + +<p>The missel-thrushes, however, as the year goes on, make for themselves +enemies even more formidable than hawks or magpies; these are the +gardeners. Towards the end of summer, when the young have flown, +and they and the parent-birds congregate in large flocks, having +then nothing to do but to enjoy themselves, like human families when +children are all home for the holidays, they too go abroad on their +excursions of pleasure; not, however, to sea-side watering places, but +into gardens where the cherries and raspberries are ripe. Poor birds! +Little aware of their danger, or if they be so, defiant of it in the +greatness of the temptation, they make sad havoc amongst the fruit, +and many unfortunates are shot or snared, and then hung up amidst the +cherry-boughs or the raspberry-canes as a terror to their associates. +It is a pity we cannot make them welcome to some and yet have enough +left for ourselves.</p> + +<p>The berries of the mountain-ash and the arbutus, and later<span class="pagenum" id="Page_110">[110]</span> on in the +year those of the holly and ivy, supply them with food, as do also +in the spring and summer insects of various kinds—caterpillars and +spiders—so that in this respect they are good friends to the gardener, +and might, one thinks, be made welcome to a little fruit in return.</p> + +<div class="figcenter"> +<a id="image-154"><img src="images/i-154.jpg" alt="nest in a tree" width="389" height="450" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_111">[111]</span></p> + +<h2 class="nobreak" id="CHAPTER_XX">CHAPTER XX.</h2> +</div> + +<p class="center">THE YELLOW-HAMMER, OR YELLOW-HEAD.</p> + + +<p><span class="smcap">This</span>, though an extremely pretty bird, is so common that very +little notice is taken of it. Its colours are varied and beautiful: +the back and wings, bright red; the central part of each feather, +brownish-black; the head and throat, bright yellow; the feathers of the +upper part tipped with black; the breast, brownish-red. The colours of +the female are much duller.</p> + +<p>The yellow-hammer resembles linnets, finches, and sparrows in character +and habits, and often associates with them, resorting to the fields in +open weather, and often perching in hedges and bushes as well as in +trees. In the winter, when the weather is severe, it congregates, with +other birds, about houses, farm-buildings, and stack-yards.</p> + +<p>One of the most pleasing features of autumn is, to my mind, these +flocks of kindred birds, which are at that time all abroad and yet +together, circling in their flight, all rising as you approach, and +wheeling away into the stubble-field, or into the distant hedges, now +rich with their wild fruits—the blackberry, the wild rose hip, and the +bunches of black-privet berries—and then away again, as you approach, +with their variously modulated notes, through the clear air into the +yet more distant stubble or bean-field.</p> + +<p>The flight of the yellow-hammer is wavy and graceful, and,<span class="pagenum" id="Page_112">[112]</span> alighting +abruptly, he has a curious way of jerking out his tail feathers like +a little fan. All at once a whole flock of them will descend from a +considerable height and settle on the twigs of a tree, clothing it as +with living leaves. Whatever number the flock may consist of, there +is no impatient hurry or jostling among them to get the best perch, +every individual settling as if on its own appointed place. As I have +already observed, nothing is more charming at this season than these +congregated companies of small birds. All the cares of life are now +over, their young broods are around them, and now, with nothing to +do but to enjoy themselves in the freedom of nature, where—on every +hand, on every bush and tree, and in every outlying field—though the +crops are now carried, all except, perhaps, here and there a solitary +field in which the bean-shocks stand up black in the golden autumnal +sunshine; but here, and there, and everywhere, a full table is spread, +and they are welcome to enjoy.</p> + +<p>In spring and summer, the yellow-hammer sings a peculiar but +mournful sort of little ditty, composed of a few short, sonorous +notes, concluding with one long drawn out. In the midland +counties, where stocking-weaving is the business of the people, +the note of the bird is said to resemble the working of the +machine—ch-ch-ch-ch-ch-e-e-chay—the prolonged latter syllable being +what the stockinger calls, in the machine movement, “pressing over the +arch.” In other parts of the country this bird’s song is interpreted as +“A little bit of bread, and—no-cheese!” which may just as well be “A +little bird am I, and—no thief!”</p> + +<div class="figcenter"> +<a id="image-157"><img src="images/i-157.jpg" alt="" width="477" height="650" /></a> +<p class="caption center">YELLOW-HAMMER AND NEST.      [<a href="#Page_112" title="Page 112">Page 112.</a></p> +</div> + +<p>The food of this bird consists of the seeds of all kinds of <span class="pagenum" id="Page_113">[113]</span>grasses, +chickweeds, polygonums, and other such weeds; also, in summer, when +food is needed for the young, insects and larvæ.</p> + +<div class="sidenote"><em>Its Picturesque Nest.</em></div> + +<p>The winter congregations break up in April, and then the yellow-hammer +begins to think of family joys and cares. But, unlike their relations +the sparrows and finches, the he-birds take everything quietly, without +having their little skirmishes to show their spirit and prowess, like +the knights of old, at the tournament, before the admiring ladies. The +yellow-hammer does everything quietly, choosing his mate in an orderly +way; and now that the buds are swelling on the trees, the primroses +gemming the hedge-banks, and the golden catkins hanging on the willows +by the watersides, hither come the little yellow-hammers, and, having +selected some sweet, hidden spot, under a bush, or on the fieldy banks +amongst the thick herbage—we see it a month later in our picture, +when the buds have expanded into leaves, in a wild growth of beautiful +grasses and herbage—begin to make their nest. How picturesque it is! +William Hunt never painted anything more beautiful. The nest itself +is somewhat large, and of simple construction, woven externally of +coarse bents and small pliant twigs, and lined with hair and wool. Here +the hen lays four or five eggs of a purplish white, marked with dark, +irregular streaks, often resembling musical notes.</p> + +<p>These poor little birds are extremely attached to their home and their +young, so much so, that if these be taken by the pitiless bird-nester, +they will continue for some days about the place uttering the most +melancholy plaint, which, though still to the same old tune as the song +of their spring rejoicing, has now the expression of the deepest woe.</p> + +<p><span class="pagenum" id="Page_114">[114]</span></p> + +<p>The author of “British Birds” thus sums up their various characteristic +actions:—“When perched on a tree, especially in windy weather, they +crouch close to the twigs, draw in their necks, and keep their tails +declined. After pairing, the male is generally seen on a bush or tree, +raising his tail by sudden jerks, and slightly expanding it. His notes +are then usually two chirps, followed by a harsher note—cit, chit, +chirr—with considerable intervals. When feeding in the stubble-fields, +they advance by very short leaps, with their breasts nearly touching +the ground; when apprehensive of danger they crouch motionless, and +when alarmed give information to each other by means of their ordinary +short note.”</p> + +<div class="figcenter"> +<a id="image-160"><img src="images/i-160.jpg" alt="nest of eggs" width="440" height="450" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_115">[115]</span></p> + +<h2 class="nobreak" id="CHAPTER_XXI">CHAPTER XXI.</h2> +</div> + +<p class="center">THE MAGPIE.</p> + + +<p><span class="smcap">You</span> have here a living portrait of the Magpie, sitting, so to speak, on +his own door-sill, and contemplating it with rather a sentimental air, +perhaps rather with tender admiration; and as to his dwelling, it is, +we must confess, a wonderful structure—a half-timbered edifice, so to +speak, walled-round and roofed-in, with its front-door and all complete.</p> + +<p>The magpie is one of our most beautiful as well as most amusing and +characteristic birds. He is cousin to the jackdaw, and has, like him, +odd ways of his own. In all countries where he is found, he is just the +same. An old Greek poet, who lived two thousand years ago, speaks of +him as a great mimic, and such an inordinate talker, that, in his own +satirical humour, he pretends to believe that magpies were originally a +family of young ladies, in Macedonia, who were noted for the volubility +of their tongues. Handsome he is, as well as talkative, and very droll +and mischievous.</p> + +<p>Being such, we need not wonder that his nest is very original. He likes +to place it in a secure angle of branches, on some lofty tree, as we +see it here, fifty feet or so from the ground; and prefers to have it +on a tree bare of branches to a considerable height, knowing that it +is then more inaccessible. He is wise in all this, for its bulk being +so large it is discernible to a great<span class="pagenum" id="Page_116">[116]</span> distance. As magpies, however, +are found almost everywhere, and in some parts of the country, the +north of Scotland for instance, where there are no trees, the poor +magpie is then obliged to build in a bush, and do the best he can. In +such a case, in Norway, he was known to barricade his nest with thorny +branches, brought thither by himself for that purpose, till it was next +to impossible for the domicile to be invaded. A cat could not get to +it, and a man only with hedging-mittens on his hands, and by help of a +bill-hook.</p> + +<p>Like the rook, the magpie inhabits the same nest for several years, +perhaps for the whole of his life, putting it into repair every year +before he again needs it for family use—like a wealthy country family +taking possession of their ancestral mansion in the spring.</p> + +<p>And now, turning to our picture, we find our magpie in excellent +circumstances. Every thing has gone well with him. Here he is, and I +will have the pleasure of giving you a bit of every-day magpie life, +as sketched by that true pen-and-ink artist, the author of “British +Birds.” Our scene opens a few minutes before the time indicated in our +picture:—</p> + +<div class="figcenter"> +<a id="image-163"><img src="images/i-163.jpg" alt="" width="477" height="650" /></a> +<p class="caption center">MAGPIE AND NEST.      [<a href="#Page_116" title="Page 116">Page 116.</a></p> +</div> + +<div class="sidenote"><em>A Search for Food.</em></div> + +<p>“There, on the old ash-tree, you may see a pair, one perched on the +topmost twig, the other hopping on the branches below, keeping up an +incessant chatter. How gracefully she, on the topmost twig, swings in +the breeze! Off she starts, and directs her flight to the fir-woods +opposite, chattering all the way, seemingly to call her mate after her. +But he prefers remaining behind. He is in a brown study, or something +of that kind, as we can plainly see. Now, having spied something +below, he hops downwards from twig to branch, and <span class="pagenum" id="Page_117">[117]</span>descends to the +ground. His ash-tree, you must understand, grows close to, and in part +overshadows, a farmyard; so now he is on ground which, as is customary +in such places, is not over clean; therefore, lifting up his tail to +prevent it being soiled or wet, as the farmer’s wife might hold up her +Sunday gown, and raising his body as high as possible, he walks a few +paces, and, spying an earth-worm half out of his hole, drags it forth +by a sudden jerk, breaks it in pieces, and swallows it. Now, under the +hedge, he has found a snail, which he will presently pick out of its +shell, as an old woman would a periwinkle. But now something among the +bushes has startled him, and he springs lightly upwards, chattering +the while, to regain his favourite tree. It is a cat, which, not less +frightened than himself, for both are intent on mischief, runs off +towards the barn. The magpie again descends, steps slowly over the +grassy margin of the yard, looking from side to side, stops, listens, +advances rapidly by a succession of leaps, and encounters a whole brood +of chickens, with their mother at their heels. If she had not been +there he would have had a delicious feast of one of those chickens; +but he dare not think of such a thing now, for, with fury in her eye, +bristled plumage, and loud clamour, the hen rushes forward at him, +overturning two of her younglings, and the enemy, suddenly wheeling +round to avoid the encounter, flies off to his mate.</p> + +<p>“There again you perceive them in the meadow, as they walk about with +their elevated tails, looking for something eatable. By the hedge, afar +off, are two boys, with a gun, endeavouring to creep up to a flock of +plovers on the other side. But the magpies see them, for there are not +many things which<span class="pagenum" id="Page_118">[118]</span> escape their sharp eyes, and presently rising, they +fly directly over the field, chattering vehemently, and the flock of +plovers on this take wing, and the disappointed young sportsmen sheer +off in another direction.”</p> + +<p>Magpies always make a great chattering when they are disturbed, or +when they apprehend that danger is near. Waterton says that they +are vociferous at the approach of night, and that they are in truth +valuable watchmen on that account. “Whoever enters the wood,” he +says, “is sure to attract their notice, and then their challenge is +incessant. When I hear them during the night, or even during the +day, I know that mischief is on the stir. Three years ago, at eleven +o’clock in the day, I was at the capture of one of the most expert +and desperate poachers, to whose hiding-place we were directed by the +chatter of the magpies.”</p> + +<p>The poor magpie has many enemies, and, knowing this, is always on the +watch, and easily alarmed.</p> + +<p>Its mode of walking is like that of the rook, but not having any +dignity to maintain, it every now and then leaps in a sidelong +direction. When alarmed itself, or wishing to announce danger to other +birds, it utters a sort of chuckling cry or chatter. If a fox or cat, +or any other unfriendly animal, approaches, it hovers about it, and +alarms the whole neighbourhood by its cries till the enemy is out of +sight.</p> + +<p>Like the jackdaw, it generally keeps in pairs the whole year round; +and, indeed, when birds continue to inhabit the same nest, season after +season, it is quite natural that they should do so. It is a curious +fact, however, that if by any accident the hen-magpie is killed, whilst +sitting on her eggs, her mate sets<span class="pagenum" id="Page_119">[119]</span> off at once and brings home another +wife, who takes to the nest and eggs, just as if she had laid them; and +if by another mischance she too should come to an untimely end, the +widower again goes off, and, without any loss of time, brings back a +third wife, and she takes to her duties quite as naturally and lovingly +as the other did; but where all these surplus mothers come from is a +question which no naturalist has yet answered, and the magpie, with all +his chattering, is not clever enough to explain the wonder.</p> + +<div class="sidenote"><em>Its Beautiful Plumage.</em></div> + +<p>The beauty of this bird’s plumage is familiar to all; and although it +is simply black and white, yet the exquisitely-coloured gloss of green, +blue, and purple, with their varying and intermingling tints, produce +such a charming effect that one cannot sufficiently admire them.</p> + +<p>With the external structure of the magpie’s nest we are acquainted: the +lower part, inside, is neatly plastered with mud, “and is furnished,” +says Bewick, “with a sort of mattress, formed of wool or fibrous roots, +on which from three to six eggs are laid.” The eggs frequently vary, +both in size and colour; sometimes they are of a pale green, freckled +over with amber-brown and light purple; sometimes pale blue, with +smaller spots of the same dark colours.</p> + +<p>The nest is, so to speak, a sort of little domed chamber, of a good +size for its purpose; but then comes the question—What does the magpie +do with her long tail as she sits on her eggs? It would certainly +poke a hole through the wall if left to its full extent; she must, +therefore, lift it up, as she does when walking amongst the wet grass, +and sit with it laid flat against the wall, which probably is not +inconvenient to her.</p> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_120">[120]</span></p> + +<h2 class="nobreak" id="CHAPTER_XXII">CHAPTER XXII.</h2> +</div> + +<p class="center">THE NUTHATCH.</p> + + +<p><span class="smcap">This</span> bird is almost an entire stranger to most people. It belongs to +the rather large family of creepers; birds which, like the woodpecker +and the little golden-crested wren, run up the holes and branches of +trees in search of food. The nuthatch, however, has an advantage over +all its other creeping relatives, by being gifted with the power of +coming down the tree head foremost, which none of them have. It can +also sleep with its head downwards; neither in its rapid ascent has it +occasion to press its tail against the tree for help; so that it is the +most accomplished little acrobat of the whole race of creepers.</p> + +<div class="figcenter"> +<a id="image-169"><img src="images/i-169.jpg" alt="" width="482" height="650" /></a> +<p class="caption center">NUTHATCH AND NEST.      [<a href="#Page_120" title="Page 120">Page 120.</a></p> +</div> + +<p>The nuthatch cannot be called a rare bird, and yet it is not often +seen, being of a shy and retiring disposition, though naturally lively +and active. The plumage is very pleasing in colour; the upper parts +of the body are bluish-grey; a black line passes from the corners of +the mouth to the back of the neck; the breast and under parts light +reddish-yellow, and the sides reddish-brown.</p> + +<p>It delights in woods and trees; nor need it be looked for elsewhere, +as it derives its food entirely amongst them, either of insects and +larvæ, hidden in the bark, or of fruits and nuts, as kernels of +fir-cones, beech, and other nuts, the shells of which it <span class="pagenum" id="Page_121">[121]</span>breaks in +a very ingenious manner, as I shall presently describe. Now and then +it alights on the ground, and then advances by short leaps. It has no +song; but in winter, when living in small companies, perhaps the whole +summer-family associating together, it has a little piping note, which, +however, is supposed to be simply the call to each other. It is said to +be sensitive to the cold, and always feeds on the side of the wood or +of the tree which is defended from the wind. In spring, however, when +all nature is renovated with a quicker pulse of life—for, as Tennyson +says:—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">In the spring a fuller crimson comes upon the robin’s breast;</div> + <div class="verse indent0">In the spring the wanton lapwing gets himself another crest;</div> + <div class="verse indent0">In the spring a livelier iris changes on the burnished dove—</div> + </div> +</div> +</div> + +<p>then, also, the silent nuthatch sends forth through the awakening +solitude of the woods his two little notes, one short and twittering, +the other a low, mellow, flute-like whistle, which is so clear that it +may be heard to a considerable distance.</p> + +<div class="sidenote"><em>Its Favourite Food.</em></div> + +<p>The graphic author of the “British Birds” says, “It is, at all times, +a busy and cheerful bird, particularly at nesting-time. Its favourite +food is nuts of any kind. It builds and roosts in hollow trees, and +is seldom seen in the open fields, unless when in quest of the stones +of the white-thorn or sloe. It may, therefore, be properly called a +forester. Its dexterity in opening nuts and the stones of fruit is +curious. It fixes the nut in a crack, on the top of a post, or in the +bark of a tree, and, placing itself above it, head downwards, striking +with great force and rapidity, with its strong, wedge-shaped bill on +the edge of the shell, splits it open. When their food is plentiful,<span class="pagenum" id="Page_122">[122]</span> +they have a favourite crack for unshelling the kernels, as sometimes a +peck of broken shells may be seen under this crack.”</p> + +<p>The Rev. W. T. Bree tells us that “the tapping of the bird on the hard +shell may be heard at a considerable distance, and that during the +operation it sometimes happens that the nut swerves from its fixture +and falls towards the ground. It has not descended, however, for the +space of more than a few yards, when the nuthatch, with admirable +adroitness, recovers it in the fall, and, replacing it in its former +position, commences the attack afresh. The fall of the nut in the air, +and the recovery by the bird on the wing, I have seen repeated several +times in the space of a few minutes.”</p> + +<p>This is a little act of skill in the bird which it would be charming to +observe; and here again I would remark, as I have so often done before, +that this is but a single instance of what many of us, living in the +country, might witness in some woodland nook near at hand, if we would +only be lovingly still and patient, and interest ourselves in the ways +and means of the innocent animal-life around us.</p> + +<p>The nest of the bird also deserves our notice; and let me here call +your attention to the beautiful and living little portrait of the bird +at home, given us by Mr. Harrison Weir, than which we have nothing more +truthful from his pencil. The home of the nuthatch is nothing more, to +begin with, than the hole in an old tree, which, probably, has been +deserted by the woodpecker. As, however, the woodpecker either requires +a more enlarged entrance to her nursery, or considers it more seemly, +the nuthatch, who merely likes a snug little hole to creep in at, and +nothing more, walls up the opening with a plastering of<span class="pagenum" id="Page_123">[123]</span> clay or mud, +leaving only just room enough for herself to enter. Perhaps she may be +afraid of the old tenants returning and again taking possession, so +builds up a little defence in front; but of that I cannot say; certain +it is she makes herself comfortably at home in rather an untidy nest, +composed mostly of dead oak-leaves, and here she lays six or seven +white eggs, with ruddy spots on them.</p> + +<div class="sidenote"><em>Her Defence of her Young.</em></div> + +<p>If the plaster wall be by any chance removed, the poor bird loses not +a moment in replacing it; and though she has apparently great dread +of any enemy—the woodpecker, snake, man, or whatever else he may be, +disturbing her—yet so faithfully devoted is she to her duties, that +scarcely anything will induce her to leave the eggs or young. She +fights vigorously in defence of her home and its treasures, striking +out with her bill and wings, and making a hissing, angry noise. Nay, +timid and shy as she naturally is, she will suffer herself to be +carried off captive rather than desert her charge.</p> + +<p>Let me conclude with one of Bechstein’s anecdotes of the nuthatch:—</p> + +<p>“A lady amused herself in the winter by throwing seeds on the terrace, +below the window, to feed the birds in the neighbourhood. She put some +hemp-seed and cracked nuts even on the window-sill, and on a board, for +her particular favourites, the blue-tits. Two nuthatches came one day +to have their share of this repast, and were so well pleased that they +became quite familiar, and did not even go away in the following spring +to get their natural food and to build their nest in the wood. They +settled themselves in the hollow of an old tree near the house.</p> + +<p>“As soon as the two young ones which were reared here were<span class="pagenum" id="Page_124">[124]</span> ready to +fly, they brought them to the hospitable window, where they were to be +nourished, and soon after disappeared entirely. It was amusing to see +these two new visitors hang or climb on the walls or blinds, whilst +their benefactress put their food on the board. These pretty creatures +as well as the tits, knew her so well, that when she drove away the +sparrows, which came to steal what was not intended for them, they did +not fly away also, but seemed to know what was done was only to protect +and defend them. They remained near the house for the whole summer, +rarely wandering, till one fatal day, at the beginning of the sporting +season, in autumn, on hearing the report of a gun, they disappeared and +were never seen again.”</p> + +<div class="figcenter"> +<a id="image-174"><img src="images/i-174.jpg" alt="" width="313" height="350" /></a> +</div> + +<hr class="full x-ebookmaker-drop" /> + +<p class="center"><span class="smcap">Watson & Hazell</span>, Printers, 28, Charles Street, Hatton Garden.</p> + +<div>*** END OF THE PROJECT GUTENBERG EBOOK 68416 ***</div> +</body> +</html> diff --git a/old/68416-0.txt b/old/68416-0.txt new file mode 100644 index 0000000..9fd28b9 --- /dev/null +++ b/old/68416-0.txt @@ -0,0 +1,4032 @@ +The Project Gutenberg eBook of Birds and their nests, by Mary Howitt + +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online at +www.gutenberg.org. If you are not located in the United States, you +will have to check the laws of the country where you are located before +using this eBook. + +Title: Birds and their nests + +Author: Mary Howitt + +Release Date: June 28, 2022 [eBook #68416] + +Language: English + +Produced by: Fiona Holmes and the Online Distributed Proofreading Team + at http://www.pgdp.net (This file was produced from images + generously made available by The Internet Archive/American + Libraries.) + +*** START OF THE PROJECT GUTENBERG EBOOK BIRDS AND THEIR NESTS *** + + + + +Transcriber’s Notes + +Hyphenation has been standardised. + +For the CONTENTS on page v, Chapter IX—Peewits 51 was missed from +print in the original, and has been added. + +The layout of the Contents continuation page on page vi, has been +changed to replicate the layout of the previous Contents page. + +Page 41—changed cemetries to cemeteries. + +Page 55—changed artifical to artificial. + + + + +BIRDS AND THEIR NESTS. + +[Illustration: ROBIN AND NEST.] + + + + + BIRDS AND THEIR NESTS, + + BY + + MARY HOWITT. + + [Illustration] + + _With Twenty-three Full-page Illustrations by Harrison Weir._ + + NEW YORK: + GEORGE ROUTLEDGE AND SONS, 416, BROOME STREET. + London: S. W. Partridge & Co., 9, Paternoster Row. + + _All rights reserved._ + +[Illustration: WATSON AND HAZELL, + +_Printers_, + +London and Aylesbury.] + + + + +[Illustration] + + + + +CONTENTS. + + + PAGE + + Introductory Chapter 1 + + Chapter I.—THE WREN 8 + + ” II.—THE GOLDFINCH 15 + + ” III.—THE SONG THRUSH 20 + + ” IV.—THE BLACKBIRD 26 + + ” V.—THE DIPPER, OR WATER-OUSEL 33 + + ” VI.—THE NIGHTINGALE 37 + + ” VII.—THE SKYLARK 42 + + ” VIII.—THE LINNET 47 + + ” IX.—THE PEEWIT 51 + + ” X.—HOUSE-MARTINS, OR WINDOW-SWALLOWS, AND NESTS 56 + + ” XI.—CHIFF-CHAFFS, OR OVEN-BUILDERS, AND NEST 66 + + ” XII.—GOLDEN-CRESTED WRENS AND NEST 70 + + ” XIII.—WAGTAIL AND NEST 76 + + ” XIV.—JACKDAW AND NESTLINGS 82 + + ” XV.—SPOTTED FLY-CATCHERS AND NEST 86 + + ” XVI.—WOOD-PIGEONS AND NEST 92 + + ” XVII.—WHITE-THROAT AND NEST 98 + + ” XVIII.—BULL-FINCH AND NESTLINGS 102 + + ” XIX.—MISSEL-THRUSHES AND NEST 106 + + ” XX.—YELLOW-HAMMER, OR YELLOW-HEAD, AND NEST 112 + + ” XXI.—MAGPIE AND NEST 116 + + ” XXII.—NUTHATCH AND NEST 120 + +[Illustration] + + + + +[Illustration] + + + + +_Birds and their Nests._ + + + + +INTRODUCTORY CHAPTER. + + +The birds in these pictures of ours have all nests, which is as it +should be; for how could the bird rear its young without its little +home and soft little bed, any more than children could be comfortably +brought up without either a bed to lie upon, or a home in which to be +happy. + +Birds-nests, though you may find them in every bush, are wonderful +things. Let us talk about them. They are all alike in the purpose for +which they are intended, but no two families of birds build exactly +alike; all the wrens, for instance, have their kind of nest; the +thrushes have theirs; so has the swallow tribe; so has the sparrow, +or the rook. They do not imitate one another, but each adheres to its +own plan, as God, the great builder and artist, as well as Creator, +taught them from the very beginning. The first nightingale, that sang +its hymn of joyful thanksgiving in the Garden of Paradise, built +its nest just the same as the bird you listened to last year in the +coppice. The materials were there, and the bird knew how to make use +of them; and that is perhaps the most wonderful part of it, for she +has no implements to work with: no needle and thread, no scissors, no +hammer and nails; nothing but her own little feet and bill, and her +round little breast, upon which to mould it; for it is generally the +mother-bird which is the chief builder. + +No sooner is the nest wanted for the eggs which she is about to lay, +than the hitherto slumbering faculty of constructiveness is awakened, +and she selects the angle of the branch, or the hollow in the bank or +in the wall, or the tangle of reeds, or the platform of twigs on the +tree-top, exactly the right place for her, the selection being always +the same according to her tribe, and true to the instinct which was +implanted in her at the first. + +So the building begins: dry grass or leaves, little twigs and +root-fibres, hair or down, whether of feather or winged seed, spangled +outside with silvery lichen, or embroidered with green mosses, less +for beauty, perhaps—though it is so beautiful—than for the birds’ +safety, because it so exactly imitates the bank or the tree-trunk in +which it is built. Or it may be that her tenement is clay-built, like +that of the swallow; or lath and plaster, so to speak, like an old +country house, as is the fashion of the magpie; or a platform of rude +sticks, like the first rudiment of a basket up in the tree-branches, as +that of the wood-pigeon: she may be a carpenter like the woodpecker, +a tunneller like the sand-martin; or she may knead and glue together +the materials of her nest, till they resemble thick felt; but in all +this she is exactly what the great Creator made her at first, equally +perfect in skill, and equally undeviating year after year. This is very +wonderful, so that we may be quite sure that the sparrow’s nest, which +David remarked in the house of God, was exactly the same as the sparrow +built in the days of the blessed Saviour, when He, pointing to that +bird, made it a proof to man that God’s Providence ever watches over +him. + +[Sidenote: _Jules Michelet on Birds._] + +Nevertheless, with this unaltered and unalterable working after one +pattern, in every species of bird, there is a choice or an adaptation +of material allowed: thus the bird will, within certain limits, select +that which is fittest for its purpose, producing, however, in the end, +precisely the same effect. I will tell you what Jules Michelet, a +French writer, who loves birds as we do, writes on this subject:—“The +bird in building its nest,” he says, “makes it of that beautiful +cup-like or cradle form by pressing it down, kneading it and shaping +it upon her own breast.” He says, as I have just told you, that the +mother-bird builds, and that the he-bird is her purveyor. He fetches in +the materials: grasses, mosses, roots, or twigs, singing many a song +between whiles; and she arranges all with loving reference; first, +to the delicate egg which must be bedded in soft material; then to +the little one which, coming from the egg naked, must not only be +cradled in soft comfort, but kept alive by her warmth. So the he-bird, +supposing it to be a linnet, brings her some horse-hair: it is stiff +and hard; nevertheless, it is proper for the purpose, and serves as a +lower stratum of the nest—a sort of elastic mattress: he brings her +hemp; it is cold, but it serves for the same purpose. Then comes the +covering and the lining; and for this nothing but the soft silky fibre +of certain plants, wool or cotton, or, better still, the down from her +own breast, will satisfy her. It is interesting, he says, to watch the +he-bird’s skilful and furtive search for materials; he is afraid if he +see you watching, that you may discover the track to his nest; and, in +order to mislead you, he takes a different road back to it. You may see +him following the sheep to get a little lock of wool, or alighting in +the poultry yard on the search for dropped feathers. If the farmer’s +wife chance to leave her wheel, whilst spinning in the porch, he steals +in for a morsel of flax from the distaff. He knows what is the right +kind of thing; and let him be in whatever country he may, he selects +that which answers the purpose; and the nest which is built is that of +the linnet all the world over. + +Again he tells us, that there are other birds which, instead of +building, bring up their young underground, in little earth cradles +which they have prepared for them. Of building-birds, he thinks the +queerest must be the flamingo, which lays her eggs on a pile of mud +which she has raised above the flooded earth, and, standing erect all +the time, hatches them under her long legs. It does seem a queer, +uncomfortable way; but if it answer its end, we need not object to it. +Of carpenter-birds, he thinks the thrush is the most remarkable; other +writers say the woodpecker. The shore-birds plait their nests, not very +skilfully it is true, but sufficiently well for their purpose. They +are clothed by nature with such an oily, impermeable coat of plumage, +that they have little need to care about climate; they have enough to +do to look after their fishing, and to feed themselves and their young; +for all these sea-side families have immense appetites. + +[Sidenote: _How various Birds Build._] + +Herons and storks build in a sort of basket-making fashion; so do the +jays and the mocking birds, only in a much better way; but as they +have all large families they are obliged to do so. They lay down, in +the first place, a sort of rude platform, upon which they erect a +basket-like nest of more or less elegant design, a web of roots and dry +twigs strongly woven together. The little golden-crested wren hangs her +purse-like nest to a bough, and, as in the nursery song, “When the wind +blows the cradle rocks.” An Australian bird, a kind of fly-catcher, +called there the razor-grinder, from its note resembling the sound of +a razor-grinder at work, builds her nest on the slightest twig hanging +over the water, in order to protect it from snakes which climb after +them. She chooses for her purpose a twig so slender that it would not +bear the weight of the snake, and thus she is perfectly safe from her +enemy. The same, probably, is the cause why in tropical countries, +where snakes and monkeys, and such bird-enemies abound, nests are so +frequently suspended by threads or little cords from slender boughs. + +The canary, the goldfinch, and chaffinch, are skilful cloth-weavers +or felt makers; the latter, restless and suspicious, speckles the +outside of her nest with a quantity of white lichen, so that it +exactly imitates the tree branch on which it is placed, and can hardly +be detected by the most accustomed eye. Glueing and felting play an +important part in the work of the bird-weavers. The humming-bird, for +instance, consolidates her little house with the gum of trees. The +American starling sews the leaves together with her bill; other birds +use not only their bills, but their feet. Having woven a cord, they fix +it as a web with their feet, and insert the weft, as the weaver would +throw his shuttle, with their bill. These are genuine weavers. In fine, +their skill never fails them. The truth is, that the great Creator +never gives any creature work to do without giving him at the same time +an inclination to do it—which, in the animal, is instinct—and tools +sufficient for the work, though they may be only the delicate feet and +bill of the bird. + +And now, in conclusion, let me describe to you the nest of the little +English long-tailed titmouse as I saw it many years ago, and which I +give from “Sketches of Natural History”:— + +[Sidenote: _The Titmouse’s Nest._] + + There, where those boughs of blackthorn cross, + Behold that oval ball of moss; + Observe it near, all knit together, + Moss, willow-down, and many a feather, + And filled within, as you may see, + As full of feathers as can be; + Whence it is called by country folk, + A fitting name, the feather-poke; + But learned people, I have heard, + _Parus caudatus_ call the bird. + Yes, here’s a nest! a nest indeed, + That doth all other nests exceed, + Propped with the blackthorn twigs beneath, + And festooned with a woodbine wreath! + Look at it close, all knit together, + Moss, willow-down, and many a feather; + So soft, so light, so wrought with grace, + So suited to this green-wood place, + And spangled o’er, as with the intent + Of giving fitting ornament, + With silvery flakes of lichen bright, + That shine like opals, dazzling white. + Think only of the creature small, + That wrought this soft and silvery ball, + Without a tool to aid her skill, + Nought but her little feet and bill— + Without a pattern whence to trace + This little roofed-in dwelling place— + And does not in your bosom spring + Love for this skilful little thing? + See, there’s a window in the wall; + Peep in, the house is not so small, + But snug and cosy you shall see + A very numerous family! + Now count them: one, two, three, four, five— + Nay, _sixteen_ merry things alive— + Sixteen young, chirping things all sit, + Where you, your wee hand, could not get! + I’m glad you’ve seen it, for you never + Saw ought before so soft and clever. + +[Illustration] + + + + +CHAPTER I. + +THE WREN. + + +Truly the little Wren, so beautifully depicted by Mr. Harrison Weir, +with her tiny body, her pretty, lively, and conceited ways, her short, +little turned-up tail, and delicate plumage, is worthy of our tender +regard and love. + +The colouring of the wren is soft and subdued—a reddish-brown colour; +the breast of a light greyish-brown; and all the hinder parts, both +above and below, marked with wavy lines of dusky-brown, with two bands +of white dots across the wings. + +Its habits are remarkably lively and attractive. “I know no pleasanter +object,” says the agreeable author of “British Birds,” “than the wren; +it is always so smart and cheerful. In gloomy weather other birds +often seem melancholy, and in rain the sparrows and finches stand +silent on the twigs, with drooping wings and disarranged plumage; but +to the merry little wren all weathers are alike. The big drops of the +thunder-shower no more wet it than the drizzle of a Scotch mist; and as +it peeps from beneath the bramble, or glances from a hole in the wall, +it seems as snug as a kitten frisking on the parlour rug.” + +[Illustration: + + WRENS AND NEST. [Page 8. +] + +[Sidenote: _A Builder of Many Nests._] + +“It is amusing,” he continues, “to watch the motions of a young family +of wrens just come abroad. Walking among furze, broom, or juniper, you +are attracted to some bush by hearing issue from it the frequent +repetition of a sound resembling the syllable _chit_. On going up you +perceive an old wren flitting about the twigs, and presently a young +one flies off, uttering a stifled _chirr_, to conceal itself among the +bushes. Several follow, whilst the parents continue to flutter about +in great alarm, uttering their _chit, chit_, with various degrees of +excitement.” + +The nest of the wren is a wonderful structure, of which I shall have a +good deal to say. It begins building in April, and is not by any means +particular in situation. Sometimes it builds in the hole of a wall +or tree; sometimes, as in this lovely little picture of ours, in the +mossy hollow of a primrose-covered bank; and because it was formerly +supposed to live only in holes or little caves, it received the name of +_Troglodytes_, or cave-dweller. But it builds equally willingly in the +thatch of out-buildings, in barn-lofts, or tree-branches, either when +growing apart or nailed against a wall, amongst ivy or other climbing +plants; in fact, it seems to be of such a happy disposition as to adapt +itself to a great variety of situations. It is a singular fact that it +will often build several nests in one season—not that it needs so many +separate dwellings, or that it finishes them when built; but it builds +as if for the very pleasure of the work. Our naturalist says, speaking +of this odd propensity, “that, whilst the hen is sitting, the he-bird, +as if from a desire to be doing something, will construct as many as +half-a-dozen nests near the first, none of which, however, are lined +with feathers; and that whilst the true nest, on which the mother-bird +is sitting, will be carefully concealed, these sham nests are open +to view. Some say that as the wrens, during the cold weather, sleep +in some snug, warm hole, they frequently occupy these extra nests as +winter-bedchambers, four or five, or even more, huddling together, to +keep one another warm.” + +Mr. Weir, a friend of the author I have just quoted, says this was the +case in his own garden; and that, during the winter, when the ground +was covered with snow, two of the extra nests were occupied at night by +a little family of seven, which had hatched in the garden. He was very +observant of their ways, and says it was amusing to see one of the old +wrens, coming a little before sunset and standing a few inches from the +nest, utter his little cry till the whole number of them had arrived. +Nor were they long about it; they very soon answered the call, flying +from all quarters—the seven young ones and the other parent-bird—and +then at once nestled into their snug little dormitory. It was also +remarkable that when the wind blew from the east they occupied a nest +which had its opening to the west, and when it blew from the west, then +one that opened to the east, so that it was evident they knew how to +make themselves comfortable. + +And now as regards the building of these little homes. I will, as far +as I am able, give you the details of the whole business from the diary +of the same gentleman, which is as accurate as if the little wren had +kept it himself, and which will just as well refer to the little nest +in the primrose bank as to the nest in the Spanish juniper-tree, where, +in fact, it was built. + +[Sidenote: _How a Nest was built._] + +“On the 30th of May, therefore, you must imagine a little pair of +wrens, having, after a great deal of consultation, made up their minds +to build themselves a home in the branches of a Spanish juniper. The +female, at about seven o’clock in the morning, laid the foundation +with the decayed leaf of a lime-tree. Some men were at work cutting +a drain not far off, but she took no notice of them, and worked away +industriously, carrying to her work bundles of dead leaves as big +as herself, her mate, seeming the while to be delighted with her +industry, seated not far off in a Portugal laurel, where he watched +her, singing to her, and so doing, making her labour, no doubt, light +and pleasant. From eight o’clock to nine she worked like a little +slave, carrying in leaves, and then selecting from them such as suited +her purpose and putting aside the rest. This was the foundation of the +nest, which she rendered compact by pressing it down with her breast, +and turning herself round in it: then she began to rear the sides. +And now the delicate and difficult part of the work began, and she +was often away for eight or ten minutes together. From the inside she +built the underpart of the aperture with the stalks of leaves, which +she fitted together very ingeniously with moss. The upper part of it +was constructed solely with the last-mentioned material. To round it +and give it the requisite solidity, she pressed it with her breast and +wings, turning the body round in various directions. Most wonderful to +tell, about seven o’clock in the evening the whole outside workmanship +of this snug little erection was almost complete. + +“Being very anxious to examine the interior of it, I went out for that +purpose at half-past two the next morning. I introduced my finger, +the birds not being there, and found its structure so close, that +though it had rained in the night, yet that it was quite dry. The +birds at this early hour were singing as if in ecstasy, and at about +three o’clock the little he-wren came and surveyed his domicile with +evident satisfaction; then, flying to the top of a tree, began singing +most merrily. In half-an-hour’s time the hen-bird made her appearance, +and, going into the nest, remained there about five minutes, rounding +the entrance by pressing it with her breast and the shoulders of her +wings. For the next hour she went out and came back five times with +fine moss in her bill, with which she adjusted a small depression in +the fore-part of it; then, after twenty minutes’ absence, returned +with a bundle of leaves to fill up a vacancy which she had discovered +in the back of the structure. Although it was a cold morning, with +wind and rain, the male bird sang delightfully; but between seven and +eight o’clock, either having received a reproof from his wife for his +indolence, or being himself seized with an impulse to work, he began +to help her, and for the next ten minutes brought in moss, and worked +at the inside of the nest. At eleven o’clock both of them flew off, +either for a little recreation, or for their dinners, and were away +till a little after one. From this time till four o’clock both worked +industriously, bringing in fine moss; then, during another hour, the +hen-bird brought in a feather three times. So that day came to an end. + +“The next morning, June 1st, they did not begin their work early, as +was evident to Mr. Weir, because having placed a slender leaf-stalk +at the entrance, there it remained till half-past eight o’clock, when +the two began to work as the day before with fine moss, the he-bird +leaving off, however, every now and then to express his satisfaction on +a near tree-top. Again, this day, they went off either for dinner or +amusement; then came back and worked for another hour, bringing in fine +moss and feathers. + +[Sidenote: _The Patient Industry of this Bird._] + +“The next morning the little he-wren seemed in a regular ecstasy, +and sang incessantly till half-past nine, when they both brought in +moss and feathers, working on for about two hours, and again they +went off, remaining away an hour later than usual. Their work was now +nearly over, and they seemed to be taking their leisure, when all at +once the hen-bird, who was sitting in her nest and looking out at her +door, espied a man half-hidden by an arbor vitæ. It was no other than +her good friend, but that she did not know; all men were terrible, +as enemies to her race, and at once she set up her cry of alarm. The +he-bird, on hearing this, appeared in a great state of agitation, and +though the frightful monster immediately ran off, the little creatures +pursued him, scolding vehemently. + +“The next day they worked again with feathers and fine moss, and again +went off after having brought in a few more feathers. So they did for +the next five days; working leisurely, and latterly only with feathers. +On the tenth day the nest was finished, and the little mother-bird laid +her first egg in it.” + +Where is the boy, let him be as ruthless a bird-nester as he may, who +could have the heart to take a wren’s nest, only to tear it to pieces, +after reading the history of this patient labour of love? + +The wren, like various other small birds, cannot bear that their nests +or eggs should be touched; they are always disturbed and distressed by +it, and sometimes even will desert their nest and eggs in consequence. +On one occasion, therefore, this good, kind-hearted friend of every +bird that builds, carefully put his finger into a wren’s nest, during +the mother’s absence, to ascertain whether the young were hatched; on +her return, perceiving that the entrance had been touched, she set up +a doleful lamentation, carefully rounded it again with her breast and +wings, so as to bring everything into proper order, after which she and +her mate attended to their young. These particular young ones, only six +in number, were fed by their parents 278 times in the course of a day. +This was a small wren-family; and if there had been twelve, or even +sixteen, as is often the case, what an amount of labour and care the +birds must have had! But they would have been equal to it, and merry +all the time. + + For all these little creatures, which so lightly we regard, + They love to do their duty, and they never think it hard. + +[Illustration] + + + + +CHAPTER II. + +THE GOLDFINCH. + + +The Goldfinch, which is cousin to the Linnet, is wonderfully clever and +docile, as I shall show you presently. In the first place, however, let +me say a word or two about bird cleverness in general, which I copy +from Jules Michelet’s interesting work, “The Bird.” Speaking of the +great, cruel, and rapacious family of the _Raptores_, or Birds of Prey, +he expresses satisfaction in the idea that this race of destroyers is +decreasing, and that there may come a time when they no longer exist +on the earth. He has no admiration for them, though they may be the +swiftest of the swift, and the strongest of the strong, because they +put forth none of the higher qualities of courage, address, or patient +endurance in taking their prey, which are all weak and powerless in +comparison with themselves; their poor unoffending victims. “All these +cruel tyrants of the air,” he says, “like the serpents, have flattened +skulls, which show the want of intellect and intelligence. These birds +of prey, with their small brains, offer a striking contrast to the +amiable and intelligent species which we find amongst the smaller +birds. The head of the former is only a beak, that of the latter is a +face.” Afterwards, to prove this more strongly, he gives a table to +show the proportion of brain to the size of the body in these different +species of birds. Thus the chaffinch, the sparrow, and the goldfinch, +have more than six times as much brain as the eagle in proportion to +the size of the body. We may look, therefore, for no less than six +times his intelligence and docile ability. Whilst in the case of the +little tomtit it is thirteen times as much. + +But now for the goldfinch, of which our cut—which is both faithful +and beautiful—shows us a pair, evidently contemplating with much +satisfaction the nest which they have just finished on one of the +topmost boughs of a blossomy apple-tree. This nest is a wonderful +little fabric, built of moss, dry grass, and slender roots, lined with +hair, wool, and thistle-down; but the true wonder of the nest is the +exact manner in which the outside is made to imitate the bough upon +which it is placed. All its little ruggednesses and lichen growths +are represented, whilst the colouring is so exactly that of the old +apple-tree that it is almost impossible to know it from the branch +itself. Wonderful ingenuity of instinct, which human skill would find +it almost impossible to imitate! + +The bird lays mostly five eggs, which are of a bluish-grey, spotted +with greyish-purple or brown, and sometimes with a dark streak or two. + +The goldfinch is one of the most beautiful of our English birds, with +its scarlet forehead, and quaint little black velvet-like cap brought +down over its white cheeks; its back is cinnamon brown, and its breast +white; its wings are beautifully varied in black and white, as are also +its tail feathers. In the midland counties it is known as “The Proud +Tailor,” probably because its attire looks so bright and fresh, and it +has a lively air as if conscious of being well dressed. + +[Illustration: + + GOLDFINCHES AND NEST. [Page 16. +] + +[Sidenote: _Daily Life of this Bird._] + +Like its relation, the linnet, it congregates in flocks as soon as +its young can take wing, when they may be seen wheeling round in +the pleasant late summer and autumn fields, full of life, and in +the enjoyment of the plenty that surrounds them, in the ripened +thistle-down, and all such winged seeds as are then floating in the air. + +How often have I said it is worth while to go out into the woods and +fields, and, bringing yourself into a state of quietness, watch the +little birds in their life’s employment, building their nests, feeding +their young, or pursuing their innocent diversions! So now, on this +pleasant, still autumn afternoon, if you will go into the old pasture +fields where the thistles have not been stubbed up for generations, or +on the margin of the old lane where ragwort, and groundsel, and burdock +flourish abundantly, “let us,” as the author of “British Birds” says, +“stand still to observe a flock of goldfinches. They flutter over the +plants, cling to the stalks, bend in various attitudes, disperse the +down, already dry and winged, like themselves, for flight, pick them +out one by one and swallow them. Then comes a stray cow followed by a +herd boy. At once the birds cease their labour, pause for a moment, +and fly off in succession. You observe how lightly and buoyantly +they cleave the air, each fluttering its little wings, descending in +a curved line, mounting again, and speeding along. Anon they alight +in a little thicket of dried weeds, and, in settling, display to the +delighted eye the beautiful tints of their plumage, as with fluttering +wings and expanded tail, they hover for a moment to select a landing +place amid the prickly points of the stout thistles whose heads are now +bursting with downy-winged seeds.” + +[Sidenote: _The Goldfinch._] + +The song of the goldfinch, which begins about the end of March, is +very sweet, unassuming, and low—similar to that of the linnet, but +singularly varied and pleasant. + +Now, however, we must give a few instances of this bird’s teachable +sagacity, which, indeed, are so numerous that it is difficult to make a +selection. + +Mr. Syme, in his “British Song Birds,” says, “The goldfinch is easily +tamed and taught, and its capacity for learning the notes of other +birds is well known. A few years ago the Sieur Roman exhibited a number +of trained birds: they were goldfinches, linnets, and canaries. One +appeared dead, and was held up by the tail or claw without exhibiting +any signs of life; a second stood on its head with its claws in the +air; a third imitated a Dutch milkmaid going to market with pails on +its shoulders; a fourth mimicked a Venetian girl looking out at a +window; a fifth appeared as a soldier, and mounted guard as a sentinel; +whilst a sixth acted as a cannonier, with a cap on its head, a firelock +on its shoulder, and a match in its claw, and discharged a small +cannon. The same bird also acted as if it had been wounded. It was +wheeled in a barrow as if to convey it to the hospital, after which +it flew away before the whole company. The seventh turned a kind of +windmill; and the last bird stood in the midst of some fireworks which +were discharged all round it, and this without showing the least sign +of fear.” + +Others, as I have said, may be taught to draw up their food and water, +as from a well, in little buckets. All this is very wonderful, and +shows great docility in the bird; but I cannot greatly admire it, from +the secret fear that cruelty or harshness may have been used to teach +them these arts so contrary to their nature. At all events it proves +what teachable and clever little creatures they are, how readily they +may be made to understand the will of their master, and how obediently +and faithfully they act according to it. + +Man, however, should always stand as a human Providence to the +animal world. In him the creatures should ever find their friend and +protector; and were it so we should then see many an astonishing +faculty displayed; and birds would then, instead of being the most +timid of animals, gladden and beautify our daily life by their sweet +songs, their affectionate regard, and their amusing and imitative +little arts. + +[Sidenote: _Introduced into Pictures._] + +The early Italian and German painters introduce a goldfinch into their +beautiful sacred pictures—generally on the ground—hopping at the feet +of some martyred saint or love-commissioned angel, perhaps from an old +legend of the bird’s sympathy with the suffering Saviour, or from an +intuitive sense that the divine spirit of Christianity extends to bird +and beast as well as to man. + +[Illustration] + + + + +CHAPTER III. + +THE SONG THRUSH. + + +We have here a charming picture of one of the finest and noblest of +our song-birds—the thrush, throstle, or mavis. The trees are yet +leafless, but the bird is in the act of building, whilst her mate, on +the tree-top, pours forth his exquisite melody. The almost completed +nest, like a richly ornamented bowl, is before us. + +This bird belongs to a grandly musical family, being own cousin to the +missel-thrush and the blackbird, each one having a kindred song, but +all, at the same time, distinctly characteristic. + +The colouring of the thrush is soft and very pleasing; the upper parts +of a yellowish-brown; the chin, white; the under part of the body, +grayish white; the throat, breast, and sides of the neck, yellowish, +thickly spotted with dark brown. + +[Illustration: + + SONG THRUSH AND NEST. [Page 20. +] + +The thrush remains with us the whole year, and may occasionally be +heard singing even in the winter, though April, May, and June are the +months when he is in fullest song. They pair in March, and by the end +of that month, or early in April, begin to build. They have several +broods in the year. The nest, which, as we see, is commodious, is +placed at no great height from the ground, in a thick bush or hedge, +and sometimes, also, in a rough bank, amongst bushes and undergrowth. +They are particularly fond of spruce-fir plantations, building on +one of the low, spreading branches, close to the stem. Though the +structure is so solid and substantial, yet it is built very rapidly; +indeed, the thrush seems to be wide awake in all its movements; he +is no loiterer, and does his work well. As a proof of his expedition +I will mention that a pair of these birds began to build a second, +perhaps, indeed, it might be a third nest, on a Thursday, June 15; on +Friday afternoon the nest was finished, and on Saturday morning the +first egg was laid, though the interior plastering was not then dry. On +the 21st the hen began to sit, and on the 17th of July the young birds +were hatched. + +The frame-work, so to speak, of the nest is composed of twigs, roots, +grasses, and moss, the two latter being brought to the outside. Inside +it is lined with a thin plastering of mud, cow-dung, and rotten wood, +which is laid on quite smoothly, almost like the glaze on earthenware; +nor is there an internal covering between this and the eggs. The +circular form of the nest is as perfect as a bowl shaped upon a +lathe, and often contracts inwards at the top. The eggs, which are +generally five in number, are of a bright blue-green, spotted over with +brownish-black, these spots being more numerous at the larger end. + +The food of the thrush is mostly of an animal character, as worms, +slugs, and snails; and, by seasides, small molluscs, as whelks and +periwinkles. On all such as are enclosed in shells he exercises his +ingenuity in a remarkable way. We ourselves lived at one time in an +old house standing in an old garden where were many ancient trees and +out-buildings, in the old ivied roots and walls of which congregated +great quantities of shell-snails. One portion of this garden, which +enclosed an old, disused dairy, was a great resort of thrushes, where +they had, so to speak, their stones of sacrifice, around which lay +heaps of the broken shells of snails, their victims. I have repeatedly +watched them at work: hither they brought their snails, and, taking +their stand by the stone with the snail in their beak, struck it +repeatedly against the stone, till, the shell being smashed, they +picked it out as easily as the oyster is taken from its opened shell. +This may seem easy work with the slender-shelled snail, but the labour +is considerably greater with hard shell-fish. On this subject the +intelligent author of “British Birds” says, that many years ago, when +in the Isle of Harris, he frequently heard a sharp sound as of one +small stone being struck upon another, the cause of which he, for a +considerable time, sought for in vain. At length, one day, being in +search of birds when the tide was out, he heard the well-known click, +and saw a bird standing between two flat stones, moving its head and +body alternately up and down, each downward motion being accompanied +by the sound which had hitherto been so mysterious. Running up to the +spot, he found a thrush, which, flying off, left a whelk, newly-broken, +lying amongst fragments of shells lying around the stone. + +Thrushes are remarkably clean and neat with regard to their nests, +suffering no litter or impurity to lie about, and in this way are a +great example to many untidy people. Their domestic character, too, +is excellent, the he-bird now and then taking the place of the hen on +the eggs, and, when not doing so, feeding her as she sits. When the +young are hatched, the parents may be seen, by those who will watch +them silently and patiently, frequently stretching out the wings of +the young as if to exercise them, and pruning and trimming their +feathers. To put their love of cleanliness to the proof, a gentleman, +a great friend of all birds, had some sticky mud rubbed upon the backs +of two of the young ones whilst the parents were absent. On their +return, either by their own keen sense of propriety, or, perhaps, the +complaint of the young ones, they saw what had happened, and were not +only greatly disconcerted, but very angry, and instantly set to work to +clean the little unfortunates, which, strange to say, they managed to +do by making use of dry earth, which they brought to the nest for that +purpose. Human intellect could not have suggested a better mode. + +[Sidenote: _How a Day was spent._] + +This same gentleman determined to spend a whole day in discovering how +the thrushes spent it. Hiding himself, therefore, in a little hut of +fir boughs, he began his observations in the early morning of the 8th +of June. At half-past two o’clock, the birds began to feed their brood, +and in two hours had fed them thirty-six times. It was now half-past +five, the little birds were all wide awake, and one of them, whilst +pruning its feathers, lost its balance and fell out of the nest to the +ground. On this the old ones set up the most doleful lamentations, and +the gentleman, coming out of his retreat, put the little one back into +the nest. This kind action, however, wholly disconcerted the parents, +nor did they again venture to feed their young till an artifice +of the gentleman led them to suppose that he was gone from their +neighbourhood. No other event happened to them through the day, and by +half-past nine o’clock at night, when all went to rest, the young ones +had been fed two hundred and six times. + +Thrushes, however, become occasionally so extremely tame that the +female will remain upon her eggs and feed her young, without any +symptom of alarm, in the close neighbourhood of man. Of this I will +give an instance from Bishop Stanley’s “History of Birds”— + +“A short time ago, in Scotland, some carpenters working in a shed +adjacent to the house observed a thrush flying in and out, which +induced them to direct their attention to the cause, when, to their +surprise, they found a nest commenced amongst the teeth of a harrow, +which, with other farming tools and implements, was placed upon the +joists of the shed, just over their heads. The carpenters had arrived +soon after six o’clock, and at seven, when they found the nest, it was +in a great state of forwardness, and had evidently been the morning’s +work of a pair of these indefatigable birds. Their activity throughout +the day was incessant; and, when the workmen came the next morning, +they found the female seated in her half-finished mansion, and, when +she flew off for a short time, it was found that she had laid an egg. +When all was finished, the he-bird took his share of the labour, and, +in thirteen days, the young birds were out of their shells, the refuse +of which the old ones carried away from the spot. All this seems to +have been carefully observed by the workmen; and it is much to their +credit that they were so quiet and friendly as to win the confidence of +the birds.” + +The song of the thrush is remarkable for its rich, mellow intonation, +and for the great variety of its notes. + +[Sidenote: _Wordsworth’s Verses on the Thrush._] + +Unfortunately for the thrush, its exquisite power as a songster makes +it by no means an unusual prisoner. You are often startled by hearing, +from the doleful upper window of some dreary court or alley of London, +or some other large town, an outpouring of joyous, full-souled melody +from an imprisoned thrush, which, perfect as it is, saddens you, as +being so wholly out of place. Yet who can say how the song of that bird +may speak to the soul of many a town-imprisoned passer-by? Wordsworth +thus touchingly describes an incident of this kind:— + + At the corner of Wood Street, when daylight appears, + Hangs a thrush that sings loud; it has sung for three years: + Poor Susan has passed by the spot, and has heard, + In the silence of morning, the song of the bird. + + Green pastures she views in the midst of the dale, + Down which she so often has tripped with her pail, + And a single small cottage, a nest like a dove’s, + The one only dwelling on earth which she loves. + + ’Tis a note of enchantment; what ails her? she sees + A mountain ascending, a vision of trees; + Bright volumes of vapour through Lothbury glide, + And a river flows on through the vale of Cheapside. + + She looks, and her heart is in heaven: but they fade— + The mist and the river, the hill, sun, and shade; + The stream will not flow, and the hill will not rise, + And the colours have all passed away from her eyes. + +[Illustration] + + + + +CHAPTER IV. + +THE BLACKBIRD. + + +The Blackbird is familiar to us all. It is a thoroughly English bird, +and, with its cousin the thrush, is not only one of the pleasantest +features in our English spring and summer landscape, but both figure +in our old poetry and ballads, as the “merle and the mavis,” “the +blackbird and the throstle-cock;” for those old poets loved the +country, and could not speak of the greenwood without the bird. + + When shaws are sheen and fields are fair, + And leaves both large and long, + ’Tis merry walk’ng in the green forest + To hear the wild birds’ song; + + The wood merle sings, and will not cease, + Sitting upon a spray; + The merle and the mavis shout their fill, + From morn till the set of day. + +[Illustration: + + BLACKBIRD AND NEST. [Page 26. +] + +The blackbird takes its name from a very intelligible cause—its +perfectly black plumage, which, however, is agreeably relieved by the +bright orange of its bill, the orange circles round its eyes, and its +yellow feet; though this is peculiar only to the male, nor does he +assume this distinguishing colour till his second year. The female is +of a dusky-brown colour. + +[Sidenote: _The Notes of the Blackbird._] + +Sometimes the singular variety of a _white_ blackbird occurs, which +seems to astonish even its fellow birds; the same phenomenon also +occurs amongst sparrows; a fatal distinction to the poor birds, who are +in consequence very soon shot. + +This bird is one of our finest singers. His notes are solemn and +flowing, unlike those of the thrush, which are short, quick, and +extremely varied. The one bird is more lyrical, the other sings in +a grand epic strain. A friend of ours, deeply versed in bird-lore, +maintains that the blackbird is oratorical, and sings as if delivering +an eloquent rhythmical oration. + +This bird begins to sing early in the year, and continues his song +during the whole time that the hen is sitting. Like his relatives, the +thrush and the missel-thrush, he takes his post on the highest branch +of a tree, near his nest, so that his song is heard far and wide; and +in fact, through the whole pleasant spring you hear the voices of these +three feathered kings of English song constantly filling the woods and +fields with their melody. The blackbird sings deliciously in rain, even +during a thunderstorm, with the lightning flashing round him. Indeed, +both he and the thrush seem to take great delight in summer showers. + +The blackbird has a peculiar call, to give notice to his brood of the +approach of danger; probably, however, it belongs both to male and +female. Again, there is a third note, very peculiar also, heard only +in the dusk of evening, and which seems pleasingly in harmony with the +approaching shadows of night. By this note they call each other to +roost, in the same way as partridges call each other to assemble at +night, however far they may be asunder. + +The nest of the blackbird is situated variously; most frequently in +the thicker parts of hedges; sometimes in the hollow of a stump or +amongst the curled and twisted roots of old trees, which, projecting +from the banks of woods or woodland lanes, wreathed with their trails +of ivy, afford the most picturesque little hollows for the purpose. +Again, it may be found under the roof of out-houses or cart-sheds, +laid on the wall-plate; and very frequently in copses, in the stumps +of pollard trees, partly concealed by their branches; and is often +begun before the leaves are on the trees. The nest is composed of dry +bents, and lined with fine dry grass. The hen generally lays five eggs, +which are of a dusky bluish-green, thickly covered with black spots; +altogether very much resembling those of crows, rooks, magpies, and +that class of birds. + +Universal favourite as the blackbird deservedly is, yet, in common with +the thrush, all gardeners are their enemies from the great liking they +have for his fruit, especially currants, raspberries, and cherries. +There is, however, something very amusing, though, at the same time, +annoying, in the sly way by which they approach these fruits, quite +aware that they are on a mischievous errand. They steal along, flying +low and silently, and, if observed, will hide themselves in the nearest +growth of garden plants, scarlet runners, or Jerusalem artichokes, +where they remain as still as mice, till they think the human enemy has +moved off. If, however, instead of letting them skulk quietly in their +hiding-place, he drives them away, they fly off with a curious note, +very like a little chuckling laugh of defiance, as if they would say, +“Ha! ha! we shall soon be back again!” which they very soon are. + +But we must not begrudge them their share, though they neither have +dug the ground nor sowed the seed, for very dull and joyless indeed +would be the garden and the gardener’s toil, and the whole country in +short, if there were no birds—no blackbirds and thrushes—to gladden +our hearts, and make the gardens, as well as the woods and fields, +joyous with their melody. Like all good singers, these birds expect, +and deserve, good payment. + +The blackbird, though naturally unsocial and keeping much to itself, +is very bold in defence of its young, should they be in danger, or +attacked by any of the numerous bird-enemies, which abound everywhere, +especially to those which are in immediate association with man. The +Rev. J. G. Wood tells us, for instance, that on one occasion a prowling +cat was forced to make an ignominious retreat before the united onset +of a pair of blackbirds, on whose young she was about to make an attack. + +[Sidenote: _Macgillivray’s Account._] + +Let me now, in conclusion, give a day with a family of blackbirds, +which I somewhat curtail from Macgillivray. + +“On Saturday morning, June 10th, I went into a little hut made of green +branches, at half-past two in the morning, to see how the blackbirds +spend the day at home. They lived close by, in a hole in an old wall, +which one or other of them had occupied for a number of years. + +“At a quarter-past three they began to feed their young, which were +four in number. She was the most industrious in doing so; and when he +was not feeding, he was singing most deliciously. Towards seven o’clock +the father-bird induced one of the young ones to fly out after him. +But this was a little mistake, and, the bird falling, I was obliged to +help it into its nest again, which made a little family commotion. They +were exceedingly tidy about their nest, and when a little rubbish fell +out they instantly carried it away. At ten o’clock the feeding began +again vigorously, and continued till two, both parent-birds supplying +their young almost equally. + +“The hut in which I sat was very closely covered; but a little wren +having alighted on the ground in pursuit of a fly, and seeing one of +my legs moving, set up a cry of alarm, on which, in the course of a +few seconds, all the birds in the neighbourhood collected to know what +was the matter. The blackbird hopped round the hut again and again, +making every effort to peep in, even alighting on the top within a few +inches of my head, but not being able to make any discovery, the tumult +subsided. It was probably considered a false alarm, and the blackbirds +went on feeding their young till almost four o’clock: and now came the +great event of the day. + +“At about half-past three the mother brought a large worm, four inches +in length probably, which she gave to one of the young ones, and flew +away. Shortly afterwards returning, she had the horror of perceiving +that the worm, instead of being swallowed was sticking in its throat; +on this she uttered a perfect moan of distress, which immediately +brought the he-bird, who also saw at a glance what a terrible +catastrophe was to be feared. Both parents made several efforts to push +the worm down the throat, but to no purpose, when, strange to say, the +father discovered the cause of the accident. The outer end of the worm +had got entangled in the feathers of the breast, and, being held fast, +could not be swallowed. He carefully disengaged it, and, holding it up +with his beak, the poor little thing, with a great effort, managed to +get it down, but was by this time so exhausted that it lay with its +eyes shut and without moving for the next three hours. The male bird in +the meantime took his stand upon a tree, a few yards from the nest, and +poured forth some of his most enchanting notes—a song of rejoicing no +doubt for the narrow escape from death of one of his family. + +[Sidenote: _Macgillivray’s Day with this Bird._] + +“From four till seven o’clock both birds again fed their young, after +which the male bird left these family duties to his mate, and gave +himself up to incessant singing. At twenty minutes to nine their +labours ceased, they having then fed their young one hundred and +thirteen times during the day. + +“I observed that before feeding their young they always alighted upon +a tree and looked round them for a few seconds. Sometimes they brought +in a quantity of worms and fed their brood alternately; at other times +they brought one which they gave to only one of them. + +“The young birds often trimmed their feathers, and stretched out their +wings; they also appeared to sleep now and then. + +“With the note of alarm which the feathered tribes set up on the +discovery of their enemies all the different species of the little +birds seem to be intimately acquainted; for no sooner did a beast or +bird of prey make its appearance, than they seemed to be anxiously +concerned about the safety of their families. They would hop from tree +to tree uttering their doleful lamentations. At one time the blackbirds +were in an unusual state of excitement and terror, and were attended +by crowds of their woodland friends. A man and boy, who were working +in my garden, having heard the noise, ran to see what was the cause of +it, and on looking into some branches which were lying on the ground, +observed a large weasel stealing slyly along in pursuit of its prey. It +was, however, driven effectually from the place without doing any harm. +It is astonishing how soon the young know this intimation of danger; +for I observed that no sooner did the old ones utter the alarm-cry, +than they cowered in their nest, and appeared to be in a state of great +uneasiness.” + +[Illustration] + + + + +CHAPTER V. + +THE DIPPER, OR WATER-OUSEL. + + +The Dipper, or Water-ousel, of which Mr. Weir has given us a charming +and faithful portrait, is very like a wren in form and action, with +its round body and lively little tail. Its mode of flight, however, +so nearly resembles the kingfisher that, in some places, the country +people mistake it for the female of that bird. But it is neither wren +nor kingfisher, nor yet related to either of them. It is the nice +little water-ousel, with ways of its own, and a cheerful life of its +own, and the power of giving pleasure to all lovers of the free country +which is enriched with an infinite variety of happy, innocent creatures. + +The upper part of the head and neck, and the whole back and wings of +this bird, are of a rusty-brown; but, as each individual feather is +edged with gray, there is no deadness of colouring. The throat and +breast are snowy white, which, contrasting so strongly with the rest of +the body, makes it seem to flash about like a point of light through +the dark shadows of the scenes it loves to haunt. + +I said above that this bird gave pleasure to all lovers of nature. So +it does, for it is only met with in scenes which are especially beloved +by poets and painters. Like them, it delights in mountain regions, +where rocky streams rush along with an unceasing murmur, leaping over +huge stones, slumbering in deep, shadowy pools, or lying low between +rocky walls, in the moist crevices and on the edges of which the wild +rose flings out its pale green branches, gemmed with flowers, or the +hardy polypody nods, like a feathery plume. On these streams, with +their foamy waters and graceful vegetation, you may look for the +cheerful little water-ousel. He is perfectly in character with the +scenes. + +[Illustration: + + DIPPERS AND NEST. [Page 34. +] + +[Sidenote: _The Home of the Dipper._] + +And now, supposing that you are happily located for a few weeks in +summer, either in Scotland or Wales, let me repeat my constant advice +as regards the study and truest enjoyment of country life and things. +Go out for several hours; do not be in a hurry; take your book, or +your sketching, or whatever your favourite occupation may be, if it be +only a quiet one, and seat yourself by some rocky stream amongst the +mountains; choose the pleasantest place you know, where the sun can +reach you, if you need his warmth, and if you do not, where you can yet +witness the beautiful effects of light and shade. There seat yourself +quite at your ease, silent and still as though you were a piece of +rock itself, half screened by that lovely wild rose bush, or tangle of +bramble, and before long you will most likely see this merry, lively +little dipper come with his quick, jerking flight, now alighting on +this stone, now on that, peeping here, and peeping there, as quick as +light, and snapping up, now a water-beetle, now a tiny fish, and now +diving down into the stream for a worm that he espies below, or walking +into the shallows, and there flapping his wings, more for the sheer +delight of doing so than for anything else. Now he is off and away, +and, in a moment or two, he is on yonder gray mass of stone, which +rises up in that dark chasm of waters like a rock in a stormy sea, +with the rush and roar of the water full above him. Yet there he is +quite at home, flirting his little tail like a jenny wren, and hopping +about on his rocky point, as if he could not for the life of him be +still for a moment. Now listen! That is his song, and a merry little +song it is, just such a one as you would fancy coming out of his jocund +little heart; and, see now, he begins his antics. He must be a queer +little soul! If we could be little dippers like him, and understand +what his song and all his grimaces are about, we should not so often +find the time tedious for want of something to do. + +We may be sure he is happy, and that he has, in the round of his small +experience, all that his heart desires. He has this lonely mountain +stream to hunt in, these leaping, chattering, laughing waters to bear +him company, all these fantastically heaped-up stones, brought hither +by furious winter torrents of long ago—that dashing, ever roaring, +ever foaming waterfall, in the spray of which the summer sunshine +weaves rainbows. All these wild roses and honeysuckles, all this maiden +hair, and this broad polypody, which grows golden in autumn, make up +his little kingdom, in the very heart of which, under a ledge of rock, +and within sound, almost within the spray of the waterfall, is built +the curious little nest, very like that of a wren, in which sits the +hen-bird, the little wife of the dipper, brooding with most unwearied +love on four or five white eggs, lightly touched with red. + +This nest is extremely soft and elastic, sometimes of large size, the +reason for which one cannot understand. It is generally near to the +water, and, being kept damp by its situation, is always so fresh, +looking so like the mass of its immediate surroundings as scarcely to +be discoverable by the quickest eye. When the young are hatched they +soon go abroad with the parents, and then, instead of the one solitary +bird, you may see them in little parties of from five to seven going on +in the same sort of way, only all the merrier because there are more of +them. + +[Illustration] + + + + +CHAPTER VI. + +THE NIGHTINGALE. + + +Philomela, or the Nightingale, is the head of the somewhat large +bird-family of Warblers, and is the most renowned of all feathered +songsters, though some judges think the garden-ousel exceeds it in +mellowness, and the thrush in compass of voice, but that, in every +other respect, it excels them all. For my part, however, I think no +singing-bird is equal to it; and listening to it when in full song, in +the stillness of a summer’s night, am ready to say with good old Izaak +Walton:— + +“The nightingale, another of my airy creatures, breathes such sweet +music out of her little instrumental throat, that it might make mankind +to think that miracles had not ceased. He that at midnight, when the +weary labourer sleeps securely, should hear, as I have very often +heard, the clear airs, the sweet descants, the natural rising and +falling, the doubling and redoubling of her voice, might well be lifted +above earth and say, ‘Lord, what music hast Thou provided for the +saints in heaven, when Thou affordest bad men such music on earth!’” + +In colour, the upper parts of the nightingale are of a rich brown; +the tail of a reddish tint; the throat and underparts of the body, +greyish-white; the neck and breast, grey; the bill and legs, light +brown. Its size is about that of the garden warblers, which it +resembles in form—being, in fact, one of that family. Thus, the most +admired of all singers—the subject of poets’ songs and eulogies, the +bird that people walk far and wide to listen to, of which they talk for +weeks before it comes, noting down the day of its arrival as if it were +the Queen or the Queen’s son—is yet nothing but a little insignificant +brown bird, not to be named with the parrot for plumage, nor with +our little goldfinch, who always looks as if he had his Sunday suit +on. But this is a good lesson for us. The little brown nightingale, +with his little brown wife in the thickety copse, with their simple +unpretending nest, not built up aloft on the tree branch, but humbly +at the tree’s root, or even on the very ground itself, may teach us +that the world’s external show or costliness is not true greatness. The +world’s best bird-singer might have been as big as an eagle, attired +in colours of blue and scarlet and orange like the grandest macaw. But +the great Creator willed that it should not be so—his strength, and +his furiousness, and his cruel capacity were sufficient for the eagle, +and his shining vestments for the macaw; whilst the bird to which was +given the divinest gift of song must be humble and unobtrusive, small +of size, with no surpassing beauty of plumage, and loving best to hide +itself in the thick seclusion of the copse in which broods the little +mother-bird, the very counterpart of himself, upon her olive-coloured +eggs. + +[Sidenote: _The Philomela of Surrey._] + +Mr. Harrison Weir has given us a sweet little picture of the +nightingale at home. Somewhere, not far off, runs the highroad, or it +may be a pleasant woodland lane leading from one village to another, +and probably known as “Nightingale-lane,” and traversed night after +night by rich and poor, learned and unlearned, to listen to the +bird. In our own neighbourhood we have a “Nightingale-lane,” with its +thickety copses on either hand, its young oaks and Spanish chestnuts +shooting upwards, and tangles of wild roses and thick masses of +brambles throwing their long sprays over old, mossy, and ivied stumps +of trees, cut or blown down in the last generation—little pools +and water courses here and there, with their many-coloured mosses +and springing rushes—a very paradise for birds. This is in Surrey, +and Surrey nightingales, it is said, are the finest that sing. With +this comes the saddest part of the story. Bird-catchers follow the +nightingale, and, once in his hands, farewell to the pleasant copse +with the young oaks and Spanish chestnuts, the wild rose tangles, the +little bosky hollow at the old tree root, in one of which the little +nest is built and the little wife broods on her eggs! + +Generally, however, the unhappy bird, if he be caught, is taken soon +after his arrival in this country; for nightingales are migratory, and +arrive with us about the middle of April. The male bird comes about +a fortnight before the female, and begins to sing in his loneliness +a song of salutation—a sweet song, which expresses, with a tender +yearning, his desire for her companionship. Birds taken at this time, +before the mate has arrived, and whilst he is only singing to call and +welcome her, are said still to sing on through the summer in the hope, +long-deferred, that she may yet come. He will not give her up though +he is no longer in the freedom of the wood, so he sings and sings, and +if he live over the winter, he will sing the same song the following +spring, for the want is again in his heart. He cannot believe but that +she will still come. The cruel bird-catchers, therefore, try all their +arts to take him in this early stage of his visit to us. Should he be +taken later, when he is mated, and, as we see him in our picture, with +all the wealth of his little life around him, he cannot sing long. How +should he—in a narrow cage and dingy street of London or some other +great town—perhaps with his eyes put out—for his cruel captor fancies +he sings best if blind? He may sing, perhaps, for a while, thinking +that he can wake himself out of this dreadful dream of captivity, +darkness, and solitude. But it is no dream; the terrible reality at +length comes upon him, and before the summer is over he dies of a +broken heart. + +It is a curious fact that the nightingale confines itself, without +apparent reason, to certain countries and to certain parts of England. +For instance, though it visits Sweden, and even the temperate parts +of Russia, it is not met with in Scotland, North Wales, nor Ireland, +neither is it found in any of our northern counties excepting +Yorkshire, and there only in the neighbourhood of Doncaster. Neither +is it known in the south-western counties, as Cornwall and Devonshire. +It is supposed to migrate during the winter into Egypt and Syria. It +has been seen amongst the willows of Jordan and the olive trees of +Judea, but we have not, to our knowledge, any direct mention of it in +the Scriptures, though Solomon no doubt had it in his thoughts, in his +sweet description of the spring—“Lo, the winter is past, the rain is +over and gone; the flowers appear on the earth; the time of the singing +of birds is come, and the voice of the turtle is heard in our land.” A +recent traveller in Syria tells me that she heard nightingales singing +at four o’clock one morning in April of last year in the lofty regions +of the Lebanon. + + +[Illustration: + + NIGHTINGALES AND NEST. [Page 40. +] + + +[Sidenote: _Sir John Sinclair’s Attempt._] + +There have been various attempts to introduce the nightingale into such +parts of this country as it has not yet frequented; for instance, a +gentleman of Gower, a sea-side district of Glamorganshire, the climate +of which is remarkably mild, procured a number of young birds from +Norfolk and Surrey, hoping that they would find themselves so much at +home in the beautiful woods there as to return the following year. But +none came. Again, as regards Scotland, Sir John Sinclair purchased a +large number of nightingales’ eggs, at a shilling each, and employed +several men to place them carefully in robins’ nests to be hatched. So +far all succeeded well. The foster-mothers reared the nightingales, +which, when full-fledged, flew about as if quite at home. But when +September came, the usual month for the migration of the nightingale, +the mysterious impulse awoke in the hearts of the young strangers, and, +obeying it, they suddenly disappeared and never after returned. + +Mr. Harrison Weir has given us a very accurate drawing of the +nightingale’s nest, which is slight and somewhat fragile in +construction, made of withered leaves—mostly of oak—and lined +with dry grass. The author of “British Birds” describes one in his +possession as composed of slips of the inner bark of willow, mixed with +the leaves of the lime and the elm, lined with fibrous roots, grass, +and a few hairs; but whatever the materials used may be, the effect +produced is exactly the same. + +In concluding our little chapter on this bird, I would mention that +in the Turkish cemeteries, which, from the old custom of planting a +cypress at the head and foot of every grave, have now become cypress +woods, nightingales abound, it having been also an old custom of love +to keep these birds on every grave. + + + + +CHAPTER VII. + +THE SKYLARK. + + +The Skylark, that beautiful singer, which carries its joy up to the +very gates of heaven, as it were, has inspired more poets to sing about +it than any other bird living. + +Wordsworth says, as in an ecstasy of delight:— + + Up with me! up with me into the clouds! + For thy song, lark, is strong; + Up with me! up with me into the clouds! + Singing, singing. + With clouds and sky about me ringing, + Lift me, guide me till I find + That spot that seems so to my mind. + +Shelley, in an ode which expresses the bird’s ecstasy of song, also +thus addresses it, in a strain of sadness peculiar to himself:— + + Hail to thee, blithe spirit! + Bird, thou never wert— + That from heaven, or near it, + Pourest thy full heart + In profuse strains of unpremeditated art! + + Higher, still, and higher + From the earth thou springest, + Like a cloud of fire; + The deep blue thou wingest, + And singing still doth soar, and soaring ever singest! + + * * * * * + + Better than all measures + Of delightful sound, + Better than all treasures + That in books are found, + Thy skill to poet were, thou scorner of the ground. + + Teach me half the gladness + That thy brain must know, + Such harmonious madness + From my lips should flow; + The world should listen then, as I am listening now. + +[Sidenote: _James Hogg’s Verses._] + +James Hogg, the Ettrick shepherd, who had listened to the bird with +delight on the Scottish hills, thus sings of it:— + + Bird of the wilderness, + Blithesome and cumberless, + Sweet is thy matin o’er moorland and lea! + Emblem of happiness, + Blest is thy dwelling-place— + Oh, to abide in the desert with thee! + + Wild is thy lay, and loud; + Far in the downy cloud + Love gives it energy, love gave it birth. + Where on thy dewy wing, + Where art thou journeying? + Thy lay is in heaven, thy love is on earth. + + O’er fell and fountain sheen, + O’er moor and mountain green, + O’er the red streamer that heralds the day; + Over the cloudlet dim, + Over the rainbow’s rim, + Musical cherub, soar, singing away! + + Then when the gloaming comes, + Low in the heather blooms, + Sweet will thy welcome and bed of love be! + Emblem of happiness, + Blest is thy dwelling-place— + Oh, to abide in the desert with thee! + +But we must not forget the earthly life of the bird in all these sweet +songs about him. + +The plumage of the skylark is brown, in various shades; the fore-part +of the neck, reddish-white, spotted with brown; the breast and under +part of the body, yellowish-white. Its feet are peculiar, being +furnished with an extraordinarily long hind claw, the purpose of which +has puzzled many naturalists. But whatever nature intended it for, the +bird has been known to make use of it for a purpose which cannot fail +to interest us and call forth our admiration. This shall be presently +explained. The nest is built on the ground, either between two clods +of earth, in the deep foot-print of cattle, or some other small hollow +suitable for the purpose, and is composed of dry grass, hair, and +leaves; the hair is mostly used for the lining. Here the mother-bird +lays four or five eggs of pale sepia colour, with spots and markings +of darker hue. She has generally two broods in the year, and commences +sitting in May. The he-lark begins to sing early in the spring. +Bewick says, “He rises from the neighbourhood of the nest almost +perpendicularly in the air, by successive springs, and hovers at a +vast height. His descent, on the contrary, is in an oblique direction, +unless he is threatened by birds of prey, or attracted by his mate, and +on these occasions he drops like a stone.” + +[Illustration: + + SKYLARKS AND NEST. [Page 44. +] + +With regard to his ascent, I must, however, add that it is in a spiral +direction, and that what Bewick represents as springs are his sudden +spiral flights after pausing to sing. Another peculiarity must be +mentioned: all his bones are hollow, and he can inflate them with air +from his lungs, so that he becomes, as it were, a little balloon, which +accounts for the buoyancy with which he ascends, and the length of +time he can support himself in the air: often for an hour at a time. +Still more extraordinary is the wonderful power and reach of his voice, +for while, probably, the seven hundred or a thousand voices of the +grand chorus of an oratorio would fail to fill the vast spaces of the +atmosphere, it can be done by this glorious little songster, which, +mounting upwards, makes itself heard, without effort, when it can be +seen no longer. + +[Sidenote: _Its Solicitude for its Young._] + +The attachment of the parents to their young is very great, and has +been seen to exhibit itself in a remarkable manner. + +The nest being placed on the open-ground—often pasture, or in a field +of mowing grass—it is very liable to be disturbed; many, therefore, +are the instances of the bird’s tender solicitude either for the young +or for its eggs, one of which I will give from Mr. Jesse. “In case of +alarm,” he says, “either by cattle grazing near the nest, or by the +approach of the mower, the parent-birds remove their eggs, by means +of their long claws, to a place of greater security, and this I have +observed to be affected in a very short space of time.” He says that +when one of his mowers first told him of this fact he could scarcely +believe it, but that he afterwards saw it himself, and that he regarded +it only as another proof of the affection which these birds show their +offspring. Instances are also on record of larks removing their young +by carrying them on their backs: in one case the young were thus +removed from a place of danger into a field of standing corn. But +however successful the poor birds may be in removing their eggs, they +are not always so with regard to their young, as Mr. Yarrell relates. +An instance came under his notice, in which the little fledgeling +proved too heavy for the parent to carry, and, being dropped from an +height of about thirty feet, was killed in the fall. + +Of all captive birds, none grieves me more than the skylark. Its +impulse is to soar, which is impossible in the narrow spaces of a cage; +and in this unhappy condition, when seized by the impulse of song, he +flings himself upwards, and is dashed down again by its cruel barriers. +For this reason the top of the lark’s cage is always bedded with green +baize to prevent his injuring himself. In the freedom of nature he is +the joyous minstrel of liberty and love, carrying upwards, and sending +down from above, his buoyant song, which seems to fall down through the +golden sunshine like a flood of sparkling melody. + +I am not aware of the height to which the lark soars, but it must be +very great, as he becomes diminished to a mere speck, almost invisible +in the blaze of light. Yet, high as he may soar, he never loses the +consciousness of the little mate and the nestlings below: but their +first cry of danger or anxiety, though the cry may be scarce audible +to the human ear, thrills up aloft to the singer, and he comes down +with a direct arrow-like flight, whilst otherwise his descent is more +leisurely, and said by some to be in the direct spiral line of his +ascent. + +Larks, unfortunately for themselves, are considered very fine eating. +Immense numbers of them are killed for the table, not only on the +continent, but in England. People cry shame on the Roman epicure, +Lucullus, dining on a stew of nightingales’ tongue, nearly two thousand +years ago, and no more can I reconcile to myself the daily feasting on +these lovely little songsters, which may be delicate eating, but are no +less God’s gifts to gladden and beautify the earth. + + + + +CHAPTER VIII. + +THE LINNET. + + +Linnets are a branch of a larger family of finches, all very familiar +to us. They are cousins, also, to the dear, impudent sparrows, and the +pretty siskin or aberdevines. + +The linnets are all compactly and stoutly built, with short necks and +good sized heads, with short, strong, pointed bills, made for the ready +picking up of seed and grain, on which they live. Most of them have two +broods in the season, and they build a bulky, deep, and compact nest, +just in accordance with their character and figure; but, though all +linnet-nests have a general resemblance of form, they vary more or less +in the material used. + +Linnets change their plumage once a year, and have a much more spruce +and brilliant appearance when they have their new summer suits on. They +are numerous in all parts of the country, and, excepting in the season +when they have young, congregate in flocks, and in winter are attracted +to the neighbourhood of man, finding much of their food in farm-yards, +and amongst stacks. + +The linnet of our picture is the greater red-pole—one of four brothers +of the linnet family—and is the largest of the four; the others +are the twit or mountain-linnet, the mealy-linnet, and the lesser +red-pole—the smallest of the four—all very much alike, and easily +mistaken for each other. The name red-pole is given from the bright +crimson spot on their heads—_pole_ or _poll_ being the old Saxon word +for head. The back of our linnet’s head and the sides of his neck are +of dingy ash-colour, his back of a warm brown tint, his wings black, +his throat of a dull white, spotted with brown, his breast a brilliant +red, and the under part of his body a dingy white. + +The linnet, amongst singing birds, is what a song writer is amongst +poets. He is not a grand singer, like the blackbird or the thrush, +the missel-thrush or the wood-lark, all of which seem to have an epic +story in their songs, nor, of course, like the skylark, singing up to +the gates of heaven, or the nightingale, that chief psalmist of all +bird singers. But, though much humbler than any of these, he is a sweet +and pleasant melodist; a singer of charming little songs, full of the +delight of summer, the freshness of open heaths, with their fragrant +gorse, or of the Scottish brae, with its “bonnie broom,” also in golden +blossom. His are unpretending little songs of intense enjoyment, simple +thanksgivings for the pleasures of life, for the little brown hen-bird, +who has not a bit of scarlet in her plumage, and who sits in her snug +nest on her fine little white eggs, with their circle of freckles and +brown spots at the thicker end, always alike, a sweet, patient mother, +waiting for the time when the young ones will come into life from that +delicate shell-covering, blind at first, though slightly clothed in +greyish-brown—five little linnets gaping for food. + +[Illustration: + + LINNETS AND NEST. [Page 48. +] + +The linnet mostly builds its nest in low bushes, the furze being its +favourite resort; it is constructed outside of dry grass, roots, and +moss, and lined with hair and wool. We have it here in our picture; +for our friend, Mr. Harrison Weir, always faithful in his transcripts +of nature, has an eye, also, for beauty. + +Round the nest, as you see, blossoms the yellow furze, and round it +too rises a _chevaux de frise_ of furze spines, green and tender to +look at, but sharp as needles. Yes, here on this furzy common, and on +hundreds of others all over this happy land, and on hill sides, with +the snowy hawthorn and the pink-blossomed crab-tree above them, and, +below, the mossy banks gemmed with pale-yellow primroses, are thousands +of linnet nests and father-linnets, singing for very joy of life and +spring, and for the summer which is before them. And as they sing, the +man ploughing in the fields hard-by, and the little lad leading the +horses, hear the song, and though he may say nothing about it, the man +thinks, and wonders that the birds sing just as sweetly now as when +he was young; and the lad thinks how pleasant it is, forgetting the +while that he is tired, and, whistling something like a linnet-tune, +impresses it on his memory, to be recalled with a tender sentiment +years hence when he is a man, toiling perhaps in Australia or Canada; +or, it may be, to speak to him like a guardian angel in some time of +trial or temptation, and bring him back to the innocence of boyhood and +to his God. + +[Sidenote: _Bishop Huntley’s Anecdote._] + +Our picture shows us the fledgeling brood of the linnet, and the +parent-bird feeding them. The attachment of this bird to its young is +very great. Bishop Huntley, in his “History of Birds,” gives us the +following anecdote in proof of it:— + +“A linnet’s nest, containing four young ones, was found by some +children, and carried home with the intention of rearing and taming +them. The old ones, attracted by their chirping, fluttered round the +children till they reached home, when the nest was carried up stairs +and placed in the nursery-window. The old birds soon approached the +nest and fed the young. This being observed, the nest was afterwards +placed on a table in the middle of the room, the window being left +open, when the parents came in and fed their young as before. Still +farther to try their attachment, the nest was then placed in a cage, +but still the old birds returned with food, and towards evening +actually perched on the cage, regardless of the noise made by several +children. So it went on for several days, when, unfortunately, the +cage, having been set outside the window, was exposed to a violent +shower of rain, and the little brood was drowned in the nest. The poor +parent-birds continued hovering round the house, and looking wistfully +in at the window for several days, and then disappeared altogether.” + +[Illustration] + + + + +CHAPTER IX. + +THE PEEWIT. + + +The Peewit, lapwing, or plover, belongs to the naturalist family of +_Gallatores_ or Waders, all of which are furnished with strong legs and +feet for walking, whilst all which inhabit watery places, or feed their +young amongst the waves, have legs sufficiently long to enable them to +wade; whence comes the family name. + +The peewit, or lapwing, is a very interesting bird, from its peculiar +character and habits. Its plumage is handsome; the upper part of the +body of a rich green, with metallic reflections; the sides of the neck +and base of the tail of a pure white; the tail is black; so is the +top of the head, which is furnished with a long, painted crest, lying +backwards, but which can be raised at pleasure. In length the bird is +about a foot. + +The peewit lives in all parts of this country, and furnishes one of +the pleasantly peculiar features of open sea-shores and wide moorland +wastes, in the solitudes of which, its incessant, plaintive cry has an +especially befitting sound, like the very spirit of the scene, moaning +in unison with the waves, and wailing over the wide melancholy of the +waste. Nevertheless, the peewit is not in itself mournful, for it is +a particularly lively and active bird, sporting and frolicking in the +air with its fellows, now whirling round and round, and now ascending +to a great height on untiring wing; then down again, running along the +ground, and leaping about from spot to spot as if for very amusement. + +It is, however, with all its agility, a very untidy nest-maker; in +fact it makes no better nest than a few dry bents scraped together in +a shallow hole, like a rude saucer or dish, in which she can lay her +eggs—always four in number. But though taking so little trouble about +her nest, she is always careful to lay the narrow ends of her eggs in +the centre, as is shown in the picture, though as yet there are but +three. A fourth, however, will soon come to complete the cross-like +figure, after which she will begin to sit. + +These eggs, under the name of plovers’ eggs, are in great request as +luxuries for the breakfast-table, and it may be thought that laid thus +openly on the bare earth they are very easily found. It is not so, +however, for they look so much like the ground itself, so like little +bits of moorland earth or old sea-side stone, that it is difficult to +distinguish them. But in proportion as the bird makes so insufficient +and unguarded a nest, so all the greater is the anxiety, both of +herself and her mate, about the eggs. Hence, whilst she is sitting, he +exercises all kinds of little arts to entice away every intruder from +the nest, wheeling round and round in the air near him, so as to fix +his attention, screaming mournfully his incessant _peewit_ till he has +drawn him ever further and further from the point of his anxiety and +love. + +[Illustration: + + PEEWITS AND NEST. [Page 52. +] + +[Sidenote: _Stratagems of the Bird._] + +The little quartette brood, which are covered with down when hatched, +begin to run almost as soon as they leave the shell, and then the poor +mother-bird has to exercise all her little arts also—and indeed the +care and solicitude of both parents is wonderful. Suppose, now, the +little helpless group is out running here and there as merry as life +can make them, and a man, a boy, or a dog, or perhaps all three, are +seen approaching. At once the little birds squat close to the earth, +so that they become almost invisible, and the parent-birds are on the +alert, whirling round and round the disturber, angry and troubled, +wailing and crying their doleful _peewit_ cry, drawing them ever +further and further away from the brood. Should, however, the artifice +not succeed, and the terrible intruder still obstinately advance in the +direction of the young, they try a new artifice; drop to the ground, +and, running along in the opposite course, pretend lameness, tumbling +feebly along in the most artful manner, thus apparently offering the +easiest and most tempting prey, till, having safely lured away the +enemy, they rise at once into the air, screaming again their _peewit_, +but now as if laughing over their accomplished scheme. + +The young, which are hatched in April, are in full plumage by the end +of July, when the birds assemble in flocks, and, leaving the sea-shore, +or the marshy moorland, betake themselves to downs and sheep-walks, +where they soon become fat, and are said to be excellent eating. +Happily, however, for them, they are not in as much request for the +table as they were in former times. Thus we find in an ancient book +of housekeeping expenses, called “The Northumberland Household-book,” +that they are entered under the name of _Wypes_, and charged one penny +each; and that they were then considered a first-rate dish is proved by +their being entered as forming a part of “his lordship’s own mess,” or +portion of food; _mess_ being so used in those days—about the time, +probably, when the Bible was translated into English. Thus we find in +the beautiful history of Joseph and his brethren, “He sent messes to +them, but Benjamin’s mess was five times as much as any of theirs.” + +Here I would remark, on the old name of _Wypes_ for this bird, that +country-people in the midland counties still call them _pie-wypes_. + +But now again to our birds. The peewit, like the gull, may easily be +tamed to live in gardens, where it is not only useful by ridding them +of worms, slugs, and other troublesome creatures, but is very amusing, +from its quaint, odd ways. Bewick tells us of one so kept by the Rev. +J. Carlisle, Vicar of Newcastle, which I am sure will interest my +readers. + +[Sidenote: _A Winter Visitor._] + +He says two of these birds were given to Mr. Carlisle, and placed +in his garden, where one soon died; the other continued to pick up +such food as the place afforded, till winter deprived it of its usual +supply. Necessity then compelled it to come nearer the house, by +which it gradually became accustomed to what went forward, as well as +to the various members of the family. At length a servant, when she +had occasion to go into the back-kitchen with a light, observed that +the lapwing always uttered his cry of _peewit_ to gain admittance. +He soon grew familiar; as the winter advanced, he approached as far +as the kitchen, but with much caution, as that part of the house was +generally inhabited by a dog and a cat, whose friendship the lapwing +at length gained so entirely, that it was his regular custom to resort +to the fireside as soon as it grew dark, and spend the evening and +night with his two associates, sitting close to them, and partaking +of the comforts of a warm fireside. As soon as spring appeared he +betook himself to the garden, but again, at the approach of winter, +had recourse to his old shelter and his old friends, who received him +very cordially. But his being favoured by them did not prevent his +taking great liberties with them; he would frequently amuse himself +with washing in the bowl which was set for the dog to drink out of, and +whilst he was thus employed he showed marks of the greatest indignation +if either of his companions presumed to interrupt him. He died, poor +fellow, in the asylum he had chosen, by being choked with something +which he had picked up from the floor. During his confinement he +acquired an artificial taste as regarded his food, and preferred crumbs +of bread to anything else. + +[Illustration] + + + + +CHAPTER X. + +THE HOUSE-MARTIN, OR WINDOW-SWALLOW. + + +During our winter, swallows inhabit warm tropical countries, migrating +northwards with the first approaches of summer. They are usually seen +with us from the 13th to the 20th of April, and are useful from the +first day of their arrival, by clearing the air of insects, which they +take on the wing; indeed, they may be said to live almost wholly on the +wing, and, except when collecting mud for their nests, are seldom seen +to alight, and, in drinking, dip down to the water as they skim over it +on rapid wing. + +[Illustration: + + HOUSE-MARTINS AND NESTS. [Page 56. +] + +We have three kinds of swallows in England: the chimney-swallow, the +house-martin, and the sand-martin, of which I shall have something to +say in due course. The chimney-swallow and house-martin are especially +worthy of the affectionate regard of man; for they love his society, +build around his dwelling, destroy nothing that he values, have no +appetite for his fruits; they live harmoniously amongst themselves, +and have no other disposition than that of cheerfulness, unwearying +industry and perseverance, and the most devoted parental affection. + +Mr. Weir has given us a lively picture of swallow-life—four nests +grouped together on a house-side: more there probably are; but there +are as many as we can manage with; indeed we will presently confine +our attention to one single nest, and, by so doing, I flatter myself +that I shall win your admiration for these birds, and that you will +agree with me in thinking that if we all, men and women, boys and +girls, had only their persevering spirit, and their courage under +adversity, there would not be so much unsuccess, either at school or in +life, as is now, too often, the case. + +[Sidenote: _The Nests on Traquair House._] + +Some people are very fond of having martins about their houses, under +their eaves, and even in the corners of their windows. The Earl of +Traquair was one of these; he was, indeed, a great lover of all kinds +of birds, and all were protected on his premises. In the autumn of +1839, there were no less than one hundred and three martins’ nests on +Traquair House—which is a very fine old place—besides several which +had been deserted, injured, or taken possession of by sparrows, which +is a very unwarrantable liberty taken by these birds. + +From six to twenty days are required to build a martin’s nest. If all +goes on well it may be finished in the shorter time. + +Let us now see how the birds set about building. Here are several +nests in our picture; and turning to the pages of Macgillivray’s +“British Birds,” I shall find exactly the information we need. I will, +therefore, extract freely from this interesting writer, that my young +readers may be as grateful to him as I am myself. + +[Sidenote: _The Domestic Life of a Pair._] + +Again turning to our picture, we find four nests. “A party of eight +martins arrived here on the 1st of May. As this was quite a new +location, they spent the whole day in examining the eaves of the house, +the corners of the windows, and the out-buildings. By the following +morning the question was settled, and they had, as you see, fixed +upon a high wall with a slate coping, and an eastern aspect, and at +once commenced making a general foundation for their nests. Suitable +materials are procured from the banks of an adjoining pond, or a puddle +in the lane. Let us go down and see them. Here they come, sailing +placidly over the tree-tops; now they descend so as almost to sweep the +surface of the pond; some of them alight at once, others skim round, as +if borne away by a brisk wind. Those that have alighted walk about with +short steps, looking round for materials. Some seem not to find the mud +suitable, but seize on a piece of straw, or grass, which, tempering +in the mud, they then fly off with. Returning now to the building, we +see one using its tail planted against the wall, or against the nest, +if sufficiently advanced, as a support, deposit the material it has +brought by giving its head a wriggling motion, so that the mud slides +gently into the crevices of yesterday’s work; then he retouches the +whole. See, one has now arrived with his supply before the other has +finished: he is impatient to disburden himself, and wants to drive +off the worker, who rather snappishly retorts, and he, poor fellow, +goes off for a while with the mud sticking to his bill. Now she has +finished; there is room for him, and he goes back again and works hard +in his turn. They never alight on the nest without twittering. At noon, +if the weather be hot, they betake themselves to the fields, or, after +a dip in the pond, sun themselves on the house-top for half-an-hour or +so. Then they will hawk about for food, and after awhile one of them +may, perhaps, return and give another touch or two to the work, or seat +herself in the nest to consolidate the materials. But if cold, wet, or +windy, they keep away. What they do with themselves I know not; but +as soon as it clears up, they are at work again. At the beginning of +their building, they seem to have no objection to leave it for a whole +day; but as it advances, they become more interested or anxious, and +one or both will sit in it all night, even though the weather be bad.” + +So much for the building of these four nests of our picture; and now +I will bespeak your attention to a little narrative of the joys and +sorrows of the domestic life of a pair of martins, which, we will +suppose, belong also to our group. + +“The building began on the 1st of May, at daybreak. But the weather was +very much against them, being cold and stormy, and it was the 18th of +the month before it was finished. + +“Seeing their labours thus brought to a close, one could not help +wishing, considering how much it had cost, that the nest might last +them for many years. But on the 23rd of June, during a heavy fall of +thunder rain, almost the entire nest was washed to the ground, together +with the young birds which it contained. A short time before the +catastrophe, the old birds were observed hovering about, and expressing +great uneasiness. Almost immediately after it happened they left the +place, but returned the following day, and spent it in flying about and +examining the angle of the wall. + +“Next morning they commenced repairing the nest. In three days they had +made great progress; but again rain fell, and their work was stayed. +On the 30th, they advanced rapidly, and both remained sitting on the +nest all night. The next day it was finished; and now they began to +rejoice: they twittered all the evening till it was dark, now and then +pruning each other’s heads, as, seated side by side, they prepared to +spend the dark hours in the nest. Eggs were soon laid again, but, +sad to say, on the morning of the 18th of July, again, during a great +storm of wind and rain, the upper wall fell, carrying with it one +of the eggs. The old birds again fluttered about, uttering the most +plaintive cries, and early the next morning began to repair the damage, +though it rained heavily all day. Part of the lining hanging over the +side was incorporated with the new layers of mud. The urgency of the +case was such, that they were obliged to work during the bad weather. +Throughout the day one bird sat on the nest, whilst the other laboured +assiduously. Kindly was he welcomed by his mate, who sometimes, during +his absence, nibbled and retouched the materials which he had just +deposited. In a few days it was finished, the weather became settled, +the young were hatched, and all went well with them. + +“Sometimes when the nests are destroyed, the birds, instead of +attempting to repair the damage, forsake the neighbourhood, as if +wholly disheartened. Nothing can be more distressing to them than to +lose their young. In the storm of which I have just spoken, another +martin’s nest was washed down with unfledged young in it. These were +placed on some cotton wool in a basket, covered with a sheet of +brown paper, in an open window, facing the wall. During that day and +the following, the parents took no notice of them, and their kind +human protector fed them with house-flies. That evening he tried an +experiment. He gently placed the young ones in a nest of that same +window, where were other young. It was then about eight o’clock in the +evening; the rain was falling heavily, and no sound was heard save +the _cheep, cheep_, of the young birds, and the dashing of the storm +against the window-glass. A minute elapsed, when forth rushed the +parents shrieking their alarm notes, and, again and again wheeled up to +the nest, until at last they drifted away in the storm. He watched them +till they disappeared about half-past-nine. During all this time they +only twice summoned courage to look into the nest. Next morning I was +rejoiced to see them attending assiduously to the young ones.” + +[Sidenote: _The Feeding of the Young._] + +And now, turning again to our group of four nests on the walls, +supposing it be the month of July, every one of them with its +fledgeling brood sitting with gaping mouths, ever ready for food, you +may, perhaps, like to know how many meals are carried up to them in the +course of the day. If, then, the parents began to feed them at about +five in the morning, and left a little before eight at night, they +would feed them, at the lowest calculation, about a thousand times. + +With all this feeding and care-taking, the young ones, as the summer +goes on, are full-fledged, and have grown so plump and large that the +nest is quite too small for them; therefore, they must turn out into +the world, and begin life for themselves. + +It is now a fine, brisk, August morning, and at about eight o’clock, +you can see, if you look up at the nests, how the old birds come +dashing up to them quite in an excited way, making short curves in the +air, and repeating a note which says, as plain as a bird can speak, + + This is the day + You must away! + What are wings made for, if not to fly? + Cheep, cheep, + Now for a leap!— + Father and mother and neighbours are by! + +This flying away from the nest is a great event in swallow-life, as you +may well believe. Let us therefore now direct our attention to one nest +in particular, in which are only two young ones—a very small family; +but what happens here is occurring all round us. + +One of these little ones balances itself at the entrance, looking +timidly into the void, and, having considered the risk for awhile, +allows its fellow to take its place. + +During all this time, the parents keep driving about, within a few feet +of the entrance, and endeavour, by many winning gestures, to induce +their charge to follow them. The second bird also, after sitting for +some time, as if distrustful of its powers, retires, and the first +again appears. Opening and shutting his wings, and often half inclined +again to retire, he, at length, summons up all his resolution, springs +from the nest, and, with his self-taught pinions, cleaves the air. He +and his parents, who are in ecstasies, return to the nest, and the +second young one presently musters courage and joins them. And now +begins a day of real enjoyment; they sport chiefly about the tree-tops +till seven in the evening, when all re-enter the nest. + +In several instances I have seen the neighbours add their inducements +to those of the parents, when the young were too timid to leave their +home. If the happy day prove fine, they seldom return to the nest +till sunset; if otherwise, they will come back two or three times. On +one occasion, when the young were ready to fly, but unwilling to take +the first leap, the parents had recourse to a little stratagem, both +ingenious and natural. The he-bird held out a fly at about four inches +from the entrance to the nest. In attempting to take hold of it, they +again and again nearly lost their balance. On another occasion, the +mother bird, trying this plan to no purpose, seemed to lose patience, +and seizing one of them by the lower mandible, with the claw of her +right foot, whilst it was gaping for food, tried to pull it out of the +nest, to which, however, it clung like a squirrel. But the young, every +one of them, fly in time, and a right joyous holiday they all have +together. + +[Sidenote: _The Autumn Migration._] + +So the summer comes to an end; and towards the middle of September, +the great family cares being over, and the young having attained +to an age capable of undertaking the fatigues of migration, that +mysterious impulse, strong as life itself, and probably affecting +them like some sickness—the necessity to exchange one country and +climate for another—comes upon them. Under this influence, they +congregate together in immense numbers, every neighbourhood seeming +to have its place of assembly—the roofs of lofty buildings, or the +leafless boughs of old trees: here they meet, not only to discuss the +great undertaking, but to have a right merry time together—a time +of luxurious idleness, lively chatterings, singing in chorus their +everlasting and musical _cheep, cheep_, eating and drinking, and making +ready for the journey before them. + +At length the moment of departure is come, and at a given signal the +whole party rises. Twittering and singing, and bidding a long farewell +to the scenes of their summer life, they fly off in a body, perhaps, if +coming from Scotland, or the north of England, to rest yet a few weeks +in the warmer southern counties; after which, a general departure takes +place to the sunny lands of Africa. + +Though gifted with wings wonderfully constructed for prolonged flight, +and though having passed every day of so many successive months almost +wholly on the wing, the swallow frequently suffers great fatigue and +exhaustion in its long migration. Sometimes, probably driven out of +its course by adverse winds, it is known to alight by hundreds on the +rigging of vessels, when worn out by hunger and fatigue it is too +often shot or cruelly treated. Nevertheless the swallow, protected +by Him who cares for the sparrow, generally braves the hardships of +migration, and the following spring, guided by the same mysterious +instinct, finds his way across continents and seas to his old home, +where, identified by some little mark which has been put upon him—a +silken thread as a garter, or a light silver ring—he is recognised as +the old familiar friend, and appears to be no less happy to be once +more with them than are they to welcome him. Sometimes swallows coming +back as ordinary strangers, prove their identity, even though the scene +of their last year’s home may have been pulled down, together with the +human habitation. In this case, he has been known to fly about in a +distracted way, lamenting the change that had taken place, and seeming +as if nothing would comfort him. + +Though the fact of swallows coming back to their old haunts does not +need proving, yet I will close my chapter with an incident which +occurred in our own family. During a summer storm, a martin’s nest, +with young, was washed from the eaves of my husband’s paternal +home. His mother, a great friend to all birds, placed the nest with +the young, which happily were uninjured, in a window, which, being +generally open, allowed the parent-birds access to their young. They +very soon began to feed them, making no attempt to build any other +nest; so that the young were successfully reared, and took their flight +full-fledged from the window-sill. + +[Sidenote: _A Welcomed Return to Old Haunts._] + +The next spring, when the time for the arrival of the swallows came, +great was the surprise and pleasure of their kind hostess, to see, +one day, a number of swallows twittering about the window, as if +impatient for entrance. On its being opened, in they flew, and, +twittering joyfully and circling round the room, as if recognising the +old hospitable asylum of the former year, flew out and soon settled +themselves under the eaves with the greatest satisfaction. There could +be no doubt but that these were the birds that had been reared there. + +[Illustration] + + + + +CHAPTER XI. + +THE CHIFF-CHAFF, OR OVEN-BUILDER. + + +The Chiff-chaff, chill-chall, lesser pettichaps, or oven-builder, is +one of the great bird-family of warblers, and the smallest of them in +size; indeed, it is not much larger than the little willow-wren. Like +all its family it is a bird of passage, and makes its appearance here, +in favourable seasons, as early as the 12th of March—earlier than +the warblers in general—and also remains later, having been known to +remain here to the middle of October. + +[Illustration: + + CHIFF-CHAFFS AND NEST. [Page 66. +] + +It is a remarkably cheerful little bird, and is warmly welcomed by all +lovers of the country as being one of the first visitants of spring, +sending its pleasant little voice, with an incessant “chiff-chaff,” +“chery-charry,” through the yet leafless trees. + +Its plumage is dark olive-green; the breast and under part of the body, +white, with a slight tinge of yellow; the tail, brown, edged with pale +green; legs, yellowish-brown. + +The nest is not unlike that of a wren, built in a low bush, and, +sometimes, even on the ground. The one so beautifully and faithfully +depicted by Mr. Harrison Weir, seems to be amongst the tallest grasses +and picturesque growths of some delicious woodland lane. It is a +lovely little structure; a hollow ball wonderfully put together, of +dry leaves and stems of grass, and a circular hole for entrance at +the side; lined with soft feathers—a little downy bed of comfort. The +mother-bird, as we now see her, sits here in delicious ease on five or +six white eggs, beautifully spotted with rich red-brown. + +[Sidenote: _Mr. Howitt’s Account of this Bird._] + +This dainty little bird, which seems made alone for pleasure, is +very useful to man, and should be made kindly welcome everywhere, +living entirely on caterpillars and other troublesome and destructive +creatures. The Rev. J. G. Wood says that it saves many a good oak from +destruction by devouring, on its first arrival, the caterpillars of +the well-known green oak-moth, which roll up the leaves in so curious +a manner, and come tumbling out of their green houses at the slightest +alarm. + +He says, also, that a little chiff-chaff, which had been caught and +tamed, was accustomed to dash to the ceiling of the room in which it +was kept, and to snatch thence the flies which settled on the white +surface. + +My husband, writing of this bird, says:— + +“Gilbert White gave, I believe, the name of chiff-chaff to this +little bird from its note. In the midland counties it is called the +chill-chall from the same cause; and, indeed, this name is, to my ear, +more accordant with its continuous ditty. Its cheery little voice is +one of the pleasantest recognitions of returning spring. It is sure to +be heard, just as in former years, in the copse, the dell, the belt +of trees bordering a wayside; we catch its simple note with pleasure, +for it brings with it many a memory of happy scenes and days gone +by. We see the little creature hopping along the boughs of the yet +only budding oak, and know that it is as usefully employed for man +as agreeably for itself. It tells us, in effect, that sunny days, +flowers, and sweet airs, and the music of a thousand other birds, are +coming. We revert to the time when, tracing the wood-side or the bosky +dingle in boyhood, we caught sight of its rounded nest amongst the +screening twigs of the low bush, and the bleached bents of last year’s +grapes. We remember the pleasure with which we examined its little +circular entrance, and discovered, in its downy interior, its store +of delicate eggs, or the living mass of feathery inmates, with their +heads ranged side by side and one behind another, with their twinkling +eyes and yellow-edged mouths. Many a time, as we have heard the ever +blithe note of chill-chall, as it stuck to its unambitious part of the +obscure woodland glade, we have wished that we could maintain the same +buoyant humour, the same thorough acceptance of the order of Providence +for us. As Luther, in a moment of despondency, when enemies were rife +around him, and calumny and wrong pursued him, heard the glad song of a +bird that came and sang on a bough before his window, we have thanked +God for the lesson of the never-drooping chill-chall. The great world +around never damps its joy with a sense of its own insignificance; the +active and often showy life of man, the active and varied existence of +even birds, which sweep through the air in gay companies, never disturb +its pleasure in its little accustomed nook. It seems to express, in its +two or three simple notes, all the sentiment of indestructible content, +like the old woman’s bird in the German story by Ludwig Tieck— + + Alone in wood so gay, + ’Tis good to stay, + Morrow like to-day + For ever and aye; + Oh, I do love to stay + Alone in wood so gay! + +[Sidenote: _The Bird’s Ditty._] + +“This little bird appears to feel all that strength of heart, and to +put it into its little ditty, which seems to me to say— + +“Here I continue ‘cheery cheery, and still shall, and still shall!’” + +[Illustration] + + + + +CHAPTER XII. + +THE GOLDEN-CRESTED WREN. + + +We have here the Golden-crested Wren—the _Regulus cristatus_ +of naturalists—the tiniest of our British birds, “the pleasing +fairy-bird,” as Bewick calls it, one of the large family of warblers, +and a near relation to Jenny Wren. It is a very charming little bird, +with a sweet melodious song of its own, and so many curious little ways +that it is well worth everybody’s notice and everybody’s love. + +It is very active and lively, always in motion, fluttering from branch +to branch, and running up and down the trunks and limbs of trees, in +search of insects on which it lives. It may as often be seen on the +under as on the upper side of a branch, with its back downwards, like +a fly on a ceiling, and so running along, all alert, as merry and busy +as possible. In size it is about three inches, that is with all its +feathers on, but its little body alone is not above an inch long; yet +in this little body, and in this little brain, lives an amazing amount +of character, as I shall show you, as well as a great deal of amusing +conceit and pertness which you would hardly believe unless you were +told. + +[Illustration: + + GOLDEN-CRESTED WRENS AND NEST. [Page 70. +] + +The colour of the bird is a sort of yellowish olive-green, the under +part of pale, reddish-white, tinged with green on the sides; the quill +feathers of the wing are dusky, edged with pale green, as are also +the tail feathers. Thus attired by nature, that is, by the great +Creator who cares for all His creatures, this little bird, creeping +and fluttering about the branches and bole of the leafy summer tree, +can scarcely be distinguished from the tree itself: hence it is that +the bird is so unfamiliar to most people. The he-bird, however, has +a little distinguishing glory of his own—a crest of golden-coloured +feathers, bordered on each side with black, like a sort of eye-brow to +his bright hazel eyes. This crest, which gives him his distinguished +name, can be erected at pleasure, when he is full of life and +enjoyment, or when he chooses to lord it over birds ten times as big as +himself. + +[Sidenote: _The Lively Gambols of this Bird._] + +It is worth anybody’s while, who has a love for the innocent denizens +of nature, and no desire to do them harm, to go into a wood on a +summer’s day on purpose to watch the doings of this lively little bird +amongst the tree-branches. Fir-woods are the best for this purpose, as +this bird has an especial liking for these trees, and ten to one, if +you will only be patient and quite still, you may soon see him at work +busily looking after his dinner, running along the branches, up one and +down another, then like a little arrow off to the next tree, scudding +along its branches, then back again, up and down, round and round +the bole, going like a little fire, so rapid are his movements; now +running up aloft, now hanging head downward, now off again in another +direction. What a wonderful activity there is in that little body! He +must devour hundreds of insects, as well as their eggs, which he thus +seeks for under the scaly roughnesses of the bark, and finding, devours. + +Pretty as he is, his nest, of which Mr. Harrison Weir has given a most +accurate drawing, is quite worthy of him. It is always the same, swung +like a little hammock from a branch, and always hidden, it may be by +leaves or a bunch of fir-cones. The cordage by which it is suspended +is of his own weaving, and is made of the same materials as the nest, +which are moss and slender thread-like roots. In form it is oval, as +you see, with a hole for entrance at the side, and is lined with the +softest down and fibrous roots. It is a lovely little structure, like +a soft ball of moss, within which the mother-bird lays from six to a +dozen tiny eggs, scarcely bigger than peas, the delicate shell of which +will hardly bear handling. The colour of the egg is white, sprinkled +over with the smallest of dull-coloured spots. + +Mr. Jesse describes one of these lovely nests which was taken from the +slender branches of a fir-tree where it had been suspended, as usual, +by means of delicate cordage, secured to the branch by being twisted +round and round, and then fastened to the edge or rim of the nest, +so that one may be sure that the making and securing of these tiny +ropes must be the first work of the clever little artizan. The nest +thus suspended sways lightly to and fro with the movement of the bird. +We cannot see in our cut the slender ropes that suspend it; they are +concealed under the thick foliage; but we can easily see what a dainty +little structure it is. + +[Sidenote: _The Jackdaw and Mischievous Wrens._] + +Delicate and lovely as is this bird, and pleasing and harmless as is +his life, he yet possesses some curious traits of character, as I +said. For instance, though so small, with a body only an inch long, +he has, apparently, a wonderful conceit of himself, and loves to be +lord and master of creatures that will not dispute with him, as not +worth their while, or perhaps because there really is some inherent +mastership in him by which he contrives, under certain circumstances, +to rule over them. In proof of this, I will tell you what the Rev. J. +G. Wood relates from the experience of a lady, a friend of his. One +severe winter, when she had housed and fed a number of birds, amongst +which were a jackdaw, a magpie, two skylarks, a goldfinch, and a robin, +in a warm aviary, feeding them regularly and abundantly, other birds +came, of course, to partake of the plentiful feast, and amongst them +two golden-crested wrens. These little things made themselves not +only quite at home, but lorded it over the other birds in the most +extraordinary way possible. For instance, if the jackdaw had possessed +himself of a nice morsel which he was holding down with his foot to +eat comfortably, and the golden-crested wren had also set his mind on +it, he hopped on the jackdaw’s head and pecked in his eye, on the side +where his foot held the delicacy. On this the poor jackdaw instantly +lifted his foot to his head where he thought something was amiss, and +the mischievous little fellow snatched up the treasure and was off. At +first the jackdaw would pursue him in great wrath, but he soon learned +that it was no use, for the creature would only jump upon his back +where he could not reach him, and so was safe from punishment. “Before +the winter was over,” continues the lady, “the little gold-crests were +masters of all the birds, and even roosted at night on their backs; +finding, no doubt, that in this way they could keep their little feet +much warmer than on a perch.” + +Conceited and dominant, however, as these little birds may be, they are +yet either extremely timid, or their nervous system is so delicately +constituted, that a sudden fright kills them. Thus if, when they are +all alert and busy on the tree-branch, seeking for insects and fearing +no evil, the branch be suddenly struck with a stick, the poor bird +falls dead to the ground. The shock has killed it. It has received no +apparent injury—not a feather is ruffled—but its joyous, innocent +life is gone for ever. This fact is asserted by Gilbert White, and was +proved by my husband, who brought me home the bird which had thus died. + +[Illustration] + + + + +CHAPTER XIII. + +THE WAGTAIL. + + +This elegant little bird belongs to the Motacilla, or Wagtail family. +There are three brothers of them in this country—the pied, the grey, +and the yellow. The pied is the most familiar, and our friend Mr. +Harrison Weir has given us a lovely picture of it at home in a cleft of +the rock, with fleshy-leaved lichens above, and green springing fronds +of the great fern, which will presently overshadow it. Around are the +solemn mountains, and the never silent water is foaming and rushing +below. + +This bird has many names besides his Latin one of Motacilla. In Surrey +he is called washer, or dish-washer, by the common people, from his +peculiar motions in walking, which are thought to resemble those of a +washer-woman at her tub. The colours of the pied wagtail are simply +black and white, but so boldly and clearly marked as to produce a very +pleasing and elegant effect. + +We have, every year, several wagtails in our garden, to which they add +a very cheerful feature, walking about, nodding their heads and tails +as if perfectly at home, afraid neither of dog nor cat, much less of +any human being about the place. A little running brook as one boundary +of the garden is, no doubt, one of the attractions; but here they are +seen less frequently than on the smoothly-mown lawn, where they pick up +tiny insects, gliding along with a smooth motion, accompanied by the +quick movement of head and tail. + +It is bitterly cold wintry weather as I write this, and they now visit +the kitchen door, where, no doubt, little delicacies of various kinds +attract them. They are more fearless and familiar than either sparrows, +robins, or blackbirds; yet all of these are our daily pensioners, +having their breakfast of crumbs as regularly before the parlour window +as we have our own meal. Yet they fly away at the slightest sound, +and the appearance of the cat disperses them altogether. They have, +evidently, the old ancestral fear of man, stamped, as powerfully as +life itself, upon their being. They are suspicious, and always in +a flutter: nothing equals the calm self-possession of the wagtail, +excepting it be the state of mind into which the robin gets when the +gardener is turning up the fresh soil, just on purpose, as he supposes, +to find worms for him. + +[Illustration: + + WAGTAIL AND NEST. [Page 76. +] + +[Sidenote: _Its Quest for Food._] + +And now let me give you a wagtail picture, drawn by a faithful hand.[A] +It is the end of July, the young wagtails are abroad with their +parents, like human families, a month or two later, gone out or abroad +to take their holiday. “Often,” he says, “one may see them wading in +shallow places, in quest of insects and worms, carefully holding up +their tails to prevent them being draggled. If you watch the motions +of an individual just coming up to join the party, you see it alight +abruptly, twittering its shrill notes, and, perching on a small stone, +incessantly vibrate its body, and jerk out its tail.” This of course +is the polite way in which a stranger wagtail introduces itself +amongst its friends. There they are; now walking out into the water, +and looking round for food. Now they are on the shore again, running +rapidly along, picking up, now and then, a dainty morsel, and every +moment spreading out the ever-vibrating tail. Now they are in the +adjoining meadow, each one in pursuit of a fly, which it has no sooner +caught, than it spies another. The lazy geese, which have nibbled +the grass bare, allow the wagtail to pass in their midst without +molestation. When the cows are grazing in the midst of a swarm of +gnats and other insects, as Gilbert White says, as they tread amongst +the bush herbage they rouse up multitudes of insects which settle on +their legs, their stomachs, and even their noses, and the wagtails are +welcomed by the cows as benefactors. Watch them, for they are worth the +trouble; see, one comes forward and catches a small fly, bends to one +side to seize another, darts to the right after a third, and springs +some feet in the air before it secures a fourth, and all this time +others are running about after other flies, passing close to the cows’ +noses or amongst their feet. With all this running to and fro, and +hither and thither, they every now and then run in each other’s way; +but they do not quarrel, aware, no doubt, that there is room enough for +them in the world, nay, even in the meadow, though it now seems to be +full of wagtails, all busily occupied, some walking, others running, a +few flying off and many arriving. You may walk in amongst them; they +are not very shy, for they will allow you to come within a few yards of +them. They may always be met with on the shore when the tide is out, as +well as in the meadow; you will meet with them by the river-side, or by +the mill-dam. Occasionally you may see them perched on a roof, a wall, +or a large stone, but very rarely on a tree or bush. + +[Footnote A: “British Birds.”] + +[Sidenote: _The Taunton Pair._] + +They pair about the middle of April, and build by the side of rivers +in crevices of rock—as in our picture, on a heap of stones, in faggot +or wood stacks, or in a hole in a wall, but always near water and +carefully hidden from sight. The nest is made of dry grass, moss, and +small roots, thickly lined with wool and hair. The eggs are five or six +in number, of a greyish white, spotted all over with grey and brown. +As a proof of the confiding nature of this bird, I must mention that +occasionally it builds in most unimaginable places, directly under the +human eye—as, for instance, “a pair of them last summer,” says Mr. +Jesse, “built their nest in a hollow under a sleeper of the Brighton +Railway, near the terminus at that place. Trains at all times of the +day were passing close to the nest, but in this situation the young +were hatched and reared.” Mr. Macgillivray also mentions that a pair +of these birds built their nest in an old wall near a quarry, within a +few yards of four men who worked most part of the day in getting the +stone, which they occasionally blasted. The hen-bird laid four eggs, +and reared her brood, she and her mate becoming so familiar with the +quarry-men as to fly in and out without showing the least sign of fear; +but if a stranger approached they would immediately fly off, nor return +till they saw him clear off from the place. Another nest was built +beneath a wooden platform at a coal-pit, where the noisy business of +unloading the hutches brought up from the pit, was continually going +forward. But soon the wagtails were quite at home, becoming familiar +with the colliers and other people connected with the work, and flew +in and out of their nest without showing the slightest sign of fear. +Again, another pair built close to the wheel of a lathe in a workshop +at a brass manufactory at Taunton amid the incessant din of the +braziers; yet here the young were hatched, and the mother-bird became +perfectly familiar with the faces of the workmen; but if a stranger +entered, or any one belonging to the factory, though not to what might +be called her shop, she quitted her nest instantly, nor would return +till they were gone. The male, however, had much less confidence, and +would not come into the room, but brought the usual supplies of food to +a certain spot on the roof whence she fetched it. All these anecdotes +prove how interesting would be the relationship between the animal +creation and man, if man ceased to be their tyrant or destroyer. + +As regards this particular bird, it is not only elegant in its +appearance, but amiable and attractive in all its ways. “They are,” +says Bewick, “very attentive to their young, and continue to feed and +train them for three or four weeks after they can fly; they defend them +with great courage when in danger, or endeavour to draw aside the enemy +by various little arts. They are very attentive also to the cleanliness +of their nests, and so orderly as to have been known to remove light +substances, such as paper or straw, which have been placed to mark the +spot.” As regards this proof of their love of order, however, I would +rather suggest that it may be a proof of their sagacity and sense of +danger: they suspected that some human visitor, of whose friendly +character they were not convinced, was intending to look in upon them, +and they thought it best, therefore, to decline the honour of his +visit. + +The ordinary note of this bird, uttered rapidly if alarmed, is a sort +of _cheep, cheep_. In the summer morning, however, it may be heard +singing a pleasant, mellow and modulated little song. Like the swallow, +for which it is a match in elegance, it lives entirely on insects. If +you would only stand silently for a few minutes by a water-side, where +it haunts, you would be delighted with the grace and activity of its +movements. “There it stands,” says one of its friends, “on the top of +a stone, gently vibrating its tail, as if balancing itself. An insect +flies near; it darts off, flutters a moment in the air, seizes its +prey, and settles on another stone, spreading and vibrating its tail. +Presently it makes another sally, flutters around for a while, seizes +two or three insects, glides over the ground, swerving to either side, +then again takes its stand on a pinnacle.” Not unfrequently too it +may be seen on the roof of a house, or in a village street, still in +pursuit of insects. + +[Illustration] + + + + +CHAPTER XIV. + +THE JACKDAW. + + +We have called the Rook and Jackdaw first cousins. They are so, and +are greatly attached to each other. There is a difference, however, in +their character; the rook is grave and dignified, the jackdaw is active +and full of fun. But they are fond of each other’s society, and agree +to associate for nine months in the year: during the other three they +are both occupied with their respective family cares. + +[Illustration: + + JACKDAWS AND NESTLINGS. [Page 82. +] + +Rooks build in trees in the open air, the nests of the young being +exposed to all the influences of wind and weather. The jackdaw does not +approve of this mode. He likes to live under cover, and, therefore, +makes his nest in holes and crannies, amongst rocks, as in our picture; +in old and tall buildings, as church towers and steeples, old ruinous +castles, or old hollow trees. The traditional structure of the family +nest is certainly that of the rook; a strong frame-work of sticks upon +which the eggs can be laid, and the clamorous young jackdaws be brought +up. This our friend Mr. Weir has shown us plainly. But, after all, it +does not appear that the jackdaw, with all his sharpness, has much +scientific knowledge, the getting the sticks into the hole being often +a very difficult piece of work. Mr. Waterton amused himself by watching +the endless labour and pains which the jackdaw takes in trying to do +impossibilities. Thinking it absolutely necessary that a frame-work +of sticks should be laid in the hole or cavity as the foundation of +the nest, he brings to the opening just such sticks as the rook would +use in open spaces, and may be seen trying for a quarter of an hour +together to get a stick into a hole, holding it by the middle all the +time, so that the ends prop against each side, and make the endeavour +impossible. He cannot understand how it is; he knows that sticks ought +to go into holes, but here is one that will not; and, tired out at +length, and thinking perhaps that it is in the nature of some sticks +not to be got into a hole by any means, he drops it down and fetches +another, probably to have no better result, and this may happen several +times. But jackdaws have perseverance, and so, with trying and trying +again, he meets with sticks that are not so self-willed, and that can +be put into holes, either by being short enough or held the right way, +and so the foundation is laid, and the easier part of the work goes on +merrily; for the jackdaw is at no loss for sheets and blankets for his +children’s bed, though we cannot see them in our picture, the clamorous +children lying at the very edge of their bed. But if we could examine +it, we should most likely be amused by what we should find. The jackdaw +takes for this purpose anything soft that comes readily—we cannot say +to _hand_—but to _bill_. In this respect he resembles the sparrow, +and being, like him, fond of human society, gleans up out of his +neighbourhood all that he needs for the comfort of his nestlings. Thus +we hear of a nest, built in the ruins of Holyrood Chapel, in which, +on its being looked into for a piece of lace which was supposed to be +there, it was found also to be lined with part of a worsted stocking, +a silk handkerchief, a child’s cap, a muslin frill, and several +other things which the busy jackdaw had picked up in various ways; for +it must be borne in mind that he is own cousin to the magpie, whose +thievish propensities are well known. + +The call of the jackdaw is much quicker and more lively than the rook, +somewhat resembling the syllable _yak_, variously modulated, and +repeated somewhat leisurely, but at the same time cheerfully. Its food +is similar to that of the rook, and going forth at early dawn it may be +seen in pastures or ploughed fields, busily searching for larvæ, worms, +and insects. They walk gracefully, with none of the solemn gravity +either of the rook or raven, and may occasionally be seen running along +and sometimes quarrelling amongst themselves. + +Like the rook, the jackdaw stows away food in its mouth or throat-bag +to feed its young. Its plumage is black, with shining silvery grey +behind the head. Occasionally they are found with streaks or patches of +white, as are also rooks, but these are mere sports of nature. + +[Sidenote: _Mr. Waterton’s Opinion._] + +Mr. Waterton was of opinion that jackdaws lived in pairs all the year +round, as he had seen them sitting in November on the leafless branches +of a sycamore, side by side, pruning each other’s heads, and apparently +full of mutual affection; and as they mostly left the trees in pairs, +and so returned, he was inclined to think that it was their custom +always to remain paired. + +I will now give you his _carte de visite_ from Macgillivray’s “British +Birds.” “He is a remarkably active, pert, and talkative little fellow, +ever cheerful, always on the alert, and ready either for business or +frolic. If not so respectable as the grave and sagacious raven, he +is, at least, the most agreeable of the family, and withal extremely +fond of society, for, not content with having a flock of his own folk +about him, he often thrusts himself into a gang of rooks, and in winter +sometimes takes up his abode entirely with them.” + +As to _thrusting_ himself into a gang of rooks, I am, however, of +opinion that the rooks make him heartily welcome. How do we know what +amusement they, with their stolid gravity and solemn dignity, find in +him with all his fun and loquacity? That rooks are really fond of the +society of jackdaws is proved by an observation of Mr. Mudie. He says +that “in the latter part of the season, when the rooks from one of the +most extensive rookeries in Britain made daily excursions of about six +miles to the warm grounds by the sea-side, and in their flight passed +over a deep ravine, in the sunny side of which were many jackdaws, he +observed that when the cawing of the rooks in their morning flight was +heard at the ravine, the jackdaws, who had previously been still and +quiet, instantly raised their shriller notes, and flew up to join the +rooks, both parties clamouring loudly as if welcoming each other; and +that on the return, the daws accompanied the rooks a little past the +ravine as if for good fellowship; then both cawed their farewell: the +daws returned to their home and the rooks proceeded on their way.” + +Jackdaws, like rooks, are said to be excellent weather-prophets. +If they fly back to their roost in the forenoon, or early in the +afternoon, a storm may be expected that evening, or early in the +morning. + +[Sidenote: _The Rev. J. G. Wood’s Anecdote._] + +The anecdotes of tame jackdaws are numerous. The Rev. J. G. Wood +speaks of one which had learnt the art of kindling lucifer matches, +and thus became a very dangerous inmate, busying himself in this way +when the family was in bed, though, fortunately, he seems to have done +nothing worse than light the kitchen fire which had been laid ready +for kindling over night. Clever as he was, however, he could not learn +to distinguish the proper ignitable end of the match, and so rubbed +on till he happened to get it right. He frightened himself terribly +at first by the explosion and the sulphur fumes, and burned himself +into the bargain. But I do not find that, like the burnt child, he +afterwards feared the fire and so discontinued the dangerous trick. + +The jackdaw is easily domesticated, and makes himself very happy in +captivity, learns to articulate words and sentences, and is most +amusing by his mimicry and comic humour. + +[Illustration] + + + + +CHAPTER XV. + +THE SPOTTED FLY-CATCHER. + + +This pretty little bird is also called the Beam or Pillar-Bird from the +position which it chooses for its nest. Building mostly in gardens, +it selects the projecting stone of a wall, the end of a beam or piece +of wood, under a low roof, or by a door or gateway, the nest being, +however, generally screened, and often made a perfect little bit +of picturesque beauty, by the leaves of some lovely creeping rose, +woodbine, or passionflower, which grows there. + +This last summer, one of these familiar little birds, which, though +always seeming as if in a flutter of terror, must be fond of human +society, built in a rustic verandah, overrun with Virginian creeper, at +the back of our house. + +[Illustration: + + SPOTTED FLY-CATCHERS AND NEST. [Page 86. +] + +According to her peculiar fancy she built exactly in the doorway, +though there were some yards of verandah on either hand; but here was +the convenient ledge, forming an angle with the upright support; and +here was placed, as in our picture, the small, somewhat flat nest, +beautifully, though slightly, put together, of dried grass and moss, +lined with wool and hair. Here the mother-bird laid her four or five +greyish-white eggs, with their spots of rusty red, and here she reared +her young. She had, however, it seemed to us, an uncomfortable time of +it, for, though we carefully avoided giving her needless disturbance +that we almost ceased to use the door, yet there was an unavoidable +passing to and fro to which she never seemed to get accustomed, +starting off her nest with a little flutter whenever we came in sight; +nor—although before she had finished sitting the quick-growing shoots +of the Virginian creeper, with its broadly-expanding leaves, hid her +nest so completely that, had it not been for her own timidity, we need +not have known of her presence—she never lost this peculiar trait of +character. + +The nest which Mr. Harrison Weir has drawn is, doubtless, taken from +life. I wish, however, he could have seen ours, only about ten feet +from the ground, a little dome of love, embowered amongst young shoots, +vine-like leaves and tendrils—a perfectly ideal nest, in which our +friend, who has as keen a sense of natural beauty as any artist living, +would have delighted himself. + +The colours of this bird are very unobtrusive: the upper parts +brownish-grey, the head spotted with brown, the neck and breast +streaked or spotted with greyish-brown. It is a migratory bird, and +arrives in this country about the middle or end of May, remaining with +us till about the middle of October, by which time the flies on which +it lives have generally disappeared. + +[Sidenote: _How it takes its Prey._] + +Its mode of taking its winged prey is curious. Seated, stock-still, +in a twig, it darts or glides off at the sight of an insect, like the +bird of our picture, and seizes it with a little snapping noise; then +returns to its perch ready for more, and so on; incessantly darting out +and returning to the same spot, till it has satisfied its hunger, or +moves off to another twig to commence the same pursuit. + +When they have young, the number of flies consumed only by one little +family must be amazing. It is recorded[B] in one instance that a pair +of fly-catchers, beginning to feed their nestlings at five-and-twenty +minutes before seven in the morning, and continuing their labour till +ten minutes before nine at night, supplied them with food, that is to +say with flies, no less than five hundred and thirty-seven times. The +gentleman who made these observations says:—“Before they fed their +young they alighted upon a tree for a few seconds, and looked round +about them. By short jerks they usually caught the winged insects. +Sometimes they ascended into the air and dropped like an arrow; at +other times they hovered like a hawk when set on its prey. They drove +off most vigorously all kinds of small birds that approached their +nest, as if bidding them to go and hunt in their own grounds, where +there were plenty of flies for them. Sometimes they brought only one +fly in their bills, sometimes several, and flies of various sizes.” + +[Footnote B: See Macgillivray’s “_British Birds_.”] + +This bird seems to become attached to particular localities, where +he finds himself conveniently situated and undisturbed. Mr. Mudie +mentions, in his “Feathered Tribes,” “that a pair of these birds had +nested in his garden for twelve successive years.” What is the length +of life of a fly-catcher I cannot say; but probably if they were +not the same birds, they would be their descendants—birds hatched +there, and consequently at home. The Rev. J. G. Wood also speaks of +the same locality having been used by this bird for twenty successive +years; and he supposes that the young had succeeded to their ancestral +home. He gives also an interesting account of the commencement of a +nest-building by this bird. He says that the female, who seems to be +generally the active builder, placed, in the first instance, a bundle +of fine grass in some conveniently-forked branches, and after having +picked it about for some time, as if regularly shaking it up, she +seated herself in the middle of it, and there, spinning herself round +and round, gave it its cup-like form. She then fetched more grasses, +and after arranging them partly round the edge, and partly on the +bottom, repeated the spinning process. A few hairs and some moss were +then stuck about the nest and neatly woven in, the hair and slender +vegetable fibres being the thread, so to speak, with which the moss was +fastened to the nest. + +[Sidenote: _Mr. Mudie on Nest-building._] + +Mr. Mudie, also speaking of their nest-building, says that, in one +instance which came under his notice, “the bird began at seven o’clock +on a Tuesday morning, and the nest was finished in good time on Friday +afternoon.” This was certainly rapid work. Mr. Yarrell says that the +he-bird brings the materials to the hen, who makes use of them—which +is stated as a general fact by Michelet—and that in constructing her +nest the little fly-catcher, after she had rounded it into its first +form, moves backwards as she weaves into it long hairs and grasses with +her bill, continually walking round and round her nest. This, however, +can only be when the situation of the nest will allow of her passing +round it. Our fly-catcher’s nest, and the nest of our picture, are +placed as a little bed close to the wall, and in such situations the +nest has sometimes no back, but simply the lining. A very favourite +place with the fly-catcher for her nest is the hole in a wall, the +size of a half brick, in which the builder fixed the spar of his +scaffolding, and omitted to fill up when he had finished. In these +convenient little nooks the fly-catcher’s nest fills the whole front +of the opening, but has seldom any back to it. From all this, I think +it is clear that the fly-catcher is, in her arrangements, guided by +circumstances: only, in every case, her little home is as snug as it +can be. + +[Illustration] + + + + +CHAPTER XVI. + +THE WOOD-PIGEON. + + +The wood-pigeon, ring-dove, or cushat is one of the most familiar and +poetical of our birds. Its low, plaintive coo-goo-roo-o-o is one of the +pleasantest sounds of our summer woods. + + “Tell me, tell me, cushat, why thou moanest ever, + Thrilling all the greenwood with thy secret woe? + ‘I moan not,’ says the cushat, ‘I praise life’s gracious Giver + By murmuring out my love in the best way that I know.’” + +The wood-pigeon belongs to a large family of birds—_columbinæ_ or +doves. The earliest mention of them in the world is in Genesis, +when Noah, wearied with the confinement of the ark, and seeing +that the mountain tops were visible, selected from the imprisoned +creatures—first the raven, then the dove, to go forth and report to +him of the state of the earth. The raven, however, came not back, no +doubt finding food which tempted him to stay; whilst the dove, finding +no rest for the sole of her foot, returned, and Noah, putting forth his +hand, took her in. Again he sent her forth, and she came back in the +evening, and, lo, in her mouth was an olive leaf plucked off. A third +time she was sent forth, but now she returned no more. So Noah looked +out, and behold the face of the earth was dry. And he and his family, +and all the creatures, again went forth and possessed all things. + +This dove might probably be of the carrier-pigeon tribe, which is more +nearly related to the rock-pigeon, also a native of this country, +or rather, of the northern parts of Scotland. These carrier-pigeons +were, in the old times, long enough before the invention of electric +telegraphs, or even before post-offices were established, used instead +of both. Anacreon, the Greek poet, speaks of them as being used to +convey letters; the pigeon, having, as it were, two homes, being fed in +each; thus, a letter from a friend in one home was tied to the wing, +and the bird turned into the air, probably without his breakfast, when +he immediately flew off to his distant home, where the letter was +joyfully received, and he fed for his pains. Whilst the answer was +prepared he would rest, and it, perhaps, taking some little time, he +grew hungry again; but they gave him nothing more, and, again securing +the letter on his little person, he was sent back, making good speed, +because he would now be thinking of his supper. Thus, the answer flew +through the air. + + “Come hither, my dove, + And I’ll write to my love, + And I’ll send him a letter by thee!” + +[Illustration: + + WOOD-PIGEONS AND NEST. [Page 92. +] + +So says the old song. And we are told that a young man named +Taurosthenes, one of the victors in the great Olympian games of Greece, +sent to his father, who resided at a considerable distance, the tidings +of his success, on the same day, by one of these birds. Pliny, the +Roman historian, speaks of them being used in case of siege; when the +besieged sent out these winged messengers, who, cleaving the air at +a secure height above the surrounding army, conveyed the important +intelligence of their need to their friends afar off. The crusaders +are said to have made use of them at the siege of Jerusalem, and the +old traveller, Sir John Maundeville—“knight, warrior, and pilgrim,” as +he is styled—who, in the reign of our second and third Edwards, made +a journey as far as the borders of China, relates that, “in that and +other countries beyond, pigeons were sent out from one to another to +ask succour in time of need, and these letters were tied to the neck of +the bird.” + +But enough of carrier-pigeons. Let us come back to our ring-dove or +cushat, brooding on her eggs in the sweet summer woods, as Mr. Harrison +Weir has so truthfully represented her. She is not much of a nest-maker. + + “A few sticks across, + Without a bit of moss, + Laid in the fork of an old oak-tree; + Coo-goo-roo-o-o, + She says it will do, + And there she’s as happy as a bird can be.” + +The nest, however, is not at all insufficient for her needs. You see +her sitting brooding over her two white eggs in every possible bird +comfort; and whether her mate help her in the building of the nest +or not, I cannot say, but he is certainly a very good domesticated +husband, and sits upon the eggs alternately with her, so that the +hatching, whatever the building may be, is an equally divided labour. + +[Sidenote: _Wordsworth’s Tribute of Praise._] + +Wordsworth sees in this bird an example of unobtrusive home affection. +He says:— + + “I heard a stock-dove sing or say + His homely tale this very day: + His voice was buried among the trees, + Yet to be come at by the breeze; + + He did not cease, but cooed and cooed, + And somewhat pensively he wooed; + He sung of love with quiet blending, + Slow to begin, and never ending; + Of serious faith and inward glee; + That was the song—the song for me.” + +Wood-pigeons have immense appetites, and, being fond of all kinds of +grain, as well as peas and beans, are looked upon by the farmer with +great disfavour. They are, however, fond of some of those very weeds +which are his greatest annoyance—for instance, charlock and wild +mustard; so that they do him some good in return for the tribute which +they take of his crops. They are fond, also, both of young clover and +the young green leaves of the turnip, as well as of the turnip itself. +Either by instinct or experience, they have learned that, feeding +thus in cultivated fields, they are doing that which will bring down +upon them the displeasure of man. “They keep,” says the intelligent +author of “Wild Sports in the Highlands,” “when feeding in the fields, +in the most open and exposed places, so as to allow no enemy to come +near them. It is amusing to watch a large flock of these birds whilst +searching the ground for grain. They walk in a compact body; and in +order that all may fare alike—which is certainly a good trait in their +character—the hindermost rank, every now and then, fly over the heads +of their companions to the front, where they keep the best place for +a minute or two, till those now in the rear take their place. They +keep up this kind of fair play during the whole time of feeding. They +feed, also, on wild fruit and all kinds of wild berries, such as the +mountain-ash, and ivy; and where acorns abound, seem to prefer them to +anything else. At the same time, I must confess that they are great +enemies to my cherry-trees, and swallow as many cherries as they can +hold. Nor are strawberries safe from them, and the quantity of food +they manage to stow away in their crops is perfectly astonishing.” + +[Sidenote: _Its Necessary Watchfulness._] + +Besides man, the wood-pigeon has its own bird-enemies. “In districts +where the hooded crow abounds,” says the author whom I have just +quoted, “he is always on the look-out for its eggs, which, shining out +white from the shallow, unsubstantial nest, are easily seen by him. +The sparrow-hawk seizes the young when they are half-grown and plump; +he having been carefully noticed watching the nest day by day as if +waiting for the time when they should be fit for his eating. The larger +hawks, however, prey upon the poor wood-pigeon himself.” + +With all his pleasant cooings in the wood, therefore, and all +his complacent strutting about with elevated head and protruded +breast—with all his gambols and graces, his striking the points of +his wings together as he rises into the air, to express a pleasure to +his mate beyond his cooing, he has not such a care free life of it. He +is always kept on the alert, therefore, and, being always on the watch +against danger, is not at all a sound sleeper. The least disturbance at +night rouses him. “I have frequently,” continues our author, “attempted +to approach the trees when the wood-pigeons were roosting, but even +on the darkest nights they would take alarm. The poor wood-pigeon +has no other defence against its enemies than its ever watchful and +never sleeping timidity; not being able to do battle against even the +smallest of its many persecutors.” + +Gilbert White says that the wood-pigeons were greatly decreasing, in +his time, in Hampshire, and there were then only about a hundred in the +woods at Selborne, but in former times the flocks had been so vast, not +only there, but in the surrounding districts, that they had traversed +the air morning and evening like rooks, reaching for a mile together, +and that, when they thus came to rendezvous there by thousands, the +sound of their wings, suddenly roused from their roosting-trees in an +evening, rising all at once into the air, was like a sudden rolling of +distant thunder. + +Although the wood-pigeon is considered to be the original parent of +the tame pigeon, yet it does not seem possible to tame the young of +this bird, though taken from the nest quite young. It is a bird which +appears to hate confinement, and, as soon as it has the opportunity, +spite of all kindness and attention, it flies away to the freedom of +the woods. + +[Illustration] + + + + +CHAPTER XVII. + +THE WHITE-THROAT. + + +With none of our migratory birds, our spring visitants from southern +lands, is the lover of the country more familiar than with the +White-throat, which, with its nest, is here so beautifully and livingly +depicted by Mr. Harrison Weir. + +This bird, with its many names—White-throat, Peggy-white-throat, +Peggy-chaw, Charlie-mufty, Nettle-creeper, Whishey-whey-beard or +Pettichaps—comes to us in April, about the same time as the cuckoo and +the swallow; the male bird, like his cousin the nightingale, coming +before the female, but he does not make himself very conspicuous till +the hedges and bushes are well covered with leaves; then he may be +found in almost every lane and hedge the whole country over. + +As soon as the female is here, and the birds have paired, the business +of nest-building begins, and they may then be seen flying in and out +of the bushes with great alertness, the he-bird carolling his light +and airy song, and often hurling himself, as it were, up into the air, +some twenty or thirty feet, in a wild, tipsy sort of way, as if he +were fuller of life than he could hold, and coming down again with a +warble into the hedge, where the little hen-wife is already arranging +her dwelling in the very spot probably where she was herself hatched, +and her ancestors before her, for ages. For I must here remark that +one of the most remarkable properties of birds is, that facility by +which they so regularly disperse themselves over the whole country on +their arrival after their far migration, each one, in all probability, +attracted by some attachment of the past, stopping short at, or +proceeding onward to, the exact spot where he himself first came into +the consciousness of life. This is one of the wonderful arrangements of +nature, otherwise of God, by which the great balance is so beautifully +kept in creation. If the migratory bird arrives ever so weary at Dover, +and its true home be some sweet low-lying lane of Devonshire, a thick +hedgerow of the midland counties, or a thickety glen of Westmoreland, +it will not delay its flight nor be tempted to tarry short of that +glen, hedgerow, or lane with which the experience of its own life and +affection is united. + +At this charming time of the year none of the various performers in +nature’s great concert bring back to those who have passed their youth +in the country a more delicious recollection of vernal fields and lanes +than this bird of ours, the little white-throat. + +[Illustration: + + WHITE-THROAT AND NEST. [Page 98. +] + +Yes, along those hedges, fresh and fragrant with their young leaves, +along those banks studded with primroses, campions, blue-bells and +white starwort, and through the thick growth of the wild rose bushes, +all of which have a beauty especially their own, the white-throat +salutes you as you pass, as if to recognise an old acquaintance. He +is brimful of fun; out he starts and performs his series of eccentric +frolics in the air, accompanied by his mad-cap sort of warble; or, +almost as if laughing at you, he repeats from the interior of the +bushes his deep grave note, _chaw! chaw!_ whence comes the name +of peggy-chaw. This, however, is to tell you—and to those who +understand bird-language it is intelligible enough—that he has now a +family to attend to, and he begs, very respectfully, that you will not +trouble yourself about it. + +[Sidenote: _Description of the Bird._] + +A Scotch naturalist says that “the peasant boys in East Lothian imagine +that the bird is mocking or laughing at them, as it tumbles over the +hedge and bushes in the lane, and, therefore, they persecute it at all +times, even more mercilessly than they do sparrows.” + +The white-throat is an excitable little bird, rapid in all its +movements; and though it will apparently allow a person to come near, +it incessantly flits on, gets to the other side of the hedge, warbles +its quaint little song, flies to a short distance, sings again, and so +on, for a long time, returning in the same way. It erects the feathers +of its head when excited, and swells its throat so much when singing, +that the feathers stand out like a ruff, whence it has obtained the +name of _Muffety_, or Charlie-mufty, in Scotland. + +Its colour, on the upper parts of the body, is reddish-brown, +brownish-white below, with a purely white throat. Its food is +principally insects and larvæ of various kinds, for which it is always +on the search amongst the thick undergrowth of the plants and bushes +where it builds. One of its many names is Nettle-creeper, from this +plant growing so generally in the localities which it haunts. + +Its nest—one of the most light and elegant of these little abodes—may +truly be called “gauze-like,” for being constructed wholly of fine +grasses, and very much of the brittle stems of the Galnim aparine, or +cleavers, which, though slender, are not pliant, and bend only with an +angle; they prevent the whole fabric from being closely woven, so that +it maintains a gauzy texture; the inside, however, is put together more +closely of finer and more pliant materials, delicate root-filaments, +and various kinds of hair. The eggs, four or five in number, are of a +greenish-gray colour, often with a tawny hue, blotched and spotted over +with dark tints of the same colour. + +A correspondent of the author of “British Birds” says that, one morning +in June, when walking in his shrubbery within about eighty yards of a +White-throat’s nest, which he was taking great interest in, he found a +portion of the shell of one of the eggs of this bird, and, fearing that +a magpie had been plundering it, hastened to the spot, but found to his +satisfaction that the nest was then full of newly-hatched birds. “The +shell had,” he says, “been instinctively taken away by the mother in +order to prevent the discovery of the place of her retreat.” He adds +that the mother-bird was very shy, and usually dropped from her nest +with the most astonishing rapidity, and, treading her way through the +grasses and other entanglements, disappeared in a moment. The young, +too, seemed greatly to dislike observation, and on his taking one into +his hand to examine it, it uttered a cry, no doubt of alarm, on which +all the other little things leapt out of their abode, although not more +than half-fledged, and hopped amongst the grass. It is a singular fact +that almost every kind of young bird, if they be caused to leave their +nest through alarm, or by being handled, can never be induced to stay +in the nest again, though they may be put back into it time after time. + + + + +CHAPTER XVIII. + +THE BULL-FINCH. + + +This bird, which is common to all parts of the country, is very shy, +and for the greater part of the year haunts the woods and thickets. +In spring, however, its fondness for tender fruit-buds tempts it into +gardens and orchards, where, being considered an enemy, it is destroyed +without mercy. It is a question, however, whether it devours these +young buds as favourite food, or whether it may not be the equally +distinctive grub or insect which is the temptation; and thus, that +it ought rather to be regarded as the friend than the enemy of the +gardener and fruit-grower. At all events, the general opinion is +against the poor bull-finch. He is declared to be a devourer of the +embryo fruit, and no mercy is shown to him. The Rev. J. G. Wood, always +a merciful judge where birds are concerned, thinks that public opinion +is unfairly against him. He says that a gooseberry tree, from which it +was supposed that the bull-finches had picked away every blossom-bud, +yet bore the same year an abundant crop of fruit, which certainly +proved that they had picked away only the already infected buds, and so +left the tree in an additionally healthy state, doubly able to mature +and perfect its fruit. + +Bull-finches seldom associate with other birds, but keep together in +small flocks as of single families. Its flight, though quick, is +somewhat undulating or wavering; and in the winter it may sometimes +be seen in large numbers flitting along the roadsides and hedges, +being probably forced out of some of its shyness by the stress of +hunger. Its ordinary note is a soft and plaintive whistle; its song, +short and mellow. It is, in its native state, no way distinguished as +a singing-bird, but at the same time it is possessed of a remarkable +faculty for learning tunes artificially, of which I may have more to +say presently. + +The bull-finch begins to build about the beginning of May. She places +her nest, as we see in our illustration, in a bush, frequently a +hawthorn, at no great distance from the ground. The nest is not very +solidly put together; the foundation, so to speak, being composed of +small dry twigs, then finished off with fibrous roots and moss, which +also form the lining. The eggs, five or six in number, are of a dull +bluish-white, marked at the larger end with dark spots. + +Although there is so little to say about the bull-finch in his natural +state—excepting that he is a handsome bird, with bright black eyes, +a sort of rich black hood on his head; his back, ash-grey; his breast +and underparts, red; wings and tail, black, with the upper tail-coverts +white—yet when he has gone through his musical education, he is not +only one of the most accomplished of song-birds, but one of the most +loving and faithfully attached little creatures that can come under +human care. These trained birds are known as piping bull-finches. + +[Illustration: + + BULL-FINCH AND NESTLINGS. [Page 102. +] + +[Sidenote: _How it is taught to pipe._] + +Bishop Stanley, in his “History of Birds,” thus describes the method by +which they are taught:— + +“In the month of June, the young ones, which are taken from the nest +for that purpose, are brought up by a person, who, by care and +attention, so completely tames them that they become perfectly docile +and obedient. At the expiration of about a couple of months, they first +begin to whistle, from which time their education begins, and no school +can be more diligently superintended by its master, and no scholars +more effectually trained to their own calling, than a seminary of +bull-finches. They are formed first into classes of about six in each, +and, after having been kept a longer time than usual without food, and +confined to a dark room, the tune they are to learn is played over +and over again, on a little instrument called a bird-organ, the notes +of which resemble, as nearly as possible, those of the bull-finch; +sometimes, also, a flageolet is used for this purpose, and birds so +taught are said to have the finer notes. For awhile the little moping +creatures will sit in silence, not knowing what all this can mean; but +after awhile one by one will begin to imitate the notes they hear, for +they have great power of imitation as well as remarkably good memories. +As soon as they have said their lesson all round, light is admitted +into the room, and they are fed. + +“By degrees the sound of the musical instrument—be it flageolet or +bird-organ—and the circumstance of being fed, become so associated in +the mind of the hungry bird, that it is sure to begin piping the tune +as soon as it hears it begin to play. When the little scholars have +advanced so far they are put into a higher class, that is to say, are +turned over each to his private tutor; in other words, each bird is put +under the care of a boy who must carry on its education, and who plays +on the little instrument from morning to night, or as long as the bird +can pay attention, during which time the head-master or feeder goes +his regular rounds, scolding or rewarding the little feathered scholars +by signs and modes of making them understand, till they have learned +their lessons so perfectly, and the tune is so impressed on their +memories, that they will pipe it to the end of their days; and let us +hope, as I believe is the fact, that they find in it a never-ending +delight. + +“Just as in human schools and colleges, it is only the few out of the +great number who take the highest honours or degrees, or become senior +wranglers, so it is not above five birds in every hundred who can +attain to the highest perfection in their art! but all such are valued +at a very high price.” + +It is allowable to hope that the poor bull-finch, which has thus +industriously applied himself to learn, and has thus become +artificially gifted with the power of pleasing, takes great +satisfaction in his accomplishment. Perhaps also the association with +his human teacher calls forth his affection as well as his power of +song, for it is a fact that the piping bull-finch is, of all birds, +given to attach itself to some one individual of the family where it +is kept, expressing, at their approach, the most vehement delight, +greeting them with its piping melody, hopping towards them, and +practising all its little winning ways to show its love, and to court a +return of caresses. + +“An interesting story,” says the bishop, “was told by Sir William +Parsons, who was himself a great musician, and who, when a young man, +possessed a piping bull-finch, which he had taught to sing, ‘God save +the king.’ On his once going abroad, he gave his favourite in charge +to his sister, with a strict injunction to take the greatest care of +it. On his return, one of his first visits was to her, when she told +him that the poor little bird had been long in declining health, and +was, at that moment, very ill. Sir William, full of sorrow, went into +the room where the cage was, and, opening the door, put in his hand, +and spoke to the bird. The poor little creature recognised his voice, +opened his eyes, shook his feathers, staggered on to his finger, piped +‘God save the king,’ and fell down dead.” + +[Sidenote: _The Devoted Affection of Birds._] + +We see in the piping bull-finch—a bird which in its education is +closely associated with man—the deep and devoted affection of which +it is capable; and if we could only live with the animal creation as +their friends and benefactors, we should no longer be surprised by such +instances of their intelligence and love. + +[Illustration] + + + + +CHAPTER XIX. + +THE MISSEL-THRUSH. + + +This is the largest of our British song birds. It remains with us +through the whole year, not being migratory, excepting in so far as it +moves off in considerable flocks into Herefordshire and Monmouthshire +for the sake of the mistletoe which abounds in the orchards there, +on the viscous berries of which it delights to feed, and whence it +has obtained its familiar name of missel, or mistletoe thrush. It is +generally believed that this curious parasitic plant was propagated or +planted upon the branches of trees, by this bird rubbing its bill upon +the rough bark to clean it from the sticky substance of the berry, and +thus introducing the seeds into the interstices of the bark. + +[Illustration: + + MISSEL-THRUSHES AND NEST. [Page 106. +] + +The Missel-thrush is a handsome bird; the head, back, and upper coverts +of the wings olive-brown, the latter tipped with brownish-white, +spotted with brown; the breasts and under parts pale yellow, covered +with black spots; the legs are yellow and the claws black. + +It is a welcome bird, being the earliest harbinger of spring, the first +singer of the year. Long before the swallow is thought of, before even +the hardy familiar robin has begun his song, its clear rich voice +may be heard on Christmas or New Year’s day, often amidst wild winds +and winterly storms, whence its also familiar name, the storm-cock. +It is known by different names in different parts of the country. +The origin of its more general appellation—the missel-thrush—I have +already mentioned. In the midland counties it is called the thrice +cock, but why I know not. In Wales it is known as _Pen-y-llwyn_, which +means the head or master of the coppice. Why it is so called I will +mention presently. + +[Sidenote: _A Description of the Nest._] + +The nest of the missel-thrush is large and well constructed, being +made of almost every material ordinarily used for nest-making +purposes—moss, and hay, and straw, and dry leaves, and little twigs, +and locks of wool, with occasional odds and ends of every possible +kind. All these are woven and wrought together very compactly; not, +however, without loose straws and little tangles of wool hanging about. +Within is a smooth casing of mud, as in the nest of the throstle, and +within that a second coating of dry grass. Our picture represents all +as being now complete. The busy labours of the year are now over; the +eggs, four or five in number, of a greenish-blue, marked with reddish +spots, are laid, and the mother-bird has taken her patient seat upon +them, whilst her mate, from the branch above, sings as if he never +meant to leave off again. + +The song of this bird is loud, clear, and melodious—a cheering, +hopeful song; and when heard amidst the yet prevailing winter-storms, +as if in anticipation of better times, it well deserves our admiration. +It resembles, to a certain degree, the song of the blackbird and the +thrush, and is often mistaken for them; but it has not the short, +quick, and varied notes of the one, nor the sober, prolonged, and +eloquent melody of the other. On the contrary it is of an eager, +hurrying character, as if it could not sufficiently express its +emotion, and yet was trying to do so. + +The missel-thrush is a bird of very marked character, and is both bold +and chivalrous. Its harsh, jarring note of anger and defiance is the +first to be heard when a bird-enemy is at hand. If a cuckoo or hawk is +anywhere near meditating mischief, the missel-thrush is vehement in his +expression of displeasure. In our own neighbourhood, where the jays in +summer come from the wood to carry the young of the sparrows from their +nests in the ivied boles of the trees round our garden, the outcry of +the parent sparrows instantly arouses the sympathetic missel-thrushes, +who, with a scolding defiance, rush to the rescue. Of course these +birds, which are of so militant a character, and so loud in protesting +against a wrong done to another, will be equally alive to their own +rights, and active in defending their own nests and young. Some +naturalists have suggested that this combatant temper and extraordinary +courage are but the natural consequence of the bird finding its nest +open to common attack; for, being of a large size, and built early in +the year whilst the trees are yet leafless, it is visible to every +enemy and depredator. + +Mr. Thompson says: “Often have I seen a pair of these birds driving off +magpies, and occasionally fighting against four of them. One pair which +I knew attacked a kestrel which appeared in their neighbourhood when +the young were out. One of them struck the hawk several times, and made +as many more fruitless attempts, as the enemy, by suddenly rising in +the air, escaped the cunning blow. They then followed the kestrel for a +long way, until they were lost to our sight in the distance.” + +The old Welsh name of “master, or head of the coppice,” refers to the +same warlike spirit. “The missel-thrush,” says Gilbert White, “suffers +no magpie, jay, or blackbird to enter the garden where he haunts, and +is, for the time, a good guardian of the new-sown crops. In general, he +is very successful in defence of his family. Once, however, I observed +in my garden that several magpies came determined to storm the nest of +the missel-thrush. The parent-birds defended their mansion with great +vigour, and fought resolutely. But numbers at last prevailed, and the +poor missel-thrushes had the pain of seeing their nest torn to pieces, +and their young carried off.” + +[Sidenote: _The Gardeners’ Enemy._] + +The missel-thrushes, however, as the year goes on, make for themselves +enemies even more formidable than hawks or magpies; these are the +gardeners. Towards the end of summer, when the young have flown, +and they and the parent-birds congregate in large flocks, having +then nothing to do but to enjoy themselves, like human families when +children are all home for the holidays, they too go abroad on their +excursions of pleasure; not, however, to sea-side watering places, but +into gardens where the cherries and raspberries are ripe. Poor birds! +Little aware of their danger, or if they be so, defiant of it in the +greatness of the temptation, they make sad havoc amongst the fruit, +and many unfortunates are shot or snared, and then hung up amidst the +cherry-boughs or the raspberry-canes as a terror to their associates. +It is a pity we cannot make them welcome to some and yet have enough +left for ourselves. + +The berries of the mountain-ash and the arbutus, and later on in the +year those of the holly and ivy, supply them with food, as do also +in the spring and summer insects of various kinds—caterpillars and +spiders—so that in this respect they are good friends to the gardener, +and might, one thinks, be made welcome to a little fruit in return. + +[Illustration] + + + + +CHAPTER XX. + +THE YELLOW-HAMMER, OR YELLOW-HEAD. + + +This, though an extremely pretty bird, is so common that very +little notice is taken of it. Its colours are varied and beautiful: +the back and wings, bright red; the central part of each feather, +brownish-black; the head and throat, bright yellow; the feathers of the +upper part tipped with black; the breast, brownish-red. The colours of +the female are much duller. + +The yellow-hammer resembles linnets, finches, and sparrows in character +and habits, and often associates with them, resorting to the fields in +open weather, and often perching in hedges and bushes as well as in +trees. In the winter, when the weather is severe, it congregates, with +other birds, about houses, farm-buildings, and stack-yards. + +One of the most pleasing features of autumn is, to my mind, these +flocks of kindred birds, which are at that time all abroad and yet +together, circling in their flight, all rising as you approach, and +wheeling away into the stubble-field, or into the distant hedges, now +rich with their wild fruits—the blackberry, the wild rose hip, and the +bunches of black-privet berries—and then away again, as you approach, +with their variously modulated notes, through the clear air into the +yet more distant stubble or bean-field. + +The flight of the yellow-hammer is wavy and graceful, and, alighting +abruptly, he has a curious way of jerking out his tail feathers like +a little fan. All at once a whole flock of them will descend from a +considerable height and settle on the twigs of a tree, clothing it as +with living leaves. Whatever number the flock may consist of, there +is no impatient hurry or jostling among them to get the best perch, +every individual settling as if on its own appointed place. As I have +already observed, nothing is more charming at this season than these +congregated companies of small birds. All the cares of life are now +over, their young broods are around them, and now, with nothing to +do but to enjoy themselves in the freedom of nature, where—on every +hand, on every bush and tree, and in every outlying field—though the +crops are now carried, all except, perhaps, here and there a solitary +field in which the bean-shocks stand up black in the golden autumnal +sunshine; but here, and there, and everywhere, a full table is spread, +and they are welcome to enjoy. + +In spring and summer, the yellow-hammer sings a peculiar but +mournful sort of little ditty, composed of a few short, sonorous +notes, concluding with one long drawn out. In the midland +counties, where stocking-weaving is the business of the people, +the note of the bird is said to resemble the working of the +machine—ch-ch-ch-ch-ch-e-e-chay—the prolonged latter syllable being +what the stockinger calls, in the machine movement, “pressing over the +arch.” In other parts of the country this bird’s song is interpreted as +“A little bit of bread, and—no-cheese!” which may just as well be “A +little bird am I, and—no thief!” + +[Illustration: + + YELLOW-HAMMER AND NEST. [Page 112. +] + +The food of this bird consists of the seeds of all kinds of grasses, +chickweeds, polygonums, and other such weeds; also, in summer, when +food is needed for the young, insects and larvæ. + +[Sidenote: _Its Picturesque Nest._] + +The winter congregations break up in April, and then the yellow-hammer +begins to think of family joys and cares. But, unlike their relations +the sparrows and finches, the he-birds take everything quietly, without +having their little skirmishes to show their spirit and prowess, like +the knights of old, at the tournament, before the admiring ladies. The +yellow-hammer does everything quietly, choosing his mate in an orderly +way; and now that the buds are swelling on the trees, the primroses +gemming the hedge-banks, and the golden catkins hanging on the willows +by the watersides, hither come the little yellow-hammers, and, having +selected some sweet, hidden spot, under a bush, or on the fieldy banks +amongst the thick herbage—we see it a month later in our picture, +when the buds have expanded into leaves, in a wild growth of beautiful +grasses and herbage—begin to make their nest. How picturesque it is! +William Hunt never painted anything more beautiful. The nest itself +is somewhat large, and of simple construction, woven externally of +coarse bents and small pliant twigs, and lined with hair and wool. Here +the hen lays four or five eggs of a purplish white, marked with dark, +irregular streaks, often resembling musical notes. + +These poor little birds are extremely attached to their home and their +young, so much so, that if these be taken by the pitiless bird-nester, +they will continue for some days about the place uttering the most +melancholy plaint, which, though still to the same old tune as the song +of their spring rejoicing, has now the expression of the deepest woe. + +The author of “British Birds” thus sums up their various characteristic +actions:—“When perched on a tree, especially in windy weather, they +crouch close to the twigs, draw in their necks, and keep their tails +declined. After pairing, the male is generally seen on a bush or tree, +raising his tail by sudden jerks, and slightly expanding it. His notes +are then usually two chirps, followed by a harsher note—cit, chit, +chirr—with considerable intervals. When feeding in the stubble-fields, +they advance by very short leaps, with their breasts nearly touching +the ground; when apprehensive of danger they crouch motionless, and +when alarmed give information to each other by means of their ordinary +short note.” + +[Illustration] + + + + +CHAPTER XXI. + +THE MAGPIE. + + +You have here a living portrait of the Magpie, sitting, so to speak, on +his own door-sill, and contemplating it with rather a sentimental air, +perhaps rather with tender admiration; and as to his dwelling, it is, +we must confess, a wonderful structure—a half-timbered edifice, so to +speak, walled-round and roofed-in, with its front-door and all complete. + +The magpie is one of our most beautiful as well as most amusing and +characteristic birds. He is cousin to the jackdaw, and has, like him, +odd ways of his own. In all countries where he is found, he is just the +same. An old Greek poet, who lived two thousand years ago, speaks of +him as a great mimic, and such an inordinate talker, that, in his own +satirical humour, he pretends to believe that magpies were originally a +family of young ladies, in Macedonia, who were noted for the volubility +of their tongues. Handsome he is, as well as talkative, and very droll +and mischievous. + +Being such, we need not wonder that his nest is very original. He likes +to place it in a secure angle of branches, on some lofty tree, as we +see it here, fifty feet or so from the ground; and prefers to have it +on a tree bare of branches to a considerable height, knowing that it +is then more inaccessible. He is wise in all this, for its bulk being +so large it is discernible to a great distance. As magpies, however, +are found almost everywhere, and in some parts of the country, the +north of Scotland for instance, where there are no trees, the poor +magpie is then obliged to build in a bush, and do the best he can. In +such a case, in Norway, he was known to barricade his nest with thorny +branches, brought thither by himself for that purpose, till it was next +to impossible for the domicile to be invaded. A cat could not get to +it, and a man only with hedging-mittens on his hands, and by help of a +bill-hook. + +Like the rook, the magpie inhabits the same nest for several years, +perhaps for the whole of his life, putting it into repair every year +before he again needs it for family use—like a wealthy country family +taking possession of their ancestral mansion in the spring. + +And now, turning to our picture, we find our magpie in excellent +circumstances. Every thing has gone well with him. Here he is, and I +will have the pleasure of giving you a bit of every-day magpie life, +as sketched by that true pen-and-ink artist, the author of “British +Birds.” Our scene opens a few minutes before the time indicated in our +picture:— + +[Illustration: + + MAGPIE AND NEST. [Page 116. +] + +[Sidenote: _A Search for Food._] + +“There, on the old ash-tree, you may see a pair, one perched on the +topmost twig, the other hopping on the branches below, keeping up an +incessant chatter. How gracefully she, on the topmost twig, swings in +the breeze! Off she starts, and directs her flight to the fir-woods +opposite, chattering all the way, seemingly to call her mate after her. +But he prefers remaining behind. He is in a brown study, or something +of that kind, as we can plainly see. Now, having spied something +below, he hops downwards from twig to branch, and descends to the +ground. His ash-tree, you must understand, grows close to, and in part +overshadows, a farmyard; so now he is on ground which, as is customary +in such places, is not over clean; therefore, lifting up his tail to +prevent it being soiled or wet, as the farmer’s wife might hold up her +Sunday gown, and raising his body as high as possible, he walks a few +paces, and, spying an earth-worm half out of his hole, drags it forth +by a sudden jerk, breaks it in pieces, and swallows it. Now, under the +hedge, he has found a snail, which he will presently pick out of its +shell, as an old woman would a periwinkle. But now something among the +bushes has startled him, and he springs lightly upwards, chattering +the while, to regain his favourite tree. It is a cat, which, not less +frightened than himself, for both are intent on mischief, runs off +towards the barn. The magpie again descends, steps slowly over the +grassy margin of the yard, looking from side to side, stops, listens, +advances rapidly by a succession of leaps, and encounters a whole brood +of chickens, with their mother at their heels. If she had not been +there he would have had a delicious feast of one of those chickens; +but he dare not think of such a thing now, for, with fury in her eye, +bristled plumage, and loud clamour, the hen rushes forward at him, +overturning two of her younglings, and the enemy, suddenly wheeling +round to avoid the encounter, flies off to his mate. + +“There again you perceive them in the meadow, as they walk about with +their elevated tails, looking for something eatable. By the hedge, afar +off, are two boys, with a gun, endeavouring to creep up to a flock of +plovers on the other side. But the magpies see them, for there are not +many things which escape their sharp eyes, and presently rising, they +fly directly over the field, chattering vehemently, and the flock of +plovers on this take wing, and the disappointed young sportsmen sheer +off in another direction.” + +Magpies always make a great chattering when they are disturbed, or +when they apprehend that danger is near. Waterton says that they +are vociferous at the approach of night, and that they are in truth +valuable watchmen on that account. “Whoever enters the wood,” he +says, “is sure to attract their notice, and then their challenge is +incessant. When I hear them during the night, or even during the +day, I know that mischief is on the stir. Three years ago, at eleven +o’clock in the day, I was at the capture of one of the most expert +and desperate poachers, to whose hiding-place we were directed by the +chatter of the magpies.” + +The poor magpie has many enemies, and, knowing this, is always on the +watch, and easily alarmed. + +Its mode of walking is like that of the rook, but not having any +dignity to maintain, it every now and then leaps in a sidelong +direction. When alarmed itself, or wishing to announce danger to other +birds, it utters a sort of chuckling cry or chatter. If a fox or cat, +or any other unfriendly animal, approaches, it hovers about it, and +alarms the whole neighbourhood by its cries till the enemy is out of +sight. + +Like the jackdaw, it generally keeps in pairs the whole year round; +and, indeed, when birds continue to inhabit the same nest, season after +season, it is quite natural that they should do so. It is a curious +fact, however, that if by any accident the hen-magpie is killed, whilst +sitting on her eggs, her mate sets off at once and brings home another +wife, who takes to the nest and eggs, just as if she had laid them; and +if by another mischance she too should come to an untimely end, the +widower again goes off, and, without any loss of time, brings back a +third wife, and she takes to her duties quite as naturally and lovingly +as the other did; but where all these surplus mothers come from is a +question which no naturalist has yet answered, and the magpie, with all +his chattering, is not clever enough to explain the wonder. + +[Sidenote: _Its Beautiful Plumage._] + +The beauty of this bird’s plumage is familiar to all; and although it +is simply black and white, yet the exquisitely-coloured gloss of green, +blue, and purple, with their varying and intermingling tints, produce +such a charming effect that one cannot sufficiently admire them. + +With the external structure of the magpie’s nest we are acquainted: the +lower part, inside, is neatly plastered with mud, “and is furnished,” +says Bewick, “with a sort of mattress, formed of wool or fibrous roots, +on which from three to six eggs are laid.” The eggs frequently vary, +both in size and colour; sometimes they are of a pale green, freckled +over with amber-brown and light purple; sometimes pale blue, with +smaller spots of the same dark colours. + +The nest is, so to speak, a sort of little domed chamber, of a good +size for its purpose; but then comes the question—What does the magpie +do with her long tail as she sits on her eggs? It would certainly +poke a hole through the wall if left to its full extent; she must, +therefore, lift it up, as she does when walking amongst the wet grass, +and sit with it laid flat against the wall, which probably is not +inconvenient to her. + + + + +CHAPTER XXII. + +THE NUTHATCH. + + +This bird is almost an entire stranger to most people. It belongs to +the rather large family of creepers; birds which, like the woodpecker +and the little golden-crested wren, run up the holes and branches of +trees in search of food. The nuthatch, however, has an advantage over +all its other creeping relatives, by being gifted with the power of +coming down the tree head foremost, which none of them have. It can +also sleep with its head downwards; neither in its rapid ascent has it +occasion to press its tail against the tree for help; so that it is the +most accomplished little acrobat of the whole race of creepers. + +[Illustration: + + NUTHATCH AND NEST. [Page 120. +] + +The nuthatch cannot be called a rare bird, and yet it is not often +seen, being of a shy and retiring disposition, though naturally lively +and active. The plumage is very pleasing in colour; the upper parts +of the body are bluish-grey; a black line passes from the corners of +the mouth to the back of the neck; the breast and under parts light +reddish-yellow, and the sides reddish-brown. + +It delights in woods and trees; nor need it be looked for elsewhere, +as it derives its food entirely amongst them, either of insects and +larvæ, hidden in the bark, or of fruits and nuts, as kernels of +fir-cones, beech, and other nuts, the shells of which it breaks in +a very ingenious manner, as I shall presently describe. Now and then +it alights on the ground, and then advances by short leaps. It has no +song; but in winter, when living in small companies, perhaps the whole +summer-family associating together, it has a little piping note, which, +however, is supposed to be simply the call to each other. It is said to +be sensitive to the cold, and always feeds on the side of the wood or +of the tree which is defended from the wind. In spring, however, when +all nature is renovated with a quicker pulse of life—for, as Tennyson +says:— + + In the spring a fuller crimson comes upon the robin’s breast; + In the spring the wanton lapwing gets himself another crest; + In the spring a livelier iris changes on the burnished dove— + +then, also, the silent nuthatch sends forth through the awakening +solitude of the woods his two little notes, one short and twittering, +the other a low, mellow, flute-like whistle, which is so clear that it +may be heard to a considerable distance. + +[Sidenote: _Its Favourite Food._] + +The graphic author of the “British Birds” says, “It is, at all times, +a busy and cheerful bird, particularly at nesting-time. Its favourite +food is nuts of any kind. It builds and roosts in hollow trees, and +is seldom seen in the open fields, unless when in quest of the stones +of the white-thorn or sloe. It may, therefore, be properly called a +forester. Its dexterity in opening nuts and the stones of fruit is +curious. It fixes the nut in a crack, on the top of a post, or in the +bark of a tree, and, placing itself above it, head downwards, striking +with great force and rapidity, with its strong, wedge-shaped bill on +the edge of the shell, splits it open. When their food is plentiful, +they have a favourite crack for unshelling the kernels, as sometimes a +peck of broken shells may be seen under this crack.” + +The Rev. W. T. Bree tells us that “the tapping of the bird on the hard +shell may be heard at a considerable distance, and that during the +operation it sometimes happens that the nut swerves from its fixture +and falls towards the ground. It has not descended, however, for the +space of more than a few yards, when the nuthatch, with admirable +adroitness, recovers it in the fall, and, replacing it in its former +position, commences the attack afresh. The fall of the nut in the air, +and the recovery by the bird on the wing, I have seen repeated several +times in the space of a few minutes.” + +This is a little act of skill in the bird which it would be charming to +observe; and here again I would remark, as I have so often done before, +that this is but a single instance of what many of us, living in the +country, might witness in some woodland nook near at hand, if we would +only be lovingly still and patient, and interest ourselves in the ways +and means of the innocent animal-life around us. + +The nest of the bird also deserves our notice; and let me here call +your attention to the beautiful and living little portrait of the bird +at home, given us by Mr. Harrison Weir, than which we have nothing more +truthful from his pencil. The home of the nuthatch is nothing more, to +begin with, than the hole in an old tree, which, probably, has been +deserted by the woodpecker. As, however, the woodpecker either requires +a more enlarged entrance to her nursery, or considers it more seemly, +the nuthatch, who merely likes a snug little hole to creep in at, and +nothing more, walls up the opening with a plastering of clay or mud, +leaving only just room enough for herself to enter. Perhaps she may be +afraid of the old tenants returning and again taking possession, so +builds up a little defence in front; but of that I cannot say; certain +it is she makes herself comfortably at home in rather an untidy nest, +composed mostly of dead oak-leaves, and here she lays six or seven +white eggs, with ruddy spots on them. + +[Sidenote: _Her Defence of her Young._] + +If the plaster wall be by any chance removed, the poor bird loses not +a moment in replacing it; and though she has apparently great dread +of any enemy—the woodpecker, snake, man, or whatever else he may be, +disturbing her—yet so faithfully devoted is she to her duties, that +scarcely anything will induce her to leave the eggs or young. She +fights vigorously in defence of her home and its treasures, striking +out with her bill and wings, and making a hissing, angry noise. Nay, +timid and shy as she naturally is, she will suffer herself to be +carried off captive rather than desert her charge. + +Let me conclude with one of Bechstein’s anecdotes of the nuthatch:— + +“A lady amused herself in the winter by throwing seeds on the terrace, +below the window, to feed the birds in the neighbourhood. She put some +hemp-seed and cracked nuts even on the window-sill, and on a board, for +her particular favourites, the blue-tits. Two nuthatches came one day +to have their share of this repast, and were so well pleased that they +became quite familiar, and did not even go away in the following spring +to get their natural food and to build their nest in the wood. They +settled themselves in the hollow of an old tree near the house. + +“As soon as the two young ones which were reared here were ready to +fly, they brought them to the hospitable window, where they were to be +nourished, and soon after disappeared entirely. It was amusing to see +these two new visitors hang or climb on the walls or blinds, whilst +their benefactress put their food on the board. These pretty creatures +as well as the tits, knew her so well, that when she drove away the +sparrows, which came to steal what was not intended for them, they did +not fly away also, but seemed to know what was done was only to protect +and defend them. They remained near the house for the whole summer, +rarely wandering, till one fatal day, at the beginning of the sporting +season, in autumn, on hearing the report of a gun, they disappeared and +were never seen again.” + +[Illustration] + + +Watson & Hazell, Printers, 28, Charles Street, Hatton Garden. + +*** END OF THE PROJECT GUTENBERG EBOOK BIRDS AND THEIR NESTS *** + +Updated editions will replace the previous one--the old editions will +be renamed. + +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the +United States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for an eBook, except by following +the terms of the trademark license, including paying royalties for use +of the Project Gutenberg trademark. If you do not charge anything for +copies of this eBook, complying with the trademark license is very +easy. You may use this eBook for nearly any purpose such as creation +of derivative works, reports, performances and research. Project +Gutenberg eBooks may be modified and printed and given away--you may +do practically ANYTHING in the United States with eBooks not protected +by U.S. copyright law. Redistribution is subject to the trademark +license, especially commercial redistribution. + +START: FULL LICENSE + +THE FULL PROJECT GUTENBERG LICENSE +PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK + +To protect the Project Gutenberg-tm mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase "Project +Gutenberg"), you agree to comply with all the terms of the Full +Project Gutenberg-tm License available with this file or online at +www.gutenberg.org/license. + +Section 1. General Terms of Use and Redistributing Project +Gutenberg-tm electronic works + +1.A. By reading or using any part of this Project Gutenberg-tm +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg-tm electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg-tm electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the +person or entity to whom you paid the fee as set forth in paragraph +1.E.8. + +1.B. "Project Gutenberg" is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg-tm electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg-tm electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg-tm +electronic works. See paragraph 1.E below. + +1.C. The Project Gutenberg Literary Archive Foundation ("the +Foundation" or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg-tm electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg-tm mission of promoting +free access to electronic works by freely sharing Project Gutenberg-tm +works in compliance with the terms of this agreement for keeping the +Project Gutenberg-tm name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg-tm License when +you share it without charge with others. + +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg-tm work. The Foundation makes no +representations concerning the copyright status of any work in any +country other than the United States. + +1.E. Unless you have removed all references to Project Gutenberg: + +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg-tm License must appear +prominently whenever any copy of a Project Gutenberg-tm work (any work +on which the phrase "Project Gutenberg" appears, or with which the +phrase "Project Gutenberg" is associated) is accessed, displayed, +performed, viewed, copied or distributed: + + This eBook is for the use of anyone anywhere in the United States and + most other parts of the world at no cost and with almost no + restrictions whatsoever. You may copy it, give it away or re-use it + under the terms of the Project Gutenberg License included with this + eBook or online at www.gutenberg.org. If you are not located in the + United States, you will have to check the laws of the country where + you are located before using this eBook. + +1.E.2. If an individual Project Gutenberg-tm electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase "Project +Gutenberg" associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg-tm +trademark as set forth in paragraphs 1.E.8 or 1.E.9. + +1.E.3. If an individual Project Gutenberg-tm electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg-tm License for all works +posted with the permission of the copyright holder found at the +beginning of this work. + +1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg-tm. + +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg-tm License. + +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg-tm work in a format +other than "Plain Vanilla ASCII" or other format used in the official +version posted on the official Project Gutenberg-tm website +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original "Plain +Vanilla ASCII" or other form. Any alternate format must include the +full Project Gutenberg-tm License as specified in paragraph 1.E.1. + +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg-tm works +unless you comply with paragraph 1.E.8 or 1.E.9. + +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg-tm electronic works +provided that: + +* You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg-tm works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg-tm trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, "Information about donations to the Project Gutenberg + Literary Archive Foundation." + +* You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg-tm + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg-tm + works. + +* You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + +* You comply with all other terms of this agreement for free + distribution of Project Gutenberg-tm works. + +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg-tm electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from the Project Gutenberg Literary Archive Foundation, the manager of +the Project Gutenberg-tm trademark. Contact the Foundation as set +forth in Section 3 below. + +1.F. + +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm +electronic works, and the medium on which they may be stored, may +contain "Defects," such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. + +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right +of Replacement or Refund" described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg-tm trademark, and any other party distributing a Project +Gutenberg-tm electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. + +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. + +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. + +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. + +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg-tm electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg-tm +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg-tm work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg-tm work, and (c) any +Defect you cause. + +Section 2. Information about the Mission of Project Gutenberg-tm + +Project Gutenberg-tm is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. + +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg-tm's +goals and ensuring that the Project Gutenberg-tm collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg-tm and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at +www.gutenberg.org + +Section 3. Information about the Project Gutenberg Literary +Archive Foundation + +The Project Gutenberg Literary Archive Foundation is a non-profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation's EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state's laws. + +The Foundation's business office is located at 809 North 1500 West, +Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up +to date contact information can be found at the Foundation's website +and official page at www.gutenberg.org/contact + +Section 4. Information about Donations to the Project Gutenberg +Literary Archive Foundation + +Project Gutenberg-tm depends upon and cannot survive without +widespread public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine-readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. + +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular +state visit www.gutenberg.org/donate + +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. + +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. + +Please check the Project Gutenberg web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate + +Section 5. General Information About Project Gutenberg-tm electronic works + +Professor Michael S. Hart was the originator of the Project +Gutenberg-tm concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg-tm eBooks with only a loose network of +volunteer support. + +Project Gutenberg-tm eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. + +Most people start at our website which has the main PG search +facility: www.gutenberg.org + +This website includes information about Project Gutenberg-tm, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. diff --git a/68416-0.zip b/old/68416-0.zip Binary files differindex 1824aee..1824aee 100644 --- a/68416-0.zip +++ b/old/68416-0.zip diff --git a/68416-h.zip b/old/68416-h.zip Binary files differindex 849a1a1..849a1a1 100644 --- a/68416-h.zip +++ b/old/68416-h.zip diff --git a/old/68416-h/68416-h.htm b/old/68416-h/68416-h.htm new file mode 100644 index 0000000..81b1321 --- /dev/null +++ b/old/68416-h/68416-h.htm @@ -0,0 +1,4688 @@ +<!DOCTYPE html> +<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> +<head> + <meta charset="UTF-8" /> + <title> + Birds and Their Nests, by Mary Howitt—A Project Gutenberg eBook + </title> + <link rel="icon" href="images/cover.jpg" type="image/x-cover" /> + <style> /* <![CDATA[ */ + +body { + margin-left: 10%; + margin-right: 10%; +} + + h1,h2{ + text-align: center; /* all headings centered */ + clear: both; +} + +p { + margin-top: .51em; + text-align: justify; + margin-bottom: .49em; +} + +.p80 { + font-size: 0.80em; + text-align: center;} + +.p140 { + font-size: 1.40em; + text-align: center; + font-weight: bold;} + +abbr[title] { + border-bottom: thin dotted #dcdcdc; + text-decoration: none; +} + +hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} +hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} +@media print { hr.chap {display: none; visibility: hidden;} } +hr.full {width: 95%; margin-left: 2.5%; margin-right: 2.5%;} + +.space-above2 { + margin-top: 2em;} + +.space-above4 { + margin-top: 4em;} + +div.chapter {page-break-before: always;} +h2.nobreak {page-break-before: avoid;} + +div.title-page { + text-align: center; + margin-left: auto; + margin-right: auto; + padding-left: 1.0em; + padding-right: 1.0em; + max-width: 25em; + page-break-before: always; + page-break-after: always; + border: 6px double black; + } + +table { + margin-left: auto; + margin-right: auto; +} + +table.autotable td, + +td.cont1 { + vertical-align: top; + font-variant: small-caps; +} + +td.cont1a { + vertical-align: top; + font-variant: small-caps; + padding-left: 2em; +} + +td.cont2 { + text-align: right; + vertical-align: top; + padding-left: 2em; +} + +td.cont3 { + padding-left: 1.8em; + text-indent: -1.8em; + text-align: left; + vertical-align: top; + font-variant: small-caps; +} + +td.chn { + text-align: left; + vertical-align: top; + padding-left: 4em; +} + +td.chapnum +{ + text-align: right; + padding-right: 0.5em; +} + +.tdr { + text-align: right; + vertical-align: bottom; + min-width: 2em;} + +.pagenum { /* uncomment the next line for invisible page numbers */ + /* visibility: hidden; */ + position: absolute; + left: 92%; + font-size: smaller; + text-align: right; + font-style: normal; + font-weight: normal; + font-variant: normal; + text-indent: 0; +} /* page numbers */ + +.sidenote { + width: 20%; + padding-bottom: .5em; + padding-top: .5em; + padding-left: .5em; + padding-right: .5em; + margin-left: 1em; + float: right; + clear: right; + margin-top: 1em; + font-size: smaller; + color: black; + background: #eeeeee; + border: 1px dashed; +} + +.center {text-align: center;} + +.right {text-align: right;} + +.smcap {font-variant: small-caps;} + +.allsmcap {font-variant: small-caps; text-transform: lowercase;} + +.caption {font-weight: bold;} + +/* Images */ + +img { + max-width: 100%; + height: auto; +} +img.w100 {width: 100%;} + + +.figcenter { + margin: auto; + text-align: center; + page-break-inside: avoid; + max-width: 100%; +} + +/* Footnotes */ + +.footnote {margin-left: 10%; margin-right: 10%; font-size: 0.9em;} + +.footnote .label {position: absolute; right: 84%; text-align: right;} + +.fnanchor { + vertical-align: super; + font-size: .8em; + text-decoration: + none; +} + +/* Poetry */ +.poetry-container { + text-align: center; + margin: -1em 0;} + +.poetry { + text-align: left; + display: inline-block;} + +/* uncomment the next line for centered poetry in browsers */ +/* .poetry {display: inline-block;} */ +.poetry .stanza {margin: 1em auto;} +.poetry .verse {text-indent: -3em; padding-left: 3em;} +/* large inline blocks don't split well on paged devices */ +@media print { .poetry {display: block;} } +.x-ebookmaker .poetry {display: block;} + +/* Transcriber's notes */ +.transnote {background-color: #E6E6FA; + color: black; + font-size:smaller; + padding:0.5em; + margin-bottom:5em; + font-family:sans-serif, serif; } + +/* Poetry indents */ +.poetry .indent0 {text-indent: -3em;} +.poetry .indent10 {text-indent: 2em;} +.poetry .indent2 {text-indent: -2em;} +.poetry .indent4 {text-indent: -1em;} +.poetry .indent6 {text-indent: 0em;} +.poetry .indent8 {text-indent: 1em;} + + + /* ]]> */ </style> +</head> +<body> +<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Birds and their nests, by Mary Howitt</p> +<div style='display:block; margin:1em 0'> +This eBook is for the use of anyone anywhere in the United States and +most other parts of the world at no cost and with almost no restrictions +whatsoever. You may copy it, give it away or re-use it under the terms +of the Project Gutenberg License included with this eBook or online +at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you +are not located in the United States, you will have to check the laws of the +country where you are located before using this eBook. +</div> + +<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Birds and their nests</p> +<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: Mary Howitt</p> +<p style='display:block; text-indent:0; margin:1em 0'>Release Date: June 28, 2022 [eBook #68416]</p> +<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p> + <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Fiona Holmes and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)</p> +<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK BIRDS AND THEIR NESTS ***</div> + +<div class="transnote"> +<h2>Transcriber’s Notes</h2> + +<p>Hyphenation has been standardised.</p> + +<p>For the CONTENTS on <a href="#Page_v" title="">Page v</a>, Chapter IX—Peewits 51 was missed from print +in the original, and has been added.</p> + +<p>The layout of the Contents continuation page on <a href="#Page_vi" title="">Page vi</a>, has been +changed to replicate the layout of the previous Contents page.</p> + +<p class="noindent"><a href="#Page_41" title="">Page 41</a>—changed cemetries to <b>cemeteries</b>.</p> + +<p class="noindent"><a href="#Page_55" title="">Page 55</a>—changed artifical to <b>artificial</b>.</p> +</div> + + + + +<div class="figcenter"> +<a id="image_cover"><img src="images/cover.jpg" alt="" width="1986" height="2560" /></a> +</div> + +<p class="space-above4"></p> + +<h1>BIRDS AND THEIR NESTS.</h1> + +<p class="space-above4"></p> + +<div class="figcenter"> +<a id="image_frontis"><img src="images/i-frontis.jpg" alt="" width="486" height="650" /></a> +<p class="caption center">ROBIN AND NEST.</p> +</div> + +<p class="space-above4"></p> + +<div class="title-page"> +<p class="p140"> BIRDS AND THEIR NESTS,</p> + +<p class="center"> BY</p> + +<p class="center"> MARY HOWITT.</p> + +<div class="figcenter"> +<a id="image_title"><img src="images/i-title.jpg" alt="" width="327" height="300" /></a> +</div> + +<p class="center"> <em>With Twenty-three Full-page Illustrations by Harrison Weir.</em></p> + +<p class="space-above2"></p> + +<p class="p80">NEW YORK:</p> +<p class="p80">GEORGE ROUTLEDGE AND SONS, 416, BROOME STREET.</p> +<p class="p80"><span class="smcap">London: S. W. Partridge & Co., 9, Paternoster Row.</span></p> + +<p class="center"> <em>All rights reserved.</em></p> +</div> + +<p class="space-above2"></p> + +<div class="figcenter"> +<a id="image_004"><img src="images/i-004.jpg" alt="" width="366" height="200" /></a> +</div> + +<p class="center">WATSON AND HAZELL,<br /> +<em>Printers</em>,<br /> + +<span class="smcap">London and Aylesbury</span>.</p> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_v">[v]</span></p> + +<div class="figcenter"> +<a id="image_005"><img src="images/i-005.jpg" alt="" width="405" height="400" /></a> +</div> +</div> + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<h2 class="nobreak">CONTENTS.</h2> +</div> +<table> +<tr> + <td> </td> + <td> </td> + <td> </td> + <td class="right"><span class="smcap">PAGE</span></td> +</tr><tr> + <td class="cont1" colspan="2">Introductory Chapter</td> + <td class="cont3"> </td> + <td class="tdr"><a href="#INTRODUCTORY_CHAPTER" title="Page 1">1</a></td> +</tr><tr> + <td class="cont1a"><span class="allsmcap">CHAPTER</span></td> + <td class="cont2"><abbr title="1">I.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE WREN</span></td> + <td class="tdr"><a href="#Page_8" title="Page 8">8</a></td> +</tr> +<tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="2">II.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE GOLDFINCH</span></td> + <td class="tdr"><a href="#Page_15" title="Page 15">15</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="3">III.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE SONG THRUSH</span></td> + <td class="tdr"><a href="#Page_20" title="Page 20">20</a></td> +</tr> +<tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="4">IV.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE BLACKBIRD</span></td> + <td class="tdr"><a href="#Page_26" title="Page 26">26</a></td> +</tr> +<tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="5">V.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE DIPPER, OR WATER-OUSEL</span></td> + <td class="tdr"><a href="#Page_33" title="Page 33">33</a></td> +</tr><tr> + <td class="chn">” </td> + <td class="cont2"><abbr title="6">VI.</abbr> </td> + <td class="cont3">—<span class="allsmcap">THE NIGHTINGALE</span></td> + <td class="tdr"><a href="#Page_37">37</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="7">VII.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE SKYLARK</span> </td> + <td class="tdr"><a href="#Page_42" title="Page 42">42</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="8">VIII.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE LINNET</span></td> + <td class="tdr"><a href="#Page_47" title="Page 47">47</a><span class="pagenum" id="Page_vi">[vi]</span></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="9">IX.</abbr></td> + <td class="cont3">—<span class="allsmcap">THE PEEWIT</span></td> + <td class="tdr"><a href="#Page_51" title="Page 51">51</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="10">X.</abbr></td> + <td class="cont3">—<span class="allsmcap">HOUSE-MARTINS, OR WINDOW-SWALLOWS, AND NESTS</span></td> + <td class="tdr"><a href="#Page_56" title="Page 56">56</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="11">XI.</abbr></td> + <td class="cont3">—<span class="allsmcap">CHIFF-CHAFFS, OR OVEN-BUILDERS, AND NEST</span></td> + <td class="tdr"><a href="#Page_66" title="Page 66">66</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="12">XII.</abbr></td> + <td class="cont3">—<span class="allsmcap">GOLDEN-CRESTED WRENS AND NEST</span></td> + <td class="tdr"><a href="#Page_70" title="Page 70">70</a></td> +</tr> +<tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="13">XIII.</abbr></td> + <td class="cont3">—<span class="allsmcap">WAGTAIL AND NEST</span></td> + <td class="tdr"><a href="#Page_75" title="Page 75">76</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="14">XIV.</abbr></td> + <td class="cont3">—<span class="allsmcap">JACKDAW AND NESTLINGS</span></td> + <td class="tdr"><a href="#Page_81" title="Page 81">82</a></td> +</tr> +<tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="15">XV.</abbr></td> + <td class="cont3">—<span class="allsmcap">SPOTTED FLY-CATCHERS AND NEST</span></td> + <td class="tdr"><a href="#Page_86" title="Page 86">86</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="16">XVI.</abbr></td> + <td class="cont3">—<span class="allsmcap">WOOD-PIGEONS AND NEST</span></td> + <td class="tdr"><a href="#Page_91" title="Page 91">92</a></td> +</tr> +<tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="17">XVII.</abbr></td> + <td class="cont3">—<span class="allsmcap">WHITE-THROAT AND NEST</span></td> + <td class="tdr"><a href="#Page_97" title="Page 97">98</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="18">XVIII.</abbr></td> + <td class="cont3">—<span class="allsmcap">BULL-FINCH AND NESTLINGS</span></td> + <td class="tdr"><a href="#Page_101" title="Page 101">102</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="19">XIX.</abbr></td> + <td class="cont3">—<span class="allsmcap">MISSEL-THRUSHES AND NEST</span></td> + <td class="tdr"><a href="#Page_106" title="Page106">106</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="206">XX.</abbr></td> + <td class="cont3">—<span class="allsmcap">YELLOW-HAMMER, OR YELLOW-HEAD, AND NEST</span></td> + <td class="tdr"><a href="#Page_111" title="Page 111">112</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="21">XXI.</abbr></td> + <td class="cont3">—<span class="allsmcap">MAGPIE AND NEST</span></td> + <td class="tdr"><a href="#Page_115" title="Page 115">116</a></td> +</tr><tr> + <td class="chn">”</td> + <td class="cont2"><abbr title="22">XXII.</abbr></td> + <td class="cont3">—<span class="allsmcap">NUTHATCH AND NEST</span></td> + <td class="tdr"><a href="#Page_120" title="Page120">120</a></td> +</tr> +</table> + + +<div class="figcenter"> +<a id="image_006"><img src="images/i-006.jpg" alt="four eggs in a nest" width="458" height="400" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_1">[1]</span></p> + +<div class="figcenter"> +<a id="image_007"><img src="images/i-007.jpg" alt="two birds on tree branch" width="796" height="650" /></a> +</div> + + + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<h2 class="nobreak" id="Birds_and_their_Nests"><em>Birds and their Nests.</em></h2> + </div> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<h2 class="nobreak" id="INTRODUCTORY_CHAPTER">INTRODUCTORY CHAPTER.</h2> +</div> + + +<p><span class="smcap">The</span> birds in these pictures of ours have all nests, which is as it +should be; for how could the bird rear its young without its little +home and soft little bed, any more than children could be comfortably +brought up without either a bed to lie upon, or a home in which to be +happy.</p> + +<p>Birds-nests, though you may find them in every bush, are<span class="pagenum" id="Page_2">[2]</span> wonderful +things. Let us talk about them. They are all alike in the purpose for +which they are intended, but no two families of birds build exactly +alike; all the wrens, for instance, have their kind of nest; the +thrushes have theirs; so has the swallow tribe; so has the sparrow, +or the rook. They do not imitate one another, but each adheres to its +own plan, as God, the great builder and artist, as well as Creator, +taught them from the very beginning. The first nightingale, that sang +its hymn of joyful thanksgiving in the Garden of Paradise, built +its nest just the same as the bird you listened to last year in the +coppice. The materials were there, and the bird knew how to make use +of them; and that is perhaps the most wonderful part of it, for she +has no implements to work with: no needle and thread, no scissors, no +hammer and nails; nothing but her own little feet and bill, and her +round little breast, upon which to mould it; for it is generally the +mother-bird which is the chief builder.</p> + +<p>No sooner is the nest wanted for the eggs which she is about to lay, +than the hitherto slumbering faculty of constructiveness is awakened, +and she selects the angle of the branch, or the hollow in the bank or +in the wall, or the tangle of reeds, or the platform of twigs on the +tree-top, exactly the right place for her, the selection being always +the same according to her tribe, and true to the instinct which was +implanted in her at the first.</p> + +<p>So the building begins: dry grass or leaves, little twigs and +root-fibres, hair or down, whether of feather or winged seed, spangled +outside with silvery lichen, or embroidered with green mosses, less +for beauty, perhaps—though it is so beautiful—than for the birds’ +safety, because it so exactly imitates the bank or the tree-trunk in +which it is built. Or it may be that her tenement<span class="pagenum" id="Page_3">[3]</span> is clay-built, like +that of the swallow; or lath and plaster, so to speak, like an old +country house, as is the fashion of the magpie; or a platform of rude +sticks, like the first rudiment of a basket up in the tree-branches, as +that of the wood-pigeon: she may be a carpenter like the woodpecker, +a tunneller like the sand-martin; or she may knead and glue together +the materials of her nest, till they resemble thick felt; but in all +this she is exactly what the great Creator made her at first, equally +perfect in skill, and equally undeviating year after year. This is very +wonderful, so that we may be quite sure that the sparrow’s nest, which +David remarked in the house of God, was exactly the same as the sparrow +built in the days of the blessed Saviour, when He, pointing to that +bird, made it a proof to man that God’s Providence ever watches over +him.</p> + +<div class="sidenote"><em>Jules Michelet on Birds.</em></div> + +<p>Nevertheless, with this unaltered and unalterable working after one +pattern, in every species of bird, there is a choice or an adaptation +of material allowed: thus the bird will, within certain limits, select +that which is fittest for its purpose, producing, however, in the end, +precisely the same effect. I will tell you what Jules Michelet, a +French writer, who loves birds as we do, writes on this subject:—“The +bird in building its nest,” he says, “makes it of that beautiful +cup-like or cradle form by pressing it down, kneading it and shaping +it upon her own breast.” He says, as I have just told you, that the +mother-bird builds, and that the he-bird is her purveyor. He fetches in +the materials: grasses, mosses, roots, or twigs, singing many a song +between whiles; and she arranges all with loving reference; first, +to the delicate egg which must be bedded in soft material; then to +the little one which, coming from the egg naked, must<span class="pagenum" id="Page_4">[4]</span> not only be +cradled in soft comfort, but kept alive by her warmth. So the he-bird, +supposing it to be a linnet, brings her some horse-hair: it is stiff +and hard; nevertheless, it is proper for the purpose, and serves as a +lower stratum of the nest—a sort of elastic mattress: he brings her +hemp; it is cold, but it serves for the same purpose. Then comes the +covering and the lining; and for this nothing but the soft silky fibre +of certain plants, wool or cotton, or, better still, the down from her +own breast, will satisfy her. It is interesting, he says, to watch the +he-bird’s skilful and furtive search for materials; he is afraid if he +see you watching, that you may discover the track to his nest; and, in +order to mislead you, he takes a different road back to it. You may see +him following the sheep to get a little lock of wool, or alighting in +the poultry yard on the search for dropped feathers. If the farmer’s +wife chance to leave her wheel, whilst spinning in the porch, he steals +in for a morsel of flax from the distaff. He knows what is the right +kind of thing; and let him be in whatever country he may, he selects +that which answers the purpose; and the nest which is built is that of +the linnet all the world over.</p> + +<p>Again he tells us, that there are other birds which, instead of +building, bring up their young underground, in little earth cradles +which they have prepared for them. Of building-birds, he thinks the +queerest must be the flamingo, which lays her eggs on a pile of mud +which she has raised above the flooded earth, and, standing erect all +the time, hatches them under her long legs. It does seem a queer, +uncomfortable way; but if it answer its end, we need not object to it. +Of carpenter-birds, he thinks the thrush is the most remarkable; other +writers say the woodpecker. The shore-birds plait their nests, not very +skilfully it is true, but<span class="pagenum" id="Page_5">[5]</span> sufficiently well for their purpose. They +are clothed by nature with such an oily, impermeable coat of plumage, +that they have little need to care about climate; they have enough to +do to look after their fishing, and to feed themselves and their young; +for all these sea-side families have immense appetites.</p> + +<div class="sidenote"><em>How various Birds Build.</em></div> + +<p>Herons and storks build in a sort of basket-making fashion; so do the +jays and the mocking birds, only in a much better way; but as they +have all large families they are obliged to do so. They lay down, in +the first place, a sort of rude platform, upon which they erect a +basket-like nest of more or less elegant design, a web of roots and dry +twigs strongly woven together. The little golden-crested wren hangs her +purse-like nest to a bough, and, as in the nursery song, “When the wind +blows the cradle rocks.” An Australian bird, a kind of fly-catcher, +called there the razor-grinder, from its note resembling the sound of +a razor-grinder at work, builds her nest on the slightest twig hanging +over the water, in order to protect it from snakes which climb after +them. She chooses for her purpose a twig so slender that it would not +bear the weight of the snake, and thus she is perfectly safe from her +enemy. The same, probably, is the cause why in tropical countries, +where snakes and monkeys, and such bird-enemies abound, nests are so +frequently suspended by threads or little cords from slender boughs.</p> + +<p>The canary, the goldfinch, and chaffinch, are skilful cloth-weavers +or felt makers; the latter, restless and suspicious, speckles the +outside of her nest with a quantity of white lichen, so that it +exactly imitates the tree branch on which it is placed, and can hardly +be detected by the most accustomed eye. Glueing and felting play an +important part in the work of the bird-weavers.<span class="pagenum" id="Page_6">[6]</span> The humming-bird, for +instance, consolidates her little house with the gum of trees. The +American starling sews the leaves together with her bill; other birds +use not only their bills, but their feet. Having woven a cord, they fix +it as a web with their feet, and insert the weft, as the weaver would +throw his shuttle, with their bill. These are genuine weavers. In fine, +their skill never fails them. The truth is, that the great Creator +never gives any creature work to do without giving him at the same time +an inclination to do it—which, in the animal, is instinct—and tools +sufficient for the work, though they may be only the delicate feet and +bill of the bird.</p> + +<p>And now, in conclusion, let me describe to you the nest of the little +English long-tailed titmouse as I saw it many years ago, and which I +give from “Sketches of Natural History”:—</p> + +<div class="sidenote"><em>The Titmouse’s Nest.</em></div> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent4">There, where those boughs of blackthorn cross,</div> + <div class="verse indent4">Behold that oval ball of moss;</div> + <div class="verse indent4">Observe it near, all knit together,</div> + <div class="verse indent4">Moss, willow-down, and many a feather,</div> + <div class="verse indent4">And filled within, as you may see,</div> + <div class="verse indent4">As full of feathers as can be;</div> + <div class="verse indent4">Whence it is called by country folk,</div> + <div class="verse indent4">A fitting name, the feather-poke;</div> + <div class="verse indent4">But learned people, I have heard,</div> + <div class="verse indent4"><em>Parus caudatus</em> call the bird.</div> + <div class="verse indent4">Yes, here’s a nest! a nest indeed,</div> + <div class="verse indent4">That doth all other nests exceed,</div> + <div class="verse indent4">Propped with the blackthorn twigs beneath,</div> + <div class="verse indent4">And festooned with a woodbine wreath!</div> + <div class="verse indent4">Look at it close, all knit together,</div> + <div class="verse indent4">Moss, willow-down, and many a feather;</div> + <div class="verse indent4">So soft, so light, so wrought with grace,</div> + <div class="verse indent4">So suited to this green-wood place,</div> + <div class="verse indent4">And spangled o’er, as with the intent</div> + +<p><span class="pagenum" id="Page_7">[7]</span></p> + <div class="verse indent4">Of giving fitting ornament,</div> + <div class="verse indent4">With silvery flakes of lichen bright,</div> + <div class="verse indent4">That shine like opals, dazzling white.</div> + <div class="verse indent4">Think only of the creature small,</div> + <div class="verse indent4">That wrought this soft and silvery ball,</div> + <div class="verse indent4">Without a tool to aid her skill,</div> + <div class="verse indent4">Nought but her little feet and bill—</div> + <div class="verse indent4">Without a pattern whence to trace</div> + <div class="verse indent4">This little roofed-in dwelling place—</div> + <div class="verse indent4">And does not in your bosom spring</div> + <div class="verse indent4">Love for this skilful little thing?</div> + <div class="verse indent4">See, there’s a window in the wall;</div> + <div class="verse indent4">Peep in, the house is not so small,</div> + <div class="verse indent4">But snug and cosy you shall see</div> + <div class="verse indent4">A very numerous family!</div> + <div class="verse indent4">Now count them: one, two, three, four, five—</div> + <div class="verse indent4">Nay, <em>sixteen</em> merry things alive—</div> + <div class="verse indent4">Sixteen young, chirping things all sit,</div> + <div class="verse indent4">Where you, your wee hand, could not get!</div> + <div class="verse indent4">I’m glad you’ve seen it, for you never</div> + <div class="verse indent4">Saw ought before so soft and clever.</div> + </div> +</div> +</div> + +<div class="figcenter"> +<a id="image_013"><img src="images/i-013.jpg" alt="bird on branch" width="497" height="500" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_8">[8]</span></p> + +<h2 class="nobreak" id="CHAPTER_I">CHAPTER I.</h2> +</div> + +<p class="center">THE WREN.</p> + + +<p><span class="smcap">Truly</span> the little Wren, so beautifully depicted by Mr. Harrison Weir, +with her tiny body, her pretty, lively, and conceited ways, her short, +little turned-up tail, and delicate plumage, is worthy of our tender +regard and love.</p> + +<p>The colouring of the wren is soft and subdued—a reddish-brown colour; +the breast of a light greyish-brown; and all the hinder parts, both +above and below, marked with wavy lines of dusky-brown, with two bands +of white dots across the wings.</p> + +<p>Its habits are remarkably lively and attractive. “I know no pleasanter +object,” says the agreeable author of “British Birds,” “than the wren; +it is always so smart and cheerful. In gloomy weather other birds +often seem melancholy, and in rain the sparrows and finches stand +silent on the twigs, with drooping wings and disarranged plumage; but +to the merry little wren all weathers are alike. The big drops of the +thunder-shower no more wet it than the drizzle of a Scotch mist; and as +it peeps from beneath the bramble, or glances from a hole in the wall, +it seems as snug as a kitten frisking on the parlour rug.”</p> + +<div class="figcenter"> +<a id="image_015"><img src="images/i-015.jpg" alt="" width="473" height="650" /></a> +<p class="caption center">WRENS AND NEST.      [<a href="#Page_8" title="Page 8">Page 8.</a></p> +</div> + +<div class="sidenote"><em>A Builder of Many Nests.</em></div> + +<p>“It is amusing,” he continues, “to watch the motions of a young family +of wrens just come abroad. Walking among furze, broom, or juniper, you +are attracted to some bush by <span class="pagenum" id="Page_9">[9]</span>hearing issue from it the frequent +repetition of a sound resembling the syllable <em>chit</em>. On going +up you perceive an old wren flitting about the twigs, and presently +a young one flies off, uttering a stifled <em>chirr</em>, to conceal +itself among the bushes. Several follow, whilst the parents continue to +flutter about in great alarm, uttering their <em>chit, chit</em>, with +various degrees of excitement.”</p> + +<p>The nest of the wren is a wonderful structure, of which I shall have a +good deal to say. It begins building in April, and is not by any means +particular in situation. Sometimes it builds in the hole of a wall +or tree; sometimes, as in this lovely little picture of ours, in the +mossy hollow of a primrose-covered bank; and because it was formerly +supposed to live only in holes or little caves, it received the name of +<em>Troglodytes</em>, or cave-dweller. But it builds equally willingly in +the thatch of out-buildings, in barn-lofts, or tree-branches, either +when growing apart or nailed against a wall, amongst ivy or other +climbing plants; in fact, it seems to be of such a happy disposition as +to adapt itself to a great variety of situations. It is a singular fact +that it will often build several nests in one season—not that it needs +so many separate dwellings, or that it finishes them when built; but it +builds as if for the very pleasure of the work. Our naturalist says, +speaking of this odd propensity, “that, whilst the hen is sitting, the +he-bird, as if from a desire to be doing something, will construct as +many as half-a-dozen nests near the first, none of which, however, +are lined with feathers; and that whilst the true nest, on which the +mother-bird is sitting, will be carefully concealed, these sham nests +are open to view. Some say that as the wrens, during the cold weather, +sleep in<span class="pagenum" id="Page_10">[10]</span> some snug, warm hole, they frequently occupy these extra +nests as winter-bedchambers, four or five, or even more, huddling +together, to keep one another warm.”</p> + +<p>Mr. Weir, a friend of the author I have just quoted, says this was the +case in his own garden; and that, during the winter, when the ground +was covered with snow, two of the extra nests were occupied at night by +a little family of seven, which had hatched in the garden. He was very +observant of their ways, and says it was amusing to see one of the old +wrens, coming a little before sunset and standing a few inches from the +nest, utter his little cry till the whole number of them had arrived. +Nor were they long about it; they very soon answered the call, flying +from all quarters—the seven young ones and the other parent-bird—and +then at once nestled into their snug little dormitory. It was also +remarkable that when the wind blew from the east they occupied a nest +which had its opening to the west, and when it blew from the west, then +one that opened to the east, so that it was evident they knew how to +make themselves comfortable.</p> + +<p>And now as regards the building of these little homes. I will, as far +as I am able, give you the details of the whole business from the diary +of the same gentleman, which is as accurate as if the little wren had +kept it himself, and which will just as well refer to the little nest +in the primrose bank as to the nest in the Spanish juniper-tree, where, +in fact, it was built.</p> + +<div class="sidenote"><em>How a Nest was built.</em></div> + +<p>“On the 30th of May, therefore, you must imagine a little pair of +wrens, having, after a great deal of consultation, made up their minds +to build themselves a home in the branches of a Spanish juniper. The +female, at about seven o’clock in the<span class="pagenum" id="Page_11">[11]</span> morning, laid the foundation +with the decayed leaf of a lime-tree. Some men were at work cutting +a drain not far off, but she took no notice of them, and worked away +industriously, carrying to her work bundles of dead leaves as big +as herself, her mate, seeming the while to be delighted with her +industry, seated not far off in a Portugal laurel, where he watched +her, singing to her, and so doing, making her labour, no doubt, light +and pleasant. From eight o’clock to nine she worked like a little +slave, carrying in leaves, and then selecting from them such as suited +her purpose and putting aside the rest. This was the foundation of the +nest, which she rendered compact by pressing it down with her breast, +and turning herself round in it: then she began to rear the sides. +And now the delicate and difficult part of the work began, and she +was often away for eight or ten minutes together. From the inside she +built the underpart of the aperture with the stalks of leaves, which +she fitted together very ingeniously with moss. The upper part of it +was constructed solely with the last-mentioned material. To round it +and give it the requisite solidity, she pressed it with her breast and +wings, turning the body round in various directions. Most wonderful to +tell, about seven o’clock in the evening the whole outside workmanship +of this snug little erection was almost complete.</p> + +<p>“Being very anxious to examine the interior of it, I went out for that +purpose at half-past two the next morning. I introduced my finger, +the birds not being there, and found its structure so close, that +though it had rained in the night, yet that it was quite dry. The +birds at this early hour were singing as if in ecstasy, and at about +three o’clock the little he-wren came<span class="pagenum" id="Page_12">[12]</span> and surveyed his domicile with +evident satisfaction; then, flying to the top of a tree, began singing +most merrily. In half-an-hour’s time the hen-bird made her appearance, +and, going into the nest, remained there about five minutes, rounding +the entrance by pressing it with her breast and the shoulders of her +wings. For the next hour she went out and came back five times with +fine moss in her bill, with which she adjusted a small depression in +the fore-part of it; then, after twenty minutes’ absence, returned +with a bundle of leaves to fill up a vacancy which she had discovered +in the back of the structure. Although it was a cold morning, with +wind and rain, the male bird sang delightfully; but between seven and +eight o’clock, either having received a reproof from his wife for his +indolence, or being himself seized with an impulse to work, he began +to help her, and for the next ten minutes brought in moss, and worked +at the inside of the nest. At eleven o’clock both of them flew off, +either for a little recreation, or for their dinners, and were away +till a little after one. From this time till four o’clock both worked +industriously, bringing in fine moss; then, during another hour, the +hen-bird brought in a feather three times. So that day came to an end.</p> + +<p>“The next morning, June 1st, they did not begin their work early, as +was evident to Mr. Weir, because having placed a slender leaf-stalk +at the entrance, there it remained till half-past eight o’clock, when +the two began to work as the day before with fine moss, the he-bird +leaving off, however, every now and then to express his satisfaction on +a near tree-top. Again, this day, they went off either for dinner or +amusement; then came back and worked for another hour, bringing in fine +moss and feathers.</p> + +<p><span class="pagenum" id="Page_13">[13]</span></p> + +<div class="sidenote"><em>The Patient Industry of this Bird.</em></div> + +<p>“The next morning the little he-wren seemed in a regular ecstasy, +and sang incessantly till half-past nine, when they both brought in +moss and feathers, working on for about two hours, and again they +went off, remaining away an hour later than usual. Their work was now +nearly over, and they seemed to be taking their leisure, when all at +once the hen-bird, who was sitting in her nest and looking out at her +door, espied a man half-hidden by an arbor vitæ. It was no other than +her good friend, but that she did not know; all men were terrible, +as enemies to her race, and at once she set up her cry of alarm. The +he-bird, on hearing this, appeared in a great state of agitation, and +though the frightful monster immediately ran off, the little creatures +pursued him, scolding vehemently.</p> + +<p>“The next day they worked again with feathers and fine moss, and again +went off after having brought in a few more feathers. So they did for +the next five days; working leisurely, and latterly only with feathers. +On the tenth day the nest was finished, and the little mother-bird laid +her first egg in it.”</p> + +<p>Where is the boy, let him be as ruthless a bird-nester as he may, who +could have the heart to take a wren’s nest, only to tear it to pieces, +after reading the history of this patient labour of love?</p> + +<p>The wren, like various other small birds, cannot bear that their nests +or eggs should be touched; they are always disturbed and distressed by +it, and sometimes even will desert their nest and eggs in consequence. +On one occasion, therefore, this good, kind-hearted friend of every +bird that builds, carefully put his finger into a wren’s nest, during +the mother’s absence, to ascertain whether the young were hatched; on +her return,<span class="pagenum" id="Page_14">[14]</span> perceiving that the entrance had been touched, she set up +a doleful lamentation, carefully rounded it again with her breast and +wings, so as to bring everything into proper order, after which she and +her mate attended to their young. These particular young ones, only six +in number, were fed by their parents 278 times in the course of a day. +This was a small wren-family; and if there had been twelve, or even +sixteen, as is often the case, what an amount of labour and care the +birds must have had! But they would have been equal to it, and merry +all the time.</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">For all these little creatures, which so lightly we regard,</div> + <div class="verse indent0">They love to do their duty, and they never think it hard.</div> + </div> +</div> +</div> + +<div class="figcenter"> +<a id="image_022"><img src="images/i-022.jpg" alt="a bee flying around a nest" width="441" height="500" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_15">[15]</span></p> + +<h2 class="nobreak" id="CHAPTER_II">CHAPTER II.</h2> +</div> + +<p class="center">THE GOLDFINCH.</p> + + +<p><span class="smcap">The</span> Goldfinch, which is cousin to the Linnet, is wonderfully clever and +docile, as I shall show you presently. In the first place, however, +let me say a word or two about bird cleverness in general, which I +copy from Jules Michelet’s interesting work, “The Bird.” Speaking of +the great, cruel, and rapacious family of the <em>Raptores</em>, or +Birds of Prey, he expresses satisfaction in the idea that this race of +destroyers is decreasing, and that there may come a time when they no +longer exist on the earth. He has no admiration for them, though they +may be the swiftest of the swift, and the strongest of the strong, +because they put forth none of the higher qualities of courage, +address, or patient endurance in taking their prey, which are all weak +and powerless in comparison with themselves; their poor unoffending +victims. “All these cruel tyrants of the air,” he says, “like the +serpents, have flattened skulls, which show the want of intellect and +intelligence. These birds of prey, with their small brains, offer a +striking contrast to the amiable and intelligent species which we find +amongst the smaller birds. The head of the former is only a beak, that +of the latter is a face.” Afterwards, to prove this more strongly, he +gives a table to show the proportion of brain to the size of the body +in these different species of birds. Thus the chaffinch, the sparrow,<span class="pagenum" id="Page_16">[16]</span> +and the goldfinch, have more than six times as much brain as the eagle +in proportion to the size of the body. We may look, therefore, for no +less than six times his intelligence and docile ability. Whilst in the +case of the little tomtit it is thirteen times as much.</p> + +<p>But now for the goldfinch, of which our cut—which is both faithful +and beautiful—shows us a pair, evidently contemplating with much +satisfaction the nest which they have just finished on one of the +topmost boughs of a blossomy apple-tree. This nest is a wonderful +little fabric, built of moss, dry grass, and slender roots, lined with +hair, wool, and thistle-down; but the true wonder of the nest is the +exact manner in which the outside is made to imitate the bough upon +which it is placed. All its little ruggednesses and lichen growths +are represented, whilst the colouring is so exactly that of the old +apple-tree that it is almost impossible to know it from the branch +itself. Wonderful ingenuity of instinct, which human skill would find +it almost impossible to imitate!</p> + +<p>The bird lays mostly five eggs, which are of a bluish-grey, spotted +with greyish-purple or brown, and sometimes with a dark streak or two.</p> + +<p>The goldfinch is one of the most beautiful of our English birds, with +its scarlet forehead, and quaint little black velvet-like cap brought +down over its white cheeks; its back is cinnamon brown, and its breast +white; its wings are beautifully varied in black and white, as are also +its tail feathers. In the midland counties it is known as “The Proud +Tailor,” probably because its attire looks so bright and fresh, and it +has a lively air as if conscious of being well dressed.</p> + +<div class="figcenter"> +<a id="image_025"><img src="images/i-025.jpg" alt="" width="494" height="650" /></a> +<p class="caption center">GOLDFINCHES AND NEST.      [<a href="#Page_16" title="Page 16">Page 16.</a></p> +</div> + +<p><span class="pagenum" id="Page_17">[17]</span></p> + +<div class="sidenote"><em>Daily Life of this Bird.</em></div> + +<p>Like its relation, the linnet, it congregates in flocks as soon as +its young can take wing, when they may be seen wheeling round in +the pleasant late summer and autumn fields, full of life, and in +the enjoyment of the plenty that surrounds them, in the ripened +thistle-down, and all such winged seeds as are then floating in the air.</p> + +<p>How often have I said it is worth while to go out into the woods and +fields, and, bringing yourself into a state of quietness, watch the +little birds in their life’s employment, building their nests, feeding +their young, or pursuing their innocent diversions! So now, on this +pleasant, still autumn afternoon, if you will go into the old pasture +fields where the thistles have not been stubbed up for generations, or +on the margin of the old lane where ragwort, and groundsel, and burdock +flourish abundantly, “let us,” as the author of “British Birds” says, +“stand still to observe a flock of goldfinches. They flutter over the +plants, cling to the stalks, bend in various attitudes, disperse the +down, already dry and winged, like themselves, for flight, pick them +out one by one and swallow them. Then comes a stray cow followed by a +herd boy. At once the birds cease their labour, pause for a moment, +and fly off in succession. You observe how lightly and buoyantly +they cleave the air, each fluttering its little wings, descending in +a curved line, mounting again, and speeding along. Anon they alight +in a little thicket of dried weeds, and, in settling, display to the +delighted eye the beautiful tints of their plumage, as with fluttering +wings and expanded tail, they hover for a moment to select a landing +place amid the prickly points of the stout thistles whose heads are now +bursting with downy-winged seeds.”</p> + +<p><span class="pagenum" id="Page_18">[18]</span></p> + +<div class="sidenote"><em>The Goldfinch.</em></div> + +<p>The song of the goldfinch, which begins about the end of March, is +very sweet, unassuming, and low—similar to that of the linnet, but +singularly varied and pleasant.</p> + +<p>Now, however, we must give a few instances of this bird’s teachable +sagacity, which, indeed, are so numerous that it is difficult to make a +selection.</p> + +<p>Mr. Syme, in his “British Song Birds,” says, “The goldfinch is easily +tamed and taught, and its capacity for learning the notes of other +birds is well known. A few years ago the Sieur Roman exhibited a number +of trained birds: they were goldfinches, linnets, and canaries. One +appeared dead, and was held up by the tail or claw without exhibiting +any signs of life; a second stood on its head with its claws in the +air; a third imitated a Dutch milkmaid going to market with pails on +its shoulders; a fourth mimicked a Venetian girl looking out at a +window; a fifth appeared as a soldier, and mounted guard as a sentinel; +whilst a sixth acted as a cannonier, with a cap on its head, a firelock +on its shoulder, and a match in its claw, and discharged a small +cannon. The same bird also acted as if it had been wounded. It was +wheeled in a barrow as if to convey it to the hospital, after which +it flew away before the whole company. The seventh turned a kind of +windmill; and the last bird stood in the midst of some fireworks which +were discharged all round it, and this without showing the least sign +of fear.”</p> + +<p>Others, as I have said, may be taught to draw up their food and water, +as from a well, in little buckets. All this is very wonderful, and +shows great docility in the bird; but I cannot greatly admire it, from +the secret fear that cruelty or harshness<span class="pagenum" id="Page_19">[19]</span> may have been used to teach +them these arts so contrary to their nature. At all events it proves +what teachable and clever little creatures they are, how readily they +may be made to understand the will of their master, and how obediently +and faithfully they act according to it.</p> + +<p>Man, however, should always stand as a human Providence to the +animal world. In him the creatures should ever find their friend and +protector; and were it so we should then see many an astonishing +faculty displayed; and birds would then, instead of being the most +timid of animals, gladden and beautify our daily life by their sweet +songs, their affectionate regard, and their amusing and imitative +little arts.</p> + +<div class="sidenote"><em>Introduced into Pictures.</em></div> + +<p>The early Italian and German painters introduce a goldfinch into their +beautiful sacred pictures—generally on the ground—hopping at the feet +of some martyred saint or love-commissioned angel, perhaps from an old +legend of the bird’s sympathy with the suffering Saviour, or from an +intuitive sense that the divine spirit of Christianity extends to bird +and beast as well as to man.</p> + +<div class="figcenter"> +<a id="image_029"><img src="images/i-029.jpg" alt="bird's nest" width="190" height="200" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_20">[20]</span></p> + +<h2 class="nobreak" id="CHAPTER_III">CHAPTER III.</h2> +</div> + +<p class="center">THE SONG THRUSH.</p> + + +<p><span class="smcap">We</span> have here a charming picture of one of the finest and noblest of +our song-birds—the thrush, throstle, or mavis. The trees are yet +leafless, but the bird is in the act of building, whilst her mate, on +the tree-top, pours forth his exquisite melody. The almost completed +nest, like a richly ornamented bowl, is before us.</p> + +<p>This bird belongs to a grandly musical family, being own cousin to the +missel-thrush and the blackbird, each one having a kindred song, but +all, at the same time, distinctly characteristic.</p> + +<p>The colouring of the thrush is soft and very pleasing; the upper parts +of a yellowish-brown; the chin, white; the under part of the body, +grayish white; the throat, breast, and sides of the neck, yellowish, +thickly spotted with dark brown.</p> + +<div class="figcenter"> +<a id="image_031"><img src="images/i-031.jpg" alt="" width="478" height="650" /></a> +<p class="caption center">SONG THRUSH AND NEST.      [<a href="#Page_20" title="Page 20">Page 20.</a></p> +</div> + +<p>The thrush remains with us the whole year, and may occasionally be +heard singing even in the winter, though April, May, and June are the +months when he is in fullest song. They pair in March, and by the end +of that month, or early in April, begin to build. They have several +broods in the year. The nest, which, as we see, is commodious, is +placed at no great height from the ground, in a thick bush or hedge, +and sometimes, also, in a rough bank, amongst bushes and undergrowth. +They are particularly fond of spruce-fir plantations, building on +one of <span class="pagenum" id="Page_21">[21]</span>the low, spreading branches, close to the stem. Though the +structure is so solid and substantial, yet it is built very rapidly; +indeed, the thrush seems to be wide awake in all its movements; he +is no loiterer, and does his work well. As a proof of his expedition +I will mention that a pair of these birds began to build a second, +perhaps, indeed, it might be a third nest, on a Thursday, June 15; on +Friday afternoon the nest was finished, and on Saturday morning the +first egg was laid, though the interior plastering was not then dry. On +the 21st the hen began to sit, and on the 17th of July the young birds +were hatched.</p> + +<p>The frame-work, so to speak, of the nest is composed of twigs, roots, +grasses, and moss, the two latter being brought to the outside. Inside +it is lined with a thin plastering of mud, cow-dung, and rotten wood, +which is laid on quite smoothly, almost like the glaze on earthenware; +nor is there an internal covering between this and the eggs. The +circular form of the nest is as perfect as a bowl shaped upon a +lathe, and often contracts inwards at the top. The eggs, which are +generally five in number, are of a bright blue-green, spotted over with +brownish-black, these spots being more numerous at the larger end.</p> + +<p>The food of the thrush is mostly of an animal character, as worms, +slugs, and snails; and, by seasides, small molluscs, as whelks and +periwinkles. On all such as are enclosed in shells he exercises his +ingenuity in a remarkable way. We ourselves lived at one time in an +old house standing in an old garden where were many ancient trees and +out-buildings, in the old ivied roots and walls of which congregated +great quantities of shell-snails. One portion of this garden, which +enclosed an old,<span class="pagenum" id="Page_22">[22]</span> disused dairy, was a great resort of thrushes, where +they had, so to speak, their stones of sacrifice, around which lay +heaps of the broken shells of snails, their victims. I have repeatedly +watched them at work: hither they brought their snails, and, taking +their stand by the stone with the snail in their beak, struck it +repeatedly against the stone, till, the shell being smashed, they +picked it out as easily as the oyster is taken from its opened shell. +This may seem easy work with the slender-shelled snail, but the labour +is considerably greater with hard shell-fish. On this subject the +intelligent author of “British Birds” says, that many years ago, when +in the Isle of Harris, he frequently heard a sharp sound as of one +small stone being struck upon another, the cause of which he, for a +considerable time, sought for in vain. At length, one day, being in +search of birds when the tide was out, he heard the well-known click, +and saw a bird standing between two flat stones, moving its head and +body alternately up and down, each downward motion being accompanied +by the sound which had hitherto been so mysterious. Running up to the +spot, he found a thrush, which, flying off, left a whelk, newly-broken, +lying amongst fragments of shells lying around the stone.</p> + +<p>Thrushes are remarkably clean and neat with regard to their nests, +suffering no litter or impurity to lie about, and in this way are a +great example to many untidy people. Their domestic character, too, +is excellent, the he-bird now and then taking the place of the hen on +the eggs, and, when not doing so, feeding her as she sits. When the +young are hatched, the parents may be seen, by those who will watch +them silently and patiently, frequently stretching out the wings of +the young as if to<span class="pagenum" id="Page_23">[23]</span> exercise them, and pruning and trimming their +feathers. To put their love of cleanliness to the proof, a gentleman, +a great friend of all birds, had some sticky mud rubbed upon the backs +of two of the young ones whilst the parents were absent. On their +return, either by their own keen sense of propriety, or, perhaps, the +complaint of the young ones, they saw what had happened, and were not +only greatly disconcerted, but very angry, and instantly set to work to +clean the little unfortunates, which, strange to say, they managed to +do by making use of dry earth, which they brought to the nest for that +purpose. Human intellect could not have suggested a better mode.</p> + +<div class="sidenote"><em>How a Day was spent.</em></div> + +<p>This same gentleman determined to spend a whole day in discovering how +the thrushes spent it. Hiding himself, therefore, in a little hut of +fir boughs, he began his observations in the early morning of the 8th +of June. At half-past two o’clock, the birds began to feed their brood, +and in two hours had fed them thirty-six times. It was now half-past +five, the little birds were all wide awake, and one of them, whilst +pruning its feathers, lost its balance and fell out of the nest to the +ground. On this the old ones set up the most doleful lamentations, and +the gentleman, coming out of his retreat, put the little one back into +the nest. This kind action, however, wholly disconcerted the parents, +nor did they again venture to feed their young till an artifice +of the gentleman led them to suppose that he was gone from their +neighbourhood. No other event happened to them through the day, and by +half-past nine o’clock at night, when all went to rest, the young ones +had been fed two hundred and six times.</p> + +<p>Thrushes, however, become occasionally so extremely tame that the +female will remain upon her eggs and feed her young,<span class="pagenum" id="Page_24">[24]</span> without any +symptom of alarm, in the close neighbourhood of man. Of this I will +give an instance from Bishop Stanley’s “History of Birds”—</p> + +<p>“A short time ago, in Scotland, some carpenters working in a shed +adjacent to the house observed a thrush flying in and out, which +induced them to direct their attention to the cause, when, to their +surprise, they found a nest commenced amongst the teeth of a harrow, +which, with other farming tools and implements, was placed upon the +joists of the shed, just over their heads. The carpenters had arrived +soon after six o’clock, and at seven, when they found the nest, it was +in a great state of forwardness, and had evidently been the morning’s +work of a pair of these indefatigable birds. Their activity throughout +the day was incessant; and, when the workmen came the next morning, +they found the female seated in her half-finished mansion, and, when +she flew off for a short time, it was found that she had laid an egg. +When all was finished, the he-bird took his share of the labour, and, +in thirteen days, the young birds were out of their shells, the refuse +of which the old ones carried away from the spot. All this seems to +have been carefully observed by the workmen; and it is much to their +credit that they were so quiet and friendly as to win the confidence of +the birds.”</p> + +<p>The song of the thrush is remarkable for its rich, mellow intonation, +and for the great variety of its notes.</p> + +<div class="sidenote"><em>Wordsworth’s Verses on the Thrush.</em></div> + +<p>Unfortunately for the thrush, its exquisite power as a songster makes +it by no means an unusual prisoner. You are often startled by hearing, +from the doleful upper window of some dreary court or alley of London, +or some other large town, an outpouring of joyous, full-souled melody +from an imprisoned<span class="pagenum" id="Page_25">[25]</span> thrush, which, perfect as it is, saddens you, as +being so wholly out of place. Yet who can say how the song of that bird +may speak to the soul of many a town-imprisoned passer-by? Wordsworth +thus touchingly describes an incident of this kind:—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">At the corner of Wood Street, when daylight appears,</div> + <div class="verse indent0">Hangs a thrush that sings loud; it has sung for three years:</div> + <div class="verse indent0">Poor Susan has passed by the spot, and has heard,</div> + <div class="verse indent0">In the silence of morning, the song of the bird.</div> + </div> + <div class="stanza"> + <div class="verse indent0">Green pastures she views in the midst of the dale,</div> + <div class="verse indent0">Down which she so often has tripped with her pail,</div> + <div class="verse indent0">And a single small cottage, a nest like a dove’s,</div> + <div class="verse indent0">The one only dwelling on earth which she loves.</div> + </div> + <div class="stanza"> + <div class="verse indent0">’Tis a note of enchantment; what ails her? she sees</div> + <div class="verse indent0">A mountain ascending, a vision of trees;</div> + <div class="verse indent0">Bright volumes of vapour through Lothbury glide,</div> + <div class="verse indent0">And a river flows on through the vale of Cheapside.</div> + </div> + <div class="stanza"> + <div class="verse indent0">She looks, and her heart is in heaven: but they fade—</div> + <div class="verse indent0">The mist and the river, the hill, sun, and shade;</div> + <div class="verse indent0">The stream will not flow, and the hill will not rise,</div> + <div class="verse indent0">And the colours have all passed away from her eyes.</div> + </div> +</div> +</div> + +<div class="figcenter"> +<a id="image_037"><img src="images/i-037.jpg" alt="" width="480" height="137" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_26">[26]</span></p> + +<h2 class="nobreak" id="CHAPTER_IV">CHAPTER IV.</h2> +</div> + +<p class="center">THE BLACKBIRD.</p> + + +<p><span class="smcap">The</span> Blackbird is familiar to us all. It is a thoroughly English bird, +and, with its cousin the thrush, is not only one of the pleasantest +features in our English spring and summer landscape, but both figure +in our old poetry and ballads, as the “merle and the mavis,” “the +blackbird and the throstle-cock;” for those old poets loved the +country, and could not speak of the greenwood without the bird.</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">When shaws are sheen and fields are fair,</div> + <div class="verse indent2">And leaves both large and long,</div> + <div class="verse indent0">’Tis merry walk’ng in the green forest</div> + <div class="verse indent2">To hear the wild birds’ song;</div> + </div> + <div class="stanza"> + <div class="verse indent0">The wood merle sings, and will not cease,</div> + <div class="verse indent2">Sitting upon a spray;</div> + <div class="verse indent0">The merle and the mavis shout their fill,</div> + <div class="verse indent2">From morn till the set of day.</div> + </div> +</div> +</div> + +<div class="figcenter"> +<a id="image_039"><img src="images/i-039.jpg" alt="" width="474" height="650" /></a> +<p class="caption center">BLACKBIRD AND NEST.      [<a href="#Page_26" title="Page 26">Page 26.</a></p> +</div> + +<p>The blackbird takes its name from a very intelligible cause—its +perfectly black plumage, which, however, is agreeably relieved by the +bright orange of its bill, the orange circles round its eyes, and its +yellow feet; though this is peculiar only to the male, nor does he +assume this distinguishing colour till his second year. The female is +of a dusky-brown colour.</p> + +<div class="sidenote"><em>The Notes of the Blackbird.</em></div> + +<p>Sometimes the singular variety of a <em>white</em> blackbird occurs, +<span class="pagenum" id="Page_27">[27]</span>which seems to astonish even its fellow birds; the same phenomenon +also occurs amongst sparrows; a fatal distinction to the poor birds, +who are in consequence very soon shot.</p> + +<p>This bird is one of our finest singers. His notes are solemn and +flowing, unlike those of the thrush, which are short, quick, and +extremely varied. The one bird is more lyrical, the other sings in +a grand epic strain. A friend of ours, deeply versed in bird-lore, +maintains that the blackbird is oratorical, and sings as if delivering +an eloquent rhythmical oration.</p> + +<p>This bird begins to sing early in the year, and continues his song +during the whole time that the hen is sitting. Like his relatives, the +thrush and the missel-thrush, he takes his post on the highest branch +of a tree, near his nest, so that his song is heard far and wide; and +in fact, through the whole pleasant spring you hear the voices of these +three feathered kings of English song constantly filling the woods and +fields with their melody. The blackbird sings deliciously in rain, even +during a thunderstorm, with the lightning flashing round him. Indeed, +both he and the thrush seem to take great delight in summer showers.</p> + +<p>The blackbird has a peculiar call, to give notice to his brood of the +approach of danger; probably, however, it belongs both to male and +female. Again, there is a third note, very peculiar also, heard only +in the dusk of evening, and which seems pleasingly in harmony with the +approaching shadows of night. By this note they call each other to +roost, in the same way as partridges call each other to assemble at +night, however far they may be asunder.</p> + +<p>The nest of the blackbird is situated variously; most frequently<span class="pagenum" id="Page_28">[28]</span> in +the thicker parts of hedges; sometimes in the hollow of a stump or +amongst the curled and twisted roots of old trees, which, projecting +from the banks of woods or woodland lanes, wreathed with their trails +of ivy, afford the most picturesque little hollows for the purpose. +Again, it may be found under the roof of out-houses or cart-sheds, +laid on the wall-plate; and very frequently in copses, in the stumps +of pollard trees, partly concealed by their branches; and is often +begun before the leaves are on the trees. The nest is composed of dry +bents, and lined with fine dry grass. The hen generally lays five eggs, +which are of a dusky bluish-green, thickly covered with black spots; +altogether very much resembling those of crows, rooks, magpies, and +that class of birds.</p> + +<p>Universal favourite as the blackbird deservedly is, yet, in common with +the thrush, all gardeners are their enemies from the great liking they +have for his fruit, especially currants, raspberries, and cherries. +There is, however, something very amusing, though, at the same time, +annoying, in the sly way by which they approach these fruits, quite +aware that they are on a mischievous errand. They steal along, flying +low and silently, and, if observed, will hide themselves in the nearest +growth of garden plants, scarlet runners, or Jerusalem artichokes, +where they remain as still as mice, till they think the human enemy has +moved off. If, however, instead of letting them skulk quietly in their +hiding-place, he drives them away, they fly off with a curious note, +very like a little chuckling laugh of defiance, as if they would say, +“Ha! ha! we shall soon be back again!” which they very soon are.</p> + +<p>But we must not begrudge them their share, though they<span class="pagenum" id="Page_29">[29]</span> neither have +dug the ground nor sowed the seed, for very dull and joyless indeed +would be the garden and the gardener’s toil, and the whole country in +short, if there were no birds—no blackbirds and thrushes—to gladden +our hearts, and make the gardens, as well as the woods and fields, +joyous with their melody. Like all good singers, these birds expect, +and deserve, good payment.</p> + +<p>The blackbird, though naturally unsocial and keeping much to itself, +is very bold in defence of its young, should they be in danger, or +attacked by any of the numerous bird-enemies, which abound everywhere, +especially to those which are in immediate association with man. The +Rev. J. G. Wood tells us, for instance, that on one occasion a prowling +cat was forced to make an ignominious retreat before the united onset +of a pair of blackbirds, on whose young she was about to make an attack.</p> + +<div class="sidenote"><cite>Macgillivray’s Account.</cite></div> + +<p>Let me now, in conclusion, give a day with a family of blackbirds, +which I somewhat curtail from Macgillivray.</p> + +<p>“On Saturday morning, June 10th, I went into a little hut made of green +branches, at half-past two in the morning, to see how the blackbirds +spend the day at home. They lived close by, in a hole in an old wall, +which one or other of them had occupied for a number of years.</p> + +<p>“At a quarter-past three they began to feed their young, which were +four in number. She was the most industrious in doing so; and when he +was not feeding, he was singing most deliciously. Towards seven o’clock +the father-bird induced one of the young ones to fly out after him. +But this was a little mistake, and, the bird falling, I was obliged to +help it into its nest again, which made a little family commotion. They +were<span class="pagenum" id="Page_30">[30]</span> exceedingly tidy about their nest, and when a little rubbish fell +out they instantly carried it away. At ten o’clock the feeding began +again vigorously, and continued till two, both parent-birds supplying +their young almost equally.</p> + +<p>“The hut in which I sat was very closely covered; but a little wren +having alighted on the ground in pursuit of a fly, and seeing one of +my legs moving, set up a cry of alarm, on which, in the course of a +few seconds, all the birds in the neighbourhood collected to know what +was the matter. The blackbird hopped round the hut again and again, +making every effort to peep in, even alighting on the top within a few +inches of my head, but not being able to make any discovery, the tumult +subsided. It was probably considered a false alarm, and the blackbirds +went on feeding their young till almost four o’clock: and now came the +great event of the day.</p> + +<p>“At about half-past three the mother brought a large worm, four inches +in length probably, which she gave to one of the young ones, and flew +away. Shortly afterwards returning, she had the horror of perceiving +that the worm, instead of being swallowed was sticking in its throat; +on this she uttered a perfect moan of distress, which immediately +brought the he-bird, who also saw at a glance what a terrible +catastrophe was to be feared. Both parents made several efforts to push +the worm down the throat, but to no purpose, when, strange to say, the +father discovered the cause of the accident. The outer end of the worm +had got entangled in the feathers of the breast, and, being held fast, +could not be swallowed. He carefully disengaged it, and, holding it up +with his beak, the poor little thing, with a great effort, managed to +get it down, but was by<span class="pagenum" id="Page_31">[31]</span> this time so exhausted that it lay with its +eyes shut and without moving for the next three hours. The male bird in +the meantime took his stand upon a tree, a few yards from the nest, and +poured forth some of his most enchanting notes—a song of rejoicing no +doubt for the narrow escape from death of one of his family.</p> + +<div class="sidenote"><em>Macgillivray’s Day with this Bird.</em></div> + +<p>“From four till seven o’clock both birds again fed their young, after +which the male bird left these family duties to his mate, and gave +himself up to incessant singing. At twenty minutes to nine their +labours ceased, they having then fed their young one hundred and +thirteen times during the day.</p> + +<p>“I observed that before feeding their young they always alighted upon +a tree and looked round them for a few seconds. Sometimes they brought +in a quantity of worms and fed their brood alternately; at other times +they brought one which they gave to only one of them.</p> + +<p>“The young birds often trimmed their feathers, and stretched out their +wings; they also appeared to sleep now and then.</p> + +<p>“With the note of alarm which the feathered tribes set up on the +discovery of their enemies all the different species of the little +birds seem to be intimately acquainted; for no sooner did a beast or +bird of prey make its appearance, than they seemed to be anxiously +concerned about the safety of their families. They would hop from tree +to tree uttering their doleful lamentations. At one time the blackbirds +were in an unusual state of excitement and terror, and were attended +by crowds of their woodland friends. A man and boy, who were working +in my garden, having heard the noise, ran to see what was the cause of +it, and on looking into some branches which were lying on<span class="pagenum" id="Page_32">[32]</span> the ground, +observed a large weasel stealing slyly along in pursuit of its prey. It +was, however, driven effectually from the place without doing any harm. +It is astonishing how soon the young know this intimation of danger; +for I observed that no sooner did the old ones utter the alarm-cry, +than they cowered in their nest, and appeared to be in a state of great +uneasiness.”</p> + +<div class="figcenter"> +<a id="image_046"><img src="images/i-046.jpg" alt="bird singing" width="408" height="400" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_33">[33]</span></p> + +<h2 class="nobreak" id="CHAPTER_V">CHAPTER V.</h2> +</div> + +<p class="center">THE DIPPER, OR WATER-OUSEL.</p> + + +<p><span class="smcap">The</span> Dipper, or Water-ousel, of which Mr. Weir has given us a charming +and faithful portrait, is very like a wren in form and action, with +its round body and lively little tail. Its mode of flight, however, +so nearly resembles the kingfisher that, in some places, the country +people mistake it for the female of that bird. But it is neither wren +nor kingfisher, nor yet related to either of them. It is the nice +little water-ousel, with ways of its own, and a cheerful life of its +own, and the power of giving pleasure to all lovers of the free country +which is enriched with an infinite variety of happy, innocent creatures.</p> + +<p>The upper part of the head and neck, and the whole back and wings of +this bird, are of a rusty-brown; but, as each individual feather is +edged with gray, there is no deadness of colouring. The throat and +breast are snowy white, which, contrasting so strongly with the rest of +the body, makes it seem to flash about like a point of light through +the dark shadows of the scenes it loves to haunt.</p> + +<p>I said above that this bird gave pleasure to all lovers of nature. So +it does, for it is only met with in scenes which are especially beloved +by poets and painters. Like them, it delights in mountain regions, +where rocky streams rush along with an unceasing murmur, leaping over +huge stones, slumbering in<span class="pagenum" id="Page_34">[34]</span> deep, shadowy pools, or lying low between +rocky walls, in the moist crevices and on the edges of which the wild +rose flings out its pale green branches, gemmed with flowers, or the +hardy polypody nods, like a feathery plume. On these streams, with +their foamy waters and graceful vegetation, you may look for the +cheerful little water-ousel. He is perfectly in character with the +scenes.</p> + +<div class="figcenter"> +<a id="image-049"><img src="images/i-049.jpg" alt="" width="473" height="650" /></a> +<p class="caption center">DIPPERS AND NEST.      [<a href="#Page_34" title="Page 34">Page 34.</a></p> +</div> + +<div class="sidenote"><em>The Home of the Dipper.</em></div> + +<p>And now, supposing that you are happily located for a few weeks in +summer, either in Scotland or Wales, let me repeat my constant advice +as regards the study and truest enjoyment of country life and things. +Go out for several hours; do not be in a hurry; take your book, or +your sketching, or whatever your favourite occupation may be, if it be +only a quiet one, and seat yourself by some rocky stream amongst the +mountains; choose the pleasantest place you know, where the sun can +reach you, if you need his warmth, and if you do not, where you can yet +witness the beautiful effects of light and shade. There seat yourself +quite at your ease, silent and still as though you were a piece of +rock itself, half screened by that lovely wild rose bush, or tangle of +bramble, and before long you will most likely see this merry, lively +little dipper come with his quick, jerking flight, now alighting on +this stone, now on that, peeping here, and peeping there, as quick as +light, and snapping up, now a water-beetle, now a tiny fish, and now +diving down into the stream for a worm that he espies below, or walking +into the shallows, and there flapping his wings, more for the sheer +delight of doing so than for anything else. Now he is off and away, +and, in a moment or two, he is on yonder gray mass of stone, which +rises up in that dark chasm of waters like a rock in <span class="pagenum" id="Page_35">[35]</span>a stormy sea, +with the rush and roar of the water full above him. Yet there he is +quite at home, flirting his little tail like a jenny wren, and hopping +about on his rocky point, as if he could not for the life of him be +still for a moment. Now listen! That is his song, and a merry little +song it is, just such a one as you would fancy coming out of his jocund +little heart; and, see now, he begins his antics. He must be a queer +little soul! If we could be little dippers like him, and understand +what his song and all his grimaces are about, we should not so often +find the time tedious for want of something to do.</p> + +<p>We may be sure he is happy, and that he has, in the round of his small +experience, all that his heart desires. He has this lonely mountain +stream to hunt in, these leaping, chattering, laughing waters to bear +him company, all these fantastically heaped-up stones, brought hither +by furious winter torrents of long ago—that dashing, ever roaring, +ever foaming waterfall, in the spray of which the summer sunshine +weaves rainbows. All these wild roses and honeysuckles, all this maiden +hair, and this broad polypody, which grows golden in autumn, make up +his little kingdom, in the very heart of which, under a ledge of rock, +and within sound, almost within the spray of the waterfall, is built +the curious little nest, very like that of a wren, in which sits the +hen-bird, the little wife of the dipper, brooding with most unwearied +love on four or five white eggs, lightly touched with red.</p> + +<p>This nest is extremely soft and elastic, sometimes of large size, the +reason for which one cannot understand. It is generally near to the +water, and, being kept damp by its situation, is always so fresh, +looking so like the mass of its immediate surroundings<span class="pagenum" id="Page_36">[36]</span> as scarcely to +be discoverable by the quickest eye. When the young are hatched they +soon go abroad with the parents, and then, instead of the one solitary +bird, you may see them in little parties of from five to seven going on +in the same sort of way, only all the merrier because there are more of +them.</p> + +<div class="figcenter"> +<a id="image-052"><img src="images/i-052.jpg" alt="bird's nest on the ground" width="468" height="400" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_37">[37]</span></p> + +<h2 class="nobreak" id="CHAPTER_VI">CHAPTER VI.</h2> +</div> + +<p class="center">THE NIGHTINGALE.</p> + + +<p><span class="smcap">Philomela</span>, or the Nightingale, is the head of the somewhat large +bird-family of Warblers, and is the most renowned of all feathered +songsters, though some judges think the garden-ousel exceeds it in +mellowness, and the thrush in compass of voice, but that, in every +other respect, it excels them all. For my part, however, I think no +singing-bird is equal to it; and listening to it when in full song, in +the stillness of a summer’s night, am ready to say with good old Izaak +Walton:—</p> + +<p>“The nightingale, another of my airy creatures, breathes such sweet +music out of her little instrumental throat, that it might make mankind +to think that miracles had not ceased. He that at midnight, when the +weary labourer sleeps securely, should hear, as I have very often +heard, the clear airs, the sweet descants, the natural rising and +falling, the doubling and redoubling of her voice, might well be lifted +above earth and say, ‘Lord, what music hast Thou provided for the +saints in heaven, when Thou affordest bad men such music on earth!’”</p> + +<p>In colour, the upper parts of the nightingale are of a rich brown; +the tail of a reddish tint; the throat and underparts of the body, +greyish-white; the neck and breast, grey; the bill and legs, light +brown. Its size is about that of the garden warblers,<span class="pagenum" id="Page_38">[38]</span> which it +resembles in form—being, in fact, one of that family. Thus, the most +admired of all singers—the subject of poets’ songs and eulogies, the +bird that people walk far and wide to listen to, of which they talk for +weeks before it comes, noting down the day of its arrival as if it were +the Queen or the Queen’s son—is yet nothing but a little insignificant +brown bird, not to be named with the parrot for plumage, nor with +our little goldfinch, who always looks as if he had his Sunday suit +on. But this is a good lesson for us. The little brown nightingale, +with his little brown wife in the thickety copse, with their simple +unpretending nest, not built up aloft on the tree branch, but humbly +at the tree’s root, or even on the very ground itself, may teach us +that the world’s external show or costliness is not true greatness. The +world’s best bird-singer might have been as big as an eagle, attired +in colours of blue and scarlet and orange like the grandest macaw. But +the great Creator willed that it should not be so—his strength, and +his furiousness, and his cruel capacity were sufficient for the eagle, +and his shining vestments for the macaw; whilst the bird to which was +given the divinest gift of song must be humble and unobtrusive, small +of size, with no surpassing beauty of plumage, and loving best to hide +itself in the thick seclusion of the copse in which broods the little +mother-bird, the very counterpart of himself, upon her olive-coloured +eggs.</p> + +<div class="sidenote"><em>The Philomela of Surrey.</em></div> + +<p>Mr. Harrison Weir has given us a sweet little picture of the +nightingale at home. Somewhere, not far off, runs the highroad, or it +may be a pleasant woodland lane leading from one village to another, +and probably known as “Nightingale-lane,” and traversed night after +night by rich and poor, learned and<span class="pagenum" id="Page_39">[39]</span> unlearned, to listen to the +bird. In our own neighbourhood we have a “Nightingale-lane,” with its +thickety copses on either hand, its young oaks and Spanish chestnuts +shooting upwards, and tangles of wild roses and thick masses of +brambles throwing their long sprays over old, mossy, and ivied stumps +of trees, cut or blown down in the last generation—little pools +and water courses here and there, with their many-coloured mosses +and springing rushes—a very paradise for birds. This is in Surrey, +and Surrey nightingales, it is said, are the finest that sing. With +this comes the saddest part of the story. Bird-catchers follow the +nightingale, and, once in his hands, farewell to the pleasant copse +with the young oaks and Spanish chestnuts, the wild rose tangles, the +little bosky hollow at the old tree root, in one of which the little +nest is built and the little wife broods on her eggs!</p> + +<p>Generally, however, the unhappy bird, if he be caught, is taken soon +after his arrival in this country; for nightingales are migratory, and +arrive with us about the middle of April. The male bird comes about +a fortnight before the female, and begins to sing in his loneliness +a song of salutation—a sweet song, which expresses, with a tender +yearning, his desire for her companionship. Birds taken at this time, +before the mate has arrived, and whilst he is only singing to call and +welcome her, are said still to sing on through the summer in the hope, +long-deferred, that she may yet come. He will not give her up though +he is no longer in the freedom of the wood, so he sings and sings, and +if he live over the winter, he will sing the same song the following +spring, for the want is again in his heart. He cannot believe but that +she will still come. The cruel bird-catchers,<span class="pagenum" id="Page_40">[40]</span> therefore, try all their +arts to take him in this early stage of his visit to us. Should he be +taken later, when he is mated, and, as we see him in our picture, with +all the wealth of his little life around him, he cannot sing long. How +should he—in a narrow cage and dingy street of London or some other +great town—perhaps with his eyes put out—for his cruel captor fancies +he sings best if blind? He may sing, perhaps, for a while, thinking +that he can wake himself out of this dreadful dream of captivity, +darkness, and solitude. But it is no dream; the terrible reality at +length comes upon him, and before the summer is over he dies of a +broken heart.</p> + +<p>It is a curious fact that the nightingale confines itself, without +apparent reason, to certain countries and to certain parts of England. +For instance, though it visits Sweden, and even the temperate parts +of Russia, it is not met with in Scotland, North Wales, nor Ireland, +neither is it found in any of our northern counties excepting +Yorkshire, and there only in the neighbourhood of Doncaster. Neither +is it known in the south-western counties, as Cornwall and Devonshire. +It is supposed to migrate during the winter into Egypt and Syria. It +has been seen amongst the willows of Jordan and the olive trees of +Judea, but we have not, to our knowledge, any direct mention of it in +the Scriptures, though Solomon no doubt had it in his thoughts, in his +sweet description of the spring—“Lo, the winter is past, the rain is +over and gone; the flowers appear on the earth; the time of the singing +of birds is come, and the voice of the turtle is heard in our land.” A +recent traveller in Syria tells me that she heard nightingales singing +at four o’clock one morning in April of last year in the lofty regions +of the Lebanon.</p> + + +<div class="figcenter"> +<a id="image-057"><img src="images/i-057.jpg" alt="" width="503" height="650" /></a> +<p class="caption center">NIGHTINGALES AND NEST.      [<a href="#Page_40" title="Page 40">Page 40.</a></p> +</div> + +<p><span class="pagenum" id="Page_41">[41]</span></p> +<div class="sidenote"><em>Sir John Sinclair’s Attempt.</em></div> + +<p>There have been various attempts to introduce the nightingale into such +parts of this country as it has not yet frequented; for instance, a +gentleman of Gower, a sea-side district of Glamorganshire, the climate +of which is remarkably mild, procured a number of young birds from +Norfolk and Surrey, hoping that they would find themselves so much at +home in the beautiful woods there as to return the following year. But +none came. Again, as regards Scotland, Sir John Sinclair purchased a +large number of nightingales’ eggs, at a shilling each, and employed +several men to place them carefully in robins’ nests to be hatched. So +far all succeeded well. The foster-mothers reared the nightingales, +which, when full-fledged, flew about as if quite at home. But when +September came, the usual month for the migration of the nightingale, +the mysterious impulse awoke in the hearts of the young strangers, and, +obeying it, they suddenly disappeared and never after returned.</p> + +<p>Mr. Harrison Weir has given us a very accurate drawing of the +nightingale’s nest, which is slight and somewhat fragile in +construction, made of withered leaves—mostly of oak—and lined +with dry grass. The author of “British Birds” describes one in his +possession as composed of slips of the inner bark of willow, mixed with +the leaves of the lime and the elm, lined with fibrous roots, grass, +and a few hairs; but whatever the materials used may be, the effect +produced is exactly the same.</p> + +<p>In concluding our little chapter on this bird, I would mention that +in the Turkish cemeteries, which, from the old custom of planting a +cypress at the head and foot of every grave, have now become cypress +woods, nightingales abound, it having been also an old custom of love +to keep these birds on every grave.</p> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_42">[42]</span></p> + +<h2 class="nobreak" id="CHAPTER_VII">CHAPTER VII.</h2> +</div> + +<p class="center">THE SKYLARK.</p> + + +<p><span class="smcap">The</span> Skylark, that beautiful singer, which carries its joy up to the +very gates of heaven, as it were, has inspired more poets to sing about +it than any other bird living.</p> + +<p>Wordsworth says, as in an ecstasy of delight:—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">Up with me! up with me into the clouds!</div> + <div class="verse indent2">For thy song, lark, is strong;</div> + <div class="verse indent0">Up with me! up with me into the clouds!</div> + <div class="verse indent2">Singing, singing.</div> + <div class="verse indent2">With clouds and sky about me ringing,</div> + <div class="verse indent0">Lift me, guide me till I find</div> + <div class="verse indent0">That spot that seems so to my mind.</div> + </div> +</div> +</div> + +<p>Shelley, in an ode which expresses the bird’s ecstasy of song, also +thus addresses it, in a strain of sadness peculiar to himself:—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent8">Hail to thee, blithe spirit!</div> + <div class="verse indent10">Bird, thou never wert—</div> + <div class="verse indent8">That from heaven, or near it,</div> + <div class="verse indent10">Pourest thy full heart</div> + <div class="verse indent4">In profuse strains of unpremeditated art!</div> + </div> + <div class="stanza"> + <div class="verse indent8">Higher, still, and higher</div> + <div class="verse indent10">From the earth thou springest,</div> + <div class="verse indent8">Like a cloud of fire;</div> + <div class="verse indent10">The deep blue thou wingest,</div> + <div class="verse indent4">And singing still doth soar, and soaring ever singest!</div> + </div> + <div class="stanza"> + <div class="verse indent4"> + +<hr class="tb" /></div> +<p><span class="pagenum" id="Page_43">[43]</span></p> </div> + <div class="stanza"> + <div class="verse indent8">Better than all measures</div> + <div class="verse indent10">Of delightful sound,</div> + <div class="verse indent8">Better than all treasures</div> + <div class="verse indent10">That in books are found,</div> + <div class="verse indent4">Thy skill to poet were, thou scorner of the ground.</div> + </div> + <div class="stanza"> + <div class="verse indent8">Teach me half the gladness</div> + <div class="verse indent10">That thy brain must know,</div> + <div class="verse indent8">Such harmonious madness</div> + <div class="verse indent10">From my lips should flow;</div> + <div class="verse indent4">The world should listen then, as I am listening now.</div> + </div> +</div> +</div> + +<div class="sidenote"><em>James Hogg’s Verses.</em></div> + +<p>James Hogg, the Ettrick shepherd, who had listened to the bird with +delight on the Scottish hills, thus sings of it:—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent8">Bird of the wilderness,</div> + <div class="verse indent8">Blithesome and cumberless,</div> + <div class="verse indent0">Sweet is thy matin o’er moorland and lea!</div> + <div class="verse indent8">Emblem of happiness,</div> + <div class="verse indent8">Blest is thy dwelling-place—</div> + <div class="verse indent0">Oh, to abide in the desert with thee!</div> + </div> + <div class="stanza"> + <div class="verse indent8">Wild is thy lay, and loud;</div> + <div class="verse indent8">Far in the downy cloud</div> + <div class="verse indent0">Love gives it energy, love gave it birth.</div> + <div class="verse indent8">Where on thy dewy wing,</div> + <div class="verse indent8">Where art thou journeying?</div> + <div class="verse indent0">Thy lay is in heaven, thy love is on earth.</div> + </div> + <div class="stanza"> + <div class="verse indent8">O’er fell and fountain sheen,</div> + <div class="verse indent8">O’er moor and mountain green,</div> + <div class="verse indent0">O’er the red streamer that heralds the day;</div> + <div class="verse indent8">Over the cloudlet dim,</div> + <div class="verse indent8">Over the rainbow’s rim,</div> + <div class="verse indent0">Musical cherub, soar, singing away!</div> + </div> + <div class="stanza"> + <div class="verse indent8">Then when the gloaming comes,</div> + <div class="verse indent8">Low in the heather blooms,</div> + <div class="verse indent0">Sweet will thy welcome and bed of love be!</div> + <div class="verse indent8">Emblem of happiness,</div> + <div class="verse indent8">Blest is thy dwelling-place—</div> + <div class="verse indent8">Oh, to abide in the desert with thee!</div> + </div> +</div> +</div> +<p><span class="pagenum" id="Page_44">[44]</span></p> +<p>But we must not forget the earthly life of the bird in all these sweet +songs about him.</p> + +<p>The plumage of the skylark is brown, in various shades; the fore-part +of the neck, reddish-white, spotted with brown; the breast and under +part of the body, yellowish-white. Its feet are peculiar, being +furnished with an extraordinarily long hind claw, the purpose of which +has puzzled many naturalists. But whatever nature intended it for, the +bird has been known to make use of it for a purpose which cannot fail +to interest us and call forth our admiration. This shall be presently +explained. The nest is built on the ground, either between two clods +of earth, in the deep foot-print of cattle, or some other small hollow +suitable for the purpose, and is composed of dry grass, hair, and +leaves; the hair is mostly used for the lining. Here the mother-bird +lays four or five eggs of pale sepia colour, with spots and markings +of darker hue. She has generally two broods in the year, and commences +sitting in May. The he-lark begins to sing early in the spring. +Bewick says, “He rises from the neighbourhood of the nest almost +perpendicularly in the air, by successive springs, and hovers at a +vast height. His descent, on the contrary, is in an oblique direction, +unless he is threatened by birds of prey, or attracted by his mate, and +on these occasions he drops like a stone.”</p> + +<div class="figcenter"> +<a id="image-063"><img src="images/i-063.jpg" alt="" width="479" height="650" /></a> +<p class="caption center">SKYLARKS AND NEST.      [<a href="#Page_44" title="Page 44">Page 44.</a></p> +</div> + +<p>With regard to his ascent, I must, however, add that it is in a spiral +direction, and that what Bewick represents as springs are his sudden +spiral flights after pausing to sing. Another peculiarity must be +mentioned: all his bones are hollow, and he can inflate them with air +from his lungs, so that he becomes, as it were, a little balloon, which +accounts for the buoyancy <span class="pagenum" id="Page_45">[45]</span>with which he ascends, and the length of +time he can support himself in the air: often for an hour at a time. +Still more extraordinary is the wonderful power and reach of his voice, +for while, probably, the seven hundred or a thousand voices of the +grand chorus of an oratorio would fail to fill the vast spaces of the +atmosphere, it can be done by this glorious little songster, which, +mounting upwards, makes itself heard, without effort, when it can be +seen no longer.</p> + +<div class="sidenote"><em>Its Solicitude for its Young.</em></div> + +<p>The attachment of the parents to their young is very great, and has +been seen to exhibit itself in a remarkable manner.</p> + +<p>The nest being placed on the open-ground—often pasture, or in a field +of mowing grass—it is very liable to be disturbed; many, therefore, +are the instances of the bird’s tender solicitude either for the young +or for its eggs, one of which I will give from Mr. Jesse. “In case of +alarm,” he says, “either by cattle grazing near the nest, or by the +approach of the mower, the parent-birds remove their eggs, by means +of their long claws, to a place of greater security, and this I have +observed to be affected in a very short space of time.” He says that +when one of his mowers first told him of this fact he could scarcely +believe it, but that he afterwards saw it himself, and that he regarded +it only as another proof of the affection which these birds show their +offspring. Instances are also on record of larks removing their young +by carrying them on their backs: in one case the young were thus +removed from a place of danger into a field of standing corn. But +however successful the poor birds may be in removing their eggs, they +are not always so with regard to their young, as Mr. Yarrell relates. +An instance came under his notice, in which the little fledgeling +proved too<span class="pagenum" id="Page_46">[46]</span> heavy for the parent to carry, and, being dropped from an +height of about thirty feet, was killed in the fall.</p> + +<p>Of all captive birds, none grieves me more than the skylark. Its +impulse is to soar, which is impossible in the narrow spaces of a cage; +and in this unhappy condition, when seized by the impulse of song, he +flings himself upwards, and is dashed down again by its cruel barriers. +For this reason the top of the lark’s cage is always bedded with green +baize to prevent his injuring himself. In the freedom of nature he is +the joyous minstrel of liberty and love, carrying upwards, and sending +down from above, his buoyant song, which seems to fall down through the +golden sunshine like a flood of sparkling melody.</p> + +<p>I am not aware of the height to which the lark soars, but it must be +very great, as he becomes diminished to a mere speck, almost invisible +in the blaze of light. Yet, high as he may soar, he never loses the +consciousness of the little mate and the nestlings below: but their +first cry of danger or anxiety, though the cry may be scarce audible +to the human ear, thrills up aloft to the singer, and he comes down +with a direct arrow-like flight, whilst otherwise his descent is more +leisurely, and said by some to be in the direct spiral line of his +ascent.</p> + +<p>Larks, unfortunately for themselves, are considered very fine eating. +Immense numbers of them are killed for the table, not only on the +continent, but in England. People cry shame on the Roman epicure, +Lucullus, dining on a stew of nightingales’ tongue, nearly two thousand +years ago, and no more can I reconcile to myself the daily feasting on +these lovely little songsters, which may be delicate eating, but are no +less God’s gifts to gladden and beautify the earth.</p> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_47">[47]</span></p> + +<h2 class="nobreak" id="CHAPTER_VIII">CHAPTER VIII.</h2> +</div> + +<p class="center">THE LINNET.</p> + + +<p><span class="smcap">Linnets</span> are a branch of a larger family of finches, all very familiar +to us. They are cousins, also, to the dear, impudent sparrows, and the +pretty siskin or aberdevines.</p> + +<p>The linnets are all compactly and stoutly built, with short necks and +good sized heads, with short, strong, pointed bills, made for the ready +picking up of seed and grain, on which they live. Most of them have two +broods in the season, and they build a bulky, deep, and compact nest, +just in accordance with their character and figure; but, though all +linnet-nests have a general resemblance of form, they vary more or less +in the material used.</p> + +<p>Linnets change their plumage once a year, and have a much more spruce +and brilliant appearance when they have their new summer suits on. They +are numerous in all parts of the country, and, excepting in the season +when they have young, congregate in flocks, and in winter are attracted +to the neighbourhood of man, finding much of their food in farm-yards, +and amongst stacks.</p> + +<p>The linnet of our picture is the greater red-pole—one of four brothers +of the linnet family—and is the largest of the four; the others +are the twit or mountain-linnet, the mealy-linnet, and the lesser +red-pole—the smallest of the four—all<span class="pagenum" id="Page_48">[48]</span> very much alike, and easily +mistaken for each other. The name red-pole is given from the bright +crimson spot on their heads—<em>pole</em> or <em>poll</em> being the old +Saxon word for head. The back of our linnet’s head and the sides of his +neck are of dingy ash-colour, his back of a warm brown tint, his wings +black, his throat of a dull white, spotted with brown, his breast a +brilliant red, and the under part of his body a dingy white.</p> + +<p>The linnet, amongst singing birds, is what a song writer is amongst +poets. He is not a grand singer, like the blackbird or the thrush, +the missel-thrush or the wood-lark, all of which seem to have an epic +story in their songs, nor, of course, like the skylark, singing up to +the gates of heaven, or the nightingale, that chief psalmist of all +bird singers. But, though much humbler than any of these, he is a sweet +and pleasant melodist; a singer of charming little songs, full of the +delight of summer, the freshness of open heaths, with their fragrant +gorse, or of the Scottish brae, with its “bonnie broom,” also in golden +blossom. His are unpretending little songs of intense enjoyment, simple +thanksgivings for the pleasures of life, for the little brown hen-bird, +who has not a bit of scarlet in her plumage, and who sits in her snug +nest on her fine little white eggs, with their circle of freckles and +brown spots at the thicker end, always alike, a sweet, patient mother, +waiting for the time when the young ones will come into life from that +delicate shell-covering, blind at first, though slightly clothed in +greyish-brown—five little linnets gaping for food.</p> + +<div class="figcenter"> +<a id="image-069"><img src="images/i-069.jpg" alt="" width="479" height="650" /></a> +<p class="caption center">LINNETS AND NEST.      [<a href="#Page_48" title="Page 48">Page 48.</a></p> +</div> + +<p>The linnet mostly builds its nest in low bushes, the furze being its +favourite resort; it is constructed outside of dry grass, roots, and +moss, and lined with hair and wool. We have it <span class="pagenum" id="Page_49">[49]</span>here in our picture; +for our friend, Mr. Harrison Weir, always faithful in his transcripts +of nature, has an eye, also, for beauty.</p> + +<p>Round the nest, as you see, blossoms the yellow furze, and round it too +rises a <i lang="fr" xml:lang="fr">chevaux de frise</i> of furze spines, green and tender to +look at, but sharp as needles. Yes, here on this furzy common, and on +hundreds of others all over this happy land, and on hill sides, with +the snowy hawthorn and the pink-blossomed crab-tree above them, and, +below, the mossy banks gemmed with pale-yellow primroses, are thousands +of linnet nests and father-linnets, singing for very joy of life and +spring, and for the summer which is before them. And as they sing, the +man ploughing in the fields hard-by, and the little lad leading the +horses, hear the song, and though he may say nothing about it, the man +thinks, and wonders that the birds sing just as sweetly now as when +he was young; and the lad thinks how pleasant it is, forgetting the +while that he is tired, and, whistling something like a linnet-tune, +impresses it on his memory, to be recalled with a tender sentiment +years hence when he is a man, toiling perhaps in Australia or Canada; +or, it may be, to speak to him like a guardian angel in some time of +trial or temptation, and bring him back to the innocence of boyhood and +to his God.</p> + +<div class="sidenote"><em>Bishop Huntley’s Anecdote.</em></div> + +<p>Our picture shows us the fledgeling brood of the linnet, and the +parent-bird feeding them. The attachment of this bird to its young is +very great. Bishop Huntley, in his “History of Birds,” gives us the +following anecdote in proof of it:—</p> + +<p>“A linnet’s nest, containing four young ones, was found by some +children, and carried home with the intention of rearing and taming +them. The old ones, attracted by their chirping,<span class="pagenum" id="Page_50">[50]</span> fluttered round the +children till they reached home, when the nest was carried up stairs +and placed in the nursery-window. The old birds soon approached the +nest and fed the young. This being observed, the nest was afterwards +placed on a table in the middle of the room, the window being left +open, when the parents came in and fed their young as before. Still +farther to try their attachment, the nest was then placed in a cage, +but still the old birds returned with food, and towards evening +actually perched on the cage, regardless of the noise made by several +children. So it went on for several days, when, unfortunately, the +cage, having been set outside the window, was exposed to a violent +shower of rain, and the little brood was drowned in the nest. The poor +parent-birds continued hovering round the house, and looking wistfully +in at the window for several days, and then disappeared altogether.”</p> + +<div class="figcenter"> +<a id="image-072"><img src="images/i-072.jpg" alt="A Linnet on a branch" width="233" height="200" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_51">[51]</span></p> + +<h2 class="nobreak" id="CHAPTER_IX">CHAPTER IX.</h2> +</div> + +<p class="center">THE PEEWIT.</p> + + +<p><span class="smcap">The</span> Peewit, lapwing, or plover, belongs to the naturalist family of +<em>Gallatores</em> or Waders, all of which are furnished with strong +legs and feet for walking, whilst all which inhabit watery places, or +feed their young amongst the waves, have legs sufficiently long to +enable them to wade; whence comes the family name.</p> + +<p>The peewit, or lapwing, is a very interesting bird, from its peculiar +character and habits. Its plumage is handsome; the upper part of the +body of a rich green, with metallic reflections; the sides of the neck +and base of the tail of a pure white; the tail is black; so is the +top of the head, which is furnished with a long, painted crest, lying +backwards, but which can be raised at pleasure. In length the bird is +about a foot.</p> + +<p>The peewit lives in all parts of this country, and furnishes one of +the pleasantly peculiar features of open sea-shores and wide moorland +wastes, in the solitudes of which, its incessant, plaintive cry has an +especially befitting sound, like the very spirit of the scene, moaning +in unison with the waves, and wailing over the wide melancholy of the +waste. Nevertheless, the peewit is not in itself mournful, for it is +a particularly lively and active bird, sporting and frolicking in the +air with its fellows, now whirling round and round, and now ascending +to a great<span class="pagenum" id="Page_52">[52]</span> height on untiring wing; then down again, running along the +ground, and leaping about from spot to spot as if for very amusement.</p> + +<p>It is, however, with all its agility, a very untidy nest-maker; in +fact it makes no better nest than a few dry bents scraped together in +a shallow hole, like a rude saucer or dish, in which she can lay her +eggs—always four in number. But though taking so little trouble about +her nest, she is always careful to lay the narrow ends of her eggs in +the centre, as is shown in the picture, though as yet there are but +three. A fourth, however, will soon come to complete the cross-like +figure, after which she will begin to sit.</p> + +<p>These eggs, under the name of plovers’ eggs, are in great request as +luxuries for the breakfast-table, and it may be thought that laid thus +openly on the bare earth they are very easily found. It is not so, +however, for they look so much like the ground itself, so like little +bits of moorland earth or old sea-side stone, that it is difficult to +distinguish them. But in proportion as the bird makes so insufficient +and unguarded a nest, so all the greater is the anxiety, both of +herself and her mate, about the eggs. Hence, whilst she is sitting, he +exercises all kinds of little arts to entice away every intruder from +the nest, wheeling round and round in the air near him, so as to fix +his attention, screaming mournfully his incessant <em>peewit</em> till he +has drawn him ever further and further from the point of his anxiety +and love.</p> + +<div class="figcenter"> +<a id="image-075"><img src="images/i-075.jpg" alt="" width="481" height="650" /></a> +<p class="caption center">PEEWITS AND NEST.      [<a href="#Page_52" title="Page 52">Page 52.</a></p> +</div> + +<div class="sidenote"><em>Stratagems of the Bird.</em></div> + +<p>The little quartette brood, which are covered with down when hatched, +begin to run almost as soon as they leave the shell, and then the poor +mother-bird has to exercise all her little <span class="pagenum" id="Page_53">[53]</span>arts also—and indeed the +care and solicitude of both parents is wonderful. Suppose, now, the +little helpless group is out running here and there as merry as life +can make them, and a man, a boy, or a dog, or perhaps all three, are +seen approaching. At once the little birds squat close to the earth, +so that they become almost invisible, and the parent-birds are on the +alert, whirling round and round the disturber, angry and troubled, +wailing and crying their doleful <em>peewit</em> cry, drawing them ever +further and further away from the brood. Should, however, the artifice +not succeed, and the terrible intruder still obstinately advance in +the direction of the young, they try a new artifice; drop to the +ground, and, running along in the opposite course, pretend lameness, +tumbling feebly along in the most artful manner, thus apparently +offering the easiest and most tempting prey, till, having safely lured +away the enemy, they rise at once into the air, screaming again their +<em>peewit</em>, but now as if laughing over their accomplished scheme.</p> + +<p>The young, which are hatched in April, are in full plumage by the end +of July, when the birds assemble in flocks, and, leaving the sea-shore, +or the marshy moorland, betake themselves to downs and sheep-walks, +where they soon become fat, and are said to be excellent eating. +Happily, however, for them, they are not in as much request for the +table as they were in former times. Thus we find in an ancient book of +housekeeping expenses, called “The Northumberland Household-book,” that +they are entered under the name of <em>Wypes</em>, and charged one penny +each; and that they were then considered a first-rate dish is proved +by their being entered as forming a part of “his lordship’s own mess,” +or portion of food; <em>mess</em><span class="pagenum" id="Page_54">[54]</span> being so used in those days—about +the time, probably, when the Bible was translated into English. Thus +we find in the beautiful history of Joseph and his brethren, “He sent +messes to them, but Benjamin’s mess was five times as much as any of +theirs.”</p> + +<p>Here I would remark, on the old name of <em>Wypes</em> for this +bird, that country-people in the midland counties still call them +<em>pie-wypes</em>.</p> + +<p>But now again to our birds. The peewit, like the gull, may easily be +tamed to live in gardens, where it is not only useful by ridding them +of worms, slugs, and other troublesome creatures, but is very amusing, +from its quaint, odd ways. Bewick tells us of one so kept by the Rev. +J. Carlisle, Vicar of Newcastle, which I am sure will interest my +readers.</p> + +<div class="sidenote"><em>A Winter Visitor.</em></div> + +<p>He says two of these birds were given to Mr. Carlisle, and placed +in his garden, where one soon died; the other continued to pick up +such food as the place afforded, till winter deprived it of its usual +supply. Necessity then compelled it to come nearer the house, by which +it gradually became accustomed to what went forward, as well as to +the various members of the family. At length a servant, when she had +occasion to go into the back-kitchen with a light, observed that the +lapwing always uttered his cry of <em>peewit</em> to gain admittance. +He soon grew familiar; as the winter advanced, he approached as far +as the kitchen, but with much caution, as that part of the house was +generally inhabited by a dog and a cat, whose friendship the lapwing +at length gained so entirely, that it was his regular custom to resort +to the fireside as soon as it grew dark, and spend the evening and +night with his two associates, sitting<span class="pagenum" id="Page_55">[55]</span> close to them, and partaking +of the comforts of a warm fireside. As soon as spring appeared he +betook himself to the garden, but again, at the approach of winter, +had recourse to his old shelter and his old friends, who received him +very cordially. But his being favoured by them did not prevent his +taking great liberties with them; he would frequently amuse himself +with washing in the bowl which was set for the dog to drink out of, and +whilst he was thus employed he showed marks of the greatest indignation +if either of his companions presumed to interrupt him. He died, poor +fellow, in the asylum he had chosen, by being choked with something +which he had picked up from the floor. During his confinement he +acquired an artificial taste as regarded his food, and preferred crumbs +of bread to anything else.</p> + +<div class="figcenter"> +<a id="image-079"><img src="images/i-079.jpg" alt="Peewit standing on a rock." width="565" height="500" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_56">[56]</span></p> + +<h2 class="nobreak" id="CHAPTER_X">CHAPTER X.</h2> +</div> + +<p class="center">THE HOUSE-MARTIN, OR WINDOW-SWALLOW.</p> + + +<p><span class="smcap">During</span> our winter, swallows inhabit warm tropical countries, migrating +northwards with the first approaches of summer. They are usually seen +with us from the 13th to the 20th of April, and are useful from the +first day of their arrival, by clearing the air of insects, which they +take on the wing; indeed, they may be said to live almost wholly on the +wing, and, except when collecting mud for their nests, are seldom seen +to alight, and, in drinking, dip down to the water as they skim over it +on rapid wing.</p> + +<div class="figcenter"> +<a id="image-081"><img src="images/i-081.jpg" alt="" width="485" height="650" /></a> +<p class="caption center">HOUSE-MARTINS AND NESTS.      [<a href="#Page_56" title="Page 56">Page 56.</a></p> +</div> + +<p>We have three kinds of swallows in England: the chimney-swallow, the +house-martin, and the sand-martin, of which I shall have something to +say in due course. The chimney-swallow and house-martin are especially +worthy of the affectionate regard of man; for they love his society, +build around his dwelling, destroy nothing that he values, have no +appetite for his fruits; they live harmoniously amongst themselves, +and have no other disposition than that of cheerfulness, unwearying +industry and perseverance, and the most devoted parental affection.</p> + +<p>Mr. Weir has given us a lively picture of swallow-life—four nests +grouped together on a house-side: more there probably are; but there +are as many as we can manage with; indeed we <span class="pagenum" id="Page_57">[57]</span>will presently confine +our attention to one single nest, and, by so doing, I flatter myself +that I shall win your admiration for these birds, and that you will +agree with me in thinking that if we all, men and women, boys and +girls, had only their persevering spirit, and their courage under +adversity, there would not be so much unsuccess, either at school or in +life, as is now, too often, the case.</p> + +<div class="sidenote"><em>The Nests on Traquair House.</em></div> + +<p>Some people are very fond of having martins about their houses, under +their eaves, and even in the corners of their windows. The Earl of +Traquair was one of these; he was, indeed, a great lover of all kinds +of birds, and all were protected on his premises. In the autumn of +1839, there were no less than one hundred and three martins’ nests on +Traquair House—which is a very fine old place—besides several which +had been deserted, injured, or taken possession of by sparrows, which +is a very unwarrantable liberty taken by these birds.</p> + +<p>From six to twenty days are required to build a martin’s nest. If all +goes on well it may be finished in the shorter time.</p> + +<p>Let us now see how the birds set about building. Here are several +nests in our picture; and turning to the pages of Macgillivray’s +“British Birds,” I shall find exactly the information we need. I will, +therefore, extract freely from this interesting writer, that my young +readers may be as grateful to him as I am myself.</p> + +<div class="sidenote"><em>The Domestic Life of a Pair.</em></div> + +<p>Again turning to our picture, we find four nests. “A party of eight +martins arrived here on the 1st of May. As this was quite a new +location, they spent the whole day in examining the eaves of the house, +the corners of the windows, and the out-buildings. By the following +morning the question was settled, and they had, as you see, fixed +upon a high wall with a slate<span class="pagenum" id="Page_58">[58]</span> coping, and an eastern aspect, and at +once commenced making a general foundation for their nests. Suitable +materials are procured from the banks of an adjoining pond, or a puddle +in the lane. Let us go down and see them. Here they come, sailing +placidly over the tree-tops; now they descend so as almost to sweep the +surface of the pond; some of them alight at once, others skim round, as +if borne away by a brisk wind. Those that have alighted walk about with +short steps, looking round for materials. Some seem not to find the mud +suitable, but seize on a piece of straw, or grass, which, tempering +in the mud, they then fly off with. Returning now to the building, we +see one using its tail planted against the wall, or against the nest, +if sufficiently advanced, as a support, deposit the material it has +brought by giving its head a wriggling motion, so that the mud slides +gently into the crevices of yesterday’s work; then he retouches the +whole. See, one has now arrived with his supply before the other has +finished: he is impatient to disburden himself, and wants to drive +off the worker, who rather snappishly retorts, and he, poor fellow, +goes off for a while with the mud sticking to his bill. Now she has +finished; there is room for him, and he goes back again and works hard +in his turn. They never alight on the nest without twittering. At noon, +if the weather be hot, they betake themselves to the fields, or, after +a dip in the pond, sun themselves on the house-top for half-an-hour or +so. Then they will hawk about for food, and after awhile one of them +may, perhaps, return and give another touch or two to the work, or seat +herself in the nest to consolidate the materials. But if cold, wet, or +windy, they keep away. What they do with themselves I know not; but +as soon as it clears<span class="pagenum" id="Page_59">[59]</span> up, they are at work again. At the beginning of +their building, they seem to have no objection to leave it for a whole +day; but as it advances, they become more interested or anxious, and +one or both will sit in it all night, even though the weather be bad.”</p> + +<p>So much for the building of these four nests of our picture; and now +I will bespeak your attention to a little narrative of the joys and +sorrows of the domestic life of a pair of martins, which, we will +suppose, belong also to our group.</p> + +<p>“The building began on the 1st of May, at daybreak. But the weather was +very much against them, being cold and stormy, and it was the 18th of +the month before it was finished.</p> + +<p>“Seeing their labours thus brought to a close, one could not help +wishing, considering how much it had cost, that the nest might last +them for many years. But on the 23rd of June, during a heavy fall of +thunder rain, almost the entire nest was washed to the ground, together +with the young birds which it contained. A short time before the +catastrophe, the old birds were observed hovering about, and expressing +great uneasiness. Almost immediately after it happened they left the +place, but returned the following day, and spent it in flying about and +examining the angle of the wall.</p> + +<p>“Next morning they commenced repairing the nest. In three days they had +made great progress; but again rain fell, and their work was stayed. +On the 30th, they advanced rapidly, and both remained sitting on the +nest all night. The next day it was finished; and now they began to +rejoice: they twittered all the evening till it was dark, now and then +pruning each other’s heads, as, seated side by side, they prepared to +spend the dark hours in the nest. Eggs were soon laid again, but,<span class="pagenum" id="Page_60">[60]</span> +sad to say, on the morning of the 18th of July, again, during a great +storm of wind and rain, the upper wall fell, carrying with it one +of the eggs. The old birds again fluttered about, uttering the most +plaintive cries, and early the next morning began to repair the damage, +though it rained heavily all day. Part of the lining hanging over the +side was incorporated with the new layers of mud. The urgency of the +case was such, that they were obliged to work during the bad weather. +Throughout the day one bird sat on the nest, whilst the other laboured +assiduously. Kindly was he welcomed by his mate, who sometimes, during +his absence, nibbled and retouched the materials which he had just +deposited. In a few days it was finished, the weather became settled, +the young were hatched, and all went well with them.</p> + +<p>“Sometimes when the nests are destroyed, the birds, instead of +attempting to repair the damage, forsake the neighbourhood, as if +wholly disheartened. Nothing can be more distressing to them than to +lose their young. In the storm of which I have just spoken, another +martin’s nest was washed down with unfledged young in it. These were +placed on some cotton wool in a basket, covered with a sheet of +brown paper, in an open window, facing the wall. During that day and +the following, the parents took no notice of them, and their kind +human protector fed them with house-flies. That evening he tried an +experiment. He gently placed the young ones in a nest of that same +window, where were other young. It was then about eight o’clock in the +evening; the rain was falling heavily, and no sound was heard save the +<em>cheep, cheep</em>, of the young birds, and the dashing of the storm +against the window-glass. A minute elapsed,<span class="pagenum" id="Page_61">[61]</span> when forth rushed the +parents shrieking their alarm notes, and, again and again wheeled up to +the nest, until at last they drifted away in the storm. He watched them +till they disappeared about half-past-nine. During all this time they +only twice summoned courage to look into the nest. Next morning I was +rejoiced to see them attending assiduously to the young ones.”</p> + +<div class="sidenote"><em>The Feeding of the Young.</em></div> + +<p>And now, turning again to our group of four nests on the walls, +supposing it be the month of July, every one of them with its +fledgeling brood sitting with gaping mouths, ever ready for food, you +may, perhaps, like to know how many meals are carried up to them in the +course of the day. If, then, the parents began to feed them at about +five in the morning, and left a little before eight at night, they +would feed them, at the lowest calculation, about a thousand times.</p> + +<p>With all this feeding and care-taking, the young ones, as the summer +goes on, are full-fledged, and have grown so plump and large that the +nest is quite too small for them; therefore, they must turn out into +the world, and begin life for themselves.</p> + +<p>It is now a fine, brisk, August morning, and at about eight o’clock, +you can see, if you look up at the nests, how the old birds come +dashing up to them quite in an excited way, making short curves in the +air, and repeating a note which says, as plain as a bird can speak,</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent6">This is the day</div> + <div class="verse indent6">You must away!</div> + <div class="verse indent0">What are wings made for, if not to fly?</div> + <div class="verse indent6">Cheep, cheep,</div> + <div class="verse indent6">Now for a leap!—</div> + <div class="verse indent0">Father and mother and neighbours are by!</div> + </div> +</div> +</div> +<p><span class="pagenum" id="Page_62">[62]</span></p> +<p>This flying away from the nest is a great event in swallow-life, as you +may well believe. Let us therefore now direct our attention to one nest +in particular, in which are only two young ones—a very small family; +but what happens here is occurring all round us.</p> + +<p>One of these little ones balances itself at the entrance, looking +timidly into the void, and, having considered the risk for awhile, +allows its fellow to take its place.</p> + +<p>During all this time, the parents keep driving about, within a few feet +of the entrance, and endeavour, by many winning gestures, to induce +their charge to follow them. The second bird also, after sitting for +some time, as if distrustful of its powers, retires, and the first +again appears. Opening and shutting his wings, and often half inclined +again to retire, he, at length, summons up all his resolution, springs +from the nest, and, with his self-taught pinions, cleaves the air. He +and his parents, who are in ecstasies, return to the nest, and the +second young one presently musters courage and joins them. And now +begins a day of real enjoyment; they sport chiefly about the tree-tops +till seven in the evening, when all re-enter the nest.</p> + +<p>In several instances I have seen the neighbours add their inducements +to those of the parents, when the young were too timid to leave their +home. If the happy day prove fine, they seldom return to the nest +till sunset; if otherwise, they will come back two or three times. On +one occasion, when the young were ready to fly, but unwilling to take +the first leap, the parents had recourse to a little stratagem, both +ingenious and natural. The he-bird held out a fly at about four inches +from the entrance<span class="pagenum" id="Page_63">[63]</span> to the nest. In attempting to take hold of it, they +again and again nearly lost their balance. On another occasion, the +mother bird, trying this plan to no purpose, seemed to lose patience, +and seizing one of them by the lower mandible, with the claw of her +right foot, whilst it was gaping for food, tried to pull it out of the +nest, to which, however, it clung like a squirrel. But the young, every +one of them, fly in time, and a right joyous holiday they all have +together.</p> + +<div class="sidenote"><em>The Autumn Migration.</em></div> + +<p>So the summer comes to an end; and towards the middle of September, +the great family cares being over, and the young having attained +to an age capable of undertaking the fatigues of migration, that +mysterious impulse, strong as life itself, and probably affecting +them like some sickness—the necessity to exchange one country and +climate for another—comes upon them. Under this influence, they +congregate together in immense numbers, every neighbourhood seeming +to have its place of assembly—the roofs of lofty buildings, or the +leafless boughs of old trees: here they meet, not only to discuss the +great undertaking, but to have a right merry time together—a time +of luxurious idleness, lively chatterings, singing in chorus their +everlasting and musical <em>cheep, cheep</em>, eating and drinking, and +making ready for the journey before them.</p> + +<p>At length the moment of departure is come, and at a given signal the +whole party rises. Twittering and singing, and bidding a long farewell +to the scenes of their summer life, they fly off in a body, perhaps, if +coming from Scotland, or the north of England, to rest yet a few weeks +in the warmer southern counties; after which, a general departure takes +place to the sunny lands of Africa.</p> + +<p><span class="pagenum" id="Page_64">[64]</span></p> + +<p>Though gifted with wings wonderfully constructed for prolonged flight, +and though having passed every day of so many successive months almost +wholly on the wing, the swallow frequently suffers great fatigue and +exhaustion in its long migration. Sometimes, probably driven out of +its course by adverse winds, it is known to alight by hundreds on the +rigging of vessels, when worn out by hunger and fatigue it is too +often shot or cruelly treated. Nevertheless the swallow, protected +by Him who cares for the sparrow, generally braves the hardships of +migration, and the following spring, guided by the same mysterious +instinct, finds his way across continents and seas to his old home, +where, identified by some little mark which has been put upon him—a +silken thread as a garter, or a light silver ring—he is recognised as +the old familiar friend, and appears to be no less happy to be once +more with them than are they to welcome him. Sometimes swallows coming +back as ordinary strangers, prove their identity, even though the scene +of their last year’s home may have been pulled down, together with the +human habitation. In this case, he has been known to fly about in a +distracted way, lamenting the change that had taken place, and seeming +as if nothing would comfort him.</p> + +<p>Though the fact of swallows coming back to their old haunts does not +need proving, yet I will close my chapter with an incident which +occurred in our own family. During a summer storm, a martin’s nest, +with young, was washed from the eaves of my husband’s paternal +home. His mother, a great friend to all birds, placed the nest with +the young, which happily were uninjured, in a window, which, being +generally open, allowed<span class="pagenum" id="Page_65">[65]</span> the parent-birds access to their young. They +very soon began to feed them, making no attempt to build any other +nest; so that the young were successfully reared, and took their flight +full-fledged from the window-sill.</p> + +<div class="sidenote"><em>A Welcomed Return to Old Haunts.</em></div> + +<p>The next spring, when the time for the arrival of the swallows came, +great was the surprise and pleasure of their kind hostess, to see, +one day, a number of swallows twittering about the window, as if +impatient for entrance. On its being opened, in they flew, and, +twittering joyfully and circling round the room, as if recognising the +old hospitable asylum of the former year, flew out and soon settled +themselves under the eaves with the greatest satisfaction. There could +be no doubt but that these were the birds that had been reared there.</p> + +<div class="figcenter"> +<a id="image-091"><img src="images/i-091.jpg" alt="" width="530" height="427" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_66">[66]</span></p> + +<h2 class="nobreak" id="CHAPTER_XI">CHAPTER XI.</h2> +</div> + +<p class="center">THE CHIFF-CHAFF, OR OVEN-BUILDER.</p> + + +<p><span class="smcap">The</span> Chiff-chaff, chill-chall, lesser pettichaps, or oven-builder, is +one of the great bird-family of warblers, and the smallest of them in +size; indeed, it is not much larger than the little willow-wren. Like +all its family it is a bird of passage, and makes its appearance here, +in favourable seasons, as early as the 12th of March—earlier than +the warblers in general—and also remains later, having been known to +remain here to the middle of October.</p> + +<div class="figcenter"> +<a id="image-093"><img src="images/i-093.jpg" alt="" width="462" height="650" /></a> +<p class="caption center">CHIFF-CHAFFS AND NEST.      [<a href="#Page_66" title="Page 66">Page 66.</a></p> +</div> + +<p>It is a remarkably cheerful little bird, and is warmly welcomed by all +lovers of the country as being one of the first visitants of spring, +sending its pleasant little voice, with an incessant “chiff-chaff,” +“chery-charry,” through the yet leafless trees.</p> + +<p>Its plumage is dark olive-green; the breast and under part of the body, +white, with a slight tinge of yellow; the tail, brown, edged with pale +green; legs, yellowish-brown.</p> + +<p>The nest is not unlike that of a wren, built in a low bush, and, +sometimes, even on the ground. The one so beautifully and faithfully +depicted by Mr. Harrison Weir, seems to be amongst the tallest grasses +and picturesque growths of some delicious woodland lane. It is a +lovely little structure; a hollow ball wonderfully put together, of +dry leaves and stems of <span class="pagenum" id="Page_67">[67]</span>grass, and a circular hole for entrance at +the side; lined with soft feathers—a little downy bed of comfort. The +mother-bird, as we now see her, sits here in delicious ease on five or +six white eggs, beautifully spotted with rich red-brown.</p> + +<div class="sidenote"><em>Mr. Howitt’s Account of this Bird.</em></div> + +<p>This dainty little bird, which seems made alone for pleasure, is +very useful to man, and should be made kindly welcome everywhere, +living entirely on caterpillars and other troublesome and destructive +creatures. The Rev. J. G. Wood says that it saves many a good oak from +destruction by devouring, on its first arrival, the caterpillars of +the well-known green oak-moth, which roll up the leaves in so curious +a manner, and come tumbling out of their green houses at the slightest +alarm.</p> + +<p>He says, also, that a little chiff-chaff, which had been caught and +tamed, was accustomed to dash to the ceiling of the room in which it +was kept, and to snatch thence the flies which settled on the white +surface.</p> + +<p>My husband, writing of this bird, says:—</p> + +<p>“Gilbert White gave, I believe, the name of chiff-chaff to this +little bird from its note. In the midland counties it is called the +chill-chall from the same cause; and, indeed, this name is, to my ear, +more accordant with its continuous ditty. Its cheery little voice is +one of the pleasantest recognitions of returning spring. It is sure to +be heard, just as in former years, in the copse, the dell, the belt +of trees bordering a wayside; we catch its simple note with pleasure, +for it brings with it many a memory of happy scenes and days gone +by. We see the little creature hopping along the boughs of the yet +only budding oak, and know that it is as usefully employed for man +as agreeably for itself. It tells us, in effect, that sunny days,<span class="pagenum" id="Page_68">[68]</span> +flowers, and sweet airs, and the music of a thousand other birds, are +coming. We revert to the time when, tracing the wood-side or the bosky +dingle in boyhood, we caught sight of its rounded nest amongst the +screening twigs of the low bush, and the bleached bents of last year’s +grapes. We remember the pleasure with which we examined its little +circular entrance, and discovered, in its downy interior, its store +of delicate eggs, or the living mass of feathery inmates, with their +heads ranged side by side and one behind another, with their twinkling +eyes and yellow-edged mouths. Many a time, as we have heard the ever +blithe note of chill-chall, as it stuck to its unambitious part of the +obscure woodland glade, we have wished that we could maintain the same +buoyant humour, the same thorough acceptance of the order of Providence +for us. As Luther, in a moment of despondency, when enemies were rife +around him, and calumny and wrong pursued him, heard the glad song of a +bird that came and sang on a bough before his window, we have thanked +God for the lesson of the never-drooping chill-chall. The great world +around never damps its joy with a sense of its own insignificance; the +active and often showy life of man, the active and varied existence of +even birds, which sweep through the air in gay companies, never disturb +its pleasure in its little accustomed nook. It seems to express, in its +two or three simple notes, all the sentiment of indestructible content, +like the old woman’s bird in the German story by Ludwig Tieck—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">Alone in wood so gay,</div> + <div class="verse indent0">’Tis good to stay,</div> + <div class="verse indent0">Morrow like to-day</div> + <div class="verse indent0">For ever and aye;</div> + <div class="verse indent0">Oh, I do love to stay</div> + <div class="verse indent0">Alone in wood so gay!</div> + </div> +</div> +</div> +<p><span class="pagenum" id="Page_69">[69]</span></p> +<div class="sidenote"><em>The Bird’s Ditty.</em></div> + +<p>“This little bird appears to feel all that strength of heart, and to +put it into its little ditty, which seems to me to say—</p> + +<p>“Here I continue ‘cheery cheery, and still shall, and still shall!’”</p> + +<div class="figcenter"> +<a id="image-097"><img src="images/i-097.jpg" alt="" width="435" height="500" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_70">[70]</span></p> + +<h2 class="nobreak" id="CHAPTER_XII">CHAPTER XII.</h2> +</div> + +<p class="center">THE GOLDEN-CRESTED WREN.</p> + + +<p><span class="smcap">We</span> have here the Golden-crested Wren—the <i lang="la" xml:lang="la">Regulus cristatus</i> +of naturalists—the tiniest of our British birds, “the pleasing +fairy-bird,” as Bewick calls it, one of the large family of warblers, +and a near relation to Jenny Wren. It is a very charming little bird, +with a sweet melodious song of its own, and so many curious little ways +that it is well worth everybody’s notice and everybody’s love.</p> + +<p>It is very active and lively, always in motion, fluttering from branch +to branch, and running up and down the trunks and limbs of trees, in +search of insects on which it lives. It may as often be seen on the +under as on the upper side of a branch, with its back downwards, like +a fly on a ceiling, and so running along, all alert, as merry and busy +as possible. In size it is about three inches, that is with all its +feathers on, but its little body alone is not above an inch long; yet +in this little body, and in this little brain, lives an amazing amount +of character, as I shall show you, as well as a great deal of amusing +conceit and pertness which you would hardly believe unless you were +told.</p> + +<div class="figcenter"> +<a id="image-099"><img src="images/i-099.jpg" alt="Golden-crested wrens" width="480" height="650" /></a> +<p class="caption center">GOLDEN-CRESTED WRENS AND NEST.      [<a href="#Page_70" title="Page 70">Page 70.</a></p> +</div> + +<p>The colour of the bird is a sort of yellowish olive-green, the under +part of pale, reddish-white, tinged with green on the sides; the quill +feathers of the wing are dusky, edged with pale <span class="pagenum" id="Page_71">[71]</span>green, as are also +the tail feathers. Thus attired by nature, that is, by the great +Creator who cares for all His creatures, this little bird, creeping +and fluttering about the branches and bole of the leafy summer tree, +can scarcely be distinguished from the tree itself: hence it is that +the bird is so unfamiliar to most people. The he-bird, however, has +a little distinguishing glory of his own—a crest of golden-coloured +feathers, bordered on each side with black, like a sort of eye-brow to +his bright hazel eyes. This crest, which gives him his distinguished +name, can be erected at pleasure, when he is full of life and +enjoyment, or when he chooses to lord it over birds ten times as big as +himself.</p> + +<div class="sidenote"><em>The Lively Gambols of this Bird.</em></div> + +<p>It is worth anybody’s while, who has a love for the innocent denizens +of nature, and no desire to do them harm, to go into a wood on a +summer’s day on purpose to watch the doings of this lively little bird +amongst the tree-branches. Fir-woods are the best for this purpose, as +this bird has an especial liking for these trees, and ten to one, if +you will only be patient and quite still, you may soon see him at work +busily looking after his dinner, running along the branches, up one and +down another, then like a little arrow off to the next tree, scudding +along its branches, then back again, up and down, round and round +the bole, going like a little fire, so rapid are his movements; now +running up aloft, now hanging head downward, now off again in another +direction. What a wonderful activity there is in that little body! He +must devour hundreds of insects, as well as their eggs, which he thus +seeks for under the scaly roughnesses of the bark, and finding, devours.</p> + +<p>Pretty as he is, his nest, of which Mr. Harrison Weir has<span class="pagenum" id="Page_72">[72]</span> given a most +accurate drawing, is quite worthy of him. It is always the same, swung +like a little hammock from a branch, and always hidden, it may be by +leaves or a bunch of fir-cones. The cordage by which it is suspended +is of his own weaving, and is made of the same materials as the nest, +which are moss and slender thread-like roots. In form it is oval, as +you see, with a hole for entrance at the side, and is lined with the +softest down and fibrous roots. It is a lovely little structure, like +a soft ball of moss, within which the mother-bird lays from six to a +dozen tiny eggs, scarcely bigger than peas, the delicate shell of which +will hardly bear handling. The colour of the egg is white, sprinkled +over with the smallest of dull-coloured spots.</p> + +<p>Mr. Jesse describes one of these lovely nests which was taken from the +slender branches of a fir-tree where it had been suspended, as usual, +by means of delicate cordage, secured to the branch by being twisted +round and round, and then fastened to the edge or rim of the nest, +so that one may be sure that the making and securing of these tiny +ropes must be the first work of the clever little artizan. The nest +thus suspended sways lightly to and fro with the movement of the bird. +We cannot see in our cut the slender ropes that suspend it; they are +concealed under the thick foliage; but we can easily see what a dainty +little structure it is.</p> + +<div class="sidenote"><em>The Jackdaw and Mischievous Wrens.</em></div> + +<p>Delicate and lovely as is this bird, and pleasing and harmless as is +his life, he yet possesses some curious traits of character, as I +said. For instance, though so small, with a body only an inch long, +he has, apparently, a wonderful conceit of himself, and loves to be +lord and master of creatures that will not dispute with him, as not +worth their while, or perhaps because there<span class="pagenum" id="Page_73">[73]</span> really is some inherent +mastership in him by which he contrives, under certain circumstances, +to rule over them. In proof of this, I will tell you what the Rev. J. +G. Wood relates from the experience of a lady, a friend of his. One +severe winter, when she had housed and fed a number of birds, amongst +which were a jackdaw, a magpie, two skylarks, a goldfinch, and a robin, +in a warm aviary, feeding them regularly and abundantly, other birds +came, of course, to partake of the plentiful feast, and amongst them +two golden-crested wrens. These little things made themselves not +only quite at home, but lorded it over the other birds in the most +extraordinary way possible. For instance, if the jackdaw had possessed +himself of a nice morsel which he was holding down with his foot to +eat comfortably, and the golden-crested wren had also set his mind on +it, he hopped on the jackdaw’s head and pecked in his eye, on the side +where his foot held the delicacy. On this the poor jackdaw instantly +lifted his foot to his head where he thought something was amiss, and +the mischievous little fellow snatched up the treasure and was off. At +first the jackdaw would pursue him in great wrath, but he soon learned +that it was no use, for the creature would only jump upon his back +where he could not reach him, and so was safe from punishment. “Before +the winter was over,” continues the lady, “the little gold-crests were +masters of all the birds, and even roosted at night on their backs; +finding, no doubt, that in this way they could keep their little feet +much warmer than on a perch.”</p> + +<p>Conceited and dominant, however, as these little birds may be, they are +yet either extremely timid, or their nervous system is so delicately +constituted, that a sudden fright kills them.<span class="pagenum" id="Page_74">[74]</span> Thus if, when they are +all alert and busy on the tree-branch, seeking for insects and fearing +no evil, the branch be suddenly struck with a stick, the poor bird +falls dead to the ground. The shock has killed it. It has received no +apparent injury—not a feather is ruffled—but its joyous, innocent +life is gone for ever. This fact is asserted by Gilbert White, and was +proved by my husband, who brought me home the bird which had thus died.</p> + +<div class="figcenter"> +<a id="image-104"><img src="images/i-104.jpg" alt="bird's nest with eggs" width="461" height="491" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_75">[75]</span></p> + +<h2 class="nobreak" id="CHAPTER_XIII">CHAPTER XIII.</h2> +</div> + +<p class="center">THE WAGTAIL.</p> + + +<p><span class="smcap">This</span> elegant little bird belongs to the Motacilla, or Wagtail family. +There are three brothers of them in this country—the pied, the grey, +and the yellow. The pied is the most familiar, and our friend Mr. +Harrison Weir has given us a lovely picture of it at home in a cleft of +the rock, with fleshy-leaved lichens above, and green springing fronds +of the great fern, which will presently overshadow it. Around are the +solemn mountains, and the never silent water is foaming and rushing +below.</p> + +<p>This bird has many names besides his Latin one of Motacilla. In Surrey +he is called washer, or dish-washer, by the common people, from his +peculiar motions in walking, which are thought to resemble those of a +washer-woman at her tub. The colours of the pied wagtail are simply +black and white, but so boldly and clearly marked as to produce a very +pleasing and elegant effect.</p> + +<p>We have, every year, several wagtails in our garden, to which they add +a very cheerful feature, walking about, nodding their heads and tails +as if perfectly at home, afraid neither of dog nor cat, much less of +any human being about the place. A little running brook as one boundary +of the garden is, no doubt, one of the attractions; but here they are +seen less frequently than on the smoothly-mown lawn, where they pick up +tiny<span class="pagenum" id="Page_76">[76]</span> insects, gliding along with a smooth motion, accompanied by the +quick movement of head and tail.</p> + +<p>It is bitterly cold wintry weather as I write this, and they now visit +the kitchen door, where, no doubt, little delicacies of various kinds +attract them. They are more fearless and familiar than either sparrows, +robins, or blackbirds; yet all of these are our daily pensioners, +having their breakfast of crumbs as regularly before the parlour window +as we have our own meal. Yet they fly away at the slightest sound, +and the appearance of the cat disperses them altogether. They have, +evidently, the old ancestral fear of man, stamped, as powerfully as +life itself, upon their being. They are suspicious, and always in +a flutter: nothing equals the calm self-possession of the wagtail, +excepting it be the state of mind into which the robin gets when the +gardener is turning up the fresh soil, just on purpose, as he supposes, +to find worms for him.</p> + +<div class="figcenter"> +<a id="image-107"><img src="images/i-107.jpg" alt="" width="474" height="650" /></a> +<p class="caption center">WAGTAIL AND NEST.      [<a href="#Page_76" title="Page 76">Page 76.</a></p> +</div> + +<div class="sidenote"><em>Its Quest for Food.</em></div> + +<p>And now let me give you a wagtail picture, drawn by a faithful hand.<a id="FNanchor_1" href="#Footnote_1" class="fnanchor">[A]</a> +It is the end of July, the young wagtails are abroad with their +parents, like human families, a month or two later, gone out or abroad +to take their holiday. “Often,” he says, “one may see them wading in +shallow places, in quest of insects and worms, carefully holding up +their tails to prevent them being draggled. If you watch the motions +of an individual just coming up to join the party, you see it alight +abruptly, twittering its shrill notes, and, perching on a small stone, +incessantly vibrate its body, and jerk out its tail.” This of course +is the polite way in which a stranger wagtail introduces itself +amongst its friends. There they are; now walking out into the water, +and looking round for food. Now they are on the shore again, running +rapidly along, picking up, now and then, a dainty morsel, and every +moment spreading out the ever-vibrating tail. Now they are in the +adjoining meadow, each one in pursuit of a fly, which it has no sooner +caught, than it spies another. The lazy geese, which have nibbled +the grass bare, allow the wagtail to pass in their midst without +molestation. When the cows are grazing in the midst of a swarm of +gnats and other insects, as Gilbert White says, as they tread amongst +the bush herbage they rouse up multitudes of insects which settle on +their legs, their stomachs, and even their noses, and the wagtails are +welcomed by the cows as benefactors. Watch them, for they are worth the +trouble; see, one comes forward and catches a small fly, bends to one +side to seize another, darts to the right after a third, and springs +some feet in the air before it secures a fourth, and all this time +others are running about after other flies, passing close to the cows’ +noses or amongst their feet. With all this running to and fro, and +hither and thither, they every now and then run in each other’s way; +but they do not quarrel, aware, no doubt, that there is room enough for +them in the world, nay, even in the meadow, though it now seems to be +full of wagtails, all busily occupied, some walking, others running, a +few flying off and many arriving. You may walk in amongst them; they +are not very shy, for they will allow you to come within a few yards of +them. They may always be met with on the shore when the tide is out, as +well as in the meadow; you will meet with them by the river-side, or by +the mill-dam. Occasionally you may see<span class="pagenum" id="Page_78">[78]</span> them perched on a roof, a wall, +or a large stone, but very rarely on a tree or bush.</p> + +<div class="footnote"> + +<p><a id="Footnote_1" href="#FNanchor_1" class="label">[A]</a> “British Birds.”</p> + +</div> + +<div class="sidenote"><em>The Taunton Pair.</em></div> + +<p>They pair about the middle of April, and build by the side of rivers +in crevices of rock—as in our picture, on a heap of stones, in faggot +or wood stacks, or in a hole in a wall, but always near water and +carefully hidden from sight. The nest is made of dry grass, moss, and +small roots, thickly lined with wool and hair. The eggs are five or six +in number, of a greyish white, spotted all over with grey and brown. +As a proof of the confiding nature of this bird, I must mention that +occasionally it builds in most unimaginable places, directly under the +human eye—as, for instance, “a pair of them last summer,” says Mr. +Jesse, “built their nest in a hollow under a sleeper of the Brighton +Railway, near the terminus at that place. Trains at all times of the +day were passing close to the nest, but in this situation the young +were hatched and reared.” Mr. Macgillivray also mentions that a pair +of these birds built their nest in an old wall near a quarry, within a +few yards of four men who worked most part of the day in getting the +stone, which they occasionally blasted. The hen-bird laid four eggs, +and reared her brood, she and her mate becoming so familiar with the +quarry-men as to fly in and out without showing the least sign of fear; +but if a stranger approached they would immediately fly off, nor return +till they saw him clear off from the place. Another nest was built +beneath a wooden platform at a coal-pit, where the noisy business of +unloading the hutches brought up from the pit, was continually going +forward. But soon the wagtails were quite at home, becoming familiar +with the colliers and other people connected with the work, and flew +in<span class="pagenum" id="Page_79">[79]</span> and out of their nest without showing the slightest sign of fear. +Again, another pair built close to the wheel of a lathe in a workshop +at a brass manufactory at Taunton amid the incessant din of the +braziers; yet here the young were hatched, and the mother-bird became +perfectly familiar with the faces of the workmen; but if a stranger +entered, or any one belonging to the factory, though not to what might +be called her shop, she quitted her nest instantly, nor would return +till they were gone. The male, however, had much less confidence, and +would not come into the room, but brought the usual supplies of food to +a certain spot on the roof whence she fetched it. All these anecdotes +prove how interesting would be the relationship between the animal +creation and man, if man ceased to be their tyrant or destroyer.</p> + +<p>As regards this particular bird, it is not only elegant in its +appearance, but amiable and attractive in all its ways. “They are,” +says Bewick, “very attentive to their young, and continue to feed and +train them for three or four weeks after they can fly; they defend them +with great courage when in danger, or endeavour to draw aside the enemy +by various little arts. They are very attentive also to the cleanliness +of their nests, and so orderly as to have been known to remove light +substances, such as paper or straw, which have been placed to mark the +spot.” As regards this proof of their love of order, however, I would +rather suggest that it may be a proof of their sagacity and sense of +danger: they suspected that some human visitor, of whose friendly +character they were not convinced, was intending to look in upon them, +and they thought it best, therefore, to decline the honour of his +visit.</p> + +<p><span class="pagenum" id="Page_80">[80]</span></p> + +<p>The ordinary note of this bird, uttered rapidly if alarmed, is a sort +of <em>cheep, cheep</em>. In the summer morning, however, it may be heard +singing a pleasant, mellow and modulated little song. Like the swallow, +for which it is a match in elegance, it lives entirely on insects. If +you would only stand silently for a few minutes by a water-side, where +it haunts, you would be delighted with the grace and activity of its +movements. “There it stands,” says one of its friends, “on the top of +a stone, gently vibrating its tail, as if balancing itself. An insect +flies near; it darts off, flutters a moment in the air, seizes its +prey, and settles on another stone, spreading and vibrating its tail. +Presently it makes another sally, flutters around for a while, seizes +two or three insects, glides over the ground, swerving to either side, +then again takes its stand on a pinnacle.” Not unfrequently too it +may be seen on the roof of a house, or in a village street, still in +pursuit of insects.</p> + +<div class="figcenter"> +<a id="image-112"><img src="images/i-112.jpg" alt="" width="402" height="450" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_81">[81]</span></p> + +<h2 class="nobreak" id="CHAPTER_XIV">CHAPTER XIV.</h2> +</div> + +<p class="center">THE JACKDAW.</p> + + +<p><span class="smcap">We</span> have called the Rook and Jackdaw first cousins. They are so, and +are greatly attached to each other. There is a difference, however, in +their character; the rook is grave and dignified, the jackdaw is active +and full of fun. But they are fond of each other’s society, and agree +to associate for nine months in the year: during the other three they +are both occupied with their respective family cares.</p> + +<div class="figcenter"> +<a id="image-115"><img src="images/i-115.jpg" alt="" width="478" height="650" /></a> +<p class="caption center">JACKDAWS AND NESTLINGS.      [<a href="#Page_82" title="Page 82">Page 82.</a></p> +</div> + +<p>Rooks build in trees in the open air, the nests of the young being +exposed to all the influences of wind and weather. The jackdaw does not +approve of this mode. He likes to live under cover, and, therefore, +makes his nest in holes and crannies, amongst rocks, as in our picture; +in old and tall buildings, as church towers and steeples, old ruinous +castles, or old hollow trees. The traditional structure of the family +nest is certainly that of the rook; a strong frame-work of sticks upon +which the eggs can be laid, and the clamorous young jackdaws be brought +up. This our friend Mr. Weir has shown us plainly. But, after all, it +does not appear that the jackdaw, with all his sharpness, has much +scientific knowledge, the getting the sticks into the hole being often +a very difficult piece of work. Mr. Waterton amused himself by watching +the endless labour and pains which the jackdaw takes in trying to do<span class="pagenum" id="Page_82">[82]</span> +impossibilities. Thinking it absolutely necessary that a frame-work +of sticks should be laid in the hole or cavity as the foundation of +the nest, he brings to the opening just such sticks as the rook would +use in open spaces, and may be seen trying for a quarter of an hour +together to get a stick into a hole, holding it by the middle all the +time, so that the ends prop against each side, and make the endeavour +impossible. He cannot understand how it is; he knows that sticks ought +to go into holes, but here is one that will not; and, tired out at +length, and thinking perhaps that it is in the nature of some sticks +not to be got into a hole by any means, he drops it down and fetches +another, probably to have no better result, and this may happen several +times. But jackdaws have perseverance, and so, with trying and trying +again, he meets with sticks that are not so self-willed, and that can +be put into holes, either by being short enough or held the right way, +and so the foundation is laid, and the easier part of the work goes on +merrily; for the jackdaw is at no loss for sheets and blankets for his +children’s bed, though we cannot see them in our picture, the clamorous +children lying at the very edge of their bed. But if we could examine +it, we should most likely be amused by what we should find. The jackdaw +takes for this purpose anything soft that comes readily—we cannot say +to <em>hand</em>—but to <em>bill</em>. In this respect he resembles the +sparrow, and being, like him, fond of human society, gleans up out of +his neighbourhood all that he needs for the comfort of his nestlings. +Thus we hear of a nest, built in the ruins of Holyrood Chapel, in +which, on its being looked into for a piece of lace which was supposed +to be there, it was found also to be lined with part of a worsted +stocking, a silk <span class="pagenum" id="Page_83">[83]</span>handkerchief, a child’s cap, a muslin frill, and +several other things which the busy jackdaw had picked up in various +ways; for it must be borne in mind that he is own cousin to the magpie, +whose thievish propensities are well known.</p> + +<p>The call of the jackdaw is much quicker and more lively than the rook, +somewhat resembling the syllable <em>yak</em>, variously modulated, and +repeated somewhat leisurely, but at the same time cheerfully. Its food +is similar to that of the rook, and going forth at early dawn it may be +seen in pastures or ploughed fields, busily searching for larvæ, worms, +and insects. They walk gracefully, with none of the solemn gravity +either of the rook or raven, and may occasionally be seen running along +and sometimes quarrelling amongst themselves.</p> + +<p>Like the rook, the jackdaw stows away food in its mouth or throat-bag +to feed its young. Its plumage is black, with shining silvery grey +behind the head. Occasionally they are found with streaks or patches of +white, as are also rooks, but these are mere sports of nature.</p> + +<div class="sidenote"><em>Mr. Waterton’s Opinion.</em></div> + +<p>Mr. Waterton was of opinion that jackdaws lived in pairs all the year +round, as he had seen them sitting in November on the leafless branches +of a sycamore, side by side, pruning each other’s heads, and apparently +full of mutual affection; and as they mostly left the trees in pairs, +and so returned, he was inclined to think that it was their custom +always to remain paired.</p> + +<p>I will now give you his <em>carte de visite</em> from Macgillivray’s +“British Birds.” “He is a remarkably active, pert, and talkative little +fellow, ever cheerful, always on the alert, and ready either for +business or frolic. If not so respectable as the grave and sagacious +raven, he is, at least, the most agreeable of the<span class="pagenum" id="Page_84">[84]</span> family, and withal +extremely fond of society, for, not content with having a flock of his +own folk about him, he often thrusts himself into a gang of rooks, and +in winter sometimes takes up his abode entirely with them.”</p> + +<p>As to <em>thrusting</em> himself into a gang of rooks, I am, however, of +opinion that the rooks make him heartily welcome. How do we know what +amusement they, with their stolid gravity and solemn dignity, find in +him with all his fun and loquacity? That rooks are really fond of the +society of jackdaws is proved by an observation of Mr. Mudie. He says +that “in the latter part of the season, when the rooks from one of the +most extensive rookeries in Britain made daily excursions of about six +miles to the warm grounds by the sea-side, and in their flight passed +over a deep ravine, in the sunny side of which were many jackdaws, he +observed that when the cawing of the rooks in their morning flight was +heard at the ravine, the jackdaws, who had previously been still and +quiet, instantly raised their shriller notes, and flew up to join the +rooks, both parties clamouring loudly as if welcoming each other; and +that on the return, the daws accompanied the rooks a little past the +ravine as if for good fellowship; then both cawed their farewell: the +daws returned to their home and the rooks proceeded on their way.”</p> + +<p>Jackdaws, like rooks, are said to be excellent weather-prophets. +If they fly back to their roost in the forenoon, or early in the +afternoon, a storm may be expected that evening, or early in the +morning.</p> + +<div class="sidenote"><em>The Rev. J. G. Wood’s Anecdote.</em></div> + +<p>The anecdotes of tame jackdaws are numerous. The Rev. J. G. Wood +speaks of one which had learnt the art of kindling lucifer matches, +and thus became a very dangerous inmate,<span class="pagenum" id="Page_85">[85]</span> busying himself in this way +when the family was in bed, though, fortunately, he seems to have done +nothing worse than light the kitchen fire which had been laid ready +for kindling over night. Clever as he was, however, he could not learn +to distinguish the proper ignitable end of the match, and so rubbed +on till he happened to get it right. He frightened himself terribly +at first by the explosion and the sulphur fumes, and burned himself +into the bargain. But I do not find that, like the burnt child, he +afterwards feared the fire and so discontinued the dangerous trick.</p> + +<p>The jackdaw is easily domesticated, and makes himself very happy in +captivity, learns to articulate words and sentences, and is most +amusing by his mimicry and comic humour.</p> + +<div class="figcenter"> +<a id="image-119"><img src="images/i-119.jpg" alt="Castle tower" width="354" height="420" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_86">[86]</span></p> + +<h2 class="nobreak" id="CHAPTER_XV">CHAPTER XV.</h2> +</div> + +<p class="center">THE SPOTTED FLY-CATCHER.</p> + + +<p><span class="smcap">This</span> pretty little bird is also called the Beam or Pillar-Bird from the +position which it chooses for its nest. Building mostly in gardens, +it selects the projecting stone of a wall, the end of a beam or piece +of wood, under a low roof, or by a door or gateway, the nest being, +however, generally screened, and often made a perfect little bit +of picturesque beauty, by the leaves of some lovely creeping rose, +woodbine, or passionflower, which grows there.</p> + +<p>This last summer, one of these familiar little birds, which, though +always seeming as if in a flutter of terror, must be fond of human +society, built in a rustic verandah, overrun with Virginian creeper, at +the back of our house.</p> + +<div class="figcenter"> +<a id="image-121"><img src="images/i-121.jpg" alt="" width="476" height="650" /></a> +<p class="caption center">SPOTTED FLY-CATCHERS AND NEST.      [<a href="#Page_86" title="Page 86">Page 86.</a></p> +</div> + +<p>According to her peculiar fancy she built exactly in the doorway, +though there were some yards of verandah on either hand; but here was +the convenient ledge, forming an angle with the upright support; and +here was placed, as in our picture, the small, somewhat flat nest, +beautifully, though slightly, put together, of dried grass and moss, +lined with wool and hair. Here the mother-bird laid her four or five +greyish-white eggs, with their spots of rusty red, and here she reared +her young. She had, however, it seemed to us, an uncomfortable time of +it, <span class="pagenum" id="Page_87">[87]</span>for, though we carefully avoided giving her needless disturbance +that we almost ceased to use the door, yet there was an unavoidable +passing to and fro to which she never seemed to get accustomed, +starting off her nest with a little flutter whenever we came in sight; +nor—although before she had finished sitting the quick-growing shoots +of the Virginian creeper, with its broadly-expanding leaves, hid her +nest so completely that, had it not been for her own timidity, we need +not have known of her presence—she never lost this peculiar trait of +character.</p> + +<p>The nest which Mr. Harrison Weir has drawn is, doubtless, taken from +life. I wish, however, he could have seen ours, only about ten feet +from the ground, a little dome of love, embowered amongst young shoots, +vine-like leaves and tendrils—a perfectly ideal nest, in which our +friend, who has as keen a sense of natural beauty as any artist living, +would have delighted himself.</p> + +<p>The colours of this bird are very unobtrusive: the upper parts +brownish-grey, the head spotted with brown, the neck and breast +streaked or spotted with greyish-brown. It is a migratory bird, and +arrives in this country about the middle or end of May, remaining with +us till about the middle of October, by which time the flies on which +it lives have generally disappeared.</p> + +<div class="sidenote"><em>How it takes its Prey.</em></div> + +<p>Its mode of taking its winged prey is curious. Seated, stock-still, +in a twig, it darts or glides off at the sight of an insect, like the +bird of our picture, and seizes it with a little snapping noise; then +returns to its perch ready for more, and so on; incessantly darting out +and returning to the same spot, till it has satisfied its hunger, or +moves off to another twig to commence the same pursuit.</p> + +<p><span class="pagenum" id="Page_88">[88]</span></p> + +<p>When they have young, the number of flies consumed only by one little +family must be amazing. It is recorded<a id="FNanchor_2" href="#Footnote_2" class="fnanchor">[B]</a> in one instance that a pair +of fly-catchers, beginning to feed their nestlings at five-and-twenty +minutes before seven in the morning, and continuing their labour till +ten minutes before nine at night, supplied them with food, that is to +say with flies, no less than five hundred and thirty-seven times. The +gentleman who made these observations says:—“Before they fed their +young they alighted upon a tree for a few seconds, and looked round +about them. By short jerks they usually caught the winged insects. +Sometimes they ascended into the air and dropped like an arrow; at +other times they hovered like a hawk when set on its prey. They drove +off most vigorously all kinds of small birds that approached their +nest, as if bidding them to go and hunt in their own grounds, where +there were plenty of flies for them. Sometimes they brought only one +fly in their bills, sometimes several, and flies of various sizes.”</p> + +<div class="footnote"> + +<p><a id="Footnote_2" href="#FNanchor_2" class="label">[B]</a> See Macgillivray’s “<cite>British Birds</cite>.”</p> + +</div> + +<p>This bird seems to become attached to particular localities, where +he finds himself conveniently situated and undisturbed. Mr. Mudie +mentions, in his “Feathered Tribes,” “that a pair of these birds had +nested in his garden for twelve successive years.” What is the length +of life of a fly-catcher I cannot say; but probably if they were +not the same birds, they would be their descendants—birds hatched +there, and consequently at home. The Rev. J. G. Wood also speaks of +the same locality having been used by this bird for twenty successive +years; and he supposes that the young had succeeded to their ancestral +home. He gives also an interesting account of the commencement<span class="pagenum" id="Page_89">[89]</span> of a +nest-building by this bird. He says that the female, who seems to be +generally the active builder, placed, in the first instance, a bundle +of fine grass in some conveniently-forked branches, and after having +picked it about for some time, as if regularly shaking it up, she +seated herself in the middle of it, and there, spinning herself round +and round, gave it its cup-like form. She then fetched more grasses, +and after arranging them partly round the edge, and partly on the +bottom, repeated the spinning process. A few hairs and some moss were +then stuck about the nest and neatly woven in, the hair and slender +vegetable fibres being the thread, so to speak, with which the moss was +fastened to the nest.</p> + +<div class="sidenote"><em>Mr. Mudie on Nest-building.</em></div> + +<p>Mr. Mudie, also speaking of their nest-building, says that, in one +instance which came under his notice, “the bird began at seven o’clock +on a Tuesday morning, and the nest was finished in good time on Friday +afternoon.” This was certainly rapid work. Mr. Yarrell says that the +he-bird brings the materials to the hen, who makes use of them—which +is stated as a general fact by Michelet—and that in constructing her +nest the little fly-catcher, after she had rounded it into its first +form, moves backwards as she weaves into it long hairs and grasses with +her bill, continually walking round and round her nest. This, however, +can only be when the situation of the nest will allow of her passing +round it. Our fly-catcher’s nest, and the nest of our picture, are +placed as a little bed close to the wall, and in such situations the +nest has sometimes no back, but simply the lining. A very favourite +place with the fly-catcher for her nest is the hole in a wall, the +size of a half brick, in which the builder fixed the spar of his +scaffolding, and<span class="pagenum" id="Page_90">[90]</span> omitted to fill up when he had finished. In these +convenient little nooks the fly-catcher’s nest fills the whole front +of the opening, but has seldom any back to it. From all this, I think +it is clear that the fly-catcher is, in her arrangements, guided by +circumstances: only, in every case, her little home is as snug as it +can be.</p> + +<div class="figcenter"> +<a id="image-126"><img src="images/i-126.jpg" alt="children looking out a window" width="438" height="550" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_91">[91]</span></p> + +<h2 class="nobreak" id="CHAPTER_XVI">CHAPTER XVI.</h2> +</div> + +<p class="center">THE WOOD-PIGEON.</p> + + +<p><span class="smcap">The</span> wood-pigeon, ring-dove, or cushat is one of the most familiar and +poetical of our birds. Its low, plaintive coo-goo-roo-o-o is one of the +pleasantest sounds of our summer woods.</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">“Tell me, tell me, cushat, why thou moanest ever,</div> + <div class="verse indent0">Thrilling all the greenwood with thy secret woe?</div> + <div class="verse indent0">‘I moan not,’ says the cushat, ‘I praise life’s gracious Giver</div> + <div class="verse indent0">By murmuring out my love in the best way that I know.’”</div> + </div> +</div> +</div> + +<p>The wood-pigeon belongs to a large family of birds—<em>columbinæ</em> +or doves. The earliest mention of them in the world is in Genesis, +when Noah, wearied with the confinement of the ark, and seeing +that the mountain tops were visible, selected from the imprisoned +creatures—first the raven, then the dove, to go forth and report to +him of the state of the earth. The raven, however, came not back, no +doubt finding food which tempted him to stay; whilst the dove, finding +no rest for the sole of her foot, returned, and Noah, putting forth his +hand, took her in. Again he sent her forth, and she came back in the +evening, and, lo, in her mouth was an olive leaf plucked off. A third +time she was sent forth, but now she returned no more. So Noah looked +out, and behold the face of the earth was dry. And he and his family, +and all the creatures, again went forth and possessed all things.</p> + +<p><span class="pagenum" id="Page_92">[92]</span></p> + +<p>This dove might probably be of the carrier-pigeon tribe, which is more +nearly related to the rock-pigeon, also a native of this country, +or rather, of the northern parts of Scotland. These carrier-pigeons +were, in the old times, long enough before the invention of electric +telegraphs, or even before post-offices were established, used instead +of both. Anacreon, the Greek poet, speaks of them as being used to +convey letters; the pigeon, having, as it were, two homes, being fed in +each; thus, a letter from a friend in one home was tied to the wing, +and the bird turned into the air, probably without his breakfast, when +he immediately flew off to his distant home, where the letter was +joyfully received, and he fed for his pains. Whilst the answer was +prepared he would rest, and it, perhaps, taking some little time, he +grew hungry again; but they gave him nothing more, and, again securing +the letter on his little person, he was sent back, making good speed, +because he would now be thinking of his supper. Thus, the answer flew +through the air.</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent2">“Come hither, my dove,</div> + <div class="verse indent4">And I’ll write to my love,</div> + <div class="verse indent0">And I’ll send him a letter by thee!”</div> + </div> +</div> +</div> + +<div class="figcenter"> +<a id="image-129"><img src="images/i-129.jpg" alt="" width="476" height="650" /></a> +<p class="caption center">WOOD-PIGEONS AND NEST.      [<a href="#Page_92" title="Page 92">Page 92.</a></p> +</div> + +<p>So says the old song. And we are told that a young man named +Taurosthenes, one of the victors in the great Olympian games of Greece, +sent to his father, who resided at a considerable distance, the tidings +of his success, on the same day, by one of these birds. Pliny, the +Roman historian, speaks of them being used in case of siege; when the +besieged sent out these winged messengers, who, cleaving the air at +a secure height above the surrounding army, conveyed the important +intelligence of their need to their friends afar off. The crusaders +are <span class="pagenum" id="Page_93">[93]</span>said to have made use of them at the siege of Jerusalem, and the +old traveller, Sir John Maundeville—“knight, warrior, and pilgrim,” as +he is styled—who, in the reign of our second and third Edwards, made +a journey as far as the borders of China, relates that, “in that and +other countries beyond, pigeons were sent out from one to another to +ask succour in time of need, and these letters were tied to the neck of +the bird.”</p> + +<p>But enough of carrier-pigeons. Let us come back to our ring-dove or +cushat, brooding on her eggs in the sweet summer woods, as Mr. Harrison +Weir has so truthfully represented her. She is not much of a nest-maker.</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent6">“A few sticks across,</div> + <div class="verse indent6">Without a bit of moss,</div> + <div class="verse indent0">Laid in the fork of an old oak-tree;</div> + <div class="verse indent6">Coo-goo-roo-o-o,</div> + <div class="verse indent6">She says it will do,</div> + <div class="verse indent0">And there she’s as happy as a bird can be.”</div> + </div> +</div> +</div> + +<p>The nest, however, is not at all insufficient for her needs. You see +her sitting brooding over her two white eggs in every possible bird +comfort; and whether her mate help her in the building of the nest +or not, I cannot say, but he is certainly a very good domesticated +husband, and sits upon the eggs alternately with her, so that the +hatching, whatever the building may be, is an equally divided labour.</p> + +<div class="sidenote"><cite>Wordsworth’s Tribute of Praise.</cite></div> + +<p>Wordsworth sees in this bird an example of unobtrusive home affection. +He says:—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent4">“I heard a stock-dove sing or say</div> + <div class="verse indent4">His homely tale this very day:</div> + <div class="verse indent4">His voice was buried among the trees,</div> + <div class="verse indent4">Yet to be come at by the breeze;</div> +<p><span class="pagenum" id="Page_94">[94]</span></p> </div> + <div class="stanza"> + <div class="verse indent4">He did not cease, but cooed and cooed,</div> + <div class="verse indent4">And somewhat pensively he wooed;</div> + <div class="verse indent4">He sung of love with quiet blending,</div> + <div class="verse indent4">Slow to begin, and never ending;</div> + <div class="verse indent4">Of serious faith and inward glee;</div> + <div class="verse indent4">That was the song—the song for me.”</div> + </div> +</div> +</div> + +<p>Wood-pigeons have immense appetites, and, being fond of all kinds of +grain, as well as peas and beans, are looked upon by the farmer with +great disfavour. They are, however, fond of some of those very weeds +which are his greatest annoyance—for instance, charlock and wild +mustard; so that they do him some good in return for the tribute which +they take of his crops. They are fond, also, both of young clover and +the young green leaves of the turnip, as well as of the turnip itself. +Either by instinct or experience, they have learned that, feeding +thus in cultivated fields, they are doing that which will bring down +upon them the displeasure of man. “They keep,” says the intelligent +author of “Wild Sports in the Highlands,” “when feeding in the fields, +in the most open and exposed places, so as to allow no enemy to come +near them. It is amusing to watch a large flock of these birds whilst +searching the ground for grain. They walk in a compact body; and in +order that all may fare alike—which is certainly a good trait in their +character—the hindermost rank, every now and then, fly over the heads +of their companions to the front, where they keep the best place for +a minute or two, till those now in the rear take their place. They +keep up this kind of fair play during the whole time of feeding. They +feed, also, on wild fruit and all kinds of wild berries, such as the +mountain-ash, and ivy; and where acorns abound, seem to prefer them to +anything<span class="pagenum" id="Page_95">[95]</span> else. At the same time, I must confess that they are great +enemies to my cherry-trees, and swallow as many cherries as they can +hold. Nor are strawberries safe from them, and the quantity of food +they manage to stow away in their crops is perfectly astonishing.”</p> + +<div class="sidenote"><em>Its Necessary Watchfulness.</em></div> + +<p>Besides man, the wood-pigeon has its own bird-enemies. “In districts +where the hooded crow abounds,” says the author whom I have just +quoted, “he is always on the look-out for its eggs, which, shining out +white from the shallow, unsubstantial nest, are easily seen by him. +The sparrow-hawk seizes the young when they are half-grown and plump; +he having been carefully noticed watching the nest day by day as if +waiting for the time when they should be fit for his eating. The larger +hawks, however, prey upon the poor wood-pigeon himself.”</p> + +<p>With all his pleasant cooings in the wood, therefore, and all +his complacent strutting about with elevated head and protruded +breast—with all his gambols and graces, his striking the points of +his wings together as he rises into the air, to express a pleasure to +his mate beyond his cooing, he has not such a care free life of it. He +is always kept on the alert, therefore, and, being always on the watch +against danger, is not at all a sound sleeper. The least disturbance at +night rouses him. “I have frequently,” continues our author, “attempted +to approach the trees when the wood-pigeons were roosting, but even +on the darkest nights they would take alarm. The poor wood-pigeon +has no other defence against its enemies than its ever watchful and +never sleeping timidity; not being able to do battle against even the +smallest of its many persecutors.”</p> + +<p>Gilbert White says that the wood-pigeons were greatly<span class="pagenum" id="Page_96">[96]</span> decreasing, in +his time, in Hampshire, and there were then only about a hundred in the +woods at Selborne, but in former times the flocks had been so vast, not +only there, but in the surrounding districts, that they had traversed +the air morning and evening like rooks, reaching for a mile together, +and that, when they thus came to rendezvous there by thousands, the +sound of their wings, suddenly roused from their roosting-trees in an +evening, rising all at once into the air, was like a sudden rolling of +distant thunder.</p> + +<p>Although the wood-pigeon is considered to be the original parent of +the tame pigeon, yet it does not seem possible to tame the young of +this bird, though taken from the nest quite young. It is a bird which +appears to hate confinement, and, as soon as it has the opportunity, +spite of all kindness and attention, it flies away to the freedom of +the woods.</p> + +<div class="figcenter"> +<a id="image-134"><img src="images/i-134.jpg" alt="" width="500" height="404" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_97">[97]</span></p> + +<h2 class="nobreak" id="CHAPTER_XVII">CHAPTER XVII.</h2> +</div> + +<p class="center">THE WHITE-THROAT.</p> + + +<p><span class="smcap">With</span> none of our migratory birds, our spring visitants from southern +lands, is the lover of the country more familiar than with the +White-throat, which, with its nest, is here so beautifully and livingly +depicted by Mr. Harrison Weir.</p> + +<p>This bird, with its many names—White-throat, Peggy-white-throat, +Peggy-chaw, Charlie-mufty, Nettle-creeper, Whishey-whey-beard or +Pettichaps—comes to us in April, about the same time as the cuckoo and +the swallow; the male bird, like his cousin the nightingale, coming +before the female, but he does not make himself very conspicuous till +the hedges and bushes are well covered with leaves; then he may be +found in almost every lane and hedge the whole country over.</p> + +<p>As soon as the female is here, and the birds have paired, the business +of nest-building begins, and they may then be seen flying in and out +of the bushes with great alertness, the he-bird carolling his light +and airy song, and often hurling himself, as it were, up into the air, +some twenty or thirty feet, in a wild, tipsy sort of way, as if he +were fuller of life than he could hold, and coming down again with a +warble into the hedge, where the little hen-wife is already arranging +her dwelling in the very spot probably where she was herself hatched, +and her ancestors before her, for ages. For I must here remark that +one of the<span class="pagenum" id="Page_98">[98]</span> most remarkable properties of birds is, that facility by +which they so regularly disperse themselves over the whole country on +their arrival after their far migration, each one, in all probability, +attracted by some attachment of the past, stopping short at, or +proceeding onward to, the exact spot where he himself first came into +the consciousness of life. This is one of the wonderful arrangements of +nature, otherwise of God, by which the great balance is so beautifully +kept in creation. If the migratory bird arrives ever so weary at Dover, +and its true home be some sweet low-lying lane of Devonshire, a thick +hedgerow of the midland counties, or a thickety glen of Westmoreland, +it will not delay its flight nor be tempted to tarry short of that +glen, hedgerow, or lane with which the experience of its own life and +affection is united.</p> + +<p>At this charming time of the year none of the various performers in +nature’s great concert bring back to those who have passed their youth +in the country a more delicious recollection of vernal fields and lanes +than this bird of ours, the little white-throat.</p> + +<div class="figcenter"> +<a id="image-137"><img src="images/i-137.jpg" alt="" width="470" height="650" /></a> +<p class="caption center">WHITE-THROAT AND NEST.      [<a href="#Page_98" title="Page 98">Page 98.</a></p> +</div> + +<p>Yes, along those hedges, fresh and fragrant with their young leaves, +along those banks studded with primroses, campions, blue-bells and +white starwort, and through the thick growth of the wild rose bushes, +all of which have a beauty especially their own, the white-throat +salutes you as you pass, as if to recognise an old acquaintance. He +is brimful of fun; out he starts and performs his series of eccentric +frolics in the air, accompanied by his mad-cap sort of warble; or, +almost as if laughing at you, he repeats from the interior of the +bushes his deep grave note, <em>chaw! chaw!</em> whence comes the name +of <span class="pagenum" id="Page_99">[99]</span>peggy-chaw. This, however, is to tell you—and to those who +understand bird-language it is intelligible enough—that he has now a +family to attend to, and he begs, very respectfully, that you will not +trouble yourself about it.</p> + +<div class="sidenote"><em>Description of the Bird.</em></div> + +<p>A Scotch naturalist says that “the peasant boys in East Lothian imagine +that the bird is mocking or laughing at them, as it tumbles over the +hedge and bushes in the lane, and, therefore, they persecute it at all +times, even more mercilessly than they do sparrows.”</p> + +<p>The white-throat is an excitable little bird, rapid in all its +movements; and though it will apparently allow a person to come near, +it incessantly flits on, gets to the other side of the hedge, warbles +its quaint little song, flies to a short distance, sings again, and so +on, for a long time, returning in the same way. It erects the feathers +of its head when excited, and swells its throat so much when singing, +that the feathers stand out like a ruff, whence it has obtained the +name of <em>Muffety</em>, or Charlie-mufty, in Scotland.</p> + +<p>Its colour, on the upper parts of the body, is reddish-brown, +brownish-white below, with a purely white throat. Its food is +principally insects and larvæ of various kinds, for which it is always +on the search amongst the thick undergrowth of the plants and bushes +where it builds. One of its many names is Nettle-creeper, from this +plant growing so generally in the localities which it haunts.</p> + +<p>Its nest—one of the most light and elegant of these little abodes—may +truly be called “gauze-like,” for being constructed wholly of fine +grasses, and very much of the brittle stems of the Galnim aparine, or +cleavers, which, though slender, are not<span class="pagenum" id="Page_100">[100]</span> pliant, and bend only with an +angle; they prevent the whole fabric from being closely woven, so that +it maintains a gauzy texture; the inside, however, is put together more +closely of finer and more pliant materials, delicate root-filaments, +and various kinds of hair. The eggs, four or five in number, are of a +greenish-gray colour, often with a tawny hue, blotched and spotted over +with dark tints of the same colour.</p> + +<p>A correspondent of the author of “British Birds” says that, one morning +in June, when walking in his shrubbery within about eighty yards of a +White-throat’s nest, which he was taking great interest in, he found a +portion of the shell of one of the eggs of this bird, and, fearing that +a magpie had been plundering it, hastened to the spot, but found to his +satisfaction that the nest was then full of newly-hatched birds. “The +shell had,” he says, “been instinctively taken away by the mother in +order to prevent the discovery of the place of her retreat.” He adds +that the mother-bird was very shy, and usually dropped from her nest +with the most astonishing rapidity, and, treading her way through the +grasses and other entanglements, disappeared in a moment. The young, +too, seemed greatly to dislike observation, and on his taking one into +his hand to examine it, it uttered a cry, no doubt of alarm, on which +all the other little things leapt out of their abode, although not more +than half-fledged, and hopped amongst the grass. It is a singular fact +that almost every kind of young bird, if they be caused to leave their +nest through alarm, or by being handled, can never be induced to stay +in the nest again, though they may be put back into it time after time.</p> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_101">[101]</span></p> + +<h2 class="nobreak" id="CHAPTER_XVIII">CHAPTER XVIII.</h2> +</div> + +<p class="center">THE BULL-FINCH.</p> + + +<p><span class="smcap">This</span> bird, which is common to all parts of the country, is very shy, +and for the greater part of the year haunts the woods and thickets. +In spring, however, its fondness for tender fruit-buds tempts it into +gardens and orchards, where, being considered an enemy, it is destroyed +without mercy. It is a question, however, whether it devours these +young buds as favourite food, or whether it may not be the equally +distinctive grub or insect which is the temptation; and thus, that +it ought rather to be regarded as the friend than the enemy of the +gardener and fruit-grower. At all events, the general opinion is +against the poor bull-finch. He is declared to be a devourer of the +embryo fruit, and no mercy is shown to him. The Rev. J. G. Wood, always +a merciful judge where birds are concerned, thinks that public opinion +is unfairly against him. He says that a gooseberry tree, from which it +was supposed that the bull-finches had picked away every blossom-bud, +yet bore the same year an abundant crop of fruit, which certainly +proved that they had picked away only the already infected buds, and so +left the tree in an additionally healthy state, doubly able to mature +and perfect its fruit.</p> + +<p>Bull-finches seldom associate with other birds, but keep together in +small flocks as of single families. Its flight, though<span class="pagenum" id="Page_102">[102]</span> quick, is +somewhat undulating or wavering; and in the winter it may sometimes +be seen in large numbers flitting along the roadsides and hedges, +being probably forced out of some of its shyness by the stress of +hunger. Its ordinary note is a soft and plaintive whistle; its song, +short and mellow. It is, in its native state, no way distinguished as +a singing-bird, but at the same time it is possessed of a remarkable +faculty for learning tunes artificially, of which I may have more to +say presently.</p> + +<p>The bull-finch begins to build about the beginning of May. She places +her nest, as we see in our illustration, in a bush, frequently a +hawthorn, at no great distance from the ground. The nest is not very +solidly put together; the foundation, so to speak, being composed of +small dry twigs, then finished off with fibrous roots and moss, which +also form the lining. The eggs, five or six in number, are of a dull +bluish-white, marked at the larger end with dark spots.</p> + +<p>Although there is so little to say about the bull-finch in his natural +state—excepting that he is a handsome bird, with bright black eyes, +a sort of rich black hood on his head; his back, ash-grey; his breast +and underparts, red; wings and tail, black, with the upper tail-coverts +white—yet when he has gone through his musical education, he is not +only one of the most accomplished of song-birds, but one of the most +loving and faithfully attached little creatures that can come under +human care. These trained birds are known as piping bull-finches.</p> + +<div class="figcenter"> +<a id="image-143"><img src="images/i-143.jpg" alt="" width="482" height="650" /></a> +<p class="caption center">BULL-FINCH AND NESTLINGS.      [<a href="#Page_102" title="Page 102">Page 102.</a></p> +</div> + +<div class="sidenote"><em>How it is taught to pipe.</em></div> + +<p>Bishop Stanley, in his “History of Birds,” thus describes the method by +which they are taught:—</p> + +<p>“In the month of June, the young ones, which are taken from the nest +for that purpose, are brought up by a person, <span class="pagenum" id="Page_103">[103]</span>who, by care and +attention, so completely tames them that they become perfectly docile +and obedient. At the expiration of about a couple of months, they first +begin to whistle, from which time their education begins, and no school +can be more diligently superintended by its master, and no scholars +more effectually trained to their own calling, than a seminary of +bull-finches. They are formed first into classes of about six in each, +and, after having been kept a longer time than usual without food, and +confined to a dark room, the tune they are to learn is played over +and over again, on a little instrument called a bird-organ, the notes +of which resemble, as nearly as possible, those of the bull-finch; +sometimes, also, a flageolet is used for this purpose, and birds so +taught are said to have the finer notes. For awhile the little moping +creatures will sit in silence, not knowing what all this can mean; but +after awhile one by one will begin to imitate the notes they hear, for +they have great power of imitation as well as remarkably good memories. +As soon as they have said their lesson all round, light is admitted +into the room, and they are fed.</p> + +<p>“By degrees the sound of the musical instrument—be it flageolet or +bird-organ—and the circumstance of being fed, become so associated in +the mind of the hungry bird, that it is sure to begin piping the tune +as soon as it hears it begin to play. When the little scholars have +advanced so far they are put into a higher class, that is to say, are +turned over each to his private tutor; in other words, each bird is put +under the care of a boy who must carry on its education, and who plays +on the little instrument from morning to night, or as long as the bird +can pay attention, during which time the head-master<span class="pagenum" id="Page_104">[104]</span> or feeder goes +his regular rounds, scolding or rewarding the little feathered scholars +by signs and modes of making them understand, till they have learned +their lessons so perfectly, and the tune is so impressed on their +memories, that they will pipe it to the end of their days; and let us +hope, as I believe is the fact, that they find in it a never-ending +delight.</p> + +<p>“Just as in human schools and colleges, it is only the few out of the +great number who take the highest honours or degrees, or become senior +wranglers, so it is not above five birds in every hundred who can +attain to the highest perfection in their art! but all such are valued +at a very high price.”</p> + +<p>It is allowable to hope that the poor bull-finch, which has thus +industriously applied himself to learn, and has thus become +artificially gifted with the power of pleasing, takes great +satisfaction in his accomplishment. Perhaps also the association with +his human teacher calls forth his affection as well as his power of +song, for it is a fact that the piping bull-finch is, of all birds, +given to attach itself to some one individual of the family where it +is kept, expressing, at their approach, the most vehement delight, +greeting them with its piping melody, hopping towards them, and +practising all its little winning ways to show its love, and to court a +return of caresses.</p> + +<p>“An interesting story,” says the bishop, “was told by Sir William +Parsons, who was himself a great musician, and who, when a young man, +possessed a piping bull-finch, which he had taught to sing, ‘God save +the king.’ On his once going abroad, he gave his favourite in charge +to his sister, with a strict injunction to take the greatest care of +it. On his return, one of his first visits was to her, when she told +him that the<span class="pagenum" id="Page_105">[105]</span> poor little bird had been long in declining health, and +was, at that moment, very ill. Sir William, full of sorrow, went into +the room where the cage was, and, opening the door, put in his hand, +and spoke to the bird. The poor little creature recognised his voice, +opened his eyes, shook his feathers, staggered on to his finger, piped +‘God save the king,’ and fell down dead.”</p> + +<div class="sidenote"><em>The Devoted Affection of Birds.</em></div> + +<p>We see in the piping bull-finch—a bird which in its education is +closely associated with man—the deep and devoted affection of which +it is capable; and if we could only live with the animal creation as +their friends and benefactors, we should no longer be surprised by such +instances of their intelligence and love.</p> + +<div class="figcenter"> +<a id="image-147"><img src="images/i-147.jpg" alt="a nest among the leaves" width="403" height="450" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_106">[106]</span></p> + +<h2 class="nobreak" id="CHAPTER_XIX">CHAPTER XIX.</h2> +</div> + +<p class="center">THE MISSEL-THRUSH.</p> + + +<p><span class="smcap">This</span> is the largest of our British song birds. It remains with us +through the whole year, not being migratory, excepting in so far as it +moves off in considerable flocks into Herefordshire and Monmouthshire +for the sake of the mistletoe which abounds in the orchards there, +on the viscous berries of which it delights to feed, and whence it +has obtained its familiar name of missel, or mistletoe thrush. It is +generally believed that this curious parasitic plant was propagated or +planted upon the branches of trees, by this bird rubbing its bill upon +the rough bark to clean it from the sticky substance of the berry, and +thus introducing the seeds into the interstices of the bark.</p> + +<div class="figcenter"> +<a id="image-149"><img src="images/i-149.jpg" alt="" width="477" height="650" /></a> +<p class="caption center">MISSEL-THRUSHES AND NEST.      [<a href="#Page_106" title="Page 106">Page 106.</a></p> +</div> + +<p>The Missel-thrush is a handsome bird; the head, back, and upper coverts +of the wings olive-brown, the latter tipped with brownish-white, +spotted with brown; the breasts and under parts pale yellow, covered +with black spots; the legs are yellow and the claws black.</p> + +<p>It is a welcome bird, being the earliest harbinger of spring, the first +singer of the year. Long before the swallow is thought of, before even +the hardy familiar robin has begun his song, its clear rich voice +may be heard on Christmas or New Year’s day, often amidst wild winds +and winterly storms, whence its also familiar name, the storm-cock. +It is known by different names <span class="pagenum" id="Page_107">[107]</span>in different parts of the country. +The origin of its more general appellation—the missel-thrush—I have +already mentioned. In the midland counties it is called the thrice +cock, but why I know not. In Wales it is known as <em>Pen-y-llwyn</em>, +which means the head or master of the coppice. Why it is so called I +will mention presently.</p> + +<div class="sidenote"><em>A Description of the Nest.</em></div> + +<p>The nest of the missel-thrush is large and well constructed, being +made of almost every material ordinarily used for nest-making +purposes—moss, and hay, and straw, and dry leaves, and little twigs, +and locks of wool, with occasional odds and ends of every possible +kind. All these are woven and wrought together very compactly; not, +however, without loose straws and little tangles of wool hanging about. +Within is a smooth casing of mud, as in the nest of the throstle, and +within that a second coating of dry grass. Our picture represents all +as being now complete. The busy labours of the year are now over; the +eggs, four or five in number, of a greenish-blue, marked with reddish +spots, are laid, and the mother-bird has taken her patient seat upon +them, whilst her mate, from the branch above, sings as if he never +meant to leave off again.</p> + +<p>The song of this bird is loud, clear, and melodious—a cheering, +hopeful song; and when heard amidst the yet prevailing winter-storms, +as if in anticipation of better times, it well deserves our admiration. +It resembles, to a certain degree, the song of the blackbird and the +thrush, and is often mistaken for them; but it has not the short, +quick, and varied notes of the one, nor the sober, prolonged, and +eloquent melody of the other. On the contrary it is of an eager, +hurrying character,<span class="pagenum" id="Page_108">[108]</span> as if it could not sufficiently express its +emotion, and yet was trying to do so.</p> + +<p>The missel-thrush is a bird of very marked character, and is both bold +and chivalrous. Its harsh, jarring note of anger and defiance is the +first to be heard when a bird-enemy is at hand. If a cuckoo or hawk is +anywhere near meditating mischief, the missel-thrush is vehement in his +expression of displeasure. In our own neighbourhood, where the jays in +summer come from the wood to carry the young of the sparrows from their +nests in the ivied boles of the trees round our garden, the outcry of +the parent sparrows instantly arouses the sympathetic missel-thrushes, +who, with a scolding defiance, rush to the rescue. Of course these +birds, which are of so militant a character, and so loud in protesting +against a wrong done to another, will be equally alive to their own +rights, and active in defending their own nests and young. Some +naturalists have suggested that this combatant temper and extraordinary +courage are but the natural consequence of the bird finding its nest +open to common attack; for, being of a large size, and built early in +the year whilst the trees are yet leafless, it is visible to every +enemy and depredator.</p> + +<p>Mr. Thompson says: “Often have I seen a pair of these birds driving off +magpies, and occasionally fighting against four of them. One pair which +I knew attacked a kestrel which appeared in their neighbourhood when +the young were out. One of them struck the hawk several times, and made +as many more fruitless attempts, as the enemy, by suddenly rising in +the air, escaped the cunning blow. They then followed the kestrel for a +long way, until they were lost to our sight in the distance.”</p> + +<p><span class="pagenum" id="Page_109">[109]</span></p> + +<p>The old Welsh name of “master, or head of the coppice,” refers to the +same warlike spirit. “The missel-thrush,” says Gilbert White, “suffers +no magpie, jay, or blackbird to enter the garden where he haunts, and +is, for the time, a good guardian of the new-sown crops. In general, he +is very successful in defence of his family. Once, however, I observed +in my garden that several magpies came determined to storm the nest of +the missel-thrush. The parent-birds defended their mansion with great +vigour, and fought resolutely. But numbers at last prevailed, and the +poor missel-thrushes had the pain of seeing their nest torn to pieces, +and their young carried off.”</p> + +<div class="sidenote"><em>The Gardeners’ Enemy.</em></div> + +<p>The missel-thrushes, however, as the year goes on, make for themselves +enemies even more formidable than hawks or magpies; these are the +gardeners. Towards the end of summer, when the young have flown, +and they and the parent-birds congregate in large flocks, having +then nothing to do but to enjoy themselves, like human families when +children are all home for the holidays, they too go abroad on their +excursions of pleasure; not, however, to sea-side watering places, but +into gardens where the cherries and raspberries are ripe. Poor birds! +Little aware of their danger, or if they be so, defiant of it in the +greatness of the temptation, they make sad havoc amongst the fruit, +and many unfortunates are shot or snared, and then hung up amidst the +cherry-boughs or the raspberry-canes as a terror to their associates. +It is a pity we cannot make them welcome to some and yet have enough +left for ourselves.</p> + +<p>The berries of the mountain-ash and the arbutus, and later<span class="pagenum" id="Page_110">[110]</span> on in the +year those of the holly and ivy, supply them with food, as do also +in the spring and summer insects of various kinds—caterpillars and +spiders—so that in this respect they are good friends to the gardener, +and might, one thinks, be made welcome to a little fruit in return.</p> + +<div class="figcenter"> +<a id="image-154"><img src="images/i-154.jpg" alt="nest in a tree" width="389" height="450" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_111">[111]</span></p> + +<h2 class="nobreak" id="CHAPTER_XX">CHAPTER XX.</h2> +</div> + +<p class="center">THE YELLOW-HAMMER, OR YELLOW-HEAD.</p> + + +<p><span class="smcap">This</span>, though an extremely pretty bird, is so common that very +little notice is taken of it. Its colours are varied and beautiful: +the back and wings, bright red; the central part of each feather, +brownish-black; the head and throat, bright yellow; the feathers of the +upper part tipped with black; the breast, brownish-red. The colours of +the female are much duller.</p> + +<p>The yellow-hammer resembles linnets, finches, and sparrows in character +and habits, and often associates with them, resorting to the fields in +open weather, and often perching in hedges and bushes as well as in +trees. In the winter, when the weather is severe, it congregates, with +other birds, about houses, farm-buildings, and stack-yards.</p> + +<p>One of the most pleasing features of autumn is, to my mind, these +flocks of kindred birds, which are at that time all abroad and yet +together, circling in their flight, all rising as you approach, and +wheeling away into the stubble-field, or into the distant hedges, now +rich with their wild fruits—the blackberry, the wild rose hip, and the +bunches of black-privet berries—and then away again, as you approach, +with their variously modulated notes, through the clear air into the +yet more distant stubble or bean-field.</p> + +<p>The flight of the yellow-hammer is wavy and graceful, and,<span class="pagenum" id="Page_112">[112]</span> alighting +abruptly, he has a curious way of jerking out his tail feathers like +a little fan. All at once a whole flock of them will descend from a +considerable height and settle on the twigs of a tree, clothing it as +with living leaves. Whatever number the flock may consist of, there +is no impatient hurry or jostling among them to get the best perch, +every individual settling as if on its own appointed place. As I have +already observed, nothing is more charming at this season than these +congregated companies of small birds. All the cares of life are now +over, their young broods are around them, and now, with nothing to +do but to enjoy themselves in the freedom of nature, where—on every +hand, on every bush and tree, and in every outlying field—though the +crops are now carried, all except, perhaps, here and there a solitary +field in which the bean-shocks stand up black in the golden autumnal +sunshine; but here, and there, and everywhere, a full table is spread, +and they are welcome to enjoy.</p> + +<p>In spring and summer, the yellow-hammer sings a peculiar but +mournful sort of little ditty, composed of a few short, sonorous +notes, concluding with one long drawn out. In the midland +counties, where stocking-weaving is the business of the people, +the note of the bird is said to resemble the working of the +machine—ch-ch-ch-ch-ch-e-e-chay—the prolonged latter syllable being +what the stockinger calls, in the machine movement, “pressing over the +arch.” In other parts of the country this bird’s song is interpreted as +“A little bit of bread, and—no-cheese!” which may just as well be “A +little bird am I, and—no thief!”</p> + +<div class="figcenter"> +<a id="image-157"><img src="images/i-157.jpg" alt="" width="477" height="650" /></a> +<p class="caption center">YELLOW-HAMMER AND NEST.      [<a href="#Page_112" title="Page 112">Page 112.</a></p> +</div> + +<p>The food of this bird consists of the seeds of all kinds of <span class="pagenum" id="Page_113">[113]</span>grasses, +chickweeds, polygonums, and other such weeds; also, in summer, when +food is needed for the young, insects and larvæ.</p> + +<div class="sidenote"><em>Its Picturesque Nest.</em></div> + +<p>The winter congregations break up in April, and then the yellow-hammer +begins to think of family joys and cares. But, unlike their relations +the sparrows and finches, the he-birds take everything quietly, without +having their little skirmishes to show their spirit and prowess, like +the knights of old, at the tournament, before the admiring ladies. The +yellow-hammer does everything quietly, choosing his mate in an orderly +way; and now that the buds are swelling on the trees, the primroses +gemming the hedge-banks, and the golden catkins hanging on the willows +by the watersides, hither come the little yellow-hammers, and, having +selected some sweet, hidden spot, under a bush, or on the fieldy banks +amongst the thick herbage—we see it a month later in our picture, +when the buds have expanded into leaves, in a wild growth of beautiful +grasses and herbage—begin to make their nest. How picturesque it is! +William Hunt never painted anything more beautiful. The nest itself +is somewhat large, and of simple construction, woven externally of +coarse bents and small pliant twigs, and lined with hair and wool. Here +the hen lays four or five eggs of a purplish white, marked with dark, +irregular streaks, often resembling musical notes.</p> + +<p>These poor little birds are extremely attached to their home and their +young, so much so, that if these be taken by the pitiless bird-nester, +they will continue for some days about the place uttering the most +melancholy plaint, which, though still to the same old tune as the song +of their spring rejoicing, has now the expression of the deepest woe.</p> + +<p><span class="pagenum" id="Page_114">[114]</span></p> + +<p>The author of “British Birds” thus sums up their various characteristic +actions:—“When perched on a tree, especially in windy weather, they +crouch close to the twigs, draw in their necks, and keep their tails +declined. After pairing, the male is generally seen on a bush or tree, +raising his tail by sudden jerks, and slightly expanding it. His notes +are then usually two chirps, followed by a harsher note—cit, chit, +chirr—with considerable intervals. When feeding in the stubble-fields, +they advance by very short leaps, with their breasts nearly touching +the ground; when apprehensive of danger they crouch motionless, and +when alarmed give information to each other by means of their ordinary +short note.”</p> + +<div class="figcenter"> +<a id="image-160"><img src="images/i-160.jpg" alt="nest of eggs" width="440" height="450" /></a> +</div> + +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_115">[115]</span></p> + +<h2 class="nobreak" id="CHAPTER_XXI">CHAPTER XXI.</h2> +</div> + +<p class="center">THE MAGPIE.</p> + + +<p><span class="smcap">You</span> have here a living portrait of the Magpie, sitting, so to speak, on +his own door-sill, and contemplating it with rather a sentimental air, +perhaps rather with tender admiration; and as to his dwelling, it is, +we must confess, a wonderful structure—a half-timbered edifice, so to +speak, walled-round and roofed-in, with its front-door and all complete.</p> + +<p>The magpie is one of our most beautiful as well as most amusing and +characteristic birds. He is cousin to the jackdaw, and has, like him, +odd ways of his own. In all countries where he is found, he is just the +same. An old Greek poet, who lived two thousand years ago, speaks of +him as a great mimic, and such an inordinate talker, that, in his own +satirical humour, he pretends to believe that magpies were originally a +family of young ladies, in Macedonia, who were noted for the volubility +of their tongues. Handsome he is, as well as talkative, and very droll +and mischievous.</p> + +<p>Being such, we need not wonder that his nest is very original. He likes +to place it in a secure angle of branches, on some lofty tree, as we +see it here, fifty feet or so from the ground; and prefers to have it +on a tree bare of branches to a considerable height, knowing that it +is then more inaccessible. He is wise in all this, for its bulk being +so large it is discernible to a great<span class="pagenum" id="Page_116">[116]</span> distance. As magpies, however, +are found almost everywhere, and in some parts of the country, the +north of Scotland for instance, where there are no trees, the poor +magpie is then obliged to build in a bush, and do the best he can. In +such a case, in Norway, he was known to barricade his nest with thorny +branches, brought thither by himself for that purpose, till it was next +to impossible for the domicile to be invaded. A cat could not get to +it, and a man only with hedging-mittens on his hands, and by help of a +bill-hook.</p> + +<p>Like the rook, the magpie inhabits the same nest for several years, +perhaps for the whole of his life, putting it into repair every year +before he again needs it for family use—like a wealthy country family +taking possession of their ancestral mansion in the spring.</p> + +<p>And now, turning to our picture, we find our magpie in excellent +circumstances. Every thing has gone well with him. Here he is, and I +will have the pleasure of giving you a bit of every-day magpie life, +as sketched by that true pen-and-ink artist, the author of “British +Birds.” Our scene opens a few minutes before the time indicated in our +picture:—</p> + +<div class="figcenter"> +<a id="image-163"><img src="images/i-163.jpg" alt="" width="477" height="650" /></a> +<p class="caption center">MAGPIE AND NEST.      [<a href="#Page_116" title="Page 116">Page 116.</a></p> +</div> + +<div class="sidenote"><em>A Search for Food.</em></div> + +<p>“There, on the old ash-tree, you may see a pair, one perched on the +topmost twig, the other hopping on the branches below, keeping up an +incessant chatter. How gracefully she, on the topmost twig, swings in +the breeze! Off she starts, and directs her flight to the fir-woods +opposite, chattering all the way, seemingly to call her mate after her. +But he prefers remaining behind. He is in a brown study, or something +of that kind, as we can plainly see. Now, having spied something +below, he hops downwards from twig to branch, and <span class="pagenum" id="Page_117">[117]</span>descends to the +ground. His ash-tree, you must understand, grows close to, and in part +overshadows, a farmyard; so now he is on ground which, as is customary +in such places, is not over clean; therefore, lifting up his tail to +prevent it being soiled or wet, as the farmer’s wife might hold up her +Sunday gown, and raising his body as high as possible, he walks a few +paces, and, spying an earth-worm half out of his hole, drags it forth +by a sudden jerk, breaks it in pieces, and swallows it. Now, under the +hedge, he has found a snail, which he will presently pick out of its +shell, as an old woman would a periwinkle. But now something among the +bushes has startled him, and he springs lightly upwards, chattering +the while, to regain his favourite tree. It is a cat, which, not less +frightened than himself, for both are intent on mischief, runs off +towards the barn. The magpie again descends, steps slowly over the +grassy margin of the yard, looking from side to side, stops, listens, +advances rapidly by a succession of leaps, and encounters a whole brood +of chickens, with their mother at their heels. If she had not been +there he would have had a delicious feast of one of those chickens; +but he dare not think of such a thing now, for, with fury in her eye, +bristled plumage, and loud clamour, the hen rushes forward at him, +overturning two of her younglings, and the enemy, suddenly wheeling +round to avoid the encounter, flies off to his mate.</p> + +<p>“There again you perceive them in the meadow, as they walk about with +their elevated tails, looking for something eatable. By the hedge, afar +off, are two boys, with a gun, endeavouring to creep up to a flock of +plovers on the other side. But the magpies see them, for there are not +many things which<span class="pagenum" id="Page_118">[118]</span> escape their sharp eyes, and presently rising, they +fly directly over the field, chattering vehemently, and the flock of +plovers on this take wing, and the disappointed young sportsmen sheer +off in another direction.”</p> + +<p>Magpies always make a great chattering when they are disturbed, or +when they apprehend that danger is near. Waterton says that they +are vociferous at the approach of night, and that they are in truth +valuable watchmen on that account. “Whoever enters the wood,” he +says, “is sure to attract their notice, and then their challenge is +incessant. When I hear them during the night, or even during the +day, I know that mischief is on the stir. Three years ago, at eleven +o’clock in the day, I was at the capture of one of the most expert +and desperate poachers, to whose hiding-place we were directed by the +chatter of the magpies.”</p> + +<p>The poor magpie has many enemies, and, knowing this, is always on the +watch, and easily alarmed.</p> + +<p>Its mode of walking is like that of the rook, but not having any +dignity to maintain, it every now and then leaps in a sidelong +direction. When alarmed itself, or wishing to announce danger to other +birds, it utters a sort of chuckling cry or chatter. If a fox or cat, +or any other unfriendly animal, approaches, it hovers about it, and +alarms the whole neighbourhood by its cries till the enemy is out of +sight.</p> + +<p>Like the jackdaw, it generally keeps in pairs the whole year round; +and, indeed, when birds continue to inhabit the same nest, season after +season, it is quite natural that they should do so. It is a curious +fact, however, that if by any accident the hen-magpie is killed, whilst +sitting on her eggs, her mate sets<span class="pagenum" id="Page_119">[119]</span> off at once and brings home another +wife, who takes to the nest and eggs, just as if she had laid them; and +if by another mischance she too should come to an untimely end, the +widower again goes off, and, without any loss of time, brings back a +third wife, and she takes to her duties quite as naturally and lovingly +as the other did; but where all these surplus mothers come from is a +question which no naturalist has yet answered, and the magpie, with all +his chattering, is not clever enough to explain the wonder.</p> + +<div class="sidenote"><em>Its Beautiful Plumage.</em></div> + +<p>The beauty of this bird’s plumage is familiar to all; and although it +is simply black and white, yet the exquisitely-coloured gloss of green, +blue, and purple, with their varying and intermingling tints, produce +such a charming effect that one cannot sufficiently admire them.</p> + +<p>With the external structure of the magpie’s nest we are acquainted: the +lower part, inside, is neatly plastered with mud, “and is furnished,” +says Bewick, “with a sort of mattress, formed of wool or fibrous roots, +on which from three to six eggs are laid.” The eggs frequently vary, +both in size and colour; sometimes they are of a pale green, freckled +over with amber-brown and light purple; sometimes pale blue, with +smaller spots of the same dark colours.</p> + +<p>The nest is, so to speak, a sort of little domed chamber, of a good +size for its purpose; but then comes the question—What does the magpie +do with her long tail as she sits on her eggs? It would certainly +poke a hole through the wall if left to its full extent; she must, +therefore, lift it up, as she does when walking amongst the wet grass, +and sit with it laid flat against the wall, which probably is not +inconvenient to her.</p> +<hr class="chap x-ebookmaker-drop" /> + +<div class="chapter"> +<p><span class="pagenum" id="Page_120">[120]</span></p> + +<h2 class="nobreak" id="CHAPTER_XXII">CHAPTER XXII.</h2> +</div> + +<p class="center">THE NUTHATCH.</p> + + +<p><span class="smcap">This</span> bird is almost an entire stranger to most people. It belongs to +the rather large family of creepers; birds which, like the woodpecker +and the little golden-crested wren, run up the holes and branches of +trees in search of food. The nuthatch, however, has an advantage over +all its other creeping relatives, by being gifted with the power of +coming down the tree head foremost, which none of them have. It can +also sleep with its head downwards; neither in its rapid ascent has it +occasion to press its tail against the tree for help; so that it is the +most accomplished little acrobat of the whole race of creepers.</p> + +<div class="figcenter"> +<a id="image-169"><img src="images/i-169.jpg" alt="" width="482" height="650" /></a> +<p class="caption center">NUTHATCH AND NEST.      [<a href="#Page_120" title="Page 120">Page 120.</a></p> +</div> + +<p>The nuthatch cannot be called a rare bird, and yet it is not often +seen, being of a shy and retiring disposition, though naturally lively +and active. The plumage is very pleasing in colour; the upper parts +of the body are bluish-grey; a black line passes from the corners of +the mouth to the back of the neck; the breast and under parts light +reddish-yellow, and the sides reddish-brown.</p> + +<p>It delights in woods and trees; nor need it be looked for elsewhere, +as it derives its food entirely amongst them, either of insects and +larvæ, hidden in the bark, or of fruits and nuts, as kernels of +fir-cones, beech, and other nuts, the shells of which it <span class="pagenum" id="Page_121">[121]</span>breaks in +a very ingenious manner, as I shall presently describe. Now and then +it alights on the ground, and then advances by short leaps. It has no +song; but in winter, when living in small companies, perhaps the whole +summer-family associating together, it has a little piping note, which, +however, is supposed to be simply the call to each other. It is said to +be sensitive to the cold, and always feeds on the side of the wood or +of the tree which is defended from the wind. In spring, however, when +all nature is renovated with a quicker pulse of life—for, as Tennyson +says:—</p> + +<div class="poetry-container"> +<div class="poetry"> + <div class="stanza"> + <div class="verse indent0">In the spring a fuller crimson comes upon the robin’s breast;</div> + <div class="verse indent0">In the spring the wanton lapwing gets himself another crest;</div> + <div class="verse indent0">In the spring a livelier iris changes on the burnished dove—</div> + </div> +</div> +</div> + +<p>then, also, the silent nuthatch sends forth through the awakening +solitude of the woods his two little notes, one short and twittering, +the other a low, mellow, flute-like whistle, which is so clear that it +may be heard to a considerable distance.</p> + +<div class="sidenote"><em>Its Favourite Food.</em></div> + +<p>The graphic author of the “British Birds” says, “It is, at all times, +a busy and cheerful bird, particularly at nesting-time. Its favourite +food is nuts of any kind. It builds and roosts in hollow trees, and +is seldom seen in the open fields, unless when in quest of the stones +of the white-thorn or sloe. It may, therefore, be properly called a +forester. Its dexterity in opening nuts and the stones of fruit is +curious. It fixes the nut in a crack, on the top of a post, or in the +bark of a tree, and, placing itself above it, head downwards, striking +with great force and rapidity, with its strong, wedge-shaped bill on +the edge of the shell, splits it open. When their food is plentiful,<span class="pagenum" id="Page_122">[122]</span> +they have a favourite crack for unshelling the kernels, as sometimes a +peck of broken shells may be seen under this crack.”</p> + +<p>The Rev. W. T. Bree tells us that “the tapping of the bird on the hard +shell may be heard at a considerable distance, and that during the +operation it sometimes happens that the nut swerves from its fixture +and falls towards the ground. It has not descended, however, for the +space of more than a few yards, when the nuthatch, with admirable +adroitness, recovers it in the fall, and, replacing it in its former +position, commences the attack afresh. The fall of the nut in the air, +and the recovery by the bird on the wing, I have seen repeated several +times in the space of a few minutes.”</p> + +<p>This is a little act of skill in the bird which it would be charming to +observe; and here again I would remark, as I have so often done before, +that this is but a single instance of what many of us, living in the +country, might witness in some woodland nook near at hand, if we would +only be lovingly still and patient, and interest ourselves in the ways +and means of the innocent animal-life around us.</p> + +<p>The nest of the bird also deserves our notice; and let me here call +your attention to the beautiful and living little portrait of the bird +at home, given us by Mr. Harrison Weir, than which we have nothing more +truthful from his pencil. The home of the nuthatch is nothing more, to +begin with, than the hole in an old tree, which, probably, has been +deserted by the woodpecker. As, however, the woodpecker either requires +a more enlarged entrance to her nursery, or considers it more seemly, +the nuthatch, who merely likes a snug little hole to creep in at, and +nothing more, walls up the opening with a plastering of<span class="pagenum" id="Page_123">[123]</span> clay or mud, +leaving only just room enough for herself to enter. Perhaps she may be +afraid of the old tenants returning and again taking possession, so +builds up a little defence in front; but of that I cannot say; certain +it is she makes herself comfortably at home in rather an untidy nest, +composed mostly of dead oak-leaves, and here she lays six or seven +white eggs, with ruddy spots on them.</p> + +<div class="sidenote"><em>Her Defence of her Young.</em></div> + +<p>If the plaster wall be by any chance removed, the poor bird loses not +a moment in replacing it; and though she has apparently great dread +of any enemy—the woodpecker, snake, man, or whatever else he may be, +disturbing her—yet so faithfully devoted is she to her duties, that +scarcely anything will induce her to leave the eggs or young. She +fights vigorously in defence of her home and its treasures, striking +out with her bill and wings, and making a hissing, angry noise. Nay, +timid and shy as she naturally is, she will suffer herself to be +carried off captive rather than desert her charge.</p> + +<p>Let me conclude with one of Bechstein’s anecdotes of the nuthatch:—</p> + +<p>“A lady amused herself in the winter by throwing seeds on the terrace, +below the window, to feed the birds in the neighbourhood. She put some +hemp-seed and cracked nuts even on the window-sill, and on a board, for +her particular favourites, the blue-tits. Two nuthatches came one day +to have their share of this repast, and were so well pleased that they +became quite familiar, and did not even go away in the following spring +to get their natural food and to build their nest in the wood. They +settled themselves in the hollow of an old tree near the house.</p> + +<p>“As soon as the two young ones which were reared here were<span class="pagenum" id="Page_124">[124]</span> ready to +fly, they brought them to the hospitable window, where they were to be +nourished, and soon after disappeared entirely. It was amusing to see +these two new visitors hang or climb on the walls or blinds, whilst +their benefactress put their food on the board. These pretty creatures +as well as the tits, knew her so well, that when she drove away the +sparrows, which came to steal what was not intended for them, they did +not fly away also, but seemed to know what was done was only to protect +and defend them. They remained near the house for the whole summer, +rarely wandering, till one fatal day, at the beginning of the sporting +season, in autumn, on hearing the report of a gun, they disappeared and +were never seen again.”</p> + +<div class="figcenter"> +<a id="image-174"><img src="images/i-174.jpg" alt="" width="313" height="350" /></a> +</div> + +<hr class="full x-ebookmaker-drop" /> + +<p class="center"><span class="smcap">Watson & Hazell</span>, Printers, 28, Charles Street, Hatton Garden.</p> + +<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK BIRDS AND THEIR NESTS ***</div> +<div style='text-align:left'> + +<div style='display:block; margin:1em 0'> +Updated editions will replace the previous one—the old editions will +be renamed. +</div> + +<div style='display:block; margin:1em 0'> +Creating the works from print editions not protected by U.S. copyright +law means that no one owns a United States copyright in these works, +so the Foundation (and you!) can copy and distribute it in the United +States without permission and without paying copyright +royalties. Special rules, set forth in the General Terms of Use part +of this license, apply to copying and distributing Project +Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ +concept and trademark. Project Gutenberg is a registered trademark, +and may not be used if you charge for an eBook, except by following +the terms of the trademark license, including paying royalties for use +of the Project Gutenberg trademark. If you do not charge anything for +copies of this eBook, complying with the trademark license is very +easy. You may use this eBook for nearly any purpose such as creation +of derivative works, reports, performances and research. Project +Gutenberg eBooks may be modified and printed and given away—you may +do practically ANYTHING in the United States with eBooks not protected +by U.S. copyright law. Redistribution is subject to the trademark +license, especially commercial redistribution. +</div> + +<div style='margin-top:1em; font-size:1.1em; text-align:center'>START: FULL LICENSE</div> +<div style='text-align:center;font-size:0.9em'>THE FULL PROJECT GUTENBERG LICENSE</div> +<div style='text-align:center;font-size:0.9em'>PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</div> + +<div style='display:block; margin:1em 0'> +To protect the Project Gutenberg™ mission of promoting the free +distribution of electronic works, by using or distributing this work +(or any other work associated in any way with the phrase “Project +Gutenberg”), you agree to comply with all the terms of the Full +Project Gutenberg™ License available with this file or online at +www.gutenberg.org/license. +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works +</div> + +<div style='display:block; margin:1em 0'> +1.A. By reading or using any part of this Project Gutenberg™ +electronic work, you indicate that you have read, understand, agree to +and accept all the terms of this license and intellectual property +(trademark/copyright) agreement. If you do not agree to abide by all +the terms of this agreement, you must cease using and return or +destroy all copies of Project Gutenberg™ electronic works in your +possession. If you paid a fee for obtaining a copy of or access to a +Project Gutenberg™ electronic work and you do not agree to be bound +by the terms of this agreement, you may obtain a refund from the person +or entity to whom you paid the fee as set forth in paragraph 1.E.8. +</div> + +<div style='display:block; margin:1em 0'> +1.B. “Project Gutenberg” is a registered trademark. It may only be +used on or associated in any way with an electronic work by people who +agree to be bound by the terms of this agreement. There are a few +things that you can do with most Project Gutenberg™ electronic works +even without complying with the full terms of this agreement. See +paragraph 1.C below. There are a lot of things you can do with Project +Gutenberg™ electronic works if you follow the terms of this +agreement and help preserve free future access to Project Gutenberg™ +electronic works. See paragraph 1.E below. +</div> + +<div style='display:block; margin:1em 0'> +1.C. The Project Gutenberg Literary Archive Foundation (“the +Foundation” or PGLAF), owns a compilation copyright in the collection +of Project Gutenberg™ electronic works. Nearly all the individual +works in the collection are in the public domain in the United +States. If an individual work is unprotected by copyright law in the +United States and you are located in the United States, we do not +claim a right to prevent you from copying, distributing, performing, +displaying or creating derivative works based on the work as long as +all references to Project Gutenberg are removed. Of course, we hope +that you will support the Project Gutenberg™ mission of promoting +free access to electronic works by freely sharing Project Gutenberg™ +works in compliance with the terms of this agreement for keeping the +Project Gutenberg™ name associated with the work. You can easily +comply with the terms of this agreement by keeping this work in the +same format with its attached full Project Gutenberg™ License when +you share it without charge with others. +</div> + +<div style='display:block; margin:1em 0'> +1.D. The copyright laws of the place where you are located also govern +what you can do with this work. Copyright laws in most countries are +in a constant state of change. If you are outside the United States, +check the laws of your country in addition to the terms of this +agreement before downloading, copying, displaying, performing, +distributing or creating derivative works based on this work or any +other Project Gutenberg™ work. The Foundation makes no +representations concerning the copyright status of any work in any +country other than the United States. +</div> + +<div style='display:block; margin:1em 0'> +1.E. Unless you have removed all references to Project Gutenberg: +</div> + +<div style='display:block; margin:1em 0'> +1.E.1. The following sentence, with active links to, or other +immediate access to, the full Project Gutenberg™ License must appear +prominently whenever any copy of a Project Gutenberg™ work (any work +on which the phrase “Project Gutenberg” appears, or with which the +phrase “Project Gutenberg” is associated) is accessed, displayed, +performed, viewed, copied or distributed: +</div> + +<blockquote> + <div style='display:block; margin:1em 0'> + This eBook is for the use of anyone anywhere in the United States and most + other parts of the world at no cost and with almost no restrictions + whatsoever. You may copy it, give it away or re-use it under the terms + of the Project Gutenberg License included with this eBook or online + at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you + are not located in the United States, you will have to check the laws + of the country where you are located before using this eBook. + </div> +</blockquote> + +<div style='display:block; margin:1em 0'> +1.E.2. If an individual Project Gutenberg™ electronic work is +derived from texts not protected by U.S. copyright law (does not +contain a notice indicating that it is posted with permission of the +copyright holder), the work can be copied and distributed to anyone in +the United States without paying any fees or charges. If you are +redistributing or providing access to a work with the phrase “Project +Gutenberg” associated with or appearing on the work, you must comply +either with the requirements of paragraphs 1.E.1 through 1.E.7 or +obtain permission for the use of the work and the Project Gutenberg™ +trademark as set forth in paragraphs 1.E.8 or 1.E.9. +</div> + +<div style='display:block; margin:1em 0'> +1.E.3. If an individual Project Gutenberg™ electronic work is posted +with the permission of the copyright holder, your use and distribution +must comply with both paragraphs 1.E.1 through 1.E.7 and any +additional terms imposed by the copyright holder. Additional terms +will be linked to the Project Gutenberg™ License for all works +posted with the permission of the copyright holder found at the +beginning of this work. +</div> + +<div style='display:block; margin:1em 0'> +1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ +License terms from this work, or any files containing a part of this +work or any other work associated with Project Gutenberg™. +</div> + +<div style='display:block; margin:1em 0'> +1.E.5. Do not copy, display, perform, distribute or redistribute this +electronic work, or any part of this electronic work, without +prominently displaying the sentence set forth in paragraph 1.E.1 with +active links or immediate access to the full terms of the Project +Gutenberg™ License. +</div> + +<div style='display:block; margin:1em 0'> +1.E.6. You may convert to and distribute this work in any binary, +compressed, marked up, nonproprietary or proprietary form, including +any word processing or hypertext form. However, if you provide access +to or distribute copies of a Project Gutenberg™ work in a format +other than “Plain Vanilla ASCII” or other format used in the official +version posted on the official Project Gutenberg™ website +(www.gutenberg.org), you must, at no additional cost, fee or expense +to the user, provide a copy, a means of exporting a copy, or a means +of obtaining a copy upon request, of the work in its original “Plain +Vanilla ASCII” or other form. Any alternate format must include the +full Project Gutenberg™ License as specified in paragraph 1.E.1. +</div> + +<div style='display:block; margin:1em 0'> +1.E.7. Do not charge a fee for access to, viewing, displaying, +performing, copying or distributing any Project Gutenberg™ works +unless you comply with paragraph 1.E.8 or 1.E.9. +</div> + +<div style='display:block; margin:1em 0'> +1.E.8. You may charge a reasonable fee for copies of or providing +access to or distributing Project Gutenberg™ electronic works +provided that: +</div> + +<div style='margin-left:0.7em;'> + <div style='text-indent:-0.7em'> + • You pay a royalty fee of 20% of the gross profits you derive from + the use of Project Gutenberg™ works calculated using the method + you already use to calculate your applicable taxes. The fee is owed + to the owner of the Project Gutenberg™ trademark, but he has + agreed to donate royalties under this paragraph to the Project + Gutenberg Literary Archive Foundation. Royalty payments must be paid + within 60 days following each date on which you prepare (or are + legally required to prepare) your periodic tax returns. Royalty + payments should be clearly marked as such and sent to the Project + Gutenberg Literary Archive Foundation at the address specified in + Section 4, “Information about donations to the Project Gutenberg + Literary Archive Foundation.” + </div> + + <div style='text-indent:-0.7em'> + • You provide a full refund of any money paid by a user who notifies + you in writing (or by e-mail) within 30 days of receipt that s/he + does not agree to the terms of the full Project Gutenberg™ + License. You must require such a user to return or destroy all + copies of the works possessed in a physical medium and discontinue + all use of and all access to other copies of Project Gutenberg™ + works. + </div> + + <div style='text-indent:-0.7em'> + • You provide, in accordance with paragraph 1.F.3, a full refund of + any money paid for a work or a replacement copy, if a defect in the + electronic work is discovered and reported to you within 90 days of + receipt of the work. + </div> + + <div style='text-indent:-0.7em'> + • You comply with all other terms of this agreement for free + distribution of Project Gutenberg™ works. + </div> +</div> + +<div style='display:block; margin:1em 0'> +1.E.9. If you wish to charge a fee or distribute a Project +Gutenberg™ electronic work or group of works on different terms than +are set forth in this agreement, you must obtain permission in writing +from the Project Gutenberg Literary Archive Foundation, the manager of +the Project Gutenberg™ trademark. Contact the Foundation as set +forth in Section 3 below. +</div> + +<div style='display:block; margin:1em 0'> +1.F. +</div> + +<div style='display:block; margin:1em 0'> +1.F.1. Project Gutenberg volunteers and employees expend considerable +effort to identify, do copyright research on, transcribe and proofread +works not protected by U.S. copyright law in creating the Project +Gutenberg™ collection. Despite these efforts, Project Gutenberg™ +electronic works, and the medium on which they may be stored, may +contain “Defects,” such as, but not limited to, incomplete, inaccurate +or corrupt data, transcription errors, a copyright or other +intellectual property infringement, a defective or damaged disk or +other medium, a computer virus, or computer codes that damage or +cannot be read by your equipment. +</div> + +<div style='display:block; margin:1em 0'> +1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right +of Replacement or Refund” described in paragraph 1.F.3, the Project +Gutenberg Literary Archive Foundation, the owner of the Project +Gutenberg™ trademark, and any other party distributing a Project +Gutenberg™ electronic work under this agreement, disclaim all +liability to you for damages, costs and expenses, including legal +fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT +LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE +PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE +TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE +LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR +INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH +DAMAGE. +</div> + +<div style='display:block; margin:1em 0'> +1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a +defect in this electronic work within 90 days of receiving it, you can +receive a refund of the money (if any) you paid for it by sending a +written explanation to the person you received the work from. If you +received the work on a physical medium, you must return the medium +with your written explanation. The person or entity that provided you +with the defective work may elect to provide a replacement copy in +lieu of a refund. If you received the work electronically, the person +or entity providing it to you may choose to give you a second +opportunity to receive the work electronically in lieu of a refund. If +the second copy is also defective, you may demand a refund in writing +without further opportunities to fix the problem. +</div> + +<div style='display:block; margin:1em 0'> +1.F.4. Except for the limited right of replacement or refund set forth +in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO +OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT +LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. +</div> + +<div style='display:block; margin:1em 0'> +1.F.5. Some states do not allow disclaimers of certain implied +warranties or the exclusion or limitation of certain types of +damages. If any disclaimer or limitation set forth in this agreement +violates the law of the state applicable to this agreement, the +agreement shall be interpreted to make the maximum disclaimer or +limitation permitted by the applicable state law. The invalidity or +unenforceability of any provision of this agreement shall not void the +remaining provisions. +</div> + +<div style='display:block; margin:1em 0'> +1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the +trademark owner, any agent or employee of the Foundation, anyone +providing copies of Project Gutenberg™ electronic works in +accordance with this agreement, and any volunteers associated with the +production, promotion and distribution of Project Gutenberg™ +electronic works, harmless from all liability, costs and expenses, +including legal fees, that arise directly or indirectly from any of +the following which you do or cause to occur: (a) distribution of this +or any Project Gutenberg™ work, (b) alteration, modification, or +additions or deletions to any Project Gutenberg™ work, and (c) any +Defect you cause. +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 2. Information about the Mission of Project Gutenberg™ +</div> + +<div style='display:block; margin:1em 0'> +Project Gutenberg™ is synonymous with the free distribution of +electronic works in formats readable by the widest variety of +computers including obsolete, old, middle-aged and new computers. It +exists because of the efforts of hundreds of volunteers and donations +from people in all walks of life. +</div> + +<div style='display:block; margin:1em 0'> +Volunteers and financial support to provide volunteers with the +assistance they need are critical to reaching Project Gutenberg™’s +goals and ensuring that the Project Gutenberg™ collection will +remain freely available for generations to come. In 2001, the Project +Gutenberg Literary Archive Foundation was created to provide a secure +and permanent future for Project Gutenberg™ and future +generations. To learn more about the Project Gutenberg Literary +Archive Foundation and how your efforts and donations can help, see +Sections 3 and 4 and the Foundation information page at www.gutenberg.org. +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 3. Information about the Project Gutenberg Literary Archive Foundation +</div> + +<div style='display:block; margin:1em 0'> +The Project Gutenberg Literary Archive Foundation is a non-profit +501(c)(3) educational corporation organized under the laws of the +state of Mississippi and granted tax exempt status by the Internal +Revenue Service. The Foundation’s EIN or federal tax identification +number is 64-6221541. Contributions to the Project Gutenberg Literary +Archive Foundation are tax deductible to the full extent permitted by +U.S. federal laws and your state’s laws. +</div> + +<div style='display:block; margin:1em 0'> +The Foundation’s business office is located at 809 North 1500 West, +Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up +to date contact information can be found at the Foundation’s website +and official page at www.gutenberg.org/contact +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation +</div> + +<div style='display:block; margin:1em 0'> +Project Gutenberg™ depends upon and cannot survive without widespread +public support and donations to carry out its mission of +increasing the number of public domain and licensed works that can be +freely distributed in machine-readable form accessible by the widest +array of equipment including outdated equipment. Many small donations +($1 to $5,000) are particularly important to maintaining tax exempt +status with the IRS. +</div> + +<div style='display:block; margin:1em 0'> +The Foundation is committed to complying with the laws regulating +charities and charitable donations in all 50 states of the United +States. Compliance requirements are not uniform and it takes a +considerable effort, much paperwork and many fees to meet and keep up +with these requirements. We do not solicit donations in locations +where we have not received written confirmation of compliance. To SEND +DONATIONS or determine the status of compliance for any particular state +visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>. +</div> + +<div style='display:block; margin:1em 0'> +While we cannot and do not solicit contributions from states where we +have not met the solicitation requirements, we know of no prohibition +against accepting unsolicited donations from donors in such states who +approach us with offers to donate. +</div> + +<div style='display:block; margin:1em 0'> +International donations are gratefully accepted, but we cannot make +any statements concerning tax treatment of donations received from +outside the United States. U.S. laws alone swamp our small staff. +</div> + +<div style='display:block; margin:1em 0'> +Please check the Project Gutenberg web pages for current donation +methods and addresses. Donations are accepted in a number of other +ways including checks, online payments and credit card donations. To +donate, please visit: www.gutenberg.org/donate +</div> + +<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> +Section 5. General Information About Project Gutenberg™ electronic works +</div> + +<div style='display:block; margin:1em 0'> +Professor Michael S. Hart was the originator of the Project +Gutenberg™ concept of a library of electronic works that could be +freely shared with anyone. For forty years, he produced and +distributed Project Gutenberg™ eBooks with only a loose network of +volunteer support. +</div> + +<div style='display:block; margin:1em 0'> +Project Gutenberg™ eBooks are often created from several printed +editions, all of which are confirmed as not protected by copyright in +the U.S. unless a copyright notice is included. Thus, we do not +necessarily keep eBooks in compliance with any particular paper +edition. +</div> + +<div style='display:block; margin:1em 0'> +Most people start at our website which has the main PG search +facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>. +</div> + +<div style='display:block; margin:1em 0'> +This website includes information about Project Gutenberg™, +including how to make donations to the Project Gutenberg Literary +Archive Foundation, how to help produce our new eBooks, and how to +subscribe to our email newsletter to hear about new eBooks. +</div> + +</div> +</body> +</html> diff --git a/old/68416-h/images/cover.jpg b/old/68416-h/images/cover.jpg Binary files differnew file mode 100644 index 0000000..346c5ee --- /dev/null +++ b/old/68416-h/images/cover.jpg diff --git a/old/68416-h/images/i-004.jpg b/old/68416-h/images/i-004.jpg Binary files differnew file mode 100644 index 0000000..874520c --- /dev/null +++ b/old/68416-h/images/i-004.jpg diff --git a/old/68416-h/images/i-005.jpg b/old/68416-h/images/i-005.jpg Binary files differnew file mode 100644 index 0000000..ed74b38 --- /dev/null +++ b/old/68416-h/images/i-005.jpg diff --git a/old/68416-h/images/i-006.jpg b/old/68416-h/images/i-006.jpg Binary files differnew file mode 100644 index 0000000..07dba57 --- /dev/null +++ b/old/68416-h/images/i-006.jpg diff --git a/old/68416-h/images/i-007.jpg b/old/68416-h/images/i-007.jpg Binary files differnew file mode 100644 index 0000000..32d8255 --- /dev/null +++ b/old/68416-h/images/i-007.jpg diff --git a/old/68416-h/images/i-013.jpg b/old/68416-h/images/i-013.jpg Binary files differnew file mode 100644 index 0000000..8e69b8c --- /dev/null +++ b/old/68416-h/images/i-013.jpg diff --git a/old/68416-h/images/i-015.jpg b/old/68416-h/images/i-015.jpg Binary files differnew file mode 100644 index 0000000..f80ae0a --- /dev/null +++ b/old/68416-h/images/i-015.jpg diff --git a/old/68416-h/images/i-022.jpg b/old/68416-h/images/i-022.jpg Binary files differnew file mode 100644 index 0000000..e113bee --- /dev/null +++ b/old/68416-h/images/i-022.jpg diff --git a/old/68416-h/images/i-025.jpg b/old/68416-h/images/i-025.jpg Binary files differnew file mode 100644 index 0000000..3f954f0 --- /dev/null +++ b/old/68416-h/images/i-025.jpg diff --git a/old/68416-h/images/i-029.jpg b/old/68416-h/images/i-029.jpg Binary files differnew file mode 100644 index 0000000..2f1d18a --- /dev/null +++ b/old/68416-h/images/i-029.jpg diff --git a/old/68416-h/images/i-031.jpg b/old/68416-h/images/i-031.jpg Binary files differnew file mode 100644 index 0000000..c2721e3 --- /dev/null +++ b/old/68416-h/images/i-031.jpg diff --git a/old/68416-h/images/i-037.jpg b/old/68416-h/images/i-037.jpg Binary files differnew file mode 100644 index 0000000..f8b6dc3 --- /dev/null +++ b/old/68416-h/images/i-037.jpg diff --git a/old/68416-h/images/i-039.jpg b/old/68416-h/images/i-039.jpg Binary files differnew file mode 100644 index 0000000..83e27c4 --- /dev/null +++ b/old/68416-h/images/i-039.jpg diff --git a/old/68416-h/images/i-046.jpg b/old/68416-h/images/i-046.jpg Binary files differnew file mode 100644 index 0000000..b900481 --- /dev/null +++ b/old/68416-h/images/i-046.jpg diff --git a/old/68416-h/images/i-049.jpg b/old/68416-h/images/i-049.jpg Binary files differnew file mode 100644 index 0000000..f307120 --- /dev/null +++ b/old/68416-h/images/i-049.jpg diff --git a/old/68416-h/images/i-052.jpg b/old/68416-h/images/i-052.jpg Binary files differnew file mode 100644 index 0000000..df91df7 --- /dev/null +++ b/old/68416-h/images/i-052.jpg diff --git a/old/68416-h/images/i-057.jpg b/old/68416-h/images/i-057.jpg Binary files differnew file mode 100644 index 0000000..831d219 --- /dev/null +++ b/old/68416-h/images/i-057.jpg diff --git a/old/68416-h/images/i-063.jpg b/old/68416-h/images/i-063.jpg Binary files differnew file mode 100644 index 0000000..415e230 --- /dev/null +++ b/old/68416-h/images/i-063.jpg diff --git a/old/68416-h/images/i-069.jpg b/old/68416-h/images/i-069.jpg Binary files differnew file mode 100644 index 0000000..93d3004 --- /dev/null +++ b/old/68416-h/images/i-069.jpg diff --git a/old/68416-h/images/i-072.jpg b/old/68416-h/images/i-072.jpg Binary files differnew file mode 100644 index 0000000..4702c38 --- /dev/null +++ b/old/68416-h/images/i-072.jpg diff --git a/old/68416-h/images/i-075.jpg b/old/68416-h/images/i-075.jpg Binary files differnew file mode 100644 index 0000000..b82be5e --- /dev/null +++ b/old/68416-h/images/i-075.jpg diff --git a/old/68416-h/images/i-079.jpg b/old/68416-h/images/i-079.jpg Binary files differnew file mode 100644 index 0000000..277ff54 --- /dev/null +++ b/old/68416-h/images/i-079.jpg diff --git a/old/68416-h/images/i-081.jpg b/old/68416-h/images/i-081.jpg Binary files differnew file mode 100644 index 0000000..c6aba7c --- /dev/null +++ b/old/68416-h/images/i-081.jpg diff --git a/old/68416-h/images/i-091.jpg b/old/68416-h/images/i-091.jpg Binary files differnew file mode 100644 index 0000000..7043b8c --- /dev/null +++ b/old/68416-h/images/i-091.jpg diff --git a/old/68416-h/images/i-093.jpg b/old/68416-h/images/i-093.jpg Binary files differnew file mode 100644 index 0000000..7c9e1dd --- /dev/null +++ b/old/68416-h/images/i-093.jpg diff --git a/old/68416-h/images/i-097.jpg b/old/68416-h/images/i-097.jpg Binary files differnew file mode 100644 index 0000000..a6d68d1 --- /dev/null +++ b/old/68416-h/images/i-097.jpg diff --git a/old/68416-h/images/i-099.jpg b/old/68416-h/images/i-099.jpg Binary files differnew file mode 100644 index 0000000..108a100 --- /dev/null +++ b/old/68416-h/images/i-099.jpg diff --git a/old/68416-h/images/i-104.jpg b/old/68416-h/images/i-104.jpg Binary files differnew file mode 100644 index 0000000..a89e06d --- /dev/null +++ b/old/68416-h/images/i-104.jpg diff --git a/old/68416-h/images/i-107.jpg b/old/68416-h/images/i-107.jpg Binary files differnew file mode 100644 index 0000000..14e6725 --- /dev/null +++ b/old/68416-h/images/i-107.jpg diff --git a/old/68416-h/images/i-112.jpg b/old/68416-h/images/i-112.jpg Binary files differnew file mode 100644 index 0000000..2fd380f --- /dev/null +++ b/old/68416-h/images/i-112.jpg diff --git a/old/68416-h/images/i-115.jpg b/old/68416-h/images/i-115.jpg Binary files differnew file mode 100644 index 0000000..f7cd04a --- /dev/null +++ b/old/68416-h/images/i-115.jpg diff --git a/old/68416-h/images/i-119.jpg b/old/68416-h/images/i-119.jpg Binary files differnew file mode 100644 index 0000000..3465b59 --- /dev/null +++ b/old/68416-h/images/i-119.jpg diff --git a/old/68416-h/images/i-121.jpg b/old/68416-h/images/i-121.jpg Binary files differnew file mode 100644 index 0000000..cfeb871 --- /dev/null +++ b/old/68416-h/images/i-121.jpg diff --git a/old/68416-h/images/i-126.jpg b/old/68416-h/images/i-126.jpg Binary files differnew file mode 100644 index 0000000..adaae1a --- /dev/null +++ b/old/68416-h/images/i-126.jpg diff --git a/old/68416-h/images/i-129.jpg b/old/68416-h/images/i-129.jpg Binary files differnew file mode 100644 index 0000000..1e30b9d --- /dev/null +++ b/old/68416-h/images/i-129.jpg diff --git a/old/68416-h/images/i-134.jpg b/old/68416-h/images/i-134.jpg Binary files differnew file mode 100644 index 0000000..2ebec45 --- /dev/null +++ b/old/68416-h/images/i-134.jpg diff --git a/old/68416-h/images/i-137.jpg b/old/68416-h/images/i-137.jpg Binary files differnew file mode 100644 index 0000000..abb1557 --- /dev/null +++ b/old/68416-h/images/i-137.jpg diff --git a/old/68416-h/images/i-143.jpg b/old/68416-h/images/i-143.jpg Binary files differnew file mode 100644 index 0000000..891bf50 --- /dev/null +++ b/old/68416-h/images/i-143.jpg diff --git a/old/68416-h/images/i-147.jpg b/old/68416-h/images/i-147.jpg Binary files differnew file mode 100644 index 0000000..6597797 --- /dev/null +++ b/old/68416-h/images/i-147.jpg diff --git a/old/68416-h/images/i-149.jpg b/old/68416-h/images/i-149.jpg Binary files differnew file mode 100644 index 0000000..22ea19c --- /dev/null +++ b/old/68416-h/images/i-149.jpg diff --git a/old/68416-h/images/i-154.jpg b/old/68416-h/images/i-154.jpg Binary files differnew file mode 100644 index 0000000..3107182 --- /dev/null +++ b/old/68416-h/images/i-154.jpg diff --git a/old/68416-h/images/i-157.jpg b/old/68416-h/images/i-157.jpg Binary files differnew file mode 100644 index 0000000..178691e --- /dev/null +++ b/old/68416-h/images/i-157.jpg diff --git a/old/68416-h/images/i-160.jpg b/old/68416-h/images/i-160.jpg Binary files differnew file mode 100644 index 0000000..9cbf54f --- /dev/null +++ b/old/68416-h/images/i-160.jpg diff --git a/old/68416-h/images/i-163.jpg b/old/68416-h/images/i-163.jpg Binary files differnew file mode 100644 index 0000000..23205ae --- /dev/null +++ b/old/68416-h/images/i-163.jpg diff --git a/old/68416-h/images/i-169.jpg b/old/68416-h/images/i-169.jpg Binary files differnew file mode 100644 index 0000000..b8e32c9 --- /dev/null +++ b/old/68416-h/images/i-169.jpg diff --git a/old/68416-h/images/i-174.jpg b/old/68416-h/images/i-174.jpg Binary files differnew file mode 100644 index 0000000..e0adeea --- /dev/null +++ b/old/68416-h/images/i-174.jpg diff --git a/old/68416-h/images/i-frontis.jpg b/old/68416-h/images/i-frontis.jpg Binary files differnew file mode 100644 index 0000000..3c8655d --- /dev/null +++ b/old/68416-h/images/i-frontis.jpg diff --git a/old/68416-h/images/i-title.jpg b/old/68416-h/images/i-title.jpg Binary files differnew file mode 100644 index 0000000..de55190 --- /dev/null +++ b/old/68416-h/images/i-title.jpg |
