summaryrefslogtreecommitdiff
path: root/old/67947-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/67947-0.txt')
-rw-r--r--old/67947-0.txt5147
1 files changed, 0 insertions, 5147 deletions
diff --git a/old/67947-0.txt b/old/67947-0.txt
deleted file mode 100644
index 6de6ddc..0000000
--- a/old/67947-0.txt
+++ /dev/null
@@ -1,5147 +0,0 @@
-The Project Gutenberg eBook of A Handy Guide for Beggars, by Vachel
-Lindsay
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: A Handy Guide for Beggars
- Especially Those of the Poetic Fraternity
-
-Author: Vachel Lindsay
-
-Release Date: April 28, 2022 [eBook #67947]
-
-Language: English
-
-Produced by: D A Alexander, David E. Browm, and the Online Distributed
- Proofreading Team at https://www.pgdp.net (This book was
- created from images of public domain material made
- available by the University of Toronto Libraries.)
-
-*** START OF THE PROJECT GUTENBERG EBOOK A HANDY GUIDE FOR
-BEGGARS ***
-
-
-
-
-
-A HANDY GUIDE FOR BEGGARS
-
-
-
-
- [Illustration]
-
- THE MACMILLAN COMPANY
-
- NEW YORK · BOSTON · CHICAGO · DALLAS
- ATLANTA · SAN FRANCISCO
-
- MACMILLAN & CO., LIMITED
- LONDON · BOMBAY · CALCUTTA
- MELBOURNE
-
- THE MACMILLAN CO. OF CANADA, LTD.
- TORONTO
-
-
-
-
- A HANDY GUIDE
- FOR BEGGARS
- ESPECIALLY THOSE OF
- THE POETIC FRATERNITY
-
-
- _Being sundry explorations, made while afoot and
- penniless in Florida, Georgia, North Carolina,
- Tennessee, Kentucky, New Jersey, and Pennsylvania.
- These adventures convey and illustrate
- the rules of beggary for poets and some others._
-
-
- BY VACHEL LINDSAY
-
- _Author of “The Congo,” “The Art of The Moving
- Picture,” “Adventures while Preaching
- the Gospel of Beauty,” etc._
-
-
- THE MACMILLAN COMPANY
- PUBLISHERS MCMXVI
-
-
-
-
- COPYRIGHT, 1916,
-
- BY THE MACMILLAN COMPANY.
-
- Set up and electrotyped. Published November, 1916.
-
-
- Norwood Press
- J. S. Cushing Co.--Berwick & Smith Co.
- Norwood, Mass., U.S.A.
-
-
-
-
-ACKNOWLEDGEMENTS
-
-
-THE author desires to express his indebtedness to _The Outlook_ for
-permission to reprint the adventures in the South and to Charles
-Zueblin for permission to reprint the adventures in the East.
-
-The author desires to express his indebtedness to the _Chicago Herald_
-for permission to reprint _The Would-be Merman_, and to _The Forum_
-for _What the Sexton Said_, and to _The Yale Review_ for _The Tramp’s
-Refusal_.
-
-The author wishes to express his gratitude to Mr. George Mather
-Richards, Miss Susan Wilcox, Mr. and Mrs. Frank Ide and Miss Grace
-Humphrey for their generous help and advice in preparing this work.
-
-
-
-
-DEDICATION AND PREFACE OF A HANDY GUIDE FOR BEGGARS
-
-
-THERE are one hundred new poets in the villages of the land. This Handy
-Guide is dedicated first of all _to them_.
-
-It is also dedicated to the younger sons of the wide earth, to the
-runaway boys and girls getting further from home every hour, to the
-prodigals who are still wasting their substance in riotous living, be
-they gamblers or blasphemers or plain drunks; to those heretics of
-whatever school to whom life is a rebellion with banners; to those who
-are willing to accept counsel if it be mad counsel.
-
-This book is also dedicated to those budding philosophers who realize
-that every creature is a beggar in the presence of the beneficent sun,
-to those righteous ones who know that all righteousness is as filthy
-rags.
-
-Moreover, as an act of contrition, reënlistment and fellowship this
-book is dedicated to all the children of Don Quixote who see giants
-where most folks see windmills: those Galahads dear to Christ and
-those virgin sisters of Joan of Arc who serve the lepers on their
-knees and march in shabby armor against the proud, who look into the
-lightning with the eyes of the mountain cat. They do more soldierly
-things every day than this book records, yet they are mine own people,
-my nobler kin to whom I have been recreant, and so I finally dedicate
-this book _to them_.
-
-These are the rules of the road:--
-
-(1) Keep away from the Cities;
-
-(2) Keep away from the railroads;
-
-(3) Have nothing to do with money and carry no baggage;
-
-(4) Ask for dinner about quarter after eleven;
-
-(5) Ask for supper, lodging and breakfast about quarter of five;
-
-(6) Travel alone;
-
-(7) Be neat, deliberate, chaste and civil;
-
-(8) Preach the Gospel of Beauty.
-
-And without further parley, let us proceed to inculcate these, by
-illustration, precept and dogma.
-
- VACHEL LINDSAY.
-
- SPRINGFIELD, ILLINOIS,
- November, 1916.
-
-
-
-
-TABLE OF CONTENTS
-
-
- PAGE
-
- ACKNOWLEDGEMENTS v
-
- THE DEDICATION AND PREFACE vii
-
- FOLLOW THIS THISTLEDOWN xi
-
-
- I. VAGRANT ADVENTURES IN THE SOUTH
-
- COLUMBUS 3
-
- THE MAN UNDER THE YOKE. BEING MY FIRST EXPERIENCE
- AS AN ABSOLUTELY PENNILESS PERSON,
- AND SHOWING THE GOOD FORTUNE OF THE
- PENNILESS 5
-
- THE MAN WITH THE APPLE-GREEN EYES. A STORY
- COVERING A RIDE IN TWO FREIGHT-CABOOSES
- IN SOUTHERN GEORGIA. SHOWING HOW MY
- GOOD LUCK CAME AFTER I SPENT MY ALL UPON
- GINGER-SNAPS 14
-
- INTERLUDE: THE WOULD-BE MERMAN 33
-
- MACON. SHOWING MY FIRST RESPITE WITH A CIVILIZED FRIEND 35
-
- THE FALLS OF TALLULAH. BEING THE STORY OF A
- WILD BATH IN A MOUNTAIN-TORRENT, AND A
- CONVERSATION WITH THE EARTH 38
-
- THE GNOME. BEING THE STORY OF A GROTESQUE
- MOONSHINER, EATEN UP WITH DRINK 46
-
- INTERLUDE: THE TRAMP’S REFUSAL 61
-
- THE HOUSE OF THE LOOM. BEING THE STORY OF
- SEVEN ARISTOCRATS AND A SOAP-KETTLE. AN
- EMINENT INSTANCE OF THE GOOD FORTUNE OF
- THE DEVOTEE OF VOLUNTARY POVERTY 63
-
- INTERLUDE: PHIDIAS 78
-
- MAN, IN THE CITY OF COLLARS. SHOWING HOW AN
- UNEXPECTED SHOCK CAME TO A CIVILIZED PERSON.
- A NOT VERY TRAGIC RELAPSE INTO THE
- TOILS OF FINANCE 79
-
- INTERLUDE: CONFUCIUS 87
-
- THE OLD LADY AT THE TOP OF THE HILL. SHOWING
- HOW AN EMPRESS OF THE MOUNTAINS DESIRED
- ME AS HER GUEST 88
-
- INTERLUDE: WITH A ROSE, TO BRUNHILDE 94
-
- LADY IRON-HEELS. A STORY TOUCHING UPON THE
- ROMANCE OF A LONG-DEAD FLORIST,--ALSO
- THE CANTICLE OF THE ROSE 96
-
-
- II. A MENDICANT PILGRIMAGE IN THE EAST
-
- IN LOST JERUSALEM 113
-
- A TEMPLE MADE WITH HANDS 115
-
- INTERLUDE: THE TOWN OF AMERICAN VISIONS 133
-
- ON BEING ENTERTAINED BY COLLEGE BOYS 135
-
- INTERLUDE: THAT WHICH MEN HAIL AS KING 137
-
- NEAR SHICKSHINNY. THE STORY OF THE HOSPITALITY
- OF A PROMISING FAMILY IN A COAL-MINING REGION 138
-
- INTERLUDE: WHAT THE SEXTON SAID 159
-
- DEATH, THE DEVIL, AND HUMAN KINDNESS. BEING
- THE SHRED OF AN ALLEGORY 160
-
- INTERLUDES: “LIFE TRANSCENDENT” 179
-
- IN THE IMMACULATE CONCEPTION CHURCH 180
-
- THE OLD GENTLEMAN WITH THE LANTERN (AND THE
- PEOPLE OF HIS HOUSEHOLD) 182
-
- THAT MEN MIGHT SEE AGAIN THE ANGEL-THRONG 205
-
-
-
-
-FOLLOW THE THISTLEDOWN
-
-
- I asked her “Is Aladdin’s Lamp
- Hidden anywhere?”
- “Look into your heart,” she said,
- “Aladdin’s Lamp is there.”
-
- She took my heart with glowing hands.
- It burned to dust and air
- And smoke and rolling thistledown,
- Blowing everywhere.
-
- “Follow the thistledown,” she said,
- “Till doomsday if you dare,
- Over the hills and far away.
- Aladdin’s Lamp is there.”
-
-
-
-
-I
-
-VAGRANT ADVENTURES IN THE SOUTH
-
-
-
-
-COLUMBUS
-
-
- WOULD that we had the fortunes of Columbus.
- Sailing his caravels a trackless way,
- He found a Universe--he sought Cathay.
- God give such dawns as when, his venture o’er,
- The Sailor looked upon San Salvador.
- God lead us past the setting of the sun
- To wizard islands, of august surprise;
- God make our blunders wise.
-
-
-
-
-THE MAN UNDER THE YOKE
-
-
-IT was Sunday morning in the middle of March. I was stranded in
-Jacksonville, Florida. After breakfast I had five cents left. Joyously
-I purchased a sack of peanuts, then started northwest on the railway
-ties straight toward that part of Georgia marked “Swamp” on the map.
-
-Sunset found me in a pine forest. I decided to ask for a meal and
-lodging at the white house looming half a mile ahead just by the track.
-I prepared a speech to this effect:--
-
-“I am the peddler of dreams. I am the sole active member of the ancient
-brotherhood of the troubadours. It is against the rules of our order
-to receive money. We have the habit of asking a night’s lodging in
-exchange for repeating verses and fairy-tales.”
-
-As I approached the house I forgot the speech. All the turkeys gobbled
-at me fiercely. The two dogs almost tore down the fence trying to get
-a taste of me. I went to the side gate to appeal to the proud old
-lady crowned with a lace cap and enthroned in the porch rocker. Her
-son, the proprietor, appeared. He shall ever be named the dog-man. His
-tone of voice was such, that, to speak in metaphor, he bit me in the
-throat. He refused me a place in his white kennel. He would not share
-his dog-biscuit. The being on the porch assured me in a whanging yelp
-that they did not take “nobody in under no circumstances.” Then the
-dog-man, mollified by my serene grin, pointed with his thumb into the
-woods, saying: “There is a man in there who will take you in sure.” He
-said it as though it were a reflection on his neighbor’s dignity. That
-I might not seem to be hurrying, I asked if his friend kept watch-dogs.
-He assured me the neighbor could not afford them.
-
-The night with the man around the corner was like a chapter from that
-curious document, “The Gospel according to St. John.” He “could not
-afford to turn a man away” because once he slept three nights in the
-rain when he walked here from west Georgia. No one would give him
-shelter. After that he decided that when he had a roof he would go
-shares with whoever asked. Some strangers were good, some bad, but he
-would risk them all. Imagine this amplified in the drawling wheeze of
-the cracker sucking his corn-cob pipe for emphasis.
-
-His real name and address are of no consequence. I found later that
-there were thousands like him. But let us call him “The Man Under the
-Yoke.” He was lean as an old opium-smoker. He was sooty as a pair of
-tongs. His Egyptian-mummy jaws had a two-weeks’ beard. His shirt had
-not been washed since the flood. His ankles were innocent of socks. His
-hat had no band. I verily believe his pipe was hereditary, smoked first
-by a bond-slave in Jamestown, Virginia.
-
-He could not read. I presume his wife could not. They were much
-embarrassed when I wanted them to show me Lakeland on the map. They had
-warned me against that village as a place where itinerant strangers
-were shot full of holes. Well, I found that town pretty soon on the
-map, and made the brief, snappy memorandum in my note-book: “Avoid
-Lakeland.”
-
-There were three uncertain chairs on the porch, one a broken rocker.
-Therefore the company sat on the railing, loafing against the pillars.
-The plump wife was frozen with diffidence. The genial, stubby neighbor,
-a man from away back in the woods, after telling me how to hop
-freight-cars, departed through an aperture in the wandering fence.
-
-The two babies on the floor, squealing like shoats, succeeded in being
-good without being clean. They wrestled with the puppies who emerged
-from somewhere to the number of four. I wondered if the Man Under the
-Yoke would turn to a dog-man when the puppies grew up and learned to
-bark.
-
-Supper was announced with the admonition, “Bring the chairs.” The
-rocking chair would not fit the kitchen table. Therefore the two babies
-occupied one, and the lord of the house another, and the kitchen chair
-was allotted to your servant. The mother hastened to explain that she
-was “not hungry.” After snuffing the smoking lamp that had no chimney,
-she paced at regular intervals between the stove and her lord, piling
-hot biscuits before him.
-
-I could not offer my chair, and make it plain that some one must stand.
-I expressed my regrets at her lack of appetite and fell to. Their
-hospitality did not fade in my eyes when I considered that they ate
-such provisions every day. There was a dish of salt pork that tasted
-like a salt mine. We had one deep plate in common containing a soup of
-luke-warm water, tallow, half-raw fat pork and wilted greens. This dish
-was innocent of any enhancing condiment. I turned to the biscuit pile.
-
-They were raw in the middle. I kept up courage by watching the children
-consume the tallow soup with zest. After taking one biscuit for meat,
-and one for vegetables, I ate a third for good-fellowship. The mother
-was anxious that her children should be a credit, and shook them too
-sternly and energetically I thought, when they buried their hands in
-the main dish.
-
-Meanwhile the Man Under the Yoke told me how his bosses in the
-lumber-camp kept his wages down to the point where the grocery bill
-took all his pay; how he was forced to trade at the “company” store,
-there in the heart of the pine woods. He had cut himself in the
-saw-pit, had been laid up for a month, and “like a fool” had gone back
-to the same business. Last year he had saved a little money, expecting
-to get things “fixed up nice,” but the whole family was sick from June
-till October. He liked his fellow-workmen. They had to stand all he
-did. They loved the woods, and because of this love would not move to
-happier fortunes. Few had gone farther than Jacksonville. They did
-not understand travelling. They did not understand the traveller and
-were “likely to be mean to him.” Then he asked me whether I thought
-“niggers” had souls. I answered “Yes.” He agreed reluctantly. “They
-have a soul, of course, but it’s a mighty small one.” We adjourned to
-the front room, carrying our chairs down a corridor, where the open
-doorways we passed displayed uncarpeted floors and no furniture. The
-echo of the slow steps of the Man Under the Yoke reverberated through
-the wide house like muffled drums at a giant’s funeral. Yet the
-largeness of the empty house was wealth. I have been entertained since
-in many a poorer castle; for instance, in Tennessee, where a deaf
-old man, a crone, and her sister, a lame man, a slug of a girl, and a
-little unexplained boy ate, cooked, and slept by an open fire. They had
-neither stove, lamp, nor candle. I was made sacredly welcome for the
-night, though it was a one-room cabin with a low roof and a narrow door.
-
-Thanks to the Giver of every good and perfect gift, pine-knots cost
-nothing in a pine forest. New York has no such fireplaces as that in
-the front room of the Man Under the Yoke. I thought of an essay by a
-New England sage on compensation. There were many old scriptures rising
-in my heart as I looked into that blaze. The one I remembered most was
-“I was a stranger, and ye took me in.” But though it was Sunday night,
-I did not quote Scripture to my host.
-
-It was seven o’clock. The wife had put her babies to bed. She sat on
-the opposite side of the fire from us. Eight o’clock was bedtime, the
-host had to go to work so early. But our three hearts were bright as
-the burning pine for an hour.
-
-You have enjoyed the golden embossed brocades of Hokusai. You have
-felt the charm of Maeterlinck’s “The Blind.” Think of these, then think
-of the shoulders of the Man Under the Yoke, embossed by the flame.
-Think of his voice as an occult instrument, while he burned a bit of
-crackling brush, and spoke of the love he bore that fireplace, the
-memory of evenings his neighbors had spent there with him, the stories
-told, the pipes smoked, the good silent times with wife and children.
-It was said by hints, and repetitions, and broken syllables, but it
-was said. We ate and drank in the land of heart’s desire. This man and
-his wife sighed at the fitting times, and smiled, when to smile was to
-understand, while I recited a few of the rhymes of the dear singers
-of yesterday and to-day: Yeats and Lanier, Burns and even Milton.
-This fire was the treasure at the end of the rainbow. I had not been
-rainbow-chasing in vain.
-
-As my host rose and knocked out his pipe, he told how interesting
-lumbering with oxen could be made, if a man once understood how they
-were driven. He assured me that the most striking thing in all these
-woods was a team of ten oxen. He directed me to a road whereby I would
-be sure to see half a dozen to-morrow. He said if ever I met a literary
-man, to have him write them into verses. Therefore the next day I
-took the route and observed: and be sure, if ever I meet the proper
-minstrel, I shall exhort him with all my strength to write the poem of
-the yoke.
-
-As to that night, I slept in that room in the corner away from the
-fireplace. One comfort was over me, one comfort and pillow between me
-and the dark floor. The pillow was laundered at the same time as the
-shirt of my host. There was every reason to infer that the pillow and
-comfort came from his bed.
-
-They slept far away, in some mysterious part of the empty house. I
-hoped they were not cold. I looked into the rejoicing fire. I said:
-“This is what I came out into the wilderness to see. This man had
-nothing, and gave me half of it, and we both had abundance.”
-
-
-
-
-THE MAN WITH THE APPLE-GREEN EYES
-
-
-REMEMBER, if you go a-wandering, the road will break your heart. It
-is sometimes like a woman, caressing and stabbing at once. It is a
-mystery, this quality of the road. I write, not to explain, but to
-warn, and to give the treatment. Comradeship and hospitality are
-opiates most often at hand.
-
-I remember when I encountered the out-poured welcome of an Old
-Testament Patriarch, a praying section boss in a gray log village, one
-Monday evening in north Florida. He looked at me long. He sensed my
-depression. He made me his seventh son.
-
-He sent his family about to announce my lecture in the schoolhouse
-on “The Value of Poetry.” Enough apple-cheeked maidens, sad mothers,
-and wriggling, large-eyed urchins assembled to give an unconscious
-demonstration of the theme.
-
-The little lamp spluttered. The windows rattled. Two babies cried.
-Everybody assumed that lectures were delightful, miserable, and
-important. The woman on the back seat nursed her baby, reducing the
-noise one-third. When I was through shouting, they passed the hat.
-I felt sure I had carried my point. Poetry was eighty-three cents
-valuable, a good deal for that place. And the sons of the Patriarch
-were the main contributors, for before the event he had thunderously
-exhorted them to be generous. I should not have taken the money? But
-that was before I had a good grip on my rule.
-
-The Patriarch was kept away by a neighbor who had been seized with fits
-on Sunday, while fishing. The neighbor though mending physically, was
-in a state of apprehension. He demanded, with strong crying and tears,
-that the Patriarch pray with him. Late in the evening, as we were about
-the hearth, recovering from the lecture, my host returned from the
-sinner’s bed, the pride of priesthood in his step. He had established
-a contrite heart in his brother, though all the while frank with him
-about the doubtful efficacy of prayer in healing a body visited with
-just wrath.
-
-Who would not have loved the six sons, when, at the Patriarch’s
-command, they drew into a circle around the family altar, with their
-small sister, and the gentle mother with her babe at her breast? It
-was an achievement to put the look of prayer into such flushed, wilful
-faces as those boys displayed. They followed their father with the
-devotion of an Ironside regiment as he lifted up his voice singing “The
-Son of God goes forth to War.” They rolled out other strenuous hymns.
-I thought they would sing through the book. I looked at the mother.
-I thanked God for her. She was the only woman in Florida who could
-cook. And her voice was honey. Her breast was ivory. The child was a
-pearl. Her whole aspect had the age and the youth of one of De Forest
-Brush’s austere American madonnas. The scripture lesson, selected not
-by chance, covered the adventures of Jacob at Bethel.
-
-We afterwards knelt on the pine floor, our heads in the seats of the
-chairs. I peeped and observed the Patriarch with his chair almost in
-the fireplace. He ignored the heat. He shouted the name of the smallest
-boy, who answered the roll-call by praying: “Now I lay me down to
-sleep.” The father megaphoned for the next, and the next, with a like
-response. He called the girl’s name, but in a still small voice she
-lisped the Lord’s Prayer. As the older boys were reached, the prayers
-became individual, but containing fragments of “Now I lay me.” The
-mother petitioned for the soul of the youngest boy, not yet in a state
-of grace, for a sick cousin, and many a neighborhood cause. The father
-prayed twenty minutes, while the chair smoked. I forgot the chair at
-last when he voiced the petition that the stranger in the gates might
-have visitations on his lonely road, like Jacob at Bethel. Then a
-great appeal went up the chimney that the whole assembly might bear
-abundantly the fruits of the spirit. The fire leaped for joy. I knew
-that when the prayer appeared before the throne, it was still a tongue
-of flame.
-
- * * * * *
-
-Next morning I spent about seventy cents lecture money on a railway
-ticket, and tried to sleep past my destination, but the conductor woke
-me. He put me off in the Okefenokee swamp, just inside the Georgia
-line. The waters had more brass-bespangled ooze than in mid-Florida;
-the marsh weeds beneath were lustrous red. I crossed an interminable
-trestle over the Suwannee River. A fidgety bird was scolding from
-tie to tie. If the sky had been turned over and the azure boiled to
-a spoonful, you would have had the intense blue with which he was
-painted. If the caldron had been filled with sad clouds, and boiled to
-a black lump, you would have had my heart. Ungrateful, I had forgotten
-the Patriarch. I was lonely for I knew not what; maybe for my friend
-Edward Broderick, who had walked with me through central Florida, and
-had been called to New York by the industrial tyranny which the steel
-rails represented even here.
-
-We two had taken the path beside the railway in the regions of Sanford
-and Tampa, walking in loose sand white as salt. An orange grove in
-twilight had been a sky of little moons. We had eaten not many oranges.
-They are expensive there. But we had stolen the souls of all we passed,
-and so had spoiled them for their owners. It had been an exquisite
-revenge.
-
-We had seen swamps of parched palmettos set afire by wood-burning
-locomotives whose volcanic smoke-stacks are squat and wide, like those
-on the engines in grandmother’s third reader.
-
-We had met Mr. Terrapin, Mr. Owl, Mrs. Cow, and Master Calf, all of
-them carved by the train-wheels, Mr. Buzzard sighing beside them. We
-had met Mr. Pig again at the cracker’s table, cooked by last year’s
-forest-fire, run over by last year’s train. But what had it mattered?
-For we together had had ears for the mocking-bird, and eyes for the
-moss-hung live oaks that mourn above the brown swamp waters.
-
-We had met few men afoot, only two professional tramps, yet the path by
-the railway was clearly marked. Some Florida poet must celebrate the
-Roman directness of the railways embanked six feet above the swamp,
-going everywhere in regions that have no wagon-roads.
-
-But wherever in our land there is a railway, there is a little path
-clinging to the embankment holding the United States in a network as
-real as that of the rolled steel,--a path wrought by the foot of the
-unsubdued. This path wanders back through history till it encounters
-Tramp Columbus, Tramp Dante, Tramp St. Francis, Tramp Buddha, and the
-rest of our masters.
-
-All this we talked of nobly, even grandiloquently, but now I walked
-alone, ignoring the beautiful turpentine forests of Georgia and the
-sometime accepted merits of a quest for the Grail, the Gleam, or the
-Dark Tower. Reaching Fargo about one o’clock I attempted to telegraph
-for money to take me home, beaten. It was not a money-order office, and
-thirteen cents would not have covered the necessary business details.
-Forced to make the best of things, I spent all upon ginger-snaps at
-the combination grocery-store and railway-station. I shared them with
-a drummer waiting for the freight, who had the figure of Falstaff, and
-the mustaches of Napoleon third. I did not realize at that time, that
-by getting myself penniless I was inviting good luck.
-
-After a dreary while, the local freight going to Valdosta came in.
-Napoleon advanced to capture a ride. A conductor and an inspector were
-on the platform. He attacked them with cigars. He indulged freely in
-friendly swearing and slapping on the back. He showed credentials,
-printed and written. He did not want to wait three hours for the
-passenger train in that much-to-be-condemned town. His cigars were
-refused, his papers returned. He took the path to the lumberman’s
-hotel. His defeat appeared to be the inspector’s doing.
-
-That obstinate inspector wore a gray stubble beard and a collar chewed
-by many laundries. He was encompassed in a black garment of state that
-can be described as a temperance overcoat. He needed only a bulging
-umbrella and a nose like a pump-spout to resemble the caricatures of
-the Prohibition Party that appeared in _Puck_ when St. John ran for
-President.
-
-I showed him all my baggage carried in an oil-cloth wrapper in my
-breast pocket: a blue bandanna, a comb, a little shaving mirror, a
-tooth-brush, a razor, and a piece of soap. “These,” I said, “are my
-credentials.”
-
-Also I showed a little package of tracts in rhyme I was distributing to
-the best people: _The Wings of the Morning_, or _The Tree of Laughing
-Bells_.[1] I hinted he might become the possessor of one. I drew his
-attention to the fact that there was no purse in the exhibit. I divided
-my last four ginger-snaps with him. I showed him a letter commending me
-to all pious souls from a leading religious worker in New York, Charles
-F. Powlison.
-
-_Soon we were thundering away to Valdosta!_ Mr. Temperance climbed to
-the observation chair in the little box at the top of the caboose,
-alternately puzzling over my _Wings of the Morning_,[2] and looking
-out. The caboose bumped like a farm-wagon on a frozen road. The
-pine-burning stove roared. The negro Adonis on the wood-pile had gold
-in his teeth. He had eyes like dark jewels set in white marble, and he
-polished lanterns as black as himself.
-
-“By Jove,” I said. “That’s the handsomest bit of lacquer this side of
-the Metropolitan Museum.”
-
-“’Sh,” said Conductor Roundface, sobering himself. “You will queer
-yourself with the old man. He wouldn’t let that drummer on because _he_
-swore.”
-
-The old man came down. I bridled my profane tongue while he lectured
-the conductor on the necessity for more interest in the Georgia
-public schools, and the beauty of total abstinence, and, at last, the
-Japanese situation. This is a condensed translation of his speech:
-“I was on the side of the Russians all through the Russo-Japanese
-war. My friends said, ‘Hooray for Japan.’ But I say a Japanese is a
-nigger. I have never seen one, but I have seen their pictures. The
-Lord intended people to stay where they were put. We ought to have
-trade, but no immigration. Chinese belong to China. They are adapted
-to the Chinese climate. Niggers belong to Africa. They are adapted to
-the African climate. Americans belong to America. They are adapted to
-the American climate. Why, the mixing that is going on is something
-scandalous. I had a nigger working for me once that was half-Spaniard
-and half-Indian. There are just a few white people, and more mulattoes
-every day. The white people ought to keep their blood pure. Russians
-are white people. Germans, English, and Americans are white people.
-French people are niggers. Dagoes are niggers. Jews are niggers. All
-people are niggers but just these four. There is going to be a big war
-in two or three years between all the white people and all the niggers.
-The niggers are going to combine and force a fight, Japan in the lead.”
-
-We reached Valdosta after dark. Conductor and inspector exchanged with
-me most civil good-bys. Their hospitality had been nepenthe for my poor
-broken heart. I reconciled myself to sitting in front of the station
-fireplace all night. I thought my nearest friend was at Macon, one
-hundred and fifty miles north; a gay cavalier who had read Omar Khayyam
-with me in college.
-
-Just then an immense, angular, red-haired man sat down in front
-of the fire. He might have been the prodigal son of some Yankee
-farmer-statesman. He threw his arms around me, and though I had never
-seen him before, the Brotherhood of Man was established at once. He
-cast an empty bottle into the wood-box. He produced another. I would
-not drink. He poured down one-half of it. It snorted like dish-water
-going into the sink. He said: “That’s right. Don’t drink. This is
-the first time I ever drank. I have been on a soak two weeks. You see
-I was in Texas a long time, and went broke. I don’t know how I got
-here.” “Well,” I said, “we have this fire till they run us out. Enjoy
-yourself.”
-
-He wept. “I don’t deserve to enjoy anything. Anybody that’s made a fool
-of himself as I have done. I wish I were in Vermont where my wife and
-babies are buried. Somebody wrote me they were dead and buried just
-when I went broke.”
-
-Thereafter he was merry. “There was a man in Vermont I didn’t like who
-kept a fire like this. I went to see him every evening because I liked
-his fire. He would study and I would smoke.”
-
-He took out two dimes. “Say, that’s my last money. Let’s buy two
-tickets to the next station and get off and shoot up the town.”
-
-A hollow-eyed little man of middle age, grimy like a coal-miner, sat
-down on the other side of Mr. Vermont. He said he had been flagging
-trains for so long he could not tell when he began. He said he must
-wait three hours for a friend. He declined the bottle. He listened to
-Mr. Vermont’s story, told with variations. He put his chin into his
-hands, his elbows on his knees, and slept. Vermont threw himself on
-top of the bent back, his face wrapped in his arms, like a school-boy
-asleep on his desk-lid. Mr. Flagman slowly awoke, and cast off his
-brother, and slept again. Cautiously Vermont waited, to resume his
-pillow in a quarter of an hour, and be again cast off.
-
-Mr. Flagman sat up. I asked him if there was a train for Macon going
-soon. He said: “The through freight is making up now.” He gave me the
-conductor’s name. I asked if there was any one about who could write me
-a pass to Macon. He said, “The pay car has just come in, and Mr. Grady
-can give you a pass if he wants to.” I went out to the tracks.
-
-From a little window at the end of the car Mr. Grady was paying the
-interminable sons of Ham, who emerged from the African night, climbed
-the steps, received their envelopes, and slunk down the steps into the
-African night.
-
-At last I showed Mr. Grady my letter from Charles F. Powlison. Mr.
-Grady did not appear to be of a religious turn. I asked him permission
-to ride to Macon in the caboose of the freight, going out at one
-o’clock. I assured him it was beneath my dignity to crawl into the
-box-car, or patronize the blind baggage, and I was tired of walking in
-swamp. Mr. Grady asked, “Are you an official of the road?”
-
-“No, sir.”
-
-“Then what you ask is impossible, sir.”
-
-“Oh, my dear Mr. Grady, it is not impossible--”
-
-“I am glad to have met you, sir. Good-night, sir,” and Mr. Grady had
-shut the window.
-
-There was the smash, clang, and thud of making up a train. A negro
-guided me to the lantern of a freight conductor. The conductor had
-the lean frame, the tight jaw, the fox nose, the Chinese skin of a
-card-shark. He would have made a name for himself on the Spanish Main,
-some centuries since, by the cool way he would have snatched jewels
-from ladies’ ears and smiled when they bled. He did not smile now. He
-gripped his lantern like a cutlass, and the cars groaned. They were
-gentlemen in armor compelled to walk the plank by this pirate with the
-apple-green eyes. We will call him Mr. Shark.
-
-I put my pious letter into my pocket. “Mr. Shark, I would like to
-ride to Macon in the caboose.” Mr. Shark thrust his lantern under
-my hat-brim. I had no collar, but was not ashamed of that. He said,
-“I have met men like you before.” He turned down the track shouting
-orders. I jumped in front of him. I said, “You are mistaken. You have
-not met a man like me before. I am the goods. I am the wise boy from
-New York. I have been walking in every swamp in Florida, eating dead
-pig for breakfast, water-moccasins for lunch, alligators for dinner. I
-would like to tell you my adventures.”
-
-Mr. Shark ignored me, and went on persecuting the train.
-
-Valdosta was a depot in the midst of darkness. I hated the darkness. I
-went into the depot. Vermont was offering Flagman the bottle. He drank.
-
-Flagman asked me: “Can’t you make it?”
-
-“No. Grady turned me down. And the conductor turned me down.”
-
-Mr. Flagman said, “The sure way to ride in a caboose like a gentleman
-is to ask the conductor like he is a gentleman, and everybody else
-is a gentleman, and when he turns you down, ask him again like a
-gentleman.” And much more with that refrain. It was wisdom lightly
-given, profounder than it seemed. Let us remember the tired flagman,
-and engrave the substance of his saying on our souls.
-
-I sought the pirate again. I took off my hat. I bowed like Don Cæsar De
-Bazan, but gravely. “I ask you, just as one gentleman to another, to
-take me to Macon. I have friends in Macon.”
-
-Mr. Shark showed a pale streak of smile. “Come around at one o’clock.”
-
-My “Thank you” was drowned by a late passenger. It came from Fargo, for
-Napoleon III dismounted. He said: “Hello. Where are you going, boy?”
-
-“I am just taking the caboose of the through freight for Macon. But I
-have a few minutes.”
-
-“How the devil did you get here, sir?” I told him the story in brief.
-We were in front of the fire now. “How are you going to make this next
-train? I would like to go with you.”
-
-I could not tell whether he meant it or not. Right beside us Mr.
-Flagman was asleep for all night, with his elbows on his knees, his
-chin in his hands. Stretched above Flagman’s back was Mr. Vermont, like
-a school-boy asleep on his desk. I said, “Do you see the gentleman on
-the bottom of the pile? He is the Grand Lama of Cabooseville. You have
-to ask him for the password. The man on top is the sublime sub-Lama.”
-
-Napoleon looked dubiously at them, and the two bottles in the wood-box.
-He gave me good words of farewell, finishing with mock-gravity: “Of
-course I respect you, sir, in not giving the password without orders
-from your superior, sir.”
-
-And now I boarded the caboose, hurrying to surprise the Macon cavalier.
-He expected me in three weeks, walking. But the caboose did one hundred
-and fifty miles in thirteen hours, and all the way my heart spun like
-a glorified musical top. Alas, this is a tale of drink. I filled the
-coffee-pot and drained it an infinite number of times, all because my
-poor broken heart was healed. The stove was the only person in the
-world out of humor. He was mad because his feet were nailed to the
-floor. He tried to spill the coffee, and screamed, “Now you’ve done
-it” every time we rounded a curve. The caboose-door slammed open every
-seven minutes, Shark and his white man and his negro rushing in from
-their all-night work for refreshment.
-
-The manner of serving coffee in a caboose is this: there are three
-tin cups for the white men. The negro can chew sugar-cane, or steal
-a drink when we do not look. There is a tin box of sugar. If one is
-serving Mr. Shark, one shakes a great deal of sugar into the cup, and
-more down one’s sleeve, and into one’s shoes and about the rocking
-floor. One becomes sprinkled like a doughnut, newly-fried, and fragrant
-with splashed coffee. The cinders that come in on the breath of the
-shrieking night cling to the person. But if you are serving Mr. Shark
-you do not mind these things. You pour his drink, you eat his bread and
-cheese, thanking him from the bottom of your stomach, not having eaten
-anything since the ginger-snaps of long ago. You solemnly touch your
-cup to his, as you sit with him on the red disembowelled car cushions,
-with the moss gushing out. You wish him the treasure-heaps of Aladdin
-or a racing stable in Ireland, whichever he pleases.
-
-Let all the readers of this tale who hope to become Gentlemen of the
-Road take off collars and cuffs, throw their purses into the ditch,
-break their china, and drink their coffee from tinware to the health
-of Mr. Shark, our friend with the apple-green eyes. Yea, my wanderers,
-the cure for the broken heart is gratitude to the gentleman you would
-hate, if you had your collar on or your purse in your pocket when you
-met him. Though there was heavy betting against him, he becomes the
-Hero in a whirlwind finish. Patriarch and Flagman disputing for second,
-decision for Flagman.
-
-
-
-
-THE WOULD-BE MERMAN
-
-
- MOBS are like the Gulf Stream,
- Like the vast Atlantic.
- In your fragile boats you ride,
- Conceited folk at ease.
- Far beneath are dancers,
- Mermen wild and frantic,
- Circling round the giant glowing
- Sea-anemones.
-
- “Crude, ill-smelling voters,--
- Herds,” to you in seeming.
- But to me their draggled clothes
- Are scales of gold and red.
- Ah, the pink sea-horses,
- Green sea-dragons gleaming,
- And knights that chase the dragons
- And spear them till they’re dead!
-
- Wisdom waits the diver
- In the social ocean--
- Rainbow shells of wonder,
- Piled into a throne.
- I would go exploring
- Through the wide commotion,
- Building under some deep cliff
- A pearl-throne all my own.
-
- Yesterday I dived there,
- Grinned at all the roaring,
- Clinging to the corals for a flash,
- Defying death.
- Mermen came rejoicing,
- In procession pouring,
- Yet I lost my feeble grip
- And came above for breath.
-
- I would be a merman.
- Not in desperation
- A momentary diver
- Blue for lack of air.
- But with gills deep-breathing
- Swim amid the nation--
- Finny feet and hands forsooth,
- Sea-laurels in my hair.
-
-
-
-
-MACON
-
-
-THE languid town of Macon, Georgia, will ever remain in my mind as my
-first island of respite after vagrancy. My friend C. D. Russell lent
-me his clothes, took me to his eating-place, introduced his circle.
-We settled the destiny of the universe several different ways in
-peripatetic discourse.
-
-After one has ventured one hundred and fifty miles through everglades
-and spent twenty-four sleepless hours riding in freight-cabooses the
-marrow of his bones is marsh, his hair and clothes are moss, cinders
-and bark, his immortal soul is engine-smoke. Feeling just so, I had
-entered Russell’s law office. He was at court. I sent word by his
-partner that I had gone to school with him in Ohio, that I had mailed
-a postal last Sunday from Florida telling him I would arrive afoot
-in three weeks,--but here I was, already. The word was carried with
-Southern precision.
-
-“There is a person in the office who went to school with you in
-Indiana.”
-
-“I did not go to school in Indiana.”
-
-“He has been walking in Mississippi and Alabama. He wrote you a postal
-six weeks ago.”
-
-“How does he look?”
-
-“Like the devil. He is principally pants and shirt.”
-
-The cavalier knew who that was. He found me, took me to his castle,
-introduced civilization. CIVILIZATION is whiter than the clouds, and
-full of clear water. One enters it with a plunge. CULTURE is a fuzzy
-fabric with which one rubs in CIVILIZATION. After I had been intimate
-with these, I was admitted to SOCIETY: a suit of the cavalier’s
-clothes. I looked like him then, all but head and hands. I regarded
-myself with awe, as a gorilla would if he found himself fading into a
-Gibson picture.
-
-A chair is a sturdy creature. I wonder who captured the first one?
-Who put out its eyes and taught it to stand still? A table-cloth
-is ritualistic. How nobly the napkin defends the vest, while those
-glistening birds, the knife, the fork, the spoon, bring one food.
-
-How did these things to eat get here among these hundreds of houses?
-One would think that if anything to eat were brought among so many men,
-there would be enough hungry ones to kill each other and spoil it with
-blood.
-
-Why do people stop eating when they have had just a bit? Why not go on
-forever?
-
-We were in another room. The cavalier showed on the table what he
-called his Bible: the letters of Lord Chesterfield. To one who has
-not slept in all his life, who has lived a thousand years on freight
-trains, books do not count much. But how ingenious is a white iron bed,
-how subtle are pillows, how overwhelming is sleep!
-
-
-
-
-THE FALLS OF TALLULAH
-
-(North Georgia)
-
-
-I
-
-THE CALL OF THE WATER
-
-THE dust of many miles was upon me. I felt uncouth in the presence
-of the sun-dried stones. Here was a natural bathing-place. Who could
-resist it?
-
-I climbed further down the cañon, holding to the bushes. The cliff
-along which the water rushed to the fall’s foot was smooth and seemed
-artificially made, though it had been so hewn by the fury of the
-cataclysm in ages past.
-
-I took off my clothes and put my shoulders against the granite, being
-obliged to lean back a little to conform to its angle. I was standing
-with my left shoulder almost touching the perilous main column of
-water. A little fall that hurried along by itself a bit nearer
-the bank flowed over me. It came with headway. Though it looked so
-innocent, I could scarcely hold up against its power.
-
-But it gave me delight to maintain myself. The touch of the stone was
-balm to my walk-worn body and dust-fevered feet. Like a sacerdotal robe
-the water flowed over my shoulders and I thought myself priest of the
-solitude.
-
-I stepped out into the air. With unwonted energy I was able to throw
-off the coldness of my wet frame. The water there at the fall’s foot
-was like a thousand elves singing. “Joy to all creatures!” cried the
-birds. “Joy to all creatures! Glory, glory, glory to the wild falls!”
-
-
-II
-
-THE PIPING OF PAN
-
-I was getting myself sunburned, stretched out on the warm dry rocks.
-Down over the steep edge, somewhere near the foot of the next descent I
-heard the pipes of Pan. Why should I dress and go?
-
-I made my shoes and clothes into a bundle, and threw them down the
-cliff and climbed over, clinging to the steep by mere twigs. I seemed
-to hear the piping as I approached the terrace at the fall’s base. Then
-the sound of music blended with the stream’s strange voice and I turned
-to merge myself again with its waters.
-
-Against the leaning wall of the cliff I placed my shoulders. The
-descending current smote me, wrestling with wildwood laughter,
-threatening to crush me and hurl me to the base of the mountain. But
-just as before my feet were well set in a notch of the cliff that went
-across the stream, cut there a million years ago.
-
-It was a curious combination to discover, this stream-wide notch, and
-above it this wall with the water spread like a crystal robe over
-it. In the centre of the fall a Cyclops could have stood to bathe,
-and on the edge was the same provision in miniature for feeble man.
-And it was the more curious to find this plan repeated in detail by
-successive cataracts of the cañon, unmistakably wrought by the slow
-hand of geologic ages. And to see the water of the deep central stream
-undisturbed in the midst of the fall and still crystalline, and to see
-it slide down the steep incline and strike each notch at the foot with
-sudden music and appalling foam, was more wonderful than the simple
-telling can explain.
-
-Each sheet of crystal that came over my shoulders seemed now to pour
-into them rather than over them. I lifted my mouth and drank as a
-desert bird drinks rain. My downstretched arms and extended fingers and
-the spreading spray seemed one. My heart with its exultant blood seemed
-but the curve of a cataract over the cliff of my soul.
-
-
-III
-
-PERIL, VANITY, AND ADORATION
-
-Led by the pipes of Pan, I again descended. Once more that sound,
-almost overtaken, interwove itself with the water’s cry, and I merged
-body and soul with the stream and the music. The margin of another
-cataract crashed upon me. In the recklessness of pleasure, one arm
-swung into the main current. Then the water threatened my life. To save
-myself, I was kneeling on one knee. I reached out blindly and found
-a hold at last in a slippery cleft, and later, it seemed an age, with
-the other hand I was able to reach one leaf. The leaf did not break. At
-last its bough was in my grasp and I crawled frightened into the sun. I
-sat long on a warm patch of grass.
-
-But the cliffs and the water were not really my enemies. They sent a
-wind to give me delight. Never was the taste of the air so sweet as
-then. The touch of it was on my lips like fruit. There was a flattery
-in the tree-limbs bending near my shoulders. They said, “There is
-brotherhood in your footfall on our roots and the touch of your hand on
-our boughs.”
-
-The spray of the splashed foam was wine. I was the unchallenged
-possessor of all of nature my body and soul could lay hold upon. It
-was the fair season between spring and summer when no one came to
-this place. Like Selkirk, I was monarch of all I surveyed. In my
-folly I seemed to feel strange powers creeping into my veins from the
-sod. I forgot my near-disaster. I said in my heart, “O Mother Earth
-majestical, the touch of your creatures has comforted me, and I feel
-the strength of the soil creeping up into my dust. From this patch of
-soft grass, power and courage come up into me from your bosom, from the
-foundation of your continents. I feel within me the soul of iron from
-your iron mines, and the soul of lava from your deepest fires.”
-
-
-IV
-
-THE BLOOD UNQUENCHABLE
-
-The satyrs in the bushes were laughing at me and daring me to try the
-water again.
-
-I stood on the edge of the rapids where were many stones coming up out
-of the foam. I threw logs across. The rocks held them in place. I lay
-down between the logs in the liquid ice. I defied it heartily. And my
-brother the river had mercy upon me, and slew me not.
-
-Amid the shout of the stream the birds were singing: “Joy, joy, joy to
-all creatures, and happiness to the whole earth. Glory, glory, glory to
-the wild falls.”
-
-I struggled out from between the logs and threw my bundle over the
-cliff, and again descended, for I heard the pipes of Pan, just below me
-there, too plainly for delay. They seemed to say “Look! Here is a more
-exquisite place.”
-
-The sun beat down upon me. I felt myself twin brother to the sun.
-My body was lit with an all-conquering fever. I had walked through
-tropical wildernesses for many a mile, gathering sunshine. And now in
-an afternoon I was gambling my golden heat against the icy silver of
-the river and winning my wager, while all the leaves were laughing on
-all the trees.
-
-And again I stood in a Heaven-prepared place, and the water poured in
-glory upon my shoulders.
-
- * * * * *
-
-Why was it so dark? Was a storm coming? I was dazed as a child in the
-theatre beholding the crowd go out after the sudden end of a solemn
-play. My clothes, it appeared, were half on. I was kneeling, looking
-up. I counted the falls to the top of the cañon. It was night, and I
-had wrestled with them all. My spirit was beyond all reason happy.
-This was a day for which I had not planned. I felt like one crowned.
-My blood was glowing like the blood of the crocus, the blood of
-the tiger-lily. And so I meditated, and then at last the chill of
-weariness began to touch me and in my heart I said, “Oh Mother Earth,
-for all my vanity, I know I am but a perishable flower in a cleft of
-the rock. I give thanks to you who have fed me the wild milk of this
-river, who have upheld me like a child of the gods throughout this day.”
-
-Around a curve in the cañon, down stream, growing each moment sweeter,
-I heard the pipes of Pan.
-
-
-V
-
-THE GIFT OF TALLULAH
-
-Go, you my brothers, whose hearts are in sore need of delight, and
-bathe in the falls of Tallulah. That experience will be for the
-foot-sore a balm, for the languid a lash, for the dry-throated pedant
-the very cup of nature. To those crushed by the inventions of cities,
-wounded by evil men, it will be a washing away of tears and of blood.
-Yea, it will be to them all, what it was to my heart that day, the
-sweet, sweet blowing of the reckless pipes of Pan.
-
-
-
-
-THE GNOME
-
-
-LET us now recall a certain adventure among the moonshiners.
-
-When I walked north from Atlanta Easter morning, on Peachtree road,
-orchards were flowering everywhere. Resurrection songs flew across the
-road from humble blunt steeples.
-
-Stony Mountain, miles to the east, Kenesaw on the western edge of
-things, and all the rest of the rolling land made the beginning of a
-gradual ascent by which I was to climb the Blue Ridge. The road mounted
-the watershed between the Atlantic and the gulf.
-
-An old man took me into his wagon for a mile. I asked what sort of
-people I would meet on the Blue Ridge. He answered, “They make blockade
-whisky up there. But if you don’t go around hunting stills by the
-creeks, or in the woods away from the road, they’ll be awful glad to
-see you. They are all moonshiners, but if they likes a man they loves
-him, and they’re as likely to get to lovin’ you as not.”
-
-When I was truly in the mountains, six days north of Atlanta, a day’s
-journey from the last struggling railway, the road wound into a certain
-high, uninhabited valley. Two days back, at a village I entered just
-after I had enjoyed the falls of Tallulah, I had found a letter from
-my new friend John Collier whom I had met in Macon and Atlanta. It
-contained a little money, which he insisted I should take, to make
-easier my way. I was inconsistent enough to spend some of it, instead
-of returning it or giving it “to the poor.”
-
-I invested seventy-five cents in brogans made of the thickest leather.
-I had thought they were conquered the first day. But now one of them
-bit a piece out of my heel. John Collier has done noble things since.
-On my behalf, for instance, he climbed Mount Mitchell with me, and
-showed me half the glory of the South. Then and after, he has helped
-my soul with counsel and teaching. But he should not have corrupted a
-near-Franciscan with money for hoodoo brogans. Though it was fairly
-warm weather, if ever I rested five minutes, the heavy things
-stiffened like cooling metal.
-
-The little streams I crossed scarcely afforded me a drink. Their dried
-borders had the foot-prints of swine on them.
-
-Lameness affects one’s vision. The thick woods were the dregs of the
-landscape, fit haunt for the acorn-grubbing sow. The road following the
-ridges was a monster’s spine.
-
-Those wicked brogans led me where they should not. Or maybe it was just
-my destiny to find what I found.
-
-About four o’clock in the afternoon, after exploring many roads that
-led to futile nothing, I was on what seemed the main highway, and
-dragged myself into the sight of the first mortal since daybreak. He
-seemed like a gnome as he watched me across the furrows. And so he
-was, despite his red-ripe cheeks. The virginal mountain apple-tree,
-blossoming overhead, half covering the toad-like cabin, was out of
-place. It should have been some fabulous, man-devouring devil-bush from
-the tropics, some monstrous work of the enemies of God.
-
-The child, just in her teens, helping the Gnome to plant sweet
-potatoes, had in her life planted many, and eaten few. Or so it
-appeared. She was a crouching lump of earth. Her father dug the furrow.
-She did the planting, shovelling the dirt with her hands. Her face was
-sodden as any in the slums of Chicago. She ran to the house a ragged
-girl, and came back a homespun girl, a quick change. It must not be
-counted against her that she did not wash her face.
-
-The Gnome talked to me meanwhile. He had made up his mind about me. “I
-guess you want to stay all night?”
-
-“Yes.”
-
-“The next house is fifteen miles away. You are welcome if what we have
-is good enough for you. My wife is sick, but she will not let you be
-any bother.”
-
-I wanted to be noble and walk on. But I persuaded myself my feet were
-as sick as the woman. I accepted the Gnome’s invitation.
-
-Let the readers with a detective instinct note that his hoe-handle was
-two feet short, and had been whittled a little around the top to make
-it usable. It was at best an awkward instrument. (The mystery will soon
-be solved.)
-
-We were met at the door by one my host called Brother Joseph--a
-towering shape with an upper lip like a walrus, for it was armed with
-tusk-like mustaches. He was silent as King Log.
-
-But the Gnome said, “I have saved up a month of talk since the last
-stranger came through.” With ease, with simplicity of word, with I know
-not how much of guile, he gave fragments of his life: how he had lived
-in this log house always, how his first wife died, how her children
-were raised by this second wife and married off, how they now enjoyed
-this second family.
-
-He showed me the other fragment of the hoe-handle. “I broke that over a
-horse’s head the last time I was drunk. I always get crazy. When I come
-to, I do not remember anything about it. The last time I fought with my
-cousin. When I knocked down his horse he drew his knife. I drew _this_
-knife. My wife said I fought like a wild hog. I sliced my cousin pretty
-bad. He skipped the country, for he cut out one of my lungs and two of
-my ribs. I lost two buckets of blood. It took the doctor a long time to
-put my insides back.”
-
-From this hour forward he struggled between the luxury of being even
-more confidential, and the luxury of being cautious like a lynx. I
-squirmed. Despite his abandon, he was watching me.
-
-I put one hand in my pocket. I found a diversion, a pair of eyeglasses.
-I had chanced on them in the bushes at Tallulah. The droop of his
-eyelids as he put them on was exquisite. He paced the floor. I had a
-review of his appearance. He was like a thin twist of tobacco. He had
-been burned out by too-sharp whisky. The babies clapped their hands
-as he strutted. He was like a third-rate Sunday-school teacher in a
-frock coat in the presence of the infant class. He was glad to keep
-the glasses, yet asked questions with a double meaning, implying I had
-stolen them in Atlanta, and fled these one hundred miles. We were gay
-rogues, and we knew it.
-
-“Get up! Make some coffee and supper!” he shouted to the figure on
-the bed in the black corner of the cabin. He kept his jaw tight on
-his pipe, speaking to her in the gnome language. She replied in kind,
-snorting and muffling her words, without moving lips or tongue, and
-keeping her teeth on her snuff-stick. She stumbled up, groaning, with
-both hands on her head. She had once been a woman. She had lived with
-this thing too long. All the trappings that make for home had grown
-stale and weird about her. The scraps of rag-carpet on the floor were
-rat eaten. The red calico window curtains were vilely dirty from the
-years of dust and the leak of many rains. The benches were battered,
-unsteady. The door-latch was gone. The door was held in place by a
-stone. She stood before me, her hair hanging straight across her face
-or down her collar, or flying about or tied behind in a dreadful knot.
-She stood before me, but as long as I was in that house she did not
-look at me, she did not speak to me.
-
-There was no stove. The Gnome said: “Wife don’t like a stove. She had
-rather cook the way she learned.” We rolled in the back-log for her and
-coaxed up the embers. We sat at one side of the hearth. We exchanged
-boastful adventures. She crawled into the fireplace to nurse the
-corn-bread and coffee and pork to perfection and place the Dutch oven
-right.
-
-Have you heard your grandmother speak of the Dutch oven? It is a squat
-kettle which is set in the embers. When it is hot, the biscuit dough
-is put in and the lid replaced. Slowly the biscuits become ambrosia.
-Slowly the watching cook is baked.
-
-The Devil was in my host. By his coaxing hospitality he made it seem
-natural that a woman deadly sick should serve us. The rest of the
-family could wait. It did not matter if the tiny one cried and pulled
-the mother’s skirt. She smote it into silence and fear, then carried
-it to the black corner where the potato planter herded the rest of the
-babies, helped by King Log, the walrus-headed.
-
-The Gnome said, “I quit drinking ever since I had that fight I told you
-about. I don’t dare drink. So I take coffee.”
-
-You should have seen him flooding himself with black coffee, drinking
-from a yellow bowl. I said to myself: “He will surely turn to the
-consolation of liquor anon. He will beat his wife again. He will drive
-his children into the woods. This woman must fight the battle for her
-offspring till her black-snake hair is white. Or maybe that insane
-knife will go suddenly into her throat. She may die soon with her hair
-black,--and red.”
-
-We ate with manly leisure. We were sated. The mother prepared the
-second meal, and called the group from the black corner. She made ready
-her own supper. I see her by the fire, the heavy arm shielding her
-face, the hunched figure a knot of roots,--a palpable mystery about
-her, making her worthy of a portrait by some new Rembrandt. It is the
-tragic mystery born of the isolation of the Blue Ridge and the juice of
-the Indian corn. Let us not forget the weapon with which she fights the
-flame, the quaint long shovel.
-
-Let us watch her at the table, breaking her corn-bread alone, her puffy
-eyelids closed, her cheek-bones seeming to cut through the skin. There
-is something of the eagle in her aspect because of her Roman nose, and
-her hands moving like talons. It is not corn-bread that she tears and
-devours. She is consuming her enemies, which are Weariness, Squalor,
-Flat and Unprofitable Memory, Spiritual Death. She is seeking to forget
-that the light of the hearthstone that falls on her dirty but beautiful
-babies is kindled in hell.
-
-The Gnome spoke of his hogs. A Middle West farmer can talk hogs, and
-the world will admire him the more. But a mediæval swine-herd dare not.
-It is self-betrayal.
-
-My host grew affectionate, grandfatherly. He told of a solid acre of
-mica on top of a mountain. He speculated that it was a mile deep. He
-put a chunk into my pocket for me to carry to Asheville to interest
-great capitalists. He offered me fifty per cent on the profits. I took
-out a copy of the _Tree of Laughing Bells_ from my pocket. I reviewed
-the tale contained in the book, in words I thought the Gnome would
-understand. Then he read it for himself with the “specs.” He was proud
-of having learned to read out of the Bible, with no schooling.
-
-He seemed particularly impressed with the length of the journey of the
-hero of the poem, who flew “to the farthest star of all.” He looked at
-me with conceited shrewdness. “I played hookey myself, when I was a
-kid. I rode and walked forty-five miles that day. I was mighty glad to
-get back to my mammy the day after. I never wanted to run away again.”
-He shook his pipe at me. “You are just a runaway boy, that’s what you
-are.”
-
-He said something favorable about me to his wife, in the gnome
-language. She stood up. She shrilled back a caution. She showed her
-dirty teeth at him. But there was something he was bursting to tell
-me. He was essentially too reckless to conceal a secret long, even a
-life-and-death secret. He began: “I still raise a little corn.”
-
-The Walrus gave a sort of watch-dog bark. The Gnome reluctantly
-accepted the caution. He pointed sharply to the bed farthest from the
-black corner of the room.
-
-“That’s for you.”
-
-“Isn’t there a shed or a corn-crib where I can sleep?”
-
-“No, you don’t get out of this house to-night. There aren’t any sheds
-or cribs.”
-
-I looked helplessly around that single-roomed cabin. Not fear, but
-modesty, overcame me. I was expected to retire first. But King Log, the
-Walrus, perceiving my diffidence, set me an example. He rapidly hauled
-a couch off the porch and tumbled into it, first undressing as far
-as his underwear. With a quilt almost to his chin, and covering his
-pretty pink feet, he was a decent spectacle.
-
-Happily I also wore underwear, and was soon under my quilt. I stole a
-look at the potato planter. I realized that she was the maiden present.
-Be pleased, O brothers, to observe that she has been aware of her age
-and state. She has huddled up to the fire, with her back to us; she has
-hidden her face on her knees. At last she piles ashes on the embers
-and finds a place in the black corner in the cot full of children. Her
-father and mother take the cot between.
-
-Next morning was Sunday, a week since Easter. Only when a man has sadly
-mangled feet, and blood heated by many weeks of adventure, can he find
-luxury such as I found in the icy stream next morning. The divine
-rivulet on the far side of the field had been misnamed “Mud Creek.” It
-was clear as a diamond.
-
-Always carrying a piece of soap in my hip pocket, I was able to take a
-complete scour. Not content with this (pardon me), I did scrub shirt,
-socks, underwear, and bandanna. I hung them on the bushes, thanking God
-for the wind. Taking my before-mentioned credentials from my pocket, I
-made myself into a gentleman. When I dressed at last, my clothes were a
-little damp, but I knew that an hour’s walking would put all to rights.
-As I held the bushes aside I saw a crib-like structure that made me
-shake more than the damp clothes. Was it a still, or was it not a still?
-
-In my innocence I could not tell. But I remembered the warning, “Don’t
-go pokin’ round huntin’ stills by the creeks.”
-
-As I hurried to the house my host carelessly appeared from the region
-of my bathing-place. He was whittling with his historic knife. I
-suppose he had noted my actions enough to restore his confidence.
-Anyway, the shame of being unwashed was his only visible emotion. He
-said, “I always bathe in hot water.”
-
-“So do I, when I am not on the road.”
-
-Still he was abashed. He took an enormous chew of tobacco to vindicate
-himself.
-
-After breakfast the wife helped the Walrus to drag the cot out of
-doors. When she was alone on the porch I told her how sorry I was she
-had been obliged to cook for me. I thanked her for her toil. But she
-hurried away, without a pause or a glance. She kissed one of those
-miry faced babies. She walked into the house, leaving me smirking
-at the hills. She growled something at the host. He came forth. He
-pointed out the road, over the mountains and far away. He broke off a
-blossoming apple-sprig and whittled it.
-
-“So you’ve been to Atlanta?” he asked.
-
-“Yes.”
-
-“I was there once. What hotel did you use?”
-
-“The Salvation Army.”
-
-“I was in the United States Hotel.”
-
-Still I was stupid. He continued:
-
-“I was there two years.”
-
-He put on his glasses. He threw down the apple-sprig, and, looking over
-the glasses, he made unhappy each blossom in his own peculiar way.
-He continued: “I was in the United States Hotel, for making blockade
-whisky. I don’t make it any more.” He spat again. “I don’t even go
-fishin’ on Sunday unless--”
-
-He had made up his mind that I was a customer, not a detective.
-
-“Unless what?”
-
-“Unless a visitor wants a mess of fish.”
-
-But I did not want a mess of fish. Repeatedly I offered money for my
-night’s lodging. This he declined with real pride. _He maintained his
-one virtue intact._ And so I thought of him, just as I left, as a man
-who kept his code.
-
-The John Collier brogans were easier that morning, partly because I had
-something new on my mind, no doubt.
-
-I thought of the Gnome a long time. I thought of the wife, and wondered
-at her as a unique illustration of the tragic mysteries of the human
-race. If she screams when seven devils enter into the Gnome, no one
-outside the house will hear but the apple-tree. If she weeps, only the
-wind in the chimney will understand. If she seeks justice and the law,
-King Log, the Walrus, is her uncertain refuge. If she desires mercy,
-the emperor of that valley, the king above King Log, is a venomous
-serpent, even the Worm of the Still.
-
-But now the road unwound in glory. I walked away from those
-serpent-bitten dominions for that time. I was one with the air of
-the sweet heavens, the light of the ever-enduring sun, the abounding
-stillness of the forest, and the inscrutable Majesty, brooding on the
-mountains, the Majesty whom ignorantly we worship.
-
-
-
-
-THE TRAMP’S REFUSAL
-
-On Being Asked by a Beautiful Gipsy to Join her Group of Strolling
-Players.
-
-
- LADY, I cannot act, though I admire
- God’s great chameleons, Booth-Barret men.
- But when the trees are green, my thoughts may be
- October-red. December comes again
- And snowy Christmas there within my breast
- Though I be walking in the August dust.
- Often my lone contrary sword is bright
- When every other soldier’s sword is rust.
- Sometimes, while churchly friends go up to God
- On wings of prayer to altars of delight
- I walk and talk with Satan, call him friend,
- And greet the imps with converse most polite.
- When hunger nips me, then at once I knock
- At the near farmer’s door and ask for bread.
- I must, when I have wrought a curious song
- Pin down some stranger till the thing is read.
- When weeds choke up within, then look to me
- To show the world the manners of a weed.
- I cannot change my cloak except my heart
- Has changed and set the fashion for the deed.
- When love betrays me I go forth to tell
- The first kind gossip that too-patent fact.
- I cannot pose at hunger, love or shame.
- It plagues me not to say: “I cannot act.”
- I only mourn that this unharnessed _me_
- Walks with the devil far too much each day.
- I would be chained to angel-kings of fire.
- And whipped and driven up the heavenly way.
-
-
-
-
-THE HOUSE OF THE LOOM
-
-A Story of Seven Aristocrats and a Soap-Kettle.
-
-
-WITH no sorrow in my heart, with no money in my pocket, with no
-baggage but a lunch, the most dazzling feature of which was a piece of
-gingerbread, I walked away from a wind-swept North Carolina village,
-one afternoon, over the mountain ridges toward Lake Toxaway. I turned
-to the right once too often, and climbed Mount Whiteside. There was
-a drop of millions of miles, and a Lilliputian valley below like a
-landscape by Charlotte B. Coman. I heard some days later that once a
-man tied a dog to an umbrella and threw him over. Dog landed safely,
-barking still. Dog was able to eat, walk, and wag as before. But the
-fate of the master was horrible. Dog never spoke to him again.
-
-Having no umbrella, I retraced my way. I stepped into the highway that
-circumscribes the tremendous amphitheatre of Cashier’s Valley. I met
-not a soul till eight o’clock that night. The mountain laurel, the
-sardis bloom, the violet, and the apple blossom made glad the margins
-of the splendidly built road; and, as long as the gingerbread lasted, I
-looked upon these things in a sort of sophisticated wonder.
-
-This was because the gingerbread was given me by a civilized man,
-to whom John Collier had written for me a letter of introduction:
-Mr. Thomas G. Harbison, Botanical Collector; American tree seeds a
-specialty.
-
-Back there by the village he was improving the breed of mountain apples
-by running a nursery. He was improving the children with a school
-he taught without salary, and was using the most modern pedagogy.
-Something in his manner made me say, “You are like a doctor out of
-one of Ibsen’s plays, only you are optimistic.” Then we talked of
-Ibsen. He debated art versus science, he being a science-fanatic, I
-an art-fanatic. He concluded the argument with these words: “You are
-bound to be wrong. I am bound to be wrong. What is the use of either
-of us judging the other?” That is not the mountain way of ending a
-discussion.
-
-For the purposes of the tale, as well as for his own merits, we must
-praise this civilized man who entertained me a day and a half so well.
-His mountain cottage was a permanent civilized camp. Without intruding
-on his privacy, we can show what that means. Cross a few states to the
-west with me.
-
-Have you watched the camps of the up-to-date visitors, in the oldest
-parts of Colorado? They begin with tent, axe, blanket, bacon, and
-frying-pan, as miners do. In ten summers, though they climb as much as
-the miners, wear uglier boots, and rougher clothes, their tents are
-highly organized. They are convenient and free from clutter as the
-best New York flat. The axe has multiplied rustic benches, bridges,
-shelters. It has made a refrigerator in the stream. The frying-pan
-has changed into a camp-stove and a box of white granite dishes.
-The blanket flowers and Mariposa lilies that made the aspen groves
-celestial have been gathered in jardinières.
-
-Meanwhile, in the big houses of the veteran miners of the villages are
-the axe, the blanket, and the frying-pan, though their lords have been
-through half a dozen fortunes since pioneer days. Those houses have
-the single great advantage of a rich tradition. They seem to grow up
-out of the ground.
-
-Musing these matters, I munched my gingerbread, walking past sweet
-waterfalls, groves of enormous cedars, many springs, and one deserted
-cabin. I was homesick for that great civilized camp, New York, and the
-sober-minded pursuit of knowledge there.
-
-But civilization lost her battle at twilight, when I swallowed my last
-gingerbread crumb. Immediately I was in the land beyond the nowhere
-place, willing to sleep twelve hours by a waterfall, or let the fairies
-wake me before day. The road went deeper into savagery. I blundered on,
-rejoicing in the fever of weariness. In the piercing light of the young
-stars, the house that came at last before me seemed even more deeply
-rooted in the ground than the oaks around it. What new revelation lies
-here? Knock, knock, knock, O my soul, and may Heaven open a mystery
-that will give the traveller a contrite heart.
-
-Let us tell a secret, even before we enter. If, with the proper magic
-in our minds, we were guests here, a year or a day, we might write the
-world’s one unwritten epic. All day, in one of these tiny rooms, amid
-appointments that fill the spirit with the elation of simple things, we
-would write. At evening we would dream the next event by the fire. The
-epic would begin with the opening of the door.
-
-There appeared a military figure, with a face like Henry Irving’s in
-contour, like Whistler’s in sharpness, fantasy, and pride.
-
-“May I have a night’s lodging? I have no money.”
-
-“Come in.... We never turn a man away.”
-
-We were inside. He asked: “What might be your name?” I gave it. He gave
-his. The circle by the fire did not turn their heads, but presumably
-I was introduced. One child ran into the kitchen. My host gave me her
-chair. All looked silently into the great soap-kettle in the midst of
-the snapping logs.
-
-I have a high opinion of the fine people of the South, and gratefully
-remember the scattering of gentlefolk so good as to entertain me in
-their mansions. But in this cottage, with one glance at those fixed,
-flushed faces, I said: “This is the best blood I have met in this
-United States.” The five children were night-blooming flowers. There
-were hints of Doré in the shadow of the father, cast against the log
-walls of the cabin. He sat on the little stairway. He was a better Don
-Quixote than Doré ever drew.
-
-I said, “Every middle-aged man I have met in Florida, Georgia, and
-North Carolina has been a soldier, and I suppose you were.”
-
-He looked at me long, as though the obligation of hospitality did not
-involve conversation. He spoke at last: “I fought, but I could not help
-it. It was for home, or against home. I fought for this cabin.”
-
-“It is a beautiful cabin.”
-
-He relented a bit. “We have kept it just so, ever since my
-great-grandfather came here with his pack-mule and made his own trail.
-I--I hated the war. We did not care anything about the cotton and
-niggers of the fire-eaters. The niggers never climbed this high.”
-
-I changed the subject. “This is the largest fireplace I have seen in
-the South. A man could stand up in it.”
-
-He stiffened again. “_This is not the South. This is the Blue Ridge._”
-
-An inner door opened. It was plain the woman who stood there was his
-wife. She had the austere mouth a wife’s passion gives. She had the
-sweet white throat of her youth, that made even the candle-flame
-rejoice. She looked straight at me, with ink-black eyes. She was dumb,
-like some one struggling to awake.
-
-“Everything is ready,” she said at length to her husband.
-
-He turned to me: “Your supper is now in the kitchen, ‘if what we have
-is good enough.’” It was the usual formula for hospitality.
-
-I turned to the wife. “My dear woman, I did not know that this was
-going on. It is not right for you to set a new supper at this hour. I
-had enough on the road.”
-
-“But you have walked a long way.” Then she uttered the ancient proverb
-of the Blue Ridge. “‘A stranger needs takin’ care of.’”
-
-In the kitchen there was a cook-stove. Otherwise there was nothing
-to remind one of the world this side of Beowulf. I felt myself in a
-stronghold of barbarian royalty.
-
-“Do you do your own spinning and weaving?”
-
-She lifted the candle, lighting a corner. “Here are the cards and the
-wools.” She held it higher. “There is the spinning wheel.”
-
-“Where is the loom?”
-
-“Up stairs, just by where you will sleep.”
-
-I knew that if there was a loom, it was a magic one, for she was a
-witch of the better sort, a fine, serious witch, and a princess withal.
-Her ancestors wore their black hair that simple way when their lords
-won them by fighting dragons. She was prouder than the pyramids. If
-the epic is ever written, let it tell how the spinner of the wizard
-wools did stand to serve the stranger, that being the custom of her
-house. This was a primitive camp indeed. There was no gingerbread.
-There was not one thing to remind me of the last table at which I had
-eaten. But every gesture said, “Good prince, you are far from your
-court. Therefore, this, our royal trencher, is yours. May you find your
-way to your own kingdom in peace.” But for a long time her lips were
-still. She had the spareness of a fertile, toiling mother. And, ah, the
-motherhood in her voice when she said at last, “My son, you are tired.”
-
-Let the epic tell that, when the stranger returned to the fireplace,
-a restless, expectant silence settled down upon the circle. There was
-portent in the hiss of the flames. When I spoke to the children they
-only stared at me as at a curious shadow. Their lips moved not. The
-eldest, about seventeen, had inherited, no doubt, his love of strange
-brewing. He looked sideways into the soap-kettle. I said to myself, “He
-sees more hippogriffs than steam-engines.” He eyed every move of the
-circle with restless approval or disapproval. Every chip his little
-brother threw on the fire seemed to be a symbol of some precious thing
-sacrificed, every curl of steam seemed to have something to do with the
-destiny of the house.
-
-He took out of his pocket a monthly magazine. It was the sort that
-costs ten cents a year. No doubt, had he gone to school to the
-admirable man who gave me gingerbread, he would have learned to read
-scientific and technical monthlies. But a magazine of any sort is a
-terribly intrusive thing at this juncture. The boy, and a sister just a
-little younger, read in a loud whisper to one another an advertisement
-they did not want me to hear. At their stage of culture it was
-impossible to read silently. The advertisement, if I remember, went
-about this way:--
-
-“Free, free, free! A sewing machine! Send us a two-cent stamp, your
-name and address, mentioning the name of this magazine. We will tell
-you how to get an up-to-date sewing machine absolutely free. This offer
-is good for thirty days.”
-
-They wrote a most unscholarly letter, spelling it aloud. It required
-their total and united culture to produce it. When the girl returned
-to the fire, she was provoked by her pride into an astonishing flush.
-How it set off her temples, with their pattern of azure veins! With
-her lotus-leaf hands, the hands of Hathor, goddess of love, she cooled
-her cheeks again and again. There is something of breeding in the very
-color of blood. Come, brothers of the road, all who travel with me
-in fancy, will you not join the knighthood of the soap-kettle? Come,
-ladies in mansions, will you not be one with us? None of you could have
-gainsaid the maiden-in-chief of the assembly. She wore her homespun as
-Zenobia, princess of Palmyra, wore her splendors. With her arms around
-her two gipsy younger sisters she smiled at last into the soap-kettle.
-When the epic is written, let it use words of marvelling, speaking of
-her hair, so pale, so electrical, set in a thick, ingenious coronal.
-
-All the little children stood up. “Uncle,” they shouted. Hoofs sounded
-by the door. A man entered without knocking. When he saw me he became
-ceremonious as a Mandarin.
-
-“This is a traveller,” said my host.
-
-The messenger indulged in inquiries about my welfare, journey, and
-destination. My host interrupted.
-
-“How’s mother? We have watched late to know.”
-
-“She is much worse.” And the messenger went on to say that she might
-not live two days, and the doctor was a careless, indifferent dog,
-treating her as though she were an ordinary old woman.
-
-“Does he still give her strychnine?”
-
-“He won’t deny it.” The messenger explained that the doctor thought
-strychnine in small doses was good for old people. The scientist who
-gave me gingerbread should have been there to champion the doctor. In
-the eyes of his judges that night he was suspected of poisoning or
-treating with criminal folly, royalty itself.
-
-The younger doctor was miles away, and might refuse to make the trip.
-The two loyal sons seemed paralyzed because the time for decision
-and the time for mourning came together. There were long silences,
-interrupted by my host repeating in a sort of primitive song, “_I can’t
-think of anything except my dying mother. I can’t think of anything
-except mother is going to die._”
-
-At last, with his brother’s consent, the messenger galloped and
-galloped away, to find his only hope, the younger physician. As the
-wife gave me the candle, sending me up stairs, I looked back at the
-family circle.
-
-Helpless grief made every face rigid. I looked again at the eldest
-daughter. The moving shadows embroidered on her breast intricate
-symbols of the fair years, passing by in the ghost of tapestry, things
-that happened in the beginning of the world. Let the epic tell that
-when the stranger slept there was a magic loom by his bed that wove
-that history again in valiant colors, showing battles without number,
-and sieges, and interminable sunny love-tales, and lotus-handed
-ladies whispering over manuscript things too fine to be told, and
-ruddy warriors sitting at watch-fires on battlements eternal; and let
-the epic tell how, in the early dawn, the stranger half awoke, yet
-saw this tapestry hung round the walls. If one could remember every
-story for which the pictures stood, he might indeed write the world’s
-unwritten epic. The last tapestry to be hung changed from gold to black
-warp and woof upon which was written that because of a treacherous
-prime minister who served a poisoned wine, the Empress of the White
-Witches was perishing before her time, and the young wizard, with the
-counter-spell, was riding night and day, but all the palace knew he
-would arrive too late.
-
-At breakfast the faces were stolid and white as frost. The father
-answered me only when I said good-by.
-
-He said he hardly knew whether I had had anything to eat, or whether
-any one had been good to me. “You just had to take care of yourself.”
-The son, feeling the demand of hospitality in his father’s voice,
-walked to the road with me. He asked if I was walking to Asheville.
-
-“Yes, by way of Mount Toxaway and Brevard.”
-
-He told me it was good walking all the way, and added, in a difficult
-burst of confidence, “I am going to Asheville.”
-
-“Why not come along with me?” I asked. I meant it heartily.
-
-He said he had to take horseback, and then the railway. He had to be
-there to-morrow.
-
-“What’s the hurry?”
-
-“I have to witness in a whisky case, an internal revenue case.”
-
-He said it like a Spanish Protestant called before the inquisition.
-
- * * * * *
-
-I said to my soul: “These were the revelations of a night and a
-morning. What deeper troubles were in the House of the Loom that you
-did not know?”
-
-All through the country there had been that night what is called a
-black frost. By the roadside it was deep and white as the wool on
-a sheep. But it left things blighted and black, and destroyed the
-chances of the fruit-bearing trees. All the way to Mount Toxaway I met
-scattered mourners of the ill-timed visitation.
-
-But the simple folly of spring was in me, and the strange elation of
-gratitude. My soul said within itself: “A money-claim has definite
-limits, but when will you ever discharge your obligation to the proud
-and the fine in the House of the Loom? You intruded on their grief. Yet
-they held their guest sacred as their grief.”
-
-
-
-
-PHIDIAS
-
-
- WOULD that the joy of living came to-day,
- Even as sculptured on Athena’s shrine
- In sunny conclave of serene design,
- Maidens and men, procession flute and feast,
- By Phidias, the ivory-hearted priest
- Of beauty absolute, whose eyes the sun
- Showed goodlier forms than our desires can guess
- And more of happiness.
-
-
-
-
-MAN, IN THE CITY OF COLLARS
-
-A Not Very Tragic Relapse into the Toils of the World, and of Finance.
-
-
-HAVING been properly treated as a bunco man by systematic piety
-in a certain city further south, I had double-barrelled special
-recommendations sent to a lofty benevolence in Asheville, from a
-religious leader of New York, the before-mentioned Charles F. Powlison.
-
-It was with confidence that I bade good-by to the chicken-merchant
-who drove me into the city. I entered the office of the black-coated,
-semi-clerical gentleman who had received the Powlison indorsements.
-My stick pounded his floor. The heels of my brogans made the place
-resound. But he gave all official privileges. He received me with the
-fine manly hand-clasp, the glitter of teeth, the pat on the back. He
-insisted I use the shower bath, writing room, reading table. Then I
-suggested a conference among a dozen of his devouter workers on the
-relation of the sense of Beauty to their present notion of Christianity
-or, if he preferred, a talk on some aspect of art to a larger group.
-
-He took me into his office. He shut the door. He was haughty. He made
-me haughty. I give the conversation as it struck me. He probably said
-some smart things I do not recall. But I remember all the smart things
-I said.
-
-He denounced labor agitators in plain words. I agreed. I belonged to
-the brotherhood of those who loaf and invite their souls.
-
-He spoke of anarchy. I maintained that I loved the law.
-
-He very clearly, and at length, assaulted Single Tax. I knew nothing
-then of Single Tax, and thanked him for light. He denounced Socialism.
-Knowing little about Socialism at that time, I denounced it also,
-having just been converted to individualism by a man in Highlands.
-
-The religious leader spoke of his long experience with bunco men. I
-insisted I wanted not a cent from him, I was there to do him good. I
-had letters of introduction to two men in the city; one of them, an
-active worker in the organization, had already been in to identify me.
-A third man was coming to climb Mount Mitchell with me.
-
-He doubted that I was a bona fide worker in his organization. Then
-came my only long speech. We will omit the speech. But he began to see
-light. He took a fresh grip on his argument. He said: “There is a man
-here in Asheville I see snooping around with a tin box and a butterfly
-net. They call him the state something-ologist. He goes around
-and--and--_hunts bugs_. But do you want to know what I think of a crank
-like that?” I wanted to know. He told me.
-
-“But,” I objected, “I am not a scientist. I am an art student.”
-
-He expressed an interest in art. He gave a pious and proper view of the
-nude in art. It took some time. It was the sort of chilly, cautious
-talk that could not possibly bring a blush to the cheek of ignorance.
-I assured him his decorous concessions were unnecessary. I was not
-expounding the nude.
-
-There was an artist here, and Asheville needed no further instruction
-of the kind, he maintained. The gentleman had won some blue ribbons in
-Europe. He painted a big picture (dimensions were given) and sold it
-for thousands (price was given).
-
-“He is holding the next one, two feet longer each way, for double the
-money.”
-
-I told him if he felt there was enough art in Asheville, we might do
-something to popularize the poets.
-
-In reply he talked about literary cranks. He spoke of how Thoreau, with
-his long hair and ugly looks, frightened strangers who suddenly met
-him in the woods. I thanked him for light on Thoreau.... But he had to
-admit that my hair was short.
-
-He suspected I was neither artist nor literary man. I assured him my
-friends were often of the same opinion.
-
-“But,” he said bitterly, “do you know sir, by the tone of letters
-I received from Mr. Powlison I expected to assemble the wealth and
-fashion of Asheville to hear you. I expected to see you first in your
-private car, wearing a dress-suit.”
-
-I answered sternly, “Art, my friend, does not travel in a Pullman.”
-
-He threw off all restraint. “Old shoes,” he said, “old shoes.” He
-pointed at them.
-
-“I have walked two hundred miles among the moonshiners. They wear
-brogans like these.” But his manner plainly said that his organization
-did not need cranks climbing over the mountains to tell them things.
-
-“Your New York letter did not say you were walking. It said you ‘would
-arrive.’”
-
-He began to point again. “Frayed trousers! And the lining of your coat
-in rags!”
-
-“I took the lining of the coat for necessary patches.”
-
-“A blue bandanna round your neck!”
-
-“To protect me from sunburn.”
-
-He rose and hit the table. “And no collar!”
-
-“Oh yes, I have a collar.” I drew it from my hip pocket. It had had a
-two hundred mile ride, and needed a bath.
-
-“I should like to have it laundered, but I haven’t the money.”
-
-“_Get_ the money.”
-
-“No,” I said, “but I will get a collar.”
-
-I entered a furnishing and tailor shop around the corner. I asked for
-the proprietor. He showed me collars.
-
-“Two for a quarter?”
-
-“Yes.”
-
-“Now I have here a little brochure I sell for twenty-five cents. In
-fact it is a poem, well worth the money. I will let you have it for
-half price, that is, one collar.”
-
-“We are selling collars.”
-
-“I am selling the poem.”
-
-I turned my Ancient Mariner eye on him. I recited the most mesmeric
-rhymes.
-
-He repeated, “We are selling collars.”
-
-Evidently the eye was out of order. I tried argument.
-
-“Don’t you think I need a collar?”
-
-“Yes.”
-
-“Don’t you think this one would fit this shirt?”
-
-“Yes.”
-
-“I renew my offer.”
-
-He sternly put the box away.
-
-So I said, “If I must face my friends in Asheville without this
-necessary ornament, you shall blush. I have done my duty, and refuse to
-blush.”
-
-I looked up a scholar from Yale, Yutaka Minakuchi, friend of old
-friends, student of philosophy, in which he instructed me much, first
-lending me a collar. He became my host in Asheville. It needs no words
-of mine to enhance the fame of Japanese hospitality....
-
-And I had a friend in a distant place, whom, for fancy’s sake, we
-will call the Caliph Haroun-al-Raschid. Let him remain a mystery. We
-will reveal this much. Had he known the truth, he would have sent
-Greek slaves riding on elephants, laden with changes of raiment. He
-discerned, at least, that I was in a barbarous land, for at length a
-long package containing a sword arrived from the court of the Caliph
-(to speak in parables). I exchanged the weapon at a pawnshop for
-_money_, all in one bill--_money_--against which I had so many times
-sworn eternal warfare, which had been my hoodoo in the past, and was
-destined to be again. But this time, such are the whims of fate, the
-little while it was with me it brought me only good.
-
-I entered the furnishing store. The proprietor was terribly busy,
-but my glittering eye was in condition. I persuaded him, by dint of
-repetition, to show me his collars. I treated him as though we had not
-met.
-
-“Fifteen cents apiece?”
-
-“Yes.”
-
-“I will take _one_.” I gave the bill. He had to send a boy out for the
-change. I put the silver in my pocket, and rattled it. He wrapped up
-the collar, while I studied his cheeks. He blushed like a maid, bless
-his tender heart, and in his sweet confusion he knew that I knew it.
-
-The streets of Asheville kept shouting to me: “Let us praise Man, when
-he builds cities, and grows respectable, and cringes to money, and
-becomes a tailor, and loves collars with all his heart.”
-
- * * * * *
-
-
-
-
-CONFUCIUS
-
-
- WOULD we were scholars of Confucius’ time
- Watching the feudal China crumbling down,
- Frightening our master, shaking many a crown,
- Until he makes more firm the father sages,
- Restoring custom from the earliest ages
- With prudent sayings, golden as the sun.
- Lord, show us safe, august, established ways,
- Fill us with yesterdays.
-
-
-
-
-THE OLD LADY AT THE TOP OF THE HILL
-
-
-IT was a bland afternoon. I had been crossing a green valley in North
-Carolina. Every man I passed had that languid leanness slanderously
-attributed to the hookworm by folk who have no temperament. Yet some
-bee of industry must have stung these fellows into intermittent effort
-this morning, yesterday, last week or last year.
-
-Here were reasonably good barns. Here were fences, and good fences at
-that. Here were mysterious crops, neither cotton nor corn. One man was
-not ploughing with a mule. No, sir. He was ploughing with a sort of
-horse....
-
-At last I mounted the northern rim of the circle of steep hills that
-kept the place as separate from the rest of the world as a Chinese
-wall. I met her on the crest. She advanced slowly, looking on the
-ground, leaning at the hips as do the very aged, but not grotesquely.
-Her primly made dress and sunbonnet were dull dark blue. With her
-walking-stick she meditatively knocked the little stones from her path.
-The staff had a T-shaped head. It was the cane Old Mother Hubbard
-carries in the toy book.
-
-And now she looked up and said with a pleasant start, “Why, good
-evening, young stranger.”
-
-“Good evening, kind lady.”
-
-“Where have you been, my son?”
-
-“Why, I am following my nose to the end of the world. I have just
-walked through this enterprising valley.”
-
-She looked into the dust and meditated awhile. Then she said: “It’s
-getting late. No one has let you in?”
-
-“No one.”
-
-“How about that house by the bridge?” She pointed with her cane.
-
-“The lady said she had a sick child.”
-
-“Nonsense, nonsense. Do you see that little Ardella by that corner of
-the ploughed field near the house? She don’t run like a sick child....
-Did you ask at the next place, the one that has a green porch?” She
-pointed again with her cane.
-
-“The woman said she had no spare bed.”
-
-“But she has. I slept in it last week.... And that last house before
-you start up this hill?”
-
-“The woman said she had to take care of saw-mill hands.”
-
-“Did she tell you _that_?”
-
-“Yes, ma’am.”
-
-The old lady ruminated again, leaning on her stick. At length she said:
-“Sit down. I want to tell you something.” There we were, Grandmother
-and newly adopted grandson, on a big sunlit rock.
-
-I give only the spirit of her words. She discoursed in that precious
-mountain dialect, so mediæval, so Shakespearean with its surprising
-phrases that seem at first the slang of a literary clan, till one
-learns they are the common property of folk that cannot read. It is a
-manner of speech all too elusive. Would that I had kept a note-book
-upon it! But somewhat to this intent she spoke, and in a tone gentler
-than her words:--
-
-“They thought I would never find out about this, or they would not have
-treated you so. That woman in the last house is my daughter-in-law.
-She has only two saw-mill hands, and they’re no trouble. That’s my
-house anyway. It was my mother’s before me. No one dares turn strangers
-away when I am there. There’s an empty bed up stairs, and another in
-the hall.”
-
-She turned about and pointed in the direction in which I had been
-walking. “Just ahead of you, around that clump of trees, is a
-hospitable family. If they will not take care of you, it is because
-they have a good excuse. If they cannot take you in, ask no further.
-Come back to my place, and” (she spoke with a Colonial Dame air) “_I
-will make you welcome_.”
-
-“What sort of mountaineer is this?” I asked myself. “The hospitality is
-the usual thing, but the grandeur is exotic.”
-
-We chatted awhile of the sunset. Then I accompanied her to the edge of
-the hill.
-
-Under her sacred hair her face retained girl-contours. The wrinkles
-were not too deep. She seemed not to have changed as mothers often do,
-when, under decades of inevitable sorrow, the features are recarved
-into the special mask of middle age, and finally into the very
-different mask of senility. She had yet the authority of Beauty. She
-wore her white hair with a Quakerish-feminine skill most admirably
-adapted to that ancient forehead. I divined she had learned that at
-sixteen. What a long time to be remembering.
-
-We were spirits that at once met and understood. She said: “My son, I
-have walked all my life across this valley, or up this hill, or toward
-that green mountain where you are going. I never walked as far as I
-wanted to. But walking even so short a path makes for consolation.”
-
-Now she laid aside antique grandeur and took on plain vanity.
-
-“Do you know how old I am?”
-
-“About eighty-five.”
-
-“I’m ninety-two years old, young man, and I’m going to live ten years
-more.”
-
-It was getting late. I said, “I am glad indeed to have met you.”
-
-She answered, “I am sorry my valley has not been kind.”
-
-I ventured to ask, “So it’s _your_ valley?”
-
-I had touched a raw nerve. I was completely shaken by the suddenness of
-her answer.
-
-“Mine! Mine! Mine!” she shrieked. Kneeling, she beat up the dust of
-the road with her cane. And then “Mine! Mine! Mine!” shaking her
-outstretched arms over that amphitheatre, as though she would drag it
-all to her breast.
-
-She was out of breath and trembling. At length she smiled, and added so
-quietly it seemed another person. “And they shall not take it away from
-me.”
-
-I helped her to her feet. She was once more the Martha Washington
-sort.... I remember her last sentence. In a royal tone, that was three
-times an accolade, in a motherly tone that was caressing and slow she
-half-sung the pretty words:--
-
-“Good evening, young man. I wish you well.”
-
-The man at the next house took me in. In the course of the evening he
-assured me that the old lady did own the valley, and that she ruled
-it with a rod of iron. The family graveyard was full of heirs who had
-grown to old age and died of old age hoping in vain to outlive, and to
-inherit her authority.
-
-
-
-
-WITH A ROSE, TO BRUNHILDE
-
-
- BRUNHILDE, with the young Norn soul
- That has no peace, and grim as those
- That spun the thread of life, give heed:
- Peace is concealed in every rose.
- And in these petals peace I bring:
- A jewel clearer than the dew:
- A perfume subtler than the breath
- Of Spring with which it circles you.
-
- Peace I have found, asleep, awake,
- By many paths, on many a strand.
- Peace overspreads the sky with stars.
- Peace is concealed within your hand.
- And when at night I clasp it there
- I wonder how you never know
- The strength you shed from finger-tips:
- The treasure that consoles me so.
-
- Begin the art of finding peace,
- Beloved:--it is art, no less.
- Sometimes we find it hid beneath
- The orchards in their springtime dress:
- Sometimes one finds it in oak woods,
- Sometimes in dazzling mountain-snows;
- In books, sometimes. But pray begin
- By finding it within a rose.
-
-
-
-
-LADY IRON-HEELS[3]
-
-
-I
-
-THE SEVEN SUSPICIONS
-
-ONE Saturday in May I was hurrying from mountainous North Carolina into
-mountainous Tennessee. Because of my speed and air of alarm, I was
-followed by the Seven Suspicions. I was either a revenue detective in
-pursuit of moonshiners, or a moonshiner pursued by revenue detectives,
-or a thief hurrying out of hot territory, or a deputy sheriff pursuing
-a thief, or a pretended non-combatant hurrying toward a Tennessee feud,
-actually an armed recruit, or I had just killed my family’s hereditary
-enemy and was eluding his avengers, or I had bought some moonshine
-whisky and was trying to get out of a bad region before nightfall.
-These suspicions implied that the inhabitants admired me. Yet I hurried.
-
-I came upon one article of my creed, the very next day, Sunday. But
-Saturday was a season of panic, preparation, and trial.
-
-The article of my creed that I won as my reward might be stated in this
-fashion: “_Peace is to be found, even in a red and bleeding rose._”
-
-I was accustomed to the feudist and the assassin. Such people had been
-good to me, and I had walked calmly through their haunts. But now the
-smothering landscape seemed to double every natural fear. The hills
-were so steep and so close together that only the indomitable corn and
-rye climbed to the top to see the sun. The road was in the bed of a
-scolding rivulet. People in general travelled horseback. Cross-logs for
-those afoot bridged high above the streams every half mile. There was
-a primeval something about the heavy chains of the cross-logs, binding
-them to the trees, that suggested the forgotten beginning of an iron
-people, some harsh iron-willed Sparta. This impression was strengthened
-by the unpainted dwellings, hunched close to the path, with thick walls
-to resist siege.
-
-What first fixed these outlaws here, as in a nest, with a ring of
-houseless open country round them? A traveller was more shut from the
-horizon than in the slums of Chicago. The road climbed no summits. It
-writhed like a snake. And there were snakes sunning themselves on every
-other cross-log. _And there was never a flower to be seen._
-
-An old woman, kindly enough, gave this beggar a noon-meal for the
-asking, but the landscape had struck into me so I almost feared to eat
-the bread. For this fear I sternly blamed my perverse imagination.
-Refreshed in body only, I crept like a fascinated fly, dragged by
-occult force toward a spider’s den. I felt as though I had reached the
-very heart of the trap when I stepped into the streets of the profane
-village of Flagpond, Tennessee.
-
-It was early in the afternoon. The feudal warriors had come to the
-place on horseback, dressed in poverty-stricken Saturday finery:
-clothes tight and ill-dyed, with black felt hats that should have
-slouched, but did not. The immaculate rims stood out in queer
-precision. The wearers sat in front of the three main stores, looking
-across the street at one another. Since there was no woman in sight,
-every one knew that the shooting might begin at any time. The silence
-was deadly as the silence of a plague. I checked my pace. I ambled in
-a leisurely way from store to store, inquiring the road to Cumberland
-Gap, the distance to Greenville, and the like. I was on the other
-side of the circle of dwellings pretty soon, followed by the Seven
-Suspicions, shot from about seventy-five lean countenances, which makes
-about five hundred and twenty-five suspicions.
-
-One of the most indescribable and haunting things of that region was
-that all the women and children were dressed in a certain dead-bone
-gray.
-
-About four o’clock I had made good my escape. I had begun to mount
-rolling, uninhabited hills. At twilight I entered a plain, and felt
-a new kind of civilization round me. It would have been shabby in
-Indiana. Here it was glorious. They had whitewashed fences, and
-white-painted cottages, glimmering kindly through the dusk. Some farm
-machinery was rusting in the open. I climbed a last year’s straw-stack,
-and slept, with acres of stars pouring down peace.
-
-
-II
-
-THE TAILOR AND THE FLORIST
-
-Now the story begins all over again with the episode of the well-known
-tailor and the unknown florist. Just off the main street of Greenville,
-Tennessee, there is a log cabin with the century old inscription,
-ANDREW JOHNSON, TAILOR. That sign is the fittest monument to the
-indomitable but dubious man who could not cut the mantle of the
-railsplitter to fit him. I was told by the citizens of Greenville that
-there was a monument to their hero on the hill. So I climbed up. It was
-indeed wonderful--a weird straddling archway, supporting an obelisk.
-The archway also upheld two flaming funeral urns with buzzard contours,
-and a stone eagle preparing to screech. There was a dog-eared scroll
-inscribed, “His faith in the people never wavered.” Around all was,
-most appropriately, a spiked fence.
-
-But I was glad I came, because near the Tailor’s resting-place was a
-Florist’s grave, on which depends the rest of this adventure, and which
-reaches back to the beginning of it. It had a wooden headstone, marked
-“John Kenton of Flagpond, Florist. 1870-1900.” And in testimony to his
-occupation, a great rosebush almost hid the inscription. Any man who
-could undertake to sell flowers in Flagpond might have it said of him
-also, “His faith in the people never wavered.”
-
-And now in my tramping the spirit of John Kenton, or some other
-Florist, seemed to lead me. My season of panic, preparation, and trial
-was over. It was indeed Sunday on this planet for awhile. I passed bush
-after bush of the same sort as that marking Kenton’s place of sleep.
-The sight of them was all that I had to give me strength till noon.
-I had had neither breakfast nor supper. People would have fed this
-poor tramp, but I love sometimes the ecstasy that comes with healthy
-fasting. And now that I reflect upon it, it was indeed appropriate that
-the Religion of the Rose should begin with abstinence.
-
-I have burdened you further back with an elaborate description of
-the landscape of Flagpond. Now that landscape was repeated with the
-addition of roses. And what a difference they made! They quenched the
-Seven Suspicions. They made gray dresses seem rather tolerable. On
-either side loomed the steepest cornfields yet, but they did not make
-me tremble now.
-
-At noon I turned aside where a log cabin on stilts, leaning against its
-own chimney, stood astride a little gully. It was about as big as a
-dove-cote. Straggling rose-hedges led to the green-banked spring at the
-foot of a ladder that took the place of steps. The old lady that came
-to the door was a dove in one respect only; she was dressed in gray.
-
-She was drawn to the pattern of the tub-like peasants of the German
-funny paper _Simplicissimus_. I told her my name was Nicholas. She
-took it for granted that I wanted my dinner, and asked me up the
-ladder without ado. She did an unusual thing. She began to talk family
-affairs. “You must be kin to Lawyer Nicholas of Flagpond.... He
-defended my son ten years ago ... in a trial for murder.”
-
-I said: “I am no kin to Lawyer Nicholas, but I hope he won his case.”
-
-“No. My son is in the state’s prison for life.... He surely killed
-Florist Kenton.” But she added, as if it nullified all guilt, “they
-were both drunk.”
-
-She was busy cooking at the open fireplace. She turned to the boy,
-about ten years old. “Call your Ma and your Aunt to dinner.” He climbed
-the steep and shouted. Presently two figures came over the ridge. The
-larger woman took the boy’s hand.
-
-“_That’s my daughter-in-law, the boy’s mother_,” said Mrs.
-Simplicissimus.
-
-I judged the second figure to be a woman of about twenty-eight. She
-carried a fence-rail on her shoulder. She was straight as an Indian.
-The old woman said: “_That’s my daughter. She was going to marry John
-Kenton._” The only influences that could have induced a mountain-woman
-to unburden so much, were the roses, just outside the door, leaping in
-the wind.
-
-The procession soon reached us. The wood-carrier threw the log into
-the yard. “There’s firewood,” she sang. She vaulted over the fence,
-displaying iron-heeled brogans, thick red stockings, and a red-lined
-skirt. There was a smear of earth on cheek and chin. Her face was
-a sunburned, dust-mired roseleaf. She swept off her hat. She bowed
-ironically. She said: “Howdy. What might be your name?”
-
-I did not tell my name.
-
-She fell on her knees. She drank from her hands at the spring. I could
-feel the cold water warring with the sunshine in her sinews. She would
-never have done with splashing eyelids and ears, and cheeks and red
-arms and throat. The rosebushes behind her leaped in the wind. The
-boy and his mother and the grandmother knelt at that same place and
-splashed after that same manner. Then the grandmother nudged me.
-
-“Wash,” she said.
-
-I washed.
-
-We climbed into that dove-cote block-house on stilts. We ate like
-four plough-horses and a colt. We consumed corn-bread and fat pork,
-then corn-bread and beans, then corn-bread and butter. I ate supper,
-breakfast, and dinner in three quarters of an hour.
-
-
-III
-
-A BRIEF SIESTA
-
-Working a farm of fields that stand on edge, without men to help, and
-without much machinery, makes women into warriors or kills them. The
-grandmother and mother were no longer women. Even when they caressed
-the boy their faces were furrowed with invincible will-power. But Lady
-Iron-Heels still a woman, was confused in the alternative of manhood
-or death. She was indeed a flower not yet torn to pieces by the wind,
-greatly shaken, and therefore blooming the faster.
-
-There was a red ribbon streaming over the gray rag-carpet. Lady
-Iron-Heels stooped, gave the ribbon a jerk, and a banjo came snarling
-from under the bed.
-
-She sat on the warring colors of the crazy-quilt, and played a
-dance-tune, storming the floor with one heel. She grew pensive. She
-sang:--
-
- “We shall rest in the fair and happy land
- Just across on the ever-green shore,
- Sing the song of Moses and the Lamb (by and by)
- And dwell with Jesus evermore.”
-
-Her neck had a yellow handkerchief round it. A brown lock swept across
-her leaping throat. Her cheeks and chin were bold as her iron heels.
-Underneath the precious silken sunburn, the blood was beating, beating,
-and trying to thicken into manhood to fight off death.
-
-After the music the ladies dipped snuff in the circle around the dim
-fire.
-
-
-IV
-
-“THAT’S ALL THE CHURCH I GET”
-
-I made a great palaver to Iron-Heels about giving me the banjo ribbon.
-She consented easily. Coquetry was not her specialty.
-
-“What might be your name?” she asked.
-
-There was no dodging now. The old woman spoke up as though to save me
-pain: “His name is Nicholas. But he is no kin to Lawyer Nicholas of
-Flagpond.”
-
-After a long silence the girl said: “We came from Flagpond, once upon a
-time.”
-
-She had been looking out the door at the clear bowl of the spring, and
-the reflection of the tall bushes, leaping in the wind.
-
-I thought to myself: “She herself was John Kenton’s chief rose.” I
-thought: “He had her in mind when he set these ameliorating bushes
-through the wild.” Possibly the girl could not read or write. Yet she
-was royal.
-
-Democracy has the ways of a jackdaw. Democracy hides jewels in the
-ash-heap. Democracy is infinitely whimsical. Every once in a while a
-changeling appears, not like any of the people around, a changeling
-whose real ancestors are aristocratic souls forgotten for centuries.
-As the girl’s eyes narrowed, she became Queen Thi, the masterful and
-beautiful potentate of immemorial Egypt whose face I have seen in a
-museum, carved on a Canopic jar. She was Queen Thi only an instant,
-then she became a Tennessee girl again, with the eyes of a weary doe.
-
-She said: “Them roses give me comfort. That’s all the church I get.”
-
-I asked: “Why are there so many roses between here and Greenville and
-none near Flagpond?”
-
-It was her turn not to speak. The old woman as though to save her pain,
-answered: “The flowers of these parts were all brought in by John
-Kenton. He lived in Flagpond, but could not sell them there.”
-
-And the mother of the little boy, the man-woman, whose husband had
-killed Kenton, broke her long silence: “The only flowers we have to-day
-are these he brought. I think we would die without them.... How do we
-get through the winter?”
-
-Lady Iron-Heels and her sister-in-law took a swig of whisky from the
-jug under the table, and lifted up their hoes from the floor. The boy
-whimpered for a drink. They said: “Wait till you are a man.” All three
-climbed the hill.
-
-Lady Iron-Heels was the last to go over the ridge. She saw me gather
-buds from both those bushes by the spring. She made a gesture of salute
-with her hoe.
-
-I never travelled that way again. I passed by quickly; therefore I had
-a glimpse of what she was intended to be. “He that loseth his life
-shall find it.” I see her many a time when I am looking on scattered
-rose-leaves. She was a woman, God’s chief rose for man. She was scorned
-and downtrodden, but radiant still. I am only saying that she wore the
-face of Beauty when Beauty rises above circumstance.
-
-The buds that I had gathered did not fall to pieces till I had passed
-by Daniel Boone’s old trail on through Cumberland Gap, on over big
-hill Kentucky into the Blue Grass. On the way I wrote this, their poor
-memorial, the Canticle of the Rose:--
-
-It is an article of my creed that the petals of this flower of which we
-speak are a medicine, that they can almost heal a mortal wound.
-
-The rose is so young of face and line, she appears so casually and
-humbly, we forget she is an ancient physician.
-
-Yet so much tradition is wrapped around her stalk, it is strange she is
-not a mummy. Her ashes can be found in the tombs of the Pharaohs, in
-everlasting companionship with the ashes of the lotus and the papyrus
-plant. Her dust travels on every desert wind.
-
-No love-song can do without her.
-
-No soldier and no priest can scorn her. There were the Wars of the
-Roses. And there was a Rose in Sharon. Our wandering brother Dante
-found a great rose in Paradise.
-
-There are white roses, sweet ghosts under the pine. There are yellow
-roses, little suns in the shadow. But the normal bloom is red,
-flushed with foolish ardors, laughing, shaking off the gossamer years.
-She remembers Love, but not too well, if love is pain. There is no
-yesterday that can daunt her and keep her dear heart-laughter down. In
-springtime her magic petals bring God to the weary and give Heaven’s
-strength to the wavering of heart.
-
-She can turn the slave to a woman, the woman to something a little
-more than mortal. Oh, how bravely, with the same life-giving red, with
-the last of her virgin strength, she blooms and blooms on almost every
-highway. We find her on the road to Benares, on the road to Mecca, on
-the road to Rome, and on the road to Nowhere, in Tennessee.
-
-Her red petals can almost heal a mortal wound.
-
-
-
-
-II
-
-A MENDICANT PILGRIMAGE IN THE EAST
-
-
-
-
-IN LOST JERUSALEM
-
-
- BEHOLD the Pharisees, proud, rich, and damned,
- Boasting themselves in lost Jerusalem,
- Gathered a weeping woman to condemn,
- Then watching curiously, without a sound
- The God of Mercy, writing on the ground.
- How looked his sunburned face beneath the sun
- Flushed with his Father’s mighty angel-wine?
- God make us all divine.
-
-
-
-
-A TEMPLE MADE WITH HANDS
-
-
-I
-
-THE DWELLING-PLACE OF FAITH, HOPE, AND CHARITY
-
-I HAD walked twelve miles before noon. Then I had eaten four slices
-of bread and butter on merciful doorsteps. At four-thirty, having
-completed twenty-one miles, I entered the richest village in the United
-States, a village that is located in New Jersey. I was so weary I was
-ready to sleep in the gutter, and did not care if the wagons ran over
-me. I should have walked through to the green fields before I looked
-for hospitality. I knew that the well-meant deeds of the city cannot
-equal the kindness of the most commonplace farm-hand. Yet I lingered.
-
-I purchased a feast of beefsteak and onions at an obscure Jewish
-restaurant and felt myself once more a man. But it was now too late to
-leave town. The rule of the country is--one must ask for his night’s
-lodging before five o’clock. After that, things are growing dark, and
-people may be afraid of you.
-
-After paying for beefsteak and onions, I had twenty-five cents. This
-twenty-five cents was all that remained after a winter’s lecturing on
-art and poetry in Manhattan. I am satisfied that the extra money, over
-and above all paid debts, brought me some of the ill-luck of the night.
-As I have before observed, money is a hoodoo on the road. Until a man
-is penniless he is not stripped for action.
-
-A sign at the lunch-counter advertised: “Furnished rooms, fifty cents.”
-
-I asked the proprietor to cut the price. He dodged the issue. “Say, why
-don’t you go up there to the mission? They will sell you a good bed
-cheap.”
-
-“For a quarter?”
-
-“Something like that.”
-
-“Show me the place.”
-
-As of old the Jew pointed out the way of salvation. The Gentile
-followed it and reached the dwelling-place of Faith, Hope, and Charity.
-
-“What do you want?” The questioner, evidently in charge of the place,
-was accoutred in stage laboring-man style. Maybe his paraphernalia was
-intended to put him on a level with wayfarers. He wore a slouch hat, a
-soft shirt, and no necktie. His clothes had the store freshness still.
-They looked rather presumptuous in that neat, well-stocked reading room.
-
-“I want a cheap bed.”
-
-“We do not sell beds.”
-
-“I was told you did.”
-
-“We give them away.”
-
-“All right.”
-
-“But you have to work.”
-
-“Very well.”
-
-“Do you want to leave early in the morning?” (The place was evidently a
-half-way house for tramps.)
-
-“Yes. I want to leave early in the morning.”
-
-“Then you will have to split kindling two hours to-night.”
-
-“Show me the kindling.”
-
-
-II
-
-SPLITTING KINDLING
-
-In the basement I throned myself on one block while I chopped kindling
-on another. Before me, piled to the first story, was a cellarful
-of wood, the record of my predecessors in toil. I gathered that the
-corporal’s guard of the unemployed who stayed at the mission that
-night, and had been there two or three days, had finished their day’s
-assignment of splitting. They completely surrounded me, questioned me
-with the greatest curiosity, and put me down as a terrific liar, for I
-answered every question with simple truth.
-
-As soon as the melodramatic workingman-boss went up stairs, one of them
-said, “Don’t work so fast. It’s only a matter of form this late at
-night. They want to see if you are willing, that’s all.”
-
-I chopped a little faster for this advice. Not that I was out of humor
-with the advisers,--though I should have been, for they were box-car
-tramps.
-
-One of them, having an evil and a witty eye, said, “If I was goin’ west
-like you, I’d start about ten o’clock to-night and be near Buffalo
-before morning.”
-
-Another, a mild nobody, professed himself a miller. He told what a
-wonderful trick it was to say, “Leddy, I’m too tired to work till I
-eat,” and after eating, to walk away.
-
-The next, a carriage painter of battered gentility, told endless
-stories of the sprees that had destroyed him. Another, a white frog
-with a bald head and gray mustache, quite won my heart. He said, “Wait
-till you get a nice warm bath after service. Then you’ll sleep good.”
-
-To my weary and addled brain the mission was like one of those
-beautiful resting-places in Pilgrim’s Progress. It became my religion,
-just to split kindling. I failed to apprehend what infinitesimal
-nobodies these fellows around me were. I should have disliked them more.
-
-The modern tramp is not a tramp, he is a speed-maniac. Being unable
-to afford luxuries, he must still be near something mechanical and
-hasty, so he uses a dirty box-car to whirl from one railroad-yard to
-another. He has no destination but the cinder-pile by the water-tank.
-The landscape hurrying by in one indistinguishable mass and the roaring
-of the car-wheels in his ears are the ends of life to him. He is no
-back-to-nature crank. He is a most highly specialized modern man. All
-to keep going, he risks disease from these religious missions, from
-foul box-cars, and foul comrades. He risks accident every hour. He is
-always liable to the cruelty of conductor or brakeman and to murder by
-companions.
-
-He runs fewer risks in the country, yet his aversion to the country
-is profound. He knows all that I know about country hospitality, that
-it can be purchased by the merest grain of courtesy. Yet most of the
-farm-people that entertained me had not seen a tramp for months.
-
-To account for some of the happenings of this tale I will only add that
-a speed-maniac at either end of the social scale is not necessarily a
-hustler, personally. But in one way or another he is sure to be shallow
-and artificial, the grotesque, nervous victim of machinery. And a
-“Mission,” an institution built by speed-maniacs who use automobiles
-for speed-maniacs who use box-cars, is bound to be absurd beyond words
-to tell it.
-
-
-III
-
-THE SERMON ON THE MOUNT
-
-I loved all men that night, even the fellow in melodramatic
-laboring-man costume, who appeared after two hours to drive us animals
-up stairs into one corner of the chapel, where a dozen of our kind had
-already assembled from somewhere.
-
-On the far side of that chapel sat the money-fed. The aisle was a
-great gulf between them and us. I smiled across the gulf indulgently,
-imagining by what exhortations to “Come and help us in our problem”
-those uncomfortable persons had been assembled. An unmitigated
-clergyman rose to read a text.
-
-I presume this clergyman imagined Christ wore a white tie and was on a
-salary promptly paid by some of our oldest families. But I share with
-the followers of St. Francis the vision of Christ as a man of the open
-road, improvident as the sparrow. I share with the followers of Tolstoi
-the opinion that when Christ proclaimed those uncomfortable social
-doctrines, he meant what he said.
-
-The clergyman read: “Blessed are the poor in spirit, for theirs is the
-kingdom of heaven.”
-
-“Blessed are they that mourn, for they shall be comforted.”
-
-“Blessed are the meek, for they shall inherit the earth.”
-
-He read much more than I will quote. Here is the final passage:--
-
-“Ye have heard how it hath been said: ‘An eye for an eye and a tooth
-for a tooth.’ But I say unto you that you resist not evil. But
-whosoever shall smite thee on thy right cheek, turn to him the other
-also. And if any man will sue thee at the law, and take away thy coat,
-let him have thy cloak also. And whosoever shall compel thee to go a
-mile, go with him twain. Give to him that asketh thee, and to him that
-would borrow of thee, turn not thou away.”
-
-This Pharisee smugly assumed that he was authorized by the Deity to
-explain away this scripture. And he did it, as the reader has heard it
-done many a time.
-
-The Pharisee was followed by a fat Scribe who tried to smile away what
-the other fellow had tried to argue away. The fat one then called on
-the assembly to bow, and exhorted the repentant to hold up their hands
-to be prayed for.
-
-I held up my hand. Was I not eating the bread of the mission? And then
-I felt like a sinner anyway.
-
-“Thank God,” said the fat one.
-
-After a hymn, testimonies were called for. I felt the spirit move me,
-but some one had the floor. Across the gulf she stood, an exceedingly
-well-dressed and blindly devout sister. She glanced with a terrified
-shrinking at the animals she hoped to benefit. She said:--
-
-“There has been one great difficulty in my Christian life. It came with
-seeking for the Spirit. Sometimes we think it has come with power, when
-we are simply stirred by our own selfish desires. Our works will show
-whether we are moved by the Spirit.”
-
-I wanted to preach them a sermon on St. Francis. But how could I? There
-was still a quarter in my own pocket. Meanwhile there rose a saint
-with a pompadour and blocky jaws. He was distinctly inferior in social
-position to a great part of the saints. It was probable he had given
-that testimony many times. But he did not want the meeting to drag. He
-spake in a loud voice: “I was saved from a drunkard’s life, in this
-mission, eighteen years ago, and ever since, not by my own power, but
-by the grace of God, I have been leading a God-fearing and money-making
-life in this town.” That was his exact phrase, “a money-making life.”
-His intention was good, but he should have been more tactful. The
-Pharisee looked annoyed.
-
-
-IV
-
-A SCREAMING FARCE
-
-I advise all self-respecting citizens to skip this section. It is
-nothing but over-strained, shabby farce.
-
-The throng melted. Scribe and Pharisee, Dives, Mrs. Dives, and their
-satellites went home to their comfortable beds. Many of the roughs on
-our side of the house found somewhere else to stay. The fellow dressed
-like a workingman in a melodrama sought the consolations of his own
-home. Had the last authority departed? Were we to have anarchy? The
-Frog, in his gentlest manner, sidled up to make friends again.
-
-“Now you can have your nice warm bath, you two.” I looked around. There
-were two of us then. Beside me, fresh from a box-car was a battered
-scalawag. The Frog must have let him in at the last moment.
-
-We three climbed to the bath-room.
-
-“Wait a minute,” said the Amphibian. He disappeared. I opened my eyes,
-for this creature spake with a voice of authority. The box-car scalawag
-grinned sheepishly.
-
-There was a scuffling overhead, a scratch and a rumble. We two looked
-up just in time to dodge the astonishing vision of a clothes-horse
-descending through a trap-door by a rope. At the upper end of the rope
-was the absurd bald head of our newly achieved superintendent.
-
-“Hello, Santy Claus,” said the box-car tramp. “Whose Christmas present
-is this?”
-
-The Frog shouted: “Put your shoes and hats in the corner. If you
-have any tobacco, put it in your shoes. Hang everything else on the
-clothes-horse.”
-
-I obeyed, except that I had no tobacco. The rascal by my side had
-a plenty, and sawdusted the bath-room floor with some of it, and
-the remainder went into his foot-gear. Then we two, companions in
-nakedness, watched the Frog haul up our clothes out of sight. He closed
-the trap-door with many grunts.
-
-Then this Amphibian, this boss, descended and entered the bath-room.
-He was a dry-land Amphibian. He had never taken a bath himself, but
-was there to superintend. He seemed to feel himself the accredited
-representative of all the good people behind the mission, and no doubt
-he was.
-
-“Can it be possible,” I asked myself, “that they have chosen this
-creature to apply their Christianity?”
-
-The Frog said to my companion: “Git in the tub.”
-
-Then he turned on the water, regulated the temperature, and watched as
-though he expected one of us to steal the faucets from the wash-bowl.
-He threw a gruesome rag at the tramp, and allowed him to scrub himself.
-The creature bathing seemed well-disposed toward the idea, and had put
-soap on about one-third of his person when the Frog shouted: “I’ve got
-to get up at four-thirty.”
-
-The scalawag took the hint and rose like Venus from the foam. He
-splashed off part of it, and rubbed off the rest with a towel that was
-a fallen sister of the wash-rag.
-
-The Frog was evidently trying to enforce, in a literal way, regulations
-he did not understand. He wiped out the bath-tub most carefully with
-the unclean wash-rag. Then he provided the scalawag with a shirt for
-night-wear. The creature put it on and said:--
-
-“Ain’t I a peach?”
-
-He was.
-
-The nightie was an old, heavily-starched dress-shirt, once white. Maybe
-it had once been worn by the Scribe or the Pharisee. But it had not
-been washed since. The rascal cut quite a figure as he took long steps
-down the corridor to bed, piloted by the hurrying Amphibian. He was a
-long-legged rascal, and the slivered remainders of that ancient shirt
-flapped about him gloriously.
-
-I was hustled into the tub after the rascal. I was supervised after
-the same manner. “Now wash,” boomed the Amphibian. He threw at me the
-sloppy rag of my predecessor.
-
-I threw it promptly on the floor.
-
-“I don’t use a wash-rag,” I said.
-
-“Hurry,” croaked the Frog. _And he let the water out of the tub._ He
-handed me the towel the scalawag had used. I had not, as a matter of
-fact, had a bath, and I was quite foot-sore.
-
-“I do not want that towel,” I said.
-
-“You’re awful fancy, aren’t you?” sneered the Frog.
-
-Wherever I was damp, I rubbed myself dry with my bare hands, being
-skilled in the matter, meanwhile reflecting that there is nothing worse
-than a Pharisee except a creature like this. I wondered if it was
-too late to rouse a mob among the better element of the town, neither
-saints nor sinners, but just plain malefactors of great wealth, and
-have this person lynched. There were probably multi-millionnaires in
-this town giving ten-dollar bills to this mission, who were imagining
-they were giving a free bath to somebody.
-
-I wanted to appeal to some man with manicured hands who had grown
-decently rich robbing the widow and the orphan and who now had the
-leisure to surround himself with the appurtenances of civility and the
-manners of a Chesterfield.
-
-“I am through with the poor but honest submerged tenth. Rich worldlings
-for mine,” I muttered.
-
-“Put these on,” squeaked the Frog. His manner said, “See how good
-we are to you.” He held out the treasure of the establishment, a
-night-garment retained for fastidious new-arrivals, newly-bathed. Of
-course, no one else was supposed to bathe.
-
-Was the garment he held out a slivered shirt? Nay, nay. It was a sort
-of pajama combination. Hundreds of men had found shelter, taken a
-luxurious bath, and put them on. They were companions in crime of
-the towel and the wash-rag. Let us suppose that three hundred and
-sixty-five men wore them a year. In ten years there would have been
-about three thousand six hundred and fifty bathed men in them. That did
-not account for their appearance.
-
-“What makes them so dirty?” I asked.
-
-No answer.
-
-“Can’t I wear my underclothes to bed instead of these?”
-
-“No.”
-
-“Why?”
-
-“Sulphur.”
-
-“What do you mean by sulphur?”
-
-“Your clothes are up stairs being fumigated.”
-
-“Can’t I get my socks to-night? I always wash them before I go to bed.”
-
-“No. It’s against the law of the state. And you would dirty up these
-bowls. I have just scrubbed them out.”
-
-“I will wash them out afterward.”
-
-“I haven’t time to wait. I must get up at four-thirty.”
-
-“But why fumigate my clean underwear, and give me dirty pajamas?”
-
-The Frog was getting flabbergasted. “I tell you it’s the law of New
-Jersey. You are getting awful fancy. If I had had my way, you would
-never have been let in here.”
-
-“Blessed are the meek, for they shall inherit the earth,” I said to
-myself, and put on the pajamas.
-
-This insanitary director showed me my bed. It was in a long low room
-with all the windows closed, where half a score were asleep. The sheets
-had never, never, never been washed. Why was it that in a mission so
-shiny in its reading room, and so devout in its chapel, so melodramatic
-with its clean workman-boss, in the daytime, these things were so?
-
-The lights went out. I kicked off the pajamas and slept. I awoke at
-midnight and reflected on all these matters. I quoted another scripture
-to myself: “I was naked, and ye clothed me.”
-
-
-V
-
-THE HIGHWAY OF OUR GOD
-
-At six o’clock I was called for breakfast. My sulphur-smelling clothes
-were on my bed. I put them on with a light heart, for after all I had
-slept well, and my feet were not stiff. The quarter was still in my
-trousers’ pocket. I presume that hoodoo quarter had something to do
-with the bad breakfast.
-
-The Amphibian was now cook. He gave each man a soup-plate heaped with
-oat-meal. If it had been oats, it would have been food for so many
-horses. Had the Frog been up since four-thirty preparing this?
-
-The price of part of that horse-feed might have gone into something to
-eat. There was a salty blue sauce on it that was called milk. And there
-was dry bread to be had, without butter, and as much bad coffee as a
-man could drink.
-
-A person called the bookkeeper arrived with the janitor. I made my
-formal farewells to those representatives of the law, before whom the
-Amphibian melted with humility. The scalawag who had bathed with me
-tipped me a wink, and tried to escape in my company. But I bade him
-good-by so firmly that the authorities noticed, and the brash creature
-remained glued to his chair. He probably had to do his full share of
-kindling before he escaped.
-
-I went forth from that place into the highway of our God, who dwelleth
-not in temples made with hands, neither is worshipped with men’s hands,
-as though He needed anything, seeing He giveth to all men life and
-breath and all things.
-
-I said in my heart: “I shall walk on and on and find a better, a far
-holier shrine than this at the ends of the infinite earth.”
-
-
-
-
-THE TOWN OF AMERICAN VISIONS
-
-(Springfield, Illinois)
-
-
- IS it for naught that where the tired crowds see
- Only a place for trade, a teeming square,
- Doors of high portent open unto me
- Carved with great eagles, and with hawthorns rare?
-
- Doors I proclaim, for there are rooms forgot
- Ripened through æons by the good and wise:
- Walls set with Art’s own pearl and amethyst
- Angel-wrought hangings there, and heaven-hued dyes:--
-
- Dazzling the eye of faith, the hope-filled heart:
- Rooms rich in records of old deeds sublime:
- Books that hold garnered harvests of far lands,
- Pictures that tableau Man’s triumphant climb:
-
- Statues so white, so counterfeiting life,
- Bronze so ennobled, so with glory fraught
- That the tired eyes must weep with joy to see
- And the tired mind in Beauty’s net be caught.
-
- Come enter there, and meet To-morrow’s Man,
- Communing with him softly day by day.
- Ah, the deep vistas he reveals, the dream
- Of angel-bands in infinite array--
-
- Bright angel-bands, that dance in paths of earth
- When our despairs are gone, long overpast--
- When men and maidens give fair hearts to Christ
- And white streets flame in righteous peace at last.
-
-
-
-
-ON BEING ENTERTAINED ONE EVENING BY COLLEGE BOYS
-
-
-I WALKED across the bridge from New Jersey into Easton, Pennsylvania,
-one afternoon. I discovered there was a college atop of the hill. In
-exchange for a lecture on twenty-six great men[4] based on a poem on
-the same theme, that I carried with me, the boys entertained me that
-night. They did not pay much attention to the lecture. Immediately
-before and after was a yell carnival. There was to be a game next day.
-They were cheering the team and the coach with elaborate reiteration.
-All was astir.
-
-But for all this the boys spoke to me gently, gave me the privileges
-of the table, the bath-room, the dormitory. The president of the Y. M.
-C. A. lent me a clean suit of pajamas. He and two other young fellows
-delighted my vain soul, by keeping me up late reciting all the poems I
-knew.
-
-I record these things for the sake of recording one thing more, the
-extraordinary impression of buoyancy that came from that school. It was
-inspiring to a degree, a draught of the gods. Coming into that place
-not far from the centre of hard-faced Easton-town I realized for the
-first time what sheltered, nurtured boy-America was like, and what
-wonders may lie beneath the roofs of our cities.
-
-
-
-
-THAT WHICH MEN HAIL AS KING
-
-
- WOULD I might rouse the Cæsar in you all,
- (That which men hail as king, and bow them down)
- Till you are crowned, or you refuse the crown.
- Would I might wake the valor and the pride,
- The eagle soul with which he soared and died,
- Entering grandly then the fearful grave.
- God help us build the world, like master-men,
- God help us to be brave.
-
-
-
-
-NEAR SHICKSHINNY
-
-
-I
-
-LEAVING New Jersey I kept from all contact with money, and was
-consequently turning over in memory many delicious adventures among the
-Pennsylvania-German farmers. After crossing that lovely, lonely plateau
-called Pocono Mountain, I descended abruptly to Wilkesbarre by a length
-of steep automobile road called Giant Despair.
-
-It was a Sunday noon in May. Wilkesbarre was a mixture of Sabbath calm
-and the smoke of torment that ascendeth forever. One passed pious faces
-too clean, sooty faces too restless. I hurried through, hoping for
-more German farmers beyond. But King Coal had conspired against the
-traveller, and would not let him go. The further west I walked, the
-thicker the squalor and slag heaps, and the presence of St. Francis
-seemed withdrawn from me, though I had been faithful in my fashion.
-
-King Coal is a boaster. He says he furnishes food for all the engines
-of the earth. He says he is the maker of steam. He says steam is the
-twentieth century. He holds that an infinite number of black holes in
-the ground is a blessing.
-
-He may say what he likes, but he has not excused himself to me. He
-blasts the landscape. Never do human beings drink so hard to forget
-their sorrow as in the courtyards of this monarch. To dig in a mine
-makes men reckless, to own one makes them tormentors.
-
-I had a double reason for hurrying on. My rules as a mendicant afoot
-were against cities and railroads. I flattered myself I was called and
-sent to the agricultural laborer.
-
-When the land grew less black and less inhabited, I mistakenly
-rejoiced, assuming I should soon strike the valleys where grain is
-sown and garnered. Yet the King was following me still, like a great
-mole underground. There was no coal on the surface. The land was
-rusty-red and ashen-gray,--as though blasted by the torch of a Cyclops
-and only yesterday cooled by the rain. The best grain that could have
-been scattered among such rocks with the hope of a crop was a seed of
-dragons’ teeth.
-
-How long the desolation continued! Toward the end of the day in the
-midst of the nothingness, I came upon a saloon full of human creatures
-roaring drunk. Otherwise there was not so much as a shed in sight.
-
-Four vilely dirty little girls came down the steps carrying beer. One
-of them, too intoxicated for her errand, entrusted her can to her
-companions. They preceded me toward the smoke-veiled sun by a highway
-growing black again with the foot-prints of the King.
-
-Now there was a deafening explosion. I sat down on a rock examining
-myself to see if I was still alive. The children pattered on. My start
-seemed to amuse them immensely. I followed toward the new civil war, or
-whatever it was.
-
-Just over the crest and around the corner I encountered the King’s
-never-varying insignia, the double-row of “company houses.”
-
-Every dwelling was as eternally and uniformly damned as its neighbor,
-making the eyes ache, standing foursquare in the presence of the
-insulted daylight. Every porch and railing was jig-sawed in the same
-ruthless way. Every front yard was grassless. Everything was made of
-wood, yet seemed made of iron, so black it was, so long had it stood
-in the wasting weather, so steadily had it resisted the dynamite now
-shaking the earth.
-
-There they stood, thirty houses to the left, thirty to the right, with
-what you might call a street between, whose ruts were seemingly cut by
-the treasure-chariots of the brimstone princes of the nether world.
-
-Two-thirds of the way through, several young miners were exploding
-giant powder. As I approached I saw another was loading his pistol with
-ball-cartridges and shooting over the hills at the sun. He did not put
-it out.
-
-The group of children with the beer served these knights of dynamite,
-holding up the cans for them to drink. The little cup-bearers were then
-given pennies. They scurried home.
-
-By their eyes and queer speech I guessed that these children were
-Poles, or of some other race from Eastern Europe. I guessed the same
-about the men celebrating. Every porch on both sides of that street
-held some heavy headed creatures from presumably the same foreign
-parts. They were, no doubt, good citizens after their peculiar fashion,
-but with countenances that I could not read. Though the next explosion
-seemed to jolt the earth out of its orbit, they merely blinked.
-
-I said to myself, “This is not the fourth of July. Therefore it must
-be the anniversary of the day when ‘Freedom shrieked’ and ‘Kosciuszko
-fell.’”
-
-I reached the end of the street; nothing beyond but a hollow of hills
-and a dubious river, enclosing a new Tophet, that I learned afterwards
-was Shickshinny. It was late. I wanted to get beyond to the green
-fields.
-
-I zigzagged across that end of the street to folk on the front
-porches that I thought were Americans. Each time I vainly attempted
-conversation with some dumb John Sobieski in Sunday clothes. I wondered
-what were the Polish words for bread, shelter, and dead broke.
-
-
-II
-
-THE SON OF KING COAL
-
-Some spick and span people came out on the porch of the last house.
-Possibly they could understand English. I went closer. They were out
-and out Americans.
-
-So I looked them in the eye and said: “I would like to have you
-entertain me to-night. I am a sort of begging preacher. I do not take
-money, only food and lodging.”
-
-“A beggin’ preacher?”
-
-“My sermon is in poetry. I can read it to you after supper, if that
-will suit.”
-
-“What sort of poetry?” asked the man.
-
-“I can only say it is my own.”
-
-“Why I just LOVE poetry,” said the woman. “Come in.”
-
-“Come up,” said the man, and hustled out a chair.
-
-“I’ll go right in and get supper,” said the wife. She was a breezy
-creature with a loud musical voice. She doubtless developed it by
-trying to talk against giant powder.
-
-I told the man my story, in brief.
-
-After quite a smoke, he said, “So you’ve walked from Wilkesbarre this
-afternoon. Why, man, that’s seventeen miles.”
-
-I do not believe it was over fourteen.
-
-He continued, “I’m awful glad to see a white man. This place is full
-of Bohunks, and Slavs, and Rooshians, and Poles and Lickerishes
-(Lithuanians?). They’re not bad to have around, but they ain’t
-Cawcasians. They all talk Eyetalian.”
-
-The fellow’s manner breathed not only race-fraternity, but industrial
-fraternity. It had no suggestion of sheltered agricultural caution.
-It was sophisticated and anti-capitalistic. It said, “You and I are
-against the system. That’s enough for brotherhood.”
-
-Now that he stood and refilled his pipe from a tobacco box nailed just
-inside the door, I saw him as in a picture-frame. He had powerful but
-slanting shoulders. He was so tall he must needs stoop to avoid the
-lintel. With his bent neck, he looked as though he could hold up a mine
-caving in. His general outlines seemed to be hewn from fence-rails,
-then hung with grotesque muscles of loose leather. His eyebrows were
-grown together. From looking down long passageways his eyes were
-marvellously owl-like. He was cadaverous. He had a beak nose. He had
-a retreating chin but, breaking the rules of phrenology, he managed
-to convey the impression of a driving personality. He looked like an
-enormous pick-axe.
-
-He calmly commented: “Them Polacks waste powder awful. Not only on
-Sunday, for fun, but down in the mine they use twice too much. And
-they can’t blast the hardest coal, either.... And they’re always
-gettin’ careless and blowin’ themselves to hell and everybody else.
-It’s awful, it’s awful,” he said, but in a most philosophic tone.
-
-He lowered his voice and pointed with his pipe stem: “Them people
-that live in the next house are supposed to be Cawcasians, but they
-haven’t a marriage license. They let their little girl go for beer this
-afternoon, for them fellows explodin’ powder over there. ’Taint no way
-to raise a child. That child’s mother was a well-behaved Methodist till
-she married a Polack, and had four children, and he died, and they
-died, and some say she poisoned them all. Now she’s got this child by
-this no-account white man. They live without a license, like birds. Yet
-they eat off weddin’s.”
-
-“Eat off weddings?”
-
-“Yes,” he said. “These Bohunks and Lickerishes all have one kind of a
-wedding. It lasts three days and everybody comes. The best man is king.
-He bosses the plates.”
-
-“Bosses the plates?”
-
-“Yes. They buy a lot of cheap plates. Every man that comes must break
-a plate with a dollar. The plate is put in the middle of the floor.
-He stands over it and bangs the dollar down. If he breaks the plate
-he gets to kiss and hug the bride. If he doesn’t break it, the young
-couple get that dollar. He must keep on givin’ them dollars in this way
-till he breaks the plate. Eats and plates and beer cost about fifty
-dollars. The young folks clear about two hundred dollars to start life
-on.”
-
-“And,” he continued, “the folks next door make a practice of eatin’
-round at weddin’s without puttin’ down their dollars.”
-
-I began to feel guilty.
-
-“It’s a good deal like my begging supper and breakfast of you.” He
-hadn’t meant it that way. “No,” he said, “you’re takin’ the only way
-to see the country. Why, man, I used to travel like you, before I was
-married, except I didn’t take no book nor poetry nor nothin’, and
-wasn’t afeered of box-cars the way you are.... I been in every state in
-the Union but Maine. I don’t know how I kept out of there.... I’ve been
-nine years in this house. I don’t know but what I see as much as when I
-was on the go....
-
-“That fellow Gallic over there that was shootin’ that pistol at the
-sky killed a man named Bothweinis last year and got off free. It was
-Gallic’s wedding and Bothweinis brought fifty dollars and said he was
-goin’ to break all the plates in the house. He used up twelve dollars.
-He broke seven plates and kissed the bride seven times. Then the bride
-got drunk. She was only fifteen years old. She hunted up Bothweinis and
-kissed him and cried, and Gallic chased him down towards Shickshinny
-and tripped him up, and shot him in the mouth and in the eye.... The
-bride didn’t know no better.... He was an awful sight when they brought
-him in. The bride was only a kid. These Bohunk women never learn no
-sense anyway. They’re not smart like Cawcasian women, and they fade in
-the face quick.”
-
-He reflected: “My wife’s a wonderful woman. I have been with her nine
-years, and she learns me something every day, and she still looks good
-in her Sunday clothes.”
-
-He became lighter in tone again. “What these Bohunks need is a priest
-and a church to make them behave. They mind a priest some, if he is a
-good priest. They’re all Catholics, or no church....”
-
-“Seems though sometimes a man’s got to shoot. Some of them devils over
-there used to throw rocks at my door, but one Sunday I filled ’em
-full of buckshot and they quit. The justice upheld me. I didn’t have
-to pay no fine. They’ve been pretty good neighbors since, pretty good
-neighbors.”
-
-There was a sound as though the flagstones of eternity had been ripped
-up. He saw I didn’t like it and said consolingly, “They’ll stop and
-go to supper pretty soon. They eat too much to do anything but set,
-afterwards. They don’t have nothin’ to eat in the old country but raw
-turnips. Here they stuff themselves like toads. I don’t see how they
-save money the way they do. The mine owners squeeze the very life out
-of ’em and they wallow in beer. I’ve always made big money, but somehow
-never kept it. Me and my wife are spenders. But I ain’t afraid, for I
-am the only man on the street that can dig the hardest coal. I could
-dig my way out of hell with my pick, and by G---- once I did it, too.”
-
-The wife came to the door newly decked in an elaborate lace waist,
-torn, alas, at the shoulder. Husband was right. She looked good. She
-announced radiantly: “Come to supper.”
-
-Then she rushed down between the houses and shouted: “Jimmy and Frank,
-come here! What you doin’? Get down off that roof. What you doin’,
-associatin’ with them Polack children? What you doin’ with them
-switches?” Then she swore heartily, as unto the Lord, and continued,
-“They’re helpin’ them Polack kids switch that poor little drunk
-American child. Come down off that coal shed!”
-
-They slunk into sight. She snatched their switches from them.
-
-“Who started it?”
-
-Jimmy admitted he started it. He looked capable of starting most
-anything, good or bad. He had eyes like black diamonds, a stocky frame,
-and the tiny beginnings of his mother’s voice.
-
-“I don’t know whether to lick you or not,” she said judicially.
-Finally: “Go up to bed without supper.”
-
-Jimmy went.
-
-She addressed us in perfect good humor, as a musical volcano might:
-“Come and eat.”
-
-
-III
-
-THE DAUGHTER OF THE KING
-
-Never did I see beefsteak so thick. There was a garnish of fried
-onions. There was a separate sea of gravy. There was a hill of butter,
-a hill of thickly sliced bread. There was a delectable mountain of
-potatoes. That was all. These people were living the simple life,
-living it in chunks.
-
-At table, as everywhere, the husband solemnly deferred to the wife.
-She was to him a druid priestess. And so she was radiant, as woman
-enthroned is apt to be. Of course, no young lady from finishing school
-would have liked the way we tunnelled and blasted our way through the
-provender. We were gloriously hungry and our manners were a hearty
-confession of the fact.
-
-My passion for the joys of the table partially sated, I began to
-realize the room. There were hardly any of the comforts of home. There
-was a big onyx time-piece, chipped, and not running. Beside it was a
-dollar alarm-clock in good trim.
-
-There were in the next room, among other things, two frail gilt parlor
-chairs, almost black. The curtains were streaked with soot and poorly
-ironed. She said she had washed them yesterday. But, she continued, “I
-just keep cheerful, I don’t keep house. Doesn’t seem like I can, this
-street is so awful dirty and noisy and foreign.”
-
-“Yet you like it,” said the husband.
-
-“Yes,” she said, “that’s because I’m half Irish. The Irish were born
-for excitement.”
-
-“What’s _your_ ancestry?” I asked the husband.
-
-“My father was a mountain white. Moved here from North Carolina, and
-dug coal and married a Pennsylvania Dutch lady.”
-
-“It’s your turn,” she said to me. “You are a preacher?”
-
-“That’s a kind of an excuse I make.”
-
-“You can’t be any worse than the preacher we had here,” continued the
-wife. “He lived down toward Shickshinny. He preached in an old chapel.
-He wouldn’t start a Sunday school. We needed one bad enough. He just
-married folks. He hardly ever buried them. They say he was afraid.
-And,” she continued, with a growing tone of condemnation, “it’s a
-preacher’s BUSINESS to face death.
-
-“Just about the time two of our children died of diphtheria, was when
-he came to these parts. He was a Presbyterian, and I was raised a
-Presbyterian, and he wouldn’t preach the funeral of my two babies. He
-promised to come, and we waited two hours. So I just read the Bible at
-the grave.”
-
-This she recounted with a bitter sense of insult.
-
-“And the same day he locked up his mother, too.”
-
-“Locked up his mother?”
-
-“Yes. Some said he wanted to visit a woman he didn’t want her to know
-about. They said he was afraid she would follow him and spy. He locked
-up the old lady, and she about yelled the roof off, and the neighbors
-let her out.
-
-“And then,” continued my hostess, “when he was dying, he sent for a
-Wilkesbarre priest.”
-
-“Sent for a priest?” I exclaimed, completely mystified.
-
-“Yes,” she whispered. “He must have been a Catholic all the time. And
-the priest wouldn’t come either. _That’s what that old preacher got for
-being so mean._”
-
-She continued: “That preacher wasn’t much meaner than the man is in the
-company store.”
-
-She was bristling again.
-
-“He won’t deliver goods up here unless you run a big bill. If I want
-anything much while big Frank here is at work, I have to take Jimmy’s
-little play express-wagon and haul it up.”
-
-And now she was telling me of her terrible fright three days ago, down
-at the company store, when there was a rumor of an accident in one of
-the far tunnels of the mine.
-
-“All the foreign women came running down the hill, half-crazy. I am
-used to false alarms, but I could hardly get up to this house with my
-goods. I was expecting to see big Frank brought in, just like he was
-before little Frank was born, eight years ago.”
-
-Little Frank lifted his face from its business of eating to listen.
-
-“The first thing that boy ever saw was his father on the floor there,
-covered with blood.”
-
-“You don’t remember it, Frank?” asked his father, grinning.
-
-“Nope.”
-
-The wife continued: “There was only one doctor came. We had a time
-between us. The other doctor was tendin’ the men husband had dug out.
-The coal fell on them and mashed them flat. It couldn’t quite mash
-husband. He’s too tough,” she said, lovingly. “He grabbed his pick and
-he tunnelled his way through, with the blood squirting out of him.”
-
-Husband grinned like a petted child. He said: “It wasn’t quite as bad
-as that, but I was bloody, all right.”
-
-She continued with a gesture of impatience: “This is cheerful Sunday
-night talk. Let’s try something else. What kind of a poem are you goin’
-to read?”
-
-“It tells boys how to be great men, but it’s for fellows of from
-fifteen to twenty. You’ll have to save it for your sons till they grow
-a bit.”
-
-She was at the foot of the stairway like a flash.
-
-“Son, dress and come down to supper.”
-
-Son was down almost as soon as she was in her chair, pulling on a
-stocking as he came. And he was hungry. He ate while we talked on and
-on.
-
-
-IV
-
-THE GRANDSONS OF THE KING
-
-After the supper the dishes waited. The wife said: “Now we will have
-the poetry.” I said in my heart, “Maybe this is the one house in a
-hundred where the seed of these verses will be sown upon good ground.”
-
-We went into the parlor, distinguished as such by the battered organ.
-The mother had Frank and Jimmy sit in semicircle with her and big
-Frank, while I plunged into my rhymed appeal. After the dynamite of the
-day I did not hesitate to let loose the thunders. I did not hesitate to
-pause and expound:--the poem being, as I have before described, many
-stanzas on heroes of history, with the refrain, ever and anon: _God
-help us to be brave._ No, kind and flattering reader, it was not above
-their heads. Earnestness is earnestness everywhere. The whole circle
-grasped that I really expected something unusual of those boys with the
-black-diamond eyes, no matter what kind of perversity was in them at
-present.
-
-I said, in so many words, as a beginning, that nitro-glycerine was not
-the only force in the world, that there is also that dynamite called
-the power of the soul, and that detonation called fame.
-
-But I did not dwell long upon my special saints, Francis of Assisi
-and Buddha, nor those other favorites who some folk think contradict
-them: Phidias and Michael Angelo. I dwelt on the strong: Alexander,
-Cæsar, Mohammed, Cromwell, Napoleon, and especially upon the lawgivers,
-Confucius, Moses, Justinian; and dreamed that this ungoverned strength
-before me, that had sprung from the loins of King Coal, might some day
-climb high, that these little wriggling, dirty-fisted grandsons of
-that monarch might yet make the world some princely reparation for his
-crimes.
-
-After the reading the mother and father said solemnly, “it is a good
-book.”
-
-Then the wife showed the other two pieces of printed matter in the
-household, a volume of sermons, and a copy of _The House of a Thousand
-Candles_. You have read that work about the candles. The sermons were
-by the Reverend Wood M. Smithers. You do not know the Reverend Mister
-Smithers? He has collected in one fair volume all the sermons that ever
-put you to sleep, an anthology of all those discourses that are just
-alike.
-
-She said she had read them over and over again to the family. I
-believed it. There was butter on the page. I said in my heart: “She is
-not to be baffled by any phraseology. If she can get a kernel out of
-Wood M. Smithers, she will also derive strength from my rhyme.”
-
-She promised she would have each of the boys pick out one of the
-twenty-six great men for a model, as soon as they were schooled enough
-to choose. She put the poem in the kitchen table drawer, where she kept
-some photographs of close relatives, and I had the final evidence that
-I had become an integral part of the family tradition.
-
-
-V
-
-ON TO SHICKSHINNY
-
-They sent me up to bed. I put out the lamp at once, lest I should see
-too much. I went to sleep quickly. I was as quickly awakened. Being a
-man of strategies and divertisements, I reached through the blackness
-to the lamp that was covered with leaked oil. I rubbed this on my
-hands, and thence, thinly over my whole body. Coal oil too thick makes
-blisters; thin enough, brings peace.
-
-I remember breakfast as a thing apart. Although the table held only
-what we had for supper, warmed over, although the morning light was
-grey, and the room the worse for the grey light, the thing I cannot
-help remembering was the stillness and tenderness of that time.
-Father and mother spoke in subdued human voices. They had not yet had
-occasion to shout against the alarums and excursions of the day. And
-the sensitive faces of the boys, and the half-demon, half-angel light
-of their eyes stirred me with marvelling and reverence for the curious,
-protean ways of God.
-
-And now I was walking down the steeps of Avernus into Shickshinny,
-toward the smoke of torment that ascends forever. Underfoot was spread
-the same dark leprosy that yesterday had stunted flower and fruit and
-grass-blade.
-
-I hated King Coal still, but not so much as of yore.
-
-
-
-
-WHAT THE SEXTON SAID
-
-
- YOUR dust will be upon the wind
- Within some certain years,
- Though you be sealed in lead to-day
- Amid the country’s tears.
-
- When this idyllic churchyard
- Becomes the heart of town,
- The place to build garage or inn,
- They’ll throw your tombstone down.
-
- Your name so dim, so long outworn,
- Your bones so near to earth,
- Your sturdy kindred dead and gone,
- How should men know your worth?
-
- So read upon the runic moon
- Man’s epitaph, deep-writ.
- It says the world is one great grave.
- For names it cares no whit.
-
- It tells the folk to live in peace,
- And still, in peace, to die.
- At least, so speaks the moon to me,
- The tombstone of the sky.
-
-
-
-
-DEATH, THE DEVIL, AND HUMAN KINDNESS
-
-THE SHRED OF AN ALLEGORY
-
-
-I
-
-THE UNDERTAKER
-
-CURIOUS are the agencies that throw the true believer into the
-occult state. Convalescence may do it. Acts of piety may do it.
-Self-mortification may do it.
-
-After reading my evening sermon in rhyme in the house of the stranger,
-I had slept on the lounge in the parlor. The lounge had lost some of
-its excelsior, and the springs wound their way upwards like steel
-serpents. So strenuous had been the day I could have slumbered
-peacefully on a Hindu bed of spikes.
-
-I awoke refreshed, despite several honorable scars. What is more
-important I left that house with faculties of discernment.
-
-I did not realize at first that I was particularly spiritualized. I
-was merely walking west, hoping to take in Oil City on my route. Yet I
-saw straight through the bark of a big maple, and beheld the loveliest
-... but I have not time to tell.
-
-Then I heard a fluttering in a patch of tall weeds and discovered what
-the people in fairyland call ... but no matter. We must hurry on.
-
-At noon your servant was on the front step of a store near a
-cross-roads called Cranberry, Pennsylvania. The store was on the south
-side of the way by which I had come. I sat looking along wagon tracks
-leading north, little suspecting I should take that route soon.
-
-On one side overhead was the sign: “Fred James, Undertaker.” On the
-other: “Fred James, Grocer.”
-
-“_And so_,” I thought, “_I am going to meet, face to face, one of the
-eternal powers._ He may call himself Fred James all he pleases. His
-real name is Death.”
-
-I met the lady Life, once upon a time, long ago. She had innocent blue
-eyes. Alone in the field I felt free to kiss the palm of her little
-hand, under the shadow of the corn.
-
-It has nothing to do with the tale, but let us here reflect how the
-corn-stalk is a proud thing, how it flourishes its dangerous blades,
-guarding the young ear. It will cut you on the forehead if the wind is
-high. Above the blades is the sacred tassel like a flame.
-
-Once, under that tassel, under those dangerous blades, I met Life, and
-for good reason, bade her good-by. After her solemn words of parting,
-she called me back, and mischievously fed me, from the pocket of her
-gingham apron, crab apples and cranberries. Ever since that time those
-fruits have been bitter delights to my superstitious fancy.
-
-And here I was at CRANBERRY cross-roads, with a funeral director’s sign
-over my head. A long five minutes I meditated on the mystery of Life
-and Death and cranberries. A fat chicken, apparently meditating on the
-same mystery, kept walking up and down, catching gnats.
-
-At length it was revealed to me that when things have their proper
-rhythm Life and Death are interwoven, like willows plaited for a
-basket. Somewhat later in the afternoon I speculated that when times
-are out of joint, it is because Death reigns without Life for a
-partner, with the assistance of the Devil rather. But do not remember
-this. It anticipates the plot.
-
-One does not hasten into the presence of the undertaker. One rather
-waits. HE was coming. I did not look round. Even at noon he cast a
-considerable shadow.
-
-The shadow dwindled as he sat on the same step and asked: “What road
-have you come?” His non-partisan drawl was the result, we will suppose,
-of not knowing which side of the store the new customer approached.
-
-“I came from over there. I have been walking since sunrise.”
-
-He had some account of my adventures, and my point of view as a
-religious mendicant. I knew I would have to ask the further road of
-him, but disliked the necessity. He waited patiently while I watched my
-friend, the fat chicken, explore an empty, dirty, bottomless basket for
-flies.
-
-“I want to go west by way of Oil City,” I finally said.
-
-He answered: “Oil City is reached by the north road, straight in front
-of you as you sit. It is about an hour’s walk to the edge of it. It is
-a sort of trap in the mountains. When you get in sight of it, _keep on
-going down_.” This he said very solemnly.
-
-He put his hand on my shoulder: “Come in and rest and eat first. It
-won’t cost you a cent.”
-
-I was hungry enough to eat a coffin handle, and so I looked at him and
-extended my hand. He was a handsome chap, with a grey mustache. His
-black coat was buttoned high. He was extra neat for a country merchant,
-and chewed his tobacco surreptitiously. His face was not so bony and
-stern as you might think.
-
-I gave him an odd copy of the _Tree of Laughing Bells_, still
-remaining by me. He looked at the outside long, doing the cover more
-than justice. Then he opened it, with a certain air of delicate
-appreciation. I urged him to postpone reading the thing till I was gone.
-
-His store was high and long and narrow and cool. There was a counter
-to the west, a counter to the east. Behind the western one were tall
-coffin cupboards. As he proudly opened and shut them, one could not but
-notice the length of his fingers and their dexterity. He showed plain
-coffins and splendid coffins. He unscrewed the lid of one, that I might
-see the silky cushions within. They looked easier than last night’s
-lounge.
-
-As he stepped across what might be called the international date line
-of the store, and entered the hemisphere of groceries, he began to look
-as though he would indulge in a merry quip. A faint flush came to his
-white countenance, that shone among the multi-colored packages.
-
-Before us were the supplies of a rural general store, from the kitchen
-mop to the blue parlor vase. Hanging from the ceiling was an array of
-the flamboyant varnished posters of the seedsmen, with pictures of cut
-watermelons, blood-red, and portraits of beets, cabbages, pumpkins.
-
-I read his home-made sign aloud: “I guarantee every seed in the store.
-Pansy seeds a specialty.”
-
-“Not that they all grow,” he explained. “But the guarantee keeps up
-the confidence of the customers. I have made more off of vegetable and
-flower seeds this year than caskets.”
-
-He pulled out a chip plate and fed me with dried beef, sliced thin.
-
-He smiled broadly, and set down a jar. The merry quip had arrived.
-
-“Why,” he asked, “is a stick of candy like a race-horse?”
-
-I remained silent, but looked anxious to know. Delighted with himself,
-he gave the ancient answer, and with it several sticks of candy. Kind
-reader, if you do not know the answer to the riddle, ask your neighbor.
-
-There was no end of sweets. He skilfully sliced fresh bread, and
-spread it with butter and thick honey-comb. With much self-approval he
-insisted on crowding my pockets with supper.
-
-“Nobody knows how they will treat you around Oil City. _I go often, but
-never for pleasure. Only on funeral business._”
-
-He gave me pocketfuls of the little animal crackers, so daintily cut
-out, that used to delight all of us as children. Since he insisted I
-take something more, I took figs and dates.
-
-He held up an animal cracker, shaped like a cow, and asked: “When was
-beefsteak the highest?” I ventured to give the answer.
-
-Death is not a bad fellow. Let no man cross his grey front stoop with
-misgiving. The honey he serves is made by noble bees. Yet do not go
-seeking him out. No doubt his acquaintance is most worth while when it
-is casual, unexpected, one of the natural accidents. And he does not
-always ask such simple riddles.
-
-
-II
-
-THE TRAP WITHOUT THE BAIT
-
-It was about two o’clock when the north road left the cornfields and
-reached the hill crests above the city. How the highway descended
-over cliffs and retraced itself on ridges and wound into hollows to
-get to the streets! At the foot of the first incline I met a lame cat
-creeping, panic-stricken, out of town.
-
-Oil City is an ugly, confused kind of place. There are thousands like
-it in the United States.
-
-I reached the post-office at last. _There was no letter for me at the
-general delivery. I was expecting a missive._ And now my blistered
-heels, and my breaking the rule to avoid the towns, and my detour of
-half a day were all in vain.
-
-Oil City, in her better suburbs, as a collection of worthy families in
-comfortable homes, may have much to say for herself. But as a corporate
-soul she has no excuse. The dominant, shoddy architecture is as
-eloquent as the red nose of a drunkard. I do not need to take pains to
-work her into my allegory. The name she has chosen makes her a symbol.
-No doubt others reach the very heart of her only to find it empty as
-the post-office was to me. Baffling as this may be, there is another
-risk. Escape is not easy.
-
-Almost out of town at last, I sat down by the fence, determined not to
-stir till morning. I said, “I can sleep with my back against this post.”
-
-I had just overtaken the lame cat, and she now moved past me over the
-ridge to the cornfields. She seemed most unhappy. I looked back to that
-oil metropolis. _I wondered how many had lived and died there when they
-would have preferred some other place._
-
-
-III
-
-A MYSTERIOUS DRIVER
-
-A fat Italian came by in a heavily-tired wagon. The wagon was loaded
-with green bananas. The fruit-vendor stopped and looked me over. He
-most demonstratively offered me a seat beside him. He had a Benvenuto
-Cellini leer. He wore one gold earring. He looked like the social
-secretary of the Black Hand.
-
-He was apparently driving on into the country. Therefore I suffered
-myself to be pulled up on to the seat. Around the corner we came to
-green fields and bushes, and I thanked the good St. Francis and all his
-holy company.
-
-I said to my charioteer: “As soon as you get a mile out, let me down. I
-do not want to get near any more towns for awhile.”
-
-“Allaright,” he said. On his wrist was tattooed a blue dagger. The
-first thing he did was unmerciful. He went a yard out of his way to
-drive over the lame cat which had stopped in despair, just ahead of us.
-Pussy died without a shriek. Then the cruel one, gathering by my manner
-that I was not pleased with this incident, created a diversion. He
-reproved his horse for not hurrying. It was not so much a curse as an
-Italian oration. The poor animal tried to respond, but hobbled so, his
-master surprised me by checking the gait to a walk. Then he cooed to
-the horse like a two hundred pound turtledove.
-
-In a previous incarnation this driver must have been one of the lower
-animals, he had so many dealings with such. Some rocks half the size
-of base-balls were piled at his feet. A ferocious dog shot out from a
-cottage doorway. With lightning action he hurled the ammunition at the
-offender. The beast retreated weeping aloud from pain. And Mr. Cellini
-showed his teeth with delight.
-
-And now, after passing several pleasant farm-houses, where I ran a
-chance for a free lodging for the asking, I was vexed to be suddenly
-driven into a town. We hobbled, rattled on, into a wilderness thicker
-every minute with fire-spouting smoke-stacks.
-
-“This ees Franklin,” said my charioteer. “Nice-a-town. _MY_ town,” he
-added earnestly. “I getta reech (rich) to-morrow.”
-
-He began to cross-examine the writer of this tale. I counselled myself
-not to give my name and address, lest I be held for ransom.
-
-After many harmless inquiries, he asked in a would-be ingratiating
-manner, “Poppa reech?”
-
-“No. Poor.”
-
-“Poppa verra reech?”
-
-“No. Awfully poor. But happy and contented.”
-
-“Where your Poppa leeve?”
-
-“My father is the Man in the Moon.”
-
-That answer changed him completely. I seemed to have given the
-password. I had joined whatever it was he belonged to. He gave me three
-oranges as a sign.
-
-I had hoped we would drive past the smoke and fire. But he turned at
-right angles, into the midst of it, and drove into a big black barn. He
-waved me good-by in the courtliest manner, as though he were somebody
-important, and I were somebody important.
-
-Pretty soon I asked a passer-by the nearest way to the suburbs. I
-had to walk on the edges of my feet they were so tired. The street
-he pointed out to me was nothing but a continuation of tar-black,
-coughing, out-of-door ovens, side by side, shoulder to shoulder, on to
-the crack of doom. I presume, in the language of this vain world, they
-were coke ovens.
-
-I opened my eyes as little as possible and breathed hardly at all.
-Then, by way of diversion, I nibbled animal crackers, first a dog, then
-a giraffe, then a hippopotamus, then an elephant.
-
-Those ovens looked queerer as the street led on. There were subtle
-essences abroad when the smoke cleared away, and when the great roar
-ceased there were vague sounds that struck awe into the heart. I may be
-mistaken, but I think I know the odor of a burning ghost on the late
-afternoon wind, and the puffing noise he makes.
-
-As the cinders crunched, crunched, underfoot, the conviction deepened:
-“These ovens are not mere works of man. Dying sinners snared and
-corrupted by Oil City are carried here when the city has done its
-work--carried in the wagon of Apollyon, under bunches of green bananas.
-Body and soul they are disintegrated by the venomous oil; they crumble
-away in the town of oil, and here in the town of ovens, the fragments
-are burned with unquenchable fire.”
-
-Now it was seven o’clock. The street led south past the aristocratic
-suburbs of Franklin, and on to the fields and dandelion-starred
-roadside.
-
-
-IV
-
-THE ALLEGORY BREAKS DOWN. MY FRIEND HUMANKINDNESS WITH THE GREEN
-GALLUSES
-
-I hoped for a farm-hand’s house. Only in that sort will they give free
-lodging so near town. And, friends, I found it, there on the edge of
-the second cornfield. The welcome was unhesitating.
-
-I looked at my host aghast. To satisfy my sense of the formal, he
-should have had the dignity to make him Father Adam, and lord of
-Paradise. How could one round out a day that began loftily with Death,
-and continued gloriously with some one mighty like the Devil, with this
-inglorious type now before me? He wrecked my allegory. There is no
-climax in Stupidity.
-
-Just as the colorless, one-room house had stove, chimney, cupboard,
-adequate roof, floor, and walls, so the owner had the simplified,
-anatomical, and phrenological make-up of a man. He had a luke-warm
-hand-clasp. He smoked a Pittsburg stogy. He had thick vague features
-and a shock of drab hair. The nearest to a symbol about him was his new
-green galluses. I suppose they indicated I was out in the fields again.
-
-If his name was not Stupidity, it was Awkwardness. He kept a sick
-geranium in an old tomato can in the window. He had not cut off the
-bent-back cover of the can. Just after he gave me a seat he scratched
-his hand, as he was watering the flower, and swore softly.
-
-Yet one must not abuse his host. I hasten to acknowledge his generous
-hospitality. If it be not indelicate to mention it, he boiled much
-water, and properly diluted it with cold, that the traveller might
-bathe. The bath was accomplished out of doors beneath the shades of
-evening.
-
-Later he was making preparations for supper, with dull eyes that looked
-nowhere. He made sure I fitted my chair. He put an old comfort over it.
-It was well. The chair was not naturally comfortable; it was partly a
-box.
-
-After much fumbling about, he brought some baked potatoes from the
-oven. The plate was so hot he dropped it, but so thick it would not
-break.
-
-He picked up the potatoes, as good as ever, and broke some open for
-me, spreading them with tolerable butter, and handing them across the
-table. Then I started to eat.
-
-“Wait a minute,” he said. He bowed his head, closed his dull eyes, and
-uttered these words: “The Lord make us truly thankful for what we are
-about to receive. Amen.”
-
-I have been reproved by some of the judicious for putting so much food
-in these narratives. Nevertheless the first warm potato tasted like
-peacocks’ tongues, the next like venison, and the next like ambrosia,
-and the next like a good warm potato with butter on it. One might as
-well leave Juliet out of Verona as food like this out of a road-story.
-As we ate we hinted to each other of our many ups and downs. He mumbled
-along, telling his tale. He did not care whether he heard mine or not.
-
-He had been born nearby. In early manhood he had been taken with the
-oil fever. It happened in this wise:--He had cut his foot splitting
-kindling. Meditating ambition as he slowly recovered, he resolved
-to go to town. He sold his small farm and wasted his substance in
-speculation. At the same time his young wife and only child died
-of typhoid fever. He was a laborer awhile in the two cities to the
-northeast. Then he came back here to plough corn.
-
-He had been saving for two years, had made money enough to go back
-“pretty soon” and enter what he considered a sure-thing scheme, that I
-gathered had a close relation to the oil business. He said that he had
-learned from experience to sift the good from the bad in that realm of
-commerce.
-
-He put brakes on the slow freight train of his narrative. “I was about
-to explain, when you ast to come in, that I don’t afford dessert to my
-meals often.”
-
-“If you will excuse me,” I said, emptying my pockets, “these figs,
-these dates, these oranges, these animal crackers were given me by
-Death, and the Devil. Eat hearty.”
-
-“Death and the Devil. What kind are they?”
-
-“They’re not a bad sort. Death gave me honey for dinner, and the Devil
-did no worse than drive me a little out of my way.”
-
-He smiled vaguely. He thought it was a joke, and was too interested in
-the food itself to ask any more questions.
-
-The balmy smokeless wind from the south was whistling, whistling past
-the window, and through the field. How much one can understand by
-mere whispers! The wind cried, “Life, life, life!” Some of the young
-corn was brushing the walls of the cottage, and armies on armies of
-young corn were bivouacing further down the road, lifting their sacred
-tassels toward the stars.
-
-There was no change in the expression of the countenance of my host,
-eating, talking, or sitting still in the presence of the night. I may
-have had too poor an estimate of his powers, but I preached no sermon
-that evening.
-
-But, like many a primitive man I have met, he preached me a sermon. He
-had no bed. He gave the traveller a place to sleep in one corner and
-himself slept in the opposite corner. The floor was smooth and clean
-and white, and the many scraps of rag-carpet and the clean comfort over
-me were a part of the sermon. Another part was in his question before
-he slept: “Does the air from that open window bother you?”
-
-I assured him I wanted all there was, though from the edge of the world.
-
-He had awkwardly folded his new overcoat, and put it under my
-head.... And so I was beginning to change his name from Stupidity and
-Awkwardness to Humankindness.
-
-Though in five minutes he was snoring like Sousa’s band, I could not
-but sleep. When I awoke the sun was in my eyes. It shone through the
-open door. Mr. Humankindness was up. The smell of baked potatoes was in
-the air. Outside, rustled the com. The wind cried, “Life, life, life.”
-
-
-
-
-LIFE TRANSCENDENT
-
-This being the name of praise given to a fair lady.
-
-
- I USED to think, when the corn was blowing,
- Of my lost lady, _Life Transcendent_,
- Of her valiant way, of her pride resplendent:
- For the corn swayed round, like her warrior-band
- When I knelt by the blades to kiss her hand.
- But now the green of the corn is going,
- And winter comes and a springtime sowing
- Of other grain, on the plains we knew.
- So I walk on air, where the clouds are blowing,
- And kiss her hand, where the gods are sowing
- Stars for corn, in the star-fields new.
-
-
-
-
-IN THE IMMACULATE CONCEPTION CHURCH
-
-
- HUNTED by friends who think that life is play,
- Shaken by holy loves, more feared than foes,
- By beauty’s amber cup, that overflows,
- And pride of place, that leads me more astray:--
-
- Here I renew my vows, and this chief vow--
- To seek each year this shrine of deathless power,
- Keeping my springtime cornland thoughts in flower,
- While labor-gnarled grey Christians round me bow.
-
- Arm me against great towns, strong spirits old!
- St. Francis keep me road-worn, music-fed.
- Help me to look upon the poor-house bed
- As a most fitting death, more dear than gold.
-
- Help me to seek the sunburned groups afield,
- The iron folk, the pioneers free-born.
- Make me to voice the tall men in the corn.
- Let boyhood’s wildflower days a bright fruit yield.
-
- Scourge me, a slave that brings unhallowed praise
- To you, stern Virgin in this church so sweet
- If I desert the ways wherein my feet
- Were set by Heaven, in prenatal days.
-
-
-
-
-THE OLD GENTLEMAN WITH THE LANTERN (AND THE PEOPLE OF HIS HOUSEHOLD)
-
-
-I
-
-THE SAVAGE NECKLACE
-
-THE reader need not expect this book to contain any nicely adjusted
-plot with a villain, hero, lawyer, papers, surprise, and happy ending.
-The highway is irrelevant. The highway is slipshod. The highway is as
-the necklace of a gipsy or an Indian, a savage string of pebbles and
-precious stones, no two alike, with an occasional trumpery suspender
-button or peach seed. Every diamond is in the rough.
-
-I was walking between rugged farms on the edge of the oil country in
-western Pennsylvania.
-
-The road, almost dry after several days of rain, was gay with
-butterfly-haunted puddles. The grotesque swain who gave me a lift in
-his automobile for a mile is worth a page, but we will only say that
-his photograph would have contributed to the gaiety of nations--that
-he was the carved peach-stone on the necklace of the day.
-
-There was a complacent cat in a doorway, that should have been named
-“scrambled eggs and milk,” so mongrel was his overcoat. There was a
-philosophic grasshopper reading inscriptions in a lonely cemetery, with
-whom I had a long and silent interchange of spirit. Even the graveyard
-was full of sun.
-
-On and on led the merry morning. At length came noon, and a meal given
-with heartiness, as easily plucked as a red apple. For half an hour
-after dinner in that big farm-house we sat and talked religion.
-
-O pagan in the cities, the brand of one’s belief is still important
-in the hayfield. I was delighted to discover this household held by
-conviction to the brotherhood of which I was still a nominal member.
-Their lingo was a taste of home. “Our People,” “Our Plea,” “The pious
-unimmersed.” Thus did they lead themselves into paths of solemnity.
-
-Then, in the last five minutes of my stay, I gave them my poem-sermon.
-The pamphlet made them stare, if it did not make them think.
-
-Splendor after splendor rolled in upon the highway from the four
-corners at heaven. Why then should I complain, if about four o’clock
-the prosy old world emerged again?
-
-The wagon-track now followed a section of the Pennsylvania railroad,
-and railroads are anathema in my eyes when I am afoot. There appeared
-no promising way of escape. And now the steel rails led into a region
-where there had been rain, even this morning. More than once I had to
-take to the ties to go on. When the mud was at all passable I walked in
-it by preference, fortifying myself with these philosophizings:--
-
-“Cinders are sterile. They blast man and nature, but the black earth
-renews all. Mud upon the shoes is not a contamination but a sign of
-progress, eloquent as sweat upon the brow. Who knows but the feet are
-the roots of a man? Who knows but rain on the road may help him to
-grow? Maybe the stature and breadth of farmers is due to their walking
-behind the plough in the damp soil. Only an aviator or a bird has a
-right to spurn the ground. All the rest of us must furrow our way. Thus
-will our cores be enriched, thus will we give fruit after our kind.”
-
-Whistling pretty hard, I made my way. And now I had to choose between
-my rule to flee from the railroad, and my rule to ask for hospitality
-before dark.
-
-At length I said to myself: “I want to get into a big unsophisticated
-house, the kind that is removed from this railroad. I want to find an
-unprejudiced host who will listen with an open mind, and let me talk
-him to death.”
-
-To keep this resolve I had to hang on till near eight o’clock. The
-cloudy night made the way dim. At length I came to a road that had been
-so often graded and dragged it shed water like a turtle’s shell. It
-crossed the railway at right angles and ploughed north. I followed it
-a mile, shaking the heaviest mud from my shoes. Led by the light of a
-lantern, I approached a dim grey farm-house and what would have been in
-the daytime a red barn.
-
-
-II
-
-BY THE LIGHT OF THE LANTERN
-
-The lantern was carried, as I finally discovered, by an old man getting
-a basket of chips near the barn gate. He had his eye on me as I leaned
-over the fence. He swung the lantern closer.
-
-“My name is Nicholas,” I said. “I am a professional tramp.”
-
-“W-e-l-l,” he said slowly, in question, and then in exclamation.
-
-He flashed the lantern in my face. “Come in,” he said. “Sit down.”
-
-We were together on the chip-pile. He did not ask me to split kindling,
-or saw wood. Few people ever do.
-
-In appearance he was the old John G. Whittier type of educated
-laboring-man, only more eagle-like. He spoke to me in a kingly
-prophetic manner, developed, I have no doubt, by a lifetime of
-unquestioned predominance at prayer-meeting and at the communion table.
-It was the sonorous agricultural holy tone that is the particular
-aversion of a certain pagan type of city radical who does not
-understand that the meeting-house is the very rock of the agricultural
-social system. As far as I am concerned, if this manner be worn by a
-kindly old man, it inspires me with respect and delight. In a slow and
-gracious way he separated his syllables.
-
-“Young man, you are per-fect-ly wel-come to shel-ter if we are on-ly
-sure you will not do us an in-ju-ry. My age and ex-per-ience ought to
-count for a lit-tle, and I assure you that most free travel-ers abuse
-hos-pi-tal-ity. But wait till my daugh-ter-in-law comes.”
-
-I was shivering with weariness, and my wet feet wanted to get to a
-stove at once. I did not feel so much like talking some one to death as
-I had a while back.
-
-By way of passing the time, the Patriarch showed me his cane.
-“Pre-sen-ted at the last old set-tel-ers’ picnic because I have been
-the pres-i-dent of the old-settlers’ association for ten years. Young
-man, why don’t you carry a cane?”
-
-“Why should I?”
-
-“Won’t it help you to keep off dogs?”
-
-I replied, “A housekeeper, if she is in a nervous condition, is apt
-to be afraid of a walking-stick. It looks like a club. To carry
-something to keep off dogs is like carrying a lightning-rod to keep off
-lightning. I encounter a lot of barking and thunder, but have never
-been bitten or blasted.”
-
-And while I was thus laboring for the respect of the Patriarch, the
-daughter-in-law stepped into the golden circle of the lantern light.
-She had just come from the milking. I shall never forget those bashful
-gleaming eyes, peering out from the sunbonnet. Her sleeves were rolled
-to the shoulder. Startling indeed were those arms, as white as the
-foaming milk.
-
-She set down the bucket with a big sigh of relaxation. She pushed back
-the sunbonnet to get a better look. The old man addressed her in an
-authoritative and confident way, as though she were a mere adjunct, a
-part of his hospitality.
-
-“Daugh-ter, here is a good young man--he Looks like a good young man,
-I think a stew-dent. You see he has books in his pock-et. He wants a
-night’s lodging. Now, if he _is_ a good young man, I think we can give
-him the bed in the spare room, and if he is a bad young man, I think
-there is enough rope in the barn to hang him before daylight.”
-
-“Yes, you can stay,” she said brightly. “Have you had supper?”
-
-It is one of the obligations of the road to tell the whole truth. But
-in this case I lied. The woman was working too late.
-
-“Oh yes, I’ve had supper,” I said.
-
-And she carried the milk into the darkness.
-
-In the city, among people having the status indicated by the big red
-barn and the enormous wind-mill and a most substantial fence, this
-gleaming woman would have languished in shelter. She would have played
-at many philanthropies, or gone to many study clubs or have had many
-lovers. She would have been variously adventurous according to her
-corner of the town. Here her paramour was WORK. He still caressed her,
-but would some day break her on the wheel.
-
-The old man sent me toward the front porch alone. There was a rolling
-back of the low gray clouds just then, and the coming of the moon. The
-moon’s moods are so many. To-night she took the forlornness out of the
-restless sky. She looked domestic as the lantern.
-
-
-III
-
-YOU OUGHT TO BE ASHAMED OF YOURSELF
-
-I was on the porch, scraping an acquaintance with the grandmother. She
-held a baby in her lap. They sat in the crossing of the moonlight and
-the lamplight.
-
-There was no one to explain me. I explained myself. She eyed me
-angrily. She did not want me to shake hands with the baby. She asked
-concerning her daughter-in-law.
-
-“And did she say you could stay?”
-
-“She did.”
-
-The grandmother brought a hard fist down on the arm of the chair: “I’d
-like to break her neck. She’s no more backbone than a rabbit.”
-
-I do not distinctly remember any bitter old man I have met in my
-travels. She was the third bitter old woman. Probably with the same
-general experiences as her husband, she had digested them differently.
-She was on the shelf, but made for efficiency and she was not run down.
-
-In her youth her hair was probably red. Though she was plainly an old
-woman, it was the brown of middle age with only a few streaks of gray.
-Under her roughness there were touches of a truly cultured accent and
-manner. I would have said that in youth she had had what they call
-opportunities.
-
-I asked: “Isn’t the moon fine to-night?”
-
-She replied: “Why don’t you go to work?”
-
-I answered: “I asked for work in the big city till I was worn to a
-thread. And you are the first person who has urged it on me since I
-took to tramping. I wonder why no one ever thought of it before.”
-
-She smiled grudgingly.
-
-“What kind of work did you try to do in the city?”
-
-“I wanted to paint rainbows and gild sidewalks and blow bubbles for a
-living. But no one wanted me to. It is about all I am fit for.”
-
-“Don’t talk nonsense to me, young man!”
-
-“Pardon me, leddy--I am a writer of rhymes.”
-
-“The nation’s going to the dogs,” she said. I suppose I was the
-principal symptom of national decay.
-
-Just then a happy voice called through the house, “Come to supper.”
-
-“That’s for you,” said the grandmother. “You ought to be ashamed of
-yourself.”
-
-
-IV
-
-GRETCHEN-CECILIA, WAITRESS
-
-I went in the direction of the voice, delighted, not ashamed. There, in
-that most cleanly kitchen, stood the white-armed milkmaid, with cheeks
-of geranium red. She had spread a table before me in the presence of
-mine enemy. I said: “I did not ask for supper. I told you I had eaten.”
-
-“Oh, I knew you were hungry. Wait on him, Gretchen-Cecilia.”
-
-My hostess scurried into the other room. She was in a glorious mood
-over something with which I had nothing to do.
-
-Gretchen-Cecilia came out of the pantry and poured me a glass of warm
-milk. I looked at her, and my destiny was sealed forevermore--at least
-for an hour or so. The sight of her brought the tears to my eyes.
-
-I know you are saying: “Beware of the man with tears in his eyes.”
-Yes, I too have seen weeping exhibitions. I remember a certain pious
-exhorter. The collection followed soon. And I used to hear an actor
-brag about the way he wept when he looked upon a certain ladylike
-actress whom we all adore. He vividly pictured himself with a
-handkerchief to his devoted cheeks, waiting in the wings for his cue.
-He had belladonna eyes. At the risk of being classed with such folk, I
-reaffirm that I was a little weepy. I insist it was not gratitude for
-a sudden square meal--if truth be told, I have had many such--it was
-the novel Gretchen-Cecilia.
-
-It took little conversation to show that Gretchen-Cecilia was a
-privileged character. She had little of the touch of the farm upon
-her. She was the spoiled pet of the house, and the index of their
-prosperity--what novelists call the third generation. She had a way of
-lifting her chin and shoving her fists deep into her apron pockets.
-
-I said: “I have a fairy-tale to read to you after supper.”
-
-And she said: “I like fairy-tales.” And then, redundantly: “I like
-stories about fairies. Fairy stories are nice.”
-
-It was no little pleasure to eat after nine hours doing without, and
-to dwell on beauty such as this after so many days of absence from the
-museums of art and the curio shops. Every time she brought me warm
-biscuits or refilled my tumbler, she brought me pretty thoughts as well.
-
-She was nine years old, she told me. Her eyes were sometimes brown,
-sometimes violet. Her mouth was half a cherry, and her chin the
-quintessence of elegance. Her braids were long and rich, her ribbons
-wide and crisp.
-
-Maidenhood has distinct stages. The sixteenth year, when unusually
-ripe, is a tender prophecy. Thirteen is often the climax of astringent
-childhood, with its especial defiance or charm. But nine years old is
-my favorite season. It is spring in winter. It is sweet sixteen through
-walls of impregnable glass. This ripeness dates from prehistoric days,
-when people lived in the tops of the trees, and almost flew to and from
-the nests they built there, and mated much earlier than now.
-
-As I finished eating, the mother brought the little brother into the
-room saying, “Gretchen-Cecilia, watch the baby.” Then she smiled on me
-and said: “When she washes the dishes, you can hold him.”
-
-She had on a fresh gingham apron, blue, with white trimmings. I judged
-by the squeak, she had changed her shoes.
-
-“Who’s coming?” I asked, when the mother had left.
-
-“Papa. He goes around the state and digs oil wells, and is back at the
-end of the week.”
-
-I was washing the dishes when Grandma came in. She frowned me away from
-the dishpan. She said, “Gretchen-Cecilia, wipe the dishes.”
-
-The baby howled on the floor. I was not to touch him. Gretchen-Cecilia
-tried to comfort him by saying, “Baby, dear dear baby; baby, dear dear
-baby.”
-
-“Do you realize, young man,” asked Grandma, “that I, an old woman, am
-washing your dishes for you?”
-
-I was busy. I was putting my wet stockinged feet on a kindling-board in
-the oven, and my shoes were curling up on the back of the stove.
-
-“Young man--”
-
-“Yessum--”
-
-“_Where’s your wife?_”
-
-I replied, “I have no wife, and never did have.” Then I ventured to
-ask, “May I have the hand of Gretchen? I want some one who can wipe
-dishes while I wash them.”
-
-“But I’m not grown up,” piped the maiden. It seemed her only objection.
-
-I said: “I will wait and wait till you are seventeen.”
-
-The old lady had no soul for trifles. She intoned, like conscience
-that will not be slain: “_Where’s your wife?_”
-
-But I said in my heart: “Madam, you are only a suspender button upon
-the necklace of the evening.”
-
-
-V
-
-“PAPA HAS COME!”
-
-There was a scurry and a flutter. Gretchen threw down her dish-rag,
-leaving Grandma a plate to wipe.
-
-I heard the grandfather say, “Wel-come, son, wel-come indeed!” The
-young wife gave a smothered shriek, and then in a minute I heard her
-exclaim, “John, you’re a scamp!”
-
-I put on my hot shoes and went in to see what this looked like.
-Gretchen-Cecilia was somewhere between them, and then on her father’s
-shoulder, mussing his hair. And the mother took Gretchen down, as John
-said in reply to a question:--
-
-“Business is good. Whether there’s oil or not, I dig the hole and get
-paid.”
-
-This man was now standing his full height for his family to admire.
-He was one I too could not help admiring. He had an open sunburned
-face, and I thought that behind it there was a non-scheming mind, that
-had attained good fortune beyond the lot of most of the simple. He was
-worth the dressing up the family had done for him, and almost worthy of
-Gretchen’s extra crisp hair ribbons.
-
-His wife put her arms around his neck and whispered something,
-evidently about me. He watched me over his shoulder as much as to say:--
-
-“And so it’s a stray dog wants shelter? No objections.”
-
-He unwrapped his package. It was an extraordinary doll, with truly
-truly hair, and Gretchen-Cecilia had to give him seven kisses and
-almost cry before he surrendered it.
-
-He pulled off his boots and threw them in the corner, then paddled
-up stairs and came down in his shoes. For no reason at all
-Gretchen-Cecilia and her mother chased him around the kitchen table
-with a broom and a feather duster, and then out on to the back porch.
-
-
-VI
-
-CONFERENCES
-
-The grandfather called me into the front room and handed me a book.
-
-“Yer a schol-ar. What do you think of that?”
-
-It was a history of the county. The frontispiece was a portrait of
-Judge Somebody. But the book naturally opened at about the tenth
-page, on an atrocious engraving of this goodly old man and his not
-ill-looking wife. He breathed easier when I found it. It was plainly a
-basis of family pride. I read the inscription.
-
-“So you two are the oldest inhabitants?” I asked.
-
-“The oldest per-pet-ual in-habitants. I was born in this coun-ty and
-have nev-er left it. My wife is some young-er, but she has nev-er left
-it, since she married me.”
-
-Even the old lady grew civil. She tapped a brooch near her neck. “They
-gave me this breast-pin at the last old-settlers’ picnic.”
-
-The old man continued: “All the old farm is still here in our hands,
-but mostly rented. It brings something, something. Our big income is
-from my son’s well-digging. He never speculates and he makes money.”
-
-It seemed a part of the old man’s pride to have even the passing
-stranger realize they were well-fixed. In a furtive attempt to do
-justice to their station in life they had a tall clock in the corner,
-quite new and beautiful. And, as I discovered later, there was up
-stairs a handsome bath-room. The rest of that new house was clean and
-white, but helplessly Spartan.
-
-The old folk were called to the back porch. At the same time I heard
-the mother say, “Show the man your doll.”
-
-And in came the little daughter like thistledown.
-
-We were in that white room at opposite ends of the long table, and
-nothing but the immaculate cloth stretching between us. She sat with
-the doll clutched to her breast, looking straight into my eyes, the
-doll staring at me also. The girl was such a piece of bewitchment that
-the poem I brought to her about the magical _Tree of Laughing Bells_
-seemed tame to me, and everyday. That foolish rhyme was soon read and
-put into her hands. It seemed to give her an infinite respect for me.
-And any human creature loves to be respected.
-
-On the back porch the talking grew louder.
-
-“Papa is telling them he wants to rent the rest of the farm and move us
-all to town,” explained Gretchen.
-
-It was the soft voice of the young wife we heard: “Of course it will be
-nice to be nearer my church.”
-
-And then the young father’s voice: “And I don’t want Gretchen to grow
-up on the farm.”
-
-And the old man’s voice, still nobly intoned: “And as I say, I don’t
-want to be stub-born, but I don’t want to cross the coun-ty line.”
-
-Gretchen banged the door on them and we crossed the county line indeed.
-We told each other fairy-tales while the unheeded murmur of debate went
-on.
-
-When it came Gretchen’s turn, she alternated Grimm, and Hans Andersen
-and the legends of the Roman Church. I had left the railroad resolved
-to talk some one to death, and now with all my heart I was listening.
-She knew the tales I had considered my special discoveries in youth:
-“The Amber Witch,” “The Enchanted Horse,” “The Two Brothers.” She also
-knew that most pious narrative, _Elsie Dinsmore_. She approved when I
-told her I had found it not only sad but helpful in my spiritual life.
-She had found it just so in hers.
-
-
-VII
-
-THE SPARE ROOM
-
-With her eyes still flashing from argument, the grandmother took me up
-stairs. She gave me a big bath-towel, and showed me the bath-room, and
-also my sleeping place. I asked her about the holy pictures hanging
-near my bed. She explained in a voice that endeavored not to censure:
-“My daughter-in-law is of German-Catholic descent, and she is _still_
-Catholic.”
-
-“What is _your_ denomination?” I asked.
-
-“My husband and son and I are Congregationalists.”
-
-She did not ask it of me, but I said: “I am what is sometimes
-disrespectfully called a ‘Campbellite.’”
-
-But the old lady was gone.
-
-After a boiling bath I lay musing under those holy pictures. My brother
-of the road, when they put you in the best room, as they sometimes
-do, and you look at the white counterpane and the white sheets and the
-cosey appointments, do you take these brutally, or do you think long
-upon the intrinsic generosity of God and man?
-
-I have laid hold of hospitality coldly and greedily in my time, but
-this night at least, I was thankful. And as I turned my head in a new
-direction I was thankful most of all for the unexpected presence of the
-Mother of God. There was her silvery statue near the foot of my bed,
-the moonlight pouring straight in upon it through the wide window. It
-spoke to me of peace and virginity.
-
-And I thought how many times in Babylon I had gone into the one ever
-open church to look on the crowned image of the Star of the Sea. Though
-I am no servitor of Rome I have only adoration for virginity, be it
-carved in motionless stone, or in marble that breathes and sings.
-
-A long long time I lay awake while the image glimmered and glowed. The
-clock downstairs would strike its shrill bell, and in my heart a censer
-swung.
-
-
-VIII
-
-MORNING
-
-There was a pounding on the door and a shout. It was the young
-husband’s voice. “It’s time to feed your face.”
-
-They were at the breakfast table when I came down. My cherished memory
-of the group is the picture of them with bowed heads, the grandfather,
-with hand upraised, saying grace. It was ornate, and by no means brief.
-It was rich with authority. I wanted to call in all the mocking pagans
-of the nation, to be subdued before that devotion. I wanted to say:
-“Behold, little people, some great hearts still pray.”
-
-I stood in the door and made shift to bow my head. Yet my head was not
-so much bowed but I could see Gretchen-Cecilia and her mother timidly
-cross themselves. In my heart I said “Amen” to the old man’s prayer.
-But I love every kind of devotion, so I crossed myself in the Virgin’s
-name.
-
-The tale had as well end here as anywhere. On the road there are
-endless beginnings and few conclusions. For instance I gathered from
-the conversation at the breakfast table they were not sure whether they
-would move to the city or not. They were for the most part silent and
-serene.
-
-There were pleasant farewells a little later. Gretchen-Cecilia, when
-the others were not looking, gave me, at my earnest solicitation, a
-tiny curl from the head of her doll that had truly truly hair.
-
-I walked on and on, toward the ends of the infinite earth, though I had
-found this noble temple, this shrine not altogether made with hands. I
-again consecrated my soul to the august and Protean Creator, maker of
-all religions, dweller in all clean temples, master of the perpetual
-road.
-
-
-
-
-THAT MEN MIGHT SEE AGAIN THE ANGEL-THRONG
-
-
- WOULD we were blind with Milton, and we sang
- With him of uttermost Heaven in a new song,
- That men might see again the angel-throng,
- And newborn hopes, true to this age would rise,
- Pictures to make men weep for paradise,
- All glorious things beyond the defeated grave.
- God smite us blind, and give us bolder wings;
- God help us to be brave.
-
-
-Printed in the United States of America.
-
-
-
-
-The following pages contain advertisements of books by the same
-author.
-
-
-
-
-_VERSE BY THE SAME AUTHOR_
-
-
-The Congo and Other Poems
-
- With a preface by HARRIET MONROE, Editor of the _Poetry Magazine_.
- _Cloth, 12mo, $1.25; leather, $1.60_
-
-In the readings which Vachel Lindsay has given for colleges,
-universities, etc., throughout the country, he has won the approbation
-of the critics and of his audiences in general for the new verse-form
-which he is employing, as well as the manner of his chanting and
-singing, which is peculiarly his own. He carries in memory all the
-poems in his books, and recites the program made out for him; the
-wonderful effect of sound produced by his lines, their relation to the
-idea which the author seeks to convey, and their marvelous lyrical
-quality are quite beyond the ordinary, and suggest new possibilities
-and new meanings in poetry. It is his main object to give his already
-established friends a deeper sense of the musical intention of his
-pieces.
-
-The book contains the much discussed “War Poem,” “Abraham Lincoln Walks
-at Midnight”; it contains among its familiar pieces: “The Santa Fe
-Trail,” “The Firemen’s Ball,” “The Dirge for a Righteous Kitten,” “The
-Griffin’s Egg,” “The Spice Tree,” “Blanche Sweet,” “Mary Pickford,”
-“The Soul of the City,” etc.
-
- =Mr. Lindsay received the Levinson Prize for the best poem
- contributed to _Poetry_, a magazine of verse, (Chicago) for 1915.=
-
- “We do not know a young man of any more promise than Mr. Vachel
- Lindsay for the task which he seems to have set himself.”--_The Dial._
-
-
-
-
-General William Booth Enters Into Heaven and Other Poems
-
- _Price, $1.25; leather, $1.60_
-
-This book contains among other verses: “On Reading Omar Khayyam during
-an Anti-Saloon Campaign in Illinois”; “The Wizard Wind”; “The Eagle
-Forgotten,” a Memorial to John P. Altgeld; “The Knight in Disguise,”
-a Memorial to O. Henry; “The Rose and the Lotus”; “Michaelangelo”;
-“Titian”; “What the Hyena Said”; “What Grandpa Mouse Said”; “A Net to
-Snare the Moonlight”; “Springfield Magical”; “The Proud Farmer”; “The
-Illinois Village”; “The Building of Springfield.”
-
-=COMMENTS ON THE TITLE POEM:=
-
- “This poem, at once so glorious, so touching and poignant in its
- conception and expression ... is perhaps the most remarkable poem of
- a decade--one that defies imitation.”--_Review of Reviews._
-
- “A sweeping and penetrating vision that works with a naïve charm....
- No American poet of to-day is more a people’s poet.”--_Boston
- Transcript._
-
- “One could hardly overpraise ‘General Booth.’”--_New York Times._
-
- “Something new in verse, spontaneous, passionate, unmindful of
- conventions in form and theme.”--_The Living Age._
-
-
-
-
-_PROSE BY THE SAME AUTHOR_
-
-
-Adventures While Preaching the Gospel of Beauty
-
- _Price, $1.00_
-
-This is a series of happenings afoot while reciting at back-doors in
-the west, and includes some experiences while harvesting in Kansas.
-It includes several proclamations which apply the Gospel of Beauty to
-agricultural conditions. There are, among other rhymed interludes: “The
-Shield of Faith,” “The Flute of the Lonely,” “The Rose of Midnight,”
-“Kansas,” “The Kallyope Yell.”
-
-SOMETHING TO READ
-
- Vachel Lindsay took a walk from his home in Springfield, Ill., over
- the prairies to New Mexico. He was in Kansas in wheat-harvest time
- and he worked as a farm-hand, and he tells all about that. He tells
- about his walks and the people he met in a little book, “Adventures
- while Preaching the Gospel of Beauty.” For the conditions of his
- tramps were that he should keep away from cities, money, baggage,
- and pay his way by reciting his own poems. And he did it. People
- liked his pieces, and tramp farmhands with rough necks and rougher
- hands left off singing smutty limericks and took to “Atlanta in
- Calydon” apparently because they preferred it. Of motor cars, which
- gave him a lift, he says: “I still maintain that the auto is a
- carnal institution, to be shunned by the truly spiritual, but there
- are times when I, for one, get tired of being spiritual.” His story
- of the “Five Little Children Eating Mush” (that was one night in
- Colorado, and he recited to them while they ate supper) has more
- beauty and tenderness and jolly tears than all the expensive sob
- stuff theatrical managers ever dreamed of. Mr. Lindsay doesn’t need
- to write verse to be a poet. His prose is poetry--poetry straight
- from the soil, of America that is, and of a nobler America that is to
- be. You cannot afford--both for your entertainment and for the _real
- idea_ that this young man has (of which we have said nothing)--to
- miss this book.--_Editorial from Collier’s Weekly._
-
-
-
-
-The Art of the Moving Picture
-
- _Price, $1.25_
-
-An effort to apply the Gospel of Beauty to a new art. The first
-section has an outline which is proposed as a basis for photoplay
-criticism in America; chapters on: “The Photoplay of Action,” “The
-Intimate Photoplay,” “The Picture of Fairy Splendor,” “The Picture of
-Crowd Splendor,” “The Picture of Patriotic Splendor,” “The Picture
-of Religious Splendor,” “Sculpture in Motion,” “Painting in Motion,”
-“Furniture,” “Trappings and Inventions in Motion,” “Architecture in
-Motion,” “Thirty Differences between the Photoplays and the Stage,”
-“Hieroglyphics.” The second section is avowedly more discursive, being
-more personal speculations and afterthoughts, not brought forward
-so dogmatically; chapters on: “The Orchestra Conversation and the
-Censorship,” “The Substitute for the Saloon,” “California and America,”
-“Progress and Endowment,” “Architects as Crusaders,” “On Coming Forth
-by Day,” “The Prophet Wizard,” “The Acceptable Year of the Lord.”
-
-=FOR LATE REVIEWS OF MR. LINDSAY AND HIS CONTEMPORARIES READ:=
-
- _The New Republic_: Articles by Randolph S. Bourne, December 5, 1914,
- on the “Adventures while Preaching”; and Francis Hackett, December
- 25, 1915, on “The Art of the Moving Picture.”
-
- _The Dial_: Unsigned article by Lucien Carey, October 16, 1914, on
- “The Congo,” etc.
-
- _The Yale Review_: Article by H. M. Luquiens, July, 1916, on “The Art
- of the Moving Picture.”
-
-GENERAL ARTICLES ON THE POETRY SITUATION
-
- _The Century Magazine_: “America’s Golden Age in Poetry,” March, 1916.
-
- _Harper’s Monthly Magazine_: “The Easy Chair,” William Dean Howells,
- September, 1915.
-
- _The Craftsman_: “Has America a National Poetry?” Amy Lowell, July,
- 1916.
-
-
- THE MACMILLAN COMPANY
- Publishers 64-66 Fifth Avenue New York
-
-
-
-
-FOOTNOTES:
-
-
-[1] This appears, pages seventy-four through eighty-one, in _General
-Booth and Other Poems_.
-
-[2] This appears, pages seventy-four through eighty-one, in _General
-Booth and Other Poems_.
-
-[3] In the prose sketches in this book I have allowed myself a
-story-teller’s license only a little. Sometimes a considerable
-happening is introduced that came the day before, or two days after. In
-some cases the events of a week are told in reverse order.
-
-Lady Iron-Heels is obviously a story, but embodies my exact impression
-of that region in a more compressed form than a note-book record could
-have done.
-
-The other travel-narratives are ninety-nine per cent literal fact and
-one per cent abbreviation.
-
-[4] Portions of this poem are scattered through this book for
-interludes. Others are already printed in _General Booth and Other
-Poems_.
-
-
-
-
-TRANSCRIBER’S NOTES:
-
-
- Italicized text is surrounded by underscores: _italics_.
-
- Emboldened text is surrounded by equals signs: =bold=.
-
- Obvious typographical errors have been corrected.
-
- Inconsistencies in hyphenation have been standardized.
-
- Archaic or alternate spelling has been retained from the original.
-
-*** END OF THE PROJECT GUTENBERG EBOOK A HANDY GUIDE FOR BEGGARS ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.