diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-01-22 00:33:08 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-01-22 00:33:08 -0800 |
| commit | d11d3cbe199edbc1655373d5c1263ee168d60a12 (patch) | |
| tree | 5ed3a4279fa1b56e2729a09f44530355b7829c41 /old/67840-0.txt | |
| parent | f6f758d779b3779337c8a998f29c3f59d97fe6c1 (diff) | |
Diffstat (limited to 'old/67840-0.txt')
| -rw-r--r-- | old/67840-0.txt | 1041 |
1 files changed, 0 insertions, 1041 deletions
diff --git a/old/67840-0.txt b/old/67840-0.txt deleted file mode 100644 index 3fe5121..0000000 --- a/old/67840-0.txt +++ /dev/null @@ -1,1041 +0,0 @@ -The Project Gutenberg eBook of Essay on the Literature of the Mexican -War, by W. T. Lawson - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: Essay on the Literature of the Mexican War - -Author: W. T. Lawson - -Release Date: April 14, 2022 [eBook #67840] - -Language: English - -Produced by: Donald Cummings and the Online Distributed Proofreading - Team at https://www.pgdp.net (This file was produced from - images generously made available by The Internet Archive) - -*** START OF THE PROJECT GUTENBERG EBOOK ESSAY ON THE LITERATURE OF -THE MEXICAN WAR *** - - - - - - ESSAY - ON THE - LITERATURE - OF THE - MEXICAN WAR - - W. T. LAWSON, - - Class of ’82, Columbia College, New York. - - - - - ESSAY. - - -The annexation of Texas and the consequent war with Mexico resulted -in adding to the United States eight hundred and eighty-six thousand -four hundred and ninety square miles of territory, an area much greater -than all that is comprised in the States lying east of the Mississippi -River, and almost equal to that embraced in the Louisiana purchase of -President Jefferson from Napoleon the First in 1803. The events of the -war which added and confirmed to the Union this magnificent domain have -been obscured by the magnitude of the recent civil war, and they have -become almost as remote in the popular imagination as the romantic -incidents in the campaigns of Cortez in the sixteenth century. But as -the fires of civil strife are almost dead, and peaceful industries -are developing the wonderful resources of our Mexican acquisitions, -new interest is awakened in the circumstances of the conquest and the -brilliant military achievements that attended them. By the enterprise -of our own people millions of gold and silver have been added to the -world’s wealth from the mines and placers of California, Arizona, New -Mexico and Colorado, and the plains of Texas are teeming with countless -herds for the feeding of Europe. A new but peaceful invasion of Mexico -by American capital has been begun, which arouses fresh interest in its -history, its native wealth, and its destiny. A railway under American -management traverses the line of Scott’s march from Vera Cruz to the -capital city, another will soon pass over the fields made immortal by -Taylor and his handful of rough and ready soldiers; engineering skill -proposes to cross the Isthmus of Tehuantepec with an iron highway for -the transportation of ocean vessels from the Bay of Campeche to the -waters of the Pacific Ocean, and a line of railway following the track -of Doniphan’s march will soon reach Chihuahua in its progress to the -City of Mexico, being built with a rapidity almost equal to the speed -of his little army of victorious Missourians who first marked out this -pathway of improvement. - -The time has not yet come when the war with Mexico can be treated with -the philosophic dignity of which it is worthy, embellished with the -imagination of poetry, and its events appropriated by the historical -novelist. Certain it is, whether strange or not, that no hand has -been put forth to extract the philosophy of its history, to direct -our opinions of its events and its men, to trace the connections of -its causes and effects, and to draw from its occurrences and results -general lessons of political wisdom. Almost all the histories and -sketches of it were written soon after its close, and may be considered -almost contemporaneous with it, when the authors of the period could -not avail themselves of the mass of material which time has now made -accessible. The party passions of the hour, intensified by the slavery -struggle, so tinged all efforts at the philosophical discussion of -it that its great, enduring, and far-reaching consequences were not -foreseen, much less appreciated, and are only just now beginning to -be felt under the influence of the material development of the vast -regions that were added to the country at its termination. Numerous -books have been written about it, many of which will have some value -to him who shall in the future assume the task of illustrating this -brilliant period of American history, and there is appended to this -essay a list of those volumes which have been examined and seem -worthy of study. So little, however, is the history of this portion -of the nation’s life appreciated that President Porter, of Yale -College, in the list of historical studies in his work upon “Books -and Reading” omits all reference to works upon the Mexican War, and -gives but bare mention to that valuable authority upon the subject, -“Benton’s Thirty Years View,” a work of which William Cullen Bryant -has said: “Its literary execution, the simplicity of its style, and -the unexceptionable taste which tempers all its author’s allusions to -his contemporaries have been the subject of universal admiration.” For -a clear and dispassionate discussion of the causes of the war, for -just judgment of the motives of the actors in it, and the impartial -statements of the facts that are given, Col. Benton’s chapters on -the Mexican War cannot be commended too highly to the student or the -historian. It is worthy of mention that the chapter which contains his -address of welcome to Doniphan and the Missouri Volunteers at St. Louis -on their return from the war is a masterpiece of dignified and graphic -eloquence, worthy of a place as a classic model, and calls to mind the -days when Athens witnessed the most splendid exhibitions of oratory the -world has ever known. Since most of the histories of this war have been -written a valuable addition has been made to the stores of knowledge -on the subject in an admirable translation by Col. Albert E. Ramsey of -a Mexican history of the conflict, which has been published under the -title, “The Other Side.” - -For the limited purposes of this essay it will be sufficient to select -for rapid review those volumes which are esteemed the best types of all -that has been written, and present them for consideration. - - - THE WAR WITH MEXICO. By R. S. Ripley, Brevet-Major in the - United States Army, &c. New York. 1849. 2 vols., 8vo. - -This seems by all odds the best history of the Mexican War. As a -military history it is almost faultless, and will probably remain -an authority upon the military events of the war for all time. The -author, who was born in Ohio, graduated from the Military Academy in -1843. His regiment, the Second Artillery, was sent to the Rio Grande, -took part in the battles around Monterey in September, 1846, and was -then ordered to report to Gen. Scott. In the reorganization of the -forces he became First Lieutenant of the Second Artillery, March 3, -1847. He took part in the operations which ended in the capitulation -of Vera Cruz and the occupation of that port by the American Army, -(March 9 to 29, 1847,) and for gallant and meritorious conduct in the -battle of Cerro Gordo (April 17 and 18, 1847,) was breveted Captain. -When Gen. Scott began his final movement upon the City of Mexico (Aug. -6, 1847) Ripley was assigned to duty as aide to Gen. Pillow, and was -with that General in the battles of Contreras, Churubusco, and Molino -del Rey, and also in the storming of Chapultepec, and for his gallant -and meritorious conduct was breveted Major (Sept. 13, 1847). He was, -therefore, an actor in most of the scenes which he describes, and held -towards the superior officers of the Army relations which enabled him -to comprehend what was done. - -As an aide-de-camp and friend of Gen. Pillow, he naturally sympathized -with that officer in the unseemly dissensions which broke out between -Gen. Scott on the one hand and Gens. Worth and Pillow and other -distinguished officers on the other, and was more or less interested in -the protracted military investigations which followed the war. In this -way he made the military history of the war a careful study, and he -studied not only carefully but intelligently. His military education, -his actual service in the war, his taste for military studies, the -position which he held on Pillow’s staff, and his very decided ability -fitted him peculiarly to be the military historian of the war. In order -to write his history he obtained a protracted leave of absence, and -devoted himself faithfully to his work. That he was prejudiced against -both Gen. Scott and Gen. Taylor, and criticizes both of these eminent -soldiers too severely, and very unjustly, is true, but he tells the -story of the campaign with singular fidelity and in a masterly way. -He understood what was done and has told it in a style worthy of the -great deeds which he narrates. His obstinate temper, his prejudice, -and his contentious spirit are too often apparent, but we pardon them -in reading his luminous account of the many intricate movements of -the troops, and the wonderful battles which were fought in the Valley -of Mexico. However unjust his criticisms, they are always able and -dignified, and compel our respect. - -It is not strange that he did not appreciate the romantic performances -of Kearney and Doniphan and Fremont, for he viewed all things as one -fresh from the Military Academy, where are taught the duties of a -soldier, not those of a statesman, and he was still a youth of 26 when -he wrote his history. He could not understand the meaning of Kearney’s -long march across the desert, of Doniphan’s wonderful expedition, or of -Fremont’s daring exploits and strange adventures. He did not see that -statesmen had duties more important than those of the soldier, and that -Doniphan and Kearney and Fremont were adding an empire to the Union, -while Scott and Taylor were covering our armies with undying glory and -securing the possession of the conquests which our little armies were -making in New Mexico and California. - -A soldier of distinction, (Stevens,) in reviewing the book, says: -“The work is professedly critical, and much space is devoted to the -discussion of the political and military movements of both Mexico and -the United States. A very thorough exposition has been made of both -campaigns and of battles. The style is decidedly good. His view of the -origin of the war is eminently just and told in sufficient detail.” - -The freedom with which he, a mere subaltern, criticizes the conduct -of such veterans as Scott and Taylor, both of them his superior -officers, and one of them the President of the United States and -Commander-in-Chief of the Army, is remarkable. - -After commenting on Taylor’s mistakes at Palo Alto and criticizing -severely his movement upon Monterey, he denounces his generalship in -that battle and the armistice which followed. As to Buena Vista, he -evidently thinks that it was won in spite of Taylor, and he says that -the battle was saved once by the brilliant courage and hard fighting -of Davis’s Mississippi regiment, and again by the timely and splendid -execution of Bragg’s battery; that Davis suggested his own movement, -and that Bragg moved without orders in the direction of the plateau, -and both came in at the proper hour, and were both successful――giving -fresh proof of the “supremacy of fortune in war.” - -His criticisms of Scott are intensely bitter, and he says that the -first great cause of American success in the operations around the -City of Mexico lay in the bravery and courage of the army, and not in -the ability and skill of the General-in-Chief, who (in our author’s -opinion) gave more attention to politics and his own personal position -than to the operations of the war. - -Santa Anna is skillfully and ably portrayed, and appears as the most -remarkable figure on either side. Ripley charges that Scott was -successfully duped by the Mexican from the outset of his movement from -Puebla till the capture of the city. - -With all its faults, this book of Ripley’s is the very best history -of the war with Mexico that has been written, and it will probably -always remain the standard military history of the war, as Kinglake’s -is of the Crimean contest, and Napier’s of the Peninsular War――the -two military histories of surpassing excellence. Its author, who is -still alive and in the perfection of his powers, ought to revise it -by the light of subsequent events, and leave it to his country as an -imperishable record of the most glorious war which the Union has ever -fought. - - - THE MEXICAN WAR: A History of its Origin, with a detailed - Account of its Victories, which terminated in the Surrender - of the Capital, with Official Despatches of the Generals. By - Edward D. Mansfield, a graduate of the United States Military - Academy. Illustrated with Maps and Engravings. New York. 1848. - 12mo, 343 pages. - -This author was born in Connecticut in 1801. His father afterwards -became the first Professor of Natural Philosophy at West Point, and -there the son graduated in 1819. Declining a commission in the Corps -of Engineers, he resumed his studies at Princeton and graduated there -in 1822. He then practiced law in Connecticut, whence he removed to -Cincinnati, and practiced law there till 1836, when he abandoned law -for literature. - -The little volume before us gives a succinct but clear account of -the origin of the war, and of the campaigns under Taylor and Scott, -based chiefly upon the reports of those officers and other official -documents. It must be remembered, however, that this, and indeed, -every other history of the war, was published immediately after the -establishment of peace, and without that knowledge of thousands of -important facts which have since come to light and which is essential -to a correct understanding of the diplomatic, political, and military -history of that period. Therefore, this, like all other histories -of the war written about that time, is necessarily imperfect and -untrustworthy. - -The chief defects in Mansfield’s book spring from several facts. 1st. -He was vehemently opposed to the annexation of Texas, and to the -acquisition of territory. 2d. He was a warm partisan of Gen. Scott, -whose biographer he became. 3d. His style was intensely florid, as will -appear from the last paragraph of his book, which we quote. Speaking -of the United States and Mexico, he says: “Egypt and her millions, -with the famed Valley of the Nile, fade before the broad magnificence, -the mighty growth, of those American empires. Even the terrible and -far-seeing eagles of Rome grow dizzy and dim in their sight as they -look down from the summits of history upon these continental nations, -these colossal giants of the modern world. And now this Spaniard and -this Northman meet in battle panoply in this valley of volcanoes, -by the ancient groves of unknown nations, on the lava-covered soil -where nature once poured forth her awe-inspiring flames and the brave -Tlascalan once sung of glory and of greatness. Three centuries since, -these warrior nations had left their homes beyond the wide Atlantic; -two thousand miles from each other they had planted the seats of their -empire; and now, as if time, in the moral world, had completed another -of its grand revolutions, they have met in mortal conflict. Like the -eagle and the vulture, who long had pursued different circles in the -heavens, and long made prey of the weak tenants of the air, their -circles have been enlarged till they cross each other. They shriek! -They fight! The victorious eagle bears the vulture to the earth, and -screams forth through the clouds his triumphant song! Has the bold -bird received no wound? Has no blood tinged the feathers of his wing? -Is there no secret flow of life from the portals of his heart? Will he -continue to look with unblenched eye on the blazing glories of the sun?” - - - THE WAR BETWEEN THE UNITED STATES AND MEXICO. Illustrated. - Embracing Pictorial Drawings of all the Principal Conflicts. By - Carl Nebel. With a Description of each Battle by George Wilkins - Kendall. D. Appleton & Co. New York. 1851. - -This is a large royal folio volume, with twelve full-page colored -lithographs, speaking of which the author and the artist say that “no -country can claim that its battles have been illustrated in a richer, -more faithful, or more costly style of lithography.” - -The author of this book was a native of Vermont, but moved to New -Orleans in 1835, and became widely known as the editor of the -_Picayune_. He was a man of adventurous disposition and decided -ability, and wrote prior to the war several books which acquired great -popularity. At the outbreak of the Mexican War he volunteered to serve -on the staff of Gen. Taylor. He was with that officer throughout his -campaigns, and afterwards accompanied Gen. Scott’s column on its march -to the City of Mexico. He was consequently an eye-witness of the scenes -which he describes. His descriptions are vivid and real, and place -him high in the ranks of war correspondents. His book, though hardly -deserving a place among histories, will always be a rich storehouse -from which historians will gather materials for their more pretentious -and more lasting works. He was a brilliant correspondent, and, strange -to say, a truthful story-teller. - -Mr. Nebel’s illustrations are valuable as truthful pictures of the -costumes of the contending armies, and of the scenes which they -illustrate, but, like all battle pictures, they are highly imaginative. - - - A COMPLETE HISTORY OF THE MEXICAN WAR――ITS CAUSES, CONDUCT AND - CONSEQUENCES: Comprising an Account of the various Military and - Naval Operations, from its Commencement to the Treaty of Peace. - Illustrated and explained by Maps, Plans of Battles, Views and - Portraits. By Nathan C. Brooks, A. M., Member of the Maryland - Historical Society, etc. Philadelphia. 1849. 8vo, 558 pages. - -This handsome volume is the best general history of the Mexican War, -far better than any of them with the exception of Ripley’s, which is -in some particulars, and especially as a military history, very much -better than Brooks’s and all other histories of this war. Mr. Brooks, -brought to the work qualifications and experience which fitted him -particularly to write charmingly the story of a romantic war. He was -in the prime of a life which had been passed among books; had been a -teacher and journalist; had edited gracefully and learnedly a series -of Greek and Latin classics; was a student, historian, and poet. His -judgment was impartial and his taste refined and highly cultivated. He -was a believer in the manifest destiny of his country, and sympathized -earnestly with those who sought to benefit mankind by enlarging “the -area of freedom.” His heart was with the armies which had marched -towards the “Halls of the Montezumas,” and he studied the reports of -their campaigns, not only eagerly, but faithfully and intelligently――by -the light of a student’s knowledge and the inspiration of a highly -poetic fancy. - -Written at a time when but a tithe of the material which now awaits the -historian’s plastic hand was before him; when the great mass of state -papers, memoirs and reminiscences which disclose the truth as to the -negotiations which preceded the annexation of Texas and the initiation -of the war, as well as the events of the conflict itself, were still -unpublished and inaccessible; when absolutely nothing was known to -us of the negotiations of the Mexican Government except through its -correspondence with ours, and when nothing had been ascertained of its -military operations except as disclosed upon the battlefield――it is -not to be wondered that Mr. Brooks’s history is characterized as being -more interesting and attractive than accurate and instructive, since -he neither fully understood the great events which he was narrating -nor foresaw the great consequences which were to flow from them; nor, -moreover, had he learned the lessons which they taught, by which this -generation will profit. - -The fault which we find with his book is one common to all histories, -not strictly military, which treat of wars that have just happened; -we refer to its extremely prolix descriptions of battles. The reader, -however, can pass over such parts of these as do not interest him, and -will lose little save the noise and fury of the fights and the lurid -phrases which describe them. - -The most felicitous chapters of the book are those which tell the -story of the conquest of New Mexico and California, and of Doniphan’s -romantic expedition. To tell these stories well and truly the historian -needed all his poetic fancy, and all that rich and exuberant diction -with which nature and study had so bountifully endowed him. These -chapters recall the pictured pages of Prescott, and are not unworthy of -the historian of the Conquest. - - - PICTORIAL HISTORY OF MEXICO AND THE MEXICAN WAR: Comprising an - Account of the Ancient Aztec Empire, the Conquest by Cortez, - Mexico under the Spaniards, the Mexican Revolution, the - Republic, the Texan War, and the recent War with the United - States. By John Frost, L.L.D., author of the Pictorial History - of the World, etc. Embellished with 500 Engravings of W. Croome - and other distinguished Artists. 8vo. Philadelphia. 1856. - -Nearly five hundred pages of this volume are devoted to the Mexican -War. The author, who was born in Maine in 1800, studied at Bowdoin, and -then at Harvard, where he graduated in 1822. He then taught school, -first at Boston and afterwards at Philadelphia, till 1845. After that -time he gave himself up exclusively to the compilation of his many -pictorial histories, all of which achieved great popularity, and -deserved it. - -His intention seemed always to be to write readable and saleable books. -To do this he was well fitted by his predilection for historical -composition, and his great experience as a teacher. His style was -natural and simple and perspicuous. The arrangement of his subject was -orderly, and there was in his grouping of facts a picturesqueness which -was somewhat fascinating and always pleasing. He was not a philosopher, -or an erudite historian, nor did he pretend to be either――hence we are -not to look in his works for any profound thoughts, or for any facts -which are not the common property of every one. - -He had no prejudices, no enthusiasms, no theories to maintain, no -heroes to exalt and magnify. He wrote to please and to sell――to please -that he might sell. Taking the official reports of battle and the -state papers at Washington, he drew from them an intelligible statement -of the main facts which he intended to narrate, and then, with good -taste and consummate skill, made the dry details interesting and indeed -captivating by weaving among them stories of American prowess, and such -heroic deeds and patriotic daring as were easily found in the letters -of war correspondents and hero-worshipers. He also availed himself -of the multitude of memoirs and books of adventure which flooded the -country immediately after the war, and thus made his book partake of -that patriotic fervor which the splendid achievements of our troops in -Mexico had kindled in the heart of every American. He has thrown into -it the charm that lingers in the wonderful stories of Herodotus. Had he -not done this, his book would have remained unsold on the shelves of -his publishers, and would not have taken its place in every household -by the side of Parson Weem’s veracious chronicles and “The Tales of a -Grandfather.” - -It follows from what has been said that Frost’s work on the Mexican -War is not a book for the students of either military or diplomatic -history, nor for those who wish to learn the true history of the war, -or the real truth as to the deeds which were then done, or, as to the -men who did them, what manner of men they were, and what their motives, -nor, lastly, as to the mighty results of the contest. Nevertheless, it -is a good book and well worth a reading by those who want merely an -intelligible and interesting account of the events which it narrates. - -It would hardly be fair to dismiss the book without referring to the -500 engravings wherewith it is “embellished from designs of W. Croome -and other distinguished artists” whose invaluable services Mr. Frost -gratefully acknowledges. They are simply wonderful. We open, by hazard, -at page 458. Before us is a picture of Fremont in his famous ride -from Los Angeles “to Monterey and back; a journey of more than 800 -miles, performed in eight days, including two days’ detention and all -stoppages.” This is more than 130 miles in a day. Look at the splendid -charger whose flowing mane and mud-tossed tail and flying form brings -to mind the magic horses of the “Arabian Nights”! See how he skims -over the plains, disdaining to touch the earth with his hoofs! And see -how erect the rider sits upon his flying steed, riding night and day -through the trackless plains, _en grande tenue_, not a speck of dirt on -his gold-embroidered, epauletted coat of blue; not a trace of the soil -upon his immaculate trousers; not a sign of fatigue upon the earnest -face which the three-cornered hat protects from sun and storm; nor any -weariness in the stalwart arm, whose gloved hand carries a naked sword, -holding it in strict conformity to Army regulations! Look and wonder! -Certainly, this is further beyond our criticism than are the glowing -canvases whereon Horace Vernet has immortalized the fields of French -glory. - -The literature of the war, as has been before remarked, is devoid of -any novels of distinguished merit, and has not been rich in poetic -inspiration. But during the period of hostilities, and amidst the -political excitement that followed, James Russell Lowell began in a -leading Boston paper a series of political satires on the war, in the -Yankee dialect, purporting to be written by Hosea Biglow. These satires -were afterwards collected in a volume with Lowell’s works, and are -known as the “Biglow Papers.” Their wit and vigor are admirable. The -character of Parson Wilbur, to whom is attributed the introduction, -notes and index, is a comic creation full of delight. The whole is -a rare repository of fun, and Hosea is the embodiment of the native -humor and homely mother wit of the Yankee race. It is one of the most -ingenious and well sustained _jeux d’esprit_ in existence. It is -perhaps not too much to say that it is the best burlesque poem that -has appeared since Samuel Butler, in the first part of “Hudibras,” -ridiculed the austerities of the Puritan leaders of the seventeenth -century with his shining and merciless wit. - -By far the most brilliant poetic production of the period is the -elegiac ode, by Theodore O’Hara, a poet, soldier and editor, of -Kentucky. It is entitled the “Bivouac of the Dead,” and had its origin -in the occasion of the interment, at Frankfort, in 1847, of the gallant -soldiers who fell in battle. It is noted for its rare beauty of style, -its genuine pathos, its descriptive ideality, its heroic vigor, and its -patriotic fervor. Genuine appreciation and candid criticism will place -it with Wolfe’s “Burial of Sir John Moore” and Collins’s “How Sleep the -Brave,” among the classic lyric gems of the language. Its lines are -used for inscriptions upon the tombs of heroes all over the land, and -one of its immortal stanzas adorns the National Cemetery at Arlington -Heights. It goes to the heart of every true soldier, and is likely -to remain enshrined there forever. Mention must also be made of the -admiration which lingers about the pensive beauty, the pathetic grace, -and the vivid picture of Whittier’s “Angels of Buena Vista.” - -The excitement in the public mind occasioned by the war caused many -remarkable discussions, and the pulpit of New England, with its usual -disposition to intermeddle in political affairs, was not tardy in -presenting its opinions. The most distinguished preacher of the time, -Theodore Parker, in words of burning eloquence denounced all wars, and -the injustice of this one, and with elaborate figures estimated its -cost and expenses at two hundred millions of dollars, and, weighing -this sum against the value of our acquisition, pronounced the war -profitless, and asked, contemptuously, “What have we got to show for -all this money?” - -In the light of the present hour, the mere beginning that has been -made in the development of the acquired regions will afford a partial -answer to illustrate the lack of historic prescience that blinded -the perceptions of the time. The growth of these new countries seems -to point to a period, not far distant, when they shall contain a -population as great as that which inhabits the Cis-Mississippi States. - -The new apportionment bill which has just been enacted gives to the -States already erected in this region almost as many Representatives in -Congress as all New England, and another decade will show that it has -passed far in advance in wealth and population. California, Arizona, -New Mexico, Colorado, and Utah from their mines alone have added more -than two thousand millions of dollars to the world’s wealth, and are -now yielding more than one-third of the annual product of gold and -silver in the entire world. Two Pacific railways, the greatest feats -of modern engineering, traversing the regions that were said to be -“occupied with broken mountains and dreary wilds,” and “fit only for -the restless hunter and wandering trapper,” have revolutionized the -commerce of the world. England seeks Australia and New Zealand through -the Golden Gate, and the productions of China and Japan flow to our -magnificent harbors of the Pacific and cross the American continent on -their way to supply the demands of Europe. - -The archæological discoveries in these regions disclose a prehistoric -occupancy by a race that founded great cities and built palaces and -temples, and who shall say, that, under the dominion of the Anglo -Saxon, the glories of their antiquity may not be surpassed? Who shall -say what mighty results shall flow from the contest which began when -Gen. Taylor crossed the Nueces in the march to the Rio Grande? - - - - - LIST OF BOOKS ON THE MEXICAN WAR. - - -BRACKETT, A. G. - - “Gen. Lane’s Brigade in Central Mexico.” 1 vol., 12mo. Cincinnati. - 1854. - - -BROOKS, N. C. - - “History of the Mexican War.” 8vo. Baltimore. 1849. - - -CARLETON, J. H. - - “Battle of Buena Vista.” 16mo. New York. 1848. - - -CUTTS, J. M. - - “Conquest of California and New Mexico.” 12mo. Philadelphia. 1847. - - -EDWARDS, F. S. - - “Campaign in New Mexico.” 12mo. Philadelphia. 1847. - - -FROST, J. - - “Pictorial History of Mexico and the Mexican War.” 8vo. Philadelphia. - 1856. - - -GIDDINGS, Major. - - “Campaign of Northern Mexico.” 12mo. New York. 1853. - - -HENRY, W. S. - - “Campaign Sketches of War with Mexico.” 12mo. New York. 1847. - - -HUGHES, J. T. - - “Doniphan’s Expedition.” 12mo. Cincinnati. 1848. - - -JAY, W. - - “Causes and Consequences of the Mexican War.” 12mo. Boston. 1849. - - -KENDALL, G. W. - - “Narrative of the Texan Santa Fé Expedition.” 2 vols., 12mo. New - York. 1847. - - -KENDALL, G. W. - - “The War between the United States and Mexico.” Royal folio. - - -LIVERMORE, N. - - “War with Mexico Reviewed.” 12mo. Boston. 1850. New York. 1851. - - -MANSFIELD, E. D. - - “Life and Services of Gen. Winfield Scott.” 12mo. New York. 1852. - - -MEYER, BRANTZ. - - “Mexico.” 2 vols., 8mo. Hartford. 1853. - - -RAMSEY, A. C. - - “The Other Side.” 12mo. New York. 1852. - - -REYNOLDS, J. G. - - “Marine Corps in Mexico.” 8vo. New York. 1853. - - -RICHARDSON, W. H. - - “Journal of a Soldier in Mexico.” 12mo. Baltimore. 1848. - - -RICHARDSON, W. H. - - “Journal with Col. Doniphan.” 12mo. Baltimore. 1848. - - -RIPLEY, R. S. - - “War with Mexico.” 2 vols. 8vo. New York. 1849. - - -SCRIBNER, B. F. - - “A Campaign in Mexico.” 8vo. Philadelphia. 1850. - - -SEMMES, R. - - “Service During the War.” 8vo. Cincinnati. 1851. - - -SEMMES, R. - - “Campaign in Mexico.” 12mo. Cincinnati. 1852. - - -STEVENS, J. J. - - “Campaigns on the Rio Grande and in Mexico.” 8vo. New York. 1851. - - -SIMPSON, JAS. H. - - “Journal of a Military Reconnoissance.” 8vo. Philadelphia. 1852. - - -THORPE, T. B. - - “Our Army on the Rio Grande.” 12mo. Philadelphia. 1846. - - -THORPE, T. B. - - “Our Army at Monterey.” 12mo. Philadelphia. 1848. - - -WILLARD, E. - - “Last Leaves of American History.” 12mo. New York. 1849. - - -WOODWARD, ASHBEL. - - “Life of General N. Lyon.” Hartford. 1862. - - - * * * * * - - - Transcriber’s Notes: - - ――Text in italics is enclosed by underscores (_italics_). - - ――Printer’s, punctuation and spelling inaccuracies were silently - corrected. - - ――Archaic and variable spelling has been preserved. - - -*** END OF THE PROJECT GUTENBERG EBOOK ESSAY ON THE LITERATURE OF THE -MEXICAN WAR *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you will have to check the laws of the country where - you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that: - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg-tm trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - -Section 3. Information about the Project Gutenberg Literary -Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation's website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without -widespread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. |
