summaryrefslogtreecommitdiff
path: root/old/67607-0.txt
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-22 03:13:43 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-22 03:13:43 -0800
commit953c4bc49b8f60bb87fe4e044ddfd794c867a3b9 (patch)
treef9ada56e13bb1215389a67428bcbf05195a4ff26 /old/67607-0.txt
parent758a9523c78c05795ce8a36d0feadf3c1c70baf1 (diff)
NormalizeHEADmain
Diffstat (limited to 'old/67607-0.txt')
-rw-r--r--old/67607-0.txt1315
1 files changed, 0 insertions, 1315 deletions
diff --git a/old/67607-0.txt b/old/67607-0.txt
deleted file mode 100644
index 06e9feb..0000000
--- a/old/67607-0.txt
+++ /dev/null
@@ -1,1315 +0,0 @@
-The Project Gutenberg eBook of In the Nursery, by Anonymous
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: In the Nursery
- Happy Hours for the Little Ones
-
-Author: Anonymous
-
-Release Date: March 11, 2022 [eBook #67607]
-
-Language: English
-
-Produced by: Juliet Sutherland, Jwala Kumar Sista and the Online
- Distributed Proofreading Team at https://www.pgdp.net
-
-*** START OF THE PROJECT GUTENBERG EBOOK IN THE NURSERY ***
-
-
- Transcriber's Notes
-
- 1. Typographical errors and hyphenation inconsistencies were silently
- corrected.
-
- 2. Table of Contents and the List of Illustrations have been added
- by the transcriber.
-
- 3. Some illustrations appearing before chapter heading in the
- original, are placed next to the relevant chapter heading.
-
- 4. The text version is coded for italics and other mark-ups i.e.,
- (a) Italics are indicated thus _italic_;
- (b) Smallcaps thus +CAPS+; and
- (c) Images are indicated as [Illustration: (with narration...)]
-
- * * * * *
-
-
- [Illustration: NURSERY.]
-
-
-
-
- IN THE NURSERY
-
- HAPPY HOURS FOR THE
- LIT-TLE ONES
-
- [Illustration: LIT-TLE ONES.]
-
- _ILLUSTRATED_
-
- BOSTON
- LOTHROP PUBLISHING COMPANY
-
-
-
-
- +COPYRIGHT, 1897,+
-
- BY
-
- +LOTHROP PUBLISHING COMPANY.+
-
-
-
-
- Table of Contents.
-
-
- Chapter Page
-
-
- JACK AND JILL. 5
-
- THE THREE MOD-EL MICE. 6
-
- THE MICE AND THE EGG. 7
-
- IN THE SWING. 8
-
- BUT-TER-CUP, THE BOS-SY. 9
-
- MEAS-UR-ING TOM-MY. 10
-
- THE TWINS. 11
-
- A BRAVE GIRL. 12
-
- OUT-LINE PICT-URE TO COL-OR.--SLATE PICT-URE. 13
-
- A LIT-TLE MAS-TER. 14
-
- TAKE ME MAMMA. 15
-
- A SPRING SHOW-ER. 16
-
- A FIN-GER SONG. 17
-
- LIT-TLE GOLD HEAD. 20
-
- TWO BA-BIES. 22
-
- A NEW KIND OF PUS-SY-CAT. 24
-
- CIN-DER-EL-LA. 26
-
- MISS ROSE-BUD 27
-
- A FISH-ING AD-VEN-TURE. 28
-
- AN OC-TO-BER PIC-NIC. 29
-
- MA-DAME MOB-CAP. 30
-
- PICT-URES TO COL-OR OR DRAW. 31
-
- WHAT BA-BY LIKED. 32
-
- A BAD NIGHT. 34
-
- THE LIT-TLE SWANS' LESSON. 35
-
- A SOLDIER. 36
-
- TALK TO ME, TOO, MAMMA. 37
-
- PRIDE. 38
-
- WHY TIP-TOE BARKED. 38
-
- SYBIL'S CARRIAGE. 39
-
-
- List of Illustrations.
-
- Page
-
-
- [WILL YOU COME?]
-
- [AT THE SPRING.] 5
-
- [THEY ATE FROM THE SAME EGG.] 6
-
- [AN EMPTY LARDER AT HOME.] 7
-
- [BEHOLD THE DILEMMA!]
-
- [NECESSITY BEING, AS EVER, THE MOTHER OF INVENTION.]
-
- [ISN'T THIS FUN?] 8
-
- [AND ISN'T THIS FUN?]
-
- ["HERE WE'LL WAIT!"] 9
-
- [Meas-ur-ing Tom-my.] 10
-
- [The Twins.] 11
-
- [SEE HOW BRAVE!--WHAT IF SHE BITES!] 12
-
- [CHILD-LIFE ON THE FARM.--A NO-VEM-BER RAIN.] 13
-
- [Bringing Home The Thanks-giv-ing Dinner.
- SLATE PICT-URE--THE NIGHT BE-FORE THANKS GIV-ING.]
-
- [FLOSS AND FLUFF.] 14
-
- ["Take Me, Mamma!"] 15
-
- [A Spring Show-er.] 16
-
- [A Fin-ger Song.] 17
-
- [KATE FEEDS THE FISH-ES.] 18
-
- [A MORN-ING RIDE.] 19
-
- [CHOOSE THE ONE THAT YOU LOVE BEST.
- SLATE PICT-URE FOR BA-BY TO DRAW.]
-
- ["PUT OUT."] 20
-
- [GLAD TO MEET.]
-
- [Two Ba-Bies.] 21
-
- [UN-DER THE EAVES.] 22
-
- [The ba-by in the house and the ba-by in the barn.] 23
-
- [PRET-TY, PRET-TY KIT-TY!] 24
-
- [NAUGH-TY, NAUGH-TY KIT-TY!]
-
- [+THE BLACK SWAN.+] 25
-
- [Miss Rose-Bud.] 27
-
- [TED-DY'S LUCK.] 28
-
- [An October Pic-nic] 29
-
- [JOHN-NY'S LIT-TLE SIS-TER.] 31
-
- [NEL-LY AND BA-BY-BOY JOE.] 32
-
- [A DARLING LIT-TLE SIS-TER.] 33
-
- [Ba-by Rat sat up in bed.] 34
-
- [GOOD TIMES.] 35
-
- [A GAME OF NINEPINS.]
-
- [A REGIMENT OF ROBBY'S SOLDIERS.] 36
-
- [ROBBY THINKS HE LOOKS LIKE THIS.]
-
- [ROBBY AT NIGHT.]
-
- ["Talk to me, too, Mamma."] 37
-
- [THE PROUD LIT-TLE DOLL.] 38
-
- [AN INVITATION TO TAKE A WALK.]
-
- [SYBIL GOES OUT TO MAKE CALLS.] 39
-
- [THREE MARINERS.] Back cover
-
-
-
-
- JACK AND JILL.
-
- [Illustration: WILL YOU COME?]
- [Illustration: AT THE SPRING.]
-
-
- "Oh, lit-tle lass Jill, oh, lit-tle lass Jill,
- Will you come, will you come with me?
- I've a new tin pail, and the wa-ter in the well
- Is the cool-est that can be."
-
-
- "Oh, bold boy Jack, you bold boy Jack,
- You are tell-ing what is not true,
- For sweet as any-thing is the wa-ter in the spring,
- And I'd ra-ther go there, thank you!"
-
-
- So off whis-tled Jack with his new tin pail,
- To the cool well on the hill,
- And--cun-ning lit-tle thing--to the sweet-wa-ter spring,
- With her cup in hand, went Jill.
-
-
-
-
- THE THREE MOD-EL MICE.
-
- [Illustration: THEY ATE FROM THE SAME EGG.]
-
-
-Once on a time--the story-book time when an-i-mals wore clothes and
-could talk--there were three mod-el mice. Their names were Gray
-Cloak, Fine Ear and Sat-in Slip-per. Sat-in Slip-per had a spoon of
-her own, Fine Ear had a knife, and Gray Cloak owned a fork.
-
-One day they thought they would club the knife and the fork and the
-spoon to-geth-er, and keep house. As they were mod-el mice, they
-eas-i-ly a-greed where to live. They chose Farm-er Jones' cel-lar,
-be-cause there were bar-rels of ap-ples, bas-kets of eggs, and
-shelves loaded with good-ies, and an egg, or an ap-ple, or a stray
-cake would not be missed.
-
-"I lived once," said Gray Cloak, "in the cel-lar of a wom-an who
-bought by the doz-en or the dime's worth, and she missed the least
-lit-tle thing at once, so that fi-nal-ly I left in dis-gust."
-
-Such good times as those three mice had! The cel-lar had a
-smooth, wa-ter-limed floor, a beau-ti-ful place to play mar-bles,
-blind-man's-buff and Kit-ty-kit-ty-cor-ner. They always ate from the
-same egg, and as Farm-er Jones kept his cats at the barn, there was
-noth-ing to spoil their comfort for many years.
-
-
-
-
- THE MICE AND THE EGG.
-
- [Illustration: AN EMPTY LARDER AT HOME.]
- [Illustration: BEHOLD THE DILEMMA!]
- [Illustration: NECESSITY BEING, AS EVER, THE MOTHER OF INVENTION.]
-
-
-
-
- IN THE SWING.
-
- [Illustration: ISN'T THIS FUN?]
- [Illustration: AND ISN'T THIS FUN?]
-
-
- Bet-ter than al-most any-thing
- Do the chil-dren love an out-door swing;
- With their soft lit-tle hands they hold and cling
- Like birds just out of a nest.
-
- Try it which-ev-er way they please,
- 'Tis good as a green bough in a breeze;
- They kneel in it with their chub-by knees,
- To see if they like that best.
-
- O-ver and o-ver they do it all,
- Sit in it, stand in it, laugh and call;
- And then if by an-y chance they fall--
- Why, then you know the rest.
-
-
-
-
- BUT-TER-CUP, THE BOS-SY.
-
- [Illustration: "HERE WE'LL WAIT!"]
-
-
- The lit-tle new bos-sy is so red,
- Al-most the col-or of a clo-ver-head!
- Lit-tle red But-ter-cup, lit-tle red But-ter-cup--
- This is the path she will come up.
- Here we'll wait at the mead-ow gate
- For half an hour, at an-y rate,
- Till, _kling-i-ty-kling_, the cow-bells ring,
- And we catch a glimpse of the pret-ty thing.
- From the top-most bar, for ev-er so far,
- We see to the green field where they are;
- O, But-ter-cup, But-ter-cup, lit-tle red But-ter-cup!
- This is the path she will come up.
-
-
-
-
- MEAS-UR-ING TOM-MY.
-
- [Illustration: Meas-ur-ing Tom-my.]
-
-
-Tom-my goes ev-er-y day to look at a board in the gar-den fence.
-There are four lit-tle hacks in that board, one a-bove an-oth-er,
-made with a knife. The first hack shows how tall Tom-my was when he
-was one year old; the sec-ond how tall when he was two; the third how
-tall when he was three; and yes-ter-day Nel-ly made a hack for the
-fourth birth-day.
-
-
-
-
- [Illustration: The Twins.]
-
-
-
-
- A BRAVE GIRL.
-
- [Illustration: SEE HOW BRAVE!]
- [Illustration: WHAT IF SHE BITES!]
-
-
- See what a nice brave girl I am,
- To feed my lamb!
- I go right up to her, close as I can,
- And say, "Nan-nan,
- Here is a pinch of salt or two,
- Pret-ty Nan-nan, that I brought to you--"
- Pret-ty Nan-nan!
-
- Oh, my! how big she is! Only see
- Her look at me!
- What if her teeth were long and white,
- And she should bite?
- She's al-most like the wolf in the wood
- That ate up lit-tle Red Rid-ing Hood--
- Naugh-ty Nan-nan!
-
-
-
-
- OUT-LINE PICT-URE TO COL-OR.--SLATE PICT-URE.
-
- [Illustration: CHILD-LIFE ON THE FARM.--A NO-VEM-BER RAIN.]
-
- [Illustration: Bringing Home The Thanks-giv-ing Dinner.
- SLATE PICT-URE--THE NIGHT BE-FORE THANKS GIV-ING.]
-
-
-
-
- A LIT-TLE MAS-TER.
-
- [Illustration: FLOSS AND FLUFF.]
-
-
-Floss and Fluff were the hap-pi-est dogs in the world. Floss knew how
-to snap, and Fluff knew how to whine, and if they had been let to
-go hun-gry, or cold, or had been scold-ed, they'd have been cross,
-naught-y dogs.
-
-But Floss and Fluff had a good mas-ter. He was a lit-tle boy on-ly
-six years old, but he was a first-rate mas-ter. His pa-pa said when
-he brought Floss and Fluff home:
-
-"Now, Fred-dy, just as long as these lit-tle fel-lows are hap-py,
-just so long they are yours!"
-
-Fred-dy knew what that meant. He fed his beau-ti-ful pets at
-reg-u-lar hours ev-er-y day, and e-ver-y day he combed and brushed
-them, and ev-er-y day he took them out for a frol-ic, and they had
-their baths at the right time, and he nev-er held up a bone and did
-not give it to them. Be-cause he was so prompt and true and kind,
-Fred-dy was hap-py, and so were Fluff and Floss.
-
-
-
-
- TAKE ME MAMMA.
-
- [Illustration: "TAKE ME, MAMMA!"]
-
-
-
-
- A SPRING SHOW-ER.
-
- [Illustration: A SPRING SHOW-ER.]
-
-
- "My gyp-sy hat
- For my lit-tle head--
- I can't wait a min-ute!"
- Gold Locks said.
-
- Look out, lit-tle girl,
- Through the win-dow pane;
- You'll have to wait
- Un-til af-ter the rain.
-
- With a flood like this
- Straight from the sky,
- Not ev-en um-brel-las
- Could keep you dry.
-
- But there's wa-ter e-nough,
- My lit-tle lass,
- Stream-ing and drip-ping
- Out-side the glass.
-
- With-out your tears
- To help the wet!
- Have you thought to look
- For a rain-bow yet?
-
- Ah, see through the clouds
- A glimpse of the sun!
- And hark to the thrush-es--
- The rain is done.
-
-
-
-
- [Illustration: A FIN-GER SONG.]
-
- A FIN-GER SONG.
- (_To be said on Ba-by's Fin-gers._)
-
-
- I. Shall have an ap-ple;
- II. Shall have a pear;
- III. Shall have a lit-tle kid, of which he'll take good care;
- IV. Shall have some can-dy;
- V. Shall have a ride;
- VI. Shall have a lit-tle sword, all buck-led on his side;
- VII. Shall have a po-ny;
- VIII. Shall have a sled;
- IX. Shall have a dream-ing cap, and X. shall go to bed.
-
-
-
-
- [Illustration: KATE FEEDS THE FISH-ES.]
-
-
-The birds in the grove know lit-tle farm-house Kate. The fish-es in
-the brook know lit-tle farm-house Kate. She is the girl that walks
-a-bout with her a-pron full of nice crumbs.
-
-The first morn-ing this win-ter that the brook froze o-ver, Kate went
-down to the bank and broke the ice with a stick, and fed the fish-es
-with bread crumbs.
-
-
-
-
- [Illustration: A MORN-ING RIDE.]
-
- [Illustration: CHOOSE THE ONE THAT YOU LOVE BEST.--
- SLATE PICT-URE FOR BA-BY TO DRAW.]
-
-
-
-
- LIT-TLE GOLD HEAD.
-
- [Illustration: "PUT OUT."]
- [Illustration: GLAD TO MEET.]
-
-
- The lit-tle Gold Head was so "put out,"
- Though none but her-self knew what a-bout,
- That she sat on the door-steps a-while to pout--
- Oh, greed-y lit-tle Gold Head!
-
- "I had one tart, but I want-ed two,
- So, I'll run a-way--that's what I'll do!"
- And she found White-wool in the mead-ow dew.
- Crop-ping the clo-ver red.
-
- The two were friends, and glad to meet.
- She cried: "Nan-nan, is the clo-ver sweet?
- And can you have all you want to eat?"
- "Ba-a, ba-a-a!" he said.
-
-
-
-
- TWO BA-BIES.
-
- [Illustration: TWO BA-BIES.]
-
- [Illustration: UN-DER THE EAVES.]
-
- [Illustration: The ba-by in the house and the ba-by in the barn.]
-
-
-The ba-by in the house and the ba-by in the barn, are great friends.
-The barn ba-by is not per-mit-ted to come in-to the house, but the
-house ba-by vis-its the barn ev-er-y day.
-
-The house ba-by is a year old, and the barn ba-by is just a year old
-too; but the house ba-by can on-ly take lit-tle trem-bling steps,
-holding fast by moth-er's hand, while the barn ba-by, if he can on-ly
-get out of doors, throws up his heels and runs a-cross the fields,
-and no-bod-y can catch him.
-
-The house ba-by laughs to see him go, and dear-ly likes to pat his red
-hair, and feel his two stout lit-tle horns. And I think the barn ba-by
-likes to feel the soft hand of his lit-tle friend from the house, for
-some-times there is salt, and some-times there is su-gar on the lit-tle
-pink palm, and the barn ba-by licks it off with his rough tongue.
-Once the barn ba-by tried to say, "Thank you." He tried this way: He
-reached his head up and licked the house ba-by's rose-pink cheek. The
-house ba-by was scared, and so was the house ba-by's moth-er--and she
-ran in-to the house with him just as fast as she could; and then pa-pa
-laughed at them both, and the barn ba-by stood and looked o-ver the
-fence for half an hour.
-
-
-
-
- A NEW KIND OF PUS-SY-CAT.
-
- [Illustration: PRET-TY, PRET-TY KIT-TY!]
- [Illustration: NAUGH-TY, NAUGH-TY KIT-TY!]
-
-
- "Here is a pus-sy-cat,
- A new kind of pus-sy-cat,
- An odd, queer pus-sy-cat,
- Lying on the sand;
-
- "It does not look like Top-sy,
- It does not look like Tab-by,
- And when I call it Wink-ie
- It does not un-der-stand.
-
- "Come and see me, kit-ty,
- Pret-ty, pret-ty kit-ty,
- Poor, lit-tle kit-ty,
- I'll stroke you with my hand."
-
- One lit-tle lov-ing pat
- Gives the ba-by--on-ly that;
- The new kind of pus-sy-cat,
- Lying on the sand.
-
- That does not look like Top-sy,
- And does not look like Tab-by,
- And when she calls it Wink-ie
- Does not un-der-stand.
-
- That's neith-er soft nor fur-ry,
- Nor full of play, nor pur-ry,
- Seiz-es in a hur-ry
- And bites the ba-by's hand.
-
-
-
-
- CIN-DER-EL-LA.
-
- [Illustration: +THE BLACK SWAN.+]
-
-
-Not Cin-der-el-la of the glass slip-per--our Cin-der-el-la wore
-i-ron shoes. She was an In-dian po-ny, and we all loved her. The
-pet chick-en made a roost of her back, and the white cow licked her
-glos-sy sides as she would her own calf.
-
-Our four lit-tle out-door boys learned to ride on her gen-tle back,
-and some-times they all got on at once--Ba-by Frank close to her neck
-in the curve of Willie's arms, who held the bridle; Ed-die next, with
-his chub-by hands clutch-ing Willie's sides; and Char-lie last, much
-a-fraid of slip-ping off be-hind. They were all so small that their
-short legs stood straight out a-cross her broad back. Mam-ma was
-nev-er un-ea-sy, for Cin-der-el-la had nev-er been coax-ed out of a
-walk since they had had her.
-
-But one day a cow came in sight of this horse-back par-ty, and
-Cin-der-el-la pricked up ears, and started off in a gal-lop! Char-lie
-slipped off be-hind. Ed-die went o-ver side-wise. Frankie screamed,
-but Wil-lie held him close, and kept his seat un-til the cow turned
-off in-to a fence-cor-ner, and lay down. Then Cin-der-el-la stopped,
-and the boys that fell off came limp-ing up.
-
-They found out that the po-ny had been used on the plains to fol-low
-cat-tle. Af-ter this, when these boys want-ed a brisk ride, they tried
-to get be-hind a cow.
-
-
-
-
- MISS ROSE-BUD.
-
- [Illustration: MISS ROSE-BUD.]
-
-
- Bring the black horse, bring the red sleigh--
- Miss Rose-bud her-self goes rid-ing to-day!
-
-
-
-
- A FISH-ING AD-VEN-TURE.
-
- [Illustration: TED-DY'S LUCK.]
-
-
- Pa-tient lit-tle fish-er boy, sit-ting by the brook,
- Has a pole, and has a line, and has a pret-ty hook;
- Up come the lit-tle trout, speckl-ed gold and red,
- Catch them-selves on pur-pose, be-cause it is our Ted.
-
- Glad lit-tle fish-er boy puts them in a pail;
- Ev-er-y lit-tle fin-ny fel-low flound-ers like a whale;
- Home he runs, home he runs, cry-ing out with joy,
- "Mam-ma, see what _I_ have done--your bold fish-er boy!"
-
- Pail is old and rus-ty--what will Ted-dy do?
- Bot-tom part has fal-len out, fish-es have slipped through!
- Stop a bit--wait a min-ute! some-thing is a-wry!
- Hold it up!--poor lit-tle Ted! will he laugh or cry?
-
-
-
-
- AN OC-TO-BER PIC-NIC.
-
- [Illustration: An October Pic-nic]
-
-
- Out on the sun-ny grass, out on the sun-ny grass,
- Goes for an hour's play the kin-der-gar-ten class.
- The ba-by is so fat and odd, they twine a wreath of gold-en-rod,
- And make be-lieve she's queen--the lit-tle lass.
- And af-ter she is crowned, and af-ter she is crowned,
- They'll fetch their bask-ets full of lunch, and seat them-selves
- a-round;
- The queen will nib-ble bread and cheese, will catch a lit-tle cold,
- will sneeze,
- And throw her crusts and crumbs up-on the ground.
- Oh, nev-er, nev-er mind, oh, nev-er, nev-er mind,
- If at a din-ner on the green some fun-ny things you find--
- All sort of bugs that want the cake; or if a crick-et by mis-take
- Crawls on the sand-wiches, oh, nev-er mind!
-
-
-
-
- MA-DAME MOB-CAP.
- BY MA-RY E. BRAD-LEY.
-
-
- This is lit-tle Ro-sa-belle--
- No! I beg her par-don,
- This is Ma-dame Mob-cap,
- Walk-ing in her gar-den.
-
- What a fine cap it is!
- What a wide bor-der!
- Spec-ta-cles and walk-ing-stick,
- And ev-er-y-thing in or-der.
-
- Hop, toads, clear the way!
- Bees, hush your hum-ming!
- La-dy-birds and but-ter-flies,
- Grand folks are com-ing!
-
- Nev-er think she'll look at you,
- Vi-o-lets and dai-sies!
- You're quite too in-sig-nif-i-cant
- For such a la-dy's prais-es.
-
- She must have a king-cup,
- And a prince's feath-er,
- With a crown-im-pe-ri-al,
- Tied up to-geth-er.
-
- That will suit your Maj-es-ty,
- Ma-dame Ro-sa-bel-la!
- And here's a gold-en sun-flow-er
- To make you an um-brel-la.
-
- "Pooh!" says lit-tle Ro-sa-belle,
- Pluck-ing some car-na-tions;
- "You may keep your sun-flow-ers,
- And all their rich re-la-tions.
-
- "Give me a bunch of vi-o-lets,
- And one of those white ros-es,
- And take your crown-im-pe-ri-al
- To folks that have no nos-es."
-
-
-
-
- PICT-URES TO COL-OR OR DRAW.
-
- [Illustration: JOHN-NY'S LIT-TLE SIS-TER.]
-
-
-"I'll take care of Sis-sy," said broth-er John-ny.
-
-Ba-by was so sweet and ro-sy! Mam-ma had just dressed her, all white
-and fair. John-ny held out his arms for her. Mam-ma kissed both
-gold-en heads, and went out to get din-ner.
-
-John-ny was ver-y proud to be trust-ed with his lit-tle sis-ter. He
-sat down with her in the great green ea-sy-chair, and put both arms
-round her.
-
-"Now Sis-sy shall hear a nice sto-ry," he said, "all a-bout
-Christ-mas. Sis-sy shall have beau-ti-ful things Christ-mas--a big
-i-vo-ry rat-tle with long red rib-bons, and a pict-ure-book, and a
-dol-ly with black hair, and a soft ball all blue and yel-low--and
-broth-er will buy them for her all him-self."
-
-Ba-by said, "_Goo-goo_," and smiled a hon-ey-smile.
-
-
-
-
- WHAT BA-BY LIKED.
-
- [Illustration: NEL-LY AND BA-BY-BOY JOE.]
-
-
-One day, when mamma went to drive and left Ba-by-boy Joe with Nel-ly,
-she found out ten things that lit-tle ba-by-boys like.
-
-She found that Ba-by-boy Joe liked to dance at the Ba-by-boy Joe in the
-mirror. He liked to hold the paper-weight--a smooth round stone, like
-an egg. He liked to hold a soft, fragrant, red rose--Nel-ly gave him
-a white one, but he dropped it and held the red one. He liked to be
-carried all a-bout the house. He liked to sit up in his crib and pound
-a pillow with his lit-tle fists. He liked to hold papas cane. He liked
-to put his hand on Pussy and smooth her soft fur. He liked a tiny sip
-of wa-ter. He liked a branch of green leaves. And he liked to hear
-Nel-ly sing.
-
-All these things Ba-by-boy Joe had and did, in one short hour, while
-mamma was a-way.
-
-And when mamma came back he was fast asleep in his lit-tle brass bed,
-and Nel-ly had put the house in or-der.
-
- [Illustration: A DARLING LIT-TLE SIS-TER.]
-
-
-
-
- A BAD NIGHT.
-
- [Illustration: Ba-by Rat sat up in bed.]
-
-
-Ba-by Rat sat up in bed. She nudged her moth-er. "I smell cheese!"
-said she. "Cheese!" cried the moth-er-rat! "that's the worst thing
-you could say! Stay here, while I look."
-
-The moth-er-rat went to the door. "Ba-by!" she said. Ba-by came.
-"Jump on my back," she said. Then she gave a great jump, and a-way
-she went, her child on her back, down-stairs, down and down-stairs,
-in-to the cel-lar, and off out-doors.
-
-"The thing I jumped o-ver was a TRAP!" she said to her trem-bling
-child.
-
-
-
-
- THE LIT-TLE SWANS' LESSON.
-
- [Illustration: GOOD TIMES.]
-
-
-Once there was a fair swan with a coal-black neck. She had three
-pret-ty ba-by swans, but they were lazy lit-tle things. They did not
-wish to pick their own bugs, nor cut their own grass-salads, nor to
-swim. They wished to take their bugs and grass from their moth-er's
-bill, and to go up stream and down on her back. It was a pleasure to
-their moth-er to feed them and to give them rides. But she knew they
-must be taught to seek their own food, and to swim up and down.
-
-When she spoke to them a-bout it, they said, "Next week we will." Next
-week one of them did keep her word and swim, and seek her own bugs,
-and nip grass for her-self. But the others still sat on their moth-er's
-back. So one day when she was out in the stream, and they were
-catching but-ter-flies from her back, the moth-er swan--with a fun-ny
-smile at her good child--dived, heels o-ver head, and let the lazy
-swans fall off. Then up she came and swam off as fast as she could,
-in among the reeds, where she stayed all night. By morn-ing her lit-tle
-swans had learned their lesson.
-
- [Illustration: A GAME OF NINEPINS.]
-
-
-
-
- A SOLDIER.
-
-
- [Illustration: A REGIMENT OF ROBBY'S SOLDIERS.]
- [Illustration: ROBBY THINKS HE LOOKS LIKE THIS.]
- [Illustration: ROBBY AT NIGHT.]
-
-
-Mrs. Nye loves peace and a quiet house. But Robby Nye, her lit-tle
-son, loves racket, noise, hubbub, con-fu-sion and war. Mrs. Nye has
-to fold newspapers in-to soldier-caps and she has to cut out epaulets
-and belts and straps and stars and badges, and her room is strewn
-with these things--some-times she has to cut out and pin on whole
-suits of armor. And when Mrs. Nye leaves her chair she is likely to
-step on a tin soldier and her dress sweeps down whole regiments.
-Bang! bang! cries Robby, and charges up and down the room. He thinks
-he looks like a great general--in his own mind he swells up to a
-tre-men-dous size. But at night this terrible soldier creeps up in-to
-his mamma's lap just like other boys.
-
-
-
-
- TALK TO ME, TOO, MAMMA.
-
- [Illustration: "Talk to me, too, Mamma."]
-
-
-
-
- PRIDE.
-
- [Illustration: THE PROUD LIT-TLE DOLL.]
-
-
- If I were a rich lit-tle doll
- And rode in a coach my own,
- I would bow when I passed those dolls
- Who walk be-cause they have none;
- And I think I will break a twig,
- Just here on the green roadside.
- And punish your dear lit-tle hands
- To teach you the sin of pride.
-
-
-
-
- WHY TIPTOE BARKED.
-
- [Illustration: AN INVITATION TO TAKE A WALK.]
-
-
-In ran Tiptoe. Tiptoe had news to tell. But they were all asleep.
-Asleep in the daytime, Grandpa in his big chair, Ned on one knee, and
-Ba-by on the other. "O what a waste of time!" thought Tiptoe. "They
-don't know what I have seen! dandelions in the grass! bluebirds on
-the fence! Chickens in Speckle's coop! three lit-tle new cats at the
-barn! and the sun shines and the wind blows! and the clouds race
-a-cross the sky!" Tiptoe barked for joy, his lit-tle dog-heart was so
-glad in him. I am quite sure it was the bright weather with all
-things growing and stirring, that made Tiptoe bark for joy.
-
-The barking awoke Ba-by. Ba-by woke Ned, and Ned woke Grandpa, and they
-all went out with Tiptoe for a walk, and were so glad and gay they
-could have barked too.
-
-
-
-
- SYBIL'S CARRIAGE.
-
- [Illustration: SYBIL GOES OUT TO MAKE CALLS.]
-
-
-I wish I knew the names of those first two dear lit-tle chil-dren who
-thought how to clasp their four hands in a way to make a seat to
-carry a child, and where they lived, and how long ago it was. Don't
-you? They must have been kind chil-dren.
-
-One rainy day last week, when Ba-by Sybil was not well and cried and
-would not play, Jack and Jessie made a carriage with their hands, and
-Sybby rode all o-ver the house, and made calls and saw the sights, as
-hap-py as she could be. "Trot! Trot fast!" Sybby cried. Then her span
-went fast. "Whoa! Slow, slow!" called the lady in the coach. Then her
-horses walked. This was Sybil's favorite play.
-
-
-
-
- [Illustration: Back cover]
- [Illustration: THREE MARINERS]
-
-
- THREE MARINERS
-
- By M.F.B.
-
- In the happy days of long ago
- Three mariners went to sea
- On a home made raft so staunch and firm
- Cut from a cedar tree.
-
- The waves flowed high to their own backdoor,
- They flowed to the garden gate;
- Early the mariners went to sea
- And they stayed till it was late.
-
- Three mariners came home from sea
- Each with a cold in his head;
- They were given a dose of catnip tea,
- Whipped and sent to bed.
-
-*** END OF THE PROJECT GUTENBERG EBOOK IN THE NURSERY ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.