diff options
| author | nfenwick <nfenwick@pglaf.org> | 2025-01-22 08:34:21 -0800 |
|---|---|---|
| committer | nfenwick <nfenwick@pglaf.org> | 2025-01-22 08:34:21 -0800 |
| commit | 14421ae8144736f8fa4189991cc3b1ef4d0adc79 (patch) | |
| tree | 1bc0f2a08f2e5115279eb28608f8728fe65ca7bb | |
| parent | 8bdd2a010456ae48ce2677689a7f71b091118815 (diff) | |
| -rw-r--r-- | .gitattributes | 4 | ||||
| -rw-r--r-- | LICENSE.txt | 11 | ||||
| -rw-r--r-- | README.md | 2 | ||||
| -rw-r--r-- | old/67100-0.txt | 1435 | ||||
| -rw-r--r-- | old/67100-0.zip | bin | 28994 -> 0 bytes | |||
| -rw-r--r-- | old/67100-h.zip | bin | 752639 -> 0 bytes | |||
| -rw-r--r-- | old/67100-h/67100-h.htm | 2135 | ||||
| -rw-r--r-- | old/67100-h/images/cover.jpg | bin | 256166 -> 0 bytes | |||
| -rw-r--r-- | old/67100-h/images/facing024.jpg | bin | 76241 -> 0 bytes | |||
| -rw-r--r-- | old/67100-h/images/facing036.jpg | bin | 93174 -> 0 bytes | |||
| -rw-r--r-- | old/67100-h/images/facing048.jpg | bin | 72545 -> 0 bytes | |||
| -rw-r--r-- | old/67100-h/images/facing056.jpg | bin | 85673 -> 0 bytes | |||
| -rw-r--r-- | old/67100-h/images/facing068.jpg | bin | 83287 -> 0 bytes | |||
| -rw-r--r-- | old/67100-h/images/facing076.jpg | bin | 78793 -> 0 bytes | |||
| -rw-r--r-- | old/67100-h/images/frontis.jpg | bin | 86050 -> 0 bytes | |||
| -rw-r--r-- | old/67100-h/images/titlepage.jpg | bin | 42556 -> 0 bytes | |||
| -rw-r--r-- | old/67100-h/images/titlepagelogo.jpg | bin | 20781 -> 0 bytes |
17 files changed, 17 insertions, 3570 deletions
diff --git a/.gitattributes b/.gitattributes new file mode 100644 index 0000000..d7b82bc --- /dev/null +++ b/.gitattributes @@ -0,0 +1,4 @@ +*.txt text eol=lf +*.htm text eol=lf +*.html text eol=lf +*.md text eol=lf diff --git a/LICENSE.txt b/LICENSE.txt new file mode 100644 index 0000000..6312041 --- /dev/null +++ b/LICENSE.txt @@ -0,0 +1,11 @@ +This eBook, including all associated images, markup, improvements, +metadata, and any other content or labor, has been confirmed to be +in the PUBLIC DOMAIN IN THE UNITED STATES. + +Procedures for determining public domain status are described in +the "Copyright How-To" at https://www.gutenberg.org. + +No investigation has been made concerning possible copyrights in +jurisdictions other than the United States. Anyone seeking to utilize +this eBook outside of the United States should confirm copyright +status under the laws that apply to them. diff --git a/README.md b/README.md new file mode 100644 index 0000000..dd22498 --- /dev/null +++ b/README.md @@ -0,0 +1,2 @@ +Project Gutenberg (https://www.gutenberg.org) public repository for +eBook #67100 (https://www.gutenberg.org/ebooks/67100) diff --git a/old/67100-0.txt b/old/67100-0.txt deleted file mode 100644 index 0a7d8e1..0000000 --- a/old/67100-0.txt +++ /dev/null @@ -1,1435 +0,0 @@ -The Project Gutenberg eBook of Bumps and His Buddies, by Marie Helene -Gulbransen - -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online at -www.gutenberg.org. If you are not located in the United States, you -will have to check the laws of the country where you are located before -using this eBook. - -Title: Bumps and His Buddies - -Author: Marie Helene Gulbransen - -Illustrator: James W. Burbank - -Release Date: January 4, 2022 [eBook #67100] - -Language: English - -Produced by: Charlene Taylor, David E. Brown, and the Online Distributed - Proofreading Team at https://www.pgdp.net (This file was - produced from images generously made available by The - Internet Archive/American Libraries.) - -*** START OF THE PROJECT GUTENBERG EBOOK BUMPS AND HIS BUDDIES *** - - - - - -BUMPS AND HIS BUDDIES - -MARIE HELENE GULBRANSEN - - -[Illustration: _He Never Had Heard of a Bridge of Fish_] - - - - - Bumps - And His Buddies - - BY - MARIE HELENE GULBRANSEN - - WITH ILLUSTRATIONS BY - JAMES W. BURBANK - - [Illustration] - - DORRANCE & COMPANY - PHILADELPHIA - - - - -Copyright 1924 - -Dorrance & Company Inc - - -Manufactured in the United States of America - - - - -CONTENTS - - - PAGE - - BUMPS AND THE MAGIC PURSE 11 - - THE VOYAGE TO NO-SUCH LAND 23 - - SQUEEDINKS AND THE COD LIVER OIL 35 - - TOM NOW-YOU-SEE-HIM-NOW-YOU-DON’T 45 - - COLETTE, THE LITTLE DANCING GIRL 55 - - JERRY AND THE WISHING-RING 65 - - PATSY ANN IN BIRDLAND 75 - - - - -LIST OF ILLUSTRATIONS - - - _Facing Page_ - - He Had Never Heard of a Bridge of Fish _Frontispiece_ - - Our Island Is Swimming Away With Us 24 - - I Never Did Think This Tree Was Big Enough 36 - - All They Could See Was the Skates 48 - - Only a Tiny Bunch of Whiskers Remained 56 - - The Savages Ran in Terror 68 - - A Queer Bird Flew Close to Patsy Ann 76 - - - - - BUMPS AND - THE MAGIC PURSE - - - - -BUMPS AND HIS BUDDIES - - - - -BUMPS AND THE MAGIC PURSE - - -Once there was a little boy named Bumps, a name he was given because -of the many times he fell down, bumping his little legs and head. He -was a roly-poly little chap, a bit too heavy for his height, and when -he started off to work or play he was usually in such a hurry that he -tumbled over. Now Bumps lived in a wee hut ’way off in the country, -with his mother, who was quite poor. In the mornings he would hustle -out to chop wood and gather wild berries for their breakfast, always -wishing that he could find a pot of gold to make his mother rich and -happy. Finally he decided to start out into the big world to seek his -fortune, and while his mother hated to have her little son leave her, -she felt sure he would be successful because he had always been such a -good boy. - -So one bright sunny morning Bumps, after kissing his mother good-bye, -set out on his long journey with a rabbit’s foot in his pocket for -luck and only a little lunch to eat on the way. He walked for miles and -miles in the direction of the city until his little legs grew very, -very tired. So he sat down to rest and to eat his luncheon, only to -find that he had devoured it, bit by bit, as he trudged along. It was -getting toward the end of the afternoon when he suddenly saw a little -brown rabbit with a white tail hopping along ahead of him. He longed -for the big gun which he had left behind in the woodshed, for he knew -that he must soon have more food and he thought the rabbit would make -a good supper. But just then he spied a stone with which he thought -he might kill Mr. Rabbit. Bumps threw the stone with all his might, -just missing him by inches, and the rabbit, instead of running away, -scampered right up to him, and sitting up straight, held out one little -foot. Then it occurred to Bumps that here he was carrying a rabbit’s -foot for good luck, and yet he had tried to bring bad luck upon this -poor little creature. With tears in his eyes he gathered the rabbit in -his arms, calling him, “Dear little brown Bunny!” From that moment -Bumps and the Bunny were the best of friends, and journeyed on together. - -It was growing dusk by this time and Bumps was so hungry that he began -hunting about in his pockets for crumbs of his luncheon. When the -little brown Bunny saw him do this, and also saw that Bumps didn’t find -anything to eat in his pocket, he began running about, pausing every -now and then to sniff the air with his little funny nose. At last he -dashed off at a great pace, and Bumps saw him busily scratching and -digging in the ground. When he caught up with him he saw that Bunny had -uncovered a hidden basketful of the most delicious things to eat, which -a picnic party had buried away in the cool, clean earth for another -day’s luncheon. Bumps and Bunny sat down under a tree for supper, and -Bumps fed his little friend all the lettuce out of the sandwiches. - -It was now quite dark and the two travelers felt very drowsy, so -they curled up close to each other and fell sound asleep. Bumps was -dreaming happily about his return home laden with riches, when he -felt something nibbling at his ear, and awakened to find that Bunny -was trying to tell him something. He couldn’t make out what the little -fellow was trying to say, until he heard a deep growl among the trees, -and saw a big shadow in the moonlight. He was terribly frightened, -but knew that the wisest thing to do was remain perfectly still. To -his surprise, the Bunny scampered off right under the nose of an -enormous bear, making all the noise he could in the dead leaves. Of -course, the bear ran after him through the woods, which was exactly -what clever Bunny had planned, while Bumps stayed just where he was, -breathless with fright and excitement. There was a great crashing and a -terrific growling, and then all was still! After a minute or two Bunny -reappeared, tumbling tail over ears with laughter, and sitting up on -his hind legs, motioned Bumps to follow him. The two set off together -through the underbrush, and all the while the frightful growlings grew -louder and louder, until they came to where they saw old Mr. Bear stuck -tight in a hole in the ground, into which he had vainly tried to follow -Bunny, who had cleverly led him in and then escaped through the hole’s -back door. Bumps and Bunny left the bear stuck securely in the ground, -fairly growling his head off, and went back to sleep. Bumps felt fonder -than ever of Bunny, for he felt that the little animal’s quick wit and -quick action had saved his life. - -In the morning the two friends proceeded on their way, walking as fast -as they could, for they were in great haste to make their fortunes. -Occasionally they met a good farmer who gave them apples and cabbages -to eat. They walked and walked all day long; sometimes Bunny ran ahead -over the roofs of the hills, but he always returned to see if Bumps -was following him. And all the time Bumps’ little legs were growing -stronger and stronger, so that he seldom fell and hardly felt tired -at all, which made him very proud. Finally, Bunny vanished over the -top of the very last, highest hill, and though Bumps looked and looked -for him, he didn’t come back. When Bumps caught up with him he found -him sitting on the doorstep of a great river, wondering how they would -ever get across. Alas! Poor Bumps himself could see no way to go on, -and feared that they would have to turn back. While they stood sadly -looking at the deep water as it went rushing by them, there was a great -splashing and rippling all about, and hundreds of fish, of every kind -and color in the whole world, poked their heads up above the surface, -just exactly as if they were trying to tell the travelers something. -Then Bumps and Bunny noticed that the fish were floating side by -side, packed tightly together all the way across the river in a long, -glistening silver bridge. Bumps had never heard of anyone crossing a -river on a bridge of fish, but he stepped boldly out, with Bunny in -his arms. And when he had safely reached the other side, without even -so much as getting the soles of his feet damp, he thanked the fish for -their kindness by digging hundreds of worms for them (with the help -of Bunny’s sharp little claws). As fast as they could dig they threw -the worms into the river, and just as fast they disappeared into the -fishes’ mouths. - -Then the two travelers resumed their journey, telling each other how -fortunate they had been thus far. They went on and on, until Bumps -thought they must be approaching the city. They were pushing their -way through a little thicket--Bunny hurrying on ahead, as usual--when -Bumps heard the hiss of a snake. He looked around quickly to see where -it came from, and right in front of him on the ground he saw a poor -little bird held spellbound by the glittering eye of an ugly snake, -so frightened that it could neither move nor fly. Without stopping -to think that the snake might injure him, Bumps seized a big stick -and killed it. Instantly the poor little bird was transformed into a -beautiful Fairy, not much bigger than a robin. She told Bumps that a -cruel Witch had put an enchantment upon her, forcing her to live in the -body of a helpless little bird, at the mercy of all the beasts of the -forest, until she should be rescued by some kind person. The Fairy was -so grateful to Bumps for her release that she made him a present of a -beautiful purse, in which was just one shining gold coin. This was the -first money Bumps had ever had for his very own and he felt that his -good fortune was coming true at last. Thanking the Fairy politely, he -skipped merrily on, overtaking Bunny, and soon the two friends were -within sight of the big city. - - * * * * * - -The first person Bumps and Bunny met on their arrival in the city -was a man selling ice cream, and although he hated to part with the -gold-piece, Bumps could not resist buying two fat cones. As they walked -along eating them and gazing at all the wonderful things about them, -Bumps’ toes suddenly began to feel very cold. Glancing down he saw -that some of the ice cream had dropped through a hole in his shoe, -which was badly worn from the long journey. Right across the street -there was a fine big shoe store, and as Bumps stood wishing he had -a pair of handsome new shoes, imagine his delight and surprise at -suddenly feeling the smooth, hard surface of another coin in the purse -the Fairy had given him! At first he thought there might have been -two gold-pieces in the purse when the Fairy gave it to him and he had -been so stupid as to have only discovered one of them. But when, after -paying for the shoes, he felt still another coin, he knew that he had -been given a wonderful gift indeed, and that the purse was truly a -magic one, which would never become empty. - -It was now an easy matter for Bumps to buy all the pretty things he -had planned to take back to his dear mother, of which there were so -many that he had to buy a great balloon to which was fastened a basket -big enough to hold everything. And Bumps and Bunny and all the gifts -purchased with the Fairy’s money sailed away in it, over the wide river -and all the hills, until they came in sight of the little home. Bumps -landed the balloon in his own front yard, and he and Bunny rushed in -to tell his mother the story of his good fortune. She was delighted -with all the presents he brought her, and because they were never able -to empty the magic purse of its last shining gold-piece, Bumps and his -mother always had everything they wanted, and lived happily together -forever after! - - - - - THE VOYAGE - TO NO-SUCH LAND - - - - -THE VOYAGE TO NO-SUCH LAND - - -Whoops and Putty-Nose were at the seaside, playing on the shore of -a beautiful, big blue bay--a bay which was really part of the big, -beautiful blue ocean, where their father and mother had taken them -for the summer. Whoops was a very pretty little girl with long yellow -curls, and big brown eyes which were almost always wide open with -surprise. She had been given her funny nickname because she always -cried “Whoops!” when she saw anything that pleased her, and as almost -everything pleased her she was crying “Whoops!” most of the time. -Putty-Nose was her brother--a jolly, fat little fellow with a round -face and a quaint snub nose in the exact middle of it so covered with -big brown freckles it looked just like a lump of putty. Whoops and -Putty-Nose had a very small tent, buckets, shovels, and a pop-gun, -and had been playing that they were Robinson Crusoe and his good man -Friday, cast away on a desert island. But after a while they got -tired--it was hard work imagining oneself quite deserted when one -could see home all the while! So they sat down by the water to rest and -to think up some more interesting game. - -All of a sudden Putty-Nose exclaimed, “Whoopsie! Look at that big, -round, flat rock out in the water! Let’s wade out to it and we can -pretend it’s a really truly island!” - -Whoops was always ready for fun, so they waded out, carrying all their -playthings in their arms with them; they pitched their tent in the -very middle of the rock, and there they were, really on an island, -with water all around. It was ever so much cooler than on the beach, -and much more exciting, so they sat down to enjoy life and plan what -to do next. Whoops had just noticed that their rock was all marked out -in a diamond pattern, something like a giant checkerboard, only not -colored, when she felt it begin to move smoothly and slowly through the -sparkling blue waters. Whoops “whooped” in her very best manner, crying -out to her brother, “Hold on tight, Putty-Nose! Our island is swimming -away with us!” - -[Illustration: _Our Island Is Swimming Away With Us_] - -And sure enough, the island was moving off to sea, making tiny -ripples like those that follow in the wake of a boat. The children -didn’t know what to do; they had never heard of a swimming island, and -they had just about decided to become very, very frightened indeed, -when a big, long, ugly head lifted itself up over the western shore of -the island, turned, and looked back at them. It was exactly like the -head of a turtle they had once seen, only a great many times larger, -and although it was quite hideously ugly, it had a kindly humorous -expression around its mouth and a merry twinkle in its eye. - -“I’m Old Flipperoo, the sea-turtle,” it said by way of polite -introduction, “and I’m perfectly harmless, so you mustn’t be afraid. -You can stay on my back and I’ll carry you across the ocean to a place -I know, and show you all the queer and wonderful things that grow -there. Then I’ll bring you back safe and sound in time for supper. How -does that sound?” - -Now of course, Whoops and Putty-Nose said it was the one thing they -wanted to do most of all, so Old Flipperoo tucked his head away out -of sight again and set himself to paddling away at a great rate. The -mariners were soon so far out to sea that they could no longer see -land, and when they passed close by the great sea-going vessels and -trans-oceanic liners, all the people on their decks ran to the rail to -look at the queer flat boat and its very youthful passengers. Everybody -waved and called greetings to the children, and the children waved -back, and shouted “Ship ahoy!” which they knew was the polite thing to -do. - -After a long, long voyage they sighted a land almost completely covered -with the queerest looking trees. Flipperoo swam into a quiet bay and -waddled right up on the sand, so that Whoops and Putty-Nose were able -to step ashore without even wetting their feet. “I’ll lie here in the -sun and take a nap,” said the turtle, “and you children start off on a -journey of discovery. Nothing in this strange country will hurt you, -although you will be surprised at many of the things you will see. -Only be sure to come back here to me when you hear the Tick-Tock bird -calling, ‘Five o’clock!’, or we’ll all be late for supper.” - -So Whoops and Putty-Nose left their wonderful new friend dozing in -the hot sand and set off, hand in hand, along the path which led up -among the trees. Now they understood why the island had looked so funny -when they were approaching it on the turtle’s back, for all the trees -grew upside-down, their roots in the air, and the figs, cocoanuts, and -bananas on the ground, where they could easily be picked. They decided -to gather some of the fruit on the way back to take home to their -father and mother, and went on up the winding path. The air was full of -Jujube and Lollypop birds, which flew ahead of them calling, “Whoops -and Putty-Nose have come to visit us!” - -All at once they came upon a colony of Chase-Tails, little striped -animals with a very sweet tooth. Instead of regular tails they had -sticks of peppermint candy, which they were forever chasing round -and round, in order to satisfy their enormous appetites for candy. -Each Chase-Tail was chasing his tail for dear life around a little -bush, until every bush in sight had a Chase-Tail lying around it -like a doughnut, holding its peppermint tail fast in its mouth, and -nibbling away happily at the candy. Just as Whoops and Putty-Nose -were wondering what would happen when the tails were all eaten up, -the Whispering-Tell-Tale bird flew down and explained that new tails -would grow by tea-time next Thursday. It was then only Monday, and the -Chase-Tails had to make their peppermint candy tails last for four -whole days, or go hungry. - -Further on, in a cool little dell, they found the Ice Cream Soda plant -in full bloom, covered with great white cup-shaped flowers, like Easter -lilies. All you had to do was pick one of these flowers, wish very hard -for your favorite flavor, and instantly it was full of cold, delicious -ice cream soda. After sampling as many kinds as they could think of, -Whoops and Putty-Nose continued their journey, and were just crossing -a bridge over a tiny stream when they were brought to a standstill by -a strange sound. It came from the water, and, on looking closer, the -children discovered a school of Gurgling Gonces swimming in a quiet -pool under the bridge. They ran down on the bank to see and get a -closer look, and were amazed to find that a Gurgling Gonce is exactly -like a small, red rubber hot water bottle, and makes the same noise -a water bottle does when shaken. Putty-Nose waded carefully into the -stream and succeeded in catching one of the funny fish. It seemed not -at all afraid--and very, very warm, and it had just one big, round eye -in the end where the stopper of the water bottle would be. It looked so -pleadingly into his face and seemed so helpless that Putty-Nose felt -sorry for it and put it back in the water right away. “Gurgle-Gurgle,” -said the grateful Gurgling Gonce, very politely, and swam off to join -its brothers and sisters. - -At last, just as Whoops and Putty-Nose were beginning to feel very -hungry, they smelled a pleasant odor of cooking, and coming out into -a little clearing in the woods where a fire was burning, they found -dozens of chubby little Waffle-Wimps dancing hand in hand around it. -The Waffle-Wimps were square and flat, with little square holes all -over their plump little bodies. They kept dancing closer and closer to -the flames until they grew crisp and brown and very hot. Then they all -ran off sizzling and chuckling, each one crawling under a marvelously -sweet Syrup-Bush, where he lay down on his back and let the bush drip -delicious maple syrup on him until he was just prime for eating. The -children ate all the Waffle-Wimps they could hold, then they said, -“Thank You,” to the ones they left behind, and went on. - -They had a wonderful time getting acquainted with all the strange and -marvelous creatures that lived on the island, but at last it began to -get darker and cooler in the woods and they heard the Tick-Tock bird -calling, “Five o’clock! Five o’clock!” so they ran back obediently to -Old Flipperoo, who opened one eye at them sleepily and asked, “Did you -see everything on the island?” - -“Oh, yes! Everything! And we loved it!” cried the children. So -Flipperoo promised to bring them again, and crawled lazily back into -the water, preparatory to carrying them home. Whoops and Putty-Nose, -who were very tired by this time, climbed on his back under their -Robinson Crusoe tent and lay down. They fell fast asleep, and never -woke up until they heard their mother calling to them from the shore. -You can guess how surprised she was to see them come sailing home on -Old Flipperoo’s back, and to hear all about the delights and wonders of -their voyage to No-Such Land. - - - - - SQUEEDINKS AND - THE COD LIVER OIL - - - - -SQUEEDINKS AND THE COD LIVER OIL - - -His real name was Ferdinand Maxwell Higginson, but his friend Mops, the -hired man, always called him Squeedinks--and as we are all going to be -his friends--we may as well call him Squeedinks, too. He lived with -his aunt in a pretty little house ’way out in the country, set between -rolling green fields and a large forest. Squeedinks used to read all -sorts of books, but he liked stories about animals best of all. When -he grew tired of reading he would go out into the forest and watch the -squirrels frisking about among the old trees. He noticed that most of -the squirrels lived in holes in the big oaks, and he was extremely -anxious to get a look into the holes and see just how squirrels behaved -when they were at home. - -After a great many unsuccessful attempts, Squeedinks at last succeeded -in climbing part way up a big oak tree. He couldn’t get quite as far -up as the little round holes where he saw his furry friends darting in -and out, but he was delighted to find one hole, low down on the trunk, -which was just big enough for him to squeeze into. You see, he was just -a small little boy. Every day, after that, Squeedinks climbed up to his -lookout, which he christened the “Crow’s Nest,” and sat there with just -his head peeping out, watching the antics of the squirrels. - -The squirrels would dash past Squeedinks, chattering as if they were -trying to tell him something, and then scamper off home with a great -clatter and racket, looking down at the little boy with their big, -bright eyes. Squeedinks always brought something for the squirrels to -eat, and it wasn’t long before they grew quite friendly. He invented -names for the ones he knew best, and tried hard to teach them to answer -when he called. - -[Illustration: _I Never Did Think This Tree Was Big Enough_] - -One day Squeedinks heard his aunt talking to the Doctor about him. She -was worried because he was so small, and the Doctor said that he ought -to take Cod Liver Oil to make him grow. So that afternoon his aunt -sent him down to the village to buy a bottle. On the way back from the -village he came through the forest, and decided he would climb up -into the Crow’s Nest for a while. He placed the bottle of Cod Liver Oil -carefully on the ground, and was soon tucked ’way up among the leaves -in his favorite lookout. As he sat there, Squeedinks thought about the -Cod Liver Oil, and began to wonder if it would make other things grow -as well as little boys. He leaned out of the hole to see if the bottle -was safe, and what do you think he saw? A funny little brown man, not -much taller than Squeedinks’ fox-terrier, Snarlyrow, was looking at the -bottle! Squeedinks heard him say to himself, “H’m! Cod Liver Oil, eh? -Well, I never did think this tree was quite big enough for its age!” -And with that, he uncorked the bottle, poured its contents on the roots -of the tree, and disappeared into the depths of the forest whistling a -funny tune. - -Squeedinks was thinking that that was a very strange thing to do, when -he began to feel rather queer. He felt as if he were going up in an -elevator, and the hole he was wedged into grew larger and larger until -it was as big as a little room. He poked out his head and looked down, -and found that he could see nothing but the green tops of the other -trees, far, far below him. What _could_ be happening? He knew! His tree -was starting to grow--the Cod Liver Oil had begun to work! The tree -grew so fast that in a few minutes he could scarcely see the forest, or -the roof of his home nearby. The leaves of his tree grew as big as bed -quilts, and all the squirrel holes were large enough for a small boy to -live in. - -It all seemed just like a fairy tale, and Squeedinks became wildly -excited. He could now stand erect and walk about inside the Crow’s -Nest, and just here he noticed that the big tree had a hollow center, -and that this hollow ran all the way up, just like a chimney. He -started to climb up the inside of the tree, and quite unexpectedly -found himself in the front parlor of old Umbrella-Tail, a big gray -squirrel. All the squirrels were just as amazed as Squeedinks at -finding their homes grown suddenly large and roomy, and they were all -chattering excitedly together. Squeedinks was greatly surprised to -find that he could understand everything the squirrels said. Mrs. -Umbrella-Tail was saying, “Well! If you expect me to keep house in -_this_ enormous place you’ll just have to get little Nutty Red squirrel -for a servant! And that’s that!” Then they all saw Squeedinks, and -asked him how he had got there. When he told them, they said that -_they_ had always used the inside of the tree for a stairway, but it -had never before been big enough for a boy to get through, and they -had felt safe from molestation. Squeedinks assured them that he loved -squirrels and, indeed, all the animals that lived in the woods, and -wouldn’t hurt them for the world. And now he only wanted to get down -and go home, for it was getting dark. - -Old Umbrella-Tail said he would show him the way, and started down -inside the hollow tree. Squeedinks followed more slowly, for it was as -black as ink in there. Finally they discovered they couldn’t go any -farther, and then found they were inside of one of the tree’s great -roots, way down under the ground. Then Squeedinks despaired of ever -seeing his home again, but Umbrella-Tail nosed about and discovered an -opening in the end of the root, through which they could see a dark -tunnel leading away through the moist earth. But they were afraid to -follow it for they didn’t know where it led, and were just about to -turn back in despair, when they heard something thumping along with -dull, rhythmic bumps. It turned out to be old Grandfather Mole, who -lived down there. He was quite blind, and had to walk with a cane, but -his front feet were big and strong, with sharp little claws to help -him dig his tunnels here and there and everywhere under the ground. -When Grandfather Mole learned that Umbrella-Tail was trying to get -Squeedinks home in time for supper, he turned slowly around in his -tunnel, handed the little boy a flashlight out of his vest pocket, and -called out in a deep bass voice that sounded very much as if the damp -earth had given him chronic bronchitis, “Follow me!” So Squeedinks bade -Umbrella-Tail good-bye, and started to wriggle along the tunnel on his -stomach behind Grandfather Mole. In a marvelously short time they came -out into the air, and Squeedinks was delighted to find himself at home -underneath his own front porch. He thanked Grandfather Mole politely -for leading him safely home, and watched the old fellow disappear down -his tunnel again. Then Squeedinks ran into the house and told his aunt -all that had happened to him, and what strange things the Cod Liver Oil -had accomplished. - - - - - TOM - NOW-YOU-SEE-HIM-NOW-YOU-DON’T - - - - -TOM NOW-YOU-SEE-HIM-NOW-YOU-DON’T - - -It was a cold, snowy day just before the Christmas holidays, and little -Tom was standing near one of the shop windows, gazing longingly in at -the beautiful gay toys. He was wondering whether he would find the -wonderful red sled, shining skates and bright, brisk-looking wagon -under _his_ tree on Christmas morning, or if Santa Claus would hold it -against him that he had been naughty in refusing, at first, to take -his cough medicine, and pass him by without leaving him any gifts at -all. Of course, he had taken the medicine later, when his mother had -insisted. But he had heard that Santa Claus sometimes punished children -when they refused to obey promptly. - -While he was pondering over this, selecting the gifts he would like -best and hoping to be forgiven for his naughtiness, a huge snowball -sang by his head and crashed through the great glass window. He turned -quickly, in time to see his playmate, Teddy, disappear around the -corner. Just then he felt strong hands grasp his coat collar roughly -and heard an angry policeman exclaim, “That’s the time I caught you!” - -Poor Tom! He knew that Teddy had thrown the snowball, but he didn’t -want to be a tattle-tale, so he allowed himself to be hauled away to -the nearest jail. He was thrust into a dark cell, not much larger than -a clothes closet, where he trembled with the cold and dampness, utterly -heart-broken over his sad plight. Trying to be brave, he forced back -the tears, and settled down to wait until his father should come to his -rescue. - -Suddenly he saw a great cloud of smoke rising from one corner of his -cell. It circled ’round and ’round until it disappeared into thin air, -leaving behind a tiny brown elf, who stood blinking knowingly at him -and nodding his head like a wise little old man. Now Tom had often -heard of goblins and fairies and wished that he might know them, so he -smiled at his little visitor, told him how glad he was to see him and -began to relate to him the story of his misfortune. “Yes, Tom,” said -the little elf, “I know all about your troubles, and because you have -been a good, honest lad I am willing to grant any wish you may make.” -This was jolly good luck for Tom, and he laughed to think how worried -he had been a few short moments ago, and how the little brown elf had -transformed all his sorrow into wonderful joy. - -“O dear Mr. Fairy, what I want most of all in the world is the power to -become invisible,” cried Tom. “I have always wished that I could make -myself invisible whenever I wanted to do so.” - -Now the little brown elf thought this a most unusual wish, but he told -Tom he would grant it for one day, and instantly Tom felt a sudden -gust of air and found himself entirely alone. Just then he heard the -turnkey coming with his bread and water and he hurriedly wished himself -invisible, and when the door was opened he walked right out of his cell -between the big man’s bow legs! He chuckled in glee to himself when he -saw the turnkey looking all about for him, not being able to find him -anywhere, and then he set about finding his way to the street. - -On his way home Tom passed a lake that the frost had converted into a -solid sheet of gleaming ice, where all the boys and girls were skating. -He spied a pair of skates lying on the bank, and quick as a thought, he -had them on his feet and had darted off across the ice. There were loud -shouts of surprise from everyone, and he saw all the boys and girls -looking after him in amazement. Of course, all _they_ could see was the -skates, which they thought must have been bewitched to go skating off -by themselves. A dozen boys set out in pursuit of them, and Tom quite -enjoyed the sport of eluding them. Teddy, who was in the crowd, almost -caught up with him, but, hearing a voice that seemed to come from the -skates themselves, saying, “You _know_ you broke the window!” he became -so frightened that he stumbled and fell, slithered over the thin ice -around a “Danger” sign, broke through and plunged headlong into the -cold water. - -[Illustration: _All They Could See Was the Skates_] - -Before the other boys and girls could reach him, Invisible Tom had -pulled him out. When Teddy felt hands helping him out but could see no -one, he cried aloud in fear, but Tom just chuckled to himself and -glided off, quite satisfied with his first adventure. By this time he -was tired of skating, so, leaving the skates where he had found them, -he went merrily and invisibly on his way. - -A poor little homeless dog whose leg had been injured by a passing -truck was limping painfully along ahead of Tom, and at last tumbled -into a pathetic little heap, unable to drag himself further. A rough -boy, whom Tom did not know, came by just at that moment and began -tormenting the poor little animal. ’Twas then Tom thought he could have -some fun by befriending the dog and playing a trick on the boy. So he -dashed over, picked the dog up in his invisible arms, and carried him -safely down the street. When he looked back and saw the boy standing -with his mouth wide open in amazement at seeing a dog floating away in -the air, he laughed aloud. This was indeed great fun! Tom went out of -his way to pass the Dog Hospital, where he dropped his little charge -carefully in through an open window just high enough from the ground -for him to reach. - -Then Tom went on his invisible way. Soon he arrived in front of Betty -Brown’s house, where he heard sounds of laughter and music, reminding -him that she was giving a party and that he had been invited. He looked -down at himself. He had on his oldest suit, and he knew he hadn’t time -to go home to dress, so he decided to attend the party as Invisible -Tom. The guests were just eating ice cream and cake as Tom entered and -he watched until he saw the maid put down a big plate of chocolate -ice cream in front of Billy Bon. Before Billy had a chance to notice -it, Tom reached out and snatched the dish, vanishing with it behind -the piano. Betty’s mother, the hostess, was surprised to find that -Billy had no ice cream, and brought him another plate, but Tom had -eaten the first one quickly, and was already standing invisible beside -Billy’s chair, waiting to play the trick again. This practical joke was -repeated several times, and poor Billy might have gone ice cream-less -if Tom had not reached the very limit of his capacity at last. - -During the games which followed refreshments, Tom played many pranks -on his little friends and then, politely saying good-bye to Betty, -who started at hearing a voice when she couldn’t see anyone near, he -skipped out the door. - -As it was now getting late, Tom knew he had better hurry on home. He -had enjoyed being invisible so much that he decided to remain that way -as a surprise for his Mother and Daddy. Upon reaching the house he saw -an enormous airplane, which had landed in a field near his home and -which was about to take flight. Tom saw that it was piloted by a famous -aviator of whom he had often heard his father talk, and he could not -resist the temptation of climbing invisibly in beside him. Instantly -there was a great roar, and they were off up into the clouds, with -Tom leaning over the side of the plane to see the cities below, which -looked very tiny and very far away. This was the greatest experience -that Tom had ever had, and in his excitement he forgot that the aviator -couldn’t see him, and shouted in his ear, “Let’s go call on the Man in -the Moon!” This startled the aviator so that he lost control of the -plane, which shot toward earth, twisting and turning in its terrible -fall. - -Over and over it went, with Tom clinging to his seat with all his -might, when all of a sudden he lost his grip, and the next thing he -knew he had landed flop! in the middle of a big, soft snowbank. A -kindly old farmer who was traveling along on the road nearby, hurried -to him, picked him up and offered to take him home in his mulecart. - -“O what a day!” thought Tom, and in his heart he thanked the little elf -for all his thrilling adventures. - - - - - COLETTE, - THE LITTLE DANCING GIRL - - - - -COLETTE, THE LITTLE DANCING GIRL - - -Far away in a distant city where all the people love music and dancing, -there was a hurdy-gurdy man whom all the children knew as Uncle -Antoine. Uncle Antoine had a pet monkey called Monko, who went with -him every day on his round of music-making. One day, when the sun was -shining brightly, they chanced upon a pretty little blue-eyed girl with -golden curls, who was sitting on a doorstep weeping. When Uncle Antoine -asked her why she was crying so bitterly, she replied that she was all -alone in the world and had no place to live. Poor Uncle Antoine had a -great, big heart and he felt very sorry for her, so he told her that he -would be her uncle and that she might join him and Monko. - -Now Colette, for that was the little girl’s name, was as good as she -was pretty, and when she found someone to love her and look after her, -she proceeded to dance for joy. A crowd soon gathered, and everyone was -so enchanted with the music and the dancing that they threw shining -heaps of gold pennies into Monko’s cup. At the end of the day they -had collected more gold pennies than Uncle Antoine had ever seen in -his life before, and the three partners dreamed dreams of a beautiful -future, where pennies would be so plentiful that they could afford to -buy a nice little house of their very own and live happily ever after. - -So each night found Uncle Antoine, Colette, and Monko ’way off in the -country falling asleep under some nice big tree, tired but happy in -their dreams of the future. And every morning they were awakened by -little leaves fluttering down upon their faces, and by the chirping of -the tiny birds above them. One day Colette suggested going to the Zoo -to entertain the people who were watching the animals, and since Uncle -Antoine and Monko were always ready to please her, they hurried across -the city, pushing the big hurdy-gurdy before them. - -[Illustration: _Only a Tiny Bunch of Whiskers Remained_] - -When they arrived at the Zoo they found that great crowds were there -before them, and when Uncle Antoine started to play and Colette to -dance, not only did the boys and girls and grown-ups turn to look -and listen, but all the animals began to cut capers. The monkeys -started to two-step, and one old Grandfather Ape did a loop-the-loop -of joy. Old Leo Lion whistled the _Star Spangled Banner_ and the big -clumsy elephants sang _Yankee Doodle_ all at the same time; old Uncle -Hippopotamus humped about his cage, trying his best to waltz. - -Little Colette danced as she had never danced before, with her lovely -golden curls flying in the breeze. Monko dashed around through the -crowd at a great rate, not knowing what to make of the heavy silver -dollars that rattled merrily in his cup, taking the places of the usual -pennies. He emptied his cup so often at Uncle Antoine’s feet that very -soon the hurdy-gurdy was surrounded by enormous piles of gleaming -silver dollars and when it was dark, and all the people had hurried -home to their dinners, laughing and chattering about their wonderful -afternoon, Uncle Antoine, Colette, and Monko were left behind with so -much money that they had to borrow an elephant from the Keeper of the -Zoo, strap a trunk on his broad back, and carry it all away. - -At last their dreams of wealth had come true, and they set out in -search of a little house. They found a dear little vine-covered cottage -surrounded by shrubs and kindly trees like the ones that had sheltered -them in their poverty. Colette had lots of fun making curtains and -preparing dinner for Uncle Antoine and Monko, but the three friends -missed their old life. They missed it so sadly that at last they -decided that they would be happier if they were still giving happiness -to others, so they began a round of visits to the orphan asylums and -the hospitals, and played and danced for the poor little children and -the sick and distressed. - -One day while Colette was busily planting seeds in her tiny garden, -Prince Charming rode by that way on his splendid white horse, and he -was so struck with her beauty and goodness that he asked her to marry -him on the spot and become the Princess of his marvelous castle. - -Now Prince Charming was a wonderful Prince and Colette loved him, but -she couldn’t bear to leave her good Uncle Antoine and Monko, who had -befriended her when she was sad and lonely. So she shook her head and -told the Prince that she must remain in the cottage and watch over her -family. Whereupon the Prince laughed, and replied that his palace was -large enough for fifty families, and that he would love hers as she -did and look after them always. And so there was a big wedding, with -Colette the most beautiful little bride in all the world, dressed in -glistening white satin and creamy lace and carrying a huge bouquet of -the most exquisite flowers. And Prince Charming was the handsomest -groom imaginable, in his uniform of gold and white. Then, as soon as -the ceremony was over, Colette, Uncle Antoine and Monko all moved into -the Prince’s castle. It was a big, white castle, built entirely of -gleaming marble, with fountains of diamonds and rubies playing in the -midst of gardens of rare flowers and trees so large that they reached -right up into the sky. - -Uncle Antoine was the proudest and happiest man alive, for the Prince -had given him a brand new hurdy-gurdy which played every tune that had -ever been composed, and had brought tears of joy into the old man’s -eyes by telling him that he might spend all his time in the garden, -playing his music, watching the flowers, and listening to the birds, -of which there were millions, so tame that they would sing any song -you requested of them, and perch on your hand to be fed. Monko was -given all the peanuts he could possibly eat, a whole grove of cocoanut -trees, and best of all, a kiddy-car on which he could ride all over the -grounds. - -In the midst of all this glory they lived very happily until Uncle -Antoine grew to be an old, old man, and Monko acquired a long, white -beard, which trailed behind him for some three blocks. In fact, his -beard was so very long that when he went out walking with the Princess -Colette it looked like the train of her gown. One day, when Uncle -Antoine and the Prince and Princess were all sitting out in the garden -listening to a large black crow singing _Mammy’s Little Coal-Black -Rose_, they heard cries of anguish from high up among the trees. They -discovered that Monko’s beard had become twisted around a tree trunk, -and that in trying to scramble down he had jerked so hard that he had -pulled out all but a tiny little bunch of white whiskers. Poor, poor -Monko! He was terribly distressed, until Colette assured him that his -beard would grow again, or, if it did not, she would paste the old one -on with molasses and he would be as handsome as ever. - -So you see, because little Colette and Uncle Antoine and Monko had -always done their very best to make everyone about them as happy as -they could, they were allowed to spend the rest of their days in the -beautiful palace with the good Prince. - - - - - JERRY AND - THE WISHING-RING - - - - -JERRY AND THE WISHING-RING - - -Jerry was a handsome little boy, and had just celebrated his fifth -birthday. His Uncle Jack, who was a Naval Officer on one of Uncle Sam’s -battleships, was expected home from a trip around the world, and Jerry -was so thrilled and excited that he could scarcely wait for the actual -time to arrive. He remembered sitting on his Uncle Jack’s knee when he -was a wee little chap, listening to stories of the sea, and he had not -forgotten his Uncle’s promise to take him on a voyage when he was five -years old. And then one day he heard the old familiar whistle sounding -on the garden walk and, sure enough, there was his big Uncle looking -brown and strong, greeting them all with smiles and kisses. He was to -be home for just one day, but that was time enough to have Jerry fitted -out with a smart sailor suit and made ready to take the next trip -with him. Jerry had never known so much excitement, and when he bade -good-bye to his mother and daddy and went aboard the battleship there -was not a prouder or happier boy in the whole world. - -It didn’t take him long to make friends with the men aboard, and to -learn about the big guns and all the other fascinating things. There -was one huge sailor named Jim Seaweed to whom Jerry was devoted because -he was not only the best boxer but the strongest man on the ship. On -the second day, when they were far out at sea, Jerry came on deck just -in time to see old Billy Goat, who belonged to his friend Jim and was -also the ship’s mascot, thrown from his feet by the lurching of the -vessel, and start sliding toward the rail, overboard. Jerry dashed -across the deck in a great hurry, seized old Billy by his horns, braced -his feet against the rail and held him firmly until some sailors came -to their rescue. Jim Seaweed was immediately informed of Jerry’s deed -and quick wit, and was so grateful to him for saving his pet that he -gave Jerry a wonderful ring which had been a gift to him from a Persian -king. He explained that it was a wishing-ring, with the wonderful power -to bring true your every wish. - -Soon the ship was sailing far away through tropical waters, and Uncle -Jack gave orders to anchor. In the distance they could see a group of -little islands set like tiny jewels in the blue sea, and a party of -sailors got permission to take Jerry and go ashore in a small boat, to -explore. When they landed they found quantities of tropical fruits and -birds, but no signs of human life. Tired of the company of the others, -Jerry set off by himself through a wooded stretch, and had gone some -distance when he suddenly beheld a beautiful little girl standing in -the doorway of a tiny hut. Her clothes were tattered and torn, but her -hair was the color of spun gold and her eyes were the loveliest he had -ever seen. She smiled at Jerry and told him her name was Pam, and that -she had been shipwrecked and cast ashore on this deserted island. - -It was then Jerry thought of the wishing-ring on his finger, so taking -hold of it he said, “Wishing-ring! Wishing-ring! Please dress Pam in -the clothes of a princess and change her hut into a lovely palace!” - -It was no sooner said than done, and both children danced for joy at -the transformation. Pam’s clothes were of silk and lace, and the palace -was of white marble, complete with everything the heart could wish. -Then it was that Jerry learned that Pam was indeed a real princess, who -had been taking a trip with her governess when they were shipwrecked, -and that her father and mother believed she had drowned. - -By this time the sailors had joined them, and stood blinking their eyes -in astonishment at the wonderful sight. Jerry told them that he liked -the island and intended to remain there for a while. He sent word back -to Uncle Jack on the ship that they should sail without him, as the -wishing-ring would take good care of him. - -[Illustration: _The Savages Ran in Terror_] - -Pam and Jerry waved good-bye to the big ship as it sailed away, and -then turned about to make a complete tour of their island home. It was -indeed an island of wonders, full of strange and wonderful beasts and -flowers and fruits. They tied knots in the giraffes’ necks, and taught -the ostriches to prance around the island drawing the beautiful -chariot which the good old wishing-ring had brought them. - -One day when Jerry was up in the tower of the palace looking out over -the ocean he heard Pam calling, “Jerry! Jerry! Come quickly and save -me! Some savages have just landed on our island!” - -Jerry was down in a jiffy, to find that their castle was being besieged -by a band of cannibals from a nearby island. Thinking fast, he wished -on his ring that he might be turned into an enormous elephant with -three long trunks. Instantly, his wish was granted, and the savages ran -for their canoes in terror as they saw this terrible animal charging at -them, shooting streams of water in their faces from one trunk, followed -by clouds of sand from the second trunk, and succeeded by mammoth rocks -from the third. All this was great fun for our two little friends, and -when Jerry changed back into himself, he and Pam laughed with glee to -think of how easily they had routed the enemy. - -They lived a life of perfect happiness on their island, until Pam began -to show signs of homesickness for her father and mother, and then -Jerry decided to take her back home. They discussed ways and means, and -at last agreed that an airplane would be the best thing to wish for. -Jerry had traveled over land and sea but until now he had never flown -through the air. When his wish for the airplane had been granted and -they were about to set forth on their journey to the kingdom of Pam’s -father, there were tears in their eyes at the thought of leaving their -fairyland. - -It didn’t take them long to reach Pam’s home, and when they landed the -people went crazy with joy at seeing their own little lost Princess -again. There was a great celebration in honor of her safe return, and -the King and Queen were so grateful to Jerry for bringing back their -daughter that they made him a Prince. Then Jerry wished hard for his -own father and mother, who instantly appeared and lived with him in his -kingdom until he grew to be a man. - -In time he married the Princess Pam, and they decided that they would -be happiest back on their dear little island. So they sailed back in a -big ship with scores of their friends, and there they reigned as King -and Queen, living happily for the rest of their lives. - - - - - PATSY ANN - IN BIRDLAND - - - - -PATSY ANN IN BIRDLAND - - -Patsy Ann was a quiet child, who never romped with other children, -but loved to roam around her own garden looking at the flowers and -birds. Even as a tiny child, her nurse had noticed how readily she -made friends with the little robins and bluebirds that lived in their -beautiful gardens in the spring and summer. At the age of seven Patsy -Ann had lost none of her fondness for birds. She spent hours going -about with crumbs, calling to them in her sweet little voice, and -smiling with happiness when they fluttered down to eat out of her hand. -_She_ never found it necessary to carry salt to sprinkle on their tails -in order to catch them, but was so gentle and kind that the birds were -always glad to fly to her. - -One day, when Patsy Ann was out walking with her nurse, they passed -by a dense forest. Her nurse explained that it was supposed to be -enchanted, because of strange sounds that could be heard coming from -its depths, and that no one ever walked through it. The bright eyes of -little Patsy Ann grew big with wonder as she listened, and when Nursie -stopped to chat with a friend she stood staring curiously in among the -big trees. Then Nursie started off down the road, thinking Patsy Ann -was walking by her side. After a while she turned to speak to the child -and lo! she was nowhere to be found. The poor nurse was frightened, and -started frantically to call, “Patsy Ann! Patsy Ann!” - -All this time Patsy Ann had been standing just where Nursie had left -her, staring into the forest. Hearing her name called, she turned to -look for Nurse, but could see her nowhere. The cries of “Patsy Ann” -grew louder, and seemed to be issuing from the very heart of the woods. -“O what fun!” she thought, “Nursie has gone into the forest, and now I -can follow her!” - -[Illustration: _A Queer Bird Flew Close to Patsy Ann_] - -As she went up the path between the big trees the calls of “Patsy Ann” -came nearer and nearer, and she was thinking that her nurse must be -close by, when she came upon an enormous, brilliantly-colored parrot, -and she burst into laughter as she realized that it was the big bird -that had been calling her. “O Polly!” said Patsy Ann, “have you seen my -nurse? I thought it was she who was calling me!” - -The parrot had heard the calls of the nurse, and had been mimicking -them, so he only blinked very wisely and told Patsy Ann that her nurse -was searching for her, up and down the road, very much worried because -she could not find her. He went on to say, “Of course, you must obey -your nurse, but I know you love birds, and this forest is full of -the strangest ones you ever saw. We can send a note to Nursie by the -Carrier Pigeon, asking her please to wait while I show you Birdland.” - -Patsy Ann was delighted with this idea, and she watched the parrot, -fascinated, as he picked up a large, dry leaf and whistled for the -Fountain Pen Bird. A little black bird with a shiny gold bill appeared -instantly, and flew right into her hand. The parrot told her to hold -him just like a fountain pen and write on the leaf with his bill. She -thought this very funny, but did exactly as she was told, and sure -enough, she was able to write with him just as if she was sitting at -home at her own little desk. In a few minutes she was watching the -Carrier Pigeon fly away to Nursie with the note wrapped around his leg. - -Patsy Ann and the parrot then started off to see the sights. First they -came to an enormous tree and the parrot asked Patsy Ann if she could -see anything in it. When she answered, “No, Polly,” he handed her a -pair of amber glasses to put on, and immediately the tree appeared -full of Fluttering Kafouts, which, he explained, were quite colorless -and invisible to the naked eye. Then they passed over a brook where a -Submarine Bird was just about to submerge, but when he saw Patsy Ann -he said, “I know what you’d like!” and dove ’way down into the clear -water, coming up with a bright red balloon in his beak, which he gave -to her. - -Just then she heard someone calling, “Cream of Wheat! Cream of Wheat!” -and wondered whatever it could be. Polly told her it was the Breakfast -Bird, who would not only bring you Cream of Wheat, but eggs in every -style. If you whistled once you got a soft-boiled egg, if you whistled -twice you got a hard-boiled egg, and if you turned a somersault he -knew you wanted them scrambled. Patsy Ann was feeling a bit hungry, so -she whistled twice, just to see if what Polly said would really happen. -Sure enough--a queer-looking bird flew close to her and dropped a nice -hard-boiled egg right into her outspread apron. - -While she was walking along eating it, the parrot stopped to call her -attention to a ragged little fellow, which he told her was the famous -Early Bird. It was wearing an old, tattered overcoat with dozens of -pockets, and every pocket was overflowing with worms. He was always the -first bird up in the morning, and that was why he was able to catch so -many worms. - -Most of these birds were perfect strangers to Patsy Ann, and she was -wondering what funny thing would happen next. It happened to be the -Fizzwikle, who flew about her and made her very thirsty indeed by -sounding his fizzy note, which was just like the noise made by a soda -water fountain. - -This was all very interesting, and Patsy Ann would have loved to spend -the entire day among these strange creatures, but she knew she must -hurry back to her nurse. The parrot said he would send her back by the -Flivver Bird. He called “Taxi! Taxi!” just as loud as he could, and -instantly there was a terrible rattle-te-banging in the air above them -and the Flivver Bird landed in front of them. He was the biggest bird -Patsy Ann had ever seen. His wings seemed to be made from pieces of old -tin roofs, which rattled when he flew, and he had a terrible cough. The -parrot helped her get onto the bird’s back, and politely invited her -to come again. They were off before she was able to thank him, and the -ride through the woods was noisy and exciting. When they reached the -road she slid off the bird’s back and ran into her nurse’s outstretched -arms, pouring out the story of her wonderful visit to Birdland. - - - - -TRANSCRIBER’S NOTES: - - - Italicized text is surrounded by underscores: _italics_. - - Obvious typographical errors have been corrected. - - Inconsistencies in hyphenation have been standardized. - -*** END OF THE PROJECT GUTENBERG EBOOK BUMPS AND HIS BUDDIES *** - -Updated editions will replace the previous one--the old editions will -be renamed. - -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the -United States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. - -START: FULL LICENSE - -THE FULL PROJECT GUTENBERG LICENSE -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK - -To protect the Project Gutenberg-tm mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase "Project -Gutenberg"), you agree to comply with all the terms of the Full -Project Gutenberg-tm License available with this file or online at -www.gutenberg.org/license. - -Section 1. General Terms of Use and Redistributing Project -Gutenberg-tm electronic works - -1.A. By reading or using any part of this Project Gutenberg-tm -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg-tm electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg-tm electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the -person or entity to whom you paid the fee as set forth in paragraph -1.E.8. - -1.B. "Project Gutenberg" is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg-tm electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg-tm electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg-tm -electronic works. See paragraph 1.E below. - -1.C. The Project Gutenberg Literary Archive Foundation ("the -Foundation" or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg-tm electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg-tm mission of promoting -free access to electronic works by freely sharing Project Gutenberg-tm -works in compliance with the terms of this agreement for keeping the -Project Gutenberg-tm name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg-tm License when -you share it without charge with others. - -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg-tm work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. - -1.E. Unless you have removed all references to Project Gutenberg: - -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg-tm License must appear -prominently whenever any copy of a Project Gutenberg-tm work (any work -on which the phrase "Project Gutenberg" appears, or with which the -phrase "Project Gutenberg" is associated) is accessed, displayed, -performed, viewed, copied or distributed: - - This eBook is for the use of anyone anywhere in the United States and - most other parts of the world at no cost and with almost no - restrictions whatsoever. You may copy it, give it away or re-use it - under the terms of the Project Gutenberg License included with this - eBook or online at www.gutenberg.org. If you are not located in the - United States, you will have to check the laws of the country where - you are located before using this eBook. - -1.E.2. If an individual Project Gutenberg-tm electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase "Project -Gutenberg" associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg-tm -trademark as set forth in paragraphs 1.E.8 or 1.E.9. - -1.E.3. If an individual Project Gutenberg-tm electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg-tm License for all works -posted with the permission of the copyright holder found at the -beginning of this work. - -1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg-tm. - -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg-tm License. - -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg-tm work in a format -other than "Plain Vanilla ASCII" or other format used in the official -version posted on the official Project Gutenberg-tm website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original "Plain -Vanilla ASCII" or other form. Any alternate format must include the -full Project Gutenberg-tm License as specified in paragraph 1.E.1. - -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg-tm works -unless you comply with paragraph 1.E.8 or 1.E.9. - -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg-tm electronic works -provided that: - -* You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg-tm works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg-tm trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, "Information about donations to the Project Gutenberg - Literary Archive Foundation." - -* You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg-tm - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg-tm - works. - -* You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - -* You comply with all other terms of this agreement for free - distribution of Project Gutenberg-tm works. - -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg-tm electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg-tm trademark. Contact the Foundation as set -forth in Section 3 below. - -1.F. - -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm -electronic works, and the medium on which they may be stored, may -contain "Defects," such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. - -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right -of Replacement or Refund" described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg-tm trademark, and any other party distributing a Project -Gutenberg-tm electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. - -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. - -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. - -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. - -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg-tm electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg-tm -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg-tm work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg-tm work, and (c) any -Defect you cause. - -Section 2. Information about the Mission of Project Gutenberg-tm - -Project Gutenberg-tm is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. - -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg-tm's -goals and ensuring that the Project Gutenberg-tm collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg-tm and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at -www.gutenberg.org - -Section 3. Information about the Project Gutenberg Literary -Archive Foundation - -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation's EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state's laws. - -The Foundation's business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation's website -and official page at www.gutenberg.org/contact - -Section 4. Information about Donations to the Project Gutenberg -Literary Archive Foundation - -Project Gutenberg-tm depends upon and cannot survive without -widespread public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. - -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular -state visit www.gutenberg.org/donate - -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. - -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. - -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate - -Section 5. General Information About Project Gutenberg-tm electronic works - -Professor Michael S. Hart was the originator of the Project -Gutenberg-tm concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg-tm eBooks with only a loose network of -volunteer support. - -Project Gutenberg-tm eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. - -Most people start at our website which has the main PG search -facility: www.gutenberg.org - -This website includes information about Project Gutenberg-tm, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. diff --git a/old/67100-0.zip b/old/67100-0.zip Binary files differdeleted file mode 100644 index b945f8b..0000000 --- a/old/67100-0.zip +++ /dev/null diff --git a/old/67100-h.zip b/old/67100-h.zip Binary files differdeleted file mode 100644 index 1509b3b..0000000 --- a/old/67100-h.zip +++ /dev/null diff --git a/old/67100-h/67100-h.htm b/old/67100-h/67100-h.htm deleted file mode 100644 index 82938b6..0000000 --- a/old/67100-h/67100-h.htm +++ /dev/null @@ -1,2135 +0,0 @@ -<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN" - "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd"> -<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en"> - <head> - <meta http-equiv="Content-Type" content="text/html;charset=utf-8" /> - <meta http-equiv="Content-Style-Type" content="text/css" /> - <title> - Bumps and His Buddies, by Marie Helene Gulbransen—A Project Gutenberg eBook - </title> - <link rel="coverpage" href="images/cover.jpg" /> - <style type="text/css"> - -body { - margin-left: 10%; - margin-right: 10%; -} - - h1 { - text-align: right; - clear: both;} - - h2 { - text-align: center; - clear: both; -} - -p { - margin-top: .51em; - text-align: justify; - margin-bottom: .49em; -} - -hr { - width: 33%; - margin-top: 2em; - margin-bottom: 2em; - margin-left: 33.5%; - margin-right: 33.5%; - clear: both; -} - -hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;} -hr.chap {width: 65%; margin-left: 17.5%; margin-right: 17.5%;} -@media print { hr.chap {display: none; visibility: hidden;} } - -div.chapter {page-break-before: always;} -h2.nobreak {page-break-before: avoid;} - -table { - margin-left: auto; - margin-right: auto; -} - -.tdr {text-align: right;} - -.pagenum { - position: absolute; - left: 92%; - font-size: smaller; - text-align: right; - font-style: normal; - font-weight: normal; - font-variant: normal; -} - -.blockquot { - margin-left: 20%; - margin-right: 20%; -} - -.center {text-align: center;} - -.right {text-align: right;} - -.smcap {font-variant: small-caps;} - -.caption {font-weight: bold; text-align: center;} - -div.titlepage {text-align: center; page-break-before: always; page-break-after: always;} -div.titlepage p {text-align: center; font-weight: bold; line-height: 1.5; margin-top: 2em;} - -.ph1 {text-align: center; font-size: large; font-weight: bold;} -.ph2 {text-align: center; font-size: x-large; font-weight: bold;} - -.xxlarge {font-size: 175%;} - -.large {font-size: 125%;} - -.figcenter { - margin: auto; - text-align: center; - page-break-inside: avoid; - max-width: 100%; -} - -.transnote {background-color: #E6E6FA; - color: black; - font-size:smaller; - margin-left: 17.5%; - margin-right: 17.5%; - padding: 1em; - margin-bottom: 1em; - font-family:sans-serif, serif; } - - </style> - </head> -<body> -<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Bumps and His Buddies, by Marie Helene Gulbransen</p> -<div style='display:block; margin:1em 0'> -This eBook is for the use of anyone anywhere in the United States and -most other parts of the world at no cost and with almost no restrictions -whatsoever. You may copy it, give it away or re-use it under the terms -of the Project Gutenberg License included with this eBook or online -at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you -are not located in the United States, you will have to check the laws of the -country where you are located before using this eBook. -</div> - -<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Bumps and His Buddies</p> -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: Marie Helene Gulbransen</p> -<p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Illustrator: James W. Burbank</p> -<p style='display:block; text-indent:0; margin:1em 0'>Release Date: January 4, 2022 [eBook #67100]</p> -<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p> - <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Charlene Taylor, David E. Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)</p> -<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK BUMPS AND HIS BUDDIES ***</div> - - -<div class="figcenter"><img src="images/cover.jpg" width="40%" alt="" /></div> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="blockquot"> -<h1>BUMPS AND HIS BUDDIES</h1> - -<p class="right">MARIE HELENE GULBRANSEN</p> -</div> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<span class="pagenum" id="Page_0"></span> -<div class="figcenter"><img src="images/frontis.jpg" alt="" /></div> -<p class="caption"><i>He Never Had Heard of a Bridge of Fish</i></p> -</div> - -<hr class="chap x-ebookmaker-drop" /> -<div class="chapter"> -<div class="figcenter"><img src="images/titlepage.jpg" alt="" /></div> -</div> -<hr class="chap x-ebookmaker-drop" /> -<div class="titlepage"> -<p><span class="xxlarge">Bumps<br /> -And His Buddies</span></p> - -<p>BY<br /> - -<span class="large">MARIE HELENE GULBRANSEN</span></p> - -<p>WITH ILLUSTRATIONS BY<br /> - -JAMES W. BURBANK</p> - -<p> </p> - -<div class="figcenter"><img src="images/titlepagelogo.jpg" alt="" /></div> - -<p><span class="large">DORRANCE & COMPANY<br /> - -PHILADELPHIA</span></p> -</div> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p class="center">Copyright 1924</p> - - -<p class="center">Dorrance & Company Inc</p> - - -<p class="center">Manufactured in the United States of America</p> -</div> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">CONTENTS</h2> -</div> - -<table border="0" cellpadding="2" cellspacing="2" summary="table"> - -<tr><td> </td><td class="tdr"><small>PAGE</small></td></tr> - -<tr><td><span class="smcap">Bumps and the Magic Purse</span></td><td class="tdr"><a href="#Page_11"> 11</a></td></tr> - -<tr><td><span class="smcap">The Voyage to No-Such Land</span></td><td class="tdr"><a href="#Page_23"> 23</a></td></tr> - -<tr><td><span class="smcap">Squeedinks and the Cod Liver Oil</span></td><td class="tdr"><a href="#Page_35"> 35</a></td></tr> - -<tr><td><span class="smcap">Tom Now-You-See-Him-Now-You-Don’t</span></td><td class="tdr"><a href="#Page_45"> 45</a></td></tr> - -<tr><td><span class="smcap">Colette, the Little Dancing Girl</span></td><td class="tdr"><a href="#Page_55"> 55</a></td></tr> - -<tr><td><span class="smcap">Jerry and the Wishing-Ring</span></td><td class="tdr"><a href="#Page_65"> 65</a></td></tr> - -<tr><td><span class="smcap">Patsy Ann in Birdland</span></td><td class="tdr"><a href="#Page_75"> 75</a></td></tr> -</table> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<h2 class="nobreak">LIST OF ILLUSTRATIONS</h2> -</div> - -<table border="0" cellpadding="2" cellspacing="2" summary="table"> - -<tr><td> </td><td class="tdr"><small><i>Facing Page</i></small></td></tr> - -<tr><td>He Had Never Heard of a Bridge of Fish</td><td class="tdr"><a href="#Page_0"> <i>Frontispiece</i></a></td></tr> - -<tr><td>Our Island Is Swimming Away With Us</td><td class="tdr"><a href="#Page_24"> 24</a></td></tr> - -<tr><td>I Never Did Think This Tree Was Big Enough</td><td class="tdr"><a href="#Page_36"> 36</a></td></tr> - -<tr><td>All They Could See Was the Skates</td><td class="tdr"><a href="#Page_48"> 48</a></td></tr> - -<tr><td>Only a Tiny Bunch of Whiskers Remained</td><td class="tdr"><a href="#Page_56"> 56</a></td></tr> - -<tr><td>The Savages Ran in Terror</td><td class="tdr"><a href="#Page_68"> 68</a></td></tr> - -<tr><td>A Queer Bird Flew Close to Patsy Ann</td><td class="tdr"><a href="#Page_76"> 76</a></td></tr> -</table> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<p class="ph2">BUMPS AND<br /> -THE MAGIC PURSE</p> -</div> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<span class="pagenum" id="Page_11">[11]</span> -<p class="ph2">BUMPS AND HIS BUDDIES</p> - -<h2 class="nobreak"><span class="smcap">Bumps and the Magic Purse</span></h2> -</div> - - -<p>Once there was a little boy named Bumps, -a name he was given because of the many times -he fell down, bumping his little legs and head. -He was a roly-poly little chap, a bit too heavy -for his height, and when he started off to work -or play he was usually in such a hurry that -he tumbled over. Now Bumps lived in a wee -hut ’way off in the country, with his mother, -who was quite poor. In the mornings he would -hustle out to chop wood and gather wild berries -for their breakfast, always wishing that he -could find a pot of gold to make his mother -rich and happy. Finally he decided to start -out into the big world to seek his fortune, and -while his mother hated to have her little son -leave her, she felt sure he would be successful -because he had always been such a good boy.</p> - -<p>So one bright sunny morning Bumps, after -kissing his mother good-bye, set out on his long<span class="pagenum" id="Page_12">[12]</span> -journey with a rabbit’s foot in his pocket for -luck and only a little lunch to eat on the way. -He walked for miles and miles in the direction -of the city until his little legs grew very, very -tired. So he sat down to rest and to eat his -luncheon, only to find that he had devoured -it, bit by bit, as he trudged along. It was getting -toward the end of the afternoon when he -suddenly saw a little brown rabbit with a white -tail hopping along ahead of him. He longed -for the big gun which he had left behind in -the woodshed, for he knew that he must soon -have more food and he thought the rabbit -would make a good supper. But just then he -spied a stone with which he thought he might -kill Mr. Rabbit. Bumps threw the stone with -all his might, just missing him by inches, and -the rabbit, instead of running away, scampered -right up to him, and sitting up straight, -held out one little foot. Then it occurred to -Bumps that here he was carrying a rabbit’s -foot for good luck, and yet he had tried to -bring bad luck upon this poor little creature. -With tears in his eyes he gathered the rabbit -in his arms, calling him, “Dear little brown<span class="pagenum" id="Page_13">[13]</span> -Bunny!” From that moment Bumps and the -Bunny were the best of friends, and journeyed -on together.</p> - -<p>It was growing dusk by this time and -Bumps was so hungry that he began hunting -about in his pockets for crumbs of his luncheon. -When the little brown Bunny saw him do this, -and also saw that Bumps didn’t find anything -to eat in his pocket, he began running about, -pausing every now and then to sniff the air -with his little funny nose. At last he dashed -off at a great pace, and Bumps saw him busily -scratching and digging in the ground. When -he caught up with him he saw that Bunny had -uncovered a hidden basketful of the most delicious -things to eat, which a picnic party had -buried away in the cool, clean earth for another -day’s luncheon. Bumps and Bunny sat down -under a tree for supper, and Bumps fed his -little friend all the lettuce out of the sandwiches.</p> - -<p>It was now quite dark and the two travelers -felt very drowsy, so they curled up close to -each other and fell sound asleep. Bumps was -dreaming happily about his return home laden<span class="pagenum" id="Page_14">[14]</span> -with riches, when he felt something nibbling -at his ear, and awakened to find that Bunny -was trying to tell him something. He couldn’t -make out what the little fellow was trying to -say, until he heard a deep growl among the -trees, and saw a big shadow in the moonlight. -He was terribly frightened, but knew that the -wisest thing to do was remain perfectly still. -To his surprise, the Bunny scampered off right -under the nose of an enormous bear, making -all the noise he could in the dead leaves. Of -course, the bear ran after him through the -woods, which was exactly what clever Bunny -had planned, while Bumps stayed just where -he was, breathless with fright and excitement. -There was a great crashing and a terrific growling, -and then all was still! After a minute or -two Bunny reappeared, tumbling tail over ears -with laughter, and sitting up on his hind legs, -motioned Bumps to follow him. The two set -off together through the underbrush, and all -the while the frightful growlings grew louder -and louder, until they came to where they saw -old Mr. Bear stuck tight in a hole in the ground, -into which he had vainly tried to follow Bunny,<span class="pagenum" id="Page_15">[15]</span> -who had cleverly led him in and then escaped -through the hole’s back door. Bumps and -Bunny left the bear stuck securely in the -ground, fairly growling his head off, and went -back to sleep. Bumps felt fonder than ever of -Bunny, for he felt that the little animal’s quick -wit and quick action had saved his life.</p> - -<p>In the morning the two friends proceeded -on their way, walking as fast as they could, for -they were in great haste to make their fortunes. -Occasionally they met a good farmer who gave -them apples and cabbages to eat. They walked -and walked all day long; sometimes Bunny ran -ahead over the roofs of the hills, but he always -returned to see if Bumps was following him. -And all the time Bumps’ little legs were growing -stronger and stronger, so that he seldom -fell and hardly felt tired at all, which made -him very proud. Finally, Bunny vanished -over the top of the very last, highest hill, and -though Bumps looked and looked for him, he -didn’t come back. When Bumps caught up -with him he found him sitting on the doorstep -of a great river, wondering how they would -ever get across. Alas! Poor Bumps himself<span class="pagenum" id="Page_16">[16]</span> -could see no way to go on, and feared that -they would have to turn back. While they -stood sadly looking at the deep water as it -went rushing by them, there was a great splashing -and rippling all about, and hundreds of -fish, of every kind and color in the whole -world, poked their heads up above the surface, -just exactly as if they were trying to tell the -travelers something. Then Bumps and Bunny -noticed that the fish were floating side by side, -packed tightly together all the way across the -river in a long, glistening silver bridge. Bumps -had never heard of anyone crossing a river on -a bridge of fish, but he stepped boldly out, with -Bunny in his arms. And when he had safely -reached the other side, without even so much -as getting the soles of his feet damp, he thanked -the fish for their kindness by digging hundreds -of worms for them (with the help of Bunny’s -sharp little claws). As fast as they could dig -they threw the worms into the river, and just -as fast they disappeared into the fishes’ mouths.</p> - -<p>Then the two travelers resumed their journey, -telling each other how fortunate they had -been thus far. They went on and on, until<span class="pagenum" id="Page_17">[17]</span> -Bumps thought they must be approaching the -city. They were pushing their way through -a little thicket—Bunny hurrying on ahead, as -usual—when Bumps heard the hiss of a snake. -He looked around quickly to see where it came -from, and right in front of him on the ground -he saw a poor little bird held spellbound by the -glittering eye of an ugly snake, so frightened -that it could neither move nor fly. Without -stopping to think that the snake might injure -him, Bumps seized a big stick and killed it. -Instantly the poor little bird was transformed -into a beautiful Fairy, not much bigger than -a robin. She told Bumps that a cruel Witch -had put an enchantment upon her, forcing her -to live in the body of a helpless little bird, at -the mercy of all the beasts of the forest, until -she should be rescued by some kind person. -The Fairy was so grateful to Bumps for her -release that she made him a present of a beautiful -purse, in which was just one shining gold -coin. This was the first money Bumps had -ever had for his very own and he felt that his -good fortune was coming true at last. Thanking -the Fairy politely, he skipped merrily on,<span class="pagenum" id="Page_18">[18]</span> -overtaking Bunny, and soon the two friends -were within sight of the big city.</p> - -<hr class="tb" /> - -<p>The first person Bumps and Bunny met on -their arrival in the city was a man selling ice -cream, and although he hated to part with the -gold-piece, Bumps could not resist buying two -fat cones. As they walked along eating them -and gazing at all the wonderful things about -them, Bumps’ toes suddenly began to feel very -cold. Glancing down he saw that some of the -ice cream had dropped through a hole in his -shoe, which was badly worn from the long journey. -Right across the street there was a fine -big shoe store, and as Bumps stood wishing he -had a pair of handsome new shoes, imagine his -delight and surprise at suddenly feeling the -smooth, hard surface of another coin in the -purse the Fairy had given him! At first he -thought there might have been two gold-pieces -in the purse when the Fairy gave it to him -and he had been so stupid as to have only discovered -one of them. But when, after paying -for the shoes, he felt still another coin, he knew<span class="pagenum" id="Page_19">[19]</span> -that he had been given a wonderful gift indeed, -and that the purse was truly a magic one, which -would never become empty.</p> - -<p>It was now an easy matter for Bumps to -buy all the pretty things he had planned to take -back to his dear mother, of which there were -so many that he had to buy a great balloon -to which was fastened a basket big enough to -hold everything. And Bumps and Bunny and -all the gifts purchased with the Fairy’s money -sailed away in it, over the wide river and all -the hills, until they came in sight of the little -home. Bumps landed the balloon in his own -front yard, and he and Bunny rushed in to -tell his mother the story of his good fortune. -She was delighted with all the presents he -brought her, and because they were never able -to empty the magic purse of its last shining -gold-piece, Bumps and his mother always had -everything they wanted, and lived happily -together forever after!</p> - -<p><span class="pagenum" id="Page_20">[20]</span></p> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<span class="pagenum" id="Page_21">[21]</span> - -<p class="ph2">THE VOYAGE<br /> -TO NO-SUCH LAND</p> -</div> - -<p><span class="pagenum" id="Page_22">[22]</span></p> -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<span class="pagenum" id="Page_23">[23]</span> - -<h2 class="nobreak"><span class="smcap">The Voyage to No-Such Land</span></h2> -</div> - - -<p>Whoops and Putty-Nose were at the seaside, -playing on the shore of a beautiful, big -blue bay—a bay which was really part of the -big, beautiful blue ocean, where their father and -mother had taken them for the summer. -Whoops was a very pretty little girl with long -yellow curls, and big brown eyes which were -almost always wide open with surprise. She had -been given her funny nickname because she -always cried “Whoops!” when she saw anything -that pleased her, and as almost everything -pleased her she was crying “Whoops!” -most of the time. Putty-Nose was her brother—a -jolly, fat little fellow with a round face -and a quaint snub nose in the exact middle of -it so covered with big brown freckles it looked -just like a lump of putty. Whoops and Putty-Nose -had a very small tent, buckets, shovels, -and a pop-gun, and had been playing that they -were Robinson Crusoe and his good man -Friday, cast away on a desert island. But after -a while they got tired—it was hard work<span class="pagenum" id="Page_24">[24]</span> -imagining oneself quite deserted when one -could see home all the while! So they sat down -by the water to rest and to think up some -more interesting game.</p> - -<p>All of a sudden Putty-Nose exclaimed, -“Whoopsie! Look at that big, round, flat rock -out in the water! Let’s wade out to it and we -can pretend it’s a really truly island!”</p> - -<p>Whoops was always ready for fun, so they -waded out, carrying all their playthings in -their arms with them; they pitched their tent -in the very middle of the rock, and there they -were, really on an island, with water all around. -It was ever so much cooler than on the beach, -and much more exciting, so they sat down to -enjoy life and plan what to do next. Whoops -had just noticed that their rock was all marked -out in a diamond pattern, something like a -giant checkerboard, only not colored, when she -felt it begin to move smoothly and slowly -through the sparkling blue waters. Whoops -“whooped” in her very best manner, crying -out to her brother, “Hold on tight, Putty-Nose! -Our island is swimming away with us!”</p> - - -<div class="figcenter"><img src="images/facing024.jpg" alt="" /></div> -<p class="caption"><i>Our Island Is Swimming Away With Us</i></p> - -<p>And sure enough, the island was moving<span class="pagenum" id="Page_25">[25]</span> -off to sea, making tiny ripples like those that -follow in the wake of a boat. The children -didn’t know what to do; they had never heard -of a swimming island, and they had just about -decided to become very, very frightened indeed, -when a big, long, ugly head lifted itself up over -the western shore of the island, turned, and -looked back at them. It was exactly like the -head of a turtle they had once seen, only a -great many times larger, and although it was -quite hideously ugly, it had a kindly humorous -expression around its mouth and a merry -twinkle in its eye.</p> - -<p>“I’m Old Flipperoo, the sea-turtle,” it said -by way of polite introduction, “and I’m perfectly -harmless, so you mustn’t be afraid. You -can stay on my back and I’ll carry you across -the ocean to a place I know, and show you all -the queer and wonderful things that grow there. -Then I’ll bring you back safe and sound in -time for supper. How does that sound?”</p> - -<p>Now of course, Whoops and Putty-Nose -said it was the one thing they wanted to do -most of all, so Old Flipperoo tucked his head -away out of sight again and set himself to<span class="pagenum" id="Page_26">[26]</span> -paddling away at a great rate. The mariners -were soon so far out to sea that they could no -longer see land, and when they passed close by -the great sea-going vessels and trans-oceanic -liners, all the people on their decks ran to the -rail to look at the queer flat boat and its very -youthful passengers. Everybody waved and -called greetings to the children, and the children -waved back, and shouted “Ship ahoy!” -which they knew was the polite thing to do.</p> - -<p>After a long, long voyage they sighted a -land almost completely covered with the queerest -looking trees. Flipperoo swam into a quiet -bay and waddled right up on the sand, so that -Whoops and Putty-Nose were able to step -ashore without even wetting their feet. “I’ll -lie here in the sun and take a nap,” said the -turtle, “and you children start off on a journey -of discovery. Nothing in this strange country -will hurt you, although you will be surprised -at many of the things you will see. Only be -sure to come back here to me when you hear -the Tick-Tock bird calling, ‘Five o’clock!’, or -we’ll all be late for supper.”</p> - -<p>So Whoops and Putty-Nose left their wonderful<span class="pagenum" id="Page_27">[27]</span> -new friend dozing in the hot sand and -set off, hand in hand, along the path which led -up among the trees. Now they understood -why the island had looked so funny when they -were approaching it on the turtle’s back, for -all the trees grew upside-down, their roots in -the air, and the figs, cocoanuts, and bananas -on the ground, where they could easily be -picked. They decided to gather some of the -fruit on the way back to take home to their -father and mother, and went on up the winding -path. The air was full of Jujube and Lollypop -birds, which flew ahead of them calling, -“Whoops and Putty-Nose have come to visit -us!”</p> - -<p>All at once they came upon a colony of -Chase-Tails, little striped animals with a very -sweet tooth. Instead of regular tails they had -sticks of peppermint candy, which they were -forever chasing round and round, in order to -satisfy their enormous appetites for candy. -Each Chase-Tail was chasing his tail for dear -life around a little bush, until every bush in -sight had a Chase-Tail lying around it like a -doughnut, holding its peppermint tail fast in<span class="pagenum" id="Page_28">[28]</span> -its mouth, and nibbling away happily at the -candy. Just as Whoops and Putty-Nose were -wondering what would happen when the tails -were all eaten up, the Whispering-Tell-Tale -bird flew down and explained that new tails -would grow by tea-time next Thursday. It -was then only Monday, and the Chase-Tails -had to make their peppermint candy tails last -for four whole days, or go hungry.</p> - -<p>Further on, in a cool little dell, they found -the Ice Cream Soda plant in full bloom, covered -with great white cup-shaped flowers, like Easter -lilies. All you had to do was pick one of these -flowers, wish very hard for your favorite flavor, -and instantly it was full of cold, delicious ice -cream soda. After sampling as many kinds -as they could think of, Whoops and Putty-Nose -continued their journey, and were just crossing -a bridge over a tiny stream when they were -brought to a standstill by a strange sound. It -came from the water, and, on looking closer, -the children discovered a school of Gurgling -Gonces swimming in a quiet pool under the -bridge. They ran down on the bank to see -and get a closer look, and were amazed to find<span class="pagenum" id="Page_29">[29]</span> -that a Gurgling Gonce is exactly like a small, -red rubber hot water bottle, and makes the same -noise a water bottle does when shaken. Putty-Nose -waded carefully into the stream and succeeded -in catching one of the funny fish. It -seemed not at all afraid—and very, very warm, -and it had just one big, round eye in the end -where the stopper of the water bottle would -be. It looked so pleadingly into his face and -seemed so helpless that Putty-Nose felt sorry -for it and put it back in the water right away. -“Gurgle-Gurgle,” said the grateful Gurgling -Gonce, very politely, and swam off to join its -brothers and sisters.</p> - -<p>At last, just as Whoops and Putty-Nose -were beginning to feel very hungry, they -smelled a pleasant odor of cooking, and coming -out into a little clearing in the woods -where a fire was burning, they found dozens -of chubby little Waffle-Wimps dancing hand in -hand around it. The Waffle-Wimps were -square and flat, with little square holes all over -their plump little bodies. They kept dancing -closer and closer to the flames until they grew -crisp and brown and very hot. Then they all<span class="pagenum" id="Page_30">[30]</span> -ran off sizzling and chuckling, each one crawling -under a marvelously sweet Syrup-Bush, -where he lay down on his back and let the bush -drip delicious maple syrup on him until he was -just prime for eating. The children ate all the -Waffle-Wimps they could hold, then they said, -“Thank You,” to the ones they left behind, -and went on.</p> - -<p>They had a wonderful time getting acquainted -with all the strange and marvelous -creatures that lived on the island, but at last -it began to get darker and cooler in the woods -and they heard the Tick-Tock bird calling, -“Five o’clock! Five o’clock!” so they ran back -obediently to Old Flipperoo, who opened one -eye at them sleepily and asked, “Did you see -everything on the island?”</p> - -<p>“Oh, yes! Everything! And we loved it!” -cried the children. So Flipperoo promised to -bring them again, and crawled lazily back into -the water, preparatory to carrying them home. -Whoops and Putty-Nose, who were very tired -by this time, climbed on his back under -their Robinson Crusoe tent and lay down. -They fell fast asleep, and never woke up until<span class="pagenum" id="Page_31">[31]</span> -they heard their mother calling to them from -the shore. You can guess how surprised she -was to see them come sailing home on Old -Flipperoo’s back, and to hear all about the -delights and wonders of their voyage to No-Such -Land.</p> - -<p><span class="pagenum" id="Page_32">[32]</span></p> - -<hr class="chap x-ebookmaker-drop" /> -<div class="chapter"> -<span class="pagenum" id="Page_33">[33]</span> -<p class="ph2">SQUEEDINKS AND<br /> -THE COD LIVER OIL</p> -</div> -<p><span class="pagenum" id="Page_34">[34]</span></p> -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<span class="pagenum" id="Page_35">[35]</span> -<h2 class="nobreak"><span class="smcap">Squeedinks and the Cod Liver Oil</span></h2> -</div> - - -<p>His real name was Ferdinand Maxwell -Higginson, but his friend Mops, the hired man, -always called him Squeedinks—and as we are -all going to be his friends—we may as well call -him Squeedinks, too. He lived with his aunt in -a pretty little house ’way out in the country, -set between rolling green fields and a large -forest. Squeedinks used to read all sorts of -books, but he liked stories about animals best -of all. When he grew tired of reading he -would go out into the forest and watch the -squirrels frisking about among the old trees. -He noticed that most of the squirrels lived in -holes in the big oaks, and he was extremely -anxious to get a look into the holes and see -just how squirrels behaved when they were at -home.</p> - -<p>After a great many unsuccessful attempts, -Squeedinks at last succeeded in climbing part -way up a big oak tree. He couldn’t get quite -as far up as the little round holes where he -saw his furry friends darting in and out, but<span class="pagenum" id="Page_36">[36]</span> -he was delighted to find one hole, low down -on the trunk, which was just big enough for -him to squeeze into. You see, he was just a -small little boy. Every day, after that, Squeedinks -climbed up to his lookout, which he -christened the “Crow’s Nest,” and sat there -with just his head peeping out, watching the -antics of the squirrels.</p> - -<p>The squirrels would dash past Squeedinks, -chattering as if they were trying to tell him -something, and then scamper off home with a -great clatter and racket, looking down at the -little boy with their big, bright eyes. Squeedinks -always brought something for the -squirrels to eat, and it wasn’t long before they -grew quite friendly. He invented names for -the ones he knew best, and tried hard to teach -them to answer when he called.</p> - - -<div class="figcenter"><img src="images/facing036.jpg" alt="" /></div> -<p class="caption"><i>I Never Did Think This Tree Was Big Enough</i></p> - -<p>One day Squeedinks heard his aunt talking -to the Doctor about him. She was worried -because he was so small, and the Doctor said -that he ought to take Cod Liver Oil to make -him grow. So that afternoon his aunt sent -him down to the village to buy a bottle. On -the way back from the village he came through<span class="pagenum" id="Page_37">[37]</span> -the forest, and decided he would climb up into -the Crow’s Nest for a while. He placed the -bottle of Cod Liver Oil carefully on the -ground, and was soon tucked ’way up among -the leaves in his favorite lookout. As he sat -there, Squeedinks thought about the Cod Liver -Oil, and began to wonder if it would make -other things grow as well as little boys. He -leaned out of the hole to see if the bottle was -safe, and what do you think he saw? A funny -little brown man, not much taller than Squeedinks’ -fox-terrier, Snarlyrow, was looking at -the bottle! Squeedinks heard him say to himself, -“H’m! Cod Liver Oil, eh? Well, I never -did think this tree was quite big enough for -its age!” And with that, he uncorked the -bottle, poured its contents on the roots of the -tree, and disappeared into the depths of the -forest whistling a funny tune.</p> - -<p>Squeedinks was thinking that that was a -very strange thing to do, when he began to -feel rather queer. He felt as if he were going -up in an elevator, and the hole he was wedged -into grew larger and larger until it was as -big as a little room. He poked out his head<span class="pagenum" id="Page_38">[38]</span> -and looked down, and found that he could see -nothing but the green tops of the other trees, -far, far below him. What <i>could</i> be happening? -He knew! His tree was starting to -grow—the Cod Liver Oil had begun to work! -The tree grew so fast that in a few minutes -he could scarcely see the forest, or the roof of -his home nearby. The leaves of his tree grew -as big as bed quilts, and all the squirrel holes -were large enough for a small boy to live in.</p> - -<p>It all seemed just like a fairy tale, and -Squeedinks became wildly excited. He could -now stand erect and walk about inside the -Crow’s Nest, and just here he noticed that the -big tree had a hollow center, and that this -hollow ran all the way up, just like a chimney. -He started to climb up the inside of the tree, -and quite unexpectedly found himself in the -front parlor of old Umbrella-Tail, a big gray -squirrel. All the squirrels were just as amazed -as Squeedinks at finding their homes grown -suddenly large and roomy, and they were all -chattering excitedly together. Squeedinks was -greatly surprised to find that he could understand -everything the squirrels said. Mrs.<span class="pagenum" id="Page_39">[39]</span> -Umbrella-Tail was saying, “Well! If you -expect me to keep house in <i>this</i> enormous -place you’ll just have to get little Nutty Red -squirrel for a servant! And that’s that!” -Then they all saw Squeedinks, and asked him -how he had got there. When he told them, -they said that <i>they</i> had always used the inside -of the tree for a stairway, but it had never -before been big enough for a boy to get -through, and they had felt safe from molestation. -Squeedinks assured them that he loved -squirrels and, indeed, all the animals that lived -in the woods, and wouldn’t hurt them for the -world. And now he only wanted to get down -and go home, for it was getting dark.</p> - -<p>Old Umbrella-Tail said he would show him -the way, and started down inside the hollow -tree. Squeedinks followed more slowly, for it -was as black as ink in there. Finally they discovered -they couldn’t go any farther, and then -found they were inside of one of the tree’s -great roots, way down under the ground. -Then Squeedinks despaired of ever seeing his -home again, but Umbrella-Tail nosed about -and discovered an opening in the end of the<span class="pagenum" id="Page_40">[40]</span> -root, through which they could see a dark -tunnel leading away through the moist earth. -But they were afraid to follow it for they -didn’t know where it led, and were just -about to turn back in despair, when they heard -something thumping along with dull, rhythmic -bumps. It turned out to be old Grandfather -Mole, who lived down there. He was quite -blind, and had to walk with a cane, but his -front feet were big and strong, with sharp -little claws to help him dig his tunnels here -and there and everywhere under the ground. -When Grandfather Mole learned that Umbrella-Tail -was trying to get Squeedinks home -in time for supper, he turned slowly around -in his tunnel, handed the little boy a flashlight -out of his vest pocket, and called out in a deep -bass voice that sounded very much as if the -damp earth had given him chronic bronchitis, -“Follow me!” So Squeedinks bade Umbrella-Tail -good-bye, and started to wriggle along -the tunnel on his stomach behind Grandfather -Mole. In a marvelously short time they came -out into the air, and Squeedinks was delighted -to find himself at home underneath his own<span class="pagenum" id="Page_41">[41]</span> -front porch. He thanked Grandfather Mole -politely for leading him safely home, and -watched the old fellow disappear down his -tunnel again. Then Squeedinks ran into the -house and told his aunt all that had happened -to him, and what strange things the Cod Liver -Oil had accomplished.</p> - -<p><span class="pagenum" id="Page_42">[42]</span></p> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<span class="pagenum" id="Page_43">[43]</span> - -<p class="ph2">TOM<br /> -NOW-YOU-SEE-HIM-NOW-YOU-DON’T</p> -</div> -<p><span class="pagenum" id="Page_44">[44]</span></p> -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<span class="pagenum" id="Page_45">[45]</span> -<h2 class="nobreak"><span class="smcap">Tom Now-You-See-Him-Now-You-Don’t</span></h2> -</div> - - -<p>It was a cold, snowy day just before the -Christmas holidays, and little Tom was standing -near one of the shop windows, gazing -longingly in at the beautiful gay toys. He -was wondering whether he would find the wonderful -red sled, shining skates and bright, -brisk-looking wagon under <i>his</i> tree on Christmas -morning, or if Santa Claus would hold -it against him that he had been naughty in -refusing, at first, to take his cough medicine, -and pass him by without leaving him any gifts -at all. Of course, he had taken the medicine -later, when his mother had insisted. But he -had heard that Santa Claus sometimes punished -children when they refused to obey promptly.</p> - -<p>While he was pondering over this, selecting -the gifts he would like best and hoping to be -forgiven for his naughtiness, a huge snowball -sang by his head and crashed through the great -glass window. He turned quickly, in time to -see his playmate, Teddy, disappear around the -corner. Just then he felt strong hands grasp<span class="pagenum" id="Page_46">[46]</span> -his coat collar roughly and heard an angry -policeman exclaim, “That’s the time I caught -you!”</p> - -<p>Poor Tom! He knew that Teddy had -thrown the snowball, but he didn’t want to be -a tattle-tale, so he allowed himself to be hauled -away to the nearest jail. He was thrust into -a dark cell, not much larger than a clothes -closet, where he trembled with the cold and -dampness, utterly heart-broken over his sad -plight. Trying to be brave, he forced back the -tears, and settled down to wait until his father -should come to his rescue.</p> - -<p>Suddenly he saw a great cloud of smoke -rising from one corner of his cell. It circled -’round and ’round until it disappeared into -thin air, leaving behind a tiny brown elf, who -stood blinking knowingly at him and nodding -his head like a wise little old man. Now Tom -had often heard of goblins and fairies and -wished that he might know them, so he smiled -at his little visitor, told him how glad he was -to see him and began to relate to him the -story of his misfortune. “Yes, Tom,” said the -little elf, “I know all about your troubles, and<span class="pagenum" id="Page_47">[47]</span> -because you have been a good, honest lad I am -willing to grant any wish you may make.” -This was jolly good luck for Tom, and he -laughed to think how worried he had been a -few short moments ago, and how the little -brown elf had transformed all his sorrow into -wonderful joy.</p> - -<p>“O dear Mr. Fairy, what I want most of -all in the world is the power to become invisible,” -cried Tom. “I have always wished that -I could make myself invisible whenever I -wanted to do so.”</p> - -<p>Now the little brown elf thought this a most -unusual wish, but he told Tom he would grant -it for one day, and instantly Tom felt a sudden -gust of air and found himself entirely alone. -Just then he heard the turnkey coming with -his bread and water and he hurriedly wished -himself invisible, and when the door was -opened he walked right out of his cell between -the big man’s bow legs! He chuckled in glee -to himself when he saw the turnkey looking -all about for him, not being able to find him anywhere, -and then he set about finding his way to -the street.</p> - -<p><span class="pagenum" id="Page_48">[48]</span>On his way home Tom passed a lake that -the frost had converted into a solid sheet of -gleaming ice, where all the boys and girls were -skating. He spied a pair of skates lying on -the bank, and quick as a thought, he had them -on his feet and had darted off across the ice. -There were loud shouts of surprise from everyone, -and he saw all the boys and girls looking -after him in amazement. Of course, all <i>they</i> -could see was the skates, which they thought -must have been bewitched to go skating off -by themselves. A dozen boys set out in pursuit -of them, and Tom quite enjoyed the sport -of eluding them. Teddy, who was in the crowd, -almost caught up with him, but, hearing a -voice that seemed to come from the skates -themselves, saying, “You <i>know</i> you broke the -window!” he became so frightened that he -stumbled and fell, slithered over the thin ice -around a “Danger” sign, broke through and -plunged headlong into the cold water.</p> - - -<div class="figcenter"><img src="images/facing048.jpg" alt="" /></div> -<p class="caption"><i>All They Could See Was the Skates</i></p> - -<p>Before the other boys and girls could reach -him, Invisible Tom had pulled him out. When -Teddy felt hands helping him out but could -see no one, he cried aloud in fear, but Tom<span class="pagenum" id="Page_49">[49]</span> -just chuckled to himself and glided off, quite -satisfied with his first adventure. By this time -he was tired of skating, so, leaving the skates -where he had found them, he went merrily -and invisibly on his way.</p> - -<p>A poor little homeless dog whose leg had -been injured by a passing truck was limping -painfully along ahead of Tom, and at last -tumbled into a pathetic little heap, unable to -drag himself further. A rough boy, whom -Tom did not know, came by just at that moment -and began tormenting the poor little -animal. ’Twas then Tom thought he could -have some fun by befriending the dog and playing -a trick on the boy. So he dashed over, -picked the dog up in his invisible arms, and -carried him safely down the street. When he -looked back and saw the boy standing with his -mouth wide open in amazement at seeing a -dog floating away in the air, he laughed aloud. -This was indeed great fun! Tom went out -of his way to pass the Dog Hospital, where -he dropped his little charge carefully in through -an open window just high enough from the -ground for him to reach.</p> - - - -<p><span class="pagenum" id="Page_50">[50]</span>Then Tom went on his invisible way. Soon -he arrived in front of Betty Brown’s house, -where he heard sounds of laughter and music, -reminding him that she was giving a party -and that he had been invited. He looked down -at himself. He had on his oldest suit, and he -knew he hadn’t time to go home to dress, so -he decided to attend the party as Invisible -Tom. The guests were just eating ice cream -and cake as Tom entered and he watched until -he saw the maid put down a big plate of chocolate -ice cream in front of Billy Bon. Before -Billy had a chance to notice it, Tom reached -out and snatched the dish, vanishing with it -behind the piano. Betty’s mother, the hostess, -was surprised to find that Billy had no ice -cream, and brought him another plate, but -Tom had eaten the first one quickly, and was -already standing invisible beside Billy’s chair, -waiting to play the trick again. This practical -joke was repeated several times, and poor Billy -might have gone ice cream-less if Tom had not -reached the very limit of his capacity at last.</p> - -<p>During the games which followed refreshments, -Tom played many pranks on his little<span class="pagenum" id="Page_51">[51]</span> -friends and then, politely saying good-bye to -Betty, who started at hearing a voice when she -couldn’t see anyone near, he skipped out the -door.</p> - -<p>As it was now getting late, Tom knew he -had better hurry on home. He had enjoyed -being invisible so much that he decided to -remain that way as a surprise for his Mother -and Daddy. Upon reaching the house he saw -an enormous airplane, which had landed in a -field near his home and which was about to -take flight. Tom saw that it was piloted by a -famous aviator of whom he had often heard -his father talk, and he could not resist the temptation -of climbing invisibly in beside him. -Instantly there was a great roar, and they -were off up into the clouds, with Tom leaning -over the side of the plane to see the cities below, -which looked very tiny and very far away. -This was the greatest experience that Tom had -ever had, and in his excitement he forgot that -the aviator couldn’t see him, and shouted in -his ear, “Let’s go call on the Man in the -Moon!” This startled the aviator so that he -lost control of the plane, which shot toward<span class="pagenum" id="Page_52">[52]</span> -earth, twisting and turning in its terrible fall.</p> - -<p>Over and over it went, with Tom clinging -to his seat with all his might, when all of a -sudden he lost his grip, and the next thing he -knew he had landed flop! in the middle of a -big, soft snowbank. A kindly old farmer who -was traveling along on the road nearby, hurried -to him, picked him up and offered to take -him home in his mulecart.</p> - -<p>“O what a day!” thought Tom, and in his -heart he thanked the little elf for all his -thrilling adventures.</p> - -<hr class="chap x-ebookmaker-drop" /> - - - - -<div class="chapter"> -<span class="pagenum" id="Page_53">[53]</span> -<p class="ph2">COLETTE,<br /> -THE LITTLE DANCING GIRL</p> -</div> - -<p><span class="pagenum" id="Page_54">[54]</span></p> -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<span class="pagenum" id="Page_55">[55]</span> - -<h2 class="nobreak"><span class="smcap">Colette, the Little Dancing Girl</span></h2> -</div> - - -<p>Far away in a distant city where all the -people love music and dancing, there was a -hurdy-gurdy man whom all the children knew -as Uncle Antoine. Uncle Antoine had a pet -monkey called Monko, who went with him -every day on his round of music-making. -One day, when the sun was shining brightly, -they chanced upon a pretty little blue-eyed -girl with golden curls, who was sitting on a -doorstep weeping. When Uncle Antoine asked -her why she was crying so bitterly, she replied -that she was all alone in the world and had -no place to live. Poor Uncle Antoine had a -great, big heart and he felt very sorry for her, -so he told her that he would be her uncle and -that she might join him and Monko.</p> - -<p>Now Colette, for that was the little girl’s -name, was as good as she was pretty, and when -she found someone to love her and look after -her, she proceeded to dance for joy. A crowd -soon gathered, and everyone was so enchanted -with the music and the dancing that they<span class="pagenum" id="Page_56">[56]</span> -threw shining heaps of gold pennies into -Monko’s cup. At the end of the day they had -collected more gold pennies than Uncle Antoine -had ever seen in his life before, and the three -partners dreamed dreams of a beautiful future, -where pennies would be so plentiful that they -could afford to buy a nice little house of their -very own and live happily ever after.</p> - -<p>So each night found Uncle Antoine, Colette, -and Monko ’way off in the country falling -asleep under some nice big tree, tired but happy -in their dreams of the future. And every -morning they were awakened by little leaves -fluttering down upon their faces, and by the -chirping of the tiny birds above them. One -day Colette suggested going to the Zoo to -entertain the people who were watching the -animals, and since Uncle Antoine and Monko -were always ready to please her, they hurried -across the city, pushing the big hurdy-gurdy -before them.</p> - - -<div class="figcenter"><img src="images/facing056.jpg" alt="" /></div> -<p class="caption"><i>Only a Tiny Bunch of Whiskers Remained</i></p> - -<p>When they arrived at the Zoo they found -that great crowds were there before them, and -when Uncle Antoine started to play and Colette -to dance, not only did the boys and girls and<span class="pagenum" id="Page_57">[57]</span> -grown-ups turn to look and listen, but all the -animals began to cut capers. The monkeys -started to two-step, and one old Grandfather -Ape did a loop-the-loop of joy. Old Leo Lion -whistled the <i>Star Spangled Banner</i> and the -big clumsy elephants sang <i>Yankee Doodle</i> all -at the same time; old Uncle Hippopotamus -humped about his cage, trying his best to -waltz.</p> - -<p>Little Colette danced as she had never -danced before, with her lovely golden curls -flying in the breeze. Monko dashed around -through the crowd at a great rate, not knowing -what to make of the heavy silver dollars -that rattled merrily in his cup, taking the -places of the usual pennies. He emptied his -cup so often at Uncle Antoine’s feet that very -soon the hurdy-gurdy was surrounded by enormous -piles of gleaming silver dollars and when -it was dark, and all the people had hurried -home to their dinners, laughing and chattering -about their wonderful afternoon, Uncle Antoine, -Colette, and Monko were left behind -with so much money that they had to borrow -an elephant from the Keeper of the Zoo, strap<span class="pagenum" id="Page_58">[58]</span> -a trunk on his broad back, and carry it all -away.</p> - -<p>At last their dreams of wealth had come -true, and they set out in search of a little -house. They found a dear little vine-covered -cottage surrounded by shrubs and kindly trees -like the ones that had sheltered them in their -poverty. Colette had lots of fun making curtains -and preparing dinner for Uncle Antoine -and Monko, but the three friends missed their -old life. They missed it so sadly that at last -they decided that they would be happier if they -were still giving happiness to others, so they -began a round of visits to the orphan asylums -and the hospitals, and played and danced for -the poor little children and the sick and distressed.</p> - -<p>One day while Colette was busily planting -seeds in her tiny garden, Prince Charming rode -by that way on his splendid white horse, and -he was so struck with her beauty and goodness -that he asked her to marry him on the spot -and become the Princess of his marvelous -castle.</p> - -<p>Now Prince Charming was a wonderful<span class="pagenum" id="Page_59">[59]</span> -Prince and Colette loved him, but she couldn’t -bear to leave her good Uncle Antoine and -Monko, who had befriended her when she was -sad and lonely. So she shook her head and told -the Prince that she must remain in the cottage -and watch over her family. Whereupon the -Prince laughed, and replied that his palace was -large enough for fifty families, and that he -would love hers as she did and look after them -always. And so there was a big wedding, with -Colette the most beautiful little bride in all -the world, dressed in glistening white satin -and creamy lace and carrying a huge bouquet -of the most exquisite flowers. And Prince -Charming was the handsomest groom imaginable, -in his uniform of gold and white. Then, -as soon as the ceremony was over, Colette, -Uncle Antoine and Monko all moved into the -Prince’s castle. It was a big, white castle, built -entirely of gleaming marble, with fountains -of diamonds and rubies playing in the midst -of gardens of rare flowers and trees so large -that they reached right up into the sky.</p> - -<p>Uncle Antoine was the proudest and happiest -man alive, for the Prince had given him<span class="pagenum" id="Page_60">[60]</span> -a brand new hurdy-gurdy which played every -tune that had ever been composed, and had -brought tears of joy into the old man’s eyes -by telling him that he might spend all his time -in the garden, playing his music, watching the -flowers, and listening to the birds, of which -there were millions, so tame that they would -sing any song you requested of them, and perch -on your hand to be fed. Monko was given all -the peanuts he could possibly eat, a whole grove -of cocoanut trees, and best of all, a kiddy-car -on which he could ride all over the grounds.</p> - -<p>In the midst of all this glory they lived -very happily until Uncle Antoine grew to be -an old, old man, and Monko acquired a long, -white beard, which trailed behind him for -some three blocks. In fact, his beard was so -very long that when he went out walking with -the Princess Colette it looked like the train -of her gown. One day, when Uncle Antoine -and the Prince and Princess were all sitting -out in the garden listening to a large black -crow singing <i>Mammy’s Little Coal-Black Rose</i>, -they heard cries of anguish from high up -among the trees. They discovered that Monko’s<span class="pagenum" id="Page_61">[61]</span> -beard had become twisted around a tree trunk, -and that in trying to scramble down he had -jerked so hard that he had pulled out all but -a tiny little bunch of white whiskers. Poor, -poor Monko! He was terribly distressed, until -Colette assured him that his beard would grow -again, or, if it did not, she would paste the old -one on with molasses and he would be as handsome -as ever.</p> - -<p>So you see, because little Colette and Uncle -Antoine and Monko had always done their -very best to make everyone about them as -happy as they could, they were allowed to -spend the rest of their days in the beautiful -palace with the good Prince.</p> - -<p><span class="pagenum" id="Page_62">[62]</span></p> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<span class="pagenum" id="Page_63">[63]</span> -<p class="ph2">JERRY AND<br /> -THE WISHING-RING</p> -</div> - -<p><span class="pagenum" id="Page_64">[64]</span></p> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<span class="pagenum" id="Page_65">[65]</span> -<h2 class="nobreak"><span class="smcap">Jerry and the Wishing-Ring</span></h2> -</div> - - -<p>Jerry was a handsome little boy, and had -just celebrated his fifth birthday. His Uncle -Jack, who was a Naval Officer on one of Uncle -Sam’s battleships, was expected home from a -trip around the world, and Jerry was so -thrilled and excited that he could scarcely wait -for the actual time to arrive. He remembered -sitting on his Uncle Jack’s knee when he was -a wee little chap, listening to stories of the sea, -and he had not forgotten his Uncle’s promise -to take him on a voyage when he was five years -old. And then one day he heard the old -familiar whistle sounding on the garden walk -and, sure enough, there was his big Uncle looking -brown and strong, greeting them all with -smiles and kisses. He was to be home for just -one day, but that was time enough to have -Jerry fitted out with a smart sailor suit and -made ready to take the next trip with him. -Jerry had never known so much excitement, -and when he bade good-bye to his mother and -daddy and went aboard the battleship there was<span class="pagenum" id="Page_66">[66]</span> -not a prouder or happier boy in the whole -world.</p> - -<p>It didn’t take him long to make friends -with the men aboard, and to learn about the -big guns and all the other fascinating things. -There was one huge sailor named Jim Seaweed -to whom Jerry was devoted because he was not -only the best boxer but the strongest man -on the ship. On the second day, when they -were far out at sea, Jerry came on deck just -in time to see old Billy Goat, who belonged to -his friend Jim and was also the ship’s mascot, -thrown from his feet by the lurching of the -vessel, and start sliding toward the rail, overboard. -Jerry dashed across the deck in a great -hurry, seized old Billy by his horns, braced his -feet against the rail and held him firmly until -some sailors came to their rescue. Jim Seaweed -was immediately informed of Jerry’s deed and -quick wit, and was so grateful to him for -saving his pet that he gave Jerry a wonderful -ring which had been a gift to him from a -Persian king. He explained that it was a wishing-ring, -with the wonderful power to bring -true your every wish.</p> - - - -<p><span class="pagenum" id="Page_67">[67]</span>Soon the ship was sailing far away through -tropical waters, and Uncle Jack gave orders to -anchor. In the distance they could see a group -of little islands set like tiny jewels in the blue -sea, and a party of sailors got permission to -take Jerry and go ashore in a small boat, to -explore. When they landed they found quantities -of tropical fruits and birds, but no signs -of human life. Tired of the company of the -others, Jerry set off by himself through a -wooded stretch, and had gone some distance -when he suddenly beheld a beautiful little girl -standing in the doorway of a tiny hut. Her -clothes were tattered and torn, but her hair -was the color of spun gold and her eyes were -the loveliest he had ever seen. She smiled at -Jerry and told him her name was Pam, and -that she had been shipwrecked and cast ashore -on this deserted island.</p> - -<p>It was then Jerry thought of the wishing-ring -on his finger, so taking hold of it he said, -“Wishing-ring! Wishing-ring! Please dress -Pam in the clothes of a princess and change -her hut into a lovely palace!”</p> - -<p>It was no sooner said than done, and both<span class="pagenum" id="Page_68">[68]</span> -children danced for joy at the transformation. -Pam’s clothes were of silk and lace, and the -palace was of white marble, complete with -everything the heart could wish. Then it was -that Jerry learned that Pam was indeed a real -princess, who had been taking a trip with her -governess when they were shipwrecked, and -that her father and mother believed she had -drowned.</p> - -<p>By this time the sailors had joined them, -and stood blinking their eyes in astonishment -at the wonderful sight. Jerry told them that -he liked the island and intended to remain -there for a while. He sent word back to Uncle -Jack on the ship that they should sail without -him, as the wishing-ring would take good care -of him.</p> - -<div class="figcenter"><img src="images/facing068.jpg" alt="" /></div> -<p class="caption"><i>The Savages Ran in Terror</i></p> - -<p>Pam and Jerry waved good-bye to the big -ship as it sailed away, and then turned about -to make a complete tour of their island home. -It was indeed an island of wonders, full of -strange and wonderful beasts and flowers and -fruits. They tied knots in the giraffes’ necks, -and taught the ostriches to prance around the<span class="pagenum" id="Page_69">[69]</span> -island drawing the beautiful chariot which the -good old wishing-ring had brought them.</p> - -<p>One day when Jerry was up in the tower -of the palace looking out over the ocean he -heard Pam calling, “Jerry! Jerry! Come -quickly and save me! Some savages have just -landed on our island!”</p> - -<p>Jerry was down in a jiffy, to find that their -castle was being besieged by a band of cannibals -from a nearby island. Thinking fast, he -wished on his ring that he might be turned -into an enormous elephant with three long -trunks. Instantly, his wish was granted, and -the savages ran for their canoes in terror as -they saw this terrible animal charging at them, -shooting streams of water in their faces from -one trunk, followed by clouds of sand from the -second trunk, and succeeded by mammoth rocks -from the third. All this was great fun for our -two little friends, and when Jerry changed -back into himself, he and Pam laughed with -glee to think of how easily they had routed -the enemy.</p> - -<p>They lived a life of perfect happiness on -their island, until Pam began to show signs<span class="pagenum" id="Page_70">[70]</span> -of homesickness for her father and mother, -and then Jerry decided to take her back home. -They discussed ways and means, and at last -agreed that an airplane would be the best thing -to wish for. Jerry had traveled over land and -sea but until now he had never flown through -the air. When his wish for the airplane had -been granted and they were about to set forth -on their journey to the kingdom of Pam’s -father, there were tears in their eyes at the -thought of leaving their fairyland.</p> - -<p>It didn’t take them long to reach Pam’s -home, and when they landed the people went -crazy with joy at seeing their own little lost -Princess again. There was a great celebration -in honor of her safe return, and the King and -Queen were so grateful to Jerry for bringing -back their daughter that they made him a -Prince. Then Jerry wished hard for his own -father and mother, who instantly appeared and -lived with him in his kingdom until he grew -to be a man.</p> - -<p>In time he married the Princess Pam, and -they decided that they would be happiest back -on their dear little island. So they sailed back<span class="pagenum" id="Page_71">[71]</span> -in a big ship with scores of their friends, and -there they reigned as King and Queen, living -happily for the rest of their lives.</p> - -<p><span class="pagenum" id="Page_72">[72]</span></p> - -<hr class="chap x-ebookmaker-drop" /> -<div class="chapter"> -<span class="pagenum" id="Page_73">[73]</span> -<p class="ph2">PATSY ANN<br /> -IN BIRDLAND</p> -</div> - -<p><span class="pagenum" id="Page_74">[74]</span></p> - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<span class="pagenum" id="Page_75">[75]</span> -<h2 class="nobreak"><span class="smcap">Patsy Ann in Birdland</span></h2> -</div> - - -<p>Patsy Ann was a quiet child, who never -romped with other children, but loved to roam -around her own garden looking at the flowers -and birds. Even as a tiny child, her nurse had -noticed how readily she made friends with the -little robins and bluebirds that lived in their -beautiful gardens in the spring and summer. -At the age of seven Patsy Ann had lost none -of her fondness for birds. She spent hours -going about with crumbs, calling to them in -her sweet little voice, and smiling with happiness -when they fluttered down to eat out of -her hand. <i>She</i> never found it necessary to -carry salt to sprinkle on their tails in order to -catch them, but was so gentle and kind that -the birds were always glad to fly to her.</p> - -<p>One day, when Patsy Ann was out walking -with her nurse, they passed by a dense forest. -Her nurse explained that it was supposed to -be enchanted, because of strange sounds that -could be heard coming from its depths, and -that no one ever walked through it. The bright<span class="pagenum" id="Page_76">[76]</span> -eyes of little Patsy Ann grew big with wonder -as she listened, and when Nursie stopped to -chat with a friend she stood staring curiously -in among the big trees. Then Nursie started -off down the road, thinking Patsy Ann was -walking by her side. After a while she turned -to speak to the child and lo! she was nowhere -to be found. The poor nurse was frightened, -and started frantically to call, “Patsy Ann! -Patsy Ann!”</p> - -<p>All this time Patsy Ann had been standing -just where Nursie had left her, staring into -the forest. Hearing her name called, she -turned to look for Nurse, but could see her -nowhere. The cries of “Patsy Ann” grew -louder, and seemed to be issuing from the very -heart of the woods. “O what fun!” she -thought, “Nursie has gone into the forest, and -now I can follow her!”</p> - -<div class="figcenter"><img src="images/facing076.jpg" alt="" /></div> -<p class="caption"><i>A Queer Bird Flew Close to Patsy Ann</i></p> - -<p>As she went up the path between the big -trees the calls of “Patsy Ann” came nearer -and nearer, and she was thinking that her nurse -must be close by, when she came upon an enormous, -brilliantly-colored parrot, and she burst -into laughter as she realized that it was the big<span class="pagenum" id="Page_77">[77]</span> -bird that had been calling her. “O Polly!” -said Patsy Ann, “have you seen my nurse? -I thought it was she who was calling me!”</p> - -<p>The parrot had heard the calls of the -nurse, and had been mimicking them, so he -only blinked very wisely and told Patsy Ann -that her nurse was searching for her, up and -down the road, very much worried because she -could not find her. He went on to say, “Of -course, you must obey your nurse, but I know -you love birds, and this forest is full of the -strangest ones you ever saw. We can send a -note to Nursie by the Carrier Pigeon, asking -her please to wait while I show you Birdland.”</p> - -<p>Patsy Ann was delighted with this idea, and -she watched the parrot, fascinated, as he picked -up a large, dry leaf and whistled for the Fountain -Pen Bird. A little black bird with a shiny -gold bill appeared instantly, and flew right -into her hand. The parrot told her to hold -him just like a fountain pen and write on the -leaf with his bill. She thought this very funny, -but did exactly as she was told, and sure enough, -she was able to write with him just as if she -was sitting at home at her own little desk. In<span class="pagenum" id="Page_78">[78]</span> -a few minutes she was watching the Carrier -Pigeon fly away to Nursie with the note -wrapped around his leg.</p> - -<p>Patsy Ann and the parrot then started off -to see the sights. First they came to an enormous -tree and the parrot asked Patsy Ann if -she could see anything in it. When she answered, -“No, Polly,” he handed her a pair of -amber glasses to put on, and immediately the -tree appeared full of Fluttering Kafouts, which, -he explained, were quite colorless and invisible -to the naked eye. Then they passed over a -brook where a Submarine Bird was just about -to submerge, but when he saw Patsy Ann he -said, “I know what you’d like!” and dove ’way -down into the clear water, coming up with a -bright red balloon in his beak, which he gave -to her.</p> - -<p>Just then she heard someone calling, “Cream -of Wheat! Cream of Wheat!” and wondered -whatever it could be. Polly told her it was -the Breakfast Bird, who would not only bring -you Cream of Wheat, but eggs in every style. -If you whistled once you got a soft-boiled egg, -if you whistled twice you got a hard-boiled egg,<span class="pagenum" id="Page_79">[79]</span> -and if you turned a somersault he knew you -wanted them scrambled. Patsy Ann was feeling -a bit hungry, so she whistled twice, just to -see if what Polly said would really happen. -Sure enough—a queer-looking bird flew close -to her and dropped a nice hard-boiled egg right -into her outspread apron.</p> - -<p>While she was walking along eating it, the -parrot stopped to call her attention to a ragged -little fellow, which he told her was the famous -Early Bird. It was wearing an old, tattered -overcoat with dozens of pockets, and every -pocket was overflowing with worms. He was -always the first bird up in the morning, and -that was why he was able to catch so many -worms.</p> - -<p>Most of these birds were perfect strangers -to Patsy Ann, and she was wondering what -funny thing would happen next. It happened -to be the Fizzwikle, who flew about her and -made her very thirsty indeed by sounding his -fizzy note, which was just like the noise made -by a soda water fountain.</p> - -<p>This was all very interesting, and Patsy -Ann would have loved to spend the entire day<span class="pagenum" id="Page_80">[80]</span> -among these strange creatures, but she knew -she must hurry back to her nurse. The parrot -said he would send her back by the Flivver -Bird. He called “Taxi! Taxi!” just as loud -as he could, and instantly there was a terrible -rattle-te-banging in the air above them and the -Flivver Bird landed in front of them. He was -the biggest bird Patsy Ann had ever seen. His -wings seemed to be made from pieces of old -tin roofs, which rattled when he flew, and he -had a terrible cough. The parrot helped her -get onto the bird’s back, and politely invited -her to come again. They were off before she -was able to thank him, and the ride through -the woods was noisy and exciting. When they -reached the road she slid off the bird’s back -and ran into her nurse’s outstretched arms, -pouring out the story of her wonderful visit -to Birdland.</p> - - -<hr class="chap x-ebookmaker-drop" /> - -<div class="chapter"> -<div class="transnote"> -<p class="ph1">TRANSCRIBER’S NOTES:</p> - - - -<p>Obvious typographical errors have been corrected.</p> - -<p>Inconsistencies in hyphenation have been standardized.</p> - -<p>The author's name is misspelled on the original book cover; this discrepancy has been retained.</p> -</div></div> -<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK BUMPS AND HIS BUDDIES ***</div> -<div style='text-align:left'> - -<div style='display:block; margin:1em 0'> -Updated editions will replace the previous one—the old editions will -be renamed. -</div> - -<div style='display:block; margin:1em 0'> -Creating the works from print editions not protected by U.S. copyright -law means that no one owns a United States copyright in these works, -so the Foundation (and you!) can copy and distribute it in the United -States without permission and without paying copyright -royalties. Special rules, set forth in the General Terms of Use part -of this license, apply to copying and distributing Project -Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ -concept and trademark. Project Gutenberg is a registered trademark, -and may not be used if you charge for an eBook, except by following -the terms of the trademark license, including paying royalties for use -of the Project Gutenberg trademark. If you do not charge anything for -copies of this eBook, complying with the trademark license is very -easy. You may use this eBook for nearly any purpose such as creation -of derivative works, reports, performances and research. Project -Gutenberg eBooks may be modified and printed and given away--you may -do practically ANYTHING in the United States with eBooks not protected -by U.S. copyright law. Redistribution is subject to the trademark -license, especially commercial redistribution. -</div> - -<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br /> -<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br /> -PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span> -</div> - -<div style='display:block; margin:1em 0'> -To protect the Project Gutenberg™ mission of promoting the free -distribution of electronic works, by using or distributing this work -(or any other work associated in any way with the phrase “Project -Gutenberg”), you agree to comply with all the terms of the Full -Project Gutenberg™ License available with this file or online at -www.gutenberg.org/license. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -1.A. By reading or using any part of this Project Gutenberg™ -electronic work, you indicate that you have read, understand, agree to -and accept all the terms of this license and intellectual property -(trademark/copyright) agreement. If you do not agree to abide by all -the terms of this agreement, you must cease using and return or -destroy all copies of Project Gutenberg™ electronic works in your -possession. If you paid a fee for obtaining a copy of or access to a -Project Gutenberg™ electronic work and you do not agree to be bound -by the terms of this agreement, you may obtain a refund from the person -or entity to whom you paid the fee as set forth in paragraph 1.E.8. -</div> - -<div style='display:block; margin:1em 0'> -1.B. “Project Gutenberg” is a registered trademark. It may only be -used on or associated in any way with an electronic work by people who -agree to be bound by the terms of this agreement. There are a few -things that you can do with most Project Gutenberg™ electronic works -even without complying with the full terms of this agreement. See -paragraph 1.C below. There are a lot of things you can do with Project -Gutenberg™ electronic works if you follow the terms of this -agreement and help preserve free future access to Project Gutenberg™ -electronic works. See paragraph 1.E below. -</div> - -<div style='display:block; margin:1em 0'> -1.C. The Project Gutenberg Literary Archive Foundation (“the -Foundation” or PGLAF), owns a compilation copyright in the collection -of Project Gutenberg™ electronic works. Nearly all the individual -works in the collection are in the public domain in the United -States. If an individual work is unprotected by copyright law in the -United States and you are located in the United States, we do not -claim a right to prevent you from copying, distributing, performing, -displaying or creating derivative works based on the work as long as -all references to Project Gutenberg are removed. Of course, we hope -that you will support the Project Gutenberg™ mission of promoting -free access to electronic works by freely sharing Project Gutenberg™ -works in compliance with the terms of this agreement for keeping the -Project Gutenberg™ name associated with the work. You can easily -comply with the terms of this agreement by keeping this work in the -same format with its attached full Project Gutenberg™ License when -you share it without charge with others. -</div> - -<div style='display:block; margin:1em 0'> -1.D. The copyright laws of the place where you are located also govern -what you can do with this work. Copyright laws in most countries are -in a constant state of change. If you are outside the United States, -check the laws of your country in addition to the terms of this -agreement before downloading, copying, displaying, performing, -distributing or creating derivative works based on this work or any -other Project Gutenberg™ work. The Foundation makes no -representations concerning the copyright status of any work in any -country other than the United States. -</div> - -<div style='display:block; margin:1em 0'> -1.E. Unless you have removed all references to Project Gutenberg: -</div> - -<div style='display:block; margin:1em 0'> -1.E.1. The following sentence, with active links to, or other -immediate access to, the full Project Gutenberg™ License must appear -prominently whenever any copy of a Project Gutenberg™ work (any work -on which the phrase “Project Gutenberg” appears, or with which the -phrase “Project Gutenberg” is associated) is accessed, displayed, -performed, viewed, copied or distributed: -</div> - -<blockquote> - <div style='display:block; margin:1em 0'> - This eBook is for the use of anyone anywhere in the United States and most - other parts of the world at no cost and with almost no restrictions - whatsoever. You may copy it, give it away or re-use it under the terms - of the Project Gutenberg License included with this eBook or online - at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you - are not located in the United States, you will have to check the laws - of the country where you are located before using this eBook. - </div> -</blockquote> - -<div style='display:block; margin:1em 0'> -1.E.2. If an individual Project Gutenberg™ electronic work is -derived from texts not protected by U.S. copyright law (does not -contain a notice indicating that it is posted with permission of the -copyright holder), the work can be copied and distributed to anyone in -the United States without paying any fees or charges. If you are -redistributing or providing access to a work with the phrase “Project -Gutenberg” associated with or appearing on the work, you must comply -either with the requirements of paragraphs 1.E.1 through 1.E.7 or -obtain permission for the use of the work and the Project Gutenberg™ -trademark as set forth in paragraphs 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.3. If an individual Project Gutenberg™ electronic work is posted -with the permission of the copyright holder, your use and distribution -must comply with both paragraphs 1.E.1 through 1.E.7 and any -additional terms imposed by the copyright holder. Additional terms -will be linked to the Project Gutenberg™ License for all works -posted with the permission of the copyright holder found at the -beginning of this work. -</div> - -<div style='display:block; margin:1em 0'> -1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ -License terms from this work, or any files containing a part of this -work or any other work associated with Project Gutenberg™. -</div> - -<div style='display:block; margin:1em 0'> -1.E.5. Do not copy, display, perform, distribute or redistribute this -electronic work, or any part of this electronic work, without -prominently displaying the sentence set forth in paragraph 1.E.1 with -active links or immediate access to the full terms of the Project -Gutenberg™ License. -</div> - -<div style='display:block; margin:1em 0'> -1.E.6. You may convert to and distribute this work in any binary, -compressed, marked up, nonproprietary or proprietary form, including -any word processing or hypertext form. However, if you provide access -to or distribute copies of a Project Gutenberg™ work in a format -other than “Plain Vanilla ASCII” or other format used in the official -version posted on the official Project Gutenberg™ website -(www.gutenberg.org), you must, at no additional cost, fee or expense -to the user, provide a copy, a means of exporting a copy, or a means -of obtaining a copy upon request, of the work in its original “Plain -Vanilla ASCII” or other form. Any alternate format must include the -full Project Gutenberg™ License as specified in paragraph 1.E.1. -</div> - -<div style='display:block; margin:1em 0'> -1.E.7. Do not charge a fee for access to, viewing, displaying, -performing, copying or distributing any Project Gutenberg™ works -unless you comply with paragraph 1.E.8 or 1.E.9. -</div> - -<div style='display:block; margin:1em 0'> -1.E.8. You may charge a reasonable fee for copies of or providing -access to or distributing Project Gutenberg™ electronic works -provided that: -</div> - -<div style='margin-left:0.7em;'> - <div style='text-indent:-0.7em'> - • You pay a royalty fee of 20% of the gross profits you derive from - the use of Project Gutenberg™ works calculated using the method - you already use to calculate your applicable taxes. The fee is owed - to the owner of the Project Gutenberg™ trademark, but he has - agreed to donate royalties under this paragraph to the Project - Gutenberg Literary Archive Foundation. Royalty payments must be paid - within 60 days following each date on which you prepare (or are - legally required to prepare) your periodic tax returns. Royalty - payments should be clearly marked as such and sent to the Project - Gutenberg Literary Archive Foundation at the address specified in - Section 4, “Information about donations to the Project Gutenberg - Literary Archive Foundation.” - </div> - - <div style='text-indent:-0.7em'> - • You provide a full refund of any money paid by a user who notifies - you in writing (or by e-mail) within 30 days of receipt that s/he - does not agree to the terms of the full Project Gutenberg™ - License. You must require such a user to return or destroy all - copies of the works possessed in a physical medium and discontinue - all use of and all access to other copies of Project Gutenberg™ - works. - </div> - - <div style='text-indent:-0.7em'> - • You provide, in accordance with paragraph 1.F.3, a full refund of - any money paid for a work or a replacement copy, if a defect in the - electronic work is discovered and reported to you within 90 days of - receipt of the work. - </div> - - <div style='text-indent:-0.7em'> - • You comply with all other terms of this agreement for free - distribution of Project Gutenberg™ works. - </div> -</div> - -<div style='display:block; margin:1em 0'> -1.E.9. If you wish to charge a fee or distribute a Project -Gutenberg™ electronic work or group of works on different terms than -are set forth in this agreement, you must obtain permission in writing -from the Project Gutenberg Literary Archive Foundation, the manager of -the Project Gutenberg™ trademark. Contact the Foundation as set -forth in Section 3 below. -</div> - -<div style='display:block; margin:1em 0'> -1.F. -</div> - -<div style='display:block; margin:1em 0'> -1.F.1. Project Gutenberg volunteers and employees expend considerable -effort to identify, do copyright research on, transcribe and proofread -works not protected by U.S. copyright law in creating the Project -Gutenberg™ collection. Despite these efforts, Project Gutenberg™ -electronic works, and the medium on which they may be stored, may -contain “Defects,” such as, but not limited to, incomplete, inaccurate -or corrupt data, transcription errors, a copyright or other -intellectual property infringement, a defective or damaged disk or -other medium, a computer virus, or computer codes that damage or -cannot be read by your equipment. -</div> - -<div style='display:block; margin:1em 0'> -1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right -of Replacement or Refund” described in paragraph 1.F.3, the Project -Gutenberg Literary Archive Foundation, the owner of the Project -Gutenberg™ trademark, and any other party distributing a Project -Gutenberg™ electronic work under this agreement, disclaim all -liability to you for damages, costs and expenses, including legal -fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT -LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE -PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE -TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE -LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR -INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH -DAMAGE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a -defect in this electronic work within 90 days of receiving it, you can -receive a refund of the money (if any) you paid for it by sending a -written explanation to the person you received the work from. If you -received the work on a physical medium, you must return the medium -with your written explanation. The person or entity that provided you -with the defective work may elect to provide a replacement copy in -lieu of a refund. If you received the work electronically, the person -or entity providing it to you may choose to give you a second -opportunity to receive the work electronically in lieu of a refund. If -the second copy is also defective, you may demand a refund in writing -without further opportunities to fix the problem. -</div> - -<div style='display:block; margin:1em 0'> -1.F.4. Except for the limited right of replacement or refund set forth -in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO -OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT -LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. -</div> - -<div style='display:block; margin:1em 0'> -1.F.5. Some states do not allow disclaimers of certain implied -warranties or the exclusion or limitation of certain types of -damages. If any disclaimer or limitation set forth in this agreement -violates the law of the state applicable to this agreement, the -agreement shall be interpreted to make the maximum disclaimer or -limitation permitted by the applicable state law. The invalidity or -unenforceability of any provision of this agreement shall not void the -remaining provisions. -</div> - -<div style='display:block; margin:1em 0'> -1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the -trademark owner, any agent or employee of the Foundation, anyone -providing copies of Project Gutenberg™ electronic works in -accordance with this agreement, and any volunteers associated with the -production, promotion and distribution of Project Gutenberg™ -electronic works, harmless from all liability, costs and expenses, -including legal fees, that arise directly or indirectly from any of -the following which you do or cause to occur: (a) distribution of this -or any Project Gutenberg™ work, (b) alteration, modification, or -additions or deletions to any Project Gutenberg™ work, and (c) any -Defect you cause. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 2. Information about the Mission of Project Gutenberg™ -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ is synonymous with the free distribution of -electronic works in formats readable by the widest variety of -computers including obsolete, old, middle-aged and new computers. It -exists because of the efforts of hundreds of volunteers and donations -from people in all walks of life. -</div> - -<div style='display:block; margin:1em 0'> -Volunteers and financial support to provide volunteers with the -assistance they need are critical to reaching Project Gutenberg™’s -goals and ensuring that the Project Gutenberg™ collection will -remain freely available for generations to come. In 2001, the Project -Gutenberg Literary Archive Foundation was created to provide a secure -and permanent future for Project Gutenberg™ and future -generations. To learn more about the Project Gutenberg Literary -Archive Foundation and how your efforts and donations can help, see -Sections 3 and 4 and the Foundation information page at www.gutenberg.org. -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 3. Information about the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -The Project Gutenberg Literary Archive Foundation is a non-profit -501(c)(3) educational corporation organized under the laws of the -state of Mississippi and granted tax exempt status by the Internal -Revenue Service. The Foundation’s EIN or federal tax identification -number is 64-6221541. Contributions to the Project Gutenberg Literary -Archive Foundation are tax deductible to the full extent permitted by -U.S. federal laws and your state’s laws. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation’s business office is located at 809 North 1500 West, -Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up -to date contact information can be found at the Foundation’s website -and official page at www.gutenberg.org/contact -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ depends upon and cannot survive without widespread -public support and donations to carry out its mission of -increasing the number of public domain and licensed works that can be -freely distributed in machine-readable form accessible by the widest -array of equipment including outdated equipment. Many small donations -($1 to $5,000) are particularly important to maintaining tax exempt -status with the IRS. -</div> - -<div style='display:block; margin:1em 0'> -The Foundation is committed to complying with the laws regulating -charities and charitable donations in all 50 states of the United -States. Compliance requirements are not uniform and it takes a -considerable effort, much paperwork and many fees to meet and keep up -with these requirements. We do not solicit donations in locations -where we have not received written confirmation of compliance. To SEND -DONATIONS or determine the status of compliance for any particular state -visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>. -</div> - -<div style='display:block; margin:1em 0'> -While we cannot and do not solicit contributions from states where we -have not met the solicitation requirements, we know of no prohibition -against accepting unsolicited donations from donors in such states who -approach us with offers to donate. -</div> - -<div style='display:block; margin:1em 0'> -International donations are gratefully accepted, but we cannot make -any statements concerning tax treatment of donations received from -outside the United States. U.S. laws alone swamp our small staff. -</div> - -<div style='display:block; margin:1em 0'> -Please check the Project Gutenberg web pages for current donation -methods and addresses. Donations are accepted in a number of other -ways including checks, online payments and credit card donations. To -donate, please visit: www.gutenberg.org/donate -</div> - -<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'> -Section 5. General Information About Project Gutenberg™ electronic works -</div> - -<div style='display:block; margin:1em 0'> -Professor Michael S. Hart was the originator of the Project -Gutenberg™ concept of a library of electronic works that could be -freely shared with anyone. For forty years, he produced and -distributed Project Gutenberg™ eBooks with only a loose network of -volunteer support. -</div> - -<div style='display:block; margin:1em 0'> -Project Gutenberg™ eBooks are often created from several printed -editions, all of which are confirmed as not protected by copyright in -the U.S. unless a copyright notice is included. Thus, we do not -necessarily keep eBooks in compliance with any particular paper -edition. -</div> - -<div style='display:block; margin:1em 0'> -Most people start at our website which has the main PG search -facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>. -</div> - -<div style='display:block; margin:1em 0'> -This website includes information about Project Gutenberg™, -including how to make donations to the Project Gutenberg Literary -Archive Foundation, how to help produce our new eBooks, and how to -subscribe to our email newsletter to hear about new eBooks. -</div> - -</div> -</body> -</html> diff --git a/old/67100-h/images/cover.jpg b/old/67100-h/images/cover.jpg Binary files differdeleted file mode 100644 index e1b994f..0000000 --- a/old/67100-h/images/cover.jpg +++ /dev/null diff --git a/old/67100-h/images/facing024.jpg b/old/67100-h/images/facing024.jpg Binary files differdeleted file mode 100644 index eebf5cd..0000000 --- a/old/67100-h/images/facing024.jpg +++ /dev/null diff --git a/old/67100-h/images/facing036.jpg b/old/67100-h/images/facing036.jpg Binary files differdeleted file mode 100644 index 289980d..0000000 --- a/old/67100-h/images/facing036.jpg +++ /dev/null diff --git a/old/67100-h/images/facing048.jpg b/old/67100-h/images/facing048.jpg Binary files differdeleted file mode 100644 index fee80ed..0000000 --- a/old/67100-h/images/facing048.jpg +++ /dev/null diff --git a/old/67100-h/images/facing056.jpg b/old/67100-h/images/facing056.jpg Binary files differdeleted file mode 100644 index ca62d13..0000000 --- a/old/67100-h/images/facing056.jpg +++ /dev/null diff --git a/old/67100-h/images/facing068.jpg b/old/67100-h/images/facing068.jpg Binary files differdeleted file mode 100644 index ed372d3..0000000 --- a/old/67100-h/images/facing068.jpg +++ /dev/null diff --git a/old/67100-h/images/facing076.jpg b/old/67100-h/images/facing076.jpg Binary files differdeleted file mode 100644 index 0cb2a4f..0000000 --- a/old/67100-h/images/facing076.jpg +++ /dev/null diff --git a/old/67100-h/images/frontis.jpg b/old/67100-h/images/frontis.jpg Binary files differdeleted file mode 100644 index 5a70fec..0000000 --- a/old/67100-h/images/frontis.jpg +++ /dev/null diff --git a/old/67100-h/images/titlepage.jpg b/old/67100-h/images/titlepage.jpg Binary files differdeleted file mode 100644 index c672c92..0000000 --- a/old/67100-h/images/titlepage.jpg +++ /dev/null diff --git a/old/67100-h/images/titlepagelogo.jpg b/old/67100-h/images/titlepagelogo.jpg Binary files differdeleted file mode 100644 index 376bc96..0000000 --- a/old/67100-h/images/titlepagelogo.jpg +++ /dev/null |
