summaryrefslogtreecommitdiff
path: root/old/66976-h
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-22 09:27:08 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-22 09:27:08 -0800
commit037dd3eee28528f873e3a941c156a4bb3e5f1ad1 (patch)
tree3f6a73c982484e063a9aaf2816ce7c5f7e874af8 /old/66976-h
parent72439a6ae7ba110f7d7869bd1c917102e493d9e8 (diff)
NormalizeHEADmain
Diffstat (limited to 'old/66976-h')
-rw-r--r--old/66976-h/66976-h.htm1472
-rw-r--r--old/66976-h/images/cover.jpgbin166113 -> 0 bytes
-rw-r--r--old/66976-h/images/illus-fpc.jpgbin73196 -> 0 bytes
3 files changed, 0 insertions, 1472 deletions
diff --git a/old/66976-h/66976-h.htm b/old/66976-h/66976-h.htm
deleted file mode 100644
index 5c458e7..0000000
--- a/old/66976-h/66976-h.htm
+++ /dev/null
@@ -1,1472 +0,0 @@
-<!DOCTYPE html>
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
-<head>
- <meta charset="UTF-8" />
- <title>The Project Gutenberg eBook of Upside Down or Backwards, by W. C. Tuttle</title>
- <link rel="icon" href="images/cover.jpg" type="image/x-cover" />
- <style>
- body { margin-left:8%; margin-right:8%; }
- p { text-indent:1.15em; margin-top:0.1em; margin-bottom:0.1em; text-align:justify; }
- .w001 { margin-left:15%; width:70% }
- .x-ebookmaker .w001 { margin-left:5%; width:90% }
- .mt01 { margin-top:1em; }
- .mb01 { margin-bottom:1em; }
- h1 { text-align:center; font-weight:normal; font-size:1.2em; margin-top:1em; }
- .tn { font-size:0.9em; border:1px solid silver; margin-top:1.8em; margin-left:8%; width:80%; padding:0.4em 2%; }
- </style>
-</head>
-<body>
-<p style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Upside Down or Backwards, by W. C. Tuttle</p>
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Upside Down or Backwards</p>
- <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em'>Author: W. C. Tuttle</p>
-<p style='display:block; text-indent:0; margin:1em 0'>Release Date: December 20, 2021 [eBook #66976]</p>
-<p style='display:block; text-indent:0; margin:1em 0'>Language: English</p>
- <p style='display:block; margin-top:1em; margin-bottom:0; margin-left:2em; text-indent:-2em; text-align:left'>Produced by: Roger Frank and Sue Clark</p>
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK UPSIDE DOWN OR BACKWARDS ***</div>
-<div id='001' class='mt01 mb01 w001'>
- <img src='images/illus-fpc.jpg' alt='' style='width:100%' />
-</div>
-<div style='text-align:center; text-indent:0; margin-top:0; margin-bottom:0; margin-left:auto; margin-right:auto; '>
-<h1 style='margin-bottom:0.7em;'>Upside Down or Backwards </h1>
-<div style='margin-bottom:0.5em;'>by W. C. Tuttle </div>
-<div style='font-size:0.9em;margin-bottom:2em;font-style:italic;'>Author of “Mary’s Little Lamb,” “With the Joker Wild,” etc. </div>
-</div>
-<p>“Well, she ain’t changed an awful lot since I left,” remarks Magpie
-Simpkins, as he cuddles his long legs up under his chin and tilts his
-chair against the side of the cabin.</p>
-
-<p>“You can’t expect no big changes in uh wilderness like this in thirty
-days,” says I, and he nods emphatic like and spits at uh lizard.</p>
-
-<p>“The East looks good, Ike,” he proclaims.</p>
-
-<p>“Did the East look good to you or did you look good to the East?” I
-asks. “Seems to me that you gets uh heap civilized in thirty days.
-What’s the idea uh that hard hat?”</p>
-
-<p>“Last word in head-gear, Ike,” he states, picking the yaller,
-pot-shaped thing off the ground, and patting it affectionate like.
-“They calls ’em Darby hats. Did yuh notice that green and red shirt in
-my valise? I annexes that in Chicago, Ill., U. S. A., and she sure is
-uh humdinger. Got uh necktie pin in that valise, too, that only
-assessed me ten dollars and eighty-five cents, and nobody what never
-seen uh real diamond could tell the difference.”</p>
-
-<p>“Being as ignorance is bliss around here yuh may make uh hit, Magpie,”
-I replies. “The fact that yuh hangs your person full uh Christmas tree
-ornaments don’t lessen my hankering to hear yuh tell about how much
-capital yuh got interested in the Silver Threads.”</p>
-
-<p>Magpie Simpkins is Ike Harper’s pardner, and I’m Ike Harper. We owns
-the Silver Threads mine, four burros, uh little grub and uh desire to
-find somebody with money to promote us.</p>
-
-<p>Magpie’s physique is impressing, unless yuh views him edgeways, when
-yuh can’t get more’n uh glimpse. He’s six feet several inches tall,
-wears uh kind look and uh long mustache, and has the ability to let me
-into more trouble than man is heir to.</p>
-
-<p>When we gets nine hundred dollars’ worth uh gold out of our placer
-mine on Plenty Stone Crick, Magpie gets the promoting itch. He orates
-that in the East is uh tribe uh philanthropists who spend their time
-hunting for uh shaft to sink their money in.</p>
-
-<p>Also he opines that as uh hunter and finder uh this certain person he
-can’t be beat or even tied. I protests audibly and often that we ought
-to let gold enough alone, but when Magpie gets an idea like that it’s
-all off until he’s proved that my objections were well founded.</p>
-
-<p>Therefore and immediate he packs his valise—or rather one he borrows
-from Buck Masterson, the saloon-keeper at Piperock, and pilgrims East.</p>
-
-<p>I holds down uh chair on the shady side of our cabin for thirty days,
-and tries to figure out how long it will take ’em to get Magpie’s nine
-hundred away from him. He indicates in his departing words that his
-stay is indefinite and his destination problematical, but he comes
-back on the thirtieth day.</p>
-
-<p>He pilgrims up from Piperock, with the taste uh ashes in his mouth, uh
-yaller, hard hat on his head and kid gloves on his hands. I hands him
-uh welcome and uh cigaret, and he humps up in my chair.</p>
-
-<p>“She’s uh hard drag, Ike,” he states. “The tribe I mentioned is either
-getting scarce or somebody has declared uh closed season on ’em. I
-invades Pittsburg and Chicago and other places too numerous to
-mention, but all I could find was folks who were kind enough to listen
-while they took uh drink on me. When the drink was gone they all lost
-their hearing, Ike.”</p>
-
-<p>“Did yuh expect to find capitalists in grog shops?” I asked, chiding
-like. “Moneyed men don’t get drunk—they gets intoxicated. Didn’t yuh
-do uh thing to be thankful for, Magpie?”</p>
-
-<p>He shakes his head, sad-like, and fumbles in his pocket. After
-searching through all his clothes he comes back to the first pocket he
-looks in, where it was all the time and he knowed it, and pulls out uh
-letter.</p>
-
-<p>“Ike, this is uh mystery,” he proclaims. “Honest to grandma, I don’t
-know what it means, but this letter says it was paid for and is on its
-way here. I didn’t think I got so drunk that I bought anything except
-more drinks, but—well, take uh look at this.”</p>
-
-<p>He hands me the letter. At the top it proclaims to be from the Fur and
-Feathers Pet Shop, of Chicago. They orates that they handles each and
-everything what wears fur and feathers, and will supply same with
-cheer and great speed. The letter reads like this:</p>
-
-<blockquote>
-<p style='text-indent:0'>Dear Sir:—</p>
-
-<p>As per your request and purchase we are shipping you today one
-cassowary. This is a male, and, in case you desires uh female, we can
-secure you one inside of thirty days. Thanking you for past and future
-favors, we begs to remain—and so forth.</p>
-
-</blockquote>
-<p>I hands the letter back to Magpie, and rolls uh smoke.</p>
-
-<p>“The letter was waiting for me when I got here,” he explains.</p>
-
-<p>“You don’t need to apologize, Magpie. How much did yuh pay for this
-male bird, beast or reptile?”</p>
-
-<p>“That’s what I don’t know, Ike. I’m sorry.”</p>
-
-<p>“You always are, Magpie,” says I. “You can be sorry more times, hand
-running, than any man I ever seen. You were born to sorrow. Some folks
-are born to sorrow, but some are like me—they has sorrow forced upon
-’em. What’ll we do with the danged thing?”</p>
-
-<p>“How do I know?” he snaps at me. “Cassowary! What in —— is uh
-cassowary, Ike?”</p>
-
-<p>“I ought to know!” I snaps right back at him. “You must uh been pretty
-blamed drunk, Magpie Simpkins.”</p>
-
-<p>He nods, solemn-like, and spits at uh lizard again.</p>
-
-<p>“Maybe. That Eastern hooch is awful stuff, Ike. I don’t remember no
-pet store. I must uh bought it the night I left Chicago for St. Louis.
-I wakes up in the morning and went to uh ticket office.”</p>
-
-<p>“Give me uh ticket to St. Louis,” says I to the clerk.</p>
-
-<p>“He looks queer like at me, and calls in uh policeman, and Ike, I had
-uh —— of uh time convincing that officer that I wasn’t crazy. He
-explained to me that I’m already in St. Louis.”</p>
-
-<p>“Them policemen must be uh nearsighted bunch,” says I. “You’d have uh
-nice time trying to prove that to an officer west uh Dakota.”</p>
-
-<p>“Don’t chide me, Ike,” says he. “I was uh stranger in uh strange land,
-and they took me in. Anyway I got uh green and red shirt, uh civilized
-hat and uh necktie pin to show for my trip.”</p>
-
-<p>“Don’t forget Cassie,” says I. “Didn’t you talk mines uh-tall?”</p>
-
-<p>“Uh-huh. There was uh fat bartender in Chicago who sympathized with me
-uh heap. Said he wished I’d uh showed up sooner with my proposition,
-cause he’d sunk all his money in uh new diving apparatus. He sure was
-uh good old scout, Ike. Doggone, that feller could fix up uh drink uh
-hooch until she tastes almost temperance, but she sure was uh sheep in
-wolf’s clothes. I rode all the way from Chicago to St. Louis on three
-of ’em and didn’t know it.”</p>
-
-<p>“The big question before the house is this, Magpie: is this here
-purchase uh yours uh singer, uh beast, uh burden or uh nuisance?”</p>
-
-<p>“Must be uh useful utensil, Ike, or I’d never bought it. I may get
-red-eyed from wobble water but I never loses my sense uh useful and
-ornamental things. I’m what you’d call uh discerning person—drunk or
-sober.”</p>
-
-<p>All uh which shows that there ain’t no use arguing with Magpie
-Simpkins. He can do no wrong. Uh course he might do things that he’d
-be sorry for, but he never figures that he’s wrong—just uh little
-mistaken for the time being.</p>
-
-<p>“Come back broke?” I asks.</p>
-
-<p>“Uh-huh. My gosh, Ike, I must uh spent money like uh timber Willie. If
-I knowed what that animile cost me I could figure how much the trip
-cost me.”</p>
-
-<p>“You don’t have to let X equal the missing quantity, Magpie,” says I.
-“You had nine hundred when yuh left, and you’re broke now; therefore
-the trip cost me four hundred and fifty. Sabe?”</p>
-
-<p>Magpie don’t sleep well that night. First he has an argument with that
-Chicago bartender. Uh course, me being an innocent bystander or
-bylayer, I gets hit in the nose. I cautions him to fight the other
-way. He apologizes uh heap, but inside uh five minutes he starts
-another fight with some colored person over the way his bed is made
-and I gets pitched out of the bunk and hits my head on the stove.</p>
-
-<p>I’ve been mistook for an Injun, and one time “Red River” Radkey
-absorbs too much of the fermented foam, and mistakes me for uh pink
-pollywog, but that’s the first time that anybody ever mistook me for
-uh colored porter, and it makes me mad.</p>
-
-<p>I climbs right back on that bunk, gets Magpie by the feet, and drags
-him around the yard in the moonlight. He’s plumb awake and docile
-enough to apologize again when I finishes the third lap around the
-woodpile, so he climbs back on the bunk and I takes uh blanket and
-sleeps on the floor.</p>
-
-<div style='height:1em;'></div>
-<p>The next morning we saddles our burros and starts for town. We’re out
-uh spuds, and we needs some drill steel. Magpie leads the procession,
-setting on the rump of uh fuzzy-looking jackass. He’s wearing that
-hard hat, green and red shirt—he sheds his vest—and on his hands he
-wears them gray gloves. He sure is uh thing to see. Even the burros
-acts bashful around him.</p>
-
-<p>“I reckon I’ll make the inhabitants uh Piperock set up and take
-notice,” he states, admiring himself.</p>
-
-<p>He sets the pot-shaped hat on the peak of his head, and brushes off
-that loco shirt with his gloves.</p>
-
-<p>“Yes,” says I. “All I hope is that they don’t set up with uh gun in
-their hands. You sure look like uh cross between uh lodge-pole
-Christmas tree and uh zebra.”</p>
-
-<p>We pilgrims down to the main road, and ambles through the dust in the
-direction of Piperock. We comes to uh turn in the road, where we sees
-uh man setting alongside on uh rock. He’s all humped up, with his head
-between his hands, and don’t look up until I hails him. Then we
-recognizes him as being Chuck Warner, puncher for the Cross-J. I never
-did know just how to take that feller. He never growed none to speak
-of from his waist on down, and I figures that he’s the
-honestest-looking liar I ever met. He sets there on that rock,
-sad-like, but when he sizes up our outfit his eyes gets bigger and he
-sort uh gasps:</p>
-
-<p>“My ——! It must be true!”</p>
-
-<p>“Too true,” I replies, glancing at Magpie. “Too true.”</p>
-
-<p>He gets off the rock and wobbles over to us. His eyes are blood-shot,
-like he’d been dallying unduly with the cheerful fluid, and he squints
-at Magpie.</p>
-
-<p>“It’s Magpie Simpkins in disguise, Chuck,” says I.</p>
-
-<p>“Huh,” says he, sort uh relieved like. “Maybe I ain’t so bad as I
-thought. You fellers got time to help out uh pilgrim in doubt?”</p>
-
-<p>“Your obedient servants,” says I. “Lead us to the doubt.”</p>
-
-<p>He turns and ambles off across the country, and me and Magpie is right
-behind him. About two hundred yards from the road he stops and points
-across an open spot.</p>
-
-<p>“That’s my bronc,” he states. “Yessir, that’s my little hawse, but,
-but—say, what in —— is on that rope uh mine, eh?”</p>
-
-<p>“Fluttering fool-hens!” explodes Magpie, fanning himself with his
-civilized hat.</p>
-
-<p>I looks and swallers uh chaw uh natural leaf.</p>
-
-<p>“Do—do you see it, too?” asks Chuck.</p>
-
-<p>“Just exactly,” states Magpie. “What is it?”</p>
-
-<p>“If it ain’t the granddaddy uh all blue grouse I’ll eat my hat,”
-orates Chuck. “Yuh see I been down to Piperock for three days, trying
-to bust Buck’s wheel, and drink all the hooch in town. I comes along
-the road this morning, singing merrily, when I happens to see that
-busted crate in the road. I pulls up to see what it is, and my bronc
-danged near dumps me off. He’s scared at something in the brush, and
-when I spurs him over to see what it is, we scares out that blasted
-thing!</p>
-
-<p>“Not being responsible for my actions I takes down my rope and
-proceeds to annex the thing. Between that thing and my bronc, they
-makes life miserable for me, so I gets off and leaves ’em to their
-fate. The rope is wound around the bush between ’em so they can’t do
-nothing but stand there and contemplate each other.”</p>
-
-<p>“I don’t reckon there’s any doubt about it being uh grown bird,”
-states Magpie, fussing with uh cigaret.</p>
-
-<p>“Your perceptions are wide open, Magpie,” nods Chuck. “Wonder where it
-flew from. It ain’t no grouse nor yet it don’t partake of any of the
-requirements of the fool-hen. It might uh been uh hummingbird about
-the time this here world was started.”</p>
-
-<p>“She’s sure uh hummer,” I agrees. “If I’d been born with uh neck like
-that I’d uh died from delirium tremens years ago.”</p>
-
-<p>“I’d opine that somebody done lost that crate off uh wagon, and maybe
-there’s something around to tell what and whose it is,” says Magpie.</p>
-
-<p>We all pilgrims back to the road, and Chuck leads us to the busted
-bunch uh slats. On one side it says—</p>
-
-<div style='text-align:center; text-indent:0; margin-top:0; margin-bottom:0; margin-left:auto; margin-right:auto; '>
-<div style='margin-top:0.7em;margin-bottom:0.7em;'>DO NOT TEASE. </div>
-</div>
-<p>On the other side, in letters uh foot high, it says—</p>
-
-<div style='margin-top:1em; text-align:right; margin-right:55%;'>MAGPIE SIMPKINS</div>
-<div style='text-align:right; margin-right:50%;'>PIPEROCK</div>
-<div style='margin-bottom:1em; text-align:right; margin-right:45%;'>MONTANA</div>
-<p>We reads it over several times, and then Magpie steps back, cocks his
-yaller hat over one eye, sticks his thumbs in his belt and snorts—</p>
-
-<p>“That is Cassie!”</p>
-
-<p>“Make it Caspar,” says I. “It’s uh male cassowary, Magpie.”</p>
-
-<p>“Huh!” snorts Chuck. “You wise guys knowed all the time what it was,
-didn’t yuh? What yuh going to do with the thing? What in —— is it
-anyway?”</p>
-
-<p>“That thing, Chuck,” says I, “is what uh man buys in the East when
-he’s drunk up seven hundred dollars’ worth uh mixed hooch. Cassowary
-is uh French word what means, ‘something yuh bought when you’re too
-drunk to consider the expense and necessity.’”</p>
-
-<p>“I always did like the French language,” states Chuck. “It sure is
-expressive that-away, ’cause yuh don’t have to say much to mean uh
-whole lot. My mother was French. Name was Jones. Yuh pronounces it
-‘Hones,’ the J being silent like the Q in cassowary.”</p>
-
-<p>“Well,” says I, “we got to do something, and, being as it belongs to
-you, Magpie, I reckon yuh better suggest.”</p>
-
-<p>But Magpie sucks away on that cigaret, and shakes his head.</p>
-
-<p>“I’d admire to hear all about it,” states Chuck. “There must be uh
-deep and dark mystery about that bird, Magpie. If I knowed the details
-about that bird’s past, maybe I could help yuh out.”</p>
-
-<p>Magpie is willing to receive help—as usual—so he sets down there and
-tells Chuck all about it —what he can remember.</p>
-
-<p>“How much do yuh think yuh paid for it?” asks Chuck. “You sure ought
-to remember that part of it.”</p>
-
-<p>“Dang me if I know,” replies Magpie. “Couple uh hundred, most likely.
-What yuh got on your mind, Chuck?”</p>
-
-<p>“Say, what good is uh cassowary? If she was worth something to
-humanity we might peddle the blasted thing. If folks had an idea it
-was—cripes!”</p>
-
-<p>“What’s the exciting thought, Chuck?” I asks, but Chuck begins to roll
-uh fresh cigaret and grin to himself. Pretty soon he busts out
-laughing and slaps his quirt across his chaps.</p>
-
-<p>“By cripes,” he chuckles. “It won’t cost nothing to try.”</p>
-
-<p>“Try what?” asks Magpie.</p>
-
-<p>“Say, if you gets your two hundred back will yuh give me all I can
-make over that?”</p>
-
-<p>“You answered your own question, Chuck,” declares Magpie. “You get us
-two hundred for that overgrown fool-hen and you can have the rest.
-What yuh going to do?”</p>
-
-<p>“That’s my business, Magpie. You and Ike go along about your business,
-and don’t peep—no matter what happens. Sabe? Here comes the stage.”</p>
-
-<p>Art Miller swings his four broncs around in front of us, and looks us
-over, sort uh grouchy like.</p>
-
-<p>“Howdy, Art,” says Magpie. “What yuh doing these days—distributing
-poultry?”</p>
-
-<p>Art spits over his off-wheeler, and considers the busted crate.</p>
-
-<p>“Did yuh see what comes in that there box?” he asks, and we nods. “Did
-ye ever hear it crow?”</p>
-
-<p>We all shakes our heads, and Art puts his hat on the brake lever and
-fumbles for his tobacco.</p>
-
-<p>“Sounds like ——!” he snorts. “We was going along, sleepy like, when it
-crows. Runaway. Lost the crate out the wagon.”</p>
-
-<p>“Uh-huh,” agrees Magpie. “Crate busted and canary flew.”</p>
-
-<p>“Canary!” Art spits out the word like he’d pulled uh slug from his old
-pipe. “Magpie Simpkins, you can get the dangdest things sent to you.
-What yuh going to use that thing for?”</p>
-
-<p>“Art,” says Chuck, chiding like, “you neglected your duty as uh
-stage-driver when yuh let that piece uh valuable freight get away.”</p>
-
-<p>“Well, go ahead and say it,” replies Art, resigned like.</p>
-
-<p>“Can you forget that you ever had that bird in your care?” asks Chuck.</p>
-
-<p>“Audibly or mentally, Chuck?” asks Art.</p>
-
-<p>“Audibly.”</p>
-
-<p>“I hope to some day.”</p>
-
-<p>“Be worth uh five spot, and no questions asked, Art.”</p>
-
-<p>“I never seen it,” states Art. “What’s the idea?”</p>
-
-<p>“You fellers are as inquisitive as an old maid,” replies Chuck. “All I
-asks is silence, and plenty of that. I’ll pay the bills.”</p>
-
-<p>“We’re as silent as the tomb, eh, Magpie?” says Art. “You ain’t got
-nothing against me.”</p>
-
-<p>“Nothing but admiration, Art. Chuck, do what you please with that
-hooch-hen, and we’ll go on to town. I don’t sabe your play, young
-feller, but I’m for it all the way from the ace to the deuce.”</p>
-
-<p>We got our stuff at Piperock, and pilgrims right back home. The crate
-and bird are gone when we returns.</p>
-
-<p>“I wish I knowed what Chuck aims to do?” says Magpie, as we goes past
-the spot.</p>
-
-<p>“And bust up our chances to get back that two hundred,” says I. “If
-you didn’t hunger and thirst for information so hard, Magpie, I’d be
-living uh life uh ease right now. You always wants to monkey with the
-wheels uh progress.”</p>
-
-<div style='height:1em;'></div>
-<p>About five days later “Scenery” Sims and “Dirty Shirt” Jones pilgrims
-up our way and stops to eat. They asks the usual questions and gets
-answered.</p>
-
-<p>“Magpie, did yuh ever see uh railami?” asks Dirty Shirt.</p>
-
-<p>“Uh-uh which?”</p>
-
-<p>“Uh railami. Didn’t yuh ever hear of one?”</p>
-
-<p>“Oh, yes. I used to raise ’em.”</p>
-
-<p>“You did not!” squeaks Scenery “There’s only one specimen left on
-earth today. Sabe?”</p>
-
-<p>“Meaning you, I reckon, Scenery,” says I. “You’re the only specimen I
-ever seen that might fit that cognomen.”</p>
-
-<p>“No, not me!” snaps Scenery. “If yuh don’t know and recognize one when
-yuh see it, maybe you’ll wish yuh did.”</p>
-
-<p>There ain’t much left to say, except unpleasant things, so they says
-“Klahowya” and departs.</p>
-
-<p>“Railami,” says Magpie, after they’re gone. “Never heard the name
-before. The way Scenery pronounces it makes it sound like uh
-hare-lipped Piegan with hay fever trying to make uh noise like uh
-blowsnake.”</p>
-
-<p>“It can’t be uh serious condition,” I replies. “It sure can’t amount
-to much if Scenery and Dirty Shirt knows what it is, so I ain’t
-worrying about it none, Magpie.”</p>
-
-<p>The next day bringeth forth “Half Mile” Smith and “Tellurium” Woods.
-They rides in and partakes of bacon and beans.</p>
-
-<p>“What you fellers doing up this way?” asks Magpie. “Seems like me and
-Ike is being honored lately. Scenery and Dirty Shirt was up to see us
-yesterday.”</p>
-
-<p>“Crazy as bedbugs, too,” says I. “They was looking for—say, Magpie,
-what was that word?”</p>
-
-<p>“Railami.”</p>
-
-<p>Half Mile and Tellurium looks foolish like at each other and then back
-at us.</p>
-
-<p>“You know what it is?” asks Tellurium, but me and Magpie has to plead
-total ignorance.</p>
-
-<p>“You looking for it, too, Tellurium?” I asks.</p>
-
-<p>He rubs the bald spot on top of his head, and grins.</p>
-
-<p>“Uh-huh. She’s worth looking for.”</p>
-
-<p>“We hate to have to ask questions,” I states.</p>
-
-<p>“Worth uh thousand dollars,” says Tellurium. “Uh cold thousand.”</p>
-
-<p>“So is sixty ounces uh gold, too, but that don’t tell nothing but the
-value,” orates Magpie. “Speak up, you’re among friends.”</p>
-
-<p>“I wouldn’t,” states Half Mile. “No use letting everybody in on it,
-Tellurium. If they don’t know about it we hadn’t ought to lessen our
-chances by telling.”</p>
-
-<p>We thanks ’em heartily for the information, and they rides away.
-Magpie gets out his dictionary and ponders deep like over it, but
-shakes his head.</p>
-
-<p>“It ain’t in the book, Ike. Must be uh foreign substance.”</p>
-
-<p>The next day comes old Judge Steele and Ricky Henderson. They salutes
-us, and gets off to rest their saddles.</p>
-
-<p>“How’s law and justice, Judge?” asks Magpie. “You fellers hunting for
-uh railami?”</p>
-
-<p>“Huh!” snorts the judge, like he didn’t hear, and glances at Ricky.</p>
-
-<p>“Railami,” repeats Magpie.</p>
-
-<p>“Why—uh—you seen any?” asks the judge.</p>
-
-<p>“I’ve quit drinking, Judge,” says Magpie. “I’m sure I’d uh seen one
-next, and I tapers off just in time.”</p>
-
-<p>“Well, well!” exclaims the judge. “Ricky, I reckon me and you had
-better be going on. We’re looking for uh couple uh strays. Two red
-cows. Seen anything of ’em up here, Magpie?”</p>
-
-<p>We disclaims all credit for seeing two red cows, and they departs.</p>
-
-<p>“Somebody’s uh heap crazy around here, Ike,” states Magpie. “Either
-they’re crazy to look for uh thing with uh name like that, or we’re
-crazy for not looking. Let’s me and you go over on Roaring Crick
-tomorrow and do uh little gophering on that quartz seam. Maybe we’ll
-meet uh railami on the trail, eh?”</p>
-
-<p>Me and Magpie gets enthusiastic over the way that quartz seam shows
-up, and when we leaves there we’re out uh grub. Magpie suggests that
-we pilgrims to Piperock and get uh banquet uh ham and aigs, and I’m
-right with him, so we points our burros toward town.</p>
-
-<p>Magpie is still wearing that yaller hard hat. The burro he’s riding
-turns its head once in uh while and looks back. It sizes him up,
-shakes its ears, sad-like, and pilgrims on. Magpie sure is dressed up
-like uh plush horse, and all he needs is uh cane to be uh cripple for
-life.</p>
-
-<p>There seems to be uh certain degree of excitement in Piperock, when we
-arrives. Chuck Warner is setting on his bronc out there in the middle
-of the street, and he’s surrounded with uh crowd. Lying down in the
-dusty road is that blasted bird that Magpie bought, and uh rope runs
-from Chuck’s saddle to its long neck. The bird seems to be the coolest
-thing in town.</p>
-
-<p>“What do yuh reckon to do with it, Chuck?” asks Dirty Shirt, and
-everybody seems interested.</p>
-
-<p>“Danged if I know,” replies Chuck. “I ain’t never seen nothing like it
-before. It just comes busting along down the road, and I hangs my rope
-on it. Wish I knowed what she is.”</p>
-
-<p>“How much do yuh want for it, Mister Warner?” asks Judge Steele,
-looking the critter over, and fumbling in his pocket.</p>
-
-<p>“You don’t want it, do yuh, Judge?” laughs Masterson. “You couldn’t
-eat it.”</p>
-
-<p>“I don’t know what she’s worth, Judge,” states Chuck. “Ain’t she some
-whopper of uh piece uh poultry? What do yuh reckon she’s worth?”</p>
-
-<p>“I’ll give yuh ten dollars for it,” squeaks Scenery Sims. “I’d give uh
-ten just to own uh thing like that.”</p>
-
-<p>“The —— yuh would!” snorts Half Mile. “I’ll give fifteen.”</p>
-
-<p>“Fifteen—fifteen—fifteen,” chants Chuck. “Who’ll give twenty?”</p>
-
-<p>“I’ll make it twenty,” yells Ricky Henderson.</p>
-
-<p>“Poultry’s going up!” whoops Chuck, standing up in his stirrups.</p>
-
-<p>“Who’ll give Ricky uh raise?”</p>
-
-<p>“I makes it worth thirty,” states the judge.</p>
-
-<p>“Forty!” yelps Tellurium.</p>
-
-<p>“Whoa!” whoops Chuck. “Wait uh minute. What’s the idea uh getting all
-heated up over uh overgrown fool-hen on stilts. First thing we knows
-there’ll be sorrow in our city. I got uh good scheme. I’ll make a
-hundred tickets at five dollars each, and raffle the blamed thing. You
-fellers can gamble your heads off if yuh feels inclined.”</p>
-
-<p>That seems to suit the crowd, so Chuck puts the bird in Buck
-Masterson’s stable, and him and some of the rest gets busy on making
-tickets.</p>
-
-<p>Me and Magpie sets there on the sidewalk and wonders what them Jaspers
-want of that bird. Art Miller comes over, but he don’t know any more
-than we do.</p>
-
-<p>“How comes it that everybody covets that monstrosity, Art?” I asks,
-but Art shakes his head, and digs his toes in the dirt.</p>
-
-<p>“Danged if I know, Ike. I never seen folks so crazy before. I felt
-that there’s something in the wind for several days. Tellurium, Half
-Mile, Scenery, Ricky, Dirty Shirt and Judge Steele has been in
-conference several times up in the judge’s office. Here comes
-Tellurium. Maybe he’ll tell us what it means.”</p>
-
-<div style='height:1em;'></div>
-<p>Tellurium sets down with us for uh minute, and then gets up and turns
-around three times, like uh losing gambler does to change his luck.</p>
-
-<p>“I’d admire to know what you wants that freak bird for, Tellurium?”
-states Art.</p>
-
-<p>“You would, eh?” chuckles Tellurium, hauling some pieces uh paper out
-of his pocket, and putting ’em into another. “You would, eh? Don’t you
-know, Art?”</p>
-
-<p>“I wouldn’t ask if I did.”</p>
-
-<p>Tellurium fusses around in his inside pocket, and hauls out uh piece
-uh writing paper.</p>
-
-<p>“I reckon the tickets are all sold now, so it won’t do no harm to let
-yuh know,” says he, handing Art the paper. “I done invested
-seventy-five on my luck, but I reckon you fellers are too late to even
-buy one ticket. When I left Judge Steele and Half Mile was quarreling
-over who gets the last number. Read that letter and be sorry yuh
-didn’t buy no chances. We don’t know who it was written to, but we
-figures that it was some uh them citified prospectors what was through
-here uh short time ago. We found it on the floor in Buck’s place, and
-that’s what brought us up to your place that day, Ike.”</p>
-
-<p>The three of us groups there on the sidewalk and reads what is left of
-that epistle. The top and one corner is torn off, but that is how she
-reads from that on down:</p>
-
-<blockquote>
-<p>—little information. Some geologist friends of mine were down in that
-country last Summer, and they brought me the track of a bird—dried in
-alkali mud. The measurements and peculiar arrangement of the toes show
-it to be the track of a Railami, a bird that is believed to have been
-extinct for many years. The imprint is of recent times—not over six
-months—and without a doubt, in the vicinity of the town of Piperock
-lives and roams a specimen of this rare bird. It greatly resembles an
-ostrich in size and characteristics, but as there are no ostriches in
-that country, it would be difficult to mistake anything else for this
-rare bird. I would be willing to give one thousand dollars for this
-specimen alive, and will gladly welcome any information you can send
-me. Very truly yours,</p>
-
-<div style='text-align:right;'><span style='font-variant:small-caps'>C. Ewein Church</span>, New York, N. Y.</div>
-</blockquote>
-<p>“My ——!” snorts Magpie. “Here we’ve had uh thousand dollars running
-loose around here and didn’t know it. Ain’t that the limit?”</p>
-
-<p>“Just uh case of grasping an opportunity when she comes your way,”
-chuckles Tellurium, looking at his tickets again. “Some of us are wide
-awake around here.”</p>
-
-<p>“Uh-huh,” I agrees. “As far as I’m concerned I tries to get my regular
-sleep.”</p>
-
-<p>Tellurium pilgrims back across the street, and pretty soon we opines
-that we might as well go and see what’s doing, so we enters Buck’s
-place. Chuck leads the bird in, and ties it to uh leg of the
-pool-table. The bird squats down on the floor, and Chuck mounts uh
-chair.</p>
-
-<p>“Gents,” says he, yelling for order. “We are gathered together here to
-raffle off uh bird that nobody seems to know nothing about. I puts my
-rope on it and, being it don’t show no brand, I claims it as mine. Am
-I right?”</p>
-
-<p>“According to law, Chuck,” admits the judge.</p>
-
-<p>“Being all things is so we will proceed to raffle off said bird.
-Gents, will the first number out of the hat win the bird or will we
-draw more before the lucky number comes to view?”</p>
-
-<p>“Make it three draws,” squeaks Scenery. “Third number out wins.”</p>
-
-<p>The bunch seems satisfied, so Chuck takes up the hat with the numbers
-in, and begins to shake ’em up.</p>
-
-<p>“Who will do the drawing?” asks the judge. “We got to have this all
-according to law.”</p>
-
-<p>“You can’t, Judge,” states Tellurium. “You got too many chances. Let’s
-get somebody what ain’t got no interest. Let Ike Harper do it.”</p>
-
-<p>I didn’t want to be mixed up in the thing uh-tall, but uh feller can’t
-refuse uh simple request like that, so I moves into position.</p>
-
-<p>“Let her go, Ike,” squeaks Scenery. “If you draws my number I’ll make
-you uh present of uh calf.”</p>
-
-<p>“Just uh minute!” yells the judge. “That sounds to me like he was
-trying to bribe or coerce the drawee. Scenery, you keep your mouth
-shut. I’d be willing to make Mister Harper uh present of uh calf if he
-drawed my number, but I ain’t proclaiming it.”</p>
-
-<p>I reaches up twice and tears up the two numbers that I draws.</p>
-
-<p>“This one tells the tale,” says somebody, excited like, as I pulls it
-out and hands it to Chuck.</p>
-
-<p>He unfolds it and squints hard at the number, turning it around and
-around.</p>
-
-<p>“Number—uh—say, Ike, what number is that?”</p>
-
-<p>“Looks like uh sixteen to me,” says I, and Scenery whoops:</p>
-
-<p>“That’s mi-i-i-i-ine! I got sixte-e-e-e-e-en! Whooe-e-e-e-e!”</p>
-
-<p>“Wait uh minute!” howls Chuck. “Maybe I was wrong, Ike, but take uh
-look at it the other way. If that ain’t uh nine——”</p>
-
-<p>“That’s mine!” whoops Dirty Shirt. “Dog-gone, I knowed——”</p>
-
-<p>“Looks like ninety-one,” says I.</p>
-
-<p>“My number! My number,” whoops the judge. “Ninety-one wins!”</p>
-
-<p>The judge comes clawing his way to the front, and the whole crowd
-starts milling around me.</p>
-
-<p>“Ouch!” yelps Ricky, above the noise. “Let loose! Wow! That danged
-pelican bit me on the leg!”</p>
-
-<p>“I claims that bird,” yells the judge. “Lead her out to me, Ricky.”</p>
-
-<p>“Like —— he will!” howls Scenery, climbing up on the bar, and shaking
-his number under the judge’s nose. “Just because you misrepresents the
-law, Judge, it don’t give yuh no rights to take property away from
-honest men.”</p>
-
-<p>“Let’s live in peace and harmony,” states Buck Masterson, sliding his
-double-barreled shotgun across the bar, and covering the crowd.
-“Everybody shut up and listen to me! Look at the tickets in the hat
-and maybe yuh can settle this argument.”</p>
-
-<p>“Your wisdom is to be applauded, Buck,” says Chuck. “Sheath that
-cemetery promoter, and we’ll rest easier and think clearer. Ricky,
-give me that hat with the tickets in.”</p>
-
-<p>“Where’s your danged hat?” asks Ricky, down on his hands and knees
-under the table. “If it was down here—let loose, you cross between uh
-Shanghai rooster and uh giraffe! Huh!”</p>
-
-<p>Ricky’s hand comes up over the table-top, and produces one square of
-white paper.</p>
-
-<p>“Your hat’s still here, Chuck, but that danged bird has ate up all the
-tickets except that number thirteen. I took that away from him
-and—ouch! Yuh will, will yuh!”</p>
-
-<p>“<i>Biff! Coo-oo-orlook.</i>”</p>
-
-<p>Ricky must uh kicked that bird for getting familiar, ’cause it comes
-right up into our midst with dangerous intent written on its
-countenance.</p>
-
-<div style='height:1em;'></div>
-<p>I love birds. Maw used to have uh canary, and I cried when it passed
-out. I got uh lot uh feathered friends, and I never met uh bird before
-that even attempted to kick me. I don’t think that thing was uh bird
-in the first place. I’d call it uh cross between uh mean disposition
-and uh piledriver, ’cause it kicked Ike Harper, Esq., right where he
-wears his pancakes. Ike Harper immediate and soon skids across the
-floor and plays uh billiard off Judge Steele and Buck Masterson, and
-finishes up by holing out under uh chair.</p>
-
-<p>I peeks out from my ambush and observes that alleged bird leave that
-low grog shop with Scenery hanging on to its neck and Dirty Shirt hold
-of its tail. Somebody must uh cut that rope. The rest of the audience,
-except me and Buck and the judge, follers in the rear.</p>
-
-<p>I must uh hit Buck and the judge pretty hard. Buck has got uh cut over
-his eye where he bumped against the bar on his way down, and the judge
-fell between the bar and the rail, with his feet under the rail.</p>
-
-<p>I hauls the judge around so his back is against the bar, with the rail
-across his lap, and folds his hands. Then I helps Buck into uh chair,
-where he sets and makes funny little noises.</p>
-
-<p>“Railami,” states the judge, without opening his eyes.</p>
-
-<p>“<i>Z-z-z-zunkuff</i>,” says I.</p>
-
-<p>“<i>Uf-uf-uf-fuf</i>,” says Buck.</p>
-
-<p>It sure was an intelligible conversation. It was just about sensible
-enough for uh gathering like that and we all enjoyed it. Sudden like
-the noise starts percolating down the street again, and I starts for
-the door. I said I “started,” and that’s as far as I got. Pete
-Gonyer’s pet coyote pup must uh wanted uh railami, too, and it wasn’t
-below its dignity to come right into uh saloon to get it either.</p>
-
-<p>In they comes, crowding each other for first place, and starts making
-a three-ring circus out uh Buck’s place. I’d tell uh man that there
-was something going on in there. That stilt-legged, overgrown fool-hen
-sure can cut circles, and that pup ain’t no slouch either. All
-outdoors seems to beckon that bird, but he don’t sabe mirrors. He cuts
-his last lap about two feet in the lead of that pup, hops high, wide
-and handsome to the top of the bar and meets itself in Buck’s
-bar-mirror.</p>
-
-<p>Bounce? Say, that bird simply turns over in the air and comes back
-like uh rubber ball. The coyote is yelping its fool head off, trying
-to climb the bar, when that mass uh feathers and legs hits him dead
-center on the rebound.</p>
-
-<p>Scenery Sims is just staggering in the door when that pup opines he
-can hear his maw calling him, and he tangles with poor little Scenery
-on his way out. Scenery loses his feet, so, as long as he ain’t got no
-visible means of support, he sets down on the back of his neck, and
-that demented thing that Magpie bought meets its original owner right
-in the doorway and they goes into the street together.</p>
-
-<p>“Six-te-e-e-e-en!” shrieks Scenery, clawing at his head, where it had
-banged against uh chair-leg.</p>
-
-<p>“Ninety-one,” croaks the judge, clawing at the bar-rail across his
-lap.</p>
-
-<p>“Pass,” declared Buck, vacant like, and just then “Doughgod” Smith
-weaves in.</p>
-
-<p>He looks us over, foolish like, squints hard at the judge, under the
-rail, and then shakes his head and starts for the door.</p>
-
-<p>“What’s the matter, Dud-Dud-Doughgod?” stutters Buck.</p>
-
-<p>“De-de-de-delirium tut-tut-tut-tremens,” stutters Doughgod, right back
-at him.</p>
-
-<p>He flops his arms, and sighs deep.</p>
-
-<p>“No use,” he states. “Must be uh lot uh lye in hooch that’ll make uh
-feller see things like that. It was standing down the road with its
-head under uh hard hat—uh yaller one!” He shrieked the last sentence,
-and lopes out to his bronc, and away he goes.</p>
-
-<p>“Head under uh hat!” whoops Scenery.</p>
-
-<p>“My ——! Hid out like uh ostrich!” And then he lopes out of the door.</p>
-
-<p>“I got uh claim to settle, too,” announces the judge.</p>
-
-<p>He slides out from under that rail, hitches up his belt and gallops
-after Scenery.</p>
-
-<p>Magpie ambles in the door, snorts the dust out of his nose, and Chuck
-Warner is right behind him. Chuck looks like he’d been through a
-revolution. He weaves over to the pool-table, gets down on his knees
-and searches the floor. He shakes his head, solemn-like, and searches
-his pockets once more.</p>
-
-<p>Pretty soon he gets back on his feet and wobbles up to the bar.</p>
-
-<p>“Buck, you got any caster ile?” he asks. “I had all that raffle money
-in my pocket, and I reckon that danged cross between uh greyhound and
-uh duck must uh ate it up with them tickets. I can’t find nothing but
-uh five-dollar bill in my pocket.”</p>
-
-<p>“Let’s see the bill, Chuck,” says Buck, and Chuck hands it to him.</p>
-
-<p>“Thanks,” says Buck. “It ain’t much but it will help to pay for that
-glass.”</p>
-
-<p>“Dog-gone yuh, Buck!” wails Chuck, leaning against the bar, “that bird
-ain’t mine. It lays between Scenery Sims and Judge Steele.”</p>
-
-<p>“The —— it does!” squeaks Scenery from the doorway. “That bird is too
-active to lay.”</p>
-
-<p>He walks over to Magpie, and slams that yaller hat down over his head
-until his ears stand out like sails.</p>
-
-<p>“Take your danged pot hat, Magpie!” he snaps. “Nobody ought to wear uh
-hat like that. Will some strong unwounded man go out and bring in the
-judge? He took that thousand-dollar bird, beast or reptile by the leg
-while I takes the hat off its head. I’d uh carried him in but I ain’t
-able to do much. I suppose I got to own that bird.”</p>
-
-<p>“Don’t worry too much about it, Scenery,” advises Buck. “If the judge
-opines that his number wins you got to fight it out among yourselves.
-If the judge don’t survive I reckon he’s got an heir some place to
-take it up.”</p>
-
-<p>“Air ——!” squeaks Scenery. “He was trying to get some when I left.
-That thing can give uh mule high, low and the game and win.”</p>
-
-<p>Just then in comes the judge, with Tellurium, Half Mile and Dirty
-Shirt helping to support him. They sets him in uh chair and he droops
-like uh wilted lily.</p>
-
-<p>“How do yuh feel, Judge?” I asks.</p>
-
-<p>“Paralyzed from the belt-line both ways, Ike,” says he, painful like.
-“I don’t reckon the shadder uh death is afar off. I sure have had
-particular —— kicked out uh me this day and date.”</p>
-
-<p>“How about your claim to that bird now, Judge?” squeaks Scenery. “I’ll
-fight it——”</p>
-
-<p>“Go to it,” wheezes the judge. “I’ll pay half your funeral expenses. I
-hereby waives all claim to said monstrosity, and grieves to think I
-ever coveted such uh piece uh property.”</p>
-
-<p>“I’ll take it!” whoops Scenery. “I’ll——”</p>
-
-<p>“With certain formalities, Scenery,” states Tellurium, wise like,
-producing uh piece uh paper and unfolding same. “This here
-proclamation was picked up this day in the street of Piperock, and
-unless I’ve forgot all the botany I ever learned in school we been
-bidding on the wrong bird. You might pe-ruse it, Scenery.”</p>
-
-<p>He looks at me and Magpie, and hands the letter to Scenery. I leans
-close enough to see that it’s the letter that Magpie got announcing
-the shipment from the Fur and Feathers Pet Shop. Scenery spells it
-out, with uh squeak after each word.</p>
-
-<p>“Cassowary,” he snorts at Tellurium, and then he turns appealing like
-to Magpie: “You ain’t going to send for another one are you? Honest,
-yuh ain’t, are yuh, Magpie?”</p>
-
-<p>“<i>Ker-boom! Ker-bang!</i>”</p>
-
-<div style='height:1em;'></div>
-<p>The house shakes with the concussion and Buck drops uh glass he’s been
-polishing for ten minutes. He looks under the bar, and gasps—</p>
-
-<p>“My riot-gun!”</p>
-
-<p>We sets there and looks at each other for uh minute, and then the
-judge runs his fingers painful like through his hair, and orates in uh
-peevish, wailing tone—</p>
-
-<p>“Well, dang it all, send for uh doctor or uh coroner.”</p>
-
-<p>Somebody starts to get both when the door flies open and in walks
-Chuck. He ambles the length of the room and slams the shotgun down on
-the bar.</p>
-
-<p>“——!” he snorts, “I shot its crop all to ——!”</p>
-
-<p>“Is—is it dead?” quavers the judge.</p>
-
-<p>“I don’t know, Judge,” replies Chuck, weary like. “It was when I
-left.”</p>
-
-<p>“What’d yuh shoot it for?” asks Scenery.</p>
-
-<p>“It ate up all that raffle money—dang its hide! Now, I shot the
-treasury all to flinders.”</p>
-
-<p>“Raffle money!” snorts Tellurium. “Did anybody pay yuh cash, Chuck? I
-know danged well I didn’t. I just signed your paper for it.”</p>
-
-<p>Chuck looks blank like for uh minute, feels of his head, and snorts:</p>
-
-<p>“Cripes! I sure must uh been kicked hard. Where’s Ricky?”</p>
-
-<p>“Right here,” chirps Ricky. “What yuh want?”</p>
-
-<p>“Where’s that piece uh paper I gave yuh just before the raffle
-started?”</p>
-
-<p>“Piece uh—oh, that piece. Gosh! Was that worth anything, Chuck? I
-remember you handing it to me, and telling me to put it in my pocket,
-but I thought yuh was joshing. Well, I was standing over there by that
-shotgun, after Buck puts it back on the bar, and unless I’m mistaken I
-sort uh absent-minded like shoved it into the muzzle uh that gun. I’m
-sorry——”</p>
-
-<p>“You’re welcome,” states Chuck, offhand like. “It looks to me like I’d
-shot the business all to —— with the profits. I lose eleven dollars
-and four cents on the deal.”</p>
-
-<p>“What I want to know is this: is that bird critter still in the land
-of the living?” interrupts Scenery Sims.</p>
-
-<p>“What I want to know is—has somebody got some liniment?” states the
-judge, and then me and Magpie and Chuck goes outside.</p>
-
-<p>“Ain’t it awful?” complains Chuck. “The goose that was going to lay
-the golden aig is dead, and your two hundred is all shot to pieces.”</p>
-
-<p>“Just because uh sixteen upside down is ninety-one,” agrees Magpie.
-“How do yuh figure you’re out eleven dollars and four cents?”</p>
-
-<p>“I gave uh five spot to Art for holding his tongue, and Buck took uh
-five for the busted looking-glass. Sabe? That’s ten. The dollar I had
-to pay uh feller in Great Falls for writing that scientific letter,
-one dollar, and it cost me postage both ways. She totals up to eleven
-dollars and four cents, Magpie.”</p>
-
-<p>“Say, Chuck, where did yuh invent the name ‘Railami’ for that bird?”</p>
-
-<p>“Spell it backward, Ike,” says he.</p>
-
-<p>“You are,” states Magpie.</p>
-
-<div class="tn">
- <p style='text-indent:0'>Transcriber’s Note: This story appeared in
- the April 3, 1918 issue of <em>Adventure</em> magazine.</p>
-</div>
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK UPSIDE DOWN OR BACKWARDS ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
-<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
-</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &#8226; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&#8217;s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
-</body>
-<!-- created with ppr.py 2021.12.07 on 2021-12-20 11:07:07 GMT -->
-</html>
diff --git a/old/66976-h/images/cover.jpg b/old/66976-h/images/cover.jpg
deleted file mode 100644
index 25d0059..0000000
--- a/old/66976-h/images/cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66976-h/images/illus-fpc.jpg b/old/66976-h/images/illus-fpc.jpg
deleted file mode 100644
index 0f89bc4..0000000
--- a/old/66976-h/images/illus-fpc.jpg
+++ /dev/null
Binary files differ