summaryrefslogtreecommitdiff
path: root/old/66940-h/66940-h.htm
diff options
context:
space:
mode:
Diffstat (limited to 'old/66940-h/66940-h.htm')
-rw-r--r--old/66940-h/66940-h.htm9216
1 files changed, 0 insertions, 9216 deletions
diff --git a/old/66940-h/66940-h.htm b/old/66940-h/66940-h.htm
deleted file mode 100644
index f070203..0000000
--- a/old/66940-h/66940-h.htm
+++ /dev/null
@@ -1,9216 +0,0 @@
-<!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Strict//EN"
- "http://www.w3.org/TR/xhtml1/DTD/xhtml1-strict.dtd">
-<html xmlns="http://www.w3.org/1999/xhtml" xml:lang="en" lang="en">
- <head>
- <meta http-equiv="Content-Type" content="text/html;charset=utf-8" />
- <meta http-equiv="Content-Style-Type" content="text/css" />
- <title>
- In a Yellow Wood, by Gore Vidal&mdash;A Project Gutenberg eBook
- </title>
- <link rel="coverpage" href="images/cover.jpg" />
- <style type="text/css">
-
-body {
- margin-left: 10%;
- margin-right: 10%;
-}
-
- h1,h2 {
- text-align: center; /* all headings centered */
- clear: both; font-weight: normal; margin-top: 4em;
-}
-
-p {
- margin-top: .51em;
- text-align: justify;
- margin-bottom: .49em;
-}
-
-.p1 {margin-top: 1em;}
-.p2 {margin-top: 2em;}
-.p4 {margin-top: 4em;}
-.p66 {margin-top: 6em; margin-bottom: 6em; }
-.p6 {margin-top: 6em; }
-.p6b {margin-bottom: 6em; }
-
-.indent10 {margin-left: 10%; }
-
-.half-title
-{
- margin-top: 6em;
- text-align: center;
- font-size: 140%;
- margin-bottom: 6em;
-}
-
-.small1 {font-size: 90%; }
-.big2 {font-size: 130%; }
-.big3 {font-size: 140%; }
-
-
-hr.tb {width: 45%; margin-left: 27.5%; margin-right: 27.5%;}
-
-@media print { hr.tb {display: none; visibility: hidden;} }
-
-
-
-div.chapter {page-break-before: always;}
-h2.nobreak {page-break-before: avoid;}
-
-
-
-table.autotable {
- margin-left: 25%;
- margin-right: 25%;
- width: 50%;
-}
-
-table.autotable { border-collapse: collapse; }
-table.autotable td,
-table.autotable th { padding: 4px; }
-
-.tdl {text-align: left;}
-.tdr {text-align: right;}
-.tdc {text-align: center;}
-
-.pagenum { /* uncomment the next line for invisible page numbers */
- visibility: hidden;
- position: absolute;
- left: 92%;
- font-size: smaller;
- text-align: right;
- font-style: normal;
- font-weight: normal;
- font-variant: normal;
-} /* page numbers */
-
-.center {text-align: center;}
-
-.right {text-align: right;}
-
-.smcap {font-variant: small-caps;}
-
-
-.box {
- width: 40%;
- margin-right: 30%;
- margin-left: 30%;
- margin-bottom: 12em;
- margin-top: 1em;
- }
-
-.box2 {
- width: 30%;
- margin-right: 30%;
- margin-left: 40%;
- margin-bottom: 12em;
- margin-top: 1em;
- }
-
-.box3 {
- width: 40%;
- margin-right: 20%;
- margin-left: 40%;
- margin-bottom: 12em;
- margin-top: 1em;
- }
-
-/* Images */
-
-img {
- max-width: 100%;
- height: auto;
-}
-img.w100 {width: 100%;}
-
-
-.figcenter {
- margin-bottom: auto;
- margin-right: auto;
- margin-left: auto;
- margin-top: 6em;
- text-align: center;
- page-break-inside: avoid;
- max-width: 100%;
-}
-
-
-
-/* Transcriber's notes */
- .tnote {border: dashed 1px; margin-left: 10%;
- margin-right: 10%;padding-bottom: .5em; padding-top: .5em;
- padding-left: .5em; padding-right: .5em; margin-top: 2em; margin-bottom: 4em; }
-
-/* Illustration classes */
-.illowp100 {width: 100%;}
-.illowp52 {width: 52%;}
-.x-ebookmaker .illowp52 {width: 100%;}
-.illowp73 {width: 73%;}
-.x-ebookmaker .illowp73 {width: 100%;}
-
- </style>
- </head>
-<body>
-
-<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of In a Yellow Wood, by Gore Vidal</div>
-
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: In a Yellow Wood</p>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Gore Vidal</div>
-
-<div style='display:block; margin:1em 0'>Release Date: December 13, 2021 [eBook #66940]</div>
-
-<div style='display:block; margin:1em 0'>Language: English</div>
-
-<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
-
-<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Andrés V. Galia, Sally Dunne, Joyce, Inatale and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)</div>
-
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK IN A YELLOW WOOD ***</div>
-
-<div class="figcenter illowp52" id="cover" style="max-width: 66.1875em;">
- <img class="w100" src="images/cover.jpg" alt="cover" />
-</div>
-
-
-
-<div class="chapter">
-<div class="tnote">
-
- <p class="center p4 big2">TRANSCRIBER'S NOTES</p>
-
-<p>In the plain text version words in Italics are denoted by _underscores_.</p>
-
-<p>The book cover was modified by the transcriber and has been added to
-the public domain.</p>
-
-<p>A number of words in this book have both hyphenated and non-hyphenated
-variants. For the words with both variants present the one more used
-has been kept.</p>
-
-<p>Obvious punctuation and other printing errors have been corrected.</p>
-
-<p>The Table of Contents was added by the transcriber.</p>
-</div>
-</div>
-
-<hr class="tb x-ebookmaker-drop" />
-
-<div class="chapter">
-<p class="half-title">IN A YELLOW WOOD</p>
-</div>
-
-
-
-
-<div class="chapter">
-<div class="box2 big2">
-<p><span class="smcap">Novels by</span> <em>Gore Vidal</em></p>
-
-
-
-<p class="p4" style="padding-left: 1em;">IN A YELLOW WOOD</p>
-<p style="padding-left: 1em;">WILLIWAW</p>
-</div>
-</div>
-
-<hr class="tb x-ebookmaker-drop" />
-
-<div class="chapter">
-<h1>IN A YELLOW WOOD</h1>
-
-</div>
-
-<p class="p4 center"><big>By</big></p>
-
-<p class="center big3 p6b">GORE VIDAL</p>
-
-<div class="figcenter illowp100" id="title_p_ilo" style="max-width: 36.875em;">
- <img class="w100" src="images/title_p_ilo.jpg" alt="ilotp" />
-</div>
-
-<p class="center p2">1947<br />
-
-<big>E. P. DUTTON &amp; COMPANY, INC.</big><br />
-
-NEW YORK</p>
-
-
-
-<div class="chapter">
-<p class="center p2"><em>Copyright, 1947, by E. P. Dutton &amp; Co., Inc.</em><br />
-<em>All rights reserved. Printed in the U.S.A.</em></p>
- </div>
-
-<div class="figcenter illowp73" id="verso_ilo" style="max-width: 3em;">
- <img class="w100" src="images/verso_ilo.jpg" alt="versoilo" />
-</div>
-
-<p class="center p1"><small>FIRST EDITION</small></p>
-
-<div class="box">
-<p><span class="smcap">No Part</span> <em>of this book may be reproduced
-in any form without permission in writing
-from the publisher, except by a reviewer
-who wishes to quote brief passages in connection
-with a review written for inclusion in
-magazine or newspaper or radio broadcast.</em></p>
-</div>
-
-<p class="center small1"><em>American Book-Stratford Press, Inc., New York</em></p>
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_1">[Pg 1]</span></p>
-</div>
-
-<p><span class="pagenum" id="Page_ii">[Pg ii]</span></p>
-<p class="center p66"><em>For Anais Nin</em></p>
-
-
-<div class="chapter">
-<p class="center p66"><em>All of the characters, all of the events and
-most of the places in this book are fictitious.</em></p>
-</div>
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_iii">[Pg iii]</span></p>
-</div>
-
-<p class="p4 center big2">CONTENT</p>
-
-<table class="autotable" summary="cont">
-
-<tr>
-<td class="tdl">&nbsp;</td>
-<td class="tdr">Pg.</td>
-</tr>
-
-<tr>
-<td class="tdl">1 <small>DAY</small></td>
-<td class="tdr"><a href="#Page_7">7</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter One</span></td>
-<td class="tdr"><a href="#Page_9">9</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Two</span></td>
-<td class="tdr"><a href="#Page_18">18</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Three</span></td>
-<td class="tdr"><a href="#Page_31">31</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Four</span></td>
-<td class="tdr"><a href="#Page_46">46</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Five</span></td>
-<td class="tdr"><a href="#Page_59">59</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Six</span></td>
-<td class="tdr"><a href="#Page_73">73</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Seven</span></td>
-<td class="tdr"><a href="#Page_86">86</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Eight</span></td>
-<td class="tdr"><a href="#Page_103">103</a> </td>
-</tr>
-
-<tr>
-<td class="tdl">&nbsp;</td>
-</tr>
-
-<tr>
-<td class="tdl">2 <small>NIGHT</small></td>
-<td class="tdr"><a href="#Page_113">113</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Nine</span></td>
-<td class="tdr"><a href="#Page_115">115</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Ten</span></td>
-<td class="tdr"><a href="#Page_143">143</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Eleven</span></td>
-<td class="tdr"><a href="#Page_166">166</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Twelve</span></td>
-<td class="tdr"><a href="#Page_180">180</a> </td>
-</tr>
-
-
-<tr>
-<td class="tdl">&nbsp;</td>
-</tr>
-
-<tr>
-<td class="tdl">3 <small>THE YELLOW WOOD</small></td>
-<td class="tdr"><a href="#Page_195">195</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Thirteen</span></td>
-<td class="tdr"><a href="#Page_197">197</a> </td>
-</tr>
-
-<tr>
-<td class="tdl"><span class="smcap">Chapter Fourteen</span></td>
-<td class="tdr"><a href="#Page_209">209</a> </td>
-</tr>
-</table>
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_7">[Pg 7]</span></p>
-</div>
-
-<p class="half-title">1<br />
-DAY</p>
-
-
-
-<div class="chapter">
-<div class="box3">
-<p class="p6 indent10"><em>Two roads diverged in a yellow wood,<br />
-And sorry I could not travel both<br />
-And be one traveller.</em>...</p>
-
-<p class="right" style="padding-right: 3em; ">&mdash;<span class="smcap">Frost</span></p>
-</div>
-</div>
-
-<p class="p6 small1">From <em>Collected Poems</em> by Robert Frost. Copyright, 1930, 1939, by Henry Holt and
-Company, Inc. Copyright, 1936, by Robert Frost.</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_9">[Pg 9]</span></p>
-
-<h2 class="nobreak"><em>Chapter One</em></h2>
-</div>
-
-
-<p class="p2">Robert Holton removed several dark hairs from his comb
-and wondered if his hairline was receding. He squinted for
-a moment at himself in the mirror and decided that he was
-not losing his hair, not yet anyway.</p>
-
-<p>Then he sat down on the edge of the bed and put on his
-shoes. He started to tie the laces of the left shoe when he
-began to think of his dream. He had many dreams: of flying
-through the air, of walking in empty rooms, of all the standard
-things that psychiatrists like to hear about. Unfortunately,
-in the morning he could seldom recall what he had
-dreamed the night before. He would remember the sensation
-of the dream but nothing else. He would remember if it had
-been good or bad but that was all. Last night his dream had
-been unpleasant and something in the room had suddenly
-recalled it to him.</p>
-
-<p>Robert Holton frowned and tried to remember. Was it the
-carpet? He had looked at the carpet while tying his shoe.
-He looked at it now. The carpet was dusty and uninteresting.
-It was a solid brown color; the same carpet that covered
-the floor of every hotel room in New York. No, the carpet
-was not connected with his dream.</p>
-
-<p><span class="pagenum" id="Page_10">[Pg 10]</span></p>
-
-<p>He had been standing at the dresser while combing his
-hair. He looked at the dresser: plain dull wood with dull
-scroll work about the mirror. On the dresser was a dingy
-white cloth and on the cloth were a pair of brushes, his
-wallet, and a collection of small things. Nothing suggested
-an unpleasant dream.</p>
-
-<p>The morning light glowed yellowly through the window
-shade. There was a band of brighter light between the bottom
-of the shade and the window sill and here the daylight
-shone into the square room where Robert Holton lived. He
-looked at the sunlight a moment and forgot his dream.</p>
-
-<p>He glanced at his watch: fifteen minutes to eight. He had
-to be at the office at eight-thirty. Quickly he tied his shoes
-and got to his feet. He searched through the bureau drawers
-for a shirt. He found a white one and put it on. Before the
-war he had worn colored shirts but now plain white ones
-seemed more sound. And then it was a good idea not to be
-too vivid when you worked for a brokerage house.</p>
-
-<p>His tie was pretty, though. It was a striped one, blue and
-white. Not a dark sullen blue but a light and casual blue. As
-he knotted his tie in front of the mirror he noticed his face
-was pale. He was always pale in the morning, of course; still,
-he looked unhealthy in the city. This morning he looked
-paler than usual. There were no pouches under his eyes,
-though, and he was glad of that. Robert Holton looked
-younger than twenty-six. His features were boyish and undistinguished
-and certain women had said that he was handsome.
-Robert Holton had looked well in uniform.</p>
-
-<p>He put on his trousers and tightened the belt. Robert Holton,
-though he had never been much of an athlete, had a
-good build. Sitting at desks, however, would ruin it sooner<span class="pagenum" id="Page_11">[Pg 11]</span>
-or later and the thought made him sad. There was nothing
-he could do, of course, for he would always sit at desks.</p>
-
-<p>He picked up his coat from the chair where he had hung
-it the night before and put it on. He posed for a moment in
-front of the mirror. Perhaps he was not handsome but he
-was nicer looking than a great many people and it is better
-to be nicer looking than a great many people than to be unusually
-handsome.</p>
-
-<p>Robert Holton turned from the window and went into the
-bathroom. His watch was on the tile floor beside the bathtub
-where he had left it the night before. He set the watch
-by his alarm clock.</p>
-
-<p>Again he tried to recall his dream. On the wall there was
-a picture of some apples on a table. A Frenchman had
-painted the picture twenty years before. It had been reproduced
-and the hotel had bought several copies because they
-were cheap and because the manager’s wife had thought the
-picture pleasant. Robert Holton liked the picture. It seemed
-to suggest his dream to him more than anything else in the
-room. He studied the picture but he could not remember
-the dream. The picture only made him uneasy. He looked
-away.</p>
-
-<p>He went to the closet and took out his trench coat. He
-had bought it when he became a lieutenant three years
-before.</p>
-
-<p>It was almost eight o’clock now. Robert Holton opened
-the door of his room and stepped out into the corridor.</p>
-
-<p>There was a difference in smell. The corridor smelled old
-and dusty as though no one had walked down it in years.
-Robert Holton in the one year he had lived in this hotel had<span class="pagenum" id="Page_12">[Pg 12]</span>
-never seen anyone else come out of a room. Sometimes he
-wondered if he might not be the only person living on this
-floor, or in this hotel, or in the world.</p>
-
-<p>The ceiling of the corridor was high and he enjoyed walking
-under such a high ceiling. He walked to the elevator and
-pressed the button marked “Down.”</p>
-
-<p>There was a large pot filled with white sand beside the
-elevator door. He had always wanted to put something into
-that white sand. A cigarette butt, anything at all to spoil the
-white smooth surface. One day he would spit on the sand;
-he made himself that promise.</p>
-
-<p>There was a clatter as the elevator went past his floor.
-That always happened. He pushed the button angrily.</p>
-
-<p>Robert Holton tried to recall what he was supposed to do
-that day at the office. He could think of nothing very important
-that had to be done. In the afternoon he was supposed
-to go to a cocktail party and he looked forward to that. Mrs
-Raymond Stevanson was giving it and she was a very proper
-person to know. She had been a friend of his mother’s and
-she had been nice to Robert Holton when his mother had
-died several years earlier. His father thought Mrs Raymond
-Stevanson was stupid but his father was often harsh and she
-was, after all, important socially. When one was starting out
-in the brokerage business contacts were important. He began
-to map his day in detail.</p>
-
-<p>There was a loud rattling and the elevator stopped at his
-floor. The door opened and Robert Holton stepped into the
-elevator.</p>
-
-<p>“Good morning, Mr Holton,” said the elevator boy, a
-young man in his middle teens.</p>
-
-<p>“Good morning, Joe. What kind of a day is it?”</p>
-
-<p><span class="pagenum" id="Page_13">[Pg 13]</span></p>
-
-<p>“Wonderful out. Real warm for this time of year. Real
-Indian summer outside. Real nice weather.”</p>
-
-<p>“That’s fine,” said Robert Holton, glad to hear that the
-weather was good.</p>
-
-<p>“Any news on the market?” asked Joe, stopping at the
-seventh floor.</p>
-
-<p>“Nothing new.” A middle-aged man, tall and thin, came
-into the elevator. Robert Holton had seen him almost every
-day for a year but they never spoke. The middle-aged man
-wore a black shiny topcoat and he carried a large leather
-brief case in which the outlines of an apple could be seen.</p>
-
-<p>“I guess there’s nothing for me to put my money in, I
-guess,” said Joe.</p>
-
-<p>“I shouldn’t advise buying now,” said Robert Holton. It
-was a daily joke of theirs. Joe would pretend he had money
-to invest and wanted advice.</p>
-
-<p>They stopped at the second floor and another tall thin
-man in a shiny black overcoat got into the elevator. This man
-had a red face, though, and the other man had a white face.
-Neither of them ever spoke. Robert Holton often wondered
-what they did for a living, whether they had wives or not.</p>
-
-<p>“Well, here we are,” said Joe, opening the door. “We made
-it all right this time.”</p>
-
-<p>“We certainly did.” Robert Holton followed the two older
-men out of the elevator and into the lobby.</p>
-
-<p>The lobby was high-ceilinged and old-fashioned. Tropical
-bushes grew in buckets and a gray chandelier was suspended
-from the center of the ceiling. At the desk sat a faded little
-woman.</p>
-
-<p>She nodded to Robert Holton and he nodded to her. They
-never spoke. He picked up a newspaper from the desk,<span class="pagenum" id="Page_14">[Pg 14]</span>
-looked at his mail box to see if he might have overlooked
-something the night before. Finding nothing, he put three
-cents in a saucer beside the newspapers.</p>
-
-<p>Robert Holton went outside. The morning was clear and
-cool. There was a depth, a golden depth in the air. There
-was no time of the year as pleasant as autumn, thought Robert
-Holton; unless it was spring. He liked spring, too.</p>
-
-<p>He walked down the not yet busy side street where he
-lived. His footsteps sounded sharp and loud on the pavement.
-The brownstone houses that lined the street seemed
-large and significant this morning. Perhaps it was because
-of the clearness of the day. He noticed details in the stone
-that he had never noticed before. For instance, one of the
-houses was built of oddly pitted stone. He had seen another
-place built of pitted stone. He thought a moment: Notre
-Dame, the cathedral in Paris. During the war he had seen
-it. He had even walked up a great many winding steps to
-get to the top. At the top he had noticed the pitted stone
-which had proved, somehow or other, that the building was
-very old.</p>
-
-<p>Sleepy children were coming out of the houses. They
-walked down the street to the bus stop, schoolbooks under
-their arms. There was a smell of bacon and coffee in the air
-and Robert Holton’s stomach contracted hungrily.</p>
-
-<p>At the end of the street was the subway station. Every
-morning he disappeared down it and every evening he came
-up out of it. He spent a lot of time in the subway.</p>
-
-<p>He went down the dirty cement steps. He put a nickel
-into the turnstile and walked out onto the cement platform.
-Twenty or thirty men and women stood on the platform
-with him, waiting for the downtown train.</p>
-
-<p><span class="pagenum" id="Page_15">[Pg 15]</span></p>
-
-<p>The express went crashing by them. The noise of these
-trains was terrific. After it had passed he had to yawn several
-times to clear the deafness from his ears. Then the local
-stopped and he got aboard.</p>
-
-<p>He sat next to a stout man who lived in his hotel. Occasionally
-they would speak.</p>
-
-<p>“How’s the market?” asked the fat man, deciding not to
-read his paper.</p>
-
-<p>“The market’s doing fine, should go up.”</p>
-
-<p>“Well, that sure is good news. I’ve a little bit that I’d like
-to put in it. I’d like to put it in something safe, though. You
-know of something safe? Something that’s going to go way
-up, say?”</p>
-
-<p>“Well, that’s a hard question. It’s very hard to tell just
-yet. Sugar’s doing well,” said Robert Holton. He always said
-the same things to these questions. No one cared what he said.
-They would repeat it to acquaintances, saying that a friend
-of theirs in Wall Street had advised them to buy sugar but
-they didn’t feel it was such a good buy at this time.</p>
-
-<p>“You was in the army, weren’t you?” asked the stout man
-suddenly.</p>
-
-<p>Robert Holton nodded.</p>
-
-<p>“Been out long?”</p>
-
-<p>“Over a year.”</p>
-
-<p>“I’ll bet you was glad to get out. To get away from all
-those rules and things, those restrictions. I was in the army
-in the last war. I guess the one before last, you’d call it now.
-I was sure glad to get out.”</p>
-
-<p>“Everyone is,” said Robert Holton and he thought of the
-things that he had done in London. He had liked London.</p>
-
-<p><span class="pagenum" id="Page_16">[Pg 16]</span></p>
-
-<p>“You went to college, didn’t you?” asked the stout man;
-he was trying to clear up something in his mind.</p>
-
-<p>“That’s right.”</p>
-
-<p>“That’s what I thought. Me, I never had the opportunity.
-I had to go to work,” said the stout man with pride. “I had
-to work when I was a youngster. I never went to college.”</p>
-
-<p>“It’s a good experience,” said Robert Holton, wishing the
-man would read his paper and stop asking questions. The
-train went around a corner noisily; blue electric sparks sparkled
-outside the window. Then the train straightened out
-again.</p>
-
-<p>“I’m in the grocery business,” said the stout man.</p>
-
-<p>“I know,” said Robert Holton, “we’ve talked about that
-before.”</p>
-
-<p>“I started right in at the bottom,” said the stout man.</p>
-
-<p>“That’s the best place to start,” said Robert Holton, feeling
-that there was no answer to this. He was wrong.</p>
-
-<p>“Well, I don’t know. It’s hard to say. How <em>did</em> you like the
-army?”</p>
-
-<p>“It wasn’t bad.”</p>
-
-<p>“It wasn’t good neither. I never got overseas last time, I
-mean time before last, but we had it rough in training.”</p>
-
-<p>“I can imagine.” Robert Holton looked away and the stout
-man stopped talking. Robert Holton looked at the upper
-moulding of the car to see if there were any new advertisements.
-There weren’t any. His special favorite, a girl advertising
-beer, was behind him and he couldn’t see it. Gloomily
-he examined a fat red child devouring a piece of bread. This
-was the advertisement he liked least. He looked away.</p>
-
-<p>A woman with a small child sat across from him, directly
-under the bread advertisement. The woman was heavy with<span class="pagenum" id="Page_17">[Pg 17]</span>
-a roll of flesh around her middle; she wore a tight black
-dress. The child with her was about the age of the one in
-the picture. This child was pale, though, pale and fat.</p>
-
-<p>A Negro was asleep next to the woman and child. He was
-long and thin and his bare ankles and wrists looked like
-brown wood. Two Jewish secretaries with yellow hair talked
-brightly together. They were young women and wore gaily
-colored clothes and their plump legs were hairless and pink.</p>
-
-<p>An old woman with gray hair and deep lines in her face
-looked at the two young women and seemed to hate them in
-a secret womanly manner. Several young boys, wearing discarded
-army clothing, sat in a corner, their schoolbooks beside
-them. They talked in hoarse changing voices. Robert
-Holton could not hear what they were saying but their voices
-seemed to speak of sexual things.</p>
-
-<p>The train stopped at a station and the stout man left. Two
-more stops and Robert Holton would get off.</p>
-
-<p>The car was beginning to empty. Only the two girls were
-opposite him. They still talked brightly and laughed too
-loudly, conscious that he was watching them.</p>
-
-<p>The train made its two stops and the girls got off. No one
-sat opposite him now. He studied the advertisements.</p>
-
-<p>Then his stop was made. Quickly he got up, his trench coat
-under his arm. He went out onto the platform and before
-the train left he looked in again through the window. Slightly
-to the right of where he had been sitting was the picture of
-the girl advertising beer. He looked at her until the train
-pulled out.</p>
-
-<p>When the train was gone he turned and walked up the
-dirty cement steps and as he walked he wished that he had
-a girl as pretty as the one who advertised beer.</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_18">[Pg 18]</span></p>
-
-<h2 class="nobreak"><em>Chapter Two</em></h2>
-</div>
-
-
-<p class="p2">“Hurry up, Marjorie. Let’s get those tables cleaned up.”</p>
-
-<p>“Yes,” said Marjorie Ventusa, “yes, Mrs Merrin, I certainly
-will,” she spoke sweetly, hoping that Mrs Merrin would get
-the sarcasm in her voice but Mrs Merrin was already at the
-other end of the restaurant talking to another waitress.</p>
-
-<p>Marjorie pushed her natural blonde hair out of her eyes.
-She was never able to keep it in order; perhaps she should
-have it cut shorter, wear a snood perhaps. Mrs Merrin was
-watching her, she noticed. Quickly Marjorie began to put
-the dirty dishes on her tray.</p>
-
-<hr class="tb" />
-
-<p>People were coming in and out of the restaurant. It got a
-lot of the less wealthy Wall Street trade. Clerks and secretaries
-and stenographers had breakfast and lunch here and
-the lonelier ones had supper here. When her tray was full
-she went back to the kitchen.</p>
-
-<p>On the other side of the swinging doors the cooks, wearing
-fairly clean aprons and white hats, were cooking at ranges.
-There was always steam and the smell of soap in the air.
-People shouted at one another and it was like a war. Marjorie
-hated the kitchen. The front part of the restaurant was
-all right. She had been a waitress off and on for fifteen years<span class="pagenum" id="Page_19">[Pg 19]</span>
-and she didn’t mind noisy people and the clattering of dishes.</p>
-
-<p>She put some glasses of water on her tray before she left
-the kitchen. Then Marjorie Ventusa gave the swinging door
-a kick and walked back into the dining room. She had five
-tables to take care of.</p>
-
-<p>Two women were seated at the table she had just cleared.
-She could tell from the backs of their heads that they were
-secretaries and older women; this meant they would be very
-particular and leave a ten-cent tip for both of them.</p>
-
-<p>“Good morning,” said Marjorie Ventusa, smiling brightly
-and thinking of nothing at all. She put the water glasses on
-the table. The two women were frowning at their menus.</p>
-
-<p>“How much extra is a large orange juice?” asked one.</p>
-
-<p>“It’s ten cents more if you take it with the breakfast.”</p>
-
-<p>“All right, I’ll take a double orange juice, some toast and
-coffee. Do you have any marmalade?”</p>
-
-<p>“Yes, ma’am.”</p>
-
-<p>“Well, bring some of that, too.”</p>
-
-<p>The other woman said, “The same for me.” Marjorie Ventusa
-picked up their menus. As she was turning to go she
-saw Robert Holton come into the restaurant and she was
-suddenly happy. She smiled at him and he, seeing her,
-smiled back. She pointed to one of her tables and he sat
-down at it. Quickly she went back to the kitchen to give her
-orders. She pushed her hair back from her face and promised
-herself that she would get a snood the next day.</p>
-
-<p>Marjorie Ventusa liked Robert Holton. For a year he had
-been coming into the restaurant; he always spoke pleasantly
-to her and they would joke together. She had never seen him
-anywhere except in the restaurant. She knew that he never
-really noticed her but she was always glad to see him and<span class="pagenum" id="Page_20">[Pg 20]</span>
-she was delighted when he talked to her and smiled at her;
-his smile was pleasant and he had nice teeth. She thought
-him handsome.</p>
-
-<p>“Good morning, Mr Holton,” she said, putting a glass of
-water and some silverware on his table.</p>
-
-<p>“How’re you today, Marjorie? You look perfect.”</p>
-
-<p>“Sure, sure, I do; I’m a real beauty.” Marjorie always felt
-awkward with him, as though she couldn’t think of the right
-words to say. She was older than he was, too. Marjorie was
-thirty-seven; she had known a lot of men and still she was
-awkward with him.</p>
-
-<p>“What you going to have this morning?” she asked.</p>
-
-<p>“Well....” He drawled the word as he looked at the
-menu and she had a strong urge to touch the short dark
-hairs on the back of his neck. She tried to think of some
-excuse to do so. Then she was angry with herself for having
-thought of such a thing.</p>
-
-<p>“I guess I’ll have some orange juice and scrambled eggs
-and bacon.”</p>
-
-<p>“Is that all you going to eat? Why, how you ever going to
-get big and strong?”</p>
-
-<p>He laughed. “Not sitting at a desk and eating your cooking.”</p>
-
-<p>“Oh, is that so?” Marjorie Ventusa walked slowly back to
-the kitchen. She felt strained as she walked for she could
-feel he was watching her. She wished suddenly that her hips
-weren’t so big and that her legs were slimmer.</p>
-
-<p>She shouted his order to the cooks, then she took the two
-secretaries’ breakfasts out to them. They complained bitterly
-about the size of the orange juice and one said that it was
-too sour and the other said that there were seeds in it.</p>
-
-<p><span class="pagenum" id="Page_21">[Pg 21]</span></p>
-
-<p>“I’m sorry,” said Marjorie, “would you like something
-else?”</p>
-
-<p>They said they would not and acted as if she had grown
-the oranges badly and had put seeds in the juice. One of her
-other tables was full now and she went and took their order.</p>
-
-<p>Out in the kitchen his breakfast was ready and she put it
-on her tray. There were some seeds in the orange juice which
-she carefully removed with a spoon.</p>
-
-<p>He was reading his paper when she came back. He didn’t
-look up as she arranged the dishes on his table.</p>
-
-<p>“Well, here’s your breakfast,” she said. “You better eat it
-while it’s hot.”</p>
-
-<p>“Oh, sure.” Robert Holton folded his paper and laid it on
-the table. She watched him as he drank the orange juice.</p>
-
-<p>“Sour, isn’t it?” she asked.</p>
-
-<p>“A little bit, maybe.”</p>
-
-<p>“I’m glad you’re not going to complain. The rest, they all
-complain all the time. I get so tired sometimes I could get
-sick; I get so tired of listening to them.”</p>
-
-<p>“Just don’t take them seriously. Everybody feels awful in
-the morning. You’ve just been awake longer and you feel
-better than they do, that’s all.”</p>
-
-<p>Marjorie Ventusa laughed admiringly. “I wouldn’t have
-ever thought of that,” she said. “You might be right. Anyway
-a girl gets pretty tired of being shouted at all the time like
-it’s her fault.”</p>
-
-<p>“Well, just relax. I like the food and the service.”</p>
-
-<p>“Thank you,” she said, trying to sound elegant and funny
-at the same time.</p>
-
-<p>“When you going to go out dancing with me?” Robert<span class="pagenum" id="Page_22">[Pg 22]</span>
-Holton asked, sawing a piece of bacon in half with a blunt
-knife.</p>
-
-<p>“I’m pretty busy,” she said; she always said that when he
-asked her that question. He would say it because he thought
-it was funny and she would answer him as though she thought
-it was funny too. She wished that he meant it now. She had
-always wished that he meant it. “I’m pretty busy,” she said.
-“I got so many people asking to go out with me. You’d have
-to wait couple of weeks, maybe.”</p>
-
-<p>“I can wait,” he said, smiling at her; smiling the way he
-would to a child, she thought suddenly. She watched him
-eat.</p>
-
-<p>“Marjorie,” said a voice behind her.</p>
-
-<p>“Yes, Mrs Merrin, I’m coming. I’ll be right with you. I was
-just cleaning this table.”</p>
-
-<p>Mrs Merrin was tall and stout with a wide loose mouth
-which she could make look stern and harsh when she wanted
-to. She made it look that way now.</p>
-
-<p>“Marjorie,” she said in a low voice, “you stop your hanging
-around and talking to the customers. I tell you I won’t
-stand for it.”</p>
-
-<p>“I’m sorry, Mrs Merrin. I was just cleaning the table.”
-Mrs Merrin smiled warmly at Robert Holton and walked
-away.</p>
-
-<p>“She’s an awful bitch,” said Marjorie Ventusa.</p>
-
-<p>“What did she say?” asked Robert Holton. “I didn’t hear
-her.”</p>
-
-<p>“She was just running off at the mouth, that’s all. She
-thought I was talking too much to you.”</p>
-
-<p>One of her tables called for a check and she walked over
-quickly and put their used plates on her tray. Then she went<span class="pagenum" id="Page_23">[Pg 23]</span>
-back to the kitchen. More orders were ready for her. She
-loaded her tray and went back to work.</p>
-
-<p>As she worked she watched Robert Holton. It was twenty
-minutes past eight and she knew that he had to be at his
-office at eight-thirty. She hoped that he would stay as long
-as possible. His office was only a block away and he would
-be able to stay until eight-thirty. He ate slowly, she knew,
-and he would read his paper as he ate.</p>
-
-<p>She hurried back to the kitchen. Two waitresses were talking
-and laughing together in a corner. They were young and
-pretty and would probably marry in another year and never
-work again; in another year Marjorie Ventusa would still be
-waiting on tables.</p>
-
-<p>She stopped in front of the mirror behind the swinging
-doors. Mrs Merrin always said that neatness was an important
-thing.</p>
-
-<p>Marjorie Ventusa rubbed the kitchen steam from the mirror.
-Her hair was back in her face again. She pushed it
-viciously out of her eyes. She hated its color. It was pale
-blonde, a real pale blonde. But because she was getting
-older and because she was part Italian everyone thought
-that she dyed her hair. She wondered if perhaps she
-shouldn’t have it colored black. Her eyebrows were dark,
-thin and dark, and that made the color of her hair look even
-more suspicious.</p>
-
-<p>A sailor she had seen several times during the war had told
-her that she had a beautiful figure and she had tried to believe
-him. She was too heavy, though. Well, she hadn’t been
-heavy at that time. At least not quite so heavy as she was
-now. She wondered what kind of women Robert Holton
-liked.</p>
-
-<p><span class="pagenum" id="Page_24">[Pg 24]</span></p>
-
-<p>“Marjorie,” said Mrs Merrin. That was all Mrs Merrin said
-as she walked by. Marjorie Ventusa was glad. One day she
-would lose her temper and get fired.</p>
-
-<p>The mirror had steamed up again. She took her tray and
-went out into the dining room. More customers had come.
-She put glasses of water and silverware on their tables and
-took their orders and gave them instructions in how to order
-and how to avoid paying extra for what they wanted.</p>
-
-<p>Robert Holton was halfway through his breakfast. She
-looked at the clock over the kitchen doors. It was twenty-seven
-minutes after eight o’clock. She would work very hard
-now to get her orders taken care of and then she would have
-a few minutes to talk to him before he left. She usually
-couldn’t talk to him at lunch because he was always with
-someone else.</p>
-
-<p>Marjorie Ventusa traveled quickly back and forth from
-kitchen to dining room and back again. Her hair was hopelessly
-out of shape now and she was perspiring.</p>
-
-<p>Finally her last customer was satisfied for the moment.
-She wandered casually over to Robert Holton’s table.</p>
-
-<p>“Breakfast good?” she asked.</p>
-
-<p>“Never better.”</p>
-
-<p>“That don’t make it so good.” They laughed. He was always
-so polite with her. That was why she liked him, she
-thought. He was very kind. He was handsome, too, but that
-wasn’t as important as being polite. A lot of fine people were
-not handsome.</p>
-
-<p>“What’s in the paper?” she asked. She never quite knew
-what to talk about when she was with him.</p>
-
-<p>“Not much. The same old stuff. Election stuff mostly.”</p>
-
-<p>“Seems like there’s always an election.”</p>
-
-<p><span class="pagenum" id="Page_25">[Pg 25]</span></p>
-
-<p>“There’re a lot of them.”</p>
-
-<p>“I almost don’t read any newspapers. I don’t seem to get
-time to read them. I’ll bet you read a lot of them.”</p>
-
-<p>“I have to. I read all about the market.”</p>
-
-<p>“That’s right, you’re in Wall Street. That must be exciting.
-Working there where all those big deals are made.”</p>
-
-<p>“They don’t make them where I am.” He laughed. “I’m
-just another worker.”</p>
-
-<p>“I thought you were way up in one of the big houses.”</p>
-
-<p>“Well, sort of a clerk which doesn’t pay much. It’s a good
-way to starve.”</p>
-
-<p>“You ought to do something different. Suppose you marry
-some girl....”</p>
-
-<p>“I’m not getting married for a long time.”</p>
-
-<p>“I suppose,” said Marjorie Ventusa calmly, “that you got
-some nice society girl all lined up.”</p>
-
-<p>Robert Holton shook his head. “I haven’t any girl anywhere.”</p>
-
-<p>“Isn’t that like life. All the handsome men don’t have girls
-and they wonder why so many of us are old maids.”</p>
-
-<p>“You’re not an old maid yet, Marjorie. By the way, what’s
-your last name? As long as I’ve known you I’ve never known
-your last name.”</p>
-
-<p>“Ventusa.” She spelled it for him.</p>
-
-<p>“Italian name?”</p>
-
-<p>“My father was Italian, my mother was Irish.”</p>
-
-<p>“That’s a good combination. I knew a lot of pretty girls
-when I was in Italy.”</p>
-
-<p>“Were you there in the war?”</p>
-
-<p>“I was there over a year.”</p>
-
-<p>“I always wanted to travel. I guess I’d rather travel than<span class="pagenum" id="Page_26">[Pg 26]</span>
-do anything. My father, he used to tell me stories about
-Italy. He came from Sicily. Were you ever in Sicily?”</p>
-
-<p>“Yes, I was in Sicily.”</p>
-
-<p>“It’s beautiful, isn’t it?”</p>
-
-<p>“Beautiful.”</p>
-
-<p>“Must be real messed up now.”</p>
-
-<p>“Not too bad. The scenery’s still there.”</p>
-
-<p>“I’m going to go there someday,” said Marjorie Ventusa,
-knowing that she never would.</p>
-
-<p>“You’ll like it.”</p>
-
-<p>Mrs Merrin was looking at her and she pretended to be
-busy at his table.</p>
-
-<p>“Let me get you some more coffee,” she said. She picked
-up the plates from his table and put them on her tray. Her
-arm touched his hand. He pulled away unconsciously, and
-she walked back to the kitchen.</p>
-
-<p>She got a cup of coffee for him. Two other orders were
-ready for her. She put them on her tray and returned to the
-dining room.</p>
-
-<p>She noticed a girl was walking over to Robert Holton’s
-table. She had seen the girl often before. She worked in Robert
-Holton’s office. Occasionally they would have lunch together.
-She was a pretty girl. Her hair was dark and her skin
-white. Her lips were full and painted a deep red. She had a
-slim figure and slim legs and her eyes were blue, a deep vivid
-blue that Marjorie Ventusa envied. The girl spoke to Robert
-Holton. He stood up. Then they both sat down.</p>
-
-<p>Marjorie Ventusa took care of two tables and then she
-went to Robert Holton’s table and placed his cup of coffee
-before him.</p>
-
-<p>“Good morning,” she said to the pretty girl.</p>
-
-<p><span class="pagenum" id="Page_27">[Pg 27]</span></p>
-
-<p>“Good morning,” said the pretty girl absently. “I’ll have
-some grapefruit juice. That’s all I want. I’m reducing,” she
-said to Robert Holton and she patted her slim waist.</p>
-
-<p>“What on earth are you reducing for?”</p>
-
-<p>“You think I look all right this way?” she asked, pretending
-surprise.</p>
-
-<p>Marjorie Ventusa hurried to the kitchen. She hated this
-pretty girl. All day long Robert Holton was with her. Perhaps
-even at night they were together. She pushed her
-blonde hair back out of her face. If only she had been pretty
-and young. Of course, she had been young but she had
-never been pretty. She was far from old now. They said that
-if one wanted something badly enough one would get it.
-That was foolish; Marjorie Ventusa had never gotten anything
-she wanted, except a yellow satin dress. When she was
-a child she had wanted a yellow satin dress and her father
-had bought her one. The dress was in a box in her closet
-now; she had not looked at it in fifteen years. She picked up
-a glass of grapefruit juice and put it on her tray.</p>
-
-<p>The pretty girl was laughing when she came back to their
-table and Robert Holton was watching her. She wore a gray
-suit buttoned tightly across her small breasts.</p>
-
-<p>“Here’s your grapefruit juice.”</p>
-
-<p>“Thank you very much,” said the girl, paying no attention
-to Marjorie Ventusa, saying the words mechanically.</p>
-
-<p>The waitress began to clean the table next to Robert Holton’s.
-She rubbed the gray damp cloth over the shiny black
-table-top and she listened to Robert Holton and the pretty
-girl as they talked.</p>
-
-<p>“But Caroline” (her name was Caroline then), “I didn’t
-know you were expecting me last night.”</p>
-
-<p><span class="pagenum" id="Page_28">[Pg 28]</span></p>
-
-<p>“Well, we weren’t really. I just thought you might come
-on over, that’s all. We had quite a gang. Jimmy Hammond,
-he was at Yale about the same time you were.”</p>
-
-<p>“I went to Harvard.”</p>
-
-<p>“That’s right, you did. Well, you would’ve liked Jimmy
-Hammond. He was in the army, too. And there were a whole
-lot of people around. I just thought you’d have liked to
-come.”</p>
-
-<p>“I certainly would’ve but I didn’t remember your inviting
-me.”</p>
-
-<p>“That’s all right,” said Caroline, drinking her grapefruit
-juice and making a face as she did. “God, but this stuff is
-sour.”</p>
-
-<p>Marjorie Ventusa, having cleaned the shiny black table-top
-cleaner than it had ever been before, turned to another
-table. She was still close enough to hear what they said.</p>
-
-<p>“What did you do last night, Bobby?” She called him
-Bobby. Marjorie Ventusa wondered if she would ever be
-able to call him that.</p>
-
-<p>“Not a thing. I went home to bed early.”</p>
-
-<p>“Next time I’ll send you an engraved invitation when I
-want you to come to the house.”</p>
-
-<p>“You do that. What time’s it getting to be?”</p>
-
-<p>Caroline looked at the clock. “It’s not much after eight-thirty.
-Let’s take our time.”</p>
-
-<p>“We don’t want to be too late.”</p>
-
-<p>“You haven’t been around long. Nobody gets there on
-time. What’re you bucking for, Mr Holton?”</p>
-
-<p>He grinned at her. Robert Holton had dark blue eyes.
-Marjorie Ventusa had never noticed them before. They were
-beautiful eyes, she thought suddenly.</p>
-
-<p><span class="pagenum" id="Page_29">[Pg 29]</span></p>
-
-<p>One of the waitresses came over to her and said, “Boy, you
-sure must like that guy in the corner.”</p>
-
-<p>“What do you mean? What you talking about?”</p>
-
-<p>“Nothing at all. You needn’t get so excited. I was just
-noticing you talking to him all the time. I couldn’t help
-noticing, Marjorie. You was there so long talking to him.”</p>
-
-<p>“He comes in here a lot and we talk, that’s all. I hope <em>you</em>
-don’t mind.”</p>
-
-<p>“I don’t mind at all, Marjorie. I was just kidding you.”</p>
-
-<p>Marjorie Ventusa picked up a cup of coffee and went back
-to the dining room. The waitress had irritated her. She didn’t
-want anyone to think that she would fall for a man at least
-ten years younger than she was. Well, perhaps not ten years.
-Robert Holton could be thirty. The difference between thirty
-and thirty-seven was not so great.</p>
-
-<p>She walked over to Robert Holton’s table. They were
-talking.</p>
-
-<p>“I don’t see what you have against Dick. He’s an awful
-nice fellow.”</p>
-
-<p>“I don’t have anything against him. He just doesn’t like
-me. He thinks I’m trying to get his job.”</p>
-
-<p>“Well, are you?”</p>
-
-<p>Robert Holton smiled. “I don’t want anything; didn’t you
-know that?”</p>
-
-<p>“Well, aren’t you the saint. You mean you wouldn’t like
-to take his job? Not even if it was offered to you?”</p>
-
-<p>“I suppose if it were easier to take a job than refuse it
-I’d take the job. I’m easy to please.”</p>
-
-<p>Caroline sighed. “You’re easy to please. I guess that’s what
-war does to you.”</p>
-
-<p>“I was always like that. I was like that at college.”</p>
-
-<p><span class="pagenum" id="Page_30">[Pg 30]</span></p>
-
-<p>“Just lazy?”</p>
-
-<p>“Just lazy.”</p>
-
-<p>“Good Lord, it’s almost nine! We have to get out of here.”</p>
-
-<p>Robert Holton waved to Marjorie Ventusa. She came over
-to their table slowly. She didn’t want him to leave any
-sooner than he had to.</p>
-
-<p>“Got my check, Marjorie?”</p>
-
-<p>“I’ll get it for you.” She went to the cashier and had his
-check totalled for him. Then she brought it back and he paid
-her, leaving a ten-cent tip under his water glass.</p>
-
-<p>Caroline stood up and put her gray coat about her shoulders.
-Robert Holton picked up his trench coat and slung it
-over his arm.</p>
-
-<p>“I’ll see you at lunch, Marjorie,” he said.</p>
-
-<p>“See you,” said Marjorie Ventusa and she watched them
-as they went out the door into the bright autumn morning.</p>
-
-<p>“Say, Marjorie,” said one of her regular customers, “how
-about some more coffee.”</p>
-
-<p>“O.K., O.K.,” she said.</p>
-
-<p>“When are you going to get those tables cleaned?” said
-Mrs Merrin who was back in Marjorie Ventusa’s corner. “I
-wish you’d try to get them done right after the customers
-leave. I wish you’d make some effort, Marjorie.”</p>
-
-<p>“I’m sorry,” said Marjorie Ventusa.</p>
-
-<p>She began to clear Robert Holton’s table.</p>
-
-<p>“What about my coffee?” asked the customer. “When I
-going to get it?”</p>
-
-<p>“Right away.” Marjorie Ventusa finished cleaning Robert
-Holton’s table. Almost sadly she pocketed the ten-cent tip
-which he had left under the water glass.</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_31">[Pg 31]</span></p>
-
-<h2 class="nobreak"><em>Chapter Three</em></h2>
-</div>
-
-
-<p class="p2">The elevator door opened and Caroline Lawson and Robert
-Holton stepped out of it and into the New York office of
-Heywood and Golden, members of the New York Stock Exchange
-and other organizations equally sound.</p>
-
-<p>The entrance hall was modern and dignified. The walls
-were clean and white and there was a thick carpet on the
-floor. Two heavy leather couches furnished the entrance. A
-dark genteel girl sat behind a reception desk.</p>
-
-<p>“Good morning, Caroline,” she said in a nasal voice.
-“Good morning, Bob.”</p>
-
-<p>“Hello, Ruth,” said Robert Holton, and Caroline Lawson
-smiled at her.</p>
-
-<p>“Anything new?” asked Robert Holton.</p>
-
-<p>“Not a thing, Bob, not a thing. Everything’s just as dull as
-ever. Of course, it’s still early.”</p>
-
-<p>“Sure,” said Caroline, amused at the thought of anything
-interesting happening to them, “the day’s just started.”</p>
-
-<p>“Is the boss in yet?” asked Robert Holton. He was terribly
-afraid of getting in bad, thought Caroline, looking at him.
-He was rather cowardly but nice. Perhaps having been in
-the war had changed him. Perhaps he would improve.</p>
-
-<p><span class="pagenum" id="Page_32">[Pg 32]</span></p>
-
-<p>Ruth shook her head. “No, he’s not in yet. He hasn’t come
-in yet. He’s always late, Mr Murphy is.” Mr Murphy was the
-head of the Statistical Section where Robert Holton worked.
-Caroline was Mr Murphy’s secretary.</p>
-
-<p>“Well, I’m glad,” said Robert Holton.</p>
-
-<p>“You certainly <em>are</em> eager,” said Ruth, looking up at him,
-her head slightly to one side: the way that movie actresses
-looked.</p>
-
-<p>Robert Holton laughed. “I guess I am.”</p>
-
-<p>“And after all you’ve been through, too! Why, if I’d seen
-what you’ve seen I wouldn’t worry what nob ... anybody
-thought.”</p>
-
-<p>“That’s what I used to say,” said Robert Holton.</p>
-
-<p>“Come on, Bob,” said Caroline. “Let’s get back to the salt
-mine.”</p>
-
-<p>Ruth nodded to them and they walked into a long room.
-On one side of the room were the doors of offices; the other
-side was covered with tremendous pictures of factories and
-ships and railroads. The pictures were Mr Golden’s idea. He
-wanted to explain to customers the real meaning of the
-stocks they were buying. Mr Golden always wanted people
-to feel that the stock market was a creative, a productive
-thing.</p>
-
-<p>Women of all ages sat typing at small desks in the long
-room. The light was indirect and modern and very even. One
-could see that Heywood and Golden was a well-organized
-house.</p>
-
-<p>People murmured good mornings to Caroline and Robert
-Holton as they walked together between the desks. At the
-end of the room there was a glass door behind which were<span class="pagenum" id="Page_33">[Pg 33]</span>
-a large blackboard, ticker tape machines, and men recording
-the prices of the various stocks.</p>
-
-<p>“Look busy, don’t they?” commented Caroline.</p>
-
-<p>“They certainly do. I wouldn’t have that job for anything.”</p>
-
-<p>“I think it’d be sort of exciting.”</p>
-
-<p>“Too much running around for me. I like to sit still.”</p>
-
-<p>“It takes,” said Caroline, “all kinds to make up a world.”</p>
-
-<p>“Isn’t that lucky?” said Robert Holton and Caroline didn’t
-know whether he was laughing at her or not. Sometimes he
-bothered her. She liked him. Almost everybody did because
-he was nice-looking and quiet. He was weak, though, she
-thought. She didn’t like a man to be weak. She wanted someone
-that she could lean on. Caroline Lawson was one of
-those pretty girls who could never bear weak men and yet,
-by nature, hated those who were stronger.</p>
-
-<p>They stood and watched the ticker tape machines through
-the glass door. A tall white-faced boy was slowly marking
-figures on the blackboard. He stood on a small stepladder
-and as he wrote the figures his left foot tapped regularly
-and rhythmically on the top step of the ladder. Caroline
-wondered what tune he was making.</p>
-
-<p>“You like to dance, don’t you?” she asked suddenly.</p>
-
-<p>“What? Dance? Sure, I like to dance. Why?”</p>
-
-<p>“Oh, I don’t know. I was just thinking, that’s all. I like to
-dance a whole lot. When I was at college we used to have
-wonderful dances.”</p>
-
-<p>Robert Holton laughed. “That wasn’t so long ago, when
-you were at college. Don’t you go out any more?”</p>
-
-<p>“Of course I do. You know I do, all the time, and I’m not
-trying to get you to ask me out either.”</p>
-
-<p>He laughed at her and that was all.</p>
-
-<p><span class="pagenum" id="Page_34">[Pg 34]</span></p>
-
-<p>Caroline looked at him and tried to guess what he was
-thinking. He was probably thinking that she was very pretty
-and that he would like to ask her to go out with him. She
-wouldn’t go out with him, he knew. Not now, not after she
-had said these things. Later, perhaps, when they had forgotten
-the words she had said. Caroline sighed as she thought
-of her own strength and of his weakness.</p>
-
-<p>“Let’s get back to the office,” said Holton.</p>
-
-<p>They walked down a short corridor. At the end of the corridor
-was the Statistical room. Here a dozen men and women
-worked at desks. They compiled figures for the executives
-and the customers and everyone else in the house.</p>
-
-<p>Through a noise of automatic welcomes, Caroline and
-Robert Holton went into the office. Most of the desks were
-on the side of the room away from the windows. The windowed
-end of the room was protected by a railing; behind
-the railing was Mr Murphy’s desk and at a respectful distance
-from his desk was Caroline Lawson’s.</p>
-
-<p>“See you later, Bob,” said Caroline and she opened the
-door of the railing and went into the windowed section of
-the room. She let the door swing creakily shut and went to
-her desk. Glancing sideways, she watched Robert Holton go
-to his desk at the other end of the office. Then she sat down.</p>
-
-<p>The desk was neat. A new blotter was in the center. An
-inkwell, without ink in it, and a penholder, without a pen in
-it, held the top of the blotter down. A slim imitation silver
-vase sat on one corner of the desk. Occasionally Mr Murphy
-would put a flower in the vase and she would smile at him
-when he did that and Mr Murphy would wink at her.</p>
-
-<p>One of the two phones on her desk rang. She picked up
-the receiver. “Hello?” Someone asked for Mr Murphy. “He<span class="pagenum" id="Page_35">[Pg 35]</span>
-isn’t in right now; shall I have him call you? You’ll call back
-later? Thank you.” She cleared her throat, cleared her professional
-telephone voice away.</p>
-
-<p>She moved the blotter to one end of the desk. Then she
-lifted the front of her desk and a typewriter appeared. She
-ran her fingers over the keys, professionally, like a pianist
-before he begins to play.</p>
-
-<p>She opened the left-hand top drawer of the desk. This was
-her personal drawer. Here were several compacts in various
-stages of use. A slightly crushed box of pale green Kleenex, a
-carton of cigarettes, and a box of fairly expensive candy. The
-lid of the candy box was off and Caroline Lawson decided
-that, since her breakfast had been small, a little candy
-wouldn’t hurt her. She picked the largest piece and put it
-in her mouth.</p>
-
-<p>“Good morning, Caroline. How’s the girl?” It was Mr
-Murphy.</p>
-
-<p>Caroline swallowed quickly. “Fine, fine, Mr Murphy.
-How’re you today?”</p>
-
-<p>“Me? I’m just fine today. Certainly is a wonderful day
-today. Makes you feel like going out in the country somewhere.
-Out to Long Island or some place like that. Go some
-place to get away from the city.” Mr Murphy sighed. He had
-spent all his life in the city and he wanted to go live in the
-country. He would not like the country, of course, but then
-he would never leave the city and it made no difference.</p>
-
-<p>“Look what I brought you,” said Mr Murphy. He pulled a
-slightly rumpled white carnation from his buttonhole. “We
-had a big blowout at the Astor last night. It was quite a show
-we had.”</p>
-
-<p>“Thank you,” said Caroline, smiling at him. She smelled<span class="pagenum" id="Page_36">[Pg 36]</span>
-the white flower; a strong odor of cigar smoke spoiled the
-scent. “Thank you,” she said again and she put the white
-flower in the tall vase.</p>
-
-<p>“Any calls? Anything new?”</p>
-
-<p>“You had one call. No message, though. The man said he’d
-call back later.”</p>
-
-<p>“Good.” Mr Murphy sat down at his desk.</p>
-
-<p>There was a pile of letters on his desk. Very precisely he
-cut the letters open one by one. Caroline watched him with
-a mixture of admiration and dislike.</p>
-
-<p>Oliver L. Murphy was a tall man. He was heavy but not in
-the usual manner. His arms and legs and neck were long and
-thin and his hips were narrow; his stomach and chest, however,
-were massive. He held himself erect. His face was red
-as all Irishmen’s faces are supposed to be. His eyes and hair
-were dark and he had a thick curved nose. Mr Murphy’s
-clothes fitted him well. They were usually of a somber color
-and always correct. His cuffs were beautifully starched.</p>
-
-<p>For five years Caroline Lawson had been his secretary.
-Her first job had been as his secretary; her last job, too, she
-thought to herself: she would be married soon and that would
-be the end of typing and putting cigar-scented flowers in
-fake silver vases. Caroline Lawson was not sure whom she
-would marry but she would certainly get married to someone
-soon.</p>
-
-<p>Mr Murphy finished reading his letters.</p>
-
-<p>“Anything important?” asked Caroline.</p>
-
-<p>Mr Murphy shook his head. “Not much of anything. We
-got one letter here I ought to answer.”</p>
-
-<p>“I’ll get my pad.” Caroline picked up a lightly ruled pad
-of paper from her desk. Then she went over and sat down in<span class="pagenum" id="Page_37">[Pg 37]</span>
-a chair beside Mr Murphy’s desk. She sat close to the window
-so that the morning sunlight would warm her. As she
-sat down bits of dust vibrated up into the sunlight from her
-chair seat. The motes of dust danced and glittered and then
-slowly sank along the beams of light to the floor.</p>
-
-<p>“I’m ready,” said Caroline Lawson.</p>
-
-<p>Mr Murphy cleared his throat and looked helplessly about
-him. It was his usual beginning. Then he picked up the letter
-he was to answer. He waited a moment for the words to
-come to him.</p>
-
-<p>“Dear,” he began. She made the figure for the word. He
-paused, studying the ceiling. He began again, “Dear Mr
-Lachum, In reply to your letter of the 16th, etc., etc....”
-He stopped and closed his eyes; this seemed to help. “I cannot,
-I fear, agree with you in your analysis of certain trends
-now at work ... no, now abroad ... in the financial world.”
-His voice became firm and concise, “Although I have the
-greatest personal esteem for the opinions of yourself and
-associates, uh, in re to the stock market, I must, in this instance,
-disagree with you, for I am of the opinion that this
-is a rising market and will continue to be so. All statistics at
-hand ... no, available, point to just that. Hoping to hear
-from you again, and so on.” Mr Murphy stopped and opened
-his eyes. He looked pleased and exhilarated.</p>
-
-<p>“That’s a very nice letter, Mr Murphy. Knowing Mr
-Lachum, I think you were certainly nice to him.”</p>
-
-<p>“Well, it never does to offend people, Caroline. That’s
-a rule with me. That’s something I’ve always followed. I
-wouldn’t be here today if I hadn’t been that way.” He paused
-and they both thought of a world where there was no Mr
-Murphy because he had offended people.</p>
-
-<p><span class="pagenum" id="Page_38">[Pg 38]</span></p>
-
-<p>“All right, let’s hear that letter back.”</p>
-
-<p>Caroline read the letter. Mr Murphy listened, pleased.</p>
-
-<p>“That’s fine,” he said when she had finished. “Type it up
-please.”</p>
-
-<p>Caroline went back to her desk. The sunlight and the glittering
-dust were almost out of the room now. Soon they
-would turn on the fluorescent lights over their desks. Caroline
-sometimes wished that the morning would last all day.</p>
-
-<p>Caroline put a piece of paper in her typewriter. She
-started to type; then she remembered that all letters must
-be done in triplicate. She pulled the sheet of paper out of the
-machine. Wearily, enjoying her weariness, she arranged
-more paper in the typewriter.</p>
-
-<p>Her fingers moved swiftly over the keys. She made rhythms
-as she typed, as the keys clattered on the white paper.</p>
-
-<p>In a few minutes she was finished.</p>
-
-<p>“Very nice,” said Mr Murphy, looking over her shoulder.
-“Very nice, indeed. I’ll sign that now.”</p>
-
-<p>“O.K.” Caroline took the papers out of the typewriter. She
-removed the carbon. Mr Murphy signed the letter carefully.
-During the last five years Caroline had watched Mr Murphy’s
-signature change. It was becoming more original; the upstrokes
-were stronger and the “M” was becoming regal.</p>
-
-<p>She blotted his signature. “What’ll I do next?” she asked.</p>
-
-<p>“I expect you’d better get on those reports for Mr Golden.
-He was asking for them yesterday.”</p>
-
-<p>“What <em>does</em> he think we are? We were only told to do
-those reports last week. That takes a lot of time. I don’t see
-what he’s always in such a rush for.”</p>
-
-<p>“Well, you know how some people are,” said Mr Murphy,
-meaning much more than he said.</p>
-
-<p><span class="pagenum" id="Page_39">[Pg 39]</span></p>
-
-<p>Caroline nodded wisely. Mr Murphy was often opposed to
-Mr Golden’s business ideas. Mr Heywood, who had inherited
-a lot of money and never bothered much with business, was
-Mr Murphy’s friend. Mr Golden was a promoter who had
-become a partner several years before. The conservative element
-of the house stood firmly against him but his hold over
-Mr Heywood was equally firm.</p>
-
-<p>“I’ll get to work on it right away,” said Caroline.</p>
-
-<p>“Good, I think I’ll go up to the front office. If there’re any
-calls tell them I’ll call back.”</p>
-
-<p>“Yes, Mr Murphy.”</p>
-
-<p>Smoothly Mr Murphy moved across the room. All of his
-movements were smooth and swift. He opened the swinging
-gate that separated him from his staff. They didn’t look up
-from their work as he walked between the desks toward the
-hall.</p>
-
-<p>Caroline took more paper out of her desk and put it in
-her typewriter. She opened a black notebook. Slowly she
-began to copy. After a minute or so she stopped. She wasn’t
-concentrating and she didn’t know what was wrong.</p>
-
-<p>Caroline Lawson leaned back in her swivel chair and her
-arms dropped limply at her sides. The sunlight was gone out
-of the room and she could no longer see the dust in the
-light.</p>
-
-<p>Far away she could hear the sounds of automobile horns
-blowing, of newsboy shouts in the street; and, from time to
-time, their building would rumble as a train passed underground.</p>
-
-<p>Closer to her were the sounds of the office. The clattering
-of typewriters, the constant low buzz of voices; these were
-the sounds of her days. Caroline was dissatisfied.</p>
-
-<p><span class="pagenum" id="Page_40">[Pg 40]</span></p>
-
-<p>Across the room she could see Robert Holton writing
-something in a black book. She pitied him because he seemed
-to really like what he was doing. But then it was better than
-being a soldier: probably anything was better than that. But
-then Robert Holton wasn’t a woman. That made a lot of difference,
-thought Caroline. He couldn’t be depressed by
-things the way she was. Men were never sensitive about such
-things. She had a <em>malaise</em>. Having thought of this word, she
-was pleased with it. The word described her sudden fits of
-depression.</p>
-
-<p>Robert Holton closed the book on his desk. He looked
-about him uncertainly. Then he stood up and walked toward
-her. He was presentable, she thought. Certainly better looking
-than anyone else in Heywood and Golden, but he was
-not what she wanted at all. Also, there was some doubt in
-her mind that Robert Holton was interested in her.</p>
-
-<p>“How’s it going, Caroline?”</p>
-
-<p>“I’m slowed up.” She sighed loudly and wilted in her
-chair.</p>
-
-<p>“That’s too bad,” he said. She didn’t answer. She was quiet
-for a moment. He watched her and she enjoyed his watching
-her. Finally he said, “Murphy’s in a good mood today.”</p>
-
-<p>Caroline nodded. “He’s real happy today. He wants to go
-out in the country. He always wants to do that when he’s
-feeling good.”</p>
-
-<p>“He’s some character,” said Robert Holton. He sat down
-on the railing.</p>
-
-<p>“It would be nice,” said Caroline thoughtfully, “to go out
-in the country; have a picnic maybe.”</p>
-
-<p>“Sure, that would be nice, but you couldn’t do that.”</p>
-
-<p>“No, I guess <em>you</em> couldn’t.” Caroline was contemptuous<span class="pagenum" id="Page_41">[Pg 41]</span>
-but because she was a very pretty and popular girl she didn’t
-show it. She was sensitive herself and that was what she
-wanted in life: a man who was as sensitive as she, someone
-who would respond to her moods. She looked at Robert Holton.
-He was sitting uneasily on the railing. No, he could
-never understand her great sadness. Perhaps no one would
-ever understand her. Caroline was sad, for it is a sad thing
-to be both pretty and sensitive.</p>
-
-<p>“You’re going out tonight, aren’t you?”</p>
-
-<p>Robert Holton nodded. “I’m going to a cocktail party; I’m
-going to Mrs Raymond Stevanson’s.”</p>
-
-<p>“Oh, is that so? You’re really going around in high circles.
-I guess I shouldn’t be associating with high society like you.”
-She had meant to speak lightly and humorously but somehow
-the words had come out all wrong and there was a bitterness
-in her voice that embarrassed her.</p>
-
-<p>Robert Holton looked surprised; he smiled finally. “Well, it
-never hurts to know these people. She was a friend of my
-mother’s,” he explained, trying to explain these things, to
-make himself appear like her; she hated him for his kindness.</p>
-
-<p>“Those people are O.K., I guess,” said Caroline. She started
-to say something about her own family, some improbable
-but soothing lie, something to prove to herself that she was
-the same as Mrs Stevanson whose picture was so often in the
-papers. But she said nothing. She played with the ribbon of
-her typewriter.</p>
-
-<p>“I hate staying in one place,” said Caroline, after a moment
-of silence.</p>
-
-<p>“It’s no fun traveling,” said Robert Holton. “Moving
-around all the time; that’s what I didn’t like in the army. No,
-traveling’s pretty lousy.”</p>
-
-<p><span class="pagenum" id="Page_42">[Pg 42]</span></p>
-
-<p>“That kind is, but I mean to go ... well, you know ...
-where you want to go, that’s what I mean. I don’t like sitting
-around here day after day. I want to go some place.”</p>
-
-<p>He shrugged. “A lot of people do, I guess. Marjorie, you
-know, the waitress, she wants to go to Sicily.”</p>
-
-<p>“Well, that’s different. I mean she’s not ... well, you know
-what I mean, she’s probably happy doing what she’s doing.”</p>
-
-<p>“I don’t see why,” said Robert Holton. They thought of
-Marjorie Ventusa for a moment then they didn’t think of her
-again.</p>
-
-<p>Robert Holton shifted his position on the railing. Caroline
-looked about the familiar room. The older women were typing
-and using their adding machines; the younger women
-were watching Robert Holton; and the younger men (there
-were three of them) looked up occasionally to see what
-Caroline was doing. She posed a little for them. She didn’t
-pose haughtily, though. Caroline was too clever for that. She
-just looked girlish and rather innocent. None of them could
-understand her sadness and her longing. It pleased her to
-think how well she hid herself. Not even Robert Holton,
-talking to her now, could realize these things.</p>
-
-<p>“No,” said Robert Holton, “no, I want to stay in one place.”</p>
-
-<p>“You don’t want to be doing the same thing all the time,
-do you?”</p>
-
-<p>“I don’t know, I’d like to make more money.”</p>
-
-<p>“I think you’re crazy,” she said. She watched her fingers
-as they tapped lightly on the keys of the typewriter. Her
-hands weren’t quite what she wanted them to be. She thought
-of them as long and slender and faintly exotic; actually her
-hands were short and square and not very clean. The red
-enamel was beginning to chip off her thumbnails.</p>
-
-<p><span class="pagenum" id="Page_43">[Pg 43]</span></p>
-
-<p>“Why’m I crazy? Because I want to make more money?”</p>
-
-<p>“Not because of that, of course. Just because.”</p>
-
-<p>“Oh.”</p>
-
-<p>Robert Holton shifted his position on the railing. Caroline
-suddenly didn’t want him to go. Then Richard Kuppelton
-got up from his desk near the door and came over to them.</p>
-
-<p>“Why, hello, Dick,” said Caroline.</p>
-
-<p>“Good morning, good morning,” said Dick heartily. He
-was a very hearty person and Caroline liked him. He was so
-different from Robert Holton. Dick always seemed the same;
-he acted the same, anyway. Caroline could almost always tell
-what he was going to say and that was a lot better than being
-around a person who never said the right things. Dick
-wasn’t sensitive, however. He and Robert Holton were the
-same that way but then Caroline couldn’t have everything.</p>
-
-<p>“How’s every little thing?” asked Dick Kuppelton.</p>
-
-<p>“Fine,” said Robert Holton. Caroline only smiled; she
-smiled with her eyes as well as her mouth. It was important
-to smile that way.</p>
-
-<p>“Been pretty slow today,” said Dick. “Not much business.
-I think the market’s falling off.” Someone had told him that,
-thought Caroline, delighted with her perception.</p>
-
-<p>“It may be,” said Robert Holton without much interest.</p>
-
-<p>“We should have a big rush soon. I’m doing a report now.
-Well, not really a report; I’ve been getting some statistics on
-aircraft stock ready for the front office. It’s been some job.”
-He shook his head to show the largeness of the job.</p>
-
-<p>“I’ve got a report like that to do, too,” said Caroline.</p>
-
-<p>“Something for Golden?”</p>
-
-<p>“Yes.”</p>
-
-<p>Dick nodded knowingly. “Some report, I bet.”</p>
-
-<p><span class="pagenum" id="Page_44">[Pg 44]</span></p>
-
-<p>“It’s certainly long,” said Caroline, pointing to the notebook
-on her desk.</p>
-
-<p>Robert Holton got off the railing and stretched. “I better
-get to work,” he said. “Murphy might be back soon.” He
-went back to his desk.</p>
-
-<p>“He’s real eager,” said Dick unpleasantly.</p>
-
-<p>“What? Well, I don’t know about that. He’s sort of funny.
-He doesn’t want to get anywhere but he doesn’t want to get
-in bad. I don’t know; he’s awful funny.”</p>
-
-<p>“I’ve seen those guys before,” said Dick. “I know that
-type. They come in a place and get in good with the top
-people. Then they get your job. That’s just what he’s up to.”</p>
-
-<p>Caroline smiled and said nothing. She was pretty and
-popular and she couldn’t always, therefore, say what she
-thought. She knew, though, that Dick Kuppelton, who had
-been with Heywood and Golden for six years, disliked Holton.
-Mr Murphy had never liked Kuppelton and at the end
-of the year changes were always made and Robert Holton
-might take Dick’s place. Things were very complicated,
-thought Caroline.</p>
-
-<p>“I don’t think he’s that smart,” said Caroline.</p>
-
-<p>“I think you’re wrong.” Dick started to straddle the railing,
-then he changed his mind and leaned against it. He was
-a large man. He was thirty and pink and blond. He wore
-large rimless glasses which made his face look clean and
-blank. He enjoyed what he was doing, thought Caroline.
-Everyone enjoyed working except herself.</p>
-
-<p>“I’ve got to do some typing,” said Caroline. She wanted
-him to go away.</p>
-
-<p>“Certainly; I suppose I’d better be getting back.” He stood
-up straight and stretched. “Well, back to work,” he said.</p>
-
-<p><span class="pagenum" id="Page_45">[Pg 45]</span></p>
-
-<p>“See you,” said Caroline. Dick was so dependable: you
-always knew what to expect.</p>
-
-<p>Caroline coughed. Her cough had a consumptive sound to
-it which rather appealed to her. When she was a young girl
-she had seen a play about a beautiful woman with white
-flowers and a cough. The beautiful woman had been so interesting
-that Caroline had never forgotten her although she
-had forgotten the play. Caroline coughed again, quietly,
-dramatically.</p>
-
-<p>“How’s that report coming?” Oliver L. Murphy had returned
-from the front office.</p>
-
-<p>“Pretty well, Mr Murphy.”</p>
-
-<p>“Had quite a session with Mr Golden.”</p>
-
-<p>“I bet,” said Caroline with sympathy. “I’ll bet he was
-something.”</p>
-
-<p>“Well, I handled him O.K. today. He’s not so hard to get
-along with. Of course, he’s got some queer ideas. Those
-people often have.”</p>
-
-<p>“Isn’t that the truth.” Caroline arranged the paper in her
-typewriter. Mr Murphy leaned over and smelled the carnation
-in the imitation silver vase.</p>
-
-<p>“Smells nice, don’t it?”</p>
-
-<p>“It certainly does, Mr Murphy.” She smiled. Mr Murphy
-went back to his desk and Caroline typed. Several times as
-she worked she coughed, quietly, almost to herself.</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_46">[Pg 46]</span></p>
-
-<h2 class="nobreak"><em>Chapter Four</em></h2>
-</div>
-
-
-<p class="p2">Richard Kuppelton left Caroline reluctantly. He liked
-her because she was pretty and much more sensible than the
-other pretty girls he had known.</p>
-
-<p>He stopped at his desk. It was a dull olive color. His different
-books of statistics were piled neatly on one corner;
-notebooks and papers were scattered over the top and it
-looked as if he were busy.</p>
-
-<p>Kuppelton decided not to work, not just now. From the
-top drawer of his desk he took a magazine. It had a vivid
-cover of a large-breasted young woman being carried into a
-machine by an octopus. He enjoyed this magazine’s stories
-very much.</p>
-
-<p>He slipped the magazine under his arm, the cover toward
-his side; and then, busily, he left the room for the lavatory.</p>
-
-<p>There was something cozy about a lavatory, he thought as
-he opened the door marked “Men.” No one was inside
-and he would be able to sing. The room was large, white and
-very clean. The urinals, four of them, stood polished and
-shining, like soldiers on guard. A thin waterfall constantly
-descended down their white enamel surfaces; the smell of
-disinfectant was in the air, but not too strongly.</p>
-
-<p><span class="pagenum" id="Page_47">[Pg 47]</span></p>
-
-<p>Richard Kuppelton glanced at himself quickly in one of
-the four mirrors which shone over the four wash basins. Then
-he walked to one of the four black-doored stalls. He chose
-the one nearest the wall. There was strategy in his choice as
-well as habit, for the light was over this stall.</p>
-
-<p>With the feeling of having come home after a long journey,
-Richard Kuppelton opened the black door and stepped
-inside. Then he closed the door and locked it. He was completely
-alone now; no one could disturb him and he was safe.</p>
-
-<p>Deliberately he hung up his coat and then, after some
-preparation, he descended with a sigh upon the cool smooth
-seat. He relaxed happily.</p>
-
-<p>On the subway he had started a story called “The Mad
-Moon Maidens”; unfortunately, it had been a little dull and
-he had decided not to finish it. He thumbed through the
-rough pages of his magazine. Grotesque black and white
-drawings decorated the pages. There were monsters and
-ghouls, beautiful women (usually screaming) and lean young
-men with pongee hats. The title “Satanic Underworld” appealed
-to him and he started to read.</p>
-
-<p>After only a few minutes, however, he found himself studying
-the tile floor. Black and white tile in neat one-two-three
-pattern across the floor; he liked things that were black or
-white. The pattern was familiar to him and gave him a further
-feeling of being home.</p>
-
-<p>Great ideas came to Richard Kuppelton enthroned. Here
-in this retreat the entire world assumed a pattern of great
-simplicity. All problems could be rendered answerable and
-in this world he was sovereign. The lavatory was his study.
-He thought of Robert Holton: the person who currently
-threatened his career.</p>
-
-<p><span class="pagenum" id="Page_48">[Pg 48]</span></p>
-
-<p>Robert Holton was deceitful; he knew that. On the surface
-he appeared simple and a little shy but Kuppelton knew differently.
-Little things that the others had not noticed he
-noticed. For instance, Holton was always trying to get
-friendly with Mr Murphy. He always called him “sir”;
-treated him as if he were a colonel or something in the army.
-That was another thing: the army. Holton had been a soldier
-and Kuppelton had not. Most of the others in the office
-had not been in the war either. Both Mr Heywood and Mr
-Golden had declared that they would do all that they could
-for the veteran. So far this hadn’t been very much, but still
-it was their intention. Richard Kuppelton wished suddenly
-that he could stay forever in this shiny black stall with the
-tile floor.</p>
-
-<p>There was a noise in the lavatory. Someone had come in.
-Footsteps clattered on the floor. The door to the stall next
-to his opened and someone sat down.</p>
-
-<p>He wondered who it was. The person wore plain brown
-shoes: he could see them through the foot-high space beneath
-the stall partition. This person also wore brown trousers.
-Richard Kuppelton thought for a moment, strained to
-remember who it could be. Then he remembered.</p>
-
-<p>“Hello, Bob,” said Richard Kuppelton.</p>
-
-<p>“What? That you, Dick?”</p>
-
-<p>“The same.”</p>
-
-<p>“You catching up on your reading?”</p>
-
-<p>Richard Kuppelton closed his magazine guiltily. “No, no.
-Just nature.”</p>
-
-<p>“It’s a good place to think.”</p>
-
-<p>“Well, I suppose it is.”</p>
-
-<p><span class="pagenum" id="Page_49">[Pg 49]</span></p>
-
-<p>“What’s wrong with Caroline today?” asked Robert Holton.</p>
-
-<p>“I haven’t the slightest idea. I didn’t notice anything
-wrong with her, did you?”</p>
-
-<p>“Yes, I thought she was sort of irritable.”</p>
-
-<p>“I didn’t notice it.” Richard Kuppelton sighed. He was
-beginning to get uncomfortable, sitting on the hard seat. He
-was, also, a little surprised that Holton was as aware of Caroline
-as this. “Caroline’s a lot of fun,” he said.</p>
-
-<p>“Yes.”</p>
-
-<p>“She’s a lot of fun to go out on a party with. She can be
-real funny.”</p>
-
-<p>“I suppose so.”</p>
-
-<p>“You ever go out with her?”</p>
-
-<p>“Not really.”</p>
-
-<p>“What do you mean?”</p>
-
-<p>“I never went to a party with her. We had dinner once.”</p>
-
-<p>“She didn’t want to go dancing?”</p>
-
-<p>“No.”</p>
-
-<p>“That’s funny.” Richard Kuppelton tried to remember
-whether he had ever taken Caroline out and they had not
-danced. No, they had always gone to a dance. He wondered
-whether she liked Robert Holton better than him. This was
-a new thought and even more unpleasant than the suspicion
-that Robert Holton was trying to get his job. “She just likes
-to talk?”</p>
-
-<p>“Yes, I guess everybody does.”</p>
-
-<p>“That’s right, I guess.” Richard Kuppelton studied Holton’s
-plain tan shoes gloomily. One of the things he could
-not understand was why Robert Holton had come to work
-in this office. It was rumored that he was a friend of Mr<span class="pagenum" id="Page_50">[Pg 50]</span>
-Heywood’s but no one had ever been able to prove that. He
-had gone to Harvard before the war and to Richard Kuppelton
-that was the most important thing about him. It was
-also suspicious; he could not understand why a person with
-that education would do this job in Heywood and Golden
-unless&mdash;and Richard Kuppelton became gloomier&mdash;unless he
-were to be promoted over everyone.</p>
-
-<p>“Looks like there’ll be a lot of changes after the first,” said
-Kuppelton.</p>
-
-<p>“They tell me there usually are.”</p>
-
-<p>“I suppose you want to end up in the other office, being
-one of the contact people.”</p>
-
-<p>“I don’t care much. Whatever they want to do. I’d like
-to move up, of course.”</p>
-
-<p>“We all would.”</p>
-
-<p>Robert Holton mumbled something and stood up. Kuppelton
-watched the tan shoes as they moved about the stall.
-There was a swirling of water and Robert Holton left the
-lavatory, whistling.</p>
-
-<p>Richard Kuppelton studied the tile again. It seemed,
-somehow, less comforting, less private since Holton had been
-here. He tried to read again but “Satanic Underworld”
-had lost its attraction. The seat was becoming harder every
-minute and he would have to leave soon.</p>
-
-<p>Then he remembered that the acoustics were unusually
-good in this lavatory. In a low voice he sang an Irish ballad
-which he had learned in school. His voice came to him pure
-and vibrant and like no other voice that had ever sung. He
-finished with a low note, although, strictly speaking, the ballad
-called for a high note. He sang a popular song next. It was
-not as great a success as the first because he only knew the<span class="pagenum" id="Page_51">[Pg 51]</span>
-chorus. The words that he made up, however, were quite
-good enough.</p>
-
-<p>At last, his songs finished, Richard Kuppelton stood up.
-He ached slightly from the strain of sitting on the narrow
-seat. Deliberately he arranged his trousers, deploring slightly
-the heaviness of his waist as he did.</p>
-
-<p>The sound of swirling water was in his ears as he crossed
-the lavatory to the wash basin. Deliberately&mdash;he was a deliberate
-person&mdash;he washed his hands. He dried his hands on
-a paper towel and then, like a king abdicating, he moved
-slowly but deliberately to the door. With a sigh Richard
-Kuppelton left the lavatory.</p>
-
-<p>The office had not changed. Mr Murphy was sitting behind
-his railing, smoking a cigar and reading a letter. Caroline
-was typing. Robert Holton was copying a row of figures
-into his notebook. The other men and women in the office
-were working busily.</p>
-
-<p>Richard Kuppelton sat down at his desk. He enjoyed the
-sensation of being a part of this great house. Neatly he arranged
-his books of tables and statistics across the top of his
-desk. The various books were open at aircraft stock. His
-statistics would form the basis of a report which would be
-used in an overall survey of aircraft stock to be used by the
-front office. His responsibilities were heavy.</p>
-
-<p>He took his fountain pen out of his pocket. It was leaking
-a little and he had to handle it carefully. Slowly, with pleasure,
-he copied the figures from the books. He wrote the numbers
-carefully, making them round and legible. When he had
-finished copying all his numbers they would be typed up by
-one of the stenographers in the office.</p>
-
-<p>A tall white-faced boy in a blue suit came into the room.<span class="pagenum" id="Page_52">[Pg 52]</span>
-He went to Richard Kuppelton's desk and put some papers
-on it.</p>
-
-<p>“Good morning, Jim,” said Kuppelton heartily. “How’s the
-boy?”</p>
-
-<p>“Fine. I think Golden’s coming this way.”</p>
-
-<p>“Really? Wonder what he wants.”</p>
-
-<p>“Hard to say. He always wants something.”</p>
-
-<p>“That’s his privilege,” said Kuppelton righteously.</p>
-
-<p>“I suppose so,” said Jim.</p>
-
-<p>The white-faced boy went on to the next desk, handing
-out letters and inter-office memoranda.</p>
-
-<p>Richard Kuppelton put his fountain pen down carefully.
-There were several letters for him. He opened one of them
-and started to read.</p>
-
-<p>He had read only a few lines when Mr Golden came into
-the office. Even without looking up from his letter Richard
-Kuppelton could have told that someone from the front office
-had arrived. The typewriters clattered more loudly. The
-usual low buzz of voices died away, and he could hear Mr
-Murphy’s swivel chair being pushed back from his desk as
-he stood up to welcome the visitor from the front office.
-Kuppelton put his letter under the blotter and then he
-looked up casually.</p>
-
-<p>Benjamin Franklin Golden stood behind Mr Murphy’s
-railing. He stood very erect, his eyes moving from desk to
-desk as he studied the office. He was a short man and plump.
-His eyes were small and black and shiny. Mr Golden had
-iron-gray hair which he allowed to grow a little longer than
-necessary. He was proud to have kept his hair. He had a
-small nose and a rather foolish little mouth and he looked<span class="pagenum" id="Page_53">[Pg 53]</span>
-more like a South American or Italian or something like that,
-thought Kuppelton.</p>
-
-<p>He pretended to write figures in his notebook, while he
-listened carefully to what Mr Golden was saying to Mr
-Murphy.</p>
-
-<p>“Everything all right here, Murphy?” Mr Golden had a
-high thin voice.</p>
-
-<p>“Yes, sir, we’re getting your reports out. I’ll have the special
-one for you this afternoon.”</p>
-
-<p>“That’s good. I really need that report. That’s an important
-one. Some of our big steel clients are interested in it.
-I know you’ve done a good job on it.” There was almost a
-threat in his voice. It was well known that the two did not
-like each other.</p>
-
-<p>“Well, I’ve got our best girl, I’ve got Caroline here typing
-it.” He waved at Caroline who looked up and smiled at Mr
-Golden who smiled back at her. Richard Kuppelton wondered
-what Mrs Golden was like.</p>
-
-<p>“I’m sure she’ll do a good job. How’s that aircraft stock
-report coming?”</p>
-
-<p>“Kuppelton’s doing it.” Mr Murphy pointed to him.</p>
-
-<p>Mr Golden nodded. “I’ll be interested to see it.” Richard
-Kuppelton copied figures quickly.</p>
-
-<p>“Should be a good survey,” said Mr Murphy. “Is there
-going to be a board meeting this morning? You said they
-hadn’t decided earlier.”</p>
-
-<p>“Oh, yes, I almost forgot; there’ll be a meeting at eleven-thirty.”
-Mr Golden had an irritatingly brusque manner.</p>
-
-<p>“Fine,” said Mr Murphy and he made a note of it on the
-pad on his desk.</p>
-
-<p><span class="pagenum" id="Page_54">[Pg 54]</span></p>
-
-<p>Mr Golden didn’t seem to want to go. He looked around
-the room again. He looked at Robert Holton and said something
-to Mr Murphy which Kuppelton couldn’t hear. Mr
-Murphy smiled and nodded.</p>
-
-<p>Mr Golden finally opened the door of the railing. “See you
-at the meeting, Murphy.”</p>
-
-<p>“Yes, sir.”</p>
-
-<p>Mr Golden hurried out of the office. There was an immediate
-change in the sounds of the room after he had left.
-The hum of voices began again. Richard Kuppelton put
-down his fountain pen.</p>
-
-<p>Caroline and Mr Murphy were talking together and laughing.
-Robert Holton was still working quietly at his desk.
-The women of the office talked about Mr Golden in low
-voices.</p>
-
-<p>Richard Kuppelton wondered what Mr Golden had said
-to Mr Murphy about Robert Holton. He looked at Robert
-Holton with dislike.</p>
-
-<p>“O.K.,” said Kuppelton, “Mr Golden’s gone, you can stop
-working.”</p>
-
-<p>Robert Holton put down his notebook and smiled. “It
-doesn’t hurt,” he said. “It doesn’t hurt to look busy.”</p>
-
-<p>“Oh, no, I wasn’t meaning to criticize.”</p>
-
-<p>“I didn’t think you were. Did you hear what they were
-talking about?”</p>
-
-<p>This was malicious, Richard Kuppelton knew; it would
-have been very hard for Holton not to have heard. “Oh, they
-were just talking about reports.”</p>
-
-<p>“That’s what I guessed.” He started to work again.</p>
-
-<p>“You live uptown, don’t you?” remarked Kuppelton.</p>
-
-<p>“Yes. I’ve got a room in a hotel.”</p>
-
-<p><span class="pagenum" id="Page_55">[Pg 55]</span></p>
-
-<p>“That’s funny, I thought you lived with your family or
-something. I thought Caroline said something about it.”</p>
-
-<p>“My father used to live here. He lives in Boston now. He
-used to work here but he retired when I got out of the
-army.”</p>
-
-<p>Richard Kuppelton nodded. “That’s right, I remember
-your telling me that once. Me, I live with all my family in
-Queens. We all live there. I wish sometimes that I lived
-alone.”</p>
-
-<p>“It’s not much fun, living alone,” said Robert Holton.</p>
-
-<p>“Think you’ll get married soon?”</p>
-
-<p>“I don’t think so.”</p>
-
-<p>“I think <em>I</em> might,” said Richard Kuppelton weightily; he
-had no one in mind, though; except possibly Caroline.</p>
-
-<p>“I guess it’s a good idea if you’ve got the right person,”
-said Robert Holton.</p>
-
-<p>“That’s very true.” They thought of this a moment. Each
-thought of it seriously and each regarded it distantly. Richard
-Kuppelton had no real desire to be married. He supposed
-that Robert Holton felt the same.</p>
-
-<p>“I wonder,” said Kuppelton subtly, “what the conference
-is going to be about this afternoon. I wonder if it’s about
-promotions in the departments.”</p>
-
-<p>“I haven’t any idea.”</p>
-
-<p>“Since the war, seniority doesn’t make much difference.”</p>
-
-<p>“I thought it did.”</p>
-
-<p>Kuppelton shook his head, convinced of Holton’s insincerity.
-For weeks now everyone had discussed the new policy
-and everyone had watched the veterans in the different
-offices, especially Holton; it was expected that they would
-all be promoted: in any event Holton would be.</p>
-
-<p><span class="pagenum" id="Page_56">[Pg 56]</span></p>
-
-<p>“No, it doesn’t make a bit of difference.”</p>
-
-<p>Robert Holton smiled. He had small white teeth and an
-agreeable smile which Kuppelton resented. “That’s good
-news for me. I haven’t been here very long you know.”</p>
-
-<p>“Oh, yes, I know,” and Kuppelton laughed loudly to show
-that he was friendly and that it made no difference to him
-who was promoted.</p>
-
-<p>He glanced toward the windows. Mr Murphy caught his
-eye and motioned to him. Quickly Richard Kuppelton got to
-his feet and walked across the room to the railing. He was
-careful not to let the gate slam when he came into Mr
-Murphy’s presence.</p>
-
-<p>“Yes, sir?”</p>
-
-<p>“I just wanted to check with you on that aircraft stock
-report. I just wanted to make sure it was coming along well.”</p>
-
-<p>“I’ve been working on it right along, Mr Murphy. They’ll
-start typing it up tomorrow.”</p>
-
-<p>Murphy compressed his lips and nodded slowly. “Mr
-Golden was asking for it. I wanted to be sure, Dick.”</p>
-
-<p>Kuppelton was suddenly glad that Mr Murphy had called
-him by his first name. He did this only when he was well
-pleased or when he wanted something.</p>
-
-<p>“It’s been quite a job getting those things together but I
-finally ... got them together.”</p>
-
-<p>“I know how it is. How’s your family these days?”</p>
-
-<p>“They’re pretty well. My mother’s been better. Her legs
-don’t bother her so much now.”</p>
-
-<p>“That’s good. Arthritis is pretty bad. I had a grandmother
-who had it once.”</p>
-
-<p>“It’s pretty bad,” agreed Richard Kuppelton.</p>
-
-<p>They both paused and wondered what to say next. Kuppelton<span class="pagenum" id="Page_57">[Pg 57]</span>
-began to edge toward the gate. Murphy stood up.
-“Let me see that thing as soon as you get it done.”</p>
-
-<p>“I certainly will.”</p>
-
-<p>Mr Murphy turned to Caroline who was typing at her
-desk. “I’m going to be in conference for a while,” he said.
-“Take care of the calls, will you?”</p>
-
-<p>“Yes, Mr Murphy.”</p>
-
-<p>“Big conference?” asked Kuppelton when Murphy had
-gone.</p>
-
-<p>“I don’t know,” said Caroline and she stopped typing.
-“They were talking about it. Something to do with policy,
-I think.”</p>
-
-<p>Caroline got up from her desk and stretched. She had nice
-slim legs, Kuppelton noticed. He wondered if his mother
-would like her. It was important to him to have his mother
-like his future wife&mdash;if he ever had one. She had been wonderful
-about the other girls he had liked but somehow they
-had never been quite what she thought his wife should be.
-He was her favorite son and he could not disappoint her,
-naturally.</p>
-
-<p>“I guess that leaves me out,” he said wearily, hoping she
-would give him some good news.</p>
-
-<p>“Well, I wouldn’t worry too much,” she said, a little coldly
-he thought, “you’ve got a good job now.”</p>
-
-<p>“Well, you’re right about that,” he said emphatically.</p>
-
-<p>“Oh, I know I am. Bob’s the fair-haired boy these days,”
-she added.</p>
-
-<p>“I expect he is.”</p>
-
-<p>Caroline walked to the window and looked down at the
-crowded street. “There really are a lot of people in this
-town,” she said in a distant voice.</p>
-
-<p><span class="pagenum" id="Page_58">[Pg 58]</span></p>
-
-<p>“There sure are.”</p>
-
-<p>“Do you ever wonder about all those people ... down
-there?”</p>
-
-<p>This was the sort of talk that made Richard Kuppelton
-nervous. He hated it when people started asking him vague
-questions to which there were no sensible answers. “No, I
-can’t say that I do.”</p>
-
-<p>She turned around and looked at him then, looked at him
-rather sadly, he thought. “I’ve got work to do,” was all she
-said.</p>
-
-<p>“See you, Caroline.”</p>
-
-<p>Robert Holton was leaning back in his chair.</p>
-
-<p>“Pretty dull, isn’t it?” commented Dick.</p>
-
-<p>“The army was a lot duller.”</p>
-
-<p>“I thought that was one thing that it wasn’t ... dull.”</p>
-
-<p>Robert Holton chuckled. “This is a lot better.”</p>
-
-<p>“Don’t you miss moving around?”</p>
-
-<p>He paused before he replied and Kuppelton wondered
-what the truth really was; however, Robert Holton only said,
-“No, no, I like staying in one place.”</p>
-
-<p>Richard Kuppelton turned back to his books of figures. He
-wondered helplessly, as he wrote, how anyone could be as
-deceitful as Robert Holton. It was obvious to him that Holton
-would get the job he was to have gotten and he certainly
-could not get this job without being deceitful. Richard Kuppelton
-was worried about this. He was also worried because
-he found himself hating Robert Holton and his mother would
-never have approved of that.</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_59">[Pg 59]</span></p>
-
-<h2 class="nobreak"><em>Chapter Five</em></h2>
-</div>
-
-
-<p class="p2">The ulcer was the most important thing.</p>
-
-<p>After the ulcer his wife, and then his job, and finally his
-children. These were Mr Murphy’s interests. At the moment
-the ulcer was more important to him than all the others
-together.</p>
-
-<p>Ever since Mr Murphy could remember, he had had pains
-in his stomach. Not really bad pains: just unpleasant sensations.
-In recent years this had gotten worse. A month before,
-a doctor examined him and said that he had an ulcer. The
-doctor was very serious and there was talk of further tests.
-Then Mr Murphy read a picture magazine article on cancer.</p>
-
-<p>He did not suspect cancer: he knew. The doctor, although
-he had been rather grave, had said nothing about cancer, but
-Mr Murphy was confident he had it. He had tried to do
-everything right, to cure himself with bicarbonate of soda
-and other medicines but the pains not only didn’t go away
-but they got worse when he thought about them.</p>
-
-<p>He pushed his fist into his stomach for a moment and felt
-the pain under his fingers. He cursed himself for having gone
-to the party the night before.</p>
-
-<p>As he walked through his office he wished that he were<span class="pagenum" id="Page_60">[Pg 60]</span>
-home in bed. It would have been harder, of course, to stay
-home, because his wife was not very good with an illness.
-She had a tendency to become hysterical if she had to do
-anything unusual. No, it was better to be here at the office.
-To be here even if he was dying. This last thought made him
-uncomfortable and he put it out of his mind.</p>
-
-<p>He looked at his watch&mdash;eleven-fifteen. The meeting would
-begin soon. Mr Golden insisted that all meetings begin on
-time.</p>
-
-<p>Mr Murphy left his office. As he walked through the
-rooms he was pleased to have everyone speak to him politely.
-He was a person of importance here and he had become this
-all by himself with no help from anyone; practically no
-help.</p>
-
-<p>The executive offices were larger and better decorated
-than the other offices. There were several uniform rooms
-where the vice-presidents (they used to be partners but Mr
-Golden had changed that) sat at big desks and received clients
-and dictated letters and did other things. Then there
-was the anteroom. This was a small room with red leather
-couches, a receptionist, some modern lamps and two portraits
-on the walls. These paintings were of Mr Heywood and
-Mr Golden. Beyond the anteroom was the boardroom.</p>
-
-<p>The receptionist smiled at Mr Murphy. He smiled back at
-her and sat down in one of the red leather couches. Two
-minor vice-presidents were also seated and waiting. They
-greeted him soberly.</p>
-
-<p>“Nice morning,” said the younger of the vice-presidents;
-he had been a lieutenant commander in the navy.</p>
-
-<p>“Certainly is,” said Mr Murphy.</p>
-
-<p>“I understood we’re in for a cold winter,” commented the<span class="pagenum" id="Page_61">[Pg 61]</span>
-older of the two vice-presidents; he had been a commander
-in the navy.</p>
-
-<p>“Nothing like a real old-fashioned Christmas,” said Mr
-Murphy in a smooth low voice. He was conscious of a difference
-in their voices. His own voice sounded rough to him
-while their voices were always smooth and almost British. He
-had noticed these differences before but there was nothing
-much he could do about them. In the front office he always
-felt less important because of this difference, and because of
-this and other things, too, he was made to feel an outsider.</p>
-
-<p>The vice-presidents then talked in their cultured near-British
-voices about a certain college football game. Mr
-Murphy lay back in his red couch and wondered if perhaps
-he should drink more milk. That was good for ulcers; but
-nothing was good for cancer. He shuddered.</p>
-
-<p>A few more vice-presidents and section heads came into
-the anteroom. They talked and laughed together and Oliver
-L. Murphy talked and laughed with them.</p>
-
-<p>There was a buzz and everyone stopped talking. The receptionist
-looked up from her desk. “They’re ready,” she
-said.</p>
-
-<p>The men walked into the boardroom of Heywood and
-Golden.</p>
-
-<p>A long room, with indirect lighting, thick carpets, and a
-long table with armchairs around it: this was the boardroom.
-On the walls were charts of stocks and trends.</p>
-
-<p>Mr Heywood was sitting at one end of the table and Mr
-Golden was sitting at the other end of the table. Murphy
-sat down on the left of Mr Heywood. This was his usual
-seat.</p>
-
-<p>“Hello, Oliver,” said Mr Heywood cheerily.</p>
-
-<p><span class="pagenum" id="Page_62">[Pg 62]</span></p>
-
-<p>“Hello, Mr Heywood.” Murphy was suddenly glad, glad
-that Mr Heywood had called him by his first name; he did
-this only when he was well-pleased, or wanted something.</p>
-
-<p>Oliver L. Murphy leaned back in his leather armchair. Mr
-Heywood sat rather limply in his own chair at the head of
-the table. He waited for the others to be seated.</p>
-
-<p>Lawrence Heywood was a gentleman. He had a large
-estate in Maryland and he collected prints; he had had three
-wives and a number of children and, generally, he had managed
-to do everything in a large but tasteful manner.</p>
-
-<p>He was a tall man in his late forties. Completely bald, his
-neat round head shone pinkly under the indirect lights. His
-face was smooth and neat and looked as if he had never worried
-in his life. His voice was not near-British like his vice-presidents:
-it was British. He had gone to school in Massachusetts
-which explained a lot of it, thought Murphy.</p>
-
-<p>Mr Heywood did everything properly. He had inherited
-a lot of money. It seemed as if every year a new relative
-would die and leave more money to him. His three wives had
-all been beautiful and that was another thing to be said for
-him&mdash;he knew how to choose women. Mr Murphy wondered
-what it would be like to marry a beautiful woman.</p>
-
-<p>“How’s that new man in your office?” asked Mr Heywood
-suddenly.</p>
-
-<p>“You mean Holton? He’s doing very well.”</p>
-
-<p>“I’m glad to hear it. We have a mutual friend,” and Mr
-Heywood laughed gently at the thought.</p>
-
-<p>“Is that right? He’s got a good background, I guess,” said
-Murphy.</p>
-
-<p>“I expect so. I used to know his mother. She was a very<span class="pagenum" id="Page_63">[Pg 63]</span>
-attractive woman twenty years ago. She married...” Mr
-Heywood decided not to reminisce in front of Murphy.</p>
-
-<p>“He’s worked in my section, in the office, just fine.”</p>
-
-<p>“That’s good. I don’t know him myself but I have some
-plans for him. We’re going to the same party tonight.” Mr
-Heywood laughed gently again. “Perhaps we’ll get to know
-each other. It’s so hard ever getting to know employees in
-the office,” sighed Mr Heywood. “I rather wish there weren’t
-so many of them sometimes.”</p>
-
-<p>“I know just how it is.”</p>
-
-<p>“We going to call this meeting together?” It was Mr
-Golden’s high voice from the other end of the table.</p>
-
-<p>“Certainly, Ben,” said Mr Heywood. “We’ll start right
-now.” He picked up a black ebony gavel and tapped lightly,
-apologetically with it. The men stopped talking. “Now, let’s
-see,” began Mr Heywood.</p>
-
-<p>“The Steel account, that’s the big thing we’re going to talk
-about,” said Mr Golden.</p>
-
-<p>“That’s right.” Mr Heywood sounded bored. “That’s right.
-Well, gentlemen, it seems that we have a problem.”</p>
-
-<p>Mr Murphy relaxed in his chair. Mr Heywood’s voice,
-gentle and cultured, came to him soothingly. The Steel account
-was of no interest to Mr Murphy; in fact, these conferences
-were generally of no interest to him. He was just there
-to talk about Statistics.</p>
-
-<p>He played with papers in front of him. The voice of Mr
-Heywood flowed about him. He was lost in a slow current
-of polite vowels. The pain in his stomach was, for the time,
-gone.</p>
-
-<p>Mr Heywood spoke of the market, of stocks and shares,
-of the state of the Union. He spoke convincingly because his<span class="pagenum" id="Page_64">[Pg 64]</span>
-manner was convincing and, also, because his ideas and
-facts had been given him by many clever men.</p>
-
-<p>Mr Golden sat at his end of the table and listened. He sat
-there very straight, his little mouth set in a soft line of
-pseudo-firmness. His small hands drummed on the table and
-his eyes glanced about the room. His eyes were always in
-motion. The fear of a thousand years was in Mr Golden’s
-eyes.</p>
-
-<p>From time to time he interrupted. Mr Heywood would
-pause and listen; then, when the other had finished, he
-would continue in his gentle voice to tell the others what
-clever men had told him about Steel, and the men, whose
-livings depended upon him, listened respectfully to their
-ideas.</p>
-
-<p>Mr Murphy observed these things as he sat in his chair.
-He felt less important in these conferences but he did feel
-secure. Here in the boardroom he felt himself to be a part
-of something large and opulent&mdash;of American Business. This
-thought was comforting as well as sobering. There was no
-security in the world to equal that of belonging. It made no
-difference to what one belonged just as long as one was a
-part of something big and secure. And what, Oliver Murphy
-asked himself, could be bigger or more secure than Business?
-He saw these things clearly because he had a philosopher’s
-mind and the Celt’s ability to envisage life in a clear perspective.
-He could, he knew, see the trees as well as the forest.
-That was what made him different from the others. They
-felt, perhaps, that they belonged, but he <em>knew</em>.</p>
-
-<p>Then the ulcer began to bother him.</p>
-
-<p>He no longer was conscious of Mr Heywood’s voice. The
-only thing of importance now was the dull pain in his stomach.<span class="pagenum" id="Page_65">[Pg 65]</span>
-He moved uneasily in his chair. He pushed a hand into
-his stomach. This helped a little. The pain shifted slightly.
-He followed it with his hand, his fingers pressing gently into
-the pain.</p>
-
-<p>“We’ll want complete figures on the rise and fall of Arizona
-Zinc during the past five years.”</p>
-
-<p>This was said by Mr Heywood. It registered in Mr
-Murphy’s mind but he didn’t respond for a moment.</p>
-
-<p>“You’ll have those figures for us next meeting, won’t you?”
-Heywood asked, irritation in his voice.</p>
-
-<p>“Certainly, Mr Heywood,” said Murphy. He sat up straight
-and Mr Heywood nodded to him and then continued to talk.</p>
-
-<p>Oliver Murphy listened carefully to everything said. He
-was beginning to sweat from the pain and the fear (more
-fear than pain, he told himself) but still he strained to hear
-every word and, slowly, as he listened, magic took place and
-the pain went away.</p>
-
-<p>At last, when certain decisions had been made, Mr Heywood
-adjourned the meeting.</p>
-
-<p>Murphy stood up. He felt better now. He wondered if perhaps
-he might not be mistaken about the cancer.</p>
-
-<p>“Oh, Murphy.”</p>
-
-<p>“Yes, Mr Heywood?”</p>
-
-<p>“That fellow in your office, that Holton, you think he’s
-quite efficient?”</p>
-
-<p>“I do.”</p>
-
-<p>“I wonder,” said Mr Heywood hesitantly, “I wonder how
-he might work out as one of our customers’ men. Dealing
-with the public, all that sort of thing.”</p>
-
-<p>“He’d probably do that very well.”</p>
-
-<p>“You could afford to lose him?”</p>
-
-<p><span class="pagenum" id="Page_66">[Pg 66]</span></p>
-
-<p>“Oh, yes, I think so.”</p>
-
-<p>“I wish,” said Mr Heywood petulantly, “that I knew him
-better. It’s terrible having so little contact with the office
-people.”</p>
-
-<p>“I could send him in to see you.”</p>
-
-<p>“Good Lord, no! I wouldn’t know what to say. I’ll wait
-and see him tonight at Mrs Stevanson’s.”</p>
-
-<p>“When do you think you’ll change him over?”</p>
-
-<p>“Oh, I don’t know. If I think he has the suitable, ah, temperament,
-we might change him this week.”</p>
-
-<p>“I know he’ll be really tickled to hear this.”</p>
-
-<p>“I expect so.”</p>
-
-<p>“How is Mrs Heywood?” asked Murphy politely.</p>
-
-<p>“She’s fine, thank you,” said Mr Heywood blankly. Trouble,
-decided Murphy. The third Mrs Heywood seemed to be following
-the previous Mrs Heywoods.</p>
-
-<p>“Well...” said Murphy and he mumbled words to himself
-as he walked toward the door. Mr Heywood stared
-vacantly at him as he left.</p>
-
-<p>Mr Murphy felt well when he was in motion. Walking
-with great dignity from office to office, conscious of the eyes
-of others upon him, was good for him. Aware of being a symbol
-of success he forgot his pains and some of his worries.</p>
-
-<p>As he went into the Statistical office he could feel the atmosphere
-change. The clerks and typists became busy.</p>
-
-<p>Mr Murphy went to his desk. “Any calls?” he asked.</p>
-
-<p>Caroline shook her head. When she shook, her breasts
-quivered slightly. Mr Murphy noticed this and his stomach
-constricted with pain. Emotion was bad for him, according
-to the doctors. He looked away and tried to think of something
-else.</p>
-
-<p><span class="pagenum" id="Page_67">[Pg 67]</span></p>
-
-<p>“No, there weren’t any calls. Some memorandums came
-in from the other sections but that was all.”</p>
-
-<p>“Any letters?” He thought of his family.</p>
-
-<p>“Yes.” Caroline sounded surprised. “Right there on your
-desk. Right where I always put them.”</p>
-
-<p>“Oh, yes.” Mr Murphy sat down at his desk and looked at
-the pile of neat businesslike envelopes. He had no desire to
-open them.</p>
-
-<p>Caroline typed rhythmically at her desk.</p>
-
-<p>“Say, Caroline....”</p>
-
-<p>She stopped and looked at him.</p>
-
-<p>“Tell Holton to step over here, will you?”</p>
-
-<p>“Sure, Mr Murphy.” She got up and went through the gate
-and out into the office. He watched her legs as she walked
-determinedly to the other end of the room. He was almost
-pleased to feel the pain come flooding into his stomach. That
-would teach his stomach, he thought viciously.</p>
-
-<p>The gate creaked and Robert Holton stood before him.</p>
-
-<p>“You want to see me, sir?”</p>
-
-<p>“Yes, yes, Holton. Sit down here. Over here on my left.”</p>
-
-<p>Robert Holton sat down and looked expectant. Mr
-Murphy wondered for a moment why he had asked to see
-Holton. Then he remembered what Mr Heywood had said.</p>
-
-<p>“How’s everything coming, Holton?”</p>
-
-<p>“Just fine, Mr Murphy.”</p>
-
-<p>“Well, that’s good. Things <em>have</em> been going pretty well
-here. But I suppose you find things pretty dull after the
-army?”</p>
-
-<p>“No, no. I like this sort of work. I had enough moving
-around.”</p>
-
-<p>“I should think so. Well, that’s what most of us want, I<span class="pagenum" id="Page_68">[Pg 68]</span>
-guess,” said Mr Murphy. “We want to settle down. A lot of
-people say they don’t like routine but I think everybody
-does. It’s an important thing.”</p>
-
-<p>“Yes, sir. I think it is.”</p>
-
-<p>“There is,” said Mr Murphy, shutting his eyes for a moment
-to give the illusion of pondering, “there is security in
-working for a big house like Heywood and Golden.” He
-opened his eyes and looked directly at Holton. “Don’t you
-feel that’s true?”</p>
-
-<p>“Yes, I hope so.”</p>
-
-<p>“Yes, it’s true.” Mr Murphy sighed and thought about going
-out to the country for a rest. A place that would have
-neither telephones nor mosquitoes. Most places had one or
-the other.</p>
-
-<p>He looked at Robert Holton and wondered what he was
-thinking. He seemed a likeable young man. He was quiet
-and reserved and didn’t seem too aggressive. In fact that was
-probably a fault that Mr Murphy had not thought of. Holton
-was not a go-getter. He might lack initiative. That was
-why he was quiet and reserved. Or, as Mr Murphy finally
-thought, that might be a reason for his reserve.</p>
-
-<p>“Tell me, Holton,” said Murphy, “have you had any ideas
-about, ah, your place here? I mean, what you would like to
-do. Naturally you wouldn’t be interested in staying here, in
-this department. With your education....” He permitted
-his voice to fade.</p>
-
-<p>“No, I haven’t had any ideas; in fact, I haven’t thought
-too much about it. You see this is all pretty different from
-what it was like where I was in the army. I don’t suppose
-I’m quite used to the idea ... well, you know....”</p>
-
-<p><span class="pagenum" id="Page_69">[Pg 69]</span></p>
-
-<p>“I think I do. You would like to work in another department
-perhaps?”</p>
-
-<p>Robert Holton looked at him. Mr Murphy could not tell
-what he was thinking for his face was relaxed and calm.
-“Well,” said Holton, “I don’t know. I don’t want to be out
-of my depth. I’d like to make more money. I like the idea of
-buying and selling stocks. I like that idea very much. In fact,
-that’s one of the reasons I came here.”</p>
-
-<p>“Of course, there’s a lot of work to knowing about stocks
-and bonds. You realize all the work that’s involved.”</p>
-
-<p>“Yes.”</p>
-
-<p>“Perhaps a place will be found for you in that department.
-It’s hard to say, though. With your, ah, background it
-shouldn’t be too hard. That is, if you have the <em>stuff</em>.”</p>
-
-<p>“I hope so.”</p>
-
-<p>“Good.” Mr Murphy watched Caroline typing. “I understand,”
-said Mr Murphy finally in a changed voice, “that
-you’re going out tonight.”</p>
-
-<p>Robert Holton looked surprised. “What do you mean?”</p>
-
-<p>“Mr Heywood said you and he were going to the same
-party.”</p>
-
-<p>Holton smiled. “That’s right, I’d forgotten. Mrs Stevanson’s
-giving a cocktail party. I guess that’s what he means.”</p>
-
-<p>“It won’t hurt to be nice to him there,” said Mr Murphy
-with a laugh.</p>
-
-<p>“No, I don’t suppose so.”</p>
-
-<p>Mr Murphy looked at Holton and wondered what would
-become of him. If he had more initiative he might be a
-wealthy man because of his background (the important
-thing was background), but he would probably not go very<span class="pagenum" id="Page_70">[Pg 70]</span>
-far. He might not even go as far as Mr Murphy had and Mr
-Murphy had been a success without background. Robert
-Holton didn’t look as though he cared to be a success.</p>
-
-<p>“Well, don’t let your night life interfere with business,”
-said Mr Murphy lightly.</p>
-
-<p>“No,” said Holton rising, “I won’t.”</p>
-
-<p>With a nod Mr Murphy dismissed him.</p>
-
-<p>Mr Murphy watched Caroline absently as she typed. Her
-hair was rather long. It must be a nuisance to help her into
-a coat, he thought suddenly. That was something he hated
-to do. Whenever he helped a woman into a coat there was,
-first, a certain struggle to get her arms into the sleeves. Some
-women were better than others at this. And then, second,
-there was the problem of hair. If the woman had long hair
-it was inevitably caught inside the coat. This meant that her
-first motion was usually to free her hair and that involved a
-wild freeing and flinging of the hair which for anyone still
-posted behind her meant running a risk of becoming entangled.
-Mr Murphy wondered about these problems as he
-looked at Caroline’s long dark hair.</p>
-
-<p>He had started to work on his letters (the ones in the
-business envelopes) when Richard Kuppelton appeared.</p>
-
-<p>“Yes?”</p>
-
-<p>“I’ve got the first part of that report here, the one on aircraft,”
-said Kuppelton.</p>
-
-<p>“Yes?” Mr Murphy made himself sound cold and official.</p>
-
-<p>“Well, I wondered if you cared to look at them ... what
-I’ve done so far, I mean.”</p>
-
-<p>Mr Murphy looked at him for a moment without speaking.
-When Mr Murphy had first come to work for Heywood
-and Golden his then immediate boss had impressed him<span class="pagenum" id="Page_71">[Pg 71]</span>
-greatly by just looking at him for several seconds at a time
-without speaking. Mr Murphy had adopted the mannerism
-and over the years had improved it until now he could be
-very frightening. He was that way now.</p>
-
-<p>“You want me to do it for you?” he asked finally.</p>
-
-<p>“No ... no, sir, I didn’t mean that. I just thought you
-would like to see what I got done.” Kuppelton was uncomfortable
-and Mr Murphy decided that he had done enough.</p>
-
-<p>“Why, I’d be glad to look at it,” he said.</p>
-
-<p>Kuppelton brightened. “Thank you. I only wanted you to
-see the form I was using here. That was all. I’m making my
-conclusions in a slightly different way from usual and I
-thought....”</p>
-
-<p>“Yes, I’ll take a look at it.”</p>
-
-<p>Kuppelton put a pile of papers down on Mr Murphy’s
-desk.</p>
-
-<p>Mr Murphy nodded at him and Kuppelton left quickly.
-Mr Murphy felt much better after exercising his power. Poor
-Kuppelton was a good man in an office but he would never
-go very far because he didn’t have assurance. He would be
-promoted after the first of the year if Holton were moved
-out. That would make Kuppelton happy, which was a
-good thing. It wasn’t bad, thought Mr Murphy, to have contented
-people about you in a discontented world. He relaxed
-in his chair and then the pains started again.</p>
-
-<p>This time the ache was about an inch below his belt and
-slightly toward the left (his appendix was on the right and,
-besides, his appendix was in good shape). The pain began to
-move toward the center. Quickly he pressed his fingers into
-the pain.</p>
-
-<p>His heart beat rapidly and sweat formed on his face. If<span class="pagenum" id="Page_72">[Pg 72]</span>
-the pain didn’t go away by the count of ten he would get
-up and take the special medicine his doctor had given him.</p>
-
-<p>Frightened, Mr Murphy counted and the pain, not subject
-to this magic, did not go away.</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_73">[Pg 73]</span></p>
-
-<h2 class="nobreak"><em>Chapter Six</em></h2>
-</div>
-
-
-<p class="p2">“It’s twelve o’clock,” Caroline said to Mr Murphy. “I
-think I’ll go out to lunch, if that’s O.K.”</p>
-
-<p>“Yes, yes, Caroline.”</p>
-
-<p>She thought he looked rather pale. She was about to ask
-him how he felt but she stopped herself, remembering how
-he disliked talking about his health. She had noticed that
-during the last year he had been taking a lot of medicine.
-Perhaps he was going to die. Caroline began to compose a
-little drama to herself. Mr Murphy had just collapsed across
-his desk and she had been the only one to keep a clear
-head....</p>
-
-<p>“You coming, Caroline?” It was Robert Holton.</p>
-
-<p>“Be right there.” She arranged the papers on her desk,
-shut the drawers and joined Robert Holton outside the gate
-of the railing.</p>
-
-<p>“Where’ll we eat today?” asked Holton.</p>
-
-<p>“At <em>the</em> restaurant, of course. Where did you think we
-would?”</p>
-
-<p>“Oh, I don’t know.” He was smiling now and she wondered
-if he could have been trying to be funny; she could
-never be sure.</p>
-
-<p><span class="pagenum" id="Page_74">[Pg 74]</span></p>
-
-<p>“Sometimes you don’t make sense,” said Caroline.</p>
-
-<p>They were almost through the door when one of the secretaries
-called to Holton. “Phone, Bob.”</p>
-
-<p>She waited for him at the door. He went over to his desk
-and answered the phone. He seemed excited, she noticed,
-and he talked very quickly. She wished she could hear what
-he was saying. Finally, he finished and joined her.</p>
-
-<p>“Who was that?”</p>
-
-<p>“An old friend of mine.”</p>
-
-<p>“Man or woman?”</p>
-
-<p>“A guy I used to know. He just got in town. He comes
-from out West and I haven’t seen him for a couple of years.”</p>
-
-<p>“You knew him in the army?”</p>
-
-<p>“Yes.”</p>
-
-<p>They walked through the offices to the elevator and Holton
-pressed the button.</p>
-
-<p>“What’s he doing in town?”</p>
-
-<p>“He’s just visiting. I’m going to see him this afternoon.
-He’s coming over here after lunch.”</p>
-
-<p>“That’ll be nice. What does he look like?” She asked this
-gaily, hoping to have some effect on him. She didn’t, though.</p>
-
-<p>“I don’t know. He looks all right, I guess.”</p>
-
-<p>“You certainly are good at description. Be sure to let me
-meet him.”</p>
-
-<p>“I will.”</p>
-
-<p>The elevator stopped for them and they pushed into the
-lunch-going crowd. With a rush they descended to the street
-floor.</p>
-
-<p>Outside the sun shone brightly above the street. The sky
-was a vivid blue and the air smelt clean in spite of the exhaust
-fumes and the people of the city. The day was warm.</p>
-
-<p><span class="pagenum" id="Page_75">[Pg 75]</span></p>
-
-<p>They walked along the crowded street. Men of affairs
-with brief cases walked in and out of swinging glass doors.
-Younger men of affairs, wearing bowler hats and dark coats
-with darker velvet lapels, marched solemnly in the parade
-of business. The white-faced clerks squinted at the bright
-sun. Women secretaries walked together, admiring themselves
-in the windows. As they walked they talked to each
-other and to themselves.</p>
-
-<p>“What a nice day,” said Caroline, breathing deeply and
-coughing as the exhaust fumes tickled her throat.</p>
-
-<p>“Must be nice in the country,” commented Robert Holton.</p>
-
-<p>“Not you too?” Caroline laughed. “First Murphy and now
-you want to go out in the country.”</p>
-
-<p>“I don’t want to go. I just said it must be pleasant there.”
-They crossed a street and he looked carefully to left and
-right and when they finally crossed the street the crowd had
-gone around them and the light was beginning to change
-again.</p>
-
-<p>“Why do you take so long?” said Caroline disagreeably.</p>
-
-<p>“Just careful, that’s all.”</p>
-
-<p>They walked in silence then. She was very conscious of
-his being beside her, of her arm being in his. This troubled
-Caroline, this awareness. She looked at Holton’s face as they
-walked down the crowded street. There was nothing in his
-face that she would like to have seen. This made her feel
-better because he was not the right person.</p>
-
-<p>Over the high gray buildings was a narrow section of
-bright blue sky. It was almost too bright and contrasted
-strangely with the dingy buildings and the dark streets. Caroline
-watched the blue sky suspended upon the buildings. No
-clouds were in the sky but from time to time a bird would<span class="pagenum" id="Page_76">[Pg 76]</span>
-circle in it. And, as she watched the sky, a large air liner,
-like a rigid bird, moved straightly eastward.</p>
-
-<p>Caroline breathed deeply again, careful this time not to
-get the exhaust fumes too far down in her lungs. She coughed
-anyway.</p>
-
-<hr class="tb" />
-
-<p>Marjorie Ventusa looked through the plate-glass window
-at the street. She had been watching off and on for half an
-hour, waiting for Robert Holton to come.</p>
-
-<p>Some days he would come in at twelve and other days at
-twelve-thirty, and then there had been certain days when
-he’d not come in at all and those were bad days for Marjorie
-Ventusa.</p>
-
-<p>It was a few minutes after twelve when she saw him walking
-down the street, pushing through the crowd, a man different
-from all the others walking in the street. She frowned
-when she saw the pretty secretary with him. Marjorie hated
-this girl but she was helpless and could only hate all the
-others who seemed close to Robert Holton.</p>
-
-<p>She pretended to be busy cleaning a table when they
-came in.</p>
-
-<p>“Hello, Marjorie,” said Holton and he and Caroline came
-over to her table.</p>
-
-<p>“Oh, hello, it’s you again.” She made herself sound matter-of-fact
-and bored, but her throat was suddenly full and she
-had to clear it before she could speak again. “What you going
-to eat today?”</p>
-
-<p>“I don’t know,” said Holton and he and Caroline sat down
-at the table, across from each other. “What do you want,
-Caroline?”</p>
-
-<p>“I’d like to see a menu, I think,” said Caroline in a voice<span class="pagenum" id="Page_77">[Pg 77]</span>
-that Marjorie Ventusa would like to have choked out of her.</p>
-
-<p>“Here,” said Marjorie and she handed them two white
-menus.</p>
-
-<p>They studied the menus.</p>
-
-<p>Many people were coming in and going out of the restaurant.
-All the tables were full now and there were people
-standing and waiting for tables. Some of her customers were
-beginning to look at her, waiting for her to take their order.
-She hoped Mrs Merrin would not notice how long she was
-taking with Robert Holton.</p>
-
-<p>“I think,” said Caroline, frowning a thin hair-wide frown,
-“I think I will have some tomato juice, and a lamb chop....”</p>
-
-<p>“No more lamb chops,” said Marjorie, trying to keep the
-triumph from her voice.</p>
-
-<p>The hair-wide frown became a scowl. “Then I’ll have the
-veal.”</p>
-
-<p>“Any vegetables?”</p>
-
-<p>“Yes, the spinach.”</p>
-
-<p>“You can have one other.”</p>
-
-<p>“That’s all.”</p>
-
-<p>And Marjorie thought, “the” spinach indeed. Why was it
-that when these people wanted to sound elegant they would
-talk about everything as “the”?</p>
-
-<p>“What do you want, Mr Holton?” She wished that she
-had the nerve to call him Bob, the right to call him that.</p>
-
-<p>“Oh, I think I’ll take the same.”</p>
-
-<p>“Coffee, tea, or milk?” She said the words as though they
-were one word.</p>
-
-<p>They both asked for coffee and Marjorie went quickly out
-of the dining room and into the kitchen.</p>
-
-<p><span class="pagenum" id="Page_78">[Pg 78]</span></p>
-
-<p>There was much more steam in the kitchen now than
-there had been at breakfast; as the day passed the kitchen
-got hotter, and steamier, and the cooks got more irritable
-and Mrs Merrin more nervous and Marjorie Ventusa would
-become tired and sad.</p>
-
-<p>She called the new orders to the cook. Then she picked up
-two small glasses of tomato juice and put them on her tray.
-She fingered one of them a moment, thinking that soon he
-would be drinking from it. She enjoyed thinking of this,
-though it only made her desire stronger and her sadness
-greater.</p>
-
-<p>She didn’t want to go back yet. She hoped Mrs Merrin
-would not come into the kitchen for a while.</p>
-
-<p>But one of the swinging doors opened and Mrs Merrin
-walked into the kitchen. Quickly Marjorie picked up her tray
-and went back to the dining room.</p>
-
-<p>Caroline and Robert Holton were talking seriously and
-Marjorie, because of the noise of voices in the dining room,
-couldn’t hear what they were saying.</p>
-
-<p>They stopped talking as she came up to them.</p>
-
-<p>“Here you are,” said Marjorie Ventusa brightly, putting
-the glasses of tomato juice on the table.</p>
-
-<p>Robert Holton smiled at her, showing his white even teeth.</p>
-
-<p>“Have you got a date for tonight?” asked Robert Holton.</p>
-
-<p>“You know I always do.”</p>
-
-<p>“A sailor maybe?”</p>
-
-<p>“I’m not saying.”</p>
-
-<p>“Get one who’ll take you to Italy.”</p>
-
-<p>This was cruel but Marjorie smiled and forgave him. She
-had not been joking when they spoke of Italy. She did not
-think it fair of him to say this in front of the pretty girl, but<span class="pagenum" id="Page_79">[Pg 79]</span>
-Marjorie forgave him because he was young and because she
-felt about him in a certain way.</p>
-
-<p>“Maybe we’ll go to Capri together,” she said. “Is it nice
-there?”</p>
-
-<p>Holton nodded. “Beautiful.”</p>
-
-<p>Caroline said, “I’m sure you don’t want to take up any
-more of her time, Bob. She’s got a lot of things to do.” Caroline
-gave Marjorie a brilliant smile. A man from the table
-next to theirs said loudly, “When are you bringing me my
-soup?”</p>
-
-<p>“In just a minute, sir.” Marjorie looked at Robert Holton
-once again, tried to catch his eye but he was talking now to
-Caroline and Marjorie Ventusa had been put quietly from
-his mind. She went back to the kitchen.</p>
-
-<hr class="tb" />
-
-<p>Outside the restaurant Richard Kuppelton and the receptionist
-Ruth were wondering whether anybody they knew
-would be in the restaurant; otherwise they would have to
-wait for a table.</p>
-
-<p>Kuppelton looked through the window. He blinked nearsightedly.
-Then he saw Robert Holton and Caroline.</p>
-
-<p>“Caroline’s in there,” he said.</p>
-
-<p>“With Bob?”</p>
-
-<p>“Yes.”</p>
-
-<p>“Well, let’s go on in.” Ruth liked Robert Holton.</p>
-
-<p>“Hello, hello,” said Kuppelton heartily when they were
-inside.</p>
-
-<p>Caroline and Robert Holton appeared glad to see them.</p>
-
-<p>“My gracious, it certainly is crowded,” said Ruth, pointing
-to the people standing.</p>
-
-<p>“Lucky you people were here,” said Kuppelton.</p>
-
-<p><span class="pagenum" id="Page_80">[Pg 80]</span></p>
-
-<p>“I don’t,” said Ruth, “see how the town stays so crowded
-all the time. I could understand it during the war but now
-... well, it’s just impossible to go anywhere or do anything.”</p>
-
-<p>“I know,” said Holton. “Took me months to get a room.”</p>
-
-<p>“Is it nice?” asked Caroline.</p>
-
-<p>He shook his head. “It’s very depressing.”</p>
-
-<p>“I guess I’m lucky to be living with my family,” said Kuppelton.
-“It’s real nice out where we are and there aren’t so
-many people. I’d hate to have to live in the city.”</p>
-
-<p>They talked of the places where they lived and then they
-started to talk of the places where they would like to live.</p>
-
-<p>Kuppelton watched Holton as he talked and he tried to
-learn, by concentrating intensely, what he was thinking; to
-learn if Mr Murphy had said he would promote him. Holton’s
-smooth forehead, however, was a wall and Kuppelton
-could not pierce it, could not discover the dreams behind it.</p>
-
-<p>Marjorie came over to their table and put two plates of
-veal in front of Caroline and Robert. The veal was a uniform
-tan color, floating in a sea of red sauce. Two saucers of dark-green
-spinach floating in water were put beside the plates
-of veal.</p>
-
-<p>“Looks good, doesn’t it?” commented Marjorie.</p>
-
-<p>“Sure, sure,” said Holton, looking at his plate with distaste.</p>
-
-<p>Kuppelton ordered veal and Marjorie left.</p>
-
-<p>Kuppelton looked at Ruth. She was dark, with a big nose
-and with self-pitying eyes. Her complexion was oily and she
-wore too much make-up. Ruth liked all men; she was sitting
-very close to Robert Holton now.</p>
-
-<p>“Any interesting people come into the office?” asked Holton,<span class="pagenum" id="Page_81">[Pg 81]</span>
-turning to Ruth: as receptionist she was always able to
-tell them about celebrities.</p>
-
-<p>Ruth nodded. “Laura Whitner was in to see Mr Heywood.”</p>
-
-<p>Caroline was interested. “She’s the movie star, isn’t she?”</p>
-
-<p>Ruth nodded again, a birdlike motion. “Why, she used to
-be one of the biggest stars. I used to go see all her pictures.
-My gracious, they were wonderful.”</p>
-
-<p>Marjorie Ventusa returned with veal for Kuppelton and
-the ham and eggs for Ruth.</p>
-
-<p>“Oh, thank you,” said Ruth. “I love ham,” she added.</p>
-
-<p>Richard Kuppelton looked at Ruth with disapproval. She
-was an aggressive woman and he was tired of aggressive
-women. His mother was that way. Caroline was more what
-he wanted. She had spirit but was not aggressive. There was
-a difference between spirit and aggressiveness. He could not
-quite define it but still there was a difference. Caroline could
-act irritated with him and he would not mind. And she always
-smiled, even when she was angry; he could not feel
-that a woman who always smiled was aggressive. She had a
-mind of her own but then he could handle that. Eating veal,
-Richard Kuppelton felt he could handle anything.</p>
-
-<p>Robert Holton finished eating. He sat back in his chair
-and yawned.</p>
-
-<p>“Bored?” asked Caroline.</p>
-
-<p>He shook his head. “No, not very. Just sleepy.”</p>
-
-<p>“Well, I like that!” exclaimed Ruth. “You’d think we weren’t
-good enough for him.” She said this in a way to let him
-know she was being humorous.</p>
-
-<p>Kuppelton decided, however, to develop what she’d said.
-“Sure, he’s a good friend of Mr Heywood.”</p>
-
-<p><span class="pagenum" id="Page_82">[Pg 82]</span></p>
-
-<p>Ruth was impressed. “I certainly wish I had your contacts
-then. I sure wouldn’t be working in this lousy job.”</p>
-
-<p>Robert Holton wanted to know what was wrong with her
-job.</p>
-
-<p>“Oh, you know how it is. Doing the same thing day after
-day. It makes me sick. I’d like to do something exciting.”</p>
-
-<p>“Like what?” asked Richard Kuppelton. These were his
-secret wishes, too, but he would never have put them into
-words. He was delighted to hear someone else say them.</p>
-
-<p>Ruth was not sure just what she wanted. She decided she
-would like to travel. Richard Kuppelton admitted, then, that
-he would like to travel. Caroline thought a moment and
-agreed with them that to travel would be the best thing
-anyone could do, the thing she wanted to do.</p>
-
-<p>Robert Holton, who had traveled, said that he didn’t care
-to leave New York again: not for many years at least.</p>
-
-<p>“You’re not adventurous,” said Caroline sadly.</p>
-
-<p>Ruth protected him. “After all, he’s had some adventures.
-He was in the war.”</p>
-
-<p>Richard Kuppelton was glad that Holton did not talk
-about the war. It made too great a difference between them
-and the women might have called attention to this difference.</p>
-
-<p>He disliked Robert Holton because he was afraid of him.
-It was more than the threat to his job, much more than that.
-Caroline, whom Kuppelton wanted, seemed interested in
-him. He flattered himself that she was no more interested in
-Holton than she was in himself; still he was a threat.</p>
-
-<p>Ruth was moving closer to Robert Holton now. Her thick
-curved lips, heavily painted a dark red, looked unpleasantly
-moist. Kuppelton had a desire to dry her mouth. He was<span class="pagenum" id="Page_83">[Pg 83]</span>
-amused, though, at the way she was playing up to Holton.
-She liked him now because of his influence, not because he
-was good-looking. Although Kuppelton, for one, couldn’t see
-his handsomeness. Holton was well-built but not much better
-than he was; of course, Kuppelton had a slight stomach
-and Holton didn’t, but a few days of exercise and he could
-be as slim. He made a mental note to do some exercise.</p>
-
-<hr class="tb" />
-
-<p>Marjorie Ventusa arranged her hair in front of the steamy
-mirror. It didn’t look too bad when she wore it over her ears.
-She pinned it back carefully. Perhaps she wouldn’t have to
-get a snood after all.</p>
-
-<p>She put some other people’s orders on her tray and left the
-kitchen. The crowd waiting to be seated was beginning to
-thin and soon the lunch rush would be over.</p>
-
-<p>She waited on the customers whose orders she had and
-then she moved over to the table where Robert Holton was
-sitting. He was very handsome, she thought. She looked at
-the others with him and she envied them all. They didn’t
-understand what he was, how important he was.</p>
-
-<p>The girl with the blue eyes and slim legs she could not
-like. This was her rival&mdash;one of her rivals, anyway. She was
-glad that he never seemed particularly interested in this girl
-and, for that matter, the girl didn’t seem interested in him.
-Still she was near, worked with him probably: she was a
-danger.</p>
-
-<p>Then Marjorie Ventusa did not like the dark-haired girl
-with the big nose who sat so close to him, but at least she
-was not a danger. She almost pitied this girl who had moved
-her chair so close to his that their legs were touching.</p>
-
-<p><span class="pagenum" id="Page_84">[Pg 84]</span></p>
-
-<p>The other man was dull-looking and obviously interested
-in the girl with the blue eyes. Marjorie Ventusa wished him
-luck. Then, having thought these things about her customers,
-she walked over to their table.</p>
-
-<p>“Ready for dessert?” asked Marjorie Ventusa cheerfully,
-trying not to look at Robert Holton.</p>
-
-<p>They were ready.</p>
-
-<p>Everyone decided to have vanilla ice cream. Slowly she
-cleared the table. This was a hard thing to do, because she
-had to act as if she were in a hurry.</p>
-
-<p>They talked at the table as though she weren’t there. She
-was, naturally, used to that: she had been a waitress a long
-time, but today she was almost angry at being treated like
-a piece of furniture. She could do nothing about it, though.
-She picked up her tray and went into the kitchen.</p>
-
-<p>Marjorie ordered the ice cream. As she waited she wondered
-if there was any way she could ever see Robert Holton
-in his other life: the mysterious important life he had in the
-brokerage firm. She tried to think of some way she could get
-to know him in this other life. She could think of nothing.</p>
-
-<p>The ice cream was ready and she took it back to the dining
-room.</p>
-
-<p>She gave them their dessert and only Holton said thank
-you. She tried to expand this one phrase into a conversation
-but it was too difficult. So she walked over to the next table
-which was now empty. Slowly she placed dishes on her tray.
-She was near enough to them to hear what they were saying.</p>
-
-<p>Robert Holton was talking about his job: “I don’t mind
-being in an office all day. I can’t see why people mind that
-so much.”</p>
-
-<p>The dark girl with the big nose disagreed: “It’s much<span class="pagenum" id="Page_85">[Pg 85]</span>
-more natural to be able to wander around like you want to
-do. It’s natural to travel, I think.”</p>
-
-<p>He laughed. Marjorie liked his laugh. He said, “You should
-get married, that’s what you should do.”</p>
-
-<p>The dark girl became coquettish. “But I haven’t had any
-offers yet. Of course, I’m open to any.”</p>
-
-<p>The bitch, thought Marjorie Ventusa, disliking her now.</p>
-
-<p>“You shouldn’t have any trouble,” said Holton gallantly
-and Marjorie liked him for saying this.</p>
-
-<p>“You’re just saying that.”</p>
-
-<p>Then the girl with the blue eyes and the dull man began
-to talk together and their voices blended into the ocean-like
-sound of many voices in the restaurant.</p>
-
-<p>They finished the ice cream.</p>
-
-<p>Marjorie walked over to the table. “Will there be anything
-else?” she asked officially.</p>
-
-<p>There was nothing else.</p>
-
-<p>“We’ll have our check, please, Marjorie,” said Robert Holton
-and she liked the way he said her name.</p>
-
-<p>“Certainly.” She went to the cashier and had the four
-checks totalled. Then she came back.</p>
-
-<p>They paid her.</p>
-
-<p>“Back to work,” said the blue-eyed girl with a sigh.</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_86">[Pg 86]</span></p>
-
-<h2 class="nobreak"><em>Chapter Seven</em></h2>
-</div>
-
-
-<p class="p2">“Here we are,” said Caroline.</p>
-
-<p>Ruth went to her desk in the reception room. “I’ll see you
-all later,” she said and she sat down and took out a large
-gold compact. Caroline watched her a moment as she powdered
-her nose, watched her with a certain pity because she
-was ugly.</p>
-
-<p>“Come on,” said Kuppelton and he and Robert Holton
-walked on either side of her through the office. She was conscious
-of the envious stares of the other girls and she smiled
-at them as nicely as she could, knowing that they hated her
-for her smile.</p>
-
-<p>Mr Murphy was not in the Statistical office. Everyone else
-was back, though. As she entered the room Caroline was
-conscious of a difference in the atmosphere. The women
-were quieter than usual and the men were watching. She
-looked and saw, sitting at Holton’s desk, an army officer.</p>
-
-<p>“Jim!” said Holton when he saw him; the other looked up.</p>
-
-<p>“Hi,” he said and he got to his feet. They shook hands
-with Anglo-Saxon restraint, muttering monosyllables of greeting,
-each asking about the other’s health.</p>
-
-<p>Kuppelton went to his own desk without speaking to the<span class="pagenum" id="Page_87">[Pg 87]</span>
-army officer. Caroline stood expectantly beside Robert Holton,
-waiting to be introduced.</p>
-
-<p>“This,” said Holton finally, “is Caroline. Caroline, meet
-Jim Trebling.”</p>
-
-<p>“How do you do,” said Trebling.</p>
-
-<p>“How do you do,” said Caroline and they shook hands.
-His hand, she noticed, was rough and hard.</p>
-
-<p>“You live in New York?” asked Caroline. This was always
-a good beginning because it could lead to all sorts of confessions.</p>
-
-<p>He shook his head. “No, I’m from California. I’m from Los
-Angeles.”</p>
-
-<p>She was impressed. “That’s where Hollywood is, isn’t it?
-You from Hollywood?”</p>
-
-<p>No, he was not from Hollywood. He lived near by.</p>
-
-<p>“I’d certainly like to visit out there.”</p>
-
-<p>“It’s not as interesting as New York.”</p>
-
-<p>She gave a little laugh to show her scorn for New York,
-her laugh leveling the buildings and cracking Grant’s Tomb.
-“It’s awful here,” she said. “We have an awful climate.”</p>
-
-<p>He raised the buildings again. “Oh, I think it’s pretty exciting.
-You’ve got so many things. This is really the first
-time I’ve seen New York. Bob and I went overseas from here
-and we came back here but I never really saw the town.”</p>
-
-<p>“Are you regular army?” she asked. Men in uniform were
-becoming rare.</p>
-
-<p>“No, I’m getting out soon. I signed up for a little while
-longer.”</p>
-
-<p>“Oh.”</p>
-
-<p>He and Robert Holton began to talk then about the
-army and she felt shut out. She stood there wondering<span class="pagenum" id="Page_88">[Pg 88]</span>
-whether she should go or not. She rather liked this young
-man. He was a lieutenant, at least he had one bar on his
-shoulder and she thought that lieutenants wore a single bar:
-the war had been such a long time ago and she had forgotten
-so many things.</p>
-
-<p>He had dark eyes and bleached-looking hair which Caroline
-had always found attractive in men. His skin was rather
-pale for a Californian; all Californians had brown skin in her
-imagination. He was not particularly handsome, though he
-looked rather distinguished, with sharp features and circles
-under his eyes.</p>
-
-<p>“Are you in the East long?” she asked.</p>
-
-<p>He looked at her as if he had forgotten she was there;
-still, he was very polite. “No, I’m only here for a week.”</p>
-
-<p>“Looking around?”</p>
-
-<p>“Yes, looking around.”</p>
-
-<p>“Caroline,” said Robert Holton, as though explaining an
-important thing, “Caroline is the belle of the office.”</p>
-
-<p>“I can see that,” said Trebling without too much effort,
-saying it almost naturally, a hard thing to do.</p>
-
-<p>“Oh, thank you,” said Caroline. Now she didn’t know what
-to say. She looked at his ribbons. She counted them mechanically,
-the way she did before the war ended: five ribbons.
-“You must’ve been around quite a bit,” she said finally,
-speaking before the silence her last words had made became
-another conversation.</p>
-
-<p>Trebling nodded seriously. “Yes, I saw quite a bit. No
-more than Bob did, though.”</p>
-
-<p>“That must’ve been nice,” said Caroline, “your being able
-to serve together everywhere.”</p>
-
-<p>“Yes, it was.”</p>
-
-<p><span class="pagenum" id="Page_89">[Pg 89]</span></p>
-
-<p>She knew that they were waiting for her to go but she
-wasn’t ready yet. “Do you like being in the army in peacetime?”</p>
-
-<p>“No, not particularly.”</p>
-
-<p>“Well, you’ll be out soon, I suppose.”</p>
-
-<p>“Quite soon.”</p>
-
-<p>She had to go now. She couldn’t understand what kept her
-standing there foolishly trying to make a conversation by
-herself. It was not as if Lieutenant Trebling were handsome
-or unusual.</p>
-
-<p>Caroline made her great effort. “Well,” she said, “I guess
-I’ll see you later, Mr Trebling.” Was that the right name?
-She wasn’t sure. She hoped she hadn’t said it wrong.</p>
-
-<p>“Nice to have met you, Caroline.” She smiled at him, her
-face at a three-quarter angle: her most flattering angle.
-Then, with great nonchalance, she walked slowly back to
-her desk.</p>
-
-<hr class="tb" />
-
-<p>Trebling was surprised at the way Holton looked out of
-uniform.</p>
-
-<p>To have lived several years with a person who looked always
-one way and then to see him later another way is startling.
-Jim Trebling had always thought of Holton as a soldier:
-he could not get used to him as a civilian in an office.</p>
-
-<p>“Sit down, Jim.” Holton pointed to a chair beside his desk.
-They both sat down. Trebling felt a little awkward. The
-office was too formal for him and he was not at ease.</p>
-
-<p>Jim looked at Holton, trying to get accustomed to him.
-“You’ve certainly changed. I don’t know if I’d have recognized
-you.”</p>
-
-<p>Robert Holton laughed a little self-consciously. “These<span class="pagenum" id="Page_90">[Pg 90]</span>
-civilian clothes <em>are</em> different. They make you feel different.”</p>
-
-<p>“You’re really settling down, I guess.”</p>
-
-<p>“I’m afraid so.”</p>
-
-<p>“I wish I could. Maybe I will when I get out ... I don’t
-know.”</p>
-
-<p>“What do you think you’re going to do?”</p>
-
-<p>Jim shrugged. “I don’t know. I’ve been thinking of starting
-some kind of a business. You know, what we used to talk
-about before you got out.”</p>
-
-<p>Holton nodded. “That’s a good idea, I guess. I thought of
-it, too, but of course the odds are against you.”</p>
-
-<p>Trebling was surprised to hear Holton say this. “I know
-it,” he said.</p>
-
-<p>Holton saw then that he hadn’t said the right thing. He
-tried to explain. “I don’t mean you shouldn’t start a business.
-I just mean something might go wrong.” He was saying
-worse things now; he stopped.</p>
-
-<p>Jim changed the subject. “How do you like being out?”</p>
-
-<p>“Oh, it’s pretty wonderful. Just to be able to stay in one
-place....”</p>
-
-<p>“I guess it’s nice for a while.”</p>
-
-<p>Holton sighed. “I don’t think I’ll ever travel again.”</p>
-
-<p>Jim was surprised. “I thought you were going to go around
-the world. Don’t you remember when we used to talk about
-seeing more of Italy?”</p>
-
-<p>“Well, maybe sometime. I hadn’t stopped moving for very
-long then.”</p>
-
-<p>“No, that’s right, you hadn’t.” As they talked Jim Trebling
-became more uneasy. This was a person he had not met
-before and he was surprised and sorry. Robert Holton had
-been different as a soldier.</p>
-
-<p><span class="pagenum" id="Page_91">[Pg 91]</span></p>
-
-<p>As they talked, the words forming conventional patterns
-and hiding their real thoughts, Jim thought of the war.</p>
-
-<p>“You remember the time we were in Florence?”</p>
-
-<p>Holton said that he remembered it very well.</p>
-
-<p>They spoke then of Florence and as they talked Jim Trebling
-began to remember many things.</p>
-
-<hr class="tb" />
-
-<p>The city had been liberated for several months. The war
-was almost over and Holton and Trebling were able to take a
-week’s leave: they went to Florence.</p>
-
-<p>Parts of the city had been badly damaged. The old buildings
-on the Arno had been leveled in many places but the
-Ponte Vecchio was still there. These things had not been
-very important, however, because they had not gone to see
-antiques. They had gone to rest, to meet women, and to try
-to find enough liquor to get drunk on.</p>
-
-<p>They stayed with a family outside of the town; they
-stayed in a place called Fiesole.</p>
-
-<p>Trebling remembered the house clearly: long and rambling,
-dirty-white stucco with small iron balconies beneath
-the larger windows. A rock garden, dusty gray-green olive
-trees and an unearthly view of the valley in which was
-Florence.</p>
-
-<p>The house belonged to a family named Bruno, friends of
-Robert Holton’s mother. They had invited the two of them
-to stay as long as they liked: in those days it was a good
-policy to have American soldiers in one’s home.</p>
-
-<p>Robert Holton had liked a girl named Carla. Trebling had
-liked her too, but not as much as Holton did. He remembered
-one night when the three had sat on the terrace,
-watching the city.</p>
-
-<p><span class="pagenum" id="Page_92">[Pg 92]</span></p>
-
-<p>It was summer and the night was warm and vibrant. The
-city lights glittered in the valley-cup; the lights were golden
-and flickering and the river shone darkly.</p>
-
-<p>They sat on a stone ledge, their feet dangling above the
-rock garden. Carla was between them; her hair was dark and
-her face pale. They sat like this, watching the lights of the
-city and listening to the sound of insects whirring in the
-night.</p>
-
-<p>And Jim had said, embarrassed by the long silence, “It’s
-so peaceful here.”</p>
-
-<p>The other two acted as if they had not heard him. Holton,
-sitting close beside Carla, touched her.</p>
-
-<p>And then she had said, “It seems like such a long time
-ago.” They thought of this as they sat in the blue darkness.</p>
-
-<p>Holton finally spoke, saying, “Isn’t it a shame that this
-has to change again?”</p>
-
-<p>They had been surprised to hear him say this; Trebling
-was more surprised than Carla because, though he had
-known Holton longer, she knew him better. Trebling was
-surprised to hear Holton speak seriously: he was never serious
-at other times. He always tried to be funny.</p>
-
-<p>“Why <em>should</em> this change again?” asked Carla, looking at
-him, trying to tell his expression in the dark.</p>
-
-<p>Holton only sighed and said, “Because everything changes
-when you go away.”</p>
-
-<p>“You can come back,” said Carla and Jim remembered
-now the exact way she had said that and he was sorry for
-her.</p>
-
-<p>Holton didn’t answer for a moment and then he had said,
-“Yes, I suppose you can.” They knew then that he would<span class="pagenum" id="Page_93">[Pg 93]</span>
-not come back and Trebling could sense her sadness as they
-watched the lights flickering below them.</p>
-
-<hr class="tb" />
-
-<p>“Do you remember Carla?” asked Jim suddenly, his mind
-adjusting to the present.</p>
-
-<p>“The girl in Florence? Sure, I remember her. Was that her
-name ... Carla?”</p>
-
-<p>“That’s right.”</p>
-
-<p>“She was very nice looking, wasn’t she?”</p>
-
-<p>“Yes.”</p>
-
-<p>“Sure, I remember her.”</p>
-
-<p>“I thought you liked her quite a bit,” said Trebling, not
-looking at Holton.</p>
-
-<p>“I suppose I did. We ran into a lot of people, though.
-There were so many people.”</p>
-
-<p>Trebling agreed that there had been a number of people
-in Europe, people they had known.</p>
-
-<p>“That was a good town, Florence,” said Holton suddenly.</p>
-
-<p>“It was.”</p>
-
-<p>“We were there a week, weren’t we?”</p>
-
-<p>“About that.”</p>
-
-<p>Holton nodded, and Trebling watched him to see how he
-felt; Holton’s face told him nothing, though. He was only
-remembering.</p>
-
-<p>“It’s certainly a nice feeling to be out,” said Holton
-finally.</p>
-
-<p>“I guess it must be.”</p>
-
-<p>“Not having to worry about being moved from place to
-place.”</p>
-
-<hr class="tb" />
-
-<p>They were standing in the Roman Forum. All around them<span class="pagenum" id="Page_94">[Pg 94]</span>
-were pieces of shattered marble, shattered in earlier wars.
-Trebling and Holton had looked at three slender columns of
-marble, all that was left of a temple.</p>
-
-<p>Trebling had remarked, “I’ll bet those pillars are pretty
-old.”</p>
-
-<p>Holton agreed, “Maybe a thousand years old.”</p>
-
-<p>Together they had looked at the three columns of the
-ruined temple.</p>
-
-<p>Trebling asked, “Do you think you would’ve ever gotten
-here except in the army?”</p>
-
-<p>“No. I don’t guess so.”</p>
-
-<p>“I probably wouldn’t have either.”</p>
-
-<p>“It’s sort of interesting.”</p>
-
-<p>And Trebling had said, “I like the traveling part of all
-this.”</p>
-
-<p>Robert Holton agreed to this and then they began to complain
-about other things.</p>
-
-<hr class="tb" />
-
-<p>Trebling sat back in his chair and looked around the office.
-He didn’t like offices and he didn’t like this one at all. The
-clear constant light standardized the people in the room.</p>
-
-<p>“How do you like it here?” he asked.</p>
-
-<p>Holton shrugged. “O.K., I suppose. It’s something to do.”</p>
-
-<p>“You think you’ll stay in this sort of work?”</p>
-
-<p>“Probably, I don’t know yet.”</p>
-
-<p>“I had thought you might go into this new thing with
-me.</p>
-
-<p>“Well....”</p>
-
-<p>Neither spoke for a moment.</p>
-
-<p>Finally Trebling asked, “Can I smoke in here?”</p>
-
-<p>“I’m sorry, Jim, but....”</p>
-
-<p><span class="pagenum" id="Page_95">[Pg 95]</span></p>
-
-<p>“Sure, I know: rules.”</p>
-
-<p>“I’m sorry. These people are awful stiff about a lot of
-things.”</p>
-
-<p>Jim Trebling wished again that he hadn’t come. He had
-an impulse to run away. “What’re you doing tonight?” he
-asked finally.</p>
-
-<p>“I’m going to a big cocktail party.”</p>
-
-<p>“Being social, eh?”</p>
-
-<p>“Well, you know you have to make contacts...” he continued,
-explaining himself carefully.</p>
-
-<p>Then Holton asked Jim about himself, and he listened as
-Jim talked. The cataloguing of army camps, the different
-duties in each, the girl he had decided to marry and then
-didn’t, his current leave of absence, the trip across the country,
-the pleasure of seeing Robert Holton again.</p>
-
-<p>Trebling told this story automatically, as one always tells
-a much-told personal story and as he told this he wondered
-what had happened to Holton.</p>
-
-<p>In the war he had been considered wild. He had spent
-most of the time laughing at things. He had been easily
-bored and now he was changed.</p>
-
-<p>“It must be nice to be out,” Trebling repeated, not knowing
-what else to say.</p>
-
-<p>And Robert Holton explained to him in detail why it was
-so nice to be free.</p>
-
-<hr class="tb" />
-
-<p>Paris had been the most interesting place of all. They had
-spent two days there. Trebling had been very conscientious
-and had insisted that they see palaces and landmarks and
-they had actually tried to see a few but then Holton decided
-that there was not enough time for that. They met two<span class="pagenum" id="Page_96">[Pg 96]</span>
-girls. Trebling could not remember their names; he could
-remember nothing about them except that they were rather
-pretty and claimed to be sisters.</p>
-
-<p>The girls had suggested they go on a picnic. Holton had
-liked this idea and he managed to get some food from the
-mess officer of a near-by company. They took bicycles and
-drove out of Paris. They rode through Sèvres and some small
-towns on the outskirts. They approached Versailles but the
-girls didn’t care to go into the town and so they turned left
-from the main road. At a small town called Jouy-en-Josas
-they stopped, and on the dark green lawn of a bombed-out
-château they had their picnic.</p>
-
-<p>The sky was overcast that day. And the woods that surrounded
-the château were blue and smoky and looked mysterious,
-like the pictures of enchanted forests in children’s
-books.</p>
-
-<p>When they had finished lunch Holton wanted to go walk
-in the woods. Only one of the girls spoke English.</p>
-
-<p>“Let’s take a walk in the woods,” Holton suggested.</p>
-
-<p>The two girls giggled and talked together very quickly in
-French. The one who spoke English finally said, “Sure, we
-go walk in the woods with you.” They walked in the woods.</p>
-
-<p>Hand in hand the two couples walked between the misty
-trees. There was no underbrush here and the trees came up
-out of the stony, grass-covered ground, free and straight.</p>
-
-<p>The two girls understood what was expected of them. His
-most vivid memory was not of the one he had but of Holton’s:
-a stocky, pink-faced girl. He remembered clearly the
-way her head lolled against the tree, her eyes closed and her
-thick lips slightly ajar. He remembered that her hair was
-almost the same color as the bark of the tree.</p>
-
-<p><span class="pagenum" id="Page_97">[Pg 97]</span></p>
-
-<p>“Say, Bob, do you remember those two girls from Paris?”</p>
-
-<p>“When was that?”</p>
-
-<p>“You know, the time we went on the picnic.”</p>
-
-<p>“I’m afraid I’ve forgotten.” That was that.</p>
-
-<p>A large important-looking man came into the office. When
-he saw Trebling with Holton he stopped in the middle of
-the room, changed his course with the unself-conscious dignity
-of a schooner under full sail, and walked straight over
-to them.</p>
-
-<p>Holton got to his feet quickly and Trebling did the same,
-sensing that this was a person of importance.</p>
-
-<p>“Jim Trebling, this is Mr Murphy, the Chief of our section.”</p>
-
-<p>“Glad to meet you, Lieutenant.” They shook hands vigorously,
-Mr Murphy smiling with goodwill.</p>
-
-<p>“Well, Lieutenant, I suppose you’ll be getting out soon?”</p>
-
-<p>Mechanically Trebling explained what he was planning
-to do.</p>
-
-<p>“Think you’ll go into Business?” asked Mr Murphy.</p>
-
-<p>“Maybe, I don’t know.”</p>
-
-<p>“Lot of openings now for a young man who wants to get
-ahead.”</p>
-
-<p>“There probably are.”</p>
-
-<p>They talked for a while of Business as though it were a
-state of being.</p>
-
-<p>Trebling looked at Holton as Mr Murphy talked, looked at
-him, trying to find something familiar in his face. For a moment
-as he looked he thought he could see a tightness about
-the mouth, an effort at control but Jim Trebling could not
-tell what Holton was controlling and the mouth soon relaxed
-and he could tell nothing then.</p>
-
-<p><span class="pagenum" id="Page_98">[Pg 98]</span></p>
-
-<p>Coming back on the boat together they had talked of
-what they were going to do when they got out.</p>
-
-<p>“I think I’d like to make money,” said Holton, looking at
-the white wake of the ship.</p>
-
-<p>“That’s not a bad idea. How?”</p>
-
-<p>“Damned if I know.”</p>
-
-<p>“We could always start that pottery business I was telling
-you about, back in California.”</p>
-
-<p>“That’s a thought.”</p>
-
-<p>“Of course there’re a lot of other things we could do.”</p>
-
-<p>“I suppose it’s all a matter of picking the right one.”</p>
-
-<p>They looked at the gray water and thought of new things,
-of works not yet begun. Pensively Holton leaned out over
-the railing and spat. Trebling, interested, did the same. For
-several moments they were in serious contest to determine
-who could spit the farthest. Holton won, although Trebling
-claimed he had been helped by a gust of wind.</p>
-
-<p>Then they walked about the decks of the transport. Soldiers
-were everywhere. They sat in groups on the covered
-hatches, they leaned over the railing to look at the sea and,
-also, to be sick.</p>
-
-<p>“I guess all these people are going to be trying the same
-thing,” said Holton suddenly.</p>
-
-<p>“Try what? Starting a business?”</p>
-
-<p>Sure.</p>
-
-<p>“I don’t think so.”</p>
-
-<p>“A lot of them will.”</p>
-
-<p>“So what?”</p>
-
-<p>“I guess it could work.” They stopped amidships and
-looked out to sea again. “I’d certainly like to have a lot of
-money,” said Holton sincerely.</p>
-
-<p><span class="pagenum" id="Page_99">[Pg 99]</span></p>
-
-<p>“So would I,” said Trebling with casual sincerity.</p>
-
-<p>They had decided then to start in together when they got
-out of the army. Holton had been discharged first, however,
-and he had immediately joined Heywood and Golden. In his
-occasional letters Holton never mentioned the business again.
-Trebling remembered that now and was sorry so much had
-changed.</p>
-
-<hr class="tb" />
-
-<p>Mr Murphy was talking about Business.</p>
-
-<p>Holton was listening to him with what appeared to be
-interest. Trebling shook himself and tried to act as if he had
-been following the lesson Mr Murphy had been giving him.</p>
-
-<p>“Very nice to have met you, Lieutenant,” said Mr Murphy
-at last.</p>
-
-<p>“Nice to meet you.” They shook hands. Mr Murphy turned
-to Holton. “I’d like to see you for a moment if your friend
-doesn’t mind.”</p>
-
-<p>“Certainly.” Holton gestured to Trebling to stay where
-he was. Then Mr Murphy and Holton went over to the other
-end of the office where the windows were.</p>
-
-<p>Jim Trebling sat in his uncomfortable chair beneath the
-fluorescent lights. He wanted to leave this office, leave it
-now and not come back. He couldn’t understand Holton any
-longer. He no longer knew him.</p>
-
-<p>Trebling was aware of someone standing beside him. He
-looked up: it was the blue-eyed girl. He started to get to
-his feet.</p>
-
-<p>“Don’t move,” she said. “I’m just passing by. Mr Murphy
-and Bob seem to be having some sort of conference. I
-thought I’d wait outside the gate till they were through.”</p>
-
-<p>“Sit down,” said Trebling.</p>
-
-<p><span class="pagenum" id="Page_100">[Pg 100]</span></p>
-
-<p>“Thank you.” She sat down in the chair beside him. He
-wondered what to say to her, what to talk about.</p>
-
-<p>“Have you been here long?” he asked.</p>
-
-<p>She told him that she had been there for several years.</p>
-
-<p>“It must be interesting working in a place like this.”</p>
-
-<p>She laughed. “It’s pretty awful, I think. As jobs go, of
-course, it’s not bad.”</p>
-
-<p>“But you’d rather not work at all.”</p>
-
-<p>“That’s right.”</p>
-
-<p>“Well, you’ll probably be married soon.” This was a leading
-question. There was a simple ritual to conversation with
-pretty girls who might be had.</p>
-
-<p>She recognized this and answered according to the ritual,
-“Oh, maybe someday, when I meet the right person.”</p>
-
-<p>This could mean a lot. He was interested now. “That’s important,
-meeting the right person.”</p>
-
-<p>They were both silent, thinking how important it was to
-meet the right person.</p>
-
-<p>Trebling began to think of this girl (was her name Caroline?)
-quite seriously. It was such an important thing to discover:
-if she could be had or not. For one night she might
-be very pleasant. He liked the way she looked. But then he
-thought of certain other one-night stands and of the phone
-calls and letters and emotion that often came of them. He
-would be very careful about this. He resumed.</p>
-
-<p>“I suppose you can have a pretty good time in New York
-if you know the right places to go.”</p>
-
-<p>“Yes, there are some nice places. You have to be very
-careful, though.”</p>
-
-<p>“A lot of them are clip joints, I guess.”</p>
-
-<p>She laughed. “I’ll say they are.”</p>
-
-<p><span class="pagenum" id="Page_101">[Pg 101]</span></p>
-
-<p>“Depends, I guess, on who you go out with.”</p>
-
-<p>“Well, you should know your way around.”</p>
-
-<p>They were drawing nearer and nearer to the act. Everything
-was going well. She was returning all his signals. He
-began to breathe a little hard as they approached the gateway.</p>
-
-<p>“I know so few people in New York,” he said. “Bob’s really
-the only person I know well. I don’t know any girls.”</p>
-
-<p>“Well, there’re a lot of them around.”</p>
-
-<p>“I know.” He paused and then he began to speak carefully
-but casually. “I was going out tonight but I don’t think
-I will now.”</p>
-
-<p>“Why?”</p>
-
-<p>“It’s not much fun alone.” This was said almost pathetically.</p>
-
-<p>“What about Bob?”</p>
-
-<p>“He’s going to that cocktail party.”</p>
-
-<p>“Oh, yes, I forgot.” A pause now, a silence with great
-meaning in it.</p>
-
-<p>“Maybe,” and he was saying it at last, “maybe <em>you</em> might
-go out with me tonight.”</p>
-
-<p>“Me!” Surprise, pleasure, a certain asperity, all these emotions
-splendidly portrayed in that one word. “Well....”</p>
-
-<p>“Of course if you’re busy....”</p>
-
-<p>“Oh, no....” She spoke almost too quickly. “I’m not really
-certain,” she added, regaining her dignity. “Perhaps you
-might call me back around five. I’ll know then.” At that moment
-both of them knew.</p>
-
-<p>“That would be fine. I hope you don’t think it’s ...”</p>
-
-<p>“Certainly not.” Then she said that any friend of Bob’s was
-a friend of hers.</p>
-
-<p><span class="pagenum" id="Page_102">[Pg 102]</span></p>
-
-<p>Trebling felt pleased with himself for having managed so
-well. It might take a week but it would still be pleasant. He
-looked forward to the final moment of yielding. He sighed
-and started to think of other things.</p>
-
-<p>Caroline, seeing that Holton was on his way back, got up
-from her chair. “Nice to have seen you, Lieutenant. I’ll be
-looking forward to your call.”</p>
-
-<p>He also stood up. “I hope you can make it.” She said that
-she did, too, and they both knew what was going to happen.
-Robert Holton came back and Caroline left.</p>
-
-<p>“That’s a pretty girl,” said Trebling.</p>
-
-<p>“Caroline? Yes, she’s pretty nice.”</p>
-
-<p>They stood looking at each other awkwardly. “Shall we
-get together tomorrow evening?” suggested Holton.</p>
-
-<p>“Sure, that’d be fine.”</p>
-
-<p>“Well, listen, Jim, it’s been wonderful seeing you....”</p>
-
-<p>“And I’ve enjoyed it....” Their voices intermingled into
-a single sound. Neither of them listened to the words of the
-other.</p>
-
-<p>“See you tomorrow then, Bob?”</p>
-
-<p>“See you then.” They said good-bye and Jim Trebling left
-the office. As he stood in the reception room waiting for the
-elevator he felt sad at the way Holton had changed. It was
-such a shame because they had once been very close. Then
-Jim Trebling thought of Caroline and he felt happier. The
-Carolines were the important things.</p>
-
-<p>The elevator door opened and he stepped inside.</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_103">[Pg 103]</span></p>
-
-<h2 class="nobreak"><em>Chapter Eight</em></h2>
-</div>
-
-
-<p class="p2">At five-thirty the world ceased to be official and became
-private.</p>
-
-<p>Happily Robert Holton put away his books and figures
-and prepared to leave. Monday was over and he wouldn’t
-let himself think of the other days of his week.</p>
-
-<p>Caroline was putting on her hat and Mr Murphy sat at
-his desk behind her, dreaming, his eyes fixed shrewdly upon
-nothing.</p>
-
-<p>Robert Holton walked over to Caroline.</p>
-
-<p>“Ready to go?”</p>
-
-<p>She nodded. “All ready.” Together they walked through
-the emptying offices, rode down the crowded elevator, and
-stepped out into the more crowded street.</p>
-
-<p>The sky was gray now and the sun had vanished behind
-buildings. The air was cool and the smell of exhaust was
-strong as cars moved slowly in the streets, trying to escape
-to less crowded places. They walked with the stream of
-people toward the subway opening. They talked.</p>
-
-<p>“Guess what?” said Caroline.</p>
-
-<p>“What?”</p>
-
-<p><span class="pagenum" id="Page_104">[Pg 104]</span></p>
-
-<p>“I’m going out tonight.”</p>
-
-<p>“Well?”</p>
-
-<p>“I’m going out with Lieutenant Trebling.”</p>
-
-<p>He was surprised. “That was fast work. Did he do that
-while he was in the office?”</p>
-
-<p>“We talked about it. He called me back later and I told
-him I’d go out with him.”</p>
-
-<p>“Well, well.” Holton was admiring but Caroline was not
-sure whether he was admiring her or Trebling.</p>
-
-<p>“I think he’s nice,” she said, not committing herself.</p>
-
-<p>“Yes, he’s a good guy.”</p>
-
-<p>They crossed a street nervously and in silence. On the
-other side they went on talking.</p>
-
-<p>“Tell me something about him?” she asked.</p>
-
-<p>“There’s not much to tell. He’s from the West Coast. He
-went to UCLA, I think, and his old man’s in the insurance
-business. He went into the army about the same time I did
-and he’s still in.”</p>
-
-<p>“That’s not what I want to know.”</p>
-
-<p>“Well, what do you want to know?”</p>
-
-<p>She had trouble saying this. “Oh, you know ... the sort
-of person he is. All that sort of thing.”</p>
-
-<p>Robert Holton, who hadn’t thought much about it, had a
-hard time answering. “I guess he’s what you’d call a dreamer.
-He’s not very practical. He always wants to start things ...
-businesses, you know. In the war he was pretty good and
-other people liked him. He wasn’t very wild then.”</p>
-
-<p>“Is he now?”</p>
-
-<p>“Just his ideas. In those days I used to be the wild one.”</p>
-
-<p>She laughed and thought he was joking with her and this
-made him angry and sad but there was nothing he could do<span class="pagenum" id="Page_105">[Pg 105]</span>
-about it because he had assumed a certain identity with her
-and it had to be maintained.</p>
-
-<p>“I’ll bet you were wild!”</p>
-
-<p>“We all change,” he said.</p>
-
-<p>She wasn’t interested in how he’d changed, though: she
-was interested in Jim Trebling. “I don’t suppose he’s engaged
-or anything like that?” She was casual.</p>
-
-<p>Holton laughed. “No, you can get him if you want to.”</p>
-
-<p>“I didn’t mean that at all. What do you mean by saying
-that?”</p>
-
-<p>“Not a thing.”</p>
-
-<p>She went on talking for several moments, trying to be indignant.
-Then they crossed another street and she stopped
-talking.</p>
-
-<p>They walked with the current of people, walked uncomfortably
-but deliberately over the sidewalk ventilators of the
-subway beneath. As they walked they could feel the thunder
-of a subway train under their feet, vibrating upward,
-like a great emotion, into their stomachs.</p>
-
-<p>Then they came to the opening of the subway. With a
-deep breath they descended into the pit. Like lemmings
-dashing seaward the people pushed down the steps and into
-already crowded trains.</p>
-
-<p>Caroline and Holton were separated. A sudden push of
-the crowd threw her into the train just before the door
-closed. He caught a last glimpse of her serene beauty being
-crushed between a large Negress and a tall white man. The
-train gave a rumble and pulled away.</p>
-
-<p>Holton stood on the concrete platform with a hundred
-others who had missed this train and were waiting for the
-next.</p>
-
-<p><span class="pagenum" id="Page_106">[Pg 106]</span></p>
-
-<p>He walked up and down between the concrete pillars,
-looking at the broken machines which were supposed to sell
-gum and peanuts and, from habit, he put his finger into one
-of the slots to see if anything was there: nothing was there
-however.</p>
-
-<p>He admired the advertisements. His favorite one, the girl
-advertising beer, was not in this station but there were
-others. Two very excellent ones of movie actresses, young
-women hauntingly attractive with red lips. He admired these
-even though the most beautiful actress of all had had her
-front teeth blacked out and a crude phallic image drawn
-over her passionate face. There were people in the world
-who would do those things, of course, and he was not annoyed.</p>
-
-<p>The other advertisements were less interesting and he
-didn’t look at them very long.</p>
-
-<p>Another train roared through the tunnel, stopping with
-great noise; the doors opened and people flowed out; then
-another rush to get on the train. Robert Holton allowed himself
-to be carried into the hot stale car.</p>
-
-<hr class="tb" />
-
-<p>He liked to walk in the Park. In the evenings the Park
-was the most peaceful place in the city. A few people would
-be sitting on the benches and a few couples would be walking
-between trees but there were never many people here in
-the early evening and the ones that were there were always
-quiet.</p>
-
-<p>As Robert Holton walked the miracle of the street lamps
-took place, white light filling the bulbs and changing
-the early evening, the twilight period, to a premature night.</p>
-
-<p><span class="pagenum" id="Page_107">[Pg 107]</span></p>
-
-<p>He walked quickly now because it was almost six o’clock.
-Mrs Raymond Stevanson’s cocktail parties often went on
-until nine or ten o’clock and occasionally they lasted all
-night but he couldn’t know this for certain and he didn’t
-want to be late.</p>
-
-<p>Robert Holton thought sadly about Jim Trebling as he
-walked, breathing the cool air. A short time had made a lot
-of difference and he was aware of this difference.</p>
-
-<p>Trebling was apt to be impractical. It was a likeable quality
-in the army; he himself hadn’t made much sense in those
-days, but things had changed now. This was the time to be
-practical and Jim Trebling was not.</p>
-
-<p>A couple were embracing beside a large rock. He watched
-them with interest as he went by.</p>
-
-<p>He had tried to pretend to be the same but the effort, or
-the change, had been too great. It made him unhappy to
-think that he and Trebling had really been so different, had
-always been so different, even in those days. He was shocked
-to think that Trebling remembered the army as a pleasant
-period of his life. There had been times, of course....</p>
-
-<p>Another couple came out of the woods, walked to the
-pathway and looked uncertainly about them, as though unsure
-of themselves. When he glanced at them they looked
-at him angrily, as if he had been spying. He walked away.</p>
-
-<p>Robert Holton was not sure why he had changed toward
-Trebling. He wanted to be the same. He wanted to take up
-the friendship where it had been broken but he could not.
-He was not going to change again.</p>
-
-<p>A nurse with a baby carriage was hurrying streetward. It
-was late, probably much too late for her to be out with the
-baby. As she passed him he caught a glimpse of the child<span class="pagenum" id="Page_108">[Pg 108]</span>
-and saw that it was staring vacantly ahead, concentrating
-upon growth.</p>
-
-<p>He followed the nurse and the carriage toward the street.
-Robert Holton smiled to himself when he thought of Caroline
-and Jim Trebling going out together. It was always interesting
-when people out of different periods of his life
-came to know each other. He had never associated Trebling
-with Caroline before.</p>
-
-<p>He took a last deep breath of air before he left the Park.
-He wished vaguely that he might have more time to walk in
-the Park and straighten out certain things.</p>
-
-<p>The uptown streets were not crowded. A few people were
-coming home from work; most of the people were already
-home by now. Children played together in the streets, shouting
-at one another in sharp hoarse voices. A smell of cooking
-was in the streets.</p>
-
-<hr class="tb" />
-
-<p>There was no mail for him.</p>
-
-<p>This was not a good day. On the good days there was
-mail; days could be bad when there wasn’t any. Not that
-there was anyone Robert Holton wanted to hear from in particular
-but he was less alone when he had letters to read.</p>
-
-<p>“Been a nice day,” said the person behind the desk.</p>
-
-<p>“It certainly has,” said Robert Holton.</p>
-
-<p>“Won’t be long until it’s winter,” said the person behind
-the desk.</p>
-
-<p>“It won’t be long,” said Holton. He turned then and
-walked through the dingy lobby to the elevator.</p>
-
-<p>He and the elevator boy discussed the kind of day it had
-been. They also decided that it would be winter soon.</p>
-
-<p><span class="pagenum" id="Page_109">[Pg 109]</span></p>
-
-<p>His room looked no more cheerful than usual. Robert
-Holton sat down on the bed, leaving the room dark. It gave
-him a feeling of power to think that, when he chose, he
-could turn on a light and dispel the darkness.</p>
-
-<p>He started to think of Trebling but stopped himself. There
-was nothing to be done now. The old friendship was gone.</p>
-
-<p>Trebling had mentioned a girl named Carla. He remembered
-her well. She had been pretty and intense and wealthy.
-He had not thought about her for a long time. She had been
-a strange girl, gentle and understanding. He had been greatly
-attracted to her and she to him.</p>
-
-<p>They had walked around Florence and Fiesole. She had
-taken him to old palaces and churches although he hadn’t
-wanted to go. When he had objected she told him that she
-was trying to show him something. He never knew what it
-was she wanted to show him. When he left Florence he told
-her that he would write: he didn’t, though, and he had not
-thought of her again until today.</p>
-
-<p>The thing he had liked most about Carla, the thing he
-could remember now, was her way of understanding him.
-She once told him that it wasn’t necessary to finish sentences
-when they talked; that she knew what he would say and that
-he should know what she would say.</p>
-
-<p>Sitting in the dark of his hotel room, Robert Holton
-thought of all the women he had known and liked; some he
-had slept with and some he hadn’t. Most of them he had
-forgotten. Now he only thought of them when someone else
-recalled them to him.</p>
-
-<p>And he did remember about Paris. He remembered the
-picnic outside Versailles, although he could not remember
-the faces of the two girls.</p>
-
-<p><span class="pagenum" id="Page_110">[Pg 110]</span></p>
-
-<p>In Europe there had been so many women. He often was
-surprised now when he thought of how many he had known.
-There were periods when he had been never satisfied. Both
-Trebling and he had gone about it like hunters. Trebling
-was probably still hunting, thought Holton suddenly, and
-he wondered if he was, too. No, that was behind him. He
-had to live and act in a different way now. He had to be a
-different person.</p>
-
-<p>Robert Holton turned on the light beside his bed. He
-blinked in the yellow light and suddenly he was dissatisfied
-with the room. He wished for the first time that he were
-somewhere else; it didn’t matter where, just somewhere else.
-He was a person of great logic, though, and he asked himself
-what he would rather be doing and he couldn’t think of anything
-else to do. He didn’t want to travel. He had no desire
-to escape. There was no place to escape to anyway and Robert
-Holton who had a kind of wisdom knew that.</p>
-
-<p>Then he took his clothes off and got under the shower.
-This was usually the happiest part of his day. The warm
-water gave him a feeling of security, relaxing him; the world
-fell into a genial perspective. He finished bathing reluctantly
-and dressed quickly.</p>
-
-<p>Finally he stood in front of the mirror again and combed
-his hair. He was glad to see that he wasn’t losing his hair.
-Sometimes he thought he was; at other times he knew he
-wasn’t.</p>
-
-<p>He wasn’t displeased with himself. He wasn’t pleased
-either but he knew that he was acceptable. There was no use
-in worrying, anyway. He wished sometimes that his nose
-could have been more aquiline. He would like to look more<span class="pagenum" id="Page_111">[Pg 111]</span>
-impressive. Perhaps his face would get that way as he grew
-older. He turned away from the mirror.</p>
-
-<p>He looked at the picture on the wall and wondered for the
-hundredth time why the painter had made everything look
-so blue. The painter had made one of the apples almost sky-blue
-and Robert Holton had never seen an apple that color
-before and he found it hard to believe that there was much
-advantage in so misrepresenting things. Perhaps in certain
-parts of France the apples were blue.</p>
-
-<p>He was dressed and ready now. He looked at his watch
-and saw that it was a quarter to seven: he would have to
-hurry. Robert Holton looked around the room to see if there
-was anything he wanted to take with him. There wasn’t. He
-put on his trench coat, turned out the light, and left the
-room.</p>
-
-<p>The elevator boy wanted to know if he was going to a
-party.</p>
-
-<p>“Sure, I’m going to a big party.”</p>
-
-<p>“Lots of girls, I bet.” The pale thin elevator boy was interested.</p>
-
-<p>“A whole lot of them.”</p>
-
-<p>“Boy, I wish I was going out to something like that. This
-night work is getting me down. I ain’t getting much relaxation.”
-He winked to show what he meant by relaxation and
-Holton smiled sympathetically.</p>
-
-<p>Robert Holton stopped by the desk.</p>
-
-<p>“I’ll be back pretty early,” he said to the clerk. He always
-told them when to expect him, told them from force of habit
-because no one ever wanted to know.</p>
-
-<p>“Yes, sir,” said the clerk. “Nice night tonight,” he added.</p>
-
-<p>“Nice fall night,” agreed Robert Holton.</p>
-
-<p><span class="pagenum" id="Page_112">[Pg 112]</span></p>
-
-<p>They discussed the evening politely. Then Robert Holton
-left the hotel.</p>
-
-<p>It was darker now and cooler. The night was refreshing
-and he felt suddenly strong and contented. The depression
-of the office left him and he was becoming alive. He prepared
-himself for the party and for the evening ahead. He
-walked briskly down the street and, to emphasize his mood
-of sudden power, he hailed a taxi and rode in it happily,
-without regret for the money he was spending.</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_113">[Pg 113]</span></p>
-
-<p class="half-title">2<br />
-NIGHT</p>
-</div>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_114">[Pg 114]</span></p>
-</div>
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_115">[Pg 115]</span></p>
-<h2 class="nobreak"><em>Chapter Nine</em></h2>
-</div>
-
-
-<p class="p2">The party seemed to be going well. Although Mrs. Raymond
-Stevanson hated cocktail parties, finding her own almost
-as bad as other people’s, she still felt she had to give
-them and she worked very hard to make them outstanding.</p>
-
-<p>Several hundred well-dressed people wandered about her
-large apartment, looking at the furniture, each other, and
-the five different paintings of Mrs Stevanson. There were no
-traces of Mr Stevanson in the apartment. He had died early
-in her career, leaving her his money and four race horses.
-She had sold the horses and she had saved quite a bit of the
-money. Now, at fifty-five, she was a famous hostess and
-somewhat overweight.</p>
-
-<p>“Good evening, Helena.” Mrs Stevanson turned around
-and saw the thin malicious face of Beatrice Jordan. They
-were contemporaries.</p>
-
-<p>“Beatrice! How marvelous!” They touched cheeks with
-slight frowns, then came apart again with affectionate smiles.</p>
-
-<p>Beatrice stood back a moment and looked at Mrs Stevanson.
-Beatrice was extremely nearsighted but much too vain
-to wear glasses. To see clearly she was forced to tuck her
-chin down and look upward, a habit which had given her
-an undeserved reputation as a coquette. She did this now.</p>
-
-<p><span class="pagenum" id="Page_116">[Pg 116]</span></p>
-
-<p>“Helena, you’ve lost weight! How?”</p>
-
-<p>Mrs Stevanson was pleased. “Does it really show?” She
-patted her cement-hard corseted buttock.</p>
-
-<p>“Not so much around there,” said Beatrice, thinking for a
-moment. “More around here.” She touched her own meager
-breasts.</p>
-
-<p>“You think so?” Mrs Stevanson was irritated and angry
-with herself for allowing Beatrice Jordan to say such a thing.
-Mrs Stevanson was proud of her breasts. Several of the
-famous painters had called her voluptuous.</p>
-
-<p>“It’s been lovely seeing you, Helena darling. I’ve got to
-join my escort now. I came with Clyde.”</p>
-
-<p>Beatrice said this triumphantly but gained no victory.</p>
-
-<p>“You came with Clyde. How wonderful! I’m dining with
-him tomorrow.”</p>
-
-<p>“Indeed?”</p>
-
-<p>“Is he here now?”</p>
-
-<p>“He’s in the other room.”</p>
-
-<p>“Do tell him to see me before he leaves. There are <em>so</em>
-many people here.”</p>
-
-<p>“I will, darling. Lovely to see you.” Beatrice smiled, showing
-her artful white false teeth and Mrs Stevanson smiled
-back showing her own artful white false teeth. The two
-women parted.</p>
-
-<p>Mrs Stevanson was annoyed but she had found that the
-older she got the less interested she was in what people
-said. It was well known anyway that Beatrice Jordan was a
-cat.</p>
-
-<p>Mrs Stevanson walked now from group to group. The
-groups unfolded for her like flowers before the sun. She
-would disappear for a moment into the heart of one and<span class="pagenum" id="Page_117">[Pg 117]</span>
-then it would unfold again, release her and become tight and
-compact once more.</p>
-
-<p>Certain groups contained people more important than
-other groups. In these she lingered longest, smiling the
-most attractively, saying her superlatives.</p>
-
-<p>In the dining room a buffet had been set on a long table.
-Three footmen (hired for the evening only) guarded it from
-the hungry-looking guests, betrayed it to the superior ones
-who were not hungry.</p>
-
-<p>Twenty or thirty people were gathered here and they
-looked rather self-conscious as she approached. Somehow
-everyone felt rather guilty to be caught eating heavily (they
-<em>were</em> eating heavily, she noticed) at a cocktail party.</p>
-
-<p>She moved heartily about the dining room, demanding
-that they eat more, suggesting they try something they had
-not already tried. And then, to show she was mortal, she ate
-a piece of white bread with Virginia ham on it.</p>
-
-<p>The dining room under control, Mrs Stevanson marched
-back through the drawing room, accepted greetings and
-homage with a tiny smile that one of her lovers (he was dead
-now) had said reminded him of La Gioconda.</p>
-
-<p>Mrs Stevanson, among other things, believed in art. Tonight
-she had invited several writers, a few painters, one
-sculptor whose name she couldn’t remember, and a half-dozen
-actors whose names everyone knew.</p>
-
-<p>She had also invited George <em>Robert</em> Lewis. For some obscure
-reason his middle name was always Gallicized, legitimatizing
-the Lewis. He had been born and raised in Alabama.
-Unfortunately for his family he had very early shown
-a passion for the artistic as well as a marked tendency
-toward Socratic love. When he decided that the thing<span class="pagenum" id="Page_118">[Pg 118]</span>
-he most wanted was to go to Paris and become an artist, his
-family did not object; in fact, his father had suggested that
-if he wanted to live the rest of his life in Paris it was all
-right with him. Lewis lived there in the Nineteen-Thirties.
-He returned in the Forties.</p>
-
-<p>Mrs Stevanson thought him cute and she was in the habit
-of telling her friends that, although his habits were shocking,
-he was still quite charming and so <em>advanced</em>. And then
-he was marvelously decadent and the decadent was becoming
-popular now that the artificial virility of war was safely
-past.</p>
-
-<p>George <em>Robert</em> Lewis was also an interesting person to
-know because he was the editor of <cite>Regarde</cite>, a magazine
-which had been called <em>avant garde</em> before that phrase became
-old-fashioned. Under his editorship the magazine had
-advanced all new things in the hope that one of the new
-things thus championed would be a success. So far none had
-but he still was championing and, though Mrs Stevanson
-seldom understood a word he said, she felt he was awfully
-brave to say the dreadful things he did about people and
-morals, especially people.</p>
-
-<p>Lewis was talking to a small brown man whom she didn’t
-remember inviting.</p>
-
-<p>“Dear Helena,” said Lewis as she approached, “you look
-wonderfully well-preserved.”</p>
-
-<p>“George, you’re a devil,” said Mrs Stevanson, secretly
-pleased.</p>
-
-<p>Lewis embraced her in much the same way Beatrice Jordan
-had. “What mad things have you been doing, Helena?
-Something naughty, I’m sure.” His innocent blue eyes sparkled
-as he spoke. He had the expressions of a child.</p>
-
-<p><span class="pagenum" id="Page_119">[Pg 119]</span></p>
-
-<p>“Nothing that you couldn’t equal. It was delightful of you
-to come.”</p>
-
-<p>“I was so bored, darling, I felt that if I stayed home another
-moment I should go completely out of my mind.”</p>
-
-<p>“Poor thing.” They talked this way with each other, talked
-with the casual rudeness of people who have met each other
-at many parties. He was an amazing person, thought Mrs
-Stevanson, looking at him carefully. He was slim and not
-very tall, with a pretty feminine face and, except for the
-small bitter lines about his mouth, he looked as if he were
-still in his twenties. His actual age was unknown. Mrs
-Stevanson thought he was forty.</p>
-
-<p>“And whom have we here?” asked Mrs Stevanson, turning
-to face the small brown man beside him, a social smile
-on her face.</p>
-
-<p>“Why, don’t you know ... this is....” He said the name
-quickly. It was something foreign and difficult. She would
-have to call Lewis up the next day and ask him. She shook
-hands with the little man and saw that he was impressed
-with her. She smiled as George <em>Robert</em> Lewis explained him.
-He was a Greek and a professor and he knew a lot about
-poetry.</p>
-
-<p>“<em>But</em> Helena, he has the most fabulous philosophy. I really
-think it’s never been done before. What was it again, Timon?”
-Mrs Stevanson knew his first name now.</p>
-
-<p>“I’m sure Mrs Stevanson wouldn’t be interested.” As a
-matter of fact Mrs Stevanson wasn’t interested but she encouraged
-him.</p>
-
-<p>“I should love to know,” she said. How like an earthenware
-pot he looks, she thought as he began to tell her his
-theory.</p>
-
-<p><span class="pagenum" id="Page_120">[Pg 120]</span></p>
-
-<p>“You see it is based on the legend of the Golden Fleece.
-I have substituted the artistic ultimate in place of the fleece
-and, to carry the myth to its final parallel, I envisage all
-artists as traveling upon an Argosy....” She listened politely,
-carefully to the sound of the words, ignoring their
-meanings. She glanced up and down the large white-paneled
-room. No one was drunk.</p>
-
-<p>“Isn’t it stimulating?” asked Lewis when the Greek named
-Timon had finished.</p>
-
-<p>“Wonderful,” murmured Mrs Stevanson.</p>
-
-<p>The Greek flushed happily. “I don’t think the Argosy’s
-ever been interpreted quite that way before.”</p>
-
-<p>“I’m sure it hasn’t,” agreed Mrs Stevanson. She was becoming
-impatient now. Her own Argosy would have to begin
-again. More guests were arriving.</p>
-
-<p>“Have you seen the new ballet?” asked Lewis suddenly.</p>
-
-<p>“No, I haven’t seemed to have had the time.”</p>
-
-<p>“It’s dreadful. But the boy...” Lewis made little motions
-with his hand, with his mouth, with his body. His eyes glittered
-their blue innocence, their cheerful pleasure. He described
-the boy to her and in great detail he told her how
-he was going to arrange a meeting.</p>
-
-<p>“You’re too clever to stay alive, my pet,” said Mrs Stevanson.
-She hoped that none of her other guests were overhearing
-this. Most of them were quite worldly but a few weren’t
-and it would never do to have them hear him.</p>
-
-<p>“I must ...” began Mrs Stevanson moving slowly away.</p>
-
-<p>“So nice to have met you,” said the small Greek named
-Timon.</p>
-
-<p>“The pleasure ...” murmured Mrs Stevanson.</p>
-
-<p>Lewis waved to her. “I shall see you later, Helena.” Mrs<span class="pagenum" id="Page_121">[Pg 121]</span>
-Stevanson wondered irritably why fairies had to have such
-unpleasant voices.</p>
-
-<p>Several new arrivals were in the foyer. She recognized Mr
-Heywood immediately. He was passively allowing one of the
-footmen to take his overcoat away from him.</p>
-
-<p>“Heywood dear, it was so nice of you to come.”</p>
-
-<p>“It’s nice to be here, Helena.” He looked unhappily at the
-footman, retreating with the overcoat.</p>
-
-<p>“And where is your lovely wife?” Mrs Stevanson knew
-perfectly well they were no longer on speaking terms.</p>
-
-<p>“My wife?” Heywood became dreamy, vague and distant.
-“Oh, she’s not well at all.”</p>
-
-<p>“Really? Do tell me what’s wrong. I’ve a very good doctor,
-you know.”</p>
-
-<p>“It’s nothing, really. She has trouble with her head. I
-think it’s her head.”</p>
-
-<p>“Migraine,” said Mrs Stevanson firmly, leading Heywood
-now into the drawing room. “I’ve been a martyr to it myself.
-You know,” and she lowered her voice, “I think it’s due
-to change of life.”</p>
-
-<p>“Really, Helena!” Heywood was gently shocked. He made
-a restraining motion with his white limp hairless hand. “I’m
-sure she’s much too young for that.”</p>
-
-<p>“Well, you never can tell,” said Mrs Stevanson who knew
-Mrs Heywood’s exact age.</p>
-
-<p>“What a lot of people,” sighed Heywood. “So many
-people.”</p>
-
-<p>“There <em>are</em> a lot,” said Mrs Stevanson proudly. “As usual
-I don’t know half of them.”</p>
-
-<p>Carefully she cut Mr Heywood away from her, allowed
-him to float unprotected through the groups of people. He<span class="pagenum" id="Page_122">[Pg 122]</span>
-looked back at her sadly but she had no pity for him and,
-finally, a group of Wall Street people swallowed him up and
-she saw him no more.</p>
-
-<p>Several people were entering the drawing room. They
-walked slowly with the carefully controlled uneasiness of
-people who didn’t know the hostess well.</p>
-
-<p>She recognized one of the newcomers and she greeted him
-joyfully: Ulysses returned to Ithaca, as the small Greek
-named Timon might have said.</p>
-
-<p>The man she knew introduced her to the others. Most of
-them were English and she had a great admiration for the
-English. It was not particularly fashionable to like them
-now but she still was fascinated by them because they could
-talk without moving their lips. It <em>was</em> rather wonderful.</p>
-
-<p>“And this,” said the man she knew, “is Mrs Bankton.”</p>
-
-<p>“How do you do,” said Mrs Bankton in a low voice. She
-was not English; Mrs Stevanson could tell that right away.</p>
-
-<p>“We’ve met before, I think?” A hint of question was in
-Mrs Stevanson’s voice.</p>
-
-<p>“I don’t think we have.”</p>
-
-<p>Mrs Bankton was definitely not English. Her accent was
-French or Spanish or Italian. Mrs Stevanson could never tell
-one from the other.</p>
-
-<p>“Mrs Bankton’s husband is the artist,” said the man she
-knew slightly.</p>
-
-<p>“Of course,” said Mrs Stevanson wondering who Bankton
-was. “Certainly, I know. But you’re not English, my dear?”</p>
-
-<p>“No, madame, I’m not English.” Mrs Bankton smiled at
-her and made no further admissions. Mrs Stevanson looked
-at her with dislike. She liked to find out about people
-quickly. Life was too short to have them hold back important<span class="pagenum" id="Page_123">[Pg 123]</span>
-facts and, ultimately, confidences. People always confided
-in Mrs Stevanson, knowing that she was not sufficiently
-interested in them to repeat what she heard.</p>
-
-<p>“I do hope you’ll enjoy yourself,” said Mrs Stevanson
-more cordially than she would have done had she liked the
-person.</p>
-
-<p>“Thank you,” murmured Mrs Bankton. They bowed
-slightly to each other and parted. Mrs Stevanson watched
-Mrs Bankton as she walked across the room with her party.
-She looked very exotic in a short black lace dress and a red
-rose in her hair. What slim ankles, thought Mrs Stevanson
-disagreeably, thinking of her own heavy legs, practical legs
-one artist had told her, voluptuous legs an even better artist
-had said.</p>
-
-<p>Mrs Stevanson turned, setting a smile on her lips. She
-faced the largest of all the groups: over twenty people talking
-all at once to each other. Holding her breasts high she
-approached them and, as she was recognized, their voices
-lowered and smiles appeared all about her and she was accepted
-into the center of the group and there devoured.</p>
-
-<hr class="tb" />
-
-<p>Robert Holton was received by a butler. His coat was
-taken with ceremony and he was moved easily out of the
-black marble foyer into the drawing room.</p>
-
-<p>He had never visited Mrs Stevanson in her New York
-apartment. He was greatly impressed and he tried to retain
-a mental image of what he saw: he was constructing a dream
-world and such an apartment might be material for it.</p>
-
-<p>The drawing room was large, formal and very light. Three
-chandeliers hung from the high ceiling. The walls were<span class="pagenum" id="Page_124">[Pg 124]</span>
-paneled in white wood with gold-leaf decorations, like the
-palace at Versailles. Paintings hung at regular intervals
-about the room: portraits mostly, portraits of Mrs Stevanson.
-There was one large painting of a countryside which
-Robert Holton could tell immediately was done by Rembrandt
-or someone like him.</p>
-
-<p>The floor was thickly carpeted and tables and formal
-chairs furnished the room. A few people sat; most of them,
-however, preferred to stand, to move about gracefully,
-searching.</p>
-
-<p>He stood blinking in the light, drugged by the high noise
-of voices, hypnotized by the odor of many flowers drenched
-over the women who stood talking to men.</p>
-
-<p>He walked slowly, uncertainly toward the center of the
-room. He knew no one in the room. He looked for familiar
-faces, though; there were none. Then he saw Mrs Stevanson
-and he walked toward her. She looked at him and he could
-tell she was puzzled. Then she recognized him; she came
-toward him and they met beneath a portrait of her holding
-lilies.</p>
-
-<p>“You’re little Bob Holton, aren’t you?” A strange description,
-he thought.</p>
-
-<p>“Yes, Mrs Stevanson, you remember we met last year
-and....”</p>
-
-<p>“Of course we did. How <em>is</em> your father?”</p>
-
-<p>“Fine, just fine.” His father hated her.</p>
-
-<p>“I’m so glad to hear that. I think you look more like your
-mother, you know. She was such a lovely woman.”</p>
-
-<p>He mumbled thank you.</p>
-
-<p>“Your mother was one of the most charming women I ever
-knew. She had such a wonderful way of doing things, so<span class="pagenum" id="Page_125">[Pg 125]</span>
-original.” Like marrying my father, thought Holton. “She
-was always full of surprises. I used to enjoy her so much.”</p>
-
-<p>There was an awkward silence. Robert Holton never found
-it easy to talk about his mother and Mrs Stevanson had decided,
-obviously, that it was the only thing she could discuss
-with him.</p>
-
-<p>“It was very nice of you...” began Holton.</p>
-
-<p>“Think nothing of it, my dear. I don’t know if there are
-many younger people here. You might look round, though.
-I suppose you’ll know everybody. There’s Laura Whitner
-over there.... You know her of course.” He looked and saw
-a dark little woman wearing a skull cap.</p>
-
-<p>“I’ve seen her act,” he said accurately.</p>
-
-<p>“Oh, yes.” Mrs Stevanson looked around the room. He
-could see that she was preparing to leave him alone.</p>
-
-<p>He was wrong. “You must,” she said, “meet some friends
-of mine. They’re foreigners and they’ve only just arrived.
-They don’t know anyone....” She was going to say “either”
-but did not.</p>
-
-<p>She led him over to a small group of men and women.
-Mrs Stevanson didn’t know their names but she acted as if
-they were her dearest friends.</p>
-
-<p>“This young man is Robert Holton. His mother was a
-great friend of mine and you must be nice to him.” She was
-cute. “He’s just gotten out of the navy.” She looked up suddenly
-with a magnificent gesture, looked as if someone had
-hailed her from across the room. “Oh, I have to go! Please
-excuse me.” She moved away in a swirl of silk, her bright
-blue hair bouncing on the back of her thick white neck.</p>
-
-<p>“How do you do,” said Holton, shaking hands with a dark
-man. Then he shook hands with a light man, with a short<span class="pagenum" id="Page_126">[Pg 126]</span>
-heavy one, with a thin blonde girl and finally he shook hands
-with Mrs Bankton.</p>
-
-<p>“How do you do,” said Robert Holton.</p>
-
-<p>“How do <em>you</em> do,” said Mrs Bankton. Her voice startled
-him. It was deep and foreign and she had said the “you” as
-though she had really meant him.</p>
-
-<p>“I’m very well,” he said and he looked at her. Her hair
-was dark. Her eyes were greenish and bright and shining.
-He looked at her mouth, red and curved, elfinly shaped. He
-stammered, “I know you. I know you but....”</p>
-
-<p>“But who am I?” She laughed and gestured with her long
-white hands.</p>
-
-<p>“Yes, who are you?”</p>
-
-<p>“Carla.”</p>
-
-<p>“No!”</p>
-
-<p>“Yes.”</p>
-
-<p>“You’ve changed. I....”</p>
-
-<p>“And so have you. I think you look younger out of uniform.”</p>
-
-<p>“But....”</p>
-
-<p>“You’re surprised to see me? I’m just visiting this country.
-My husband,” she paused, “my husband is in England and
-I think he’ll be coming to join me soon.”</p>
-
-<p>“Then you’re married?”</p>
-
-<p>“But of course! And very well.” She smiled at him, smiled
-gently and he felt embarrassed because she acknowledged
-an old relationship so easily; that she was so unmoved, so
-unguilty.</p>
-
-<p>“I’m very happy to hear that.” He didn’t know what else
-to say.</p>
-
-<p>“Thank you. Let’s get out of this crowd.” She looked about<span class="pagenum" id="Page_127">[Pg 127]</span>
-her. She pointed to a corner of the room, an alcove containing
-a window. “Let’s go over there.” They walked through
-the crowd and sat down on the love seat beneath the window.</p>
-
-<p>“You’re surprised, aren’t you?” She spoke softly.</p>
-
-<p>“A little, I guess. I don’t know. I have to get used to the idea.
-I always associated you with ... with Florence and....”</p>
-
-<p>“You felt that was behind you?”</p>
-
-<p>He was surprised. She must have known him very well,
-he thought suddenly; he had forgotten how well she had
-known him. “No, I didn’t think that,” he lied.</p>
-
-<p>“I have very warm memories,” she said lightly.</p>
-
-<p>He blushed and hated himself but there was nothing he
-could do or say that would make it better. “Mine were pleasant,
-too. I ... I liked Florence quite a bit.”</p>
-
-<p>“Yes, I’m sure you did, and you liked Fiesole, and the
-nights and summer days. I suppose you liked them all.”</p>
-
-<p>“I liked them all.”</p>
-
-<p>“And that was what you liked, all that you can remember?”</p>
-
-<p>“No, I <em>remember</em> more. I ... I didn’t know if you’d want
-to talk about that; being married and....”</p>
-
-<p>She was surprised. “But I knew you first, after all. That
-counts for something and then I remembered, too. It hasn’t
-been so long.”</p>
-
-<p>“Several years.”</p>
-
-<p>“It doesn’t seem that long to me. You remember those
-nights at our place in Fiesole? We used to go out and sit on
-the ledge and look at the lights of the city.” They both
-looked out the window then, looked at the glacier-bright
-squares of light.</p>
-
-<p><span class="pagenum" id="Page_128">[Pg 128]</span></p>
-
-<p>“It was very pretty.”</p>
-
-<p>“You Anglo-Saxon!” She laughed at him, not maliciously
-but gaily. “You say it’s pretty. You say it’s nice. It was beautiful
-and you know it. That was a beautiful time.”</p>
-
-<p>He felt her warmth suddenly, began to remember her
-warmth, began to remember much that he had forgotten.
-“Yes,” said he, warmed by her, “those nights <em>were</em> beautiful.”</p>
-
-<p>“Good, I wanted to hear you say that. I wanted you to
-say,” her voice became so low that he could barely hear her,
-“I wanted you to say much more but I think you’ve forgotten.”
-She looked out at the towers of the city, at the glittering
-webs of light. She was embarrassed now and he was
-not. No, she was not embarrassed; he realized that with a
-sudden vision; she was sad and he didn’t want her to be
-sad.</p>
-
-<p>“You know ... I can say more. I didn’t think you wanted
-to hear it. That was so long ago. You’re married and....”</p>
-
-<p>She turned around and faced him, her face alive and gay;
-her moods changed so quickly, he remembered: he had always
-been baffled by her changes. “You got interested in
-someone else. I know what you soldiers are like. Italians are
-just the same in Italy.”</p>
-
-<p>“No, there isn’t anyone else.” This was the wrong thing
-to say and he tried to withdraw the words from the air but
-they were lost to him now.</p>
-
-<p>“No one else? No one...?”</p>
-
-<p>“Well....”</p>
-
-<p>“How strange.” She looked at a painting of Mrs Stevanson
-and at that moment she looked as if this painting were
-the most important thing to her. Finally she said, “I think<span class="pagenum" id="Page_129">[Pg 129]</span>
-I’d like to drink some whiskey. Shall we go to the bar?”</p>
-
-<p>“Certainly, Carla.” He was glad that he had said her
-name naturally.</p>
-
-<hr class="tb" />
-
-<p>Carla felt uncertain. The cold glass that a footman had
-given her was chilling her hand. She wondered if she should
-put it down on the dining-room table. They were standing
-near it and Robert Holton was looking hungrily at the food;
-she could see that in a moment he would have enough courage
-to eat.</p>
-
-<p>“What a dreadful room,” said Carla.</p>
-
-<p>“What?” He looked at her as though she had not been
-there. “Oh, yes, it’s sort of forbidding.” He glanced at the
-dark wood-paneled walls and the ornate chandelier.</p>
-
-<p>“I don’t know why these people must have everything so
-heavy inside,” said Carla. “The buildings in New York are
-so tall and light.”</p>
-
-<p>“Some places are more modern.”</p>
-
-<p>“I suppose they are.” The glass of whiskey in her hand
-was becoming much too cold to hold. She put it down on the
-table.</p>
-
-<p>“You don’t like it?”</p>
-
-<p>“I think I’ve had enough for now. You remember how
-little I used to drink.”</p>
-
-<p>“Yes, you never needed it.” He looked at her directly and
-smiled. She was happy then because it was the first time he
-had looked at her eyes. He was losing his fear of her, this
-strange and, to her, inexplicable fear.</p>
-
-<p>“Let’s find some place to sit down,” she said.</p>
-
-<p>“I thought you wanted to walk around.”</p>
-
-<p><span class="pagenum" id="Page_130">[Pg 130]</span></p>
-
-<p>She laughed. “All right, we’ll do both.” They walked
-around.</p>
-
-<p>More people had arrived. Several hundred, thought Carla
-with distaste. She liked smaller parties. She had only come
-tonight because friends of her husband had insisted. They
-were keeping close watch over her for they knew how jealous
-Bankton was. It was very amusing, she thought as she
-and Holton walked from group to group. Her husband’s
-friends watching her now would never suspect what had
-happened in Florence.</p>
-
-<p>They came to an especially large group, a dozen men surrounding
-Laura Whitner.</p>
-
-<p>“Do you want to meet her?” asked Carla, looking at Holton,
-knowing that he did.</p>
-
-<p>“You don’t know her?”</p>
-
-<p>“But of course. I know everyone.”</p>
-
-<p>They cut their way through the bewitched men, cut
-through to the enchantress herself.</p>
-
-<p>Laura Whitner was dark and slight with full breasts. Her
-face was as delicate as a carving in ivory; sallow, too, as old
-ivory. The lips were brilliant red and she twisted her mouth
-in childlike expressions and her sad dark eyes glittered
-from habit and not from fire. She looked unwell, thought
-Carla.</p>
-
-<p>“Carla Bruno!” exclaimed Laura when she saw them. The
-two women embraced with warmth and the enchantment
-was broken for the admirers and they began to withdraw
-from the circle of her spell, smiling as they departed, leaving
-her alone in her theater with only two admirers.</p>
-
-<p>“But my tiny Carla, what are you doing in New York? I
-haven’t seen you for years, not since Paris.”</p>
-
-<p><span class="pagenum" id="Page_131">[Pg 131]</span></p>
-
-<p>“I’m here visiting.”</p>
-
-<p>“But I’m so happy to see you! You know, you’re the last
-person I’d expect to run into here.”</p>
-
-<p>“I had to get away from Europe. I hadn’t been to America
-since I was a child.”</p>
-
-<p>Laura Whitner looked at her hands. “You’re not married,
-are you?” Carla wore no wedding ring.</p>
-
-<p>Carla smiled and nodded.</p>
-
-<p>Laura looked astonished, her scarlet mouth, like a wicked
-child’s, twisted with all the emotions she felt and several
-that she did not. “To whom? To the little one here?” She
-motioned to Robert Holton who had been standing silently
-watching her.</p>
-
-<p>Carla laughed. “No, Laura, to Bankton in England.”</p>
-
-<p>“The painter?”</p>
-
-<p>“The painter. We’ve been married two years.”</p>
-
-<p>“Are you happy?” There was a dark note in her voice as
-she said this and Carla could tell that it was something she
-wanted to know.</p>
-
-<p>“I am not unhappy,” said Carla, knowing that this was no
-answer but she hoped that Holton would grasp her meaning.</p>
-
-<p>“I’m sorry,” said Laura Whitner almost undramatically. “I
-married again, you know.”</p>
-
-<p>“I heard you did. Is he here tonight? I used to know
-him.”</p>
-
-<p>“He couldn’t come, he’s working on a show. Are you going
-to have children?”</p>
-
-<p>“I don’t think so.”</p>
-
-<p>“I want one.” She sighed and touched the skullcap on her
-head with a hand that was pale and like the claw of a bird,<span class="pagenum" id="Page_132">[Pg 132]</span>
-a hand that shook. “If I’m not too old I’m going to make a
-child. I think that’s what I need.”</p>
-
-<p>“You must be very happy with him.”</p>
-
-<p>She nodded and said with great sincerity, “Yes, I’m very
-happy now. After a long time I am.” And Carla looked into
-her sad dark eyes and saw that they had not changed expression.</p>
-
-<p>“Who is this?” asked Laura Whitner, turning to Holton,
-making love to him automatically with her face.</p>
-
-<p>“This,” said Carla, “is Robert Holton, an old friend of
-mine. We knew each other in Florence during the war.”</p>
-
-<p>“Indeed!” She lifted her thin brows and made her mouth
-very round. Holton blushed and Carla wanted to protect
-him.</p>
-
-<p>“I’m very pleased to meet you,” said Holton awkwardly.
-“I’ve liked you in the movies.” Carla remembered then his
-honesty: the thing that had attracted her to him. He had
-always been honest; she wondered if that was so now.</p>
-
-<p>“Have you really, child? Thank you.” She made a gesture
-that was intended for an entire audience but it was still very
-graceful.</p>
-
-<p>“You must,” said Carla, “call me up and we’ll get together.
-I’m staying at the Mason.”</p>
-
-<p>“I shall, of course. Tell me....” At this moment Mrs Raymond
-Stevanson appeared to capture Laura.</p>
-
-<p>“Laura, darling, I’ve got the most marvelous Estonian who
-wants to meet you. I think he said he was an Estonian. I
-know you’ll love him. You’ll excuse me, I know.” She said
-this last to Carla and Holton.</p>
-
-<p>“We’ll have lunch,” said Laura, calling back over her<span class="pagenum" id="Page_133">[Pg 133]</span>
-shoulder as she was borne away by the conquering Mrs
-Stevanson.</p>
-
-<p>“What did you think of her, Bob?” asked Carla.</p>
-
-<p>“She’s not as pretty as I thought she’d be.”</p>
-
-<p>“They never are; you must learn that.”</p>
-
-<p>He looked at her and she tried to tell what he was thinking
-but for once her intuition was not enough: she had first
-to examine the years that had gone by. She had to find some
-trace of familiar emotion in him. She had to rediscover the
-stranger. She had to make him remember what she remembered.
-In Florence he had loved her, she was sure of that.
-Now it was up to her to reconstruct a passion that had
-never been wholly lost. She had cared more for him than he
-had known then; would ever know, she hoped. There had
-been so many nights after he had left when she had longed
-to be with him, nights when she could feel again the warm
-summer about them as they lay together in the wide bed in
-her room. She was determined now to find the lover in the
-stranger that stood beside her, who stood looking seriously
-but remotely into her face.</p>
-
-<p>“Shall we sit down now, Bob?”</p>
-
-<hr class="tb" />
-
-<p>People were beginning to leave. It was eight-thirty and
-Mrs Stevanson was glad to see them go. The first two hours
-were interesting and then she found herself bored.</p>
-
-<p>On the other hand George <em>Robert</em> Lewis was not bored.
-He was slightly drunk and enjoying himself very much. He
-was usually overcome by a monstrous <em>ennui</em> during the day
-which, as evening came, grew less and less. In a few more<span class="pagenum" id="Page_134">[Pg 134]</span>
-hours he would have discovered a reason for living and this
-would keep him happy until he woke up the next morning
-with a hang-over.</p>
-
-<p>He was glad when he heard that the famous Bankton’s
-wife was at the party. She had been pointed out to him but
-he hadn’t met her yet. He stopped a waiter and took a cocktail
-from him. And, equipped for conversation with a woman,
-he marched across the drawing room to where Carla stood
-talking with a young man, a rather nice young man, thought
-Lewis.</p>
-
-<p>“Mrs Bankton?”</p>
-
-<p>She turned and looked at him and he rather liked her
-brown-green eyes.</p>
-
-<p>“Yes?” She looked at him as though she wanted him to go
-away. Lewis was sensitive to such things but not particularly
-nonplussed; in fact he was accustomed to being asked
-to go away.</p>
-
-<p>“I’m George <em>Robert</em> Lewis ... you know <cite>Regarde</cite>, the
-<em>avant garde</em> magazine, only it’s so trite now to call anything
-<em>avant garde</em>. You must have seen it. We did the most splendid
-article on Bankton last year. I’ve just loved his work because
-I can feel what he’s trying to do: post-surrealism and
-all that sort of thing. I’m all for it; in fact, we’re all for
-people like Bankton who do things. I just felt I couldn’t help
-but come over and say hello.”</p>
-
-<p>She smiled at him very nicely. “I’ve heard of you, Mr
-Lewis. My husband thinks very highly of what your magazine
-is doing.”</p>
-
-<p>“He does? Oh, but isn’t that simply marvelous! I always
-felt I would be most sympathetic with the great Bankton.
-Tell me, darling, when do you expect him in this country?”</p>
-
-<p><span class="pagenum" id="Page_135">[Pg 135]</span></p>
-
-<p>She took the “darling” quite well, he thought.</p>
-
-<p>“I’m not sure. I think in a month or so. He’s so busy in
-London.” “By the way”, she said, “I want you to meet an old
-friend of mine, Robert Holton.”</p>
-
-<p>“Very pleased to meet you, Mr Lewis,” said the young
-man as they shook hands.</p>
-
-<p>“<i>Enchanté</i>,” said Lewis, bowing from the waist and allowing
-his hand to stay too long in Holton’s. Such a nice young
-man, thought Lewis, and wondered if....</p>
-
-<p>“What,” said Carla, “is <em>Regarde</em> espousing now?” She
-spoke quickly and Lewis could see that she understood him
-and this pleased him although, in a sense, they were rivals.</p>
-
-<p>“As always: the advanced, the revolutionary....”</p>
-
-<p>“And the honest?”</p>
-
-<p>“But of course, darling, we are never consciously dishonest,
-though it <em>is</em> hard sometimes not being.”</p>
-
-<p>“Perhaps in life but not in art.” She spoke severely. She
-was a Latin; he could tell now from her accent.</p>
-
-<p>“You’re not English?” He changed the subject.</p>
-
-<p>“No, I’m a Florentine.”</p>
-
-<p>“But how charming! I have always loved Florence. I spent
-several summers there when I was a boy. Let me see ... I
-was there last in 19.... It’s not important. How I loved
-those doors, though!”</p>
-
-<p>He saw that the young man named Robert Holton was
-beginning to look bored and Lewis hated above all else to
-be thought a bore even by a bore.</p>
-
-<p>“And <em>you</em> have been to Florence?”</p>
-
-<p>Holton nodded.</p>
-
-<p>Carla said, “That was where we met the first time. He’s an
-old friend of our family’s.”</p>
-
-<p><span class="pagenum" id="Page_136">[Pg 136]</span></p>
-
-<p>“How droll that must’ve been for you, finding this charming
-boy here at Helena Stevanson’s who, though I love her
-dearly, gives the dullest parties in New York.”</p>
-
-<p>“They <em>are</em> dull. I wonder why people come. Why do you
-come?”</p>
-
-<p>“I’m a creature in constant need of companionship. I go
-to everything. I <em>must</em> see a lot of people or I become most
-dreadfully morbid and then I write poems.”</p>
-
-<p>She smiled. “I remember you used to write some good
-poems.”</p>
-
-<p>He laughed, pleased. “You remember then? That was so
-long ago. I somehow have gotten all out of the habit.”</p>
-
-<p>“Perhaps you see too many people.”</p>
-
-<p>“That may be right and, speaking of people, you lovely
-ones must have dinner with me this evening, otherwise I
-must eat alone; I’ve been deserted today by everyone.”</p>
-
-<p>“I’m afraid,” said Carla, “that we can’t....”</p>
-
-<p>“That’s not a bad idea,” said Holton much to Lewis’s surprise&mdash;to
-Carla’s surprise, too. Lewis looked at her and saw
-she was surprised. He was amused, wickedly amused. There
-was something between them.</p>
-
-<p>“You must really join me. I know of the most interesting
-place in the Village. I know you’ll love it.”</p>
-
-<p>“Don’t you want to go?” asked Holton, looking at Carla.</p>
-
-<p>“Why....” She didn’t know what to say.</p>
-
-<p>“Certainly you’ll come; three is good company.”</p>
-
-<p>Carla gestured uncertainly with her hands.</p>
-
-<p>“Perhaps I’d better come back in a moment,” said Lewis,
-smiling maliciously at Carla. “I so hope I’m not upsetting
-plans.” He made bowing movements and retreated into the
-center of the party.</p>
-
-<p><span class="pagenum" id="Page_137">[Pg 137]</span></p>
-
-<p>As he withdrew he could see the long look Carla gave the
-young man.</p>
-
-<hr class="tb" />
-
-<p>The men from Wall Street bored Mr Heywood. He tried
-to act like them but from time to time he could not help implying
-gently to them that he was a broker through heredity,
-not inclination. It was so much easier doing what his father
-had done than to do something else or nothing at all. He
-had a puritanical horror of doing nothing. His family had
-made him believe that it was necessary always to work and
-he rather liked the work, too. It made him think less about
-his own uniquely miserable life.</p>
-
-<p>His wives were a large part of the general dreariness of his
-life. He never seemed to marry the right women. They either
-wanted his money or wanted to dominate him. He was used
-to domination by now but it made him uneasy sometimes to
-feel that his own will was so easily bent by others. He was
-always making stands, erecting firm barriers, but somehow
-the barriers usually collapsed. He wondered sometimes if he
-shouldn’t collect stamps or have a hobby like that.</p>
-
-<p>Thinking of this, he began now to divorce himself from
-the group of Wall Street people. He promised to have lunch
-with one, to call up another; he bowed to a third, shook
-hands with a fourth and then he floated softly away, a look
-of quiet happiness on his face: he was now alone in the
-midst of a party.</p>
-
-<p>Mr Heywood looked about him to see if there was anyone
-he might like to talk to. He would prefer some young woman
-who looked lonely. His three wives had all looked lonely at
-one period of the courtship and he had married them as<span class="pagenum" id="Page_138">[Pg 138]</span>
-much for this corresponding loneliness as for anything else.
-He had been mistaken three times but he was, in general,
-an optimist.</p>
-
-<p>There seemed to be no lonely-looking young women. He
-sighed and was about to leave the party when he saw Robert
-Holton. He remembered him clearly; he was proud of his
-memory. Now he would have to speak to him. It would be
-difficult, but then he had always been taught that if a thing
-was particularly unpleasant it should be done: character was
-made in this fashion and character was more important than
-anything else. He proceeded to mould his character. He
-walked toward Robert Holton.</p>
-
-<p>Mr Heywood approached Holton from behind and he
-could overhear his conversation with a dark pretty woman.</p>
-
-<p>Holton was saying, “I think it might be interesting. After
-all, Carla, I don’t get out much and if a person like Lewis
-wants us to go I think we should.”</p>
-
-<p>“If you want to, Bob.” She was a foreigner, thought Mr
-Heywood with interest. “I’d hoped we might have had dinner
-together and try to ... to talk of.... I’m not saying this
-well, I’m sorry.”</p>
-
-<p>“No, Carla....” Mr Heywood drifted between them now.</p>
-
-<p>“Mr Holton?” he asked.</p>
-
-<p>“Oh, Mr Heywood! How do you do, sir?” Robert Holton
-was impressed as always with Mr Heywood’s greatness and
-this both saddened and pleased Mr Heywood.</p>
-
-<p>“I had thought ...” began Mr Heywood in a barely audible
-voice.</p>
-
-<p>“This,” said Holton quickly on top of Mr Heywood’s
-words, “is Mrs Bankton, an old friend of mine. Mr Heywood.”</p>
-
-<p><span class="pagenum" id="Page_139">[Pg 139]</span></p>
-
-<p>The meeting was made and Mr Heywood was rather attracted
-to this pretty girl who spoke English so beautifully
-and yet with an accent.</p>
-
-<p>“I thought I should find you here, Mr Holton. Mrs Stevanson
-was telling me about you.”</p>
-
-<p>“That was nice of her.”</p>
-
-<p>“She is a charming woman,” said Mr Heywood, praising
-an absent person about whom they all cared very little; it
-filled the first awkwardness of a meeting such as this. “You
-enjoy being downtown?” He was careful not to associate
-himself with Holton’s job.</p>
-
-<p>“Oh, very much,” said Holton.</p>
-
-<p>“By the way,” asked the dark pretty woman, “what are
-you doing now? You haven’t told me.”</p>
-
-<p>Holton flushed and Mr Heywood was sorry for him. “I’m
-working in a brokerage office.”</p>
-
-<p>She laughed. “But how dreadful that must be.”</p>
-
-<p>Holton looked miserable and Mr Heywood, who rather
-agreed with her, laughed. “It’s not too terrible, Mrs Bankton.
-Some of us manage to survive it. I think a sense of humor is
-the most important thing.”</p>
-
-<p>“I’m sorry,” she said. “I had no idea you were also in the
-same situation.”</p>
-
-<p>How delightful she was, thought Mr Heywood. “We
-must all,” said Mr Heywood in a voice that was like the sigh
-of a dying man, “do our appointed tasks. Duty is of such
-great importance: it is the only tangible thing in the chaos
-of living.”</p>
-
-<p>“But I don’t think that’s so at all,” said Carla as gently as
-he but with less resignation. “One should always try to do
-what one wants to do.”</p>
-
-<p><span class="pagenum" id="Page_140">[Pg 140]</span></p>
-
-<p>“In spite of one’s duty to others?”</p>
-
-<p>“People that you love?”</p>
-
-<p>“No, that I ... that one admires and respects.”</p>
-
-<p>“And this makes you happy?”</p>
-
-<p>“Are any of us happy?” asked Heywood in a voice of
-weary sadness; he stopped, suddenly remembering that
-young Holton was there. It would never do for him to hear
-these things.</p>
-
-<p>“I talked,” he said casually, “with Murphy about you today.
-He seemed most enthusiastic.”</p>
-
-<p>“That’s nice. I like working with him.”</p>
-
-<p>“Perhaps,” said Mr Heywood, looking at a spot somewhere
-over Holton’s head, “perhaps you would be interested in
-working in the jobs that, ah, come in contact with the public.”
-He could not say selling: he tried but he could not. He
-wondered if maybe a long trip to South America would give
-him a new perspective.</p>
-
-<p>“I think that would be wonderful!” Holton was moved as
-he should be. An affable young man, thought Mr Heywood
-who, as a rule, did not like men at all, especially
-young men who seemed to be able to get all the lonely
-young women they wanted.</p>
-
-<p>“Perhaps,” murmured Mr Heywood, “something can be
-arranged in the near future.” He looked at the dark woman
-beside Holton and he thought her an unusually real person
-to find in such a place as this. She was probably not real,
-though: only an illusion with long white hands and silvery
-nails. He was used to women vanishing.</p>
-
-<p>George <em>Robert</em> Lewis appeared and Mr Heywood experienced
-a slight spasm of nausea. He found Lewis hard to be
-with. Mr Heywood would not have said that being a broker<span class="pagenum" id="Page_141">[Pg 141]</span>
-was a productive life but if, to be an artist, it was necessary
-to be like Lewis he had no desire to be an artist.</p>
-
-<p>“How do you do?” said Lewis, bowing very low and
-smirking at him.</p>
-
-<p>“And how are you?” inquired Mr Heywood politely, beginning
-to retreat slowly.</p>
-
-<p>“Doing marvelously. These charming people here are dining
-with me, aren’t you?”</p>
-
-<p>Carla looked uncertain and Holton nodded. Mr Heywood
-wondered where Holton had run across Lewis.</p>
-
-<p>“I’m really,” said Lewis in a conspiratorial voice (an old
-woman’s voice, thought Mr Heywood, frowning slightly),
-“just doing a job. Her husband is one of our idols and I may
-get a perfectly marvelous essay out of her. I knew his work
-so well.” Mr Heywood wondered vaguely why Lewis was
-explaining so many things.</p>
-
-<p>“I see,” said Mr Heywood. He turned to Carla. “Delighted
-to have met you.” He nodded to Holton. “I shall probably
-see you tomorrow.”</p>
-
-<p>“Yes, sir; good night, sir.” Mr Heywood glided away toward
-the door.</p>
-
-<p>Mrs Stevanson appeared beside him just as he had made
-up his mind to leave.</p>
-
-<p>“Do cheer up, Heywood. You look so petulant!”</p>
-
-<p>“I’m not really, Helena, not really.”</p>
-
-<p>“I’m not so sure. Who’re you looking at?” He glanced
-away quickly but she saw that he had been watching Carla.
-“Lovely, isn’t she? I’m afraid she’s stuck with that Holton
-boy and, my Lord, George <em>Robert’s</em> got her, too. The poor
-child and...” Mrs Stevanson was surprised. “I do think
-they’re leaving!”</p>
-
-<p><span class="pagenum" id="Page_142">[Pg 142]</span></p>
-
-<p>“After all,” said Heywood soothingly, “it <em>is</em> a cocktail
-party. They probably weren’t able to find you.”</p>
-
-<p>“I suppose you’re right, Heywood. Manners change so.
-She looked rather unhappy, I thought.”</p>
-
-<p>“Who?”</p>
-
-<p>“Mrs. Bankton.”</p>
-
-<p>“Really. I didn’t notice.”</p>
-
-<p>“I don’t suppose you did; men don’t notice very many
-things anyway,” said Mrs Stevanson, suddenly exhibiting
-her bitterness. She controlled herself quickly. “Except men
-like you, Heywood dear.”</p>
-
-<p>“Thank you, Helena.” He bowed without movement; he
-suggested a bow without actually executing it. “Now I must
-really be going.”</p>
-
-<p>“So soon, Heywood, so soon?”</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_143">[Pg 143]</span></p>
-
-<h2 class="nobreak"><em>Chapter Ten</em></h2>
-</div>
-
-
-<p class="p2">Carla was angry with Robert Holton, angrier still with
-George <em>Robert</em> Lewis. She had hoped to have dinner alone
-with Holton. She wanted time to recover a past emotion and
-now she would have very little time. As they drove through
-the lighted streets she looked with dislike at Lewis’s smooth
-boyish face.</p>
-
-<p>None of them spoke after they got into the cab outside
-Mrs Stevanson’s place. Lewis had given the driver an address
-and they had relaxed, each thinking of different
-things: Holton pleased to be seeing life; Lewis pleased to
-have secured the wife of a great figure; Carla displeased
-with the arrangement, Carla plotting murder.</p>
-
-<p>Robert Holton sat in the middle. Carla had decided that
-if she had to spend an evening with Lewis she at least
-wouldn’t sit next to him.</p>
-
-<p>She looked at Holton as they drove down Seventh Avenue.
-He was looking straight ahead. His well-formed, not
-very strong mouth was set in a straight line; he was trying
-to be firm now; he was trying to convince her that he was
-right in accepting Lewis’s invitation for them.</p>
-
-<p>She sighed loudly so that she would be heard and understood.<span class="pagenum" id="Page_144">[Pg 144]</span>
-Then she looked out the window and examined the
-neon signs that broke the darkness with many colors. She
-liked the lights.</p>
-
-<p>The taxicab stopped on a side street where a dozen or
-more signs advertised night clubs. They got out and Lewis
-paid the driver.</p>
-
-<p>“Where is it?” asked Holton, looking about him.</p>
-
-<p>Lewis pointed to some steps. “Right down there. I suppose
-it’s open; you know, there was some talk that the
-police might close it but I don’t think they will. Shall we
-go in?”</p>
-
-<p>Carla could see that Holton was wondering what he
-meant when he said that the police might close it. She understood
-herself and she was rather pleased now: it would
-be a lesson for him, an experience that he needed.</p>
-
-<p>Lewis led them down the steps and into the night club.</p>
-
-<p>There were two large rooms: one light and garish, with a
-long bar, many mirrors and booths; the other was darker,
-with tables and, at one end, a small band on a small stage.
-They went into the darker room. The headwaiter recognized
-Lewis and was very polite to him; he showed them to a
-table near the stage.</p>
-
-<p>“Isn’t this charming?” asked Lewis. “I think it has a wonderful
-atmosphere.” He grinned at Carla. She nodded.</p>
-
-<p>“It’s not too garish,” she said. “So many American places
-are too light.”</p>
-
-<p>“Do they have a floor show?” asked Holton.</p>
-
-<p>“A very unusual one,” said Lewis, giggling. “I’m sure
-you’ll think it great fun. Hermes de Bianca is the star of the
-show and his dance is perfectly magnificent. He is one of the
-great artists, great interpretive artists, I mean.”</p>
-
-<p><span class="pagenum" id="Page_145">[Pg 145]</span></p>
-
-<p>“Is that right?”</p>
-
-<p>A waiter came to take their order. He was a curious-looking
-waiter, a type which Carla recognized but Holton
-did not. He wore no uniform. She looked around the room
-and found that none of the others wore uniforms. They were
-dressed casually. This waiter’s hair was long, unpleasantly
-long and the front of it had been carefully bleached. He was
-thin and moved stiffly, self-consciously, like a woman thinking
-of rape. On one of his fingers he wore a large ring with
-a bizarre stone in it.</p>
-
-<p>“What do you people want?” His voice was irritable and
-high. He was looking interestedly at Holton who was looking
-just as interestedly at him.</p>
-
-<p>“I’d love something to drink,” said Lewis. “How about the
-rest of you?”</p>
-
-<p>The waiter looked at Lewis for the first time. His face
-brightened. “George, it’s you! How lovely to see you! You
-haven’t been here in such a long time.”</p>
-
-<p>“I’ve been dreadfully busy,” said Lewis coldly, disengaging
-himself from the waiter’s assumed relationship.</p>
-
-<p>“I think,” said Holton, “that I’d like a highball.” They all
-decided to have the same thing and the waiter, with a slight
-toss of his head, walked away.</p>
-
-<p>The small band was playing loudly and eagerly. One sentimental
-modern song after another was catapulted into the
-room. Fortunately, after several minutes the band stopped
-playing and the musicians departed.</p>
-
-<p>“I’m glad they’re gone,” said Carla. “They make too much
-music.”</p>
-
-<p>“They aren’t very delicate.” Lewis turned suddenly to
-Holton. “And you, what do you do?”</p>
-
-<p><span class="pagenum" id="Page_146">[Pg 146]</span></p>
-
-<p>Holton flushed. “Well, I work in a brokerage house.”</p>
-
-<p>Lewis’s eyebrows went up and he elaborately showed surprise
-and disbelief. “But how remarkable! You’re not an
-artist! Surely you must do something wonderful. You have
-the hands of an artist. You’re just working there because
-you have to. That’s it, isn’t it?”</p>
-
-<p>“No, that’s not it.” Carla admired his courage. “I don’t
-mind working there and it’s probably going to be my career.”
-His jaw got very firm. She liked him this way.</p>
-
-<p>“How marvelous!” exclaimed Lewis. “A contented Babbitt.”
-He stopped. “What a dreadful thing to say: that’s such
-a Nineteen-Twenty phrase. Really, I sometimes wonder if art
-is the answer to our problems.”</p>
-
-<p>“I think it might be to the artist,” said Carla softly.</p>
-
-<p>Lewis bowed. “<em>Touché</em>, my dear. Let’s say the dedication
-to art, the freedom from conventions. Perhaps this young
-man’s view is the saner: to accept the pattern.” He was
-mocking now but he did not show it in his face.</p>
-
-<p>“Some things you have to accept,” said Holton, aware of
-Lewis’s mockery. “Sometimes there is nothing else.”</p>
-
-<p>“There is always something else,” said Lewis decidedly.</p>
-
-<p>“I think that’s right,” said Carla.</p>
-
-<p>“What?” asked Holton. “What else can you do but that?”</p>
-
-<p>“Run away,” said Lewis.</p>
-
-<p>“Fall in love,” said Carla.</p>
-
-<p>But neither solution was convincing to Holton and Carla
-could think of no way to explain herself. There seemed, at
-the moment, no words to record her meaning, no bridge to
-reach him. They were all three quiet, thinking of questions
-and answers.</p>
-
-<p>Finally their silence killed the problem and they began<span class="pagenum" id="Page_147">[Pg 147]</span>
-to notice the room they were in and the other people. The
-people at the different tables were not, generally, mixed.
-Several women would sit at one table and several men would
-sit at another. Around the room were small tables for two
-and here men sat with men and women with women. This
-was puzzling to Holton, she could see. He said nothing,
-though, and she had a great sudden ache of tenderness for
-him, a desire to protect his innocence. But this she could not
-do. She was a stranger to him and he had forgotten.</p>
-
-<p>Cigarette smoke veiled the room bluely and everything
-seemed tenuous and unreal. The sound of voices and ice
-clattering, of forks striking plates and of many people moving
-and breathing together made an ocean-like roar in
-Carla’s ears. The room was hot and the smell of perfume was
-strong.</p>
-
-<p>The band returned and began to play. They played much
-more softly than they had before and she was grateful. Conversation
-was not difficult when the music was soft. In fact,
-the music seemed to underline many things, made emotional
-statements dramatic. Unfortunately, with George <em>Robert</em>
-Lewis sitting at the table there was no opportunity to make
-emotional statements. He would have to leave. She began
-to concentrate on this as they talked now of trivial things.
-Finally he received her subconscious message. He stood up.</p>
-
-<p>“I hope you’ll excuse me a moment but I have to go backstage.
-I’ll only be gone a minute.” He left quickly, going
-around the stage and behind the crimson curtain.</p>
-
-<p>“He’s a funny little queer, isn’t he?” commented Holton.</p>
-
-<p>“He’s one of the great aesthetes. You’re glad you came tonight?”</p>
-
-<p>“It’s interesting,” he said. He was defending himself now.</p>
-
-<p><span class="pagenum" id="Page_148">[Pg 148]</span></p>
-
-<p>“This is a very ...” she paused, trying to think of the right
-word, “trivial world. I don’t think you’ll like it.”</p>
-
-<p>“Perhaps I will. I used to be something of a sculptor.” He
-said this laughing, and she could see that he was quite
-serious.</p>
-
-<p>“Then why don’t you do it?”</p>
-
-<p>“I wasn’t good enough. I haven’t done any since I was in
-college.”</p>
-
-<p>“Would you like to do it?”</p>
-
-<p>“I don’t think so.” She couldn’t tell whether he meant this
-or not.</p>
-
-<p>The waiter came and put their glasses down on the table
-with a look of boredom; in fact, he yawned slightly as he did
-it. He tried to catch Holton’s eye but failed. Sulkily he
-walked away.</p>
-
-<p>“I don’t want this,” said Carla, pointing to the glass.</p>
-
-<p>“I’ll take it,” said Holton and he began to drink his own,
-his teeth making clicking sounds as the ice bobbed against
-them.</p>
-
-<p>“You like what you’re doing now?” asked Carla.</p>
-
-<p>He put the glass down and frowned. “I suppose I do. I
-have to do it and so I figure I might as well like it.”</p>
-
-<p>“Perhaps you might find something you like better.”</p>
-
-<p>“What?”</p>
-
-<p>“You might be a sculptor again.”</p>
-
-<p>He laughed. “I’m really no good. I can’t do anything else
-but this. I don’t see anything wrong with what I’m doing,
-anyway.”</p>
-
-<p>“There’s nothing wrong with it if you’re happy; are you?”
-He didn’t answer for a moment. Then he said, “I suppose
-I am.”</p>
-
-<p><span class="pagenum" id="Page_149">[Pg 149]</span></p>
-
-<p>“But you’re not in love?”</p>
-
-<p>“What has that to do with it?”</p>
-
-<p>“So many things,” said Carla, and she did not look at him;
-she avoided his eyes. He did not understand. She could see
-that now. The desire, however, to make him destroy his barriers,
-to come alive, was becoming an obsession with her.
-And then, of course, he had been the first man she had
-known and that made him important to her. She had never
-lost her feeling for him and she was sad to see him confused;
-Carla thought of herself as Joan of Arc: helping the
-king to his throne. She was not yet sure, however, that the
-king wished to reign.</p>
-
-<p>The music was becoming soft and sentimental. Full round
-chords gushed around them and people danced on the stage.
-Men danced with women and women with men for there
-was not really much courage among these people.</p>
-
-<p>“Would you like to dance?” asked Holton.</p>
-
-<p>“Not right now.”</p>
-
-<p>He was not disappointed. She watched him as he watched
-the other people in the room. This was something new for
-him. She guessed that he was shocked by the people he saw
-at the different tables. He showed nothing in his face,
-though. Perhaps he did not recognize them, did not know
-them the way she did: she who had married one of them.</p>
-
-<p>“It’s been quite a while, hasn’t it?” said Holton finally.</p>
-
-<p>“Yes, but I haven’t forgotten any of it, have you?”</p>
-
-<p>“Of course not. Naturally I didn’t know whether you
-wanted to talk about it. I figured that ... well, after you
-married Bankton you wouldn’t want to think about what
-we did.”</p>
-
-<p>“I don’t,” said Carla, “love Bankton.”</p>
-
-<p><span class="pagenum" id="Page_150">[Pg 150]</span></p>
-
-<p>He was shocked and she knew that she had said the right
-thing if in the wrong manner.</p>
-
-<p>“But you got married,” said Holton.</p>
-
-<p>She nodded. “I’m afraid I didn’t know very much about
-him then. I went to London after the war was over and I
-stayed with some artists there. I met him and he made love
-to me. I thought he was very wonderful. I had heard stories
-about him: that he was ... was like these people here.” She
-gestured to include the room. “I didn’t believe the stories. I
-married him. I found he wanted me for camouflage.”</p>
-
-<p>“Why don’t you divorce him then?”</p>
-
-<p>“Perhaps I shall someday. It seems so much trouble,
-though. He’s really a very nice person.”</p>
-
-<p>Holton shook his head, confused. “I don’t see ... I don’t
-see why he married you in the first place if he was....”</p>
-
-<p>“He could still like me, Bob.”</p>
-
-<p>“I don’t see how.”</p>
-
-<p>She smiled. “It <em>is</em> hard to explain but anyway you know
-now that I don’t feel too deeply about him. You understand
-this?”</p>
-
-<p>“I suppose so,” said Robert Holton. He <em>is</em> beginning to
-understand, thought Carla, happy now: her words had
-begun to build the bridge between them. Soon they would
-meet again.</p>
-
-<p>“You’ve certainly had a funny life,” said Holton, smiling.</p>
-
-<p>“Sometimes I think so but then the most important thing
-is making a freedom for oneself. When that’s done nothing is
-strange because everything is natural. You know what I
-mean?”</p>
-
-<p>He nodded. “Sometimes I know.”</p>
-
-<p><span class="pagenum" id="Page_151">[Pg 151]</span></p>
-
-<p>She picked up a fork and drew pictures on the white
-tablecloth. “I want you to be free,” she said.</p>
-
-<p>“Free from what?”</p>
-
-<p>“You know. From your routine and morals: the things you
-don’t want.”</p>
-
-<p>He laughed. “You know pretty well what my set of morals
-is and I don’t mind the routine so much.”</p>
-
-<p>“I think you do.”</p>
-
-<p>“Why?”</p>
-
-<p>“Why did you want to come here with Lewis tonight?
-Why are you with me now?”</p>
-
-<p>He smiled. “Perhaps you’re partly right. I was curious and
-I do get bored and....”</p>
-
-<p>“And you’re alone.” She spoke for him.</p>
-
-<p>He finished his drink and did not answer her; there was
-no need to answer her.</p>
-
-<p>“Are you glad,” she asked at last, “are you glad to see me
-again?”</p>
-
-<p>He said that he was. He declared that he was. He made
-an issue of it. He was still not at ease with her and she felt
-desperate. It was like a battle between them; first one side
-retreating and the other advancing.... Or perhaps a hunt.
-She was the hunter and her memories the pursued. She
-knew that beneath his many assumed faces there was the
-person she had known in Florence. Deliberately Carla began
-to smash the faces.</p>
-
-<hr class="tb" />
-
-<p>George <em>Robert</em> Lewis had a very pleasant interview with
-de Bianca, the star; after a half-hour, though, he was beginning<span class="pagenum" id="Page_152">[Pg 152]</span>
-to get restless. Dancers seldom talked about anything
-interesting. Finally he excused himself, saying that his guests
-were waiting for him.</p>
-
-<p>They were talking quietly and intimately when he got
-back to the table. He took a secret pleasure in interrupting
-them. Lewis had already decided that they were lovers.</p>
-
-<p>“I’m so dreadfully sorry that I went off and left you the
-way I did. It was stupid of me but I got so involved with
-Hermes and his amours: he tells me all about them and
-though they’re really quite dull I have to be polite and listen.
-Have you ordered yet?”</p>
-
-<p>They said that they had not. Lewis immediately became
-noisily efficient. He ordered the languid waiter about, gave
-him careful instructions and ignored his glances and meaningful
-gestures. Lewis never had liked this type at all. The
-ones like this waiter never seemed to have any respect for
-him. They couldn’t understand the principles for which he
-stood. They were not artists.</p>
-
-<p>The dinner finally ordered, he turned toward his guests,
-a white-toothed smile on his slightly rouged lips (Hermes
-had lent him rouge).</p>
-
-<p>“Are you adoring the atmosphere, my dear Mrs Bankton?
-It’s nothing to compare with Paris, of course, but you must
-admit that it’s a lot gayer than Rome. I love Rome and usually
-have a marvelous time there but somehow one never
-seems to find the same easy atmosphere that we have here.”</p>
-
-<p>“No, it is not like Rome,” agreed Carla. What wonderful
-golden skin she has, thought Lewis, enjoying her aesthetically.
-He didn’t dislike women the way many of his friends
-did. He felt, in fact, most compatible with them.</p>
-
-<p>“Are there many places like this in New York?” asked Holton.<span class="pagenum" id="Page_153">[Pg 153]</span>
-Lewis was pleased that he had caught on. Lewis, always
-optimistic, wondered if it might not be possible to
-make some sort of an arrangement.... It was not impossible,
-certainly.</p>
-
-<p>“Oh, quite a few, quite a few. They <em>are</em> rather charming
-from time to time. I enjoy visiting them and I do feel that
-the atmosphere is not uncongenial.” He wondered if perhaps
-he hadn’t been using the word “atmosphere” too much.</p>
-
-<p>“I’ve heard about these places,” said Holton without much
-expression.</p>
-
-<p>“Surely you don’t disapprove?” Lewis was intent on discovering
-this now. He could see that Carla was uneasy. Holton
-was unsatisfactory, though.</p>
-
-<p>“I don’t care much one way or the other,” he said and he
-turned to Carla and began to talk to her again. Lewis, disappointed,
-listened to them as they talked of Fiesole.</p>
-
-<p>Lewis was not quite sure what their relationship was. As
-they talked he gathered that she was more interested than
-he in continuing it. That was usually the case, however.
-Young men like Holton were apt to be a little unfeeling, a
-little stuffy. George <em>Robert</em> Lewis thought pleasantly of
-young men.</p>
-
-<p>When he felt that they had talked too long without him,
-he interrupted. “When were you last in Fiesole?” He looked
-at Carla, intending the question for her; it was difficult not
-having a name to call her.</p>
-
-<p>She looked at him as though she had forgotten him completely.
-“In Fiesole? I was there just a year ago.”</p>
-
-<p>“I suppose it’s pretty well recovered from the war. I told
-you how I used to love visiting there before the war. I hope
-it will always be pleasant.”</p>
-
-<p><span class="pagenum" id="Page_154">[Pg 154]</span></p>
-
-<p>“I think it will,” said Carla.</p>
-
-<p>“Europe must’ve been very nice before the war,” said
-Holton.</p>
-
-<p>George <em>Robert</em> Lewis made an elaborate motion to show
-just what it had been before the war; as he was finishing his
-movement the waiter brought them their dinner: a number
-of dishes with filet of sole at the center.</p>
-
-<p>“I hope you enjoy it,” said the waiter spitefully, putting
-the dishes down loudly and angrily. He walked away, his
-duty done.</p>
-
-<p>Lewis sighed. “These dreadful waiters, they presume so. I
-suppose that it’s all a part of the American dream. Shall we
-begin?” Like a priest of a pagan cult he began to perform
-the ritual of arranging plates, of removing covers, of neatly
-moving food from plate to plate, and finally of eating. The
-others imitated him.</p>
-
-<p>“When,” asked Robert Holton, after the main part of the
-dinner had been eaten, “will the show start?”</p>
-
-<p>Lewis put down his fork carefully, swallowed, and said,
-“Very soon, I think. What time is it?” There was an examination
-of watches: ten-fifteen. “The show starts at ten-thirty.
-I hope you’re not impatient. The audience is very often as
-interesting as the show. But I must say that de Bianca’s
-dance is in another world and that we mustn’t miss it. I’ll
-be very curious to know how you react.”</p>
-
-<p>“There used to be a place in Paris like this where they had
-a wonderful dancer of the same type. I suppose he’s the type
-of dancer I think he is?” said Carla.</p>
-
-<p>“He is quite probably the sort of dancer you think he is,”
-said Lewis, smiling, excluding Holton from his words. “The<span class="pagenum" id="Page_155">[Pg 155]</span>
-only difference is that he is a great artist, interpretive artist,
-I mean. I know you’ll appreciate him.”</p>
-
-<p>A group of people who knew Lewis came over to their
-table. They acted most respectfully and he hoped that
-Carla and Holton were noticing what an important person
-he was. He spoke nicely to them, shook hands with them,
-and let them know that he was busy. They left him then,
-smiling. Smiling himself, he turned to Carla and Holton and
-he was disappointed to find them talking together again.
-Holton had taken Carla’s hand in his and Lewis felt a strange
-anguish, felt an inward betrayal. He did not know what had
-been betrayed, however.</p>
-
-<p>“I’m sorry, my dear, that I didn’t introduce you to those
-people. It was rude of me because they <em>all</em> admire your husband’s
-work.”</p>
-
-<p>“That’s perfectly all right,” said Carla. “I know so little
-about his work. I’m only a layman, you know.”</p>
-
-<p>“I can hardly believe that. You must’ve been an artist
-yourself at one time.”</p>
-
-<p>She shook her head. “No, I was never an artist at anything.
-Except at living, perhaps.” Trumpets sounded loudly from
-the band, giving her statement an absurd grandeur. She
-sensed this and laughed. “I wish to say that I try to make
-my life a complete thing.”</p>
-
-<p>“But what a marvelous thing to want to do! All of us try
-that but when we fail at it (and alas we most of us fail)
-then we must find ourselves a medium to guard our egos, to
-protect our fears.”</p>
-
-<p>“That’s for the talented, Mr Lewis, but for the rest of us,
-the majority, only our lives count. We must make them
-natural.”</p>
-
-<p><span class="pagenum" id="Page_156">[Pg 156]</span></p>
-
-<p>“And that,” said Robert Holton suddenly, “is for the rich
-to do. The rest of us can’t even do that.”</p>
-
-<p>“How delightful!” exclaimed Lewis. “We have here the
-three representatives of humanity: the rich and ... free?
-the poor and trapped, and the artist who is finding both
-freedom and an opiate. But how wonderfully symbolic!
-We’re practically an allegory. I suppose we can reach some
-understanding.”</p>
-
-<p>“How?” asked Holton and Lewis could see that he was
-asking Carla, not him. “How can you get what you want
-without money? I don’t see how you can ever do what you
-want if you aren’t free.”</p>
-
-<p>“I think,” said Carla, “that you can become free. You can
-get free in art and you can get free in love. Money hasn’t
-much to do with it. You can’t go anywhere alone. I don’t
-think it’s possible to be sane alone, without love.”</p>
-
-<p>“I think you’re right,” said Lewis sincerely and sadly, allowing
-the now soft music to dissolve his mind into an emotional
-waste out of which, of course, came art. “I think you
-have explained all the tragedies in the world.”</p>
-
-<p>“And all the happiness,” murmured Carla, looking at Holton.
-Holton smiled then. It was the first time that Lewis had
-seen him smile and he was struck by the gentleness and
-beauty of his face. He was beginning to see the person under
-the rather rigid mask and he understood now why this quite
-wonderful woman was in love. Holton was about to say
-something when the band made a crescendo and the lights
-on the stage went up. The show was about to begin.</p>
-
-<hr class="tb" />
-
-<p>A slender little man, ineptly painted, appeared on the
-stage and welcomed the audience to the night club.</p>
-
-<p><span class="pagenum" id="Page_157">[Pg 157]</span></p>
-
-<p>He then motioned and the lights in the room went out
-leaving only the stage with its curtain backdrop lighted. The
-band began to play a current song and the master of ceremonies
-proceeded to sing, using new dirty lyrics which made
-the audience laugh. He then told a joke about fairies. The
-audience laughed loudly at this, reveling in exposure; often
-their masks became too tight, too heavy. He removed them.</p>
-
-<p>Finished with his joke, he bowed and several persons
-came onto the stage. They were probably men. They wore
-dresses and several of them had faces of great beauty. They
-danced, parodying women, transcending the single sex. And
-in the audience people looked at one another and nodded
-and looked again at the stage, smiles on their faces.</p>
-
-<p>When their dance was finished they left. There was much
-noise from the audience.</p>
-
-<p>Then a thin young man swayed onto the stage, took the
-microphone in his hands and sang a sexual funny song.</p>
-
-<p>“Who is that?” asked Carla, turning to Lewis.</p>
-
-<p>“Our waiter, darling,” whispered Lewis; “all the performers
-are waiters, too. Isn’t it exciting?”</p>
-
-<p>Carla said nothing. Lewis looked at Holton. There was
-little light in the room and he couldn’t make out his expression.
-Holton was sitting motionless, one hand on the table,
-one hand touching Carla’s.</p>
-
-<p>Their waiter was so well received that he sang another
-song.</p>
-
-<p>More dancers appeared. This time they were real women
-and the men who came out with them were dressed as men.
-They did a serious near-ballet but, because they didn’t know
-how to dance very well and because they didn’t particularly
-care, the dance was funny and Holton laughed. Lewis and
-Carla didn’t laugh: for different reasons.</p>
-
-<p><span class="pagenum" id="Page_158">[Pg 158]</span></p>
-
-<p>Suddenly in the middle of the dance a voice off stage announced
-loudly, “Jerry!” and a girl dressed in a fake tiger
-skin ran onto the stage. The audience whistled and stamped
-and a table of girls near the stage applauded hysterically.
-The girl’s face was square and smooth and hard, without expression.
-Her body was strong and slim and startlingly
-white. One shoulder and most of one breast were bare.</p>
-
-<p>She moved in a stylized jungle fashion among the other
-dancers who ran from her, simulating fear as they did.
-Finally she was left alone on the stage. She danced then,
-showing as much of her hard white body as she could. Her
-face never changed expression, however. She always looked
-straight ahead without smiling, her square face rigid.</p>
-
-<p>And, at last, as a climax, she unfastened the tiger skin and
-with a quick gesture pulled it off and for a moment let the
-audience see her white hard body. Then the lights went off
-and she disappeared as the women in the audience shrieked
-their delight and the men, catching some of the hysteria, applauded
-loudly.</p>
-
-<p>The lights came on again and the stage was empty. The
-band played uncompelling music. “What,” asked Lewis,
-turning to Holton, “did you think of her? Isn’t she a perfect
-savage?”</p>
-
-<p>“No, I don’t think she is,” said Holton seriously. “I don’t
-think she was good at all, did you?”</p>
-
-<p>“Why, yes, I thought she had something. A certain ...
-how shall I say ... banked fire?”</p>
-
-<p>“I agree with Bob,” said Carla. “I don’t think she’s a savage;
-I don’t think she’s natural.”</p>
-
-<p>“Just prejudice,” said Lewis lightly, gesturing with his
-hand. “Just prejudice; anyway, the girls here love her.” He<span class="pagenum" id="Page_159">[Pg 159]</span>
-pointed to a table of women. The dancer, wearing a dressing
-gown now, was sitting on the lap of one.</p>
-
-<p>Holton chuckled.</p>
-
-<p>“What amuses you?” asked Lewis but Holton wouldn’t
-answer him.</p>
-
-<p>Carla told them of a dancer in Paris, like this dancer, and
-as she talked the lights went off in the room and the band
-began to play. Suddenly a spotlight was turned upon the
-stage and the room became quiet as the people waited to
-see the thing they had heard of, the thing they had come to
-see.</p>
-
-<p>Softly the orchestra played.</p>
-
-<p>A boy with blond curling hair and a smooth white face
-walked onto the stage, turned his back to the audience, and
-hung a round silver moon from a hook attached to the low
-ceiling. He stood back a moment, looking at the moon, and
-then, satisfied that it was right, he stepped off the small
-stage and sat down on a bench near the wings.</p>
-
-<p>The silver moon shone dully, dominating the stage and
-the room. In the middle of the moon there was a mask: a
-painted mask, enticing, sexual, ambiguous, a youth or a
-woman. From this mask long veils of pink and blue silk
-quivered gently, stirred by the now-excited breathing of the
-audience. They watched this mask and, watching, waited for
-the dance to begin.</p>
-
-<p>A voice came startlingly into the room from a loud-speaker.
-Said the voice: “We take great pride in introducing the star
-of our show, the one and only Hermes de Bianca. To the
-music of a Tschaikovsky concerto he will do a dance symbolic
-of the struggle between the material and the spiritual
-natures of man. Introducing MR HERMES DE BIANCA!”</p>
-
-<p><span class="pagenum" id="Page_160">[Pg 160]</span></p>
-
-<p>The band began to play the concerto. More lights, multicolored
-lights, were turned upon the stage. The veils of the
-moon fluttered and Hermes de Bianca entered.</p>
-
-<p>A long sigh came from the audience as he appeared and
-began to dance.</p>
-
-<p>He wore a thin silk costume, mysterious and black, with
-flowing sleeves. He was fat, not grossly fat like a man, but
-rather the plump voluptuousness of an old belle; his skin
-shone white through the semi-transparent costume.</p>
-
-<p>His hips were heavy and feminine. His hands and feet
-were tiny; he was very proud of them, for he gestured with
-his hands and pirouetted on the tips of his dainty feet. His
-breasts were the breasts of a woman.</p>
-
-<p>Methodically he danced. With an obscene grace he moved
-about the stage, moved like a yielding woman exulting in
-her passivity.</p>
-
-<p>His face:</p>
-
-<p>There are the faces of men and there are the faces of
-women and there are also the faces of children, but this was
-yet another face.</p>
-
-<p>The skin was smooth and silken-looking. The face was
-beautiful; his eyes were widened with paint and across the
-upper eyelids rows of shining, diamond-like stones were
-glued, making his slightest expression glitter in the light.</p>
-
-<p>As he danced he would touch his hair from time to time,
-using the most common of feminine gestures. His hair was
-dark and oiled, with an artificial peak over the forehead.
-And, most striking of all, streaks of gray had been painted
-at the temples.</p>
-
-<p>The music then became sad and, as it did, his dance became
-slower, more sensual. His wide painted mouth was<span class="pagenum" id="Page_161">[Pg 161]</span>
-never still, always working, always moist, the lips never
-without expression; now parted, showing desire, now petulant,
-now commanding, always enticing young men to love.</p>
-
-<p>He moved with great lightness, handling his heaviness
-gracefully as he advanced upon the moon, making love to
-the mask.</p>
-
-<p>Then, as the music became louder, more compelling, he
-whirled and twisted among the veils of the moon, wrapping
-himself in them, surrendering to the mask, approaching and
-retreating, always attracted to the painted mask.</p>
-
-<p>But, finally, he was the one conquered, the one who surrendered,
-the passive one. And he stood there, the sounds
-of music all about him, engulfing him, his back arched, his
-head thrown back and his plump white stomach shuddering
-beneath the dark material of his costume.</p>
-
-<p>And then, as the music reached a climax, he whirled in the
-center of the stage, violent, obscene in a desire to be possessed.</p>
-
-<p>The music stopped.</p>
-
-<p>There was silence in the room&mdash;no sound save the unheard
-thundering of many quick-beating hearts. The ones who understood
-were too moved to speak and the ones who did not
-understand were embarrassed and sickened, aware of their
-danger, and afraid.</p>
-
-<p>He bowed to the audience now, his moist red mouth smiling
-brilliantly, the mouth of an actress awaiting applause.
-The applause came, destroying the silence in the room, creating
-another less frightening mood, replenishing his ego.</p>
-
-<p>Smiling, he walked in triumph off the stage.</p>
-
-<p>The lights were turned on at last and the orchestra played
-a popular song.</p>
-
-<p><span class="pagenum" id="Page_162">[Pg 162]</span></p>
-
-<p>The boy took down the silver moon and the painted mask
-and as he walked away he took the reality of the dream with
-him and couples began to dance on the stage where Hermes
-de Bianca had danced. Yet as they danced, close to one another,
-there was a certain fear within each of them, an uncertainty
-and a dread.</p>
-
-<hr class="tb" />
-
-<p>“What do you think of that?” asked Lewis.</p>
-
-<p>He was breathing quickly, Carla noticed. His face was
-flushed and he was excited, more excited than she had
-thought he could possibly be.</p>
-
-<p>“It is very ... erotic,” she said, knowing how inadequate
-that word was.</p>
-
-<p>Holton was sweating when she turned to ask him what he
-thought. He looked angry.</p>
-
-<p>“Did you like it, Bob?” she asked.</p>
-
-<p>“No, I didn’t,” he said. He took out his handkerchief and
-dried his face. “Christ, but it’s hot in here. Why don’t we
-go?”</p>
-
-<p>“In a moment,” said Lewis, now recovered. “You must
-meet dear Hermes. I’ll go back stage and get him.” He stood
-up, looked around the room to see if he were being watched;
-then, satisfied that he was, he went back stage.</p>
-
-<p>“You don’t care for this?” Carla asked.</p>
-
-<p>“I guess I don’t. I never saw anything like this before. I
-used to hear a lot of stories but I didn’t think there were
-really such places.”</p>
-
-<p>“There are many a lot worse, said Carla. Of course I’m
-used to it. You see my husband is....”</p>
-
-<p><span class="pagenum" id="Page_163">[Pg 163]</span></p>
-
-<p>He smiled. “I guess you were right about not coming
-here.”</p>
-
-<p>“You don’t regret it?”</p>
-
-<p>“It’s interesting.”</p>
-
-<p>“I think it was a very good idea for you to see something
-of this world. Perhaps you can understand me better now,
-knowing that I’m living with people like these, married to
-a person like Lewis.”</p>
-
-<p>He frowned and looked very serious and she was happy
-to see him concerned. “Can’t you leave him, can’t you leave
-Bankton?”</p>
-
-<p>“Where would I go? He’s a charming person and I like
-him. I’d have to find someone else before I could leave.”</p>
-
-<p>“Yes,” he said, not understanding her, “I see what you
-mean.”</p>
-
-<p>George <em>Robert</em> Lewis returned leading Hermes, still in
-costume, by the hand.</p>
-
-<p>Everyone was polite. Hermes lisped that he was glad to
-meet them and he shook hands squashily with both Holton
-and Carla. Then they sat down at the table.</p>
-
-<p>Lewis was excited. “You know Hermes has made the most
-dreadfully big decision? He’s going to Rome!” Trumpets did
-not blow at that moment in the band; they should have,
-though.</p>
-
-<p>Carla was puzzled. “You mean he’s going to Italy?”</p>
-
-<p>“No, darling, he’s becoming a Roman Catholic. Isn’t it
-the most thrilling thing!”</p>
-
-<p>“I suppose so,” she said. “I used to be a Catholic myself.”</p>
-
-<p>“What happened?” asked Hermes in a lisping little girl’s
-voice.</p>
-
-<p><span class="pagenum" id="Page_164">[Pg 164]</span></p>
-
-<p>“I seemed to’ve gotten out of the idea. I married a Protestant,
-of course.”</p>
-
-<p>“What a pity,” murmured Hermes, looking at Holton admiringly;
-“I think it’s the only answer, really the only answer.
-Almost everyone I know is going over to Rome so
-there must be <em>something</em> in it.”</p>
-
-<p>“Perhaps there is,” said Carla. “I think in Italy we take
-the Church too much for granted.”</p>
-
-<p>“I do wish,” said Lewis, “that I could get interested in it.
-There seems to be such a rush for rosaries today. But I’m
-dreadfully afraid I’m just a hedonistic pagan.” He put his
-hand on Hermes’ plump little hand. “I’ve always felt that
-somewhere there is a faith that I could grasp onto.” With
-his other hand he took a drink out of his recently filled glass.
-“Sometimes one feels so lost, so homeless. I think there must
-always be a womb-longing in each of us, a desire to go back
-where we came from. I used to think that art was enough
-but I suppose I was wrong because I never had much real
-satisfaction from it. Carla here will say it is love that gives
-us a reason, but I don’t think so. I’ve always been in love.
-Occasionally with my own image, I must admit, but there
-<em>have</em> been others. No, I never got much out of love. Hermes
-here has his dancing, but I don’t think that was enough for
-him either....”</p>
-
-<p>“Perhaps you’ve never given enough of yourself to another
-person,” said Carla.</p>
-
-<p>“Vampire,” chuckled Lewis. “Our identities are the only
-real things we have in this shadowy world.” He was in good
-form now and he was becoming drugged with his own facility.
-“No, we must try to obtain a faith, or at least a medium,
-to carry out our search for immortality, or should I say perpetuation?<span class="pagenum" id="Page_165">[Pg 165]</span>
-Women, normal women, seem to have less fear
-of death because they have the function of child-bearing.
-They are able to experience their own perpetuation; and in
-their primitive way they feel a part of all mankind and there
-are no real mysteries for them, no need of logic. But man is
-different. The act of procreation is a pleasure and not painful
-and, therefore, he does not observe that in that function
-his own image is mirrored through eternity. He turns then
-to art (the sensitive talented man, I mean now) and in making
-pictures or books, playing at creation, he hopes to survive
-death but he is never really convinced: at best he is
-hypnotized, he is drugged by his art and in desperation he
-tries to make meaning out of his own creations: playthings,
-in reality. And so he finds himself in the end with chisel
-and mallet in his hands making a statue and no nearer perpetuation,
-closer only to death.”</p>
-
-<p>“How beautiful!” exclaimed Hermes. “But that’s why we
-all have to go to Rome.”</p>
-
-<p>“Perhaps that’s the answer.” He began to speak again, his
-flat voice rising and falling without emotion in it. Carla
-looked at Holton questioningly. He nodded.</p>
-
-<p>“Bob and I have to go now,” she said.</p>
-
-<p>“Oh, you must stay a little longer,” he pleaded.</p>
-
-<p>“We really have to go,” said Holton, rising. They thanked
-him (Lewis insisted on paying the bill) and said good-bye.
-George <em>Robert</em> Lewis was still talking to Hermes as they
-left.</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_166">[Pg 166]</span></p>
-
-<h2 class="nobreak"><em>Chapter Eleven</em></h2>
-</div>
-
-
-<p class="p2">“How cool it is!” said Carla, as they walked along the
-street. “I couldn’t breathe in there.”</p>
-
-<p>“It was a crazy place,” said Holton, looking straight ahead
-as he walked, following the traffic lights. Carla occasionally
-drew him off the curb and into the street but he always
-managed to obey the green lights.</p>
-
-<p>They decided to walk uptown, to walk to Times Square.</p>
-
-<p>Carla felt light and happy now that Lewis had been left
-behind.</p>
-
-<p>“I like the air in New York,” she said.</p>
-
-<p>“The air?”</p>
-
-<p>“It’s exciting and silly and everyone is busy doing things
-they don’t want to do but still it’s stimulating.”</p>
-
-<p>“I suppose so.”</p>
-
-<p>She hadn’t decided yet whether he tried to be noncommittal
-or whether he had nothing to say. No, he had something
-to say: she was sure of that. He was shy and he felt
-things very much but he was afraid to say them. She remembered
-now that he had told her things about himself in
-Florence. He had told her about his parents and his life,<span class="pagenum" id="Page_167">[Pg 167]</span>
-though he hadn’t told her what he wanted to do. He still
-would not tell her that and, if he knew, she would have to
-discover it.</p>
-
-<p>“How long are you going to be in town?” he asked.</p>
-
-<p>“I don’t know. A month perhaps, I don’t know. I think
-Bankton will be coming over soon. They’re going to give him
-a big show here.”</p>
-
-<p>“I’d like to see him.”</p>
-
-<p>“He’d like to meet you, too.” She laughed. “I might lose
-you to him” She stopped herself quickly. She shouldn’t have
-said “lose” because they were supposed to be just casual
-friends; at least, that was the basis he seemed to want. She
-mustn’t frighten him. “I don’t think you’d like him,” she said
-easily, in control now. “He’s rather jealous and disagreeable.”</p>
-
-<p>They crossed more streets, dodged more cars, bumped
-into more and more people and, finally, they came to Times
-Square.</p>
-
-<p>At Forty-second Street they stopped and Carla looked at
-the lights for a long time.</p>
-
-<p>It seemed as if all the commercialism in the world had
-decided to concentrate itself in one place, as if by blazing
-colored lights and moving signs it could justify itself.</p>
-
-<p>At one end of the square a giant sign exploded colors, advertising
-cigarettes. Another cigarette advertisement had a
-man puffing smoke; it was most realistic because real smoke
-or something like smoke came out of his mouth. Soft drinks
-and chewing gum and cigarettes&mdash;all the small things&mdash;were
-displayed in the most magnificent manner. There was an almost
-religious appeal in the brightness of the lights, the
-cathedral-like splendor of the signs which supported countless<span class="pagenum" id="Page_168">[Pg 168]</span>
-colored bulbs of light: everything was so large, so magnificent,
-so desperately appealing.</p>
-
-<p>“Such wonderful strength,” murmured Carla, “so much
-misguided energy.”</p>
-
-<p>“It’s very nice to look at,” said Robert Holton, speaking
-self-consciously for America.</p>
-
-<p>They stood pressed against a building while hundreds of
-people pushed by them in a thick stream. Carla studied the
-lights, mesmerized by their colors: red passionate ones and
-guttering greens, blue and yellow glowing, and moving figures;
-they even had the lights turn on and off in such a fashion
-that silhouetted men appeared to dance and animated
-animals had adventures. The lights were most splendid and
-nowhere in the world was so much grandeur hung against
-the sky. Carla watched the lights.</p>
-
-<p>Yellow taxicabs clattered by them and everyone moved
-quickly. Everyone had at least a destination and that was a
-hopeful sign. She didn’t care to think what their destinations
-might be.</p>
-
-<p>She looked at the buildings and saw that they were not
-tall. They looked like buildings in Paris or London. Squat
-and dirty and rather Victorian: the buildings were most ordinary
-but there was so much light over them, against them,
-all around them that they became as insubstantial as theater
-props.</p>
-
-<p>The movie houses which filled the lower parts of most of
-the buildings of the square had the most light. Their marquees
-rippled and glittered with names. Large posters were
-hung wherever there was no electricity. People moved in
-constant streams into the movies, while other people, as constantly,<span class="pagenum" id="Page_169">[Pg 169]</span>
-came out, blinking their eyes, adjusting themselves
-to reality.</p>
-
-<p>Then there was the noise. Not a really individual noise,
-not like an Italian crowd, hoarse and insistent, but a roar
-with sharp breaks and a rhythm like an automobile engine,
-a noise like a discordant piece of music with the rumblings
-of a subway train as a bass. The conversations of many
-people made a sound as soothing and as natural as the sea
-but the mechanical things made sharp overtones, set the
-rhythm of Times Square and of many lives.</p>
-
-<p>Slowly Carla and Robert Holton allowed themselves to
-become a part of the current of people, gliding with them
-toward the north end of the square.</p>
-
-<p>First of all were the young adventurers: boys with dark
-skins and dark clever eyes, dressed in the spirit of the jazz
-they had made their own without understanding. Looking
-for sex, they walked together in groups, talking in whining
-voices, unpleasant nasal voices.</p>
-
-<p>Young girls with bleached blond hair that looked untidy
-and unclean walked in twos together, looking for men. Their
-well-formed bodies with tight breasts moved self-consciously
-as they walked on awkward high heels. They laughed too
-loudly, giggled too much and stared at sailors.</p>
-
-<p>The couples were the happiest-looking of all. They always
-walked with wonder in their faces, conscious of each other
-as they walked through all the light and sound.</p>
-
-<p>Old men in dirty clothes moved slowly, looking for cigarette
-butts. This was not new to them; they had known the
-square before and found it good hunting though not as congenial
-as quiet places. They had stopped looking for sex:
-only cigarette butts.</p>
-
-<p><span class="pagenum" id="Page_170">[Pg 170]</span></p>
-
-<p>Cripples and bums sang songs and rattled tin cups. It was
-hard to tell what they were looking for besides charity. Perhaps
-they had stopped their long search. Carla was sorry
-for them.</p>
-
-<p>Hot stale air rushed out of the theater lobbies and from
-the bars and restaurants; stale air rushed upward from the
-subway ventilators in the sidewalk. The cool night was defeated
-by the city, even the darkness had been defeated for
-it was as light as day, as light as day and much prettier and
-more exciting.</p>
-
-<p>“What a place!” said Carla. “So <em>much</em> is here. Is this the
-dream Lewis was talking about?”</p>
-
-<p>“Maybe.”</p>
-
-<p>“I think,” said Carla, laughing, “this is the peak of your
-civilization.”</p>
-
-<p>“Probably; it’s the sign of the century.”</p>
-
-<p>“But there will be other centuries.” And they thought of
-other centuries when they would not be alive and they tried
-to see the square in future years&mdash;if the square survived with
-the dream.</p>
-
-<hr class="tb" />
-
-<p>Outside the Bijou Theater Marjorie Ventusa stood, trying
-to make up her mind if she wanted to see her favorite actress
-suffer. Marjorie liked pictures that made her cry. She wasn’t
-sure, however, if she wanted to cry tonight.</p>
-
-<p>Mrs Merrin had been quite pleasant that evening when
-Marjorie left and this made her feel good. She stood now,
-undecided, Times Square all around her. She often faced
-the high prices of the square to see new movies. She liked
-crowded places because she felt happy with a lot of people
-around her.</p>
-
-<p><span class="pagenum" id="Page_171">[Pg 171]</span></p>
-
-<p>She stood beside the box office, warmed by the air from
-the theater. The sight of all the people and lights made her
-feel secure as though she were not really alone, for she identified
-herself with every couple that passed by. She had no
-envy.</p>
-
-<p>Marjorie was about to go into the movie when she saw
-Robert Holton crossing a street on the other side of the
-square. She had a sudden impulse to call him, to make herself
-heard over the hundreds of people. Then she saw that
-he was not alone. She saw that he was with a dark pretty
-girl: a woman from the world where he lived. Marjorie Ventusa
-watched him as he walked with this person across the
-street. Then, on the other side, she lost him. He had disappeared
-with the dark woman.</p>
-
-<p>The square had changed now and the lights were cruel.
-The noises became oppressive and she felt shut out of the
-lives of the people who passed her.</p>
-
-<p>Marjorie Ventusa grabbed her black patent-leather handbag
-close to her and, controlling herself, she walked along
-the square. She walked slowly, allowing others to push by
-her. She passed in front of many movie houses and many
-bars. There was a great noise all around her, harsh voices
-and much laughing. She hated the laughing the most. Two
-young girls were stopped by two sailors in front of her and
-they spoke together in the light of a red neon sign. The
-sailors said something and the girls laughed. Quickly Marjorie
-Ventusa walked by them.</p>
-
-<p>A group of boys were standing in a blue light and they
-were laughing in their harsh changing voices. She wished
-they would stop. Looking downward, she walked through
-the crowd, no longer with it.</p>
-
-<p><span class="pagenum" id="Page_172">[Pg 172]</span></p>
-
-<p>Marjorie Ventusa was the center now of laughing people
-and her eyes were dazzled by changing lights.</p>
-
-<p>Finally, out of breath, and at the northern end of the
-square, she stopped and pressed against a building. She
-looked back at the places she had just left and she was tired.</p>
-
-<p>A stout little man was staring at her. He was trying to
-figure out what she was and what he might dare do. She
-looked at him with disgust, but he was not bothered by this
-and, thinking her a whore, he separated himself from the
-crowd and came over to where she stood. He leaned against
-the building a few feet from her. Slowly, calmly he took a
-package of cigarettes out of his pocket. He turned to her
-now, offering her a cigarette.</p>
-
-<p>“Want a smoke?”</p>
-
-<p>She shook her head. “No, thanks.”</p>
-
-<p>He took one himself and lighted it. He inhaled to show
-how calm he was and then he said, “You want to walk
-maybe?”</p>
-
-<p>“No,” she said furiously, comparing him with Robert Holton.
-“I don’t want to walk with you.” She turned away from
-him and went quickly toward the nearest movie. Without
-once looking back she bought a ticket. As she gave the
-ticket to the man at the door she heard the stout man
-whistle as he walked past the theater.</p>
-
-<p>Setting her face, she walked into the marble and gold
-lobby. She walked, conscious of a thousand nonexistent eyes
-watching her back.</p>
-
-<p>Then she entered the darkened hall of the movie. On the
-screen two characters, simulating love, were laughing loudly.
-Marjorie Ventusa was trapped.</p>
-
-<p><span class="pagenum" id="Page_173">[Pg 173]</span></p>
-
-<p>Caroline and Jim Trebling had been giggling all evening.
-Caroline had never known anyone quite so amusing as Trebling.
-He had no respect for anything; at least, no respect for
-the things most people did. He made fun of her office and
-her job and he was pleasant as he did it; not bitter as so
-many people were.</p>
-
-<p>He had suggested that they visit Times Square and go
-dancing in one of the large dance halls there. She had tried
-to talk him into going some place more expensive but he
-had said that he didn’t have the money and that as long as
-you danced somewhere that was all that counted.</p>
-
-<p>From Fifth Avenue they walked along Forty-Seventh
-Street until, finally, they came to the square. Trebling
-blinked.</p>
-
-<p>“It’s the damnedest sight! I don’t think it can compare
-with L.A. but there really is something wonderful about it.”</p>
-
-<p>Caroline regarded the square without much emotion. She
-had seen it all her life. “I think it’s too crowded,” she said
-finally, wishing that he had decided to take her to a better
-place, a place with a big name, one she could talk about
-later.</p>
-
-<p>He stood, however, staring at the lights; then he lowered
-his eyes from the lights and looked at the people.
-She noticed now that he looked at people a great deal. Even
-when they were talking he always stared at people as though
-there was something wrong with them.</p>
-
-<p>“Why’re you looking around all the time?” asked Caroline.
-“I don’t understand you at all. I don’t think they like being
-stared at.”</p>
-
-<p>“What?” He hadn’t been listening to her. “Why do I ...<span class="pagenum" id="Page_174">[Pg 174]</span>
-stare? I just like to look at them and see what they’re so
-busy rushing around for.”</p>
-
-<p>“Don’t you know?”</p>
-
-<p>“No, do you?”</p>
-
-<p>“Well....” She hesitated, uncertain of her meaning, uncertain
-of what they were talking about.</p>
-
-<p>He laughed. She admired his way of telling when she
-couldn’t understand him; he never really embarrassed her
-by trying to talk over her head as some men tried to do: not
-that they really could, of course. She was an American
-woman and just as smart as any man. Caroline stood there
-looking at the square with Trebling who had just laughed
-and saved her from embarrassment; Caroline stood erect and
-sure of herself and her emancipation, her arm in his.</p>
-
-<p>Then, without speaking, he led her across the middle of
-the square. It was dazzling to cross between the many lights.
-Caroline liked the colors. They seemed rather cozy to her.
-Times Square was in many ways her symbol of home. It was
-no longer interesting because home is never interesting but
-she liked it still.</p>
-
-<p>“Look at all the movie houses,” he said when they had
-gotten over on the other side. “There’s so much of everything.
-But it’s dirty. It’s all awfully dirty.”</p>
-
-<p>“Is it?” Caroline had not thought of that. Perhaps the
-square was not very clean but how could it be? There were
-always so many people coming to be impressed or depressed
-by it.</p>
-
-<p>“Bob used to talk a lot about this part of town, about
-Broadway. I think he used to like it a lot,” said Trebling.</p>
-
-<p>“Is that right?”</p>
-
-<p>“Oh, sure. He was a playboy during the war.”</p>
-
-<p><span class="pagenum" id="Page_175">[Pg 175]</span></p>
-
-<p>Caroline was surprised but not very interested. “He sure’s
-changed a lot,” she said. “He’s a nice fellow and I know you
-think a lot of him but he’s a little dull ... now, anyway.”</p>
-
-<p>“I think,” said Trebling, “that people sometimes feel they
-have to change to protect themselves. He’s just making a
-new life now.”</p>
-
-<p>“He’s certainly making a dull one.”</p>
-
-<p>“Not if it’s what he wants.”</p>
-
-<p>“Imagine working in an office if you could do something
-else!”</p>
-
-<p>“What about yourself?”</p>
-
-<p>Caroline flushed; she had found herself becoming so much
-involved with Trebling’s personality that she had begun to
-lose her own in his: she had begun to think that she was as
-free as he was or, rather, as he felt he was. She had to retrace
-now; she must go back into herself. “I can’t do anything
-else,” she said. “That’s all I know&mdash;working in an
-office.”</p>
-
-<p>“You could get married.”</p>
-
-<p>“I suppose I could.” Purposely she left it at that. He didn’t
-ask her anything else. They watched the square.</p>
-
-<p>Caroline was conscious of odors, too conscious of them.
-There were a great many unpleasant odors in the square:
-beer and cigarette smoke and exhaust; perfume and sweat
-and stale air from theaters and subways; food cooking&mdash;hot
-dogs, hamburgers, popcorn and peanuts. She got a little
-dizzy just breathing.</p>
-
-<p>“Come on, Jim,” she said, “let’s go find the dance hall.”</p>
-
-<p>They walked together along the crowded streets and as
-they walked he told her wonderful stories of freedom that
-were not true but still very interesting; and she thought him<span class="pagenum" id="Page_176">[Pg 176]</span>
-the most fascinating man she knew and not at all like his
-dull friend Robert Holton.</p>
-
-<p>At last they came to a dance hall. As much as she liked
-the glitter of the square it was a relief to go inside the red-upholstered,
-mirror-walled dance hall where the only odors
-were of perfume and cigarette smoke.</p>
-
-<p>“I haven’t been here for so long,” she said.</p>
-
-<hr class="tb" />
-
-<p>Mr Heywood came out of the theater. He had left in the
-middle of the last act. It was his personal strategy to do this
-because it meant that he missed the crowd and the long
-wait for his car to find him.</p>
-
-<p>The play had been dreary and he had seen it only because
-a friend of his knew the girl in it. Besides, Mr Heywood did
-not like to go to plays alone. His wife no longer went with
-him and he was afraid of taking other women around with
-him because people talked. He did not like any men at all.</p>
-
-<p>The street was almost deserted. The theaters still were
-full and their chaste white light signs shone cleanly into the
-street. Two blocks away was Times Square. He could just
-barely make out the colored sign of a soft drink bottle. He
-shuddered as he thought of soft drinks.</p>
-
-<p>He stood in front of the theater, the light from the marquee
-shining dramatically down upon him. He would stand
-here now without moving until his waiting chauffeur saw
-him and took him away. To his left he heard the sound of a
-motor starting. He did not look to his left. He merely stood
-now, self-contained and passive, waiting.</p>
-
-<p>His car stopped in front of him. The chauffeur got out,
-opened the door and said something to him and Mr Heywood<span class="pagenum" id="Page_177">[Pg 177]</span>
-said something to the chauffeur and an understanding
-was reached. Mr Heywood got into the car and the chauffeur
-drove down the street into the square and toward home.</p>
-
-<p>Mr Heywood shrank from the lights that suddenly made
-the inside of his car as colorful as a rainbow. He tried not
-to look out the window at the square but it was impossible
-not to look. His eyes were drawn by the force of the lights
-and he looked out finally.</p>
-
-<p>All the cheapness he hated was in the square. The people
-of whom he was terrified moved all about him now. The
-noises he hated to hear and the lights he hated to see intruded.
-He shuddered and wondered if he was going to be
-sick.</p>
-
-<p>Finally they left the square.</p>
-
-<p>He felt much better now that they were in the quieter
-darker places of the city. Mr Heywood was lonely now. He
-had always been lonely and that was his personal sadness.
-He wished that he were young. It was impossible to be
-lonely when one was young. He wished that he were Robert
-Holton.</p>
-
-<hr class="tb" />
-
-<p>Carla and Holton stopped to rest at the northern end of
-the square. They stood upon a small island of concrete surrounded
-by avenues. A red light shone across Holton’s face
-giving him a sinister expression. Carla laughed.</p>
-
-<p>“What’s so funny?”</p>
-
-<p>“Your face ... you look like Mephisto.” He smiled and
-stepped out of the red light and stood beside her.</p>
-
-<p>“What do you think of it now?” asked Holton as they
-stood on their island, watching.</p>
-
-<p><span class="pagenum" id="Page_178">[Pg 178]</span></p>
-
-<p>“The things I’ve always thought. It’s very brilliant. It is
-a ... production.”</p>
-
-<p>“Everyone comes to see it.”</p>
-
-<p>“And I think it means something different to each one.
-It’s like a work of art that way.” She paused and added, “It
-is a work of art.”</p>
-
-<p>“An unfriendly one, though.”</p>
-
-<p>She shrugged. “Art doesn’t have to be friendly. To me all
-this bad taste is very alive and miraculous.” She was going
-to say more but she was not sure of her English. The language
-she had learned had been literary and she was occasionally
-conscious of not speaking ordinary words. Holton
-had not been listening, though. Caught in the magic she had
-performed upon the square, he was melting into it, his eyes
-fixed on the effect and not the details.</p>
-
-<p>“What a place to make a decision,” he said firmly, turning
-to look at her.</p>
-
-<p>“A decision?” She was not sure of him now; not sure of
-the magic. “What sort of decision?”</p>
-
-<p>“I’ll tell you later.”</p>
-
-<p>“If you like.” She could see that he was not ready to talk
-to her yet. The signs were good, though. He was returning.</p>
-
-<p>Arm in arm they deserted their concrete island. They
-crossed the street and stood for a moment on the edge of
-the square, looking back at the lights.</p>
-
-<p>“Where do you want to go?” asked Holton.</p>
-
-<p>“Back to my hotel,” she said, not looking at him.</p>
-
-<p>“Shall I go with you?”</p>
-
-<p>“Do you want to?” She noticed that one of the largest
-signs had several dead lights in it.</p>
-
-<p>“Of course I want to,” he said.</p>
-
-<p><span class="pagenum" id="Page_179">[Pg 179]</span></p>
-
-<p>She was very happy then. The bridge was completed.</p>
-
-<p>“Shall we walk? It’s not far.” He nodded. They left the
-bright square and walked northward, not speaking. The
-bridge was not yet strong.</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_180">[Pg 180]</span></p>
-
-<h2 class="nobreak"><em>Chapter Twelve</em></h2>
-</div>
-
-
-<p class="p2">They stood a moment in the gray heavily carpeted corridor.
-The hotel was an expensive one and this was the first
-time Robert Holton had been inside it.</p>
-
-<p>“I’m down here,” said Carla, taking a key out of her bag.
-She led him down the corridor.</p>
-
-<p>She stopped, unlocked a door, and they went inside.</p>
-
-<p>“In America you always try to make everything look expensive,”
-she said. “But I like this room.”</p>
-
-<p>“Looks like Hollywood,” said Holton. Carla looked about
-her and agreed. The walls were dull green and the ceiling
-white. The furniture was low and modern and there was
-much glass in the room: mirrors and glass-topped tables.
-Two large windows looked out on Central Park. At the left
-was the doorway to the bedroom.</p>
-
-<p>“Bankton must have a lot of money,” murmured Holton.</p>
-
-<p>Carla smiled. “No, I have, but that’s not important. Sit
-down over there, Bob.” She motioned to a white couch by
-the window. “Would you like something to drink?”</p>
-
-<p>“If you want one.”</p>
-
-<p>While she fixed his drink she would be able to think of
-the right thing to say. She felt constrained still and her heart<span class="pagenum" id="Page_181">[Pg 181]</span>
-was beating rapidly. She prepared the drink deliberately
-and, satisfied that it was right, she turned and walked over
-to him. “Here you are.” Then she sat down beside him.</p>
-
-<p>They looked out at the city. Carla sat straight on the edge
-of the couch, her eyes fixed on the tall buildings. She was
-conscious of Holton’s slow breathing beside her. The silence
-was becoming difficult; then he picked up his glass and ice
-clattered and the silence broke.</p>
-
-<p>“Tell me,” she said, sitting back in the couch, “what do
-you do during the days? What does a broker do?”</p>
-
-<p>He opened his coat and relaxed. “Not much, I’m afraid.
-I get all sorts of statistical books and I make out reports
-from them. It’s pretty dull.”</p>
-
-<p>“How long are you going to have to do that?”</p>
-
-<p>“I don’t know ... a year maybe. I think Mr Heywood&mdash;he
-was the fellow we met at the party&mdash;I think he’s going
-to move me out in the selling end.”</p>
-
-<p>“You would like that?”</p>
-
-<p>“It means more money and it’s going to be my career.”</p>
-
-<p>“That’s right; it’s going to be your career.”</p>
-
-<p>Holton crossed his legs, using the movement to give himself
-time to think. Carla waited, watching him.</p>
-
-<p>“Are you going to live in Florence?” he asked finally.</p>
-
-<p>This was not going at all well, she thought. “I think I may
-live there part of the year. I think I shall travel first.”</p>
-
-<p>“Where? Where do you want to go?”</p>
-
-<p>“Some place in the Near East, some place like the <em>Arabian
-Nights</em>&mdash;you’ve read it, haven’t you?”</p>
-
-<p>“I read it once.”</p>
-
-<p>“I always wanted things to be like that, to be enchanted.”</p>
-
-<p>“And you’ve been disappointed?”</p>
-
-<p><span class="pagenum" id="Page_182">[Pg 182]</span></p>
-
-<p>She nodded. “Sometimes I’ve been very disappointed but,
-you see, sooner or later it’s all right. I’ve great faith in things
-being right.”</p>
-
-<p>“You’re a curious girl,” he said. He looked at her and she
-could see her own face twice reflected in his eyes. “You
-don’t,” he said, “really like Bankton, do you?”</p>
-
-<p>The words were making the proper patterns now. She
-turned so that he would see all her face when she spoke.
-“Yes, I like him very much but I don’t love him. I can’t love
-anyone without having it complete, without having ... the
-other thing.”</p>
-
-<p>“What we had.”</p>
-
-<p>“Yes, what we had.” She felt that now he was coming
-back again.</p>
-
-<p>“It was so long ago, wasn’t it?” She wasn’t sure now that
-he was coming back: “so long ago.”</p>
-
-<p>“I’ve remembered it,” she said. “It doesn’t seem long ago
-to me.”</p>
-
-<p>“I don’t mean that,” he said. “I meant that ... well ...
-so much has happened to us since then. You’ve been married
-and I left the army....”</p>
-
-<p>“We’re not much different, are we?” She looked out the
-window now and watched different lights go out in the tall
-buildings; for each light that went out, though, someone else
-turned on another. “You know,” she said, concentrating on
-the lights, “you know you were really the first for me.”</p>
-
-<p>He was awkward now. “Yes, I guess I was. I didn’t....”</p>
-
-<p>“There were probably a lot of others for you in Europe.
-You know, I haven’t really wanted any man since then.”</p>
-
-<p>This had to surprise; she wanted this to be her strongest<span class="pagenum" id="Page_183">[Pg 183]</span>
-weapon. She looked at him now. He had put down his drink
-and he was looking at her.</p>
-
-<p>“Is that true?”</p>
-
-<p>She nodded. “I don’t know why I shouldn’t tell you. I
-couldn’t keep from telling you.” She tried not to look at him.</p>
-
-<p>“You mean what happened to us in Italy was the only
-time...?” He was confused.</p>
-
-<p>She turned then and looked at him, at the troubled eyes
-and the boy’s mouth. “My dear, when something means a
-lot to you I think it’s hard to take a substitute. You see, I
-made an object for myself. I was upset when you left, naturally,
-because you’d become my object. I never heard from
-you and so I married Bankton in London. I never lost my
-object, though. It never changed.”</p>
-
-<p>“I’m sorry,” he said.</p>
-
-<p>Carla smiled. “I understand it now. You had so many
-women and I was only one. I think that’s all right, I think
-that’s natural. I hoped you might have felt the way I did.
-One always wants to be loved and it’s not easy to find a
-lover. I never had another man&mdash;not because I couldn’t, but
-because I didn’t want to. I was waiting all that time, hoping
-to see <em>you</em> again.” She had said everything now. He had
-listened and there was nothing else she could do.</p>
-
-<p>He ran his hand through his hair. “I was very close to
-you,” he said.</p>
-
-<p>“I thought you were.” She was waiting.</p>
-
-<p>“You’re right, there were a lot of others, but I don’t think
-I loved any of them.”</p>
-
-<p>“No one at all?”</p>
-
-<p>He didn’t answer. He stood up and walked across the
-room. Then he came back and stood looking down at her.</p>
-
-<p><span class="pagenum" id="Page_184">[Pg 184]</span></p>
-
-<p>“I don’t know what to say. We were very close once and
-then I came back here and made myself forget everything
-about Europe, everything that had happened to me there.</p>
-
-<p>“It hasn’t been easy to do. The only way I could get by,
-though, was to do what I’m doing: become a broker. I can’t
-be the way I was; I can’t afford it. Of course I can still have
-all the girls I want and I can have a good time. I suppose
-I can fall in love sometime ... again, but I have to be a
-conventional person and I don’t mind.</p>
-
-<p>“Tonight those people were examples of freedom....”</p>
-
-<p>She interrupted him. “Not really freedom, self-indulgence
-perhaps.”</p>
-
-<p>“Whatever it is, they call it being free. I don’t want that.
-I couldn’t have that kind anyway because I’m not talented;
-I don’t do anything well and I know it.”</p>
-
-<p>“You can be a free person, though.”</p>
-
-<p>“How?”</p>
-
-<p>She sighed. “I’ve already told you and you already know.
-You can love.”</p>
-
-<p>“You think that’s the answer?”</p>
-
-<p>“I don’t know any other. It’s been important to me.”</p>
-
-<p>He sat down beside her, sat close to her. “I don’t know if
-I could love someone,” he said. “I don’t know if I could love
-you the way you’d want.”</p>
-
-<p>“You can,” said Carla. “You can do whatever you want.”</p>
-
-<p>His hand touched hers. She sat very straight then, her
-eyes on the window, on the white lights. He put his arm
-around her shoulders and kissed her and she closed her eyes
-upon the lights outside.</p>
-
-<p>For a long time they were like that on the couch. Then
-they separated and stood up, self-conscious and shy, newly<span class="pagenum" id="Page_185">[Pg 185]</span>
-discovered. He motioned with his hand toward the bedroom.
-She nodded and they went into the bedroom together
-and met finally in the middle of the bridge.</p>
-
-<hr class="tb" />
-
-<p>Robert Holton held Carla from him at arm’s length and
-looked at her. She was pretty, at this moment quite beautiful,
-her face white and her greenish eyes glittering.</p>
-
-<p>“I’ve been waiting, Bob,” she said. “I’ve waited such a
-long time.” He pulled her to him then, her body against his.
-A part of him was given up entirely to making love but another
-part was still detached, still watching.</p>
-
-<p>He helped her to undo her dress. Modestly now, with the
-reserve of strangers, they stood back to back as they undressed.</p>
-
-<p>She was beautiful and he had forgotten that. She was not
-really pale: her skin was gold. She was slim and cleanly
-made and her breasts were small. They faced each other and
-looked at each other, the detached, the lonely part of himself
-memorizing every detail of her.</p>
-
-<p>Carla walked slowly toward him and touched his shoulder.
-Tears were in her eyes.</p>
-
-<p>“What’s the matter?” he asked.</p>
-
-<p>She shook her head and smiled: nothing was the matter
-now.</p>
-
-<p>He took her slowly then, pressing her against his body
-gently, every nerve vibrating in both of them; hearts beating
-quickly.</p>
-
-<p>They stood like this in the middle of the room; then she
-broke away and walked over to the bed and pulled the cover
-down.</p>
-
-<p><span class="pagenum" id="Page_186">[Pg 186]</span></p>
-
-<p>“Turn out the light, Bob,” she whispered. It was a ceremony
-now: neither of them spoke out loud in the presence
-of the miracle taking place. He turned out the light. The
-room was dark except for the lighted dots of windows in the
-buildings opposite and, over the buildings, like unorganized
-window lights, cold stars shone clearly.</p>
-
-<p>He turned and walked to the bed. Carla lay on her back,
-her arms behind her head. He got in beside her and they lay
-there together, not speaking, hardly breathing, and he felt
-the blood pounding in his head while, next to him, Carla
-was shivering, was waiting. He turned over on his side,
-barely touching her.</p>
-
-<p>They did not speak now. Words were discarded and no
-surface was needed. Instinct guided them finally, made them
-a separate world together; there was only a dream existence
-outside of themselves.</p>
-
-<p>And Robert Holton became the lover and ceased to be
-himself; his detached awareness was, for the time, submerged
-and forgotten.</p>
-
-<p>He ran his hands over her, feeling the smooth skin of her
-shoulders, her thighs.... They kissed and began the act of
-completion.</p>
-
-<p>To Holton it became a battle and a surrender, a taking
-and a giving; it became a fusion. He was no longer himself,
-he was enlarged; a giant in a world of giant sensations. He
-was no longer alone or incomplete.</p>
-
-<p>Then the rhythm was found and the wild twistings and
-strugglings stopped. He was conquering now and, in the
-conquering, giving.</p>
-
-<p>He entered her and to the rhythm of their fast-beating<span class="pagenum" id="Page_187">[Pg 187]</span>
-hearts, with a rush of sound like wind in his ears, he discovered
-the single world. Lights whirled inside his head, behind
-his eyes: they came in series&mdash;circles of sharp lights.</p>
-
-<p>He was choking then, barely breathing, able only to
-cough and gasp. Sweat covered him; his hands clutched at
-her shoulders as though they were the only remaining solidity
-in a world rapidly disintegrating into sensations and fast-moving
-lights and a quick wind.</p>
-
-<p>There was no time now. There was no memory. There was
-no reason. The struggle stopped and the moment came like
-fire.</p>
-
-<p>Carla’s face was buried in his shoulder; she stiffened and
-then became relaxed, the battle finished and won.</p>
-
-<p>Like fire it came and the wonder was achieved; a world
-was glimpsed and lost in a moment. Then, tide-like, the
-emotion stopped and withdrew. The ecstasy was gone and
-only two people were left in its wake, left on a high shore,
-exhausted, shipwrecked.</p>
-
-<p>Robert Holton lay for a moment upon Carla’s still body,
-supporting himself with his elbows so that he would not
-crush her; he breathed deeply, taking in the air with great
-sobs. Beneath him Carla was quiet, at peace, her shuddering
-stopped.</p>
-
-<p>He kissed her very gently then and they separated, without
-words; they lay quietly side by side, touching each other,
-yet apart, the trace of their fire still inside of them, and exhaustion
-brought with it no sadness, no loneliness.</p>
-
-<p>Robert Holton put his arm under her head; then he looked
-out the window, looked at the real stars, not nearly as bright
-as the ones in his head, the ones they had made together.</p>
-
-<p><span class="pagenum" id="Page_188">[Pg 188]</span></p>
-
-<p>Silence and darkness protected them.</p>
-
-<p>Part of his mind became detached again and he saw himself
-in relation to the world. He saw himself in a darkened
-room of a large hotel, lying exhausted beside the wife of a
-painter. He frowned in the dark and he fought the vision
-of the outer world.</p>
-
-<p>Carla moved her hand over his chest, twisting the hairs;
-he felt a spasm of tenderness shake him and he took her and
-held her close to him. This was the moment when he felt he
-was not alone, felt that he was not a single particle lost in a
-void. The half of him lost in the womb had been regained
-and he was finally complete: he was God and earth and
-other stars, so great was this fusion.</p>
-
-<p>They slept quietly in each others arms. They slept unaware
-of time for they <em>were</em> time.</p>
-
-<p>Carla woke first. She gave a start and Robert Holton
-opened his eyes, wondered where he was; then he saw Carla
-beside him, saw a vague figure by the light of stars.</p>
-
-<p>“<em>Caro mio</em>,” she murmured, saying the first words either
-had spoken.</p>
-
-<p>“Darling,” he whispered.</p>
-
-<p>“It’s so perfect,” she said and he put her head on his
-shoulder again. Then they were still, looking at the uncertain
-outline of their bodies on the whiteness of the bed.</p>
-
-<p>He felt her smooth legs. They were cool, like dreams
-half-remembered.</p>
-
-<p>“I love you,” she whispered into his ear, “so much more
-than you know.”</p>
-
-<p>He kissed her for answer and his detached self almost
-fused with hers, almost made a union, almost died and made
-him free.</p>
-
-<p><span class="pagenum" id="Page_189">[Pg 189]</span></p>
-
-<p>Carla turned on the light. It was two o’clock and they had
-been asleep for almost an hour.</p>
-
-<p>Robert Holton lay quietly on the bed, his eyes closed, his
-breathing regular, one arm over his forehead as though to
-defend himself. She leaned over and kissed him lightly, then
-she got out of bed and went into the bathroom.</p>
-
-<p>Her face shocked and pleased her. “How depraved I look,”
-she murmured to herself. Her face was glowing and her
-eyes shone and glittered. There were red marks on her white
-skin. His beard had scratched her and made her usually
-white face pink. With a sudden gesture she swept her hair
-back out of her face, held her dark curling hair captive.</p>
-
-<p>Holton appeared behind her then and he put his arms
-around her waist and kissed the back of her neck. She shuddered
-and closed her eyes. She could not look at light with
-so much inward light behind her eyes. They stood like that.
-Then he let her go. They looked at each other: two people
-now, so recently a single world.</p>
-
-<p>“Happy?” she asked.</p>
-
-<p>He nodded. “I’ve never had it like this before,” he said.
-“It never meant as much to me as this.”</p>
-
-<p>They walked back into the bedroom and sat down side by
-side on the bed. Modestly Holton drew the sheet over their
-laps. They sat quietly without speaking, their bare arms
-around each other. When Carla looked at the window she
-could no longer see stars and lighted windows; she could
-see only their reflection on black glass.</p>
-
-<p>“What are you thinking?” he asked and she saw that he’d
-been watching her.</p>
-
-<p>“Nothing, Bob. I don’t think all the time, you know. I was
-only feeling.”</p>
-
-<p><span class="pagenum" id="Page_190">[Pg 190]</span></p>
-
-<p>“Feeling what?”</p>
-
-<p>She smiled. “Feeling all the world.”</p>
-
-<p>“I think I felt that, too ... to live in a big way....”</p>
-
-<p>“Yes, I know.” She sighed. “You have to break all your
-little patterns. You have to expand now.”</p>
-
-<p>But there was resistance to this. “I don’t see why you can’t
-have everything and still have that, too.”</p>
-
-<p>“No, everything must be the richest and the fullest. Have
-you that?”</p>
-
-<p>He stretched, the muscles moving under white skin.
-“Maybe it is; I don’t know.” He took her then and they fell
-back together onto the bed. For several minutes they were
-together and then he rolled over on his side. She opened
-her eyes.</p>
-
-<p>“What’s the matter, Bob?” she asked.</p>
-
-<p>“I don’t know,” he said. He was looking at her, his dark
-hair in his eyes. He pushed it back.</p>
-
-<p>“You’re not sad?”</p>
-
-<p>“No.” He ran his hands over her hips. “I was only wondering
-what’s to happen next. You’ll go back to Europe.”</p>
-
-<p>She had been waiting for this. She had been waiting for
-him to ask this. Now she could say what she felt but the
-words did not come easily. “I don’t have to go back,” she
-said. “I can stay here as long as I like.”</p>
-
-<p>“Then your husband’ll come over here.”</p>
-
-<p>“I can leave him.”</p>
-
-<p>He shook his head. “I couldn’t marry you.”</p>
-
-<p>She was lost. She was falling now. It seemed as if the
-room had become cold and foreign and she had come to a
-hostile country. There was no longer an answer to make:<span class="pagenum" id="Page_191">[Pg 191]</span>
-the answer had been made. She tried not to let her face
-show what she felt.</p>
-
-<p>“Why couldn’t you marry me?”</p>
-
-<p>“I haven’t any money.”</p>
-
-<p>“I have.”</p>
-
-<p>“I wouldn’t want that. You wouldn’t want to be married
-to a broker and live in New York.”</p>
-
-<p>“Why do you have to be a broker?”</p>
-
-<p>He sighed then and she saw for the first time that he was
-the one trapped, the one who would not escape. “What else
-can I do?” he asked.</p>
-
-<p>“You can break with all this.” She was fighting.</p>
-
-<p>“But what could I do? I have to do something. I have to
-be something.”</p>
-
-<p>“Why do you have to be something? Why do you have to
-do things that you don’t want, that make you unhappy?”</p>
-
-<p>“Everyone has to. Besides, I’m not sure that I am unhappy.”
-She was defeated at that moment. The dream she
-had been fashioning disappeared and there were no traces
-of it left, only a lingering sadness and an open wound.</p>
-
-<p>He went on talking and she answered him but there was
-nothing left for either of them to discuss.</p>
-
-<p>Then after a while they both stopped talking. They sat
-side by side looking out the window, or rather looking at
-themselves reflected in the black mirror. Holton turned out
-the light and Carla was able to see the stars again.</p>
-
-<p>“That was funny, wasn’t it?” chuckled Holton.</p>
-
-<p>“What? What was funny?”</p>
-
-<p>“Lewis tonight and all those people talking about religion
-and art.”</p>
-
-<p><span class="pagenum" id="Page_192">[Pg 192]</span></p>
-
-<p>“I don’t think it was funny; I think it was sad.”</p>
-
-<p>“Why sad?”</p>
-
-<p>“They were lost, I think. Just like us, Bob.”</p>
-
-<p>She could feel him looking at her. “Are you?” he asked
-softly.</p>
-
-<p>She would not let herself cry. She would not give way.
-She would have to be strong now. Her voice carefully controlled,
-she said, “No more than you. We could be complete,
-I think.”</p>
-
-<p>“I think we could,” he said and she knew that he felt
-nothing the way she did. Carla had the feeling of coming
-into a stranger’s house expecting friends, expecting familiar
-things. She was with an unknown, a man who did not feel
-what she did.</p>
-
-<p>“I had hoped,” said Carla, “that we could.” She was going
-to be accurate in what she said. She used each word like the
-cut of a knife to sever the relationship, to kill her own love.
-“I don’t think we can now. You want to live a certain life.
-You want what you know and though you don’t like it you
-think it’s the safe thing. I don’t understand you, I’m afraid.
-I’ve tried to see all this through your eyes. I didn’t want it
-to be just another one, another woman. I wanted it to be
-important to you: it was so important to me. I think I was
-wrong. I think I was selfish and I’m sorry.” She wondered
-when her voice would break.</p>
-
-<p>Then Holton tried to reconstruct at last. “No, you don’t
-understand. I feel very close to you. I’ve liked this more
-than any other time, more than with anyone else. But you
-see I can’t leave what I’m doing; I couldn’t live on you for
-the rest of my life.”</p>
-
-<p>She sighed. “That’s such a superficial thing; that’s all the<span class="pagenum" id="Page_193">[Pg 193]</span>
-surface. When you feel something for another person those
-things don’t matter.”</p>
-
-<p>“Someday they might. Of course I’m lonely and not very
-happy. You have to accept that. In a few years I’ll get married
-and maybe that’ll make it better. I could,” he was
-speaking slowly now, “marry you. I could do that but you
-wouldn’t be happy.”</p>
-
-<p>“How do you know I wouldn’t be happy here?”</p>
-
-<p>“You’re different, that’s all. I can’t tell you what the difference
-is. I don’t know.”</p>
-
-<p>And she couldn’t tell him what the difference was. There
-was no way to tell.</p>
-
-<p>He put his arms around her in the dark and they relaxed
-on the bed and she tried to give herself to the moment but
-she could not: too much had been given already.</p>
-
-<p>“It’s a temptation,” said Holton suddenly.</p>
-
-<p>“What is?” They separated.</p>
-
-<p>“To go to Europe with you, to live with you.”</p>
-
-<p>“It could be done.”</p>
-
-<p>“Maybe.... No, it wouldn’t work.”</p>
-
-<p>“Why?”</p>
-
-<p>“It just wouldn’t be practical.”</p>
-
-<p>No, she thought, it wouldn’t be practical.</p>
-
-<p>Then the passion came back to them and she almost forgot
-his withdrawal. She fell back onto the pillows, his body
-over hers.</p>
-
-<p>He whispered in her ear, “You know I really have to leave
-after this.”</p>
-
-<p>“Of course you must,” said Carla, dying gently.</p>
-
-<p><span class="pagenum" id="Page_194">[Pg 194]</span></p>
-
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_195">[Pg 195]</span></p>
-
-</div>
-
-<p class="half-title">3<br />
-THE YELLOW WOOD</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_196">[Pg 196]</span></p>
-</div>
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_197">[Pg 197]</span></p>
-<h2 class="nobreak"><em>Chapter Thirteen</em></h2>
-</div>
-
-
-<p class="p2">The early morning was cold and Robert Holton shivered
-as he left the warm lobby of the hotel. He stood outside on
-the sidewalk and wondered where he was. He turned to the
-left and walked a few steps and then he remembered the
-street he was on, remembered where east and west were. He
-turned to the right and walked rapidly toward Fifth Avenue.</p>
-
-<p>The streets were almost deserted. Occasionally a taxicab
-would clatter by. Occasionally a tired couple looking for a
-room would pass him on the sidewalk. As he walked, his own
-footsteps made sharp regular noises on the pavement.</p>
-
-<p>He came at last to a subway entrance. He breathed
-deeply, took a last breath of clean air and went down inside
-the ground.</p>
-
-<p>Pale lights burned in old sockets and a sleepy Negro sat
-within the money-changer’s booth. A sailor stood vomiting
-in a corner; he was very quiet about it and the Negro paid
-no attention to him.</p>
-
-<p>Robert Holton put his nickel in the turnstile.</p>
-
-<p>On the platform several people were waiting for the train.
-They were all tired. Another sailor had a girl and he was
-standing very close to her. They were both drunk and made<span class="pagenum" id="Page_198">[Pg 198]</span>
-strange little movements with their heads and hands, slow-motion
-movements, as though they were flying.</p>
-
-<p>Robert Holton stood against an iron pillar. He felt exhausted
-but physically serene. He rested his head on the
-hard rough surface. It was pleasant to stand like this, underground.</p>
-
-<p>The uptown train stopped with a jolt, the doors opened
-and Robert Holton stepped into the lighted train. The doors
-closed and the train started again.</p>
-
-<p>Everyone in the car was weary or drunk or both. Papers
-and cigarette butts covered the floor. A pair of dirty gloves
-lay at his feet, forgotten by the owner, unwanted.</p>
-
-<p>Robert Holton tried to sleep but the glare of light through
-his eyelids was distracting. His physical exhaustion was
-lessening, too, and he began to feel a return of energy.</p>
-
-<p>He would not think of Carla, though; he would not think
-of her for a little while. He would wait until he was in his
-room.</p>
-
-<p>After a long time, after ten minutes, the train stopped at
-his station and he climbed out of the ground and stood on
-the concrete surface of the earth; a suggestion of morning
-was in the sky and the wind blew fresh and cold from the
-river. He walked to his hotel.</p>
-
-<p>“Evening,” said the clerk behind the desk.</p>
-
-<p>“Good evening,” said Holton.</p>
-
-<p>“Is it getting colder out?”</p>
-
-<p>Holton nodded. “Probably be a real cold day tomorrow.”
-He walked over to the counter. “Have I got any mail?”</p>
-
-<p>“Let’s see ... that’s...?”</p>
-
-<p>“Holton.”</p>
-
-<p><span class="pagenum" id="Page_199">[Pg 199]</span></p>
-
-<p>The clerk looked, then shook his head. “No mail, Mr Holton.”
-He paused. “You was in the army?”</p>
-
-<p>“Yes, I was in the army.”</p>
-
-<p>“So was I.” The clerk was lonely and wanted to talk and
-Holton was still tired and nervous and wanted to think. “It
-sure is nice being out,” said the clerk.</p>
-
-<p>“Yes, it’s good to be out.”</p>
-
-<p>“I was with the 82nd; you remember the 82nd, don’t
-you?”</p>
-
-<p>“Of course I do.”</p>
-
-<p>“We had a good group of guys.”</p>
-
-<p>“I know you did.”</p>
-
-<p>“Nothing like being a civilian, is there?”</p>
-
-<p>“No,” said Robert Holton, “there’s nothing like being out.
-Good night.”</p>
-
-<p>“Good night.” The clerk who had been with the army was
-sad to see him go.</p>
-
-<p>He turned the light on in his room. It was all just the
-same, the troubling painting and the crowded dresser. Sometimes
-he would come into his room and have a feeling that
-everything would be changed when he turned on the light,
-that something exciting would have happened to change his
-room. It was always the same, though; always the way he
-left it.</p>
-
-<p>Holton went into the bathroom. He should take a bath;
-he wanted to take a bath but he was too tired. In the morning;
-there would be time for that in the morning.</p>
-
-<p>He undressed and put on the bottom of his pajamas; he
-never used the tops. Then he looked at himself in the mirror
-for a long time. He did not see himself in the mirror; he saw
-no image; rather he was trying to find an image, an explanation<span class="pagenum" id="Page_200">[Pg 200]</span>
-in the glass. But he found nothing and as he realized his
-failure the reflection of his face appeared in the mirror and
-he looked at it without interest because it was familiar and
-because he could see nothing behind it.</p>
-
-<p>He turned and went into his room. He sat down on the
-bed and wondered whether he could sleep or not because
-his mind was uneasy. Holton turned out the lights and
-stretched out on his bed. He would make himself sleep; he
-would not think of Carla or of the day ended.</p>
-
-<p>But his mind was too active now for him to sleep. He tried
-to hypnotize himself, tried not to hear the odd words and
-conversations in his ears.</p>
-
-<p>He gave up finally. The barriers went down.</p>
-
-<p>George <em>Robert</em> Lewis’s voice sounded in his head and the
-clashing colors of the fairy night club glittered in his head.
-Lewis’s voice, flat and nasal, became articulate.</p>
-
-<p>“I do feel that religion is merely a substitute for the loss
-of a personal vision.” His sharp little laugh sounded and
-the words repeated themselves over and over again in Robert
-Holton’s ear: loss of a personal vision ... a vision ...
-and elision.... The words became a refrain. The repetitions
-went on until Holton felt himself losing control. He
-was angry. He made the repetitions stop.</p>
-
-<p>George <em>Robert</em> Lewis began to talk again.</p>
-
-<p>“I feel that we can find some way through the morass of
-life, some way to be serene and not sterile, not static. I think
-probably art is the way for the sensitive. If one has talent
-one can practise a medium; without talent one can appreciate.</p>
-
-<p>“Love? What <em>does</em> that word mean, darling? I’ve tried so
-awfully hard to be sincere about it and I’ve had some delicious<span class="pagenum" id="Page_201">[Pg 201]</span>
-attempts at it. Did you ever know Philip?... No, of
-course you wouldn’t have known. But as I was saying ...
-what was I saying?”</p>
-
-<p>Holton tried consciously to recall what Lewis had said.
-But when he tried to hear speeches again he could not.
-Lewis’s voice began again, a disembodied voice speaking
-among colors in a place where all emotions were in a minor
-key.</p>
-
-<p>“I think one must really barricade oneself against the
-world. One must retreat. Now don’t tell me it’s cowardly to
-retreat. Nothing in this world should be put on such a superficial
-basis as that. We are talking on different planes. That’s
-why communication is so difficult. Every argument is true
-and false and can be argued rightly from either side. To
-have any agreement those discussing should decide right
-away on what plane they want to talk. On a superficial and
-obvious one the terms bravery and cowardice and right and
-wrong have a certain meaning. On a deeper plane they have
-different, sometimes opposite, meanings&mdash;sometimes no
-meaning at all.</p>
-
-<p>“Well, to get back to my point, on the <em>deepest</em> level of understanding
-only instinct and what is natural counts. If one
-can’t arrive at love (and so many of us, darling, haven’t the
-capacity for it) then one must make a substitute, something
-to take up the sixty or seventy years one is alive. That’s
-where art is important. I understand business men feel the
-same way about business, though I’m not at all sure about
-that.</p>
-
-<p>“And then as for all this driveling about going to Rome
-let me say I do feel that religion is merely a substitute for
-the loss of a personal vision....”</p>
-
-<p><span class="pagenum" id="Page_202">[Pg 202]</span></p>
-
-<p>The sound of Lewis’s voice became louder and continued
-until finally the voice became so loud that it ceased to be a
-voice and became silence.</p>
-
-<p>Robert Holton wanted to sleep but there were so many
-things that had to be arranged first.</p>
-
-<p>There was also the dream of the night before to be recalled.
-He would think of that later.</p>
-
-<p>He remembered Jim Trebling. He thought of the days on
-the boat when they had talked about the future.</p>
-
-<p>Against a background of sea he could recall the image of
-Trebling. Details were absent and he could not make out
-the face but he could hear the voice and he could see the
-ocean.</p>
-
-<p>“I hate the idea of being tied down any more than I have
-to be. You know, Bob, we’ve lived the most unnatural life
-there is during this war. I get the feeling sometimes that
-we’ve lost a lot of time. I keep wanting to start over again.</p>
-
-<p>“I might want to start my own business. I think that’s not
-so bad: it’s worse working for somebody else. It’s funny but
-I’d just as soon never work. I’d just as soon drift the rest
-of my life.”</p>
-
-<p>And Robert Holton had agreed. He agreed in those days.</p>
-
-<p>“Of course you have to have money to loaf. Maybe if we
-hadn’t been raised in such a sound middle-class way we
-could be bums but we’re too used to being comfortable. No,
-we’re too used to being comfortable. We’ve got to get the
-money first.”</p>
-
-<p>Robert Holton had agreed to that, too. He had agreed to
-everything. He wanted to be as free as possible. At least he
-thought he had then. Because his friend wanted it he felt he
-did too. He assumed a similar identity.</p>
-
-<p><span class="pagenum" id="Page_203">[Pg 203]</span></p>
-
-<p>Trebling had more to say and his deep laughing voice
-continued: “No, we’re going to have to work a little. Not
-much, just a little to get enough ahead. We’re going to be
-careful though not to get bogged down, not to get too interested
-in working. It’s dangerous to get to like it.”</p>
-
-<p>Holton agreed.</p>
-
-<p>“Well, Bob, get your mind on the ball. How’re we going
-to spend that army money? I think pottery out in California
-sounds easy.”</p>
-
-<p>Yes, pottery was easy. Then they separated and they
-changed. Or perhaps only he, Holton, had changed. He’d
-done the easiest thing, he thought. But it was true that he
-was entangled now for the rest of his life with Heywood
-and Golden; with them or another like them.</p>
-
-<p>Trebling was entangled, too. Holton was pleased by that
-as he lay in the dark. Trebling hadn’t done better. He belonged
-to the army now and his chances of beginning a business
-were slight. He might try it though; he might be able
-to live the way he wanted to. Holton shuddered. It would
-be awful to miss freedom so narrowly.</p>
-
-<p>There was a problem, still unsolved: what did he want?</p>
-
-<p>“You know,” said Trebling’s voice, rising up out of the
-sea, “you know you make things tough for yourself. You
-don’t make up your mind.”</p>
-
-<p>That wasn’t true, he was always plotting; most of the
-time, anyway.</p>
-
-<p>“You try to be like everybody else.”</p>
-
-<p>He was safest when he was like the rest of them. No, that
-wasn’t a bad thing to do; besides, he wasn’t that way really.
-He was different from the others in the office. They sensed
-that. He would probably go a long way and most of them<span class="pagenum" id="Page_204">[Pg 204]</span>
-wouldn’t. Perhaps he was like Heywood. That wasn’t bad.
-Heywood was a success. <em>He</em> could be free if he liked. He had
-money and he could do whatever he liked.</p>
-
-<p>Trebling’s voice was fainter now and the sound of the sea
-behind it was becoming loud. “Sure we might flop but if
-we don’t we’re just fine. I’m not worried; I’m not worried
-about anything except being stuck in an office and working
-for somebody. That’s a lot to worry about, I suppose, but
-I’m not bothered. It’s going to work out. You’re a long time
-dead, I figure ...”</p>
-
-<p>The sea came into Holton’s room then and he was whirled
-on the top of a wave; for a moment there was nothing but
-sensation. He opened his eyes in the dark and the sea was
-gone.</p>
-
-<p>Trebling’s voice was lost.</p>
-
-<p>Holton turned over on his side, troubled, tired, looking for
-sleep. He thought of Carla. He had to think of her; there
-was a decision to be made.</p>
-
-<p>She had been quiet when he left her in the apartment.
-She had not looked him in the eyes and he had been eager
-to leave, to escape.</p>
-
-<p>Now she began to speak again. She had talked to him as
-he was dressing.</p>
-
-<p>“I don’t think it would work now. I’d hoped it would; for
-a long time I’ve thought about you, about our living together.
-But you don’t want to.”</p>
-
-<p>He had tried to deny this but he could not deny what he
-felt.</p>
-
-<p>Her voice came back to him now, a sad thin echo; there
-was no vibrancy in the remembered voice. She was whispering
-in an empty room.</p>
-
-<p><span class="pagenum" id="Page_205">[Pg 205]</span></p>
-
-<p>“You’re going to accept a pattern and I can’t stop you. I
-can’t bring out the capacity for love in you. You have it, I
-know, but I’m not enough to make you aware....”</p>
-
-<p>Again the denial and again the sad voice whispering.</p>
-
-<p>“No, I was wrong to try to change your life. It’s very
-selfish to do things for people they don’t want done. I
-wanted you so much. You’re the one I’m not supposed to
-have, though, and that’s sad for me.”</p>
-
-<p>He had talked to her then and explained that he could not
-take the risk of living with her, that he must be within the
-pattern. But he could not make any of these things sound
-convincing. Somehow everything got confused as he tried
-to explain himself to her. He tried to tell her that he did
-love her but that he couldn’t live with her. She had listened
-and when he had finished she had talked again. Now her
-voice entered his room; it was a shadow’s voice murmuring
-in his ear.</p>
-
-<p>“I don’t think I’d better see you again, Bob. It’s very hard
-for me but I’m going to control myself. I am going to forget
-all the things I had dreamed about since Florence. I shall
-find a new object and that’s a hard thing to do. It’s hard to
-change but I will.”</p>
-
-<p>That was true, of course. There was also more.</p>
-
-<p>She walked with him to the door; she let him go free to
-his chosen prison.</p>
-
-<p>The little voice no longer whispered in his ear and there
-was nothing but silence and the beating of his heart, the
-slow beating of his heart.</p>
-
-<p>The shade of the window fluttered in the outside wind.
-Bits of light gleamed around the shade as it fluttered. Lights<span class="pagenum" id="Page_206">[Pg 206]</span>
-from signs and behind those lights, gray and massive, was
-the light of early morning. The room grew colder.</p>
-
-<p>He got under the blanket and he closed his eyes tight and
-thought of nothing: thought of shapes and shadows and
-lights and colors and all the things that comprise nothing:
-he could not sleep.</p>
-
-<p>Robert Holton made a case for himself as he lay in the
-occasionally broken dark.</p>
-
-<p>He had no gift. He was an average person. Perhaps not
-quite average, he had had many advantages. He was among
-the many, though. He could not make a world separate. He
-wished now that he had told Carla that: he could not make
-a world separate. He belonged to the world of all people
-and it was wrong to retreat from that world. He felt noble
-as he thought of this: it was an excellent argument and he
-wished that he had used it.</p>
-
-<p>To have gone to live with Carla would have been a retreat
-from all that was right. Right? What had Lewis said about
-the planes of understanding? It didn’t matter because Lewis
-was just another little fairy. He was perverted in everything.
-No, it was right not to live with Carla. He had to do what
-was expected of him.</p>
-
-<p>Robert Holton built himself an argument, and as he built
-his barricades stronger he was aware of discontent, well-hidden
-beyond the barricade but still alive. Duty was important
-and difficult. Nothing that was right was easy. Was
-that true? He was becoming confused.</p>
-
-<p>He had worn too many faces. He thought of the myriad
-faces he had been made to wear. He had been different with
-every person he’d ever known. This lack of consistency<span class="pagenum" id="Page_207">[Pg 207]</span>
-bothered him. In the army he had been without care, without
-ambition; he had been like Trebling.</p>
-
-<p>With the people in the office he had been cold or warm,
-as they were. He had given them what they expected. He
-had been an actor with too many rôles to play. Tonight he
-had played all of them for Carla and then he had become
-lost and he had tried to be himself and he found that he
-was not enough.</p>
-
-<p>Every person saw him differently, not entirely because
-every person was different, but because he had also intended
-it to be that way. Now he did not know himself. He had no
-way of knowing the person behind the myriad faces.</p>
-
-<p>For a moment he felt himself sinking. It was like a dream
-of falling. He seemed to be descending into a pit without
-bottom. There was no longer a Robert Holton: only a series
-of masks, cracked now and no longer usable, no longer convincing.
-He could never use one again.</p>
-
-<p>He stopped falling; by an effort of will he stopped himself.
-Carla was gone and he was sorry. There was no one
-else and loneliness now crept out of the silence. He would
-have to build the barricades stronger and higher. He would
-shut loneliness out.</p>
-
-<p>The masks were no longer good. Carla had helped him
-break them. This was to be a beginning then. He would
-assume an identity. He would become a decided person and
-he would cease to be changed by others.</p>
-
-<p>Robert Holton would become a successful broker working
-in an office.</p>
-
-<p>The decision was made and he felt secure at last. The
-words and thoughts that had been in his mind, troubling
-him, stopped abruptly. He had a magic of his own and he<span class="pagenum" id="Page_208">[Pg 208]</span>
-had used it and it worked. Now he was free. There would
-be no more talk of going away to Florence and living with
-a pretty woman who loved him and wanted him to be different.
-He was resolved at last. It was as simple as that.
-With great effort he assumed an identity and freed himself
-from doubt.</p>
-
-<p>He stopped twisting. The fever was leaving and he was
-tired.</p>
-
-<p>Robert Holton turned over on his stomach and took a
-deep breath. Soon he would be asleep. All his questions
-were solved&mdash;except one. There was still something to be
-taken care of, something not very important, but bothersome.
-He frowned with his eyes shut. Then he opened them
-and he looked across the room at the dark outline of the
-picture frame.</p>
-
-<p>The dream.</p>
-
-<p>He hadn’t been able to remember the dream of the night
-before: the troubling, unpleasant dream. It had great significance,
-he knew.</p>
-
-<p>His only half-conscious mind tried to remember. He kept
-it purposefully unawake because in this state, between sensation
-and memory, most dreams could be recalled.</p>
-
-<p>For a long time he wondered. But he could not remember,
-and he went to sleep finally, exhausted, and in his mind
-was hidden the dream of the night before, the secret dream,
-the dream of death, of living. He had almost remembered.</p>
-
-
-<div class="chapter">
-<p><span class="pagenum" id="Page_209">[Pg 209]</span></p>
-
-<h2 class="nobreak"><em>Chapter Fourteen</em></h2>
-</div>
-
-
-<p class="p2">The next day was cold, colder than the early morning
-had been.</p>
-
-<p>Robert Holton took a bath, dressed, and went down in the
-elevator. He said good morning to the man at the desk who
-gave him a letter from his father. Then he went outside;
-shivering, he walked to the subway station. Without buying
-a paper he went down into the ground and at Wall Street
-he came to the surface again.</p>
-
-<hr class="tb" />
-
-<p>Marjorie Ventusa was glad to see him. The movie she had
-seen the night before had been a successful tragedy and she
-had wept and had been able to think about herself less
-tragically afterward.</p>
-
-<p>She watched him as he came into the restaurant. He went
-to his usual table and sat down. After he was seated she
-picked up a tray and walked over to him.</p>
-
-<p>“Good morning, Mr Holton,” she said, and smiled.</p>
-
-<p>“Hello, Marjorie. How’s everything going?”</p>
-
-<p>“Fine, just fine. Weather’s getting cold, though.” She noticed
-that he had dark circles under his eyes. She tried not<span class="pagenum" id="Page_210">[Pg 210]</span>
-to think of what he might have been doing with the dark-haired
-girl.</p>
-
-<p>“Got anything good for breakfast? I feel pretty worn out
-today.”</p>
-
-<p>“I guess you were out late last night.”</p>
-
-<p>He nodded. She couldn’t stop asking now; she couldn’t
-stop thinking about Robert Holton and the dark-haired girl.</p>
-
-<p>“Probably one of those big parties, I guess.”</p>
-
-<p>He nodded and said, “Sure, one of those big parties.”</p>
-
-<p>She was not sorry that he lied. “We got some good sausage
-today,” she said.</p>
-
-<p>“I’ll take whatever you got ... and black coffee.”</p>
-
-<p>“Sure, I’ll go get it.” She walked back to the kitchen. She
-frowned when she saw Mrs Merrin looking at her. She had
-to look serious even though she was happy. He had at least
-not wanted to tell her that he was out with another girl.
-She had made so many images of Holton and herself that
-she accepted an imagined closeness as real. He had not
-really been unfaithful this time.</p>
-
-<p>She called out his order to the cook and then she fixed her
-snood in the steamy mirror. She had bought a dark snood
-and she noticed now that it made her hair look darker, look
-rather mysterious. It felt good to look mysterious.</p>
-
-<p>His breakfast was ready and she took it out to him.</p>
-
-<p>She made herself busy at the next table and she talked to
-him as she worked.</p>
-
-<p>“You like going out to them big parties?”</p>
-
-<p>“Not so much.”</p>
-
-<p>“Why do you go?”</p>
-
-<p>“Business, I guess. It’s good to see all the big shots.”</p>
-
-<p>“You’re right there; you’re sure right there.”</p>
-
-<p><span class="pagenum" id="Page_211">[Pg 211]</span></p>
-
-<p>“What’s that you got on your head?”</p>
-
-<p>She giggled self-consciously and wished that she didn’t
-get so silly when she was pleased. “Just a snood. I’ve had it
-such a long time.” This was not true.</p>
-
-<p>“Looks nice,” said Holton seriously, biting into a piece of
-bread.</p>
-
-<p>“Thank you; I like it.” No, that was wrong, it sounded defiant
-and she didn’t mean that. She added in a much softer
-voice, “I’m glad you like it.”</p>
-
-<p>He ate then and she put dirty dishes on her tray. Then he
-said, “When’re you going to Italy with me?”</p>
-
-<p>She laughed. “I got some previous engagements before.
-Any other time, though.”</p>
-
-<p>“I’m told it’s nice there,” said Holton and she noticed that
-he looked sad and she was happy to think that he was a
-little concerned about her, that he was almost serious when
-he talked about Italy.</p>
-
-<p>“Maybe we’ll go some other time,” she said.</p>
-
-<p>“Sure,” said Holton, “maybe we’ll go some other time.”
-He drank his coffee. He looked at his watch. “Lord, I’m
-late,” he said. He paid her quickly. “See you at lunch.”</p>
-
-<p>“See you at lunch, Mr Holton.” She watched him go out
-the door and into the crowded street.</p>
-
-<p>She cleared his table. Then she went gaily back to the
-kitchen, her hair bobbing mysteriously in its snood. She was
-glad she hadn’t told him she’d seen him in Times Square.</p>
-
-<hr class="tb" />
-
-<p>“Late, aren’t you?” asked Caroline when Holton came into
-the office. She knew he was late but she was in a mood of
-violent humor; she was always this way when she was happy
-and she was happy today because of Trebling.</p>
-
-<p><span class="pagenum" id="Page_212">[Pg 212]</span></p>
-
-<p>“Not very,” said Holton and he went to his desk. Mr
-Murphy hadn’t come in yet and he was safe. Caroline sat for
-a moment enjoying the pale white sunlight that shone across
-her desk. Then she got up and came over to Holton’s desk.</p>
-
-<p>She was awkward now. She wanted to find out things but
-she didn’t want to be subtle. She tried anyway. “I was out
-with Jim last night,” she began.</p>
-
-<p>“How do you like him?” Holton wasn’t paying much attention
-to her and this was irritating. He was busy putting
-books on his desk. She looked around to see if anyone was
-watching. Kuppelton was out of the room and no one else
-appeared interested. She sat down on his desk.</p>
-
-<p>“I like him quite a bit,” she said.</p>
-
-<p>He looked at her. “Good,” he said. “Jim’s a fine fellow.
-You’ll have fun playing around with him.”</p>
-
-<p>“I suppose I will.”</p>
-
-<p>“Just don’t take him too seriously, though. He’s sort of an
-expert with girls.” How shallow Holton was, thought Caroline.
-“Just play with him and you’ll be all right. A lot of
-girls’ve liked him.”</p>
-
-<p>“I can understand that. He’s really serious about starting
-something himself. At least he doesn’t want to work for
-somebody like everybody else wants.” She wanted this to be
-sharp; she didn’t care if it hurt or not.</p>
-
-<p>“That’s a good thing to want,” said Holton. How dull he
-is, thought Caroline, comparing him unfavorably with Jim
-Trebling.</p>
-
-<p>There was nothing she wanted to know from Holton.
-“How was your society party?” she asked.</p>
-
-<p>“It was O.K.,” said Holton. “It was interesting.”</p>
-
-<p>I’ll bet, thought Caroline. She was impatient of others now<span class="pagenum" id="Page_213">[Pg 213]</span>
-that she knew she was appreciated, knew that she was to
-see Trebling that night. “Well, don’t work too hard,” said
-Caroline, getting up from the desk. “By the way, I’m going
-out with Jim tonight.”</p>
-
-<p>“Better be careful,” said Holton seriously.</p>
-
-<p>She laughed. “I’m always careful; didn’t you know that?”</p>
-
-<hr class="tb" />
-
-<p>Heywood was feeling well. He had managed to get home
-early the night before. That was one advantage in going to
-the theater alone: you didn’t have to go some place afterward
-and get drunk.</p>
-
-<p>He sat contentedly in the mahogany twilight of his large
-office, looking at a photograph of himself. There was no particular
-work to be done. Golden hadn’t bothered him yet
-and it would be almost an hour before he had his first conference.</p>
-
-<p>A buzz came out of the box on his desk. He pressed a
-button.</p>
-
-<p>“Mr Murphy to see you,” said his secretary, concealed in
-the box.</p>
-
-<p>“Send him in.” There was something he had to tell
-Murphy. Something to do with the party. The young man,
-Robert Holton: he was to do something for him.</p>
-
-<p>“Good morning, Murphy.” Mr Heywood did not bother
-to rise.</p>
-
-<p>“Morning, Mr Heywood,” said Murphy and Heywood
-wished his voice wasn’t so loud. It jarred the twilight mood
-of the office.</p>
-
-<p>“I’ve got some statistics here, the ones on Steel stocks; the
-ones showing fluctuation and ...”</p>
-
-<p><span class="pagenum" id="Page_214">[Pg 214]</span></p>
-
-<p>“Ah, yes, Murphy, that’s very good of you to have them
-for me so promptly. I have another matter to discuss....”
-Heywood paused to make sure that Murphy was listening to
-him carefully. “This boy, Holton,” he went on, “I think he
-might do better dealing with the public, don’t you?”</p>
-
-<p>“Yes,” said Murphy judiciously, “yes, I think that might
-be a good place for him. You saw him last night?”</p>
-
-<p>“What? Oh, yes, I saw him last night. I had a pleasant
-talk with him. He’s a clever young man, I think.”</p>
-
-<p>“Yes, he’s got a good head on his shoulders,” agreed
-Murphy.</p>
-
-<p>“You will tell him, won’t you, about his promotion and,
-ah, transfer?”</p>
-
-<p>“Certainly. He’ll be glad to hear this. I’ll be glad to tell
-him. And, by the way, there’s another matter in my section....”</p>
-
-<p>“And what is that?” asked Heywood gently, trying not to
-yawn.</p>
-
-<p>“Well, we’ve a man named Kuppelton who’s always done
-a good job and I think he should get the usual promotion in
-that department. The one we had in mind for Holton.”</p>
-
-<p>Heywood sighed. “Certainly, Murphy; I rely, as always,
-on your recommendation in these cases.”</p>
-
-<p>“Thank you....” They talked then of nothing that interested
-Mr Heywood. Finally Murphy left.</p>
-
-<p>Mr Heywood yawned and stretched. He was rested and
-almost happy. He would make good decisions today. He sat
-back in his chair and looked at the photograph of himself.
-He would divorce his wife and go to South America for a
-year. Or perhaps he wouldn’t divorce his wife but take her
-to South America instead. It was strange but he looked<span class="pagenum" id="Page_215">[Pg 215]</span>
-younger now than he did when the photograph was taken
-several years before.</p>
-
-<hr class="tb" />
-
-<p>When Kuppelton heard the news his first impulse was to
-call his mother immediately on the phone and tell her all
-about it. He decided not to, though, because, after all, it
-wasn’t completely official. He did talk to Holton about it.</p>
-
-<p>“Congratulations,” he said as he came over to Holton’s
-desk. Mr Murphy had already gone to lunch and it was safe
-to talk.</p>
-
-<p>“Thanks,” said Holton, smiling. He didn’t seem as happy
-as Kuppelton expected him to be.</p>
-
-<p>“Caroline just told me that Mr Murphy told you you were
-going to be a customers’ man and I’m certainly glad to see
-you’re getting ahead. I always thought that this job would
-be too small to hold you.” He paused. “When do you think
-you’ll move out?” he asked, looking away.</p>
-
-<p>“The first of next week probably.” Holton chuckled. “I
-guess you’ll be sorry to see me leave.”</p>
-
-<p>Kuppelton recognized the sarcasm but he didn’t care.
-“Sure I’m sorry. Of course, it’s good news, in a way, for me.”</p>
-
-<p>“It is at that.”</p>
-
-<p>“You sure got a good deal. Well, you can’t beat City Hall
-I always say.”</p>
-
-<p>“You always say that?”</p>
-
-<p>“What? Well, no, but.... What I meant was....”</p>
-
-<p>Robert Holton only laughed.</p>
-
-<p>Kuppelton tried to talk some more with him but it was
-very difficult; they never had liked each other, anyway.
-Kuppelton left him to go to lunch.</p>
-
-<p><span class="pagenum" id="Page_216">[Pg 216]</span></p>
-
-<p>He was jubilant but dignified as he put on his coat and
-hat and walked down the corridor. He would have a lot of
-news to tell his mother tonight. Everything had worked out
-nicely and soon he would be making more money and everyone
-he knew was happy.</p>
-
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK IN A YELLOW WOOD ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br />
-<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br />
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
-</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &#8226; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&#8217;s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>