summaryrefslogtreecommitdiff
path: root/old/66935-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/66935-0.txt')
-rw-r--r--old/66935-0.txt3066
1 files changed, 0 insertions, 3066 deletions
diff --git a/old/66935-0.txt b/old/66935-0.txt
deleted file mode 100644
index af5ea91..0000000
--- a/old/66935-0.txt
+++ /dev/null
@@ -1,3066 +0,0 @@
-The Project Gutenberg eBook of The Yale Literary Magazine (Vol. I, No. 6,
-August 1836), by Students of Yale
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: The Yale Literary Magazine (Vol. I, No. 6, August 1836)
-
-Author: Students of Yale
-
-Release Date: December 12, 2021 [eBook #66935]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: hekula03, sf2001, and the Online Distributed Proofreading
- Team at https://www.pgdp.net (This book was produced from
- images made available by the HathiTrust Digital Library.)
-
-*** START OF THE PROJECT GUTENBERG EBOOK THE YALE LITERARY MAGAZINE (VOL.
-I, NO. 6, AUGUST 1836) ***
-
-
-
-
- THE YALE LITERARY MAGAZINE.
-
- CONDUCTED BY THE
- =STUDENTS OF YALE COLLEGE=.
-
- [Illustration: “Dum mens grata manet, nomen laudesque Yalenses
- Cantabunt Soboles, unanimique Patres.”]
-
- NO. VI.
-
- AUGUST, 1836.
-
- NEW HAVEN:
- HERRICK & NOYES.
-
- MDCCCXXXVI.
-
-
-
-
- Contents.
-
-
- Page.
- Turkey and Greece, 209
- Thoughts on the Death of an Aged Friend, 214
- The Omnibus, 216
- Epigram, 227
- The Coffee Club, No. IV, 228
- What is Bitter, 241
- The Reason of Animals not the Reason of Man, 242
- De Lopez, the Brave, 246
- Mr. Willis, 249
- Greek Anthology, No. VI, 252
- “Our Magazine,” 256
-
-
-
-
- THE
- YALE LITERARY MAGAZINE.
- VOL. I. AUGUST, 1836. NO. 6.
-
-
-
-
- TURKEY AND GREECE.
-
- “There is a connection [_verbindung_] among men, in
- which no one can work for himself without working for
- others.”--_Fichte._
-
- “The tie of mutual influence passes without a break from
- hand to hand, throughout the human family. There is no
- independence, no insulation, in the lot of man.”--_Natural
- History of Enthusiasm._
-
-
-There is a tendency to regard the commotions of society, which have
-taken place of late years, as the results of modern diplomacy, or of
-notions concerning human rights, which have received birth and risen to
-their present vigor within the last fifty years. Hence, it is argued,
-there is a liability to reaction. The bright lights may go out, and
-despotism triumph in the moral and political degeneracy. Yet this view
-of the matter is very superficial. It is regarding the trunk as the
-origin of the tree, overlooking the seed and the root. The truth is,
-the principles now developing have their origin with society. For,
-all sound political principles have a common foundation--the rights
-of man. His selfishness, especially his thirst for sway, aided by
-ignorance, has kept through force and fraud the true principles of
-human government from being understood and adopted. Still the ancient
-kingdoms, the world-empires and all, though now in their tombs, left
-inscriptions on their head-stones of diamond worth to the science of
-government. They are beacon-lights for the modern statesman. Their
-wisdom and their folly, both aid him to discover the true rules for
-human government, which have been buried up and concealed by folly
-and passion since the days of the Patriarchs, from whom all civil
-authority had its rise. Added to this light of experience, collected
-by by-gone nations, are other influences of a physical nature. The
-application of the magnet to purposes of navigation, was one of those
-master thoughts, which, from its vast importance, we are almost tempted
-to regard as an idea of directly divine origin. The influence of this
-on the whole family of man, can be best estimated by suffering one’s
-self to think what the state of the world would of necessity be, were
-it entirely unknown. Again, the application of steam to machinery, is
-not only changing the aspect of things in the New World and Europe,
-but this invention was a positive act for the moral and physical
-renovation of Asia and Africa--an act of such power as must hasten
-their new birth by centuries. British steamers are already on their
-way to explore the Niger. It is the operation and display of this vast
-physical force, which is to be a great means of starting into action
-the stagnated mind of this part of our race. These discoveries, it will
-readily be allowed, can never cease to operate. Entwined with political
-experience, they stand firm barriers to any relapse in the general well
-being of the human family; while, year after year, to these and others,
-which cannot be mentioned in the limits of a single article, are added
-the discoveries of physical and political science, as they occur, until
-their increasing light reveals to the common eye, one and another,
-and another, of the rights of man, which designing men, “tyrants, or
-tyrants’ slaves,” have striven to conceal. Almost every nation of the
-earth has had some of its dark places pierced by these accumulating
-rays. Despotic powers have been forced to yield up some part of the
-prerogatives of the crown, or to surround them with stronger guards.
-Constitutional governments have been compelled to adopt measures of
-reform, and to pursue a course of policy more uniformly liberal.
-
-Amid these commotions, no nations have more attracted the attention of
-all classes, than Turkey and Greece. The politician has watched with no
-little anxiety the rapid dismemberment of that power, which has so long
-stood the great barrier between the East and West. The scholar has felt
-a new hope that the mother-land of mental light may be herself again.
-While the Christian is assured that the Almighty is thus shaking the
-nations for the accomplishment of his own high ends. He is but making
-straight the path of his servants.
-
-The history of the Turks is remarkable and instructive--in the sudden
-rise of their empire--in its long continuance--and precipitate fall.
-The wild region of Mount Taurus and Imaus was their cradle. At once
-the most barbarous, the rudest, and the most enterprising of all the
-Saracen tribes, they penetrated to the banks of the Caspian Sea, and
-serving as mercenaries under the Caliphs, acquired great reputation
-for military prowess, and soon subjugated the contending Caliphats
-to their own sway. Palestine, with its capital Jerusalem, fell into
-their hands. Near the middle of the fourteenth century, they crossed
-into Europe, and possessed themselves of Adrianople. In a few years
-subsequent to this event, the city of Constantine, to adorn which
-he had lavished the treasures of his realm, was doomed to see their
-triumphant banner floating above her walls. Epirus soon suffered the
-fate of Constantinople; and the land of the orator and philosopher,
-which built a bulwark against Xerxes, received their chains. They
-marched victorious even to the walls of Vienna; but were finally driven
-back as far as Greece. European arms could avail no farther. In other
-directions this remarkable people were uniformly successful; until,
-in the sixteenth century, the Sultan was lord of thirty kingdoms,
-containing not less than eight thousand leagues of sea coast, and
-some of the fairest portions of the world. Not only those regions
-which have been rendered famous as the homes of the great masters of
-sculpture, song and philosophy, but the land of the Patriarchs, where
-were exhibited the thrilling scenes of the accomplishment of the
-covenant of God with man--Baghdad, the court of the science-loving
-Caliphs--Egypt--and the countries of Asia Minor, whose luxuriance not
-even Turkish thraldom and indolence has sufficed to destroy.
-
-But this great empire was in itself radically defective. The government
-depended on extortion for its revenue--on physical force or a degrading
-imposture for obedience; neither of which, whatever may have been
-the case in other days, could be safely trusted, in the light which
-is breaking over the human family, and over the Turks as a part of
-it. The present Sultan found himself in the dilemma between reform
-on the one hand, in accomplishing which his throne, and perhaps his
-life would be jeopardized, and certain destruction on the other. In
-choosing the least of these evils, Greece, Egypt, and Palestine, were
-severed from his empire. Mahomet Ali would have attacked him in his
-capital, but for the interposition of the Tzar, who was fearful of
-losing a prize which has ever been the object of Muscovite ambition,
-the throne of Constantine. But while the black Eagle of Russia spread
-his wings as a shelter for the Turk, he coolly seized in his talons the
-keys of the Dardanelles; thus rendering any further interposition on
-the part of England, who has so often balked the Tzar in his darling
-project, entirely futile. Since which event, the fall of Turkey has
-been pronounced as certain by all. What is to be its precise effect
-on the politics of Europe, is a question which only a Talleyrand or
-a Metternich could answer with any probability of truth. Yet the
-foregoing remarks exhibit facts from which consequences of high
-importance must follow.
-
-They exhibit the empire of the Ottomans as once occupying a proud
-station among the greater powers--as forming a boundary and preserving
-a balance between the East and West--as a firm check on Muscovite
-ambition--and as, from her consequence, possessing great weight in the
-councils of nations; and it is apparent that she cannot fall without
-important political consequences.
-
-They exhibit her with a religion, which has ever been a bane to all
-nobler sentiments or aspirations of the soul, brooding like night over
-some of the fairest portions of the earth, blasting by the baleful
-influence of her institutions the legitimate effect, both on mind
-and body, of her naturally fair plains, rich vallies, and brilliant
-skies, which, in other times, produced models for an Apollo Belvidere
-and a Venus de Medici, and nourished men who were masters of the earth
-and of mind; and it is evident that she cannot fall without important
-consequences to the beaux Arts and Literature.
-
-They exhibit her, as the main support and promoter of the debasing,
-sensual tenets of Mahomet, in countries where the Apostles, and even
-Christ, toiled and suffered. They exhibit her, as the systematic
-opposer of the message of the Prince of Peace, to her distracted
-provinces--the only balm for their wounds--the only physician for their
-souls; and the effect of her fall on the highest of interests cannot be
-unimportant.
-
-What then is to be the influence of the prostration of the Ottoman sway
-in these cradles of early knowledge, upon literature, science, and the
-beaux arts?
-
-Winklemann, in his history of sculpture, assigns as a principal reason
-of the superiority of the Greeks in that sublime art over other
-nations, the circumstance of their inhabiting a land so surpassingly
-endowed by nature; and with much truth. Their bodies, neither chilled
-nor contracted by the long winters of the north, nor softened into
-lassitude and effeminacy by the tropical sun, but continually moving
-and breathing in the purest air, under the mildest and most brilliant
-of skies, whose loveliness was constantly exciting in the mind the most
-agreeable trains of thought, attained, in their fair proportions, to a
-harmonious keeping with the beauty around.
-
-Close observation must convince every candid mind, that there is some
-truth in the grand outlines of Phrenology. Forms such as aided in the
-conception of those master pieces of ancient statuary, were never, and
-never will be, inhabited by inferior or grovelling spirits. Vitiated
-they may be by extraneous circumstances. Their noble faculties may be
-turned to unworthy purposes. Corrupted by long intercourse with the
-morally debased, they may, like the modern Greek, suffer the imputation
-of being worse than their examples. But this is the proof of the
-position. They are bad, but like Lucifer they are greatly so.
-
-How long is this to be the case with Greece? Emphatically no longer.
-Already by the aid of the missionary and foreign science, she is
-realizing the fable of the renascent phenix; already are those whose
-beauty of person long years of servitude have been unable to destroy,
-renewing the moral beauty of the spirit within; already are they
-turning those powers which made them remarkable in depravity to their
-proper channels. And he, whose love for the human family, or reverence
-for the classic scenes of Greece, has led him to peruse the late
-accounts from thence: if he has observed the avidity with which they
-seek instruction, when they once taste of its sweets: if he has noticed
-their teachable spirit, rapid improvement, exhibitions of ingenuity
-and taste: his bosom has exulted in the sober certainty that Greece
-will be herself again. But why has this fair morn at last dawned over
-this singularly illustrious land? The answer is plain. Mahometan
-despotism and ignorance no longer hold sway within her borders. If this
-be so, what is to be the effect of the removal of Turkish intolerance
-and misrule, and the establishment of an enlightened and responsible
-government over the shores of the Levant, in the same parallels of
-latitude? Are the fields of Anatolia less rich than those of Greece, or
-her harbors less promising for commerce? or are the Greeks, scattered
-through those regions, who at least double the number of those in their
-father-land, less capable of moral improvement? Is the conclusion drawn
-from unfair premises, that the day of the deliverance of this country
-is near--that the angel of knowledge will again spread his wings over
-Anatolia, Palestine, Arabia, Egypt, her ancient home? The conclusion is
-not, can not be false. The same physical influences operate now as in
-days of old, though the misrule of man may have marred their effects.
-The same high cast of mind is there which won immortality for their
-fathers: and why may not spring up in those regions, under a wiser
-government, and a purer religion, a people, in arts and science even
-superior to the ancients? Why may there not arise, under the auspices
-of virtue and wisdom, new models for a Venus or an Apollo? Why may not
-the Parian marble there rise into temples of as fair proportions as
-that of Olympus or of Minerva, reared for nobler purposes, dedicated to
-a far higher and holier worship?
-
-The influence of the subversion of the greatest rival of the Christian
-church, is a subject replete with interest. When the mere politician,
-unswayed by the fond hope which might influence the Christian’s
-decision, publishes to the world as certain the prostration of
-Turkey--when the disciple of Jesus may at length point the startled
-infidel to the tottering fabric of Mahometanism, which he has impiously
-dared to name as co-enduring and co-equal with the pure Christian
-faith, and bid him look on, as column after column is torn away from
-the crumbling structure, as Immanuel is triumphing where Mahomet
-ruled--when the finger of the Almighty is writing as palpably the
-sentence of this unparalleled imposture as when it traced on the wall
-the doom of Babylon--what heart does not glow with deeper gratitude,
-overflow with more fervent thanksgivings, and pray with strengthened
-faith?
-
-The time is to be when “nations shall be born in a day:” and from the
-ardent character of the east, it seems not improbable that it is to be
-witness of this latter as it was of the former triumphing of the cross.
-
-It is an especial appointment of providence, that nations more
-advanced in civilization must necessarily labor for the improvement of
-those which are less so. So the East once labored for the West. Now
-the nations of the west, with their Institutions of Learning--their
-Presses--their Forges--their Dock Yards--working together for the
-perfection of human knowledge, and for facilitating its diffusion--pour
-light of constantly increasing brightness over the East. Still greater
-commotions must soon follow in these early inhabited regions. Their
-renovation must advance rapidly and steadily. There may and doubtless
-will be times of apparent retrogradation, but it will be like the
-flood-tide waves, which roll back from the shore only to mount still
-higher on their return. It may be said that these things are uncertain,
-because they are future; but it is not necessarily so. The diffusion of
-sound political principles, and the rising of the Sun of Righteousness
-over these nations, seem as clearly heralded by these events, as is the
-coming of the material sun when morning is breaking in the east, the
-night-damps leaving the earth, the clouds decking themselves in gold
-and purple, and all nature waking for the duties of a new day.
-
-
-
-
- THOUGHTS ON THE DEATH OF AN AGED FRIEND.
-
-
- I stood beside his death-bed, and a smile,
- Like the last glance of the departing sun,
- Played on his features; life was ebbing fast,
- And death was creeping o’er him stealthily--
- And yet he smiled, as the last hour came on.
-
- We gathered round him, and his eye grew dim,
- And his voice faltered, and the shortening breath
- Came through his parted lips convulsively--
- The last faint accents of a murmured prayer:
- And then we turned us from his couch, and wept
- That the dear ties were severed, which had bound
- Our hearts in kindred intercourse:--We grieved
- That he whom we had loved so tenderly,
- Should pass away with the forgotten dead.
-
- Oh, there is something saddening in the thought
- Of death, whene’er it comes. To stand beside
- The death-bed of a dear and cherished one;
- To mark the tristful pangs, the hopes and fears,
- To see the perishing form of loveliness,
- And hear the last fond parting word--_farewell!_
- And then to gaze upon the lifeless form,
- To part the damp locks from the marble brow,
- And wipe the death-dews which have gather’d there;
- To lay the sleeper in his narrow house,
- And leave him with the cold and listless dead,--
- Oh, it is saddening!--and the tide of tears--
- The warm, warm tears, that gush from feeling hearts--
- Oh, they are holy!--And there is a bliss,
-
- When the heart swells with anguish, and when grief
- Chokes up the spirit in its agony--
- Oh, there is something--and ’tis like the dew
- Which evening sheds upon the summer flower,
- And weighs it down, until it bows itself,
- And pours the bright drops from its secret cell.
-
- Oh, holy is the fountain of those tears,
- And pure their gushing. ’Tis a holy thing
- To weep at such an hour. ’Tis manliness
- To yield the heart to feeling, and to loose
- The shackles that so cramp its energies,
- And bind it down to the unfeeling world.
-
- Yet why thus mourn for those who die, when age
- Has made existence but a weariness?
- Why grieve that they should cast aside the coil
- That binds them to the earth and wretchedness?
-
- We do not weep at Autumn; when the leaves
- Lie in the valleys--mortals never weep
- When the tree casts its fruitage, or when flowers,
- Blooming through the mild months, all fade away
- In their appointed season: Then why weep
- For those whose years have passed the destined bourne
- Of man’s existence.--Rather let us weep
- For the young flower that blossometh and dies,
- Ere it hath seen the noon-day. Rather mourn
- For those, the sweet and beautiful of earth,
- Who die in youth’s bright morning.
-
- Tears for the flowers, and the young buds of hope,
- That wreathe Death’s altar:--let us weep for them.
- But let us dash away the sorrowing tear,
- That falls upon the aged sleeper’s grave;
- And joy that he has left this sinful world,
- And sought a purer and a happier sphere,
- Where sorrow never comes, and where no care
- Blanches the cheek, and makes the spirit sad;
- Where sin hath never entered, to pollute
- The perfect sense of happiness; where all
- The great and good of earth for ever dwell,
- In the soft sun-shine of _Eternal youth_.
-
- H.
-
-
-
-
- “THE OMNIBUS.”[1]
-
-[1] An “Omnibus” (this explanation is one of pure politeness on our
-part, and for the sake of the uninitiated) is a substitute for an
-Album; in which, any thing, every thing, and nothing, are quartered
-heterogeneously, and made good friends--supposing all this time that
-the thing be kept within the pale of proprieties. They are with, or
-without covers--written in black or red ink--up or down--crossways or
-otherwise, just as it happens. They were first got up by a certain
-_coterie_ of ladies, who had sense enough to see that “Albums” are very
-sentimental and very ridiculous, owing to the extreme nicety with which
-a man must scribble for them; and that by introducing a little more
-latitude in this respect, the evil might in a measure be remedied. The
-result, ’tis thought, has shown their wisdom.
-
-
- I.
-
-“Come, write in my ‘Omnibus,’” said a sweet girl to me, with an eye
-that made one’s heart bump, and a lip that made him dream dreams. I
-looked into that eye, and at that lip--they almost unmanned me, yet I
-shook my head.
-
-She looked imploringly.
-
-“Can’t,” stammered I at last, though it choked me to say so.
-
-“Pray do,” and she laid her soft white hand on mine. Heavens and Earth!
-how the touch of that little hand thrilled through me--burnt along my
-arm--then down into my heart. Yet I remembered my resolution--I made
-it the day before--I swore by my happiness I’d never touch pen again.
-Still, there lay that hand--the long tapering fingers--I counted
-them one way, then t’other--how pretty they looked! I tried to look
-away--I looked at the four corners of heaven--some how or other, my
-eyes came right back again. Then I felt a soft pressure, those fingers
-contracted, they clasped--it was all over with me--the grasp of
-Hercules were nothing to it.
-
-The first thing I did was to kiss them--the next, find my senses. She
-blushed, I fidgeted.
-
-“Think out something”--the sound was like a brook in summer.
-
-So I thought, and thought, and thought--
-
-Thought I was by the ocean. Every body has stood by the ocean. Every
-body loves the ocean. They love it because ’tis beautiful. They love it
-because ’tis terrible. Who that could ever tell his passions, as he has
-seen the giant rouse himself--the black sky split by the thunder-bolt,
-and so brazen and fiery that it seemed crisping, and “about to roll
-away with a great noise”--the driving wind--the bellowing thunder--the
-crashing deck--the rattling cordage--the death shriek of the
-sea-shipped wretch as the wave went over him--the horror-like eye’s
-last glance upon you! But I don’t mean such an ocean. It wasn’t such an
-one that I was standing by. It was a pretty considerable, magnificent,
-almighty, great sheet of water as far as the eye went, with a sky above
-that made one’s heart leap to look at it--its depth of blue seeming
-to stretch away and away, field after field, without a mist or cloud
-in it to mar its beauty--one unbounded, unshadowed sweep of glory and
-magnificence. The winds, soft and balmy, went whirling and whimpering
-along its surface, curling and crinkling it into small white waves,
-that, racing and capering up the beach, sparkled and turned into
-bubbles, and were caught up by the sun beams. Here and there the waters
-break. The huge porpoise went plunging, and sousing, and weltering
-along his blue path, flapping his huge tail into the air, and grunting
-his happiness--the bright light refracted from his surface, came to
-the eye like a rainbow. Here and there the flying fish slipped from
-his element, and went careering away over the far waters, till with a
-light dash or slap, his white wings dipped again into the ocean. The
-distance had one sail, a single one, right on the horizon’s edge--type,
-methought, of a being shut from the world--a human heart cut loose from
-sympathy--on the black desert of man’s pilgrimage. Such was the scene.
-I felt it. I rose, and stood, and shouted, and--
-
-
- II.
-
-Thought I was down in the ocean--right on the bottom. Whew! what a
-place it was!--saw all sorts of things, living and dead--all colors,
-good and bad--all shapes, hateful and fascinating. Here I wandered
-through endless groves of coral. Aloft went the light shafts tapering
-away into the blue distance, then branching forth into a glorious
-canopy, through which came the broken light with a mellowed beauty,
-not unlike the sun’s beams through a polished fresco-worken slab
-of alabaster. The waves swung backwards and forwards through this
-submarine forest, and their rush made the tall shafts quiver like
-aspen boughs in the tempest wind; and the light coral twigs, here and
-there detached by the waters, fell thick and fast like star showers
-in wintry nights. Nor should I forget the sounds of those waters as
-they tossed up the shells which were scattered there, and witched from
-them a music, that tripped and tilted through the brain, like Mab
-and her melodies in moonlight vision. It changed! I was in a desert!
-Rocks and barren surfaces above, beneath, around me! Wild cliffs--rent
-fastnesses--deep chasms--yawning and gaping like the cleft jaws of
-Hell! They had wrecks, and ruins, and dead men, and skeletons, and
-skulls in them. Here were fragments of those mighty tenements, that
-once rode in triumph on the wave’s surface. There were those black
-engines, wont to belch forth “their devilish glut,” and flame, and
-thunder. Here were skeletons--some hugging in mortal conflict. They
-were grappled together, as when death overtook them--their jaws yet
-apart, as the last curse dwelt on them, the moment the bolt came.
-There were friends too, parent and child, husband and wife, lover and
-maiden--laid as they died, locked heart to heart, each on the other’s
-breast, the two a unity. I sickened, shuddered, gasped--
-
-
- III.
-
-Thought I was in a forest--a bright, a green, a glorious forest. My
-heart ached, and I had turned from the heated world and its miseries,
-and where the lofty branches had intertwined and woven a pleasant
-twilight dwelling place, I sat me down to meditate. Then I scribbled
-and scribbled--and thus, I scribbled--
-
- This is indeed a sacred solitude,
- And beautiful as sacred. Here no sound
- Save such as breathes a soft tranquillity,
- Falls on the ear; and all around, the eye
- Meets nought but hath a moral. These deep shades--
- With here and there an upright trunk of ash
- Or beech or nut, whose branches interlaced
- O’ercanopy us, and, shutting out the day,
- A twilight make--they press upon the heart
- With force amazing and unutterable.
- These trunks enormous, from the mountain side
- Ripp’d roots and all by whirlwinds--those vast pines
- Athwart the ravine’s melancholy gloom
- Transversely cast--these monarchs of the wood,
- Dark, gnarl’d, centennial oaks that throw their arms
- So proudly up--those monstrous ribs of rock
- That, shiver’d by the thunder-stroke, and hurl’d
- From yonder cliff, their bed for centuries,
- Here crush’d and wedged--all by their massiveness
- And silent strength, impress us with a sense
- Of Deity. And here are wanted not
- More delicate forms of beauty. Numerous tribes
- Of natural flowers do blossom in these shades,
- Meet for the scene alone. At ev’ry step,
- Some beauteous combination of soft hues,
- Less brilliant though than those which deck the fields,
- The eye attracts. Mosses of softest green,
- Creep round the trunks of the decayed trees;
- And mosses, hueless as the mountain snow,
- Inlay the turf. Here, softly peeping forth,
- The eye detects the little violet
- Such as the city boasts--of paler hue,
- But fragrant more. The simple forest flower,
- And that pale gem the wind flower, falsely named,
- Here greet the cautious search--less beautiful
- Than poets feign, though lovely to the eye.
- These with their modest forms so delicate,
- And breath of perfume, send th’ unwilling heart
- And all its aspirations, to the source
- Of Life and Light. Nor woodland sounds are wanting,
- Such as the mind to that soft melancholy
- The poet feels, lull soothingly. The winds
- Are playing with the forest tops in glee,
- And music make. Sweet rivulets
- Slip here and there from out the crevices
- Of rifled rocks, and, welling ’mid the roots
- Of prostrate trees or blocks transversely east,
- Form jets of driven snow. Soft symphonies
- Of birds unseen, on ev’ry side swell out,
- As if the spirit of the wood complain’d
- Harmonious, and most prodigal of sound;
- And these can woo the spirit with such power,
- And tune it to a mood so exquisite--
- That the enthusiast heart forgets the world,
- Its strifes, and follies--and seeks only here
- To satisfy its thirst for happiness.
-
-
- IV.
-
-Thought I was on an island--the brightest thing ever dancing in a
-poet’s vision, a perfect Eden-spot, an Elysium--
-
- Ye of the pure heart, come to me!
- List to a tale of Poesy;
- List--for, for it, ye may better be--
- So scorn not the minstrel’s minstrelsy.
- Ye with a brow like the broken wave’s drift,
- With an eye whose light is the first star of even,
- When it streameth afar through the sky’s red rift,
- The only and loveliest thing in heaven;--
- Ye with a cheek like the marble fair,
- Ye with a lip like the bright summer dew,
- Ye with a softness and loveliness there
- That Fancy never drew;--
- Whose hands and whose hearts have been ever lent,
- As spirits of mercy from Heaven sent:--
- Ye have the pure heart--come to me!
- List to a tale of poesy;
- Give me your ear--give me your smile--
- List to the lay of ‘The happy Isle.’
-
- That Isle--so beautiful to view!
- No poet’s fancy ever drew;
- He had not dreamed of such a thing,
- With all the beauty he could bring.
- It lay upon the open sea,
- It lay beneath the stars and sun--
- A thing, too beautiful to be,
- A jewel, cast that sea upon.
- The winds came upward to the beach--
- The waves came rolling up the sand--
- Then backward with a gentle reach,
- Now forward to the land,
- Sparkling and beautiful--tossing there,
- Then vanishing into the air.
- The winds came upward to the beach--
- The waves came upward in a curl--
- Then far along the shore’s slope reach,
- There ran a line of pearl.
- And shells were there of every hue--
- From snowy white, to burning gold--
- The jasper, and the Tyrian blue--
- The sardonyx and emerald;
- And o’er them as the soft winds crept,
- A melody from each was swept--
- For melody within each slept,
- Harmoniously blended;
- And never, till the winds gave out,
- And ceased the surf its tiny shout,
- That melody was ended:
- Morn, noon, and eve, was heard to be,
- The music of those shells and sea.
- The winds went upward from the deep--
- The winds went up across the sand--
- And never did the sea winds sweep
- Over a lovelier land.
- The northern seas, the southern shores,
- The eastern, and the western isles,
- Had rifled all their sweets and stores,
- To deck this lovely place with smiles:
- And mounts were here, and tipp’d with green,
- And kindled by the glowing sun;
- And vales were here, and stretch’d between,
- Where waters frolic’d in their fun:
- And goats were feeding in the light,
- And birds were in the green-wood halls;
- And, echoing o’er each hilly height,
- Was heard the dash of waterfalls:
- O! all was beauty, bliss, and sound;
- A Sabbath sweetness reigned around;
- All was delight--for every thing
- Was robed in loveliness and spring--
- Color, and fragrance, fruit, and flower,
- Were here within this Island bower.
-
- But purer, sweeter, brighter far--
- Brighter than Even’s earliest star,
- Was she, the spirit of the place,
- The mortal with an angel’s face.
- A form of youthful innocence,
- With love, and grace, and beauty rife--
- As erst, from ocean’s tossing foam,
- Fair Venus sparkled into life.
- Around her pale and placid brow,
- By long and auburn ringlets hid,
- A radiant flame ran circling,
- And o’er her face a lustre shed.
- Her eye, so full--a spirit nursed,
- So blue--it seem’d a part of heaven,
- So light--it was the sudden burst
- Of meteors mid the stars of even.
- A robe of azure pale she wore,
- Her matchless symmetry concealing;
- Save where her bodice oped before,
- Her soft and snowy breast revealing.
- And in her hand (her arms were free)
- She bore a reed from ocean’s side;
- Her feet were bare-- * * *
- * * * * * * *
-
-
- V.
-
-Thought I was in love. Heavens! what a creature she was! Her form
-was like a fairy’s; and her face, about which the flaxen ringlets
-fell long, and soft, and silky, was at once so arch and sweet, it
-witched the very soul out of me before I knew it. Her picture is
-before me.--Her head like Juno’s, when she walked before the Olympic
-Thunderer, and yet a woman’s; her brow, high, and white, and pure;
-eyes of heaven’s own coloring, and bright, and ustrous, and large,
-and full, in whose crystalline depths slept a soul such as--as--you
-must guess at, reader, I can’t think of a comparison; a cheek, the
-eloquent beauty of which melted away so gradually into the pure
-transparency of her temples, that the eye lost it, and was wandering
-away, up, and around them, before it became aware of its own vagaries;
-and her mouth--Heavens and Earth! it was altogether and absolutely,
-the sweetest, prettiest, pouting, come-kiss-me, little mouth, I ever
-looked at; and her voice--her voice--how clear and musical--there was
-nothing like her clear, happy laugh--it rung like an instrument--like
-the silvery bell in the Faery Tale; and when she prettily bade me sit
-at her feet, and look up into her clear bright eyes--pooh! I might as
-well have attempted to knock Destiny on the head at once, and steer
-the boat of life myself, as keep from doing her bidding; and her
-form, robed as she was in her white cymar, with a single rose in her
-hair--the neck--the full bust--the rounded arm--the graceful curvature
-and wavy sweep of her folded dress, as it swelled from her glittering
-zone and fell to her feet--dear me! dear me--I--but this will do for a
-description.
-
-Her name was Fan.
-
-One beautiful twilight--I shan’t forget it soon--one twilight, as the
-sun went, and right over his glorious resting place, the clouds of
-evening, like an enormous sweep of woven chrysolite, hung pinned by a
-single star to the blue wall of heaven--I sat and gazed at that star,
-then into her eyes; now into her eyes, and then at that star again;
-and--I grew silly.
-
-Says I, “Fan!”
-
-Says she, “Frank!”
-
-“You are very pretty,” says Frank.
-
-“You are very impudent,” says Fan.
-
-She shook her head at me, and drew her mouth into the queerest pucker
-imaginable.
-
-“Fanny,” said I seriously.
-
-She sobered.
-
-Some how or other, I got hold of her hand--’twas a pretty hand! I
-kissed it.
-
-“Don’t be silly;” and she gave me a cuff that made me see stars.
-
-“Fanny, I”--
-
-She looked softly at me.
-
-“Dearest Fanny, I”--
-
-She pouted.
-
-“I--I”--
-
-She blushed.
-
-“I--love you.”
-
-She sprang into my arms.
-
-Bending back her head, and shaking her long locks from her pretty brow,
-our lips--
-
-Hillo! reader, you are not getting sentimental, are you? Don’t now; for
-I’ve no sympathy with you--no more sentiment than a horse.
-
-But stop; here’s a bit, and written when things were tremendous. _Ecce
-signum!_
-
- O Fanny, sweet Fanny,
- I cannot tell why,
- But I live in the glance
- Of thy witching blue eye--
- In the light of the spirit
- And loveliness there:
- O! I cannot tell why
- I so love you, my fair!
-
- It is not--it is not
- Its mild beaming--far,
- Far excelling each lonely
- And dim gleaming star;
- It is not the beauty,
- The sweetness of face,
- The form of perfection,
- The movement of grace!
-
- It is not, thou lovest me--
- For ere I had heard
- Thy low sweet confession
- As murmur of bird;
- Ere thou told’st me, my beauty,
- Thy dreams were all mine;
- I cannot tell thee why--
- But I knew I was thine.
-
- A charm floats around,
- And I feel while with thee,
- Though a poor silly captive,
- No wish to be free;
- O! thus to be bound
- In a thraldom like this--
- Though a thraldom indeed,
- ’Tis the sweetest of bliss!
-
- I am thine, dearest Fanny,
- Yea, thine and forever--
- No dark storm of sorrow
- Our young hearts shall sever;
- We’ll live, dream, and sigh, love,
- Till time is no more;
- And when death comes, we’ll fly, love,
- To a sunnier shore!
-
-I suppose I felt considerably relieved after this Ætnæan effusion.
-’Twould have cooled the furnace where they put Shadrach, Meshach and
-Abednego. But hear the sequel! We pouted, quarreled, parted.
-
-After our first pout, I scribbled as follows--
-
- O! girls fantastic creatures are,
- Vexing us--teasing us;
- Now they’re here, now they’re there,
- Perplexing us--pleasing us;
- See you here a soft blue ee,
- O! beware--O! beware;
- For it melteth but to be
- For a snare--for a snare.
-
- I have loved a gentle girl;
- How I loved--how I loved--
- Witness it, my bosom’s whirl
- When she moved--when she moved;
- Life, soul, feeling, all sincere,
- Bound up in her--bound up in her;
- She has left me, and I’m here,
- A wound up sinner--a wound up sinner.
-
- Left me, and without a smile,
- Save a cold one--save a cold one;
- Not a word there fell the while,
- Save some old one--save some old one;
- My heart about to burst, and chain’d
- As by a spell--as by a spell;
- She could falter, unconstrained,
- Fare thee well--fare thee well.
-
- O! I loved her; (may I be
- For it forgiven--for it forgiven;)
- Rather, than a thing of clay,
- As a thing of Heaven--a thing of Heaven;
- Feelings, none I had but went
- Straightway there--straightway there;
- When I prayed, her image blent
- With my prayer--with my prayer.
-
- When she went, there was I,
- Like her shade--like her shade--
- When she call’d, I was by,
- And there I staid--there I staid;
- If her soft eye sadden’d seem’d,
- I could smile--I could smile--
- Till that soft eye gladden’d seemed,
- As erewhile--as erewhile.
-
- I presented her a ring,
- Which she took--which she took;
- And her words fell murmuring,
- Like a brook--like a brook;
- Soft her eye’s glance fell upon me,
- Even there--even there--
- When its gentle meanings won me
- Like a prayer--like a prayer.
-
- She has left me, and I’m here,
- Desolate--desolate;
- She has left me, nor a tear
- For my fate--for my fate:
- O! to be thus coldly parted,
- Nor relief--nor relief--
- And to be thus broken hearted,
- This is grief--this is grief.
-
- Yet, I love her--I confess it,
- More than ever--more than ever;
- Love’s a stream--you can’t repress it,
- Mine’s a river! mine’s a river!
- Life, soul, feeling, all are given,
- All my store--all my store;
- In her, round her--there’s my Heaven,
- I want no more--I want no more.
-
-
- VI.
-
-Thought I was with my mother. Mother! reader, hast thou a mother? not
-a mere nominal parent--one who brought thee into the world, and then
-left thee to struggle in’t--one who gave thee but a moiety of her
-tenderness? Nay, nay; I do not mean such. But I mean, one whose very
-life was wrapp’d up in thee, one whose eye moistened with thine, whose
-voice faltered with thine, whose heart reflected every shadow which
-passed over thy heart, even as a lake the summer clouds, that idle
-above its bosom. Such an one I mean--hadst ever such? I had--and how I
-loved her. Did I not?--the following verses prove it.
-
-
-
-
- MY MOTHER:
-
- (_In two Sonnets._)
-
-
- I.
-
- Dew to the thirsty flower, a rosy beam
- Of sunshine, or the melodies to Spring--
- Sounds to the sick man’s ear, a running stream,
- A humming-bird, a wild bee on the wing;
- Joy--to the earth-scorn’d soul, when all remote
- Is happiness and e’en Hope’s lamp is dim;
- Light--to the dungeon wretch, when the last note
- Comes through his grate of the sweet forest hymn;
- Her first-born’s breath that the young mother feels,
- When her dimm’d eye falls on her little one--
- A maiden’s priceless faith that love reveals,
- When heart meets heart in holy unison;--
- Than these--than all--O! sweeter far to me,
- Mother! are thoughts of home, of my sweet home, and thee.
-
-
- II.
-
- Virtue--with the first dawn of infant mind,
- Falling from lips that made it holier seem;
- Goodness--when deeds with precept were combined,
- To show the world--“religion is no dream;”
- Tears--when my heart was all too sad to weep them,
- Cares--when affliction press’d me bitterly,
- Watching--when none but love like thine could keep them,
- Rebukes--yet with a blessing in thine eye;
- An eye that watch’d me and would never sleep,
- A well-timed word to keep me in the way,
- A look, that made me go from thee and weep,
- A faith, that made thee watch, and kneel, and pray--
- These, these are thine--O! sweet are then to me,
- Mother! the thoughts of home, of my sweet home, and thee.
-
-Thus I valued her. But she’s in her grave now, and I often go there to
-watch and weep, and please myself with the vain fancy, that her spirit
-is bending over me. I always feel holier after it--as if I had come
-from another world--had been beyond the grave--had unravelled the great
-mysteries of life and death, and could now look upon life unsway’d by
-that natural Atheism which ever clings to humanity, and mingles in all
-our aspirations for the future. Watching and prayer ever better us. But
-by the grave of a loved one, there are still holier influences. We see
-them through the mirror of feeling. If they had faults, they have them
-no longer; and their virtues, we canonize them--they are relics--they
-are talismans which we lay on our hearts, and they are holier for the
-contact.
-
-Earth’s thoughts come not to the grave’s side. The idle, the giddy and
-gay, they do not jest here--the song of triumph ceases, the unfinished
-quip dies on the lip that made it. The famed, the haughty, the
-ambitious, they bring not their proud thoughts with them--they tread
-its holy precincts, and their schemes are forgotten. The school boy’s
-whistle is lower here, and the butterfly he chases so eagerly, scales
-the white palings and escapes--he will not follow him. The very flowers
-that bloom here, the osiers that swathe the grave of that little one
-and twine about the head stones--they teach us by their freshness, and
-our thoughts stir up the fountains in us, and the heart is hallowed by
-it.
-
-Come hither, thou parent--a father perhaps. This was thy heart’s pride
-and passion. Hope and promise were his. You had already marked his
-path. Here were the flowers--there the thorns. You saw him in fancy,
-out of his boyhood--the youth--the young man--his cheek glowing for the
-contest. Death came--and you laid him here.
-
-Come hither, thou parent--a mother perhaps. This was thy first born.
-You bore him on your heart; you nursed him; you hung over him; you wept
-and prayed for him as mothers only can do; and _you_ too, have laid
-him here. The little form you decked so--the locks that swung over a
-brow of silver--the face with its beauty, and light, and sweetness, and
-all the innocency of happy childhood--the clear silver shout of his
-joy--the step that ran to thee--the lip that pouted for the morning and
-evening kiss--aye! here they are--look at them.
-
-And who art thou, mourner?--thou that lookest not up to the glorious
-sky, or abroad on the fair face of the creation of God; but, wrapped in
-the selfishness and solitude of thy grief, standest here like a lone
-monument of dead men’s histories--who art thou? Thine eye is on that
-slab there; ’tis a maiden’s. Thou lovedst her perhaps; her heart beat
-to thee; her lip was free to thy wooing. She was decked for a bridal;
-the rite had sealed her thine; and death strewed thy bridal couch with
-rosemary, and rue, and the gloomy cypress.
-
-And what do these here? They come here to weep, for it sanctifies them.
-They come from the roar, and bustle, and heartlessness of life, and
-they would listen awhile to the eloquence of the shrouded dead. O!
-the dead are eloquent! The voice is low, yet louder than that of many
-waters! They tell us that our loved ones were not ours! They tell us
-that they were lent to us, and have now been reclaimed! They tell us,
-that though saddening, ’tis sweet to think of them, for they tie us and
-our souls to the purity of Heaven!
-
-Some men shudder as they look into a grave; and well they may, some of
-the world. But the heart is wrong which feels thus. Does the sight of
-land give pain to the shipwrecked? is the hope of freedom unwelcome
-at the dungeon? does the sound of waters please in the desert? does
-the thought of sleep annoy us when weary? does the hope of oblivion
-give pain when the heart aches? Why then should the thought of what
-is greater gain than all these come to our hearts, but to waken their
-holiest emotions?
-
- O! ’tis because there is a power within,
- Whisp’ring of good neglected--ill preferred--
- Duties cast off, and faculties misus’d!
- It is, because the mortal triumphs, while
- The purer passions, crushed or rooted out,
- Leave him to be enslaved,--and thus in moments
- When meditation, like a vestal waits
- Upon his heart, the buoyancy and peace
- Which should be his, give place to heaviness,
- And indefinable wretchedness of soul.
- O! could the heart be school’d--could it be made
- True to its nature--to the impress graved
- Upon it by the hand of Deity--
- Could it be made to balance good and ill,
- With purpose to be wise--could it but choose
- The pure, and love it for its purity--
- How blissful then, were thoughts of death and Heaven!
-
- * * * * *
-
-There--young lady! I’ve _thought_ for your “Omnibus,”--pray, what do
-you think?
-
- *
-
- * * * * *
-
-
- EPIGRAM,
-
- ON MR. ----, A BAD SINGER.
-
- The song of Orpheus and yours are one,
- Both caused mankind and beast to run,
- Only--_in different ways_;
- _To_ him they went like wild deer freed,
- _From_ you they go with equal speed,
- To shun your “awful lays.”
- Z.
-
-
-
-
- THE COFFEE CLUB.
-
- No. IV.
-
- “Authors who acquire a reputation by pilfering all their
- beauties from others, may be compared to Harlequin and his
- snuff, which he collected by borrowing a pinch out of every
- man’s box he could meet, and then retailed it under the
- pompous title of ‘_tabác de mille fleurs_.’”
-
- _Fitzosborne’s Letters._
-
- “If the work cannot boast of a regular plan, (in
- which respect, however, I do not think it altogether
- indefensible,) it may yet boast that the reflections are
- naturally suggested always by the preceding passage.”
-
- _Cowper’s Letters._
-
-
-_No est tan bravo il leon, como se pinta_--the lion is not so fierce
-as his picture--says the Spanish proverb, and such will doubtless be
-your exclamation, fair, gentle, indulgent, or judicious reader, (by
-whichever title you may please to be addressed,) when you discover that
-the heroes of the Coffee Club, invested by your scrutinizing sagacity
-with so many fictitious attributes, whether of honor or of dishonor,
-are in truth but cognate atoms with yourself in making up the mass of
-our small and secluded community. Nor will your self-satisfaction be at
-all enhanced, by the remembrance of the astute conjectures, ‘positive
-certainties,’ ‘perfect convictions,’ and ‘confidential informations,’
-which have afforded you matter of exultation for a season, but are, by
-the revealment of the truth, shown to be unfounded, and if cherished
-with vanity, ridiculous. Each, however, may soothe his chagrin, with
-the assurance that no one was wiser than himself, and that the secret,
-which baffled his endeavors, not even the talismanic power of woman’s
-curiosity could elicit.
-
-It is the eve of the farewell exercises of the class, and the last
-meeting of the Coffee Club. Tristo had thrown gloom upon our spirits,
-by a mournful _epitaph_ upon the pleasures and the duties, now buried
-in the past--but Pulito has reversed our feelings by a brilliant
-_epithalamium_, for our coming bridal day, on which we are to wed the
-_world_. So is it in life--we shed one tear over the past, and hasten
-on to catch the future.
-
- “Thrift, thrift, Horatio! the funeral baked meats
- Did coldly furnish forth the marriage tables.”
-
-In such a mood, the thoughts of all naturally reverted to the time when
-first we entered upon that stage in the journey of life, which we
-have now completed. As we traced our progress onward, and recalled our
-errors and our follies, our hopes and disappointments, our attainments
-and our short-comings, the desire of sympathy, of consolation, and
-encouragement, led to a full and free expression of our thoughts and
-feelings. Apple, however, as his cigar wreathed forth its exhalations,
-
- ‘Upward and downward, thwarting and convolved,’
-
-and puns and quips unceasing shot through their obscurity, like
-lightning through a cloud, seemed at first to be in no mood for the
-pathetic, or the serious. Pulito, too, after a brief and apparently
-regretful abstraction, broke forth in a strain half querulous, half
-laughing.
-
-_Pulito._ “Well, ‘gentlemen commoners,’ however discourteous the remark
-may appear to you and your society, I must ne’ertheless regret that I
-am not this evening where I might have been, in a certain far-famed
-street, and gazing upon a certain lovely face, whose owner’s name
-’twould be profanity to mention. I may say with the stricken Cowper,
-
- ‘Farewell to the _elm-tree_, farewell to the shade
- And the whispering sound of the cool colonnade.’”
-
-_Nescio_, (smiling.) “‘Lugete oh! Veneres Cupidinesque!’ As an old
-dramatist has it,
-
- ‘Your soul, retired within her inmost chamber,
- Like a fair mourner, sits in state with all
- The silent pomp of sorrow round about her.’”
-
-_Pulito._ “Yes, and to borrow from the same play, The Rival Ladies, I
-think,
-
- ‘Oh she is gone! methinks she should have left
- A track so bright, I might have followed her
- Like setting suns that vanish in a glory.’”
-
-_Nescio._ “For the sake of quoting beautifully, you quote without
-application.”
-
-_Apple_, (in a voice of thunder.) “Who in the name of heaven is it
-about whom you are making all this ‘tempest in a tea-pot?’ Girls,
-girls, girls, for ever and eternally! I wonder what you see in them!
-weak and shallow! It maddens me, Pulito, to see you, a fellow of some
-small sense, ‘bowing the knee in worship to an idol,’ a minion-queen, a
-painted doll--
-
- ‘A pagod thing of flirting sway,
- With front of brass, and feet of clay.’”
-
-_Pulito._ “Why, Apple, from your fierceness, I suspect you have lately
-met with a rebuff from some fair damsel.”
-
-_Apple._ “No, indeed I have not; I was afraid I should though, and
-did not give her a chance. I was acquainted with some of them once,
-and endeavored to patronize, instruct, and even please them. But they
-had neither the acuteness to perceive the point of my puns, nor the
-complaisance to laugh at them, even when I led the way. In fact--the
-fiends scorch their pictures!--I believe they laughed _at_ instead of
-_with_ me. ‘Flattery is nectar and ambrosia to them.’ They drink it in
-and enjoy it like an old woman sucking metheglin through a quill.”
-
-_Pulito._ “I allow that
-
- ----‘if ladies be but young and fair,
- They have the gift to know it.’
-
-But this is chargeable upon us, who are accustomed to lie to them about
-their charms, as a matter of course.”
-
-_Apple._ “Then, too, if beautiful, they can scarce be good. For,
-‘honesty coupled to beauty, is to have honey a sauce to sugar.’”
-
-_Pulito._ “How! Is what is fair at surface necessarily foul at heart?
-
- ‘Why what a world is this, where what is comely,
- Envenoms him that bears it.’”
-
-_Apple._ “And how wide is their information, scientific, literary,
-political, moral! Their wits ‘are dry as a remainder biscuit after a
-voyage.’”
-
-_Pulito._ “Well, Apple, I should think you had exhausted Shakspeare and
-yourself for terms of reproach: yet it still remains true, that they
-are the dearest, sweetest things ‘_in rerum naturâ_,’ and
-
- ‘Should fate command me to the farthest verge
- Of the green earth,’
-
-I shall still love them one and all.”
-
-_Nescio._ “Yes.
-
- ‘Dulcé ridentem Lalagen amabo
- Dulcé loquentem.’”
-
-_Tristo._ “I am no ladies’ man. I am too grave for their society. Yet
-I am willing to acknowledge that, together with their influence, they
-are half that makes life valuable. They are the purifying and refining
-ingredient in the seething caldron of society. Their perceptions
-are more rapid and acute than ours, and if deceitful, it is from
-_necessity_, which you know is the mother of _invention_.”
-
-_Pulito._ “For my part, the absence of those pretty faces, which I have
-been wont to see in my ‘walk and conversation,’ will greatly deepen my
-regret at leaving this delightful place.”
-
-_Apple._ “Pooh! couldn’t you sentimentalize a bit? ‘_Pone me pigris ubi
-nulla campis, Arbor æstivâ recreatur aurâ_,’ &c. Turn me adrift in New
-England, New Guinea, or New Zealand, and let me have good meats, good
-drinks, good _kapniphorous_ cigars and a dozen comedies, and I don’t
-care a rush.”
-
-_Pulito._ “Oh! what an _animal_! Why, Dumpling, do you suppose you have
-a _soul_, or are you a mere lump of flesh, a ‘congregation of skin,
-bone and spissitude,’ to use one of your own ridiculous phrases?”
-
-_Apple._ “Yes, Pully, I suspect I have such a thing as a soul
-somewhere--but I cannot determine its _locale_--neither do I fash my
-beard thereanent, since it is the only _immaterial_ thing about me, ha!
-ha!”
-
-_Nescio._ “That’s Apple, through and through, to circumvent truth by a
-quibble.”
-
-_Pulito._ “But have you no sympathy with this verdant city and its
-lovely scenes? Why, this very evening,
-
- ‘When the sweet wind doth gently kiss the trees.
- And they do make no noise,’
-
-is a copy of Paradise.”
-
-_Apple._ “Yes! the ‘Paradise of fools.’”
-
-_Pulito._
-
- “‘On such a night
- Stood Dido, with a willow in her hand,
- Upon the wild sea-banks, and waved her love
- To come again to Carthage.’”
-
-_Apple._
-
- “‘On such a night did young Pulito strive
- T’ unseal the fount of feeling in his heart,
- And be poetic--_but he could not do it_.’”
-
-_Pulito._ “The air is like the breath of birds.”
-
-_Apple._ “Such birds as caged pullets and mousing owls, probably, ha!
-ha!”
-
-_Pulito._ “And then the cemetery, and these streets high-overarched
-with their verdant walls of inwoven shade.”
-
-_Apple._ “Poetical, i’faith! _My_ only amusement in the
-_burying-ground_, as an unsophisticated gentleman like myself would
-call it, is to read the queer old epitaphs.”
-
-_Nescio._ “And mark how not even the ear of Death is secure from the
-poison of flattery.”
-
-_Apple._ “Pretty fair! I approve of that remark. As for these streets,
-strip them of their green guardians, and they would be dry enough to
-choke the wave-washed throat of Neptune himself. How can fellows walk
-over all creation for fine prospects--my best prospect, as a kindred
-spirit once said, is the prospect of a good dinner.”
-
-_Pulito._ “Surely, the view from East Rock is delightful.”
-
-_Apple._ “Undoubtedly, if there be two or three mountain nymphs hanging
-affectionately on your arm. Oh! triple horror! To toil through two long
-miles of dusty barrenness, and crawl _a la quadrupede_ up a mountain
-of shifting sand and triturated stones, to view a few houses included
-between shoal water and furze hills.”
-
-_Nescio._ “Methinks only a few weeks since, _you_ escorted thither some
-twelve or thirteen of these same mountain nymphs.”
-
-_Apple._ “To be sure I did, and therefore I can speak from experience.
-But it argues an unkind disposition in you, to fling a man’s errors
-and misfortunes in his teeth. I did perpetrate that act, and as I
-hope forgiveness, I am contrite therefor. We set off one morning,
-when it was so hot that the very clouds _smoked_, though _I_ could
-not--for what would Jonathan Oldbuck’s ‘_woman-kind_’ say? ‘The ladies
-be upon thee, Sampson,’ thought I. I could not laugh, though there
-was enough that was ridiculous, for I had corns. So I went sweating
-along under a load of milk-and-water refreshments, like a man carrying
-his own gibbet. I climbed up the hill like another Sisyphus, with a
-train of Sirens behind me. When there what saw we. Why, through a
-cracked spy-glass, I saw _Nescio Quod_ here, my own chum, coming out
-the bookstore--wonderful, thrilling, soul-stirring prospect! Then,
-lo! we had left the pine-apples a quarter of a mile from the foot of
-the mountain, where we had stopped to browse. Nothing would do--one
-lady was faint, and must have a little pine-apple juice--another
-sweet nymph, in an unguarded moment, said that her principal object
-in coming, was the pleasure of eating the pine-apples--and another
-rosy-cheeked, and not very sylph-like figure, remarked, that if Mr.
-Dumpling would be so good as to go after the basket, he should have the
-pleasure of her arm down the mountain. The devil of a pleasure, thought
-I; the sweet creature must have ‘gane daft, clean daft,’ or she would
-never have offered such an inducement--better for me ‘that a millstone
-were hanged about my neck,’ &c.--but down I must come, and down I came,
-and when I got down, I stayed down. I ate the pine-apples myself, and
-laid down under the shade till evening, when I slunk home, leaving
-the ladies to their other beaux. I had some excuse though, for, while
-‘midway between heaven and earth,’ I stumbled over a sweet-brier, and
-wrenched my ankle so excruciatingly, that Pope’s line occurred to my
-mind with some solemnity--
-
- ‘Die of a _rose_ in aromatic (_a rheumatic_) pain.’
-
-You take, do you? I managed, however, to reset the _luxed_ but by no
-means _luxurious_ joint, and grateful for my escape, I have forsworn
-the ladies, and pray for grace to keep my vow.”
-
-The laughter, long and loud, that succeeded the story of Apple’s
-tribulations, was a sort of clearing-up shower, and left the moral
-atmosphere in a temper more consonant with the seriousness of the hour.
-After a short breathing-space, the conversation broke forth anew, and
-in an entirely different channel. The sad peculiarity of our situation
-gave to our views, and possibly to our remarks, a tinge of bitterness
-and satire.
-
-_Pulito._ “Well, fellows, ‘our course is run, our errand done’ within
-these walls, and we are to leave them for ever--and why not bid
-farewell with a light heart and bounding hopes. To be sure, the vexings
-of the world will be rather uncomfortable. A gentlemanly air, and a
-languid intimacy with the ‘tricksy pomp’ of literature, will not make a
-man a President or a _millionaire_.”
-
-_Apple._ “The prospect is somewhat discouraging. I should have felt no
-misgivings at starting in the literary world a century ago, when the
-noble art of punning was duly appreciated and rewarded, as witness the
-celebrity of that great man, Dean Swift. Or I could have been content
-to have ruffled it with the quibbling, conceit-loving cavaliers, who
-basked in the smiles of Queen Bess. But now the principles of taste
-are sadly perverted, and this noble art, this sole distinctive mark of
-genius, has sought and found refuge only beneath the classic shades of
-College. It is truly sad to me, to think of leaving this last strong
-hold of wit and sentiment.”
-
-_Nescio._ “Why, Apple, your grief bewilders your mind. You began with
-talking about _punning_, and ended with wit and sentiment. Where is the
-connection?”
-
-_Apple._ “At least as close, Mr. Quod, as between your real and
-expressed opinion, when you speak so despitefully of this innocent and
-dignified amusement. But now we are on the subject, what is wit?”
-
-_Nescio._ “To which question I might reply, as Democritus did to him
-that asked the definition of a man--‘_tis that which we all see and
-know_.’ Such is the language of Barrow, the celebrated divine; I read
-it this very day. I however would admit no definition, that could
-possibly include a _pun_.”
-
-_Tristo._ “You go to an extreme there, Nescio. A mere play upon
-words, a mere coincidence of sounds, makes but a poor jest, and a
-ready facility in discovering and thrusting into conversation these
-‘imperfect sympathies,’ gives one but slight pretensions to the
-reputation of a wit. But there are some witticisms, which depend for
-their force upon a _pun_, but yet including also a racy humor, deserve
-the praise of true wit. I will read you an instance from Hazlitt:--“An
-idle fellow, who had only fourpence left in the world, which had been
-put by to pay for the baking of some meat for his dinner, went and
-laid it out to buy a new string for a guitar. An old acquaintance, on
-hearing this story, repeated these lines out of L’Allegro--
-
- ‘And ever against _eating_ cares
- Lap me in soft Lydian airs.’”
-
-Here the point of the jest lies in the pun upon _eating_, yet who does
-not acknowledge it as highly humorous. There are not many puns so
-refined and pure as this, but they sink in infinite and imperceptible
-gradations. You cannot draw a bold line between ‘the wit of words and
-wit of things.’ ‘For,’ as is said of Wit and Madness, ‘thin partitions
-do their bounds divide.’”
-
-_Pulito._ “Very true, and I detest that squeamishness, which would
-refuse the praise of wit to any thing approaching to a pun, and
-sympathize most heartily with poor Apple for his many rebuffs. But
-nevertheless, Apple, ‘a joke’s prosperity lies in the ear of the
-hearer,’ Shakspeare says, and one should not complain if his pet
-witticisms are not received with applause and answered with laughter.
-If the jest is worthless, he deserves ridicule--if it does contain the
-essence of wit he has only himself to blame for giving it an utterance,
-where it could not be appreciated. Think you that Addison would have
-displayed his delicate humor for the amusement of crabbed and adust
-bookworms, or Voltaire sported his sarcasms to tickle the ear of
-clowns? Let their example encourage and instruct you, my dear Apple,
-and if you cannot equal their fame, you may, at least, attain the
-celebrity of Joe Miller.”
-
-_Tristo._ “You will allow, however, Pulito, there is too often
-manifested a disposition to decry and disparage, when approbation would
-have been more natural. Censure is too often heard from lips, from
-which praise would have been more graceful, or silence more becoming.
-There are too many among us, who seek to rise upon the fall of their
-rivals--too many ‘frosty-spirited knaves,’ of whom it may be said, in
-bitterest truth, ‘not to admire is all the art they know.’”
-
-_Pulito._ “I have, however, been accustomed to regard such characters
-with more of pity than severity. I have regarded them as defrauded by
-nature of the just proportions of humanity. I have been vexed by their
-perversity, but no more inclined to resent it, than to chastise the
-ceaseless annoyances of a child or an idiot.”
-
-_Nescio._ “You underrate their _intellect_, that you may relieve
-their _heart_ from the imputation of baseness. True, he who is always
-searching for faults, without paying any attention to beauties, affords
-strong grounds for the conclusion, that he has no perception of the
-latter, and in his own experience is conversant only with the former:
-and he who is ever detecting plagiarisms, and starting resemblances,
-gives reason for the suspicion, that his acquaintance with the
-fountains of these stolen waters, is not so purely accidental, or
-so honorably gotten, as he would have us imagine. But deficiency of
-taste and weakness of mind are not the sole causes of such conduct.
-The _prompter_ of the whole is envy,--envy, the meanest passion of the
-human heart--the only one in which there is not some shade of honor,
-some trace of nobility. Ambition may be laudable--hate become a virtue
-from the loathsomeness of its object--covetousness acquire dignity from
-the excellence of the thing coveted--but the baseness of _envy_ is
-enhanced by the purity and splendor against which it is directed.”
-
-_Tristo._ “Not only is envy so mean a passion in itself, but it
-exerts a most debasing influence upon the intellect and whole
-character. Indeed, if we may believe Coleridge, the cherishing of it
-is incompatible with the existence of genius. His language is solemn;
-would that all the fosterers, or rather the _victims_, of this worst
-vice, to which we are by our situation exposed, might listen to his
-warning. ‘Genius may co-exist with wildness, idleness, folly, even with
-crime; but not long, believe me, with the indulgence of an envious
-disposition. Envy is both the worst and justest divinity, as I once saw
-it expressed somewhere in a page of Stobæus; it dwarfs and withers its
-worshippers.’”
-
-_Apple._ “To recall your attention, Tristo, to the subject from which
-we passed so suddenly to a more serious one, what think you of those
-who ‘wit-wanton it’ with things sacred, who at every breath break over
-the bounds of modesty, and outrage our sympathies with the true and
-the beautiful, for the sake of a momentary, and not unfrequently a
-shame-faced laugh?”
-
-_Tristo._ “Such persons do themselves and others more injury than
-they think. Their incessant insults to all refinement and delicacy
-of feeling, if unresented and unguarded against, at length deaden
-and efface these sentiments. Bulwer says well of such, ‘Their humor
-debauches the whole moral system--they are like the Sardinian
-herb--they make you laugh, it is true, but they _poison you in the
-act_.’”
-
-_Nescio._ “It is disgraceful that impurity should be an unequivocal
-characteristic of college wit. But it will be so, until some one shall
-demonstrate by his own example that there is no necessary connection,
-but rather an essential hostility between real humor and obscenity. But
-so long as it is easier to swim with the current than to buffet its
-dashings--so long as it is pleasanter to excite a hearty laugh, than
-encounter a cold sneer--so long as indolence and vacillation continue
-to be _descriptive marks_ of a student’s character--we need not hope
-for a change.”
-
-_Pulito._ “Whoever would attempt to effect one, should remember the
-aphorism, ‘He ought to be well mounted who is for leaping over the
-hedges of custom.’”
-
-_Tristo._ “If this license on the part of some deserves severe
-reprobation, the chilling churlishness of those, who can feel no
-sympathy with _pleasure_, be it ever so innocent--whose minds can
-admit but the single idea of the _useful_, and reject as trifling
-the elegant and refining--who, swallowed up in their admiration of
-moral beauty, lose sight of or depreciate intellectual symmetry,
-(forgetting that moral excellence, though it resemble in its value the
-priceless diamond, is not like it advantaged by a dull and roughened
-setting)--such, I say, must not pass without their share of censure,
-for they are in no slight degree the occasion, I will not say the
-cause, of the opposite vice in others.”
-
-_Pulito._ “Such illiberality frustrates the praise-worthy exertions
-of all who indulge in it. It places them out of the circle of
-influence--their efforts can no more reach those whom they desire
-to affect, than (to use a magniloquent simile) the perturbations of
-the moons of Uranus can sway the Earth’s satellite in its orbit.
-But beside the unfortunate reaction of such principles, is not this
-cutting off, ‘at one fell swoop,’ all amusements, this tying down
-to one staid rule of _formal observance_, youth of every variety of
-taste, talent and temperament, and brought up under every complexion of
-circumstances--this curbing of all tastes and inclinations, not within
-the _lawgiver’s_ capabilities--is it not based upon error of judgment,
-and directed by something of inquisitorial arrogance?”
-
-_Apple._ “I never listen to a specimen of such frosty philosophy,
-without recalling an anecdote, much to the point. It is found,
-originally, I believe, in one of Pope’s letters to Swift, though I read
-it somewhere else. ‘A courtier saw a sage picking out the best dishes
-at table. ‘How,’ said he, ‘are sages epicures?’ ‘Do you think, Sir,’
-said the wise man, reaching over the table to help himself, ‘do you
-think, Sir, that God Almighty made all the good things of this world
-for fools?’”
-
-_Tristo._ “The sage must have belonged to the sect _Deipnosophoi_, or
-‘Supper-wise,’ whom D’Israeli mentions. His principles, however, will
-apply in their full extent, I think, to the purer pleasures of taste
-and wit and literature.”
-
-_Pulito._ “Talk not to them of the ‘purer pleasures of taste, and
-wit, and literature,’ for these are their utter abomination--snares
-for the youthful mind--idle perversions of talent. Speak to them of
-the grand display of moral power in Shakspeare’s dramas, and for
-an unanswerable answer, they will point to a gross expression--and
-consistently enough too, for theirs is the morality of _words_. They
-cannot perceive that the _scope_ of all his principal plays is purely
-and symmetrically moral, or even religious--that they seldom violate
-the modesty of nature, though they may overstep the prudishness of an
-age when, ‘_La pudeur s’est enfuie des cœurs, et s’est refugiée sur
-les lévres._’--Modesty has fled from the heart, and taken refuge on
-the lips. They cannot admire the _overruling providence_, by which
-his untutored genius, apparently so wild and uncontrollable, has been
-unerringly directed to conformity with truth and virtue. In their
-esteem the pious Cowper would have been more worthy, had he devoted his
-talents to the _practical_ duties of ‘the clerk of the Commons,’ rather
-than have _wasted_ them in the unproductive pursuits of poetry.”
-
-_Nescio._ “Well, let them enjoy their opinions, provided they do not
-meddle with others in the gratification of their taste, or profess
-to judge in matters which they so virulently decry. The nightingale
-may not quarrel with the discordant braying of the ass, till the
-‘long-eared’ either attempt to ‘discourse sweet sounds’ himself, or
-criticise the melody of others.”
-
-_Pulito._ “‘Aye, there’s the rub!’ None are more prompt in criticising,
-none more forward to condemn, than these same individuals.”
-
-_Apple._ “Nothing ruffles the placidity of my temper so much, and so
-frequently, as the confidence with which some fellows, whose ignorance
-is absolute, pass judgment upon works of literature and taste. There
-are those, who cannot tell for their lives whether Walter Scott wrote
-Waverly or the Commentaries, or whether the author of Hudibras, the
-Reminiscences, and the Analogy, be not one and the same, who yet issue
-their unblushing firman upon any stray volume of poetry or romance,
-they may have chanced to pick up and gape through. I heard one, who
-could not count beyond ten, declare solemnly that he had no opinion
-of James, or Bulwer, and that J. K. Paulding could write better than
-either. Another, who had never seen a book, save the Family Bible,
-before he came to College, averred that Sterne, Smollett, Fielding, and
-Richardson united, never wrote any thing fit to be read by a man of
-good morals, or sound sense; and thought, moreover, that _Campbell’s_
-Thanatopsis was far inferior to _Bryant’s_ Pleasures of Hope! And still
-another affirmed that the plays of Shakspeare even, were ruinous to the
-interests of morality, and that all the other dramatists of England
-ought to be buried under the ruins of the stage they support. Upon
-sifting the fellow, however, I found he had never read a play, saving
-the Tempest, Comedy of Errors, and a couple of diluted operas in the
-London stage!”
-
-_Pulito._ “And yet these are they, who sit in daily judgment upon
-what they have neither the sense to comprehend, nor the delicacy to
-appreciate. These are they, who stigmatize every thing beautiful as a
-_rush_, and all that is novel to their narrow knowledge, as extravagant
-and wild. ’Tis a Bœotian criticising the dialect of Athens; a Scythian
-carping at the figures of Praxiteles. Shall the home-bred rustic, who
-thinks the middle of the sky directly above his head, and supposes that
-a walk of a day would bring his feet to the ‘blue concave,’ attempt to
-teach the life-long traveller the principles of society, and decide
-upon the manners and customs and wonders of the world? And yet it would
-be as reasonable to the full as the conduct of him, who, when his
-knowledge is confined to _particulars_, attempts to play the critic--a
-part, which, in its very nature, implies _generalization_ of the widest
-kind.”
-
-_Tristo._ “How can the poor catechumen, who has not yet donned the
-robes of his novitiate, nor raised his eyes to the vestibule, much
-less stood in his sacrificial garments by the High Altar in the
-Temple of the Muses, presume to decide upon the value and lustre of
-the treasures its _adyta_ conceal? It is as if the puny whipster, who
-fumes and gesticulates upon the academic stage, and whose thoughts and
-language are ‘a combination of disjointed things,’ should attempt to
-span or analyze the harmonious vastness and sweeping magnificence of an
-Edmund Burke.”
-
-_Pulito._ “There is likewise a species of grave wiseacres--sober fools,
-who are quite as senseless and less amusing than fools of the more
-fantastic turn. They think that wisdom dwells only upon sealed lips,
-and that strength of mind and sobriety of purpose, is _evidenced_ by
-nothing but a rueful face. These fellows (to use the old Greek phrase)
-‘lift the eyebrows’ with a dull forthshowing of meditative wisdom, and
-a countenance
-
- ----‘of such a vinegar aspect
- That they’ll not show their teeth in way of smile,
- Though Nestor swear the jest be laughable.’
-
-Oh rather give me a whole-hearted fool, with his eternal grin, than one
-of these sombre _unimpressible_ concretions of torpedo-stricken clay.”
-
-_Nescio._ “There are here, likewise, even as every where, many who
-can stop at no medium, but carry reasonable freedom to unwarrantable
-license. Because it is both pleasant and right to spend some time
-in general, and above all, in female society, some therefore, in
-their society fling away all their time, and, with their time, fling
-away character, and knowledge, and happiness, and worth. Because it
-is not well to be always bending over the learning of the present,
-and listening to the eloquence of the past, some therefore, double,
-wheel, march, and countermarch through these dusty streets during the
-long hours of a summer’s day, and when they catch a glimpse at the
-shadow of a female form, they experience a momentary heaven. Others,
-remembering that it is irrational to crucify the senses, and mortify
-the flesh, smoke, eat, and sleep, continually. Others, hearing that as
-well profit as delight may be reaped from the inspection of fancy’s
-fairy finger-work, are on the tiptoe of panting expectation for each
-miserable novel that falls lifeless from the press. And thus it was,
-thus it is, thus it will be.”
-
-_Pulito._ “But idleness--idleness is the student’s bane. It is
-astounding how we throw away our time, and our best time--our
-spring-hour of life. Time is the medium of acquisition, and, losing
-_that_, we lose all. I am no Utopian in theory, nor visionary in
-practice: neither am I free from the follies I deplore. But the strides
-which _might_ be made in our collegiate course, would be mighty and
-amazing.”
-
-_Nescio._ “I agree with you. Every ordinary mind, by more judicious
-application, might accomplish double what it does. I do not mean that
-just twice as much would be read, or acquired; but that the _mind_
-would be twice as far advanced. It would not only have received twice
-the strength, and twice the beauty, from the studies it had actually
-traversed, but would be doubly fitted to grasp, conquer, and improve
-whatever might afterwards occur. The progress of the mind is in
-geometrical ratio. Every new and liberal idea, that is gained by a boy
-of twelve, is a capital which will return with yearly and enormous
-interest. It is analogous to the gaining of worldly wealth, where you
-must _hew_ your slow and narrow path from nothing to competence; but
-from competence to opulence, the road is broad and easy.”
-
-_Pulito._ “I cannot divine the _modality_ (as the schoolmen might
-say) of some minds--the manner, in which they operate. For I know of
-those, who for four years have toiled with desperate firmness, and
-are what they were. They seem to have pursued a mill-horse track,
-without the remotest conception that there was aught else of value in
-the universe beside. Now I complain not of the rigor or of the nature
-of our course. Stern application is our only hope, and the course of
-authors we peruse, is perhaps as good as could be devised; but it is
-the _spirit_ with which they study. They consider what they here gain,
-not as a _mean_, but as an _end_. Every man, who would be ‘aut Cæsar,
-aut nullus,’ and whose eye goes forward to the ‘immensum infinitumque’
-of Tully, _must generalize_--_must_ view things _relatively_--_must_
-consider every thing, not as a whole, but as a part. If one possess
-this generalizing spirit, I care not how undivided be his attention
-to the college course; for I believe that there is in the books of
-the first three years, beauty and grandeur and weight, sufficient to
-justify, nay _demand_, almost _entire_ attention. For instance, to
-gain a perfect intimacy with Horace--not an intimacy with his words
-merely, and sentiments--but an intimacy with his beauties--with his
-_soul_--would require one month of the severest study; and yet such an
-intimacy is requisite to justify studying him at all: for if he is not
-to be appreciated--if that evaporating something, wherein he differs
-so widely from a dull Latin proser, is not to be seen and felt--you
-might as well have been reading Cato upon gardening, or Vitruvius upon
-architecture. But these fellows in studying a foreign tongue, give the
-general sense in hap-hazard English, without gaining any insight into
-the philosophy of mind, or the theory of language.”
-
-_Apple._ “I think, moreover, that we ought to be more conversant with
-the sciences. Some of the details may, perhaps, be superfluous; but
-surely no one can claim to be a liberally-educated _gentleman_, without
-a general acquaintance with all, and a perfect knowledge of some of
-those departments. Whatever may have been my former obliquities, or
-short-comings in these studies, I am determined to retrieve them all.
-I have begun with attempting to square the circle, upon which great
-problem I have employed two weeks.”
-
-_Nescio._ “Ha! Ha! do you approach the goal!”
-
-_Apple._ “I cannot say that I do very rapidly; but I feel increased
-acuteness of perception. I think I might discover this grand secret,
-could I hit upon some method of reducing the circle to linear
-measurement. My nearest approximation is to make a circle of a string,
-and then quadrate its sides by the introvention of a square surface
-of board. Of course, I have the perimeter and square contents of the
-board, and if I could fit the latter accurately to the string, the work
-is done, and I am Apple the Great. But ‘hic labor, hoc opus est.’”
-
-_Pulito._ “Ha! Ha! Be not wearied in well doing, Dumpling; you have
-opened on the right scent, (_erige aures, atque dirige gressus_.)”
-
-_Tristo._ “But there is a more serious view to be taken of this matter,
-and one to which we must all open our eyes sooner or later, and well
-will it be for us if we take counsel while the storm is yet lowering,
-rather than look back with despairing, remorseful eye when ruin is
-in the retrospect. The day will come when he, who has squandered his
-abilities, and perverted his passions, will ‘begin to be in want,’ when
-mortified pride and conscious inferiority will ‘bite like a serpent,
-and sting like an adder’--a day, when the busy idleness, the trifling
-engagements, and the languid excuses, which now lull all suspicion
-of an _actual waste_ of time, will be forgotten, and nothing but the
-results will be visible. Then, one hasty, reverted glance, without any
-minute calculation, will inform us, that by our thriftless expenditure,
-when we might have economized to some purpose, we are _compelled_ to be
-idle and insignificant; when we _feel_ idleness to be a _disgrace_, and
-insignificance a _torment_. And why are not we alive to all this? Why
-do we not feel it, and _show_ that we feel it, by our actions, when we
-can thus in theorizing, ‘put on the spectacles of age?’ The melancholy
-maxim of the ancients explains it--
-
- ‘Quem Deus perdere vult, prius _dementat_.’
-
-Who would have the punning epigram upon the Cardinal De Fleuri, true of
-him?
-
- ‘Floruit sine fructu,
- Defloruit sine luctu.’
-
-There is a merry jingling in the sound, but under it is conveyed a
-mournful meaning. Yet it shall be written of all, who, either trusting
-to their native genius, or destitute of honorable ambition, flutter
-away their existence in mimicry of the tiny circlets of the silly
-fly, instead of pluming their wings and nerving their energies, for
-a bold, a steady, and a deathless flight. Youth gives its stamp to
-life, and life to immortality--time is a type of eternity. I have
-somewhere seen the vastness of the latter illustrated by the image of
-a huge chronometer, of which the starry heavens were the dial-plate,
-its pendulum swinging in cycles of ten thousand years, and ringing to
-myriads of ages.”
-
-In such and similar discourse, did they consume the lagging hours of
-night: now changing ‘from grave to gay, from lively to severe,’ and
-glancing over all the subjects and circumstances in which a student
-might feel a personal or an associated interest. They talked of silly
-affection, and of scheming selfishness, and condemned alike that
-vanity, which could exult in a new pair of gloves, or be elated by that
-‘_shadow of a thing_,’ yclept a reputation; and having in view this
-one position, that what one _is_, and not what he _seems_, forms his
-character and moulds his destiny,
-
- ‘Still they were wise whatever way they went.’
-
-And now, Reader, we have done. If from this rude, incongruous heap,
-which, in the throwing together, has afforded us both pleasure and
-profit, you have been able to extricate any thing of either, we are
-satisfied. If by our unworthy portraiture of cheerful mirth without the
-taint of vicious excitement, a single heart, sick of the _hollowness_
-of dissipation, shall be seduced from its enticements--if one mind,
-till now swallowed in the vortex of current opinion, and dead to the
-merits of any save _fashionable_ authors, should be led to the study
-of chaster models, and the formation of a purer taste--if one soul,
-whose fountains have been sealed to the thousand springs of written
-or unwritten _poetry_, gushing up all around him, has been opened to
-their influences--or if any individuals of the various classes which
-we have ventured to describe, shall, by the image of their deformity,
-be frighted, ‘if not into greater goodness, at least into less
-badness’--_it is enough_.
-
- Ego.
-
-
-
-
- WHAT IS BITTER.
-
-
- ’Tis _bitter_ when beneath the midnight moon
- We wander near the graves of those we love;
- The lone heart sinks, and sighs for the bless’d boon
- Of rest above.
-
- When wearied age, with retrospective view,
- Sees in the record of departed years
- A tale of blighted hopes--he reads it through
- With _bitter_ tears.
-
- ’Tis _bitter_ when our days are almost done,
- To feel for wasted talents vain regret,
- And see, with guilty fear, our life’s last sun
- In sorrow set.
-
- ’Tis _bitter_ when revenge, with hellish art,
- Lights in the breast her ever-scorching flame,
- Stirs passion’s depths, and forms the tiger-heart,
- No power can tame.
-
- And _bitter_ is the heart, nay more, undone,
- That finds long-cherished hopes in ruin end,
- Crushed by the cruel treachery of one,
- It deemed _a friend_.
-
- Eta.
-
-
-
-
- THE REASON OF ANIMALS NOT THE REASON OF MAN.
-
-
-The organic kingdom seems to be little else than a system of means,
-resisting for a short period only the laws which govern inanimate
-matter, and then yielding to their power. Wherever the contemplative
-mind turns among the innumerable tribes of animals, which have been
-revealed by the scrutiny of man, it beholds them all struggling a
-little while for a sentient existence, and then sinking down, to form
-a part of that mingled mass, which has given them, and continues to
-give their successors, sustenance. It is not however animated matter
-only which thus for a moment attracts, and then passes from our
-observation. In each individual of all this numberless multitude, we
-behold the glimmering of intelligence, and in some species it seems
-to fall but little below the uncultivated reason of man; nay more, in
-their architecture, in their fabrics, in their modes of subsistence
-and defence, many are known to rival the utmost stretch of human
-ingenuity. This intelligence also, and this ingenuity, vanishes from
-before us. The theory has indeed been formed, that this appearance of
-reason, wherever found, or however feeble, is but the commencement of
-an immortal existence; but it is not thus that the mass of mankind view
-the subject. They are accustomed to look upon the whole animal kingdom
-as progressing to a period, when, not only the sensations of their
-bodies will cease, and their organs be left, without exception, to
-decay, but when all their intelligence and skill also will be swallowed
-up in annihilation. If then the reason of brutes is the reason of man,
-how strong, how complete the analogy, and how natural the conclusion,
-that the mind of man too, with the decease of his body ceases to exist!
-Living therefore as the most intelligent of these animals do, in the
-midst of us, and seeming to think and reason every day as really as
-ourselves, reason itself seems to be constantly persuading us that
-our end is the same. Indeed, if man differs from the brute only in
-the degree of intellect which he possesses, it is almost demonstrably
-certain, that annihilation or immortality alike await us. That animals
-are immortal, however, it is impossible to believe; for if this may be
-predicated of one individual, it may be predicated of every species in
-which animal life can be proved to exist. From the highest intelligence
-which exists among them, to the meanest insect that crawls in the dust,
-or the dullest inhabitant of a shell that clings to a rock, there
-is not a point where the line of separation can, with any degree of
-plausibility, be drawn, and we might almost extend the chain to the
-plant that shrinks from the touch, and the flower that follows the sun.
-This theory therefore we reject as unnatural and absurd. Hence we are
-reduced to the necessity of allowing, either that man is not immortal,
-or that his reason is different, not only in degree, but in its nature,
-from that of brutes. Although if the latter be true, it does not follow
-that the former is false, yet one of the most powerful arguments in
-support of it falls to the ground, and leaves other evidence to produce
-a conviction of the truth of its opposite. It is then an object of no
-little importance to discover, if possible, whether there is sufficient
-difference between the faculties of men and animals, to justify the
-conclusion that their destinies are so different.
-
-In endeavoring to accomplish this object, we propose to consider
-brutes, in the first place, as they exist in their natural state, and
-afterwards, as they are when trained by man. Let us go, then, to the
-forest where the bird sits upon her nest, and the beast rests in his
-lair in undisturbed repose--or rather, if you please, where air, earth
-and water, teem with countless multitudes, all alive with activity,
-and all closely devoted to the peculiar employments for which Nature
-has fitted them. Compare now this busy scene, with that where the
-same elements groan under the burden imposed upon them by man, in his
-highest state of cultivation. Mark the aerial artist as she proceeds in
-the construction of her edifice, which in its execution and adaptation
-to its situation, defies all imitation by man. Without a model, and
-without instruction or experience, she fabricates a nest, which, in
-materials and construction, as near as circumstances permit, resembles
-those of all her predecessors. Where there is no possibility of a
-communication, precisely the same process is followed, and the same
-result is produced in every instance. Neither does age, observation
-or experience, produce the least improvement, but it more frequently
-happens, that the first product of this instinctive skill excels all
-that succeed. The same appears to be true of every species of the
-brute creation as we find them in the wilds of nature. All come into
-existence endowed with a species of intellect; a practical ingenuity,
-apparently far superior to any thing which man possesses, previous to
-observation.
-
-If, therefore, the mental endowments of brutes are to be estimated by
-the readiness with which they arrive at certain practical results, man
-sinks below them. Among the whole human race, we find not a single
-instance of such instinctive knowledge. Man springs into existence
-of all animals the most helpless, and the most ignorant of the means
-of his support or his happiness. He is compelled to learn and direct
-every step of his course by observation and experience. He is left
-to deliberate and choose without any previous bias of the mind, and
-hence arises that vast diversity of manners and customs, scarcely
-greater between the most civilized and the most barbarous people,
-than between those who are buried in an equal depth of barbarism.
-On the other hand, throughout each particular species of the brute
-creation, all appear to be guided by one mind, and urged on by some
-irresistible power to the same definite ends. In the state in which we
-are now considering them, there is no variation in their habitudes,
-and seems to be no possibility of their choosing a different course
-from that so universally pursued. It is as natural to them as to live;
-as involuntary as their breath. This is instinct--a faculty to man
-denied--a pilot whose absence leaves him to the winds and waves of
-circumstances, while its presence impels as well as guides the animal
-creation in all their intricate manœvres.
-
-There are traits, however, in which man and the most intelligent of
-other animals closely resemble each other. Present, for instance,
-a pleasing object to the eye of man, and the countenance will
-involuntarily kindle into a smile. Present to the half-famished
-wanderer an article of food, and the flowing saliva and the beseeching
-look, will testify, in spite of him, his eagerness to receive it.
-Tear from the fond mother her darling offspring, and plunge into its
-unprotected breast the glittering steel, and an agony unutterable will
-give her wings to fly to its rescue, and a thousand tongues to call for
-aid, or drive her to madness with despair.
-
-This is a species of action, exhibited to an actual extent, perhaps,
-though in different ways, by both animals and men. It evinces a power
-which it is not in the nature of man wholly to resist, and under the
-full operation of which we use neither deliberation nor judgment. Such
-seems to be the power which gives rise to a large part of the actions
-of the most intelligent animals. It differs little in its nature from
-that instinct which guides them in their mechanical labors, and, in
-connection with it, is sufficient to account for all the phenomena
-which, as sentient beings, in their natural state, they exhibit to
-us. It is the influence of the passions--the feelings--the heart. In
-brutes, apart from instinct, (if this be not considered instinct,) it
-holds universal sway. The objects which excite the passions, and give
-rise to action, may not, indeed, in all cases be present. They may be
-called up by circumstances in all the vividness of reality, through
-the powerful memory with which brutes are endowed, yet the motives of
-the action are the same as if the real object supplied the place of
-the imaginary one. The principle is the same, and the result is still
-produced by the influence of the animal feelings, excited by sensible
-objects. But in man there is displayed a moving power which exists
-independently of instinct, of love, or hate, or hope, or fear, and
-which is capable of exercising a control over all, unless it be the
-very strongest of human passions. In the exercise of it, the passions
-are, as it were for the moment annihilated, and the intellect rises
-into a sphere where all tangible, sensible objects, vanish, and the
-mind converses with objects beyond the reach of mere animal perception.
-
-The question may now arise, how are we to account for all that variety
-of movement and action, which animals acquire under the instruction
-of man? If instinct and passion are the only influences to which
-they are subject, we should reasonably suppose that their actions
-would be as invariable as the motives from which they originate. Had
-they never been subject to a higher order of beings, this would be
-found universally true. But that class of animals which we denominate
-domestic, and indeed almost all upon which the hand of man has laid its
-controlling influence, exhibit a species of action, which indicates
-a capability of improvement, and for which it would be impossible
-to account upon the principles which have been considered. There is
-another principle which is seen alike in animals and man, and might
-with propriety be denominated an artificial instinct. It is habit--a
-state in which we are led to act with reference to definite ends, and
-yet act involuntarily. By a frequent repetition of some motion of the
-hand, the foot or the whole person, we come at last to do the same
-unconsciously, and it is by this means that we perform so readily
-many of the intricate processes which the arts require. It is this
-which explains the secret of attachment to places and things. Even the
-prisoner, after a long-continued confinement to a gloomy cell, finds,
-at his departure, a magic charm binding him to the dreary habitation.
-The tender threads of affection have become entwined around the objects
-so constantly before him, and he is obliged to summon his reason,
-to break through the silvery web that is formed around his heart.
-Observation teaches us that animals are subject to the same influence.
-After a period of confinement and familiarity with man, the door of
-their enclosure may be opened, and almost without exception, they will
-leave it, only to return again of their own accord--not because a
-judgment teaches them that such a condition is preferable, but because
-a new influence is thrown over them which they cannot shake off. It is
-obviously upon this principle that they perform all the manœvres, and
-answer all the purposes, which they are made to do by man.
-
-These three causes--instinct, passion, and habit, are believed to be
-sufficient to account for all the varieties of action exhibited by
-animals. We no where discover any of that power of origination, that
-freedom of thought and action, which renders man capable of endless
-improvement, and worthy of presiding over the brute creation. Nor any
-where do we find that power of abstraction, by which, from evidences of
-design which are displayed among terrestrial and celestial objects, we
-are able to reason our way up to an Infinite Being whom we have neither
-seen nor heard. These are the characteristics of man, which render him
-an accountable being--give him a conscience, and stamp him with the
-impress of immortality.
-
- S.
-
-
-
-
- DE LOPEZ THE BRAVE.
-
- “The age of chivalry is gone.”--_Burke._
-
-
- I.
-
- In days of yore, when minstrel song
- Ne’er swell’d ‘to please a peasant’s ear,’
- But ladye fair, and knightly throng,
- Were pleas’d his gentle harp to hear;
- There liv’d in Spain, a knight of fame--
- His deeds as gallant as his name--
- De Lopez--stainless arms he wore,
- Those arms his peerless fathers bore;
- And many a goodly rood of land,
- And castle fair were in his hand;
- And many a serf ‘with buckled brand,’
- Rode to the fight at his command.
- A braver knight ne’er strode a steed,
- Or couch’d a lance in rest;
- A stalwart knight was he at need,
- His war-spear was no coward’s reed;
- In mercy he was best.
- But he was now to bid adieu
- To scenes he lov’d full well;
- He had vow’d, as loyal lord and true,
- To follow his king the crusade through,
- To lands o’er which the simoom blew,
- Till the Moslem crescent fell.
- Now, in the castle hall he stood,
- His ladye on his arm--
- He waited there, before he rode,
- Trusting his lovely bride with God,
- To shield her from alarm.
- “Now bless thee, dearest,” cried the knight,
- “God keep thee safe and true;
- My life, my love, ah, cruel right!
- That blasts our day of love so bright
- And o’er it spreads the sable night,
- A night of deadly hue.”
- So spake De Lopez, gallant knight,
- On parting at the castle gate,
- He in his glittering arms bedight,
- She mourning o’er her hapless fate.
- And then she plac’d a bright red rose
- Among his waving plumes;
- Ah, hapless bride! she little knows
- What fearful fate it dooms.
-
-
- II.
-
- No more the charger paws the ground,
- Nor snuffs the fresh’ning air,
- No more the faithful vassals round,
- Impatient for the bugle sound,
- Await--their lord is there.
- He gave his pennon to the gale,
- His bugle echo’d far,
- O’er distant forest, plain and dale,
- The fearful notes of war.
- Then spurr’d their furious steeds amain,
- And soon they cross the lengthen’d plain.
- But, lo! from yonder lofty tower,
- The ladye keeps her lonely watch,
- And there has spent a long, long hour,
- Spying her lord thro’ plain and bower,
- Wherever she a sight can catch.
- And now, in the blue distance far,
- The pennon fades away;
- Or, like some ling’ring, morning star,
- That shines with doubtful ray,
- ’Tis now in view, now lost to sight,
- As slowly wanes the yielding night.
- Their gleaming helms and waving crests,
- Their spear-heads tipp’d with silv’ry light,
- Their flashing shields and steel-clad breasts,
- That sparkle with a sheen so bright,
- Grow faint and fainter to the sight.
-
-
- III.
-
- Why course the drops down Mena’s cheek?
- Why leaves she now the lonely height,
- The ladye of the heart so meek,
- The ladye of such gentle might?
- She sees no more her own brave knight,
- She hears no more his bugle-wail;
- The dark’ning shadows of the night,
- Shrouding the forest, plain and dale,
- Conceal him from her sight.
- And now she hastens to her bower,
- And now the chief pricks on his way;
- Behold, around him march the power,
- Of vassal bold in long array;
- For they are bound to Palestine,
- With shield, and spear, and sword,
- Their blessed Saviour’s tomb to win
- From ruthless Moslem horde.
-
-
- IV.
-
- Among the suitors of the land,
- That sought fair Mena’s lily hand,
- There was a dark-brown baron bold,
- That dwelt secure in massive hold;
- Men seldom cross’d his stone threshhold,
- For many a tale, the country round,
- Their feet and tongues in terror bound.
- ’Twas said he practic’d gramarye,
- And that in wild, tempestuous nights,
- The lurid lightning one might see,
- Flashing around his castle heights;
- While the deep-mouth’d bellowing thunder,
- Shaking the massive keep,
- Would seem its rocky walls to sunder,
- Then straightway forth would leap
- A dazzling, quiv’ring, noiseless flame,
- And the black pall of night again
- Enshroud the heaven’s starless steep.
- This baron hath sworn a fearful oath,
- ‘By heav’n and all its saints,’
- That be the ladye never so loth,
- Despite of love’s restraints,
- She yet shall deck his bed and board,
- And gladly own him her liege lord.
- Now, Holy Mother, shield her well,
- From all the fiendish plots of hell.
- For, well I ween, this baron bold,
- His mightiest spells will not withhold.
-
-
- V.
-
- What gleaming light,
- Shoots forth its beams,
- Through the deep night?
- Say, what this means?
- All else is still
- On the castle hill,
- Save the warder’s cry, and the deep clock’s chime,
- That warns the pale ghost of his passing time.
- That ray from the baron’s window gleams,
- And, as far down on the lake it streams,
- Three spirits cross its path.
- (God shield us from their wrath!)
- By blackest art they’ve laid to sleep
- The warder ’neath the deep black lake,
- There too they’ve made the ban-dog keep
- His lone watch, lest the warder wake;
- The smould’ring brands of the watch-fire bright,
- They plunge ’neath the wave, as well they might.
- For such foul arts of gramarye,
- No mortal eye may ever see.
- ’Tis not for such as me to tell,
- What did they in the baron’s cell.
- ’Tis said that voices loudly groan’d
- Around the turret’s height;
- And e’en the graves in churchyard moan’d,
- With many a restless sprite;
- That then in cloud of flame and smoke,
- These spirits their departure took.
-
-
- VI.
-
- Why swims pale Mena’s heavy eye?
- Why walks she with a falt’ring step?
- Why heaves she now the sudden sigh?
- Has not her gallant lover kept
- His knightly word? or, can it be
- That he has fall’n beyond the sea?
- She had last night a fearful dream,
- ‘A spirit woke her,’ (it did seem,)
- ‘And with a finger gory red,
- Pointed her to a bleeding head;
- Upon a city’s gate ’twas plac’d,
- With dust and clotted gore defac’d;’
- She shriek’d not--but her heart’s hot blood
- Mounted in gushes to her brain,
- This cannot be--oh, gracious God!
- Is this her luckless lover slain?
- But the foul spirit by his power,
- Sustain’d her through her trying hour.
- Yet once again
- The vision came.
- ‘She sees a gallant knight,
- And a ladye fair flit by;
- They move like forms of light,
- And stately onward hie;
- The knight--he was the baron bold!
- Herself the ladye fair!
- The hour of one the clock now told,
- The spirits melt in air.’
-
-
- VII.
-
- Now round the altar high they stand,
- In sooth, a gallant, goodly band;
- On high the torches flash and wave,
- Showing pillar and architrave,
- And arch and gothic window fair,
- And, hanging high in the cold night air,
- Pennon and ’scutcheon that glisten’d there.
- But who are these, at dead of night,
- That would perform this holy rite?
- Who, I pray, but the baron bold,
- And the fair Mena, deck’d in gold?
- For missals foully forg’d have said,
- (Rest him!) her gallant knight is dead!
- And then, her father’s stern command,
- And many a ghostly spirit band,
- Have sent her mad;--she cannot know
- The full extent of all her woe.
-
-
- VIII.
-
- The priest in robes of stainless white,
- Does now beside the altar stand,
- And now beneath the dazzling light,
- The baron takes the ladye’s hand.
- Jesu Maria! what muffled form,
- Breaks through the crowd like a mighty storm?
- His helm is gone, but a lifeless rose
- On his steel-clad bosom finds repose.
- ’Tis wither’d and faded quite away,
- Still lies it there; as, in former day,
- It shone a terror to his foes.
- The baron breathes convulsively,
- He knows the stranger knight
- That aims at him so manfully;
- Oh, shield the luckless wight!
- Now flash their falchions in mid air,
- May “God defend the right!”
- Oh, who had seen that man would swear
- His was no mortal might.
- But, ah! he’s down--it cannot be:
- His mighty soul for aye has sped!
- Draw near--oh, horrid sight to see
- De Lopez number’d with the dead!
- With idiot eye and childish stare,
- Poor Mena bends before him there,
- His bloody, wasted hand she takes;
- The flower her sad remembrance wakes.
- Her brain is fir’d; in vain she tries
- To shed a tear!--so soon, alas!
- The secret springs of feeling fail,
- When wrongs the anguish’d heart assail,
- And burning sorrows o’er it pass.
-
-
- IX.
-
- With mournful step and fun’ral wail,
- They bear the baron bold;
- No more he’ll need his war-proof mail,
- No more his massive hold.
- De Lopez did not fall in vain,
- For, as he fell, with might and main,
- While yet in death he fainter grew,
- He thrust the bloody baron through.
- They lay the baron by a running stream,
- Nor moon nor stars e’er shine upon the spot;
- But, it is said, a bluish, noiseless gleam
- Surrounds him; such, the dreaded wizard’s lot.
-
- A monument of marble pale,
- Marks where De Lopez fell;
- For him arose no kindred wail,
- He lies secure from fiendish spell.
- And they have carv’d a gallant knight,
- Stretch’d on that tomb so pale,
- Still in his stainless arms bedight,
- Still clad in marble mail.
- ’Tis said, when the moon, with palish ray,
- Shines on the spot where the brave knight lay,
- A saint-like spirit you may see,
- With marriage robe, and bended knee,
- Kneel o’er his lowly sepulchre.
- Awhile she’ll kiss the marble face,
- And shed a lonely tear,
- Then look to heav’n--to ask the grace
- That was denied him here.
-
- R.
-
-
-
-
- MR. WILLIS.
-
-
-When so many mouths are full of Mr. Willis, and pamphlets and
-periodicals are alternately lauding and lashing him--and, moreover,
-since he has so lately passed through this city, (the city of his
-Alma Mater,) and with him, his very lovely trans-Atlantic lady--it
-is certainly proper that this magazine (the deputed organ of Yale’s
-literary notions) break its dignified silence. Criticism, it is true,
-of right belongs to older heads--but since such numbers have apparently
-forgotten this in the community at large, we shield our presumption
-under their greater impertinence. Impertinence! That the thousand and
-one notions put forth here and there to the detriment of Willis, are
-impertinent, lies on the face of them. What right have they to find
-fault with his coat, or the fit of his breeches? “Ah! but he don’t pay
-for them!” Prove that, rascal--perhaps your prejudice then will be less
-apparent. But stop a moment.
-
-Of course--we are not seated to make out an analysis of Willis’
-mind--nor to criticise thoroughly his poetry--nor to meddle
-particularly with his morals--nor to read him furiously a
-Chesterfieldian lecture--nor to tell him whether he shall or shall
-not curl his hair--whether he shall or shall not have his carriage,
-his horses, his dogs, _et cetera, et cetera_. No! nothing of this,
-save incidentally--we leave this to others. Besides, ’tis too late for
-it--they have been treated on, and his new work has not yet come to us.
-But our purpose is, to scribble a rapid, running, off-hand article--to
-trouble, somewhat, some of the defamers of Willis--to give our own
-opinions as may be about this or that--to say just what we have a mind
-to--to say it how we have a mind to--and (of this, reader, be certain)
-to enjoy our own opinions.
-
-Whether we are capable of this, of advancing an opinion--of that,
-reader, you must judge. Thus much we _dare_ say--our prejudices will
-not trouble our judgment. We have alike objected to the indiscriminate
-laudatory efforts of the friends of Willis, and the pitiable swellings
-and puny malice of his enemies--we have made ourselves alike familiar
-with his prose and with his poetry--(what man of taste has not?)--we
-have never shut our eyes on his faults, or suffered a jaundiced vision
-to distort, discolor, or otherwise interfere with his excellencies--we
-have often censured and praised him--fought for him and against him--in
-short, been placed exactly in those circumstances, which are favorable
-to a proper appreciation of his merits--supposing all this time, that
-we possess a moderately good share of judgment in these matters. Thus
-much we dare say.
-
-The most troublesome things to be met with now-a-days, are your
-_echoing_ gentlemen.[2] Mr. Willis has done thus and so, says one--Mr.
-Willis has written thus and so, says another. Now we don’t say Mr.
-Willis has _not_ done or written thus and so--perhaps he has--nor would
-we be understood exactly in this free government, as interdicting
-the expression of opinions, even supposing these young gentlemen
-harmless, and as entirely innocent of a capability to judge as they
-really are--but we do say that, in this hot weather, and especially
-as dog days are coming on, every buzzing, barking, or otherwise
-troublesome creature, should be heard as little as possible, and that
-it is altogether too much of a tax upon the easiness of modest men,
-and too much of a tax on the patience of sensible ones, when with
-all their exertions and cooling appliances, (such as ventilating,
-dressing thin, and going under the College pump,) they can scarcely
-keep themselves comfortable. He’s a puppy, says one. What do you mean
-by “puppy,” say we. Why, he’s an exquisite--a dandy. Now, hang your
-ignorance! for your charge proves you a clown. _We_ have seen Mr.
-Willis (we have no acquaintance with him) sitting and standing--we
-have seen him in company and out of company--we have seen him hat on
-and hat off--we have seen him walking and talking--and _we_ declare,
-that there’s nothing about him but an air of high society, and a well
-bred gentleman. The charge of being a dandy, might be laid any where
-with equal propriety--the urbanity of his deportment, considering his
-publicity, is worthy of high praise.
-
-His publicity, his English reputation--this is another thing his
-enemies turn against him. Witness the slighting method of the
-Quarterly--witness the cool handling of the Edinburgh--witness his
-annihilation in the Metropolitan, say they. Annihilation! murder--what
-a term is this--here’s a tax--here’s a sweep--here’s a pull on our
-credulousness. Have these gentlemen forgotten the admitted principle in
-physics, that you cannot annihilate matter? But--’tis of a piece with
-the rest of their absurdities.
-
-As for the attacks of those great organs of English sentiment, the
-Edinburgh and Quarterly, it only needs a glance at the _acknowledged_
-reason of those attacks, to show it altogether complimentary to the
-_talents_ of Willis. His stories publishing successively in the London
-New Monthly--he was bowed through England with an assiduity and
-politeness well worthy the English nation, and of which any American
-might be proud. The first ranks welcomed him to their circles--their
-first literary men were pleased with his acquaintance, (aye! the very
-men who afterwards smote at him)--and the first critic of England,
-or of the world even (North, we mean,) has estimated his power,
-and written him--no common genius. This were praise enough, in all
-conscience. The indiscretions of Willis--and such he has, and we
-blame him--these it was called forth those harrowing, ripping, raking
-articles, so eagerly cited against him now; and with these _facts_
-before us--shall we take _their_ estimate of his intellect, and North
-on our side into the bargain? Out on him who does it! But the first
-men of the age have been placed precisely as Willis has--some of the
-Reviews one side, some on the other. Byron was thus placed. To the
-last day of his life he was horridly mauled by some of them, whenever
-that great lion turned flank and exposed himself to the enemy. He has
-been called ridiculous, affected, a narrow though great mind, and a
-plagiarist, by one of their first Reviews; and others of their great
-men have run the gauntlet, and after the same fashion. There’s nothing
-new in it--what, then, is the worth of the argument?
-
-Of the article in the Metropolitan, nothing need be said--’twas
-personal _pique_, as every one knows. The fact that a single sentence
-of Willis’ condemnatory of Marryatt called forth that article, is
-a high proof of the estimation in which he was held, and speaking
-in no ordinary tone. Policy should have kept Mr. Willis from saying
-it--this no one doubts, whether it was true or not. If true, however,
-he deserves less censure; and now we call upon every admirer of Capt.
-Marryatt, and demand if it is not true, that there are passages in most
-of his novels we read with disgust--that we would not read in good
-society, or before a sister--and if he has not come into a dangerous
-proximity with that point, where he deserves all that Willis says of
-him? _We_ assert that he has--let Capt. Marryatt’s admirers disprove
-it. And the Willis and Marryatt correspondence too! little need be
-said here, than that those letters went to show Marryatt a bullying
-blackguard, and Willis _the_ gentleman. These things we assert--and yet
-professing ourselves admirers of Marryatt. He is doubtless one of the
-geniuses of the age. But we will not let our admiration distort facts,
-when such distortion is injurious to one of our countrymen.
-
-These echoing gentlemen talk much of Mr. Willis’ ephemeral
-reputation--of his fame’s dying with him. Lo, and behold these Solomons
-in literature--witness these wise men of Gotham,--these “Daniels’ come
-to judgment!” Have these gentlemen to learn, that men never tolerate
-each other’s weaknesses?--have they to learn that Willis has been
-indiscreet?--have they to learn that such numbers of young and old,
-high and low, rich and poor, as have pitched upon him, have done so
-_for_ this--and that it follows necessarily, his genius is undervalued.
-Whether they have or not--men of sense admit it all over the world.
-Men’s follies die with them. We don’t bring hatred to the grave’s
-side--unless to throw it in there and bury it. The smouldering earth
-we lay over them hides their defects--we put their virtues in our
-hearts. So it is with men whose follies tarnish their genius. Genius
-is in itself, a living principle--you can’t annihilate it--you can’t
-lessen it--you can’t depress it. You _may_ undervalue it--you may rail
-at it--you may affect to despise it. But it never was heard and it
-never will be, that genius, however manifested, has not sooner or later
-regained its splendid birth-right. So will it be with Willis--would we
-admit what his enemies ask, that the community as a body are against
-him. He has genius--a noble, lofty, and original one--(we wish time
-permitted to show this by references)--his follies stand betwixt the
-light and his merits--let him die, his follies die, and the world at
-once acknowledges this merit. Such is the process--if we admit, as just
-mentioned, that the community are against him.
-
-We have already transcribed our limits--we therefore, pause. Before
-doing so, however, let us and the reader understand each other. Let us
-not be ranked with the mad admirers of Willis--we are none such--he
-has too many follies for that. But we cannot forget, either, how very
-very brilliant are many very many of his productions, and with what
-unmitigated pleasure we have always perused them. And, if our humble
-voice might be heard so far, we would counsel Mr. Willis that he no
-longer--if he has done so--discredit the fine genius that God has given
-him--that he tax well, and long, and arduously, that mind of his--that
-he by some noble effort so engrave his name on this age, that the rust
-of after years shall never eat it away.
-
-[2] By echoing gentlemen, we mean such as carry their chins high--walk
-with canes--retail opinions pilfered from English papers, and call them
-their own.
-
-
-
-
- GREEK ANTHOLOGY.--No. VI.
-
-
-Civilization, among all the changes it has effected in the character
-and habits of its subjects, has wrought none more remarkable than that
-in the condition of woman. In savage countries, the degraded slave
-of continual oppression--in barbarian nations, the dormant medium of
-sensual felicity--among the semi-civilized, the ignorant and secluded
-object of idol affection--it was reserved for the refinement of a purer
-age to reinstate her by the side, and in the heart of man. No longer
-his passive minister to pleasure, she has risen to share with him
-the rights and the enjoyments of rational existence. From the object
-of occasional devotion and general contempt, she has become, in the
-world where her claims are acknowledged, a guide-star of benign and
-sanctifying influence.----Pish! sentimentalizing, and on a subject
-trite as an almanac!----But why not? In my last number, as well my
-own assertions, as the _inconsecutive_ form of my conceptions, might
-have been proof convincing that the solstitial airs had pervaded mind
-and body with their enervating breath. Since then, and while the
-sun was riding in his more northern tropic, my energies fell before
-his potent presence with a still lowlier prostration. Yet, as utter
-oppression will drive even the weakest to resistance, so does trampled
-Nature rise rebellious against the tyrant, and stand upright even
-before his summer-throne. The cold airs of the morning send a vigorous
-life through the limbs, which the toils of yesterday exhausted; and a
-_post-prandial_ siesta followed by a light repast “of meats and drinks,
-nature’s refreshment sweet,” prepares the mind for an evening of quiet
-thought, or rational enjoyment.
-
-This morning is of the loveliest. Each gentle flower turns her fair
-face to the god of her idolatry, and, like a grateful bride, repays
-the warmth of his caresses with the perfume of her breath. It would
-seem as if the wing of relenting Time had dropt a freshening essence on
-his vassals, as he passed, and atoned, in the face of Nature and the
-hearts of her children, for the ravages of years. ’Tis not the sacred
-awe, that falls like a shadow from the stars of midnight, and wakes in
-the soul an unutterable yearning for a holier home--’tis not the sad
-solemnity of evening, that fuses into one pervading thought the hopes
-of the future, and the sorrows of the past, whilst our gaze follows
-far into his nightly pavilion the golden footsteps of the retreating
-Day--’tis the freshness, that dwells in the pinion of the eagle, when
-he springs from his dew-cold aerie in the mountains, and soars, with
-eye turned direct and unblenching on the morning sun. But to return to
-the women. It is a lamentable fact--‘horresco referens’--that the old
-heathen, and the Greeks among them, did not prize very highly these
-interesting objects. It is true that the exquisite delicacy of female
-beauty, excited in their breasts a natural thrill of pleasure, and
-now and then a Sappho or an Aspasia by the united power of wit and
-loveliness threw a spell of enchantment around the wisest, and bravest,
-and proudest of their time. But these were exceptions. There is many
-a smart bit of satire, and many a dull growl of defiance at the sex,
-scattered through the pages of the Anthology--and these I have hitherto
-neglected to translate, well knowing that the ladies are not so perfect
-as to bear sarcasm with patience, and that a portion of their anger
-might be diverted from the Greeks to me. Whether their being created
-second entitles them to be considered _second-best_, it is not my
-province to decide. At any rate I see not how we could _get along_
-without them, and I am perfectly willing to add my experience to that
-of Mungo Park, and testify that, where they are suffered to have their
-own way, I have found them uniformly generous and obliging.
-
-
- _A Paraphrase from Palladas the Alexandrian._
-
- Woman, thou busy, meddling, curious thing,
- What endless evils from thy presence spring!
- For thee, forth-sailing from the hills of Greece,
- Bold Jason wandered for the Golden Fleece.
- Thou, and thy paramour, the beauteous boy,
- Brought woe and ruin to the gates of Troy.
- Achilles’ anger for a while delay’d
- Th’ event occasion’d by the faithless maid;
- And then, when Ilion’s consecrated wall
- Had shook, and reel’d, and nodded to its fall,
- Who but a woman, on the foaming brine
- Held wise Ulysses, and transformed to swine
- His brave companions, and employ’d each wile
- To chain the hero to her magic isle?
- And is not woman’s love, or woman’s rage,
- Ground of each plot upon the tragic stage?
- Quick to perceive, and headlong to resent,
- Thy kindled anger never can relent.
- So mild in love, so terrible in hate,
- The soothing balm, and tri-thonged scourge of Fate;
- Thou sure wert born to trouble and perplex,
- Involve and puzzle the diviner sex!
- Have we a secret? Keep it, as we may,
- Full soon it passes from our grasp away.
- Has any thing occurred? “Who, which, what now?
- “Come, tell me quick, the why, when, where, and how!”
- Yet art thou lovely as the gentle light,
- That falleth dew-sprent from the orbs of night;
- And, wert thou fled, this world of ours would be
- Dark as the Fates, and barren as the sea.
- When wise, and kind, and generous, and mild,
- Thou rul’st us, as a mother rules her child.
- But when thy passions take their headlong way,
- We scorn thine empire, and defy thy sway.--
- Must, then, a pretty, peering, prying wife,
- Soothe, vex, enliven, and distract my life?
- I’ll cling to thee for better, and for worse,
- Our joy, our grief, our blessing, and our curse.
-
-Let those who are not satisfied with this mixture of compliment and
-sarcasm read the following, and see with what yearning anguish a Greek
-could mourn over the grave of a loved one, who had passed what was, to
-the ancients, with emphatic truth “the valley of the shadow of death.”
-It is by Meleager, one of the most delicate and affectingly simple of
-all the Greek poets.
-
- To thee, transported by that cruel Power,
- Who waves his sceptre over all that live,
- Tears wept in darkness at the midnight hour,
- Oh! Heliodora! bitterly I give.
- Thy home’s low roof with ceaseless tears I wet,
- In deep, and wild, and passionate regret.
-
- Oh! Heliodora! I have known thee long,
- And loved thee deeply, and bewailed thee well;
- But what avails the tear, the sigh, the song,
- To thee, thus sleeping in thy narrow cell?
- Alas! my lovely flower is senseless clay!
- My budding rose the Grave has torn away!
-
- To thee, oh earth! then let thy mourning son,
- O’er whose glad heaven this cloud hath early past,
- Whose day is darkened ere its morn be run,
- Lift one appeal--his strongest, and his last--
- Take her, oh! take her to thy gentle breast,
- And lull her softly to her evening rest!
-
-
- _To the Tettix._
-
- Thou noisy thing, intoxicate with dew,
- Thou desert-babbler, with thy rustic lay,
- Who sittest idly, where the green leaves through
- On thy _cranked_ limbs bright slants the solar ray,
- Whilst from thy little frame with hue of fire,
- Comes forth the mimic music of the lyre--
-
- Oh! friendly songster, to the Sylphid Maids
- ‘Discourse sweet music,’ with thy tiny tongue,
- And unto Pan, who habits in the shades,
- And roves the mountains and the fields among.
- Then, freed from love, my noontide sleep I’ll take,
- Beneath the shadow which the plane-trees make.
-
-And now, dear reader, thou hast gathered with me a few of the many
-wild-flowers, which bloom in the Anthology, but are known only to
-the student, and appreciated only by the scholar. If thou art not
-interested in them, it is either because thou art not gifted with a
-love for the simple and the beautiful, or else because that simplicity
-and beauty have perished in the medium through which thou hast seen
-them. I am no man-worshipper, and, I hope, no nation-worshipper. Yet I
-love, admire, and venerate the Greeks; and though I might in liberality
-allow that there have been minds more mighty than any of the Grecian
-race, yet it might be shown by the strongest of moral proof--the
-sentiments of nations, and the evidence of facts--that they were the
-brightest, simplest, and most _classic_ nation on the earth. I say, it
-might be shown, and should occasion serve, I will show it. Meanwhile
-I will content myself with the hope that you may be blessed with an
-_Attic reduplication_ of wit, a _temporal augment_ in the riches and
-honors of this world, and a _spiritual aspiration_ after all that is
-beautiful in knowledge, and all that is generous in deed.
-
- Hermeneutes.
-
-
-
-
- “OUR MAGAZINE,”
-
-
-Is doing very well--but might do better. It has hitherto
-had subscribers enough to support it--it has never lacked
-communications--it has never been so unfortunate as at one and the same
-time to displease _every body_--it has been constantly sustained by
-the countenance of able friends, and the attacks of weak enemies--its
-general character has been approved by the ‘leading prints’--many
-articles have been copied from it, not without the most gratifying
-compliments--even the editors have not lost their meed of praise.
-
-So much for the first part of our remark, that the Magazine is
-‘doing well’--now for the less pleasing adjunct, ‘that it might do
-better.’ We might have _more_ subscribers--and all our subscribers
-might pay as they engage to--our articles might be more varied and
-more excellent--and by an increase of patronage, we should be enabled
-to enlarge the size, and improve the mechanical appearance of the
-work--and, in a word, make it more worthy of the institution from which
-it takes its name, and which it is our especial delight to honor.
-
-All subscriptions were considered as made for one year, and will be so
-charged by the Publishers. Subscribers at a distance are reminded that
-their _money_ is due.
-
-
-
-
- TO CORRESPONDENTS.
-
-
-“On the study of human nature in the works of the imagination,” and
-“Honors to the illustrious Dead,” two essays, are accepted, and shall
-be inserted soon.
-
-“A curious incident” is under consideration.
-
-J. B.’s communication, resembles in its form and general character the
-Coffee Club too much to appear with advantage after that series.
-
-A patriotic poem, entitled “July 4, 1836,” was received too late for
-insertion in the last number, when only it would have been appropriate.
-
-“Fair Wishes,” and “The Spirit of the Winds,” are declined.
-
-“Amor non convinciabitur,” (we are not responsible for the Latin,)
-“Lines on a youthful Poet, laboring under disappointment,” and “The
-sailor’s lamentation for his departed loved one,” are rejected.
-
-“Morning at the mast-head,” possesses considerable poetic merit, but
-all the rules of metre are grossly violated.
-
-
-
-
- PROSPECTUS
- OF THE
- YALE LITERARY MAGAZINE.
- TO BE CONDUCTED BY THE STUDENTS OF YALE COLLEGE.
-
-
-An _apology_ for establishing a Literary Magazine, in an institution
-like Yale College, can hardly be deemed requisite by an enlightened
-public; yet a statement of the objects which are proposed in this
-Periodical, may not be out of place.
-
-To foster a literary spirit, and to furnish a medium for its exercise;
-to rescue from utter waste the many thoughts and musings of a student’s
-leisure hours; and to afford some opportunity to train ourselves
-for the strife and collision of mind which we must expect in after
-life;--such, and similar motives have urged us to this undertaking.
-
-So long as we confine ourselves to these simple objects, and do not
-forget the modesty becoming our years and station, we confidently
-hope for the approbation and support of all who wish well to this
-institution.
-
- * * * * *
-
-The work will be printed on fine paper and good type. Three numbers to
-be issued every term, each containing about 40 pages, 8vo.
-
-_Conditions_--$2,00 per annum, if paid in advance, or 75 cents at the
-commencement of each term.
-
-Communications may be addressed through the Post Office, “To the
-Editors of the Yale Literary Magazine.”
-
- * * * * *
-
-This No. contains 3 sheets. Postage, under 100 miles, 4-1/2 cents; over
-100 miles, 7-1/2 cents.
-
- Printed by B. L. Hamlen.
-
-
-
-
-Transcriber’s Notes
-
-
-A number of typographical errors were corrected silently.
-
-Cover image is in the public domain.
-
-*** END OF THE PROJECT GUTENBERG EBOOK THE YALE LITERARY MAGAZINE (VOL. I,
-NO. 6, AUGUST 1836) ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.