summaryrefslogtreecommitdiff
path: root/old/66920-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/66920-0.txt')
-rw-r--r--old/66920-0.txt1063
1 files changed, 0 insertions, 1063 deletions
diff --git a/old/66920-0.txt b/old/66920-0.txt
deleted file mode 100644
index 51138d7..0000000
--- a/old/66920-0.txt
+++ /dev/null
@@ -1,1063 +0,0 @@
-The Project Gutenberg eBook of Keeping Down the Cost of Your
-Woodwork, by Anonymous
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Keeping Down the Cost of Your Woodwork
-
-Author: Anonymous
-
-Release Date: December 10, 2021 [eBook #66920]
-
-Language: English
-
-Produced by: Charlene Taylor, Jwala Kumar Sista and the Online
- Distributed Proofreading Team at https://www.pgdp.net (This
- file was produced from images generously made available by
- The Internet Archive)
-
-*** START OF THE PROJECT GUTENBERG EBOOK KEEPING DOWN THE COST OF YOUR
-WOODWORK ***
-
-
- Transcriber's Notes
-
- 1. Typographical errors and hyphenation inconsistencies were
- silently corrected.
-
- 2. The text version is coded for italics and other mark-ups i.e.,
- (a) Italics are indicated thus _italic_;
- (b) Smallcaps thus +CAPS+; and
- (c) Images are indicated as [Illustration: (with narration...)]
-
- * * * * *
-
-
-
-
- Keeping
- Down _the_ Cost
- _of_ Your
- Woodwork
-
- [Illustration: _The woodwork of your home is one of the most
- important parts of its very structure_]
-
- Copyright, 1923
- Curtis Companies Service Bureau
- Clinton, Iowa
-
-
-[Illustration:
-
- _To fireside happiness, to hours of ease
- Blest with that charm, the certainty to please._
- --Samuel Rogers]
-
-
-
-
- Keeping Down the Cost of
- Your Woodwork
-
- _The common problem, yours, mine, everyone’s, is not to fancy
- what were fair in life provided it could be--but finding
- first what may be, then find how to make it fair up to our
- means._--+BROWNING+
-
-Not so many years ago, home-builders of good taste who wished to have
-in their homes a background of beautiful woodwork with architectural
-value found it almost impossible to obtain such woodwork except by
-special order, at necessarily great cost. The Curtis Companies have
-done much to change this--to make this one thing that is “fair in
-life,” “fair up to our means.” The object of this booklet is to tell
-you how it is possible for you now to obtain woodwork of excellent
-design and guaranteed construction at lower cost than you could have
-done a few years ago.
-
-What is meant by “lower costs?” Curtis Woodwork is not the lowest
-priced woodwork on the market, but it is the greatest value, dollar
-for dollar. You may be able to buy, for less money, woodwork that
-looks something like Curtis material. Cheaper material cannot, of
-course, have the same quality as Curtis Woodwork all the way through.
-We do not claim to make the _cheapest_ woodwork on the market, but
-only the _best_. You will find that woodwork bearing the Curtis
-trademark represents better value, rather than lower first cost.
-
-
- +DESIGN+
-
-The first element of its greater value, perhaps, is superior design.
-Along with a higher standard of living in general, and education in
-better homes and interior furnishing, there has come an increasing
-demand for woodwork of better proportions and pattern than are
-found in ordinary “stock millwork.” The Curtis Companies, led by
-this demand, re-designed Curtis Woodwork to make it harmonize with
-the newer furnishings. In this work, the authoritative help of the
-architectural profession was sought. The present beautiful and
-authentic designs of Curtis Woodwork are the work of Trowbridge &
-Ackerman, architects, of New York City, who are acknowledged experts
-in interior details of homes.
-
-This quality of good design adds nothing to the cost, for it is just
-as cheap to make a good design as a poor one, and often involves less
-material rather than more, and simpler forms rather than more ornate
-ones.
-
-Your architect will not hesitate to recommend Curtis Woodwork for
-your home, because it is correct in every detail, and will save him
-and you the labor and expense and delay of specially designed items.
-
-“But how,” you ask, “can Curtis Woodwork be beautiful and be well
-made without increasing the cost?” Briefly, because it has been
-standardized and is produced in quantities.
-
-
- +STANDARDIZATION+
-
-By standardization, we mean that production has been limited
-to those designs, sizes and kinds of wood indicated in Curtis
-literature. These are of sufficient number and variety to cover
-all needs and all types of houses, but eliminate those sizes and
-patterns not in demand. Thus waste is eliminated by not producing
-and keeping in stock material that is little called for.
-
-The woodwork items pictured in most “millwork” catalogs as _stock_
-are seldom actually on hand; they are a collection of suggested
-designs which have been detailed and which will be made up upon
-receipt of your order. The items shown in the Curtis catalog,
-“Architectural Interior and Exterior Woodwork, Standardized,” are
-made up in quantities, and an effort is made to keep a supply on hand
-ready for shipment upon receipt of your order.
-
-
- +QUANTITY PRODUCTION+
-
-These standardized items of Curtis Woodwork are produced in large
-quantities. It is easily understood that a hundred sideboards, for
-instance, can be produced at a much lower proportionate cost than a
-single one. Accurate “details” must be prepared and if these can be
-used again and again, a large factor in the cost of production is
-eliminated. In making a sideboard, no less than 19 operations are
-necessary. For these, intricate machines must be set and adjusted,
-and material prepared. This can be done in practically the same time
-for 100 to be run through as for 1, thus distributing the cost.
-
-
- +CONSTRUCTION+
-
-Wood is the only building material that grows. For that reason it is
-seldom perfect and is more subject to the action of heat or moisture
-than any other building material. It must be protected against damage
-from these elements from the time the tree is felled--during the time
-it is being made into woodwork in the factory, while in storage,
-in transit, in the hands of your painter and finisher, and even
-during the years that it is in your home. The construction of Curtis
-Woodwork takes account of these factors and minimizes the chances of
-your woodwork “going wrong” after it leaves our hands.
-
-There is not space here to tell about the special construction
-features which distinguish Curtis Woodwork from ordinary “millwork.”
-Some of them are shown, however, on the following pages, in diagrams
-showing details of Curtis stairs, cabinet work and doors.
-
-Workmen making more than one piece of a kind at a time soon find
-better ways of doing the work, and therefore make a product of better
-quality. Many of the special Curtis construction features have been
-worked out by the men in the Curtis factories because they were
-interested in making Curtis Woodwork the best you can buy. If they
-made each piece but once, the purchaser could not profit from their
-experience.
-
-
- +DELIVERIES+
-
-Curtis Woodwork is made in quantities and kept in stock, not only by
-the various Curtis factories, but by Curtis dealers throughout the
-East and Middle West. With this wide distribution, your order can be
-delivered promptly, so that your workmen need not be held up waiting
-for your woodwork to be made at the mill.
-
-
- +GUARANTEE+
-
-Every piece of Curtis Woodwork that you buy carries, as a final
-pledge of its better value, the guarantee: “The makers of Curtis
-Woodwork guarantee complete satisfaction to its users. ‘We’re
-not satisfied unless you are.’” If you believe with us that
-economy does not refer to money hoarded, but to money _wisely_
-spent, ask your lumber dealer to furnish Curtis Woodwork for your
-house, and look for the Curtis trademark upon it.
-
-
-
-
- Restful Rooms
-
-
-Home is a place of rest. We seek for comfort in our homes. We mean
-something more than bodily ease when we speak of comfort--we must
-have _mental_ rest too. And there can be no mental rest without
-beauty.
-
-Beauty in the home is of two kinds, architectural and decorative.
-They are supplementary, and neither can be successful without the
-other. Rugs, lamps, furniture, pictures--these are decorative
-elements. Much can be done with them to make a room homelike; but
-to make a room truly restful it is necessary to have, also, good
-architectural details to form a background or setting for the
-decorative features. These architectural details are, in the main,
-articles of woodwork.
-
-Naturally, the best source of information on the design of interior
-woodwork is the architectural profession. It was for that reason that
-the Curtis Companies sought the help of Trowbridge & Ackerman, a firm
-of architects nationally known for their work in interior details.
-They re-designed the entire line of Curtis Woodwork, giving it the
-benefit of their knowledge of design. The Curtis Companies give to it
-their six decades’ experience in the construction of good woodwork.
-By manufacturing it in quantities, the Curtis Companies are now
-able to supply the builder with woodwork of architectural character
-at less cost than made-to-order woodwork of indifferent design and
-ordinary quality.
-
-The use of standardized forms produced in quantities does not mean
-in any sense the sacrifice of individuality, because there are many
-designs from which to choose. Individuality, as one writer puts it,
-is nothing more than “the best expression of one’s sense of beauty
-and the fitness of things, and when it is guided by the laws of
-harmony and proportion, the result is usually one of great charm,
-convenience and comfort.”
-
-On the following pages, each of the important rooms in the
-average house is considered separately. These pages are commended
-to your careful consideration, for you will find in them many
-suggestions that will help you to build comfort, convenience and
-beauty into your home--and this means restful rooms.
-
-
-
-
-[Illustration]
-
- Where First Impressions Count
-
-
-The exterior of every house, however simple or elaborate, is nothing
-more than a wall punctured with openings. If it is well proportioned,
-and if the openings are well spaced and well proportioned, it will
-create a favorable impression.
-
-Windows having small panes with the division bars between them
-painted white make interesting openings. Curtis sash are ovolo-molded
-to match the molding of the doors and woodwork on the interior. Check
-rails are rabbeted, and so resist seven times as much wind pressure
-as ordinary check rails.
-
-Blinds contribute color and contrast to the exterior of the house,
-and they make the rooms within more restful because they enable you
-to shut out the glaring sun without shutting out the breezes.
-
-The construction of Curtis standard frames for windows and doors
-reduces coal bills and makes more comfortable rooms.
-
-[Illustration: _Entrance C-101_]
-
-[Illustration: _Entrance C-109_
-
- _Good proportions, dignity, simplicity, are characteristic of all
- stock Curtis entrances, for large home or small one._]
-
-[Illustration: _Entrance C-111_]
-
-[Illustration: _Stair C-900_]
-
-[Illustration:
-
- _Starting newels and balusters on Curtis stairs like C-900 are
- dowel-pinned to the solid, built-up starting tread. On stairs like
- C-913, the newel is tenoned to fit into a mortise in the tread. The
- result of such forms of construction is balustrades that are strong
- and stable._]
-
-[Illustration: _Stair C-913_]
-
-As the entrance is usually the focal center of the main elevation,
-it should be selected with care and due regard to the type of home
-in which it is to be used. There are more than thirty designs in the
-Curtis catalog.
-
-Strangers judge your home only by those things which are seen from
-the outside. But you and your family have to live with the things
-inside. While you are pleased by favorable comment on the beauty of
-the exterior, you are thrilled with greater pleasure at admiration of
-the restful rooms within.
-
-First impressions of the interior are usually made by the hall.
-In the two-story house the stair may make or mar these first
-impressions. On account of its size, its utility, its construction
-as a part of the house, and its possibilities for beauty, the
-stairway is of both structural and architectural importance. Beauty
-depends not upon large-sized members, but upon graceful lines, good
-proportions and finely molded parts. In the entrance hall, French
-doors also add to the favorable impression which your home makes.
-They keep out sounds and drafts but do not shut out light between
-rooms.
-
-[Illustration:
-
- _A feature of Curtis stair construction which saves time for the
- carpenter is the “housing” of the wall stringers. The treads and
- risers, which are tongued-and-grooved together as shown above, on
- the right, are WEDGED into the housing, not nailed. This is the
- most satisfactory stair construction that has so far been devised
- to eliminate creaking and “giving.” This picture is taken from the
- under side of the stair._]
-
-[Illustration: _Inter-Room Opening C-535_]
-
-[Illustration:
-
- _Face stringers (top picture) are tenoned to fit into mortises in
- corner and angle newels, and are secured on the inside by means
- of cleats. Balusters (bottom pictures) are dovetailed to the
- treads, then the nosing and molding are applied._]
-
-
-
-
-[Illustration]
-
- The Living Room That Deserves Its Name
-
-
-With such Curtis Woodwork as mantels, bookcases, inter-room openings,
-wall paneling and ceiling beams as a background for the living room,
-its furnishing is greatly simplified and it is easy to make it a room
-deserving of its name.
-
-Don’t consider for a minute doing without a fireplace. The cheer it
-brings to the family circle, especially at Christmas time, is in
-itself quite worth its cost. A hearth fire takes the dampness out of
-the atmosphere in early spring and late fall, when the furnace is
-not going, and so saves coal bills. The fireplace is valuable as a
-means of ventilation, too. It is the center of interest in the living
-room, and should be dignified and beautiful. Many beautiful mantels
-of architectural merit are shown in the Curtis catalog, for houses of
-all types.
-
-Bookcases in the living room and library combine both architectural
-and decorative value to a greater degree, perhaps, than does any
-other one detail. The decorative value of books can hardly be
-overstated. Curtis bookcases are designed as an integral part of the
-house. They may be had in various sizes to fit your needs. There
-are some with beautifully fluted pilasters and others of plainer
-design but fine proportions. Either type may be had with or without a
-drawer-pedestal.
-
-Sometimes bookcases are used in combination with a permanent seat,
-as for example around a window, and the recess thus produced can
-be made very alluring. Permanent seats also utilize many otherwise
-unused corners and nooks. They have hinged tops and so can be
-used for storing miscellaneous household articles.
-
-[Illustration]
-
-Paneling is an attractive wall treatment for many homes. The wall
-may be entirely covered with well proportioned and carefully molded
-wood panels, or it may be marked off into rectangles with a simple
-molding--which is known as “French paneling.” Paneling may be used
-in other rooms of the house also. Often it is accompanied by beamed
-ceiling, but ceiling beams can also be used without paneling, if you
-wish, and give character to a room. They can be used to modify the
-proportions of the room. They lend an interest to the interior that
-it might not otherwise have. The Curtis catalog shows wall panelings
-and ceiling beams of various designs.
-
-In a small house, the rooms can be given the appearance of greater
-size if inter-room openings are used instead of doors. These wide
-portals throw the rooms together and permit larger vistas. They may
-have simple paneled buttresses, or they may contain bookcases, desks,
-or cabinets that take up very little more floor space than would the
-partition. In either case the newest and best Curtis designs have
-columns extending all the way from floor to ceiling.
-
-[Illustration:
-
- _In permanent furniture the tongue-and-groove mitred joint is used
- wherever practical. Note the differences between this construction
- and the common butt joint. With the former, no nails are used that
- mar the finished surface of the cabinet, and there is no incongruous
- contrast between edge and flat grain wood at the corners. Such a
- joint cannot open up as a result of humidity and temperature changes
- in the rooms._]
-
-[Illustration:
-
- _The mortise-and-tenon joint is used in the face of cabinet work and
- in the stiles and rails of doors._]
-
-[Illustration:
-
- _All but the smallest drawers in Curtis permanent furniture are made
- with dovetailed corners that cannot pull apart. They operate on
- slides (A), which prevent wobbling and binding. The laminated drawer
- bottoms are set into grooves in the sides and ends of the drawers.
- The bottoms cannot shift about._]
-
-
-
-
-[Illustration]
-
- Making the Dining Room Inviting
-
-
-In no room of the well-planned home is there greater opportunity for
-good taste in woodwork than in the dining room. The room itself may
-be attractive before furniture or drapery or carpet has been put in
-place.
-
-There must be, of course, a sideboard or buffet or perhaps a corner
-china closet or a pair of them, in which to keep the china and silver
-and linens. All of these may be had in Curtis built-in furniture of
-excellent design and proportions, decorative in themselves and as a
-display of handsome table-ware. They may be built into a recess,
-or set out into the room. They come in different woods, suitable
-for the finish that will best harmonize with your other woodwork or
-furniture. There is a wide variety of sizes and types.
-
-[Illustration: _Sideboard C-710_]
-
-[Illustration:
-
- “_Built-in furniture is very good in a small room,
- because it takes and keeps its place as a part of the wall and
- increases the floor space. It is advantageous in a room of great
- size, because it then becomes of architectural importance, and may be
- of great decorative value in mass and color._”
- --_The Honest House_]
-
-[Illustration: _China Closet C-703_]
-
-[Illustration: _Buffet C-717_]
-
-[Illustration:
-
- _Curtis veneered doors have stiles and rails built-up as shown in
- the section above. “C” are blocks of California white pine which
- are tongued-and-grooved and glued together. They will not warp and
- they are light. “B” are strips of hardwood which form the edges of
- the stiles and rails and into which the molding is cut on Curtis
- ovolo-molded doors. “A” are strips of veneer which are secured to
- the white pine core by means of waterproof glue. Thus a door is
- produced with all the beauty of grain of hardwood, combined with
- the lightness, non-warping, non-checking characteristics of solid
- softwood doors._]
-
-[Illustration: _Curtis Standard Trim C-1620_]
-
-A fireplace here is less essential than in the living room, but if
-you can include one, it contributes to the spirit of hospitality and
-cheerfulness which should characterize the room. Choose for it, from
-among the Curtis standard designs, a simpler mantel than that in the
-living room.
-
-In a large room, beamed ceiling and wall paneling are impressive.
-In a dining room of any size, wainscoting is always appropriate and
-effective, and when you consider how easy it is to clean, and the
-fact that it never needs renewal, it is an economical wall treatment
-as well.
-
-One of the important things about the background of the dining
-room--as of every other room in the house--is the choice of doors,
-windows and trim. These you must have, and on account of their
-number, they may do much to improve or to destroy the effect of the
-whole interior scheme. If you choose Curtis doors--whether they be
-veneered or solid, whether with raised panels or flat ones, whether
-with delicate moldings or of Puritanical simplicity--you will have
-doors of correct proportions and guaranteed construction. The same
-is true of Curtis windows and casements. The trim around windows and
-doors offers a splendid opportunity for a choice between molded or
-plainer Curtis patterns.
-
-[Illustration: _Interior Door C-300_]
-
-[Illustration:
-
- _Above are shown the two different kinds and patterns of standard
- moldings on Curtis doors, the “ovolo” and the “flush”. The former
- is cut on the stile or rail; the latter is a separate piece that
- is applied, being nailed to a spline, not to the panel, with the
- result that when the panel shrinks the molding will not be pulled
- away from the stile or rail. Note the panel thicknesses, too. Solid
- raised panels are shown. In doors 1-3/4-inch thick these panels are
- 1-1/8-inch thick, while on 1-3/8-inch thick doors the solid raised
- panels are 9/16-inch thick. The same depth of “reveal” is therefore
- presented in every door. Solid flat panels in 1-3/4-inch doors are
- 7/16-inch thick; in 1-3/8-inch doors, 5/16-inch thick. Laminated or
- 3-ply panels are always 5/16-inch thick._]
-
-[Illustration: _Interior Door C-305_]
-
-
-
-
-[Illustration: _Combination Kitchen Dresser and Worktable C-760_]
-
- Lightening Kitchen Burdens
-
-
-Much can be done toward lightening kitchen burdens by proper placing
-of the furniture and equipment. The character and location of
-dresser, worktable and ironing board must be carefully considered. In
-the illustration above, one end of the kitchen is so arranged that
-most of the work can be done there, within a few steps. Regardless
-of the width of the kitchen, there are units of Curtis permanent
-furniture for this room that can be employed to form a similar
-arrangement. Some Curtis dressers are two doors wide, others three;
-some have a top section extending clear to the ceiling; others do
-not. Any cabinet can be supplied with either glass or panel doors in
-C-718, shown here, the kitchen dresser is combined with the dining
-room sideboard, with sliding doors between.
-
-[Illustration: _Kitchen Worktable C-763 (at left)_
-
- _Hingeless, removable flour bins are used in Curtis kitchen
- dressers and worktables. They will not fall out. Beneath the
- front lower edge of worktables space is left for the toes of
- the person working at the table, enabling one to get up close
- without discomfort or scuffing the shoes._]
-
-[Illustration: _Combination Sideboard_]
-
-[Illustration: _and Kitchen Dresser C-718_]
-
-[Illustration:
-
- _Sliding doors separate the countershelves in design
- C-718. The doors slide on rollers and are guided by a pin which
- operates in a groove in the bottom edge._]
-
-There are several different types of worktables in the Curtis
-catalog. One of them is shown in the large illustration on page
-12; another is shown at the bottom of that page. Bins, drawers
-and cabinets utilize the space beneath the table top. Like Curtis
-dressers, they are made with “toe-room” for the convenience of the
-worker. Perhaps a corner of your kitchen can be used for a dining
-alcove, or a breakfast table that folds into a wall cabinet when not
-in use, such as are shown on page 15.
-
-There should be a built-in ironing board in every kitchen. It is
-protected from dust, is completely out of the way and is always ready
-for use. This board is as easily installed in an old home as it is in
-a new house.
-
-Any item of Curtis permanent furniture can be installed in a house
-already built with practically as little trouble as in a new house.
-
-Curtis permanent furniture in the kitchen does much to shorten the
-working hours of the women of the household. It saves time, steps and
-a great deal of hard work, leaving the housewife better able to enjoy
-her family than when she is tired out from heavy kitchen burdens.
-
-[Illustration:
-
- _Ironing Board C-770. Above you see the construction of the Curtis
- built-in ironing board, which makes it adjustable in height. At the
- extreme left is the board in place; at the immediate left, the board
- in use; at the right the board is shown sustaining a weight of 365
- pounds. The sturdy construction of the board and its leg makes a
- stable ironing board. The above construction is such that the board
- cannot shift endwise with the motion of the iron._]
-
-
-
-
-[Illustration]
-
- Where You Spend Over One-third of Your Life
-
-
-Did you ever stop to realize that you spend more than one-third of
-your life in your bedroom? This, indeed, should be a restful room!
-Curtis hanging closets, dressing tables, window seats, tray cases
-afford compact, accessible places to put away personal belongings,
-and economize floor space, making even a small bedroom spacious.
-There are dressing tables of two sizes, both with adjustable side
-mirrors and a fascinating little bench. The tray cases have sliding,
-open-end trays of various sizes and are enclosed by one of the
-regular interior doors, so that the room may always be neat. The
-hanging closet includes shelf, hanger-rod and shoe rack, and has a
-raised floor that makes it unusually easy to clean. The dressing
-table, tray case and hanging closet may be used in any combination,
-and may be installed in a house already built, if you wish.
-
-Bedroom slat doors are invaluable, especially in warm weather, to
-increase ventilation while maintaining strict privacy.
-
-Near the bedrooms and bathroom, a Curtis linen case is indispensable.
-
-[Illustration: _Bedroom Slat Door C-330_]
-
-[Illustration: _Dressing Table C-810, with Hanging
-Closet and Tray Case_]
-
-[Illustration: _Linen Case C-813_]
-
-[Illustration:
-
- _Dining Alcove C-740. If you are planning a small house, a dining
- alcove will save you the space of a larger dining room; or it can
- serve as the family dining room in the larger house, when it will
- save housework and make the serving of simple meals a great deal
- easier._]
-
-
-
-
- Here and There About the House
-
-
-Many an old house can be made more livable and many a new one insured
-greater appreciation by adding one or two features here and there
-that may perhaps not be necessities, but which will make the home
-more beautiful, cheerful or convenient--make it more of a home. Such
-things as a bay window, a dormer, a dining alcove, built-in tables,
-radiator enclosures, hanging china closets, and medicine cabinets are
-among these.
-
-A bay window is a delightful addition to any room. It affords a view
-up and down the street that an ordinary window does not allow, and
-also takes advantage of sunlight and breezes from three directions.
-A dormer may supply light and air for some unused space in the attic
-and add interest to the roof lines.
-
-Curtis radiator enclosures with iron grills solve a perplexing
-problem in an attractive manner. A hanging china closet takes up no
-floor space, and is more appropriate and decorative than a picture.
-
-[Illustration: _Medicine Cabinet C-816_]
-
-[Illustration: _Hanging China Closet C-731_
-
- _A built-in table (shown in the two middle pictures) is the very
- thing for the apartment kitchenette, because it affords a table for
- dining and so leaves the regular living room table undisturbed. A
- table such as this will also make an excellent supplementary work
- place in the larger kitchen._]
-
-[Illustration: _Built-in Table C-741_]
-
-[Illustration: _Radiator Enclosure C-819_]
-
-
-
-
- How You Can Obtain Restful Rooms
-
-
-Not long ago, the only way the builder of the small house could
-obtain such things of beauty and comfort as those described on the
-foregoing pages was to have his lumber dealer order them from his
-manufacturer, made to the architect’s special details. This was a
-very expensive process, so expensive, in fact, that as a result of
-it architects’ services were largely slighted, and consequently,
-builders obtained uninteresting, ill-proportioned woodwork that could
-not possibly produce restful rooms.
-
-The Curtis Companies have changed all this. Architectural authorities
-have designed practically every item of Curtis Woodwork. You can
-buy this architectural woodwork for what you would have to pay for
-mediocre designs made-to-order.
-
-Go to your dealer and ask him to show you his Curtis catalog. It will
-give you specific information concerning sizes and other details.
-Selecting your designs of woodwork from the Curtis catalog is one of
-the safest steps you can take toward obtaining restful rooms. Look
-for this trademark
-
- +CURTIS+
-
-It identifies every genuine piece of Curtis Woodwork. You will find
-many imitations of Curtis designs and some that are claimed to be
-just as good. But without this trademark you do not receive Curtis
-quality--an intrinsic value that unites appearance, utility and
-Curtis intent.
-
-
- CURTIS COMPANIES SERVICE BUREAU
- CLINTON, IOWA
-
-_Representing the following manufacturing and distributing plants_:
-
- +CURTIS BROS. & CO+. +CLINTON, IOWA+
- +CURTIS & YALE CO.+ +WAUSAU, WIS.+
- +CURTIS-YALE-HOLLAND CO.+ +MINNEAPOLIS, MINN.+
- +CURTIS SASH & DOOR CO.+ +SIOUX CITY, IOWA+
- +CURTIS, TOWLE & PAINE CO.+ +LINCOLN, NEB.+
- +CURTIS, TOWLE & PAINE CO.+ +TOPEKA, KANS.+
- +CURTIS DOOR & SASH CO.+ +CHICAGO, ILL.+
- +CURTIS DETROIT CO.+ +DETROIT, MICH.+
-
- +CURTIS COMPANIES INCORPORATED+ +CLINTON, IOWA+
-
-
- _Sales offices of_ +CURTIS COMPANIES INCORPORATED+ _located in_
- +PITTSBURGH, PA.+ +NEW YORK, N. Y.+ +BALTIMORE, MD.+
-
- Rogers & Company, Chicago and New York
-
-*** END OF THE PROJECT GUTENBERG EBOOK KEEPING DOWN THE COST OF YOUR
-WOODWORK ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.