summaryrefslogtreecommitdiff
diff options
context:
space:
mode:
authornfenwick <nfenwick@pglaf.org>2025-01-22 10:00:09 -0800
committernfenwick <nfenwick@pglaf.org>2025-01-22 10:00:09 -0800
commitc363a4487c675cd94aa4dfe09415bee3b4b256f3 (patch)
tree1fd3d5394123d5c1b9c5ee65d235c5be6eaec40d
parent18b7542dec21d4fd8174c5aaca960351be131476 (diff)
NormalizeHEADmain
-rw-r--r--.gitattributes4
-rw-r--r--LICENSE.txt11
-rw-r--r--README.md2
-rw-r--r--old/66911-0.txt15410
-rw-r--r--old/66911-0.zipbin279002 -> 0 bytes
-rw-r--r--old/66911-h.zipbin849635 -> 0 bytes
-rw-r--r--old/66911-h/66911-h.htm14976
-rw-r--r--old/66911-h/images/ad1.pngbin16161 -> 0 bytes
-rw-r--r--old/66911-h/images/ad2.pngbin13751 -> 0 bytes
-rw-r--r--old/66911-h/images/ad3.pngbin26050 -> 0 bytes
-rw-r--r--old/66911-h/images/ad4.pngbin62605 -> 0 bytes
-rw-r--r--old/66911-h/images/front-cover.jpgbin309416 -> 0 bytes
-rw-r--r--old/66911-h/images/titlepage.pngbin111926 -> 0 bytes
13 files changed, 17 insertions, 30386 deletions
diff --git a/.gitattributes b/.gitattributes
new file mode 100644
index 0000000..d7b82bc
--- /dev/null
+++ b/.gitattributes
@@ -0,0 +1,4 @@
+*.txt text eol=lf
+*.htm text eol=lf
+*.html text eol=lf
+*.md text eol=lf
diff --git a/LICENSE.txt b/LICENSE.txt
new file mode 100644
index 0000000..6312041
--- /dev/null
+++ b/LICENSE.txt
@@ -0,0 +1,11 @@
+This eBook, including all associated images, markup, improvements,
+metadata, and any other content or labor, has been confirmed to be
+in the PUBLIC DOMAIN IN THE UNITED STATES.
+
+Procedures for determining public domain status are described in
+the "Copyright How-To" at https://www.gutenberg.org.
+
+No investigation has been made concerning possible copyrights in
+jurisdictions other than the United States. Anyone seeking to utilize
+this eBook outside of the United States should confirm copyright
+status under the laws that apply to them.
diff --git a/README.md b/README.md
new file mode 100644
index 0000000..4a93288
--- /dev/null
+++ b/README.md
@@ -0,0 +1,2 @@
+Project Gutenberg (https://www.gutenberg.org) public repository for
+eBook #66911 (https://www.gutenberg.org/ebooks/66911)
diff --git a/old/66911-0.txt b/old/66911-0.txt
deleted file mode 100644
index b5a09a9..0000000
--- a/old/66911-0.txt
+++ /dev/null
@@ -1,15410 +0,0 @@
-The Project Gutenberg eBook of Eline Vere, by Louis Marie Anne Couperus
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Eline Vere
-
-Author: Louis Marie Anne Couperus
-
-Translator: Jack Thomas Grein
-
-Commentator: Edmund William Gosse
-
-Release Date: December 9, 2021 [eBook #66911]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Jeroen Hellingman and the Online Distributed Proofreading
- Team at https://www.pgdp.net/ for Project Gutenberg (This file
- was produced from images generously made available by the
- Library of Congress)
-
-*** START OF THE PROJECT GUTENBERG EBOOK ELINE VERE ***
-
-
-
- Holland Fiction Series
-
- ELINE VERE
-
-
- TRANSLATED FROM THE DUTCH OF
- LOUIS COUPERUS
-
- BY
- J. T. GREIN
-
- WITH AN INTRODUCTION
- BY EDMUND GOSSE
-
-
- NEW·YORK
- D. APPLETON AND CO.
- 1892
-
-
-
-
-
-
-
-
-INTRODUCTION.
-
-THE DUTCH SENSITIVISTS.
-
-
-In the intellectual history of all countries we find the same
-phenomenon incessantly recurring. New writers, new artists, new
-composers arise in revolt against what has delighted their grandfathers
-and satisfied their fathers. These young men, pressed together at
-first, by external opposition, into a serried phalanx, gradually win
-their way, become themselves the delight and then the satisfaction of
-their contemporaries, and, falling apart as success is secured to them,
-come to seem lax, effete, and obsolete to a new race of youths, who
-effect a fresh æsthetic revolution. In small communities, these
-movements are often to be observed more precisely than in larger ones.
-But they are very tardily perceived by foreigners, the established
-authorities in art and literature retaining their exclusive place in
-dictionaries and handbooks long after the claim of their juniors to be
-observed with attention has been practically conceded at home.
-
-For this reason, partly, and partly also because the mental life of
-Holland receives little attention in this country, no account has yet
-been taken of the revolution in Dutch taste which has occupied the last
-six or seven years. I believe that the present occasion is the first on
-which it has been brought to the notice of any English-speaking public.
-There exists, however, in Holland, at this moment, a group of young
-writers, most of them between thirty-five and twenty-five years of age,
-who exhibit a violent zeal for literature, passing often into
-extravagance, who repudiate, sometimes with ferocity, the rather sleepy
-Dutch authorship of the last forty years, and who are held together, or
-crushed together, by the weight of antiquated taste and indifference to
-executive merit which they experience around them. Certain facts seem
-to be undeniable: first, that every young man of letters in Holland,
-whose work is really promising, has joined the camp; and secondly,
-that, with all the ferment and crudity inseparable from prose and verse
-composed in direct opposition to existing canons of taste, the poems
-and the stories of these young Dutchmen are often full of beauty and
-delicacy. They have read much in their boyhood; they have imitated
-Rossetti and Keats; they have been fascinated by certain Frenchmen, by
-Flaubert, by Goncourt, particularly by Huysmans, who is a far-away
-kinsman of their own; they have studied the disquieting stories of
-Edgar Poe. But these influences are passing away, and those who know
-something of current Dutch belles-lettres can realize best how
-imperatively a ploughing up of the phlegmatic tradition of Dutch
-thought was required before a new crop of imagination could spring up.
-
-Rejecting the conventional aspects of contemporary Dutch literature, I
-will now attempt to give some sketch of the present situation as it
-appears to a foreign critic observing the field without prejudice. The
-latest novelist of great importance was Madame Gertrude
-Bosboom-Toussaint, who was born in 1821. After having written a long
-series of historical romances for nearly forty years, this intelligent
-woman and careful writer broke with her own assured public, and took up
-the discussion of psychological questions. She treated the problem of
-Socialism in Raymond de Schrijnwerker and the status of woman in Majoor
-Frans. Madame Bosboom-Toussaint died in 1886, just too early to welcome
-the new school of writers, with whom she would probably have had more
-sympathy than any of her contemporaries. Her place in popular esteem
-was taken for a short time by Miss Opzomer (A. S. C. Wallis), whose
-long novels have been translated into English, In dagen van strijd (“In
-Troubled Times”) and Vorstengunst (“Royal Favor”). She had genuine
-talent, but her style was heavy and tedious. After the new wind began
-to blow, although she was still young, she married, went to Hungary,
-and gave up writing novels.
-
-Three authors of importance, each, by a curious coincidence, born in
-the year 1826, fill up the interval between the old and new generation.
-These are Dekker, Busken-Huët, and Vosmaer. Edward Douwes Dekker, whose
-novel of Max Havelaar dates from 1858, was a man of exceptional genius.
-Bred in the interior of Java, he observed the social conditions of life
-in the Dutch Indies as no one else had done, but his one great book
-remained a solitary one. He died in 1887 without having justified the
-very high hopes awakened by that extraordinary and revolutionary work.
-The career of Konrad Busken-Huët was very different. The principal
-literary critic of Holland in his generation, he aimed at being the
-Sainte-Beuve of the Dutch, and in his early days, as the dreaded
-“Thrasybulus” of journalism, he did much to awaken thought. His volumes
-of criticism are extremely numerous, and exercised a wholesome
-influence during his own time. He died in Paris in April, 1886. These
-two writers have had a strong effect on the prose style of the younger
-school of essayists and novelists. They lived long enough to observe
-the dawn of the new literature, and their relations with the latest
-writers were cordial if somewhat reserved.
-
-What Douwes Dekker and Busken-Huët did in prose, was effected in poetry
-by Carel Vosmaer. This estimable man, who died in 1888, was well known
-throughout Europe as an art-critic and an authority on Rembrandt. In
-Holland he was pre-eminent as the soul of a literary newspaper, the
-Nederlandsche Spectator, which took an independent line in literary
-criticism, and affected to lead public taste in directions less
-provincial and old-fashioned than the rest of the Dutch press. Vosmaer
-wrote also several volumes of more or less fantastic poetry, a
-translation of Homer into alexandrines, and an antiquarian novel,
-Amazone, 1881. But Vosmaer’s position was, above all, that of a
-precursor. He, and he alone, saw that a new thing must be made in Dutch
-poetical literature. He, and he alone, was not satisfied with the
-stereotyped Batavian tradition. At the same time Vosmaer was not, it
-may be admitted, strong enough himself to found a new school; perhaps
-even, in his later days, the Olympian calm which he affected, and a
-certain elegant indolence which overcame him, may have made him
-unsympathetic to the ardent and the juvenile. At all events, this
-singular phenomenon has occurred. He who of all living Dutchmen was,
-ten or fifteen years ago, fretting under the poverty of thought and
-imagination in his fatherland and longing for the new era to arrive, is
-at this moment the one man of the last generation who is most exposed
-to that unseemly ferocité des jeunes which is the ugliest feature of
-these æsthetic revolutions. I have just been reading, with real pain,
-the violent attack on Vosmaer and his influence which has been
-published by that very clever young poet, Mr. Willem Kloos (De Nieuwe
-Gids, December, 1890). All that cheers me is to know that the whirligig
-of time will not forget its revenges, and that, if Mr. Kloos only lives
-long enough, he will find somebody, now unborn, to call him a
-“bloodless puppet.”
-
-Of one other representative of the transitional period, Marcellus
-Emants, I need say little. He wrote a poem, Lilith, and several short
-stories. Much was expected of him, but I know not what has been the
-result.
-
-The inaugurator of the new school was Jacques Perk, a young poet of
-indubitable genius, who was influenced to some degree by Shelley, and
-by the Florence of the Dutch Browning, Potgieter. He wrote in 1880 a
-Mathilde, for which he could find no publisher, presently died, and
-began to be famous on the posthumous issue of his poems, edited by
-Vosmaer and Kloos, in 1883.
-
-The sonnets of Perk, like those of Bowles with us a hundred years ago,
-were the heralds of a whole new poetic literature. The resistance made
-to the young writers who now began to express themselves, and their
-experience that all the doors of periodical publication in Holland were
-closed to them, led to the foundation in 1885 of De Nieuwe Gids, a
-rival to the old Dutch quarterly, De Gids. In this new review, which
-has steadily maintained and improved its position, most of the
-principal productions of the new school have appeared. The first three
-numbers contained De Kleine Johannes (“Little Johnny”), of Dr. Frederik
-van Eeden, the first considerable prose-work of the younger generation.
-This is a charming romance, fantastic and refined, half symbolical,
-half realistic, which deserves to be known to English readers. It has
-been highly appreciated in Holland. To this followed two powerful books
-by L. van Deyssel, Een Liefde (“A Love”) and De Kleine Republiek (“The
-Little Republic”). Van Deyssel has written with great force, but he has
-hitherto been the enfant terrible of the school, the one who has
-claimed with most insolence to say precisely what has occurred to him
-to say. He has been influenced, more than the rest, by the latest
-French literature.
-
-While speaking of the new school, it is difficult to restrain from
-mentioning others of those whose work in De Nieuwe Gids and elsewhere
-has raised hopes of high performance in the future. Jacques van Looy, a
-painter by profession, has published, among other things, an
-exquisitely finished volume of Proza (“Prose Essays”). Frans Netscher,
-who deliberately marches in step with the French realists, is the
-George Moore of Holland; he has published a variety of small sketches
-and one or two novels. Ary Prins, under the pseudonym of Coopland, has
-written some very good studies of life. Among the poets are Willem
-Kloos, Albert Verwey, and Herman Gorter, each of whom deserves a far
-more careful critical consideration than can here be given to him.
-
-Willem Kloos, indeed, may be considered as the leader of the school
-since the death of Perk. It was to Kloos that, in the period from 1880
-to 1885, each of the new writers went in secret for encouragement,
-criticism, and sympathy. He appears to be a man of very remarkable
-character. Violent and passionate in his public utterances, he is
-adored by his own colleagues and disciples, and one of the most gifted
-of them has told me that “Kloos has never made a serious mistake in his
-estimate of the force of a man or of a book.” His writings, however,
-are very few, and his tone in controversy is acrid and uncompromising,
-as I have already indicated. He remains the least known and the least
-liked, though the most powerful, of the band. The member of the new
-generation whose verse and prose alike have won most acceptance is,
-certainly, Frederik van Eeden. His cycle of lyrical verse, Ellen, 1891,
-is doubtless the most exquisite product of recent Dutch literature.
-
-For the peculiar quality which unites in one movement the varied
-elements of the school which I have attempted thus briefly to describe,
-the name Sensitivism has been invented by one of themselves, by Van
-Deyssel. It is a development of impressionism, grafted upon naturalism,
-as a frail and exotic bud may be set in the rough basis of a thorn. It
-preserves the delicacy of sensation of the one and strengthens it by
-the exactitude and conscientiousness of the other, yet without giving
-way to the vagaries of impressionism or to the brutality of mere
-realism. It selects and refines, it re-embraces Fancy, that maiden so
-rudely turned out of house and home by the naturalists; it aims, in
-fact, at retaining the best, and nothing but the best, of the
-experiments of the French during the last quarter of a century.
-
-Van Deyssel greets L’Argent with elaborate courtesy, with the respect
-due to a fallen divinity. He calls his friends in Holland to attend the
-gorgeous funeral of naturalism, which is dead; but urges them not to
-sacrifice their own living Sensitivism to the imitation of what is
-absolutely a matter of past history. It will be seen that Dutch
-Sensitivism is not by any means unlike French Symbolism, and we might
-expect prose like Mallarmé’s and verse like Moréas’s! As a matter of
-fact, however, the Dutch seem, in their general attitude of reserve, to
-leave their mother-tongue unassailed, and to be as intelligible as
-their inspiration allows them to be.
-
-To one of these writers, however, and to one of the youngest, it is
-time that I should turn. The first member of the new Dutch school to be
-presented, in the following pages, to English readers, is Louis Marie
-Anne Couperus. Of him, as the author of this book, I must give a fuller
-biography, although he is still too young to occupy much space by the
-record of his achievements. Louis Couperus was born on the 10th of
-June, 1863, at the Hague, where he spent the first ten years of his
-life. He was then taken in company with his family to Java, and resided
-five years in Batavia. Returning to the Hague, where he completed his
-education, he began to make teaching his profession, but gradually
-drifted into devoting himself entirely to literature. He published a
-little volume of verses in 1884, and another, of more importance,
-called Orchideeën (“Orchids”), in 1887, Oriental and luscious. But he
-has succeeded, as every one allows, much better in prose. His long
-novel of modern life in the Hague, called Eline Vere, is an admirable
-performance. Of Noodlot (literally to be translated “Fate” or
-“Destiny”) our readers will judge for themselves at a later date. Such
-is the brief chronicle of a writer from whom much is expected by the
-best critics of his own country.
-
-
- Edmund Gosse.
-
-
-
-
-
-
-
-
-ELINE VERE.
-
-
-CHAPTER I.
-
-
-They were close to each other in the dining-room, which had been turned
-into a dressing-room. In front of a mirror stood Frédérique van
-Erlevoort, with her hair hanging loose, looking very pale under a thin
-layer of powder, her eyebrows blackened with a single stroke of the
-pencil.
-
-“Do hurry up, Paul! We shall never get ready,” she said, a little
-impatiently, glancing at the clock.
-
-Paul van Raat was kneeling at her feet, and his fingers draped a long
-thin veil of crimson and gold in folds from her waist. The gauze hung
-like a cloud over the pinkness of her skirt; her neck and arms, white
-as snow with the powder, were left free, and sparkled with the glitter
-of the chains and necklaces strung across one another.
-
-“Whew, what a draught! Do keep the door shut, Dien!” Paul shouted to an
-old servant who was leaving the room with her arms full of dresses.
-Through the open door one could see the guests—men in evening dress,
-ladies in light costumes: they passed along the azaleas and palms in
-the corridor into the large drawing-room; they smiled at the sight of
-the old servant, and threw surreptitious glances into the dining-room.
-
-They all laughed at this look behind the scenes. Frédérique alone
-remained serious, realizing that she had the dignity of a princess of
-antiquity to keep up.
-
-“Do make haste, Paul!” she pleaded. “It’s past half-past eight
-already!”
-
-“Yes, yes, Freddie, don’t get nervous; you’re finished,” he answered,
-and adroitly pinned a few jewels among the gauze folds of her
-draperies.
-
-“Ready?” asked Marie and Lili Verstraeten, coming out of the room where
-the stage had been fixed up, a mysterious elevation almost effaced in
-semi-darkness.
-
-“Ready,” answered Paul. “And now calmly, please,” he continued, raising
-his voice and looking round with an air of command.
-
-The warning was well needed. The three boys and the five girls who did
-duty as ladies’-maids, were rushing about the room laughing, shouting,
-creating the greatest disorder. In vain Lili tried to save a gilt
-cardboard lyre from the hands of the son of the house, a boy twelve
-years old, while their two rascally cousins were just on the point of
-climbing up a great white cross, which stood in a corner, and was
-already yielding under their onslaughts.
-
-“Get away from that cross, Jan and Karel! Give up that lyre, you
-other!” roared Paul. “Do look after them, Marie. And now, Bet and Dien,
-come here; Bet with the lamp, Dien at the door; all the rest out of the
-road! There’s no more room; look on from the garden through the window
-of the big drawing-room; you’ll see everything beautifully, at a
-distance. Come along, Freddie, carefully, here’s your train.”
-
-“You’ve forgotten my crown.”
-
-“I’ll put it on when you’re posed. Come on.”
-
-The three girls hurried to get away, the boys squatted in a corner of
-the room, where they could not be seen, and Paul helped Freddie to
-climb on to the stage.
-
-
-
-Marie, who, like Lili, was not yet draped, talked through the closed
-window with the fireman, who was waiting, muffled up, in the snowy
-garden, to let off the Bengal light. A great reflector stared through
-the window like a pale, lustreless sun.
-
-“First white, then green, then red,” Marie called out, and the fireman
-nodded.
-
-The now deserted dressing-room was dark, barely lit by the lamp which
-Bet held in her hand, while Dien stood at the door.
-
-“Carefully, Freddie, carefully,” said Paul.
-
-Frédérique sank down gently into the cushions of the couch; Paul
-arranged her draperies, her chains, her hair, her diadem, and placed a
-flower here and there.
-
-“Will that do?” she asked with tremulous voice, taking up the pose she
-had studied beforehand.
-
-“You’re delicious; beautiful! Now then, Marie, Lili, come here.”
-
-Lili threw herself on the floor, Marie leaned against the couch with
-her head at Frédérique’s feet. Paul draped both girls quickly in
-coloured shawls and veils, and twisted strings of gems round their arms
-and in their hair.
-
-“Marie and Lili, look as if you were in despair. Wring your hands more
-than that, Lili! More despair, much more despair! Freddie, more
-languishing, turn your eyes up, set your mouth in a sadder expression.”
-
-“Like that?”
-
-Marie screamed.
-
-“Yes, that will do! That’s better; now be quiet, Marie. Is everything
-ready?”
-
-“Ready!” said Marie.
-
-Paul arranged one or two more things, a crease, a flower, doubtful
-whether everything was right.
-
-“Come, let’s start,” said Lili, who was in a very uncomfortable
-position.
-
-“Bet, take away the lamps; Dien, shut that door, and then come here,
-both of you, one on each side of the folding doors of the big room.”
-
-They were all in the dark, with beating hearts, while Paul tapped at
-the window, and joined the boys in the corner.
-
-Slowly and doubtfully the Bengal light flamed up against the reflector,
-the folding doors opened solemnly, a clear white glow lit up the
-tableau.
-
-
-
-Smiling and bowing, while the conversation suddenly changed into a
-muffled murmur, the guests pressed forward into the large drawing-room
-and the conservatory, blinded by a burst of light and colour. Men got
-out of the way of a couple of laughing girls. In the background boys
-climbed on the chairs.
-
-“The death of Cleopatra!” Betsy van Raat read out to Mrs. Van
-Erlevoort, who had handed her the programme.
-
-“Splendid! magnificent!” one heard on every side.
-
-Ancient Egypt seemed to have come alive again in the white glow of the
-light. Between luxurious draperies something like an oasis could be
-perceived, a blue sky, two pyramids, some palms. On her couch,
-supported by sphinxes, lay Cleopatra, at the point of death, an adder
-curling round her arm. Two slaves were prostrate in despair at her
-feet. The parti-coloured vision of oriental magnificence lasted a few
-seconds; the poetry of antiquity revived under the eyes of a modern
-audience.
-
-“That’s Freddie,” said Betsy. “How lovely!” and she pointed out the
-dying queen to Mrs. Van Erlevoort, who was dazzled by all this luxury.
-Now, however, the mother recognized her daughter in the beautiful
-motionless statue lying before her.
-
-“And that’s Marie, and the other—oh, that’s Lili—irrecognizable! What
-beautiful costumes! how elaborate! You see that dress of Lili’s, violet
-and silver? I lent her that.”
-
-“How well they do it,” murmured the old lady.
-
-The white glow of the light began to flicker, the doors were closed.
-
-“Splendid, auntie, splendid!” Betsy cried, as Mrs. Verstraeten, the
-hostess, passed her.
-
-Twice the tableau was recalled, first in a flood of sea-green, then in
-fiery red. Freddie, with her adder, lay immovable, and only Lili
-quivered in her forced attitude. Paul looked out from his corner with a
-beaming face; everything was going well.
-
-“How quiet Freddie lies! And everything is so rich, and yet not
-overdone. Something like a picture of Makart’s,” said Betsy, opening
-her feather fan.
-
-“Your daughter is tired of life very early, madam,” lisped young de
-Woude van Bergh, bowing towards Mrs. van Erlevoort, Freddie’s mother.
-
-
-
-After the third repetition of the tableau Mrs. Verstraeten went to the
-dressing-room. She found Frédérique and Lili laughing while they got
-out of their Egyptian attire, looking for endless pins in every fold.
-Paul and Marie stood on the steps, and, lighted by two of the servants,
-pulled Cleopatra’s dress to pieces. Dien fussed about, picking up the
-dropped draperies and the fallen chains. The three boys rolled over one
-another on a mattress.
-
-“Was it pretty, mamma?” cried Lili.
-
-“Was it pretty, madam?” cried Frédérique, at the same time.
-
-“Beautiful! They would have liked to see it again.”
-
-“What again! I’m nearly dead already,” cried Lili; and she tumbled into
-an arm-chair, throwing a great bundle off it upon the floor. Dien gave
-way to despair; at that rate she would never get done.
-
-“Lili, rest yourself,” cried Paul, from the top of his steps in the
-other room; “you’ll get tired in that attitude. Aunt Verstraeten, tell
-Lili to rest herself,” and he threw some coloured carpets off the cords
-on which they had been hanging. Dien went on folding up.
-
-“Dien, white sheets and white tulle this way, quick,” cried Marie. Dien
-misunderstood her, and came back with the wrong article.
-
-Then all began to talk at once, and every one asked for something else,
-and there arose a very Babel of confusion. At the top of the staircase
-Paul made a gesture of despair, but no one took any notice.
-
-“I am utterly worn out!” said he, crouching down in impotent rage. “No
-one does anything. It all falls to my lot!”
-
-Madame Verstraeten, having in her turn begged Lili to rest herself, had
-gone to tell the servants not to forget the youthful artistes. As a
-result, the men soon came in, carrying big trays laden with glasses of
-wine and lemonade, pastry and sandwiches. The confusion only increased.
-The three boys were served with various good things on their mattress,
-over which one of the servants spilt a stream of lemonade. Up flew
-Marie, in a torrent of rage, and with Dien’s assistance quickly pulled
-the mattress away from under the boys, into the next room.
-
-“Frédérique, do give a hand there,” cried Paul, in a voice shrill with
-irritation. As for keeping any further sort of control over the three
-lads, that he had given up as hopeless. Ere long, however, the noisy
-young customers were driven, loudly shrieking and stumbling one over
-another, out of the room by Dien.
-
-Then there was a little more quietness, but everybody was doing
-something, except Lili.
-
-“There’s a muddle!” she muttered to herself. Then she sat down and
-brushed her hair, wavy and blond cendré, and that done, she took up her
-powder-puff, and sprinkled a snowy layer over her arms.
-
-Dien returned, very much out of breath, shaking her head, and with a
-kindly smile on her face.
-
-“Dien, white sheets and tulle quickly,” Freddie, Marie, and Paul all
-cried together. Paul came down from his place on the stairs, placed the
-big cross, the weight of which nearly crushed him, on the platform, and
-at the foot he laid the mattress and a snug arrangement of pillows.
-
-“Dien, white sheets and tulle; all the tulle and muslin you can find.”
-
-And Dien and the other servants brought it, one soft mass of white.
-
-
-
-Madame Verstraeten sat down beside her niece, Betsy van Raat. She was
-married to Paul’s elder brother.
-
-“What a pity Eline is not here! I had so depended on her to fill up the
-long intervals with a little music. She sings so nicely.”
-
-“She was really not feeling well, aunt. She is very sorry, you may be
-sure, that she can’t be here, in honour of uncle’s birthday.”
-
-“What is the matter with her?”
-
-“I don’t quite know. Nerves, I think.”
-
-“She really ought not to give herself up to these fits. With a little
-energy she could easily get over that nervousness.”
-
-“Well, you see, aunt, this nervousness is the modern bane of young
-women, it is the fin de siècle epidemic,” said Betsy, with a faint
-smile.
-
-Madame Verstraeten sighed and nodded.
-
-“By the bye,” said she, “I suppose the girls will be too tired
-to-morrow evening to go to the opera. Would you care to have our box?”
-
-Betsy reflected for a moment.
-
-“I have a little dinner to-morrow, aunt; but still I should like the
-box. It is only the Ferelyns and Emilie and Georges who are coming, but
-the Ferelyns are going early because little Dora is not well, so I
-could easily go with Emilie and Georges, and be in time to see an act.”
-
-“Well, that is settled then. I shall send you the tickets,” said Madame
-Verstraeten rising.
-
-Betsy rose too. George de Woude van Bergh was just about to speak to
-her, but she took no notice. She thought him a terrible bore that
-evening; he had spoken to her twice, and each time said the same thing,
-something about the tableaux. No; there was no conversation in him at
-all. And to-morrow night too she would have to meet him again; what an
-enjoyable prospect! Aunt’s box was quite a godsend. There stood her
-husband, in the conservatory, together with some gentlemen, Mr.
-Verstraeten, Mr. Hovel, Otto and Etienne van Erlevoort, they talking
-and he listening, his heavy body crushing the leaves of a palm, a
-somewhat stupid smile playing about his expressionless, good-humoured
-face. Oh, how he bored her! She thought him insufferable. And what a
-figure he cut in a dress coat! In his great-coat at all events he had a
-manly appearance.
-
-Walking towards him she said, “Do say something to somebody, Henk. You
-look like a fixture in that corner there. Can’t you move? you do appear
-to enjoy yourself. Your necktie is all on one side.”
-
-He muttered something and fumbled about his neck. She turned away and
-was soon at her ease in the midst of a noisy little group. Even
-melancholy Madame van Ryssel, Freddie’s sister, formed one of them.
-Emilie de Woude was unmarried and bore her thirty-eight years with an
-enviable grace: her pleasant, animate features charmed all who met her.
-She was much like her younger brother George, but about her there was
-something genial—a great contrast to his studied ceremoniousness.
-
-Attracted by her amusing anecdotes, Emilie sat, the central figure in a
-joyous little group. She was just telling them of her recent fall on a
-patch of frozen snow, at the feet of a gentleman who had remained
-motionless, staring at her, instead of helping her to her feet.
-
-“Just fancy my muff on the left, my hat on the right, myself in the
-centre, and right in front of me a man staring at me with open-mouthed
-amazement.”
-
-
-
-There was the tinkling of a bell; Emilie broke off her story and ran
-away from her audience. The folding doors were opened, and there was a
-general rush to the front.
-
-“I can’t see at all,” said Emilie, rising on tiptoe.
-
-“Come here on my chair, miss,” cried a young girl behind her.
-
-“You are a little dear, Toos, really. Will you allow me to pass by,
-Madame van der Stoor? your daughter has come to my aid.”
-
-Madame van der Stoor, who, under a pseudonym, dabbled much in poetry,
-moved a step back, with an acrid smile about her lips. She felt a
-little disgusted at Emilie’s sans-gêne; she herself never made an
-attempt to get a better view, it was not the thing to show an
-unfashionable interest in the entertainment.
-
-Emilie and Cateau van der Stoor were soon standing on one chair,
-holding each other’s waists.
-
-“Oh, how pretty!” cried Emilie, and then remained silent in rapt
-attention. From out of the billows of a foaming sea arose a rough-hewn
-cross of marble whiteness, round the base of which a fragile fair woman
-clung in mortal agony, whilst a heaving wave of tulle covered her feet;
-and with the fierceness of despair her slender fingers grasped the Rock
-of Ages.
-
-“It is Lili,” was heard here and there.
-
-“How graceful she is, that Lili!” whispered Emilie to Cateau. “But how
-can she hang there like that? How can she bear it so long?”
-
-“She is surrounded with pillows; but still it must be very tiring,”
-said Toos. “Of course you can’t see anything of the pillows, miss.”
-
-“Of course not. But it is very nice; I have never seen anything so
-poetic before.... Say, Toos, I thought you were going to take part?”
-
-“So I am, but only in the last tableau, with Etienne van Erlevoort. I
-shall have to be going soon to dress.”
-
-Quickly she got down from her chair. The light grew dim, the folding
-doors were closed. Applause rang throughout the room. But ere long the
-white vision of surging foam was repeated, and an angel hovered over
-the cross, and held out her hand to the swooning woman.
-
-Stronger and stronger grew the applause.
-
-“Of course Marie cannot keep a serious face again,” said Emilie,
-shaking her head. “She will burst out laughing in a moment.”
-
-And really something like a smile seemed to be trembling about the
-little mouth of the angel, the nervous twitching of the eyebrows
-contrasting very oddly with the pathetic expression of her features.
-
-
-
-Although it was evident enough that the artistes were tired, not one of
-them being able to remain perfectly motionless, the last tableau was
-received with enthusiastic cheers. It was encored again and again. The
-tableau consisted of an allegorical representation of the Five Senses,
-the parts being taken by the four young girls, attired in rich
-dresses—cloth of gold, brocade ermine—and by Etienne, Frédérique’s
-youngest brother, who, in the garb of a minstrel, represented the sense
-of Hearing.
-
-The tableaux were concluded.
-
-It was now two o’clock, and Mr. and Madame Verstraeten received the
-thanks of their guests as they left them.
-
-“Do you remain to supper with Cateau?” said Madame Verstraeten to
-Madame van der Stoor; “quite sans cérémonie, you know.”
-
-Madame van der Stoor, however, feared it was too late; she would just
-wait for her daughter.
-
-The artistes who had doffed their costumes entered the room and were
-overwhelmed with the thanks of those guests still remaining, while
-Emilie played a march on the piano. As an intimate friend she stayed to
-supper with van Raat and Betsy.
-
-“You are coming to-morrow, are you not, Toos? the photographer is
-coming at two,” said Marie.
-
-“Yes,” said Cateau, “I shall be here.”
-
-Utterly worn out, the artistes flung themselves down in the comfortable
-chairs in the conservatory, where a dainty little supper was served.
-
-“What was prettiest? What was prettiest?” all cried together
-
-Then there was a general expression of opinion, to the accompaniment of
-clattering plates and forks, and the jingling of glasses.
-
-
-
-
-
-
-
-
-CHAPTER II.
-
-
-It was half-past two when the van Raats returned from the supper to the
-Nassauplein. At their house all was in darkness. While Henk drew the
-bolt across the door Betsy thought she would take a look at her
-sleeping boy, snugly ensconced in his little white cot up-stairs. She
-took up her candle and went up-stairs, whilst he, laden with papers,
-walked into the breakfast-room, where the gas was still burning.
-
-Arrived in her dressing-room, she removed her cloak from her shoulders.
-In the small grate the flame curled upward like the fiery tongue of a
-dragon. There was something indefinably soothing in the atmosphere of
-the room, something like a warm vapour, mingled with the sweet faint
-odour of violets. After giving a glance at her child, she sat down with
-a sigh of fatigue, in an arm-chair. Then the door opened, and Eline, in
-a dressing-gown of white flannel, her hair falling in thick waves down
-her back, entered.
-
-“What, Elly, not in bed yet?”
-
-“No, I—have been reading. Did you enjoy yourself?”
-
-“Oh yes, it was very nice. I only wish that Henk had not been such an
-awful bore. He never said a word, and with his stupid face he sat there
-fumbling at his watch-chain until he could go and take his hand at
-whist.”
-
-Then with a somewhat angry movement Betsy kicked her dainty little
-shoes from her feet.
-
-Eline sighed languidly.
-
-“Did you tell Madame Verstraeten that I was not well?”
-
-“Yes; but you know when I come home at night I like to go to bed. We
-can talk to-morrow, eh?”
-
-Eline knew that her sister when she returned home at night was always
-more or less irritable. Still she was tempted to give her a sharp
-answer, but she felt too unnerved for it. With her lips she lightly
-touched Betsy’s cheek, and quite unconsciously laid her head on her
-sister’s shoulder, in a sudden and irresistible longing for tenderness.
-
-“Are you really ill, eh, or——?”
-
-“No. Only a little—lazy. Good-night.”
-
-“Pleasant dreams!”
-
-Eline retired with languid steps. Betsy proceeded to undress.
-
-
-
-Arrived in the hall, Eline experienced the uncomfortable feeling of
-having been an unwelcome visitor to her sister. All the evening, giving
-herself up entirely to a fit of indolence, she had been in solitude,
-and now she longed for company. For a moment she stood undecided in the
-dark corridor, and then carefully feeling her way she descended the
-stairs and entered the breakfast-room.
-
-Henk, divested of his coat, stood by the mantelpiece in his
-shirt-sleeves, preparing his grog, by way of night-cap, and the hot
-fumes of the liquor filled the room.
-
-“Hallo, girl, is that you?” he said, in a jovial tone, whilst in his
-sleepy blue-gray eyes and about his heavily fair-bearded mouth there
-played a good-humoured smile. “Did you not feel terribly bored, left to
-yourself all the evening?”
-
-“Yes; just a little. Perhaps you did even more?” she asked with a
-pleasant smile.
-
-“I? Not at all. The tableaux were very pretty.”
-
-Then with his back leaning against the mantelpiece he began sipping his
-grog.
-
-“Has the youngster been good?”
-
-“Yes; he has been asleep. Are you not going to bed?”
-
-“I just want to look at the papers. But why are you still up?”
-
-“Oh—just because——” With a languid, graceful movement she stretched her
-arms, and then twisted her heavy locks into a glossy brown coil. She
-felt the need to speak to him without constraint, but the words would
-not come, and not the faintest thought could she conjure up to take
-shape within her dreamy mind. Gladly would she have burst into tears,
-not because of any poignant sorrow, but for the mere longing of hearing
-his deep solacing tones in comforting her. But she could find no words
-to give expression to her feelings, and again she stretched forth her
-arms in languid grace.
-
-“Is anything wrong, eh, old girl? Come, tell me what it is.”
-
-With a vacant stare she shook her head. No, there was nothing to tell.
-
-“Come, you can tell me all about it, you know that.”
-
-“Oh—I feel a little miserable.”
-
-“What about?”
-
-Then with a pretty little pout, “Oh—I don’t know. I have been a little
-nervous all day.”
-
-He laughed—his usual soft, sonorous laugh.
-
-“You and your nerves! Come, sis, cheer up. You are such good company
-when you are not so melancholy; you must not give yourself over to
-these fits.” He felt conscious that his eloquence would not hold out to
-argue the matter further, so with a laugh he concluded, “Will you have
-a drop of grog, sis?”
-
-“Thank you—yes, just a sip out of your glass.”
-
-She turned to him, and laughing in his fair beard, he raised the
-steaming glass to her lips. Through the half-closed eyelids he saw a
-tear glistening, but she kept it back. All at once, with sudden
-determination, he set down his glass and grasped her hands.
-
-“Come, girl, tell me; there is something—something has occurred with
-Betsy, or—come now, you generally trust me.” And he gave her a
-reproachful glance with his sleepy, kindly, stupid eyes, like those of
-a faithful sheep-dog.
-
-
-
-Then in a voice broken with sobs, she burst forth in a stream of
-lamentations, though without apparent cause. It was her heart’s inmost
-cry for a little tenderness and sympathy. What was her life to her? to
-whom could she be of the slightest use? Wringing her hands, she walked
-up and down the room sobbing and lamenting. What would she care did she
-die within the hour? it was all the same to her—only that aimless,
-useless existence, without anything to which she could devote her whole
-soul; that alone was no longer bearable.
-
-Henk contradicted her, feeling certainly somewhat abashed at the scene,
-which for the rest was but a repetition of so many previous ones. To
-give a new turn to her thoughts he began to talk about Betsy, and Ben
-their boy, about himself—he was even about to allude to a future home
-of her own, but he could not bring it so far. She on her part shook her
-head like a sulking child, which, not getting what it wants, refuses to
-take anything else, and with a passionate movement she all at once
-threw her head on his shoulder, and with an arm round his bull-dog
-neck, she burst into a fresh torrent of sobs. Thus she went on
-lamenting in wild and incoherent words, her nerves overstrained by the
-evening’s solitude and the hours of brooding in her over-heated room.
-Over and over again she reverted to her aimless life, which she dragged
-along like a wretched burden, and in her voice there was something like
-a reproach to him, her brother-in-law. He, confused and deeply touched
-by the warmth of her embrace, which he certainly could scarcely return
-with such tenderness, could find nothing to stem that wild torrent of
-incoherent sentences but a few common-places.
-
-Slowly, softly, like rose-leaves falling gently on the limpid bosom of
-a summer stream, she let her melancholy broodings glide away on the
-full low tones of his deep voice.
-
-At length she stopped and heaved a sigh, but her head still rested on
-his shoulder. Now that she was somewhat calmer, he thought it right to
-show a little anger at her behaviour. What a folly it was, to be sure!
-What stupidity! What a fuss to get into about nothing!
-
-“No, Henk, really——” she began, and lifted her tear-stained face to
-his.
-
-“My dear girl, what rubbish you talk about your aimless life, and all
-that sort of thing. What puts those things into your head? We are all
-fond of you——” and remembering his unspoken thought of before, he
-proceeded, “A young girl like you—talking about an aimless——Sis, you
-are mad!”
-
-Then, as though tickled at the thought, and besides, thinking that the
-philosophic condition had lasted long enough, he suddenly gave her arm
-a sharp twist, and pinched her about the pouting lips. Laughingly she
-resisted; his movement had somewhat restored to her her broken
-equilibrium.
-
-When a few moments later both went up-stairs together, she could
-scarcely restrain herself from bursting out in laughter, as he suddenly
-lifted her up in his arms to carry her, while she, fearing he would
-stumble, in a voice half beseeching, half commanding, said—
-
-“Come, Henk, let me go; do you hear? Don’t be so foolish! Henk, let
-go!”
-
-
-
-
-
-
-
-
-CHAPTER III.
-
-
-Eline Vere was the younger of the two sisters, darker of hair and eyes,
-slenderer, with a figure less maturely developed. Her deeply-shaded
-dark brown eyes, and the ivory pallor of her complexion, together with
-the languor of some of her movements, gave her somewhat of the dreamy
-nature of an odalisk of the harem. The beauty with which she had been
-endowed, she prized like a precious jewel, and indeed she was at times
-half intoxicated with the glamour of her own fascinations. For several
-moments at a time she could stand looking at her own image in the
-glass, her rosy-tipped fingers gently stroking the delicate arch of the
-eyebrow or the long silken lashes, or arranging the wealth of brown
-hair about her head, in the wild luxuriance of a gay gitana. Her toilet
-afforded her endless employment, continuous and earnest meditation, in
-testing the effects, harmonious or otherwise, of the softened tints of
-satins, and the warmer colourings of plush, and the halo of tulle and
-gauze, muslin and lace, that surrounded it all. In short, everything
-about her, from the faint clinging odour of violets, to the shimmer of
-soft draperies, was full of refined, charming suggestion.
-
-
-
-Somewhat dreamy and romantic by nature, there were times when, in a fit
-of languor, she thought with a certain lingering regret of her
-childhood, recalling to mind all sorts of memories of those days, and
-treasuring them up like so many precious relics. It was then that
-consciously or unconsciously she imparted a fresh colour of sentiment
-to those faded recollections of days gone by. In this way, the most
-trivial episode of her childhood became idealized and suffused with a
-charm of poetry. Betsy, with her practical turn of mind, never missed
-an opportunity rightly or wrongly to discount anything that bore but
-the faintest resemblance to idealism; and Eline, in her transient state
-of half happiness, half melancholy, usually succeeded, after her
-sister’s practical demonstrations, in distinguishing the actual state
-of things from the luxuriant fantasies conjured up by her own
-imagination.
-
-At times her memory went back to her father, a painter, of refined and
-artistic temperament, elegant, but without the strength of a creative
-faculty, married whilst but a youth to a woman many years his senior,
-and by far his superior in strength of will and individuality. To her
-master hand, his pliant nature readily yielded, for his was a
-fine-strung temperament which, like the chords of a precious
-instrument, would have trembled under her rude touch, just as that of
-Eline sometimes trembled under the touch of her sister. She recalled to
-mind that father, with his complexion of yellow ivory, and his
-bloodless transparent fingers, lying down in listless languor, his
-active brain thinking out some great creation, only to be cast aside
-after the first few touches of the brush. Her he had often made his
-confidante, and the trust he placed in her caused her childish nature
-to regard him with a mixture of affectionate devotion and worshipful
-reverence, so that in her eyes he assumed the appearance of a poetical,
-dreamy-eyed, long-haired Rafael. Her mother, on the other hand, had
-always inspired her with a certain amount of fear, and the remembrance
-of the disillusionizing trivialities of daily life, with which the
-figure of her mother became inseparably interwoven, rendered it
-impossible for Eline to idealize her in her thoughts.
-
-She remembered, after the death of her father, at a still early age,
-but still after many years of half-hearted effort and dismal failures,
-and after the demise of her mother, felled by a sudden attack of heart
-disease, spending the days of her early girlhood under the guardianship
-of a widowed aunt. Old-fashioned, reserved and prim, with saddened
-regular features, the ruins of a once beautiful woman, she well
-remembered those two bony hands in perpetual motion over four bright
-glistening knitting-needles. There she lived, in that big room, in
-nerveless ease and placid luxury, in a paradise of cosy comfort, amid a
-wealth of soft draperies and carpets, and all that was pleasing and
-soothing to the senses.
-
-The two sisters growing up side by side under the same training, under
-the same surroundings, developed within themselves a somewhat similar
-mental and moral condition, which, however, as years went by followed
-the bent of their different temperaments. In Eline, who, of a languid
-and lymphatic nature, felt the need of tender support, and gentle
-warmth of affection, and whose nerves, delicate as the petals of a
-flower, even in their soft, velvet-clad surroundings, were often too
-rudely handled by the slightest opposition, there developed a kind of
-timid reserve, which filled her mind with thousands of small tokens of
-a secret grief. Then when her measure of half-imaginary sorrows was
-full, it would relieve itself in one overwhelming, foaming wave of
-tearful passion. In Betsy’s more sanguine nature there grew, nurtured
-by Eline’s need of support, a desire for domineering, by means of which
-she could force her whole psychological being into that of her pliant
-sister, to whom, after the first shock, it always brought a feeling of
-rest and contentment. But neither Eline’s fear of wounding her
-fine-strung temperament, nor Betsy’s over-ruling egoism, could ever
-have led to a tragic crisis, as the sharp contrasts of each character
-became, in the soft enervating atmosphere of their surroundings,
-blended and dissolved in one dull tint of neutral gray.
-
-
-
-After one or two dances, where Eline’s little white-satined feet had
-glided along in rhythmical accompaniment to a dazzling harmony of
-brilliant light and colour, soft strains of melody and dulcet tones of
-admiration, she received two offers of marriage, each of which she
-declined. Those two proposals remained still in her memory as two
-easily-gained triumphs, but at times the recollection of the first
-would call forth a faint sigh from her bosom. It was then that she met
-Henri van Raat, and ever since she asked herself how it could possibly
-be that such a mass of stolidity as she called him, with so little
-resemblance to the hero of her dreams, appealed so strongly to her
-sympathies, ay, to such an extent that frequently she was overtaken
-with a sudden, irresistible impulse to be near him. The heroes of her
-dreams bore some resemblance to the idealized image of her father, to
-the conceptions of Ouida’s fanciful brain. But they had nothing in
-common with van Raat, with his sanguine, equable, complacent
-temperament, his soft sleepy gray-blue eyes, his laboured speech and
-heavy laugh. And yet in his voice, in his glance, there was something
-that attracted her, as in his unstudied bonhomie. In all this she found
-support, so that at times she felt conscious of the vague desire to
-rest her weary head on his shoulder. And he too felt conscious, with a
-certain pride, that he was something to her.
-
-But this pride vanished, however, the moment that Betsy came between
-them. Towards Eline’s sister he felt conscious of such a moral
-inferiority, that often he was at a loss to reply to her light and airy
-banter. At such times, she thought it an exquisite pleasure, cruel as
-it was, to draw him out, and tempt him to say things for which she
-overwhelmed him with false admiration, only to ridicule them afterwards
-to his face, which usually had the effect of reducing his sluggish mind
-to abject confusion. Then she would burst out laughing, and the sound
-of that full hearty laugh, full of mockery and self-confidence, fired
-his imagination even more than did the tender feminine charm of Eline’s
-presence. Hers was the charm of a weeping soft-eyed siren, raising her
-arms in tempting languor from out of the blue of ocean, only to be
-again drawn to the depths below with irresistible force; that of
-Betsy’s, however, was the impetuous witchery of a gay Bacchante,
-enchaining his senses with tangled vines, or dashing her brimming,
-foaming cup in his face, and intoxicating him with the wild impetuosity
-of her joyous nature.
-
-
-
-And so it came about—how he could not really say—but one evening in the
-dim light of late autumn, he as with a sudden impulse asked her to be
-his wife. It had indeed been a strange evening to him. The one thing he
-had felt conscious of was that he was as though driven to it, as though
-hypnotized by an indefinable something in Betsy’s eyes; he could not
-but ask her what he eventually did. She, calm and collected, accepted
-his offer, taking care to conceal her inward joy at the prospect of
-having a home—and more especially a dominion of her own—under an
-outward appearance of calm indifference. She longed for a different
-atmosphere than that of the staid stuffiness of the big room, with the
-stately old furniture and dignified surroundings. But when Eline came
-and offered him her innocent congratulations, he became suddenly aware
-of such an inward surprise and dissatisfaction with himself that he
-could find no speech in answer to her sisterly good wishes. And Eline,
-rudely shaken as she was by this rapid succession of events, shrunk
-back in sudden terror of Betsy into her melancholy reserve, at the same
-time making every effort—only resulting in the loss of her own peace of
-mind—to resist the domineering influence which she had so long allowed
-her sister to exercise over her mind.
-
-
-
-Betsy and Henk had been married a twelvemonth when aunt died. It was
-then that, urged by her, he had looked out for some occupation, for
-with his eternally calm good-natured indolence he often bored her much
-in the same way as a faithful dog, which, ever to be found at his
-master’s feet, receives many a kick which a less devoted creature would
-have escaped. He too felt in a vague way that a young fellow, be his
-income ever so comfortable, ought to do something. However, although he
-sought, he found nothing, and in the meantime his ardour had
-considerably cooled down, now that Betsy herself did not longer worry
-him about it.
-
-And certainly he did not trouble her very much. In the morning he was
-generally away, taking what exercise he could on horseback, followed by
-his two gray boarhounds; in the afternoon, yielding to his wife’s
-requests, he accompanied her on sundry calls, or when relieved of that
-duty, he visited his club; the evenings being generally spent by him in
-accompanying his butterfly wife to concerts and theatres, where he did
-duty much after the fashion of Becky Sharp’s faithful sheep-dog, a
-burdensome but indispensable adjunct. He adapted himself as well as he
-could to this much too excited a life; he knew his will was not strong
-enough to resist that of Betsy, and he found it suited his temperament
-much better quietly to dress and accompany his wife, than to disturb
-the domestic peace by an intrusion of his own ideas. Then again the few
-evenings she spent at home afforded him, with his instinctive love of
-sociability, a certain sensuous dreamy happiness, which in the end did
-more to win his love than when he beheld his wife beyond his own reach,
-the most brilliant figure in the grandest ballroom. That only made him
-peevish and morose. To her, however, the few evenings she spent at home
-were a terrible bore. The singing of the gas-flame made her drowsy, and
-from her corner on the sofa she would cast many an angry glance at her
-husband, as he sat turning the pages of the illustrated paper or lazily
-sipping his tea. At such a moment she would feel an irresistible
-impulse to urge him on in heaven’s name to look for some occupation, to
-which he, astonished at being aroused in such a way from his dolce far
-niente, would reply in incoherent heavy sentences.
-
-She, however, was at heart very happy. For was it not glorious to be
-able to spend as much as she chose on her dress? And at the end of the
-week she would ofttimes remember, with a smile of happiness, that she
-had not spent a single evening at home.
-
-Eline meanwhile had passed the year in melancholy solitude at Aunt
-Vere’s. She read much, feeling especially charmed with Ouida’s
-luxuriant phantasmagory of an idealized life, sparkling with a wealth
-of colour, and bathed in the golden sunshine of Italian skies, vivid
-and glowing as a glittering kaleidoscope. She would read and literally
-devour those pages until, dog-eared and crumpled, they would flutter
-out of her grasp. Even at her aunt’s sick-bed, where with a certain
-feeling of romantic satisfaction she sat watching night after night,
-she would read them, again and again.
-
-In the atmosphere of that sick room, permeated as it was with an
-ætherealized odour of drugs, the virtues and prowess of the noble
-heroes, the spotless beauties of the arch-wicked or divinely righteous
-heroines, became endowed with an irresistible charm of tempting
-unreality; and Eline often felt a passionate longing to be in one of
-those old English mansions, where earls and duchesses were engaged in
-such exquisite love-making, and had such romantic meetings under the
-moon-lit trees of a grand old park. Aunt died, and Henk and Betsy
-invited Eline to make their house her home.
-
-At first she refused, overcome by a strange sadness at the thought of
-the relationship of her brother-in-law to her sister. But with an
-immense exercise of will power she at length conquered those feelings.
-Had she not always wondered at the mysterious attraction she felt for
-Henk? And now that he was her sister’s husband, there suddenly arose to
-her mind such an insurmountable obstacle between them, an obstacle
-raised by the laws of decency and custom, that she could, without any
-risk, give herself over to sisterly sympathy, and therefore she thought
-it very childish to allow the memory of the past, and feelings that she
-never really had understood, to stand between her and the prospects of
-a comfortable home.
-
-In addition to this, there was the fact that her guardian uncle, Daniel
-Vere, who lived in Brussels, and was a bachelor, was too young a man to
-offer a girl in her teens a home with him.
-
-In the end, Eline waived her objections, and with the stipulation that
-she should be allowed to contribute a trifle towards her board, took up
-her abode at her brother-in-law’s. Henk had at first refused to agree
-to such a condition, but Betsy remarked that she could quite understand
-it; had she been in Eline’s place she too would have done the same for
-her own independence’ sake. From the sum settled on her by her parents
-Eline derived a yearly income of about £160, and by putting into
-practice the lessons of economy she had been taught by her aunt, she
-managed to dress as elegantly on that, as did Betsy who always had a
-well-filled purse at her disposal.
-
-And thus three years of monotonous existence passed by.
-
-
-
-
-
-
-
-
-CHAPTER IV.
-
-
-When, the morning after her passionate outburst, Eline came down to
-breakfast, Henk had already gone out, bound for the stables, to look
-after his horses and hounds. In the breakfast-room there was no one but
-little Ben, eating, or rather playing with a slice of bread-and-butter.
-Betsy she could hear running to and fro with much animation, and giving
-her hurried instructions to the cook.
-
-Frans and Jeanne Ferelyn, and Miss de Woude van Bergh and her brother,
-were coming to dinner that day.
-
-Eline was looking very neat and dressy in a gown of dark gray woollen
-material, a gray ribbon round her waist, and a small golden arrow
-glittering at her throat. She wore neither rings nor bracelets. About
-her forehead curled a few fine locks, in frizzy garlands, soft and
-glossy as frayed silk.
-
-With a friendly nod she walked round to where the child was seated, and
-lifting up his face with both hands pressed a loving kiss on his
-forehead. Then she sat down, feeling well at ease with herself, her
-senses agreeably soothed by the soft warmth thrown out from the glowing
-hearth, while outside the snow-flakes were silently wrapping a
-down-like mantle around them. With an involuntary smile of satisfaction
-she rubbed her slim white hands, and glanced at her rosy, white-tipped
-finger-nails; then casting a glance outside, where an old woman, almost
-bent double, was pushing a barrow of snow-covered oranges in front of
-her, she cut open a little breakfast-roll, the while listening, with
-amused indifference, to the angry dispute going on between Betsy and
-the cook.
-
-Betsy entered, an ill-humoured expression in her heavily-shaded,
-twinkling eyes, her short thick lips compressed with annoyance. She
-carried a set of cut-glass dessert trays, which she was about to wash,
-as the cook had broken one of them. Carefully, notwithstanding her
-anger, she placed the trays on the table, and filled a basin with warm
-water.
-
-“That fool of a girl! Fancy washing one of my fine glass dishes in
-boiling water! But it serves me right for trusting those idiots to do
-anything.”
-
-Her voice sounded harsh and rasping, as she roughly pushed Ben out of
-the way. Eline, in unusually good humour, offered her assistance, which
-was readily accepted by Betsy. She had a great many things to do yet,
-she said; but all the same she sat down, watching Eline carefully
-washing and drying the dishes one by one, with light graceful
-movements, without moistening her fingers or spilling one drop; and she
-was conscious of the contrast between her own rough-and-ready way of
-doing things—the outcome of robust health—and Eline’s languid grace,
-mingled as it was with somewhat of fear of tiring or bespattering
-herself.
-
-“By the bye, when I was at the Verstraetens’ yesterday, I heard they
-were not going to the opera this evening, as they were tired from last
-night; aunt asked me if I would like the box. Do you care to go to the
-opera?”
-
-“And what about your visitors?”
-
-“Jeanne Ferelyn is going early, because her child is unwell, and I
-wanted to ask Emilie and her brother to come too. Henk can stay at
-home. It is a box for four, you know.”
-
-“Very well; I don’t mind.”
-
-Well satisfied with herself, Eline was just putting down the last tray,
-when all at once a violent altercation broke out in the kitchen,
-accompanied by the silvery clattering of forks and spoons. It was Grete
-and Mina engaged in rather forcible argument. Betsy hurried out of the
-room, and very soon, curt commands and impudent answers followed each
-other in rapid succession.
-
-Ben in the meantime remained standing open-mouthed, and somewhat
-drowsily, on the spot where his mother had pushed him, full of silent
-alarm at all the hubbub.
-
-“Come, Ben, to auntie’s room,” said Eline, and smilingly she held out
-her hand towards him. He came, and both proceeded up-stairs.
-
-Eline occupied two rooms on the ground floor, a bedroom and a boudoir.
-With the economy and good taste which were common to her nature, she
-had succeeded in imparting to these rooms a semblance of luxury, with
-somewhat of an artistic polish. Her piano occupied an angle in the
-wall; the heavy foliage of a giant azalea cast a softening shade over
-the low, damask-covered couch. In a corner stood a small table laden
-with innumerable precious trifles. Statuettes, pictures, feathers, palm
-branches, filled every nook. The pink marble mantelpiece was crowned
-with a miniature Venetian mirror, suspended by red cords and tassels.
-In front stood an Amor and Psyche, after Canova, the group depicting a
-maiden in the act of removing her veil, and a love-sick, light-winged
-god.
-
-When Eline entered with Ben, the ruddy glow from the hearth shone on
-her cheeks. She threw the child a few tattered volumes of engravings,
-and he settled himself on the sofa, soon absorbed in the pictures.
-Eline entered her bedroom, the windows of which were still covered with
-daintily-formed leaves and flowers, the effect of the night’s frost.
-Yonder stood a toilette duchesse—a vision of tulle and lace—touched up
-here and there with the satin bows of old ball bouquets, and laden with
-scent phials of Sèvres and fine cut-glass. In the midst of all this
-wealth of pink and white the mirror glittered like a sheet of burnished
-silver. The bedstead was hidden among red draperies, and in the corner
-against the door a tall cheval glass reflected a flood of liquid
-sunshine.
-
-For a moment Eline glanced round, to see if her maid had arranged
-everything to her satisfaction; then shivering in the chilly atmosphere
-she returned to her sitting-room and closed the door. With its
-semi-Eastern luxury the room was a most pleasant one, its comfort
-seemingly enhanced by the cold white glare reflected from the snow
-outside.
-
-
-
-Eline felt as though brimming over with melody—a feeling which could
-only find adequate expression in song. She chose the waltz from
-Mireille. And she sang it with variations of her own, with modulations
-now swelling into a full, rich volume of melody, now melting away into
-the faintest diminuendo, with brilliant shakes and roulades clear as
-those of a lark. She no longer thought of the cold and snow outside.
-Then suddenly remembering that she had not practised for three days,
-she commenced singing scales, brightening her high notes, and trying a
-difficult portamento. Her voice resounded with a metallic ring,
-somewhat cold, but clear and bright as crystal.
-
-Ben, though well used to these jubilant tones, which reverberated
-through the whole house, sat listening in open-mouthed wonder, without
-bestowing a further glance on his pictures, now and again giving a
-sudden start when some exceptionally shrill high si or do would
-penetrate his ears.
-
-Eline was herself at a loss to account for her sadness of yesterday.
-How and whence came that fit of melancholy, without any definite cause?
-what was the overwhelming joy too that could have so suddenly chased
-those clouds away?
-
-To-day she felt animated, happy, joyous; she was sorry that she had not
-seen the tableaux yesterday, and she feared that Mr. and Madame
-Verstraeten did not take her indisposition au sérieux. What a nice,
-pleasant man he was, Mr. Verstraeten, always full of fun! and Madame
-Verstraeten, what a dear good soul! She knew no one like her, so
-charming and kind. And then, seated at her piano, now practising a
-shake, then a chromatic scale, she allowed her thoughts to wander to
-other nice people amongst her acquaintances. Yes; all had their good
-qualities: the Ferelyns, Emilie de Woude, old Madame van Raat, Madame
-van Erlevoort, even Madame van der Stoor. As for Cateau she was a doll.
-
-And the idea struck her that she would rather like to join that company
-of players. Yes; they had an admirable conception of the amenities of
-life. Frédérique, Marie, Lili, Paul and Etienne, ever gay, ever
-together, full of droll plans for their amusement. Indeed, it must be
-very nice, prettily arrayed in romantic costumes, to be the objects of
-general admiration. Paul had a very pretty voice, it would be splendid
-to sing duets with him. It quite slipped her memory that only a few
-days ago she had assured her singing-master that his voice was
-absolutely void of tone. But to-day she was in a pleasant humour, and
-sang a second waltz, that of “Juliette” in Gounod’s opera. She adored
-Gounod.
-
-It had just struck half-past ten when there was a knock at the door.
-
-“Come in,” she cried, and looking round she let her slender fingers
-rest on the keyboard. Paul van Raat entered.
-
-“Bon jour, Eline. Hallo, young rascal!”
-
-“What, Paul, you?” She rose, somewhat surprised to see him. Ben ran
-towards his uncle and hoisted himself up on his knees.
-
-“How early you are! I thought you were coming to sing this afternoon.
-But you are welcome all the same; do you hear? Sit down and tell me
-about the tableaux,” Eline exclaimed with much animation; then,
-remembering her illness of the previous day, she continued in a languid
-voice—
-
-“I was awfully sorry I was so ill yesterday. Had a terrible headache.”
-
-“You don’t look much the worse for it.”
-
-“It’s true, Paul, really. If I had been well, don’t you think I should
-have come and admired your talent? Come, tell me—tell me all about it,”
-and she drew him with her to the sofa and threw the pictures on the
-floor.
-
-Paul had some difficulty in freeing himself from Ben, who clung to his
-legs.
-
-“Come, let go, Ben. And is the headache better now?”
-
-“Oh yes; quite gone. This afternoon I’ll go round to Mr. Verstraeten to
-give my congratulations. But, Paul, do tell me——”
-
-“I was just about to tell you that I was not coming to sing this
-afternoon; do you hear, Elly? I couldn’t bring out a note; I am quite
-hoarse with the howling and screaming of yesterday. But we managed
-splendidly,” and he commenced describing the tableaux.
-
-It was all his idea, and much of it the work of his own hands; but the
-girls too had been hard at it for the last month—getting up the
-dresses, attending to a thousand trifles. That afternoon Losch was
-coming to take a photograph of the last group; so that, even had he
-been in good voice, he could not have come to sing. And how stiff in
-his joints he felt! for he had slaved away like a navvy, and the girls
-must be quite exhausted also. No; he had formed no part in the
-grouping, he was too busy making all the arrangements. He fell back a
-little on the rich damask cushions of the sofa, under the shading
-branches of the azalea, and stroked his hair.
-
-Eline thought how much he resembled Henk, although he was ten years
-younger, more slender in figure, livelier, with more delicate features,
-and an expression of much greater intelligence. But a simple gesture or
-movement, a raising of the eyebrows, would now and again very
-distinctly illustrate that resemblance, and although his lips were
-thinner under his light moustache than Henk’s heavily-bearded upper
-lip, his laugh was deep and full as that of his brother.
-
-
-
-“Why don’t you take painting lessons of a good master, Paul?” asked
-Eline. “Surely if you have talent——”
-
-“But I have not,” he laughed. “It would not be worth the trouble. I
-just dabble a bit in it, just as I do with my singing. It amounts to
-nothing at all, any of it.” And he sighed at his Lick of energy to make
-the most of the little talent he might possess.
-
-“You remind me of papa,” she said, and her words assumed a tone of
-sadness, as the idealized image of her father rose to her memory. “Yes;
-he had great talents, but latterly his health failed him, and he could
-not produce the great creation of which his soul was capable. I well
-remember that he was engaged on an immense canvas, a scene from Dante’s
-Paradiso I believe, when—when he died. Poor papa! But you are young and
-strong, and I can’t understand why you don’t do something great,
-something out of the common.”
-
-“You know, I suppose, that I am going to be engaged at Hovel’s. Uncle
-Verstraeten has arranged it for me.”
-
-Hovel was a barrister, and as Paul had, at a somewhat early age, and
-after a period of alternate studying and idleness, passed the law
-examination, Uncle Verstraeten thought he would be doing the young
-barrister a good turn if he recommended him to his friend. It had
-therefore been arranged that Paul should continue working at Hovel’s
-office, until he could go in practice for himself.
-
-“At Hovel’s? A very nice man; I like his wife very much. Oh, that will
-be splendid, Paul.”
-
-“I hope so.”
-
-“But still, if I were a man I should try and become famous. Come, Ben,
-don’t be troublesome now; go and look at the nice pictures on the
-floor. Wouldn’t you think it splendid to be famous? Really, if I
-weren’t Eline Vere I should become an actress.” And she gave vent to a
-series of brilliant shakes, which fell from her lips like a sparkling
-chain of diamonds.
-
-“Famous!” and with a contemptuous shrug of the shoulders. “What a silly
-idea, to be sure. Famous! No; I don’t want to be famous, not a bit. But
-for all that I should like to paint well, or sing well, or something.”
-
-“Then why don’t you take lessons, either in painting or music? Shall I
-speak to my master?”
-
-“No, thanks; not that old growler of a Roberts, if I can help it. And
-besides, Eline, it isn’t really worth while; I should never be able to
-keep it up whatever it was. I am subject to sudden fits, you see. Then
-I think I can do anything, then I am anxious to hit upon some great
-subject for a picture——”
-
-“Like papa,” she interrupted with a sad smile.
-
-“At other times the fit moves me to make the most of what voice I have;
-but before long all those grand ideas have died their own death of
-sheer inanition, and then I continue in the same old jog-trot as
-before.”
-
-“You ought to be ashamed of yourself.”
-
-“Henceforth I shall go and hide the aspirations of my genius in law
-cases,” he answered with a laugh, as he rose from his seat. “But now I
-must be off to the Princesse-gracht, to the Verstraetens’. So don’t
-expect me this afternoon; we have several details to arrange yet before
-Losch comes. Adieu, Eline; bye-bye, Ben.”
-
-“Bon jour; I hope you’ll soon get over your hoarseness.”
-
-Paul went, and Eline once more sat down at the piano. For a while she
-sat thinking what a pity it was Paul had so little energy, and from him
-her thoughts reverted again to Henk. But she felt altogether too
-light-hearted this morning to do much philosophizing, and, full of
-exuberant spirits demanding an outlet, she continued her singing, until
-the mid-day gong summoned her and Ben down-stairs.
-
-
-
-Paul had told his mother that he would not be home that afternoon for
-coffee, as he would be at the Verstraetens’. He lodged at Madame van
-Raat’s, in the Laan van Meerdervoort. Madame van Raat, an elder sister
-of Madame Verstraeten, was a stately dame, with pensive, light-blue
-eyes, and hair of silver gray, dressed in old-fashioned style, whilst
-over her whole being there was suffused, as it were, a calmness, a
-placid resignation, that unmistakably spoke of former days free from
-troubles and disappointments. As walking exercise was becoming irksome
-to her, she was mostly to be found seated in her high-backed arm-chair,
-the dull-gray head drooping on her bosom, the blue-veined hands folded
-in her lap. Thus she continued to lead a quiet, monotonous existence,
-the aftermath of a placid, all but cloudless life, by the side of her
-husband, on whose portrait she frequently allowed her eyes to dwell, as
-it hung before her yonder, in its smart general’s uniform; a
-good-looking, frank, manly face, with a pair of truthful, intelligent
-eyes, and an engaging expression about the firm, closed mouth. To her,
-life had brought but few great sorrows, and for that, in the simplicity
-of her faith, she felt piously grateful. But now, now she was tired,
-oh! so tired, her spirit quite broken by the death of that husband to
-whom, to the last, she had clung with an affection constant and calm as
-the bosom of a limpid stream, into the placid waters of which the
-impetuous waves of her youthful love had flowed away. After his death,
-she began to worry over every trifling circumstance, petty vexations
-with servants and tradespeople. All these she connected, until to her
-mind they formed an unbroken chain of irksome burdens. Yes, she felt
-she was growing old; time had little more to give her, and so, in
-silent egoism, she mused her life away in the long-vanished poesy of
-the past. She had had three children: her youngest, a girl, was dead.
-
-Of her two sons, her favourite was Henk, who, strong and big, reminded
-her the most of his father, whilst in her eyes his sleepy good-nature
-had more of open, frank manliness, than Paul’s finer-strung fickleness
-and airy geniality. Paul she had always found too unsettled and
-nervous: formerly, in his constantly interrupted studies at Leyden—at
-last, thanks to a little moral pressure on the part of Uncle
-Verstraeten, crowned with promotion—as well as now with his staying out
-late at night, his rage for painting, tableaux-vivants and duets, or
-his fits of indolence, when he would lounge away a whole afternoon on
-the sofa, over a book he did not read.
-
-Before his marriage, Henk, being of a more staid and homely character
-than Paul, felt himself better at ease in his mother’s house; although
-he was quiet, his silence never irritated her; it was like the silence
-of a faithful dog, watching with half-closed eyes over his mistress.
-She felt so at her ease with Henk. She disliked being alone, for it was
-in solitude that the memories of the past contrasted in their rosy
-brightness too sharply with the leaden-gray that was the prevailing hue
-of her present life, and Paul she saw but rarely, except when hastily
-swallowing his dinner, in order to keep an appointment. She seldom went
-out, unaccustomed as she had grown to the noisy traffic of the streets,
-and the hum of many voices.
-
-Henk was her pet, and with her mental vision unimpaired, wherever at
-least her son was concerned, she regretted his marriage with Betsy
-Vere. No; she was not a fit wife for her child, and knowing that, she
-could not bring herself to give him her hearty approval or her parental
-blessing, when he told her of his engagement. Still, she refrained from
-opposing her beloved son in his choice, fearing lest she should be the
-cause of unhappiness; it was therefore under a false assumption of
-frankness, at which she was surprised herself, that she had concealed
-her ill-feeling against the intruder, and welcomed her as her daughter.
-All the same, she felt deeply concerned about Henk. Madame Vere she had
-known slightly; passionate and domineering, she never found anything
-attractive in such a personality, and this daughter reminded her too
-much of that mother. Although, in her eyes, Henk was possessed of much
-more firmness of character than Vere, of whom she could not think but
-as a pallid, ailing sufferer, only too glad to allow his wife to think
-and act for him; although Henk, as she thought, had all the frank
-manliness of character of his father, and would not allow himself to be
-domineered over; still, happy as she had been with van Raat, it would
-never be his lot to be. And at that thought she would sigh and her eyes
-would grow moist; her mother’s love, despite her blindness to his
-failings, was the instinct which gave her an inkling of the truth, and
-if she could have taken his place, she would gladly have given up her
-own former happiness to her son, and have suffered for him.
-
-Her thoughts ran away with her as she saw Leentje, the servant, laying
-the cloth for lunch for herself alone, and with a weary resignation at
-the hateful loneliness of her days, she sat down. To-morrow would be to
-her as to-day; what remained of her life was but an aftermath of
-summer, and though autumn and winter might be free from storms, yet the
-only promise they held out was that of a barren, soulless lethargy. To
-what end did she live?
-
-And so weary did she feel under the leaden pressure of this
-soul-killing loneliness, that she could not even muster up the energy
-to scold Leentje for her clumsiness, although she could not help
-noticing the damage that was done to one of her old china dishes.
-
-
-
-Much earlier than she was wont to go out, Eline went to the
-Verstraetens’ that afternoon. It was near the end of November, and
-winter had already set in with extreme severity. There was a sharp
-frost; the snow, still white and unsullied, crackled under Eline’s
-light, regular tread, but her feet preferred to feel the smoothness of
-the clean-swept pavement; the delicately-gloved hands were hidden away
-in the small muff. At times bestowing a friendly nod, from under her
-veil, on some passing acquaintance, she proceeded along the Java-straat
-to the Princesse-gracht. She still felt in a happy humour, which was
-quite undisturbed by the little tiff she had had with Betsy about some
-trifling question with the servants. These little bickerings were not
-of such rare occurrence lately, although they always irritated Henk
-beyond measure.
-
-But Eline had not taken much notice of Betsy’s words, and had replied
-to her with less sharpness than was her wont; she did not care to allow
-such trifles to spoil her good-humour: life was too dear to her——
-
-And feeling glad that she had curbed her temper, she turned the corner
-of the Java-straat.
-
-At the Verstraetens’ there still prevailed an unusual disorder. Dien
-was loth to admit her, but Eline took no notice, and passed inside to
-the large reception-room, where she found Madame Verstraeten, who
-apologized for being in her dressing-gown. Losch, the photographer,
-half hidden under the green cloth of his apparatus, was taking a view
-of the group representing the Five Senses. The girls, Etienne, and Paul
-smiled their welcome to Eline, who said it was splendid still to be
-able to see something of the tableaux. But now, in the chill
-snow-reflected daylight, the scene no longer created the vivid, glowing
-impression of the previous evening, nor had it the same wealth of
-colouring, with which a plentiful application of Bengal fire had
-endowed it. The draperies hung in loose and crumpled folds;
-Frédérique’s cloth of gold had a smudged, faded tint, her ermine had
-more the appearance of white and black wool. Etienne’s fair wig was
-decidedly out of curl. Lili, representing the sense of Smelling, lay
-half dozing in her pillows.
-
-“I am afraid it won’t come to much,” said Marie, as Losch was arranging
-her draperies; but Toosje van der Stoor thought otherwise and remained
-lying motionless, with a terribly cramped feeling, owing to her
-difficult attitude.
-
-Eline, unwilling to disturb the artistes in their grouping, sat down
-beside Mr. Verstraeten. He laid away his book and removed his
-eye-glasses, and with his sparkling brown eyes glanced with unfeigned
-pleasure at the graceful girl.
-
-“Do you know,” she said, as she unhooked the little fur-lined cloak,
-“do you know, I am really jealous of that little group there. They are
-always together, always happy and jolly, and full of fun and amusing
-ideas—really I feel quite old by the side of them.”
-
-“Just fancy that!” answered Madame Verstraeten, laughing. “You are of
-the same age as Marie, three-and-twenty, aren’t you?”
-
-“Yes; but I was never spoilt as Marie and Lili are being now, and yet I
-think I should not have minded a bit. You know, of course, when I was a
-child—papa was mostly ill, and naturally that threw a damper over us;
-and afterwards at Aunt Vere’s house—aunt was a dear, good woman, but
-much elder than papa, and not very jolly certainly——”
-
-“You must not say anything about Aunt Vere, Eline!” said Mr.
-Verstraeten; “she was an old flame of mine——”
-
-“And you must not laugh at her; I was very fond of her; she really was
-a second mother to us, and when that long illness ended in her death, I
-felt the loss keenly, I was as alone in the world. You see, all these
-things were not exactly calculated to make my youth a very gay one.”
-And she smiled a saddened smile, whilst at the thought of all she had
-been deprived of, her eyes glistened with moisture. “But when you look
-at Paul and Etienne, and the girls, it’s nothing but laughter and
-pleasure—really, enough to make me jealous. And that Toos, too, she is
-a dear child.”
-
-The artistes came down from the platform. Losch had finished. Paul and
-Etienne, with Freddy, Marie, and Cateau came forward, whilst Lili went
-to bed, thoroughly exhausted with the excitement of the last two days.
-
-“Good morning, Miss Vere,” said Cateau, as she held out her little hand
-to Eline.
-
-Eline felt a sudden, indescribable, unreasoning sympathy for that
-child, so simple and so unconsciously engaging, and as she rose to go,
-she was obliged to hide her emotion by playfully embracing the child.
-
-“Good-bye, darling,” she said dotingly. “I am going, Madame
-Verstraeten; there is still plenty left for you to do, now that all
-that excitement is over. Ah! yes—I promised Betsy to ask you for the
-tickets. May I have them?”
-
-
-
-It was still early, only half-past two, and Eline thought what a long
-time it was since she had visited old Madame van Raat, and she knew
-that the old lady liked her, and was always glad to have a chat in the
-afternoon. Henk never failed to visit his mother every morning after
-his ride, and the two boarhounds, whom his wife had banished from his
-home, followed him undisturbed up the stairs in his mother’s house. As
-for Betsy, of her the old lady saw very little; Betsy was well enough
-aware that Madame van Raat did not care for her. Eline, however, had
-succeeded in winning her affections, by means of a certain most
-engaging manner she had when in the company of aged ladies; in the tone
-of her voice, in her little attentions, there was a something, a
-delicate flavour of respect, which charmed the old dame.
-
-Eline returned through the Java-straat to the Laan van Meerdervoort,
-and found Madame van Raat alone, seated in her high-backed chair, her
-hands folded in her lap. And in the young girl’s eyes she appeared such
-a picture of mute sadness; over the rich faded furniture there hovered
-such a melancholy shadow of past comfort; the whole apartment was
-filled with such an atmosphere of sorrow, and about the folds of the
-dark green curtains there hung such a mist of melancholy, that on
-entering, Eline felt her heart grow cold within her, as though a voice
-had told her that life was not worth living.
-
-But she struggled against the feeling. She recalled those thoughts
-which in the morning had brought her such lightness of heart. She
-smiled, and her tone assumed that vague respect, mingled with somewhat
-of love and pity, and with much animation she spoke about Paul, about
-the tableaux, about that evening’s dinner, and the opera—and promised
-Madame van Raat to send her some books, nice light literature, in which
-one looked at the world through rose-coloured glasses.
-
-It pained her to chatter in this way; she would much rather have sat
-and cried with the old dame, in sympathetic melancholy, but she
-controlled herself, and even plucked up courage to touch upon a more
-serious subject. With her engaging, respectful manner, she took Madame
-to task for having been discovered by her with moistened eyes, which
-now she would not own; she was not inquisitive, but she would so gladly
-console and cheer her, if she could; and why did she not again make her
-her confidante, as she had done before, and so on.
-
-And the old lady, already placed at her ease by this charm of manner,
-smilingly shook her head; really, there was nothing the matter at all;
-she only felt a little lonely. Ah, it was her own fault, she feared,
-for there was very little in which she still took any interest. Other
-old people read the papers and continued to take an interest in things
-generally; but not she. Yes, it was all her own fault; but Eline was a
-dear girl; why could not Betsy be a little like her?
-
-And with increased animation, she began to talk about her dear husband;
-over there was his portrait....
-
-It was past four when Eline hurried away; it was growing dark, it was
-thawing, and the lowering clouds threatened to fall upon her and choke
-her. That old lady had been happy, very happy.... and she, Eline, was
-not happy, even at her age—oh! how would she feel when she too would be
-old, ugly, and shrivelled up! To her even the memories of the past
-would bring no comfort, nor yet the solacing thought that happiness did
-exist, that she had tasted its sweets; to her all would be dull and
-leaden as the clouds above! “Oh, God, why live, if life were void of
-happiness?—why, why?” she whispered, and she hurried on to dress for
-dinner.
-
-
-
-It was to be a simple, homely little dinner. At half-past six the
-Ferelyns came, and shortly after, Emilie and Georges. Betsy received
-them in the drawing-room, and asked Jeanne how the child was.
-
-“She is much easier now, the little dot; the fever is gone, but still
-she is not quite better. Doctor Reyer said she was getting on. It’s
-very nice of you to have invited us; a little change is really
-necessary for me. But you see, I took your word for it that it would be
-quite a family party, so I haven’t dressed for it.” And with some
-misgiving her eyes wandered from her own plain black dress to Betsy’s
-gown of gray satin.
-
-“Really, there is no one else coming but Emilie here, and her brother.
-But you told me you would be going home early, so we have arranged,
-later on, to look in at the opera, in Uncle Verstraeten’s box. So you
-need not be uneasy, you were quite right to come as you are.”
-
-Henk, looking jolly and contented, entered in his smoking-jacket, and
-on seeing him Jeanne felt more reassured than by all Betsy’s
-protestations. With Emilie, lively as ever, she was on the most
-intimate terms, and it was Georges alone, with his immaculate
-shirt-front, and his big gardenia, who made her feel somewhat uneasy at
-her own simple dress.
-
-Frans Ferelyn, an East-Indian official, was in Holland on furlough, and
-his wife was an old school-mate of Eline’s and Betsy’s.
-
-Jeanne seemed a homely little woman, very quiet and depressed under her
-domestic troubles. Delicate, emaciated, and pallid, with a pair of soft
-brown eyes, she felt crushed under the double burden of pecuniary
-embarrassment and anxiety for her three ailing children, and she felt
-an irresistible longing for India, the land of her birth, and for the
-quiet life she led there. She suffered much from the cold, and numbered
-the months she would still have to pass in Holland. She told Emilie of
-her life at Temanggoeng in the Kadoe—Frans was Comptroller
-first-class—in the midst of a menagerie of Cochin-China fowls, ducks,
-pigeons, a cow, two goats, and a cockatoo. “Just like Adam and Eve in
-Paradise,” remarked Emilie. Then she told them how each morning she
-used to look after her Persian roses and her pretty azaleas, and gather
-her vegetables from her own garden, and how her children, immediately
-on their arrival in Holland, were taken ill and began to cough. “’Tis
-true, in India they looked rather pale, but there at least they were
-not obliged to be in constant fear of draughts and open doors.” And she
-was sorry that, owing to the expense of the voyage, she had had to come
-away without her baboo, Saripa. She was now in service at Samarang, but
-she had promised to come back to her “as soon as we are home again,”
-and she was to bring her over some pretty frocks from Holland.
-
-Emilie listened attentively, and did her best to set her talking; she
-knew how those Indian reminiscences could draw Jeanne out of her usual
-quiet reserve. Betsy considered her out of place in company, so when
-she did ask her, it was always together with her husband, and if
-possible, with one or two others. The fact was, she thought her a bore,
-generally ill-dressed, and her conversation flat and uninteresting, but
-still she could not help occasionally inviting her, more with a kind of
-pity than anything else.
-
-While Frans Ferelyn was speaking to Henk about his forthcoming
-promotion to Assistant Resident, and Georges was listening to Jeanne
-telling him about Frans’s horse one day stepping right into their room
-to fetch his pisang, Betsy lay back in her chair, thinking how long
-Eline was. She would have liked to have dined early, so as not to be so
-very late at the opera, and she inwardly hoped that the Ferelyns would
-not be indiscreet and stay too long. Amusing they certainly were not,
-she thought, and she rose, concealing her impatience, to fix a bunch of
-peacock feathers in one of the vases, a few of the knick-knacks on the
-little centre table; then with her foot she arranged the tiger-skin rug
-in front of the flaming hearth, all the time feeling annoyed at Eline’s
-delay.
-
-At length the door opened and Eline entered, and Jeanne could not help
-noticing how pretty and elegant she looked in her pink rep silk frock,
-simple but rich, with a neat little bow here and there on her V-shaped
-corsage, on the short sleeves, and at the waist. In her light-brown,
-back-combed hair she wore a touffe of wavy pink feathers with a small
-aigrette; her nimble feet were encased in small pink shoes; a single
-string of pearls encircled her throat. In her hands she held her long
-gloves, her fan of pink ostrich feathers, and her binocle set in
-mother-of-pearl.
-
-Ferelyn and de Woude rose, and she shook hands with them, and kissed
-Emilie and Jeanne, at the same time inquiring about little Dora. She
-noticed how all, even Henk and Betsy, took stock of her, from head to
-foot, struck as they were with the rich simplicity of her dress: and
-when Jeanne spoke to her about her child, she smiled upon the
-struggling little woman, all conscious of the effect of her brilliant
-charms.
-
-
-
-At table, Eline chatted pleasantly with de Woude, next to whom she was
-seated. Betsy sat between her two gentlemen guests, Emilie between Henk
-and Frans, Jeanne between Eline and Henk. In the somewhat sombre
-dining-room, with its antique furniture, the table glistened with snowy
-damask, with silver and fine glass, whilst the rays of gas-light
-glinted on decanters and glasses, making the dark-red or amber-coloured
-wine appear to quiver under the glow of its radiance. From amid a nest
-of flowers in a silver basket rose the prickly crown of a splendid
-pine.
-
-De Woude commenced telling Eline about the soirée at the Verstraetens’,
-and in glowing terms described how well Miss van Erlevoort had looked
-her parts, successively as Cleopatra and the sense of Sight. With
-Emilie, Frans, and Betsy the conversation turned on India. In this
-Jeanne joined every now and again, but she sat too far away, and her
-attention was diverted by de Woude’s chattering and the little shrill
-laugh of Eline, who was engaged in a mild flirtation.
-
-Henk drank his soup and ate his fish in silence, occasionally
-addressing a short monosyllable to Jeanne or Emilie. And Jeanne grew
-more and more silent, as much from feeling ill at ease, as from fatigue
-at her long talk to Emilie after a day full of worries. She felt very
-much out of place, next to that coquettish couple. Eline in full
-toilet, de Woude in his evening dress, to which her own little black
-dress offered a shabby contrast. Still, she was glad she sat next to
-Henk, and in her own malaise she was conscious of a vague sort of
-sympathy for him, who was as much out of place there as herself.
-
-And she could not help comparing herself with Eline and Betsy: she,
-struggling with her three children and her husband’s slender furlough
-allowance; Eline and Betsy, on the other hand, unhampered, and ever
-moving in a whirl of pleasures and excitement. Where was the old, happy
-friendship that united them in one bond, when all three used to go
-hand-in-hand to school, Eline with the cape of her mackintosh filled
-with cherries, and she herself under Betsy’s leadership giving free
-vent to her childish spirits in naughty answers to the governess? She
-felt herself repelled by that young wife, with her self-conscious,
-indifferent manner, and her domineering tone towards her husband;
-repelled also by that young girl, who appeared to her frivolous and
-vain in her conversation, full of brilliant nothings; and by that
-dandy. Eline, especially, she could not understand; in her she found
-something uncommon, something indefinable and puzzling, and certain
-attributes which seemed ever at war with one another. Her laughter
-about nothing at all wearied her, and she wondered how it was that a
-girl who, as they said, sang so divinely, could have such an unpleasant
-and affected laugh. Oh! if they would but be silent for a moment!....
-And in her heart she longed to be back once more in her humble
-apartments, with her little Dora. Why had she accepted that invitation?
-’Tis true Frans had insisted, now that the child was out of danger,
-that she should have some change and relaxation, but this dinner-party
-gave her no relaxation; on the contrary, it made her nervous and
-confused, and she declined Henk’s offer of sweetbreads and asparagus
-which he recommended her.
-
-“Did I hear aright, Miss Emilie; is Mr. de Woude a brother of yours?”
-Frans asked softly. It was the first time that he had met either Emilie
-or Georges, and he was as much struck by their resemblance as by the
-contrast between them.
-
-“Certainly,” whispered Emilie; “and I am proud of him too. He is an
-awful swell, but a nice boy; he is engaged at the Foreign Office. Be
-careful, don’t you think bad of him!” she laughed, and held up her
-finger threateningly, as though she read Ferelyn’s thoughts.
-
-“I have scarcely exchanged more than half a dozen words with Mr. de
-Woude as yet, so I should be sorry to express any opinion about him so
-soon,” he said, a little alarmed at Emilie’s brusqueness.
-
-“That’s right; most people get a very different opinion of Georges
-after they have known him some time, from that formed when they first
-met him. You see, like a loving sister, I take my brother’s part. Just
-fill my glass, please.”
-
-“Yes; you champion him even before he is attacked!” resumed Ferelyn
-smiling, as he filled her glass; “but thus much I can see already, that
-he is a spoilt pet of the ladies, not only of his sisters, but also of
-Madame van Raat and Miss Vere.”
-
-Betsy joined in the conversation with Eline and Georges, feeling
-attracted by the latter’s lively manner, as he chatted away, skimming
-over all sorts of subjects; a conversation without substance, without
-actual wit, but light as foam, airy as soap-bubbles, sparkling as
-firework crackers. In such a conversation she was in her element;
-serious talk, be it ever so spirited, was too burdensome for her; but
-this tintinnabulation of sparks and foam-flecks, like wine glistening
-through crystal beakers, charmed her exceedingly. She thought Georges
-much more amusing than he was yesterday at the Verstraetens’, where he
-had twice observed that the effect of red light was more flattering
-than that of green. To-day he did not repeat himself, but rattled on,
-interrupting her with laughing impudence, and rounding off his
-sentences with truly French vivacity.
-
-Several times Eline tried to lead Jeanne into that circle of sparkling
-nothings, but in return Jeanne had only smiled a faint smile, or just
-answered with a single monosyllable, and at length Eline gave up the
-attempt to draw her out. The conversation grew more general; Emilie
-joined in with her easy nonchalance and airy banter; and Frans, in the
-midst of this charmed circle, could not help throwing in a stray spark
-of fun, although his eyes frequently rested with an anxious look on his
-quiet little wife.
-
-To Jeanne it seemed as though the dinner would never come to an end.
-Although she had not the slightest appetite, she did not like to
-continue refusing, so she took of the truffled chicken, of the gâteau
-Henri IV., of the pines, and the choice dessert; her wine, however, she
-merely touched with her lips. Henk, next her, ate much, and with
-evident gusto, wondering why she helped herself to such small portions.
-De Woude ate but little, his continued talking prevented that; but
-Emilie did her share, and was not sparing with the wine.
-
-It was past eight when they rose, and the ladies retired to the
-drawing-room. Frans joined Henk and de Woude in a cigar, as Jeanne had
-expressed her desire to stay another half-hour. Betsy had asked her to
-do so; she could not let her guests go so soon, and there would be
-plenty of time for the opera.
-
-“Is Dora often ill, Jeanne?” asked Eline, as with a rustle of her red
-silk she sat down on the sofa beside her, and took her hand. “Last time
-I saw her nothing ailed her, and even then I thought she was looking
-very pale and delicate.”
-
-Jeanne gently withdrew her hand, and felt something like irritation at
-such a question after the conversation at table. She made but curt
-reply. But Eline persisted, as though she intended by her present
-amiability to make good her former neglect; and she managed to impart
-such a sympathetic tone to her voice, that Jeanne felt quite touched.
-Jeanne began to express her fears that Doctor Reyer had not examined
-her little girl as carefully as he might; and Eline, whilst sipping her
-coffee, listened with evident interest to her maternal plaints. Emilie
-and Betsy had meanwhile gone into the adjoining boudoir, to look at
-some fashion-plates.
-
-“Poor girl! what a lot of cares and worries you have, and scarcely
-three months in Holland yet! You only arrived in September, did you
-not?” asked Eline, as she placed the little china cup on the round
-table in front of her.
-
-Jeanne was silent; but all at once she rose up, and in her turn
-grasping Eline’s slender fingers, she remarked, in her longing for
-affection—
-
-“Eline, you know I have always been pretty straightforward and frank;
-may I ask you something?”
-
-“Of course you may,” answered Eline, rather surprised.
-
-“Well, then—why we are no longer to each other what we were formerly,
-when your parents were still living? It is now four years since I
-married and went to India, and now that we have returned, now when I
-see you again, all seems so different between yourself and me. I have
-no acquaintances, and but few relations in the Hague, and I should so
-much like to keep my old friends to myself.”
-
-“But, Jeanne——”
-
-“Yes; I know you think it foolish of me to talk like that; but at times
-I feel so terribly depressed with all that flummery and false
-excitement, I do so long to unburden myself to some dear true
-friend—for of course I cannot say all I wish to my husband.”
-
-“Why not?”
-
-“Oh, he has enough of his own worries; he is ill, and—peevish.”
-
-“But, Jeanne, I really don’t see what change has come between us.”
-
-“Perhaps it is only my fancy after all. You see, formerly we used to be
-oftener together, now you move in such a different circle. You go out a
-good deal, and I—well, you see, we have become much estranged from one
-another.”
-
-“But considering that we have not seen each other for four years——”
-
-“But we kept up the correspondence.”
-
-“What value is there in three or four letters in the course of a year?
-Doesn’t it seem natural that one’s ideas change, as one gets older, and
-is placed in different circumstances? Yes; I have had my cares and
-worries too. First it was dear papa, then Aunt Vere, whom I attended in
-her illness——”
-
-“Are you happy here? can you get along with Betsy?”
-
-“Oh yes, admirably, or I should not stay with her, of course.” Eline,
-with her usual reserve, deemed it unnecessary to say more about it.
-
-“You see, there is no need for you to trouble yourself about anything,”
-Jeanne continued; “things come about just as you wish them; you are
-free and unfettered, and live only for your pleasures—it is all so
-different with me.”
-
-“But surely all that does not justify you in saying that we have become
-estranged from each other. In the first place, I think ‘estranged’ is a
-most unpleasant word, and secondly, it is not true, whatever word you
-may use.”
-
-“Oh yes.”
-
-“Oh no. I assure you, Jeanne dear, if I can be of service to you in any
-way, you will find me quite at your disposal. Do you believe me?”
-
-“Yes, I do, and I thank you very much. But, Eline——”
-
-“Well?”
-
-Several questions rose to Jeanne’s lips. She felt eager to ask her to
-tell her more about herself, to be more free and open with her; but the
-studied cordiality of the smile that hovered about the delicate lips,
-and was reflected in those dreamy, almond eyes, effectually silenced
-her. And she felt a sudden regret at her frankness towards such a
-coquette of a girl deftly playing with her fan; it was mere waste of
-time in talking to her. Why had she allowed herself to yield to the
-first impulse? for they were entirely unsuited to one another....
-
-“Well?” Eline repeated, at the same time fearing what the next question
-might be.
-
-“Another time, when we are alone again!” stammered Jeanne, and she
-rose, dissatisfied, annoyed with herself, feeling ready to burst into
-tears, after that unsociable dinner and fruitless conversation. Betsy
-and Emilie were just leaving the boudoir.
-
-Jeanne thought it was time to be going. The three gentlemen came in,
-and Henk assisted her with her cloak. With a forced cordiality she took
-her leave, thanking Betsy for her invitation, and again she shivered
-with annoyance when Eline kissed her cheeks.
-
-“What an awful bore she is, that Jeanne!” said Betsy, after the
-Ferelyns had gone. “She scarcely opened her mouth. What were you
-talking about together, Eline?”
-
-“Oh—about Dora, and her husband, nothing else.”
-
-“Poor girl!” said Emilie pityingly. “Come, Georges, just fetch my
-cloak.”
-
-Mina, however, was just coming in with the ladies’ wraps, and de Woude
-put on his ulster, whilst Henk rubbed his big hands, well pleased at
-the prospect of spending the evening at home after a nice dinner. The
-carriage had already been waiting outside in the thawing snow for the
-last half-hour, with Dirk the coachman and Herman the footman seated on
-the box, half smothered in their big fur capes.
-
-
-
-“Oh, Frans, never ask me to accept another invitation of the van
-Raats!” said Jeanne, in an imploring voice, as, on her husband’s arm,
-she shiveringly went splashing along the muddy streets, while, with her
-little hands benumbed with cold, she constantly endeavoured to keep her
-cloak fastened, each time that a gust of wind blew the ends open.
-“Really I don’t feel at home any more with them, with Betsy and Eline.”
-
-He shrugged his shoulders and said nothing. They plodded on with their
-mud-bespattered shoes, in the flickering light of the street lanterns,
-whose dull rays were reflected with monotonous regularity in the
-numerous puddles they had to pass.
-
-
-
-The third act of Le Tribut de Zamora had just commenced, when Betsy,
-Emilie, Eline, and Georges entered their box. There was a full house,
-and their arrival broke in upon the silence that prevailed in the
-listening auditorium; there was a rustling of silk and satin; a hundred
-eyes and opera-glasses were directed to their box, and here and there
-the question was whispered, “Who are they?”
-
-Emilie and Eline sat down in front, Betsy and Georges behind them,
-while Eline laid down her fan and her pearl-rimmed binocle. Then she
-slowly commenced to untie her white plush, red satin-lined cloak, and
-as a cloud of pink and white it glided from her shoulders, and de Woude
-folded it over the back of her fauteuil. And in the triumph of her
-beauty it did her good to see how she was stared at and admired.
-
-“What a number of people there are here this evening! we are
-fortunate,” whispered Emilie. “There’s nothing, I think, so wretched as
-to see an empty house.”
-
-“You are right!” said Betsy. “Look, there are the Eekhofs, Ange and
-Léonie, with their mamma. They were at the Verstraetens’ too yesterday;
-next week they are giving a soirée dansante.” And she nodded to the
-girls.
-
-“The new baritone from Brussels, Théo Fabrice, sings this evening,”
-said de Woude to Eline. “You know that since the débuts commenced, two
-have been dismissed; he makes the third.”
-
-“How terribly long those débuts are this winter!” remarked Eline, in an
-indifferent tone.
-
-“The tenor robusto was all right from the first, but they say Fabrice
-is very good too. Look, there he comes.”
-
-The chorus of Ben-Saïd’s odalisques was ended, and the Moorish
-sovereign entered his palace, leading Xaïma by the hand. But Eline paid
-little attention; she glanced round the theatre, and gave a friendly
-nod of recognition as her eyes met those of some acquaintance, and she
-did not cast another glance in the direction of the stage until
-Ben-Saïd and his slave were seated under the canopy, and the ballet
-commenced. That attracted her, and her eyes followed the danseuses, as,
-gliding along on the tips of their toes, they ranged themselves in
-groups beneath the Moorish arches, and under the uplifted veils and
-fans of silver fringe, their forms encased in corsages of glossy satin,
-and all a-glitter with the spangles on their gauze-like frocks.
-
-“A pretty ballet!” said Emilie, yawning behind her fan, and she leaned
-back cosily in her fauteuil, somewhat under the generous influence of
-her choice dinner.
-
-Eline nodded her head, and while at the back of her she could hear
-Betsy and Georges whispering together, she still followed the clever
-gyrations of the première danseuse, as with graceful movements she
-hovered beneath the waving fans of the dancers on the tips of her
-pointed, satin-clad feet, a dazzling aigrette of diamonds in her hair.
-
-With her dreamy, idealistic nature, Eline was passionately fond of the
-opera, not only because it afforded her the opportunity of being the
-object of general admiration, not only because of the music, or that
-she was anxious to hear one or another aria sung by some celebrated
-prima donna, but also because of the intricate, romantic-coloured plot,
-the somewhat rudely-painted melodramatic effects, full of hatred and
-love and revenge, the conventionality of which did not trouble her, and
-in which she did not even look for any truth. There was no need for her
-to forget for one moment that they were but actors and actresses whom
-she saw before her, and not knights and noble ladies; that she was
-seated in a crowded, brilliantly illumined theatre, looking at painted
-scenes, and listening to the harmony of a visible orchestra, and not
-living with hero and heroine through some more or less poetic period of
-the middle ages; but none the less did she enjoy herself, if the actors
-did not sing too badly, nor play with too much prosy conventionality.
-
-Betsy, on the other hand, went to the opera with the object only of
-seeing and being seen; Eline’s intense enjoyment she would have voted
-childish in the extreme, but Eline enjoyed in secret, for she suspected
-Betsy’s opinion, and so left her sister in the belief that she, like
-herself, found no pleasure in the theatre but to see and to be seen by
-friends and acquaintances.
-
-The ballet was at an end. Ben-Saïd and Xaïma descended from their
-throne, and he sang the recitative—
-
-
- “Je m’efforce en vain de te plaire!”
-
-
-and then the air:
-
-
- “O Xaïma, daigne m’entendre!
- Mon âme est à toi sans retour!”
-
-
-The new baritone’s voice was full and sonorous, more like that of a
-basso cantante, and in his song he enveloped it as with a veil of
-melancholy.
-
-But in his rich Moorish dress he had a heavy appearance; and neither in
-his attitude nor in his acting did he succeed in imparting even the
-merest semblance of amorous homage, and he looked at the prima donna,
-in her dress of cloth of silver, and her long pearl-clad fair hair,
-with more of threatening rage in his glance than with the humility of a
-tender devotion.
-
-Eline was not insensible to the shortcomings in his acting; but still,
-the very contrast between the expression of haughty superiority in his
-demeanour and the tone of humility in his voice pleased her. She
-followed every note of the song, and when at the sudden fortissimo of
-Ben-Saïd’s metallic organ, the actress appeared to tremble with terror,
-Eline asked herself the question—
-
-“Why is she so frightened, I wonder?—what is the matter? He does not
-look so bad.”
-
-And during the applause that followed the song she glanced round the
-theatre, when by accident her eye fell upon a group of gentlemen
-standing just at the entrance to the stalls. She noticed how they
-stared at her box, and with her graceful languor she was about to draw
-back a little, when she saw one of them look at her with a smile of
-recognition. For a moment she looked at him with wide-opened eyes, and
-in her surprise did not return the salutation, but with a quick
-movement she turned round, laid her hand on Betsy’s shoulder, and
-whispered in her ear—
-
-“Just look, Betsy; do you see who is standing there?”
-
-“Where? who?”
-
-“There, in the stalls—Vincent—don’t you see?”
-
-“Vincent!” Betsy repeated, amazed in her turn. “So it is, Vincent!”
-
-They both nodded to Vincent, who laughingly fixed them with his glass,
-upon which Eline hid her face coquettishly behind her fan.
-
-“Who is it? who is Vincent?” asked Emilie and Georges.
-
-“Vincent Vere, a first cousin,” Betsy answered. “Oh, such a silly boy;
-nobody ever knows where he is; sometimes you don’t see him for months
-at a time, then all at once he stands before you again. I had no idea
-at all that he was at the Hague. Eline, for gracious sake, don’t fidget
-so with that fan.”
-
-“I don’t want him to stare at me,” said Eline; and with a graceful turn
-of her shapely arm she held her fan before her face.
-
-“When did you see your cousin last, Madame van Raat?” asked Georges.
-
-“Oh, more than eighteen months ago. I think he was going to London,
-where he was to be a reporter on a paper, or something of that sort.
-Fancy, they say he was in the Foreign Legion in Algeria for some time,
-but I don’t believe it. He has been everywhere, and he never has a
-sou.”
-
-“Yes; now I remember, I have seen him before,” said Emilie, with a
-yawn. “A curious customer.”
-
-“Yes, that he is. But you see here, at the Hague, where he has
-relations, he knows he must be on his best behaviour, so we tolerate
-his presence.”
-
-“Yes,” remarked Emilie, very philosophically, “you generally find a
-black sheep like that in every family.”
-
-Eline smiled, and slowly closed her fan.
-
-The third act came to an end without her understanding much about the
-scena with Manoël, but the grand duo between Hermosa and Xaïma afforded
-her a clue: it was the mutual recognition of mother and daughter after
-the air—
-
-
- “Debout, enfants d’Ibérie!”
-
-
-and the curtain fell amid thunders of applause, and the two actresses
-were called to the front, and each received her share of bouquets.
-
-“Mr. de Woude, do tell me what the plot is really about?” asked Eline,
-turning to Georges. “Je n’y vois pas encore clair.”
-
-But Betsy proposed to go into the foyer, and so they rose and left
-their box. In the foyer, seated on a divan, Georges related to her the
-plot of the opera, to which Eline listened with more attention than she
-cared to show. Now she knew why Xaïma shuddered in Ben-Saïd’s presence,
-and she would have liked to see the auction of maidens in the first
-act, and the sale of Xaïma as slave in the second.
-
-All at once they observed Vincent, who was coming up the steps of the
-foyer, and approaching them free and unconcerned, as though he had seen
-his cousins but yesterday.
-
-“Hallo, Vincent, have you dropped from the clouds again?” exclaimed
-Eline.
-
-“Hallo, Eline; hallo Betsy! charmed to see you once more. Miss van
-Bergh and Woude, I think?” and he shook hands with them.
-
-“I admire your memory; I had forgotten you,” answered Emilie.
-
-Betsy introduced them: “Mr. de Woude van Bergh, Mr. Vere.”
-
-“Very pleased. And how are you?”
-
-“A little astonished,” laughed Eline. “I dare say you are off again
-to-morrow, aren’t you? To Constantinople, or St. Petersburg, or
-somewhere, I suppose.”
-
-He looked at her, with a smile in his pale blue eyes, like faded china,
-behind their pince-nez. His features were handsome and regular, rather
-too handsome for a man, with their finely-chiselled Grecian nose, the
-small mouth, about which there generally lurked somewhat between a
-sneer and an audacious smile, lightly shaded by the thin, fair
-moustache; but the charm of the handsome face was completely spoilt by
-the unhealthy yellowish tint, and the expression of lassitude that was
-suffused over it. Of slender form and delicate proportions, he looked
-tasteful in his dark, plain clothes, whilst none could fail to note the
-smallness of his feet, and the finely-shaped hand, with its slender,
-white fingers, the hand of an artist, and which reminded Eline very
-much of her dead father. He sat down beside them, and in a languid
-voice told Eline that he had arrived at the Hague the previous day, on
-a business matter. His last employment had been at Malaga, in a wine
-business; before that he had been engaged in an insurance office in
-Brussels; previous to that he had for some time been a partner in a
-carpet manufactory in Smyrna, but the firm failed. Nothing would do.
-Now he was tired of all that rushing about; he had given proof enough
-of energy and perseverance, but fate was against him; whatever his
-hands touched seemed to bring him ill-luck. He expected, however, to
-obtain a situation in a chemical manufactory in Java, but he must first
-have some more information. To-morrow morning he hoped to call on van
-Raat, whom he wanted to see. Upon this Betsy asked whether he was
-coming to coffee, as van Raat was never at home in the morning, only in
-the afternoon. He gladly accepted the invitation, and then commenced
-talking about the opera.
-
-“Fabrice? oh, that is the baritone, is it not? Yes; a nice voice, but
-an ugly, fat customer.”
-
-“Do you think so? No; I think he shows off very well on the stage,”
-observed Emilie.
-
-“No, Miss de Woude, you don’t mean that.”
-
-Emilie abided by her opinion, and Eline laughed at their disagreement.
-The tinkling of the bell warned them that the fourth act was about to
-commence, and Vincent took his leave, although Georges politely offered
-him his seat in the box.
-
-“No; thank you very much; I don’t want to rob you of your place, I am
-comfortable enough in the stall. Au revoir. To-morrow then, eh? Adieu,
-Betsy, Eline; au plaisir, Miss de Woude; good evening, Mr. de Woude.”
-
-He bowed, pressed Georges’ hand, and slowly went away, lightly swinging
-his bamboo walking-stick in his hands.
-
-“A strange boy!” said Eline, shaking her head.
-
-“I am continually in fear that he will do something to scandalize us,”
-Betsy whispered into Emilie’s ears; “but up to now he has kept himself
-quiet enough. Besides, you see I want to be nice and friendly to him,
-so as not to make him an enemy. I am a little afraid of him, one never
-can tell what a fellow like that may do, you see.”
-
-“I can’t say he is a prime favourite of mine,” said Emilie, and they
-rose to return to their seats.
-
-“Come, Emmie, you only say so because he did not say any nice things
-about Fabrice,” Georges chimed in, in a teasing voice.
-
-Emilie shrugged her shoulders, and they passed into the vestibule.
-
-“Oh, there is no fifth act! I thought there were five acts,” said
-Eline, with some disappointment, to de Woude, who told her the end of
-the plot.
-
-
-
-The fourth act commenced, and Eline felt much interested in the moonlit
-garden scene, in Manoël’s cavatina, in his duet with Xaïma, and in the
-trio with Hermosa; but her interest grew when the Moorish monarch
-appeared at the gates of his palace, and commanded his guard to seize
-Manoël, whilst, deaf to his entreaties, he dragged Xaïma away with him,
-in a sudden burst of passion. The last scene in the opera, where
-Ben-Saïd is murdered by the mother, who comes to her child’s rescue,
-affected her much more than she would have cared to confess. In his
-scenas with the two female characters, the new baritone played with an
-amount of fire and power which lent the melodrama a glow of poetic
-truth, and when, fatally wounded, he sank down on the steps of the
-pavilion, Eline fixed her glasses, and gazed at his dark face, with the
-black beard and drooping eyes.
-
-The curtain fell, but the four actors were re-called, and Eline saw him
-once more, bowing to the audience with a calm, indifferent expression,
-in strong contrast to the beaming smiles of the tenor, the contralto,
-and the soprano.
-
-The audience rose, the doors of the boxes opened. Georges assisted the
-ladies with their wraps, and they proceeded through the corridor, and
-down the steps, until they reached the glass doors, where they waited
-until their carriage was announced.
-
-“I shouldn’t think that the Tribut is one of Gounod’s best operas; do
-you, Eline?” asked Emilie, when they were in their carriage. “It is not
-to be compared with Faust or Romeo and Juliette.”
-
-“I don’t think so either,” Eline answered cautiously, afraid to show
-how much she was affected; “but it is so difficult to judge music on
-hearing it for the first time. I thought some of the melodies very
-pretty. But then, you must bear in mind that we only saw half of it.”
-
-“Yes; it’s very nice just to go and see a couple of acts; but to have
-to sit out a whole opera I think an awful bore, I must admit,” said
-Betsy yawning.
-
-And Georges hummed the refrain—
-
-
- “Debout, enfants d’Ibérie.”
-
-
-The de Woudes were taken home first to the Noordeinde, and Betsy and
-Eline rode on, snugly ensconced in the satin cushions of the landau, to
-the Nassauplein. They spoke a little about Vincent, and then both were
-silent, and Eline let her mind wander musingly to the waltz in
-Mireille, to her dispute with Betsy that morning, to the group of the
-Five Senses, to Madame van Raat and de Woude, to her pink dress, and
-Ben-Saïd.
-
-
-
-
-
-
-
-
-CHAPTER V.
-
-
-About a week after the tableaux-vivants, Lili Verstraeten was sitting
-in the small drawing-room, where the representation had taken place.
-The room had long since resumed its usual appearance, and in the grate
-burned a cheerful fire. Outdoors it was cold; there was a bleak wind,
-and it threatened rain. Marie had gone shopping with Frédérique van
-Erlevoort, but Lili had preferred to stay at home, and so she settled
-herself cosily in a big, old-fashioned, tapestry-covered arm-chair. She
-had taken Victor Hugo’s Notre Dame de Paris with her, but she did not
-wish to force herself to read, if she did not care for it, and the
-book, in its red calf cover and with gilt edges, lay unopened in her
-lap. How nice it was to do nothing except dream the time away! how
-stupid of Marie and Freddie to go out in such wretched weather! What
-did she care about the weather! let it pour and blow outdoors as much
-as it liked, indoors it was beautiful; the clouds subdued the light,
-the low hanging curtains allowed it but a modest access. Papa sat
-reading in the conservatory, where it was lightest; she could just
-catch a glimpse of his dear gray head, and she noticed how quickly he
-turned the pages; yes, he was really reading, not like her, who had
-taken her book just for a make-believe. She never felt ennui, though
-she did nothing at all; on the contrary, she enjoyed those musing
-thoughts, rose-leaves wafted along by gentle breezes; soap-bubbles,
-bright and airy, which she loved to watch, floating on high, and the
-rose-leaves blew away, the bubbles broke, but she wished neither her
-rose-leaf to be an ivy plant, clinging closely to her, nor her bubbles
-to be a captive balloon. Mamma was still up-stairs, ever active—ah! she
-could not lighten mamma’s work; she would do everything herself, though
-Marie occasionally helped a little. She inwardly hoped no visitors
-would come to disturb her in her dolce far niente. How jolly it was!
-How nice to watch the flame curling and twisting round the live coal!
-The grate was a miniature hell, the peat-blocks were rocks, and between
-them there were yawning precipices, all fire and glowing embers—it was
-like Dante! The souls of the damned hovered about the brinks of the
-precipices, shuddering at the fiery mass.... And, smiling at the
-wildness of her own fantasy, she averted her eyes, somewhat dazed with
-staring into the fire. But a week ago, on that very spot yonder, they
-had posed before their applauding acquaintances. How different it all
-looked then! The scenes, the lyres, the cross, and all the rest of the
-paraphernalia were stowed away in the lumber-room. The dresses were
-nicely folded up by Dien, and put away in boxes. But it had been a
-jolly time, what with the consultations beforehand with Paul and
-Etienne, the rehearsals, and so forth. How they had laughed! what
-trouble they had taken for the sake of a few moments’ entertainment!
-
-Papa still read on, turning page after page. How the rain beat against
-the window-panes! how it rushed down the pipe! Yes; Freddie and Marie
-were out for their enjoyment ... how grand it was to be snug and safe
-from all the wet. And her feet sought the soft warmth of the
-hearth-rug; her fair head nestled deeper into the cushions of the old
-chair.
-
-Freddie was to go to a dance that evening. How could she stand it,
-going out night after night! Yes; she was very fond of it herself—a
-nice dance, a sociable soirée; but she liked staying at home too; to
-read, to work, or to—do nothing. But as for ennui, she did not know
-what it was, and her life flowed on like a limpid rivulet. She was so
-entirely in love with her darling parents; she only hoped things would
-ever remain as they were; she would not mind being an old maid....
-Quasimodo, Esmeralda, Phœbus de Châteaupers—oh, why had she not taken
-Longfellow with her? she did not care about the Cour des Miracles, but
-she longed for Evangeline or the Golden Legend—
-
-
- “My life is little,
- Only a cup of water,
- But pure and limpid——”
-
-
-How poetic she was getting! she laughed at herself, and looked out into
-the garden, where the dripping bare branches were swaying to and fro in
-the wind. There was a ring at the bell, and light footsteps and
-laughter echoed through the hall. Freddie and Marie were returning
-home, they would go up-stairs she supposed; no—they were coming this
-way, and entered the room, their wet wraps removed, but bringing with
-them a rush of wind and a chill dampness.
-
-“Well, I never!” cried Marie; “my lady seated by the fire warming
-herself. That’s right!”
-
-“Would my lady like a pillow for her back?” asked Freddie teasingly.
-
-“Yes; you laugh as much as you like,” murmured Lili with a smile, and
-she nestled herself more snugly in the chair. “I am warm and jolly
-here, and my feet are not cold and damp. You go and splash in the mud
-by yourselves!”
-
-Freddie went to speak to Mr. Verstraeten, and Marie thought she would
-like a refresher, and she set about making a cup of tea. So the girls
-sat down; yes, Lili would like a cup of tea too, although she had not
-been out mud-splashing.
-
-“How dark it is here, Lili! how could you see to read? Why, it’s enough
-to blind you, peering away in the dark like this!” cried Marie.
-
-“But I have not been reading,” replied Lili, enjoying her dolce far
-niente.
-
-“My lady has been musing,” mocked Freddie.
-
-“Ah,” said Lili with a smile, “it’s grand, doing nothing at all—just
-dreaming the time away.”
-
-And they all three burst out laughing at such a confession of shameless
-laziness, when Madame Verstraeten came down, looking for her bunch of
-keys.
-
-Frédérique said she had to go soon; she was asked to a dance at the
-Eekhofs’ that evening, and there were one or two things she had to see
-to yet, and Madame Verstraeten thought Lili much more sensible than
-Freddie and Marie, who were foolish enough to go shopping in such
-weather.
-
-
-
-Again there was a ring at the bell.
-
-It was Paul, bringing with him such a marked odour of wind and damp,
-that he was sent out of the room again to wipe his feet better.
-
-“There’s weather!” he sighed, as he sat down.
-
-Madame Verstraeten left the young people to themselves, and sat down
-beside her husband, who, however, on hearing that Paul had come, rose
-and walked to the back drawing-room.
-
-“Morning, uncle.”
-
-“Ah! morning, Paul; how are you?—how is your mother?”
-
-“Mother is very well. I lift her reading a book that Eline had sent
-her.”
-
-“And how is it—have you paid a visit to Hovel yet?”
-
-“No, uncle, not yet.”
-
-“But do so then. Don’t delay too long about it; Hovel wants to make
-your acquaintance.”
-
-“Paul, it’s four days ago that you said you were going to Hovel,” cried
-Marie. “How can you be thinking so long about it? It isn’t such a great
-journey.”
-
-“I intended to go to-morrow.”
-
-“Then go to-morrow, about half-past six. You are sure to find him at
-home then. I should advise you not to fail,” said Uncle Verstraeten,
-and in his usually so friendly dark brown eyes there gleamed something
-like annoyance, when he turned to go back to the conservatory.
-
-“Paul, Paul,” said Frédérique, shaking her head, “how can you be so
-lazy? You are even lazier than Lili.”
-
-“Oh, to-morrow will be quite time enough,” grumbled Paul, as he
-finished drinking his cup of tea.
-
-“Yes; but you’re very lazy, all the same. And I tell you frankly that
-we don’t think it nice of you at all, any of us.”
-
-“Go on, grandmother, give me a good sermon; that’s right.”
-
-“Grandmother or no grandmother, that’s my opinion. And you see, I think
-it’s a great pity that you should be like that; you could do a great
-deal more if you only had a little energy. Mark my words, now, if you
-don’t better yourself you will grow just like Henk—a dear good fellow,
-but good for nothing. You know very well that I am not altogether in
-love with Betsy, but I can quite understand that she must sometimes
-feel terribly bored with that brother of yours, doing nothing all day
-long.”
-
-“Don’t you say anything against Henk now; Henk is a thorough good
-fellow,” cried Marie. “And besides,” Marie continued, “you have much
-more ability than Henk; and that’s just why I think that laziness and
-want of energy are doubly inexcusable in you.”
-
-“Come, Marie,” said Lili, rising, “don’t go firing away like that at
-Paul, poor boy! You go to Hovel to-morrow, do you hear?” she whispered
-in his ear; “then it will be all right.”
-
-He laughed, and promised to better himself under the able guidance of
-the three of them.
-
-“And as I have evidently been placed under the guardianship of my
-cousins and Miss Erlevoort,” said he good-humouredly, “may I ask if
-they’ll allow their little protégé another cup of tea?”
-
-
-
-The heavy rain had ceased, but the wind still shook the dripping
-branches.
-
-It was half-past five when the door-bell rang once more.
-
-“Half-past five!” exclaimed Frédérique. “I must go; I ought to have
-gone long ago; I have some bows to fix on my dress. Oh! I shall look
-bewitching to-night, all in flot de tulle! Where are my parcels,
-Marie?”
-
-“There goes the bell; I wonder if there are any visitors,” said Lili.
-
-Frédérique was about to go, when Dien came in to say that Mr. de Woude
-van Bergh was there.
-
-“What! that unspeakable bore!”
-
-“Oh, he’s not so bad,” said Paul.
-
-“Well, I don’t care; I’m going to close the folding doors. I don’t wish
-to see him!” she continued, and she was just about to suit the action
-to the word.
-
-“Come, Lili, don’t be so silly; come this way,” said Marie.
-
-“No, thanks; you go by yourself,” she answered and closed the doors,
-just as de Woude entered the front drawing-room, where Marie received
-him.
-
-Paul and Frédérique laughed, and took leave of Lili, and all three
-passed through the dining-room to the hall.
-
-“Good-bye; give my regards to uncle and aunt, and tell uncle that I
-shall go to Hovel to-morrow for certain,” said Paul.
-
-“Remember me to them also, and tell them I really had to go,” said
-Freddie.
-
-“All right; much pleasure to-night in your flot de tulle. Boo! how cold
-it is here in this hall!”
-
-Paul and Freddie left, and Lili returned through the dining-room. And
-Georges de Woude, what had he come for? No; she could not bear him at
-all. So affected and formal. How could Paul see anything in him? Paul
-she thought ever so much nicer and manlier. And how Marie did lecture
-him! he was a good boy, too; and what if he were a little lazy—he had
-money, and might just as well enjoy himself a little now; later he
-could look out for a situation, and he would soon find one, that was
-certain. Yes; she would tell pa Paul had promised to go to Hovel
-to-morrow, and he always kept his word.
-
-She sat down once more in the old chair, and poked the fire. She warmed
-her fingers and rubbed her little hands, soft as satin. Through the
-closed doors she could hear the sound of voices, amongst which that of
-Georges prevailed—he seemed to be telling them a long story. She must
-have a look for one moment, and she rose and cautiously pushed one of
-the doors aside a little. Yes; that would do; pa and ma she could not
-see, but Marie she could just see in the face, and of Georges she got a
-back view. What fun it would be if Marie were to catch sight of her;
-but no, she appeared to be all attention for that little fop. Lili
-could just admire his shining white collar, and the tails of his
-coat—superfine, all of it! There—Marie looked up—there—she just caught
-sight of her through the crack in the door: “Hallo! bon jour;” she
-shook her finger at Marie, then she curtseyed and made grimaces, until
-Marie had to compress her lips, so as not to burst out laughing.
-
-
-
-As it was getting dark, Frédérique hurried home to the Voorhout. On
-arriving, she rushed up the broad staircase. She nearly stumbled over
-Lientje and Nico, two children of Madame van Ryssel, her eldest sister,
-who since her divorce from her husband had been living with her four
-children at Madame van Erlevoort’s.
-
-“Miss Frantzen, do look after the children, they will fall!” said
-Frédérique, out of breath, to the bonne, whom she met on the first
-landing, searching high and low for the youngsters.
-
-“Do you know where Ernestine and Johan are?” asked Miss Frantzen.
-
-“No; I have only just come home,” answered Frédérique, quite indignant,
-and she hurried further, flew into her room, threw off her cloak, and
-with nervous fingers proceeded to open one of the little parcels she
-had brought with her in her muff and her pockets.
-
-“I shall never be ready!” she muttered, and she drew aside the green
-damask curtains from her bedstead, disclosing her ball dress, spread
-out on the bed—a diaphanous cloud of light-blue tulle.
-
-That morning Frédérique’s dress had been sent home from the dressmaker,
-but she wanted to add a bow here and there herself, although she almost
-feared to touch it, lest she should tangle the filmy, web-like stuff.
-
-“Oh, what shall I do!” she cried; then a sudden thought seemed to
-strike her, and she rushed out of the room, and on the landing she
-cried—
-
-“Tilly, Tilly, Mathilde!”
-
-One of the doors opened, and her sister, Madame van Ryssel, entered in
-some alarm.
-
-“Freddie, what is the matter? why do you scream so? is the house on
-fire?”
-
-“No; if it were I shouldn’t call for your help. But do help me a bit,
-or I shall never be ready.”
-
-“Help you? what with?”
-
-“With my ball-dress. I want to put on a bow or two. It’s so bare at the
-side, and I bought some ribbon.”
-
-Madame van Ryssel was about to reply, when the door of Madame van
-Erlevoort’s room opened, and the old lady came out to ask what was the
-matter. At the same moment a shrill burst of laughter and a sound of
-children’s voices re-echoed from the landing, there was a loud tripping
-of little feet, and a girl of seven came half tumbling down the stairs,
-followed by a lad of six.
-
-“Mamma, mamma!” the child cried, as she jumped down the last steps.
-
-“I say, Tine, Johan, what a noise you are making! What are you doing,
-you two?” asked Madame van Ryssel severely.
-
-“Jo is always teasing me; Jo wants to tickle me, and he knows I can’t
-bear it,” panted the girl, and she hid herself behind her grandma’s
-petticoats, whilst Frédérique caught hold of Johan.
-
-“I told you before that I won’t have all that running and noise in the
-house!” resumed Madame van Ryssel. “I wish you would remember that
-grandma cannot bear it.”
-
-“Never mind,” said Madame van Erlevoort kindly, “they were only
-playing; eh, Tine?”
-
-“Look out, do you hear, or I’ll tickle you!” cried Frédérique, and she
-tickled Johan under his little arms, so that he fell, struggling and
-crowing, on the floor.
-
-“Mais comme vous les gâtez, toutes les deux! ne les choyez donc pas,
-quand je suis fâchée. Je perdrai tout mon pouvoir, si vous continuez
-ainsi!” exclaimed Madame van Ryssel despairingly, as she glanced over
-the banisters, for down below Madeline and Nikolaas were giving Miss
-Frantzen a terrible trouble and would not go up-stairs with her.
-
-“Lientje, Nico!” cried Madame van Ryssel in her severest tones.
-
-“Come, Mathilde, do leave the children alone for a moment, and come and
-look at my dress!” Freddie implored.
-
-“I can’t keep them in order any longer, really,” said Mathilde, with a
-sigh of despair.
-
-“Make haste, Freddie; we dine rather earlier to-day,” said Madame van
-Erlevoort.
-
-The street door was being opened; it was Otto and Etienne van Erlevoort
-who were coming home, and their cheerful voices mingled with the
-laughter and screams of the children, the chiding tones of Miss
-Frantzen, and the barking of Hector, Otto’s dog.
-
-“Come, Mathilde, do just have a look at my dress,” Freddie pleaded, in
-coaxing tones.
-
-Mathilde thought it best to give up all attempts at exerting her
-maternal influence in that Babel of confusion, and yielded to
-Frédérique’s coaxing.
-
-“Really, I mean it, I have no more control over them——”
-
-“Come, children, don’t fight any more now; be good!” said Madame van
-Erlevoort to Ernestine and Johan. “Come with us down-stairs, ’tis
-enough to freeze you here.”
-
-Madame van Erlevoort had always been used to excitement and hubbub, and
-it never seemed to upset her. Herself mother of seven children, she had
-always been surrounded by noisy laughter, turmoil and excitement, and
-she could not have understood how a large family could have existed in
-any atmosphere that was calmer than her own. From the first, her house
-had been filled with the shrill voices, the boisterous laughter, and
-the continual running to and fro of her children, until they grew up,
-in all the joyful freshness of their youthful spirits. Then with the
-death of her husband, Théodore Otto, Baron van Erlevoort ter Horze,
-member of the Second Chamber of the States General, commenced a period
-of unwonted calm and peacefulness, which grew even more so when her
-four children, one after another, left her house and got married. The
-first to go was Théodore, the eldest, who now managed their estates in
-Gelderland, and who, in the midst of his numerous family, lived at the
-Huis ter Horze the life of a gentleman-farmer and of a youthful
-patriarch combined. He was followed by her third daughter, Mathilde,
-whose brief married life had been very unhappy; after her, the two
-eldest girls, Cathérine and Suzanne, left their mother’s home, the
-former married to an English banker, Mr. Percy Howard, living in
-London, the other to Jonkheer Arnold van Stralenburg, Recorder at the
-Court of Justice at Zwolle.
-
-Thus Madame van Erlevoort was left with her two sons, Otto, assistant
-clerk at the Ministry of the Interior, Etienne, studying for the bar at
-Leiden, and her youngest child, Frédérique; and without the novel charm
-and refreshing emotions of her grandmothership, the comparative calm by
-which she was surrounded would certainly have made her ill with ennui,
-used as she was to the tripping of light feet and the song and laughter
-of clear young voices.
-
-A few years after her marriage, Mathilde with four children returned to
-Madame van Erlevoort, the children being assigned to her on her divorce
-from her husband. Since then, van Ryssel had been living abroad, and
-little more was heard of him.
-
-Madame van Erlevoort sympathized deeply with her daughter, who had so
-long and with such dignity sustained her part of neglected and
-misjudged wife, and she received her with the greatest love, inwardly
-happy in the new, fresh-budding life which the four grandchildren had
-brought into her house. She spoilt them all, as she had never spoilt
-her own children. Try what she would to be cross with them, their
-wildest pranks failed to provoke her anger, whilst Mathilde they often
-drove to desperation, for she feared what would become of them with so
-much indulgence. She begged Madame van Erlevoort not to oppose her when
-she meted out some well-deserved punishment; Madame van Erlevoort
-promised readily enough, but as quickly forgot her promise on the first
-opportunity; whilst Frédérique, herself a spoilt child, always thought
-Mathilde right in her complaints, but for the rest did little to
-encourage a firm discipline. It was only from Otto that Mathilde could
-now and then expect a little support, and accordingly it was for Uncle
-Ot alone that the four young rascals had any respect. With his mother’s
-kindliness of disposition he combined his father’s common sense and
-practical nature, and in the unruffled calm of his demeanour he
-appeared older than he really was; but over his manly features there
-lay such a charming geniality, there was so much that was sympathetic
-and trustful in his bright dark eyes, that his earnestness and his
-sound sense attracted rather than appeared too severe in a young man of
-eight-and-twenty. Etienne, on the other hand, was all gaiety and
-thoughtlessness, and his mother’s idol, in fact her nature seemed to
-bask in the glow and sunshine of his character. Frédérique loved both
-her brothers passionately, but Otto she was fond of nicknaming papa,
-whilst with Etienne she would romp about much as Lientje did with Nico,
-and Tina with Johan.
-
-
-
-Madame van Erlevoort wished to dine a little earlier that day,
-intending to have her siesta before going to dress. In the evening she
-was going with Freddie and her two sons to the ball at the Eekhofs’,
-whilst Madame van Ryssel stayed at home, a quiet, saddened young woman,
-whose smile but faintly lit up her wax-like face, and who lived but for
-her children.
-
-By Mathilde’s express desire, the four noisy customers always dined in
-a separate room, with Miss Frantzen. As for Madame van Erlevoort, there
-was nothing she would have liked better than to have sat at table with
-the whole batch of them, Miss Frantzen included, not caring one iota
-whether her damask table-cloths were swimming in gravy, her glass ware
-broken to bits, or the preserves mauled about by a set of greasy little
-fingers. Thus Mathilde had been unable to prevent the children, who
-dined earlier and whose meal was over sooner, from running in one after
-another into the dining-room, to the despair of Miss Frantzen, whose
-round face and terrified eyes would then appear at the half-open door.
-This sort of thing Madame van Erlevoort in her kindliness having
-tolerated once or twice, soon became the rule, and Mathilde was obliged
-with a sigh to resign herself to the inevitable. As for Etienne and
-Frédérique, they only helped to make the youngsters noisier than ever.
-Otto also played with them, and Mathilde with a smile shrugged her
-shoulders; she could not help it, let things go as they would.
-
-“No, thank you, Otto, nothing more,” said Frédérique, at the
-dinner-table. “I can never eat when I am going to a ball; you know
-that.”
-
-“Is it still like that?” asked Otto. “I always thought that it was only
-very young girls who could not eat at their first entrée into society.
-Are you still so nervous? Poor girl!”
-
-“Freddie, what have you been doing to your dress? I hope you have not
-spoilt anything?” asked Madame van Erlevoort, with some anxiety.
-
-“No, ma; I took Mathilde’s advice and did not touch it at all. Ah! you
-shall see me this evening,” she continued to Otto; “I shall look quite
-ethereal in my blue tulle—just fit to be blown away, you know. Hallo!
-there they come, the young Vandals!”
-
-This was meant for the four little van Ryssels, who now came storming
-into the room, Nico with an ear-splitting trumpet in his mouth. They
-came to eat their orange with wine and sugar. Madame van Erlevoort took
-Nico next to her and gave him his plate full of fruit, and ere long the
-young rascal was sucking away at the luscious morsels, varying the
-repast with an occasional blare from his trumpet.
-
-Ernestine, Johan, and Etienne were picking their hardest from one dish,
-and amid loud laughter their forks got jangled one in another, whilst
-Freddie told Otto who were coming to the Eekhofs’ that evening.
-
-“There are the Hydrechts, Eline Vere, the van Larens, Françoise
-Oudendyk. Don’t you think Françoise prettier than Marguerite van Laren?
-Eh, Otto, which of the two are you going to mash? Oh, Nico! my nerves!
-Nico!”
-
-Tootterootoo, too, went the trumpet.
-
-“Nico, you will drive me crazy with that blaring noise. Put that thing
-down now, and eat properly. There, it’s all running down your jacket!”
-cried Mathilde.
-
-“Oh, he is only making a little music; eh, little dot?” said Madame van
-Erlevoort, and she drew her arm round the child, who, without much
-respect for his grandma, blew his trumpet right into her ear.
-
-
-
-After dinner Freddie and Etienne romped about with the children, whilst
-Madame van Erlevoort retired to her boudoir, and Otto sat down to smoke
-his cigar beside Mathilde, who took up some embroidery. Rika, the
-servant, cleared the table, much hampered in the process by Nico, and
-in fear and trembling for the safety of the tray upon which she had
-placed the dirty plates and glasses. At last the clock struck eight,
-and Miss Frantzen came to fetch the children.
-
-“Ciel de mon âme!” cried Frédérique, half smothered on the sofa between
-Ernestine, Johan, and Lientje, and with an effort she extricated
-herself from the labyrinth of arms and legs that twined itself about
-her like an octopus. “I must get up-stairs; Mathilde, will you help
-me?”
-
-“Yes; I am coming,” answered Mathilde, rising. “And you, children, you
-be off to bed, quick!”
-
-“No, I won’t; I want to see Aunt Freddie look pretty first,” cried
-Ernestine, in a little whining voice. “And I want to help auntie, too.”
-
-“Auntie can do without your help, and pretty she always is. Come now,
-go up-stairs, all of you, with Miss Frantzen; allons, like good
-children.”
-
-Freddie ran off, and as Madame van Erlevoort was asleep, Mathilde could
-for once exert her influence, and the four of them were bundled off up
-the stairs, with an admonition on each step, as Nico wanted to run down
-again, and Lientje remained sitting on the floor, playing with Hector.
-
-“I am coming directly, Freddie!” cried Mathilde; “as soon as the
-children are up-stairs.”
-
-Freddie was already in her room, brushing out the wavy masses of her
-hair. Mathilde was to dress it: she did it so deftly. And she set about
-arranging everything—her fan, her gloves, her handkerchief, her
-pale-blue satin shoes. A nervous blush suffused her clear pale face, as
-she looked at herself in the mirror and smiled, until in each cheek
-there formed a little dimple. “Yes; it would be all right,” she said.
-In half an hour Mathilde came back with Martha, the chamber-maid, and
-Frédérique sat down in front of the glass, in her white under-bodice
-and blue shoes.
-
-“Just as simple and fetching as last time you did it, Tilly,” coaxed
-Frédérique, as Martha handed her the comb, the curling-tongs, or a
-hairpin, as they were wanted. “Oh! it’s quite cold here! Do wrap
-something round my shoulders, Martha!”
-
-Martha wrapt a fur cape about her. With deft fingers, Mathilde had soon
-completed her task.
-
-“There!” said she, and arranged the frizzy fringe in front. “Simple,
-tasteful, and fetching—are you satisfied?”
-
-Frédérique looked at herself, and with the tips of her fingers she just
-touched her hair.
-
-“Rather!” she said. “And now—my flot de tulle.”
-
-The fur cape was thrown on the floor, and Martha arranged the confused
-mass of garments which were spread about the room. Mathilde lifted up
-the cloud of delicate azure, and light as a sigh she let it glide about
-Freddie’s shoulders.
-
-“There’s something fairy, something naiad-like about me!” said Freddie,
-raising her arms, and Tilly and Martha knelt down and drew open the
-folds of silky gauze. “La, la, la——” and Freddie’s little feet kept
-time to the tune she hummed.
-
-“Freddie, Freddie, do be quiet now! Martha, a pin; here, that bow is
-undone.”
-
-“How do I look, Martha?”
-
-“Sweetly pretty, miss.”
-
-“Doesn’t it look bare at the side, Tilly?”
-
-“Oh, dear, no; ’tis all bows and ribbons. Come, Freddie, do sit still a
-moment, now.”
-
-All at once the door opened slowly, with a creaking sound.
-
-“What now?” cried Mathilde impatiently, and her anger rose when she
-caught sight of Ernestine, shivering in her white nightgown, making her
-appearance behind the door, a little frightened, but with an elf-like
-impudence.
-
-“Oh, ma, I want so much——”
-
-“But, Tine, ’tis enough to get your death of cold, running about like
-that! I don’t know how you can be so disobedient.”
-
-“Get into my bed, Tine, quick; but mind my bodice!” cried Freddie.
-“Never mind, Tilly, let her alone,” she whispered.
-
-Tine crept into the bed, and nestled herself like a dove in the
-blankets, and her little fingers passed over the blue satin of
-Frédérique’s corsage, which was lying on the pillow.
-
-Mathilde shrugged her shoulders with a sigh, resigned as usual, but the
-bodice she took away. Madame van Erlevoort appeared in the open door,
-rustling in silk moiré.
-
-“Oh, how nice mamma is looking!” cried Frédérique excitedly; “you will
-see, Tilly, I shall be the last again to be ready. Make haste a bit,
-do!”
-
-Mathilde laced in the satin bodice, and Madame van Erlevoort smiled in
-admiration at her airy Undine. But what was that shuffling sound behind
-her? Looking round, she caught sight of Johan and Lientje, both numbed
-with cold, and in their nightgowns.
-
-“No; this is really too bad. ’Tis enough to drive one mad,” cried
-Mathilde, and she left Frédérique standing with her bodice half-laced,
-and rushed away to the young rascals. “How can you be so naughty, all
-of you, and worry ma so! To-morrow you will all be ill. Come, up-stairs
-at once!”
-
-She spoke with much annoyance, and the children half began to cry; but
-Madame van Erlevoort came to the rescue.
-
-“Never mind, Mathilde, let them stop a little while.”
-
-“In my bed—get in, quick!” cried Frédérique, laughing her hardest; “but
-don’t you touch my tulle; hands off there!” and she drew back in fear
-from the outstretched hands of the little Vandals, who were burning to
-tumble the filmy gauze, and pull at the long bows.
-
-Mathilde could see well enough for herself that Freddie’s bed was the
-best place for the children, and so for the thousandth time she gave
-in, as with a sigh she set about lacing up Freddie’s corsage. Johan and
-Lientje quickly crawled alongside Tine under the quilt, and with eyes
-asparkle with life and fun, they all three sat staring at the blue
-fairy.
-
-“Are you going to put something over all this, auntie?” asked Johan,
-“or will you keep as you are, naked like that?”
-
-“Go on, you stupid boy!” cried Tine indignantly, and she gave him a
-push, so that he tumbled over Lientje, and in a few moments
-Frédérique’s bed was a chaos of woollen blankets, fair curls, pillows,
-and bare pink legs and arms, all tumbling and wriggling about to the
-accompaniment of loud screams and yells.
-
-Madame van Erlevoort and Frédérique nearly cried with laughing at the
-scene, to the great confusion of Mathilde, who, do what she would,
-could not manage to get the laces tied, and Madame van Erlevoort called
-Otto and Etienne, who in evening dress and overcoats were coming
-down-stairs, to go in and have a look at the scene.
-
-“Get in here with us, Uncle Eetje; come along, do!” screamed Johan; but
-Etienne declined the honour; he was much too pretty now to romp about
-like that.
-
-“You look like a fairy queen, Freddie!” said Otto smiling; “fit to——”
-
-“To be blown away, eh? But, Tilly, aren’t you finished yet with those
-laces?”
-
-“Well, Freddie, you won’t stand still for one minute.”
-
-At last Tilly was ready, every one was ready, and Madame van Erlevoort
-went down-stairs, as the carriage had just arrived.
-
-“Now, children, stop in bed, and don’t run about in the cold,” cried
-Mathilde commandingly, while Frédérique, with Martha’s help, wrapped
-her sortie about her, Otto took charge of a fan, and Etienne of a
-glove.
-
-“Come, Freddie, mamma has gone down-stairs long ago,” said Otto, and he
-beat the fan impatiently on his hand.
-
-“Freddie, haven’t you forgotten anything?” asked Mathilde.
-
-“I say, where is your other glove, Freddie, or are you only going to
-wear one?” cried Etienne as loud as he could, to make himself heard
-above the noise and the din the children were making in the bed.
-
-“Oh! how you are worrying me, all of you!—I have already got it half
-on, my second glove! Martha, my handkerchief! Thanks; everything right?
-Yes? Well, good-bye, you pets!”
-
-“Freddie, you have forgotten something!” cried Etienne.
-
-“What is it, then?”
-
-“Your umbrella, here.”
-
-“Silly boy! Mamma is waiting in the carriage, and you delay me with
-stupidities! Well, good-bye, Tilly! good-bye, dearies! yes, Otto, I am
-coming.... Good-bye, Tilly, thanks for your assistance. Good-bye,
-Martha!”
-
-“Much pleasure, miss.”
-
-“Much pleasure, Freddie.”
-
-Freddie went, followed by Otto and Etienne. Ernestine sprang out of the
-bed, followed by Johan and Lientje.
-
-“Here, children, come here!” cried Mathilde.
-
-She threw some wraps about them, shawls, blankets, whatever she could
-find.
-
-“And where is Miss Frantzen, that you have all come in here like this?”
-she asked, dissatisfied.
-
-“In her own room, with Nico, ma; Nico is asleep,” said Tine. “Come, ma,
-don’t be angry,” and she raised her little arms fondly up to her
-mother.
-
-Mathilde smiled, and allowed herself to be embraced.
-
-“Come away now, all of you, to bed,” she said, somewhat conciliated.
-
-“There’s a state Miss Frédérique’s bed is in,” said Martha, shaking her
-head; “I can just go and make it all over again, naughty rascals!”
-
-“Good rascals!” cried Lientje.
-
-Mathilde took her up in her arms, and Tine and Johan followed,
-stumbling as they went over their strange garments, and screaming with
-laughter at the success of their ruse.
-
-“Hush! hush! or you will wake Nico!”
-
-Miss Frantzen knew nothing about it; she was sitting near Nico’s
-bedside, with Hector at her feet, and engaged in knitting, and was not
-a little upset when she saw the caravan approaching. Those naughty
-children, to slip away slily like that; she was under the firm
-impression that they were all nicely asleep in the next room!
-
-The three were put to bed, shivering and numbed, but mad with fun, and
-Miss Frantzen requested them not to talk any more, but to go to sleep.
-
-And Mathilde bent down over the cot of her Nico, lying there with
-closed eyes in the blankets, the moist lips half open, and the little
-fair curls straggling over the pillow. Pet of a boy he was!... And the
-rest too, real darlings, terrible worries to be sure they were, and
-quite uncontrollable, especially with such helpers as mamma and
-Freddie. But still, how happy she was that she had them, the four of
-them.
-
-And she bent down and just touched Nico’s little lips and felt his
-soft, warm breath on her cheek like a caress, and her tears fell on his
-forehead, so transparent and white, so soft .... the darling boy....
-
-
-
-
-
-
-
-
-CHAPTER VI.
-
-
-Now and then old Madame van Raat came to drink a cup of tea at her
-son’s, in the Nassauplein; she was brought there in her brougham about
-half-past six, and was taken home about half-past nine.
-
-This time Betsy was still up-stairs, probably with Ben, as Eline
-assured the old lady, although she knew that Anna the nurse usually put
-the child to bed.
-
-She took Madame van Raat into the boudoir, where the soft light of wax
-candles fell from a small crystal chandelier on the violet plush of the
-chairs and couches, and was reflected through the many-coloured glass
-drops in the mirror opposite.
-
-“And Henk?” asked the old lady.
-
-“Oh, he is still dozing,” laughed Eline. “Stay, I’ll just go and call
-him.”
-
-“No, no; let him be, poor boy!” said Madame van Raat. “Let him sleep,
-and have a little chat with me, child.”
-
-She took her place on the sofa and looked smilingly at Eline, who sat
-down on a low settee by her side. Eline took the old lady’s thin, dry
-hand in hers.
-
-“And how are you? All right? You are looking like a young girl to-day;
-so smooth I don’t see a single furrow on your forehead.”
-
-Madame van Raat allowed herself, as usual, to be fascinated by that
-caressing voice, that sunny smile, and sympathetic expression.
-
-“You naughty girl! to make fun of my old age! Elly, you ought to be
-ashamed of yourself!” and she threw her arms round Eline’s neck and
-kissed her forehead. “And how is it with Betsy? is she not very
-troublesome?” she whispered.
-
-“Oh—really, Betsy isn’t so bad; she is only a little—a little hasty,
-just in her way of speaking, you know. All the Veres have hasty
-tempers, I as well; only papa I never remember to have seen in a
-temper; but then papa was a man without his equal. Betsy and I get
-along splendidly. Of course you can’t help a little bickering now and
-then, if you are always together like that; I think if I even lived
-with you that could not be helped.”
-
-“Well, I wish you would come and try it.”
-
-“Come, I should be much too troublesome to you. Now you think me very
-nice, because you don’t see me very often; but if you were to see me
-every day——” and she laughed lightly.
-
-“Did you ever see such a girl? Just as if I had a temper!”
-
-“Oh no, I didn’t mean that; but really, au fond, Betsy is an
-affectionate girl, and I assure you Henk has a charming wife in her.”
-
-“Maybe; but—but if I had had the choice, I think I know whom I should
-have chosen for my son’s wife, Betsy, or—somebody else.” She laid her
-hand on Eline’s head and gave the girl a look full of meaning, a faint,
-sad smile about the pinched mouth.
-
-Eline felt a little frightened. Madame van Raat’s words called to mind
-her own old thoughts; thoughts long passed and nearly forgotten, in
-which she had felt that sudden longing for Henk, the vague desire to
-lean on him for support. Ah, those thoughts! they seemed so far off and
-hazy, as though they were but mere ghosts and shadows of thoughts. They
-had lost all charm, they even assumed something grotesque, that all but
-made her smile.
-
-“Oh, my dear madam,” she murmured, with her rippling laugh, “who knows
-how unhappy he would have been then, whilst now—he is a little under
-the slipper, ’tis true, but Betsy has rather small feet.”
-
-“Hush—hush!” whispered Madame van Raat, “there’s some one coming.”
-
-It was Henk, who opened the door of the boudoir, and was surprised to
-find it so late. Eline laughed at him, and asked him if he had had
-sweet dreams.
-
-“You eat too much, that’s it that makes you so lazy in the evening. You
-should see what a lot he eats!”
-
-“There, mother, do you hear how your son is talked to in his own house,
-even by his little sis-in-law? Oh, you don’t know what a troublesome
-child it is!”
-
-“You had better not say any more about that; your ma won’t hear
-anything against me, not even from her beloved Henk—eh? Just you dare
-to say that I am wrong!”
-
-She looked at the old lady with so much childlike freshness in her
-bright eyes, and in her bearing, and such a warm glow of sympathy
-seemed all at once to emanate from her whole being, that Madame van
-Raat could no longer restrain herself from embracing her.
-
-“You are a dear,” she said, happy in the genial warmth of the affection
-of old age for the bright sun of youth.
-
-Betsy, when she came down, apologized for having been detained so long,
-and asked if mamma would not rather drink tea in the drawing-room—there
-was more room there.
-
-“Paul was coming too, later on,” said Madame van Raat, as Eline placed
-a marble footstool under her feet. “Then you must have a little music
-together, Elly, will you?”
-
-“Yes—with pleasure.”
-
-Madame van Raat brought out her glasses and her crochet-work, while
-Betsy sat down in front of the tea-tray, glittering with silver and
-china. She talked about all the doings of the day; of the ball at the
-Eekhofs’ the other night, which she had enjoyed very much.
-
-“And you as well, Elly?” asked the old lady.
-
-“Yes, first-rate. I had a splendid dance, and the cotillon was very,
-very jolly.”
-
-“And you, Henk?”
-
-“Oh, Henk!”
-
-Betsy and Eline both laughed. Eline exclaimed that he was much too
-stout to dance; a minuet he might perhaps do very nicely, and of course
-she was aware that was coming into fashion again. Madame van Raat
-joined in the laughter, and Henk, quite unconcerned, sat drinking his
-tea, when there was a ring at the bell, and Paul entered.
-
-He told them that he had just come from the Prince-gracht, from
-Hovel’s; he wanted to call on him last night, but he had met Vincent
-Vere in the Hoogstraat, and so he had postponed his visit to go and
-drink a glass of wine in Vincent’s lodgings, with a few acquaintances.
-Hovel he thought a very nice man indeed, and he had arranged to begin
-his work at his office the following Monday.
-
-Madame van Raat involuntarily heaved a sigh of gratitude that the
-long-talked-about visit had at last been paid. The last time she had
-seen her brother-in-law, Verstraeten, she thought she could detect
-something like annoyance when he spoke of Paul, and in matters relating
-to her youngest son she depended a good deal on the aid of Verstraeten,
-who had been Paul’s guardian during his minority.
-
-As she heard Paul speaking, Betsy felt as though there was something
-very incongruous about the way Henk “fooled” away his time with his
-horse and his dogs. But what was she to do? she had spoken to him so
-repeatedly, and certainly the present moment, with Madame van Raat
-there, was hardly the time to mention it.
-
-“Come, Paul,” Eline cried, all at once, “shall we sing something?”
-
-Paul expressed his readiness; he rose; Eline sat down at the piano.
-Every Thursday they practised duos together, and she already prided
-herself on her répertoire. Paul had never had a lesson, and hardly knew
-how to play; but Eline gave him a hint now and then, which he followed
-faithfully, and she asserted that whatever he might be able to do with
-his voice, he owed to her. He opened his mouth properly and kept his
-tongue down, but really he ought to take some lessons of Roberts. A
-fellow couldn’t be expected to sing without some study.
-
-“What shall we have? Une Nuit à Venise?”
-
-“Right you are, Une Nuit à Venise.”
-
-She opened a music portfolio, bound in red leather, with “Eline Vere”
-in golden letters on the cover.
-
-“But don’t bring out your high sol so loud here,” said she. “Take it in
-your medium register, and not from the chest. It will sound much
-sweeter. And begin very softly, swelling here and there; and keep in
-good time with me towards the end—the refrain, you know. Now, nicely,
-Paul.”
-
-She played the prelude to Lucantoni’s duet, whilst Paul gave a little
-cough to clear his voice, and both commenced together, very softly—
-
-
- “Ah viens la nuit est belle!
- Viens, le ciel est d’azur!”
-
-
-His light tenor sounded a little shaky, but still it went very well
-with the resonant ring of her pure soprano. It was a pleasure to her to
-sing together like that, when Paul was in voice, and would listen to
-advice. It seemed to her as though she sang with more feeling when
-another voice accompanied hers, and that she felt more, especially in
-the repetition of such a phrase as—
-
-
- “Laisse moi dans tes yeux,
- Voir le reflet des cieux!”
-
-
-words into which she infused something of the glow and languor of an
-Italian’s love. To her mind the duet assumed a more dramatic form. In
-her imagination she saw herself, with Paul as tenor, gliding along in
-the radiant moonbeams in a gondola on a Venetian canal. To her mind’s
-eye she saw herself in the rich dress of a young patrician, Paul in the
-garb of a poor fisherman, and they loved each other, and half-dreaming,
-half-singing, they went gliding along the water—
-
-
- “Devant Dieu même
- Dire; Je t’aime
- Dans un dernier soupir.”
-
-
-There was the refrain! She feared—ah, she feared that Paul would break
-down. No; Paul kept time with her. That was splendid! and their voices
-died away in unison—
-
-
- “Dans un dernier soupir.”
-
-
-“Lovely, lovely, Eline!” cried Madame van Raat, who had been listening
-attentively.
-
-“You are in good voice,” said Betsy.
-
-“Now you must sing by yourself, Eline,” cried Paul, pleased with his
-success.
-
-While the duet was being sung, Mina had come in with the papers, the
-Vaderland and the Dagblad, and Henk was soon absorbed in them, turning
-over the sheets as noiselessly as possible.
-
-“But, Paul, don’t you want to sing any more?” asked Eline. “Something
-else; or are you tired?”
-
-“I had rather you sang alone, Eline.”
-
-“Oh no, if you aren’t tired, I should like another duet Really, I think
-it’s splendid to sing together like that. Would you venture the grand
-duo in Romeo?”
-
-“Really, Eline, I don’t know it very well yet, and it is so difficult.”
-
-“Oh, you knew it well enough the other day; if only you will sing soft
-and low, and not force your notes. There—you see, the whole of this
-passage with your medium register; don’t shout, whatever you do.”
-
-With an anxious look he asked her for a little more advice about the
-piece, and she told him what to do.
-
-“Come now, will you venture? But don’t shout; that’s frightful, and—if
-we do break down, what of it?”
-
-“Well, if you like to try, I don’t mind.”
-
-Eline’s face glowed with pleasure, and she played the soft prelude to
-the grand duo in the fourth act.
-
-
- “Va! je t’ai pardonné, Tybalt voulait ta mort!”
-
-
-she sang, with splendid delivery, and Paul answered with his
-recitative; then together they warbled—
-
-
- “Nuit d’hyménée, o, douce nuit d’amour!”
-
-
-Once more the dramatic form of the duo rose before her: Juliette’s
-departure; Romeo, in his brilliant dress, lying on the cushions at her
-feet. And it was no longer Paul, but Fabrice, the new baritone, who was
-the Romeo, and she let her head rest on his shoulder—
-
-
- “Sous tes baisers de flamme
- Le ciel rayonne en moi!”
-
-
-Paul’s voice was growing very shaky and uncertain, but Eline scarcely
-heard it. To her imagination it was Fabrice, with his deep voice, who
-sang; and her song sounded full and ringing, quite forgetful as she was
-that she entirely eclipsed the tenor.
-
-There—there was the warbling of the lark at daybreak, as in alarm she
-asked—
-
-
- “Qu’as tu donc—Roméo?”
- “Ecoute, o Juliette!”
-
-
-replied Paul in firmer tones, after his rest.
-
-But to her it was not the voice of the lark, but the soft tones of the
-nightingale; not the first rays of the morning sun, but the silvery
-gleam of moonlight, and still it was Fabrice, and still the orchestra
-resounded in the chords she struck on her piano, as, without speaking,
-they sank in each other’s arms. At times, in the brief intervals, the
-stern reality dispelled Eline’s vision, and no longer was it the stage
-and Fabrice she beheld, but Paul, turning the pages. But again she
-revelled in the luxury of her fancies; Juliette saw the danger of
-Romeo’s prolonged stay, she urged him to go, and he answered—
-
-
- “Ah! reste encore, reste dans mes bras enlacés!
- Un jour il sera doux, à notre amour fidèle!
- De se ressouvenir de ces douleurs passés!”
-
-
-This was a passage in which Paul’s lyrical weakness appeared most; and
-Eline, awakening out of her reverie, heard smilingly with what
-melancholy he repeated it. She felt ashamed at having eclipsed him in
-her ecstasy; she would be more careful.
-
-And she sang the finale less with overpowering despair than with soft
-languor, so that Paul’s high chest-notes made better effect than at
-first; but the vision was gone, the stage, the audience, Fabrice, all
-had vanished.
-
-
- “Adieu, ma Juliette!”
-
-
-sang Paul; and she answered, with a light cry, in which he joined—
-
-
- “Toujours à toi!”
-
-
-“Oh, how grand to sing like that!” cried Eline in ecstasy, and she
-rushed to Madame van Raat, and embraced her with sudden impetuosity.
-“Doesn’t Paul sing nicely, eh? Isn’t it a shame that he will take no
-lessons? You ought to make him.”
-
-But Paul declared that Eline gave him lessons enough, and that she
-would be the death of him with her difficult duos; but Eline again
-assured him that he had acquitted himself splendidly.
-
-Betsy gave a sigh of relief after the stormy parting of the Veronese
-lovers, which under the low ceiling and plush draperies of her
-drawing-room had sounded much too heavy and loud in her ears. To her
-thinking it was a terrible hullabaloo! Why didn’t Eline rather sing
-something light and jolly from one or another opéra bouffe?
-
-Eline and Paul having sat down, the conversation grew more general
-about the on dits of the day, the busy stir in the streets before St.
-Nicholas’, until it struck half-past nine, when Mina came to say that
-the carriage was there.
-
-“’Tis time for me,” said Madame van Raat, slowly rising from her seat;
-and Eline ran away, humming as she went, to fetch her things from the
-boudoir, a fur circular, a woollen shawl, a cape. She let herself be
-snugly muffled up by her young favourite, and carefully placed her
-glasses and the crochet-work in her reticule. Then she kissed them all,
-bending over them with the slow movements of tired old age, and Henk
-and Paul assisted her into the soft satin cushions of the brougham.
-
-The carriage rolled away; and in Madame van Raat’s ears there still
-resounded the echo of singing voices; she smiled sadly as she wiped the
-vapour from the window to look outside where the snow was lying, dirty
-and bespattered in the light of the street lanterns, and thought of the
-time when she used to go to the opera with her husband.
-
-Paul stayed a little longer; and then, after a good glass of wine after
-his duos, he hurried off. When he had gone Eline went up-stairs to put
-the room in order a little, as she told Betsy. It was chilly in Eline’s
-sitting-room, but the cool air was refreshing to her cheeks and hands,
-heated by the faint atmosphere of the drawing-room. She threw herself
-on the Persian cushions, raised her hand, and stroked the leaves of the
-azalea. And she smiled, whilst her eyes grew large in a dreamy stare as
-her thoughts flew back once more to Fabrice with his beard and his
-splendid voice. What a pity that Betsy did not care more for the opera!
-They went but very rarely, and yet she was so passionately fond of it.
-Yes; she would give Madame Verstraeten to understand, in a genteel way
-of course, that she would not mind being invited now and then to
-accompany her; Mr. Verstraeten never went himself, and Madame generally
-invited some one or another to a place in her box, sometimes Freddie,
-sometimes Paul—why not her?
-
-All at once she jumped up as a thought suddenly struck her; last night
-Fabrice had appeared in William Tell. She ran out of her room and leant
-over the banisters of the stairs.
-
-“Mina, Mina!” she cried.
-
-“Yes, miss,” answered Mina, who was just passing along the hall with a
-tray full of wine-glasses.
-
-“Just bring me the papers, if master and mistress have read them, will
-you?”
-
-“Yes, miss.”
-
-She went back and threw herself on the sofa again. And she laughed at
-herself as she felt her heart beating with suspense. The idea! what
-could it matter to her, after all? There was Mina, coming up the
-stairs. She brought the Vaderland and the Dagblad.
-
-“If you please, miss.”
-
-“Thank you, Mina,” said Eline indifferently, and languidly she took the
-papers.
-
-But scarcely had the servant closed the door behind her when she opened
-the Vaderland, and with sparkling eyes began to look for the art and
-literature column. Then she read:
-
-
- “THE FRENCH OPERA.
-
- “After his performances in Hamlet and Le Tribut de Zamora, no one
- could doubt that Mr. Théo Fabrice would find favour in the eyes of
- the subscribers to the French Opera, and we cannot but wonder that
- there were even three votes recorded against the brilliant
- baritone. Again, in William Tell, Mr. Fabrice gave ample proof of
- his fitness to fulfil the post of baritone at the Grand Opera here,
- and we sincerely rejoice in his appointment. With a powerful and
- well-cultivated organ, the artist couples great histrionic ability.
- In the duo with Arnold (Act I.) and in the grand trio, in the scena
- with Jemmy, Fabrice gave striking evidence of a perfection rarely
- to be met with on our stage.”
-
-
-And Eline smiled and nodded approvingly. It was true enough—and she
-read the article to the end, rejoicing in his success; and then she
-turned to see what the Dagblad said about him.
-
-
-
-
-
-
-
-
-CHAPTER VII.
-
-
-The Ferelyns occupied the upper part of a small house over a grocer’s
-shop in the Hugo de Grootstraat. There they lived in a cramped,
-depressing atmosphere of economy; Frans had had but little left him by
-his parents, and he was therefore compelled with his wife to live on
-small salary while on furlough. They settled in the Hague, the city in
-which both of them had lived since their childhood, where they had
-first met one another, where they had expected still to find their
-former friends and their old associations, although Frans had expressed
-the opinion that they would do better to make their stay in a smaller
-town. But Jeanne’s father, Mr. van Tholen, was also living in the Hague
-on his pension, leading a solitary life, little visited by his friends,
-and gradually forsaken by his children, as they married or went into
-situations. It was therefor that Jeanne persuaded her husband,
-notwithstanding their slender purse, to stay in the Hague. She would be
-economical, she promised, and she kept her word, although by nature she
-was not much inclined that way.
-
-So they remained in the Hague, in spite of many disappointments. In the
-four years that they had not seen each other, Jeanne found her father
-much aged, more discontented and irritable than she had known him
-before. The days of yore were past and gone, thought she: her happy
-youth in the old, sunny home, with her mother and her brothers and
-sisters; her innocent pranks with school-mates; her girlish dreams
-under the lilac and jasmine in their garden; her engagement days, full
-of ideal fantasies, with Frans. The souvenirs which she had hoped to
-find in Holland were scattered far and wide like shrivelled leaves, and
-much as she had longed in the burning Indies for the damp and fog of
-her fatherland, she now, bowed down under her disappointments and under
-her forced economy, looked forward to a return to that matter-of-fact,
-easy-going life she had enjoyed in the Kadoe with her cow, her fowls,
-and her goat. And yet, plucky in spite of the thousand and one little
-troubles that beset her daily life, she struggled on. Doctor Reyer
-visited her Dora every other day; but she fancied she saw a nervous
-haste in the popular young physician which made him count every minute
-of his visit. He stayed a moment, laid his ear on Dora’s little chest,
-assured her that her cough was going, impressed upon Jeanne not to
-allow the child to leave the house, and left in his brougham, whilst he
-made a note in his pocket-book with his gold-cased pencil, and glanced
-through the list of his patients. Frans, with his severe headaches and
-his low fever, he had referred to a physician in Utrecht, to whom he
-had minutely described the patient’s case; and Frans had gone to
-Utrecht and returned, much dissatisfied at the vague way in which the
-physician had spoken to him. Whenever Doctor Reyer came to visit Dora,
-Frans went out, feeling annoyed with him and his Utrecht physician, who
-between them had been unable to cure him; and he buried his headaches
-and his continued cold shiverings in a gruff solitude within the four
-walls of his little private office on the first floor. Something like a
-twinge of conscience came over him when he heard Jeanne up-stairs
-talking to the doctor; and Dora, in her peevish little way, was crying
-in her efforts to escape the ordeal of examination; but he did not
-move; all doctors were quacks who could talk very wisely, but could not
-cure him when one was ill.
-
-
-
-Jeanne conducted the doctor down-stairs, talking the while, and Frans
-in his office heard Reyer ask after him, heard her say something and
-call the servant to show him out. Then, as the carriage rolled away,
-she came in.
-
-“Do I disturb you?” she asked, in her soft, subdued voice.
-
-“No, certainly not; why?”
-
-“Why did you not come up-stairs for a moment, Frans? Reyer asked after
-you.”
-
-He shrugged his shoulders.
-
-“What is the use?” he said with irritation. “They send you to their
-Leiden or Utrecht celebrities, who make you pay a tientje [1] for a two
-minutes’ talk.”
-
-“But what do you want, then? You can’t expect to be cured by magic of a
-complaint from which you have suffered for the last two years. I think
-you ought to do more for your health than you have done in the three
-months we have been here. You have come to Europe for that purpose,
-have you not?”
-
-“Certainly; but first I must find some one in whom I can place more
-confidence than Reyer. Reyer is a doctor à la mode, a recommendation of
-the van Raats, very polite and gentlemanly, but much too superficial
-and hasty for me. Why, he is gone ere you have seen him.”
-
-“But you don’t speak to him frankly. I ask him about Dora and force him
-to stay longer, and really, now that he knows us better, he seems to
-take greater interest in us. And everybody says he is clever; it is not
-only the van Raats who believe in him.”
-
-“Well, I shall see; there’s plenty of time yet. Sometimes you are just
-like a drop of water on a stone, continually drip, drip, drip. You are
-for ever hammering, hammering away at that doctor story,” he cried,
-impatient and dissatisfied with himself, and he opened his
-writing-case, as though to give her to understand that he had no more
-time.
-
-She went, and gently closed the door behind her. Up-stairs in the
-nursery she found their only servant, a young girl of sixteen, in a
-dirty apron and unkempt hair, making the beds; while Dora, with the two
-boys Wim and Fritsje, were playing in the next room.
-
-“I will close the door, then you can air the room, Mietje,” said
-Jeanne, and she closed the folding doors, and with a smile sat down
-beside the children, at a table near the window, covered all over with
-little socks, pinafores, frocks, all to be repaired. Oh! what tiresome,
-wasteful children they were, to be sure! She sighed, and her small thin
-hand fumbled about the things, and her eyes filled with tears. Why was
-she not stronger? how she would have enjoyed getting through all her
-household duties! Now she found it so hard to lift herself out of the
-listlessness into which she felt herself sinking, as into a yawning
-abyss; from the lifeless languor which seemed to encircle her as with
-velvet arms; and yet—there was so much to be done she durst not yield
-herself up to idle dreaming, nor rake up her old, wide-scattered
-recollections, like so many burnt-out cinders, and forget herself in
-her longing for the illusions of former days. Stern reality stared her
-in the face, in the shape of a great rent in Dora’s woollen frock, and
-in the washing that was waiting to be counted before being sent to the
-laundry.
-
-And yet even now, while her hand went fumbling about the little socks
-and vests, she let herself be drawn deeper and deeper into the soft
-down of her listlessness; she bestirred herself with no energy to set
-about her work, and she did not hear the shrill quarrelling voices of
-the children.
-
-She would so gladly have infused a flood of sunshine, a wealth of
-harmony into her humble home; but she was no fairy, and she felt
-herself so weak even now, and already no longer able to withstand
-life’s small troubles, so that she dared not hope for a much rosier
-future. Indeed, when she thought of the future at all, it was not
-without fear and trembling, as a vague terror shaped itself into an
-indefinable form before her mind’s eye, so dread and awful that she
-could find no words with which to depict it.
-
-Her head fell on her hand, and now and again a tear dropped on the
-linen in front of her. Oh! how sweet would be her slumbers, if but the
-caress of one who loved her might be hers, one in whose affection she
-would have felt herself safe from all danger! And she thought of her
-Frans, and how he had asked her to be his in their garden, under the
-blossoming lilac; and now she worried him, and had become like a drop
-of water on a stone—drip, drip, drip.
-
-Ah! she knew it; she had not made him happy; she was a great
-disappointment to him, but it was not her fault if he thought to find
-more in her than she possessed; a stupid, simple, weak little woman,
-with a great need of much, very much love and tenderness, and with
-something of sentimental poesy in her little soul.
-
-And sighing, she raised herself, and told the children not to make so
-much noise, papa was down-stairs and had a headache.
-
-Then she looked about on the table after her work-basket, but she had
-left it in the sitting-room, and so she ordered Dora, like a big girl,
-to look after her little brothers for a while. She usually spoke to the
-child as though she were a grown-up daughter, and Dora often helped
-her, very pleased that ma found her so useful. And Jeanne went
-down-stairs to the sitting-room, and began looking for the basket, when
-Frans came in.
-
-He had heard her coming down-stairs, and wanted to see her for a
-moment, as a feeling of self-reproach overmastered him. He approached
-her unawares, softly, on the tips of his slippered feet. He took her
-gently by the arms.
-
-She felt frightened for a moment, and when she looked up she saw in his
-eyes that very tenderness for which she longed, and with a little smile
-in which there almost lurked something like fear, he asked her—
-
-“Are you angry?”
-
-Her eyes suddenly grew moist, and she nestled her head on his shoulder,
-and laid her arm round his neck, and shook her head.
-
-“Really not?”
-
-Again she shook her head, laughing amid her falling tears, and she
-closed her weeping eyes and felt his moustache on her lips as he kissed
-her. How quickly he repented when he had been unkind, and what a luxury
-it was to forgive him!
-
-“Come, don’t cry then; it wasn’t so bad as all that.”
-
-She gave a sigh of relief and clung closer to him.
-
-“If only you are a little gentle and kind to me—oh, then I feel myself
-so—so strong, then I feel equal to anything.”
-
-“Darling little woman!”
-
-Again he kissed her, and under the warm love of his lips she forgot the
-icy cold of the fireless room, which caused her to shiver as she clung
-to his arms.
-
-
-
-
-
-
-
-
-CHAPTER VIII.
-
-
-It was the fifth of December, and from early morn a mysterious stir and
-excitement, a joyous whispering, an anxious stowing away from peering
-eyes, had prevailed all day at the van Erlevoorts.
-
-A little after seven in the evening the Verstraetens arrived; the two
-cousins, Jan and Karel, who had taken part in the tableaux, accompanied
-them; then came the van Raats and Eline, followed by old Madame van
-Raat and Paul; Henk, however, and Jan Verstraeten did not enter the
-drawing-room, but mysteriously disappeared in a little cupboard where
-Marie and Lili had already laid a parcel of costumes.
-
-In the large drawing-room Madame van Erlevoort received her guests, who
-met with a jubilant welcome from the little van Ryssels and from
-Hector, and neither Mathilde nor Miss Frantzen could succeed in their
-efforts to stop the ear-splitting noise.
-
-“Now, why did you not bring Ben with you?” Madame van Erlevoort asked
-Betsy, indignantly.
-
-“Really, madam, Ben is too young; he is only three, you must remember,
-and it will be so late to-night.”
-
-“He could have ridden home with our Martha. It’s a pity; I had
-something for him just to suit him,” said Madame van Erlevoort, in a
-tone of disappointment.
-
-In the opposite drawing-room, where the girls, with Otto, Paul, and
-Etienne, were talking and laughing, there was a stir, and the young van
-Ryssels looked up with nervous curiosity. Martha had just come in, and
-she had smilingly said something to Frédérique.
-
-“Now, children and all good folks,” cried Frédérique, with a dignified
-face, “silence! Santa Claus has arrived and wants to know if he may
-enter. Do you agree, mamma?”
-
-They all kept themselves as serious as possible, with many a furtive
-glance at the little van Ryssels.
-
-Meanwhile, Santa Claus made his appearance in his white gaberdine, and
-long red cloak bordered with gold lace. His hair and beard were long
-and white, and on his head he wore a golden mitre. With much dignity he
-made his entry into the room, leaning on his staff, and his black page
-behind him, dressed in a costume which those who had witnessed the
-recent tableaux at the Verstraetens’ would probably have recognized.
-The three women-servants and Willem followed them by way of rear-guard,
-and remained in the room looking on.
-
-The grown-up people all bowed, with a self-conscious smile, before my
-lord bishop.
-
-Santa Claus muttered a greeting, and all but stumbling over his
-immensely long gaberdine, he walked up to the sofa, where old Madame
-van Raat and Madame Verstraeten were seated, surrounded by Madame van
-Erlevoort, Mr. Verstraeten, Mathilde, Betsy, and Otto. No one troubled
-himself to rise from his seat, and Madame van Erlevoort welcomed the
-illustrious guest with a most familiar smile.
-
-“Why doesn’t grandma get up?” whispered Ernestine wondering, as she
-raised her delicate intelligent little face to Marie’s. “I thought she
-would have got up when such an old, strange gentleman came in.”
-
-“Mais, écoute donc, comme elle est fine!” Marie whispered to Eline, who
-stood next to her.
-
-But Eline did not hear; she stood laughing with Paul and Etienne at
-Santa Claus, whose gaberdine was certainly coming down, and already
-quite covered his feet, whilst a streak of fair hair became visible
-between his gray locks and his mitre.
-
-
-
-Now Santa Claus raised his deep, full voice, and as, with an energetic
-wrench, he pulled up his gaberdine into his girdle, he motioned the
-little van Ryssels to come to him. They did not feel quite sure of the
-business, but when Santa Claus took one of the bags from his little
-servant’s hands, and opening it began to scatter its contents about,
-the youngsters’ faces grew radiant with joy, they forgot their terror,
-and one and all they threw themselves, tumbling over Hector, on the
-floor, to scramble for what they could find—ginger-nuts, figs, nuts,
-oranges, chocolate.
-
-“Scramble away, scramble away,” Santa Claus cried encouragingly, “we’ve
-got a lot more; look here! Come, you big boys, don’t you want something
-too?”
-
-The cousins Verstraeten did not wait for a second invitation, and
-joined in the scramble.
-
-“Will you save them for me, grandma?” screamed Nico, and poured a
-torrent of sweet-stuff into his grandma’s lap; “then I’ll go and fetch
-some more!”
-
-“Nico, Nico!” remonstrated Mathilde.
-
-“Never mind,” said Madame van Erlevoort kindly.
-
-Santa Claus and the little page shook out their big sacks, which had
-been growing limper and limper by degrees, and turned them inside out,
-as a proof that they were quite empty.
-
-“Oh, now we are going to the dining-room!” cried Ernestine, and she
-jumped up and clapped her little hands with pleasure.
-
-“Oh yes; to our little tables!” Johan chimed in.
-
-Every one rose, and they followed the Saint and the children to the
-small drawing-room, and the girls giggled at Santa Claus’s falling wig,
-but the Saint called out to the servants and Willem—
-
-“Quick, throw open the doors; make haste!”
-
-The folding-doors were opened, and the children stormed into the
-well-lit room, where, instead of the dining-table, there now stood four
-small tables; on each of them lay a name in letters of chocolate, on
-each of them rose a tower of toys.
-
-The Verstraetens and the van Raats whispered to the servants, and their
-gifts to the youngsters were brought in also, one by one—hoops, whips,
-balls, tin soldiers, and a cow that gave milk.
-
-Meanwhile Santa Claus and his little slave took their departure, and as
-it was close upon half-past eight, Mathilde considered it time to stop
-the fun. But even with Miss Frantzen’s assistance she was not to
-achieve her object very quickly. The children got muddled in their
-attempts to collect their toys and dainties; from Ernestine’s pocket a
-shower of nuts fell on the floor; Johan’s tin soldiers could not be got
-into their box again, and Lientje with her hoop and Nico with a trumpet
-rushed along the room followed by Hector, without troubling themselves
-much more about the rest of their property, which was scattered all
-around.
-
-“Come, children,” cried Mathilde, “make haste now; ’tis getting
-bed-time.”
-
-But they heard nothing; the little van Ryssels, mad with joy, ran up
-and down, scattering about in wildest disorder the toys which the
-others had gathered together, and Frédérique joined in the fun, and
-took Nico on her back, whilst he made a horse of her, and struck her on
-the back with his whip.
-
-The little Verstraetens, too, ran after Tina and Johan, along the
-marble hall, making a furious stampede with their boots.
-
-Mathilde clasped her hands in despair. No one took any notice of her.
-Miss Frantzen was assisting the servant with the toys, and the young
-girls were laughing with Paul and Etienne. Fortunately she caught sight
-of Otto, who was speaking to Betsy and Madame Verstraeten, and she
-walked towards him and took his hand.
-
-“Oh, for goodness’ sake, Otto, do help me; the children must really go
-to bed, and they won’t even listen to me. Mamma is not a bit of help
-either.”
-
-Madame van Erlevoort, in fact, was at that moment in the other room,
-very busy filling Lientje’s toy tea-service with milk, water, and
-sugar, and old Madame van Raat and Mr. Verstraeten stood looking on
-with much amusement.
-
-“Oh, I see; Otto is to act the bogey man again,” he said
-good-humouredly.
-
-“No, no bogey man; but really I shall go crazy if you don’t come to my
-assistance. Did you ever see such uncontrollable creatures as those
-children of mine, Betsy? Are you coming, Otto?”
-
-Betsy laughed.
-
-“You had better just go and assert your authority as uncle, Mr. van
-Erlevoort,” said Madame Verstraeten.
-
-Otto accompanied Mathilde, first to Freddie.
-
-“Come, Freddie, Nico must go to bed. Come, Nico, quick; to-morrow you
-may ride again on auntie’s back. Down, Hector!”
-
-“You have nothing to do with my back, do you hear?” said Freddie; “do
-you hear, little grandpapa? Come, Niek, little grandpapa says we must
-leave off.”
-
-Nico obeyed, pouting, as he asked for his trumpet. Otto went into the
-hall, where he checked the two eldest in their mad race.
-
-“Come, Tine and Jo; mamma wants you to go to bed now. Don’t be
-disobedient now, or you will make mamma cross.”
-
-“What a lot we’ve got this year, uncle!” cried Ernestine, out of
-breath.
-
-Mathilde came into the hall, leading Nico and Lientje by the hand.
-
-“Just fancy, there was mamma, quietly playing at tea-parties with
-Tine,” she said, and her despairing face made Otto smile. “Really if it
-were midnight, mamma would——”
-
-“Ma, dear, mustn’t we say good-night first to everybody?” screamed
-Johan.
-
-“No, no!” cried Mathilde, quite terrified, and grasped the little hands
-close; “I shall wish all the people good-night for you. Thank you,
-Otto.”
-
-She gave him a friendly nod, and he nodded back with his genial smile
-and his frank eyes.
-
-And Mathilde took the children up-stairs.
-
-
-
-“Then you can bear all that noise and turmoil?” asked old Madame van
-Raat of Madame van Erlevoort, and she looked at her smilingly, but
-wondering, with her sad, lack-lustre eyes.
-
-There was a sudden calm after the exodus of the children. They left the
-dining-room, where the toys were still scattered about; the apartment
-was closed, and the guests went into the double drawing-room, where
-Madame van Erlevoort poured out tea.
-
-“Can I bear it, madam? I feel myself live again under it; it
-rejuvenates me. I need the life of youth about me. I never spent a
-drearier time than when my daughters and my son Théodore were married,
-and yet I still had three children left me. But I must see those little
-beings fluttering about me; there is nothing that keeps one in a
-brighter condition like their wild gaiety. May I pour you out another
-cup?”
-
-Madame van Raat handed her cup, and envied Madame van Erlevoort her
-youthful vivacity with her gray hairs. She compared her with herself,
-and her own melancholy solitude, the effect of which she felt doubly
-keen, after her former life of cloudless happiness, and her present
-existence stood out in cruel contrast to the joy-surrounded old age of
-that happy grandmamma.
-
-“And you don’t know how sorry I am that I see so little of Théodore’s
-six. The boy is in love with country life, and won’t hear of it when I
-attempt to persuade him to come and live in the Hague.”
-
-“Your daughter in England has only one child, has she not?” asked
-Madame Verstraeten and Madame van Stralenburg.
-
-Madame van Erlevoort bent down to Madame Verstraeten, and whispered
-something mysterious in her ear, whilst in reply to Mr. Verstraeten,
-who nodded to her smilingly, she archly winked her eye.
-
-Thereupon Madame van Erlevoort related how the little van Ryssels had
-placed their shoes aside the previous evening, when Henk and Jan
-Verstraeten came in, both smiling, and Henk with a very red face.
-Mathilde too came back, and many nice things were related about the
-children. All at once there was a furious ringing at the house-bell.
-
-All eyes turned to the door as it opened. Willem, Truitje, and Rika
-between them dragged a big box into the room, towards Madame van
-Erlevoort.
-
-“Oh!” exclaimed Frédérique; “that is the box from London!”
-
-Madame van Erlevoort informed Madame van Raat that every year at St.
-Nicholas, her son-in-law Howard sent her a big box containing something
-for everybody. Willem, armed with crowbar and pincers, and assisted by
-Etienne, removed the screws and nails. Every one was on the watch, and
-the shower of presents commenced.
-
-
-
-Eline made a little heap of her presents. Oh, how she was being spoilt,
-she declared, radiant with smiles. From Martha’s hand she took another
-packet; slowly she broke the string, cautiously looking about for a
-seal, or some stray letter or cipher, to give her a clue to the sender.
-But she found nothing of the kind, the address ran simply—“Mdlle. E.
-Vere.” It was a gray leather case; she opened it, wondering who could
-have sent it. Inside the case, resting on the gray velvet, lay a fan of
-beautifully-carved mother-of-pearl. She took it up, and slowly opened
-it; she looked at it in admiration.
-
-“Bucchi!” she softly said, as she read the name of the painter at the
-bottom; “Bucchi!”
-
-The fan was, in fact, painted by the Italian artist, a fantasy of roses
-and fairies on a groundwork of ivory satin.
-
-“From whom can this come?” she said. “How splendid!”
-
-Every one rose, every one crowded round Eline, who carefully held the
-fan open, and the costly gift attracted general admiration. Eline was
-astonished. From Madame van Raat she had had a scent set, that she
-knew; from Henk and Betsy——
-
-“Betsy dear, must I thank you for this?” she asked, rising.
-
-Betsy shook her head.
-
-“Parole d’honneur—not me, Eline.”
-
-Of course she had had a bracelet from Betsy and Henk; but who, then,
-sent this fan?
-
-“Would it be from—Vincent perhaps?” she asked.
-
-“From Vincent? No, no; what put that into your head now? What young man
-would make such a present? Let me look at it.”
-
-Eline handed her the fan.
-
-“’Tis really magnificent,” said Betsy.
-
-Eline shook her head, quite at a loss for a clue. Meanwhile the fan was
-passed from hand to hand, and Eline carefully scanned every one’s face,
-but she could gather not the least sign from any of them. But suddenly
-Frédérique raised her head, with a look of surprise on her face. She
-quickly recovered herself, and with apparent indifference approached
-Eline.
-
-“May I see the case one moment?” she asked.
-
-Eline handed her the case, and Frédérique eagerly scrutinized and felt
-the gray leather and the gray velvet.
-
-“Have you got the slightest idea who could have sent me that?” asked
-Eline, and she raised her arms in mock despair.
-
-Frédérique shrugged her shoulders, and laid the case down.
-
-“No—I really don’t know,” she said, somewhat coolly, and she looked
-with some curiosity into Eline’s hazel eyes.
-
-An indefinable antipathy seemed to her to radiate from out of those
-gazelle-like eyes, and to lie hidden in the mock despair at the unknown
-giver. She cast not another glance at the universally admired fan, and
-during the remainder of the evening she was quieter than ever she had
-been before.
-
-
-
-The torrent of presents had ceased. Madame van Erlevoort asked her
-guests to leave her two terribly disarranged drawing-rooms, full of
-paper, straw, bran, and rubbish, when Willem once more opened the doors
-of the dining-room, and the table, ready laid for supper, looked bright
-and inviting enough.
-
-It was a gay and lively supper-party. Mr. Verstraeten kept Madame van
-Erlevoort and Betsy, between whom he was seated, amused with his jokes,
-and Mathilde, next to Betsy, often joined in the laughter. Henk, seated
-between his mother and his aunt, wanted nothing; whilst Otto and Eline
-were busily engaged in conversation, and Etienne chattered noisily with
-Lili and Marie.
-
-“Freddie, how quiet you are, chère amie,” said Paul, as he took
-possession of a lobster salad, seeking in vain to set his little
-neighbour, generally animated enough, a-talking. “Didn’t receive enough
-presents to your liking, perhaps?”
-
-“Quiet? am I quiet? How can you say such a thing?” answered Freddie,
-and she began to chatter with an overpowering animation, which sounded
-like an echo of Etienne’s. But still there was something artificial
-about it; her laugh was not always a hearty one; and every now and then
-she stole a furtive glance at Eline, as she sat there, brilliant in her
-beauty, in lively chat with Otto. Yes, there was something very
-fascinating about her, something of a siren’s charm; her beautiful
-dreamy eyes half closed, as she laughed, while the soft line of her
-delicate lips faded away in two small dimples. And those beautiful
-hands, peeping out so white from amid the black lace and the dark red
-bows of her bodice, and that coquettish-looking diamond, one single
-brilliant stone, trembling like a drop of crystal in the black tulle
-round her throat. Yes, Frédérique thought her bewitching; but still,
-she could not help it, she thought her antipathetic; and almost with
-anxiety her eyes followed those of Otto, whose glance seemed riveted to
-the siren.
-
-Meanwhile, however, she continued laughing and talking with Paul, with
-Etienne, and Lili, and Marie, and old Madame van Raat declared across
-the table that the family’s arch-elf of fun was thoroughly sustaining
-her reputation.
-
-The champagne streamed into the glasses, and Mr. Verstraeten drank a
-toast to the ever-youthful hostess, with her beautiful white hair, and
-thanked her with a kiss for the jolly evening. Eline and Otto drank
-together to some toast of which Frédérique could not catch the words,
-and which she would gladly have given her best present to understand;
-but still she did not ask.
-
-“Etienne, what a noise you’re making!” she cried, with some impatience,
-to her brother, who, with all the strength of his lungs, sang something
-about—
-
-
- “Buvons jusqu’a à la lie!”
-
-
-while his glass nearly spilt its contents over Lili’s plate. But when
-she had said so much, she was sorry for it; why should not others enjoy
-themselves, if she could not?
-
-The supper was over, the carriages were waiting for the guests, who
-left one by one, laden with the presents each had received. Mathilde
-felt tired, and soon went up-stairs, whilst Madame van Erlevoort and
-Otto were packing the presents together.
-
-“What a state the rooms are in!” said Frédérique, as she kicked a
-cardboard box aside. Then she approached the table; ah, where was the
-fan? Eline had taken it away with her. Then she kissed her mother and
-Otto, playfully rumpled Etienne’s hair, and took her presents
-up-stairs.
-
-Slowly she undressed herself, so slowly that the chill air made her
-shiver. And as she, trembling with cold, crept under her blankets, she
-once more saw Eline before her, in all her bewitching grace, in her
-black lace, smiling at Otto. It all began to whirl before her eyes,
-like a confused kaleidoscope—Henk, in his dress as Santa Claus, with
-his falling gaberdine, and Jan Verstraeten as the little page, the box
-from London, the fan by Bucchi.
-
-
-
-
-
-
-
-
-CHAPTER IX.
-
-
-It was a few days after St. Nicholas’ Eve when Eline went out one
-afternoon, taking little Ben by the hand. The previous evening she had
-been, together with Madame Verstraeten, Marie, and Lili, to the opera,
-to see Il Trovatore, and that morning she had asked her old grumbler of
-a singing-master to accompany her in
-
-
- “La nuit calme et sereine.”
-
-
-He shook his head; he did not care for those bravura arias of the
-Italian school, about which Eline was often at variance with him; she
-thought Bellini, Donizetti, Verdi most graceful and melodious music, as
-though written for her ringing soprano. He on the other hand considered
-them childish with their rippling airy little tunes, and was never
-tired of dwelling upon the richer depth of Wagner. But she had him
-completely under her thumb, and he played whatever she wished him to.
-
-“Come, Ben, walk properly, there’s a good child!” said Eline to the
-sturdy little chap. “Come, keep up with auntie. Isn’t it nice to go
-into all the nice shops?”
-
-Last evening, when at the opera, during the cavatina of the Comte de
-Luna, Eline had an idea rising in her mind. In the window of a
-photographer’s she had noticed some portraits of Fabrice in various
-characters and dresses, and a sudden desire overtook her to possess
-one. So now she was on her way to buy one of the portraits. And she
-smiled to herself as though she enjoyed the secret pleasure of it, as
-she pictured him with his big heavy frame, his fine head of hair, and
-his black beard. How glorious to be an actor!
-
-From Fabrice her thoughts wandered back to her new fan, which she had
-used last evening. Betsy thought she had acted very foolishly in taking
-it with her before she knew the giver, but she had taken no notice of
-her sister’s objections; on the contrary, she thought there was
-something fascinating in that uncertainty which had a peculiar
-attraction for her romantic nature; indeed she had already formed quite
-a little romance for herself out of the little incident. Fabrice had
-noticed her in the Verstraetens’ box; he was quite captivated by her;
-in future it was only to her that he sang, and his heart was filled
-with disappointment whenever he did not see her at the opera. It was he
-who had sent her the fan with its modest superscription, “Mdlle. E.
-Vere”; he had seen her use the fan last night, and one time or other he
-would be sure to betray himself by a glance or a certain note in his
-song.
-
-She smiled at her own romancing, at the wildness of her fantasy. She
-remembered last summer at the picture academy to have seen several fans
-by Bucchi, and now she also recollected with what admiration she had
-gazed at them, and how she had expressed the desire to possess one. Who
-could have had the delicate attention to meet her in that desire? With
-whom had she been to that exhibition? With Emilie de Woude, with
-Georges perhaps—surely Georges could not have—or her dancing-master,
-who had proposed to her, but whom she had refused? Oh! it was too
-stupid; no, she would think no more about it—one day she would know.
-
-By way of the Parkstraat and the Oranjestraat she had reached the
-Noordeinde and was close to the picture-shop, when all at once the
-thought struck her—would not the shopkeeper think it absurd for a young
-girl to purchase such a portrait? No; she would never summon up
-courage. But already she stood before the window, behind which masses
-of engravings, photographs, groups of statuettes in marble and
-terra-cotta, and numbers of various objects of art were displayed in
-elegant confusion; actors and actresses, singers and painters, with
-their names attached: Estelle Desveaux, Moulinat, Théo Fabrice.
-
-“Come, Ben,” she said, and gently pushed the child inside. There were
-some ladies in the shop, selecting photographs, and they looked at her.
-She could not help it, but really she thought she blushed under her
-white tulle fall.
-
-“May I see some of your New Year’s cards, like those in your window?”
-she asked the shopkeeper. “Don’t touch those statuettes, Ben.”
-
-A number of cards were shown her. She looked at them attentively, took
-them up with the tips of her well-gloved fingers, and laid a few aside.
-Then she looked round her, noticed a heap of portraits, and with her
-languid indifference she took them up. Fabrice’s were among them.
-
-Which should she take? This melancholy-looking one in the black velvet
-costume and lace collar, representing Hamlet; that one as Tell? No,
-this one, as Ben-Saïd, the character in which she had first seen him.
-But she would also take that one of Moulinat, the tenor, and of Estelle
-Desveaux, the contralto; then it would not be remarked that she had
-come expressly for Fabrice. But then she might just as well take
-another of Fabrice, as Hamlet.
-
-“Will you let me have these cards, and these four portraits?”
-
-“Shall I send them to you?”
-
-“Oh no, I will take them. How much is it altogether?”
-
-She paid the money, took the envelope in which the shopman had enclosed
-them, and left the shop with Ben, under the firm impression that the
-ladies, who were still engaged with the photographs, looked at her as
-though they would read her inmost thoughts.
-
-
-
-A glow of pleasure came over Eline’s face when once she was outside. At
-last she had summoned up courage to do what she had long determined,
-and she spoke in a gentle motherly way to Ben. And when, on reaching
-the Hoogstraat, she saw Jeanne Ferelyn in her winter cloak, wide as a
-sack, and her modest little black hat, walking on the opposite side
-without noticing her, she took Ben’s hand, and quickly crossing the
-street between two carriages, greeted Jeanne with smiling cordiality.
-They walked on a few steps together, Jeanne telling her that Dora was
-getting on nicely, but that she had been obliged to engage a nursemaid,
-as she could not always leave the children to the care of Mietje, who
-was so slovenly and careless, and that it had somewhat crippled her
-finances. Eline forced herself to be attentive to the tale of her
-latest troubles; but soon Jeanne began to speak with more animation
-about Frans, her father, and Doctor Reyer, with whom she was getting on
-better now. Then as she saw how sympathetically Eline looked at her,
-and how gently she spoke to Ben, she raked up some of the recollections
-of her school-days, and they laughed about their childish pranks, and
-about the cherries she used to pick out of Eline’s cape. Jeanne was
-annoyed at herself for having formed such an unfavourable impression of
-Eline when she met her at the van Raats’ dinner-party; now she found
-her quite unaffected and amiable.
-
-“But don’t let me detain you any longer, Eline,” said she, stopping
-short; “I have to make a few trifling purchases, order some saucepans,
-and a milk-jug. Mietje has been breaking some things.”
-
-“Oh! I have nothing to do, I’ll walk with you so far, if you don’t
-think I’m de trop, and if Ben isn’t tired. Are you tired, little man?
-No, eh? Oh! he is such a good one at walking!”
-
-They walked on, and Jeanne ordered the saucepans, and Eline went into
-the china-shop and chose a milk-jug for her. At the same time her mind
-was still running on Fabrice, and at times she felt an irresistible
-longing to open the envelope and look at his portraits. She was so
-passionately fond of music, and Fabrice sang with such pathos, with so
-much more feeling than other actors. He was still young, she thought;
-he would yet be famous, and make his début in Paris. Jeanne never went
-to the opera, and probably had never yet seen him.
-
-Would she, Eline, meet him one day in the street, she wondered? And how
-would he look, in his everyday clothes? Yes; one morning she would
-pretend to have an early call to make somewhere, and she would pass by
-the opera-house. Perhaps there might be a rehearsal, and if so she
-would probably meet some of the artistes in the neighbourhood of the
-building. Absorbed in her own thoughts she did not always hear what
-Jeanne was saying; but she continued to look at her, as she walked by
-her side, with those sympathetic eyes and that winning smile, which
-were among Eline’s greatest charms.
-
-Meanwhile they had turned the corner, and on reaching the Hoogewal, she
-took leave of Jeanne.
-
-“Well, good-bye, I’ll come and look you up soon, Jany; remember me to
-Ferelyn, do you hear? Come, Ben, shake hands with the lady.”
-
-In her longing after affection, Jeanne felt something like a grateful
-glow of warmth at the sound of that name Jany; it seemed like an echo
-of former days, when as a girl every one called her Jany.
-
-And she hurried back to the Hugo de Grootstraat, full of high spirits,
-longing once more to be in her little home, with her husband and her
-little darlings of children.
-
-Eline smiled to herself as she passed through the Willemspark on her
-way home. The bare branches over her head glistened with hoar frost,
-and the frigid air was clear and seemingly full of vague echoes. She
-felt a strong impulse to give expression to her happiness in that free
-atmosphere, by an outburst of joyous song. Was she a little smitten
-then—with that——
-
-No, no, it was too absurd; it was only that he sang well!
-
-
-
-
-
-
-
-
-CHAPTER X.
-
-
-The flaming fire cast great, quivering shadows, like dancing, black
-spectres, on the walls and ceiling of the dark room. Now and then a
-momentary flash of brightness would hover about an antique silver ewer,
-or glint along a carved sideboard, which, like a vague dark mass,
-filled up an angle in the room, or play about a set of old china, or a
-pair of antique vases over the mantelpiece.
-
-Vincent Vere lay stretched on his sofa, and looked around with
-half-closed eyes, each time there was a flickering of light over the
-room. That strange prevailing gloom, penetrated by fitful gleams of
-ruddy light, made him pleasantly forgetful of his prosaic rooms, where
-a stray object of vertu of his own was in screaming contrast with the
-shabby gentility of the furniture. And he lay musing awhile in the
-Dantesque twilight.
-
-These last few days he had felt very worn and exhausted. A languor
-seemed to numb his limbs; it was as though it were warm water instead
-of blood that coursed through his veins; at times a mist seemed to hang
-before his eyes, so that he could neither act nor think. His eyelids
-drooped wan and limp over his lack-lustre, light blue eyes; his lower
-lip hung down heavily, and about his small mouth there was a very
-pained expression. He had often felt like that, but this time he
-ascribed it to the atmosphere of the Hague, which well-nigh suffocated
-him, and he longed for more space and more air, and could not
-understand why he should have gone to a city, which had always had so
-little attraction for him. Yes, he remembered—through the mist of his
-exhaustion—he had wished for a span of rest, after all his restless
-wanderings; but already, notwithstanding his fatigue, he felt a nervous
-stimulation to action, and an inward spur once more to throw himself
-into a vortex of change. Rest and monotony had a dulling effect upon
-him, and in spite of his weakness he felt continually excited to
-movement and action, and an insatiable longing for an ever-changing
-horizon. And yet he lacked the energy to devote himself with
-determination to any kind of labour, whilst his changeable nature
-constantly drove him onward in a restless search after some
-surroundings, some sphere or occupation in which he might feel at home,
-and which he ever failed to find.
-
-The two weeks which he had spent in the Hague seemed to him an age of
-ennui. The day after he had met Betsy and Eline at the opera, he had
-been to take coffee at the van Raats’, and had asked Henk to lend him
-500 florins; he was daily expecting some money from Brussels, he said,
-and he would repay him at the very first opportunity. Henk, though he
-knew him to be exceedingly forgetful in such matters, did not like to
-refuse, and handed him the amount, and so Vincent lived on, one day
-allowing the money to run as water through his fingers, the next with
-parsimonious economy hesitating to spend a dubbeltje, while the drafts
-from Brussels continued to stay away.
-
-About the future he troubled himself but little; he had ever led a
-hand-to-mouth existence; he had known days of luxury in Smyrna, and
-suffered privation in London and Paris; but in whatever circumstances
-he might have found himself, that feverish desire for change had
-spurred him on, in continual dissatisfaction with the present; and at
-that moment, while he was living on his 500 florins, he felt so
-unnerved that the very burden of his listlessness at times almost made
-him forget his weakness.
-
-Then he mused on, gazing into the darkness, now and again lit up by the
-ruddy flames, as they shot forth from the hearth and fell in spectral
-relief about the gloom-hidden furniture. He mused on, in coldest
-pessimism. Why should he be other than he was? He would again want
-money, and he would get it somehow; why not? There was neither good nor
-evil in the world; everything was as it should be, and the inevitable
-result of an unbroken chain of causes and reasons; everything that was
-had a right to be; no one could alter that which was, or was to be; no
-one had a free will; every one was only a different temperament, and no
-one could act in any way but in accordance with the demands and nature
-of that temperament, influenced by circumstances and surroundings; that
-and that alone was truth, yet mankind with its childish idealism,
-eternally prating about virtue, and provided with a handful of
-religious poesy, was ever seeking to hide it.
-
-“Great heavens! what a life it is!” he thought, and his fingers
-wandered about his light brown curls. “The life at least that I am
-leading now, for a year of it, would kill me, or drive me mad.
-To-morrow is like to-day, nothing but one blank monotony.”
-
-And he threw himself into an ocean of memories, as he thought of what
-he had lived through, and scenes in many climes and pictures of various
-cities rose before his mind.
-
-“And yet, what a struggling, what a toiling for nothing at all,” he
-muttered, and his eyes closed, whilst swiftly a veil appeared to
-descend over his memory, and light drops of perspiration formed on his
-brow. There was a singing in his ears, and suddenly, a vague space,
-terrible in its extent, unrolled before his closed eyes.
-
-But this state of weakness, bordering almost on a swoon, lasted only a
-few seconds; and a deep sigh escaped his bosom.
-
-
-
-There was a noise of rapid footsteps up the stairs, and a cheerful
-voice was heard exchanging a word of greeting with the lady in the
-fancy shop below. He was expecting a few acquaintances that evening.
-
-The door opened.
-
-“The deuce, how dark it is! It looks like hell here, with that terrific
-fire. Where are you hiding, Vere?” cried Paul van Raat, standing by the
-open door.
-
-Vincent rose and walked towards him, and grasped Paul by the shoulders.
-
-“Here, old chap, don’t be alarmed. Wait, I’ll light the lamp.”
-
-He sought some matches, lit a couple of old-fashioned lamps on the
-mantelpiece, and blinked his eyes, dazzled by the sudden light. The
-Dantesque halo that hung over the room was soon dispelled by the yellow
-petroleum light, but the bright burning fire still looked sociable,
-although the antique sideboard with the silver ewer and a few Oriental
-objects of art looked sorely out of place among the old-fashioned
-furniture in threadbare red Utrecht velvet, and the antique pieces of
-china seemed like so many misplaced aristocrats among the ugly, cheap
-engravings and common oleographs which lined the walls.
-
-It was the first time that Paul had entered Vincent’s abode, and he
-looked admiringly at the ewer and the china plates.
-
-“Yes, they are not bad; the ewer is cracked, but the workmanship is
-very fine, do you see? I called upon an old Jew dealer to-day; I want
-to get rid of the things. You see, they only take up the room. He was
-going to call to-morrow. Or perhaps you would like them? They are to be
-had.”
-
-“No; my room—or my studio, if you like—is too full already.”
-
-“Well, a few plates more or less——”
-
-“No; thank you.”
-
-“After all, I would rather sell them to the Jew. Perhaps I can manage
-to best him a bit, and, of course, I should not care to do that to
-you.”
-
-“Much obliged. And suppose he is too sharp for you?”
-
-“Well, then he must best me, that’s all. It’s always thus in the world,
-isn’t it? You have had tea, I suppose?”
-
-“Yes—no, thank you; never mind. But, tell me, how long are you going to
-stay in the Hague?”
-
-They sat down, and Vincent shrugged his shoulders. He really did not
-know; he had not yet received any information about the situation in
-the quinine factory in Java; but he heard they would give the
-preference to a chemist, which he was not. So he would most likely give
-up the idea; and, besides, he didn’t think the Indian climate would
-agree with him. In the meantime, staying in the Hague, to find
-something there, was out of the question. He was already getting tired
-of the Hague—it was so kleinstättig; every one knew every one else, at
-least by sight, and everywhere he met the same people, intensely
-tiresome! He had not yet made up his mind what to do, but he was
-expecting letters and remittances from Brussels. And he concluded by
-asking Paul if he could lend him a hundred gulden for a day or two.
-Paul thought he could manage it, but he could not yet say for certain.
-
-“You would really be doing me a service; shall I hear from you then
-to-morrow? or do you think me indiscreet?”
-
-“Oh no; not at all. Yes, all right, I shall see to-morrow.”
-
-“Well, thanks in advance. You know the two Erlevoorts and de Woude are
-coming this evening. I have asked them to come and drink a glass of
-wine,” said Vincent, in an altered tone.
-
-“Yes; I saw them this afternoon at the Witte,” answered Paul.
-
-Vincent leant back against the old red bench, and the lamp-light cast a
-yellowish reflection on his sallow features, and a care-worn expression
-formed about his mouth. Paul was struck by Vere’s remarkable
-resemblance to his uncle Vere, Eline’s father, as he lay back, and
-raised his arm behind his head, with a gesture such as he had
-frequently remarked in Eline.
-
-
-
-A little later, some time after nine, Georges de Woude van Bergh and
-Etienne van Erlevoort came, the latter apologizing for his brother, who
-had been prevented from coming.
-
-Otto felt no sympathy for Vincent, although he had never had any
-unpleasantness with him whatever; with his own practical, manly
-character never disturbed in its healthy equilibrium, with his hearty
-brusquerie, he could cherish no friendship towards a man who, in his
-opinion, gave himself completely over to a morbid, hyper-sensitiveness,
-without making the slightest effort to raise himself out of it. Otto
-was one of the few persons whom Vincent could not succeed in drawing
-towards him. Almost every one on coming into contact with him felt
-conscious of something that repelled even while it attracted; something
-like a sweet, alluring poison, like the overpowering fumes of opium.
-His continued travelling had given Vincent a good deal of knowledge of
-human nature, or rather of tact in dealing with all sorts of people,
-and he could, when he chose, assume any character to suit the
-circumstances, with the same ease as a serpent writhes itself into
-various coils, or as an actor interprets various rôles. But Otto, with
-an involuntary pride in his own healthy strength, which ever went
-straight at its object, despised Vincent, because of the poisonous
-fascination which he had the power to shed about him, and the seduction
-of which others were unable to resist.
-
-Ere long a bluish smoke filled the room, Vincent having offered cigars
-round, although he himself did not smoke. He took a couple of bottles
-of St. Emilion from a cupboard, uncorked them, and placed four glasses
-on the table. Etienne, with his usual spirits, sat relating story after
-story, with an amount of mimicry and gesture, and a strong flavouring
-of youthful patois, that gave him somewhat the air of a singer at a
-café chantant. Paul and Georges laughed. But Vincent shrugged his
-shoulders, with a blasé smile, and as he filled the glasses muttered
-contemptuously, in his light voice—
-
-“What a baby you are, Eetje, Eetje!”
-
-Etienne, however, took no notice of the remark, and continued his
-stories, growing more and more spicy as he went on, whilst the others
-listened and enjoyed the bouquet of their wine. But Vincent could not
-resist the temptation to chaff him.
-
-“What a naughty boy that young Erlevoort is to talk about such things,
-eh? What a sad dog!” he said, and the mocking laugh about his mouth was
-too encouraging that Etienne should desist.
-
-Vincent once more filled the glasses, and Georges praised the wine. He
-had never very much to say when amongst young men; he generally gave
-himself up to quiet enjoyment. It was only for the society of ladies
-that he reserved all the sparkle of his brilliant wit. Vincent asked
-him one or two questions about his work at the ministry for foreign
-affairs.
-
-“I suppose you will be attached to some legation or other one day?” he
-said.
-
-“Very likely,” answered Georges.
-
-“Well, at all events, it is a situation which gives you the chance of
-seeing something of the world. But how any one can pass his whole life
-in an office, I can’t conceive. It would kill me. There’s Erlevoort,
-now—I mean your brother, Eetje.”
-
-“You let Otto alone,” said Paul. “He has a great career before him, you
-shall see.”
-
-“Yes, you know, Otto is cut out for a cabinet minister or a
-governor-general—at least, so his mother always says. ’Tis I alone who
-am the outcast of the family,” cried Etienne.
-
-“Yes; the spoilt child, eh?” laughed Vincent “How far are you now in
-your studies?”
-
-“Oh, I’m going on all right. I am not at college, you know, I am
-studying in the Hague.”
-
-“Do you think it so enjoyable in the Hague, then, in July?” asked
-Vincent, in a tone of contempt.
-
-“Yes; it’s not so bad.”
-
-“How, in Heaven’s name, is it possible? You fellows are very easily
-satisfied then, I must say, or rather you haven’t any idea of what the
-world is like. The Hague makes me sleepy and dull, there’s something
-drowsy in the atmosphere.”
-
-“That’s your own doing, I dare say,” laughed Paul.
-
-“Possibly; and maybe ’tis my fault too that I think the life you
-fellows lead here too soul-killing. Now what is it you are doing here,
-I should like to know? You are continually running about in one little
-circle, like a horse in a roundabout at the Kermis. Should you be in a
-situation, you have always exactly the same little jobs to do, and when
-you have done, the same little amusements await you in the evening.
-Great Scott! how insipid!”
-
-“But what is it you would have us do then?” asked Georges.
-
-“As far as I am concerned you can go on vegetating here, if you like;
-but I can’t understand you fellows not even wanting to see something of
-the world.”
-
-“Well, now there’s yourself; you have seen the world, as you call it,
-haven’t you? and what have you gained by it? you are a
-Jack-of-all-trades, and a master of none; and up to now you haven’t
-achieved any very brilliant results!” cried Paul, a little out of
-humour at the contemptuous way in which Vincent had referred to him.
-
-Behind his eye-glass an angry gleam shot forth from Vincent’s dull blue
-eyes, whilst his thin lips closed.
-
-“And you are forgetting your duties as a host, with your
-philosophizing,” cried Etienne, pointing to his empty glass.
-
-“I suppose the fact is that I am of a more excitable temperament than
-you fellows,” said Vincent, in a languid voice. He again filled up the
-glasses, and sank down wearily beside Georges, and his eyes wandered
-listlessly about the room.
-
-
-
-It was growing very warm, and the tobacco smoke hung in thick clouds
-about the ceiling. Vincent opened the door. Etienne, who could not take
-much wine, had become very excited, there were red circles about his
-eyes, and he had broken his glass. Georges and Paul continued to enjoy
-his jokes. Vincent, however, listened to him with a faint smile.
-
-And in his mind there arose a strange wondering, a wondering that a man
-always retained his own individuality, without the power of
-transforming himself into the personality of any one else. Often,
-without the slightest cause, he would find himself lost in wonder at
-this idea, in the midst of the most cheerful company, and he would be
-filled with an indescribable feeling of ennui at the thought of his
-inevitable fate ever to remain what he was—Vincent Vere; that he never
-could be transformed into some entirely different being, which would
-breathe under entirely different circumstances and in an entirely
-different sphere. He would have liked to have lived through various
-phases of life, to have existed in different ages, and to have sought
-his happiness in constantly changing metamorphoses. And this desire
-appeared to him at the same time very childish, because of its
-ridiculous impossibility, and very noble because of the grandiose
-unattainability which it involved; and he believed that no one but him
-cherished such a desire, and thought himself very much exalted above
-others. In his musings it seemed to him as though the three others were
-very far removed from him, as though they were separated from him by
-the smoky haze. A feeling of lightness suddenly passed through his
-brain; it was as if he saw every object in brighter colouring, as if
-their laughter and chat sounded louder and more metallic in his ear, as
-if the flavour of the tobacco, mingled with the aroma of the wine,
-assumed a more pungent odour, whilst the veins in his temples and pulse
-throbbed as if they would burst.
-
-This excitement of his nerves continued for a few seconds, then he saw
-his guests laughingly looking at him, and although he had not
-understood a word of what they said, he also laughed lightly, that they
-might think that he shared their amusement.
-
-“I say, Vere, ’tis getting confoundedly close here, my eyes ache with
-the smoke,” said Georges; “couldn’t we open a window?”
-
-Vincent nodded his head and closed the door, whilst Paul, who sat by
-the window, opened it. A rush of cool air quickly entered. Outside it
-was very quiet; now and again voices might be heard to the
-accompaniment of measured footsteps, or a shrill street tune re-echoed
-through the stillness.
-
-The chill air brought Vincent quite to himself again, and his strange
-desires vanished, now that his nerves grew calmer. Now, on the
-contrary, he envied the three that same physical and moral Nirvana
-which he had looked upon with such contempt a short while since; Paul
-he envied his vigorous health, just a trifle enervated by a somewhat
-languid æstheticism; Georges his calm equanimity and contented mind;
-Etienne his joyous youthfulness. Why indeed was he not like them,
-healthy, contented, and youthful? why did he not enjoy life as it was?
-why was he continually seeking after a something which he could not
-even define himself?
-
-It was close upon one when the three young men rose, and Paul declared
-that they would have to take Etienne home, as his early excitement had
-given way to a mood of melancholy, and he was continually talking about
-suicide.
-
-“I say, Eetje, have you got your key?” he asked.
-
-“Key?” asked Etienne with dull staring eyes, and husky voice. “Key?” he
-repeated, reflecting. “Yes, in my pocket, yes—a key—in my
-pocket—here——”
-
-“Come, let us go then,” said Georges.
-
-Etienne approached Vincent and took him by the shoulders, while the
-others listened in amusement.
-
-“Good-bye, Vere, thanks for your hospi—hospitality. I always had a
-liking for you, Vere; you’re a trump of a fellow, do you hear, Vere? I
-feel much, very much sympathy for you, do you hear? Only this afternoon
-at the Witte I was saying—Paul was there—and heard me—I said, Vere,
-that your heart was in the right place. They misjudge you, Vere, but——”
-
-“Come, allons!” cried Paul and Georges, with impatience, taking hold of
-his arm; “cut it short.”
-
-“No, no; let me have my say—they misjudge you, Vere; but don’t you take
-any notice of it, old boy; ’tis just the same with me, they misjudge me
-too. ’Tis sad, very sad, but so it is; good-bye, Vere; good-night,
-Vere; sleep well.”
-
-Vincent saw him to the door with a lighted candle, and Etienne walked
-to the steps, supported between Georges and Paul.
-
-“Vere, be careful now. Don’t catch cold standing at the door, and don’t
-you take any notice; they misjudge you, but I will take your part——”
-
-Vincent nodded smilingly at Georges and Paul, and closed the door.
-
-“Deuced pleasant chap, that Vere!” stammered Etienne.
-
-
-
-
-
-
-
-
-CHAPTER XI.
-
-
-After four o’clock the Verstraetens were generally at home, and to-day
-about that time the house happened to be stormed with visitors. Betsy
-and Eline had just looked in, and met the Eekhofs, and the Hydrechts,
-Emilie de Woude, and Frédérique; later on came Madame van der Stoor and
-little Cateau.
-
-Eline, with her hand on Cateau’s shoulder, bent over the photograph at
-which the latter was looking.
-
-She felt conscious of a strong impression on Cateau by her grace and
-geniality, and as, in her need for affection, she was always glad to
-create sympathy, she nurtured Cateau’s love as a precious flower. But
-that longing for affection was not unmingled with a touch of proud
-triumph towards Frédérique, in whom, ever since St. Nicholas’ Eve, she
-suspected, she knew not why, a secret aversion towards herself.
-
-While Cateau was speaking to her, in her pleasant little voice, Eline
-just glanced round at Frédérique in order to see if she noticed the
-sympathetic admiration of her little friend. But Frédérique was too
-much engaged joking with the young Eekhofs.
-
-“You often sing with Mr. van Raat; has he a nice voice?” asked Cateau.
-
-“A little weak, but very pretty.”
-
-“Oh! I should so much like to hear you together.”
-
-“Well, I dare say you will some day.”
-
-“You have such a splendid voice; oh! I think it so delightful to hear
-you sing.”
-
-Eline gave a little laugh, flattered by Cateau’s ecstasy.
-
-“Really? But, Toos, don’t go on calling me Miss Vere, ’tis so formal;
-call me Eline in future, will you?”
-
-Cateau blushed with pleasure, and stroked the fur of Eline’s muff. She
-gave herself completely over to the charm of that melodious voice, to
-the fascinating influence of that soft, gazelle-like glance.
-
-Eline felt more than usually in need of much affection and tenderness.
-In her innermost heart, her admiration for Fabrice had blazed forth in
-a passion that filled her whole being, and to which she felt
-constrained to give vent, without betraying herself. The wealth of love
-which she felt was in her, and which she durst not proclaim, she
-attempted to share amongst those who were worthy of it, like a costly
-bouquet of which she threw a flower to those around her. Those chosen
-ones she beamed upon with her captivating glance, and was enraptured
-when she saw that others felt themselves drawn towards her; but on the
-other hand it gave her pain when she was met with coldness in return.
-Thus it was with Frédérique’s inexplicable surliness; and although at
-first with a certain haughtiness she would take no notice of it, she
-now did her best to win her affection, and on meeting her she had
-addressed her with all the charm of her manner. But Frédérique’s
-answers were given in a curt, careless tone, and with averted head; she
-suspected that Eline had remarked her coolness, but she was of too
-frank a nature to be able to hide her feelings: she had no tact to
-feign what she did not feel.
-
-The conversation turned on portraits, and Madame Verstraeten passed by
-Eline and Cateau to take from a table an album which she wanted to show
-Madame van der Stoor and Madame Eekhof.
-
-Musingly, and half listening to Toos, Eline thought of Fabrice, and saw
-the album in Madame Verstraeten’s hands. And suddenly an idea rose to
-her mind, like a twig of her vivid fantasy, with which her passion was
-overgrown. Yes; she would procure an album for herself, with various
-portraits of him; it would be as a little shrine of her love, in which
-she could worship the image of her god, unbeknown to any one but
-herself. A secret joy stole over her features at that resolve, and at
-the thought that she had so much to conceal from the eyes of others she
-began to consider herself very important in her own eyes, and to feel
-herself more and more absorbed by the treasures of her passion. She was
-happy, and her happiness was mingled with an arch playfulness and
-secret exultation at the thought that she concealed within herself
-something that her circle of friends would naturally have considered
-very foolish and very reprehensible, had they known of it. A girl like
-her, to be in love with an actor! What would Madame Verstraeten and
-Betsy and Emilie and Cateau and Frédérique, Henk and Paul and Vincent,
-what would they all think and say could they suspect that?
-
-And with a half-mocking glance she looked round at her relatives and
-friends; she thought herself plucky, secretly to defy the
-conventionalities to such an extent as to dare to be smitten with
-Fabrice! A jocular remark of Emilie’s made her laugh more immoderately
-than it called for; at the same time she laughed at all who were there,
-in haughty arrogance at her illicit passion.
-
-“And Mr. van Raat—Mr. Paul, I mean—will be a lawyer, I suppose?” asked
-Cateau.
-
-What a lot that child had to say about Paul! thought Eline. There was
-no end of Paul—Paul’s nice voice, and Paul a lawyer——
-
-“I think you rather like Paul, don’t you?” asked Eline.
-
-“Oh, yes; I like him very much,” said Cateau, without hesitation. “Only
-sometimes, you know, he gets so angry. Fancy, the other day—when we had
-the tableaux——”
-
-And Eline had to listen to the story of Paul’s anger when they had the
-tableaux, and of Paul’s cleverness in the grouping.
-
-“She’s not afraid to speak her mind, at all events,” thought Eline;
-“but then, she need not be exactly smitten, although she talks a great
-deal about him; if she were she would probably do as I do, and—say
-nothing.”
-
-It was nearly half-past five; the guests were leaving.
-
-“Then I shall hear you sing together one day?” insisted Cateau.
-
-“Come round one Thursday afternoon; we always practise then.”
-
-“Oh! then I am in school.”
-
-“Well, one evening then, nous verrons.”
-
-“Yes, with pleasure—Eline.”
-
-She pronounced that name for the first time since Eline’s request, and
-she let it fall from her lips, much flattered at the familiarity. Then
-she took leave, urged thereto by her mother.
-
-Eline stood still for a moment, by accident, beside Frédérique. She had
-already said good-bye, and was waiting for Betsy, who en passant was
-talking to Mr. Verstraeten, and she was on the point of saying
-something to Freddie. But she waited, until Freddie spoke first—and
-both remained silent.
-
-On her way home, Cateau in ecstasy poured all kinds of nice things
-about Eline and Paul into Madame van der Stoor’s ears.
-
-
-
-New Year’s Day had come and gone. On New Year’s Eve Betsy invited the
-Verstraetens and Erlevoorts, as well as Madame Van Raat and Paul, to an
-oyster supper, and a happy evening was spent in the warm comfort of her
-drawing-room. Now the winter days followed each other in unbroken
-monotony, whilst the evenings glided on for Betsy and Eline in one long
-string of dinner-parties and soirées. The van Raats had a large circle
-of acquaintances, and Betsy was famous for her choice little dinners,
-never with more than twelve persons at the utmost, and always served
-with the most unstinted and refined luxury. They lived in a coterie,
-the various members of which saw one another often and intimately, and
-they were very pleased with the circle in which they moved.
-
-Eline, meanwhile, in the midst of that light glamour of worldliness
-continued to feed the flame of her secret love in silent happiness, and
-thought it all very romantic. One morning she had been shopping, and as
-she was returning along the Princessegracht, she saw Fabrice slowly
-coming from the Bosch, close by the Bridge. She felt her heart beating,
-and scarcely dared look up. Still, at last, with apparent indifference
-she just ventured to glance at him. He wore a short frieze overcoat; a
-woollen muffler was thrown carelessly about his throat, and he walked,
-his hands in his pockets, with a somewhat surly expression on his dark
-face, shaded by the broad brim of his soft felt hat. He gave her the
-impression of haughty reserve, and this made her idealize. No doubt he
-was of a good family, for she thought there was something very
-distingué in his powerful frame; his parents had been against his
-devoting himself to his art, but he had felt a calling within him that
-was irresistible; he had received his musical training at a
-conservatoire, and he had made his début. And now a bitter
-disappointment filled his soul; he discovered that the surroundings of
-actors in which he had to move was too rude and uncultured for him; he
-felt himself different from them, and he withdrew himself within the
-coldness of his pride. He thought of his youth, of his childhood, and
-again he saw his mother before him, entreating him with clasped hands
-to bid farewell to his determination and think no more of the stage.
-
-From that day Eline was seized with the caprice, as Betsy called it, to
-take long walks in the morning. She thought the Bosch so beautiful in
-winter, she said; it was grand to see those lofty upright stems, like
-pillars of marble, after the snow; it was like a cathedral. Henk
-accompanied her once or twice with Leo and Faust, the two boarhounds,
-but he preferred his usual morning ride, and she went alone, after she
-had fetched the two dogs out of the stable. They sprang up at her with
-their big paws, and like two rough pages waited near her protectingly
-in their wild playfulness.
-
-It was good for her health, she declared, when people spoke to her
-wonderingly about those walks; she walked much too little, and feared
-she would be growing as stout as Betsy, if she always rode. Doctor
-Reyer thought those morning promenades an excellent idea.
-
-In the Bosch she met occasional promenaders, mostly the same people—an
-old gentleman in a fur cloak, who was always coughing. But Fabrice she
-met but rarely. He was at rehearsal probably, she thought, whenever she
-did not see the baritone, and then she would return home in a
-disappointment that made her feel very fatigued, longing for her
-boudoir, her cosy fire, her piano. But still she continued her walks,
-and made the discovery that Fabrice took his constitutionals regularly
-on Fridays; other days seemed to be very uncertain. She might and she
-might not see him. And in order to meet him she did not mind rising
-early, sometimes still quite exhausted after a soirée that had not been
-over till three o’clock; or tired out with dancing, and sleepy, with
-blue circles under her weary eyes. ’Twas true she saw Fabrice very
-often now at the opera, from a box, or the stalls, when she went with
-the Verstraetens, or with Emilie de Woude and Georges; once she had
-invited the Ferelyns. But yet, now she saw him quite differently, not
-separated from her by the footlights and the ideal conditions of the
-stage; now she saw him right before her, not three paces removed from
-her, like an ordinary person.
-
-On the days that she met Fabrice, the roomy vault of the besnowed trees
-seemed too small to contain her happiness. She saw him approach with
-his manly, elastic step, the hat slightly on one side, the muffler
-fluttering from his shoulder, and he passed by, just glancing at her or
-the dogs, who sniffed at him, with careless eyes. When, after that, she
-turned back and returned home along the Maliebaan, she was filled with
-a joy that made her bosom heave, that brought a flush to her cold
-cheeks, and made her forgetful of all fatigue; and on arriving home she
-would give vent to that wealth of happiness with a jubilant outburst of
-song. The whole day she remained in a bright, happy humour, and a
-charming vivacity took the place of her usual languid grace. Her eyes
-sparkled, she joked and laughed continually, felt irritated at Henk’s
-lazy good-nature and Ben’s sleepy quietness, and teased both father and
-son, making the hall re-echo with her ringing laughter, and the stairs
-creak under her, as she almost bounded down them.
-
-One Friday morning, when she saw Fabrice approaching her, she formed a
-resolution. She thought it very childish of her that she never had the
-courage to look him straight in the face. He was an actor, after all,
-and no doubt he was used to being looked at by ladies who met him in
-the street. He came nearer, and with something haughtily audacious, and
-almost defiantly, she threw her little head backwards, and looked him
-straight in the face. He returned that glance, as usual, with one of
-complete indifference, and walked on. Then, in an excess of courage,
-she looked back. Would he? No, he walked on, with his hands in his
-pockets, and she only saw his broad back gradually disappearing.
-
-That morning she hurried home, humming to herself between her closed
-lips, about which there hovered an expression of roguish playfulness.
-She had no thought for anything or any one but him, Fabrice, and she
-rang the bell at the Nassauplein. Grete answered the door; Leo and
-Faust rushed inside. Oh, how she burst out laughing! she had forgotten
-to take the dogs back to the stables. Loudly resounded their barking
-through the hall, like a duo of basses.
-
-Out rushed Betsy from the dining-room, bursting with rage.
-
-“Heavens above, Eline, are you mad, bringing those wretched dogs in
-here? You know I can’t bear them. I can’t understand what makes you do
-such a thing, if I don’t like it! Or am I no longer mistress in my own
-house? Take them away, please, and at once.”
-
-Her voice sounded hard and rough, as one who is giving orders to an
-inferior.
-
-“They are thirsty, and I want to let them drink,” said Eline, with calm
-hauteur.
-
-“And I will not have them drink here, I tell you! Look at that hall,
-look at the carpet, dirty marks everywhere!”
-
-“Grete can clean all that in a minute.”
-
-“That isn’t your business! You lead the life of a princess here, and do
-nothing but what displeases me. I tell you, take those dirty dogs
-away!”
-
-“First they must drink.”
-
-“Great heavens, I will not have them drink here,” cried Betsy, beside
-herself with passion.
-
-“They shall drink, in the garden,” answered Eline, quietly.
-
-“I should like to see that!” shrieked her sister. “If I——”
-
-“Leo, Faust,” cried Eline, still with an irritating composure, as she
-motioned the dogs towards her.
-
-Betsy fumed with rage; her lips quivered, her hands shook, her breath
-seemed to choke her. She could not say another word, she felt she could
-have struck Eline; but Eline, followed by the leaping dogs, slowly went
-her way through the passage into the garden, and filled a pail full of
-water at the tap. She thought it an exquisite delight to enrage Betsy
-that day. The dogs drank their fill, and she led them back into the
-hall.
-
-Betsy still stood there, and her angry eyes flamed with rage at her own
-impotency. She would have liked to run after Eline and snatch the pail
-out of her hands, but her nerves were too excited.
-
-“I tell you, Eline, in the name of all that’s holy, that I shall tell
-Henk,” she began, with a trembling voice, and a face flushed as red as
-fire.
-
-“Oh, rave as much as you like!” cried Eline, in a suddenly rising
-passion, and went out of the house with the dogs, banging the door
-after her.
-
-In about a quarter of an hour she returned, singing, still full of
-happiness at meeting Fabrice. She went up-stairs, and burst out in a
-brilliant shake, as if to tease Betsy, who, nearly crying, was sitting
-in the dining-room.
-
-When Henk came home, Betsy told him the tale of Eline’s impudence in
-their own house; but Henk grew impatient, would not come to any
-decision, and she reproached her husband with his timidity, and a
-violent scene followed.
-
-For a whole week the sisters did not speak, to the despair of Henk, who
-found all his domestic comfort spoilt by their sulking, especially at
-table, where the meals were hurried through, although Eline kept up an
-incessant chatter with himself and Ben.
-
-
-
-
-
-
-
-
-CHAPTER XII.
-
-
-It had struck Frédérique that last New Year’s Eve, at the van Raats’,
-Otto had chatted and laughed a good deal with Eline; not remarkably so,
-but more than was his wont generally with girls. For some days after
-that a question constantly rose to her lips which she wanted to ask her
-brother, but no opportunity seemed to arrive for her to put it. At
-times she was quite brusque towards Etienne, when he wanted to have a
-joke with her, and Lili, Marie, and Paul had come to the conclusion
-that she had lost something of her good temper; and she played but
-little with the children too.
-
-It was one of their evenings at home; only Etienne had gone out with
-some young friends who had come to fetch him. The children were in bed,
-and Madame van Erlevoort sat with Mathilde in the small drawing-room,
-the old lady with a book, Mathilde with some needlework. Frédérique
-entered, smiled at her mother, and lovingly smoothed the gray hair on
-her temples.
-
-“Freddie, will you just ring for Willem?” asked Mathilde. “Otto would
-like a cup of tea in his room; he is busy writing.”
-
-“Oh, just pour him out a cup, I’ll take it him myself.”
-
-Mathilde poured out a cup, and Frédérique took it up-stairs. On the
-stairs she wondered whether she would have the courage; perhaps Otto
-would say something himself; but if he did not, she would venture.
-
-She entered Otto’s room. He was walking up and down dreamily, with his
-hands on his back, quite contrary to his usual habits.
-
-“Hallo! there’s a nice little sis,” said he laughing, and took the cup
-from her hand. “It will taste tenfold as nice from such pretty little
-fingers.”
-
-“But, Otto,” cried Frédérique, “how can you be so silly? I had expected
-a more original kind of compliment, not such a stale platitude as
-that.”
-
-She continued to look at him smilingly, but did not catch his reply, as
-she was considering to herself how to put her question. Perhaps he
-would not like it. Still she wanted to have her say, and she tried to
-find something by way of introduction, some pretext or another, to
-achieve her object; but in the frankness of her nature she could find
-nothing, and so she simply commenced—
-
-“Otto, I—I have something to say to you, something to confess.”
-
-“A sin?”
-
-“A sin, no; hardly that I think—an—indiscretion I unwittingly committed
-towards you. But you must forgive me beforehand.”
-
-“What! simply on your good faith?”
-
-“I tell you the indiscretion was committed involuntarily, and—I haven’t
-even been as indiscreet as I should have liked to have been. I am
-therefore entitled to some recompense; but I only ask you beforehand,
-whether I may depend upon your pardon?”
-
-“All right; I shall be merciful; say on then.”
-
-“You will really not be angry?”
-
-“No, no. What is it?”
-
-“Quite by accident—I discovered—you see—I know who, last St. Nicholas’
-Eve——”
-
-He turned a little pale, whilst he stared at her, full of eager
-expectation. It did not escape her with how much concentrated attention
-he was listening.
-
-“Gave—that fan—to Eline—that fan by Bucchi.”
-
-She remained standing right in front of him, something like a naughty
-child, quite confused at her confession. He continued looking at her, a
-little frightened, with big, staring eyes.
-
-“Do you know?” he commenced, stammering.
-
-“Now don’t be angry,” she resumed. “I really could not help it. I came
-into your room one morning, I wanted a piece of sealing-wax, and—you
-have never forbidden me to come into your room, have you?—I knocked,
-but you had gone out; and when I entered and began to look for the
-sealing-wax, I saw in that pigeon-hole the leather case, which I
-recognized at once in the evening. I thought at first it was something
-for me, and wanted—wanted to open it; you know how inquisitive I am;
-but I did not do so, and I was very sorry that I discovered your
-present. Tell me, now, are you angry? I couldn’t really help it, could
-I now?”
-
-“Angry, my dear old girl! ’Tis nothing to be angry about at all,” he
-answered, with forced lightness. “A surprise gift cannot last for ever;
-and besides—you haven’t told Eline, of course, have you?”
-
-“Oh no; of course not.”
-
-“Well, what of it then? There’s no harm done,” he said carelessly. “Or
-are you sorry that the fan was not intended for yourself?”
-
-She gave a contemptuous shrug. “I am surprised that you should think me
-so childish. Only——”
-
-“Well, what?”
-
-She gave him a searching glance with those clear, true eyes, and he
-felt a little abashed under that penetrating scrutiny.
-
-“Only—a young man—does not usually—make such presents—to a girl, if he
-is not very fond of her.”
-
-“Oh, I like Eline very much; why should I not give her something for
-St. Nicholas?”
-
-“No, Otto, you are not frank with me,” she said impatiently, and drew
-him with her on the sofa. “Come, sit down, and just listen to me. A
-sensible fellow like yourself doesn’t give a fan, of I don’t know how
-much value, to a girl, if—if he is not in love with her. That you need
-not try to make me believe; you never gave Eline anything before,
-neither did you give Lili or Marie anything this time. So, you see, I
-am not so blind; I can see well enough that there’s more in it,” she
-continued, and laid her hands on his shoulders. But all at once she
-stopped. “Oh, perhaps you think—perhaps you don’t want me to speak to
-you about it,” she stammered, almost frightened.
-
-“Freddie, on the contrary,” he said softly, and drew her closer towards
-him, “I am very glad to speak to you about—about Eline. Why not? But
-suppose, now, that I really cared much, very much for Eline, would you
-think it so unwise in me?” he asked smilingly.
-
-“Oh, Eline is no girl for you!” she suddenly burst out in passionate
-fervour. “No, Otto, no; Eline is not the kind of girl for you. She is
-very pretty, I know, and there is something about her—something very
-attractive—but to me she is—antipathetic, I assure you. Believe me, you
-must really not think any more of her, you would never be happy with
-her; you are so affectionate and good. If you really were to begin
-caring for her very much, you would perhaps devote your whole soul to
-her, you would want to live only for her, and she could not return you
-one-tenth of what you gave her. She has no heart, she is cold as ice,
-and full of egotism—nothing but egotism.”
-
-“But, Freddie, Freddie,” he interrupted, “my dear girl, how you rush
-on! Where have you obtained all your experience of human nature, that
-you can give me such a precise description of Eline’s character?”
-
-It irritated her to hear how softly, almost caressingly, he pronounced
-her name.
-
-“Knowledge of human nature? I know nothing about that. I only know what
-I feel, and that is, that Eline lives but for herself, and is incapable
-of making the slightest sacrifice for another. I feel—nay, I declare, I
-am convinced of it—that if you married Eline, you would never, never be
-happy. She might like you for a time, but her love would only be
-egotism, as everything in her is egotism.”
-
-“Freddie, you are severe,” he said, softly but reproachfully. “’Tis
-very nice of you to feel so much for me, but you are very, very hard on
-Eline. I don’t think you know her, and, on the contrary, I believe that
-she would sacrifice herself altogether for one she loved.”
-
-“You say I don’t know her; but how can you know her then? You only see
-her when she is all smiles and amiability.”
-
-“Do you think it a fault in her, that she prefers to be amiable rather
-than discourteous?”
-
-Frédérique gave a sigh. “Oh, Otto, I—I don’t know what I think; I only
-feel that you cannot be happy with her,” she said, in a tone of
-conviction.
-
-He took her hand and smiled. “Why, you speak as though we were going to
-be married to-morrow.”
-
-“Oh, do—do tell me—don’t think me—inquisitive. You haven’t—proposed to
-her, have you?”
-
-He looked at her, still smiling, and slowly shook his head.
-
-“Then promise me, will you, that you will take time to think over
-it?—don’t be——” She clung to him affectionately, and her eyes filled
-with tears.
-
-“You are a dear girl, Freddie, but really——”
-
-“You think it absurd of me, perhaps, to venture to advise you?”
-
-“Not at all. On the contrary, I am most sincerely grateful to you for
-it; but still, you must not allow yourself to be guided by a mere idea,
-or rather an antipathy, for which there is not even a reason, and to
-judge another person so harshly. Accept and follow that advice, then I
-shall not think you absurd, but a dear, dear little sis.”
-
-He kissed her repeatedly, and she rested her head shyly on his
-shoulder.
-
-“You won’t be angry with me, will you now? Perhaps I have been clumsy;
-I should not have spoken like that.”
-
-“To me you are most dear when you are most outspoken to me, and I hope
-you will always be so.”
-
-“Then perhaps I shall be discourteous and unamiable,” she answered with
-emphasis.
-
-“And now you are just a little spiteful. What is it? Are you jealous of
-Eline?”
-
-“Yes,” she answered curtly.
-
-“Because of the fan, I suppose,” he laughed.
-
-“Oh, you do tease me,” she pouted. “No; not because of the fan, I have
-a dozen of them, but because—because you care for her.”
-
-“Let us make a compact together then. You go and find me a nice girl
-whom you consider fit to be my wife, and of whom you are not jealous;
-then when you have found her, and I like her, I shall think no more of
-Eline. What do you say to that?”
-
-She answered nothing, but rose, and wiped away her tears. His badinage
-displeased her, and made her fear that he thought her foolish. She
-approached the table, pointed to the cup of tea, and said—
-
-“Your tea is getting cold, Otto; why don’t you drink it?”
-
-Ere he could reply, she had gone, full of conflicting thoughts, pleased
-that she had given vent to her feelings, and had obtained Otto’s
-confidence; and yet uncertain whether she would not have done better to
-have said nothing.
-
-
-
-For five days Eline had not met Fabrice on her early walks, and the
-disappointment of the mornings spoilt the whole of the days that
-followed. At first she grew quiet, morose, and irritable; very soon she
-became more melancholy, she sang no more, she refused to see Roberts,
-her master, or to accompany Paul van Raat in his duets. One morning,
-after her walk, about half-past ten, she returned home, and threw
-herself musingly on her sofa, while, with wandering fingers, she
-unclasped her cloak. She could not bear Ben near her, and sent him away
-to the nursemaid; and thoroughly tired out, with her big, hazel eyes
-moist and glistening with unsatisfied longing, she let her glance
-wander along the palms, the pictures, the group by Canova. A melancholy
-oppressiveness fell upon her like a cloud, and she asked herself the
-question, Why must she live, if she were not to be happy? To give her
-sorrow a definite shape, she searched about for grievances, and made
-the most of them; she was in need of affection, and there was no one to
-love her. With Betsy she could get on no longer, as it seemed; she was
-continually at variance with her sister, and it was not always her
-fault; Frédérique was conspicuously cool towards her, for what reason
-she had not the remotest idea. It was only old Madame van Raat who
-continued affectionate as ever; but just at present she felt but little
-in the humour to display that amiable frankness, tempered with a
-flavour of veneration, which had won the old lady’s heart. Yes; her
-life was a useless existence, she was continually swinging from one day
-to another, without any object, and she longed for—for something like
-the vague vision, without definite shape, which seemed to rise as in a
-sphere of love, sometimes purely ideal, like an idyll, sometimes
-simpler in form and suffused with a halo of homeliness and domestic
-happiness.
-
-She sighed as she raised her hand towards the azalea, and crumpled the
-leaves between her nervous fingers. With an effort she compelled her
-musings to assume some definite form before her mental vision, and by a
-sudden caprice of her fantasy, she saw herself together with Fabrice,
-and both of them were singing at the opera in some great city. They
-loved one another, and they were famous; they were overwhelmed with
-wreaths and bouquets, and the whole vision rose before her vivid and
-entrancing, as it had done one day whilst she was singing with Paul.
-
-But her imagination not receiving any fresh fuel, not having seen
-Fabrice for so long, lost its vivid colouring; her vision faded, and
-left her in a gray, sombre mood—a seeming reflex of the sky outside,
-which was heavy with dark rain-clouds. She felt the hot tears glide
-along her lashes; she had a great longing for Henk, to whom she was
-anxious to confide her sorrow, he was so fond of her, and knew how to
-administer such comforting words to her in his own kindly, clumsy way;
-the mere sound of his voice alone, so kindly, so genial, and heavy,
-fell like a healing balm upon her soul.
-
-And so she sat sobbing, and thought how disagreeable all that sulking
-with Betsy was. To-morrow it would be her, Eline’s, birthday. Would
-Betsy take the first step towards a reconciliation, or did the cause of
-the quarrel really rest with herself? Had she felt sure of her
-reception by her sister, she would gladly have ventured a
-rapprochement, or even have apologized, if necessary; but she feared
-Betsy’s coolness. So she would wait; yes, she would wait.
-
-The afternoon passed slowly, the hours dragged themselves along, as
-though weary under the burden of her melancholy. Then she dressed for a
-dinner-party at the Hydrechts’, without the slightest expectation of
-finding any amusement there. She would gladly have asked Betsy to say
-that she was ill at home; but it would not do. Unlike the Verstraetens
-recently, the Hydrechts might take offence, and besides, Betsy might
-perhaps refuse to do as she asked. So she went, and screwed herself up
-to a coquettish gaiety which, with her natural tact in hiding her
-feelings, effectually blinded the eyes of all.
-
-
-
-The next day was the twentieth of January, her birthday. She stayed
-late in bed, surrounded by the warmth of the blankets, in the soft red
-light reflected by the curtains, without any desire to rise, or any
-longing for her morning walk. She would not see him if she went, her
-presentiment told her. She began to feel childishly superstitious. It
-was now close upon nine. If Mina should come in before the clock struck
-nine, to arrange her washstand for her, she would meet Fabrice in the
-Bosch to-morrow. But Mina came after nine, and when the girl had put
-everything straight and had left the room, she thought of something
-fresh. If last evening she had laid her bracelet in the large vase she
-would meet Fabrice; not, if she had placed it in the small one; and she
-raised herself up, drew the red damask bed-curtains aside, and glanced
-round. There lay the bracelet in the large vase. With a smile, she once
-more lay back in the pillows.
-
-She struggled with herself to get up, but why not stay in bed in the
-cosy warmth? She was weary with grief, why commence another day? Ere
-long her friends would come to congratulate her; she would have to be
-nice and amiable, and receive their presents with delighted ecstasy,
-and she was in a far from amiable humour; she felt no desire to see any
-one.
-
-It struck half-past ten, and she thought perhaps Betsy would soon be
-coming in, and in a few friendly words make up the quarrel; she
-listened for her sister’s step on the stairs, but her expectations were
-in vain, and at last, unnerved by her languor, she rose, and lazily
-proceeded to dress. The glass reflected her image with something of
-sadness in the eyes and a weary expression about the mouth, and to
-herself she seemed quite ugly. But what did it matter after all? for
-whose sake should she be pretty? There was no one who loved her with
-such fervour as she thought that her heart was capable of.
-
-She was dressed, and all at once a shivering overtook her. She did not
-feel equal to going down-stairs; how should she approach Betsy? Should
-she take up an attitude of expectation merely? Why did not Betsy meet
-her half-way? Why must she continue bearing a grudge like that, about
-such a trifling matter? Eline felt almost afraid to see Betsy in the
-breakfast-room, and she walked into her boudoir, where the fire was
-already burning brightly, and threw herself on her sofa, wretched and
-weary with grief and loneliness. Why, yes, why did she live?
-
-Deeper and deeper she sank into the abyss of melancholy, when at last
-some glimmer of light came to pierce the gloom that enshrouded her, for
-she heard Henk and Ben coming up the stairs. They came nearer; she
-heard their voices; there was a noisy knocking at her door.
-
-“Where are you, old girl; still in bed?” cried Henk.
-
-“No; I am here, in my boudoir,” she answered, slightly raising her
-voice.
-
-The door was opened and Henk appeared, shaking his head, while Ben
-slipped through between his father’s high riding-boots, a bouquet
-clasped in his little fists.
-
-“Auntie, many happy returns of your birthday—and this is from Ben,”
-said the child, as though he were repeating a lesson learnt by heart,
-while he laid the bouquet in her lap.
-
-“But, my dear girl, what a time you are up-stairs this morning! you are
-generally back from your walk by now,” cried Henk.
-
-She did not answer, but embraced the child, and her eyes grew moist as
-she did so.
-
-“Put—put it in water, Ben, will you? in some tepid water. There, in the
-vase, carefully.”
-
-Ben, always obedient and docile, did as he was told. Eline fell back
-again in the pillows, and looked at her brother-in-law with a faint
-smile.
-
-“I feel so wretched to-day—not well at all,” she said languidly.
-
-Henk approached nearer, with his hands on his back.
-
-“What, on your birthday too?” he asked cheerily. “Come, I would make
-haste and get down-stairs if I were you, you lazy girl; but let me give
-you a good kiss first—a real good one, do you hear?” and he pressed his
-lips on both her checks, while she lay still and smiled.
-
-“And here is a trifle for you, Elly—I hope you will like it,” he
-continued, as he handed her a small case.
-
-She laughed a little.
-
-“How droll of you to come and bring me my present here! Thank you,
-Henk, thanks very much.”
-
-She opened the case; in it there was a hairpin in the shape of a
-diamond spider.
-
-“But, Henk,” she cried, “how you spoil me! I remember, when I saw it at
-van Kempen’s a little while ago, I said I thought it very pretty. I
-really must be careful what I say in future,” she said, almost shyly,
-and she thought of the Bucchi fan.
-
-“Betsy kept her ears open when she heard you speak about the pin,” he
-answered. “We are always glad to give you something that will please
-you.”
-
-This almost aggravated her, but she threw her arms round his neck and
-kissed him.
-
-“Really, really, you are spoiling me,” she stammered.
-
-“Come, come, that’s all rubbish!” he exclaimed. “But now I must be off
-for a little ride; so make haste down-stairs, old girl, or I shall
-carry you down.”
-
-“No, no, that you won’t!”
-
-“All right then; but hurry up.”
-
-“Yes, yes, in a moment; but no nonsense, Henk, do you hear?” she cried,
-frightened, and in a serious, commanding tone, for she could foresee an
-attack of practical joking, and she certainly felt in no humour to
-tolerate it.
-
-He laughingly re-assured her. The words were on his lips to urge her to
-a reconciliation with his wife, but he feared he had not the tact to
-approach the subject with sufficient caution. She might fly up in a
-passion, and besides—it would all come right soon, he thought, and left
-the room.
-
-She rose, and lingering over her toilet, suspected that Betsy must have
-told Henk to take the present up-stairs, so as not to have to hand it
-her herself. She felt embarrassed at her own attitude; now she was
-compelled to take the first step towards a reconciliation, and this
-wounded her pride. It would seem as though she were so delighted with
-their present, that it made up for all past unpleasantness. ’Twas most
-tiresome, but still she could not now come down-stairs, and, after a
-hasty, cool greeting, commence her breakfast without saying a word. She
-felt very sorry that she had not followed her impulse of the previous
-day to try a rapprochement. After all it was really too stupid, that
-sulking, and only because of those dogs! And she held the diamond
-spider coquettishly against her hair and her throat.
-
-
-
-Before she came down-stairs, Eline opened a drawer of her writing-desk.
-With a furtive smile she took from it an album, a present to herself,
-and opened it. It contained nothing but portraits of Fabrice, in
-various positions and dresses, and which for some time past she had
-been purchasing with much tact, but still not without nervousness; now
-in one shop, then in another, never returning to the same, constantly
-fearing that the shopkeeper would guess something of her secret. On one
-occasion she had been in Amsterdam for a day to visit some friends;
-there she was very daring, and in a bookshop had bought seven all at
-once; no one knew her there, and she vowed to herself that she would
-never again set foot in the shop.
-
-With her eyes sparkling with wanton playfulness she glanced through her
-collection, and whatever page she turned his dark black-bearded face
-met her eyes now and again as she had met him in the Bosch with his big
-felt and his muffler. Ah! she knew it now; it was tenderer feeling than
-admiration that vibrated through her at the sight, which, in her
-womanly sense of honour and in shame at herself, made her shudder as
-for a moment she pressed her lips on that beloved image. Yes, she felt
-it now; it was a passion that filled her being as with a wealth of
-rapture; a love for which she could sacrifice all and anything that he
-might demand of her.
-
-And her imagination, a little relieved of its burden of melancholy by
-Henk’s cheery words, in which she sometimes heard the echo of
-long-vanished wishes, grew heated with romantic ideas. In her flight
-with Fabrice, she saw herself at a railway station awaiting the train,
-and fearing lest they would be overtaken.
-
-“Auntie, auntie, let me in!” cried Ben, outside the door.
-
-She put the album away and opened the door. Ben came in, cautiously
-clasping the vase full of water in both his little hands.
-
-“Carefully, little man,” said Eline. “Sure you haven’t spilt any on the
-stairs?”
-
-He shook his head, pleased with himself at his smartness. Whilst he
-placed the bouquet in the vase, Eline reflected that the little
-fellow’s present was only another attention on Betsy’s part. It was a
-great bother after all.
-
-But at last she summed up courage and proceeded down-stairs with Ben.
-Betsy was in the dining-room, and in consultation with Grete.
-
-“Good morning, Betsy,” said Eline.
-
-“Good morning, Elly. Many happy returns!” answered Betsy, without any
-expression.
-
-Eline would not say more; first the servant must leave the room.
-Breakfast she did not want; she had no appetite.
-
-“Grete, you can clear away, I don’t want anything,” she said, and began
-playing with Ben to do something.
-
-Betsy remained seated in front of her writing-desk, absorbed in bills
-and books, like a careful housewife. And after a few seconds’ painful
-silence, Betsy having peevishly told Ben not to worry, and sent him
-away to the nursery, Eline rose. She walked across the room to her
-sister, and laid her hand on her shoulder.
-
-“Betsy,” she commenced. But she could not yet bring herself to say
-anything about the present, the diamond spider. “Betsy, come, would it
-not be better if—? You don’t know how sorry I am that we are so. Come,
-now, don’t be angry with me, it was wrong of me.”
-
-“Well, Eline, I am glad you admit it. I am not angry.”
-
-“Is it all forgotten then?”
-
-“Oh, certainly. You know there’s nothing I dislike more than
-unpleasantness, so let us say no more about it.”
-
-Her cool tone was as so much ice to Eline, but still she bent down and
-gave Betsy a kiss.
-
-“No, really, I am sorry; of course I have no right in your own house—it
-pains me very much.”
-
-She wanted to say something more, but could find no words, and once
-more her lips sought Betsy’s forehead. She, however, pushed her lightly
-aside.
-
-“All right; let us say no more about it then. I am no more angry. But
-not so much kissing, you know I don’t care about it.”
-
-Her birthday passed by gloomily enough for Eline. The reconciliation
-with Betsy had not made the desired impression on her; she had pictured
-something much more cordial—a sisterly embrace, an intermingling of
-tears—the prelude to future affectionate intercourse with each other.
-But what had been the reality? On Betsy’s part an icy condescension, by
-the side of which she, in her attitude, had cut a somewhat sorry
-figure. She knew herself to be weaker than her sister, and yet she
-would resist her over-ruling; but with every attempt at opposition, and
-especially after this latest one, followed as it was by a temporary,
-hollow victory, she felt herself more and more powerless to continue
-the struggle with such unequal moral weapons. Her pride had only proved
-a frail reed, breaking with every gust of wind, and in her dismay a
-hopeless gloom seemed to enshroud her thoughts as with a thick veil of
-crape.
-
-For all that she kept up a semblance of gaiety that afternoon in the
-midst of the cheery company of the friends who came to congratulate
-her. But Madame van Raat, from whose dreamy, light-blue eyes she would
-have been so glad to have seen a ray of sympathy beam upon her, was
-indisposed, and sent an apology through Paul, and this was a great
-disappointment to her. Madame van Erlevoort and Mathilde came to add
-the excuses of Freddie, who was at home with a cold, and again Eline
-wondered why Frédérique should be so reserved towards her. Jeanne
-Ferelyn overwhelmed her with a string of domestic troubles, and it
-required all her tact and amiability not to display any undue
-impatience in listening to them. Little Cateau van der Stoor, who, like
-Madame van Raat, she would have been glad to see, appeared to have
-forgotten her birthday; she neither saw nor heard anything of her. But
-Emilie de Woude brought her own boisterous gaiety with her. Her lively
-chat infused a little brightness into the dull atmosphere of the
-drawing-room—in which the gas was not yet lit—into which, along the
-heavy folds of the draperies, a darkening twilight penetrated which
-seemed to transform the brightness of the gilded panelling, and the
-glistening sheen of the fawn-satin cushions, into undefined and gloomy
-shadows. Emilie wanted to see Eline’s presents, charming trifles—a few
-bouquets arranged on a table, round about a big basket full of flowers
-and fruit.
-
-“What a splendid corbeille!” cried Emilie. “Peaches, grapes,
-roses—lovely! From whom, Elly?”
-
-“From Vincent; pretty, is it not?”
-
-“I wish I had such nice cousins.”
-
-“Hush!” whispered Eline.
-
-Vincent had just entered the room, and his eyes went in search of the
-hostess. Betsy received him, as usual, with a certain warmth and
-geniality in her constant, vague fear of what that cousin might do.
-Eline thanked him, and clasped both his hands in hers.
-
-Vincent apologized for coming so late; it was a quarter past five, and
-the Verstraetens and the others were taking their leave in the
-gathering twilight, after which Gerard came in to light the gas, close
-the blinds, and draw the curtains.
-
-“Vincent, stay to dinner, will you?” asked Betsy. For Betsy was in
-terror at having to face a dull evening. They were not invited out
-anywhere, and besides, she had not thought it the thing to make any
-arrangements to go out on her sister’s birthday; neither could she have
-done so, as during their late feud she had scarcely uttered a word to
-her. With Vincent she need stand on no ceremony, she could very well
-ask him half an hour before dinner. Vincent had conversation when he
-was in a good humour, and, at all events, he brought a fresh face with
-him to the table.
-
-Vincent accepted the invitation with an indifferent “with pleasure.” In
-the meantime Henk declared he wanted a walk, and taking his hat quickly
-left the house, his coat-collar turned up, and his hands in his
-pockets. Anne, the nursemaid, came to fetch Ben, to make him a little
-tidy, as his face was besmeared with jam from the pastry he had been
-eating. Betsy disappeared too, and Eline and Vincent were left alone in
-the drawing-room, now bright with gas-light.
-
-“Come, let us sit down in the boudoir,” said Eline, and Vincent
-followed her to the little room. The soft, clear beams from the small
-crystal chandelier, reflected on the violet plush of the furniture,
-lent the place an air of something mysteriously intimate, something
-that seemed to tempt to an unreserved confidence. To Vincent, however,
-it appeared to convey no sense other than one of a calm well-being;
-with a sigh he let himself fall on the couch with his usual languor,
-and put Eline a number of indifferent questions about the acquaintances
-he had just now seen taking their leave. Whilst answering him, she felt
-a great sympathy for her cousin arise within her. Again it was that
-need within her that had aroused such a passion for Fabrice, the need
-she felt of much love and tenderness, the longing to expend the pent-up
-treasures of her affection. And just as it had struck Paul by the wan
-reflection of a petroleum-lamp, so it now struck her under the bright
-gas-light that played and sparkled in a thousand colours through the
-drooping pendants. Vincent’s resemblance to her dear dead father was so
-striking that, looking at him, she almost fancied herself once more
-back in her childhood. Yes, just like that, with that pained expression
-about the mouth, with those eyes full of sadness, her father used to
-lie down, exhausted by his artistic visions; just like that his hand
-used to hang over the arm of his chair when the brush had fallen from
-his grasp.
-
-And Eline’s sympathy for Vincent grew stronger, permeated with
-compassion and poetic melancholy, as she sat listening to his low, wan,
-murmuring voice, while he spoke to her about Smyrna; he seemed more
-interesting than most of the young men in their coterie. To her he
-became a martyr to the littleness of the world, when he told her that
-to him the Hague was kleinstättig and tiresome, and that he longed for
-much space and freedom. So did she.
-
-“But I weary you with my complaints, parlons autre chose,” he
-interrupted himself in an altered tone. “It isn’t polite of me to talk
-so much about myself.”
-
-“Oh no, not at all; you don’t weary me in the least,” she answered
-somewhat hurriedly, rather upset that he had cut the thread of her
-fantasy so abruptly. “Don’t you think that I can quite share your
-thoughts, that I don’t understand how you can wish for anything else
-than the prosy groove in which we continue to go round and round?
-Sometimes I, too, would gladly escape from it,” she cried, with a
-movement of her arms like that of a captive bird beating his wings
-against his cage. “Sometimes I feel myself moved to some terribly mad
-freak or another,” and she smiled slyly as she thought of Fabrice.
-
-He, also smiling, shook his head, and just touched her uplifted hand,
-as it fell gracefully by her side.
-
-“And why should you wish to commit follies now?” he asked. “You go to
-extremes. To live independently of anyone, not to trouble yourself
-about the small-talk of a coterie, but to follow your own ideas as long
-as they are sensible, to change your surroundings as often as you
-like—that is my ideal. There’s nothing preserves one’s youth so much as
-change.”
-
-“But in order to be independent, to trouble oneself about nothing—one
-must possess more moral strength than we in our superculture usually
-dare show,” she answered.
-
-“Moral strength! Oh dear, no; you only want the money, that’s all,” he
-replied briefly. “If I am rich, have good manners, commit no follies,
-but manage to keep myself nice and agreeable in the eyes of the world,
-it is quite in my power to see my ideal realized, without any one
-accusing me of anything more than perhaps—a little eccentricity.”
-
-All this was much too sober to her way of thinking, and she urged
-forward her own ideas, which seemed to her more romantic.
-
-“Yes, all right, money, of course,” she resumed, avoiding his argument
-with true feminine weakness; “but without sufficient strength to force
-through one’s own will, one would soon be carried away by all the old
-habits. You see, that is why”—he laughed at her charming want of
-logic—“that is why I should so much like to do
-something—foolish—something terribly foolish. I feel myself strong
-enough to go my own way in spite of the world. I sometimes feel very
-desperate indeed.”
-
-He enjoyed the fire and animation that beamed from her glistening eyes,
-and her whole elegant little figure, as she sat there in her giddy
-coquettishness, gave him the impression of a butterfly just about to
-flutter away.
-
-“But, Eline!” he cried laughing. “What is it you are taking into your
-head now? What is it you would like to do then, what sort of follies?
-Come, just confess, you naughty child.”
-
-She laughed too.
-
-“Oh, say elope!”
-
-“With me?”
-
-“Why not? But I think you would soon leave me to my fate. I should be
-rather too expensive a luxury to you, and you would send me back with
-many thanks. Merci bien then, if your question was intended for an
-invitation; I would rather wait for a wealthy milord.”
-
-“No love in a cottage then?”
-
-“Oh, Vincent, how stale! Jamais! I should die of ennui. I had rather be
-an actress, and run away with an actor.”
-
-And she was all a-sparkle with sheer wantonness of exuberance; she felt
-a secret enjoyment at the thought of Fabrice, and looked Vincent boldly
-in the eyes; he could not guess her thoughts.
-
-He burst out in laughter; the lively playfulness which had taken the
-place of her languid grace during their conversation, the brightness in
-her eyes, and the tapping of her little hand on her knee, amused him
-even more than her words, and yet they were sympathetic enough with his
-own ideas; in them there lurked a longing for change, which was very
-much like his own. They looked at one another smilingly, and under the
-soft but concentrated glance of his eyes, Eline felt something of the
-slow, ensnaring fascination of that of a serpent.
-
-“What a striking resemblance to my dear papa,” she thought, almost
-surprised at the sympathy she felt for Vincent, as they rose at the
-sound of the dinner-bell.
-
-
-
-
-
-
-
-
-CHAPTER XIII.
-
-
-Madame Verstraeten was at home with Lili, who had caught a severe cold,
-while Marie and Frédérique, skates in hand, accompanied Paul and
-Etienne to the Ysclub, round by the Laan van Meerdervoort. The old
-gentleman sat reading in the warm conservatory, in the midst of the
-glossy green foliage of the azaleas and the palms. Lili was not in her
-usual good humour; she answered her mother in languid monosyllables,
-and nearly suffocated herself, trying to repress her coughing. For she
-was better, she had declared, and coughed no more; it would do her no
-good to stay at home any longer, and she would go out in a day or two.
-
-And yet, notwithstanding that determination, out yonder it seemed to
-her like Siberia, when she saw the frozen snow lying hard and white on
-the bare branches and on the unsoiled marble-like paths. Madame
-Verstraeten continued her crochet work, and the deft movements of the
-crochet needle irritated Lili, just as the regular turning of the pages
-of her father’s book irritated her. She herself did nothing, and her
-hands lay wearily in her lap, but however much she enjoyed such a dolce
-far niente at other times, now it wearied her terribly, and yet she
-felt no desire for any occupation. Secretly she envied Freddie and
-Marie’s good health and spirits, while she was delicate and was obliged
-to guard against the slightest draught. But when her sister hesitated
-to accompany Freddie and Etienne, she herself had induced her to go and
-fetch her skates; Marie could not always stay at home with her if she
-were foolish enough to be ill, and besides, mamma would keep her
-company.
-
-A sigh escaped her lips as she took a lozenge from the little box
-before her, and the old lady looked at her furtively, well knowing that
-in her present excitable mood any show of motherly anxiety on her part
-would irritate Lili more than the utmost indifference.
-
-So the afternoon slowly passed under Lili’s quiet pouting, and no one
-came to disturb the dull peacefulness that prevailed until past four,
-when the bell rang and Dien showed Georges de Woude inside. Lili felt
-annoyed; Dien might have announced him first, she thought. Surely he
-was not so intimate with them as all that! And while Madame Verstraeten
-gave him her hand, she greeted him somewhat coolly, slowly reaching her
-little white fingers towards him—slowly too, following, when her mother
-conducted him to the conservatory, to the old gentleman. Her parents
-were already sitting down with him, when she languidly pushed up a
-cane-chair, and as languidly sat down in it, as though to show him that
-his visit disturbed her, and that she joined them merely for courtesy’s
-sake.
-
-At the first few words he addressed to her parents she looked away with
-somewhat affected absent-mindedness into the garden, as though she took
-no interest in their conversation. Madame Verstraeten had commenced
-with a question about Berlin, where he had been attached to the
-Legation for three months, but he replied rather briefly; half
-addressing himself to Lili, and by turns looking at her and her mother,
-he inquired after her health; had she really been seriously ill? Lili
-muttered something, whilst her mother replied; but it struck her that
-he asked the question with a certain anxiety, not as a mere
-commonplace, as if indeed he felt an interest in her welfare. What
-could it matter to him whether she was ill or not? But he did not seem
-to remark her coolness, when, seeing the subject was not attractive to
-her, he again turned his easy flowing conversation to Berlin, and in
-his agreeable manner replied to her parents’ questions. Each time he
-looked at her, as if to draw her into the conversation, and out of
-courtesy she now and again smiled a little, and asked some trifling
-question, as indifferently as possible.
-
-How he rattled on, she thought, as she had thought before, when he once
-began to talk; but still, it was as though that thought was rather a
-forced one, and not entirely spontaneous. He rattled, it was true; but
-there was something pleasant and sociable in his chat—something that,
-whether she admitted it or not, entertained her after the tiresome
-afternoon she had spent by the side of her knitting mother. He did not
-talk badly, a little excited, but tiresome he was not, and—it seemed as
-though she had never before remarked it—he was not so terribly affected
-after all. His accent was perhaps a little too studied, but that was
-all; his gestures were simple, and through his easy manner there shone
-an evident sincerity whenever he turned to her. And his dress, it was
-faultlessly neat, perhaps too much so; still it was not that of a
-coxcomb, she must admit it was simple enough.
-
-He chatted on as Mr. Verstraeten asked him about his engagements, and
-whilst she looked at him, she unconsciously smiled at him with more
-cordiality. It did not escape him, and once more he ventured to ask
-her, did she feel better now, did she not go out yet? What could it
-matter to him? again she thought, almost annoyed; he had asked her once
-out of politeness, that was more than sufficient, but still she
-answered him, and told him her cough was better—a little cough quickly
-belied her words—and that she was feeling much easier under the kindly
-care of mamma and Marie. He felt grateful for those words, but he had
-heard the suppressed cough, and it was on his lips to caution her to be
-careful—the weather was so bleak—but he did not do so; she might think
-it was no business of his, and he asked after Marie.
-
-“Oh yes,” answered Lili; “she has gone skating with Frédérique and
-Etienne van Erlevoort and with Paul. Don’t you pity me that I have to
-stay at home again, like the sick child?”
-
-“Are you so very sorry that you could not go? Are you fond of skating?”
-
-“Yes; that is to say, I like it very much; but speaking frankly, I
-don’t know much about it. Marie and Freddie skate much better than I;
-they go curling and twisting about while I can only just amble along; I
-am too frightened, you know, and——”
-
-“But do not Paul or Etienne assist you then?”
-
-“Oh, Paul says frankly that he thinks it tiresome to skate with such a
-duffer, and Etienne—yes, I must admit—he will sacrifice himself for
-five minutes sometimes.”
-
-“But, Lili,” said Madame Verstraeten, “if you cannot skate, it is
-certainly tiresome to them.”
-
-“I was more polite in my time,” said the old gentleman.
-
-“Oh, I make them no reproaches,” said Lili; “I am only telling you the
-facts,” and she gave a little cough.
-
-“But, when you are better, when you are going out again,” resumed
-Georges hesitating—he knew he was making a bold plunge—“may I now and
-then offer you my assistance? I am mostly at my office, ’tis true, but
-still——”
-
-“You skate, then?” cried Lili. She would never have thought it of him.
-
-“I am passionately fond of it!” he declared. “Do you accept?”
-
-She nearly blushed, and answered, smiling, with downcast eyes—
-
-“Oh, with pleasure, yes. But you will have such a trouble with me. I am
-so frightened; I always fancy I hear the ice crack, you see—you don’t
-know what you are offering me.”
-
-“Oh yes,” he answered; “I don’t think I shall ever regret having asked
-you.”
-
-How was it, thought Lili, that he could repeat a sentence like that,
-with such an expression of sincerity, and she could find no reply? She
-only laughed a little. There was a pause in the conversation, but
-Georges quickly revived it, and continued his pleasant chat until it
-grew dark, when he rose, apologizing for his lengthy visit.
-
-“Oh, not at all; on the contrary,” said Mr. Verstraeten, “I am very
-pleased to see you again. Remember me to the old gentleman and to your
-sister.”
-
-“Emilie declared she could not manage without you,” added Madame
-Verstraeten. “She will be glad you are home again.”
-
-Lili thought she could understand that Emilie must have missed Georges,
-and she offered him her hand, and once more cordially thanked him for
-his offer.
-
-“A good fellow, that de Woude!” said Mr. Verstraeten, when he had gone,
-and Lili returned to the small drawing-room, and as she went heard
-mamma also express herself favourably about Georges, charmed as she was
-with his polished courteousness.
-
-“He always gives us a call when he can. Of course he would not do so if
-there were no girls in the house, if we received no company, but
-still——”
-
-Lili heard no more; she smiled at her own fancies, in which she saw
-herself together with Georges, gliding over the ice, their hands
-clasped in each other’s.
-
-
-
-Marie came home, accompanied by Freddie, Paul, and Etienne, who took
-leave at the door; she entered the room tired out, cold, with flushed
-cheeks and sparkling eyes. It had been splendid; the ice was crowded,
-the little Eekhofs, Eline, and Henk were there.
-
-“De Woude has called here,” said Madame Verstraeten. “He has been back
-these three days.”
-
-“Indeed!” said Marie with indifference, and she began to unclasp her
-little cloak.
-
-“And he asked me to go skating with him, when I am better,” said Lili,
-somewhat embarrassed, and with a little cough.
-
-Marie all at once stopped undoing her cloak, and looked at her sister
-in astonishment.
-
-“De Woude? With you? And what did you say?”
-
-“That I thought it very nice of him, of course. What else should I have
-said?”
-
-Marie roared with laughter.
-
-“What, you skating with de Woude? with that ‘stuck-up coxcomb,’ that
-‘piece of affectation’? But, Lili, that will never do; you always
-thought him such an intolerable bore.”
-
-“Qu’est ce que ça fait? At least he is politer than Paul or Etienne,
-and if he likes to assist me——”
-
-Marie still laughed.
-
-“But he can’t skate!” she cried contemptuously.
-
-“He says he is passionately fond of it.”
-
-“Oh, don’t you believe it. Rubbish!”
-
-Lili shrugged her shoulders impatiently.
-
-“But he wouldn’t tell any fibs about it, surely!”
-
-“Dear me, how eager you are all of a sudden to champion him! At one
-time there was no good in him at all.”
-
-“I always thought him very nice and polite.”
-
-“Lili, how can you tell such disgraceful fibs? You always thought him
-unbearable.”
-
-“But, Marie, that is no reason surely why I should not go skating with
-him,” cried Lili, almost in an imploring tone. “When you go to a dance
-I am sure you are not so particular about your partners.”
-
-“Still, I hardly know what to think about it,” Marie persisted
-teasingly. “All at once on the ice together.—Mamma, do you think ’tis
-right?”
-
-Lili turned away with dignified contempt.
-
-“Child that you are!” she said, looking down upon her sister; and she
-was much annoyed at herself, for she felt herself blushing, and—for
-nothing at all.
-
-
-
-“Papa is asleep?” asked Georges, as he entered Emilie’s sitting-room in
-the evening after dinner.
-
-Emilie gave a little start; she was somewhat under the influence of a
-copious meal; her chair was so comfortable, the fire so sociable.
-
-“Yes; papa is asleep,” she repeated, blinking her eyes.
-
-Georges laughed.
-
-“And how about Emilie; has she been asleep too?” he asked
-good-humouredly.
-
-“No,” she answered. “I have not been asleep, only dozing a little. Will
-you stay at home to tea? Yes, that will be sociable.”
-
-And she looked at him with a kindly expression in her honest eyes; she
-felt a sort of motherly affection for that younger brother, whom she
-had brought up and petted from his childhood, and who had now returned
-to her fostering care after a two months’ absence abroad. She was glad
-that he was looking so well, he had even grown stouter, and with pride
-she remarked that a more manly expression lay over his delicate
-features, or was it her fancy, because she had not seen him for some
-time?
-
-Georges sat down beside her, and they conversed about things in
-general. She knew him well, she thought, and she felt sure that he was
-about to ask her some favour. Inwardly she was glad that he needed her,
-but still she could not resist the temptation to leave him to shift for
-himself entirely, without helping him to come to the point. He
-hesitated a great deal, and when from her assumed indifference he
-judged that it was not the right moment to speak, he seemed of a sudden
-determined to postpone what he had to say, and in a firmer voice began
-talking about something else. Then she felt sorry, and said but little
-in reply, whilst she tried to think of some means to lead him back to
-his original intention. But she could find no pretext whatever, and so
-she cut the matter short at once by straightway asking him—
-
-“I say, Georges, what is it? What have you to tell me?”
-
-Now it was his turn to pretend indifference, and with assumed surprise
-he answered—
-
-“To tell you? How do you mean?”
-
-“Oh, I don’t know; I thought—I fancied I could see something in the
-ends of your moustache,” she said jokingly. “Is there nothing the
-matter, really? Money affairs, perhaps?”
-
-She knew better, they were no money affairs, it was never anything to
-do with money affairs, for in money matters he was always so
-desperately precise that she could never find the slightest flaw in
-that quarter. And indeed he shook his head in denial, but still, though
-he looked at her smilingly, he got no farther; his question must indeed
-be an awkward one if it made such a ready talker as he hesitate.
-
-“Oh no,” he answered. “’Tis all said in a few words, but there are
-times when words will not come at all; isn’t it so?”
-
-“Look here, Georges, don’t beat about the bush, pray; if you have
-anything to say or to ask of me, come out with it straight away,
-without mincing matters, that is quite unnecessary with me!” she
-resumed almost reproachfully, but with such an encouraging tenderness
-that he grasped her white hand, and with playful gallantry raised it to
-his lips.
-
-“And now, allons! fire away!” Emilie urged, giving him a light tap
-under the chin.
-
-He was forced to speak, he could not go back, and he gathered up his
-courage and began slowly in broken sentences, but soon came to the
-point. His position—would she think it very foolish of him, if
-he—thought of getting married? There was a tremor in his voice, as
-though his fate depended on her answer.
-
-His words took her by surprise; despite his twenty-four years, she
-still looked upon him in some way as her boy, her pet child, and—he
-thought of getting married! But notwithstanding the superficial gloss
-of his airy manner, she knew him to be manly and sensible; he would not
-ask her such a thing if he had not thoroughly thought it out, and it
-would be wrong of her to wound him, perhaps in a deep-seated affection,
-by one word of banter. Still she felt alarmed at the thought of sooner
-or later losing him.
-
-“Marry! Georges, do you really think of it?”
-
-He smiled, as though charmed at some bright vision.
-
-“Why not?” he asked, almost in a whisper.
-
-“Are you—are you then—so much in love?” she asked softly. “Is it——?”
-and a name rose to her lips, but she failed to pronounce it.
-
-He nodded his head, laughingly, as though he knew that she had guessed
-right. Some time before his departure to Berlin, already she had teased
-him about Lili Verstraeten, about whom he always had such a lot to say.
-But now that he acknowledged it, she felt disappointed. How did he know
-that Lili could care for him? Was he not building castles in the air?
-But she did not give expression to the thought; she would not shatter
-his illusion, he seemed so happy in his quiet hopefulness.
-
-“Georges, if you are in earnest, really—well, let us consider now,” and
-she moved her chair closer to his. “Suppose it all goes smoothly at
-first, say you propose, and she accepts you, what then? How long won’t
-you have to wait before it can come to a marriage?”
-
-“Why?”
-
-“But, Georges, whatever do you mean? How simple you are! You surely
-don’t intend to marry on your salary as assistant-consul? Twelve
-hundred florins, is it not? ’Tis true you are entitled to your share of
-mamma’s legacy, but it is only a trifle, all in all you won’t be very
-rich. So I ask you, on what are you going to marry then? You cannot
-depend much on what the Verstraetens will give as a dowry; they live
-well, but simply; they are not really wealthy.”
-
-“My dear Emilie, if you want to reckon at all, then reckon properly.
-’Tis true, on the support of my intended parents-in-law—if they will
-ever be that,” he whispered smiling, “I—don’t reckon at all; in fact I
-should not even care about it.”
-
-“For all that, you would not say no, if they were to come forward with
-anything substantial.”
-
-“I don’t know; that is a factor which I shall put aside for the
-present, in fact I haven’t even given it a thought; but you were
-reckoning up just now, and you reckoned rather carelessly. Suppose I
-don’t pass my examination as vice-consul this year, is my share to the
-legacy not fifteen hundred florins?”
-
-“About that.”
-
-“Well, twelve hundred plus fifteen hundred makes——”
-
-“Two thousand seven hundred florins! And would you marry on that?”
-
-“Why not?”
-
-She clasped her hands in despair.
-
-“But, Georges, you are—pardonnez-moi le mot—you are out of your senses.
-Don’t be a child, pray, and don’t create illusions out of
-impossibilities. Perhaps you have got hold of that little book—let me
-see, what is it called? ‘How to live a comfortable married life on
-fifteen hundred florins.’”
-
-“No; I don’t know the book, but fifteen hundred is not two thousand
-seven hundred florins, and I flatter myself——”
-
-“You flatter yourself! Yes, you will do a lot! Are you a fellow to jog
-along with a wife from January to December on a wretched couple of
-thousand gulden? Yes, indeed you will do a lot,” she repeated
-excitedly, and almost angry, when he wanted to interrupt her, and she
-rose excitedly from her easy-chair. “I fancy I see you, established in
-apartments on the second floor, luxuriating on a beefsteak once a week,
-eh! However, ’tis a life I can’t describe to you. I don’t know anything
-about it, that I will confess. You are used to good living, Lili also;
-how are you two going to—? Oh! come, ’tis too absurd. Do be sensible,
-Georges! I know you too well——”
-
-“It seems you do not quite,” he interrupted in his low voice, which
-contrasted with her indignant tone. “At all events, I think I have the
-faculty to be able to regulate my wants in proportion to my means.”
-
-“Maybe you do, but how about your wife? Would you force a young girl,
-brought up with a certain amount of luxury, also to regulate her wants
-according to your means? Believe me, Georges, nowadays people do not
-live on love and moonshine, and young people like yourself, like Lili,
-must have some luxuries, they must go out——”
-
-“Oh! that eternal going out. I went out when I was a youth; surely one
-need not always to be going out.”
-
-“Egotist! Therefore, because you as a youth went out as much as you
-liked, you want to marry and stay at home for economy, and sit with
-your wife luxuriating over your weekly beefsteak. What a grand prospect
-for her, to be sure!”
-
-“But, Emilie, why must you lay such a stress on the urgent necessity of
-going out every evening? I don’t see it myself, I must admit. I base my
-happiness on something altogether different.”
-
-“Up to this moment you have been as gay a butterfly as any one of
-them—in short, you have gone out. Now you are in love you have had a
-little poesy infused into your ideas; but believe me, that will wear
-off, and when you have been married a little while you will find it
-very sociable indeed to have a pleasant circle of acquaintances.”
-
-“Granted, as far as the circle of acquaintances is concerned; but to
-give them up is no part of my plan, and it will not cost so very much
-to keep up their friendship.”
-
-“It costs a great deal, Georges, believe me,” urged Emilie. “You
-receive invitations; you don’t want to be considered mean; you must
-give a little dinner, however unpretentious; you have to do so again
-and again, and all this, mind you, you have to manage on two thousand
-seven hundred gulden, eh? Well, I fancy I can see you at it already.
-Especially your wife, who has to keep house on those two thousand seven
-hundred gulden, or rather on as much of it as you allow her. Anyhow,
-you won’t catch me coming to stay with you, do you hear?”
-
-He laughed at her indignation, but still he did not yield himself
-vanquished.
-
-“Emilie, don’t excite yourself about nothing at all, pray!” he said
-calmly. “Up to now ’tis all in the air yet, eh? I have not yet—taken a
-step—I don’t know even whether——”
-
-He did not complete the sentence, hesitating to express in words the
-thoughts that seemed so disagreeable.
-
-“Yes, Georges, I understand,” she replied, somewhat appeased by the
-calm of his voice; “but still financial circumstances can hardly be put
-off as second considerations; this much you will admit.”
-
-“Of course; but you must not fix my budget too high. By the bye, dear,”
-he interrupted himself with a winning smile, “talking about a
-budget—just help me to arrange one, will you?”
-
-“What! of a total of two thousand seven hundred gulden? Impossible,
-Georges, I am not equal to the task. Why, to live respectably in
-apartments, unmarried, you would want more.”
-
-He sighed.
-
-“Then we can’t agree about the matter at all?”
-
-She shrugged her shoulders.
-
-“You are a child to persist in such foolish ideas. You don’t know what
-life is.”
-
-She was annoyed that he was so obstinate, and would not listen to her
-good advice, but he—although he would not have admitted it—felt himself
-hesitate a little in his so-long-thought-out ideas; he felt a burden of
-hopelessness overwhelming him, and saw the ground of his expectations
-glide away from under his feet. Slowly he passed his hand across his
-forehead; it were better perhaps—if he waited.
-
-“Perhaps—I should—do better to—wait!” he whispered, giving expression
-to the thoughts that oppressed, and his words were so full of sad
-resignation that Emilie, notwithstanding the victory she had achieved,
-felt pained.
-
-She took his head in both her hands, and looked long into his sad,
-wistful eyes.
-
-“You dreamer!” she said, full of motherly tenderness and sympathy. “Who
-knows, eh? You are so young—and perhaps, who knows, perhaps——”
-
-“Well—perhaps what?”
-
-“Perhaps you are right, and I am all wrong,” casting aside her victory
-at the sorrow it caused her spoilt boy. “Only, think well over it; be
-sensible, Georges, I beg of you!”
-
-And she pressed a loving kiss on his eyelids, which closed, and beneath
-which she felt a suspicious moisture.
-
-
-
-
-
-
-
-
-CHAPTER XIV.
-
-
-“Adieu, Betsy! good-night, Henk! I am going to lie down, I am tired
-out!” said Eline in one breath, while still in the hall.
-
-“Won’t you take a snack of supper first?” asked Betsy.
-
-“No, thank you.”
-
-She walked up-stairs, while Betsy shrugged her shoulders. Betsy knew
-her and her ways, and from the curt, determined words she guessed that
-Eline was in one of those moods of nervous excitability in which she
-almost hated any one who attempted to dissuade her from her intentions.
-
-“What is the matter with Eline?” asked Henk anxiously, when they had
-entered the dining-room.
-
-“Oh, how should I know?” cried Betsy. “It commenced at the concert, and
-in the carriage she did not even answer me, as you must have noticed. I
-don’t trouble about it, but I think Eline intolerable when she has
-those ridiculous fits.”
-
-Calm and dignified, in her swan’s-down and plush, Eline walked
-up-stairs and entered her sitting-room. The gas was alight, and a log
-of wood burnt on the hearth. For a moment she looked round, then tore
-the white lace from her hair, and the little cloak from her shoulders,
-and with bowed head and staring eyes gazed in front of her with a
-vacant expression, as though crushed under the weight of a terrible
-disappointment.
-
-In the little Venetian mirror, gracefully suspended with red cords and
-tassels, above the white group of Amor and Psyche, whose idyllic
-appearance was in mocking contrast with the irony of her thoughts, she
-saw herself reflected, glistening in “her pink rep silk,” a pink
-aigrette in her hair, the same in which, three months ago, she had
-first seen Fabrice.
-
-And now—
-
-She almost laughed aloud, she thought herself so ridiculous, she felt a
-loathing for herself, as if she had been dabbling in the mire.
-
-There had been a concert of the Diligentia Society at the Hall of Arts
-and Sciences, and at her request, Henk and Betsy had accompanied her
-there. Fabrice was to sing; “the popular baritone of the French Opera
-had been invited to gather fresh laurels at the concerts in the Hall,”
-so ran the paragraph in Het Vaderland.
-
-Eline did not rest until she was certain of going; at first she had
-asked the Verstraetens; Madame Verstraeten did not feel inclined, Lili
-was still ill; then she asked Emilie—Emilie had an engagement; at last
-she came to Henk and Betsy, who, although neither of them were much in
-love with concerts, agreed to go. And Eline had expected great things
-in seeing Fabrice in a new sphere, that of a concert-singer.
-Fortunately enough, their seats were close to the stage; he—oh! he must
-have noticed her at the opera, he would give her a sign, he loved
-her—the Bucchi fan! And so Eline went on, creating endless illusions;
-her passion filled her mind, more and more with a second, imaginary,
-fantastic existence, in which Fabrice and she were the hero and
-heroine; a romance of improbabilities and a constantly growing web of
-poetical extravagance.
-
-He thought her beautiful, he worshipped her, they would fly, sing on
-the stage, and through poverty and privation pass on to fame and
-fortune. A feverish rapture at the thought that she would once more see
-him diffused a light pink tint over the amber pallor of her features,
-her eyes had sparkled in the veiled glow of her languishing glances;
-and—They had gone, she had taken her seat, resplendent with a beauty
-that had drawn glass after glass towards her, and the first notes of
-the symphony sounded in her ears as the soft strains of a hymn, laden
-with joyful whisperings of love and happiness. Then—then he appeared,
-amid a thunder of applause.
-
-And just now, whilst Eline was vacantly staring into the mirror in
-front of her, she once more pictured him as he appeared on the concert
-platform.
-
-Clumsily, like a stout carpenter, in a dress-coat that seemed too tight
-for him, his short crisp hair greasy and slimy with cosmétique,
-plastered down upon his cheeks, his face as red as a lobster, in
-contrast to the spotless white of his shirt-front, he presented a
-coarse and prosy appearance, with a disagreeably sullen expression
-about his bearded mouth and in his blinking, half-closed eyes, shaded
-by thick, bushy eyebrows. And it seemed to Eline as though it were the
-first time she saw him. All the charm with which he, in his talented
-vivid acting, in the brilliant dresses which displayed his figure to
-the greatest advantage, had exerted over her, was now dispelled as by
-one strong gust of wind; and though his voice resounded with the same
-splendid metallic ring which had filled her with rapture at the opera,
-she was scarcely aware that he was singing, shocked as she was at her
-gigantic mistake.
-
-Had she then had no eyes? What! that prosy carpenter the ideal of her
-fantastic brain! In her despair and disappointment she could have
-sobbed with chagrin, but not a feature moved, and she remained sitting
-immovable, almost stiff; but a light shudder ran through her, as she
-drew the cloak about her shoulders. As long as he sang she looked at
-him from top to toe, as though she would no longer spare herself, and
-her breath came and went quick with agitation now that she plunged into
-the depths of her sorrow without being able to give vent to it. Why had
-she not seen him thus when she met him in the Bosch, in his cape, with
-his muffler and his big felt, that gave him a romantic appearance,
-something of an Italian brigand? Had she indeed so far forgotten
-herself? Shuddering, she glanced round the room. No one seemed to
-notice her, no one suspected the storm of disappointment that raged
-within her; Fabrice absorbed the attention of all. Fortunately none
-knew, none would know.
-
-But the thought that she was safe from the eye of the world gave her no
-comfort. Before her lay the shattered ruins of the airy, glass edifice
-of her tender visions and fancies, which, pillar by pillar, light and
-delicate, she had erected for herself, glittering and fair, higher and
-higher still, in fantastic crystal splendour, ever higher, higher,
-until as with an apotheosis it seemed to reach the very clouds.
-
-And now, all was shattered, all visions and fancies of the brain were
-vanished, dispelled as by one gust of wind, and not even a chaos was
-left of it all, only a terrible vacuum, only that man there, with his
-red butcher’s face and his white shirt, and his tight-fitting coat and
-grease-beplastered hair.
-
-Never had she suffered as she suffered that evening.
-
-For three long months that romance of love had caused her heart to beat
-each time his name was pronounced in her presence, each time she saw
-his name announced on a placard, and now—one glance at that (Vincent’s
-words re-echoed in her ears, full of mockery and derision) “stout ugly
-customer” tore that romance out of her soul, and all—all was gone.
-
-She scarcely spoke, and when in the foyer Betsy, noticing her drawn
-pallid features, asked her whether she was ill, Eline calmly replied in
-the affirmative—yes, she did feel rather faint. They met the Oudendyks
-and the van Larens, they laughed and joked, they mentioned Fabrice’s
-name, but Eline sank down on a bench, like a wounded dove, and
-listened, nearly swooning with grief, understanding nothing, and with a
-vacant smile, to something young Hydrecht was saying to her.
-
-In the second part of the concert Fabrice appeared again, and again he
-was received with jubilant applause, and Eline felt faint and giddy. It
-was as though the public in their mad admiration were dancing a satanic
-dance round about the baritone, sullen, red, and coarse as ever. Cold
-drops of perspiration formed on her brow, her hands felt cold and
-clammy in their tight-fitting covering of peau de Suède, and her bosom
-heaved with long, oppressive gasps of breath. At last—thank Heaven!—the
-concert was over.
-
-
-
-Now she was alone, and she could allow herself to be swayed as much as
-she chose by that storm of grief; she need no longer nerve herself to
-appear bright and smiling before the world; and so, with a sob of
-anguish, she fell upon her knees before the Persian sofa, and hid her
-little throbbing head in the embroidery of the soft cushions. With her
-hands she tried to quench the gasping sobs that shook all her delicate
-frame, her hair came away from the clasp that held it, and fell about
-her, a mass of glossy waves.
-
-After the first grief and disappointment, a bitter feeling overmastered
-her, as though she had, even were it but in her own eyes, rendered
-herself up to an ineffaceable ridicule, to something that was unworthy
-and ludicrous, the stain of which would for ever cling to her, and of
-which the memory would ever continue to haunt her, like a mocking,
-grinning phantom.
-
-Long she remained thus, her head buried in the cushions, her whole
-being writhing in the anguish of her despair. First she heard Henk,
-then Betsy, retiring to their rooms, and then Gerard bolting the street
-door for the night, the sound re-echoing through the silence that
-reigned in the house. After that nothing stirred, and Eline felt
-herself very lonely, as though forsaken in the midst of an ocean of
-sorrow.
-
-All at once, a thought made her start. Quickly she raised herself up,
-while the brown hair whirled about her shoulders, and an expression of
-wounded pride came over her tear-stained face. With a firm resolution
-and apparent calmness, she approached her writing-desk, and shuddering
-placed the key in the lock, opened the drawer once so dear to her, and
-took the album out of it. The red velvet seemed to scorch her fingers
-like fire. She pushed a chair by the side of the hearth, where the log
-of wood was still aglow with fire; she opened the book. That, then, was
-the shrine of her love, the temple of her passion, in which she had
-worshipped her idol! And as she turned the pages, the procession of
-portraits passed along: Ben-Saïd, Hamlet, Tell, Luna, Nelusco,
-Alphonse, de Nevers—for the last time. Roughly, the gilt-edged leaves
-tearing under her fingers, she removed the photographs, one by one, and
-without hesitation tore them up in little pieces, cracking the hard
-cardboard in the angry clutch of her delicate fingers. The pieces she
-cast into the fire, one by one, and while the flames were curling round
-them she continued her work of destruction, and threw more and still
-more into the fire, stirring it up with the poker, until it was all
-burnt out. That was past, that shame was purged.
-
-Then she rose, somewhat relieved. But the torn album, which she still
-held in her fingers, continued to scorch her hand, and suddenly
-grasping the velvet book, so roughly that it split her finger-nails,
-she hurled it, with a subdued cry of abhorrence, far away from her,
-against the piano, the chords of which gave forth a dull, low sigh.
-
-Then she picked up her cloak and her lace from the floor, smoothed the
-rumpled silk of her dress, and retired to her bedroom, where a small
-milk-white night-lamp diffused a soft, sad light around.
-
-And it seemed to her as if anew she was plunged into that ocean of
-sorrow, that abyss of disappointments, whilst all at once a dispute
-with Betsy rose to her mind. But a few days ago, in fact, she had
-declared that Roberts, her music-master, was growing old and was no
-longer any good, that she intended in future to take lessons of an
-artiste—of Fabrice, for instance—and Betsy had asked her if she was
-mad, and had declared that such a thing should certainly not be done in
-her house.
-
-It need not be now.
-
-
-
-
-
-
-
-
-CHAPTER XV.
-
-
-The severity of the winter relaxed, and spring-time drew near, bringing
-with it rain and chill mists, which enveloped the leafless trees in
-damp cold shrouds. And everybody talked about Otto van Erlevoort, who
-was so full of attention for Eline Vere. Oh yes; it would certainly end
-in an engagement, thought the Eekhofs, the Hydrechts, the van Larens,
-and Madame van der Stoor. Henk had been to Gelderland with Etienne;
-they had stayed at the Huis ter Horze, the seat of the Erlevoort
-family, where Theodore, the eldest son, lived summer and winter, with
-his wife and children; and during that time Otto had been a frequent
-visitor at the Nassauplein, being, ’tis true, mostly invited to spend
-the evening there, in company with others; but still, was it not very
-strange that he who generally led such a quiet life and went out so
-little, should all at once visit the van Raats so frequently? However,
-should it come to an engagement, it would be a capital match. Otto was
-a nice boy, and had a good position; Eline was most charming, elegant,
-rich, as was thought; they were cut out for each other; and besides,
-Eline would be glad to get a baron for her husband. In fact people
-thought them so well matched that they felt rather sorry at finding
-nothing much to say against it, and they searched until at last they
-found something. It was really Betsy’s doings, you see, for she did not
-get along too well with her sister, and would not be sorry to see her
-leave the house decently. Betsy encouraged Otto; it was true Eline
-seemed willing, but if it had not been for Betsy, neither he nor she
-would have thought of it. Oh yes; Betsy, she was all right in company,
-but in the house a maîtresse femme? No, no; worse than that—a vixen!
-Good stout Henk she had entirely under her slipper, and if Eline were
-not so firm, and showed her teeth a little less, she too would have got
-under her thumb. On the face of it, it seemed so nice, so kind, to take
-a younger sister, an orphan, into the house, but to people who were so
-wealthy as the van Raats that meant nothing. Besides that, the Veres
-had money too, and nobody believed that it was all couleur de rose in
-the house. Therefore, Betsy found it was time that Eline should marry.
-She could have had the chance often enough already; but she was pretty
-and hard to please, and so forth. Anyhow, it was her business, was it
-not?
-
-Eline was well aware that people talked about her in that way, but in
-her calm dignity she troubled herself precious little about it. She
-believed so too; Otto would propose to her, and she thought she had
-better accept him. She felt no love, ’twas true—in the way that she
-understood its meaning—for van Erlevoort, but there was not the
-slightest objection to him. It would be a capital match; she might have
-liked a larger fortune, but she thought that with her refined frugality
-she would have sufficient tact to spread a semblance of luxury about
-her.
-
-But to say that Betsy encouraged Otto was going a little too far.
-Betsy, although she looked upon such a marriage as very desirable, felt
-no personal sympathy for Otto, who was too formal and precise to please
-her; and she was polite and friendly towards him, but never betrayed
-the slightest sign that she thought him a desirable brother-in-law.
-
-At the van Erlevoorts’, too, some rather indiscreet questions had now
-and then been put; but Frédérique merely shrugged her shoulders. She
-knew of nothing; Eline had been engaged so often already—in the eyes of
-her acquaintances at least—why then should she not be engaged for once
-to Otto? she asked, so ironically that they could not guess at the
-truth. And still she was aware that mysterious interviews sometimes
-took place at home between Madame van Erlevoort, Mathilde, and Otto, a
-sort of family council that seemed never to come to a decision. She
-felt herself a little pushed aside, and she was too proud, now that
-they despised her advice, and did not seem to care for her opinion, to
-force herself upon them. Once even, when she had mamma, her sister, and
-brother together after dinner, and had noticed they had suddenly ceased
-speaking when she entered, while her hand was still on the handle of
-the door—they had looked at her with some embarrassment—she had
-disappeared, without saying a word, softly closing the door behind her,
-in silent grief and chagrin. With Otto, too, after their conversation
-about the fan, she sought no further confidence, for did he not look
-upon her as a mere child? Very well, she would not trouble him with her
-childishness. And only to Lili and Marie she gave herself vent about
-Eline, that vain coquette, without a spark of feeling in all her smiles
-and poses; but when Paul was present she was silent. He took her part,
-too, another victim to Eline’s coquetry, just the same as Etienne, who
-would not hear a word against her! What did all those boys see in her?
-She could not understand it; she thought Eline nothing but
-artificiality and affectation, an actress; in short, Eline was acting.
-And although Etienne’s pleading for Eline annoyed her, she felt
-herself, now that he was away at the Horze, lonely without him, in the
-midst of the bustle of the little van Ryssels and the barking of
-Hector, betwixt which Miss Frantzen made desperate efforts to restore
-peace and quietness.
-
-It was Sunday, and Paul van Raat sat before his easel, upon which there
-lay a half-finished picture, representing some old Delft ware, an old
-Bible, an antique Rhine wine-glass, and a silver ewer, that of
-Vincent’s, which he had taken after all—the whole loosely arranged on a
-broad, crumpled Smyrna table-cover. But the work proceeded very slowly;
-the light was and remained faint, however he might raise or drop his
-curtains, and he regretted to find that his fingers could with much
-more ease arrange the objects tastefully, than they could afterwards
-depict them on the canvas. It was all the fault of the weather! with
-such a rainy sky there could sparkle no light in the wine-glass, whilst
-it gave the silver ewer the appearance of tin. And he laid aside his
-brush, and with his hands in his pockets, and whistling to himself,
-walked up and down his studio, a little annoyed at his want of energy.
-He would so gladly have finished it, but he could not, exert himself
-though he might.
-
-His room was one artistic chaos, even as his amateurish temperament was
-a chaos, out of which a creation rarely came forth. Above a carved oak
-cupboard hung a trophy of ancient weapons; the walls, up to the
-ceiling, were covered with china, paintings, engravings, and etchings,
-and female figures in marble and terra-cotta seemed to surround him, as
-with a harem of milk-white and amber-coloured beauties. Books were
-scattered about everywhere, out of untied portfolios peeped forth
-sketches and engravings; on the ground, round about the easel, lay a
-medley of brushes, pencils, and tubes. A large ash-tray was full of
-ashes, and everywhere there was dust and rubbish. Leentje, the
-parlour-maid, was seldom permitted to enter this room.
-
-And whilst in his disappointment he walked up and down, it seemed to
-him as though it would be a relief to clear away all this artistic
-rubbish, throw his easel in the lumber-room, and never more think of a
-brush. It seemed to him that when once his room were cleared of art, he
-himself would have no further longing for art, and therefore suffer no
-more disappointments. It was only a waste of time; he could find better
-amusement than that eternal dabbling. And he thought how he would
-re-arrange his room, simple and comfortable, so that one could move
-about without throwing down a statue here, or stumbling over an Eastern
-rug there. Still, the thought was tinged with sadness; it was all
-illusion, long since shattered and cast down from its pedestal, the
-last remnants of which he was now about to clear away.
-
-All at once he heard Eline’s laughing voice in the hall, and he went
-down-stairs into the back sitting-room, and kissed his mother; she had
-come with Ben. Betsy invited Madame van Raat to come round that
-evening; there would be no one there besides Madame Eekhof and her two
-daughters, Ange and Léonie, Frédérique and her two brothers, and
-Vincent.
-
-“Of course, we depend on you also, Paul,” she said, as she gave him her
-hand. “Cela s’entend, n’est-ce pas? Come, little madam, you had better
-say yes; it won’t be nice at all of you to refuse; you may go at your
-usual early hour, if you like. Ce n’est pas à refuser.”
-
-Well, little madam would consent; but she really did not feel at home
-with all that youth about her.
-
-“That’s just the thing that does you good, a little cheerfulness. Look
-at Madame van Erlevoort,” said Eline; “take example by her.”
-
-The old lady was not proof against the temptation of her darling’s
-voice, and gave herself over; Paul, too, promised to come. And Madame
-van Raat looked at Eline, who sat beside her on the sofa, with some
-curiosity, as though she were revolving something in her mind.
-
-“I say, Eline, I must ask you something,” commenced Madame van Raat at
-length, in a whisper. “Is it true?”
-
-Eline felt a faint blush tinge her cheeks, but she acted as though she
-did not understand the question.
-
-“What, little madam? how do you mean?” The old lady smiled, but gave no
-explanation. She only asked—
-
-“Frédérique is coming too this evening, is she not?”
-
-“I think so, at least——” began Eline.
-
-“Alone?”
-
-“No; with—as I said just now—with her brothers, Otto and Etienne.”
-
-“Oh, indeed,” said the old lady indifferently; but she looked at her
-askance, whilst something like joy played in her lustreless eyes.
-
-Eline smiled, a little embarrassed.
-
-“I think you are a very naughty old lady,” she said, stroking her muff.
-
-“Oh, people talk so much, you know; don’t they? One hears this one day,
-that the next; but still, sometimes one hears the truth too.”
-
-“And what have you heard?”
-
-“Something you ought to have told me long ago, if you had placed any
-confidence in me. Now I had to learn it from Betsy.”
-
-Eline started.
-
-“Did Betsy say——?” she stammered.
-
-“Yes, deary; and I had much rather have heard it from you first,”
-repeated Madame van Raat, feeling hurt, as an old lady who has been
-slighted.
-
-Eline grew impatient. It was true Otto had asked her, but she could not
-yet decide, and it annoyed her. How every one seemed to know about it,
-and gave her unasked advice! how every one in veiled and open terms
-dared to make all sorts of representations to Betsy! others, under the
-cloak of intimacy, had even whispered in her sister’s ears that she
-should urge Eline to declare herself. She now had had enough of these
-indiscretions, and she was on the point of giving Madame van Raat a
-sharp answer, but she restrained herself, and gave no sign of her
-annoyance, whilst she murmured close to the old lady’s ear—
-
-“Well, what should I have told you? It is true Erlevoort has proposed
-to me; but I could not talk about it before I knew myself what I should
-do.”
-
-And she just glanced at Paul, but quickly turned her head away again,
-feeling annoyed too with him, for he looked at her intently, as if he
-wanted to catch her words. Anyhow, she was not going to satisfy their
-unmannerly curiosity, and she rose and put a stop to Madame van Raat’s
-chat—from which it appeared that the old lady liked Otto very much—with
-a kiss and a few little words of endearment.
-
-And the increased lovingness of Madame van Raat’s trembling kiss, no
-less than the playfulness that twinkled in Paul’s eyes, annoyed and
-irritated her, whilst she was waiting for Ben, as his grandma was still
-caressing him in her arms.
-
-
-
-No; Eline did not know how to decide. She shuddered at taking a step
-that could make her happy or unhappy for life. It seemed to her as
-though her future depended only on one single word, which she hesitated
-to utter. She shuddered at the very idea of a mariage de raison,
-because in her heart she felt a longing for love, much love, although
-it was a feeling which she had done her best to repress after her
-recent disappointment. And Otto—she had danced with him, had laughed
-and joked with him, but never had his image held her thoughts even for
-a moment, and she had always forgotten him as soon as she heard or saw
-him no longer. When, however, she saw through his earnest simplicity of
-character, when she guessed that he loved her, the idea was sweet to
-her, and she told herself that it would pain her were she to cause him
-grief, or to refuse him anything, even her hand. And whilst she thus
-wilfully blinded herself, the rapture of his quiet passion for her
-seemed to pour balm into her wounded heart.
-
-The thought of becoming his wife, under the influence of her
-self-deception, filled her with a serene joy; something like a sweet
-vision arose to her mind, and—she began to look at the matter from a
-financial point of view.
-
-Yes; the idea was a cheering one. To be quite independent, to leave her
-sister’s house, where, notwithstanding her own little private fortune,
-she felt as though she were in fetters, something like a troublesome
-guest, whose presence was tolerated for the sake of the world’s
-opinion. But beneath all these various reasons which allured her to
-welcome Otto with a calm pleasure, there lurked, like an adder as it
-were, invisible to her own eye, the bitter regret at the ruin of her
-shattered fantasies, and if ever she gave herself away to Otto, it
-would be in order to be avenged on Fabrice, and on herself.
-
-In the meantime, as soon as he had proposed, as soon as it became
-necessary for her to reflect, and there was no overwhelming wealth of
-passion to which she could yield herself up, she had stepped back full
-of terror at the ordeal of giving her decision.
-
-He, Otto, waited; he at least was discreet. For some days past he had
-avoided the house of the van Raats, and she wanted to reward him for
-his discretion; blushingly she had asked Betsy to send him a personal,
-intimate invitation, as she did to Freddie and Etienne.
-
-He would come, she would speak to him; and it seemed to her as if some
-unseen power pushed her forward down a steep path; as if she would act
-otherwise than she did, but that she was powerless to escape her fate.
-It seemed to her as though, blindfolded, she groped about after her
-happiness, stretching forth her hands in anxious, breathless suspense,
-and listening to something that seemed like the echo of the happiness
-that she was never, never to find.
-
-
-
-Betsy poured out the tea. Madame van Raat and Madame Eekhof sat beside
-her on a sofa, and conversed with Emilie de Woude. Henk, with his hands
-in his pockets, was listening attentively to Vincent, and Eline, Ange,
-Léonie, and Paul were turning over some music at the piano, when Otto
-and Etienne entered.
-
-“And Frédérique?” asked Betsy with surprise, as she held out her hand
-to Otto.
-
-“Frédérique felt a little tired; she is very sorry,” he answered
-simply.
-
-“She is often out of sorts lately,” said Etienne, as though to add some
-weight to his brother’s words.
-
-Eline felt her heart beat. She was very nervous, although she
-effectually concealed her nervousness under her happy cheerfulness. It
-suddenly seemed to her as if every one were looking at her, were
-guessing at her thoughts, and she nearly shuddered to raise her eyes,
-out of fear at seeing the glance of all directed upon her. But still,
-when she looked up, the aspect of the room was quite unchanged; the old
-ladies were still chatting with Betsy and Emilie, Vincent was speaking
-almost in whispers to Henk, and the girls and Paul were shaking hands
-with Etienne.
-
-But Otto approached her. She scarcely knew how to carry herself, and
-fancied she looked very awkward; but it was just that very hesitancy
-that lent something coy to her slender little figure, and gave her a
-new charm. She heard how he simply bade her good evening, but in his
-voice there sounded something full and rich, like the promise of a
-great affection. She suddenly felt conscious of a fresh emotion, a
-melting tenderness in her heart which she could not understand.
-
-He remained standing there, by the piano, at her side; but entered into
-conversation with Ange, while Léonie was engaged in boisterous fun with
-Etienne. Once or twice Otto glanced at Eline to make her participate in
-their chat, and she smiled, without hearing what passed. She could no
-longer follow her thoughts; they fluttered about in her mind like a
-swarm of butterflies, and it seemed to her as though a chorus of voices
-was singing in her ears. She understood that she might not allow
-herself to be drawn into the luxurious softness which seemed to
-encircle her as with velvet arms, that she durst not give herself up to
-dreams in the midst of a room full of people. And after a few laughing
-words she turned away, wondering at the subdued tone of her voice,
-which sounded as though she was speaking through a veil.
-
-“Vincent, you play too, don’t you?” she heard Betsy ask, and she saw
-the old ladies and Emilie rise, and caught sight of Henk seated at the
-card-table in the opposite room, and busily picking out the pearl
-card-counters from a Japanese box. She seemed to be moving as in a
-dream; she saw the cards spread out on the red cloth-covered table in
-the form of a big S; she saw the wax candles burning at the corners of
-the table, and Madame Eekhof’s bejewelled fingers drawing a card.
-
-It seemed to her as though she herself was far away from it all.
-Vincent sat down opposite Madame van Raat, Henk was to have Madame
-Eekhof for a partner. Betsy returned with Emilie, they would join in
-later on.
-
-“Madame van Raat, shall we be disturbing them if we have a little
-music; or is it such a terribly serious card-party?” Léonie asked of
-Betsy, pointing to the card-table.
-
-“Oh no, not at all, amusez vous toujours,” answered Betsy, and she led
-Otto and Emilie with her to the sofa. To strangers she was always most
-amiable.
-
-“Come, Eline, do let us hear you; deary, we are dying for your
-ravishing melodies!” Léonie continued, with unextinguishable vivacity.
-“I will accompany you with my fairy fingers.”
-
-“No, Léo; not this evening, please. I am not in voice.”
-
-“Not in voice? I don’t believe a word of it! Come! allons, chante ma
-belle! what shall it be?”
-
-“Yes, Eline, do sing!” cried Madame van Raat from the opposite room,
-and then in an embarrassed voice asked her partner what were trumps.
-
-“Really, little madam; really, Léo, I can’t. I can always tell when I
-can’t sing. I don’t as a rule refuse, do I? But you have brought some
-music with you, have you not?”
-
-“Yes; but they are not the sort of songs to commence with, they are for
-later in the evening. Something serious first; come, Eline, allons!”
-
-“No, no; positively not,” said Eline, shaking her head; it was really
-impossible. She felt as though in a fever, which brought a faint blush
-to her cheeks, caused her eyelids to droop languidly, made her pulses
-beat, her fingers tremble.
-
-“Positively not?” she heard softly repeated, and she glanced round. It
-was Otto, who, seated beside Betsy and Emilie, asked her, and looked at
-her with his honest, expressive eyes. Once more she shook her head,
-still, so she thought, awkwardly; but really with unconscious grace.
-
-“Really, I could not.”
-
-And she turned away directly, fearing that he would suspect why.
-Besides, she felt very embarrassed when her glance met his, although
-there was not the slightest reproach in it. And it seemed to her as
-though there was something awkward in the bearing of the people who
-filled the rooms with their chat and laughter, something that was
-unusual and strange; but still, so she thought, only Betsy and Madame
-van Raat knew that Otto had proposed to her, and that she would give
-him her answer that evening. Whatever the others might suspect, they
-would not let a word escape her that could compel her to lift the veil
-from her secret before she chose. And this confidence in their
-well-bred discreetness reassured her.
-
-Léonie however pouted, and thought Eline a tiresome girl. Paul and
-Etienne cried that Léo must sing, and were going to fetch her music,
-which the girl, with an affectation of shyness, had left in the hall.
-All three rushed laughing to the door, but Léonie would not permit them
-to look for the music, and they caused a sudden, cheerful stir, that
-made the whist-players in the next room look up smiling from their
-cards. Etienne however triumphed, and soon returned, carrying in his
-uplifted arms the score of The Mascotte. The young Eekhofs were
-persuaded, and laughing and halting they warbled, with their thin,
-shrill little voices, the duet of Pipo and Betinna—
-
-
- “O, mon Pipo, mon Dieu, qu’t’es bien!”
-
-
-whilst Etienne accompanied them, with frequently doubtful chords.
-
-Still the duet was a success, and with rising gaiety they soon warbled,
-all four of them—Ange, Léonie, Etienne, and Paul—with a delightful
-disregard both of time and tune, now the languishing
-
-
- “Un baiser est bien douce chose!”
-
-
-then the comic
-
-
- “Le grand singe d’Amérique!”
-
-
-and their music was wafted—a fluttering of airy melody—gaily through
-the rooms. Eline had seated herself on a stool next the piano, and she
-leaned her feverish little head against it, almost deafened with
-Etienne’s noisy voice. Her hand kept time on her knee, thus still
-showing some little interest in what was going on. She heard the chords
-of the piano drumming in her ears, and the sound of it prevented her
-from thinking and coming to a decision. Constantly she swayed from one
-resolution to another. Yes, she would accept; his love, though not
-requited, would yet be her happiness; it was her destiny. No; she could
-not force herself, she could not without a shadow of love allow herself
-to be bound in this way. And it seemed to her as though her thoughts
-were continually swayed to and fro, as if a clock were constantly
-ticking in her ears: yes—no—yes—no. It would be a relief to grasp at
-anything, however blindly. No; she must only decide after calm
-deliberation. Oh, if that clock would only cease! she could not
-struggle thus with herself; she had not the strength. She would reflect
-no longer; she would let herself be carried away by the invisible
-powers that drove her down the steep path; she would yield herself up
-entirely to the stress of circumstances; they must decide for her. And
-she felt a cold shiver overtake her when their glances met, and she
-rose.
-
-
-
-Vincent addressed her.
-
-“Well, Elly, have you committed any folly yet; anything outrageously
-mad?” asked Vincent, mocking her voice.
-
-Round the piano it was quieter. Léonie was seated beside Emilie, and
-was giving her a vivid description of a little dance at the van
-Larens’. Etienne had turned himself round on the piano-stool and was
-joking with Ange, who had tumbled on the ottoman in a burst of
-laughter, and covered her face with both her little hands. Paul joined
-in the laughter and turned over the pages of music.
-
-“How? what? how do you mean?” stammered Eline, who did not understand.
-
-“Did you not tell me, a little while ago, that you were about to do
-something desperately absurd? now I ask you whether you have hit upon
-anything yet? I should like to join you.”
-
-His banter grated on her ears. In her present unusually serious mood,
-the remembrance of that period of frivolity seemed to her like an echo
-of vanished wishes. No; she no longer had any desire to give herself
-over to equivocal absurdities; she would be sensible and practical, as
-Otto was. Equivocally absurd, her disappointed passion—if she might
-give that name to her folly—had been more than enough; in future she
-would not let herself be carried away. And she crushed the feeling of
-bitter remorse that rose in her heart with the sharp sting of an adder.
-
-While she was searching for some light phrase in answer to Vincent’s
-question, a sudden alarm seized her. A new thought struck her. No, it
-was no longer possible; she could not go back. Otto, Betsy, all
-expected her to accept; they could not help doing so. If she did not
-intend to accept him, why then did she have an express invitation sent
-him? It was settled. It could not be otherwise, and after her sudden
-alarm a great calm came over her whole being.
-
-“But, my dear girl, I believe you suffer from absent-mindedness,” cried
-Vincent laughing. He had asked her why Georges de Woude was not there,
-and she had languidly replied—
-
-“Oh, yes; that is true.”
-
-Now she laughed in her turn; she was coming to in the blissfulness of
-that calm.
-
-“I beg your pardon, I have a little—” and she placed her hand on her
-forehead.
-
-“Oh! headache, I suppose? Yes; I know the disease,” he interrupted
-ironically, and gave her a searching glance. “That headache is a family
-complaint with us; we suffer a great deal from headache.”
-
-In some alarm she looked at him; surely he could not suspect anything.
-
-“I too got a headache whilst playing, under the hammering of the piano.
-It was as though I saw all kinds of colours—green, yellow, orange. When
-that little lively girl there—Léonie—sings, I always see orange
-colour.”
-
-“And when I sing?” she asked coquettishly.
-
-“Oh, then it is quite different,” he resumed, more seriously. “Then I
-always see before me a harmonious climax, from faintest pink to purple,
-until the whole is fused together in one delightful coalescence. Your
-low notes are pink, your high ones purple and brilliant. When Paul
-sings ’tis all gray, with a tinge of violet sometimes.”
-
-She laughed gaily, and Paul—who had heard him—also.
-
-“But, Vincent, these are visions of an over-excited imagination.”
-
-“Perhaps so; but sometimes ’tis very pretty. Have you never experienced
-it?”
-
-She reflected for a moment, while Ange and Etienne, who had heard the
-latter part of their conversation, came nearer and listened, as did
-Paul.
-
-“No; I don’t think I have.”
-
-“And have you never felt that some notes remind you of some particular
-odour—for instance, opoponax or mignonette? The tones of an organ are
-like incense. When you sing that scena of Beethoven, ‘Ah, Perfido!’ I
-always smell the scent of verbena, especially in one of the concluding
-high passages. When you sing it again, I shall show you.”
-
-Ange roared with laughter.
-
-“But, Mr. Vere, how lovely to be perfumed like that!”
-
-All joined in the laugh, and Vincent too seemed in a good humour.
-
-“’Tis true, parole d’honneur.”
-
-“No; but I tell you what, some people remind me of different animals,”
-whispered Etienne. “Henk, for instance, reminds me of a big dog, Betsy
-of a hen, Madame van der Stoor of a crab.”
-
-They screamed with laughter. Otto, Emilie, and Léonie rose from their
-seats and approached nearer.
-
-“What is all this about?” asked Emilie inquisitively.
-
-“Madame van der Stoor is a crab!” yelled Ange, with tears in her eyes
-through laughing.
-
-“And tell me, Eetje, of what do I remind you?” asked Léonie with
-glistening eyes.
-
-“Oh, you and Ange are just like two little pups,” cried Etienne. “Miss
-de Woude, with her double chin, is a turkey!” he whispered, wild with
-his success, in Ange’s ear, who nearly choked with laughter. “Miss
-Frantzen is also a turkey, of another kind. Willem the servant is a
-stately stork, and Dien, the cook at the Verstraetens’, a cockatoo.”
-
-“’Tis a menagerie, a Noah’s ark!” screamed Léonie.
-
-“And Eline?” Paul asked at last.
-
-“Oh, Eline,” repeated Etienne, and reflected. “Sometimes a
-peacock—sometimes a serpent—at this moment a little dove.”
-
-They shook their head at his extravagant fancies, but still they
-laughed gaily.
-
-
-
-“Etienne is always jolly,” said Eline to Otto, when the little groups
-were broken up, and she nodded smilingly at Madame van Raat, who had
-given her seat at the card-table to Emilie. Vincent in the meantime
-became the butt of the little Eekhofs, who asked him if he were going
-to open a perfumery store.
-
-“Yes,” answered Otto. “He has no reason to be otherwise, has he? He has
-all that he desires.”
-
-There was something sad in his words, as if that was not the case with
-himself, and Eline could find nothing to reply. For a while they stood
-close together, in silence, whilst her trembling hand clasped the fan
-at her side, and again her thoughts began to stray.
-
-“Have you nothing to say to me?” he whispered softly, but without a
-tinge of reproach.
-
-She took a deep breath.
-
-“Really, oh—I—I cannot yet; forgive me, but really—later, later.”
-
-“All right, later; I will be patient—as long as I may be,” he said, and
-his calm tone brought a little peace to her whirling brain. No; refuse
-she could no longer—but still, she could not yet decide.
-
-And she could not help admiring his quiet tact, as he conversed with
-her on subjects in which neither of them took the slightest interest.
-That simple, quiet tact constituted his greatest charm; he was so
-entirely himself that it seemed as if his manly frankness concealed
-nothing that the eyes of the world might not see. Whilst he spoke, he
-attempted to cajole neither himself nor her that there was anything
-interesting in the conversation; he seemed only to continue it because
-he liked to be near her and speak with her. It was so evident in the
-full tones of his voice. His thoughts were not in his conversation, and
-he made no attempt to conceal the fact. And for the first time she felt
-something like pity for him; she felt that she was cruel, and that he
-was suffering, and this feeling again aroused within her that melting
-tenderness which she could not understand. Refreshments were handed
-round.
-
-“Will you take a lemonade, madam, and a cake?” Eline asked Madame van
-Raat, who was sitting somewhat deserted on the sofa, now and again
-smiling at the joyous group of young people who were engaged telling
-each other’s fortunes.
-
-“Wait a moment,” she continued to Otto; “the old lady is all alone; I
-shall go and keep her company.”
-
-He gave her a friendly nod and went to listen to Paul’s horoscope,
-which Ange was drawing for him.
-
-Eline took a lemonade, laid a cake on a dish, and offered it to Madame
-van Raat. Then she sat down next to the old lady, and took her hand.
-
-Madame van Raat, however, never touched the refreshments, but looked
-Eline straight in the eyes.
-
-“Well, how is it?” she asked.
-
-In her present mood of melting tenderness, Eline could not feel annoyed
-at the indiscreet question. And she answered, very softly, almost
-inaudibly—
-
-“I—I shall accept.”
-
-She sighed, and the tears rose in her eyes, when for the first time she
-made that resolution. She would accept. And she could find nothing more
-to say to the old lady; that one word filled her mind so completely,
-that it absorbed every other thought. For a moment, therefore, they sat
-next each other in silence, a little turned away from the joyous group
-round the cards. And Eline could hear Ange’s shrill, laughing voice, as
-she laid down the cards, one by one, on the table.
-
-“Now just listen, Mr. Erlevoort. I am much cleverer than Madame
-Lenormand. Here is yours, king of diamonds. You are surrounded by much
-tears, but they are turned into smiles; you will have much money, and
-will go and live in a château in the Pyrenees. Or would you rather buy
-a villa near Nice? Ah, there she is! queen of hearts, you see. You are
-rather wide apart, but all the intermediate cards are favourable. You
-will have to struggle against many obstacles before you can reach her,
-for she is rather sought after, you see; but—the king of clubs, king of
-diamonds, a plebeian even, a social democrat; knave of spades!”
-
-“Black Jack!” cried Léonie. “Ah, fi donc!”
-
-Eline smiled, a little frightened, and wiped away a tear from her
-lashes; and Madame van Raat, who had also been listening, smiled too.
-
-“There, just see how beautiful those aces lie,” Ange went on. “No fear,
-Mr. Erlevoort, no fear; ’tis all clearing up nicely.”
-
-“The cards seem favourable,” whispered Madame van Raat.
-
-Eline gave a little smile of contempt, but she felt a little upset;
-Black Jack had reminded her of Fabrice.
-
-
-
-The company had risen from the whist-table, and the conversation became
-lively and general. The fortune-telling had given an impetus to the
-gaiety all round, and Etienne was loud in his protestations to Ange,
-who prophesied that he would be an old bachelor. Not he; he declined
-with thanks.
-
-Ange and Léonie persuaded Paul to sing something else, and Léonie
-accompanied him in one of Massenet’s songs. In the meantime Betsy
-looked attentively at her sister and Otto, and thought she could see
-that nothing had yet transpired between them. How Eline did
-dilly-dally, to be sure! No; she had managed it better herself. She had
-quietly accepted van Raat when he in his clumsiness had proposed to
-her. What was Eline thinking about? why in Heaven’s name shouldn’t she
-accept Erlevoort? They were quite cut out for one another. And she
-worried herself about that sentimental hesitation on the part of her
-sister, when she had the chance of marrying into a good family, and a
-man in a fair position. Her eye glanced coldly on Eline’s slender form,
-to which that hesitating coyness lent an additional charm, and she
-remarked it, as she also remarked the unwonted earnestness that seemed
-to be diffused over her beauty. What a lot of to-do about such a simple
-matter! But when she caught sight of her husband, who was talking to
-Otto, she felt even more annoyed; how stupid he was, to be sure! Had he
-really no notion as yet why Otto was there that evening?
-
-Madame van Raat left later than she usually did, still feeling
-uncertain in her mind about Eline’s decision. She had to some extent
-anticipated a sort of family evening, and she felt decidedly
-disappointed.
-
-It was now long past twelve, and Madame Eekhof and her daughters,
-together with Emilie, Vincent, and Paul, prepared to go, the girls,
-amid much laughing banter, being conducted by Henk and Etienne through
-the hall to their carriage. Betsy, Eline, and Otto remained behind in
-the little boudoir, and the silence somewhat embarrassed them. But
-Betsy purposely rose and walked into the drawing-room towards the
-card-table, as though to gather up the scattered counters. To Eline it
-seemed as if the ground was giving way under her. She could not hide
-her confusion from Otto’s eyes, and he, although he had had no
-intention that evening of reverting to his request, did not feel
-himself strong enough to resist the temptation of the moment, now that
-they were alone together.
-
-“Eline,” he whispered, in a broken voice; “oh, must I leave you like
-this?”
-
-Almost in terror she gasped forth her pent-up breath in a trembling
-sigh.
-
-“Otto—really, truly—I—I cannot, not yet.”
-
-“Adieu then; forgive me, pray, for having worried you a second time,”
-he said, and with that he lightly pressed her fingers and went.
-
-As for her, however, she felt herself suddenly relenting into a melting
-tenderness. Trembling and shaking all over, she all but fell to the
-floor, but she saved herself by rushing towards the door, where she
-clung to the heavy draperies, and altogether yielding herself up to her
-emotions, she cried—
-
-“Otto! Otto!”
-
-He could not repress a light cry. He quickly turned back and caught her
-in his arms, and with his face all aglow with pleasure he led her back
-into the boudoir.
-
-“Eline, Eline!” he cried: “is it true?”
-
-She made no reply, but flung herself sobbing on his bosom, her spirit
-utterly broken with her inward struggles.
-
-“You will—you will be my little wife, then?”
-
-She just ventured to lift up her face, whilst she lay trembling in his
-arms, her only reply being her tearful glance and her faint smile.
-
-“Oh—Eline—my darling!” he whispered, and his lips pressed her forehead.
-
-Voices were heard in the drawing-room. Henk and Etienne were coming out
-of the hall, Etienne carrying his overcoat and hat in his hand.
-
-“But where is Otto all this time?” Eline heard him exclaim, and she
-could at the same time distinguish Betsy’s voice, who whispered
-something.
-
-Otto looked smilingly down upon the little weeping head, which,
-suddenly alarmed, was pressed against his bosom.
-
-“Come, shall we go, then?” he asked, and in his simplicity he beamed
-with joy.
-
-Slowly, very slowly, she let him lead her away, still sobbing in his
-arms, her head hid on his shoulder. Betsy met them with a laugh, and
-pressed Otto’s hand with a significant glance. Henk and Etienne were
-somewhat surprised.
-
-“Van Raat, may I—may I introduce you to my intended?” said Otto.
-
-It was Henk’s turn to smile now, and Etienne’s, who opened his eyes
-wide with amazement.
-
-“There’s a sly old customer!” he cried, and held his finger up
-threateningly. “Who would have expected that this evening, now? what do
-you think of that?”
-
-Eline, however, still sobbing, relieved herself of Otto’s arm, and
-clasped Henk round his neck. He kissed her, and his big voice muttered
-kindly—
-
-“Well, I will congratulate you, sissy, with all my heart. But the
-deuce! come, don’t cry like that—what’s the idea of that now? Come,
-give us a laugh now, for a change.”
-
-In confusion she covered her face with her hands, and now Betsy thought
-that it was her turn to give her a kiss, and she just touched the
-dishevelled little locks.
-
-“I am very satisfied with my little soirée, very satisfied!” she said
-significantly.
-
-
-
-Henk wanted Otto to stay a little longer, Etienne was discreet enough
-to take himself off, but Eline whispered beseechingly that she was very
-tired, and Otto did not insist. He was too happy to wish for anything
-more; he would go, brimful of joy. And she thought it very nice of him
-that he took leave only with a shake of the hand, as she feared he
-would have kissed her before all of them.
-
-The two brothers left, and Eline fled to her room, where she found
-Mina, who was just lighting the lamp. The servant-maids had heard the
-news from Gerard, who had come into the drawing-room at a very
-inopportune moment, and Mina congratulated her, and looked at her with
-an inquisitive smile about her lips.
-
-“Thank you—thank you, Mina,” stammered Eline.
-
-At last she was alone. She glanced in the mirror, and she started when
-she saw the tearful pallor of her face. Yet it seemed to her as though
-her soul glided away in a still, blue lake, that noiselessly covered
-her with its waters, a spot where an eternal peace seemed to reign, a
-Nirvana, the calm rapture of which was to her a new happiness.
-
-
-
-
-
-
-
-
-CHAPTER XVI.
-
-
-It was a fresh, bright May day, after a week of rain and chill mists.
-Jeanne had sent her children—Dora, Wim, and Fritsje—for a walk with
-their nurse, to the Schevening Boschjes. She herself, however, had
-stayed at home, as she was always much occupied, and she felt lonely in
-her apartments, sitting there by herself, doing her knitting and
-darning in a pale sunbeam which she, regardless of her carpet and her
-curtains, allowed to stream freely into the room. Frans was away in
-Amsterdam, where he had gone to consult a physician. It was now
-half-past one, thought Jeanne, as she glanced at the timepiece, the
-tick of which was heard very distinctly in the quiet room. About
-half-past five Frans would return, and the time which she had yet to
-wait seemed so many ages to her, although she thought it splendid for
-once to be able to do such a lot of work undisturbed.
-
-The pale sunbeam fell right over her, but it did not trouble her; on
-the contrary she basked in its faint warmth. The light shimmered about
-her light-brown hair, and imparted to her sunken white cheeks an
-alabaster transparency; it shimmered too over her thin, delicate
-fingers, as with a steady, rhythmical motion she plied her needle. And
-how she longed for the summer! oh, that May, with its damp misty
-weather and its rare bright days, might soon be passed! how could she
-have cherished any illusion of May being a month of spring beauty, as
-the poets falsely said?
-
-She smiled a little sadly as she bent over the chemisette she was
-making, to press down a seam with her fingers; she smiled when she
-reflected that every illusion, the smallest even, vanished into air,
-while her life rolled on, and the future, which she feared with a
-great, mysterious, unspeakable terror, continually faded away, to make
-room for that gloomy, monotonous reality. And now—now she shuddered,
-now once more that fearful presentiment rose up in her soul, like a
-veiled spectre; something would happen to them, some inevitable
-disaster would crush them. She took a deep breath, shuddering, her hand
-pressed on her bosom; shuddering, not for herself, not for him—but for
-the children.
-
-She rose, it was impossible for her to continue her work, and yet she
-must not be idle on the rare day when the children left her
-undisturbed. Oh, why was she not stronger? And leaning against the
-window-sill she let herself be entirely covered by the ray of sunshine,
-like a pale hot-house flower longing for light and air, and she gazed,
-absorbed in her thoughts of what was to be, into the little square
-patch of garden behind the grocery shop below. A lilac was just budding
-into leaf, but in the centre or side beds nothing as yet was growing,
-and before Jeanne’s eyes there suddenly arose a vision of Persian
-roses, such as those that bloomed on their property at Temanggoeng,
-big, like pink beakers, full of sweet odour. It was as though she smelt
-that odour; it was as though the blushing tint of those flowers
-dispelled the dull gray thoughts, and left in their place merely a
-longing for warmth and love.
-
-Thus she felt when the bell rang, and Mathilde van Ryssel entered. They
-had met each other once or twice at the van Raats’, and they were aware
-of a certain sympathy between them.
-
-
-
-“I have really come with the evil intention of tempting you out for a
-walk,” said Mathilde smiling. “It is glorious weather, and it will do
-you good.”
-
-“But, Tilly, the children are out, and Frans as well. Really I can’t, I
-have work to do.”
-
-“What insurmountable objects, to be sure!” laughed Mathilde. “You need
-not take care of the house.”
-
-“No; but when the children come home, and find me out——”
-
-“Really, Jeanne, that is spoiling them; surely they can manage to do
-without you for a moment. I should get my hat and jacket, if I were
-you, and come out with me like a sensible girl. What! sewing, are you?
-That’s work for a rainy day.”
-
-Jeanne felt a gentle delight at having the law laid her by that soft
-voice, which even in its banter was pervaded with a tone of sadness.
-And she yielded, feeling so happy, and ascended the stairs to dress,
-almost humming the while.
-
-She was soon ready, and after numberless admonitions to Mietje, left
-the house with Mathilde. The cool wind seemed to lift a mist from her
-mind, while her pale checks became cold and almost got a colour. She
-listened to her friend, who told her that she had just taken Tina and
-Jo to the van Raats’; Betsy and Eline had asked them to go for a walk
-with them and Ben.
-
-“And the others?”
-
-“Oh! Lientje and Nico had absolutely to go out with mamma; mamma was
-already in despair that she could not have the other two. I should not
-have dared to take them with me,” she said laughing. “Dear, kind
-mamma!”
-
-They had passed through the Laan van Meerdervoort and reached the
-Schevening road, which they followed. There were but few people about.
-Mathilde let herself be carried away by her feelings, and revived by
-the clear, fresh air, little talkative though she might be generally in
-her reserve, and her silent grief.
-
-“You don’t know how—how good mamma is,” she said. “She lives only for
-her dear ones—for her children and her grandchildren. She never has the
-slightest want of her own; whatever she thinks or does, ’tis all for
-us. And I believe if you asked her which of us she liked best, she
-could not tell you. Yes; she is mad with Etienne; Etienne is always
-jolly, like a child, and because she too is cheerful and likes a good
-laugh, his jokes do her good; but that she cares equally for Frédérique
-or Otto, or for my children, I have no doubt. When mamma writes to
-London, or Zwolle, or to the Horze, it is one long complaint that she
-never sees those stray sheep. You can understand how unhappy she was
-when Cathérine and Suzanne married and left her. I believe she would
-like to build a sort of hotel, where she could stow the lot of
-us—Théodore and Howard and Stralenburg, and all the rest. Dear, dear
-mamma!”
-
-They both were silent for a time. The Schevening road twisted itself
-like a long gray ribbon before them, with a distant perspective of tree
-stems under a network of budding twigs. The sunshine glistened on the
-fresh young foliage waving bright under the clear blue sky, and on the
-old stems there appeared a new layer of fresh green moss, soft as
-velvet. The chirping of birds vibrated through the clear atmosphere in
-tones of crystal.
-
-“How glorious it is here!” said Mathilde; “one lives anew. But let us
-get into this little lane. The people tire me; I dare say we tire them
-too; we are out of harmony with nature’s surroundings. I always think
-people so ugly amid green foliage, especially in the early spring. You
-see, I am beginning to philosophize.”
-
-Jeanne laughed, brimful of happiness. The world appeared to her
-beautiful and good, full of love. And she thought of Frans!
-
-
-
-They had seated themselves on a bench, and Jeanne ventured to ask—
-
-“But how about yourself, Mathilde? You are always talking about your
-mamma, but never about yourself.”
-
-Mathilde looked up with something like a shiver.
-
-“About myself? I do my best to forget about myself. ’Tis only to the
-children that I am still of any use; for them I live and think. If they
-were not here, I should be dead.”
-
-In her words there resounded the memory of a dull grief, faded away
-long ago into a placid resignation.
-
-“If you have imagined yourself very happy, happy through and with one,
-for whose sake you would have sacrificed body and soul, and you
-observe—But ah! why speak about that?”
-
-“Does the thought of that cause you such suffering then?”
-
-“Oh no; I have suffered. There was a time when I thought I should have
-gone mad, and I cursed the name of God; but that bitter sorrow has been
-transformed into a lethargy that is past. I never think of it, I only
-think of my four little darlings. And that thought fills my mind
-sufficiently, so that I need not become a living mummy. You know, until
-now I have been teaching them myself; but ’tis getting time for Tina
-and Jo to go to school. Otto says so at least; but I should miss them
-very much, and mamma, of course, sides with me there. Darlings!”
-
-Perhaps she only fancied it, but Jeanne thought that in that dull
-resignation she could detect a tone of suppressed bitterness, and she
-could not help taking Mathilde’s hand in hers and whispering pityingly—
-
-“Poor girl!”
-
-“Yes; you—you are richer than I, you have your children and you have
-your husband,” answered Mathilde with a sad smile, whilst her eyes
-filled with tears; “and though you have your troubles and vexations,
-you have more—more than I. Let that be your comfort when you have a fit
-of melancholy. Just think of me, think that I could yet envy you, if—if
-everything were not dead within me, everything except that one thing
-alone.”
-
-“Mathilde! Oh, how can you speak like that? it pains me!”
-
-“It should not do so, for me it pains no longer. ’Tis only just a faint
-memory of what has been, you know; nothing more. But still, ’tis better
-to be silent about it; the raking up of these memories does me no good,
-but hurts me, though I am almost a mummy.”
-
-“Oh, Mathilde, how is it possible that you can always keep it pent up
-within you? I—I could not do so; I should have to give it vent, that
-which made me so——”
-
-“No, no, Jeanne; oh, truly no, never more! Do not speak any more about
-it, or—I—I shall feel myself brought back to life again. No, don’t;
-never again—I beg of you.”
-
-She leaned back against the seat, and tears dropped from her lashes,
-whilst with her waxen pallor, and in her sombre black dress, she seemed
-a picture of an infinite, unspeakable sorrow. She would not be brought
-back to life, she wanted to be dead!
-
-
-
-Jeanne did not want to get home too late, so that she might be there
-before the children and Frans. So they turned back.
-
-“And now I dare say I have made you sad, when I wanted to refresh you
-with a pleasant walk?” asked Mathilde smiling. “Yes; that comes of all
-that philosophy; forgive me, do!”
-
-Jeanne could find nothing to say, and shook her head smilingly, to
-signify that she was really not sad. And in her inmost soul she had to
-acknowledge deeply—though Mathilde’s silent despair had at first
-grieved her—now that she herself had once more assumed her ordinary
-semblance of resignation, that pity for her friend became fused into a
-feeling of peace and rest, as far as her own small troubles were
-concerned. By the side of that one great ever-reviving sorrow the
-latter seemed to her small and insignificant, the easily-borne troubles
-of life, whilst had she been doomed to bear Mathilde’s sorrows, she
-would have been crushed beneath them. She felt a remorse that she was
-ungrateful for all the good that was bestowed on her, and which still
-was hers—a remorse that sometimes she dared to feel herself wretched at
-her fate, and yet she had been spared so much sorrow! Frans, he might
-have his faults, he might be hasty and disagreeable when he was ill;
-still he loved her, a and after a moment’s reflection, he was always
-ready to own himself in the wrong; still he prized her. And in that
-sweet thought, which made her feel proudly contented, she could no
-longer feel sad in sympathy, though she considered herself an egotist
-on account of it; but oh! it was so rarely that she felt such a
-delicious sweetness pervade her little soul; was it wrong then for a
-brief moment to feel an egotist’s pleasure?
-
-Mathilde took her home again, and Jeanne left to herself longed, full
-of renewed animation, for her children. Soon they came, refreshed with
-their bout in the open, and she embraced them almost impetuously, and
-let them tell her where they had been, what they had done. And when
-Dora was a little peevish, she joked and played with the little
-weakling until she laughed. Life did not seem quite so sombre now; why
-not be a bit cheerful?
-
-
-
-
-
-
-
-
-CHAPTER XVII.
-
-
-Lili sat reading in the small drawing-room, when Frédérique entered.
-She had been paying some visits and came to finish her afternoon at the
-Verstraetens’.
-
-“Is Marie out?” asked Freddie.
-
-“No,” answered Lili; “we have been out. Marie is still up-stairs.”
-
-“What is Marie doing there?” resumed Frédérique, in some surprise.
-“What in Heaven’s name is she always doing up-stairs lately? Whenever I
-come here, she is up-stairs. You haven’t fallen out, have you?”
-
-“Oh no; not at all,” replied Lili. “Marie is doing some drawing, I
-believe; or perhaps she has some writing to do, as she often has.”
-
-“Writing what—a letter?”
-
-“Oh, no—a novel, or something of the sort; but you had better not say
-anything about it; perhaps she does not like us to know.”
-
-Frédérique was silent for a moment.
-
-“Don’t you find Marie rather changed?” she resumed.
-
-“Changed? Marie? No; I have noticed nothing. Why do you ask?”
-
-“Oh! for no special reason; I was only thinking. Marie is always so
-busy just now, with one thing or another.”
-
-“But so she has always been; she always tries to find something to do.
-Papa says I am the only lazy one in the family.”
-
-Frédérique was silent; but inwardly she wondered that Lili had not
-remarked how lately there was something unusual about Marie, something
-excitable and nervous, so very different from her former healthy
-cheerfulness. However, she thought, perhaps it was only her fancy after
-all.
-
-“You know we are going to the Oudendyks’ this evening,” she said, to
-turn the conversation.
-
-“Oh yes; you told me some time ago that you were invited. So you are
-going out again, eh? You have been a little blasé for a time, haven’t
-you? at least you were always taken ill after an invitation,” laughed
-Lili.
-
-“Oh, I felt very ill at ease,” Frédérique answered frankly. “It was,
-you know, on account of that folly of Otto’s. But now that there is
-nothing more to do in the affair, I wash my hands of it. He ought to
-know best, eh? Anyhow, I don’t see the use of fretting because——”
-
-She did not finish the sentence, and her eyes became moist, as an
-expression of haughty disdain formed about her mouth.
-
-“But, Freddie,” Lili gently remonstrated, “he has known her so long;
-all the time she has been living at the van Raats’; and if he really
-cares for her——”
-
-“Oh, there’s nothing I should desire more, than that all may go well,
-and they may be happy. But I can’t help it. Eline I cannot bear. Of
-course now I force myself to be nice and friendly to her; but you know
-it is so difficult for me to make myself appear different from what I
-am. But come, let us talk about something else; it can’t be helped now,
-and the less I think of it the better. Shall we go up-stairs to Marie?”
-
-Lili agreed, and they went. In the girls’ sitting-room Marie was seated
-at a little writing-table; a few sheets of writing lay before her, but
-her head was resting on her hand, and with her pen she was, as if lost
-in thought, drawing some strokes across a blank sheet of paper. When
-Freddie and Lili entered, she gave a sudden start.
-
-“We have come to disturb you in your busy occupations,” commenced
-Freddie, laughing; “that is, unless you would rather have us go.”
-
-“Certainly not; you know better, don’t you? So unsociable too of Lili,
-to sit down all by herself, down-stairs.”
-
-Lili did not answer; neither of them was in the habit of staying in her
-room in the afternoon, and it was Marie herself who was unsociable.
-
-“What is it you are writing? is it a secret?” asked Freddie, with a
-glance at the scribbled sheets.
-
-“Oh no,” answered Marie, with seeming indifference. “’Tis something I
-started long ago—a sort of diary, a description of our trip in
-Thuringia and the Black Forest last year. I wanted to make up a little
-sketch about it, something romantic if possible, but ’tis getting
-tiresome. I really don’t know what made me start it,” she added softly;
-“I’m not cut out for writing, eh?”
-
-“I can’t say,” said Freddie encouragingly. “Just read us a little of
-it.”
-
-“Yes; fancy boring you with my school-girl scribble. Pas si bête,”
-cried Marie laughing. “You see, a person must do something; I felt
-bored, so I started writing. I’ll tell you what it is, Frédérique,” she
-continued, with a tragic-comic glance at her friend, “I think we are
-growing so old. Yes, downright old; we are getting tiresome. Do you
-know, ’tis months since we had a good laugh together, as we used to so
-often.”
-
-“With Paul or Etienne?” added Lili, smiling at the recollection.
-
-“With or without them. We used to amuse ourselves without the boys just
-as well. But now—I don’t know what you think, but I think we are all of
-us awful bores. We are each of us getting our worries—you have for some
-time suffered from an antipathy towards Eline. Lili does not speak a
-word; she is either in dreamland all day, or overwhelms me with her
-romantic musings; and as for myself, out of sheer ennui I start writing
-about blue mountains and misty horizons.”
-
-“What will it all end in?” laughed Freddie. “The future looks very
-dismal, especially in your case. Behind those blue mountains and the
-misty horizon there is something hidden, I know.”
-
-“Something hidden?” repeated Marie. “Oh no, not at all; nothing.”
-
-Frédérique fancied she could see a tear glide through Marie’s fingers,
-which she held in front of her eyes. Lili kept herself occupied
-arranging a few books in a bookcase.
-
-“Marie,” whispered Freddie softly, “come, tell me. Is anything the
-matter? can I do anything for you? I wish you would tell me if there
-is. I can see there is something that troubles you.”
-
-Marie rose, and turned her face away.
-
-“Oh dear, no, Freddie; don’t you fancy anything of the sort. You are
-getting just as romantic as Lili. There is nothing, really. ’Tis only
-that I feel wretchedly bored, that is all; I want some cheerfulness.
-Hallo, old chappie!”
-
-Her brother entered, somewhat surprised.
-
-“Eh! what are you three doing here? Talking about your gentleman
-friends, I’ll bet!” he cried noisily.
-
-“What a wise remark,” answered Marie. “Just like the men. ’Tis your
-natural vanity that makes you say such a thing, though you are but a
-boy yourself. Wait a bit, I’ll teach you.”
-
-She ran after him round the table, whilst he, mocking her, deftly
-skipped over a chair, which he quickly placed in her way. Freddie and
-Lili roared with laughter at their antics. All at once he rushed out of
-the room, and Marie after him.
-
-“What a girl that Marie is!” cried Freddie wonderingly. It passed her
-understanding. After a while Marie returned, all out of breath.
-
-“Did you catch him?” asked Lili.
-
-“Of course not,” she answered. “That boy is like a goat, so nimble, he
-skips over everything. Ah, ’tis a treat, a run like that. I wish I were
-a boy.”
-
-Freddie left, and Lili accompanied her down-stairs; Marie was coming
-down directly. But she stayed at the window for a while, and looked
-out. In the falling twilight, which was wrapping everything in a
-transparent ashen-hued mist, lay the canal, green and still,
-overshadowed by the leafy boughs of the bordering trees. Beyond it lay
-the Maliebaan, dim in the gathering shadows, with a moist thin veil of
-grayish dew rising upward from its surface.
-
-Marie looked out and sighed. Yes; she would always laugh away that
-feeling, that cruel, gnawing bitterness, out of her heart, as she had
-done just now. She was growing old, downright old, and tiresome.
-Without mercy for herself she would wrench away that blossom from her
-soul, she would again and again blot out that vision. It was torture,
-but still she must do it.
-
-And as she stared away into that melancholy mist, ascending in gray
-layers over the valley yonder, a beloved face rose up before her moist
-eyes—a manly face, with an expression of frankness and sincerity in its
-eyes, and beaming with a winning smile; but it was not upon her, but
-upon Eline, that that smile threw its brightness.
-
-
-
-The tramcars running between the Ouden Schevening road and the Kurhaus
-were thronged. At the junction of the Anna Paulownastraat and the Laan
-Copes van Cattenburgh they were stormed by waiting crowds, and in a
-moment they were filled to overflowing—inside, outside, and on the
-platforms. There was a vast amount of pushing to obtain even the merest
-standing-room, among the numbers of ladies, who, nervous and excited,
-fluttered about in their gay toilets, peering through the windows in
-the hope of finding a vacant spot. The conductors pulled the bells, and
-shouted to those who were left behind, who turned away and began to
-watch for the next car to arrive. The horses started, and the faces of
-those who had managed to wedge their way in, and were seated packed
-close as herrings, now beamed with happiness after the successful
-struggle.
-
-“What a crowd! It’s fearful,” said Eline, looking down upon the surging
-mass with a placid smile.
-
-She sat beside Betsy in the open landau, with Henk and Otto facing her.
-Dirk, the coachman, had been compelled to halt a moment, but now again
-the long file of carriages began to move. Herman, the little footman,
-sat on the box with crossed arms, motionless and straight in his light
-gray livery with its bright buttons.
-
-“There will be a terrible crowd,” said Betsy. “But it’s in the open
-air, so we need not fear we shall get no seat.”
-
-Not a breath of wind stirred through the dense foliage, and after a day
-of intense heat and glaring sun, with the gathering twilight a leaden
-heaviness seemed to descend over everything. Eline, rather faint with
-the heat, leaned back with pale cheeks and spoke little; only now and
-then glancing at Otto through her drooping lashes, with an archness
-that was full of happiness. Betsy kept up a lively conversation with
-van Erlevoort, for Henk was not very talkative either, reflecting as he
-was whether it would not have been wiser to have stayed at home
-drinking a cup of tea in the garden, rather than rush away directly
-after dinner to Scheveningen.
-
-Betsy, however, robust and cheerful, enjoyed the fragrant air, of which
-she took deep breaths. She enjoyed the soft, padded cushions of her
-luxurious, well-appointed carriage, contrasting so brightly with the
-other vehicles; she enjoyed even the sight of Herman’s dignified
-attitude, and of the silver initials worked on the hangings of the box.
-She was contented with herself, with the luxury that she displayed, and
-contented with her company. Eline was so charmingly pretty, just like a
-little doll; her dress of light gray étamine was almost striking in its
-simplicity, while the coquettish little hat enclosed her face in a
-framework of silk. Erlevoort was such a fine-looking fellow, and so
-distingué; Henk looked so comfortable and stout, so well-fed—her
-husband was really not so bad; she might have fared worse. And she
-nodded to her acquaintances as their carriage passed by with her most
-captivating smile; no, she must not seem proud, though her fine bay
-mares ran never so fast.
-
-“Oh, glorious! the air is getting fresher, I am beginning to revive!”
-murmured Eline, raising herself up, with a deep breath, when they had
-passed the Promenade. “I feel I want some fresh air, after the
-temperature of this afternoon.”
-
-“Come, child, it was delicious!” declared Betsy. “The sort of weather I
-should always like to have.”
-
-“Well, all I can say is, I should be dead after a month of it. I say,
-Otto, you are laughing; tell me honestly now—do you think it’s
-affectation, or do you really believe that I cannot bear such heat?”
-
-“Of course I believe you, Elly.”
-
-She looked at him with feigned anger, and shook her little head
-reproachfully.
-
-“Elly again,” she whispered.
-
-“Oh yes; how stupid of me. Well, I do believe I know something!” he
-whispered back delightedly.
-
-“What are you two planning together?” asked Henk, with curiosity.
-
-“Nothing at all; eh, Otto? A little secret between us; hush!” and she
-held her finger to her mouth, enjoying their mystification.
-
-The fact was she did not wish Otto to call her by the familiar
-diminutive every one else gave her. She wanted him to invent one for
-himself alone, one that was not worn and stale, something new and
-fresh. He did not think it very childish of her, eh? And he had
-exhausted himself trying to think of one, but whatever he said she was
-not satisfied; he had better try again. Well, had he found something at
-last?
-
-“I am really anxious to know what it is,” she whispered once more,
-smiling.
-
-“Afterwards,” he whispered back, and then both smiled.
-
-“Look here, until now I have found you less tiresome than most engaged
-couples, so don’t you, too, start these intolerable inanities,” cried
-Betsy indignantly, but without much anger.
-
-“Well; and how about you and Henk then, at one time!” laughed Eline.
-“Eh, Henk?”
-
-“Ah, I should think so!” answered Henk laughing, whilst she, at the
-thought of her sister’s betrothal, now years ago, felt a faint
-recollection of her feelings in those days rise to her mind, like
-something very far away and strange.
-
-But they had long passed by the villas along the Badhuis road, and by
-the Galeries at the rear of the Kurhaus, and they drew up at the steps
-of the terrace, by the sea.
-
-
-
-The Eekhofs and the Hydrechts were seated at a little table close to
-the band-stand, when Betsy, Eline, Otto, and Henk passed one by one
-through the turnstile. They never saw them, however, and walked on,
-Otto’s hand resting on Eline’s arm.
-
-“Look, there are the van Raats, and Miss Vere, with Erlevoort!” said
-young Hydrecht. “They are here every evening lately.”
-
-“How ridiculously plain Eline dresses just now!” remarked Léonie. “What
-is the meaning of that, I wonder? Nothing but affectation. And just
-fancy—a bonnet and veil! Every engaged girl thinks she must wear a
-bonnet and veil. Ridiculous!”
-
-“But they are a nice pair,” said Madame Eekhof. “There are less
-suitable matches.”
-
-“Anyhow, they walk decently,” said Ange. “Sometimes those engaged
-couples make themselves ridiculous—Marguerite van Laren, for instance,
-who is always brushing the dust off her intended’s coat.”
-
-Betsy meanwhile, bowing and smiling right and left, thought they had
-better not walk about any more, but look for a table somewhere.
-
-Fortunately it was pleasant everywhere; it was even desirable to sit at
-some distance from the band-stand, otherwise the noise would have been
-too great. So they sat down at a little distance, at the side of the
-Conversatie-zaal, where there were still several tables unoccupied, but
-from where they could see and be seen.
-
-It was a constant interchange of nods and smiles, and Betsy and Eline
-now and again whispered amusedly when they caught sight of some absurd
-toilette or ridiculous hat. Eline herself was very satisfied at the
-simplicity with which, ever since her engagement, she had dressed
-herself; a simplicity which, elegant though it still was, was in too
-great contrast with her former luxurious toilettes not to be much
-remarked. That simplicity, she thought, brought out her captivating
-beauty in a sort of plastic relief, and modelled her slender form as
-though it were a marble statue. In her eyes it veiled her former
-frivolousness as with a film of graceful seriousness, a seriousness
-which to Otto, with his native simplicity, must be most attractive.
-
-She could not help being as she was; she felt it difficult to be
-nothing but herself; but, on the other hand, it was easy for her to
-imagine herself playing one or another part: this time it was that of
-the somewhat affected but ever-charming and happy fiancée of a manly
-young fellow, one of her own circle, who was liked everywhere for his
-unaffected pleasantness. Yes; she was happy—she felt it, with all the
-delight of a satisfied longing in her heart, which had so long craved
-for happiness; she was happy in the peace and calm which his great,
-silent love—which she guessed at rather than understood—had given her;
-she was happy in the blue stillness of that limpid lake, that Nirvana
-into which her fantasy-burdened soul had glided as into a bed of down.
-So happy was she, even to her very nerves, which were as loosened
-chords after their long-continued tension, that often she felt a tear
-of intense gratefulness rise to her eye. The stream of people passed by
-her incessantly, and began to whirl a little before her eyes, so that
-once or twice she did not return their greetings.
-
-“Eline, why don’t you bow? Can’t you see Madame van der Stoor and
-little Cateau?” whispered Betsy reproachingly.
-
-Eline looked round, and gave her friendliest nod, when Vincent Vere and
-Paul van Raat approached them. They remained standing, as there were no
-vacant chairs to be seen.
-
-“Would you two like to sit down for a moment; that is, if Eline cares
-to walk?” asked Otto, half rising.
-
-Eline thought it was a capital idea, and whilst Vincent and Paul took
-their seats, she and Otto slowly followed the stream of promenaders.
-They approached the band-stand, and the high violin movements in the
-overture to Lohengrin were swelling out fuller and fuller, like rays of
-crystal.
-
-A group of attentive music-lovers was ranged about the band in a
-semi-circle. Otto wanted to let Eline pass through the narrow gangway
-between the rows of chairs and the standing group, but she turned
-round, and whispered—
-
-“Listen for a moment; shall we?”
-
-He nodded his head, and they stood still. How she enjoyed the stately
-swell of melody. It seemed to her as though it were not notes of music,
-but the blue waters of her lake that flowed by, limpid and clear as the
-stream along whose bosom Lohengrin’s bark had glided, and she beheld
-the swans, stately and beautiful.
-
-At the loud fortissimo she took a deep breath, and while the brittle
-threads of harmony brought forth by the violins spun themselves out,
-thinner and thinner in texture, the swans, stately and beautiful, also
-floated away.
-
-The applause resounded on all sides; the semi-circle broke.
-
-“Beautiful—oh, how beautiful!” murmured Eline as in a dream. And
-delightedly she felt Otto’s hand searching for her arm; life was sweet
-indeed!
-
-“Don’t you think it foolish? I always feel myself so—so much better
-than at other times, when I hear beautiful music; it is then that I get
-a feeling as though I am not quite unworthy of you,” she lisped at his
-ear, so that none overheard her. “Perhaps it is childish, but I really
-cannot help it.”
-
-She looked at him smiling, but almost anxiously, in suspense at what he
-would answer. She often felt some fear at what he might think of her,
-as though by one thoughtless word she might lose him; for she did not
-yet understand how and why he loved her.
-
-“Oh, don’t for heaven’s sake place me on such a lofty pedestal,” he
-answered kindly. “I feel myself so very commonplace, so little raised
-above others; you must not put yourself so far beneath me. You not
-quite unworthy of me! What puts that idea into your head? Little silly!
-Shall I tell you something? I really don’t think that you know
-yourself.”
-
-Could he be right? she wondered; did she not know herself? A glad
-surprise filled her; she thought she knew herself so well. Maybe there
-was yet something in her soul of which she knew nothing, something
-perhaps from which her love for him flowed? Was it left for him to
-disclose to her her own inward nature?
-
-“Oh, Otto——” she began.
-
-“What?” he asked softly.
-
-“Nothing. I like you so much when you say anything about yourself and
-me,” she murmured, full of a blissful feeling to which she could give
-no utterance. His hand gently pressed her arm, and a tremor passed
-through her, as they walked on amid the laughing, pushing throng
-between the tables, stared at by all who knew them.
-
-“Look at Erlevoort and Eline there, walking blissfully side by side,
-perdus dans le même rêve. They don’t see us again!” cried Léonie,
-almost regretfully, as she passed by them with Hydrecht.
-
-
-
-Eline and Otto all at once heard their names softly mentioned. They
-looked round and saw Madame Verstraeten with Marie, Lili, and
-Frédérique seated at a little table. Georges de Woude had already risen
-and nodded to them, smiling. They came nearer and shook hands.
-
-“Hallo, Freddie!” said Otto, surprised.
-
-“Madame Verstraeten was kind enough to ask me to come,” she answered,
-by way of explanation. “Otto, we have just received a letter from the
-Horze: they are all quite well, and they want to be remembered to you.
-To you too, Eline.”
-
-“Thanks, very much!” replied Eline cordially, while for a moment she
-sat down in Georges’ chair beside Madame Verstraeten. Marie had turned
-very pale, but it was not noticeable under her white veil.
-
-“Théodore writes that Suzanne and van Stralenburg, with the baby, are
-coming to stay with them next week, and mamma is all excitement about
-it.”
-
-“What, was mamma going to the Horze? And Howard is coming here?”
-
-“Yes; that’s just the dilemma.”
-
-“Dear old Madame Erlevoort!” said Madame Verstraeten.
-
-“Percy wrote he was coming towards the latter part of July. Well, van
-Stralenburg cannot stay longer than the twentieth, writes Théodore. So
-you can understand”—and she forced herself to look kindly at Eline—“you
-can understand how mamma feels about it. To journey to Zwolle, that she
-will not be able to manage; and to leave the Hague before the
-twentieth, while Howard and Cathérine are coming—that of course she
-cannot do.”
-
-“But Howard is also going to the Horze later on, is he not?” asked
-Otto.
-
-“Yes; but he will want to stay a little in the Hague first, and take
-advantage of Scheveningen,” answered Frédérique. “Mamma is thinking of
-all sorts of plans; she would be in despair if she did not see her new
-grandchild this summer, you can understand that.”
-
-“Well, then, I shall prevail on mamma to go to Zwolle with me, one of
-these days; that will be the best way out of it,” answered Otto. “The
-journey to the Horze is still more troublesome.”
-
-“You might try,” said Frédérique. “That would certainly solve the
-problem.”
-
-Meanwhile Lili told Madame Verstraeten that she would take a walk round
-with de Woude, and the old lady asked Otto to sit down for a moment
-until they returned.
-
-“How pretty Eline is, is she not, de Woude?” asked Lili. Since she had
-been skating with him she allowed him to call her by her name, and she
-called him simply de Woude. “I can’t help remarking it whenever I see
-her.”
-
-“Yes; she looks very nice,” answered Georges indifferently.
-
-“No; I think she is downright pretty,” persisted Lili. “How is it
-possible that you don’t think her pretty? What a curious taste you
-have, to be sure!”
-
-He laughed gaily, in the enjoyment of a secret thought.
-
-“I can’t help it—can I?—if she leaves me entirely indifferent; I have
-another ideal of beauty. But if you absolutely want me to think her
-pretty, why then I’ll take another look.”
-
-“Oh no, no; I don’t care a bit,” she answered, also laughing; “only all
-the gentlemen think her pretty, that’s why I can’t understand that you
-don’t. And I can’t make out either why Frédérique does not like her. If
-I were a man, I should fall madly in love with her.”
-
-“And fight a duel with Erlevoort, I suppose.”
-
-The first part of the programme was at an end, and the throng of
-promenaders grew denser. Georges and Lili found themselves hemmed in on
-all sides, and they could proceed no farther.
-
-“’Tis awful,” said Lili. “I don’t see any pleasure in it when there are
-so many.”
-
-“Shall we make our way to the sands?” he asked softly.
-
-“If we can,” said Lili, glad at the idea. “Mamma will not mind, I
-suppose?”
-
-“Oh, of course not, under my care,” he said reassuringly, and with
-evident pride.
-
-They quickly passed through the turnstile. With a feeling of relief
-they descended the steps of the terrace, crossed over the road, and
-hastened down the broad flight of steps that led to the sands. Here and
-there a Scheveninger was strolling along with a slow, measured, heavy
-step, keeping time with the swaying of his companion’s thick mass of
-petticoats.
-
-And straight in front of the Kurhaus, bathed in the yellow glow of the
-gas-light, the waves were washing with refreshingly cool sound.
-
-“Ah!” cried Lili, “how much nicer it is here!”
-
-The sea, calm and unruffled, was flowing on in tints of green, azure,
-and violet, here and there capped with glistening white foam all along
-the beach. In the sky above myriads of stars sparkled, and the Milky
-Way seemed like a cloth of pearls in the midst of the mysterious
-infinity of faint blue. From out of the sea there seemed to rise an
-indefinable murmur, like that produced by a gigantic sea-shell.
-
-“How beautiful and quiet it is here, after the noise yonder; it’s quite
-entrancing!” murmured Lili in ecstasy.
-
-“Yes,” answered Georges.
-
-She nearly stumbled over something; thereupon he asked her to take his
-arm, and she did so. It seemed to him as though he had very much to say
-to her, and as though he would never be able to express himself without
-appearing ridiculous. She too felt a delicious longing to open her
-mind, to speak about the sea and sky which seemed to her so beautiful;
-but she felt a little ashamed at the poesy that was in her heart, which
-contrasted too drolly with the prosy commonplace circles in which they
-generally moved. She feared to appear affected, and she said nothing.
-They both kept silent as they slowly walked along, with the roar of the
-sea in their ears, and with a soft soothing feeling in their hearts
-that seemed to them more expressive than words.
-
-They went slowly on, wrapt in their solitude, with the calm of the sea
-before them. And he felt that he must say something.
-
-“I could go on walking like that with you for ever,” said he, and his
-bantering tone somewhat concealed the meaning of his words.
-
-She laughed; it was only fun after all.
-
-“Then perhaps I might get tired.”
-
-“Then I should carry you.”
-
-“You couldn’t; my weight would crush you.”
-
-“Do you think so little of my strength then? Come, I’ll just show you.”
-
-“But, Georges, how dare you? I shall end by getting angry with you, at
-least if you don’t beg my pardon at once.”
-
-“How shall I set about that?” he asked, with mock humility.
-
-She let him spin out a long rigmarole—
-
-“I, Georges de Woude van Bergh, humbly apologize to —— for having—” and
-he repeated every word, while their echo vibrated pleasingly upon her
-ear.
-
-For she was not quite so angry as she wanted to appear. It seemed to
-her as though their walk would never end, as if they would continue
-strolling along that light surging strand until they should come within
-sight of a fresh horizon.
-
-“Come, we must return,” she said suddenly; “we are going too far.”
-
-They turned back, and were quite frightened when they saw how far away
-the Kurhaus lay, bathed in a ruddy glow of light; but to her that alarm
-suddenly melted into a tenderness, a soft indifference; what cared she
-for the others over there? they were together by the sea.
-
-“Lili, really we must hurry,” said he laughing, somewhat confused.
-“Your mother will wonder where we have got to.”
-
-This time she felt quite hurt at his hurrying; he could not be
-sensible, then, of that tender indifference; he did not feel as she
-did, that they were together by the sea, and that all the rest was
-nothing, nothing!
-
-“I really cannot trudge at such a pace through the sand,” she said, a
-little vexed, and she clung closer to his arm. But he was inexorable;
-she had better lean on his support if she could not get along fast
-enough. He certainly could be surprisingly obstinate under the veil of
-his gentle affability.
-
-“But, Georges, I cannot really, I am tired out!” she panted peevishly,
-although the would-be anger in her voice melted away in a coaxing tone.
-He, however, laughingly rushed up the broad steps, nearly dragging her
-after him, with her arm clasped fast in his own, and really she could
-not help laughing. It was very funny, certainly, rushing along in that
-way in the darkness.
-
-Somewhat more slowly they ascended the little steps leading to the
-terrace, and while Georges was searching for the enclosure tickets,
-Lili shook the sand from her dress.
-
-The second part of the programme had commenced, and the band was
-blaring out the metallic fanfares of the march in the Reine de Saba; a
-few promenaders were still about, but there was no longer a crowd. They
-hurried with apparent indifference, although Lili’s cheeks were red as
-fire, to their little table. Madame Verstraeten was seated alone with
-Marie and Frédérique; Otto and Eline were gone.
-
-“Good gracious, where have you two been hiding?” cried Marie, while
-Georges and Lili sat down on the chairs, across which a cloak had been
-thrown to reserve them. “I have been walking with Paul, and Eline and
-Otto could not really keep your seats for you any longer.”
-
-“We made almost superhuman efforts to reserve them, did we not, madam?”
-added Frédérique.
-
-“But where have you been, then?” asked Madame Verstraeten wonderingly.
-“In the Conversazione Room, looking at the dancing?”
-
-Georges told them of their walk by the sea, and Lili inwardly admired
-him for the tact with which he replied to her mother’s questioning.
-
-
-
-Henk and Vincent were seated by themselves at a table near the
-Conversazione Room, while Betsy and young Hydrecht were strolling about
-in a somewhat too boisterous flirtation, and Eline and Otto had sat
-down for a moment next to Madame Eekhof, whom they had passed by four
-times without any greeting, as Ange declared.
-
-“I was nearly dead with this terrible heat to-day,” muttered Vincent.
-
-“Yes; Eline can’t bear it either,” answered Henk, emptying his glass of
-Pilsener.
-
-Vincent drank nothing; he felt rather giddy at the incessant surging
-round and round of all these people. He rarely went to Scheveningen; in
-the morning the heat was unbearable on the scorching sand, and at night
-it tired him too much. Once or twice he went, just for the sake of
-saying he had been.
-
-A question to Henk was on his lips, one which he scarcely dared to
-put—a request for money. The second time that Henk had advanced him
-money, he had not done so with his usual brusque bonhomie. Vere’s
-eternal impecuniosity was beginning to tire him—it was always the same
-tune! This had not escaped Vincent; but still he could not help it, and
-he began with an introduction, with an assumed lightness of manner.
-
-“I think I shall be able to repay you part of my debt this week, van
-Raat. I am expecting money. Only for the moment I am awfully short. If
-I had not taken advantage of your kindness so often already, I would
-ask your assistance once more; but I am afraid I’m getting indiscreet
-now. I shall see and get along just for this week.”
-
-Henk did not answer. With his stick he sat slowly beating time to the
-music.
-
-“It’s a nuisance that I did not come to an arrangement with that
-quinine affair,” resumed Vincent. “But you see I have just received a
-letter from a friend in America; he is rich and is well connected, and
-will get me an introduction to a business house in New York. But for
-the moment, you know—I say, van Raat, you would be rendering me an
-immense service—lend me another fifty florins.”
-
-Henk turned round to face Vincent, with a passionate movement.
-
-“Look here, Vere, is there never going to be an end of that bother? I
-must frankly admit that it is beginning to sicken me. One day ’tis
-fifteen hundred florins, then a hundred, then fifty. What—what in
-Heaven’s name are you waiting for then? What is it you intend to do?
-why do you laze about so, if you haven’t a cent in the world? why don’t
-you try and get something to do? I can’t keep you, can I?”
-
-Vincent had felt a vague presentiment of a coming storm, and let the
-curt disjointed sentences which Henk in his clumsy passion grunted out,
-pass over him without contradiction. But his silence made Henk feel
-almost embarrassed, and the sound of his own voice reverberated roughly
-in his ears. Still he proceeded—
-
-“Then again you talk a lot of nonsense about money from Brussels—or
-from Malaga; another time it is to come from New York. When is it
-coming, I should like to know? You understand, it won’t ruin me if you
-don’t pay me what you owe me, neither shall I ever trouble you about
-it; but taken altogether it’s now not far short of two thousand
-florins, and I am getting sick of it. Don’t in Heaven’s name keep
-loafing about in the Hague here; look for something to do.”
-
-Henk’s passionate tone was already giving way to a kindlier one, but
-Vincent remained silent, his eyes fixed on the points of his boots,
-which he was gently tapping with his stick, and Henk was at a loss what
-to say next. And it was a relief to him when Vincent at length lifted
-up his head and whispered—
-
-“It’s quite true—you are right—but it’s not my fault—circumstances.
-Anyhow I shall see what I can do—excuse my troubling you.”
-
-He slowly rose from his seat, while Henk, whom that placid resignation
-greatly embarrassed, sought in vain for some appropriate phrase.
-
-“Well, good-night, au revoir!” Vincent said with a faint smile, and he
-nodded to Henk without offering him his hand. “Good-night; I must be
-off.”
-
-Henk wanted to give him his hand, but Vincent had already turned his
-back on him, and Henk saw him slowly picking out his way through the
-throng, now and then raising his hat with a languid movement.
-
-Very dissatisfied with himself, Henk remained seated alone at his
-table. After a while, however, Eline and Otto returned and laughingly
-expressed their sympathy for his loneliness. Betsy too was soon after
-brought back by Hydrecht, whose hand she cordially pressed. It was
-late; many people had already left before the last number, and now that
-the concert was at an end, the crowds slowly moved away through the
-Kurhaus. Gradually the noise of the music and laughter-laden atmosphere
-subsided into a restful calm, whilst here and there the gas-lamps were
-already being extinguished, and only a stray group or two were still
-sitting down, enjoying the balmy air, which was growing fresher and
-purer at every moment.
-
-“It’s glorious here; shall we sit a little longer?” asked Betsy.
-
-“Let us rather have a drive round,” said Eline; “at least unless you
-think it will be getting too late, and the horses are not tired, Henk.”
-
-Betsy thought Eline rather eccentric to want to drive so late at night,
-but still the idea pleased her. And they walked to the rear of the
-Kurhaus, where the carriage was waiting.
-
-Eline thought the wind had risen, and preferred to sit forward under
-the half-closed hood, next to Otto. Betsy told Dirk to drive home
-through the Van Stolkpark.
-
-The outlines of the villas looked dim and shadowy between the vague,
-dark masses of foliage, through which now and then a gentle gust of
-wind rustled with a lulling sound. But the clatter of the horses and
-the light rumbling of the wheels along the road drowned the sighing of
-the wind with a noise that remained unbroken by words.
-
-Betsy lay back comfortably, and enjoyed the cool night air. Henk was
-still under the uncomfortable influence of his conversation with
-Vincent, whom he thought he had hurt, and Eline let her thoughts wander
-away in a delicious reverie. She had removed her hat, and she bent a
-little towards Otto, and listened to his regular breathing. He,
-effectually hidden in the shadow of the raised hood, had his arm round
-her waist, and had drawn her a little towards him, so that her cheek
-nearly lay on his shoulder. And she was very happy, she wished nothing
-more than thus, in his arm, to be driven along in the evening breeze,
-beneath the gently rustling foliage. She could conceive of nothing
-sweeter, than thus to lean against him, to feel the passage of his
-breath through her hair, and his arm about her waist like a girdle of
-love.
-
-And yielding to the delicious influences of the moment, she let her
-head fall on his shoulder.
-
-“What name have you thought of for me?” she whispered in his ear.
-
-“Nily,” he whispered back, and whilst she felt his arm clasp her waist
-more closely, her lips inaudibly repeated the name, the echo of which
-resounded through her being like a caress of jubilant love.
-
-
-
-Mathilde van Ryssel had taken a tent by the sea, and told Jeanne
-Ferelyn to come and sit there with her children as often as she chose.
-At first, out of diffidence, Jeanne had only occasionally availed
-herself of the invitation; but Mathilde was pressing, and Jeanne now
-came very frequently. Sometimes they both arranged that they should
-start in the morning early, and take some sandwiches—the children could
-get plenty of milk to drink at the milk stall; and so they would sit
-down, both of them under the awning of the tent, chatting over their
-work, whilst their children were delving with their little spades in a
-big sand-pit in front of them, or were busy along the beach,
-constructing the most wonderful aqueducts. And Jeanne fancied that her
-children were getting more robust and less peevish, now that they were
-in company with the noisy, playful little van Ryssels, and she and
-Mathilde gazed delightedly at the boisterous little band. Jeanne
-especially felt the influence of that frequent intercourse with
-Mathilde, in whom she had found a friend who understood her troubles,
-and who, with her sad experience and placid resignation, was ever ready
-to advise and aid her. They spoke frequently about their children and
-their domestic affairs, and Jeanne thought Mathilde, used though she
-was to the cosiest of surroundings, exceedingly practical and frugal.
-
-But those pleasant days by the sunny seaside did not last long, for the
-Ferelyns had to leave. They were going to Boppard, where Frans was to
-undergo the cold-water cure, and Jeanne racked her brains trying to
-calculate the probable expenses of the trip. How could they afford to
-stay at Boppard perhaps for six weeks, with their three children, while
-at the same time they could not give up their rooms in the Hugo de
-Grootstraat?
-
-Madame van Erlevoort, with Otto and Eline, who wanted to make the
-acquaintance of her fiancé’s relatives, had been to Zwolle for a day or
-two, and the old lady was in raptures about the little van Stralenburg,
-a baby plump and firm as any she had seen, with such a head of curly
-dark hair. She was grateful to Otto for having pressed her to make the
-journey to Zwolle; to the Horze she went every summer, and the trip to
-her country seat was such an ordinary occurrence that she saw no
-inconvenience in it at all; but any other removal from her home circle
-pained her, as though she were tearing herself away from her dear ones
-for ever. It was a luxury to her to be back once more in her roomy
-house on the Voorhout, with its somewhat faded, old-fashioned
-furniture, but full of comfort and ease. Eline thought the van
-Stralenburgs most charming people: Suzanne, a darling little mother,
-not pretty, at times rather careless in her dress, but so unaffected
-and genial, so mad with her little boy, that it was a treat to behold
-her; her husband, a good-natured, kindly fellow, but thoroughly spoilt
-by his wife, who was constantly at his beck and call, and who ran up
-and down the stairs for him, in a way that made Eline sometimes roar
-with laughter. No, she would never be like that to Otto; he had better
-be sure of that. But although she thus spoke laughingly to Otto, at the
-bottom of her heart she felt it would be bliss indeed thus to devote
-oneself entirely to one’s husband, as Suzanne devoted herself to van
-Stralenburg; to exist but for him and be his faithful slave.
-
-And then a charming picture of home life with Otto, of the life that
-would be hers, would arise to her imagination, ever active, and ever in
-want of vivid imagery, which even in the happiness of to-day could not
-refrain from calling into being a yet happier future.
-
-In this mood, which filled her soul with idylls, she saw in everything
-but a reflection of that happiness, and the people with whom she
-mingled all seemed to her genial and kindly, never giving themselves up
-to bitter quarrelling, and living for each other, without a semblance
-of egotism. Scenes with Betsy appeared never destined to recur, now
-that she answered her sister’s sharp tone in a voice full of
-gentleness, as though she was loth to desecrate her happiness by a
-single discordant sound. A great calm came over her nerves, and she
-herself could not refrain from wondering at her equable, cheerful
-good-humour, quite undisturbed by the usual periodic attacks of
-listless melancholy. No gray and black mists surrounded her; it was as
-though she breathed a light atmosphere, full of brilliancy, fragrance,
-and sparkle.
-
-For a day or two after his talk with Vincent, Henk felt very ill at
-ease. In his native kindliness he did not like to hurt any one’s
-feelings, and he thought he had wounded Vere’s pride. After all, the
-poor devil could not help it, that everything he undertook failed. So
-Henk had called on Vincent, and four times he wanted to put the sum he
-had asked of him in his hands; but Vincent refused to accept it, and
-instead, in fact, had repaid Henk a considerable portion of what he
-owed him. How he had managed to procure the money remained a puzzle to
-Henk, as everything else about Vincent was a puzzle to him. At home,
-Betsy reproached her husband with his want of tact in dealing with
-Vere, and she, in her vague fear of that cousin, in whom she suspected
-a latent power, which could at will crush her with all her strength of
-mind, resolved at any price to make him forget her husband’s
-brusquerie. Théodore had invited Eline to come and stay at the Horze,
-and she was to go there towards the end of July together with the
-Erlevoorts and the Howards, who were just now in the Hague, and remain
-in Gelderland all through August. It would therefore, so Betsy thought,
-be lonely in her big house on the Nassauplein; the idea of going out of
-town with Henk did not much fascinate her; she would rather make a trip
-to the South at the commencement of the winter, when Eline should be
-married; and it was therefore as much from a longing after change, as
-from diplomatic cordiality, that she invited Vincent to pitch his tent
-with them during Eline’s absence. She made her request with the most
-charming manner possible. She would miss Eline so terribly, she would
-be so lonely, and Vincent could be so sociable, and chat so pleasantly
-about his wanderings; so he must not refuse, he would be doing her an
-immense favour. Vincent was overjoyed at the request, opening to him as
-it did a prospect of peace and placid luxury. He would lead a life of
-luxury without having to spend a cent, a month long! and a month of
-rest seemed to him, in his wretched hand-to-mouth existence, a period
-of bliss without end, an eternity of happiness. He therefore accepted
-Betsy’s invitation with a secret gladness, outwardly however with a
-certain condescension, as though wanting to show that he still felt
-hurt at Henk’s refusal, and as though he were happy to give Betsy an
-opportunity to make up for van Raat’s unfriendliness.
-
-
-
-
-
-
-
-
-CHAPTER XVIII.
-
-
-Lili was cross, very cross, her lips trembled, and the tears nearly
-stood in her eyes.
-
-“I really don’t see why he cannot be asked,” she answered Marie
-pettishly. “He is a regular visitor here.”
-
-“But, Lili, how can you be so foolish? Mamma asked him once or twice
-this winter, and surely we are not quite so intimate with him that we
-should invite him to accompany us into the country. When you begin to
-ask strangers, there is always a sort of constraint.”
-
-“But he is very sociable.”
-
-“That’s true. He improves on further acquaintance, I must admit; but
-still we don’t know him as we do Paul and Etienne.”
-
-“Oh, they are nice boys! They do nothing all day long but lounge about
-from the Witte to Linke, and from the Bordelaise to the Bodega, and
-always with that wretched Vere. We don’t see them at all just now; Paul
-occasionally condescends to call, and Etienne has now become quite a
-myth. Ask Vere, if you like,” she concluded pettishly; “then you will
-have the trio complete.”
-
-Marie shrugged her shoulders.
-
-“Now don’t be angry with me, Lili, because mamma won’t ask de Woude.
-’Tis not my fault,” she answered softly.
-
-“Oh no, not at all! But ’tis always so when I—when I have an idea. It’s
-always pooh-pooh’d. I won’t bother about it any more. I don’t care a
-rap for the whole party.”
-
-She left the room, with difficulty repressing her tears, while Marie
-took up her book with a sigh.
-
-Madame Verstraeten had gone to sit down beside her husband in the
-conservatory. She had overheard something of Lili’s short passionate
-sentences, and a thought filled her that brought a reflection of
-hesitation over her kindly face.
-
-“What troubles you?” asked the old gentleman.
-
-“Oh! it is about de Woude,” whispered Madame Verstraeten hesitatingly,
-so as not to be understood by Marie. “Lili wants me to ask him for the
-party, but——”
-
-“Well, why not? I don’t dislike de Woude, although he is rather
-foppish. He can be jolly enough with the girls——”
-
-“But, Charles, really we must not encourage that. When I see him I am
-always as polite as possible to him, but there’s no occasion for us to
-encourage him, is there? of what use can that be? Lili is almost a
-child yet, and gets her head full of fancies; but what—what can come of
-this now?”
-
-“But why must you all at once think they want to marry? For the present
-it is only a question of inviting him.”
-
-“Yes, yes, I know; but you never see them when they are together, as I
-do. I wish you would come to Scheveningen once or twice.”
-
-“No, thanks; I’m much obliged to you.”
-
-“Then you would see for yourself. You can’t get him away from our
-table. He is discreet enough not always to accept when I ask him to
-come and have an ice; but he stays till we go, and scarcely says a word
-to any of his acquaintances. With Marie he’ll just take a little walk,
-pour acquit de conscience, and after that ’tis Lili here, and Lili
-everywhere. So you understand I don’t see much good in it.”
-
-“Do you think then that Lili——?”
-
-“Of course, without question! Everybody talks about it too, and they
-know it; but they don’t care, bless you! I don’t know—I really
-don’t—what will come of it all,” said the old lady, and once more that
-hesitating shadow stole over her face.
-
-Mr. Verstraeten sat for a moment in contemplation: then he whispered
-something to his wife, and for a long time they talked together in an
-undertone.
-
-Marie however could not get along with her reading, so she went
-up-stairs to Lili. She found her sobbing, with her little head buried
-in the pillows.
-
-“Lili!” she cried softly.
-
-Lili started when she heard Marie’s voice.
-
-“Oh, leave me alone, do!” she cried impatiently.
-
-But Marie took her hands and forced her to look up.
-
-“Lili, how can you be so foolish?” she said, in her gently penetrating
-tones. “You are making yourself miserable about nothing. In this way we
-won’t be able to get along at all together, if you sit and brood like
-that at every word that is said. Lili, come now.”
-
-“Oh, do let me alone!”
-
-“Do you think it so nice, then, to make yourself unhappy, and lie here
-alone, crying? Why don’t you speak to me frankly? Isn’t it much better
-to trust one another, and be open and straightforward?”
-
-How gladly would she herself have spoken, and unbosomed herself to Lili
-or to her mother! But no, she could not, there were some feelings that
-were best hidden.
-
-Lili raised herself a little, and from her tear-stained face she
-brushed away the dishevelled hair with her hands.
-
-“What would you have me say, then? You know all. There is nothing that
-Georges can do finds any more favour in mamma’s eyes.”
-
-“Come, you exaggerate. Both papa and mamma like him very much.”
-
-“Oh yes; I know. But if it comes to showing him a little courtesy—And
-you too——”
-
-“What then?”
-
-“Didn’t you say he was a stranger, who could not be asked?”
-
-“If I had known that that would have caused you pain, I should have
-said something else. Only I can’t bear to see you agitating yourself
-about nothing, Lili. Why, you carry on as though your life were for
-ever ruined, and all that because mamma thinks it better not to ask de
-Woude.”
-
-“Well, it isn’t very pleasant for me. I have—I have already spoken to
-him about the picnic, and—of course he expects to be invited.”
-
-“But why are you so hasty, then? ’Tisn’t very nice for mamma either,
-when people begin to talk about you two. Only yesterday Madame Eekhof
-asked——”
-
-“What do we care about Madame Eekhof, if we like each other? If you
-were to trouble yourself about everybody——”
-
-An almost mocking smile formed about Marie’s mouth.
-
-“Yes, Lili,” she answered with an underlying sadness, which however was
-lost upon Lili, who heard only the laughing banter of her tone, “it’s
-very terrible! You care for Georges, and Georges cares for you, and all
-the world is against you—mamma, and Madame Eekhof, and everybody, eh?
-’Tis sad, very sad, isn’t it? And I can quite understand how little
-hope you have that it will ever be otherwise! How sad, how unfortunate
-it is, to be sure!”
-
-“Oh, Marie! how can you talk like that when you know—when you know it
-pains me?”
-
-“Yes; I am cruel, eh?” Marie resumed, but her smile grew gentler.
-“Come, Lili, do cease crying now, and give me a kiss; forgive me for
-what I said. Shall I have another try, and see if I can induce mamma to
-change her mind?”
-
-“Oh, do, there’s a good soul! Mamma will consent if you ask her.”
-
-“Yes; no one refuses me, eh? With me all goes smoothly. ’Tis only
-against you that everybody’s hand is raised. Poor, poor child!”
-
-Lili laughed between her tears as she looked at Marie.
-
-“Marie, how droll you are when you sermonize like that! It makes me
-laugh, really.”
-
-“All right, sissy, you laugh away; let us laugh as long as we may.
-Well, good-bye; put your hair straight a little; I am going to mamma.”
-
-She nodded to Lili and left the room, envying her sister who could
-freely express what she felt, and as she was going down the stairs she
-smiled a little sad smile when she thought of Lili’s grief and despair
-about Georges. Her sister seemed to her as a child crying for its toys;
-she could already see Lili’s little face, now so bitterly sorrowful,
-beam with gladness, as it would do when she, Marie, should return to
-her in half an hour.
-
-Happy Lili! that she might weep so freely—that she might exclaim with
-such exultation—“What do we care for Madame Eekhof, if we like each
-other?”
-
-They were bound for a farm-house, kept by a farmer with whom the
-Verstraetens were well acquainted. The road taken lay along the
-Loosduinschen Weg, and the passengers by the brake felt far from
-comfortable in the sweltering rays of the mid-day sun, which poured its
-fierce rays mercilessly down upon their heads. Madame Verstraeten and
-Mathilde sat on a back seat, with Nico between them; Marie, Lili and
-Frédérique, Paul, Etienne and Georges were their vis-à-vis, the front
-bench being occupied by Tine and Lientje, and the little cousins
-Verstraeten; Johan and little Cateau van der Stoor sat on the box. It
-would be a cosy little party, entirely among themselves, without the
-presence of strangers, who would only have interfered with their
-freedom. Marie was taking handfuls of cherries from a big basket and
-distributing them all round, and Etienne, between his mouthfuls, was
-relating how Marguerite van Laren had declared that a brake was a
-plebeian conveyance.
-
-“When the van Larens go to a picnic they always go in court carriages,
-I suppose, with powdered footmen!” said Georges.
-
-“In toilettes à la Watteau, and leading little lambs attached to pink
-ribbons,” added Lili, and they smiled at each other.
-
-Every one laughed, and they felt in a very good humour, the girls in
-their simple cotton frocks, the young men in their light summer suits
-and straw hats.
-
-“Cateau, will you have some cherries?” asked Marie, and a handful went
-across to Cateau. “There you are, divide with Jan.”
-
-“Oh, I shall get my share,” cried Jan, in his loud voice. “Toos, shall
-I show you a little trick?”
-
-“What sort of trick?” asked Toos.
-
-“Look, you see those two cherries, don’t you? Now then, put that one in
-your mouth; that’s right.”
-
-“Well, and what then?” asked Toos, doing as she was asked.
-
-“Then I shall take the other, do you see? There!” continued the rascal,
-and opened his mouth for the second cherry with a smacking kiss on
-Cateau’s lips.
-
-“I say, Jan!” said Madame Verstraeten indignantly.
-
-“That Cateau! what a stupid girl!” cried Freddie laughing.
-
-“I didn’t know what he was going to do,” declared Cateau; “that
-wretched boy!”
-
-“Come, Toos, nonsense, you knew all about it!” teased Paul.
-
-Cateau was in despair because Paul refused to believe her.
-
-And the brake rattled on along meadows full of fat grazing cattle,
-their hides of black and white glossy as satin, while the willows along
-the edges of the ditches waved their fans of silver-gray foliage from
-the summits of their gnarled stems.
-
-“I think a willow is such a melancholy tree, don’t you, Georges?” asked
-Lili.
-
-“Oh, Lili is getting poetic!” cried Etienne. “Come, Lili, an ode to the
-willow.”
-
-“It seems I can’t say a thing but you must all laugh at me,” answered
-Lili pouting. “I must be very ridiculous?”
-
-And they continued to tease her, whilst the cherries rained thick and
-fast in everybody’s lap, amid general laughter. The road grew hilly,
-whilst in the distance the duny heights arose. Here and there was a
-villa, hidden amid the foliage, or a farm-house, with fields of turnips
-and cauliflowers, and rows of climbing beans, or a little garden full
-of sunflowers, geraniums, and tuberoses. A washerwoman busily wringing
-clothes by the side of a ditch raised herself up and smiled, and two
-peasant children ran behind the carriage to catch the cherries which
-Jan and Cateau threw to them.
-
-The road undulated between yellow fields of oats and flax, bespeckled
-with the blue and red of corn-flowers and wild peas, until at length
-the farm-house was reached. The farmer’s wife appeared at the gate with
-a kindly smile, and from all sides they sprang from the brake, while
-Madame Verstraeten and Mathilde lifted down an array of boxes, baskets,
-and hampers. The driver got down from the box and led his steaming
-horses to the stable. Jan Verstraeten, little Cateau, and the young van
-Ryssels soon took possession of the two swings. Jan had promised Madame
-van Ryssel that he would be careful, and Cateau would look after Nico.
-
-“They are just like a married couple with their offspring!” laughed
-Marie, as she followed them with her eyes.
-
-“I’ll drive them all away from the swing in a moment; I want to swing
-as well,” cried Etienne noisily, intoxicated with the sun and the fresh
-air. “Lili, will you have a swing with me presently?—at least, if de
-Woude does not mind,” he whispered, with longing eyes.
-
-“De Woude has nothing to say about me. But I don’t care for swinging,
-it gives me a headache, thanks.”
-
-“I am madly fond of it, Eetje,” cried Marie; “I shall be ready in a
-moment; but high, very high, do you hear? Up to the clouds.”
-
-“Come, let us go and look for a nice little spot, a little further on
-the dunes,” said Paul.
-
-“Oh, of course; Paul is thinking of his comfort again. But the dunes
-are very hot, Paully,” said Freddie.
-
-“No; there are trees, oaks I think, the other side of the pavilion.”
-
-“Right away, then. It really is too hot to bustle about much. I am of
-Paul’s opinion; I like a lazy picnic: lounging in the shade and
-watching the clouds overhead,” lisped Lili.
-
-“Lili always manages to unite the languorous with the poetical,”
-laughed her sister. “In Heaven’s name, de Woude, propose something. We
-are all chattering at once, and you—you say nothing.”
-
-Georges laughed, and they went, picking their way through the
-overhanging foliage, and pushing back the leafy branches, which again
-closed behind them with a rustling sound. Lili started, frightened at a
-spider which hovered over her attached to its silvery thread, and when
-de Woude brushed away the insect they became the objects of general
-teasing: she, as the timid maiden; he, as a brave knight, slaying the
-dragons that surrounded her.
-
-“But what have we done, that you are always down upon us?” cried
-Georges.
-
-“Oh, Georges, don’t you trouble yourself about it,” said Lili. “They
-think they are very witty. Oh, Paul, how you let us clamber along in
-this heat. ’Tis quite a journey to that pretty spot of yours. And those
-tiresome branches too. Ooh!”
-
-She glanced, pouting, at her finger, which had received a scratch from
-a thorn.
-
-“Let me walk in front of you,” whispered Georges, and he said it so
-softly and glided so deftly in front of her that the others, amid their
-laughter at Lili’s mishap, did not notice it. The two dropped behind a
-little, and Lili smilingly followed after him, while Georges held back
-the branches until they could no longer touch her face.
-
-“Let them laugh! You don’t care, do you?” he asked, entirely absorbed
-in his happiness.
-
-“Not a bit,” she answered calmly, shaking her little fair head under
-the big hat, while a mocking smile formed about her mouth. “We can
-laugh at them now. Who is that shrieking?”
-
-“Etienne, of course,” said Georges.
-
-Paul and Etienne had come upon a grassy spot beneath the chestnut
-trees, from which a small panorama could be seen: some meadow-land,
-interspersed by the straight lines of the ditches, sparkling under the
-bright sky, and here and there a cow. In the distance a little
-windmill, and beyond it a border of poplars, stately and slender.
-
-Lili and Georges approached, and found the others in rapture.
-
-“It’s glorious here,” said Paul. “Cool moss to lie on, and a fine
-view.”
-
-They all agreed that it was a pleasant spot, and sat down on the
-ground, tired with their reconnoitring. They removed their hats, which,
-together with the lace or red parasols of the girls, soon covered the
-dark greensward with glowing colour, whilst here and there a stray
-sunbeam, penetrating through the foliage, threw a myriad of glittering,
-dancing dust-particles across the light cotton of their frocks, and the
-yellow and brown shades of their hair.
-
-“It isn’t so very shady here, after all. At all events I am quite in
-the sun,” said Lili, hiding herself in the rosy shade of her
-en-tout-cas, and she cast an indignant glance on Paul, who had a very
-shady place, and was lying full length on the ground, his head cosily
-hidden in a handkerchief.
-
-“Hush, Lili, don’t talk; go to sleep,” he whispered, with closed eyes.
-
-“You are very entertaining; you sleep on then. But I am scorching
-here.”
-
-“Shall we go and look for a better spot, Lili?” said Georges.
-
-“Yes, do; that’s a good idea,” thought Paul.
-
-“And just whistle when you have found one,” said Etienne.
-
-Georges promised he would. They rose, after which Lili, leaning on him,
-descended the dune.
-
-“That Lili is always so fussy,” yawned Paul, in his handkerchief.
-
-But his laziness was too much for Etienne, who pulled him down the
-hillock by his legs, to the great amusement of the girls.
-
-It was very warm, however, and they could not help it—they too began to
-feel lazy. They would walk about after lunch. When peace had been
-restored between Paul and Etienne, Frédérique laid her head on Eetje’s
-knees, whilst he tickled her ears with a straw; Paul was half asleep,
-languid with heat and comfort, and Marie sat staring contemplatively,
-with a suggestion of sadness about her mouth, at the meadows and the
-ditches and the grazing cattle.
-
-The path along which Georges and Lili descended was a very easy one.
-She floated down, as it were, her hands clasping his shoulder, and he
-hurried at a quick pace. Quicker and quicker he went; and she laughed
-lightly; it was as though she were endowed with wings.
-
-“How stupid of them to stay there under that burning sun! Look, over
-yonder, under those trees.”
-
-“Those chestnuts?”
-
-“Yes; shall we try?”
-
-“Yes.”
-
-They clambered up, he assisting her, and penetrated through on to the
-wooded hillocks. It was delightfully cool and shady there, whilst just
-a few paces off the sun was scorching.
-
-“Oh! isn’t it pretty here?” cried Lili. “And look, violets!”
-
-She sat down on the mossy sand, and picked the flowers. And he lay down
-at her feet, too happy to say much, and played with the red tassels of
-her parasol.
-
-“Come, now, you must whistle, Georges, as a signal for the others to
-come,” she said archly, knowing full well that he would not.
-
-“I can’t whistle, I never could,” he answered, and looked at her
-laughing.
-
-She laughed too, and threw her violets in his face. He gathered them
-up, and placed them in his button-hole. Then he took her hand, and
-looked in her face.
-
-“Do you like me?” he asked, his eyes fixed on hers. She laid her little
-white hands on his shoulders, and looking him straight in the face,
-slowly bent her head.
-
-“What?” he asked, full of tenderness. “Do you like me?” he repeated,
-and she bent down, so that his lips touched the little locks on her
-forehead, and kissed them.
-
-“Yes,” she said, and she let her head rest against his face. “Yes, I
-like you.”
-
-Thus they remained for a while, whilst he, in his uncomfortable
-posture, enjoyed the weight of the little head on his face. But when
-she raised herself, and once more smilingly looked at him, he
-approached closer to her side, and laid her arm round his neck.
-
-“Do you know, Emilie——” he commenced.
-
-“What?” she asked.
-
-“Emilie has been speaking to my father; mightn’t she come and speak
-with your parents?”
-
-“Yes,” she answered, with a beaming smile. “But I don’t know—I don’t
-think——”
-
-“Emilie knows how to talk.”
-
-“You are very fond of her, eh?”
-
-“Yes—and of you too.”
-
-She pressed his head closer in the soft bend of her arm and gave him a
-kiss on his forehead—her first!
-
-And the odour of the moss and the violets became mingled together into
-a fragrant sigh, whose sweetness made her feel faint, whilst her little
-hand closed caressingly, and disarranged his light-brown hair. She
-listened, still with that same happy smile, to his soft voice, as he
-was telling her of the conversation he had had with his sister, before
-he knew whether Lili would ever care for him. For a time he had
-certainly felt anxious; now, however, the whole world seemed to him one
-smiling landscape.
-
-“Emilie thought you would not have a poor husband. Won’t you have a
-poor husband?”
-
-“Are you poor?”
-
-“Well, I am not rich.”
-
-“All right, then I will have a poor husband. I can be so economical.
-Sometimes I make a month’s dress money last me for three months. And
-don’t I always look neat?”
-
-“Charming.”
-
-“But I don’t believe you are very economical. I think you have a great
-many more wants than I.”
-
-“I shall have no wants, when I have you. You will be all to me.”
-
-“Does Emilie care for me?”
-
-“Rather! she shall be our little mother. And you will accompany me
-everywhere? To Cairo? To Constantinople? To the Cape?”
-
-“To Lapland if you like—everywhere.”
-
-“My own little woman.”
-
-He clasped her close to his bosom and kissed her. It was as though the
-world vanished from them and left them alone in paradise. It seemed to
-them as though no other couple had ever loved so fondly, as though
-there had never been any love but theirs.
-
-
-
-“Mamma wants to know if you are coming to lunch?” cried Johan van
-Ryssel to the four, lying sunning themselves yonder. “You lazy people!
-hallo! you are all asleep, I believe.”
-
-And he clambered towards them and fought with Paul, whose big limbs,
-stretched at their full length, irritated him. Frédérique and Etienne
-raised themselves up, and admitted being hungry.
-
-“Through doing nothing, I suppose?” cried Jan, who came to call them
-too. “We have been swinging and riding in the donkey-cart and climbing
-a haystack, and you—you can do nothing but doze.”
-
-“Hush! more respect for age, please,” said Marie with dignity.
-
-They all descended the path along which they had come, again struggling
-with the overhanging branches that barred their passage, when they
-heard a whistling behind them. On turning round they caught sight of
-Georges and Lili, full of mysterious gaiety.
-
-“We have found a nice little spot, very cool!” said Georges ironically.
-
-“Oh, so cool!” repeated Lili.
-
-At that they became the butt of indignant glances, and so they wisely
-lagged behind a little; still they took good care to be in time to join
-the others at the lunch-table.
-
-Madame Verstraeten and Mathilde had been very busy, notwithstanding the
-heat. On the coarse white table-cloth there arose heaps of little
-rolls, together with dishes full of cherries and strawberries, and a
-big basin of cream between two golden tulbands. [2] Sixteen chairs were
-ranged around the table, and the little van Ryssels, flushed with the
-heat, tired after running, with sparkling eyes and moist hair, looked
-at it all with longing. Nico was already seated at table rattling his
-fork against his glass, and all now sat down, and Madame Verstraeten
-and Mathilde were soon busy handing round the different things.
-
-“De Woude, take what you like,” said Madame Verstraeten, and soon the
-spot resounded with noisy laughter, whilst the rolls and the tulbands
-disappeared as if by magic, and the fowls were running about nervously
-round the table, keeping close to Nico, who to Mathilde’s despair
-offered them immense slices of bread. Jan in the meantime found a fresh
-cause to reproach the three young men with their laziness.
-
-Behind the farmhouse there was a broad stream, and a little boat lay
-moored alongside. Jan and Cateau wanted to disport themselves in it,
-but Madame Verstraeten would not permit them, unless some one older
-than they accompanied them. So after lunch they stormed up to Paul and
-Etienne, who were to row them; Jan promised to be a good steersman.
-
-“Do you think Georges and Lili are safe together?” asked Paul, as he
-pushed off the boat from the shore with his scull. “Come, Etienne, keep
-time.”
-
-“Where are they? Oh, look, there they go, behind that hedge!” cried
-Frédérique. “Marie, fancy you as elder sister allowing such a thing.”
-
-Marie laughed kindly.
-
-“Oh, let them be happy,” she answered simply.
-
-Etienne made himself very busy, just to hide his want of skill as an
-oarsman, whilst he made the strongest possible movements with his oar.
-Paul grew more desperate every moment.
-
-“I say, Etienne, you don’t know anything about it; for heaven’s sake
-don’t splash like that.”
-
-A shower of spray fell upon them.
-
-“You are soaking me,” said Frédérique indignantly.
-
-“Go along, do you think I can’t row?”
-
-Cateau and Jan laughed at Etienne, and he carried on in such a
-ridiculous way, that Toosje at last summed up courage to ask Paul to
-let her have a row; for she looked upon Mr. van Raat as the captain.
-Etienne, in spite of his boisterous remonstrances, which nearly caused
-the boat to capsize, was removed from his seat, and Cateau set herself
-down triumphantly beside Paul, full of eagerness to keep time with him
-in the lifting and dropping of her oar, which she clasped, without fear
-of blisters, closely in her hands. And she enjoyed it when their
-sculls, as if moved by one power, feathered in light and measured
-stroke over the greenish water.
-
-“Splendid, Cateau; you understand it!” said Marie. “Jan, just steer
-across to those lilies.”
-
-Jan steered, and the little boat glided slowly to a pool coated with
-duckweed, upon which the white cups of the water-lilies floated amid a
-wealth of flat, glossy green leaves. Marie bent forward, grasped a lily
-by its tough slimy stalk, and tugged and tugged until she pulled the
-flower out of the duckweed.
-
-“Over there, look, there are a lot,” cried Jan, pointing to the other
-side.
-
-And they glided on between overhanging willows, their silver-leafed
-branches bending over the water, and a long line of meadow-land, and
-Marie mechanically pulled the muddy flowers out of the water. She no
-longer heard the laughter of the others; how little Cateau and Etienne
-were having a lively dispute as to in what fashion an oar was to be
-handled. She continued, without fear of soiling herself with the mud,
-wrenching out the flowers, whose stalks she cast at her feet, like so
-many slippery eels; she wrenched and wrenched so hard that the stalks
-nearly bruised her hands. Thus too one could wrench a thought from
-one’s mind, though the heart bled from it.
-
-
-
-The young van Ryssels, whom Mathilde did not trust in the boat while
-Etienne was in it, again consoled themselves with their swing. Tina
-pushed Nico, who was sitting very dignified, to and fro, whilst Johan,
-with Lientje sitting between his legs, disported himself on the second
-swing. But now approached Marie and Etienne, and when Nico was tired of
-his dignified attitude they both clambered on to the plank.
-
-“High, Eetje, very high!” cried Marie.
-
-Etienne, with his feet firmly placed against the plank, soon sent the
-swing forward.
-
-“Ah! I see you are a better hand at swinging than at rowing,” cried
-Marie.
-
-She too pushed the swing forward, and it swung higher and higher,
-whilst her dress fluttered in the wind, her hat blew off, and a few
-hairs dangled about her face. She took a deep breath, as high up in the
-air she hung over Etienne almost horizontally, and swayed up and down.
-She felt a sensation as if an unfathomable abyss yawned beneath her,
-and as if she rose higher and higher into the blue sky, borne upward on
-the wings of a great bird. Her eyes sparkled, her cheeks glowed, and
-she fain would have let go the ropes, and in a desperate flight plunged
-herself into space.
-
-Then she caught sight of the four children below, who were staring in
-open-mouthed and envious wonder at the “big folk” who were allowed to
-swing so high, and she wanted to call them, but her tongue refused to
-utter a sound. Etienne was as if intoxicated, and higher, still higher,
-swung the plank.
-
-“Etienne—enough—enough, Etienne!” murmured Marie, and she closed her
-eyes.
-
-And she felt quite dazed when the great bird slowly slackened the speed
-of its flight, and at last ceased altogether. She tottered when she was
-on terra firma once more.
-
-Etienne picked up her hat.
-
-“A glorious swing, wasn’t it, eh?” he cried, out of breath.
-
-Marie nodded smilingly, and with a gasp and a sigh brushed the
-dishevelled hair from her face. And when Etienne took to his legs and
-ran, shouting to his little cousins that they could not catch him, and
-when the young van Ryssels ran after him, Nico last of all, waddling
-along on his fat little legs—then Marie, on the grass by the side of
-the swing, burst into tears. She thought of Lili and Georges, how happy
-those two had been, whilst she, Marie, had sat gazing at the meadows
-and the cows until stars shimmered before her eyes; and how happy they,
-Georges and Lili, had been, while she had been wrenching the lilies out
-of the water—hard, very hard, with all her might.
-
-
-
-
-
-
-
-
-CHAPTER XIX.
-
-
-“Eline, Eline!” was shouted from the garden. Eline sprang out of bed in
-a fright, on finding it was half-past seven. At the Horze the breakfast
-hour was eight, and so she hurried with her toilette. Half dressed she
-walked to the open window, and looked out. There were Théodore’s two
-eldest girls, Marianne and Henriette, sixteen and fourteen years old.
-
-“Good morning!” Eline said cheerily.
-
-“What, are you up already? Well, that’s quick, I am sure! Are you
-coming down soon?”
-
-“Yes; I shall be ready in a moment.”
-
-“Morning, Eline!” she heard a new voice shouting. Eline looked out and
-caught sight of Gustave, a good-looking little fellow of ten, with a
-pair of saucy blue eyes, a regular street arab, with ever-dirty hands,
-and comical as a young clown.
-
-“Morning, Gus,” she cried.
-
-“I say, Eline, you know what you promised me?”
-
-“No.”
-
-“You will marry me, and not Uncle Otto, eh? You have promised me, you
-know.”
-
-“Yes; all right, Gus. But I must make haste and dress, or I shall never
-be ready!” cried Eline, again busy with her hair in front of the glass.
-
-She could hear the bustle in the garden increase every moment, and it
-made her nervous. Her fine eyes were still rather small, her fringy
-curls did not fall as she wanted them. Again from out of the garden,
-full of sunlight and shadow, a cheery hum of voices ascended, among
-which she could distinguish Théodore’s big voice, as well as the lusty
-shouts of the little van Ryssels.
-
-“Eline, Eline!” again came from many, many voices.
-
-“Yes, yes; I am coming!” Eline shouted back almost impatiently, and she
-buckled her belt and rushed out of her room, through the long corridor,
-sombre in its brown oak panelling, down the broad stairs, and out of
-the hall.
-
-In the garden Cathérine Howard was walking with Otto, her brother. She
-was not pretty, but she had a pleasant cheerful face, and she was
-almost as lively in her movements as Etienne.
-
-“Oh, Otto, I can well understand it,” she said affectionately, as she
-hung on his arm. “I think she is a dot of a girl. From Freddie’s and
-Mathilde’s letters I expected to see something of a coquette, because I
-really didn’t much remember, it’s so long since I saw her, and then it
-was only for a moment or two at a time, when she was living with that
-old aunt—a widow, a Madame Vere, I believe, was it not?”
-
-“Yes,” said Otto.
-
-“But now, on closer acquaintance, I think she is a darling. There is
-something so winning and frank about her way of speaking, something
-very simple and unaffected, and yet distingué. And she is a little
-doll, really very pretty.”
-
-“Do you think so?” said Otto.
-
-“I should think so. You may well be proud of her; it isn’t every one
-who can get such a wifie as that. Ah, there goes the bell! they are
-always early birds here.”
-
-They walked towards the open room, which looked on to the garden, and
-entered. Old Madame van Erlevoort was already seated at the long
-breakfast-table, and gave a smiling nod to her son and daughter. Eline
-stood talking to Théodore, who reminded her neither of Otto nor of
-Etienne, as he stood there sturdy and broad-shouldered before her, with
-his well-set powerful frame, and his short full beard; but in his loud
-cheery heavy voice there sounded the native, healthy good-nature of the
-Erlevoorts.
-
-His wife, the young Madame van Erlevoort, or Truus as he called her,
-was still occupied, with the assistance of Mathilde and Frédérique, in
-making a few more preparations for the meal. Miss Frantzen set the
-little van Ryssels on their chairs, and fastened their napkins about
-their throats. Etienne came in from the garden with Cor, Théodore’s
-eighteen-year-old son, who was a midshipman, and was now staying at the
-Horze on furlough. They were followed by the girls and the boys, Willy
-and Gustave, full of jokes and fun at the expense of their English
-uncle Howard, whom they did not understand, and whom they were to teach
-Dutch.
-
-“Good morning, Nily!” said Otto, approaching Eline.
-
-“Good morning, Otto!” answered Eline, and she offered him her hand, and
-they whispered something together. She felt herself very happy in the
-new charm which a busy family life had opened up to her. To her, who as
-a child had had no one but her sister for a playmate, and whose early
-girlhood was half dreamed away in the depressing surroundings of her
-aged aunt’s home, it was a newly-revealed happiness to be in the midst
-of such a joyous stir, and she began to view life from another
-standpoint than she had done while she was yet under the glamour of
-soirées and balls at the Hague. Every one was cheerful and pleasant,
-even Frédérique; the children she allowed to clamber on to her shoulder
-at their sweet will, freely letting them caress and fondle her with
-their greasy little fingers, without the least fear for her dress or
-her head-gear. She was in love with Tina, the dainty little miss, whom
-Eline’s charm of manner irresistibly attracted, as it had once
-attracted Cateau van der Stoor, and at table Eline’s seat was always
-between Otto and Tina. Old Madame van Erlevoort sat between her two
-youngest grandchildren, Edmée and Kitty Howard, the only child of her
-English son-in-law, and when she glanced along the table beaming with
-youthful gaiety, it seemed to her as though there could be no one in
-the wide world happier than she, with her gray hair and her youthful
-heart.
-
-After breakfast Théodore proposed a trip to the so-called “big tree,”
-for he declared that of the many big trees of Gelderland the one at the
-Horze was the biggest. Howard, Etienne, and Cor were to accompany him;
-Eline and Otto with the children joined them; even Edmée and Kitty,
-under the care of the three girls, stormed the covered cart that was
-ready to convey them.
-
-In the breakfast-room an Atlantic gale seemed to have raged. The table
-was a chaos of plates and glasses, the floor was bestrewn with
-serviettes, in the midst of which lay Tina’s hat, a spade of Nico’s,
-and a ball of Edmée’s.
-
-“Isn’t it rather too noisy for you, mamma?” asked Truus, taking the
-hand of Madame van Erlevoort—who was still seated at the disordered
-breakfast-table—in hers. “Really the children make such a fearful din,
-that it seems quite a relief when they are gone.”
-
-“Come,” said the old lady, “you ought to be ashamed to talk like that.”
-
-“My four youngsters often nearly drive me to despair too,” remarked
-Mathilde; “but with the exception of Cor, who is gradually growing a
-little more staid, yours seem to take the palm for noisy young
-scapegraces.”
-
-“Don’t you trouble yourself about me, Truus,” said the old lady. “All
-through the winter I long for the summer to come, when I can go to the
-Horze, and it does me good to be with you all. And I think it very nice
-of you that you have asked Eline.”
-
-“Next year, when they are married, I have already asked them to come to
-London during the season,” remarked Cathérine. “I like her very much.”
-
-Young Madame van Erlevoort looked rather thoughtful as she folded up a
-serviette.
-
-“And you, Truus,” asked her mother-in-law, who observed it, “you like
-her too, don’t you?”
-
-“What shall I say, mamma? I know so little of her. I think it very nice
-of her that she adapts herself so entirely to our ways and habits, so
-that I have no occasion to stand upon ceremony, as with a stranger; I
-haven’t the time for that. So I do think it nice of her. But you are
-aware I don’t at once go into raptures about people.”
-
-“That sounds too diplomatic to please me, child. As for me, I either
-like a person or I don’t.”
-
-“Oh, you must not think I mean more than I say. I have only known Eline
-a week; she has made a favourable impression upon me, I think her very
-charming, but I don’t yet quite know whether I actually feel for her or
-not.”
-
-It was on Mathilde’s lips to say that she, who had known Eline for
-years, was not quite certain of that either, but she said nothing.
-
-“And then again—but you must not be vexed, mamma, will you, now that we
-are on the subject?”
-
-“No, no, child.”
-
-“You see, I can’t help thinking there’s something in Eline as if she
-will never feel herself at home among our family. She adapts herself to
-us, as I said, but I am not so sure that it comes quite from her heart.
-I don’t cause you pain with what I say, do I? There is nothing I should
-like better than to find that I was mistaken in Eline, and when I know
-a little more of her—eh, mamma?”
-
-She hesitated to say it right out; she did not care for Eline. She was
-a sturdy sensible woman and a good mother, ruling over her little
-kingdom with loving care and prudence, who, whilst ever friendly and
-cheerful, was also determined and firm, and made her will pass as law.
-In the firmness of her character she generally came forward straight
-with her meaning, but this time she knew that, as Otto’s intended wife,
-mamma already looked upon Eline as one of the family; she had noticed
-that Eline could with a single loving word or a single caress touch the
-old lady, and she did not like to pain mamma in her son’s intended. But
-in their rural atmosphere—that she could not deny—Eline introduced a
-discord, as of something artificial, something unreal, and this
-irritated Truus. She could not know that Eline was perhaps more herself
-at the Horze than she had ever been elsewhere, that indeed she felt
-happy there in the simple family life, that she felt as though a new, a
-purer, and a fresher life had fallen to her share; she could not
-penetrate Eline’s inner thoughts, she could but see on the surface; she
-saw not the sweet calm of those nerves, so long overstrung in a life of
-excessive culture and luxury; she saw only the native worldliness
-glimmering through a veil of affected simplicity, and this irritated
-her, as the big blue silk sash on Eline’s print dress irritated her.
-
-Cathérine Howard was all indignation. How was it possible that Truus
-could say such a thing? it was certainly not very becoming to an
-intended sister. And she galloped along about Eline with almost
-childish ecstasy, in such affectionate words, that the old lady,
-disconcerted at her daughter-in-law’s ideas, soon again beamed with
-pleasure.
-
-“No; really, Truus, I can’t make you out. I on the contrary admire
-Eline, because, stranger as she is among our family, she so quickly
-made herself at home. I can assure you that when I came to London with
-Howard—I did not know his family at all, that’s true—but I must say I
-felt a little bit like a fish out of water among them, cordial though
-they all were. But Eline—dear me! why ’tis as if I have always known
-her; she is so easy, so accommodating, you have no trouble with her
-whatever. No; I really can’t understand that you can even imagine that
-she will not feel herself at home amongst us; I can’t say it’s very
-nice of you, I am sure.”
-
-Truus laughed at Cathérine’s indignation, and excused herself as well
-as she could, and as the servant was coming in to clear the table, the
-old lady with Mathilde and Cathérine went up-stairs, and sat down in
-the roomy, well-shaded balcony, while Truus remained invisible for the
-rest of the morning, absorbed in her domestic duties.
-
-
-
-The cart was already long out of sight. Théodore, Howard, Etienne, and
-Cor walked in front, and Otto and Eline followed, under the shadow of
-her big lace parasol.
-
-The conversation of the four men was a mixture of English and Dutch;
-Howard declared he could understand the latter, and was even able to
-speak a word or two, while Théodore was continually coming to grief
-with his English in his explanations about tenants and lands. Some
-labourers in their Sunday clothes passed by with a respectful salute.
-
-The road lay bathed in sunshine between the glowing gold of rye and
-oats, and not a breath of wind stirred the stalks. Beyond, white and
-red, gleamed the blossoming buckwheat. In the distance arose a
-farm-house from between a group of trees, with a line of smoke rising
-like a faint gray plume against the blue of the sky.
-
-“I suppose you feel yourself here like a king in your own country?”
-said Howard.
-
-“Oh no!” answered Théodore. “I feel myself more peasant than king. But
-look round a moment; there, right across the garden, there’s our
-palace.”
-
-They turned round and stood still, so that Otto and Eline soon overtook
-them. Through a break in the dense foliage the Horze could be seen in
-the distance, white as milk, with its little shutters and slender white
-turrets, the big vine-clad balconies relieving the white monotony with
-leafy intervals. The lake lay as a round mirror in the midst of the
-fresh greensward, bespeckled with a white fluttering flight of pigeons.
-
-“What a very pretty view!” said Eline, enraptured. “But see, who is
-that waving to us?”
-
-“Oh, I suppose it’s grandma and the aunts,” cried Cor.
-
-They noticed in the shadow of a balcony a number of dark outlined
-figures, who appeared to be waving handkerchiefs, and they all returned
-the signal, whilst Etienne shouted “Hurrah.”
-
-“Come, let us make haste now,” said Théodore, “or we shall never get as
-far as the big tree.”
-
-Eline spoke English fairly well, and with her Howard got on the best.
-He engaged her in a lively conversation, whilst Eline on Otto’s arm, in
-the shade of her parasol, which he held, laughingly replied to him. And
-Eline herself wondered how it was that without the least effort she
-made an agreeable impression upon every man with whom she came in
-contact, whilst the sympathies of those of her own sex she could only
-succeed in enlisting by dint of exercising all the arts of her loving
-affection.
-
-Through her conversation, full of cheerful banter, the thought flashed
-like lightning—Madame van Erlevoort cared for her only on account of
-Otto; Cathérine liked her out of light-heartedness, but their sympathy
-was not firmly rooted in affection; with old Madame van Raat, with
-little Cateau, with Tina, it was otherwise. And with a smile she leant
-heavier on Otto; what cared she for all of them? his love well repaid
-her for what she missed in others, his love was her wealth, and for the
-sympathy of others she cared nothing.
-
-To the big tree it was a good half-hour’s walk. The road bent through
-the golden corn-fields, along hedges pink with blossom, by the side of
-hilly pine-copses, fragrant with pungent odours, whose dark, sombre
-foliage afforded a grateful shade from the brilliant sun-rays.
-
-Suddenly, at a bend of the road, the little village of Horze was
-revealed as a surprise to the eyes of the party; a few cottages, a
-baker’s shop, a minister’s house, an inn, some stables, all scattered
-around a little church; and Eline glanced round wonderingly—she did not
-see the village, she said.
-
-“But here it is—there—that is the village,” said Otto.
-
-“What! That house and a half?” asked Eline, her eyes big with surprise.
-
-They all laughed, and Etienne asked her if she had expected to find a
-sort of Nice or Biarritz.
-
-“At least something like Scheveningen, with a Kurhaus—eh, Elly? I say,
-Elly, do you know the difference yet between rye and oats?”
-
-“Not quite. Buckwheat I know when I see it—flax I know, very light
-yellow—and potato-fields I know. But rye and oats and barley, no; of
-them I know nothing whatever. Don’t worry me about them, Etienne! But,
-Théodore, is this indeed Horze? Are you really lord and master of
-these—one, two, three, four barns?”
-
-And she roared with laughter under the broad brim of her big straw hat;
-and they all laughed at Eline’s innocent surprise, although Théodore
-felt a little hurt.
-
-Eline, however, quickly regretted her jest, which she felt was not
-quite in harmony, and she declared that it was full of picturesque
-spots, a little house like that with a cluster of trees, very pretty,
-really.
-
-“And the big tree, where is the big tree?” asked Eline.
-
-They passed through the village, between the pecking fowls, which
-scampered away frightened, while the blacksmith and a couple of
-farmers, to each of whom Théodore addressed a few words, heartily
-greeted their landlord, remaining for a while staring after his guests.
-They crossed over a meadow, and Théodore shouted to a boy to hold a cow
-close by them, as Eline was afraid of the huge, fat beast, with its
-big, staring eyes and chewing mouth.
-
-“Etienne, Cor—do leave off, Cor!” she cried, on Otto’s arm, to Etienne
-and Cor, who, to frighten the cow, set up a melancholy boo! boo!
-
-“You see, Eline, that’s because you laughed at Horze,” cried Théodore
-in his big bass, but she looked at him laughingly and so softly between
-her half-closed lashes, that he was quite disarmed, and asked Etienne
-and Cor to stop their silly noise. At the end of the meadow stood the
-big tree, an oak with a colossal stem, tall and powerful as a giant.
-Frédérique, Marianne, Henriette, and the children had already ensconced
-themselves between its spreading roots. Howard and Eline were urged on
-all sides to give vent to their admiration for the tree. Eline mustered
-forth a few words, such as colossal, immense; but Théodore noticed from
-the mocking little smile that played on her features, that the oak had
-made no impression whatever upon her, and he held up his finger to her
-threateningly, until she burst out in a peal of laughter, which was
-renewed when Howard, in a very serious tone, declared—
-
-“A big tree, indeed! I never saw such a big one! Quite interesting!”
-
-“Wait, I shall give it to you!” cried Théodore, and he ran after Eline,
-who fled shrieking with laughter until she fell down panting for breath
-on the grass, and holding out her hands, cried—
-
-“Théodore, leave off, do you hear? I shall call Otto!”
-
-“I’ll show you! you naughty girl! Call Otto if you like. I’ll show
-you!” and he grasped her wrists and shook her in fun, whilst she acted
-as if he hurt her terribly. Then he assisted her to rise, and she
-promised, still laughing, not again to show so little appreciation of
-the beauties of nature.
-
-The children with their English uncle were standing hand in hand, and
-trying to measure the tree.
-
-“Absurd of Théodore to run after Eline like that,” muttered Frédérique,
-and Etienne overheard her.
-
-“I say, you are getting tiresome,” he cried. “Why, you can’t bear a
-joke any longer.”
-
-By the side of the little church there was a hilly pine wood. There
-Eline sat down on the moss, and rested her head on her hand. Otto sat
-beside her. They could just hear the faint tinkling of a distant bell.
-It was church time. Some country people in glossy broadcloth and
-shining silk aprons were walking, prayer-book in hand, along the road,
-and Eline with her eyes followed them, themselves scarcely visible
-behind the close-standing stems. The scattered church-goers were few in
-number; a few—late-comers—followed hurriedly, and all was quiet under
-the peaceful influence of a rustic Sunday rest. In the distance was
-heard the bleating of a goat.
-
-It is true Eline had imagined the Horze more grandiose and luxurious,
-and the very simple life that was led at the country house made her
-smile at times when she called to mind Ouida’s English castles, full of
-dukes and princes, such as those in which she had her abode during her
-watch at Aunt Vere’s sick-bed. It was certainly very different, that
-splendour of an ideal aristocracy, and this simplicity of a well-to-do
-but necessarily frugal aristocracy, and yet she would not have
-exchanged her present circumstances for anything, and she talked
-smilingly to Otto about Ouida and the English castles, and declared she
-gave the preference to the Horze, as she preferred him, her poor
-country squire, to the wealthy Scotch duke, after the type of an
-Erceldoune or a Strathmore, such as she used to dream about formerly.
-
-Yes; Eline felt her happiness growing greater and greater in that
-peaceful solitude beneath the dark pine leaves, whilst Otto’s voice,
-deep and full, sounded in her ears. He told her how he could not yet
-understand that she was his for ever, and that ere long they should be
-as one; and he told her that she had but one fault—that she misjudged
-herself. He, yes, he knew her as she really was; he told her that there
-were latent treasures hidden within her, and that it would be his
-privilege to try and bring them to light. In the fullness of her
-happiness she became frank and outspoken, even to herself, as she never
-had been; she looked at him almost pityingly, and answered that he
-would yet discover in her much that was bad, when he knew her better.
-No, indeed, he did not thoroughly know her, although he thought so.
-There was so much going on in one’s heart that one could not always
-disclose; at least, so it was in her case, and she must confess that
-her thoughts were not always of the best, neither was she always so
-even-tempered as she appeared to be whenever he saw her. She could be
-peevish, and nervous, and melancholy without real cause; but certainly
-for his sake she would endeavour to transform herself into something
-like the image he had formed of her for himself; but what an idealist
-he was! She felt herself pure and good in that confession; she knew now
-that she could freely reveal to him thoughts which she would not always
-have confessed to herself; neither was she any more in fear of losing
-him through some careless word; she saw how he loved her, and how she
-must be dearest to him in the moments when she spoke to him about
-herself in that simple way, and often it seemed to her as though he was
-her conscience, to which she could say all that a girl might say. And
-the more she depreciated herself in those moments of sincerity, the
-more he adored her, the more he thought he could read her very soul
-beneath that glamour of beauty and grace.
-
-They heard the hymns of the peasantry proceeding from the church, like
-a deep, broad stream of simple piety, and in their present mood that
-unskilled flood of song seemed full of a poetry that mingled with the
-poetry of the dark tints of the foliage, with the fragrance of the pine
-wood, with the love that was in their hearts. And Eline felt her heart
-swell, and she raised herself up a little, and resting her curly little
-head on his bosom, she could not keep herself from twining her arms
-around his neck, and when she felt herself thus leaning against him
-with her bosom on his heart a sudden sob shook her.
-
-“Eline, dearest, what—what is the matter?” he softly asked.
-
-“Nothing,” she answered, nearly dying in the exquisite ecstasy of her
-love and her great happiness; “nothing; let me be—I am so—so happy!”
-
-And she lay weeping in his arms.
-
-
-
-At the Horze the hours of rising and bedtime were early, and the days
-fled by. The life there, with the exception of a few rainy days, was
-almost exclusively an open-air life. Their cheeks and their little
-hands were sunburnt, and they began to look like little negroes, the
-young van Ryssels, the two boys, Willy and Gustave, and Edmée and Kitty
-Howard. Among the pigeons which fluttered from their house over the
-lake they fluttered round, sometimes anxiously followed by Miss
-Frantzen, Truus’ governess, and Cathérine’s English nurse; especially
-by Miss Frantzen, who was in constant fear at the thought of Nico and
-the water. They inspected the aviary and the stables, and were on the
-best of terms with the gardener and his men, with the coachman and the
-stable-boy. They fed the birds and the fowls and ducks, and rode round,
-firmly held by the good-natured stableman, on Théodore’s unsaddled
-riding-horse, or went swimming, or visited the gymnasium, where they
-watched the feats of Théodore, who was very powerfully made, and of
-Howard, who was more lithe and supple, whilst Otto declared he had lost
-the art, and Etienne swung wildly from ring to ring and jumped over the
-vaulting-horse. But it was at Cor that the little van Ryssels stared in
-open-mouthed wonder, as they saw him, with a rather conceited
-expression, very calmly and deliberately go through the most difficult
-evolutions, in all the youthful strength of his long, slender limbs.
-After coffee the boys played cricket with Howard, or in the shade of
-the lofty trees in the park joined in lawn-tennis with the girls, or
-lay lazily under a tree with a book doing nothing at all, their hands
-folded behind their heads. After dinner they walked or floated about a
-little in the little boat on the lake, and the evening came, and it was
-ten o’clock ere they thought of it.
-
-And her happiness, and the luxury of that sunny country life, made
-Eline feel so entirely herself, that she wondered whether she really
-were the same girl of some months before. She felt quite another being;
-it seemed to her as if her soul had escaped from its glossy draperies,
-and now was before her in all its simplicity, in the nude whiteness of
-a statue. She no longer veiled herself in her affectation, she no
-longer played a part; she was her own self, her Otto’s darling, and
-this sincerity lent such a new charm to her movements, to the slightest
-word she uttered, that Truus, to the triumph of Cathérine, admitted she
-had been mistaken in her; that Frédérique would sometimes sit talking
-to her for hours, with sisterly frankness; that Madame van Erlevoort
-called her an angel. When she was alone and for a while revelled in her
-fresh train of thoughts and emotions, the tears started to her eyes, in
-gratitude for all the good bestowed on her, and she only wished that
-time would not fly by, that the present moment might remain for ever.
-Beyond that she desired nothing, and around her there hovered an
-infinite rest, an ethereal calm, an ecstasy of bliss.
-
-
-
-They retired early at the Horze; at half-past ten every one was at
-rest. Eline had been chatting for an hour in Frédérique’s room, and she
-felt happy at Frédérique’s ever-growing sympathy. She had been sitting
-on the edge of the bed, whilst Freddie was already inside it, and they
-had talked to each other about all kinds of matters. At times they
-laughed much, but subdued their laughter, for it was very quiet in the
-house. At length Eline softly slipped out on the tips of her toes, and
-once more found herself alone in her own little room. She lit her
-candle and slowly proceeded to undress, with an unconscious and happy
-smile about her lips. For a moment she remained seated, and mused, with
-her thick hair hanging down, and her bare arms and throat, and the same
-smile still on her lips. She wished for nothing, nothing more, she had
-all that her heart desired.
-
-And she opened her window and looked out. The rain had ceased, and an
-odour of damp foliage was wafted towards her. The sky was clear, except
-for a few filmy cloudlets, and the brilliant crescent of the moon
-seemed as though placed in relief against the deep blue heavens; the
-fields lay silently spread out before her; a single little windmill
-lifted its black wings motionless in the pale moonlight; the ditches
-gleamed like streaks of silver, and a fragrant freshness arose from the
-slumbering landscape, like a soft faint sigh. Eline leaned against the
-window, and folded her arms across her bare throat. To her it seemed as
-though that fragrant freshness, that faint sigh, refreshed and
-sweetened all her thoughts as with an odour of field flowers, that
-chased away the unhealthy, enervating miasma of her former emotions,
-like an overpowering perfume of musk and opoponax. She felt herself so
-young, as she had never felt before, and oh! of that she was
-certain—never had she loved as she loved now—never, never! Her Otto!
-When she thought of him, she did not feel it necessary to call to her
-mind some idealized image; she thought of him as he actually was, so
-manly and frank in his genial simplicity, and with one single thought
-that ruled his whole being, the thought of her. His love was so rich,
-so full, his love filled him completely. And hers grew every day, she
-thought—no, it could grow no more! No further wish was hers, no more
-brooding over the future. In due course it would unfurl itself before
-her, a perspective glowing with brightness and gold! Nothing more
-remained than the stillness of that lake into which her soul had
-glided, nothing besides the rest and the love of that blue ecstasy,
-full of bliss! Only that, nothing else, nothing more! What indeed could
-human soul yet wish for?
-
-Only one little darkening streak amid all that blue. Only the fear—the
-fear that it would ever be different. It was so long since she had
-prayed, she did not even know how to pray; but now, now she would
-gladly have done so, have prayed that it would ever be thus, that it
-might never change, always that soft happiness, always that restfulness
-and peace, that blue ether.
-
-“Never, never again as once! God—ever thus, ever as now! Were it to
-change, I should die,” she whispered inaudibly, and as she folded her
-hands a tear trembled on her lashes. But it was a tear of joy, for in
-her happiness that vague fear was dissolved like a drop in the ocean.
-
-
-
-
-
-
-
-
-CHAPTER XX.
-
-
-At the Hague, August passed by glowing hot, but the nights were cool on
-the terrace at Scheveningen, or in the tent of the Bosch. It was Sunday
-evening, and Betsy stayed at home; old Madame van Raat had not been to
-see her for so long, that she asked her mother-in-law to come around;
-Sunday was not much of a day at Scheveningen. They were to drink tea in
-the conservatory, the glass doors of which were already open. Henk
-walked with Madame van Raat through the garden, and the old lady
-admired his splendid roses. Betsy and Vincent sat alone.
-
-“I have had a letter from Eline: she is coming back with the Erlevoorts
-on Wednesday. The Howards will remain a little longer at the Horze,”
-she said.
-
-“Indeed?” answered Vincent. “And when Eline returns I must go, I
-suppose?” he asked bluntly.
-
-Betsy felt alarmed, but she smiled very pleasantly.
-
-“The idea! Not at all. You know, our house is always open to you, until
-you have found something for yourself. Don’t you hear anything
-from—what is the name of that friend in New York?”
-
-“Lawrence St. Clare. No; I have not heard anything from him for some
-time. You see one forgets one’s friends when they are so far away. I
-can’t blame him.”
-
-He leaned back in his cane chair with an air of something like
-resignation. In the meantime he felt himself very well at ease, and
-agreeably soothed by the luxury which surrounded him. The garden was
-well kept, rich in flowers and statuary. And in those surroundings, in
-the presence of Betsy, very elegant in her light summer dress, by the
-soft glitter of the silver and the Japanese porcelain, he felt himself
-safe against the many unpleasantnesses of life. It was rest, monotonous
-if you like, but soothing and refreshing. Betsy he knew how to master,
-but it was unnecessary to make his power felt; besides, he was too lazy
-for it. Was not his present life an easy one? what should he trouble
-himself about?
-
-“What would you say if I were to seek a wife?” he suddenly asked,
-inwardly thinking of the pleasures a wealthy marriage might provide
-him.
-
-“A wife! oh, a splendid idea! Shall I try and find one for you? What
-sort of one do you wish?”
-
-“Handsome she need not be, only elegant. Not too unsophisticated or
-idealistic. Money of course.”
-
-“Of course. A foolish love-affair I certainly don’t look for in you.
-What do you think of the Eekhofs?”
-
-“Are you mad? two giggling ninnies—and no money, is there?”
-
-“Some say there is, others declare that they live too extravagantly;
-any way you might try and find out. But were you in earnest, Vincent,
-or was it only by way of saying something?”
-
-“Not at all. I think I should do well if I married. Don’t you think I’m
-right?”
-
-Betsy looked at him searchingly, and her glance was full of secret
-contempt. With his lack-lustre eyes, his languid movements, his
-indolent voice, he did not much impress her as an ideal husband for a
-young girl.
-
-“Not quite. I think you are a terrible egotist; neither do I believe
-that a wife would find much support in you. You are weak—I mean
-morally, of course.”
-
-She soon regretted her words and felt irritated at her own imprudence.
-She nearly shuddered when he looked at her with that mysterious smile,
-with those soft, dull, snake-like eyes.
-
-“And a wife has always need of support, eh?” he said in measured tones.
-“You too, don’t you—you find your support in Henk? you depend entirely
-upon him, and he is strong enough—I mean physically, of course?”
-
-Every word he uttered he emphasized as with a spiteful meaning, and
-every word pierced sharp as a needle into her domineering nature; but
-she dared not answer him, she shrank back in fear and only smiled, as
-if he had merely made a jest. He too laughed, a kindly gentle laugh
-like hers, but full of veiled revengefulness.
-
-They were both silent for a while, conscious of the struggle under that
-outward show of good-nature, until Betsy began gently to murmur some
-complaints about old Madame van Raat, who always misunderstood her, and
-with whom she could never agree; and whilst he sat indifferently
-listening to her, she felt how she abhorred him, how glad she would
-have been, after having him in the house for a month, to give him his
-congé; but she knew that she could never do it without risking a
-terrible scene; he would continue hanging about till the end of time,
-and she could not think of any means to get him away. It was all Henk’s
-fault; if he’d only given him that wretched little sum the idea would
-never have entered her mind to ask him into the house. She detested
-Vincent, and she detested herself for her fear of him. She was rich and
-happy; what harm could he do her? But the more she argued, the more the
-fear clung to her, like an enervating idiosyncrasy, of which she could
-not free herself.
-
-Madame van Raat and Henk were slowly returning from the garden, and
-they sat down in the conservatory at one of the open glass doors. But
-after a few words about the roses, the old lady grew quiet and pensive.
-Amid the luxury of her son’s house a certain chill, a vacuum, seemed to
-seize her and make her melancholy, even more melancholy than she was in
-her own lonely house. She had never had that feeling before when she
-was with Henk; but now it seemed as if her love for her son did not
-yield sufficient warmth to dispel that chill vacuum. And suddenly the
-truth struck her. She missed Eline—Eline who, wherever she went, beamed
-forth the light of her fascination; she missed her dear child, so
-different from Betsy, so loving and sympathetic. And she could not help
-saying in her sad voice—
-
-“Your house seems deserted without Elly. What will it be when she is
-married and gone away for good? Dear Elly!”
-
-She did not hear what Betsy and Vincent answered; she did not hear what
-Henk said; she let her gray head fall upon her bosom and sat staring in
-front of her, the bony hands folded in her lap. Life seemed hollow to
-her, a gray existence full of grief, full of partings and tears, in
-which men hovered round, sombre and sad, like so many tragic phantoms.
-And she shuddered when Betsy asked her whether she was cold.
-
-
-
-Betsy, though she had never confessed it, had, just like her
-mother-in-law, in spite of Vincent, who “was so sociable,” also found
-it lonely and miserable in the house. There was so little change in the
-summer; it was eternally the tent and eternally Scheveningen; she was
-really getting sick of it. And now that Eline was back, beaming in her
-fresh happiness, which seemed to diffuse a rustic odour through Betsy’s
-drawing-room; now that Eline was full of tales about the Horze, about
-Théodore and Truus and the children, about the Howards and the little
-van Ryssels, Betsy perceived that Madame van Raat was right—that Eline
-was the charm of her house. Now Betsy herself commenced to look forward
-with some misgiving to the time when Eline would leave her, and that
-misgiving greatly softened her ordinary acerbity. Otto, whom she
-formerly thought too formal and affected, she thought charming, now
-that she frequently saw him, for she had insisted that he should often
-come to dinner.
-
-At table the conversation once more grew lively and cheerful, quite
-different from the slow, dragging discourse between herself, her
-husband, and Vincent. To Eline her manner became gentle, out of
-gratitude for the old pleasantness which she had brought back with her,
-and they held endless consultations about Eline’s trousseau, which it
-was now time to see about, if she wanted to marry in the coming winter.
-Their afternoons they spent together with dressmakers and in shops;
-they travelled together with Otto to Brussels, where Eline wanted to
-order her wedding-dress, rich but simple, nothing but white satin,
-without lace or furbelows.
-
-Eline in the meantime, in all this stir and bustle, had little time
-left her for thinking, and only in the evening did she get any rest. In
-the evening they often stayed at home. It was September. Scheveningen
-gradually lost its attractions, and now that Otto came to dinner it
-generally grew late without their noticing it. She sat with him in the
-garden, or in the violet boudoir, and she became quite used to her calm
-happiness; it seemed in fact as if she had never known anything
-different. Everything was so restful and contented within her, that she
-almost longed for some emotion. But no, she loved Otto; that single
-emotion sufficed for her. Never anything but that; always that calm,
-always that blue ether!
-
-
-
-
-
-
-
-
-CHAPTER XXI.
-
-
-Georges de Woude van Bergh studied hard for his examination for
-Vice-Consul, and one day Emilie had betaken herself to the
-Verstraetens’ and had a long talk with Mr. and Madame Verstraeten,
-whilst Lili, very nervous and unhappy, had found much comfort in
-Emilie. Emilie had laughingly apologized for her unceremonious visit;
-but really her aged father was ailing and never went out, and she
-managed everything for him, took everything off his hands, even to a
-request for access for his son. No; she was certainly not of Georges’
-thinking, that one could live without money, and quite understood that
-Mr. and Madame Verstraeten also could not harbour such an idea; but
-after all the boy had a prospect, had he not? and the pair of them
-seemed to have so much set their minds upon that folly, that one could
-not talk them out of it. The question really was, had Mr. and Madame
-Verstraeten any personal objection to him, or would they permit the two
-to wait until they could begin life together without too great a risk
-of starvation? Would Mr. and Madame Verstraeten be able, at a given
-moment, to part with Lili? And if they did not quite refuse, how would
-they decide? A regular engagement, or only a—well, a union of hearts,
-nothing more? It was a pity, certainly, that the two had made
-themselves somewhat conspicuous, and that the whole town knew of it,
-but they were a pair of unsophisticated children, and in time they
-would be more prudent. The question now was—and Emilie summarized her
-questions once more with her genial hearty manner, but inwardly a
-little anxious about the reply.
-
-And Madame Verstraeten sighed and shook her head thoughtfully; but the
-old gentleman, to Emilie’s joy, did not make any insurmountable
-objections. But still he had his objections. Lili was so young, such a
-child; would it not be better if she did not bind herself yet, and took
-time to make sure that he was Mr. Right? He liked de Woude very much;
-he had noticed too that the boy had something in him; but still, were
-not his optimistic financial ideas based rather too much on his love?
-Had he really no more wants than now in the blindness of his affection
-he imagined? He was used to a certain degree of luxury. Emilie listened
-attentively, fully convinced of all those difficulties, about which she
-had once spoken to him herself. But now—now she had allowed herself to
-be persuaded into the folly of this visit, and she did not want to be
-faithless to her boy; now she wanted to make it appear as if all those
-difficulties merely existed in Mr. Verstraeten’s mind, and so she would
-endeavour to remove them. Thus it was ever. When one had committed one
-absurdity, one fell from one folly into another, and now she would be
-compelled to argue against her own convictions. It was a difficult
-task, talk as she might, and it was perhaps to her Georges’ misfortune
-that she could plead so well; but dear me, the boy was so smitten, and
-perhaps after all he was right! There were other little households that
-were not rich—small officials, sub-lieutenants. No, no; at bottom she
-was really committing an absurdity; but it could not be helped, it was
-too late.
-
-And while she pleaded for Georges, she was inwardly angry that he had
-brought her to do such a thing. Could she, then, refuse that boy
-nothing, and must she herself be a party to bring about his ruin?
-
-But she kept her word, and pleaded so well that Madame Verstraeten went
-to fetch Lili, who wept bitterly and kissed Emilie fondly. But an
-engagement was out of the question for the present. Madame Verstraeten
-did not care about these poor folks’ engagements, which sometimes
-lasted for years, and Emilie declared to Lili that a union of hearts,
-sanctioned by her parents, meant much already, under the existing
-circumstances. It was better so, after all, was it not? If on further
-acquaintance they did not suit each other, there would be no harm done;
-and if they grew to like each other more and more—well, so much the
-better. Come; she should not look at it too gloomily, the victory
-gained over the steel-clad hearts of her parents was not an unimportant
-one. And what more did she really want? To marry at once—reception
-to-morrow—in a day or two to the Stadhuis and the church, and then make
-their entry in a little attic somewhere! Yes; that would be very nice!
-
-Lili laughed between her tears, and kissed her parents; whatever papa
-and mamma thought fit, she was satisfied.
-
-That afternoon Georges was asked to dinner, and after the meal a
-splendid September night was spent in the garden. It was late when
-Georges left; late when Marie and Lili retired to their room and
-undressed. Marie listened kindly and patiently to Lili’s chattering
-about hundreds of plans for the future. She would love to travel, and
-Georges’ employment gave promise of that. Snugly she crept into the
-cool sheets, smiling at the rosy visions of her fancy, her arms bent
-over the little head encircled by its dishevelled mass of fair hair.
-Marie too crept into bed, and for a moment all was quiet in the dark
-room, when there was a gentle knocking at the door, which the next
-moment was opened. The girls started in alarm.
-
-“Hush, hush! ’tis only me,” whispered a soft, subdued voice, and they
-saw a small, bent figure in white night-gown and cap, with a lighted
-candle in hand, enter the room. “Hush! I was only coming for a little
-chat.”
-
-It was old Dien, the ancient servant of the Verstraetens’, the
-good-natured old body who was always so handy when they had parties or
-tableaux-vivants. She approached, treading softly in her stockings,
-while the candle-light reflected a yellow glow on her shrivelled,
-white-capped face.
-
-“But, Dien, you frighten me! You look like a ghost!” cried Marie.
-
-“Hush, quiet! They are all in bed; but I thought you wouldn’t be asleep
-yet. I want to have a little chat—may I?”
-
-“Certainly, Dien; certainly you may,” said Lili with animation. “What
-have you got to say?”
-
-Dien seated herself on the edge of Lili’s bed.
-
-“You can understand, old Dien is not so old but she can tell when
-there’s something stirring. And you see, when she does notice it, she
-can’t keep it to herself; she must out with it. You little rascal!” She
-held up her finger to Lili threateningly.
-
-“What is it, Dien?” asked Lili.
-
-“Come, deary, now don’t you keep yourself so innocent! Do you think I
-don’t know why you cried as you did this afternoon, and why Miss Emilie
-made such a long stay in the conservatory? You see I thought there was
-something then,” she continued, winking her sunken eye, “and I began
-thinking to myself, and there you are—at half-past five in he marches,
-and stops nicely to dinner, eh?”
-
-“Get along, Dien; what are you prattling about?”
-
-“No, no; Dien doesn’t prattle. Dien knows what she knows well enough.
-And you too, you know what you’re about.”
-
-“What is it then?”
-
-“Well, child, you are quite right. There’s a steady boy he is. Such a
-nice, gentle little face, with a neat little fair moustache. A proper
-little hubby for you. You are rather dainty yourself. They are well
-matched—eh, Miss Marie?”
-
-“Cut out for each other,” yawned Marie from between her sheets.
-
-“You like him then?”
-
-“Rather!” answered Dien. “And he is always so polite to me and Bet. He
-always says it so nicely when I open the door to him: ‘Ah, Dien, how
-are you?’ Always a word or two to say, you know. Not a bit proud, and
-he never forgets to wipe his feet.”
-
-Lili roared.
-
-“You aren’t angry because I say so?”
-
-“No, not at all, Dien; I am very glad he is in your good books.”
-
-“Sleep you won’t for yet awhile, eh? You see, in the daytime I am
-always too busy, and now it’s just a nice time for a snug chat. And
-Dien may give you a bit of advice, eh? You see, I have been married
-too, and it isn’t all honey, child. Yes; at first you think ’tis very
-nice to play the wifie, but later on come the youngsters, and the cares
-come with them; I have had three of them you see. And what a bother it
-is to bring them up! And you know I haven’t had much pleasure of them.
-One died, a boy, when he was fourteen, and the other wasn’t quite what
-he ought to be, and went to the Indies. Only my girl—yes, she’s a good
-girl; you know, she’s in Rotterdam, married to a tailor.”
-
-“Yes, Dien.”
-
-“And, I say, when do you think you will marry?”
-
-“Oh, Dien! really I don’t know yet. We won’t get married for a long
-while yet, and you mustn’t chatter about it; do you hear?”
-
-“No, no; don’t you fear. You see, Bet too, she isn’t blind either. Do
-you think it will be a twelvemonth yet?”
-
-“Oh, quite. But come, Dien, go to bed now.”
-
-“Yes, deary. But you see, when the youngsters come, those little
-fair-haired dots—you are both of you so fair—I shall leave your ma, and
-come to stay with you. What do you say to that?”
-
-“What, as nursemaid? No, thank you, you will be much too old for that
-then.”
-
-“Oh! I should wash and scrub them nicely, don’t you fear!”
-
-“Dien, I think you are saying improper things!” cried Marie. “Fie!”
-
-“What is there improper in that? But come, I must be off; why, it’s
-half-past twelve. And do you hear, Miss Marie, you must make haste and
-have your turn—that little dot has stolen a march on you; don’t you lag
-behind now, do you hear? Will you see to it?”
-
-“Yes, Dien; I shall do my best,” said Marie.
-
-“Then dream about it nicely. And you too, deary, you dream about him.
-And tell him that Dien thinks him a nice boy, with his little
-moustache—will you, eh? Will you, you little rascal?”
-
-She grasped Lili, who again roared with laughter, jestingly by the
-shoulders.
-
-“Yes, yes, Dien, I shall. But you need not shake me like that—ooh!
-Good-night, Dien.”
-
-“Good-night, little pets. Hush, child, don’t laugh like that. You will
-wake the old folks. Hush, hush! I am going—quiet now!”
-
-Dien left, looking yellowish-white in the glow of the candle, with a
-final wink, full of mystery, her footsteps quite muffled by her woollen
-stockings.
-
-“That silly Dien!” lisped Lili, still laughing, and half asleep.
-
-The room was once more in darkness, and it was quiet, very quiet, and
-Marie lay with her head on her pillow, her wide-open eyes fixed on the
-dark ceiling.
-
-
-
-
-
-
-
-
-CHAPTER XXII.
-
-
-Vincent felt very ill and weak, and his condition became so serious
-that Dr. Reyer forbade him to leave his room.
-
-He followed the doctor’s advice, drinking little, abstaining from
-smoking, and giving himself over completely to the soothing influence
-of the restful atmosphere that surrounded him.
-
-His days he passed in Eline’s boudoir, as Betsy could not spare him a
-sitting-room to himself. There he would lie down on the Persian divan,
-an Eastern dressing-gown snugly wrapped about him—a memento of his days
-of luxury in Smyrna—his bloodless fingers clasping a book in which he
-did not read a line. It seemed to him as though all ideas had vanished
-from his brain, as if, in fact, his whole being was fading away in a
-languid calm, in a sense of weariness like that induced by prolonged
-and severe bodily exertion. His mind was filled with petty, childish
-thoughts, rising up like bubbles, to burst asunder the next moment. His
-pleasures were as petty as his thoughts, and he felt gratified when Dr.
-Reyer praised him for his obedience, while he suffered acutely whenever
-he had to wait a few moments for Eline to bring him his breakfast. And
-beyond that he felt nothing; he simply lay down, gazing round Eline’s
-room, and counting the pictures, the ferns, and all the smaller objects
-of luxury that were scattered about.
-
-In the morning Eline sat down beside him and read to him or sang a
-snatch or two from a favourite opera; and Vincent would lie and listen
-as in a dream, lost in a strange vision full of faint odours and
-subdued tints, all wreathed and entwined one with another as in a
-kaleidoscope of colour and perfume. He did not speak, and Eline too
-said little, penetrated as she was with a feeling of romantic
-joyfulness, a joyfulness such as she had known when keeping her nightly
-vigil at Aunt Vere’s bedside—the pleasure of devoting herself to the
-care of an invalid. She became more and more interested in Vincent, and
-the loving care with which she tended him gradually had the effect of
-deeply endearing him to her.
-
-In the afternoon she usually stayed at home until after four, when Otto
-came to fetch her for a walk; and then, when he gently rebuked her for
-not taking sufficient care of her own health, and for sacrificing
-herself too much for Vincent, she would look at him almost tearfully
-and ask how he could possibly fail to feel the deepest sympathy for
-Vincent, who was so forsaken, so unhappy, and so weak. The busy
-negotiations about her trousseau with Betsy were somewhat interrupted
-by these cares, and on one occasion even she remarked to her sister
-that she thought it a terrible thing to have to marry in November, when
-Vincent would perhaps be dying. She could not help fancying that
-Vincent’s illness was caused by a secret passion for her, a passion the
-secret of which he had until now most jealously kept. For he had never
-before made such a long stay in the Hague; he had now been in the city
-for nearly a year, whilst he never used to remain longer than a week or
-two. Poor Vincent—for the present her watchful care of him brought him
-solace and comfort—only, would not all that careful solicitude, those
-constant attentions on her part towards him, feed the flame of that
-passion that was for ever destined to be so helpless, as it was only
-her Otto she might care for, no one else? She would have been glad
-could she have confessed those thoughts to another; but to whom could
-she do so? To speak to Otto about it, that seemed to her scarcely
-proper; whilst if she made Betsy her confidante, she was certain to ask
-her why she must always fill her head with such nonsense. How about
-Madame van Raat though?
-
-Yes, she was the person to consult; she would call on Madame van Raat
-one morning alone, without Otto. But when she did see the old lady, she
-found it such a difficult matter to shape her suspicions about Vincent
-in words, that when her visit came to an end she had not uttered a
-syllable of her confession. And she comforted herself with the sad
-reflection that Vincent would probably die before they were married,
-and that in that case her ministering care would have somewhat
-sweetened his last days.
-
-The days passed by, and in the meantime the suspicion that Vincent
-cherished a secret passion for her grew more and more into a certainty,
-until she began as it were, involuntarily, to yield herself up to an
-absorbing pity for her poor ailing cousin. Her happiness, that had
-seemed so placid that it could not be broken, glided more and more from
-the vain grasp of her fingers, and a sense of nervousness and unrest
-became daily more diffused over her being, while in the meantime she
-lacked the courage to unbosom herself to Otto; for when she thought of
-Vincent, a mist appeared to come between herself and Otto, a mist that
-grew denser and denser and threatened to part them from each other. She
-shuddered at the thought, and after having passed half the day in her
-nervous unrest by Vincent’s side, she would long to be again with Otto,
-in whose placid temperament she hoped to find a healing balm for her
-perturbed spirit. Soon after four he came, they went for a walk
-together, he returned with her to dinner, in the evening they often
-stayed at home, they were much alone together, and when at night he was
-gone and she had retired to her room, she had to do her utmost to
-restrain herself from bursting into tears, for she found that she no
-longer drew from his presence that restfulness and peace which once it
-had brought her. On the contrary, now and then his calmness even
-irritated her, as something indifferent and phlegmatic, which, in her
-present mood, brimming over as it was with unrest, repelled her,
-especially when she contrasted him with Vincent, in whom she suspected
-a world of still, agonizing grief was hidden. Even Otto’s simple ease,
-beneath which only so recently she had seen such a wealth of love,
-irritated her now.
-
-Would he never then burst forth in a storm of passion, in a tempestuous
-torrent about—about anything, whatever it was? Would he ever remain so
-calm, so placid, so eternally equable? did he then never feel conscious
-of something struggling with something else within his heart, something
-that boiled and seethed within him, and which must pour itself forth in
-a torrent of words? Could nothing move him, nor rouse him from that
-rest which seemed all but lethargy? Kind and affectionate, yes, that he
-was, but he was incapable of deep feeling; perhaps his calmness was
-nothing but egoism after all, an egoism which another’s grief was
-powerless to move!
-
-Thoughts such as these made Eline feel wretched and unhappy. Oh, great
-heavens! they were the spectres, the grim spectres, that were fast
-crowding in around her. No, no, they should not drag her along with
-them, she would scare them away, away; but in vain, still they rose up,
-one after another, chilling her with their icy breaths of gruesome
-doubts, and she struggled against them—a fearful struggle! She forced
-herself to think again those sweet thoughts which had filled her with
-an idyllic happiness during her stay at the Horze; she forced herself
-once more to find back her placid peacefulness, her ethereal
-ecstasy—but alas, it was in vain! And when she began to feel conscious
-of that one sleepless night, when a deep silence prevailed throughout
-the house, and when she, with great staring eyes, was lying so lonely
-on her bed; when for the first time she felt conscious of that, in all
-its cruel truth, and felt that those days had passed away for ever,
-that they would never more smile upon her with their golden glory of
-light and joy, then at last she burst out in a wild, tempestuous
-sobbing, so tempestuous and wild as she had never sobbed before, and in
-her passionate outburst she flung herself upon her pillow as though
-that were her happiness, as though that were the bird that slipped
-through her fingers. She shook her head—no, no, she would, she must be
-happy again as before, she would, she would love her Otto, as she did
-before in the pine wood—love him! No, it was impossible, it must not,
-it should not be—she would, would force herself, with all the strength
-and energy of her will, to continue to love him, as she had done
-hitherto; she would still cling close to him, as she now clung to her
-pillow and the gruesome, grinning spectres should not be able to tear
-him from her arms. All remained silent in the house; only, there she
-heard the big clock in the kitchen down-stairs, tick, tick,
-unceasingly, and an intense terror seized her as she listened to that
-hard, metallic, rhythmic sound. A terror lest her happiness should not
-allow itself to be forced back into her soul; a terror lest some
-invisible power should push her down, down along some steep sloping
-path, while she would fain ascend upward, ever upward. And then
-followed a fury, a tempestuous fury, because she felt it so plainly,
-and yet would not feel, and because she remained too weak to make a
-strong, decided effort to resist the encroachment of the unseen powers
-that ever seemed to mock and taunt her.
-
-
-
-The next morning Eline went early to see Vincent; she wanted to hand
-him a big letter that had come for him. He was lying as usual in his
-Turkish dressing-gown on the divan. Still, slowly and gradually, he was
-recovering; Dr. Reyer had even told him that he might take a little
-walk, but the rest had become dear to him, and he answered that he did
-not yet feel equal to walking. When Eline entered he gave her a
-friendly nod; he had grown used to her thousand little cares, and he
-felt grateful to her for them, and this gratitude brought a kindly glow
-into his eyes which Eline mistook for love. She handed him the letter
-and asked how he felt.
-
-“Pretty well. I am getting on gradually,” he said wearily, but suddenly
-he raised himself up and quickly tore open the envelope. Eline was
-about to sit down at the piano.
-
-“Ah, at last!” she heard Vincent exclaim almost joyfully.
-
-“It is from New York, from Lawrence St. Clare!” said Vincent, quickly
-reading through the letter. “He has found something for me—a place at a
-good business house.”
-
-Eline felt suddenly alarmed.
-
-“And what do you think of doing?” she asked. “What do you mean?”
-
-“To go as soon as I am better, but—but I am not, and I am afraid I
-shall not be yet awhile,” he concluded languidly.
-
-“To go where—to America?”
-
-“Yes—certainly.”
-
-“Are you glad you can go, then?”
-
-“Of course; why should I hang about here any longer now that I can get
-a situation?”
-
-He scarcely thought of what he said. He fell back in the Persian
-cushions, and a maze of bright-hued visions rose before his mind. He
-remembered his former life of endless change, of ever-changing
-perspective and glimmering horizon—change was life, change it was that
-would cure, that would rejuvenate him.
-
-Eline, however, felt deep pity for Vincent. Yes, indeed, he was very
-pleased that he could go, before her wedding most likely, so that he
-need not be witness of what to him was probably a very painful sight.
-Yes, indeed he loved her—and suffered accordingly.
-
-“Vincent,” she said at last.
-
-“Well?”
-
-“Vincent, really—just think about it, don’t be too rash—you are still
-so weak. Suppose you should have a relapse? Ask Reyer’s advice first.”
-
-“But, Elly, haven’t I always been as I am now? I never was robust,
-and—and you don’t want to keep me; besides, and what if I do stay
-here?” he asked with a smile.
-
-To her that smile seemed sad and forced, and she reproached herself for
-endeavouring to keep him there. No, he must go; only, maybe perhaps
-things would change—change so that he need not go at all. She felt
-giddy, and it all began to dance and shimmer before her eyes—the
-thought that rose to her mind, she dared not think. It would be too
-terrible. Too terrible for Otto, too terrible also for herself. That
-day, when Otto came, Eline felt, instead of the usually so grateful
-warmth which his presence had at one time called forth in her heart,
-nothing but an icy indifference. Oh, God, how did that come about, how
-did that warmth chill down like that? She did not know, but so it was,
-and she had not the power to change it. She gave him a friendly nod,
-and held out her hand to him. She could not look him in the face, but
-her heart was deeply moved with pity. There he stood, Otto, by her
-side, his gentle, kindly glance fixed upon her, her hand in his, as he
-leaned against the back of her chair. Yes, there he stood by her side,
-he full of love, and she—she felt nothing but cold, chilly
-indifference! No, a thousand times no! it might not, it should not be,
-she would force herself, she pitied him too much.
-
-“Nily—what is the matter, child?” he asked softly, as he felt the
-nervous, pressure of her fingers on his hand.
-
-“Oh—nothing—nothing, only a headache, I think,” she answered faltering,
-and she looked at him for the first time that afternoon. His eyes
-looked deep into hers, and she was on the point of flinging herself in
-wild remorse on his bosom, to cling to him and never to release her
-hold. But again that unseen power withheld her.
-
-“Is it no longer to be forced back? Will it never come?” she thought
-hopelessly. They remained alone, and it was some little time yet before
-dinner should be ready.
-
-“Nily—little woman, tell me, aren’t you well?” he asked anxiously.
-“Your hand is cold.”
-
-“I am a little feverish—we have been out driving in an open carriage
-with Vincent.”
-
-“I hope you are not going to be ill.”
-
-“Oh, no; it will pass over.”
-
-She looked at him smilingly, and all at once, in a rush of despair, she
-flung both her arms round his neck.
-
-“You are so kind, so loving,” she whispered in a broken voice. “You are
-so kind, and—I am so fond, so very fond of you.”
-
-Vincent did not yet feel strong enough to join them at dinner that day.
-At table Betsy was telling Otto of the letter from America; Vincent was
-about to get a situation in New York.
-
-“And when does he intend to go?”
-
-“As soon as he is better. I shall be thankful enough when he is gone.”
-
-Eline could no longer contain herself.
-
-“Reyer says he must not think of such a thing for some weeks yet!” she
-said sharply, with an angry glance at Betsy. “But of course——”
-
-“Of course what?”
-
-“If it were not for the sake of decency, you would, ill as he is, turn
-him out of doors.”
-
-“If I could—yes, I should certainly. And once for all, this I tell you,
-he shall never come here again. Fancy hanging about here like this!”
-
-“But, Betsy—he is nearly dying!” cried Eline, trembling with rage.
-
-“Oh, nonsense!”
-
-“What’s nonsense? If you saw him as I do,” she screamed.
-
-“Never mind, Eline, don’t let us fall out about Vincent. The fellow
-isn’t worth it. Why, you make a melodrama of it. Don’t make such an
-exhibition of yourself, for goodness’ sake.”
-
-“Yes, I know; ‘Don’t make an exhibition of yourself.’ That’s what I
-always get treated to when I show a little feeling. But you—you have no
-heart—you——”
-
-“Eline,” said Otto softly.
-
-Gerard was coming in with the joint. The silence was painful.
-
-“You have forgotten the gravy, Gerard,” said Betsy.
-
-Gerard left the room.
-
-“Yes, you—why you would tread a person underfoot if he were only ever
-so little in your way, if he upset you in the least in your brutal
-egoism! You think of no one but yourself, and you can’t even understand
-that everybody else is not equally despicable, and——”
-
-“Eline!” said Otto again, as Gerard was coming in once more, this time
-with a gravy tureen.
-
-“Oh, hold your tongue, do, with your ‘Eline! Eline!’ Qu’est-ce que me
-fait cet homme! Betsy ne veut pas le voir—mais je t’assure, que Vincent
-se meurt. Il s’est endormi dans ma chambre, pâle comme un linge,
-essoufflé par la fatigue, que lui a causé cette stupide promenade
-recommandée par Reyer. Et c’est pour cela, que je ne veux pas souffrir,
-qu’on l’accuse d’indiscrétion et de tout cela. S’il ne fut pas si
-malade, il ne resterait pas longtemps chez nous—j’en suis sure...!”
-
-She spoke passionately, with eyes aflame with rage, and the French
-words fell from her lips sharp and cutting as needles, haughty and
-savage.
-
-Betsy, too, was boiling with rage. Gerard left the room, but she made
-no reply and restrained herself.
-
-“Nily, dear,” said Otto, “I bear Vincent no ill-will, although I don’t
-feel much sympathy with him, but still I shall be glad too when he is
-gone.”
-
-“Indeed—you too, eh?” she hissed.
-
-“May I finish?” he resumed, clasping her icy hand in his. “Yes, I shall
-be glad when he goes, at least if his presence in the house is able to
-excite you like this. You are quite beside yourself. You don’t know
-what you are saying, Nily; at least not with what force you are
-speaking.”
-
-His quiet words drove her frantic.
-
-“And you—you—with your eternal calmness, your eternal phlegmatic
-calmness!” she burst, nearly shrieking, as she rose from the table and
-flung down her serviette. “It drives me mad—that calmness! Great
-heavens, it drives me mad! Betsy crushes me with her egoism, and you
-with your calmness—with your calmness, yes, your calmness! I—I—I can’t
-bear it any longer—it suffocates me!”
-
-“Eline!” cried Otto.
-
-He rose and grasped her wrists, and looked her straight in the eyes.
-She expected something very terrible, that he would fling her down,
-strike her. But while he continued to hold her hands he only shook his
-head slowly, and his voice sounded full of sorrow, as he simply said—
-
-“Eline!—for shame!”
-
-“Great God! I—I am going mad!” she screamed in a fit of sobbing, and
-she tore herself away from his grasp, and rushed out of the room, as
-she went, dragging some glasses from the table, which fell with a
-tinkling noise in shatters on the ground.
-
-Betsy trembled with rage, and wanted to run after Eline. Otto, however,
-stayed her.
-
-“Let her be, I beg of you!” he entreated.
-
-Henk too had risen, and when Gerard came in they all three felt very
-much confused before the servant, about the abruptly interrupted
-dinner, and about the shattered glass.
-
-“Never mind—never mind, Gerard!” said Betsy almost humbly, “never mind.
-Clear the table.”
-
-It was impossible for them to assume a nonchalant air. Gerard must have
-noticed that there was something wrong, though his face remained ever
-so calm and dignified.
-
-Eline in the meantime had rushed up-stairs into her bedroom and thrown
-herself on her bed. Then she began to sob—but Vincent must not hear it.
-She sobbed and sobbed until it grew dark; then she heard Vincent
-walking in the adjoining room, but she lay still and wrung her hands
-and choked the sobs in her bosom.
-
-
-
-Otto had sat down in the drawing-room, and was staring with moist eyes
-on the ground when Henk entered. He noticed a tear in Otto’s eye, and
-Henk was roused from his wonted quiet kindliness, and began to boil
-within him.
-
-“Erlevoort!” said he, and laid his hand on Otto’s shoulder.
-
-Otto lifted up his head.
-
-“Erlevoort! come, old chap, be a man! Sissy is sometimes an awkward
-little craft to manage, but she is not bad at heart! You must not take
-notice of what she said to you, do you hear? She was only angry with
-Betsy, because she rather likes Vincent, and so by accident you got
-your share of it. But you must take no notice of it. That’s the best
-way to punish her.”
-
-Otto did not answer; his mind was too much filled with doubt that
-Henk’s kindliness could have cheered him. He recollected how he had
-once told Eline that she had but one single fault, that she did not
-know herself, that there were hidden treasures within her, that he
-would arouse those latent gifts, but now he saw but too well that he
-had not the power to do so, that he only irritated her, and—that he
-drove her mad!
-
-“She can be confoundedly hasty at times!” resumed Henk, as he walked
-inwardly enraged up and down the room. “But any one whom she likes, and
-whom she can look up to, can lead her easily enough, and then—Shall I
-go and have a talk to her?”
-
-“I should—let—her be!” replied Otto, speaking with difficulty. “I dare
-say she will herself——”
-
-He tried to think himself in her place, and to guess how she now felt.
-But it was in vain, he could not think, he still smarted too much under
-the blow she had given him. Never had he heard her utter such words
-before, in that strident, shrieking voice; never before had he seen her
-features so distorted—even to ugliness—by her passions; and try as he
-might, he could not collect his thoughts under that great torturing
-grief that cut him to the quick.
-
-It pained Henk to see his weary, hopeless attitude. And suddenly he
-felt himself nerved to action. No, he would not permit it, that Eline
-should thus treat Otto with contempt, he would not permit it. With a
-firm and elastic step he left the room. Henk went up-stairs and entered
-Eline’s boudoir. He found no one there, for Vincent, tired as he was
-after his first trip, had already gone into his bedroom, quite
-unconscious of the storm that had been raging down-stairs. Henk knocked
-at Eline’s door.
-
-“Eline!” he called.
-
-There was no answer, and he quietly opened the door. On the floor lay
-Eline, her slight form quivering with inaudible sobs, her face hidden
-in her hands. He waited for a moment, but she did not move.
-
-“Eline, get up!” he said curtly, almost commandingly.
-
-Savagely she lifted herself up, and savagely she shrieked—
-
-“What is it? What do you want here? Go away.”
-
-“Get up.”
-
-“I won’t; go away, go away! I tell you, go away!”
-
-He bent over her and grasped her wrists, full of a passion that made
-the blood rush to his face. He hurt her, and she gave a cry of pain.
-
-“Confound it! Will you get up?” he hissed between his teeth, almost
-beside himself with rage, while he drew her up savagely. His flushed
-face, his flaming eyes, and hissing voice terrified her. Falteringly
-she let him pull her from the floor.
-
-“What do you want?” she asked once more, but calmer this time, and with
-apparent haughtiness.
-
-“I shall tell you what I want. I want you to go at once—at once, do you
-hear—to Erlevoort and ask his pardon. Perhaps you don’t remember what
-you have been saying in your mad passion, but you have offended him
-deeply, you have insulted him. Go, and at once!”
-
-She looked at him in much alarm. His determined, commanding tones made
-her tremble, and she was speechless with terror as she saw him, with
-his big powerful form, pointing to the door.
-
-“You will find him down-stairs in the drawing-room. Are you going now?”
-
-She trembled all over, but she would not let him triumph.
-
-“I won’t.”
-
-“If you won’t, I shall drag you down the stairs until you lie at his
-feet. I swear I shall do it, I swear I shall!” he hissed syllable by
-syllable into her face.
-
-She stepped back in alarm.
-
-“Henk!” she cried, shocked that he durst say such a thing to her.
-
-“Are you going?”
-
-“Yes—yes, I will go, but—Henk! Oh, don’t, don’t speak like that to me!
-Why should you? Great heavens! am I not unhappy enough already?”
-
-“That is your own fault, your own doing, but that is no reason why you
-should make another unhappy too, especially Erlevoort.”
-
-“Yes, yes, you are right,” she sobbed, quite broken at last. “I will
-go, but come with me, come with me, Henk.”
-
-He supported her as he took her from the room and led her down the
-stairs. But when she entered the drawing-room she felt frightened.
-There was no one there but Otto, who was seated on the sofa, leaning
-his head in his hands. For a moment she stood still, undecided what to
-do, but Henk looked at her, and his glance and also the sight of Otto’s
-silent despair caused her to hesitate no longer. She fell on her knees
-before him and wanted to say something, but she was unable to utter a
-single word for violent sobbing, which at length seemed to melt away in
-a copious stream of tears. She laid her throbbing, glowing head on his
-knees, and took his hand, and sobbed and sobbed until her heart nearly
-broke. He did not speak either, and looked her deep in the eyes.
-
-At last, with a great effort, she could just say, while Henk remained
-standing like her judge behind her—
-
-“Forgive me, Otto, forgive me, forgive me.”
-
-He nodded his head, slowly and softly, not quite satisfied with her
-remorse, feeling, so to speak, disappointed with something in her
-manner, which was not what he had expected, but he bent over her, drew
-her towards him, and kissed her forehead.
-
-“Forgive me, Otto, do forgive me.”
-
-He softly clasped his arm around her, and pressed her for a moment to
-his bosom, while she still continued her sobbing, and he closed his
-eyes in order to prevent the tears from penetrating through his
-eyelashes. For he knew it, he felt it—it was all over.
-
-The evening passed by somewhat gloomily, although Henk, in his frank,
-kindly tones, assured him that it was all right again. Of Eline he took
-his leave with a sad smile. Eline then begged Betsy’s pardon in
-presence of Henk. Betsy gave her a little nod of approval and said
-nothing. And afterwards when Henk told her how he had forced her to go
-to Erlevoort, she looked at him almost with admiration—for she would
-never have thought that in a struggle with Eline her husband would
-prove the stronger of the two.
-
-
-
-Some weeks sped by, and day by day Eline found herself more and more
-unhappy, for she felt that all was over, that she could not force
-herself to love Otto, and she nearly died with grief under the reproach
-of his sad smile. And one afternoon she kept her room, and told Mina to
-say that she was ill, and was not coming down-stairs. Otto asked if he
-might come and see her in her room, but she sent word that she was
-tired and needed rest. And gradually, but distinctly, a determination
-became fixed in her mind: she must do it, she owed it to his happiness
-and her own. The next day she would not receive him either, much as
-Henk urged her to do so. She only shook her head slowly; she could not
-do it. She was ill. Reyer? No, she did not want him. And she kept to
-her room, while Otto dined down-stairs with Betsy, Vincent, and Henk,
-and left early.
-
-That evening she remained for a long time lying on her sofa, staring
-into the darkness. At last she lit the gas, closed the curtains, and
-sat down at her writing-table. It must be. Calmly and determinedly she
-commenced to write, stopping every now and then, and reading every word
-to herself—
-
-
- “My dearest Otto,
-
- “Forgive me, I beg of you, but it cannot be otherwise. Ask yourself
- the question if I can make you happy, or if I would not make your
- life a burden to you. I thought I could have made you happy, and
- that thought I shall always cherish, for it has comprised my
- greatest happiness in the past. But now——”
-
-
-As she wrote the words the tears started to her eyes, and suddenly she
-burst into a violent sobbing and tore up the paper. She did not feel
-capable of giving him such pain. Great God, she could not do it! But
-what then should she do? Let matters rest where they were until perhaps
-in the end some catastrophe occurred to compel a parting? No, no, a
-thousand times better to part in friendship with a last sad farewell!
-But already she had caused him so much pain against her will, she
-wished in future to give him as little pain as possible, and now—oh! to
-be swayed thus to and fro in such a struggle as that, alone and
-forsaken, without any one to support her, without really knowing what
-she wanted or what was her duty! She was too weak for it, for such a
-struggle as that. She took up a fresh sheet of paper, however, and once
-more began to write—
-
-
- “My dearest Otto.”
-
-
-A few lines followed easily enough, very similar to the first letter
-which she had torn up. But how should she tell him further, how? Still,
-all at once her pen rushed along over the paper, savagely forming as it
-went letters that were all but illegible, but still she wrote on page
-after page of wild, almost incoherent sentences, in which she over and
-over again bitterly reproached herself for the way in which she had
-treated him, and finally released him from his engagement. The long,
-rambling letter, full of repetitions, and blurred with her tears, she
-concluded with the pathetic prayer that when one day he should have
-found a girl who was worthy of him, and who would love him
-disinterestedly, he would still not quite forget her. Her whole being
-went out to him in that final entreaty.
-
-“Then think sometimes of me, without hatred or bitterness, and have a
-little pity for your poor Nily.”
-
-The letter was written, the envelope sealed, and after much painful
-hesitation she at length summed up courage to ring for Gerard, to whom
-she handed it to post. Then a wild terror seized her, and she had a
-sensation as of icy water running down her back.
-
-Now Gerard was in the street, she thought, now he had reached this
-house, now that, now he approached the letter-box in the Nassaulaan.
-And it seemed to her as if she could hear the letter falling into it
-with a thud, like that of a coffin falling down an open grave. She was
-on the point of swooning away, for in the terribly overstrung state of
-her nerves, it seemed to her as though she were surrounded on all sides
-by tangible terrors and hideous spectres. And all at once, as if
-awakening from a nightmare, she felt conscious of what she had done, a
-deed that was irrevocable! She felt herself trembling and quivering all
-over as in a fever. To-morrow, to-morrow early, Otto would receive the
-letter, that letter.
-
-Great God, it must not, it could not be! It was her very happiness that
-she had flung away, because the rest and the peace of that happiness
-had bored her! Yes, it was her happiness which she had cast away, and
-which she could never regain.
-
-It seemed to her as though the ceiling would come down and crush her,
-she could scarcely breathe. And she rushed with faltering steps to the
-door, out of her room, across the landing and into Betsy’s bedroom.
-
-“Great God—Betsy—Betsy!” she screamed with a choking voice. Betsy was
-in bed and awoke with a fright. A confused idea of something terrible,
-a thought of fire, of murder, arose to her mind.
-
-“Who! What! What is it? What is it, Eline?”
-
-“I—oh, great heavens—oh!——”
-
-“What is it, then? What is it, then, Eline?”
-
-“I have—I—have——”
-
-“Well?”
-
-“Sent a—letter to—Otto.”
-
-“A letter?”
-
-“I have—I have written him. I have—broken it off. Oh, great heavens!”
-
-Betsy had sprung out of bed, and she stood trembling before Eline, who
-had crouched down on the floor, and lay sobbing hysterically, her face
-hidden by her dishevelled hair.
-
-“What do you say?” she asked, completely crushed.
-
-Eline said nothing more, she could only sob.
-
-Henk came in.
-
-“What is the matter?” he asked anxiously.
-
-“Eline has written to Otto, she has broken it off!” said Betsy in a
-tremulous voice.
-
-Henk stood still in blank amazement, and could not utter a word. But
-Eline lifted up her head, and wringing her hands and nearly delirious
-with grief, she said—
-
-“Yes, oh heavens! yes, I have broken it off. A long letter—I have sent
-him—and, oh! ’tis terrible—’tis terrible—but I don’t know what I am
-doing, I don’t know what I want, I don’t know if I care for him or if I
-don’t, or if I care for any one else. I don’t know anything—and, oh!
-’tis all a-throbbing, a-throbbing in my head. I wrote
-him—because—because I thought it was my duty—I should have made him
-unhappy. But it is terrible, terrible—that I should have done it.
-Perhaps I ought not to have done it, perhaps I could have yet cared for
-him. Oh, God! I would it was all over with me now, I would I were dead,
-for I can bear it no longer, I can bear it no longer!”
-
-Dull and lifeless the words fell from her, while she crouched down on
-the floor, wrung her hands, and slowly rubbed her forehead on the
-carpet.
-
-Betsy glanced at Henk: what should she do? The secret spite she felt
-against her sister melted away for the moment in a great pity at the
-sight of Eline’s grief. And when she saw her husband continue staring
-like one demented at Eline, she felt annoyed that he could find nothing
-better to do. She lit the gas, and wrapped a cloak about her—and
-Eline’s altered features alarmed her, now that she sat staring vacantly
-before her with her eyes red with weeping, her hands folded on her
-knee.
-
-“Oh, Elly, Elly! How could you do such a thing?” said Henk in a husky
-voice, as he thought of Otto.
-
-Eline did not answer, and only slightly moved her head.
-
-“Oh, my head is bursting!” she faintly murmured.
-
-“Are you in pain?” asked Betsy.
-
-“Oh!” groaned Eline.
-
-Betsy dipped a handkerchief in some water and bathed Eline’s face, her
-temples, and her forehead, from which she brushed away the dishevelled
-hair.
-
-Henk had sat down. He did not know what to do, what to say; he only saw
-Otto before him.
-
-“How could she do it? How could she do it?” That was his only thought.
-
-“Is it better now?” asked Betsy gently.
-
-Eline smiled contemptuously.
-
-“Better—no—but it is cool—the water——”
-
-“Will you have something to drink?”
-
-“No, thank you.”
-
-She sobbed no longer, but her tears still flowed. And slowly, almost
-inaudibly, staring vacantly all the while, she said—
-
-“Oh, not to know what to do—not to know—and then to do a thing like
-this, against your will. Poor, poor fellow! And this terrible pain—oh
-God!—it is as if I am going mad.”
-
-“Come, Eline,” said Betsy, “let me take you to your room.”
-
-She led Eline away like a child, and like a child she undressed her.
-
-“Oh, my head!” groaned Eline, and she fell back exhausted on her
-pillow. Betsy undressed her further and covered her, then she bathed
-her face once more with a wet cloth.
-
-“Come, try and sleep a little now. There is nothing more to be done for
-the present—perhaps it will all come right again later on.”
-
-Eline shook her head.
-
-“Shall I sit down by your bed?”
-
-Eline did not answer, and lay staring vacantly before her. Betsy closed
-one of the red curtains and sat down.
-
-The little white night-lamp glowed like a star on the table, and in the
-panelling of the wardrobe, in the toilet glass, over the flask and
-vases, on the muslin toilet duchesse, fitful gleams of light played
-hither and thither, while the big, black shadows lay about everywhere,
-motionless and gruesome, like so many dark spectres. Betsy sat
-shivering in her dressing-gown; she wanted to think, but could not, for
-continually the one idea returned to her mind, that Eline had written
-to Otto. The hours dragged slowly by, and Betsy heard it strike one,
-half-past one, two o’clock. Then the groaning behind the bed-curtain
-died away. Betsy rose, and peeped through for a moment; it seemed Eline
-was asleep, she lay motionless with closed eyes. Slowly and quietly
-Betsy left the room.
-
-In his own room Henk was still seated, leaning his head in his hands.
-Neither of them went to bed, and they sat whispering together, now and
-then listening whether any movement could be heard in Eline’s room.
-They both feared something indefinable, of which they could not speak,
-something that continually filled their thoughts with a vague, dread
-terror.
-
-“Hush!” cried Betsy all at once, for Henk was still whispering, and she
-heard something. Both listened. From Eline’s room there came the sound
-of a violent sobbing, the sobbing of a soul in despair, passionate and
-loud. A chill trembling came over Betsy.
-
-“I am so frightened,” she faltered in a quivering voice.
-
-Henk left the room as quietly as possible, and walked across the dark
-landing. The servants were in bed, the whole house was in darkness. In
-Eline’s sitting-room, however, the gas was alight. There he sat down,
-and he heard Eline in the adjoining room—she was sobbing, sobbing with
-such intensity as he had never heard any one sob before; it sounded
-hoarse, screeching, wild, as the voice of a sorrow that was past
-comforting; every sob must pain and torture her, every sob re-echoed in
-his own brain; with every sob he waited for the following. At last the
-sobbing died away in a soft groaning, then it ceased altogether. All
-was still. And Henk’s hair began to stand on end in his terror at the
-tragic stillness that now reigned throughout the big house. He rose, he
-was no longer master of his actions, he wanted to be certain, he must
-see. For a moment, but for a moment only, he hesitated to enter Eline’s
-bedroom; then he opened the door and entered.
-
-On the rumpled bed, in the ruddy reflection of the curtains, lay Eline
-with distorted features, her hair falling a dishevelled mass about her
-head. The blankets she had cast aside. She seemed to sleep, but yet
-every moment an inward sob appeared to shake her very frame as with a
-shock of electricity, and under her eyes there were two deep, dark
-circles. Henk looked at her, and his lips trembled with emotion at the
-sight of that painful sleep. Gently he covered her with the blankets,
-and he felt that she was very cold. A little longer he stood staring at
-that tear-stained face, then he passed through the boudoir, where he
-turned down the gas. And then that same tragic stillness filled the
-dark house completely, that night of grief and terror.
-
-
-
-
-
-
-
-
-CHAPTER XXIII.
-
-
-In the morning Eline’s letter was handed to Otto. He would not give
-himself the time to retire to his room, but walked straight into the
-drawing-room, and throwing himself on the first seat he came to, he
-opened the letter. And he commenced reading those words of grief and
-remorse. There was no need for Eline to assure him that she had
-suffered, suffered intensely in the writing of it. Thus much he read in
-every word, and with every word a fresh dart of sorrow was plunged into
-his breast. He read too, although she did not write it in so many
-words, that every effort on his part to find his own happiness in her
-love—even if he succeeded in once more calling her affections into
-being for him—would be in vain; the lesson that he read from her
-letter, in language which to him was clear and unmistakable, was that
-they were separated for ever, because she had not possessed the
-strength to preserve her love. A great, an immeasurable despair filled
-him; he thought that had she had the strength, had she remained true to
-him, he could have made her happy, because in the restfulness of his
-own soul, in the soothing calm of his own love, she would have closed
-her eyes and slumbered, to awaken again at last full of peaceful
-happiness. Once he had felt certain that such would have been their
-future; now, however, that idea appeared to have been but an idle
-fantasy, nothing more.
-
-Once again he looked through the letter, and it seemed to him as though
-only then did he read it aright; yes, she was lost to him, lost
-forever! A void, a hopeless vacuum surrounded him in his solitude in
-the midst of the luxurious drawing-room, full of inanimate lustre, full
-of big, chill mirrors and costly furniture, and with his moistened eyes
-he looked around him and shuddered. Then he fell back on his chair, and
-covered his face with his hands, and a single, painful sob escaped his
-pent-up bosom. He felt a sensation as if everything within him was
-being shattered and broken, as if that single bitter sigh, like the
-breath of a hurricane, had dispelled and destroyed every budding
-blossom of hopefulness with him—it seemed to him as if with him there
-was nought left but that great, that immeasurable despair, and at that
-moment he would fain have died. Softly he sobbed and sobbed, and a
-feeling of bitterness arose in his breast. Had he deserved this, he who
-had once discovered such a treasure in himself, he who had desired
-nothing better than to make another share that treasure, that treasure
-of peace and rest? His treasure was despised, and now he felt himself
-poorer even than the poorest, and empty, utterly empty, in despair and
-lassitude.
-
-The door was slowly opened. It was Mathilde. She approached him as a
-sad image of pity, she sat down beside him, and tried to remove his
-hands from his face. He started violently, and looked at her with two
-great, wildly staring eyes.
-
-“What have you come to do here?” he asked in a disconsolate voice. For
-there was nothing to do for him, nothing; he was dead to everything.
-
-“What used you to come to me for, five years ago, when you used to sit
-down beside me and draw me close to your side? And what did you come to
-me for one evening, also five years ago now, when my husband—had—left
-me—my husband, whom I have never seen since. Tell me, what did you come
-to me for then? Did I then ask you what you ask me now?” she said
-reproachfully. “You have had a letter from Eline, I know it, I have
-seen the envelope. You need not tell me what it was about. I can feel
-it instinctively. But, Otto, let me share your grief, do not turn a
-deaf ear to my pleading.”
-
-She saw his chest heaving under the mighty sob which he repressed with
-a violent effort, and she threw her arm round his neck, and forced him
-to lean his head upon her shoulder; and in his own sorrow he started,
-terrified at the recollection of hers, of her grief, of which she never
-spoke, and he felt that indeed she must sincerely desire to comfort
-him, when for his sake she thus plunged herself anew into that great
-sorrow of the past.
-
-“Why do you speak about that?” he asked, for he knew that she suffered
-least when she suffered in silence.
-
-“So that you may feel that I understand you. And so that you may see
-that I live still, and must continue to live; and especially to show
-you that all the grief on earth is not yours exclusively. Perhaps that
-idea may comfort you a little.”
-
-“Oh!” he burst out sobbing, and he clung close to her, and tremblingly
-handed her the letter. “There, read! read!” he cried.
-
-She read the letter, and stroked his hair as if he had been a child.
-Yes, that was as it should be, now he no longer forced himself to
-control his feelings, now he felt not ashamed, in his obstinate
-manliness, of his copious tears. And while she read, she thought of
-Eline.
-
-“Did she know what she was throwing away?” she mused. “What would she
-do if she saw him thus? Is she not worthy of you, my Otto, my own
-brother? or is it only that she is unhappy, unhappy as we are?”
-
-Madame van Erlevoort came in with Frédérique. They had heard the news
-from Henk.
-
-Mathilde lifted up his head.
-
-“There is mamma!” she said simply, as though she would no longer retain
-him, now that another demanded his attention. But when he saw his
-gentle mother, melting away as it were in his grief, deepest pity
-filled his soul. He must comfort her.
-
-“Mother, mother, do not cry like that! ’Tis not so terrible!” he cried
-out in despair.
-
-Frédérique remained standing, leaning against one of the folding doors.
-Of her they took no notice whatever. Mathilde, mamma, could soothe and
-comfort him, but she, she was of no use to him at all; she was silly,
-childish, and would not know what to say to him. She remembered how,
-one day, long before his engagement, she had spoken to him about Eline;
-but now she had nothing to say, absolutely nothing. For, of course, she
-did not understand what sorrow was, she herself had never suffered, she
-had no feeling, she was a stone.
-
-“A stone! they think I am a stone!” she repeated softly to herself, and
-she remained leaning against the door-post and sobbed inaudibly,
-disconsolate at the thought that she could not comfort Otto. She felt a
-hand on her shoulder, and she turned almost haughty at being thus
-misjudged. But when she saw his sorrowful face; those moist eyes, in
-which, for the first time, she beheld tears; when she saw those lips
-trembling under his moustache, and the deep furrows over his brow, she
-flung herself, brimming over with pity, on his bosom, and clasping him
-tightly in her arms, covered his face with burning, passionate kisses.
-
-
-
-
-
-
-
-
-CHAPTER XXIV.
-
-
-Vincent was busy packing, for the next day he would be leaving for
-London. Henk tried to make him alter his mind and stay, but only
-half-heartedly, for he felt well enough that when Vincent was once
-away, a great obstacle to the peace of the house would be removed, and
-Betsy would no longer be irritated by the presence of a cousin whom she
-hated, whom she feared, and whom in her fear of him she had nurtured
-and tended until she abhorred him. In the morning before his departure
-Vincent had a last chat with Eline in her boudoir.
-
-“Then you are going, really?” she asked.
-
-“Certainly, my dear girl. You can see for yourself that Betsy can’t
-bear me any longer.”
-
-“What are you going to do in London?”
-
-“I have to call on some acquaintances there—to arrange some money
-matters before I go to America.”
-
-“Are you going to America, then?”
-
-“You know I am; haven’t you yourself brought me St. Clare’s letter?”
-
-“I—I did not know that you had decided for certain. Poor Vincent!”
-
-He looked at her with a quiet smile; not quite recovered from his
-weakness, it rather soothed him to be pitied.
-
-“Do you pity me so?”
-
-“Yes—indeed, I pity. You are beginning your wanderings again, and who
-knows if I shall ever see you again. Perhaps never, never again!”
-
-She sighed.
-
-“I am always happiest when I am on my wanderings.”
-
-She felt an eager desire to ask him if she might accompany him, if she
-might by his side also seek her fortune far away. But she did not know
-how to shape her question, and she waited to see if perhaps he would
-say something. For did he not love her? had he not wanted to go away
-for her sake? Now there remained nothing more that need separate them.
-
-“He is afraid to speak,” she thought, and she could not say whether she
-was glad or sorry that he was afraid.
-
-“Happiest on your wanderings!” she repeated musingly. “It is
-possible—you are a man, you can wander. But I am a girl, I have always
-lived a quiet life here. Happy am I? Heavens! No, that I am not!”
-
-He glanced at her for a moment, as if about to ask her something; but
-for a while he remained silent. Then he asked—
-
-“And why—are you not happy?”
-
-“Why!” she murmured.
-
-She waited for him to proceed, until perhaps he should put to her the
-question which she had awaited for days past. But no doubt it was owing
-to a sense of honour and decency that he did not ask it; it was but
-such a little while ago as yet that she had written to Otto. Still she
-thought she could detect the presence of love beneath his soft accents,
-and she looked at him. A ray of sunshine glinted along the
-window-curtain into the room and fell upon him where he sat,
-surrounding him with a kind of halo, and she started back in sudden
-alarm when she observed by that brilliant light how he resembled her
-dead father. This alarm caused her heart to pulse the quicker, and she
-fancied that she loved Vincent for the sake of her father’s memory,
-because in him she saw a victim of the world’s conventionality, and
-thus she invested him with something ideal and romantic.
-
-He, too, looked at her with pity in his heart, for he knew that she had
-flung away her happiness. He had often done so himself, he thought; but
-in his own case the fact had never disclosed itself to his eyes with
-such distinctness as it did now with regard to Eline. For a moment he
-wanted to tell her as much, but he could see no use in doing so, and so
-he said nothing. She would never have admitted it.
-
-“Vincent!” she faltered at last, with her nerves painfully overstrung
-in the suspense of waiting, waiting for that which never came.
-“Vincent, tell me—perhaps we shall never see each other again—have you
-nothing—nothing to say to me?”
-
-“I have, and a good deal, Elly dear; I have to thank you for having
-tended and nursed me like a dear little girl, here in your own room, at
-a time when you yourself were suffering.”
-
-“How do you know that I suffered?”
-
-“I have a little knowledge of human nature.”
-
-She shook her head.
-
-“I don’t think so. I have not suffered, I pity—Otto, but I have not
-suffered myself.”
-
-As she uttered that lie she felt it tortured her, but it was for the
-sake of Vincent, who loved her, and who must not know of her own grief.
-He looked at her penetratingly, asking himself why it was that she
-lied, but he was at a loss to account for it, he could not understand
-it at all; the only thing he did understand was that in the soul of
-woman there always remained something that was strange and mysterious,
-a mist that could not be penetrated. Neither did she understand him.
-She could not understand why he did not ask her to love him, now that
-there was nothing more to separate them, and now that he was on the
-point of going away. In another hour he would be gone. Oh, perhaps he
-thought it was too late. She sighed, and eagerly she said—
-
-“Vincent, one thing you must promise me; if ever I can do anything for
-you, write to me, and I assure you I shall not disappoint you. Will you
-promise me this?”
-
-“I promise you, and I thank you.”
-
-“And something else. I know you are often in want of money. If at
-anytime I can help you with any, pray write to me. Just now, for
-instance, I have two hundred and fifty florins in cash lying here; are
-they of any use to you? if so, they are at your disposal. May I give
-you the money?”
-
-She had already risen to open her escritoire, but he grasped her hand
-with something like emotion.
-
-“Elly—Elly—no, Elly—not that—thank you very much. It is most kind of
-you indeed, but I could not return you the money for ever so long
-perhaps.”
-
-“Oh, come now, don’t—don’t refuse me. ’Tis a pleasure to me, I assure
-you.”
-
-“Once again, I don’t know how to thank you, but really—I—I cannot
-accept it—really I can’t.”
-
-She stood still, and her cheeks turned white as marble. Yes, yes,
-indeed, he loved her, how could she doubt it? If he did not, would he
-have refused to accept the money? Yes, she could see it, he would not
-owe her money, because he loved her. But why did he not speak then?
-
-At length he rose, the cab was to be at the door in a few minutes.
-
-“Now I must really go,” said he. “Good-bye, Elly dear, good-bye; thank
-you a thousand times for what you have done for me.”
-
-“Good-bye, Vincent, good-bye.”
-
-He made a movement as if he wanted to kiss her, and she threw her arms
-round his neck and kissed him on both cheeks.
-
-“Think of me sometimes, will you? I am fond of you, and I am really not
-fond of many persons; I can count my affections easily enough. Well,
-good-bye, Elly, good-bye, and perhaps, au revoir.”
-
-Once more she kissed him, her eyes full of tears, and as he went she
-threw herself on the sofa, and nodded her head to him for the last
-time. He disappeared, closing the door behind him.
-
-For a while she sat staring at that door. And when, after a few
-moments, she heard his cab move away, she wondered that he had kissed
-her so unreservedly and coolly in that final moment of parting. She
-wanted to muse about him, because she did not understand him; she
-wanted, too, to probe her own feelings and discover if she really loved
-him, but she felt tired and her head ached, and with a weary sigh she
-fell back in the cushions, covering her face with her hands.
-
-
-
-It was the third day after Vincent’s departure, but although he had
-left the house, there had been another tiff about him between Eline and
-Betsy, who had spoken her mind about her “wretch of a cousin” in the
-presence of visitors, and to Eline’s intense annoyance. The time had
-now come, Betsy thought, when she should once for all let Eline know
-that she was mistress in that house; and so, with the full intention of
-doing so, she walked up-stairs in the evening into Eline’s boudoir.
-
-“What do you want?” Eline said haughtily. “I should like to be alone.”
-
-“May I remind you that you are in my house, and that if I feel inclined
-to come here I shall do so! I have something to say to you.”
-
-“Make haste then, for I tell you again I wish to be alone!”
-
-“You wish! you! What right have you to wish, I should like to know? You
-are in my house, and it isn’t for you to wish! Who do you think you
-are, eh?” shrieked Betsy, exciting herself to a towering passion. “Do
-you imagine you are a princess, and can do exactly as you like? or do
-you fancy that I am going to be dictated to by you in the presence of
-strangers?”
-
-“Don’t you think I know what to say without your valuable advice? I
-don’t want your advice, so there! And I assure you that in future,
-whenever I hear you speak in that disgraceful way about Vincent, I
-shall make you hold your tongue. Thus much I assure you.”
-
-“Indeed, you assure me—you do, eh? But I don’t want your assurance, I
-tell you. I have no intention to trouble myself in the least about your
-idiotic tenderness for Vincent! Perhaps it was he from whom you learnt
-the politeness to interrupt one among strangers as you dared to do to
-me? I can’t understand how you can have the impertinence, I can’t
-really. Why, they must have thought you were crazy. Well, if you are,
-that must be your excuse! Fancy calling me vulgar; and what are you,
-pray? you, who forget the very rudiments of politeness, and have——”
-
-“Yes, I know, I have heard it before—have had the impertinence to
-interrupt you, you were going to say. Do say something else for a
-change. But you shall see that I dare more than that, if you attack
-Vincent again. You think him false, do you? But I think you are false,
-you who invite him here yourself, and then drive him out of the house,
-you who for no reason whatever go on about him like a washerwoman! It
-is you, you who are false!”
-
-“Keep your beautiful epithets to yourself, please.”
-
-“Then you just keep that wretched abuse of Vincent to yourself too,
-please!” shrieked Eline, boiling with passion. “I won’t, do you hear, I
-won’t hear it any longer. I have stood it long enough for the sake of
-peace, but now I won’t stand it any longer! Do you understand?”
-
-“Indeed, won’t you stand it any longer? Perhaps it was all on account
-of that darling Vincent that you could not stand Otto any longer
-either?”
-
-“Hold your tongue!” screamed Eline.
-
-“Or perhaps you are smitten with that reptile, and that is why you
-treated Otto as if he had been a schoolboy with whom you were having a
-little joke? You won’t bear my abuse of Vincent any longer, will you?
-but I tell you that I won’t be compromised any more by you! Not bad,
-I’m sure! To start with, you are silly enough to break your engagement,
-and, out of pure caprice, without the slightest reason, you have made
-yourself the talk of the town; then you carry on here in my house with
-Vincent, as if you were in love with him, and as a wind-up you dare to
-be impertinent to me before strangers! Well, I am not going to bear it
-any longer, do you hear? If you have learnt that unmannerliness in your
-philosophic discourses with Vincent——”
-
-Eline could no longer control herself. Her nerves were strung to their
-utmost tension, and quivered under Betsy’s insults as under the touch
-of rough hands. And Betsy’s allusion to Otto, to her sympathy for
-Vincent, which she fancied she had so successfully concealed, made her
-furious. She grasped Betsy’s wrists in the nervous strength of her
-fingers, and in a voice shrill with rage she cried—
-
-“It is enough! Hold your tongue, I tell you. Don’t talk any more about
-Otto, don’t say another word about Vincent, or I—I—I’ll do you an
-injury! Don’t aggravate me any longer. Take care!”
-
-Betsy wrenched herself free from her grasp.
-
-“Eline, are you mad?” she cried, but Eline did not allow her to finish.
-She remained standing in front of Betsy and clenching her trembling
-hands.
-
-“I tell you, you aggravate me, you aggravate me with that eternal
-rubbish about your house. ‘My house! my house!’ I know I am in your
-house, but I did not ask you to take me in, and I won’t be reminded
-that I am in your house, as if you did me a charity. I am not dependent
-on you although I am in your house, and I won’t be dictated to by you,
-not in anything. I am free, quite free, to do just as I please.”
-
-“Oh no, you are not; you are in my house, and you must behave yourself.
-And if you don’t know how to behave yourself, I shall tell you, so long
-as you are here!”
-
-“And I won’t be told by you how I am to behave!” shrieked Eline. “I
-tell you, I am free! I don’t want your house, about which you make so
-much fuss, and I swear to you that I shall not stay another moment in
-it! That I swear to you, I swear it, by all that is sacred! Enjoy your
-house to yourself, or choke in it for my part!”
-
-She was scarcely conscious of what she said. She had worked herself
-into a paroxysm of rage, and with a rapid movement she picked up her
-cloak from the floor and flung it round her shoulders. Then she rushed
-towards the door, but Henk, who on hearing the loud voices had come
-upon the scene, stopped her.
-
-“Eline!” he began severely.
-
-“Let me go, let me go!” she screamed like a wounded tigress, and she
-pushed his big body aside with such a frantic strength as made him
-stagger. Once more he attempted to stop her, but again she pushed him
-aside, rushed out of the room, and down the stairs.
-
-“Eline! In Heaven’s name, Eline! you don’t know what you are doing!” he
-shouted to her from the landing, and rushed after her.
-
-She heard no more. She had but one single thought: to fly from that
-house, away from a shelter where she was reproached for her presence.
-She saw nothing more; she saw neither Gerard nor the servants, who
-stood looking at her in blank amazement; she hurried along the
-vestibule, flung open the glass doors, and quickly drew the bolt from
-the street-door. But now, now she heard behind her a rattling noise;
-the door fell to with a bang, shattering the glass on the floor with a
-loud crash.
-
-
-
-Then the street-door too slammed behind her, and she found herself in
-the street. The rain was falling in torrents, and the blustering wind
-blew open her cloak, and beat in her face as with a damp thong. It was
-impossible for her to plod on in the teeth of that boisterous
-hurricane, and she turned the other way and allowed herself to be
-driven along aimlessly by the force of the wind, which flew at her back
-like a gigantic vampire, with big, tearing claws. Aimlessly she let
-herself be carried along in that pitiful, that dismal night. In the
-street she saw no one, and in her loneliness, in the lowering gloom, in
-the splashing downpour, in the wild gusts of the storm, she at length
-felt herself conscious of her position, and a chill, indefinable terror
-overtook her. It seemed to her as though she had been suddenly wrenched
-away from out of the midst of every-day life, and found herself plunged
-into a sphere full of nameless, terrible anxiety and blank, dismal
-despair. She nearly died with fright at the darkness that enveloped her
-like a black shroud of grief, at the deluge which was pouring down upon
-her bare head, utterly without protection from the wind gusts which
-nearly blew her cloak from her shoulders, and numbed her with cold in
-the thin black silk dress that fluttered about her in the buffeting
-wind. Her little patent shoes went splashing along through mud puddles
-and thick mire; her dishevelled hair hung dank and dripping down her
-temples; and under her thin cloak she felt a chill moisture gliding
-down her neck and down her bare bosom. She knew no longer where she
-was; she started in fright at the twigs that fell about her, at the
-howling of a watch-dog in a house she passed. And she saw no one, no
-one.
-
-But her condition brought her to herself. She felt conscious of having
-fled from her sister’s house. She would fain have stood still for a
-moment to reflect, but the strong wind thrust her forward, as though
-she were one of the autumn leaves that were whirled about her head. And
-she let herself be blown along, and collected her thoughts, while
-tramping forward with involuntarily hurried footsteps. Despite her
-pitiful condition, she felt neither remorse nor regret at the step she
-had taken. And suddenly she felt astounded at her own courage. She
-would never have imagined herself possessed of the pluck to run away in
-such a night, without knowing whither to go. But she forced her
-thoughts to take some practical shape, she could not continue wandering
-about in this way, she must have an object.
-
-All at once she noticed that she had reached the Laan Copes van
-Cattenburgh. Driven forward by the wind, she hurried along the
-rain-sodden, muddy path, while the storm swept in sullen fury across
-the Alexanders-veld.
-
-Continually she had to step back before the shower of loose twigs which
-the wind blew from the trees, and she began to perceive that she was in
-danger of being crushed by some falling trunk. A fear for her life
-prevented her from thinking, but the more intensely that fear numbed
-her heart, the more eagerly she nerved herself to do so. Whither in
-Heaven’s name should she go? A chill tremor seized her—a vague,
-undefined dread—while her wide, staring eyes were trying in vain to
-peer through the dense gloom. To whom was she to go? To old Madame van
-Raat? No, no, fond as she was of her, the old lady would be sure to
-take the part of her son and her daughter-in-law! To the
-Verstraetens—her brother-in-law’s relation? Everything began to surge
-around her, and she—she felt herself lost in her black solitude, and
-gradually sinking lower and lower into an abyss of grief and of mire!
-Otto’s figure rose to her mind, and she would have given all that
-remained her of her life could he have come to her at that moment,
-could he have there and then borne her away in his arms, clinging to
-his heart, to some abode of warmth, light, love, and safety. Her
-courage all but failed her to go farther, she could have flung herself
-down in that mire through which she plodded, and remain lying there,
-letting the winds sweep over her until her last breath should have
-escaped her! But no! that would be all too cowardly after the pluck she
-had already shown, and now she must, she would set her mind to think of
-some place of refuge. Not Madame van Raat—not the Verstraetens—in
-Heaven’s name whither should she go then? And all at once, like a
-lightning flash darting through the gloom of that night of blank
-despair, an idea struck her, and her mind reverted to a certain suite
-of humble apartments, to Jeanne, her friend of former days. Yes,
-thither she must go: she knew no one else, and she could not for ever
-go on wandering along in that pouring rain, in that howling storm; and,
-bracing herself up to face the buffeting wind, she hurried
-round—numbed, chill, and wet to the skin—by the Alexanders-veld in the
-direction of the Hugo de Grootstraat. There, over on the opposite side
-of the field, she could just see the backs, lit up here and there with
-a faint gas glimmer, of the houses on the Nassauplein, but she could
-not distinguish which of them was theirs—hers no longer. A wild,
-longing remorse now filled her poor, despairing heart at the
-recollection of all she had lost yonder, at the thought that she had
-yet to plod on for so long through the raging storm ere she could reach
-the Ferelyns. And she was tired, tired unto death, tired from her
-quarrel with Betsy, tired with the rain that was unceasingly beating
-down upon her face, cold and cutting as thongs of steel, tired with the
-wind against which she struggled as with an immense black monster, that
-was dashing her to and fro as though she had been a human battledore.
-She felt more fatigued with every step she took in her little patent
-shoes, which were bespattered with mud, and with every movement
-threatened to slip from her feet. And oh! she could have died with
-misery, with distress, with grief.
-
-But forward, still forward she must go, and she fought and struggled on
-with the monster and slowly gained upon it. In this way she reached the
-Javastraat, and then she turned to the right, towards the Laan van
-Meerdervoort. The hurricane shook her as though it would break her like
-a reed, and a heavy branch struck her on the shoulder, and scratched
-her face so that she screamed with pain. And suddenly, with despair
-overmastering her body and soul, desperate with fear and grief, she
-made an attempt to start running, running as if for very life, and
-fly—fly to the Ferelyns. But the furious wind stopped her, it was in
-vain, she could only proceed slowly, painfully, step by step.
-
-“Oh God! What have I done?” she cried in wild despair. Those familiar
-streets, along which she trod almost daily, seemed to her, in that
-noisome darkness, as the unknown ways of a demon city along which she
-was doomed to wander like some accursed phantom. She passed by Madame
-van Raat’s house, and she had to summon forth all her courage, all the
-strength of her will, not to knock at that door, that would surely open
-to her, and admit her to light and warmth. But no, it was too late,
-Madame would be asleep; besides, she would reproach Eline with her
-flight from the Nassauplein. And she plodded on, driven forward by the
-wind and by an obstinate fixed idea, towards the house of the Ferelyns.
-She went on, on, although with every step she took she felt her thin
-little saturated shoes growing heavier, heavier than lead. She turned
-at the Spiegelstraat—how much longer should she have to suffer? She
-counted the minutes—then—then she entered the Hugo de Grootstraat. And
-the furious rain beat down more savagely than ever on her face, more
-roughly than ever the wind tugged and tore at her cloak, when—thank
-God!—she stood at their door. She could see no light anywhere, but she
-did not hesitate. Here only could she find safety. And she rang the
-bell violently, roughly, passionately, as with a tintinnabulating cry
-for help.
-
-
-
-The time to her seemed unendurably long before any one answered. But at
-last she heard steps coming down the stairs, the bolt was drawn with a
-grating sound, then the door was slowly, stealthily opened, and a face
-appeared at the opening.
-
-“In God’s name!” she cried imploringly, and pushed the door quite open
-and rushed inside. “It is I, Eline.”
-
-The door closed and she stood in the darkness before Frans Ferelyn,
-who, in utter amazement, shouted out her name. At the top of the stairs
-appeared Jeanne with a lamp, and in her longing for light, for warmth,
-for glow, her will once more got the better of failing strength, and
-she hastened up the stairs.
-
-“Jeanne!—Jeanne!—I implore you—help me. It is I—Eline, oh, help me!
-help me, do!”
-
-“Great heavens, Eline!” Jeanne cried, as she stood paralyzed with
-astonishment.
-
-“Help me, do. I have—run away from them. Help me, do, or I shall die.”
-
-She sank down soaking wet at Jeanne’s feet, and where she lay the
-stairs were soon wet with the water that dripped from her cloak.
-
-“Great heavens, Eline! Eline!” cried Jeanne, who could not believe her
-own eyes.
-
-Eline had burst out sobbing, and remained crouched at Jeanne’s feet.
-Jeanne attempted to lift her up; and wherever her hands touched her,
-she felt her icy cold and soaked through with the rain.
-
-“In Heaven’s name, Eline, what have you done? What has happened? You
-are so wet—so wet—wet and cold all over. Great heavens, Eline!” She led
-Eline, who walked with tottering steps, into Frans’s little office, and
-set down the lamp. Eline fell exhausted on a chair, the dirty
-rain-water oozing through her clothes.
-
-“Yes—yes,” cried Eline. “I have run away from them, I could not stop
-with them any longer. And I have come to you—because I don’t know where
-else to go. Oh, Jeanne, do, do help me!” she went on, in a voice broken
-with sobs.
-
-Jeanne trembled with nervousness and pity.
-
-“Tell me about that afterwards, Eline. Let me undress you—you will be
-ill in these wet things.”
-
-“Yes, yes, undress me, do—that cloak, those shoes, oh, I am sick of
-myself. I am all over mud. Great heavens! oh, that I were dead!” She
-threw herself, trembling all over, backward in her chair. Frans had
-come into the room.
-
-“Oh, Frans, just look here,” said Jeanne, shaking with excitement, and
-pointed to Eline. “I hope she won’t be ill.”
-
-“Without a hat, in that thin, low-necked dress! I shall try and light
-the fire down-stairs. You undress her.”
-
-He was still as if paralyzed with Eline’s appearance, and he too
-trembled with pity, quite unable to speak, as he saw her sitting in
-that chair, the water dripping from her hair on her white face and down
-her throat, her black evening dress clinging to her like a wet flannel.
-But he went. He must be up and doing.
-
-And outside raged the storm.
-
-
-
-She was now in their well-lit sitting-room, lying on a couch which
-Frans had placed by the side of the flaming stove, and she shivered
-with fever under her woollen blankets. And yet she felt a grateful
-sense of well-being in that light, in sight of those flames, intensely
-grateful that she was saved from the demoniac powers of darkness.
-Suddenly she raised herself up.
-
-“Jeanne,” she shrieked in a hoarse voice to the little trembling woman,
-who was preparing a steaming hot drink. “Jeanne! I implore you, forgive
-me for keeping you up such a night as this. But, in Heaven’s name,
-where was I to go to? Oh, that rain, that wind! It drives me mad to
-think of it. I had no idea that a person could be in such distress as I
-have suffered this night. But really, I could not stay with them any
-longer. As for that Betsy, oh, how I hate her.”
-
-“Eline, I entreat you, be calm now.”
-
-“Why did she mention Otto’s name? What right has she to mention Otto’s
-name? I hate her! I hate her!”
-
-“Eline! Eline!” Jeanne cried, clasping her hands.
-
-She flung herself before the couch.
-
-“Eline, I beseech you, I beseech you, in Heaven’s name! Be calm! Rest
-yourself now, Eline.”
-
-Eline, with her feverish, staring eyes, looked long at Jeanne, then she
-threw her arm round her neck.
-
-“Lie down and rest yourself now, Eline; rest yourself, if you cannot
-sleep.”
-
-A hollow sob burst from Eline’s throat.
-
-“Oh, you are an angel!” she whispered in broken tones. “I shall never
-forget what you are doing for me, never. It is as if you have rescued
-me from an abyss of despair. Oh, that mud! You care for me then, Jany?”
-
-“Yes, yes, Eline, of course I do; but rest now, rest yourself now.”
-
-“Oh! rest myself.”
-
-That single word ‘rest’ cut Jeanne to the quick. Eline pronounced it in
-a voice full of despair, as if for her there would never more be any
-rest. Still she allowed Jeanne to ensconce her snugly in the pillows,
-and emptied the glass that Jeanne offered her.
-
-“Thanks, thanks, Jany,” she faltered.
-
-Jeanne covered her up with the blankets and sat down beside her. The
-windows rattled in the wind, and the bare branches beat furiously
-against the glass. The clock over the chimney struck three.
-
-
-
-It had just struck three, too, in the house of the Van Raats, when
-Frans Ferelyn drew up in front of their door in a cab. The storm still
-roared and shrieked like some wounded monster that was savagely
-fighting for life above the housetops of the dark city. Frans sprang
-from the cab and rang the bell. He noticed that the gas was lighted in
-the vestibule.
-
-The door was opened immediately by Henk, who appeared to be expecting
-some one. But on seeing Frans rush inside, he stepped back in
-astonishment.
-
-“Is that you, Ferelyn?” he cried.
-
-“Yes, don’t be alarmed,” said Frans, calming him, for he saw that Henk
-was in a terrible state of excitement. “It is all right; Eline is with
-us.”
-
-He walked further inside, crushing the glass that lay scattered all
-over the vestibule.
-
-“With you, is she? Thank God!” exclaimed Henk. “I was mad, mad; I did
-not know what to do! Thank God she is with you.”
-
-“Come in, Ferelyn,” came in a trembling voice from Betsy, who appeared
-at the door of the dining-room.
-
-The servants were also in the vestibule, and their frightened faces
-cleared up a little, while they retired whispering into the kitchen.
-Frans entered the dining-room with Henk.
-
-“You need not be alarmed, madam; really, for the moment it is all
-right. Eline was wet through, but Jeanne has taken her under her care.
-You can imagine what a fright it gave us when we heard such a loud
-knocking at the door, and at such an hour, and we saw her soaked
-through.”
-
-Suddenly he noticed Henk’s face.
-
-“But I say, what has happened to you? Your cheek is all over blood.”
-
-“Oh, that’s nothing at all. When Eline ran away I rushed after her, and
-through the wind the door in the vestibule fell to and broke the glass.
-The shattered glass sprang into my eyes, and so I could not at once run
-after her. Still, as soon as I could I got out into the street with
-Gerard, to drag her home again if necessary. But it was so confoundedly
-dark; the gas-lamps were blown out in the storm, and I could see
-nothing of her. I did not know what to do. Then we went to the
-police-station on the Schelpkade, and they sent out some night-watchmen
-to find her. She was in such a state. I thought perhaps she might have
-made an end of herself, and in this infernal weather anything might
-happen to her. My eye pains me; I shall go and see an oculist
-to-morrow.”
-
-Betsy fell down with a sigh in a chair.
-
-“Oh, ’tis terrible, terrible!” she faltered. “That girl can behave like
-a maniac sometimes!”
-
-“Of course, if you do your best to drive her mad!” cried Henk angrily,
-with his hand on his eye.
-
-“Ah, bien! Yes, blame me for it.”
-
-“Van Raat, there is just a thing or two I want to say to you,”
-interrupted Frans. “In the first place, I came round here without a
-moment’s delay, because I feared you would be terribly anxious about
-her.”
-
-“Old chap, I don’t know how I can thank you.”
-
-“Never mind about that just now. But Eline has positively declared that
-she would not go back to you. Now I need not tell you that such an
-affair as that soon gets wind; people begin to talk, and all that, and
-that! not very pleasant. And the servants know all about it too, don’t
-they?”
-
-Betsy gave Frans a grateful look for touching that point.
-
-“Oh, well, how can you help that?” cried Henk impatiently. “People will
-always talk.”
-
-“Yes, that’s true enough; but anyhow you come round to my house as soon
-as you can to-morrow, and see if you can’t persuade Eline to return
-home. That is, of course, if she is not ill; just now I thought she was
-rather feverish. So you had better let her rest a bit now; but come as
-early as possible to-morrow.”
-
-“All right,” said Henk, with a dazed look.
-
-“I believe she was delirious when I went out to fetch a cab, but still
-she seemed very determined. She would not go back, and she gave me her
-keys. She asked me”—and he looked at Betsy—“to arrange her things here
-and pack them. But I think she said it all in her passion; I hope in
-any case that by this time to-morrow we shall have come to some
-amicable arrangement.”
-
-“Look here, Ferelyn!” said Betsy uneasily; “you can well understand the
-despair I am in. Good gracious, it isn’t the first tiff I have had with
-Eline, but who could imagine her capable of such a mad freak as this?
-And as you say, all the Hague will be talking about it. Therefore if
-you can manage to persuade her to come back, I shall be for ever
-grateful to you. Our house is always open to her; and as for those
-keys, you had better leave them here. I am of your opinion, and think
-it will all come right yet. Good heavens! what a blessing that she came
-to you! But in such a night as that, alone, out in that storm! How
-could she have done it? Good heavens! How could she have done it?”
-
-Frans had still to talk about one or two matters with Henk, who asked
-him to stay till the morning, as Frans had sent his cab away, and the
-weather was still frightfully boisterous. Gerard conducted Frans to
-Henk’s dressing-room, where he removed his wet clothes.
-
-
-
-Early next morning Henk drove with Frans to an oculist. It was only a
-vein that had burst in Henk’s eye, and after a little grain of glass
-had been removed from it with a lancet, he felt greatly relieved. But
-across his cheek there was a long, ugly cut.
-
-“I look as though I had been in the war,” said he, with an attempt at a
-smile to Ferelyn, as soon as they were in the carriage again, on their
-way to the Hugo de Grootstraat, “and indeed, old fellow, it does seem
-as if we were all at war just now. I have got enough of it already.”
-
-Ferelyn could not help pitying him when he saw that kindly honest face
-suffused with a gloomy melancholy. It was evident enough that Henk
-looked forward with a deal of misgiving to the interview with Eline.
-But the ordeal was spared him. Eline passionately refused to receive
-him, and in the adjoining room he sat and listened anxiously to the
-reproaches she levelled at Frans. Why did Frans want to bring him? Why
-had she given Frans her keys? Was Frans, too, no longer to be trusted?
-
-Eline’s voice sounded hoarse and rough, and to Henk it seemed that she
-was delirious. Then he heard a soft, reproachful whispering of Jeanne,
-followed by the sobbing of Eline, who accused herself of ingratitude.
-
-Soon Frans came back, shrugging his shoulders.
-
-“She won’t see you. You had better resign yourself to it. I believe she
-is in a violent fever. Do you think Reyer is still at home? If so, I
-should drive down to him if I were you.”
-
-“All right,” said Henk dejectedly, “I will go.”
-
-Eline was still lying on her couch covered with woollen blankets, and
-she groaned softly as if in pain.
-
-“You are so kind to me, Jany, but you see of course I can’t remain
-here, and trouble you like this,” she went on, sorrowfully. “You
-haven’t very much room. I must be an inconvenience to you. This
-afternoon I shall go to an hotel.”
-
-Jeanne sat down beside her and took her hands in hers.
-
-“Eline, be sensible now, and don’t talk any more about that. Believe
-me, you are ill; you remain quietly here with us. I won’t insist that
-you shall return to Betsy’s, but then you must not talk about going to
-an hotel.”
-
-“Yes, but if I am ill—I don’t believe I am, but you say so—if I am ill,
-it will be some time before I can leave you again. And—and—oh, forgive
-me for saying it—I know you cannot afford it, Jany dear; forgive me,
-forgive me for saying it.”
-
-Jeanne looked at Eline tenderly, and her eyes filled with tears.
-
-“If it’s that, Eline, pay us then and stay here; pay us, and don’t talk
-any more about an hotel. I won’t be ashamed of it; you may pay me for
-it if you want to. But stay here—stay.”
-
-Eline started up with her wild staring eyes and her dishevelled hair,
-which Jeanne brushed in vain from her temples. And she clung to Jeanne
-with a sudden intensity, as if in her burning grief she plunged into
-the grateful cooling waters of pity and sympathy.
-
-“Oh, you darling! you angel!” she cried. “Forgive me, I—I did not mean
-to grieve you, but—but—oh, yes, indeed, I will gladly stay, you are so
-good. May I stay?”
-
-
-
-That afternoon old Madame van Raat and Madame Verstraeten came to see
-Eline, and endeavoured to persuade her to return to the Nassauplein.
-Eline, however, refused to receive them. Even Betsy allowed Jeanne to
-persuade her to call on Eline, and ask her pardon. Jeanne thought it
-was Betsy’s duty to try and make her peace with her sick sister, and it
-might have a favourable effect on her. But Betsy Eline would not see
-either. And in the adjoining room Betsy, with her mother-in-law and her
-aunt, heard, as Henk had heard that morning in silence and anxiety, how
-Eline declared to Jeanne that she would not—would not see any one. Only
-Jeanne and no one else would she see about her! Before long Eline’s
-quarrel with the Van Raats and her flight to the Ferelyns became the
-general topic of conversation. Of the details of the dispute they did
-not know much; only, of this they were certain, that in that stormy
-night Eline had been seen sitting in a carriage with a night-watchman
-and a young man, and to say the least of it they thought it passing
-strange! But then Eline had always been rather eccentric. In the winter
-she had been in the habit of taking early morning walks alone in the
-wood—what respectable young girl would think of doing such a thing as
-that? Now—that affair with Erlevoort too, that was a bit mysterious;
-and now there was that romance with a young man and a night-watchman!
-It was a pity certainly, for she was really such a nice girl, so pretty
-and graceful; but had they not always been a strange family, those
-Veres?
-
-Betsy was mad with spite at this talk, and she scarcely ventured to
-show herself anywhere, seeking her refuge only at the Verstraetens’ and
-with Emilie de Woude.
-
-
-
-
-
-
-
-
-CHAPTER XXV.
-
-
-A month had elapsed, a month which Eline spent with the Ferelyns, as
-Jeanne would not allow her to go until she had quite recovered. Reyer
-had told them that Eline had caught a severe cold which, with the least
-neglect, might prove fatal. Jeanne in the meantime tended her with
-gentle care; Frans’s little office she had had fitted up specially for
-her, and when Eline protested and began again to talk about an hotel,
-Frans himself declared that he thought he ought not to work so hard, a
-little rest was necessary for him. Eline, therefore, embraced Jeanne
-with a passionate gratitude and stayed on, while her violent fits of
-coughing filled the little house as with a painful echo.
-
-Her cough was a little better now; she felt not quite as much pain on
-her chest. But she had grown very thin, her eyes were hollow and dull,
-and her face was wan and sallow. She sat in a big chair close to the
-little stove, and she gazed out of the window and amused herself a
-little watching the tradesmen—the butcher, the greengrocer, the
-milkman—as they called from house to house; she amused herself watching
-the servants who opened the door—a stout, red-faced one here, a tall
-thin one there, then again the mistress herself, in a black apron and a
-dirty little lace cap.
-
-Then she rose and looked in the little black-framed glass, simple as
-all around her was. She expected some one, and she looked eagerly at
-her face; it was such a long time since she had seen him; what sort of
-impression would she make on him, with that sallow face and those
-sunken eyes?
-
-For Betsy had written a long letter to her uncle, Daniel Vere, who
-during Eline’s minority had been her guardian, and who was only lately
-married and living in Brussels. When old Aunt Vere died he was still
-single, so that it was out of the question for Eline to make her home
-with him. He came but seldom to the Hague, and when he received Betsy’s
-letter, in which Eline’s flight was described to him, it seemed to him
-that he was being drawn into matters that did not concern him. He
-replied to it, however, and at the same time wrote to Eline, asking her
-for an interview. His letter surprised her, and agreeably so, and she
-thought that through him she could see a relief from her present
-position, which, when she should have quite recovered, would certainly
-be no longer bearable to her. She therefore replied to him in the most
-amiable terms, and promised to do as he required her on the one
-condition only, that he did not ask her to make her peace with her
-sister and again to make her home with the Van Raats; that she should
-on any account have to refuse, as the past had already taught her that
-Betsy and she could not get on together; with whom the fault was it was
-not for her to say.
-
-Vere then telegraphed what day and hour he would be coming to see
-Eline. And now she awaited him, and examined her emaciated features,
-and feared, as she saw herself so worn and emaciated, that she would
-not be able to shed around her that all-powerful charm with which she
-attracted every man towards her. She drew down the curtain a little, so
-that the light should not fall with such a glare on her sallow
-complexion. In the afternoon he came.
-
-He was tall and slender, with the somewhat languid movements peculiar
-to all the Veres except Betsy, who was more like her mother. On Eline,
-who had not seen him for two years, he made a very favourable
-impression. He had the appearance of a thorough man of the world, and
-she felt a little ashamed to receive him in this little room and amid
-these humble surroundings. She rose slowly and languidly from her seat,
-and walked towards him, while Jeanne shut the door and retired.
-
-“How do you do, uncle?” said Eline softly. “I am very glad to see you,
-very glad.”
-
-She held out her hand to him, and pointed to a chair. He sat down,
-looked at her rather searchingly, smiled a little sad smile, and shook
-his head.
-
-“For shame, Eline,” he began slowly. “What sorrow you have caused me.
-Do you know I’m very dissatisfied with you, little girl?”
-
-“I suppose Betsy has written all sorts of things about me?” she asked
-with assumed indifference, but with real curiosity.
-
-“What Betsy has written me came upon me like a thunderbolt. I had no
-idea that you were so out of sympathy with your sister. I thought you
-were very happy at the Van Raats’. Last spring you wrote me such an
-enthusiastic letter about your engagement, and now Betsy tells me that
-you have released Van Erlevoort from his word. But still I had no idea
-whatever that such scenes had taken place. Eline, Eline, how can you
-allow yourself to be carried away like this by your feelings, without
-the slightest attempt at self-control?”
-
-He searched a little for his words, proceeding cautiously, with much
-misgiving whether she would allow him to persuade her to another
-course. The news of her flight had given him the idea that she was a
-very violent, impetuous creature. Now her gentle reticence seemed to
-him very suspicious, and he feared every moment that she would jump up
-and do something desperate. But she replied very quietly—
-
-“Look here, uncle. I ran away from Henk and Betsy, it is true; but that
-is no reason why you should imagine that I do nothing but silly things.
-I was beside myself with passion because of Betsy’s aggravating manner.
-Now I’m sorry that I did not control myself, that I did not simply turn
-my back on her, to leave her house the next day in peace and quietness.
-But I think you will agree with me that there are moments in life
-when—yes, when one is no longer master of oneself.”
-
-“And you are determined, then, that you will not return?”
-
-“I thought I had told you as much in my letter,” she answered, a little
-piqued.
-
-“That is true; but I hoped—perhaps you would alter your mind.”
-
-“Never!” she said calmly and deliberately, and still with a certain
-hauteur.
-
-“Very well then; if that is the case we shall not return to it. I am
-sorry if that is your decision, but I suppose you have considered
-everything?”
-
-“Oh yes,” she said, and gave a little cough.
-
-“Well, then I must propose something else; or rather—what do you think
-of doing when you have got rid of that wretched cough?”
-
-Eline looked at him with some anxiety, and all her pride vanished.
-
-“I have been thinking about it myself. I really don’t know. Perhaps I
-shall go and live by myself. I have a good many things of my own, and I
-can be economical. Then perhaps too I can get some one to stay with
-me.”
-
-And in her fancy she already saw herself ensconced in a set of quaint
-little rooms something like those she occupied now, and her eyes filled
-with tears.
-
-“That is a sensible idea, at all events. Here in the Hague do you
-think?”
-
-“Well, yes, I dare say; but I really am not certain. Maybe I shall go
-to a smaller place.”
-
-“Well, anyhow that is an after consideration. The fact is, there is
-something I wanted to propose to you myself.”
-
-He took her hand, and glanced at her with his lack-lustre eyes. And she
-thought that perhaps he was about to ask her to come and stay with them
-in Brussels; if so, should she accept?
-
-“I am going abroad with your aunt, Eline, for the winter. I cannot help
-laughing when I speak about your ‘aunt,’ for, as you know, she is
-scarcely five years your senior. We are first going to Paris, and then
-perhaps to Spain. And so now I wanted to suggest that you should
-accompany us. You want a little change after what has happened; we may
-perhaps stay abroad right through the winter. When you get tired of it
-you can leave, and then there will be time enough to go and live by
-yourself. With my wife I dare say you will get on very well, she is
-very good company, a real Française. What do you think of this plan?”
-
-Eline looked at him confusedly with her tearful eyes. Yes, it was very
-true she needed change, and she should travel about right through the
-winter! And at that thought it was as if a flood of sunshine had
-suddenly lit up the sombre darkness of her soul. No life without change
-Vincent had said.
-
-“I really do not know what to say, uncle,” she said with some emotion.
-“I am not very cheerful just now, and I fear you won’t find me pleasant
-company.”
-
-“That is nothing at all, my girl; when you find yourself in different
-surroundings, and see different faces, your ideas will change too.
-There is nothing so necessary in this life as change; we cannot live
-without it!”
-
-She started, and looked at him with a smile. It was as if Vincent had
-spoken! And she felt grateful, very grateful, for his kind offer, for
-his kindly voice. Yes, she consented, consented with gratitude.
-
-“You see, you can come and stay with us in Brussels for a few days
-first, and then we can go; we do a deal of travelling, and we do it
-economically, but without denying ourselves any pleasure. You see, we
-understand the art, and as for you—you have money enough, you are a
-good catch for anybody, aren’t you, eh?” he concluded smilingly.
-
-“I a good catch? My wealth is not very great, I can tell you, and I am
-no longer in the market,” she said with a little sad smile. “You see, I
-am getting old gradually; I’ve served my time.”
-
-He spoke to her as cheeringly as he could. Her trip would cure her of
-all those gloomy ideas. After Jeanne, whom Eline had called into the
-room, had been told of the plan, he left; he had still to pay a visit
-to the Nassauplein, to the Van Raats.
-
-Eline remained alone while Jeanne conducted him to the door. A
-multitude of thoughts rushed through her brain, like showering
-rose-leaves, like sparks of sunshine, like glittering bubbles of soap.
-She looked out of the window at the great clouds of dust which the wind
-blew up from the paths and roadways. And she turned away shuddering at
-the grave tints of autumn that met her gaze, when all at once her eye
-fell on Frans’s diary, which was hanging on the wall, with the date
-15th November distinctly visible.
-
-Great heavens! that was the very day which only a few months ago Otto
-and herself had fixed upon as—their wedding day! Her gaze was as
-transfixed on those black figures. A wild, a hopeless grief and remorse
-suddenly overwhelmed all her new bright happiness, and savagely she
-flung herself into her big chair and sobbed as if she would sob her
-very life out.
-
-
-
-The news soon spread; the Eekhofs, the Hydrechts, and the Van Larens
-repeated it to one another; Eline Vere was going abroad with her uncle,
-Daniel Vere, who lived in Brussels and had only been married a year.
-
-
-
-
-
-
-
-
-CHAPTER XXVI.
-
-
-Her head languidly resting against the red velvet cushions, Eline was
-seated alone in the ladies’ coupé. She listened mechanically to the
-rattling of the wheels along the rail, and it seemed to her as if she
-heard a nervous tattoo in that monotonous hard melody of steel and
-iron. Once or twice she took her handkerchief and wiped the glass to
-have a glance outside, where the gray evening shades were falling, and
-an opaque mist was rising over the meadows. In a few minutes she would
-be in the Hague, in the Hague, where now she had not been for eighteen
-months, and after her continuous wanderings the place seemed dear to
-her now, a place where yet she might find something of a home.
-
-For eighteen months she had been travelling, and in all that time she
-had lived with strangers without the smallest spot that she could call
-her own. The changeful life she had led made the time pass rapidly;
-change, ceaseless change had been hers. New cities, new scenes, new
-people, wherever she went, until she was tired, dead tired of all this
-variety. Now she longed for rest and calmness, for a long dull period
-of slumbering repose, free from dreams and free from sorrows.
-
-Something of a home! Should she indeed find that, with that sad, aged
-woman who loved her, but who did not understand her as she was
-now—quiet, sadly quiet, and tired, utterly tired of her young life? For
-henceforth she would be sad and quiet and tired of it all, she would
-not again excite herself to an artificial glitter of gaiety, as she had
-been forced to do among the strangers with whom she had sojourned.
-
-She heard the shrill whistle of the engine, and the lights that
-glimmered through the mist grew in number at every moment. She was
-approaching the Hague slowly. She rose, arranged her hat and her veil,
-placed her book and her scent-bottle in her leather satchel, and sat
-waiting, looking somewhat thin and worn, her face sallow and emaciated,
-her eyes dull and sunk deep within their sockets. She sat waiting until
-the train glided into the station and came to a stop.
-
-Her heart beat and the tears glistened on her lashes. Through the
-steam-covered glass, in the dull glow of the gas-lights, she could see
-the busy turmoil of the station, and she heard the loud voices of the
-guard calling out—
-
-“Hague, Hague!”
-
-The carriage-door was opened; she rose, her portmanteau, her rug and
-sunshades in her hand. Amid the rushing to and fro of the travellers
-her eyes sought Paul; she knew that he was coming to fetch her, and she
-gave a sudden start when she saw a familiar burly form make his way
-through the crowd and approach her.
-
-“Henk!” she cried.
-
-He helped her out and she nearly fell into his arms, while Paul, who
-followed him, relieved her of her luggage.
-
-“Elly—my child! Elly, dearest!” said Henk in a choking voice, and
-gently he kissed her, while she lay her sobbing head on his shoulder.
-She scarcely heard Paul’s greeting, and quite mechanically she held out
-her hand to him. A wild sob escaped her. But Henk still spoke on, he
-took her arm and led her to the front of the station where his carriage
-was waiting. She let him lead her, full of undefined thoughts, full of
-a vague sadness, and she leant on his hand and stepped into the
-carriage.
-
-“We shall wait for Paul a moment,” said Henk, who took his place beside
-her.
-
-She did not answer, but lay back in the cushions and covered her head
-with her hand.
-
-“I did not expect to see you, Henk; it’s very kind of you, very kind
-indeed,” she at last was able to say. He gently pressed her hand, and
-leaned his head out of the window. Paul was approaching.
-
-“All the luggage is right,” he said, and sprang into the carriage.
-“Well, Elly dear, I am glad to see you again.”
-
-The footman closed the door and the carriage rolled away. Paul said
-nothing more, neither did Eline or Henk. By the light of every gas-lamp
-they passed, Paul saw Eline lying back in the cushions motionless, her
-hands covering her face, her bosom heaving with sobs, and they remained
-silent.
-
-
-
-It was past ten when the carriage drew up in front of the house in the
-Laan van Meerdervoort. The footman rang the bell, the door was opened,
-they stepped out. In the hall stood Madame van Raat, trembling with
-emotion, and Eline rushed towards her and flung her arms round her
-neck.
-
-“Dear, dear little madam! dear little mother!” she sobbed, “you will
-have me stay with you, won’t you?”
-
-The old lady wept like a child, and took Eline’s arm and led her into
-the dining-room; the table was laid, and supper was waiting.
-
-“Oh, what a dear old darling you are!” cried Eline. “I am so glad, so
-glad that I may come and stay with you.” She clasped the weeping old
-lady in her arms, and Madame van Raat made her sit down on the sofa,
-and sat down beside her with her arm round her waist. What a time it
-was since she had seen Eline, and how was she looking now? All right?
-“Oh yes, yes, I am quite well,” cried Eline, and kissed her again and
-again.
-
-But the old lady undid Eline’s veil, and helped her to remove her hat
-and her cloak. And oh, very soon she saw—that emaciated frame, those
-hollow cheeks, those dull eyes.
-
-“My child,” she cried, unable to contain herself, “my child, oh, how
-changed you are, how bad you look!”
-
-Eline embraced her passionately, and hid her glowing little head in the
-old lady’s bosom.
-
-“Oh, you must not take any notice of that, I am a little tired of
-travelling—perhaps I look a little pale, eh? Really you shall see, when
-I’ve been with you a little time again, I shall look as fresh as a
-daisy.” She smiled at the old lady through her tears, and kissed her
-repeatedly, now her cheeks, then her old shrivelled hand.
-
-Henk and Paul entered, and they too were touched by Eline’s altered
-appearance, but although it alarmed them, they said nothing. The old
-lady could not keep her eyes from Eline; she wiped her eyes, and asked
-Eline whether she would not like to wash her hands.
-
-“No, never mind,” cried Eline; “I feel a little dusty, but it does not
-matter. Oh, Henk, my dear old Henk.”
-
-She motioned Henk towards her, made him sit down by her side, and
-clasped his big head in her little hands.
-
-“Aren’t you—aren’t you angry with me any more, Henk?” she murmured
-close to his ear.
-
-He bit his lips with emotion. “I never was—angry with you,” he
-stammered with a choking voice. She kissed him, then released her hold
-of him, gave a sigh of relief, and cast a long glance around her. Yes,
-she had found something of a home.
-
-They sat down at table, but Eline had no appetite; she just touched her
-soup, but eat she could not at all. But she asked Paul to fill and
-refill her glass, for she was thirsty. The wine and her emotion brought
-a blush to her sallow cheeks, and when the old lady asked her why Uncle
-Daniel had not brought her home, she laughed, a loud and nervous laugh.
-Oh, she could very well journey from Brussels to the Hague by herself;
-uncle wanted to take her, but she refused his escort, she was so used
-to travelling now. Nothing was easier than travelling, she need only
-pack her trunks, ask a few questions here and there, and take her seat
-in the carriage. Why, it was nothing.
-
-Quickly and nervously she spoke on, her glass, which she repeatedly put
-to her lips, clasped in her hands. She spoke about her life in Paris,
-in Bordeaux, and in Spain. Ah! Spain, there she lived again. Spain! the
-land of romance, the land of ancient Moorish chivalry and elegance. As
-for Granada and the Alhambra it was grand, magnificent; to the
-bull-fights she would never go, although Elise had laughed at her, but
-she could not stand it, such a dirty thing to see those dead, mangled,
-bleeding beasts.
-
-Paul laughed, and she laughed too, and pitied the poor bulls, and still
-she spoke on; the old lady continually urged her to eat something, but
-she refused.
-
-“Really not, little madam, really not, thank you. I can only drink a
-little, I’m so thirsty. May I have another glass?”
-
-“Can you take so much wine, child?”
-
-“Oh yes, it makes me sleep beautifully. If I don’t take wine I lie
-awake all night, and that is so wretched. Cordova is a beautiful city
-too, there is such a grand mosque there.”
-
-And she allowed herself to be driven forward along the nervous stream
-of her travelling impressions. Why did not Paul travel more than he
-did? if she were a young man and had money, she would always travel,
-always. Long journeys would she make, from New York to San Francisco,
-and then by sea to Japan, all over the world. How beautiful! It was
-splendid, splendid in a railway carriage, she could pass her life in a
-train! The old lady shook her head, gently smiling at her enthusiasm.
-
-“But nicer still than all it is to come and live with you here, my dear
-little madam, my little dot,” she cried; and with sudden impetuosity
-she embraced the gray-haired old lady.
-
-After supper Madame van Raat suggested that Eline should go and take a
-little rest in her room. Eline agreed, but little madam was to stay
-with her—would she? Paul had an appointment with some friends, and took
-his leave, and Henk too rose.
-
-“May Betsy come and see you to-morrow?” he whispered a little
-anxiously. She smiled and looked at him questioningly, pressing his
-hand.
-
-“Certainly,” she replied; “kiss her for me, will you? And how is Ben,
-has he grown much?”
-
-“Oh yes, he is an immense boy. You shall see him to-morrow. Well,
-good-bye, Elly, good-night.”
-
-“Good-bye, Henk, till to-morrow.”
-
-Henk left, and Madame took Eline up-stairs to her room.
-
-“For the present I cannot give you a sitting-room, Elly,” she said on
-the staircase, “at least so long as Paul is with me.”
-
-“Where does he think of going to then?”
-
-“He wants to live by himself; that is best too for a young man, is it
-not? But your bedroom is a very large one, you know that room next to
-mine?”
-
-“Oh yes, I remember, ’tis a splendid room.”
-
-In her room the gas was lit, and the French windows were open, so that
-the cool evening air blew inside. Eline coughed a little when she
-entered.
-
-“’Tis rather cool, I shall close the window,” said the old lady.
-
-Eline looked about her in astonishment, and her eyes grew moist.
-
-“But, little madam, little madam, what have you done?” she exclaimed
-with emotion.
-
-For wherever her eye went she saw some souvenir of her rooms on the
-Nassauplein. There was her Psyche yonder, her toilet dishes; in this
-corner her writing-desk, her letter-rack; there hung her Venetian
-mirror; round about her in tasteful profusion her statuettes were
-arranged; while almost the only thing that was new in the room was the
-big bedstead, on which the dark blue curtains were suspended like a
-baldaquin from the wall.
-
-“Does it suit you?” asked Madame van Raat. “I thought you would like
-your own things best; but, child, what is the matter now, what are you
-crying about?”
-
-She allowed Eline’s arms to encircle her, and Eline wept on her
-shoulder and kissed her again and again. The old lady made her sit down
-on the couch, and sat down beside her, and Eline still leaned against
-her as a weeping child leans against her mother.
-
-“Oh, now, now at last I begin to feel the luxury of rest,” she said
-wearily, “for I am so tired, so tired.”
-
-“Shall I leave you alone then, if you want to sleep?”
-
-“No, no, stay, do stay here; it is not the five hours in the train that
-has made me tired. I am tired, tired of everything, and that sleep will
-not cure; but still now I feel that I am resting, not because I am
-sitting down, but because it is on you that I am leaning, and because I
-know that you care for me. You see I needed it so much—in all this
-travelling, among all those strange people—I needed somebody upon whom
-I could lean, somebody who would give me a little, a very little love
-and affection, but it was all so cold, so deadly cold around me, with
-all the kindliness and courtesy. Uncle Daniel too is just like all the
-rest, very friendly, very kind, very polite, but so cold. With Elise I
-was always having some joke or another, all about her is light and airy
-as foam, but she too is cold, cold and cynical, and with all those
-strangers I was always obliged to be on my friendliest behaviour, and
-always smiling, for who would have cared to be bothered with a guest
-who was not jolly? And where was I to go to, if I did not lodge
-somewhere or was on my journey?”
-
-“But, child, you could always have come to me, and I should have
-written to you before this if I had thought you were so unhappy, but I
-always imagined that you were very happy indeed.”
-
-“Happy!” groaned Eline, “yes, happy as a horse that cannot go further,
-and is driven along by blows and kicks;” and she laughed, a laugh of
-bitter sadness.
-
-Her laugh cut into Madame van Raat’s soul like a knife. The tears
-sparkled in her dulled eyes and she could not speak, she could only
-clasp Eline closer to her breast.
-
-“Yes, that’s right, hold me close to you,” murmured Eline softly. “This
-is rest, rest indeed—my dear, dear old pet.”
-
-Thus they remained seated for a long time, and neither of them spoke
-another word until the old lady insisted that Eline should try and
-sleep. She would stay close to her, Eline need but open a door, and she
-would be with her.
-
-“If you want anything say so, or you will ring, won’t you, child? Do
-exactly as if you were at home. Ask for whatever you want.”
-
-Eline promised she would, and the old lady left her. But Eline’s heart
-was still too full for her to retire to bed at once. She glanced around
-her, and in every nook, in every corner, she recognized her own vases,
-her plates, and her photos. Then her glance fell upon a Japanese box on
-the table. Her little bunch of keys was lying beside it, she took it
-up, found the right key, and opened the box. In it there were a number
-of letters discoloured with age—letters from old schoolmates, letters
-from Aunt Vere, written at a time when she was at boarding-school. The
-former she would tear up, for she felt no longer an attachment for the
-gushing professions of girls whom she never saw, and whom she had
-forgotten as they had forgotten her. A letter or two she found also
-from her father—her father who had been so dear to her—and she kissed
-the paper with veneration as though it had been sacred. But all at
-once, while she was arranging her papers, there fell from those
-discoloured pages a small piece of cardboard. She stooped, picked it up
-from the floor—and she turned white as a sheet, while her eyes stared
-wildly in front of her.
-
-“Oh!” she groaned, as if an old wound had suddenly been opened. “Oh, oh
-heavens!”
-
-It was a small portrait of Otto’s. How did it come there, among all
-those old letters? Ah, yes, she remembered, it was the proof of a
-photograph which once he had had taken for her. The portrait itself,
-which during her engagement she had constantly carried about her, she
-had returned him, together with his other presents, with the Bucchi
-fan. This little proof had got lost among her letters, and she had
-never given it another thought.
-
-“Oh!” she groaned again. “Oh!”
-
-She wept, she sobbed, she pressed the portrait to her lips. That little
-proof was now her greatest treasure, and for ever—yes, for ever—she
-would carry it about her, it was the only thing that was left to her
-out of her great happiness, that happiness that had slipped from
-between her fingers like a precious bird. And this was the only little
-feather it had left behind.
-
-“Otto—Otto,” she murmured. And her tears and kisses covered the little
-piece of cardboard.
-
-
-
-In her own room Madame van Raat still sat meditating. Sadly, her eyes
-full of tears, she shook her head. How was it possible, while she had
-been so long happy with her husband, that her dear little Elly had
-known so little of real pleasure? and in her piety—the piety and
-childlike faith of a simple heart, a heart full of gratitude for that
-which once had been granted it—she folded her shrivelled hands and
-prayed, prayed for her dear little Elly, prayed that she might be
-happy.
-
-
-
-Next morning, at the breakfast-table, a sudden impulse moved Eline.
-
-“Little madam,” she began in soft, trembling tones, and she laid her
-hands on that of the old lady. “Little madam, I wanted to ask you
-something. Do you see anything of Erlevoort now?”
-
-The old lady looked at her as though she would fain have guessed
-Eline’s thoughts, but she could not gather anything from those feverish
-eyes, from those nervously-moving fingers.
-
-“What makes you ask that, Elly?”
-
-It was the first time that she had spoken to Eline about Otto since the
-breaking of her engagement.
-
-“Oh, I should so like to know if it affected him much, and if he’s
-happy now. Do you never meet him?”
-
-“I have met him once or twice at my brother-in-law’s on the
-Princessegracht.”
-
-“How does he look?”
-
-“He is not much changed, he may have aged a little perhaps, but it is
-not very noticeable. He is certainly a little quiet and rather gloomy,
-but then he was never very boisterous, was he?”
-
-“No,” murmured Eline, brimful of past memories.
-
-“He is not in the Hague now; he is at the Horze, I believe.”
-
-“Have I driven him away, I wonder?” thought Eline, and with an effort
-to make it appear as though the interest she took in him was for his
-own sake, not for hers, she softly said, “Then I suppose he has got
-over it; there is nothing I should like better than to know him to be
-happy, he deserves it. He is a very good fellow.”
-
-The old lady said nothing, and Eline could with difficulty keep herself
-from crying. Oh, was it not terrible that even before her dear old
-little pet she was obliged to do violence to herself and be a
-hypocrite? Oh, what a hollow sham it all was! She, she had always
-shammed, to her own self as well as to others, and she still shammed
-now. So inured had she grown to her shamming and hypocrisy, that now
-she could not do otherwise.
-
-“And now there is something that I want to show you, which I hope you
-will like,” said the old lady, who guessed something of Eline’s
-sadness; “follow me.” She led her down-stairs, and opened the door of
-the drawing-room.
-
-“You know I used to have such an old cripple of a piano, because, you
-see, it was only for Paul, who jingled a little on it to study his
-singing, but now just look here.”
-
-They walked inside, and in the place of the old cripple they found a
-brand-new Bechstein; her music-books in their red and gilt bindings lay
-on the top.
-
-“It will suit your voice splendidly, the tone is so clear.”
-
-Eline’s lips trembled and twitched nervously.
-
-“But, madam,” she stammered, “why did you do this—oh why, why did you
-do it? I—I don’t sing any more.”
-
-“Why, why not?” asked the old lady, quite alarmed.
-
-Eline with a sigh threw herself in a chair.
-
-“I may not sing any more,” she exclaimed almost bitterly, for the new
-piano most cruelly awoke the memory of her splendid voice of former
-days. “The doctors whom I consulted in Paris have forbidden me; you see
-I have been coughing all the winter, and it is only lately that my
-cough has been less. During the last two winters I have coughed
-continually, and had such a pain here on my chest. In the summer-time I
-am quite well.”
-
-“But, child,” said the old lady anxiously, “didn’t you take good care
-of yourself then, while you were abroad?”
-
-“Oh yes, the Des Luynes recommended me to some specialists in Paris,
-and they sounded and tapped me and knocked me about until I was tired
-of it; besides that, I was constantly under treatment of two regular
-doctors, but in the end I had enough of it. They did not cure me, while
-they told me I should always have to reside in a warm climate. But I
-could not remain vegetating all by myself in Algiers, or Heaven knows
-where, and Uncle Daniel had to return to Brussels; so you see,” she
-concluded with a little nervous laugh, “I am a hopeless wreck in every
-way.”
-
-The old lady pressed Eline’s head to her bosom, with the tears
-glistening in her eyes.
-
-“’Tis a pity, because of the nice piano,” said Eline, releasing herself
-from the old lady’s embrace and seating herself nervously at the piano.
-“What a full clear tone, how rich and beautiful!”
-
-Her fingers glided quickly along the notes, the tones seemed to sob
-with grief at that voice that was lost. The old lady looked on sadly,
-she had nursed herself in the belief and hope that Eline would sing
-with Paul; that Paul, attracted and charmed by the music, would stay
-much at home in the evening; that a melodious sweet sociability would
-once more fill her lonely, silent rooms; but all she heard was the loud
-sob-like notes as they came from under Eline’s fingers, the weeping dew
-of a chromatic bravura, and the great running tears of painful
-staccatos.
-
-“Yes, I shall practise my piano playing. I never was a great pianist,
-but I shall do what I can; you shall hear some music, dearie. What a
-tone, what a beautiful clear tone!”
-
-And the clear, liquid notes followed one another as in a flowing
-torrent of grief.
-
-
-
-In honour of Eline, Paul took care to be home for coffee. In the
-afternoon Madame Verstraeten came with Marie, and they were followed by
-Emilie de Woude. Eline received them cordially, and showed herself
-pleased to see them. A strange feeling came over Marie now that she
-heard and saw Eline once more; something of a fear it was, a misgiving,
-whether Eline would also discover any change in her; but Eline did not
-seem to notice anything, and talked on; she talked about her travels,
-about the cities she had visited, about the people she had seen, talked
-on continuously with nervous rapidity, the thoughts rushing closely one
-after another. She could not help it, it was the nervous state in which
-she existed just now, a nervousness that overmastered her wherever she
-might be, and ever kept her fingers in motion either crumpling up her
-handkerchief, plucking at the fringe of the tablecloth, or swaying the
-tassels of her fauteuil backwards and forwards. Her elegant languor,
-her graceful calm of former days was completely gone.
-
-About four o’clock the drawing-room door was opened, and Betsy entered,
-leading Ben by her hand. Eline rose and hurried towards her to hide her
-confusion under a show of cordiality. She embraced her sister
-impetuously, and fortunately Betsy found some appropriate words to say.
-Then Eline overwhelmed Ben with her kisses. He was a big boy for his
-five years, but in his eyes there was that undefinable, sleepy
-expression common to a backward child. Still a happy memory seemed to
-steal over him, for his little lips opened into a glad smile, and round
-Eline’s neck he flung his little chubby arms and kissed her. After that
-neither of the sisters seemed to desire any very confidential
-conversation, and Betsy left, together with the Verstraetens and
-Emilie, and Eline did not press her to stay. Both of them felt that no
-closer tie than one of mere conventionality bound them together. During
-the last eighteen months they had not seen each other, and now that
-they did meet it seemed to them as though they were strangers, who made
-a show of politeness and cordiality, saying all kinds of nice things,
-while a chill indifference filled their hearts.
-
-
-
-
-
-
-
-
-CHAPTER XXVII.
-
-
-Some weeks had passed by, and Madame van Raat was beginning to feel
-very uneasy about Eline’s health. She wrote to Dr. Reyer, and he had
-visited Eline. Madame van Raat, who was present at his visit, did not
-form a very great opinion of the ability of the dapper little doctor,
-who talked about nothing but Paris and Spain, and seemed only to have
-come to have a little chat. When two days later Reyer repeated his
-visit, she received him somewhat coldly. She left the doctor and
-patient alone together for a moment. Reyer rose somewhat in her favour
-when, after he had gone, Eline told her how carefully Reyer had
-examined her. Then, after all, he did have an intelligent idea of
-Eline’s condition, thought the old lady; and under his graceful
-elegance she discovered Reyer’s firmness of will and strength of
-character, and with it the belief in his skill too grew fixed in her
-mind. At his third visit, after he had left Eline, she took him aside.
-He told her frankly that he would not mislead her, that he would tell
-her the whole truth. Eline had the germs of pulmonary consumption, the
-consequence of a severe cold which had been neglected. He would exert
-his skill to the utmost in his endeavours to destroy that germ, but
-beyond all that he had discovered something in Eline, something which
-he might call the fatal taint of her family. Eline’s father had
-suffered from it, so did Vincent. It was a soul-disturbing unrest of
-the nerves, which were like the tangled chords of a broken instrument.
-He would not presume to more skill than he really possessed; it was not
-in his power to renew those chords, or to tune them so that they should
-once more produce an harmonious tone. The delicate fibres of a flower,
-which a too rough handling had bruised, it was not for him to infuse
-with fresh sap and renewed vigour. That was a task which Madame
-understood better than he. She could tend and nurture that flower, she
-could handle Eline so delicately, with such gentleness, that, chord for
-chord, she might yet call back into her prematurely-wasted frame the
-whilom vigour of her youth. Calmness, loving care, these were the
-remedies of which Eline stood in need; then with the approach of
-winter, a milder clime than that of Holland.
-
-The tears came into Madame van Raat’s eyes as she listened to him; when
-he left she pressed his hand cordially, full of grateful sympathy, but
-the task which he had given her weighed heavily on her shoulders. She
-feared that Reyer had overrated the power of her affection for the poor
-child; she inwardly suspected that a love other than hers was necessary
-to draw forth sweet melody from that soul which was now so sadly out of
-tune.
-
-At his next visit Dr. Reyer insisted that Eline should try and find
-some occupation that would bring some life into that languid melancholy
-to which she had given herself up from morning till night. Eline found
-an excuse for her idleness in the warm summer weather; but now that the
-leaves were falling, now that the cool winds of early autumn began to
-blow refreshingly in her face, it seemed to her that she breathed anew,
-and she felt much more cheerful, and declared her determination to seek
-some occupation. Madame van Raat continued to look at her with great
-anxiety, for with Eline’s renewed vivacity her cough had also
-returned—a dull, hacking cough, which sounded as though it would choke
-her. In the meantime she now dressed herself with a little more care
-and taste than she had done during the past summer, and she practised
-industriously on her new Bechstein; but music alone did not satisfy
-her, she needed another occupation, and that she now sought elsewhere.
-Although she somewhat neglected her former acquaintances, she still met
-them occasionally in Betsy’s drawing-room. While there one evening, out
-of sheer ennui she arranged with an old lady, a Miss Eekhof, an aunt of
-Ange and Léonie, to go with her on the following Sunday to the French
-Church. Eline went; a new preacher with great black dreamy eyes and
-white aristocratic hands preached that day. She returned home in
-ecstasy, and told Madame van Raat excitedly about the eloquent sermon
-to which she had listened. She inwardly regretted that a Protestant
-Church was so cold, so empty, so bare, that the singing was so bad;
-gladly she would have been a Catholic; on an Ave Maria, or on a Gloria
-in Excelsis, her soul would have risen on high as on the wings of
-melody; at the holy transfiguration, in the mystic glamour of the
-altar, she would have trembled with glorious fervour, while the incense
-would have imbued her very being with a flavour of theatrical piety.
-But she was not a Catholic, and she consoled herself with her French
-Church; she now went there frequently with Miss Eekhof, until it became
-a regular habit with her, and she occupied a fixed seat. The
-acquaintances she met there she greeted with a serious little face,
-with soft dreamy eyes and a melancholy droop about her little mouth,
-and every one began to wonder at Eline’s new piety. Miss Eekhof was on
-the committee of several charities, and it needed but little persuasion
-on her part to induce Eline to enrol herself as a member of some of
-them, and many a time Miss Eekhof persuaded her to accompany her on her
-visits to the poor.
-
-For a month or so she found a pleasure in this new piety, then the
-monotony of the preacher’s unctuous words began to pall on her, and she
-could tell beforehand how he would lift up his eyes at the singing, or
-what movement he would make with his white hand when he pronounced the
-benediction. The singing quite unnerved her, hearing it rising as she
-did from so many hoarse, uncultivated throats. The plain white walls,
-the simply-constructed pulpit, and the wooden pews began more and more
-to irritate her; she began to suspect that all these people who had
-come there to be edified were really a set of hypocrites. The pious
-fervour of the preacher was a sham; the dignified bearing of the elders
-was a sham. Miss Eekhof by her side, she too was shamming; and she
-herself, with her soft melting eyes and her serious face, what was she
-but a sham!
-
-Through Miss Eekhof she heard of many a tiff, many a petty dispute
-among the lady directors of the different societies, and of their good
-intentions she now too began to doubt. Oh, she hated that philanthropy,
-which was a cloak for so much jealousy and envy, and she could no
-longer believe in the sincerity of those ladies, not even of those who
-had moved her to sympathy; every one of them shammed and had some
-motives of her own, every one was an egoist and thought only of
-herself, under the cloak of working for others.
-
-And after that first month she felt thoroughly disgusted with the poor
-people whom she had visited with the old lady. The stuffy closeness of
-their dirty little rooms, their wretchedness and misery, seemed to
-choke her very breath. Indeed, she would have been suffocated had she
-but been forced for one single day to breathe such an atmosphere, and
-as she mistrusted the lady managers, so she mistrusted the poor.
-Stories of wealthy beggars rose to her mind; she had read of beggars
-living in London who were as rich as bankers, and who spent their
-evenings in feasting and pleasure; and although she remained a member
-of the different societies, and often enough gave Miss Eekhof some
-money for an ailing widow or a blind old organ-grinder, she no longer
-went to church, nor to these dirty people.
-
-Winter approached, and on account of her cough Eline remained at home a
-good deal with Madame van Raat; in dull listlessness the days dragged
-by, one after another without change, without a break in the monotony;
-for the hundredth time Eline asked herself to what end she lived, why
-indeed should she live if she could not be happy. After this
-disappointment in her own philanthropy and piety she would trust no
-one; she looked around her, and she did not believe that Georges and
-Lili cared for each other now that they were married, or that they were
-happy; no doubt they were deceived in each other, and now they shammed
-so as to hide it. She did not believe that Betsy was happy although she
-was rich, for how could it be possible that she cared for Henk, and did
-not long for a more passionate love? And now she did not believe either
-that Otto had ever loved her; how could he, seeing that his character
-was so entirely different from hers? At one moment even her suspicion
-grew so intense and so all-absorbing that she no longer believed in
-Madame van Raat’s unselfish affection for her. Madame van Raat had
-hoped to find in her an agreeable companion, and now no doubt she was
-disappointed. Yes, Madame van Raat shammed as all the others shammed.
-At one time such bitter feelings as these would have driven Eline to
-despair, but now so much bitterness had already entered her soul, that
-even those feelings could no longer irritate her; she remained quite
-indifferent under them. What did it matter to her that life was one
-great lie? it was so, and could not be helped, she could not alter it.
-She must play her part, and lie like all the rest of them.
-
-At least, when she could not do otherwise, when they excited her to
-emotion, to “life”; for as long as they did not, she would lie down,
-lie down in her blank indifference as in a deadening rest. Thus she
-thought, and forced her youth to stoop under the yoke of that apathy.
-To it she gave herself up completely, she even lost her charm of
-manner. Among her acquaintances she no longer excited any pity, and
-gradually she grew quite rude and disdainful; she got into the habit of
-staying in bed the greater part of the morning, and although Madame van
-Raat disapproved of it, she nevertheless had Eline’s breakfast taken to
-her, because otherwise she would not breakfast at all.
-
-Eline felt well enough that she could not go on leading this kind of
-life; something she could not have described continually irritated her
-in Madame van Raat and in her house. Involuntarily Eline allowed her
-peevish fits to overmaster her, so that she addressed the old lady in
-words of passionate irritation. Then the old lady would merely look at
-her with a sad expression, and Eline felt at once how wrong she was.
-Sometimes she was too proud to acknowledge it, and then she had a
-sulking fit which perhaps lasted a day or two, and during which she
-scarcely spoke a word. At other times, again, she was so brimming over
-with remorse that she would sobbingly throw herself upon her knees, lay
-her head in the old lady’s lap, and beg for her pardon. No, little
-madam should not take notice of her wretched fits of temper. She could
-not make them out herself, and she could not control them. Oh, they
-were like so many demons, who dragged her away against her will
-wherever they would have her. The old lady wept as well, kissed her,
-and the next day the same demons dragged Eline along with them. No, it
-would not do, thought Eline. She wrote a long letter to her Uncle
-Daniel and Elise. She wrote that, loving and affectionate as Madame van
-Raat was, she felt very unhappy, and that she would die with melancholy
-did she stay there—she longed for other surroundings.
-
-Uncle Daniel came to the Hague, and asked Eline in the presence of the
-old lady if she had quite forgotten the family in Brussels, and if she
-would not like to pay them a visit.
-
-Eline did not know what to decide, but the old lady herself urged Eline
-not to refuse her uncle’s invitation, and go to Brussels. When Daniel
-Vere had left, Madame van Raat, as though crushed under a heavy
-disappointment, remained seated motionless on her chair; and her gray
-head, with its dull, staring eyes, drooped with even more than its
-wonted languor upon her chest. In two days Eline would leave her; there
-was the end then of all her expectations. She had hoped, old and weak
-as she was, to be of some use to this young life, and to infuse a fresh
-vigour into this dulled youth, and—and she guessed it—Eline grew more
-and more listless; Eline longed for change. How could she, old woman
-that she was, have had such presumption?
-
-Eline did not fail to notice this silent grief, and a great despair
-overmastered her, a despair at her own egoism. She had not given a
-thought to the old lady when she wrote to Uncle Daniel, it was only of
-herself that she had thought; and now she caused the old lady pain by
-her departure, while she felt convinced that she, after her change of
-residence, would remain the same as she, faded in body and soul, had
-now been for the last two years, and, amid nervous sobbing, fell back
-on the sofa, to rise again immediately in a wild, indefinite terror.
-Her eyes glittered wildly, and her fingers were constantly moving,
-touching a vase here, tangling the fringe of the curtains, or
-scratching fantastic figures on the bevapoured window-panes. It seemed
-to her suddenly as if she had just awakened from a dream, and the
-memory of what had passed before completely forsook her.
-
-“I suppose you did not understand me?” she asked doubtfully of the old
-lady, whose sad glance had constantly followed her.
-
-“I—I think—I did!” stammered she, inwardly shocked at the picture of
-lost happiness which Eline presented.
-
-Eline looked at her with a vacant stare; for a moment she felt a great
-regret at her confession, of which she scarcely longer remembered the
-words. But the sympathy beamed from the old lady’s eyes reassured her.
-
-“You did understand me? You understand why it is that I can no longer
-be happy?” she asked in a voice of bitter sadness, as once more she
-sank down on her footstool.
-
-The old lady did not answer, but, with her eyes full of tears, she
-threw her arms round Eline’s neck and kissed her. Both remained thus
-for a moment in silence.
-
-“And can you now forgive me for leaving you?”
-
-“Oh, why do you not stay with me?”
-
-“I’m a trouble and a sorrow to you. I do not give you the slightest
-pleasure. I can do nothing for you, and you can do nothing for me.”
-
-Yes, indeed, it was too true. The old lady could do nothing for her—no
-one could.
-
-
-
-They found nothing more to say to each other. Both understood well
-enough that they could render each other no help in bearing the burdens
-of life, that neither could be of any comfort to the other. But now the
-old lady began to doubt, too, whether even Uncle Daniel or Elise could
-be of any comfort to Eline. And though they said not another word,
-still the old lady sat there with Eline clasped close to her bosom.
-
-It grew dark, and a cheerless chill began to fill the rooms. Sombre
-shadows were descending in every corner behind the draperies and along
-the walls. The old lady shivered with the chill atmosphere, but she did
-not rise to ring the bell for the servant to look after the dying fire,
-for Eline had fallen asleep with her head resting on her shoulder. Were
-it not for Eline’s heavy breathing, Madame van Raat would have thought
-that death had overtaken her. The waxen pallor of those emaciated
-features was like unto the dew of death.
-
-Eline slept on, and it grew chiller and chiller. The old lady glanced
-at the stove; not a spark of fire was to be seen. Slowly she removed
-the woollen pelerine from her shoulders, and gently spread it over
-Eline’s sleeping form.
-
-
-
-
-
-
-
-
-CHAPTER XXVIII.
-
-
-A month had passed, during which Eline had been living a life of
-semi-lethargy, of languid indifference, at the house of her uncle in
-the Avenue Louise at Brussels. Her cough was still very troublesome,
-but she felt herself comparatively at ease in her surroundings. Elise,
-though she chattered somewhat, seemed rather to like her; and Uncle
-Daniel, though he was somewhat cold in his studied politeness, was very
-amiable also. Sometimes, indeed, a suspicion rose to her mind that they
-shammed as every one in the Hague had shammed, but she would not stop
-to analyze this doubt; she was satisfied to allow her brain to be
-gradually enveloped by the lethargic indifference which was more and
-more becoming a part of her very being.
-
-Quite unexpectedly one day Uncle Daniel received a letter from Vincent
-Vere from New York. They were not in the habit of corresponding, and
-uncle was somewhat surprised. Eline, whose correspondence with her
-cousin had not been of very long duration, now that his name sounded so
-unexpectedly in her ears felt her interest in him revive; she was very
-anxious to know what the contents of his letter might be. Perhaps he
-asked for money.
-
-But in this Eline was mistaken. Vincent asked for no money, nor even
-for a recommendation or any help whatever. He simply wrote that he
-intended to take a trip to Europe with his friend Lawrence St. Clare,
-and they would visit Brussels. This letter roused Eline somewhat from
-her mental lethargy. She called to mind how Vincent, languid and weak,
-had reclined on her sofa in his Turkish dressing-gown, and how she had
-tended him. With this memory the thought of Otto became mingled, and
-with nervous agitation her fingers played around the black enamelled
-locket of her chain. Had she not fancied that Vincent loved her and
-that she loved him? Were any of those feelings now still remaining in
-her heart? No, those feelings were gone—vanished like birds that had
-flown away. Uncle and Elise talked a little about Vincent, and then
-remained silent; but Eline, though she said nothing, thought a great
-deal about him and his American friend.
-
-
-
-After a week or two Uncle Daniel received a second letter from Vincent,
-this time dated from Paris. In a few days the two young men arrived,
-and they remained to dinner. Uncle and Elise out of politeness asked
-them to make their stay in the house, but St. Clare refused—they had
-already taken their rooms at the Hôtel des Flandres.
-
-Vincent was not at all changed in his appearance and his movements, and
-Eline all at once remarked, when both of them were standing beside each
-other, and she saw her face reflected in the glass, how greatly she had
-aged. He in his elegant, gentlemanly attire was the same as he had been
-two years ago. His face even, beside her own yellow, emaciated
-features, seemed to her healthier than ever she had seen it before. She
-in her black lace, a material which she now constantly wore, with her
-drooping shoulders and her sombre, lack-lustre eyes, seemed a mere
-wreck of her former sparkling youth. Lawrence St. Clare made a very
-agreeable impression both on Eline and on Elise. With her ideas of a
-Yankee, Eline had rather fancied him somewhat boorish and rough—perhaps
-chewing, swearing, and eternally drinking whisky—and she was very
-agreeably surprised by his winning, easy manner. Tall, and of a
-powerful frame, with his full-grown beard, which fell upon his bosom, a
-certain pride gleaming from his eyes, not the pride of vanity, but one
-that denoted power and strength of will. Although formerly Eline had
-only now and then heard Vincent drop a word about St. Clare, it seemed
-to her now as though she had known him ever so long. His frank smile,
-his soft but penetrating eyes, charmed her and aroused her from her
-lethargy, and it suddenly struck her, when her glance went round the
-table, what a peaceful, calm, healthful truth beamed from him, by the
-side of which the studied politeness of her uncle, the airy
-effervescence of Elise, the misty melancholy of Vincent and of herself,
-seemed but vain, hollow hypocrisy and unhealthy sham. After dinner they
-took coffee in the large salon, and Eline felt herself contented in St.
-Clare’s company, and inwardly hoped that none of her other
-acquaintances would come and disturb the harmony. Yet she had not much
-conversation with St. Clare. Elise took him in tow altogether, asking
-him hundreds of questions about New York, Philadelphia, and other
-places. He answered her in French, and spoke slowly with a foreign
-accent, which charmed Eline. Vincent took both her hands in his and
-looked at her attentively. He was grateful to her for what she had one
-day done for him, and something like pity filled him now.
-
-“I am rather disappointed in you, Elly,” said he, as they sat down in
-the balcony. “You must try and get a little stouter; do you hear?”
-
-She laughed a little, and the tip of her little shoe moved about
-nervously among the soft white rugs.
-
-“It is nothing at all,” said she. “I have not felt at all so unwell
-lately. I have been much worse than this, and I am very glad to see you
-once more, very glad indeed. You know I always rather liked you.”
-
-She gave him her hand and he pressed it, and drew his fauteuil a little
-closer to her.
-
-“And what do you think of Lawrence?” he asked; “do you like him?”
-
-“Yes, I believe he is a very good fellow, is he not?”
-
-“He is the only man whom I have ever known upon whom one can depend.
-There is no one in the world in whom I have any confidence—no, no
-one—not even in you, nor in myself; but him—him I trust. What funny
-French he speaks, eh?”
-
-“He speaks it very nicely,” answered Eline.
-
-“You have no idea what he would do for any one to whom he takes,”
-Vincent continued. “If I told you what he has done for me, you would
-not believe me. It is not every one whom I should like to tell what he
-has forced me to accept, and even when I tell you about it I certainly
-feel a bit ashamed. You must know that in New York I was very ill
-indeed, in fact, all but dying. At that time I had a situation in a
-house of business with which he is financially connected. Well, he took
-me into his own house and tended me almost with as much care as you
-did. I really do not understand how I have deserved his friendship, and
-I do not know how I can repay. Still, I would do anything for him. If
-now there is a grain of goodness in me at all, it is his influence that
-has produced it. It was he who kept my place open for me while I was
-ill, but a little while ago he decided to do a little travelling. He
-did not know much about Europe, and he declared that my situation was
-really too hard for me. In a word, he invited me to accompany him. I
-refused at first, because already I was under such obligations to him,
-but he forced me, and at last I yielded. With the coming winter he
-intends to go to St. Petersburg and Moscow, and next summer he will
-wander about the south of Europe. You know I have always been fond of
-change, and have careered about a good deal myself, so no doubt I shall
-be of some service to him as a guide, but I have never travelled in
-such a style as this before. Wherever we go we have the pick of
-everything.”
-
-He paused, somewhat tired of his long whispering.
-
-“Has he so much sympathy for you?” said Eline softly. “How curious! I
-do not know him, of course; but I should say that his character is
-entirely in contrast with yours.”
-
-“So it is. You are right. Perhaps it is for that very reason that he
-likes me; at all events, he is always declaring that I am much better
-than others think me, and than I even think myself.”
-
-“Perhaps he finds you interesting as Elise finds me,” said Eline, with
-an involuntary sly little laugh. But now that she saw St. Clare
-approaching, she felt some self-reproach, as though she had wronged
-him. How could she compare the proud, manly truth that beamed from him
-with Elise’s airy coldness?
-
-Elise was very busy serving out her liqueurs, and she asked Vincent
-whether he drank Kirsch or Curaçao, or whether he perhaps preferred
-cognac. Vincent sat down by the fire, beside her and Uncle Daniel,
-while St. Clare seated himself by the window next to Eline.
-
-“And you are the nice little cousin, then, of whom Vincent has told me
-so much? The little cousin who nursed him so well?” he asked with a
-smile, as he placed his hands in his pockets, and with his clear, frank
-eyes looked penetratingly into Eline’s.
-
-“Yes, I am the cousin who nursed him,” she answered in French. She
-spoke very good English, but his French pleased her, so that she did
-not ask him whether he preferred speaking English.
-
-“That was at the Hague, was it not?”
-
-“Yes, at the Hague. He was then staying at my brother-in-law’s.”
-
-“And you were also staying with your brother-in-law, were you not?”
-
-It seemed as if he were trying to pump her a little; but the manner in
-which he did it had so little of indiscretion about it and so much of
-interest that she did not feel hurt.
-
-“Yes,” she answered. “Did Vincent tell you so?”
-
-“Yes, Vincent often spoke to me about you.”
-
-His words gave her the impression that he knew a great deal about her
-life. After her flight from Betsy’s house she had written Vincent, and
-no doubt St. Clare knew of it.
-
-“And you have travelled a good deal, have you not?” he continued.
-
-“Yes, with uncle and aunt. You also think of travelling, do you not?”
-
-“Yes, as far as Russia next winter.”
-
-Both were silent for a moment. It seemed to Eline as if they had much
-to say to each other, and did not know where to start. To her it seemed
-as if she had long known him, and now it appeared too that he knew her.
-They were no longer strangers to each other.
-
-“Do you care very much for Vincent?” she asked.
-
-“I like him very much. I feel much sympathy and pity for him. If his
-health had been more robust he would have made his mark. In him there
-is much energy and elasticity, and his views are very broad, but his
-physical weakness prevents him from giving his mind to any one thing
-and bringing it to completion. Most people misunderstand Vincent. They
-think him indolent, capricious, selfish; and they will not acknowledge
-that the explanation of it all is to be found in the fact that he is
-weak and ill. I defy the greatest and the best of us to be active and
-determined to turn his gifts and talents to good use if he is half
-dying with weakness.”
-
-This was a light in which she had never viewed Vincent. The only thing
-she could say was that she had felt an unaccountable sympathy for him.
-
-“Yes, I think you are right,” she said, after a short pause. “But do
-you not think that such a long journey will fatigue him too much?
-Russia, in the winter?”
-
-“Oh, no, not at all; the cold climate is good for his temperament, and
-he need not fatigue himself—there is no work for him to do; as for mere
-railway travelling, he is used to it. He need only wrap himself up in
-his furs and lie back in his carriage. That is all.”
-
-From his words she suspected, as she had suspected from her
-conversation with Vincent, that St. Clare was in the habit of
-surrounding him with every possible comfort and luxury.
-
-“I must say I think you are rather kind-hearted,” she could not help
-remarking.
-
-He looked at her for a moment in some surprise.
-
-“What makes you think of that all at once?” he asked laughing.
-
-“I don’t know,” she answered, and she blushed and laughed a little.
-“One cannot help getting certain impressions about people. Maybe I’m
-mistaken.”
-
-He raised his hands with a deprecatory motion. She felt that in her
-last words there was just a shade of coquettishness, and now that she
-had spoken them it irritated her.
-
-“You said just now something about energy and activity,” she resumed,
-“and you believe that when one is ill one ought to be excused for
-showing no such energy and activity?”
-
-“Of course. What do you mean?”
-
-In his manner there was something penetrating, something that went ever
-straight to its object, and it confused her somewhat. Had it been
-Vincent, she would very soon have plunged into some more or less misty
-philosophical discussion, and lost herself in a maze of sentences thin
-and filmy as cloudlets of steam—discussions in which neither of them
-knew what they were really aiming at. But St. Clare threw her entirely
-off her qui vive with his “What do you mean?”
-
-“I mean,” she answered with much indecision, “whether you would not
-even be readier to forgive one who had passed through great grief, that
-lack of energy and activity, than—you would forgive Vincent, who has
-only been ill.”
-
-He looked at her fixedly for a moment.
-
-“Yes, I should, that is, if he had tried to be energetic and had failed
-in the attempt; not otherwise, not if he had allowed himself, without
-an effort, to be dragged along by the force of circumstances with the
-simple reflection that one cannot fight against destiny. Vincent has
-some of that fatalism, and there is nothing that is so unnerving as
-that. Life would degenerate into a moral lethargy if every one did so,
-and simply sat down with folded hands and thought, ‘I cannot help it,
-come what may.’”
-
-Her thoughts wandered a little. In fact, she did not know what she
-thought. And she, had she had any energy? Had she allowed herself to be
-dragged along by the force of circumstances? She did not know. His
-strength of will, his determination, oppressed and crushed her, and
-arrested the flow of her thoughts.
-
-“But if that person had gone through much suffering, if he had
-suffered, especially with remorse, at what he once had done?” she
-whispered almost imploringly, with a moist glitter in her eyes, and her
-little foot wandered nervously along the rug, her fingers clutched at
-her black locket. His glance softened, filling with tenderness and
-pity.
-
-“In that case—yes, then I should forgive him all,” he whispered, with a
-merciful assurance.
-
-But his last words completely unnerved and abashed her. It suddenly
-seemed to her as if she had entirely exposed herself, as if she had
-said things which she should not have said, and yet it seemed as if the
-strength failed her to withdraw herself now that she had said so much
-as that.
-
-
-
-After that day St. Clare and Vincent stayed away for about a week, and
-Eline began to long for their return. When they came again it was the
-day before New Year’s Eve, and Elise invited both for the following
-day, when she was giving a big soirée.
-
-The following evening, about half-past nine, the guests arrived. Uncle
-Daniel and Elise courteously welcomed their somewhat loosely-picked-up
-acquaintances. The young men of the club, the count, the actor, the
-dueller and his blonde wife, were the first to make their appearance;
-and after that Eline saw them pass in review before their host and
-hostess, and a strange review it was. The gentlemen with something
-artificial or Bohemian about them, the ladies with much too big
-diamonds, and in faded silken trains. She did not feel herself at home
-at all in this circle, and yet she felt amused by these strange folk,
-who wandered about the crowded salons, the light from the candles in
-the Venetian chandelier glinting strangely over all that antique
-bronze, that antique china, that antique furniture. And there was a
-variety about the guests that charmed her. Eline withdrew herself a
-little when she saw St. Clare and Vincent approach. They were in
-evening dress, and it struck her that there was something distingué
-about them both. But after they had greeted uncle and Elise, they did
-not seem to observe her among the noisy groups by which they were
-surrounded, and Eline felt herself quite forsaken, although a little
-old lady, wrinkled and brown as a nut, with little red plumes in her
-hair, eagerly conversed with her about painters and sculptors. The old
-lady affected to be a great patron of struggling artists.
-
-“I suppose it is an artistic soirée this evening?” she asked with
-blinking eyes.
-
-“I believe it is,” answered Eline, with growing irritation.
-
-“You sing, do you not?”
-
-“Oh, no! I do not sing any more. The doctor has forbidden me to sing.”
-
-“I suppose you intended to go on the stage?”
-
-“Oh, no. Not at all.”
-
-Some gentlemen came forward and bowed to the old lady, and she
-introduced them to Eline. They were very talented artists. Musicians,
-actors, painters, misunderstood geniuses all of them. The little old
-lady overwhelmed Eline with operas, poems, panoramas which they had
-written, created, and painted; their fame would ere long resound
-throughout the world, for she would protect them.
-
-Eline felt as if all those misunderstood geniuses were hemming her in.
-Things began to shimmer and dance before her eyes, and it was a relief
-when she saw St. Clare coming towards her once more.
-
-“You are so surrounded,” he laughed softly, “one can scarcely
-penetrate.”
-
-Eline puckered up her little mouth contemptuously.
-
-“Let us move aside a little. There is more room there,” she lisped.
-
-She made her escape deftly from the circle of the geniuses, and with a
-sigh sank down on a settee. Nervously her fingers played about the dull
-gold beads that covered her low-necked corsage of black satin as with a
-glistening ray.
-
-“Oh, those people do bore me,” she said with light disdain. “What sort
-of time did you spend in Ghent and in Bruges? Come, tell me something
-about it.”
-
-He remained standing beside her, and told her a little of his trip.
-Here and there little groups formed themselves. The footman served wine
-and refreshments.
-
-“But what is to happen this evening, I wonder?” asked St. Clare with
-curiosity, as he suddenly broke off his conversation.
-
-Elise was standing, all amiability, writhing herself into all sorts of
-bows and curtseys before the count, and people looked round at them and
-whispered. The count seemed bashful, and made some excuses.
-
-“No, don’t disappoint me, pray,” Elise was heard to say in a beseeching
-tone.
-
-“I suppose she is asking him to recite something, and he is shy,”
-laughed Eline.
-
-Eline was right. Elise cast a glance of triumph in the direction of
-some of the ladies, and the count, with a movement as if he could not
-help it, assumed an attitude and coughed. He would recite an epic poem,
-Pizarro’s account of the conquest of Mexico, of Montezuma, and the
-Aztecs.
-
-A silence ensued, tempered with a low whispering. The stanzas rolled in
-thundering tones over the heads of the guests with a harsh rumbling of
-r’s.
-
-Vincent, from another corner of the room, nodded at Eline archly. The
-count began to shout louder and louder.
-
-“Magnificent! don’t you think so?” asked the little old lady with the
-red plumes, who had once more come back to Eline.
-
-Eline nodded approvingly, but here and there a cough was heard, and
-despairing faces were to be seen all over the room. The whispering,
-too, grew a little louder.
-
-“Patience and resignation,” Eline said to St. Clare with a smile.
-
-He smiled in return, and she no longer found the immense poem so
-unbearably boring now that he stood by her side. When the count’s last
-stanza had died away a sort of electric movement began to be manifest
-among the erstwhile motionless groups. They laughed and they talked and
-they pushed one another. Some ladies were expressing their thanks to
-the count with a great show of rapture.
-
-“Could we not devise some protection against his next attack?” asked
-St. Clare laughing.
-
-“We shall be freer in the conservatory,” said Eline.
-
-With some trouble they threaded their way to the little conservatory.
-There were only two little groups—two old gentlemen seated at the table
-covered with empty wine-glasses, and a little woman in active
-conversation with a young man. There prevailed a soft balsamic odour
-which permeated as with a breath from the tropics the palms and the
-Vanilla plants and the orchids that were crowded together in rich
-profusion. Outside a snowstorm was showering around its flakes of downy
-white. They had scarcely sat down before they heard some chords struck
-on the piano in the adjoining room. The actor, a bass, was about to
-sing a duet with the fair-haired jeweller’s wife. St. Clare and Eline
-could see them standing by the piano, their figures reflected in the
-mirrors of the conservatory, while one of the misunderstood composers
-was to accompany them.
-
-“I had no idea that she sang,” Eline exclaimed in surprise. “La bonne
-surprise! it’s really getting amusing, but don’t stop talking.”
-
-A blush rose to her cheek, and something of her former sparkling
-fascination came back to her. Now and then she lifted her champagne
-glass to her lips. In close attention she listened to his stories. He
-spoke so well. Yonder the high shrieks of the soprano and the low
-growling of the bass intermingled with overpowering if somewhat
-ludicrous effect. The conservatory gradually filled with little groups
-who were making their escape from the drawing-room. Vincent came to
-join St. Clare and Eline.
-
-“Je ne dérange pas?” asked he.
-
-“Par exemple!” cried Eline.
-
-It seemed as if the three of them had found themselves at some public
-fête. They scarcely knew one among all those curious people, and they
-amused themselves by laughing a little at them. The two old gentlemen’s
-collection of empty wine-glasses seemed to have grown larger and
-larger, and under the shady leaves of a banana the young man could be
-seen with his arm furtively encircling the waist of the little woman.
-In the other corner, where some glasses had just been broken, Vincent
-recognized some one, who posed as a Russian prince, engaged in
-boisterous chat with two circus-riders, and he could not understand how
-they could have been admitted even to Uncle Daniel’s drawing-room.
-
-“Oh, they must have entered through a back door. I’m sure Elise cannot
-know that they are here,” laughed Eline.
-
-
-
-In the salon the programme was proceeding. They sang, they recited,
-both serious and comic pieces, but the stillness of admiration grew
-less and less. In the conservatory the Russian prince ran after the
-circus-riders, and tried to embrace them; and the two old gentlemen all
-at once broke out in a terribly angry dispute. The young couple had
-disappeared.
-
-“I should advise you to return a little closer to your uncle and aunt.
-The company is certainly getting rather mixed here,” said St. Clare to
-Eline.
-
-Vincent had left them. Eline rose a little anxiously, and St. Clare
-followed her. But in the salon Elise was surrounded by a very noisy
-group, of which the ladies smoked cigarettes and spilt more champagne
-on their dresses than they drank. St. Clare led Eline to the terrace.
-His eyes sparkled and his lips twitched nervously as his glance fell on
-the group by which Elise was surrounded.
-
-“How did you really get here?” he suddenly asked Eline in a tone of
-dissatisfaction which he could not hide. “How is it possible that I
-could have met you here?”
-
-She looked at him in astonishment.
-
-“I ask you how it is possible that I could have found you here? You are
-certainly not in proper company.”
-
-She began to see his meaning, and started at the boldness of his
-question.
-
-“Not in proper company,” she slowly repeated. “May I remind you that I
-am at the house of my uncle and aunt?”
-
-“I know that. But your uncle and aunt, it seems to me, are in the habit
-of receiving people who are not fit company for you. You are here with
-the consent of your relations, I suppose?”
-
-She began to tremble all over, and her eyes were fixed upon him with
-all the haughtiness that she could at that moment muster up.
-
-“May I ask you, Mr. St. Clare, by what right you place me under
-cross-examination? I thought I was free to do as I pleased, and am old
-enough to choose my friends without anybody’s consent, either that of
-my relations or of yourself.”
-
-Her tone was sharp and cutting. She was about to turn away. He took her
-hand, she quickly withdrew it.
-
-“Do stay a moment, pray. Forgive me if I have hurt you. But I take an
-interest in you, I have heard so much about you from Vincent. I knew
-you, in fact, before I had seen you. I looked upon you
-somewhat—somewhat, if I may say it, as a little sister, just as I
-thought of Vincent as my brother; and now I find you here, mixed with
-people——”
-
-“Thank you very much for your good intentions,” she resumed with icy
-coldness, “but in future please to give expression to your brotherly
-interest in a more proper fashion. You knew me before you had seen me,
-it is possible. I have known you now for a week, and I cannot
-understand how you dare to speak to me as if you were called upon to be
-my guardian. I am much obliged to you for your solicitude, but I do not
-need it.”
-
-He made a movement of impatience, and once more prevented her from
-going. She was still trembling with rage, but she stayed.
-
-“Now do not be angry, pray,” he resumed appeasingly. “Perhaps I did
-speak rather boldly; but don’t you think yourself that the company here
-is not suited to you?”
-
-“The acquaintances of my uncle and aunt may be mine as well, I should
-imagine. In any case, it is a matter which does not concern you in the
-least.”
-
-“Why do you forbid me to take an interest in you?”
-
-“Because you take advantage.”
-
-“And is there no pardon for that when it is merely caused by a feeling
-of sincere friendship?” he asked, and held out his hand.
-
-“Oh, certainly,” she answered coldly, apparently without noticing his
-hand. “But, in future, pray spare me your feelings of friendship. Too
-much interest in one is sometimes annoying.”
-
-Much hurt she turned away.
-
-He remained alone on the terrace, and he saw her disappear among the
-circus-riders and the Russian prince, the fair-haired lady, the two
-drunken gentlemen, and the poetical count.
-
-
-
-
-
-
-
-
-CHAPTER XXIX.
-
-
-Now that the fête was over, she began to think over it all in the
-solitude of her room. It was five o’clock, and she felt almost too
-tired to undress herself. She did not feel so much hurt because of his
-presumption. But—that evening, for the first time after so long a
-period of lethargy, she had forgotten her sorrows a little. She had
-found a little amusement, and been somewhat of her former self again,
-and he had embittered that innocent pleasure by reminding her that she
-was in a circle to which she was not suited. Did she not know that as
-well as he? and it was just because she knew it—because she felt that
-he was right—because he felt as she felt herself, that she was hurt.
-Why had he not allowed her to pass a brief moment of happiness in
-peace? Why had he spoken to her about her relations? What did Henk and
-Betsy care if she did throw herself away among the curious
-acquaintances of uncle and Elise? But she did not do so, she had
-scarcely spoken a word to any one except Vincent and himself. She had
-only amused herself at the expense of a circle which surrounded her.
-She threw herself in her black satin dress on a chair, and, as she
-thought about that which had given her offence, she felt it gradually
-evaporating like a cloud of mist. But still she wanted to feel hurt;
-yes, she did feel hurt, very much hurt indeed. Yet after all it was not
-so very bad. It was for her sake that he had felt so annoyed at the
-strange coterie in which she found herself. He had shown her his
-annoyance so frankly, and she could still hear him say in that
-discontented voice—
-
-“How did you get here? Are you here with the consent of your
-relations?”
-
-He took an interest in her, genuine interest, with all the haughty
-pride of his sunny, truthful temperament, and a great desire suddenly
-overmastered her to go to him and ask his pardon, his counsel. It would
-be delicious to conform herself entirely to his will; it would mean
-peace, much-longed-for peace and calm. About twelve o’clock, after a
-short sleep, she entered the room with a pale face and dark blue
-circles under her eyes, and found Elise, with a couple of the servants,
-busy rearranging the disorder which the orgies of the previous evening
-had brought about. Elise was very satisfied with her soirée, and wished
-Eline a happy new year. Uncle Daniel was out.
-
-“What a number of glasses they broke! If you want to breakfast, Eline,
-you must go to the dining-room. Here you are only in my way. Pardon me
-for saying so. But it was very jolly yesterday, was it not?”
-
-Eline went to the dining-room. She ate something and remained a little
-while idling. She waited for some one—for St. Clare—but neither Vincent
-nor he came, nor did they come the following day, nor the next. If
-Eline had dared she would have written him.
-
-While she dreamily awaited his arrival she received a letter from
-Madame van Raat, who wrote her, that although he was living at
-Bodegraven just now, she saw Paul occasionally, and that he seemed to
-have some secret grief which she could not guess. She was very sorry
-that a kind of estrangement had come between her and her son, and she
-doubted whether she had always shown him sufficient tenderness.
-
-“She not enough tenderness!” thought Eline, “why she was all
-tenderness, at least to me.”
-
-When she came to the end of the letter she started violently. Jeanne
-Ferelyn had died in Bangil. Eline’s eyes filled with tears.
-
-“Great heavens! Great heavens!” she repeated slowly, and a nervous sob
-shook her frame. Her poor friend was dead! Oh! how tenderly Jeanne had
-nursed her when she was prostrate with bronchitis in that little home
-of theirs! How gentle and loving Jeanne had always been! How
-affectionate she was to herself and her children. And now she was dead!
-What happiness had her life brought her? None—none at all! And Madame
-van Raat, she had her sorrows. Paul had his. What was life but one
-great sorrow?
-
-She sobbed violently over the letter, and could not reconcile herself
-to the thought that Jeanne was dead. Jeanne is dead! Jeanne is dead! It
-was hissing in her ears and in her brain. She had so much to thank
-Jeanne for, and she would never see her again, for Jeanne was dead! Oh,
-great heavens, she was dead!
-
-She threw herself back in her chair and covered her face with her
-hands. But suddenly she heard steps in the adjoining room. She looked
-up, and ere she could recover herself saw St. Clare appearing in the
-door. Half demented with grief, with her weeping eyes she glanced at
-him.
-
-“I hope you will pardon me if I disturb you.”
-
-He spoke softly, for he saw that she was crying. “The servant said that
-you were at home. Perhaps I had better come back to-morrow.”
-
-She rose, wiped her eyes, and gave him a friendly smile.
-
-“Do you wish to go so soon?” she said sadly. “You do not disturb me in
-the least. On the contrary, I think it very nice of you that you have
-come. Take a seat. Is Vincent all right?”
-
-“Very well, thank you,” he answered, in a tone from which she could
-gather all the friendship he felt for Vincent. “We have been to Liège
-and Verviers.”
-
-“Is that the only reason then why I have not seen you before now after
-the soirée?”
-
-He looked at her for a moment.
-
-“Yes,” he answered, “the only reason.”
-
-“You were not angry?”
-
-“No, not at all. I was in the wrong. I should not have spoken like
-that. You were quite right.”
-
-“I am not sure,” she said. “I know I must have offended you with my
-unmannerliness. Will you forgive me, or do you refuse me your hand as I
-have refused you mine?”
-
-She gave him her hand. He pressed it closely.
-
-“I will forgive you gladly,” he answered, “and I think it very nice of
-you that you confess that you have been a little in the wrong.”
-
-“And in future, will you please take that interest in me which you said
-you did when last I saw you. Will you believe me if I tell you that
-your interest in me and your friendship will not annoy me as I told you
-it did then? May I depend upon that?”
-
-“Certainly you may.”
-
-“Thank you. Thank you very much. I was not deceived when I told you
-that you had a kind heart. You are more than kind, you are noble.”
-
-He laughed a little.
-
-“What big words you do use,” he said jestingly. “You’re becoming so
-dignified.”
-
-“No,” she said determinedly. “I’m not dignified, and I use no big
-words. I mean what I say. You do not know what pleasure it gives me to
-see you and to hear from you that you are not angry with me, especially
-at this moment. I was feeling so terribly unhappy.”
-
-“You were crying, I believe.”
-
-The tears dropped from her lashes.
-
-“I have just now heard of the death of a very dear friend, a poor, weak
-little thing she was, but she was so useful. She will be so terribly
-missed by her husband and children. It is always thus in the world, is
-it not? People who are of use, they die, and those who, like myself,
-are a trouble to every one and a misery to themselves, live on.”
-
-“Why do you speak so sadly? Are you then of use to no one? Do you care
-for no one, and is there no one who cares for you?”
-
-She laughed bitterly.
-
-“But surely there are people who take an interest in you?” he
-continued.
-
-“What shall I answer you? I have no parents. About my sister I dare say
-you have heard something from Vincent. Do you know that I—ran away
-from—my brother-in-law’s house?”
-
-“Yes.”
-
-“Ever since that time I have done nothing but wander about. I have
-always been with strange people. Uncle and aunt have taken me under
-their roof, but still they are strange. At the Hague I lived with an
-old lady, the mother of my brother-in-law; she was very kind to me and
-I liked her very much, but I was not kind to her.”
-
-“I pity you very much,” said he. “I wish I could do something for you.
-But suppose you sought some occupation? Is it not because you have
-nothing to do that you feel yourself unhappy?”
-
-“I sought an occupation at the Hague. I travelled a good deal, and yet
-I felt myself unhappy. It is all my own fault, you see; I have thrown
-away my own happiness.”
-
-She began to cry, her head resting in her hands.
-
-“Tell me, cannot I do something for you?” he insisted.
-
-“Nothing at all, thank you. No one can do anything for me.”
-
-“But it is really not right to bury oneself in one’s grief, and to
-think of nothing else. You may not do so. You must rouse yourself from
-your sorrows. Every one has his troubles. Come, promise me that in
-future you will think otherwise.”
-
-“I cannot,” she sobbed, “I am so weak. I am broken down, broken down
-utterly.”
-
-In her words there sounded such a hopelessness that he did not know
-what to say, but he brimmed over with pity—a pity that was mingled with
-despair at the thought that he could do nothing for her—and he would
-solace and comfort her, whatever it might cost.
-
-“No,” said he with determination, “you are not broken down—that is a
-mere idea! You are young, and have a life before you. Break with your
-past, forget it completely.”
-
-“Oh! how can I do that?” she sobbed. “How is it possible?”
-
-He knew he was wrong himself. He knew that the sorrowful memories of
-the past were all but indelible.
-
-“I feel such a pity for you,” he repeated, “a pity such as I have never
-yet felt for any one before.”
-
-“That is the only thing left you that you can do for me, pity me,” she
-exclaimed passionately; “pity me, that does me good. For have you not
-told me that you knew me already before you saw me, that I was to you
-like an unknown little sister?”
-
-He had risen from his seat, he laid his hands on her shoulders, and
-looked at her.
-
-“Certainly,” he replied cordially. And she could have died for him, so
-intensely grateful did she feel. “And now you are no longer unknown to
-me, and anything I can do for you I will do. You must tell me all about
-yourself, and if you will leave it to me, I will make you forget your
-miseries.”
-
-He just tapped her on the shoulder like an old friend. In her heart
-there arose a great regret that they had not known each other sooner.
-What a happiness it had been to her but a little while ago when she
-humbled herself before him, when she begged him for his pardon.
-
-
-
-A week elapsed, during which the Veres saw neither Vincent nor St.
-Clare, as they were away a few days in Holland. There was a talk of a
-masquerade ball to be given by the count. Uncle Daniel would not go in
-fancy costume, but Elise would go in Eastern dress; and Eline, whose
-fancy did not soar very high just now, would accompany her, also in
-Eastern dress.
-
-A day before the ball the two young men came back. Eline thought she
-could see a frown pass over St. Clare’s features when he heard that
-they were going to that ball. He said nothing, however; but the
-following evening, about half-past eight, he came in with Vincent. They
-had also been invited. Vincent had accepted the invitation. St. Clare
-had not. He asked to see Eline for a moment, but she had just commenced
-her toilette; but St. Clare was importunate, and Eline sent her maid
-down to ask him to wait.
-
-In the big salon there was no one. Vincent, in evening dress, was lying
-on the couch, and had taken up L’Indépendance. St. Clare stood on the
-balcony thinking, and he stared at the snow which glistened in the
-evening light. A servant came and asked whether they would have tea.
-
-“I must say I admire your pluck, Lawrence,” said Vincent in English, as
-he slowly stirred his cup of tea. “But are you certain that all would
-go well?”
-
-“Well, I can’t help myself. I will have it so,” answered St. Clare
-determinedly.
-
-The servant left and both were silent, when Eline entered. A pink glow
-of veloutine hid the sallow tint of her complexion. Her hair was
-already arranged, and rows and rows of glittering sequins hung over her
-brow. But further than that she had not yet proceeded with her costume,
-and was simply wrapped in a white flannel peignoir. Vincent rose, and
-she apologized for her toilette. But she was very charming.
-
-“You wanted so urgently to speak to me,” she said softly to St. Clare,
-as she held out her hand to him. “You won’t mind that I’ve come to you
-like this; and keep your seat, please.”
-
-They sat down, while Vincent withdrew with his newspaper into the
-conservatory. St. Clare looked at Eline searchingly.
-
-“What is it you want to ask me?” she said.
-
-“In the first place, I must ask your pardon for my boldness in having
-called you away from your toilette.”
-
-“Oh, that is nothing. I have plenty of time.”
-
-“I feel very much flattered that you have come at once. You can well
-imagine that I should not have intruded if it had not been for a very
-good reason. I had a request to make you.”
-
-“Which admitted of no delay?”
-
-“Yes, that admitted of no delay, and I run the risk that you will be
-very angry when I make that request, that you will feel hurt, and that
-you will tell me that I am interfering in matters that do not concern
-me.”
-
-She had a vague suspicion of the question that he was about to utter.
-
-“Never mind. Speak up frankly,” she simply answered.
-
-“You’ve asked me to show as much interest in you as a brother would
-show for a sister. Is that right, or am I mistaken?”
-
-“No, that is quite right.”
-
-“Well, if you were my sister, I would ask you to do me a great favour,
-and beg of you not to go to that ball this evening.” She did not
-answer, but looked him straight in the face. “If you were my sister I
-should tell you that Vincent and I have made inquiries about the people
-who are coming to the ball this evening; I should tell you that I know
-for certain that a great number of the invited guests are even less
-suited to your circle than some of your uncle’s and aunt’s
-acquaintances. If you were my sister, I could scarcely express myself
-in plainer terms than I have done, and I have not a word to add to what
-I have said; but I hope that you will not misunderstand me, and that
-you will now have some idea what kind of guests they will be whom you
-would see there this evening.”
-
-She cast down her eyes and remained silent.
-
-“And, therefore, at the risk of interfering in a matter that does not
-concern me, at the risk that your uncle and aunt will take offence at
-my interference in your affairs, at the risk that you yourself, after
-having forgiven me one indiscretion already, will be very angry with
-me, I ask you once more, do not go to this ball. You are out of place
-there.”
-
-Still she remained silent, and her fingers clutched nervously at the
-girdle of her peignoir.
-
-“Are you very angry,” he asked.
-
-“No,” she answered after a pause, very softly. “No, I am not angry, and
-I shall do as you ask me. I shall not go.”
-
-“Do you really mean it?” he cried delighted.
-
-“I really mean it. I shall not go. I am very thankful to you that you
-have inquired about the people who are coming. I was already afraid
-that you would not approve of my going, but I could not bear the
-thought of staying alone at home a whole evening; that always makes me
-so melancholy.”
-
-“You feared my disapproval?” he asked smilingly.
-
-“Yes,” she answered. “You are such a good friend to me, that I should
-not like to do anything of which you disapprove. And for this evening—I
-shall do exactly as you require.”
-
-“Thank you,” he said with emotion, and pressed her hand.
-
-“Yes, you may well appreciate it,” she cried with forced airiness,
-feeling somewhat depressed by her humility. “Do you know that, for the
-last three-quarters of an hour, I have been busy arranging the sequins
-in my hair, and all for nothing?”
-
-“Certainly, I appreciate what you have done. I assure you I appreciate
-it,” he declared with much earnestness.
-
-Uncle Daniel entered the room.
-
-“Bon soir, St. Clare. You are not coming, are you? But, Eline! Are not
-you going to dress?”
-
-Eline stammered something and could not find her words, when she heard
-the voice of Elise, who was grumbling to the maid. Elise entered,
-glittering with sequins and Moorish draperies, her feet encased in two
-little slippers.
-
-“Bon soir, St. Clare. What a pity you are not going. It will be very
-nice—Ciel! Eline!”
-
-Vincent came in from the conservatory.
-
-“It is nearly half-past nine, and you have only as yet done your hair,”
-continued Elise in blank astonishment. “What have you been thinking
-about?”
-
-“I don’t think that your cousin is going, madam,” said St. Clare, as
-Eline was too confused to speak. “We heard, Vincent and I, that the
-company would be rather mixed at the ball—and I advised Miss Vere not
-to go rather than risk unpleasant encounters. I hope you will pardon me
-for giving that advice. Of course, I know she would have been under
-your protection and that of her uncle, but I thought that such circles
-were even more to be avoided by a young girl than by a married lady,
-even though she be as charming as yourself. Was I very wrong?”
-
-Elise hesitated whether she should be angry or not, but in his voice
-there was so much determination and at the same time so much that was
-winning, that she felt herself completely disarmed. Daniel Vere just
-shrugged his shoulders.
-
-“Whether you were wrong?” Elise repeated, still hesitating. “Well,
-perhaps not. Of course Eline can do as she likes. If she would rather
-not go, eh bien, soit! then we shall pretend that she had a headache.
-That is easy enough. But you will have a terrible ennui, Eline.”
-
-“No, really, I would much rather stay at home,” said Eline; “at least,
-that is, if you are not offended.”
-
-“Not at all. Liberté chérie, child.”
-
-The servant came in to say that the carriage was at the door, and
-brought uncle’s and Vincent’s furs. The maid assisted Elise to her fur
-cape.
-
-“If your uncle and aunt have no objection, I should like to keep you
-company for a little while?” asked St. Clare.
-
-Uncle and aunt thought it excellent. Eline was still rather confused.
-
-“Adieu! Much pleasure,” she said with a little furtive smile to Elise,
-her uncle, and Vincent.
-
-
-
-“Ridiculous,” muttered Uncle Daniel, when they were in the carriage.
-“Ridiculous! He won’t allow her to go to the ball, but he does not mind
-keeping her company. That is American fashion, I suppose. I, at least,
-would like to know which is more improper? To go with us to the ball,
-or to spend an evening alone with a young man? Ridiculous!”
-
-Vincent said nothing. He thought it beneath him to defend his friend,
-but Elise quickly urged her husband to be silent. She would not permit
-him to speak ill of a cousin who was under his roof, and of a friend
-whom they saw so frequently.
-
-“Speak ill of him—oh dear, no!” resumed Uncle Daniel, still feeling
-hurt. “’Tis only American fashion, I suppose.”
-
-
-
-Eline still felt her confusion.
-
-“I don’t think uncle thought it right that I followed your advice,” she
-said, when they were alone. “Perhaps, too, he thought that—you should
-have gone with them.”
-
-St. Clare looked at her in quiet surprise.
-
-“Then why did he not say so? I asked him, did I not? But would you
-sooner have me go?”
-
-“No, I should think it very kind of you if you stayed a little longer.”
-
-“With pleasure! for there is something else that I would like to ask
-you, but it is not of such importance this time.”
-
-“What is it, then?”
-
-“I should like one of those sequins which you have arranged in your
-hair.”
-
-Eline smiled, and carefully she took from her hair the row of sequins
-and removed one of the coins, which she offered to him.
-
-“Thank you,” he said, and attached the coin to his watch-chain.
-
-A strange feeling came over Eline. She felt very contented, very happy,
-and yet somewhat abashed, and she asked herself which Betsy would have
-considered less proper: to go with her uncle and aunt to that ball, or
-to spend the evening alone, and en négligé, even with St. Clare? The
-latter certainly, she thought. But he seemed to think it so simple and
-natural that she did not even venture to ask him whether she might go
-and change her dress.
-
-“And now let us have a little quiet chat,” he said, as he sat down in a
-fauteuil, and she remained sitting on the sofa, still a little shy, and
-playing with her row of sequins. “Tell me something, do—of your
-childhood, or of your travels.”
-
-She said she did not know what to tell him, but again he asked her. She
-answered him, and slowly her confidence in herself came back, and she
-told him of Aunt Vere, of her Ouida literature, and especially of her
-father and his great canvases which he never completed. She told him
-also of her singing, of Betsy and Henk, and added that formerly she
-thought very differently from what she thought now, and that she
-appeared different too.
-
-“What is it you call formerly?”
-
-“I mean before my illness, and before I went travelling with uncle and
-aunt—before—my engagement.”
-
-“And how did you look then?”
-
-“Much healthier and—and fresher.”
-
-“Prettier, you would say?”
-
-She could not help laughing that he read her thoughts, and did not give
-himself the least trouble to be gallant. Then she asked him whether he
-would like to see her portraits of those days, and while she took an
-album from the table, she thought she might just as well permit him to
-call her by her name. But she could not get so far as that.
-
-He turned the pages of the album, which contained many of her
-portraits; delicate little heads, with a ribbon or a string of pearls
-round the neck. In a few of them she was décolletée.
-
-“Well—what do you think?” she asked, as he remained silent.
-
-“Very charming little faces, all of them, but everywhere an intolerable
-coquettish little smile. A prettiness much too artificial. Were you
-always in the habit of posing thus, or did you only do so before a
-photographer?”
-
-She felt a little piqued.
-
-“For shame! How rude you are!” she said reproachfully.
-
-“Was I rude?” he asked. “I beg your pardon. Yes, ’tis true these are
-your portraits. I was a little confused at the moment, for you see it
-is rather difficult to recognize you in them. But, believe me—I should
-have thought you unbearable had I ever seen you thus. Pretty, yes—but
-unbearable. Now you are a little thinner, it’s true, you have the
-traces of suffering, but there is something winning in your face; while
-in these little faces here there is nothing but coquettishness. I would
-rather see you as you are now.”
-
-He closed the album, and laid it down.
-
-“And yourself,” he resumed, “would you rather be as you were then? Do
-you regret those days?”
-
-“Oh, no,” she sighed, “then I was not happy either.”
-
-“But now you will do your best to be happy, will you not?”
-
-She gave a little laugh and shrugged her shoulders.
-
-“One cannot force one’s happiness,” she murmured dreamily, and,
-involuntarily, she said it in English.
-
-He looked at her in astonishment.
-
-“Do you speak English?” he asked.
-
-“I?” she cried in French, aroused from her dream.
-
-“Yes, you!”
-
-“Am I speaking English?”
-
-“Not now. But just now you were.”
-
-“Was I speaking English? I did not know—”
-
-“Why have you never spoken English to me?”
-
-“I don’t know.”
-
-“Oh yes, you do know.”
-
-“No, really not.”
-
-“I assure you that you do know. Now tell me why, come!”
-
-She laughed a little amused laugh.
-
-“Because you speak such jolly French. You have such a pretty accent.”
-
-“Then you have always laughed at me in secret?”
-
-“No, I assure you, really I have not.”
-
-“Which will you speak in future, English or French?”
-
-“French, or you will still think that I was laughing at you.”
-
-“There is no logic at all in what you say.”
-
-“Possibly, but still I will speak French.”
-
-“Very well. Do you know, you are no longer so weak as you were. You are
-getting better, stronger.”
-
-“Why?”
-
-“For the first time since I have known you, I have heard you say I
-will. Now mark my words. You commence by getting a little will of your
-own, and in the end you will be quite firm, and when your will is firm
-and strong you will get strong yourself. Now promise me that you will
-cultivate a little will, like a frail hothouse plant that requires much
-care and attention.”
-
-Again she laughed, in her gentle, winning way.
-
-“You shall see. I shall grow astonishingly obstinate under your
-influence.”
-
-“No. I hope not. But I should be very happy indeed if you would get a
-little stronger under my influence.”
-
-“I shall do my best.”
-
-“And I shall keep you to your word. It is nearly eleven.”
-
-She was silent. The word “already” was on her lips, but she restrained
-herself in time.
-
-“And tell me frankly, don’t you think now that you will act much more
-sensibly by going to bed early this evening, and trying to get a little
-sleep, than you would have done if you had gone and danced till six
-o’clock in the morning with very queer partners, and in the company of
-still queerer ladies?”
-
-“You are perfectly right. I am sincerely grateful to you.”
-
-“And I, too, am grateful for the coin which you have given me.”
-
-She felt that it was not only for the coin that he was grateful.
-
-“And now good-night. Good-night, Eline.”
-
-She looked at him, and her eyes softened when she thus heard him
-pronounce her name, without her permission.
-
-“Good-night, Lawrence,” she whispered. She held out her hand. For a
-moment he held it in his, his eyes looking into hers. Then he released
-the little thin fingers.
-
-“Adieu,” said he with a last cordial nod, and left.
-
-
-
-For a while she stood still and mused. Then she told the servant to
-extinguish the gas in the salon, and retired to her bed-room. The
-sequins she took from her hair and placed on the toilet-table. On a
-chair lay the glistening draperies of her ball toilet, and her little
-Moorish slippers were on the floor beside it. While she undressed, she
-still heard his voice with its light accent. Slowly she arranged her
-ornaments. Her eye fell on her watch, to the chain of which a black
-locket was attached. She opened it and gazed into it for a long while,
-and her eyes grew moist. Then she pressed a soft kiss on the likeness
-which it contained. For a moment she thought of detaching it from its
-chain and placing it in one of the little drawers of her jewel-case;
-but she did not do so. She lay down in her bed; she did not sleep,
-neither did she take her sleeping draught. At half-past five she heard
-Elise, sighing with fatigue, returning with Uncle Daniel. But her
-sleeplessness had not been disturbed by grim nightmares, and it seemed
-to her as though a calm pink glow of light was diffused around her.
-Later on she slept a little, and when she awoke she did not feel
-herself quite so languid as she usually did on awaking.
-
-
-
-Eline did not see Elise the following day before lunch. Uncle Daniel
-had gone out already; he was always very busy, but nobody knew exactly
-what his occupations were. Eline asked Elise whether she had enjoyed
-herself.
-
-“Oh yes,” said Elise in a kindly tone. “It was rather boisterous, and
-perhaps it’s quite as well that you did not go. It might have upset
-you. Did St. Clare stay long?”
-
-“Till eleven.”
-
-“Look here, it does not matter to me that he persuaded you to stay at
-home, but Daniel found it rather foolish of you that you were so
-obedient. Still he does not care either, you know. You are free to do
-exactly as you like with us, you know that.”
-
-Eline was silent.
-
-“But you must admit,” Elise proceeded laughingly, “it’s a strange case.
-Yes, certainly, Eline, it’s a strange case, and sets one thinking.”
-
-Eline looked at her searchingly.
-
-“What do you think, then?”
-
-“My dear girl, that I keep to myself, that I won’t tell you. But I,
-who, as you know, never think, I certainly do begin to think a little
-now. But I do not want to intimidate you, you know. I think it’s a very
-good thing, if what I think is true.”
-
-Eline knew that she was referring to something which in her own mind
-was only just rising in very vague shape. She remained silent, and
-while Elise, who was still rather tired from the ball, threw herself on
-the couch with a book and was soon asleep, she sat down by the window
-and collected her thoughts. In the last few days she had thought
-little, she had merely allowed herself to be dragged along by a sweet
-tenderness which had overwhelmed her; but now Elise’s veiled words
-brought her to herself again. Yes, the case gave food for thought. St.
-Clare had dared to ask her to stay at home, and she had yielded to his
-wishes, and the thought that it awakened in her mind she did not dare
-to shape. Gladly as she would have yielded herself to that thought, she
-knew that it could never be, never. Oh, why had she not met him sooner?
-Fate was cruel indeed. She began to fear that she should have treated
-him differently, perhaps she ought to have repelled him with haughty
-coldness, with indignation at his interference in her affairs, neither
-should she have asked his pardon after she had once been cold to him.
-But it had been so sweet to bend to his will; he was so strong, and she
-found so much support in his strength. She had never imagined that he
-could have felt any love for her—ailing, weak, broken-down creature
-that she was; it was not right, he ought not to have begun to care for
-her, but now perhaps it was too late.
-
-
-
-When, a few days later, she saw him again, he found her alone in the
-large salon. Eline was seated in an arm-chair by the fire, whilst a
-furious wind was driving the snowflakes against the window-pane.
-
-“I knew I should find you at home. That is why I have come,” said he,
-as he took his seat. “Have your uncle and aunt gone out?”
-
-“Yes; I don’t know where they have gone. I believe to a sale.”
-
-She had made up her mind to be a little distant in her manner, but his
-company was so welcome to her that she did not succeed. She said, “I am
-very glad to see you again.”
-
-He smiled a little, and made a few remarks about the antique china
-which was scattered about the room. Then he continued—
-
-“Soon I shall be leaving you for long; we are going northward viâ
-Cologne and Berlin.”
-
-It was as if the breath were choked within her.
-
-“When do you go?” she asked mechanically.
-
-“In a few days.”
-
-“You are going as far as St. Petersburg, as far as Moscow, are you
-not?”
-
-“Yes.”
-
-“Does Russia attract you?”
-
-He answered a little absently, in short, halting sentences. While she
-listened, she felt she could have cried, and his words sounded to her
-as if they were spoken through a mist, and she heard him say, as if he
-were interrupting himself—
-
-“But I wanted to ask you something. I wanted to ask you if, during the
-time that I am away, you will now and then think of me.”
-
-“Certainly I will think of you,” she said with trembling lips; “you
-have been so good and so kind to me, and—I shall always hold you in
-pleasant memory.”
-
-“Thank you,” he softly said. “Don’t you think it sad when people have
-learned to know each other, and feel sympathy for one another, that
-they have to part?”
-
-“Yes. But there is so much that is sad in the world.”
-
-“You will say, perhaps,” he continued, following his own train of
-thought, “that I can stay in Brussels as long as I like because I
-travel for my pleasure. Perhaps, even, I should prefer to remain in
-Brussels.”
-
-She began to tremble all over, but she made an effort and restrained
-herself.
-
-“Why should you not go further?” she murmured. “Why should you not see
-what you can of the world?”
-
-“Because I’m fond of you,” he answered calmly. And his penetrating eyes
-looked at her fixedly. “And because I cannot bear to leave you. I
-should gladly stay with you, stay with you always to protect you—I
-shudder at having to leave you. I have a feeling when I think of my
-departure as if some misfortune would happen to you.”
-
-She wanted to reply something, but she could not, for she nearly choked
-in repressing the tears that came to her eyes.
-
-“But that is impossible,” she said painfully, almost despairingly.
-
-“And why is it impossible?” he asked. “Why is it impossible that I
-should always stay with you, or rather that you should always stay with
-me? Tell me, Eline.”
-
-“Because it cannot be,” she answered briefly.
-
-“Oh yes, it can; if you cared for me you would not say so. I should
-take you with me. I should care for you. You should be my wife.”
-
-“And I—I should make you unhappy.”
-
-“No, no; I should do my very best to make you happy, and I’m certain
-that I should succeed. Listen to me. Even before I had seen you,
-Vincent’s words made me feel an interest in you. The first time that I
-met you I pitied you, for I saw in your whole being that you had had a
-great grief, that you were still in grief, and that you were unhappy. I
-began to think what I could do to make you happy, but I found nothing,
-only while I was speaking to you, and while my mind was full of
-thoughts, it seemed to me that there was a little more animation coming
-into your face, and more contentment into your words. Perhaps it was
-only my fancy, but it seemed so to me. I imagined, too—perhaps it was
-my vanity—that I myself somewhat influenced that change. I took notice
-of you, though you spoke to other people, but at such times you were
-quiet, cool, and reserved. But with me you were very different; you
-even grew confidential. Then it was that a great desire came over me to
-be all in all to you, for I thought perhaps then you would be happy,
-and would no longer take such a sombre view of life. Elly, dear, you
-are still so young, and you imagine that all is over with you. Do not
-think so any longer, but trust yourself to me, and let us find out
-together whether life is really such a melancholy affair as you
-imagined. Tell me, Elly, will you do so? Will you see with me whether
-an entirely new life may not be yours?”
-
-She sobbed softly, lifted up her weeping eyes, and folded her hands
-almost in supplication.
-
-“Oh, why do you ask me that?” she cried. “Why must you ask me that? Why
-must I cause you grief? Have I not given pain to enough people already?
-And now must I be a misery to you as well? But it cannot be—it cannot
-be, never!”
-
-“Why not?”
-
-“Why not?” she repeated meditatively. “Because although I am still
-young, I am thoroughly broken. Can you not see that? Because everything
-in me is shattered—because I am an utter wreck.”
-
-“Eline, use no such big words; speak calmly.”
-
-“I use no big words. I do speak calmly. I speak with deliberation, with
-the deliberation of despair,” she cried rising, and she remained
-standing before him as he took her hand. “I speak with so much
-deliberation that it makes me shudder. Listen, Lawrence, you know that
-I have been engaged.”
-
-“Yes. And that you have given him back his word.”
-
-“Yes. I have given him back his word, and yet I liked him. Even while I
-wrote to him releasing him from his engagement, I liked him. Is that
-not terrible?”
-
-He did not answer, and looked at her as if he did not understand.
-
-“That you cannot understand, can you?” she asked, and her hands
-trembled in his. “You cannot understand that such terrible doubts can
-fill a woman’s heart? You cannot understand that at times I don’t know
-what I feel, nor what I think, nor what I would do. Do you see, there
-is something in me, something that is incomplete. I am always in doubt.
-I am always searching for something, and never feel certain of
-anything. I liked him. Forgive me for telling you now. I liked him so
-very much, he was so good, and he would have sacrificed his life for
-me. And there came a moment when I knew no longer whether I liked him
-or not, when I even thought I cared for some one else, whilst all the
-time I cared for none but him. And now I know it—now that it is too
-late, and now that I have perhaps made him unhappy.”
-
-“Do you know that you have made him unhappy, Eline?”
-
-“No. I do not know, but I suspect it. At the Hague I did hear something
-about his having got the better of his grief, but I could never believe
-it. Now that it is too late I know all, and it is only now that I know
-how fond he was of me. Even if I were to hear that he were married, I
-could not believe that he had quite forgotten me. It cannot be! He must
-think of me as I often think of him.”
-
-“Do you still care for him?” he asked in a dull voice.
-
-“Not as I have cared for him, not now, Lawrence. I believe just now it
-is only pity I feel for him, but I often think of him. Here is his
-portrait.”
-
-She opened the locket, and showed him Otto’s likeness. Without saying a
-word he gazed at it.
-
-“Do you always carry this about with you?” he softly asked.
-
-“Yes,” she whispered, almost inaudibly, “always. To me this is sacred,
-and therefore, Lawrence, therefore it can never be. The thought of him
-would always rise up between us. With you I could be happy if that
-memory did not always haunt me. But for me to be happy whilst I
-continually remembered that his life was so wretched—oh! it would be
-impossible.”
-
-He did not answer, and she began to sob violently. She sank down on the
-ground, and laid her head on his knee.
-
-“Oh, forgive me, Lawrence, forgive me. I never thought that you could
-care for me. I was so ill, I was always coughing, I felt myself so
-weak. I thought that I had grown out of it, that I should even have
-repelled a man. Had I not thought thus I should never have allowed you
-to see that I cared for you. At first you spoke as if we were brother
-and sister. Why did you not continue to speak thus? As it is, now I
-have been compelled to cause you pain; I could not help it. I should
-have been wicked if I could have become your wife without a feeling of
-remorse.”
-
-He lifted her up gently, and drew her towards him a little.
-
-“Eline,” said he, “one day you told me that you had thrown away your
-happiness. Then I did not ask you what you meant by it, but now I ask
-you, do you mean by that the letter which you sent to Otto?”
-
-“Yes,” she sobbed.
-
-“With that letter you threw your happiness away, you say? Are you
-certain now that you are not throwing away your happiness for the
-second time, or can I never make you happy? It is Otto alone who can do
-that?”
-
-She looked at him with a melting expression in her eyes.
-
-“Oh, Lawrence,” she murmured passionately, her head nearly on his
-bosom, “if I had but met you before—before all that had happened, I
-could not have cared for any one but you. But it could not be. It was
-my fate.”
-
-“Oh, do not speak about fate. Fate is but a phrase. Every one makes his
-own fate. You—you are too weak to make one for yourself. Let me make
-your fate for you.”
-
-“It cannot be,” she sobbed, and shook her head, which was nestled
-against him, hither and thither. “It can never be.”
-
-“Yes, Eline, it can be,” he answered. “You say you could not have cared
-for any one but me had you seen me sooner. Perhaps in that case I might
-not have cared for you; however, these are suppositions which do not
-concern you in the least. All I know now is, that I like you as you
-are. You say that you are ill, but I know that you will be well again,
-I feel it.”
-
-“That is no certainty,” she wept.
-
-“That is true, but no more is it a certainty that you have made Otto
-unhappy. You feel that too, do you not? You are not certain of it.”
-
-“No, no, I believe I am certain.”
-
-“No, you are not,” he continued; “and you tell me, now that I ask you
-to be my wife, that it cannot be, that it can never be. Is that not
-cruel of you?”
-
-“Oh, why do you reproach me with that?” she sobbed.
-
-“Just now you said yourself that you were always in doubt—that you were
-always searching for something, but that you never knew anything for
-certain. How is it then that now you say you know without doubt that it
-never could be? Are you so certain of that? Will you feel no regret
-when I am gone—when it is too late?”
-
-“Oh,” she groaned, “how can you make me suffer thus? You torture me.”
-
-He was silent for a moment, and gently raised her head from his bosom.
-
-“I shall torture you no longer, Eline. Only this I want to say to you.
-Don’t refuse now what I have asked you. A day may come when you may
-wish that you had spoken differently. Let me hope as much as that, at
-least. The day after to-morrow I am leaving here with Vincent. In five
-months’ time I shall see you once again. I shall ask Vincent to write
-you now and then. You shall always know where we are, and you need but
-say one word, and I shall return at once. I don’t ask you now to
-promise me anything, but pray refuse me nothing either. Allow me to
-hope, and endeavour to hope yourself. Will you do this, or is it too
-much that I am asking you?”
-
-“No,” she whispered. “Oh, no, it is not too much. I will give you my
-answer in five months’ time.”
-
-“Very well,” said he. “I shall ask you nothing more, and now I shall
-wait until your uncle and aunt are home to take leave of them. Vincent
-will come to-morrow. But now that we are alone, may I take my leave of
-you?”
-
-She did not answer, but looked at him. He pressed her in his arms and
-kissed her.
-
-“In five months’ time then?” he whispered with a smile.
-
-She raised herself up, looked at him fixedly, and then flung her arms
-round his neck. And she kissed his forehead with a long passionate
-kiss.
-
-“In—in five months,” she murmured in reply.
-
-
-
-
-
-
-
-
-CHAPTER XXX.
-
-
-Uncle Daniel and Aunt Elise were not a bit surprised when Eline, a few
-days after St. Clare’s and Vincent’s departure, told them that she
-intended to return to the Hague. They knew how capricious Eline was,
-how she longed, now for this and now for that, and never was contented.
-But this time it was not out of caprice that Eline longed for another
-dwelling-place. After the soirée, at which St. Clare had asked her
-somewhat brusquely how she got there, it seemed to her as if a veil had
-risen before her eyes, as if suddenly it was made plain to her that she
-was not in her place with her uncle and aunt, and especially in their
-coterie, and it was out of respect, out of friendship, perhaps out of
-love for St. Clare, that she determined to leave her Brussels
-acquaintances.
-
-She wrote to Henk and asked him to take two rooms for her in a ladies’
-boarding-house or in one of the new stately hotels. In reply she
-received letters from Henk, from Betsy, from old Madame van Raat, all
-of whom begged her not to go into apartments, but to make her home with
-them. Betsy wrote her that she forgave and forgot everything that had
-happened, if Eline on her part would also forgive and forget, and
-implored Eline not to be so eccentric as to go and live by herself when
-there was room for her in her sister’s house. Old Madame van Raat, too,
-wrote very urgently and very affectionately, but Eline refused with
-repeated professions of gratitude; she was determined that no one
-should make her change her mind.
-
-Henk, therefore, with a dejected face, shrugged his shoulders, and with
-Betsy he chose two handsome apartments in a large pension on the
-Bezuidenhout. Thereupon Eline came to the Hague.
-
-She recollected how the previous summer, worn-out with her wandering,
-she had come to the Hague to make her stay with Madame van Raat. She
-compared her languor of those days with the exhaustion which now, as it
-were, was surely undermining her, and she did not even feel strength to
-weep about it. For the sake of her regard for St. Clare, she had
-concentrated the last lingering remnants of strength to be once more as
-she had been—winning, amiable, if not brilliant; and now that St. Clare
-was gone, she discovered how, frank and natural as she had been towards
-him, she had for all that involuntarily, as it were, excited herself so
-that she should not appear to him altogether the utterly worn-out
-being, the living corpse that she was. Now that that excitement was no
-longer necessary, she collapsed, broken down utterly. The emotion
-caused by her latest confession, too, had greatly unnerved her, and it
-became to her a certainty that she would never more be able to arouse
-herself from her physical exhaustion and her moral inanition.
-
-Her cough was very violent, and Reyer attended her again, but she never
-told him about her Brussels doctor, who had prescribed her the
-morphine-drops, as she remembered that Reyer would never allow her to
-take an opiate. It was February, the cold was intense, and she did not
-leave the house. When in the morning she rose, she felt as formerly she
-had felt at Madame van Raat’s, too fatigued and languid to dress
-herself. She wrapped herself in her peignoir and sank down on a couch.
-Then a delicious feeling would come over her that she need not trouble
-herself about any one, that there was no need for her to dress herself,
-and that she could remain as she was in her slippers as long as she
-liked. Often Madame van Raat or Betsy, Madame Verstraeten or Marie and
-Lili, found her thus undressed, dishevelled, vacantly staring out of
-the window. She did not read, she did not do anything, and hour after
-hour passed by during which she did not even think. At times she would
-suddenly throw herself on the floor, her face pressed down on the
-carpet, and then it grew dark, oh, so dark around her, until a knock at
-the door—the servant who brought her dinner—made her start up with a
-sudden fright. Then she would sit down and eat a very little, and then
-a wan little smile would hover around her lips, in which at once
-something satirical and something idiotic were intermingled.
-
-The nights that followed on those days were for Eline veritable hours
-of terror. Everything within her began to live, and she felt as if
-electrified by the horror, so that she could not sleep. Her brain was
-in a mad whirl. Shrill, mysterious sounds rushed through her ears. A
-very maelstrom of memories whirled round and round in her mind. Visions
-of all shapes and forms rose up around her. She started in terror at
-everything—at a shadow falling along the wall, at a pin glistening on
-the floor; then she took her drops, and a dull sleep at last fell upon
-her like a leaden mantle.
-
-For minutes at a time she would stand staring in the glass at her faded
-features. The tears would then start to her eyes, whose brightness was
-for ever extinguished, and she thought of former days, she longed for
-that past again without really asking herself what that past had been.
-For latterly she was no longer capable of continuous thought. It was as
-if before her thoughts a barrier had been placed, which she could not
-cross. But it was that very dullness which now overtook her that in
-some measure lessened her melancholy, which, had her brain been of its
-normal clearness, would certainly have risen to an unbearable crisis.
-But instead of that melancholy she now struggled through hours of
-doubt, in which she was at a loss what to do with her useless self, her
-useless existence, which dragged itself along within these four walls,
-with only her violent fits of coughing to break the weary monotony.
-Then she fell to weeping bitterly about her unfulfilled desires, and
-she writhed on the ground, stretching forth her arms towards an image
-which vaguely shaped itself to her eyes; for in her dreams, as well as
-in her waking thoughts, the forms of Otto and St. Clare began to be
-confused in her mind. The observations and sayings, the ideas of the
-one she ascribed to the other, and she could no longer say which of
-them she had ever loved in truth, or which of them she still loved.
-When, in such doubts, she attempted to continue her train of thought,
-that impassable barrier stopped her, and her impotency enraged her;
-with her clenched fist she beat herself on the forehead, as if therein
-there was something broken that she would repair.
-
-“What can it be?” she would then ask herself in despair. “Why is it
-that I forget so many things that have happened, and of which I can
-only remember that they have happened? All that dullness here in my
-head! Rather the most horrible pain than that dullness! It is as if I
-am going mad!”
-
-A shudder crept over her back like a cold snake at that thought.
-Suppose she were to go mad, what then would they do with her? But she
-would not follow up such terrible suppositions, although it seemed to
-her that if she could only think through that spectre of rising
-insanity, she would suddenly pass over the barrier that had been placed
-before her thoughts! But when once she should have passed into it,
-then—then, indeed, she would be insane.
-
-At such moments she covered her face with her hands and pressed her
-fingers in her ears, as though she would not hear, would not see; as if
-the first impression she would now receive would drive her mad. And at
-that idea she was so terrified that she said not a word about that
-dullness to Reyer.
-
-Her uninterrupted, listless idleness made her yield herself up entirely
-like a slave to the strange fantasies and ideas which frequently rose
-to the most senseless ecstasies, from which she suddenly awoke in dread
-terror; reclining on her couch, her fingers nervously plucking at the
-tassels of the cushions, playing with the loose hair that hung
-dishevelled about her head, her thoughts went back to her theatrical
-illusions in the days when she had sung duets with Paul, and when she
-thought she loved Fabrice. Then she became an actress; she saw the
-stage, the public, she smiled and bowed, flowers rained down upon her.
-Quite unconscious of herself, she would rise from her couch, and with
-her broken voice softly hum a recitative, a phrase from some Italian
-aria; and she moved about her room as if she were playing a part—she
-acted, she stretched forth her arms in movements of despair, or lifted
-them up with longing towards the fleeing lover; she sank down on her
-knees, and imagined that she was dragged forward, although she prayed
-and implored for mercy. Various rôles rose confused in her brain:
-Marguerite, Juliette, Lucia, Isabelle, Mireille—of all these in the
-space of a few minutes she would go through the most tragic scenes, and
-suddenly, roughly awakened from that madness, she would see herself
-once more alone in her room, and making the strangest motions. Then she
-drew back in terror for herself, and tremblingly she thought—
-
-“Heavens above! is it coming over me?”
-
-After such moments she would remain lying down staring about her with
-frightened eyes, as if she expected that some crushing catastrophe
-would occur, as if the features of the statuettes, the figures in the
-pictures and plates around her, would suddenly come to life and laugh
-at her—a hard, grinning laugh, cruel as that of demons.
-
-After such a day she did her best in her silent terror to become
-herself once more. In the morning, after awakening from her leaden,
-artificial sleep, she would quickly get up, dress herself with much
-care, and go out shopping; then go and take coffee with Henk and Betsy,
-with the Verstraetens, or with Madame van Raat. She complained about
-her loneliness, and as, in such moments, she showed herself rather
-amiable, they asked her here and there out of pity to stay to dinner.
-Then the evening would pass cheerily enough, and she returned home,
-glad that another day was gone, but fainting almost with fatigue at her
-unusual emotions by her artificially excited gaiety, unnatural and full
-of shrill laughter, mingled with coughs. And such a day she had to pay
-for dearly at night; the drops gave her no relief, she remained all
-through hopelessly wide awake, struggling with horrible nightmares,
-haunted by spectres of her diseased brain.
-
-Her acquaintances spoke a good deal about Eline, and Betsy frequently
-remarked with a serious face that she feared it was far from right with
-her; Eline was so strange just now, and Reyer was not satisfied either,
-and her acquaintances pitied her. Poor Eline! formerly she was so
-pretty, so elegant, so cheerful—and now she was like a shadow of her
-former self. Yes, indeed, she was very ill. That one could easily see.
-
-
-
-It was raining—a cold, searching March rain—and Betsy was at home,
-sitting in the little violet boudoir which opened on the conservatory.
-It was somewhat dark, but Betsy had moved her fauteuil in the light,
-and was reading Les Pêcheurs d’Islande by Pierre Loti. But the book
-bored her; how could fishermen be so very sentimental? Now and then her
-glance fell along the palms of the conservatory and on the barren
-garden, where the bare branches were dripping with wet. Ben sat on the
-floor by her fauteuil. All at once he gave a sigh.
-
-“What is it, Ben? Is anything the matter?” asked Betsy.
-
-“No, ma,” he answered, looking up in surprise with his laboured little
-voice.
-
-“Why do you sigh then, child?”
-
-“I don’t know, ma.”
-
-She looked at him searchingly for a moment, then she laid down her
-book.
-
-“Just come here, Ben.”
-
-“Where, ma dear?”
-
-“Here, on my lap.”
-
-He clambered slowly on to her lap and smiled. Lately her brusque voice
-often had something soft in it when she addressed her only child.
-
-“Are you fond of your ma?” she asked caressingly.
-
-“Yes.”
-
-“Kiss me, then.”
-
-He flung his little arms round her neck.
-
-“Come, give me a kiss!”
-
-Still with the same listless little smile he kissed her.
-
-“Ma is never naughty to you, is she?” asked Betsy.
-
-“No.”
-
-“Will you stop with ma like that?”
-
-“Yes.”
-
-He nestled himself, the big boy of seven, against her bosom.
-
-“Tell me, Ben, is there nothing you would like? Would you not like
-something nice of ma?”
-
-“No.”
-
-“For instance, a little horse and carriage—a real horse, a pony? Then
-Herman can teach you to drive.”
-
-“Oh, no, thank you,” he said, in a tone as if she bored him a little.
-
-She grew almost impatient, and was on the point of giving him a
-scolding, and telling him that he was a wretch of a boy, but that
-impatience lasted only for a second. She clasped him closer to her and
-kissed him.
-
-“But if there is anything you would like, you must tell me,” she said,
-almost weeping. “Will you tell me, Ben? Say, child, will you really
-tell ma?”
-
-“Yes,” he answered, in a tone of great satisfaction.
-
-And she closed her eyes, shuddering at the thought that her child was
-an idiot. It was like a curse that had come to her. But why, how had
-she then deserved it? What had she done?
-
-She did not read further, and she kept him on her lap, where he lay
-quietly, with his head resting on her shoulder, when she heard some one
-approaching through the salon. It was Eline.
-
-“Good morning, Eline.”
-
-“Good morning, Betsy. Good morning, Ben.”
-
-“Fancy you going out in this rain!”
-
-“I had a cab. I could not stay at home any longer. The weather made me
-so melancholy, and I thought I was going mad with ennui. Oh, great
-heavens!”
-
-She let herself go, as with a cry of despair she fell down on a seat,
-and removed her little veil.
-
-“Just imagine always being pent up within the four walls of your room,
-no one to see you, nothing in which you take any interest. Is that not
-enough to drive you mad? At all events, I cannot bear it any longer, I
-shall certainly go crazy.”
-
-“Eline, prends garde, l’enfant t’écoute.”
-
-“He—he does not understand that, and probably will never understand
-it,” she continued in a hoarse voice. “Ben, come here; come here for a
-moment. Do you know what you must do when you are big? Never think of
-anything, little man, whatever you do. Don’t think at all. Eat, drink,
-and enjoy yourself as long as you can, and then—then—you must marry!
-But you must not think, do you hear?”
-
-“Eline, vraiment tu es folle,” cried Betsy hastily, fearing more for
-her child than for her sister.
-
-Eline laughed loudly, and her laugh and the shrill words of her excited
-voice frightened Ben. With his big eyes and his mouth wide open he
-stared at her. But still she laughed.
-
-“Oh, he does not understand anything of it, the little man. Eh, you
-don’t know what it is that aunt is raving about, do you? But it is
-delicious to rave like that. I wish I could do something very
-desperate, some awfully mad trick, something utterly ridiculous, but I
-cannot think of anything. My mind is so dulled just now that I cannot
-think. If only Elise were here she would know something. Do you know
-what we did one day, Elise and I, the first time I stayed in Brussels?
-I never had the courage to tell any one of it before, but now I dare
-say anything. Nothing troubles me now. Just fancy, one evening we went
-out together for a walk, all alone, you know, just for a little
-adventure. Don’t you say a word of it to any one, do you hear? Then we
-met two gentlemen, two very nice gentlemen, whom we did not know at
-all. With them we went for a drive—in an open landau, and then—then we
-went with them into a café.”
-
-Her story was continually interrupted by little nervous shrill laughs,
-and with the last words she burst out into an uncontrollable fit of
-hysterical laughter. Not a word was true of the whole story, but at
-that moment she believed in it herself.
-
-“Just fancy, in a café—in a café! And then——”
-
-“Eline, do pray stop that mad talk,” said Betsy softly.
-
-“Ah! I suppose you think it awfully shocking, eh? But rest assured, it
-was not quite so bad as all that.”
-
-She still laughed, half weeping, and at last she burst out in
-hysterical sobs.
-
-“Oh, that wretched Reyer! I have always such a terrible pain here in my
-head, and he does not care. He is always boring me about my cough. I
-know I cough—that is no news; and oh, great heavens! it is so horribly
-dull in that Pension.”
-
-“Why don’t you come and stay with us then?”
-
-“Oh, that would never do. In three days’ time we should be pulling
-ourselves by the hair,” laughed Eline boisterously. “Now that we see
-each other but rarely it is much better.”
-
-“Really, I should do my very best to make you comfortable,” implored
-Betsy, who felt terribly alarmed at Eline’s excited state. “We should
-have the greatest care for you, and I should study you in everything.”
-
-“But I should not study you. No, thank you very much. I value my
-liberty before everything. How can you be so provoking? We should begin
-haggling at once. Why, we are haggling now already.”
-
-“Why do you say that? I am not haggling at all. There is nothing I
-should like better than for you to come here this evening, if you
-like.”
-
-“Betsy, now just leave off about it, or you will never see me again. I
-won’t live with you any more. I won’t, so there! I’ve had enough of
-it.”
-
-And she hummed a tune.
-
-“Will you stay to dinner then this afternoon?” asked Betsy.
-
-“Rather! But I’m tired. You won’t find me very lively. What are you
-going to do this evening?”
-
-“We are going to the Oudendykens’. Are you not invited?”
-
-“No. I never visit them.”
-
-“Why not?”
-
-“For my part they can frizzle themselves, the Oudendykens. Oh, my
-head—may I lie down on a couch?”
-
-“Certainly.”
-
-“Then I shall go to Henk’s room. There is such a cosy sofa there.”
-
-“There is no fire there.”
-
-“Oh, that does not matter.”
-
-
-
-She went up-stairs to Henk’s sitting-room. She lay down on the sofa,
-and ere long, exhausted as she was with her excitement, sleep overtook
-her. She was aroused from her slumbers by a heavy step on the landing.
-Before she was well awake, Henk entered.
-
-“Hullo, sissy, what have you been doing here in the dark? and how cold
-it is in here!”
-
-“Cold!” she repeated, with a look as that of a somnambulist. “Yes, now
-I feel it too. I’m shivering—but I have been asleep.”
-
-“Come along down-stairs. Dinner will soon be ready. Betsy said you were
-going to stay; aren’t you?”
-
-“Yes. Oh, Henk, how terrible that I have been asleep here!”
-
-“Terrible! Why?”
-
-“Now I won’t sleep to-night,” she screamed in despair, and she threw
-her head on his shoulder and sobbed.
-
-“Why don’t you rather come and stay with us again?” he asked softly.
-“You would be so comfortable with us.”
-
-“No, not that.”
-
-“Why not?”
-
-“It would never do. I am certain of it. It is very kind of you, Henk,
-to ask me, but it would not do. Sometimes I feel as if I could strike
-Betsy, and I feel that just at the moment when she speaks nicely to me,
-as she did this afternoon, for instance. I had to restrain myself with
-all my might from striking her.”
-
-He sighed, with a despairing face. To him she remained a puzzle.
-
-“Then let us go down-stairs,” said he.
-
-And as they were going down she leant heavily on his arm, trembling
-with the cold, which only now she began to feel.
-
-
-
-The winter went by, and Eline remained in the same condition.
-
-“Would it not do you good to go into the country in the summer?” asked
-Reyer. “I don’t mean that you should travel from one place to the
-other, that would fatigue you too much. But you might make a little
-stay in some quiet, cool spot amidst some cheerful surroundings.”
-
-Her thoughts went back to the Horze. Oh, if she had been Otto’s wife,
-then grateful coolness, shade, affection would have been hers.
-
-“I don’t know of such a place,” she answered languidly.
-
-“Perhaps I might know of something for you. I know some very nice kind
-people in Gelderland. They have a little country seat surrounded by
-magnificent pine forests.”
-
-“In Heaven’s name,” screamed Eline passionately, “no pine forests!”
-
-“But country life would strengthen you.”
-
-“It is impossible to strengthen me. Pray, Mr. Reyer, let me lie where I
-am.”
-
-“Do you sleep better now?”
-
-“Oh yes, fairly well.”
-
-It was not true. She never slept at night, and by day she slumbered
-just a little, she dozed just a little. The drops had no more effect,
-and only brought her into a continual whirling ecstasy, a condition
-full of listlessness and terror, in which she either raved like an
-actress, or dragged herself groaning along the floor. Reyer looked at
-her penetratingly.
-
-“Miss Vere, pray tell me the truth. Are you in the habit of taking
-other medicines than those which I prescribe?”
-
-“What makes you think that?”
-
-“Answer me the truth, Miss Vere.”
-
-“Of course not. How can you think such a thing? I should not have the
-courage to do so. No, no, you may rest quite assured about that.”
-
-Reyer left, and in his carriage he forgot his note-book for a moment,
-and was deep in thought about Miss Vere. Then he heaved a hopeless
-sigh. Scarcely had he left the room when Eline rose. She was dressed
-only in a loose gray peignoir, which hung about her emaciated figure.
-In front of the glass, she plunged her hands in her loose hair. It had
-grown very thin, and she laughed about it while the stray locks fell
-about her fingers. Then she flung herself on the floor.
-
-“I won’t,” she stammered, “I will not see him any more, that Reyer. He
-makes me worse than I am. I cannot bear him any longer. I shall write
-him to stay away.”
-
-But she did not feel sufficient energy to do so, and she remained lying
-on the floor, and her fingers traced the figures of the carpet. Softly
-she began to hum to herself. Through the door the sun cast a square
-golden glimmer on the floor, and thousands of little dust particles
-danced about in the golden light. The glitter irritated Eline, and she
-drew herself back.
-
-“Oh, that sun!” she whispered, with strange, big, dull eyes. “I hate
-that sun. ’Tis rain and wind that I want—cold rain and cold wind—the
-rain that oozes through on my chest, through my black tulle dress.”
-
-Suddenly she rose, and wrung her hands on her chest as though she would
-prevent the wind from blowing open the cloak from her shoulders.
-
-“Jeanne! Jeanne!” she commenced in her delirium; “pray, pray take me
-in. I have run away from Betsy, for she is unbearable. This evening, at
-the dinner at Hovel’s, she said all kinds of nasty things about
-Vincent, and you know that I love Vincent; for his sake I have broken
-my engagement, my engagement with Otto. Oh, how he bored me with his
-eternal calmness, always calm—always calm! I—I shall go mad under all
-that calmness; but really, Henk, I shall go to Lawrence and ask his
-pardon. But don’t strike me, Henk! Oh, Lawrence, Lawrence, I love you
-so! Do not be angry with me, Lawrence; see if I do not love you! Here
-is your portrait which I always wear on my bosom.”
-
-She had knelt down by the sofa, and lifted up her face as if she saw
-somebody. All at once she started in terror, and hastily, and with a
-shudder, she raised herself.
-
-“Great heavens! there it is coming again,” she thought, becoming once
-more conscious of herself.
-
-There seemed to be a struggle going on in her brain, a struggle between
-her impotent senses and her ever-increasing madness. With an uncertain
-movement she took up a book which was lying on the table, and opened
-it, to force herself to be sensible and to read. It was the score of Le
-Tribut de Zamora, which she had once procured during her passion for
-Fabrice. She dared not look up, fearing lest she might see her insanity
-take some hideous shape before her eyes. She dared not move, out of
-terror for herself, and she would gladly have saved her fleeing senses
-had she been able, as it were, to pass away out of her own self. And
-the ray of sunshine once more filled the room, glowing over the satin
-of the curtains and reflecting itself back in the china of the Japanese
-vases and the polished glittering brass of the ornaments. Softly she
-began to sing something to herself, quite unconsciously, in a voice
-hoarse and raw with endless coughing. Then there was a knock at the
-door.
-
-“Who is there?” she asked, alarmed.
-
-“’Tis I, miss,” cried a voice; “I’ve brought you your lunch.”
-
-“No, thank you, Sophie, I have no appetite.”
-
-“Will you not take anything, miss?”
-
-“No, thank you.”
-
-“Then you will ring, miss, when you want something, will you not?”
-
-“Yes, yes.”
-
-She heard the servant go down-stairs, she heard the tinkling of plates
-and glasses on the tray. Eline gave another glance at the rôle of
-Xaïma, and she lifted her head proudly and made an heroic motion with
-her hand, as she began to sing in a weak voice, interrupted by
-coughing.
-
-
-
-At half-past five Sophie brought the dinner and laid the little round
-table with much care. But Eline scarcely touched any of the food, and
-she was glad when Sophie took it back again. She took up a few cards
-which Sophie had brought with her, cards from Madame Verstraeten and
-from Lili.
-
-“Old Madame van Raat has also been here, and she went away.”
-
-Eline remained alone. The evening was falling, the sun was slowly
-sinking in the west, but the light long remained. From her cupboard
-Eline took a little bottle and carefully counted out some drops, which
-she let fall in a glass of water. Slowly she drank it. Ah, if they
-would only bring her some relief! It had so often been in vain lately.
-
-She was tired after her long day of idleness and half-insane ravings,
-and she wanted to retire to her rest at an early hour. No, she would
-not light the gas, she would stay a little longer in the twilight, and
-then—then she would try to sleep. But it all began to boil, to seethe,
-to throb in her head. She gasped for breath, and regardless of the
-evening air which began to blow into the room, she let the gray
-peignoir glide down from her shoulders. Her arms were thin, her chest
-was hollow, and she looked at herself with a sad smile as her fingers
-passed through her thin hair. And because it was growing dark, because
-in spite of her drops she would not sleep, because she was very pale
-and white in the lace and the embroidery of her dress, because she grew
-terrified at the increasing gloom, the madness once more returned—
-
-
- “Ah, perfido! Spergiuro!”
-
-
-she began as in a rage to hum to herself, as she lifted up her arm. It
-was the scene of Beethoven in which Vincent used to smell the odour of
-vervain. In her song she reproached a faithless lover with his broken
-troth, and her face expressed the most tragic grief, a wounded love
-which would avenge itself. She told the lover to go, but the gods above
-would crush him under their chastisement. Suddenly she snatched from
-her bed a sheet, and she wrapped herself in the long white material,
-which in the faint evening light fell about her like a cloak of marble.
-
-
- “Oh no! Fermate, vindici Dei!”
-
-
-she sang hoarsely, and her voice broke into coughs, with melting eyes
-this time, for in another mood she now invoked the mercy of the gods
-for the faithless one; however he may have changed she remained the
-same, she wanted no revenge, she had lived and now she would die for
-him. And slowly she murmured the Adagio slowly, very slowly, while the
-white folds of her drapery, with the imploring motions which she made
-with her arms, rose and fell continually. Thus she sang on, on, until a
-plaint forced itself from her throat, and in that plaint all at once
-she began to act, as with the noble art of a prima donna. It seemed to
-her as though the lover had already fled, and as though she turned to
-the chorus which surrounded her pityingly—
-
-
- “Se in tanto affa—a—a—anno!”
-
-
-she murmured, almost weeping, in grief-stricken cadences, and her agony
-rose, the plaint rose, and she shrieked higher and higher—
-
-
- “Non son degna di pieta!”
-
-
-She started violently, terrified at the penetrating, shrill notes of
-her broken voice, and she flung her sheet from her shoulders and sat
-down shivering. Would they have heard her? she wondered. She just
-glanced through the open French window on to the street. No, there were
-only a few people walking about in the growing darkness. But in the
-house? Well, any way, she could not help it now. She would be sensible
-once more. She sobbed, and yet she laughed. She laughed at herself. If
-she excited herself like that she would never sleep. Suddenly she threw
-herself on her disarranged bed, and closed her eyes, but sleep would
-not come.
-
-“Oh, heavens! Oh, great heavens!” she groaned. “Oh, great heavens, I
-pray you let me sleep.”
-
-And she wept bitterly, continuously. Then a thought shot through her
-brain. If she should drink a few drops more than the Brussels doctor
-had prescribed? Would it hurt her? She thought not, because the dose
-she was in the habit of taking now gave her no relief whatever. How
-many drops, she wondered, could she add to it without risk? As many as
-she had taken already? No, that would be too many, of course. Who knows
-what might happen? But, for instance, half as many again! Therefore,
-three drops more? No, no, she dared not. The doctor had so urgently
-warned her to be careful. Still it was very tempting, the few drops,
-and she rose. She took her little phial to count the three drops.
-One—two—three—four—five—the last two fell into the glass before she had
-time to take away the bottle. Five—that would be too many? She
-hesitated for a moment. With these five drops she would be certain to
-sleep. Still she hesitated, but all at once she came to a resolution,
-lured as she was to it by the prospect of rest. And she drank.
-
-
-
-She laid herself down on the floor, close to the open French window.
-The cold perspiration broke out all over her, and she felt a dullness
-stealing over her, but such a strange dullness it was, quite different
-from what she usually felt.
-
-“Oh, great God!” thought she. “Have—have I taken too many?”
-
-No, no, that would be too terrible. Death was so black, so empty, so
-mysterious, but still, if it were so? And suddenly her fears melted
-away into a restfulness immeasurable. Well, if it were so she would not
-care. And she began to laugh with inaudible, nervous little laughs,
-while the dullness descended upon her with a crushing weight as of the
-heavy fist of a giant. With her hand she wanted to defend herself from
-those giant fists, and her fingers became entangled in a cord about her
-neck. Oh, that was—that was his portrait, Otto’s portrait. Could she
-indeed have taken too much? When to-morrow came should she——? She
-shuddered. To-morrow morning would they knock at her door in vain, and
-in the end would they find her lying there? A terrible thought indeed.
-She was wet through with perspiration, and her fingers again wandered
-to the locket. No, that portrait they should not find on her bosom. She
-raised herself up, and wrenched the portrait out of the locket. She
-could no longer distinguish it, for it had grown dark in her room, and
-in her eyes the light was already failing; only the yellow glare of the
-street-lamp fell with a dull reflection into the room. But she saw the
-likeness with her mind’s eye, with her fingers she touched the little
-piece of pasteboard, and she kissed it, kissed it repeatedly.
-
-“Oh, Otto,” she faltered, in a heavy labouring voice; “you it was, you
-alone, my Otto, not Vincent, not St. Clare, no one but you. You—oh, my
-Otto—oh, Otto—oh, great God!”
-
-And she struggled despairingly between the agony of death and a calm
-resignation. Then, after covering the portrait with passionate kisses,
-she placed it in her mouth despairingly without the strength left her
-to tear it up, or to destroy it in any other way than by swallowing it.
-Thus, whilst a trembling gasp of breath shook through her whole frame,
-she chewed, chewed the discarded proof of the portrait—of the portrait
-of Otto.
-
-
-
-She was weeping still, not with intermittent sobs, no longer with any
-bitterness, but as a child, with soft, child-like little sounds, gently
-groaning, her bosom heaving with faint, undulating motions. It was a
-weeping in which something like a little laugh resounded, a little
-laugh of insanity. Then she grew quiet, and she nestled herself with
-her head in her arms, still on the floor by the open window. She never
-moved, desperate with terror at her surroundings, desperate with terror
-at what was to come. It seemed to her as if throughout her frame there
-foamed and seethed a dark and stormy sea, which engulfed every thought
-in her brain, and into which she gradually sunk away. And with all her
-last remaining energy she tried to struggle against that sea, but its
-pressure was too heavy, and she fell, fell back utterly exhausted,
-utterly unnerved, hopelessly dulled by a stormy hissing in her ears and
-in her brain.
-
-“Great God! great God!” she groaned in a voice that was growing weaker
-and hoarser with every moment, a voice full of a wild despair that had
-no longer the power of utterance. Then, drop by drop, slowly and
-gently, her consciousness flowed away, and she slept—the sleep of
-Eternity!
-
-
-
-The street-lamp was extinguished, and the big room was now dark as a
-grave. A mausoleum of impenetrable blackness in the midst of which,
-white and shadowy, lay a corpse. Then the chillness of the night
-entered into the apartment, and slowly the pearl gray mist of daybreak
-arose to dispel the heavy gloom.
-
-
- THE END.
-
-
-
-
-
-
-
-
-NOTES
-
-
-[1] Dutch gold coin, of the value of ten florins.
-
-[2] A rich cake baked in the shape of a turban.
-
-
-
-
-
-
-*** END OF THE PROJECT GUTENBERG EBOOK ELINE VERE ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
diff --git a/old/66911-0.zip b/old/66911-0.zip
deleted file mode 100644
index 316780b..0000000
--- a/old/66911-0.zip
+++ /dev/null
Binary files differ
diff --git a/old/66911-h.zip b/old/66911-h.zip
deleted file mode 100644
index 52a5db6..0000000
--- a/old/66911-h.zip
+++ /dev/null
Binary files differ
diff --git a/old/66911-h/66911-h.htm b/old/66911-h/66911-h.htm
deleted file mode 100644
index d9f3986..0000000
--- a/old/66911-h/66911-h.htm
+++ /dev/null
@@ -1,14976 +0,0 @@
-<!DOCTYPE html
-PUBLIC "-//W3C//DTD HTML 4.01 Transitional//EN" "http://www.w3.org/TR/html4/loose.dtd">
-<!-- This HTML file has been automatically generated from an XML source on 2021-12-09T20:38:00Z using SAXON HE 9.9.1.8 . -->
-<html lang="en">
-<head>
-<meta http-equiv="Content-Type" content="text/html; charset=utf-8">
-<title>Eline Vere</title>
-<meta name="generator" content="tei2html.xsl, see https://github.com/jhellingman/tei2html">
-<meta name="author" content="Louis Marie Anne Couperus (1863–1923)">
-<link rel="coverpage" href="images/front-cover.jpg">
-<link rel="schema.DC" href="http://dublincore.org/documents/1998/09/dces/">
-<meta name="DC.Creator" content="Louis Marie Anne Couperus (1863–1923)">
-<meta name="DC.Title" content="Eline Vere">
-<meta name="DC.Language" content="en">
-<meta name="DC.Format" content="text/html">
-<meta name="DC.Publisher" content="Project Gutenberg">
-<style type="text/css"> /* <![CDATA[ */
-html {
-line-height: 1.3;
-}
-body {
-margin: 0;
-}
-main {
-display: block;
-}
-h1 {
-font-size: 2em;
-margin: 0.67em 0;
-}
-hr {
-height: 0;
-overflow: visible;
-}
-pre {
-font-family: monospace, monospace;
-font-size: 1em;
-}
-a {
-background-color: transparent;
-}
-abbr[title] {
-border-bottom: none;
-text-decoration: underline;
-text-decoration: underline dotted;
-}
-b, strong {
-font-weight: bolder;
-}
-code, kbd, samp {
-font-family: monospace, monospace;
-font-size: 1em;
-}
-small {
-font-size: 80%;
-}
-sub, sup {
-font-size: 67%;
-line-height: 0;
-position: relative;
-vertical-align: baseline;
-}
-sub {
-bottom: -0.25em;
-}
-sup {
-top: -0.5em;
-}
-img {
-border-style: none;
-}
-body {
-font-family: serif;
-font-size: 100%;
-text-align: left;
-margin-top: 2.4em;
-}
-div.front, div.body {
-margin-bottom: 7.2em;
-}
-div.back {
-margin-bottom: 2.4em;
-}
-.div0 {
-margin-top: 7.2em;
-margin-bottom: 7.2em;
-}
-.div1 {
-margin-top: 5.6em;
-margin-bottom: 5.6em;
-}
-.div2 {
-margin-top: 4.8em;
-margin-bottom: 4.8em;
-}
-.div3 {
-margin-top: 3.6em;
-margin-bottom: 3.6em;
-}
-.div4 {
-margin-top: 2.4em;
-margin-bottom: 2.4em;
-}
-.div5, .div6, .div7 {
-margin-top: 1.44em;
-margin-bottom: 1.44em;
-}
-.div0:last-child, .div1:last-child, .div2:last-child, .div3:last-child,
-.div4:last-child, .div5:last-child, .div6:last-child, .div7:last-child {
-margin-bottom: 0;
-}
-blockquote div.front, blockquote div.body, blockquote div.back {
-margin-top: 0;
-margin-bottom: 0;
-}
-.divBody .div1:first-child, .divBody .div2:first-child, .divBody .div3:first-child, .divBody .div4:first-child,
-.divBody .div5:first-child, .divBody .div6:first-child, .divBody .div7:first-child {
-margin-top: 0;
-}
-h1, h2, h3, h4, h5, h6, .h1, .h2, .h3, .h4, .h5, .h6 {
-clear: both;
-font-style: normal;
-text-transform: none;
-}
-h3, .h3 {
-font-size: 1.2em;
-}
-h3.label {
-font-size: 1em;
-margin-bottom: 0;
-}
-h4, .h4 {
-font-size: 1em;
-}
-.alignleft {
-text-align: left;
-}
-.alignright {
-text-align: right;
-}
-.alignblock {
-text-align: justify;
-}
-p.tb, hr.tb, .par.tb {
-margin: 1.6em auto;
-text-align: center;
-}
-p.argument, p.note, p.tocArgument, .par.argument, .par.note, .par.tocArgument {
-font-size: 0.9em;
-text-indent: 0;
-}
-p.argument, p.tocArgument, .par.argument, .par.tocArgument {
-margin: 1.58em 10%;
-}
-td.tocDivNum {
-vertical-align: top;
-}
-td.tocPageNum {
-vertical-align: bottom;
-}
-.opener, .address {
-margin-top: 1.6em;
-margin-bottom: 1.6em;
-}
-.addrline {
-margin-top: 0;
-margin-bottom: 0;
-}
-.dateline {
-margin-top: 1.6em;
-margin-bottom: 1.6em;
-text-align: right;
-}
-.salute {
-margin-top: 1.6em;
-margin-left: 3.58em;
-text-indent: -2em;
-}
-.signed {
-margin-top: 1.6em;
-margin-left: 3.58em;
-text-indent: -2em;
-}
-.epigraph {
-font-size: 0.9em;
-width: 60%;
-margin-left: auto;
-}
-.epigraph span.bibl {
-display: block;
-text-align: right;
-}
-.trailer {
-clear: both;
-margin-top: 3.6em;
-}
-span.abbr, abbr {
-white-space: nowrap;
-}
-span.parnum {
-font-weight: bold;
-}
-span.corr, span.gap {
-border-bottom: 1px dotted red;
-}
-span.num, span.trans, span.trans {
-border-bottom: 1px dotted gray;
-}
-span.measure {
-border-bottom: 1px dotted green;
-}
-.ex {
-letter-spacing: 0.2em;
-}
-.sc {
-font-variant: small-caps;
-}
-.asc {
-font-variant: small-caps;
-text-transform: lowercase;
-}
-.uc {
-text-transform: uppercase;
-}
-.tt {
-font-family: monospace;
-}
-.underline {
-text-decoration: underline;
-}
-.overline, .overtilde {
-text-decoration: overline;
-}
-.rm {
-font-style: normal;
-}
-.red {
-color: red;
-}
-hr {
-clear: both;
-border: none;
-border-bottom: 1px solid black;
-width: 45%;
-margin-left: auto;
-margin-right: auto;
-margin-top: 1em;
-text-align: center;
-}
-hr.dotted {
-border-bottom: 2px dotted black;
-}
-hr.dashed {
-border-bottom: 2px dashed black;
-}
-.aligncenter {
-text-align: center;
-}
-h1, h2, .h1, .h2 {
-font-size: 1.44em;
-line-height: 1.5;
-}
-h1.label, h2.label {
-font-size: 1.2em;
-margin-bottom: 0;
-}
-h5, h6 {
-font-size: 1em;
-font-style: italic;
-}
-p, .par {
-text-indent: 0;
-}
-p.firstlinecaps:first-line, .par.firstlinecaps:first-line {
-text-transform: uppercase;
-}
-.hangq {
-text-indent: -0.32em;
-}
-.hangqq {
-text-indent: -0.42em;
-}
-.hangqqq {
-text-indent: -0.84em;
-}
-p.dropcap:first-letter, .par.dropcap:first-letter {
-float: left;
-clear: left;
-margin: 0 0.05em 0 0;
-padding: 0;
-line-height: 0.8;
-font-size: 420%;
-vertical-align: super;
-}
-blockquote, p.quote, div.blockquote, div.argument, .par.quote {
-font-size: 0.9em;
-margin: 1.58em 5%;
-}
-.pageNum a, a.noteRef:hover, a.pseudoNoteRef:hover, a.hidden:hover, a.hidden {
-text-decoration: none;
-}
-.advertisement, .advertisements {
-background-color: #FFFEE0;
-border: black 1px dotted;
-color: #000;
-margin: 2em 5%;
-padding: 1em;
-}
-.footnotes .body, .footnotes .div1 {
-padding: 0;
-}
-.fnarrow {
-color: #AAAAAA;
-font-weight: bold;
-text-decoration: none;
-}
-.fnarrow:hover, .fnreturn:hover {
-color: #660000;
-}
-.fnreturn {
-color: #AAAAAA;
-font-size: 80%;
-font-weight: bold;
-text-decoration: none;
-vertical-align: 0.25em;
-}
-a {
-text-decoration: none;
-}
-a:hover {
-text-decoration: underline;
-background-color: #e9f5ff;
-}
-a.noteRef, a.pseudoNoteRef {
-font-size: 67%;
-line-height: 0;
-position: relative;
-vertical-align: baseline;
-top: -0.5em;
-text-decoration: none;
-margin-left: 0.1em;
-}
-.displayfootnote {
-display: none;
-}
-div.footnotes {
-font-size: 80%;
-margin-top: 1em;
-padding: 0;
-}
-hr.fnsep {
-margin-left: 0;
-margin-right: 0;
-text-align: left;
-width: 25%;
-}
-p.footnote, .par.footnote {
-margin-bottom: 0.5em;
-margin-top: 0.5em;
-}
-p.footnote .fnlabel, .par.footnote .fnlabel {
-float: left;
-margin-left: -0.1em;
-margin-top: 0.9em;
-min-width: 1.0em;
-padding-right: 0.4em;
-}
-.apparatusnote {
-text-decoration: none;
-}
-.apparatusnote:target, .fndiv:target {
-background-color: #eaf3ff;
-}
-table.tocList {
-width: 100%;
-margin-left: auto;
-margin-right: auto;
-border-width: 0;
-border-collapse: collapse;
-}
-td.tocPageNum, td.tocDivNum {
-text-align: right;
-min-width: 10%;
-border-width: 0;
-white-space: nowrap;
-}
-td.tocDivNum {
-padding-left: 0;
-padding-right: 0.5em;
-}
-td.tocPageNum {
-padding-left: 0.5em;
-padding-right: 0;
-}
-td.tocDivTitle {
-width: auto;
-}
-p.tocPart, .par.tocPart {
-margin: 1.58em 0;
-font-variant: small-caps;
-}
-p.tocChapter, .par.tocChapter {
-margin: 1.58em 0;
-}
-p.tocSection, .par.tocSection {
-margin: 0.7em 5%;
-}
-table.tocList td {
-vertical-align: top;
-}
-table.tocList td.tocPageNum {
-vertical-align: bottom;
-}
-table.inner {
-display: inline-table;
-border-collapse: collapse;
-width: 100%;
-}
-td.itemNum {
-text-align: right;
-min-width: 5%;
-padding-right: 0.8em;
-}
-td.innerContainer {
-padding: 0;
-margin: 0;
-}
-.index {
-font-size: 80%;
-}
-.index p {
-text-indent: -1em;
-margin-left: 1em;
-}
-.indexToc {
-text-align: center;
-}
-.transcriberNote {
-background-color: #DDE;
-border: black 1px dotted;
-color: #000;
-font-family: sans-serif;
-font-size: 80%;
-margin: 2em 5%;
-padding: 1em;
-}
-.missingTarget {
-text-decoration: line-through;
-color: red;
-}
-.correctionTable {
-width: 75%;
-}
-.width20 {
-width: 20%;
-}
-.width40 {
-width: 40%;
-}
-p.smallprint, li.smallprint, .par.smallprint {
-color: #666666;
-font-size: 80%;
-}
-span.musictime {
-vertical-align: middle;
-display: inline-block;
-text-align: center;
-}
-span.musictime, span.musictime span.top, span.musictime span.bottom {
-padding: 1px 0.5px;
-font-size: xx-small;
-font-weight: bold;
-line-height: 0.7em;
-}
-span.musictime span.bottom {
-display: block;
-}
-ul {
-list-style-type: none;
-}
-.splitListTable {
-margin-left: 0;
-}
-.numberedItem {
-text-indent: -3em;
-margin-left: 3em;
-}
-.numberedItem .itemNumber {
-float: left;
-position: relative;
-left: -3.5em;
-width: 3em;
-display: inline-block;
-text-align: right;
-}
-.itemGroupTable {
-border-collapse: collapse;
-margin-left: 0;
-}
-.itemGroupTable td {
-padding: 0;
-margin: 0;
-vertical-align: middle;
-}
-.itemGroupBrace {
-padding: 0 0.5em !important;
-}
-.titlePage {
-border: #DDDDDD 2px solid;
-margin: 3em 0 7em 0;
-padding: 5em 10% 6em 10%;
-text-align: center;
-}
-.titlePage .docTitle {
-line-height: 1.7;
-margin: 2em 0 2em 0;
-font-weight: bold;
-}
-.titlePage .docTitle .mainTitle {
-font-size: 1.8em;
-}
-.titlePage .docTitle .subTitle, .titlePage .docTitle .seriesTitle,
-.titlePage .docTitle .volumeTitle {
-font-size: 1.44em;
-}
-.titlePage .byline {
-margin: 2em 0 2em 0;
-font-size: 1.2em;
-line-height: 1.5;
-}
-.titlePage .byline .docAuthor {
-font-size: 1.2em;
-font-weight: bold;
-}
-.titlePage .figure {
-margin: 2em auto;
-}
-.titlePage .docImprint {
-margin: 4em 0 0 0;
-font-size: 1.2em;
-line-height: 1.5;
-}
-.titlePage .docImprint .docDate {
-font-size: 1.2em;
-font-weight: bold;
-}
-div.figure {
-text-align: center;
-}
-.figure {
-margin-left: auto;
-margin-right: auto;
-}
-.floatLeft {
-float: left;
-margin: 10px 10px 10px 0;
-}
-.floatRight {
-float: right;
-margin: 10px 0 10px 10px;
-}
-p.figureHead, .par.figureHead {
-font-size: 100%;
-text-align: center;
-}
-.figAnnotation {
-font-size: 80%;
-position: relative;
-margin: 0 auto;
-}
-.figTopLeft, .figBottomLeft {
-float: left;
-}
-.figTopRight, .figBottomRight {
-float: right;
-}
-.figure p, .figure .par {
-font-size: 80%;
-margin-top: 0;
-text-align: center;
-}
-img {
-border-width: 0;
-}
-td.galleryFigure {
-text-align: center;
-vertical-align: middle;
-}
-td.galleryCaption {
-text-align: center;
-vertical-align: top;
-}
-.lgouter {
-margin-left: auto;
-margin-right: auto;
-display: table;
-}
-.lg {
-text-align: left;
-padding: .5em 0 .5em 0;
-}
-.lg h4, .lgouter h4 {
-font-weight: normal;
-}
-.lg .lineNum, .sp .lineNum, .lgouter .lineNum {
-color: #777;
-font-size: 90%;
-left: 16%;
-margin: 0;
-position: absolute;
-text-align: center;
-text-indent: 0;
-top: auto;
-width: 1.75em;
-}
-p.line, .par.line {
-margin: 0 0 0 0;
-}
-span.hemistich {
-visibility: hidden;
-}
-.verseNum {
-font-weight: bold;
-}
-.speaker {
-font-weight: bold;
-margin-bottom: 0.4em;
-}
-.sp .line {
-margin: 0 10%;
-text-align: left;
-}
-.castlist, .castitem {
-list-style-type: none;
-}
-.castGroupTable {
-border-collapse: collapse;
-margin-left: 0;
-}
-.castGroupTable td {
-padding: 0;
-margin: 0;
-vertical-align: middle;
-}
-.castGroupBrace {
-padding: 0 0.5em !important;
-}
-body {
-padding: 1.58em 16%;
-}
-.pageNum {
-display: inline;
-font-size: 8.4pt;
-font-style: normal;
-margin: 0;
-padding: 0;
-position: absolute;
-right: 1%;
-text-align: right;
-letter-spacing: normal;
-}
-.marginnote {
-font-size: 0.8em;
-height: 0;
-left: 1%;
-position: absolute;
-text-indent: 0;
-width: 14%;
-text-align: left;
-}
-.right-marginnote {
-font-size: 0.8em;
-height: 0;
-right: 3%;
-position: absolute;
-text-indent: 0;
-text-align: right;
-width: 11%
-}
-.cut-in-left-note {
-font-size: 0.8em;
-left: 1%;
-float: left;
-text-indent: 0;
-width: 14%;
-text-align: left;
-padding: 0.8em 0.8em 0.8em 0;
-}
-.cut-in-right-note {
-font-size: 0.8em;
-left: 1%;
-float: right;
-text-indent: 0;
-width: 14%;
-text-align: right;
-padding: 0.8em 0 0.8em 0.8em;
-}
-span.tocPageNum, span.flushright {
-position: absolute;
-right: 16%;
-top: auto;
-text-indent: 0;
-}
-.pglink::after {
-content: "\0000A0\01F4D8";
-font-size: 80%;
-font-style: normal;
-font-weight: normal;
-}
-.catlink::after {
-content: "\0000A0\01F4C7";
-font-size: 80%;
-font-style: normal;
-font-weight: normal;
-}
-.exlink::after, .wplink::after, .biblink::after, .qurlink::after, .seclink::after {
-content: "\0000A0\002197\00FE0F";
-color: blue;
-font-size: 80%;
-font-style: normal;
-font-weight: normal;
-}
-.pglink:hover {
-background-color: #DCFFDC;
-}
-.catlink:hover {
-background-color: #FFFFDC;
-}
-.exlink:hover, .wplink:hover, .biblink:hover, .qurlink:hover, .seclin:hover {
-background-color: #FFDCDC;
-}
-body {
-background: #FFFFFF;
-font-family: serif;
-}
-body, a.hidden {
-color: black;
-}
-h1, h2, .h1, .h2 {
-text-align: center;
-font-variant: small-caps;
-font-weight: normal;
-}
-p.byline {
-text-align: center;
-font-style: italic;
-margin-bottom: 2em;
-}
-.div2 p.byline, .div3 p.byline, .div4 p.byline, .div5 p.byline, .div6 p.byline, .div7 p.byline {
-text-align: left;
-}
-.figureHead, .noteRef, .pseudoNoteRef, .marginnote, .right-marginnote, p.legend, .verseNum {
-color: #660000;
-}
-.rightnote, .pageNum, .lineNum, .pageNum a {
-color: #AAAAAA;
-}
-a.hidden:hover, a.noteRef:hover, a.pseudoNoteRef:hover {
-color: red;
-}
-h1, h2, h3, h4, h5, h6 {
-font-weight: normal;
-}
-table {
-margin-left: auto;
-margin-right: auto;
-}
-.tablecaption {
-text-align: center;
-}
-.arab { font-family: Scheherazade, serif; }
-.aran { font-family: 'Awami Nastaliq', serif; }
-.grek { font-family: 'Charis SIL', serif; }
-.hebr { font-family: Shlomo, 'Ezra SIL', serif; }
-.syrc { font-family: 'Serto Jerusalem', serif; }
-/* CSS rules generated from rendition elements in TEI file */
-.adTitle {
-font-size: large; margin-top: 2em;
-}
-.adReview {
-font-size: small;
-}
-div.advertisement img {
-mix-blend-mode: darken;
-}
-/* CSS rules generated from @rend attributes in TEI file */
-.cover-imagewidth {
-width:491px;
-}
-.titlepage-imagewidth {
-width:412px;
-}
-.xd31e154 {
-text-align:center; font-size:small;
-}
-.xd31e5524 {
-text-align:center;
-}
-.ad1width {
-width:242px;
-}
-.ad2width {
-width:213px;
-}
-.ad3width {
-width:283px;
-}
-.ad4width {
-width:305px;
-}
-@media handheld {
-}
-/* ]]> */ </style>
-</head>
-<body>
-
-<div style='text-align:center; font-size:1.2em; font-weight:bold'>The Project Gutenberg eBook of Eline Vere, by Louis Marie Anne Couperus</div>
-
-<div style='display:block; margin:1em 0'>
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online
-at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
-are not located in the United States, you will have to check the laws of the
-country where you are located before using this eBook.
-</div>
-
-<p style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Title: Eline Vere</p>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Author: Louis Marie Anne Couperus</div>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Translator: Jack Thomas Grein</div>
-
-<div style='display:block; margin-top:1em; margin-bottom:1em; margin-left:2em; text-indent:-2em'>Commentator: Edmund William Gosse</div>
-
-<div style='display:block; margin:1em 0'>Release Date: December 9, 2021 [eBook #66911]</div>
-
-<div style='display:block; margin:1em 0'>Language: English</div>
-
-<div style='display:block; margin:1em 0'>Character set encoding: UTF-8</div>
-
-<div style='display:block; margin-left:2em; text-indent:-2em'>Produced by: Jeroen Hellingman and the Online Distributed Proofreading Team at https://www.pgdp.net/ for Project Gutenberg (This file was produced from images generously made available by the Library of Congress)</div>
-
-<div style='margin-top:2em; margin-bottom:4em'>*** START OF THE PROJECT GUTENBERG EBOOK ELINE VERE ***</div>
-<div class="front">
-<div class="div1 cover"><span class="pageNum">[<a href="#toc">Contents</a>]</span><div class="divBody">
-<p class="first"></p>
-<div class="figure cover-imagewidth"><img src="images/front-cover.jpg" alt="Original Front Cover." width="491" height="720"></div><p>
-</p>
-</div>
-</div>
-<div class="div1 titlepage"><span class="pageNum">[<a href="#toc">Contents</a>]</span><div class="divBody">
-<p class="first"></p>
-<div class="figure titlepage-imagewidth"><img src="images/titlepage.png" alt="Original Title Page." width="412" height="720"></div><p>
-</p>
-</div>
-</div>
-<div class="titlePage">
-<div class="docTitle">
-<div class="seriesTitle">Holland Fiction Series</div>
-<div class="mainTitle">ELINE VERE</div>
-</div>
-<div class="byline">TRANSLATED FROM THE DUTCH OF<br>
-<span class="docAuthor">LOUIS COUPERUS</span>
-<br>
-BY<br>
-<span class="docAuthor">J. T. GREIN</span>
-<br>
-WITH AN INTRODUCTION<br>
-BY EDMUND GOSSE</div>
-<div class="docImprint">NEW·YORK<br>
-D. APPLETON <span class="asc">AND</span> CO.<br>
-<span class="docDate">1892</span></div>
-</div>
-<p></p>
-<div class="div1 copyright"><span class="pageNum">[<a href="#toc">Contents</a>]</span><div class="divBody">
-<p class="first xd31e154"><span class="sc">Copyright, 1892,<br>
-By</span> D. APPLETON AND COMPANY.
-<span class="pageNum" id="pb.iii">[<a href="#pb.iii">iii</a>]</span></p>
-</div>
-</div>
-<div id="intro" class="div1 introduction"><span class="pageNum">[<a href="#intro.toc">Contents</a>]</span><div class="divHead">
-<h2 class="label">INTRODUCTION.</h2>
-<h2 class="main"><i>THE DUTCH SENSITIVISTS.</i></h2>
-</div>
-<div class="divBody">
-<p class="first">In the intellectual history of all countries we find the same phenomenon incessantly
-recurring. New writers, new artists, new composers arise in revolt against what has
-delighted their grandfathers and satisfied their fathers. These young men, pressed
-together at first, by external opposition, into a serried phalanx, gradually win their
-way, become themselves the delight and then the satisfaction of their contemporaries,
-and, falling apart as success is secured to them, come to seem lax, effete, and obsolete
-to a new race of youths, who effect a fresh æsthetic revolution. In small communities,
-these movements are often to be observed more precisely than in larger ones. But they
-are very tardily perceived by foreigners, the established authorities in art and literature
-retaining their exclusive place in dictionaries and handbooks long after the claim
-of their juniors to be observed with attention has been practically conceded at home.
-</p>
-<p>For this reason, partly, and partly also because the mental life of Holland receives
-little attention in this country, no account has yet been taken of the revolution
-in Dutch taste which has occupied the last six or seven <span class="pageNum" id="pb.iv">[<a href="#pb.iv">iv</a>]</span>years. I believe that the present occasion is the first on which it has been brought
-to the notice of any English-speaking public. There exists, however, in Holland, at
-this moment, a group of young writers, most of them between thirty-five and twenty-five
-years of age, who exhibit a violent zeal for literature, passing often into extravagance,
-who repudiate, sometimes with ferocity, the rather sleepy Dutch authorship of the
-last forty years, and who are held together, or crushed together, by the weight of
-antiquated taste and indifference to executive merit which they experience around
-them. Certain facts seem to be undeniable: first, that every young man of letters
-in Holland, whose work is really promising, has joined the camp; and secondly, that,
-with all the ferment and crudity inseparable from prose and verse composed in direct
-opposition to existing canons of taste, the poems and the stories of these young Dutchmen
-are often full of beauty and delicacy. They have read much in their boyhood; they
-have imitated Rossetti and Keats; they have been fascinated by certain Frenchmen,
-by Flaubert, by Goncourt, particularly by Huysmans, who is a far-away kinsman of their
-own; they have studied the disquieting stories of Edgar Poe. But these influences
-are passing away, and those who know something of current Dutch <i lang="fr">belles-lettres</i> can realize best how imperatively a ploughing up of the phlegmatic tradition of Dutch
-thought was required before a new crop of imagination could spring up.
-</p>
-<p>Rejecting the conventional aspects of contemporary Dutch literature, I will now attempt
-to give some sketch of the present situation as it appears to a foreign critic observing
-the field without prejudice. The latest novelist of great importance was Madame Gertrude
-Bosboom-Toussaint, who was born in 1821. After having written a long series of historical
-romances for nearly forty years, <span class="pageNum" id="pb.v">[<a href="#pb.v">v</a>]</span>this intelligent woman and careful writer broke with her own assured public, and took
-up the discussion of psychological questions. She treated the problem of Socialism
-in <i lang="nl">Raymond de Schrijnwerker</i> and the status of woman in <i lang="nl">Majoor Frans</i>. Madame Bosboom-Toussaint died in 1886, just too early to welcome the new school
-of writers, with whom she would probably have had more sympathy than any of her contemporaries.
-Her place in popular esteem was taken for a short time by Miss Opzomer (A.&nbsp;S.&nbsp;C. Wallis),
-whose long novels have been translated into English, <i lang="nl">In dagen van strijd</i> (“In Troubled Times”) and <i lang="nl">Vorstengunst</i> (“Royal Favor”). She had genuine talent, but her style was heavy and tedious. After
-the new wind began to blow, although she was still young, she married, went to Hungary,
-and gave up writing novels.
-</p>
-<p>Three authors of importance, each, by a curious coincidence, born in the year 1826,
-fill up the interval between the old and new generation. These are Dekker, Busken-Huët,
-and Vosmaer. Edward Douwes Dekker, whose novel of <i lang="nl">Max Havelaar</i> dates from 1858, was a man of exceptional genius. Bred in the interior of Java, he
-observed the social conditions of life in the Dutch Indies as no one else had done,
-but his one great book remained a solitary one. He died in 1887 without having justified
-the very high hopes awakened by that extraordinary and revolutionary work. The career
-of Konrad Busken-Huët was very different. The principal literary critic of Holland
-in his generation, he aimed at being the Sainte-Beuve of the Dutch, and in his early
-days, as the dreaded “Thrasybulus” of journalism, he did much to awaken thought. His
-volumes of criticism are extremely numerous, and exercised a wholesome influence during
-his own time. He died in Paris in April, 1886. These two writers have had a strong
-effect on the prose style of the younger school of <span class="pageNum" id="pb.vi">[<a href="#pb.vi">vi</a>]</span>essayists and novelists. They lived long enough to observe the dawn of the new literature,
-and their relations with the latest writers were cordial if somewhat reserved.
-</p>
-<p>What Douwes Dekker and Busken-Huët did in prose, was effected in poetry by Carel Vosmaer.
-This estimable man, who died in 1888, was well known throughout Europe as an art-critic
-and an authority on Rembrandt. In Holland he was pre-eminent as the soul of a literary
-newspaper, the <i lang="nl">Nederlandsche Spectator</i>, which took an independent line in literary criticism, and affected to lead public
-taste in directions less provincial and old-fashioned than the rest of the Dutch press.
-Vosmaer wrote also several volumes of more or less fantastic poetry, a translation
-of Homer into alexandrines, and an antiquarian novel, <i lang="nl">Amazone</i>, 1881. But Vosmaer’s position was, above all, that of a precursor. He, and he alone,
-saw that a new thing must be made in Dutch poetical literature. He, and he alone,
-was not satisfied with the stereotyped Batavian tradition. At the same time Vosmaer
-was not, it may be admitted, strong enough himself to found a new school; perhaps
-even, in his later days, the Olympian calm which he affected, and a certain elegant
-indolence which overcame him, may have made him unsympathetic to the ardent and the
-juvenile. At all events, this singular phenomenon has occurred. He who of all living
-Dutchmen was, ten or fifteen years ago, fretting under the poverty of thought and
-imagination in his fatherland and longing for the new era to arrive, is at this moment
-the one man of the last generation who is most exposed to that unseemly <i lang="fr">ferocité des jeunes</i> which is the ugliest feature of these æsthetic revolutions. I have just been reading,
-with real pain, the violent attack on Vosmaer and his influence which has been published
-by that very clever young poet, Mr. Willem Kloos (<i lang="nl">De Nieuwe Gids</i>, December, <span class="pageNum" id="pb.vii">[<a href="#pb.vii">vii</a>]</span>1890). All that cheers me is to know that the whirligig of time will not forget its
-revenges, and that, if Mr. Kloos only lives long enough, he will find somebody, now
-unborn, to call <i>him</i> a “bloodless puppet.”
-</p>
-<p>Of one other representative of the transitional period, Marcellus Emants, I need say
-little. He wrote a poem, <i>Lilith</i>, and several short stories. Much was expected of him, but I know not what has been
-the result.
-</p>
-<p>The inaugurator of the new school was Jacques Perk, a young poet of indubitable genius,
-who was influenced to some degree by Shelley, and by the <i>Florence</i> of the Dutch Browning, Potgieter. He wrote in 1880 a <i>Mathilde</i>, for which he could find no publisher, presently died, and began to be famous on
-the posthumous issue of his poems, edited by Vosmaer and Kloos, in 1883.
-</p>
-<p>The sonnets of Perk, like those of Bowles with us a hundred years ago, were the heralds
-of a whole new poetic literature. The resistance made to the young writers who now
-began to express themselves, and their experience that all the doors of periodical
-publication in Holland were closed to them, led to the foundation in 1885 of <i lang="nl">De Nieuwe Gids</i>, a rival to the old Dutch quarterly, <i lang="nl">De Gids</i>. In this new review, which has steadily maintained and improved its position, most
-of the principal productions of the new school have appeared. The first three numbers
-contained <i lang="nl">De Kleine Johannes</i> (“Little Johnny”), of Dr. Frederik van Eeden, the first considerable prose-work of
-the younger generation. This is a charming romance, fantastic and refined, half symbolical,
-half realistic, which deserves to be known to English readers. It has been highly
-appreciated in Holland. To this followed two powerful books by L. van Deyssel, <i lang="nl">Een Liefde</i> (“A Love”) and <i lang="nl">De Kleine Republiek</i> (“The Little Republic”). Van Deyssel has written with great force, but he has hitherto
-been the <span class="pageNum" id="pb.viii">[<a href="#pb.viii">viii</a>]</span><i lang="fr">enfant terrible</i> of the school, the one who has claimed with most insolence to say precisely what
-has occurred to him to say. He has been influenced, more than the rest, by the latest
-French literature.
-</p>
-<p>While speaking of the new school, it is difficult to restrain from mentioning others
-of those whose work in <i lang="nl">De Nieuwe Gids</i> and elsewhere has raised hopes of high performance in the future. Jacques van Looy,
-a painter by profession, has published, among other things, an exquisitely finished
-volume of <i lang="nl">Proza</i> (“Prose Essays”). Frans Netscher, who deliberately marches in step with the French
-realists, is the George Moore of Holland; he has published a variety of small sketches
-and one or two novels. Ary Prins, under the pseudonym of Coopland, has written some
-very good studies of life. Among the poets are Willem Kloos, Albert Verwey, and Herman
-Gorter, each of whom deserves a far more careful critical consideration than can here
-be given to him.
-</p>
-<p>Willem Kloos, indeed, may be considered as the leader of the school since the death
-of Perk. It was to Kloos that, in the period from 1880 to 1885, each of the new writers
-went in secret for encouragement, criticism, and sympathy. He appears to be a man
-of very remarkable character. Violent and passionate in his public utterances, he
-is adored by his own colleagues and disciples, and one of the most gifted of them
-has told me that “Kloos has never made a serious mistake in his estimate of the force
-of a man or of a book.” His writings, however, are very few, and his tone in controversy
-is acrid and uncompromising, as I have already indicated. He remains the least known
-and the least liked, though the most powerful, of the band. The member of the new
-generation whose verse and prose alike have won most acceptance is, certainly, Frederik
-van Eeden. His cycle of lyrical verse, <span class="pageNum" id="pb.ix">[<a href="#pb.ix">ix</a>]</span><i>Ellen</i>, 1891, is doubtless the most exquisite product of recent Dutch literature.
-</p>
-<p>For the peculiar quality which unites in one movement the varied elements of the school
-which I have attempted thus briefly to describe, the name Sensitivism has been invented
-by one of themselves, by Van Deyssel. It is a development of impressionism, grafted
-upon naturalism, as a frail and exotic bud may be set in the rough basis of a thorn.
-It preserves the delicacy of sensation of the one and strengthens it by the exactitude
-and conscientiousness of the other, yet without giving way to the vagaries of impressionism
-or to the brutality of mere realism. It selects and refines, it re-embraces Fancy,
-that maiden so rudely turned out of house and home by the naturalists; it aims, in
-fact, at retaining the best, and nothing but the best, of the experiments of the French
-during the last quarter of a century.
-</p>
-<p>Van Deyssel greets <i lang="fr">L’Argent</i> with elaborate courtesy, with the respect due to a fallen divinity. He calls his
-friends in Holland to attend the gorgeous funeral of naturalism, which is dead; but
-urges them not to sacrifice their own living Sensitivism to the imitation of what
-is absolutely a matter of past history. It will be seen that Dutch Sensitivism is
-not by any means unlike French Symbolism, and we might expect prose like Mallarmé’s
-and verse like Moréas’s! As a matter of fact, however, the Dutch seem, in their general
-attitude of reserve, to leave their mother-tongue unassailed, and to be as intelligible
-as their inspiration allows them to be.
-</p>
-<p>To one of these writers, however, and to one of the youngest, it is time that I should
-turn. The first member of the new Dutch school to be presented, in the following pages,
-to English readers, is Louis Marie Anne Couperus. Of him, as the author of this book,
-I must give a fuller <span class="pageNum" id="pb.x">[<a href="#pb.x">x</a>]</span>biography, although he is still too young to occupy much space by the record of his
-achievements. Louis Couperus was born on the 10th of June, 1863, at the Hague, where
-he spent the first ten years of his life. He was then taken in company with his family
-to Java, and resided five years in Batavia. Returning to the Hague, where he completed
-his education, he began to make teaching his profession, but gradually drifted into
-devoting himself entirely to literature. He published a little volume of verses in
-1884, and another, of more importance, called <i lang="nl"><span class="corr" id="xd31e273" title="Source: Orchideïen">Orchideeën</span></i> (“Orchids”), in 1887, Oriental and luscious. But he has succeeded, as every one allows,
-much better in prose. His long novel of modern life in the Hague, called <i>Eline Vere</i>, is an admirable performance. Of <i lang="nl">Noodlot</i> (literally to be translated “Fate” or “Destiny”) our readers will judge for themselves
-at a later date. Such is the brief chronicle of a writer from whom much is expected
-by the best critics of his own country.
-</p>
-<p class="signed"><span class="sc">Edmund Gosse.</span>
-<span class="pageNum" id="pb1">[<a href="#pb1">1</a>]</span></p>
-</div>
-</div>
-</div>
-<div class="body">
-<div id="ch1" class="div1 chapter"><span class="pageNum">[<a href="#ch1.toc">Contents</a>]</span><div class="divHead">
-<h2 class="super">ELINE VERE.</h2>
-<h2 class="main">CHAPTER I.</h2>
-</div>
-<div class="divBody">
-<p class="first">They were close to each other in the dining-room, which had been turned into a dressing-room.
-In front of a mirror stood Frédérique van Erlevoort, with her hair hanging loose,
-looking very pale under a thin layer of powder, her eyebrows blackened with a single
-stroke of the pencil.
-</p>
-<p>“Do hurry up, Paul! We shall never get ready,” she said, a little impatiently, glancing
-at the clock.
-</p>
-<p>Paul van Raat was kneeling at her feet, and his fingers draped a long thin veil of
-crimson and gold in folds from her waist. The gauze hung like a cloud over the pinkness
-of her skirt; her neck and arms, white as snow with the powder, were left free, and
-sparkled with the glitter of the chains and necklaces strung across one another.
-</p>
-<p>“Whew, what a draught! Do keep the door shut, Dien!” Paul shouted to an old servant
-who was leaving the room with her arms full of dresses. Through the open door one
-could see the guests—men in evening dress, ladies in light costumes: they passed along
-the azaleas and palms in the corridor into the large drawing-room; they smiled at
-the sight of the old servant, and threw surreptitious glances into the dining-room.
-</p>
-<p>They all laughed at this look behind the scenes. Frédérique alone remained serious,
-realizing that she had the dignity of a princess of antiquity to keep up.
-</p>
-<p>“Do make haste, Paul!” she pleaded. “It’s past half-past eight already!”
-<span class="pageNum" id="pb2">[<a href="#pb2">2</a>]</span></p>
-<p>“Yes, yes, Freddie, don’t get nervous; you’re finished,” he answered, and adroitly
-pinned a few jewels among the gauze folds of her draperies.
-</p>
-<p>“Ready?” asked Marie and Lili Verstraeten, coming out of the room where the stage
-had been fixed up, a mysterious elevation almost effaced in semi-darkness.
-</p>
-<p>“Ready,” answered Paul. “And now calmly, please,” he continued, raising his voice
-and looking round with an air of command.
-</p>
-<p>The warning was well needed. The three boys and the five girls who did duty as ladies’-maids,
-were rushing about the room laughing, shouting, creating the greatest disorder. In
-vain Lili tried to save a gilt cardboard lyre from the hands of the son of the house,
-a boy twelve years old, while their two rascally cousins were just on the point of
-climbing up a great white cross, which stood in a corner, and was already yielding
-under their onslaughts.
-</p>
-<p>“Get away from that cross, Jan and Karel! Give up that lyre, you other!” roared Paul.
-“Do look after them, Marie. And now, Bet and Dien, come here; Bet with the lamp, Dien
-at the door; all the rest out of the road! There’s no more room; look on from the
-garden through the window of the big drawing-room; you’ll see everything beautifully,
-at a distance. Come along, Freddie, carefully, here’s your train.”
-</p>
-<p>“You’ve forgotten my crown.”
-</p>
-<p>“I’ll put it on when you’re posed. Come on.”
-</p>
-<p>The three girls hurried to get away, the boys squatted in a corner of the room, where
-they could not be seen, and Paul helped Freddie to climb on to the stage.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Marie, who, like Lili, was not yet draped, talked through the closed window with the
-fireman, who was waiting, muffled up, in the snowy garden, to let off the Bengal light.
-A great reflector stared through the window like a pale, lustreless sun.
-</p>
-<p>“First white, then green, then red,” Marie called out, and the fireman nodded.
-</p>
-<p>The now deserted dressing-room was dark, barely lit by the lamp which Bet held in
-her hand, while Dien stood at the door.
-</p>
-<p>“Carefully, Freddie, carefully,” said Paul.
-</p>
-<p>Frédérique sank down gently into the cushions of the couch; Paul arranged her draperies,
-her chains, her hair, her diadem, and placed a flower here and there.
-<span class="pageNum" id="pb3">[<a href="#pb3">3</a>]</span></p>
-<p>“Will that do?” she asked with tremulous voice, taking up the pose she had studied
-beforehand.
-</p>
-<p>“You’re delicious; beautiful! Now then, Marie, Lili, come here.”
-</p>
-<p>Lili threw herself on the floor, Marie leaned against the couch with her head at Frédérique’s
-feet. Paul draped both girls quickly in coloured shawls and veils, and twisted strings
-of gems round their arms and in their hair.
-</p>
-<p>“Marie and Lili, look as if you were in despair. Wring your hands more than that,
-Lili! More despair, much more despair! Freddie, more languishing, turn your eyes up,
-set your mouth in a sadder expression.”
-</p>
-<p>“Like that?”
-</p>
-<p>Marie screamed.
-</p>
-<p>“Yes, that will do! That’s better; now be quiet, Marie. Is everything ready?”
-</p>
-<p>“Ready!” said Marie.
-</p>
-<p>Paul arranged one or two more things, a crease, a flower, doubtful whether everything
-was right.
-</p>
-<p>“Come, let’s start,” said Lili, who was in a very uncomfortable position.
-</p>
-<p>“Bet, take away the lamps; Dien, shut that door, and then come here, both of you,
-one on each side of the folding doors of the big room.”
-</p>
-<p>They were all in the dark, with beating hearts, while Paul tapped at the window, and
-joined the boys in the corner.
-</p>
-<p>Slowly and doubtfully the Bengal light flamed up against the reflector, the folding
-doors opened solemnly, a clear white glow lit up the tableau.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Smiling and bowing, while the conversation suddenly changed into a muffled murmur,
-the guests pressed forward into the large drawing-room and the conservatory, blinded
-by a burst of light and colour. Men got out of the way of a couple of laughing girls.
-In the background boys climbed on the chairs.
-</p>
-<p>“The death of Cleopatra!” Betsy van Raat read out to Mrs. Van Erlevoort, who had handed
-her the programme.
-</p>
-<p>“Splendid! magnificent!” one heard on every side.
-</p>
-<p>Ancient Egypt seemed to have come alive again in the white glow of the light. Between
-luxurious draperies something like an <span class="pageNum" id="pb4">[<a href="#pb4">4</a>]</span>oasis could be perceived, a blue sky, two pyramids, some palms. On her couch, supported
-by sphinxes, lay Cleopatra, at the point of death, an adder curling round her arm.
-Two slaves were prostrate in despair at her feet. The parti-coloured vision of oriental
-magnificence lasted a few seconds; the poetry of antiquity revived under the eyes
-of a modern audience.
-</p>
-<p>“That’s Freddie,” said Betsy. “How lovely!” and she pointed out the dying queen to
-Mrs. Van Erlevoort, who was dazzled by all this luxury. Now, however, the mother recognized
-her daughter in the beautiful motionless statue lying before her.
-</p>
-<p>“And that’s Marie, and the other—oh, that’s Lili—irrecognizable! What beautiful costumes!
-how elaborate! You see that dress of Lili’s, violet and silver? I lent her that.”
-</p>
-<p>“How well they do it,” murmured the old lady.
-</p>
-<p>The white glow of the light began to flicker, the doors were closed.
-</p>
-<p>“Splendid, auntie, splendid!” Betsy cried, as Mrs. Verstraeten, the hostess, passed
-her.
-</p>
-<p>Twice the tableau was recalled, first in a flood of sea-green, then in fiery red.
-Freddie, with her adder, lay immovable, and only Lili quivered in her forced attitude.
-Paul looked out from his corner with a beaming face; everything was going well.
-</p>
-<p>“How quiet Freddie lies! And everything is so rich, and yet not overdone. Something
-like a picture of Makart’s,” said Betsy, opening her feather fan.
-</p>
-<p>“Your daughter is tired of life very early, madam,” lisped young de Woude van Bergh,
-bowing towards Mrs. van Erlevoort, Freddie’s mother.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>After the third repetition of the tableau Mrs. Verstraeten went to the dressing-room.
-She found Frédérique and Lili laughing while they got out of their Egyptian attire,
-looking for endless pins in every fold. Paul and Marie stood on the steps, and, lighted
-by two of the servants, pulled Cleopatra’s dress to pieces. Dien fussed about, picking
-up the dropped draperies and the fallen chains. The three boys rolled over one another
-on a mattress.
-</p>
-<p>“Was it pretty, mamma?” cried Lili.
-</p>
-<p>“Was it pretty, madam?” cried Frédérique, at the same time.
-</p>
-<p>“Beautiful! They would have liked to see it again.”
-</p>
-<p>“What again! I’m nearly dead already,” cried Lili; and she <span class="pageNum" id="pb5">[<a href="#pb5">5</a>]</span>tumbled into an arm-chair, throwing a great bundle off it upon the floor. Dien gave
-way to despair; at that rate she would never get done.
-</p>
-<p>“Lili, rest yourself,” cried Paul, from the top of his steps in the other room; “you’ll
-get tired in that attitude. Aunt Verstraeten, tell Lili to rest herself,” and he threw
-some coloured carpets off the cords on which they had been hanging. Dien went on folding
-up.
-</p>
-<p>“Dien, white sheets and white tulle this way, quick,” cried Marie. Dien misunderstood
-her, and came back with the wrong article.
-</p>
-<p>Then all began to talk at once, and every one asked for something else, and there
-arose a very Babel of confusion. At the top of the staircase Paul made a gesture of
-despair, but no one took any notice.
-</p>
-<p>“I am utterly worn out!” said he, crouching down in impotent rage. “No one does anything.
-It all falls to my lot!”
-</p>
-<p>Madame Verstraeten, having in her turn begged Lili to rest herself, had gone to tell
-the servants not to forget the youthful artistes. As a result, the men soon came in,
-carrying big trays laden with glasses of wine and lemonade, pastry and sandwiches.
-The confusion only increased. The three boys were served with various good things
-on their mattress, over which one of the servants spilt a stream of lemonade. Up flew
-Marie, in a torrent of rage, and with Dien’s assistance quickly pulled the mattress
-away from under the boys, into the next room.
-</p>
-<p>“Frédérique, do give a hand there,” cried Paul, in a voice shrill with irritation.
-As for keeping any further sort of control over the three lads, <i>that</i> he had given up as hopeless. Ere long, however, the noisy young customers were driven,
-loudly shrieking and stumbling one over another, out of the room by Dien.
-</p>
-<p>Then there was a little more quietness, but everybody was doing something, except
-Lili.
-</p>
-<p>“There’s a muddle!” she muttered to herself. Then she sat down and brushed her hair,
-wavy and <i lang="fr">blond cendré</i>, and that done, she took up her powder-puff, and sprinkled a snowy layer over her
-arms.
-</p>
-<p>Dien returned, very much out of breath, shaking her head, and with a kindly smile
-on her face.
-</p>
-<p>“Dien, white sheets and tulle quickly,” Freddie, Marie, and Paul <span class="pageNum" id="pb6">[<a href="#pb6">6</a>]</span>all cried together. Paul came down from his place on the stairs, placed the big cross,
-the weight of which nearly crushed him, on the platform, and at the foot he laid the
-mattress and a snug arrangement of pillows.
-</p>
-<p>“Dien, white sheets and tulle; all the tulle and muslin you can find.”
-</p>
-<p>And Dien and the other servants brought it, one soft mass of white.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Madame Verstraeten sat down beside her niece, Betsy van Raat. She was married to Paul’s
-elder brother.
-</p>
-<p>“What a pity Eline is not here! I had so depended on her to fill up the long intervals
-with a little music. She sings so nicely.”
-</p>
-<p>“She was really not feeling well, aunt. She is very sorry, you may be sure, that she
-can’t be here, in honour of uncle’s birthday.”
-</p>
-<p>“What is the matter with her?”
-</p>
-<p>“I don’t quite know. Nerves, I think.”
-</p>
-<p>“She really ought not to give herself up to these fits. With a little energy she could
-easily get over that nervousness.”
-</p>
-<p>“Well, you see, aunt, this nervousness is the modern bane of young women, it is the
-<i lang="fr">fin de siècle</i> epidemic,” said Betsy, with a faint smile.
-</p>
-<p>Madame Verstraeten sighed and nodded.
-</p>
-<p>“By the bye,” said she, “I suppose the girls will be too tired to-morrow evening to
-go to the opera. Would you care to have our box?”
-</p>
-<p>Betsy reflected for a moment.
-</p>
-<p>“I have a little dinner to-morrow, aunt; but still I should like the box. It is only
-the Ferelyns and Emilie and Georges who are coming, but the Ferelyns are going early
-because little Dora is not well, so I could easily go with Emilie and Georges, and
-be in time to see an act.”
-</p>
-<p>“Well, that is settled then. I shall send you the tickets,” said Madame Verstraeten
-rising.
-</p>
-<p>Betsy rose too. George de Woude van Bergh was just about to speak to her, but she
-took no notice. She thought him a terrible bore that evening; he had spoken to her
-twice, and each time said the same thing, something about the tableaux. No; there
-was no conversation in him at all. And to-morrow night too she would have to meet
-him again; what an enjoyable prospect! Aunt’s box <span class="pageNum" id="pb7">[<a href="#pb7">7</a>]</span>was quite a godsend. There stood her husband, in the conservatory, together with some
-gentlemen, Mr. Verstraeten, Mr. Hovel, Otto and Etienne van Erlevoort, they talking
-and he listening, his heavy body crushing the leaves of a palm, a somewhat stupid
-smile playing about his expressionless, good-humoured face. Oh, how he bored her!
-She thought him insufferable. And what a figure he cut in a dress coat! In his great-coat
-at all events he had a manly appearance.
-</p>
-<p>Walking towards him she said, “Do say something to somebody, Henk. You look like a
-fixture in that corner there. Can’t you move? you <i>do</i> appear to enjoy yourself. Your necktie is all on one side.”
-</p>
-<p>He muttered something and fumbled about his neck. She turned away and was soon at
-her ease in the midst of a noisy little group. Even melancholy Madame van Ryssel,
-Freddie’s sister, formed one of them. Emilie de Woude was unmarried and bore her thirty-eight
-years with an enviable grace: her pleasant, animate features charmed all who met her.
-She was much like her younger brother George, but about her there was something genial—a
-great contrast to his studied ceremoniousness.
-</p>
-<p>Attracted by her amusing anecdotes, Emilie sat, the central figure in a joyous little
-group. She was just telling them of her recent fall on a patch of frozen snow, at
-the feet of a gentleman who had remained motionless, staring at her, instead of helping
-her to her feet.
-</p>
-<p>“Just fancy my muff on the left, my hat on the right, myself in the centre, and right
-in front of me a man staring at me with open-mouthed amazement.”
-</p>
-<p class="tb"></p><p>
-</p>
-<p>There was the tinkling of a bell; Emilie broke off her story and ran away from her
-audience. The folding doors were opened, and there was a general rush to the front.
-</p>
-<p>“I can’t see at all,” said Emilie, rising on tiptoe.
-</p>
-<p>“Come here on my chair, miss,” cried a young girl behind her.
-</p>
-<p>“You are a little dear, Toos, really. Will you allow me to pass by, Madame van der
-Stoor? your daughter has come to my aid.”
-</p>
-<p>Madame van der Stoor, who, under a pseudonym, dabbled much in poetry, moved a step
-back, with an acrid smile about her lips. She felt a little disgusted at Emilie’s
-<i lang="fr">sans-gêne</i>; she herself never <span class="pageNum" id="pb8">[<a href="#pb8">8</a>]</span>made an attempt to get a better view, it was not the thing to show an unfashionable
-interest in the entertainment.
-</p>
-<p>Emilie and Cateau van der Stoor were soon standing on one chair, holding each other’s
-waists.
-</p>
-<p>“Oh, how pretty!” cried Emilie, and then remained silent in rapt attention. From out
-of the billows of a foaming sea arose a rough-hewn cross of marble whiteness, round
-the base of which a fragile fair woman clung in mortal agony, whilst a heaving wave
-of tulle covered her feet; and with the fierceness of despair her slender fingers
-grasped the Rock of Ages.
-</p>
-<p>“It is Lili,” was heard here and there.
-</p>
-<p>“How graceful she is, that Lili!” whispered Emilie to Cateau. “But how can she hang
-there like that? How can she bear it so long?”
-</p>
-<p>“She is surrounded with pillows; but still it must be very tiring,” said Toos. “Of
-course you can’t see anything of the pillows, miss.”
-</p>
-<p>“Of course not. But it is very nice; I have never seen anything so poetic before.…
-Say, Toos, I thought you were going to take part?”
-</p>
-<p>“So I am, but only in the last tableau, with Etienne van Erlevoort. I shall have to
-be going soon to dress.”
-</p>
-<p>Quickly she got down from her chair. The light grew dim, the folding doors were closed.
-Applause rang throughout the room. But ere long the white vision of surging foam was
-repeated, and an angel hovered over the cross, and held out her hand to the swooning
-woman.
-</p>
-<p>Stronger and stronger grew the applause.
-</p>
-<p>“Of course Marie cannot keep a serious face again,” said Emilie, shaking her head.
-“She will burst out laughing in a moment.”
-</p>
-<p>And really something like a smile seemed to be trembling about the little mouth of
-the angel, the nervous twitching of the eyebrows contrasting very oddly with the pathetic
-expression of her features.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Although it was evident enough that the artistes were tired, not one of them being
-able to remain perfectly motionless, the last tableau was received with enthusiastic
-cheers. It was encored again and again. The tableau consisted of an allegorical representation
-of the Five Senses, the parts being taken by the four young girls, attired in rich
-dresses—cloth of gold, brocade ermine<span class="pageNum" id="pb9">[<a href="#pb9">9</a>]</span>—and by Etienne, Frédérique’s youngest brother, who, in the garb of a minstrel, represented
-the sense of Hearing.
-</p>
-<p>The tableaux were concluded.
-</p>
-<p>It was now two o’clock, and Mr. and Madame Verstraeten received the thanks of their
-guests as they left them.
-</p>
-<p>“Do you remain to supper with Cateau?” said Madame Verstraeten to Madame van der Stoor;
-“quite <i lang="fr">sans cérémonie</i>, you know.”
-</p>
-<p>Madame van der Stoor, however, feared it was too late; she would just wait for her
-daughter.
-</p>
-<p>The artistes who had doffed their costumes entered the room and were overwhelmed with
-the thanks of those guests still remaining, while Emilie played a march on the piano.
-As an intimate friend she stayed to supper with van Raat and Betsy.
-</p>
-<p>“You are coming to-morrow, are you not, Toos? the photographer is coming at two,”
-said Marie.
-</p>
-<p>“Yes,” said Cateau, “I shall be here.”
-</p>
-<p>Utterly worn out, the artistes flung themselves down in the comfortable chairs in
-the conservatory, where a dainty little supper was served.
-</p>
-<p>“What was prettiest? What was prettiest?” all cried together
-</p>
-<p>Then there was a general expression of opinion, to the accompaniment of clattering
-plates and forks, and the jingling of glasses.
-</p>
-</div>
-</div>
-<div id="ch2" class="div1 chapter"><span class="pageNum">[<a href="#ch2.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER II.</h2>
-</div>
-<div class="divBody">
-<p class="first">It was half-past two when the van Raats returned from the supper to the Nassauplein.
-At their house all was in darkness. While Henk drew the bolt across the door Betsy
-thought she would take a look at her sleeping boy, snugly ensconced in his little
-white cot up-stairs. She took up her candle and went up-stairs, whilst he, laden with
-papers, walked into the breakfast-room, where the gas was still burning.
-</p>
-<p>Arrived in her dressing-room, she removed her cloak from her shoulders. In the small
-grate the flame curled upward like the fiery tongue of a dragon. There was something
-indefinably soothing <span class="pageNum" id="pb10">[<a href="#pb10">10</a>]</span>in the atmosphere of the room, something like a warm vapour, mingled with the sweet
-faint odour of violets. After giving a glance at her child, she sat down with a sigh
-of fatigue, in an arm-chair. Then the door opened, and Eline, in a dressing-gown of
-white flannel, her hair falling in thick waves down her back, entered.
-</p>
-<p>“What, Elly, not in bed yet?”
-</p>
-<p>“No, I—have been reading. Did you enjoy yourself?”
-</p>
-<p>“Oh yes, it was very nice. I only wish that Henk had not been such an awful bore.
-He never said a word, and with his stupid face he sat there fumbling at his watch-chain
-until he could go and take his hand at whist.”
-</p>
-<p>Then with a somewhat angry movement Betsy kicked her dainty little shoes from her
-feet.
-</p>
-<p>Eline sighed languidly.
-</p>
-<p>“Did you tell Madame Verstraeten that I was not well?”
-</p>
-<p>“Yes; but you know when I come home at night I like to go to bed. We can talk to-morrow,
-eh?”
-</p>
-<p>Eline knew that her sister when she returned home at night was always more or less
-irritable. Still she was tempted to give her a sharp answer, but she felt too unnerved
-for it. With her lips she lightly touched Betsy’s cheek, and quite unconsciously laid
-her head on her sister’s shoulder, in a sudden and irresistible longing for tenderness.
-</p>
-<p>“Are you really ill, eh, or——?”
-</p>
-<p>“No. Only a little—lazy. Good-night.”
-</p>
-<p>“Pleasant dreams!”
-</p>
-<p>Eline retired with languid steps. Betsy proceeded to undress.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Arrived in the hall, Eline experienced the uncomfortable feeling of having been an
-unwelcome visitor to her sister. All the evening, giving herself up entirely to a
-fit of indolence, she had been in solitude, and now she longed for company. For a
-moment she stood undecided in the dark corridor, and then carefully feeling her way
-she descended the stairs and entered the breakfast-room.
-</p>
-<p>Henk, divested of his coat, stood by the mantelpiece in his shirt-sleeves, preparing
-his grog, by way of night-cap, and the hot fumes of the liquor filled the room.
-</p>
-<p>“Hallo, girl, is that you?” he said, in a jovial tone, whilst in his sleepy blue-gray
-eyes and about his heavily fair-bearded mouth <span class="pageNum" id="pb11">[<a href="#pb11">11</a>]</span>there played a good-humoured smile. “Did you not feel terribly bored, left to yourself
-all the evening?”
-</p>
-<p>“Yes; just a little. Perhaps you did even more?” she asked with a pleasant smile.
-</p>
-<p>“I? Not at all. The tableaux were very pretty.”
-</p>
-<p>Then with his back leaning against the mantelpiece he began sipping his grog.
-</p>
-<p>“Has the youngster been good?”
-</p>
-<p>“Yes; he has been asleep. Are you not going to bed?”
-</p>
-<p>“I just want to look at the papers. But why are you still up?”
-</p>
-<p>“Oh—just because——” With a languid, graceful movement she stretched her arms, and
-then twisted her heavy locks into a glossy brown coil. She felt the need to speak
-to him without constraint, but the words would not come, and not the faintest thought
-could she conjure up to take shape within her dreamy mind. Gladly would she have burst
-into tears, not because of any poignant sorrow, but for the mere longing of hearing
-his deep solacing tones in comforting her. But she could find no words to give expression
-to her feelings, and again she stretched forth her arms in languid grace.
-</p>
-<p>“Is anything wrong, eh, old girl? Come, tell me what it is.”
-</p>
-<p>With a vacant stare she shook her head. No, there was nothing to tell.
-</p>
-<p>“Come, you can tell me all about it, you know that.”
-</p>
-<p>“Oh—I feel a little miserable.”
-</p>
-<p>“What about?”
-</p>
-<p>Then with a pretty little pout, “Oh—I don’t know. I have been a little nervous all
-day.”
-</p>
-<p>He laughed—his usual soft, sonorous laugh.
-</p>
-<p>“You and your nerves! Come, sis, cheer up. You are such good company when you are
-not so melancholy; you must not give yourself over to these fits.” He felt conscious
-that his eloquence would not hold out to argue the matter further, so with a laugh
-he concluded, “Will you have a drop of grog, sis?”
-</p>
-<p>“Thank you—yes, just a sip out of your glass.”
-</p>
-<p>She turned to him, and laughing in his fair beard, he raised the steaming glass to
-her lips. Through the half-closed eyelids he saw a tear glistening, but she kept it
-back. All at once, with sudden determination, he set down his glass and grasped her
-hands.
-</p>
-<p>“Come, girl, tell me; there is something—something has occurred <span class="pageNum" id="pb12">[<a href="#pb12">12</a>]</span>with Betsy, or—come now, you generally trust me.” And he gave her a reproachful glance
-with his sleepy, kindly, stupid eyes, like those of a faithful sheep-dog.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Then in a voice broken with sobs, she burst forth in a stream of lamentations, though
-without apparent cause. It was her heart’s inmost cry for a little tenderness and
-sympathy. What was her life to her? to whom could she be of the slightest use? Wringing
-her hands, she walked up and down the room sobbing and lamenting. What would she care
-did she die within the hour? it was all the same to her—only that aimless, useless
-existence, without anything to which she could devote her whole soul; that alone was
-no longer bearable.
-</p>
-<p>Henk contradicted her, feeling certainly somewhat abashed at the scene, which for
-the rest was but a repetition of so many previous ones. To give a new turn to her
-thoughts he began to talk about Betsy, and Ben their boy, about himself—he was even
-about to allude to a future home of her own, but he could not bring it so far. She
-on her part shook her head like a sulking child, which, not getting what it wants,
-refuses to take anything else, and with a passionate movement she all at once threw
-her head on his shoulder, and with an arm round his bull-dog neck, she burst into
-a fresh torrent of sobs. Thus she went on lamenting in wild and incoherent words,
-her nerves overstrained by the evening’s solitude and the hours of brooding in her
-over-heated room. Over and over again she reverted to her aimless life, which she
-dragged along like a wretched burden, and in her voice there was something like a
-reproach to him, her brother-in-law. He, confused and deeply touched by the warmth
-of her embrace, which he certainly could scarcely return with such tenderness, could
-find nothing to stem that wild torrent of incoherent sentences but a few common-places.
-</p>
-<p>Slowly, softly, like rose-leaves falling gently on the limpid bosom of a summer stream,
-she let her melancholy broodings glide away on the full low tones of his deep voice.
-</p>
-<p>At length she stopped and heaved a sigh, but her head still rested on his shoulder.
-Now that she was somewhat calmer, he thought it right to show a little anger at her
-behaviour. What a folly it was, to be sure! What stupidity! What a fuss to get into
-about nothing!
-<span class="pageNum" id="pb13">[<a href="#pb13">13</a>]</span></p>
-<p>“No, Henk, really——” she began, and lifted her tear-stained face to his.
-</p>
-<p>“My dear girl, what rubbish you talk about your aimless life, and all that sort of
-thing. What puts those things into your head? We are all fond of you——” and remembering
-his unspoken thought of before, he proceeded, “A young girl like you—talking about
-an aimless——Sis, you are mad!”
-</p>
-<p>Then, as though tickled at the thought, and besides, thinking that the philosophic
-condition had lasted long enough, he suddenly gave her arm a sharp twist, and pinched
-her about the pouting lips. Laughingly she resisted; his movement had somewhat restored
-to her her broken equilibrium.
-</p>
-<p>When a few moments later both went up-stairs together, she could scarcely restrain
-herself from bursting out in laughter, as he suddenly lifted her up in his arms to
-carry her, while she, fearing he would stumble, in a voice half beseeching, half commanding,
-said—
-</p>
-<p>“Come, Henk, let me go; do you hear? Don’t be so foolish! Henk, let go!”
-</p>
-</div>
-</div>
-<div id="ch3" class="div1 chapter"><span class="pageNum">[<a href="#ch3.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER III.</h2>
-</div>
-<div class="divBody">
-<p class="first">Eline Vere was the younger of the two sisters, darker of hair and eyes, slenderer,
-with a figure less maturely developed. Her deeply-shaded dark brown eyes, and the
-ivory pallor of her complexion, together with the languor of some of her movements,
-gave her somewhat of the dreamy nature of an odalisk of the harem. The beauty with
-which she had been endowed, she prized like a precious jewel, and indeed she was at
-times half intoxicated with the glamour of her own fascinations. For several moments
-at a time she could stand looking at her own image in the glass, her rosy-tipped fingers
-gently stroking the delicate arch of the eyebrow or the long silken lashes, or arranging
-the wealth of brown hair about her head, in the wild luxuriance of a gay <i>gitana</i>. Her toilet afforded her endless employment, continuous and earnest meditation, in
-testing the effects, harmonious or otherwise, of the softened tints of satins, and
-the warmer colourings of plush, and <span class="pageNum" id="pb14">[<a href="#pb14">14</a>]</span>the halo of tulle and gauze, muslin and lace, that surrounded it all. In short, everything
-about her, from the faint clinging odour of violets, to the shimmer of soft draperies,
-was full of refined, charming suggestion.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Somewhat dreamy and romantic by nature, there were times when, in a fit of languor,
-she thought with a certain lingering regret of her childhood, recalling to mind all
-sorts of memories of those days, and treasuring them up like so many precious relics.
-It was then that consciously or unconsciously she imparted a fresh colour of sentiment
-to those faded recollections of days gone by. In this way, the most trivial episode
-of her childhood became idealized and suffused with a charm of poetry. Betsy, with
-her practical turn of mind, never missed an opportunity rightly or wrongly to discount
-anything that bore but the faintest resemblance to idealism; and Eline, in her transient
-state of half happiness, half melancholy, usually succeeded, after her sister’s practical
-demonstrations, in distinguishing the actual state of things from the luxuriant fantasies
-conjured up by her own imagination.
-</p>
-<p>At times her memory went back to her father, a painter, of refined and artistic temperament,
-elegant, but without the strength of a creative faculty, married whilst but a youth
-to a woman many years his senior, and by far his superior in strength of will and
-individuality. To her master hand, his pliant nature readily yielded, for his was
-a fine-strung temperament which, like the chords of a precious instrument, would have
-trembled under her rude touch, just as that of Eline sometimes trembled under the
-touch of her sister. She recalled to mind that father, with his complexion of yellow
-ivory, and his bloodless transparent fingers, lying down in listless languor, his
-active brain thinking out some great creation, only to be cast aside after the first
-few touches of the brush. Her he had often made his confidante, and the trust he placed
-in her caused her childish nature to regard him with a mixture of affectionate devotion
-and worshipful reverence, so that in her eyes he assumed the appearance of a poetical,
-dreamy-eyed, long-haired Rafael. Her mother, on the other hand, had always inspired
-her with a certain amount of fear, and the remembrance of the disillusionizing trivialities
-of daily life, with which the figure of her mother became inseparably interwoven,
-rendered it impossible for Eline to idealize her in her thoughts.
-<span class="pageNum" id="pb15">[<a href="#pb15">15</a>]</span></p>
-<p>She remembered, after the death of her father, at a still early age, but still after
-many years of half-hearted effort and dismal failures, and after the demise of her
-mother, felled by a sudden attack of heart disease, spending the days of her early
-girlhood under the guardianship of a widowed aunt. Old-fashioned, reserved and prim,
-with saddened regular features, the ruins of a once beautiful woman, she well remembered
-those two bony hands in perpetual motion over four bright glistening knitting-needles.
-There she lived, in that big room, in nerveless ease and placid luxury, in a paradise
-of cosy comfort, amid a wealth of soft draperies and carpets, and all that was pleasing
-and soothing to the senses.
-</p>
-<p>The two sisters growing up side by side under the same training, under the same surroundings,
-developed within themselves a somewhat similar mental and moral condition, which,
-however, as years went by followed the bent of their different temperaments. In Eline,
-who, of a languid and lymphatic nature, felt the need of tender support, and gentle
-warmth of affection, and whose nerves, delicate as the petals of a flower, even in
-their soft, velvet-clad surroundings, were often too rudely handled by the slightest
-opposition, there developed a kind of timid reserve, which filled her mind with thousands
-of small tokens of a secret grief. Then when her measure of half-imaginary sorrows
-was full, it would relieve itself in one overwhelming, foaming wave of tearful passion.
-In Betsy’s more sanguine nature there grew, nurtured by Eline’s need of support, a
-desire for domineering, by means of which she could force her whole psychological
-being into that of her pliant sister, to whom, after the first shock, it always brought
-a feeling of rest and contentment. But neither Eline’s fear of wounding her fine-strung
-temperament, nor Betsy’s over-ruling egoism, could ever have led to a tragic crisis,
-as the sharp contrasts of each character became, in the soft enervating atmosphere
-of their surroundings, blended and dissolved in one dull tint of neutral gray.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>After one or two dances, where Eline’s little white-satined feet had glided along
-in rhythmical accompaniment to a dazzling harmony of brilliant light and colour, soft
-strains of melody and dulcet tones of admiration, she received two offers of marriage,
-each of which she declined. Those two proposals remained still in her <span class="pageNum" id="pb16">[<a href="#pb16">16</a>]</span>memory as two easily-gained triumphs, but at times the recollection of the first would
-call forth a faint sigh from her bosom. It was then that she met Henri van Raat, and
-ever since she asked herself how it could possibly be that such a mass of stolidity
-as she called him, with so little resemblance to the hero of her dreams, appealed
-so strongly to her sympathies, ay, to such an extent that frequently she was overtaken
-with a sudden, irresistible impulse to be near him. The heroes of her dreams bore
-some resemblance to the idealized image of her father, to the conceptions of Ouida’s
-fanciful brain. But they had nothing in common with van Raat, with his sanguine, equable,
-complacent temperament, his soft sleepy gray-blue eyes, his laboured speech and heavy
-laugh. And yet in his voice, in his glance, there was something that attracted her,
-as in his unstudied <i lang="fr">bonhomie</i>. In all this she found support, so that at times she felt conscious of the vague
-desire to rest her weary head on his shoulder. And he too felt conscious, with a certain
-pride, that he was something to her.
-</p>
-<p>But this pride vanished, however, the moment that Betsy came between them. Towards
-Eline’s sister he felt conscious of such a moral inferiority, that often he was at
-a loss to reply to her light and airy banter. At such times, she thought it an exquisite
-pleasure, cruel as it was, to draw him out, and tempt him to say things for which
-she overwhelmed him with false admiration, only to ridicule them afterwards to his
-face, which usually had the effect of reducing his sluggish mind to abject confusion.
-Then she would burst out laughing, and the sound of that full hearty laugh, full of
-mockery and self-confidence, fired his imagination even more than did the tender feminine
-charm of Eline’s presence. Hers was the charm of a weeping soft-eyed siren, raising
-her arms in tempting languor from out of the blue of ocean, only to be again drawn
-to the depths below with irresistible force; that of Betsy’s, however, was the impetuous
-witchery of a gay Bacchante, enchaining his senses with tangled vines, or dashing
-her brimming, foaming cup in his face, and intoxicating him with the wild impetuosity
-of her joyous nature.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>And so it came about—how he could not really say—but one evening in the dim light
-of late autumn, he as with a sudden impulse asked her to be his wife. It had indeed
-been a strange evening to him. The one thing he had felt conscious of was that <span class="pageNum" id="pb17">[<a href="#pb17">17</a>]</span>he was as though driven to it, as though hypnotized by an indefinable something in
-Betsy’s eyes; he could not but ask her what he eventually did. She, calm and collected,
-accepted his offer, taking care to conceal her inward joy at the prospect of having
-a home—and more especially a dominion of her own—under an outward appearance of calm
-indifference. She longed for a different atmosphere than that of the staid stuffiness
-of the big room, with the stately old furniture and dignified surroundings. But when
-Eline came and offered him her innocent congratulations, he became suddenly aware
-of such an inward surprise and dissatisfaction with himself that he could find no
-speech in answer to her sisterly good wishes. And Eline, rudely shaken as she was
-by this rapid succession of events, shrunk back in sudden terror of Betsy into her
-melancholy reserve, at the same time making every effort—only resulting in the loss
-of her own peace of mind—to resist the domineering influence which she had so long
-allowed her sister to exercise over her mind.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Betsy and Henk had been married a twelvemonth when aunt died. It was then that, urged
-by her, he had looked out for some occupation, for with his eternally calm good-natured
-indolence he often bored her much in the same way as a faithful dog, which, ever to
-be found at his master’s feet, receives many a kick which a less devoted creature
-would have escaped. He too felt in a vague way that a young fellow, be his income
-ever so comfortable, ought to do something. However, although he sought, he found
-nothing, and in the meantime his ardour had considerably cooled down, now that Betsy
-herself did not longer worry him about it.
-</p>
-<p>And certainly he did not trouble her very much. In the morning he was generally away,
-taking what exercise he could on horseback, followed by his two gray boarhounds; in
-the afternoon, yielding to his wife’s requests, he accompanied her on sundry calls,
-or when relieved of that duty, he visited his club; the evenings being generally spent
-by him in accompanying his butterfly wife to concerts and theatres, where he did duty
-much after the fashion of <i>Becky Sharp’s</i> faithful sheep-dog, a burdensome but indispensable adjunct. He adapted himself as
-well as he could to this much too excited a life; he knew his will was not strong
-enough to resist that of Betsy, and he found it suited his temperament much better
-quietly to dress and accompany his wife, than to disturb the domestic <span class="pageNum" id="pb18">[<a href="#pb18">18</a>]</span>peace by an intrusion of his own ideas. Then again the few evenings she spent at home
-afforded him, with his instinctive love of sociability, a certain sensuous dreamy
-happiness, which in the end did more to win his love than when he beheld his wife
-beyond his own reach, the most brilliant figure in the grandest ballroom. That only
-made him peevish and morose. To her, however, the few evenings she spent at home were
-a terrible bore. The singing of the gas-flame made her drowsy, and from her corner
-on the sofa she would cast many an angry glance at her husband, as he sat turning
-the pages of the illustrated paper or lazily sipping his tea. At such a moment she
-would feel an irresistible impulse to urge him on in heaven’s name to look for some
-occupation, to which he, astonished at being aroused in such a way from his <i lang="it">dolce far niente</i>, would reply in incoherent heavy sentences.
-</p>
-<p>She, however, was at heart very happy. For was it not glorious to be able to spend
-as much as she chose on her dress? And at the end of the week she would ofttimes remember,
-with a smile of happiness, that she had not spent a single evening at home.
-</p>
-<p>Eline meanwhile had passed the year in melancholy solitude at Aunt Vere’s. She read
-much, feeling especially charmed with Ouida’s luxuriant phantasmagory of an idealized
-life, sparkling with a wealth of colour, and bathed in the golden sunshine of Italian
-skies, vivid and glowing as a glittering kaleidoscope. She would read and literally
-devour those pages until, dog-eared and crumpled, they would flutter out of her grasp.
-Even at her aunt’s sick-bed, where with a certain feeling of romantic satisfaction
-she sat watching night after night, she would read them, again and again.
-</p>
-<p>In the atmosphere of that sick room, permeated as it was with an ætherealized odour
-of drugs, the virtues and prowess of the noble heroes, the spotless beauties of the
-arch-wicked or divinely righteous heroines, became endowed with an irresistible charm
-of tempting unreality; and Eline often felt a passionate longing to be in one of those
-old English mansions, where earls and duchesses were engaged in such exquisite love-making,
-and had such romantic meetings under the moon-lit trees of a grand old park. Aunt
-died, and Henk and Betsy invited Eline to make their house her home.
-</p>
-<p>At first she refused, overcome by a strange sadness at the thought of the relationship
-of her brother-in-law to her sister. But with an immense exercise of will power she
-at length conquered <span class="pageNum" id="pb19">[<a href="#pb19">19</a>]</span>those feelings. Had she not always wondered at the mysterious attraction she felt
-for Henk? And now that he was her sister’s husband, there suddenly arose to her mind
-such an insurmountable obstacle between them, an obstacle raised by the laws of decency
-and custom, that she could, without any risk, give herself over to sisterly sympathy,
-and therefore she thought it very childish to allow the memory of the past, and feelings
-that she never really had understood, to stand between her and the prospects of a
-comfortable home.
-</p>
-<p>In addition to this, there was the fact that her guardian uncle, Daniel Vere, who
-lived in Brussels, and was a bachelor, was too young a man to offer a girl in her
-teens a home with him.
-</p>
-<p>In the end, Eline waived her objections, and with the stipulation that she should
-be allowed to contribute a trifle towards her board, took up her abode at her brother-in-law’s.
-Henk had at first refused to agree to such a condition, but Betsy remarked that she
-could quite understand it; had she been in Eline’s place she too would have done the
-same for her own independence’ sake. From the sum settled on her by her parents Eline
-derived a yearly income of about £160, and by putting into practice the lessons of
-economy she had been taught by her aunt, she managed to dress as elegantly on that,
-as did Betsy who always had a well-filled purse at her disposal.
-</p>
-<p>And thus three years of monotonous existence passed by.
-</p>
-</div>
-</div>
-<div id="ch4" class="div1 chapter"><span class="pageNum">[<a href="#ch4.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER IV.</h2>
-</div>
-<div class="divBody">
-<p class="first">When, the morning after her passionate outburst, Eline came down to breakfast, Henk
-had already gone out, bound for the stables, to look after his horses and hounds.
-In the breakfast-room there was no one but little Ben, eating, or rather playing with
-a slice of bread-and-butter. Betsy she could hear running to and fro with much animation,
-and giving her hurried instructions to the cook.
-</p>
-<p>Frans and Jeanne Ferelyn, and Miss de Woude van Bergh and her brother, were coming
-to dinner that day.
-</p>
-<p>Eline was looking very neat and dressy in a gown of dark gray woollen material, a
-gray ribbon round her waist, and a small golden <span class="pageNum" id="pb20">[<a href="#pb20">20</a>]</span>arrow glittering at her throat. She wore neither rings nor bracelets. About her forehead
-curled a few fine locks, in frizzy garlands, soft and glossy as frayed silk.
-</p>
-<p>With a friendly nod she walked round to where the child was seated, and lifting up
-his face with both hands pressed a loving kiss on his forehead. Then she sat down,
-feeling well at ease with herself, her senses agreeably soothed by the soft warmth
-thrown out from the glowing hearth, while outside the snow-flakes were silently wrapping
-a down-like mantle around them. With an involuntary smile of satisfaction she rubbed
-her slim white hands, and glanced at her rosy, white-tipped finger-nails; then casting
-a glance outside, where an old woman, almost bent double, was pushing a barrow of
-snow-covered oranges in front of her, she cut open a little breakfast-roll, the while
-listening, with amused indifference, to the angry dispute going on between Betsy and
-the cook.
-</p>
-<p>Betsy entered, an ill-humoured expression in her heavily-shaded, twinkling eyes, her
-short thick lips compressed with annoyance. She carried a set of cut-glass dessert
-trays, which she was about to wash, as the cook had broken one of them. Carefully,
-notwithstanding her anger, she placed the trays on the table, and filled a basin with
-warm water.
-</p>
-<p>“That fool of a girl! Fancy washing one of my fine glass dishes in boiling water!
-But it serves me right for trusting those idiots to do anything.”
-</p>
-<p>Her voice sounded harsh and rasping, as she roughly pushed Ben out of the way. Eline,
-in unusually good humour, offered her assistance, which was readily accepted by Betsy.
-She had a great many things to do yet, she said; but all the same she sat down, watching
-Eline carefully washing and drying the dishes one by one, with light graceful movements,
-without moistening her fingers or spilling one drop; and she was conscious of the
-contrast between her own rough-and-ready way of doing things—the outcome of robust
-health—and Eline’s languid grace, mingled as it was with somewhat of fear of tiring
-or bespattering herself.
-</p>
-<p>“By the bye, when I was at the Verstraetens’ yesterday, I heard they were not going
-to the opera this evening, as they were tired from last night; aunt asked me if I
-would like the box. Do you care to go to the opera?”
-</p>
-<p>“And what about your visitors?”
-</p>
-<p>“Jeanne Ferelyn is going early, because her child is unwell, and <span class="pageNum" id="pb21">[<a href="#pb21">21</a>]</span>I wanted to ask Emilie and her brother to come too. Henk can stay at home. It is a
-box for four, you know.”
-</p>
-<p>“Very well; I don’t mind.”
-</p>
-<p>Well satisfied with herself, Eline was just putting down the last tray, when all at
-once a violent altercation broke out in the kitchen, accompanied by the silvery clattering
-of forks and spoons. It was Grete and Mina engaged in rather forcible argument. Betsy
-hurried out of the room, and very soon, curt commands and impudent answers followed
-each other in rapid succession.
-</p>
-<p>Ben in the meantime remained standing open-mouthed, and somewhat drowsily, on the
-spot where his mother had pushed him, full of silent alarm at all the hubbub.
-</p>
-<p>“Come, Ben, to auntie’s room,” said Eline, and smilingly she held out her hand towards
-him. He came, and both proceeded up-stairs.
-</p>
-<p>Eline occupied two rooms on the ground floor, a bedroom and a boudoir. With the economy
-and good taste which were common to her nature, she had succeeded in imparting to
-these rooms a semblance of luxury, with somewhat of an artistic polish. Her piano
-occupied an angle in the wall; the heavy foliage of a giant azalea cast a softening
-shade over the low, damask-covered couch. In a corner stood a small table laden with
-innumerable precious trifles. Statuettes, pictures, feathers, palm branches, filled
-every nook. The pink marble mantelpiece was crowned with a miniature Venetian mirror,
-suspended by red cords and tassels. In front stood an Amor and Psyche, after Canova,
-the group depicting a maiden in the act of removing her veil, and a love-sick, light-winged
-god.
-</p>
-<p>When Eline entered with Ben, the ruddy glow from the hearth shone on her cheeks. She
-threw the child a few tattered volumes of engravings, and he settled himself on the
-sofa, soon absorbed in the pictures. Eline entered her bedroom, the windows of which
-were still covered with daintily-formed leaves and flowers, the effect of the night’s
-frost. Yonder stood a toilette duchesse—a vision of tulle and lace—touched up here
-and there with the satin bows of old ball bouquets, and laden with scent phials of
-Sèvres and fine cut-glass. In the midst of all this wealth of pink and white the mirror
-glittered like a sheet of burnished silver. The bedstead was hidden among red draperies,
-and in the corner against the door a tall cheval glass reflected a flood of liquid
-sunshine.
-<span class="pageNum" id="pb22">[<a href="#pb22">22</a>]</span></p>
-<p>For a moment Eline glanced round, to see if her maid had arranged everything to her
-satisfaction; then shivering in the chilly atmosphere she returned to her sitting-room
-and closed the door. With its semi-Eastern luxury the room was a most pleasant one,
-its comfort seemingly enhanced by the cold white glare reflected from the snow outside.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Eline felt as though brimming over with melody—a feeling which could only find adequate
-expression in song. She chose the waltz from <i>Mireille</i>. And she sang it with variations of her own, with modulations now swelling into a
-full, rich volume of melody, now melting away into the faintest diminuendo, with brilliant
-shakes and roulades clear as those of a lark. She no longer thought of the cold and
-snow outside. Then suddenly remembering that she had not practised for three days,
-she commenced singing scales, brightening her high notes, and trying a difficult portamento.
-Her voice resounded with a metallic ring, somewhat cold, but clear and bright as crystal.
-</p>
-<p>Ben, though well used to these jubilant tones, which reverberated through the whole
-house, sat listening in open-mouthed wonder, without bestowing a further glance on
-his pictures, now and again giving a sudden start when some exceptionally shrill high
-<i>si</i> or <i>do</i> would penetrate his ears.
-</p>
-<p>Eline was herself at a loss to account for her sadness of yesterday. How and whence
-came that fit of melancholy, without any definite cause? what was the overwhelming
-joy too that could have so suddenly chased those clouds away?
-</p>
-<p>To-day she felt animated, happy, joyous; she was sorry that she had not seen the tableaux
-yesterday, and she feared that Mr. and Madame Verstraeten did not take her indisposition
-<i lang="fr">au sérieux</i>. What a nice, pleasant man he was, Mr. Verstraeten, always full of fun! and Madame
-Verstraeten, what a dear good soul! She knew no one like her, so charming and kind.
-And then, seated at her piano, now practising a shake, then a chromatic scale, she
-allowed her thoughts to wander to other nice people amongst her acquaintances. Yes;
-all had their good qualities: the Ferelyns, Emilie de Woude, old Madame van Raat,
-Madame van Erlevoort, even Madame van der Stoor. As for Cateau she was a doll.
-</p>
-<p>And the idea struck her that she would rather like to join that <span class="pageNum" id="pb23">[<a href="#pb23">23</a>]</span>company of players. Yes; they had an admirable conception of the amenities of life.
-Frédérique, Marie, Lili, Paul and Etienne, ever gay, ever together, full of droll
-plans for their amusement. Indeed, it must be very nice, prettily arrayed in romantic
-costumes, to be the objects of general admiration. Paul had a very pretty voice, it
-would be splendid to sing duets with him. It quite slipped her memory that only a
-few days ago she had assured her singing-master that his voice was absolutely void
-of tone. But to-day she was in a pleasant humour, and sang a second waltz, that of
-“Juliette” in Gounod’s opera. She adored Gounod.
-</p>
-<p>It had just struck half-past ten when there was a knock at the door.
-</p>
-<p>“Come in,” she cried, and looking round she let her slender fingers rest on the keyboard.
-Paul van Raat entered.
-</p>
-<p>“Bon jour, Eline. Hallo, young rascal!”
-</p>
-<p>“What, Paul, you?” She rose, somewhat surprised to see him. Ben ran towards his uncle
-and hoisted himself up on his knees.
-</p>
-<p>“How early you are! I thought you were coming to sing this afternoon. But you are
-welcome all the same; do you hear? Sit down and tell me about the tableaux,” Eline
-exclaimed with much animation; then, remembering her illness of the previous day,
-she continued in a languid voice—
-</p>
-<p>“I was awfully sorry I was so ill yesterday. Had a terrible headache.”
-</p>
-<p>“You don’t look much the worse for it.”
-</p>
-<p>“It’s true, Paul, really. If I had been well, don’t you think I should have come and
-admired your talent? Come, tell me—tell me all about it,” and she drew him with her
-to the sofa and threw the pictures on the floor.
-</p>
-<p>Paul had some difficulty in freeing himself from Ben, who clung to his legs.
-</p>
-<p>“Come, let go, Ben. And is the headache better now?”
-</p>
-<p>“Oh yes; quite gone. This afternoon I’ll go round to Mr. Verstraeten to give my congratulations.
-But, Paul, do tell me——”
-</p>
-<p>“I was just about to tell you that I was not coming to sing this afternoon; do you
-hear, Elly? I couldn’t bring out a note; I am quite hoarse with the howling and screaming
-of yesterday. But we managed splendidly,” and he commenced describing the tableaux.
-</p>
-<p>It was all his idea, and much of it the work of his own hands; but the girls too had
-been hard at it for the last month—getting <span class="pageNum" id="pb24">[<a href="#pb24">24</a>]</span>up the dresses, attending to a thousand trifles. That afternoon Losch was coming to
-take a photograph of the last group; so that, even had he been in good voice, he could
-not have come to sing. And how stiff in his joints he felt! for he had slaved away
-like a navvy, and the girls must be quite exhausted also. No; he had formed no part
-in the grouping, he was too busy making all the arrangements. He fell back a little
-on the rich damask cushions of the sofa, under the shading branches of the azalea,
-and stroked his hair.
-</p>
-<p>Eline thought how much he resembled Henk, although he was ten years younger, more
-slender in figure, livelier, with more delicate features, and an expression of much
-greater intelligence. But a simple gesture or movement, a raising of the eyebrows,
-would now and again very distinctly illustrate that resemblance, and although his
-lips were thinner under his light moustache than Henk’s heavily-bearded upper lip,
-his laugh was deep and full as that of his brother.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>“Why don’t you take painting lessons of a good master, Paul?” asked Eline. “Surely
-if you have talent——”
-</p>
-<p>“But I have not,” he laughed. “It would not be worth the trouble. I just dabble a
-bit in it, just as I do with my singing. It amounts to nothing at all, any of it.”
-And he sighed at his Lick of energy to make the most of the little talent he might
-possess.
-</p>
-<p>“You remind me of papa,” she said, and her words assumed a tone of sadness, as the
-idealized image of her father rose to her memory. “Yes; he had great talents, but
-latterly his health failed him, and he could not produce the great creation of which
-his soul was capable. I well remember that he was engaged on an immense canvas, a
-scene from Dante’s <i lang="it">Paradiso</i> I believe, when—when he died. Poor papa! But you are young and strong, and I can’t
-understand why you don’t do something great, something out of the common.”
-</p>
-<p>“You know, I suppose, that I am going to be engaged at Hovel’s. Uncle Verstraeten
-has arranged it for me.”
-</p>
-<p>Hovel was a barrister, and as Paul had, at a somewhat early age, and after a period
-of alternate studying and idleness, passed the law examination, Uncle Verstraeten
-thought he would be doing the young barrister a good turn if he recommended him to
-his friend. <span class="pageNum" id="pb25">[<a href="#pb25">25</a>]</span>It had therefore been arranged that Paul should continue working at Hovel’s office,
-until he could go in practice for himself.
-</p>
-<p>“At Hovel’s? A very nice man; I like his wife very much. Oh, that will be splendid,
-Paul.”
-</p>
-<p>“I hope so.”
-</p>
-<p>“But still, if I were a man I should try and become famous. Come, Ben, don’t be troublesome
-now; go and look at the nice pictures on the floor. Wouldn’t you think it splendid
-to be famous? Really, if I weren’t Eline Vere I should become an actress.” And she
-gave vent to a series of brilliant shakes, which fell from her lips like a sparkling
-chain of diamonds.
-</p>
-<p>“Famous!” and with a contemptuous shrug of the shoulders. “What a silly idea, to be
-sure. Famous! No; I don’t want to be famous, not a bit. But for all that I should
-like to paint well, or sing well, or something.”
-</p>
-<p>“Then why don’t you take lessons, either in painting or music? Shall I speak to my
-master?”
-</p>
-<p>“No, thanks; not that old growler of a Roberts, if I can help it. And besides, Eline,
-it isn’t really worth while; I should never be able to keep it up whatever it was.
-I am subject to sudden fits, you see. Then I think I can do anything, then I am anxious
-to hit upon some great subject for a picture——”
-</p>
-<p>“Like papa,” she interrupted with a sad smile.
-</p>
-<p>“At other times the fit moves me to make the most of what voice I have; but before
-long all those grand ideas have died their own death of sheer inanition, and then
-I continue in the same old jog-trot as before.”
-</p>
-<p>“You ought to be ashamed of yourself.”
-</p>
-<p>“Henceforth I shall go and hide the aspirations of my genius in law cases,” he answered
-with a laugh, as he rose from his seat. “But now I must be off to the Princesse-gracht,
-to the Verstraetens’. So don’t expect me this afternoon; we have several details to
-arrange yet before Losch comes. Adieu, Eline; bye-bye, Ben.”
-</p>
-<p>“Bon jour; I hope you’ll soon get over your hoarseness.”
-</p>
-<p>Paul went, and Eline once more sat down at the piano. For a while she sat thinking
-what a pity it was Paul had so little energy, and from him her thoughts reverted again
-to Henk. But she felt altogether too light-hearted this morning to do much philosophizing,
-and, full of exuberant spirits demanding an outlet, she continued <span class="pageNum" id="pb26">[<a href="#pb26">26</a>]</span>her singing, until the mid-day gong summoned her and Ben down-stairs.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Paul had told his mother that he would not be home that afternoon for coffee, as he
-would be at the Verstraetens’. He lodged at Madame van Raat’s, in the Laan van Meerdervoort.
-Madame van Raat, an elder sister of Madame Verstraeten, was a stately dame, with pensive,
-light-blue eyes, and hair of silver gray, dressed in old-fashioned style, whilst over
-her whole being there was suffused, as it were, a calmness, a placid resignation,
-that unmistakably spoke of former days free from troubles and disappointments. As
-walking exercise was becoming irksome to her, she was mostly to be found seated in
-her high-backed arm-chair, the dull-gray head drooping on her bosom, the blue-veined
-hands folded in her lap. Thus she continued to lead a quiet, monotonous existence,
-the aftermath of a placid, all but cloudless life, by the side of her husband, on
-whose portrait she frequently allowed her eyes to dwell, as it hung before her yonder,
-in its smart general’s uniform; a good-looking, frank, manly face, with a pair of
-truthful, intelligent eyes, and an engaging expression about the firm, closed mouth.
-To her, life had brought but few great sorrows, and for that, in the simplicity of
-her faith, she felt piously grateful. But now, now she was tired, oh! so tired, her
-spirit quite broken by the death of that husband to whom, to the last, she had clung
-with an affection constant and calm as the bosom of a limpid stream, into the placid
-waters of which the impetuous waves of her youthful love had flowed away. After his
-death, she began to worry over every trifling circumstance, petty vexations with servants
-and tradespeople. All these she connected, until to her mind they formed an unbroken
-chain of irksome burdens. Yes, she felt she was growing old; time had little more
-to give her, and so, in silent egoism, she mused her life away in the long-vanished
-poesy of the past. She had had three children: her youngest, a girl, was dead.
-</p>
-<p>Of her two sons, her favourite was Henk, who, strong and big, reminded her the most
-of his father, whilst in her eyes his sleepy good-nature had more of open, frank manliness,
-than Paul’s finer-strung fickleness and airy geniality. Paul she had always found
-too unsettled and nervous: formerly, in his constantly interrupted studies at Leyden—at
-last, thanks to a little moral pressure on the part of Uncle Verstraeten, crowned
-with promotion—as well as <span class="pageNum" id="pb27">[<a href="#pb27">27</a>]</span>now with his staying out late at night, his rage for painting, <i lang="fr">tableaux-vivants</i> and duets, or his fits of indolence, when he would lounge away a whole afternoon
-on the sofa, over a book he did not read.
-</p>
-<p>Before his marriage, Henk, being of a more staid and homely character than Paul, felt
-himself better at ease in his mother’s house; although he was quiet, his silence never
-irritated her; it was like the silence of a faithful dog, watching with half-closed
-eyes over his mistress. She felt so at her ease with Henk. She disliked being alone,
-for it was in solitude that the memories of the past contrasted in their rosy brightness
-too sharply with the leaden-gray that was the prevailing hue of her present life,
-and Paul she saw but rarely, except when hastily swallowing his dinner, in order to
-keep an appointment. She seldom went out, unaccustomed as she had grown to the noisy
-traffic of the streets, and the hum of many voices.
-</p>
-<p>Henk was her pet, and with her mental vision unimpaired, wherever at least her son
-was concerned, she regretted his marriage with Betsy Vere. No; she was not a fit wife
-for her child, and knowing that, she could not bring herself to give him her hearty
-approval or her parental blessing, when he told her of his engagement. Still, she
-refrained from opposing her beloved son in his choice, fearing lest she should be
-the cause of unhappiness; it was therefore under a false assumption of frankness,
-at which she was surprised herself, that she had concealed her ill-feeling against
-the intruder, and welcomed her as her daughter. All the same, she felt deeply concerned
-about Henk. Madame Vere she had known slightly; passionate and domineering, she never
-found anything attractive in such a personality, and this daughter reminded her too
-much of that mother. Although, in her eyes, Henk was possessed of much more firmness
-of character than Vere, of whom she could not think but as a pallid, ailing sufferer,
-only too glad to allow his wife to think and act for him; although Henk, as she thought,
-had all the frank manliness of character of his father, and would not allow himself
-to be domineered over; still, happy as she had been with van Raat, it would never
-be <i>his</i> lot to be. And at that thought she would sigh and her eyes would grow moist; her
-mother’s love, despite her blindness to his failings, was the instinct which gave
-her an inkling of the truth, and if she could have taken his place, she would gladly
-have given up her own former happiness to her son, and have suffered for him.
-<span class="pageNum" id="pb28">[<a href="#pb28">28</a>]</span></p>
-<p>Her thoughts ran away with her as she saw Leentje, the servant, laying the cloth for
-lunch for herself alone, and with a weary resignation at the hateful loneliness of
-her days, she sat down. To-morrow would be to her as to-day; what remained of her
-life was but an aftermath of summer, and though autumn and winter might be free from
-storms, yet the only promise they held out was that of a barren, soulless lethargy.
-To what end did she live?
-</p>
-<p>And so weary did she feel under the leaden pressure of this soul-killing loneliness,
-that she could not even muster up the energy to scold Leentje for her clumsiness,
-although she could not help noticing the damage that was done to one of her old china
-dishes.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Much earlier than she was wont to go out, Eline went to the Verstraetens’ that afternoon.
-It was near the end of November, and winter had already set in with extreme severity.
-There was a sharp frost; the snow, still white and unsullied, crackled under Eline’s
-light, regular tread, but her feet preferred to feel the smoothness of the clean-swept
-pavement; the delicately-gloved hands were hidden away in the small muff. At times
-bestowing a friendly nod, from under her veil, on some passing acquaintance, she proceeded
-along the Java-straat to the Princesse-gracht. She still felt in a happy humour, which
-was quite undisturbed by the little tiff she had had with Betsy about some trifling
-question with the servants. These little bickerings were not of such rare occurrence
-lately, although they always irritated Henk beyond measure.
-</p>
-<p>But Eline had not taken much notice of Betsy’s words, and had replied to her with
-less sharpness than was her wont; she did not care to allow such trifles to spoil
-her good-humour: life was too dear to her——
-</p>
-<p>And feeling glad that she had curbed her temper, she turned the corner of the Java-straat.
-</p>
-<p>At the Verstraetens’ there still prevailed an unusual disorder. Dien was loth to admit
-her, but Eline took no notice, and passed inside to the large reception-room, where
-she found Madame Verstraeten, who apologized for being in her dressing-gown. Losch,
-the photographer, half hidden under the green cloth of his apparatus, was taking a
-view of the group representing the Five Senses. The girls, Etienne, and Paul smiled
-their welcome to Eline, who said it was splendid still to be able to see something
-of the tableaux. But now, in the chill snow-reflected daylight, the scene no longer
-<span class="pageNum" id="pb29">[<a href="#pb29">29</a>]</span>created the vivid, glowing impression of the previous evening, nor had it the same
-wealth of colouring, with which a plentiful application of Bengal fire had endowed
-it. The draperies hung in loose and crumpled folds; Frédérique’s cloth of gold had
-a smudged, faded tint, her ermine had more the appearance of white and black wool.
-Etienne’s fair wig was decidedly out of curl. Lili, representing the sense of Smelling,
-lay half dozing in her pillows.
-</p>
-<p>“I am afraid it won’t come to much,” said Marie, as Losch was arranging her draperies;
-but Toosje van der Stoor thought otherwise and remained lying motionless, with a terribly
-cramped feeling, owing to her difficult attitude.
-</p>
-<p>Eline, unwilling to disturb the artistes in their grouping, sat down beside Mr. Verstraeten.
-He laid away his book and removed his eye-glasses, and with his sparkling brown eyes
-glanced with unfeigned pleasure at the graceful girl.
-</p>
-<p>“Do you know,” she said, as she unhooked the little fur-lined cloak, “do you know,
-I am really jealous of that little group there. They are always together, always happy
-and jolly, and full of fun and amusing ideas—really I feel quite old by the side of
-them.”
-</p>
-<p>“Just fancy that!” answered Madame Verstraeten, laughing. “You are of the same age
-as Marie, three-and-twenty, aren’t you?”
-</p>
-<p>“Yes; but I was never spoilt as Marie and Lili are being now, and yet I think I should
-not have minded a bit. You know, of course, when I was a child—papa was mostly ill,
-and naturally that threw a damper over us; and afterwards at Aunt Vere’s house—aunt
-was a dear, good woman, but much elder than papa, and not very jolly certainly——”
-</p>
-<p>“You must not say anything about Aunt Vere, Eline!” said Mr. Verstraeten; “she was
-an old flame of mine——”
-</p>
-<p>“And <i>you</i> must not laugh at her; I was very fond of her; she really was a second mother to
-us, and when that long illness ended in her death, I felt the loss keenly, I was as
-alone in the world. You see, all these things were not exactly calculated to make
-my youth a very gay one.” And she smiled a saddened smile, whilst at the thought of
-all she had been deprived of, her eyes glistened with moisture. “But when you look
-at Paul and Etienne, and the girls, it’s nothing but laughter and pleasure—really,
-enough to make me jealous. And that Toos, too, she is a dear child.”
-</p>
-<p>The artistes came down from the platform. Losch had finished. <span class="pageNum" id="pb30">[<a href="#pb30">30</a>]</span>Paul and Etienne, with Freddy, Marie, and Cateau came forward, whilst Lili went to
-bed, thoroughly exhausted with the excitement of the last two days.
-</p>
-<p>“Good morning, Miss Vere,” said Cateau, as she held out her little hand to Eline.
-</p>
-<p>Eline felt a sudden, indescribable, unreasoning sympathy for that child, so simple
-and so unconsciously engaging, and as she rose to go, she was obliged to hide her
-emotion by playfully embracing the child.
-</p>
-<p>“Good-bye, darling,” she said dotingly. “I am going, Madame Verstraeten; there is
-still plenty left for you to do, now that all that excitement is over. Ah! yes—I promised
-Betsy to ask you for the tickets. May I have them?”
-</p>
-<p class="tb"></p><p>
-</p>
-<p>It was still early, only half-past two, and Eline thought what a long time it was
-since she had visited old Madame van Raat, and she knew that the old lady liked her,
-and was always glad to have a chat in the afternoon. Henk never failed to visit his
-mother every morning after his ride, and the two boarhounds, whom his wife had banished
-from his home, followed him undisturbed up the stairs in his mother’s house. As for
-Betsy, of her the old lady saw very little; Betsy was well enough aware that Madame
-van Raat did not care for her. Eline, however, had succeeded in winning her affections,
-by means of a certain most engaging manner she had when in the company of aged ladies;
-in the tone of her voice, in her little attentions, there was a something, a delicate
-flavour of respect, which charmed the old dame.
-</p>
-<p>Eline returned through the Java-straat to the Laan van Meerdervoort, and found Madame
-van Raat alone, seated in her high-backed chair, her hands folded in her lap. And
-in the young girl’s eyes she appeared such a picture of mute sadness; over the rich
-faded furniture there hovered such a melancholy shadow of past comfort; the whole
-apartment was filled with such an atmosphere of sorrow, and about the folds of the
-dark green curtains there hung such a mist of melancholy, that on entering, Eline
-felt her heart grow cold within her, as though a voice had told her that life was
-not worth living.
-</p>
-<p>But she struggled against the feeling. She recalled those thoughts which in the morning
-had brought her such lightness of heart. She smiled, and her tone assumed that vague
-respect, mingled with <span class="pageNum" id="pb31">[<a href="#pb31">31</a>]</span>somewhat of love and pity, and with much animation she spoke about Paul, about the
-tableaux, about that evening’s dinner, and the opera—and promised Madame van Raat
-to send her some books, nice light literature, in which one looked at the world through
-rose-coloured glasses.
-</p>
-<p>It pained her to chatter in this way; she would much rather have sat and cried with
-the old dame, in sympathetic melancholy, but she controlled herself, and even plucked
-up courage to touch upon a more serious subject. With her engaging, respectful manner,
-she took Madame to task for having been discovered by her with moistened eyes, which
-now she would not own; she was not inquisitive, but she would so gladly console and
-cheer her, if she could; and why did she not again make her her confidante, as she
-had done before, and so on.
-</p>
-<p>And the old lady, already placed at her ease by this charm of manner, smilingly shook
-her head; really, there was nothing the matter at all; she only felt a little lonely.
-Ah, it was her own fault, she feared, for there was very little in which she still
-took any interest. Other old people read the papers and continued to take an interest
-in things generally; but not she. Yes, it was all her own fault; but Eline <i>was</i> a dear girl; why could not Betsy be a little like her?
-</p>
-<p>And with increased animation, she began to talk about her dear husband; over there
-was his portrait.…
-</p>
-<p>It was past four when Eline hurried away; it was growing dark, it was thawing, and
-the lowering clouds threatened to fall upon her and choke her. That old lady had been
-happy, very happy.… and she, Eline, was not happy, even at her age—oh! how would she
-feel when she too would be old, ugly, and shrivelled up! To her even the memories
-of the past would bring no comfort, nor yet the solacing thought that happiness did
-exist, that she had tasted its sweets; to her all would be dull and leaden as the
-clouds above! “Oh, God, why live, if life were void of happiness?—why, why?” she whispered,
-and she hurried on to dress for dinner.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>It was to be a simple, homely little dinner. At half-past six the Ferelyns came, and
-shortly after, Emilie and Georges. Betsy received them in the drawing-room, and asked
-Jeanne how the child was.
-</p>
-<p>“She is much easier now, the little dot; the fever is gone, but still <span class="pageNum" id="pb32">[<a href="#pb32">32</a>]</span>she is not quite better. Doctor Reyer said she was getting on. It’s very nice of you
-to have invited us; a little change is really necessary for me. But you see, I took
-your word for it that it would be quite a family party, so I haven’t dressed for it.”
-And with some misgiving her eyes wandered from her own plain black dress to Betsy’s
-gown of gray satin.
-</p>
-<p>“Really, there is no one else coming but Emilie here, and her brother. But you told
-me you would be going home early, so we have arranged, later on, to look in at the
-opera, in Uncle Verstraeten’s box. So you need not be uneasy, you were quite right
-to come as you are.”
-</p>
-<p>Henk, looking jolly and contented, entered in his smoking-jacket, and on seeing him
-Jeanne felt more reassured than by all Betsy’s protestations. With Emilie, lively
-as ever, she was on the most intimate terms, and it was Georges alone, with his immaculate
-shirt-front, and his big gardenia, who made her feel somewhat uneasy at her own simple
-dress.
-</p>
-<p>Frans Ferelyn, an East-Indian official, was in Holland on furlough, and his wife was
-an old school-mate of Eline’s and Betsy’s.
-</p>
-<p>Jeanne seemed a homely little woman, very quiet and depressed under her domestic troubles.
-Delicate, emaciated, and pallid, with a pair of soft brown eyes, she felt crushed
-under the double burden of pecuniary embarrassment and anxiety for her three ailing
-children, and she felt an irresistible longing for India, the land of her birth, and
-for the quiet life she led there. She suffered much from the cold, and numbered the
-months she would still have to pass in Holland. She told Emilie of her life at Temanggoeng
-in the Kadoe—Frans was Comptroller first-class—in the midst of a menagerie of Cochin-China
-fowls, ducks, pigeons, a cow, two goats, and a cockatoo. “Just like Adam and Eve in
-Paradise,” remarked Emilie. Then she told them how each morning she used to look after
-her Persian roses and her pretty azaleas, and gather her vegetables from her own garden,
-and how her children, immediately on their arrival in Holland, were taken ill and
-began to cough. “’Tis true, in India they looked rather pale, but there at least they
-were not obliged to be in constant fear of draughts and open doors.” And she was sorry
-that, owing to the expense of the voyage, she had had to come away without her baboo,
-Saripa. She was now in service at Samarang, but she <span class="pageNum" id="pb33">[<a href="#pb33">33</a>]</span>had promised to come back to her “as soon as we are home again,” and she was to bring
-her over some pretty frocks from Holland.
-</p>
-<p>Emilie listened attentively, and did her best to set her talking; she knew how those
-Indian reminiscences could draw Jeanne out of her usual quiet reserve. Betsy considered
-her out of place in company, so when she did ask her, it was always together with
-her husband, and if possible, with one or two others. The fact was, she thought her
-a bore, generally ill-dressed, and her conversation flat and uninteresting, but still
-she could not help occasionally inviting her, more with a kind of pity than anything
-else.
-</p>
-<p>While Frans Ferelyn was speaking to Henk about his forthcoming promotion to Assistant
-Resident, and Georges was listening to Jeanne telling him about Frans’s horse one
-day stepping right into their room to fetch his <i>pisang</i>, Betsy lay back in her chair, thinking how long Eline was. She would have liked to
-have dined early, so as not to be so very late at the opera, and she inwardly hoped
-that the Ferelyns would not be indiscreet and stay too long. Amusing they certainly
-were not, she thought, and she rose, concealing her impatience, to fix a bunch of
-peacock feathers in one of the vases, a few of the knick-knacks on the little centre
-table; then with her foot she arranged the tiger-skin rug in front of the flaming
-hearth, all the time feeling annoyed at Eline’s delay.
-</p>
-<p>At length the door opened and Eline entered, and Jeanne could not help noticing how
-pretty and elegant she looked in her pink rep silk frock, simple but rich, with a
-neat little bow here and there on her V-shaped corsage, on the short sleeves, and
-at the waist. In her light-brown, back-combed hair she wore a <i>touffe</i> of wavy pink feathers with a small aigrette; her nimble feet were encased in small
-pink shoes; a single string of pearls encircled her throat. In her hands she held
-her long gloves, her fan of pink ostrich feathers, and her <i>binocle</i> set in mother-of-pearl.
-</p>
-<p>Ferelyn and de Woude rose, and she shook hands with them, and kissed Emilie and Jeanne,
-at the same time inquiring about little Dora. She noticed how all, even Henk and Betsy,
-took stock of her, from head to foot, struck as they were with the rich simplicity
-of her dress: and when Jeanne spoke to her about her child, she smiled upon the struggling
-little woman, all conscious of the effect of her brilliant charms.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>At table, Eline chatted pleasantly with de Woude, next to whom <span class="pageNum" id="pb34">[<a href="#pb34">34</a>]</span>she was seated. Betsy sat between her two gentlemen guests, Emilie between Henk and
-Frans, Jeanne between Eline and Henk. In the somewhat sombre dining-room, with its
-antique furniture, the table glistened with snowy damask, with silver and fine glass,
-whilst the rays of gas-light glinted on decanters and glasses, making the dark-red
-or amber-coloured wine appear to quiver under the glow of its radiance. From amid
-a nest of flowers in a silver basket rose the prickly crown of a splendid pine.
-</p>
-<p>De Woude commenced telling Eline about the soirée at the Verstraetens’, and in glowing
-terms described how well Miss van Erlevoort had looked her parts, successively as
-Cleopatra and the sense of Sight. With Emilie, Frans, and Betsy the conversation turned
-on India. In this Jeanne joined every now and again, but she sat too far away, and
-her attention was diverted by de Woude’s chattering and the little shrill laugh of
-Eline, who was engaged in a mild flirtation.
-</p>
-<p>Henk drank his soup and ate his fish in silence, occasionally addressing a short monosyllable
-to Jeanne or Emilie. And Jeanne grew more and more silent, as much from feeling ill
-at ease, as from fatigue at her long talk to Emilie after a day full of worries. She
-felt very much out of place, next to that coquettish couple. Eline in full toilet,
-de Woude in his evening dress, to which her own little black dress offered a shabby
-contrast. Still, she was glad she sat next to Henk, and in her own <i>malaise</i> she was conscious of a vague sort of sympathy for him, who was as much out of place
-there as herself.
-</p>
-<p>And she could not help comparing herself with Eline and Betsy: she, struggling with
-her three children and her husband’s slender furlough allowance; Eline and Betsy,
-on the other hand, unhampered, and ever moving in a whirl of pleasures and excitement.
-Where was the old, happy friendship that united them in one bond, when all three used
-to go hand-in-hand to school, Eline with the cape of her mackintosh filled with cherries,
-and she herself under Betsy’s leadership giving free vent to her childish spirits
-in naughty answers to the governess? She felt herself repelled by that young wife,
-with her self-conscious, indifferent manner, and her domineering tone towards her
-husband; repelled also by that young girl, who appeared to her frivolous and vain
-in her conversation, full of brilliant nothings; and by that dandy. Eline, especially,
-she could not understand; in her she found something uncommon, something <span class="pageNum" id="pb35">[<a href="#pb35">35</a>]</span>indefinable and puzzling, and certain attributes which seemed ever at war with one
-another. Her laughter about nothing at all wearied her, and she wondered how it was
-that a girl who, as they said, sang so divinely, could have such an unpleasant and
-affected laugh. Oh! if they would but be silent for a moment!.… And in her heart she
-longed to be back once more in her humble apartments, with her little Dora. Why had
-she accepted that invitation? ’Tis true Frans had insisted, now that the child was
-out of danger, that she should have some change and relaxation, but this dinner-party
-gave her no relaxation; on the contrary, it made her nervous and confused, and she
-declined Henk’s offer of sweetbreads and asparagus which he recommended her.
-</p>
-<p>“Did I hear aright, Miss Emilie; is Mr. de Woude a brother of yours?” Frans asked
-softly. It was the first time that he had met either Emilie or Georges, and he was
-as much struck by their resemblance as by the contrast between them.
-</p>
-<p>“Certainly,” whispered Emilie; “and I am proud of him too. He is an awful swell, but
-a nice boy; he is engaged at the Foreign Office. Be careful, don’t you think bad of
-him!” she laughed, and held up her finger threateningly, as though she read Ferelyn’s
-thoughts.
-</p>
-<p>“I have scarcely exchanged more than half a dozen words with Mr. de Woude as yet,
-so I should be sorry to express any opinion about him so soon,” he said, a little
-alarmed at Emilie’s brusqueness.
-</p>
-<p>“That’s right; most people get a very different opinion of Georges after they have
-known him some time, from that formed when they first met him. You see, like a loving
-sister, I take my brother’s part. Just fill my glass, please.”
-</p>
-<p>“Yes; you champion him even before he is attacked!” resumed Ferelyn smiling, as he
-filled her glass; “but thus much I can see already, that he is a spoilt pet of the
-ladies, not only of his sisters, but also of Madame van Raat and Miss Vere.”
-</p>
-<p>Betsy joined in the conversation with Eline and Georges, feeling attracted by the
-latter’s lively manner, as he chatted away, skimming over all sorts of subjects; a
-conversation without substance, without actual wit, but light as foam, airy as soap-bubbles,
-sparkling as firework crackers. In such a conversation she was in her element; serious
-talk, be it ever so spirited, was too burdensome for her; but this tintinnabulation
-of sparks and foam-flecks, <span class="pageNum" id="pb36">[<a href="#pb36">36</a>]</span>like wine glistening through crystal beakers, charmed her exceedingly. She thought
-Georges much more amusing than he was yesterday at the Verstraetens’, where he had
-twice observed that the effect of red light was more flattering than that of green.
-To-day he did not repeat himself, but rattled on, interrupting her with laughing impudence,
-and rounding off his sentences with truly French vivacity.
-</p>
-<p>Several times Eline tried to lead Jeanne into that circle of sparkling nothings, but
-in return Jeanne had only smiled a faint smile, or just answered with a single monosyllable,
-and at length Eline gave up the attempt to draw her out. The conversation grew more
-general; Emilie joined in with her easy nonchalance and airy banter; and Frans, in
-the midst of this charmed circle, could not help throwing in a stray spark of fun,
-although his eyes frequently rested with an anxious look on his quiet little wife.
-</p>
-<p>To Jeanne it seemed as though the dinner would never come to an end. Although she
-had not the slightest appetite, she did not like to continue refusing, so she took
-of the truffled chicken, of the <i lang="fr">gâteau Henri IV.</i>, of the pines, and the choice dessert; her wine, however, she merely touched with
-her lips. Henk, next her, ate much, and with evident gusto, wondering why she helped
-herself to such small portions. De Woude ate but little, his continued talking prevented
-that; but Emilie did her share, and was not sparing with the wine.
-</p>
-<p>It was past eight when they rose, and the ladies retired to the drawing-room. Frans
-joined Henk and de Woude in a cigar, as Jeanne had expressed her desire to stay another
-half-hour. Betsy had asked her to do so; she could not let her guests go so soon,
-and there would be plenty of time for the opera.
-</p>
-<p>“Is Dora often ill, Jeanne?” asked Eline, as with a rustle of her red silk she sat
-down on the sofa beside her, and took her hand. “Last time I saw her nothing ailed
-her, and even then I thought she was looking very pale and delicate.”
-</p>
-<p>Jeanne gently withdrew her hand, and felt something like irritation at such a question
-after the conversation at table. She made but curt reply. But Eline persisted, as
-though she intended by her present amiability to make good her former neglect; and
-she managed to impart such a sympathetic tone to her voice, that Jeanne felt quite
-touched. Jeanne began to express her fears that Doctor Reyer had not examined her
-little girl as carefully as he <span class="pageNum" id="pb37">[<a href="#pb37">37</a>]</span>might; and Eline, whilst sipping her coffee, listened with evident interest to her
-maternal plaints. Emilie and Betsy had meanwhile gone into the adjoining boudoir,
-to look at some fashion-plates.
-</p>
-<p>“Poor girl! what a lot of cares and worries you have, and scarcely three months in
-Holland yet! You only arrived in September, did you not?” asked Eline, as she placed
-the little china cup on the round table in front of her.
-</p>
-<p>Jeanne was silent; but all at once she rose up, and in her turn grasping Eline’s slender
-fingers, she remarked, in her longing for affection—
-</p>
-<p>“Eline, you know I have always been pretty straightforward and frank; may I ask you
-something?”
-</p>
-<p>“Of course you may,” answered Eline, rather surprised.
-</p>
-<p>“Well, then—why we are no longer to each other what we were formerly, when your parents
-were still living? It is now four years since I married and went to India, and now
-that we have returned, now when I see you again, all seems so different between yourself
-and me. I have no acquaintances, and but few relations in the Hague, and I should
-so much like to keep my old friends to myself.”
-</p>
-<p>“But, Jeanne——”
-</p>
-<p>“Yes; I know you think it foolish of me to talk like that; but at times I feel so
-terribly depressed with all that flummery and false excitement, I do so long to unburden
-myself to some dear true friend—for of course I cannot say all I wish to my husband.”
-</p>
-<p>“Why not?”
-</p>
-<p>“Oh, he has enough of his own worries; he is ill, and—peevish.”
-</p>
-<p>“But, Jeanne, I really don’t see what change has come between us.”
-</p>
-<p>“Perhaps it is only my fancy after all. You see, formerly we used to be oftener together,
-now you move in such a different circle. You go out a good deal, and I—well, you see,
-we have become much estranged from one another.”
-</p>
-<p>“But considering that we have not seen each other for four years——”
-</p>
-<p>“But we kept up the correspondence.”
-</p>
-<p>“What value is there in three or four letters in the course of a year? Doesn’t it
-seem natural that one’s ideas change, as one gets older, and is placed in different
-circumstances? <span class="pageNum" id="pb38">[<a href="#pb38">38</a>]</span>Yes; I have had my cares and worries too. First it was dear papa, then Aunt Vere,
-whom I attended in her illness——”
-</p>
-<p>“Are you happy here? can you get along with Betsy?”
-</p>
-<p>“Oh yes, admirably, or I should not stay with her, of course.” Eline, with her usual
-reserve, deemed it unnecessary to say more about it.
-</p>
-<p>“You see, there is no need for you to trouble yourself about anything,” Jeanne continued;
-“things come about just as you wish them; you are free and unfettered, and live only
-for your pleasures—it is all so different with me.”
-</p>
-<p>“But surely all that does not justify you in saying that we have become estranged
-from each other. In the first place, I think ‘estranged’ is a most unpleasant word,
-and secondly, it is not true, whatever word you may use.”
-</p>
-<p>“Oh yes.”
-</p>
-<p>“Oh no. I assure you, Jeanne dear, if I can be of service to you in any way, you will
-find me quite at your disposal. Do you believe me?”
-</p>
-<p>“Yes, I do, and I thank you very much. But, Eline——”
-</p>
-<p>“Well?”
-</p>
-<p>Several questions rose to Jeanne’s lips. She felt eager to ask her to tell her more
-about herself, to be more free and open with her; but the studied cordiality of the
-smile that hovered about the delicate lips, and was reflected in those dreamy, almond
-eyes, effectually silenced her. And she felt a sudden regret at her frankness towards
-such a coquette of a girl deftly playing with her fan; it was mere waste of time in
-talking to her. Why had she allowed herself to yield to the first impulse? for they
-were entirely unsuited to one another.…
-</p>
-<p>“Well?” Eline repeated, at the same time fearing what the next question might be.
-</p>
-<p>“Another time, when we are alone again!” stammered Jeanne, and she rose, dissatisfied,
-annoyed with herself, feeling ready to burst into tears, after that unsociable dinner
-and fruitless conversation. Betsy and Emilie were just leaving the boudoir.
-</p>
-<p>Jeanne thought it was time to be going. The three gentlemen came in, and Henk assisted
-her with her cloak. With a forced cordiality she took her leave, thanking Betsy for
-her invitation, and again she shivered with annoyance when Eline kissed her cheeks.
-</p>
-<p>“What an awful bore she is, that Jeanne!” said Betsy, after the <span class="pageNum" id="pb39">[<a href="#pb39">39</a>]</span>Ferelyns had gone. “She scarcely opened her mouth. What were you talking about together,
-Eline?”
-</p>
-<p>“Oh—about Dora, and her husband, nothing else.”
-</p>
-<p>“Poor girl!” said Emilie pityingly. “Come, Georges, just fetch my cloak.”
-</p>
-<p>Mina, however, was just coming in with the ladies’ wraps, and de Woude put on his
-ulster, whilst Henk rubbed his big hands, well pleased at the prospect of spending
-the evening at home after a nice dinner. The carriage had already been waiting outside
-in the thawing snow for the last half-hour, with Dirk the coachman and Herman the
-footman seated on the box, half smothered in their big fur capes.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>“Oh, Frans, never ask me to accept another invitation of the van Raats!” said Jeanne,
-in an imploring voice, as, on her husband’s arm, she shiveringly went splashing along
-the muddy streets, while, with her little hands benumbed with cold, she constantly
-endeavoured to keep her cloak fastened, each time that a gust of wind blew the ends
-open. “Really I don’t feel at home any more with them, with Betsy and Eline.”
-</p>
-<p>He shrugged his shoulders and said nothing. They plodded on with their mud-bespattered
-shoes, in the flickering light of the street lanterns, whose dull rays were reflected
-with monotonous regularity in the numerous puddles they had to pass.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The third act of <i lang="fr">Le Tribut de Zamora</i> had just commenced, when Betsy, Emilie, Eline, and Georges entered their box. There
-was a full house, and their arrival broke in upon the silence that prevailed in the
-listening auditorium; there was a rustling of silk and satin; a hundred eyes and opera-glasses
-were directed to their box, and here and there the question was whispered, “Who are
-they?”
-</p>
-<p>Emilie and Eline sat down in front, Betsy and Georges behind them, while Eline laid
-down her fan and her pearl-rimmed <i>binocle</i>. Then she slowly commenced to untie her white plush, red satin-lined cloak, and as
-a cloud of pink and white it glided from her shoulders, and de Woude folded it over
-the back of her fauteuil. And in the triumph of her beauty it did her good to see
-how she was stared at and admired.
-</p>
-<p>“What a number of people there are here this evening! we are <span class="pageNum" id="pb40">[<a href="#pb40">40</a>]</span>fortunate,” whispered Emilie. “There’s nothing, I think, so wretched as to see an
-empty house.”
-</p>
-<p>“You are right!” said Betsy. “Look, there are the Eekhofs, Ange and Léonie, with their
-mamma. They were at the Verstraetens’ too yesterday; next week they are giving a <i lang="fr">soirée dansante</i>.” And she nodded to the girls.
-</p>
-<p>“The new baritone from Brussels, Théo Fabrice, sings this evening,” said de Woude
-to Eline. “You know that since the débuts commenced, two have been dismissed; he makes
-the third.”
-</p>
-<p>“How terribly long those débuts are this winter!” remarked Eline, in an indifferent
-tone.
-</p>
-<p>“The tenor robusto was all right from the first, but they say Fabrice is very good
-too. Look, there he comes.”
-</p>
-<p>The chorus of Ben-Saïd’s odalisques was ended, and the Moorish sovereign entered his
-palace, leading Xaïma by the hand. But Eline paid little attention; she glanced round
-the theatre, and gave a friendly nod of recognition as her eyes met those of some
-acquaintance, and she did not cast another glance in the direction of the stage until
-Ben-Saïd and his slave were seated under the canopy, and the ballet commenced. That
-attracted her, and her eyes followed the <i lang="fr">danseuses</i>, as, gliding along on the tips of their toes, they ranged themselves in groups beneath
-the Moorish arches, and under the uplifted veils and fans of silver fringe, their
-forms encased in corsages of glossy satin, and all a-glitter with the spangles on
-their gauze-like frocks.
-</p>
-<p>“A pretty ballet!” said Emilie, yawning behind her fan, and she leaned back cosily
-in her fauteuil, somewhat under the generous influence of her choice dinner.
-</p>
-<p>Eline nodded her head, and while at the back of her she could hear Betsy and Georges
-whispering together, she still followed the clever gyrations of the <i lang="fr">première danseuse</i>, as with graceful movements she hovered beneath the waving fans of the dancers on
-the tips of her pointed, satin-clad feet, a dazzling aigrette of diamonds in her hair.
-</p>
-<p>With her dreamy, idealistic nature, Eline was passionately fond of the opera, not
-only because it afforded her the opportunity of being the object of general admiration,
-not only because of the music, or that she was anxious to hear one or another aria
-sung by some celebrated <i lang="it">prima donna</i>, but also because of the intricate, romantic-coloured plot, the somewhat rudely-painted
-melodramatic <span class="pageNum" id="pb41">[<a href="#pb41">41</a>]</span>effects, full of hatred and love and revenge, the conventionality of which did not
-trouble her, and in which she did not even look for any truth. There was no need for
-her to forget for one moment that they were but actors and actresses whom she saw
-before her, and not knights and noble ladies; that she was seated in a crowded, brilliantly
-illumined theatre, looking at painted scenes, and listening to the harmony of a visible
-orchestra, and not living with hero and heroine through some more or less poetic period
-of the middle ages; but none the less did she enjoy herself, if the actors did not
-sing too badly, nor play with too much prosy conventionality.
-</p>
-<p>Betsy, on the other hand, went to the opera with the object only of seeing and being
-seen; Eline’s intense enjoyment she would have voted childish in the extreme, but
-Eline enjoyed in secret, for she suspected Betsy’s opinion, and so left her sister
-in the belief that she, like herself, found no pleasure in the theatre but to see
-and to be seen by friends and acquaintances.
-</p>
-<p>The ballet was at an end. Ben-Saïd and Xaïma descended from their throne, and he sang
-the recitative—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Je m’efforce en vain de te plaire!”</p>
-</div>
-<p class="first">and then the air:
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“O Xaïma, daigne m’entendre!
-</p>
-<p class="line">Mon âme est à toi sans retour!”</p>
-</div>
-<p class="first">The new baritone’s voice was full and sonorous, more like that of a basso cantante,
-and in his song he enveloped it as with a veil of melancholy.
-</p>
-<p>But in his rich Moorish dress he had a heavy appearance; and neither in his attitude
-nor in his acting did he succeed in imparting even the merest semblance of amorous
-homage, and he looked at the <i lang="it">prima donna</i>, in her dress of cloth of silver, and her long pearl-clad fair hair, with more of
-threatening rage in his glance than with the humility of a tender devotion.
-</p>
-<p>Eline was not insensible to the shortcomings in his acting; but still, the very contrast
-between the expression of haughty superiority in his demeanour and the tone of humility
-in his voice pleased her. She followed every note of the song, and when at the sudden
-fortissimo of Ben-Saïd’s metallic organ, the actress appeared to tremble with terror,
-Eline asked herself the question—
-</p>
-<p>“Why is she so frightened, I wonder?—what is the matter? He does not look so bad.”
-<span class="pageNum" id="pb42">[<a href="#pb42">42</a>]</span></p>
-<p>And during the applause that followed the song she glanced round the theatre, when
-by accident her eye fell upon a group of gentlemen standing just at the entrance to
-the stalls. She noticed how they stared at her box, and with her graceful languor
-she was about to draw back a little, when she saw one of them look at her with a smile
-of recognition. For a moment she looked at him with wide-opened eyes, and in her surprise
-did not return the salutation, but with a quick movement she turned round, laid her
-hand on Betsy’s shoulder, and whispered in her ear—
-</p>
-<p>“Just look, Betsy; do you see who is standing there?”
-</p>
-<p>“Where? who?”
-</p>
-<p>“There, in the stalls—Vincent—don’t you see?”
-</p>
-<p>“Vincent!” Betsy repeated, amazed in her turn. “So it is, Vincent!”
-</p>
-<p>They both nodded to Vincent, who laughingly fixed them with his glass, upon which
-Eline hid her face coquettishly behind her fan.
-</p>
-<p>“Who is it? who is Vincent?” asked Emilie and Georges.
-</p>
-<p>“Vincent Vere, a first cousin,” Betsy answered. “Oh, such a silly boy; nobody ever
-knows where he is; sometimes you don’t see him for months at a time, then all at once
-he stands before you again. I had no idea at all that he was at the Hague. Eline,
-for gracious sake, don’t fidget so with that fan.”
-</p>
-<p>“I don’t want him to stare at me,” said Eline; and with a graceful turn of her shapely
-arm she held her fan before her face.
-</p>
-<p>“When did you see your cousin last, Madame van Raat?” asked Georges.
-</p>
-<p>“Oh, more than eighteen months ago. I think he was going to London, where he was to
-be a reporter on a paper, or something of that sort. Fancy, they say he was in the
-Foreign Legion in Algeria for some time, but I don’t believe it. He has been everywhere,
-and he never has a <i lang="fr">sou</i>.”
-</p>
-<p>“Yes; now I remember, I have seen him before,” said Emilie, with a yawn. “A curious
-customer.”
-</p>
-<p>“Yes, that he is. But you see here, at the Hague, where he has relations, he knows
-he must be on his best behaviour, so we tolerate his presence.”
-</p>
-<p>“Yes,” remarked Emilie, very philosophically, “you generally find a black sheep like
-that in every family.”
-<span class="pageNum" id="pb43">[<a href="#pb43">43</a>]</span></p>
-<p>Eline smiled, and slowly closed her fan.
-</p>
-<p>The third act came to an end without her understanding much about the scena with <span class="corr" id="xd31e952" title="Source: Manöel">Manoël</span>, but the grand duo between Hermosa and Xaïma afforded her a clue: it was the mutual
-recognition of mother and daughter after the air—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Debout, enfants d’Ibérie!”</p>
-</div>
-<p class="first">and the curtain fell amid thunders of applause, and the two actresses were called
-to the front, and each received her share of bouquets.
-</p>
-<p>“Mr. de Woude, do tell me what the plot is really about?” asked Eline, turning to
-Georges. “<span lang="fr">Je n’y vois pas encore clair.</span>”
-</p>
-<p>But Betsy proposed to go into the <i>foyer</i>, and so they rose and left their box. In the <i>foyer</i>, seated on a divan, Georges related to her the plot of the opera, to which Eline
-listened with more attention than she cared to show. Now she knew why Xaïma shuddered
-in Ben-Saïd’s presence, and she would have liked to see the auction of maidens in
-the first act, and the sale of Xaïma as slave in the second.
-</p>
-<p>All at once they observed Vincent, who was coming up the steps of the <i>foyer</i>, and approaching them free and unconcerned, as though he had seen his cousins but
-yesterday.
-</p>
-<p>“Hallo, Vincent, have you dropped from the clouds again?” exclaimed Eline.
-</p>
-<p>“Hallo, Eline; hallo Betsy! charmed to see you once more. Miss van Bergh and Woude,
-I think?” and he shook hands with them.
-</p>
-<p>“I admire your memory; I had forgotten you,” answered Emilie.
-</p>
-<p>Betsy introduced them: “Mr. de Woude van Bergh, Mr. Vere.”
-</p>
-<p>“Very pleased. And how are you?”
-</p>
-<p>“A little astonished,” laughed Eline. “I dare say you are off again to-morrow, aren’t
-you? To Constantinople, or St. Petersburg, or somewhere, I suppose.”
-</p>
-<p>He looked at her, with a smile in his pale blue eyes, like faded china, behind their
-<i lang="fr">pince-nez</i>. His features were handsome and regular, rather too handsome for a man, with their
-finely-chiselled Grecian nose, the small mouth, about which there generally lurked
-somewhat between a sneer and an audacious smile, lightly shaded by the thin, fair
-moustache; but the charm of the handsome face was <span class="pageNum" id="pb44">[<a href="#pb44">44</a>]</span>completely spoilt by the unhealthy yellowish tint, and the expression of lassitude
-that was suffused over it. Of slender form and delicate proportions, he looked tasteful
-in his dark, plain clothes, whilst none could fail to note the smallness of his feet,
-and the finely-shaped hand, with its slender, white fingers, the hand of an artist,
-and which reminded Eline very much of her dead father. He sat down beside them, and
-in a languid voice told Eline that he had arrived at the Hague the previous day, on
-a business matter. His last employment had been at Malaga, in a wine business; before
-that he had been engaged in an insurance office in Brussels; previous to that he had
-for some time been a partner in a carpet manufactory in Smyrna, but the firm failed.
-Nothing would do. Now he was tired of all that rushing about; he had given proof enough
-of energy and perseverance, but fate was against him; whatever his hands touched seemed
-to bring him ill-luck. He expected, however, to obtain a situation in a chemical manufactory
-in Java, but he must first have some more information. To-morrow morning he hoped
-to call on van Raat, whom he wanted to see. Upon this Betsy asked whether he was coming
-to coffee, as van Raat was never at home in the morning, only in the afternoon. He
-gladly accepted the invitation, and then commenced talking about the opera.
-</p>
-<p>“Fabrice? oh, that is the baritone, is it not? Yes; a nice voice, but an ugly, fat
-customer.”
-</p>
-<p>“Do you think so? No; I think he shows off very well on the stage,” observed Emilie.
-</p>
-<p>“No, Miss de Woude, you don’t mean that.”
-</p>
-<p>Emilie abided by her opinion, and Eline laughed at their disagreement. The tinkling
-of the bell warned them that the fourth act was about to commence, and Vincent took
-his leave, although Georges politely offered him his seat in the box.
-</p>
-<p>“No; thank you very much; I don’t want to rob you of your place, I am comfortable
-enough in the stall. <span lang="fr">Au revoir</span>. To-morrow then, eh? Adieu, Betsy, Eline; <span lang="fr">au plaisir</span>, Miss de Woude; good evening, Mr. de Woude.”
-</p>
-<p>He bowed, pressed Georges’ hand, and slowly went away, lightly swinging his bamboo
-walking-stick in his hands.
-</p>
-<p>“A strange boy!” said Eline, shaking her head.
-</p>
-<p>“I am continually in fear that he will do something to scandalize us,” Betsy whispered
-into Emilie’s ears; “but up to now he has <span class="pageNum" id="pb45">[<a href="#pb45">45</a>]</span>kept himself quiet enough. Besides, you see I want to be nice and friendly to him,
-so as not to make him an enemy. I am a little afraid of him, one never can tell what
-a fellow like that may do, you see.”
-</p>
-<p>“I can’t say he is a prime favourite of mine,” said Emilie, and they rose to return
-to their seats.
-</p>
-<p>“Come, Emmie, you only say so because he did not say any nice things about Fabrice,”
-Georges chimed in, in a teasing voice.
-</p>
-<p>Emilie shrugged her shoulders, and they passed into the vestibule.
-</p>
-<p>“Oh, there is no fifth act! I thought there were five acts,” said Eline, with some
-disappointment, to de Woude, who told her the end of the plot.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The fourth act commenced, and Eline felt much interested in the moonlit garden scene,
-in Manoël’s cavatina, in his duet with Xaïma, and in the trio with Hermosa; but her
-interest grew when the Moorish monarch appeared at the gates of his palace, and commanded
-his guard to seize Manoël, whilst, deaf to his entreaties, he dragged Xaïma away with
-him, in a sudden burst of passion. The last scene in the opera, where Ben-Saïd is
-murdered by the mother, who comes to her child’s rescue, affected her much more than
-she would have cared to confess. In his scenas with the two female characters, the
-new baritone played with an amount of fire and power which lent the melodrama a glow
-of poetic truth, and when, fatally wounded, he sank down on the steps of the pavilion,
-Eline fixed her glasses, and gazed at his dark face, with the black beard and drooping
-eyes.
-</p>
-<p>The curtain fell, but the four actors were re-called, and Eline saw him once more,
-bowing to the audience with a calm, indifferent expression, in strong contrast to
-the beaming smiles of the tenor, the contralto, and the soprano.
-</p>
-<p>The audience rose, the doors of the boxes opened. Georges assisted the ladies with
-their wraps, and they proceeded through the corridor, and down the steps, until they
-reached the glass doors, where they waited until their carriage was announced.
-</p>
-<p>“I shouldn’t think that the <i>Tribut</i> is one of Gounod’s best operas; do you, Eline?” asked Emilie, when they were in their
-carriage. “It is not to be compared with <i>Faust</i> or <i>Romeo and Juliette</i>.”
-<span class="pageNum" id="pb46">[<a href="#pb46">46</a>]</span></p>
-<p>“I don’t think so either,” Eline answered cautiously, afraid to show how much she
-was affected; “but it is so difficult to judge music on hearing it for the first time.
-I thought some of the melodies very pretty. But then, you must bear in mind that we
-only saw half of it.”
-</p>
-<p>“Yes; it’s very nice just to go and see a couple of acts; but to have to sit out a
-whole opera I think an awful bore, I must admit,” said Betsy yawning.
-</p>
-<p>And Georges hummed the refrain—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Debout, enfants d’Ibérie.”</p>
-</div>
-<p class="first">The de Woudes were taken home first to the Noordeinde, and Betsy and Eline rode on,
-snugly ensconced in the satin cushions of the landau, to the Nassauplein. They spoke
-a little about Vincent, and then both were silent, and Eline let her mind wander musingly
-to the waltz in <i>Mireille</i>, to her dispute with Betsy that morning, to the group of the Five Senses, to Madame
-van Raat and de Woude, to her pink dress, and Ben-Saïd.
-</p>
-</div>
-</div>
-<div id="ch5" class="div1 chapter"><span class="pageNum">[<a href="#ch5.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER V.</h2>
-</div>
-<div class="divBody">
-<p class="first">About a week after the <i lang="fr">tableaux-vivants</i>, Lili Verstraeten was sitting in the small drawing-room, where the representation
-had taken place. The room had long since resumed its usual appearance, and in the
-grate burned a cheerful fire. Outdoors it was cold; there was a bleak wind, and it
-threatened rain. Marie had gone shopping with Frédérique van Erlevoort, but Lili had
-preferred to stay at home, and so she settled herself cosily in a big, old-fashioned,
-tapestry-covered arm-chair. She had taken Victor Hugo’s <i lang="fr">Notre Dame de Paris</i> with her, but she did not wish to force herself to read, if she did not care for
-it, and the book, in its red calf cover and with gilt edges, lay unopened in her lap.
-How nice it was to do nothing except dream the time away! how stupid of Marie and
-Freddie to go out in such wretched weather! What did she care about the weather! let
-it pour and blow outdoors as much as it liked, indoors it was beautiful; the clouds
-subdued the light, the low hanging curtains allowed it but <span class="pageNum" id="pb47">[<a href="#pb47">47</a>]</span>a modest access. Papa sat reading in the conservatory, where it was lightest; she
-could just catch a glimpse of his dear gray head, and she noticed how quickly he turned
-the pages; yes, he was really reading, not like her, who had taken her book just for
-a make-believe. She never felt <i>ennui</i>, though she did nothing at all; on the contrary, she enjoyed those musing thoughts,
-rose-leaves wafted along by gentle breezes; soap-bubbles, bright and airy, which she
-loved to watch, floating on high, and the rose-leaves blew away, the bubbles broke,
-but she wished neither her rose-leaf to be an ivy plant, clinging closely to her,
-nor her bubbles to be a captive balloon. Mamma was still up-stairs, ever active—ah!
-<i>she</i> could not lighten mamma’s work; she <i>would</i> do everything herself, though Marie occasionally helped a little. She inwardly hoped
-no visitors would come to disturb her in her <i lang="it">dolce far niente</i>. How jolly it was! How nice to watch the flame curling and twisting round the live
-coal! The grate was a miniature hell, the peat-blocks were rocks, and between them
-there were yawning precipices, all fire and glowing embers—it was like Dante! The
-souls of the damned hovered about the brinks of the precipices, shuddering at the
-fiery mass.… And, smiling at the wildness of her own fantasy, she averted her eyes,
-somewhat dazed with staring into the fire. But a week ago, on that very spot yonder,
-they had posed before their applauding acquaintances. How different it all looked
-then! The scenes, the lyres, the cross, and all the rest of the paraphernalia were
-stowed away in the lumber-room. The dresses were nicely folded up by Dien, and put
-away in boxes. But it had been a jolly time, what with the consultations beforehand
-with Paul and Etienne, the rehearsals, and so forth. How they had laughed! what trouble
-they had taken for the sake of a few moments’ entertainment!
-</p>
-<p>Papa still read on, turning page after page. How the rain beat against the window-panes!
-how it rushed down the pipe! Yes; Freddie and Marie were out for their enjoyment …
-how grand it was to be snug and safe from all the wet. And her feet sought the soft
-warmth of the hearth-rug; her fair head nestled deeper into the cushions of the old
-chair.
-</p>
-<p>Freddie was to go to a dance that evening. How <i>could</i> she stand it, going out night after night! Yes; she was very fond of it herself—a
-nice dance, a sociable soirée; but she liked staying at home too; to read, to work,
-or to—do nothing. But as for <i>ennui</i>, she <span class="pageNum" id="pb48">[<a href="#pb48">48</a>]</span>did not know what it was, and her life flowed on like a limpid rivulet. She was so
-entirely in love with her darling parents; she only hoped things would ever remain
-as they were; <i>she</i> would not mind being an old maid.… Quasimodo, Esmeralda, Phœbus de Châteaupers—oh,
-why had she not taken Longfellow with her? she did not care about the Cour des Miracles,
-but she longed for <i>Evangeline</i> or the <i>Golden Legend</i>—
-</p>
-<div class="lgouter">
-<p class="line">“My life is little,
-</p>
-<p class="line">Only a cup of water,
-</p>
-<p class="line">But pure and limpid——”</p>
-</div>
-<p class="first">How poetic she was getting! she laughed at herself, and looked out into the garden,
-where the dripping bare branches were swaying to and fro in the wind. There was a
-ring at the bell, and light footsteps and laughter echoed through the hall. Freddie
-and Marie were returning home, they would go up-stairs she supposed; no—they were
-coming this way, and entered the room, their wet wraps removed, but bringing with
-them a rush of wind and a chill dampness.
-</p>
-<p>“Well, I never!” cried Marie; “my lady seated by the fire warming herself. That’s
-right!”
-</p>
-<p>“Would my lady like a pillow for her back?” asked Freddie teasingly.
-</p>
-<p>“Yes; you laugh as much as you like,” murmured Lili with a smile, and she nestled
-herself more snugly in the chair. “I am warm and jolly here, and my feet are not cold
-and damp. You go and splash in the mud by yourselves!”
-</p>
-<p>Freddie went to speak to Mr. Verstraeten, and Marie thought she would like a refresher,
-and she set about making a cup of tea. So the girls sat down; yes, Lili would like
-a cup of tea too, although she had not been out mud-splashing.
-</p>
-<p>“How dark it is here, Lili! how could you see to read? Why, it’s enough to blind you,
-peering away in the dark like this!” cried Marie.
-</p>
-<p>“But I have not been reading,” replied Lili, enjoying her <i lang="it">dolce far niente</i>.
-</p>
-<p>“My lady has been musing,” mocked Freddie.
-</p>
-<p>“Ah,” said Lili with a smile, “it’s grand, doing nothing at all—just dreaming the
-time away.”
-</p>
-<p>And they all three burst out laughing at such a confession of <span class="pageNum" id="pb49">[<a href="#pb49">49</a>]</span>shameless laziness, when Madame Verstraeten came down, looking for her bunch of keys.
-</p>
-<p>Frédérique said she had to go soon; she was asked to a dance at the Eekhofs’ that
-evening, and there were one or two things she had to see to yet, and Madame Verstraeten
-thought Lili much more sensible than Freddie and Marie, who were foolish enough to
-go shopping in such weather.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Again there was a ring at the bell.
-</p>
-<p>It was Paul, bringing with him such a marked odour of wind and damp, that he was sent
-out of the room again to wipe his feet better.
-</p>
-<p>“There’s weather!” he sighed, as he sat down.
-</p>
-<p>Madame Verstraeten left the young people to themselves, and sat down beside her husband,
-who, however, on hearing that Paul had come, rose and walked to the back drawing-room.
-</p>
-<p>“Morning, uncle.”
-</p>
-<p>“Ah! morning, Paul; how are you?—how is your mother?”
-</p>
-<p>“Mother is very well. I lift her reading a book that Eline had sent her.”
-</p>
-<p>“And how is it—have you paid a visit to Hovel yet?”
-</p>
-<p>“No, uncle, not yet.”
-</p>
-<p>“But do so then. Don’t delay too long about it; Hovel wants to make your acquaintance.”
-</p>
-<p>“Paul, it’s four days ago that you said you were going to Hovel,” cried Marie. “How
-can you be thinking so long about it? It isn’t such a great journey.”
-</p>
-<p>“I intended to go to-morrow.”
-</p>
-<p>“Then go to-morrow, about half-past six. You are sure to find him at home then. I
-should advise you not to fail,” said Uncle Verstraeten, and in his usually so friendly
-dark brown eyes there gleamed something like annoyance, when he turned to go back
-to the conservatory.
-</p>
-<p>“Paul, Paul,” said Frédérique, shaking her head, “how can you be so lazy? You are
-even lazier than Lili.”
-</p>
-<p>“Oh, to-morrow will be quite time enough,” grumbled Paul, as he finished drinking
-his cup of tea.
-</p>
-<p>“Yes; but you’re very lazy, all the same. And I tell you frankly that we don’t think
-it nice of you at all, any of us.”
-</p>
-<p>“Go on, grandmother, give me a good sermon; that’s right.”
-<span class="pageNum" id="pb50">[<a href="#pb50">50</a>]</span></p>
-<p>“Grandmother or no grandmother, that’s my opinion. And you see, I think it’s a great
-pity that you should be like that; you could do a great deal more if you only had
-a little energy. Mark my words, now, if you don’t better yourself you will grow just
-like Henk—a dear good fellow, but good for nothing. You know very well that I am not
-altogether in love with Betsy, but I can quite understand that she must sometimes
-feel terribly bored with that brother of yours, doing nothing all day long.”
-</p>
-<p>“Don’t you say anything against Henk now; Henk is a thorough good fellow,” cried Marie.
-“And besides,” Marie continued, “you have much more ability than Henk; and that’s
-just why I think that laziness and want of energy are doubly inexcusable in you.”
-</p>
-<p>“Come, Marie,” said Lili, rising, “don’t go firing away like that at Paul, poor boy!
-You go to Hovel to-morrow, do you hear?” she whispered in his ear; “then it will be
-all right.”
-</p>
-<p>He laughed, and promised to better himself under the able guidance of the three of
-them.
-</p>
-<p>“And as I have evidently been placed under the guardianship of my cousins and Miss
-Erlevoort,” said he good-humouredly, “may I ask if they’ll allow their little protégé
-another cup of tea?”
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The heavy rain had ceased, but the wind still shook the dripping branches.
-</p>
-<p>It was half-past five when the door-bell rang once more.
-</p>
-<p>“Half-past five!” exclaimed Frédérique. “I must go; I ought to have gone long ago;
-I have some bows to fix on my dress. Oh! I <i>shall</i> look bewitching to-night, all in <i lang="fr">flot de tulle</i>! Where are my parcels, Marie?”
-</p>
-<p>“There goes the bell; I wonder if there are any visitors,” said Lili.
-</p>
-<p>Frédérique was about to go, when Dien came in to say that Mr. de Woude van Bergh was
-there.
-</p>
-<p>“What! <i>that</i> unspeakable bore!”
-</p>
-<p>“Oh, he’s not so bad,” said Paul.
-</p>
-<p>“Well, I don’t care; I’m going to close the folding doors. I don’t wish to see him!”
-she continued, and she was just about to suit the action to the word.
-</p>
-<p>“Come, Lili, don’t be so silly; come this way,” said Marie.
-</p>
-<p>“No, thanks; you go by yourself,” she answered and closed the doors, just as de Woude
-entered the front drawing-room, where Marie received him.
-<span class="pageNum" id="pb51">[<a href="#pb51">51</a>]</span></p>
-<p>Paul and Frédérique laughed, and took leave of Lili, and all three passed through
-the dining-room to the hall.
-</p>
-<p>“Good-bye; give my regards to uncle and aunt, and tell uncle that I shall go to Hovel
-to-morrow for certain,” said Paul.
-</p>
-<p>“Remember me to them also, and tell them I really had to go,” said Freddie.
-</p>
-<p>“All right; much pleasure to-night in your <i lang="fr">flot de tulle</i>. Boo! how cold it is here in this hall!”
-</p>
-<p>Paul and Freddie left, and Lili returned through the dining-room. And Georges de Woude,
-what had he come for? No; she could not bear him at all. So affected and formal. How
-could Paul see anything in him? Paul she thought ever so much nicer and manlier. And
-how Marie did lecture him! he was a good boy, too; and what if he were a little lazy—he
-had money, and might just as well enjoy himself a little now; later he could look
-out for a situation, and he would soon find one, that was certain. Yes; she would
-tell pa Paul had promised to go to Hovel to-morrow, and he always kept his word.
-</p>
-<p>She sat down once more in the old chair, and poked the fire. She warmed her fingers
-and rubbed her little hands, soft as satin. Through the closed doors she could hear
-the sound of voices, amongst which that of Georges prevailed—he seemed to be telling
-them a long story. She must have a look for one moment, and she rose and cautiously
-pushed one of the doors aside a little. Yes; that would do; pa and ma she could not
-see, but Marie she could just see in the face, and of Georges she got a back view.
-What fun it would be if Marie were to catch sight of her; but no, she appeared to
-be all attention for that little fop. Lili could just admire his shining white collar,
-and the tails of his coat—superfine, all of it! There—Marie looked up—there—she just
-caught sight of her through the crack in the door: “Hallo! bon jour;” she shook her
-finger at Marie, then she curtseyed and made grimaces, until Marie had to compress
-her lips, so as not to burst out laughing.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>As it was getting dark, Frédérique hurried home to the Voorhout. On arriving, she
-rushed up the broad staircase. She nearly stumbled over Lientje and Nico, two children
-of Madame van Ryssel, her eldest sister, who since her divorce from her husband had
-been living with her four children at Madame van Erlevoort’s.
-<span class="pageNum" id="pb52">[<a href="#pb52">52</a>]</span></p>
-<p>“Miss Frantzen, do look after the children, they will fall!” said Frédérique, out
-of breath, to the <i lang="fr">bonne</i>, whom she met on the first landing, searching high and low for the youngsters.
-</p>
-<p>“Do you know where Ernestine and Johan are?” asked Miss Frantzen.
-</p>
-<p>“No; I have only just come home,” answered Frédérique, quite indignant, and she hurried
-further, flew into her room, threw off her cloak, and with nervous fingers proceeded
-to open one of the little parcels she had brought with her in her muff and her pockets.
-</p>
-<p>“I shall never be ready!” she muttered, and she drew aside the green damask curtains
-from her bedstead, disclosing her ball dress, spread out on the bed—a diaphanous cloud
-of light-blue tulle.
-</p>
-<p>That morning Frédérique’s dress had been sent home from the dressmaker, but she wanted
-to add a bow here and there herself, although she almost feared to touch it, lest
-she should tangle the filmy, web-like stuff.
-</p>
-<p>“Oh, <i>what</i> shall I do!” she cried; then a sudden thought seemed to strike her, and she rushed
-out of the room, and on the landing she cried—
-</p>
-<p>“Tilly, Tilly, Mathilde!”
-</p>
-<p>One of the doors opened, and her sister, Madame van Ryssel, entered in some alarm.
-</p>
-<p>“Freddie, what is the matter? why do you scream so? is the house on fire?”
-</p>
-<p>“No; if it were I shouldn’t call for <i>your</i> help. But do help me a bit, or I shall never be ready.”
-</p>
-<p>“Help you? what with?”
-</p>
-<p>“With my ball-dress. I want to put on a bow or two. It’s so bare at the side, and
-I bought some ribbon.”
-</p>
-<p>Madame van Ryssel was about to reply, when the door of Madame van Erlevoort’s room
-opened, and the old lady came out to ask what was the matter. At the same moment a
-shrill burst of laughter and a sound of children’s voices re-echoed from the landing,
-there was a loud tripping of little feet, and a girl of seven came half tumbling down
-the stairs, followed by a lad of six.
-</p>
-<p>“Mamma, mamma!” the child cried, as she jumped down the last steps.
-</p>
-<p>“I say, Tine, Johan, what a noise you are making! What are you doing, you two?” asked
-Madame van Ryssel severely.
-</p>
-<p>“Jo is always teasing me; Jo wants to tickle me, and he knows I <span class="pageNum" id="pb53">[<a href="#pb53">53</a>]</span>can’t bear it,” panted the girl, and she hid herself behind her grandma’s petticoats,
-whilst Frédérique caught hold of Johan.
-</p>
-<p>“I told you before that I won’t have all that running and noise in the house!” resumed
-Madame van Ryssel. “I wish you would remember that grandma cannot bear it.”
-</p>
-<p>“Never mind,” said Madame van Erlevoort kindly, “they were only playing; eh, Tine?”
-</p>
-<p>“Look out, do you hear, or I’ll tickle you!” cried Frédérique, and she tickled Johan
-under his little arms, so that he fell, struggling and crowing, on the floor.
-</p>
-<p>“<span lang="fr">Mais comme vous les gâtez, toutes les deux! ne les choyez donc pas, quand je suis
-fâchée. Je perdrai tout mon pouvoir, si vous continuez ainsi!</span>” exclaimed Madame van Ryssel despairingly, as she glanced over the banisters, for
-down below Madeline and Nikolaas were giving Miss Frantzen a terrible trouble and
-would not go up-stairs with her.
-</p>
-<p>“Lientje, Nico!” cried Madame van Ryssel in her severest tones.
-</p>
-<p>“Come, Mathilde, do leave the children alone for a moment, and come and look at my
-dress!” Freddie implored.
-</p>
-<p>“I can’t keep them in order any longer, really,” said Mathilde, with a sigh of despair.
-</p>
-<p>“Make haste, Freddie; we dine rather earlier to-day,” said Madame van Erlevoort.
-</p>
-<p>The street door was being opened; it was Otto and Etienne van Erlevoort who were coming
-home, and their cheerful voices mingled with the laughter and screams of the children,
-the chiding tones of Miss Frantzen, and the barking of Hector, Otto’s dog.
-</p>
-<p>“Come, Mathilde, do just have a look at my dress,” Freddie pleaded, in coaxing tones.
-</p>
-<p>Mathilde thought it best to give up all attempts at exerting her maternal influence
-in that Babel of confusion, and yielded to Frédérique’s coaxing.
-</p>
-<p>“Really, I mean it, I have no more control over them——”
-</p>
-<p>“Come, children, don’t fight any more now; be good!” said Madame van Erlevoort to
-Ernestine and Johan. “Come with us down-stairs, ’tis enough to freeze you here.”
-</p>
-<p>Madame van Erlevoort had always been used to excitement and hubbub, and it never seemed
-to upset her. Herself mother of seven children, she had always been surrounded by
-noisy laughter, <span class="pageNum" id="pb54">[<a href="#pb54">54</a>]</span>turmoil and excitement, and she could not have understood how a large family could
-have existed in any atmosphere that was calmer than her own. From the first, her house
-had been filled with the shrill voices, the boisterous laughter, and the continual
-running to and fro of her children, until they grew up, in all the joyful freshness
-of their youthful spirits. Then with the death of her husband, Théodore Otto, Baron
-van Erlevoort ter Horze, member of the Second Chamber of the States General, commenced
-a period of unwonted calm and peacefulness, which grew even more so when her four
-children, one after another, left her house and got married. The first to go was Théodore,
-the eldest, who now managed their estates in Gelderland, and who, in the midst of
-his numerous family, lived at the Huis ter Horze the life of a gentleman-farmer and
-of a youthful patriarch combined. He was followed by her third daughter, Mathilde,
-whose brief married life had been very unhappy; after her, the two eldest girls, Cathérine
-and Suzanne, left their mother’s home, the former married to an English banker, Mr.
-Percy Howard, living in London, the other to Jonkheer Arnold van Stralenburg, Recorder
-at the Court of Justice at Zwolle.
-</p>
-<p>Thus Madame van Erlevoort was left with her two sons, Otto, assistant clerk at the
-Ministry of the Interior, Etienne, studying for the bar at Leiden, and her youngest
-child, Frédérique; and without the novel charm and refreshing emotions of her grandmothership,
-the comparative calm by which she was surrounded would certainly have made her ill
-with <i>ennui</i>, used as she was to the tripping of light feet and the song and laughter of clear
-young voices.
-</p>
-<p>A few years after her marriage, Mathilde with four children returned to Madame van
-Erlevoort, the children being assigned to her on her divorce from her husband. Since
-then, van Ryssel had been living abroad, and little more was heard of him.
-</p>
-<p>Madame van Erlevoort sympathized deeply with her daughter, who had so long and with
-such dignity sustained her part of neglected and misjudged wife, and she received
-her with the greatest love, inwardly happy in the new, fresh-budding life which the
-four grandchildren had brought into her house. She spoilt them all, as she had never
-spoilt her own children. Try what she would to be cross with them, their wildest pranks
-failed to provoke her anger, whilst Mathilde they often drove to desperation, for
-<span class="pageNum" id="pb55">[<a href="#pb55">55</a>]</span>she feared what would become of them with so much indulgence. She begged Madame van
-Erlevoort not to oppose her when she meted out some well-deserved punishment; Madame
-van Erlevoort promised readily enough, but as quickly forgot her promise on the first
-opportunity; whilst Frédérique, herself a spoilt child, always thought Mathilde right
-in her complaints, but for the rest did little to encourage a firm discipline. It
-was only from Otto that Mathilde could now and then expect a little support, and accordingly
-it was for Uncle Ot alone that the four young rascals had any respect. With his mother’s
-kindliness of disposition he combined his father’s common sense and practical nature,
-and in the unruffled calm of his demeanour he appeared older than he really was; but
-over his manly features there lay such a charming geniality, there was so much that
-was sympathetic and trustful in his bright dark eyes, that his earnestness and his
-sound sense attracted rather than appeared too severe in a young man of eight-and-twenty.
-Etienne, on the other hand, was all gaiety and thoughtlessness, and his mother’s idol,
-in fact her nature seemed to bask in the glow and sunshine of his character. Frédérique
-loved both her brothers passionately, but Otto she was fond of nicknaming papa, whilst
-with Etienne she would romp about much as Lientje did with Nico, and Tina with Johan.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Madame van Erlevoort wished to dine a little earlier that day, intending to have her
-siesta before going to dress. In the evening she was going with Freddie and her two
-sons to the ball at the Eekhofs’, whilst Madame van Ryssel stayed at home, a quiet,
-saddened young woman, whose smile but faintly lit up her wax-like face, and who lived
-but for her children.
-</p>
-<p>By Mathilde’s express desire, the four noisy customers always dined in a separate
-room, with Miss Frantzen. As for Madame van Erlevoort, there was nothing she would
-have liked better than to have sat at table with the whole batch of them, Miss Frantzen
-included, not caring one iota whether her damask table-cloths were swimming in gravy,
-her glass ware broken to bits, or the preserves mauled about by a set of greasy little
-fingers. Thus Mathilde had been unable to prevent the children, who dined earlier
-and whose meal was over sooner, from running in one after another into the dining-room,
-to the despair of Miss Frantzen, whose round face and terrified eyes would then appear
-at the half-open <span class="pageNum" id="pb56">[<a href="#pb56">56</a>]</span>door. This sort of thing Madame van Erlevoort in her kindliness having tolerated once
-or twice, soon became the rule, and Mathilde was obliged with a sigh to resign herself
-to the inevitable. As for Etienne and Frédérique, they only helped to make the youngsters
-noisier than ever. Otto also played with them, and Mathilde with a smile shrugged
-her shoulders; <i>she</i> could not help it, let things go as they would.
-</p>
-<p>“No, thank you, Otto, nothing more,” said Frédérique, at the dinner-table. “I can
-never eat when I am going to a ball; you know that.”
-</p>
-<p>“Is it still like that?” asked Otto. “I always thought that it was only very young
-girls who could not eat at their first <i lang="fr">entrée</i> into society. Are you still so nervous? Poor girl!”
-</p>
-<p>“Freddie, what have you been doing to your dress? I hope you have not spoilt anything?”
-asked Madame van Erlevoort, with some anxiety.
-</p>
-<p>“No, ma; I took Mathilde’s advice and did not touch it at all. Ah! you shall see me
-this evening,” she continued to Otto; “I shall look quite ethereal in my blue tulle—just
-fit to be blown away, you know. Hallo! there they come, the young Vandals!”
-</p>
-<p>This was meant for the four little van Ryssels, who now came storming into the room,
-Nico with an ear-splitting trumpet in his mouth. They came to eat their orange with
-wine and sugar. Madame van Erlevoort took Nico next to her and gave him his plate
-full of fruit, and ere long the young rascal was sucking away at the luscious morsels,
-varying the repast with an occasional blare from his trumpet.
-</p>
-<p>Ernestine, Johan, and Etienne were picking their hardest from one dish, and amid loud
-laughter their forks got jangled one in another, whilst Freddie told Otto who were
-coming to the Eekhofs’ that evening.
-</p>
-<p>“There are the Hydrechts, Eline Vere, the van Larens, Françoise Oudendyk. Don’t you
-think Françoise prettier than Marguerite van Laren? Eh, Otto, which of the two are
-you going to mash? Oh, Nico! my nerves! Nico!”
-</p>
-<p>Tootterootoo, too, went the trumpet.
-</p>
-<p>“Nico, you will drive me crazy with that blaring noise. Put that thing down now, and
-eat properly. There, it’s all running down your jacket!” cried Mathilde.
-</p>
-<p>“Oh, he is only making a little music; eh, little dot?” said Madame <span class="pageNum" id="pb57">[<a href="#pb57">57</a>]</span>van Erlevoort, and she drew her arm round the child, who, without much respect for
-his grandma, blew his trumpet right into her ear.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>After dinner Freddie and Etienne romped about with the children, whilst Madame van
-Erlevoort retired to her boudoir, and Otto sat down to smoke his cigar beside Mathilde,
-who took up some embroidery. Rika, the servant, cleared the table, much hampered in
-the process by Nico, and in fear and trembling for the safety of the tray upon which
-she had placed the dirty plates and glasses. At last the clock struck eight, and Miss
-Frantzen came to fetch the children.
-</p>
-<p>“<span lang="fr">Ciel de mon âme!</span>” cried Frédérique, half smothered on the sofa between Ernestine, Johan, and Lientje,
-and with an effort she extricated herself from the labyrinth of arms and legs that
-twined itself about her like an octopus. “I must get up-stairs; Mathilde, will you
-help me?”
-</p>
-<p>“Yes; I am coming,” answered Mathilde, rising. “And you, children, you be off to bed,
-quick!”
-</p>
-<p>“No, I won’t; I want to see Aunt Freddie look pretty first,” cried Ernestine, in a
-little whining voice. “And I want to help auntie, too.”
-</p>
-<p>“Auntie can do without your help, and pretty she always is. Come now, go up-stairs,
-all of you, with Miss Frantzen; <i lang="fr">allons</i>, like good children.”
-</p>
-<p>Freddie ran off, and as Madame van Erlevoort was asleep, Mathilde could for once exert
-her influence, and the four of them were bundled off up the stairs, with an admonition
-on each step, as Nico wanted to run down again, and Lientje remained sitting on the
-floor, playing with Hector.
-</p>
-<p>“I am coming directly, Freddie!” cried Mathilde; “as soon as the children are up-stairs.”
-</p>
-<p>Freddie was already in her room, brushing out the wavy masses of her hair. Mathilde
-was to dress it: she did it so deftly. And she set about arranging everything—her
-fan, her gloves, her handkerchief, her pale-blue satin shoes. A nervous blush suffused
-her clear pale face, as she looked at herself in the mirror and smiled, until in each
-cheek there formed a little dimple. “Yes; it would be all right,” she said. In half
-an hour Mathilde came back with Martha, the chamber-maid, and Frédérique sat down
-in front of the glass, in her white under-bodice and blue shoes.
-<span class="pageNum" id="pb58">[<a href="#pb58">58</a>]</span></p>
-<p>“Just as simple and fetching as last time you did it, Tilly,” coaxed Frédérique, as
-Martha handed her the comb, the curling-tongs, or a hairpin, as they were wanted.
-“Oh! it’s quite cold here! Do wrap something round my shoulders, Martha!”
-</p>
-<p>Martha wrapt a fur cape about her. With deft fingers, Mathilde had soon completed
-her task.
-</p>
-<p>“There!” said she, and arranged the frizzy fringe in front. “Simple, tasteful, and
-fetching—are you satisfied?”
-</p>
-<p>Frédérique looked at herself, and with the tips of her fingers she just touched her
-hair.
-</p>
-<p>“Rather!” she said. “And now—my <i lang="fr">flot de tulle</i>.”
-</p>
-<p>The fur cape was thrown on the floor, and Martha arranged the confused mass of garments
-which were spread about the room. Mathilde lifted up the cloud of delicate azure,
-and light as a sigh she let it glide about Freddie’s shoulders.
-</p>
-<p>“There’s something fairy, something naiad-like about me!” said Freddie, raising her
-arms, and Tilly and Martha knelt down and drew open the folds of silky gauze. “La,
-la, la——” and Freddie’s little feet kept time to the tune she hummed.
-</p>
-<p>“Freddie, Freddie, do be quiet now! Martha, a pin; here, that bow is undone.”
-</p>
-<p>“How do I look, Martha?”
-</p>
-<p>“Sweetly pretty, miss.”
-</p>
-<p>“Doesn’t it look bare at the side, Tilly?”
-</p>
-<p>“Oh, dear, no; ’tis all bows and ribbons. Come, Freddie, do sit still a moment, now.”
-</p>
-<p>All at once the door opened slowly, with a creaking sound.
-</p>
-<p>“What now?” cried Mathilde impatiently, and her anger rose when she caught sight of
-Ernestine, shivering in her white nightgown, making her appearance behind the door,
-a little frightened, but with an elf-like impudence.
-</p>
-<p>“Oh, ma, I want so much——”
-</p>
-<p>“But, Tine, ’tis enough to get your death of cold, running about like that! I don’t
-know how you can be so disobedient.”
-</p>
-<p>“Get into my bed, Tine, quick; but mind my bodice!” cried Freddie. “Never mind, Tilly,
-let her alone,” she whispered.
-</p>
-<p>Tine crept into the bed, and nestled herself like a dove in the blankets, and her
-little fingers passed over the blue satin of Frédérique’s corsage, which was lying
-on the pillow.
-</p>
-<p>Mathilde shrugged her shoulders with a sigh, resigned as usual, <span class="pageNum" id="pb59">[<a href="#pb59">59</a>]</span>but the bodice she took away. Madame van Erlevoort appeared in the open door, rustling
-in silk moiré.
-</p>
-<p>“Oh, how nice mamma is looking!” cried Frédérique excitedly; “you will see, Tilly,
-I shall be the last again to be ready. Make haste a bit, do!”
-</p>
-<p>Mathilde laced in the satin bodice, and Madame van Erlevoort smiled in admiration
-at her airy Undine. But what was that shuffling sound behind her? Looking round, she
-caught sight of Johan and Lientje, both numbed with cold, and in their nightgowns.
-</p>
-<p>“No; this is really too bad. ’Tis enough to drive one mad,” cried Mathilde, and she
-left Frédérique standing with her bodice half-laced, and rushed away to the young
-rascals. “How <i>can</i> you be so naughty, all of you, and worry ma so! To-morrow you will all be ill. Come,
-up-stairs at once!”
-</p>
-<p>She spoke with much annoyance, and the children half began to cry; but Madame van
-Erlevoort came to the rescue.
-</p>
-<p>“Never mind, Mathilde, let them stop a little while.”
-</p>
-<p>“In my bed—get in, quick!” cried Frédérique, laughing her hardest; “but don’t you
-touch my tulle; hands off there!” and she drew back in fear from the outstretched
-hands of the little Vandals, who were burning to tumble the filmy gauze, and pull
-at the long bows.
-</p>
-<p>Mathilde could see well enough for herself that Freddie’s bed was the best place for
-the children, and so for the thousandth time she gave in, as with a sigh she set about
-lacing up Freddie’s corsage. Johan and Lientje quickly crawled alongside Tine under
-the quilt, and with eyes asparkle with life and fun, they all three sat staring at
-the blue fairy.
-</p>
-<p>“Are you going to put something over all this, auntie?” asked Johan, “or will you
-keep as you are, naked like that?”
-</p>
-<p>“Go on, you stupid boy!” cried Tine indignantly, and she gave him a push, so that
-he tumbled over Lientje, and in a few moments Frédérique’s bed was a chaos of woollen
-blankets, fair curls, pillows, and bare pink legs and arms, all tumbling and wriggling
-about to the accompaniment of loud screams and yells.
-</p>
-<p>Madame van Erlevoort and Frédérique nearly cried with laughing at the scene, to the
-great confusion of Mathilde, who, do what she would, could not manage to get the laces
-tied, and Madame van Erlevoort called Otto and Etienne, who in evening dress and overcoats
-<span class="pageNum" id="pb60">[<a href="#pb60">60</a>]</span>were coming down-stairs, to go in and have a look at the scene.
-</p>
-<p>“Get in here with us, Uncle Eetje; come along, do!” screamed Johan; but Etienne declined
-the honour; he was much too pretty now to romp about like that.
-</p>
-<p>“You look like a fairy queen, Freddie!” said Otto smiling; “fit to——”
-</p>
-<p>“To be blown away, eh? But, Tilly, aren’t you finished yet with those laces?”
-</p>
-<p>“Well, Freddie, you won’t stand still for one minute.”
-</p>
-<p>At last Tilly was ready, every one was ready, and Madame van Erlevoort went down-stairs,
-as the carriage had just arrived.
-</p>
-<p>“Now, children, stop in bed, and don’t run about in the cold,” cried Mathilde commandingly,
-while Frédérique, with Martha’s help, wrapped her <i lang="fr">sortie</i> about her, Otto took charge of a fan, and Etienne of a glove.
-</p>
-<p>“Come, Freddie, mamma has gone down-stairs long ago,” said Otto, and he beat the fan
-impatiently on his hand.
-</p>
-<p>“Freddie, haven’t you forgotten anything?” asked Mathilde.
-</p>
-<p>“I say, where is your other glove, Freddie, or are you only going to wear one?” cried
-Etienne as loud as he could, to make himself heard above the noise and the din the
-children were making in the bed.
-</p>
-<p>“Oh! how you are worrying me, all of you!—I have already got it half on, my second
-glove! Martha, my handkerchief! Thanks; everything right? Yes? Well, good-bye, you
-pets!”
-</p>
-<p>“Freddie, you have forgotten something!” cried Etienne.
-</p>
-<p>“What is it, then?”
-</p>
-<p>“Your umbrella, here.”
-</p>
-<p>“Silly boy! Mamma is waiting in the carriage, and you delay me with stupidities! Well,
-good-bye, Tilly! good-bye, dearies! yes, Otto, I am coming.… Good-bye, Tilly, thanks
-for your assistance. Good-bye, Martha!”
-</p>
-<p>“Much pleasure, miss.”
-</p>
-<p>“Much pleasure, Freddie.”
-</p>
-<p>Freddie went, followed by Otto and Etienne. Ernestine sprang out of the bed, followed
-by Johan and Lientje.
-</p>
-<p>“Here, children, come here!” cried Mathilde.
-</p>
-<p>She threw some wraps about them, shawls, blankets, whatever she could find.
-<span class="pageNum" id="pb61">[<a href="#pb61">61</a>]</span></p>
-<p>“And where is Miss Frantzen, that you have all come in here like this?” she asked,
-dissatisfied.
-</p>
-<p>“In her own room, with Nico, ma; Nico is asleep,” said Tine. “Come, ma, don’t be angry,”
-and she raised her little arms fondly up to her mother.
-</p>
-<p>Mathilde smiled, and allowed herself to be embraced.
-</p>
-<p>“Come away now, all of you, to bed,” she said, somewhat conciliated.
-</p>
-<p>“There’s a state Miss Frédérique’s bed is in,” said Martha, shaking her head; “I can
-just go and make it all over again, naughty rascals!”
-</p>
-<p>“Good rascals!” cried Lientje.
-</p>
-<p>Mathilde took her up in her arms, and Tine and Johan followed, stumbling as they went
-over their strange garments, and screaming with laughter at the success of their ruse.
-</p>
-<p>“Hush! hush! or you will wake Nico!”
-</p>
-<p>Miss Frantzen knew nothing about it; she was sitting near Nico’s bedside, with Hector
-at her feet, and engaged in knitting, and was not a little upset when she saw the
-caravan approaching. Those naughty children, to slip away slily like that; she was
-under the firm impression that they were all nicely asleep in the next room!
-</p>
-<p>The <span class="corr" id="xd31e1361" title="Source: two">three</span> were put to bed, shivering and numbed, but mad with fun, and Miss Frantzen requested
-them not to talk any more, but to go to sleep.
-</p>
-<p>And Mathilde bent down over the cot of her Nico, lying there with closed eyes in the
-blankets, the moist lips half open, and the little fair curls straggling over the
-pillow. Pet of a boy he was!… And the rest too, real darlings, terrible worries to
-be sure they were, and quite uncontrollable, especially with such helpers as mamma
-and Freddie. But still, how happy she was that she had them, the four of them.
-</p>
-<p>And she bent down and just touched Nico’s little lips and felt his soft, warm breath
-on her cheek like a caress, and her tears fell on his forehead, so transparent and
-white, so soft .… the darling boy.…
-<span class="pageNum" id="pb62">[<a href="#pb62">62</a>]</span></p>
-</div>
-</div>
-<div id="ch6" class="div1 chapter"><span class="pageNum">[<a href="#ch6.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER VI.</h2>
-</div>
-<div class="divBody">
-<p class="first">Now and then old Madame van Raat came to drink a cup of tea at her son’s, in the Nassauplein;
-she was brought there in her brougham about half-past six, and was taken home about
-half-past nine.
-</p>
-<p>This time Betsy was still up-stairs, probably with Ben, as Eline assured the old lady,
-although she knew that Anna the nurse usually put the child to bed.
-</p>
-<p>She took Madame van Raat into the boudoir, where the soft light of wax candles fell
-from a small crystal chandelier on the violet plush of the chairs and couches, and
-was reflected through the many-coloured glass drops in the mirror opposite.
-</p>
-<p>“And Henk?” asked the old lady.
-</p>
-<p>“Oh, he is still dozing,” laughed Eline. “Stay, I’ll just go and call him.”
-</p>
-<p>“No, no; let him be, poor boy!” said Madame van Raat. “Let him sleep, and have a little
-chat with me, child.”
-</p>
-<p>She took her place on the sofa and looked smilingly at Eline, who sat down on a low
-settee by her side. Eline took the old lady’s thin, dry hand in hers.
-</p>
-<p>“And how are you? All right? You are looking like a young girl to-day; so smooth I
-don’t see a single furrow on your forehead.”
-</p>
-<p>Madame van Raat allowed herself, as usual, to be fascinated by that caressing voice,
-that sunny smile, and sympathetic expression.
-</p>
-<p>“You naughty girl! to make fun of my old age! Elly, you ought to be ashamed of yourself!”
-and she threw her arms round Eline’s neck and kissed her forehead. “And how is it
-with Betsy? is she not very troublesome?” she whispered.
-</p>
-<p>“Oh—really, Betsy isn’t so bad; she is only a little—a little hasty, just in her way
-of speaking, you know. All the Veres have hasty tempers, I as well; only papa I never
-remember to have seen in a temper; but then papa was a man without his equal. Betsy
-and I get along splendidly. Of course you can’t help a little bickering now and then,
-if you are always together like that; I think if I even lived with you that could
-not be helped.”
-</p>
-<p>“Well, I wish you would come and try it.”
-</p>
-<p>“Come, I should be much too troublesome to you. Now you <span class="pageNum" id="pb63">[<a href="#pb63">63</a>]</span>think me very nice, because you don’t see me very often; but if you were to see me
-every day——” and she laughed lightly.
-</p>
-<p>“Did you ever see such a girl? Just as if I had a temper!”
-</p>
-<p>“Oh no, I didn’t mean that; but really, <i lang="fr">au fond</i>, Betsy is an affectionate girl, and I assure you Henk has a charming wife in her.”
-</p>
-<p>“Maybe; but—but if I had had the choice, I think I know whom I should have chosen
-for my son’s wife, Betsy, or—somebody else.” She laid her hand on Eline’s head and
-gave the girl a look full of meaning, a faint, sad smile about the pinched mouth.
-</p>
-<p>Eline felt a little frightened. Madame van Raat’s words called to mind her own old
-thoughts; thoughts long passed and nearly forgotten, in which she had felt that sudden
-longing for Henk, the vague desire to lean on him for support. Ah, those thoughts!
-they seemed so far off and hazy, as though they were but mere ghosts and shadows of
-thoughts. They had lost all charm, they even assumed something grotesque, that all
-but made her smile.
-</p>
-<p>“Oh, my dear madam,” she murmured, with her rippling laugh, “who knows how unhappy
-he would have been then, whilst now—he is a little under the slipper, ’tis true, but
-Betsy has rather small feet.”
-</p>
-<p>“Hush—hush!” whispered Madame van Raat, “there’s some one coming.”
-</p>
-<p>It was Henk, who opened the door of the boudoir, and was surprised to find it so late.
-Eline laughed at him, and asked him if he had had sweet dreams.
-</p>
-<p>“You eat too much, that’s it that makes you so lazy in the evening. You should see
-what a lot he eats!”
-</p>
-<p>“There, mother, do you hear how your son is talked to in his own house, even by his
-little sis-in-law? Oh, you don’t know what a troublesome child it is!”
-</p>
-<p>“You had better not say any more about that; your ma won’t hear anything against me,
-not even from her beloved Henk—eh? Just you dare to say that I am wrong!”
-</p>
-<p>She looked at the old lady with so much childlike freshness in her bright eyes, and
-in her bearing, and such a warm glow of sympathy seemed all at once to emanate from
-her whole being, that Madame van Raat could no longer restrain herself from embracing
-her.
-</p>
-<p>“You are a dear,” she said, happy in the genial warmth of the affection of old age
-for the bright sun of youth.
-<span class="pageNum" id="pb64">[<a href="#pb64">64</a>]</span></p>
-<p>Betsy, when she came down, apologized for having been detained so long, and asked
-if mamma would not rather drink tea in the drawing-room—there was more room there.
-</p>
-<p>“Paul was coming too, later on,” said Madame van Raat, as Eline placed a marble footstool
-under her feet. “Then you must have a little music together, Elly, will you?”
-</p>
-<p>“Yes—with pleasure.”
-</p>
-<p>Madame van Raat brought out her glasses and her crochet-work, while Betsy sat down
-in front of the tea-tray, glittering with silver and china. She talked about all the
-doings of the day; of the ball at the Eekhofs’ the other night, which she had enjoyed
-very much.
-</p>
-<p>“And you as well, Elly?” asked the old lady.
-</p>
-<p>“Yes, first-rate. I had a splendid dance, and the cotillon was very, very jolly.”
-</p>
-<p>“And you, Henk?”
-</p>
-<p>“Oh, Henk!”
-</p>
-<p>Betsy and Eline both laughed. Eline exclaimed that he was much too stout to dance;
-a minuet he might perhaps do very nicely, and of course she was aware that was coming
-into fashion again. Madame van Raat joined in the laughter, and Henk, quite unconcerned,
-sat drinking his tea, when there was a ring at the bell, and Paul entered.
-</p>
-<p>He told them that he had just come from the Prince-gracht, from Hovel’s; he wanted
-to call on him last night, but he had met Vincent Vere in the Hoogstraat, and so he
-had postponed his visit to go and drink a glass of wine in Vincent’s lodgings, with
-a few acquaintances. Hovel he thought a very nice man indeed, and he had arranged
-to begin his work at his office the following Monday.
-</p>
-<p>Madame van Raat involuntarily heaved a sigh of gratitude that the long-talked-about
-visit had at last been paid. The last time she had seen her brother-in-law, Verstraeten,
-she thought she could detect something like annoyance when he spoke of Paul, and in
-matters relating to her youngest son she depended a good deal on the aid of Verstraeten,
-who had been Paul’s guardian during his minority.
-</p>
-<p>As she heard Paul speaking, Betsy felt as though there was something very incongruous
-about the way Henk “fooled” away his time with his horse and his dogs. But what was
-she to do? she had <span class="pageNum" id="pb65">[<a href="#pb65">65</a>]</span>spoken to him so repeatedly, and certainly the present moment, with Madame van Raat
-there, was hardly the time to mention it.
-</p>
-<p>“Come, Paul,” Eline cried, all at once, “shall we sing something?”
-</p>
-<p>Paul expressed his readiness; he rose; Eline sat down at the piano. Every Thursday
-they practised duos together, and she already prided herself on her <i lang="fr">répertoire</i>. Paul had never had a lesson, and hardly knew how to play; but Eline gave him a hint
-now and then, which he followed faithfully, and she asserted that whatever he might
-be able to do with his voice, he owed to her. He opened his mouth properly and kept
-his tongue down, but really he ought to take some lessons of Roberts. A fellow couldn’t
-be expected to sing without some study.
-</p>
-<p>“What shall we have? <i lang="fr">Une Nuit à Venise?</i>”
-</p>
-<p>“Right you are, <i lang="fr">Une Nuit à Venise</i>.”
-</p>
-<p>She opened a music portfolio, bound in red leather, with “Eline Vere” in golden letters
-on the cover.
-</p>
-<p>“But don’t bring out your high sol so loud here,” said she. “Take it in your medium
-register, and not from the chest. It will sound much sweeter. And begin very softly,
-swelling here and there; and keep in good time with me towards the end—the refrain,
-you know. Now, nicely, Paul.”
-</p>
-<p>She played the prelude to Lucantoni’s duet, whilst Paul gave a little cough to clear
-his voice, and both commenced together, very softly—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Ah viens la nuit est belle!
-</p>
-<p class="line">Viens, le ciel est d’azur!”</p>
-</div>
-<p class="first">His light tenor sounded a little shaky, but still it went very well with the resonant
-ring of her pure soprano. It was a pleasure to her to sing together like that, when
-Paul was in voice, and would listen to advice. It seemed to her as though she sang
-with more feeling when another voice accompanied hers, and that she felt more, especially
-in the repetition of such a phrase as—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Laisse moi dans tes yeux,
-</p>
-<p class="line">Voir le reflet des cieux!”</p>
-</div>
-<p class="first">words into which she infused something of the glow and languor of an Italian’s love.
-To her mind the duet assumed a more dramatic form. In her imagination she saw herself,
-with Paul as tenor, <span class="pageNum" id="pb66">[<a href="#pb66">66</a>]</span>gliding along in the radiant moonbeams in a gondola on a Venetian canal. To her mind’s
-eye she saw herself in the rich dress of a young patrician, Paul in the garb of a
-poor fisherman, and they loved each other, and half-dreaming, half-singing, they went
-gliding along the water—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Devant Dieu même
-</p>
-<p class="line">Dire; Je t’aime
-</p>
-<p class="line">Dans un dernier soupir.”</p>
-</div>
-<p class="first">There was the refrain! She feared—ah, she feared that Paul would break down. No; Paul
-kept time with her. That was splendid! and their voices died away in unison—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Dans un dernier soupir.”</p>
-</div>
-<p class="first">“Lovely, lovely, Eline!” cried Madame van Raat, who had been listening attentively.
-</p>
-<p>“You are in good voice,” said Betsy.
-</p>
-<p>“Now you must sing by yourself, Eline,” cried Paul, pleased with his success.
-</p>
-<p>While the duet was being sung, Mina had come in with the papers, the <i lang="nl">Vaderland</i> and the <i lang="nl">Dagblad</i>, and Henk was soon absorbed in them, turning over the sheets as noiselessly as possible.
-</p>
-<p>“But, Paul, don’t you want to sing any more?” asked Eline. “Something else; or are
-you tired?”
-</p>
-<p>“I had rather you sang alone, Eline.”
-</p>
-<p>“Oh no, if you aren’t tired, I should like another duet Really, I think it’s splendid
-to sing together like that. Would you venture the grand duo in <i>Romeo</i>?”
-</p>
-<p>“Really, Eline, I don’t know it very well yet, and it is so difficult.”
-</p>
-<p>“Oh, you knew it well enough the other day; if only you will sing soft and low, and
-not force your notes. There—you see, the whole of this passage with your medium register;
-don’t shout, whatever you do.”
-</p>
-<p>With an anxious look he asked her for a little more advice about the piece, and she
-told him what to do.
-</p>
-<p>“Come now, will you venture? But don’t shout; that’s frightful, and—if we do break
-down, what of it?”
-</p>
-<p>“Well, if you like to try, I don’t mind.”
-</p>
-<p>Eline’s face glowed with pleasure, and she played the soft prelude to the grand duo
-in the fourth act.
-<span class="pageNum" id="pb67">[<a href="#pb67">67</a>]</span></p>
-<div lang="fr" class="lgouter">
-<p class="line">“Va! je t’ai pardonné, Tybalt voulait ta mort!”</p>
-</div>
-<p class="first">she sang, with splendid delivery, and Paul answered with his recitative; then together
-they warbled—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Nuit d’hyménée, o, douce nuit d’amour!”</p>
-</div>
-<p class="first">Once more the dramatic form of the duo rose before her: Juliette’s departure; Romeo,
-in his brilliant dress, lying on the cushions at her feet. And it was no longer Paul,
-but Fabrice, the new baritone, who was the Romeo, and she let her head rest on his
-shoulder—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Sous tes baisers de flamme
-</p>
-<p class="line">Le ciel rayonne en moi!”</p>
-</div>
-<p class="first">Paul’s voice was growing very shaky and uncertain, but Eline scarcely heard it. To
-her imagination it was Fabrice, with his deep voice, who sang; and her song sounded
-full and ringing, quite forgetful as she was that she entirely eclipsed the tenor.
-</p>
-<p>There—there was the warbling of the lark at daybreak, as in alarm she asked—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Qu’as tu donc—Roméo?”
-</p>
-<p class="line">“Ecoute, o Juliette!”</p>
-</div>
-<p class="first">replied Paul in firmer tones, after his rest.
-</p>
-<p>But to her it was not the voice of the lark, but the soft tones of the nightingale;
-not the first rays of the morning sun, but the silvery gleam of moonlight, and still
-it was Fabrice, and still the orchestra resounded in the chords she struck on her
-piano, as, without speaking, they sank in each other’s arms. At times, in the brief
-intervals, the stern reality dispelled Eline’s vision, and no longer was it the stage
-and Fabrice she beheld, but Paul, turning the pages. But again she revelled in the
-luxury of her fancies; Juliette saw the danger of Romeo’s prolonged stay, she urged
-him to go, and he answered—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Ah! reste encore, reste dans mes bras enlacés!
-</p>
-<p class="line">Un jour il sera doux, à notre amour fidèle!
-</p>
-<p class="line">De se ressouvenir de ces douleurs passés!”</p>
-</div>
-<p class="first">This was a passage in which Paul’s lyrical weakness appeared most; and Eline, awakening
-out of her reverie, heard smilingly with what melancholy he repeated it. She felt
-ashamed at having eclipsed him in her ecstasy; she would be more careful.
-</p>
-<p>And she sang the finale less with overpowering despair than with <span class="pageNum" id="pb68">[<a href="#pb68">68</a>]</span>soft languor, so that Paul’s high chest-notes made better effect than at first; but
-the vision was gone, the stage, the audience, Fabrice, all had vanished.
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Adieu, ma Juliette!”</p>
-</div>
-<p class="first">sang Paul; and she answered, with a light cry, in which he joined—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Toujours à toi!”</p>
-</div>
-<p class="first">“Oh, how grand to sing like that!” cried Eline in ecstasy, and she rushed to Madame
-van Raat, and embraced her with sudden impetuosity. “Doesn’t Paul sing nicely, eh?
-Isn’t it a shame that he will take no lessons? You ought to make him.”
-</p>
-<p>But Paul declared that Eline gave him lessons enough, and that she would be the death
-of him with her difficult duos; but Eline again assured him that he had acquitted
-himself splendidly.
-</p>
-<p>Betsy gave a sigh of relief after the stormy parting of the Veronese lovers, which
-under the low ceiling and plush draperies of her drawing-room had sounded much too
-heavy and loud in her ears. To her thinking it was a terrible hullabaloo! Why didn’t
-Eline rather sing something light and jolly from one or another opéra bouffe?
-</p>
-<p>Eline and Paul having sat down, the conversation grew more general about the <i lang="fr">on dits</i> of the day, the busy stir in the streets before St. Nicholas’, until it struck half-past
-nine, when Mina came to say that the carriage was there.
-</p>
-<p>“’Tis time for me,” said Madame van Raat, slowly rising from her seat; and Eline ran
-away, humming as she went, to fetch her things from the boudoir, a fur circular, a
-woollen shawl, a cape. She let herself be snugly muffled up by her young favourite,
-and carefully placed her glasses and the crochet-work in her reticule. Then she kissed
-them all, bending over them with the slow movements of tired old age, and Henk and
-Paul assisted her into the soft satin cushions of the brougham.
-</p>
-<p>The carriage rolled away; and in Madame van Raat’s ears there still resounded the
-echo of singing voices; she smiled sadly as she wiped the vapour from the window to
-look outside where the snow was lying, dirty and bespattered in the light of the street
-lanterns, and thought of the time when she used to go to the opera with her husband.
-<span class="pageNum" id="pb69">[<a href="#pb69">69</a>]</span></p>
-<p>Paul stayed a little longer; and then, after a good glass of wine after his duos,
-he hurried off. When he had gone Eline went up-stairs to put the room in order a little,
-as she told Betsy. It was chilly in Eline’s sitting-room, but the cool air was refreshing
-to her cheeks and hands, heated by the faint atmosphere of the drawing-room. She threw
-herself on the Persian cushions, raised her hand, and stroked the leaves of the azalea.
-And she smiled, whilst her eyes grew large in a dreamy stare as her thoughts flew
-back once more to Fabrice with his beard and his splendid voice. What a pity that
-Betsy did not care more for the opera! They went but very rarely, and yet she was
-so passionately fond of it. Yes; she would give Madame Verstraeten to understand,
-in a genteel way of course, that she would not mind being invited now and then to
-accompany her; Mr. Verstraeten never went himself, and Madame generally invited some
-one or another to a place in her box, sometimes Freddie, sometimes Paul—why not her?
-</p>
-<p>All at once she jumped up as a thought suddenly struck her; last night Fabrice had
-appeared in <i>William Tell</i>. She ran out of her room and leant over the banisters of the stairs.
-</p>
-<p>“Mina, Mina!” she cried.
-</p>
-<p>“Yes, miss,” answered Mina, who was just passing along the hall with a tray full of
-wine-glasses.
-</p>
-<p>“Just bring me the papers, if master and mistress have read them, will you?”
-</p>
-<p>“Yes, miss.”
-</p>
-<p>She went back and threw herself on the sofa again. And she laughed at herself as she
-felt her heart beating with suspense. The idea! what could it matter to her, after
-all? There was Mina, coming up the stairs. She brought the <i lang="nl">Vaderland</i> and the <i lang="nl">Dagblad</i>.
-</p>
-<p>“If you please, miss.”
-</p>
-<p>“Thank you, Mina,” said Eline indifferently, and languidly she took the papers.
-</p>
-<p>But scarcely had the servant closed the door behind her when she opened the <i lang="nl">Vaderland</i>, and with sparkling eyes began to look for the art and literature column. Then she
-read:
-</p>
-<blockquote>“THE FRENCH OPERA.
-<p class="first">“After his performances in <i>Hamlet</i> and <i lang="fr">Le Tribut de Zamora</i>, no one could doubt that Mr. Théo Fabrice would find favour in the eyes of the subscribers
-to the French Opera, and we cannot but <span class="pageNum" id="pb70">[<a href="#pb70">70</a>]</span>wonder that there were even three votes recorded against the brilliant baritone. Again,
-in <i>William Tell</i>, Mr. Fabrice gave ample proof of his fitness to fulfil the post of baritone at the
-Grand Opera here, and we sincerely rejoice in his appointment. With a powerful and
-well-cultivated organ, the artist couples great histrionic ability. In the duo with
-Arnold (Act I.) and in the grand trio, in the scena with Jemmy, Fabrice gave striking
-evidence of a perfection rarely to be met with on our stage.”</p>
-</blockquote><p>
-</p>
-<p>And Eline smiled and nodded approvingly. It was true enough—and she read the article
-to the end, rejoicing in his success; and then she turned to see what the <i lang="nl">Dagblad</i> said about him.
-</p>
-</div>
-</div>
-<div id="ch7" class="div1 chapter"><span class="pageNum">[<a href="#ch7.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER VII.</h2>
-</div>
-<div class="divBody">
-<p class="first">The Ferelyns occupied the upper part of a small house over a grocer’s shop in the
-Hugo de Grootstraat. There they lived in a cramped, depressing atmosphere of economy;
-Frans had had but little left him by his parents, and he was therefore compelled with
-his wife to live on small salary while on furlough. They settled in the Hague, the
-city in which both of them had lived since their childhood, where they had first met
-one another, where they had expected still to find their former friends and their
-old associations, although Frans had expressed the opinion that they would do better
-to make their stay in a smaller town. But Jeanne’s father, Mr. van Tholen, was also
-living in the Hague on his pension, leading a solitary life, little visited by his
-friends, and gradually forsaken by his children, as they married or went into situations.
-It was therefor that Jeanne persuaded her husband, notwithstanding their slender purse,
-to stay in the Hague. She would be economical, she promised, and she kept her word,
-although by nature she was not much inclined that way.
-</p>
-<p>So they remained in the Hague, in spite of many disappointments. In the four years
-that they had not seen each other, Jeanne found her father much aged, more discontented
-and irritable than she had known him before. The days of yore were past and gone,
-<span class="pageNum" id="pb71">[<a href="#pb71">71</a>]</span>thought she: her happy youth in the old, sunny home, with her mother and her brothers
-and sisters; her innocent pranks with school-mates; her girlish dreams under the lilac
-and jasmine in their garden; her engagement days, full of ideal fantasies, with Frans.
-The souvenirs which she had hoped to find in Holland were scattered far and wide like
-shrivelled leaves, and much as she had longed in the burning Indies for the damp and
-fog of her fatherland, she now, bowed down under her disappointments and under her
-forced economy, looked forward to a return to that matter-of-fact, easy-going life
-she had enjoyed in the Kadoe with her cow, her fowls, and her goat. And yet, plucky
-in spite of the thousand and one little troubles that beset her daily life, she struggled
-on. Doctor Reyer visited her Dora every other day; but she fancied she saw a nervous
-haste in the popular young physician which made him count every minute of his visit.
-He stayed a moment, laid his ear on Dora’s little chest, assured her that her cough
-was going, impressed upon Jeanne not to allow the child to leave the house, and left
-in his brougham, whilst he made a note in his pocket-book with his gold-cased pencil,
-and glanced through the list of his patients. Frans, with his severe headaches and
-his low fever, he had referred to a physician in Utrecht, to whom he had minutely
-described the patient’s case; and Frans had gone to Utrecht and returned, much dissatisfied
-at the vague way in which the physician had spoken to him. Whenever Doctor Reyer came
-to visit Dora, Frans went out, feeling annoyed with him and his Utrecht physician,
-who between them had been unable to cure him; and he buried his headaches and his
-continued cold shiverings in a gruff solitude within the four walls of his little
-private office on the first floor. Something like a twinge of conscience came over
-him when he heard Jeanne up-stairs talking to the doctor; and Dora, in her peevish
-little way, was crying in her efforts to escape the ordeal of examination; but he
-did not move; all doctors were quacks who could talk very wisely, but could not cure
-him when one was ill.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Jeanne conducted the doctor down-stairs, talking the while, and Frans in his office
-heard Reyer ask after him, heard her say something and call the servant to show him
-out. Then, as the carriage rolled away, she came in.
-</p>
-<p>“Do I disturb you?” she asked, in her soft, subdued voice.
-<span class="pageNum" id="pb72">[<a href="#pb72">72</a>]</span></p>
-<p>“No, certainly not; why?”
-</p>
-<p>“Why did you not come up-stairs for a moment, Frans? Reyer asked after you.”
-</p>
-<p>He shrugged his shoulders.
-</p>
-<p>“What is the use?” he said with irritation. “They send you to their Leiden or Utrecht
-celebrities, who make you pay a <i lang="nl">tientje</i><a class="noteRef" id="xd31e1596src" href="#xd31e1596">1</a> for a two minutes’ talk.”
-</p>
-<p>“But what do you want, then? You can’t expect to be cured by magic of a complaint
-from which you have suffered for the last two years. I think you ought to do more
-for your health than you have done in the three months we have been here. You have
-come to Europe for that purpose, have you not?”
-</p>
-<p>“Certainly; but first I must find some one in whom I can place more confidence than
-Reyer. Reyer is a doctor à la mode, a recommendation of the van Raats, very polite
-and gentlemanly, but much too superficial and hasty for me. Why, he is gone ere you
-have seen him.”
-</p>
-<p>“But you don’t speak to him frankly. I ask him about Dora and force him to stay longer,
-and really, now that he knows us better, he seems to take greater interest in us.
-And everybody says he is clever; it is not only the van Raats who believe in him.”
-</p>
-<p>“Well, I shall see; there’s plenty of time yet. Sometimes you are just like a drop
-of water on a stone, continually drip, drip, drip. You are for ever hammering, hammering
-away at that doctor story,” he cried, impatient and dissatisfied with himself, and
-he opened his writing-case, as though to give her to understand that he had no more
-time.
-</p>
-<p>She went, and gently closed the door behind her. Up-stairs in the nursery she found
-their only servant, a young girl of sixteen, in a dirty apron and unkempt hair, making
-the beds; while Dora, with the two boys Wim and Fritsje, were playing in the next
-room.
-</p>
-<p>“I will close the door, then you can air the room, Mietje,” said Jeanne, and she closed
-the folding doors, and with a smile sat down beside the children, at a table near
-the window, covered all over with little socks, pinafores, frocks, all to be repaired.
-Oh! what tiresome, wasteful children they were, to be sure! She sighed, and her small
-thin hand fumbled about the things, and her eyes filled with tears. Why was she not
-stronger? how she <span class="pageNum" id="pb73">[<a href="#pb73">73</a>]</span>would have enjoyed getting through all her household duties! Now she found it so hard
-to lift herself out of the listlessness into which she felt herself sinking, as into
-a yawning abyss; from the lifeless languor which seemed to encircle her as with velvet
-arms; and yet—there was so much to be done she durst not yield herself up to idle
-dreaming, nor rake up her old, wide-scattered recollections, like so many burnt-out
-cinders, and forget herself in her longing for the illusions of former days. Stern
-reality stared her in the face, in the shape of a great rent in Dora’s woollen frock,
-and in the washing that was waiting to be counted before being sent to the laundry.
-</p>
-<p>And yet even now, while her hand went fumbling about the little socks and vests, she
-let herself be drawn deeper and deeper into the soft down of her listlessness; she
-bestirred herself with no energy to set about her work, and she did not hear the shrill
-quarrelling voices of the children.
-</p>
-<p>She would so gladly have infused a flood of sunshine, a wealth of harmony into her
-humble home; but she was no fairy, and she felt herself so weak even now, and already
-no longer able to withstand life’s small troubles, so that she dared not hope for
-a much rosier future. Indeed, when she thought of the future at all, it was not without
-fear and trembling, as a vague terror shaped itself into an indefinable form before
-her mind’s eye, so dread and awful that she could find no words with which to depict
-it.
-</p>
-<p>Her head fell on her hand, and now and again a tear dropped on the linen in front
-of her. Oh! how sweet would be her slumbers, if but the caress of one who loved her
-might be hers, one in whose affection she would have felt herself safe from all danger!
-And she thought of her Frans, and how he had asked her to be his in their garden,
-under the blossoming lilac; and now she worried him, and had become like a drop of
-water on a stone—drip, drip, drip.
-</p>
-<p>Ah! she knew it; she had not made him happy; she was a great disappointment to him,
-but it was not her fault if he thought to find more in her than she possessed; a stupid,
-simple, weak little woman, with a great need of much, very much love and tenderness,
-and with something of sentimental poesy in her little soul.
-</p>
-<p>And sighing, she raised herself, and told the children not to make so much noise,
-papa was down-stairs and had a headache.
-</p>
-<p>Then she looked about on the table after her work-basket, but <span class="pageNum" id="pb74">[<a href="#pb74">74</a>]</span>she had left it in the sitting-room, and so she ordered Dora, like a big girl, to
-look after her little brothers for a while. She usually spoke to the child as though
-she were a grown-up daughter, and Dora often helped her, very pleased that ma found
-her so useful. And Jeanne went down-stairs to the sitting-room, and began looking
-for the basket, when Frans came in.
-</p>
-<p>He had heard her coming down-stairs, and wanted to see her for a moment, as a feeling
-of self-reproach overmastered him. He approached her unawares, softly, on the tips
-of his slippered feet. He took her gently by the arms.
-</p>
-<p>She felt frightened for a moment, and when she looked up she saw in his eyes that
-very tenderness for which she longed, and with a little smile in which there almost
-lurked something like fear, he asked her—
-</p>
-<p>“Are you angry?”
-</p>
-<p>Her eyes suddenly grew moist, and she nestled her head on his shoulder, and laid her
-arm round his neck, and shook her head.
-</p>
-<p>“Really not?”
-</p>
-<p>Again she shook her head, laughing amid her falling tears, and she closed her weeping
-eyes and felt his moustache on her lips as he kissed her. How quickly he repented
-when he had been unkind, and what a luxury it was to forgive him!
-</p>
-<p>“Come, don’t cry then; it wasn’t so bad as all that.”
-</p>
-<p>She gave a sigh of relief and clung closer to him.
-</p>
-<p>“If only you are a little gentle and kind to me—oh, then I feel myself so—so strong,
-then I feel equal to anything.”
-</p>
-<p>“Darling little woman!”
-</p>
-<p>Again he kissed her, and under the warm love of his lips she forgot the icy cold of
-the fireless room, which caused her to shiver as she clung to his arms.
-<span class="pageNum" id="pb75">[<a href="#pb75">75</a>]</span></p>
-</div>
-<div class="footnotes">
-<hr class="fnsep">
-<div class="footnote-body">
-<div class="fndiv" id="xd31e1596">
-<p class="footnote"><span class="fnlabel"><a class="noteRef" href="#xd31e1596src">1</a></span> Dutch gold coin, of the value of ten florins.&nbsp;<a class="fnarrow" href="#xd31e1596src" title="Return to note 1 in text.">↑</a></p>
-</div>
-</div>
-</div>
-</div>
-<div id="ch8" class="div1 chapter"><span class="pageNum">[<a href="#ch8.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER VIII.</h2>
-</div>
-<div class="divBody">
-<p class="first">It was the fifth of December, and from early morn a mysterious stir and excitement,
-a joyous whispering, an anxious stowing away from peering eyes, had prevailed all
-day at the van Erlevoorts.
-</p>
-<p>A little after seven in the evening the Verstraetens arrived; the two cousins, Jan
-and Karel, who had taken part in the tableaux, accompanied them; then came the van
-Raats and Eline, followed by old Madame van Raat and Paul; Henk, however, and Jan
-Verstraeten did not enter the drawing-room, but mysteriously disappeared in a little
-cupboard where Marie and Lili had already laid a parcel of costumes.
-</p>
-<p>In the large drawing-room Madame van Erlevoort received her guests, who met with a
-jubilant welcome from the little van Ryssels and from Hector, and neither Mathilde
-nor Miss Frantzen could succeed in their efforts to stop the ear-splitting noise.
-</p>
-<p>“Now, why did you not bring Ben with you?” Madame van Erlevoort asked Betsy, indignantly.
-</p>
-<p>“Really, madam, Ben is too young; he is only three, you must remember, and it will
-be so late to-night.”
-</p>
-<p>“He could have ridden home with our Martha. It’s a pity; I had something for him just
-to suit him,” said Madame van Erlevoort, in a tone of disappointment.
-</p>
-<p>In the opposite drawing-room, where the girls, with Otto, Paul, and Etienne, were
-talking and laughing, there was a stir, and the young van Ryssels looked up with nervous
-curiosity. Martha had just come in, and she had smilingly said something to Frédérique.
-</p>
-<p>“Now, children and all good folks,” cried Frédérique, with a dignified face, “silence!
-Santa Claus has arrived and wants to know if he may enter. Do you agree, mamma?”
-</p>
-<p>They all kept themselves as serious as possible, with many a furtive glance at the
-little van Ryssels.
-</p>
-<p>Meanwhile, Santa Claus made his appearance in his white gaberdine, and long red cloak
-bordered with gold lace. His hair and beard were long and white, and on his head he
-wore a golden mitre. With much dignity he made his entry into the room, leaning on
-his staff, and his black page behind him, dressed in a costume which those who had
-witnessed the recent tableaux at the <span class="pageNum" id="pb76">[<a href="#pb76">76</a>]</span>Verstraetens’ would probably have recognized. The three women-servants and Willem
-followed them by way of rear-guard, and remained in the room looking on.
-</p>
-<p>The grown-up people all bowed, with a self-conscious smile, before my lord bishop.
-</p>
-<p>Santa Claus muttered a greeting, and all but stumbling over his immensely long gaberdine,
-he walked up to the sofa, where old Madame van Raat and Madame Verstraeten were seated,
-surrounded by Madame van Erlevoort, Mr. Verstraeten, Mathilde, Betsy, and Otto. No
-one troubled himself to rise from his seat, and Madame van Erlevoort welcomed the
-illustrious guest with a most familiar smile.
-</p>
-<p>“Why doesn’t grandma get up?” whispered Ernestine wondering, as she raised her delicate
-intelligent little face to Marie’s. “I thought she would have got up when such an
-old, strange gentleman came in.”
-</p>
-<p>“<span lang="fr">Mais, écoute donc, comme elle est fine!</span>” Marie whispered to Eline, who stood next <span class="corr" id="xd31e1656" title="Not in source">to </span>her.
-</p>
-<p>But Eline did not hear; she stood laughing with Paul and Etienne at Santa Claus, whose
-gaberdine was certainly coming down, and already quite covered his feet, whilst a
-streak of fair hair became visible between his gray locks and his mitre.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Now Santa Claus raised his deep, full voice, and as, with an energetic wrench, he
-pulled up his gaberdine into his girdle, he motioned the little van Ryssels to come
-to him. They did not feel quite sure of the business, but when Santa Claus took one
-of the bags from his little servant’s hands, and opening it began to scatter its contents
-about, the youngsters’ faces grew radiant with joy, they forgot their terror, and
-one and all they threw themselves, tumbling over Hector, on the floor, to scramble
-for what they could find—ginger-nuts, figs, nuts, oranges, chocolate.
-</p>
-<p>“Scramble away, scramble away,” Santa Claus cried encouragingly, “we’ve got a lot
-more; look here! Come, you big boys, don’t you want something too?”
-</p>
-<p>The cousins Verstraeten did not wait for a second invitation, and joined in the scramble.
-</p>
-<p>“Will you save them for me, grandma?” screamed Nico, and poured a torrent of sweet-stuff
-into his grandma’s lap; “then I’ll go and fetch some more!”
-<span class="pageNum" id="pb77">[<a href="#pb77">77</a>]</span></p>
-<p>“Nico, Nico!” remonstrated Mathilde.
-</p>
-<p>“Never mind,” said Madame van Erlevoort kindly.
-</p>
-<p>Santa Claus and the little page shook out their big sacks, which had been growing
-limper and limper by degrees, and turned them inside out, as a proof that they were
-quite empty.
-</p>
-<p>“Oh, now we are going to the dining-room!” cried Ernestine, and she jumped up and
-clapped her little hands with pleasure.
-</p>
-<p>“Oh yes; to our little tables!” Johan chimed in.
-</p>
-<p>Every one rose, and they followed the Saint and the children to the small drawing-room,
-and the girls giggled at Santa Claus’s falling wig, but the Saint called out to the
-servants and Willem—
-</p>
-<p>“Quick, throw open the doors; make haste!”
-</p>
-<p>The folding-doors were opened, and the children stormed into the well-lit room, where,
-instead of the dining-table, there now stood four small tables; on each of them lay
-a name in letters of chocolate, on each of them rose a tower of toys.
-</p>
-<p>The Verstraetens and the van Raats whispered to the servants, and their gifts to the
-youngsters were brought in also, one by one—hoops, whips, balls, tin soldiers, and
-a cow that gave milk.
-</p>
-<p>Meanwhile Santa Claus and his little slave took their departure, and as it was close
-upon half-past eight, Mathilde considered it time to stop the fun. But even with Miss
-Frantzen’s assistance she was not to achieve her object very quickly. The children
-got muddled in their attempts to collect their toys and dainties; from Ernestine’s
-pocket a shower of nuts fell on the floor; Johan’s tin soldiers could not be got into
-their box again, and Lientje with her hoop and Nico with a trumpet rushed along the
-room followed by Hector, without troubling themselves much more about the rest of
-their property, which was scattered all around.
-</p>
-<p>“Come, children,” cried Mathilde, “make haste now; ’tis getting bed-time.”
-</p>
-<p>But they heard nothing; the little van Ryssels, mad with joy, ran up and down, scattering
-about in wildest disorder the toys which the others had gathered together, and Frédérique
-joined in the fun, and took Nico on her back, whilst he made a horse of her, and struck
-her on the back with his whip.
-</p>
-<p>The little Verstraetens, too, ran after Tina and Johan, along the marble hall, making
-a furious stampede with their boots.
-</p>
-<p>Mathilde clasped her hands in despair. No one took any notice of her. Miss Frantzen
-was assisting the servant with the toys, and <span class="pageNum" id="pb78">[<a href="#pb78">78</a>]</span>the young girls were laughing with Paul and Etienne. Fortunately she caught sight
-of Otto, who was speaking to Betsy and Madame Verstraeten, and she walked towards
-him and took his hand.
-</p>
-<p>“Oh, for goodness’ sake, Otto, do help me; the children must really go to bed, and
-they won’t even listen to me. Mamma is not a bit of help either.”
-</p>
-<p>Madame van Erlevoort, in fact, was at that moment in the other room, very busy filling
-Lientje’s toy tea-service with milk, water, and sugar, and old Madame van Raat and
-Mr. Verstraeten stood looking on with much amusement.
-</p>
-<p>“Oh, I see; Otto is to act the bogey man again,” he said good-humouredly.
-</p>
-<p>“No, no bogey man; but really I shall go crazy if you don’t come to my assistance.
-Did you ever see such uncontrollable creatures as those children of mine, Betsy? Are
-you coming, Otto?”
-</p>
-<p>Betsy laughed.
-</p>
-<p>“You had better just go and assert your authority as uncle, Mr. van Erlevoort,” said
-Madame Verstraeten.
-</p>
-<p>Otto accompanied Mathilde, first to Freddie.
-</p>
-<p>“Come, Freddie, Nico must go to bed. Come, Nico, quick; to-morrow you may ride again
-on auntie’s back. Down, Hector!”
-</p>
-<p>“You have nothing to do with my back, do you hear?” said Freddie; “do you hear, little
-grandpapa? Come, Niek, little grandpapa says we must leave off.”
-</p>
-<p>Nico obeyed, pouting, as he asked for his trumpet. Otto went into the hall, where
-he checked the two eldest in their mad race.
-</p>
-<p>“Come, Tine and Jo; mamma wants you to go to bed now. Don’t be disobedient now, or
-you will make mamma cross.”
-</p>
-<p>“What a lot we’ve got this year, uncle!” cried Ernestine, out of breath.
-</p>
-<p>Mathilde came into the hall, leading Nico and Lientje by the hand.
-</p>
-<p>“Just fancy, there was mamma, quietly playing at tea-parties with Tine,” she said,
-and her despairing face made Otto smile. “Really if it were midnight, mamma would——”
-</p>
-<p>“Ma, dear, mustn’t we say good-night first to everybody?” screamed Johan.
-</p>
-<p>“No, no!” cried Mathilde, quite terrified, and grasped the little <span class="pageNum" id="pb79">[<a href="#pb79">79</a>]</span>hands close; “I shall wish all the people good-night for you. Thank you, Otto.”
-</p>
-<p>She gave him a friendly nod, and he nodded back with his genial smile and his frank
-eyes.
-</p>
-<p>And Mathilde took the children up-stairs.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>“Then you can bear all that noise and turmoil?” asked old Madame van Raat of Madame
-van Erlevoort, and she looked at her smilingly, but wondering, with her sad, lack-lustre
-eyes.
-</p>
-<p>There was a sudden calm after the exodus of the children. They left the dining-room,
-where the toys were still scattered about; the apartment was closed, and the guests
-went into the double drawing-room, where Madame van Erlevoort poured out tea.
-</p>
-<p>“Can I bear it, madam? I feel myself live again under it; it rejuvenates me. I need
-the life of youth about me. I never spent a drearier time than when my daughters and
-my son Théodore were married, and yet I still had three children left me. But I must
-see those little beings fluttering about me; there is nothing that keeps one in a
-brighter condition like their wild gaiety. May I pour you out another cup?”
-</p>
-<p>Madame van Raat handed her cup, and envied Madame van Erlevoort her youthful vivacity
-with her gray hairs. She compared her with herself, and her own melancholy solitude,
-the effect of which she felt doubly keen, after her former life of cloudless happiness,
-and her present existence stood out in cruel contrast to the joy-surrounded old age
-of that happy grandmamma.
-</p>
-<p>“And you don’t know how sorry I am that I see so little of Théodore’s six. The boy
-is in love with country life, and won’t hear of it when I attempt to persuade him
-to come and live in the Hague.”
-</p>
-<p>“Your daughter in England has only one child, has she not?” asked Madame Verstraeten
-and Madame van Stralenburg.
-</p>
-<p>Madame van Erlevoort bent down to Madame Verstraeten, and whispered something mysterious
-in her ear, whilst in reply to Mr. Verstraeten, who nodded to her smilingly, she archly
-winked her eye.
-</p>
-<p>Thereupon Madame van Erlevoort related how the little van Ryssels had placed their
-shoes aside the previous evening, when Henk and Jan Verstraeten came in, both smiling,
-and Henk with a very red face. Mathilde too came back, and many nice things were related
-about the children. All at once there was a furious ringing at the house-bell.
-<span class="pageNum" id="pb80">[<a href="#pb80">80</a>]</span></p>
-<p>All eyes turned to the door as it opened. Willem, Truitje, and Rika between them dragged
-a big box into the room, towards Madame van Erlevoort.
-</p>
-<p>“Oh!” exclaimed Frédérique; “that is the box from London!”
-</p>
-<p>Madame van Erlevoort informed Madame van Raat that every year at St. Nicholas, her
-son-in-law Howard sent her a big box containing something for everybody. Willem, armed
-with crowbar and pincers, and assisted by Etienne, removed the screws and nails. Every
-one was on the watch, and the shower of presents commenced.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Eline made a little heap of her presents. Oh, how she was being spoilt, she declared,
-radiant with smiles. From Martha’s hand she took another packet; slowly she broke
-the string, cautiously looking about for a seal, or some stray letter or cipher, to
-give her a clue to the sender. But she found nothing of the kind, the address ran
-simply—“Mdlle. E. Vere.” It was a gray leather case; she opened it, wondering who
-could have sent it. Inside the case, resting on the gray velvet, lay a fan of beautifully-carved
-mother-of-pearl. She took it up, and slowly opened it; she looked at it in admiration.
-</p>
-<p>“Bucchi!” she softly said, as she read the name of the painter at the bottom; “Bucchi!”
-</p>
-<p>The fan was, in fact, painted by the Italian artist, a fantasy of roses and fairies
-on a groundwork of ivory satin.
-</p>
-<p>“From whom can this come?” she said. “How splendid!”
-</p>
-<p>Every one rose, every one crowded round Eline, who carefully held the fan open, and
-the costly gift attracted general admiration. Eline was astonished. From Madame van
-Raat she had had a scent set, that she knew; from Henk and Betsy——
-</p>
-<p>“Betsy dear, must I thank <i>you</i> for this?” she asked, rising.
-</p>
-<p>Betsy shook her head.
-</p>
-<p>“Parole d’honneur—not me, Eline.”
-</p>
-<p>Of course she had had a bracelet from Betsy and Henk; but who, then, sent this fan?
-</p>
-<p>“Would it be from—Vincent perhaps?” she asked.
-</p>
-<p>“From Vincent? No, no; what put that into your head now? What young man would make
-such a present? Let me look at it.”
-</p>
-<p>Eline handed her the fan.
-</p>
-<p>“’Tis really magnificent,” said Betsy.
-<span class="pageNum" id="pb81">[<a href="#pb81">81</a>]</span></p>
-<p>Eline shook her head, quite at a loss for a clue. Meanwhile the fan was passed from
-hand to hand, and Eline carefully scanned every one’s face, but she could gather not
-the least sign from any of them. But suddenly Frédérique raised her head, with a look
-of surprise on her face. She quickly recovered herself, and with apparent indifference
-approached Eline.
-</p>
-<p>“May I see the case one moment?” she asked.
-</p>
-<p>Eline handed her the case, and Frédérique eagerly scrutinized and felt the gray leather
-and the gray velvet.
-</p>
-<p>“Have you got the slightest idea who could have sent me that?” asked Eline, and she
-raised her arms in mock despair.
-</p>
-<p>Frédérique shrugged her shoulders, and laid the case down.
-</p>
-<p>“No—I really don’t know,” she said, somewhat coolly, and she looked with some curiosity
-into Eline’s hazel eyes.
-</p>
-<p>An indefinable antipathy seemed to her to radiate from out of those gazelle-like eyes,
-and to lie hidden in the mock despair at the unknown giver. She cast not another glance
-at the universally admired fan, and during the remainder of the evening she was quieter
-than ever she had been before.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The torrent of presents had ceased. Madame van Erlevoort asked her guests to leave
-her two terribly disarranged drawing-rooms, full of paper, straw, bran, and rubbish,
-when Willem once more opened the doors of the dining-room, and the table, ready laid
-for supper, looked bright and inviting enough.
-</p>
-<p>It was a gay and lively supper-party. Mr. Verstraeten kept Madame van Erlevoort and
-Betsy, between whom he was seated, amused with his jokes, and Mathilde, next to Betsy,
-often joined in the laughter. Henk, seated between his mother and his aunt, wanted
-nothing; whilst Otto and Eline were busily engaged in conversation, and Etienne chattered
-noisily with Lili and Marie.
-</p>
-<p>“Freddie, how quiet you are, <span lang="fr">chère amie</span>,” said Paul, as he took possession of a lobster salad, seeking in vain to set his
-little neighbour, generally animated enough, a-talking. “Didn’t receive enough presents
-to your liking, perhaps?”
-</p>
-<p>“Quiet? am <i>I</i> quiet? How can you say such a thing?” answered Freddie, and she began to chatter
-with an overpowering animation, which sounded like an echo of Etienne’s. But still
-there was something artificial about it; her laugh was not always a hearty one; and
-every now and then she stole a furtive glance at Eline, as she <span class="pageNum" id="pb82">[<a href="#pb82">82</a>]</span>sat there, brilliant in her beauty, in lively chat with Otto. Yes, there was something
-very fascinating about her, something of a siren’s charm; her beautiful dreamy eyes
-half closed, as she laughed, while the soft line of her delicate lips faded away in
-two small dimples. And those beautiful hands, peeping out so white from amid the black
-lace and the dark red bows of her bodice, and that coquettish-looking diamond, one
-single brilliant stone, trembling like a drop of crystal in the black tulle round
-her throat. Yes, Frédérique thought her bewitching; but still, she could not help
-it, she thought her antipathetic; and almost with anxiety her eyes followed those
-of Otto, whose glance seemed riveted to the siren.
-</p>
-<p>Meanwhile, however, she continued laughing and talking with Paul, with Etienne, and
-Lili, and Marie, and old Madame van Raat declared across the table that the family’s
-arch-elf of fun was thoroughly sustaining her reputation.
-</p>
-<p>The champagne streamed into the glasses, and Mr. Verstraeten drank a toast to the
-ever-youthful hostess, with her beautiful white hair, and thanked her with a kiss
-for the jolly evening. Eline and Otto drank together to some toast of which Frédérique
-could not catch the words, and which she would gladly have given her best present
-to understand; but still she did not ask.
-</p>
-<p>“Etienne, what a noise you’re making!” she cried, with some impatience, to her brother,
-who, with all the strength of his lungs, sang something about—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Buvons jusqu’a à la lie!”</p>
-</div>
-<p class="first">while his glass nearly spilt its contents over Lili’s plate. But when she had said
-so much, she was sorry for it; why should not others enjoy themselves, if she could
-not?
-</p>
-<p>The supper was over, the carriages were waiting for the guests, who left one by one,
-laden with the presents each had received. Mathilde felt tired, and soon went up-stairs,
-whilst Madame van Erlevoort and Otto were packing the presents together.
-</p>
-<p>“What a state the rooms are in!” said Frédérique, as she kicked a cardboard box aside.
-Then she approached the table; ah, where was the fan? Eline had taken it away with
-her. Then she kissed her mother and Otto, playfully rumpled Etienne’s hair, and took
-her presents up-stairs.
-</p>
-<p>Slowly she undressed herself, so slowly that the chill air made <span class="pageNum" id="pb83">[<a href="#pb83">83</a>]</span>her shiver. And as she, trembling with cold, crept under her blankets, she once more
-saw Eline before her, in all her bewitching grace, in her black lace, smiling at Otto.
-It all began to whirl before her eyes, like a confused kaleidoscope—Henk, in his dress
-as Santa Claus, with his falling gaberdine, and Jan Verstraeten as the little page,
-the box from London, the fan by Bucchi.
-</p>
-</div>
-</div>
-<div id="ch9" class="div1 chapter"><span class="pageNum">[<a href="#ch9.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER IX.</h2>
-</div>
-<div class="divBody">
-<p class="first">It was a few days after St. Nicholas’ Eve when Eline went out one afternoon, taking
-little Ben by the hand. The previous evening she had been, together with Madame Verstraeten,
-Marie, and Lili, to the opera, to see <i lang="it">Il Trovatore</i>, and that morning she had asked her old grumbler of a singing-master to accompany
-her in
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“La nuit calme et sereine.”</p>
-</div>
-<p class="first">He shook his head; he did not care for those bravura arias of the Italian school,
-about which Eline was often at variance with him; she thought Bellini, Donizetti,
-Verdi most graceful and melodious music, as though written for her ringing soprano.
-He on the other hand considered them childish with their rippling airy little tunes,
-and was never tired of dwelling upon the richer depth of Wagner. But she had him completely
-under her thumb, and he played whatever she wished him to.
-</p>
-<p>“Come, Ben, walk properly, there’s a good child!” said Eline to the sturdy little
-chap. “Come, keep up with auntie. Isn’t it nice to go into all the nice shops?”
-</p>
-<p>Last evening, when at the opera, during the cavatina of the Comte de Luna, Eline had
-an idea rising in her mind. In the window of a photographer’s she had noticed some
-portraits of Fabrice in various characters and dresses, and a sudden desire overtook
-her to possess one. So now she was on her way to buy one of the portraits. And she
-smiled to herself as though she enjoyed the secret pleasure of it, as she pictured
-him with his big heavy frame, his fine head of hair, and his black beard. How glorious
-to be an actor!
-<span class="pageNum" id="pb84">[<a href="#pb84">84</a>]</span></p>
-<p>From Fabrice her thoughts wandered back to her new fan, which she had used last evening.
-Betsy thought she had acted very foolishly in taking it with her before she knew the
-giver, but she had taken no notice of her sister’s objections; on the contrary, she
-thought there was something fascinating in that uncertainty which had a peculiar attraction
-for her romantic nature; indeed she had already formed quite a little romance for
-herself out of the little incident. Fabrice had noticed her in the Verstraetens’ box;
-he was quite captivated by her; in future it was only to her that he sang, and his
-heart was filled with disappointment whenever he did not see her at the opera. It
-was he who had sent her the fan with its modest superscription, “Mdlle. E. Vere”;
-he had seen her use the fan last night, and one time or other he would be sure to
-betray himself by a glance or a certain note in his song.
-</p>
-<p>She smiled at her own romancing, at the wildness of her fantasy. She remembered last
-summer at the picture academy to have seen several fans by Bucchi, and now she also
-recollected with what admiration she had gazed at them, and how she had expressed
-the desire to possess one. Who could have had the delicate attention to meet her in
-that desire? With whom had she been to that exhibition? With Emilie de Woude, with
-Georges perhaps—surely Georges could not have—or her dancing-master, who had proposed
-to her, but whom she had refused? Oh! it was too stupid; no, she would think no more
-about it—one day she would know.
-</p>
-<p>By way of the Parkstraat and the Oranjestraat she had reached the Noordeinde and was
-close to the picture-shop, when all at once the thought struck her—would not the shopkeeper
-think it absurd for a young girl to purchase such a portrait? No; she would never
-summon up courage. But already she stood before the window, behind which masses of
-engravings, photographs, groups of statuettes in marble and terra-cotta, and numbers
-of various objects of art were displayed in elegant confusion; actors and actresses,
-singers and painters, with their names attached: Estelle Desveaux, Moulinat, Théo
-Fabrice.
-</p>
-<p>“Come, Ben,” she said, and gently pushed the child inside. There were some ladies
-in the shop, selecting photographs, and they looked at her. She could not help it,
-but really she thought she blushed under her white tulle fall.
-</p>
-<p>“May I see some of your New Year’s cards, like those in your <span class="pageNum" id="pb85">[<a href="#pb85">85</a>]</span>window?” she asked the shopkeeper. “Don’t touch those statuettes, Ben.”
-</p>
-<p>A number of cards were shown her. She looked at them attentively, took them up with
-the tips of her well-gloved fingers, and laid a few aside. Then she looked round her,
-noticed a heap of portraits, and with her languid indifference she took them up. Fabrice’s
-were among them.
-</p>
-<p>Which should she take? This melancholy-looking one in the black velvet costume and
-lace collar, representing Hamlet; that one as Tell? No, this one, as <span class="corr" id="xd31e1812" title="Source: Ben-Säid">Ben-Saïd</span>, the character in which she had first seen him. But she would also take that one
-of Moulinat, the tenor, and of Estelle Desveaux, the contralto; then it would not
-be remarked that she had come expressly for Fabrice. But then she might just as well
-take another of Fabrice, as Hamlet.
-</p>
-<p>“Will you let me have these cards, and these four portraits?”
-</p>
-<p>“Shall I send them to you?”
-</p>
-<p>“Oh no, I will take them. How much is it altogether?”
-</p>
-<p>She paid the money, took the envelope in which the shopman had enclosed them, and
-left the shop with Ben, under the firm impression that the ladies, who were still
-engaged with the photographs, looked at her as though they would read her inmost thoughts.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>A glow of pleasure came over Eline’s face when once she was outside. At last she had
-summoned up courage to do what she had long determined, and she spoke in a gentle
-motherly way to Ben. And when, on reaching the Hoogstraat, she saw Jeanne Ferelyn
-in her winter cloak, wide as a sack, and her modest little black hat, walking on the
-opposite side without noticing her, she took Ben’s hand, and quickly crossing the
-street between two carriages, greeted Jeanne with smiling cordiality. They walked
-on a few steps together, Jeanne telling her that Dora was getting on nicely, but that
-she had been obliged to engage a nursemaid, as she could not always leave the children
-to the care of Mietje, who was so slovenly and careless, and that it had somewhat
-crippled her finances. Eline forced herself to be attentive to the tale of her latest
-troubles; but soon Jeanne began to speak with more animation about Frans, her father,
-and Doctor Reyer, with whom she was getting on better now. Then as she saw how sympathetically
-Eline looked at her, and how gently she spoke to Ben, she raked <span class="pageNum" id="pb86">[<a href="#pb86">86</a>]</span>up some of the recollections of her school-days, and they laughed about their childish
-pranks, and about the cherries she used to pick out of Eline’s cape. Jeanne was annoyed
-at herself for having formed such an unfavourable impression of Eline when she met
-her at the van Raats’ dinner-party; now she found her quite unaffected and amiable.
-</p>
-<p>“But don’t let me detain you any longer, Eline,” said she, stopping short; “I have
-to make a few trifling purchases, order some saucepans, and a milk-jug. Mietje has
-been breaking some things.”
-</p>
-<p>“Oh! I have nothing to do, I’ll walk with you so far, if you don’t think I’m <i lang="fr">de trop</i>, and if Ben isn’t tired. Are you tired, little man? No, eh? Oh! he is such a good
-one at walking!”
-</p>
-<p>They walked on, and Jeanne ordered the saucepans, and Eline went into the china-shop
-and chose a milk-jug for her. At the same time her mind was still running on Fabrice,
-and at times she felt an irresistible longing to open the envelope and look at his
-portraits. She was so passionately fond of music, and Fabrice sang with such pathos,
-with so much more feeling than other actors. He was still young, she thought; he would
-yet be famous, and make his <i lang="fr">début</i> in Paris. Jeanne never went to the opera, and probably had never yet seen him.
-</p>
-<p>Would she, Eline, meet him one day in the street, she wondered? And how would he look,
-in his everyday clothes? Yes; one morning she would pretend to have an early call
-to make somewhere, and she would pass by the opera-house. Perhaps there might be a
-rehearsal, and if so she would probably meet some of the artistes in the neighbourhood
-of the building. Absorbed in her own thoughts she did not always hear what Jeanne
-was saying; but she continued to look at her, as she walked by her side, with those
-sympathetic eyes and that winning smile, which were among Eline’s greatest charms.
-</p>
-<p>Meanwhile they had turned the corner, and on reaching the Hoogewal, she took leave
-of Jeanne.
-</p>
-<p>“Well, good-bye, I’ll come and look you up soon, Jany; remember me to Ferelyn, do
-you hear? Come, Ben, shake hands with the lady.”
-</p>
-<p>In her longing after affection, Jeanne felt something like a grateful glow of warmth
-at the sound of that name Jany; it seemed like an echo of former days, when as a girl
-every one called her Jany.
-<span class="pageNum" id="pb87">[<a href="#pb87">87</a>]</span></p>
-<p>And she hurried back to the Hugo de Grootstraat, full of high spirits, longing once
-more to be in her little home, with her husband and her little darlings of children.
-</p>
-<p>Eline smiled to herself as she passed through the Willemspark on her way home. The
-bare branches over her head glistened with hoar frost, and the frigid air was clear
-and seemingly full of vague echoes. She felt a strong impulse to give expression to
-her happiness in that free atmosphere, by an outburst of joyous song. Was she a little
-smitten then—with that——
-</p>
-<p>No, no, it was too absurd; it was only that he sang well!
-</p>
-</div>
-</div>
-<div id="ch10" class="div1 chapter"><span class="pageNum">[<a href="#ch10.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER X.</h2>
-</div>
-<div class="divBody">
-<p class="first">The flaming fire cast great, quivering shadows, like dancing, black spectres, on the
-walls and ceiling of the dark room. Now and then a momentary flash of brightness would
-hover about an antique silver ewer, or glint along a carved sideboard, which, like
-a vague dark mass, filled up an angle in the room, or play about a set of old china,
-or a pair of antique vases over the mantelpiece.
-</p>
-<p>Vincent Vere lay stretched on his sofa, and looked around with half-closed eyes, each
-time there was a flickering of light over the room. That strange prevailing gloom,
-penetrated by fitful gleams of ruddy light, made him pleasantly forgetful of his prosaic
-rooms, where a stray object of <i lang="fr">vertu</i> of his own was in screaming contrast with the shabby gentility of the furniture.
-And he lay musing awhile in the Dantesque twilight.
-</p>
-<p>These last few days he had felt very worn and exhausted. A languor seemed to numb
-his limbs; it was as though it were warm water instead of blood that coursed through
-his veins; at times a mist seemed to hang before his eyes, so that he could neither
-act nor think. His eyelids drooped wan and limp over his lack-lustre, light blue eyes;
-his lower lip hung down heavily, and about his small mouth there was a very pained
-expression. He had often felt like that, but this time he ascribed it to the atmosphere
-of the Hague, which well-nigh suffocated him, and he longed for more space and more
-air, and could not understand why he should have <span class="pageNum" id="pb88">[<a href="#pb88">88</a>]</span>gone to a city, which had always had so little attraction for him. Yes, he remembered—through
-the mist of his exhaustion—he had wished for a span of rest, after all his restless
-wanderings; but already, notwithstanding his fatigue, he felt a nervous stimulation
-to action, and an inward spur once more to throw himself into a vortex of change.
-Rest and monotony had a dulling effect upon him, and in spite of his weakness he felt
-continually excited to movement and action, and an insatiable longing for an ever-changing
-horizon. And yet he lacked the energy to devote himself with determination to any
-kind of labour, whilst his changeable nature constantly drove him onward in a restless
-search after some surroundings, some sphere or occupation in which he might feel at
-home, and which he ever failed to find.
-</p>
-<p>The two weeks which he had spent in the Hague seemed to him an age of <i>ennui</i>. The day after he had met Betsy and Eline at the opera, he had been to take coffee
-at the van Raats’, and had asked Henk to lend him 500 florins; he was daily expecting
-some money from Brussels, he said, and he would repay him at the very first opportunity.
-Henk, though he knew him to be exceedingly forgetful in such matters, did not like
-to refuse, and handed him the amount, and so Vincent lived on, one day allowing the
-money to run as water through his fingers, the next with parsimonious economy hesitating
-to spend a <i lang="nl">dubbeltje</i>, while the drafts from Brussels continued to stay away.
-</p>
-<p>About the future he troubled himself but little; he had ever led a hand-to-mouth existence;
-he had known days of luxury in Smyrna, and suffered privation in London and Paris;
-but in whatever circumstances he might have found himself, that feverish desire for
-change had spurred him on, in continual dissatisfaction with the present; and at that
-moment, while he was living on his 500 florins, he felt so unnerved that the very
-burden of his listlessness at times almost made him forget his weakness.
-</p>
-<p>Then he mused on, gazing into the darkness, now and again lit up by the ruddy flames,
-as they shot forth from the hearth and fell in spectral relief about the gloom-hidden
-furniture. He mused on, in coldest pessimism. Why should he be other than he was?
-He would again want money, and he would get it somehow; why not? There was neither
-good nor evil in the world; everything was as it should be, and the inevitable result
-of an unbroken <span class="pageNum" id="pb89">[<a href="#pb89">89</a>]</span>chain of causes and reasons; everything that was had a right to be; no one could alter
-that which was, or was to be; no one had a free will; every one was only a different
-temperament, and no one could act in any way but in accordance with the demands and
-nature of that temperament, influenced by circumstances and surroundings; that and
-that alone was truth, yet mankind with its childish idealism, eternally prating about
-virtue, and provided with a handful of religious poesy, was ever seeking to hide it.
-</p>
-<p>“Great heavens! what a life it is!” he thought, and his fingers wandered about his
-light brown curls. “The life at least that I am leading now, for a year of it, would
-kill me, or drive me mad. To-morrow is like to-day, nothing but one blank monotony.”
-</p>
-<p>And he threw himself into an ocean of memories, as he thought of what he had lived
-through, and scenes in many climes and pictures of various cities rose before his
-mind.
-</p>
-<p>“And yet, what a struggling, what a toiling for nothing at all,” he muttered, and
-his eyes closed, whilst swiftly a veil appeared to descend over his memory, and light
-drops of perspiration formed on his brow. There was a singing in his ears, and suddenly,
-a vague space, terrible in its extent, unrolled before his closed eyes.
-</p>
-<p>But this state of weakness, bordering almost on a swoon, lasted only a few seconds;
-and a deep sigh escaped his bosom.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>There was a noise of rapid footsteps up the stairs, and a cheerful voice was heard
-exchanging a word of greeting with the lady in the fancy shop below. He was expecting
-a few acquaintances that evening.
-</p>
-<p>The door opened.
-</p>
-<p>“The deuce, how dark it is! It looks like hell here, with that terrific fire. Where
-are you hiding, Vere?” cried Paul van Raat, standing by the open door.
-</p>
-<p>Vincent rose and walked towards him, and grasped Paul by the shoulders.
-</p>
-<p>“Here, old chap, don’t be alarmed. Wait, I’ll light the lamp.”
-</p>
-<p>He sought some matches, lit a couple of old-fashioned lamps on the mantelpiece, and
-blinked his eyes, dazzled by the sudden light. The Dantesque halo that hung over the
-room was soon dispelled by the yellow petroleum light, but the bright burning fire
-still looked sociable, although the antique sideboard with the silver ewer and <span class="pageNum" id="pb90">[<a href="#pb90">90</a>]</span>a few Oriental objects of art looked sorely out of place among the old-fashioned furniture
-in threadbare red Utrecht velvet, and the antique pieces of china seemed like so many
-misplaced aristocrats among the ugly, cheap engravings and common oleographs which
-lined the walls.
-</p>
-<p>It was the first time that Paul had entered Vincent’s abode, and he looked admiringly
-at the ewer and the china plates.
-</p>
-<p>“Yes, they are not bad; the ewer is cracked, but the workmanship is very fine, do
-you see? I called upon an old Jew dealer to-day; I want to get rid of the things.
-You see, they only take up the room. He was going to call to-morrow. Or perhaps <i>you</i> would like them? They are to be had.”
-</p>
-<p>“No; my room—or my studio, if you like—is too full already.”
-</p>
-<p>“Well, a few plates more or less——”
-</p>
-<p>“No; thank you.”
-</p>
-<p>“After all, I would rather sell them to the Jew. Perhaps I can manage to best him
-a bit, and, of course, I should not care to do that to you.”
-</p>
-<p>“Much obliged. And suppose he is too sharp for you?”
-</p>
-<p>“Well, then he must best me, that’s all. It’s always thus in the world, isn’t it?
-You have had tea, I suppose?”
-</p>
-<p>“Yes—no, thank you; never mind. But, tell me, how long are you going to stay in the
-Hague?”
-</p>
-<p>They sat down, and Vincent shrugged his shoulders. He really did not know; he had
-not yet received any information about the situation in the quinine factory in Java;
-but he heard they would give the preference to a chemist, which he was not. So he
-would most likely give up the idea; and, besides, he didn’t think the Indian climate
-would agree with him. In the meantime, staying in the Hague, to find something there,
-was out of the question. He was already getting tired of the Hague—it was so <i lang="de">kleinstättig</i>; every one knew every one else, at least by sight, and everywhere he met the same
-people, intensely tiresome! He had not yet made up his mind what to do, but he was
-expecting letters and remittances from Brussels. And he concluded by asking Paul if
-he could lend him a hundred gulden for a day or two. Paul thought he could manage
-it, but he could not yet say for certain.
-</p>
-<p>“You would really be doing me a service; shall I hear from you then to-morrow? or
-do you think me indiscreet?”
-</p>
-<p>“Oh no; not at all. Yes, all right, I shall see to-morrow.”
-<span class="pageNum" id="pb91">[<a href="#pb91">91</a>]</span></p>
-<p>“Well, thanks in advance. You know the two Erlevoorts and de Woude are coming this
-evening. I have asked them to come and drink a glass of wine,” said Vincent, in an
-altered tone.
-</p>
-<p>“Yes; I saw them this afternoon at the Witte,” answered Paul.
-</p>
-<p>Vincent leant back against the old red bench, and the lamp-light cast a yellowish
-reflection on his sallow features, and a care-worn expression formed about his mouth.
-Paul was struck by Vere’s remarkable resemblance to his uncle Vere, Eline’s father,
-as he lay back, and raised his arm behind his head, with a gesture such as he had
-frequently remarked in Eline.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>A little later, some time after nine, Georges de Woude van Bergh and Etienne van Erlevoort
-came, the latter apologizing for his brother, who had been prevented from coming.
-</p>
-<p>Otto felt no sympathy for Vincent, although he had never had any unpleasantness with
-him whatever; with his own practical, manly character never disturbed in its healthy
-equilibrium, with his hearty brusquerie, he could cherish no friendship towards a
-man who, in his opinion, gave himself completely over to a morbid, hyper-sensitiveness,
-without making the slightest effort to raise himself out of it. Otto was one of the
-few persons whom Vincent could not succeed in drawing towards him. Almost every one
-on coming into contact with him felt conscious of something that repelled even while
-it attracted; something like a sweet, alluring poison, like the overpowering fumes
-of opium. His continued travelling had given Vincent a good deal of knowledge of human
-nature, or rather of tact in dealing with all sorts of people, and he could, when
-he chose, assume any character to suit the circumstances, with the same ease as a
-serpent writhes itself into various coils, or as an actor interprets various <i lang="fr">rôles</i>. But Otto, with an involuntary pride in his own healthy strength, which ever went
-straight at its object, despised Vincent, because of the poisonous fascination which
-he had the power to shed about him, and the seduction of which others were unable
-to resist.
-</p>
-<p>Ere long a bluish smoke filled the room, Vincent having offered cigars round, although
-he himself did not smoke. He took a couple of bottles of St. Emilion from a cupboard,
-uncorked them, and placed four glasses on the table. Etienne, with his usual spirits,
-sat relating story after story, with an amount of mimicry and gesture, <span class="pageNum" id="pb92">[<a href="#pb92">92</a>]</span>and a strong flavouring of youthful patois, that gave him somewhat the air of a singer
-at a <i lang="fr">café chantant</i>. Paul and Georges laughed. But Vincent shrugged his shoulders, with a <i lang="fr">blasé</i> smile, and as he filled the glasses muttered contemptuously, in his light voice—
-</p>
-<p>“What a baby you are, Eetje, Eetje!”
-</p>
-<p>Etienne, however, took no notice of the remark, and continued his stories, growing
-more and more spicy as he went on, whilst the others listened and enjoyed the bouquet
-of their wine. But Vincent could not resist the temptation to chaff him.
-</p>
-<p>“What a naughty boy that young Erlevoort is to talk about such things, eh? What a
-sad dog!” he said, and the mocking laugh about his mouth was too encouraging that
-Etienne should desist.
-</p>
-<p>Vincent once more filled the glasses, and Georges praised the wine. He had never very
-much to say when amongst young men; he generally gave himself up to quiet enjoyment.
-It was only for the society of ladies that he reserved all the sparkle of his brilliant
-wit. Vincent asked him one or two questions about his work at the ministry for foreign
-affairs.
-</p>
-<p>“I suppose you will be attached to some legation or other one day?” he said.
-</p>
-<p>“Very likely,” answered Georges.
-</p>
-<p>“Well, at all events, it is a situation which gives you the chance of seeing something
-of the world. But how any one can pass his whole life in an office, I can’t conceive.
-It would kill me<span class="corr" id="xd31e1941" title="Not in source">.</span> There’s Erlevoort, now—I mean your brother, Eetje.”
-</p>
-<p>“You let Otto alone,” said Paul. “He has a great career before him, you shall see.”
-</p>
-<p>“Yes, you know, Otto is cut out for a cabinet minister or a governor-general—at least,
-so his mother always says. ’Tis I alone who am the outcast of the family,” cried Etienne.
-</p>
-<p>“Yes; the spoilt child, eh?” laughed Vincent “How far are you now in your studies?”
-</p>
-<p>“Oh, I’m going on all right. I am not at college, you know, I am studying in the Hague.”
-</p>
-<p>“Do you think it so enjoyable in the Hague, then, in July?” asked Vincent, in a tone
-of contempt.
-</p>
-<p>“Yes; it’s not so bad.”
-</p>
-<p>“How, in Heaven’s name, is it possible? You fellows are very <span class="pageNum" id="pb93">[<a href="#pb93">93</a>]</span>easily satisfied then, I must say, or rather you haven’t any idea of what the world
-is like. The Hague makes me sleepy and dull, there’s something drowsy in the atmosphere.”
-</p>
-<p>“That’s your own doing, I dare say,” laughed Paul.
-</p>
-<p>“Possibly; and maybe ’tis my fault too that I think the life you fellows lead here
-too soul-killing. Now what is it you are doing here, I should like to know? You are
-continually running about in one little circle, like a horse in a roundabout at the
-<i lang="nl">Kermis</i>. Should you be in a situation, you have always exactly the same little jobs to do,
-and when you have done, the same little amusements await you in the evening. Great
-Scott! how insipid!”
-</p>
-<p>“But what is it you would have us do then?” asked Georges.
-</p>
-<p>“As far as I am concerned you can go on vegetating here, if you like; but I can’t
-understand you fellows not even wanting to see something of the world.”
-</p>
-<p>“Well, now there’s yourself; you have seen the world, as you call it, haven’t you?
-and what have you gained by it? you are a Jack-of-all-trades, and a master of none;
-and up to now you haven’t achieved any very brilliant results!” cried Paul, a little
-out of humour at the contemptuous way in which Vincent had referred to him.
-</p>
-<p>Behind his eye-glass an angry gleam shot forth from Vincent’s dull blue eyes, whilst
-his thin lips closed.
-</p>
-<p>“And you are forgetting your duties as a host, with your philosophizing,” cried Etienne,
-pointing to his empty glass.
-</p>
-<p>“I suppose the fact is that I am of a more excitable temperament than you fellows,”
-said Vincent, in a languid voice. He again filled up the glasses, and sank down wearily
-beside Georges, and his eyes wandered listlessly about the room.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>It was growing very warm, and the tobacco smoke hung in thick clouds about the ceiling.
-Vincent opened the door. Etienne, who could not take much wine, had become very excited,
-there were red circles about his eyes, and he had broken his glass. Georges and Paul
-continued to enjoy his jokes. Vincent, however, listened to him with a faint smile.
-</p>
-<p>And in his mind there arose a strange wondering, a wondering that a man always retained
-his own individuality, without the power of transforming himself into the personality
-of any one else. Often, without the slightest cause, he would find himself lost in
-<span class="pageNum" id="pb94">[<a href="#pb94">94</a>]</span>wonder at this idea, in the midst of the most cheerful company, and he would be filled
-with an indescribable feeling of <i>ennui</i> at the thought of his inevitable fate ever to remain what he was—Vincent Vere; that
-he never could be transformed into some entirely different being, which would breathe
-under entirely different circumstances and in an entirely different sphere. He would
-have liked to have lived through various phases of life, to have existed in different
-ages, and to have sought his happiness in constantly changing metamorphoses. And this
-desire appeared to him at the same time very childish, because of its ridiculous impossibility,
-and very noble because of the grandiose unattainability which it involved; and he
-believed that no one but him cherished such a desire, and thought himself very much
-exalted above others. In his musings it seemed to him as though the three others were
-very far removed from him, as though they were separated from him by the smoky haze.
-A feeling of lightness suddenly passed through his brain; it was as if he saw every
-object in brighter colouring, as if their laughter and chat sounded louder and more
-metallic in his ear, as if the flavour of the tobacco, mingled with the aroma of the
-wine, assumed a more pungent odour, whilst the veins in his temples and pulse throbbed
-as if they would burst.
-</p>
-<p>This excitement of his nerves continued for a few seconds, then he saw his guests
-laughingly looking at him, and although he had not understood a word of what they
-said, he also laughed lightly, that they might think that he shared their amusement.
-</p>
-<p>“I say, Vere, ’tis getting confoundedly close here, my eyes ache with the smoke,”
-said Georges; “couldn’t we open a window?”
-</p>
-<p>Vincent nodded his head and closed the door, whilst Paul, who sat by the window, opened
-it. A rush of cool air quickly entered. Outside it was very quiet; now and again voices
-might be heard to the accompaniment of measured footsteps, or a shrill street tune
-re-echoed through the stillness.
-</p>
-<p>The chill air brought Vincent quite to himself again, and his strange desires vanished,
-now that his nerves grew calmer. Now, on the contrary, he envied the three that same
-physical and moral Nirvana which he had looked upon with such contempt a short while
-since; Paul he envied his vigorous health, just a trifle enervated by a somewhat languid
-æstheticism; Georges his calm equanimity and contented mind; Etienne his joyous youthfulness.
-Why indeed was he not like them, healthy, contented, and youthful? <span class="pageNum" id="pb95">[<a href="#pb95">95</a>]</span>why did he not enjoy life as it was? why was he continually seeking after a something
-which he could not even define himself?
-</p>
-<p>It was close upon one when the three young men rose, and Paul declared that they would
-have to take Etienne home, as his early excitement had given way to a mood of melancholy,
-and he was continually talking about suicide.
-</p>
-<p>“I say, Eetje, have you got your key?” he asked.
-</p>
-<p>“Key?” asked Etienne with dull staring eyes, and husky voice. “Key?” he repeated,
-reflecting. “Yes, in my pocket, yes—a key—in my pocket—here——”
-</p>
-<p>“Come, let us go then,” said Georges.
-</p>
-<p>Etienne approached Vincent and took him by the shoulders, while the others listened
-in amusement.
-</p>
-<p>“Good-bye, Vere, thanks for your hospi—hospitality. I always had a liking for you,
-Vere; you’re a trump of a fellow, do you hear, Vere? I feel much, very much sympathy
-for you, do you hear? Only this afternoon at the Witte I was saying—Paul was there—and
-heard me—I said, Vere, that your heart was in the right place. They misjudge you,
-Vere, but——”
-</p>
-<p>“Come, <i lang="fr">allons</i>!” cried Paul and Georges, with impatience, taking hold of his arm; “cut it short.”
-</p>
-<p>“No, no; let me have my say—they misjudge you, Vere; but don’t you take any notice
-of it, old boy; ’tis just the same with me, they misjudge me too. ’Tis sad, very sad,
-but so it is; good-bye, Vere; good-night, Vere; sleep well.”
-</p>
-<p>Vincent saw him to the door with a lighted candle, and Etienne walked to the steps,
-supported between Georges and Paul.
-</p>
-<p>“Vere, be careful now. Don’t catch cold standing at the door, and don’t you take any
-notice; they misjudge you, but I will take your part——”
-</p>
-<p>Vincent nodded smilingly at Georges and Paul, and closed the door.
-</p>
-<p>“Deuced pleasant chap, that Vere!” stammered Etienne.
-<span class="pageNum" id="pb96">[<a href="#pb96">96</a>]</span></p>
-</div>
-</div>
-<div id="ch11" class="div1 chapter"><span class="pageNum">[<a href="#ch11.toc">Contents</a>]</span><div class="divHead">
-<h2 class="label">CHAPTER XI.</h2>
-</div>
-<div class="divBody">
-<p class="first">After four o’clock the Verstraetens were generally at home, and to-day about that
-time the house happened to be stormed with visitors. Betsy and Eline had just looked
-in, and met the Eekhofs, and the Hydrechts, Emilie de Woude, and Frédérique; later
-on came Madame van der Stoor and little Cateau.
-</p>
-<p>Eline, with her hand on Cateau’s shoulder, bent over the photograph at which the latter
-was looking.
-</p>
-<p>She felt conscious of a strong impression on Cateau by her grace and geniality, and
-as, in her need for affection, she was always glad to create sympathy, she nurtured
-Cateau’s love as a precious flower. But that longing for affection was not unmingled
-with a touch of proud triumph towards Frédérique, in whom, ever since St. Nicholas’
-Eve, she suspected, she knew not why, a secret aversion towards herself.
-</p>
-<p>While Cateau was speaking to her, in her pleasant little voice, Eline just glanced
-round at Frédérique in order to see if she noticed the sympathetic admiration of her
-little friend. But Frédérique was too much engaged joking with the young Eekhofs.
-</p>
-<p>“You often sing with Mr. van Raat; has he a nice voice?” asked Cateau.
-</p>
-<p>“A little weak, but very pretty.”
-</p>
-<p>“Oh! I should so much like to hear you together.”
-</p>
-<p>“Well, I dare say you will some day.”
-</p>
-<p>“You have such a splendid voice; oh! I think it so delightful to hear you sing.”
-</p>
-<p>Eline gave a little laugh, flattered by Cateau’s ecstasy.
-</p>
-<p>“Really? But, Toos, don’t go on calling me Miss Vere, ’tis so formal; call me Eline
-in future, will you?”
-</p>
-<p>Cateau blushed with pleasure, and stroked the fur of Eline’s muff. She gave herself
-completely over to the charm of that melodious voice, to the fascinating influence
-of that soft, gazelle-like glance.
-</p>
-<p>Eline felt more than usually in need of much affection and tenderness. In her innermost
-heart, her admiration for Fabrice had blazed forth in a passion that filled her whole
-being, and to which she felt constrained to give vent, without betraying herself.
-<span class="pageNum" id="pb97">[<a href="#pb97">97</a>]</span>The wealth of love which she felt was in her, and which she durst not proclaim, she
-attempted to share amongst those who were worthy of it, like a costly bouquet of which
-she threw a flower to those around her. Those chosen ones she beamed upon with her
-captivating glance, and was enraptured when she saw that others felt themselves drawn
-towards her; but on the other hand it gave her pain when she was met with coldness
-in return. Thus it was with Frédérique’s inexplicable surliness; and although at first
-with a certain haughtiness she would take no notice of it, she now did her best to
-win her affection, and on meeting her she had addressed her with all the charm of
-her manner. But Frédérique’s answers were given in a curt, careless tone, and with
-averted head; she suspected that Eline had remarked her coolness, but she was of too
-frank a nature to be able to hide her feelings: she had no tact to feign what she
-did not feel.
-</p>
-<p>The conversation turned on portraits, and Madame Verstraeten passed by Eline and Cateau
-to take from a table an album which she wanted to show Madame van der Stoor and Madame
-Eekhof.
-</p>
-<p>Musingly, and half listening to Toos, Eline thought of Fabrice, and saw the album
-in Madame Verstraeten’s hands. And suddenly an idea rose to her mind, like a twig
-of her vivid fantasy, with which her passion was overgrown. Yes; she would procure
-an album for herself, with various portraits of him; it would be as a little shrine
-of her love, in which she could worship the image of her god, unbeknown to any one
-but herself. A secret joy stole over her features at that resolve, and at the thought
-that she had so much to conceal from the eyes of others she began to consider herself
-very important in her own eyes, and to feel herself more and more absorbed by the
-treasures of her passion. She was happy, and her happiness was mingled with an arch
-playfulness and secret exultation at the thought that she concealed within herself
-something that her circle of friends would naturally have considered very foolish
-and very reprehensible, had they known of it. A girl like her, to be in love with
-an actor! What would Madame Verstraeten and Betsy and Emilie and Cateau and Frédérique,
-Henk and Paul and Vincent, what would they all think and say could they suspect that?
-</p>
-<p>And with a half-mocking glance she looked round at her relatives and friends; she
-thought herself plucky, secretly to defy the conventionalities to such an extent as
-to dare to be smitten with <span class="pageNum" id="pb98">[<a href="#pb98">98</a>]</span>Fabrice! A jocular remark of Emilie’s made her laugh more immoderately than it called
-for; at the same time she laughed at all who were there, in haughty arrogance at her
-illicit passion.
-</p>
-<p>“And Mr. van Raat—Mr. Paul, I mean—will be a lawyer, I suppose?” asked Cateau.
-</p>
-<p>What a lot that child had to say about Paul! thought Eline. There was no end of Paul—Paul’s
-nice voice, and Paul a lawyer——
-</p>
-<p>“I think you rather like Paul, don’t you?” asked Eline.
-</p>
-<p>“Oh, yes; I like him very much,” said Cateau, without hesitation. “Only sometimes,
-you know, he gets so angry. Fancy, the other day—when we had the tableaux——”
-</p>
-<p>And Eline had to listen to the story of Paul’s anger when they had the tableaux, and
-of Paul’s cleverness in the grouping.
-</p>
-<p>“She’s not afraid to speak her mind, at all events,” thought Eline; “but then, she
-need not be exactly smitten, although she talks a great deal about him; if she were
-she would probably do as I do, and—say nothing.”
-</p>
-<p>It was nearly half-past five; the guests were leaving.
-</p>
-<p>“Then I shall hear you sing together one day?” insisted Cateau.
-</p>
-<p>“Come round one Thursday afternoon; we always practise then.”
-</p>
-<p>“Oh! then I am in school.”
-</p>
-<p>“Well, one evening then, <i lang="fr">nous verrons</i>.”
-</p>
-<p>“Yes, with pleasure—Eline.”
-</p>
-<p>She pronounced that name for the first time since Eline’s request, and she let it
-fall from her lips, much flattered at the familiarity. Then she took leave, urged
-thereto by her mother.
-</p>
-<p>Eline stood still for a moment, by accident, beside Frédérique. She had already said
-good-bye, and was waiting for Betsy, who <i lang="fr">en passant</i> was talking to Mr. Verstraeten, and she was on the point of saying something to Freddie.
-But she waited, until Freddie spoke first—and both remained silent.
-</p>
-<p>On her way home, Cateau in ecstasy poured all kinds of nice things about Eline and
-Paul into Madame van der Stoor’s ears.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>New Year’s Day had come and gone. On New Year’s Eve Betsy invited the Verstraetens
-and Erlevoorts, as well as Madame Van Raat and Paul, to an oyster supper, and a happy
-evening was spent in the warm comfort of her drawing-room. Now the winter days followed
-each other in unbroken monotony, whilst the evenings glided on for Betsy and Eline
-in one long string of <span class="pageNum" id="pb99">[<a href="#pb99">99</a>]</span>dinner-parties and soirées. The van Raats had a large circle of acquaintances, and
-Betsy was famous for her choice little dinners, never with more than twelve persons
-at the utmost, and always served with the most unstinted and refined luxury. They
-lived in a coterie, the various members of which saw one another often and intimately,
-and they were very pleased with the circle in which they moved.
-</p>
-<p>Eline, meanwhile, in the midst of that light glamour of worldliness continued to feed
-the flame of her secret love in silent happiness, and thought it all very romantic.
-One morning she had been shopping, and as she was returning along the Princessegracht,
-she saw Fabrice slowly coming from the Bosch, close by the Bridge. She felt her heart
-beating, and scarcely dared look up. Still, at last, with apparent indifference she
-just ventured to glance at him. He wore a short frieze overcoat; a woollen muffler
-was thrown carelessly about his throat, and he walked, his hands in his pockets, with
-a somewhat surly expression on his dark face, shaded by the broad brim of his soft
-felt hat. He gave her the impression of haughty reserve, and this made her idealize.
-No doubt he was of a good family, for she thought there was something very <i lang="fr">distingué</i> in his powerful frame; his parents had been against his devoting himself to his art,
-but he had felt a calling within him that was irresistible; he had received his musical
-training at a conservatoire, and he had made his <i lang="fr">début</i>. And now a bitter disappointment filled his soul; he discovered that the surroundings
-of actors in which he had to move was too rude and uncultured for him; he felt himself
-different from them, and he withdrew himself within the coldness of his pride. He
-thought of his youth, of his childhood, and again he saw his mother before him, entreating
-him with clasped hands to bid farewell to his determination and think no more of the
-stage.
-</p>
-<p>From that day Eline was seized with the caprice, as Betsy called it, to take long
-walks in the morning. She thought the Bosch so beautiful in winter, she said; it was
-grand to see those lofty upright stems, like pillars of marble, after the snow; it
-was like a cathedral. Henk accompanied her once or twice with Leo and Faust, the two
-boarhounds, but he preferred his usual morning ride, and she went alone, after she
-had fetched the two dogs out of the stable. They sprang up at her with their big paws,
-and like two rough pages waited near her protectingly in their wild playfulness.
-<span class="pageNum" id="pb100">[<a href="#pb100">100</a>]</span></p>
-<p>It was good for her health, she declared, when people spoke to her wonderingly about
-those walks; she walked much too little, and feared she would be growing as stout
-as Betsy, if she always rode. Doctor Reyer thought those morning promenades an excellent
-idea.
-</p>
-<p>In the Bosch she met occasional promenaders, mostly the same people—an old gentleman
-in a fur cloak, who was always coughing. But Fabrice she met but rarely. He was at
-rehearsal probably, she thought, whenever she did not see the baritone, and then she
-would return home in a disappointment that made her feel very fatigued, longing for
-her boudoir, her cosy fire, her piano. But still she continued her walks, and made
-the discovery that Fabrice took his constitutionals regularly on Fridays; other days
-seemed to be very uncertain. She might and she might not see him. And in order to
-meet him she did not mind rising early, sometimes still quite exhausted after a soirée
-that had not been over till three o’clock; or tired out with dancing, and sleepy,
-with blue circles under her weary eyes. ’Twas true she saw Fabrice very often now
-at the opera, from a box, or the stalls, when she went with the Verstraetens, or with
-Emilie de Woude and Georges; once she had invited the Ferelyns. But yet, now she saw
-him quite differently, not separated from her by the footlights and the ideal conditions
-of the stage; now she saw him right before her, not three paces removed from her,
-like an ordinary person.
-</p>
-<p>On the days that she met Fabrice, the roomy vault of the besnowed trees seemed too
-small to contain her happiness. She saw him approach with his manly, elastic step,
-the hat slightly on one side, the muffler fluttering from his shoulder, and he passed
-by, just glancing at her or the dogs, who sniffed at him, with careless eyes. When,
-after that, she turned back and returned home along the Maliebaan, she was filled
-with a joy that made her bosom heave, that brought a flush to her cold cheeks, and
-made her forgetful of all fatigue; and on arriving home she would give vent to that
-wealth of happiness with a jubilant outburst of song. The whole day she remained in
-a bright, happy humour, and a charming vivacity took the place of her usual languid
-grace. Her eyes sparkled, she joked and laughed continually, felt irritated at Henk’s
-lazy good-nature and Ben’s sleepy quietness, and teased both father and son, making
-the hall re-echo with her ringing laughter, and the stairs creak under her, as she
-almost bounded down them.
-<span class="pageNum" id="pb101">[<a href="#pb101">101</a>]</span></p>
-<p>One Friday morning, when she saw Fabrice approaching her, she formed a resolution.
-She thought it very childish of her that she never had the courage to look him straight
-in the face. He was an actor, after all, and no doubt he was used to being looked
-at by ladies who met him in the street. He came nearer, and with something haughtily
-audacious, and almost defiantly, she threw her little head backwards, and looked him
-straight in the face. He returned that glance, as usual, with one of complete indifference,
-and walked on. Then, in an excess of courage, she looked back. Would he? No, he walked
-on, with his hands in his pockets, and she only saw his broad back gradually disappearing.
-</p>
-<p>That morning she hurried home, humming to herself between her closed lips, about which
-there hovered an expression of roguish playfulness. She had no thought for anything
-or any one but him, Fabrice, and she rang the bell at the Nassauplein. Grete answered
-the door; Leo and Faust rushed inside. Oh, how she burst out laughing! she had forgotten
-to take the dogs back to the stables. Loudly resounded their barking through the hall,
-like a duo of basses.
-</p>
-<p>Out rushed Betsy from the dining-room, bursting with rage.
-</p>
-<p>“Heavens above, Eline, are you mad, bringing those wretched dogs in here? You know
-I can’t bear them. I can’t understand what makes you do such a thing, if I don’t like
-it! Or am I no longer mistress in my own house? Take them away, please, and at once.”
-</p>
-<p>Her voice sounded hard and rough, as one who is giving orders to an inferior.
-</p>
-<p>“They are thirsty, and I want to let them drink,” said Eline, with calm <i lang="fr">hauteur</i>.
-</p>
-<p>“And I <i>will not</i> have them drink here, I tell you! Look at that hall, look at the carpet, dirty marks
-everywhere!”
-</p>
-<p>“Grete can clean all that in a minute.”
-</p>
-<p>“That isn’t your business! You lead the life of a princess here, and do nothing but
-what displeases me. I tell you, take those dirty dogs away!”
-</p>
-<p>“First they must drink.”
-</p>
-<p>“Great heavens, I <i>will not have</i> them drink here,” cried Betsy, beside herself with passion.
-</p>
-<p>“They <i>shall</i> drink, in the garden,” answered Eline, quietly.
-</p>
-<p>“I should like to see that!” shrieked her sister. “If I——”
-<span class="pageNum" id="pb102">[<a href="#pb102">102</a>]</span></p>
-<p>“Leo, Faust,” cried Eline, still with an irritating composure, as she motioned the
-dogs towards her.
-</p>
-<p>Betsy fumed with rage; her lips quivered, her hands shook, her breath seemed to choke
-her. She could not say another word, she felt she could have struck Eline; but Eline,
-followed by the leaping dogs, slowly went her way through the passage into the garden,
-and filled a pail full of water at the tap. She thought it an exquisite delight to
-enrage Betsy that day. The dogs drank their fill, and she led them back into the hall.
-</p>
-<p>Betsy still stood there, and her angry eyes flamed with rage at her own impotency.
-She would have liked to run after Eline and snatch the pail out of her hands, but
-her nerves were too excited.
-</p>
-<p>“I tell you, Eline, in the name of all that’s holy, that I shall tell Henk,” she began,
-with a trembling voice, and a face flushed as red as fire.
-</p>
-<p>“Oh, rave as much as you like!” cried Eline, in a suddenly rising passion, and went
-out of the house with the dogs, banging the door after her.
-</p>
-<p>In about a quarter of an hour she returned, singing, still full of happiness at meeting
-Fabrice. She went up-stairs, and burst out in a brilliant shake, as if to tease Betsy,
-who, nearly crying, was sitting in the dining-room.
-</p>
-<p>When Henk came home, Betsy told him the tale of Eline’s impudence in their own house;
-but Henk grew impatient, would not come to any decision, and she reproached her husband
-with his timidity, and a violent scene followed.
-</p>
-<p>For a whole week the sisters did not speak, to the despair of Henk, who found all
-his domestic comfort spoilt by their sulking, especially at table, where the meals
-were hurried through, although Eline kept up an incessant chatter with himself and
-Ben.
-<span class="pageNum" id="pb103">[<a href="#pb103">103</a>]</span></p>
-</div>
-</div>
-<div id="ch12" class="div1 chapter"><span class="pageNum">[<a href="#ch12.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XII.</h2>
-</div>
-<div class="divBody">
-<p class="first">It had struck Frédérique that last New Year’s Eve, at the van Raats’, Otto had chatted
-and laughed a good deal with Eline; not remarkably so, but more than was his wont
-generally with girls. For some days after that a question constantly rose to her lips
-which she wanted to ask her brother, but no opportunity seemed to arrive for her to
-put it. At times she was quite brusque towards Etienne, when he wanted to have a joke
-with her, and Lili, Marie, and Paul had come to the conclusion that she had lost something
-of her good temper; and she played but little with the children too.
-</p>
-<p>It was one of their evenings at home; only Etienne had gone out with some young friends
-who had come to fetch him. The children were in bed, and Madame van Erlevoort sat
-with Mathilde in the small drawing-room, the old lady with a book, Mathilde with some
-needlework. Frédérique entered, smiled at her mother, and lovingly smoothed the gray
-hair on her temples.
-</p>
-<p>“Freddie, will you just ring for Willem?” asked Mathilde. “Otto would like a cup of
-tea in his room; he is busy writing.”
-</p>
-<p>“Oh, just pour him out a cup, I’ll take it him myself.”
-</p>
-<p>Mathilde poured out a cup, and Frédérique took it up-stairs. On the stairs she wondered
-whether she would have the courage; perhaps Otto would say something himself; but
-if he did not, she would venture.
-</p>
-<p>She entered Otto’s room. He was walking up and down dreamily, with his hands on his
-back, quite contrary to his usual habits.
-</p>
-<p>“Hallo! there’s a nice little sis,” said he laughing, and took the cup from her hand.
-“It will taste tenfold as nice from such pretty little fingers.”
-</p>
-<p>“But, Otto,” cried Frédérique, “how can you be so silly? I had expected a more original
-kind of compliment, not such a stale platitude as that.”
-</p>
-<p>She continued to look at him smilingly, but did not catch his reply, as she was considering
-to herself how to put her question. Perhaps he would not like it. Still she wanted
-to have her say, and she tried to find something by way of introduction, some pretext
-or another, to achieve her object; but in the frankness of <span class="pageNum" id="pb104">[<a href="#pb104">104</a>]</span>her nature she could find nothing, and so she simply commenced—
-</p>
-<p>“Otto, I—I have something to say to you, something to confess.”
-</p>
-<p>“A sin?”
-</p>
-<p>“A sin, no; hardly that I think—an—indiscretion I unwittingly committed towards you.
-But you must forgive me beforehand.”
-</p>
-<p>“What! simply on your good faith?”
-</p>
-<p>“I tell you the indiscretion was committed involuntarily, and—I haven’t even been
-as indiscreet as I should have liked to have been. I am therefore entitled to some
-recompense; but I only ask you beforehand, whether I may depend upon your pardon?”
-</p>
-<p>“All right; I shall be merciful; say on then.”
-</p>
-<p>“You will really not be angry?”
-</p>
-<p>“No, no. What is it?”
-</p>
-<p>“Quite by accident—I discovered—you see—I know who, last St. Nicholas’ Eve——”
-</p>
-<p>He turned a little pale, whilst he stared at her, full of eager expectation. It did
-not escape her with how much concentrated attention he was listening.
-</p>
-<p>“Gave—that fan—to Eline—that fan by Bucchi.”
-</p>
-<p>She remained standing right in front of him, something like a naughty child, quite
-confused at her confession. He continued looking at her, a little frightened, with
-big, staring eyes.
-</p>
-<p>“Do you know?” he commenced, stammering.
-</p>
-<p>“Now don’t be angry,” she resumed. “I really could not help it. I came into your room
-one morning, I wanted a piece of sealing-wax, and—you have never forbidden me to come
-into your room, have you?—I knocked, but you had gone out; and when I entered and
-began to look for the sealing-wax, I saw in that pigeon-hole the leather case, which
-I recognized at once in the evening. I thought at first it was something for me, and
-wanted—wanted to open it; you know how inquisitive I am; but I did not do so, and
-I was very sorry that I discovered your present. Tell me, now, are you angry? I couldn’t
-really help it, could I now?”
-</p>
-<p>“Angry, my dear old girl! ’Tis nothing to be angry about at all,” he answered, with
-forced lightness. “A surprise gift cannot last for ever; and besides—you haven’t told
-Eline, of course, have you?”
-</p>
-<p>“Oh no; of course not.”
-</p>
-<p>“Well, what of it then? There’s no harm done,” he said <span class="pageNum" id="pb105">[<a href="#pb105">105</a>]</span>carelessly. “Or are you sorry that the fan was not intended for yourself?”
-</p>
-<p>She gave a contemptuous shrug. “I am surprised that you should think me so childish.
-Only——”
-</p>
-<p>“Well, what?”
-</p>
-<p>She gave him a searching glance with those clear, true eyes, and he felt a little
-abashed under that penetrating scrutiny.
-</p>
-<p>“Only—a young man—does not usually—make such presents—to a girl, if he is not very
-fond of her.”
-</p>
-<p>“Oh, I like Eline very much; why should I not give her something for St. Nicholas?”
-</p>
-<p>“No, Otto, you are not frank with me,” she said impatiently, and drew him with her
-on the sofa. “Come, sit down, and just listen to me. A sensible fellow like yourself
-doesn’t give a fan, of I don’t know how much value, to a girl, if—if he is not in
-love with her. <i>That</i> you need not try to make me believe; you never gave Eline anything before, neither
-did you give Lili or Marie anything this time. So, you see, I am not so blind; I can
-see well enough that there’s more in it,” she continued, and laid her hands on his
-shoulders. But all at once she stopped. “Oh, perhaps you think—perhaps you don’t want
-me to speak to you about it,” she stammered, almost frightened.
-</p>
-<p>“Freddie, on the contrary,” he said softly, and drew her closer towards him, “I am
-very glad to speak to you about—about Eline. Why not? But suppose, now, that I really
-cared much, very much for Eline, would you think it so unwise in me?” he asked smilingly.
-</p>
-<p>“Oh, Eline is no girl for you!” she suddenly burst out in passionate fervour. “No,
-Otto, no; Eline is not the kind of girl for you. She is very pretty, I know, and there
-is something about her—something very attractive—but to me she is—antipathetic, I
-assure you. Believe me, you must really not think any more of her, you would never
-be happy with her; you are so affectionate and good. If you really were to begin caring
-for her very much, you would perhaps devote your whole soul to her, you would want
-to live only for her, and she could not return you one-tenth of what you gave her.
-She has no heart, she is cold as ice, and full of egotism—nothing but egotism.”
-</p>
-<p>“But, Freddie, Freddie,” he interrupted, “my dear girl, how you rush on! Where have
-you obtained all your experience of human <span class="pageNum" id="pb106">[<a href="#pb106">106</a>]</span>nature, that you can give me such a precise description of Eline’s character?”
-</p>
-<p>It irritated her to hear how softly, almost caressingly, he pronounced her name.
-</p>
-<p>“Knowledge of human nature? I know nothing about that. I only know what I feel, and
-that is, that Eline lives but for herself, and is incapable of making the slightest
-sacrifice for another. I feel—nay, I declare, I am convinced of it—that if you married
-Eline, you would never, never be happy. She might like you for a time, but her love
-would only be egotism, as everything in her is egotism.”
-</p>
-<p>“Freddie, you are severe,” he said, softly but reproachfully. “’Tis very nice of you
-to feel so much for me, but you are very, very hard on Eline. I don’t think you know
-her, and, on the contrary, I believe that she would sacrifice herself altogether for
-one she loved.”
-</p>
-<p>“You say I don’t know her; but how can you know her then? You only see her when she
-is all smiles and amiability.”
-</p>
-<p>“Do you think it a fault in her, that she prefers to be amiable rather than discourteous?”
-</p>
-<p>Frédérique gave a sigh. “Oh, Otto, I—I don’t know <i>what</i> I think; I only feel that you cannot be happy with her,” she said, in a tone of conviction.
-</p>
-<p>He took her hand and smiled. “Why, you speak as though we were going to be married
-to-morrow.”
-</p>
-<p>“Oh, do—do tell me—don’t think me—inquisitive. You haven’t—proposed to her, have you?”
-</p>
-<p>He looked at her, still smiling, and slowly shook his head.
-</p>
-<p>“Then promise me, will you, that you will take time to think over it?—don’t be——”
-She clung to him affectionately, and her eyes filled with tears.
-</p>
-<p>“You are a dear girl, Freddie, but really——”
-</p>
-<p>“You think it absurd of me, perhaps, to venture to advise you?”
-</p>
-<p>“Not at all. On the contrary, I am most sincerely grateful to you for it; but still,
-you must not allow yourself to be guided by a mere idea, or rather an antipathy, for
-which there is not even a reason, and to judge another person so harshly. Accept and
-follow that advice, then I shall not think you absurd, but a dear, dear little sis.”
-</p>
-<p>He kissed her repeatedly, and she rested her head shyly on his shoulder.
-<span class="pageNum" id="pb107">[<a href="#pb107">107</a>]</span></p>
-<p>“You won’t be angry with me, will you now? Perhaps I have been clumsy; I should not
-have spoken like that.”
-</p>
-<p>“To me you are most dear when you are most outspoken to me, and I hope you will always
-be so.”
-</p>
-<p>“Then perhaps I shall be <i>discourteous</i> and <i>unamiable</i>,” she answered with emphasis.
-</p>
-<p>“And now you are just a little spiteful. What is it? Are you jealous of Eline?”
-</p>
-<p>“Yes,” she answered curtly.
-</p>
-<p>“Because of the fan, I suppose,” he laughed.
-</p>
-<p>“Oh, you do tease me,” she pouted. “No; not because of the fan, I have a dozen of
-them, but because—because you care for her.”
-</p>
-<p>“Let us make a compact together then. You go and find me a nice girl whom you consider
-fit to be my wife, and of whom you are not jealous; then when you have found her,
-and I like her, I shall think no more of Eline. What do you say to that?”
-</p>
-<p>She answered nothing, but rose, and wiped away her tears. His badinage displeased
-her, and made her fear that he thought her foolish. She approached the table, pointed
-to the cup of tea, and said—
-</p>
-<p>“Your tea is getting cold, Otto; why don’t you drink it?”
-</p>
-<p>Ere he could reply, she had gone, full of conflicting thoughts, pleased that she had
-given vent to her feelings, and had obtained Otto’s confidence; and yet uncertain
-whether she would not have done better to have said nothing.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>For five days Eline had not met Fabrice on her early walks, and the disappointment
-of the mornings spoilt the whole of the days that followed. At first she grew quiet,
-morose, and irritable; very soon she became more melancholy, she sang no more, she
-refused to see Roberts, her master, or to accompany Paul van Raat in his duets. One
-morning, after her walk, about half-past ten, she returned home, and threw herself
-musingly on her sofa, while, with wandering fingers, she unclasped her cloak. She
-could not bear Ben near her, and sent him away to the nursemaid; and thoroughly tired
-out, with her big, hazel eyes moist and glistening with unsatisfied longing, she let
-her glance wander along the palms, the pictures, the group by Canova. A melancholy
-oppressiveness fell upon her like a cloud, and she asked herself the <span class="pageNum" id="pb108">[<a href="#pb108">108</a>]</span>question, Why must she live, if she were not to be happy? To give her sorrow a definite
-shape, she searched about for grievances, and made the most of them; she was in need
-of affection, and there was no one to love her. With Betsy she could get on no longer,
-as it seemed; she was continually at variance with her sister, and it was not always
-her fault; Frédérique was conspicuously cool towards her, for what reason she had
-not the remotest idea. It was only old Madame van Raat who continued affectionate
-as ever; but just at present she felt but little in the humour to display that amiable
-frankness, tempered with a flavour of veneration, which had won the old lady’s heart.
-Yes; her life was a useless existence, she was continually swinging from one day to
-another, without any object, and she longed for—for something like the vague vision,
-without definite shape, which seemed to rise as in a sphere of love, sometimes purely
-ideal, like an idyll, sometimes simpler in form and suffused with a halo of homeliness
-and domestic happiness.
-</p>
-<p>She sighed as she raised her hand towards the azalea, and crumpled the leaves between
-her nervous fingers. With an effort she compelled her musings to assume some definite
-form before her mental vision, and by a sudden caprice of her fantasy, she saw herself
-together with Fabrice, and both of them were singing at the opera in some great city.
-They loved one another, and they were famous; they were overwhelmed with wreaths and
-bouquets, and the whole vision rose before her vivid and entrancing, as it had done
-one day whilst she was singing with Paul.
-</p>
-<p>But her imagination not receiving any fresh fuel, not having seen Fabrice for so long,
-lost its vivid colouring; her vision faded, and left her in a gray, sombre mood—a
-seeming reflex of the sky outside, which was heavy with dark rain-clouds. She felt
-the hot tears glide along her lashes; she had a great longing for Henk, to whom she
-was anxious to confide her sorrow, he was so fond of her, and knew how to administer
-such comforting words to her in his own kindly, clumsy way; the mere sound of his
-voice alone, so kindly, so genial, and heavy, fell like a healing balm upon her soul.
-</p>
-<p>And so she sat sobbing, and thought how disagreeable all that sulking with Betsy was.
-To-morrow it would be her, Eline’s, birthday. Would Betsy take the first step towards
-a reconciliation, or did the cause of the quarrel really rest with herself? Had she
-<span class="pageNum" id="pb109">[<a href="#pb109">109</a>]</span>felt sure of her reception by her sister, she would gladly have ventured a <i>rapprochement</i>, or even have apologized, if necessary; but she feared Betsy’s coolness. So she would
-wait; yes, she would wait.
-</p>
-<p>The afternoon passed slowly, the hours dragged themselves along, as though weary under
-the burden of her melancholy. Then she dressed for a dinner-party at the Hydrechts’,
-without the slightest expectation of finding any amusement there. She would gladly
-have asked Betsy to say that she was ill at home; but it would not do. Unlike the
-Verstraetens recently, the Hydrechts might take offence, and besides, Betsy might
-perhaps refuse to do as she asked. So she went, and screwed herself up to a coquettish
-gaiety which, with her natural tact in hiding her feelings, effectually blinded the
-eyes of all.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The next day was the twentieth of January, her birthday. She stayed late in bed, surrounded
-by the warmth of the blankets, in the soft red light reflected by the curtains, without
-any desire to rise, or any longing for her morning walk. She would not see him if
-she went, her presentiment told her. She began to feel childishly superstitious. It
-was now close upon nine. If Mina should come in before the clock struck nine, to arrange
-her washstand for her, she would meet Fabrice in the Bosch to-morrow. But Mina came
-after nine, and when the girl had put everything straight and had left the room, she
-thought of something fresh. If last evening she had laid her bracelet in the large
-vase she would meet Fabrice; <i>not</i>, if she had placed it in the small one; and she raised herself up, drew the red damask
-bed-curtains aside, and glanced round. There lay the bracelet in the large vase. With
-a smile, she once more lay back in the pillows.
-</p>
-<p>She struggled with herself to get up, but why not stay in bed in the cosy warmth?
-She was weary with grief, why commence another day? Ere long her friends would come
-to congratulate her; she would have to be nice and amiable, and receive their presents
-with delighted ecstasy, and she was in a far from amiable humour; she felt no desire
-to see any one.
-</p>
-<p>It struck half-past ten, and she thought perhaps Betsy would soon be coming in, and
-in a few friendly words make up the quarrel; she listened for her sister’s step on
-the stairs, but her expectations were in vain, and at last, unnerved by her languor,
-<span class="pageNum" id="pb110">[<a href="#pb110">110</a>]</span>she rose, and lazily proceeded to dress. The glass reflected her image with something
-of sadness in the eyes and a weary expression about the mouth, and to herself she
-seemed quite ugly. But what did it matter after all? for whose sake should she be
-pretty? There was no one who loved her with such fervour as she thought that her heart
-was capable of.
-</p>
-<p>She was dressed, and all at once a shivering overtook her. She did not feel equal
-to going down-stairs; how should she approach Betsy? Should she take up an attitude
-of expectation merely? Why did not Betsy meet her half-way? Why must she continue
-bearing a grudge like that, about such a trifling matter? Eline felt almost afraid
-to see Betsy in the breakfast-room, and she walked into her boudoir, where the fire
-was already burning brightly, and threw herself on her sofa, wretched and weary with
-grief and loneliness. Why, yes, why did she live?
-</p>
-<p>Deeper and deeper she sank into the abyss of melancholy, when at last some glimmer
-of light came to pierce the gloom that enshrouded her, for she heard Henk and Ben
-coming up the stairs. They came nearer; she heard their voices; there was a noisy
-knocking at her door.
-</p>
-<p>“Where are you, old girl; still in bed?” cried Henk.
-</p>
-<p>“No; I am here, in my boudoir,” she answered, slightly raising her voice.
-</p>
-<p>The door was opened and Henk appeared, shaking his head, while Ben slipped through
-between his father’s high riding-boots, a bouquet clasped in his little fists.
-</p>
-<p>“Auntie, many happy returns of your birthday—and this is from Ben,” said the child,
-as though he were repeating a lesson learnt by heart, while he laid the bouquet in
-her lap.
-</p>
-<p>“But, my dear girl, what a time you are up-stairs this morning! you are generally
-back from your walk by now,” cried Henk.
-</p>
-<p>She did not answer, but embraced the child, and her eyes grew moist as she did so.
-</p>
-<p>“Put—put it in water, Ben, will you? in some tepid water. There, in the vase, carefully.”
-</p>
-<p>Ben, always obedient and docile, did as he was told. Eline fell back again in the
-pillows, and looked at her brother-in-law with a faint smile.
-</p>
-<p>“I feel so wretched to-day—not well at all,” she said languidly.
-</p>
-<p>Henk approached nearer, with his hands on his back.
-<span class="pageNum" id="pb111">[<a href="#pb111">111</a>]</span></p>
-<p>“What, on your birthday too?” he asked cheerily. “Come, I would make haste and get
-down-stairs if I were you, you lazy girl; but let me give you a good kiss first—a
-real good one, do you hear?” and he pressed his lips on both her checks, while she
-lay still and smiled.
-</p>
-<p>“And here is a trifle for you, Elly—I hope you will like it,” he continued, as he
-handed her a small case.
-</p>
-<p>She laughed a little.
-</p>
-<p>“How droll of you to come and bring me my present here! Thank you, Henk, thanks very
-much.”
-</p>
-<p>She opened the case; in it there was a hairpin in the shape of a diamond spider.
-</p>
-<p>“But, Henk,” she cried, “how you spoil me! I remember, when I saw it at van Kempen’s
-a little while ago, I said I thought it very pretty. I really must be careful what
-I say in future,” she said, almost shyly, and she thought of the Bucchi fan.
-</p>
-<p>“Betsy kept her ears open when she heard you speak about the pin,” he answered. “We
-are always glad to give you something that will please you.”
-</p>
-<p>This almost aggravated her, but she threw her arms round his neck and kissed him.
-</p>
-<p>“Really, really, you are spoiling me,” she stammered.
-</p>
-<p>“Come, come, that’s all rubbish!” he exclaimed. “But now I must be off for a little
-ride; so make haste down-stairs, old girl, or I shall carry you down.”
-</p>
-<p>“No, no, that you won’t!”
-</p>
-<p>“All right then; but hurry up.”
-</p>
-<p>“Yes, yes, in a moment; but no nonsense, Henk, do you hear?” she cried, frightened,
-and in a serious, commanding tone, for she could foresee an attack of practical joking,
-and she certainly felt in no humour to tolerate it.
-</p>
-<p>He laughingly re-assured her. The words were on his lips to urge her to a reconciliation
-with his wife, but he feared he had not the tact to approach the subject with sufficient
-caution. She might fly up in a passion, and besides—it would all come right soon,
-he thought, and left the room.
-</p>
-<p>She rose, and lingering over her toilet, suspected that Betsy must have told Henk
-to take the present up-stairs, so as not to have to hand it her herself. She felt
-embarrassed at her own attitude; now she was compelled to take the first step towards
-a <span class="pageNum" id="pb112">[<a href="#pb112">112</a>]</span>reconciliation, and this wounded her pride. It would seem as though she were so delighted
-with their present, that it made up for all past unpleasantness. ’Twas most tiresome,
-but still she could not now come down-stairs, and, after a hasty, cool greeting, commence
-her breakfast without saying a word. She felt very sorry that she had not followed
-her impulse of the previous day to try a <i>rapprochement</i>. After all it was really too stupid, that sulking, and only because of those dogs!
-And she held the diamond spider coquettishly against her hair and her throat.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Before she came down-stairs, Eline opened a drawer of her writing-desk. With a furtive
-smile she took from it an album, a present to herself, and opened it. It contained
-nothing but portraits of Fabrice, in various positions and dresses, and which for
-some time past she had been purchasing with much tact, but still not without nervousness;
-now in one shop, then in another, never returning to the same, constantly fearing
-that the shopkeeper would guess something of her secret. On one occasion she had been
-in Amsterdam for a day to visit some friends; there she was very daring, and in a
-bookshop had bought seven all at once; no one knew her there, and she vowed to herself
-that she would never again set foot in the shop.
-</p>
-<p>With her eyes sparkling with wanton playfulness she glanced through her collection,
-and whatever page she turned his dark black-bearded face met her eyes now and again
-as she had met him in the Bosch with his big felt and his muffler. Ah! she knew it
-now; it was tenderer feeling than admiration that vibrated through her at the sight,
-which, in her womanly sense of honour and in shame at herself, made her shudder as
-for a moment she pressed her lips on that beloved image. Yes, she felt it now; it
-was a passion that filled her being as with a wealth of rapture; a love for which
-she could sacrifice all and anything that he might demand of her.
-</p>
-<p>And her imagination, a little relieved of its burden of melancholy by Henk’s cheery
-words, in which she sometimes heard the echo of long-vanished wishes, grew heated
-with romantic ideas. In her flight with Fabrice, she saw herself at a railway station
-awaiting the train, and fearing lest they would be overtaken.
-</p>
-<p>“Auntie, auntie, let me in!” cried Ben, outside the door.
-</p>
-<p>She put the album away and opened the door. Ben came in, <span class="pageNum" id="pb113">[<a href="#pb113">113</a>]</span>cautiously clasping the vase full of water in both his little hands.
-</p>
-<p>“Carefully, little man,” said Eline. “Sure you haven’t spilt any on the stairs?”
-</p>
-<p>He shook his head, pleased with himself at his smartness. Whilst he placed the bouquet
-in the vase, Eline reflected that the little fellow’s present was only another attention
-on Betsy’s part. It was a great bother after all.
-</p>
-<p>But at last she summed up courage and proceeded down-stairs with Ben. Betsy was in
-the dining-room, and in consultation with Grete.
-</p>
-<p>“Good morning, Betsy,” said Eline.
-</p>
-<p>“Good morning, Elly. Many happy returns!” answered Betsy, without any expression.
-</p>
-<p>Eline would not say more; first the servant must leave the room. Breakfast she did
-not want; she had no appetite.
-</p>
-<p>“Grete, you can clear away, I don’t want anything,” she said, and began playing with
-Ben to do something.
-</p>
-<p>Betsy remained seated in front of her writing-desk, absorbed in bills and books, like
-a careful housewife. And after a few seconds’ painful silence, Betsy having peevishly
-told Ben not to worry, and sent him away to the nursery, Eline rose. She walked across
-the room to her sister, and laid her hand on her shoulder.
-</p>
-<p>“Betsy,” she commenced. But she could not yet bring herself to say anything about
-the present, the diamond spider. “Betsy, come, would it not be better if—? You don’t
-know how sorry I am that we are so. Come, now, don’t be angry with me, it was wrong
-of me.”
-</p>
-<p>“Well, Eline, I am glad you admit it. I am not angry.”
-</p>
-<p>“Is it all forgotten then?”
-</p>
-<p>“Oh, certainly. You know there’s nothing I dislike more than unpleasantness, so let
-us say no more about it.”
-</p>
-<p>Her cool tone was as so much ice to Eline, but still she bent down and gave Betsy
-a kiss.
-</p>
-<p>“No, really, I am sorry; of course I have no right in your own house—it pains me very
-much.”
-</p>
-<p>She wanted to say something more, but could find no words, and once more her lips
-sought Betsy’s forehead. She, however, pushed her lightly aside.
-</p>
-<p>“All right; let us say no more about it then. I am no more angry. But not so much
-kissing, you know I don’t care about it.”
-<span class="pageNum" id="pb114">[<a href="#pb114">114</a>]</span></p>
-<p>Her birthday passed by gloomily enough for Eline. The reconciliation with Betsy had
-not made the desired impression on her; she had pictured something much more cordial—a
-sisterly embrace, an intermingling of tears—the prelude to future affectionate intercourse
-with each other. But what had been the reality? On Betsy’s part an icy condescension,
-by the side of which she, in her attitude, had cut a somewhat sorry figure. She knew
-herself to be weaker than her sister, and yet she would resist her over-ruling; but
-with every attempt at opposition, and especially after this latest one, followed as
-it was by a temporary, hollow victory, she felt herself more and more powerless to
-continue the struggle with such unequal moral weapons. Her pride had only proved a
-frail reed, breaking with every gust of wind, and in her dismay a hopeless gloom seemed
-to enshroud her thoughts as with a thick veil of crape.
-</p>
-<p>For all that she kept up a semblance of gaiety that afternoon in the midst of the
-cheery company of the friends who came to congratulate her. But Madame van Raat, from
-whose dreamy, light-blue eyes she would have been so glad to have seen a ray of sympathy
-beam upon her, was indisposed, and sent an apology through Paul, and this was a great
-disappointment to her. Madame van Erlevoort and Mathilde came to add the excuses of
-Freddie, who was at home with a cold, and again Eline wondered why Frédérique should
-be so reserved towards her. Jeanne Ferelyn overwhelmed her with a string of domestic
-troubles, and it required all her tact and amiability not to display any undue impatience
-in listening to them. Little Cateau van der Stoor, who, like Madame van Raat, she
-would have been glad to see, appeared to have forgotten her birthday; she neither
-saw nor heard anything of her. But Emilie de Woude brought her own boisterous gaiety
-with her. Her lively chat infused a little brightness into the dull atmosphere of
-the drawing-room—in which the gas was not yet lit—into which, along the heavy folds
-of the draperies, a darkening twilight penetrated which seemed to transform the brightness
-of the gilded panelling, and the glistening sheen of the fawn-satin cushions, into
-undefined and gloomy shadows. Emilie wanted to see Eline’s presents, charming trifles—a
-few bouquets arranged on a table, round about a big basket full of flowers and fruit.
-</p>
-<p>“What a splendid <i>corbeille</i>!” cried Emilie. “Peaches, grapes, roses—lovely! From whom, Elly?”
-<span class="pageNum" id="pb115">[<a href="#pb115">115</a>]</span></p>
-<p>“From Vincent; pretty, is it not?”
-</p>
-<p>“I wish I had such nice cousins.”
-</p>
-<p>“Hush!” whispered Eline.
-</p>
-<p>Vincent had just entered the room, and his eyes went in search of the hostess. Betsy
-received him, as usual, with a certain warmth and geniality in her constant, vague
-fear of what that cousin <i>might</i> do. Eline thanked him, and clasped both his hands in hers.
-</p>
-<p>Vincent apologized for coming so late; it was a quarter past five, and the Verstraetens
-and the others were taking their leave in the gathering twilight, after which Gerard
-came in to light the gas, close the blinds, and draw the curtains.
-</p>
-<p>“Vincent, stay to dinner, will you?” asked Betsy. For Betsy was in terror at having
-to face a dull evening. They were not invited out anywhere, and besides, she had not
-thought it the thing to make any arrangements to go out on her sister’s birthday;
-neither could she have done so, as during their late feud she had scarcely uttered
-a word to her. With Vincent she need stand on no ceremony, she could very well ask
-him half an hour before dinner. Vincent had conversation when he was in a good humour,
-and, at all events, he brought a fresh face with him to the table.
-</p>
-<p>Vincent accepted the invitation with an indifferent “with pleasure.” In the meantime
-Henk declared he wanted a walk, and taking his hat quickly left the house, his coat-collar
-turned up, and his hands in his pockets. Anne, the nursemaid, came to fetch Ben, to
-make him a little tidy, as his face was besmeared with jam from the pastry he had
-been eating. Betsy disappeared too, and Eline and Vincent were left alone in the drawing-room,
-now bright with gas-light.
-</p>
-<p>“Come, let us sit down in the boudoir,” said Eline, and Vincent followed her to the
-little room. The soft, clear beams from the small crystal chandelier, reflected on
-the violet plush of the furniture, lent the place an air of something mysteriously
-intimate, something that seemed to tempt to an unreserved confidence. To Vincent,
-however, it appeared to convey no sense other than one of a calm well-being; with
-a sigh he let himself fall on the couch with his usual languor, and put Eline a number
-of indifferent questions about the acquaintances he had just now seen taking their
-leave. Whilst answering him, she felt a great sympathy for her cousin arise within
-her. Again it was that need within her that had aroused such a passion for Fabrice,
-the need she felt of much <span class="pageNum" id="pb116">[<a href="#pb116">116</a>]</span>love and tenderness, the longing to expend the pent-up treasures of her affection.
-And just as it had struck Paul by the wan reflection of a petroleum-lamp, so it now
-struck her under the bright gas-light that played and sparkled in a thousand colours
-through the drooping pendants. Vincent’s resemblance to her dear dead father was so
-striking that, looking at him, she almost fancied herself once more back in her childhood.
-Yes, just like that, with that pained expression about the mouth, with those eyes
-full of sadness, her father used to lie down, exhausted by his artistic visions; just
-like that his hand used to hang over the arm of his chair when the brush had fallen
-from his grasp.
-</p>
-<p>And Eline’s sympathy for Vincent grew stronger, permeated with compassion and poetic
-melancholy, as she sat listening to his low, wan, murmuring voice, while he spoke
-to her about Smyrna; he seemed more interesting than most of the young men in their
-coterie. To her he became a martyr to the littleness of the world, when he told her
-that to him the Hague was <i lang="de">kleinstättig</i> and tiresome, and that he longed for much space and freedom. So did she.
-</p>
-<p>“But I weary you with my complaints, <i lang="fr">parlons autre chose</i>,” he interrupted himself in an altered tone. “It isn’t polite of me to talk so much
-about myself.”
-</p>
-<p>“Oh no, not at all; you don’t weary me in the least,” she answered somewhat hurriedly,
-rather upset that he had cut the thread of her fantasy so abruptly. “Don’t you think
-that I can quite share your thoughts, that I don’t understand how you can wish for
-anything else than the prosy groove in which we continue to go round and round? Sometimes
-I, too, would gladly escape from it,” she cried, with a movement of her arms like
-that of a captive bird beating his wings against his cage. “Sometimes I feel myself
-moved to some terribly mad freak or another,” and she smiled slyly as she thought
-of Fabrice.
-</p>
-<p>He, also smiling, shook his head, and just touched her uplifted hand, as it fell gracefully
-by her side.
-</p>
-<p>“And why should you wish to commit follies now?” he asked. “You go to extremes. To
-live independently of anyone, not to trouble yourself about the small-talk of a coterie,
-but to follow your own ideas as long as they are sensible, to change your surroundings
-as often as you like—that is my ideal. There’s nothing preserves one’s youth so much
-as change.”
-<span class="pageNum" id="pb117">[<a href="#pb117">117</a>]</span></p>
-<p>“But in order to be independent, to trouble oneself about nothing—one must possess
-more moral strength than we in our superculture usually dare show,” she answered.
-</p>
-<p>“Moral strength! Oh dear, no; you only want the money, that’s all,” he replied briefly.
-“If I am rich, have good manners, commit no follies, but manage to keep myself nice
-and agreeable in the eyes of the world, it is quite in my power to see my ideal realized,
-without any one accusing me of anything more than perhaps—a little eccentricity.”
-</p>
-<p>All this was much too sober to her way of thinking, and she urged forward her own
-ideas, which seemed to her more romantic.
-</p>
-<p>“Yes, all right, money, of course,” she resumed, avoiding his argument with true feminine
-weakness; “but without sufficient strength to force through one’s own will, one would
-soon be carried away by all the old habits. You see, that is why”—he laughed at her
-charming want of logic—“that is why I should so much like to do something—foolish—something
-terribly foolish. I feel myself strong enough to go my own way in spite of the world.
-I sometimes feel very desperate indeed.”
-</p>
-<p>He enjoyed the fire and animation that beamed from her glistening eyes, and her whole
-elegant little figure, as she sat there in her giddy coquettishness, gave him the
-impression of a butterfly just about to flutter away.
-</p>
-<p>“But, Eline!” he cried laughing. “What is it you are taking into your head now? What
-is it you would like to do then, what sort of follies? Come, just confess, you naughty
-child.”
-</p>
-<p>She laughed too.
-</p>
-<p>“Oh, say elope!”
-</p>
-<p>“With me?”
-</p>
-<p>“Why not? But I think you would soon leave me to my fate. I should be rather too expensive
-a luxury to you, and you would send me back with many thanks. <i lang="fr">Merci bien</i> then, if your question was intended for an invitation; I would rather wait for a
-wealthy milord.”
-</p>
-<p>“No love in a cottage then?”
-</p>
-<p>“Oh, Vincent, how stale! <i lang="fr">Jamais!</i> I should die of <i>ennui</i>. I had rather be an actress, and run away with an actor.”
-</p>
-<p>And she was all a-sparkle with sheer wantonness of exuberance; she felt a secret enjoyment
-at the thought of Fabrice, and looked Vincent boldly in the eyes; he could not guess
-her thoughts.
-<span class="pageNum" id="pb118">[<a href="#pb118">118</a>]</span></p>
-<p>He burst out in laughter; the lively playfulness which had taken the place of her
-languid grace during their conversation, the brightness in her eyes, and the tapping
-of her little hand on her knee, amused him even more than her words, and yet they
-were sympathetic enough with his own ideas; in them there lurked a longing for change,
-which was very much like his own. They looked at one another smilingly, and under
-the soft but concentrated glance of his eyes, Eline felt something of the slow, ensnaring
-fascination of that of a serpent.
-</p>
-<p>“What a striking resemblance to my dear papa,” she thought, almost surprised at the
-sympathy she felt for Vincent, as they rose at the sound of the dinner-bell.
-</p>
-</div>
-</div>
-<div id="ch13" class="div1 chapter"><span class="pageNum">[<a href="#ch13.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XIII.</h2>
-</div>
-<div class="divBody">
-<p class="first">Madame Verstraeten was at home with Lili, who had caught a severe cold, while Marie
-and Frédérique, skates in hand, accompanied Paul and Etienne to the Ysclub, round
-by the Laan van Meerdervoort. The old gentleman sat reading in the warm conservatory,
-in the midst of the glossy green foliage of the azaleas and the palms. Lili was not
-in her usual good humour; she answered her mother in languid monosyllables, and nearly
-suffocated herself, trying to repress her coughing. For she was better, she had declared,
-and coughed no more; it would do her no good to stay at home any longer, and she would
-go out in a day or two.
-</p>
-<p>And yet, notwithstanding that determination, out yonder it seemed to her like Siberia,
-when she saw the frozen snow lying hard and white on the bare branches and on the
-unsoiled marble-like paths. Madame Verstraeten continued her crochet work, and the
-deft movements of the crochet needle irritated Lili, just as the regular turning of
-the pages of her father’s book irritated her. She herself did nothing, and her hands
-lay wearily in her lap, but however much she enjoyed such a <i lang="it">dolce far niente</i> at other times, now it wearied her terribly, and yet she felt no desire for any occupation.
-Secretly she envied Freddie and Marie’s good health and spirits, while she was delicate
-and was obliged to guard <span class="pageNum" id="pb119">[<a href="#pb119">119</a>]</span>against the slightest draught. But when her sister hesitated to accompany Freddie
-and Etienne, she herself had induced her to go and fetch her skates; Marie could not
-always stay at home with her if she were foolish enough to be ill, and besides, mamma
-would keep her company.
-</p>
-<p>A sigh escaped her lips as she took a lozenge from the little box before her, and
-the old lady looked at her furtively, well knowing that in her present excitable mood
-any show of motherly anxiety on her part would irritate Lili more than the utmost
-indifference.
-</p>
-<p>So the afternoon slowly passed under Lili’s quiet pouting, and no one came to disturb
-the dull peacefulness that prevailed until past four, when the bell rang and Dien
-showed Georges de Woude inside. Lili felt annoyed; Dien might have announced him first,
-she thought. Surely he was not so intimate with them as all that! And while Madame
-Verstraeten gave him her hand, she greeted him somewhat coolly, slowly reaching her
-little white fingers towards him—slowly too, following, when her mother conducted
-him to the conservatory, to the old gentleman. Her parents were already sitting down
-with him, when she languidly pushed up a cane-chair, and as languidly sat down in
-it, as though to show him that his visit disturbed her, and that she joined them merely
-for courtesy’s sake.
-</p>
-<p>At the first few words he addressed to her parents she looked away with somewhat affected
-absent-mindedness into the garden, as though she took no interest in their conversation.
-Madame Verstraeten had commenced with a question about Berlin, where he had been attached
-to the Legation for three months, but he replied rather briefly; half addressing himself
-to Lili, and by turns looking at her and her mother, he inquired after her health;
-had she really been seriously ill? Lili muttered something, whilst her mother replied;
-but it struck her that he asked the question with a certain anxiety, not as a mere
-commonplace, as if indeed he felt an interest in her welfare. What could it matter
-to him whether she was ill or not? But he did not seem to remark her coolness, when,
-seeing the subject was not attractive to her, he again turned his easy flowing conversation
-to Berlin, and in his agreeable manner replied to her parents’ questions. Each time
-he looked at her, as if to draw her into the conversation, and out of courtesy she
-now and again smiled a little, and asked some trifling question, as indifferently
-as possible.
-<span class="pageNum" id="pb120">[<a href="#pb120">120</a>]</span></p>
-<p>How he rattled on, she thought, as she had thought before, when he once began to talk;
-but still, it was as though that thought was rather a forced one, and not entirely
-spontaneous. He rattled, it was true; but there was something pleasant and sociable
-in his chat—something that, whether she admitted it or not, entertained her after
-the tiresome afternoon she had spent by the side of her knitting mother. He did not
-talk badly, a little excited, but tiresome he was not, and—it seemed as though she
-had never before remarked it—he was not so terribly affected after all. His accent
-was perhaps a little too studied, but that was all; his gestures were simple, and
-through his easy manner there shone an evident sincerity whenever he turned to her.
-And his dress, it was faultlessly neat, perhaps too much so; still it was not that
-of a coxcomb, she must admit it was simple enough.
-</p>
-<p>He chatted on as Mr. Verstraeten asked him about his engagements, and whilst she looked
-at him, she unconsciously smiled at him with more cordiality. It did not escape him,
-and once more he ventured to ask her, did she feel better now, did she not go out
-yet? What could it matter to him? again she thought, almost annoyed; he had asked
-her once out of politeness, that was more than sufficient, but still she answered
-him, and told him her cough was better—a little cough quickly belied her words—and
-that she was feeling much easier under the kindly care of mamma and Marie. He felt
-grateful for those words, but he had heard the suppressed cough, and it was on his
-lips to caution her to be careful—the weather was so bleak—but he did not do so; she
-might think it was no business of his, and he asked after Marie.
-</p>
-<p>“Oh yes,” answered Lili; “she has gone skating with Frédérique and Etienne van Erlevoort
-and with Paul. Don’t you pity me that I have to stay at home again, like the sick
-child?”
-</p>
-<p>“Are you so very sorry that you could not go? Are you fond of skating?”
-</p>
-<p>“Yes; that is to say, I like it very much; but speaking frankly, I don’t know much
-about it. Marie and Freddie skate much better than I; they go curling and twisting
-about while I can only just amble along; I am too frightened, you know, and——”
-</p>
-<p>“But do not Paul or Etienne assist you then?”
-</p>
-<p>“Oh, Paul says frankly that he thinks it tiresome to skate with such a duffer, and
-Etienne—yes, I must admit—he will sacrifice himself for five minutes sometimes.”
-<span class="pageNum" id="pb121">[<a href="#pb121">121</a>]</span></p>
-<p>“But, Lili,” said Madame Verstraeten, “if you cannot skate, it is certainly tiresome
-to them.”
-</p>
-<p>“I was more polite in my time,” said the old gentleman.
-</p>
-<p>“Oh, I make them no reproaches,” said Lili; “I am only telling you the facts,” and
-she gave a little cough.
-</p>
-<p>“But, when you are better, when you are going out again,” resumed Georges hesitating—he
-knew he was making a bold plunge—“may I now and then offer you my assistance? I am
-mostly at my office, ’tis true, but still——”
-</p>
-<p>“You skate, then?” cried Lili. She would never have thought it of him.
-</p>
-<p>“I am passionately fond of it!” he declared. “Do you accept?”
-</p>
-<p>She nearly blushed, and answered, smiling, with downcast eyes—
-</p>
-<p>“Oh, with pleasure, yes. But you will have such a trouble with me. I am so frightened;
-I always fancy I hear the ice crack, you see—you don’t know what you are offering
-me.”
-</p>
-<p>“Oh yes,” he answered; “I don’t think I shall ever regret having asked you.”
-</p>
-<p>How was it, thought Lili, that he could repeat a sentence like that, with such an
-expression of sincerity, and she could find no reply? She only laughed a little. There
-was a pause in the conversation, but Georges quickly revived it, and continued his
-pleasant chat until it grew dark, when he rose, apologizing for his lengthy visit.
-</p>
-<p>“Oh, not at all; on the contrary,” said Mr. Verstraeten, “I am very pleased to see
-you again. Remember me to the old gentleman and to your sister.”
-</p>
-<p>“Emilie declared she could not manage without you,” added Madame Verstraeten. “She
-will be glad you are home again.”
-</p>
-<p>Lili thought she could understand that Emilie must have missed Georges, and she offered
-him her hand, and once more cordially thanked him for his offer.
-</p>
-<p>“A good fellow, that de Woude!” said Mr. Verstraeten, when he had gone, and Lili returned
-to the small drawing-room, and as she went heard mamma also express herself favourably
-about Georges, charmed as she was with his polished courteousness.
-</p>
-<p>“He always gives us a call when he can. Of course he would not do so if there were
-no girls in the house, if we received no company, but still——”
-<span class="pageNum" id="pb122">[<a href="#pb122">122</a>]</span></p>
-<p>Lili heard no more; she smiled at her own fancies, in which she saw herself together
-with Georges, gliding over the ice, their hands clasped in each other’s.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Marie came home, accompanied by Freddie, Paul, and Etienne, who took leave at the
-door; she entered the room tired out, cold, with flushed cheeks and sparkling eyes.
-It had been splendid; the ice was crowded, the little Eekhofs, Eline, and Henk were
-there.
-</p>
-<p>“De Woude has called here,” said Madame Verstraeten. “He has been back these three
-days.”
-</p>
-<p>“Indeed!” said Marie with indifference, and she began to unclasp her little cloak.
-</p>
-<p>“And he asked me to go skating with him, when I am better,” said Lili, somewhat embarrassed,
-and with a little cough.
-</p>
-<p>Marie all at once stopped undoing her cloak, and looked at her sister in astonishment.
-</p>
-<p>“De Woude? With you? And what did you say?”
-</p>
-<p>“That I thought it very nice of him, of course. What else should I have said?”
-</p>
-<p>Marie roared with laughter.
-</p>
-<p>“What, you skating with de Woude? with that ‘stuck-up coxcomb,’ that ‘piece of affectation’?
-But, Lili, that will never do; you always thought him such an intolerable bore.”
-</p>
-<p>“<i lang="fr">Qu’est ce que ça fait?</i> At least he is politer than Paul or Etienne, and if he likes to assist me——”
-</p>
-<p>Marie still laughed.
-</p>
-<p>“But he can’t skate!” she cried contemptuously.
-</p>
-<p>“He says he is passionately fond of it.”
-</p>
-<p>“Oh, don’t you believe it. Rubbish!”
-</p>
-<p>Lili shrugged her shoulders impatiently.
-</p>
-<p>“But he wouldn’t tell any fibs about it, surely!”
-</p>
-<p>“Dear me, how eager you are all of a sudden to champion him! At one time there was
-no good in him at all.”
-</p>
-<p>“I always thought him very nice and polite.”
-</p>
-<p>“Lili, how can you tell such disgraceful fibs? You always thought him unbearable.”
-</p>
-<p>“But, Marie, that is no reason surely why I should not go skating with him,” cried
-Lili, almost in an imploring tone. “When you go to a dance I am sure you are not so
-particular about your partners.”
-<span class="pageNum" id="pb123">[<a href="#pb123">123</a>]</span></p>
-<p>“Still, I hardly know what to think about it,” Marie persisted teasingly. “All at
-once on the ice together.—Mamma, do you think ’tis right?”
-</p>
-<p>Lili turned away with dignified contempt.
-</p>
-<p>“Child that you are!” she said, looking down upon her sister; and she was much annoyed
-at herself, for she felt herself blushing, and—for nothing at all.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>“Papa is asleep?” asked Georges, as he entered Emilie’s sitting-room in the evening
-after dinner.
-</p>
-<p>Emilie gave a little start; she was somewhat under the influence of a copious meal;
-her chair was so comfortable, the fire so sociable.
-</p>
-<p>“Yes; papa is asleep,” she repeated, blinking her eyes.
-</p>
-<p>Georges laughed.
-</p>
-<p>“And how about Emilie; has she been asleep too?” he asked good-humouredly.
-</p>
-<p>“No,” she answered. “I have not been asleep, only dozing a little. Will you stay at
-home to tea? Yes, that will be sociable.”
-</p>
-<p>And she looked at him with a kindly expression in her honest eyes; she felt a sort
-of motherly affection for that younger brother, whom she had brought up and petted
-from his childhood, and who had now returned to her fostering care after a two months’
-absence abroad. She was glad that he was looking so well, he had even grown stouter,
-and with pride she remarked that a more manly expression lay over his delicate features,
-or was it her fancy, because she had not seen him for some time?
-</p>
-<p>Georges sat down beside her, and they conversed about things in general. She knew
-him well, she thought, and she felt sure that he was about to ask her some favour.
-Inwardly she was glad that he needed her, but still she could not resist the temptation
-to leave him to shift for himself entirely, without helping him to come to the point.
-He hesitated a great deal, and when from her assumed indifference he judged that it
-was not the right moment to speak, he seemed of a sudden determined to postpone what
-he had to say, and in a firmer voice began talking about something else. Then she
-felt sorry, and said but little in reply, whilst she tried to think of some means
-to lead him back to his original intention. But she could find no pretext whatever,
-and so she cut the matter short at once by straightway asking him—
-</p>
-<p>“I say, Georges, what is it? What have you to tell me?”
-<span class="pageNum" id="pb124">[<a href="#pb124">124</a>]</span></p>
-<p>Now it was his turn to pretend indifference, and with assumed surprise he answered—
-</p>
-<p>“To tell you? How do you mean?”
-</p>
-<p>“Oh, I don’t know; I thought—I fancied I could see something in the ends of your moustache,”
-she said jokingly. “Is there nothing the matter, really? Money affairs, perhaps?”
-</p>
-<p>She knew better, they were no money affairs, it was never anything to do with money
-affairs, for in money matters he was always so desperately precise that she could
-never find the slightest flaw in that quarter. And indeed he shook his head in denial,
-but still, though he looked at her smilingly, he got no farther; his question must
-indeed be an awkward one if it made such a ready talker as he hesitate.
-</p>
-<p>“Oh no,” he answered. “’Tis all said in a few words, but there are times when words
-will not come at all; isn’t it so?”
-</p>
-<p>“Look here, Georges, don’t beat about the bush, pray; if you have anything to say
-or to ask of me, come out with it straight away, without mincing matters, that is
-quite unnecessary with me!” she resumed almost reproachfully, but with such an encouraging
-tenderness that he grasped her white hand, and with playful gallantry raised it to
-his lips.
-</p>
-<p>“And now, <i lang="fr">allons</i>! fire away!” Emilie urged, giving him a light tap under the chin.
-</p>
-<p>He was forced to speak, he could not go back, and he gathered up his courage and began
-slowly in broken sentences, but soon came to the point. His position—would she think
-it very foolish of him, if he—thought of getting married? There was a tremor in his
-voice, as though his fate depended on her answer.
-</p>
-<p>His words took her by surprise; despite his twenty-four years, she still looked upon
-him in some way as her boy, her pet child, and—he thought of getting married! But
-notwithstanding the superficial gloss of his airy manner, she knew him to be manly
-and sensible; he would not ask her such a thing if he had not thoroughly thought it
-out, and it would be wrong of her to wound him, perhaps in a deep-seated affection,
-by one word of banter. Still she felt alarmed at the thought of sooner or later losing
-him.
-</p>
-<p>“Marry! Georges, do you really think of it?”
-</p>
-<p>He smiled, as though charmed at some bright vision.
-</p>
-<p>“Why not?” he asked, almost in a whisper.
-</p>
-<p>“Are you—are you then—so much in love?” she asked softly. <span class="pageNum" id="pb125">[<a href="#pb125">125</a>]</span>“Is it——?” and a name rose to her lips, but she failed to pronounce it.
-</p>
-<p>He nodded his head, laughingly, as though he knew that she had guessed right. Some
-time before his departure to Berlin, already she had teased him about Lili Verstraeten,
-about whom he always had such a lot to say. But now that he acknowledged it, she felt
-disappointed. How did he know that Lili could care for him? Was he not building castles
-in the air? But she did not give expression to the thought; she would not shatter
-his illusion, he seemed so happy in his quiet hopefulness.
-</p>
-<p>“Georges, if you are in earnest, really—well, let us consider now,” and she moved
-her chair closer to his. “Suppose it all goes smoothly at first, say you propose,
-and she accepts you, what then? How long won’t you have to wait before it can come
-to a marriage?”
-</p>
-<p>“Why?”
-</p>
-<p>“But, Georges, whatever do you mean? How simple you are! You surely don’t intend to
-marry on your salary as assistant-consul? Twelve hundred florins, is it not? ’Tis
-true you are entitled to your share of mamma’s legacy, but it is only a trifle, all
-in all you won’t be very rich. So I ask you, on what are you going to marry then?
-You cannot depend much on what the Verstraetens will give as a dowry; they live well,
-but simply; they are not really wealthy.”
-</p>
-<p>“My dear Emilie, if you want to reckon at all, then reckon properly. ’Tis true, on
-the support of my intended parents-in-law—if they will ever be that,” he whispered
-smiling, “I—don’t reckon at all; in fact I should not even care about it.”
-</p>
-<p>“For all that, you would not say no, if they were to come forward with anything substantial.”
-</p>
-<p>“I don’t know; that is a factor which I shall put aside for the present, in fact I
-haven’t even given it a thought; but you were reckoning up just now, and you reckoned
-rather carelessly. Suppose I don’t pass my examination as vice-consul this year, is
-my share to the legacy not fifteen hundred florins?”
-</p>
-<p>“About that.”
-</p>
-<p>“Well, twelve hundred plus fifteen hundred makes——”
-</p>
-<p>“Two thousand seven hundred florins! And would you marry on that?”
-</p>
-<p>“Why not?”
-<span class="pageNum" id="pb126">[<a href="#pb126">126</a>]</span></p>
-<p>She clasped her hands in despair.
-</p>
-<p>“But, Georges, you are—<i lang="fr">pardonnez-moi le mot</i>—you are out of your senses. Don’t be a child, pray, and don’t create illusions out
-of impossibilities. Perhaps you have got hold of that little book—let me see, what
-is it called? ‘How to live a comfortable married life on fifteen hundred florins.’ ”
-</p>
-<p>“No; I don’t know the book, but fifteen hundred is not two thousand seven hundred
-florins, and I flatter myself——”
-</p>
-<p>“You flatter yourself! Yes, you will do a lot! Are you a fellow to jog along with
-a wife from January to December on a wretched couple of thousand gulden? Yes, indeed
-you will do a lot,” she repeated excitedly, and almost angry, when he wanted to interrupt
-her, and she rose excitedly from her easy-chair. “I fancy I see you, established in
-apartments on the second floor, luxuriating on a beefsteak once a week, eh! However,
-’tis a life <i>I</i> can’t describe to you. I don’t know anything about it, that I will confess. You are
-used to good living, Lili also; how are you two going to—? Oh! come, ’tis too absurd.
-Do be sensible, Georges! I know you too well——”
-</p>
-<p>“It seems you do not <i>quite</i>,” he interrupted in his low voice, which contrasted with her indignant tone. “At
-all events, I think I have the faculty to be able to regulate my wants in proportion
-to my means.”
-</p>
-<p>“Maybe you do, but how about your wife? Would you force a young girl, brought up with
-a certain amount of luxury, also to regulate her wants according to your means? Believe
-me, Georges, nowadays people do not live on love and moonshine, and young people like
-yourself, like Lili, must have some luxuries, they must go out——”
-</p>
-<p>“Oh! that eternal going out. I went out when I was a youth; surely one need not always
-to be going out.”
-</p>
-<p>“Egotist! Therefore, because you as a youth went out as much as you liked, you want
-to marry and stay at home for economy, and sit with your wife luxuriating over your
-weekly beefsteak. What a grand prospect for her, to be sure!”
-</p>
-<p>“But, Emilie, why must you lay such a stress on the urgent necessity of going out
-every evening? I don’t see it myself, I must admit. I base my happiness on something
-altogether different.”
-</p>
-<p>“Up to this moment you have been as gay a butterfly as any <span class="pageNum" id="pb127">[<a href="#pb127">127</a>]</span>one of them—in short, you have gone out. Now you are in love you have had a little
-poesy infused into your ideas; but believe me, that will wear off, and when you have
-been married a little while you will find it very sociable indeed to have a pleasant
-circle of acquaintances.”
-</p>
-<p>“Granted, as far as the circle of acquaintances is concerned; but to give them up
-is no part of my plan, and it will not cost so very much to keep up their friendship.”
-</p>
-<p>“It costs a <span class="corr" id="xd31e2523" title="Source: greal">great</span> deal, Georges, believe me,” urged Emilie. “You receive invitations; you don’t want
-to be considered mean; you must give a little dinner, however unpretentious; you have
-to do so again and again, and all this, mind you, you have to manage on two thousand
-seven hundred gulden, eh? Well, I fancy I can see you at it already. Especially your
-wife, who has to keep house on those two thousand seven hundred gulden, or rather
-on as much of it as you allow her. Anyhow, you won’t catch me coming to stay with
-you, do you hear?”
-</p>
-<p>He laughed at her indignation, but still he did not yield himself vanquished.
-</p>
-<p>“Emilie, don’t excite yourself about nothing at all, pray!” he said calmly. “Up to
-now ’tis all in the air yet, eh? I have not yet—taken a step—I don’t know even whether——”
-</p>
-<p>He did not complete the sentence, hesitating to express in words the thoughts that
-seemed so disagreeable.
-</p>
-<p>“Yes, Georges, I understand,” she replied, somewhat appeased by the calm of his voice;
-“but still financial circumstances can hardly be put off as second considerations;
-this much you will admit.”
-</p>
-<p>“Of course; but you must not fix my budget too high. By the bye, dear,” he interrupted
-himself with a winning smile, “talking about a budget—just help me to arrange one,
-will you?”
-</p>
-<p>“What! of a total of two thousand seven hundred gulden? Impossible, Georges, I am
-not equal to the task. Why, to live respectably in apartments, unmarried, you would
-want more.”
-</p>
-<p>He sighed.
-</p>
-<p>“Then we can’t agree about the matter at all?”
-</p>
-<p>She shrugged her shoulders.
-</p>
-<p>“You are a child to persist in such foolish ideas. You don’t know what life is.”
-</p>
-<p>She was annoyed that he was so obstinate, and would not listen <span class="pageNum" id="pb128">[<a href="#pb128">128</a>]</span>to her good advice, but he—although he would not have admitted it—felt himself hesitate
-a little in his so-long-thought-out ideas; he felt a burden of hopelessness overwhelming
-him, and saw the ground of his expectations glide away from under his feet. Slowly
-he passed his hand across his forehead; it were better perhaps—if he waited.
-</p>
-<p>“Perhaps—I should—do better to—wait!” he whispered, giving expression to the thoughts
-that oppressed, and his words were so full of sad resignation that Emilie, notwithstanding
-the victory she had achieved, felt pained.
-</p>
-<p>She took his head in both her hands, and looked long into his sad, wistful eyes.
-</p>
-<p>“You dreamer!” she said, full of motherly tenderness and sympathy. “Who knows, eh?
-You are so young—and perhaps, who knows, perhaps——”
-</p>
-<p>“Well—perhaps what?”
-</p>
-<p>“Perhaps you are right, and I am all wrong,” casting aside her victory at the sorrow
-it caused her spoilt boy. “Only, think well over it; be sensible, Georges, I beg of
-you!”
-</p>
-<p>And she pressed a loving kiss on his eyelids, which closed, and beneath which she
-felt a suspicious moisture.
-</p>
-</div>
-</div>
-<div id="ch14" class="div1 chapter"><span class="pageNum">[<a href="#ch14.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XIV.</h2>
-</div>
-<div class="divBody">
-<p class="first">“Adieu, Betsy! good-night, Henk! I am going to lie down, I am tired out!” said Eline
-in one breath, while still in the hall.
-</p>
-<p>“Won’t you take a snack of supper first?” asked Betsy.
-</p>
-<p>“No, thank you.”
-</p>
-<p>She walked up-stairs, while Betsy shrugged her shoulders. Betsy knew her and her ways,
-and from the curt, determined words she guessed that Eline was in one of those moods
-of nervous excitability in which she almost hated any one who attempted to dissuade
-her from her intentions.
-</p>
-<p>“What is the matter with Eline?” asked Henk anxiously, when they had entered the dining-room.
-<span class="pageNum" id="pb129">[<a href="#pb129">129</a>]</span></p>
-<p>“Oh, how should I know?” cried Betsy. “It commenced at the concert, and in the carriage
-she did not even answer me, as you must have noticed. I don’t trouble about it, but
-I think Eline intolerable when she has those ridiculous fits.”
-</p>
-<p>Calm and dignified, in her swan’s-down and plush, Eline walked up-stairs and entered
-her sitting-room. The gas was alight, and a log of wood burnt on the hearth. For a
-moment she looked round, then tore the white lace from her hair, and the little cloak
-from her shoulders, and with bowed head and staring eyes gazed in front of her with
-a vacant expression, as though crushed under the weight of a terrible disappointment.
-</p>
-<p>In the little Venetian mirror, gracefully suspended with red cords and tassels, above
-the white group of Amor and Psyche, whose idyllic appearance was in mocking contrast
-with the irony of her thoughts, she saw herself reflected, glistening in “her pink
-rep silk,” a pink aigrette in her hair, the same in which, three months ago, she had
-first seen Fabrice.
-</p>
-<p>And now—
-</p>
-<p>She almost laughed aloud, she thought herself so ridiculous, she felt a loathing for
-herself, as if she had been dabbling in the mire.
-</p>
-<p>There had been a concert of the Diligentia Society at the Hall of Arts and Sciences,
-and at her request, Henk and Betsy had accompanied her there. Fabrice was to sing;
-“the popular baritone of the French Opera had been invited to gather fresh laurels
-at the concerts in the Hall,” so ran the paragraph in <i lang="nl">Het Vaderland</i>.
-</p>
-<p>Eline did not rest until she was certain of going; at first she had asked the Verstraetens;
-Madame Verstraeten did not feel inclined, Lili was still ill; then she asked Emilie—Emilie
-had an engagement; at last she came to Henk and Betsy, who, although neither of them
-were much in love with concerts, agreed to go. And Eline had expected great things
-in seeing Fabrice in a new sphere, that of a concert-singer. Fortunately enough, their
-seats were close to the stage; he—oh! he must have noticed her at the opera, he would
-give her a sign, he loved her—the Bucchi fan! And so Eline went on, creating endless
-illusions; her passion filled her mind, more and more with a second, imaginary, fantastic
-existence, in which Fabrice and she were the hero and heroine; a romance of improbabilities
-and a constantly growing web of poetical extravagance.
-<span class="pageNum" id="pb130">[<a href="#pb130">130</a>]</span></p>
-<p>He thought her beautiful, he worshipped her, they would fly, sing on the stage, and
-through poverty and privation pass on to fame and fortune. A feverish rapture at the
-thought that she would once more see him diffused a light pink tint over the amber
-pallor of her features, her eyes had sparkled in the veiled glow of her languishing
-glances; and—They had gone, she had taken her seat, resplendent with a beauty that
-had drawn glass after glass towards her, and the first notes of the symphony sounded
-in her ears as the soft strains of a hymn, laden with joyful whisperings of love and
-happiness. Then—then he appeared, amid a thunder of applause.
-</p>
-<p>And just now, whilst Eline was vacantly staring into the mirror in front of her, she
-once more pictured him as he appeared on the concert platform.
-</p>
-<p>Clumsily, like a stout carpenter, in a dress-coat that seemed too tight for him, his
-short crisp hair greasy and slimy with <i lang="fr">cosmétique</i>, plastered down upon his cheeks, his face as red as a lobster, in contrast to the
-spotless white of his shirt-front, he presented a coarse and prosy appearance, with
-a disagreeably sullen expression about his bearded mouth and in his blinking, half-closed
-eyes, shaded by thick, bushy eyebrows. And it seemed to Eline as though it were the
-first time she saw him. All the charm with which he, in his talented vivid acting,
-in the brilliant dresses which displayed his figure to the greatest advantage, had
-exerted over her, was now dispelled as by one strong gust of wind; and though his
-voice resounded with the same splendid metallic ring which had filled her with rapture
-at the opera, she was scarcely aware that he was singing, shocked as she was at her
-gigantic mistake.
-</p>
-<p>Had she then had no eyes? What! that prosy carpenter the ideal of her fantastic brain!
-In her despair and disappointment she could have sobbed with chagrin, but not a feature
-moved, and she remained sitting immovable, almost stiff; but a light shudder ran through
-her, as she drew the cloak about her shoulders. As long as he sang she looked at him
-from top to toe, as though she would no longer spare herself, and her breath came
-and went quick with agitation now that she plunged into the depths of her sorrow without
-being able to give vent to it. Why had she not seen him thus when she met him in the
-Bosch, in his cape, with his muffler and his big felt, that gave him a romantic appearance,
-something of an Italian brigand? Had she indeed so far forgotten herself? Shuddering,
-she glanced round the room. No one <span class="pageNum" id="pb131">[<a href="#pb131">131</a>]</span>seemed to notice her, no one suspected the storm of disappointment that raged within
-her; Fabrice absorbed the attention of all. Fortunately none knew, none would know.
-</p>
-<p>But the thought that she was safe from the eye of the world gave her no comfort. Before
-her lay the shattered ruins of the airy, glass edifice of her tender visions and fancies,
-which, pillar by pillar, light and delicate, she had erected for herself, glittering
-and fair, higher and higher still, in fantastic crystal splendour, ever higher, higher,
-until as with an apotheosis it seemed to reach the very clouds.
-</p>
-<p>And now, all was shattered, all visions and fancies of the brain were vanished, dispelled
-as by one gust of wind, and not even a chaos was left of it all, only a terrible vacuum,
-only that man there, with his red butcher’s face and his white shirt, and his tight-fitting
-coat and grease-beplastered hair.
-</p>
-<p>Never had she suffered as she suffered that evening.
-</p>
-<p>For three long months that romance of love had caused her heart to beat each time
-his name was pronounced in her presence, each time she saw his name announced on a
-placard, and now—one glance at that (Vincent’s words re-echoed in her ears, full of
-mockery and derision) “stout ugly customer” tore that romance out of her soul, and
-all—all was gone.
-</p>
-<p>She scarcely spoke, and when in the <i>foyer</i> Betsy, noticing her drawn pallid features, asked her whether she was ill, Eline calmly
-replied in the affirmative—yes, she did feel rather faint. They met the Oudendyks
-and the van Larens, they laughed and joked, they mentioned Fabrice’s name, but Eline
-sank down on a bench, like a wounded dove, and listened, nearly swooning with grief,
-understanding nothing, and with a vacant smile, to something young Hydrecht was saying
-to her.
-</p>
-<p>In the second part of the concert Fabrice appeared again, and again he was received
-with jubilant applause, and Eline felt faint and giddy. It was as though the public
-in their mad admiration were dancing a satanic dance round about the baritone, sullen,
-red, and coarse as ever. Cold drops of perspiration formed on her brow, her hands
-felt cold and clammy in their tight-fitting covering of <i lang="fr">peau de Suède</i>, and her bosom heaved with long, oppressive gasps of breath. At last—thank Heaven!—the
-concert was over.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Now she was alone, and she could allow herself to be swayed as <span class="pageNum" id="pb132">[<a href="#pb132">132</a>]</span>much as she chose by that storm of grief; she need no longer nerve herself to appear
-bright and smiling before the world; and so, with a sob of anguish, she fell upon
-her knees before the Persian sofa, and hid her little throbbing head in the embroidery
-of the soft cushions. With her hands she tried to quench the gasping sobs that shook
-all her delicate frame, her hair came away from the clasp that held it, and fell about
-her, a mass of glossy waves.
-</p>
-<p>After the first grief and disappointment, a bitter feeling overmastered her, as though
-she had, even were it but in her own eyes, rendered herself up to an ineffaceable
-ridicule, to something that was unworthy and ludicrous, the stain of which would for
-ever cling to her, and of which the memory would ever continue to haunt her, like
-a mocking, grinning phantom.
-</p>
-<p>Long she remained thus, her head buried in the cushions, her whole being writhing
-in the anguish of her despair. First she heard Henk, then Betsy, retiring to their
-rooms, and then Gerard bolting the street door for the night, the sound re-echoing
-through the silence that reigned in the house. After that nothing stirred, and Eline
-felt herself very lonely, as though forsaken in the midst of an ocean of sorrow.
-</p>
-<p>All at once, a thought made her start. Quickly she raised herself up, while the brown
-hair whirled about her shoulders, and an expression of wounded pride came over her
-tear-stained face. With a firm resolution and apparent calmness, she approached her
-writing-desk, and shuddering placed the key in the lock, opened the drawer once so
-dear to her, and took the album out of it. The red velvet seemed to scorch her fingers
-like fire. She pushed a chair by the side of the hearth, where the log of wood was
-still aglow with fire; she opened the book. That, then, was the shrine of her love,
-the temple of her passion, in which she had worshipped her idol! And as she turned
-the pages, the procession of portraits passed along: Ben-Saïd, Hamlet, Tell, Luna,
-Nelusco, Alphonse, de Nevers—for the last time. Roughly, the gilt-edged leaves tearing
-under her fingers, she removed the photographs, one by one, and without hesitation
-tore them up in little pieces, cracking the hard cardboard in the angry clutch of
-her delicate fingers. The pieces she cast into the fire, one by one, and while the
-flames were curling round them she continued her work of destruction, and threw more
-and still more into the <span class="pageNum" id="pb133">[<a href="#pb133">133</a>]</span>fire, stirring it up with the poker, until it was all burnt out. That was past, that
-shame was purged.
-</p>
-<p>Then she rose, somewhat relieved. But the torn album, which she still held in her
-fingers, continued to scorch her hand, and suddenly grasping the velvet book, so roughly
-that it split her finger-nails, she hurled it, with a subdued cry of abhorrence, far
-away from her, against the piano, the chords of which gave forth a dull, low sigh.
-</p>
-<p>Then she picked up her cloak and her lace from the floor, smoothed the rumpled silk
-of her dress, and retired to her bedroom, where a small milk-white night-lamp diffused
-a soft, sad light around.
-</p>
-<p>And it seemed to her as if anew she was plunged into that ocean of sorrow, that abyss
-of disappointments, whilst all at once a dispute with Betsy rose to her mind. But
-a few days ago, in fact, she had declared that Roberts, her music-master, was growing
-old and was no longer any good, that she intended in future to take lessons of an
-artiste—of Fabrice, for instance—and Betsy had asked her if she was mad, and had declared
-that such a thing should certainly not be done in her house.
-</p>
-<p>It need not be now.
-</p>
-</div>
-</div>
-<div id="ch15" class="div1 chapter"><span class="pageNum">[<a href="#ch15.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XV.</h2>
-</div>
-<div class="divBody">
-<p class="first">The severity of the winter relaxed, and spring-time drew near, bringing with it rain
-and chill mists, which enveloped the leafless trees in damp cold shrouds. And everybody
-talked about Otto van Erlevoort, who was so full of attention for Eline Vere. Oh yes;
-it would certainly end in an engagement, thought the Eekhofs, the Hydrechts, the van
-Larens, and Madame van der Stoor. Henk had been to Gelderland with Etienne; they had
-stayed at the Huis ter Horze, the seat of the Erlevoort family, where Theodore, the
-eldest son, lived summer and winter, with his wife and children; and during that time
-Otto had been a frequent visitor at the Nassauplein, being, ’tis true, mostly invited
-to spend the evening there, in company with others; but still, was it not very <span class="pageNum" id="pb134">[<a href="#pb134">134</a>]</span>strange that he who generally led such a quiet life and went out so little, should
-all at once visit the van Raats so frequently? However, should it come to an engagement,
-it would be a capital match. Otto was a nice boy, and had a good position; Eline was
-most charming, elegant, rich, as was thought; they were cut out for each other; and
-besides, Eline would be glad to get a baron for her husband. In fact people thought
-them so well matched that they felt rather sorry at finding nothing much to say against
-it, and they searched until at last they found something. It was really Betsy’s doings,
-you see, for she did not get along too well with her sister, and would not be sorry
-to see her leave the house decently. Betsy encouraged Otto; it was true Eline seemed
-willing, but if it had not been for Betsy, neither he nor she would have thought of
-it. Oh yes; Betsy, she was all right in company, but in the house a <i lang="fr">maîtresse femme</i>? No, no; worse than that—a vixen! Good stout Henk she had entirely under her slipper,
-and if Eline were not so firm, and showed her teeth a little less, she too would have
-got under her thumb. On the face of it, it seemed so nice, so kind, to take a younger
-sister, an orphan, into the house, but to people who were so wealthy as the van Raats
-that meant nothing. Besides that, the Veres had money too, and nobody believed that
-it was all <i lang="fr">couleur de rose</i> in the house. Therefore, Betsy found it was time that Eline should marry. She could
-have had the chance often enough already; but she was pretty and hard to please, and
-so forth. Anyhow, it was her business, was it not?
-</p>
-<p>Eline was well aware that people talked about her in that way, but in her calm dignity
-she troubled herself precious little about it. She believed so too; Otto would propose
-to her, and she thought she had better accept him. She felt no love, ’twas true—in
-the way that she understood its meaning—for van Erlevoort, but there was not the slightest
-objection to him. It would be a capital match; she might have liked a larger fortune,
-but she thought that with her refined frugality she would have sufficient tact to
-spread a semblance of luxury about her.
-</p>
-<p>But to say that Betsy encouraged Otto was going a little too far. Betsy, although
-she looked upon such a marriage as very desirable, felt no personal sympathy for Otto,
-who was too formal and precise to please her; and she was polite and friendly towards
-him, but never betrayed the slightest sign that she thought him a desirable brother-in-law.
-<span class="pageNum" id="pb135">[<a href="#pb135">135</a>]</span></p>
-<p>At the van Erlevoorts’, too, some rather indiscreet questions had now and then been
-put; but Frédérique merely shrugged her shoulders. She knew of nothing; Eline had
-been engaged so often already—in the eyes of her acquaintances at least—why then should
-she not be engaged for once to Otto? she asked, so ironically that they could not
-guess at the truth. And still she was aware that mysterious interviews sometimes took
-place at home between Madame van Erlevoort, Mathilde, and Otto, a sort of family council
-that seemed never to come to a decision. She felt herself a little pushed aside, and
-she was too proud, now that they despised her advice, and did not seem to care for
-her opinion, to force herself upon them. Once even, when she had mamma, her sister,
-and brother together after dinner, and had noticed they had suddenly ceased speaking
-when she entered, while her hand was still on the handle of the door—they had looked
-at her with some embarrassment—she had disappeared, without saying a word, softly
-closing the door behind her, in silent grief and chagrin. With Otto, too, after their
-conversation about the fan, she sought no further confidence, for did he not look
-upon her as a mere child? Very well, she would not trouble him with her childishness.
-And only to Lili and Marie she gave herself vent about Eline, that vain coquette,
-without a spark of feeling in all her smiles and poses; but when Paul was present
-she was silent. He took her part, too, another victim to Eline’s coquetry, just the
-same as Etienne, who would not hear a word against her! What did all those boys see
-in her? She could not understand it; she thought Eline nothing but artificiality and
-affectation, an actress; in short, Eline was acting. And although Etienne’s pleading
-for Eline annoyed her, she felt herself, now that he was away at the Horze, lonely
-without him, in the midst of the bustle of the little van Ryssels and the barking
-of Hector, betwixt which Miss Frantzen made desperate efforts to restore peace and
-quietness.
-</p>
-<p>It was Sunday, and Paul van Raat sat before his easel, upon which there lay a half-finished
-picture, representing some old Delft ware, an old Bible, an antique Rhine wine-glass,
-and a silver ewer, that of Vincent’s, which he had taken after all—the whole loosely
-arranged on a broad, crumpled Smyrna table-cover. But the work proceeded very slowly;
-the light was and remained faint, however he might raise or drop his curtains, and
-he regretted to find that his fingers could with much more ease arrange the objects
-<span class="pageNum" id="pb136">[<a href="#pb136">136</a>]</span>tastefully, than they could afterwards depict them on the canvas. It was all the fault
-of the weather! with such a rainy sky there could sparkle no light in the wine-glass,
-whilst it gave the silver ewer the appearance of tin. And he laid aside his brush,
-and with his hands in his pockets, and whistling to himself, walked up and down his
-studio, a little annoyed at his want of energy. He would so gladly have finished it,
-but he could not, exert himself though he might.
-</p>
-<p>His room was one artistic chaos, even as his amateurish temperament was a chaos, out
-of which a creation rarely came forth. Above a carved oak cupboard hung a trophy of
-ancient weapons; the walls, up to the ceiling, were covered with china, paintings,
-engravings, and etchings, and female figures in marble and terra-cotta seemed to surround
-him, as with a harem of milk-white and amber-coloured beauties. Books were scattered
-about everywhere, out of untied portfolios peeped forth sketches and engravings; on
-the ground, round about the easel, lay a medley of brushes, pencils, and tubes. A
-large ash-tray was full of ashes, and everywhere there was dust and rubbish. Leentje,
-the parlour-maid, was seldom permitted to enter this room.
-</p>
-<p>And whilst in his disappointment he walked up and down, it seemed to him as though
-it would be a relief to clear away all this artistic rubbish, throw his easel in the
-lumber-room, and never more think of a brush. It seemed to him that when once his
-room were cleared of art, he himself would have no further longing for art, and therefore
-suffer no more disappointments. It was only a waste of time; he could find better
-amusement than that eternal dabbling. And he thought how he would re-arrange his room,
-simple and comfortable, so that one could move about without throwing down a statue
-here, or stumbling over an Eastern rug there. Still, the thought was tinged with sadness;
-it was all illusion, long since shattered and cast down from its pedestal, the last
-remnants of which he was now about to clear away.
-</p>
-<p>All at once he heard Eline’s laughing voice in the hall, and he went down-stairs into
-the back sitting-room, and kissed his mother; she had come with Ben. Betsy invited
-Madame van Raat to come round that evening; there would be no one there besides Madame
-Eekhof and her two daughters, Ange and Léonie, Frédérique and her two brothers, and
-Vincent.
-</p>
-<p>“Of course, we depend on you also, Paul,” she said, as she <span class="pageNum" id="pb137">[<a href="#pb137">137</a>]</span>gave him her hand. “<i lang="fr">Cela s’entend, n’est-ce pas?</i> Come, little madam, you had better say yes; it won’t be nice at all of you to refuse;
-you may go at your usual early hour, if you like. <i lang="fr">Ce n’est pas à refuser.</i>”
-</p>
-<p>Well, little madam would consent; but she really did not feel at home with all that
-youth about her.
-</p>
-<p>“That’s just the thing that does you good, a little cheerfulness. Look at Madame van
-Erlevoort,” said Eline; “take example by her.”
-</p>
-<p>The old lady was not proof against the temptation of her darling’s voice, and gave
-herself over; Paul, too, promised to come. And Madame van Raat looked at Eline, who
-sat beside her on the sofa, with some curiosity, as though she were revolving something
-in her mind.
-</p>
-<p>“I say, Eline, I must ask you something,” commenced Madame van Raat at length, in
-a whisper. “Is it true?”
-</p>
-<p>Eline felt a faint blush tinge her cheeks, but she acted as though she did not understand
-the question.
-</p>
-<p>“What, little madam? how do you mean?” The old lady smiled, but gave no explanation.
-She only asked—
-</p>
-<p>“Frédérique is coming too this evening, is she not?”
-</p>
-<p>“I think so, at least——” began Eline.
-</p>
-<p>“Alone?”
-</p>
-<p>“No; with—as I said just now—with her brothers, Otto and Etienne.”
-</p>
-<p>“Oh, indeed,” said the old lady indifferently; but she looked at her askance, whilst
-something like joy played in her lustreless eyes.
-</p>
-<p>Eline smiled, a little embarrassed.
-</p>
-<p>“I think you are a very naughty old lady,” she said, stroking her muff.
-</p>
-<p>“Oh, people talk so much, you know; don’t they? One hears this one day, that the next;
-but still, sometimes one hears the truth too.”
-</p>
-<p>“And what have you heard?”
-</p>
-<p>“Something you ought to have told me long ago, if you had placed any confidence in
-me. Now I had to learn it from Betsy.”
-</p>
-<p>Eline started.
-</p>
-<p>“Did Betsy say——?” she stammered.
-</p>
-<p>“Yes, deary; and I had much rather have heard it from you <span class="pageNum" id="pb138">[<a href="#pb138">138</a>]</span>first,” repeated Madame van Raat, feeling hurt, as an old lady who has been slighted.
-</p>
-<p>Eline grew impatient. It was true Otto had asked her, but she could not yet decide,
-and it annoyed her. How every one seemed to know about it, and gave her unasked advice!
-how every one in veiled and open terms dared to make all sorts of representations
-to Betsy! others, under the cloak of intimacy, had even whispered in her sister’s
-ears that she should urge Eline to declare herself. She now had had enough of these
-indiscretions, and she was on the point of giving Madame van Raat a sharp answer,
-but she restrained herself, and gave no sign of her annoyance, whilst she murmured
-close to the old lady’s ear—
-</p>
-<p>“Well, what should I have told you? It is true Erlevoort <i>has</i> proposed to me; but I could not talk about it before I knew myself what I should
-do.”
-</p>
-<p>And she just glanced at Paul, but quickly turned her head away again, feeling annoyed
-too with him, for he looked at her intently, as if he wanted to catch her words. Anyhow,
-she was not going to satisfy their unmannerly curiosity, and she rose and put a stop
-to Madame van Raat’s chat—from which it appeared that the old lady liked Otto very
-much—with a kiss and a few little words of endearment.
-</p>
-<p>And the increased lovingness of Madame van Raat’s trembling kiss, no less than the
-playfulness that twinkled in Paul’s eyes, annoyed and irritated her, whilst she was
-waiting for Ben, as his grandma was still caressing him in her arms.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>No; Eline did not know how to decide. She shuddered at taking a step that could make
-her happy or unhappy for life. It seemed to her as though her future depended only
-on one single word, which she hesitated to utter. She shuddered at the very idea of
-a <i lang="fr">mariage de raison</i>, because in her heart she felt a longing for love, much love, although it was a feeling
-which she had done her best to repress after her recent disappointment. And Otto—she
-had danced with him, had laughed and joked with him, but never had his image held
-her thoughts even for a moment, and she had always forgotten him as soon as she heard
-or saw him no longer. When, however, she saw through his earnest simplicity of character,
-when she guessed that he loved her, the idea was sweet to her, and she told herself
-that it would pain her were she to cause him grief, or to <span class="pageNum" id="pb139">[<a href="#pb139">139</a>]</span>refuse him anything, even her hand. And whilst she thus wilfully blinded herself,
-the rapture of his quiet passion for her seemed to pour balm into her wounded heart.
-</p>
-<p>The thought of becoming his wife, under the influence of her self-deception, filled
-her with a serene joy; something like a sweet vision arose to her mind, and—she began
-to look at the matter from a financial point of view.
-</p>
-<p>Yes; the idea was a cheering one. To be quite independent, to leave her sister’s house,
-where, notwithstanding her own little private fortune, she felt as though she were
-in fetters, something like a troublesome guest, whose presence was tolerated for the
-sake of the world’s opinion. But beneath all these various reasons which allured her
-to welcome Otto with a calm pleasure, there lurked, like an adder as it were, invisible
-to her own eye, the bitter regret at the ruin of her shattered fantasies, and if ever
-she gave herself away to Otto, it would be in order to be avenged on Fabrice, and
-on herself.
-</p>
-<p>In the meantime, as soon as he had proposed, as soon as it became necessary for her
-to reflect, and there was no overwhelming wealth of passion to which she could yield
-herself up, she had stepped back full of terror at the ordeal of giving her decision.
-</p>
-<p>He, Otto, waited; he at least was discreet. For some days past he had avoided the
-house of the van Raats, and she wanted to reward him for his discretion; blushingly
-she had asked Betsy to send him a personal, intimate invitation, as she did to Freddie
-and Etienne.
-</p>
-<p>He would come, she would speak to him; and it seemed to her as if some unseen power
-pushed her forward down a steep path; as if she would act otherwise than she did,
-but that she was powerless to escape her fate. It seemed to her as though, blindfolded,
-she groped about after her happiness, stretching forth her hands in anxious, breathless
-suspense, and listening to something that seemed like the echo of the happiness that
-she was never, never to find.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Betsy poured out the tea. Madame van Raat and Madame Eekhof sat beside her on a sofa,
-and conversed with Emilie de Woude. Henk, with his hands in his pockets, was listening
-attentively to Vincent, and Eline, Ange, Léonie, and Paul were turning over some music
-at the piano, when Otto and Etienne entered.
-<span class="pageNum" id="pb140">[<a href="#pb140">140</a>]</span></p>
-<p>“And Frédérique?” asked Betsy with surprise, as she held out her hand to Otto.
-</p>
-<p>“Frédérique felt a little tired; she is very sorry,” he answered simply.
-</p>
-<p>“She is often out of sorts lately,” said Etienne, as though to add some weight to
-his brother’s words.
-</p>
-<p>Eline felt her heart beat. She was very nervous, although she effectually concealed
-her nervousness under her happy cheerfulness. It suddenly seemed to her as if every
-one were looking at her, were guessing at her thoughts, and she nearly shuddered to
-raise her eyes, out of fear at seeing the glance of all directed upon her. But still,
-when she looked up, the aspect of the room was quite unchanged; the old ladies were
-still chatting with Betsy and Emilie, Vincent was speaking almost in whispers to Henk,
-and the girls and Paul were shaking hands with Etienne.
-</p>
-<p>But Otto approached her. She scarcely knew how to carry herself, and fancied she looked
-very awkward; but it was just that very hesitancy that lent something coy to her slender
-little figure, and gave her a new charm. She heard how he simply bade her good evening,
-but in his voice there sounded something full and rich, like the promise of a great
-affection. She suddenly felt conscious of a fresh emotion, a melting tenderness in
-her heart which she could not understand.
-</p>
-<p>He remained standing there, by the piano, at her side; but entered into conversation
-with Ange, while Léonie was engaged in boisterous fun with Etienne. Once or twice
-Otto glanced at Eline to make her participate in their chat, and she smiled, without
-hearing what passed. She could no longer follow her thoughts; they fluttered about
-in her mind like a swarm of butterflies, and it seemed to her as though a chorus of
-voices was singing in her ears. She understood that she might not allow herself to
-be drawn into the luxurious softness which seemed to encircle her as with velvet arms,
-that she durst not give herself up to dreams in the midst of a room full of people.
-And after a few laughing words she turned away, wondering at the subdued tone of her
-voice, which sounded as though she was speaking through a veil.
-</p>
-<p>“Vincent, you play too, don’t you?” she heard Betsy ask, and she saw the old ladies
-and Emilie rise, and caught sight of Henk seated at the card-table in the opposite
-room, and busily picking out the pearl card-counters from a Japanese box. She seemed
-to <span class="pageNum" id="pb141">[<a href="#pb141">141</a>]</span>be moving as in a dream; she saw the cards spread out on the red cloth-covered table
-in the form of a big S; she saw the wax candles burning at the corners of the table,
-and Madame Eekhof’s bejewelled fingers drawing a card.
-</p>
-<p>It seemed to her as though she herself was far away from it all. Vincent sat down
-opposite Madame van Raat, Henk was to have Madame Eekhof for a partner. Betsy returned
-with Emilie, they would join in later on.
-</p>
-<p>“Madame van Raat, shall we be disturbing them if we have a little music; or is it
-such a terribly serious card-party?” Léonie asked of Betsy, pointing to the card-table.
-</p>
-<p>“Oh no, not at all, <i lang="fr">amusez vous toujours</i>,” answered Betsy, and she led Otto and Emilie with her to the sofa. To strangers
-she was always most amiable.
-</p>
-<p>“Come, Eline, do let us hear you; deary, we are dying for your ravishing melodies!”
-Léonie continued, with unextinguishable vivacity. “I will accompany you with my fairy
-fingers.”
-</p>
-<p>“No, Léo; not this evening, please. I am not in voice.”
-</p>
-<p>“Not in voice? I don’t believe a word of it! Come! <i lang="fr">allons, chante ma belle!</i> what shall it be?”
-</p>
-<p>“Yes, Eline, do sing!” cried Madame van Raat from the opposite room, and then in an
-embarrassed voice asked her partner what were trumps.
-</p>
-<p>“Really, little madam; really, Léo, I can’t. I can always tell when I can’t sing.
-I don’t as a rule refuse, do I? But you have brought some music with you, have you
-not?”
-</p>
-<p>“Yes; but they are not the sort of songs to commence with, they are for later in the
-evening. Something serious first; come, Eline, <i lang="fr">allons</i>!”
-</p>
-<p>“No, no; positively not,” said Eline, shaking her head; it was really impossible.
-She felt as though in a fever, which brought a faint blush to her cheeks, caused her
-eyelids to droop languidly, made her pulses beat, her fingers tremble.
-</p>
-<p>“Positively not?” she heard softly repeated, and she glanced round. It was Otto, who,
-seated beside Betsy and Emilie, asked her, and looked at her with his honest, expressive
-eyes. Once more she shook her head, still, so she thought, awkwardly; but really with
-unconscious grace.
-</p>
-<p>“Really, I could not.”
-</p>
-<p>And she turned away directly, fearing that he would suspect why. <span class="pageNum" id="pb142">[<a href="#pb142">142</a>]</span>Besides, she felt very embarrassed when her glance met his, although there was not
-the slightest reproach in it. And it seemed to her as though there was something awkward
-in the bearing of the people who filled the rooms with their chat and laughter, something
-that was unusual and strange; but still, so she thought, only Betsy and Madame van
-Raat knew that Otto had proposed to her, and that she would give him her answer that
-evening. Whatever the others might suspect, they would not let a word escape her that
-could compel her to lift the veil from her secret before she chose. And this confidence
-in their well-bred discreetness reassured her.
-</p>
-<p>Léonie however pouted, and thought Eline a tiresome girl. Paul and Etienne cried that
-Léo must sing, and were going to fetch her music, which the girl, with an affectation
-of shyness, had left in the hall. All three rushed laughing to the door, but Léonie
-would not permit them to look for the music, and they caused a sudden, cheerful stir,
-that made the whist-players in the next room look up smiling from their cards. Etienne
-however triumphed, and soon returned, carrying in his uplifted arms the score of <i>The Mascotte</i>. The young Eekhofs were persuaded, and laughing and halting they warbled, with their
-thin, shrill little voices, the duet of Pipo and Betinna—
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“O, mon Pipo, mon Dieu, qu’t’es bien!”</p>
-</div>
-<p class="first">whilst Etienne accompanied them, with frequently doubtful chords.
-</p>
-<p>Still the duet was a success, and with rising gaiety they soon warbled, all four of
-them—Ange, Léonie, Etienne, and Paul—with a delightful disregard both of time and
-tune, now the languishing
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Un baiser est bien douce chose!”</p>
-</div>
-<p class="first">then the comic
-</p>
-<div lang="fr" class="lgouter">
-<p class="line">“Le grand singe d’Amérique!”</p>
-</div>
-<p class="first">and their music was wafted—a fluttering of airy melody—gaily through the rooms. Eline
-had seated herself on a stool next the piano, and she leaned her feverish little head
-against it, almost deafened with Etienne’s noisy voice. Her hand kept time on her
-knee, thus still showing some little interest in what was going on. She heard the
-chords of the piano drumming in her ears, and the sound of it prevented her from thinking
-and coming to a decision. <span class="pageNum" id="pb143">[<a href="#pb143">143</a>]</span>Constantly she swayed from one resolution to another. Yes, she would accept; his love,
-though not requited, would yet be her happiness; it was her destiny. No; she could
-not force herself, she could not without a shadow of love allow herself to be bound
-in this way. And it seemed to her as though her thoughts were continually swayed to
-and fro, as if a clock were constantly ticking in her ears: yes—no—yes—no. It would
-be a relief to grasp at anything, however blindly. No; she must only decide after
-calm deliberation. Oh, if that clock would only cease! she could not struggle thus
-with herself; she had not the strength. She would reflect no longer; she would let
-herself be carried away by the invisible powers that drove her down the steep path;
-she would yield herself up entirely to the stress of circumstances; <i>they</i> must decide for her. And she felt a cold shiver overtake her when their glances met,
-and she rose.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Vincent addressed her.
-</p>
-<p>“Well, Elly, have you committed any folly yet; anything outrageously mad?” asked Vincent,
-mocking her voice.
-</p>
-<p>Round the piano it was quieter. Léonie was seated beside Emilie, and was giving her
-a vivid description of a little dance at the van Larens’. Etienne had turned himself
-round on the piano-stool and was joking with Ange, who had tumbled on the ottoman
-in a burst of laughter, and covered her face with both her little hands. Paul joined
-in the laughter and turned over the pages of music.
-</p>
-<p>“How? what? how do you mean?” stammered Eline, who did not understand.
-</p>
-<p>“Did you not tell me, a little while ago, that you were about to do something desperately
-absurd? now I ask you whether you have hit upon anything yet? I should like to join
-you.”
-</p>
-<p>His banter grated on her ears. In her present unusually serious mood, the remembrance
-of that period of frivolity seemed to her like an echo of vanished wishes. No; she
-no longer had any desire to give herself over to equivocal absurdities; she would
-be sensible and practical, as Otto was. Equivocally absurd, her disappointed passion—if
-she might give that name to her folly—had been more than enough; in future she would
-not let herself be carried away. And she crushed the feeling of bitter remorse that
-rose in her heart with the sharp sting of an adder.
-</p>
-<p>While she was searching for some light phrase in answer to <span class="pageNum" id="pb144">[<a href="#pb144">144</a>]</span>Vincent’s question, a sudden alarm seized her. A new thought struck her. No, it was
-no longer possible; she could not go back. Otto, Betsy, all expected her to accept;
-they could not help doing so. If she did not intend to accept him, why then did she
-have an express invitation sent him? It was settled. It could not be otherwise, and
-after her sudden alarm a great calm came over her whole being.
-</p>
-<p>“But, my dear girl, I believe you suffer from absent-mindedness,” cried Vincent laughing.
-He had asked her why Georges de Woude was not there, and she had languidly replied—
-</p>
-<p>“Oh, yes; that is true.”
-</p>
-<p>Now she laughed in her turn; she was coming to in the blissfulness of that calm.
-</p>
-<p>“I beg your pardon, I have a little—” and she placed her hand on her forehead.
-</p>
-<p>“Oh! headache, I suppose? Yes; I know the disease,” he interrupted ironically, and
-gave her a searching glance. “That headache is a family complaint with us; we suffer
-a great deal from headache.”
-</p>
-<p>In some alarm she looked at him; surely he could not suspect anything.
-</p>
-<p>“I too got a headache whilst playing, under the hammering of the piano. It was as
-though I saw all kinds of colours—green, yellow, orange. When that little lively girl
-there—Léonie—sings, I always see orange colour.”
-</p>
-<p>“And when I sing?” she asked coquettishly.
-</p>
-<p>“Oh, then it is quite different,” he resumed, more seriously. “Then I always see before
-me a harmonious climax, from faintest pink to purple, until the whole is fused together
-in one delightful coalescence. Your low notes are pink, your high ones purple and
-brilliant. When Paul sings ’tis all gray, with a tinge of violet sometimes.”
-</p>
-<p>She laughed gaily, and Paul—who had heard him—also.
-</p>
-<p>“But, Vincent, these are visions of an over-excited imagination.”
-</p>
-<p>“Perhaps so; but sometimes ’tis very pretty. Have you never experienced it?”
-</p>
-<p>She reflected for a moment, while Ange and Etienne, who had heard the latter part
-of their conversation, came nearer and listened, as did Paul.
-</p>
-<p>“No; I don’t think I have.”
-<span class="pageNum" id="pb145">[<a href="#pb145">145</a>]</span></p>
-<p>“And have you never felt that some notes remind you of some particular odour—for instance,
-opoponax or mignonette? The tones of an organ are like incense. When you sing that
-scena of Beethoven, ‘Ah, Perfido!’ I always smell the scent of verbena, especially
-in one of the concluding high passages. When you sing it again, I shall show you.”
-</p>
-<p>Ange roared with laughter.
-</p>
-<p>“But, Mr. Vere, how lovely to be perfumed like that!”
-</p>
-<p>All joined in the laugh, and Vincent too seemed in a good humour.
-</p>
-<p>“’Tis true, <i lang="fr">parole d’honneur</i>.”
-</p>
-<p>“No; but I tell you what, some people remind me of different animals,” whispered Etienne.
-“Henk, for instance, reminds me of a big dog, Betsy of a hen, Madame van der Stoor
-of a crab.”
-</p>
-<p>They screamed with laughter. Otto, Emilie, and Léonie rose from their seats and approached
-nearer.
-</p>
-<p>“What is all this about?” asked Emilie inquisitively.
-</p>
-<p>“Madame van der Stoor is a crab!” yelled Ange, with tears in her eyes through laughing.
-</p>
-<p>“And tell me, Eetje, of what do I remind you?” asked Léonie with glistening eyes.
-</p>
-<p>“Oh, you and Ange are just like two little pups,” cried Etienne. “Miss de Woude, with
-her double chin, is a turkey!” he whispered, wild with his success, in Ange’s ear,
-who nearly choked with laughter. “Miss Frantzen is also a turkey, of another kind.
-Willem the servant is a stately stork, and Dien, the cook at the Verstraetens’, a
-cockatoo.”
-</p>
-<p>“’Tis a menagerie, a Noah’s ark!” screamed Léonie.
-</p>
-<p>“And Eline?” Paul asked at last.
-</p>
-<p>“Oh, Eline,” repeated Etienne, and reflected. “Sometimes a peacock—sometimes a serpent—at
-this moment a little dove.”
-</p>
-<p>They shook their head at his extravagant fancies, but still they laughed gaily.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>“Etienne is always jolly,” said Eline to Otto, when the little groups were broken
-up, and she nodded smilingly at Madame van Raat, who had given her seat at the card-table
-to Emilie. Vincent in the meantime became the butt of the little Eekhofs, who asked
-him if he were going to open a perfumery store.
-</p>
-<p>“Yes,” answered Otto. “He has no reason to be otherwise, has he? He has all that he
-desires.”
-<span class="pageNum" id="pb146">[<a href="#pb146">146</a>]</span></p>
-<p>There was something sad in his words, as if that was not the case with himself, and
-Eline could find nothing to reply. For a while they stood close together, in silence,
-whilst her trembling hand clasped the fan at her side, and again her thoughts began
-to stray.
-</p>
-<p>“Have you nothing to say to me?” he whispered softly, but without a tinge of reproach.
-</p>
-<p>She took a deep breath.
-</p>
-<p>“Really, oh—I—I cannot yet; forgive me, but really—later, later.”
-</p>
-<p>“All right, later; I will be patient—as long as I may be,” he said, and his calm tone
-brought a little peace to her whirling brain. No; refuse she could no longer—but still,
-she could not yet decide.
-</p>
-<p>And she could not help admiring his quiet tact, as he conversed with her on subjects
-in which neither of them took the slightest interest. That simple, quiet tact constituted
-his greatest charm; he was so entirely himself that it seemed as if his manly frankness
-concealed nothing that the eyes of the world might not see. Whilst he spoke, he attempted
-to cajole neither himself nor her that there was anything interesting in the conversation;
-he seemed only to continue it because he liked to be near her and speak with her.
-It was so evident in the full tones of his voice. His thoughts were not in his conversation,
-and he made no attempt to conceal the fact. And for the first time she felt something
-like pity for him; she felt that she was cruel, and that he was suffering, and this
-feeling again aroused within her that melting tenderness which she could not understand.
-Refreshments were handed round.
-</p>
-<p>“Will you take a lemonade, madam, and a cake?” Eline asked Madame van Raat, who was
-sitting somewhat deserted on the sofa, now and again smiling at the joyous group of
-young people who were engaged telling each other’s fortunes.
-</p>
-<p>“Wait a moment,” she continued to Otto; “the old lady is all alone; I shall go and
-keep her company.”
-</p>
-<p>He gave her a friendly nod and went to listen to Paul’s horoscope, which Ange was
-drawing for him.
-</p>
-<p>Eline took a lemonade, laid a cake on a dish, and offered it to Madame van Raat. Then
-she sat down next to the old lady, and took her hand.
-</p>
-<p>Madame van Raat, however, never touched the refreshments, but looked Eline straight
-in the eyes.
-<span class="pageNum" id="pb147">[<a href="#pb147">147</a>]</span></p>
-<p>“Well, how is it?” she asked.
-</p>
-<p>In her present mood of melting tenderness, Eline could not feel annoyed at the indiscreet
-question. And she answered, very softly, almost inaudibly—
-</p>
-<p>“I—I shall accept.”
-</p>
-<p>She sighed, and the tears rose in her eyes, when for the first time she made that
-resolution. She would accept. And she could find nothing more to say to the old lady;
-that one word filled her mind so completely, that it absorbed every other thought.
-For a moment, therefore, they sat next each other in silence, a little turned away
-from the joyous group round the cards. And Eline could hear Ange’s shrill, laughing
-voice, as she laid down the cards, one by one, on the table.
-</p>
-<p>“Now just listen, Mr. Erlevoort. I am much cleverer than Madame Lenormand. Here is
-yours, king of diamonds. You are surrounded by much tears, but they are turned into
-smiles; you will have much money, and will go and live in a château in the Pyrenees.
-Or would you rather buy a villa near Nice? Ah, there she is! queen of hearts, you
-see. You are rather wide apart, but all the intermediate cards are favourable. You
-will have to struggle against many obstacles before you can reach her, for she is
-rather sought after, you see; but—the king of clubs, king of diamonds, a plebeian
-even, a social democrat; knave of spades!”
-</p>
-<p>“Black Jack!” cried Léonie. “Ah, <i lang="fr">fi donc</i>!”
-</p>
-<p>Eline smiled, a little frightened, and wiped away a tear from her lashes; and Madame
-van Raat, who had also been listening, smiled too.
-</p>
-<p>“There, just see how beautiful those aces lie,” Ange went on. “No fear, Mr. Erlevoort,
-no fear; ’tis all clearing up nicely.”
-</p>
-<p>“The cards seem favourable,” whispered Madame van Raat.
-</p>
-<p>Eline gave a little smile of contempt, but she felt a little upset; Black Jack had
-reminded her of Fabrice.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The company had risen from the whist-table, and the conversation became lively and
-general. The fortune-telling had given an impetus to the gaiety all round, and Etienne
-was loud in his protestations to Ange, who prophesied that he would be an old bachelor.
-Not he; he declined with thanks.
-</p>
-<p>Ange and Léonie persuaded Paul to sing something else, and Léonie accompanied him
-in one of Massenet’s songs. In the <span class="pageNum" id="pb148">[<a href="#pb148">148</a>]</span>meantime Betsy looked attentively at her sister and Otto, and thought she could see
-that nothing had yet transpired between them. How Eline did dilly-dally, to be sure!
-No; she had managed it better herself. She had quietly accepted van Raat when he in
-his clumsiness had proposed to her. What was Eline thinking about? why in Heaven’s
-name shouldn’t she accept Erlevoort? They were quite cut out for one another. And
-she worried herself about that sentimental hesitation on the part of her sister, when
-she had the chance of marrying into a good family, and a man in a fair position. Her
-eye glanced coldly on Eline’s slender form, to which that hesitating coyness lent
-an additional charm, and she remarked it, as she also remarked the unwonted earnestness
-that seemed to be diffused over her beauty. What a lot of to-do about such a simple
-matter! But when she caught sight of her husband, who was talking to Otto, she felt
-even more annoyed; how stupid he was, to be sure! Had he really no notion as yet why
-Otto was there that evening?
-</p>
-<p>Madame van Raat left later than she usually did, still feeling uncertain in her mind
-about Eline’s decision. She had to some extent anticipated a sort of family evening,
-and she felt decidedly disappointed.
-</p>
-<p>It was now long past twelve, and Madame Eekhof and her daughters, together with Emilie,
-Vincent, and Paul, prepared to go, the girls, amid much laughing banter, being conducted
-by Henk and Etienne through the hall to their carriage. Betsy, Eline, and Otto remained
-behind in the little boudoir, and the silence somewhat embarrassed them. But Betsy
-purposely rose and walked into the drawing-room towards the card-table, as though
-to gather up the scattered counters. To Eline it seemed as if the ground was giving
-way under her. She could not hide her confusion from Otto’s eyes, and he, although
-he had had no intention that evening of reverting to his request, did not feel himself
-strong enough to resist the temptation of the moment, now that they were alone together.
-</p>
-<p>“Eline,” he whispered, in a broken voice; “oh, must I leave you like this?”
-</p>
-<p>Almost in terror she gasped forth her pent-up breath in a trembling sigh.
-</p>
-<p>“Otto—really, truly—I—I cannot, not yet.”
-</p>
-<p>“Adieu then; forgive me, pray, for having worried you a second <span class="pageNum" id="pb149">[<a href="#pb149">149</a>]</span>time,” he said, and with that he lightly pressed her fingers and went.
-</p>
-<p>As for her, however, she felt herself suddenly relenting into a melting tenderness.
-Trembling and shaking all over, she all but fell to the floor, but she saved herself
-by rushing towards the door, where she clung to the heavy draperies, and altogether
-yielding herself up to her emotions, she cried—
-</p>
-<p>“Otto! Otto!”
-</p>
-<p>He could not repress a light cry. He quickly turned back and caught her in his arms,
-and with his face all aglow with pleasure he led her back into the boudoir.
-</p>
-<p>“Eline, Eline!” he cried: “is it true?”
-</p>
-<p>She made no reply, but flung herself sobbing on his bosom, her spirit utterly broken
-with her inward struggles.
-</p>
-<p>“You will—you will be my little wife, then?”
-</p>
-<p>She just ventured to lift up her face, whilst she lay trembling in his arms, her only
-reply being her tearful glance and her faint smile.
-</p>
-<p>“Oh—Eline—my darling!” he whispered, and his lips pressed her forehead.
-</p>
-<p>Voices were heard in the drawing-room. Henk and Etienne were coming out of the hall,
-Etienne carrying his overcoat and hat in his hand.
-</p>
-<p>“But where is Otto all this time?” Eline heard him exclaim, and she could at the same
-time distinguish Betsy’s voice, who whispered something.
-</p>
-<p>Otto looked smilingly down upon the little weeping head, which, suddenly alarmed,
-was pressed against his bosom.
-</p>
-<p>“Come, shall we go, then?” he asked, and in his simplicity he beamed with joy.
-</p>
-<p>Slowly, very slowly, she let him lead her away, still sobbing in his arms, her head
-hid on his shoulder. Betsy met them with a laugh, and pressed Otto’s hand with a significant
-glance. Henk and Etienne were somewhat surprised.
-</p>
-<p>“Van Raat, may I—may I introduce you to my intended?” said Otto.
-</p>
-<p>It was Henk’s turn to smile now, and Etienne’s, who opened his eyes wide with amazement.
-</p>
-<p>“There’s a sly old customer!” he cried, and held his finger up threateningly. “Who
-would have expected that this evening, now? what do you think of that?”
-<span class="pageNum" id="pb150">[<a href="#pb150">150</a>]</span></p>
-<p>Eline, however, still sobbing, relieved herself of Otto’s arm, and clasped Henk round
-his neck. He kissed her, and his big voice muttered kindly—
-</p>
-<p>“Well, I will congratulate you, sissy, with all my heart. But the deuce! come, don’t
-cry like that—what’s the idea of that now? Come, give us a laugh now, for a change.”
-</p>
-<p>In confusion she covered her face with her hands, and now Betsy thought that it was
-her turn to give her a kiss, and she just touched the dishevelled little locks.
-</p>
-<p>“I am very satisfied with my little <i lang="fr">soirée</i>, very satisfied!” she said significantly.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Henk wanted Otto to stay a little longer, Etienne was discreet enough to take himself
-off, but Eline whispered beseechingly that she was very tired, and Otto did not insist.
-He was too happy to wish for anything more; he would go, brimful of joy. And she thought
-it very nice of him that he took leave only with a shake of the hand, as she feared
-he would have kissed her before all of them.
-</p>
-<p>The two brothers left, and Eline fled to her room, where she found Mina, who was just
-lighting the lamp. The servant-maids had heard the news from Gerard, who had come
-into the drawing-room at a very inopportune moment, and Mina congratulated her, and
-looked at her with an inquisitive smile about her lips.
-</p>
-<p>“Thank you—thank you, Mina,” stammered Eline.
-</p>
-<p>At last she was alone. She glanced in the mirror, and she started when she saw the
-tearful pallor of her face. Yet it seemed to her as though her soul glided away in
-a still, blue lake, that noiselessly covered her with its waters, a spot where an
-eternal peace seemed to reign, a Nirvana, the calm rapture of which was to her a new
-happiness.
-<span class="pageNum" id="pb151">[<a href="#pb151">151</a>]</span></p>
-</div>
-</div>
-<div id="ch16" class="div1 chapter"><span class="pageNum">[<a href="#ch16.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XVI.</h2>
-</div>
-<div class="divBody">
-<p class="first">It was a fresh, bright May day, after a week of rain and chill mists. Jeanne had sent
-her children—Dora, Wim, and Fritsje—for a walk with their nurse, to the Schevening
-Boschjes. She herself, however, had stayed at home, as she was always much occupied,
-and she felt lonely in her apartments, sitting there by herself, doing her knitting
-and darning in a pale sunbeam which she, regardless of her carpet and her curtains,
-allowed to stream freely into the room. Frans was away in Amsterdam, where he had
-gone to consult a physician. It was now half-past one, thought Jeanne, as she glanced
-at the timepiece, the tick of which was heard very distinctly in the quiet room. About
-half-past five Frans would return, and the time which she had yet to wait seemed so
-many ages to her, although she thought it splendid for once to be able to do such
-a lot of work undisturbed.
-</p>
-<p>The pale sunbeam fell right over her, but it did not trouble her; on the contrary
-she basked in its faint warmth. The light shimmered about her light-brown hair, and
-imparted to her sunken white cheeks an alabaster transparency; it shimmered too over
-her thin, delicate fingers, as with a steady, rhythmical motion she plied her needle.
-And how she longed for the summer! oh, that May, with its damp misty weather and its
-rare bright days, might soon be passed! how could she have cherished any illusion
-of May being a month of spring beauty, as the poets falsely said?
-</p>
-<p>She smiled a little sadly as she bent over the chemisette she was making, to press
-down a seam with her fingers; she smiled when she reflected that every illusion, the
-smallest even, vanished into air, while her life rolled on, and the future, which
-she feared with a great, mysterious, unspeakable terror, continually faded away, to
-make room for that gloomy, monotonous reality. And now—now she shuddered, now once
-more that fearful presentiment rose up in her soul, like a veiled spectre; something
-would happen to them, some inevitable disaster would crush them. She took a deep breath,
-shuddering, her hand pressed on her bosom; shuddering, not for herself, not for him—but
-for the children.
-</p>
-<p>She rose, it was impossible for her to continue her work, and yet she must not be
-idle on the rare day when the children left her undisturbed. Oh, why was she not stronger?
-And leaning <span class="pageNum" id="pb152">[<a href="#pb152">152</a>]</span>against the window-sill she let herself be entirely covered by the ray of sunshine,
-like a pale hot-house flower longing for light and air, and she gazed, absorbed in
-her thoughts of what was to be, into the little square patch of garden behind the
-grocery shop below. A lilac was just budding into leaf, but in the centre or side
-beds nothing as yet was growing, and before Jeanne’s eyes there suddenly arose a vision
-of Persian roses, such as those that bloomed on their property at Temanggoeng, big,
-like pink beakers, full of sweet odour. It was as though she smelt that odour; it
-was as though the blushing tint of those flowers dispelled the dull gray thoughts,
-and left in their place merely a longing for warmth and love.
-</p>
-<p>Thus she felt when the bell rang, and Mathilde van Ryssel entered. They had met each
-other once or twice at the van Raats’, and they were aware of a certain sympathy between
-them.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>“I have really come with the evil intention of tempting you out for a walk,” said
-Mathilde smiling. “It is glorious weather, and it will do you good.”
-</p>
-<p>“But, Tilly, the children are out, and Frans as well. Really I can’t, I have work
-to do.”
-</p>
-<p>“What insurmountable objects, to be sure!” laughed Mathilde. “You need not take care
-of the house.”
-</p>
-<p>“No; but when the children come home, and find me out——”
-</p>
-<p>“Really, Jeanne, that is spoiling them; surely they can manage to do without you for
-a moment. I should get my hat and jacket, if I were you, and come out with me like
-a sensible girl. What! sewing, are you? That’s work for a rainy day.”
-</p>
-<p>Jeanne felt a gentle delight at having the law laid her by that soft voice, which
-even in its banter was pervaded with a tone of sadness. And she yielded, feeling so
-happy, and ascended the stairs to dress, almost humming the while.
-</p>
-<p>She was soon ready, and after numberless admonitions to Mietje, left the house with
-Mathilde. The cool wind seemed to lift a mist from her mind, while her pale checks
-became cold and almost got a colour. She listened to her friend, who told her that
-she had just taken Tina and Jo to the van Raats’; Betsy and Eline had asked them to
-go for a walk with them and Ben.
-</p>
-<p>“And the others?”
-</p>
-<p>“Oh! Lientje and Nico had absolutely to go out with mamma; <span class="pageNum" id="pb153">[<a href="#pb153">153</a>]</span>mamma was already in despair that she could not have the other two. I should not have
-dared to take them with me,” she said laughing. “Dear, kind mamma!”
-</p>
-<p>They had passed through the Laan van Meerdervoort and reached the Schevening road,
-which they followed. There were but few people about. Mathilde let herself be carried
-away by her feelings, and revived by the clear, fresh air, little talkative though
-she might be generally in her reserve, and her silent grief.
-</p>
-<p>“You don’t know how—how good mamma is,” she said. “She lives only for her dear ones—for
-her children and her grandchildren. She never has the slightest want of her own; whatever
-she thinks or does, ’tis all for us. And I believe if you asked her which of us she
-liked best, she could not tell you. Yes; she is mad with Etienne; Etienne is always
-jolly, like a child, and because she too is cheerful and likes a good laugh, his jokes
-do her good; but that she cares equally for Frédérique or Otto, or for my children,
-I have no doubt. When mamma writes to London, or Zwolle, or to the Horze, it is one
-long complaint that she never sees those stray sheep. You can understand how unhappy
-she was when Cathérine and Suzanne married and left her. I believe she would like
-to build a sort of hotel, where she could stow the lot of us—Théodore and Howard and
-Stralenburg, and all the rest. Dear, dear mamma!”
-</p>
-<p>They both were silent for a time. The Schevening road twisted itself like a long gray
-ribbon before them, with a distant perspective of tree stems under a network of budding
-twigs. The sunshine glistened on the fresh young foliage waving bright under the clear
-blue sky, and on the old stems there appeared a new layer of fresh green moss, soft
-as velvet. The chirping of birds vibrated through the clear atmosphere in tones of
-crystal.
-</p>
-<p>“How glorious it is here!” said Mathilde; “one lives anew. But let us get into this
-little lane. The people tire me; I dare say we tire them too; we are out of harmony
-with nature’s surroundings. I always think people so ugly amid green foliage, especially
-in the early spring. You see, I am beginning to philosophize.”
-</p>
-<p>Jeanne laughed, brimful of happiness. The world appeared to her beautiful and good,
-full of love. And she thought of Frans!
-</p>
-<p class="tb"></p><p>
-</p>
-<p>They had seated themselves on a bench, and Jeanne ventured to ask—
-<span class="pageNum" id="pb154">[<a href="#pb154">154</a>]</span></p>
-<p>“But how about yourself, Mathilde? You are always talking about your mamma, but never
-about yourself.”
-</p>
-<p>Mathilde looked up with something like a shiver.
-</p>
-<p>“About myself? I do my best to forget about myself. ’Tis only to the children that
-I am still of any use; for them I live and think. If they were not here, I should
-be dead.”
-</p>
-<p>In her words there resounded the memory of a dull grief, faded away long ago into
-a placid resignation.
-</p>
-<p>“If you have imagined yourself very happy, happy through and with one, for whose sake
-you would have sacrificed body and soul, and you observe—But ah! why speak about that?”
-</p>
-<p>“Does the thought of that cause you such suffering then?”
-</p>
-<p>“Oh no; I have suffered. There was a time when I thought I should have gone mad, and
-I cursed the name of God; but that bitter sorrow has been transformed into a lethargy
-that is past. I never think of it, I only think of my four little darlings. And that
-thought fills my mind sufficiently, so that I need not become a living mummy. You
-know, until now I have been teaching them myself; but ’tis getting time for Tina and
-Jo to go to school. Otto says so at least; but I should miss them very much, and mamma,
-of course, sides with me there. Darlings!”
-</p>
-<p>Perhaps she only fancied it, but Jeanne thought that in that dull resignation she
-could detect a tone of suppressed bitterness, and she could not help taking Mathilde’s
-hand in hers and whispering pityingly—
-</p>
-<p>“Poor girl!”
-</p>
-<p>“Yes; you—you are richer than I, you have your children and you have your husband,”
-answered Mathilde with a sad smile, whilst her eyes filled with tears; “and though
-you have your troubles and vexations, you have more—more than I. Let that be your
-comfort when you have a fit of melancholy. Just think of me, think that I could yet
-envy you, if—if everything were not dead within me, everything except that one thing
-alone.”
-</p>
-<p>“Mathilde! Oh, how can you speak like that? it pains me!”
-</p>
-<p>“It should not do so, for me it pains no longer. ’Tis only just a faint memory of
-what has been, you know; nothing more. But still, ’tis better to be silent about it;
-the raking up of these memories does me no good, but hurts me, though I am almost
-a mummy.”
-</p>
-<p>“Oh, Mathilde, how is it possible that you can always keep it <span class="pageNum" id="pb155">[<a href="#pb155">155</a>]</span>pent up within you? I—I could not do so; I should have to give it vent, that which
-made me so——”
-</p>
-<p>“No, no, Jeanne; oh, truly no, never more! Do not speak any more about it, or—I—I
-shall feel myself brought back to life again. No, don’t; never again—I beg of you.”
-</p>
-<p>She leaned back against the seat, and tears dropped from her lashes, whilst with her
-waxen pallor, and in her sombre black dress, she seemed a picture of an infinite,
-unspeakable sorrow. She would not be brought back to life, she wanted to be dead!
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Jeanne did not want to get home too late, so that she might be there before the children
-and Frans. So they turned back.
-</p>
-<p>“And now I dare say I have made you sad, when I wanted to refresh you with a pleasant
-walk?” asked Mathilde smiling. “Yes; that comes of all that philosophy; forgive me,
-do!”
-</p>
-<p>Jeanne could find nothing to say, and shook her head smilingly, to signify that she
-was really not sad. And in her inmost soul she had to acknowledge deeply—though Mathilde’s
-silent despair had at first grieved her—now that she herself had once more assumed
-her ordinary semblance of resignation, that pity for her friend became fused into
-a feeling of peace and rest, as far as her own small troubles were concerned. By the
-side of that one great ever-reviving sorrow the latter seemed to her small and insignificant,
-the easily-borne troubles of life, whilst had she been doomed to bear Mathilde’s sorrows,
-she would have been crushed beneath them. She felt a remorse that she was ungrateful
-for all the good that was bestowed on her, and which still was hers—a remorse that
-sometimes she dared to feel herself wretched at her fate, and yet she had been spared
-so much sorrow! Frans, he might have his faults, he might be hasty and disagreeable
-when he was ill; still he loved her, a and after a moment’s reflection, he was always
-ready to own himself in the wrong; still he prized her. And in that sweet thought,
-which made her feel proudly contented, she could no longer feel sad in sympathy, though
-she considered herself an egotist on account of it; but oh! it was so rarely that
-she felt such a delicious sweetness pervade her little soul; was it wrong then for
-a brief moment to feel an egotist’s pleasure?
-</p>
-<p>Mathilde took her home again, and Jeanne left to herself longed, full of renewed animation,
-for her children. Soon they came, refreshed with their bout in the open, and she embraced
-them <span class="pageNum" id="pb156">[<a href="#pb156">156</a>]</span>almost impetuously, and let them tell her where they had been, what they had done.
-And when Dora was a little peevish, she joked and played with the little weakling
-until she laughed. Life did not seem quite so sombre now; why not be a bit cheerful?
-</p>
-</div>
-</div>
-<div id="ch17" class="div1 chapter"><span class="pageNum">[<a href="#ch17.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XVII.</h2>
-</div>
-<div class="divBody">
-<p class="first">Lili sat reading in the small drawing-room, when Frédérique entered. She had been
-paying some visits and came to finish her afternoon at the Verstraetens’.
-</p>
-<p>“Is Marie out?” asked Freddie.
-</p>
-<p>“No,” answered Lili; “we have been out. Marie is still up-stairs.”
-</p>
-<p>“What is Marie doing there?” resumed Frédérique, in some surprise. “What in Heaven’s
-name is she always doing up-stairs lately? Whenever I come here, she is up-stairs.
-You haven’t fallen out, have you?”
-</p>
-<p>“Oh no; not at all,” replied Lili. “Marie is doing some drawing, I believe; or perhaps
-she has some writing to do, as she often has.”
-</p>
-<p>“Writing what—a letter?”
-</p>
-<p>“Oh, no—a novel, or something of the sort; but you had better not say anything about
-it; perhaps she does not like us to know.”
-</p>
-<p>Frédérique was silent for a moment.
-</p>
-<p>“Don’t you find Marie rather changed?” she resumed.
-</p>
-<p>“Changed? Marie? No; I have noticed nothing. Why do you ask?”
-</p>
-<p>“Oh! for no special reason; I was only thinking. Marie is always so busy just now,
-with one thing or another.”
-</p>
-<p>“But so she has always been; she always tries to find something to do. Papa says I
-am the only lazy one in the family.”
-</p>
-<p>Frédérique was silent; but inwardly she wondered that Lili had not remarked how lately
-there was something unusual about Marie, something excitable and nervous, so very
-different from her former healthy cheerfulness. However, she thought, perhaps it was
-only her fancy after all.
-<span class="pageNum" id="pb157">[<a href="#pb157">157</a>]</span></p>
-<p>“You know we are going to the Oudendyks’ this evening,” she said, to turn the conversation.
-</p>
-<p>“Oh yes; you told me some time ago that you were invited. So you are going out again,
-eh? You have been a little blasé for a time, haven’t you? at least you were always
-taken ill after an invitation,” laughed Lili.
-</p>
-<p>“Oh, I felt very ill at ease,” Frédérique answered frankly. “It was, you know, on
-account of that folly of Otto’s. But now that there is nothing more to do in the affair,
-I wash my hands of it. He ought to know best, eh? Anyhow, I don’t see the use of fretting
-because——”
-</p>
-<p>She did not finish the sentence, and her eyes became moist, as an expression of haughty
-disdain formed about her mouth.
-</p>
-<p>“But, Freddie,” Lili gently remonstrated, “he has known her so long; all the time
-she has been living at the van Raats’; and if he really cares for her——”
-</p>
-<p>“Oh, there’s nothing I should desire more, than that all may go well, and they may
-be happy. But I can’t help it. Eline I cannot bear. Of course now I force myself to
-be nice and friendly to her; but you know it is so difficult for me to make myself
-appear different from what I am. But come, let us talk about something else; it can’t
-be helped now, and the less I think of it the better. Shall we go up-stairs to Marie?”
-</p>
-<p>Lili agreed, and they went. In the girls’ sitting-room Marie was seated at a little
-writing-table; a few sheets of writing lay before her, but her head was resting on
-her hand, and with her pen she was, as if lost in thought, drawing some strokes across
-a blank sheet of paper. When Freddie and Lili entered, she gave a sudden start.
-</p>
-<p>“We have come to disturb you in your busy occupations,” commenced Freddie, laughing;
-“that is, unless you would rather have us go.”
-</p>
-<p>“Certainly not; you know better, don’t you? So unsociable too of Lili, to sit down
-all by herself, down-stairs.”
-</p>
-<p>Lili did not answer; neither of them was in the habit of staying in her room in the
-afternoon, and it was Marie herself who was unsociable.
-</p>
-<p>“What is it you are writing? is it a secret?” asked Freddie, with a glance at the
-scribbled sheets.
-</p>
-<p>“Oh no,” answered Marie, with seeming indifference. “’Tis <span class="pageNum" id="pb158">[<a href="#pb158">158</a>]</span>something I started long ago—a sort of diary, a description of our trip in Thuringia
-and the Black Forest last year. I wanted to make up a little sketch about it, something
-romantic if possible, but ’tis getting tiresome. I really don’t know what made me
-start it,” she added softly; “I’m not cut out for writing, eh?”
-</p>
-<p>“I can’t say,” said Freddie encouragingly. “Just read us a little of it.”
-</p>
-<p>“Yes; fancy boring you with my school-girl scribble. <i lang="fr">Pas si bête</i>,” cried Marie laughing. “You see, a person must do something; I felt bored, so I
-started writing. I’ll tell you what it is, Frédérique,” she continued, with a tragic-comic
-glance at her friend, “I think we are growing so old. Yes, downright old; we are getting
-tiresome. Do you know, ’tis months since we had a good laugh together, as we used
-to so often.”
-</p>
-<p>“With Paul or Etienne?” added Lili, smiling at the recollection.
-</p>
-<p>“With or without them. We used to amuse ourselves without the boys just as well. But
-now—I don’t know what you think, but I think we are all of us awful bores. We are
-each of us getting our worries—<i>you</i> have for some time suffered from an antipathy towards Eline. Lili does not speak
-a word; she is either in dreamland all day, or overwhelms me with her romantic musings;
-and as for myself, out of sheer <i>ennui</i> I start writing about blue mountains and misty horizons.”
-</p>
-<p>“What will it all end in?” laughed Freddie. “The future looks very dismal, especially
-in your case. Behind those blue mountains and the misty horizon there is something
-hidden, I know.”
-</p>
-<p>“Something hidden?” repeated Marie. “Oh no, not at all; nothing.”
-</p>
-<p>Frédérique fancied she could see a tear glide through Marie’s fingers, which she held
-in front of her eyes. Lili kept herself occupied arranging a few books in a bookcase.
-</p>
-<p>“Marie,” whispered Freddie softly, “come, tell me. Is anything the matter? can I do
-anything for you? I wish you would tell me if there is. I can see there is something
-that troubles you.”
-</p>
-<p>Marie rose, and turned her face away.
-</p>
-<p>“Oh dear, no, Freddie; don’t you fancy anything of the sort. You are getting just
-as romantic as Lili. There is nothing, really. ’Tis only that I feel wretchedly bored,
-that is all; I want some cheerfulness. Hallo, old chappie!”
-</p>
-<p>Her brother entered, somewhat surprised.
-<span class="pageNum" id="pb159">[<a href="#pb159">159</a>]</span></p>
-<p>“Eh! what are you three doing here? Talking about your gentleman friends, I’ll bet!”
-he cried noisily.
-</p>
-<p>“What a wise remark,” answered Marie. “Just like the men. ’Tis your natural vanity
-that makes you say such a thing, though you are but a boy yourself. Wait a bit, I’ll
-teach you.”
-</p>
-<p>She ran after him round the table, whilst he, mocking her, deftly skipped over a chair,
-which he quickly placed in her way. Freddie and Lili roared with laughter at their
-antics. All at once he rushed out of the room, and Marie after him.
-</p>
-<p>“What a girl that Marie is!” cried Freddie wonderingly. It passed her understanding.
-After a while Marie returned, all out of breath.
-</p>
-<p>“Did you catch him?” asked Lili.
-</p>
-<p>“Of course not,” she answered. “That boy is like a goat, so nimble, he skips over
-everything. Ah, ’tis a treat, a run like that. I wish I were a boy.”
-</p>
-<p>Freddie left, and Lili accompanied her down-stairs; Marie was coming down directly.
-But she stayed at the window for a while, and looked out. In the falling twilight,
-which was wrapping everything in a transparent ashen-hued mist, lay the canal, green
-and still, overshadowed by the leafy boughs of the bordering trees. Beyond it lay
-the Maliebaan, dim in the gathering shadows, with a moist thin veil of grayish dew
-rising upward from its surface.
-</p>
-<p>Marie looked out and sighed. Yes; she would always laugh away that feeling, that cruel,
-gnawing bitterness, out of her heart, as she had done just now. She was growing old,
-downright old, and tiresome. Without mercy for herself she would wrench away that
-blossom from her soul, she would again and again blot out that vision. It was torture,
-but still she must do it.
-</p>
-<p>And as she stared away into that melancholy mist, ascending in gray layers over the
-valley yonder, a beloved face rose up before her moist eyes—a manly face, with an
-expression of frankness and sincerity in its eyes, and beaming with a winning smile;
-but it was not upon her, but upon Eline, that that smile threw its brightness.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The tramcars running between the Ouden Schevening road and the Kurhaus were thronged.
-At the junction of the Anna Paulownastraat and the Laan Copes van Cattenburgh they
-were stormed by waiting crowds, and in a moment they were filled to overflowing—inside,
-outside, and on the platforms. There was a vast amount <span class="pageNum" id="pb160">[<a href="#pb160">160</a>]</span>of pushing to obtain even the merest standing-room, among the numbers of ladies, who,
-nervous and excited, fluttered about in their gay toilets, peering through the windows
-in the hope of finding a vacant spot. The conductors pulled the bells, and shouted
-to those who were left behind, who turned away and began to watch for the next car
-to arrive. The horses started, and the faces of those who had managed to wedge their
-way in, and were seated packed close as herrings, now beamed with happiness after
-the successful struggle.
-</p>
-<p>“What a crowd! It’s fearful,” said Eline, looking down upon the surging mass with
-a placid smile.
-</p>
-<p>She sat beside Betsy in the open landau, with Henk and Otto facing her. Dirk, the
-coachman, had been compelled to halt a moment, but now again the long file of carriages
-began to move. Herman, the little footman, sat on the box with crossed arms, motionless
-and straight in his light gray livery with its bright buttons.
-</p>
-<p>“There will be a terrible crowd,” said Betsy. “But it’s in the open air, so we need
-not fear we shall get no seat.”
-</p>
-<p>Not a breath of wind stirred through the dense foliage, and after a day of intense
-heat and glaring sun, with the gathering twilight a leaden heaviness seemed to descend
-over everything. Eline, rather faint with the heat, leaned back with pale cheeks and
-spoke little; only now and then glancing at Otto through her drooping lashes, with
-an archness that was full of happiness. Betsy kept up a lively conversation with van
-Erlevoort, for Henk was not very talkative either, reflecting as he was whether it
-would not have been wiser to have stayed at home drinking a cup of tea in the garden,
-rather than rush away directly after dinner to Scheveningen.
-</p>
-<p>Betsy, however, robust and cheerful, enjoyed the fragrant air, of which she took deep
-breaths. She enjoyed the soft, padded cushions of her luxurious, well-appointed carriage,
-contrasting so brightly with the other vehicles; she enjoyed even the sight of Herman’s
-dignified attitude, and of the silver initials worked on the hangings of the box.
-She was contented with herself, with the luxury that she displayed, and contented
-with her company. Eline was so charmingly pretty, just like a little doll; her dress
-of light gray <i lang="fr">étamine</i> was almost striking in its simplicity, while the coquettish little hat enclosed her
-face in a framework of silk. Erlevoort was <span class="pageNum" id="pb161">[<a href="#pb161">161</a>]</span>such a fine-looking fellow, and so <i lang="fr">distingué</i>; Henk looked so comfortable and stout, so well-fed—her husband was really not so
-bad; she might have fared worse. And she nodded to her acquaintances as their carriage
-passed by with her most captivating smile; no, she must not seem proud, though her
-fine bay mares ran never so fast.
-</p>
-<p>“Oh, glorious! the air is getting fresher, I am beginning to revive!” murmured Eline,
-raising herself up, with a deep breath, when they had passed the Promenade. “I feel
-I want some fresh air, after the temperature of this afternoon.”
-</p>
-<p>“Come, child, it was delicious!” declared Betsy. “The sort of weather I should always
-like to have.”
-</p>
-<p>“Well, all I can say is, I should be dead after a month of it. I say, Otto, you are
-laughing; tell me honestly now—do you think it’s affectation, or do you really believe
-that I cannot bear such heat?”
-</p>
-<p>“Of course I believe you, Elly.”
-</p>
-<p>She looked at him with feigned anger, and shook her little head reproachfully.
-</p>
-<p>“Elly again,” she whispered.
-</p>
-<p>“Oh yes; how stupid of me. Well, I do believe I know something!” he whispered back
-delightedly.
-</p>
-<p>“What are you two planning together?” asked Henk, with curiosity.
-</p>
-<p>“Nothing at all; eh, Otto? A little secret between us; hush!” and she held her finger
-to her mouth, enjoying their mystification.
-</p>
-<p>The fact was she did not wish Otto to call her by the familiar diminutive every one
-else gave her. She wanted him to invent one for himself alone, one that was not worn
-and stale, something new and fresh. He did not think it very childish of her, eh?
-And he had exhausted himself trying to think of one, but whatever he said she was
-not satisfied; he had better try again. Well, had he found something at last?
-</p>
-<p>“I am really anxious to know what it is,” she whispered once more, smiling.
-</p>
-<p>“Afterwards,” he whispered back, and then both smiled.
-</p>
-<p>“Look here, until now I have found you less tiresome than most engaged couples, so
-don’t you, too, start these intolerable inanities,” cried Betsy indignantly, but without
-much anger.
-</p>
-<p>“Well; and how about you and Henk then, at one time!” laughed Eline. “Eh, Henk?”
-<span class="pageNum" id="pb162">[<a href="#pb162">162</a>]</span></p>
-<p>“Ah, I should think so!” answered Henk laughing, whilst she, at the thought of her
-sister’s betrothal, now years ago, felt a faint recollection of her feelings in those
-days rise to her mind, like something very far away and strange.
-</p>
-<p>But they had long passed by the villas along the Badhuis road, and by the Galeries
-at the rear of the Kurhaus, and they drew up at the steps of the terrace, by the sea.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The Eekhofs and the Hydrechts were seated at a little table close to the band-stand,
-when Betsy, Eline, Otto, and Henk passed one by one through the turnstile. They never
-saw them, however, and walked on, Otto’s hand resting on Eline’s arm.
-</p>
-<p>“Look, there are the van Raats, and Miss Vere, with Erlevoort!” said young Hydrecht.
-“They are here every evening lately.”
-</p>
-<p>“How ridiculously plain Eline dresses just now!” remarked Léonie. “What is the meaning
-of that, I wonder? Nothing but affectation. And just fancy—a bonnet and veil! Every
-engaged girl thinks she must wear a bonnet and veil. Ridiculous!”
-</p>
-<p>“But they are a nice pair,” said Madame Eekhof. “There are less suitable matches.”
-</p>
-<p>“Anyhow, they walk decently,” said Ange. “Sometimes those engaged couples make themselves
-ridiculous—Marguerite van Laren, for instance, who is always brushing the dust off
-her intended’s coat.”
-</p>
-<p>Betsy meanwhile, bowing and smiling right and left, thought they had better not walk
-about any more, but look for a table somewhere.
-</p>
-<p>Fortunately it was pleasant everywhere; it was even desirable to sit at some distance
-from the band-stand, otherwise the noise would have been too great. So they sat down
-at a little distance, at the side of the Conversatie-zaal, where there were still
-several tables unoccupied, but from where they could see and be seen.
-</p>
-<p>It was a constant interchange of nods and smiles, and Betsy and Eline now and again
-whispered amusedly when they caught sight of some absurd toilette or ridiculous hat.
-Eline herself was very satisfied at the simplicity with which, ever since her engagement,
-she had dressed herself; a simplicity which, elegant though it still was, was in too
-great contrast with her former luxurious toilettes not to be much remarked. That simplicity,
-she thought, brought out her captivating beauty in a sort of plastic relief, and <span class="pageNum" id="pb163">[<a href="#pb163">163</a>]</span>modelled her slender form as though it were a marble statue. In her eyes it veiled
-her former frivolousness as with a film of graceful seriousness, a seriousness which
-to Otto, with his native simplicity, must be most attractive.
-</p>
-<p>She could not help being as she was; she felt it difficult to be nothing but herself;
-but, on the other hand, it was easy for her to imagine herself playing one or another
-part: this time it was that of the somewhat affected but ever-charming and happy <i lang="fr">fiancée</i> of a manly young fellow, one of her own circle, who was liked everywhere for his
-unaffected pleasantness. Yes; she was happy—she felt it, with all the delight of a
-satisfied longing in her heart, which had so long craved for happiness; she was happy
-in the peace and calm which his great, silent love—which she guessed at rather than
-understood—had given her; she was happy in the blue stillness of that limpid lake,
-that Nirvana into which her fantasy-burdened soul had glided as into a bed of down.
-So happy was she, even to her very nerves, which were as loosened chords after their
-long-continued tension, that often she felt a tear of intense gratefulness rise to
-her eye. The stream of people passed by her incessantly, and began to whirl a little
-before her eyes, so that once or twice she did not return their greetings.
-</p>
-<p>“Eline, why don’t you bow? Can’t you see Madame van der Stoor and little Cateau?”
-whispered Betsy reproachingly.
-</p>
-<p>Eline looked round, and gave her friendliest nod, when Vincent Vere and Paul van Raat
-approached them. They remained standing, as there were no vacant chairs to be seen.
-</p>
-<p>“Would you two like to sit down for a moment; that is, if Eline cares to walk?” asked
-Otto, half rising.
-</p>
-<p>Eline thought it was a capital idea, and whilst Vincent and Paul took their seats,
-she and Otto slowly followed the stream of promenaders. They approached the band-stand,
-and the high violin movements in the overture to <i>Lohengrin</i> were swelling out fuller and fuller, like rays of crystal.
-</p>
-<p>A group of attentive music-lovers was ranged about the band in a semi-circle. Otto
-wanted to let Eline pass through the narrow gangway between the rows of chairs and
-the standing group, but she turned round, and whispered—
-</p>
-<p>“Listen for a moment; shall we?”
-</p>
-<p>He nodded his head, and they stood still. How she enjoyed the stately swell of melody.
-It seemed to her as though it were not <span class="pageNum" id="pb164">[<a href="#pb164">164</a>]</span>notes of music, but the blue waters of her lake that flowed by, limpid and clear as
-the stream along whose bosom Lohengrin’s bark had glided, and she beheld the swans,
-stately and beautiful.
-</p>
-<p>At the loud <i lang="it">fortissimo</i> she took a deep breath, and while the brittle threads of harmony brought forth by
-the violins spun themselves out, thinner and thinner in texture, the swans, stately
-and beautiful, also floated away.
-</p>
-<p>The applause resounded on all sides; the semi-circle broke.
-</p>
-<p>“Beautiful—oh, how beautiful!” murmured Eline as in a dream. And delightedly she felt
-Otto’s hand searching for her arm; life was sweet indeed!
-</p>
-<p>“Don’t you think it foolish? I always feel myself so—so much better than at other
-times, when I hear beautiful music; it is then that I get a feeling as though I am
-not <i>quite</i> unworthy of you,” she lisped at his ear, so that none overheard her. “Perhaps it
-is childish, but I really cannot help it.”
-</p>
-<p>She looked at him smiling, but almost anxiously, in suspense at what he would answer.
-She often felt some fear at what he might think of her, as though by one thoughtless
-word she might lose him; for she did not yet understand how and why he loved her.
-</p>
-<p>“Oh, don’t for heaven’s sake place me on such a lofty pedestal,” he answered kindly.
-“I feel myself so very commonplace, so little raised above others; you must not put
-yourself so far beneath me. You not quite unworthy of me! What puts <i>that</i> idea into your head? Little silly! Shall I tell you something? I really don’t think
-that you know yourself.”
-</p>
-<p>Could he be right? she wondered; did she not know herself? A glad surprise filled
-her; she thought she knew herself so well. Maybe there was yet something in her soul
-of which she knew nothing, something perhaps from which her love for him flowed? Was
-it left for him to disclose to her her own inward nature?
-</p>
-<p>“Oh, Otto——” she began.
-</p>
-<p>“What?” he asked softly.
-</p>
-<p>“Nothing. I like you so much when you say anything about yourself and me,” she murmured,
-full of a blissful feeling to which she could give no utterance. His hand gently pressed
-her arm, and a tremor passed through her, as they walked on amid the laughing, pushing
-throng between the tables, stared at by all who knew them.
-<span class="pageNum" id="pb165">[<a href="#pb165">165</a>]</span></p>
-<p>“Look at Erlevoort and Eline there, walking blissfully side by side, <i lang="fr">perdus dans le même rêve</i>. They don’t see us again!” cried Léonie, almost regretfully, as she passed by them
-with Hydrecht.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Eline and Otto all at once heard their names softly mentioned. They looked round and
-saw Madame Verstraeten with Marie, Lili, and Frédérique seated at a little table.
-Georges de Woude had already risen and nodded to them, smiling. They came nearer and
-shook hands.
-</p>
-<p>“Hallo, Freddie!” said Otto, surprised.
-</p>
-<p>“Madame Verstraeten was kind enough to ask me to come,” she answered, by way of explanation.
-“Otto, we have just received a letter from the Horze: they are all quite well, and
-they want to be remembered to you. To you too, Eline.”
-</p>
-<p>“Thanks, very much!” replied Eline cordially, while for a moment she sat down in Georges’
-chair beside Madame Verstraeten. Marie had turned very pale, but it was not noticeable
-under her white veil.
-</p>
-<p>“Théodore writes that Suzanne and van Stralenburg, with the baby, are coming to stay
-with them next week, and mamma is all excitement about it.”
-</p>
-<p>“What, was mamma going to the Horze? And Howard is coming here?”
-</p>
-<p>“Yes; that’s just the dilemma.”
-</p>
-<p>“Dear old Madame Erlevoort!” said Madame Verstraeten.
-</p>
-<p>“Percy wrote he was coming towards the latter part of July. Well, van Stralenburg
-cannot stay longer than the twentieth, writes Théodore. So you can understand”—and
-she forced herself to look kindly at Eline—“you can understand how mamma feels about
-it. To journey to Zwolle, that she will not be able to manage; and to leave the Hague
-before the twentieth, while Howard and Cathérine are coming—that of course she cannot
-do.”
-</p>
-<p>“But Howard is also going to the Horze later on, is he not?” asked Otto.
-</p>
-<p>“Yes; but he will want to stay a little in the Hague first, and take advantage of
-Scheveningen,” answered Frédérique. “Mamma is thinking of all sorts of plans; she
-would be in despair if she did not see her new grandchild this summer, you can understand
-that.”
-</p>
-<p>“Well, then, I shall prevail on mamma to go to Zwolle with me, <span class="pageNum" id="pb166">[<a href="#pb166">166</a>]</span>one of these days; that will be the best way out of it<span class="corr" id="xd31e3155" title="Source: .">,</span>” answered Otto. “The journey to the Horze is still more troublesome.”
-</p>
-<p>“You might try,” said Frédérique. “That would certainly solve the problem.”
-</p>
-<p>Meanwhile Lili told Madame Verstraeten that she would take a walk round with de Woude,
-and the old lady asked Otto to sit down for a moment until they returned.
-</p>
-<p>“How pretty Eline is, is she not, de Woude?” asked Lili. Since she had been skating
-with him she allowed him to call her by her name, and she called him simply de Woude.
-“I can’t help remarking it whenever I see her.”
-</p>
-<p>“Yes; she looks very nice,” answered Georges indifferently.
-</p>
-<p>“No; I think she is downright pretty,” persisted Lili. “How is it possible that you
-don’t think her pretty? What a curious taste you have, to be sure!”
-</p>
-<p>He laughed gaily, in the enjoyment of a secret thought.
-</p>
-<p>“I can’t help it—can I?—if she leaves me entirely indifferent; I have another ideal
-of beauty. But if you absolutely want me to think her pretty, why then I’ll take another
-look.”
-</p>
-<p>“Oh no, no; I don’t care a bit,” she answered, also laughing; “only all the gentlemen
-think her pretty, that’s why I can’t understand that you don’t. And I can’t make out
-either why Frédérique does not like her. If I were a man, I should fall madly in love
-with her.”
-</p>
-<p>“And fight a duel with Erlevoort, I suppose.”
-</p>
-<p>The first part of the programme was at an end, and the throng of promenaders grew
-denser. Georges and Lili found themselves hemmed in on all sides, and they could proceed
-no farther.
-</p>
-<p>“’Tis awful,” said Lili. “I don’t see any pleasure in it when there are so many.”
-</p>
-<p>“Shall we make our way to the sands?” he asked softly.
-</p>
-<p>“If we can,” said Lili, glad at the idea. “Mamma will not mind, I suppose?”
-</p>
-<p>“Oh, of course not, under my care,” he said reassuringly, and with evident pride.
-</p>
-<p>They quickly passed through the turnstile. With a feeling of relief they descended
-the steps of the terrace, crossed over the road, and hastened down the broad flight
-of steps that led to the sands. Here and there a Scheveninger was strolling along
-with a <span class="pageNum" id="pb167">[<a href="#pb167">167</a>]</span>slow, measured, heavy step, keeping time with the swaying of his companion’s thick
-mass of petticoats.
-</p>
-<p>And straight in front of the Kurhaus, bathed in the yellow glow of the gas-light,
-the waves were washing with refreshingly cool sound.
-</p>
-<p>“Ah!” cried Lili, “how much nicer it is here!”
-</p>
-<p>The sea, calm and unruffled, was flowing on in tints of green, azure, and violet,
-here and there capped with glistening white foam all along the beach. In the sky above
-myriads of stars sparkled, and the Milky Way seemed like a cloth of pearls in the
-midst of the mysterious infinity of faint blue. From out of the sea there seemed to
-rise an indefinable murmur, like that produced by a gigantic sea-shell.
-</p>
-<p>“How beautiful and quiet it is here, after the noise yonder; it’s quite entrancing!”
-murmured Lili in ecstasy.
-</p>
-<p>“Yes,” answered Georges.
-</p>
-<p>She nearly stumbled over something; thereupon he asked her to take his arm, and she
-did so. It seemed to him as though he had very much to say to her, and as though he
-would never be able to express himself without appearing ridiculous. She too felt
-a delicious longing to open her mind, to speak about the sea and sky which seemed
-to her so beautiful; but she felt a little ashamed at the poesy that was in her heart,
-which contrasted too drolly with the prosy commonplace circles in which they generally
-moved. She feared to appear affected, and she said nothing. They both kept silent
-as they slowly walked along, with the roar of the sea in their ears, and with a soft
-soothing feeling in their hearts that seemed to them more expressive than words.
-</p>
-<p>They went slowly on, wrapt in their solitude, with the calm of the sea before them.
-And he felt that he must say something.
-</p>
-<p>“I could go on walking like that with you for ever,” said he, and his bantering tone
-somewhat concealed the meaning of his words.
-</p>
-<p>She laughed; it was only fun after all.
-</p>
-<p>“Then perhaps I might get tired.”
-</p>
-<p>“Then I should carry you.”
-</p>
-<p>“You couldn’t; my weight would crush you.”
-</p>
-<p>“Do you think so little of my strength then? Come, I’ll just show you.”
-</p>
-<p>“But, Georges, how dare you? I shall end by getting angry with you, at least if you
-don’t beg my pardon at once.”
-<span class="pageNum" id="pb168">[<a href="#pb168">168</a>]</span></p>
-<p>“How shall I set about that?” he asked, with mock humility.
-</p>
-<p>She let him spin out a long rigmarole—
-</p>
-<p>“I, Georges de Woude van Bergh, humbly apologize to —— for having—” and he repeated
-every word, while their echo vibrated pleasingly upon her ear.
-</p>
-<p>For she was not quite so angry as she wanted to appear. It seemed to her as though
-their walk would never end, as if they would continue strolling along that light surging
-strand until they should come within sight of a fresh horizon.
-</p>
-<p>“Come, we must return,” she said suddenly; “we are going too far.”
-</p>
-<p>They turned back, and were quite frightened when they saw how far away the Kurhaus
-lay, bathed in a ruddy glow of light; but to her that alarm suddenly melted into a
-tenderness, a soft indifference; what cared she for the others over there? they were
-together by the sea.
-</p>
-<p>“Lili, really we must hurry,” said he laughing, somewhat confused. “Your mother will
-wonder where we have got to.”
-</p>
-<p>This time she felt quite hurt at his hurrying; he could not be sensible, then, of
-that tender indifference; he did not feel as she did, that they were together by the
-sea, and that all the rest was nothing, nothing!
-</p>
-<p>“I really cannot trudge at such a pace through the sand,” she said, a little vexed,
-and she clung closer to his arm. But he was inexorable; she had better lean on his
-support if she could not get along fast enough. He certainly could be surprisingly
-obstinate under the veil of his gentle affability.
-</p>
-<p>“But, Georges, I cannot really, I am tired out!” she panted peevishly, although the
-would-be anger in her voice melted away in a coaxing tone. He, however, laughingly
-rushed up the broad steps, nearly dragging her after him, with her arm clasped fast
-in his own, and really she could not help laughing. It was very funny, certainly,
-rushing along in that way in the darkness.
-</p>
-<p>Somewhat more slowly they ascended the little steps leading to the terrace, and while
-Georges was searching for the enclosure tickets, Lili shook the sand from her dress.
-</p>
-<p>The second part of the programme had commenced, and the band was blaring out the metallic
-fanfares of the march in the <i lang="fr">Reine de Saba</i>; a few promenaders were still about, but there was no longer a crowd. They hurried
-with apparent indifference, although <span class="pageNum" id="pb169">[<a href="#pb169">169</a>]</span>Lili’s cheeks were red as fire, to their little table. Madame Verstraeten was seated
-alone with Marie and Frédérique; Otto and Eline were gone.
-</p>
-<p>“Good gracious, where have you two been hiding?” cried Marie, while Georges and Lili
-sat down on the chairs, across which a cloak had been thrown to reserve them. “I have
-been walking with Paul, and Eline and Otto could not really keep your seats for you
-any longer.”
-</p>
-<p>“We made almost superhuman efforts to reserve them, did we not, madam?” added Frédérique.
-</p>
-<p>“But where have you been, then?” asked Madame Verstraeten wonderingly. “In the Conversazione
-Room, looking at the dancing?”
-</p>
-<p>Georges told them of their walk by the sea, and Lili inwardly admired him for the
-tact with which he replied to her mother’s questioning.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Henk and Vincent were seated by themselves at a table near the Conversazione Room,
-while Betsy and young Hydrecht were strolling about in a somewhat too boisterous flirtation,
-and Eline and Otto had sat down for a moment next to Madame Eekhof, whom they had
-passed by four times without any greeting, as Ange declared.
-</p>
-<p>“I was nearly dead with this terrible heat to-day,” muttered Vincent.
-</p>
-<p>“Yes; Eline can’t bear it either,” answered Henk, emptying his glass of Pilsener.
-</p>
-<p>Vincent drank nothing; he felt rather giddy at the incessant surging round and round
-of all these people. He rarely went to Scheveningen; in the morning the heat was unbearable
-on the scorching sand, and at night it tired him too much. Once or twice he went,
-just for the sake of saying he had been.
-</p>
-<p>A question to Henk was on his lips, one which he scarcely dared to put—a request for
-money. The second time that Henk had advanced him money, he had not done so with his
-usual brusque bonhomie. Vere’s eternal impecuniosity was beginning to tire him—it
-was always the same tune! This had not escaped Vincent; but still he could not help
-it, and he began with an introduction, with an assumed lightness of manner.
-</p>
-<p>“I think I shall be able to repay you part of my debt this week, <span class="pageNum" id="pb170">[<a href="#pb170">170</a>]</span>van Raat. I am expecting money. Only for the moment I am awfully short. If I had not
-taken advantage of your kindness so often already, I would ask your assistance once
-more; but I am afraid I’m getting indiscreet now. I shall see and get along just for
-this week.”
-</p>
-<p>Henk did not answer. With his stick he sat slowly beating time to the music.
-</p>
-<p>“It’s a nuisance that I did not come to an arrangement with that quinine affair,”
-resumed Vincent. “But you see I have just received a letter from a friend in America;
-he is rich and is well connected, and will get me an introduction to a business house
-in New York. But for the moment, you know—I say, van Raat, you would be rendering
-me an immense service—lend me another fifty florins.”
-</p>
-<p>Henk turned round to face Vincent, with a passionate movement.
-</p>
-<p>“Look here, Vere, is there never going to be an end of that bother? I must frankly
-admit that it is beginning to sicken me. One day ’tis fifteen hundred florins, then
-a hundred, then fifty. What—what in Heaven’s name are you waiting for then? What is
-it you intend to do? why do you laze about so, if you haven’t a cent in the world?
-why don’t you try and get something to do? I can’t keep you, can I?”
-</p>
-<p>Vincent had felt a vague presentiment of a coming storm, and let the curt disjointed
-sentences which Henk in his clumsy passion grunted out, pass over him without contradiction.
-But his silence made Henk feel almost embarrassed, and the sound of his own voice
-reverberated roughly in his ears. Still he proceeded—
-</p>
-<p>“Then again you talk a lot of nonsense about money from Brussels—or from Malaga; another
-time it is to come from New York. When is it coming, I should like to know? You understand,
-it won’t ruin me if you don’t pay me what you owe me, neither shall I ever trouble
-you about it; but taken altogether it’s now not far short of two thousand florins,
-and I am getting sick of it. Don’t in Heaven’s name keep loafing about in the Hague
-here; look for something to do.”
-</p>
-<p>Henk’s passionate tone was already giving way to a kindlier one, but Vincent remained
-silent, his eyes fixed on the points of his boots, which he was gently tapping with
-his stick, and Henk was at a loss what to say next. And it was a relief to him when
-Vincent at length lifted up his head and whispered—
-<span class="pageNum" id="pb171">[<a href="#pb171">171</a>]</span></p>
-<p>“It’s quite true—you are right—but it’s not my fault—circumstances. Anyhow I shall
-see what I can do—excuse my troubling you.”
-</p>
-<p>He slowly rose from his seat, while Henk, whom that placid resignation greatly embarrassed,
-sought in vain for some appropriate phrase.
-</p>
-<p>“Well, good-night, <i lang="fr">au revoir</i>!” Vincent said with a faint smile, and he nodded to Henk without offering him his
-hand. “Good-night; I must be off.”
-</p>
-<p>Henk wanted to give him his hand, but Vincent had already turned his back on him,
-and Henk saw him slowly picking out his way through the throng, now and then raising
-his hat with a languid movement.
-</p>
-<p>Very dissatisfied with himself, Henk remained seated alone at his table. After a while,
-however, Eline and Otto returned and laughingly expressed their sympathy for his loneliness.
-Betsy too was soon after brought back by Hydrecht, whose hand she cordially pressed.
-It was late; many people had already left before the last number, and now that the
-concert was at an end, the crowds slowly moved away through the Kurhaus. Gradually
-the noise of the music and laughter-laden atmosphere subsided into a restful calm,
-whilst here and there the gas-lamps were already being extinguished, and only a stray
-group or two were still sitting down, enjoying the balmy air, which was growing fresher
-and purer at every moment.
-</p>
-<p>“It’s glorious here; shall we sit a little longer?” asked Betsy.
-</p>
-<p>“Let us rather have a drive round,” said Eline; “at least unless you think it will
-be getting too late, and the horses are not tired, Henk.”
-</p>
-<p>Betsy thought Eline rather eccentric to want to drive so late at night, but still
-the idea pleased her. And they walked to the rear of the Kurhaus, where the carriage
-was waiting.
-</p>
-<p>Eline thought the wind had risen, and preferred to sit forward under the half-closed
-hood, next to Otto. Betsy told Dirk to drive home through the Van Stolkpark.
-</p>
-<p>The outlines of the villas looked dim and shadowy between the vague, dark masses of
-foliage, through which now and then a gentle gust of wind rustled with a lulling sound.
-But the clatter of the horses and the light rumbling of the wheels along the road
-<span class="pageNum" id="pb172">[<a href="#pb172">172</a>]</span>drowned the sighing of the wind with a noise that remained unbroken by words.
-</p>
-<p>Betsy lay back comfortably, and enjoyed the cool night air. Henk was still under the
-uncomfortable influence of his conversation with Vincent, whom he thought he had hurt,
-and Eline let her thoughts wander away in a delicious reverie. She had removed her
-hat, and she bent a little towards Otto, and listened to his regular breathing. He,
-effectually hidden in the shadow of the raised hood, had his arm round her waist,
-and had drawn her a little towards him, so that her cheek nearly lay on his shoulder.
-And she was very happy, she wished nothing more than thus, in his arm, to be driven
-along in the evening breeze, beneath the gently rustling foliage. She could conceive
-of nothing sweeter, than thus to lean against him, to feel the passage of his breath
-through her hair, and his arm about her waist like a girdle of love.
-</p>
-<p>And yielding to the delicious influences of the moment, she let her head fall on his
-shoulder.
-</p>
-<p>“What name have you thought of for me?” she whispered in his ear.
-</p>
-<p>“Nily,” he whispered back, and whilst she felt his arm clasp her waist more closely,
-her lips inaudibly repeated the name, the echo of which resounded through her being
-like a caress of jubilant love.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Mathilde van Ryssel had taken a tent by the sea, and told Jeanne Ferelyn to come and
-sit there with her children as often as she chose. At first, out of diffidence, Jeanne
-had only occasionally availed herself of the invitation; but Mathilde was pressing,
-and Jeanne now came very frequently. Sometimes they both arranged that they should
-start in the morning early, and take some sandwiches—the children could get plenty
-of milk to drink at the milk stall; and so they would sit down, both of them under
-the awning of the tent, chatting over their work, whilst their children were delving
-with their little spades in a big sand-pit in front of them, or were busy along the
-beach, constructing the most wonderful aqueducts. And Jeanne fancied that her children
-were getting more robust and less peevish, now that they were in company with the
-noisy, playful little van Ryssels, and she and Mathilde gazed delightedly at the boisterous
-little band. Jeanne especially felt the influence of that frequent intercourse with
-Mathilde, in whom she had found a friend who understood her troubles, and who, with
-her <span class="pageNum" id="pb173">[<a href="#pb173">173</a>]</span>sad experience and placid resignation, was ever ready to advise and aid her. They
-spoke frequently about their children and their domestic affairs, and Jeanne thought
-Mathilde, used though she was to the cosiest of surroundings, exceedingly practical
-and frugal.
-</p>
-<p>But those pleasant days by the sunny seaside did not last long, for the Ferelyns had
-to leave. They were going to Boppard, where Frans was to undergo the cold-water cure,
-and Jeanne racked her brains trying to calculate the probable expenses of the trip.
-How could they afford to stay at Boppard perhaps for six weeks, with their three children,
-while at the same time they could not give up their rooms in the Hugo de Grootstraat?
-</p>
-<p>Madame van Erlevoort, with Otto and Eline, who wanted to make the acquaintance of
-her <i>fiancé’s</i> relatives, had been to Zwolle for a day or two, and the old lady was in raptures
-about the little van Stralenburg, a baby plump and firm as any she had seen, with
-such a head of curly dark hair. She was grateful to Otto for having pressed her to
-make the journey to Zwolle; to the Horze she went every summer, and the trip to her
-country seat was such an ordinary occurrence that she saw no inconvenience in it at
-all; but any other removal from her home circle pained her, as though she were tearing
-herself away from her dear ones for ever. It was a luxury to her to be back once more
-in her roomy house on the Voorhout, with its somewhat faded, old-fashioned furniture,
-but full of comfort and ease. Eline thought the van Stralenburgs most charming people:
-Suzanne, a darling little mother, not pretty, at times rather careless in her dress,
-but so unaffected and genial, so mad with her little boy, that it was a treat to behold
-her; her husband, a good-natured, kindly fellow, but thoroughly spoilt by his wife,
-who was constantly at his beck and call, and who ran up and down the stairs for him,
-in a way that made Eline sometimes roar with laughter. No, she would never be like
-that to Otto; he had better be sure of that. But although she thus spoke laughingly
-to Otto, at the bottom of her heart she felt it would be bliss indeed thus to devote
-oneself entirely to one’s husband, as Suzanne devoted herself to van Stralenburg;
-to exist but for him and be his faithful slave.
-</p>
-<p>And then a charming picture of home life with Otto, of the life that would be hers,
-would arise to her imagination, ever active, and ever in want of vivid imagery, which
-even in the happiness of <span class="pageNum" id="pb174">[<a href="#pb174">174</a>]</span>to-day could not refrain from calling into being a yet happier future.
-</p>
-<p>In this mood, which filled her soul with idylls, she saw in everything but a reflection
-of that happiness, and the people with whom she mingled all seemed to her genial and
-kindly, never giving themselves up to bitter quarrelling, and living for each other,
-without a semblance of egotism. Scenes with Betsy appeared never destined to recur,
-now that she answered her sister’s sharp tone in a voice full of gentleness, as though
-she was loth to desecrate her happiness by a single discordant sound. A great calm
-came over her nerves, and she herself could not refrain from wondering at her equable,
-cheerful good-humour, quite undisturbed by the usual periodic attacks of listless
-melancholy. No gray and black mists surrounded her; it was as though she breathed
-a light atmosphere, full of brilliancy, fragrance, and sparkle.
-</p>
-<p>For a day or two after his talk with Vincent, Henk felt very ill at ease. In his native
-kindliness he did not like to hurt any one’s feelings, and he thought he <i>had</i> wounded Vere’s pride. After all, the poor devil could not help it, that everything
-he undertook failed. So Henk had called on Vincent, and four times he wanted to put
-the sum he had asked of him in his hands; but Vincent refused to accept it, and instead,
-in fact, had repaid Henk a considerable portion of what he owed him. How he had managed
-to procure the money remained a puzzle to Henk, as everything else about Vincent was
-a puzzle to him. At home, Betsy reproached her husband with his want of tact in dealing
-with Vere, and she, in her vague fear of that cousin, in whom she suspected a latent
-power, which could at will crush her with all her strength of mind, resolved at any
-price to make him forget her husband’s brusquerie. Théodore had invited Eline to come
-and stay at the Horze, and she was to go there towards the end of July together with
-the Erlevoorts and the Howards, who were just now in the Hague, and remain in Gelderland
-all through August. It would therefore, so Betsy thought, be lonely in her big house
-on the Nassauplein; the idea of going out of town with Henk did not much fascinate
-her; she would rather make a trip to the South at the commencement of the winter,
-when Eline should be married; and it was therefore as much from a longing after change,
-as from diplomatic cordiality, that she invited Vincent to pitch his tent with them
-during Eline’s absence. She made her request with the most <span class="pageNum" id="pb175">[<a href="#pb175">175</a>]</span>charming manner possible. She would miss Eline so terribly, she would be so lonely,
-and Vincent could be so sociable, and chat so pleasantly about his wanderings; so
-he must not refuse, he would be doing her an immense favour. Vincent was overjoyed
-at the request, opening to him as it did a prospect of peace and placid luxury. He
-would lead a life of luxury without having to spend a cent, a month long! and a month
-of rest seemed to him, in his wretched hand-to-mouth existence, a period of bliss
-without end, an eternity of happiness. He therefore accepted Betsy’s invitation with
-a secret gladness, outwardly however with a certain condescension, as though wanting
-to show that he still felt hurt at Henk’s refusal, and as though he were happy to
-give Betsy an opportunity to make up for van Raat’s unfriendliness.
-</p>
-</div>
-</div>
-<div id="ch18" class="div1 chapter"><span class="pageNum">[<a href="#ch18.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XVIII.</h2>
-</div>
-<div class="divBody">
-<p class="first">Lili was cross, very cross, her lips trembled, and the tears nearly stood in her eyes.
-</p>
-<p>“I really don’t see why he cannot be asked,” she answered Marie pettishly. “He is
-a regular visitor here.”
-</p>
-<p>“But, Lili, how can you be so foolish? Mamma asked him once or twice this winter,
-and surely we are not quite so intimate with him that we should invite him to accompany
-us into the country. When you begin to ask strangers, there is always a sort of constraint.”
-</p>
-<p>“But he is very sociable.”
-</p>
-<p>“That’s true. He improves on further acquaintance, I must admit; but still we don’t
-know him as we do Paul and Etienne.”
-</p>
-<p>“Oh, they are nice boys! They do nothing all day long but lounge about from the Witte
-to Linke, and from the Bordelaise to the Bodega, and always with that wretched Vere.
-We don’t see them at all just now; Paul occasionally condescends to call, and Etienne
-has now become quite a myth. Ask Vere, if you like,” she concluded pettishly; “then
-you will have the trio complete.”
-</p>
-<p>Marie shrugged her shoulders.
-<span class="pageNum" id="pb176">[<a href="#pb176">176</a>]</span></p>
-<p>“Now don’t be angry with me, Lili, because mamma won’t ask de Woude. ’Tis not my fault,”
-she answered softly.
-</p>
-<p>“Oh no, not at all! But ’tis always so when I—when I have an idea. It’s always pooh-pooh’d.
-I won’t bother about it any more. I don’t care a rap for the whole party.”
-</p>
-<p>She left the room, with difficulty repressing her tears, while Marie took up her book
-with a sigh.
-</p>
-<p>Madame Verstraeten had gone to sit down beside her husband in the conservatory. She
-had overheard something of Lili’s short passionate sentences, and a thought filled
-her that brought a reflection of hesitation over her kindly face.
-</p>
-<p>“What troubles you?” asked the old gentleman.
-</p>
-<p>“Oh! it is about de Woude,” whispered Madame Verstraeten hesitatingly, so as not to
-be understood by Marie. “Lili wants me to ask him for the party, but——”
-</p>
-<p>“Well, why not? I don’t dislike de Woude, although he is rather foppish. He can be
-jolly enough with the girls——”
-</p>
-<p>“But, Charles, really we must not encourage that. When I see him I am always as polite
-as possible to him, but there’s no occasion for us to encourage him, is there? of
-what use can that be? Lili is almost a child yet, and gets her head full of fancies;
-but what—what can come of this now?”
-</p>
-<p>“But why must you all at once think they want to marry? For the present it is only
-a question of inviting him.”
-</p>
-<p>“Yes, yes, I know; but you never see them when they are together, as I do. I wish
-you would come to Scheveningen once or twice.”
-</p>
-<p>“No, thanks; I’m much obliged to you.”
-</p>
-<p>“Then you would see for yourself. You can’t get him away from our table. He is discreet
-enough not always to accept when I ask him to come and have an ice; but he stays till
-we go, and scarcely says a word to any of his acquaintances. With Marie he’ll just
-take a little walk, <i lang="fr">pour acquit de conscience</i>, and after that ’tis Lili here, and Lili everywhere. So you understand I don’t see
-much good in it.”
-</p>
-<p>“Do you think then that Lili——?”
-</p>
-<p>“Of course, without question! Everybody talks about it too, and they know it; but
-they don’t care, bless you! I don’t know—I really don’t—what will come of it all,”
-said the old lady, and once more that hesitating shadow stole over her face.
-<span class="pageNum" id="pb177">[<a href="#pb177">177</a>]</span></p>
-<p>Mr. Verstraeten sat for a moment in contemplation: then he whispered something to
-his wife, and for a long time they talked together in an undertone.
-</p>
-<p>Marie however could not get along with her reading, so she went up-stairs to Lili.
-She found her sobbing, with her little head buried in the pillows.
-</p>
-<p>“Lili!” she cried softly.
-</p>
-<p>Lili started when she heard Marie’s voice.
-</p>
-<p>“Oh, leave me alone, do!” she cried impatiently.
-</p>
-<p>But Marie took her hands and forced her to look up.
-</p>
-<p>“Lili, how can you be so foolish?” she said, in her gently penetrating tones. “You
-are making yourself miserable about nothing. In this way we won’t be able to get along
-at all together, if you sit and brood like that at every word that is said. Lili,
-come now.”
-</p>
-<p>“Oh, do let me alone!”
-</p>
-<p>“Do you think it so nice, then, to make yourself unhappy, and lie here alone, crying?
-Why don’t you speak to me frankly? Isn’t it much better to trust one another, and
-be open and straightforward?”
-</p>
-<p>How gladly would she herself have spoken, and unbosomed herself to Lili or to her
-mother! But no, she could not, there were some feelings that were best hidden.
-</p>
-<p>Lili raised herself a little, and from her tear-stained face she brushed away the
-dishevelled hair with her hands.
-</p>
-<p>“What would you have me say, then? You know all. There is nothing that Georges can
-do finds any more favour in mamma’s eyes.”
-</p>
-<p>“Come, you exaggerate. Both papa and mamma like him very much.”
-</p>
-<p>“Oh yes; I know. But if it comes to showing him a little courtesy—And you too——”
-</p>
-<p>“What then?”
-</p>
-<p>“Didn’t you say he was a stranger, who could not be asked?”
-</p>
-<p>“If I had known that that would have caused you pain, I should have said something
-else. Only I can’t bear to see you agitating yourself about nothing, Lili. Why, you
-carry on as though your life were for ever ruined, and all that because mamma thinks
-it better not to ask de Woude.”
-</p>
-<p>“Well, it isn’t very pleasant for me. I have—I have already spoken to him about the
-picnic, and—of course he expects to be invited.”
-<span class="pageNum" id="pb178">[<a href="#pb178">178</a>]</span></p>
-<p>“But why are you so hasty, then? ’Tisn’t very nice for mamma either, when people begin
-to talk about you two. Only yesterday Madame Eekhof asked——”
-</p>
-<p>“What do we care about Madame Eekhof, if we like each other? If you were to trouble
-yourself about everybody——”
-</p>
-<p>An almost mocking smile formed about Marie’s mouth.
-</p>
-<p>“Yes, Lili,” she answered with an underlying sadness, which however was lost upon
-Lili, who heard only the laughing banter of her tone, “it’s very terrible! You care
-for Georges, and Georges cares for you, and all the world is against you—mamma, and
-Madame Eekhof, and everybody, eh? ’Tis sad, very sad, isn’t it? And I can quite understand
-how little hope you have that it will ever be otherwise! How sad, how unfortunate
-it is, to be sure!”
-</p>
-<p>“Oh, Marie! how can you talk like that when you know—when you know it pains me?”
-</p>
-<p>“Yes; I am cruel, eh?” Marie resumed, but her smile grew gentler. “Come, Lili, do
-cease crying now, and give me a kiss; forgive me for what I said. Shall I have another
-try, and see if I can induce mamma to change her mind?”
-</p>
-<p>“Oh, <i>do</i>, there’s a good soul! Mamma will consent if <i>you</i> ask her.”
-</p>
-<p>“Yes; no one refuses <i>me</i>, eh? With me all goes smoothly. ’Tis only against you that everybody’s hand is raised.
-Poor, poor child!”
-</p>
-<p>Lili laughed between her tears as she looked at Marie.
-</p>
-<p>“Marie, how droll you are when you sermonize like that! It makes me laugh, really.”
-</p>
-<p>“All right, sissy, <i>you</i> laugh away; let us laugh as long as we may. Well, good-bye; put your hair straight
-a little; I am going to mamma.”
-</p>
-<p>She nodded to Lili and left the room, envying her sister who could freely express
-what she felt, and as she was going down the stairs she smiled a little sad smile
-when she thought of Lili’s grief and despair about Georges. Her sister seemed to her
-as a child crying for its toys; she could already see Lili’s little face, now so bitterly
-sorrowful, beam with gladness, as it would do when she, Marie, should return to her
-in half an hour.
-</p>
-<p>Happy Lili! that she might weep so freely—that she might exclaim with such exultation—“What
-do we care for Madame Eekhof, if we like each other?”
-<span class="pageNum" id="pb179">[<a href="#pb179">179</a>]</span></p>
-<p>They were bound for a farm-house, kept by a farmer with whom the Verstraetens were
-well acquainted. The road taken lay along the Loosduinschen Weg, and the passengers
-by the brake felt far from comfortable in the sweltering rays of the mid-day sun,
-which poured its fierce rays mercilessly down upon their heads. Madame Verstraeten
-and Mathilde sat on a back seat, with Nico between them; Marie, Lili and Frédérique,
-Paul, Etienne and Georges were their <i>vis-à-vis</i>, the front bench being occupied by Tine and Lientje, and the little cousins Verstraeten;
-Johan and little Cateau van der Stoor sat on the box. It would be a cosy little party,
-entirely among themselves, without the presence of strangers, who would only have
-interfered with their freedom. Marie was taking handfuls of cherries from a big basket
-and distributing them all round, and Etienne, between his mouthfuls, was relating
-how Marguerite van Laren had declared that a brake was a plebeian conveyance.
-</p>
-<p>“When the van Larens go to a picnic they always go in court carriages, I suppose,
-with powdered footmen!” said Georges.
-</p>
-<p>“In <i lang="fr">toilettes à la Watteau</i>, and leading little lambs attached to pink ribbons,” added Lili, and they smiled
-at each other.
-</p>
-<p>Every one laughed, and they felt in a very good humour, the girls in their simple
-cotton frocks, the young men in their light summer suits and straw hats.
-</p>
-<p>“Cateau, will you have some cherries?” asked Marie, and a handful went across to Cateau.
-“There you are, divide with Jan.”
-</p>
-<p>“Oh, I shall get my share,” cried Jan, in his loud voice. “Toos, shall I show you
-a little trick?”
-</p>
-<p>“What sort of trick?” asked Toos.
-</p>
-<p>“Look, you see those two cherries, don’t you? Now then, put that one in your mouth;
-that’s right.”
-</p>
-<p>“Well, and what then?” asked Toos, doing as she was asked.
-</p>
-<p>“Then I shall take the other, do you see? There!” continued the rascal, and opened
-his mouth for the second cherry with a smacking kiss on Cateau’s lips.
-</p>
-<p>“I say, Jan!” said Madame Verstraeten indignantly.
-</p>
-<p>“That Cateau! what a stupid girl!” cried Freddie laughing.
-</p>
-<p>“I didn’t know what he was going to do,” declared Cateau; “that wretched boy!”
-</p>
-<p>“Come, Toos, nonsense, you knew all about it!” teased Paul.
-</p>
-<p>Cateau was in despair because Paul refused to believe her.
-<span class="pageNum" id="pb180">[<a href="#pb180">180</a>]</span></p>
-<p>And the brake rattled on along meadows full of fat grazing cattle, their hides of
-black and white glossy as satin, while the willows along the edges of the ditches
-waved their fans of silver-gray foliage from the summits of their gnarled stems.
-</p>
-<p>“I think a willow is such a melancholy tree, don’t you, Georges?” asked Lili.
-</p>
-<p>“Oh, Lili is getting poetic!” cried Etienne. “Come, Lili, an ode to the willow.”
-</p>
-<p>“It seems I can’t say a thing but you must all laugh at me,” answered Lili pouting.
-“I must be very ridiculous?”
-</p>
-<p>And they continued to tease her, whilst the cherries rained thick and fast in everybody’s
-lap, amid general laughter. The road grew hilly, whilst in the distance the duny heights
-arose. Here and there was a villa, hidden amid the foliage, or a farm-house, with
-fields of turnips and cauliflowers, and rows of climbing beans, or a little garden
-full of sunflowers, geraniums, and tuberoses. A washerwoman busily wringing clothes
-by the side of a ditch raised herself up and smiled, and two peasant children ran
-behind the carriage to catch the cherries which Jan and Cateau threw to them.
-</p>
-<p>The road undulated between yellow fields of oats and flax, bespeckled with the blue
-and red of corn-flowers and wild peas, until at length the farm-house was reached.
-The farmer’s wife appeared at the gate with a kindly smile, and from all sides they
-sprang from the brake, while Madame Verstraeten and Mathilde lifted down an array
-of boxes, baskets, and hampers. The driver got down from the box and led his steaming
-horses to the stable. Jan Verstraeten, little Cateau, and the young van Ryssels soon
-took possession of the two swings. Jan had promised Madame van Ryssel that he would
-be careful, and Cateau would look after Nico.
-</p>
-<p>“They are just like a married couple with their offspring!” laughed Marie, as she
-followed them with her eyes.
-</p>
-<p>“I’ll drive them all away from the swing in a moment; I want to swing as well,” cried
-Etienne noisily, intoxicated with the sun and the fresh air. “Lili, will you have
-a swing with me presently?—at least, if de Woude does not mind,” he whispered, with
-longing eyes.
-</p>
-<p>“De Woude has nothing to say about me. But I don’t care for swinging, it gives me
-a headache, thanks.”
-</p>
-<p>“I am madly fond of it, Eetje,” cried Marie; “I shall be ready in a moment; but high,
-very high, do you hear? Up to the clouds.”
-<span class="pageNum" id="pb181">[<a href="#pb181">181</a>]</span></p>
-<p>“Come, let us go and look for a nice little spot, a little further on the dunes,”
-said Paul.
-</p>
-<p>“Oh, of course; Paul is thinking of his comfort again. But the dunes are very hot,
-Paully,” said Freddie.
-</p>
-<p>“No; there are trees, oaks I think, the other side of the pavilion.”
-</p>
-<p>“Right away, then. It really is too hot to bustle about much. I am of Paul’s opinion;
-I like a lazy picnic: lounging in the shade and watching the clouds overhead,” lisped
-Lili.
-</p>
-<p>“Lili always manages to unite the languorous with the poetical,” laughed her sister.
-“In Heaven’s name, de Woude, propose something. We are all chattering at once, and
-you—you say nothing.”
-</p>
-<p>Georges laughed, and they went, picking their way through the overhanging foliage,
-and pushing back the leafy branches, which again closed behind them with a rustling
-sound. Lili started, frightened at a spider which hovered over her attached to its
-silvery thread, and when de Woude brushed away the insect they became the objects
-of general teasing: she, as the timid maiden; he, as a brave knight, slaying the dragons
-that surrounded her.
-</p>
-<p>“But what have we done, that you are always down upon us?” cried Georges.
-</p>
-<p>“Oh, Georges, don’t you trouble yourself about it,” said Lili. “They think they are
-very witty. Oh, Paul, how you let us clamber along in this heat. ’Tis quite a journey
-to that pretty spot of yours. And those tiresome branches too. Ooh!”
-</p>
-<p>She glanced, pouting, at her finger, which had received a scratch from a thorn.
-</p>
-<p>“Let me walk in front of you,” whispered Georges, and he said it so softly and glided
-so deftly in front of her that the others, amid their laughter at Lili’s mishap, did
-not notice it. The two dropped behind a little, and Lili smilingly followed after
-him, while Georges held back the branches until they could no longer touch her face.
-</p>
-<p>“Let them laugh! You don’t care, do you?” he asked, entirely absorbed in his happiness.
-</p>
-<p>“Not a bit,” she answered calmly, shaking her little fair head under the big hat,
-while a mocking smile formed about her mouth. “We can laugh at them now. Who is that
-shrieking?”
-</p>
-<p>“Etienne, of course,” said Georges.
-<span class="pageNum" id="pb182">[<a href="#pb182">182</a>]</span></p>
-<p>Paul and Etienne had come upon a grassy spot beneath the chestnut trees, from which
-a small panorama could be seen: some meadow-land, interspersed by the straight lines
-of the ditches, sparkling under the bright sky, and here and there a cow. In the distance
-a little windmill, and beyond it a border of poplars, stately and slender.
-</p>
-<p>Lili and Georges approached, and found the others in rapture.
-</p>
-<p>“It’s glorious here,” said Paul. “Cool moss to lie on, and a fine view.”
-</p>
-<p>They all agreed that it was a pleasant spot, and sat down on the ground, tired with
-their reconnoitring. They removed their hats, which, together with the lace or red
-parasols of the girls, soon covered the dark greensward with glowing colour, whilst
-here and there a stray sunbeam, penetrating through the foliage, threw a myriad of
-glittering, dancing dust-particles across the light cotton of their frocks, and the
-yellow and brown shades of their hair.
-</p>
-<p>“It isn’t so very shady here, after all. At all events I am quite in the sun,” said
-Lili, hiding herself in the rosy shade of her <i lang="fr">en-tout-cas</i>, and she cast an indignant glance on Paul, who had a very shady place, and was lying
-full length on the ground, his head cosily hidden in a handkerchief.
-</p>
-<p>“Hush, Lili, don’t talk; go to sleep,” he whispered, with closed eyes.
-</p>
-<p>“You are very entertaining; <i>you</i> sleep on then. But I am scorching here.”
-</p>
-<p>“Shall we go and look for a better spot, Lili?” said Georges.
-</p>
-<p>“Yes, do; that’s a good idea,” thought Paul.
-</p>
-<p>“And just whistle when you have found one,” said Etienne.
-</p>
-<p>Georges promised he would. They rose, after which Lili, leaning on him, descended
-the dune.
-</p>
-<p>“That Lili is always so fussy,” yawned Paul, in his handkerchief.
-</p>
-<p>But his laziness was too much for Etienne, who pulled him down the hillock by his
-legs, to the great amusement of the girls.
-</p>
-<p>It was very warm, however, and they could not help it—they too began to feel lazy.
-They would walk about after lunch. When peace had been restored between Paul and Etienne,
-Frédérique laid her head on Eetje’s knees, whilst he tickled her ears with a straw;
-Paul was half asleep, languid with heat and comfort, and Marie sat staring contemplatively,
-with a suggestion of sadness about her mouth, at the meadows and the ditches and the
-grazing cattle.
-<span class="pageNum" id="pb183">[<a href="#pb183">183</a>]</span></p>
-<p>The path along which Georges and Lili descended was a very easy one. She floated down,
-as it were, her hands clasping his shoulder, and he hurried at a quick pace. Quicker
-and quicker he went; and she laughed lightly; it was as though she were endowed with
-wings.
-</p>
-<p>“How stupid of them to stay there under that burning sun! Look, over yonder, under
-those trees.”
-</p>
-<p>“Those chestnuts?”
-</p>
-<p>“Yes; shall we try?”
-</p>
-<p>“Yes.”
-</p>
-<p>They clambered up, he assisting her, and penetrated through on to the wooded hillocks.
-It was delightfully cool and shady there, whilst just a few paces off the sun was
-scorching.
-</p>
-<p>“Oh! isn’t it pretty here?” cried Lili. “And look, violets!”
-</p>
-<p>She sat down on the mossy sand, and picked the flowers. And he lay down at her feet,
-too happy to say much, and played with the red tassels of her parasol.
-</p>
-<p>“Come, now, you must whistle, Georges, as a signal for the others to come,” she said
-archly, knowing full well that he would not.
-</p>
-<p>“I can’t whistle, I never could,” he answered, and looked at her laughing.
-</p>
-<p>She laughed too, and threw her violets in his face. He gathered them up, and placed
-them in his button-hole. Then he took her hand, and looked in her face.
-</p>
-<p>“Do you like me?” he asked, his eyes fixed on hers. She laid her little white hands
-on his shoulders, and looking him straight in the face, slowly bent her head.
-</p>
-<p>“What?” he asked, full of tenderness. “Do you like me?” he repeated, and she bent
-down, so that his lips touched the little locks on her forehead, and kissed them.
-</p>
-<p>“Yes,” she said, and she let her head rest against his face. “Yes, I like you.”
-</p>
-<p>Thus they remained for a while, whilst he, in his uncomfortable posture, enjoyed the
-weight of the little head on his face. But when she raised herself, and once more
-smilingly looked at him, he approached closer to her side, and laid her arm round
-his neck.
-</p>
-<p>“Do you know, Emilie——” he commenced.
-</p>
-<p>“What?” she asked.
-</p>
-<p>“Emilie has been speaking to my father; mightn’t she come and speak with your parents?”
-<span class="pageNum" id="pb184">[<a href="#pb184">184</a>]</span></p>
-<p>“Yes,” she answered, with a beaming smile. “But I don’t know—I don’t think——”
-</p>
-<p>“Emilie knows how to talk.”
-</p>
-<p>“You are very fond of her, eh?”
-</p>
-<p>“Yes—and of you too.”
-</p>
-<p>She pressed his head closer in the soft bend of her arm and gave him a kiss on his
-forehead—her first!
-</p>
-<p>And the odour of the moss and the violets became mingled together into a fragrant
-sigh, whose sweetness made her feel faint, whilst her little hand closed caressingly,
-and disarranged his light-brown hair. She listened, still with that same happy smile,
-to his soft voice, as he was telling her of the conversation he had had with his sister,
-before he knew whether Lili would ever care for him. For a time he had certainly felt
-anxious; now, however, the whole world seemed to him one smiling landscape.
-</p>
-<p>“Emilie thought you would not have a poor husband. Won’t you have a poor husband?”
-</p>
-<p>“Are you poor?”
-</p>
-<p>“Well, I am not rich.”
-</p>
-<p>“All right, then I will have a poor husband. I can be <i>so</i> economical. Sometimes I make a month’s dress money last me for three months. And
-don’t I always look neat?”
-</p>
-<p>“Charming.”
-</p>
-<p>“But I don’t believe you are very economical. I think you have a great many more wants
-than I.”
-</p>
-<p>“I shall have no wants, when I have you. You will be all to me.”
-</p>
-<p>“Does Emilie care for me?”
-</p>
-<p>“Rather! she shall be our little mother. And you will accompany me everywhere? To
-Cairo? To Constantinople? To the Cape?”
-</p>
-<p>“To Lapland if you like—everywhere.”
-</p>
-<p>“My own little woman.”
-</p>
-<p>He clasped her close to his bosom and kissed her. It was as though the world vanished
-from them and left them alone in paradise. It seemed to them as though no other couple
-had ever loved so fondly, as though there had never been any love but theirs.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>“Mamma wants to know if you are coming to lunch?” cried Johan van Ryssel to the four,
-lying sunning themselves yonder. “You lazy people! hallo! you are all asleep, I believe.”
-<span class="pageNum" id="pb185">[<a href="#pb185">185</a>]</span></p>
-<p>And he clambered towards them and fought with Paul, whose big limbs, stretched at
-their full length, irritated him. Frédérique and Etienne raised themselves up, and
-admitted being hungry.
-</p>
-<p>“Through doing nothing, I suppose?” cried Jan, who came to call them too. “We have
-been swinging and riding in the donkey-cart and climbing a haystack, and you—you can
-do nothing but doze.”
-</p>
-<p>“Hush! more respect for age, please,” said Marie with dignity.
-</p>
-<p>They all descended the path along which they had come, again struggling with the overhanging
-branches that barred their passage, when they heard a whistling behind them. On turning
-round they caught sight of Georges and Lili, full of mysterious gaiety.
-</p>
-<p>“We have found a nice little spot, very cool!” said Georges ironically.
-</p>
-<p>“Oh, so cool!” repeated Lili.
-</p>
-<p>At that they became the butt of indignant glances, and so they wisely lagged behind
-a little; still they took good care to be in time to join the others at the lunch-table.
-</p>
-<p>Madame Verstraeten and Mathilde had been very busy, notwithstanding the heat. On the
-coarse white table-cloth there arose heaps of little rolls, together with dishes full
-of cherries and strawberries, and a big basin of cream between two golden <i lang="nl">tulbands</i>.<a class="noteRef" id="xd31e3509src" href="#xd31e3509">1</a> Sixteen chairs were ranged around the table, and the little van Ryssels, flushed
-with the heat, tired after running, with sparkling eyes and moist hair, looked at
-it all with longing. Nico was already seated at table rattling his fork against his
-glass, and all now sat down, and Madame Verstraeten and Mathilde were soon busy handing
-round the different things.
-</p>
-<p>“De Woude, take what you like,” said Madame Verstraeten, and soon the spot resounded
-with noisy laughter, whilst the rolls and the tulbands disappeared as if by magic,
-and the fowls were running about nervously round the table, keeping close to Nico,
-who to Mathilde’s despair offered them immense slices of bread. Jan in the meantime
-found a fresh cause to reproach the three young men with their laziness.
-</p>
-<p>Behind the farmhouse there was a broad stream, and a little boat lay moored alongside.
-Jan and Cateau wanted to disport themselves in it, but Madame Verstraeten would not
-permit them, <span class="pageNum" id="pb186">[<a href="#pb186">186</a>]</span>unless some one older than they accompanied them. So after lunch they stormed up to
-Paul and Etienne, who were to row them; Jan promised to be a good steersman.
-</p>
-<p>“Do you think Georges and Lili are safe together?” asked Paul, as he pushed off the
-boat from the shore with his scull. “Come, Etienne, keep time.”
-</p>
-<p>“Where are they? Oh, look, there they go, behind that hedge!” cried Frédérique. “Marie,
-fancy you as elder sister allowing such a thing.”
-</p>
-<p>Marie laughed kindly.
-</p>
-<p>“Oh, let them be happy,” she answered simply.
-</p>
-<p>Etienne made himself very busy, just to hide his want of skill as an oarsman, whilst
-he made the strongest possible movements with his oar. Paul grew more desperate every
-moment.
-</p>
-<p>“I say, Etienne, you don’t know anything about it; for heaven’s sake don’t splash
-like that.”
-</p>
-<p>A shower of spray fell upon them.
-</p>
-<p>“You are soaking me,” said Frédérique indignantly.
-</p>
-<p>“Go along, do you think I can’t row?”
-</p>
-<p>Cateau and Jan laughed at Etienne, and he carried on in such a ridiculous way, that
-Toosje at last summed up courage to ask Paul to let her have a row; for she looked
-upon Mr. van Raat as the captain. Etienne, in spite of his boisterous remonstrances,
-which nearly caused the boat to capsize, was removed from his seat, and Cateau set
-herself down triumphantly beside Paul, full of eagerness to keep time with him in
-the lifting and dropping of her oar, which she clasped, without fear of blisters,
-closely in her hands. And she enjoyed it when their sculls, as if moved by one power,
-feathered in light and measured stroke over the greenish water.
-</p>
-<p>“Splendid, Cateau; you understand it!” said Marie. “Jan, just steer across to those
-lilies.”
-</p>
-<p>Jan steered, and the little boat glided slowly to a pool coated with duckweed, upon
-which the white cups of the water-lilies floated amid a wealth of flat, glossy green
-leaves. Marie bent forward, grasped a lily by its tough slimy stalk, and tugged and
-tugged until she pulled the flower out of the duckweed.
-</p>
-<p>“Over there, look, there are a lot,” cried Jan, pointing to the other side.
-</p>
-<p>And they glided on between overhanging willows, their silver-leafed branches bending
-over the water, and a long line of meadow-land, <span class="pageNum" id="pb187">[<a href="#pb187">187</a>]</span>and Marie mechanically pulled the muddy flowers out of the water. She no longer heard
-the laughter of the others; how little Cateau and Etienne were having a lively dispute
-as to in what fashion an oar was to be handled. She continued, without fear of soiling
-herself with the mud, wrenching out the flowers, whose stalks she cast at her feet,
-like so many slippery eels; she wrenched and wrenched so hard that the stalks nearly
-bruised her hands. Thus too one could wrench a thought from one’s mind, though the
-heart bled from it.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The young van Ryssels, whom Mathilde did not trust in the boat while Etienne was in
-it, again consoled themselves with their swing. Tina pushed Nico, who was sitting
-very dignified, to and fro, whilst Johan, with Lientje sitting between his legs, disported
-himself on the second swing. But now approached Marie and Etienne, and when Nico was
-tired of his dignified attitude they both clambered on to the plank.
-</p>
-<p>“High, Eetje, very high!” cried Marie.
-</p>
-<p>Etienne, with his feet firmly placed against the plank, soon sent the swing forward.
-</p>
-<p>“Ah! I see you are a better hand at swinging than at rowing,” cried Marie.
-</p>
-<p>She too pushed the swing forward, and it swung higher and higher, whilst her dress
-fluttered in the wind, her hat blew off, and a few hairs dangled about her face. She
-took a deep breath, as high up in the air she hung over Etienne almost horizontally,
-and swayed up and down. She felt a sensation as if an unfathomable abyss yawned beneath
-her, and as if she rose higher and higher into the blue sky, borne upward on the wings
-of a great bird. Her eyes sparkled, her cheeks glowed, and she fain would have let
-go the ropes, and in a desperate flight plunged herself into space.
-</p>
-<p>Then she caught sight of the four children below, who were staring in open-mouthed
-and envious wonder at the “big folk” who were allowed to swing so high, and she wanted
-to call them, but her tongue refused to utter a sound. Etienne was as if intoxicated,
-and higher, still higher, swung the plank.
-</p>
-<p>“Etienne—enough—enough, Etienne!” murmured Marie, and she closed her eyes.
-</p>
-<p>And she felt quite dazed when the great bird slowly slackened <span class="pageNum" id="pb188">[<a href="#pb188">188</a>]</span>the speed of its flight, and at last ceased altogether. She tottered when she was
-on <i lang="la">terra firma</i> once more.
-</p>
-<p>Etienne picked up her hat.
-</p>
-<p>“A glorious swing, wasn’t it, eh?” he cried, out of breath.
-</p>
-<p>Marie nodded smilingly, and with a gasp and a sigh brushed the dishevelled hair from
-her face. And when Etienne took to his legs and ran, shouting to his little cousins
-that they could not catch him, and when the young van Ryssels ran after him, Nico
-last of all, waddling along on his fat little legs—then Marie, on the grass by the
-side of the swing, burst into tears. She thought of Lili and Georges, how happy those
-two had been, whilst she, Marie, had sat gazing at the meadows and the cows until
-stars shimmered before her eyes; and how happy they, Georges and Lili, had been, while
-she had been wrenching the lilies out of the water—hard, very hard, with all her might.
-</p>
-</div>
-<div class="footnotes">
-<hr class="fnsep">
-<div class="footnote-body">
-<div class="fndiv" id="xd31e3509">
-<p class="footnote"><span class="fnlabel"><a class="noteRef" href="#xd31e3509src">1</a></span> A rich cake baked in the shape of a turban.&nbsp;<a class="fnarrow" href="#xd31e3509src" title="Return to note 1 in text.">↑</a></p>
-</div>
-</div>
-</div>
-</div>
-<div id="ch19" class="div1 chapter"><span class="pageNum">[<a href="#ch19.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XIX.</h2>
-</div>
-<div class="divBody">
-<p class="first">“Eline, Eline!” was shouted from the garden. Eline sprang out of bed in a fright,
-on finding it was half-past seven. At the Horze the breakfast hour was eight, and
-so she hurried with her toilette. Half dressed she walked to the open window, and
-looked out. There were Théodore’s two eldest girls, Marianne and Henriette, sixteen
-and fourteen years old.
-</p>
-<p>“Good morning!” Eline said cheerily.
-</p>
-<p>“What, are you up already? Well, that’s quick, I am sure! Are you coming down soon?”
-</p>
-<p>“Yes; I shall be ready in a moment.”
-</p>
-<p>“Morning, Eline!” she heard a new voice shouting. Eline looked out and caught sight
-of Gustave, a good-looking little fellow of ten, with a pair of saucy blue eyes, a
-regular street arab, with ever-dirty hands, and comical as a young clown.
-</p>
-<p>“Morning, Gus,” she cried.
-</p>
-<p>“I say, Eline, you know what you promised me?”
-</p>
-<p>“No.”
-<span class="pageNum" id="pb189">[<a href="#pb189">189</a>]</span></p>
-<p>“You will marry me, and not Uncle Otto, eh? You have promised me, you know.”
-</p>
-<p>“Yes; all right, Gus. But I must make haste and dress, or I shall never be ready!”
-cried Eline, again busy with her hair in front of the glass.
-</p>
-<p>She could hear the bustle in the garden increase every moment, and it made her nervous.
-Her fine eyes were still rather small, her fringy curls did not fall as she wanted
-them. Again from out of the garden, full of sunlight and shadow, a cheery hum of voices
-ascended, among which she could distinguish Théodore’s big voice, as well as the lusty
-shouts of the little van Ryssels.
-</p>
-<p>“Eline, Eline!” again came from many, many voices.
-</p>
-<p>“Yes, yes; I am coming!” Eline shouted back almost impatiently, and she buckled her
-belt and rushed out of her room, through the long corridor, sombre in its brown oak
-panelling, down the broad stairs, and out of the hall.
-</p>
-<p>In the garden Cathérine Howard was walking with Otto, her brother. She was not pretty,
-but she had a pleasant cheerful face, and she was almost as lively in her movements
-as Etienne.
-</p>
-<p>“Oh, Otto, I can well understand it,” she said affectionately, as she hung on his
-arm. “I think she is a dot of a girl. From Freddie’s and Mathilde’s letters I expected
-to see something of a coquette, because I really didn’t much remember, it’s so long
-since I saw her, and then it was only for a moment or two at a time, when she was
-living with that old aunt—a widow, a Madame Vere, I believe, was it not?”
-</p>
-<p>“Yes,” said Otto.
-</p>
-<p>“But now, on closer acquaintance, I think she is a darling. There is something so
-winning and frank about her way of speaking, something very simple and unaffected,
-and yet <i lang="fr">distingué</i>. And she is a little doll, really very pretty.”
-</p>
-<p>“Do you think so?” said Otto.
-</p>
-<p>“I should think so. You may well be proud of her; it isn’t every one who can get such
-a wifie as that. Ah, there goes the bell! they are always early birds here.”
-</p>
-<p>They walked towards the open room, which looked on to the garden, and entered. Old
-Madame van Erlevoort was already seated at the long breakfast-table, and gave a smiling
-nod to her son and daughter. Eline stood talking to Théodore, who reminded her neither
-of Otto nor of Etienne, as he stood there sturdy and <span class="pageNum" id="pb190">[<a href="#pb190">190</a>]</span>broad-shouldered before her, with his well-set powerful frame, and his short full
-beard; but in his loud cheery heavy voice there sounded the native, healthy good-nature
-of the Erlevoorts.
-</p>
-<p>His wife, the young Madame van Erlevoort, or Truus as he called her, was still occupied,
-with the assistance of Mathilde and Frédérique, in making a few more preparations
-for the meal. Miss Frantzen set the little van Ryssels on their chairs, and fastened
-their napkins about their throats. Etienne came in from the garden with Cor, Théodore’s
-eighteen-year-old son, who was a midshipman, and was now staying at the Horze on furlough.
-They were followed by the girls and the boys, Willy and Gustave, full of jokes and
-fun at the expense of their English uncle Howard, whom they did not understand, and
-whom they were to teach Dutch.
-</p>
-<p>“Good morning, Nily!” said Otto, approaching Eline.
-</p>
-<p>“Good morning, Otto!” answered Eline, and she offered him her hand, and they whispered
-something together. She felt herself very happy in the new charm which a busy family
-life had opened up to her. To her, who as a child had had no one but her sister for
-a playmate, and whose early girlhood was half dreamed away in the depressing surroundings
-of her aged aunt’s home, it was a newly-revealed happiness to be in the midst of such
-a joyous stir, and she began to view life from another standpoint than she had done
-while she was yet under the glamour of soirées and balls at the Hague. Every one was
-cheerful and pleasant, even Frédérique; the children she allowed to clamber on to
-her shoulder at their sweet will, freely letting them caress and fondle her with their
-greasy little fingers, without the least fear for her dress or her head-gear. She
-was in love with Tina, the dainty little miss, whom Eline’s charm of manner irresistibly
-attracted, as it had once attracted Cateau van der Stoor, and at table Eline’s seat
-was always between Otto and Tina. Old Madame van Erlevoort sat between her two youngest
-grandchildren, Edmée and Kitty Howard, the only child of her English son-in-law, and
-when she glanced along the table beaming with youthful gaiety, it seemed to her as
-though there could be no one in the wide world happier than she, with her gray hair
-and her youthful heart.
-</p>
-<p>After breakfast Théodore proposed a trip to the so-called “big tree,” for he declared
-that of the many big trees of Gelderland the one at the Horze was the biggest. Howard,
-Etienne, and Cor were to accompany him; Eline and Otto with the children joined <span class="pageNum" id="pb191">[<a href="#pb191">191</a>]</span>them; even Edmée and Kitty, under the care of the three girls, stormed the covered
-cart that was ready to convey them.
-</p>
-<p>In the breakfast-room an Atlantic gale seemed to have raged. The table was a chaos
-of plates and glasses, the floor was bestrewn with serviettes, in the midst of which
-lay Tina’s hat, a spade of Nico’s, and a ball of Edmée’s.
-</p>
-<p>“Isn’t it rather too noisy for you, mamma?” asked Truus, taking the hand of Madame
-van Erlevoort—who was still seated at the disordered breakfast-table—in hers. “Really
-the children make such a fearful din, that it seems quite a relief when they are gone.”
-</p>
-<p>“Come,” said the old lady, “you ought to be ashamed to talk like that.”
-</p>
-<p>“My four youngsters often nearly drive me to despair too,” remarked Mathilde; “but
-with the exception of Cor, who is gradually growing a little more staid, yours seem
-to take the palm for noisy young scapegraces.”
-</p>
-<p>“Don’t you trouble yourself about me, Truus,” said the old lady. “All through the
-winter I long for the summer to come, when I can go to the Horze, and it does me good
-to be with you all. And I think it very nice of you that you have asked Eline.”
-</p>
-<p>“Next year, when they are married, I have already asked them to come to London during
-the season,” remarked Cathérine. “I like her very much.”
-</p>
-<p>Young Madame van Erlevoort looked rather thoughtful as she folded up a serviette.
-</p>
-<p>“And you, Truus,” asked her mother-in-law, who observed it, “you like her too, don’t
-you?”
-</p>
-<p>“What shall I say, mamma? I know so little of her. I think it very nice of her that
-she adapts herself so entirely to our ways and habits, so that I have no occasion
-to stand upon ceremony, as with a stranger; I haven’t the time for that. So I do think
-it nice of her. But you are aware I don’t at once go into raptures about people.”
-</p>
-<p>“That sounds too diplomatic to please me, child. As for me, I either like a person
-or I don’t.”
-</p>
-<p>“Oh, you must not think I mean more than I say. I have only known Eline a week; she
-has made a favourable impression upon me, I think her very charming, but I don’t yet
-quite know whether I actually feel for her or not.”
-</p>
-<p>It was on Mathilde’s lips to say that she, who had known Eline <span class="pageNum" id="pb192">[<a href="#pb192">192</a>]</span>for years, was not quite certain of that either, but she said nothing.
-</p>
-<p>“And then again—but you must not be vexed, mamma, will you, now that we are on the
-subject?”
-</p>
-<p>“No, no, child.”
-</p>
-<p>“You see, I can’t help thinking there’s something in Eline as if she will never feel
-herself at home among our family. She adapts herself to us, as I said, but I am not
-so sure that it comes quite from her heart. I don’t cause you pain with what I say,
-do I? There is nothing I should like better than to find that I was mistaken in Eline,
-and when I know a little more of her—eh, mamma?”
-</p>
-<p>She hesitated to say it right out; she did not care for Eline. She was a sturdy sensible
-woman and a good mother, ruling over her little kingdom with loving care and prudence,
-who, whilst ever friendly and cheerful, was also determined and firm, and made her
-will pass as law. In the firmness of her character she generally came forward straight
-with her meaning, but this time she knew that, as Otto’s intended wife, mamma already
-looked upon Eline as one of the family; she had noticed that Eline could with a single
-loving word or a single caress touch the old lady, and she did not like to pain mamma
-in her son’s intended. But in their rural atmosphere—<i>that</i> she could not deny—Eline introduced a discord, as of something artificial, something
-unreal, and this irritated Truus. She could not know that Eline was perhaps more herself
-at the Horze than she had ever been elsewhere, that indeed she felt happy there in
-the simple family life, that she felt as though a new, a purer, and a fresher life
-had fallen to her share; she could not penetrate Eline’s inner thoughts, she could
-but see on the surface; she saw not the sweet calm of those nerves, so long overstrung
-in a life of excessive culture and luxury; she saw only the native worldliness glimmering
-through a veil of affected simplicity, and this irritated her, as the big blue silk
-sash on Eline’s print dress irritated her.
-</p>
-<p>Cathérine Howard was all indignation. How was it possible that Truus could say such
-a thing? it was certainly not very becoming to an intended sister. And she galloped
-along about Eline with almost childish ecstasy, in such affectionate words, that the
-old lady, disconcerted at her daughter-in-law’s ideas, soon again beamed with pleasure.
-</p>
-<p>“No; really, Truus, I can’t make you out. I on the contrary <span class="pageNum" id="pb193">[<a href="#pb193">193</a>]</span>admire Eline, because, stranger as she is among our family, she so quickly made herself
-at home. I can assure you that when I came to London with Howard—I did not know his
-family at all, that’s true—but I must say I felt a little bit like a fish out of water
-among them, cordial though they all were. But Eline—dear me! why ’tis as if I have
-always known her; she is so easy, so accommodating, you have no trouble with her whatever.
-No; I really can’t understand that you can even imagine that she will not feel herself
-at home amongst us; I can’t say it’s very nice of you, I am sure.”
-</p>
-<p>Truus laughed at Cathérine’s indignation, and excused herself as well as she could,
-and as the servant was coming in to clear the table, the old lady with Mathilde and
-Cathérine went up-stairs, and sat down in the roomy, well-shaded balcony, while Truus
-remained invisible for the rest of the morning, absorbed in her domestic duties.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The cart was already long out of sight. Théodore, Howard, Etienne, and Cor walked
-in front, and Otto and Eline followed, under the shadow of her big lace parasol.
-</p>
-<p>The conversation of the four men was a mixture of English and Dutch; Howard declared
-he could understand the latter, and was even able to speak a word or two, while Théodore
-was continually coming to grief with his English in his explanations about tenants
-and lands. Some labourers in their Sunday clothes passed by with a respectful salute.
-</p>
-<p>The road lay bathed in sunshine between the glowing gold of rye and oats, and not
-a breath of wind stirred the stalks. Beyond, white and red, gleamed the blossoming
-buckwheat. In the distance arose a farm-house from between a group of trees, with
-a line of smoke rising like a faint gray plume against the blue of the sky.
-</p>
-<p>“I suppose you feel yourself here like a king in your own country?” said Howard.
-</p>
-<p>“Oh no!” answered Théodore. “I feel myself more peasant than king. But look round
-a moment; there, right across the garden, there’s our palace.”
-</p>
-<p>They turned round and stood still, so that Otto and Eline soon overtook them. Through
-a break in the dense foliage the Horze could be seen in the distance, white as milk,
-with its little shutters and slender white turrets, the big vine-clad balconies relieving
-the white monotony with leafy intervals. The lake lay as a round <span class="pageNum" id="pb194">[<a href="#pb194">194</a>]</span>mirror in the midst of the fresh greensward, bespeckled with a white fluttering flight
-of pigeons.
-</p>
-<p>“What a very pretty view!” said Eline, enraptured. “But see, who is that waving to
-us?”
-</p>
-<p>“Oh, I suppose it’s grandma and the aunts,” cried Cor.
-</p>
-<p>They noticed in the shadow of a balcony a number of dark outlined figures, who appeared
-to be waving handkerchiefs, and they all returned the signal, whilst Etienne shouted
-“Hurrah.”
-</p>
-<p>“Come, let us make haste now,” said Théodore, “or we shall never get as far as the
-big tree.”
-</p>
-<p>Eline spoke English fairly well, and with her Howard got on the best. He engaged her
-in a lively conversation, whilst Eline on Otto’s arm, in the shade of her parasol,
-which he held, laughingly replied to him. And Eline herself wondered how it was that
-without the least effort she made an agreeable impression upon every man with whom
-she came in contact, whilst the sympathies of those of her own sex she could only
-succeed in enlisting by dint of exercising all the arts of her loving affection.
-</p>
-<p>Through her conversation, full of cheerful banter, the thought flashed like lightning—Madame
-van Erlevoort cared for her only on account of Otto; Cathérine liked her out of light-heartedness,
-but their sympathy was not firmly rooted in affection; with old Madame van Raat, with
-little Cateau, with Tina, it was otherwise. And with a smile she leant heavier on
-Otto; what cared she for all of them? his love well repaid her for what she missed
-in others, his love was her wealth, and for the sympathy of others she cared nothing.
-</p>
-<p>To the big tree it was a good half-hour’s walk. The road bent through the golden corn-fields,
-along hedges pink with blossom, by the side of hilly pine-copses, fragrant with pungent
-odours, whose dark, sombre foliage afforded a grateful shade from the brilliant sun-rays.
-</p>
-<p>Suddenly, at a bend of the road, the little village of Horze was revealed as a surprise
-to the eyes of the party; a few cottages, a baker’s shop, a minister’s house, an inn,
-some stables, all scattered around a little church; and Eline glanced round wonderingly—she
-did not see the village, she said.
-</p>
-<p>“But here it is—there—that <i>is</i> the village,” said Otto.
-</p>
-<p>“What! That house and a half?” asked Eline, her eyes big with surprise.
-<span class="pageNum" id="pb195">[<a href="#pb195">195</a>]</span></p>
-<p>They all laughed, and Etienne asked her if she had expected to find a sort of Nice
-or Biarritz.
-</p>
-<p>“At least something like Scheveningen, with a Kurhaus—eh, Elly? I say, Elly, do you
-know the difference yet between rye and oats?”
-</p>
-<p>“Not quite. Buckwheat I know when I see it—flax I know, very light yellow—and potato-fields
-I know. But rye and oats and barley, no; of them I know nothing whatever. Don’t worry
-me about them, Etienne! But, Théodore, is this indeed Horze? Are you really lord and
-master of these—one, two, three, four barns?”
-</p>
-<p>And she roared with laughter under the broad brim of her big straw hat; and they all
-laughed at Eline’s innocent surprise, although Théodore felt a little hurt.
-</p>
-<p>Eline, however, quickly regretted her jest, which she felt was not quite in harmony,
-and she declared that it was full of picturesque spots, a little house like that with
-a cluster of trees, very pretty, really.
-</p>
-<p>“And the big tree, where is the big tree?” asked Eline.
-</p>
-<p>They passed through the village, between the pecking fowls, which scampered away frightened,
-while the blacksmith and a couple of farmers, to each of whom Théodore addressed a
-few words, heartily greeted their landlord, remaining for a while staring after his
-guests. They crossed over a meadow, and Théodore shouted to a boy to hold a cow close
-by them, as Eline was afraid of the huge, fat beast, with its big, staring eyes and
-chewing mouth.
-</p>
-<p>“Etienne, Cor—do leave off, Cor!” she cried, on Otto’s arm, to Etienne and Cor, who,
-to frighten the cow, set up a melancholy boo! boo!
-</p>
-<p>“You see, Eline, that’s because you laughed at Horze,” cried Théodore in his big bass,
-but she looked at him laughingly and so softly between her half-closed lashes, that
-he was quite disarmed, and asked Etienne and Cor to stop their silly noise. At the
-end of the meadow stood the big tree, an oak with a colossal stem, tall and powerful
-as a giant. Frédérique, Marianne, Henriette, and the children had already ensconced
-themselves between its spreading roots. Howard and Eline were urged on all sides to
-give vent to their admiration for the tree. Eline mustered forth a few words, such
-as colossal, immense; but Théodore noticed from the mocking little smile that played
-on her features, that the oak had made no impression whatever upon her, and he held
-up his <span class="pageNum" id="pb196">[<a href="#pb196">196</a>]</span>finger to her threateningly, until she burst out in a peal of laughter, which was
-renewed when Howard, in a very serious tone, declared—
-</p>
-<p>“A big tree, indeed! I never saw such a big one! Quite interesting!”
-</p>
-<p>“Wait, I shall give it to you!” cried Théodore, and he ran after Eline, who fled shrieking
-with laughter until she fell down panting for breath on the grass, and holding out
-her hands, cried—
-</p>
-<p>“Théodore, leave off, do you hear? I shall call Otto!”
-</p>
-<p>“I’ll show you! you naughty girl! Call Otto if you like. I’ll show you!” and he grasped
-her wrists and shook her in fun, whilst she acted as if he hurt her terribly. Then
-he assisted her to rise, and she promised, still laughing, not again to show so little
-appreciation of the beauties of nature.
-</p>
-<p>The children with their English uncle were standing hand in hand, and trying to measure
-the tree.
-</p>
-<p>“Absurd of Théodore to run after Eline like that,” muttered Frédérique, and Etienne
-overheard her.
-</p>
-<p>“I say, you are getting tiresome,” he cried. “Why, you can’t bear a joke any longer.”
-</p>
-<p>By the side of the little church there was a hilly pine wood. There Eline sat down
-on the moss, and rested her head on her hand. Otto sat beside her. They could just
-hear the faint tinkling of a distant bell. It was church time. Some country people
-in glossy broadcloth and shining silk aprons were walking, prayer-book in hand, along
-the road, and Eline with her eyes followed them, themselves scarcely visible behind
-the close-standing stems. The scattered church-goers were few in number; a few—late-comers—followed
-hurriedly, and all was quiet under the peaceful influence of a rustic Sunday rest.
-In the distance was heard the bleating of a goat.
-</p>
-<p>It is true Eline had imagined the Horze more grandiose and luxurious, and the very
-simple life that was led at the country house made her smile at times when she called
-to mind Ouida’s English castles, full of dukes and princes, such as those in which
-she had her abode during her watch at Aunt Vere’s sick-bed. It was certainly very
-different, that splendour of an ideal aristocracy, and this simplicity of a well-to-do
-but necessarily frugal aristocracy, and yet she would not have exchanged her present
-circumstances for anything, and she talked smilingly to Otto about Ouida and <span class="pageNum" id="pb197">[<a href="#pb197">197</a>]</span>the English castles, and declared she gave the preference to the Horze, as she preferred
-him, her poor country squire, to the wealthy Scotch duke, after the type of an Erceldoune
-or a Strathmore, such as she used to dream about formerly.
-</p>
-<p>Yes; Eline felt her happiness growing greater and greater in that peaceful solitude
-beneath the dark pine leaves, whilst Otto’s voice, deep and full, sounded in her ears.
-He told her how he could not yet understand that she was his for ever, and that ere
-long they should be as one; and he told her that she had but one fault—that she misjudged
-herself. He, yes, he knew her as she really was; he told her that there were latent
-treasures hidden within her, and that it would be his privilege to try and bring them
-to light. In the fullness of her happiness she became frank and outspoken, even to
-herself, as she never had been; she looked at him almost pityingly, and answered that
-he would yet discover in her much that was bad, when he knew her better. No, indeed,
-he did not thoroughly know her, although he thought so. There was so much going on
-in one’s heart that one could not always disclose; at least, so it was in her case,
-and she must confess that her thoughts were not always of the best, neither was she
-always so even-tempered as she appeared to be whenever he saw her. She could be peevish,
-and nervous, and melancholy without real cause; but certainly for his sake she would
-endeavour to transform herself into something like the image he had formed of her
-for himself; but what an idealist he was! She felt herself pure and good in that confession;
-she knew now that she could freely reveal to him thoughts which she would not always
-have confessed to herself; neither was she any more in fear of losing him through
-some careless word; she saw how he loved her, and how she must be dearest to him in
-the moments when she spoke to him about herself in that simple way, and often it seemed
-to her as though he was her conscience, to which she could say all that a girl might
-say. And the more she depreciated herself in those moments of sincerity, the more
-he adored her, the more he thought he could read her very soul beneath that glamour
-of beauty and grace.
-</p>
-<p>They heard the hymns of the peasantry proceeding from the church, like a deep, broad
-stream of simple piety, and in their present mood that unskilled flood of song seemed
-full of a poetry that mingled with the poetry of the dark tints of the foliage, with
-the fragrance of the pine wood, with the love that was in their <span class="pageNum" id="pb198">[<a href="#pb198">198</a>]</span>hearts. And Eline felt her heart swell, and she raised herself up a little, and resting
-her curly little head on his bosom, she could not keep herself from twining her arms
-around his neck, and when she felt herself thus leaning against him with her bosom
-on his heart a sudden sob shook her.
-</p>
-<p>“Eline, dearest, what—what is the matter?” he softly asked.
-</p>
-<p>“Nothing,” she answered, nearly dying in the exquisite ecstasy of her love and her
-great happiness; “nothing; let me be—I am so—so happy!”
-</p>
-<p>And she lay weeping in his arms.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>At the Horze the hours of rising and bedtime were early, and the days fled by. The
-life there, with the exception of a few rainy days, was almost exclusively an open-air
-life. Their cheeks and their little hands were sunburnt, and they began to look like
-little negroes, the young van Ryssels, the two boys, Willy and Gustave, and Edmée
-and Kitty Howard. Among the pigeons which fluttered from their house over the lake
-<i>they</i> fluttered round, sometimes anxiously followed by Miss Frantzen, Truus’ governess,
-and Cathérine’s English nurse; especially by Miss Frantzen, who was in constant fear
-at the thought of Nico and the water. They inspected the aviary and the stables, and
-were on the best of terms with the gardener and his men, with the coachman and the
-stable-boy. They fed the birds and the fowls and ducks, and rode round, firmly held
-by the good-natured stableman, on Théodore’s unsaddled riding-horse, or went swimming,
-or visited the gymnasium, where they watched the feats of Théodore, who was very powerfully
-made, and of Howard, who was more lithe and supple, whilst Otto declared he had lost
-the art, and Etienne swung wildly from ring to ring and jumped over the vaulting-horse.
-But it was at Cor that the little van Ryssels stared in open-mouthed wonder, as they
-saw him, with a rather conceited expression, very calmly and deliberately go through
-the most difficult evolutions, in all the youthful strength of his long, slender limbs.
-After coffee the boys played cricket with Howard, or in the shade of the lofty trees
-in the park joined in lawn-tennis with the girls, or lay lazily under a tree with
-a book doing nothing at all, their hands folded behind their heads. After dinner they
-walked or floated about a little in the little boat on the lake, and the evening came,
-and it was ten o’clock ere they thought of it.
-<span class="pageNum" id="pb199">[<a href="#pb199">199</a>]</span></p>
-<p>And her happiness, and the luxury of that sunny country life, made Eline feel so entirely
-herself, that she wondered whether she really were the same girl of some months before.
-She felt quite another being; it seemed to her as if her soul had escaped from its
-glossy draperies, and now was before her in all its simplicity, in the nude whiteness
-of a statue. She no longer veiled herself in her affectation, she no longer played
-a part; she was her own self, her Otto’s darling, and this sincerity lent such a new
-charm to her movements, to the slightest word she uttered, that Truus, to the triumph
-of Cathérine, admitted she had been mistaken in her; that Frédérique would sometimes
-sit talking to her for hours, with sisterly frankness; that Madame van Erlevoort called
-her an angel. When she was alone and for a while revelled in her fresh train of thoughts
-and emotions, the tears started to her eyes, in gratitude for all the good bestowed
-on her, and she only wished that time would not fly by, that the present moment might
-remain for ever. Beyond that she desired nothing, and around her there hovered an
-infinite rest, an ethereal calm, an ecstasy of bliss.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>They retired early at the Horze; at half-past ten every one was at rest. Eline had
-been chatting for an hour in Frédérique’s room, and she felt happy at Frédérique’s
-ever-growing sympathy. She had been sitting on the edge of the bed, whilst Freddie
-was already inside it, and they had talked to each other about all kinds of matters.
-At times they laughed much, but subdued their laughter, for it was very quiet in the
-house. At length Eline softly slipped out on the tips of her toes, and once more found
-herself alone in her own little room. She lit her candle and slowly proceeded to undress,
-with an unconscious and happy smile about her lips. For a moment she remained seated,
-and mused, with her thick hair hanging down, and her bare arms and throat, and the
-same smile still on her lips. She wished for nothing, nothing more, she had all that
-her heart desired.
-</p>
-<p>And she opened her window and looked out. The rain had ceased, and an odour of damp
-foliage was wafted towards her. The sky was clear, except for a few filmy cloudlets,
-and the brilliant crescent of the moon seemed as though placed in relief against the
-deep blue heavens; the fields lay silently spread out before her; a single little
-windmill lifted its black wings motionless in the pale moonlight; the ditches gleamed
-like streaks of silver, and a fragrant <span class="pageNum" id="pb200">[<a href="#pb200">200</a>]</span>freshness arose from the slumbering landscape, like a soft faint sigh. Eline leaned
-against the window, and folded her arms across her bare throat. To her it seemed as
-though that fragrant freshness, that faint sigh, refreshed and sweetened all her thoughts
-as with an odour of field flowers, that chased away the unhealthy, enervating miasma
-of her former emotions, like an overpowering perfume of musk and opoponax. She felt
-herself so young, as she had never felt before, and oh! of that she was certain—never
-had she loved as she loved now—never, never! Her Otto! When she thought of him, she
-did not feel it necessary to call to her mind some idealized image; she thought of
-him as he actually was, so manly and frank in his genial simplicity, and with one
-single thought that ruled his whole being, the thought of her. His love was so rich,
-so full, his love filled him completely. And hers grew every day, she thought—no,
-it could grow no more! No further wish was hers, no more brooding over the future.
-In due course it would unfurl itself before her, a perspective glowing with brightness
-and gold! Nothing more remained than the stillness of that lake into which her soul
-had glided, nothing besides the rest and the love of that blue ecstasy, full of bliss!
-Only that, nothing else, nothing more! What indeed could human soul yet wish for?
-</p>
-<p>Only one little darkening streak amid all that blue. Only the fear—the fear that it
-would ever be different. It was so long since she had prayed, she did not even know
-how to pray; but now, now she would gladly have done so, have prayed that it would
-ever be thus, that it might never change, always that soft happiness, always that
-restfulness and peace, that blue ether.
-</p>
-<p>“Never, never again as once! God—ever thus, ever as now! Were it to change, I should
-die,” she whispered inaudibly, and as she folded her hands a tear trembled on her
-lashes. But it was a tear of joy, for in her happiness that vague fear was dissolved
-like a drop in the ocean.
-<span class="pageNum" id="pb201">[<a href="#pb201">201</a>]</span></p>
-</div>
-</div>
-<div id="ch20" class="div1 chapter"><span class="pageNum">[<a href="#ch20.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XX.</h2>
-</div>
-<div class="divBody">
-<p class="first">At the Hague, August passed by glowing hot, but the nights were cool on the terrace
-at Scheveningen, or in the tent of the Bosch. It was Sunday evening, and Betsy stayed
-at home; old Madame van Raat had not been to see her for so long, that she asked her
-mother-in-law to come around; Sunday was not much of a day at Scheveningen. They were
-to drink tea in the conservatory, the glass doors of which were already open. Henk
-walked with Madame van Raat through the garden, and the old lady admired his splendid
-roses. Betsy and Vincent sat alone.
-</p>
-<p>“I have had a letter from Eline: she is coming back with the Erlevoorts on Wednesday.
-The Howards will remain a little longer at the Horze,” she said.
-</p>
-<p>“Indeed?” answered Vincent. “And when Eline returns I must go, I suppose?” he asked
-bluntly.
-</p>
-<p>Betsy felt alarmed, but she smiled very pleasantly.
-</p>
-<p>“The idea! Not at all. You know, our house is always open to you, until you have found
-something for yourself. Don’t you hear anything from—what is the name of that friend
-in New York?”
-</p>
-<p>“Lawrence St. Clare. No; I have not heard anything from him for some time. You see
-one forgets one’s friends when they are so far away. I can’t blame him.”
-</p>
-<p>He leaned back in his cane chair with an air of something like resignation. In the
-meantime he felt himself very well at ease, and agreeably soothed by the luxury which
-surrounded him. The garden was well kept, rich in flowers and statuary. And in those
-surroundings, in the presence of Betsy, very elegant in her light summer dress, by
-the soft glitter of the silver and the Japanese porcelain, he felt himself safe against
-the many unpleasantnesses of life. It was rest, monotonous if you like, but soothing
-and refreshing. Betsy he knew how to master, but it was unnecessary to make his power
-felt; besides, he was too lazy for it. Was not his present life an easy one? what
-should he trouble himself about?
-</p>
-<p>“What would you say if I were to seek a wife?” he suddenly asked, inwardly thinking
-of the pleasures a wealthy marriage might provide him.
-<span class="pageNum" id="pb202">[<a href="#pb202">202</a>]</span></p>
-<p>“A wife! oh, a splendid idea! Shall I try and find one for you? What sort of one do
-you wish?”
-</p>
-<p>“Handsome she need not be, only elegant. Not too unsophisticated or idealistic. Money
-of course.”
-</p>
-<p>“Of course. A foolish love-affair I certainly don’t look for in you. What do you think
-of the Eekhofs?”
-</p>
-<p>“Are you mad? two giggling ninnies—and no money, is there?”
-</p>
-<p>“Some say there is, others declare that they live too extravagantly; any way you might
-try and find out. But were you in earnest, Vincent, or was it only by way of saying
-something?”
-</p>
-<p>“Not at all. I think I should do well if I married. Don’t you think I’m right?”
-</p>
-<p>Betsy looked at him searchingly, and her glance was full of secret contempt. With
-his lack-lustre eyes, his languid movements, his indolent voice, he did not much impress
-her as an ideal husband for a young girl.
-</p>
-<p>“Not quite. I think you are a terrible egotist; neither do I believe that a wife would
-find much support in you. You are weak—I mean morally, of course.”
-</p>
-<p>She soon regretted her words and felt irritated at her own imprudence. She nearly
-shuddered when he looked at her with that mysterious smile, with those soft, dull,
-snake-like eyes.
-</p>
-<p>“And a wife has always need of support, eh?” he said in measured tones. “You too,
-don’t you—you find your support in Henk? you depend entirely upon him, and he is strong
-enough—I mean physically, of course?”
-</p>
-<p>Every word he uttered he emphasized as with a spiteful meaning, and every word pierced
-sharp as a needle into her domineering nature; but she dared not answer him, she shrank
-back in fear and only smiled, as if he had merely made a jest. He too laughed, a kindly
-gentle laugh like hers, but full of veiled revengefulness.
-</p>
-<p>They were both silent for a while, conscious of the struggle under that outward show
-of good-nature, until Betsy began gently to murmur some complaints about old Madame
-van Raat, who always misunderstood her, and with whom she could never agree; and whilst
-he sat indifferently listening to her, she felt how she abhorred him, how glad she
-would have been, after having him in the house for a month, to give him his <i>congé</i>; but she knew that she could never do it without risking a terrible scene; he would
-continue hanging about till the end of time, and she could not think of any means
-to <span class="pageNum" id="pb203">[<a href="#pb203">203</a>]</span>get him away. It was all Henk’s fault; if he’d only given him that wretched little
-sum the idea would never have entered her mind to ask him into the house. She detested
-Vincent, and she detested herself for her fear of him. She was rich and happy; what
-harm could he do her? But the more she argued, the more the fear clung to her, like
-an enervating idiosyncrasy, of which she could not free herself.
-</p>
-<p>Madame van Raat and Henk were slowly returning from the garden, and they sat down
-in the conservatory at one of the open glass doors. But after a few words about the
-roses, the old lady grew quiet and pensive. Amid the luxury of her son’s house a certain
-chill, a vacuum, seemed to seize her and make her melancholy, even more melancholy
-than she was in her own lonely house. She had never had that feeling before when she
-was with Henk; but now it seemed as if her love for her son did not yield sufficient
-warmth to dispel that chill vacuum. And suddenly the truth struck her. She missed
-Eline—Eline who, wherever she went, beamed forth the light of her fascination; she
-missed her dear child, so different from Betsy, so loving and sympathetic. And she
-could not help saying in her sad voice—
-</p>
-<p>“Your house seems deserted without Elly. What will it be when she is married and gone
-away for good? Dear Elly!”
-</p>
-<p>She did not hear what Betsy and Vincent answered; she did not hear what Henk said;
-she let her gray head fall upon her bosom and sat staring in front of her, the bony
-hands folded in her lap. Life seemed hollow to her, a gray existence full of grief,
-full of partings and tears, in which men hovered round, sombre and sad, like so many
-tragic phantoms. And she shuddered when Betsy asked her whether she was cold.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Betsy, though she had never confessed it, had, just like her mother-in-law, in spite
-of Vincent, who “was so sociable,” also found it lonely and miserable in the house.
-There was so little change in the summer; it was eternally the tent and eternally
-Scheveningen; she was really getting sick of it. And now that Eline was back, beaming
-in her fresh happiness, which seemed to diffuse a rustic odour through Betsy’s drawing-room;
-now that Eline was full of tales about the Horze, about Théodore and Truus and the
-children, about the Howards and the little van Ryssels, Betsy perceived that Madame
-van Raat was right—that Eline was <span class="pageNum" id="pb204">[<a href="#pb204">204</a>]</span>the charm of her house. Now Betsy herself commenced to look forward with some misgiving
-to the time when Eline would leave her, and that misgiving greatly softened her ordinary
-acerbity. Otto, whom she formerly thought too formal and affected, she thought charming,
-now that she frequently saw him, for she had insisted that he should often come to
-dinner.
-</p>
-<p>At table the conversation once more grew lively and cheerful, quite different from
-the slow, dragging discourse between herself, her husband, and Vincent. To Eline her
-manner became gentle, out of gratitude for the old pleasantness which she had brought
-back with her, and they held endless consultations about Eline’s <i lang="fr">trousseau</i>, which it was now time to see about, if she wanted to marry in the coming winter.
-Their afternoons they spent together with dressmakers and in shops; they travelled
-together with Otto to Brussels, where Eline wanted to order her wedding-dress, rich
-but simple, nothing but white satin, without lace or furbelows.
-</p>
-<p>Eline in the meantime, in all this stir and bustle, had little time left her for thinking,
-and only in the evening did she get any rest. In the evening they often stayed at
-home. It was September. Scheveningen gradually lost its attractions, and now that
-Otto came to dinner it generally grew late without their noticing it. She sat with
-him in the garden, or in the violet boudoir, and she became quite used to her calm
-happiness; it seemed in fact as if she had never known anything different. Everything
-was so restful and contented within her, that she almost longed for some emotion.
-But no, she loved Otto; that single emotion sufficed for her. Never anything but that;
-always that calm, always that blue ether!
-<span class="pageNum" id="pb205">[<a href="#pb205">205</a>]</span></p>
-</div>
-</div>
-<div id="ch21" class="div1 chapter"><span class="pageNum">[<a href="#ch21.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XXI.</h2>
-</div>
-<div class="divBody">
-<p class="first">Georges de Woude van Bergh studied hard for his examination for Vice-Consul, and one
-day Emilie had betaken herself to the Verstraetens’ and had a long talk with Mr. and
-Madame Verstraeten, whilst Lili, very nervous and unhappy, had found much comfort
-in Emilie. Emilie had laughingly apologized for her unceremonious visit; but really
-her aged father was ailing and never went out, and she managed everything for him,
-took everything off his hands, even to a request for access for his son. No; she was
-certainly not of Georges’ thinking, that one could live without money, and quite understood
-that Mr. and Madame Verstraeten also could not harbour such an idea; but after all
-the boy had a prospect, had he not? and the pair of them seemed to have so much set
-their minds upon that folly, that one could not talk them out of it. The question
-really was, had Mr. and Madame Verstraeten any personal objection to him, or would
-they permit the two to wait until they could begin life together without too great
-a risk of starvation? Would Mr. and Madame Verstraeten be able, at a given moment,
-to part with Lili? And if they did not quite refuse, how would they decide? A regular
-engagement, or only a—well, a union of hearts, nothing more? It was a pity, certainly,
-that the two had made themselves somewhat conspicuous, and that the whole town knew
-of it, but they were a pair of unsophisticated children, and in time they would be
-more prudent. The question now was—and Emilie summarized her questions once more with
-her genial hearty manner, but inwardly a little anxious about the reply.
-</p>
-<p>And Madame Verstraeten sighed and shook her head thoughtfully; but the old gentleman,
-to Emilie’s joy, did not make any insurmountable objections. But still he had his
-objections. Lili was so young, such a child; would it not be better if she did not
-bind herself yet, and took time to make sure that he was Mr. Right? He liked de Woude
-very much; he had noticed too that the boy had something in him; but still, were not
-his optimistic financial ideas based rather too much on his love? Had he really no
-more wants than now in the blindness of his affection he imagined? He was used to
-a certain degree of luxury. Emilie listened attentively, fully convinced of all those
-difficulties, about <span class="pageNum" id="pb206">[<a href="#pb206">206</a>]</span>which she had once spoken to him herself. But now—now she had allowed herself to be
-persuaded into the folly of this visit, and she did not want to be faithless to her
-boy; now she wanted to make it appear as if all those difficulties merely existed
-in Mr. Verstraeten’s mind, and so she would endeavour to remove them. Thus it was
-ever. When one had committed one absurdity, one fell from one folly into another,
-and now she would be compelled to argue against her own convictions. It was a difficult
-task, talk as she might, and it was perhaps to her Georges’ misfortune that she could
-plead so well; but dear me, the boy was so smitten, and perhaps after all he was right!
-There were other little households that were not rich—small officials, sub-lieutenants.
-No, no; at bottom she was really committing an absurdity; but it could not be helped,
-it was too late.
-</p>
-<p>And while she pleaded for Georges, she was inwardly angry that he had brought her
-to do such a thing. Could she, then, refuse that boy nothing, and must she herself
-be a party to bring about his ruin?
-</p>
-<p>But she kept her word, and pleaded so well that Madame Verstraeten went to fetch Lili,
-who wept bitterly and kissed Emilie fondly. But an engagement was out of the question
-for the present. Madame Verstraeten did not care about these poor folks’ engagements,
-which sometimes lasted for years, and Emilie declared to Lili that a union of hearts,
-sanctioned by her parents, meant much already, under the existing circumstances. It
-was better so, after all, was it not? If on further acquaintance they did not suit
-each other, there would be no harm done; and if they grew to like each other more
-and more—well, so much the better. Come; she should not look at it too gloomily, the
-victory gained over the steel-clad hearts of her parents was not an unimportant one.
-And what more did she really want? To marry at once—reception to-morrow—in a day or
-two to the Stadhuis and the church, and then make their entry in a little attic somewhere!
-Yes; that would be very nice!
-</p>
-<p>Lili laughed between her tears, and kissed her parents; whatever papa and mamma thought
-fit, she was satisfied.
-</p>
-<p>That afternoon Georges was asked to dinner, and after the meal a splendid September
-night was spent in the garden. It was late when Georges left; late when Marie and
-Lili retired to their room and undressed. Marie listened kindly and patiently to Lili’s
-<span class="pageNum" id="pb207">[<a href="#pb207">207</a>]</span>chattering about hundreds of plans for the future. She would love to travel, and Georges’
-employment gave promise of that. Snugly she crept into the cool sheets, smiling at
-the rosy visions of her fancy, her arms bent over the little head encircled by its
-dishevelled mass of fair hair. Marie too crept into bed, and for a moment all was
-quiet in the dark room, when there was a gentle knocking at the door, which the next
-moment was opened. The girls started in alarm.
-</p>
-<p>“Hush, hush! ’tis only me,” whispered a soft, subdued voice, and they saw a small,
-bent figure in white night-gown and cap, with a lighted candle in hand, enter the
-room. “Hush! I was only coming for a little chat.”
-</p>
-<p>It was old Dien, the ancient servant of the Verstraetens’, the good-natured old body
-who was always so handy when they had parties or <i lang="fr">tableaux-vivants</i>. She approached, treading softly in her stockings, while the candle-light reflected
-a yellow glow on her shrivelled, white-capped face.
-</p>
-<p>“But, Dien, you frighten me! You look like a ghost!” cried Marie.
-</p>
-<p>“Hush, quiet! They are all in bed; but I thought you wouldn’t be asleep yet. I want
-to have a little chat—may I?”
-</p>
-<p>“Certainly, Dien; certainly you may,” said Lili with animation. “What have you got
-to say?”
-</p>
-<p>Dien seated herself on the edge of Lili’s bed.
-</p>
-<p>“You can understand, old Dien is not so old but she can tell when there’s something
-stirring. And you see, when she does notice it, she can’t keep it to herself; she
-must out with it. You little rascal!” She held up her finger to Lili threateningly.
-</p>
-<p>“What is it, Dien?” asked Lili.
-</p>
-<p>“Come, deary, now don’t you keep yourself so innocent! Do you think I don’t know why
-you cried as you did this afternoon, and why Miss Emilie made such a long stay in
-the conservatory? You see I thought there was something then,” she continued, winking
-her sunken eye, “and I began thinking to myself, and there you are—at half-past five
-in he marches, and stops nicely to dinner, eh?”
-</p>
-<p>“Get along, Dien; what are you prattling about?”
-</p>
-<p>“No, no; Dien doesn’t prattle. Dien knows what she knows well enough. And you too,
-you know what you’re about.”
-</p>
-<p>“What is it then?”
-</p>
-<p>“Well, child, you are quite right. There’s a steady boy he is. <span class="pageNum" id="pb208">[<a href="#pb208">208</a>]</span>Such a nice, gentle little face, with a neat little fair moustache. A proper little
-hubby for you. You are rather dainty yourself. They are well matched—eh, Miss Marie?”
-</p>
-<p>“Cut out for each other,” yawned Marie from between her sheets.
-</p>
-<p>“You like him then?”
-</p>
-<p>“Rather!” answered Dien. “And he is always so polite to me and Bet. He always says
-it so nicely when I open the door to him: ‘Ah, Dien, how are you?’ Always a word or
-two to say, you know. Not a bit proud, and he never forgets to wipe his feet.”
-</p>
-<p>Lili roared.
-</p>
-<p>“You aren’t angry because I say so?”
-</p>
-<p>“No, not at all, Dien; I am very glad he is in your good books.”
-</p>
-<p>“Sleep you won’t for yet awhile, eh? You see, in the daytime I am always too busy,
-and now it’s just a nice time for a snug chat. And Dien may give you a bit of advice,
-eh? You see, I have been married too, and it isn’t all honey, child. Yes; at first
-you think ’tis very nice to play the wifie, but later on come the youngsters, and
-the cares come with them; I have had three of them you see. And what a bother it is
-to bring them up! And you know I haven’t had much pleasure of them. One died, a boy,
-when he was fourteen, and the other wasn’t quite what he ought to be, and went to
-the Indies. Only my girl—yes, she’s a good girl; you know, she’s in Rotterdam, married
-to a tailor.”
-</p>
-<p>“Yes, Dien.”
-</p>
-<p>“And, I say, when do you think you will marry?”
-</p>
-<p>“Oh, Dien! really I don’t know yet. We won’t get married for a long while yet, and
-you mustn’t chatter about it; do you hear?”
-</p>
-<p>“No, no; don’t you fear. You see, Bet too, she isn’t blind either. Do you think it
-will be a twelvemonth yet?”
-</p>
-<p>“Oh, quite. But come, Dien, go to bed now.”
-</p>
-<p>“Yes, deary. But you see, when the youngsters come, those little fair-haired dots—you
-are both of you so fair—I shall leave your ma, and come to stay with you. What do
-you say to that?”
-</p>
-<p>“What, as nursemaid? No, thank you, you will be much too old for that then.”
-</p>
-<p>“Oh! I should wash and scrub them nicely, don’t you fear!”
-</p>
-<p>“Dien, I think you are saying improper things!” cried Marie. “Fie!”
-</p>
-<p>“What is there improper in that? But come, I must be off; <span class="pageNum" id="pb209">[<a href="#pb209">209</a>]</span>why, it’s half-past twelve. And do you hear, Miss Marie, you must make haste and have
-your turn—that little dot has stolen a march on you; don’t you lag behind now, do
-you hear? Will you see to it?”
-</p>
-<p>“Yes, Dien; I shall do my best,” said Marie.
-</p>
-<p>“Then dream about it nicely. And you too, deary, you dream about him. And tell him
-that Dien thinks him a nice boy, with his little moustache—will you, eh? Will you,
-you little rascal?”
-</p>
-<p>She grasped Lili, who again roared with laughter, jestingly by the shoulders.
-</p>
-<p>“Yes, yes, Dien, I shall. But you need not shake me like that—ooh! Good-night, Dien.”
-</p>
-<p>“Good-night, little pets. Hush, child, don’t laugh like that. You will wake the old
-folks. Hush, hush! I am going—quiet now!”
-</p>
-<p>Dien left, looking yellowish-white in the glow of the candle, with a final wink, full
-of mystery, her footsteps quite muffled by her woollen stockings.
-</p>
-<p>“That silly Dien!” lisped Lili, still laughing, and half asleep.
-</p>
-<p>The room was once more in darkness, and it was quiet, very quiet, and Marie lay with
-her head on her pillow, her wide-open eyes fixed on the dark ceiling.
-</p>
-</div>
-</div>
-<div id="ch22" class="div1 chapter"><span class="pageNum">[<a href="#ch22.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XXII.</h2>
-</div>
-<div class="divBody">
-<p class="first">Vincent felt very ill and weak, and his condition became so serious that Dr. Reyer
-forbade him to leave his room.
-</p>
-<p>He followed the doctor’s advice, drinking little, abstaining from smoking, and giving
-himself over completely to the soothing influence of the restful atmosphere that surrounded
-him.
-</p>
-<p>His days he passed in Eline’s boudoir, as Betsy could not spare him a sitting-room
-to himself. There he would lie down on the Persian divan, an Eastern dressing-gown
-snugly wrapped about him—a memento of his days of luxury in Smyrna—his bloodless fingers
-clasping a book in which he did not read a line. It seemed to him <span class="pageNum" id="pb210">[<a href="#pb210">210</a>]</span>as though all ideas had vanished from his brain, as if, in fact, his whole being was
-fading away in a languid calm, in a sense of weariness like that induced by prolonged
-and severe bodily exertion. His mind was filled with petty, childish thoughts, rising
-up like bubbles, to burst asunder the next moment. His pleasures were as petty as
-his thoughts, and he felt gratified when Dr. Reyer praised him for his obedience,
-while he suffered acutely whenever he had to wait a few moments for Eline to bring
-him his breakfast. And beyond that he felt nothing; he simply lay down, gazing round
-Eline’s room, and counting the pictures, the ferns, and all the smaller objects of
-luxury that were scattered about.
-</p>
-<p>In the morning Eline sat down beside him and read to him or sang a snatch or two from
-a favourite opera; and Vincent would lie and listen as in a dream, lost in a strange
-vision full of faint odours and subdued tints, all wreathed and entwined one with
-another as in a kaleidoscope of colour and perfume. He did not speak, and Eline too
-said little, penetrated as she was with a feeling of romantic joyfulness, a joyfulness
-such as she had known when keeping her nightly vigil at Aunt Vere’s bedside—the pleasure
-of devoting herself to the care of an invalid. She became more and more interested
-in Vincent, and the loving care with which she tended him gradually had the effect
-of deeply endearing him to her.
-</p>
-<p>In the afternoon she usually stayed at home until after four, when Otto came to fetch
-her for a walk; and then, when he gently rebuked her for not taking sufficient care
-of her own health, and for sacrificing herself too much for Vincent, she would look
-at him almost tearfully and ask how he could possibly fail to feel the deepest sympathy
-for Vincent, who was so forsaken, so unhappy, and so weak. The busy negotiations about
-her trousseau with Betsy were somewhat interrupted by these cares, and on one occasion
-even she remarked to her sister that she thought it a terrible thing to have to marry
-in November, when Vincent would perhaps be dying. She could not help fancying that
-Vincent’s illness was caused by a secret passion for her, a passion the secret of
-which he had until now most jealously kept. For he had never before made such a long
-stay in the Hague; he had now been in the city for nearly a year, whilst he never
-used to remain longer than a week or two. Poor Vincent—for the present her watchful
-care of him brought him solace and comfort—only, would not all that careful solicitude,
-those constant attentions on her part towards <span class="pageNum" id="pb211">[<a href="#pb211">211</a>]</span>him, feed the flame of that passion that was for ever destined to be so helpless,
-as it was only her Otto she might care for, no one else? She would have been glad
-could she have confessed those thoughts to another; but to whom could she do so? To
-speak to Otto about it, that seemed to her scarcely proper; whilst if she made Betsy
-her confidante, she was certain to ask her why she must always fill her head with
-such nonsense. How about Madame van Raat though?
-</p>
-<p>Yes, she was the person to consult; she would call on Madame van Raat one morning
-alone, without Otto. But when she did see the old lady, she found it such a difficult
-matter to shape her suspicions about Vincent in words, that when her visit came to
-an end she had not uttered a syllable of her confession. And she comforted herself
-with the sad reflection that Vincent would probably die before they were married,
-and that in that case her ministering care would have somewhat sweetened his last
-days.
-</p>
-<p>The days passed by, and in the meantime the suspicion that Vincent cherished a secret
-passion for her grew more and more into a certainty, until she began as it were, involuntarily,
-to yield herself up to an absorbing pity for her poor ailing cousin. Her happiness,
-that had seemed so placid that it could not be broken, glided more and more from the
-vain grasp of her fingers, and a sense of nervousness and unrest became daily more
-diffused over her being, while in the meantime she lacked the courage to unbosom herself
-to Otto; for when she thought of Vincent, a mist appeared to come between herself
-and Otto, a mist that grew denser and denser and threatened to part them from each
-other. She shuddered at the thought, and after having passed half the day in her nervous
-unrest by Vincent’s side, she would long to be again with Otto, in whose placid temperament
-she hoped to find a healing balm for her perturbed spirit. Soon after four he came,
-they went for a walk together, he returned with her to dinner, in the evening they
-often stayed at home, they were much alone together, and when at night he was gone
-and she had retired to her room, she had to do her utmost to restrain herself from
-bursting into tears, for she found that she no longer drew from his presence that
-restfulness and peace which once it had brought her. On the contrary, now and then
-his calmness even irritated her, as something indifferent and phlegmatic, which, in
-her present mood, brimming over as it was with unrest, repelled her, especially when
-she contrasted him with Vincent, in whom she suspected a <span class="pageNum" id="pb212">[<a href="#pb212">212</a>]</span>world of still, agonizing grief was hidden. Even Otto’s simple ease, beneath which
-only so recently she had seen such a wealth of love, irritated her now.
-</p>
-<p>Would he never then burst forth in a storm of passion, in a tempestuous torrent about—about
-anything, whatever it was? Would he ever remain so calm, so placid, so eternally equable?
-did he then never feel conscious of something struggling with something else within
-his heart, something that boiled and seethed within him, and which must pour itself
-forth in a torrent of words? Could nothing move him, nor rouse him from that rest
-which seemed all but lethargy? Kind and affectionate, yes, that he was, but he was
-incapable of deep feeling; perhaps his calmness was nothing but egoism after all,
-an egoism which another’s grief was powerless to move!
-</p>
-<p>Thoughts such as these made Eline feel wretched and unhappy. Oh, great heavens! they
-were the spectres, the grim spectres, that were fast crowding in around her. No, no,
-they should <i>not</i> drag her along with them, she would scare them away, away; but in vain, still they
-rose up, one after another, chilling her with their icy breaths of gruesome doubts,
-and she struggled against them—a fearful struggle! She forced herself to think again
-those sweet thoughts which had filled her with an idyllic happiness during her stay
-at the Horze; she forced herself once more to find back her placid peacefulness, her
-ethereal ecstasy—but alas, it was in vain! And when she began to feel conscious of
-that one sleepless night, when a deep silence prevailed throughout the house, and
-when she, with great staring eyes, was lying so lonely on her bed; when for the first
-time she felt conscious of that, in all its cruel truth, and felt that those days
-had passed away for ever, that they would never more smile upon her with their golden
-glory of light and joy, then at last she burst out in a wild, tempestuous sobbing,
-so tempestuous and wild as she had never sobbed before, and in her passionate outburst
-she flung herself upon her pillow as though that were her happiness, as though that
-were the bird that slipped through her fingers. She shook her head—no, no, she would,
-she must be happy again as before, she would, she would love her Otto, as she did
-before in the pine wood—love him! No, it was impossible, it must not, it should not
-be—she would, <i>would</i> force herself, with all the strength and energy of her will, to continue to love
-him, as she had done hitherto; she would still <span class="pageNum" id="pb213">[<a href="#pb213">213</a>]</span>cling close to him, as she now clung to her pillow and the gruesome, grinning spectres
-should not be able to tear him from her arms. All remained silent in the house; only,
-there she heard the big clock in the kitchen down-stairs, tick, tick, unceasingly,
-and an intense terror seized her as she listened to that hard, metallic, rhythmic
-sound. A terror lest her happiness should not allow itself to be forced back into
-her soul; a terror lest some invisible power should push her down, down along some
-steep sloping path, while she would fain ascend upward, ever upward. And then followed
-a fury, a tempestuous fury, because she felt it so plainly, and yet <i>would</i> not feel, and because she remained too weak to make a strong, decided effort to resist
-the encroachment of the unseen powers that ever seemed to mock and taunt her.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The next morning Eline went early to see Vincent; she wanted to hand him a big letter
-that had come for him. He was lying as usual in his Turkish dressing-gown on the divan.
-Still, slowly and gradually, he was recovering; Dr. Reyer had even told him that he
-might take a little walk, but the rest had become dear to him, and he answered that
-he did not yet feel equal to walking. When Eline entered he gave her a friendly nod;
-he had grown used to her thousand little cares, and he felt grateful to her for them,
-and this gratitude brought a kindly glow into his eyes which Eline mistook for love.
-She handed him the letter and asked how he felt.
-</p>
-<p>“Pretty well. I am getting on gradually,” he said wearily, but suddenly he raised
-himself up and quickly tore open the envelope. Eline was about to sit down at the
-piano.
-</p>
-<p>“Ah, at last!” she heard Vincent exclaim almost joyfully.
-</p>
-<p>“It is from New York, from Lawrence St. Clare!” said Vincent, quickly reading through
-the letter. “He has found something for me—a place at a good business house.”
-</p>
-<p>Eline felt suddenly alarmed.
-</p>
-<p>“And what do you think of doing?” she asked. “What do you mean?”
-</p>
-<p>“To go as soon as I am better, but—but I am not, and I am afraid I shall not be yet
-awhile,” he concluded languidly.
-</p>
-<p>“To go where—to America?”
-</p>
-<p>“Yes—certainly.”
-</p>
-<p>“Are you glad you can go, then?”
-<span class="pageNum" id="pb214">[<a href="#pb214">214</a>]</span></p>
-<p>“Of course; why should I hang about here any longer now that I can get a situation?”
-</p>
-<p>He scarcely thought of what he said. He fell back in the Persian cushions, and a maze
-of bright-hued visions rose before his mind. He remembered his former life of endless
-change, of ever-changing perspective and glimmering horizon—change was life, change
-it was that would cure, that would rejuvenate him.
-</p>
-<p>Eline, however, felt deep pity for Vincent. Yes, indeed, he was very pleased that
-he could go, before her wedding most likely, so that he need not be witness of what
-to him was probably a very painful sight. Yes, indeed he loved her—and suffered accordingly.
-</p>
-<p>“Vincent,” she said at last.
-</p>
-<p>“Well?”
-</p>
-<p>“Vincent, really—just think about it, don’t be too rash—you are still so weak. Suppose
-you should have a relapse? Ask Reyer’s advice first.”
-</p>
-<p>“But, Elly, haven’t I always been as I am now? I never was robust, and—and you don’t
-want to keep me; besides, and what if I do stay here?” he asked with a smile.
-</p>
-<p>To her that smile seemed sad and forced, and she reproached herself for endeavouring
-to keep him there. No, he must go; only, maybe perhaps things would change—change
-so that he need not go at all. She felt giddy, and it all began to dance and shimmer
-before her eyes—the thought that rose to her mind, she dared not think. It would be
-too terrible. Too terrible for Otto, too terrible also for herself. That day, when
-Otto came, Eline felt, instead of the usually so grateful warmth which his presence
-had at one time called forth in her heart, nothing but an icy indifference. Oh, God,
-how did that come about, how did that warmth chill down like that? She did not know,
-but so it was, and she had not the power to change it. She gave him a friendly nod,
-and held out her hand to him. She could not look him in the face, but her heart was
-deeply moved with pity. There he stood, Otto, by her side, his gentle, kindly glance
-fixed upon her, her hand in his, as he leaned against the back of her chair. Yes,
-there he stood by her side, he full of love, and she—she felt nothing but cold, chilly
-indifference! No, a thousand times no! it might not, it should not be, she would force
-herself, she pitied him too much.
-</p>
-<p>“Nily—what is the matter, child?” he asked softly, as he felt the nervous, pressure
-of her fingers on his hand.
-<span class="pageNum" id="pb215">[<a href="#pb215">215</a>]</span></p>
-<p>“Oh—nothing—nothing, only a headache, I think,” she answered faltering, and she looked
-at him for the first time that afternoon. His eyes looked deep into hers, and she
-was on the point of flinging herself in wild remorse on his bosom, to cling to him
-and never to release her hold. But again that unseen power withheld her.
-</p>
-<p>“Is it no longer to be forced back? Will it never come?” she thought hopelessly. They
-remained alone, and it was some little time yet before dinner should be ready.
-</p>
-<p>“Nily—little woman, tell me, aren’t you well?” he asked anxiously. “Your hand is cold.”
-</p>
-<p>“I am a little feverish—we have been out driving in an open carriage with Vincent.”
-</p>
-<p>“I hope you are not going to be ill.”
-</p>
-<p>“Oh, no; it will pass over.”
-</p>
-<p>She looked at him smilingly, and all at once, in a rush of despair, she flung both
-her arms round his neck.
-</p>
-<p>“You are so kind, so loving,” she whispered in a broken voice. “You are so kind, and—I
-am so fond, so very fond of you.”
-</p>
-<p>Vincent did not yet feel strong enough to join them at dinner that day. At table Betsy
-was telling Otto of the letter from America; Vincent was about to get a situation
-in New York.
-</p>
-<p>“And when does he intend to go?”
-</p>
-<p>“As soon as he is better. I shall be thankful enough when he is gone.”
-</p>
-<p>Eline could no longer contain herself.
-</p>
-<p>“Reyer says he must not think of such a thing for some weeks yet!” she said sharply,
-with an angry glance at Betsy. “But of course——”
-</p>
-<p>“Of course what?”
-</p>
-<p>“If it were not for the sake of decency, you would, ill as he is, turn him out of
-doors.”
-</p>
-<p>“If I could—yes, I should certainly. And once for all, this I tell you, he shall never
-come here again. Fancy hanging about here like this!”
-</p>
-<p>“But, Betsy—he is nearly dying!” cried Eline, trembling with rage.
-</p>
-<p>“Oh, nonsense!”
-</p>
-<p>“What’s nonsense? If you saw him as I do,” she screamed.
-</p>
-<p>“Never mind, Eline, don’t let us fall out about Vincent. The fellow isn’t worth it.
-Why, you make a melodrama of it. Don’t make such an exhibition of yourself, for goodness’
-sake.”
-<span class="pageNum" id="pb216">[<a href="#pb216">216</a>]</span></p>
-<p>“Yes, I know; ‘Don’t make an exhibition of yourself.’ That’s what I always get treated
-to when I show a little feeling. But you—you have no heart—you——”
-</p>
-<p>“Eline,” said Otto softly.
-</p>
-<p>Gerard was coming in with the joint. The silence was painful.
-</p>
-<p>“You have forgotten the gravy, Gerard,” said Betsy.
-</p>
-<p>Gerard left the room.
-</p>
-<p>“Yes, you—why you would tread a person underfoot if he were only ever so little in
-your way, if he upset you in the least in your brutal egoism! You think of no one
-but yourself, and you can’t even understand that everybody else is not equally despicable,
-and——”
-</p>
-<p>“Eline!” said Otto again, as Gerard was coming in once more, this time with a gravy
-tureen.
-</p>
-<p>“Oh, hold your tongue<span class="corr" id="xd31e3915" title="Not in source">,</span> do, with your ‘Eline! Eline!’ <span lang="fr">Qu’est-ce que me fait cet homme! Betsy ne veut pas le voir—mais je t’assure, que Vincent
-se meurt. Il s’est endormi dans ma chambre, pâle comme un linge, essoufflé par la
-fatigue, que lui a causé cette stupide promenade recommandée par Reyer. Et c’est pour
-cela, que je ne veux pas souffrir, qu’on l’accuse d’indiscrétion et de tout cela.
-S’il ne fut pas si malade, il ne resterait pas longtemps chez nous—j’en suis sure …!</span>”
-</p>
-<p>She spoke passionately, with eyes aflame with rage, and the French words fell from
-her lips sharp and cutting as needles, haughty and savage.
-</p>
-<p>Betsy, too, was boiling with rage. Gerard left the room, but she made no reply and
-restrained herself.
-</p>
-<p>“Nily, dear,” said Otto, “I bear Vincent no ill-will, although I don’t feel much sympathy
-with him, but still I shall be glad too when he is gone.”
-</p>
-<p>“Indeed—you too, eh?” she hissed.
-</p>
-<p>“May I finish?” he resumed, clasping her icy hand in his. “Yes, I shall be glad when
-he goes, at least if his presence in the house is able to excite you like this. You
-are quite beside yourself. You don’t know what you are saying, Nily; at least not
-with what force you are speaking.”
-</p>
-<p>His quiet words drove her frantic.
-</p>
-<p>“And you—you—with your eternal calmness, your eternal phlegmatic calmness!” she burst,
-nearly shrieking, as she rose from the table and flung down her serviette. “It drives
-me mad—that <span class="pageNum" id="pb217">[<a href="#pb217">217</a>]</span>calmness! Great heavens, it drives me mad! Betsy crushes me with her egoism, and you
-with your calmness—with your calmness, yes, your calmness! I—I—I can’t bear it any
-longer—it suffocates me!”
-</p>
-<p>“Eline!” cried Otto.
-</p>
-<p>He rose and grasped her wrists, and looked her straight in the eyes. She expected
-something very terrible, that he would fling her down, strike her. But while he continued
-to hold her hands he only shook his head slowly, and his voice sounded full of sorrow,
-as he simply said—
-</p>
-<p>“Eline!—for shame!”
-</p>
-<p>“Great God! I—I am going mad!” she screamed in a fit of sobbing, and she tore herself
-away from his grasp, and rushed out of the room, as she went, dragging some glasses
-from the table, which fell with a tinkling noise in shatters on the ground.
-</p>
-<p>Betsy trembled with rage, and wanted to run after Eline. Otto, however, stayed her.
-</p>
-<p>“Let her be, I beg of you!” he entreated.
-</p>
-<p>Henk too had risen, and when Gerard came in they all three felt very much confused
-before the servant, about the abruptly interrupted dinner, and about the shattered
-glass.
-</p>
-<p>“Never mind—never mind, Gerard!” said Betsy almost humbly, “never mind. Clear the
-table.”
-</p>
-<p>It was impossible for them to assume a nonchalant air. Gerard must have noticed that
-there was something wrong, though his face remained ever so calm and dignified.
-</p>
-<p>Eline in the meantime had rushed up-stairs into her bedroom and thrown herself on
-her bed. Then she began to sob—but Vincent must not hear it. She sobbed and sobbed
-until it grew dark; then she heard Vincent walking in the adjoining room, but she
-lay still and wrung her hands and choked the sobs in her bosom.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Otto had sat down in the drawing-room, and was staring with moist eyes on the ground
-when Henk entered. He noticed a tear in Otto’s eye, and Henk was roused from his wonted
-quiet kindliness, and began to boil within him.
-</p>
-<p>“Erlevoort!” said he, and laid his hand on Otto’s shoulder.
-</p>
-<p>Otto lifted up his head.
-</p>
-<p>“Erlevoort! come, old chap, be a man! Sissy is sometimes an awkward little craft to
-manage, but she is not bad at heart! You <span class="pageNum" id="pb218">[<a href="#pb218">218</a>]</span>must not take notice of what she said to you, do you hear? She was only angry with
-Betsy, because she rather likes Vincent, and so by accident you got your share of
-it. But you must take no notice of it. That’s the best way to punish her.”
-</p>
-<p>Otto did not answer; his mind was too much filled with doubt that Henk’s kindliness
-could have cheered him. He recollected how he had once told Eline that she had but
-one single fault, that she did not know herself, that there were hidden treasures
-within her, that he would arouse those latent gifts, but now he saw but too well that
-he had not the power to do so, that he only irritated her, and—that he drove her mad!
-</p>
-<p>“She can be confoundedly hasty at times!” resumed Henk, as he walked inwardly enraged
-up and down the room. “But any one whom she likes, and whom she can look up to, can
-lead her easily enough, and then—Shall I go and have a talk to her?”
-</p>
-<p>“I should—let—her be!” replied Otto, speaking with difficulty. “I dare say she will
-herself——”
-</p>
-<p>He tried to think himself in her place, and to guess how she now felt. But it was
-in vain, he could not think, he still smarted too much under the blow she had given
-him. Never had he heard her utter such words before, in that strident, shrieking voice;
-never before had he seen her features so distorted—even to ugliness—by her passions;
-and try as he might, he could not collect his thoughts under that great torturing
-grief that cut him to the quick.
-</p>
-<p>It pained Henk to see his weary, hopeless attitude. And suddenly he felt himself nerved
-to action. No, he would not permit it, that Eline should thus treat Otto with contempt,
-he would not permit it. With a firm and elastic step he left the room. Henk went up-stairs
-and entered Eline’s boudoir. He found no one there, for Vincent, tired as he was after
-his first trip, had already gone into his bedroom, quite unconscious of the storm
-that had been raging down-stairs. Henk knocked at Eline’s door.
-</p>
-<p>“Eline!” he called.
-</p>
-<p>There was no answer, and he quietly opened the door. On the floor lay Eline, her slight
-form quivering with inaudible sobs, her face hidden in her hands. He waited for a
-moment, but she did not move.
-</p>
-<p>“Eline, get up!” he said curtly, almost commandingly.
-</p>
-<p>Savagely she lifted herself up, and savagely she shrieked—
-</p>
-<p>“What is it? What do you want here? Go away.”
-<span class="pageNum" id="pb219">[<a href="#pb219">219</a>]</span></p>
-<p>“Get up.”
-</p>
-<p>“I won’t; go away, go away! I tell you, go away!”
-</p>
-<p>He bent over her and grasped her wrists, full of a passion that made the blood rush
-to his face. He hurt her, and she gave a cry of pain.
-</p>
-<p>“Confound it! Will you get up?” he hissed between his teeth, almost beside himself
-with rage, while he drew her up savagely. His flushed face, his flaming eyes, and
-hissing voice terrified her. Falteringly she let him pull her from the floor.
-</p>
-<p>“What do you want?” she asked once more, but calmer this time, and with apparent haughtiness.
-</p>
-<p>“I shall tell you what I want. I want you to go at once—at once, do you hear—to Erlevoort
-and ask his pardon. Perhaps you don’t remember what you have been saying in your mad
-passion, but you have offended him deeply, you have insulted him. Go, and at once!”
-</p>
-<p>She looked at him in much alarm. His determined, commanding tones made her tremble,
-and she was speechless with terror as she saw him, with his big powerful form, pointing
-to the door.
-</p>
-<p>“You will find him down-stairs in the drawing-room. Are you going now?”
-</p>
-<p>She trembled all over, but she would not let him triumph.
-</p>
-<p>“I won’t.”
-</p>
-<p>“If you won’t, I shall drag you down the stairs until you lie at his feet. I swear
-I shall do it, I swear I shall!” he hissed syllable by syllable into her face.
-</p>
-<p>She stepped back in alarm.
-</p>
-<p>“Henk!” she cried, shocked that he durst say such a thing to her.
-</p>
-<p>“Are you going?”
-</p>
-<p>“Yes—yes, I will go, but—Henk! Oh, don’t, don’t speak like that to me! Why should
-you? Great heavens! am I not unhappy enough already?”
-</p>
-<p>“That is your own fault, your own doing, but that is no reason why you should make
-another unhappy too, especially Erlevoort.”
-</p>
-<p>“Yes, yes, you are right,” she sobbed, quite broken at last. “I will go, but come
-with me, come with me, Henk.”
-</p>
-<p>He supported her as he took her from the room and led her down the stairs. But when
-she entered the drawing-room she felt frightened. There was no one there but Otto,
-who was seated <span class="pageNum" id="pb220">[<a href="#pb220">220</a>]</span>on the sofa, leaning his head in his hands. For a moment she stood still, undecided
-what to do, but Henk looked at her, and his glance and also the sight of Otto’s silent
-despair caused her to hesitate no longer. She fell on her knees before him and wanted
-to say something, but she was unable to utter a single word for violent sobbing, which
-at length seemed to melt away in a copious stream of tears. She laid her throbbing,
-glowing head on his knees, and took his hand, and sobbed and sobbed until her heart
-nearly broke. He did not speak either, and looked her deep in the eyes.
-</p>
-<p>At last, with a great effort, she could just say, while Henk remained standing like
-her judge behind her—
-</p>
-<p>“Forgive me, Otto, forgive me, forgive me.”
-</p>
-<p>He nodded his head, slowly and softly, not quite satisfied with her remorse, feeling,
-so to speak, disappointed with something in her manner, which was not what he had
-expected, but he bent over her, drew her towards him, and kissed her forehead.
-</p>
-<p>“Forgive me, Otto, do forgive me.”
-</p>
-<p>He softly clasped his arm around her, and pressed her for a moment to his bosom, while
-she still continued her sobbing, and he closed his eyes in order to prevent the tears
-from penetrating through his eyelashes. For he knew it, he felt it—it was all over.
-</p>
-<p>The evening passed by somewhat gloomily, although Henk, in his frank, kindly tones,
-assured him that it was all right again. Of Eline he took his leave with a sad smile.
-Eline then begged Betsy’s pardon in presence of Henk. Betsy gave her a little nod
-of approval and said nothing. And afterwards when Henk told her how he had forced
-her to go to Erlevoort, she looked at him almost with admiration—for she would never
-have thought that in a struggle with Eline her husband would prove the stronger of
-the two.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Some weeks sped by, and day by day Eline found herself more and more unhappy, for
-she felt that all was over, that she could not force herself to love Otto, and she
-nearly died with grief under the reproach of his sad smile. And one afternoon she
-kept her room, and told Mina to say that she was ill, and was not coming down-stairs.
-Otto asked if he might come and see her in her room, but she sent word that she was
-tired and needed rest. And gradually, but distinctly, a determination became fixed
-in her mind: <span class="pageNum" id="pb221">[<a href="#pb221">221</a>]</span>she must do it, she owed it to his happiness and her own. The next day she would not
-receive him either, much as Henk urged her to do so. She only shook her head slowly;
-she could not do it. She was ill. Reyer? No, she did not want him. And she kept to
-her room, while Otto dined down-stairs with Betsy, Vincent, and Henk, and left early.
-</p>
-<p>That evening she remained for a long time lying on her sofa, staring into the darkness.
-At last she lit the gas, closed the curtains, and sat down at her writing-table. It
-must be. Calmly and determinedly she commenced to write, stopping every now and then,
-and reading every word to herself—
-</p>
-<blockquote>
-<p class="first salute">“<span class="sc">My dearest Otto</span>,
-</p>
-<p>“Forgive me, I beg of you, but it cannot be otherwise. Ask yourself the question if
-I can make you happy, or if I would not make your life a burden to you. I thought
-I could have made you happy, and that thought I shall always cherish, for it has comprised
-my greatest happiness in the past. But now——”</p>
-</blockquote><p>
-</p>
-<p>As she wrote the words the tears started to her eyes, and suddenly she burst into
-a violent sobbing and tore up the paper. She did not feel capable of giving him such
-pain. Great God, she could not do it! But what then should she do? Let matters rest
-where they were until perhaps in the end some catastrophe occurred to compel a parting?
-No, no, a thousand times better to part in friendship with a last sad farewell! But
-already she had caused him so much pain against her will, she wished in future to
-give him as little pain as possible, and now—oh! to be swayed thus to and fro in such
-a struggle as that, alone and forsaken, without any one to support her, without really
-knowing what she wanted or what was her duty! She was too weak for it, for such a
-struggle as that. She took up a fresh sheet of paper, however, and once more began
-to write—
-</p>
-<blockquote>
-<p class="first salute">“<span class="sc">My dearest Otto.</span>”</p>
-</blockquote><p>
-</p>
-<p>A few lines followed easily enough, very similar to the first letter which she had
-torn up. But how should she tell him further, how? Still, all at once her pen rushed
-along over the paper, savagely forming as it went letters that were all but illegible,
-but still she wrote on page after page of wild, almost incoherent sentences, in which
-she over and over again bitterly reproached herself for the <span class="pageNum" id="pb222">[<a href="#pb222">222</a>]</span>way in which she had treated him, and finally released him from his engagement. The
-long, rambling letter, full of repetitions, and blurred with her tears, she concluded
-with the pathetic prayer that when one day he should have found a girl who was worthy
-of him, and who would love him disinterestedly, he would still not quite forget her.
-Her whole being went out to him in that final entreaty.
-</p>
-<p>“Then think sometimes of me, without hatred or bitterness, and have a little pity
-for your poor Nily.”
-</p>
-<p>The letter was written, the envelope sealed, and after much painful hesitation she
-at length summed up courage to ring for Gerard, to whom she handed it to post. Then
-a wild terror seized her, and she had a sensation as of icy water running down her
-back.
-</p>
-<p>Now Gerard was in the street, she thought, now he had reached this house, now that,
-now he approached the letter-box in the Nassaulaan. And it seemed to her as if she
-could hear the letter falling into it with a thud, like that of a coffin falling down
-an open grave. She was on the point of swooning away, for in the terribly overstrung
-state of her nerves, it seemed to her as though she were surrounded on all sides by
-tangible terrors and hideous spectres. And all at once, as if awakening from a nightmare,
-she felt conscious of what she had done, a deed that was irrevocable! She felt herself
-trembling and quivering all over as in a fever. To-morrow, to-morrow early, Otto would
-receive the letter, that letter.
-</p>
-<p>Great God, it must not, it could not be! It was her very happiness that she had flung
-away, because the rest and the peace of that happiness had bored her! Yes, it was
-her happiness which she had cast away, and which she could never regain.
-</p>
-<p>It seemed to her as though the ceiling would come down and crush her, she could scarcely
-breathe. And she rushed with faltering steps to the door, out of her room, across
-the landing and into Betsy’s bedroom.
-</p>
-<p>“Great God—Betsy—Betsy!” she screamed with a choking voice. Betsy was in bed and awoke
-with a fright. A confused idea of something terrible, a thought of fire, of murder,
-arose to her mind.
-</p>
-<p>“Who! What! What is it? What is it, Eline?”
-</p>
-<p>“I—oh, great heavens—oh!——”
-</p>
-<p>“What is it, then? What is it, then, Eline?”
-<span class="pageNum" id="pb223">[<a href="#pb223">223</a>]</span></p>
-<p>“I have—I—have——”
-</p>
-<p>“Well?”
-</p>
-<p>“Sent a—letter to—Otto.”
-</p>
-<p>“A letter?”
-</p>
-<p>“I have—I have written him. I have—broken it off. Oh, great heavens!”
-</p>
-<p>Betsy had sprung out of bed, and she stood trembling before Eline, who had crouched
-down on the floor, and lay sobbing hysterically, her face hidden by her dishevelled
-hair.
-</p>
-<p>“What do you say?” she asked, completely crushed.
-</p>
-<p>Eline said nothing more, she could only sob.
-</p>
-<p>Henk came in.
-</p>
-<p>“What is the matter?” he asked anxiously.
-</p>
-<p>“Eline has written to Otto, she has broken it off!” said Betsy in a tremulous voice.
-</p>
-<p>Henk stood still in blank amazement, and could not utter a word. But Eline lifted
-up her head, and wringing her hands and nearly delirious with grief, she said—
-</p>
-<p>“Yes, oh heavens! yes, I have broken it off. A long letter—I have sent him—and, oh!
-’tis terrible—’tis terrible—but I don’t know what I am doing, I don’t know what I
-want, I don’t know if I care for him or if I don’t, or if I care for any one else.
-I don’t know anything—and, oh! ’tis all a-throbbing, a-throbbing in my head. I wrote
-him—because—because I thought it was my duty—I should have made him unhappy. But it
-is terrible, terrible—that I should have done it. Perhaps I ought not to have done
-it, perhaps I could have yet cared for him. Oh, God! I would it was all over with
-me now, I would I were dead, for I can bear it no longer, I can bear it no longer!”
-</p>
-<p>Dull and lifeless the words fell from her, while she crouched down on the floor, wrung
-her hands, and slowly rubbed her forehead on the carpet.
-</p>
-<p>Betsy glanced at Henk: what should she do? The secret spite she felt against her sister
-melted away for the moment in a great pity at the sight of Eline’s grief. And when
-she saw her husband continue staring like one demented at Eline, she felt annoyed
-that he could find nothing better to do. She lit the gas, and wrapped a cloak about
-her—and Eline’s altered features alarmed her, now that she sat staring vacantly before
-her with her eyes red with weeping, her hands folded on her knee.
-<span class="pageNum" id="pb224">[<a href="#pb224">224</a>]</span></p>
-<p>“Oh, Elly, Elly! How could you do such a thing?” said Henk in a husky voice, as he
-thought of Otto.
-</p>
-<p>Eline did not answer, and only slightly moved her head.
-</p>
-<p>“Oh, my head is bursting!” she faintly murmured.
-</p>
-<p>“Are you in pain?” asked Betsy.
-</p>
-<p>“Oh!” groaned Eline.
-</p>
-<p>Betsy dipped a handkerchief in some water and bathed Eline’s face, her temples, and
-her forehead, from which she brushed away the dishevelled hair.
-</p>
-<p>Henk had sat down. He did not know what to do, what to say; he only saw Otto before
-him.
-</p>
-<p>“How could she do it? How could she do it?” That was his only thought.
-</p>
-<p>“Is it better now?” asked Betsy gently.
-</p>
-<p>Eline smiled contemptuously.
-</p>
-<p>“Better—no—but it is cool—the water——”
-</p>
-<p>“Will you have something to drink?”
-</p>
-<p>“No, thank you.”
-</p>
-<p>She sobbed no longer, but her tears still flowed. And slowly, almost inaudibly, staring
-vacantly all the while, she said—
-</p>
-<p>“Oh, not to know what to do—not to know—and then to do a thing like this, against
-your will. Poor, poor fellow! And this terrible pain—oh God!—it is as if I am going
-mad.”
-</p>
-<p>“Come, Eline,” said Betsy, “let me take you to your room.”
-</p>
-<p>She led Eline away like a child, and like a child she undressed her.
-</p>
-<p>“Oh, my head!” groaned Eline, and she fell back exhausted on her pillow. Betsy undressed
-her further and covered her, then she bathed her face once more with a wet cloth.
-</p>
-<p>“Come, try and sleep a little now. There is nothing more to be done for the present—perhaps
-it will all come right again later on.”
-</p>
-<p>Eline shook her head.
-</p>
-<p>“Shall I sit down by your bed?”
-</p>
-<p>Eline did not answer, and lay staring vacantly before her. Betsy closed one of the
-red curtains and sat down.
-</p>
-<p>The little white night-lamp glowed like a star on the table, and in the panelling
-of the wardrobe, in the toilet glass, over the flask and vases, on the muslin toilet
-duchesse, fitful gleams of light played hither and thither, while the big, black shadows
-lay about everywhere, motionless and gruesome, like so many dark spectres. <span class="pageNum" id="pb225">[<a href="#pb225">225</a>]</span>Betsy sat shivering in her dressing-gown; she wanted to think, but could not, for
-continually the one idea returned to her mind, that Eline had written to Otto. The
-hours dragged slowly by, and Betsy heard it strike one, half-past one, two o’clock.
-Then the groaning behind the bed-curtain died away. Betsy rose, and peeped through
-for a moment; it seemed Eline was asleep, she lay motionless with closed eyes. Slowly
-and quietly Betsy left the room.
-</p>
-<p>In his own room Henk was still seated, leaning his head in his hands. Neither of them
-went to bed, and they sat whispering together, now and then listening whether any
-movement could be heard in Eline’s room. They both feared something indefinable, of
-which they could not speak, something that continually filled their thoughts with
-a vague, dread terror.
-</p>
-<p>“Hush!” cried Betsy all at once, for Henk was still whispering, and she heard something.
-Both listened. From Eline’s room there came the sound of a violent sobbing, the sobbing
-of a soul in despair, passionate and loud. A chill trembling came over Betsy.
-</p>
-<p>“I am so frightened,” she faltered in a quivering voice.
-</p>
-<p>Henk left the room as quietly as possible, and walked across the dark landing. The
-servants were in bed, the whole house was in darkness. In Eline’s sitting-room, however,
-the gas was alight. There he sat down, and he heard Eline in the adjoining room—she
-was sobbing, sobbing with such intensity as he had never heard any one sob before;
-it sounded hoarse, screeching, wild, as the voice of a sorrow that was past comforting;
-every sob must pain and torture her, every sob re-echoed in his own brain; with every
-sob he waited for the following. At last the sobbing died away in a soft groaning,
-then it ceased altogether. All was still. And Henk’s hair began to stand on end in
-his terror at the tragic stillness that now reigned throughout the big house. He rose,
-he was no longer master of his actions, he wanted to be certain, he must see. For
-a moment, but for a moment only, he hesitated to enter Eline’s bedroom; then he opened
-the door and entered.
-</p>
-<p>On the rumpled bed, in the ruddy reflection of the curtains, lay Eline with distorted
-features, her hair falling a dishevelled mass about her head. The blankets she had
-cast aside. She seemed to sleep, but yet every moment an inward sob appeared to shake
-her very frame as with a shock of electricity, and under her eyes there were two deep,
-dark circles. Henk looked at her, and his lips trembled with emotion at the sight
-of that painful sleep. Gently he <span class="pageNum" id="pb226">[<a href="#pb226">226</a>]</span>covered her with the blankets, and he felt that she was very cold. A little longer
-he stood staring at that tear-stained face, then he passed through the boudoir, where
-he turned down the gas. And then that same tragic stillness filled the dark house
-completely, that night of grief and terror.
-</p>
-</div>
-</div>
-<div id="ch23" class="div1 chapter"><span class="pageNum">[<a href="#ch23.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XXIII.</h2>
-</div>
-<div class="divBody">
-<p class="first">In the morning Eline’s letter was handed to Otto. He would not give himself the time
-to retire to his room, but walked straight into the drawing-room, and throwing himself
-on the first seat he came to, he opened the letter. And he commenced reading those
-words of grief and remorse. There was no need for Eline to assure him that she had
-suffered, suffered intensely in the writing of it. Thus much he read in every word,
-and with every word a fresh dart of sorrow was plunged into his breast. He read too,
-although she did not write it in so many words, that every effort on his part to find
-his own happiness in her love—even if he succeeded in once more calling her affections
-into being for him—would be in vain; the lesson that he read from her letter, in language
-which to him was clear and unmistakable, was that they were separated for ever, because
-she had not possessed the strength to preserve her love. A great, an immeasurable
-despair filled him; he thought that had she had the strength, had she remained true
-to him, he could have made her happy, because in the restfulness of his own soul,
-in the soothing calm of his own love, she would have closed her eyes and slumbered,
-to awaken again at last full of peaceful happiness. Once he had felt certain that
-such would have been their future; now, however, that idea appeared to have been but
-an idle fantasy, nothing more.
-</p>
-<p>Once again he looked through the letter, and it seemed to him as though only then
-did he read it aright; yes, she was lost to him, lost forever! A void, a hopeless
-vacuum surrounded him in his solitude in the midst of the luxurious drawing-room,
-full of inanimate lustre, full of big, chill mirrors and costly furniture, and with
-his moistened <span class="pageNum" id="pb227">[<a href="#pb227">227</a>]</span>eyes he looked around him and shuddered. Then he fell back on his chair, and covered
-his face with his hands, and a single, painful sob escaped his pent-up bosom. He felt
-a sensation as if everything within him was being shattered and broken, as if that
-single bitter sigh, like the breath of a hurricane, had dispelled and destroyed every
-budding blossom of hopefulness with him—it seemed to him as if with him there was
-nought left but that great, that immeasurable despair, and at that moment he would
-fain have died. Softly he sobbed and sobbed, and a feeling of bitterness arose in
-his breast. Had he deserved this, he who had once discovered such a treasure in himself,
-he who had desired nothing better than to make another share that treasure, that treasure
-of peace and rest? His treasure was despised, and now he felt himself poorer even
-than the poorest, and empty, utterly empty, in despair and lassitude.
-</p>
-<p>The door was slowly opened. It was Mathilde. She approached him as a sad image of
-pity, she sat down beside him, and tried to remove his hands from his face. He started
-violently, and looked at her with two great, wildly staring eyes.
-</p>
-<p>“What have you come to do here?” he asked in a disconsolate voice. For there was nothing
-to do for him, nothing; he was dead to everything.
-</p>
-<p>“What used you to come to me for, five years ago, when you used to sit down beside
-me and draw me close to your side? And what did you come to me for one evening, also
-five years ago now, when my husband—had—left me—my husband, whom I have never seen
-since. Tell me, what did you come to me for then? Did I then ask <i>you</i> what you ask me now?” she said reproachfully. “You have had a letter from Eline,
-I know it, I have seen the envelope. You need not tell me what it was about. I can
-feel it instinctively. But, Otto, let me share your grief, do not turn a deaf ear
-to my pleading.”
-</p>
-<p>She saw his chest heaving under the mighty sob which he repressed with a violent effort,
-and she threw her arm round his neck, and forced him to lean his head upon her shoulder;
-and in his own sorrow he started, terrified at the recollection of hers, of her grief,
-of which she never spoke, and he felt that indeed she must sincerely desire to comfort
-him, when for his sake she thus plunged herself anew into that great sorrow of the
-past.
-</p>
-<p>“Why do you speak about that?” he asked, for he knew that she suffered least when
-she suffered in silence.
-<span class="pageNum" id="pb228">[<a href="#pb228">228</a>]</span></p>
-<p>“So that you may feel that I understand you. And so that you may see that I live still,
-and must continue to live; and especially to show you that all the grief on earth
-is not yours exclusively. Perhaps that idea may comfort you a little.”
-</p>
-<p>“Oh!” he burst out sobbing, and he clung close to her, and tremblingly handed her
-the letter. “There, read! read!” he cried.
-</p>
-<p>She read the letter, and stroked his hair as if he had been a child. Yes, that was
-as it should be, now he no longer forced himself to control his feelings, now he felt
-not ashamed, in his obstinate manliness, of his copious tears. And while she read,
-she thought of Eline.
-</p>
-<p>“Did she know what she was throwing away?” she mused. “What would she do if she saw
-him thus? Is she not worthy of you, my Otto, my own brother? or is it only that she
-is unhappy, unhappy as we are?”
-</p>
-<p>Madame van Erlevoort came in with Frédérique. They had heard the news from Henk.
-</p>
-<p>Mathilde lifted up his head.
-</p>
-<p>“There is mamma!” she said simply, as though she would no longer retain him, now that
-another demanded his attention. But when he saw his gentle mother, melting away as
-it were in his grief, deepest pity filled his soul. He must comfort her.
-</p>
-<p>“Mother, mother, do not cry like that! ’Tis not so terrible!” he cried out in despair.
-</p>
-<p>Frédérique remained standing, leaning against one of the folding doors. Of her they
-took no notice whatever. Mathilde, mamma, could soothe and comfort him, but she, she
-was of no use to him at all; she was silly, childish, and would not know what to say
-to him. She remembered how, one day, long before his engagement, she had spoken to
-him about Eline; but now she had nothing to say, absolutely nothing. For, of course,
-she did not understand what sorrow was, she herself had never suffered, she had no
-feeling, she was a stone.
-</p>
-<p>“A stone! they think I am a stone!” she repeated softly to herself, and she remained
-leaning against the door-post and sobbed inaudibly, disconsolate at the thought that
-she could not comfort Otto. She felt a hand on her shoulder, and she turned almost
-haughty at being thus misjudged. But when she saw his sorrowful face; those moist
-eyes, in which, for the first time, she beheld tears; <span class="pageNum" id="pb229">[<a href="#pb229">229</a>]</span>when she saw those lips trembling under his moustache, and the deep furrows over his
-brow, she flung herself, brimming over with pity, on his bosom, and clasping him tightly
-in her arms, covered his face with burning, passionate kisses.
-</p>
-</div>
-</div>
-<div id="ch24" class="div1 chapter"><span class="pageNum">[<a href="#ch24.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XXIV.</h2>
-</div>
-<div class="divBody">
-<p class="first">Vincent was busy packing, for the next day he would be leaving for London. Henk tried
-to make him alter his mind and stay, but only half-heartedly, for he felt well enough
-that when Vincent was once away, a great obstacle to the peace of the house would
-be removed, and Betsy would no longer be irritated by the presence of a cousin whom
-she hated, whom she feared, and whom in her fear of him she had nurtured and tended
-until she abhorred him. In the morning before his departure Vincent had a last chat
-with Eline in her boudoir.
-</p>
-<p>“Then you are going, really?” she asked.
-</p>
-<p>“Certainly, my dear girl. You can see for yourself that Betsy can’t bear me any longer.”
-</p>
-<p>“What are you going to do in London?”
-</p>
-<p>“I have to call on some acquaintances there—to arrange some money matters before I
-go to America.”
-</p>
-<p>“Are you going to America, then?”
-</p>
-<p>“You know I am; haven’t you yourself brought me St. Clare’s letter?”
-</p>
-<p>“I—I did not know that you had decided for certain. Poor Vincent!”
-</p>
-<p>He looked at her with a quiet smile; not quite recovered from his weakness, it rather
-soothed him to be pitied.
-</p>
-<p>“Do you pity me so?”
-</p>
-<p>“Yes—indeed, I pity. You are beginning your wanderings again, and who knows if I shall
-ever see you again. Perhaps never, never again!”
-</p>
-<p>She sighed.
-</p>
-<p>“I am always happiest when I am on my wanderings.”
-</p>
-<p>She felt an eager desire to ask him if she might accompany him, <span class="pageNum" id="pb230">[<a href="#pb230">230</a>]</span>if she might by his side also seek her fortune far away. But she did not know how
-to shape her question, and she waited to see if perhaps he would say something. For
-did he not love her? had he not wanted to go away for her sake? Now there remained
-nothing more that need separate them.
-</p>
-<p>“He is afraid to speak,” she thought, and she could not say whether she was glad or
-sorry that he was afraid.
-</p>
-<p>“Happiest on your wanderings!” she repeated musingly. “It is possible—you are a man,
-you <i>can</i> wander. But I am a girl, I have always lived a quiet life here. Happy am I? Heavens!
-No, that I am not!”
-</p>
-<p>He glanced at her for a moment, as if about to ask her something; but for a while
-he remained silent. Then he asked—
-</p>
-<p>“And why—are you not happy?”
-</p>
-<p>“Why!” she murmured.
-</p>
-<p>She waited for him to proceed, until perhaps he should put to her the question which
-she had awaited for days past. But no doubt it was owing to a sense of honour and
-decency that he did not ask it; it was but such a little while ago as yet that she
-had written to Otto. Still she thought she could detect the presence of love beneath
-his soft accents, and she looked at him. A ray of sunshine glinted along the window-curtain
-into the room and fell upon him where he sat, surrounding him with a kind of halo,
-and she started back in sudden alarm when she observed by that brilliant light how
-he resembled her dead father. This alarm caused her heart to pulse the quicker, and
-she fancied that she loved Vincent for the sake of her father’s memory, because in
-him she saw a victim of the world’s conventionality, and thus she invested him with
-something ideal and romantic.
-</p>
-<p>He, too, looked at <i>her</i> with pity in his heart, for he knew that she had flung away her happiness. He had
-often done so himself, he thought; but in his own case the fact had never disclosed
-itself to his eyes with such distinctness as it did now with regard to Eline. For
-a moment he wanted to tell her as much, but he could see no use in doing so, and so
-he said nothing. She would never have admitted it.
-</p>
-<p>“Vincent!” she faltered at last, with her nerves painfully overstrung in the suspense
-of waiting, waiting for that which never came. “Vincent, tell me—perhaps we shall
-never see each other again—have you nothing—nothing to say to me?”
-<span class="pageNum" id="pb231">[<a href="#pb231">231</a>]</span></p>
-<p>“I have, and a good deal, Elly dear; I have to thank you for having tended and nursed
-me like a dear little girl, here in your own room, at a time when you yourself were
-suffering.”
-</p>
-<p>“How do you know that I suffered?”
-</p>
-<p>“I have a <i>little</i> knowledge of human nature.”
-</p>
-<p>She shook her head.
-</p>
-<p>“I don’t think so. I have not suffered, I pity—Otto, but I have not suffered myself.”
-</p>
-<p>As she uttered that lie she felt it tortured her, but it was for the sake of Vincent,
-who loved her, and who must not know of her own grief. He looked at her penetratingly,
-asking himself why it was that she lied, but he was at a loss to account for it, he
-could not understand it at all; the only thing he did understand was that in the soul
-of woman there always remained something that was strange and mysterious, a mist that
-could not be penetrated. Neither did she understand <i>him</i>. She could not understand why he did not ask her to love him, now that there was
-nothing more to separate them, and now that he was on the point of going away. In
-another hour he would be gone. Oh, perhaps he thought it was too late. She sighed,
-and eagerly she said—
-</p>
-<p>“Vincent, one thing you must promise me; if ever I can do anything for you, write
-to me, and I assure you I shall not disappoint you. Will you promise me this?”
-</p>
-<p>“I promise you, and I thank you.”
-</p>
-<p>“And something else. I know you are often in want of money. If at anytime I can help
-you with any, pray write to me. Just now, for instance, I have two hundred and fifty
-florins in cash lying here; are they of any use to you? if so, they are at your disposal.
-May I give you the money?”
-</p>
-<p>She had already risen to open her escritoire, but he grasped her hand with something
-like emotion.
-</p>
-<p>“Elly—Elly—no, Elly—not that—thank you very much. It is most kind of you indeed, but
-I could not return you the money for ever so long perhaps.”
-</p>
-<p>“Oh, come now, don’t—don’t refuse me. ’Tis a pleasure to me, I assure you.”
-</p>
-<p>“Once again, I don’t know how to thank you, but really—I—I cannot accept it—really
-I can’t.”
-</p>
-<p>She stood still, and her cheeks turned white as marble. Yes, yes, indeed, he loved
-her, how could she doubt it? If he did not, would <span class="pageNum" id="pb232">[<a href="#pb232">232</a>]</span>he have refused to accept the money? Yes, she could see it, he would not owe her money,
-because he loved her. But why did he not speak then?
-</p>
-<p>At length he rose, the cab was to be at the door in a few minutes.
-</p>
-<p>“Now I must really go,” said he. “Good-bye, Elly dear, good-bye; thank you a thousand
-times for what you have done for me.”
-</p>
-<p>“Good-bye, Vincent, good-bye.”
-</p>
-<p>He made a movement as if he wanted to kiss her, and she threw her arms round his neck
-and kissed him on both cheeks.
-</p>
-<p>“Think of me sometimes, will you? I am fond of you, and I am really not fond of many
-persons; I can count my affections easily enough. Well, good-bye, Elly, good-bye,
-and perhaps, <i lang="fr">au revoir</i>.”
-</p>
-<p>Once more she kissed him, her eyes full of tears, and as he went she threw herself
-on the sofa, and nodded her head to him for the last time. He disappeared, closing
-the door behind him.
-</p>
-<p>For a while she sat staring at that door. And when, after a few moments, she heard
-his cab move away, she wondered that he had kissed her so unreservedly and coolly
-in that final moment of parting. She wanted to muse about him, because she did not
-understand him; she wanted, too, to probe her own feelings and discover if she really
-loved him, but she felt tired and her head ached, and with a weary sigh she fell back
-in the cushions, covering her face with her hands.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>It was the third day after Vincent’s departure, but although he had left the house,
-there had been another tiff about him between Eline and Betsy, who had spoken her
-mind about her “wretch of a cousin” in the presence of visitors, and to Eline’s intense
-annoyance. The time had now come, Betsy thought, when she should once for all let
-Eline know that <i>she</i> was mistress in that house; and so, with the full intention of doing so, she walked
-up-stairs in the evening into Eline’s boudoir.
-</p>
-<p>“What do you want?” Eline said haughtily. “I should like to be alone.”
-</p>
-<p>“May I remind you that you are in my house, and that if I feel inclined to come here
-I shall do so! I have something to say to you.”
-<span class="pageNum" id="pb233">[<a href="#pb233">233</a>]</span></p>
-<p>“Make haste then, for I tell you again I wish to be alone!”
-</p>
-<p>“<i>You</i> wish! <i>you</i>! What right have you to wish, I should like to know? You are in my house, and it
-isn’t for you to wish! Who do you think you are, eh?” shrieked Betsy, exciting herself
-to a towering passion. “Do you imagine you are a princess, and can do exactly as you
-like? or do you fancy that I am going to be dictated to by you in the presence of
-strangers?”
-</p>
-<p>“Don’t you think I know what to say without your valuable advice? I don’t want your
-advice, so there! And I assure you that in future, whenever I hear you speak in that
-disgraceful way about Vincent, I shall make you hold your tongue. Thus much I assure
-you.”
-</p>
-<p>“Indeed, you assure me—you do, eh? But I don’t want your assurance, I tell you. I
-have no intention to trouble myself in the least about your idiotic tenderness for
-Vincent! Perhaps it was he from whom you learnt the politeness to interrupt one among
-strangers as you dared to do to me? I can’t understand how you can have the impertinence,
-I can’t really. Why, they must have thought you were crazy. Well, if you are, that
-must be your excuse! Fancy calling me vulgar; and what are you, pray? you, who forget
-the very rudiments of politeness, and have——”
-</p>
-<p>“Yes, I know, I have heard it before—have had the impertinence to interrupt you, you
-were going to say. Do say something else for a change. But you shall see that I dare
-more than that, if you attack Vincent again. You think him false, do you? But I think
-you are false, you who invite him here yourself, and then drive him out of the house,
-you who for no reason whatever go on about him like a washerwoman! It is you, you
-who are false!”
-</p>
-<p>“Keep your beautiful epithets to yourself, please.”
-</p>
-<p>“Then you just keep that wretched abuse of Vincent to yourself too, please!” shrieked
-Eline, boiling with passion. “I won’t, do you hear, I won’t hear it any longer. I
-have stood it long enough for the sake of peace, but now I won’t stand it any longer!
-Do you understand?”
-</p>
-<p>“Indeed, won’t you stand it any longer? Perhaps it was all on account of that darling
-Vincent that you could not stand Otto any longer either?”
-</p>
-<p>“Hold your tongue!” screamed Eline.
-</p>
-<p>“Or perhaps you are smitten with that reptile, and that is why you treated Otto as
-if he had been a schoolboy with whom you <span class="pageNum" id="pb234">[<a href="#pb234">234</a>]</span>were having a little joke? You won’t bear my abuse of Vincent any longer, will you?
-but I tell you that I won’t be compromised any more by you! Not bad, I’m sure! To
-start with, you are silly enough to break your engagement, and, out of pure caprice,
-without the slightest reason, you have made yourself the talk of the town; then you
-carry on here in my house with Vincent, as if you were in love with him, and as a
-wind-up you dare to be impertinent to me before strangers! Well, I am not going to
-bear it any longer, do you hear? If you have learnt that unmannerliness in your philosophic
-discourses with Vincent——”
-</p>
-<p>Eline could no longer control herself. Her nerves were strung to their utmost tension,
-and quivered under Betsy’s insults as under the touch of rough hands. And Betsy’s
-allusion to Otto, to her sympathy for Vincent, which she fancied she had so successfully
-concealed, made her furious. She grasped Betsy’s wrists in the nervous strength of
-her fingers, and in a voice shrill with rage she cried—
-</p>
-<p>“It is enough! Hold your tongue, I tell you. Don’t talk any more about Otto, don’t
-say another word about Vincent, or I—I—I’ll do you an injury! Don’t aggravate me any
-longer. Take care!”
-</p>
-<p>Betsy wrenched herself free from her grasp.
-</p>
-<p>“Eline, are you mad?” she cried, but Eline did not allow her to finish. She remained
-standing in front of Betsy and clenching her trembling hands.
-</p>
-<p>“I tell you, you aggravate me, you aggravate me with that eternal rubbish about your
-house. ‘My house! my house!’ I know I am in your house, but I did not ask you to take
-me in, and I won’t be reminded that I am in your house, as if you did me a charity.
-I am not dependent on you although I am in your house, and I won’t be dictated to
-by you, not in anything. I am free, quite free, to do just as I please.”
-</p>
-<p>“Oh no, you are not; you are in my house, and you must behave yourself. And if you
-don’t know how to behave yourself, I shall tell you, so long as you are here!”
-</p>
-<p>“And I won’t be told by you how I am to behave!” shrieked Eline. “I tell you, I am
-free! I don’t want your house, about which you make so much fuss, and I swear to you
-that I shall not stay another moment in it! That I swear to you, I swear it, by all
-that is sacred! Enjoy your house to yourself, or choke in it for my part!”
-<span class="pageNum" id="pb235">[<a href="#pb235">235</a>]</span></p>
-<p>She was scarcely conscious of what she said. She had worked herself into a paroxysm
-of rage, and with a rapid movement she picked up her cloak from the floor and flung
-it round her shoulders. Then she rushed towards the door, but Henk, who on hearing
-the loud voices had come upon the scene, stopped her.
-</p>
-<p>“Eline!” he began severely.
-</p>
-<p>“Let me go, let me go!” she screamed like a wounded tigress, and she pushed his big
-body aside with such a frantic strength as made him stagger. Once more he attempted
-to stop her, but again she pushed him aside, rushed out of the room, and down the
-stairs.
-</p>
-<p>“Eline! In Heaven’s name, Eline! you don’t know what you are doing!” he shouted to
-her from the landing, and rushed after her.
-</p>
-<p>She heard no more. She had but one single thought: to fly from that house, away from
-a shelter where she was reproached for her presence. She saw nothing more; she saw
-neither Gerard nor the servants, who stood looking at her in blank amazement; she
-hurried along the vestibule, flung open the glass doors, and quickly drew the bolt
-from the street-door. But now, now she heard behind her a rattling noise; the door
-fell to with a bang, shattering the glass on the floor with a loud crash.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Then the street-door too slammed behind her, and she found herself in the street.
-The rain was falling in torrents, and the blustering wind blew open her cloak, and
-beat in her face as with a damp thong. It was impossible for her to plod on in the
-teeth of that boisterous hurricane, and she turned the other way and allowed herself
-to be driven along aimlessly by the force of the wind, which flew at her back like
-a gigantic vampire, with big, tearing claws. Aimlessly she let herself be carried
-along in that pitiful, that dismal night. In the street she saw no one, and in her
-loneliness, in the lowering gloom, in the splashing downpour, in the wild gusts of
-the storm, she at length felt herself conscious of her position, and a chill, indefinable
-terror overtook her. It seemed to her as though she had been suddenly wrenched away
-from out of the midst of every-day life, and found herself plunged into a sphere full
-of nameless, terrible anxiety and blank, dismal despair. She nearly died with fright
-at the darkness that enveloped her like a black shroud of grief, at the deluge which
-was pouring <span class="pageNum" id="pb236">[<a href="#pb236">236</a>]</span>down upon her bare head, utterly without protection from the wind gusts which nearly
-blew her cloak from her shoulders, and numbed her with cold in the thin black silk
-dress that fluttered about her in the buffeting wind. Her little patent shoes went
-splashing along through mud puddles and thick mire; her dishevelled hair hung dank
-and dripping down her temples; and under her thin cloak she felt a chill moisture
-gliding down her neck and down her bare bosom. She knew no longer where she was; she
-started in fright at the twigs that fell about her, at the howling of a watch-dog
-in a house she passed. And she saw no one, no one.
-</p>
-<p>But her condition brought her to herself. She felt conscious of having fled from her
-sister’s house. She would fain have stood still for a moment to reflect, but the strong
-wind thrust her forward, as though she were one of the autumn leaves that were whirled
-about her head. And she let herself be blown along, and collected her thoughts, while
-tramping forward with involuntarily hurried footsteps. Despite her pitiful condition,
-she felt neither remorse nor regret at the step she had taken. And suddenly she felt
-astounded at her own courage. She would never have imagined herself possessed of the
-pluck to run away in such a night, without knowing whither to go. But she forced her
-thoughts to take some practical shape, she could not continue wandering about in this
-way, she must have an object.
-</p>
-<p>All at once she noticed that she had reached the Laan Copes van Cattenburgh. Driven
-forward by the wind, she hurried along the rain-sodden, muddy path, while the storm
-swept in sullen fury across the Alexanders-veld.
-</p>
-<p>Continually she had to step back before the shower of loose twigs which the wind blew
-from the trees, and she began to perceive that she was in danger of being crushed
-by some falling trunk. A fear for her life prevented her from thinking, but the more
-intensely that fear numbed her heart, the more eagerly she nerved herself to do so.
-Whither in Heaven’s name should she go? A chill tremor seized her—a vague, undefined
-dread—while her wide, staring eyes were trying in vain to peer through the dense gloom.
-To whom was she to go? To old Madame van Raat? No, no, fond as she was of her, the
-old lady would be sure to take the part of her son and her daughter-in-law! To the
-Verstraetens—her brother-in-law’s relation? Everything began to surge around her,
-and she—she felt herself lost in her black solitude, and gradually <span class="pageNum" id="pb237">[<a href="#pb237">237</a>]</span>sinking lower and lower into an abyss of grief and of mire! Otto’s figure rose to
-her mind, and she would have given all that remained her of her life could he have
-come to her at that moment, could he have there and then borne her away in his arms,
-clinging to his heart, to some abode of warmth, light, love, and safety. Her courage
-all but failed her to go farther, she could have flung herself down in that mire through
-which she plodded, and remain lying there, letting the winds sweep over her until
-her last breath should have escaped her! But no! that would be all too cowardly after
-the pluck she had already shown, and now she must, she would set her mind to think
-of some place of refuge. Not Madame van Raat—not the Verstraetens—in Heaven’s name
-whither should she go then? And all at once, like a lightning flash darting through
-the gloom of that night of blank despair, an idea struck her, and her mind reverted
-to a certain suite of humble apartments, to Jeanne, her friend of former days. Yes,
-thither she must go: she knew no one else, and she could not for ever go on wandering
-along in that pouring rain, in that howling storm; and, bracing herself up to face
-the buffeting wind, she hurried round—numbed, chill, and wet to the skin—by the Alexanders-veld
-in the direction of the Hugo de Grootstraat. There, over on the opposite side of the
-field, she could just see the backs, lit up here and there with a faint gas glimmer,
-of the houses on the Nassauplein, but she could not distinguish which of them was
-theirs—hers no longer. A wild, longing remorse now filled her poor, despairing heart
-at the recollection of all she had lost yonder, at the thought that she had yet to
-plod on for so long through the raging storm ere she could reach the Ferelyns. And
-she was tired, tired unto death, tired from her quarrel with Betsy, tired with the
-rain that was unceasingly beating down upon her face, cold and cutting as thongs of
-steel, tired with the wind against which she struggled as with an immense black monster,
-that was dashing her to and fro as though she had been a human battledore. She felt
-more fatigued with every step she took in her little patent shoes, which were bespattered
-with mud, and with every movement threatened to slip from her feet. And oh! she could
-have died with misery, with distress, with grief.
-</p>
-<p>But forward, still forward she must go, and she fought and struggled on with the monster
-and slowly gained upon it. In this way she reached the Javastraat, and then she turned
-to the right, <span class="pageNum" id="pb238">[<a href="#pb238">238</a>]</span>towards the Laan van Meerdervoort. The hurricane shook her as though it would break
-her like a reed, and a heavy branch struck her on the shoulder, and scratched her
-face so that she screamed with pain. And suddenly, with despair overmastering her
-body and soul, desperate with fear and grief, she made an attempt to start running,
-running as if for very life, and fly—fly to the Ferelyns. But the furious wind stopped
-her, it was in vain, she could only proceed slowly, painfully, step by step.
-</p>
-<p>“Oh God! What have I done?” she cried in wild despair. Those familiar streets, along
-which she trod almost daily, seemed to her, in that noisome darkness, as the unknown
-ways of a demon city along which she was doomed to wander like some accursed phantom.
-She passed by Madame van Raat’s house, and she had to summon forth all her courage,
-all the strength of her will, not to knock at that door, that would surely open to
-her, and admit her to light and warmth. But no, it was too late, Madame would be asleep;
-besides, she would reproach Eline with her flight from the Nassauplein. And she plodded
-on, driven forward by the wind and by an obstinate fixed idea, towards the house of
-the Ferelyns. She went on, on, although with every step she took she felt her thin
-little saturated shoes growing heavier, heavier than lead. She turned at the Spiegelstraat—how
-much longer should she have to suffer? She counted the minutes—then—then she entered
-the Hugo de Grootstraat. And the furious rain beat down more savagely than ever on
-her face, more roughly than ever the wind tugged and tore at her cloak, when—thank
-God!—she stood at their door. She could see no light anywhere, but she did not hesitate.
-Here only could she find safety. And she rang the bell violently, roughly, passionately,
-as with a tintinnabulating cry for help.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The time to her seemed unendurably long before any one answered. But at last she heard
-steps coming down the stairs, the bolt was drawn with a grating sound, then the door
-was slowly, stealthily opened, and a face appeared at the opening.
-</p>
-<p>“In God’s name!” she cried imploringly, and pushed the door quite open and rushed
-inside. “It is I, Eline.”
-</p>
-<p>The door closed and she stood in the darkness before Frans Ferelyn, who, in utter
-amazement, shouted out her name. At the top of the stairs appeared Jeanne with a lamp,
-and in her longing <span class="pageNum" id="pb239">[<a href="#pb239">239</a>]</span>for light, for warmth, for glow, her will once more got the better of failing strength,
-and she hastened up the stairs.
-</p>
-<p>“Jeanne!—Jeanne!—I implore you—help me. It is I—Eline, oh, help me! help me, do!”
-</p>
-<p>“Great heavens, Eline!” Jeanne cried, as she stood paralyzed with astonishment.
-</p>
-<p>“Help me, do. I have—run away from them. Help me, do, or I shall die.”
-</p>
-<p>She sank down soaking wet at Jeanne’s feet, and where she lay the stairs were soon
-wet with the water that dripped from her cloak.
-</p>
-<p>“Great heavens, Eline! Eline!” cried Jeanne, who could not believe her own eyes.
-</p>
-<p>Eline had burst out sobbing, and remained crouched at Jeanne’s feet. Jeanne attempted
-to lift her up; and wherever her hands touched her, she felt her icy cold and soaked
-through with the rain.
-</p>
-<p>“In Heaven’s name, Eline, what have you done? What has happened? You are so wet—so
-wet—wet and cold all over. Great heavens, Eline!” She led Eline, who walked with tottering
-steps, into Frans’s little office, and set down the lamp. Eline fell exhausted on
-a chair, the dirty rain-water oozing through her clothes.
-</p>
-<p>“Yes—yes,” cried Eline. “I have run away from them, I could not stop with them any
-longer. And I have come to you—because I don’t know where else to go. Oh, Jeanne,
-do, do help me!” she went on, in a voice broken with sobs.
-</p>
-<p>Jeanne trembled with nervousness and pity.
-</p>
-<p>“Tell me about that afterwards, Eline. Let me undress you—you will be ill in these
-wet things.”
-</p>
-<p>“Yes, yes, undress me, do—that cloak, those shoes, oh, I am sick of myself. I am all
-over mud. Great heavens! oh, that I were dead!” She threw herself, trembling all over,
-backward in her chair. Frans had come into the room.
-</p>
-<p>“Oh, Frans, just look here,” said Jeanne, shaking with excitement, and pointed to
-Eline. “I hope she won’t be ill.”
-</p>
-<p>“Without a hat, in that thin, low-necked dress! I shall try and light the fire down-stairs.
-You undress her.”
-</p>
-<p>He was still as if paralyzed with Eline’s appearance, and he too trembled with pity,
-quite unable to speak, as he saw her sitting in that chair, the water dripping from
-her hair on her white face and <span class="pageNum" id="pb240">[<a href="#pb240">240</a>]</span>down her throat, her black evening dress clinging to her like a wet flannel. But he
-went. He must be up and doing.
-</p>
-<p>And outside raged the storm.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>She was now in their well-lit sitting-room, lying on a couch which Frans had placed
-by the side of the flaming stove, and she shivered with fever under her woollen blankets.
-And yet she felt a grateful sense of well-being in that light, in sight of those flames,
-intensely grateful that she was saved from the demoniac powers of darkness. Suddenly
-she raised herself up.
-</p>
-<p>“Jeanne,” she shrieked in a hoarse voice to the little trembling woman, who was preparing
-a steaming hot drink. “Jeanne! I implore you, forgive me for keeping you up such a
-night as this. But, in Heaven’s name, where was I to go to? Oh, that rain, that wind!
-It drives me mad to think of it. I had no idea that a person could be in such distress
-as I have suffered this night. But really, I could not stay with them any longer.
-As for that Betsy, oh, how I hate her.”
-</p>
-<p>“Eline, I entreat you, be calm now.”
-</p>
-<p>“Why did she mention Otto’s name? What right has she to mention Otto’s name? I hate
-her! I hate her!”
-</p>
-<p>“Eline! Eline!” Jeanne cried, clasping her hands.
-</p>
-<p>She flung herself before the couch.
-</p>
-<p>“Eline, I beseech you, I beseech you, in Heaven’s name! Be calm! Rest yourself now,
-Eline.”
-</p>
-<p>Eline, with her feverish, staring eyes, looked long at Jeanne, then she threw her
-arm round her neck.
-</p>
-<p>“Lie down and rest yourself now, Eline; rest yourself, if you cannot sleep.”
-</p>
-<p>A hollow sob burst from Eline’s throat.
-</p>
-<p>“Oh, you are an angel!” she whispered in broken tones. “I shall never forget what
-you are doing for me, never. It is as if you have rescued me from an abyss of despair.
-Oh, that mud! You care for me then, Jany?”
-</p>
-<p>“Yes, yes, Eline, of course I do; but rest now, rest yourself now.”
-</p>
-<p>“Oh! rest myself.”
-</p>
-<p>That single word ‘rest’ cut Jeanne to the quick. Eline pronounced it in a voice full
-of despair, as if for her there would never more be any rest. Still she allowed Jeanne
-to ensconce her snugly in the pillows, and emptied the glass that Jeanne offered her.
-<span class="pageNum" id="pb241">[<a href="#pb241">241</a>]</span></p>
-<p>“Thanks, thanks, Jany,” she faltered.
-</p>
-<p>Jeanne covered her up with the blankets and sat down beside her. The windows rattled
-in the wind, and the bare branches beat furiously against the glass. The clock over
-the chimney struck three.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>It had just struck three, too, in the house of the Van Raats, when Frans Ferelyn drew
-up in front of their door in a cab. The storm still roared and shrieked like some
-wounded monster that was savagely fighting for life above the housetops of the dark
-city. Frans sprang from the cab and rang the bell. He noticed that the gas was lighted
-in the vestibule.
-</p>
-<p>The door was opened immediately by Henk, who appeared to be expecting some one. But
-on seeing Frans rush inside, he stepped back in astonishment.
-</p>
-<p>“Is that you, Ferelyn?” he cried.
-</p>
-<p>“Yes, don’t be alarmed,” said Frans, calming him, for he saw that Henk was in a terrible
-state of excitement. “It is all right; Eline is with us.”
-</p>
-<p>He walked further inside, crushing the glass that lay scattered all over the vestibule.
-</p>
-<p>“With you, is she? Thank God!” exclaimed Henk. “I was mad, mad; I did not know what
-to do! Thank God she is with you.”
-</p>
-<p>“Come in, Ferelyn,” came in a trembling voice from Betsy, who appeared at the door
-of the dining-room.
-</p>
-<p>The servants were also in the vestibule, and their frightened faces cleared up a little,
-while they retired whispering into the kitchen. Frans entered the dining-room with
-Henk.
-</p>
-<p>“You need not be alarmed, madam; really, for the moment it is all right. Eline was
-wet through, but Jeanne has taken her under her care. You can imagine what a fright
-it gave us when we heard such a loud knocking at the door, and at such an hour, and
-we saw her soaked through.”
-</p>
-<p>Suddenly he noticed Henk’s face.
-</p>
-<p>“But I say, what has happened to you? Your cheek is all over blood.”
-</p>
-<p>“Oh, that’s nothing at all. When Eline ran away I rushed after her, and through the
-wind the door in the vestibule fell to and broke the glass. The shattered glass sprang
-into my eyes, and so I could not at once run after her. Still, as soon as I could
-<span class="pageNum" id="pb242">[<a href="#pb242">242</a>]</span>I got out into the street with Gerard, to drag her home again if necessary. But it
-was so confoundedly dark; the gas-lamps were blown out in the storm, and I could see
-nothing of her. I did not know what to do. Then we went to the police-station on the
-Schelpkade, and they sent out some night-watchmen to find her. She was in such a state.
-I thought perhaps she might have made an end of herself, and in this infernal weather
-anything might happen to her. My eye pains me; I shall go and see an oculist to-morrow.”
-</p>
-<p>Betsy fell down with a sigh in a chair.
-</p>
-<p>“Oh, ’tis terrible, terrible!” she faltered. “That girl can behave like a maniac sometimes!”
-</p>
-<p>“Of course, if you do your best to drive her mad!” cried Henk angrily, with his hand
-on his eye.
-</p>
-<p>“Ah, <span lang="fr">bien</span>! Yes, blame me for it.”
-</p>
-<p>“Van Raat, there is just a thing or two I want to say to you,” interrupted Frans.
-“In the first place, I came round here without a moment’s delay, because I feared
-you would be terribly anxious about her.”
-</p>
-<p>“Old chap, I don’t know how I can thank you.”
-</p>
-<p>“Never mind about that just now. But Eline has positively declared that she would
-not go back to you. Now I need not tell you that such an affair as that soon gets
-wind; people begin to talk, and all that, and that! not very pleasant. And the servants
-know all about it too, don’t they?”
-</p>
-<p>Betsy gave Frans a grateful look for touching that point.
-</p>
-<p>“Oh, well, how can you help that?” cried Henk impatiently. “People will always talk.”
-</p>
-<p>“Yes, that’s true enough; but anyhow you come round to my house as soon as you can
-to-morrow, and see if you can’t persuade Eline to return home. That is, of course,
-if she is not ill; just now I thought she was rather feverish. So you had better let
-her rest a bit now; but come as early as possible to-morrow.”
-</p>
-<p>“All right,” said Henk, with a dazed look.
-</p>
-<p>“I believe she was delirious when I went out to fetch a cab, but still she seemed
-very determined. She would not go back, and she gave me her keys. She asked me”—and
-he looked at Betsy—“to arrange her things here and pack them. But I think she said
-it all in her passion; I hope in any case that by this time to-morrow we shall have
-come to some amicable arrangement.”
-<span class="pageNum" id="pb243">[<a href="#pb243">243</a>]</span></p>
-<p>“Look here, Ferelyn!” said Betsy uneasily; “you can well understand the despair I
-am in. Good gracious, it isn’t the first tiff I have had with Eline, but who could
-imagine her capable of such a mad freak as this? And as you say, all the Hague will
-be talking about it. Therefore if you can manage to persuade her to come back, I shall
-be for ever grateful to you. Our house is always open to her; and as for those keys,
-you had better leave them here. I am of your opinion, and think it will all come right
-yet. Good heavens! what a blessing that she came to you! But in such a night as that,
-alone, out in that storm! How could she have done it? Good heavens! How <i>could</i> she have done it?”
-</p>
-<p>Frans had still to talk about one or two matters with Henk, who asked him to stay
-till the morning, as Frans had sent his cab away, and the weather was still frightfully
-boisterous. Gerard conducted Frans to Henk’s dressing-room, where he removed his wet
-clothes.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Early next morning Henk drove with Frans to an oculist. It was only a vein that had
-burst in Henk’s eye, and after a little grain of glass had been removed from it with
-a lancet, he felt greatly relieved. But across his cheek there was a long, ugly cut.
-</p>
-<p>“I look as though I had been in the war,” said he, with an attempt at a smile to Ferelyn,
-as soon as they were in the carriage again, on their way to the Hugo de Grootstraat,
-“and indeed, old fellow, it does seem as if we were all at war just now. I have got
-enough of it already.”
-</p>
-<p>Ferelyn could not help pitying him when he saw that kindly honest face suffused with
-a gloomy melancholy. It was evident enough that Henk looked forward with a deal of
-misgiving to the interview with Eline. But the ordeal was spared him. Eline passionately
-refused to receive him, and in the adjoining room he sat and listened anxiously to
-the reproaches she levelled at Frans. Why did Frans want to bring him? Why had she
-given Frans her keys? Was Frans, too, no longer to be trusted?
-</p>
-<p>Eline’s voice sounded hoarse and rough, and to Henk it seemed that she was delirious.
-Then he heard a soft, reproachful whispering of Jeanne, followed by the sobbing of
-Eline, who accused herself of ingratitude.
-</p>
-<p>Soon Frans came back, shrugging his shoulders.
-</p>
-<p>“She won’t see you. You had better resign yourself to it. I <span class="pageNum" id="pb244">[<a href="#pb244">244</a>]</span>believe she is in a violent fever. Do you think Reyer is still at home? If so, I should
-drive down to him if I were you.”
-</p>
-<p>“All right,” said Henk dejectedly, “I will go.”
-</p>
-<p>Eline was still lying on her couch covered with woollen blankets, and she groaned
-softly as if in pain.
-</p>
-<p>“You are so kind to me, Jany, but you see of course I can’t remain here, and trouble
-you like this,” she went on, sorrowfully. “You haven’t very much room. I must be an
-inconvenience to you. This afternoon I shall go to an hotel.”
-</p>
-<p>Jeanne sat down beside her and took her hands in hers.
-</p>
-<p>“Eline, be sensible now, and don’t talk any more about that. Believe me, you are ill;
-you remain quietly here with us. I won’t insist that you shall return to Betsy’s,
-but then you must not talk about going to an hotel.”
-</p>
-<p>“Yes, but if I am ill—I don’t believe I am, but you say so—if I am ill, it will be
-some time before I can leave you again. And—and—oh, forgive me for saying it—I know
-you <i>cannot</i> afford it, Jany dear; forgive me, forgive me for saying it.”
-</p>
-<p>Jeanne looked at Eline tenderly, and her eyes filled with tears.
-</p>
-<p>“If it’s that, Eline, pay us then and stay here; pay us, and don’t talk any more about
-an hotel. I won’t be ashamed of it; you may pay me for it if you want to. But stay
-here—stay.”
-</p>
-<p>Eline started up with her wild staring eyes and her dishevelled hair, which Jeanne
-brushed in vain from her temples. And she clung to Jeanne with a sudden intensity,
-as if in her burning grief she plunged into the grateful cooling waters of pity and
-sympathy.
-</p>
-<p>“Oh, you darling! you angel!” she cried. “Forgive me, I—I did not mean to grieve you,
-but—but—oh, yes, indeed, I will gladly stay, you are so good. May I stay?”
-</p>
-<p class="tb"></p><p>
-</p>
-<p>That afternoon old Madame van Raat and Madame Verstraeten came to see Eline, and endeavoured
-to persuade her to return to the Nassauplein. Eline, however, refused to receive them.
-Even Betsy allowed Jeanne to persuade her to call on Eline, and ask her pardon. Jeanne
-thought it was Betsy’s duty to try and make her peace with her sick sister, and it
-might have a favourable effect on her. But Betsy Eline would not see either. And in
-the adjoining room Betsy, with her mother-in-law and her aunt, heard, as Henk had
-heard that morning in silence and anxiety, how Eline declared to Jeanne that she would
-not—would not see any one. Only <span class="pageNum" id="pb245">[<a href="#pb245">245</a>]</span>Jeanne and no one else would she see about her! Before long Eline’s quarrel with the
-Van Raats and her flight to the Ferelyns became the general topic of conversation.
-Of the details of the dispute they did not know much; only, of this they were certain,
-that in that stormy night Eline had been seen sitting in a carriage with a night-watchman
-and a young man, and to say the least of it they thought it passing strange! But then
-Eline had always been rather eccentric. In the winter she had been in the habit of
-taking early morning walks alone in the wood—what respectable young girl would think
-of doing such a thing as that? Now—that affair with Erlevoort too, <i>that</i> was a bit mysterious; and now there was that romance with a young man and a night-watchman!
-It was a pity certainly, for she was really such a nice girl, so pretty and graceful;
-but had they not always been a strange family, those Veres?
-</p>
-<p>Betsy was mad with spite at this talk, and she scarcely ventured to show herself anywhere,
-seeking her refuge only at the Verstraetens’ and with Emilie de Woude.
-</p>
-</div>
-</div>
-<div id="ch25" class="div1 chapter"><span class="pageNum">[<a href="#ch25.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XXV.</h2>
-</div>
-<div class="divBody">
-<p class="first">A month had elapsed, a month which Eline spent with the Ferelyns, as Jeanne would
-not allow her to go until she had quite recovered. Reyer had told them that Eline
-had caught a severe cold which, with the least neglect, might prove fatal. Jeanne
-in the meantime tended her with gentle care; Frans’s little office she had had fitted
-up specially for her, and when Eline protested and began again to talk about an hotel,
-Frans himself declared that he thought he ought not to work so hard, a little rest
-was necessary for him. Eline, therefore, embraced Jeanne with a passionate gratitude
-and stayed on, while her violent fits of coughing filled the little house as with
-a painful echo.
-</p>
-<p>Her cough was a little better now; she felt not quite as much pain on her chest. But
-she had grown very thin, her eyes were hollow and dull, and her face was wan and sallow.
-She sat in a <span class="pageNum" id="pb246">[<a href="#pb246">246</a>]</span>big chair close to the little stove, and she gazed out of the window and amused herself
-a little watching the tradesmen—the butcher, the greengrocer, the milkman—as they
-called from house to house; she amused herself watching the servants who opened the
-door—a stout, red-faced one here, a tall thin one there, then again the mistress herself,
-in a black apron and a dirty little lace cap.
-</p>
-<p>Then she rose and looked in the little black-framed glass, simple as all around her
-was. She expected some one, and she looked eagerly at her face; it was such a long
-time since she had seen him; what sort of impression would she make on him, with that
-sallow face and those sunken eyes?
-</p>
-<p>For Betsy had written a long letter to her uncle, Daniel Vere, who during Eline’s
-minority had been her guardian, and who was only lately married and living in Brussels.
-When old Aunt Vere died he was still single, so that it was out of the question for
-Eline to make her home with him. He came but seldom to the Hague, and when he received
-Betsy’s letter, in which Eline’s flight was described to him, it seemed to him that
-he was being drawn into matters that did not concern him. He replied to it, however,
-and at the same time wrote to Eline, asking her for an interview. His letter surprised
-her, and agreeably so, and she thought that through him she could see a relief from
-her present position, which, when she should have quite recovered, would certainly
-be no longer bearable to her. She therefore replied to him in the most amiable terms,
-and promised to do as he required her on the one condition only, that he did not ask
-her to make her peace with her sister and again to make her home with the Van Raats;
-that she should on any account have to refuse, as the past had already taught her
-that Betsy and she could not get on together; with whom the fault was it was not for
-her to say.
-</p>
-<p>Vere then telegraphed what day and hour he would be coming to see Eline. And now she
-awaited him, and examined her emaciated features, and feared, as she saw herself so
-worn and emaciated, that she would not be able to shed around her that all-powerful
-charm with which she attracted every man towards her. She drew down the curtain a
-little, so that the light should not fall with such a glare on her sallow complexion.
-In the afternoon he came.
-</p>
-<p>He was tall and slender, with the somewhat languid movements <span class="pageNum" id="pb247">[<a href="#pb247">247</a>]</span>peculiar to all the Veres except Betsy, who was more like her mother. On Eline, who
-had not seen him for two years, he made a very favourable impression. He had the appearance
-of a thorough man of the world, and she felt a little ashamed to receive him in this
-little room and amid these humble surroundings. She rose slowly and languidly from
-her seat, and walked towards him, while Jeanne shut the door and retired.
-</p>
-<p>“How do you do, uncle?” said Eline softly. “I am very glad to see you, very glad.”
-</p>
-<p>She held out her hand to him, and pointed to a chair. He sat down, looked at her rather
-searchingly, smiled a little sad smile, and shook his head.
-</p>
-<p>“For shame, Eline,” he began slowly. “What sorrow you have caused me. Do you know
-I’m very dissatisfied with you, little girl?”
-</p>
-<p>“I suppose Betsy has written all sorts of things about me?” she asked with assumed
-indifference, but with real curiosity.
-</p>
-<p>“What Betsy has written me came upon me like a thunderbolt. I had no idea that you
-were so out of sympathy with your sister. I thought you were very happy at the Van
-Raats’. Last spring you wrote me such an enthusiastic letter about your engagement,
-and now Betsy tells me that you have released Van Erlevoort from his word. But still
-I had no idea whatever that such scenes had taken place. Eline, Eline, how can you
-allow yourself to be carried away like this by your feelings, without the slightest
-attempt at self-control?”
-</p>
-<p>He searched a little for his words, proceeding cautiously, with much misgiving whether
-she would allow him to persuade her to another course. The news of her flight had
-given him the idea that she was a very violent, impetuous creature. Now her gentle
-reticence seemed to him very suspicious, and he feared every moment that she would
-jump up and do something desperate. But she replied very quietly—
-</p>
-<p>“Look here, uncle. I ran away from Henk and Betsy, it is true; but that is no reason
-why you should imagine that I do nothing but silly things. I was beside myself with
-passion because of Betsy’s aggravating manner. Now I’m sorry that I did not control
-myself, that I did not simply turn my back on her, to leave her house the next day
-in peace and quietness. But I think you will agree with me that there are moments
-in life when—yes, when one is no longer master of oneself.”
-<span class="pageNum" id="pb248">[<a href="#pb248">248</a>]</span></p>
-<p>“And you are determined, then, that you will not return?”
-</p>
-<p>“I thought I had told you as much in my letter,” she answered, a little piqued.
-</p>
-<p>“That is true; but I hoped—perhaps you would alter your mind.”
-</p>
-<p>“Never!” she said calmly and deliberately, and still with a certain hauteur.
-</p>
-<p>“Very well then; if that is the case we shall not return to it. I am sorry if that
-is your decision, but I suppose you have considered everything?”
-</p>
-<p>“Oh yes,” she said, and gave a little cough.
-</p>
-<p>“Well, then I must propose something else; or rather—what do you think of doing when
-you have got rid of that wretched cough?”
-</p>
-<p>Eline looked at him with some anxiety, and all her pride vanished.
-</p>
-<p>“I have been thinking about it myself. I really don’t know. Perhaps I shall go and
-live by myself. I have a good many things of my own, and I can be economical. Then
-perhaps too I can get some one to stay with me.”
-</p>
-<p>And in her fancy she already saw herself ensconced in a set of quaint little rooms
-something like those she occupied now, and her eyes filled with tears.
-</p>
-<p>“That is a sensible idea, at all events. Here in the Hague do you think?”
-</p>
-<p>“Well, yes, I dare say; but I really am not certain. Maybe I shall go to a smaller
-place.”
-</p>
-<p>“Well, anyhow that is an after consideration. The fact is, there is something I wanted
-to propose to you myself.”
-</p>
-<p>He took her hand, and glanced at her with his lack-lustre eyes. And she thought that
-perhaps he was about to ask her to come and stay with them in Brussels; if so, should
-she accept?
-</p>
-<p>“I am going abroad with your aunt, Eline, for the winter. I cannot help laughing when
-I speak about your ‘aunt,’ for, as you know, she is scarcely five years your senior.
-We are first going to Paris, and then perhaps to Spain. And so now I wanted to suggest
-that you should accompany us. You want a little change after what has happened; we
-may perhaps stay abroad right through the winter. When you get tired of it you can
-leave, and then there will be time enough to go and live by yourself. With my wife
-I dare say you will get on very well, she is very good company, a real <i lang="fr">Française</i>. What do you think of this plan?”
-<span class="pageNum" id="pb249">[<a href="#pb249">249</a>]</span></p>
-<p>Eline looked at him confusedly with her tearful eyes. Yes, it was very true she needed
-change, and she should travel about right through the winter! And at that thought
-it was as if a flood of sunshine had suddenly lit up the sombre darkness of her soul.
-No life without change Vincent had said.
-</p>
-<p>“I really do not know what to say, uncle,” she said with some emotion. “I am not very
-cheerful just now, and I fear you won’t find me pleasant company.”
-</p>
-<p>“That is nothing at all, my girl; when you find yourself in different surroundings,
-and see different faces, your ideas will change too. There is nothing so necessary
-in this life as change; we cannot live without it!”
-</p>
-<p>She started, and looked at him with a smile. It was as if Vincent had spoken! And
-she felt grateful, very grateful, for his kind offer, for his kindly voice. Yes, she
-consented, consented with gratitude.
-</p>
-<p>“You see, you can come and stay with us in Brussels for a few days first, and then
-we can go; we do a deal of travelling, and we do it economically, but without denying
-ourselves any pleasure. You see, we understand the art, and as for you—you have money
-enough, you are a good catch for anybody, aren’t you, eh?” he concluded smilingly.
-</p>
-<p>“I a good catch? My wealth is not very great, I can tell you, and I am no longer in
-the market,” she said with a little sad smile. “You see, I am getting old gradually;
-I’ve served my time.”
-</p>
-<p>He spoke to her as cheeringly as he could. Her trip would cure her of all those gloomy
-ideas. After Jeanne, whom Eline had called into the room, had been told of the plan,
-he left; he had still to pay a visit to the Nassauplein, to the Van Raats.
-</p>
-<p>Eline remained alone while Jeanne conducted him to the door. A multitude of thoughts
-rushed through her brain, like showering rose-leaves, like sparks of sunshine, like
-glittering bubbles of soap. She looked out of the window at the great clouds of dust
-which the wind blew up from the paths and roadways. And she turned away shuddering
-at the grave tints of autumn that met her gaze, when all at once her eye fell on Frans’s
-diary, which was hanging on the wall, with the date 15th November distinctly visible.
-</p>
-<p>Great heavens! that was the very day which only a few months ago Otto and herself
-had fixed upon as—their wedding day! Her gaze was as transfixed on those black figures.
-A wild, a hopeless grief and remorse suddenly overwhelmed all her new bright <span class="pageNum" id="pb250">[<a href="#pb250">250</a>]</span>happiness, and savagely she flung herself into her big chair and sobbed as if she
-would sob her very life out.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The news soon spread; the Eekhofs, the Hydrechts, and the Van Larens repeated it to
-one another; Eline Vere was going abroad with her uncle, Daniel Vere, who lived in
-Brussels and had only been married a year.
-</p>
-</div>
-</div>
-<div id="ch26" class="div1 chapter"><span class="pageNum">[<a href="#ch26.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XXVI.</h2>
-</div>
-<div class="divBody">
-<p class="first">Her head languidly resting against the red velvet cushions, Eline was seated alone
-in the ladies’ coupé. She listened mechanically to the rattling of the wheels along
-the rail, and it seemed to her as if she heard a nervous tattoo in that monotonous
-hard melody of steel and iron. Once or twice she took her handkerchief and wiped the
-glass to have a glance outside, where the gray evening shades were falling, and an
-opaque mist was rising over the meadows. In a few minutes she would be in the Hague,
-in the Hague, where now she had not been for eighteen months, and after her continuous
-wanderings the place seemed dear to her now, a place where yet she might find something
-of a home.
-</p>
-<p>For eighteen months she had been travelling, and in all that time she had lived with
-strangers without the smallest spot that she could call her own. The changeful life
-she had led made the time pass rapidly; change, ceaseless change had been hers. New
-cities, new scenes, new people, wherever she went, until she was tired, dead tired
-of all this variety. Now she longed for rest and calmness, for a long dull period
-of slumbering repose, free from dreams and free from sorrows.
-</p>
-<p>Something of a home! Should she indeed find that, with that sad, aged woman who loved
-her, but who did not understand her as she was now—quiet, sadly quiet, and tired,
-utterly tired of her young life? For henceforth she would be sad and quiet and tired
-of it all, she would not again excite herself to an artificial glitter of gaiety,
-as she had been forced to do among the strangers with whom she had sojourned.
-<span class="pageNum" id="pb251">[<a href="#pb251">251</a>]</span></p>
-<p>She heard the shrill whistle of the engine, and the lights that glimmered through
-the mist grew in number at every moment. She was approaching the Hague slowly. She
-rose, arranged her hat and her veil, placed her book and her scent-bottle in her leather
-satchel, and sat waiting, looking somewhat thin and worn, her face sallow and emaciated,
-her eyes dull and sunk deep within their sockets. She sat waiting until the train
-glided into the station and came to a stop.
-</p>
-<p>Her heart beat and the tears glistened on her lashes. Through the steam-covered glass,
-in the dull glow of the gas-lights, she could see the busy turmoil of the station,
-and she heard the loud voices of the guard calling out—
-</p>
-<p>“Hague, Hague!”
-</p>
-<p>The carriage-door was opened; she rose, her portmanteau, her rug and sunshades in
-her hand. Amid the rushing to and fro of the travellers her eyes sought Paul; she
-knew that he was coming to fetch her, and she gave a sudden start when she saw a familiar
-burly form make his way through the crowd and approach her.
-</p>
-<p>“Henk!” she cried.
-</p>
-<p>He helped her out and she nearly fell into his arms, while Paul, who followed him,
-relieved her of her luggage.
-</p>
-<p>“Elly—my child! Elly, dearest!” said Henk in a choking voice, and gently he kissed
-her, while she lay her sobbing head on his shoulder. She scarcely heard Paul’s greeting,
-and quite mechanically she held out her hand to him. A wild sob escaped her. But Henk
-still spoke on, he took her arm and led her to the front of the station where his
-carriage was waiting. She let him lead her, full of undefined thoughts, full of a
-vague sadness, and she leant on his hand and stepped into the carriage.
-</p>
-<p>“We shall wait for Paul a moment,” said Henk, who took his place beside her.
-</p>
-<p>She did not answer, but lay back in the cushions and covered her head with her hand.
-</p>
-<p>“I did not expect to see you, Henk; it’s very kind of you, very kind indeed,” she
-at last was able to say. He gently pressed her hand, and leaned his head out of the
-window. Paul was approaching.
-</p>
-<p>“All the luggage is right,” he said, and sprang into the carriage. “Well, Elly dear,
-I am glad to see you again.”
-</p>
-<p>The footman closed the door and the carriage rolled away. Paul said nothing more,
-neither did Eline or Henk. By the light of <span class="pageNum" id="pb252">[<a href="#pb252">252</a>]</span>every gas-lamp they passed, Paul saw Eline lying back in the cushions motionless,
-her hands covering her face, her bosom heaving with sobs, and they remained silent.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>It was past ten when the carriage drew up in front of the house in the Laan van Meerdervoort.
-The footman rang the bell, the door was opened, they stepped out. In the hall stood
-Madame van Raat, trembling with emotion, and Eline rushed towards her and flung her
-arms round her neck.
-</p>
-<p>“Dear, dear little madam! dear little mother!” she sobbed, “you will have me stay
-with you, won’t you?”
-</p>
-<p>The old lady wept like a child, and took Eline’s arm and led her into the dining-room;
-the table was laid, and supper was waiting.
-</p>
-<p>“Oh, what a dear old darling you are!” cried Eline. “I am so glad, so glad that I
-may come and stay with you.” She clasped the weeping old lady in her arms, and Madame
-van Raat made her sit down on the sofa, and sat down beside her with her arm round
-her waist. What a time it was since she had seen Eline, and how was she looking now?
-All right? “Oh yes, yes, I am quite well,” cried Eline, and kissed her again and again.
-</p>
-<p>But the old lady undid Eline’s veil, and helped her to remove her hat and her cloak.
-And oh, very soon she saw—that emaciated frame, those hollow cheeks, those dull eyes.
-</p>
-<p>“My child,” she cried, unable to contain herself, “my child, oh, how changed you are,
-how bad you look!”
-</p>
-<p>Eline embraced her passionately, and hid her glowing little head in the old lady’s
-bosom.
-</p>
-<p>“Oh, you must not take any notice of that, I am a little tired of travelling—perhaps
-I look a little pale, eh? Really you shall see, when I’ve been with you a little time
-again, I shall look as fresh as a daisy.” She smiled at the old lady through her tears,
-and kissed her repeatedly, now her cheeks, then her old shrivelled hand.
-</p>
-<p>Henk and Paul entered, and they too were touched by Eline’s altered appearance, but
-although it alarmed them, they said nothing. The old lady could not keep her eyes
-from Eline; she wiped her eyes, and asked Eline whether she would not like to wash
-her hands.
-</p>
-<p>“No, never mind,” cried Eline; “I feel a little dusty, but it does not matter. Oh,
-Henk, my dear old Henk.”
-</p>
-<p>She motioned Henk towards her, made him sit down by her side, and clasped his big
-head in her little hands.
-<span class="pageNum" id="pb253">[<a href="#pb253">253</a>]</span></p>
-<p>“Aren’t you—aren’t you angry with me any more, Henk?” she murmured close to his ear.
-</p>
-<p>He bit his lips with emotion. “I never was—angry with you,” he stammered with a choking
-voice. She kissed him, then released her hold of him, gave a sigh of relief, and cast
-a long glance around her. Yes, she had found something of a home.
-</p>
-<p>They sat down at table, but Eline had no appetite; she just touched her soup, but
-eat she could not at all. But she asked Paul to fill and refill her glass, for she
-was thirsty. The wine and her emotion brought a blush to her sallow cheeks, and when
-the old lady asked her why Uncle Daniel had not brought her home, she laughed, a loud
-and nervous laugh. Oh, she could very well journey from Brussels to the Hague by herself;
-uncle wanted to take her, but she refused his escort, she was so used to travelling
-now. Nothing was easier than travelling, she need only pack her trunks, ask a few
-questions here and there, and take her seat in the carriage. Why, it was nothing.
-</p>
-<p>Quickly and nervously she spoke on, her glass, which she repeatedly put to her lips,
-clasped in her hands. She spoke about her life in Paris, in Bordeaux, and in Spain.
-Ah! Spain, there she lived again. Spain! the land of romance, the land of ancient
-Moorish chivalry and elegance. As for Granada and the Alhambra it was grand, magnificent;
-to the bull-fights she would never go, although Elise had laughed at her, but she
-could not stand it, such a dirty thing to see those dead, mangled, bleeding beasts.
-</p>
-<p>Paul laughed, and she laughed too, and pitied the poor bulls, and still she spoke
-on; the old lady continually urged her to eat something, but she refused.
-</p>
-<p>“Really not, little madam, really not, thank you. I can only drink a little, I’m so
-thirsty. May I have another glass?”
-</p>
-<p>“Can you take so much wine, child?”
-</p>
-<p>“Oh yes, it makes me sleep beautifully. If I don’t take wine I lie awake all night,
-and that is so wretched. Cordova is a beautiful city too, there is such a grand mosque
-there.”
-</p>
-<p>And she allowed herself to be driven forward along the nervous stream of her travelling
-impressions. Why did not Paul travel more than he did? if she were a young man and
-had money, she would always travel, always. Long journeys would she make, from New
-York to San Francisco, and then by sea to Japan, all over the world. How beautiful!
-It was splendid, splendid in a railway <span class="pageNum" id="pb254">[<a href="#pb254">254</a>]</span>carriage, she could pass her life in a train! The old lady shook her head, gently
-smiling at her enthusiasm.
-</p>
-<p>“But nicer still than all it is to come and live with you here, my dear little madam,
-my little dot,” she cried; and with sudden impetuosity she embraced the gray-haired
-old lady.
-</p>
-<p>After supper Madame van Raat suggested that Eline should go and take a little rest
-in her room. Eline agreed, but little madam was to stay with her—would she? Paul had
-an appointment with some friends, and took his leave, and Henk too rose.
-</p>
-<p>“May Betsy come and see you to-morrow?” he whispered a little anxiously. She smiled
-and looked at him questioningly, pressing his hand.
-</p>
-<p>“Certainly,” she replied; “kiss her for me, will you? And how is Ben, has he grown
-much?”
-</p>
-<p>“Oh yes, he is an immense boy. You shall see him to-morrow. Well, good-bye, Elly,
-good-night.”
-</p>
-<p>“Good-bye, Henk, till to-morrow.”
-</p>
-<p>Henk left, and Madame took Eline up-stairs to her room.
-</p>
-<p>“For the present I cannot give you a sitting-room, Elly,” she said on the staircase,
-“at least so long as Paul is with me.”
-</p>
-<p>“Where does he think of going to then?”
-</p>
-<p>“He wants to live by himself; that is best too for a young man, is it not? But your
-bedroom is a very large one, you know that room next to mine?”
-</p>
-<p>“Oh yes, I remember, ’tis a splendid room.”
-</p>
-<p>In her room the gas was lit, and the French windows were open, so that the cool evening
-air blew inside. Eline coughed a little when she entered.
-</p>
-<p>“’Tis rather cool, I shall close the window,” said the old lady.
-</p>
-<p>Eline looked about her in astonishment, and her eyes grew moist.
-</p>
-<p>“But, little madam, little madam, what have you done?” she exclaimed with emotion.
-</p>
-<p>For wherever her eye went she saw some souvenir of her rooms on the Nassauplein. There
-was her Psyche yonder, her toilet dishes; in this corner her writing-desk, her letter-rack;
-there hung her Venetian mirror; round about her in tasteful profusion her statuettes
-were arranged; while almost the only thing that was new in the room was the big bedstead,
-on which the dark blue curtains were suspended like a baldaquin from the wall.
-<span class="pageNum" id="pb255">[<a href="#pb255">255</a>]</span></p>
-<p>“Does it suit you?” asked Madame van Raat. “I thought you would like your own things
-best; but, child, what is the matter now, what are you crying about?”
-</p>
-<p>She allowed Eline’s arms to encircle her, and Eline wept on her shoulder and kissed
-her again and again. The old lady made her sit down on the couch, and sat down beside
-her, and Eline still leaned against her as a weeping child leans against her mother.
-</p>
-<p>“Oh, now, now at last I begin to feel the luxury of rest,” she said wearily, “for
-I am so tired, so tired.”
-</p>
-<p>“Shall I leave you alone then, if you want to sleep?”
-</p>
-<p>“No, no, stay, do stay here; it is not the five hours in the train that has made me
-tired. I am tired, tired of everything, and that sleep will not cure; but still now
-I feel that I am resting, not because I am sitting down, but because it is on you
-that I am leaning, and because I know that you care for me. You see I needed it so
-much—in all this travelling, among all those strange people—I needed somebody upon
-whom I could lean, somebody who would give me a little, a very little love and affection,
-but it was all so cold, so deadly cold around me, with all the kindliness and courtesy.
-Uncle Daniel too is just like all the rest, very friendly, very kind, very polite,
-but so cold. With Elise I was always having some joke or another, all about her is
-light and airy as foam, but she too is cold, cold and cynical, and with all those
-strangers I was always obliged to be on my friendliest behaviour, and always smiling,
-for who would have cared to be bothered with a guest who was not jolly? And where
-was I to go to, if I did not lodge somewhere or was on my journey?”
-</p>
-<p>“But, child, you could always have come to me, and I should have written to you before
-this if I had thought you were so unhappy, but I always imagined that you were very
-happy indeed.”
-</p>
-<p>“Happy!” groaned Eline, “yes, happy as a horse that cannot go further, and is driven
-along by blows and kicks;” and she laughed, a laugh of bitter sadness.
-</p>
-<p>Her laugh cut into Madame van Raat’s soul like a knife. The tears sparkled in her
-dulled eyes and she could not speak, she could only clasp Eline closer to her breast.
-</p>
-<p>“Yes, that’s right, hold me close to you,” murmured Eline softly. “This is rest, rest
-indeed—my dear, dear old pet.”
-</p>
-<p>Thus they remained seated for a long time, and neither of them spoke another word
-until the old lady insisted that Eline should <span class="pageNum" id="pb256">[<a href="#pb256">256</a>]</span>try and sleep. She would stay close to her, Eline need but open a door, and she would
-be with her.
-</p>
-<p>“If you want anything say so, or you will ring, won’t you, child? Do exactly as if
-you were at home. Ask for whatever you want.”
-</p>
-<p>Eline promised she would, and the old lady left her. But Eline’s heart was still too
-full for her to retire to bed at once. She glanced around her, and in every nook,
-in every corner, she recognized her own vases, her plates, and her photos. Then her
-glance fell upon a Japanese box on the table. Her little bunch of keys was lying beside
-it, she took it up, found the right key, and opened the box. In it there were a number
-of letters discoloured with age—letters from old schoolmates, letters from Aunt Vere,
-written at a time when she was at boarding-school. The former she would tear up, for
-she felt no longer an attachment for the gushing professions of girls whom she never
-saw, and whom she had forgotten as they had forgotten her. A letter or two she found
-also from her father—her father who had been so dear to her—and she kissed the paper
-with veneration as though it had been sacred. But all at once, while she was arranging
-her papers, there fell from those discoloured pages a small piece of cardboard. She
-stooped, picked it up from the floor—and she turned white as a sheet, while her eyes
-stared wildly in front of her.
-</p>
-<p>“Oh!” she groaned, as if an old wound had suddenly been opened. “Oh, oh heavens!”
-</p>
-<p>It was a small portrait of Otto’s. How did it come there, among all those old letters?
-Ah, yes, she remembered, it was the proof of a photograph which once he had had taken
-for her. The portrait itself, which during her engagement she had constantly carried
-about her, she had returned him, together with his other presents, with the Bucchi
-fan. This little proof had got lost among her letters, and she had never given it
-another thought.
-</p>
-<p>“Oh!” she groaned again. “Oh!”
-</p>
-<p>She wept, she sobbed, she pressed the portrait to her lips. That little proof was
-now her greatest treasure, and for ever—yes, for ever—she would carry it about her,
-it was the only thing that was left to her out of her great happiness, that happiness
-that had slipped from between her fingers like a precious bird. And this was the only
-little feather it had left behind.
-</p>
-<p>“Otto—Otto,” she murmured. And her tears and kisses covered the little piece of cardboard.
-</p>
-<p class="tb"></p><p>
-<span class="pageNum" id="pb257">[<a href="#pb257">257</a>]</span></p>
-<p>In her own room Madame van Raat still sat meditating. Sadly, her eyes full of tears,
-she shook her head. How was it possible, while she had been so long happy with her
-husband, that her dear little Elly had known so little of real pleasure? and in her
-piety—the piety and childlike faith of a simple heart, a heart full of gratitude for
-that which once had been granted it—she folded her shrivelled hands and prayed, prayed
-for her dear little Elly, prayed that she might be happy.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Next morning, at the breakfast-table, a sudden impulse moved Eline.
-</p>
-<p>“Little madam,” she began in soft, trembling tones, and she laid her hands on that
-of the old lady. “Little madam, I wanted to ask you something. Do you see anything
-of Erlevoort now?”
-</p>
-<p>The old lady looked at her as though she would fain have guessed Eline’s thoughts,
-but she could not gather anything from those feverish eyes, from those nervously-moving
-fingers.
-</p>
-<p>“What makes you ask that, Elly?”
-</p>
-<p>It was the first time that she had spoken to Eline about Otto since the breaking of
-her engagement.
-</p>
-<p>“Oh, I should so like to know if it affected him much, and if he’s happy now. Do you
-never meet him?”
-</p>
-<p>“I have met him once or twice at my brother-in-law’s on the Princessegracht.”
-</p>
-<p>“How does he look?”
-</p>
-<p>“He is not much changed, he may have aged a little perhaps, but it is not very noticeable.
-He is certainly a little quiet and rather gloomy, but then he was never very boisterous,
-was he?”
-</p>
-<p>“No,” murmured Eline, brimful of past memories.
-</p>
-<p>“He is not in the Hague now; he is at the Horze, I believe.”
-</p>
-<p>“Have I driven him away, I wonder?” thought Eline, and with an effort to make it appear
-as though the interest she took in him was for his own sake, not for hers, she softly
-said, “Then I suppose he has got over it; there is nothing I should like better than
-to know him to be happy, he deserves it. He is a very good fellow.”
-</p>
-<p>The old lady said nothing, and Eline could with difficulty keep herself from crying.
-Oh, was it not terrible that even before her dear old little pet she was obliged to
-do violence to herself and be a hypocrite? Oh, what a hollow sham it all was! She,
-she had <span class="pageNum" id="pb258">[<a href="#pb258">258</a>]</span>always shammed, to her own self as well as to others, and she still shammed now. So
-inured had she grown to her shamming and hypocrisy, that now she could not do otherwise.
-</p>
-<p>“And now there is something that I want to show you, which I hope you will like,”
-said the old lady, who guessed something of Eline’s sadness; “follow me.” She led
-her down-stairs, and opened the door of the drawing-room.
-</p>
-<p>“You know I used to have such an old cripple of a piano, because, you see, it was
-only for Paul, who jingled a little on it to study his singing, but now just look
-here.”
-</p>
-<p>They walked inside, and in the place of the old cripple they found a brand-new Bechstein;
-her music-books in their red and gilt bindings lay on the top.
-</p>
-<p>“It will suit your voice splendidly, the tone is so clear.”
-</p>
-<p>Eline’s lips trembled and twitched nervously.
-</p>
-<p>“But, madam,” she stammered, “why did you do this—oh why, why did you do it? I—I don’t
-sing any more.”
-</p>
-<p>“Why, why not?” asked the old lady, quite alarmed.
-</p>
-<p>Eline with a sigh threw herself in a chair.
-</p>
-<p>“I may not sing any more,” she exclaimed almost bitterly, for the new piano most cruelly
-awoke the memory of her splendid voice of former days. “The doctors whom I consulted
-in Paris have forbidden me; you see I have been coughing all the winter, and it is
-only lately that my cough has been less. During the last two winters I have coughed
-continually, and had such a pain here on my chest. In the summer-time I am quite well.”
-</p>
-<p>“But, child,” said the old lady anxiously, “didn’t you take good care of yourself
-then, while you were abroad?”
-</p>
-<p>“Oh yes, the Des Luynes recommended me to some specialists in Paris, and they sounded
-and tapped me and knocked me about until I was tired of it; besides that, I was constantly
-under treatment of two regular doctors, but in the end I had enough of it. They did
-not cure me, while they told me I should always have to reside in a warm climate.
-But I could not remain vegetating all by myself in Algiers, or Heaven knows where,
-and Uncle Daniel had to return to Brussels; so you see,” she concluded with a little
-nervous laugh, “I am a hopeless wreck in every way.”
-</p>
-<p>The old lady pressed Eline’s head to her bosom, with the tears glistening in her eyes.
-</p>
-<p>“’Tis a pity, because of the nice piano,” said Eline, releasing <span class="pageNum" id="pb259">[<a href="#pb259">259</a>]</span>herself from the old lady’s embrace and seating herself nervously at the piano. “What
-a full clear tone, how rich and beautiful!”
-</p>
-<p>Her fingers glided quickly along the notes, the tones seemed to sob with grief at
-that voice that was lost. The old lady looked on sadly, she had nursed herself in
-the belief and hope that Eline would sing with Paul; that Paul, attracted and charmed
-by the music, would stay much at home in the evening; that a melodious sweet sociability
-would once more fill her lonely, silent rooms; but all she heard was the loud sob-like
-notes as they came from under Eline’s fingers, the weeping dew of a chromatic bravura,
-and the great running tears of painful staccatos.
-</p>
-<p>“Yes, I shall practise my piano playing. I never was a great pianist, but I shall
-do what I can; you shall hear some music, dearie. What a tone, what a beautiful clear
-tone!”
-</p>
-<p>And the clear, liquid notes followed one another as in a flowing torrent of grief.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>In honour of Eline, Paul took care to be home for coffee. In the afternoon Madame
-Verstraeten came with Marie, and they were followed by Emilie de Woude. Eline received
-them cordially, and showed herself pleased to see them. A strange feeling came over
-Marie now that she heard and saw Eline once more; something of a fear it was, a misgiving,
-whether Eline would also discover any change in her; but Eline did not seem to notice
-anything, and talked on; she talked about her travels, about the cities she had visited,
-about the people she had seen, talked on continuously with nervous rapidity, the thoughts
-rushing closely one after another. She could not help it, it was the nervous state
-in which she existed just now, a nervousness that overmastered her wherever she might
-be, and ever kept her fingers in motion either crumpling up her handkerchief, plucking
-at the fringe of the tablecloth, or swaying the tassels of her fauteuil backwards
-and forwards. Her elegant languor, her graceful calm of former days was completely
-gone.
-</p>
-<p>About four o’clock the drawing-room door was opened, and Betsy entered, leading Ben
-by her hand. Eline rose and hurried towards her to hide her confusion under a show
-of cordiality. She embraced her sister impetuously, and fortunately Betsy found some
-appropriate words to say. Then Eline overwhelmed Ben with her kisses. He was a big
-boy for his five years, but in his eyes there was that undefinable, sleepy expression
-common to a <span class="pageNum" id="pb260">[<a href="#pb260">260</a>]</span>backward child. Still a happy memory seemed to steal over him, for his little lips
-opened into a glad smile, and round Eline’s neck he flung his little chubby arms and
-kissed her. After that neither of the sisters seemed to desire any very confidential
-conversation, and Betsy left, together with the Verstraetens and Emilie, and Eline
-did not press her to stay. Both of them felt that no closer tie than one of mere conventionality
-bound them together. During the last eighteen months they had not seen each other,
-and now that they did meet it seemed to them as though they were strangers, who made
-a show of politeness and cordiality, saying all kinds of nice things, while a chill
-indifference filled their hearts.
-</p>
-</div>
-</div>
-<div id="ch27" class="div1 chapter"><span class="pageNum">[<a href="#ch27.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XXVII.</h2>
-</div>
-<div class="divBody">
-<p class="first">Some weeks had passed by, and Madame van Raat was beginning to feel very uneasy about
-Eline’s health. She wrote to Dr. Reyer, and he had visited Eline. Madame van Raat,
-who was present at his visit, did not form a very great opinion of the ability of
-the dapper little doctor, who talked about nothing but Paris and Spain, and seemed
-only to have come to have a little chat. When two days later Reyer repeated his visit,
-she received him somewhat coldly. She left the doctor and patient alone together for
-a moment. Reyer rose somewhat in her favour when, after he had gone, Eline told her
-how carefully Reyer had examined her. Then, after all, he did have an intelligent
-idea of Eline’s condition, thought the old lady; and under his graceful elegance she
-discovered Reyer’s firmness of will and strength of character, and with it the belief
-in his skill too grew fixed in her mind. At his third visit, after he had left Eline,
-she took him aside. He told her frankly that he would not mislead her, that he would
-tell her the whole truth. Eline had the germs of pulmonary consumption, the consequence
-of a severe cold which had been neglected. He would exert his skill to the utmost
-in his endeavours to destroy that germ, but beyond all that he had discovered something
-in Eline, something which he might <span class="pageNum" id="pb261">[<a href="#pb261">261</a>]</span>call the fatal taint of her family. Eline’s father had suffered from it, so did Vincent.
-It was a soul-disturbing unrest of the nerves, which were like the tangled chords
-of a broken instrument. He would not presume to more skill than he really possessed;
-it was not in his power to renew those chords, or to tune them so that they should
-once more produce an harmonious tone. The delicate fibres of a flower, which a too
-rough handling had bruised, it was not for him to infuse with fresh sap and renewed
-vigour. That was a task which Madame understood better than he. She could tend and
-nurture that flower, she could handle Eline so delicately, with such gentleness, that,
-chord for chord, she might yet call back into her prematurely-wasted frame the whilom
-vigour of her youth. Calmness, loving care, these were the remedies of which Eline
-stood in need; then with the approach of winter, a milder clime than that of Holland.
-</p>
-<p>The tears came into Madame van Raat’s eyes as she listened to him; when he left she
-pressed his hand cordially, full of grateful sympathy, but the task which he had given
-her weighed heavily on her shoulders. She feared that Reyer had overrated the power
-of her affection for the poor child; she inwardly suspected that a love other than
-hers was necessary to draw forth sweet melody from that soul which was now so sadly
-out of tune.
-</p>
-<p>At his next visit Dr. Reyer insisted that Eline should try and find some occupation
-that would bring some life into that languid melancholy to which she had given herself
-up from morning till night. Eline found an excuse for her idleness in the warm summer
-weather; but now that the leaves were falling, now that the cool winds of early autumn
-began to blow refreshingly in her face, it seemed to her that she breathed anew, and
-she felt much more cheerful, and declared her determination to seek some occupation.
-Madame van Raat continued to look at her with great anxiety, for with Eline’s renewed
-vivacity her cough had also returned—a dull, hacking cough, which sounded as though
-it would choke her. In the meantime she now dressed herself with a little more care
-and taste than she had done during the past summer, and she practised industriously
-on her new Bechstein; but music alone did not satisfy her, she needed another occupation,
-and that she now sought elsewhere. Although she somewhat neglected her former acquaintances,
-she still met them occasionally in Betsy’s drawing-room. While there one evening,
-out of sheer <i>ennui</i> she <span class="pageNum" id="pb262">[<a href="#pb262">262</a>]</span>arranged with an old lady, a Miss Eekhof, an aunt of Ange and Léonie, to go with her
-on the following Sunday to the French Church. Eline went; a new preacher with great
-black dreamy eyes and white aristocratic hands preached that day. She returned home
-in ecstasy, and told Madame van Raat excitedly about the eloquent sermon to which
-she had listened. She inwardly regretted that a Protestant Church was so cold, so
-empty, so bare, that the singing was so bad; gladly she would have been a Catholic;
-on an Ave Maria, or on a Gloria in Excelsis, her soul would have risen on high as
-on the wings of melody; at the holy transfiguration, in the mystic glamour of the
-altar, she would have trembled with glorious fervour, while the incense would have
-imbued her very being with a flavour of theatrical piety. But she was not a Catholic,
-and she consoled herself with her French Church; she now went there frequently with
-Miss Eekhof, until it became a regular habit with her, and she occupied a fixed seat.
-The acquaintances she met there she greeted with a serious little face, with soft
-dreamy eyes and a melancholy droop about her little mouth, and every one began to
-wonder at Eline’s new piety. Miss Eekhof was on the committee of several charities,
-and it needed but little persuasion on her part to induce Eline to enrol herself as
-a member of some of them, and many a time Miss Eekhof persuaded her to accompany her
-on her visits to the poor.
-</p>
-<p>For a month or so she found a pleasure in this new piety, then the monotony of the
-preacher’s unctuous words began to pall on her, and she could tell beforehand how
-he would lift up his eyes at the singing, or what movement he would make with his
-white hand when he pronounced the benediction. The singing quite unnerved her, hearing
-it rising as she did from so many hoarse, uncultivated throats. The plain white walls,
-the simply-constructed pulpit, and the wooden pews began more and more to irritate
-her; she began to suspect that all these people who had come there to be edified were
-really a set of hypocrites. The pious fervour of the preacher was a sham; the dignified
-bearing of the elders was a sham. Miss Eekhof by her side, she too was shamming; and
-she herself, with her soft melting eyes and her serious face, what was she but a sham!
-</p>
-<p>Through Miss Eekhof she heard of many a tiff, many a petty dispute among the lady
-directors of the different societies, and of their good intentions she now too began
-to doubt. Oh, she hated <span class="pageNum" id="pb263">[<a href="#pb263">263</a>]</span>that philanthropy, which was a cloak for so much jealousy and envy, and she could
-no longer believe in the sincerity of those ladies, not even of those who had moved
-her to sympathy; every one of them shammed and had some motives of her own, every
-one was an egoist and thought only of herself, under the cloak of working for others.
-</p>
-<p>And after that first month she felt thoroughly disgusted with the poor people whom
-she had visited with the old lady. The stuffy closeness of their dirty little rooms,
-their wretchedness and misery, seemed to choke her very breath. Indeed, she would
-have been suffocated had she but been forced for one single day to breathe such an
-atmosphere, and as she mistrusted the lady managers, so she mistrusted the poor. Stories
-of wealthy beggars rose to her mind; she had read of beggars living in London who
-were as rich as bankers, and who spent their evenings in feasting and pleasure; and
-although she remained a member of the different societies, and often enough gave Miss
-Eekhof some money for an ailing widow or a blind old organ-grinder, she no longer
-went to church, nor to these dirty people.
-</p>
-<p>Winter approached, and on account of her cough Eline remained at home a good deal
-with Madame van Raat; in dull listlessness the days dragged by, one after another
-without change, without a break in the monotony; for the hundredth time Eline asked
-herself to what end she lived, why indeed should she live if she could not be happy.
-After this disappointment in her own philanthropy and piety she would trust no one;
-she looked around her, and she did not believe that Georges and Lili cared for each
-other now that they were married, or that they were happy; no doubt they were deceived
-in each other, and now they shammed so as to hide it. She did not believe that Betsy
-was happy although she was rich, for how could it be possible that she cared for Henk,
-and did not long for a more passionate love? And now she did not believe either that
-Otto had ever loved her; how could he, seeing that his character was so entirely different
-from hers? At one moment even her suspicion grew so intense and so all-absorbing that
-she no longer believed in Madame van Raat’s unselfish affection for her. Madame van
-Raat had hoped to find in her an agreeable companion, and now no doubt she was disappointed.
-Yes, Madame van Raat shammed as all the others shammed. At one time such bitter feelings
-as these would have <span class="pageNum" id="pb264">[<a href="#pb264">264</a>]</span>driven Eline to despair, but now so much bitterness had already entered her soul,
-that even those feelings could no longer irritate her; she remained quite indifferent
-under them. What did it matter to her that life was one great lie? it was so, and
-could not be helped, she could not alter it. She must play her part, and lie like
-all the rest of them.
-</p>
-<p>At least, when she could not do otherwise, when they excited her to emotion, to “life”;
-for as long as they did not, she would lie down, lie down in her blank indifference
-as in a deadening rest. Thus she thought, and forced her youth to stoop under the
-yoke of that apathy. To it she gave herself up completely, she even lost her charm
-of manner. Among her acquaintances she no longer excited any pity, and gradually she
-grew quite rude and disdainful; she got into the habit of staying in bed the greater
-part of the morning, and although Madame van Raat disapproved of it, she nevertheless
-had Eline’s breakfast taken to her, because otherwise she would not breakfast at all.
-</p>
-<p>Eline felt well enough that she could not go on leading this kind of life; something
-she could not have described continually irritated her in Madame van Raat and in her
-house. Involuntarily Eline allowed her peevish fits to overmaster her, so that she
-addressed the old lady in words of passionate irritation. Then the old lady would
-merely look at her with a sad expression, and Eline felt at once how wrong she was.
-Sometimes she was too proud to acknowledge it, and then she had a sulking fit which
-perhaps lasted a day or two, and during which she scarcely spoke a word. At other
-times, again, she was so brimming over with remorse that she would sobbingly throw
-herself upon her knees, lay her head in the old lady’s lap, and beg for her pardon.
-No, little madam should not take notice of her wretched fits of temper. She could
-not make them out herself, and she could not control them. Oh, they were like so many
-demons, who dragged her away against her will wherever they would have her. The old
-lady wept as well, kissed her, and the next day the same demons dragged Eline along
-with them. No, it would not do, thought Eline. She wrote a long letter to her Uncle
-Daniel and Elise. She wrote that, loving and affectionate as Madame van Raat was,
-she felt very unhappy, and that she would die with melancholy did she stay there—she
-longed for other surroundings.
-</p>
-<p>Uncle Daniel came to the Hague, and asked Eline in the <span class="pageNum" id="pb265">[<a href="#pb265">265</a>]</span>presence of the old lady if she had quite forgotten the family in Brussels, and if
-she would not like to pay them a visit.
-</p>
-<p>Eline did not know what to decide, but the old lady herself urged Eline not to refuse
-her uncle’s invitation, and go to Brussels. When Daniel Vere had left, Madame van
-Raat, as though crushed under a heavy disappointment, remained seated motionless on
-her chair; and her gray head, with its dull, staring eyes, drooped with even more
-than its wonted languor upon her chest. In two days Eline would leave her; there was
-the end then of all her expectations. She had hoped, old and weak as she was, to be
-of some use to this young life, and to infuse a fresh vigour into this dulled youth,
-and—and she guessed it—Eline grew more and more listless; Eline longed for change.
-How could she, old woman that she was, have had such presumption?
-</p>
-<p>Eline did not fail to notice this silent grief, and a great despair overmastered her,
-a despair at her own egoism. She had not given a thought to the old lady when she
-wrote to Uncle Daniel, it was only of herself that she had thought; and now she caused
-the old lady pain by her departure, while she felt convinced that she, after her change
-of residence, would remain the same as she, faded in body and soul, had now been for
-the last two years, and, amid nervous sobbing, fell back on the sofa, to rise again
-immediately in a wild, indefinite terror. Her eyes glittered wildly, and her fingers
-were constantly moving, touching a vase here, tangling the fringe of the curtains,
-or scratching fantastic figures on the bevapoured window-panes. It seemed to her suddenly
-as if she had just awakened from a dream, and the memory of what had passed before
-completely forsook her.
-</p>
-<p>“I suppose you did not understand me?” she asked doubtfully of the old lady, whose
-sad glance had constantly followed her.
-</p>
-<p>“I—I think—I did!” stammered she, inwardly shocked at the picture of lost happiness
-which Eline presented.
-</p>
-<p>Eline looked at her with a vacant stare; for a moment she felt a great regret at her
-confession, of which she scarcely longer remembered the words. But the sympathy beamed
-from the old lady’s eyes reassured her.
-</p>
-<p>“You did understand me? You understand why it is that I can no longer be happy?” she
-asked in a voice of bitter sadness, as once more she sank down on her footstool.
-<span class="pageNum" id="pb266">[<a href="#pb266">266</a>]</span></p>
-<p>The old lady did not answer, but, with her eyes full of tears, she threw her arms
-round Eline’s neck and kissed her. Both remained thus for a moment in silence.
-</p>
-<p>“And can you now forgive me for leaving you?”
-</p>
-<p>“Oh, why do you not stay with me?”
-</p>
-<p>“I’m a trouble and a sorrow to you. I do not give you the slightest pleasure. I can
-do nothing for you, and you can do nothing for me.”
-</p>
-<p>Yes, indeed, it was too true. The old lady could do nothing for her—no one could.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>They found nothing more to say to each other. Both understood well enough that they
-could render each other no help in bearing the burdens of life, that neither could
-be of any comfort to the other. But now the old lady began to doubt, too, whether
-even Uncle Daniel or Elise could be of any comfort to Eline. And though they said
-not another word, still the old lady sat there with Eline clasped close to her bosom.
-</p>
-<p>It grew dark, and a cheerless chill began to fill the rooms. Sombre shadows were descending
-in every corner behind the draperies and along the walls. The old lady shivered with
-the chill atmosphere, but she did not rise to ring the bell for the servant to look
-after the dying fire, for Eline had fallen asleep with her head resting on her shoulder.
-Were it not for Eline’s heavy breathing, Madame van Raat would have thought that death
-had overtaken her. The waxen pallor of those emaciated features was like unto the
-dew of death.
-</p>
-<p>Eline slept on, and it grew chiller and chiller. The old lady glanced at the stove;
-not a spark of fire was to be seen. Slowly she removed the woollen pelerine from her
-shoulders, and gently spread it over Eline’s sleeping form.
-<span class="pageNum" id="pb267">[<a href="#pb267">267</a>]</span></p>
-</div>
-</div>
-<div id="ch28" class="div1 chapter"><span class="pageNum">[<a href="#ch28.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XXVIII.</h2>
-</div>
-<div class="divBody">
-<p class="first">A month had passed, during which Eline had been living a life of semi-lethargy, of
-languid indifference, at the house of her uncle in the Avenue Louise at Brussels.
-Her cough was still very troublesome, but she felt herself comparatively at ease in
-her surroundings. Elise, though she chattered somewhat, seemed rather to like her;
-and Uncle Daniel, though he was somewhat cold in his studied politeness, was very
-amiable also. Sometimes, indeed, a suspicion rose to her mind that they shammed as
-every one in the Hague had shammed, but she would not stop to analyze this doubt;
-she was satisfied to allow her brain to be gradually enveloped by the lethargic indifference
-which was more and more becoming a part of her very being.
-</p>
-<p>Quite unexpectedly one day Uncle Daniel received a letter from Vincent Vere from New
-York. They were not in the habit of corresponding, and uncle was somewhat surprised.
-Eline, whose correspondence with her cousin had not been of very long duration, now
-that his name sounded so unexpectedly in her ears felt her interest in him revive;
-she was very anxious to know what the contents of his letter might be. Perhaps he
-asked for money.
-</p>
-<p>But in this Eline was mistaken. Vincent asked for no money, nor even for a recommendation
-<span class="corr" id="xd31e4656" title="Source: of">or</span> any help whatever. He simply wrote that he intended to take a trip to Europe with
-his friend Lawrence St. Clare, and they would visit Brussels. This letter roused Eline
-somewhat from her mental lethargy. She called to mind how Vincent, languid and weak,
-had reclined on her sofa in his Turkish dressing-gown, and how she had tended him.
-With this memory the thought of Otto became mingled, and with nervous agitation her
-fingers played around the black enamelled locket of her chain. Had she not fancied
-that Vincent loved her and that she loved him? Were any of those feelings now still
-remaining in her heart? No, those feelings were gone—vanished like birds that had
-flown away. Uncle and Elise talked a little about Vincent, and then remained silent;
-but Eline, though she said nothing, thought a great deal about him and his American
-friend.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>After a week or two Uncle Daniel received a second letter from Vincent, this time
-dated from Paris. In a few days the two young <span class="pageNum" id="pb268">[<a href="#pb268">268</a>]</span>men arrived, and they remained to dinner. Uncle and Elise out of politeness asked
-them to make their stay in the house, but St. Clare refused—they had already taken
-their rooms at the Hôtel des Flandres.
-</p>
-<p>Vincent was not at all changed in his appearance and his movements, and Eline all
-at once remarked, when both of them were standing beside each other, and she saw her
-face reflected in the glass, how greatly she had aged. He in his elegant, gentlemanly
-attire was the same as he had been two years ago. His face even, beside her own yellow,
-emaciated features, seemed to her healthier than ever she had seen it before. She
-in her black lace, a material which she now constantly wore, with her drooping shoulders
-and her sombre, lack-lustre eyes, seemed a mere wreck of her former sparkling youth.
-Lawrence St. Clare made a very agreeable impression both on Eline and on Elise. With
-her ideas of a Yankee, Eline had rather fancied him somewhat boorish and rough—perhaps
-chewing, swearing, and eternally drinking whisky—and she was very agreeably surprised
-by his winning, easy manner. Tall, and of a powerful frame, with his full-grown beard,
-which fell upon his bosom, a certain pride gleaming from his eyes, not the pride of
-vanity, but one that denoted power and strength of will. Although formerly Eline had
-only now and then heard Vincent drop a word about St. Clare, it seemed to her now
-as though she had known him ever so long. His frank smile, his soft but penetrating
-eyes, charmed her and aroused her from her lethargy, and it suddenly struck her, when
-her glance went round the table, what a peaceful, calm, healthful truth beamed from
-him, by the side of which the studied politeness of her uncle, the airy effervescence
-of Elise, the misty melancholy of Vincent and of herself, seemed but vain, hollow
-hypocrisy and unhealthy sham. After dinner they took coffee in the large salon, and
-Eline felt herself contented in St. Clare’s company, and inwardly hoped that none
-of her other acquaintances would come and disturb the harmony. Yet she had not much
-conversation with St. Clare. Elise took him in tow altogether, asking him hundreds
-of questions about New York, Philadelphia, and other places. He answered her in French,
-and spoke slowly with a foreign accent, which charmed Eline. Vincent took both her
-hands in his and looked at her attentively. He was grateful to her for what she had
-one day done for him, and something like pity filled him now.
-<span class="pageNum" id="pb269">[<a href="#pb269">269</a>]</span></p>
-<p>“I am rather disappointed in you, Elly,” said he, as they sat down in the balcony.
-“You must try and get a little stouter; do you hear?”
-</p>
-<p>She laughed a little, and the tip of her little shoe moved about nervously among the
-soft white rugs.
-</p>
-<p>“It is nothing at all,” said she. “I have not felt at all so unwell lately. I have
-been much worse than this, and I am very glad to see you once more, very glad indeed.
-You know I always rather liked you.”
-</p>
-<p>She gave him her hand and he pressed it, and drew his fauteuil a little closer to
-her.
-</p>
-<p>“And what do you think of Lawrence?” he asked; “do you like him?”
-</p>
-<p>“Yes, I believe he is a very good fellow, is he not?”
-</p>
-<p>“He is the only man whom I have ever known upon whom one can depend. There is no one
-in the world in whom I have any confidence—no, no one—not even in you, nor in myself;
-but him—him I trust. What funny French he speaks, eh?”
-</p>
-<p>“He speaks it very nicely,” answered Eline.
-</p>
-<p>“You have no idea what he would do for any one to whom he takes,” Vincent continued.
-“If I told you what he has done for me, you would not believe me. It is not every
-one whom I should like to tell what he has forced me to accept, and even when I tell
-you about it I certainly feel a bit ashamed. You must know that in New York I was
-very ill indeed, in fact, all but dying. At that time I had a situation in a house
-of business with which he is financially connected. Well, he took me into his own
-house and tended me almost with as much care as you did. I really do not understand
-how I have deserved his friendship, and I do not know how I can repay. Still, I would
-do anything for him. If now there is a grain of goodness in me at all, it is his influence
-that has produced it. It was he who kept my place open for me while I was ill, but
-a little while ago he decided to do a little travelling. He did not know much about
-Europe, and he declared that my situation was really too hard for me. In a word, he
-invited me to accompany him. I refused at first, because already I was under such
-obligations to him, but he forced me, and at last I yielded. With the coming winter
-he intends to go to St. Petersburg and Moscow, and next summer he will wander about
-the south of Europe. You know I have always been fond of change, and have <span class="pageNum" id="pb270">[<a href="#pb270">270</a>]</span>careered about a good deal myself, so no doubt I shall be of some service to him as
-a guide, but I have never travelled in such a style as this before. Wherever we go
-we have the pick of everything.”
-</p>
-<p>He paused, somewhat tired of his long whispering.
-</p>
-<p>“Has he so much sympathy for you?” said Eline softly. “How curious! I do not know
-him, of course; but I should say that his character is entirely in contrast with yours.”
-</p>
-<p>“So it is. You are right. Perhaps it is for that very reason that he likes me; at
-all events, he is always declaring that I am much better than others think me, and
-than I even think myself.”
-</p>
-<p>“Perhaps he finds you interesting as Elise finds me,” said Eline, with an involuntary
-sly little laugh. But now that she saw St. Clare approaching, she felt some self-reproach,
-as though she had wronged him. How could she compare the proud, manly truth that beamed
-from him with Elise’s airy coldness?
-</p>
-<p>Elise was very busy serving out her liqueurs, and she asked Vincent whether he drank
-Kirsch or <span class="corr" id="xd31e4687" title="Source: Curaçoa">Curaçao</span>, or whether he perhaps preferred cognac. Vincent sat down by the fire, beside her
-and Uncle Daniel, while St. Clare seated himself by the window next to Eline.
-</p>
-<p>“And you are the nice little cousin, then, of whom Vincent has told me so much? The
-little cousin who nursed him so well?” he asked with a smile, as he placed his hands
-in his pockets, and with his clear, frank eyes looked penetratingly into Eline’s.
-</p>
-<p>“Yes, I am the cousin who nursed him,” she answered in French. She spoke very good
-English, but his French pleased her, so that she did not ask him whether he preferred
-speaking English.
-</p>
-<p>“That was at the Hague, was it not?”
-</p>
-<p>“Yes, at the Hague. He was then staying at my brother-in-law’s.”
-</p>
-<p>“And you were also staying with your brother-in-law, were you not?”
-</p>
-<p>It seemed as if he were trying to pump her a little; but the manner in which he did
-it had so little of indiscretion about it and so much of interest that she did not
-feel hurt.
-</p>
-<p>“Yes,” she answered. “Did Vincent tell you so?”
-</p>
-<p>“Yes, Vincent often spoke to me about you.”
-</p>
-<p>His words gave her the impression that he knew a great deal about her life. After
-her flight from Betsy’s house she had written Vincent, and no doubt St. Clare knew
-of it.
-<span class="pageNum" id="pb271">[<a href="#pb271">271</a>]</span></p>
-<p>“And you have travelled a good deal, have you not?” he continued.
-</p>
-<p>“Yes, with uncle and aunt. You also think of travelling, do you not?”
-</p>
-<p>“Yes, as far as Russia next winter.”
-</p>
-<p>Both were silent for a moment. It seemed to Eline as if they had much to say to each
-other, and did not know where to start. To her it seemed as if she had long known
-him, and now it appeared too that he knew her. They were no longer strangers to each
-other.
-</p>
-<p>“Do you care very much for Vincent?” she asked.
-</p>
-<p>“I like him very much. I feel much sympathy and pity for him. If his health had been
-more robust he would have made his mark. In him there is much energy and elasticity,
-and his views are very broad, but his physical weakness prevents him from giving his
-mind to any one thing and bringing it to completion. Most people misunderstand Vincent.
-They think him indolent, capricious, selfish; and they will not acknowledge that the
-explanation of it all is to be found in the fact that he is weak and ill. I defy the
-greatest and the best of us to be active and determined to turn his gifts and talents
-to good use if he is half dying with weakness.”
-</p>
-<p>This was a light in which she had never viewed Vincent. The only thing she could say
-was that she had felt an unaccountable sympathy for him.
-</p>
-<p>“Yes, I think you are right,” she said, after a short pause. “But do you not think
-that such a long journey will fatigue him too much? Russia, in the winter?”
-</p>
-<p>“Oh, no, not at all; the cold climate is good for his temperament, and he need not
-fatigue himself—there is no work for him to do; as for mere railway travelling, he
-is used to it. He need only wrap himself up in his furs and lie back in his carriage.
-That is all.”
-</p>
-<p>From his words she suspected, as she had suspected from her conversation with Vincent,
-that St. Clare was in the habit of surrounding him with every possible comfort and
-luxury.
-</p>
-<p>“I must say I think you are rather kind-hearted,” she could not help remarking.
-</p>
-<p>He looked at her for a moment in some surprise.
-</p>
-<p>“What makes you think of that all at once?” he asked laughing.
-<span class="pageNum" id="pb272">[<a href="#pb272">272</a>]</span></p>
-<p>“I don’t know,” she answered, and she blushed and laughed a little. “One cannot help
-getting certain impressions about people. Maybe I’m mistaken.”
-</p>
-<p>He raised his hands with a deprecatory motion. She felt that in her last words there
-was just a shade of coquettishness, and now that she had spoken them it irritated
-her.
-</p>
-<p>“You said just now something about energy and activity,” she resumed, “and you believe
-that when one is ill one ought to be excused for showing no such energy and activity?”
-</p>
-<p>“Of course. What do you mean?”
-</p>
-<p>In his manner there was something penetrating, something that went ever straight to
-its object, and it confused her somewhat. Had it been Vincent, she would very soon
-have plunged into some more or less misty philosophical discussion, and lost herself
-in a maze of sentences thin and filmy as cloudlets of steam—discussions in which neither
-of them knew what they were really aiming at. But St. Clare threw her entirely off
-her <i lang="fr">qui vive</i> with his “What do you mean?”
-</p>
-<p>“I mean,” she answered with much indecision, “whether you would not even be readier
-to forgive one who had passed through great grief, that lack of energy and activity,
-than—you would forgive Vincent, who has only been ill.”
-</p>
-<p>He looked at her fixedly for a moment.
-</p>
-<p>“Yes, I should, that is, if he had tried to be energetic and had failed in the attempt;
-not otherwise, not if he had allowed himself, without an effort, to be dragged along
-by the force of circumstances with the simple reflection that one cannot fight against
-destiny. Vincent has some of that fatalism, and there is nothing that is so unnerving
-as that. Life would degenerate into a moral lethargy if every one did so, and simply
-sat down with folded hands and thought, ‘I cannot help it, come what may.’ ”
-</p>
-<p>Her thoughts wandered a little. In fact, she did not know what she thought. And she,
-had she had any energy? Had she allowed herself to be dragged along by the force of
-circumstances? She did not know. His strength of will, his determination, oppressed
-and crushed her, and arrested the flow of her thoughts.
-</p>
-<p>“But if that person had gone through much suffering, if he had suffered, especially
-with remorse, at what he once had done?” she whispered almost imploringly, with a
-moist glitter in her eyes, and her little foot wandered nervously along the rug, her
-fingers clutched <span class="pageNum" id="pb273">[<a href="#pb273">273</a>]</span>at her black locket. His glance softened, filling with tenderness and pity.
-</p>
-<p>“In that case—yes, then I should forgive him all,” he whispered, with a merciful assurance.
-</p>
-<p>But his last words completely unnerved and abashed her. It suddenly seemed to her
-as if she had entirely exposed herself, as if she had said things which she should
-not have said, and yet it seemed as if the strength failed her to withdraw herself
-now that she had said so much as that.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>After that day St. Clare and Vincent stayed away for about a week, and Eline began
-to long for their return. When they came again it was the day before New Year’s Eve,
-and Elise invited both for the following day, when she was giving a big <i lang="fr">soirée</i>.
-</p>
-<p>The following evening, about half-past nine, the guests arrived. Uncle Daniel and
-Elise courteously welcomed their somewhat loosely-picked-up acquaintances. The young
-men of the club, the count, the actor, the dueller and his blonde wife, were the first
-to make their appearance; and after that Eline saw them pass in review before their
-host and hostess, and a strange review it was. The gentlemen with something artificial
-or Bohemian about them, the ladies with much too big diamonds, and in faded silken
-trains. She did not feel herself at home at all in this circle, and yet she felt amused
-by these strange folk, who wandered about the crowded salons, the light from the candles
-in the Venetian chandelier glinting strangely over all that antique bronze, that antique
-china, that antique furniture. And there was a variety about the guests that charmed
-her. Eline withdrew herself a little when she saw St. Clare and Vincent approach.
-They were in evening dress, and it struck her that there was something <i lang="fr">distingué</i> about them both. But after they had greeted uncle and Elise, they did not seem to
-observe her among the noisy groups by which they were surrounded, and Eline felt herself
-quite forsaken, although a little old lady, wrinkled and brown as a nut, with little
-red plumes in her hair, eagerly conversed with her about painters and sculptors. The
-old lady affected to be a great patron of struggling artists.
-</p>
-<p>“I suppose it is an artistic <i lang="fr">soirée</i> this evening?” she asked with blinking eyes.
-</p>
-<p>“I believe it is,” answered Eline, with growing irritation.
-</p>
-<p>“You sing, do you not?”
-<span class="pageNum" id="pb274">[<a href="#pb274">274</a>]</span></p>
-<p>“Oh, no! I do not sing any more. The doctor has forbidden me to sing.”
-</p>
-<p>“I suppose you intended to go on the stage?”
-</p>
-<p>“Oh, no. Not at all.”
-</p>
-<p>Some gentlemen came forward and bowed to the old lady, and she introduced them to
-Eline. They were very talented artists. Musicians, actors, painters, misunderstood
-geniuses all of them. The little old lady overwhelmed Eline with operas, poems, panoramas
-which they had written, created, and painted; their fame would ere long resound throughout
-the world, for <i>she</i> would protect them.
-</p>
-<p>Eline felt as if all those misunderstood geniuses were hemming her in. Things began
-to shimmer and dance before her eyes, and it was a relief when she saw St. Clare coming
-towards her once more.
-</p>
-<p>“You are so surrounded,” he laughed softly, “one can scarcely penetrate.”
-</p>
-<p>Eline puckered up her little mouth contemptuously.
-</p>
-<p>“Let us move aside a little. There is more room there,” she lisped.
-</p>
-<p>She made her escape deftly from the circle of the geniuses, and with a sigh sank down
-on a settee. Nervously her fingers played about the dull gold beads that covered her
-low-necked corsage of black satin as with a glistening ray.
-</p>
-<p>“Oh, those people do bore me,” she said with light disdain. “What sort of time did
-you spend in Ghent and in Bruges? Come, tell me something about it.”
-</p>
-<p>He remained standing beside her, and told her a little of his trip. Here and there
-little groups formed themselves. The footman served wine and refreshments.
-</p>
-<p>“But what is to happen this evening, I wonder?” asked St. Clare with curiosity, as
-he suddenly broke off his conversation.
-</p>
-<p>Elise was standing, all amiability, writhing herself into all sorts of bows and curtseys
-before the count, and people looked round at them and whispered. The count seemed
-bashful, and made some excuses.
-</p>
-<p>“No, don’t disappoint me, pray,” Elise was heard to say in a beseeching tone.
-</p>
-<p>“I suppose she is asking him to recite something, and he is shy,” laughed Eline.
-<span class="pageNum" id="pb275">[<a href="#pb275">275</a>]</span></p>
-<p>Eline was right. Elise cast a glance of triumph in the direction of some of the ladies,
-and the count, with a movement as if he could not help it, assumed an attitude and
-coughed. He would recite an epic poem, Pizarro’s account of the conquest of Mexico,
-of Montezuma, and the Aztecs.
-</p>
-<p>A silence ensued, tempered with a low whispering. The stanzas rolled in thundering
-tones over the heads of the guests with a harsh rumbling of <i>r</i>’s.
-</p>
-<p>Vincent, from another corner of the room, nodded at Eline archly. The count began
-to shout louder and louder.
-</p>
-<p>“Magnificent! don’t you think so?” asked the little old lady with the red plumes,
-who had once more come back to Eline.
-</p>
-<p>Eline nodded approvingly, but here and there a cough was heard, and despairing faces
-were to be seen all over the room. The whispering, too, grew a little louder.
-</p>
-<p>“Patience and resignation,” Eline said to St. Clare with a smile.
-</p>
-<p>He smiled in return, and she no longer found the immense poem so unbearably boring
-now that he stood by her side. When the count’s last stanza had died away a sort of
-electric movement began to be manifest among the erstwhile motionless groups. They
-laughed and they talked and they pushed one another. Some ladies were expressing their
-thanks to the count with a great show of rapture.
-</p>
-<p>“Could we not devise some protection against his next attack?” asked St. Clare laughing.
-</p>
-<p>“We shall be freer in the conservatory,” said Eline.
-</p>
-<p>With some trouble they threaded their way to the little conservatory. There were only
-two little groups—two old gentlemen seated at the table covered with empty wine-glasses,
-and a little woman in active conversation with a young man. There prevailed a soft
-balsamic odour which permeated as with a breath from the tropics the palms and the
-Vanilla plants and the orchids that were crowded together in rich profusion. Outside
-a snowstorm was showering around its flakes of downy white. They had scarcely sat
-down before they heard some chords struck on the piano in the adjoining room. The
-actor, a bass, was about to sing a duet with the fair-haired jeweller’s wife. St.
-Clare and Eline could see them standing by the piano, their figures reflected in the
-mirrors of the conservatory, while one of the misunderstood composers was to accompany
-them.
-<span class="pageNum" id="pb276">[<a href="#pb276">276</a>]</span></p>
-<p>“I had no idea that she sang,” Eline exclaimed in surprise. “<i lang="fr">La bonne surprise!</i> it’s really getting amusing, but don’t stop talking.”
-</p>
-<p>A blush rose to her cheek, and something of her former sparkling fascination came
-back to her. Now and then she lifted her champagne glass to her lips. In close attention
-she listened to his stories. He spoke so well. Yonder the high shrieks of the soprano
-and the low growling of the bass intermingled with overpowering if somewhat ludicrous
-effect. The conservatory gradually filled with little groups who were making their
-escape from the drawing-room. Vincent came to join St. Clare and Eline.
-</p>
-<p>“<i lang="fr">Je ne <span class="corr" id="xd31e4808" title="Source: derange">dérange</span> pas?</i>” asked he.
-</p>
-<p>“<i lang="fr">Par exemple!</i>” cried Eline.
-</p>
-<p>It seemed as if the three of them had found themselves at some public fête. They scarcely
-knew one among all those curious people, and they amused themselves by laughing a
-little at them. The two old gentlemen’s collection of empty wine-glasses seemed to
-have grown larger and larger, and under the shady leaves of a banana the young man
-could be seen with his arm furtively encircling the waist of the little woman. In
-the other corner, where some glasses had just been broken, Vincent recognized some
-one, who posed as a Russian prince, engaged in boisterous chat with two circus-riders,
-and he could not understand how they could have been admitted even to Uncle Daniel’s
-drawing-room.
-</p>
-<p>“Oh, they must have entered through a back door. I’m sure Elise cannot know that they
-are here,” laughed Eline.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>In the salon the programme was proceeding. They sang, they recited, both serious and
-comic pieces, but the stillness of admiration grew less and less. In the conservatory
-the Russian prince ran after the circus-riders, and tried to embrace them; and the
-two old gentlemen all at once broke out in a terribly angry dispute. The young couple
-had disappeared.
-</p>
-<p>“I should advise you to return a little closer to your uncle and aunt. The company
-is certainly getting rather mixed here,” said St. Clare to Eline.
-</p>
-<p>Vincent had left them. Eline rose a little anxiously, and St. Clare followed her.
-But in the salon Elise was surrounded by a very noisy group, of which the ladies smoked
-cigarettes and spilt more champagne on their dresses than they drank. St. Clare led
-Eline to the terrace. His eyes sparkled and his lips twitched <span class="pageNum" id="pb277">[<a href="#pb277">277</a>]</span>nervously as his glance fell on the group by which Elise was surrounded.
-</p>
-<p>“How did you really get here?” he suddenly asked Eline in a tone of dissatisfaction
-which he could not hide. “How is it possible that I could have met you here?”
-</p>
-<p>She looked at him in astonishment.
-</p>
-<p>“I ask you how it is possible that I could have found you here? You are certainly
-not in proper company.”
-</p>
-<p>She began to see his meaning, and started at the boldness of his question.
-</p>
-<p>“Not in proper company,” she slowly repeated. “May I remind you that I am at the house
-of my uncle and aunt?”
-</p>
-<p>“I know that. But your uncle and aunt, it seems to me, are in the habit of receiving
-people who are not fit company for you. You are here with the consent of your relations,
-I suppose?”
-</p>
-<p>She began to tremble all over, and her eyes were fixed upon him with all the haughtiness
-that she could at that moment muster up.
-</p>
-<p>“May I ask you, Mr. St. Clare, by what right you place me under cross-examination?
-I thought I was free to do as I pleased, and am old enough to choose my friends without
-anybody’s consent, either that of my relations or of yourself.”
-</p>
-<p>Her tone was sharp and cutting. She was about to turn away. He took her hand, she
-quickly withdrew it.
-</p>
-<p>“Do stay a moment, pray. Forgive me if I have hurt you. But I take an interest in
-you, I have heard so much about you from Vincent. I knew you, in fact, before I had
-seen you. I looked upon you somewhat—somewhat, if I may say it, as a little sister,
-just as I thought of Vincent as my brother; and now I find you here, mixed with people——”
-</p>
-<p>“Thank you very much for your good intentions,” she resumed with icy coldness, “but
-in future please to give expression to your brotherly interest in a more proper fashion.
-You knew me before you had seen me, it is possible. I have known you now for a week,
-and I cannot understand how you dare to speak to me as if you were called upon to
-be my guardian. I am much obliged to you for your solicitude, but I do not need it.”
-</p>
-<p>He made a movement of impatience, and once more prevented her from going. She was
-still trembling with rage, but she stayed.
-</p>
-<p>“Now do not be angry, pray,” he resumed appeasingly. “Perhaps <span class="pageNum" id="pb278">[<a href="#pb278">278</a>]</span>I did speak rather boldly; but don’t you think yourself that the company here is not
-suited to you?”
-</p>
-<p>“The acquaintances of my uncle and aunt may be mine as well, I should imagine. In
-any case, it is a matter which does not concern you in the least.”
-</p>
-<p>“Why do you forbid me to take an interest in you?”
-</p>
-<p>“Because you take advantage.”
-</p>
-<p>“And is there no pardon for that when it is merely caused by a feeling of sincere
-friendship?” he asked, and held out his hand.
-</p>
-<p>“Oh, certainly,” she answered coldly, apparently without noticing his hand. “But,
-in future, pray spare me your feelings of friendship. Too much interest in one is
-sometimes annoying.”
-</p>
-<p>Much hurt she turned away.
-</p>
-<p>He remained alone on the terrace, and he saw her disappear among the circus-riders
-and the Russian prince, the fair-haired lady, the two drunken gentlemen, and the poetical
-count.
-</p>
-</div>
-</div>
-<div id="ch29" class="div1 chapter"><span class="pageNum">[<a href="#ch29.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XXIX.</h2>
-</div>
-<div class="divBody">
-<p class="first">Now that the fête was over, she began to think over it all in the solitude of her
-room. It was five o’clock, and she felt almost too tired to undress herself. She did
-not feel so much hurt because of his presumption. But—that evening, for the first
-time after so long a period of lethargy, she had forgotten her sorrows a little. She
-had found a little amusement, and been somewhat of her former self again, and he had
-embittered that innocent pleasure by reminding her that she was in a circle to which
-she was not suited. Did she not know that as well as he? and it was just because she
-knew it—because she felt that he was right—because he felt as she felt herself, that
-she was hurt. Why had he not allowed her to pass a brief moment of happiness in peace?
-Why had he spoken to her about her relations? What did Henk and Betsy care if she
-did throw herself away among the curious acquaintances of uncle and Elise? But she
-did not do so, she had scarcely spoken a word to any one except Vincent and himself.
-She had only amused herself at the <span class="pageNum" id="pb279">[<a href="#pb279">279</a>]</span>expense of a circle which surrounded her. She threw herself in her black satin dress
-on a chair, and, as she thought about that which had given her offence, she felt it
-gradually evaporating like a cloud of mist. But still she wanted to feel hurt; yes,
-she did feel hurt, very much hurt indeed. Yet after all it was not so very bad. It
-was for her sake that he had felt so annoyed at the strange coterie in which she found
-herself. He had shown her his annoyance so frankly, and she could still hear him say
-in that discontented voice—
-</p>
-<p>“How did you get here? Are you here with the consent of your relations?”
-</p>
-<p>He took an interest in her, genuine interest, with all the haughty pride of his sunny,
-truthful temperament, and a great desire suddenly overmastered her to go to him and
-ask his pardon, his counsel. It would be delicious to conform herself entirely to
-his will; it would mean peace, much-longed-for peace and calm. About twelve o’clock,
-after a short sleep, she entered the room with a pale face and dark blue circles under
-her eyes, and found Elise, with a couple of the servants, busy rearranging the disorder
-which the orgies of the previous evening had brought about. Elise was very satisfied
-with her <i lang="fr">soirée</i>, and wished Eline a happy new year. Uncle Daniel was out.
-</p>
-<p>“What a number of glasses they broke! If you want to breakfast, Eline, you must go
-to the dining-room. Here you are only in my way. Pardon me for saying so. But it was
-very jolly yesterday, was it not?”
-</p>
-<p>Eline went to the dining-room. She ate something and remained a little while idling.
-She waited for some one—for St. Clare—but neither Vincent nor he came, nor did they
-come the following day, nor the next. If Eline had dared she would have written him.
-</p>
-<p>While she dreamily awaited his arrival she received a letter from Madame van Raat,
-who wrote her, that although he was living at Bodegraven just now, she saw Paul occasionally,
-and that he seemed to have some secret grief which she could not guess. She was very
-sorry that a kind of estrangement had come between her and her son, and she doubted
-whether she had always shown him sufficient tenderness.
-</p>
-<p>“She not enough tenderness!” thought Eline, “why she was all tenderness, at least
-to me.”
-<span class="pageNum" id="pb280">[<a href="#pb280">280</a>]</span></p>
-<p>When she came to the end of the letter she started violently. Jeanne Ferelyn had died
-in Bangil. Eline’s eyes filled with tears.
-</p>
-<p>“Great heavens! Great heavens!” she repeated slowly, and a nervous sob shook her frame.
-Her poor friend was dead! Oh! how tenderly Jeanne had nursed her when she was prostrate
-with bronchitis in that little home of theirs! How gentle and loving Jeanne had always
-been! How affectionate she was to herself and her children. And now she was dead!
-What happiness had her life brought her? None—none at all! And Madame van Raat, she
-had her sorrows. Paul had his. What was life but one great sorrow?
-</p>
-<p>She sobbed violently over the letter, and could not reconcile herself to the thought
-that Jeanne was dead. Jeanne is dead! Jeanne is dead! It was hissing in her ears and
-in her brain. She had so much to thank Jeanne for, and she would never see her again,
-for Jeanne was dead! Oh, great heavens, she was dead!
-</p>
-<p>She threw herself back in her chair and covered her face with her hands. But suddenly
-she heard steps in the adjoining room. She looked up, and ere she could recover herself
-saw St. Clare appearing in the door. Half demented with grief, with her weeping eyes
-she glanced at him.
-</p>
-<p>“I hope you will pardon me if I disturb you.”
-</p>
-<p>He spoke softly, for he saw that she was crying. “The servant said that you were at
-home. Perhaps I had better come back to-morrow.”
-</p>
-<p>She rose, wiped her eyes, and gave him a friendly smile.
-</p>
-<p>“Do you wish to go so soon?” she said sadly. “You do not disturb me in the least.
-On the contrary, I think it very nice of you that you have come. Take a seat. Is Vincent
-all right?”
-</p>
-<p>“Very well, thank you,” he answered, in a tone from which she could gather all the
-friendship he felt for Vincent. “We have been to Liège and Verviers.”
-</p>
-<p>“Is that the only reason then why I have not seen you before now after the <i lang="fr">soirée</i>?”
-</p>
-<p>He looked at her for a moment.
-</p>
-<p>“Yes,” he answered, “the only reason.”
-</p>
-<p>“You were not angry?”
-</p>
-<p>“No, not at all. I was in the wrong. I should not have spoken like that. You were
-quite right.”
-<span class="pageNum" id="pb281">[<a href="#pb281">281</a>]</span></p>
-<p>“I am not sure,” she said. “I know I must have offended you with my unmannerliness.
-Will you forgive me, or do you refuse me your hand as I have refused you mine?”
-</p>
-<p>She gave him her hand. He pressed it closely.
-</p>
-<p>“I will forgive you gladly,” he answered, “and I think it very nice of you that you
-confess that you have been a little in the wrong.”
-</p>
-<p>“And in future, will you please take that interest in me which you said you did when
-last I saw you. Will you believe me if I tell you that your interest in me and your
-friendship will not annoy me as I told you it did then? May I depend upon that?”
-</p>
-<p>“Certainly you may.”
-</p>
-<p>“Thank you. Thank you very much. I was not deceived when I told you that you had a
-kind heart. You are more than kind, you are noble.”
-</p>
-<p>He laughed a little.
-</p>
-<p>“What big words you do use,” he said jestingly. “You’re becoming so dignified.”
-</p>
-<p>“No,” she said determinedly. “I’m not dignified, and I use no big words. I mean what
-I say. You do not know what pleasure it gives me to see you and to hear from you that
-you are not angry with me, especially at this moment. I was feeling so terribly unhappy.”
-</p>
-<p>“You were crying, I believe.”
-</p>
-<p>The tears dropped from her lashes.
-</p>
-<p>“I have just now heard of the death of a very dear friend, a poor, weak little thing
-she was, but she was so useful. She will be so terribly missed by her husband and
-children. It is always thus in the world, is it not? People who are of use, they die,
-and those who, like myself, are a trouble to every one and a misery to themselves,
-live on.”
-</p>
-<p>“Why do you speak so sadly? Are you then of use to no one? Do you care for no one,
-and is there no one who cares for you?”
-</p>
-<p>She laughed bitterly.
-</p>
-<p>“But surely there are people who take an interest in you?” he continued.
-</p>
-<p>“What shall I answer you? I have no parents. About my sister I dare say you have heard
-something from Vincent. Do you know that I—ran away from—my brother-in-law’s house?”
-</p>
-<p>“Yes.”
-<span class="pageNum" id="pb282">[<a href="#pb282">282</a>]</span></p>
-<p>“Ever since that time I have done nothing but wander about. I have always been with
-strange people. Uncle and aunt have taken me under their roof, but still they are
-strange. At the Hague I lived with an old lady, the mother of my brother-in-law; she
-was very kind to me and I liked her very much, but I was not kind to her.”
-</p>
-<p>“I pity you very much,” said he. “I wish I could do something for you. But suppose
-you sought some occupation? Is it not because you have nothing to do that you feel
-yourself unhappy?”
-</p>
-<p>“I sought an occupation at the Hague. I travelled a good deal, and yet I felt myself
-unhappy. It is all my own fault, you see; I have thrown away my own happiness.”
-</p>
-<p>She began to cry, her head resting in her hands.
-</p>
-<p>“Tell me, cannot I do something for you?” he insisted.
-</p>
-<p>“Nothing at all, thank you. No one can do anything for me.”
-</p>
-<p>“But it is really not right to bury oneself in one’s grief, and to think of nothing
-else. You may not do so. You must rouse yourself from your sorrows. Every one has
-his troubles. Come, promise me that in future you will think otherwise.”
-</p>
-<p>“I cannot,” she sobbed, “I am so weak. I am broken down, broken down utterly.”
-</p>
-<p>In her words there sounded such a hopelessness that he did not know what to say, but
-he brimmed over with pity—a pity that was mingled with despair at the thought that
-he could do nothing for her—and he would solace and comfort her, whatever it might
-cost.
-</p>
-<p>“No,” said he with determination, “you are not broken down—that is a mere idea! You
-are young, and have a life before you. Break with your past, forget it completely.”
-</p>
-<p>“Oh! how can I do that?” she sobbed. “How is it possible?”
-</p>
-<p>He knew he was wrong himself. He knew that the sorrowful memories of the past were
-all but indelible.
-</p>
-<p>“I feel such a pity for you,” he repeated, “a pity such as I have never yet felt for
-any one before.”
-</p>
-<p>“That is the only thing left you that you can do for me, pity me,” she exclaimed passionately;
-“pity me, that does me good. For have you not told me that you knew me already before
-you saw me, that I was to you like an unknown little sister?”
-</p>
-<p>He had risen from his seat, he laid his hands on her shoulders, and looked at her.
-</p>
-<p>“Certainly,” he replied cordially. And she could have died for <span class="pageNum" id="pb283">[<a href="#pb283">283</a>]</span>him, so intensely grateful did she feel. “And now you are no longer unknown to me,
-and anything I can do for you I will do. You must tell me all about yourself, and
-if you will leave it to me, I will make you forget your miseries.”
-</p>
-<p>He just tapped her on the shoulder like an old friend. In her heart there arose a
-great regret that they had not known each other sooner. What a happiness it had been
-to her but a little while ago when she humbled herself before him, when she begged
-him for his pardon.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>A week elapsed, during which the Veres saw neither Vincent nor St. Clare, as they
-were away a few days in Holland. There was a talk of a masquerade ball to be given
-by the count. Uncle Daniel would not go in fancy costume, but Elise would go in Eastern
-dress; and Eline, whose fancy did not soar very high just now, would accompany her,
-also in Eastern dress.
-</p>
-<p>A day before the ball the two young men came back. Eline thought she could see a frown
-pass over St. Clare’s features when he heard that they were going to that ball. He
-said nothing, however; but the following evening, about half-past eight, he came in
-with Vincent. They had also been invited. Vincent had accepted the invitation. St.
-Clare had not. He asked to see Eline for a moment, but she had just commenced her
-toilette; but St. Clare was importunate, and Eline sent her maid down to ask him to
-wait.
-</p>
-<p>In the big salon there was no one. Vincent, in evening dress, was lying on the couch,
-and had taken up <i lang="fr">L’Indépendance</i>. St. Clare stood on the balcony thinking, and he stared at the snow which glistened
-in the evening light. A servant came and asked whether they would have tea.
-</p>
-<p>“I must say I admire your pluck, Lawrence,” said Vincent in English, as he slowly
-stirred his cup of tea. “But are you certain that all would go well?”
-</p>
-<p>“Well, I can’t help myself. I <i>will</i> have it so,” answered St. Clare determinedly.
-</p>
-<p>The servant left and both were silent, when Eline entered. A pink glow of veloutine
-hid the sallow tint of her complexion. Her hair was already arranged, and rows and
-rows of glittering sequins hung over her brow. But further than that she had not yet
-proceeded with her costume, and was simply wrapped in a white <span class="pageNum" id="pb284">[<a href="#pb284">284</a>]</span>flannel peignoir. Vincent rose, and she apologized for her toilette. But she was very
-charming.
-</p>
-<p>“You wanted so urgently to speak to me,” she said softly to St. Clare, as she held
-out her hand to him. “You won’t mind that I’ve come to you like this; and keep your
-seat, please.”
-</p>
-<p>They sat down, while Vincent withdrew with his newspaper into the conservatory. St.
-Clare looked at Eline searchingly.
-</p>
-<p>“What is it you want to ask me?” she said.
-</p>
-<p>“In the first place, I must ask your pardon for my boldness in having called you away
-from your toilette.”
-</p>
-<p>“Oh, that is nothing. I have plenty of time.”
-</p>
-<p>“I feel very much flattered that you have come at once. You can well imagine that
-I should not have intruded if it had not been for a very good reason. I had a request
-to make you.”
-</p>
-<p>“Which admitted of no delay?”
-</p>
-<p>“Yes, that admitted of no delay, and I run the risk that you will be very angry when
-I make that request, that you will feel hurt, and that you will tell me that I am
-interfering in matters that do not concern me.”
-</p>
-<p>She had a vague suspicion of the question that he was about to utter.
-</p>
-<p>“Never mind. Speak up frankly,” she simply answered.
-</p>
-<p>“You’ve asked me to show as much interest in you as a brother would show for a sister.
-Is that right, or am I mistaken?”
-</p>
-<p>“No, that is quite right.”
-</p>
-<p>“Well, if you were my sister, I would ask you to do me a great favour, and beg of
-you not to go to that ball this evening.” She did not answer, but looked him straight
-in the face. “If you were my sister I should tell you that Vincent and I have made
-inquiries about the people who are coming to the ball this evening; I should tell
-you that I know for certain that a great number of the invited guests are even less
-suited to your circle than some of your uncle’s and aunt’s acquaintances. If you were
-my sister, I could scarcely express myself in plainer terms than I have done, and
-I have not a word to add to what I have said; but I hope that you will not misunderstand
-me, and that you will now have some idea what kind of guests they will be whom you
-would see there this evening.”
-</p>
-<p>She cast down her eyes and remained silent.
-</p>
-<p>“And, therefore, at the risk of interfering in a matter that does not concern me,
-at the risk that your uncle and aunt will take <span class="pageNum" id="pb285">[<a href="#pb285">285</a>]</span>offence at my interference in your affairs, at the risk that you yourself, after having
-forgiven me one indiscretion already, will be very angry with me, I ask you once more,
-do not go to this ball. You are out of place there.”
-</p>
-<p>Still she remained silent, and her fingers clutched nervously at the girdle of her
-peignoir.
-</p>
-<p>“Are you very angry,” he asked.
-</p>
-<p>“No,” she answered after a pause, very softly. “No, I am not angry, and I shall do
-as you ask me. I shall not go.”
-</p>
-<p>“Do you really mean it?” he cried delighted.
-</p>
-<p>“I really mean it. I shall not go. I am very thankful to you that you have inquired
-about the people who are coming. I was already afraid that you would not approve of
-my going, but I could not bear the thought of staying alone at home a whole evening;
-that always makes me so melancholy.”
-</p>
-<p>“You feared my disapproval?” he asked smilingly.
-</p>
-<p>“Yes,” she answered. “You are such a good friend to me, that I should not like to
-do anything of which you disapprove. And for this evening—I shall do exactly as you
-require.”
-</p>
-<p>“Thank you,” he said with emotion, and pressed her hand.
-</p>
-<p>“Yes, you may well appreciate it,” she cried with forced airiness, feeling somewhat
-depressed by her humility. “Do you know that, for the last three-quarters of an hour,
-I have been busy arranging the sequins in my hair, and all for nothing?”
-</p>
-<p>“Certainly, I appreciate what you have done. I assure you I appreciate it,” he declared
-with much earnestness.
-</p>
-<p>Uncle Daniel entered the room<span class="corr" id="xd31e4987" title="Not in source">.</span>
-</p>
-<p>“<i lang="fr">Bon soir</i>, St. Clare. You are not coming, are you? But, Eline! Are not you going to dress?”
-</p>
-<p>Eline stammered something and could not find her words, when she heard the voice of
-Elise, who was grumbling to the maid. Elise entered, glittering with sequins and Moorish
-draperies, her feet encased in two little slippers.
-</p>
-<p>“<i lang="fr">Bon soir</i>, St. Clare. What a pity you are not going. It will be very nice—<i>Ciel</i>! Eline!”
-</p>
-<p>Vincent came in from the conservatory.
-</p>
-<p>“It is nearly half-past nine, and you have only as yet done your hair,” continued
-Elise in blank astonishment. “What have you been thinking about?”
-</p>
-<p>“I don’t think that your cousin is going, madam,” said St. <span class="pageNum" id="pb286">[<a href="#pb286">286</a>]</span>Clare, as Eline was too confused to speak. “We heard, Vincent and I, that the company
-would be rather mixed at the ball—and I advised Miss Vere not to go rather than risk
-unpleasant encounters. I hope you will pardon me for giving that advice. Of course,
-I know she would have been under your protection and that of her uncle, but I thought
-that such circles were even more to be avoided by a young girl than by a married lady,
-even though she be as charming as yourself. Was I very wrong?”
-</p>
-<p>Elise hesitated whether she should be angry or not, but in his voice there was so
-much determination and at the same time so much that was winning, that she felt herself
-completely disarmed. Daniel Vere just shrugged his shoulders.
-</p>
-<p>“Whether you were wrong?” Elise repeated, still hesitating. “Well, perhaps not. Of
-course Eline can do as she likes. If she would rather not go, <i lang="fr">eh bien, soit!</i> then we shall pretend that she had a headache. That is easy enough. But you will
-have a terrible <i>ennui</i>, Eline.”
-</p>
-<p>“No, really, I would much rather stay at home,” said Eline; “at least, that is, if
-you are not offended.”
-</p>
-<p>“Not at all. <i lang="fr">Liberté chérie</i>, child.”
-</p>
-<p>The servant came in to say that the carriage was at the door, and brought uncle’s
-and Vincent’s furs. The maid assisted Elise to her fur cape.
-</p>
-<p>“If your uncle and aunt have no objection, I should like to keep you company for a
-little while?” asked St. Clare.
-</p>
-<p>Uncle and aunt thought it excellent. Eline was still rather confused.
-</p>
-<p>“Adieu! Much pleasure,” she said with a little furtive smile to Elise, her uncle,
-and Vincent.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>“Ridiculous,” muttered Uncle Daniel, when they were in the carriage. “Ridiculous!
-He won’t allow her to go to the ball, but he does not mind keeping her company. That
-is American fashion, I suppose. I, at least, would like to know which is more improper?
-To go with us to the ball, or to spend an evening alone with a young man? Ridiculous!”
-</p>
-<p>Vincent said nothing. He thought it beneath him to defend his friend, but Elise quickly
-urged her husband to be silent. She would not permit him to speak ill of a cousin
-who was under his roof, and of a friend whom they saw so frequently.
-<span class="pageNum" id="pb287">[<a href="#pb287">287</a>]</span></p>
-<p>“Speak ill of him—oh dear, no!” resumed Uncle Daniel, still feeling hurt. “’Tis only
-American fashion, I suppose.”
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Eline still felt her confusion.
-</p>
-<p>“I don’t think uncle thought it right that I followed your advice,” she said, when
-they were alone. “Perhaps, too, he thought that—you should have gone with them.”
-</p>
-<p>St. Clare looked at her in quiet surprise.
-</p>
-<p>“Then why did he not say so? I asked him, did I not? But would you sooner have me
-go?”
-</p>
-<p>“No, I should think it very kind of you if you stayed a little longer.”
-</p>
-<p>“With pleasure! for there is something else that I would like to ask you, but it is
-not of such importance this time.”
-</p>
-<p>“What is it, then?”
-</p>
-<p>“I should like one of those sequins which you have arranged in your hair.”
-</p>
-<p>Eline smiled, and carefully she took from her hair the row of sequins and removed
-one of the coins, which she offered to him.
-</p>
-<p>“Thank you,” he said, and attached the coin to his watch-chain.
-</p>
-<p>A strange feeling came over Eline. She felt very contented, very happy, and yet somewhat
-abashed, and she asked herself which Betsy would have considered less proper: to go
-with her uncle and aunt to that ball, or to spend the evening alone, and <i lang="fr">en négligé</i>, even with St. Clare? The latter certainly, she thought. But he seemed to think it
-so simple and natural that she did not even venture to ask him whether she might go
-and change her dress.
-</p>
-<p>“And now let us have a little quiet chat,” he said, as he sat down in a fauteuil,
-and she remained sitting on the sofa, still a little shy, and playing with her row
-of sequins. “Tell me something, do—of your childhood, or of your travels.”
-</p>
-<p>She said she did not know what to tell him, but again he asked her. She answered him,
-and slowly her confidence in herself came back, and she told him of Aunt Vere, of
-her Ouida literature, and especially of her father and his great canvases which he
-never completed. She told him also of her singing, of Betsy and Henk, and added that
-formerly she thought very differently from what she thought now, and that she appeared
-different too.
-</p>
-<p>“What is it you call formerly?”
-<span class="pageNum" id="pb288">[<a href="#pb288">288</a>]</span></p>
-<p>“I mean before my illness, and before I went travelling with uncle and aunt—before—my
-engagement.”
-</p>
-<p>“And how did you look then?”
-</p>
-<p>“Much healthier and—and fresher.”
-</p>
-<p>“Prettier, you would say?”
-</p>
-<p>She could not help laughing that he read her thoughts, and did not give himself the
-least trouble to be gallant. Then she asked him whether he would like to see her portraits
-of those days, and while she took an album from the table, she thought she might just
-as well permit him to call her by her name. But she could not get so far as that.
-</p>
-<p>He turned the pages of the album, which contained many of her portraits; delicate
-little heads, with a ribbon or a string of pearls round the neck. In a few of them
-she was <i lang="fr">décolletée</i>.
-</p>
-<p>“Well—what do you think?” she asked, as he remained silent.
-</p>
-<p>“Very charming little faces, all of them, but everywhere an intolerable coquettish
-little smile. A prettiness much too artificial. Were you always in the habit of posing
-thus, or did you only do so before a photographer?”
-</p>
-<p>She felt a little piqued.
-</p>
-<p>“For shame! How rude you are!” she said reproachfully.
-</p>
-<p>“Was I rude?” he asked. “I beg your pardon. Yes, ’tis true these are your portraits.
-I was a little confused at the moment, for you see it is rather difficult to recognize
-you in them. But, believe me—I should have thought you unbearable had I ever seen
-you thus. Pretty, yes—but unbearable. Now you are a little thinner, it’s true, you
-have the traces of suffering, but there is something winning in your face; while in
-these little faces here there is nothing but coquettishness. I would rather see you
-as you are now.”
-</p>
-<p>He closed the album, and laid it down.
-</p>
-<p>“And yourself,” he resumed, “would you rather be as you were then? Do you regret those
-days?”
-</p>
-<p>“Oh, no,” she sighed, “then I was not happy either.”
-</p>
-<p>“But now you will do your best to be happy, will you not?”
-</p>
-<p>She gave a little laugh and shrugged her shoulders.
-</p>
-<p>“One cannot force one’s happiness,” she murmured dreamily, and, involuntarily, she
-said it in English.
-</p>
-<p>He looked at her in astonishment.
-</p>
-<p>“Do you speak English?” he asked.
-<span class="pageNum" id="pb289">[<a href="#pb289">289</a>]</span></p>
-<p>“I?” she cried in French, aroused from her dream.
-</p>
-<p>“Yes, you!”
-</p>
-<p>“Am I speaking English?”
-</p>
-<p>“Not now. But just now you were.”
-</p>
-<p>“Was I speaking English? I did not know—”
-</p>
-<p>“Why have you never spoken English to me?”
-</p>
-<p>“I don’t know.”
-</p>
-<p>“Oh yes, you do know.”
-</p>
-<p>“No, really not.”
-</p>
-<p>“I assure you that you do know. Now tell me why, come!”
-</p>
-<p>She laughed a little amused laugh.
-</p>
-<p>“Because you speak such jolly French. You have such a pretty accent.”
-</p>
-<p>“Then you have always laughed at me in secret?”
-</p>
-<p>“No, I assure you, really I have not.”
-</p>
-<p>“Which will you speak in future, English or French?”
-</p>
-<p>“French, or you will still think that I was laughing at you.”
-</p>
-<p>“There is no logic at all in what you say.”
-</p>
-<p>“Possibly, but still I will speak French.”
-</p>
-<p>“Very well. Do you know, you are no longer so weak as you were. You are getting better,
-stronger.”
-</p>
-<p>“Why?”
-</p>
-<p>“For the first time since I have known you, I have heard you say I will. Now mark
-my words. You commence by getting a little will of your own, and in the end you will
-be quite firm, and when your will is firm and strong you will get strong yourself.
-Now promise me that you will cultivate a little will, like a frail hothouse plant
-that requires much care and attention.”
-</p>
-<p>Again she laughed, in her gentle, winning way.
-</p>
-<p>“You shall see. I shall grow astonishingly obstinate under your influence.”
-</p>
-<p>“No. I hope not. But I should be very happy indeed if you would get a little stronger
-under my influence.”
-</p>
-<p>“I shall do my best.”
-</p>
-<p>“And I shall keep you to your word. It is nearly eleven.”
-</p>
-<p>She was silent. The word “already” was on her lips, but she restrained herself in
-time.
-</p>
-<p>“And tell me frankly, don’t you think now that you will act much more sensibly by
-going to bed early this evening, and trying to get a little sleep, than you would
-have done if you had gone and danced <span class="pageNum" id="pb290">[<a href="#pb290">290</a>]</span>till six o’clock in the morning with very queer partners, and in the company of still
-queerer ladies?”
-</p>
-<p>“You are perfectly right. I am sincerely grateful to you.”
-</p>
-<p>“And I, too, am grateful for the coin which you have given me.”
-</p>
-<p>She felt that it was not only for the coin that he was grateful.
-</p>
-<p>“And now good-night. Good-night, Eline.”
-</p>
-<p>She looked at him, and her eyes softened when she thus heard him pronounce her name,
-without her permission.
-</p>
-<p>“Good-night, Lawrence,” she whispered. She held out her hand. For a moment he held
-it in his, his eyes looking into hers. Then he released the little thin fingers.
-</p>
-<p>“Adieu,” said he with a last cordial nod, and left.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>For a while she stood still and mused. Then she told the servant to extinguish the
-gas in the salon, and retired to her bed-room. The sequins she took from her hair
-and placed on the toilet-table. On a chair lay the glistening draperies of her ball
-toilet, and her little Moorish slippers were on the floor beside it. While she undressed,
-she still heard his voice with its light accent. Slowly she arranged her ornaments.
-Her eye fell on her watch, to the chain of which a black locket was attached. She
-opened it and gazed into it for a long while, and her eyes grew moist. Then she pressed
-a soft kiss on the likeness which it contained. For a moment she thought of detaching
-it from its chain and placing it in one of the little drawers of her jewel-case; but
-she did not do so. She lay down in her bed; she did not sleep, neither did she take
-her sleeping draught. At half-past five she heard Elise, sighing with fatigue, returning
-with Uncle Daniel. But her sleeplessness had not been disturbed by grim nightmares,
-and it seemed to her as though a calm pink glow of light was diffused around her.
-Later on she slept a little, and when she awoke she did not feel herself quite so
-languid as she usually did on awaking.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>Eline did not see Elise the following day before lunch. Uncle Daniel had gone out
-already; he was always very busy, but nobody knew exactly what his occupations were.
-Eline asked Elise whether she had enjoyed herself.
-</p>
-<p>“Oh yes,” said Elise in a kindly tone. “It was rather boisterous, and perhaps it’s
-quite as well that you did not go. It might have upset you. Did St. Clare stay long?”
-<span class="pageNum" id="pb291">[<a href="#pb291">291</a>]</span></p>
-<p>“Till eleven.”
-</p>
-<p>“Look here, it does not matter to me that he persuaded you to stay at home, but Daniel
-found it rather foolish of you that you were so obedient. Still he does not care either,
-you know. You are free to do exactly as you like with us, you know that.”
-</p>
-<p>Eline was silent.
-</p>
-<p>“But you must admit,” Elise proceeded laughingly, “it’s a strange case. Yes, certainly,
-Eline, it’s a strange case, and sets one thinking.”
-</p>
-<p>Eline looked at her searchingly.
-</p>
-<p>“What do you think, then?”
-</p>
-<p>“My dear girl, that I keep to myself, that I won’t tell you. But I, who, as you know,
-never think, I certainly do begin to think a little now. But I do not want to intimidate
-you, you know. I think it’s a very good thing, if what I think is true.”
-</p>
-<p>Eline knew that she was referring to something which in her own mind was only just
-rising in very vague shape. She remained silent, and while Elise, who was still rather
-tired from the ball, threw herself on the couch with a book and was soon asleep, she
-sat down by the window and collected her thoughts. In the last few days she had thought
-little, she had merely allowed herself to be dragged along by a sweet tenderness which
-had overwhelmed her; but now Elise’s veiled words brought her to herself again. Yes,
-the case gave food for thought. St. Clare had dared to ask her to stay at home, and
-she had yielded to his wishes, and <span class="corr" id="xd31e5149" title="Source: she">the</span> thought that it awakened in her mind she did not dare to shape. Gladly as she would
-have yielded herself to that thought, she knew that it could never be, never. Oh,
-why had she not met him sooner? Fate was cruel indeed. She began to fear that she
-should have treated him differently, perhaps she ought to have repelled him with haughty
-coldness, with indignation at his interference in her affairs, neither should she
-have asked his pardon after she had once been cold to him. But it had been so sweet
-to bend to his will; he was so strong, and she found so much support in his strength.
-She had never imagined that he could have felt any love for her—ailing, weak, broken-down
-creature that she was; it was not right, he ought not to have begun to care for her,
-but now perhaps it was too late.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>When, a few days later, she saw him again, he found her alone <span class="pageNum" id="pb292">[<a href="#pb292">292</a>]</span>in the large salon. Eline was seated in an arm-chair by the fire, whilst a furious
-wind was driving the snowflakes against the window-pane.
-</p>
-<p>“I knew I should find you at home. That is why I have come,” said he, as he took his
-seat. “Have your uncle and aunt gone out?”
-</p>
-<p>“Yes; I don’t know where they have gone. I believe to a sale.”
-</p>
-<p>She had made up her mind to be a little distant in her manner, but his company was
-so welcome to her that she did not succeed. She said, “I am very glad to see you again.”
-</p>
-<p>He smiled a little, and made a few remarks about the antique china which was scattered
-about the room. Then he continued—
-</p>
-<p>“Soon I shall be leaving you for long; we are going northward viâ Cologne and Berlin.”
-</p>
-<p>It was as if the breath were choked within her.
-</p>
-<p>“When do you go?” she asked mechanically.
-</p>
-<p>“In a few days.”
-</p>
-<p>“You are going as far as St. Petersburg, as far as Moscow, are you not?”
-</p>
-<p>“Yes.”
-</p>
-<p>“Does Russia attract you?”
-</p>
-<p>He answered a little absently, in short, halting sentences. While she listened, she
-felt she could have cried, and his words sounded to her as if they were spoken through
-a mist, and she heard him say, as if he were interrupting himself—
-</p>
-<p>“But I wanted to ask you something. I wanted to ask you if, during the time that I
-am away, you will now and then think of me.”
-</p>
-<p>“Certainly I will think of you,” she said with trembling lips; “you have been so good
-and so kind to me, and—I shall always hold you in pleasant memory.”
-</p>
-<p>“Thank you,” he softly said. “Don’t you think it sad when people have learned to know
-each other, and feel sympathy for one another, that they have to part?”
-</p>
-<p>“Yes. But there is so much that is sad in the world.”
-</p>
-<p>“You will say, perhaps,” he continued, following his own train of thought, “that I
-can stay in Brussels as long as I like because I travel for my pleasure. Perhaps,
-even, I should prefer to remain in Brussels.”
-<span class="pageNum" id="pb293">[<a href="#pb293">293</a>]</span></p>
-<p>She began to tremble all over, but she made an effort and restrained herself.
-</p>
-<p>“Why should you not go further?” she murmured. “Why should you not see what you can
-of the world?”
-</p>
-<p>“Because I’m fond of you,” he answered calmly. And his penetrating eyes looked at
-her fixedly. “And because I cannot bear to leave you. I should gladly stay with you,
-stay with you always to protect you—I shudder at having to leave you. I have a feeling
-when I think of my departure as if some misfortune would happen to you.”
-</p>
-<p>She wanted to reply something, but she could not, for she nearly choked in repressing
-the tears that came to her eyes.
-</p>
-<p>“But that is impossible,” she said painfully, almost despairingly.
-</p>
-<p>“And why is it impossible?” he asked. “Why is it impossible that I should always stay
-with you, or rather that you should always stay with me? Tell me, Eline.”
-</p>
-<p>“Because it cannot be,” she answered briefly.
-</p>
-<p>“Oh yes, it can; if you cared for me you would not say so. I should take you with
-me. I should care for you. You should be my wife.”
-</p>
-<p>“And I—I should make you unhappy.”
-</p>
-<p>“No, no; I should do my very best to make you happy, and I’m certain that I should
-succeed. Listen to me. Even before I had seen you, Vincent’s words made me feel an
-interest in you. The first time that I met you I pitied you, for I saw in your whole
-being that you had had a great grief, that you were still in grief, and that you were
-unhappy. I began to think what I could do to make you happy, but I found nothing,
-only while I was speaking to you, and while my mind was full of thoughts, it seemed
-to me that there was a little more animation coming into your face, and more contentment
-into your words. Perhaps it was only my fancy, but it seemed so to me. I imagined,
-too—perhaps it was my vanity—that I myself somewhat influenced that change. I took
-notice of you, though you spoke to other people, but at such times you were quiet,
-cool, and reserved. But with me you were very different; you even grew confidential.
-Then it was that a great desire came over me to be all in all to you, for I thought
-perhaps then you would be happy, and would no longer take such a sombre view of life.
-Elly, dear, you are still so young, and you imagine that all is over with you. Do
-not think so any longer, but trust yourself to <span class="pageNum" id="pb294">[<a href="#pb294">294</a>]</span>me, and let us find out together whether life is really such a melancholy affair as
-you imagined. Tell me, Elly, will you do so? Will you see with me whether an entirely
-new life may not be yours?”
-</p>
-<p>She sobbed softly, lifted up her weeping eyes, and folded her hands almost in supplication.
-</p>
-<p>“Oh, why do you ask me that?” she cried. “Why must you ask me that? Why must I cause
-you grief? Have I not given pain to enough people already? And now must I be a misery
-to you as well? But it cannot be—it cannot be, never!”
-</p>
-<p>“Why not?”
-</p>
-<p>“Why not?” she repeated meditatively. “Because although I am still young, I am thoroughly
-broken. Can you not see that? Because everything in me is shattered—because I am an
-utter wreck.”
-</p>
-<p>“Eline, use no such big words; speak calmly.”
-</p>
-<p>“I use no big words. I do speak calmly. I speak with deliberation, with the deliberation
-of despair,” she cried rising, and she remained standing before him as he took her
-hand. “I speak with so much deliberation that it makes me shudder. Listen, Lawrence,
-you know that I have been engaged.”
-</p>
-<p>“Yes. And that you have given him back his word.”
-</p>
-<p>“Yes. I have given him back his word, and yet I liked him. Even while I wrote to him
-releasing him from his engagement, I liked him. Is that not terrible?”
-</p>
-<p>He did not answer, and looked at her as if he did not understand.
-</p>
-<p>“That you cannot understand, can you?” she asked, and her hands trembled in his. “You
-cannot understand that such terrible doubts can fill a woman’s heart? You cannot understand
-that at times I don’t know what I feel, nor what I think, nor what I would do. Do
-you see, there is something in me, something that is incomplete. I am always in doubt.
-I am always searching for something, and never feel certain of anything. I liked him.
-Forgive me for telling you now. I liked him so very much, he was so good, and he would
-have sacrificed his life for me. And there came a moment when I knew no longer whether
-I liked him or not, when I even thought I cared for some one else, whilst all the
-time I cared for none but him. And now I know it—now that it is too late, and now
-that I have perhaps made him unhappy.”
-</p>
-<p>“Do you know that you have made him unhappy, Eline?”
-<span class="pageNum" id="pb295">[<a href="#pb295">295</a>]</span></p>
-<p>“No. I do not know, but I suspect it. At the Hague I did hear something about his
-having got the better of his grief, but I could never believe it. Now that it is too
-late I know all, and it is only now that I know how fond he was of me. Even if I were
-to hear that he were married, I could not believe that he had quite forgotten me.
-It cannot be! He must think of me as I often think of him.”
-</p>
-<p>“Do you still care for him?” he asked in a dull voice.
-</p>
-<p>“Not as I have cared for him, not now, Lawrence. I believe just now it is only pity
-I feel for him, but I often think of him. Here is his portrait.”
-</p>
-<p>She opened the locket, and showed him Otto’s likeness. Without saying a word he gazed
-at it.
-</p>
-<p>“Do you always carry this about with you?” he softly asked.
-</p>
-<p>“Yes,” she whispered, almost inaudibly, “always. To me this is sacred, and therefore,
-Lawrence, therefore it can never be. The thought of him would always rise up between
-us. With you I could be happy if that memory did not always haunt me. But for me to
-be happy whilst I continually remembered that his life was so wretched—oh! it would
-be impossible.”
-</p>
-<p>He did not answer, and she began to sob violently. She sank down on the ground, and
-laid her head on his knee.
-</p>
-<p>“Oh, forgive me, Lawrence, forgive me. I never thought that you could care for me.
-I was so ill, I was always coughing, I felt myself so weak. I thought that I had grown
-out of it, that I should even have repelled a man. Had I not thought thus I should
-never have allowed you to see that I cared for you. At first you spoke as if we were
-brother and sister. Why did you not continue to speak thus? As it is, now I have been
-compelled to cause you pain; I could not help it. I should have been wicked if I could
-have become your wife without a feeling of remorse.”
-</p>
-<p>He lifted her up gently, and drew her towards him a little.
-</p>
-<p>“Eline,” said he, “one day you told me that you had thrown away your happiness. Then
-I did not ask you what you meant by it, but now I ask you, do you mean by that the
-letter which you sent to Otto?”
-</p>
-<p>“Yes,” she sobbed.
-</p>
-<p>“With that letter you threw your happiness away, you say? Are you certain now that
-you are not throwing away your happiness for <span class="pageNum" id="pb296">[<a href="#pb296">296</a>]</span>the second time, or can I never make you happy? It is Otto alone who can do that?”
-</p>
-<p>She looked at him with a melting expression in her eyes.
-</p>
-<p>“Oh, Lawrence,” she murmured passionately, her head nearly on his bosom, “if I had
-but met you before—before all that had happened, I could not have cared for any one
-but you. But it could not be. It was my fate.”
-</p>
-<p>“Oh, do not speak about fate. Fate is but a phrase. Every one makes his own fate.
-You—you are too weak to make one for yourself. Let me make your fate for you.”
-</p>
-<p>“It cannot be,” she sobbed, and shook her head, which was nestled against him, hither
-and thither. “It can never be.”
-</p>
-<p>“Yes, Eline, it can be,” he answered. “You say you could not have cared for any one
-but me had you seen me sooner. Perhaps in that case I might not have cared for you;
-however, these are suppositions which do not concern you in the least. All I know
-now is, that I like you as you are. You say that you are ill, but I know that you
-will be well again, I feel it.”
-</p>
-<p>“That is no certainty,” she wept.
-</p>
-<p>“That is true, but no more is it a certainty that you have made Otto unhappy. You
-feel that too, do you not? You are not certain of it.”
-</p>
-<p>“No, no, I believe I am certain.”
-</p>
-<p>“No, you are not,” he continued; “and you tell me, now that I ask you to be my wife,
-that it cannot be, that it can never be. Is that not cruel of you?”
-</p>
-<p>“Oh, why do you reproach me with that?” she sobbed.
-</p>
-<p>“Just now you said yourself that you were always in doubt—that you were always searching
-for something, but that you never knew anything for certain. How is it then that now
-you say you know without doubt that it never could be? Are you so certain of that?
-Will you feel no regret when I am gone—when it is too late?”
-</p>
-<p>“Oh,” she groaned, “how can you make me suffer thus? You torture me.”
-</p>
-<p>He was silent for a moment, and gently raised her head from his bosom.
-</p>
-<p>“I shall torture you no longer, Eline. Only this I want to say to you. Don’t refuse
-now what I have asked you. A day may come when you may wish that you had spoken differently.
-Let <span class="pageNum" id="pb297">[<a href="#pb297">297</a>]</span>me hope as much as that, at least. The day after to-morrow I am leaving here with
-Vincent. In five months’ time I shall see you once again. I shall ask Vincent to write
-you now and then. You shall always know where we are, and you need but say one word,
-and I shall return at once. I don’t ask you now to promise me anything, but pray refuse
-me nothing either<span class="corr" id="xd31e5241" title="Not in source">.</span> Allow me to hope, and endeavour to hope yourself. Will you do this, or is it too
-much that I am asking you?”
-</p>
-<p>“No,” she whispered. “Oh, no, it is not too much. I will give you my answer in five
-months’ time.”
-</p>
-<p>“Very well,” said he. “I shall ask you nothing more, and now I shall wait until your
-uncle and aunt are home to take leave of them. Vincent will come to-morrow. But now
-that we are alone, may I take my leave of you?”
-</p>
-<p>She did not answer, but looked at him. He pressed her in his arms and kissed her.
-</p>
-<p>“In five months’ time then?” he whispered with a smile.
-</p>
-<p>She raised herself up, looked at him fixedly, and then flung her arms round his neck.
-And she kissed his forehead with a long passionate kiss.
-</p>
-<p>“In—in five months,” she murmured in reply.
-</p>
-</div>
-</div>
-<div id="ch30" class="div1 chapter"><span class="pageNum">[<a href="#ch30.toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">CHAPTER XXX.</h2>
-</div>
-<div class="divBody">
-<p class="first">Uncle Daniel and Aunt Elise were not a bit surprised when Eline, a few days after
-St. Clare’s and Vincent’s departure, told them that she intended to return to the
-Hague. They knew how capricious Eline was, how she longed, now for this and now for
-that, and never was contented. But this time it was not out of caprice that Eline
-longed for another dwelling-place. After the <i lang="fr">soirée</i>, at which St. Clare had asked her somewhat brusquely how she got there, it seemed
-to her as if a veil had risen before her eyes, as if suddenly it was made plain to
-her that she was <span class="pageNum" id="pb298">[<a href="#pb298">298</a>]</span>not in her place with her uncle and aunt, and especially in their coterie, and it
-was out of respect, out of friendship, perhaps out of love for St. Clare, that she
-determined to leave her Brussels acquaintances.
-</p>
-<p>She wrote to Henk and asked him to take two rooms for her in a ladies’ boarding-house
-or in one of the new stately hotels. In reply she received letters from Henk, from
-Betsy, from old Madame van Raat, all of whom begged her not to go into apartments,
-but to make her home with them. Betsy wrote her that she forgave and forgot everything
-that had happened, if Eline on her part would also forgive and forget, and implored
-Eline not to be so eccentric as to go and live by herself when there was room for
-her in her sister’s house. Old Madame van Raat, too, wrote very urgently and very
-affectionately, but Eline refused with repeated professions of gratitude; she was
-determined that no one should make her change her mind.
-</p>
-<p>Henk, therefore, with a dejected face, shrugged his shoulders, and with Betsy he chose
-two handsome apartments in a large pension on the Bezuidenhout. Thereupon Eline came
-to the Hague.
-</p>
-<p>She recollected how the previous summer, worn-out with her wandering, she had come
-to the Hague to make her stay with Madame van Raat. She compared her languor of those
-days with the exhaustion which now, as it were, was surely undermining her, and she
-did not even feel strength to weep about it. For the sake of her regard for St. Clare,
-she had concentrated the last lingering remnants of strength to be once more as she
-had been—winning, amiable, if not brilliant; and now that St. Clare was gone, she
-discovered how, frank and natural as she had been towards him, she had for all that
-involuntarily, as it were, excited herself so that she should not appear to him altogether
-the utterly worn-out being, the living corpse that she was. Now that that excitement
-was no longer necessary, she collapsed, broken down utterly. The emotion caused by
-her latest confession, too, had greatly unnerved her, and it became to her a certainty
-that she would never more be able to arouse herself from her physical exhaustion and
-her moral inanition.
-</p>
-<p>Her cough was very violent, and Reyer attended her again, but she never told him about
-her Brussels doctor, who had prescribed her the morphine-drops, as she remembered
-that Reyer would never allow her to take an opiate. It was February, the cold was
-<span class="pageNum" id="pb299">[<a href="#pb299">299</a>]</span>intense, and she did not leave the house. When in the morning she rose, she felt as
-formerly she had felt at Madame van Raat’s, too fatigued and languid to dress herself.
-She wrapped herself in her peignoir and sank down on a couch. Then a delicious feeling
-would come over her that she need not trouble herself about any one, that there was
-no need for her to dress herself, and that she could remain as she was in her slippers
-as long as she liked. Often Madame van Raat or Betsy, Madame Verstraeten or Marie
-and Lili, found her thus undressed, dishevelled, vacantly staring out of the window.
-She did not read, she did not do anything, and hour after hour passed by during which
-she did not even think. At times she would suddenly throw herself on the floor, her
-face pressed down on the carpet, and then it grew dark, oh, so dark around her, until
-a knock at the door—the servant who brought her dinner—made her start up with a sudden
-fright. Then she would sit down and eat a very little, and then a wan little smile
-would hover around her lips, in which at once something satirical and something idiotic
-were intermingled.
-</p>
-<p>The nights that followed on those days were for Eline veritable hours of terror. Everything
-within her began to live, and she felt as if electrified by the horror, so that she
-could not sleep. Her brain was in a mad whirl. Shrill, mysterious sounds rushed through
-her ears. A very maelstrom of memories whirled round and round in her mind. Visions
-of all shapes and forms rose up around her. She started in terror at everything—at
-a shadow falling along the wall, at a pin glistening on the floor; then she took her
-drops, and a dull sleep at last fell upon her like a leaden mantle.
-</p>
-<p>For minutes at a time she would stand staring in the glass at her faded features.
-The tears would then start to her eyes, whose brightness was for ever extinguished,
-and she thought of former days, she longed for that past again without really asking
-herself what that past had been. For latterly she was no longer capable of continuous
-thought. It was as if before her thoughts a barrier had been placed, which she could
-not cross. But it was that very dullness which now overtook her that in some measure
-lessened her melancholy, which, had her brain been of its normal clearness, would
-certainly have risen to an unbearable crisis. But instead of that melancholy she now
-struggled through hours of doubt, in which she was at a loss what to do with her useless
-self, her useless existence, which dragged itself along within these four walls, with
-<span class="pageNum" id="pb300">[<a href="#pb300">300</a>]</span>only her violent fits of coughing to break the weary monotony. Then she fell to weeping
-bitterly about her unfulfilled desires, and she writhed on the ground, stretching
-forth her arms towards an image which vaguely shaped itself to her eyes; for in her
-dreams, as well as in her waking thoughts, the forms of Otto and St. Clare began to
-be confused in her mind. The observations and sayings, the ideas of the one she ascribed
-to the other, and she could no longer say which of them she had ever loved in truth,
-or which of them she still loved. When, in such doubts, she attempted to continue
-her train of thought, that impassable barrier stopped her, and her impotency enraged
-her; with her clenched fist she beat herself on the forehead, as if therein there
-was something broken that she <i>would</i> repair.
-</p>
-<p>“What can it be?” she would then ask herself in despair. “Why is it that I forget
-so many things that have happened, and of which I can only remember that they have
-happened? All that dullness here in my head! Rather the most horrible pain than that
-dullness! It is as if I am going mad!”
-</p>
-<p>A shudder crept over her back like a cold snake at that thought. Suppose she were
-to go mad, what then would they do with her? But she would not follow up such terrible
-suppositions, although it seemed to her that if she could only think through that
-spectre of rising insanity, she would suddenly pass over the barrier that had been
-placed before her thoughts! But when once she should have passed into it, then—then,
-indeed, she <i>would</i> be insane.
-</p>
-<p>At such moments she covered her face with her hands and pressed her fingers in her
-ears, as though she <i>would</i> not hear, would not see; as if the first impression she would now receive would drive
-her mad. And at that idea she was so terrified that she said not a word about that
-dullness to Reyer.
-</p>
-<p>Her uninterrupted, listless idleness made her yield herself up entirely like a slave
-to the strange fantasies and ideas which frequently rose to the most senseless ecstasies,
-from which she suddenly awoke in dread terror; reclining on her couch, her fingers
-nervously plucking at the tassels of the cushions, playing with the loose hair that
-hung dishevelled about her head, her thoughts went back to her theatrical illusions
-in the days when she had sung duets with Paul, and when she thought she loved Fabrice.
-Then she became an actress; she saw the stage, the public, she smiled <span class="pageNum" id="pb301">[<a href="#pb301">301</a>]</span>and bowed, flowers rained down upon her. Quite unconscious of herself, she would rise
-from her couch, and with her broken voice softly hum a recitative, a phrase from some
-Italian aria; and she moved about her room as if she were playing a part—she acted,
-she stretched forth her arms in movements of despair, or lifted them up with longing
-towards the fleeing lover; she sank down on her knees, and imagined that she was dragged
-forward, although she prayed and implored for mercy. Various rôles rose confused in
-her brain: Marguerite, Juliette, Lucia, Isabelle, Mireille—of all these in the space
-of a few minutes she would go through the most tragic scenes, and suddenly, roughly
-awakened from that madness, she would see herself once more alone in her room, and
-making the strangest motions. Then she drew back in terror for herself, and tremblingly
-she thought—
-</p>
-<p>“Heavens above! is it coming over me?”
-</p>
-<p>After such moments she would remain lying down staring about her with frightened eyes,
-as if she expected that some crushing catastrophe would occur, as if the features
-of the statuettes, the figures in the pictures and plates around her, would suddenly
-come to life and laugh at her—a hard, grinning laugh, cruel as that of demons.
-</p>
-<p>After such a day she did her best in her silent terror to become herself once more.
-In the morning, after awakening from her leaden, artificial sleep, she would quickly
-get up, dress herself with much care, and go out shopping; then go and take coffee
-with Henk and Betsy, with the Verstraetens, or with Madame van Raat. She complained
-about her loneliness, and as, in such moments, she showed herself rather amiable,
-they asked her here and there out of pity to stay to dinner. Then the evening would
-pass cheerily enough, and she returned home, glad that another day was gone, but fainting
-almost with fatigue at her unusual emotions by her artificially excited gaiety, unnatural
-and full of shrill laughter, mingled with coughs. And such a day she had to pay for
-dearly at night; the drops gave her no relief, she remained all through hopelessly
-wide awake, struggling with horrible nightmares, haunted by spectres of her diseased
-brain.
-</p>
-<p>Her acquaintances spoke a good deal about Eline, and Betsy frequently remarked with
-a serious face that she feared it was far from right with her; Eline was so strange
-just now, and Reyer was not satisfied either, and her acquaintances pitied her. Poor
-Eline! <span class="pageNum" id="pb302">[<a href="#pb302">302</a>]</span>formerly she was so pretty, so elegant, so cheerful—and now she was like a shadow
-of her former self. Yes, indeed, she was very ill. That one could easily see.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>It was raining—a cold, searching March rain—and Betsy was at home, sitting in the
-little violet boudoir which opened on the conservatory. It was somewhat dark, but
-Betsy had moved her fauteuil in the light, and was reading <i lang="fr">Les Pêcheurs d’Islande</i> by Pierre Loti. But the book bored her; how could fishermen be so very sentimental?
-Now and then her glance fell along the palms of the conservatory and on the barren
-garden, where the bare branches were dripping with wet. Ben sat on the floor by her
-fauteuil. All at once he gave a sigh.
-</p>
-<p>“What is it, Ben? Is anything the matter?” asked Betsy.
-</p>
-<p>“No, ma,” he answered, looking up in surprise with his laboured little voice.
-</p>
-<p>“Why do you sigh then, child?”
-</p>
-<p>“I don’t know, ma.”
-</p>
-<p>She looked at him searchingly for a moment, then she laid down her book.
-</p>
-<p>“Just come here, Ben.”
-</p>
-<p>“Where, ma dear?”
-</p>
-<p>“Here, on my lap.”
-</p>
-<p>He clambered slowly on to her lap and smiled. Lately her brusque voice often had something
-soft in it when she addressed her only child.
-</p>
-<p>“Are you fond of your ma?” she asked caressingly.
-</p>
-<p>“Yes.”
-</p>
-<p>“Kiss me, then.”
-</p>
-<p>He flung his little arms round her neck.
-</p>
-<p>“Come, give me a kiss!”
-</p>
-<p>Still with the same listless little smile he kissed her.
-</p>
-<p>“Ma is never naughty to you, is she?” asked Betsy.
-</p>
-<p>“No.”
-</p>
-<p>“Will you stop with ma like that?”
-</p>
-<p>“Yes.”
-</p>
-<p>He nestled himself, the big boy of seven, against her bosom.
-</p>
-<p>“Tell me, Ben, is there nothing you would like? Would you not like something nice
-of ma?”
-</p>
-<p>“No.”
-<span class="pageNum" id="pb303">[<a href="#pb303">303</a>]</span></p>
-<p>“For instance, a little horse and carriage—a real horse, a pony? Then Herman can teach
-you to drive.”
-</p>
-<p>“Oh, no, thank you,” he said, in a tone as if she bored him a little.
-</p>
-<p>She grew almost impatient, and was on the point of giving him a scolding, and telling
-him that he was a wretch of a boy, but that impatience lasted only for a second. She
-clasped him closer to her and kissed him.
-</p>
-<p>“But if there is anything you would like, you must tell me,” she said, almost weeping.
-“Will you tell me, Ben? Say, child, will you really tell ma?”
-</p>
-<p>“Yes,” he answered, in a tone of great satisfaction.
-</p>
-<p>And she closed her eyes, shuddering at the thought that her child was an idiot. It
-was like a curse that had come to her. But why, how had she then deserved it? What
-had she done?
-</p>
-<p>She did not read further, and she kept him on her lap, where he lay quietly, with
-his head resting on her shoulder, when she heard some one approaching through the
-salon. It was Eline.
-</p>
-<p>“Good morning, Eline.”
-</p>
-<p>“Good morning, Betsy. Good morning, Ben.”
-</p>
-<p>“Fancy you going out in this rain!”
-</p>
-<p>“I had a cab. I could not stay at home any longer. The weather made me so melancholy,
-and I thought I was going mad with <i>ennui</i>. Oh, great heavens!”
-</p>
-<p>She let herself go, as with a cry of despair she fell down on a seat, and removed
-her little veil.
-</p>
-<p>“Just imagine always being pent up within the four walls of your room, no one to see
-you, nothing in which you take any interest. Is that not enough to drive you mad?
-At all events, I cannot bear it any longer, I shall certainly go crazy.”
-</p>
-<p>“Eline, <i lang="fr">prends garde, l’enfant t’écoute</i>.”
-</p>
-<p>“He—he does not understand that, and probably will never understand it,” she continued
-in a hoarse voice. “Ben, come here; come here for a moment. Do you know what you must
-do when you are big? Never think of anything, little man, whatever you do. Don’t think
-at all. Eat, drink, and enjoy yourself as long as you can, and then—then—you must
-marry! But you must not think, do you hear?”
-</p>
-<p>“Eline, <i lang="fr">vraiment tu es folle</i>,” cried Betsy hastily, fearing more for her child than for her sister.
-<span class="pageNum" id="pb304">[<a href="#pb304">304</a>]</span></p>
-<p>Eline laughed loudly, and her laugh and the shrill words of her excited voice frightened
-Ben. With his big eyes and his mouth wide open he stared at her. But still she laughed.
-</p>
-<p>“Oh, he does not understand anything of it, the little man. Eh, you don’t know what
-it is that aunt is raving about, do you? But it is delicious to rave like that. I
-wish I could do something very desperate, some awfully mad trick, something utterly
-ridiculous, but I cannot think of anything. My mind is so dulled just now that I cannot
-think. If only Elise were here she would know something. Do you know what we did one
-day, Elise and I, the first time I stayed in Brussels? I never had the courage to
-tell any one of it before, but now I dare say anything. Nothing troubles me now. Just
-fancy, one evening we went out together for a walk, all alone, you know, just for
-a little adventure. Don’t you say a word of it to any one, do you hear? Then we met
-two gentlemen, two very nice gentlemen, whom we did not know at all. With them we
-went for a drive—in an open landau, and then—then we went with them into a café.”
-</p>
-<p>Her story was continually interrupted by little nervous shrill laughs, and with the
-last words she burst out into an uncontrollable fit of hysterical laughter. Not a
-word was true of the whole story, but at that moment she believed in it herself.
-</p>
-<p>“Just fancy, in a café—in a café! And then——”
-</p>
-<p>“Eline, do pray stop that mad talk,” said Betsy softly.
-</p>
-<p>“Ah! I suppose you think it awfully shocking, eh? But rest assured, it was not quite
-so bad as all that.”
-</p>
-<p>She still laughed, half weeping, and at last she burst out in hysterical sobs.
-</p>
-<p>“Oh, that wretched Reyer! I have always such a terrible pain here in my head, and
-he does not care. He is always boring me about my cough. I know I cough—that is no
-news; and oh, great heavens! it is so horribly dull in that Pension.”
-</p>
-<p>“Why don’t you come and stay with us then?”
-</p>
-<p>“Oh, that would never do. In three days’ time we should be pulling ourselves by the
-hair,” laughed Eline boisterously. “Now that we see each other but rarely it is much
-better.”
-</p>
-<p>“Really, I should do my very best to make you comfortable,” implored Betsy, who felt
-terribly alarmed at Eline’s excited state. “We should have the greatest care for you,
-and I should study you in everything.”
-<span class="pageNum" id="pb305">[<a href="#pb305">305</a>]</span></p>
-<p>“But I should not study you. No, thank you very much. I value my liberty before everything.
-How can you be so provoking? We should begin haggling at once. Why, we are haggling
-now already.”
-</p>
-<p>“Why do you say that? I am not haggling at all. There is nothing I should like better
-than for you to come here this evening, if you like.”
-</p>
-<p>“Betsy, now just leave off about it, or you will never see me again. I won’t live
-with you any more. I <i>won’t</i>, so there! I’ve had enough of it.”
-</p>
-<p>And she hummed a tune.
-</p>
-<p>“Will you stay to dinner then this afternoon?” asked Betsy.
-</p>
-<p>“Rather! But I’m tired. You won’t find me very lively. What are you going to do this
-evening?”
-</p>
-<p>“We are going to the Oudendykens’. Are you not invited?”
-</p>
-<p>“No. I never visit them.”
-</p>
-<p>“Why not?”
-</p>
-<p>“For my part they can frizzle themselves, the Oudendykens. Oh, my head—may I lie down
-on a couch?”
-</p>
-<p>“Certainly.”
-</p>
-<p>“Then I shall go to Henk’s room. There is such a cosy sofa there.”
-</p>
-<p>“There is no fire there.”
-</p>
-<p>“Oh, that does not matter.”
-</p>
-<p class="tb"></p><p>
-</p>
-<p>She went up-stairs to Henk’s sitting-room. She lay down on the sofa, and ere long,
-exhausted as she was with her excitement, sleep overtook her. She was aroused from
-her slumbers by a heavy step on the landing. Before she was well awake, Henk entered.
-</p>
-<p>“Hullo, sissy, what have you been doing here in the dark? and how cold it is in here!”
-</p>
-<p>“Cold!” she repeated, with a look as that of a somnambulist. “Yes, now I feel it too.
-I’m shivering—but I have been asleep.”
-</p>
-<p>“Come along down-stairs. Dinner will soon be ready. Betsy said you were going to stay;
-aren’t you?”
-</p>
-<p>“Yes. Oh, Henk, how terrible that I have been asleep here!”
-</p>
-<p>“Terrible! Why?”
-</p>
-<p>“Now I won’t sleep to-night,” she screamed in despair, and she threw her head on his
-shoulder and sobbed.
-<span class="pageNum" id="pb306">[<a href="#pb306">306</a>]</span></p>
-<p>“Why don’t you rather come and stay with us again?” he asked softly. “You would be
-so comfortable with us.”
-</p>
-<p>“No, not that.”
-</p>
-<p>“Why not?”
-</p>
-<p>“It would never do. I am certain of it. It is very kind of you, Henk, to ask me, but
-it would not do. Sometimes I feel as if I could strike Betsy, and I feel that just
-at the moment when she speaks nicely to me, as she did this afternoon, for instance.
-I had to restrain myself with all my might from striking her.”
-</p>
-<p>He sighed, with a despairing face. To him she remained a puzzle.
-</p>
-<p>“Then let us go down-stairs,” said he.
-</p>
-<p>And as they were going down she leant heavily on his arm, trembling with the cold,
-which only now she began to feel.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The winter went by, and Eline remained in the same condition.
-</p>
-<p>“Would it not do you good to go into the country in the summer?” asked Reyer. “I don’t
-mean that you should travel from one place to the other, that would fatigue you too
-much. But you might make a little stay in some quiet, cool spot amidst some cheerful
-surroundings.”
-</p>
-<p>Her thoughts went back to the Horze. Oh, if she had been Otto’s wife, then grateful
-coolness, shade, affection would have been hers.
-</p>
-<p>“I don’t know of such a place,” she answered languidly.
-</p>
-<p>“Perhaps I might know of something for you. I know some very nice kind people in Gelderland.
-They have a little country seat surrounded by magnificent pine forests.”
-</p>
-<p>“In Heaven’s name,” screamed Eline passionately, “no pine forests!”
-</p>
-<p>“But country life would strengthen you.”
-</p>
-<p>“It is impossible to strengthen me. Pray, Mr. Reyer, let me lie where I am.”
-</p>
-<p>“Do you sleep better now?”
-</p>
-<p>“Oh yes, fairly well.”
-</p>
-<p>It was not true. She never slept at night, and by day she slumbered just a little,
-she dozed just a little. The drops had no more effect, and only brought her into a
-continual whirling ecstasy, a condition full of listlessness and terror, in which
-she either <span class="pageNum" id="pb307">[<a href="#pb307">307</a>]</span>raved like an actress, or dragged herself groaning along the floor. Reyer looked at
-her penetratingly.
-</p>
-<p>“Miss Vere, pray tell me the truth. Are you in the habit of taking other medicines
-than those which I prescribe?”
-</p>
-<p>“What makes you think that?”
-</p>
-<p>“Answer me the truth, Miss Vere.”
-</p>
-<p>“Of course not. How can you think such a thing? I should not have the courage to do
-so. No, no, you may rest quite assured about that.”
-</p>
-<p>Reyer left, and in his carriage he forgot his note-book for a moment, and was deep
-in thought about Miss Vere. Then he heaved a hopeless sigh. Scarcely had he left the
-room when Eline rose. She was dressed only in a loose gray <span class="corr" id="xd31e5433" title="Source: pegnoir">peignoir</span>, which hung about her emaciated figure. In front of the glass, she plunged her hands
-in her loose hair. It had grown very thin, and she laughed about it while the stray
-locks fell about her fingers. Then she flung herself on the floor.
-</p>
-<p>“I won’t,” she stammered, “I will not see him any more, that Reyer. He makes me worse
-than I am. I cannot bear him any longer. I shall write him to stay away.”
-</p>
-<p>But she did not feel sufficient energy to do so, and she remained lying on the floor,
-and her fingers traced the figures of the carpet. Softly she began to hum to herself.
-Through the door the sun cast a square golden glimmer on the floor, and thousands
-of little dust particles danced about in the golden light. The glitter irritated Eline,
-and she drew herself back.
-</p>
-<p>“Oh, that sun!” she whispered, with strange, big, dull eyes. “I hate that sun. ’Tis
-rain and wind that I want—cold rain and cold wind—the rain that oozes through on my
-chest, through my black tulle dress.”
-</p>
-<p>Suddenly she rose, and wrung her hands on her chest as though she would prevent the
-wind from blowing open the cloak from her shoulders.
-</p>
-<p>“Jeanne! Jeanne!” she commenced in her delirium; “pray, pray take me in. I have run
-away from Betsy, for she is unbearable. This evening, at the dinner at Hovel’s, she
-said all kinds of nasty things about Vincent, and you know that I love Vincent; for
-his sake I have broken my engagement, my engagement with Otto. Oh, how he bored me
-with his eternal calmness, always calm—always calm! I—I shall go mad under all that
-calmness; but <span class="pageNum" id="pb308">[<a href="#pb308">308</a>]</span>really, Henk, I shall go to Lawrence and ask his pardon. But don’t strike me, Henk!
-Oh, Lawrence, Lawrence, I love you so! Do not be angry with me, Lawrence; see if I
-do not love you! Here is your portrait which I always wear on my bosom.”
-</p>
-<p>She had knelt down by the sofa, and lifted up her face as if she saw somebody. All
-at once she started in terror, and hastily, and with a shudder, she raised herself.
-</p>
-<p>“Great heavens! there it is coming again,” she thought, becoming once more conscious
-of herself.
-</p>
-<p>There seemed to be a struggle going on in her brain, a struggle between her impotent
-senses and her ever-increasing madness. With an uncertain movement she took up a book
-which was lying on the table, and opened it, to force herself to be sensible and to
-read. It was the score of <i lang="fr">Le Tribut de Zamora</i>, which she had once procured during her passion for Fabrice. She dared not look up,
-fearing lest she might see her insanity take some hideous shape before her eyes. She
-dared not move, out of terror for herself, and she would gladly have saved her fleeing
-senses had she been able, as it were, to pass away out of her own self. And the ray
-of sunshine once more filled the room, glowing over the satin of the curtains and
-reflecting itself back in the china of the Japanese vases and the polished glittering
-brass of the ornaments. Softly she began to sing something to herself, quite unconsciously,
-in a voice hoarse and raw with endless coughing. Then there was a knock at the door.
-</p>
-<p>“Who is there?” she asked, alarmed.
-</p>
-<p>“’Tis I, miss,” cried a voice; “I’ve brought you your lunch.”
-</p>
-<p>“No, thank you, Sophie, I have no appetite.”
-</p>
-<p>“Will you not take anything, miss?”
-</p>
-<p>“No, thank you.”
-</p>
-<p>“Then you will ring, miss, when you want something, will you not?”
-</p>
-<p>“Yes, yes.”
-</p>
-<p>She heard the servant go down-stairs, she heard the tinkling of plates and glasses
-on the tray. Eline gave another glance at the rôle of Xaïma, and she lifted her head
-proudly and made an heroic motion with her hand, as she began to sing in a weak voice,
-interrupted by coughing.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>At half-past five Sophie brought the dinner and laid the little <span class="pageNum" id="pb309">[<a href="#pb309">309</a>]</span>round table with much care. But Eline scarcely touched any of the food, and she was
-glad when Sophie took it back again. She took up a few cards which Sophie had brought
-with her, cards from Madame <span class="corr" id="xd31e5468" title="Source: Vestraeten">Verstraeten</span> and from Lili.
-</p>
-<p>“Old Madame van Raat has also been here, and she went away.”
-</p>
-<p>Eline remained alone. The evening was falling, the sun was slowly sinking in the west,
-but the light long remained. From her cupboard Eline took a little bottle and carefully
-counted out some drops, which she let fall in a glass of water. Slowly she drank it.
-Ah, if they would only bring her some relief! It had so often been in vain lately.
-</p>
-<p>She was tired after her long day of idleness and half-insane ravings, and she wanted
-to retire to her rest at an early hour. No, she would not light the gas, she would
-stay a little longer in the twilight, and then—then she would try to sleep. But it
-all began to boil, to seethe, to throb in her head. She gasped for breath, and regardless
-of the evening air which began to blow into the room, she let the gray peignoir glide
-down from her shoulders. Her arms were thin, her chest was hollow, and she looked
-at herself with a sad smile as her fingers passed through her thin hair. And because
-it was growing dark, because in spite of her drops she would not sleep, because she
-was very pale and white in the lace and the embroidery of her dress, because she grew
-terrified at the increasing gloom, the madness once more returned—
-</p>
-<div lang="it" class="lgouter">
-<p class="line">“Ah, perfido! Spergiuro!”</p>
-</div>
-<p class="first">she began as in a rage to hum to herself, as she lifted up her arm. It was the scene
-of Beethoven in which Vincent used to smell the odour of vervain. In her song she
-reproached a faithless lover with his broken troth, and her face expressed the most
-tragic grief, a wounded love which would avenge itself. She told the lover to go,
-but the gods above would crush him under their chastisement. Suddenly she snatched
-from her bed a sheet, and she wrapped herself in the long white material, which in
-the faint evening light fell about her like a cloak of marble.
-</p>
-<div lang="it" class="lgouter">
-<p class="line">“Oh no! Fermate, vindici Dei!”</p>
-</div>
-<p class="first">she sang hoarsely, and her voice broke into coughs, with melting eyes this time, for
-in another mood she now invoked the mercy of the gods for the faithless one; however
-he may have changed she <span class="pageNum" id="pb310">[<a href="#pb310">310</a>]</span>remained the same, she wanted no revenge, she had lived and now she would die for
-him. And slowly she murmured the <i lang="it">Adagio</i> slowly, very slowly, while the white folds of her drapery, with the imploring motions
-which she made with her arms, rose and fell continually. Thus she sang on, on, until
-a plaint forced itself from her throat, and in that plaint all at once she began to
-act, as with the noble art of a <i lang="it">prima donna</i>. It seemed to her as though the lover had already fled, and as though she turned
-to the chorus which surrounded her pityingly—
-</p>
-<div lang="it" class="lgouter">
-<p class="line">“Se in tanto affa—a—a—anno!”</p>
-</div>
-<p class="first">she murmured, almost weeping, in grief-stricken cadences, and her agony rose, the
-plaint rose, and she shrieked higher and higher—
-</p>
-<div lang="it" class="lgouter">
-<p class="line">“Non son degna di pieta!”</p>
-</div>
-<p class="first">She started violently, terrified at the penetrating, shrill notes of her broken voice,
-and she flung her sheet from her shoulders and sat down shivering. Would they have
-heard her? she wondered. She just glanced through the open French window on to the
-street. No, there were only a few people walking about in the growing darkness. But
-in the house? Well, any way, she could not help it now. She would be sensible once
-more. She sobbed, and yet she laughed. She laughed at herself. If she excited herself
-like that she would never sleep. Suddenly she threw herself on her disarranged bed,
-and closed her eyes, but sleep would not come.
-</p>
-<p>“Oh, heavens! Oh, great heavens!” she groaned. “Oh, great heavens, I pray you let
-me sleep.”
-</p>
-<p>And she wept bitterly, continuously. Then a thought shot through her brain. If she
-should drink a few drops more than the Brussels doctor had prescribed? Would it hurt
-her? She thought not, because the dose she was in the habit of taking now gave her
-no relief whatever. How many drops, she wondered, could she add to it without risk?
-As many as she had taken already? No, that would be too many, of course. Who knows
-what might happen? But, for instance, half as many again! Therefore, three drops more?
-No, no, she dared not. The doctor had so urgently warned her to be careful. Still
-it was very tempting, the few drops, and she rose. She took her little phial to count
-the three drops. One—two—three—four—five—the last two fell into the glass before she
-had time to take away the bottle. Five—that would be too <span class="pageNum" id="pb311">[<a href="#pb311">311</a>]</span>many? She hesitated for a moment. With these five drops she would be <i>certain</i> to sleep. Still she hesitated, but all at once she came to a resolution, lured as
-she was to it by the prospect of rest. And she drank.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>She laid herself down on the floor, close to the open French window. The cold perspiration
-broke out all over her, and she felt a dullness stealing over her, but such a strange
-dullness it was, quite different from what she usually felt.
-</p>
-<p>“Oh, great God!” thought she. “Have—have I taken too many?”
-</p>
-<p>No, no, that would be too terrible. Death was so black, so empty, so mysterious, but
-still, if it were so? And suddenly her fears melted away into a restfulness immeasurable.
-Well, if it were so she would not care. And she began to laugh with inaudible, nervous
-little laughs, while the dullness descended upon her with a crushing weight as of
-the heavy fist of a giant. With her hand she wanted to defend herself from those giant
-fists, and her fingers became entangled in a cord about her neck. Oh, that was—that
-was his portrait, Otto’s portrait. Could she indeed have taken too much? When to-morrow
-came should she——? She shuddered. To-morrow morning would they knock at her door in
-vain, and in the end would they find her lying there? A terrible thought indeed. She
-was wet through with perspiration, and her fingers again wandered to the locket. No,
-that portrait they should not find on her bosom. She raised herself up, and wrenched
-the portrait out of the locket. She could no longer distinguish it, for it had grown
-dark in her room, and in her eyes the light was already failing; only the yellow glare
-of the street-lamp fell with a dull reflection into the room. But she saw the likeness
-with her mind’s eye, with her fingers she touched the little piece of pasteboard,
-and she kissed it, kissed it repeatedly.
-</p>
-<p>“Oh, Otto,” she faltered, in a heavy labouring voice; “you it was, you alone, my Otto,
-not Vincent, not St. Clare, no one but you. You—oh, my Otto—oh, Otto—oh, great God!”
-</p>
-<p>And she struggled despairingly between the agony of death and a calm resignation.
-Then, after covering the portrait with passionate kisses, she placed it in her mouth
-despairingly without the strength left her to tear it up, or to destroy it in any
-other way than by swallowing it. Thus, whilst a trembling gasp of breath shook <span class="pageNum" id="pb312">[<a href="#pb312">312</a>]</span>through her whole frame, she chewed, chewed the discarded proof of the portrait—of
-the portrait of Otto.
-</p>
-<p class="tb"></p><p>
-</p>
-<p>She was weeping still, not with intermittent sobs, no longer with any bitterness,
-but as a child, with soft, child-like little sounds, gently groaning, her bosom heaving
-with faint, undulating motions. It was a weeping in which something like a little
-laugh resounded, a little laugh of insanity. Then she grew quiet, and she nestled
-herself with her head in her arms, still on the floor by the open window. She never
-moved, desperate with terror at her surroundings, desperate with terror at what was
-to come. It seemed to her as if throughout her frame there foamed and seethed a dark
-and stormy sea, which engulfed every thought in her brain, and into which she gradually
-sunk away. And with all her last remaining energy she tried to struggle against that
-sea, but its pressure was too heavy, and she fell, fell back utterly exhausted, utterly
-unnerved, hopelessly dulled by a stormy hissing in her ears and in her brain.
-</p>
-<p>“Great God! great God!” she groaned in a voice that was growing weaker and hoarser
-with every moment, a voice full of a wild despair that had no longer the power of
-utterance. Then, drop by drop, slowly and gently, her consciousness flowed away, and
-she slept—the sleep of Eternity!
-</p>
-<p class="tb"></p><p>
-</p>
-<p>The street-lamp was extinguished, and the big room was now dark as a grave. A mausoleum
-of impenetrable blackness in the midst of which, white and shadowy, lay a corpse.
-Then the chillness of the night entered into the apartment, and slowly the pearl gray
-mist of daybreak arose to dispel the heavy gloom.
-</p>
-<p class="trailer xd31e5524">THE END.</p>
-<p><span class="pageNum" id="pb313">[<a href="#pb313">313</a>]</span></p>
-</div>
-</div>
-</div>
-<div class="back">
-<div class="div1 advertisement"><span class="pageNum">[<a href="#toc">Contents</a>]</span><div class="divHead">
-<h2 class="main">D. APPLETON &amp; CO.’S PUBLICATIONS.</h2>
-</div>
-<div class="divBody">
-<p class="first adTitle"><i>THE FAITH DOCTOR.</i> By <span class="sc">Edward Eggleston</span>, author of “The Hoosier Schoolmaster,” “The Circuit Rider,” etc. 12mo. Cloth, $1.50.
-</p>
-<p class="adReview">“An excellent piece of work.… With each new novel the author of ‘The Hoosier Schoolmaster’
-enlarges his audience, and surprises old friends by reserve forces unsuspected. Sterling
-integrity of character and high moral motives illuminate Dr. Eggleston’s fiction,
-and assure its place in the literature of America which is to stand as a worthy reflex
-of the best thoughts of this age.”—<i>New York World.</i>
-</p>
-<p class="adReview">“One of <i>the</i> novels of the decade.”—<i>Rochester Union and Advertiser.</i>
-</p>
-<p class="adReview">“It is extremely fortunate that the fine subject indicated in the title should have
-fallen into such competent hands.”—<i>Pittsburgh Chronicle-Telegraph.</i>
-</p>
-<p class="adReview">“Much skill is shown by the author in making these ‘fads’ the basis of a novel of
-great interest.… One who tries to keep in the current of good novel-reading must certainly
-find time to read ‘The Faith Doctor.’ ”—<i>Buffalo Commercial.</i>
-</p>
-<p class="adReview">“A vivid and life-like transcript from several phases of society. Devoid of literary
-affectation and pretense, it is a wholesome American novel, well worthy of the popularity
-which it has won.”—<i>Philadelphia Inquirer.</i>
-</p>
-<p class="adTitle"><i>AN UTTER FAILURE.</i> By <span class="sc">Miriam Coles Harris</span>, author of “Rutledge.” 12mo. Cloth, $1.25.
-</p>
-<p class="adReview">“A story with an elaborate plot, worked out with great cleverness and with the skill
-of an experienced artist in fiction. The interest is strong and at times very dramatic.…
-Those who were attracted by ‘Rutledge’ will give hearty welcome to this story, and
-find it fully as enjoyable as that once immensely popular novel.”—<i>Boston Saturday Evening Gazette.</i>
-</p>
-<p class="adReview">“The pathos of this tale is profound, the movement highly dramatic, the moral elevating.”—<i>New York World.</i>
-</p>
-<p class="adReview">“In this new story the author has done some of the best work that she has ever given
-to the public, and it will easily class among the most meritorious and most original
-novels of the year.”—<i>Boston Home Journal.</i>
-</p>
-<p class="adReview">“The author of ‘Rutledge’ does not often send out a new volume, but when she does
-it is always a literary event.… Her previous books were sketchy and slight when compared
-with the finished and trained power evidenced in ‘An Utter Failure.’ ”—<i>New Haven Palladium.</i>
-</p>
-<p class="adTitle"><i>A PURITAN PAGAN.</i> By <span class="sc">Julien Gordon</span>, author of “A Diplomat’s Diary,” etc. 12mo. Cloth, $1.00.
-</p>
-<p class="adReview">“Mrs. Van Rensselaer Cruger grows stronger as she writes.… The lines in her story
-are boldly and vigorously etched.”—<i>New York Times.</i>
-</p>
-<p class="adReview">“The author’s recent books have made for her a secure place in current literature,
-where she can stand fast.… Her latest production, ‘A Puritan Pagan,’ is an eminently
-clever story, in the best sense of the word clever.”—<i>Philadelphia Telegraph.</i>
-</p>
-<p class="adReview">“Has already made its mark as a popular story, and will have an abundance of readers.…
-It contains some useful lessons that will repay the thoughtful study of persons of
-both sexes.”—<i>New York Journal of Commerce.</i>
-</p>
-<p class="adReview">“This brilliant novel will, without doubt, add to the repute of the writer who chooses
-to be known as Julien Gordon.… The ethical purpose of the author is kept fully in
-evidence through a series of intensely interesting situations.”—<i>Boston Beacon.</i>
-</p>
-<p class="adReview">“It is obvious that the author is thoroughly at home in illustrating the manner and
-the sentiment of the best society of both America and Europe.”—<i>Chicago Times.</i>
-<span class="pageNum" id="pb314">[<a href="#pb314">314</a>]</span></p>
-<p><span class="sc">A New Book by the author of “A Social Departure.”</span>
-</p>
-<p class="adTitle"><i>AN AMERICAN GIRL IN LONDON.</i> By <span class="sc">Sara Jeannette Duncan</span>. With 80 Illustrations by <span class="sc">F.&nbsp;H. Townsend</span>. 12mo. Paper, 75 cents; cloth, $1.50.
-</p>
-<p>A brilliant book, picturing English sights, society, customs, and amusements, as seen
-by an unconventional and witty observer. The same qualities which made “A Social Departure”
-so remarkable a success will make “An American Girl in London” a book which is “talked
-about everywhere.”
-</p>
-<p class="adReview">“In the lighter literature of last year there was nothing more amusing than ‘A Social
-Departure,’ by Sara Jeannette Duncan, of Canada. It was just long enough—it could
-not well have been longer—but each reader wished that the author might write another
-book in similar style. Well, she has done it, and she could not have taken a better
-subject than ‘An American Girl in London.’ ”—<i>New York Herald.</i>
-</p>
-<p class="adReview">“The raciness and breeziness which made ‘A Social Departure,’ by the same author,
-last season, the best-read and most-talked-of book of travel for many a year, permeates
-the new book, and appears between the lines of every page. It is superfluous to say
-that ‘An American Girl’ is ‘awfully fetching.’ ”—<i>Brooklyn Standard-Union.</i>
-</p>
-<p class="adTitle"><i>A SOCIAL DEPARTURE: How Orthodocia and I Went Round the World by Ourselves.</i> By <span class="sc">Sara Jeannette Duncan</span>. Illustrated by <span class="sc">F.&nbsp;H. Townsend</span>. 12mo. Paper, 75 cents; cloth, $1.75.
-</p>
-<p class="adReview">“It is <i>a cheery, witty, decorous, charming</i> book.”—<i>New York Herald.</i>
-</p>
-<p class="adReview">“Widely read and praised on both sides of the Atlantic and Pacific, the diary is now
-republished in New York, with scores of illustrations which fit the text exactly and
-show the mind of artist and writer in unison.”—<i>New York Evening Post.</i>
-</p>
-<p class="adReview">“… It is to be doubted whether another book can be found so thoroughly amusing from
-beginning to end.”—<i>Boston Daily Advertiser.</i>
-</p>
-<p class="adReview">“A very bright book on a very entertaining subject. We commend it to those readers
-who abhor the ordinary statistical book of travels.”—<i>Boston Evening Transcript.</i>
-</p>
-<p class="adReview">“A brighter, merrier, more entirely charming book would be, indeed, difficult to find.”—<i>St. Louis Republican.</i>
-</p>
-<p class="adReview">“For sparkling wit, irresistibly contagious fun, keen observation, absolutely poetic
-appreciation of natural beauty, and vivid descriptiveness, it has no recent rival.”—Mrs.
-<span class="sc">P.&nbsp;T. Barnum’s</span> Letter to the <i>New York Tribune</i>.
-<span class="pageNum" id="pb315">[<a href="#pb315">315</a>]</span></p>
-<p><span class="sc">Recent Issues in Appletons’ Town and Country Library.</span>
-</p>
-<p class="adTitle"><i>THE NUGENTS OF CARRICONNA.</i> An Irish Story. By <span class="sc">Tighe Hopkins</span>. 12mo. Paper, 50 cents; cloth, 75 cents.
-</p>
-<p class="adReview">“An extremely racy Irish story, quite separated from everything that savors of the
-present agitation in Ireland, and one of the best things of the kind for several years.”—<i>Springfield Republican.</i>
-</p>
-<p class="adTitle"><i>A SENSITIVE PLANT.</i> A novel by <span class="sc">E.</span> and <span class="sc">D. Gerard</span>, joint authors of “Reata,” “The Waters of Hercules,” etc. 12mo. Paper, 50 cents;
-cloth, 75 cents.
-</p>
-<p class="adReview">“An agreeable and amusing love-story, the scene of which is part of the time in a
-coal-mining district in Scotland, and afterward in Venice, and a prominent character
-in which is a shrinking girl whose sensitiveness is suggestive of the little mimosa
-flower which gives title to the book.”—<i>Cincinnati Times-Star.</i>
-</p>
-<p class="adTitle"><i>DOÑA LUZ.</i> By Don <span class="sc">Juan Valera</span>. Translated by Mrs. <span class="sc">Mary J. Serrano</span>. 12mo. Paper, 50 cents; cloth, $1.00.
-</p>
-<p class="adReview">“A triumph of skillful execution as well as of profound conception of modern Spanish
-character and social life. It is full of the best traditions of Spanish thought, both
-sacred and secular, of Spanish proverbial wisdom, and of the humor of Cervantes and
-other lights of the past in the literature of Spain.”—<i>Brooklyn Eagle.</i>
-</p>
-<p class="adTitle"><i>PEPITA XIMENEZ.</i> By Don <span class="sc">Juan Valera</span>. Translated by Mrs. <span class="sc">Mary J. Serrano</span>. 12mo. Paper, 50 cents; cloth, $1.00.
-</p>
-<p class="adReview">“A very striking and powerful novel.”—<i>Boston Transcript.</i>
-</p>
-<p class="adReview">“ ‘One of the jewels of literary Spain’ is what a Spanish critic has pronounced the
-most popular book of recent years in that language, Don Juan Valera’s novel ‘Pepita
-Ximenez.’ ”—<i>The Nation.</i>
-</p>
-<p class="adTitle"><i>THE PRIMES AND THEIR NEIGHBORS.</i> Ten Tales of Middle Georgia. By <span class="sc">Richard Malcolm Johnston</span>, author of “Widow Guthrie.” 12mo. Paper, 50 cents; cloth, $1.25.
-</p>
-<p class="adReview">“The best of Southern tales.”—<i>Chicago Herald.</i>
-</p>
-<p class="adReview">“The thorough excellence of Col. Johnston’s work is well known. He was among the first
-of the successful short-story writers of this country. The steady increase in his
-fame is the best indication of the solid appreciation of the reading public. This
-public will give the new volume the same reception that made ‘Widow Guthrie’ one of
-the most successful of recent novels.”—<i>Baltimore American.</i>
-<span class="pageNum" id="pb316">[<a href="#pb316">316</a>]</span></p>
-<p class="adTitle"><i>THE IRON GAME.</i> By <span class="sc">Henry F. Keenan</span>, author of “Trajan,” “The Aliens,” etc. 12mo. Paper, 50 cents; cloth, $1.00.
-</p>
-<p class="adReview">“An entertaining romance which covers the time from just before the war until soon
-after the peace. Six young people carry on their love-making under countless difficulties,
-owing to two of them being on the wrong side of the ‘unpleasantness.’ Of course, there
-are all sorts of adventures, plots, misunderstandings, and wonderful escapes.… The
-book is written in excellent taste.”—<i>Pittsburgh Bulletin.</i>
-</p>
-<p class="adTitle"><i>STORIES OF OLD NEW SPAIN.</i> By <span class="sc">Thomas A. Janvier</span>. 12mo. Paper, 50 cents; cloth, $1.00.
-</p>
-<p class="adReview">“The author does for the Mexicans much what Longfellow has done for the Acadians.”—<i>New York Commercial Advertiser.</i>
-</p>
-<p class="adReview">“Mr. Janvier has evidently explored the ancient ruins and studied the old church records
-thoroughly, and has drawn therefrom much hitherto unused material.”—<i>Cincinnati Times-Star.</i>
-</p>
-<p class="adReview">“Another lot of those tales of Mexico, which their author, Thomas A<span class="corr" id="xd31e5770" title="Not in source">.</span> Janvier, knows how to write with such skill and charm. Nine of the stories are delightful,
-and nine is the number of stories in the book.”—<i>New York Sun.</i>
-</p>
-<p class="adTitle"><i>THE MAID OF HONOR.</i> By the Hon. <span class="sc">Lewis Wingfield</span>. 12mo. Paper, 50 cents; cloth, 75 cents.
-</p>
-<p class="adReview">“A story of France just before, during, and after the Reign of Terror. There are not
-many novels in our language which portray rural conditions in France in this troubled
-period, and this has a unique interest for that reason.”—<i>Chicago Times.</i>
-</p>
-<p class="adReview">“A very graphic story of those troublous times which witnessed the temporary triumphs
-of ‘the people.’ ”—<i>Rochester Herald.</i>
-</p>
-<p class="adReview">“It may safely be said that up to the last page … the reader’s attention is not allowed
-to flag.”—<i>London Athenæum.</i>
-</p>
-<p class="adTitle"><i>IN THE HEART OF THE STORM.</i> By <span class="sc">Maxwell Grey</span>, author of “The Silence of Dean Maitland.” 12mo. Paper, 50 cents; cloth, 75 cents.
-</p>
-<p class="adReview">“The plot is compact, deftly constructed, free from extravagances and violent improbabilities,
-with a well-managed element of suspense running nearly to the end, and strongly illustrative
-throughout of English life and character. The book is likely to add materially to
-the author’s well-earned repute.”—<i>Chicago Times.</i>
-</p>
-<p class="adTitle"><i>CONSEQUENCES.</i> By <span class="sc">Egerton Castle</span>. 12mo. Paper, 50 cents; cloth, $1.00.
-</p>
-<p class="adReview">“It is a real pleasure to welcome a new novelist who shows both promise and performance.…
-The work is distinguished by <i>verve</i>, by close and wide observation of the ways and cities of many men, by touches of
-a reflection which is neither shallow nor charged with the trappings and suits of
-weightiness; and in many ways, not least in the striking end, it is decidedly original.”—<i>Saturday Review.</i>
-<span class="pageNum" id="pb317">[<a href="#pb317">317</a>]</span></p>
-<p class="adTitle"><i>THE THREE MISS KINGS.</i> By <span class="sc">Ada Cambridge</span>, author of “My Guardian.” 12mo. Paper, 50 cents; cloth, 75 cents.
-</p>
-<p class="adReview">“May unreservedly be recommended as one of the choice stories of the season, bright,
-refined, graceful, thoughtful, and interesting from the first to the final page.”—<i>Boston Literary World.</i>
-</p>
-<p class="adTitle"><i>A MATTER OF SKILL.</i> By <span class="sc">Beatrice Whitby</span>, author of “The Awakening of Mary Fenwick” and “Part of the Property.” 12mo. Paper,
-50 cents; cloth, $1.00.
-</p>
-<p class="adReview">“A pretty love-story, told in a gracefully piquant manner, and with a frank freshness
-of style that makes it very attractive in the reading. It is uncommonly well written.”—<i>Boston Saturday Evening Gazette.</i>
-</p>
-<p class="adReview">“The story is charmingly told, and is very readable.”—<i>Literary World.</i>
-</p>
-<p class="adTitle"><i>MAID MARIAN, AND OTHER STORIES.</i> By <span class="sc">Molly Elliot Seawell</span>, author of “Throckmorton” and “Little Jarvis.” 12mo. Paper, 50 cents; cloth, $1.00.
-</p>
-<p class="adReview">“There is an unmistakable cleverness in this collection of short stories.”—<i>Boston Literary World.</i>
-</p>
-<p class="adReview">“Miss Seawell has a brisk and prolific fancy, and a turn for the odd and fantastic,
-while she is Past Master in the use of negro dialect and the production of tales of
-plantation life and manners. All these stories are spirited, well marked by local
-color, and written with skill and ingenuity.”—<i>New York Tribune.</i>
-</p>
-<p class="adReview">“Miss Seawell writes capital stories, and in a special way nothing of late has been
-done better nor more daintily than ‘Maid Marian.’ ”—<i>New York Times.</i>
-</p>
-<p class="adTitle"><i>ONE WOMAN’S WAY.</i> By <span class="sc">Edmund Pendleton</span>, author of “A Conventional Bohemian,” “A Virginia Inheritance,” etc. 12mo. Paper,
-50 cents; cloth, $1.00.
-</p>
-<p class="adReview">“The author is a Virginian who has written some interesting stories, and who steadily
-improves upon himself.… This is a thoughtful, semi-philosophical story. There is much
-discussion in it, but none of it is prosy.”—<i>New York Herald.</i>
-</p>
-<p class="adReview">“In this genuinely interesting novel the author depicts one of the most charming characters
-to be found in the vast range of woman’s realm.… The close is artistically devised
-and shows a deep observation. Mr. Pendleton has a brilliant future before him in his
-chosen path.”—<i>St. Louis Republic.</i>
-</p>
-<p class="adTitle"><i>A MERCIFUL DIVORCE.</i> By <span class="sc">F.&nbsp;W. Maude</span>. 12mo. Paper, 50 cents; cloth, $1.00.
-</p>
-<p class="adReview">“There have been few more searching studies of the rampant English plutocracy than
-is afforded by this brilliantly written volume.”—<i>Boston Beacon.</i>
-</p>
-<p class="adReview">“The book is curiously interesting from the startling side-light it throws on English
-society of the upper grades.”—<i>Chicago Times.</i>
-<span class="pageNum" id="pb318">[<a href="#pb318">318</a>]</span></p>
-<p>A NEW HUMOROUS TRAVEL-BOOK.
-</p>
-<div class="figure floatLeft ad1width"><img src="images/ad1.png" alt="" width="242" height="161"></div><p>
-</p>
-<p class="adTitle"><i>TWO GIRLS ON A BARGE.</i> By <span class="sc">V. Cecil Cotes</span>. Illustrated by <span class="sc">F.&nbsp;H. Townsend</span>. 12mo. Cloth. $1.00.
-</p>
-<p>A bright, vivacious sketch of odd people and curious experiences, illustrated by the
-artist who illustrated “A Social Departure” and “An American Girl in London,” both
-of which will be recalled by the good spirits of this equally unconventional record
-of a journey down the Thames.
-</p>
-<p class="adReview">“For something entirely original, piquant, and worthy of rapt attention, we commend
-this little volume.”—<i>New York Journal of Commerce.</i>
-</p>
-<p class="adReview">“Describes with great vivacity a vacation trip on an English canal; and the experiences
-of the two young ladies and a young gentleman are set forth with a thorough appreciation
-of the novel situations in which the party often found itself. The forty-four illustrations
-are fully in harmony with the light and entertaining character of the text.”—<i>Boston Saturday Evening Gazette.</i>
-</p>
-<p>AN ENGLISH WOMAN’S RECORD OF HER LIFE IN AFRICA.
-</p>
-<p class="adTitle"><i>HOME LIFE ON AN OSTRICH FARM.</i> By <span class="sc">Annie Martin</span>. Illustrated. 12mo. Cloth, $1.25.
-</p>
-<p class="adReview">“Not in many days has a more interesting volume descriptive of life in a remote land
-been offered to the public. It is so brightly written, so cheery, so pervaded by the
-South African sunlight, as it were, that the reader regrets the rapidity with which
-he finds himself making his way through its charming pages.”—<i>New York Times.</i>
-</p>
-<p class="adReview">“One of the most charming descriptions of African experience that have come under
-our notice.… The work does not contain a dull page. It is a sparkling little book,
-of which it would be difficult to speak too highly.”—<i>London Athenæum.</i>
-</p>
-<p class="adReview">“With fluent simplicity and feminine animation the author chats delightfully of the
-quaint daily happenings on her husband’s farm of twelve thousand acres in the Karroo
-district of Cape Colony.… The reader will peruse every page with keen enjoyment, and
-will feel grateful admiration for the clever, plucky, womanly woman who calls herself
-‘Annie Martin.’ ”—<i>New York Sun.</i>
-</p>
-<div class="figure floatRight ad2width"><img src="images/ad2.png" alt="OSTRICH CHICK." width="213" height="173"><p class="figureHead">OSTRICH CHICK.</p>
-</div><p>
-</p>
-<p class="adReview">“The author’s style is gossipy, and she has a sense of humor that aids greatly in
-making her book readable. She seems to write without an effort, as if she enjoyed
-it; and before we have gone through the first chapter we become warm friends, so that
-when the final chapter arrives we part with the authoress with sincere regret.”—<i>Philadelphia Item.</i>
-</p>
-<p class="adReview">“A perfect book of its kind.… Mrs. Martin joins keen observing powers to a great love
-of nature, both animate and inanimate, and a rare descriptive faculty. Her pictures
-of the farm life, but, above all, of her dumb companions, are admirable.… The illustrations
-are excellent.”—<i>New York Evening Post.</i>
-<span class="pageNum" id="pb319">[<a href="#pb319">319</a>]</span></p>
-<p class="adTitle"><i>TOURMALIN’S TIME CHEQUES.</i> By <span class="sc">F. Anstey</span>, author of “Vice Versa,” “The Giant’s Robe,” etc.
-</p>
-<p class="adReview">“Mr. Anstey has done nothing more original or fantastic with more success.”—<i>The Nation.</i>
-</p>
-<p class="adReview">“A curious conceit and very entertaining story.”—<i>Boston Advertiser.</i>
-</p>
-<p class="adReview">“Each cheque is good for several laughs.”—<i>New York Herald.</i>
-</p>
-<p class="adReview">“Nothing could be more sprightly and amusingly whimsical.”—<i>Boston Courier.</i>
-</p>
-<p class="adReview">“A very clever tale of fantastic humor.… The literary style is graceful and sparkling.”—<i>Chicago Times.</i>
-</p>
-<p class="adReview">“Certainly one of the most diverting books of the season.”—<i>Brooklyn Times.</i>
-</p>
-<p class="adReview">“Exquisitely printed and bound.”—<i>Philadelphia Times.</i>
-</p>
-<p class="adTitle"><i>FROM SHADOW TO SUNLIGHT.</i> By the <span class="sc">Marquis of Lorne</span>.
-</p>
-<p class="adReview">“In these days of princely criticism—that is to say, criticism of princes—it is refreshing
-to meet a really good bit of aristocratic literary work, albeit the author is only
-a prince-in-law.… The theme chosen by the Marquis makes his story attractive to Americans.”—<i>Chicago Tribune.</i>
-</p>
-<p class="adReview">“A charming book.”—<i>Cincinnati Enquirer.</i>
-</p>
-<p class="adTitle"><i>ADOPTING AN ABANDONED FARM.</i> By <span class="sc">Kate Sanborn</span>.
-</p>
-<p class="adReview">“A sunny, pungent, humorous sketch.”—<i>Chicago Times.</i>
-</p>
-<p class="adReview">“A laughable picture of the grievous experiences of a young woman who sought to demonstrate
-the idea that a woman can farm.… The drakes refused to lay; the vegetables refused
-to come up; and the taxes would not go down.”—<i>Minneapolis Tribune.</i>
-</p>
-<p class="adReview">“The book is dainty in exterior as well as rich within; and to those who seek health,
-moral and physical, we say, ‘Buy it.’ ”—<i>Montreal Gazette.</i>
-</p>
-<p class="adReview">“If any one wants an hour’s entertainment for a warm sunny day on the piazza, or a
-cold wet day by the log-fire, this is the book that will furnish it.”—<i>New York Observer.</i>
-</p>
-<p class="adReview">“Many is the good laugh the reader will have over its pages.”—<i>Philadelphia Ledger.</i>
-</p>
-<p class="adTitle"><i>ON THE LAKE OF LUCERNE, and other Stories.</i> By <span class="sc">Beatrice Whitby</span>, author of “A Matter of Skill,” “The Awakening of Mary Fenwick,” etc.
-</p>
-<p class="adReview">“Six short stories carefully and conscientiously finished, and told with the graceful
-ease of the practiced <i>raconteur</i>.”—<i>Literary Digest.</i>
-</p>
-<p class="adReview">“The stories are pleasantly told in light and delicate vein, and are sure to be acceptable
-to the friends Miss Whitby has already made on this side of the Atlantic.”—<i>Philadelphia Bulletin.</i>
-</p>
-<p class="adReview">“Very dainty, not only in mechanical workmanship but in matter and manner.”—<i>Boston Advertiser.</i>
-</p>
-<p>Each, 16mo, half cloth, with specially designed cover, 50 cents.
-<span class="pageNum" id="pb320">[<a href="#pb320">320</a>]</span></p>
-<p class="adTitle"><i>OUTINGS AT ODD TIMES.</i> By <span class="sc">Charles C. Abbott</span>, author of “Days out of Doors” and “A Naturalist’s Rambles about Home.” 16mo. Cloth,
-gilt top, $1.25.
-</p>
-<p>Dr. Abbott’s delightful studies in Natural History have become familiar to many readers,
-and his new volume is suggestive, instructive, and always interesting.
-</p>
-<p class="adTitle"><i>A NATURALIST’S RAMBLES ABOUT HOME.</i> By <span class="sc">Charles C. Abbott</span>. 12mo. Cloth, $1.50.
-</p>
-<p class="adReview">“The home about which Dr. Abbott rambles is clearly the haunt of fowl and fish, of
-animal and insect life; and it is of the habits and nature of these that he discourses
-pleasantly in this book. Summer and winter, morning and evening, he has been in the
-open air all the time on the alert for some new revelation of instinct, or feeling,
-or character on the part of his neighbor creatures. Most that he sees and hears he
-reports agreeably to us, as it was no doubt delightful to himself. Books like this,
-which are free from all the technicalities of science, but yet lack little that has
-scientific value, are well suited to the reading of the young. Their atmosphere is
-a healthy one for boys in particular to breathe.”—<i>Boston Transcript.</i>
-</p>
-<p class="adTitle"><i>DAYS OUT OF DOORS.</i> By <span class="sc">Charles C. Abbott</span>, author of “A Naturalist’s Rambles about Home.” 12mo. Cloth, $1.50.
-</p>
-<p class="adReview">“ ‘Days out of Doors’ is a series of sketches of animal life by Charles C. Abbott,
-a naturalist whose graceful writings have entertained and instructed the public before
-now. The essays and narratives in this book are grouped in twelve chapters, named
-after the months of the year. Under ‘January’ the author talks of squirrels, muskrats,
-water-snakes, and the predatory animals that withstand the rigor of winter; under
-‘February’ of frogs and herons, crows and blackbirds; under ‘March’ of gulls and fishes
-and foxy sparrows, and so on appropriately, instructively, and divertingly through
-the whole twelve.”—<i>The New York Sun.</i>
-</p>
-<p class="adTitle"><i>THE PLAYTIME NATURALIST.</i> By Dr. <span class="sc">J.&nbsp;E. Taylor</span>, F.&nbsp;L. S., editor of “Science Gossip.” With 366 Illustrations. 12mo. Cloth, $1.50.
-</p>
-<p class="adReview">“The work contains abundant evidence of the author’s knowledge and enthusiasm, and
-any boy who may read it carefully is sure to find something to attract him. The style
-is clear and lively, and there are many good illustrations.”—<i>Nature.</i>
-<span class="pageNum" id="pb321">[<a href="#pb321">321</a>]</span></p>
-<p class="adTitle"><i>THE STORY OF MY HOUSE.</i> By <span class="sc">George H. Ellwanger</span>, author of “The Garden’s Story.” With an Original Etching by Sidney L. Smith. Also
-many Head and Tail Pieces. 12mo. Cloth, $1.50.
-</p>
-<p>Even a more delightful book than “The Garden’s Story.” Though seemingly devoted to
-the house proper, the essays are filled with the freshness of country life and the
-beauty of external nature.
-</p>
-<p class="adTitle"><i>THE GARDEN’S STORY; or, Pleasures and Trials of an Amateur Gardener<span class="corr" id="xd31e6090" title="Not in source">.</span></i> By <span class="sc">George H. Ellwanger</span>. With Head and Tail Pieces by Rhead. 12mo. Cloth, extra, $1.50.
-</p>
-<p class="adReview">“Mr. Ellwanger’s instinct rarely errs in matters of taste. He writes out of the fullness
-of experimental knowledge, but his knowledge differs from that of many a trained cultivator
-in that his skill in garden practice is guided by a refined æsthetic sensibility,
-and his appreciation of what is beautiful in nature is healthy, hearty, and catholic.
-His record of the garden year, as we have said, begins with the earliest violet, and
-it follows the season through until the witch-hazel is blossoming on the border of
-the wintry woods.… This little book can not fail to give pleasure to all who take
-a genuine interest in rural life.”—<i>The Tribune</i>, New York.
-</p>
-<p class="adTitle"><i>THE FOLK-LORE OF PLANTS.</i> By <span class="sc">T.&nbsp;F. Thiselton Dyer</span>, M.&nbsp;A. 12mo. Cloth, $1.50.
-</p>
-<p class="adReview">“A handsome and deeply interesting volume.… In all respects the book is excellent.
-Its arrangement is simple and intelligible, its style bright and alluring.… To all
-who seek an introduction to one of the most attractive branches of folk-lore, this
-delightful volume may be warmly commended.”—<i>Notes and Queries.</i>
-</p>
-<p class="adTitle"><i>FLOWERS AND THEIR PEDIGREES.</i> By <span class="sc">Grant Allen</span>, author of “Vignettes of Nature,” etc. Illustrated. 12mo. Cloth, $1.50.
-</p>
-<p class="adReview">“No writer treats scientific subjects with so much ease and charm of style as Mr.
-Grant Allen.
-</p>
-<p class="adReview">“The study is a delightful one, and the book is fascinating to any one who has either
-love for flowers or curiosity about them.”—<i>Hartford Courant.</i>
-<span class="pageNum" id="pb322">[<a href="#pb322">322</a>]</span>
-</p>
-<div class="figure floatLeft ad3width"><img src="images/ad3.png" alt="" width="283" height="253"></div><p>
-</p>
-<p class="adTitle"><i>NEW EDITION OF ENGLISH ODES.</i> Selected by <span class="sc">Edmund W. Gosse</span>. With Frontispiece on India paper from a design by <span class="sc">Hamo Thornycroft</span>, A.&nbsp;R.&nbsp;A. Forty-two Head and Tail Pieces from Original Drawings by <span class="sc">Louis Rhead</span>. 16mo. Cloth, special design in gold, $1.50. Same, in parchment, $1.75.
-</p>
-<p class="adTitle"><i>NEW EDITION OF ENGLISH LYRICS.</i> Uniform with “English Odes.” With nearly Eighty Head and Tail Pieces from Original
-Drawings by <span class="sc">Louis Rhead</span>. 16mo. Cloth, special design in gold, $1.50. Same, in parchment, $1.75.
-</p>
-<div class="figure floatRight ad4width"><img src="images/ad4.png" alt="" width="305" height="424"></div><p>
-</p>
-<p class="adTitle"><i>THE MUSIC SERIES.</i> Consisting of Biographical and Anecdotical Sketches of the Great German Composers;
-The Great Italian and French Composers; Great Singers; Great Violinists and Pianists.
-Five volumes, 18mo. Bound in half white and red sides, $3.50 per set; half calf, $8.00.
-</p>
-<p class="adTitle"><i>THE HOUSEHOLD BOOK OF POETRY.</i> By <span class="sc">Charles A. Dana</span>. Entirely new edition, from new stereo-type plates, enlarged and brought down to
-the present time. With nearly Two Hundred additional poems. Illustrated with Steel
-Engravings. Royal 8vo. Cloth, gilt extra, $5.00; half calf, $8.00; morocco, antique,
-$10.00; tree calf, $12.00.
-<span class="pageNum" id="pb323">[<a href="#pb323">323</a>]</span></p>
-<p class="adTitle"><i>AROUND AND ABOUT SOUTH AMERICA: Twenty Months of Quest and Query.</i> By <span class="sc">Frank Vincent</span>, author of “The Land of the White Elephant,” etc. With Maps, Plans, and 54 full-page
-Illustrations. 8vo, xxiv + 473 pages. Ornamental cloth, $5.00.
-</p>
-<p>No former traveler has made so comprehensive and thorough a tour of Spanish and Portuguese
-America as did Mr. Vincent. He visited every capital, chief city, and important seaport,
-made several expeditions into the interior of Brazil and the Argentine Republic, and
-ascended the Paraná, Paraguay, Amazon, Orinoco, and Magdalena Rivers; he visited the
-crater of Pichinchas, 16,000 feet above the sea-level; he explored falls in the center
-of the continent, which, though meriting the title of “Niagara of South America,”
-are all but unknown to the outside world; he spent months in the picturesque capital
-of Rio Janeiro; he visited the coffee districts, studied the slaves, descended the
-gold-mines, viewed the greatest rapids of the globe, entered the isolated Guianas,
-and so on.
-</p>
-<p class="adTitle"><i>IN AND OUT OF CENTRAL AMERICA; and other Sketches and Studies of Travel.</i> By <span class="sc">Frank Vincent</span>. With Maps and Illustrations. 12mo. Cloth, $2.00.
-</p>
-<p class="adTitle"><i>BRAZIL: Its Condition and Prospects.</i> By <span class="sc">C.&nbsp;C. Andrews</span>, ex-Consul-General to Brazil. 12mo. Cloth, $1.50.
-</p>
-<p class="adReview">“I hope I may be able to present some facts in respect to the present situation of
-Brazil which will be both instructive and entertaining to general readers. My means
-of acquaintance with that empire are principally derived from a residence of three
-years at Rio de Janeiro, its capital, while employed in the service of the United
-States Government, during which period I made a few journeys into the interior.”—<i>From the Preface.</i>
-</p>
-<p class="adTitle"><i>CHINA: Travels and Investigations in the “Middle Kingdom.”</i> A Study of its Civilization and Possibilities. With a Glance at Japan. By <span class="sc">James Harrison Wilson</span>, late Major-General United States Volunteers and Brevet Major-General United States
-Army. 12mo. Cloth, $1.75.
-</p>
-<p class="adReview">“The book presents China and Japan in all these aspects; the manners and customs of
-the people; the institutions, tendencies, and social ideas; the government and leading
-men.”—<i>Boston Traveller.</i>
-<span class="pageNum" id="pb324">[<a href="#pb324">324</a>]</span></p>
-<p class="adTitle"><i>FROM FLAG TO FLAG. A Woman’s Adventures and Experiences in the South during the War,
-in Mexico, and in Cuba.</i> By <span class="sc">Eliza McHatton-Ripley</span>. 12mo. Cloth, $1.00.
-</p>
-<p>The author of this book was the wife of a planter in Louisiana, and underwent some
-remarkable experiences in the first part of the war; later in Mexico, many vicissitudes
-befell her; and of her life in Cuba, still later, she has a striking and unusual story
-to tell.
-</p>
-<p class="adReview">“In a word, the book is an account of personal adventures which would be called extraordinary
-did not one remember that the civil war must have brought similar ones to many. Her
-hardships are endured with the rarest pluck and good humor, and her shifty way of
-meeting difficulties seems almost to point to a Yankee strain in her blood.”—<i>The Nation.</i>
-</p>
-<p class="adTitle"><i>THE HISTORY OF A SLAVE.</i> By <span class="sc">H.&nbsp;H. Johnston</span>, author of “The Kilimanjaro Expedition,<span class="corr" id="xd31e6208" title="Not in source">”</span> etc. With 47 full-page Illustrations, engraved fac-simile from the author’s Drawings.
-Large 12mo. Paper cover, 50 cents.
-</p>
-<p class="adReview">“ ‘The History of a Slave’ is a work of fiction based upon every-day occurrences in
-the Dark Continent, and well calculated to bring home to the reader the social condition
-of heathen and Mohammedan Africa, and the horrors of a domestic slave-trade.”—<i>The Athenæum.</i>
-</p>
-<p class="adTitle"><i>THE MEMOIRS OF AN ARABIAN PRINCESS.</i> By <span class="sc">Emily Ruete</span>, <i>née</i> Princess of Oman and Zanzibar. Translated from the German. 12mo. Cloth, 75 cents.
-</p>
-<p>The author of this amusing autobiography is half-sister to the late Sultan of Zanzibar,
-who some years ago married a German merchant and settled at Hamburg.
-</p>
-<p class="adReview">“A remarkably interesting little volume.… As a picture of Oriental court life, and
-manners and customs in the Orient, by one who is to the manor born, the book is prolific
-in entertainment and edification.”—<i>Boston Gazette.</i>
-</p>
-<p class="adTitle"><i>SKETCHES FROM MY LIFE.</i> By the late Admiral <span class="sc">Hobart Pasha</span>. With a Portrait. 12mo. Paper, 50 cents; cloth, $1.00.
-</p>
-<p class="adReview">“The sailor is nearly always an adventurous and enterprising variety of the human
-species, and Hobart Pasha was about as fine an example as one could wish to see.…
-The sketches of South American life are full of interest. The sport, the inevitable
-entanglements of susceptible middies with beautiful Spanish girls and the sometimes
-disastrous consequences, the duels, attempts at assassination, and other adventures
-and amusements, are described with much spirit.… The sketches abound in interesting
-details of the American war.”—<i>London Athenæum.</i>
-<span class="pageNum" id="pb325">[<a href="#pb325">325</a>]</span></p>
-<p class="adTitle"><i>RECOLLECTIONS OF THE COURT OF THE TUILERIES.</i> By <span class="sc">Madame Carette</span>, Lady-of-Honor to the Empress Eugénie. Translated from the French by <span class="sc">Elizabeth Phipps Train</span>. 12mo. Cloth, $1.00; paper cover, 50 cents.
-</p>
-<p>The inside view which these Recollections give of the Court of Louis Napoleon is fresh
-and of great interest.
-</p>
-<p class="adReview">“We advise every one who admires good work to buy and read it.”—<i>London Morning Post.</i>
-</p>
-<p class="adTitle"><i>MEMOIRS OF MADAME DE RÉMUSAT.</i> 1802–1808. Edited by her Grandson, <span class="sc">Paul de Rémusat</span>, Senator. 3 volumes, crown 8vo. Half bound, $2.25.
-</p>
-<p class="adReview">“Notwithstanding the enormous library of works relating to Napoleon, we know of none
-which cover precisely the ground of these Memoirs. Madame de Rémusat was not only
-lady-in-waiting to Josephine during the eventful years 1802–1808, but was her intimate
-friend and trusted confidante. Thus we get a view of the daily life of Bonaparte and
-his wife, and the terms on which they lived, not elsewhere to be found.”—<i>N.&nbsp;Y. Mail.</i>
-</p>
-<p class="adReview">“These Memoirs are not only a repository of anecdotes and of portraits sketched from
-life by a keen-eyed, quick-witted woman; some of the author’s reflections on social
-and political questions are remarkable for weight and penetration.”—<i>New York Sun.</i>
-</p>
-<p class="adTitle"><i>A SELECTION FROM THE LETTERS OF MADAME DE RÉMUSAT.</i> 1804–1814. Edited by her Grandson, <span class="sc">Paul de Rémusat</span>, Senator. 12mo. Cloth, $1.25.
-</p>
-<p class="adTitle"><i>MEMOIRS OF NAPOLEON, his Court and Family.</i> By the Duchess <span class="sc">d’Abrantes</span>. In 2 volumes, 12mo. Cloth, $3.00.
-</p>
-<p>The interest excited in the first Napoleon and his Court by the “Memoirs of Madame
-de Rémusat” has induced the publishers to issue the famous “Memoirs of the Duchess
-d’Abrantes,” which have hitherto appeared in a costly octavo edition, in a much cheaper
-form, and in a style to correspond with De Rémusat. This work will be likely now to
-be read with awakened interest, especially as it presents a much more favorable portrait
-of the great Corsican than that limned by Madame de Rémusat, and supplies many valuable
-and interesting details respecting the Court and Family of Napoleon, which are found
-in no other work.
-<span class="pageNum" id="pb326">[<a href="#pb326">326</a>]</span></p>
-<p>RECENT FICTION.
-</p>
-<p class="adTitle"><i>FREELAND: A Social Anticipation.</i> By Dr. <span class="sc">Theodor Hertzka</span>. 12mo. Cloth, $1.00.
-</p>
-<p>A most interesting attempt to work out the social problems which confront the world
-to-day. It is a description of an ideal community founded upon new and yet not impossible
-conditions. In Germany this book has met with a success equal to that of <i>Looking Backward</i> in this country, and, like the latter book, it has led to the foundation of clubs
-and societies, and to efforts to put the plans of the author into actual practice.
-</p>
-<p class="adTitle"><i>A MERCIFUL DIVORCE.</i> By <span class="sc">F.&nbsp;W. Maude</span>. 12mo. Paper, 50 cents; cloth, $1.00.
-</p>
-<p>A story of the modern “smart set” in London, by an author whose knowledge of the life
-comes from actual experience. There has been no attempt at the sensational, but the
-book represents an effort to picture a striking phase of modern society as it really
-is.
-</p>
-<p class="adTitle"><i>AN UTTER FAILURE.</i> By <span class="sc">Miriam Coles Harris</span>, author of “Rutledge.” 12mo. Cloth, $1.25.
-</p>
-<p>“Rutledge” proved to be one of the most popular works of fiction ever published in
-this country. The author’s host of friends will appreciate her skillful rendering
-of this new and deeply interesting story.
-</p>
-<p class="adTitle"><i>STEPHEN ELLICOTT’S DAUGHTER.</i> By Mrs. <span class="sc">J.&nbsp;H. Needell</span>, author of “The Story of Philip Methuen,” etc. 12mo. Paper, 50 cents; cloth, $1.00.
-</p>
-<p class="adReview">“From first to last an exceptionally strong and beautiful story.”—<i>London Spectator.</i>
-</p>
-<p class="adReview">“Mrs. Needell has written nothing more absorbing or skillfully constructed than this
-romance of English country life.… With that rare art in which art is concealed, her
-creations have all the strong and weak attributes of our common humanity, be the social
-scale high or low.”—<i>Leeds Mercury.</i>
-</p>
-<p class="adReview">“Deserves to be placed among the best and most artistic novels of the present season.”—<i>London Literary World.</i>
-</p>
-<p class="adReview">“Readers of Mrs. Needell’s works do not need to be told that she has done good work
-before now, but it may be doubted whether she has done anything that will serve to
-prepare them for a novel exhibiting such a combination of vigor and beauty as is to
-be found in this book.”—<i>London Academy.</i>
-</p>
-<p>New York: D. APPLETON &amp; CO., 1, 3, &amp; 5 Bond Street.
-</p>
-</div>
-</div>
-<div class="div1" id="toc">
-<h2 class="main">Table of Contents</h2>
-<table summary="Table of Contents">
-<tr id="intro.toc">
-<td class="tocDivNum"></td>
-<td class="tocDivTitle" colspan="8"><a href="#intro"><i>THE DUTCH SENSITIVISTS.</i></a></td>
-<td class="tocPageNum"><a class="pageref" href="#intro">iii</a></td>
-</tr>
-<tr id="ch1.toc">
-<td class="tocDivNum">I. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch1">CHAPTER I.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch1">1</a></td>
-</tr>
-<tr id="ch2.toc">
-<td class="tocDivNum">II. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch2">CHAPTER II.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch2">9</a></td>
-</tr>
-<tr id="ch3.toc">
-<td class="tocDivNum">III. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch3">CHAPTER III.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch3">13</a></td>
-</tr>
-<tr id="ch4.toc">
-<td class="tocDivNum">IV. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch4">CHAPTER IV.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch4">19</a></td>
-</tr>
-<tr id="ch5.toc">
-<td class="tocDivNum">V. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch5">CHAPTER V.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch5">46</a></td>
-</tr>
-<tr id="ch6.toc">
-<td class="tocDivNum">VI. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch6">CHAPTER VI.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch6">62</a></td>
-</tr>
-<tr id="ch7.toc">
-<td class="tocDivNum">VII. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch7">CHAPTER VII.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch7">70</a></td>
-</tr>
-<tr id="ch8.toc">
-<td class="tocDivNum">VIII. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch8">CHAPTER VIII.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch8">75</a></td>
-</tr>
-<tr id="ch9.toc">
-<td class="tocDivNum">IX. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch9">CHAPTER IX.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch9">83</a></td>
-</tr>
-<tr id="ch10.toc">
-<td class="tocDivNum">X. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch10">CHAPTER X.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch10">87</a></td>
-</tr>
-<tr id="ch11.toc">
-<td class="tocDivNum">XI. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch11">CHAPTER XI.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch11">96</a></td>
-</tr>
-<tr id="ch12.toc">
-<td class="tocDivNum">XII. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch12">CHAPTER XII.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch12">103</a></td>
-</tr>
-<tr id="ch13.toc">
-<td class="tocDivNum">XIII. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch13">CHAPTER XIII.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch13">118</a></td>
-</tr>
-<tr id="ch14.toc">
-<td class="tocDivNum">XIV. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch14">CHAPTER XIV.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch14">128</a></td>
-</tr>
-<tr id="ch15.toc">
-<td class="tocDivNum">XV. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch15">CHAPTER XV.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch15">133</a></td>
-</tr>
-<tr id="ch16.toc">
-<td class="tocDivNum">XVI. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch16">CHAPTER XVI.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch16">151</a></td>
-</tr>
-<tr id="ch17.toc">
-<td class="tocDivNum">XVII. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch17">CHAPTER XVII.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch17">156</a></td>
-</tr>
-<tr id="ch18.toc">
-<td class="tocDivNum">XVIII. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch18">CHAPTER XVIII.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch18">175</a></td>
-</tr>
-<tr id="ch19.toc">
-<td class="tocDivNum">XIX. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch19">CHAPTER XIX.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch19">188</a></td>
-</tr>
-<tr id="ch20.toc">
-<td class="tocDivNum">XX. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch20">CHAPTER XX.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch20">201</a></td>
-</tr>
-<tr id="ch21.toc">
-<td class="tocDivNum">XXI. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch21">CHAPTER XXI.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch21">205</a></td>
-</tr>
-<tr id="ch22.toc">
-<td class="tocDivNum">XXII. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch22">CHAPTER XXII.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch22">209</a></td>
-</tr>
-<tr id="ch23.toc">
-<td class="tocDivNum">XXIII. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch23">CHAPTER XXIII.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch23">226</a></td>
-</tr>
-<tr id="ch24.toc">
-<td class="tocDivNum">XXIV. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch24">CHAPTER XXIV.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch24">229</a></td>
-</tr>
-<tr id="ch25.toc">
-<td class="tocDivNum">XXV. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch25">CHAPTER XXV.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch25">245</a></td>
-</tr>
-<tr id="ch26.toc">
-<td class="tocDivNum">XXVI. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch26">CHAPTER XXVI.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch26">250</a></td>
-</tr>
-<tr id="ch27.toc">
-<td class="tocDivNum">XXVII. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch27">CHAPTER XXVII.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch27">260</a></td>
-</tr>
-<tr id="ch28.toc">
-<td class="tocDivNum">XXVIII. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch28">CHAPTER XXVIII.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch28">267</a></td>
-</tr>
-<tr id="ch29.toc">
-<td class="tocDivNum">XXIX. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch29">CHAPTER XXIX.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch29">278</a></td>
-</tr>
-<tr id="ch30.toc">
-<td class="tocDivNum">XXX. </td>
-<td class="tocDivTitle" colspan="8"><a href="#ch30">CHAPTER XXX.</a></td>
-<td class="tocPageNum"><a class="pageref" href="#ch30">297</a></td>
-</tr>
-</table>
-</div>
-<div class="transcriberNote">
-<h2 class="main">Colophon</h2>
-<h3 class="main">Availability</h3>
-<p class="first">This eBook is for the use of anyone anywhere at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms of the Project
-Gutenberg License included with this eBook or online at <a class="seclink xd31e48" title="External link" href="https://www.gutenberg.org/" rel="home">www.gutenberg.org</a>.
-</p>
-<p>This eBook is produced by the Online Distributed Proofreading Team at <a class="seclink xd31e48" title="External link" href="https://www.pgdp.net/">www.pgdp.net</a>.
-</p>
-<p>Scans for this book are available from the Internet Archive (copy <a class="seclink xd31e48" title="External link" href="https://archive.org/details/elinevere00coup">1</a>). The Dutch original is also available from Project Gutenberg as ebook number <a class="pglink xd31e48" title="Link to Project Gutenberg ebook" href="https://www.gutenberg.org/ebooks/19563">19563</a>.
-</p>
-<h3 class="main">Metadata</h3>
-<table class="colophonMetadata" summary="Metadata">
-<tr>
-<td><b>Title:</b></td>
-<td>Eline Vere</td>
-<td></td>
-</tr>
-<tr>
-<td><b>Author:</b></td>
-<td>Louis Marie Anne Couperus (1863–1923)</td>
-<td><a href="https://viaf.org/viaf/27062908/" class="seclink">Info</a></td>
-</tr>
-<tr>
-<td><b>Contributor:</b></td>
-<td>Edmund William Gosse (1849–1928)</td>
-<td><a href="https://viaf.org/viaf/54239311/" class="seclink">Info</a></td>
-</tr>
-<tr>
-<td><b>Translator:</b></td>
-<td>Jack Thomas Grein (1862–1935)</td>
-<td><a href="https://viaf.org/viaf/52451748/" class="seclink">Info</a></td>
-</tr>
-<tr>
-<td><b>Language:</b></td>
-<td>English</td>
-<td></td>
-</tr>
-<tr>
-<td><b>Original publication date:</b></td>
-<td>1892</td>
-<td></td>
-</tr>
-</table>
-<h3 class="main">Revision History</h3>
-<ul>
-<li>2021-12-05 Started.
-</li>
-</ul>
-<h3 class="main">External References</h3>
-<p>This Project Gutenberg eBook contains external references. These links may not work
-for you.</p>
-<h3 class="main">Corrections</h3>
-<p>The following corrections have been applied to the text:</p>
-<table class="correctionTable" summary="Overview of corrections applied to the text.">
-<tr>
-<th>Page</th>
-<th>Source</th>
-<th>Correction</th>
-<th>Edit distance</th>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e273">x</a></td>
-<td class="width40 bottom">Orchideïen</td>
-<td class="width40 bottom">Orchideeën</td>
-<td class="bottom">2 / 1</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e952">43</a></td>
-<td class="width40 bottom">Manöel</td>
-<td class="width40 bottom">Manoël</td>
-<td class="bottom">2 / 0</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e1361">61</a></td>
-<td class="width40 bottom">two</td>
-<td class="width40 bottom">three</td>
-<td class="bottom">4</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e1656">76</a></td>
-<td class="width40 bottom">
-[<i>Not in source</i>]
-</td>
-<td class="width40 bottom">to </td>
-<td class="bottom">3</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e1812">85</a></td>
-<td class="width40 bottom">Ben-Säid</td>
-<td class="width40 bottom">Ben-Saïd</td>
-<td class="bottom">2 / 0</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e1941">92</a>, <a class="pageref" href="#xd31e4987">285</a>, <a class="pageref" href="#xd31e5241">297</a>, <a class="pageref" href="#xd31e5770">316</a>, <a class="pageref" href="#xd31e6090">321</a></td>
-<td class="width40 bottom">
-[<i>Not in source</i>]
-</td>
-<td class="width40 bottom">.</td>
-<td class="bottom">1</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e2523">127</a></td>
-<td class="width40 bottom">greal</td>
-<td class="width40 bottom">great</td>
-<td class="bottom">1</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e3155">166</a></td>
-<td class="width40 bottom">.</td>
-<td class="width40 bottom">,</td>
-<td class="bottom">1</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e3915">216</a></td>
-<td class="width40 bottom">
-[<i>Not in source</i>]
-</td>
-<td class="width40 bottom">,</td>
-<td class="bottom">1</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e4656">267</a></td>
-<td class="width40 bottom">of</td>
-<td class="width40 bottom">or</td>
-<td class="bottom">1</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e4687">270</a></td>
-<td class="width40 bottom">Curaçoa</td>
-<td class="width40 bottom">Curaçao</td>
-<td class="bottom">2</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e4808">276</a></td>
-<td class="width40 bottom">derange</td>
-<td class="width40 bottom">dérange</td>
-<td class="bottom">1 / 0</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e5149">291</a></td>
-<td class="width40 bottom">she</td>
-<td class="width40 bottom">the</td>
-<td class="bottom">1</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e5433">307</a></td>
-<td class="width40 bottom">pegnoir</td>
-<td class="width40 bottom">peignoir</td>
-<td class="bottom">1</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e5468">309</a></td>
-<td class="width40 bottom">Vestraeten</td>
-<td class="width40 bottom">Verstraeten</td>
-<td class="bottom">1</td>
-</tr>
-<tr>
-<td class="width20"><a class="pageref" href="#xd31e6208">324</a></td>
-<td class="width40 bottom">
-[<i>Not in source</i>]
-</td>
-<td class="width40 bottom">”</td>
-<td class="bottom">1</td>
-</tr>
-</table>
-</div>
-</div>
-<div style='display:block; margin-top:4em'>*** END OF THE PROJECT GUTENBERG EBOOK ELINE VERE ***</div>
-<div style='text-align:left'>
-
-<div style='display:block; margin:1em 0'>
-Updated editions will replace the previous one&#8212;the old editions will
-be renamed.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the United
-States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg&#8482; electronic works to protect the PROJECT GUTENBERG&#8482;
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-</div>
-
-<div style='margin:0.83em 0; font-size:1.1em; text-align:center'>START: FULL LICENSE<br>
-<span style='font-size:smaller'>THE FULL PROJECT GUTENBERG LICENSE<br>
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK</span>
-</div>
-
-<div style='display:block; margin:1em 0'>
-To protect the Project Gutenberg&#8482; mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase &#8220;Project
-Gutenberg&#8221;), you agree to comply with all the terms of the Full
-Project Gutenberg&#8482; License available with this file or online at
-www.gutenberg.org/license.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 1. General Terms of Use and Redistributing Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.A. By reading or using any part of this Project Gutenberg&#8482;
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg&#8482; electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg&#8482; electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the person
-or entity to whom you paid the fee as set forth in paragraph 1.E.8.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.B. &#8220;Project Gutenberg&#8221; is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg&#8482; electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg&#8482; electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg&#8482;
-electronic works. See paragraph 1.E below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.C. The Project Gutenberg Literary Archive Foundation (&#8220;the
-Foundation&#8221; or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg&#8482; electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg&#8482; mission of promoting
-free access to electronic works by freely sharing Project Gutenberg&#8482;
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg&#8482; name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg&#8482; License when
-you share it without charge with others.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg&#8482; work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E. Unless you have removed all references to Project Gutenberg:
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg&#8482; License must appear
-prominently whenever any copy of a Project Gutenberg&#8482; work (any work
-on which the phrase &#8220;Project Gutenberg&#8221; appears, or with which the
-phrase &#8220;Project Gutenberg&#8221; is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-</div>
-
-<blockquote>
- <div style='display:block; margin:1em 0'>
- This eBook is for the use of anyone anywhere in the United States and most
- other parts of the world at no cost and with almost no restrictions
- whatsoever. You may copy it, give it away or re-use it under the terms
- of the Project Gutenberg License included with this eBook or online
- at <a href="https://www.gutenberg.org">www.gutenberg.org</a>. If you
- are not located in the United States, you will have to check the laws
- of the country where you are located before using this eBook.
- </div>
-</blockquote>
-
-<div style='display:block; margin:1em 0'>
-1.E.2. If an individual Project Gutenberg&#8482; electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase &#8220;Project
-Gutenberg&#8221; associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg&#8482;
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.3. If an individual Project Gutenberg&#8482; electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg&#8482; License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg&#8482;
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg&#8482;.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg&#8482; License.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg&#8482; work in a format
-other than &#8220;Plain Vanilla ASCII&#8221; or other format used in the official
-version posted on the official Project Gutenberg&#8482; website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original &#8220;Plain
-Vanilla ASCII&#8221; or other form. Any alternate format must include the
-full Project Gutenberg&#8482; License as specified in paragraph 1.E.1.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg&#8482; works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg&#8482; electronic works
-provided that:
-</div>
-
-<div style='margin-left:0.7em;'>
- <div style='text-indent:-0.7em'>
- &#8226; You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg&#8482; works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg&#8482; trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, &#8220;Information about donations to the Project Gutenberg
- Literary Archive Foundation.&#8221;
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg&#8482;
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg&#8482;
- works.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
- </div>
-
- <div style='text-indent:-0.7em'>
- &#8226; You comply with all other terms of this agreement for free
- distribution of Project Gutenberg&#8482; works.
- </div>
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg&#8482; electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg&#8482; trademark. Contact the Foundation as set
-forth in Section 3 below.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg&#8482; collection. Despite these efforts, Project Gutenberg&#8482;
-electronic works, and the medium on which they may be stored, may
-contain &#8220;Defects,&#8221; such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the &#8220;Right
-of Replacement or Refund&#8221; described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg&#8482; trademark, and any other party distributing a Project
-Gutenberg&#8482; electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you &#8216;AS-IS&#8217;, WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-</div>
-
-<div style='display:block; margin:1em 0'>
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg&#8482; electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg&#8482;
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg&#8482; work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg&#8482; work, and (c) any
-Defect you cause.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 2. Information about the Mission of Project Gutenberg&#8482;
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg&#8482;&#8217;s
-goals and ensuring that the Project Gutenberg&#8482; collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg&#8482; and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at www.gutenberg.org.
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 3. Information about the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation&#8217;s EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state&#8217;s laws.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation&#8217;s business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation&#8217;s website
-and official page at www.gutenberg.org/contact
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; depends upon and cannot survive without widespread
-public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-</div>
-
-<div style='display:block; margin:1em 0'>
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular state
-visit <a href="https://www.gutenberg.org/donate/">www.gutenberg.org/donate</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-</div>
-
-<div style='display:block; margin:1em 0'>
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-</div>
-
-<div style='display:block; font-size:1.1em; margin:1em 0; font-weight:bold'>
-Section 5. General Information About Project Gutenberg&#8482; electronic works
-</div>
-
-<div style='display:block; margin:1em 0'>
-Professor Michael S. Hart was the originator of the Project
-Gutenberg&#8482; concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg&#8482; eBooks with only a loose network of
-volunteer support.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Project Gutenberg&#8482; eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-</div>
-
-<div style='display:block; margin:1em 0'>
-Most people start at our website which has the main PG search
-facility: <a href="https://www.gutenberg.org">www.gutenberg.org</a>.
-</div>
-
-<div style='display:block; margin:1em 0'>
-This website includes information about Project Gutenberg&#8482;,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.
-</div>
-
-</div>
diff --git a/old/66911-h/images/ad1.png b/old/66911-h/images/ad1.png
deleted file mode 100644
index 7956064..0000000
--- a/old/66911-h/images/ad1.png
+++ /dev/null
Binary files differ
diff --git a/old/66911-h/images/ad2.png b/old/66911-h/images/ad2.png
deleted file mode 100644
index 3f5a469..0000000
--- a/old/66911-h/images/ad2.png
+++ /dev/null
Binary files differ
diff --git a/old/66911-h/images/ad3.png b/old/66911-h/images/ad3.png
deleted file mode 100644
index e258f4e..0000000
--- a/old/66911-h/images/ad3.png
+++ /dev/null
Binary files differ
diff --git a/old/66911-h/images/ad4.png b/old/66911-h/images/ad4.png
deleted file mode 100644
index 9f1b619..0000000
--- a/old/66911-h/images/ad4.png
+++ /dev/null
Binary files differ
diff --git a/old/66911-h/images/front-cover.jpg b/old/66911-h/images/front-cover.jpg
deleted file mode 100644
index 2123392..0000000
--- a/old/66911-h/images/front-cover.jpg
+++ /dev/null
Binary files differ
diff --git a/old/66911-h/images/titlepage.png b/old/66911-h/images/titlepage.png
deleted file mode 100644
index 48ddb39..0000000
--- a/old/66911-h/images/titlepage.png
+++ /dev/null
Binary files differ