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-The Project Gutenberg eBook of Chambers's Journal of Popular Literature,
-Science, and Art, Fifth Series, No. 9, Vol. I, March 1, 1884, by Various
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: Chambers's Journal of Popular Literature, Science, and Art,
- Fifth Series, No. 9, Vol. I, March 1, 1884
-
-Author: Various
-
-Release Date: November 23, 2021 [eBook #66800]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Susan Skinner, Eric Hutton and the Online Distributed
- Proofreading Team at https://www.pgdp.net (This file was
- produced from images generously made available by The Internet
- Archive)
-
-*** START OF THE PROJECT GUTENBERG EBOOK CHAMBERS'S JOURNAL OF POPULAR
-LITERATURE, SCIENCE, AND ART, FIFTH SERIES, NO. 9, VOL. I, MARCH 1,
-1884 ***
-
-
-
-
-[Illustration:
-
-CHAMBERS’S JOURNAL
-
-OF
-
-POPULAR
-
-LITERATURE, SCIENCE, AND ART
-
-Fifth Series
-
-ESTABLISHED BY WILLIAM AND ROBERT CHAMBERS, 1832
-
-CONDUCTED BY R. CHAMBERS (SECUNDUS)
-
-NO. 9.—VOL. I. SATURDAY, MARCH 1, 1884. PRICE 1½_d._]
-
-
-
-
-BIRDS OF SPRING.
-
-BY RICHARD JEFFERIES, AUTHOR OF THE ‘GAMEKEEPER AT HOME,’ ETC.
-
-
-The birds of spring come as imperceptibly as the leaves. One by one the
-buds open on hawthorn and willow, till all at once the hedges appear
-green, and so the birds steal quietly into the bushes and trees, till
-by-and-by a chorus fills the wood, and each warm shower is welcomed
-with varied song. To many, the majority of spring-birds are really
-unknown; the cuckoo, the nightingale, and the swallow, are all with
-which they are acquainted, and these three make the summer. The loud
-cuckoo cannot be overlooked by any one passing even a short time in
-the fields; the nightingale is so familiar in verse that every one
-tries to hear it; and the swallows enter the towns and twitter at the
-chimney-top. But these are really only the principal representatives of
-the crowd of birds that flock to our hedges in the early summer; and
-perhaps it would be accurate to say that no other area of equal extent,
-either in Europe or elsewhere, receives so many feathered visitors.
-The English climate is the established subject of abuse, yet it is the
-climate most preferred and sought by the birds, who have the choice of
-immense continents.
-
-Nothing that I have ever read of, or seen, or that I expect to see,
-equals the beauty and the delight of a summer spent in our woods and
-meadows. Green leaves and grass, and sunshine, blue skies, and sweet
-brooks—there is nothing to approach it; it is no wonder the birds are
-tempted to us. The food they find is so abundant, that after all their
-efforts, little apparent diminution can be noticed; to this fertile
-and lovely country, therefore, they hasten every year. It might be
-said that the spring-birds begin to come to us in the autumn, as early
-as October, when hedge-sparrows and golden-crested wrens, larks,
-blackbirds, and thrushes, and many others, float over on the gales from
-the coasts of Norway. Their numbers, especially of the smaller birds,
-such as larks, are immense, and their line of flight so extended that
-it strikes our shores for a distance of two hundred miles. The vastness
-of these numbers, indeed, makes me question whether they all come from
-Scandinavia. That is their route; Norway seems to be the last land they
-see before crossing; but I think it possible that their original homes
-may have been farther still. Though many go back in the spring, many
-individuals remain here, and rejoice in the plenty of the hedgerows.
-As all roads of old time led to Rome, so do bird-routes lead to these
-islands. Some of these birds appear to pair in November, and so have
-settled their courtship long before the crocuses of St Valentine. Much
-difference is apparent in the dates recorded of the arrivals in spring;
-they vary year by year, and now one and now another bird presents
-itself first, so that I shall not in these notes attempt to arrange
-them in strict order.
-
-One of the first noticeable in southern fields is the common wagtail.
-When his shrill note is heard echoing against the walls of the
-outhouses as he rises from the ground, the carters and ploughmen know
-that there will not be much more frost. If icicles hang from the
-thatched eaves, they will not long hang, but melt before the softer
-wind. The bitter part of winter is over. The wagtail is a house-bird,
-making the houses or cattle-pens its centre, and remaining about them
-for months. There is not a farmhouse in the south of England without
-its summer pair of wagtails, not more than one pair as a rule, for they
-are not gregarious till winter; but considering that every farmhouse
-has its pair, their numbers must be really large.
-
-Where wheatears frequent, their return is very marked; they appear
-suddenly in the gardens and open places, and cannot be overlooked.
-Swallows return one by one at first, and we get used to them by
-degrees. The wheatears seem to drop out of the night, and to be
-showered down on the ground in the morning. A white bar on the tail
-renders them conspicuous, for at that time much of the surface of the
-earth is bare and dark. Naturally birds of the wildest and most open
-country, they yet show no dread, but approach the houses closely. They
-are local in their habits, or perhaps follow a broad but well-defined
-route of migration; so that while common in one place, they are rare
-in others. In two localities with which I am familiar, and know every
-path, I never saw a wheatear. I heard of them occasionally as passing
-over, but they were not birds of the district. In Sussex, on the
-contrary, the wheatear is as regularly seen as the blackbird; and in
-the spring and summer you cannot go a walk without finding them. They
-change their ground three times: first on arrival, they feed in the
-gardens and arable fields; next, they go up on the hills; lastly, they
-return to the coast, and frequent the extreme edge of the cliffs and
-the land by the shore. Every bird has its different manner; I do not
-know how else to express it. Now, the wheatears move in numbers, and
-yet not in concert; in spring, perhaps twenty may be counted in sight
-at once on the ground, feeding together and yet quite separate; just
-opposite in manner to starlings, who feed side by side and rise and
-fly as one. Every wheatear feeds by himself, a space between him and
-his neighbour, dotted about, and yet they obviously have a certain
-amount of mutual understanding; they recognise that they belong to the
-same family, but maintain their individuality. On the hills in their
-breeding season they act in the same way; each pair has a wide piece
-of turf, sometimes many acres. But if you see one pair, it is certain
-that other pairs are in the neighbourhood. In their breeding-grounds
-they will not permit a man to approach so near as when they arrive,
-or as when the nesting is over. At the time of their arrival, any one
-can walk up within a short distance; so again in autumn. During the
-nesting-time the wheatear perches on a molehill, or a large flint, or
-any slight elevation above the open surface of the downs, and allows no
-one to come closer than fifty yards.
-
-The hedge-sparrows, that creep about the bushes of the hedgerow as mice
-creep about the banks, are early in spring joined by the whitethroats,
-almost the first hedgebirds to return. The thicker the undergrowth
-of nettles and wild parsley, rushes and rough grasses, the more the
-whitethroat likes the spot. Amongst this tangled mass he lives and
-feeds, slipping about under the brambles and ferns as rapidly as if
-the way was clear. Loudest of all, the chiff-chaff sings in the ash
-woods, bare and leafless, while yet the sharp winds rush between the
-poles, rattling them together, and bringing down the dead twigs to the
-earth. The violets are difficult to find, few and scattered; but his
-clear note rings in the hushes of the eastern breeze, encouraging the
-flowers. It is very pleasant indeed to hear him; one’s hands are dry
-and the skin rough with the east wind; the trunks of the trees look
-dry, and the lichens have shrivelled on the bark; the brook looks dark;
-gray dust rises and drifts, and the gray clouds hurry over; but the
-chiff-chaff sings, and it is certainly spring. The first green leaves
-which the elder put forth in January have been burned up by frost, and
-the woodbine, which looked as if it would soon be entirely green then,
-has been checked, and remains a promise only. The chiff-chaff tells the
-buds of the coming April rains and the sweet soft intervals of warm
-sun. He is a sure forerunner. He defies the bitter wind; his little
-heart is as true as steel. He is one of the birds in which I feel a
-personal interest, as if I could converse with him. The willow-wren,
-his friend, comes later, and has a gentler, plaintive song.
-
-Meadow-pipits are not migrants in the sense that the swallows are; but
-they move about and so change their localities, that when they come
-back they have much of the interest of a spring-bird. They rise from
-the ground and sing in the air like larks, but not at such a height,
-nor is the song so beautiful. These, too, are early birds. They often
-frequent very exposed places, as the side of a hill where the air is
-keen, and where one would not expect to meet with so lively a little
-creature. The pond has not yet any of the growths that will presently
-render its margin green; the willow-herbs are still low, the aquatic
-grasses have not become strong, and the osiers are without leaf. If
-examined closely, evidences of growth would be found everywhere around
-it; but as yet the surface is open, and it looks cold. Along the brook
-the shoals are visible, as the flags have not risen from the stems
-which were cut down in the autumn. In the sedges, however, the first
-young shoots are thrusting up, and the reeds have started, slender
-green stalks tipped with the first leaves. At the verge of the water, a
-thick green plant of marsh-marigold has one or two great golden flowers
-open. This is the appearance of his home when the sedge-reedling
-returns to it. Sometimes he may be seen flitting across the pond, or
-perched for a moment on an exposed branch; but he quickly returns to
-the dry sedges or the bushes, or climbs in and out the willow-stoles.
-It is too bare and open for him at the pond, or even by the brook-side.
-So much does he love concealment, that although to be near the water
-is his habit, for a while he prefers to keep back among the bushes. As
-the reeds and reed canary-grass come up and form a cover—as the sedges
-grow green and advance to the edge of the water—as the sword-flags lift
-up and expand, opening from a centre, the sedge-reedling issues from
-the bushes and enters these vigorous growths, on which he perches, and
-about which he climbs as if they were trees. In the pleasant mornings,
-when the sun grows warm about eleven o’clock, he calls and sings with
-scarcely a cessation, and is answered by his companions up and down
-the stream. He does but just interrupt his search for food to sing;
-he stays a moment, calls, and immediately resumes his prying into
-every crevice of the branches and stoles. The thrush often sits on a
-bough and sings for a length of time, apart from his food, and without
-thinking of it, absorbed in his song, and full of the sweetness of the
-day. These restless sedge-reedlings cannot pause; their little feet
-are for ever at work, climbing about the willow-stoles where the wands
-spring from the trunk; they never reflect, they are always engaged.
-This restlessness is to them a great pleasure; they are filled with
-the life which the sun gives, and express it in every motion; they
-are so joyful, they cannot be still. Step into the osier bed amongst
-them gently; they will chirp—a note like a sparrow’s—just in front,
-and only recede a yard at a time, as you push through the tall grass,
-flags, and underwood. Stand where you can see the brook, not too near,
-but so as to see it through a fringe of sedges and willows. The pink
-lychnis or ragged robin grows among the grasses; the iris flowers
-higher on the shore. The water-vole comes swimming past on his way
-to nibble the green weeds in the stream round about the great branch
-which fell two winters since and remains in the water. Aquatic plants
-take root in its shelter. There, too, a moorhen goes, sometimes diving
-under the bough. A blackbird flies up to drink or bathe, never at the
-grassy edge, but always choosing a spot where he can get at the stream
-free from obstruction. The sound of many birds singing comes from the
-hedge across the meadow; it mingles with the rush of the water through
-a drawn hatch—finches and linnets, thrush and chiff-chaff, wren and
-whitethroat, and others farther away, whose louder notes only, reach.
-The singing is so mixed and interwoven, and is made of so many notes,
-it seems as if it were the leaves singing, the countless leaves, as if
-they had voices.
-
-A brightly coloured bird, the redstart, appears suddenly in spring,
-like a flower that has bloomed before the bud was noticed. Red is his
-chief colour, and as he rushes out from his perch to take an insect
-on the wing, he looks like a red streak. These birds sometimes nest
-near farmhouses in the rickyards, sometimes by copses, and sometimes
-in the deepest and most secluded coombes or glens, the farthest places
-from habitation; so that they cannot be said to have any preference,
-as so many birds have, for a particular kind of locality; but they
-return year by year to the places they have chosen. The return of the
-corncrake or landrail is quickly recognised by the noise he makes in
-the grass; he is the noisiest of all the spring-birds. The return of
-the goatsucker is hardly noticed at first. This is not at all a rare,
-but rather a local bird, well known in many places, but in others
-unnoticed, except by those who feel a special interest. A bird must be
-common and plentiful before people generally observe it, so that there
-are many of the labouring class who have never seen the goatsucker,
-or would say so, if you asked them. Few observe the migration of the
-turtle-doves, perhaps confusing them with the wood-pigeons, which
-stay in the fields all the winter. By the time the sap is well up in
-the oaks, all the birds have arrived, and the tremulous cooing of the
-turtle-dove is heard by those engaged in barking the felled trees.
-The sap rises slowly in the oaks, moving gradually through the minute
-interstices or capillary tubes of this close-grained wood; the softer
-timber trees are full of it long before the oak; and when the oak is
-putting forth its leaves, it is high spring. Doves stay so much at
-this time in the great hawthorns of the hedgerows and at the edge of
-the copses, that they are seldom noticed, though comparatively large
-birds. They are easily seen by any who wish; the coo-coo tells where
-they are; and in walking gently to find them, many other lesser birds
-will be observed. A wryneck may be caught sight of on a bough overhead;
-a black-headed bunting, in the hedge where there is a wet ditch and
-rushes; a blackcap, in the birches; and the ‘zee-zee-zee’ of the
-tree-pipit by the oaks just through the narrow copse.
-
-This is the most pleasant and the best way to observe—to have an
-object, when so many things will be seen that would have been
-passed unnoticed. To steal softly along the hedgerow, keeping out
-of sight as much as possible, pausing now and then to listen as the
-coo-coo is approached; and then, when near enough to see the doves,
-to remain quiet behind a tree, is the surest way to see everything
-else. The thrush will not move from her nest if passed so quietly;
-the chaffinch’s lichen-made nest will be caught sight of against the
-elm-trunk—it would escape notice otherwise; the whitethroat may be
-watched in the nettles almost underneath; a rabbit will sit on his
-haunches and look at you from among the bare green stalks of brake
-rising; mice will rustle under the ground-ivy’s purple flowers; a mole
-perhaps may be seen, for at this time they often leave their burrows
-and run along the surface; and indeed so numerous are the sights and
-sounds and interesting things, that you will soon be conscious of the
-fact, that while you watch one, two or three more are escaping you. It
-would be the same with any other search as well as the dove; I choose
-the dove because by then all the other creatures are come and are busy,
-and because it is a fairly large bird with a distinctive note, and
-consequently a good guide.
-
-But these are not all the spring-birds: there are the whinchats,
-fly-catchers, sandpipers, ring-ousels, and others that are occasional
-or rare. There is not a corner of the fields, woods, streams, or hills,
-which does not receive a new inhabitant; the sandpiper comes to the
-open sandy margins of the pool; the fly-catcher, to the old post by the
-garden; the whinchat, to the furze; the tree-pipit, to the oaks, where
-their boughs overhang meadow or cornfield; the sedge-reedling, to the
-osiers; the dove, to the thick hedgerows; the wheatear, to the hills;
-and I see I have overlooked the butcher-bird or shrike, as indeed in
-writing of these things one is certain to overlook something, so wide
-is the subject. Many of the spring-birds do not sing on their first
-arrival, but stay a little while; by that time, others are here. Grass
-blade comes up by grass blade till the meadows are freshly green; leaf
-comes forth by leaf till the trees are covered; and like the leaves,
-the birds gently take their places, till the hedges are imperceptibly
-filled.
-
-
-
-
-BY MEAD AND STREAM.
-
-BY CHARLES GIBBON.
-
-
-CHAPTER XIV.—IN HARVEST-TIME.
-
-Meanwhile the harvest-work on the lands of Ringsford Manor was
-progressing rapidly—to the surprise of the neighbours, who had heard
-that Mr Hadleigh could not obtain hands, owing to his craze about the
-beer question. He did not obtain much sympathy in the district in this
-attempted social revolution. It was known that he was not a teetotaler
-himself; and most of the proprietors and farmers and all the labourers
-took Caleb Kersey’s view, that apart from the question whether beer
-was good or bad for them, this autocratic refusal of it to those who
-preferred to have it was an interference with the liberty of the
-subject. As he passed through the market-place, a band of labourers had
-shouted in chorus the old rhyme: ‘Darn his eyes, whoever tries, to rob
-a poor man of his beer.’
-
-But in spite of this determined opposition, here was a strong troop
-of men and women clearing the ground so fast that it looked as if the
-Ringsford cutting and ingathering would be completed as soon as that of
-any other farm. And the beer was not allowed on the field.
-
-This was wonderful: but a greater wonder still was the fact that the
-hands who had been so swiftly brought together were working under Caleb
-Kersey himself—Caleb, the peasants’ champion, the temperance defender
-of every man’s right to get drunk if he liked! There were mutterings
-of discontent amongst his followers: there were whispers that he had
-been heavily bribed to desert their cause; and those who had previously
-deserted him, shook their heavy heads, declaring that they ‘knowed what
-was a-coming.’
-
-‘It ain’t fair on him—he ain’t acting square by me,’ Jacob Cone, the
-Ringsford bailiff, had been heard to say in the _Cherry Tree_ taproom.
-‘He comes and he takes my place, and does whatever master wants, when I
-was a-trying to get master to let folk have their own way, as they’ve
-been allays ’customed to.’
-
-That was Jacob’s first and last grumble; for Caleb, hearing of it, took
-him to every one of the hands, and each made the same statement:
-
-‘We can do without the beer. We gave it up because we choose to, and
-not because we’re forced to.’
-
-For the rest, Caleb contented himself with saying simply: ‘I ain’t
-working for Mr Hadleigh, and I wasn’t hired by him.’
-
-‘Daresay he contracted with some un?’
-
-A nod would be the response to his inquisitive friend; and Caleb
-would proceed with his work as earnestly as if his life depended upon
-accomplishing a given task within the day. His example inspired the
-younger men with some spirit of emulation, and the women, old and
-young, with admiration. The old stagers bluntly told him at the close
-of the first day that they could not keep pace with him, and did not
-mean to try.
-
-‘Do the best you can, lads, and you’ll satisfy me,’ was all he said.
-
-The whispers as to his treason to the cause of the ‘Union,’ which
-floated about, and of which he was perfectly conscious, had no other
-effect upon him than to make him labour with increased zeal. But he
-smarted inwardly; for, like all popular leaders, he felt keenly the
-signs of waning favour amongst his followers—felt them the more keenly
-because he had so often, to his own serious detriment, proved his
-integrity, and knew that he was faithful as ever to the cause he had
-espoused.
-
-It is doubtful if he would have been able to hold up so stoutly against
-the swelling tide of unpopularity, if there had not been a compensating
-influence upon him, strengthening his arm, although it did not always
-keep his head cool, or his pulse steady.
-
-Every morning, when the white mist was rising from the hollows, and
-the trees appeared through it like shadows of themselves, whilst the
-long grass through which he tramped to the field sparkled and glowed
-around him, as the sun cleared the atmosphere, his way took him by the
-gardener’s cottage. Every evening, when the harvest-moon was rising
-slowly over the tree-tops, his way homeward took him again by the
-cottage. He frequently caught a glimpse of Pansy, and generally had an
-opportunity of exchanging greetings with her.
-
-‘A fine morning,’ he would say; and he was under the impression that
-he spoke with a smile, but always looked as solemn as if he were at a
-funeral.
-
-‘Yes, a fine morning,’ she would say with a real smile, and a tint on
-her cheeks as if they reflected the radiance of the sun.
-
-Then he would stand as if he had something more to say; but first he
-had to look up at the sky; next strain his eyes over the rolling-ground
-in the direction of the Forest, as if much depended upon his noting
-the development of the trees through the mist; and again up at the
-chimney-top, to observe which way the wind was blowing. The result of
-all this observation being:
-
-‘We’ll have a rare drying wind to-day.’
-
-Then she, in a modified way, would go through the same pantomime and
-answer pleasantly; ‘Yes, I think you will.’
-
-And he would pass on, leaving that great ‘something’ he wanted to
-say still unspoken. Yet Caleb was reputed to be a man possessed of a
-special gift of speech. He showed no lack of it in the presence of any
-one save Pansy.
-
-‘I wonder what gars him come round this way ilka mornin’ and night,’
-said Sam Culver one day to his daughter, looking at her suspiciously.
-‘He’d be far sooner hame if he gaed round by the wood, like other folk.’
-
-‘I cannot tell, father,’ she answered, her gypsy cheeks aglow: ‘maybe
-he has to go up to the House for something.’
-
-Sam shook his head thoughtfully: he did not relish the idea which had
-entered it.
-
-‘Kersey is a decent enough lad; but he is wildish in his notions of
-things, and a’ the farmers round about are feared to trust him with ony
-work. That’s no the right way to get through the world, my lass, and I
-wouldna like to see you with sic a man.’
-
-Pansy was a little startled by this plain way of suggesting why
-Caleb chose to take the longest route to his work; and she proceeded
-hurriedly to clear away the breakfast dishes. That evening, Caleb did
-not see her as he passed the cottage.
-
-Whatever Sam Culver’s opinion of Caleb Kersey might have been, it
-underwent considerable modification, if not an entire change, as he
-watched him work and the harvest rapidly drawing to a close under his
-care. At anyrate, one evening, as Caleb was exchanging that stereotyped
-greeting with Pansy, and was about to pass on, her father came up and
-asked him in to supper.
-
-‘It’s just a plate o’ porridge and milk, you ken; but you’re welcome,
-if yer not ower proud to sup it. Mony’s the great man has sought
-naething better.’
-
-A little shyness on Caleb’s part was quickly overcome. He entered the
-cottage, and was presently seated at the same table with Pansy. He was
-amply compensated for all that he had suffered on account of yielding
-to Madge’s request that he should take the Ringsford harvest in hand.
-
-The gardener, since he had settled in the south, had, like many of his
-countrymen, considerably loosened the Puritanical stays which he had
-been accustomed to wear in the north. Indeed, it was said that he had
-been discovered in the greenhouse on a Sabbath, when he ought to have
-been in church. He still, however, felt the influence of old habits,
-and so he said grace in this fashion:
-
-‘Fa’ tae, fa’ tae, and thank the Lord for a guid supper.’
-
-When the meal was finished, Sam took his guest out to see a new
-geranium which he was cultivating; and then he revealed to him a fancy
-which he had been cultivating as largely as his geranium.
-
-‘I was thinking, Kersey, that you have been getting on bravely with the
-harvest. Noo, if you could just manage to cut the last stook on the day
-of Mr Philip’s dinner, it would be a real surprise to the folk at the
-house, and a grand feather in your cap.’
-
-‘I think it can be done,’ said Caleb quietly.
-
-And it was done. On the evening fixed for the festival, the last sheaf
-of the Ringsford grain was placed on the lawn in front of the Manor.
-Whilst the guests were arriving, Madge had been told by Sam Culver that
-this was to be done; so she went out with Uncle Dick and Mr Hadleigh to
-congratulate Caleb on the good harvest he had gathered in, and to thank
-him on her own part for having undertaken the task.
-
-‘It’s the best job you have ever done, Caleb,’ cried Uncle Dick, giving
-him a hearty slap on the shoulder. ‘Stick to this kind of thing, my
-lad, and leave speechifying to them that cannot do any better.’
-
-‘I am always ready to work,’ replied Caleb, avoiding the second part of
-his well-wisher’s speech.
-
-‘I offer you my sincere thanks, Kersey,’ said Mr Hadleigh in his
-reserved way; ‘and it would please me to hear of anything I could do
-for you.’
-
-‘I am obliged to you.’
-
-This ungraciously, but with a slight movement of the head, which might
-be called half a nod.
-
-‘You can bear it in mind. Had I known that you would be finished
-to-day, I should have arranged for our harvest-home gathering to take
-place this evening. I am sure that would have gratified Miss Heathcote
-and my son.’
-
-Another half-nod, and Caleb moved away.
-
-The gong sounded. Mr Hadleigh gave his arm to Madge, and led her
-towards the house.
-
-As they entered the hall, they were met by the butler.
-
-‘Do you know where Mr Philip is, sir?’ asked the man nervously. ‘Dinner
-is quite ready, and he is not in the house; and nobody has seen him
-since he started for town this morning.’
-
-The butler’s anxiety was equally divided between the danger of having
-the dinner spoiled and the question as to what had become of Philip.
-
-‘Have you sent to his room?’
-
-‘I have been there myself, sir. His things are all lying ready for him;
-but he is nowhere about.’
-
-Mr Hadleigh frowned.
-
-‘This is very annoying. I told him he should not go to town to-day. He
-has missed his train, I suppose. Give him a quarter of an hour, Terry,
-and then serve dinner.... Excuse me, Miss Heathcote, one moment.’
-
-He beckoned to a footman, who followed him into a small sideroom.
-
-‘Send Cone to the station,’ he said in a low voice; ‘and bid him
-inquire if there has been an accident on the line.’
-
-
-CHAPTER XV.—THE BANQUET WAITS.
-
-The explanation that Philip, having important business in town, had no
-doubt been detained so long as to have missed his train, satisfied all
-the guests except one. She, however, maintained as calm a demeanour
-as Mr Hadleigh himself; and he regarded her at times with a curiously
-thoughtful expression.
-
-‘How brave she is,’ was his thought. ‘Can she have misgivings and he so
-firm?’
-
-Madge had misgivings; for Philip had told her that he had only to put
-his seal on the despatch-box containing the important papers he was
-to carry with him to Uncle Shield, and that he expected to return
-early enough to call at Willowmere before going home. This, she had
-suggested, would be waste of time, for she would be busy with her
-elaborate toilet, and unable to see him. They both enjoyed the fun
-of the idea that she should be so long engaged in dressing for this
-important occasion as to leave no time to see him.
-
-‘Well, I shall see Uncle Dick at anyrate, and of course he will be
-a first-rate substitute. Indeed, now I think of it, he would be far
-more interesting than a coquettish young person whose mind is wholly
-absorbed in the arrangement of her bows and laces. He would tell me
-all about the spread of the foot-and-mouth disease, and that would be
-useful information at anyrate. Eh?’
-
-They parted, laughing, and thus it was only a half-promise that he
-should call. She was not surprised, therefore, when he did not appear.
-
-When, however, the hour of dinner at the Manor arrived and he had
-not yet returned, she felt that vague anxiety which is almost more
-difficult to hide in the presence of others than the pain of some
-definite calamity. She knew quite well that if he had only missed a
-train, he would have telegraphed. But no one looking at her would have
-suspected that her mind was disturbed by the least unhappy thought.
-
-Miss Hadleigh only said: ‘That careless boy! To be late on such an
-occasion as this when he knows that papa is always put out when
-anybody is late’—and went on doing her best to remember her duty as
-a hostess by not giving all her attention to ‘Alfred.’ Miss Caroline
-only whispered in reply: ‘He is so stupid.’ As for Miss Bertha, she
-was so busily engaged in conversation with one of her brother Coutts’s
-friends, that she was unconscious of any disarrangement of the
-evening’s programme.
-
-So the party in the drawing-room buzzed like a hive of contented bees
-on a warm summer day, and no one showed the slightest symptom of being
-aware that the hour appointed for dinner had passed.
-
-The vicar, Paul Havens, was a hale, sunny-faced man of about fifty
-years, with bushy iron-gray hair and whiskers, and square muscular
-frame. He was one of those men whose strong, kindly nature reflects
-itself upon all who come in contact with him, and inspires them too
-with a sense of strength. His genial presence was like fresh air in
-the mansion or the peasant’s cot. He was no ‘sporting parson;’ but he
-chatted with Crawshay with as much interest as if he were, about the
-prospects of sport on the stubble this season, and how the pheasants
-were likely to turn out when their time came. Then, as Dr Guy came up,
-the vicar turned to little Mrs Joy in time to relieve her from utter
-distraction at the cynical jokes and compliments of Coutts Hadleigh.
-The latter delighted in bewildering this good lady, whose wits were not
-particularly quick, although, with her husband, Dr Edwin Joy, she was
-an enthusiastic social reformer.
-
-‘My husband and I believe,’ she would say, with her little head bending
-slightly to one side, ‘that want of thrift is at the bottom of all
-the poverty and misery of the working-classes in town and country.
-Now we endeavour to inculcate that great fact on all who come under
-our influence; and Dr Joy, as my father’s partner, you know, has many
-opportunities for speaking a word in season. And we always speak it!
-Thrift, thrift, thrift, is our text; and I assure you we have succeeded
-in making _some_ improvements in our district.’
-
-And they did preach from this text with untiring enthusiasm; they
-diligently perused every book and pamphlet published on the subject,
-and their own affairs were continually in a hopeless muddle. They could
-always see exactly what other people ought to do under any given
-circumstances, and were always ready with the best advice; but they
-were like children in dealing with the most ordinary difficulties of
-their own lives. They were a good-natured couple, however, thoroughly
-sincere and well meaning, so that these little idiosyncrasies amused
-their friends, and did no harm to the working-people on whose behalf
-they were specially exercised.
-
-Mrs Joy’s father, Dr Guy, smiled grimly at the profound wisdom they
-displayed in other people’s business, and the folly which invariably
-cropped up whenever they had anything to do for themselves. At the
-beginning of every year, they made a serious calculation of the least
-amount their income was likely to be for the coming twelve months, and
-resolved to live within it; they even determined to lay aside some
-portion to meet contingencies. At the end of every year, they were
-amazed to find how far they had exceeded their calculated expenditure,
-and spent days in wondering how it could be.
-
-‘Edwin, I cannot understand it,’ Mrs Joy would exclaim helplessly.
-
-‘Neither can I,’ he would answer with a puzzled look at the figures
-before him. Then, brightening up, he would say: ‘We must try again, my
-dear.’
-
-‘Yes, we must try again, dear,’ she would say, also brightening up, and
-comforted by visions of the surplus which the mighty thrift would give
-them next time.
-
-Then they would make another serious calculation of ways and means,
-and with light hearts, go on just as before, studying and preaching
-the doctrines which, by some inscrutable twist in their natures,
-they were unable to practise. They were so like children playing at
-housekeeping, that although Dr Guy had to bear the consequences of
-their mismanagement, he could not be angry with them long at a time.
-Besides, he had consolation in two facts: first, that Fanny was his
-only child, and would inherit everything he possessed; and second, that
-Edwin Joy was really a clever surgeon, successful in his practice,
-and much liked by his patients, notwithstanding his stupidity in
-money matters. Indeed, the greater part of the practice rested on his
-shoulders now, and nothing delighted him more than to be up to the eyes
-in work.
-
-Dr Guy belonged to the old school of country practitioners, and was as
-much interested in agriculture as in physic. He had a small farm, in
-the management of which he found agreeable occupation. So he took the
-first opportunity of getting Crawshay into a corner to discuss the best
-means of stamping out the rapidly spreading foot-and-mouth disease and
-the advantages of ensilage.
-
-Madge and Mrs Crawshay looking on, were well pleased to see that for
-once Uncle Dick did not regret coming to Ringsford. But although Madge
-found time to think of this, and to give intelligent attention to any
-one who addressed her, she glanced often at the door expectantly.
-
-At length the door opened, the butler entered, spoke a few words to his
-master, and then withdrew. Mr Hadleigh immediately advanced to Madge.
-
-‘I am glad to tell you, Philip has returned,’ he said in a quiet voice.
-
-A flush of pleasure on her calm face expressed her gratitude for this
-good news.
-
-‘Then he was only detained—nothing has happened?’
-
-‘I presume that nothing particular has happened; but we shall learn
-presently from himself. His message to me was only to desire that we
-should proceed to dinner at once, and allow him to join us in the
-dining-room. So you must permit Coutts to take you down.’
-
-
-
-
-CALLS BEFORE THE CURTAIN.
-
-
-It has often been said that an actor exists upon the breath of
-applause; and to a certain extent this is literally as well as
-figuratively true; for during a long period of his early career he is
-fated to undergo many hardships, and frequently finds himself playing
-week after week for one of those unscrupulous ‘managers’ who can
-hardly be got to pay their company their salaries, while revelling
-in all possible comfort themselves. Indeed, a long chapter might be
-written upon the sorrows incident to ‘the profession;’ but this would
-be entirely beside our present purpose. Suffice it to remark, as an
-introduction to our immediate theme, that no histrion ever yet trod the
-boards who was unmindful of the public recognition of his talents; and
-so soon as an opportunity offers in which to distinguish himself, and
-his efforts are rewarded with a round of applause, from that moment
-will he devote himself the more assiduously to his calling, by reason
-of the enviable stimulus so received.
-
-It has been placed upon record how Fanny Horton, a once celebrated
-actress, won her first applause in a somewhat singular manner. During
-her performance in a particular scene, she was loudly hissed, when,
-advancing to the footlights, she asked: ‘Which do you dislike—my
-playing or my person?’ ‘The playing, the playing!’ was the answer from
-all parts of the house. ‘Well,’ she returned, ‘that consoles me; for my
-playing may be bettered, but my person I cannot alter!’ The audience
-were so struck with the ingenuity of this retort, that they immediately
-applauded as loudly as they had the moment before condemned her; and
-from that night she improved in her acting, and soon became a favourite
-with the public.
-
-It will scarcely be denied that applause is not only welcome, but
-necessary to the actor; and even so great an artiste as Mrs Siddons
-was susceptible to the force of this truth, though not so much in its
-regard to professional adulation, as for personal convenience. ‘It
-encourages,’ she was wont to say; ‘and better still, it gives time
-for breath!’ On this account, as well as for other obvious reasons,
-the managers of the Parisian theatres have organised a regular system
-of hired applause, termed the _claque_; and this not only saves the
-audience the trouble of applauding, but it is frequently the means
-of influencing the success of a new production, while it affords
-the actors engaged an opportunity of purchasing a too frequently
-questionable notoriety by a monetary arrangement with the _claque_, or
-at anyrate with the head of that department who grandiloquently styles
-himself ‘the contractor for success.’
-
-But it must not by any means be imagined that the _claque_ is a
-modern institution. From the time of the ancient drama downwards,
-the approbation of the spectators has always been eagerly courted by
-the performers, and hired persons to applaud their acting regularly
-attended the representations. Both the Greeks and the Romans made use
-of the device. It has been well attested that Nero, the Roman emperor,
-who at all times took an active part in the theatrical representations
-of his day, enforced applause at the point of the sword; and Suetonius
-tells us that one day when Nero sang the fable of _Atis and the
-Bacchantes_, he deputed Burrhus and Seneca to incite the audience to
-applaud. On one occasion, while the emperor was on the stage, singing
-to his own accompaniment on the lyre, an earthquake shook the imperial
-city; yet not one among that enormous assemblage dared so much as
-attempt to flee from the danger, or leave his seat, fearing the summary
-wrath of the tyrant, whose will held them so powerfully in bondage. At
-another time, a poor woman fell asleep during the performance, and on
-one of Nero’s soldiers descrying her situation, she narrowly escaped
-with her life.
-
-But the Romans could not give Nero the honour of a call before the
-curtain, for the simple reason that drop-curtains were not then in use.
-Indeed, the introduction of stage-curtains belongs to a comparatively
-late period. In the reign of Elizabeth, we find that the theatres—or
-playhouses, as they were termed—were of the most primitive kind. For
-the most part the performances were conducted on a rude platform in
-the London inn yards; while the few regular stationary playhouses were
-little better furnished in the way of proper dramatic accessories.
-The use of scenery is, of course, nowhere to be traced, and the only
-semblance to a proscenium consisted of a pair of tapestry curtains,
-which were drawn aside by cords when the performance began. The same
-arrangement has also been found in all examples of the early Spanish,
-Portuguese, and other continental theatres.
-
-Among the earliest permanent English playhouses were ‘The Theatre’
-and ‘The Fortune,’ neither of which, however, possessed a proper
-drop-curtain. But ‘The Red Bull,’ another old theatre, had a
-drop-curtain; and when, in the year 1633, that playhouse was
-demolished, rebuilt, and enlarged, it was decorated in a manner almost
-in advance of the time, the management particularly priding itself
-upon ‘a stage-curtain of pure Naples silk.’ It was not until the year
-1656 that the first attempt of Sir William Davenant to establish the
-lyric drama in England brought with it the use of regular painted
-scenery on our stage. As an introductory venture, and fully aware that
-the performance of everything of a dramatic tendency had long been
-prohibited throughout the country, he announced a miscellaneous kind of
-entertainment, consisting of ‘music and declamation,’ which was duly
-held at Rutland House in Charterhouse Yard, on the 23d of May. Thus
-far encouraged, he immediately followed with the first genuine opera,
-entitled _The Siege of Rhodes_, employing a libretto, music, costumes,
-and five elaborate scenes. Further representations of opera were always
-signalised by the use of scenery, and the example was naturally soon
-followed by the drama, so soon as the altered condition of the times
-had sufficiently permitted its revival. In place of a drop-curtain
-of tapestry, silk, or other material, a painted scene also came into
-fashion, on which was generally shown some incident in the opera
-about to be enacted. The painted crimson curtain used in _The Siege
-of Rhodes_ had upon it also a representation of the arms and military
-trophies of the several nations which took part in this memorable siege.
-
-Still, for all that, the green curtain retained its position in all
-permanent theatres—and even in the puppet-shows, so popular in their
-day—nor was it until quite recently that the more fashionable houses
-thought proper to dispense with it altogether.
-
-Touching upon stage-curtains of our own time, it will scarcely be
-necessary to dilate upon the peculiarly constructed proscenium of the
-present Haymarket Theatre, London, which is nothing more or less than
-an elaborate picture in its gilt frame. The curtain of course forms the
-picture, and no orchestra-pew being visible, the frame or proscenium
-is continued on the lower side without interruption. The footlights
-are not discovered until the rising of the curtain, and the ‘calls’
-are necessarily responded to on the stage itself, for which purpose
-the curtain is again drawn up. Perhaps the most interesting curtain
-of the ordinary character is that now in use at New Sadler’s Wells
-Theatre, which conveys to the eye a very perfect idea of that famous
-‘musick-house’ on the banks of the New River in ‘merrie Islington,’ as
-it appeared rather more than a hundred years ago.
-
-Mr Henry Irving in his established dramatic home at the Lyceum Theatre
-has always preferred to take his ‘calls’ on the stage itself; indeed,
-he never appears in front of the curtain except on the night of the
-opening or the termination of his season, which is always looked
-forward to in London as an event. The production of _Romeo and Juliet_
-afforded him an agreeable opportunity, however, of making a new
-departure in his manner of responding to the congratulations of his
-patrons—the living ‘Prologue’ opening the tragedy by stepping forward
-from between a pair of truly magnificent curtains of yellow plush,
-when, having recited his lines, the withdrawal of these curtains
-unveiled the first scene representing ‘the public place’ at Verona. Mr
-Irving, further, took occasion at the close of each act of leading Miss
-Ellen Terry before the footlights in the same manner, thus obviating
-the necessity of raising the curtain proper before these calls could be
-replied to.
-
-So much for theatrical curtains in general. We will now go on to
-narrate several notable incidents connected with ‘Calls before the
-Curtain.’
-
-When David Garrick made his re-appearance at Drury Lane, after an
-absence of two years during a provincial tour, the theatre was packed
-from floor to ceiling, and the audience were quite beside themselves
-with enthusiasm. The play was announced to be _Much Ado About Nothing_;
-but, as the actor expected, he had first to show himself in front of
-the curtain. He had prepared an address to the audience, which he
-delivered previous to beginning the play. When he came upon the stage,
-he was welcomed with three loud plaudits, each finishing with a huzza.
-
-When R. W. Elliston was manager of the ‘Royal Circus,’ to which he
-gave the present name of the ‘Surrey Theatre,’ he was one night called
-before the curtain under rather exceptional circumstances. On that
-occasion, an actor named Carles, who had long been a popular favourite
-at that house, was absent, having unfortunately been arrested for debt
-while on his way to the theatre, and another actor, possibly not very
-much his inferior in regard to talent, had to be substituted. The
-performance, however, had not long commenced, when the audience missed
-their favourite, and called loudly for ‘Carles!’ Carles not appearing,
-the uproar became general; and as soon as the curtain had fallen upon
-the first act, the manager was summoned. Elliston duly appeared and
-asked, ‘Ladies and gentlemen, what is your pleasure?’ But to all that
-he said they cried only ‘Carles!’ Not yet aware of their intentions, he
-exclaimed: ‘One at a time, if you please;’ and singling out a puny yet
-over-energetic malcontent in the pit, he begged pardon of the audience,
-saying: ‘Let me hear what _this_ gentleman has to say.’ Then addressing
-the man: ‘Now, sir, I’ll attend to you _first_, if the rest of the
-gentlemen will allow me.’
-
-The man, as might be imagined, was not a little taken aback at this
-remark; yet he managed to say: ‘Carles’ name is in the bill, and where
-is he?’ At this, Elliston assumed a grave air, and folding his arms,
-addressed the people as follows: ‘Ladies and gentlemen, with your
-leave I will say a few words. I admit that Mr Carles’ name _is_ in
-the bill; I do not wish to deny it; but’—here he assumed a decidedly
-tragic tone—‘but are you to be reminded of the many accidents that may
-intervene between the issuing of that bill and the evening’s fulfilment
-of its promise? Is it requisite to remind the enlightened and thinking
-portion of the public here assembled that the chances and changes of
-human life are dependent upon circumstances, and not upon ourselves?’
-
-Here all shouted: ‘Ay, ay; bravo!’
-
-The manager, pointing to the man in the pit, went on: ‘And you, sir,
-who are so loud in your demand for Mr Carles, cannot _you_ also
-imagine that his absence may be occasioned by some sore distress,
-some occurrence not within human foresight to anticipate or divert?
-Cannot you picture to yourself the possibility of Mr Carles at this
-moment lying upon a sick—nay, perhaps a dying bed, surrounded by his
-weeping children and his agonised wife’ [Mr Carles was a bachelor!],
-‘whose very bread depends upon the existence of an affectionate devoted
-husband and father, and who _may_ be deprived of his exertions and
-support for ever? Is it so _very_ difficult to imagine a scene like
-this taking place at the very moment when you are calling for him so
-imperiously to appear before you, selfishly desirous of your present
-amusement and unmindful of his probable danger!’ Great and general
-applause.
-
-Inwardly, Mr Elliston felt struck at the success of his diplomacy,
-especially as at this point the audience turned against the man who had
-spoken, and joined their voices in cries of ‘Turn him out!’ to which
-sentence the manager found it best to lend countenance; and having
-given his permission, the unlucky ‘pitite’ was summarily ejected from
-the theatre, and in a little while the performance was continued in
-perfect order.
-
-Calls for the author after the first representation of a new play are,
-of course, frequent, the more especially when the work has given entire
-satisfaction. In some instances, the audience summon that individual
-to appear for no other purpose than to hiss him for the unskilfulness
-of his performance; in which case, the author will most probably
-retaliate with a speech wherein mention of ‘an organised opposition’
-comes uppermost. Speaking of the former, some curious examples might
-be noted. An author frequently announces, through the medium of the
-manager, that he has betaken himself abroad, or, say, to Scotland,
-fearing the result of his piece, whereas he may be quietly looking on
-at the back of the pit, or has concealed himself behind the curtains
-of a private box. In another case, the successful author will attempt
-to make a speech, while bowing his acknowledgments, and signally fail,
-retiring considerably more abashed than triumphant. But the crowning
-episode to be narrated in this connection occurred some years ago at
-one of the Dublin theatres, when one of the tragedies of Sophocles was
-put on the stage. At the close of the performance, the ‘gods’ loudly
-called for the author; whereupon the manager explained that as the
-author had been dead more than two thousand years, he could not very
-well appear. Nothing disconcerted, a very small gallery-boy called out:
-‘Then let’s have his mummy!’
-
-Dramatic, including operatic, artistes taking their benefits are almost
-invariably honoured with a call before the curtain. On such occasions,
-too, they may fairly be entitled to considerable latitude in various
-ways, as, for instance, in their own selection of the programme for
-that evening. Notwithstanding this, they should not suffer themselves
-to infringe the ordinary regulations of the establishment. Not very
-long ago, a star _prima donna_ of the very first magnitude, when taking
-her benefit at the Imperial Opera, St Petersburg, found herself called
-before the curtain more than twenty consecutive times. In the end
-she occupied the centre of the stage, and addressed her enthusiastic
-patrons a few words in the Russian language, then offered to show
-her gratitude for their favours by singing them a song in their own
-tongue. This was received with rapturous applause; but judge of her
-surprise when, after retiring from the stage, the management fined her
-two thousand francs for addressing the audience without permission!
-The proceeds of her benefit were thus considerably reduced; and her
-experience was only in one degree removed from that of the French
-pantomimist and dancer, as related by Charles Kemble. This individual
-was in the habit of taking a benefit at regular intervals, but always
-with a loss. One night, however, he came before the curtain with a
-beaming countenance, and after a polite bow, he acknowledged his thanks
-in these terms: ‘Dear public, moche oblige; very good benefice; only
-lose half a crown dis time. _I come again!_’
-
-At an American theatre, an actor once took his benefit, and selected
-as the play for the occasion, _Uncle Tom’s Cabin_. The company being
-small, he found it necessary not only to subject several of the
-incidental characters to being doubled—that is, one actor to sustain
-two different characters in the same piece, rapidly changing his
-costume from one to the other as occasion requires—but he also accepted
-a double himself. His was that of Sambo with St Clair. St Clair
-appears in one act, and Sambo in the next. Having won considerable
-honours as the first individual, the actor, directly the curtain had
-descended, hurried away to his dressing-room to prepare in all haste
-his toilet and costume for Sambo. His face and hands had of course to
-be blacked; and in the midst of this operation of applying the burnt
-cork, the prompter entered his room to announce that the audience were
-uproarious for him to appear before the curtain. ‘But I can’t,’ he
-exclaimed; ‘it is impossible; I’m just making up for Sambo!’ Nothing,
-however, would satisfy his patrons short of responding to his call; so
-boisterously demanded, that, without his compliance, the performance
-could not possibly proceed. At length our hero made his appearance.
-But the audience were scarcely prepared to receive him in his altered
-person, and, failing to recognise the metamorphosed St Clair in the
-half-made-up Sambo, they shouted: ‘Go away! Who sent for you?’
-
-Floral offerings are, of course, pleasantly associated with artistes’
-benefits, and long may they so continue. The Emperor Nero, it is
-said, always provided the Roman spectators with the thousand-and-one
-bouquets which were thrown at his feet when he occupied the stage. But
-bouquets _voluntarily_ offered are worthy to be prized very highly.
-Not very long ago, Mr Edward Terry, when taking his leave of an Irish
-audience, was honoured with the reception of a beautiful floral wreath,
-which must have been infinitely more acceptable than that wreath
-of _immortelles_ which some insulting ruffian cast at the feet of
-Mademoiselle Favart, at a French theatre, a few years ago, in order
-to indicate that her age had placed her beyond the power of playing
-youthful parts. Had she been composed of the same metal as was the
-actor in the following example, she would have enjoyed the opportunity
-presented of paying the wretch back in his own coin. The story may be
-accepted as true.
-
-At the close of his own benefit performance, a certain favourite
-comedian was called before the curtain at a theatre in Vienna. In the
-midst of a shower of bouquets, some insulting individual threw a bunch
-of vegetables on the stage. Very complacently the _bénéficier_, having
-marked from what portion of the house it had proceeded, picked up the
-article, and said: ‘We have here an interesting collection of carrots
-and turnips. From my slight knowledge of natural history, I believe
-this to be the proper food for asses; I therefore return it to its
-owner, for who knows in these hard times he may be in want of such a
-meal in the morning!’ With these words, he threw the object whence it
-came; and the individual being discovered, was immediately expelled
-from the theatre amid mingled hisses and applause.
-
-
-
-
-THE MINER’S PARTNER.
-
-
-IN FOUR CHAPTERS.—CHAPTER I.
-
-There was a good deal of excitement in the mining camps at and near
-Flume City, which, as every mining reader knows, was prominent among
-the gold-diggings, and gold-washings also, of Colorado twenty years
-ago. A meeting of miners was being held at the largest building in
-the city—a wooden shed, which called itself a restaurant, at which
-there were assembled some forty or fifty men, rough-looking, roughly
-clad, and armed with revolver and knife, although no intention existed
-of using such weapons at this gathering. The assembly, indeed, had
-been called together with an object calculated to promote union and
-comradeship—to assist in maintaining individual rights and to support
-the law generally.
-
-There was a president, of course, and his discourse, if not polished,
-was much to the point. ‘I reckon,’ he said, after the meeting had
-lasted perhaps an hour, and several speeches had been made, with a good
-deal of shouting in the way of approval—‘I reckon that the citizens who
-have spoken are about right. We have got some traitors among us, and
-that’s where the worst comes in. It wasn’t by chance that any outside
-loafer knew just when to steal the washings at the Long Placer last
-night, or that Scotch Ned was sent away when the stamp-mill was broken.
-We know who broke the mill—it was Bill Dobell. But who told him to come
-in then? And who could have known that the Kentucky boys at the Long
-Placer had got the best washings they had seen this year? Who could
-have known that but one among us?’
-
-The president said much more to this effect; but the remainder of his
-speech, with the various orations which followed, need not be given, as
-we have shown what was the nature of the excitement which had called
-the miners into solemn conclave.
-
-The language used was odd and quaint enough; to many it would have
-sounded absurd in its phraseology; but no fault could have been found
-with the matter. That was direct and shrewd, and evinced a strong
-determination to put down the mischief which was making itself felt.
-
-At the conclusion of a pithy harangue, in which the speaker urged
-vigorous and brief proceedings against any one detected in such
-unpardonable conduct, or reasonably suspected of complicity in
-the crime—for robbing the troughs in a mining country is looked
-upon as worse than murder, and is considered to be quite as bad as
-horse-stealing—a voice exclaimed: ‘You air right, colonel!’
-
-Every one started at the sound, and looked in the direction of the
-speaker, who, having recently joined the meeting, with several others,
-stood near the door. A dozen men whispered to their next neighbours:
-‘Why, it is Rube Steele!’ And significant glances were exchanged.
-
-‘I thought the other day there was Injuns lying around to thieve,’
-continued the man; ‘so, when’——
-
-‘You told us so, Rube,’ interrupted the president; ‘and the Kentucky
-boys from the Long Placer came into committee on the subject; and their
-troughs were robbed while they were gone. You know _that_, I estimate?’
-
-A murmur as of approval of the president’s language ran through the
-meeting. Rube noted this, but it did not disturb him. A peculiarly
-sinister glance which he threw around him was perhaps natural to his
-not greatly attractive features.
-
-‘Yes; I expect I know that; and I expect that I know the tale about
-the Injuns was a fraud,’ returned Rube. Something like a sarcastically
-approving laugh ran through the meeting at these words; but the speaker
-continued, without appearing to notice it: ‘That stranger from San
-Francisco was the man who brought the news. You believed him; so did I.’
-
-‘We believed you, Rube; you said the man was reliable,’ again
-interrupted the president.
-
-‘That is so,’ replied Rube. ‘He brought messages from leading Frisco
-citizens, men known to me, and so I believed him. But I tell you he is
-no good; and he has gone off with nigh upon three thousand dollars in
-gold-dust which I trusted to him. He brought me an order from Ben, my
-pardner, to say he was to have the dust; and though I did not like the
-idea, I parted with it. And on coming into camp and asking Ben about
-it, I find he never gave any order at all. And it is my belief that
-this is the man who robbed the washings at the Kentucky boys’ placer.’
-
-‘And where is Ben?’ began the president, who would probably have said
-more, but that a man burst hastily into the saloon as the question was
-asked, and shouted in answer: ‘Here! Here is Reuben Steele’s pardner.
-Who wants him?’
-
-‘We want you to hear what has been said,’ returned the president, ‘and
-to give us your opinion about Californy Jones—the stranger who was
-introduced by your pardner, but who, Rube now says, is the man who
-robbed the placer, and has robbed him of three thousand dollars.’
-
-‘I can’t say anything about the placer; maybe Rube knows more about
-that than I do,’ replied the new-comer. ‘But the man has gone off with
-three thousand dollars; that’s a sure fact; and as Rube gave him the
-dust, it’s a sure fact too, he knows more about that than I do.’
-
-‘I know no more than yourself,’ retorted Rube. ‘The man produced an
-order from you. I could not tell that it was a forgery, and you have
-always considered yourself as the boss of our outfit.’
-
-‘Wal, gentlemen, and Mr President,’ continued Ben, ‘I can tell you
-we have got murderers among us. Yes, gentlemen, that is so—real
-cold-blooded murderers, that will lie in wait for honest, law-abiding
-citizens and shoot them from behind rocks.’
-
-A louder murmur ran through the assembly here; and the president asked
-Ben his meaning.
-
-‘My meaning is this,’ continued Ben. ‘You know I am clearing out, and
-shall leave the camp in a day or two, so that we are realising all our
-property, and this gold-dust was a part of what I am going East with.
-So, I kinder felt like riled at losing it; and when my pardner told me,
-as cool as maybe, that he concluded this stranger had vamoosed with my
-dust’——
-
-‘And mine!’ interjected Rube.
-
-‘Wal, let every man speak of his own business,’ returned Ben, who was
-evidently in anything but a good temper. ‘I say he had cleared out
-with mine, anyhow; and I was riled, I tell you. But at that minute, I
-saw, crossing the Mule Back Ridge, two men on horseback. The Ridge is
-distant a good piece; but I could swear one was that stranger. “Send
-some of the boys on,” said I to Rube. “I shall go through the cañon, so
-shall meet them. They must cross there, if they don’t mean to go into
-the mountains.” And I was sure they did not want the mountain road. So
-I sot off. But I was waited for. There are as bad men left in the camp
-as have gone out of it; and at the very entrance of the cañon, when
-them horsemen must have been a good two miles away, some desperadoes
-fired at me from behind a rock. There was more than one shot fired
-at the same time, I know; and—see here, Mr President!—they took good
-aim.’ As he said this, he threw off his long outer coat, and handed it
-to the president, who, after a momentary examination, held it up, and
-exhibited an unmistakable bullet-hole in the skirt.
-
-‘That was near—that is a fact!’ exclaimed the president. ‘And what did
-you do then?’
-
-‘I turned back,’ said Ben. ‘It was of no use my pushing on alone, with
-the rocks lined with murderers, with men who expected me, and were in
-league with Californy Jones.’
-
-‘And where was Rube?’ asked the president.
-
-‘I was at the head of a bunch of boys of the right sort, seven or eight
-of them, that I had looked up in the camp. They are here now: Long Sim,
-Missouri Rob, Major Dimey and friend, with some others, all first-class
-citizens.’
-
-An assenting exclamation from each of those he named confirmed the
-speaker.
-
-‘I could not do more than that,’ continued Rube. ‘And when I found my
-pardner on the return-track, it was no use my proceeding. I came back
-to the city, and then right away to this here convention.’
-
-‘I could have raised twice the force in a quarter of the time he took!’
-cried Ben, intercepting some remark which it was evident the president
-was about to make. ‘And why I did not come straight here was because
-there was something in my tent I thought I had best look after. I had
-left my tent in the care of a friend; but you don’t know what may
-happen, with such loafers and scoundrels hanging around.’
-
-‘Wal, fellow-citizens,’ said the president, ‘this convention didn’t
-assemble, I reckon, to hear the rights of any difference between two
-pardners; and it ain’t our business nohow. We are here to discuss the
-existence of thieves and scallawags amongst us, and to decide upon the
-beet means of clearing them out—that is all.’
-
-Thus recalled to business, the assembly resumed its former discussion,
-and the quarrel between the partners was not again openly referred
-to; but it coloured all that was said, and many remarks upon it were
-made in the body of the meeting. It was clear that public feeling was
-much against Rube Steele, although a few of those present were his
-partisans; but these latter appeared to consist only of the ‘bunch’
-of citizens he had referred to, and were not altogether free from
-suspicion themselves.
-
-The gathering separated without having come to any formal resolve,
-beyond appointing a few of their members to act in committee and to
-decide what steps should be taken; but as it was notorious that each of
-the chosen ones was a leader among the Regulators, as they were once
-called—or the Vigilantes, to use their now familiar Spanish name—there
-was probably more significance in their appointment than at first
-appeared.
-
-For that night at anyrate no fresh outrages were apprehended; the
-thieves, whoever they were, possessed information too prompt and too
-certain to allow them to venture on a renewal of their attempts during
-the excitement and watchfulness which would prevail for a time in the
-vicinity of Flume City.
-
-In its neighbourhood, few persons were abroad after nightfall; it was
-dangerous, indeed, for any one to approach a tent without making his
-presence loudly known; a shot would probably be the first intimation
-that he was trespassing on dangerous ground; while a few of the miners
-possessed large and savage dogs, which would be loosed on hearing
-a footstep near the tent. So those who had business which led them
-abroad, were careful to confine themselves to the main street of Flume
-City, if such a title could fitly be applied to the straggling avenue
-which ran from end to end of the place. But spite of these drawbacks, a
-few persons were moving in the environs of the city, and even at a good
-distance beyond its boundaries, dark though the night was, and only
-relieved from utter gloom by the starlight, for moon there was none.
-
-One man who was going towards the town, stopped suddenly, as his quick
-ear caught the sound of an approaching footstep, and with the caution
-of one accustomed to frontier-life, drew himself up by the side of one
-of the very few trees which remained in the vicinity of Flume City, so
-that in the obscurity it was almost impossible for any passing eye to
-detect him. The next instant a single man hurried by, passing between
-the first comer and the starry sky, so that his figure was visible
-with tolerable distinctness to the concealed watcher. This second man
-did not look to the right or left—it would have been almost impossible
-for him to detect the spy, had he done so—but went quickly on in a
-direction which seemed to surprise the hidden observer.
-
-‘What can he want there?’ exclaimed the latter, stepping from his
-hiding-place, when the other had fairly gone past. ‘There ain’t no
-shanties nor no living soul in that direction. It was surely Rube
-Steele; and without he has gone crazy, I can’t fix anyhow why he should
-be going towards the cañon after nightfall. I will see where he _is_
-going; and if he has turned crazy, I may help him; and if not, I shall
-find out what he wants in the mountain pass.
-
-He was moving carefully but quickly in the direction the other had
-taken, while he was muttering these disinterested sentiments; and
-although he could only see the figure he followed, at intervals, when
-the man climbed a ledge and stood for an instant in relief against
-the sky, yet there was no difficulty in the pursuit. He could hear
-his steps as they disturbed the loose stones which strewed the way,
-and knew besides, that in the wild spot which they had reached, there
-was no means of turning to the right or left, so that he could not
-easily miss the chase. Presently the tread of the foremost man became
-slower, and the pursuer, as a matter of course, moved at a slower rate
-also—slower and slower still, until the former stopped, or only moved
-about the same spot of ground.
-
-‘What on airth is he going to do?’ muttered the other man. ‘It’s so
-dark—for he is right under the shadow of Big Loaf Rock—that he can’t
-see to dig, nor hunt after any buried—— Wal! that means something!’
-This exclamation was caused by a low whistle which Rube Steele—if
-indeed it were that person—suddenly gave. This was repeated, and
-then answered from a distance. ‘I feel like seeing the end of this,’
-continued the spy; ‘and I mean to.’
-
-Acting upon this determination, he crawled carefully forward, for he
-was too near to venture upon standing upright; and moreover, as the
-answering whistle had proved that others were in the neighbourhood,
-he was compelled to be on his guard against discovery from other
-quarters. His quick ear soon caught the sound of an approaching tread,
-and directly after, he heard words spoken. The spy’s curiosity was
-now raised tenfold, especially as one of the two men who were now, as
-he well knew, close to him, struck a match to light his pipe, and the
-momentary flash showed him both figures in a brief glimpse. They were
-unluckily placed with their backs towards him, so that he could not
-see their features. He now felt confident that the first one was Rube
-Steele, and that the second was not entirely unknown to him, but more
-than this he could not tell.
-
-This was terribly tantalising; and after the brief illumination of the
-match, a more impenetrable darkness seemed to have settled upon the
-pass and the rocks around; so, at all hazards, he resolved to get still
-nearer. He was perhaps a little unguarded in his eagerness, and made
-some slight noise, and it is certain that he had not calculated all the
-hazards which might environ him, for a low fierce growl showed that a
-dog was with the men, and the spy shuddered with horror as he heard the
-sound.
-
-‘Did you hear anything?’ said a harsh voice. ‘The dog would not have
-growled like that, unless some one was hanging around.’
-
-‘Nonsense!’ returned the other; and the voice was certainly the voice
-of Rube Steele. ‘He heard a jack-rabbit, perhaps, or scented a polecat.
-I reckon there ain’t a soul within a league of this cañon to-night. The
-miners are all at Flume City, and the Indians have left the district
-for more than a week past.’
-
-‘You may be right,’ returned the first speaker. ‘But the dog is uneasy,
-and I never knew him give them signs for game or venison; no, nor for
-Injun neither. I should have said there was a white man near. But we
-air a little too much in the line of the main pass to show a light,
-which we must do. Come behind this rock.—Good dog!—mind ’em!’ These
-last words were of course addressed to the dog, which had continued to
-growl at intervals while his master was speaking, although the unseen
-watcher had lain as still as death. The animal was apparently soothed
-by being thus noticed, and probably followed the men, whose footsteps
-could be heard as they removed to the proposed cover behind the Big
-Loaf Rock.
-
-The spy had no inclination to follow them to learn more, but crawled
-carefully and noiselessly over the ground until he was at a safe
-distance from the pass; so far, indeed, that he judged that even the
-acute ears and scent of the dog could not detect him when he rose, and
-hurried in the direction of the city as fast as his legs could carry
-him.
-
-On the outskirts, he knocked at the door of a shanty, a log-built hut
-with earthen floor, such as the Mexican peasantry, and even their
-betters, often reside in; and in answer to a gruff challenge from
-within—for the inmates were in bed, or stretched on such pallets as
-served for beds—he returned an answer which seemed to satisfy the
-questioner, for after a little more gruff grumbling, the door was
-opened, and he was admitted.
-
-In answer to his inquiry, the gruff voice said: ‘No; nary drop of
-anything but water; ye kin have that. Your voice sounds all of a
-tremble, Absalom; and if ye don’t get shot over the cards or drown
-yourself, I guess ye won’t last long as a miner, anyhow.’
-
-Absalom, as he was called, hesitated for a moment, as though about to
-say something in his defence, but eventually decided on making no reply
-to this rather unpleasant speech, and threw himself down on a buffalo
-skin which the other man pushed towards him. No further conversation
-took place, and the shanty was as dark and silent as were the remainder
-of the scattered dwellings on the outskirts of Flume City.
-
-
-
-
-CURIOSITIES OF THE ELECTRIC LIGHT.
-
-
-The first curiosity of the electric light was of course its discovery
-in 1802 by Humphry Davy, then an assistant-lecturer at the Royal
-Institution. With one of the new batteries which Volta had invented
-two years before, Davy was surprised to get a brilliant white light
-when the poles of the battery were joined through two pieces of carbon.
-Later on, his astonishment was increased when he found how intensely
-hot was this ‘arch’ of carbon light—the hottest known artificial
-source. ‘Platinum,’ he wrote, ‘was melted as readily as is wax in the
-flame of a common candle; quartz, the sapphire, magnesia, lime, all
-entered into fusion.’ Even the diamond swells out into a black mass
-in the electric arc, and carbon itself has been known to soften. Dr
-Siemens, as is well known, utilised this fervent heat to fuse metals
-in a crucible. With the arc from a dynamo capable of giving a light
-of five thousand candles, he fused fifteen pounds of broken files in
-as many minutes. Indeed, the temperature of the arc ranges from two
-thousand to five thousand degrees Centigrade. Another curiosity of
-the arc is that it can be shown in water or other liquids without
-quenching. Liquids have a diffusive action on the light; and a globule
-of fused oxide of iron between platinum wires conveying the current,
-produces a very fine golden light. The fused plaster of Paris between
-the carbons of the Jablochkoff candle also forms a brilliant source of
-light in the arc; as does the marble separator which answers the same
-purpose in the _lampe soleil_. Indeed, this white-hot marble, rendered
-luminous by the arc, gives out a mellow radiance so closely resembling
-sunshine as to give the lamp its name. Such a light is very suitable
-for illuminating picture-galleries.
-
-Electric light is also produced by sending a discharge through vacuum
-tubes like those of Geissler; and the varied colours thus produced
-are exceedingly pretty. Phosphorescent substances, too, such as the
-sulphide of barium, or the platino-barium cyanide, become highly
-luminous when inclosed in a tube and traversed by the electric current.
-
-Besides the voltaic arc, we have now, however, another kind of electric
-light—namely, the incandescence which is produced by sending the
-current through a very slender filament of platinum wire or carbon
-fibre inclosed in a glass bulb exhausted of air. Such are the lamps
-of Swan, Edison, and others. These lamps have also their curious
-features. The temperature of the filament is of course much lower than
-the temperature of the arc. It is only about eighteen hundred degrees
-Centigrade, for if it were higher, the delicate filament would be
-dissipated into vapour which would condense like smoke on the cool
-glass. With a platinum filament, the metal would ‘silver’ the interior
-of the bulb. Curiously enough, when the copper ‘electrodes’ or wires
-conveying the current inside the bulb to the filament of an Edison lamp
-are accidentally dissipated by excess of current, the carbon thread
-seems to shelter the glass from the copper shower, for Dr J. Fleming
-has observed that there is always a blank line on the glass opposite
-the filament, while all the rest is coated with a film of copper. When
-the carbon itself is dissipated, this blank line is not seen, and
-the whole interior of the bulb appears to be smoked. According to Dr
-Fleming, this means that the molecules of copper move in straight lines
-in the vacuum.
-
-During the ordinary action of one of these lamps there is believed to
-be a kind of molecular bombardment between the two sides of the carbon
-filament, which is usually bent into a loop. This battery of atoms in
-time disintegrates the filament near its junction with the wires where
-it is severest, and a patent has recently been taken out by Mr Brush,
-the well-known inventor, for the insertion of a mica screen between the
-legs of the filament to shield them from the pellets.
-
-The spectrum of the voltaic arc consists of the continuous ribbon
-spectrum of the white-hot solid carbons, and certain bright lines
-due to the glowing vapours of the arc. The light is rich in the
-blue or actinic rays so productive of chemical action, and hence it
-is, perhaps, that Dr Siemens found it so effective in forcing fruit
-and flowers by night in lieu of the sun. It helps the development of
-chlorophyl; and perhaps the electricity itself has also something to
-do with assisting growth, apart from the light, for several French
-experimenters have found that electrified soil and air seem to foster
-plants better than unelectrified. It is remarkable, too, that young
-bamboo shoots grow very rapidly after the thunderstorms which usher in
-the Indian monsoons.
-
-The power of the arc-light is something unrivalled by any other light,
-whether of limelight or magnesium. At the famous Crystal Palace
-Electrical Exhibition, an arc reputed to be one hundred and fifty
-thousand candles in power was lighted every evening. The carbons
-were stout copper-plated bars nearly two and a half inches thick.
-This intensity of illumination renders the arc eminently adapted for
-lighthouses and search-lights. Hence it is that the French government
-have decided to light forty of their coast lighthouses by electricity,
-and that most of our warships and military trains are now equipped
-with electric lamps for searching purposes. We read that the fleet at
-Alexandria explored the Egyptian forts by night with powerful arcs; and
-that the French Admiral at Madagascar struck terror into the breasts of
-the simple Hovas by a similar display.
-
-For scouring the sea in search of torpedo-boats by night, or icebergs
-and other ships during a fog, the value of the arc-light cannot be
-too highly estimated. The screw-steamer _Faraday_, while engaged some
-time ago in laying a new Atlantic cable, would have run right into an
-iceberg in a Newfoundland fog, but for the electric beam projected
-from her bows into the misty air ahead. Fog, however, has a peculiarly
-strong quenching power over the arc-light, owing to the preference it
-has for absorbing all the blue rays, and to the comparative poverty of
-the orange colour. Hence it is that electric arc-lamps look so white
-and dim in a dense fog. A single gas-jet can be seen about as far as a
-two-thousand-candle arc-lamp. This is because the gas-jet is rich in
-those red rays which penetrate a fog without being absorbed; whereas it
-is poor in the blue rays which are quenched. For this reason, also, the
-incandescence lamp is preferable to the arc for a misty atmosphere.
-
-The incandescence lamp can also burn under water, and owing to its
-pretty shape, its pure light, its cleanliness, and independence of
-everything except wires to bring the current to it, is highly suitable
-for decorative purposes. It particularly lends itself to ornamental
-devices of a floral order; and a great variety of chandeliers and
-brackets have now been designed representing various plants with leaves
-of brass or filagree, and flowers composed of tinted crystal cups
-containing the lamps. Fruit is also simulated by lamps of coloured
-glass. For example, at a Drury Lane Christmas pantomime, both holly and
-mistletoe berries were imitated by incandescence lamps of crimson and
-opal glass. Artificial lemon-trees, with fruit consisting of yellow
-lamps, also make a pretty dining-table ornament. So do vases of roses
-with incandescence lamps hid in them, an ornament devised by Mr J.
-W. Swan for his residence at Bromley. Aquaria, too, can be lighted
-internally by incandescence bulbs, and it would be very pretty to see
-the lamps lying beside growing sea-anemones, whose expansion might seem
-the more lovely under the stimulus of their rays.
-
-A Christmas-tree looks very pretty when lighted by a hundred
-incandescence lamps; the first attempted being in all probability that
-in the Swedish section of the Electrical Exhibition held in Paris
-two years ago. At the Vienna Electrical Exhibition there are, while
-we write, some novel effects of electric illumination; for instance,
-there is a hall lighted entirely from the ceiling by electricity. The
-ceiling is painted a deep blue to represent the sky, and studded with
-innumerable stars in the shape of incandescence lamps. This reminds
-us of the allegorical sun produced in the window of Mr Mayal, the
-well-known photographer, by means of the same illuminant.
-
-From its cool brightness and safety from fire, the incandescence
-light is very well adapted for theatres, and there are now several
-opera-houses and theatres lighted by it. The Savoy Theatre, London; the
-Princess’s Theatre, Manchester; the Lyceum Theatre, Edinburgh, &c.,
-are all lit by incandescence lamps owing to its brilliance as compared
-with gas. Some change was necessary in the making-up of the actors
-and actresses, and the painting of the scenes; but at the New Grand
-Theatre, Islington, the changes have been avoided by the use of yellow
-glass bulbs which soften the light. At the Electrical Exhibition,
-Vienna, there is a model theatre with numerous scenic effects never
-before attempted by gas; and moonlight, sunrise, sunset, twilight,
-and night are all imitated with great fidelity. In the drama of _Love
-and Money_ at the Adelphi Theatre, a flood of daylight bursting in
-upon some entombed miners through a hole cut in the coal by a rescuing
-party was very well imitated by a beam of ‘arc’ light. The practice
-of wearing tiny star lamps on the hair or dress has also come more
-into fashion. Probably the first use of it was by the fairies in the
-comic opera of _Iolanthe_ at the Savoy Theatre. Each fairy carried a
-small accumulator on her back half concealed by her wings, and this
-gave electricity to a miniature Swan lamp mounted on her forehead.
-Ladies are sometimes to be seen with miniature lamps attached to their
-dresses, and lighted by a touch of their fingers upon a small key hid
-in their belts. One might have glowworm or firefly ornaments at this
-rate. The ‘death’s-head’ pin worn by gentlemen in Paris a year or two
-ago was a similar application of the electric current. On touching a
-key to complete the electric circuit of a small pocket battery, the
-eyes of the death’s-head in the wearer’s breast began to shine like
-sparks of fire.
-
-The use of the electric light for sporting purposes has had some
-curious developments. Polo, cricket, base ball, skating, and so on,
-have all been played by night. At the Montreal Ice Carnival last
-winter, the huge ice palace was illuminated both out and in with
-thousands of electric lights, and skating, curling, snow-shoeing, and
-toboganning went on by night as well as day.
-
-Gnats are fascinated by a powerful electric lamp, and dance about it as
-they do in a beam of evening sunshine. Light has an attraction for many
-animals besides insects. Flying-fish spring out of the sea when sailors
-hang a lantern by the ship’s side; and in California now it is the
-custom to submerge a cluster of Edison lamps from the bows of a boat
-with a net expanded below. When the fish gather round the light the net
-is closed on them, and after being hauled out of the water they are put
-into water-tanks, and sent alive on special cars by overland rail to
-New York and the Eastern States. The French _chasseur_ also makes a bag
-sometimes by employing an electric light to attract his feathered game;
-pigeons especially being lured by it.
-
-Owing to its power, the arc-light is very well suited for signalling
-purposes; and hence it is now used with the heliograph to signal the
-approach of cyclones between the British island of Mauritius and
-Reunion in the Indian Ocean. It has also been proposed to signal by
-transparent balloons lit by incandescence lamps. The balloon is raised
-to a good height by a rope which also carries the wires conveying the
-current to the lamps; and flashes according to an understood code of
-signals are made by working a key to interrupt the current, as in the
-act of telegraphing.
-
-Diving operations under the sea are greatly facilitated by the electric
-light; and a trial was recently made of a powerful lamp at Marseilles
-in lighting up the hull of a sunken ship. The amber hunters of the
-Baltic are also using the light for seeking the fossil gum on the
-sea-bed, instead of waiting until the waves cast it on the shore.
-Sea-water is remarkably clear, and the rocks of the seashore are often
-beautifully covered with weeds and shells. It is no wonder, then, that
-a submarine balloon has been devised by one Signor Toselli at Nice,
-for going under water to examine them. This observatory holds eight
-people, and has a glass bottom and an electric light for illuminating
-the sea-caves.
-
-The electric light is not free from danger; but, from not being
-explosive, it is far from being as fatal in its effects as gas. There
-have been several deaths from electric shock caused by the very
-powerful currents of the Brush and Jablochkoff machines. For instance,
-a man was killed instantly on board the late Czar’s yacht _Livadia_
-when crossing the Bay of Biscay. He had accidentally grasped the bare
-connections of one of the electric lamps and received the current
-through his breast. Others have been killed by touching bare wires
-conveying the current; a man in Kansas City, United States, met his
-death quite recently in repairing some electric light wires without
-knowing that the current flowed in them. Carelessness of some kind
-was the source of these misfortunes; but the use of such very deadly
-currents is to be deprecated. When the electromotive force of an
-electric current exceeds five hundred volts it becomes dangerous, and
-hence it is that the Board of Trade prohibits the use of more powerful
-currents for general lighting. The use of overhead wires, sometimes
-uninsulated and never wholly insulated, such as obtains in some parts
-of the United States, ought also to be eschewed, and underground
-cables, safe out of harm’s way, employed instead. With cables buried
-in the earth, we should not have a repetition of the curious incident
-which recently happened at the Luray Cavern in Virginia, where
-lightning ran into the cave along the electric light conductors and
-destroyed some of the finest stalactites.
-
-The plan of having tall masts with a cluster of very powerful lights
-reflected from the height by mirrors is a very good one, since it
-obviates the distribution of wires and lamps. By imitating the sun, in
-this way a Californian town is entirely lighted from one or two masts;
-and it is satisfactory to know that the system is being tried at South
-Kensington.
-
-The dynamos of electric machines have been known to explode, or rather
-burst from the centrifugal force due to the rapid revolution of the
-armature. An accident of this kind recently caused great alarm in a New
-York theatre. Sparks from the red-hot carbons of arc-lamps, or between
-wire and wire of the conductors, have also led to many small fires;
-but none of any great consequence. A spark is so feeble a source of
-heat that, unlike the spilling of an oil-lamp, it does not produce a
-powerful fire, provided the materials it falls among are not highly
-inflammable. On the whole, the danger of fire with electric lighting,
-especially incandescence lighting, has probably been exaggerated. The
-incandescence lamp itself is very safe, since if one be enveloped in
-light dry muslin and broken, the muslin is not burnt. In fact, the rush
-of air caused by the broken vacuum entirely dissipates the red-hot
-filament.
-
-From its injurious aspects we turn now to its beneficial qualities.
-The arc-light by its brilliance is not good for the eyesight when
-looked at direct, but there is probably nothing harmful in the light
-itself, unless it should be the excess of violet rays. It is a cool
-light; and hot lights, by drying the natural humours of the eye, are
-the most prejudicial to the sight. The incandescence light which
-is free from excess of violet rays is also a cool light; and as it
-neither pollutes nor burns the air of a chamber, it is the best light
-for a student. Small reading-lamps, fitted with movable arms carrying
-incandescent bulbs, are now manufactured for this purpose. Even with
-the incandescence lamp, however, it is advisable not to look at the
-brilliant filament.
-
-Surgeons and dentists find these little incandescence lamps of great
-service in examining the teeth and mouth. Some are made no larger than
-a pea. Others are fitted into silver probes (cooled by circulating
-water) for insertion into the stomach to illuminate its coats, or
-enable a physician to diagnose other internal organs. Dr Payne, of
-Newcastle-on-Tyne, recently made an examination of the liver by
-inserting one of these endoscopes into it through an incision made in
-the abdomen. M. Trouvé has also fitted a small lamp to a belt which
-goes round the physician’s forehead, thereby enabling him to direct the
-light to where he is looking. Another experimenter has so applied the
-light that he has been able to photograph the vocal chords while in
-the act of singing; and a third has illuminated the whole interior of
-a living fish, so that all the main physiological operations could be
-witnessed by a class of students. Such services as these could not be
-rendered by any other known illuminator.
-
-
-
-
-HUSH-MONEY.
-
-
-Out of the countless variety of evil-doers who thrive upon the
-misfortunes of their fellow-creatures, and are enabled to gain a means
-of livelihood by the folly and timidity of their dupes, one class above
-all others seem to conduct their depredations with much success, on
-account of the defenceless position of the unhappy individuals upon
-whom they prey. We allude to those who make it their business to levy
-what is termed ‘hush-money.’
-
-There are innumerable miscreants who thrive upon the possession of some
-discreditable secret or family skeleton, which throws a desolating
-blight over many a life, to all appearance surrounded by every comfort
-and luxury wealth can command. Scoundrels of this description, secure
-in the helplessness of their victims, pursue with impunity their
-merciless system of extortion, being well aware that the terror of
-exposure is so great, that silence will be purchased at any price.
-If persons who are threatened by ruffians of this kind with exposure
-of some private matter, were once and for all to refuse to pay one
-penny for the silence of these extortioners, how much misery would
-be avoided! Each instalment of hush-money only serves to whet the
-appetites of these social harpies. It is infinitely preferable to face
-boldly at first the worst, no matter of how serious a nature, than
-to supply blackmail for the purchase of what can never be security.
-The majority of malefactors are cowards at heart, although a craven
-nature is in such cases concealed often by bluster and braggadocio. It
-therefore becomes all the more important at once to withstand their
-infamous importunities.
-
-The ordinary observer, while reading in some sensational novel the evil
-deeds and extortion perpetrated by the class of knaves who subsist
-on hush-money, would be inclined to attribute them to romance. It
-is, however, well known to those who have had experience in criminal
-matters, that the novelist’s fertile imagination pales before stern
-reality. Innocent persons have been threatened with an accusation of
-some infamous crime, and at the same time money has been demanded as
-the price of silence. The dread caused by even an accusation of such a
-nature has often, unfortunately, induced persons so situated to accede
-to extortionate demands. There are plenty of _mauvais sujets_ hovering
-about society who make it their business to become intimate with the
-private history of those upon whose infirmities they intend to trade.
-Not many years since, a notable instance of this occurred. A gentleman
-in a high social position was ruthlessly assailed and socially ruined
-by a miscreant, who traded upon the possession of some information of
-a dubious nature reflecting discredit upon his wife. For a lengthened
-period this gentleman had paid considerable sums of money for the
-silence of his persecutor; at last, however, driven to desperation by
-continual and increased demands for hush-money, he preferred rather to
-face a public trial than continue longer subject to such tyranny and
-extortion.
-
-The following apt illustration of blackmailing, which came under the
-writer’s personal cognisance, will show the rascality in vogue amongst
-these wretches. A wealthy merchant was for some years completely in
-the power of a thorough-paced scoundrel who had previously been in his
-employ. This knave became acquainted with a delicate family matter,
-which, if disclosed, could but entail shame and misery upon his late
-employer. He threatened to make this information public unless well
-paid for his silence. This gentleman, although surrounded by every
-luxury, was in truth a thoroughly miserable man. Living in a constant
-state of fear lest his family skeleton should be revealed in all its
-hideousness, he continued from time to time to supply his tormentor
-with large sums of money. The continual mental strain caused his health
-to give way, until at last he wisely determined to consult his legal
-adviser upon what was the bane of his life. Prompt steps were then
-taken, which for ever freed him from further extortion. These things
-daily happen, and yet, unfortunately, frequently remain unpunished.
-
-What can be more terrible than to exist in constant fear of pending
-ruin—entirely at the mercy of some miscreant, who by one word
-can destroy a hitherto stainless reputation! It is a true saying
-that ‘there is a skeleton in every house,’ and if discovered by
-any designing knave, may be transformed into a sword of Damocles.
-Confidential servants and discharged valets often wring large sums from
-their former employers by means of extortionate demands combined with
-threats of disclosing certain family matters calculated to bring shame
-upon their late masters’ or mistresses’ good name.
-
-The payment of any illicit demand as a price of secrecy rarely, if
-ever, permanently obtains the object in view, the donor being more or
-less in constant fear lest a disclosure should take place. This usually
-transpires sooner or later, when the torturer has abstracted the
-uttermost penny from his victim. No greater delusion can possibly exist
-than that ‘hush-money’ will secure durable secrecy.
-
-Happily, however, the legislature, having in view the nefarious
-practices of such criminals, has provided a most potent remedy against
-this class of robbers, which remedy cannot be too generally known.
-The Act of Parliament 24 and 25 Vict. s. 49, enacts, _That whosoever
-shall accuse or threaten any person with a view to extort money or
-valuable security, shall be guilty of felony, and be liable at the
-discretion of the court to be kept in penal servitude for life, or for
-any term not less than five years_. All demands for hush-money met at
-the outset by firm and unyielding refusal, is the best and only course
-to adopt. In the majority of instances, a villain would at once be
-completely checkmated; and even should he venture to extremities, the
-law is powerful enough to put an end to his shameful trade. Anything
-is better than to live in constant terror of exposure, and to be
-remorselessly plundered by such a vampire. We often hear of strange
-suicides, the reason for which is wholly incomprehensible. It is by
-no means surprising that, at times, persons wanting in resolution,
-are made desperate by a system of exquisite mental torture, when
-unmercifully applied by these extortioners. Innumerable unhappy persons
-are unquestionably thus tormented, like Prometheus on his rock. Such
-anguish, although unseen, is far greater than physical suffering, as
-all mental tribulation is more severe than mere bodily pain.
-
-If any one who is assailed by a miscreant in quest of ‘hush-money’ were
-at once to place the matter in the hands of some respectable solicitor,
-a course of misery would be avoided, as any attempt to extort money
-through threats or otherwise comes clearly within the provisions of the
-Act above mentioned; and criminal proceedings will be found the most
-effectual means for exterminating so great a social pest.
-
-
-
-
-DONALD—A PONY.
-
-
- Are thy tired feet on this rough earth yet walking,
- Thou patient silent one;
- Maybe, with humble cart, and poor wares hawking,
- Thy life-course nearly run?
-
- Be thankful that thou dost not e’er remember
- One radiant summer day;
- That dreams of June come not in _thy_ December,
- When skies are cold and gray!
-
- He rode on thee along the sunny highway,
- To meet me where I stood
- Out from the village, in a soft green by-way—
- Our young hearts were in flood.
-
- He saw me—swift as thought from off thee leaping,
- He led thee by one hand;
- And with the other clasped me, sweetly keeping
- Me under Love’s command.
-
- Ah! then began a walk through Eden’s glory—
- We wandered slowly on;
- While I, deep blushing, saw and read the story
- That through his blue eyes shone.
-
- We sat, and let thee browse—came some light laughter
- To ease our brimming hearts,
- That could not tell their too full joy; till—after—
- When pierced by parting’s darts.
-
- The hour flew on—ah me! ’twas our last meeting
- Ere he would cross the sea;
- And when again we two should offer greeting,
- I was his bride to be.
-
- So we clung close, each costly moment counting,
- Wild with our vain self-pity!—
- The hour was o’er—then slowly on thee mounting,
- He rode back to the city.
-
- O Donald! Yesterday, to Wemyss Bay going,
- I passed that very spot;
- I saw thee browse, whilst our swift tears were flowing—
- (I have not yet forgot).
-
- He sailed across the sea; but came not hither
- For me, his bride, again;
- And Hope and Joy fled far—I know not whither,
- But left me Love and Pain.
-
- My lonely days are dull and cold and common,
- And thine mayhap are done;
- But—a _new_ day dawns for man and woman
- After this setting sun.
-
- K. T.
-
- * * * * *
-
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