summaryrefslogtreecommitdiff
path: root/old/66385-0.txt
diff options
context:
space:
mode:
Diffstat (limited to 'old/66385-0.txt')
-rw-r--r--old/66385-0.txt4333
1 files changed, 0 insertions, 4333 deletions
diff --git a/old/66385-0.txt b/old/66385-0.txt
deleted file mode 100644
index 6cac943..0000000
--- a/old/66385-0.txt
+++ /dev/null
@@ -1,4333 +0,0 @@
-The Project Gutenberg eBook of “Horse Sense” in Verses Tense, by Walt Mason
-
-This eBook is for the use of anyone anywhere in the United States and
-most other parts of the world at no cost and with almost no restrictions
-whatsoever. You may copy it, give it away or re-use it under the terms
-of the Project Gutenberg License included with this eBook or online at
-www.gutenberg.org. If you are not located in the United States, you
-will have to check the laws of the country where you are located before
-using this eBook.
-
-Title: “Horse Sense” in Verses Tense
-
-Author: Walt Mason
-
-Release Date: September 26, 2021 [eBook #66385]
-
-Language: English
-
-Character set encoding: UTF-8
-
-Produced by: Richard Hulse, Barry Abrahamsen, and the Online Distributed
- Proofreading Team at https://www.pgdp.net (This file was
- produced from images generously made available by The Internet
- Archive/American Libraries.)
-
-*** START OF THE PROJECT GUTENBERG EBOOK “HORSE SENSE” IN VERSES TENSE ***
-
-
-
-
- “HORSE SENSE” in Verses Tense
-
-
-
-
-------------------------------------------------------------------------
-
-[Illustration]
-
-------------------------------------------------------------------------
-
-
-
- CONCERNING WALT
-
- ---------------------
-
-Walt Mason is the Aesop of our day, but his fables are of men, not
-animals.
-
- —Collier’s Weekly.
-
-
-Much of Walt Mason’s poetry is of universal interest.
-
- —London Citizen.
-
-
-Walt Mason’s poetry is in a class by itself.
-
- —William Jennings Bryan.
-
-
-Walt’s poems always have sound morals, and they are easy to take.
-
- —Rev. Charles W. Gordon.
- (Ralph Connor.)
-
-
-His satires come with stinging force to the American people.
-
- —Sunday School Times.
-
-
-Why do people ever write any other kind of books, unless because no one
-else can write Walt Mason’s kind?
-
- —William Dean Howells.
-
-
-His is an extraordinary faculty, surely God-given. Many a world-weary
-one, refreshed at the fount where his poetry plays, says deep down in
-his heart, “God bless Walt Mason!”
-
- —Seumas MacManus.
-
-
-Walt Mason’s contributions to the Chronicle have attracted the attention
-of English readers by their originality and expressiveness, and have
-brought him letters from Mr. John Masefield and many others. Sir Arthur
-Conan Doyle regards him as one of the quaintest and most original
-humorists America has ever produced.
-
- —London Chronicle.
-
-
-------------------------------------------------------------------------
-
-[Illustration:
-
- The author as “Zim” sees him
-]
-
-------------------------------------------------------------------------
-
-
-
-
- “HORSE SENSE”
-
- IN VERSES TENSE
-
- ──────
-
- by Walt Mason
-
- ──────
-
-
- Walt Mason is the High Priest of Horse Sense.
- —George Ade
-
-
-
-
- Chicago
- _A·C·M^cCLURG & CO·_
- 1915
-
-
-------------------------------------------------------------------------
-
-
-
-
- Copyright
- A. C. McClurg & Co.
- 1915
-
-
- ─────
- Published September, 1915
- ─────
-
-
- Copyrighted in Great Britain
-
-
-
-For permission to use copyright poems in this book thanks are extended
-to George Matthew Adams, and to the editors and publishers of _Judge_,
-_Collier’s Weekly_, _System_, the _Magazine of Business_, _Domestic
-Engineering_, the _Butler Way_, and _Curtis Service_.
-
-
-------------------------------------------------------------------------
-
-
-
-
- _To_
- SIR ARTHUR CONAN DOYLE
-
-
-
-
-------------------------------------------------------------------------
-
-
-
-
- CHRISTMAS GIFT
-
- The gift itself is not so much—
- Perhaps you’ve had a dozen such;
- Its value, when reduced to gold,
- May seem too trifling to be told;
- But someone, loving, kind, and true,
- Selected it—and thought of You.
- The gift may have a hollow ring—
- The love behind it is the thing!
-
-
-
-
-------------------------------------------------------------------------
-
-
-
-
- FROM SIR HUBERT
-
-
-I read Walt Mason with great delight. His poems have wonderful fun and
-kindliness, and I have enjoyed them the more for their having so
-strongly all the qualities I liked so much in my American friends when I
-was living in the United States.
-
-I don’t know any book which has struck me as so genuine a voice of the
-American nature.
-
-I am glad that his work is gaining a wider and wider recognition.
-
- John Masefield
-
- _13 Well Walk, Hampstead,
- London_
-
-
-
-
-------------------------------------------------------------------------
-
-
-
-
- GUIDE TO CONTENTS
-
-
- A
-
-At the Finish, 19. At the End, 53. After Us, 67. Ambitions, 77. Approach
- of Spring, 167. After Storm, 188.
-
-
- B
-
-Backbone, 28. Beautiful Things, 43. Bard in the Woods, The, 101. Be
- Joyful, 134. Brown October Ale, 136. Bystander, The, 154. Bleak
- Days, 180.
-
-
- C
-
-Clucking Hen, The, 1. Christmas Recipe, 11. Coming Day, The, 21. Clouds,
- 42. Cotter’s Saturday Night, 50. “Charge It,” 61. Croaker, The, 63.
- Choosing a Bride, 66. Christmas Musings, 79. Crooks, The, 115.
-
-
- D
-
-Doing Things Right, 32. Down and Out, 60. Difference, The, 94. Dolorous
- Way,
-
- The, 119. Dreamers and Workers, 127. Deliver Us, 137. Doing One’s
- Best, 138. Doughnuts, 165. Discontent, 173.
-
-
- F
-
-Fatigue, 4. Fortune Teller, The, 73. Fletcherism, 158. Father Time, 159.
- Field Perils, 160. Friend Bullsnake, 164.
-
-
- G
-
-Grandmother, 14. Great Game, The, 17. Generosity, 27. Garden of Dreams,
- 41. Gold Bricks, 74. Good and Evil, 135. Going to School, 146. Girl
- Graduate, The, 153. Good Die Young, The, 172. Givers, The, 181. Good
- Old Days, 182.
-
-
- H
-
-Home, Sweet Home, 8. Homeless, 47. Happy Home, The, 48. Harvest Hand,
- The, 70. Hospitality, 88. Hon. Croesus Explains, 89.
-
-
- I
-
-Iron Men, The, 34. In Old Age, 46. Immortal Santa, 96. In the Spring,
- 132. Idlers, The, 141. Idle Rich, The, 144.
-
- Ill Wind, The, 166. Into the Sunlight, 179. Industry, 186.
-
-
- J
-
-Joy Cometh, 161.
-
-
- L
-
-Looking Forward, 120. Little While, A, 139. Literature, 142. Living Too
- Long, 162.
-
-
- M
-
-Milkman, The, 2. Man Wanted, The, 55. Mad World, A, 57. Mañana, 91. Men
- Behind, The, 98. Mr. Chucklehead, 130. Misrepresentation, 148. Man
- of Grief, 149. Melancholy Days, 150. Might Be Worse, 151. Moderately
- Good, 152. Medicine Hat, 156. Moving On, 176.
-
-
- N
-
-Night is Coming, 31. Nursing Grief, 143. Not Worth While, 147.
-
-
- O
-
-Old Maids, 10. Old Man, The, 12. Old Album, The, 109. On the Bridge,
- 129. Old Prayer, The, 178.
-
-
- P
-
-Poor Work, 9. Poorhouse, The, 30. Procrastination, 36. Punctuality, 58.
- Prodigal Son, The, 87. Polite Man, The, 122. Planting a Tree, 126.
- Passing the Hat, 145.
-
-
- R
-
-Rural Mail, The, 7. Right Side Up, 33. Regular Hours, 125. Rain, The,
- 184.
-
-
- S
-
-Spring Remedies, 5. Salting Them Down, 22. Success in Life, 24. Shut-In,
- The, 45. Some of the Poor, 69. Shoveling Coal, 93. Sticking to It,
- 105. Seeing the World, 121. Spring Sickness, 128. Studying Books,
- 169. Stranger than Fiction, 171. Silver Threads, 174. Something to
- Do, 185.
-
-
- T
-
-Tornado, The, 16. True Happiness, 26. Timbertoes, 37. Thankless Job, 38.
- Travelers, 44. Two Salesmen, The, 85. “Thanks,” 107. Tramp, The,
- 117.
-
-
- U
-
-Undertaker, The, 39. Unhappy Home, The, 49. Unconquered, 123.
-
-
- V
-
-Vagabond, The, 20. Values, 103.
-
-
- W
-
-Winter Night, 13. What’s the Use? 54. What I’d Do, 71. Way of a Man,
- The, 82. War and Peace, 112. Wet Weather, 187.
-
-
-------------------------------------------------------------------------
-
-
- THE CLUCKING HEN
-
-THE old gray hen has thirteen chicks, and round the yard she claws and
-picks, and toils the whole day long; I lean upon the garden fence, and
-watch that hen of little sense, whose intellect is wrong. She is the
-most important hen that ever in the haunts of men a waste of effort
-made; she thinks if she should cease her toil the whole blamed universe
-would spoil, its institutions fade. Yet vain and trifling is her task;
-she might as profitably bask and loaf throughout the year; one incubator
-from the store would bring forth better chicks and more than fifty hens
-could rear. She ought to rest her scratching legs, get down to tacks and
-lay some eggs, which bring the valued bucks; but, in her vain perverted
-way, she says, “I’m derned if I will lay,” and hands out foolish clucks.
-And many men are just the same; they play some idle, trifling game, and
-think they’re sawing wood; they hate the work that’s in demand, the jobs
-that count they cannot stand, and all their toil’s no good.
-
-
-
-
-------------------------------------------------------------------------
-
-
- THE MILKMAN
-
-THE milkman goes his weary way before the rising of the sun; he earns a
-hundred bones a day, and often takes in less than one. While lucky
-people snore and drowse, and bask in dreams of rare delight, he takes a
-stool and milks his cows, about the middle of the night. If you have
-milked an old red cow, humped o’er a big six-gallon pail, and had her
-swat you on the brow with seven feet of burry tail, you’ll know the
-milkman ought to get a plunk for every pint he sells; he earns his pay
-in blood and sweat, and sorrow in his bosom dwells. As through the city
-streets he goes, he has to sound his brazen gong, and people wake up
-from their doze, and curse him as he goes along. He has to stagger
-through the snow when others stay at home and snore; and through the
-rain he has to go, to take the cow-juice to your door. Through storm and
-flood and sun and rain, the milkman goes upon the jump, and all his
-customers complain, and make allusions to his pump. Because one milkman
-milks the creek, instead of milking spotted cows, against the whole
-brave tribe we kick, and stir up everlasting rows. Yet patiently they go
-their way, distributing their healthful juice, and what they do not get
-in pay, they have to take out in abuse.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- FATIGUE
-
-FROM day to day we sell our whey, our nutmegs, nails or cotton, and oft
-we sigh, as hours drag by, “This sort of life is rotten! The dreary game
-is e’er the same, no respite or diversion; oh, how we long to join the
-throng on some outdoor excursion! On eager feet, along the street, more
-lucky folks are hiking, while we must stay and sell our hay—it’s little
-to our liking!” Those going by perhaps will sigh, “This work we do is
-brutal; all day we hike along the pike, and all our work is futile. It
-would be sweet to leave the street and own a nice trade palace, and sell
-rolled oats to human goats, it would, so help me Alice!” All o’er this
-sphere the briny tear is shed by people weary, who’d like to quit their
-jobs and flit to other tasks more dreary. We envy folks who wear their
-yokes, and tote a bigger burden, we swear and sweat and fume and fret,
-and oft forget the guerdon. There is no lot entirely fraught with
-happiness and glory; if you are sore the man next door can tell as sad a
-story.
-
-
-------------------------------------------------------------------------
-
-
- SPRING REMEDIES
-
-“THIS is the time,” the doctors say, “when people need our bitters; the
-sunny, languid, vernal day is hard on human critters. They’re always
-feeling tired and stale, their blood is thick and sluggish, and so they
-ought to blow their kale for pills and potions druggish.” And, being
-told we’re in a plight, we swallow dope in rivers, to get our kidneys
-acting right, and jack up rusty livers. We pour down tea of sassafras,
-as ordered by the sawbones, and chewing predigested grass, we exercise
-our jawbones. We swallow pints of purple pills, and fool with costly
-drenches, to drive away imagined ills and pipe-dream aches and wrenches.
-And if we’d only take the spade, and dig the fertile gumbo, the ghost of
-sickness would be laid, and we’d be strong as Jumbo. Of perfect health,
-that precious boon, we’d have refreshing glimpses, if we would toil each
-afternoon out where the jimpson jimpses. There’s medicine in azure
-skies, and sunshine is a wonder; more cures are wrought by exercise than
-by all bottled thunder. So let’s forsake the closed up room, and hoe
-weeds cockle-burrish, where elderberry bushes bloom, and juniorberries
-flourish.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- THE RURAL MAIL
-
-A FIERCE and bitter storm’s abroad, it is a bleak midwinter day, and
-slowly o’er the frozen sod the postman’s pony picks its way. The postman
-and his horse are cold, but fearlessly they face the gale; though storms
-increase a hundredfold, the farmer folk must have their mail. The hours
-drag on, the lonely road grows rougher with each mile that’s past, the
-weary pony feels its load, and staggers in the shrieking blast. But man
-and horse strive on the more; they never learned such word as fail;
-though tempests beat and torrents pour, the farmer folk must have their
-mail. At night the pony, to its shed, drags on its cold, exhausted
-frame; and after supper, to his bed, the wearied postman does the same.
-Tomorrow brings the same old round, the same exhausting, thankless
-grind—the journey over frozen ground, the facing of the bitter wind. The
-postman does a hero’s stunt to earn his scanty roll of kale; of all the
-storms he bears the brunt—the farmer folk must have their mail!
-
-
-------------------------------------------------------------------------
-
-
- HOME, SWEET HOME
-
-OH, Home! It is a sacred place—or was, in olden days, before the people
-learned to chase to moving picture plays; to tango dances and such
-things, to skating on a floor; and now the youthful laughter rings
-within the Home no more. You will recall, old men and dames, the homes
-of long ago, and you’ll recall the fireside games the children used to
-know. The neighbors’ kids would come along with your own kids to play,
-and merry as a bridal song the evening passed away. An evening spent
-away from home in olden days was rare; the children hadn’t learned to
-roam for pleasure everywhere. But now your house is but a shell where
-children sleep and eat; it serves that purpose very well—their home is
-on the street. Their home is where the lights are bright, where ragtime
-music flows; their noon’s the middle of the night, their friends
-are—Lord, who knows? The windows of your home are dark, and silence
-broods o’er all; you call it Home—God save the mark! ’Tis but a sty or
-stall!
-
-
-------------------------------------------------------------------------
-
-
- POOR WORK
-
-YOU can’t afford to do poor work, so, therefore, always shun it; for no
-excuse or quip or quirk will square you when you’ve done it. I hired a
-man to paint my cow from horntips to the udder, and she’s all blotched
-and spotted now, and people view and shudder. “Who did the job?” they
-always ask; and when I say, “Jim Yellow,” they cry, “When we have such a
-task we’ll hire some other fellow.” And so Jim idly stands and swows bad
-luck has made him nervous, for when the people paint their cows they do
-not ask his service. And thus one’s reputation flows, a-skiting, here
-and yonder; and wheresoe’er the workman goes, his bum renown will
-wander. ’Twill face him like an evil ghost when he his best is doing,
-and jolt him where it hurts the most, and still keep on pursuing. A good
-renown will travel, too, from Gotham to Empory, and make you friends in
-places new, and bring you cash and glory. So always do your best, old
-hunks; let nothing be neglected, and you will gather in the plunks, and
-live and die respected.
-
-
-------------------------------------------------------------------------
-
-
- OLD MAIDS
-
-ALL girls should marry when they can. There’s naught more useful than a
-man. A husband has some faults, no doubt, and yet he’s good to have
-about; and she who doesn’t get a mate will wish she had one, soon or
-late. That girl is off her base, I fear, who plans to have a high
-career, who sidesteps vows and wedding rings to follow after abstract
-things. I know so many ancient maids who in professions, arts or trades
-have tried to cut a manlike swath, and old age finds them in the broth.
-A loneliness, as of the tomb, enshrouds the spinsters in its gloom; the
-jim crow honors they have won they’d sell at seven cents a ton. Their
-sun is sinking in the West, and they, unloved and uncaressed, must envy,
-as they bleakly roam, the girl with husband, hearth, and home. Get
-married, then, Jemima dear; don’t fiddle with a cheap career. Select a
-man who’s true and good, whose head is not composed of wood, a man who’s
-sound in wind and limb, then round him up and marry him. Oh, rush him to
-the altar rail, nor heed his protest or his wail. “This is,” you’ll say,
-when he’s been won, “the best day’s work I’ve ever done.”
-
-
-------------------------------------------------------------------------
-
-
- CHRISTMAS RECIPE
-
-MAKE somebody happy today! Each morning that motto repeat, and life,
-that was gloomy and gray, at once becomes pleasant and sweet. No odds
-what direction you go, whatever the pathway you wend, there’s somebody
-weary of woe, there’s somebody sick for a friend; there’s somebody
-needing a guide, some pilgrim who’s wandered astray; oh, don’t let your
-help be denied—make somebody happy today! There’s somebody tired of the
-strife, the wearisome struggle for bread, borne down by the burden of
-life, and envying those who are dead; a little encouragement now may
-drive his dark visions away, and smooth out a seam from his brow—make
-somebody happy today! There’s somebody sick over there, where sunlight
-is shut from the room; there’s somebody deep in despair, beholding no
-light in the gloom; there’s somebody needing your aid, your solace,
-wherever you stray; then let not your help be delayed—make somebody
-happy today. Make somebody happy today, some comfort and sympathy give,
-and Christmas shall ne’er go away, but always and ever shall live.
-
-
-------------------------------------------------------------------------
-
-
- THE OLD MAN
-
-BE kind to your daddy, O gamboling youth; his feet are now sluggish and
-cold; intent on your pleasures, you don’t see the truth, which is that
-your dad’s growing old. Ah, once he could whip forty bushels of snakes,
-but now he is spavined and lame; his joints are all rusty and tortured
-with aches, and weary and worn is his frame. He toiled and he slaved
-like a government mule to see that his kids had a chance; he fed them
-and clothed them and sent them to school, rejoiced when he marked their
-advance. The landscape is moist with the billows of sweat he cheerfully
-shed as he toiled, to bring up his children and keep out of debt, and
-see that the home kettle boiled. He dressed in old duds that his Mary
-and Jake might bloom like the roses in June, and oft when you swallowed
-your porterhouse steak, your daddy was chewing a prune. And now that
-he’s worn by his burden of care, just show you are worth all he did;
-look out for his comfort, and hand him his chair, and hang up his
-slicker and lid.
-
-
-------------------------------------------------------------------------
-
-
- WINTER NIGHT
-
-HAIL, Winter and wild weather, when we are all together, about the
-glowing fire! Let frost be e’er so stinging, it can’t disturb our
-singing, nor can the Storm King’s ire. The winds may madly mosey, they
-only make more cozy the home where we abide; the snow may drift in
-billows, but we have downy pillows, and good warm beds inside. The night
-indeed has terrors for lonely, lost wayfarers who for assistance call;
-who pray for lights to guide them—the lights that are denied them—may
-God protect them all! And to the poor who grovel in wretched hut and
-hovel, and feel its icy breath, who mark the long hours dragging their
-footsteps slow and lagging, the night seems kin to Death. For cheery
-homes be grateful, when Winter, fierce and fateful, comes shrieking in
-the night; for books and easy rockers, for larders filled and lockers,
-and all the warmth and light.
-
-
-------------------------------------------------------------------------
-
-
- GRANDMOTHER
-
-OLD granny sits serene and knits and talks of bygone ages, when she was
-young; and from her tongue there comes the truth of sages. “In vanished
-years,” she says, “my dears, the girls were nice and modest, and they
-were shy, and didn’t try to see whose wit was broadest. In cushioned
-nooks they read their books, and loved the poets’ lilting; with eager
-paws they helped their mas at cooking and at quilting. The maidens then
-would shy at men and keep them at a distance, and each new sport who
-came to court was sure to meet resistance. The girls were flowers that
-bloomed in bowers remote from worldly clamor, and when I view the modern
-crew they give me katzenjammer. The girls were sweet and trim and neat,
-as fair as hothouse lilies, and when I scan the modern clan I surely
-have the willies. Refinement fades when modern maids come forth in all
-their glory; their hats are freaks, their costume shrieks, their nerve
-is hunkydory. They waste the night and in daylight they’re doctoring and
-drugging; when they don’t go to picture show, they’re busy
-bunny-hugging.” Then granny takes her pipe and breaks some plug tobacco
-in it, and smokes and smokes till mother chokes and runs out doors a
-minute.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- THE TORNADO
-
-WE people infesting this excellent planet emotions of pride in our
-victories feel; we put up our buildings of brick and of granite, equip
-them with trusses and bastions of steel. Regarding the fruit of our
-earnest endeavor, we cheerily boast as we weave through the town: “A
-building like that one will stand there forever, for fire can’t destroy
-it nor wind blow it down.” Behold, as we’re boasting there falls a dun
-shadow; the harvester Death is abroad for his sheaves, and, tumbled and
-tossed by the roaring tornado, the man and his building are crumpled
-like leaves. And then there are dead men in windrows to shock us, and
-scattered and gone are the homes where they died; a pathway of ruin and
-wreckage to mock us, and show us how futile and vain is our pride. We’re
-apt to, when planning and building and striving, forget we are mortals
-and think we are gods; and then when the lord of the tempest is driving,
-his wheels break us up with the rest of the clods. Like ants we are
-busy, all proud and defiant, constructing a home on the face of the
-lawn; and now comes the step of a wandering giant; it crushes our
-anthill, and then it is gone.
-
-
-------------------------------------------------------------------------
-
-
- THE GREAT GAME
-
-THE pitcher is pitching, the batsman is itching to punish the ball in
-the old-fashioned way; the umpire is umping, the fielders are
-humping—we’re playing baseball in our village today! Two thousand mad
-creatures are perched on the bleachers, the grand stand is full and the
-fences the same, the old and the youthful, the false and the truthful,
-the plain and the lovely are watching the game. The groaning taxpayers
-are watching the players, forgetting a while all their burdens and
-wrongs, and landlord and tenant are saying the pennant will come to this
-town where it surely belongs. The lounger and toiler, the spoiled and
-the spoiler, are whooping together like boys at the fair; and foes of
-long standing as one are demanding the blood of the umpire, his hide and
-his hair. The game is progressing, now punk and distressing—our boys are
-all rattled, the audience groans! But see how they rally—O, scorer, keep
-tally! We’ll win at the finish, I’ll bet seven bones! The long game is
-ended, we fans have all wended back, back to our labors, our cares and
-our joys, once more grave and steady—and yet ever ready to stake a few
-plunks on our own bunch of boys!
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- AT THE FINISH
-
-OH say, what is this thing called Fame, and is it worth our while? We
-seek it till we’re old and lame, for weary mile on mile; we seek a gem
-among the hay, for wheat among the chaff; and in the end some heartless
-jay will write our epitaph. The naked facts it will relate, and little
-else beside: “This man was born on such a date, on such a date he died.”
-The gravestones in the boneyard tell all we shall ever know of men who
-struggled passing well for glory, long ago. They had their iridescent
-schemes and lived to see them fail; they had their dreams, as you have
-dreams, and all of no avail. The gravestones calmly tell their fate, the
-upshot of their pride: “This man was born on such a date, on such a date
-he died.” The great men of your fathers’ time, with laurel on each brow,
-the theme of every poet’s rhyme—where are those giants now? Their names
-are written in the books which no one ever reads; and on the
-scroll—where no one looks—the record of their deeds. The idler by the
-churchyard gate this legend hath espied: “This man was born on such a
-date, on such a date he died.”
-
-
-------------------------------------------------------------------------
-
-
- THE VAGABOND
-
-HE’S idle, unsteady, and everyone’s ready to throw him a dornick or give
-him a biff; he’s always in tatters, but little it matters; he’s evermore
-happy, so what is the diff? He carries no sorrow, no care for tomorrow,
-his roof is the heavens, his couch is the soil; no sighing or weeping
-breaks in on his sleeping, no bell in the morning shall call him to
-toil. As free as the breezes he goes where he pleases, no rude overseer
-to boss him around; his joys do not wither, he goes yon and hither, till
-dead in a haystack or ditch he is found. The joys of such freedom—no
-sane man can need ’em! Far better to toil for the kids and the wife,
-till muscles are aching and collarbone breaking, than selfishly follow
-the vagabond life. One laborer toiling is worth the whole boiling of
-idlers and tramps of whatever degree; and though we all know it we don’t
-find a poet embalming the fact as embalmed it should be. The poets will
-chortle about the blithe mortal who wanders the highways and sleeps in
-the hay, but who sings the toiler, the sweat-spangled moiler, who raises
-ten kids on a dollar a day?
-
-
-------------------------------------------------------------------------
-
-
- THE COMING DAY
-
-THERE’LL come a day when we must make full payment for all the foolish
-things we do today; and sackcloth then perchance will be our raiment,
-and we’ll regret the hours we threw away. We loaf today, and we shall
-loaf tomorrow, hard by the pump or in the corner store; there’ll come a
-day when we’ll look back with sorrow on wasted hours, the hours that
-come no more. We say harsh things to friends who look for kindness, and
-bring the tears to loving, patient eyes; we scold and quarrel in our
-fretful blindness, instead of smiles, we call up mournful sighs. Our
-friends will tread the path that leads us only to rest and silence in
-the grass-grown grave; there’ll come a day when weary, sad and lonely,
-we’ll think of them and of the wounds we gave. In marts of trade we’re
-prone to overreaching, to swell our roll we cheat and deal in lies,
-forgetful oft of early moral teaching, and all the counsel of the good
-and wise. It is, alas, an evil road we travel, that leads at last to
-bitterness and woe; there’ll come a day when gold will seem as gravel,
-and we shall mourn the sins of long ago.
-
-
-------------------------------------------------------------------------
-
-
- SALTING THEM DOWN
-
-THERE’S trouble in store for the gent who never salts down a red cent,
-who looks upon cash as the veriest trash, for foolish extravagance
-meant. Since money comes easy today, he thinks ’twill be always that
-way, and he burns up the scads with the rollicking lads and warbles a
-madrigal gay. His dollars are drawn when they’re due; and rather than
-salt down a few, he throws them, with jests, at the robin red breasts,
-with riotous hullabaloo. I look down the scurrying years—for I’m the
-descendant of seers—and the spendthrift descry when his youth is gone
-by, an object of pity and tears. I see him parading the street, on weary
-and ring-boney feet, a-begging for dimes, for the sake of old times, to
-buy him some sauerkraut to eat. I see him abandoned and sick, his pillow
-a dornick or brick; and the peeler comes by with a vulcanized eye and
-swats him for luck with a stick. I see him when dying; he groans, but
-his anguish for nothing atones! And they cart him away in the dawn cold
-and gray, to the place where they bury cheap bones. Don’t burn up your
-money, my friend; don’t squander or foolishly lend; though you say it is
-dross and regret not its loss, it’s a comfort and staff in the end.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- SUCCESS IN LIFE
-
-IT’S easy to be a success, as thousands of winners confess; no man’s so
-obscure or unlucky or poor that he can’t be a winner, I guess. And
-success, Mr. Man, doesn’t mean a roll that would stagger a queen, or
-some gems of your own, or a palace of stone, or a wagon that burns
-gasoline. A man’s a success, though renown doesn’t place on his forehead
-a crown, if he pays as he goes, if it’s true that he owes not a red in
-the dod-gasted town. A man’s a success if his wife finds comfort and
-pleasure in life; if she’s glad and content that she married a gent
-reluctant to organize strife. A man’s a success if his kids are joyous
-as Katy H. Dids; if they’re handsome and neat, with good shoes on their
-feet, and roses and things on their lids. A man’s a success if he tries
-to be honest and kindly and wise; if he’s slow to repeat all the lies he
-may meet, if he swats both the scandals and flies. I know when old
-Gaffer Pete Gray one morning was taken away, by Death, lantern-jowled,
-the whole village howled, and mourned him for many a day. Yet he was so
-poor that he had but seldom the half of a scad; he tried to do good in
-such ways as he could—he was a successful old lad!
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- TRUE HAPPINESS
-
-WHEN torrents are pouring or tempests are roaring how pleasant and
-cheerful is home! To sit by the winder all drier than tinder and watch
-the unfortunates roam! With glad eyes to follow the fellows who wallow
-around in the rain or the sleet, to watch them a-slipping and sliding
-and tripping, and falling all over the street! There’s nothing so
-soothing, so apt to be smoothing the furrows of grief from your brow, as
-sitting and gazing at folks who are raising out there in the mud such a
-row! To watch a mad neighbor through hurricane labor, while you are all
-snug by the fire, to see him cavorting and pawing and snorting—what more
-could a mortal desire? I love storm and blizzard from A clear to Izzard,
-I’m fond of the sleet and the rain; let winter get busy and whoop till
-he’s dizzy, and I’ll be the last to complain. For there is a casement
-just over the basement where I in all comfort may sit, and watch people
-wading through mud or parading through snow till they fall in a fit.
-
-
-------------------------------------------------------------------------
-
-
- GENEROSITY
-
-OLD Kink’s always willing to preach, and hand out wise counsel and
-teach; but ask him for aid when you’re hungry and frayed, and he’ll
-stick to his wad like a leech. He’s handy with proverb and text to
-comfort the needy and vexed; but when there’s a plan to feed indigent
-man, old Kink never seems to get next. He’ll help out the widow with
-psalms, and pray for her fatherless lambs; but he never would try to
-bring joy to her eye with codfish and sauerkraut and hams. On Sunday he
-joins in the hymn, and makes the responses with vim; when they pass
-round the box for the worshipers’ rocks, his gift is exceedingly slim.
-He thinks he is fooling the Lord and is sure of a princely reward when
-to heaven he goes at this life’s journey’s close—with which view I am
-not in accord. For the Lord, he is wise to gold bricks, and the humbug
-who crosses the Styx will have to be sharp if he captures a harp; St.
-Peter will say to him, “Nix!” They size up a man nearly right when he
-comes to the portals of light; and no stingy old fraud ever hornswoggled
-God or put on a robe snowy white.
-
-
-------------------------------------------------------------------------
-
-
- BACKBONE
-
-FROM Yuba Dam to Yonkers the man of backbone conquers, where spineless
-critters fail; all obstacles o’ercoming, he goes along a-humming, and
-gathers fame and kale. No ghosts of failure haunt him, no grisly bogies
-daunt him or make his spirits low; you’ll find him scratching gravel
-wherever you may travel, from Butte to Broken Bow. From Winnipeg to
-Wooster you’ll see this cheerful rooster, this model to all men;
-undaunted by reverses he wastes no time in curses, but digs right in
-again. His face is always shining though others be repining; you cannot
-keep him down; his trail is always smoking while cheaper men are
-croaking about the old dead town. From Humboldt to Hoboken he leaves his
-sign and token in buildings high and grand; in factories that flourish,
-in industries that nourish a tired, anaemic land. He brings the work to
-toilers and fills with bread and broilers their trusty dinner pails; he
-keeps the ripsaw ripping, the big triphammer tripping, the workman
-driving nails. All honor to his noblets! We drink to him in goblets of
-grapejuice rich and red—the man of spine and gizzard who hustles like a
-blizzard and simply won’t be dead!
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- THE POORHOUSE
-
-THE poorhouse, naked, grim, and bare, stands in a valley low; and most
-of us are headed there as fast as we can go. The paupers sit behind the
-gate, a solemn thing to see, and there all patiently they wait, they
-wait for you and me. We come, we come, O sad-eyed wrecks, we’re coming
-with a will! We’re all in debt up to our necks, and going deeper still!
-We’re buying things we can’t afford, and mock the old-time way of
-salting down a little hoard against the rainy day! No more afoot the
-poor man roams; in gorgeous car he scoots; we’ve mortgages upon our
-homes, our furniture, our boots. We’ve banished all the ancient cares,
-we paint the country red, we live like drunken millionaires, and never
-look ahead. The paupers, on the poorhouse lawn, are waiting in a group;
-they know we’ll all be there anon, to share their cabbage soup; they see
-us in our costly garb, and say: “Their course is brief; we see the
-harbingers that harb of bankruptcy and grief.” Be patient, paupers, for
-a span, ye friendless men and dames! We’re coming, blithely as we can,
-to join you in your games!
-
-
-------------------------------------------------------------------------
-
-
- NIGHT IS COMING
-
-WHILE the blessed daylight lingers, let us work with might and main,
-with our busy feet and fingers, also with the busy brain; let the
-setting sun behold us tired, but filled with honest pride; for the night
-will soon enfold us, when we lay our tools aside. When we’re in the
-churchyard lonely, where the weeping willows lean, there’s one thing and
-one thing only that will keep our memory green. If we did the tasks
-appointed as we lived our speeding years, then our graves will be
-anointed with a mourning legion’s tears. All our good intentions perish
-when is closed the coffin lid, and the world will only cherish and
-remember what we did. Nothing granite, monumental, can preserve your
-little fame; epitaphs are incidental, and will not embalm your name.
-Nothing counts when you are sleeping, but the goodly work you’ve done;
-that will last till gods are weeping round the ruins of the sun. Let no
-obstacles confound us, let us work till day is o’er; soon the night will
-gather round us, when we’ll sleep to work no more.
-
-
-------------------------------------------------------------------------
-
-
- DOING THINGS RIGHT
-
-TO do things right, with all your might—that is a goodly motto; I’ve
-pasted that inside my hat, and if you don’t you’d ought to. To do things
-right, as leads your light, with faith and hope abiding; to do your best
-and let the rest to Jericho go sliding! With such an aim you’ll win the
-game and see your fortune founded; and goodly deed beats any creed that
-ever man expounded. To do things right, to bravely fight, when fate cuts
-up unfairly, to pay your way from day to day, and treat your neighbor
-squarely! That doctrine fills all wants and stills the doubter’s qualms
-and terrors, and guides him straight at goodly gait through all the
-field of errors. To do your best, within your breast a cheerful heart
-undaunted—that is the plan that brings a man all things he ever wanted.
-At finding snares and nests of mares I am not very handy; but when it
-comes to finding plums folks say I am a dandy; and my receipt is short
-and sweet, an easy one to follow; just do things right, with all your
-might—it beats all others hollow!
-
-
-------------------------------------------------------------------------
-
-
- RIGHT SIDE UP
-
-THOUGH now and then our feet descend to byways of despair, we nearly
-always in the end land right side up with care. I’ve seen a thousand
-frenzied guys declare that all was lost, there was no hope beneath the
-skies, this life was but a frost. And then next year I’d see them scoot
-around in motor cars, each one a-holding in his snoot the richest of
-cigars. I’ve seen men at the wailing place declare they were undone; no
-more the cold world could they face, their course, they said, was run.
-Again I’d see them prance along, all burbling with delight; whatever in
-their lives was wrong, became at last all right. And so it’s
-foolishness, my friend, to weep or tear your hair; we nearly always, in
-the end, land right side up with care. Some call it luck, some
-providence, and some declare it fate; but there’s a kind, o’erruling
-sense that makes our tangles straight; and there are watchful eyes that
-mark our movements as we roam; a hand extended in the dark to guide us
-safely home. In what direction do you wend? You’ll find the helper
-there; we nearly always, in the end, land right side up with care.
-
-
-------------------------------------------------------------------------
-
-
- THE IRON MEN
-
-WHEN the north wind roars at your cottage doors and batters the window
-panes, and the cold’s so fierce that it seems to pierce right into your
-bones and veins, then it’s sweet to sit by the fire and knit, and think,
-while the needles clank, of the iron men, of the shining yen, you have
-in the village bank! When you’ve lost your job and misfortunes rob your
-face of its wonted grin, when the money goes for your grub and clothes,
-though there’s nothing coming in; when the fates are rough and they kick
-and cuff and give you a frequent spank, how sweet to think of the bunch
-of chink you have in the village bank! When you’re gray and old and your
-feet are cold, and the night is drawing on; when you’re tired and weak
-and your joints all creak, and the strength of youth is gone; when you
-watch and wait at the sunset gate for the boatman grim and lank, oh,
-it’s nice to know there’s a roll of dough all safe in the village bank!
-The worst, my friend, that the fates can send, is softened for you and
-yours if you have the price, have the coin on ice—the best of all
-earthly cures; oh, a healthy wad is your staff and rod when the luck
-seems tough and rank; your consolers then are the iron men you have in
-the village bank!
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- PROCRASTINATION
-
-YOU are merely storing sorrow for the future, sages say, if you put off
-till tomorrow things which should be done today. When there is a job
-unpleasant that it’s up to me to do, I attack it in the present, give a
-whoop and push it through; then my mind is free from troubles, and I sit
-before the fire popping corn or blowing bubbles, or a-whanging at my
-lyre. If I said: “There is no hurry—that old job will do next week,”
-there would be a constant worry making my old brain-pan creak. For a man
-knows no enjoyment resting at the close of day, if he knows that some
-employment is neglected in that way. There is nothing more consoling at
-the setting of the sun, when the evening bells are tolling, than the
-sense of duty done. And that solace cometh never to the man of backbone
-weak who postpones all sane endeavor till the middle of next week. Let
-us then be up and doing, with a heart for any fate, as the poet said,
-when shooing agents from his garden gate. Let us shake ourselves and
-borrow wisdom from the poet’s lay; leaving nothing for tomorrow, doing
-all our chores today!
-
-
-------------------------------------------------------------------------
-
-
- TIMBERTOES
-
-OLD GOMER, of a Kansas town, was never known to wear a frown, or for
-man’s pity beg, although he stumps along his way, and does his work from
-day to day, upon a wooden leg. And every time he goes out doors he meets
-some peevish guy who roars about his evil luck; some fretful gent with
-leg of flesh who, when vicissitudes enmesh, proceeds to run amuck.
-Strong men with legs of flesh and bone just stand around the streets and
-groan, while Gomer pegs along and puts up hay the long hours through,
-and sounds his joyous whoopsydo, and makes his life a song. Old Gomer
-never sits and broods or seeks the hermit’s solitudes to fill the air
-with sighs; there’s no despondency in him! He brags about that basswood
-limb as though it were a prize. Sometimes I’m full of woe and grief,
-convinced the world brings no relief until a man is dead; and as I wail
-that things are wrong I see old Gomer hop along and then I soak my head.
-I’ve noticed that the men who growl, the ones who storm around and howl
-o’er fate’s unwise decrees, are mostly Fortune’s special pets; and then
-the man who never frets is one with red elm knees.
-
-
-------------------------------------------------------------------------
-
-
- THE THANKLESS JOB
-
-THERE’S nothing but tears for the man who steers our ship o’er the
-troubled sea; there’s nothing but grief for the nation’s chief, whoever
-that chief may be. Whatever he does, he can hear the buzz of critics as
-thick as flies; and all of his aims are sins and shames, and nothing he
-does is wise. There’s nothing but kicks for the man who sticks four
-years to the White House chair; and his stout heart aches and his
-wishbone breaks and he loses most of his hair. There’s nothing but
-growls and the knockers’ howls, and the spiteful slings and slams; and
-the vile cartoons and the dish of prunes and a chorus of tinkers’ dams.
-Oh, we humble skates in our low estates, who fuss with our garden sass,
-should view the woes of the men who rose above and beyond the mass, and
-be glad today that we go our way mid quiet and peaceful scenes; should
-thankfully take the hoe and rake, and wrestle with spuds and greens!
-
-
-------------------------------------------------------------------------
-
-
- THE UNDERTAKER
-
-WHEN life is done—this life that galls and frets us, this life so full
-of tears and doubts and dreads—the undertaker comes along and gets us,
-and tucks us neatly in our little beds. When we are done with toiling,
-hoarding, giving, when we are done with drawing checks and breath, he
-comes to show us that the cost of living cuts little ice beside the cost
-of death. I meet him daily in the street or alley, a cheerful man, he
-dances and he sings; and we exchange the buoyant jest and sally, and
-ne’er discourse of grim, unpleasant things. We talk of crops, the
-campaign and the weather, the I. and R., the trusts—this nation’s curse;
-no graveyard hints while we converse together, no reference to joyrides
-in a hearse. And yet I feel—perchance it is a blunder—that as I stand
-there, rugged, hale and strong, he’d like to ask me: “Comrade, why in
-thunder and other things, do you hang on so long?” When I complain of
-how the asthma tightens upon my lungs, and makes me feel a wreck, it
-seems to me his face with rapture lightens, smiles stretch his lips and
-wind around his neck. And when I say I’m feeling like a heifer turned
-out to grass, or like a hummingbird, he heaves a sigh as gentle as a
-zephyr, yet fraught with pain and grief and hope deferred.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- GARDEN OF DREAMS
-
-IN the garden of dreams let me rest, far, far from the laboring throng,
-from the moans of the tired and distressed, from the strains of the
-conqueror’s song. As a native of Bagdad, or Turk, I’d live in Arabian
-nights, away from the regions of work, from troubles and hollow
-delights. In the garden of dreams I would stray, and bother my fat head
-no more, a-wondering how I shall pay for groceries bought at the store.
-Ah, there in that garden I’d sit, communing in peace with my soul, and
-never again have a fit when handed the bill for the coal. In the garden
-of dreams I’d recline and soar on the wings of romance, forgetting this
-old hat of mine, the patches all over my pants, the clamor of children
-for shoes, the hausfrau’s demands for a gown, the lodge’s exorbitant
-dues, the polltax to work in the town. Alas! It is as I supposed—there
-is no escaping my fate, for the garden of dreams has been closed, a
-padlock is fixed on the gate. The young, who are buoyant and glad, may
-enter that garden, it seems; but the old, who are weary and sad, are
-warned from the garden of dreams!
-
-
-------------------------------------------------------------------------
-
-
- CLOUDS
-
-IF every day was sunny, with ne’er a cloud in view, we’d soon be
-spending money to buy a cloud or two. It always makes me weary when
-people say: “Old boy, may all your days be cheery and bright and full of
-joy!” If all my days were sunny, existence would seem flat; if I were
-fed on honey I’d soon get sick of that. I like a slice of sorrow to hold
-me down today, for that will make tomorrow seem fifty times as gay. A
-little dose of sickness won’t make me whine or yell; ’twill emphasize
-the slickness of life when I am well. A little siege of trouble won’t
-put my hopes in pawn, for I’ll be trotting double with joy when it is
-gone. Down there in tropic regions where sunshine gleams all day, the
-fat and lazy legions just sleep their lives away; there every idle
-bumpkin who in the sunshine lies, lives like a yellow pumpkin, and like
-a squash he dies. I want my share of changes, my share of ups and downs;
-I want a life that ranges from crosses up to crowns.
-
-
-------------------------------------------------------------------------
-
-
- BEAUTIFUL THINGS
-
-THE beautiful things are the things we do; they are not the things we
-wear, as we shall find when the journey’s through, and the roll call’s
-read up there. We’re illustrating the latest styles, with raiment that
-beats the band; but the beautiful things are the kindly smiles that go
-with the helping hand. We burden ourselves with gleaming gems, that
-neighbors may stop and stare; but the beautiful things are the diadems
-of stars that the righteous wear. There are beautiful things in the poor
-man’s cot, though empty the hearth and cold, if love and service are in
-each thought that husband and wife may hold. There are beautiful things
-in the lowest slum where wandering outcasts grope, when down to its
-depths they see you come with message of help and hope. The beautiful
-things that we mortals buy and flash in the crowded street, will all be
-junk when we come to die, and march to the judgment seat. When
-everything’s weighed on that fateful day, the lightest thing will be
-gold. There are beautiful things within reach today, but they are not
-bought or sold.
-
-
-------------------------------------------------------------------------
-
-
- TRAVELERS
-
-DOWN this little world we travel, headed for the land of Dawn, sawing
-wood and scratching gravel, here today, tomorrow gone! Down our path of
-doubts and dangers, we are toddling, mile on mile, transient and
-inquiring strangers, dumped into this world a while. Let us make the
-journey pleasant for the little time we stay; all we have is just the
-Present—all we need is just Today. Let’s encourage one another as we
-push along the road, saying to a jaded brother: “Here, I’ll help you
-with your load!” Banish scorn and vain reviling, banish useless tears
-and woe; let us do the journey smiling, all our hearts with love aglow.
-Let us never search for sorrow, since the journey is so brief; here
-today and gone tomorrow, what have we to do with grief? Down this little
-world we wander, strangers from some unknown spheres, headed for the
-country yonder where they have no sighs or tears; let us therefore cease
-complaining, let us be no longer glum; let us all go into training for
-the joyful life to come!
-
-
-------------------------------------------------------------------------
-
-
- THE SHUT-IN
-
-I KNOW a crippled woman who lives through years of pain with patience
-superhuman—for ne’er does she complain. An endless torture rages
-throughout her stricken frame; an hour would seem like ages if I endured
-the same. Sometimes I call upon her to ask her how she stacks; it is her
-point of honor to utter no alacks; she hands out no alases, but says
-she’s feeling gay, and every hour that passes brings some new joy her
-way. “I’m all serene, old chappie,” she says, “as you can see; my heart
-is always happy, the Lord’s so good to me!” Thus chortles pain-racked
-Auntie, and says it with a smile; and when I leave her shanty I kick
-myself a while. For I am strong and scrappy; I’m sound in wind and limb;
-and yet I’m seldom happy; I wail a graveyard hymn; whene’er I meet
-reverses my howls are agonized; I say, with bitter curses, the gods are
-subsidized. When life seems like December, a thing of gloom and care, I
-wish I could remember old Auntie in her chair, forget my whinings
-hateful, and that wan shut-in see, who says that she is grateful, “the
-Lord’s so good to me!”
-
-
-------------------------------------------------------------------------
-
-
- IN OLD AGE
-
-WHEN I have reached three score and ten I hope I will not be like sundry
-sad and ancient men that every day I see. I hope I’ll never be so old,
-so broken down and gray, that I will lift my voice and scold when
-children round me play. I hope I’ll never be so sere, so close to
-muffled drums, that I can’t waltz around and cheer whene’er the circus
-comes. I hope I’ll never wither up or yet so foundered be, that I won’t
-gambol with a pup when it would play with me. I hope I’ll not, while yet
-alive, be so much like a corse, that I won’t seize a chance to drive a
-good high-stepping horse. Though I must hobble on a crutch to help my
-feeble shins, I’ll always yell to beat the Dutch whene’er the home team
-wins. Perhaps I’ll live a thousand years—I sometimes fear I will, for
-something whispers in my ears I am too tough to kill—I may outlast the
-modern thrones and all the kings thereon, but while I navigate my bones
-I’ll try, so help me John, to be as young in mind and heart as any
-springald near, and when for Jordan I depart, go like a gay roan steer.
-
-
-------------------------------------------------------------------------
-
-
- HOMELESS
-
-WHEN the wind blows shrill, with a deadly chill, and we sit by the
-cheerful blaze, do we ever think of the homeless gink, a-going his weary
-ways? The daylight’s gone and we sit and yawn, and comfort is all
-around; do we care a whoop for the dismal troop adrift on the frozen
-ground? You eat and drink and count your chink as you sit in your easy
-chair; and you’ve grown hog-fat, and beneath your hat there’s hardly a
-sign of care. Do you never pause, as you ply your jaws, devouring the
-oyster stew, to heave a sigh for the waifs who lie outdoors, all the
-long night through? It was good of Fate that she paid the freight, and
-planted you here at ease, while the other lads, who are shy of scads,
-must sit in the park and freeze. But she may repent ere your days are
-spent, and juggle things all around, and the bo may sleep on your
-mattress deep, and you on the frozen ground!
-
-
-------------------------------------------------------------------------
-
-
- THE HAPPY HOME
-
-“OH these pancakes are sublime,” brightly cries Josiah Jakes; “mother,
-in the olden time, thought that she could fashion cakes; she was always
-getting praise, and deserved it, I maintain; but she, in her palmy days,
-couldn’t touch you, Sarah Jane. Oh, the king upon his throne for such
-fodder surely aches; you are in a class alone, when it comes to griddle
-cakes.” Then upon his shining dome he adjusts his lid and goes, and his
-wife remains at home, making pies and things like those. She is stewing
-luscious prunes, in her eye a happy tear, and her heart is singing tunes
-such as angels like to hear. O’er and o’er she still repeats all the
-kindly words he said, as she fixes further treats, pumpkin pie and
-gingerbread. When the evening’s growing gray, following the set of sun,
-“This has been a perfect day,” murmurs she, her labors done. Perfect
-nearly all the days of our loved ones well might be, if with words of
-honest praise we were generous and free.
-
-
-------------------------------------------------------------------------
-
-
- THE UNHAPPY HOME
-
-TIRED father to his home returns, all jaded by the stress and fray, to
-have the rest for which he yearns throughout the long and toilsome day.
-His supper’s ready on the board, as good a meal as e’er was sprung, a
-meal no worker could afford in olden times, when we were young. He looks
-around with frowning brow, and sighs, “Ah, what a lot of junk! This
-butter never knew a cow, the coffee is extremely punk. You know I like
-potatoes boiled, and so, of course, you dish them fried; this poor old
-beefsteak has been broiled until it’s tough as walrus hide. It beats me,
-Susan, where you find such doughnuts, which resemble rock; these
-biscuits you no doubt designed to act as weights for yonder clock. You
-couldn’t fracture with a club the kind of sponge cake that you dish;
-alas, for dear old mother’s grub throughout my days I vainly wish.” Then
-Susan, burdened with her cares, worn out, discouraged, sad and weak,
-sits down beneath the cellar stairs, and weeps in German, French, and
-Greek. Alas, the poor, unhappy soul, whose maiden dreams are all a
-wreck! She ought to take a ten-foot pole and prod her husband in the
-neck.
-
-
-------------------------------------------------------------------------
-
-
- COTTER’S SATURDAY NIGHT
-
- NEW VERSION
-
-
-THE labor of the week is o’er, the stress and toil titanic, and to his
-humble cottage door returns the tired mechanic. He hangs his
-weather-beaten tile and coat upon a rafter; the housewife greets him
-with a smile, the bairns with joyous laughter. The supper is a merry
-meal, and when they’ve had their vittles, the mother plies her spinning
-wheel, while father smokes and whittles. But now the kids, a joyous
-crowd, must cease to romp and caper, for father starts to read aloud the
-helpful daily paper:
-
-“A cancer on the neck or knees once meant complete disaster; but Dr.
-Chowder guarantees to cure it with a plaster. He doesn’t use an ax or
-spade, or blast it out with powder; don’t let your coming be
-delayed—rely on Dr. Chowder!”
-
-Outdoors there is a rising gale, a fitful rain is falling; they hear the
-east winds sadly wail like lonely phantoms calling. But all is peace and
-joy within, and eyes with gladness glisten, and father, with a happy
-grin, reads on, and bids them listen:
-
-“If you have pimples on your nose or bunions on your shoulder, if you
-have ringbones on your toes—ere you’re a minute older call up the
-druggist on the phone and have him send a basket of Faker’s pills, for
-they alone will save you from a casket.”
-
-The clock ticks on the cottage wall, and marks the minutes’ speeding;
-the firelight dances in the hall, on dad, where he sits reading. Oh,
-quiet, homely scene of bliss, the nation’s pride and glory! And in a
-million homes like this, dad reads the precious story:
-
-“Oh, countless are the grievous ills, afflicting human critters, but we
-have always Bunkum’s Pills, and Skookum’s Hogwash Bitters. Have you the
-symptoms of the gout along your muscles playing? And are your whiskers
-falling out, and are your teeth decaying? Have you no appetite for
-greens, and do you balk at fritters? We’ll tell you, reader, what it
-means—you need some Hogwash Bitters!”
-
-The children nod their drowsy heads, their toys around them lying. “I’ll
-take them to their little beds,” says mother, softly sighing. “It’s time
-they were away from here—the evening is advancing; but ere they go, O
-husband dear, read one more tale entrancing.” And father seeks that
-inside page where “Household Hints” are printed, where, for the good of
-youth and age, this “Household Hint” is hinted:
-
-“If you have maladies so rank they are too fierce to mention, just call
-on good old Dr. Crank; you’ll find it his intention to cure you up where
-others fail, though t’others number twenty; but don’t forget to bring
-the kale, and see that you have plenty.”
-
-
-------------------------------------------------------------------------
-
-
- AT THE END
-
-WE do our little stunt on earth, and when it’s time to die, “The ice we
-cut has little worth—we wasted time,” we sigh. When one has snow above
-his ears, and age has chilled his veins, he looks back on the vanished
-years, his spirit racked with pains. However well he may have done, it
-all seems trifling then; alas, if he could only run his little course
-again! He would not then so greatly prize the sordid silver plunk; for
-when a man grows old and wise, he knows that coin is junk. One kindly
-action of the past, if such you can recall, will soothe you greatly at
-the last when memory is All. If you have helped some pilgrim climb from
-darkness and despair, that action, in your twilight time, will ease your
-weight of care. The triumphs of your business day, by stealth or
-sharpness gained, will seem, when you are tired and gray, to leave your
-record stained. Ah, comrade, in the dusk of life, when you have ceased
-your grind, when all your strategy and strife are left for aye behind,
-when you await the curtain’s fall, the setting of the sun, how you will
-struggle to recall the good that you have done!
-
-
-------------------------------------------------------------------------
-
-
- WHAT’S THE USE?
-
-MAN toils at his appointed task till hair is gray and teeth are loose,
-and pauses now and then to ask, in tones despondent, “What’s the use?”
-We have distempers of the mind when we are tired and sorely tried; we’d
-like to quit the beastly grind, and let the tail go with the hide. The
-money goes for shoes and pie, for hats and pork and dairy juice; to get
-ahead we strive and try, and still are broke, so what’s the use? Then,
-gazing round us, we behold the down-and-outers in the street; they
-shiver in the biting cold, they trudge along on weary feet. They have no
-home, they have no bed, no shelter neath the wintry sky; they’ll have no
-peace till they are dead, and planted where the paupers lie. No comfort
-theirs till in the cell that has a clammy earthen lid; yet some of them
-deserve as well of Fortune as we ever did. And, having seen the hungry
-throng, if we’re good sports we cease to sigh; we go to work with cheery
-song, and make the fur and feathers fly.
-
-
-------------------------------------------------------------------------
-
-
- THE MAN WANTED
-
-NEVER was there such a clamor for the man who knows his trade! Whether
-with a pen or hammer, whether with a brush or spade he’s equipped, the
-world demands him, calls upon him for his skill, and on pay day gladly
-hands him rolls of roubles from its till. Little boots it what his trade
-is, building bridges, shoeing mules—men will come from Cork and Cadiz to
-engage him and his tools. All the world is busy hunting for the workman
-who’s supreme, whether he is best at punting or at flavoring ice cream.
-
-Up and down the land are treading men who find this world a frost,
-toiling on for board and bedding, in an age of hustling lost. “We have
-never had fair chances, Fortune ever used us sore,” they complain, as
-age advances, and the poorhouse lies before. “Handy men are we,” they
-mutter, “masters of a dozen trades, yet we can’t earn bread and butter,
-much less jams and marmalades. When we ask a situation, stern employers
-cry again: ‘Chase yourselves! This weary nation crowded is with handy
-men! Learn one thing and learn it fully, learn in something to excel,
-then you’ll find this old world bully—it will please you passing well!’
-Thus reply the stern employers when for work we sadly plead, saying we
-are farmers, sawyers, tinkers, tailors gone to seed. So we sing our
-doleful chorus as adown the world we wind, for the poorhouse lies before
-us, and the free lunch lies behind.”
-
-While this tragedy’s unfolding in each corner of the land, men of skill
-are still beholding chances rise on every hand; men who learned one
-thing and learned it up and down and to and fro, got reward because they
-earned it—men who study, men who Know. If you’re raising sweet potatoes,
-see that they’re the best on earth; if you’re rearing alligators, see
-that they’re of special worth; if you’re shoeing dromedaries, shoe the
-brutes with all your might; if you’re peddling trained canaries, let
-your birds be out of sight. Whatsoever you are doing, do it well and
-with a will, and you’ll find the world pursuing, offering to buy your
-skill.
-
-
-------------------------------------------------------------------------
-
-
- A MAD WORLD
-
-WHILE seated in my warm abode I see John Doe pass up the road, that man
-of many woes; he wears one rubber and one shoe, the wintry blast is
-blowing through his whiskers and his clothes. He has no place to sleep
-or eat, his only refuge is the street, his shelter heaven’s vault; I see
-him in the storm abroad, and say, “But for the grace of God, there goes
-your Uncle Walt.” John Doe with gifts was richly blest; he might have
-distanced all the rest, had Fortune kindly been; but Fortune put the
-kibosh on the efforts of the luckless John, and never wore a grin. I
-wonder why an Edgar Poe found life a wilderness of woe, and starved in
-garrets bare, while bards who cannot sing for prunes eat costly grub
-from golden spoons, and purple raiment wear. I wonder why a Robert Burns
-must try all kinds of shifts and turns to gain his daily bread, the
-while a Southey basked at ease and stuffed himself with jam and cheese,
-a wreath upon his head. Such things have never been explained; I know
-not why it is ordained that I find life a snap; and gazing from my door
-I see John Doe, in speechless misery, a homeless, hungry chap.
-
-
-------------------------------------------------------------------------
-
-
- PUNCTUALITY
-
-THE punctual man is a bird; he always is true to his word; he knows that
-the skate who is ten minutes late is trifling and vain and absurd. He
-says, “I’ll be with you at four”; though torrents may ruthlessly pour,
-you know when the clock strikes the hour he will knock with his punctual
-fist at your door. And you say, “He is surely a trump! I haven’t much
-use for the chump who is evermore late, making other men wait—the place
-for that gent is the dump.” The punctual man is a peach; he sticks to
-his dates like a leech; it’s a pity, alas, that he hasn’t a class of
-boneheaded sluggards to teach. He’s welcome wherever he wends; the
-country is full of his friends; he goes by the watch and he ne’er makes
-a botch of his time, so he never offends. If he says he’ll get married
-at nine, you can bet he’ll be standing in line, with his beautiful
-bride, and the knot will be tied ere the clock is done making the sign.
-If he says he’ll have cashed in at five, at that hour he will not be
-alive; you can order his shroud and assemble a crowd, clear out to the
-boneyard to drive. The punctual man is a jo! The biggest success that I
-know! He is grand and sublime, he is always on time, not late by ten
-minutes or so.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- DOWN AND OUT
-
-MISFORTUNE punched you in the neck, and knocked you down and tramped you
-under; will you survey the gloomy wreck, and stand around and weep, I
-wonder? Your hold upon success has slipped, and still you ought to bob
-up grinning; for when a man admits he’s whipped, he throws away his
-chance of winning. I like to think of John Paul Jones, whose ship was
-split from truck to fender; the British asked, in blawsted tones, if he
-was ready to surrender. The Yankee mariner replied, “Our ship is sinking
-at this writing, but don’t begin to put on side—for we have just begun
-our fighting!” There is a motto, luckless lad, that you should paste
-inside your bonnet; when this old world seems stern and sad, with
-nothing but some Jonahs on it, don’t murmur in a futile way, about
-misfortune, bleak and biting, but gird your well known loins and say,
-“Great Scott! I’ve just begun my fighting!” The man who won’t admit he’s
-licked is bound to win a triumph shining, and all the lemons will be
-picked by weak-kneed fellows, fond of whining.
-
-
-------------------------------------------------------------------------
-
-
- “CHARGE IT”
-
-“JUST chalk it down,” the poor man said, when he had bought some
-boneless bread, and many costly things, his wife and brood of bairns to
-feed—the most of which they didn’t need as much as you need wings. He
-buys the richest things in town, and always says, “Just chalk it down,
-I’ll pay you soon, you bet;” and payday evening finds him broke, his
-hard earned plunks gone up in smoke, and still he is in debt. The man
-who doesn’t buy for cash lays in all kinds of costly trash, that he
-could do without; he spends his coin before it’s earned, and roars about
-it when it’s burned—is that your way, old scout? When comes the day of
-evil luck the war bag doesn’t hold a buck to keep the wolf away; the
-“charge it” plan will work no more at any market, shop, or store—no
-goods unless you pay. The poor man for his money sweats, and he should
-pay for what he gets, just when he gets the same; then, when he goes his
-prunes to buy, and sees how fast the nickels fly, he’ll dodge the
-spendthrift game. If you begin to save your stamps, some day, with
-teardrops in your lamps, this writer you will thank; when man in grief
-and sickness groans there’s naught like having fifteen bones in some
-good savings bank.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- THE CROAKER
-
-THERE is a man—you know him well; in every village doth he dwell—who all
-the time and every day can dig up something sad to say. The good, the
-beautiful, the fine, the things that others think divine, remind him
-that all flesh is grass, that all things must decay and pass. He shakes
-his head and wags his ears and sheds all kinds of briny tears and cries,
-“Alack and wella-day! All flesh is grass, and grass is hay!”
-
-He gazes on the blooming bride, who, in her beauty and her pride, is
-fairer than the fairest flower that ever charmed a summer hour. Wise
-people watch her with delight, and hope her future may be bright; they
-whisper blessings and declare that she is radiant and rare, and better
-feel for having seen so charming and so sweet a queen.
-
-But Croaker notes her brave array and sighs, “Her bloom will pass away!
-A few short years, and she’ll be bent and wrinkled up, I’ll bet a cent!
-The hair that looks like gold just now will soon be graying on her brow.
-She’ll shrivel in this world of sin, and there’ll be whiskers on her
-chin; and she will seem all hide and bone, a withered and obnoxious
-crone! I’ve seen so many brides before, with orange wreaths and veils
-galore, and I have seen their glories pass—all flesh is grass, all flesh
-is grass!”
-
-The people hear his tale of woe and murmur, “What he says is so!” For
-that’s the way with evil words; they travel faster than the birds.
-
-I go to see the football game, and note the athlete, strong of frame,
-his giant arms, his mighty chest, and glory in his youthful zest. It
-fires my ancient soul to see exultant youth, so strong and free.
-
-But someone at my elbow sighs—and there sits Croaker—dern his eyes!
-
-“These youths,” he says, “so brave and strong, will all be crippled up
-ere long. If they’re not slaughtered in this game, they’ll all be bunged
-up, just the same. A few short years, and they will groan, with
-rheumatism in each bone; they’ll all be lame in feet and knees, they’ll
-have the hoof and mouth disease, the mumps, the glanders and the gout.
-Go on, ye springalds, laugh and shout and play the game as best ye may,
-for youth and strength will pass away! Like snow wreaths in the thaw
-they’ll pass—all flesh is grass, all flesh is grass!”
-
-I bust him once upon the nose, I tie his whiskers to his toes, and, with
-an ardent, eager hoof, I kick his person through the roof. But he has
-spoiled my happy day; the croaker drives all glee away.
-
-
-------------------------------------------------------------------------
-
-
- CHOOSING A BRIDE
-
-THE man who goes to choose a bride should cautious be, and falcon-eyed,
-or he will harvest woes; it is a most important chore—more so than going
-to the store to buy a suit of clothes. If you have dreams of pleasant
-nights around the fire, and home delights, sidestep the giddy maid whose
-thoughts are all of hats and gowns, and other female hand-me-downs, of
-show and dress parade. And always shun the festive skirt who’ll never
-miss a chance to flirt with men, at any cost; she may seem sweet and
-charming now, but, as your own and only frau, she’s sure to be a frost.
-And when you see a woman near, who hankers for a high career, and combs
-her hair back straight, who says she’s wedded to her art, whose brow is
-high, whose tongue is tart—oh, Clarence, pull your freight! Select a
-damsel safe and sane, who has no folly in her brain, who wants to build
-a home; if you can win that sort of bride, peace shall with you and
-yours abide, and crown your old bald dome.
-
-
-------------------------------------------------------------------------
-
-
- AFTER US
-
-THE workman, in my new abode, now spreads the luscious plaster; he hums
-a blithe and cheerful ode, and labors fast and faster. I stand and watch
-him as he works, I stand and watch and ponder; I mark how skillfully he
-jerks the plaster here and yonder. “This plaster will be here,” he
-cries, “unbroken and unshredded, when you sing anthems in the skies—if
-that’s where you are headed.” How good to feel, as on we strive, in this
-bright world enchanted, that what we do will be alive when we are dead
-and planted! For this the poet racks his brain (and not for coin or
-rubies) until he finds he’s gone insane and has to join the boobies. For
-this the painter plies his brush and spreads his yellow ochre, to find,
-when comes life’s twilight hush, that Fame’s an artful joker. For this
-the singer sprains her throat, and burns the midnight candle, and tries
-to reach a higher note than Ellen Yaw could handle. For this the actor
-rants and barks, the poor old welkin stabbin’, and takes the part of
-Lawyer Marks in Uncle Tommy’s Cabin. Alas, my labors will not last! In
-vain my rhythmic rages! I cannot make my plaster plast so it will stick
-for ages!
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- SOME OF THE POOR
-
-So many have no roofs or doors, no sheets to cuddle under! You hire some
-men to do your chores, and then you cease to wonder. Alas, he is so hard
-to find—he takes so much pursuing—the worker who will keep his mind on
-what he may be doing. I hire a man to saw some sticks, to keep the fire
-a-going, and he discusses politics, in language smooth and flowing; the
-saw grows rusty while he stands, the welkin shrinks and totters, as he,
-with swinging jaws and hands, denounces Wall Street plotters. When I go
-home, as dusk grows dense, I hear his windy rages, and kick him sadly
-through the fence, when I have paid his wages. I hire a man to paint the
-churn and hoe the morning glories, and when at evening I return he’s
-busy telling stories. “That toiler is no good, I fear,” remarks the
-hausfrau, Sally; I take him gently by the ear and lead him to the alley.
-I hire a man the stove to black, and fix the kitchen table, and when at
-evening I come back, he’s sleeping in the stable. And thus we suffer and
-endure the trifler’s vain endeavor; we do not wonder that the poor are
-with us here forever.
-
-
-------------------------------------------------------------------------
-
-
- THE HARVEST HAND
-
-Triumphantly the toiler roared, “I get three bones a day and board!
-That’s going some, eh, what?” And on he labored, brave and strong; the
-work was hard, the hours were long, the day was passing hot. I sat at
-ease beneath a tree—that sort of thing appeals to me—and watched him as
-he toiled; the sweat rolled down him in a stream, and I could see his
-garments steam, his face and hands were broiled. He chuckled as he
-toiled away, “They’re paying me three bones a day, with board and
-washing, too!” That was his dream of easy mon—to stew and simmer in the
-sun, for that, the long day through! And I, who earn three iron men with
-sundry scratches of a pen, felt sorry for the jay; but, as I watched his
-stalwart form, the pity that was growing warm within me, blew away. For
-he was getting more than wealth—keen appetite and rugged health, and
-blessings such as those; and when the day of toil was through, no doubt
-the stalwart worker knew a weary child’s repose!
-
-
-------------------------------------------------------------------------
-
-
- WHAT I’D DO
-
-If I were Binks the baker, I’d tidy up my store; I would not have an
-acre of dust upon the floor. I’d be a skilled adjuster and make things
-please the eyes; I’d take a feather duster and clean the pumpkin pies.
-I’d keep the doorknob shining, and polish up the glass, and never sit
-repining, and never say, “Alas!”
-
-If I were Binks the baker, I’d have a cheerful heart, as always should
-the maker of bread and pie and tart; for looking sad and grewsome will
-never bring the trade of folks who want to chew some doughnuts and
-marmalade. When I go blowing money I always seek the store whose boss is
-gay and sunny, with gladness bubbling o’er; and when I chance to enter a
-bakery whose chief is roaring like a stentor about his woe and grief,
-his bellowings confound me, I do not spend a yen; I merely glance around
-me, and hustle out again.
-
-If I were Binks the baker, and had a grouch on hand, I’d surely try to
-shake her, and smile to beat the band. For no one wants to harken to
-tales of woe and strife, to hear of clouds that darken a merchant’s
-weary life. For customers, have troubles, like you, through all their
-years; and when they spend their rubles they are not buying tears.
-They’ll like you all the better, you and your cakes and jam, if you are
-not a fretter, a kicker and a clam.
-
-If I were Bakes, the binker—my wires are crossed, I swow—I’d sell the
-pie and sinker with calm, unclouded brow. No grumblings wild and woolly
-would from my larynx slide; I’d swear that things were bully, and seven
-meters wide. Then folks would all admire me, and seek me in my den, and
-load me till they’d tire me, with kopecks, taels, and yen.
-
-
-------------------------------------------------------------------------
-
-
- THE FORTUNE TELLER
-
-A gypsy maiden, strangely wise, with dusky hair and midnight eyes, my
-future life unveiled; she said she’d read the lines of fate for many
-another trusting skate, and never yet had failed. She was a maid of
-savage charms; great brazen rings were on her arms, and she had strings
-of beads; with trinkets she was loaded down; the noisy colors of her
-gown recalled no widow’s weeds. She told me I would live to be as rich
-as Andy or John D., my dreams would all come true; I’d have a palace on
-a hill, and vassals near to do my will, a yacht to sail the blue. And as
-she told what blessings fine, what great rewards and gifts were mine, in
-low and dulcet tones, her nimble fingers, ne’er at rest, got closer to
-my checkered vest, and lifted seven bones. She touched me for my meager
-roll, that poor misguided, heathen soul, but still her victim smiles;
-she gave me dreams for half a day and took me with her to Cathay and the
-enchanted isles. Her glamour caused me to forget a little while, the
-strife and sweat, the city’s bricks and stones; she took my toilworn
-soul abroad, and she is welcome to my wad—I still have seven bones.
-
-
-------------------------------------------------------------------------
-
-
- GOLD BRICKS
-
-Young Jack goes forth to call on Rose, attired in gorgeous raiment (and
-for that gaudy suit of clothes the tailor seeks his payment); his teeth
-are scoured, his shoes are shined, the barber man’s been active—in
-sooth, it’s hard to call to mind a fellow more attractive.
-
-And Rose is waiting at the gate, as blithely Jack advances; she has her
-angel smile on straight, and charming are her glances. She’s spent at
-least a half a day (to temper’s sore abrasion) to get herself in brave
-array, in shape for this occasion. All afternoon, with patient care, she
-tried on heaps of dresses; her gentle mother heard her swear while
-combing out her tresses. But now, as lovely as the day, with trouble
-unacquainted, she looks as though she grew that way and never puffed or
-painted.
-
-And so they both, on dress parade, sit down within the arbor, she well
-upholstered by her maid, he scented by his barber. They talk of
-painters, Spanish, Dutch; they talk of Keats and Dante—for whom they do
-not care as much as does your maiden auntie. Now Jack is down upon his
-knees! By jings! he is proposing! His vows, a-floating on the breeze,
-his ardor are disclosing! And Rose! Her bliss is now begun—she’s made
-her little capture. Oh, chee! two hearts that beat as one, and all that
-sort of rapture!
-
-And there is none to say to Rose, “Don’t rush into a marriage! You’re
-getting but a suit of clothes, some gall, a princely carriage! This man
-upon whose breast you lean too often has a jag on; he couldn’t buy the
-raw benzine to run your chug-chug wagon! Of tawdry thoughts he is the
-fount; his heart is cold and stony. He’s ornery and no account; his
-stately front is phony! He owes for all the duds he wears, for all the
-grub he’s swallowed, and at his heels, on streets and stairs, the
-bailiffs long have followed!”
-
-And there is none to say to Jack, “Don’t wed that dazzling maiden! You
-think that down a starry track she slid to you from Aidenn; but she is
-selfishness boiled down—as mother oft discovers—and in the house she
-wears a frown; she keeps her smiles for lovers. She never did a useful
-thing or had a thought uplifting, and ere she gets you on her string,
-look out where you are drifting!”
-
-There’s none who dares to tell the truth or point the proper courses, so
-foolish maid weds foolish youth, and then we have divorces!
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- AMBITIONS
-
-Ah, once, in sooth, in days of youth, I longed to be a pirate; the
-corsair’s fame for deeds of shame—all boys did once desire it. At night
-when gleamed the stars I dreamed of sacking Spanish vessels, of clanging
-swords and dripping boards, and bloody scraps and wrestles. Then
-“One-Eyed Lief” the pirate chief my hero was and model; in dreams I’d
-hold his stolen gold till I could scarcely waddle. But father took his
-shepherd’s crook and lammed me like tarnation, till I forgot that sort
-of rot for milder aspiration.
-
-And still I dreamed; and now I seemed to be a baseball pitcher, adored
-by all, both great and small, in wealth grown rich and richer. My
-dreaming eyes saw crowds arise and bless me from the bleachers, when I
-struck out some pinch hit lout and beat those Mudville creatures. I
-seemed to stand, sublime and grand, the idol of all fandom; men thought
-me swell, and treasured well the words I spoke at random. Ah, boyhood
-schemes, and empty dreams of glory, fame and riches! My mother came and
-tanned my frame with sundry birchen switches, and brought me back to
-duty’s track, and made me hoe the onions, dig garden sass and mow the
-grass until my hands had bunions.
-
-In later days I used to raise my eyes to summits splendid. “I’ll hold,”
-I’d swear, “the White House chair, before my life is ended.” The years
-rolled on and dreams are gone, with all their gorgeous sallies, and in
-my town I’m holding down a job inspecting alleys.
-
-Thus goes the world; a man is hurled from heights to depths abysmal; the
-dream of hope is golden dope, but waking up is dismal. So many dreams,
-so many schemes, upon the hard-rock shiver! We think we’ll eat some
-sirloin meat, and have to dine on liver. We think we’ll dine on duck and
-wine, with garlands hanging o’er us, but when some dub calls us to grub,
-stewed prunes are set before us. And yet, my friends, though dreaming
-ends in dark-blue taste tomorrow, build airy schemes! Without your
-dreams, this life would be all sorrow.
-
-
-------------------------------------------------------------------------
-
-
- CHRISTMAS MUSINGS
-
-One winter night—how long ago it seems!—I lay me down to bask in
-pleasant dreams. My sock was hung, hard by the quilting frame, where
-Santa Claus must see it when he came. I’d been assured by elders, good
-and wise, that he would come when I had closed my eyes; along the roofs
-he’d drive his team and sleigh, and down the chimney make his sooty way.
-And much I wondered, as I drowsy grew, how he would pass the elbows in
-the flue.
-
-The morning came, the Christmas bells rang loud, I heard the singing of
-a joyous crowd, and in my sock that blessed day I found a gift that made
-my head whirl round and round. A pair of skates, whose runners shone
-like glass, whose upper parts were rich with steel and brass! A pair of
-skates that would the gods suffice, if ever gods go scooting o’er the
-ice! All through the day I held them in my arms and nursed them close,
-nor wearied of their charms. I did not envy then the king his crown, the
-knight his charger, or the mayor his town. I scaled the heights of
-rapture and delight—I had new skates, oh, rare and wondrous sight!
-
-’Twas long ago, and they who loved me then are in their graves, the wise
-old dames and men. Since that far day when rang the morning chimes, the
-Christmas bells have rung full forty times; the winter snow is on my
-heart and hair, and old beliefs have vanished in thin air. No more I
-wait to hear old Santa’s team, as drowsily I drift into a dream. Age has
-no myths, no legends, no beliefs, but only facts, and facts are mostly
-griefs.
-
-I’ve prospered well, I’ve earned a goodly store, since that bright
-morning in the time of yore. My home is filled with rare and costly
-things, and every day some modern comfort brings; I’ve motor cars and
-also speedy steeds, and goods to meet all human wants or needs; and at
-the bank, when I step in the door, the money changers bow down to the
-floor.
-
-The bells of Christmas clamor in the gale, but I am old, and life is
-flat and stale. I’d give my hoard for just one thrill of joy, such as I
-knew when, as a little boy, I proudly went and showed my youthful mates
-my Christmas gift—a pair of shining skates! For those cheap skates I’d
-give my motor cars, my works of art, my Cuba-made cigars, my stocks and
-bonds, my hunters and my hounds, my stately mansion and my terraced
-grounds, if, having them, I once again might know the joy I knew so
-long, so long ago!
-
-[Illustration]
-
-------------------------------------------------------------------------
-
-
- THE WAY OF A MAN
-
-
- BEFORE MARRIAGE
-
-He carried flowers and diamond rings to please that dazzling belle, and
-caramels and other things that damsels love so well. He’d sit for hours
-upon a chair and hold her on his knees; he blew his money here and
-there, as though it grew on trees. “If I had half what you are worth,”
-he used to say, “my sweet, I’d put a shawlstrap round the earth and lay
-it at your feet.”
-
-He had no other thought, it seemed, than just to cheer her heart; and
-everything of which she dreamed, he purchased in the mart.
-
-“When we are spliced,” he used to say, “you’ll have all you desire—a
-gold mine or a load of hay, a dachshund or a lyre. My one great aim will
-be to make your life a thing of joy, so haste and to the altar take your
-little Clarence boy.”
-
-And so she thought she drew a peach when they were wed in June. Alas!
-how oft for plums we reach, and only get a prune!
-
-
-------------------------------------------------------------------------
-
-
- AFTER MARRIAGE
-
-“And so you want another hat?” he thundered to his frau. “Just tell me
-what is wrong with that—the one you’re wearing now! No wonder that I
-have the blues, the way the money goes; last week you blew yourself for
-shoes, next week you’ll want new clothes!
-
-“I wish you were like other wives and would like them behave; it is the
-object of their lives to help their husbands save. All day I’m in the
-business fight and strain my heart and soul, and when I journey home at
-night, you touch me for my roll. You want a twenty-dollar hat, to hold
-your topknot down, or else a new Angora cat, a lapdog, or a gown. You
-lie awake at night and think of things you’d like to buy, and when I
-draw a little chink, you surely make it fly.
-
-“With such a wife as you, I say, a husband has no chance; you pull his
-starboard limb by day, by night you rob his pants.
-
-“My sainted mother, when she dwelt in this sad vale of tears, had one
-old lid of cloth or felt, she wore for thirty years. She helped my
-father all the time, she pickled every bone, and if she had to blow a
-dime, it made her weep and moan.
-
-“The hat you wear is good as new; ’twill do another year. So don’t stand
-round, the rag to chew—I’m busy now, my dear.”
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- THE TWO SALESMEN
-
-Two salesmen went to work for Jones, who deals in basswood trunks; each
-drew per week eleven bones, eleven big round plunks. “It isn’t much,”
-said Jones, “but then, do well, and you’ll get more; I’d like to have
-some high-priced men around this blamed old store. You’ll find I’m
-always glad to pay as much as you are worth, so let your curves from day
-to day astonish all the earth.”
-
-Then Salesman Number One got down and buckled to his work; and people
-soon, throughout the town, were talking of that clerk. He was so full of
-snap and vim, so cheerful and serene, that people liked to deal with
-him, and hand him good long green. In busy times he’d stay at night to
-straighten things around, and never show a sign of spite, or raise a
-doleful sound. He never feared that he would work a half an hour too
-long, but he those basswood trunks would jerk with cheerful smile and
-song.
-
-And ever and anon Brer Jones would say: “You’re good as wheat! I raise
-your stipend seven bones, and soon I will repeat!” And now that Salesman
-Number One is manager they say; each week he draws a bunch of mon big as
-a load of hay.
-
-But Salesman Number Two was sore because his pay was small; he sighed,
-“The owner of this store has seven kinds of gall. He ought to pay me
-eighteen bucks, and more as I advance. He ought to treat me white—but
-shucks! I see my name is Pance.”
-
-Determined to do just enough to earn his meager pay, he watched the
-clock, and cut up rough if late he had to stay. He saw that other
-salesman climb, the man of smiles and songs; but still he fooled away
-his time, and brooded o’er his wrongs.
-
-He’s still employed at Jones’ store, but not, alas! as clerk; he cleans
-the windows, sweeps the floor, and does the greasy work. He sees young
-fellows make their start and prosper and advance, and sadly sighs, with
-breaking heart, I never had a chance!
-
-And thousands raise that same old wail throughout this busy land; you
-hear that gurgle, false and stale, wherever failures stand. The men who
-never had a chance are scarce as chickens’ teeth, and chaps who simply
-won’t advance must wear the goose-egg wreath.
-
-
-------------------------------------------------------------------------
-
-
- THE PRODIGAL SON
-
-“At last I’m wise, I will arise, and seek my father’s shack;” thus
-muttered low the ancient bo, and then he hit the track. From dwellings
-rude he’d oft been shooed, been chased by farmers’ dogs; this poor old
-scout, all down and out, had herded with the hogs. His heart was wrong;
-it took him long to recognize the truth, that there’s a glad and smiling
-dad for each repentant youth. “I will arise, doggone my eyes,” the
-prodigal observed, “and try to strike the old straight pike from which I
-idly swerved.” The father saw, while baling straw, the truant, sore and
-lamed; he whooped with joy; “my swaybacked boy, you’re welcome!” he
-exclaimed. Midst glee and mirth two dollars’ worth of fireworks then
-were burned; “we’ll kill a cow,” cried father, “now that Reuben has
-returned!” His sisters sang, the farmhouse rang with glee till rafters
-split, his mother sighed with hope and pride, his granny had a fit. And
-it’s today the same old way, the lamp doth nightly burn, to guide you
-home, O, boys who roam, if you will but return.
-
-
-------------------------------------------------------------------------
-
-
- HOSPITALITY
-
-I HATE to eat at a friend’s abode—he makes me carry too big a load. He
-keeps close tab, and he has a fit, if I show a sign that I’d like to
-quit. “You do not eat as a host could wish—pray, try some more of the
-deviled fish. Do put some vinegar on your greens, and take some more of
-the boneless beans, and have a slice of the rich, red beet, and here’s a
-chunk of the potted meat. We’ll think our cooking has failed to please,
-if you don’t eat more of the Lima peas, of the stringless squash and the
-graham rolls, and the doughnuts crisp, with their large round holes. You
-are no good with the forks and spoons—do try a dish of our home grown
-prunes!” I eat and eat, at my friend’s behest, till the buttons fly from
-my creaking vest. I stagger home when the meal is o’er, and nightmares
-come when I sleep and snore; and long thereafter my stomach wails, as
-though I’d swallowed a keg of nails. Be wise, be kind to the cherished
-guest, and let him quit when he wants to rest! Don’t make him eat
-through the bill of fare, when you see he’s full of a dumb despair!
-
-
-------------------------------------------------------------------------
-
-
- HON. CROESUS EXPLAINS
-
-Oh, yes, I own a mill or two where little children toil; but why this
-foolish how-de-do, this uproar and turmoil? You say these children are
-but slaves, who, through the age-long day, must work in dark and noisome
-caves to earn a pauper’s pay? You hold me up to public scorn as one
-who’s steeped in sin; and yet I feel that I adorn the world I’m living
-in.
-
-_But yesterday I wrote two checks for twenty-seven plunks to build a
-Home for Human Wrecks and buy them horsehair trunks._
-
-In building up monopolies I’ve crushed a thousand men? I’m tired of that
-old chestnut; please don’t spring that gag again. I cannot answer for
-the fate of those by Trade unmade; for men who cannot hit the gait must
-drop from the parade. If scores of people got the worst of deals I had
-in line, if by the losers I am cursed, that is no fault of mine. And
-you, who come with platitude, are but an also ran; I use my money doing
-good, as much as any man.
-
-_I’m doing good while Virtue rants and of my conduct moans; for a
-Retreat for Maiden Aunts I just gave twenty bones._
-
-I hold too cheap employees’ lives, you cry in tones intense; I’m making
-widows of their wives, to keep down my expense. I will not buy a fire
-escape, or lifeguards now in style, and so the orphan’s wearing crape
-upon his Sunday tile. I know just what my trade will stand before it
-bankrupt falls, and so I can’t equip each hand with costly folderols.
-There is no sentiment in trade, let that be understood; but when my work
-aside is laid, my joy’s in doing good.
-
-_Today I coughed up seven bucks to Ladies of the Grail, who wish to
-furnish roasted ducks to suffragists in jail._
-
-You say I violate all laws and laugh the courts to scorn, and war on
-every worthy cause as soon as it is born? You can’t admit my moral
-health—you wouldn’t if you could; I spend my days in gaining wealth, my
-nights in doing good.
-
-_And while the hostile critic roars, I’m giving every day; I’m sending
-nice pink pinafores to heathen in Cathay._
-
-
-------------------------------------------------------------------------
-
-
- MAÑANA
-
-THE weeds in the garden are growing, while I’m sitting here in the
-shade; I know that I ought to be hoeing and doing some things with a
-spade. I know that I shouldn’t be shirking in pleasant, arboreal nooks;
-I know that I ought to be working like good little boys in the books.
-They tell me that idling brings sorrow, and doubtless they tell me the
-truth; I’ll tackle that garden tomorrow—today I’ve a yarn by Old Sleuth!
-
-The fence, so my mother reminds me, needs fixing the worst kind of way!
-So it does; but, alas! how it grinds me to wrestle with fence boards
-today! I ought to do stunts with a hammer, and cut a wide swath with a
-saw, and raise an industrial clamor out there at the fence by the draw.
-The punishing fires of Gomorrah on idlers, ma says, will rain down; I’ll
-fix up that blamed fence tomorrow—today there’s a circus in town!
-
-I ought to be whacking up kindling, says ma, as she fools with the
-churn; the pile in the woodshed is dwindling, and soon there’ll be
-nothing to burn. There’s Laura, my sister, as busy as any old bee that
-you know, while all my employments are dizzy, productive of nothing but
-woe. I’ll show I’m as eager as Laura to make in the sunshine my hay!
-I’ll split up some kindling tomorrow—I planned to go fishing today!
-
-I’ve made up my mind to quit fooling and do all the chores round the
-shack. Just wait till you see me a-tooling the cow to the pasture and
-back! I’ll show that I’m willing and able! I’ll weed out the cucumber
-vines, I’ll gather the eggs ’neath the stable, and curry the horse till
-he shines! A leaf from ma’s book I shall borrow and labor away till I
-fall! I’ll surely get busy tomorrow—today there’s a game of baseball!
-
-
-------------------------------------------------------------------------
-
-
- SHOVELING COAL
-
-SHOVELING coal, shoveling coal, into the furnace’s crater-like hole!
-Thus goes the coin we so wearily earn, into the furnace to sizzle and
-burn; thus it’s converted to ashes and smoke, and we keep shoveling,
-weeping, and broke. Oh, it’s a labor that tortures the soul, shoveling
-coal, shoveling coal! “The house,” says the wife, “is as cold as a
-barn,” so I must emigrate, muttering “darn,” down to the furnace, the
-which I must feed; it is a glutton, a demon of greed! Into its cavern I
-throw a large load—there goes the money I got for an ode! There goes the
-check that I got for a pome, boosting the joys of an evening at home!
-There goes the price of full many a scroll, shoveling coal, shoveling
-coal! Things that I need I’m not able to buy, I have shut down on the
-cake and the pie; most of my jewels are lying in soak, gone is the money
-for ashes and smoke; all I can earn, all the long winter through, goes
-in the furnace and then up the flue. Still says the frau, “It’s as cold
-as a floe, up in the Arctic where polar bears grow.” So all my song is
-of sorrow and dole, shoveling coal, shoveling coal!
-
-
-------------------------------------------------------------------------
-
-
- THE DIFFERENCE
-
-WHEN I was as poor as Job, and monkeyed around the globe in indolent
-vagrant style, my life was a joyous thing, devoid of a smart or sting,
-and everything seemed to smile. I hadn’t a bundle then; I herded with
-homeless men, and padded the highway dust; and care was a thing unknown,
-as scarce as the silver bone, in days of the wanderlust. But now I am
-settled down, a prop to this growing town, respectable till it hurts;
-and I have a bundle fat, and I have a stovepipe hat, and all kinds of
-scrambled shirts. I puff at a rich cigar, and ride in a motor car, and I
-have a spacious lawn; and diamonds upon me shine; my credit is simply
-fine, the newspapers call me Hon. But Worry is always near, a-whispering
-in my ear—I’m tired of her morbid talks: “Suppose that the bank should
-bust in which you have placed your dust, how then would you feel, Old
-Sox? Suppose that the cyclones swat the farms you have lately bought and
-blow them clear off the map? Suppose that your mills should fail, and
-you were locked up in jail, how then would you feel, old chap?” Dame
-Worry is always there; she’s whitened my scanty hair, she’s cankered my
-weary breast; she never goes far away; she tortures me all the day and
-ruins my nightly rest. And often at night I sigh for a couch ’neath the
-open sky and the long white road again; for the march through the
-sifting dust, and the lure of the wanderlust and the camp of the
-homeless men.
-
-
-------------------------------------------------------------------------
-
-
- IMMORTAL SANTA
-
-I MET a little maid who cried, as though her heart would break; I asked
-her why, and she replied, “Oh, Santa is a fake! My teacher says there
-never was a being by that name, and here I mourn for Santa Claus, and
-all the Christmas game.”
-
-“Cheer up, my little girl,” I said, “for weeping is a crime; I’ll go and
-punch that teacher’s head as soon as I have time. Old Santa lives, the
-good old boy, his race is not yet run; and he will bring the children
-joy, as he has always done. The pedagogues have grown too smart, and
-must take in their sails, if they would break a maiden’s heart by
-telling phony tales.”
-
-The young one, anxious to believe that Santa’s still on earth, looked up
-and smiled and ceased to grieve, and chortled in her mirth. I have no
-use for folks so wise that legend makes them sad, who say those stories
-are but lies which make the children glad. For Santa lives, and that’s
-the truth; and he will always live, while there is such a thing as Youth
-to bless the hands that give.
-
-You may not hear his reindeer’s hoofs go tinkling o’er the snow; you may
-not see him climbing roofs to reach the socks below; and down the sooty
-chimney-hole you may not see him slide—for that would grieve the kindest
-soul, and scar the toughest hide—but still he goes his rounds and tries
-to make the children gay, and there is laughter in his eyes, on every
-Christmas Day.
-
-You’re Santa Claus, and so am I, and so is every dad, who says at
-Christmas time, “I’ll try to make the young hearts glad!” All other men
-may lay them down and go to rest some day; the homes they builded, and
-their town may crumble in decay; and governments may rise and fall, and
-dynasties may lapse, and still, triumphant over all, that jolliest of
-chaps will journey through the snow and storm, beneath the midnight sky;
-while souls are true and hearts are warm, old Santa shall not die.
-
-
-------------------------------------------------------------------------
-
-
- THE MEN BEHIND
-
-THE firm of Jingleson & Jams, which manufactured wooden hams, has closed
-its doors, and in the mill, the wheels and shafting all stand still.
-
-This mighty business was upbuilt by Humper, Hooperman & Hilt, who kept
-the factory on the go and made all kinds of fancy dough. Their products
-went to every mart, and cheered the retail merchant’s heart, and made
-consumers warble psalms, and ask for more of those elm hams. These
-owners hired the ablest men that could be got for love or yen;
-throughout the mill fine workmen wrought; their every motion hit the
-spot; and expert foremen snooped around, and if some shabby work they
-found, the riot act they’d promptly speak, in Latin, Choctaw, Dutch and
-Greek.
-
-The finest salesmen in the land were selling hams to beat the band. Old
-Humper said, “No ten-cent skate can earn enough to pay the freight;
-cheap men are evermore a frost—they’re dear, no matter what they cost.
-We want the ablest men that grow—no other kind will have a show.” And so
-these owners gathered kale until the game seemed old and stale, then
-sold their mill and stock of hams to Messrs. Jingleson & Jams.
-
-These were a pair of cautious gents, who had a reverence for cents. They
-looked around, with eager eyes, for chances to economize. They had the
-willies when they gazed upon the payroll—they were dazed! “Great
-whiskers!” Jingleson exclaimed, “this wilful waste makes me ashamed!
-This salesman, Jasper Jimpson Jones, draws, every month, two hundred
-bones! Why I can hire F. Flimson Flatt, who’ll work I know, for half of
-that!”
-
-“And by old Pharaoh’s sacred rams,” remarked his partner, Peter Jams,
-“it’s that way all along the list; old Humper must be crazed, I wist!
-We’ll cut these salaries in two—that is the first thing we must do!”
-
-And so the high-priced expert men were told to go, nor come again; and
-soon the shop began to fill with chaps who’d neither brains nor skill.
-The payroll slumped—which made Jams glad; but so did trade—which made
-him mad. The product lost its high renown, and merchants turned the
-salesmen down, and they sent frantic telegrams to weary Jingleson &
-Jams.
-
-When things begin down hill to slide, they rush, and will not be denied,
-and so there came slump after slump until the business reached the dump,
-and poor old Jingleson & Jams are mournful as a pair of clams.
-
-Economy’s the one best bet—but some kinds cost like blitzen, yet!
-
-
-------------------------------------------------------------------------
-
-
- THE BARD IN THE WOODS
-
-ALONG the forest’s virgin aisles I walk in rapture, miles on miles; at
-every turn delights unfold, and wondrous vistas I behold. What noble
-scenes on every hand! I feel my ardent soul expand; I turn my face
-toward the sky, and to the firmament I cry:
-
-“_The derned mosquitoes—how they bite! The woods would be a pure
-delight, would lure all men back to the soil, if these blamed brutes
-were boiled in oil! They come forth buzzing from their dens, and they’re
-as big as Leghorn hens, and when they bite they raise a lump that makes
-the victim yell and jump._”
-
-What wondrous voices have the trees when they are rocked by morning
-breeze! The voices of a thousand lyres, the music of a thousand choirs,
-the chorus of a thousand spheres are in the noble song one hears! The
-same sad music Adam heard when through the Eden groves he stirred; and
-ever since the primal birth, through all the ages of the earth, the
-trees have whispered, chanted, sung, in their soft, untranslated tongue.
-And, moved to tears, I cry aloud, far from the sordid madding crowd:
-
-“_Doggone these measly, red-backed ants! They will keep climbing up my
-pants! The woods will soon be shy of guests unless the ants and kindred
-pests abolished are by force of law; they’ve chewed me up till I am
-raw._”
-
-Here in these sylvan solitudes, unfettered Nature sweetly broods; she’d
-clasp her offspring to her breast, and give her weary children rest, and
-say to them, “No longer weep, but on your mother’s bosom sleep.” Here
-mighty thoughts disturb my brain—I try to set them down in vain; with
-noble songs my soul’s afire—I cannot fit them to my lyre, Elysian views
-awhile I’ve seen—I cannot tell you what they mean; adown the forest
-aisles I stray, and face the glowing East, and say:
-
-“_It must have been a bee, by heck! that stung me that time on the neck!
-It’s time I trotted back to town, and got those swellings doctored down!
-With bees and ants and wasps and snakes these bosky groves and tangled
-brakes are most too fierce for urban bard—I rather long for my back
-yard!_”
-
-
-------------------------------------------------------------------------
-
-
- VALUES
-
-OLD Hiram Hucksmith makes and sells green wagons with red wheels; and
-merry as a string of bells in his old age he feels. For over all the
-countryside his wagons have their fame, and Hiram sees with wholesome
-pride, the prestige of his name.
-
-He always tells his men: “By jings, my output must be good! Don’t ever
-use dishonest things—no wormy steel or wood; use nothing but the
-choicest oak, use silver mounted tacks, and every hub and every spoke
-must be as sound as wax. I want the men who buy my carts to advertise
-them well; I do not wish to break the hearts of folks to whom I sell.”
-
-The farmers bought those wagons green, with wheels of sparkling red, and
-worked them up and down, I ween, and of them often said: “You cannot
-bust or wear them out, and if you’d break their holt, you’d have to have
-a waterspout or full-sized thunderbolt. The way they hang together’s
-strange, they ought to break but won’t, most earthly things decay or
-change, but these blamed wagons don’t.”
-
-Old Hiram’s heart with rapture thrilled, to hear that sort of stuff; he
-worked and worked but couldn’t build his wagons fast enough. And now he
-lives on Easy Street, most honored of all men who toddle down our
-village street, and then back up again.
-
-Old Jabez Jenkins long has made blue wagons with pink spokes, and once
-he had a goodly trade among the farmer folks. With pride his bosom did
-not swell, he knew not to aspire, to get up wagons that would sell—that
-was his one desire. And so he made his wheels of pine, where rosewood
-should have been, and counted on the painting fine, to hide the faults
-within.
-
-And often when this sad old top was toiling in his shed, a customer
-would seek his shop and deftly punch his head. Wherever Jenkins’ wagons
-went, disaster with them flew; the tires came off, the axles bent, the
-kingbolts broke in two. You’d see the farmers standing guard above their
-ruined loads, and springing language by the yard that fairly scorched
-the roads.
-
-This Jenkins now is old and worn, his business is decayed; and he can
-only sit and mourn o’er dizzy breaks he made. Old Hiram’s plan should
-suit all men who climb Trade’s rugged hill: Give value for the shining
-yen you put into your till.
-
-
-------------------------------------------------------------------------
-
-
- STICKING TO IT
-
-I USED to run a beeswax store at Punktown-in-the-Hole, and people asked
-me o’er and o’er, “Why don’t you deal in coal? The beeswax trade will
-never pay—you know that it’s a sell; if you take in ten bones a day, you
-think you’re doing well.”
-
-Thus spake these thoughtful friends of mine; I heard their rigmarole,
-and straightway quit the beeswax line, and started selling coal. I built
-up quite a trade in slate, delivered by the pound, and just when I could
-pay the freight, my friends again came round. “Great Scott!” they cried,
-“you ought to quit this dark and dirty trade! To clean your face of
-grime and grit we’d need a hoe and spade! Quit dealing in such dusty
-wares, and make yourself look slick; lay in a stock of Belgian hares,
-and you’ll make money quick.”
-
-I bought a thousand Belgian brutes, and watched them beige around, and
-said: “I’ll fatten these galoots and sell them by the pound, and then
-I’ll have all kinds of kale, to pleasure to devote; around this blamed
-old world I’ll sail in my own motor boat.” But when the hares were
-getting fat, my friends began to hiss: “Great Caesar! Would you look at
-that! What foolishness is this? Why wear out leg and back and arm
-pursuing idle fads? You ought to have a ginseng farm, and then you’d
-nail the scads.”
-
-The scheme to me seemed good and grand; I sold the Belgian brutes, and
-then I bought a strip of land and planted ginseng roots. I hoped to see
-them come up strong, and tilled them years and years, until the sheriff
-came along and took me by the ears. And as he pushed me off to jail, I
-passed that beeswax store; the owner, loaded down with kale, was
-standing in the door. “If you had stayed right here,” he said, “you’d
-now be doing well; you would not by the ears be led toward a loathsome
-cell. But always to disaster wends the man who has no spine, who always
-listens to his friends, and thinks their counsel fine.”
-
-
-------------------------------------------------------------------------
-
-
- “THANKS”
-
-THE lumber man wrapped up some planks, for which I paid a yen, and as I
-left he murmured, “Thanks! I hope you’ll call again!”
-
-Such little courtesies as this make business worth the while; they fill
-a customer with bliss and give his mug a smile. Politeness never fails
-to win, and bring the trade your way; when I have cash I blow it in with
-dealers blithe and gay.
-
-Of course, in every merchant’s joint, there are a thousand cares, which
-file his temper to a point, and give his brow gray hairs. And he should
-have a goat, no doubt, on which to vent his spite; a sawdust dummy, good
-and stout, should do for that all right. And then, when burdened with
-his woe, he might a while withdraw, and to the basement gaily go, and
-smash that dummy’s jaw. And when he’d sprained the dummy’s back, and
-spoiled its starboard glim, he to his duties would retrack, refreshed
-and full of vim.
-
-Some outlet for his flowing bile—on this each man depends; but he should
-always have a smile and “Thank you” for his friends.
-
-When I am needing further planks, to make a chicken pen, I’ll seek the
-merchant who said, “Thanks! I hope you’ll come again!” I feel that I am
-welcome there, in that man’s scantling store, and I can use the office
-chair or sleep upon the floor. His cordial treatment makes me pant to
-patronize such gents; and I shall wed his maiden aunt and borrow fifty
-cents.
-
-I’d sing his praises day and night, if singing were allowed; the man
-consistently polite will always charm the crowd.
-
-
-------------------------------------------------------------------------
-
-
- THE OLD ALBUM
-
-I LIKE to take the album old, with covers made of plush and gold—or
-maybe it is brass—and see the pictures of the jays who long have gone
-their divers ways and come no more, alas!
-
-This picture is of Uncle James, who quit these futile worldly games full
-twenty years ago; up yonder by the village church, where in his pew he
-used to perch, he now is lying low. Unheard by him the church bell
-chimes; the grass has grown a score of times above his sleeping form.
-For him there is no wage or price, with him the weather cuts no ice, the
-sunshine or the storm.
-
-Yet here he sits as big as life, as dolled up by his loving wife, “to
-have his picture took.” Though dead to all the world of men, yea, doubly
-dead, and dead again, he lives in this old book. His long side whiskers,
-north and south, stand forth, like mudguards for his mouth, his treasure
-and his pride. With joy he saw those whiskers sprout, with glee he saw
-them broaden out his face, already wide. In those sweet days of Auld
-Lang Syne the men considered whiskers fine and raised them by the peck;
-a man grew whiskers every place that they would grow upon his face, and
-more upon his neck. He made his face a garden spot, and he was sad that
-he could not grow whiskers on his brow; he prized his whiskers more than
-mon and raised his spinach by the ton—where are those whiskers now?
-
-Oh, ask the ghost of Uncle James, whose whiskers grew on latticed
-frames—at least, they look that way, as in this picture they appear,
-this photograph of yesteryear, so faded, dim and gray.
-
-My Uncle James looks sad and worn; he wears a smile, but it’s forlorn, a
-grin that seems to freeze. And one can hear the artist say—that artist
-dead and gone his way—“Now, then, look pleasant, please!” My uncle’s
-eyes seem full of tears. What wonder when, beneath his ears, two prongs
-are pressing sore? They’re there to hold his head in place, while he
-presents a smiling face for half an hour or more. The minutes drag—if
-they’d but rush! The artist stands and whispers, “Hush! Don’t breathe or
-wink your eyes! Don’t let your smile evaporate, but keep it rigid, firm
-and straight—in it all virtue lies!”
-
-It is a scene of long ago, when art was long and time was slow, brought
-back by this old book; there were no anesthetics then, and horror filled
-the souls of men who “had their pictures took.” Strange thoughts all
-soulful people hold, when poring o’er an album old, the book of vanished
-years. The dead ones seem to come again, the queer, old-fashioned dames
-and men, with prongs beneath their ears!
-
-
-------------------------------------------------------------------------
-
-
- WAR AND PEACE
-
-THE bugles sound, the prancing chargers neigh, and dauntless men have
-journeyed forth to slay. Mild farmer lads will wade around in gore and
-shoot up gents they never saw before. Pale dry goods clerks, amid war’s
-wild alarms, pursue the foe and hew off legs and arms. The long-haired
-bards forget their metred sins and walk through carnage clear up to
-their chins.
-
-“My country calls!” the loyal grocer cries, then stops a bullet with his
-form and dies. “’Tis glory beckons!” cry the ardent clerks; a bursting
-shell then hits them in the works. And dark-winged vultures float along
-the air, and dead are piled like cordwood everywhere. A regiment goes
-forth with banners gay; a mine explodes, and it is blown away. There is
-a shower of patriotic blood; some bones are swimming in the crimson mud.
-Strong, brave young men, who might be shucking corn, thus uselessly are
-mangled, rent and torn. They call it glory when a fellow falls, his
-midriff split by whizzing cannon balls; but there’s more glory in a
-field of hay, where brave men work for fifteen bits a day.
-
-The bugles blow, the soldiers ride away, to gather glory in the mighty
-fray; their heads thrown back, their martial shoulders squared—what
-sight with this can ever be compared? And they have dreams of honors to
-be won, of wreaths of laurel when the war is done. The women watch the
-soldiers ride away, and to their homes repair to weep and pray.
-
-No bugles sound when back the soldiers come; there is no marching to the
-beat of drum. There are no chargers, speckled with their foam; but one
-by one the soldiers straggle home. With empty sleeves, with wooden legs
-they drill, along the highway, up the village hill. Their heads are
-gray, but not with weight of years, and all the sorrow of all worlds and
-spheres is in their eyes; for they have walked with Doom, have seen
-their country changed into a tomb. And one comes back where twenty went
-away, and nineteen widows kneel alone and pray.
-
-They call it glory—oh, let glory cease, and give the world once more the
-boon of peace! I’d rather watch the farmer go afield than see the
-soldier buckle on his shield! I’d rather hear the reaper’s raucous roar
-than hear a colonel clamoring for gore! I’d rather watch a hired man
-milk a cow, and hear him cussing when she kicks his brow, than see a
-major grind his snickersnee to split a skull and make his country free!
-I’d rather watch the grocer sell his cheese, his boneless prunes and
-early winter peas, and feed the people at a modest price, than see a
-captain whack an ample slice, with sword or claymore, from a warlike
-foe—for peace is weal, and war is merely woe.
-
-
-------------------------------------------------------------------------
-
-
- THE CROOKS
-
-THE people who beat you, hornswoggle and cheat you, don’t profit for
-long from the kale; for folks who are tricky find Nemesis sticky—it
-never abandons their trail. I’ve often been cheated; the trick’s been
-repeated so often I cannot keep tab; but ne’er has the duffer who thus
-made me suffer been much better off for his grab. It pays not to
-swindle; dishonest rolls dwindle like snow when exposed to the sun; like
-feathers in Tophet is burned up the profit of cheating, the crooked
-man’s mon. The people who sting me unknowingly bring me philosophy
-fresh, by the crate; I don’t get excited—my wrongs will be righted, by
-Nemesis, Fortune, or Fate. I know that the stingers—they think they are
-dingers, and gloat o’er the coin they don’t earn—I know they’ll be
-busted and sick and disgusted, while I still have rubles to burn. I’d
-rather be hollow with hunger than follow the course that the tricksters
-pursue; I’d rather be “easy” than do as the breezy and conscienceless
-gentlemen do. Far better the shilling you’ve earned by the tilling of
-soil that is harder than bricks, than any old dollar you manage to
-collar by crooked and devious tricks.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- THE TRAMP
-
-HIS hair is long, his breath is strong, his hat is old and battered, his
-knees are sprung, his nerves unstrung, his clothes are badly tattered,
-his shoes are worn, his hide’s been torn by bow-wows fierce and
-snarling; and yet, by heck! this tough old wreck was once some daddy’s
-darling!
-
-He still must hit the ties and grit. A dismal fate is his’n; for if he
-stops, the village cops will slam him into prison. Some hayseed judge
-would make him trudge out where the rock pile’s lying, to labor there,
-in his despair, till next year’s snows are flying. The women shy when he
-goes by; with righteous wrath they con him. Men give him kicks and hand
-him bricks and train their shotguns on him. His legs are sprained, his
-fetlocks strained, from climbing highways hilly; it’s hard to think this
-seedy gink was someone’s little Willie!
-
-And yet ’tis so. Once, long ago, some dad of him was bragging, and
-matrons mild surveyed the child and set their tongues a-wagging. “What
-lovely eyes!” one woman cries. “They look like strips of heaven!” “And
-note his hairs!” a dame declares. “I’ve counted six or seven!” “His
-temper’s sweet,” they all repeat; “he makes no fuss or bother. He has a
-smile that’s free from guile—he looks just like his father!” Thus women
-talked as he was rocked to slumber in his cradle; they filled with
-praise his infant days, poured taffy with a ladle.
-
-And ma and dad, with bosoms glad, planned futures for the creature.
-“I’ll have my way,” the wife would say; “the child must be a preacher!
-His tastes are pure, of that I’m sure,” she says, with optimism; “for
-when he strays around and plays, he grabs the catechism!”
-
-“Ah, well,” says dad, “the lovely lad will reach great heights—I know
-it. I have the dope that he’ll beat Pope or Byron as a poet.”
-
-To give him toys and bring him joys, the savings bank was burgled; folks
-cried, “Gee whiz! How cute he is!” whenever baby gurgled.
-
-His feet are bare, his matted hair could not be combed with harrows; his
-garb is weird, and in his beard are bobolinks and sparrows. You’d never
-think, to see the gink, that ever he had parents! Can it be so that long
-ago he was somebody’s Clarence?
-
-
-------------------------------------------------------------------------
-
-
- THE DOLOROUS WAY
-
-AS a mortal man grows older he has pains in hoof or shoulder, by a
-thousand aches and wrenches all his weary frame is torn; he has headache
-and hay fever till he is a stout believer in the theory of the poet that
-the race was made to mourn. He has gout or rheumatism and he’s prone to
-pessimism, and he takes a thousand balsams, and the bottles strew the
-yard; he has grip and influenzy till his soul is in a frenzy, and he
-longs to end the journey, for this life is beastly hard. And his
-system’s revolution is Dame Nature’s retribution for the folly of his
-conduct in the days of long ago; in his anguish nearly fainting he is
-paying for the painting, for the wassail and the ruffling that his
-evenings used to know. We may dance and have our inning in our manhood’s
-bright beginning, but we all must pay the fiddler, pay him soon or pay
-him late, and a million men are paying for the dancing and the playing,
-who are charging up their troubles to misfortune or to fate.
-
-------------------------------------------------------------------------
-
-
- LOOKING FORWARD
-
-I OFTEN wonder how this globe will struggle on when I cash in, when I
-put on my long white robe and sleep with cold but peaceful grin. I find
-it hard to realize that sun and moon and stars will shine, that clouds
-will drift along the skies, when everlasting sleep is mine. What is the
-use of keeping up the long procession of the spheres, when I’m beneath
-the butter-cup, with gumbo in my eyes and ears? What is the use of dusk
-or dawn, of starless dark or glaring light, when I from all these scenes
-am gone, down to a million years of night? Young men will vow the same
-sweet vows, and maids with beating hearts will hear, beneath the
-churchyard maple’s boughs, and reck not that I’m resting near. And to
-the altar, up the aisle, the blooming brides of June will go, and bells
-will ring and damsels smile, and I’ll be too blamed dead to know. Ah,
-well, I’ve had my share of fun, I’ve lived and loved and shut the door;
-and when this little journey’s done, I’ll go to rest without a roar.
-
-------------------------------------------------------------------------
-
-
- SEEING THE WORLD
-
-HE jogged around from town to town, “to see the world,” was his excuse;
-he’d get a job and hold it down a little while, then turn it loose. “Oh,
-stay,” employers use to say; “your moving is a foolish trick; you’ll
-soon be earning bigger pay, for we’ll promote you pretty quick.” “This
-town is punk,” he would reply, “and every street is surnamed Queer; I’d
-see the world before I die—I do not wish to stagnate here.” Then he was
-young and quick and strong, and jobs were thick, as he jogged by, till
-people passed the word along that on him no one could rely. Then, when
-he landed in a town, and wished to earn a humble scad, the stern
-employers turned him down—“we want you not, your record’s bad.” He’s
-homeless in these wintry days, he has no bed, no place to sup; he “saw
-the world” in every phase; the world saw him—and passed him up. It’s
-good to “see the world,” no doubt, but one should make his bundle first,
-or age will find him down and out, panhandling for the wienerwurst.
-
-------------------------------------------------------------------------
-
-
- THE POLITE MAN
-
-WHEN Wigglewax is on the street, a charming smile adorns his face; to
-every dame he haps to meet, he bows with courtly, old world grace. His
-seat, when riding in a car, to any girl he’ll sweetly yield; and women
-praise him near and far, and say he is a Chesterfield. Throughout the
-town, from west to east, the man for chivalry is famed. “The Bayards are
-not all deceased,” the women say, when he is named. At home this Bayard
-isn’t thus; his eye is fierce, his face is sour; he looks around for
-things to cuss, and jaws the women by the hour. His daughters tremble at
-his frown, and wonder why he’s such a bear; his wife would like to jump
-the town, and hide herself most anywhere. But if a visitor drops in, his
-manner changes with a jerk, he wears his false and shallow grin, and
-bows like some jimtwisted Turk. Then for his daughters and his wife he
-wears his smile serene and fat, and callers say, “No sordid strife can
-enter such a home as that!” A million frauds like Wigglewax are smirking
-on the streets today, and when at eve they seek their shacks, they’ll
-beef and grouch, the old stale way.
-
-------------------------------------------------------------------------
-
-
- UNCONQUERED
-
-LET tribulation’s waters roll, and drench me as I don’t deserve! I am
-the captain of my soul, I am the colonel of my nerve. Don’t say my
-boasting’s out of place, don’t greet me with a jeer or scoff; I’ve met
-misfortune face to face, and pulled its blooming whiskers off. For I
-have sounded all the deeps of poverty and ill and woe, and that old
-smile I wear for keeps still pushed my features to and fro. Oh, I have
-walked the wintry streets all night because I had no bed; and I have
-hungered for the eats, and no one handed me the bread. And I have herded
-with the swine like that old prodigal of yore, and this elastic smile of
-mine upon my countenance I wore. For I believed and still believe that
-nothing ill is here to stay; the woozy woe, that makes us grieve,
-tomorrow will be blown away. My old-time griefs went up in smoke, and I
-remain a giggling bard; I look on trouble as a joke, and chortle when it
-hits me hard. It’s all your attitude of mind that makes you gay or sad,
-my boy, that makes your work a beastly grind, or makes it seem a round
-of joy. The mind within me governs all, and brings me gladness or
-disgust; I am the captain of my gall, I am the major of my crust.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- REGULAR HOURS
-
-I HIT the hay at ten o’clock, and then I sleep around the block, till
-half past five; I hear the early robin’s voice, and see the sunrise, and
-rejoice that I’m alive. From pain and katzenjammer free, my breakfast
-tastes as good to me as any meal; I throw in luscious buckwheat cakes,
-and scrambled eggs and sirloin steaks, and breaded veal. And as downtown
-I gaily wend, I often overtake a friend who’s gone to waste; “I stayed
-up late last night,” he sighs, “and now I have two bloodshot eyes, and
-dark brown taste; I’d give a picayune to die, for I’m so full of grief
-that I can hardly walk; I’ll have to brace the drugstore clerks and
-throw some bromo to my works, or they will balk.” But yesterday I saw a
-man to whom had been attached the can by angry boss, he wassailed all
-the night away, and then showed up for work by day a total loss. Don’t
-turn the night time into day, or loaf along the Great White Way—that
-habit grows; if to the front you hope to keep, you must devote your
-nights to sleep—I tell you those.
-
-
-------------------------------------------------------------------------
-
-
- PLANTING A TREE
-
-TO be in line with worthy folk, you soon must plant an elm or oak, a
-beech or maple fair to see, a single or a double tree. When winter’s
-storms no longer roll, go, get a spade and dig a hole, and bring a
-sapling from the woods, and show your neighbors you’re the goods. What
-though with years you’re bowed and bent, and feel your life is nearly
-spent? The tree you plant will rear its limbs, and there the birds will
-sing their hymns, and in its cool and grateful shade the girls will sip
-their lemonade; and lovers there on moonlight nights will get Dan Cupid
-dead to rights; and fervid oaths and tender vows will go a-zipping
-through its boughs. And folks will say, with gentle sigh, “Long years
-ago an ancient guy, whose whiskers brushed against his knee, inserted in
-the ground this tree. ’Twas but a little sapling then; and he, the
-kindest of old men, was well aware that he’d be dead, long ere its
-branches grew and spread, but still he stuck it in the mould, and never
-did his feet grow cold. Oh, he was wise and kind and brave—let’s place a
-nosegay on his grave!”
-
-
-------------------------------------------------------------------------
-
-
- DREAMERS AND WORKERS
-
-THE dreamers sit and ponder on distant things and dim, across the
-skyline yonder, where unknown planets swim; they roam the starry
-reaches—at least, they think they do—with patches on their breeches and
-holes in either shoe. The workers still are steaming around at useful
-chores; they always save their dreaming for night, to mix with snores.
-They’re toiling on their places, they’re raising roastin’ ears, they are
-not keeping cases on far, uncharted spheres. They’re growing beans and
-carrots, and hay that can’t be beat, while dreamers in their garrets
-have not enough to eat. Oh, now and then a dreamer is most unduly smart,
-and shows he is a screamer in letters or in art; but where one is a
-winner, ten thousand dreamers weep because they lack a dinner, and have
-no place to sleep. There is a streak of yellow in dreamers, as a class;
-the worker is the fellow who makes things come to pass; he keeps the
-forges burning, the dinner pail he fills, he keeps the pulleys turning
-in forty thousand mills. The man with dreams a-plenty, who lives on
-musty prunes, beside him looks like twenty or eighteen picayunes.
-
-
-------------------------------------------------------------------------
-
-
- SPRING SICKNESS
-
-THIS is the season when the blood, according to the learned physician,
-is thick and flows as slow as mud, which puts a man in bad condition.
-Spring sickness is a fell disease, according to our time-worn notions,
-and, having it, the victim flees, to blow himself for dopes and potions.
-“I have to thin the sluggish stream,” he says, “which through my system
-passes; it’s thicker now than cheap ice cream, and flows like New
-Orleans molasses.” From all spring ills he’d have release, if he would
-tramp his potions under, and get a jar of Elbow Grease, the medicine
-that’s cheap as thunder. To get out doors where breezes blow, and tinker
-’round to beat the dickens, would make a lot of ailments go, and thin
-the blood that winter thickens. Instead of taking pale pink pills which
-are designed for purple parties, go, plant the spuds in shallow hills,
-and you’ll be feeling fine, my hearties! We are too fond of taking dope,
-while in our easy chairs reclining, when we should shed our coats and
-slope out yonder where the sun is shining.
-
-
-------------------------------------------------------------------------
-
-
- ON THE BRIDGE
-
-I STOOD on the bridge at midnight, and looked at the sizzling town,
-where the pleasure seeking people were holding the sidewalks down. The
-moon rose over the city and shone on the dames and gents, but the glare
-of the lights electric made it look like twenty cents. The windows of
-homes were darkened, for no one was staying there; the children, as
-well, as grownups, were all in the Great White Glare. Deserted were all
-the firesides, abandoned the old-time game; alas, that the old home
-circle is naught but an empty name! The father is out chug-chugging, the
-mother is at her club, the kids see the moving pictures, and go to
-hotels for grub. How often, oh, how often, in the days that seemed good
-to me, have I looked at the children playing at home, where they ought
-to be! How often, oh, how often, in those days of the proper stamp, have
-I gazed on the parents reading, at home, by the evening lamp! But the
-world has gone to thunder, forgotten that elder day; and I took up the
-bridge and broke it, and threw all the chunks away.
-
-
-------------------------------------------------------------------------
-
-
- MR. CHUCKLEHEAD
-
-HE shuts the windows, and shuts the doors, and then he lies in his bed
-and snores, and breathes old air that is stale and flat—the kind of air
-that would kill a cat. He says next day: “I am feeling tough; I’ll have
-to visit old Dr. Guff, and buy a pint of his pale pink pills, or I shall
-harbor some fatal ills.”
-
-He fills his system with steaks and pies, and never indulges in
-exercise. He eats and drinks of the market’s best, until the buttons fly
-off his vest; he’s grown so mighty of breadth and girth that when he
-gambols he shakes the earth. “I’ll see Doc Faker,” he says; “that’s
-flat; I’ll get his dope for reducing fat. Doc Faker says he can make me
-gaunt, and let me eat all the stuff I want.”
-
-He sits and mopes in his study chair, while others toil in the open air.
-He quaffs iced drinks through the sultry day, electric fans on his
-person play. “I feel despondent,” he murmurs low; “I lack the vim that I
-used to know; my liver’s loose and my kidneys balk, and my knee joints
-creak when I try to walk. I’ll call Doc Clinker and have him bring his
-Compound Juice of the Flowers of Spring.”
-
-His head is bald where the tresses grew in the long gone days when his
-scalp was new. He won’t believe that the hair won’t grow where it lost
-its grip in the long ago. He tries all manner of dope and drug; he buys
-Hair Balm by the gallon jug; he reads the papers and almanacs for news
-concerning the Mystic Wax which surely maketh the wool appear on heads
-gone bare in the yesteryear.
-
-The more he uses of patent dopes, the more he worries, the more he
-mopes. And all he needs to be blithe and gay is just to throw his old
-jugs away, to do some work, as his fathers toiled, to let in air that
-has not been spoiled, to rest his stomach and work his thews, quit
-pressing coat tails and shake his shoes. If Chucklehead and his tribe
-did this, they’d soon find health, which is short for bliss; and old Doc
-Faker and all his gang would close their offices and go hang.
-
-
-------------------------------------------------------------------------
-
-
- IN THE SPRING
-
-IN the spring the joyous husband hangs the carpet on the line, and
-assaults it with a horsewhip till its colors fairly shine; and the dust
-that rises from it fills the alley and the court, and he murmurs, ’twixt
-his sneezes: “This is surely splendid sport!”
-
-In the spring the well-trained husband wrestles with the heating stove,
-while the flippant-minded neighbors go a-fishing in a drove. With the
-pipes and wire he tinkers, and his laughter fills the place, when the
-wholesome soot and ashes gather on his hands and face; and he says: “I’d
-like to labor at this task from sun to sun; this is what I call
-diversion—this is pure and perfect fun!”
-
-In the spring the model husband carries furniture outdoors, and he gaily
-helps the women when they want to paint the floors; and he blithely eats
-his supper sitting on the cellar stairs, for he knows his wife has
-varnished all the tables and the chairs. Oh, he carries pails of water,
-and he carries beds and ticks, and he props up the veranda with a
-wagonload of bricks, and he deftly spades the garden, and he paints the
-barn and fence, and he rakes and burns the rubbish with an energy
-intense, saying ever as he labors, in the house or out of doors: “How I
-wish my wife and daughters could suggest some other chores!”
-
-In the spring this sort of husband may be found—there’s one in Spain,
-there is one in South Dakota and another one in Maine.
-
-
-------------------------------------------------------------------------
-
-
- BE JOYFUL
-
-YOU’D better be joking than kicking or croaking, you’d better be saying
-that life is a joy, then folks will caress you and praise you and bless
-you, and say you’re a peach and a broth of a boy. You’d better be
-cheery, not drooling and dreary, from the time you get up till you go to
-your couch; or people will hate you and roast and berate you—they don’t
-like the man with a hangover grouch. You’d better be leaving the
-groaning and grieving to men who have woes of the genuine kind; you know
-that your troubles are fragile as bubbles, they are but the growth of a
-colicky mind. You’d better be grinning while you have your inning, or
-when a real trouble is racking your soul, your friends will be growling,
-“He always is howling—he wouldn’t touch joy with a twenty-foot pole.”
-You’d better be pleasant; if sorrow is present, there’s no use in
-chaining it fast to your door; far better to shoo it, and hoot and
-pursue it, and then it may go and come back never more.
-
-
-------------------------------------------------------------------------
-
-
- GOOD AND EVIL
-
-THE poet got his facts awry, concerning what lives after death; the good
-men do lives on for aye, the evil passes like a breath. A noble thought,
-by thinker thunk, will live and flourish through the years; a thought
-ignoble goes kerplunk, to perish in a pool of tears. Man dies, and folks
-around his bed behold his tranquil, outworn clay; “We’ll speak no evil
-of the dead, but recollect the good,” they say. Then one recalls some
-noble trait which figured in the ice-cold gent. “He fixed the Widow
-Johnsing’s gate, and wouldn’t charge a doggone cent.” “Oh, he was grand
-when folks were ill; he’d stay and nurse them night and day, hand them
-the bolus and the pill, and never hint around for pay.” “He ran three
-blocks to catch my wig when April weather was at large.” “He butchered
-Mrs. Jagway’s pig, and smoked the hams, and didn’t charge.” Thus men
-conspire, to place on file and make a record of the good, and they’d
-forget the mean or vile for which, perhaps, in life you stood. The
-shining heroes we admire had faults and vices just like you; when they
-concluded to expire, their failings kicked the bucket, too.
-
-------------------------------------------------------------------------
-
-
- BROWN OCTOBER ALE
-
-HOW many ringing songs there are that celebrate the wine, and other
-goods behind the bar, as being wondrous fine! How many choruses exalt
-the brown October ale, which puts a fellow’s wits at fault, and lands
-him in the jail! A hundred poets wasted ink, and ruined good quill pens,
-describing all the joys of drink in gilded boozing kens. But all those
-joys are hollow fakes which wisdom can’t indorse; they’re soon converted
-into aches and sorrow and remorse. The man who drains the brimming glass
-in haunts of light and song, next morning knows that he’s an ass, with
-ears twelve inches long. An aching head, a pile of debts, a taste that’s
-green and stale, that’s what the merry fellow gets from brown October
-ale. Untimely graves and weeping wives and orphans shedding brine; this
-sort of thing the world derives from bright and sparkling wine. The
-prison cell, the scaffold near; such features may be blamed on wholesome
-keg and bottled beer, which made one city famed. Oh, sing of mud or axle
-grease, but chant no fairy tale, of that disturber of the peace, the
-brown October ale!
-
-------------------------------------------------------------------------
-
-
- DELIVER US
-
-FROM all the woe and sorrow that bloody warfare brings, when monarchs
-start to borrow some grief from other kings, from dreadful scenes of
-slaughter, and dead men by the cord, from blood that flows like water,
-deliver us, O Lord! From fear and melancholy that every death list
-gives, from all the pompous folly in which an army lives, from all the
-strife stupendous, that brings no sane reward, but only loss tremendous,
-deliver us, O Lord! From seeing friend and neighbor in tools of death
-arrayed, deserting useful labor to wield the thirsty blade; from seeing
-plowshares lying all rusty on the sward, where men and boys are dying,
-deliver us, O Lord! From seeing foreign legions invade our peaceful
-shore, and turn these smiling regions to scenes of death and gore, from
-all the desolation the gods of war accord to every fighting nation,
-deliver us, O Lord!
-
-
-------------------------------------------------------------------------
-
-
- DOING ONE’S BEST
-
-ONE sweetly solemn thought comes to me every night; I at my task have
-wrought, and tried to do it right. No doubt my work is punk, my efforts
-are a jest; however poor my junk, it represents my best. If you, at
-close of day, when sounds the quitting bell, that truthfully can say,
-you’re doing pretty well. Some beat you galley west, and bear away the
-prize, but you have done your best—in that the honor lies. And, having
-done your best, your conscience doesn’t hurt; serene you go to rest, in
-your long muslin shirt. And at the close of life, when you have said
-good-bye to cousin, aunt and wife, and all the children nigh, you’ll
-face the river cold that flows to islands blest, with courage high and
-bold, if you have done your best. No craven fears you’ll know, no
-terrors fierce and sharp, but like a prince you’ll go, to draw your
-crown and harp. So, then, whate’er the field in which you do your stunt,
-whatever tool you wield to earn your share of blunt, toil on with eager
-zest, nor falter in that plan; the one who does his best is God’s
-blue-ribbon man.
-
-
-------------------------------------------------------------------------
-
-
- A LITTLE WHILE
-
-A FEW more years, or a few more days, and we’ll all be gone from the
-rugged ways wherein we are jogging now; a few more seasons of stress and
-toil, then we’ll all turn in to enrich the soil, for some future
-farmer’s plow. A few more years and the grass will grow where you and
-the push are lying low, your arduous labors o’er; and those surviving
-will toil and strain, their bosoms full of the same old pain you knew in
-the days of yore. Oh, what’s the use of the carking care, or the load of
-grief that we always bear, in such a brief life as this? A few more
-years and we will not know a side of beef from a woozy woe, an ache from
-a bridal kiss. “I fear the future,” you trembling say, and nurse your
-fear in a dotard way, and moisten it with a tear; the future day is a
-day unborn, and you’ll be dead on its natal morn, so live while the
-present’s here. A few more years and you cannot tell a quart of tears
-from a wedding bell, a wreath from a beggar’s rags; you’ll take a ride
-to the place of tombs in a jaunty hearse with its nodding plumes, and a
-pair of milk-black nags. So while you stay on the old gray earth, cut up
-and dance with exceeding mirth, have nothing to do with woe; a few more
-years and you cannot weep, you’ll be so quiet and sound asleep, where
-the johnnie-jumpups grow.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- THE IDLERS
-
-MEN labor against the hames, and sweat till they’re old and gray,
-supporting the stall-fed dames who idle their years away. We’ve bred up
-a futile race of women who have no care, except for enameled face, or a
-sea-green shade of hair, who always are richly gowned and wearing
-imported lids, who carry their poodles ’round, preferring the pups to
-kids. And husbands exhaust their frames, and strain till their journey’s
-done, supporting the stall-fed dames, who never have toiled or spun.
-We’re placed in this world to work, to harvest our crop of prunes;
-Jehovah abhors the shirk, in gown or in trouserloons. The loafers in
-gems and silk are bad as the fragrant vags, who pilfer and beg and bilk,
-and die in their rancid rags. The loafers at bridge-whist games, the
-loafers at purple teas, the hand-painted stall-fed dames, are chains on
-the workers’ knees. The women who cook and sew, the women who manage
-homes, who have no desire to grow green hair on enameled domes, how
-noble and good they seem, how wholesome and sane their aim, compared
-with that human scream, the brass-mounted, stall-fed dame!
-
-
-------------------------------------------------------------------------
-
-
- LITERATURE
-
-I LIKE a rattling story of whiskered buccaneers, whose ships are black
-and gory, who cut off people’s ears. A yarn of Henry Morgan warms up my
-jaded heart, and makes that ancient organ feel young and brave and
-smart. I like detective fiction, it always hits the spot, however poor
-in diction, however punk in plot; I like the sleuth who follows a clue
-o’er hill and vale, until the victim swallows his medicine in jail. I
-like all stories ripping, in which some folks are killed, in which the
-guns go zipping, and everyone is thrilled. But when I have some callers,
-I hide those books away, those good old soul enthrallers which make my
-evenings gay. I blush for them, by jingo, and all their harmless games;
-I talk the highbrow lingo, and swear by Henry James. When sitting in my
-shanty, to “have my picture took,” I hold a work by Dante, or other
-heavy book. But when the artist’s vanished, I drop those dippy pomes,
-old Dante’s stuff is banished—I reach for Sherlock Holmes.
-
-
-------------------------------------------------------------------------
-
-
- NURSING GRIEF
-
-I KNOW not what may be your woe, how deep the grief you nurse, but if
-you bid the blamed thing go, it’s likely to disperse. If you would say,
-“Cheap grief, depart!” you soon might dance and sing; instead, you fold
-it to your heart, or lead it with a string. Oh, every time I go
-outdoors, I meet some mournful men, who talk about their boils or sores,
-of felon or of wen. Why put your misery in words, and thus your woe
-prolong? ’Twere best to talk about the birds, which sing their ragtime
-song; or of the cheerful clucking hens, which guard their nests of eggs;
-that beats a tale of corns or wens, of mumps or spavined legs. We go
-a-groaning of our aches, of damaged feet or backs, and nearly all our
-pains are fakes, when we come down to tacks. We talk about financial
-ills when we have coin to burn—and if we wish for dollar bills, there’s
-lots of them to earn. We cherish every little grief, when we should
-blithely smile; and if a woe’s by nature brief, we string it out a mile.
-Oh, let us cease to magnify each trifling ill and pain, and wear a
-sunbeam in each eye, and show we’re safe and sane.
-
-
-------------------------------------------------------------------------
-
-
- THE IDLE RICH
-
-I’M fond of coin, but I don’t itch to be among the idle rich, who have
-long green to burn; their wealth I could not well employ, for I could
-never much enjoy the bone I did not earn. Oh, every coin of mine is wet
-with honest, rich, transparent sweat, until it has been dried; it
-represents no sire’s bequest, no buried miser’s treasure chest, no
-“multi’s” pomp and pride. I grind my anthem mill at home, and every time
-I make a pome, I take in fifty cents; I get more pleasure blowing in
-this hard-earned, sweat-stained slice of tin, than do the wealthy gents.
-Their coin comes easy as the rain, it represents no stress or strain, no
-toil in shop or den; they use their wealth to buy and sell, like taking
-water from a well; the hole fills up again. We do not value much the
-thing, which, like an everlasting spring, wells up, year after year; if
-you’d appreciate a bone, you have to earn it with a groan, and soak it
-with a tear. I’d rather have the rusty dime for which I labored
-overtime, and sprained a wing or slat, than have the large and shining
-buck that Fortune handed me, or Luck; get wise, rich lad, to that.
-
-
-------------------------------------------------------------------------
-
-
- PASSING THE HAT
-
-PASSING the hat, passing the hat! Some one forever gets busy at that!
-Oh, it seems useless to struggle and strain, all our endeavor is
-hopeless and vain; when we have gathered a small, slender roll, hoping
-to lay in some cordwood or coal, hoping to purchase some flour and some
-spuds, hoping to pay for the ready made duds, hoping to purchase a bone
-for the cat, some one comes cheerfully passing the hat! Passing the hat
-that the bums may be warm, passing the hat for some noble reform,
-passing the hat for the fellows who fail, passing the hat to remodel the
-jail, passing the bonnet for this or for that, some one forever is
-passing the hat! Dig up your bundle and hand out your roll, if you don’t
-do it you’re lacking a soul! What if the feet of your children are bare?
-What if your wife has no corset to wear? What if your granny is weeping
-for shoes? What if the grocer’s demanding his dues? Some one will laugh
-at such logic as that, some one who’s merrily passing the hat! Passing
-the hat for the pink lemonade, passing the hat for a moral crusade,
-passing the hat to extinguish the rat—some one forever is passing the
-hat!
-
-
-------------------------------------------------------------------------
-
-
- GOING TO SCHOOL
-
-“I HATE to tool my feet to school,” we hear the boy confessin’; “I’d
-like to play the livelong day, and dodge the useful lesson. The rule of
-three gives pain to me, old Euclid makes me weary, the verbs of Greece
-disturb my peace, geography is dreary. I’ll go and fish; I do not wish
-to spend my lifetime schooling; I do not care to languish there, and
-hear the teacher drooling.” His books he hates, his maps and slates, and
-all the schoolhouse litter; he feels oppressed and longs for rest, his
-sorrows make him bitter. The years scoot on and soon are gone, for years
-are restless friskers; the schoolboy small is now grown tall, and has
-twelve kinds of whiskers. “Alas,” he sighs, “had I been wise, when I was
-young and sassy, I well might hold, now that I’m old, a situation
-classy. But all the day I thought of play, and fooled away my chances,
-and here I strain, with grief and pain, in rotten circumstances. I’m
-always strapped; I’m handicapped by lack of useful knowledge; through
-briny tears I view the years I loafed in school and college!”
-
-
-------------------------------------------------------------------------
-
-
- NOT WORTH WHILE
-
-THE night of death will soon descend; a few short years and then the
-end, and perfect rest is ours; forgotten by the busy throng, we’ll
-sleep, while seasons roll along, beneath the grass and flowers. Our
-sojourn in this world is brief, so why go hunting care and grief, why
-have a troubled mind? And what’s the use of getting mad, and making
-folks around us sad, by saying words unkind? Why not abjure the base and
-mean, why not be sunny and serene, from spite and envy free? Why not be
-happy while we may, and make our little earthly stay a joyous jamboree?
-We’re here for such a little while! And then we go and leave the pile
-for which we strive and strain; worn out and broken by the grind, we go,
-and leave our wads behind—such effort’s all in vain. We break our hearts
-and twist our souls acquiring large and useless rolls of coins and
-kindred things, and when we reach St. Peter’s Town, they will not buy a
-sheet-iron crown, or cast-off pair of wings.
-
-
-------------------------------------------------------------------------
-
-
- MISREPRESENTATION
-
-I BOUGHT a pound of yellow cheese, the other day, from Grocer Wheeze.
-And as he wrapped it up he cried, “In this fine cheese I take much
-pride. It’s made from Jersey cream and milk, and you will find it fine
-as silk; it’s absolutely pure and clean, contains no dyes or gasoline,
-it’s rich and sweet, without a taint, doggone my buttons if it ain’t.
-Oh, it will chase away your woe, and make your hair and whiskers grow.”
-I took it home with eager feet, impatient to sit down and eat, for I am
-fond of high-class cheese, which with my inner works agrees. But that
-blamed stuff was rank and strong, for it had been on earth too long. My
-wife, a good and patient soul, remarked, “Bring me a ten-foot pole,
-before you do your other chores, and I will take that cheese out doors.
-Before it’s fit for human grub we’ll have to stun it with a club.” What
-does a sawed-off grocer gain by such a trick, unsafe, insane? And what
-does any merchant make by boosting some atrocious fake? Yet every day
-we’re buying junk which proves inferior and punk, although it’s praised
-to beat the band; such things are hard to understand.
-
-
-------------------------------------------------------------------------
-
-
- MAN OF GRIEF
-
-I NOW am bent and old and gray, and I have come a doleful way. A son of
-sorrow I have been, since first I reached this world of sin. Year after
-year, and then repeat, all kinds of troubles dogged my feet; they nagged
-me when I wished to sleep and made me walk the floor and weep. I had all
-troubles man can find—and most of them were in my mind. When I would
-number all the cares which gave me worry and gray hairs, I can’t
-remember one so bad that it should bother any lad. And often, looking
-back, I say, “I wonder why I wasn’t gay, when I had youth and strength
-and health, and all I lacked on earth was wealth? I wonder why I didn’t
-yip with gladness ere I lost my grip? My whole life long I’ve wailed and
-whined of cares which lived but in my mind. The griefs that kept me
-going wrong were things that never came along. The cares that furrowed
-cheek and brow look much like hop-joint phantoms now. And now that it’s
-too late, almost, I see that trouble is a ghost, a scarecrow on a
-crooked stick, to scare the gents whose hearts are sick.”
-
-
-------------------------------------------------------------------------
-
-
- MELANCHOLY DAYS
-
-THE melancholy days have come, the saddest of the year, when you,
-determined to be glum, produce the flowing tear, when you refuse to see
-the joys surrounding every gent, and thus discourage other boys, and
-stir up discontent. A grouch will travel far and long before its work is
-done; and it will queer the hopeful song, and spoil all kinds of fun.
-Men start downtown with buoyant tread, and things seem on the boom; then
-you come forth with blistered head, and fill them up with gloom. There’d
-be no melancholy days, our lives would all be fair, if it were not for
-sorehead jays who always preach despair. We’d shake off every kind of
-grief if Jonah didn’t come, the pessimist who holds a brief for all
-things on the bum. So, if you really cannot rise above the sob and wail,
-and see the azure in the skies, and hear the nightingale, let some dark
-cave be your abode, where men can’t hear your howl, and let your
-comrades be the toad, the raven, and the owl.
-
-
-------------------------------------------------------------------------
-
-
- MIGHT BE WORSE
-
-THE window sash came hurtling down on Kickshaw’s shapely head and neck;
-it nearly spoiled his toilworn crown, and made his ears a hopeless
-wreck. Then Kickshaw sat and nursed his head, a man reduced to grievous
-pass; yet, with a cheerful smile, he said, “I’m glad it didn’t break the
-glass.” He might have ripped around and swore, till people heard him
-round a block, or kicked a panel from the door, or thrown the tomcat
-through the clock; he might have dealt in language weird, and made the
-housewife’s blood run cold, he might have raved and torn his beard, and
-wept as Rachel wept of old. But Kickshaw’s made of better stuff, no
-tears he sheds, no teeth he grinds; when dire misfortune makes a bluff,
-he looks for comfort, which he finds. And so he bears his throbbing
-ache, and puts a poultice on his brain, and says, “I’m glad it didn’t
-break that rich, imported window pane.” It never helps a man to beef,
-when trouble comes and knocks him lame; there’s solace back of every
-grief, if he will recognize the same.
-
-
-------------------------------------------------------------------------
-
-
- MODERATELY GOOD
-
-A LOAD of virtue will never hurt you, if modestly it’s borne; the
-saintly relic who’s too angelic for week days, makes us mourn. The
-gloomy mortal who by a chortle or joke is deeply vexed, the turgid
-person who’s still disbursin’ the precept and the text, is dull and
-dreary, he makes us weary, we hate to see him come; oh, gent so pious,
-please don’t come nigh us—your creed is too blamed glum! The saint who
-mumbles, when some one stumbles, “That man’s forever lost,” is but a
-fellow with streak of yellow, his words are all a frost. Not what we’re
-saying, as we go straying adown this tinhorn globe, not words or
-phrases, though loud as blazes, will gain us harp and robe. It’s what
-we’re doing while we’re pursuing our course with other skates, that will
-be counted when we have mounted the ladder to the Gates. A drink of
-water to tramps who totter with weakness in the sun will help us better
-than text and letter of sermons by the ton. So let each action give
-satisfaction, let words be few and wise, and, after dying, we’ll all go
-flying and whooping through the skies.
-
-
-------------------------------------------------------------------------
-
-
- THE GIRL GRADUATE
-
-IN school, academy and college stands forth the modern cultured girl,
-her lovely head so stuffed with knowledge it fairly makes her tresses
-curl. We all lean back in admiration when she stands up to make her
-speech, the finest product of the nation, the one serene, unblemished
-peach. Behold her in her snowy garments, the pride, the honor of her
-class! A malediction on the varmints who say her learning cuts no grass!
-“She hasn’t learned to fry the mutton, she’s not equipped to be a wife;
-she couldn’t fasten on a button, to save her sweet angelic life! With
-all her mighty fund of learning, she’s ignorant of useful chores; she
-cannot keep an oil stove burning so it won’t smoke us out of doors. The
-man she weds will know disaster, his dreams of home and love will spoil;
-she cannot make a mustard plaster, or put a poultice on a boil.” Avaunt,
-ye croakers, skip and caper, or we’ll upset your apple-carts! The damsel
-rises with her paper on “Old Greek Gods and Modern Arts.” So pledge her
-in a grapejuice flagon! Who cares if she can sew or bake? She’s pretty
-as a new red wagon, and sweeter than an old plum cake.
-
-
-------------------------------------------------------------------------
-
-
- THE BYSTANDER
-
-I STAND by my window alone, and look at the people go by, pursuing the
-shimmering bone, which is so elusive and shy. Pursuing the beckoning
-plunk, and no one can make them believe that rubles and kopecks are
-junk, vain baubles got up to deceive. Their faces are haggard and sad,
-from weariness often they reel, pursuing the succulent scad, pursuing
-the wandering wheel. And many are there in the throng who have all the
-money they need, and still they go racking along, inspired by the demon
-of greed. “To put some more bucks in the chest,” they sigh, as they
-toil, “would be grand;” the beauty and blessing of rest is something
-they don’t understand. We struggle and strain all our years, and wear
-out our bodies and brains, and when we are stretched on our biers, what
-profit we then by our pains? The lawyers come down with a whoop, and
-rake in our bundle of scrip, and plaster a lien on the coop before our
-poor orphans can yip. I stand at my window again, and see the poor folks
-as they trail, pursuing the yammering yen, pursuing the conquering kale;
-and sorrow is filling my breast, regret that the people won’t know the
-infinite blessing of rest, that solace for heartache and woe.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- MEDICINE HAT
-
-THE tempests that rattle and kill off the cattle and freeze up the combs
-of the roosters and hens, that worry the granger, whose stock is in
-danger—the mules in their stables, the pigs in their pens—the loud winds
-that frolic like sprites with the colic and carry despair to the
-workingman’s flat, the wild raging blizzard that chills a man’s gizzard,
-they all come a-whooping from Medicine Hat. When men get together and
-note that the weather is fixing for ructions, preparing a storm, they
-cry: “Julius Caesar! The square-headed geezer who’s running the climate
-should try to reform! The winter’s extensive and coal’s so expensive
-that none can keep warm but the blamed plutocrat! It’s time that the
-public should some weather dub lick! It’s time for a lynching at
-Medicine Hat!” And when the sun’s shining we still are repining. “This
-weather,” we murmur, “is too good to last; just when we’re haw-hawing
-because we are thawing there’ll come from the Arctic a stemwinding
-blast; just when we are dancing and singing and prancing, there’ll come
-down a wind that would freeze a stone cat; just when we are hoping that
-winter’s eloping, they’ll send us a package from Medicine Hat!”
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- FLETCHERISM
-
-I READ a screed by Brother Fletcher, on how we ought to chew our grub; I
-said, “It’s sensible, you betcher! I’ll emulate that thoughtful dub. No
-more like some old anaconda, I’ll swallow all my victuals whole; I’ll
-eat the sort of things I’m fond o’, but chew them up with heart and
-soul.” And now I’m always at the table, I have no time to do my chores;
-the horse is starving in the stable, the weeds are growing out o’ doors.
-My wife says, “Say, you should be doing some work around this slipshod
-place.” I answer her, “I’m busy chewing—canst see the motions of my
-face?” I have no time to hoe the taters, I have no time to mow the lawn;
-though chewing like ten alligators, I’m still behind, so help me, John!
-I chew the water I am drinking, I chew the biscuit and the bun; I’ll
-have to hire a boy, I’m thinking, to help me get my chewing done. Some
-day they’ll bear me on a stretcher out to the boneyard, where they
-plant, and send my teeth to Brother Fletcher, to make a necklace for his
-aunt.
-
-
-------------------------------------------------------------------------
-
-
- FATHER TIME
-
-TIME drills along, and, never stopping, winds up our spool of thread;
-the time to do our early shopping is looming just ahead. It simply beats
-old James H. Thunder how time goes scooting on; and now and then we
-pause and wonder where all the days have gone. When we are old a month
-seems shorter than did a week in youth; the years are smaller by a
-quarter, and still they shrink, forsooth. This busy world we throw our
-fits in will soon be ours no more; time hurries us, and that like
-blitzen, toward another shore. So do not make me lose a minute, as it
-goes speeding by; I want to catch each hour and skin it and hang it up
-to dry. A thousand tasks are set before me, important, every one, and if
-you stand around and bore me, I’ll die before they’re done. Oh, you may
-go and herd together, and waste the transient day, and talk about the
-crops and weather until the roosters lay, but I have work that long has
-beckoned, and any Jim or Joe who causes me to lose a second, I look on
-as a foe.
-
-
-------------------------------------------------------------------------
-
-
- FIELD PERILS
-
-THE farmer plants his field of corn—the kind that doesn’t pop—and hopes
-that on some autumn morn he’ll start to shuck his crop. And shuck his
-crop he often does, which is exceeding queer, for blights and perils
-fairly buzz around it through the year. I think it strange that farmers
-raise the goodly crops they do, for they are scrapping all their days
-against a deadly crew. To plant and till will not suffice; the men must
-strain their frames, to kill the bugs and worms and mice, and pests with
-Latin names. The cut worms cut, the chinchbugs chinch, the weevil weaves
-its ill, and other pests come up and pinch the corn and eat their fill.
-And then the rainworks go on strike, and gloom the world enshrouds, and
-up and down the burning pike the dust is blown in clouds. And if our
-prayers are of avail, and rain comes in the night, it often brings a
-grist of hail that riddles all in sight. And still the farmers raise
-their crops, and nail the shining plunk; none but the kicker stands and
-yawps, and what he says is bunk. If all men brooded o’er their woes, and
-looked ahead for grief, that gent would starve who gaily goes to thresh
-the golden sheaf.
-
-
-------------------------------------------------------------------------
-
-
- JOY COMETH
-
-I SAT and sighed, with downcast head, my heart consumed with sorrow, and
-then my Aunt Jemima said: “I’m going home tomorrow!” I’d feared that she
-would never leave, her stay would be eternal, and that’s what made me
-pine and grieve, and say, “The luck’s infernal!” I thought my dark and
-gloomy skies no sunshine e’er would borrow, then Aunt Jemima ups and
-cries, “I’m going home tomorrow!” Thus oft the kindly gods confound the
-kickist and the carkist, and joy comes cantering around just when things
-seem the darkest. We all have aunts who come and stay until their
-welcome’s shabby, who eat our vittles day by day, until the purse is
-flabby; and when we think they’ll never go, or let us know what peace
-is, they up and dissipate our woe by packing their valises. The darkest
-hour’s before the dawn, and when your grief’s intensest, it is a sign
-’twill soon be gone, not only hence, but hencest.
-
-
-------------------------------------------------------------------------
-
-
- LIVING TOO LONG
-
-I WOULD not care to live, my dears, much more than seven hundred years,
-if I should last that long; for I would tire of things in time, and life
-at last would seem a crime, and I a public wrong. Old Gaffer Goodworth,
-whom you know, was born a hundred years ago, and states the fact with
-mirth; he’s rather proud that he has hung around so long while old and
-young were falling off the earth. But when his boastful fit is gone, a
-sadness comes his face upon, that speaks of utter woe; he sits and
-broods and dreams again of vanished days, of long dead men, his friends
-of long ago. There is no loneliness so dread as that of one who mourns
-his dead in white and wintry age, who, when the lights extinguished are,
-the other players scattered far, still lingers on the stage. There is no
-solitude so deep as that of him whose friends, asleep, shall visit him
-no more; shall never ask, “How do you stack,” or slap him gaily on the
-back, as in the days of yore. I do not wish to draw my breath until the
-papers say that Death has passed me up for keeps; when I am tired I want
-to die and in my cosy casket lie as one who calmly sleeps. When I am
-tired of dross and gold, when I am tired of heat and cold, and happiness
-has waned, I want to show the neighbor folk how gracefully a man can
-croak when he’s correctly trained.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- FRIEND BULLSNAKE
-
-THESE sunny days bring forth the snakes from holes in quarries, cliffs
-and brakes. The gentle bullsnake, mild and meek, sets forth his proper
-prey to seek; of all good snakes he is the best, with high ambitions in
-his breast; he is the farmer’s truest friend, because he daily puts an
-end to mice and other beasts which prey upon that farmer’s crops and
-hay. He is most happy when he feasts on gophers and such measly beasts;
-and, being six or eight feet high, when stood on end, you can’t deny
-that forty bullsnakes on a farm are bound to do the vermin harm. The
-bullsnake never hurts a thing; he doesn’t bite, he doesn’t sting, or
-wrap you in his slimy folds, and squeeze you till he busts all holds. As
-harmless as a bale of hay, he does his useful work all day, and when at
-night he goes to rest, he’s killed off many a wretched pest. And yet the
-farmers always take a chance to kill this grand old snake. They’ll chase
-three miles or more to end the labors of their truest friend. They’ll
-hobble forth from beds of pain to hack a bullsnake’s form in twain, and
-leave him mangled, torn and raw—which shows there ought to be a law.
-
-
-------------------------------------------------------------------------
-
-
- DOUGHNUTS
-
-I SEEK the high-class eating joint, when my old stomach gives a wrench,
-and there the waiters proudly point to bills of fare got up in French. I
-order this, and order that, in eagerness my face to feed, and oftentimes
-I break a slat pronouncing words I cannot read. And as I eat the costly
-greens, prepared by an imported cook, to other times and other scenes
-with reminiscent eyes I look. My mother never was in France, no foreign
-jargon did she speak, but how I used to sing and dance when she made
-doughnuts once a week! Oh, they were crisp and brown and sweet, and they
-were luscious and sublime, and I could stand around and eat a half a
-bushel at a time. The doughnuts that our mothers made! They were the
-goods, they were the stuff; we used to eat them with a spade and simply
-couldn’t get enough. And when I face imported grub, all loaded down with
-Choctaw names, I sigh and wish I had a tub of doughnuts, made by
-old-time dames. I do not care for fancy frills, but when the doughnut
-dish appears, I kick my hind feet o’er the thills, and whoop for joy,
-and wag my ears.
-
-
-------------------------------------------------------------------------
-
-
- THE ILL WIND
-
-THE cold wet rain kept sloshing down, and flooded yard and street. My
-uncle cried: “Don’t sigh and frown! It’s splendid for the wheat!” I
-slipped and fell upon the ice, and made my forehead bleed. “Gee whiz!”
-cried uncle, “this is nice! Just what the icemen need!” A windstorm blew
-my whiskers off while I was writing odes. My uncle said: “Don’t scowl
-and scoff—’twill dry the muddy roads!” If fire my dwelling should
-destroy, or waters wash it hence, my uncle would exclaim, with joy: “You
-still have got your fence!” When I was lying, sick to death, expecting
-every day that I must draw my final breath, I heard my uncle say, “Our
-undertaker is a jo, and if away you fade, it ought to cheer you up to
-know that you will help his trade.” And if we study uncle’s graft, we
-find it good and fair; how often, when we might have laughed, we wept
-and tore our hair! Such logic from this blooming land should drive away
-all woe; the thing that’s hard for you to stand, is good for Richard
-Roe.
-
-
-------------------------------------------------------------------------
-
-
- APPROACH OF SPRING
-
-THE spring will soon be here; the snow will disappear; the hens will
-cluck, the colts will buck, as will the joyous steer. How sweet an April
-morn! The whole world seems reborn; and ancient men waltz round again
-and laugh their years to scorn. And grave and sober dames forsake their
-quilting frames, and cut up rough, play blind man’s buff, and kindred
-cheerful games. The pastors hate to preach; the teachers hate to teach;
-they’d like to play baseball all day, or on the bleachers bleach. The
-lawyer tires of law; the windsmith rests his jaw; they’d fain forget the
-toil and sweat, and play among the straw. The spring’s the time for
-play; let’s put our work away, with joyous spiels kick up our heels,
-e’en though we’re old and gray. You see old Dobbin trot around the
-barnyard lot, with flashing eye and tail on high, his burdens all
-forgot. You see the muley cow that’s old and feeble now, turn
-somersaults and prance and waltz, and stand upon her brow. The rooster,
-old is he, and crippled as can be, yet on his toes he stands and crows
-“My Country, ’Tis of Thee.” Shall we inspired galoots have less style
-than the brutes? Oh, let us rise and fill the skies with echoing
-toot-toots.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- STUDYING BOOKS
-
-WITH deep and ancient tomes to toil, and burn the midnight Standard oil
-may seem a job forbidding; but it’s the proper thing to do, whene’er you
-have the time, if you would have a mind non-skidding. If one in social
-spheres would shine, he ought to cut out pool and wine, and give some
-time to study; load up with wisdom to the guards and read the message of
-the bards from Homer down to Ruddy. How often conversation flags, how
-oft the weary evening drags, when people get together, when they have
-sprung their ancient yawps about the outlook of the crops, the groundhog
-and the weather. How blest the gent who entertains, who’s loaded up his
-active brains with lore that’s worth repeating, the man of knowledge,
-who can talk of other things than wheat and stock and politics and
-eating! Our lives are lustreless and gray because we sweat around all
-day and think of naught but lucre; and when we’re at our inglenooks we
-never open helpful books, but fool with bridge or euchre. Exhausted by
-the beastly grind we do not try to store the mind with matters worth the
-knowing; our lives are spent in hunting cash, and when we die we make no
-splash, and none regrets our going.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- STRANGER THAN FICTION
-
-IT’S strange that people live so long, remaining healthy, sound and
-strong, when all around us, everywhere, the germs and microbes fill the
-air. The more we read about the germs, in technical or easy terms, the
-stranger does it seem that we have so far dodged eternity. No wonder a
-poor mortal squirms; all things are full of deadly germs. The milk we
-drink, the pies we eat, the shoes we wear upon our feet, are haunts of
-vicious things which strive to make us cease to be alive. And yet we
-live on just the same, ignore the germs, and play our game. Well, that’s
-just it; we do not stew or fret o’er things we cannot view. If germs
-were big as hens or hawks, and flew around our heads in flocks, we’d
-just throw up our hands and cry: “It is no use—it’s time to die!” The
-evils that we cannot see don’t cut much ice with you and me. A bulldog
-by the garden hedge, with seven kinds of teeth on edge, will hand to me
-a bigger scare than all the microbes in the air. So let us live and have
-our fun, and woo and wed and blow our mon, and not acknowledge coward
-fright of anything that’s out of sight.
-
-
-------------------------------------------------------------------------
-
-
- THE GOOD DIE YOUNG
-
-BESIDE the road that leads to town the thistle thrives apace, and if you
-cut the blamed thing down, two more will take its place. The sunflowers
-flourish in the heat that kills the growing oats; the weeds keep living
-when the wheat and corn have lost their goats. The roses wither in the
-glare that keeps the prune alive, the orchards fail of peach and pear
-while cheap persimmons thrive. The good and useful men depart too soon
-on death’s dark trip; they just have fairly made a start when they must
-up and skip. A little cold, a little heat will quickly kill them off; a
-little wetting of their feet, a little hacking cough; they’re tender as
-the blushing rose of evanescent bloom; too quickly they turn up their
-toes and slumber in the tomb. And yet the world is full of scrubs who
-don’t know how to die, a lot of picayunish dubs, who couldn’t, if they’d
-try. Year after year, with idle chums, they hang around the place, until
-at last their age becomes a scandal and disgrace. And thus the men of
-useful deeds die off, while no-goods thrive; you can’t kill off the
-human weeds, nor keep the wheat alive.
-
-
-------------------------------------------------------------------------
-
-
- DISCONTENT
-
-THE man who’s discontented, whose temper’s always frayed, who keeps his
-shanty scented with words that are decayed, would do as much complaining
-if all the gods on high upon his head were raining ambrosia, gold, and
-pie. The man who busts his gallus because his house is cheap, would rant
-if in a palace he could high wassail keep. The vexed and vapid voter who
-throws a frequent fit because his neighbors motor while he must hit the
-grit, would have as many worries, his soul would wear its scars, if he
-had seven surreys and twenty motor cars. The man who earns his living by
-toiling in the ditch, whose heart is unforgiving toward the idle rich,
-who hates his lot so humble, his meal of bread and cheese, would go
-ahead and grumble on downy beds of ease. Contentment is a jewel that
-some wear in the breast, and life cannot be cruel so long as it’s
-possessed! This gem makes all things proper, the owner smiles and sings;
-it may adorn a pauper, and be denied to kings.
-
-
-------------------------------------------------------------------------
-
-
- SILVER THREADS
-
-LIFE is fading fast away, silver threads are on my brow; will you love
-me when I’m gray, as you love me now, my frau? Will you love me when I’m
-old, and my temper’s on the blink, and I sit around and scold till I
-drive the folks to drink? When I have the rheumatiz, and lumbago, and
-repeat, and the cusswords fairly sizz as I nurse my swollen feet; when a
-crutch I have to use, since my trilbys are so lame that they will not
-fit my shoes, will you love me just the same? When the gout infests my
-toes, and all vanished are my charms, will you kiss me on the nose, will
-you clasp me in your arms? Silver threads are in the gold, life will
-soon have run its lease; I’d be glad if I were told that your love will
-still increase when my high ambition fails, and my hopes are all
-unstrung, and I tell my tiresome tales of the days when I was young;
-when I sit around the shack making loud and dismal moan, of the stitches
-in my back, and my aching collar bone; when the asthma racks my chest so
-I cannot speak a word, will you fold me to your breast, saying I’m your
-honeybird? When I’m palsied, stiff and sere, when I’m weary of the game,
-tell me, O Jemima dear, will you love me just the same?
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- MOVING ON
-
-WE foolish folk are discontented with things where’er we chance to
-dwell. “The air,” we say, “is sweeter scented in some far distant dale
-or dell.” And so we pull up stakes and travel to seek the fair and
-promised land, and find our Canaan is but gravel, a wilderness of rocks
-and sand. “Across the hills the fields are greener,” we murmur, “and the
-view more fair; the water of the brooks is cleaner, and fish grow larger
-over there.” And so we leave our pleasant valley, from all our loving
-friends we part, and o’er the stony hills we sally, to reach a land that
-breaks the heart. “There’s gold in plenty over yonder,” we say, “and we
-shall seek the mines.” Then from our cheerful homes we wander, far from
-our fig trees and our vines; a little while our dreams we cherish, and
-think that we can never fail; but, tired at last, we drop and perish,
-and leave our bones upon the trail. How happy is the man whose nature
-permits him to enjoy his home, who, till compelled by legislature,
-declines in paths afar to roam! There is no region better, fairer, than
-that home region that you know; there are no zephyrs sweeter, rarer,
-than those which through your galways blow.
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- THE OLD PRAYER
-
-WHEN the evening shadows fall, oftentimes do I recall other evenings,
-far away, when, aweary of my play, I would climb on granny’s knee (long
-since gone to sleep has she), clasp my hands and bow my head, while the
-simple lines I said, “Now I lay me down to sleep, I pray the Lord my
-soul to keep.” Journeyed long have I since then, in this sad, gray world
-of men; I have seen with aching heart, comrades to their rest depart;
-friends have left me, one by one, for the shores beyond the sun. Still
-the Youth enraptured sings, and the world with gladness rings, but the
-faces I have known all are gone, and I’m alone. All alone, amid the
-throng, I, who’ve lived and journeyed long. Loneliness and sighs and
-tears are the wages of the years. Who would dread the journey’s end,
-when he lives without a friend? Now the sun of life sinks low; in a
-little while I’ll go where my friends and comrades wait for me by the
-jasper gate. Though the way be cold and stark, I shall murmur, in the
-dark, “Now I lay me down to sleep, I pray the Lord my soul to keep.”
-
-
-------------------------------------------------------------------------
-
-
- INTO THE SUNLIGHT
-
-OH cut out the vain repining, cease thinking of dole and doom! Come out
-where the sun is shining, come out of the cave of gloom! Come out of
-your hole and borrow a package of joy from me, and say to your secret
-sorrow, “I’ve no longer use for thee!” For troubles, which are deluding,
-are timorous beasts, I say; they stick to the gent who’s brooding, and
-flee from the gent who’s gay. The gateways of Eldorados are open, all
-o’er the earth; come out of the House of Shadows, and dwell in the House
-of Mirth. From Boston to far Bobcaygeon the banners of gladness float;
-oh, grief is a rank contagion, and mirth is the antidote. And most of
-our woes would perish, or leave us, on sable wings, if only we didn’t
-cherish and coddle the blame fool things. Long since would your woes
-have scampered away to their native fogs, but they have been fed and
-pampered like poodles or hairless dogs. And all of these facts should
-teach you it’s wise to be bright and gay; come out where the breeze can
-reach you, and blow all your grief away.
-
-
-------------------------------------------------------------------------
-
-
- BLEAK DAYS
-
-THE clouds are gray and grim today, the winds are sadly sighing; it
-seems like fall, and over all a sheet of gloom is lying. The dreary rain
-beats on the pane, and sounds a note of sorrow; but what’s the odds? The
-genial gods will bring us joy tomorrow. We have the mumps, the doctor
-humps himself around to cure it; we’re on the blink and often think we
-simply can’t endure it; to all who list we groan, I wist, and tell a
-hard-luck story; but why be vexed? Week after next we’ll all be
-hunkydory. The neighbor folks are tiresome blokes, they bore us and
-annoy us; with such folks near it’s amply clear that no one can be
-joyous; things would improve if they would move—we really do not need
-them; but let’s be gay! They’ll move away, and worse ones will succeed
-them. The world seems sad, sometimes, my lad, and life is a disaster;
-but do not roar; for every sore tomorrow brings a plaster. The fool, he
-kicks against the pricks, all optimism scorning; the wise man goes his
-way—he knows joy cometh in the morning.
-
-
-------------------------------------------------------------------------
-
-
- THE GIVERS
-
-THE great, fine men are oft obscure; they have no wide, resounding fame,
-that experts warrant to endure until the finish of the game. Old
-Clinkenbeard is such a man, and though he has no store of yen, he’s
-always doing what he can to help along his fellowmen. He has no millions
-to disburse, but when he meets a hungry guy, he digs a quarter from his
-purse, which buys the sinkers and the pie. The gifts of bloated
-millionaires mean nothing of a sacrifice; they sit around in easy chairs
-and count the scads they have on ice; if Croesus gives ten thousand
-bucks to help some college off the rocks, he still can have his wine and
-ducks—he has ten million in his box. The widow’s mite, I do not doubt,
-in heaven made a bigger splash than shekels Pharisees shelled out from
-their large wads of ill-gained cash. And so the poor man, when he breaks
-the only William in his pants, to buy some widow tea and cakes, is
-making angels sing and dance. In fertile soil he’s sowing seeds, and he
-shall reap a rich reward; for he who gives the coin he needs, is surely
-lending to the Lord.
-
-
-------------------------------------------------------------------------
-
-
- GOOD OLD DAYS
-
-HOW I regret the good old days, and all the pleasant, happy ways now
-perished from the earth! No more the worn breadwinner sings, no more the
-cottage rooftree rings with sounds of hearty mirth. The good old days!
-The cheerful nights! We had then no electric lights, but oil lamps
-flared and smoked; and now and then they would explode and blow the
-shanty ’cross the road, and sometimes victims croaked. The windows had
-no window screens, there were no books or magazines to make our morals
-lame; we used to sit ’round in the dark while father talked of Noah’s
-ark until our bedtime came. No furnace or steam heating plant would make
-the cold air gallivant; a fireplace kept us warm; the house was full of
-flying soot and burning brands, and smoke to boot, whene’er there was a
-storm. No telephones then made men curse; if with a neighbor you’d
-converse, you hoofed it fourteen miles; the girl who wished to be a
-belle believed that she was doing well if she knew last year’s styles.
-There’ll never be such days as those, when people wore no underclothes,
-and beds were stuffed with hay, when paper collars were the rage—oh,
-dear, delightful bygone age, when we were young and gay!
-
-[Illustration]
-
-
-
-
-------------------------------------------------------------------------
-
-
- THE RAIN
-
-THE clouds are banked up overhead, the thunder rips and roars; the
-lightning hits old Jimpson’s shed, and now the torrent pours. The crazy
-hens get wet and mad, the ducks rejoice and quack; the patient cow looks
-pretty sad, and humps her bony back; the hired man, driven from the
-field, for shelter swiftly hies; old Pluvius can surely wield the faucet
-when he tries. In half an hour the rain is done, the growling thunder
-stops, and once again the good old sun is warming up the crops. In half
-an hour more good is wrought to every human cause, than all our
-statesmen ever brought by passing helpful laws. Old Pluvius sends down
-the juice, when he’s blown off the foam, and once again high hangs the
-goose in every happy home. Not all the armies of the earth, nor fleets
-that sail the main, can bring us prizes which are worth a half-hour’s
-honest rain. No prophet with his tongue or pen, no poet with his lyre,
-can, like the rain, bring joy to men, or answer their desire. The
-sunflowers have new lease of life, the johnnie-jumpups jump. Now I must
-go and help my wife to prime the cistern pump.
-
-
-------------------------------------------------------------------------
-
-
- SOMETHING TO DO
-
-OH, ye who complain of the grind, remember these words (which are
-true!): The dreariest job one can find is looking for something to do!
-Sometimes, when my work seems a crime, and I’m sorely tempted to sob, I
-think of the long vanished time when I was out hunting a job. I walked
-eighty miles every day, and climbed forty thousand high stairs, and
-people would shoo me away, and pelt me with inkstands and chairs. And
-then, when the evening grew dark, I knew naught of comfort or ease; I
-made me a bed in the park, for supper chewed bark from the trees. I
-looked through the windows at men who tackled their oysters and squabs,
-and probably grumbled again because they were tired of their jobs. And I
-was out there in the rain, with nothing to eat but my shoe, and filled
-with a maddening pain because I had nothing to do. And now when I’m
-tempted to raise the grand hailing sign of distress, I think of those
-sorrowful days, and then I feel better, I guess. I go at my labors again
-with energy vital and new, and say, as I toil in my den, “Thank God, I
-have something to do!”
-
-
-------------------------------------------------------------------------
-
-
- INDUSTRY
-
-HOW doth the busy little bee improve each shining hour! It honey takes
-from every tree, and keeps it till it’s sour. Ah, nothing hinders,
-nothing queers its labors here below; it does not always cock its ears,
-to hear the whistle blow. Wherever honey is on tap, you see the bumbler
-climb; for shorter hours it doesn’t scrap, nor charge for overtime. It’s
-on the wing the livelong day, from rise to set of sun, and when at eve
-it hits the hay, no chore is left undone. And when the bumblers are
-possessed of honey by the pound, bad boys come up and swat their nest,
-and knock it to the ground. The store they gathered day by day has
-vanished in a breath, and so the bees exclaim, “Foul play!” and sting
-themselves to death. There is no sense in making work a gospel and a
-creed, in thinking every hour will spoil that knows no useful deed. No
-use competing with the sun, and making life a strain; for bees—and
-boys—must have some fun if they’d be safe and sane.
-
-
-------------------------------------------------------------------------
-
-
- WET WEATHER
-
-ALL spring the rain came down amain, and rills grew into rivers; the
-bullfrogs croaked that they were soaked till mildewed were their livers.
-The fish were drowned, and in a swound reclined the muskrat’s daughter,
-and e’en the snakes, in swamps and brakes, hissed forth “There’s too
-much water!” And all my greens, the peas and beans, that I with toil had
-planted, a sickly host, gave up the ghost, the while I raved and ranted.
-The dew of doom hit spuds in bloom, and slew the tender onion; I viewed
-the wreck, and said, “By heck!” and other things from Bunyan. All greens
-of worth drooped to the earth, and died and went to thunder; but useless
-weeds all went to seeds—no rain could keep them under. When weather’s
-dry, and in the sky a red-hot sun is burning, it gets the goats of corn
-and oats, the wheat to wastage turning; the carrots shrink, and on the
-blink you see the parsnips lying, but weeds still thrive and keep alive,
-while useful things are dying. It’s strange and sad that critters bad,
-both veg’table and human, hang on so tight, while critters bright must
-perish when they’re bloomin’!
-
-
-------------------------------------------------------------------------
-
-
- AFTER STORM
-
-THE wind has blown the clouds away, and now we have a perfect day, the
-sun is sawing wood; we jog along ’neath smiling skies, the sounds of
-grief no more arise, and every gent feels good. Life seems a most
-delightful graft when nature once again has laughed, dismissing clouds
-and gloom; we find new charms in Mother Earth, our faces beam with
-seemly mirth, our whiskers are in bloom. That is the use of dreary days,
-on which we’re all inclined to raise a yell of bitter grief; they fill
-us up with woe and dread, so when the gloomy clouds are sped, we’ll feel
-a big relief. That is the use of every care that fills your system with
-despair, and rends your heart in twain; for when you see your sorrow
-waltz, you’ll turn three hundred somersaults, and say life’s safe and
-sane. If there was not a sign of woe in all this verdant vale below,
-life soon would lose its zest, and you would straightway roar and beef
-because you couldn’t find a grief to cuddle to your breast. So sunshine
-follows after storm, and snow succeeds the weather warm, and we have fog
-and sleet; all sorts of days are sliding past, and when we size things
-up at last, we see life can’t be beat.
-
-
-------------------------------------------------------------------------
-
-
-
-
- ● Transcriber’s Notes:
- ○ Missing or obscured punctuation was silently corrected.
- ○ Typographical errors were silently corrected.
- ○ Inconsistent spelling and hyphenation were made consistent only
- when a predominant form was found in this book.
- ○ Text that:
- was in italics is enclosed by underscores (_italics_);.
-
-
-
-*** END OF THE PROJECT GUTENBERG EBOOK “HORSE SENSE” IN VERSES TENSE ***
-
-Updated editions will replace the previous one--the old editions will
-be renamed.
-
-Creating the works from print editions not protected by U.S. copyright
-law means that no one owns a United States copyright in these works,
-so the Foundation (and you!) can copy and distribute it in the
-United States without permission and without paying copyright
-royalties. Special rules, set forth in the General Terms of Use part
-of this license, apply to copying and distributing Project
-Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
-concept and trademark. Project Gutenberg is a registered trademark,
-and may not be used if you charge for an eBook, except by following
-the terms of the trademark license, including paying royalties for use
-of the Project Gutenberg trademark. If you do not charge anything for
-copies of this eBook, complying with the trademark license is very
-easy. You may use this eBook for nearly any purpose such as creation
-of derivative works, reports, performances and research. Project
-Gutenberg eBooks may be modified and printed and given away--you may
-do practically ANYTHING in the United States with eBooks not protected
-by U.S. copyright law. Redistribution is subject to the trademark
-license, especially commercial redistribution.
-
-START: FULL LICENSE
-
-THE FULL PROJECT GUTENBERG LICENSE
-PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
-
-To protect the Project Gutenberg-tm mission of promoting the free
-distribution of electronic works, by using or distributing this work
-(or any other work associated in any way with the phrase "Project
-Gutenberg"), you agree to comply with all the terms of the Full
-Project Gutenberg-tm License available with this file or online at
-www.gutenberg.org/license.
-
-Section 1. General Terms of Use and Redistributing Project
-Gutenberg-tm electronic works
-
-1.A. By reading or using any part of this Project Gutenberg-tm
-electronic work, you indicate that you have read, understand, agree to
-and accept all the terms of this license and intellectual property
-(trademark/copyright) agreement. If you do not agree to abide by all
-the terms of this agreement, you must cease using and return or
-destroy all copies of Project Gutenberg-tm electronic works in your
-possession. If you paid a fee for obtaining a copy of or access to a
-Project Gutenberg-tm electronic work and you do not agree to be bound
-by the terms of this agreement, you may obtain a refund from the
-person or entity to whom you paid the fee as set forth in paragraph
-1.E.8.
-
-1.B. "Project Gutenberg" is a registered trademark. It may only be
-used on or associated in any way with an electronic work by people who
-agree to be bound by the terms of this agreement. There are a few
-things that you can do with most Project Gutenberg-tm electronic works
-even without complying with the full terms of this agreement. See
-paragraph 1.C below. There are a lot of things you can do with Project
-Gutenberg-tm electronic works if you follow the terms of this
-agreement and help preserve free future access to Project Gutenberg-tm
-electronic works. See paragraph 1.E below.
-
-1.C. The Project Gutenberg Literary Archive Foundation ("the
-Foundation" or PGLAF), owns a compilation copyright in the collection
-of Project Gutenberg-tm electronic works. Nearly all the individual
-works in the collection are in the public domain in the United
-States. If an individual work is unprotected by copyright law in the
-United States and you are located in the United States, we do not
-claim a right to prevent you from copying, distributing, performing,
-displaying or creating derivative works based on the work as long as
-all references to Project Gutenberg are removed. Of course, we hope
-that you will support the Project Gutenberg-tm mission of promoting
-free access to electronic works by freely sharing Project Gutenberg-tm
-works in compliance with the terms of this agreement for keeping the
-Project Gutenberg-tm name associated with the work. You can easily
-comply with the terms of this agreement by keeping this work in the
-same format with its attached full Project Gutenberg-tm License when
-you share it without charge with others.
-
-1.D. The copyright laws of the place where you are located also govern
-what you can do with this work. Copyright laws in most countries are
-in a constant state of change. If you are outside the United States,
-check the laws of your country in addition to the terms of this
-agreement before downloading, copying, displaying, performing,
-distributing or creating derivative works based on this work or any
-other Project Gutenberg-tm work. The Foundation makes no
-representations concerning the copyright status of any work in any
-country other than the United States.
-
-1.E. Unless you have removed all references to Project Gutenberg:
-
-1.E.1. The following sentence, with active links to, or other
-immediate access to, the full Project Gutenberg-tm License must appear
-prominently whenever any copy of a Project Gutenberg-tm work (any work
-on which the phrase "Project Gutenberg" appears, or with which the
-phrase "Project Gutenberg" is associated) is accessed, displayed,
-performed, viewed, copied or distributed:
-
- This eBook is for the use of anyone anywhere in the United States and
- most other parts of the world at no cost and with almost no
- restrictions whatsoever. You may copy it, give it away or re-use it
- under the terms of the Project Gutenberg License included with this
- eBook or online at www.gutenberg.org. If you are not located in the
- United States, you will have to check the laws of the country where
- you are located before using this eBook.
-
-1.E.2. If an individual Project Gutenberg-tm electronic work is
-derived from texts not protected by U.S. copyright law (does not
-contain a notice indicating that it is posted with permission of the
-copyright holder), the work can be copied and distributed to anyone in
-the United States without paying any fees or charges. If you are
-redistributing or providing access to a work with the phrase "Project
-Gutenberg" associated with or appearing on the work, you must comply
-either with the requirements of paragraphs 1.E.1 through 1.E.7 or
-obtain permission for the use of the work and the Project Gutenberg-tm
-trademark as set forth in paragraphs 1.E.8 or 1.E.9.
-
-1.E.3. If an individual Project Gutenberg-tm electronic work is posted
-with the permission of the copyright holder, your use and distribution
-must comply with both paragraphs 1.E.1 through 1.E.7 and any
-additional terms imposed by the copyright holder. Additional terms
-will be linked to the Project Gutenberg-tm License for all works
-posted with the permission of the copyright holder found at the
-beginning of this work.
-
-1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
-License terms from this work, or any files containing a part of this
-work or any other work associated with Project Gutenberg-tm.
-
-1.E.5. Do not copy, display, perform, distribute or redistribute this
-electronic work, or any part of this electronic work, without
-prominently displaying the sentence set forth in paragraph 1.E.1 with
-active links or immediate access to the full terms of the Project
-Gutenberg-tm License.
-
-1.E.6. You may convert to and distribute this work in any binary,
-compressed, marked up, nonproprietary or proprietary form, including
-any word processing or hypertext form. However, if you provide access
-to or distribute copies of a Project Gutenberg-tm work in a format
-other than "Plain Vanilla ASCII" or other format used in the official
-version posted on the official Project Gutenberg-tm website
-(www.gutenberg.org), you must, at no additional cost, fee or expense
-to the user, provide a copy, a means of exporting a copy, or a means
-of obtaining a copy upon request, of the work in its original "Plain
-Vanilla ASCII" or other form. Any alternate format must include the
-full Project Gutenberg-tm License as specified in paragraph 1.E.1.
-
-1.E.7. Do not charge a fee for access to, viewing, displaying,
-performing, copying or distributing any Project Gutenberg-tm works
-unless you comply with paragraph 1.E.8 or 1.E.9.
-
-1.E.8. You may charge a reasonable fee for copies of or providing
-access to or distributing Project Gutenberg-tm electronic works
-provided that:
-
-* You pay a royalty fee of 20% of the gross profits you derive from
- the use of Project Gutenberg-tm works calculated using the method
- you already use to calculate your applicable taxes. The fee is owed
- to the owner of the Project Gutenberg-tm trademark, but he has
- agreed to donate royalties under this paragraph to the Project
- Gutenberg Literary Archive Foundation. Royalty payments must be paid
- within 60 days following each date on which you prepare (or are
- legally required to prepare) your periodic tax returns. Royalty
- payments should be clearly marked as such and sent to the Project
- Gutenberg Literary Archive Foundation at the address specified in
- Section 4, "Information about donations to the Project Gutenberg
- Literary Archive Foundation."
-
-* You provide a full refund of any money paid by a user who notifies
- you in writing (or by e-mail) within 30 days of receipt that s/he
- does not agree to the terms of the full Project Gutenberg-tm
- License. You must require such a user to return or destroy all
- copies of the works possessed in a physical medium and discontinue
- all use of and all access to other copies of Project Gutenberg-tm
- works.
-
-* You provide, in accordance with paragraph 1.F.3, a full refund of
- any money paid for a work or a replacement copy, if a defect in the
- electronic work is discovered and reported to you within 90 days of
- receipt of the work.
-
-* You comply with all other terms of this agreement for free
- distribution of Project Gutenberg-tm works.
-
-1.E.9. If you wish to charge a fee or distribute a Project
-Gutenberg-tm electronic work or group of works on different terms than
-are set forth in this agreement, you must obtain permission in writing
-from the Project Gutenberg Literary Archive Foundation, the manager of
-the Project Gutenberg-tm trademark. Contact the Foundation as set
-forth in Section 3 below.
-
-1.F.
-
-1.F.1. Project Gutenberg volunteers and employees expend considerable
-effort to identify, do copyright research on, transcribe and proofread
-works not protected by U.S. copyright law in creating the Project
-Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
-electronic works, and the medium on which they may be stored, may
-contain "Defects," such as, but not limited to, incomplete, inaccurate
-or corrupt data, transcription errors, a copyright or other
-intellectual property infringement, a defective or damaged disk or
-other medium, a computer virus, or computer codes that damage or
-cannot be read by your equipment.
-
-1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
-of Replacement or Refund" described in paragraph 1.F.3, the Project
-Gutenberg Literary Archive Foundation, the owner of the Project
-Gutenberg-tm trademark, and any other party distributing a Project
-Gutenberg-tm electronic work under this agreement, disclaim all
-liability to you for damages, costs and expenses, including legal
-fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
-LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
-PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
-TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
-LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
-INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
-DAMAGE.
-
-1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
-defect in this electronic work within 90 days of receiving it, you can
-receive a refund of the money (if any) you paid for it by sending a
-written explanation to the person you received the work from. If you
-received the work on a physical medium, you must return the medium
-with your written explanation. The person or entity that provided you
-with the defective work may elect to provide a replacement copy in
-lieu of a refund. If you received the work electronically, the person
-or entity providing it to you may choose to give you a second
-opportunity to receive the work electronically in lieu of a refund. If
-the second copy is also defective, you may demand a refund in writing
-without further opportunities to fix the problem.
-
-1.F.4. Except for the limited right of replacement or refund set forth
-in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
-OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
-LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.
-
-1.F.5. Some states do not allow disclaimers of certain implied
-warranties or the exclusion or limitation of certain types of
-damages. If any disclaimer or limitation set forth in this agreement
-violates the law of the state applicable to this agreement, the
-agreement shall be interpreted to make the maximum disclaimer or
-limitation permitted by the applicable state law. The invalidity or
-unenforceability of any provision of this agreement shall not void the
-remaining provisions.
-
-1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
-trademark owner, any agent or employee of the Foundation, anyone
-providing copies of Project Gutenberg-tm electronic works in
-accordance with this agreement, and any volunteers associated with the
-production, promotion and distribution of Project Gutenberg-tm
-electronic works, harmless from all liability, costs and expenses,
-including legal fees, that arise directly or indirectly from any of
-the following which you do or cause to occur: (a) distribution of this
-or any Project Gutenberg-tm work, (b) alteration, modification, or
-additions or deletions to any Project Gutenberg-tm work, and (c) any
-Defect you cause.
-
-Section 2. Information about the Mission of Project Gutenberg-tm
-
-Project Gutenberg-tm is synonymous with the free distribution of
-electronic works in formats readable by the widest variety of
-computers including obsolete, old, middle-aged and new computers. It
-exists because of the efforts of hundreds of volunteers and donations
-from people in all walks of life.
-
-Volunteers and financial support to provide volunteers with the
-assistance they need are critical to reaching Project Gutenberg-tm's
-goals and ensuring that the Project Gutenberg-tm collection will
-remain freely available for generations to come. In 2001, the Project
-Gutenberg Literary Archive Foundation was created to provide a secure
-and permanent future for Project Gutenberg-tm and future
-generations. To learn more about the Project Gutenberg Literary
-Archive Foundation and how your efforts and donations can help, see
-Sections 3 and 4 and the Foundation information page at
-www.gutenberg.org
-
-Section 3. Information about the Project Gutenberg Literary
-Archive Foundation
-
-The Project Gutenberg Literary Archive Foundation is a non-profit
-501(c)(3) educational corporation organized under the laws of the
-state of Mississippi and granted tax exempt status by the Internal
-Revenue Service. The Foundation's EIN or federal tax identification
-number is 64-6221541. Contributions to the Project Gutenberg Literary
-Archive Foundation are tax deductible to the full extent permitted by
-U.S. federal laws and your state's laws.
-
-The Foundation's business office is located at 809 North 1500 West,
-Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
-to date contact information can be found at the Foundation's website
-and official page at www.gutenberg.org/contact
-
-Section 4. Information about Donations to the Project Gutenberg
-Literary Archive Foundation
-
-Project Gutenberg-tm depends upon and cannot survive without
-widespread public support and donations to carry out its mission of
-increasing the number of public domain and licensed works that can be
-freely distributed in machine-readable form accessible by the widest
-array of equipment including outdated equipment. Many small donations
-($1 to $5,000) are particularly important to maintaining tax exempt
-status with the IRS.
-
-The Foundation is committed to complying with the laws regulating
-charities and charitable donations in all 50 states of the United
-States. Compliance requirements are not uniform and it takes a
-considerable effort, much paperwork and many fees to meet and keep up
-with these requirements. We do not solicit donations in locations
-where we have not received written confirmation of compliance. To SEND
-DONATIONS or determine the status of compliance for any particular
-state visit www.gutenberg.org/donate
-
-While we cannot and do not solicit contributions from states where we
-have not met the solicitation requirements, we know of no prohibition
-against accepting unsolicited donations from donors in such states who
-approach us with offers to donate.
-
-International donations are gratefully accepted, but we cannot make
-any statements concerning tax treatment of donations received from
-outside the United States. U.S. laws alone swamp our small staff.
-
-Please check the Project Gutenberg web pages for current donation
-methods and addresses. Donations are accepted in a number of other
-ways including checks, online payments and credit card donations. To
-donate, please visit: www.gutenberg.org/donate
-
-Section 5. General Information About Project Gutenberg-tm electronic works
-
-Professor Michael S. Hart was the originator of the Project
-Gutenberg-tm concept of a library of electronic works that could be
-freely shared with anyone. For forty years, he produced and
-distributed Project Gutenberg-tm eBooks with only a loose network of
-volunteer support.
-
-Project Gutenberg-tm eBooks are often created from several printed
-editions, all of which are confirmed as not protected by copyright in
-the U.S. unless a copyright notice is included. Thus, we do not
-necessarily keep eBooks in compliance with any particular paper
-edition.
-
-Most people start at our website which has the main PG search
-facility: www.gutenberg.org
-
-This website includes information about Project Gutenberg-tm,
-including how to make donations to the Project Gutenberg Literary
-Archive Foundation, how to help produce our new eBooks, and how to
-subscribe to our email newsletter to hear about new eBooks.